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Subject: korg sdd 1200
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Hello to the group from a new list member.

I am presently sorting and assembling gear to begin the looping =
adventure. I have a boss rc-50 to act as my main looper, with some rack =
mount delays to use before my instruments signals reach the rc-50.

I have an older korg sdd-1200 delay that i am trying to figure out. The =
unit just seems to give one solid repeat with one or two very faint =
repeats after. i am just running mono with the delays patched serial =
using the +mix out.=20
I am wondering if this is just how this particular unit was designed to =
work. or if I am missing something in the way I am hooking it up.

Any help or hints would be welcome.

cheers
ets
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<DIV><FONT size=3D2 face=3DArial>Hello to the group from a new list=20
member.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I&nbsp;am presently sorting and =
assembling gear to=20
begin the looping adventure. I have a boss rc-50 to act as my main =
looper, with=20
some rack mount delays to use before my instruments signals reach the=20
rc-50.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I have an older korg sdd-1200 delay =
that i am=20
trying to figure out. The unit just seems to give one solid repeat with =
one or=20
two very faint repeats after. i am just running mono with the delays =
patched=20
serial using the +mix out. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I am wondering if this is just how this =
particular=20
unit was designed to work. or if I am missing something in the way I am =
hooking=20
it up.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Any help or hints would be =
welcome.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>cheers</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>ets</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 08:04:43 2011
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Subject: Re: free pedal plugins!
From: Louie Angulo <louie.angulo@googlemail.com>
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ive been looking for a cool vinyl emulation AU plugin to simulate
vinyl static noise and dirt,izotopes vinyl is cool but is not working
under OSX Lion
any other suggestions?

On Wed, Nov 30, 2011 at 10:50 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Not my work but these may be of use to some of you guys..
> http://tonebytes.com/pedals/
> Peace
> G
>
>



-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 08:21:09 2011
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Subject: Re: free pedal plugins!
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i Think using audio recordings of vinyl crackles gives the best
effect. (freesound.org) you dont really want to destroy the tone of
your mux do you, just add enough to give feeling. Unless you are doing
some foley work or concept piece. i for example often add a few
crackles to a loop from my alesis airFX. which has a terrible vinyl
emulation, not for authentic antique recording, but just to make some
random clicky additions to the rythym.

Sent from my (advertisement removed)

On 1 Dec 2011, at 09:04, Louie Angulo <louie.angulo@googlemail.com> wrote:

> ive been looking for a cool vinyl emulation AU plugin to simulate
> vinyl static noise and dirt,izotopes vinyl is cool but is not working
> under OSX Lion
> any other suggestions?
>
> On Wed, Nov 30, 2011 at 10:50 AM, Gareth Whittock
> <buddhamachine@live.co.uk> wrote:
>> Not my work but these may be of use to some of you guys..
>> http://tonebytes.com/pedals/
>> Peace
>> G
>>
>>
>
>
>
> --
> www.luis-angulo.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 08:29:39 2011
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i just mentioned AirFX In another post, thought Id just drop a
question regarding its gain levels.

Its currently stuck on the output of one if my edp's, for processing.
However, if i select one of the "sound fx" patches, it comes out
INSANELY loud, But if i put the EDP thru something to increase its
volume, like a Limiter pedal i have, it just distorts.. Is this just a
"cheap product" problem, or a "need a better "Audio boost solution"
issue?


m


Sent from my (advertisement removed)

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 08:51:15 2011
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A rough estimate for a new one is "lower five-digit euro range".

The capacity on odd saxophones is this guy: http://eppelsheim.com

Benedikt Eppelsheim (who incidentially performed on my first CD, Janus) 
has at one point decided to make odd saxophones. One reason: Adolphe Sax 
originally designed the alto sax by a combination of copying from 
clarinet designs, educated guessing and trial and error. He then went on 
and got patents for saxophones in every register, from a sub contrabass 
to a sopranino. What he did there was linear scaling, i.e. on a 
sopranino, everything is half as big as on his alto design, and on the 
subcontrabass, everything is four times as big.

Since then, instrument makers mainly used these Sax designs when 
building their instruments. The result: while the alto and tenor saxes 
you usuall have are great instruments (with regard to intonation, 
response etc.), the baritones and sopranos are mainly ok, and everything 
above or below that is crap - because physics really don't work that way.

What Eppelsheim did (who, according to loop guy Andrew Pask, who with 
Jeff Kaiser forms The Choir Boys, is a "true hero among all the 
experimental saxophone players all over the world, but at least in the 
Pacific US, Hong Kong and New Zealand") was to focus on those extreme 
registers and completely redesign them based on physical research and 
advanced craftmanship.

But I digress: those big saxes cost a lot. Moreover, all of them (with 
the exception of the Eppelsheim ones) are more of a gimmick than a 
proper musical instrument, and for that, much too expensive...

             Rainer
> Thanks for the tip, Brian.   It's very important to get these things 
> right.
> God,  what does a bass saxaphone cost?   I can't even imagine.
>
> rick walker
>
>


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Vorstadtprinzessinnenklangwellen
Date: Thu, 1 Dec 2011 09:55:22 +0100
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here's a 45 minute recording of an improvised livelooping set that I did
last Saturday. What was most interesting to me about it was that I had some
plans what to do on the evening, but for various reasons (difficult and loud
venue, etc), it went completely elsewhere, and I found myself following
short term impulses for the complete set, not really knowing what I was
doing. 

I was completely convinced afterwards that the set had been a complete
failure, even when people told me they quite liked it. Then two days later I
listened through the recording and found that the rapid succession of style
changes was quite interesting. 

http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen 

Does it happen to you too that your own immediate assessment of your live
music is very different to what you feel about it later?

-Michael

 


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<P><FONT size=3D2 face=3DArial>here's a 45 minute recording of an =
improvised=20
livelooping set that I did last Saturday. What was most interesting to =
me about=20
it was that I had some plans what to do on the evening,&nbsp;but for =
various=20
reasons (difficult and loud venue, etc), it went completely elsewhere, =
and I=20
found myself following short term impulses for the complete set, not =
really=20
knowing what I was doing. </FONT></P>
<P><FONT size=3D2 face=3DArial>I was completely convinced afterwards =
that the set=20
had been a complete failure, even when people told me they quite liked =
it. Then=20
two days later I listened through the recording and found that the rapid =

succession of style changes was quite interesting. </FONT></P>
<P><FONT size=3D2 face=3DArial><A=20
href=3D"http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwel=
len">http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen=
</A></FONT><FONT=20
face=3DArial> </FONT></P>
<P><FONT size=3D2 face=3DArial>Does it happen to you too that your own =
immediate=20
assessment of your live music is very different to what you feel about =
it=20
later?</FONT></P>
<P><FONT size=3D2 face=3DArial>-Michael</FONT></P>
<P><FONT size=3D2 face=3DArial></FONT>&nbsp;</P></BODY></HTML>

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Date: Thu, 01 Dec 2011 09:21:40 +0000
From: andy butler <akbutler@tiscali.co.uk>
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Subject: Re: Roland GR55 - First Impressions review
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mark francombe wrote:

> Im loving tis idea... my guitar tech had a nighmare putting both a GK2B 
> and a fernandez into the guitar, wonder what he would say if I turned up 
> with 2 more gK3´s  Im gonna do this..!!

Dunnow if you did this already,
but I reckon it's a good idea to to 
blu tack a GK3 into place first to see
how well the synth tracks when the pickup
isn't right next to the bridge.

(guessing that your guitar tech won't be
  able to fit 3 p/us within 1cm of the bridge
  as per Roland's recommendation)



andy

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Subject: Re: Roland GR55 - First Impressions review
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On Thu, Dec 1, 2011 at 10:21 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> (guessing that your guitar tech won't be
> =C2=A0able to fit 3 p/us within 1cm of the bridge
> =C2=A0as per Roland's recommendation)


Here I want to chime in a report that on one of my Sticks the GK-3 PU
is 34 mm from the where the string passes the bridge. It plays well
anyway. And the total scale length is a couple of millimeters outside
the range that is possible to dial in by the GR-55 preferences. So it
seems these recommended figures are a bit forgiving.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 09:31:14 2011
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From: mark francombe <mark@markfrancombe.com>
Date: Thu, 1 Dec 2011 10:30:52 +0100
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--20cf303f6d4c71912d04b30483d6
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Yeah I thought about that... I manages to fit 2 pickups next to each other,
not sure if them being so close together is causing a problem... I had such
a problem fitting my Fernandez p/u as it cause weird feedback with the
adjoining pickup, I just removed the pickup... now i have a hole where the
nid pickup should be (of ten thought about added some cool thing in the
hole... )like a felt pad on a harmonic piint, unfortunately it doesnt quite
line up with a nice hoarmonic)

But yes fitting 3 might be a prob. I m gonna try putting a pickup further
awy from bridge.. The problem isnt tracking I thjink, just that if you bend
a note it will move to the next pole.. Hmm velly interesting?

M

On Thu, Dec 1, 2011 at 10:21 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:

> mark francombe wrote:
>
>  Im loving tis idea... my guitar tech had a nighmare putting both a GK2B
>> and a fernandez into the guitar, wonder what he would say if I turned up
>> with 2 more gK3=E6=84=80  Im gonna do this..!!
>>
>
> Dunnow if you did this already,
> but I reckon it's a good idea to to blu tack a GK3 into place first to se=
e
> how well the synth tracks when the pickup
> isn't right next to the bridge.
>
> (guessing that your guitar tech won't be
>  able to fit 3 p/us within 1cm of the bridge
>  as per Roland's recommendation)
>
>
>
> andy
>
>


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf303f6d4c71912d04b30483d6
Content-Type: text/html; charset=UTF-8
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Yeah I thought about that... I manages to fit 2 pickups next to each other,=
 not sure if them being so close together is causing a problem... I had suc=
h a problem fitting my Fernandez p/u as it cause weird feedback with the ad=
joining pickup, I just removed the pickup... now i have a hole where the ni=
d pickup should be (of ten thought about added some cool thing in the hole.=
.. )like a felt pad on a harmonic piint, unfortunately it doesnt quite line=
 up with a nice hoarmonic)<br>

<br>But yes fitting 3 might be a prob. I m gonna try putting a pickup furth=
er awy from bridge.. The problem isnt tracking I thjink, just that if you b=
end a note it will move to the next pole.. Hmm velly interesting?<br><br>

M<br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 10:21 AM, andy b=
utler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbut=
ler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

mark francombe wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Im loving tis idea... my guitar tech had a nighmare putting both a GK2B and=
 a fernandez into the guitar, wonder what he would say if I turned up with =
2 more gK3=E6=84=80 =C2=A0Im gonna do this..!!<br>
</blockquote>
<br>
Dunnow if you did this already,<br>
but I reckon it&#39;s a good idea to to blu tack a GK3 into place first to =
see<br>
how well the synth tracks when the pickup<br>
isn&#39;t right next to the bridge.<br>
<br>
(guessing that your guitar tech won&#39;t be<br>
=C2=A0able to fit 3 p/us within 1cm of the bridge<br>
=C2=A0as per Roland&#39;s recommendation)<span class=3D"HOEnZb"><font color=
=3D"#888888"><br>
<br>
<br>
<br>
andy<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-colo=
r:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf303f6d4c71912d04b30483d6--

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--001636c5c25264baed04b3049679
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Same here, even my baritone has too long a scale for the recommended. Mine
tracks ok, as in FAST, but there are some weird issues with the moddelled
guitar sound that I mentioned before, almost like ring mod. But only
sometimes.. certain guitar models are unaffected!???

Incidentely Per, weird thing I noticed yesterday. In the Amp models in the
MFX section, you can adjust PAN position, but the standalone AMP model HAS
NO PAN!!! Annoying as I was try to make a nice huge sound with the Normal
pickup on the left and a modelled guitar on the right... only the modelled
guitar can be panned!! Infact (not at home now) can you even pan the PCM
tones?


M


On Thu, Dec 1, 2011 at 10:27 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Dec 1, 2011 at 10:21 AM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> > (guessing that your guitar tech won't be
> >  able to fit 3 p/us within 1cm of the bridge
> >  as per Roland's recommendation)
>
>
> Here I want to chime in a report that on one of my Sticks the GK-3 PU
> is 34 mm from the where the string passes the bridge. It plays well
> anyway. And the total scale length is a couple of millimeters outside
> the range that is possible to dial in by the GR-55 preferences. So it
> seems these recommended figures are a bit forgiving.
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--001636c5c25264baed04b3049679
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Same here, even my baritone has too long a scale for the recommended. Mine =
tracks ok, as in FAST, but there are some weird issues with the moddelled g=
uitar sound that I mentioned before, almost like ring mod. But only sometim=
es.. certain guitar models are unaffected!???<br>

<br>Incidentely Per, weird thing I noticed yesterday. In the Amp models in =
the MFX section, you can adjust PAN position, but the standalone AMP model =
HAS NO PAN!!! Annoying as I was try to make a nice huge sound with the Norm=
al pickup on the left and a modelled guitar on the right... only the modell=
ed guitar can be panned!! Infact (not at home now) can you even pan the PCM=
 tones?<br>

<br><br>M<br><br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 10:2=
7 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.co=
m">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1=
ex;">

<div class=3D"im">On Thu, Dec 1, 2011 at 10:21 AM, andy butler &lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br=
>
&gt; (guessing that your guitar tech won&#39;t be<br>
&gt; =A0able to fit 3 p/us within 1cm of the bridge<br>
&gt; =A0as per Roland&#39;s recommendation)<br>
<br>
<br>
</div>Here I want to chime in a report that on one of my Sticks the GK-3 PU=
<br>
is 34 mm from the where the string passes the bridge. It plays well<br>
anyway. And the total scale length is a couple of millimeters outside<br>
the range that is possible to dial in by the GR-55 preferences. So it<br>
seems these recommended figures are a bit forgiving.<br>
<div class=3D"HOEnZb"><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http://www.y=
outube.com/perboysen</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:r=
gb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"=
><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--001636c5c25264baed04b3049679--

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Date: Thu, 01 Dec 2011 09:40:10 +0000
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Subject: Re: Roland Synths (GR20, 33, and 55)
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Mike Fugazzi wrote:

> Anyways, I would love some of the sounds I've heard on YouTube (assuming 
> they work with chords and harmonica).

No pitch to midi converter will work with chords.
(in a guitar synth, there's a converter for each string)

>  Assuming it would work with 
> harmonica and my vocalizations, it seems worth checking out.  Any 
> thoughts on the GR-20?  I am most intrigued by the bass, organ, 
> piano...I am confused by the pick-up part.  

The only way to find out is to try.

The

sonuus peterson g2m

is cheap enough to give it a whirl.

One problem is that pitch detectors rely on the attack of
the guitar to tell them a new note has started, so you probably
have to use a special playing technique to simulate that.

Another thing is that the G2m will only be happy with pitch bends
of exactly a tone, or under.


andy butler

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That's a bit funny! Didn't know about that. I'm afraid I don't know
much about panning in the GR55. Rarely use panning and definitely
never stereo for a sound I play. This is because stereo messes with my
intonation performance abilities and since I apply wide stereo effects
(to the sounds I play) I want these effects to come out as super huge
background horizons and give 3-D depth to the overall sound.

Per


On Thu, Dec 1, 2011 at 10:36 AM, mark francombe <mark@markfrancombe.com> wrote:
> Incidentely Per, weird thing I noticed yesterday. In the Amp models in the
> MFX section, you can adjust PAN position, but the standalone AMP model HAS
> NO PAN!!! Annoying as I was try to make a nice huge sound with the Normal
> pickup on the left and a modelled guitar on the right... only the modelled
> guitar can be panned!! Infact (not at home now) can you even pan the PCM
> tones?

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Well sounds like you DO use stereo to me!!!! But IM the same.. I like
either the lead sound to becentered and leave the surrounding ambience to
be stereo, OR, as in this case I make a sound that spreads over the whole
spectrum, but I rarely use PANNING EFFECTS.. I do like to place things in
the stereo fiels a bit tho..

For example, my 2 edps are (slightly) panned Left and right..

m

On Thu, Dec 1, 2011 at 10:46 AM, Per Boysen <perboysen@gmail.com> wrote:

> That's a bit funny! Didn't know about that. I'm afraid I don't know
> much about panning in the GR55. Rarely use panning and definitely
> never stereo for a sound I play. This is because stereo messes with my
> intonation performance abilities and since I apply wide stereo effects
> (to the sounds I play) I want these effects to come out as super huge
> background horizons and give 3-D depth to the overall sound.
>
> Per
>
>
> On Thu, Dec 1, 2011 at 10:36 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Incidentely Per, weird thing I noticed yesterday. In the Amp models in
> the
> > MFX section, you can adjust PAN position, but the standalone AMP model
> HAS
> > NO PAN!!! Annoying as I was try to make a nice huge sound with the Normal
> > pickup on the left and a modelled guitar on the right... only the
> modelled
> > guitar can be panned!! Infact (not at home now) can you even pan the PCM
> > tones?
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf303f6aae9cb08404b304cfff
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Well sounds like you DO use stereo to me!!!! But IM the same.. I like eithe=
r the lead sound to becentered and leave the surrounding ambience to be ste=
reo, OR, as in this case I make a sound that spreads over the whole spectru=
m, but I rarely use PANNING EFFECTS.. I do like to place things in the ster=
eo fiels a bit tho..<br>

<br>For example, my 2 edps are (slightly) panned Left and right..<br><br>m<=
br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 10:46 AM, Per Boys=
en <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@g=
mail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">That&#39;s a bit funny! Didn&#39;t know abo=
ut that. I&#39;m afraid I don&#39;t know<br>
much about panning in the GR55. Rarely use panning and definitely<br>
never stereo for a sound I play. This is because stereo messes with my<br>
intonation performance abilities and since I apply wide stereo effects<br>
(to the sounds I play) I want these effects to come out as super huge<br>
background horizons and give 3-D depth to the overall sound.<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per<br>
</font></span><div class=3D"HOEnZb"><div class=3D"h5"><br>
<br>
On Thu, Dec 1, 2011 at 10:36 AM, mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; Incidentely Per, weird thing I noticed yesterday. In the Amp models in=
 the<br>
&gt; MFX section, you can adjust PAN position, but the standalone AMP model=
 HAS<br>
&gt; NO PAN!!! Annoying as I was try to make a nice huge sound with the Nor=
mal<br>
&gt; pickup on the left and a modelled guitar on the right... only the mode=
lled<br>
&gt; guitar can be panned!! Infact (not at home now) can you even pan the P=
CM<br>
&gt; tones?<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:r=
gb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"=
><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf303f6aae9cb08404b304cfff--

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Subject: Re: Roland GR55 - First Impressions review
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Well, look through the Assign Tabs plus the main PCM Tone assignment
menu. It got to be there if panning is an option.

Per



On Thu, Dec 1, 2011 at 10:52 AM, mark francombe <mark@markfrancombe.com> wrote:
> Well sounds like you DO use stereo to me!!!! But IM the same.. I like either
> the lead sound to becentered and leave the surrounding ambience to be
> stereo, OR, as in this case I make a sound that spreads over the whole
> spectrum, but I rarely use PANNING EFFECTS.. I do like to place things in
> the stereo fiels a bit tho..
>
> For example, my 2 edps are (slightly) panned Left and right..
>
> m
>
> On Thu, Dec 1, 2011 at 10:46 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> That's a bit funny! Didn't know about that. I'm afraid I don't know
>> much about panning in the GR55. Rarely use panning and definitely
>> never stereo for a sound I play. This is because stereo messes with my
>> intonation performance abilities and since I apply wide stereo effects
>> (to the sounds I play) I want these effects to come out as super huge
>> background horizons and give 3-D depth to the overall sound.
>>
>> Per
>>
>>
>> On Thu, Dec 1, 2011 at 10:36 AM, mark francombe <mark@markfrancombe.com>
>> wrote:
>> > Incidentely Per, weird thing I noticed yesterday. In the Amp models in
>> > the
>> > MFX section, you can adjust PAN position, but the standalone AMP model
>> > HAS
>> > NO PAN!!! Annoying as I was try to make a nice huge sound with the
>> > Normal
>> > pickup on the left and a modelled guitar on the right... only the
>> > modelled
>> > guitar can be panned!! Infact (not at home now) can you even pan the PCM
>> > tones?
>>
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>

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On Dec 1, 2011, at 12:29 AM, mark francombe wrote:

>  Is this just a
> "cheap product" problem, or a "need a better "Audio boost solution"
> issue?


Isn't it a line level issue?
Need to put it in the chain where signal goes to line level (-10db  
instead of 4db) or use a line level shifter?


BobC
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 1, 2011, =
at 12:29 AM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-converted-space">&nbsp;</span>Is this just a<br>"cheap =
product" problem, or a "need a better "Audio boost =
solution"<br>issue?</span></blockquote></div><br><div><br></div><div>Isn't=
 it a line level issue?</div><div>Need to put it in the chain where =
signal goes to line level (-10db instead of 4db) or use a line level =
shifter?</div><div><br></div><div><br></div><div>BobC</div></body></html>=

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that's what I did a while back for a live internet gig. i got samples of
vinyl crackle at freesound along with some "broken" music box samples and
activated them via Soundplant 39 into my loopers :)

http://dl.dropbox.com/u/679233/if012110pt1.mp3

j

On Thu, Dec 1, 2011 at 3:21 AM, mark francombe <markfrancombe@gmail.com>wrote:

> i Think using audio recordings of vinyl crackles gives the best
> effect. (freesound.org) you dont really want to destroy the tone of
> your mux do you, just add enough to give feeling. Unless you are doing
> some foley work or concept piece. i for example often add a few
> crackles to a loop from my alesis airFX. which has a terrible vinyl
> emulation, not for authentic antique recording, but just to make some
> random clicky additions to the rythym.
>
> Sent from my (advertisement removed)
>
> On 1 Dec 2011, at 09:04, Louie Angulo <louie.angulo@googlemail.com> wrote:
>
> > ive been looking for a cool vinyl emulation AU plugin to simulate
> > vinyl static noise and dirt,izotopes vinyl is cool but is not working
> > under OSX Lion
> > any other suggestions?
> >
> > On Wed, Nov 30, 2011 at 10:50 AM, Gareth Whittock
> > <buddhamachine@live.co.uk> wrote:
> >> Not my work but these may be of use to some of you guys..
> >> http://tonebytes.com/pedals/
> >> Peace
> >> G
> >>
> >>
> >
> >
> >
> > --
> > www.luis-angulo.com
> >
>
>

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Content-Type: text/html; charset=ISO-8859-1
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that&#39;s what I did a while back for a live internet gig. i got samples o=
f vinyl crackle at freesound along with some &quot;broken&quot; music box s=
amples and activated them via Soundplant 39 into my loopers :)<br><br><a hr=
ef=3D"http://dl.dropbox.com/u/679233/if012110pt1.mp3">http://dl.dropbox.com=
/u/679233/if012110pt1.mp3</a><br>
<br>j<br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 3:21 AM, mar=
k francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:markfrancombe@gmail.com=
">markfrancombe@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-lef=
t:1ex;">
i Think using audio recordings of vinyl crackles gives the best<br>
effect. (<a href=3D"http://freesound.org" target=3D"_blank">freesound.org</=
a>) you dont really want to destroy the tone of<br>
your mux do you, just add enough to give feeling. Unless you are doing<br>
some foley work or concept piece. i for example often add a few<br>
crackles to a loop from my alesis airFX. which has a terrible vinyl<br>
emulation, not for authentic antique recording, but just to make some<br>
random clicky additions to the rythym.<br>
<br>
Sent from my (advertisement removed)<br>
<br>
On 1 Dec 2011, at 09:04, Louie Angulo &lt;<a href=3D"mailto:louie.angulo@go=
oglemail.com">louie.angulo@googlemail.com</a>&gt; wrote:<br>
<br>
&gt; ive been looking for a cool vinyl emulation AU plugin to simulate<br>
&gt; vinyl static noise and dirt,izotopes vinyl is cool but is not working<=
br>
&gt; under OSX Lion<br>
&gt; any other suggestions?<br>
&gt;<br>
&gt; On Wed, Nov 30, 2011 at 10:50 AM, Gareth Whittock<br>
&gt; &lt;<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.=
uk</a>&gt; wrote:<br>
&gt;&gt; Not my work but these may be of use to some of you guys..<br>
&gt;&gt; <a href=3D"http://tonebytes.com/pedals/" target=3D"_blank">http://=
tonebytes.com/pedals/</a><br>
&gt;&gt; Peace<br>
&gt;&gt; G<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<span class=3D"HOEnZb"><font color=3D"#888888">&gt;<br>
&gt; --<br>
&gt; <a href=3D"http://www.luis-angulo.com" target=3D"_blank">www.luis-angu=
lo.com</a><br>
&gt;<br>
<br>
</font></span></blockquote></div><br>

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Thnx Bob.. Youd think Id know about this kind of stuff by now.

When you say "where signal goes to line level" does that mean "Where signal
ENDS UP at " line level. Forexample. my mixer (also cheap piece of c***)
Does have setting for -10 or +4, do you mean that I need to make sure its
set to -10

My signal chain is Mixer Send>>> EDP>>>AirFX>>>Mixer Channel

I have to admit that I dont set the switch on the back based on any
knowledge of where it SHOULD be set, just on the fact that I like all my
inputs to be lined up about the same. as in half way or 12 oclock! If
something is too quiet to achieve this I set it to +4, if too loud  then
-10..

Er Is this wrong?



Thanks

Mark







On Thu, Dec 1, 2011 at 12:58 PM, RP Collier <skeptikalist@gmail.com> wrote:

>
> On Dec 1, 2011, at 12:29 AM, mark francombe wrote:
>
>  Is this just a
> "cheap product" problem, or a "need a better "Audio boost solution"
> issue?
>
>
>
> Isn't it a line level issue?
> Need to put it in the chain where signal goes to line level (-10db instead
> of 4db) or use a line level shifter?
>
>
> BobC
>



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--00504502ec2a133e9a04b307891b
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Content-Transfer-Encoding: quoted-printable

Thnx Bob.. Youd think Id know about this kind of stuff by now. <br><br>When=
 you say &quot;where signal goes to line level&quot; does that mean &quot;W=
here signal ENDS UP at &quot; line level. Forexample. my mixer (also cheap =
piece of c***) Does have setting for -10 or +4, do you mean that I need to =
make sure its set to -10<br>

<br>My signal chain is Mixer Send&gt;&gt;&gt; EDP&gt;&gt;&gt;AirFX&gt;&gt;&=
gt;Mixer Channel<br><br>I have to admit that I dont set the switch on the b=
ack based on any knowledge of where it SHOULD be set, just on the fact that=
 I like all my inputs to be lined up about the same. as in half way or 12 o=
clock! If something is too quiet to achieve this I set it to +4, if too lou=
d=A0 then -10.. <br>

<br>Er Is this wrong?<br><br><br><br>Thanks<br><br>Mark<br><br><br><br><br>=
<br><br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 12:58 PM, RP =
Collier <span dir=3D"ltr">&lt;<a href=3D"mailto:skeptikalist@gmail.com">ske=
ptikalist@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"><div cl=
ass=3D"im"><br><div><div>On Dec 1, 2011, at 12:29 AM, mark francombe wrote:=
</div>

<br><blockquote type=3D"cite"><span style=3D"border-collapse:separate;color=
:rgb(0,0,0);font-family:Helvetica;font-style:normal;font-variant:normal;fon=
t-weight:normal;letter-spacing:normal;line-height:normal;text-align:-webkit=
-auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0=
px;font-size:medium"><span>=A0</span>Is this just a<br>

&quot;cheap product&quot; problem, or a &quot;need a better &quot;Audio boo=
st solution&quot;<br>issue?</span></blockquote></div><br><div><br></div></d=
iv><div>Isn&#39;t it a line level issue?</div><div>Need to put it in the ch=
ain where signal goes to line level (-10db instead of 4db) or use a line le=
vel shifter?</div>

<div><br></div><div><br></div><div>BobC</div></div></blockquote></div><br><=
br clear=3D"all"><br>-- <br><i style=3D"font-family:verdana,sans-serif;colo=
r:rgb(255, 255, 255);background-color:rgb(0, 0, 0)"><font style=3D"font-fam=
ily:trebuchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br=
>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

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From: Mike Fugazzi <mikefugazzi@gmail.com>
Date: Thu, 1 Dec 2011 08:56:07 -0600
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Subject: Re: Roland Synths (GR20, 33, and 55)
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--0015176f0a6ea757c104b3090e7b
Content-Type: text/plain; charset=ISO-8859-1

Thanks for the info.  The M13 stuff has worked fine for tracking single
note harmonica, but it isn't always the sound I am after.  It doesn't have
things like piano, horns, organ, etc.

----------
Mike Fugazzi
vocals/harmonica
http://www.mikefugazzi.com
Facebook <http://www.facebook.com/MikeFugazziMusic>
YouTube <http://www.youtube.com.user/mikefugazzi>
Quicksilver Custom Harmonicas
<http://www.mikefugazzi.com/fr_customharmonicas.cfm>



On Thu, Dec 1, 2011 at 3:40 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Mike Fugazzi wrote:
>
>  Anyways, I would love some of the sounds I've heard on YouTube (assuming
>> they work with chords and harmonica).
>>
>
> No pitch to midi converter will work with chords.
> (in a guitar synth, there's a converter for each string)
>
>   Assuming it would work with harmonica and my vocalizations, it seems
>> worth checking out.  Any thoughts on the GR-20?  I am most intrigued by the
>> bass, organ, piano...I am confused by the pick-up part.
>>
>
> The only way to find out is to try.
>
> The
>
> sonuus peterson g2m
>
> is cheap enough to give it a whirl.
>
> One problem is that pitch detectors rely on the attack of
> the guitar to tell them a new note has started, so you probably
> have to use a special playing technique to simulate that.
>
> Another thing is that the G2m will only be happy with pitch bends
> of exactly a tone, or under.
>
>
> andy butler
>
>

--0015176f0a6ea757c104b3090e7b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks for the info.=A0 The M13 stuff has worked fine for tracking single n=
ote harmonica, but it isn&#39;t always the sound I am after.=A0 It doesn&#3=
9;t have things like piano, horns, organ, etc.<br><br clear=3D"all">-------=
---<br>

Mike Fugazzi<br>vocals/harmonica<br><a href=3D"http://www.mikefugazzi.com" =
target=3D"_blank">http://www.mikefugazzi.com</a><br><a href=3D"http://www.f=
acebook.com/MikeFugazziMusic" target=3D"_blank">Facebook</a><br><a href=3D"=
http://www.youtube.com.user/mikefugazzi" target=3D"_blank">YouTube</a><br>

<a href=3D"http://www.mikefugazzi.com/fr_customharmonicas.cfm" target=3D"_b=
lank">Quicksilver Custom Harmonicas </a><br><br>
<br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 3:40 AM, andy but=
ler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutle=
r@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

Mike Fugazzi wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Anyways, I would love some of the sounds I&#39;ve heard on YouTube (assumin=
g they work with chords and harmonica).<br>
</blockquote>
<br>
No pitch to midi converter will work with chords.<br>
(in a guitar synth, there&#39;s a converter for each string)<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
=A0Assuming it would work with harmonica and my vocalizations, it seems wor=
th checking out. =A0Any thoughts on the GR-20? =A0I am most intrigued by th=
e bass, organ, piano...I am confused by the pick-up part. =A0<br>
</blockquote>
<br>
The only way to find out is to try.<br>
<br>
The<br>
<br>
sonuus peterson g2m<br>
<br>
is cheap enough to give it a whirl.<br>
<br>
One problem is that pitch detectors rely on the attack of<br>
the guitar to tell them a new note has started, so you probably<br>
have to use a special playing technique to simulate that.<br>
<br>
Another thing is that the G2m will only be happy with pitch bends<br>
of exactly a tone, or under.<span class=3D"HOEnZb"><font color=3D"#888888">=
<br>
<br>
<br>
andy butler<br>
<br>
</font></span></blockquote></div><br>

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Subject: WAS Re: free pedal plugins! Now: SoundPlant 39
From: Dennis Moser <sinsofmachaut@gmail.com>
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Louie,

Jeff suggestion of using SoundPlant is, in fact, a great
cross-platform solution. I just finished running some sound samples
with it on my 13" February 2011 MacBook Pro that is running OS X Lion.
You shouldn't have any problems using it (it's definitely software
worth paying for, so I highly recommend it).

Granted, it's not a plug-in, but it also isn't that "heavy" either.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 1, 2011 at 5:46 AM, Jeff Duke <jeffloops@gmail.com> wrote:
> that's what I did a while back for a live internet gig. i got samples of
> vinyl crackle at freesound along with some "broken" music box samples and
> activated them via Soundplant 39 into my loopers :)
>
> http://dl.dropbox.com/u/679233/if012110pt1.mp3
>
> j
>
>>
>> On 1 Dec 2011, at 09:04, Louie Angulo <louie.angulo@googlemail.com> wrote:
>>
>> > ive been looking for a cool vinyl emulation AU plugin to simulate
>> > vinyl static noise and dirt,izotopes vinyl is cool but is not working
>> > under OSX Lion
>> > any other suggestions?
>> >
>> >
>> >
>> >
>> > --
>> > www.luis-angulo.com
>> >
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 15:43:33 2011
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Subject: Re: airFX level mismatch.
Date: Thu, 1 Dec 2011 07:43:28 -0800
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On Dec 1, 2011, at 5:07 AM, mark francombe wrote:

> When you say "where signal goes to line level" does that mean "Where  
> signal ENDS UP at " line level.
>
> Er Is this wrong?

The signal going in to the AirFx needs to be -10. If the EDP has a  
switch to change output to -10 then that works. Otherwise you need  
something to change the level to line level, like a DI or line level  
shifter.
If you send +4 to the mixer, then hopefully the mixer has a way to  
change and route the signal so you can insert the AirFX in a -10 fx  
loop.

As far as I know, RCA plugs and jacks are usually line level, so if  
you have any RCA jacks on your mixer use those.

I think the AirFx and similar boxes are considered DJ, as most  
tabletop fx boxes are line level - such as the Kaoss Pad. There may be  
other cheap DJ options for managing the signal chain, something that  
changes the impedance from guitar level to headphone level if you need  
possibilities.

But I am no expert on this stuff.

BobC


http://tinyurl.com/yt8f8j

http://cdbaby.com/cd/rpcollier6

http://www.youtube.com/user/tynego


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 1, 2011, =
at 5:07 AM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">When you say =
"where signal goes to line level" does that mean "Where signal ENDS UP =
at " line level.&nbsp;<br><br>Er Is this =
wrong?<br></span></blockquote></div><br><div>The signal going in to the =
AirFx needs to be -10. If the EDP has a switch to change output to -10 =
then that works. Otherwise you need something to change the level to =
line level, like a DI or line level shifter.</div><div>If you send +4 to =
the mixer, then hopefully the mixer has a way to change and route the =
signal so you can insert the AirFX in a -10 fx =
loop.</div><div><br></div><div>As far as I know, RCA plugs and jacks are =
usually line level, so if you have any RCA jacks on your mixer use =
those.</div><div><br></div><div>I think the AirFx and similar boxes are =
considered DJ, as most tabletop fx boxes are line level - such as the =
Kaoss Pad. There may be other cheap DJ options for managing the signal =
chain, something that changes the impedance from guitar level to =
headphone level if you need possibilities.</div><div><br></div><div>But =
I am no expert on this =
stuff.</div><div><br></div><div>BobC</div><div><br></div><div><br></div><d=
iv><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><a =
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier6">http://cdbaby.com/cd/rpcollier6</=
a></div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></div></div><div><br></div></body></html>=

--Apple-Mail-2-849624601--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 16:35:49 2011
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Subject: Re: Vorstadtprinzessinnenklangwellen
From: Kevin Cheli-Colando <billowhead@gmail.com>
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This is sounding really nice to me as well.  Wish I could mix my loops
up as well as you seem to be able.

As for your last question, I often find that performance and listening
are two completely, often unrelated, experiences for me.

Kevin

On Thu, Dec 1, 2011 at 12:55 AM, Michael Peters <mp@mpeters.de> wrote:
> here's a 45 minute recording of an improvised livelooping set that I did
> last Saturday. What was most interesting to me about it was that I had so=
me
> plans what to do on the evening,=A0but for various reasons (difficult and=
 loud
> venue, etc), it went completely elsewhere, and I found myself following
> short term impulses for the complete set, not really knowing what I was
> doing.
>
> I was completely convinced afterwards that the set had been a complete
> failure, even when people told me they quite liked it. Then two days late=
r I
> listened through the recording and found that the rapid succession of sty=
le
> changes was quite interesting.
>
> http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen
>
> Does it happen to you too that your own immediate assessment of your live
> music is very different to what you feel about it later?
>
> -Michael
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 16:41:39 2011
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Subject: Re: Vorstadtprinzessinnenklangwellen
From: Daniel Thomas <danielthomas4@mac.com>
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 <CAATUM6fqmP+oBsBwLAszGMKH6Mjo3nFzciV7QAOe8Q3+-4QRzg@mail.gmail.com>
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Great music, Kevin!  I enjoyed this very much.
> Does it happen to you too that your own immediate assessment of your live
> music is very different to what you feel about it later?

An amazing mentor once told me-- what it feels like to the performer may have little to do with what it sounds like for the listener.  

The same person also told me-- practice the craft  --  and the craft will shine even when you are not feeling it. 

D
On Dec 1, 2011, at 8:35 AM, Kevin Cheli-Colando wrote:

> This is sounding really nice to me as well.  Wish I could mix my loops
> up as well as you seem to be able.
> 
> As for your last question, I often find that performance and listening
> are two completely, often unrelated, experiences for me.
> 
> Kevin
> 
> On Thu, Dec 1, 2011 at 12:55 AM, Michael Peters <mp@mpeters.de> wrote:
>> here's a 45 minute recording of an improvised livelooping set that I did
>> last Saturday. What was most interesting to me about it was that I had some
>> plans what to do on the evening, but for various reasons (difficult and loud
>> venue, etc), it went completely elsewhere, and I found myself following
>> short term impulses for the complete set, not really knowing what I was
>> doing.
>> 
>> I was completely convinced afterwards that the set had been a complete
>> failure, even when people told me they quite liked it. Then two days later I
>> listened through the recording and found that the rapid succession of style
>> changes was quite interesting.
>> 
>> http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen
>> 
>> Does it happen to you too that your own immediate assessment of your live
>> music is very different to what you feel about it later?
>> 
>> -Michael
>> 
>> 
> 
> 
> 
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
> 
> - Ramana Maharshi (1879-1950)
> 
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
> 

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 16:50:17 2011
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Subject: Re: Vorstadtprinzessinnenklangwellen
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Thanks for the compliment, but its not me playing (alas); it's Michael
Peters' work.

Kevin

On Thu, Dec 1, 2011 at 8:41 AM, Daniel Thomas <danielthomas4@mac.com> wrote=
:
> Great music, Kevin! =A0I enjoyed this very much.
>> Does it happen to you too that your own immediate assessment of your liv=
e
>> music is very different to what you feel about it later?
>
> An amazing mentor once told me-- what it feels like to the performer may =
have little to do with what it sounds like for the listener.
>
> The same person also told me-- practice the craft =A0-- =A0and the craft =
will shine even when you are not feeling it.
>
> D
> On Dec 1, 2011, at 8:35 AM, Kevin Cheli-Colando wrote:
>
>> This is sounding really nice to me as well. =A0Wish I could mix my loops
>> up as well as you seem to be able.
>>
>> As for your last question, I often find that performance and listening
>> are two completely, often unrelated, experiences for me.
>>
>> Kevin
>>
>> On Thu, Dec 1, 2011 at 12:55 AM, Michael Peters <mp@mpeters.de> wrote:
>>> here's a 45 minute recording of an improvised livelooping set that I di=
d
>>> last Saturday. What was most interesting to me about it was that I had =
some
>>> plans what to do on the evening, but for various reasons (difficult and=
 loud
>>> venue, etc), it went completely elsewhere, and I found myself following
>>> short term impulses for the complete set, not really knowing what I was
>>> doing.
>>>
>>> I was completely convinced afterwards that the set had been a complete
>>> failure, even when people told me they quite liked it. Then two days la=
ter I
>>> listened through the recording and found that the rapid succession of s=
tyle
>>> changes was quite interesting.
>>>
>>> http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen
>>>
>>> Does it happen to you too that your own immediate assessment of your li=
ve
>>> music is very different to what you feel about it later?
>>>
>>> -Michael
>>>
>>>
>>
>>
>>
>> --
>> Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all troubl=
e.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision: =A0http://www.minds-eye.org
>> Video http://www.vimeo.com/user877640/videos
>>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 17:01:47 2011
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Subject: Re: Vorstadtprinzessinnenklangwellen
From: Daniel Thomas <danielthomas4@mac.com>
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LOL

Nice playing Michael.

d
On Dec 1, 2011, at 8:50 AM, Kevin Cheli-Colando wrote:

> Thanks for the compliment, but its not me playing (alas); it's Michael
> Peters' work.
> 
> Kevin
> 
> On Thu, Dec 1, 2011 at 8:41 AM, Daniel Thomas <danielthomas4@mac.com> wrote:
>> Great music, Kevin!  I enjoyed this very much.
>>> Does it happen to you too that your own immediate assessment of your live
>>> music is very different to what you feel about it later?
>> 
>> An amazing mentor once told me-- what it feels like to the performer may have little to do with what it sounds like for the listener.
>> 
>> The same person also told me-- practice the craft  --  and the craft will shine even when you are not feeling it.
>> 
>> D
>> On Dec 1, 2011, at 8:35 AM, Kevin Cheli-Colando wrote:
>> 
>>> This is sounding really nice to me as well.  Wish I could mix my loops
>>> up as well as you seem to be able.
>>> 
>>> As for your last question, I often find that performance and listening
>>> are two completely, often unrelated, experiences for me.
>>> 
>>> Kevin
>>> 
>>> On Thu, Dec 1, 2011 at 12:55 AM, Michael Peters <mp@mpeters.de> wrote:
>>>> here's a 45 minute recording of an improvised livelooping set that I did
>>>> last Saturday. What was most interesting to me about it was that I had some
>>>> plans what to do on the evening, but for various reasons (difficult and loud
>>>> venue, etc), it went completely elsewhere, and I found myself following
>>>> short term impulses for the complete set, not really knowing what I was
>>>> doing.
>>>> 
>>>> I was completely convinced afterwards that the set had been a complete
>>>> failure, even when people told me they quite liked it. Then two days later I
>>>> listened through the recording and found that the rapid succession of style
>>>> changes was quite interesting.
>>>> 
>>>> http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen
>>>> 
>>>> Does it happen to you too that your own immediate assessment of your live
>>>> music is very different to what you feel about it later?
>>>> 
>>>> -Michael
>>>> 
>>>> 
>>> 
>>> 
>>> 
>>> --
>>> Till now you seriously considered yourself to be the body and to have a
>>> form. That is the primal ignorance which is the root cause of all trouble.
>>> 
>>> - Ramana Maharshi (1879-1950)
>>> 
>>> Sound and Vision:  http://www.minds-eye.org
>>> Video http://www.vimeo.com/user877640/videos
>>> 
>> 
> 
> 
> 
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
> 
> - Ramana Maharshi (1879-1950)
> 
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
> 

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Subject: Re: Vorstadtprinzessinnenklangwellen
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2011/12/1, Daniel Thomas <danielthomas4@mac.com>:

> The same person also told me-- practice the craft  --  and the craft will
> shine even when you are not feeling it.

very true. wisdom words. good teacher.

as for michael, i commented on FB about this piece before. there's
always that element of surprise in his music.. i can't advance what
will happen next... no boredom possible ... love it!

.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imagination,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

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This is a multi-part message in MIME format.
----------MB_8CE7E6B6D0EFDE6_FF8_43ED1_webmail-m068.sysops.aol.com
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mark.....i have the same problem and can not figure out a workaround.....


i have mine placed last in my signal chain right now so i stay away from th=
e built in sounds.....


luv it anyway!.....michael






=20

----------MB_8CE7E6B6D0EFDE6_FF8_43ED1_webmail-m068.sysops.aol.com
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<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'><fon=
t class=3D"Apple-style-span" size=3D"2">mark.....i have the same problem an=
d can not figure out a workaround.....</font>
<div><font class=3D"Apple-style-span" size=3D"2"><br>
</font></div>

<div><font class=3D"Apple-style-span" size=3D"2">i have mine placed last in=
 my signal chain right now so i stay away from the built in sounds.....</fo=
nt></div>

<div><font class=3D"Apple-style-span" size=3D"2"><br>
</font></div>

<div><font class=3D"Apple-style-span" size=3D"2">luv it anyway!.....michael=
<br>
</font><br>
<br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 ">
<div id=3D"AOLMsgPart_0_306cd491-5f13-4d33-a4ae-fb1c022287c2" style=3D"marg=
in: 0px;font-family: Tahoma, Verdana, Arial, Sans-Serif;font-size: 12px;col=
or: #000;background-color: #fff;"><pre style=3D"font-size: 9pt;"><tt>
</tt></pre>
</div>
 <!-- end of AOLMsgPart_0_306cd491-5f13-4d33-a4ae-fb1c022287c2 -->



</div>
</div>
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Subject: Re: airFX level mismatch.
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--20cf305b13e65c4f2104b30c30d1
Content-Type: text/plain; charset=ISO-8859-1

I love mine too... I only wish that they were THINNER! cos I love the Air
Synth too, and if they were thinner I could fit both the AirFX/Synth and
kaos quad, in the same rack drawer...

the volume thing isnt too much of an issue, cos Im not often using the
sounds, and if I am.. am very tentative and carful, if you wave far enough
away its ok... but I wish I knew the solution...

Gaana check all the tings Bob suggested..  (oops.. went all rasta  for a
moment... )


M

On Thu, Dec 1, 2011 at 7:08 PM, michael klobuchar <nemoguitt@aol.com> wrote:

> mark.....i have the same problem and can not figure out a workaround.....
>
>  i have mine placed last in my signal chain right now so i stay away from
> the built in sounds.....
>
>  luv it anyway!.....michael
>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf305b13e65c4f2104b30c30d1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I love mine too... I only wish that they were THINNER! cos I love the Air S=
ynth too, and if they were thinner I could fit both the AirFX/Synth and kao=
s quad, in the same rack drawer...<br><br>the volume thing isnt too much of=
 an issue, cos Im not often using the sounds, and if I am.. am very tentati=
ve and carful, if you wave far enough away its ok... but I wish I knew the =
solution...<br>

<br>Gaana check all the tings Bob suggested..=A0 (oops.. went all rasta=A0 =
for a moment... )<br><br><br>M<br><br><div class=3D"gmail_quote">On Thu, De=
c 1, 2011 at 7:08 PM, michael klobuchar <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:nemoguitt@aol.com">nemoguitt@aol.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><font color=3D"black" face=3D"Arial, Helvet=
ica, sans-serif" size=3D"2"><font size=3D"2">mark.....i have the same probl=
em and can not figure out a workaround.....</font>
<div><font size=3D"2"><br>
</font></div>

<div><font size=3D"2">i have mine placed last in my signal chain right now =
so i stay away from the built in sounds.....</font></div>

<div><font size=3D"2"><br>
</font></div>

<div><font size=3D"2">luv it anyway!.....michael<br>
</font><br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">
<div style=3D"margin:0px;font-family:Tahoma,Verdana,Arial,Sans-Serif;font-s=
ize:12px;color:#000;background-color:#fff"><pre style=3D"font-size:9pt"><tt=
>
</tt></pre>
</div>
=20



</div>
</div>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0,=
 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>M=
ark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf305b13e65c4f2104b30c30d1--

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RP Collier wrote:

> The signal going in to the AirFx needs to be -10. If the EDP has a 
> switch to change output to -10 then that works. Otherwise you need 
> something to change the level to line level, like a DI or line level 
> shifter.

Or the Output Level control on the EDP.

Assuming that the issue here is that the AirFX runs 
at -10dB then all you have to do is 
reduce the level from the EDP 'till
the Air FX behaves.



...but from your original post I'm not sure that solves the problem.

Are you saying some patches are much louder than others?

In any case "line Level" hasn't meant -10dB since they did away
with using 5 pin din connectors (in the mid 70's ?).

It's a mystery why some manufacturers use it today, probably 
connected to "cheap gear" :-(

andy













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Date: Thu, 1 Dec 2011 11:52:57 -0800
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Subject: Re: Vorstadtprinzessinnenklangwellen
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Hey Michael,

Care to explain your looping process on this piece?  I really enjoyed
it and found a lot that sounds very much like what I've wanted to
accomplish in my looping (the rhythmic elements and transitions
especially).

Sorry to hear this wasn't satisfying to play, but its really nice to listen=
 to.

Kevin

On Thu, Dec 1, 2011 at 9:12 AM, Ra=FCl Bonell <raul.bonell@gmail.com> wrote=
:
> 2011/12/1, Daniel Thomas <danielthomas4@mac.com>:
>
>> The same person also told me-- practice the craft =A0-- =A0and the craft=
 will
>> shine even when you are not feeling it.
>
> very true. wisdom words. good teacher.
>
> as for michael, i commented on FB about this piece before. there's
> always that element of surprise in his music.. i can't advance what
> will happen next... no boredom possible ... love it!
>
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your imagin=
ation,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>
> Kim Flint
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: Re: airFX level mismatch.
Date: Thu, 1 Dec 2011 12:05:51 -0800
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On Dec 1, 2011, at 11:33 AM, andy butler wrote:

> In any case "line Level" hasn't meant -10dB since they did away
> with using 5 pin din connectors (in the mid 70's ?).

 =46rom Wiki

The most common nominal level for consumer audio equipment is =E2=88=9210 =
=20
dBV, and the most common nominal level for professional equipment is 4 =20=

dBu.

and

In most cases changing the volume setting on the source equipment does =20=

not vary the strength of the line out signal.

Not that Wiki knows it all.
The impedance of output +4 db seems to overload the line in on some of =20=

these consumer DJ devices.


BobC=

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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 1, 2011, =
at 11:33 AM, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">In any case =
"line Level" hasn't meant -10dB since they did away<br>with using 5 pin =
din connectors (in the mid 70's =
?).</span></blockquote></div><br><div>=46rom =
Wiki</div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
">The most common nominal level for consumer audio equipment =
is&nbsp;<span class=3D"nowrap" style=3D"white-space: nowrap; ">=E2=88=9210=
 dBV</span>, and the most common nominal level for professional =
equipment is&nbsp;<span class=3D"nowrap" style=3D"white-space: nowrap; =
">4 dBu</span>.</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
">and</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
">In most cases changing the volume setting on the source equipment does =
not vary the strength of the line out signal.</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; line-height: 19px; =
font-family: sans-serif; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; line-height: 19px; =
font-family: sans-serif; ">Not that Wiki knows it =
all.</span></div><div><span class=3D"Apple-style-span" style=3D"font-size:=
 13px; line-height: 19px; font-family: sans-serif; ">The impedance of =
output +4 db seems to overload the line in on some of these consumer DJ =
devices.</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; line-height: 19px; font-family: sans-serif; =
">BobC</span></div></body></html>=

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Subject: Re: airFX level mismatch.
Date: Thu, 1 Dec 2011 12:14:17 -0800
References: <-8599051391477788304@unknownmsgid> <CDF77DB4-A97B-4D85-BC93-3C62E65CB0E2@gmail.com> <CAJKe7oY4Rr5edrvuw30LKAqSBGfQ96-zbdu5VjiHz3RbMoMcgg@mail.gmail.com> <9163413B-787F-46B2-9A92-1CCDB9BEA939@gmail.com> <4ED7D693.5020002@tiscali.co.uk>
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 From http://www.ovnilab.com/articles/linelevel.shtml

Generally speaking, if you send an instrument-level signal into a  
device that needs line-level input, you will get excess noise and/or  
weak sound. If you send a line-level signal into a device that's meant  
for instrument or mic-level input, you will get distortion. Since the  
effects loop on most amps is designed toboth send and receive line- 
level signals, if you put a typical instrument-level effect pedal in  
the loop you will often get noise, weakness, and distortion. You may  
find a few exceptions though: either an amp loop that can operate at  
instrument level, or a pedal that can operate at line level.
-----

They say that line level signal is much stronger than instrument level  
-- but I can run some line level devices off a very thin stereo cable  
with 1/8 inch plugs whereas instrument level needs a big thick cable  
with 1/4" jacks?
Not logical hence confusing.

BobC
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">From&nbsp;<a =
href=3D"http://www.ovnilab.com/articles/linelevel.shtml">http://www.ovnila=
b.com/articles/linelevel.shtml</a><div><br><div><div><span =
class=3D"Apple-style-span" style=3D"font-family: verdana, sans-serif; =
line-height: 22px; ">Generally speaking, if you send an instrument-level =
signal into a device that needs line-level input, you will get excess =
noise and/or weak sound. If you send a line-level signal into a device =
that's meant for instrument or mic-level input, you will get distortion. =
Since the effects loop on most amps is designed to<i>both send and =
receive</i>&nbsp;line-level signals, if you put a typical =
instrument-level effect pedal in the loop you will often get noise, =
weakness,&nbsp;<u>and</u>&nbsp;distortion. You may find a few exceptions =
though: either an amp loop that can operate at instrument level, or a =
pedal that can operate at line level.</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: verdana, sans-serif; =
line-height: 22px; ">-----</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: verdana, sans-serif; =
line-height: 22px; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: verdana, sans-serif; =
line-height: 22px; ">They say that line level signal is much stronger =
than instrument level -- but I can run some line level devices off a =
very thin stereo cable with 1/8 inch plugs whereas instrument level =
needs a big thick cable with 1/4" jacks?</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: verdana, sans-serif; =
line-height: 22px; ">Not logical hence confusing.</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: verdana, sans-serif; =
line-height: 22px; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: verdana, sans-serif; =
line-height: 22px; ">BobC</span></div></div></div></body></html>=

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Subject: Re: Roland Synths (GR20, 33, and 55)
Date: Thu, 1 Dec 2011 12:30:23 -0800
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Hey, I've got a G2M that I'm using for voice-to-MIDI, and it works  
pretty well, especially when I use compression and set the ratio and  
attack just right.  Again, the technique you use vocally makes a big  
difference.  You have to make yourself sound like a guitar if you  
can!  I seem to be getting slightly better results with the G2M than I  
did when I was experimenting with the Roland VP-70 and Fairlight  
Voicetracker VT-5 (which I still have on hand).  There seem to be less  
"artifacts" with the G2M (i.e., less stray midi note signals generated  
from harmonics), and a lot less latency (which makes sense since  
computer technology has advanced so much since, er, the 1980s).

Pitch-to-Midi seems to work best vocally when you sing higher  
frequencies, or even whistle. That way you aren't generating so many  
higher harmonics that whatever gear you are using might accidentally  
perceive as a pitch to follow.  You can always have whatever MIDI  
instrument you are using transpose the MIDI data down an octave to  
generate lower pitches than what you are singing.  And try starting  
each syllable/note out with a consonant that has pitch like M or N.   
"Noo noo noo" works pretty well.

If the GR units work well for pitch-to- MIDI then maybe I should find  
someway to get a mic signal into just one of the six pickup lines,  
since I really only need it to track my voice.  Has anyone tinkered  
with this?  I also have an Pitchrider 7000 that I could rewire a  
pickup to try the same thing perhaps.

I love this list!

Michael Carlson (TripleOhNine)


On Dec 1, 2011, at 1:40 AM, andy butler wrote:

> Mike Fugazzi wrote:
>
>> Anyways, I would love some of the sounds I've heard on YouTube  
>> (assuming they work with chords and harmonica).
>
> No pitch to midi converter will work with chords.
> (in a guitar synth, there's a converter for each string)
>
>> Assuming it would work with harmonica and my vocalizations, it  
>> seems worth checking out.  Any thoughts on the GR-20?  I am most  
>> intrigued by the bass, organ, piano...I am confused by the pick-up  
>> part.
>
> The only way to find out is to try.
>
> The
>
> sonuus peterson g2m
>
> is cheap enough to give it a whirl.
>
> One problem is that pitch detectors rely on the attack of
> the guitar to tell them a new note has started, so you probably
> have to use a special playing technique to simulate that.
>
> Another thing is that the G2m will only be happy with pitch bends
> of exactly a tone, or under.
>
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  1 20:42:13 2011
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From: Mike Fugazzi <mikefugazzi@gmail.com>
Date: Thu, 1 Dec 2011 14:41:50 -0600
Message-ID: <CAFfQLe6vVJUbX9gPgU+JqCNhDM5qFWHDY10rmHWUHAUZtmxa0w@mail.gmail.com>
Subject: Re: Roland Synths (GR20, 33, and 55)
To: Loopers-Delight@loopers-delight.com
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Hmmm...still trying to wrap my brain around synths, but the articulation I
use with harmonica works really well with the modulation and filter effect
on my Line 6 M13.  I've tried them with vocals and they work well too.  I
need to Google the gear you listed.  If I could use synths to create more
keyboard-like lines, I could lineup a lot of work with bands, lol.  Same
with horns...

I already copy those styles, but the timbre is obviously all wrong.
----------
Mike Fugazzi
vocals/harmonica
http://www.mikefugazzi.com
Facebook <http://www.facebook.com/MikeFugazziMusic>
YouTube <http://www.youtube.com.user/mikefugazzi>
Quicksilver Custom Harmonicas
<http://www.mikefugazzi.com/fr_customharmonicas.cfm>



On Thu, Dec 1, 2011 at 2:30 PM, TripleOhNine <3x09@carlsonarts.com> wrote:

> Hey, I've got a G2M that I'm using for voice-to-MIDI, and it works pretty
> well, especially when I use compression and set the ratio and attack just
> right.  Again, the technique you use vocally makes a big difference.  You
> have to make yourself sound like a guitar if you can!  I seem to be getting
> slightly better results with the G2M than I did when I was experimenting
> with the Roland VP-70 and Fairlight Voicetracker VT-5 (which I still have
> on hand).  There seem to be less "artifacts" with the G2M (i.e., less stray
> midi note signals generated from harmonics), and a lot less latency (which
> makes sense since computer technology has advanced so much since, er, the
> 1980s).
>
> Pitch-to-Midi seems to work best vocally when you sing higher frequencies,
> or even whistle. That way you aren't generating so many higher harmonics
> that whatever gear you are using might accidentally perceive as a pitch to
> follow.  You can always have whatever MIDI instrument you are using
> transpose the MIDI data down an octave to generate lower pitches than what
> you are singing.  And try starting each syllable/note out with a consonant
> that has pitch like M or N.  "Noo noo noo" works pretty well.
>
> If the GR units work well for pitch-to- MIDI then maybe I should find
> someway to get a mic signal into just one of the six pickup lines, since I
> really only need it to track my voice.  Has anyone tinkered with this?  I
> also have an Pitchrider 7000 that I could rewire a pickup to try the same
> thing perhaps.
>
> I love this list!
>
> Michael Carlson (TripleOhNine)
>
>
> On Dec 1, 2011, at 1:40 AM, andy butler wrote:
>
>  Mike Fugazzi wrote:
>>
>>  Anyways, I would love some of the sounds I've heard on YouTube (assuming
>>> they work with chords and harmonica).
>>>
>>
>> No pitch to midi converter will work with chords.
>> (in a guitar synth, there's a converter for each string)
>>
>>  Assuming it would work with harmonica and my vocalizations, it seems
>>> worth checking out.  Any thoughts on the GR-20?  I am most intrigued by the
>>> bass, organ, piano...I am confused by the pick-up part.
>>>
>>
>> The only way to find out is to try.
>>
>> The
>>
>> sonuus peterson g2m
>>
>> is cheap enough to give it a whirl.
>>
>> One problem is that pitch detectors rely on the attack of
>> the guitar to tell them a new note has started, so you probably
>> have to use a special playing technique to simulate that.
>>
>> Another thing is that the G2m will only be happy with pitch bends
>> of exactly a tone, or under.
>>
>>
>> andy butler
>>
>>
>>
>

--14dae9340a5100039204b30de3ba
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hmmm...still trying to wrap my brain around synths, but the articulation I =
use with harmonica works really well with the modulation and filter effect =
on my Line 6 M13.=A0 I&#39;ve tried them with vocals and they work well too=
.=A0 I need to Google the gear you listed.=A0 If I could use synths to crea=
te more keyboard-like lines, I could lineup a lot of work with bands, lol.=
=A0 Same with horns...<br>

<br>I already copy those styles, but the timbre is obviously all wrong.<br =
clear=3D"all">----------<br>Mike Fugazzi<br>vocals/harmonica<br><a href=3D"=
http://www.mikefugazzi.com" target=3D"_blank">http://www.mikefugazzi.com</a=
><br>

<a href=3D"http://www.facebook.com/MikeFugazziMusic" target=3D"_blank">Face=
book</a><br><a href=3D"http://www.youtube.com.user/mikefugazzi" target=3D"_=
blank">YouTube</a><br><a href=3D"http://www.mikefugazzi.com/fr_customharmon=
icas.cfm" target=3D"_blank">Quicksilver Custom Harmonicas </a><br>

<br>
<br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 2:30 PM, TripleOh=
Nine <span dir=3D"ltr">&lt;<a href=3D"mailto:3x09@carlsonarts.com">3x09@car=
lsonarts.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

Hey, I&#39;ve got a G2M that I&#39;m using for voice-to-MIDI, and it works =
pretty well, especially when I use compression and set the ratio and attack=
 just right. =A0Again, the technique you use vocally makes a big difference=
. =A0You have to make yourself sound like a guitar if you can! =A0I seem to=
 be getting slightly better results with the G2M than I did when I was expe=
rimenting with the Roland VP-70 and Fairlight Voicetracker VT-5 (which I st=
ill have on hand). =A0There seem to be less &quot;artifacts&quot; with the =
G2M (i.e., less stray midi note signals generated from harmonics), and a lo=
t less latency (which makes sense since computer technology has advanced so=
 much since, er, the 1980s).<br>


<br>
Pitch-to-Midi seems to work best vocally when you sing higher frequencies, =
or even whistle. That way you aren&#39;t generating so many higher harmonic=
s that whatever gear you are using might accidentally perceive as a pitch t=
o follow. =A0You can always have whatever MIDI instrument you are using tra=
nspose the MIDI data down an octave to generate lower pitches than what you=
 are singing. =A0And try starting each syllable/note out with a consonant t=
hat has pitch like M or N. =A0&quot;Noo noo noo&quot; works pretty well.<br=
>


<br>
If the GR units work well for pitch-to- MIDI then maybe I should find somew=
ay to get a mic signal into just one of the six pickup lines, since I reall=
y only need it to track my voice. =A0Has anyone tinkered with this? =A0I al=
so have an Pitchrider 7000 that I could rewire a pickup to try the same thi=
ng perhaps.<br>


<br>
I love this list!<br>
<br>
Michael Carlson (TripleOhNine)<br>
<br>
<br>
On Dec 1, 2011, at 1:40 AM, andy butler wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Mike Fugazzi wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Anyways, I would love some of the sounds I&#39;ve heard on YouTube (assumin=
g they work with chords and harmonica).<br>
</blockquote>
<br>
No pitch to midi converter will work with chords.<br>
(in a guitar synth, there&#39;s a converter for each string)<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Assuming it would work with harmonica and my vocalizations, it seems worth =
checking out. =A0Any thoughts on the GR-20? =A0I am most intrigued by the b=
ass, organ, piano...I am confused by the pick-up part.<br>
</blockquote>
<br>
The only way to find out is to try.<br>
<br>
The<br>
<br>
sonuus peterson g2m<br>
<br>
is cheap enough to give it a whirl.<br>
<br>
One problem is that pitch detectors rely on the attack of<br>
the guitar to tell them a new note has started, so you probably<br>
have to use a special playing technique to simulate that.<br>
<br>
Another thing is that the G2m will only be happy with pitch bends<br>
of exactly a tone, or under.<br>
<br>
<br>
andy butler<br>
<br>
<br>
</blockquote>
<br>
</blockquote></div><br>

--14dae9340a5100039204b30de3ba--

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Subject: Re: airFX level mismatch.
From: The Wandering Madman <thewanderingmadman@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf303f6c8e10badd04b30ea072
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On Thu, Dec 1, 2011 at 2:14 PM, RP Collier <skeptikalist@gmail.com> wrote:

> From http://www.ovnilab.com/articles/linelevel.shtml
>
> Generally speaking, if you send an instrument-level signal into a device
> that needs line-level input, you will get excess noise and/or weak sound.
> If you send a line-level signal into a device that's meant for instrument
> or mic-level input, you will get distortion. Since the effects loop on most
> amps is designed to*both send and receive* line-level signals, if you put
> a typical instrument-level effect pedal in the loop you will often get
> noise, weakness, *and* distortion. You may find a few exceptions though:
> either an amp loop that can operate at instrument level, or a pedal that
> can operate at line level.
> -----
>
> They say that line level signal is much stronger than instrument level --
> but I can run some line level devices off a very thin stereo cable with 1/8
> inch plugs whereas instrument level needs a big thick cable with 1/4" jacks?
> Not logical hence confusing.
>
> BobC
>



-- 

The Wandering Madman <http://www.youtube.com/TheWanderingMadman>

--20cf303f6c8e10badd04b30ea072
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=A0<br><br><div class=3D"gmail_quote">On Thu, Dec 1, 2011 at 2:14 PM, RP Co=
llier <span dir=3D"ltr">&lt;<a href=3D"mailto:skeptikalist@gmail.com">skept=
ikalist@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div style=3D"word-wrap:break-word">From=A0<a href=3D"http://www.ovnilab.co=
m/articles/linelevel.shtml" target=3D"_blank">http://www.ovnilab.com/articl=
es/linelevel.shtml</a><div><br><div><div><span style=3D"font-family:verdana=
,sans-serif;line-height:22px">Generally speaking, if you send an instrument=
-level signal into a device that needs line-level input, you will get exces=
s noise and/or weak sound. If you send a line-level signal into a device th=
at&#39;s meant for instrument or mic-level input, you will get distortion. =
Since the effects loop on most amps is designed to<i>both send and receive<=
/i>=A0line-level signals, if you put a typical instrument-level effect peda=
l in the loop you will often get noise, weakness,=A0<u>and</u>=A0distortion=
. You may find a few exceptions though: either an amp loop that can operate=
 at instrument level, or a pedal that can operate at line level.</span></di=
v>
<div><span style=3D"font-family:verdana,sans-serif;line-height:22px">-----<=
/span></div><div><span style=3D"font-family:verdana,sans-serif;line-height:=
22px"><br></span></div><div><span style=3D"font-family:verdana,sans-serif;l=
ine-height:22px">They say that line level signal is much stronger than inst=
rument level -- but I can run some line level devices off a very thin stere=
o cable with 1/8 inch plugs whereas instrument level needs a big thick cabl=
e with 1/4&quot; jacks?</span></div>
<div><span style=3D"font-family:verdana,sans-serif;line-height:22px">Not lo=
gical hence confusing.</span></div><div><span style=3D"font-family:verdana,=
sans-serif;line-height:22px"><br></span></div><div><span style=3D"font-fami=
ly:verdana,sans-serif;line-height:22px">BobC</span></div>
</div></div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-=
- <br><br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a><br>

--20cf303f6c8e10badd04b30ea072--

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Subject: Re: airFX level mismatch.
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RP Collier wrote:
> 
> On Dec 1, 2011, at 11:33 AM, andy butler wrote:
> 
>> In any case "line Level" hasn't meant -10dB since they did away
>> with using 5 pin din connectors (in the mid 70's ?).
> 
>  From Wiki
> 
> The most common nominal level for consumer audio equipment is âˆ’10 dBV, 
> and the most common nominal level for professional equipment is 4 dBu.

however, if you check the level actually put out by, say, any cd player
it's quite a bit louder than -10dB

That's why, for instance, my M-Audio Sound Interface has 3 input/output level
settings
-10dB,  Consumer, +4dB
..with consumer being the kind of level that usually goes down phonos.


The -10dB really was a standard (nominal level) when we had those 
5 pin dins....remember them?  I do.
..and then phonos were introduced...and they really did carry a 
higher level.


I even had a with both 5 pin din (-10dB) sockets and the newer
phono inputs, and the phonos were less sensitive.


So I can guarantee you that I'm not bullshitting you...
...I actually *measure* this stuff.

Maybe there's a kind of volume wars going on for cd players,
trying to sound impressive, but the concept of "nominal" has
at least been stretched by consumer gear.


> 
> and
> 
> In most cases changing the volume setting on the source equipment does 
> not vary the strength of the line out signal.

"Volume Out" on the EDP does exactly that.

andy

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Subject: Re: airFX level mismatch.
Date: Thu, 1 Dec 2011 14:36:09 -0800
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On Dec 1, 2011, at 2:13 PM, andy butler wrote:

> So I can guarantee you that I'm not bullshitting you...
> ...I actually *measure* this stuff.

Never said you were and never would have thunk it.

I can't even follow the simple math on electrical stuff. All I know is  
that, having several of these line or phono input devices, many  react  
as if  +4dbu is too much signal even though it is actually less signal  
than -10db.

And then there are those devices that react as if it is not enough  
signal, such as the Kaoss Pad which seem to attenuate the audio.

Not even the courtesy of consistency.
:-)


BobC
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 1, 2011, =
at 2:13 PM, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">So I can =
guarantee you that I'm not bullshitting you...<br>...I actually =
*measure* this stuff.</span></blockquote></div><br><div>Never said you =
were and never would have thunk it.</div><div><br></div><div>I can't =
even follow the simple math on electrical stuff. All I know is that, =
having several of these line or phono input devices, many &nbsp;react as =
if &nbsp;+4dbu is too much signal even though it is actually less signal =
than -10db.</div><div><br></div><div>And then there are those devices =
that react as if it is not enough signal, such as the Kaoss Pad which =
seem to attenuate the audio.</div><div><br></div><div>Not even the =
courtesy of =
consistency.</div><div>:-)</div><div><br></div><div><br></div><div>BobC</d=
iv></body></html>=

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On 7/22/64 11:59 AM, andy butler wrote:
> So I can guarantee you that I'm not bullshitting you...
> ...I actually *measure* this stuff. 
I just want to add weight to what Andy says.

More than anyone I've met in the audio industry (and I know a lot of 
people),  Andy really does his homework
and really knows his shit.   He keeps conjecture out of his discussions 
unless he's talking philosophy.

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<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
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  <body bgcolor="#FFFFFF" text="#000000">
    On 7/22/64 11:59 AM, andy butler wrote:
    <blockquote cite="mid:%3C4ED7FBF4.9010204@tiscali.co.uk%3E"
      type="cite">So I can guarantee you that I'm not bullshitting
      you...
      <br>
      ...I actually <b class="moz-txt-star"><span class="moz-txt-tag">*</span>measure<span
          class="moz-txt-tag">*</span></b> this stuff.
    </blockquote>
    <font size="+1">I just want to add weight to what Andy says.<br>
      <br>
      More than anyone I've met in the audio industry (and I know a lot
      of people),&nbsp; Andy really does his homework <br>
      and really knows his shit.&nbsp;&nbsp; He keeps conjecture out of his
      discussions unless he's talking philosophy.<br>
    </font>
  </body>
</html>

--------------050504000003070603070003--

From Loopers-Delight-request@loopers-delight.com  Fri Dec  2 00:35:12 2011
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Subject: Re: Re: airFX level mismatch.
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OK OK..
but Andy.. Maybe you missed the point of the post. To recap, The AirFX is
primarily a processing unit, that I use to process one EDP. However it also
has a few sound patches.. vinyl crackle being one (the one incidentely that
started this discussion) a terrible theramin, a couple of great, but
impractical drum sounds and a bit of noise.. However these patches, are
EXTREMELY LOUD, in respect to the sound of the EDP that is coming thru it,
clean or processed.

The EDP output level is FULL UP, the mixer it goes into is set to -10..

Basically the EDP needs to be lots louder

any fix?


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

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OK OK..<br>but Andy.. Maybe you missed the point of the post. To recap, The=
 AirFX is primarily a processing unit, that I use to process one EDP. Howev=
er it also has a few sound patches.. vinyl crackle being one (the one incid=
entely that started this discussion) a terrible theramin, a couple of great=
, but impractical drum sounds and a bit of noise.. However these patches, a=
re EXTREMELY LOUD, in respect to the sound of the EDP that is coming thru i=
t, clean or processed.<br>

<br>The EDP output level is FULL UP, the mixer it goes into is set to -10..=
<br><br>Basically the EDP needs to be lots louder<br><br>any fix?<br><br><b=
r>-- <br><i style=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 255=
);background-color:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sa=
ns-serif" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

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On Dec 1, 2011, at 4:34 PM, mark francombe wrote:

> Basically the EDP needs to be lots louder


Maybe try putting a preamp (-10db) after the EDP and before the AirFx.


BobC


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 1, 2011, =
at 4:34 PM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Basically the =
EDP needs to be lots =
louder</span></blockquote></div><br><div><br></div><div>Maybe try =
putting a preamp (-10db) after the EDP and before the =
AirFx.</div><div><br></div><div><br></div><div>BobC</div><div><br></div></=
body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Dec  2 01:17:49 2011
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Subject: Listen to Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll begin a month-long
Special Focus on Dan Pound.  The Featured CD at Midnight will be
"Impressions" on Poundsounds.  Details are at the Special Focus page
at: http://wdiy.org/programs/gt/playlists/2011/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Dec  2 07:30:47 2011
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Subject: RE: Vorstadtprinzessinnenklangwellen
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hi Kevin,

> Care to explain your looping process on this piece?  I really enjoyed
> it and found a lot that sounds very much like what I've wanted to
> accomplish in my looping (the rhythmic elements and transitions
> especially).

I use Bidule on a Windows laptop. The looping is done with 3 instances of
Matthias Grob's Echoloop plugin (which is mostly identical to the EDP). I
usually set a loop (say, 5 seconds) on the first Echoloop and feed it with
stuff. This loop sets the master time for all other plugins. The second
Echoloop is synced to the first but with a different length - here I've set
it to a 6:8 ratio which will give you synced overlaps, and you can do
minimalist polyrhythms. There are more plugins synced to the 1st Echoloop,
like the fabulous Catchdad sequencer (you can hear it plinking and plonking
away during the first minutes) that takes your audio and makes rhythms from
it; or the equally fabulous Illformed dblue-glitch plugin. The 3rd Echoloop
is also synced to the 1st but it is set to a much longer time, I usually
feed it with rhythms (from some drum machine plugin (synced to the 1st loop)
or my wavedrum) and/or with bass lines and/or with soundscapes. 

Instead of 3 instances of the Echoloop, I guess you can also use Moebius
which lets you run several synced loops in polyrhythms, but I never used it
and can't say anything about it. When I ditched my heavy rack containing 2
EDPs, I felt it was a soft transition to the software EDPs, and I got used
to using them. I also like to wire the 3 loopers into different positions in
my bidule setup. For instance, the long 3rd loop (containing some
rhythms/dub bass at 17:00) can be fed back into Catchdad and the Glitch
plugin, whereas the first 2 loops go straight towards the output. 

About the transitions in the piece, I really don't know how I do them :)
You'd have to ask for a specific position in this piece, maybe I can tell
then. But I use a Nanokey a lot to control plugin settings and fade things
in and out.

Hope this helps, please ask if there are more questions.

-Michael
veloopity.bandcamp.com


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Date: Fri, 2 Dec 2011 10:10:01 +0100
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Subject: Re: Vorstadtprinzessinnenklangwellen
From: Johannes Korn <jenko.nashorn@googlemail.com>
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Hi Michael,

that is beautiful! I just listened to it twice in a row. Thank you!

Johannes

2011/12/1 Michael Peters <mp@mpeters.de>

> **
>
> here's a 45 minute recording of an improvised livelooping set that I did
> last Saturday. What was most interesting to me about it was that I had some
> plans what to do on the evening, but for various reasons (difficult and
> loud venue, etc), it went completely elsewhere, and I found myself
> following short term impulses for the complete set, not really knowing what
> I was doing.
>
> I was completely convinced afterwards that the set had been a complete
> failure, even when people told me they quite liked it. Then two days later
> I listened through the recording and found that the rapid succession of
> style changes was quite interesting.
>
> http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen
>
> Does it happen to you too that your own immediate assessment of your live
> music is very different to what you feel about it later?
>
> -Michael
>
>
>



-- 
jenko.nashorn@googlemail.com
www.myspace.com/nashorn

--001636416d5f7b861504b318554f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Michael,<div><br></div><div>that is beautiful! I just listened to it twi=
ce in a row. Thank you!</div><div><br></div><div>Johannes<br><br><div class=
=3D"gmail_quote">2011/12/1 Michael Peters <span dir=3D"ltr">&lt;<a href=3D"=
mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><u></u>



<div>
<p><font size=3D"2" face=3D"Arial">here&#39;s a 45 minute recording of an i=
mprovised=20
livelooping set that I did last Saturday. What was most interesting to me a=
bout=20
it was that I had some plans what to do on the evening,=A0but for various=
=20
reasons (difficult and loud venue, etc), it went completely elsewhere, and =
I=20
found myself following short term impulses for the complete set, not really=
=20
knowing what I was doing. </font></p>
<p><font size=3D"2" face=3D"Arial">I was completely convinced afterwards th=
at the set=20
had been a complete failure, even when people told me they quite liked it. =
Then=20
two days later I listened through the recording and found that the rapid=20
succession of style changes was quite interesting. </font></p>
<p><font size=3D"2" face=3D"Arial"><a href=3D"http://veloopity.bandcamp.com=
/album/vorstadtprinzessinnenklangwellen" target=3D"_blank">http://veloopity=
.bandcamp.com/album/vorstadtprinzessinnenklangwellen</a></font><font face=
=3D"Arial"> </font></p>

<p><font size=3D"2" face=3D"Arial">Does it happen to you too that your own =
immediate=20
assessment of your live music is very different to what you feel about it=
=20
later?</font></p><span class=3D"HOEnZb"><font color=3D"#888888">
<p><font size=3D"2" face=3D"Arial">-Michael</font></p>
<p><font size=3D"2" face=3D"Arial"></font>=A0</p></font></span></div>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div><a href=
=3D"mailto:jenko.nashorn@googlemail.com" target=3D"_blank">jenko.nashorn@go=
oglemail.com</a></div>
<div><a href=3D"http://www.myspace.com/nashorn" target=3D"_blank">www.myspa=
ce.com/nashorn</a></div><br>
</div>

--001636416d5f7b861504b318554f--

From Loopers-Delight-request@loopers-delight.com  Fri Dec  2 09:54:20 2011
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RP Collier wrote:

> 
> I can't even follow the simple math on electrical stuff. All I know is 
> that, having several of these line or phono input devices, many  react 
> as if  +4dbu is too much signal even though it is actually less signal 
> than -10db.

+4dB is actually quite a lot more than -10dB.
( or is that just a typo?)

Anyway, best way to 'get it' is to have a play
with one of those mixer faders that have
the dB scale marked. (at least in terms of
'how much louder is 3 more dB').




> 
> And then there are those devices that react as if it is not enough 
> signal, such as the Kaoss Pad which seem to attenuate the audio.
> 
> Not even the courtesy of consistency.
> :-)


here I fully agree with you, manufacturers often
don't understand the spec.
one example, the Zoom H2 clips at spot on -10dB.
("nominal" means that there should be several dB
headroom above the spec)

When it comes down to it, you can't beat 
"turning it up till it just distorts, then
turning it down till it's clean".

...which is what we all do regardless of the math

andy

 
> BobC

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Subject: Re: airFX level mismatch.
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On Dec 2, 2011, at 1:54 AM, andy butler wrote:

> +4dB is actually quite a lot more than -10dB.
> ( or is that just a typo?)


I was referencing this:
 >>In simplified terms, line level is a very strong output signal,  
typically found coming from microphone preamps, mixers, effects-loop  
"sends", and the "line out" of an amp. Also this is the level needed  
to properly drive a power amp, and to get low-noise results when using  
some recording devices and processors. This is in contrast to  
"instrument level" which is the level that typically comes direct from  
a guitar, and "mic level" which is the typical output of a microphone,  
both of which are much lower than line level.
<<

Don't mind me, multitasking and wasn't paying enough attention at the  
moment.

:-)

BobC
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 2, 2011, =
at 1:54 AM, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">+4dB is =
actually quite a lot more than -10dB.<br>( or is that just a =
typo?)</span></blockquote></div><br><div><br></div><div>I was =
referencing this:</div><div><span class=3D"Apple-style-span" =
style=3D"font-family: verdana, sans-serif; line-height: 22px; =
">&gt;&gt;In simplified terms, line level is a very strong output =
signal, typically found coming from microphone preamps, mixers, =
effects-loop "sends", and the "line out" of an amp. Also this is the =
level needed to properly drive a power amp, and to get low-noise results =
when using some recording devices and processors. This is in contrast to =
"instrument level" which is the level that typically comes direct from a =
guitar, and "mic level" which is the typical output of a microphone, =
both of which are&nbsp;<u>much lower</u>&nbsp;than line =
level.</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: verdana, sans-serif; line-height: 22px; =
">&lt;&lt;</span></div><div><font class=3D"Apple-style-span" =
face=3D"verdana, sans-serif"><span class=3D"Apple-style-span" =
style=3D"line-height: 22px;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"verdana, sans-serif"><span =
class=3D"Apple-style-span" style=3D"line-height: 22px;">Don't mind me, =
multitasking and wasn't paying enough attention at the =
moment.</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"verdana, sans-serif"><span class=3D"Apple-style-span" =
style=3D"line-height: 22px;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"verdana, sans-serif"><span =
class=3D"Apple-style-span" style=3D"line-height: =
22px;">:-)</span></font></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: verdana, sans-serif; line-height: 22px; =
"><br></span></div><div><font class=3D"Apple-style-span" face=3D"verdana, =
sans-serif"><span class=3D"Apple-style-span" style=3D"line-height: =
22px;">BobC</span></font></div></body></html>=

--Apple-Mail-1-922713401--

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RP Collier wrote:

> I was referencing this:
>> >In simplified terms, line level is a very strong output signal, 
> typically found coming from microphone preamps, mixers, effects-loop 
> "sends", and the "line out" of an amp. Also this is the level needed to 
> properly drive a power amp, and to get low-noise results when using some 
> recording devices and processors. This is in contrast to "instrument 
> level" which is the level that typically comes direct from a guitar, and 
> "mic level" which is the typical output of a microphone, both of which 
> are _much lower_ than line level.

That's more or less  right, but a bit misleading:

The "instrument level" isn't really about level, it's
about impedance.

Hence, 2 interesting consequences.

1
You plug a mic into a mic level pre-amp, and an instrument
into an "instrument input", but wouldn't expect good
results doing it vice versa.


2
Almost any stomp box can be used to DI your guitar into
a line level input, (as long as you don't have it in
true bypass). As long as it's not a particularly quiet
guitar it'll work, and may may even work well.
It doesn't change the level necessarily, but it matches the impedance.
Not first choice for DI, but certainly useable.
(Matthias Grob put me on to this useful trick)



andy








From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 05:28:42 2011
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Subject: Galactic Travels Playlist #765 for December 1, 2011.
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http://wdiy.org/programs/gt/playlists/2011/111201.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                     Show #765                    December 1, 2011.

WDIY Playlist: http://wdiy.org/shows/playList.jsp?id=7968

RECAP:
On this show, I began a month-long focus on Dan Pound.  The Featured CD
at Midnight was "Impressions" on Poundsounds.
http://wdiy.org/programs/gt/playlists/2011/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Steve Roach          Disk Two Track 6     Journey of One (Projekt)
Mystified            The Shock of Coming  Coming Days (Mystified Music)
                        Days
Robert Rich          Pollen               Medicine Box (Soundscape)
Dave Luxton          Long Delay Echo      Music from the Firmament
                                             (Wayfarer)
Sam Rosenthal        Rae                  The Passage (Projekt)
Modulator ESP        Event Horizon *      Event Horizon (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Dan Pound            First Impression     Impressions (Poundsounds)
Dan Pound            Photograph           Impressions (Poundsounds)
Dan Pound            Beneath Stars        Impressions (Poundsounds)
Dan Pound            Flowing Current      Impressions (Poundsounds)
Dan Pound            Moment's Memory      Impressions (Poundsounds)
Dan Pound            With You In Time     Impressions (Poundsounds)
Dan Pound            Dreaming Place       Impressions (Poundsounds)
Dan Pound            Twilight Impression  Impressions (Poundsounds)
Dan Pound            Through the Clouds   Impressions (Poundsounds)
Dan Pound            Passage              Impressions (Poundsounds)
Dan Pound            Midnight Impression  Impressions (Poundsounds)
Dan Pound            Spaces Between       Impressions (Poundsounds)
Dan Pound            Motion of the Stars  Impressions (Poundsounds)
Dan Pound            Last Impression      Impressions (Poundsounds)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Dan
Pound.  The Featured CD at Midnight will be "Esoterica" on Poundsounds.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://wdiy.org/listen on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 13:28:15 2011
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Date: Sat, 03 Dec 2011 08:27:36 -0500
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http://wdiy.org/programs/gt/playlists/2011/top20-11nov.html

WDIY 88.1 FM "Galactic Travels" Top 20 for November, 2011.
Shows #761 to #764; 3-November-2011 to 24-November-2011
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/galactictravels

The Special Focus for November was Synth.nl.
http://wdiy.org/programs/gt/playlists/2011/focus.html#nov


ARTIST - ALBUM TITLE - LABEL
========================================================================
Darshan Ambient - Dream In Blue - Lotuspike
Dave Luxton - Dreams Ghosts and Parallel Universes - Wayfarer
Dave Luxton - Portal - Wayfarer
Jonn Serrie - Sunday Morning Peace - Valley Entertainment
Justin Vanderberg - Synthetic Memories - Spotted Peccary
Kathy Raimey - Still Moving - Spiral Soundcase
Keith Berry - The That Was Sold To a Fish - Infraction
Krusseldorf - From Soil to Space - Aleph Zero
Modulator ESP - Dark Places - none
Patrick Geren - Orange Skies - Quark
Polaris and Krzysztof Horn - Collision - Ricochet Dream
Remy - The Great Church Trilogy - Deserted Island Music
Robert Rich - Medicine Box - Soundscape Prod
Steve Roach - Journey of One - Projekt
Steve Roach - Quiet Music - Projekt
Synth.nl - AeroDynamics - Groove
Synth.nl - Apollo - Groove
Synth.nl - AtmoSphere - Groove
Synth.nl - OceanoGraphy - Groove
Twyndyllyngs - Event Horizon - electro-music media

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://wdiy.org/listen on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 14:59:56 2011
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Subject: Twyndyllyngs on Star's End
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TWYNDYLLYNGS:                           http://myspace.com/twyndyllyngs
=======================================================================
Twyndyllyngs is the second longest word in the English language that
has no vowels.  It is also the duo of Howard Moscovitz and Bill Fox who
play experimental electronic music.

After our usual Chez Mosc broadcast on http://radio.electro-music.com
at 6 pm EST/GMT-5, we will pack up our gear and mosey to Philadelphia
to perform a live set on WXPN's Star's End, hosted by Chuck Van Zyl.
This will be the 2011-12-04 broadcast of STAR'S END. We are scheduled
to play at 2 am EST/GMT-5 for an hour.

Star's End: http://starsend.org

You can listen to WXPN 88.5 FM in Philadelphia and on-line at
http://xpn.org as well as 104.9 FM in Allentown!

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 16:24:04 2011
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Subject: This weekend!
From: daniel <daniel@ithinkwethink.org>
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Salutations Kin,

For those of y'all in New England I'll be performing at...

Karma in Northampton, MA tonight at 8p:
https://www.facebook.com/events/280783898628272/

Furey's Cafe in Lowell, MA tomorrow night at 7:30p
https://www.facebook.com/events/162733697158662/

Come out for looptastic sonic love hugs!


love
Daniel


www.iamdanielharris.com

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Salutations Kin,<br><br>For those of y&#39;all in New England I&#39;ll be p=
erforming at...<br><br><font size=3D"4">Karma</font> in Northampton, MA ton=
ight at 8p: <a href=3D"https://www.facebook.com/events/280783898628272/">ht=
tps://www.facebook.com/events/280783898628272/</a> <br>
<br><font size=3D"4">Furey&#39;s Cafe</font> in Lowell, MA tomorrow night a=
t 7:30p <a href=3D"https://www.facebook.com/events/162733697158662/">https:=
//www.facebook.com/events/162733697158662/</a><br><br>Come out for looptast=
ic sonic love hugs! <br>
<br><br>love<br>Daniel <br><br><br><a href=3D"http://www.iamdanielharris.co=
m">www.iamdanielharris.com</a> <br>

--f46d040fa1c682ec5f04b3328391--

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 16:49:26 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: New experiment, live looping/sampling (guitar) play back with rate
 (speed) set to Just intonation intervals
Date: Sat, 3 Dec 2011 16:49:25 +0000
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So I figured I use the Octatrack to
live loop/sample my guitar and the set the playback speed down so i get jus=
t
intervals maybe something interesting will happen....
 ..then if I also set loop
length and sequencer playback to numbers that follows the math of just
intervals it will get really crazy=2C then add effects and other goodies..=
=20

So the loops are "just" and the guitar is not.. lake a bag pipe and
piano...=20

... i have one track of 9/8=2C one 5/4=2C one 3/2 and one 15/8 (these produ=
ce non
decimal numbers when divided with 64 which feeds the value range of the rat=
e knob
on the octatrack)



SO - did it become music.. perhaps=2C have a listen and decide=20

http://soundcloud.com/...-bergdahl/just-playing



and this is only a fraction of what can be done=2C I have a few other where=
 I use
non released features of the Beta OS i have on the octatrack=2C those will =
come
later.

THE GUITAR=2C is my Soloway Swan Single 15=2C bridge pickup and the "amp"
is the V-stack tweedy.. (sorry late and family asleep..)
(yes there is one canned loop which I made by resampling other samples mang=
led with the octa track... so there are 4 tracks of live looped guitar=2C o=
ne track of the guitar and one track with the "canned loop"  		 	   		  =

--_3f7ca9cf-6de2-40e1-bade-e68bce607665_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
<p class=3D"MsoNormal" style=3D"background:white=3Bmso-background-themecolo=
r:background1"><span lang=3D"EN-US">So I figured I use the Octatrack to
live loop/sample my guitar and the set the playback speed down so i get jus=
t
intervals maybe something interesting will happen....</span></p><p class=3D=
"MsoNormal" style=3D"background:white=3Bmso-background-themecolor:backgroun=
d1"><span lang=3D"EN-US"><br></span></p><p class=3D"MsoNormal" style=3D"bac=
kground:white=3Bmso-background-themecolor:background1"><span lang=3D"EN-US"=
>&nbsp=3B..then if I also set loop
length and sequencer playback to numbers that follows the math of just
intervals it will get really crazy=2C then add effects and other goodies..&=
nbsp=3B<br>
So the loops are "just" and the guitar is not.. lake a bag pipe and
piano...&nbsp=3B</span></p><p class=3D"MsoNormal" style=3D"background:white=
=3Bmso-background-themecolor:background1"><span lang=3D"EN-US"><br>
... i have one track of 9/8=2C one 5/4=2C one 3/2 and one 15/8 (these produ=
ce non
decimal numbers when divided with 64 which feeds the value range of the rat=
e knob
on the octatrack)<br>
<br>
SO - did it become music.. perhaps=2C have a listen and decide&nbsp=3B<br>
</span><a href=3D"http://soundcloud.com/anders-bergdahl/just-playing" targe=
t=3D"_new"><span lang=3D"EN-US">http://soundcloud.com/...-bergdahl/just-pla=
ying</span></a><span lang=3D"EN-US"><br>
<br>
and this is only a fraction of what can be done=2C I have a few other where=
 I use
non released features of the Beta OS i have on the octatrack=2C those will =
come
later.<br>
THE GUITAR=2C is my Soloway Swan Single 15=2C bridge pickup and the "amp"
is the V-stack tweedy.. </span>(sorry late and family asleep..)<o:p></o:p><=
/p><p class=3D"MsoNormal" style=3D"background:white=3Bmso-background-themec=
olor:background1"><br></p><p class=3D"MsoNormal" style=3D"background:white=
=3Bmso-background-themecolor:background1">(yes there is one canned loop whi=
ch I made by resampling other samples mangled with the octa track... so the=
re are 4 tracks of live looped guitar=2C one track of the guitar and one tr=
ack with the "canned loop"&nbsp=3B</p> 		 	   		  </div></body>
</html>=

--_3f7ca9cf-6de2-40e1-bade-e68bce607665_--

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 16:56:23 2011
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Subject: Re: New experiment, live looping/sampling (guitar) play back with
 rate (speed) set to Just intonation intervals
From: Per Boysen <perboysen@gmail.com>
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Listening here now and finding it quite exciting! I like your guitar
tone a lot, guess we share similar tastes on such matters. The
Octatrack seems to be a cool tool. Hope you manage to learn how to
master it as well as you master the guitar.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Sat, Dec 3, 2011 at 5:49 PM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> So I figured I use the Octatrack to live loop/sample my guitar and the se=
t
> the playback speed down so i get just intervals maybe something interesti=
ng
> will happen....
>
>
> =C2=A0..then if I also set loop length and sequencer playback to numbers =
that
> follows the math of just intervals it will get really crazy, then add
> effects and other goodies..
> So the loops are "just" and the guitar is not.. lake a bag pipe and
> piano...
>
>
> ... i have one track of 9/8, one 5/4, one 3/2 and one 15/8 (these produce
> non decimal numbers when divided with 64 which feeds the value range of t=
he
> rate knob on the octatrack)
>
> SO - did it become music.. perhaps, have a listen and decide
> http://soundcloud.com/...-bergdahl/just-playing
>
> and this is only a fraction of what can be done, I have a few other where=
 I
> use non released features of the Beta OS i have on the octatrack, those w=
ill
> come later.
> THE GUITAR, is my Soloway Swan Single 15, bridge pickup and the "amp" is =
the
> V-stack tweedy.. (sorry late and family asleep..)
>
>
> (yes there is one canned loop which I made by resampling other samples
> mangled with the octa track... so there are 4 tracks of live looped guita=
r,
> one track of the guitar and one track with the "canned loop"

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 17:20:59 2011
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Subject: OT: The Wandering Madman West Coast Tour
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Howdy all!


Just wanted to let you guys know Ive been touring with a band called
HURT as their soundguy / opening act. The following is a list of
upcoming west coast dates if anyone is interested in seeing this
craziness in person. I typically have a 30min set. Tickets have been
around $12. If you can't make it out, no worries for I will hopefully
be back in 2012!

Lastly, since the band HURT is playing as an acoustic act, they picked
up a cello player for the tour. His name is Yoed Neir and he is an
incredible improv looper. Check him out!=A0     http://www.yoednir.com/


Dec 3 - Neurolux - Boise, ID
Dec 4 - Hawthorne Theater - Portland, OR
Dec 5 - The Tripple Door - Seattle, WA
Dec 7 - Hotel Utah - San Francisco, CA
Dec 8 - The Mint - L.A, CA
Dec 9 - The Roxy - Scottsdale, AZ
Dec 10 - Tricky Falls - El Paso, TX
Dec 12 - Wreckers - Lubbox, TX
Dec 13 - Stubbs Jr - Austin, TX
Dec 14 - The Korova - San Antonio, TX
Dec 15 - Fitzgeralds - Houston, TX
Dec 16 - Stickyz - Little Rock, AR
Dec 17 - Rogue - Fayatteville, AR
Dec 18 - La Grange - Dallas, TX

cheers!

The Wandering Madman

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 19:09:30 2011
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On 7/22/64 11:59 AM, andy butler wrote:
> The "instrument level" isn't really about level, it's
> about impedance.
I've never truly understood the concept of impedance.

Is hi to low z part of this concept?

Would you mind taking the time to give us a simple couple of examples of
how impedance works and how it manifests in the practical world of live 
audio?

No worries if you are too busy.

rick

From Loopers-Delight-request@loopers-delight.com  Sat Dec  3 19:25:40 2011
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--bcaec52161a3f8eef004b3350c8c
Content-Type: text/plain; charset=ISO-8859-1

Hey all Fro asked me to post this as he is having a tech problem with
posting here so..

>>>>>

Howdy all!


Just wanted to let you guys know Ive been touring with a band called
HURT as their soundguy / opening act. The following is a list of
upcoming west coast dates if anyone is interested in seeing this
craziness in person. I typically have a 30min set. Tickets have been
around $12. If you can't make it out, no worries for I will hopefully
be back in 2012!

Lastly, since the band HURT is playing as an acoustic act, they picked
up a cello player for the tour. His name is Yoed Neir and he is an
incredible improv looper. Check him out!
http://www.facebook.com/l/TAQFC1JnkAQHUvkrnAKKd-pkwww9biDF9qFJm6sGC2g2xTA/www.yoednir.com/


Dec 3 - Neurolux - Boise, ID
Dec 4 - Hawthorne Theater - Portland, OR
Dec 5 - The Tripple Door - Seattle, WA
Dec 7 - Hotel Utah - San Francisco, CA
Dec 8 - The Mint - L.A, CA
Dec 9 - The Roxy - Scottsdale, AZ
Dec 10 - Tricky Falls - El Paso, TX
Dec 12 - Wreckers - Lubbox, TX
Dec 13 - Stubbs Jr - Austin, TX
Dec 14 - The Korova - San Antonio, TX
Dec 15 - Fitzgeralds - Houston, TX
Dec 16 - Stickyz - Little Rock, AR
Dec 17 - Rogue - Fayatteville, AR
Dec 18 - La Grange - Dallas, TX

cheers!

Fro

--bcaec52161a3f8eef004b3350c8c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey all Fro asked me to post this as he is having a tech problem with posti=
ng here so..<br><br>&gt;&gt;&gt;&gt;&gt;<br><br>Howdy all!<br> <br> <br> Ju=
st wanted to let you guys know Ive been touring with a band called<br> HURT=
 as their soundguy / opening act. The following is a list of<br>
 upcoming west coast dates if anyone is interested in seeing this<br> crazi=
ness in person. I typically have a 30min set. Tickets have been<br> around =
$12. If you can&#39;t make it out, no worries for I will hopefully<br> be b=
ack in 2012!<br>
 <br> Lastly, since the band HURT is playing as an acoustic act, they picke=
d<br> up a cello player for the tour. His name is Yoed Neir and he is an<br=
> incredible improv looper. Check him out!      <a href=3D"http://www.faceb=
ook.com/l/TAQFC1JnkAQHUvkrnAKKd-pkwww9biDF9qFJm6sGC2g2xTA/www.yoednir.com/"=
 style=3D"color:#3b5998;text-decoration:none" target=3D"_blank">http://www.=
facebook.com/l/TAQFC1JnkAQHUvkrnAKKd-pkwww9biDF9qFJm6sGC2g2xTA/www.yoednir.=
com/</a><br>
 <br> <br> Dec 3 - Neurolux - Boise, ID<br> Dec 4 - Hawthorne Theater - Por=
tland, OR<br> Dec 5 - The Tripple Door - Seattle, WA<br> Dec 7 - Hotel Utah=
 - San Francisco, CA<br> Dec 8 - The Mint - L.A, CA<br> Dec 9 - The Roxy - =
Scottsdale, AZ<br>
 Dec 10 - Tricky Falls - El Paso, TX<br> Dec 12 - Wreckers - Lubbox, TX<br>=
 Dec 13 - Stubbs Jr - Austin, TX<br> Dec 14 - The Korova - San Antonio, TX<=
br> Dec 15 - Fitzgeralds - Houston, TX<br> Dec 16 - Stickyz - Little Rock, =
AR<br>
 Dec 17 - Rogue - Fayatteville, AR<br> Dec 18 - La Grange - Dallas, TX<br> =
<br> cheers!<br><br>Fro<br>

--bcaec52161a3f8eef004b3350c8c--

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Gah! I've been trying to research my way into understanding impedance =
better for a month now. Let's just say the scales have not yet fallen =
from my eyes. Love to see if Andy can work some educational magic :) =
Great to know even giants like Rick have the occasional blind spot :)

Also, re: EDP levels... I have much empathy for the caller... that unit =
definitely behaves differently than all my other (more modern) gear, and =
I've twisted myself into knots getting it to comply in various contexts, =
here are just a few:=20

in FX loop (serial) of Mesa Boogie MkIV
- Output far too weak. Solution was to use a Suhr Minimix 2 to boost =
(and to convert the serial loop to parallel).

in FX loop after Rane SM26 line splitter/mixer
Somehow this worked better, no need for boost unit, and the Rane created =
the parallelism I craved. Sound fidelity was good... but I wanted to =
move to full-frequency monitor setup, so...

No hardware amp, routing EDP thru MOTU interface to Ableton and monitors
Have found *no* way to get levels (impedance? lol) to work this way at =
all. Line noise, white floor noise, brittle distortion, horrible =
fidelity... this with levels in the EDP set entirely properly... tried =
every kind of cable and routing and +4/-10/inst.level combo the MOTU =
will allow...

Current solution?
Echoloop VST. (Bless you Matthias and crew) Works perfectly right away, =
sounds great, zero noise. Downside - cannot use it 'headless,' that is, =
without my computer running...

Always fun, never boring !

Phil :)




On Dec 3, 2011, at 11:09 AM, Rick Walker wrote:

> On 7/22/64 11:59 AM, andy butler wrote:
>> The "instrument level" isn't really about level, it's
>> about impedance.
> I've never truly understood the concept of impedance.
>=20
> Is hi to low z part of this concept?
>=20
> Would you mind taking the time to give us a simple couple of examples =
of
> how impedance works and how it manifests in the practical world of =
live audio?
>=20
> No worries if you are too busy.
>=20
> rick
>=20


--Apple-Mail-1-1042143853
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Gah! =
I've been trying to research my way into understanding impedance better =
for a month now. Let's just say the scales have not yet fallen from my =
eyes. Love to see if Andy can work some educational magic :) Great to =
know even giants like Rick have the occasional blind spot =
:)<div><br></div><div>Also, re: EDP levels... I have much empathy for =
the caller... that unit definitely behaves differently than all my other =
(more modern) gear, and I've twisted myself into knots getting it to =
comply in various contexts, here are just a =
few:&nbsp;</div><div><br></div><div><b>in FX loop (serial) of Mesa =
Boogie MkIV</b></div><div>- Output far too weak. Solution was to use a =
Suhr Minimix 2 to boost (and to convert the serial loop to =
parallel).</div><div><br></div><div><b>in FX loop after Rane SM26 line =
splitter/mixer</b></div><div>Somehow this worked better, no need for =
boost unit, and the Rane created the parallelism I craved. Sound =
fidelity was good... but I wanted to move to full-frequency monitor =
setup, so...</div><div><br></div><div><b>No hardware amp, routing EDP =
thru MOTU interface to Ableton and monitors</b></div><div>Have found =
*no* way to get levels (impedance? lol) to work this way at all. Line =
noise, white floor noise, brittle distortion, horrible fidelity... this =
with levels in the EDP set entirely properly... tried every kind of =
cable and routing and +4/-10/inst.level combo the MOTU will =
allow...</div><div><br></div><div><b>Current =
solution?</b></div><div>Echoloop VST. (Bless you Matthias and crew) =
Works perfectly right away, sounds great, zero noise. Downside - cannot =
use it 'headless,' that is, without my computer =
running...</div><div><br></div><div>Always fun, never boring =
!</div><div><br></div><div>Phil =
:)</div><div><br></div><div><br></div><div><br></div><div><br><div><div>On=
 Dec 3, 2011, at 11:09 AM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, andy butler wrote:<br><blockquote type=3D"cite">The =
"instrument level" isn't really about level, =
it's<br></blockquote><blockquote type=3D"cite">about =
impedance.<br></blockquote>I've never truly understood the concept of =
impedance.<br><br>Is hi to low z part of this concept?<br><br>Would you =
mind taking the time to give us a simple couple of examples of<br>how =
impedance works and how it manifests in the practical world of live =
audio?<br><br>No worries if you are too =
busy.<br><br>rick<br><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-1-1042143853--

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Subject: EchoLoop VST
Date: Sat, 3 Dec 2011 13:56:38 -0800
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I don't find this VST available anywhere, is it still in beta? And how do I
become a lab rat?
Gnarly

From Loopers-Delight-request@loopers-delight.com  Sun Dec  4 08:02:56 2011
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Date: Sun, 4 Dec 2011 00:02:55 -0800
Message-ID: <CANkvTY_WRmfcMw2qm55qxU344kKYaPLam=uNeZDwgR9=JHBYvQ@mail.gmail.com>
Subject: Re: Ritchie Blackmore looping
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--90e6ba1efba82f720204b33fa12b
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One more Jan Akkerman video:
http://www.youtube.com/watch?v=IzdcEKtU6CQ&feature=related

On Thu, Nov 24, 2011 at 9:44 PM, <stanitarium@earthlink.net> wrote:

> used to buy the early solo Jan records-loved them to death and played them
> to death-great music that stands the test of time.Jan Akkerman -
> Streetwalker - YouTube<http://www.youtube.com/watch?v=UBGxYfQ7Gy0&feature=related>
>
> -----Original Message-----
> From: Paul Richards **
> Sent: Nov 24, 2011 6:26 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Ritchie Blackmore looping
>
> Ahhhh...Jan Akkerman. What about his soloing on Questions? Answers?
> Answers? Questions? / Focus 2 (I think))? He could really rock and his tone
> was so awesome. He is a vastly underrated guitarist. Of course, Focus ia a
> vastly underrated group. They've always been one of my favorites.
>
>  ------------------------------
> * From: * Per Boysen <perboysen@gmail.com>;
> * To: * <Loopers-Delight@loopers-delight.com>;
> * Subject: * Re: Ritchie Blackmore looping
> * Sent: * Thu, Nov 24, 2011 6:49:56 PM
>
>   On Thu, Nov 24, 2011 at 6:20 PM, Charles Zwicky <cazwicky@earthlink.net>
> wrote:
> > Here's a classic example of that tone:
> >
> > http://www.youtube.com/watch?v=hm9-PZJ3buk
>
>
> Man what a sound! I love that neck PU sound! That tape recorder
> compression is so up-your-face! Makes me think about Hendrix If Six
> Was Nine (although that was bridge PU, but still the same PU tone
> compression). Vini Reilly (The Durutti Column) once called the
> STratocaster "a wonderful machine" or something like that, and that
> really is what it is. I love those Strat quirks like the sploinky
> sounds of string tension evening out through the nut score as you play
> with the whammy bar. I recently recorded this with my strat that I
> mocked up in -82 by a Schekter body and all other parts form one of
> those early Japan built Squire strats:
> http://dl.dropbox.com/u/4963264/strat_psalm.mp3
> Can't say how much I love that tone, although here it is bridge PU all
> through. Another classic and great album with the bridge PU strat tone
> is Hamburger Concerto with ancient dutch group Focus. Jan Akkerman
> played through rotating speaker Lesley cab's on that album which is
> another epic strat sound I adore.
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>    **
>
>


-- 
Art Simon
simart@gmail.com

--90e6ba1efba82f720204b33fa12b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

One more Jan Akkerman video:<div><a href=3D"http://www.youtube.com/watch?v=
=3DIzdcEKtU6CQ&amp;feature=3Drelated">http://www.youtube.com/watch?v=3DIzdc=
EKtU6CQ&amp;feature=3Drelated</a><br><br><div class=3D"gmail_quote">On Thu,=
 Nov 24, 2011 at 9:44 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:stanitar=
ium@earthlink.net">stanitarium@earthlink.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div><font color=3D"#000000"><font size=3D"=
2"><font face=3D"arial,sans-serif">used to buy the early solo Jan records-l=
oved them to death and played them to death-great music that stands the tes=
t of time.<a href=3D"http://www.youtube.com/watch?v=3DUBGxYfQ7Gy0&amp;featu=
re=3Drelated" target=3D"_blank">Jan Akkerman - Streetwalker - YouTube</a><b=
r>
</font></font></font><div><div class=3D"h5"><blockquote style=3D"PADDING-LE=
FT:5px;MARGIN-LEFT:0px;BORDER-LEFT:#0000ff 2px solid">-----Original Message=
-----
<br>From: Paul Richards <u></u>
<br>Sent: Nov 24, 2011 6:26 PM
<br>To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>
<br>Subject: Re: Ritchie Blackmore looping

<br><br><table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr>=
<td valign=3D"top" style=3D"font:inherit"><div> Ahhhh...Jan Akkerman. What =
about his soloing on Questions? Answers? Answers? Questions? / Focus 2 (I t=
hink))? He could really rock and his tone was so awesome. He is a vastly un=
derrated guitarist. Of course, Focus ia a vastly underrated group. They&#39=
;ve always been one of my favorites.</div>
</td></tr></tbody></table>            <div>
                <div>
                    <br>
                    <div style=3D"font-family:times new roman,new york,time=
s,serif;font-size:12pt">
                        <font size=3D"2" face=3D"Tahoma">
                            <hr size=3D"1">
                            <b>
                                <span style=3D"font-weight:bold">From:</spa=
n>
                            </b>
                            Per Boysen &lt;<a href=3D"mailto:perboysen@gmai=
l.com" target=3D"_blank">perboysen@gmail.com</a>&gt;;                      =
      <br>
                            <b>
                                <span>To:</span>
                            </b>
                             &lt;<a href=3D"mailto:Loopers-Delight@loopers-=
delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a>&gt;;=
                                                                           =
                          <br>

                            <b>
                                <span>Subject:</span>
                            </b>
                            Re: Ritchie Blackmore looping                  =
          <br>
                            <b>
                                <span style=3D"font-weight:bold">Sent:</spa=
n>
                            </b>
                            Thu, Nov 24, 2011 6:49:56 PM                   =
         <br>
                            </font>
                            <br>
                            <table cellspacing=3D"0" cellpadding=3D"0" bord=
er=3D"0">
                                <tbody>
                                    <tr>
                                        <td valign=3D"top" style=3D"font:in=
herit">On Thu, Nov 24, 2011 at 6:20 PM, Charles Zwicky &lt;<a>cazwicky@eart=
hlink.net</a>&gt; wrote:<br>&gt; Here&#39;s a classic example of that tone:=
<br>
&gt;<br>&gt; <a href=3D"http://www.youtube.com/watch?v=3Dhm9-PZJ3buk" targe=
t=3D"_blank">http://www.youtube.com/watch?v=3Dhm9-PZJ3buk</a><br><br><br>Ma=
n what a sound! I love that neck PU sound! That tape recorder<br>compressio=
n is so up-your-face! Makes me think about Hendrix If Six<br>
Was Nine (although that was bridge PU, but still the same PU tone<br>compre=
ssion). Vini Reilly (The Durutti Column) once called the<br>STratocaster &q=
uot;a wonderful machine&quot; or something like that, and that<br>really is=
 what it is. I love those Strat quirks like the sploinky<br>
sounds of string tension evening out through the nut score as you play<br>w=
ith the whammy bar. I recently recorded this with my
 strat that I<br>mocked up in -82 by a Schekter body and all other parts fo=
rm one of<br>those early Japan built Squire strats:<br><a href=3D"http://dl=
.dropbox.com/u/4963264/strat_psalm.mp3" target=3D"_blank">http://dl.dropbox=
.com/u/4963264/strat_psalm.mp3</a><br>
Can&#39;t say how much I love that tone, although here it is bridge PU all<=
br>through. Another classic and great album with the bridge PU strat tone<b=
r>is Hamburger Concerto with ancient dutch group Focus. Jan Akkerman<br>
played through rotating speaker Lesley cab&#39;s on that album which is<br>=
another epic strat sound I adore.<br><br>Greetings from Sweden<br><br>Per B=
oysen<br><a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboys=
en.com</a><br>
<a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http://www.y=
outube.com/perboysen</a><br><br></td>
                                    </tr>
                                </tbody>
                            </table>
                    </div>
                </div>
            </div>
<u></u></blockquote></div></div></div>

</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>Art Simon<br=
><a href=3D"mailto:simart@gmail.com" target=3D"_blank">simart@gmail.com</a>=
<br><br>
</div>

--90e6ba1efba82f720204b33fa12b--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  4 08:53:12 2011
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Subject: RE: EchoLoop VST
Date: Sun, 4 Dec 2011 09:53:07 +0100
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> I don't find this VST available anywhere, is it still in beta? 

yes (but it works). Ask Matthias Grob or Andy Butler. I think they are busy
with other things, and haven't figured out a price and how to set up an
online shop for this thing :)

-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Dec  4 12:22:55 2011
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Date: Sun, 04 Dec 2011 04:22:44 -0800
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On 7/22/64 11:59 AM, Phil Clevenger wrote:
> Great to know even giants like Rick have the occasional blind spot :)
Funny,   I've always considered myself a technical midget,  but thanks for
your acknowledgment.........really!

Bill Walker, Andy Butler, Matthias Grob, Richard Zvonar,  Per Boysen.......
......now those guys are the giants,  imho.

....so says the one with the proverbial electronic black thumb!

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Date: Sun, 4 Dec 2011 09:28:23 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Reply-To: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Mac Mini Server for Music Production
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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---2114655128-267948401-1323019703=:65183
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Hello, all:=0A=A0=0AI was going to purchse another Mac shortly (an iMac w/1=
 TB storage, 4 GB memory) to use with Logic, Reason and other software. How=
ever, I looked at the specs of the Mac Mini Server with the faster CPU, two=
 internal 500GB 7400 rpm discs. Would this be a good music production machi=
ne? I know one has to purchase an optical drive, mouse & keyboard (I have a=
 new monitor that should work ok). When I perused the net, I saw a few folk=
s were running Logic with the Mac Mini server. There were some configuratio=
n issues that were mentioned and that can be worked out. Should I stick wit=
h the iMac or consider the performance boost with the Mac Mini Server? THX!=
=0A=0ARegards, Paul
---2114655128-267948401-1323019703=:65183
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<html><body><div style=3D"color:#000; background-color:#fff; font-family:ti=
mes new roman, new york, times, serif;font-size:12pt"><div>Hello, all:</div=
><div>&nbsp;</div><div>I was going to purchse another Mac shortly (an iMac =
w/1 TB storage, 4 GB memory) to use with Logic, Reason and other software. =
However, I looked at the specs of the Mac Mini Server with the faster CPU, =
two internal 500GB 7400 rpm discs. Would this be a good music production ma=
chine? I know one has to purchase an optical drive, mouse &amp; keyboard (I=
 have a new monitor that should work ok). When I perused the net, I saw a f=
ew folks were running Logic with the Mac Mini server. There were some confi=
guration issues that were mentioned and that can be worked out. Should I st=
ick with the iMac or consider the performance boost with the Mac Mini Serve=
r? THX!<br></div><div>Regards, Paul</div></div></body></html>
---2114655128-267948401-1323019703=:65183--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  4 17:49:28 2011
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Date: Sun, 4 Dec 2011 10:49:27 -0700
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Subject: Re: Mac Mini Server for Music Production
From: Dennis Moser <sinsofmachaut@gmail.com>
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Paul,

If you're comfortable opening the MINI, the only real differences are
the two drives=97which you could easily add to the Standard config=97and
the Quad Core I7. In fact, you can set up the Standard config with a
FASTER I7 Dual Core processor.

The real question is whether you will see a performance increase with
the slower Quad Core versus the faster Dual Core.

At any rate the MINI is turning out to be a good little machine for
this kind of use.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 4, 2011 at 10:28 AM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Hello, all:
>
> I was going to purchse another Mac shortly (an iMac w/1 TB storage, 4 GB
> memory) to use with Logic, Reason and other software. However, I looked a=
t
> the specs of the Mac Mini Server with the faster CPU, two internal 500GB
> 7400 rpm discs. Would this be a good music production machine? I know one
> has to purchase an optical drive, mouse & keyboard (I have a new monitor
> that should work ok). When I perused the net, I saw a few folks were runn=
ing
> Logic with the Mac Mini server. There were some configuration issues that
> were mentioned and that can be worked out. Should I stick with the iMac o=
r
> consider the performance boost with the Mac Mini Server? THX!
> Regards, Paul

From Loopers-Delight-request@loopers-delight.com  Sun Dec  4 18:33:07 2011
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the Mac Mini has the video memory shared from the main memory
this caused clicks in the past, I replaced my Mini by a PBP (the PB has =
the same problem)
that was a while ago, I dont know about today...

On 4 Dec 2011, at 15:28, Paul Richards wrote:

> Hello, all:
> =20
> I was going to purchse another Mac shortly (an iMac w/1 TB storage, 4 =
GB memory) to use with Logic, Reason and other software. However, I =
looked at the specs of the Mac Mini Server with the faster CPU, two =
internal 500GB 7400 rpm discs. Would this be a good music production =
machine? I know one has to purchase an optical drive, mouse & keyboard =
(I have a new monitor that should work ok). When I perused the net, I =
saw a few folks were running Logic with the Mac Mini server. There were =
some configuration issues that were mentioned and that can be worked =
out. Should I stick with the iMac or consider the performance boost with =
the Mac Mini Server? THX!
> Regards, Paul


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">the =
Mac Mini has the video memory shared from the main memory<div>this =
caused clicks in the past, I replaced my Mini by a PBP (the PB has the =
same problem)</div><div>that was a while ago, I dont know about =
today...</div><div><br><div><div>On 4 Dec 2011, at 15:28, Paul Richards =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><div style=3D"color:#000; background-color:#fff; =
font-family:times new roman, new york, times, =
serif;font-size:12pt"><div>Hello, all:</div><div>&nbsp;</div><div>I was =
going to purchse another Mac shortly (an iMac w/1 TB storage, 4 GB =
memory) to use with Logic, Reason and other software. However, I looked =
at the specs of the Mac Mini Server with the faster CPU, two internal =
500GB 7400 rpm discs. Would this be a good music production machine? I =
know one has to purchase an optical drive, mouse &amp; keyboard (I have =
a new monitor that should work ok). When I perused the net, I saw a few =
folks were running Logic with the Mac Mini server. There were some =
configuration issues that were mentioned and that can be worked out. =
Should I stick with the iMac or consider the performance boost with the =
Mac Mini Server? THX!<br></div><div>Regards, =
Paul</div></div></div></blockquote></div><br></div></body></html>=

--Apple-Mail-47--1028514178--

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Subject: For Line 6 DL-4 and M series users
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I just picked up one of these as a space saving option for a line 6  
expression pedal http://r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75 
  it works great even though you give up the continuous control  
capability you still get to set two different settings for whatever  
effects algorithm you use, particularly useful when using the smart  
harmonizer to toggle intervals or going from run away delay  
regeneration to no delay quickly I'm hoping that this guy or someone  
will come out with the equivalent for trs style expression pedals like  
the EV-pedals i use ,hopefully also with a minimum volume control  
which i am finding useful with my Wet reverb and my Timefactor.
  Bill

Double Preset Box
r3fx.com
Please note that the Line 6 units can power a red LED without the need  
for a battery. A different colored LED requires more power to drive it  
and will thus require a battery - that means that the small 1590LB  
sized enclosure will not work because a battery will not fit.   If you  
must have a differ...


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"color: rgb(51, 51, 51); font-family: 'lucida grande', tahoma, =
verdana, arial, sans-serif; font-size: 11px; line-height: 14px; "><span =
data-jsid=3D"text" class=3D"commentBody">I just picked up one of these =
as a space saving option for a line 6 expression pedal&nbsp;<a =
href=3D"http://r3fx.com/store/index.php?route=3Dproduct%2Fproduct&amp;path=
=3D35&amp;product_id=3D75" target=3D"_blank" rel=3D"nofollow nofollow" =
style=3D"cursor: pointer; color: rgb(59, 89, 152); text-decoration: =
none; "><span>http://r3fx.com/store/</span><wbr><span class=3D"word_break"=
 style=3D"display: inline-block; =
"></span><span>index.php?route=3Dproduct%2Fp</span><wbr><span =
class=3D"word_break" style=3D"display: inline-block; =
"></span><span>roduct&amp;path=3D35&amp;product_id=3D</span><wbr><span =
class=3D"word_break" style=3D"display: inline-block; =
"></span>75</a>&nbsp;it works great even though you give up =
the&nbsp;<span class=3D"translatedBody"></span></span></span><span =
class=3D"Apple-style-span" style=3D"color: rgb(51, 51, 51); font-family: =
'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; =
line-height: 14px; ">continuous control capability you still get to set =
two different settings for whatever effects algorithm you use, =
particularly useful when using the smart harmonizer to toggle intervals =
or going from run away delay regeneration to no delay quickly I'm hoping =
that this guy or someone will come out with the equivalent for trs style =
expression pedals like the EV-pedals i use ,hopefully also with a =
minimum volume control which i am finding useful with my Wet reverb and =
my Timefactor.</span><div><font class=3D"Apple-style-span" =
color=3D"#333333" face=3D"'lucida grande', tahoma, verdana, arial, =
sans-serif"><span class=3D"Apple-style-span" style=3D"font-size: 11px; =
line-height: 14px;">&nbsp;Bill<br></span></font><span =
class=3D"Apple-style-span" style=3D"color: rgb(51, 51, 51); font-family: =
'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; =
line-height: 14px; "><span><div class=3D"mvm uiStreamAttachments =
clearfix" data-ft=3D"{&quot;type&quot;:10}" style=3D"zoom: 1; =
margin-top: 10px; margin-bottom: 10px; "><div class=3D"UIImageBlock =
clearfix" style=3D"zoom: 1; "><a class=3D"external UIImageBlock_Image =
UIImageBlock_MED_Image" aria-hidden=3D"true" =
href=3D"http://www.r3fx.com/store/index.php?route=3Dproduct%2Fproduct&amp;=
path=3D35&amp;product_id=3D75" rel=3D"nofollow" title=3D"" =
target=3D"_blank" data-ft=3D"{&quot;type&quot;:41}" style=3D"cursor: =
pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; =
margin-right: 10px; "><img class=3D"img" alt=3D"" =
style=3D"border-top-width: 0px; border-right-width: 0px; =
border-bottom-width: 0px; border-left-width: 0px; border-style: initial; =
border-color: initial; display: block; max-height: 90px; max-width: =
90px; " height=3D"90" width=3D"94" =
src=3D"cid:83CCC625-8871-4C33-977C-5EB4320053C2@cruzio.com"></a><div =
class=3D"UIImageBlock_Content UIImageBlock_MED_Content fsm fwn fcg" =
style=3D"display: table-cell; vertical-align: top; width: 10000px; =
font-size: 11px; font-weight: normal; color: gray; "><div =
class=3D"uiAttachmentTitle" data-ft=3D"{&quot;type&quot;:11}" =
style=3D"word-break: break-word; word-wrap: break-word; color: rgb(51, =
51, 51); "><strong><a =
href=3D"http://www.r3fx.com/store/index.php?route=3Dproduct%2Fproduct&amp;=
path=3D35&amp;product_id=3D75" target=3D"_blank" rel=3D"nofollow" =
style=3D"cursor: pointer; color: rgb(59, 89, 152); text-decoration: =
none; ">Double Preset Box</a></strong></div><span =
class=3D"caption">r3fx.com</span><div class=3D"mts uiAttachmentDesc =
translationEligibleUserAttachmentMessage" style=3D"word-break: =
break-word; word-wrap: break-word; margin-top: 5px; color: gray; "><div =
id=3D"id_4edbbc6cd3fd37426913746" class=3D"text_exposed_root =
text_exposed" style=3D"display: inline; ">Please note that the Line 6 =
units can power a red LED without the need for a bat<span =
class=3D"text_exposed_show" style=3D"display: inline; ">tery. A =
different colored LED requires more power to drive it and will thus =
require a battery - that means that the small 1590LB sized enclosure =
will not work because a battery will not fit.&nbsp;&nbsp; If you must =
have a differ...</span></div></div><div><div =
id=3D"id_4edbbc6cd3fd37426913746" class=3D"text_exposed_root =
text_exposed" style=3D"display: inline; "><span =
class=3D"text_exposed_show" style=3D"display: inline; =
"><br></span></div></div></div></div></div></span></span></div></body></ht=
ml>=

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Subject: Fwd: airFX level mismatch.
Date: Sun, 4 Dec 2011 11:43:53 -0800
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Of course Andy you are correct about the Mix knob dipping some when in =
mid-position... that was my initial experience, since the Boogie's FX =
loop is serial there was no choice but to run Mix at 12 o'clock or so... =
but it was too quiet... hence the Suhr MiniMix, lovely little piece that =
essentially makes my (mono) serial FX loop into a parallel loop. That =
enabled me to run the EDP fully wet. But, the output still fell just shy =
of where I wanted it to be, so I used a Suhr Isoboost (clean boost) to =
just bump the EDP up a little, and the result was great.

And yeah, the whole MOTU thing is a real head scratcher. If anyone out =
there has run an EDP thru a MOTU device (I'm using the Traveler), I'd =
love to hear your experience :)

Meantime, I'm happy in VST-land. Might set up the EDP again with the =
Boogie and just keep it on hand for times when hardware is required....

Phil :)


On Dec 4, 2011, at 5:03 AM, andy butler wrote:


>=20
>=20
> Phil Clevenger wrote:
>> Gah! I've been trying to research my way into understanding impedance =
better for a month now. Let's just say the scales have not yet fallen =
from my eyes. Love to see if Andy can work some educational magic :) =
Great to know even giants like Rick have the occasional blind spot :)
>=20
> ok, when I get the time I'll work up a full overview,
>=20
> this comes up a lot.
>=20
>=20
>> *in FX loop (serial) of Mesa Boogie MkIV*
>> - Output far too weak. Solution was to use a Suhr Minimix 2 to boost =
(and to convert the serial loop to parallel).
>=20
> I'd call that a known issue connected with the Mix control on the EDP.
> If you put in full wet, then the o/p is good and loud.
> As you mix in the dry signal the wet signal drops...well
> that's what a mix control does.
>=20
>> *No hardware amp, routing EDP thru MOTU interface to Ableton and =
monitors*
>> Have found *no* way to get levels (impedance? lol) to work this way =
at all. Line noise, white floor noise, brittle distortion, horrible =
fidelity... this with levels in the EDP set entirely properly... tried =
every kind of cable and routing and +4/-10/inst.level combo the MOTU =
will allow...
>=20
> That's strange.
> Can't see any reason for that to happen from the onfo here.
>=20
> andy


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>Of course Andy you are correct about the Mix knob dipping some =
when in mid-position... that was my initial experience, since the =
Boogie's FX loop is serial there was no choice but to run Mix at 12 =
o'clock or so... but it was too quiet... hence the Suhr MiniMix, lovely =
little piece that essentially makes my (mono) serial FX loop into a =
parallel loop. That enabled me to run the EDP fully wet. But, the output =
still fell just shy of where I wanted it to be, so I used a Suhr =
Isoboost (clean boost) to just bump the EDP up a little, and the result =
was great.<br><font class=3D"Apple-style-span" =
color=3D"#144fae"><br></font>And yeah, the whole MOTU thing is a real =
head scratcher. If anyone out there has run an EDP thru a MOTU device =
(I'm using the Traveler), I'd love to hear your experience :)<br><font =
class=3D"Apple-style-span" color=3D"#144fae"><br></font>Meantime, I'm =
happy in VST-land. Might set up the EDP again with the Boogie and just =
keep it on hand for times when hardware is required....<br><font =
class=3D"Apple-style-span" color=3D"#144fae"><br></font>Phil :)<br><font =
class=3D"Apple-style-span" color=3D"#144fae"><br><br></font>On Dec 4, =
2011, at 5:03 AM, andy butler wrote:<br><font class=3D"Apple-style-span" =
color=3D"#144fae"><br><br></font><blockquote =
type=3D"cite"><div><br><br>Phil Clevenger wrote:<br><blockquote =
type=3D"cite">Gah! I've been trying to research my way into =
understanding impedance better for a month now. Let's just say the =
scales have not yet fallen from my eyes. Love to see if Andy can work =
some educational magic :) Great to know even giants like Rick have the =
occasional blind spot :)<br></blockquote><br>ok, when I get the time =
I'll work up a full overview,<br><br>this comes up a =
lot.<br><br><br><blockquote type=3D"cite">*in FX loop (serial) of Mesa =
Boogie MkIV*<br></blockquote><blockquote type=3D"cite">- Output far too =
weak. Solution was to use a Suhr Minimix 2 to boost (and to convert the =
serial loop to parallel).<br></blockquote><br>I'd call that a known =
issue connected with the Mix control on the EDP.<br>If you put in full =
wet, then the o/p is good and loud.<br>As you mix in the dry signal the =
wet signal drops...well<br>that's what a mix control =
does.<br><br><blockquote type=3D"cite">*No hardware amp, routing EDP =
thru MOTU interface to Ableton and monitors*<br></blockquote><blockquote =
type=3D"cite">Have found *no* way to get levels (impedance? lol) to work =
this way at all. Line noise, white floor noise, brittle distortion, =
horrible fidelity... this with levels in the EDP set entirely =
properly... tried every kind of cable and routing and +4/-10/inst.level =
combo the MOTU will allow...<br></blockquote><br>That's =
strange.<br>Can't see any reason for that to happen from the onfo =
here.<br><br>andy<br></div></blockquote></div><br></body></html>=

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Date: Sun, 4 Dec 2011 16:01:56 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Reply-To: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Mac Mini Server for Music Production
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Dennis:=0ASo, you're suggesting saving the initial cash between the mac min=
i & mac mini server and upgrading later? The mac mini server I configured t=
opped at at around $1200. I know the mac minis are less expensive but I'd h=
ave to ante up the cash for the second disc and (maybe eventually) another =
processor. I do like the screen of the iMac and hate giving that up. Decisi=
ons, decisions. One good thing: I work for a university so can get academic=
 prices on Logic, for example.=0A=C2=A0=0ARegards, Paul=0A =0A=0A__________=
______________________=0A From: Dennis Moser <sinsofmachaut@gmail.com>=0ATo=
: Paul Richards <paulrichard_rocks@yahoo.com> =0ACc: "Loopers-Delight@loope=
rs-delight.com" <Loopers-Delight@loopers-delight.com> =0ASent: Sunday, Dece=
mber 4, 2011 12:49 PM=0ASubject: Re: Mac Mini Server for Music Production=
=0A =0APaul,=0A=0AIf you're comfortable opening the MINI, the only real dif=
ferences are=0Athe two drives=E2=80=94which you could easily add to the Sta=
ndard config=E2=80=94and=0Athe Quad Core I7. In fact, you can set up the St=
andard config with a=0AFASTER I7 Dual Core processor.=0A=0AThe real questio=
n is whether you will see a performance increase with=0Athe slower Quad Cor=
e versus the faster Dual Core.=0A=0AAt any rate the MINI is turning out to =
be a good little machine for=0Athis kind of use.=0A=0ABest,=0A=0ADennis=0A=
=0Ahttp://soundcloud.com/usrsbin=0Ahttp://audiozoloft.com=0Ahttp://usrslash=
sbin.angrek.com/=0A=0A=0A=0AOn Sun, Dec 4, 2011 at 10:28 AM, Paul Richards=
=0A<paulrichard_rocks@yahoo.com> wrote:=0A> Hello, all:=0A>=0A> I was going=
 to purchse another Mac shortly (an iMac w/1 TB storage, 4 GB=0A> memory) t=
o use with Logic, Reason and other software. However, I looked at=0A> the s=
pecs of the Mac Mini Server with the faster CPU, two internal 500GB=0A> 740=
0 rpm discs. Would this be a good music production machine? I know one=0A> =
has to purchase an optical drive, mouse & keyboard (I have a new monitor=0A=
> that should work ok). When I perused the net, I saw a few folks were runn=
ing=0A> Logic with the Mac Mini server. There were some configuration issue=
s that=0A> were mentioned and that can be worked out. Should I stick with t=
he iMac or=0A> consider the performance boost with the Mac Mini Server? THX=
!=0A> Regards, Paul
---2114655128-85214371-1323043316=:21748
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><body><div style=3D"color:#000; background-color:#fff; font-family:ti=
mes new roman, new york, times, serif;font-size:12pt"><div><span>Dennis:</s=
pan></div><div><span>So, you're suggesting saving the initial cash between =
the mac mini &amp; mac mini server and upgrading later? The mac mini server=
 I configured topped at at around $1200. I know the mac minis are less expe=
nsive but I'd have to ante up the cash for the second disc and (maybe event=
ually) another processor. I do like the screen of the iMac and hate giving =
that up. Decisions, decisions. One good thing: I work for a university so c=
an get academic prices on Logic, for example.</span></div><div><span></span=
>&nbsp;</div><div><span>Regards, Paul</span></div><div><br></div>  <div sty=
le=3D"font-family: times new roman, new york, times, serif; font-size: 12pt=
;"> <div style=3D"font-family: times new roman, new york, times, serif; fon=
t-size: 12pt;"> <font size=3D"2" face=3D"Arial"> <div style=3D"margin: 5px =
0px;
 padding: 0px; border: 1px solid rgb(204, 204, 204); height: 0px; line-heig=
ht: 0; font-size: 0px;" class=3D"hr" contentEditable=3D"false" readonly=3D"=
true"></div>  <b><span style=3D"font-weight: bold;">From:</span></b> Dennis=
 Moser &lt;sinsofmachaut@gmail.com&gt;<br> <b><span style=3D"font-weight: b=
old;">To:</span></b> Paul Richards &lt;paulrichard_rocks@yahoo.com&gt; <br>=
<b><span style=3D"font-weight: bold;">Cc:</span></b> "Loopers-Delight@loope=
rs-delight.com" &lt;Loopers-Delight@loopers-delight.com&gt; <br> <b><span s=
tyle=3D"font-weight: bold;">Sent:</span></b> Sunday, December 4, 2011 12:49=
 PM<br> <b><span style=3D"font-weight: bold;">Subject:</span></b> Re: Mac M=
ini Server for Music Production<br> </font> <br>=0APaul,<br><br>If you're c=
omfortable opening the MINI, the only real differences are<br>the two drive=
s=E2=80=94which you could easily add to the Standard config=E2=80=94and<br>=
the Quad Core I7. In fact, you can set up the Standard config with a<br>FAS=
TER I7 Dual Core processor.<br><br>The real question is whether you will se=
e a performance increase with<br>the slower Quad Core versus the faster Dua=
l Core.<br><br>At any rate the MINI is turning out to be a good little mach=
ine for<br>this kind of use.<br><br>Best,<br><br>Dennis<br><br>http://sound=
cloud.com/usrsbin<br>http://audiozoloft.com<br>http://usrslashsbin.angrek.c=
om/<br><br><br><br>On Sun, Dec 4, 2011 at 10:28 AM, Paul Richards<br>&lt;<a=
 href=3D"mailto:paulrichard_rocks@yahoo.com" ymailto=3D"mailto:paulrichard_=
rocks@yahoo.com">paulrichard_rocks@yahoo.com</a>&gt; wrote:<br>&gt; Hello, =
all:<br>&gt;<br>&gt; I was going to purchse another Mac shortly (an iMac w/=
1 TB storage, 4 GB<br>&gt; memory) to use with Logic, Reason
 and other software. However, I looked at<br>&gt; the specs of the Mac Mini=
 Server with the faster CPU, two internal 500GB<br>&gt; 7400 rpm discs. Wou=
ld this be a good music production machine? I know one<br>&gt; has to purch=
ase an optical drive, mouse &amp; keyboard (I have a new monitor<br>&gt; th=
at should work ok). When I perused the net, I saw a few folks were running<=
br>&gt; Logic with the Mac Mini server. There were some configuration issue=
s that<br>&gt; were mentioned and that can be worked out. Should I stick wi=
th the iMac or<br>&gt; consider the performance boost with the Mac Mini Ser=
ver? THX!<br>&gt; Regards, Paul<br><br><br><br> </div> </div>  </div></body=
></html>
---2114655128-85214371-1323043316=:21748--

From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 00:07:21 2011
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Subject: Re: Mac Mini Server for Music Production
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Paul Richards <paulrichard_rocks@yahoo.com>
Cc: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Paul,

You won't be able to do an upgrade on the processor, unfortunately.
You'd need to make that decision upfront (which is why I was drawing
your attention to the slower QuadCore I7 versus a faster DualCore I7
on the regular config).

Hard drives for these little beasties are pretty affordable from folks
like http://otherworldcomputing.com/ =85

Yeah, it's hard to give up that visual real estate=85the solution there
would be to save your money and get a nice big monitor.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 4, 2011 at 5:01 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Dennis:
> So, you're suggesting saving the initial cash between the mac mini & mac
> mini server and upgrading later? The mac mini server I configured topped =
at
> at around $1200. I know the mac minis are less expensive but I'd have to
> ante up the cash for the second disc and (maybe eventually) another
> processor. I do like the screen of the iMac and hate giving that up.
> Decisions, decisions. One good thing: I work for a university so can get
> academic prices on Logic, for example.
>
> Regards, Paul
>
> From: Dennis Moser <sinsofmachaut@gmail.com>
> To: Paul Richards <paulrichard_rocks@yahoo.com>
> Cc: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, December 4, 2011 12:49 PM
> Subject: Re: Mac Mini Server for Music Production
>
> Paul,
>
> If you're comfortable opening the MINI, the only real differences are
> the two drives=97which you could easily add to the Standard config=97and
> the Quad Core I7. In fact, you can set up the Standard config with a
> FASTER I7 Dual Core processor.
>
> The real question is whether you will see a performance increase with
> the slower Quad Core versus the faster Dual Core.
>
> At any rate the MINI is turning out to be a good little machine for
> this kind of use.
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Sun, Dec 4, 2011 at 10:28 AM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> Hello, all:
>>
>> I was going to purchse another Mac shortly (an iMac w/1 TB storage, 4 GB
>> memory) to use with Logic, Reason and other software. However, I looked =
at
>> the specs of the Mac Mini Server with the faster CPU, two internal 500GB
>> 7400 rpm discs. Would this be a good music production machine? I know on=
e
>> has to purchase an optical drive, mouse & keyboard (I have a new monitor
>> that should work ok). When I perused the net, I saw a few folks were
>> running
>> Logic with the Mac Mini server. There were some configuration issues tha=
t
>> were mentioned and that can be worked out. Should I stick with the iMac =
or
>> consider the performance boost with the Mac Mini Server? THX!
>> Regards, Paul
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 10:27:16 2011
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Date: Mon, 5 Dec 2011 11:27:15 +0100
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Subject: Re: For Line 6 DL-4 and M series users
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--bcaec51f93bd2ebb3f04b355c3bb
Content-Type: text/plain; charset=ISO-8859-1

hey Bill,would it be possible to use this to toggle the looper of the M9 on
and off instead of having to press and wait?

On Sun, Dec 4, 2011 at 7:43 PM, William Walker <billwalker@baymoon.com>wrote:

> I just picked up one of these as a space saving option for a line 6
> expression pedal http://r3fx.com/store/**index.php?route=product%2Fp**
> roduct&path=35&product_id=**75<http://r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75> it
> works great even though you give up the continuous control capability you
> still get to set two different settings for whatever effects algorithm you
> use, particularly useful when using the smart harmonizer to toggle
> intervals or going from run away delay regeneration to no delay quickly I'm
> hoping that this guy or someone will come out with the equivalent for trs
> style expression pedals like the EV-pedals i use ,hopefully also with a
> minimum volume control which i am finding useful with my Wet reverb and my
> Timefactor.
>  Bill
>
> <http://www.r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75>
> *Double Preset Box<http://www.r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75>
> *
> r3fx.com
> Please note that the Line 6 units can power a red LED without the need for
> a battery. A different colored LED requires more power to drive it and
> will thus require a battery - that means that the small 1590LB sized
> enclosure will not work because a battery will not fit.   If you must have
> a differ...
>
>


-- 
www.luis-angulo.com

--bcaec51f93bd2ebb3f04b355c3bb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

hey Bill,would it be possible to use this to toggle the looper of the M9 on=
 and off instead of having to press and wait?<br><br><div class=3D"gmail_qu=
ote">On Sun, Dec 4, 2011 at 7:43 PM, William Walker <span dir=3D"ltr">&lt;<=
a href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"><span s=
tyle=3D"color:rgb(51,51,51);font-family:&#39;lucida grande&#39;,tahoma,verd=
ana,arial,sans-serif;font-size:11px;line-height:14px"><span>I just picked u=
p one of these as a space saving option for a line 6 expression pedal=A0<a =
href=3D"http://r3fx.com/store/index.php?route=3Dproduct%2Fproduct&amp;path=
=3D35&amp;product_id=3D75" rel=3D"nofollow nofollow" style=3D"color:rgb(59,=
89,152);text-decoration:none" target=3D"_blank"><span>http://r3fx.com/store=
/</span><u></u><span style=3D"display:inline-block"></span><span>index.php?=
route=3Dproduct%2Fp</span><u></u><span style=3D"display:inline-block"></spa=
n><span>roduct&amp;path=3D35&amp;product_id=3D</span><u></u><span style=3D"=
display:inline-block"></span>75</a>=A0it works great even though you give u=
p the=A0<span></span></span></span><span style=3D"color:rgb(51,51,51);font-=
family:&#39;lucida grande&#39;,tahoma,verdana,arial,sans-serif;font-size:11=
px;line-height:14px">continuous control capability you still get to set two=
 different settings for whatever effects algorithm you use, particularly us=
eful when using the smart harmonizer to toggle intervals or going from run =
away delay regeneration to no delay quickly I&#39;m hoping that this guy or=
 someone will come out with the equivalent for trs style expression pedals =
like the EV-pedals i use ,hopefully also with a minimum volume control whic=
h i am finding useful with my Wet reverb and my Timefactor.</span><div>
<font color=3D"#333333" face=3D"&#39;lucida grande&#39;, tahoma, verdana, a=
rial, sans-serif"><span style=3D"font-size:11px;line-height:14px">=A0Bill<b=
r></span></font><span style=3D"color:rgb(51,51,51);font-family:&#39;lucida =
grande&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-height:14px=
"><span><div style=3D"zoom:1;margin-top:10px;margin-bottom:10px">
<div style=3D"zoom:1"><a href=3D"http://www.r3fx.com/store/index.php?route=
=3Dproduct%2Fproduct&amp;path=3D35&amp;product_id=3D75" rel=3D"nofollow" ti=
tle=3D"" style=3D"color:rgb(59,89,152);text-decoration:none;float:left;marg=
in-right:10px" target=3D"_blank"><img alt=3D"" style=3D"border-top-width:0p=
x;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;bord=
er-style:initial;border-color:initial;display:block;max-height:90px;max-wid=
th:90px" height=3D"90" width=3D"94"></a><div style=3D"display:table-cell;ve=
rtical-align:top;width:10000px;font-size:11px;font-weight:normal;color:gray=
">
<div style=3D"word-break:break-word;word-wrap:break-word;color:rgb(51,51,51=
)"><strong><a href=3D"http://www.r3fx.com/store/index.php?route=3Dproduct%2=
Fproduct&amp;path=3D35&amp;product_id=3D75" rel=3D"nofollow" style=3D"color=
:rgb(59,89,152);text-decoration:none" target=3D"_blank">Double Preset Box</=
a></strong></div>
<span><a href=3D"http://r3fx.com" target=3D"_blank">r3fx.com</a></span><div=
 style=3D"word-break:break-word;word-wrap:break-word;margin-top:5px;color:g=
ray"><div style=3D"display:inline">Please note that the Line 6 units can po=
wer a red LED without the need for a bat<span style=3D"display:inline">tery=
. A different colored LED requires more power to drive it and will thus req=
uire a battery - that means that the small 1590LB sized enclosure will not =
work because a battery will not fit.=A0=A0 If you must have a differ...</sp=
an></div>
</div><div><div style=3D"display:inline"><span style=3D"display:inline"><br=
></span></div></div></div></div></div></span></span></div></div></blockquot=
e></div><br><br clear=3D"all"><div><br></div>-- <br><a href=3D"http://www.l=
uis-angulo.com" target=3D"_blank">www.luis-angulo.com</a><br>


--bcaec51f93bd2ebb3f04b355c3bb--

From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 10:37:39 2011
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Date: Mon, 5 Dec 2011 11:37:38 +0100
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Subject: Duo looping live recording posted, Laurie Amat vs Per Boysen
From: Per Boysen <perboysen@gmail.com>
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Laurie popped by Stockholm to round up her European tour and we put up
a recorder to catch some duo jamming, all free improvisation. She uses
a vocal mik into a DL4 and I use a Grand Stick with GR55+. Stupid me
forgot to record my looper's output so only my source audio Stick
playing made it into the recording. Great fun anyway. We played many
more pieces but I forgot to push the correct buttons for recording so
for now this is the only documentation we have. May record more today
though.

http://soundcloud.com/pboy/i-just-listen-to-you

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 10:50:12 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Duo looping live recording posted, Laurie Amat vs Per Boysen
Date: Mon, 5 Dec 2011 10:50:07 +0000
Importance: Normal
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Very nice=2C I like it a lot..... maybe.. it is a good thing that you diden=
't include the stick loops..... this piece has a nice sparse=2C airy feel t=
hat might not be as prominent if there had been more sounds in the recordin=
g...
Looking forward to hearing more...
Anders

> Date: Mon=2C 5 Dec 2011 11:37:38 +0100
> Subject: Duo looping live recording posted=2C Laurie Amat vs Per Boysen
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Laurie popped by Stockholm to round up her European tour and we put up
> a recorder to catch some duo jamming=2C all free improvisation. She uses
> a vocal mik into a DL4 and I use a Grand Stick with GR55+. Stupid me
> forgot to record my looper's output so only my source audio Stick
> playing made it into the recording. Great fun anyway. We played many
> more pieces but I forgot to push the correct buttons for recording so
> for now this is the only documentation we have. May record more today
> though.
>=20
> http://soundcloud.com/pboy/i-just-listen-to-you
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>=20
 		 	   		  =

--_9191a719-5352-407c-90c5-75c90a08851a_
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<html>
<head>
<style><!--
.hmmessage P
{
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{
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<body class=3D'hmmessage'><div dir=3D'ltr'>
Very nice=2C I like it a lot...<div>.. maybe.. it is a good thing that you =
diden't include the stick loops..</div><div>... this piece has a nice spars=
e=2C airy feel that might not be as prominent if there had been more sounds=
 in the recording...</div><div><br></div><div>Looking forward to hearing mo=
re...</div><div><br></div><div>Anders<br><br><div>&gt=3B Date: Mon=2C 5 Dec=
 2011 11:37:38 +0100<br>&gt=3B Subject: Duo looping live recording posted=
=2C Laurie Amat vs Per Boysen<br>&gt=3B From: perboysen@gmail.com<br>&gt=3B=
 To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Laurie popped=
 by Stockholm to round up her European tour and we put up<br>&gt=3B a recor=
der to catch some duo jamming=2C all free improvisation. She uses<br>&gt=3B=
 a vocal mik into a DL4 and I use a Grand Stick with GR55+. Stupid me<br>&g=
t=3B forgot to record my looper's output so only my source audio Stick<br>&=
gt=3B playing made it into the recording. Great fun anyway. We played many<=
br>&gt=3B more pieces but I forgot to push the correct buttons for recordin=
g so<br>&gt=3B for now this is the only documentation we have. May record m=
ore today<br>&gt=3B though.<br>&gt=3B <br>&gt=3B http://soundcloud.com/pboy=
/i-just-listen-to-you<br>&gt=3B <br>&gt=3B Greetings from Sweden<br>&gt=3B =
<br>&gt=3B Per Boysen<br>&gt=3B www.perboysen.com<br>&gt=3B http://www.yout=
ube.com/perboysen<br>&gt=3B <br></div></div> 		 	   		  </div></body>
</html>=

--_9191a719-5352-407c-90c5-75c90a08851a_--

From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 13:54:09 2011
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Date: Mon, 05 Dec 2011 08:53:57 -0500
Subject: Re: For Line 6 DL-4 and M series users
From: Rod Abernethy <rod@rodabernethy.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <CB023725.24BD7%rod@rodabernethy.com>
Thread-Topic: For Line 6 DL-4 and M series users
Thread-Index: AcyzVVU0dZj6nEnZk0qPd4MmHruqRg==
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3405920045_3209240
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Yep, that would be awesome for the M9.
-Rod


On 12/5/11 5:27 AM, "Louie Angulo" <louie.angulo@googlemail.com> wrote:

> hey Bill,would it be possible to use this to toggle the looper of the M9 =
on
> and off instead of having to press and wait?
>=20
> On Sun, Dec 4, 2011 at 7:43 PM, William Walker <billwalker@baymoon.com> w=
rote:
>> I just picked up one of these as a space saving option for a line 6
>> expression=20
>> pedal=A0http://r3fx.com/store/index.php?route=3Dproduct%2Fproduct&path=3D35&pr=
oduct
>> _id=3D75=20
>> <http://r3fx.com/store/index.php?route=3Dproduct%2Fproduct&path=3D35&product=
_id=3D7
>> 5> =A0it works great even though you give up the=A0continuous control capabi=
lity
>> you still get to set two different settings for whatever effects algorit=
hm
>> you use, particularly useful when using the smart harmonizer to toggle
>> intervals or going from run away delay regeneration to no delay quickly =
I'm
>> hoping that this guy or someone will come out with the equivalent for tr=
s
>> style expression pedals like the EV-pedals i use ,hopefully also with a
>> minimum volume control which i am finding useful with my Wet reverb and =
my
>> Timefactor.
>> =A0Bill
>> =20
>> <http://www.r3fx.com/store/index.php?route=3Dproduct%2Fproduct&path=3D35&pro=
duct_
>> id=3D75>=20
>> Double Preset Box
>> <http://www.r3fx.com/store/index.php?route=3Dproduct%2Fproduct&path=3D35&pro=
duct_
>> id=3D75>=20
>> r3fx.com <http://r3fx.com>
>> Please note that the Line 6 units can power a red LED without the need f=
or a
>> battery. A different colored LED requires more power to drive it and wil=
l
>> thus require a battery - that means that the small 1590LB sized enclosur=
e
>> will not work because a battery will not fit.=A0=A0 If you must have a diffe=
r...
>>=20


--B_3405920045_3209240
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: For Line 6 DL-4 and M series users</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:12pt'>Yep, that would be awesome =
for the M9.<BR>
-Rod<BR>
<BR>
<BR>
On 12/5/11 5:27 AM, &quot;Louie Angulo&quot; &lt;<a href=3D"louie.angulo@goog=
lemail.com">louie.angulo@googlemail.com</a>&gt; wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:12pt'>h=
ey Bill,would it be possible to use this to toggle the looper of the M9 on a=
nd off instead of having to press and wait?<BR>
<BR>
On Sun, Dec 4, 2011 at 7:43 PM, William Walker &lt;<a href=3D"billwalker@baym=
oon.com">billwalker@baymoon.com</a>&gt; wrote:<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:12pt'>I=
 just picked up one of these as a space saving option for a line 6 expressio=
n pedal=A0<a href=3D"http://r3fx.com/store/index.php?route=3Dproduct%2Fproduct&amp=
;path=3D35&amp;product_id=3D75">http://r3fx.com/store/index.php?route=3Dproduct%2F=
product&amp;path=3D35&amp;product_id=3D75</a> &lt;<a href=3D"http://r3fx.com/store=
/index.php?route=3Dproduct%2Fproduct&amp;path=3D35&amp;product_id=3D75">http://r3f=
x.com/store/index.php?route=3Dproduct%2Fproduct&amp;path=3D35&amp;product_id=3D75<=
/a>&gt; =A0it works great even though you give up the=A0continuous control capab=
ility you still get to set two different settings for whatever effects algor=
ithm you use, particularly useful when using the smart harmonizer to toggle =
intervals or going from run away delay regeneration to no delay quickly I'm =
hoping that this guy or someone will come out with the equivalent for trs st=
yle expression pedals like the EV-pedals i use ,hopefully also with a minimu=
m volume control which i am finding useful with my Wet reverb and my Timefac=
tor.<BR>
</SPAN></FONT><FONT COLOR=3D"#333333"><FONT SIZE=3D"1"><FONT FACE=3D"Tahoma, Verd=
ana, Helvetica, Arial"><SPAN STYLE=3D'font-size:8.5pt'>=A0Bill<BR>
</SPAN></FONT></FONT></FONT><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:12pt'=
> &lt;<a href=3D"http://www.r3fx.com/store/index.php?route=3Dproduct%2Fproduct&a=
mp;path=3D35&amp;product_id=3D75">http://www.r3fx.com/store/index.php?route=3Dprod=
uct%2Fproduct&amp;path=3D35&amp;product_id=3D75</a>&gt; <BR>
</SPAN><FONT COLOR=3D"#808080"><FONT SIZE=3D"1"><SPAN STYLE=3D'font-size:8.5pt'><=
B>Double Preset Box &lt;<a href=3D"http://www.r3fx.com/store/index.php?route=3Dp=
roduct%2Fproduct&amp;path=3D35&amp;product_id=3D75">http://www.r3fx.com/store/in=
dex.php?route=3Dproduct%2Fproduct&amp;path=3D35&amp;product_id=3D75</a>&gt; <BR>
</B>r3fx.com &lt;<a href=3D"http://r3fx.com">http://r3fx.com</a>&gt; <BR>
Please note that the Line 6 units can power a red LED without the need for =
a battery. A different colored LED requires more power to drive it and will =
thus require a battery - that means that the small 1590LB sized enclosure wi=
ll not work because a battery will not fit.=A0=A0 If you must have a differ...<B=
R>
<BR>
</SPAN></FONT></FONT></FONT></BLOCKQUOTE></BLOCKQUOTE>
</BODY>
</HTML>


--B_3405920045_3209240--


From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 16:31:37 2011
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 <CB023725.24BD7%rod@rodabernethy.com>
From: Mike Fugazzi <mikefugazzi@gmail.com>
Date: Mon, 5 Dec 2011 10:31:15 -0600
Message-ID: <CAFfQLe5S56KxojpUhXFoFADtQpmtHL57HrJzZp-=Hu4xx8AuHw@mail.gmail.com>
Subject: Re: For Line 6 DL-4 and M series users
To: Loopers-Delight@loopers-delight.com
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--90e6ba1efd2e34eb4804b35ada1e
Content-Type: text/plain; charset=ISO-8859-1

I don't get it.  Why wouldn't I just change scenes on the fly?
----------
Mike Fugazzi
vocals/harmonica
http://www.mikefugazzi.com
Facebook <http://www.facebook.com/MikeFugazziMusic>
YouTube <http://www.youtube.com.user/mikefugazzi>
Quicksilver Custom Harmonicas
<http://www.mikefugazzi.com/fr_customharmonicas.cfm>



On Mon, Dec 5, 2011 at 7:53 AM, Rod Abernethy <rod@rodabernethy.com> wrote:

>  Yep, that would be awesome for the M9.
> -Rod
>
>
> On 12/5/11 5:27 AM, "Louie Angulo" <louie.angulo@googlemail.com> wrote:
>
> hey Bill,would it be possible to use this to toggle the looper of the M9
> on and off instead of having to press and wait?
>
> On Sun, Dec 4, 2011 at 7:43 PM, William Walker <billwalker@baymoon.com>
> wrote:
>
> I just picked up one of these as a space saving option for a line 6
> expression pedal
> http://r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75<
> http://r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75>
>  it works great even though you give up the continuous control capability
> you still get to set two different settings for whatever effects algorithm
> you use, particularly useful when using the smart harmonizer to toggle
> intervals or going from run away delay regeneration to no delay quickly I'm
> hoping that this guy or someone will come out with the equivalent for trs
> style expression pedals like the EV-pedals i use ,hopefully also with a
> minimum volume control which i am finding useful with my Wet reverb and my
> Timefactor.
>  Bill
>  <
> http://www.r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75>
>
> *Double Preset Box <
> http://www.r3fx.com/store/index.php?route=product%2Fproduct&path=35&product_id=75>
>
> *r3fx.com <http://r3fx.com>
> Please note that the Line 6 units can power a red LED without the need for
> a battery. A different colored LED requires more power to drive it and will
> thus require a battery - that means that the small 1590LB sized enclosure
> will not work because a battery will not fit.   If you must have a differ...
>
>

--90e6ba1efd2e34eb4804b35ada1e
Content-Type: text/html; charset=ISO-8859-1
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I don&#39;t get it.=A0 Why wouldn&#39;t I just change scenes on the fly?=A0=
 <br clear=3D"all">----------<br>Mike Fugazzi<br>vocals/harmonica<br><a hre=
f=3D"http://www.mikefugazzi.com" target=3D"_blank">http://www.mikefugazzi.c=
om</a><br>

<a href=3D"http://www.facebook.com/MikeFugazziMusic" target=3D"_blank">Face=
book</a><br><a href=3D"http://www.youtube.com.user/mikefugazzi" target=3D"_=
blank">YouTube</a><br><a href=3D"http://www.mikefugazzi.com/fr_customharmon=
icas.cfm" target=3D"_blank">Quicksilver Custom Harmonicas </a><br>

<br>
<br><br><div class=3D"gmail_quote">On Mon, Dec 5, 2011 at 7:53 AM, Rod Aber=
nethy <span dir=3D"ltr">&lt;<a href=3D"mailto:rod@rodabernethy.com">rod@rod=
abernethy.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">





<div>
<font face=3D"Arial"><span style=3D"font-size:12pt">Yep, that would be awes=
ome for the M9.<br>
-Rod<br>
<br>
<br>
On 12/5/11 5:27 AM, &quot;Louie Angulo&quot; &lt;<a href=3D"http://louie.an=
gulo@googlemail.com" target=3D"_blank">louie.angulo@googlemail.com</a>&gt; =
wrote:<br>
<br>
</span></font><blockquote><font face=3D"Arial"><span style=3D"font-size:12p=
t">hey Bill,would it be possible to use this to toggle the looper of the M9=
 on and off instead of having to press and wait?<br>
<br>
On Sun, Dec 4, 2011 at 7:43 PM, William Walker &lt;<a href=3D"http://billwa=
lker@baymoon.com" target=3D"_blank">billwalker@baymoon.com</a>&gt; wrote:<b=
r>
</span></font><blockquote><font face=3D"Arial"><span style=3D"font-size:12p=
t">I just picked up one of these as a space saving option for a line 6 expr=
ession pedal=A0<a href=3D"http://r3fx.com/store/index.php?route=3Dproduct%2=
Fproduct&amp;path=3D35&amp;product_id=3D75" target=3D"_blank">http://r3fx.c=
om/store/index.php?route=3Dproduct%2Fproduct&amp;path=3D35&amp;product_id=
=3D75</a> &lt;<a href=3D"http://r3fx.com/store/index.php?route=3Dproduct%2F=
product&amp;path=3D35&amp;product_id=3D75" target=3D"_blank">http://r3fx.co=
m/store/index.php?route=3Dproduct%2Fproduct&amp;path=3D35&amp;product_id=3D=
75</a>&gt; =A0it works great even though you give up the=A0continuous contr=
ol capability you still get to set two different settings for whatever effe=
cts algorithm you use, particularly useful when using the smart harmonizer =
to toggle intervals or going from run away delay regeneration to no delay q=
uickly I&#39;m hoping that this guy or someone will come out with the equiv=
alent for trs style expression pedals like the EV-pedals i use ,hopefully a=
lso with a minimum volume control which i am finding useful with my Wet rev=
erb and my Timefactor.<br>


</span></font><font color=3D"#333333"><font size=3D"1"><font face=3D"Tahoma=
, Verdana, Helvetica, Arial"><span style=3D"font-size:8.5pt">=A0Bill<br>
</span></font></font></font><font face=3D"Arial"><span style=3D"font-size:1=
2pt"> &lt;<a href=3D"http://www.r3fx.com/store/index.php?route=3Dproduct%2F=
product&amp;path=3D35&amp;product_id=3D75" target=3D"_blank">http://www.r3f=
x.com/store/index.php?route=3Dproduct%2Fproduct&amp;path=3D35&amp;product_i=
d=3D75</a>&gt; <br>


</span><font color=3D"#808080"><font size=3D"1"><span style=3D"font-size:8.=
5pt"><b>Double Preset Box &lt;<a href=3D"http://www.r3fx.com/store/index.ph=
p?route=3Dproduct%2Fproduct&amp;path=3D35&amp;product_id=3D75" target=3D"_b=
lank">http://www.r3fx.com/store/index.php?route=3Dproduct%2Fproduct&amp;pat=
h=3D35&amp;product_id=3D75</a>&gt; <br>


</b><a href=3D"http://r3fx.com" target=3D"_blank">r3fx.com</a> &lt;<a href=
=3D"http://r3fx.com" target=3D"_blank">http://r3fx.com</a>&gt; <br>
Please note that the Line 6 units can power a red LED without the need for =
a battery. A different colored LED requires more power to drive it and will=
 thus require a battery - that means that the small 1590LB sized enclosure =
will not work because a battery will not fit.=A0=A0 If you must have a diff=
er...<br>


<br>
</span></font></font></font></blockquote></blockquote>
</div>


</blockquote></div><br>

--90e6ba1efd2e34eb4804b35ada1e--

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Subject: Re: For Line 6 DL-4 and M series users
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hey Bill,would it be possible to use this to toggle the looper of the  
M9 on and off instead of having to press and wait?

  nope only for expression pedal ports
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="font-family: Tahoma; font-size: 13px; ">hey Bill,would it be possible to use this to toggle the looper of the M9 on and off instead of having to press and wait?&nbsp;</span><div><span class="Apple-style-span" style="font-family: Tahoma; font-size: 13px; "><br></span></div><div><span class="Apple-style-span" style="font-family: Tahoma; font-size: 13px; ">&nbsp;nope only for expression pedal ports</span></div></body></html>
--Apple-Mail-12--944996673--

From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 21:05:43 2011
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From: Glenn Poorman <glenn.poorman@autodesk.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Subject: FS: Echoplex Digital Pro Plus (mint)
Thread-Topic: FS: Echoplex Digital Pro Plus (mint)
Thread-Index: AcyzV5TTzenI4qCxQuuQTujNoVOxCA==
Date: Mon, 5 Dec 2011 14:17:00 +0000
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--_000_30C0BEE4EC23DE4D8CEE41296D88EA3609D18B005TK5MPN1012MGDA_
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Hi all,

I am selling a mint condition Echoplex Digital Pro Plus.

I have two but these days I am only using one and was keeping the other as =
a spare. I've since decided to just let it go though and have opted to sell=
 the one that has seen the least amount of use. The only sign that it has e=
ver left the box is some blemishes around the rack ears.

The unit came with Loop IV already installed. The manual is a Loop III manu=
al with the Loop IV addendum. There is no foot pedal.

I am asking $700 plus shipping. If you're interested, please email me at:

glenn at poorman dot ws

I will be putting a page with a photo up on my website later today (www.det=
roitstick.com<http://www.detroitstick.com>).

Later in the week, it goes to EBay if I don't hear anything.

Thanks,
Glenn Poorman

--_000_30C0BEE4EC23DE4D8CEE41296D88EA3609D18B005TK5MPN1012MGDA_
Content-Type: text/html; charset="us-ascii"
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<html xmlns:v=3D"urn:schemas-microsoft-com:vml" xmlns:o=3D"urn:schemas-micr=
osoft-com:office:office" xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:=
//www.w3.org/TR/REC-html40">
<head>
<meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dus-ascii"=
>
<meta name=3D"Generator" content=3D"Microsoft Word 14 (filtered medium)">
<style><!--
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</head>
<body lang=3D"EN-US" link=3D"blue" vlink=3D"purple">
<div class=3D"WordSection1">
<p class=3D"MsoNormal">Hi all,<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">I am selling a mint condition Echoplex Digital Pro P=
lus.<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">I have two but these days I am only using one and wa=
s keeping the other as a spare. I&#8217;ve since decided to just let it go =
though and have opted to sell the one that has seen the least amount of use=
. The only sign that it has ever left the
 box is some blemishes around the rack ears.<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">The unit came with Loop IV already installed. The ma=
nual is a Loop III manual with the Loop IV addendum. There is no foot pedal=
.<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">I am asking $700 plus shipping. If you&#8217;re inte=
rested, please email me at:<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">glenn at poorman dot ws<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">I will be putting a page with a photo up on my websi=
te later today (<a href=3D"http://www.detroitstick.com">www.detroitstick.co=
m</a>).<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">Later in the week, it goes to EBay if I don&#8217;t =
hear anything.<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">Thanks,<o:p></o:p></p>
<p class=3D"MsoNormal">Glenn Poorman<o:p></o:p></p>
</div>
</body>
</html>

--_000_30C0BEE4EC23DE4D8CEE41296D88EA3609D18B005TK5MPN1012MGDA_--

From Loopers-Delight-request@loopers-delight.com  Mon Dec  5 23:53:08 2011
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Subject: Re: Proud Dad displaying sons first Abelton track
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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Left a comment on the timeline, thanks for sharing Mark!

2011/11/26 tEd =AE KiLLiAn <tedkillian@charter.net>

> Groovalicious.
>
> On Nov 24, 2011, at 12:36 PM, mark francombe wrote:
>
> > I just  have to just post this!
> >
> > http://snd.sc/sdbW0L
> >
> > Its my (step) sons Benjamins first finished track in Abelton... he was
> using Fruity loops for a few years doing Hip Hop, But I turned him onto
> Abeton, and now... this!
> >
> > Phew... I really feel like getting my pipe and slippers now!
> >
> > Regards
> >
> > One Proud Dad..
> >
> > --
> > Mark Francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > http://vimeo.com/user825094
> > http://www.looop.no
> > twitter @markfrancombe
> > http://www.flickr.com/photos/24478662@N00/
>
>


--=20
Petri Lahtinen

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Left a comment on the timeline, thanks for sharing Mark!<br><br><div class=
=3D"gmail_quote">2011/11/26 tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=
=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span><br=
><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1=
px #ccc solid;padding-left:1ex;">
Groovalicious.<br>
<div class=3D"HOEnZb"><div class=3D"h5"><br>
On Nov 24, 2011, at 12:36 PM, mark francombe wrote:<br>
<br>
&gt; I just =A0have to just post this!<br>
&gt;<br>
&gt; <a href=3D"http://snd.sc/sdbW0L" target=3D"_blank">http://snd.sc/sdbW0=
L</a><br>
&gt;<br>
&gt; Its my (step) sons Benjamins first finished track in Abelton... he was=
 using Fruity loops for a few years doing Hip Hop, But I turned him onto Ab=
eton, and now... this!<br>
&gt;<br>
&gt; Phew... I really feel like getting my pipe and slippers now!<br>
&gt;<br>
&gt; Regards<br>
&gt;<br>
&gt; One Proud Dad..<br>
&gt;<br>
&gt; --<br>
&gt; Mark Francombe<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao=
.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>
&gt; twitter @markfrancombe<br>
&gt; <a href=3D"http://www.flickr.com/photos/24478662@N00/" target=3D"_blan=
k">http://www.flickr.com/photos/24478662@N00/</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><br><br>

--90e6ba21241b39c5dc04b36105b6--

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Dear list,

I'm hugely proud to announce the release of the second half of my 
"Akustik Kies" double album of piano solo music, which bears the 
subtitle "Reflexiv Hören", which just got released on Saint Nicholas Day!

Like the first half, "Transitiv Sehen", the album contains freely 
improvised solo piano performances from my MoinSound Studio Sessions 
performance series. And it's just as good as the first part, if not 
better. And it also has nifty cover art.

However, unlike the first part, it's with loops. Lots of 'em! The looper 
is (of course) Möbius, the piano is The Grand 3 (and the keyboard is a 
Kurzweil K2600XS, in case someone is interested ;). Looping-wise, 
there's a big bandwith of techniques: granular stuff (e.g. 
"Panthermeisen"), long delay-like (e.g. "Transporttheorie und Glas").

And just in case you've been living under a rock, all of my online 
releases (including this one) are available as a 
pay-what-you-want-including-free download. That's right, you can get 
them for nothing at all - you don't even need to register or something.

Background info: http://moinlabs.de/index.php?id=299
Direct to download: 
http://moinlabs.bandcamp.com/album/akustik-kies-reflexiv-h-ren

As a sidenote, starting now (or actually having started already), I'll 
be doing completely different things musically in the future.

Tell me what you think - and spread the word if you'd be so kind!

Yours,

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: OT: Finland's Independence Day
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e83564c8e0104b361328e
Content-Type: text/plain; charset=ISO-8859-1

A little thing made out of small loops to commemorate the special day in
Finland's history.
This piece comes from nowhere and it goes nowhere. :-)
Just playing this and watching the falling snow here.

http://soundcloud.com/petrilahtinen/sixth-of-december

Greetings from Finland,
-- 
Petri Lahtinen

--90e6ba6e83564c8e0104b361328e
Content-Type: text/html; charset=ISO-8859-1

A little thing made out of small loops to commemorate the special day in Finland&#39;s history.<br>This piece comes from nowhere and it goes nowhere. :-)<br clear="all">Just playing this and watching the falling snow here.<br>
<br><a href="http://soundcloud.com/petrilahtinen/sixth-of-december">http://soundcloud.com/petrilahtinen/sixth-of-december</a><br><br>Greetings from Finland,<br>-- <br>Petri Lahtinen<br><br><br>

--90e6ba6e83564c8e0104b361328e--

From Loopers-Delight-request@loopers-delight.com  Tue Dec  6 02:00:05 2011
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From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi Rainer,
Enjoying it right now.  Thought you might like to know that after I've
tabulated all my various 'plays' for 2011 in itunes, ipod or exFm,
some guy name Rainer Straschill shows up in my top ten (mostly QPDA
and MSSS).  Keep up the good work, and I look forward to hearing more
about this intriguing hint at a new musical direction.
Sylvain


On Mon, Dec 5, 2011 at 7:01 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Dear list,
>
>
> I'm hugely proud to announce the release of the second half of my "Akusti=
k
> Kies" double album of piano solo music, which bears the subtitle "Reflexi=
v
> H=F6ren", which just got released on Saint Nicholas Day!
>
> Like the first half, "Transitiv Sehen", the album contains freely improvi=
sed
> solo piano performances from my MoinSound Studio Sessions performance
> series. And it's just as good as the first part, if not better. And it al=
so
> has nifty cover art.
>
> However, unlike the first part, it's with loops. Lots of 'em! The looper =
is
> (of course) M=F6bius, the piano is The Grand 3 (and the keyboard is a Kur=
zweil
> K2600XS, in case someone is interested ;). Looping-wise, there's a big
> bandwith of techniques: granular stuff (e.g. "Panthermeisen"), long
> delay-like (e.g. "Transporttheorie und Glas").
>
>
> And just in case you've been living under a rock, all of my online releas=
es
> (including this one) are available as a pay-what-you-want-including-free
> download. That's right, you can get them for nothing at all - you don't e=
ven
> need to register or something.
>
> Background info: http://moinlabs.de/index.php?id=3D299
> Direct to download:
> http://moinlabs.bandcamp.com/album/akustik-kies-reflexiv-h-ren
>
> As a sidenote, starting now (or actually having started already), I'll be
> doing completely different things musically in the future.
>
> Tell me what you think - and spread the word if you'd be so kind!
>
> Yours,
>
>
> =A0 =A0 =A0 =A0 =A0 =A0Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>

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Subject: OT: iRig/appogee
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This was discussed while back I think, I seem to recall Charles offering a r=
eview of one of the audio interfaces for iOS devices.  I'm thinking about pu=
tting one on my suggested family Xmas list.  I know the Appogee possibly win=
s hands down for clean as it connects thru the dock port but it's pricier al=
beit affordable.  If anyone has experience with both please give feedback.  I=
n that the iRig is cheaper but seems functional, how noisy is it?  Is it tol=
erable or not worth the diff?

Thx folks.


Jim

Get Tips Across the Waters for your iDevice, http://iTunes.apple.com/us/app/=
tips-across-the-waters/id474128076?=3Dmt8=

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Date: Mon, 05 Dec 2011 21:46:41 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Proud Dad displaying sons first Abelton track
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That is really fun -- trippy delays and frantic grooves -- lots of =20
great tones that jump out of the mix -- and very clear... the texture =20
is clean and punchy throughout.

Glad you shared this!  Congratulations Benjamin and dad.

-- Kevin


Quoting Petri Lahtinen <kollegavalmentaja@gmail.com>:

> Left a comment on the timeline, thanks for sharing Mark!
>
> 2011/11/26 tEd =AE KiLLiAn <tedkillian@charter.net>
>
>> Groovalicious.
>>
>> On Nov 24, 2011, at 12:36 PM, mark francombe wrote:
>>
>> > I just  have to just post this!
>> >
>> > http://snd.sc/sdbW0L
>> >
>> > Its my (step) sons Benjamins first finished track in Abelton... he was
>> using Fruity loops for a few years doing Hip Hop, But I turned him onto
>> Abeton, and now... this!
>> >
>> > Phew... I really feel like getting my pipe and slippers now!
>> >
>> > Regards
>> >
>> > One Proud Dad..
>> >
>> > --
>> > Mark Francombe
>> > www.markfrancombe.com
>> > www.ordoabkhao.com
>> > http://vimeo.com/user825094
>> > http://www.looop.no
>> > twitter @markfrancombe
>> > http://www.flickr.com/photos/24478662@N00/
>>
>>
>
>
> --
> Petri Lahtinen
>


From Loopers-Delight-request@loopers-delight.com  Tue Dec  6 04:12:09 2011
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Date: Mon, 5 Dec 2011 23:11:46 -0500
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Ugh...!!!

  I wrote a lengthy reply but iOs5.1 MAIL  no longer crashes mid 
message, it waits till you hit send...!!

Long post short: Had Apogee.  Sold Apogee... only peterson strobe 
tuner was compatible!!
  iRig OK..  bit noisy, but any interface which uses the mic input is. 
Peavey was not quieter as claimed.

Alesis dock thingey seems best of all, if you're in the iPad universe...

-Chuck




>This was discussed while back I think, I seem to recall Charles 
>offering a review of one of the audio interfaces for iOS devices. 
>I'm thinking about putting one on my suggested family Xmas list.  I 
>know the Appogee possibly wins hands down for clean as it connects 
>thru the dock port but it's pricier albeit affordable.  If anyone 
>has experience with both please give feedback.  In that the iRig is 
>cheaper but seems functional, how noisy is it?  Is it tolerable or 
>not worth the diff?
>
>Thx folks.
>
>
>Jim
>
>Get Tips Across the Waters for your iDevice, 
>http://iTunes.apple.com/us/app/tips-across-the-waters/id474128076?=mt8


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: Re: Proud Dad displaying sons first Abelton track
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--90e6ba6137188175a804b3653c2c
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Awesome, I'd be glad to call that track my own. Nice!

On Mon, Dec 5, 2011 at 7:46 PM, <kkissinger@kevinkissinger.com> wrote:

> That is really fun -- trippy delays and frantic grooves -- lots of great
> tones that jump out of the mix -- and very clear... the texture is clean
> and punchy throughout.
>
> Glad you shared this!  Congratulations Benjamin and dad.
>
> -- Kevin
>
>
>
> Quoting Petri Lahtinen <kollegavalmentaja@gmail.com>:
>
>  Left a comment on the timeline, thanks for sharing Mark!
>>
>> 2011/11/26 tEd =AE KiLLiAn <tedkillian@charter.net>
>>
>>  Groovalicious.
>>>
>>> On Nov 24, 2011, at 12:36 PM, mark francombe wrote:
>>>
>>> > I just  have to just post this!
>>> >
>>> > http://snd.sc/sdbW0L
>>> >
>>> > Its my (step) sons Benjamins first finished track in Abelton... he wa=
s
>>> using Fruity loops for a few years doing Hip Hop, But I turned him onto
>>> Abeton, and now... this!
>>> >
>>> > Phew... I really feel like getting my pipe and slippers now!
>>> >
>>> > Regards
>>> >
>>> > One Proud Dad..
>>> >
>>> > --
>>> > Mark Francombe
>>> > www.markfrancombe.com
>>> > www.ordoabkhao.com
>>> > http://vimeo.com/user825094
>>> > http://www.looop.no
>>> > twitter @markfrancombe
>>> > http://www.flickr.com/photos/**24478662@N00/<http://www.flickr.com/ph=
otos/24478662@N00/>
>>>
>>>
>>>
>>
>> --
>> Petri Lahtinen
>>
>>
>
>


--=20
Art Simon
simart@gmail.com

--90e6ba6137188175a804b3653c2c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Awesome, I&#39;d be glad to call that track my own. Nice!<br><br><div class=
=3D"gmail_quote">On Mon, Dec 5, 2011 at 7:46 PM,  <span dir=3D"ltr">&lt;<a =
href=3D"mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">That is really fun -- trippy delays and fra=
ntic grooves -- lots of great tones that jump out of the mix -- and very cl=
ear... the texture is clean and punchy throughout.<br>

<br>
Glad you shared this! =A0Congratulations Benjamin and dad.<span class=3D"HO=
EnZb"><font color=3D"#888888"><br>
<br>
-- Kevin</font></span><div class=3D"HOEnZb"><div class=3D"h5"><br>
<br>
<br>
Quoting Petri Lahtinen &lt;<a href=3D"mailto:kollegavalmentaja@gmail.com" t=
arget=3D"_blank">kollegavalmentaja@gmail.com</a>&gt;:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Left a comment on the timeline, thanks for sharing Mark!<br>
<br>
2011/11/26 tEd =AE KiLLiAn &lt;<a href=3D"mailto:tedkillian@charter.net" ta=
rget=3D"_blank">tedkillian@charter.net</a>&gt;<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Groovalicious.<br>
<br>
On Nov 24, 2011, at 12:36 PM, mark francombe wrote:<br>
<br>
&gt; I just =A0have to just post this!<br>
&gt;<br>
&gt; <a href=3D"http://snd.sc/sdbW0L" target=3D"_blank">http://snd.sc/sdbW0=
L</a><br>
&gt;<br>
&gt; Its my (step) sons Benjamins first finished track in Abelton... he was=
<br>
using Fruity loops for a few years doing Hip Hop, But I turned him onto<br>
Abeton, and now... this!<br>
&gt;<br>
&gt; Phew... I really feel like getting my pipe and slippers now!<br>
&gt;<br>
&gt; Regards<br>
&gt;<br>
&gt; One Proud Dad..<br>
&gt;<br>
&gt; --<br>
&gt; Mark Francombe<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao=
.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>
&gt; twitter @markfrancombe<br>
&gt; <a href=3D"http://www.flickr.com/photos/24478662@N00/" target=3D"_blan=
k">http://www.flickr.com/photos/<u></u>24478662@N00/</a><br>
<br>
<br>
</blockquote>
<br>
<br>
--<br>
Petri Lahtinen<br>
<br>
</blockquote>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
Art Simon<br><a href=3D"mailto:simart@gmail.com" target=3D"_blank">simart@g=
mail.com</a><br><br>

--90e6ba6137188175a804b3653c2c--

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Subject: Re: For Line 6 DL-4 and M series users
Date: Mon, 5 Dec 2011 23:29:02 -0800
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"I don't get it.  Why wouldn't I just change scenes on the fly? "

   I'm not sure what your question is, I've always used expression  
pedals with line 6 stuff to vary the degree and depth of what ever  
effects I'm using.  this little double preset switch does the same  
thing only its not continuously variable like an expression pedal is  
but it still gives you two completely different settings for what ever  
effect you are using. On way to not have to toggle between the looper  
function and presets is to use a small midi controller to send cc  
messages to the M-9 , one of which will toggle in to the looper very  
quickly,  you would have to check the advanced guide but all of the  
loopers functions can be controlled this way. I have used my I phone  
running osc and a missing link wireless to midi converter on  an M-5  
to change programs but you could use it on any of the M series stuff.
Bill

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Reply-To: Stephen Scott <Loopers-Delight@loopers-delight.com>
Subject: Re: For Line 6 DL-4 and M series users
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Bill said:=0A>One way to not have to toggle between the looper function and=
 presets is to use a small midi controller to send cc messages to the M-9 ,=
 one of which will toggle in to >the looper very quickly.=0A=0AI do exactly=
 this using my little SU10 and assigning the ribbon controller to midi no. =
84 (iirc); toggling the looper immediately on/off is then just a matter of =
pressing the top/bottom of the ribbon.

From Loopers-Delight-request@loopers-delight.com  Tue Dec  6 11:20:14 2011
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Subject: Re: OT: iRig/appogee
References: <FC2BE899-1EC6-4A09-86B2-289686F329E7@gmail.com>
 <p06240801cb0345c07626@[192.168.2.4]>
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Line 6 mobile in seems good here!!!

Teddy K
http://teddyjam.com
> 

From Loopers-Delight-request@loopers-delight.com  Tue Dec  6 12:46:31 2011
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From: Jim Goodin <jimgoodinmusic@gmail.com>
Subject: =?utf-8?Q?Re:_Release_Announcement_-_Akustik_Kies:_"Reflexiv_H?=
 =?utf-8?Q?=C3=B6ren"?=
Date: Tue, 6 Dec 2011 07:46:29 -0500
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Echoing some of Sylvain here, the release Rainer is grand.  Listened to main=
ly last night on tip home and will continue on my morning communicate.  One o=
f the things i love in addition to being the R man is continuing in a direct=
ion withe the piano/keyboard, is the way some of the reverse sweep delays ar=
e mixed with the live piano voicings.  So far a very creatively cool release=
.

Jim

Get Tips Across the Waters for your iDevice, http://iTunes.apple.com/us/app/=
tips-across-the-waters/id474128076?=3Dmt8

On Dec 5, 2011, at 9:00 PM, Sylvain Poitras <sylvain.trombone@gmail.com> wro=
te:

> Hi Rainer,
> Enjoying it right now.  Thought you might like to know that after I've
> tabulated all my various 'plays' for 2011 in itunes, ipod or exFm,
> some guy name Rainer Straschill shows up in my top ten (mostly QPDA
> and MSSS).  Keep up the good work, and I look forward to hearing more
> about this intriguing hint at a new musical direction.
> Sylvain
>=20
>=20
> On Mon, Dec 5, 2011 at 7:01 PM, Rainer Straschill
> <moinsound@googlemail.com> wrote:
>> Dear list,
>>=20
>>=20
>> I'm hugely proud to announce the release of the second half of my "Akusti=
k
>> Kies" double album of piano solo music, which bears the subtitle "Reflexi=
v
>> H=C3=B6ren", which just got released on Saint Nicholas Day!
>>=20
>> Like the first half, "Transitiv Sehen", the album contains freely improvi=
sed
>> solo piano performances from my MoinSound Studio Sessions performance
>> series. And it's just as good as the first part, if not better. And it al=
so
>> has nifty cover art.
>>=20
>> However, unlike the first part, it's with loops. Lots of 'em! The looper i=
s
>> (of course) M=C3=B6bius, the piano is The Grand 3 (and the keyboard is a K=
urzweil
>> K2600XS, in case someone is interested ;). Looping-wise, there's a big
>> bandwith of techniques: granular stuff (e.g. "Panthermeisen"), long
>> delay-like (e.g. "Transporttheorie und Glas").
>>=20
>>=20
>> And just in case you've been living under a rock, all of my online releas=
es
>> (including this one) are available as a pay-what-you-want-including-free
>> download. That's right, you can get them for nothing at all - you don't e=
ven
>> need to register or something.
>>=20
>> Background info: http://moinlabs.de/index.php?id=3D299
>> Direct to download:
>> http://moinlabs.bandcamp.com/album/akustik-kies-reflexiv-h-ren
>>=20
>> As a sidenote, starting now (or actually having started already), I'll be=

>> doing completely different things musically in the future.
>>=20
>> Tell me what you think - and spread the word if you'd be so kind!
>>=20
>> Yours,
>>=20
>>=20
>>            Rainer
>>=20
>> --
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>=20
>=20

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From: Jim Goodin <jimgoodinmusic@gmail.com>
Subject: Re: OT: iRig/appogee
Date: Tue, 6 Dec 2011 09:11:28 -0500
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Charles hanks for the reminder message. I wasn't sure of the info but now re=
call what you suggested re the alesia.  IRig gets lot of press it seems and h=
as the efx app which is useful to me but I do hear much about noise.  Yes it=
 will be for iPad.

Best andthx Jim

Get Tips Across the Waters for your iDevice, http://iTunes.apple.com/us/app/=
tips-across-the-waters/id474128076?=3Dmt8

On Dec 5, 2011, at 11:11 PM, Charles Zwicky <cazwicky@earthlink.net> wrote:

> Ugh...!!!
>=20
> I wrote a lengthy reply but iOs5.1 MAIL  no longer crashes mid message, it=
 waits till you hit send...!!
>=20
> Long post short: Had Apogee.  Sold Apogee... only peterson strobe tuner wa=
s compatible!!
> iRig OK..  bit noisy, but any interface which uses the mic input is. Peave=
y was not quieter as claimed.
>=20
> Alesis dock thingey seems best of all, if you're in the iPad universe...
>=20
> -Chuck
>=20
>=20
>=20
>=20
>> This was discussed while back I think, I seem to recall Charles offering a=
 review of one of the audio interfaces for iOS devices. I'm thinking about p=
utting one on my suggested family Xmas list.  I know the Appogee possibly wi=
ns hands down for clean as it connects thru the dock port but it's pricier a=
lbeit affordable.  If anyone has experience with both please give feedback. =
 In that the iRig is cheaper but seems functional, how noisy is it?  Is it t=
olerable or not worth the diff?
>>=20
>> Thx folks.
>>=20
>>=20
>> Jim
>>=20
>> Get Tips Across the Waters for your iDevice, http://iTunes.apple.com/us/a=
pp/tips-across-the-waters/id474128076?=3Dmt8
>=20
>=20
> --=20
>=20
> ...
> http://www.zmix.net
>=20
> http://www.esession.com/ChuckZwicky
>=20
> http://albumcredits.com/zmix
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Dec  6 18:41:59 2011
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Date: Tue, 6 Dec 2011 19:41:58 +0100
Message-ID: <CAFKym0CvKjAim0P1rh+eVPVJ2GiWSA1TZTfDkU_ezctuwjsbRA@mail.gmail.com>
Subject: Re: OT: Finland's Independence Day
From: =?ISO-8859-1?Q?Ra=FCl_Bonell?= <raul.bonell@gmail.com>
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Freezing cool! Petri

2011/12/6, Petri Lahtinen <kollegavalmentaja@gmail.com>:
> A little thing made out of small loops to commemorate the special day in
> Finland's history.
> This piece comes from nowhere and it goes nowhere. :-)
> Just playing this and watching the falling snow here.
>
> http://soundcloud.com/petrilahtinen/sixth-of-december
>
> Greetings from Finland,
> --
> Petri Lahtinen
>


-- 
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imagination,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec  6 22:56:37 2011
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Date: Wed, 7 Dec 2011 00:56:36 +0200
Message-ID: <CAOpEpQYEjmiqyeoex=TP3M4U937g1ZTrteViM0n-q9jddQeeXA@mail.gmail.com>
Subject: Re: OT: Finland's Independence Day
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--e89a8f923a9cf0955b04b3745811
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks Ra=FCl !

http://petrilahtinen.bandcamp.com/track/6122011

Here's the final mastered version with some elements added - but the
length's still 09:09 :-)

And do not take me as some nationalist! :-)
Piece is more a reflection of living in this country in these really
strange times.

-Petri-

2011/12/6 Ra=FCl Bonell <raul.bonell@gmail.com>

> Freezing cool! Petri
>
> 2011/12/6, Petri Lahtinen <kollegavalmentaja@gmail.com>:
> > A little thing made out of small loops to commemorate the special day i=
n
> > Finland's history.
> > This piece comes from nowhere and it goes nowhere. :-)
> > Just playing this and watching the falling snow here.
> >
> > http://soundcloud.com/petrilahtinen/sixth-of-december
> >
> > Greetings from Finland,
> > --
> > Petri Lahtinen
> >
>
>
> --
>
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your
> imagination,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>
> Kim Flint
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>
>


--=20
Petri Lahtinen

--e89a8f923a9cf0955b04b3745811
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks Ra=FCl !<br><br><a href=3D"http://petrilahtinen.bandcamp.com/track/6=
122011">http://petrilahtinen.bandcamp.com/track/6122011</a><br><br>Here&#39=
;s the final mastered version with some elements added - but the length&#39=
;s still 09:09 :-)<br>
<br>And do not take me as some nationalist! :-)<br>Piece is more a reflecti=
on of living in this country in these really strange times.<br><br>-Petri-<=
br><br><div class=3D"gmail_quote">2011/12/6 Ra=FCl Bonell <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;=
</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Freezing cool! Petri<br>
<br>
2011/12/6, Petri Lahtinen &lt;<a href=3D"mailto:kollegavalmentaja@gmail.com=
">kollegavalmentaja@gmail.com</a>&gt;:<br>
<div class=3D"HOEnZb"><div class=3D"h5">&gt; A little thing made out of sma=
ll loops to commemorate the special day in<br>
&gt; Finland&#39;s history.<br>
&gt; This piece comes from nowhere and it goes nowhere. :-)<br>
&gt; Just playing this and watching the falling snow here.<br>
&gt;<br>
&gt; <a href=3D"http://soundcloud.com/petrilahtinen/sixth-of-december" targ=
et=3D"_blank">http://soundcloud.com/petrilahtinen/sixth-of-december</a><br>
&gt;<br>
&gt; Greetings from Finland,<br>
&gt; --<br>
&gt; Petri Lahtinen<br>
&gt;<br>
<br>
<br>
</div></div><span class=3D"HOEnZb"><font color=3D"#888888">--<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.<br>
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,<br>
they provide you a falsely superior position in your social group.<br>
For the strong, they provide a means by which you are easily manipulated.<b=
r>
In reality, they serve the entertainment needs of others.<br>
In the Kimatorium, they are irrelevant.<br>
<br>
Kim Flint<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br>
<a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">raulbonell.tumbl=
r.com</a> - <a href=3D"http://collective.com" target=3D"_blank">collective.=
com</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--e89a8f923a9cf0955b04b3745811--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 03:18:45 2011
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Date: Tue, 6 Dec 2011 19:18:43 -0800
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Subject: Re: OT: Finland's Independence Day
From: Art Simon <simart@gmail.com>
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--0015176f17205131a404b37802c6
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Loved it! Very nice!

On Tue, Dec 6, 2011 at 2:56 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com>wrote:

> Thanks Ra=FCl !
>
> http://petrilahtinen.bandcamp.com/track/6122011
>
> Here's the final mastered version with some elements added - but the
> length's still 09:09 :-)
>
> And do not take me as some nationalist! :-)
> Piece is more a reflection of living in this country in these really
> strange times.
>
> -Petri-
>
>
> 2011/12/6 Ra=FCl Bonell <raul.bonell@gmail.com>
>
>> Freezing cool! Petri
>>
>> 2011/12/6, Petri Lahtinen <kollegavalmentaja@gmail.com>:
>> > A little thing made out of small loops to commemorate the special day =
in
>> > Finland's history.
>> > This piece comes from nowhere and it goes nowhere. :-)
>> > Just playing this and watching the falling snow here.
>> >
>> > http://soundcloud.com/petrilahtinen/sixth-of-december
>> >
>> > Greetings from Finland,
>> > --
>> > Petri Lahtinen
>> >
>>
>>
>> --
>>
>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.
>> Your moral values are meaningless, artificial constructs. For your
>> imagination,
>> they provide you a falsely superior position in your social group.
>> For the strong, they provide a means by which you are easily manipulated=
.
>> In reality, they serve the entertainment needs of others.
>> In the Kimatorium, they are irrelevant.
>>
>> Kim Flint
>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
>> raulbonell.tumblr.com - collective.com
>>
>>
>
>
> --
> Petri Lahtinen
>
>
>


--=20
Art Simon
simart@gmail.com

--0015176f17205131a404b37802c6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Loved it! Very nice!<br><br><div class=3D"gmail_quote">On Tue, Dec 6, 2011 =
at 2:56 PM, Petri Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:kollegav=
almentaja@gmail.com">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px=
 #ccc solid;padding-left:1ex;">
Thanks Ra=FCl !<br><br><a href=3D"http://petrilahtinen.bandcamp.com/track/6=
122011" target=3D"_blank">http://petrilahtinen.bandcamp.com/track/6122011</=
a><br><br>Here&#39;s the final mastered version with some elements added - =
but the length&#39;s still 09:09 :-)<br>

<br>And do not take me as some nationalist! :-)<br>Piece is more a reflecti=
on of living in this country in these really strange times.<br><br>-Petri-<=
div class=3D"HOEnZb"><div class=3D"h5"><br><br><div class=3D"gmail_quote">2=
011/12/6 Ra=FCl Bonell <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@=
gmail.com" target=3D"_blank">raul.bonell@gmail.com</a>&gt;</span><br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Freezing cool! Petri<br>
<br>
2011/12/6, Petri Lahtinen &lt;<a href=3D"mailto:kollegavalmentaja@gmail.com=
" target=3D"_blank">kollegavalmentaja@gmail.com</a>&gt;:<br>
<div><div>&gt; A little thing made out of small loops to commemorate the sp=
ecial day in<br>
&gt; Finland&#39;s history.<br>
&gt; This piece comes from nowhere and it goes nowhere. :-)<br>
&gt; Just playing this and watching the falling snow here.<br>
&gt;<br>
&gt; <a href=3D"http://soundcloud.com/petrilahtinen/sixth-of-december" targ=
et=3D"_blank">http://soundcloud.com/petrilahtinen/sixth-of-december</a><br>
&gt;<br>
&gt; Greetings from Finland,<br>
&gt; --<br>
&gt; Petri Lahtinen<br>
&gt;<br>
<br>
<br>
</div></div><span><font color=3D"#888888">--<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.<br>
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,<br>
they provide you a falsely superior position in your social group.<br>
For the strong, they provide a means by which you are easily manipulated.<b=
r>
In reality, they serve the entertainment needs of others.<br>
In the Kimatorium, they are irrelevant.<br>
<br>
Kim Flint<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br>
<a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">raulbonell.tumbl=
r.com</a> - <a href=3D"http://collective.com" target=3D"_blank">collective.=
com</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br></div></div><spa=
n class=3D"HOEnZb"><font color=3D"#888888">-- <br>Petri Lahtinen<br><br><br=
>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div>-- <b=
r>Art Simon<br><a href=3D"mailto:simart@gmail.com" target=3D"_blank">simart=
@gmail.com</a><br><br>

--0015176f17205131a404b37802c6--

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Date: Tue, 6 Dec 2011 19:58:01 -0800 (PST)
From: Norman Thibodeau <ncthib@yahoo.com>
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--258328648-1117627281-1323230281=:35198
Content-Type: text/plain; charset=iso-8859-1
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Bass, not contrabass, flute? Who made it?=0A=0ANorman T.=0A=0A=0A__________=
______________________=0A From: Per Boysen <perboysen@gmail.com>=0ATo: Loop=
ers-Delight@loopers-delight.com =0ASent: Wednesday, November 30, 2011 6:17 =
PM=0ASubject: Re: Re: Circular Breathing: Live Looping=0A =0AOn Wed, Nov 30=
, 2011 at 11:25 PM, Rick Walker <looppool@cruzio.com> wrote:=0A> God, =A0wh=
at does a bass saxaphone cost? =A0 I can't even imagine.=0A=0AI just happen=
 to know that a good bass flute did cost a person I know=0A$22171. Mind-bog=
gling fact.=0A=0APer
--258328648-1117627281-1323230281=:35198
Content-Type: text/html; charset=iso-8859-1
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Bass, not contrabass, flute? Who made it?<br /><br />Norman T.<br>  <div st=
yle=3D"font-family: times new roman, new york, times, serif; font-size: 12p=
t;"> <div style=3D"font-family: times new roman, new york, times, serif; fo=
nt-size: 12pt;"> <font size=3D"2" face=3D"Arial"> <hr size=3D"1">  <b><span=
 style=3D"font-weight:bold;">From:</span></b> Per Boysen &lt;perboysen@gmai=
l.com&gt;<br> <b><span style=3D"font-weight: bold;">To:</span></b> Loopers-=
Delight@loopers-delight.com <br> <b><span style=3D"font-weight: bold;">Sent=
:</span></b> Wednesday, November 30, 2011 6:17 PM<br> <b><span style=3D"fon=
t-weight: bold;">Subject:</span></b> Re: Re: Circular Breathing: Live Loopi=
ng<br> </font> <br>=0AOn Wed, Nov 30, 2011 at 11:25 PM, Rick Walker &lt;<a =
ymailto=3D"mailto:looppool@cruzio.com" href=3D"mailto:looppool@cruzio.com">=
looppool@cruzio.com</a>&gt; wrote:<BR>&gt; God, =A0what does a bass saxapho=
ne cost? =A0 I can't even imagine.<BR><BR>I just happen to know that a good=
 bass flute did cost a person I know<BR>$22171. Mind-boggling fact.<BR><BR>=
Per<BR><BR><br><br> </div> </div>  
--258328648-1117627281-1323230281=:35198--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 13:44:41 2011
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From: Philip Conway <Philip.Conway@bristol.ac.uk>
To: Loopers-Delight@loopers-delight.com
Subject: KMI Softstep
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Hello all,

The KMI Softstep has been discussed quite a bit here previously, I am 
aware, but not for a while.  Looking through the previous threads there 
were some teething troubles with the software and some complaints about the 
pads sticking.  The very small size of the thing was a concern as well 
(particularly among those with larger feet!).

So, after some time has passed:
Are people still using it?
Liking it?
Is it all the foot controller you'll ever need or does it need to be 
supplemented with something else?
Is it worth the money?

All responses appreciated.


Philip.

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 13:58:49 2011
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Philip Conway wrote:

> Is it all the foot controller you'll ever need 


if that's what you're looking for then also check this out


http://www.gordius.be/




andy

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 14:08:25 2011
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> Philip Conway wrote:
>> Is it all the foot controller you'll ever need
>
On Wed, Dec 7, 2011 at 2:59 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> if that's what you're looking for then also check this out
>
> http://www.gordius.be/
>
> andy
>

I fully agree with Andy on that! Never regretted leaving the Softstep
pre order list to buy a Little Giant instead. I still monitor the
Softstep experiment with the greatest excitement but when it comes to
real world gigging the LG is where I put my feet down.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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--20cf303a31b182db5604b38121cd
Content-Type: text/plain; charset=ISO-8859-1

And I'm still saving up for one after sending the SS back... (I hear its
made some huge improvements though)

On Wed, Dec 7, 2011 at 3:08 PM, Per Boysen <perboysen@gmail.com> wrote:

> > Philip Conway wrote:
> >> Is it all the foot controller you'll ever need
> >
> On Wed, Dec 7, 2011 at 2:59 PM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> > if that's what you're looking for then also check this out
> >
> > http://www.gordius.be/
> >
> > andy
> >
>
> when it comes to
> real world gigging the LG is where I put my feet down.
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf303a31b182db5604b38121cd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

And I&#39;m still saving up for one after sending the SS back... (I hear it=
s made some huge improvements though)<br><br><div class=3D"gmail_quote">On =
Wed, Dec 7, 2011 at 3:08 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">&gt; Philip Conway wrote:=
<br>
&gt;&gt; Is it all the foot controller you&#39;ll ever need<br>
&gt;<br>
</div><div class=3D"im">On Wed, Dec 7, 2011 at 2:59 PM, andy butler &lt;<a =
href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote=
:<br>
&gt; if that&#39;s what you&#39;re looking for then also check this out<br>
&gt;<br>
&gt; <a href=3D"http://www.gordius.be/" target=3D"_blank">http://www.gordiu=
s.be/</a><br>
&gt;<br>
&gt; andy<br>
&gt;<br>
<br>
</div>when it comes to<br>
real world gigging the LG is where I put my feet down.<br>
<br>
Greetings from Sweden<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http://www.y=
outube.com/perboysen</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-colo=
r:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf303a31b182db5604b38121cd--

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Subject: Re: KMI Softstep
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On Wed, Dec 7, 2011 at 3:11 PM, mark francombe <mark@markfrancombe.com> wrote:
> (I hear its made some huge improvements though)

A new firmware with many new cool functions. Not only for use as a
traditional MIDI foot controller but even to pick up the role as
MIDI-system-central-brain-commander-unit. It can send out sweeps from
a couple of seconds to about three minute's length, handle MIDI clock
sync and tempo issues and more. The computer software for programming
the box is very easy to use, on Windows as well as Mac. Anyone
interested can download the PDF manuals to check out the details (URL
just posted by Andy)

Per

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Subject: Re: KMI Softstep
References: <86E34549DC54209514B15275@epi-pc372.epi.bris.ac.uk> <4EDF7125.1090202@tiscali.co.uk> <CAJC14WgjSmN8LYiYsEDKhkGN7Lq4Y54WMcW9qhamWkQMTMMwfg@mail.gmail.com> <CAJKe7oZz9L02pXm6dOhZiFCMh1NLfDOkto7Rvget5DhkrS8dQA@mail.gmail.com>
From: Todd Reynolds <toddreyn@gmail.com>
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Date: Wed, 7 Dec 2011 09:18:06 -0500
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I'm actually lovin it. Especially its weight which is nothing. I miss my two=
 controller pedals, ( softstep only has one)  but then again, I have 10 cc p=
edals on one bank!  Programmability is amazing, takes a while to grok though=
. Depending on your needs, it can indeed be the be all end all, with all res=
pect to the Gordius and my other colleagues.=20

Imagine carrying a pedal which is only the thickness of a legal pad though!

Be sure to check out Keith's quNeo too!

Sent from my iPhone

On Dec 7, 2011, at 9:11 AM, mark francombe <mark@markfrancombe.com> wrote:

> And I'm still saving up for one after sending the SS back... (I hear its m=
ade some huge improvements though)
>=20
> On Wed, Dec 7, 2011 at 3:08 PM, Per Boysen <perboysen@gmail.com> wrote:
> > Philip Conway wrote:
> >> Is it all the foot controller you'll ever need
> >
> On Wed, Dec 7, 2011 at 2:59 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> > if that's what you're looking for then also check this out
> >
> > http://www.gordius.be/
> >
> > andy
> >
>=20
> when it comes to
> real world gigging the LG is where I put my feet down.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>=20
>=20
>=20
>=20
> --=20
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>=20

--Apple-Mail-18816247-BF95-48AC-8CDE-9E992AC870EF
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=utf-8

<html><head></head><body bgcolor=3D"#FFFFFF"><div>I'm actually lovin it. Esp=
ecially its weight which is nothing. I miss my two controller pedals, ( soft=
step only has one) &nbsp;but then again, I have 10 cc pedals on one bank! &n=
bsp;Programmability is amazing, takes a while to grok though. Depending on y=
our needs, it can indeed be the be all end all, with all respect to the Gord=
ius and my other colleagues.&nbsp;</div><div><br></div><div>Imagine carrying=
 a pedal which is only the thickness of a legal pad though!</div><div><br></=
div><div>Be sure to check out Keith's quNeo too!<br><br>Sent from my iPhone<=
/div><div><br>On Dec 7, 2011, at 9:11 AM, mark francombe &lt;<a href=3D"mail=
to:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><br></di=
v><div></div><blockquote type=3D"cite"><div>And I'm still saving up for one a=
fter sending the SS back... (I hear its made some huge improvements though)<=
br><br><div class=3D"gmail_quote">On Wed, Dec 7, 2011 at 3:08 PM, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px=
 #ccc solid;padding-left:1ex;"><div class=3D"im">&gt; Philip Conway wrote:<b=
r>
&gt;&gt; Is it all the foot controller you'll ever need<br>
&gt;<br>
</div><div class=3D"im">On Wed, Dec 7, 2011 at 2:59 PM, andy butler &lt;<a h=
ref=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<=
br>
&gt; if that's what you're looking for then also check this out<br>
&gt;<br>
&gt; <a href=3D"http://www.gordius.be/" target=3D"_blank">http://www.gordius=
.be/</a><br>
&gt;<br>
&gt; andy<br>
&gt;<br>
<br>
</div>when it comes to<br>
real world gigging the LG is where I put my feet down.<br>
<br>
Greetings from Sweden<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a>=
<br>
<a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http://www.yo=
utube.com/perboysen</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rg=
b(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><=
u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markfr=
ancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordoabk=
hao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,=
 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targe=
t=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, 51=
)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=3D=
"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@N=
00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br></f=
ont><br>
</div></blockquote></body></html>=

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From: mark francombe <mark@markfrancombe.com>
Date: Wed, 7 Dec 2011 15:35:00 +0100
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Message-ID: <CAJKe7obHXyzj=VkfdMa41gF1hE3vZsGt=fdmkXVem5Kcedcbtg@mail.gmail.com>
Subject: Re: KMI Softstep
To: Loopers-Delight@loopers-delight.com
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--00504501754845297904b38176cd
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YOu are talking about the Gordius here arnt you? By the way you quoted me
(and I was talking saying the SS had improved, as Todd can confirm) I
thought you meant the SS for a sec...

I am literally DROOLING for a Gordius, what the f*** is Xmas doing in the
way of saving???

M

On Wed, Dec 7, 2011 at 3:17 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Dec 7, 2011 at 3:11 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > (I hear its made some huge improvements though)
>
> A new firmware with many new cool functions. Not only for use as a
> traditional MIDI foot controller but even to pick up the role as
> MIDI-system-central-brain-commander-unit. It can send out sweeps from
> a couple of seconds to about three minute's length, handle MIDI clock
> sync and tempo issues and more. The computer software for programming
> the box is very easy to use, on Windows as well as Mac. Anyone
> interested can download the PDF manuals to check out the details (URL
> just posted by Andy)
>
> Per
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--00504501754845297904b38176cd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

YOu are talking about the Gordius here arnt you? By the way you quoted me (=
and I was talking saying the SS had improved, as Todd can confirm) I though=
t you meant the SS for a sec...<br><br>I am literally DROOLING for a Gordiu=
s, what the f*** is Xmas doing in the way of saving???<br>

<br>M<br><br><div class=3D"gmail_quote">On Wed, Dec 7, 2011 at 3:17 PM, Per=
 Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboy=
sen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<div class=3D"im">On Wed, Dec 7, 2011 at 3:11 PM, mark francombe &lt;<a hre=
f=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<b=
r>
&gt; (I hear its made some huge improvements though)<br>
<br>
</div>A new firmware with many new cool functions. Not only for use as a<br=
>
traditional MIDI foot controller but even to pick up the role as<br>
MIDI-system-central-brain-commander-unit. It can send out sweeps from<br>
a couple of seconds to about three minute&#39;s length, handle MIDI clock<b=
r>
sync and tempo issues and more. The computer software for programming<br>
the box is very easy to use, on Windows as well as Mac. Anyone<br>
interested can download the PDF manuals to check out the details (URL<br>
just posted by Andy)<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-colo=
r:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

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Subject: Re: KMI Softstep
From: Per Boysen <perboysen@gmail.com>
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Yes, I was talking about the Gordius. I thought you asked about
improvements in the Gordius, as you posted it right after some Gordius
text. And I really couldn't imagine it being that hard to save up for
the Softstep, as it is much less expensive than the Gordius. Hope this
doesn't confuse to much.

Per


On Wed, Dec 7, 2011 at 3:35 PM, mark francombe <mark@markfrancombe.com> wrote:
> YOu are talking about the Gordius here arnt you? By the way you quoted me
> (and I was talking saying the SS had improved, as Todd can confirm) I
> thought you meant the SS for a sec...
>
> I am literally DROOLING for a Gordius, what the f*** is Xmas doing in the
> way of saving???
>
> M
>
> On Wed, Dec 7, 2011 at 3:17 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> On Wed, Dec 7, 2011 at 3:11 PM, mark francombe <mark@markfrancombe.com>
>> wrote:
>> > (I hear its made some huge improvements though)
>>
>> A new firmware with many new cool functions. Not only for use as a
>> traditional MIDI foot controller but even to pick up the role as
>> MIDI-system-central-brain-commander-unit. It can send out sweeps from
>> a couple of seconds to about three minute's length, handle MIDI clock
>> sync and tempo issues and more. The computer software for programming
>> the box is very easy to use, on Windows as well as Mac. Anyone
>> interested can download the PDF manuals to check out the details (URL
>> just posted by Andy)
>>
>> Per
>>
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>

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Subject: Re: OT: Finland's Independence Day
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Thanks Art! :-)



2011/12/7 Art Simon <simart@gmail.com>

> Loved it! Very nice!
>
>
> On Tue, Dec 6, 2011 at 2:56 PM, Petri Lahtinen <
> kollegavalmentaja@gmail.com> wrote:
>
>> Thanks Ra=FCl !
>>
>> http://petrilahtinen.bandcamp.com/track/6122011
>>
>> Here's the final mastered version with some elements added - but the
>> length's still 09:09 :-)
>>
>> And do not take me as some nationalist! :-)
>> Piece is more a reflection of living in this country in these really
>> strange times.
>>
>> -Petri-
>>
>>
>> 2011/12/6 Ra=FCl Bonell <raul.bonell@gmail.com>
>>
>>> Freezing cool! Petri
>>>
>>> 2011/12/6, Petri Lahtinen <kollegavalmentaja@gmail.com>:
>>> > A little thing made out of small loops to commemorate the special day
>>> in
>>> > Finland's history.
>>> > This piece comes from nowhere and it goes nowhere. :-)
>>> > Just playing this and watching the falling snow here.
>>> >
>>> > http://soundcloud.com/petrilahtinen/sixth-of-december
>>> >
>>> > Greetings from Finland,
>>> > --
>>> > Petri Lahtinen
>>> >
>>>
>>>
>>> --
>>>
>>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.
>>> Your moral values are meaningless, artificial constructs. For your
>>> imagination,
>>> they provide you a falsely superior position in your social group.
>>> For the strong, they provide a means by which you are easily manipulate=
d.
>>> In reality, they serve the entertainment needs of others.
>>> In the Kimatorium, they are irrelevant.
>>>
>>> Kim Flint
>>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
>>> raulbonell.tumblr.com - collective.com
>>>
>>>
>>
>>
>> --
>> Petri Lahtinen
>>
>>
>>
>
>
> --
> Art Simon
> simart@gmail.com
>
>


--=20
Petri Lahtinen

--90e6ba21241bb8480f04b381b870
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Thanks Art! :-)<br><br><br><br><div class=3D"gmail_quote">2011/12/7 Art Sim=
on <span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com">simart@gmail.c=
om</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 =
0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Loved it! Very nice!<div class=3D"HOEnZb"><div class=3D"h5"><br><br><div cl=
ass=3D"gmail_quote">On Tue, Dec 6, 2011 at 2:56 PM, Petri Lahtinen <span di=
r=3D"ltr">&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com" target=3D"_bla=
nk">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Thanks Ra=FCl !<br><br><a href=3D"http://petrilahtinen.bandcamp.com/track/6=
122011" target=3D"_blank">http://petrilahtinen.bandcamp.com/track/6122011</=
a><br><br>Here&#39;s the final mastered version with some elements added - =
but the length&#39;s still 09:09 :-)<br>


<br>And do not take me as some nationalist! :-)<br>Piece is more a reflecti=
on of living in this country in these really strange times.<br><br>-Petri-<=
div><div><br><br><div class=3D"gmail_quote">2011/12/6 Ra=FCl Bonell <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com" target=3D"_blank">r=
aul.bonell@gmail.com</a>&gt;</span><br>


<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Freezing cool! Petri<br>
<br>
2011/12/6, Petri Lahtinen &lt;<a href=3D"mailto:kollegavalmentaja@gmail.com=
" target=3D"_blank">kollegavalmentaja@gmail.com</a>&gt;:<br>
<div><div>&gt; A little thing made out of small loops to commemorate the sp=
ecial day in<br>
&gt; Finland&#39;s history.<br>
&gt; This piece comes from nowhere and it goes nowhere. :-)<br>
&gt; Just playing this and watching the falling snow here.<br>
&gt;<br>
&gt; <a href=3D"http://soundcloud.com/petrilahtinen/sixth-of-december" targ=
et=3D"_blank">http://soundcloud.com/petrilahtinen/sixth-of-december</a><br>
&gt;<br>
&gt; Greetings from Finland,<br>
&gt; --<br>
&gt; Petri Lahtinen<br>
&gt;<br>
<br>
<br>
</div></div><span><font color=3D"#888888">--<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.<br>
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,<br>
they provide you a falsely superior position in your social group.<br>
For the strong, they provide a means by which you are easily manipulated.<b=
r>
In reality, they serve the entertainment needs of others.<br>
In the Kimatorium, they are irrelevant.<br>
<br>
Kim Flint<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br>
<a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">raulbonell.tumbl=
r.com</a> - <a href=3D"http://collective.com" target=3D"_blank">collective.=
com</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br></div></div><spa=
n><font color=3D"#888888">-- <br>Petri Lahtinen<br><br><br>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div></div=
></div><span class=3D"HOEnZb"><font color=3D"#888888">-- <br>Art Simon<br><=
a href=3D"mailto:simart@gmail.com" target=3D"_blank">simart@gmail.com</a><b=
r><br>

</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--90e6ba21241bb8480f04b381b870--

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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Floating in Just Waves (Live looped guitar in JUST intervals and
 lenghts.. COOL !!!)
Date: Wed, 7 Dec 2011 15:15:27 +0000
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>  another experiment but this came out GREAT:.. JUST as i hoped..http://so=
undcloud.com/anders-bergdahl/floating-in-just-vawes
And what am I doing.. ALL is live sampled guitar.. no canned loopsSampling =
on 4 tracks and playing back with slower speed and all set to diffrent rate=
s accordeign to just intonation intervals. Each track is the played back wi=
th lenght och the sequencer track set so that the whole sample is played...=
 this way all playback track have diffrent lenghts also in "just" intervals=
...Then i improvise/play a melody over my sampled guitar and sometimes samp=
ling guitar again...the intervals:Just interval	 Playback Rate	            =
  Sequencer Steps.......5/4...................40...........................=
......44......3/2....................48.................................40.=
......9/8................. .36.................................46.......15/=
8...............  .60.................................34
So the different loop lenghts gives a organic and evolving feel=2C first I =
have all loops recorded at once later I sometimes re-record all or most oft=
en one of the loops..=20
All is done 100% live with guitar into Elektron Octatrack straight into rec=
order...=20
ENJOY 		 	   		  =

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<html>
<head>
<style><!--
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}
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{
font-size: 10pt=3B
font-family:Tahoma
}
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</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
<div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B &nb=
sp=3Banother experiment but this came out GREAT:.. JUST as i hoped..</font>=
</div><div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">http=
://soundcloud.com/anders-bergdahl/floating-in-just-vawes</font></div><div><=
font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2"><br></font></div=
><div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">And what =
am I doing.. ALL is live sampled guitar.. no canned loops</font></div><div>=
<font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">Sampling on 4 t=
racks and playing back with slower speed and all set to diffrent rates acco=
rdeign to just intonation intervals. Each track is the played back with len=
ght och the sequencer track set so that the whole sample is played... this =
way all playback track have diffrent lenghts also in "just" intervals...</f=
ont></div><div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">=
Then i improvise/play a melody over my sampled guitar and sometimes samplin=
g guitar again...</font></div><div><font class=3D"Apple-style-span" face=3D=
"Tahoma" size=3D"2">the intervals:</font></div><div><font class=3D"Apple-st=
yle-span" face=3D"Tahoma" size=3D"2">Just interval<span class=3D"Apple-tab-=
span" style=3D"white-space:pre">	</span> Playback Rate<span class=3D"Apple-=
tab-span" style=3D"white-space:pre">	</span>&nbsp=3B &nbsp=3B &nbsp=3B &nbs=
p=3B &nbsp=3B &nbsp=3B &nbsp=3B Sequencer Steps</font></div><div><font clas=
s=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">.......5/4...............=
....40.................................44</font></div><div><font class=3D"A=
pple-style-span" face=3D"Tahoma" size=3D"2">......3/2....................48=
.................................40</font></div><div><font class=3D"Apple-s=
tyle-span" face=3D"Tahoma" size=3D"2">.......9/8................. .36......=
...........................46</font></div><div><font class=3D"Apple-style-s=
pan" face=3D"Tahoma" size=3D"2">.......15/8............... &nbsp=3B.60.....=
............................34</font></div><div><font class=3D"Apple-style-=
span" face=3D"Tahoma" size=3D"2"><br></font></div><div><font class=3D"Apple=
-style-span" face=3D"Tahoma" size=3D"2">So the different loop lenghts gives=
 a organic and evolving feel=2C first I have all loops recorded at once lat=
er I sometimes re-record all or most often one of the loops..&nbsp=3B</font=
></div><div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2"><br=
></font></div><div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D=
"2">All is done 100% live with guitar into Elektron Octatrack straight into=
 recorder...&nbsp=3B</font></div><div><font class=3D"Apple-style-span" face=
=3D"Tahoma" size=3D"2"><br></font></div><div><font class=3D"Apple-style-spa=
n" face=3D"Tahoma" size=3D"2">ENJOY</font></div> 		 	   		  </div></body>
</html>=

--_c39e7589-314d-4d23-9d42-e48914feaf21_--

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Subject: Re: Floating in Just Waves (Live looped guitar in JUST intervals and
 lenghts.. COOL !!!)
From: william middlemiss <billymiddlemiss@gmail.com>
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yep, I like it

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yep, I like it<br><br><div class="gmail_quote"><br></div>

--00151773e4f23a002b04b3820d03--

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Subject: RE: Floating in Just Waves (Live looped guitar in JUST intervals
 and lenghts.. COOL !!!) (with working link)
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And a link one can click on..http://soundcloud.com/anders-bergdahl/floating=
-in-just-vawes
Sorry

From: anders_e_bergdahl@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: Floating in Just Waves (Live looped guitar in JUST intervals and l=
enghts.. COOL !!!)
Date: Wed=2C 7 Dec 2011 15:15:27 +0000








>  another experiment but this came out GREAT:.. JUST as i hoped..http://so=
undcloud.com/anders-bergdahl/floating-in-just-vawes
And what am I doing.. ALL is live sampled guitar.. no canned loopsSampling =
on 4 tracks and playing back with slower speed and all set to diffrent rate=
s accordeign to just intonation intervals. Each track is the played back wi=
th lenght och the sequencer track set so that the whole sample is played...=
 this way all playback track have diffrent lenghts also in "just" intervals=
...Then i improvise/play a melody over my sampled guitar and sometimes samp=
ling guitar again...the intervals:Just interval	 Playback Rate	            =
  Sequencer Steps.......5/4...................40...........................=
......44......3/2....................48.................................40.=
......9/8................. .36.................................46.......15/=
8...............  .60.................................34
So the different loop lenghts gives a organic and evolving feel=2C first I =
have all loops recorded at once later I sometimes re-record all or most oft=
en one of the loops..=20
All is done 100% live with guitar into Elektron Octatrack straight into rec=
order...=20
ENJOY 		 	   		   		 	   		  =

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<body class=3D'hmmessage'><div dir=3D'ltr'>
And a link one can click on..<div><a href=3D"http://soundcloud.com/anders-b=
ergdahl/floating-in-just-vawes">http://soundcloud.com/anders-bergdahl/float=
ing-in-just-vawes</a></div><div><br></div><div>Sorry<br><br><div><hr id=3D"=
stopSpelling">From: anders_e_bergdahl@hotmail.com<br>To: loopers-delight@lo=
opers-delight.com<br>Subject: Floating in Just Waves (Live looped guitar in=
 JUST intervals and lenghts.. COOL !!!)<br>Date: Wed=2C 7 Dec 2011 15:15:27=
 +0000<br><br>

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<div dir=3D"ltr">
<div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B =
&nbsp=3Banother experiment but this came out GREAT:.. JUST as i hoped..</fo=
nt></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2=
">http://soundcloud.com/anders-bergdahl/floating-in-just-vawes</font></div>=
<div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2"><br></f=
ont></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"=
2">And what am I doing.. ALL is live sampled guitar.. no canned loops</font=
></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2">=
Sampling on 4 tracks and playing back with slower speed and all set to diff=
rent rates accordeign to just intonation intervals. Each track is the playe=
d back with lenght och the sequencer track set so that the whole sample is =
played... this way all playback track have diffrent lenghts also in "just" =
intervals...</font></div><div><font class=3D"ecxApple-style-span" face=3D"T=
ahoma" size=3D"2">Then i improvise/play a melody over my sampled guitar and=
 sometimes sampling guitar again...</font></div><div><font class=3D"ecxAppl=
e-style-span" face=3D"Tahoma" size=3D"2">the intervals:</font></div><div><f=
ont class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2">Just interval<=
span class=3D"ecxApple-tab-span" style=3D"white-space:pre">	</span> Playbac=
k Rate<span class=3D"ecxApple-tab-span" style=3D"white-space:pre">	</span>&=
nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B Sequencer Ste=
ps</font></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" siz=
e=3D"2">.......5/4...................40.................................44<=
/font></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=
=3D"2">......3/2....................48.................................40</=
font></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D=
"2">.......9/8................. .36.................................46</fon=
t></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2"=
>.......15/8............... &nbsp=3B.60.................................34<=
/font></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" size=
=3D"2"><br></font></div><div><font class=3D"ecxApple-style-span" face=3D"Ta=
homa" size=3D"2">So the different loop lenghts gives a organic and evolving=
 feel=2C first I have all loops recorded at once later I sometimes re-recor=
d all or most often one of the loops..&nbsp=3B</font></div><div><font class=
=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2"><br></font></div><div><=
font class=3D"ecxApple-style-span" face=3D"Tahoma" size=3D"2">All is done 1=
00% live with guitar into Elektron Octatrack straight into recorder...&nbsp=
=3B</font></div><div><font class=3D"ecxApple-style-span" face=3D"Tahoma" si=
ze=3D"2"><br></font></div><div><font class=3D"ecxApple-style-span" face=3D"=
Tahoma" size=3D"2">ENJOY</font></div> 		 	   		  </div></div></div> 		 	   =
		  </div></body>
</html>=

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From: Jeff Larson <jeff.larson@sailpoint.com>
To: "Loopers-Delight@loopers-delight.com"
	<Loopers-Delight@loopers-delight.com>
Subject: Re: KMI Softstep
Thread-Topic: KMI Softstep
Thread-Index: AQHMtOZiEVHSzH2+Okimno/8rQs7WpXQR+MA
Date: Wed, 7 Dec 2011 18:07:54 +0000
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The software was pretty bad at first, but it has apparently gotten better.
 The worst part was that you had to run an extremely bloated Max/MSP
application in order to use it, I'm told this has been fixed so you can
"download" your programming to the switch and then it works without the
Max app. =20

I lost interest in it because for me the deal breaker was the size and
lack of any tactile response.  It is very difficult to tell if you are
pressing a switch or not, I like to gently rest my foot on a switch prior
to activating it, that often results in false triggers.  You can tweak the
sensitivity but I was never able to really dial in the sweet spot where I
could reliably trigger something all the time.  There isn't enough height
difference between the back row and the front row which also led to false
triggers of the back row, especially if you're wearing big clunky shoes.

I've heard people say that you need to approach it like an "instrument"
that has to be "practiced".  I suppose that's true, and if you did it is
indeed a very powerful switch.  But my list of things that need to be
practiced is already long enough.

I would reconsider this though if I travelled a lot.  It weighs almost
nothing and is easy to pack.

Jeff


From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 19:01:54 2011
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Subject: Re: KMI Softstep
Date: Wed, 7 Dec 2011 20:01:41 +0100
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References: <86E34549DC54209514B15275@epi-pc372.epi.bris.ac.uk> <4EDF7125.1090202@tiscali.co.uk> <CAJC14WgjSmN8LYiYsEDKhkGN7Lq4Y54WMcW9qhamWkQMTMMwfg@mail.gmail.com> <CAJKe7oZz9L02pXm6dOhZiFCMh1NLfDOkto7Rvget5DhkrS8dQA@mail.gmail.com> <CAJC14WiRh8qcL+FRLDvb73XS-z3_VCeR95fn6TAwDCCADehg7A@mail.gmail.com> <CAJKe7obHXyzj=VkfdMa41gF1hE3vZsGt=fdmkXVem5Kcedcbtg@mail.gmail.com> <CAJC14WitqvhhtgFziVpJsZ-h=yH0sca0pk1YoP8VE1FgqXknpA@mail.gmail.com>
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--Apple-Mail=_5A3574ED-5C79-4D9A-B78A-6FEA5C2F3B7B
Content-Transfer-Encoding: quoted-printable
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	charset=us-ascii

I have the new version of Gordius in my Big Little Giant running =
together with a Mac editor! Never been so happy with my pedal then now!

Cheers,

Reyn

www.reyn.net
www.studiothechurch.com

On Dec 7, 2011, at 3:48 PM, Per Boysen wrote:

> Yes, I was talking about the Gordius. I thought you asked about
> improvements in the Gordius, as you posted it right after some Gordius
> text. And I really couldn't imagine it being that hard to save up for
> the Softstep, as it is much less expensive than the Gordius. Hope this
> doesn't confuse to much.
>=20
> Per
>=20
>=20
> On Wed, Dec 7, 2011 at 3:35 PM, mark francombe =
<mark@markfrancombe.com> wrote:
>> YOu are talking about the Gordius here arnt you? By the way you =
quoted me
>> (and I was talking saying the SS had improved, as Todd can confirm) I
>> thought you meant the SS for a sec...
>>=20
>> I am literally DROOLING for a Gordius, what the f*** is Xmas doing in =
the
>> way of saving???
>>=20
>> M
>>=20
>> On Wed, Dec 7, 2011 at 3:17 PM, Per Boysen <perboysen@gmail.com> =
wrote:
>>>=20
>>> On Wed, Dec 7, 2011 at 3:11 PM, mark francombe =
<mark@markfrancombe.com>
>>> wrote:
>>>> (I hear its made some huge improvements though)
>>>=20
>>> A new firmware with many new cool functions. Not only for use as a
>>> traditional MIDI foot controller but even to pick up the role as
>>> MIDI-system-central-brain-commander-unit. It can send out sweeps =
from
>>> a couple of seconds to about three minute's length, handle MIDI =
clock
>>> sync and tempo issues and more. The computer software for =
programming
>>> the box is very easy to use, on Windows as well as Mac. Anyone
>>> interested can download the PDF manuals to check out the details =
(URL
>>> just posted by Andy)
>>>=20
>>> Per
>>>=20
>>=20
>>=20
>>=20
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>> http://www.flickr.com/photos/24478662@N00/
>>=20
>=20


--Apple-Mail=_5A3574ED-5C79-4D9A-B78A-6FEA5C2F3B7B
Content-Transfer-Encoding: quoted-printable
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>I have the new version of Gordius in my Big Little Giant running =
together with a Mac editor! Never been so happy with my pedal then =
now!</div><br><div apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Cheers,<br><br>Reyn<br><br><a =
href=3D"http://www.reyn.net">www.reyn.net</a><br>www.studiothechurch.com</=
div></span></span>
</div>
<br><div><div>On Dec 7, 2011, at 3:48 PM, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Yes, =
I was talking about the Gordius. I thought you asked =
about<br>improvements in the Gordius, as you posted it right after some =
Gordius<br>text. And I really couldn't imagine it being that hard to =
save up for<br>the Softstep, as it is much less expensive than the =
Gordius. Hope this<br>doesn't confuse to much.<br><br>Per<br><br><br>On =
Wed, Dec 7, 2011 at 3:35 PM, mark francombe &lt;<a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; =
wrote:<br><blockquote type=3D"cite">YOu are talking about the Gordius =
here arnt you? By the way you quoted me<br></blockquote><blockquote =
type=3D"cite">(and I was talking saying the SS had improved, as Todd can =
confirm) I<br></blockquote><blockquote type=3D"cite">thought you meant =
the SS for a sec...<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">I am literally =
DROOLING for a Gordius, what the f*** is Xmas doing in =
the<br></blockquote><blockquote type=3D"cite">way of =
saving???<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">M<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">On Wed, Dec 7, =
2011 at 3:17 PM, Per Boysen &lt;<a =
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; =
wrote:<br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">On Wed, Dec 7, 2011 at 3:11 PM, =
mark francombe &lt;<a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br><=
/blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">wrote:<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">(I =
hear its made some huge improvements =
though)<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">A new firmware with many new =
cool functions. Not only for use as =
a<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">traditional MIDI foot controller but even to pick up the =
role as<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote=
 type=3D"cite">MIDI-system-central-brain-commander-unit. It can send out =
sweeps from<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">a couple of seconds to about =
three minute's length, handle MIDI =
clock<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">sync and tempo issues and more. The computer software for =
programming<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">the box is very easy to use, on =
Windows as well as Mac. Anyone<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">interested can download the PDF =
manuals to check out the details =
(URL<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">just posted by =
Andy)<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">Per<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">--<br></blockquote><blockquote type=3D"cite">Mark =
Francombe<br></blockquote><blockquote type=3D"cite"><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br></block=
quote><blockquote type=3D"cite"><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br></blockquote>=
<blockquote type=3D"cite"><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br></=
blockquote><blockquote type=3D"cite"><a =
href=3D"http://www.looop.no">http://www.looop.no</a><br></blockquote><bloc=
kquote type=3D"cite">twitter @markfrancombe<br></blockquote><blockquote =
type=3D"cite"><a =
href=3D"http://www.flickr.com/photos/24478662@N00/">http://www.flickr.com/=
photos/24478662@N00/</a><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><br></div></blockquote></div><br></body></h=
tml>=

--Apple-Mail=_5A3574ED-5C79-4D9A-B78A-6FEA5C2F3B7B--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 21:19:56 2011
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Subject: Re: LP-2 SHIPPING STATUS UPDATE
From: Thomas Wegmann <theweg@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hey LP2 purchasers, anyone seen there's yet?  I look everyday but a month
later and still not here..... :(

Weg

On Fri, Nov 11, 2011 at 1:26 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:

> Looked in mailbox, did not see LP-2.
> Maybe next week . . .
>
> Gary
>
> ________________________________________
> From: Thomas Wegmann wrote:
>
> This is GREAT to hear!
> On Wed, Nov 9, 2011 at 1:47 AM, Phil Clevenger <phil.clevenger@gmail.com>
> wrote:
> Happy news !!
>
> On Nov 8, 2011, at 10:34 PM, Rick Walker wrote:
>
> > I got a phone call today from Bob and
> > he says that he expects to start shipping
> > the first batch of LP-2s by the first of next week.
> >
> > yours,   Rick Walker
> >
>
>
>


-- 
Greg Wegmann

TheWeg@Frontier.com
TheWeg@GMail.com

--0016361e814af798ae04b3871c84
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<div>Hey LP2 purchasers, anyone seen there&#39;s yet?=A0 I look everyday bu=
t a month later and still not here..... :(</div><div>=A0</div><div>Weg<br><=
br></div><div class=3D"gmail_quote">On Fri, Nov 11, 2011 at 1:26 AM, Clayto=
n Gary Lehmann <span dir=3D"ltr">&lt;<a href=3D"mailto:hqr@cox.net">hqr@cox=
.net</a>&gt;</span> wrote:<br>
<blockquote style=3D"margin: 0px 0px 0px 0.8ex; padding-left: 1ex; border-l=
eft-color: rgb(204, 204, 204); border-left-width: 1px; border-left-style: s=
olid;" class=3D"gmail_quote">Looked in mailbox, did not see LP-2.<br>
Maybe next week . . .<br>
<br>
Gary<br>
<br>
________________________________________<br>
<div><div></div><div class=3D"h5">From: Thomas Wegmann wrote:<br>
<br>
This is GREAT to hear!<br>
On Wed, Nov 9, 2011 at 1:47 AM, Phil Clevenger &lt;<a href=3D"mailto:phil.c=
levenger@gmail.com">phil.clevenger@gmail.com</a>&gt;<br>
wrote:<br>
Happy news !!<br>
<br>
On Nov 8, 2011, at 10:34 PM, Rick Walker wrote:<br>
<br>
&gt; I got a phone call today from Bob and<br>
&gt; he says that he expects to start shipping<br>
&gt; the first batch of LP-2s by the first of next week.<br>
&gt;<br>
&gt; yours, =A0 Rick Walker<br>
&gt;<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><div>Greg W=
egmann<br><br><a href=3D"mailto:TheWeg@Frontier.com" target=3D"_blank">TheW=
eg@Frontier.com</a></div>
<div>TheWeg@GMail.com<br></div><br>

--0016361e814af798ae04b3871c84--

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Date: Wed, 7 Dec 2011 23:31:07 +0100
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Subject: Re: For Line 6 DL-4 and M series users
From: Louie Angulo <louie.angulo@googlemail.com>
To: Stephen Scott <Loopers-Delight@loopers-delight.com>
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i take it you do this with your hand Scott?
ive been rather contemplating the midi mouse,is about the smallest
foot midi controller to do something like that
i wish it was even smaller;-)

On Tue, Dec 6, 2011 at 10:44 AM, Stephen Scott <loopingsteve@yahoo.co.uk> wrote:
> Bill said:
>>One way to not have to toggle between the looper function and presets is to use a small midi controller to send cc messages to the M-9 , one of which will toggle in to >the looper very quickly.
>
> I do exactly this using my little SU10 and assigning the ribbon controller to midi no. 84 (iirc); toggling the looper immediately on/off is then just a matter of pressing the top/bottom of the ribbon.
>



-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 22:34:21 2011
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Subject: MIDI Controllers for Ableton Live
Date: Wed, 7 Dec 2011 15:35:00 -0700
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What are you Live users using for MIDI Controllers?

I am considering these:

Akai APC40 Abelton Controller
Novation Impulse 25 (25-key)
Akai Professional MPK25
M-Audio Axiom 25

And I have to say that I probably want one with a mini keyboard on it, so 
that I can play soft synths, which rules pout the Akai APC40

Any recommendations?

Kris

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 22:39:21 2011
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Date: Wed, 7 Dec 2011 14:39:18 -0800
Message-ID: <CANkvTY-FF_SaDAWsGguLPWg1t_XLJPYc_h21vYbOBkM51eyDRg@mail.gmail.com>
Subject: Re: MIDI Controllers for Ableton Live
From: Art Simon <simart@gmail.com>
To: Kris Hartung <krispen.hartung@gmail.com>
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I just ordered a POK http://www.xtempozone.com/

I was really impressed by this video on youtube of a violinist doing
live looping with ableton and the POK:
http://www.youtube.com/watch?v=nPCiM_vwJ54

It's been discussed on loopersdelight before. The violinist is using
ableton for live looping, but not using ableton's looper, or any other
looper plugin, she's just recording clips. Seems like a really cool
way to do things.

(It's worth asking about the educational discounts for the POK if you
work in education)

On Wed, Dec 7, 2011 at 2:35 PM, Kris Hartung <krispen.hartung@gmail.com> wrote:
> What are you Live users using for MIDI Controllers?
>
> I am considering these:
>
> Akai APC40 Abelton Controller
> Novation Impulse 25 (25-key)
> Akai Professional MPK25
> M-Audio Axiom 25
>
> And I have to say that I probably want one with a mini keyboard on it, so
> that I can play soft synths, which rules pout the Akai APC40
>
> Any recommendations?
>
> Kris
>



-- 
Art Simon
simart@gmail.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 22:45:31 2011
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Date: Wed, 7 Dec 2011 23:45:29 +0100
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Subject: Re: MIDI Controllers for Ableton Live
From: Louie Angulo <louie.angulo@googlemail.com>
To: Kris Hartung <krispen.hartung@gmail.com>
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
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heres a very basic small usb one that might work nice with ableton

http://www.logidy.com/?pid=1

i use either the fcb1010 or the pmc10 both work awesome!
Luis





On Wed, Dec 7, 2011 at 11:35 PM, Kris Hartung <krispen.hartung@gmail.com> wrote:
> What are you Live users using for MIDI Controllers?
>
> I am considering these:
>
> Akai APC40 Abelton Controller
> Novation Impulse 25 (25-key)
> Akai Professional MPK25
> M-Audio Axiom 25
>
> And I have to say that I probably want one with a mini keyboard on it, so
> that I can play soft synths, which rules pout the Akai APC40
>
> Any recommendations?
>
> Kris
>



-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 22:47:41 2011
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Subject: Re: MIDI Controllers for Ableton Live
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On Wed, Dec 7, 2011 at 11:35 PM, Kris Hartung <krispen.hartung@gmail.com> wrote:
> What are you Live users using for MIDI Controllers?


Depends on what type of gig and the required setup. My "big gun"
controller is a Gordius Little Giant extended with three expression
pedals and one switch. I also sometimes use a Korg microKONTROL (piano
keys, faders, knobs, buttons). Sometimes I've even plugged in an old
Roland MC303 (not using its audio, just as a MIDI controller). But I'd
say anything that sends MIDI Notes and MIDI CC#s work well with Live.
I have been using three German Faderfox hand mixer/button pad as well.
The last one of them is talking to Live in Native Mode which some
users find convenient, but since I set up my own patches I tend to
kill Native Mode on boot-up.

But one of the biggest goodies with Live IMHO is that you can use
computer keyboard commands so extensively! On most concerts I do more
electronic processing in Mobius than in Live but that also works very
nice when hosting that looper in Live. If clicking in a Live window
any computer keys you hit will activate the learned Live commands but
if first clicking in the Mobius window any following computer key
hitting will activate the learned Mobius commands. I find this a real
blessing, since I use to distribute the optional commands over several
controllers so there will always be a fast way to reach a command on
some of them in the heat of the battle.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 22:55:50 2011
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Subject: Re: MIDI Controllers for Ableton Live
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I think this is what I had in mind.

http://www.sweetwater.com/store/detail/MPK25

I don't really need a controller for Mobius, as I have a MIDI foot 
controller for that.
What I really need is something to control various parameters in Live, play 
soft synths, etc.

The Korg microKONTROL  looks like something similar.


----- Original Message ----- 



> On Wed, Dec 7, 2011 at 11:35 PM, Kris Hartung <krispen.hartung@gmail.com> 
> wrote:
>> What are you Live users using for MIDI Controllers?
>
>
> Depends on what type of gig and the required setup. My "big gun"
> controller is a Gordius Little Giant extended with three expression
> pedals and one switch. I also sometimes use a Korg microKONTROL (piano
> keys, faders, knobs, buttons). Sometimes I've even plugged in an old
> Roland MC303 (not using its audio, just as a MIDI controller). But I'd
> say anything that sends MIDI Notes and MIDI CC#s work well with Live.
> I have been using three German Faderfox hand mixer/button pad as well.
> The last one of them is talking to Live in Native Mode which some
> users find convenient, but since I set up my own patches I tend to
> kill Native Mode on boot-up.
>
> But one of the biggest goodies with Live IMHO is that you can use
> computer keyboard commands so extensively! On most concerts I do more
> electronic processing in Mobius than in Live but that also works very
> nice when hosting that looper in Live. If clicking in a Live window
> any computer keys you hit will activate the learned Live commands but
> if first clicking in the Mobius window any following computer key
> hitting will activate the learned Mobius commands. I find this a real
> blessing, since I use to distribute the optional commands over several
> controllers so there will always be a fast way to reach a command on
> some of them in the heat of the battle.
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
> 

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 23:02:57 2011
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Subject: Re: MIDI Controllers for Ableton Live
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 7, 2011 at 11:56 PM, Kris Hartung <krispen.hartung@gmail.com> w=
rote:
> I think this is what I had in mind.
>
> http://www.sweetwater.com/store/detail/MPK25
>
> I don't really need a controller for Mobius, as I have a MIDI foot
> controller for that.
> What I really need is something to control various parameters in Live, pl=
ay
> soft synths, etc.
>
> The Korg microKONTROL =C2=A0looks like something similar.


Yes, but the microKONTROL is bigger and probably heavier. I've been
visited for some days by Laurie Amat and she brought with here an
M-audio Oxygen that I checked out. It is way lighter than my
microKONTROL but still constructed in a sturdy mode. The Oxygen only
has a USB MIDI port, but that's the only MIDI I use these days for my
Gordius, Faderfox and Roland GR55 and it's totally sufficient IMO

http://www.m-audio.com/products/en_us/Oxygen25.html

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Wed Dec  7 23:14:58 2011
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i take it you do this with your hand Scott?
ive been rather contemplating the midi mouse,is about the smallest
foot midi controller to do something like that
i wish it was even smaller;-)


The midi mouse only does midi pc, the line 6 needs to see CC messages  
so you would need either a midi event processor of some kind like midi  
solutions makes to use with the mouse  or run the OSC app on an i- 
phone or droid and use something like  the  Missing Link wifi to midi  
adaptor, the app is cheap the MS is $179  http://wifimidi.com/store/  
though I've been using it on my Looperlative when I want to prep  
tracks before actually recording or I want to do rapid fire sus  
replace commands with out hitting the gordius's  mechanically noisier  
switches. but i am going to create a template on my phone for the M-9  
which is on my other pedal board that i use for band and less loop  
intensive gigs.
  bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><br></span><font =
class=3D"Apple-style-span" color=3D"#850033"><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">i take it you do this with your hand Scott?</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">ive been rather contemplating the midi =
mouse,is about the smallest</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">foot midi controller to do something like that</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">i wish it was even =
smaller;-)</span></font><div><font class=3D"Apple-style-span" =
color=3D"#850033"><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span></font></div><div><font =
class=3D"Apple-style-span" color=3D"#850033"><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span></font></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#010002">The midi mouse only does =
midi pc, the line 6 needs to see CC messages so you would need either a =
midi event processor of some kind like midi solutions makes to use with =
the mouse &nbsp;or run the OSC app on an i-phone or droid and use =
something like &nbsp;the &nbsp;Missing Link wifi to midi adaptor, the =
app is cheap the MS is $179 &nbsp;</font></span><a =
href=3D"http://wifimidi.com/store/">http://wifimidi.com/store/</a>&nbsp;th=
ough I've been using it on my Looperlative when I want to prep tracks =
before actually recording or I want to do rapid fire sus replace =
commands with out hitting the gordius's &nbsp;mechanically noisier =
switches. but i am going to create a template on my phone for the M-9 =
which is on my other pedal board that i use for band and less loop =
intensive gigs.</div><div>&nbsp;bill</div></body></html>=

--Apple-Mail-3--752376125--

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Subject: Re: MIDI Controllers for Ableton Live
Date: Wed, 7 Dec 2011 17:07:32 -0700
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And it is only $99 USD!  Wow.  For only a bone more I could get the Axiom 
which has the pads.
http://www.sweetwater.com/store/detail/Axiom25mk2

Kris

----- Original Message ----- 


Yes, but the microKONTROL is bigger and probably heavier. I've been
visited for some days by Laurie Amat and she brought with here an
M-audio Oxygen that I checked out. It is way lighter than my
microKONTROL but still constructed in a sturdy mode. The Oxygen only
has a USB MIDI port, but that's the only MIDI I use these days for my
Gordius, Faderfox and Roland GR55 and it's totally sufficient IMO

http://www.m-audio.com/products/en_us/Oxygen25.html


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From: "Clayton Gary Lehmann" <hqr@cox.net>
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Subject: RE: LP-2 SHIPPING STATUS UPDATE
Date: Thu, 8 Dec 2011 01:14:50 -0800
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http://www.facebook.com/pages/Looperlative-Audio-Products/179356534104
Says he's getting close, and that everyone will get contacted before he
ships them out to verify addresses.

Gary

________________________________________
From: Thomas Wegmann [mailto:theweg@gmail.com]=20
Sent: Wednesday, December 07, 2011 1:20 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP-2 SHIPPING STATUS UPDATE

Hey LP2 purchasers, anyone seen there's yet?=A0 I look everyday but a =
month
later and still not here..... :(
=A0
Weg
On Fri, Nov 11, 2011 at 1:26 AM, Clayton Gary Lehmann <hqr@cox.net> =
wrote:
Looked in mailbox, did not see LP-2.
Maybe next week . . .

Gary

________________________________________
From: Thomas Wegmann wrote:

This is GREAT to hear!
On Wed, Nov 9, 2011 at 1:47 AM, Phil Clevenger =
<phil.clevenger@gmail.com>
wrote:
Happy news !!

On Nov 8, 2011, at 10:34 PM, Rick Walker wrote:

> I got a phone call today from Bob and
> he says that he expects to start shipping
> the first batch of LP-2s by the first of next week.
>
> yours, =A0 Rick Walker
>




--=20
Greg Wegmann

TheWeg@Frontier.com
TheWeg@GMail.com


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If there was such thing as a Consumer Patience Award I would nominate all o=
f you who are waiting for your LP-2's!!


=3D-) PJ



-----Original Message-----
From: Clayton Gary Lehmann <hqr@cox.net>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Wed, Dec 7, 2011 11:15 pm
Subject: RE: LP-2 SHIPPING STATUS UPDATE


http://www.facebook.com/pages/Looperlative-Audio-Products/179356534104
Says he's getting close, and that everyone will get contacted before he
ships them out to verify addresses.

Gary

________________________________________
From: Thomas Wegmann [mailto:theweg@gmail.com]=20
Sent: Wednesday, December 07, 2011 1:20 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP-2 SHIPPING STATUS UPDATE

Hey LP2 purchasers, anyone seen there's yet?  I look everyday but a month
later and still not here..... :(
=20
Weg
On Fri, Nov 11, 2011 at 1:26 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:
Looked in mailbox, did not see LP-2.
Maybe next week . . .

Gary

________________________________________
From: Thomas Wegmann wrote:

This is GREAT to hear!
On Wed, Nov 9, 2011 at 1:47 AM, Phil Clevenger <phil.clevenger@gmail.com>
wrote:
Happy news !!

On Nov 8, 2011, at 10:34 PM, Rick Walker wrote:

> I got a phone call today from Bob and
> he says that he expects to start shipping
> the first batch of LP-2s by the first of next week.
>
> yours,   Rick Walker
>




--=20
Greg Wegmann

TheWeg@Frontier.com
TheWeg@GMail.com



=20

----------MB_8CE83AB13C6B004_2264_80A8C_web-mmc-d08.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'arial'><font class=3D"Apple-style-=
span" face=3D"'Comic Sans MS', sans-serif" size=3D"4" color=3D"#006400">If =
there was such thing as a <b><i>Consumer Patience Award</i></b> I would nom=
inate all of you who are waiting for your LP-2</font><font class=3D"Apple-s=
tyle-span" face=3D"'Comic Sans MS', sans-serif" color=3D"#006400" size=3D"2=
">'s</font><font class=3D"Apple-style-span" face=3D"'Comic Sans MS', sans-s=
erif" size=3D"4" color=3D"#006400">!!</font>
<div><font class=3D"Apple-style-span" face=3D"'Comic Sans MS', sans-serif" =
size=3D"4" color=3D"#006400"><br>
</font></div>

<div><font class=3D"Apple-style-span" face=3D"'Comic Sans MS', sans-serif" =
size=3D"4" color=3D"#006400">=3D-) PJ<br>
</font><br>
<br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 ">-----Original Message-----<br>
From: Clayton Gary Lehmann &lt;hqr@cox.net&gt;<br>
To: Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Wed, Dec 7, 2011 11:15 pm<br>
Subject: RE: LP-2 SHIPPING STATUS UPDATE<br>
<br>







<div id=3D"AOLMsgPart_0_744fc2ea-5246-4b8c-a0c5-617201dc37cc" style=3D"marg=
in: 0px;font-family: Tahoma, Verdana, Arial, Sans-Serif;font-size: 12px;col=
or: #000;background-color: #fff;">

<pre style=3D"font-size: 9pt;"><tt><a href=3D"http://www.facebook.com/pages=
/Looperlative-Audio-Products/179356534104" target=3D"_blank">http://www.fac=
ebook.com/pages/Looperlative-Audio-Products/179356534104</a>
Says he's getting close, and that everyone will get contacted before he
ships them out to verify addresses.

Gary

________________________________________
From: Thomas Wegmann [<a href=3D"mailto:theweg@gmail.com?">mailto:theweg@gm=
ail.com</a>]=20
Sent: Wednesday, December 07, 2011 1:20 PM
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a>
Subject: Re: LP-2 SHIPPING STATUS UPDATE

Hey LP2 purchasers, anyone seen there's yet?&nbsp; I look everyday but a mo=
nth
later and still not here..... :(
&nbsp;
Weg
On Fri, Nov 11, 2011 at 1:26 AM, Clayton Gary Lehmann &lt;<a href=3D"mailto=
:hqr@cox.net">hqr@cox.net</a>&gt; wrote:
Looked in mailbox, did not see LP-2.
Maybe next week . . .

Gary

________________________________________
From: Thomas Wegmann wrote:

This is GREAT to hear!
On Wed, Nov 9, 2011 at 1:47 AM, Phil Clevenger &lt;<a href=3D"mailto:phil.c=
levenger@gmail.com">phil.clevenger@gmail.com</a>&gt;
wrote:
Happy news !!

On Nov 8, 2011, at 10:34 PM, Rick Walker wrote:

&gt; I got a phone call today from Bob and
&gt; he says that he expects to start shipping
&gt; the first batch of LP-2s by the first of next week.
&gt;
&gt; yours, &nbsp; Rick Walker
&gt;




--=20
Greg Wegmann

<a href=3D"mailto:TheWeg@Frontier.com">TheWeg@Frontier.com</a>
<a href=3D"mailto:TheWeg@GMail.com">TheWeg@GMail.com</a>


</tt></pre>
</div>
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Subject: eowave foot control
From: =?ISO-8859-1?Q?Ra=FCl_Bonell?= <raul.bonell@gmail.com>
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has anybody tried this? bearable latency for loopers?

http://www.eowave.com/shop/products.php?prod=3D645

lots of cool gadgets on their website as well, sensor->usb.

looking for a portble/modular foot control.
fcb1010 is excessive for some occasions.

thanks!
ra=FCl

--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 14:30:07 2011
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Subject: Re: eowave foot control
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Very interesting idea! I've been dreaming for years about something
that simply converts input CV to MIDI. List member Ted Kilian uses one
or two such gadgets in his Max based setup. But I wouldn't dare to buy
this particular ne untested for the simple reason that the product
presentation sucks. We can't really be sure that it doesn't present
the impulses as "mouse clicks and mouse scroll wheel rolls" to the OS.
Ok, they do write "100% MIDI compatible" but until the manufacturer
clearly explains what MIDI events the converter presents the OS I for
one would look elsewhere to throw my money. For example, if it does
MIDI Program Change it would be very good with Ableton Live etc etc.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Thu, Dec 8, 2011 at 1:56 PM, Ra=C3=BCl Bonell <raul.bonell@gmail.com> wr=
ote:
> has anybody tried this? bearable latency for loopers?
>
> http://www.eowave.com/shop/products.php?prod=3D645
>
> lots of cool gadgets on their website as well, sensor->usb.

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 15:51:19 2011
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Subject: Re: eowave foot control
From: Ted Killian <tedkillian@charter.net>
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Raul,

I use it all the time.

It's an essential part of my MaxMSP rig.

No latency that I have noticed, but I use it to plug in 4 Boss EV-5 =
pedals, so that wouldn't be a critical issue.

Jeff Kaiser has one as well (I bought 2 and gave him one last year).

Anywho, it's fairly failsafe, and the software to program it is pretty =
simple too.

I'd buy another in a minute if I had a need for more switches or =
controllers.

:-)

Ted

On Dec 8, 2011, at 4:56 AM, Ra=FCl Bonell wrote:

> has anybody tried this? bearable latency for loopers?
>=20
> http://www.eowave.com/shop/products.php?prod=3D645
>=20
> lots of cool gadgets on their website as well, sensor->usb.
>=20
> looking for a portble/modular foot control.
> fcb1010 is excessive for some occasions.
>=20
> thanks!
> ra=FCl
>=20
> --=20
> =
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your =
imagination,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily =
manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>=20
> Kim Flint
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 16:01:30 2011
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thanks ted, per!

so i'll go for it since fcb1010 is too big for travelling.. thinking
of getting some expression pedals as well because i like to have one
for each task, no matter which preset i choose.

really helpful guys, as always.

ra=FCl.

2011/12/8, Ted Killian <tedkillian@charter.net>:
> Raul,
>
> I use it all the time.
>
> It's an essential part of my MaxMSP rig.
>
> No latency that I have noticed, but I use it to plug in 4 Boss EV-5 pedal=
s,
> so that wouldn't be a critical issue.
>
> Jeff Kaiser has one as well (I bought 2 and gave him one last year).
>
> Anywho, it's fairly failsafe, and the software to program it is pretty
> simple too.
>
> I'd buy another in a minute if I had a need for more switches or
> controllers.
>
> :-)
>
> Ted
>
> On Dec 8, 2011, at 4:56 AM, Ra=FCl Bonell wrote:
>
>> has anybody tried this? bearable latency for loopers?
>>
>> http://www.eowave.com/shop/products.php?prod=3D645
>>
>> lots of cool gadgets on their website as well, sensor->usb.
>>
>> looking for a portble/modular foot control.
>> fcb1010 is excessive for some occasions.
>>
>> thanks!
>> ra=FCl
>>
>> --
>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.
>> Your moral values are meaningless, artificial constructs. For your
>> imagination,
>> they provide you a falsely superior position in your social group.
>> For the strong, they provide a means by which you are easily manipulated=
.
>> In reality, they serve the entertainment needs of others.
>> In the Kimatorium, they are irrelevant.
>>
>> Kim Flint
>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
>> raulbonell.tumblr.com - collective.com
>
>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 16:09:40 2011
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Subject: Re: eowave foot control
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Just a quick note, since you was asking about "latency".

In external control (over MIDI or OSC) latency is only an issue if
controlling non quantized processing. Most of the processing in live
looping are quantized so it shouldn't be an issue.

I recall that Andy Butler does some non quantized controlling of his
EDPs and has also measured MIDI latency for the FCB1010, the Gordious
and maybe other that I don't recall right now.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Thu, Dec 8, 2011 at 5:01 PM, Ra=C3=BCl Bonell <raul.bonell@gmail.com> wr=
ote:
> thanks ted, per!
>
> so i'll go for it since fcb1010 is too big for travelling.. thinking
> of getting some expression pedals as well because i like to have one
> for each task, no matter which preset i choose.
>
> really helpful guys, as always.
>
> ra=C3=BCl.
>
> 2011/12/8, Ted Killian <tedkillian@charter.net>:
>> Raul,
>>
>> I use it all the time.
>>
>> It's an essential part of my MaxMSP rig.
>>
>> No latency that I have noticed, but I use it to plug in 4 Boss EV-5 peda=
ls,
>> so that wouldn't be a critical issue.
>>
>> Jeff Kaiser has one as well (I bought 2 and gave him one last year).
>>
>> Anywho, it's fairly failsafe, and the software to program it is pretty
>> simple too.
>>
>> I'd buy another in a minute if I had a need for more switches or
>> controllers.
>>
>> :-)
>>
>> Ted
>>
>> On Dec 8, 2011, at 4:56 AM, Ra=C3=BCl Bonell wrote:
>>
>>> has anybody tried this? bearable latency for loopers?
>>>
>>> http://www.eowave.com/shop/products.php?prod=3D645
>>>
>>> lots of cool gadgets on their website as well, sensor->usb.
>>>
>>> looking for a portble/modular foot control.
>>> fcb1010 is excessive for some occasions.
>>>
>>> thanks!
>>> ra=C3=BCl
>>>
>>> --
>>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.
>>> Your moral values are meaningless, artificial constructs. For your
>>> imagination,
>>> they provide you a falsely superior position in your social group.
>>> For the strong, they provide a means by which you are easily manipulate=
d.
>>> In reality, they serve the entertainment needs of others.
>>> In the Kimatorium, they are irrelevant.
>>>
>>> Kim Flint
>>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
>>> raulbonell.tumblr.com - collective.com
>>
>>
>
>
> --
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your imagin=
ation,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>
> Kim Flint
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>

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Per Boysen wrote:
> Just a quick note, since you was asking about "latency".
> 
> In external control (over MIDI or OSC) latency is only an issue if
> controlling non quantized processing. Most of the processing in live
> looping are quantized so it shouldn't be an issue.
> 
> I recall that Andy Butler does some non quantized controlling of his
> EDPs

Usually recording a loop is non-quantized ;-)

I wouldn't say that most processing is quantised,
if anything the opposite, but indeed there are ways 
to reduce latency problems and quantise is one of them.


> and has also measured MIDI latency for the FCB1010, the Gordious
> and maybe other that I don't recall right now.

Yes, if the manufacturer does not test for latency it can
easily creep up to be too much for live looping.

I worked out a simple way to test relative latency very accurately 
and would make that method available to any manufacturer
who was interested. (one taker so far)

andy

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From: "Clayton Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
References: <4EBA1EE2.3030603@cruzio.com><C680406F-90D8-458C-AA23-1D3CE878BB68@gmail.com><CACW8QAD6BkZKJi9PVzkZNmV5NuNSD5iGDb89jtBUNeGJzSx6=A@mail.gmail.com><AC4D9B46769E44B1A69ED0E8C11FE88D@your0548c161e1> <CACW8QAD7Y6WGdh4TOV7ztOv-jfLt6ZkAc=L8uEGaivK2o2O0iQ@mail.gmail.com> <190F7414F4004F6BAF9B73A9DB3B8365@your0548c161e1> <8CE83AB13BAC901-2264-2DFD1@web-mmc-d08.sysops.aol.com>
Subject: RE: LP-2 SHIPPING STATUS UPDATE
Date: Thu, 8 Dec 2011 09:05:55 -0800
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Hey, two little words . . .

Harrison Harmonicas

Nuff said . . .

 

Gary

 

  _____  

From: Patrick Bishop [mailto:pjbmhb@aol.com] 
Sent: Thursday, December 08, 2011 2:27 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP-2 SHIPPING STATUS UPDATE

 

If there was such thing as a Consumer Patience Award I would nominate all of
you who are waiting for your LP-2's!! 

 

=-) PJ



-----Original Message-----
From: Clayton Gary Lehmann <hqr@cox.net>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Wed, Dec 7, 2011 11:15 pm
Subject: RE: LP-2 SHIPPING STATUS UPDATE

http://www.facebook.com/pages/Looperlative-Audio-Products/179356534104
Says he's getting close, and that everyone will get contacted before he
ships them out to verify addresses.
 
Gary
 
________________________________________
From: Thomas Wegmann [mailto:theweg@gmail.com <mailto:theweg@gmail.com?> ] 
Sent: Wednesday, December 07, 2011 1:20 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP-2 SHIPPING STATUS UPDATE
 
Hey LP2 purchasers, anyone seen there's yet?  I look everyday but a month
later and still not here..... :(
 
Weg
On Fri, Nov 11, 2011 at 1:26 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:
Looked in mailbox, did not see LP-2.
Maybe next week . . .
 
Gary
 
________________________________________
From: Thomas Wegmann wrote:
 
This is GREAT to hear!
On Wed, Nov 9, 2011 at 1:47 AM, Phil Clevenger <phil.clevenger@gmail.com>
wrote:
Happy news !!
 
On Nov 8, 2011, at 10:34 PM, Rick Walker wrote:
 
> I got a phone call today from Bob and
> he says that he expects to start shipping
> the first batch of LP-2s by the first of next week.
> 
> yours,   Rick Walker
> 
 
 
 
 
-- 
Greg Wegmann
 
TheWeg@Frontier.com
TheWeg@GMail.com
 
 

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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Hey, two little words . . =
.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><st1:place w:st=3D"on"><font size=3D2 color=3Dnavy =
face=3DArial><span
 =
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Harrison</span></=
font></st1:place><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'> Harmonicas<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Nuff said . . =
.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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<p class=3DMsoNormal><st1:City w:st=3D"on"><st1:place w:st=3D"on"><font =
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  color=3Dnavy face=3D"Bickley Script"><span =
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  "Bickley =
Script";color:navy'>Gary</span></font></st1:place></st1:City><font
size=3D6 color=3Dnavy face=3D"Bickley Script"><span =
style=3D'font-size:25.0pt;
font-family:"Bickley Script";color:navy'><o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Patrick Bishop
[mailto:pjbmhb@aol.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Thursday, December =
08, 2011
2:27 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: LP-2 =
SHIPPING STATUS
UPDATE</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D4 color=3Ddarkgreen =
face=3Dsans-serif><span
style=3D'font-size:13.5pt;font-family:sans-serif;color:darkgreen'>If =
there was
such thing as a <b><i><span =
style=3D'font-weight:bold;font-style:italic'>Consumer
Patience Award</span></i></b> I would nominate all of you who are =
waiting for
your LP-2</span></font><font size=3D2 color=3Ddarkgreen =
face=3Dsans-serif><span
style=3D'font-size:10.0pt;font-family:sans-serif;color:darkgreen'>'s</spa=
n></font><font
size=3D4 color=3Ddarkgreen face=3Dsans-serif><span =
style=3D'font-size:13.5pt;
font-family:sans-serif;color:darkgreen'>!!</span></font><font size=3D2
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black'> <o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:black'><o:p>&nbsp;</o:p></span></font></p>=


</div>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D4 =
color=3Ddarkgreen
face=3Dsans-serif><span =
style=3D'font-size:13.5pt;font-family:sans-serif;
color:darkgreen'>=3D-) PJ<br>
<br>
</span></font><font size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;color:black'><o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D2 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:10.0pt;font-family:Helvetica;color:black'>-----Origina=
l
Message-----<br>
From: Clayton Gary Lehmann &lt;hqr@cox.net&gt;<br>
To: Loopers-Delight &lt;<st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName>&gt;<br>
Sent: Wed, Dec 7, 2011 11:15 pm<br>
Subject: RE: LP-2 SHIPPING STATUS UPDATE<o:p></o:p></span></font></p>

<div id=3D"AOLMsgPart_0_744fc2ea-5246-4b8c-a0c5-617201dc37cc"><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><a
href=3D"http://www.facebook.com/pages/Looperlative-Audio-Products/1793565=
34104"
target=3D"_blank">http://www.facebook.com/pages/Looperlative-Audio-Produc=
ts/179356534104</a><o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Says he's getting close, and that =
everyone will get contacted before =
he<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>ships them out to verify =
addresses.<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><st1:City w:st=3D"on"><st1:place =
w:st=3D"on"><tt><font
  size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
  color:black'>Gary</span></font></tt></st1:place></st1:City><tt><font
color=3Dblack face=3D"Courier New"><span =
style=3D'color:black'><o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>__________________________________=
______<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>From: Thomas Wegmann [<a
href=3D"mailto:theweg@gmail.com?">mailto:theweg@gmail.com</a>] =
<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Sent: Wednesday, December 07, =
2011 1:20 PM<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>To: <a
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</a><o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Subject: Re: LP-2 SHIPPING STATUS =
UPDATE<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Hey LP2 purchasers, anyone seen =
there's yet?&nbsp; I look everyday but a =
month<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>later and still not here..... =
:(<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>&nbsp;<o:p></o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Weg<o:p></o:p></span></font></tt><=
/pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>On Fri, Nov 11, 2011 at 1:26 AM, =
Clayton Gary Lehmann &lt;<a
href=3D"mailto:hqr@cox.net">hqr@cox.net</a>&gt; =
wrote:<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Looked in mailbox, did not see =
LP-2.<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Maybe next week . . =
.<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><st1:City w:st=3D"on"><st1:place =
w:st=3D"on"><tt><font
  size=3D2 color=3Dblack face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
  color:black'>Gary</span></font></tt></st1:place></st1:City><tt><font
color=3Dblack face=3D"Courier New"><span =
style=3D'color:black'><o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>__________________________________=
______<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>From: Thomas Wegmann =
wrote:<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>This is GREAT to =
hear!<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>On Wed, Nov 9, 2011 at 1:47 AM, =
Phil Clevenger &lt;<a
href=3D"mailto:phil.clevenger@gmail.com">phil.clevenger@gmail.com</a>&gt;=
<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>wrote:<o:p></o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Happy news =
!!<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>On Nov 8, 2011, at 10:34 PM, Rick =
Walker wrote:<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>&gt; I got a phone call today =
from Bob and<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>&gt; he says that he expects to =
start shipping<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>&gt; the first batch of LP-2s by =
the first of next week.<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>&gt;<o:p>&nbsp;</o:p></span></font=
></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>&gt; yours, &nbsp; Rick =
Walker<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>&gt;<o:p>&nbsp;</o:p></span></font=
></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>-- =
<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'>Greg =
Wegmann<o:p></o:p></span></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><a =
href=3D"mailto:TheWeg@Frontier.com">TheWeg@Frontier.com</a><o:p></o:p></s=
pan></font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><a =
href=3D"mailto:TheWeg@GMail.com">TheWeg@GMail.com</a><o:p></o:p></span></=
font></tt></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre><pre
style=3D'background:white'><tt><font size=3D2 color=3Dblack =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;color:black'><o:p>&nbsp;</o:p></span></font></t=
t></pre></div>

</div>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 17:08:17 2011
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Subject: Re: eowave foot control
From: =?ISO-8859-1?Q?Ra=FCl_Bonell?= <raul.bonell@gmail.com>
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2011/12/8, Per Boysen <perboysen@gmail.com>:
> Just a quick note, since you was asking about "latency".
>
> In external control (over MIDI or OSC) latency is only an issue if
> controlling non quantized processing. Most of the processing in live
> looping are quantized so it shouldn't be an issue.

thanks for the tip. i was asking because oh that, since i'm a big fan
of unquantized 'record/stop' from my EDP days :)

> I recall that Andy Butler does some non quantized controlling of his
> EDPs and has also measured MIDI latency for the FCB1010, the Gordious
> and maybe other that I don't recall right now.

fcb1010 is ok from experience. i use it all the times, and if eowave
is usb should be faster, i guess. i've been tempted to get the smaller
gordius, but don't have enough cash. :(

regarding expression pedals, i've considered other options to the
roland/boss ev-5. m-audio's costs half the rolands. anybody knows of
cheap but reliable expression pedals as an alternative to these?

thanks!
ra=FCl.

--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

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Subject: Re: eowave foot control
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On Thu, Dec 8, 2011 at 6:01 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> Usually recording a loop is non-quantized ;-)

Correct, but only if the Looper is the sync master. That's the way I
usually loop myself (and I'm concern about accurate MIDI speed) but I
have understood that quite a lot of looping musicians rather sync
their loopers after some other tempo master and for them the issue
isn't that crucial.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 17:49:55 2011
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Raül Bonell wrote:
 
> fcb1010 is ok from experience. i use it all the times,

yep, it's fast

> and if eowave
> is usb should be faster, 

It really depends a lot more on whether the guy
who programmed it took steps to keep latency low.


You could always mail them and ask for a latency figure in mS.


andy



From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 19:10:58 2011
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Date: Thu, 08 Dec 2011 14:10:54 -0500
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        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
        spacemusic Yahoogroups List <spacemusic@yahoogroups.com>,
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Subject: Listen to Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on Dan Pound.  The Featured CD at Midnight
will be "Esoterica" on Poundsounds.  Details are at the Special Focus
page at: http://wdiy.org/programs/gt/playlists/2011/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 19:30:45 2011
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Subject: In SF this week - Space Music (tonight) and Droneshift (Saturday)
From: Matt Davignon <mattdavignon@gmail.com>
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Hi all,

I have 2 big shows this week:

#1) SPACE MUSIC NIGHT AT THE LUGGAGE STORE!

Thursday, Dec 8 2011, 8:00 PM - 10:00 PM
Luggage Store Gallery
1007 Market Street (@ 6th St)
San Francisco
$6-10 sliding scale

So lately, I've been getting into space music in its many forms, and
this is an attempt to present some at the Luggage Store. We've
assembled 2 ad-hoc groups of musicians who are going to bedazzle you
with their interstellar sounds. Video for both sets will be by Tim
Thompson

1st set:
Kristin Miltner - Electronics
Matt Davignon - Drum Machine
Andrew Joron - Theremin
Karl A.D. Evangelista - Guitar

2nd set:
David Leikam - Moog, Bass Guitar
Sheila Bosco - Drums
"Stereo" Steve Abbate - Guitar
Amar Chaudhary - Electronics



#2) DRONESHIFT AT THE LAB!

Saturday, Dec 10 2011 8:00 PM - 11:00 PM
The Lab
1948 16th St
San Francisco
$7-15 sliding scale


Droneshift is a large scale collaborative drone music event organized
each year by Matt Davignon. Over 40 musicians will gather to
contribute to a continuous 3 hour sound, each adding their acoustic or
electronic elements here and there, and weaving their sounds together
to create gradually shifting tapestries of music. The performance will
continuously evolve from completely acoustic music to electric
ambiance to post-industrial noise with many mesmerizing points in
between.

Each year, Droneshift turns into an event that's not to be missed.
(Especially if you enjoy drone music.) This will also be my first
production at The Lab, so please do come to the show!

Participants include:
Laurie Amat - Voice
Jorge Bachmann - Electronics
Aharon Wheels Bolsta - Jews Harps
CJ Borosque - Trumpet
Chris Broderick - Bulbul, Khaens & Clarinet
Laurie Buenafe Krsmanovic - Voice & Electronics
Diane Caudillo - Voice & Clarinet
Roland Curtis - Voice & Synthesizer
Matt Davignon - Glass Instruments & Synth
Thomas Dimuzio - Moog Guitar
Todd Elliott - Eigenharp Tau controller
Thea Farhadian - Violin
Ron Heglin - Tuba & Voice
Jeff Hobbs - Alto Clarinet & Violin
Bill Hsu - Electronics
Andrew Joron - Theremin
Gretchen Jude - Laptop & Melodica
Sebastian Krawczuk - Bass
J. Lee - Tamboura
Jon Leidecker - Electronics
Bill Leikam - Conch
David Leikam - Moog
Cheryl Leonard - Viola
Todd Lerew - Hulusi, Organ, Thermoacoustic Resonator
Brian Lucas - Bass Guitar
Melissa Margolis - Accordion
Bob Marsh - Voice
Maryanne McDonald - Harp, Didgeridoo
Suki O'Kane - Shruti Box & Accordian
Ann O'Rourke - Voice
Ferrara Brain Pan - Bass Clarinet
Tim Perkis - Synth & Electric Razor
Alwyn Quebido - Guitar
Rent Romus - Sax & Electronics
Jim Ryan - Morpho Analogue Synthesizer
Edward Schocker - Sho
Mark Soden - Trumpet & Flugelhorn
Moe! Staiano - Cymbal
Thom Tamayo - Flutes, Waterphone & Voice
Ure Thrall - Voice & Electronics
Benjamin Tinker - Synth & Chord Organ
Tim Walters - Manta & Laptop
Mark Wilson - Voice & Electronics
Xo Xinh - Cable Hum & Processing
Michael Zelner - iPod Touch and analog monosynth

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 23:46:35 2011
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Subject: Re: KMI Softstep
Date: Thu, 8 Dec 2011 18:46:30 -0500
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References: <86E34549DC54209514B15275@epi-pc372.epi.bris.ac.uk> <4EDF7125.1090202@tiscali.co.uk> <CAJC14WgjSmN8LYiYsEDKhkGN7Lq4Y54WMcW9qhamWkQMTMMwfg@mail.gmail.com> <CAJKe7oZz9L02pXm6dOhZiFCMh1NLfDOkto7Rvget5DhkrS8dQA@mail.gmail.com> <9E524783-750D-48DA-8431-C9F9C31006AE@gmail.com>
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	charset=us-ascii

That's great to hear the softstep has been improving. I need to pull it =
out of the closet (as well as the santa suit) and start downloading the =
updates.
On Dec 7, 2011, at 9:18 AM, Todd Reynolds wrote:

> I'm actually lovin it. Especially its weight which is nothing. I miss =
my two controller pedals, ( softstep only has one)  but then again, I =
have 10 cc pedals on one bank!  Programmability is amazing, takes a =
while to grok though. Depending on your needs, it can indeed be the be =
all end all, with all respect to the Gordius and my other colleagues.=20
>=20
> Imagine carrying a pedal which is only the thickness of a legal pad =
though!
>=20
> Be sure to check out Keith's quNeo too!
>=20
> Sent from my iPhone
>=20
> On Dec 7, 2011, at 9:11 AM, mark francombe <mark@markfrancombe.com> =
wrote:

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876


--Apple-Mail=_96558117-9401-4414-A2DB-FA05DE08832B
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">That's great to hear the softstep has been improving. I need to pull =
it out of the closet (as well as the santa suit) and start downloading =
the updates.<br><div><div>On Dec 7, 2011, at 9:18 AM, Todd Reynolds =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>I'm actually lovin it. =
Especially its weight which is nothing. I miss my two controller pedals, =
( softstep only has one) &nbsp;but then again, I have 10 cc pedals on =
one bank! &nbsp;Programmability is amazing, takes a while to grok =
though. Depending on your needs, it can indeed be the be all end all, =
with all respect to the Gordius and my other =
colleagues.&nbsp;</div><div><br></div><div>Imagine carrying a pedal =
which is only the thickness of a legal pad =
though!</div><div><br></div><div>Be sure to check out Keith's quNeo =
too!<br><br>Sent from my iPhone</div><div><br>On Dec 7, 2011, at 9:11 =
AM, mark francombe &lt;<a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; =
wrote:</div></div></blockquote></div><div apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div>--------------------</div><div>Todd Matthews</div><div><div><a =
href=3D"http://toddbass.com">toddbass.com</a></div><div>twitter: =
gtodd876</div></div></div></span></span>
</div>
<br></body></html>=

--Apple-Mail=_96558117-9401-4414-A2DB-FA05DE08832B--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  8 23:53:13 2011
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Subject: Cheapish iPads?
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Anyone know where to get a better deal than the $50 off refurbished
pads at the Apple store?  I think I've finally seen one app too many
to not need this device.

So sad.

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: Re: Cheapish iPads?
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Kevin

As despicable as some may find eBay, you "should" be able to get some
deals there.  Aside from the glass getting scratched up, it's not like
there is a lot to go wrong on them =97 a plus side of using the flash
storage on them.

You can also watch the AT&T store for special deals =97 the data plan
for the 3G version is monthly so you can drop it after month, so you'd
want to factor in the cost of that (and you can buy the very cheapest
one).

We actually took advantage of a special thru AT&T and managed to save
a bit more =85 I DO recommend going for the iPad2...

And yeah, there are DEFINITELY some Apps that are coming out that
really make worth a close look =97 I'm trying to figure out how I can
afford a second one!

Best,

Dennis


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 8, 2011 at 4:53 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Anyone know where to get a better deal than the $50 off refurbished
> pads at the Apple store? =A0I think I've finally seen one app too many
> to not need this device.
>
> So sad.
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>

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So what would you guys think was the absolute cheapest iPad possible to
get.. smallest memory , hard disk (or whatever it is)

Ive FILLED my iPhone with music/noise apps, and although handy on the bus,
and worth a few jolly minutes, Im not gonna be a iPad Man...

but...

Touch OSC > missinglink. (oh and a few kids games...)

so cheapest
Second hand, whatever...

m

--20cf300513e229439a04b39d85ad
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So what would you guys think was the absolute cheapest iPad possible to get=
.. smallest memory , hard disk (or whatever it is)<br><br>Ive FILLED my iPh=
one with music/noise apps, and although handy on the bus, and worth a few j=
olly minutes, Im not gonna be a iPad Man...<br>

<br>but...<br><br>Touch OSC &gt; missinglink. (oh and a few kids games...)<=
br><br>so cheapest<br>Second hand, whatever...<br><br>m<br>

--20cf300513e229439a04b39d85ad--

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Mark.

IF, and it's a big "if", you can score one without the 3G, get the
biggest memory you can =85 try the Apple Store first for a refurb iPad2,
non-3G.  No idea what it will cost you there in Norway, tho'=85


Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 8, 2011 at 5:03 PM, mark francombe <mark@markfrancombe.com> wro=
te:
> So what would you guys think was the absolute cheapest iPad possible to
> get.. smallest memory , hard disk (or whatever it is)
>
> Ive FILLED my iPhone with music/noise apps, and although handy on the bus=
,
> and worth a few jolly minutes, Im not gonna be a iPad Man...
>
> but...
>
> Touch OSC > missinglink. (oh and a few kids games...)
>
> so cheapest
> Second hand, whatever...
>
> m

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From: mark francombe <mark@markfrancombe.com>
Date: Fri, 9 Dec 2011 01:11:53 +0100
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Subject: Re: Cheapish iPads?
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OK.. I came in late in the iPad story, they always looked pretty silly to
me, and now all my geek friends have tired of theirs,(lets face it, you
HAVE to look up actors names on imdb just because you can), so Im a bit
backward in "padSpeak"

Whats 3G got to do with it? Is that the new thing that everyone want so the
old ones are cheap?

Here in Norway, everyones got too much money, so maybe ( if theres a new
one just come out), I should just go check some skips (dumpsters).


mark

On Fri, Dec 9, 2011 at 1:06 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote=
:

> Mark.
>
> IF, and it's a big "if", you can score one without the 3G, get the
> biggest memory you can =85 try the Apple Store first for a refurb iPad2,
> non-3G.  No idea what it will cost you there in Norway, tho'=85
>
>
> Best,
>
> Dennis
>
>

--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf305b0a36178a0904b39da366
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

OK.. I came in late in the iPad story, they always looked pretty silly to m=
e, and now all my geek friends have tired of theirs,(lets face it, you HAVE=
 to look up actors names on imdb just because you can), so Im a bit backwar=
d in &quot;padSpeak&quot; <br>

<br>Whats 3G got to do with it? Is that the new thing that everyone want so=
 the old ones are cheap?<br><br>Here in Norway, everyones got too much mone=
y, so maybe ( if theres a new one just come out), I should just go check so=
me skips (dumpsters).<br>

<br><br>mark<br><br><div class=3D"gmail_quote">On Fri, Dec 9, 2011 at 1:06 =
AM, Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmai=
l.com">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex;">

Mark.<br>
<br>
IF, and it&#39;s a big &quot;if&quot;, you can score one without the 3G, ge=
t the<br>
biggest memory you can =85 try the Apple Store first for a refurb iPad2,<br=
>
non-3G. =A0No idea what it will cost you there in Norway, tho&#39;=85<br>
<div class=3D"im HOEnZb"><br>
<br>
Best,<br>
<br>
Dennis<br><br></div></blockquote></div><br clear=3D"all"><br>-- <br><i styl=
e=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-col=
or:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=
=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf305b0a36178a0904b39da366--

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Subject: Re: Cheapish iPads?
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Mark,

The "3G" refers to a cellular telephony chip that allows the iPad to
run on a cellular phone network (hence the reference to the AT&T
stores), theoretically like a giant iPhone.

HOWEVER, for music goodness, it isn't needed since they all come with
WiFi capability to run on a network.

You can save some money by NOT buying a 3G version. I DO rec going
with the iPad2 if you can get it because of a faster processor=85


Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 8, 2011 at 5:11 PM, mark francombe <mark@markfrancombe.com> wro=
te:
> OK.. I came in late in the iPad story, they always looked pretty silly to
> me, and now all my geek friends have tired of theirs,(lets face it, you H=
AVE
> to look up actors names on imdb just because you can), so Im a bit backwa=
rd
> in "padSpeak"
>
> Whats 3G got to do with it? Is that the new thing that everyone want so t=
he
> old ones are cheap?
>
> Here in Norway, everyones got too much money, so maybe ( if theres a new =
one
> just come out), I should just go check some skips (dumpsters).
>
>
> mark
>
>
> On Fri, Dec 9, 2011 at 1:06 AM, Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
>>
>> Mark.
>>
>> IF, and it's a big "if", you can score one without the 3G, get the
>> biggest memory you can =85 try the Apple Store first for a refurb iPad2,
>> non-3G. =A0No idea what it will cost you there in Norway, tho'=85
>>
>>
>> Best,
>>
>> Dennis
>>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 00:20:21 2011
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ok thx.. had a quick look.. cheapest here is about 3000 kroner, thats about
518 dollars, so.. NOT CHEAP ENOUGH!!


later then..

M





On Fri, Dec 9, 2011 at 1:15 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote=
:

> Mark,
>
> The "3G" refers to a cellular telephony chip that allows the iPad to
> run on a cellular phone network (hence the reference to the AT&T
> stores), theoretically like a giant iPhone.
>
> HOWEVER, for music goodness, it isn't needed since they all come with
> WiFi capability to run on a network.
>
> You can save some money by NOT buying a 3G version. I DO rec going
> with the iPad2 if you can get it because of a faster processor=85
>
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Thu, Dec 8, 2011 at 5:11 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > OK.. I came in late in the iPad story, they always looked pretty silly =
to
> > me, and now all my geek friends have tired of theirs,(lets face it, you
> HAVE
> > to look up actors names on imdb just because you can), so Im a bit
> backward
> > in "padSpeak"
> >
> > Whats 3G got to do with it? Is that the new thing that everyone want so
> the
> > old ones are cheap?
> >
> > Here in Norway, everyones got too much money, so maybe ( if theres a ne=
w
> one
> > just come out), I should just go check some skips (dumpsters).
> >
> >
> > mark
> >
> >
> > On Fri, Dec 9, 2011 at 1:06 AM, Dennis Moser <sinsofmachaut@gmail.com>
> > wrote:
> >>
> >> Mark.
> >>
> >> IF, and it's a big "if", you can score one without the 3G, get the
> >> biggest memory you can =85 try the Apple Store first for a refurb iPad=
2,
> >> non-3G.  No idea what it will cost you there in Norway, tho'=85
> >>
> >>
> >> Best,
> >>
> >> Dennis
> >>
> >
> >
> > --
> > Mark Francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > http://vimeo.com/user825094
> > http://www.looop.no
> > twitter @markfrancombe
> > http://www.flickr.com/photos/24478662@N00/
> >
>
>


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf305b0a36fd85ab04b39dbf1b
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

ok thx.. had a quick look.. cheapest here is about 3000 kroner, thats about=
 518 dollars, so.. NOT CHEAP ENOUGH!!<br><br><br>later then..<br><br>M<br><=
br><br><br><br><br><div class=3D"gmail_quote">On Fri, Dec 9, 2011 at 1:15 A=
M, Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail=
.com">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Mark,<br>
<br>
The &quot;3G&quot; refers to a cellular telephony chip that allows the iPad=
 to<br>
run on a cellular phone network (hence the reference to the AT&amp;T<br>
stores), theoretically like a giant iPhone.<br>
<br>
HOWEVER, for music goodness, it isn&#39;t needed since they all come with<b=
r>
WiFi capability to run on a network.<br>
<br>
You can save some money by NOT buying a 3G version. I DO rec going<br>
with the iPad2 if you can get it because of a faster processor=85<br>
<div class=3D"im HOEnZb"><br>
<br>
Best,<br>
<br>
Dennis<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
<br>
<br>
</div><div class=3D"HOEnZb"><div class=3D"h5">On Thu, Dec 8, 2011 at 5:11 P=
M, mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfr=
ancombe.com</a>&gt; wrote:<br>
&gt; OK.. I came in late in the iPad story, they always looked pretty silly=
 to<br>
&gt; me, and now all my geek friends have tired of theirs,(lets face it, yo=
u HAVE<br>
&gt; to look up actors names on imdb just because you can), so Im a bit bac=
kward<br>
&gt; in &quot;padSpeak&quot;<br>
&gt;<br>
&gt; Whats 3G got to do with it? Is that the new thing that everyone want s=
o the<br>
&gt; old ones are cheap?<br>
&gt;<br>
&gt; Here in Norway, everyones got too much money, so maybe ( if theres a n=
ew one<br>
&gt; just come out), I should just go check some skips (dumpsters).<br>
&gt;<br>
&gt;<br>
&gt; mark<br>
&gt;<br>
&gt;<br>
&gt; On Fri, Dec 9, 2011 at 1:06 AM, Dennis Moser &lt;<a href=3D"mailto:sin=
sofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;<br>
&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Mark.<br>
&gt;&gt;<br>
&gt;&gt; IF, and it&#39;s a big &quot;if&quot;, you can score one without t=
he 3G, get the<br>
&gt;&gt; biggest memory you can =85 try the Apple Store first for a refurb =
iPad2,<br>
&gt;&gt; non-3G. =A0No idea what it will cost you there in Norway, tho&#39;=
=85<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; Best,<br>
&gt;&gt;<br>
&gt;&gt; Dennis<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Mark Francombe<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao=
.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>
&gt; twitter @markfrancombe<br>
&gt; <a href=3D"http://www.flickr.com/photos/24478662@N00/" target=3D"_blan=
k">http://www.flickr.com/photos/24478662@N00/</a><br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:r=
gb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"=
><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf305b0a36fd85ab04b39dbf1b--

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Subject: Re: Cheapish iPads?
References: <CAATUM6dSZhkSFUrdq6OkBa29WkvVYHeF+bn0s7AFVGKRWbqYbw@mail.gmail.com>
From: Charlie Milkey <pilotcp@gmail.com>
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Date: Thu, 8 Dec 2011 18:23:44 -0600
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I know how you feel-I just picked one up myself! As much as I don't think th=
ey are that cool, everyone else does, and more importantly, developers do, a=
nd that's why I got one. It also looks like they are making that jazzlemur m=
utant app, so the cool apps probably won't stop for a while. Anyways, what h=
elped me afford one was best buy is having an 18 month interest free financi=
ng promotion for what it's worth...I don't know if you are able to take adva=
ntage of it, but i can handle 100 dollar per month payments lol

Charlie



On Dec 8, 2011, at 5:53 PM, Kevin Cheli-Colando <billowhead@gmail.com> wrote=
:

> Anyone know where to get a better deal than the $50 off refurbished
> pads at the Apple store?  I think I've finally seen one app too many
> to not need this device.
>=20
> So sad.
>=20
> Kevin
>=20
> --=20
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.=

>=20
> - Ramana Maharshi (1879-1950)
>=20
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>=20

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Subject: Re: Cheapish iPads?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Dec 9, 2011 at 1:11 AM, mark francombe <mark@markfrancombe.com> wrote:
> OK.. I came in late in the iPad story, they always looked pretty silly to
> me, and now all my geek friends have tired of theirs,(lets face it, you HAVE
> to look up actors names on imdb just because you can), so Im a bit backward
> in "padSpeak"
>
> Whats 3G got to do with it? Is that the new thing that everyone want so the
> old ones are cheap?
>
> Here in Norway, everyones got too much money, so maybe ( if theres a new one
> just come out), I should just go check some skips (dumpsters).

You're right! When we I played at Oslo concert hall a couple of years
ago me and a friend found loads of usable things thrown away in a
dumpster in central Oslo. Fully functional voice memo recorders and
office telephones that could be lined directly into a PA mixer (that
we actually used in the concert).

But hey - the iPad itslef does not "look silly" - it's the user who does! :-))

Per
(dreaming about an iPad with real knobs and faders)

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 01:06:43 2011
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Date: Thu, 8 Dec 2011 18:06:42 -0700
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Subject: Re: Cheapish iPads?
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Mark,

What are the specs on that one (K3000) ?

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 8, 2011 at 5:19 PM, mark francombe <mark@markfrancombe.com> wro=
te:
> ok thx.. had a quick look.. cheapest here is about 3000 kroner, thats abo=
ut
> 518 dollars, so.. NOT CHEAP ENOUGH!!
>
>
> later then..
>
> M
>
>
>
>
>
>
> On Fri, Dec 9, 2011 at 1:15 AM, Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
>>
>> Mark,
>>
>> The "3G" refers to a cellular telephony chip that allows the iPad to
>> run on a cellular phone network (hence the reference to the AT&T
>> stores), theoretically like a giant iPhone.
>>
>> HOWEVER, for music goodness, it isn't needed since they all come with
>> WiFi capability to run on a network.
>>
>> You can save some money by NOT buying a 3G version. I DO rec going
>> with the iPad2 if you can get it because of a faster processor=85
>>
>>
>> Best,
>>
>> Dennis
>>
>> http://soundcloud.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>> On Thu, Dec 8, 2011 at 5:11 PM, mark francombe <mark@markfrancombe.com>
>> wrote:
>> > OK.. I came in late in the iPad story, they always looked pretty silly
>> > to
>> > me, and now all my geek friends have tired of theirs,(lets face it, yo=
u
>> > HAVE
>> > to look up actors names on imdb just because you can), so Im a bit
>> > backward
>> > in "padSpeak"
>> >
>> > Whats 3G got to do with it? Is that the new thing that everyone want s=
o
>> > the
>> > old ones are cheap?
>> >
>> > Here in Norway, everyones got too much money, so maybe ( if theres a n=
ew
>> > one
>> > just come out), I should just go check some skips (dumpsters).
>> >
>> >
>> > mark
>> >
>> >
>> > On Fri, Dec 9, 2011 at 1:06 AM, Dennis Moser <sinsofmachaut@gmail.com>
>> > wrote:
>> >>
>> >> Mark.
>> >>
>> >> IF, and it's a big "if", you can score one without the 3G, get the
>> >> biggest memory you can =85 try the Apple Store first for a refurb iPa=
d2,
>> >> non-3G. =A0No idea what it will cost you there in Norway, tho'=85
>> >>
>> >>
>> >> Best,
>> >>
>> >> Dennis
>> >>
>> >
>> >
>> > --
>> > Mark Francombe
>> > www.markfrancombe.com
>> > www.ordoabkhao.com
>> > http://vimeo.com/user825094
>> > http://www.looop.no
>> > twitter @markfrancombe
>> > http://www.flickr.com/photos/24478662@N00/
>> >
>>
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 03:19:40 2011
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Date: Thu, 8 Dec 2011 19:19:37 -0800
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Subject: Re: Cheapish iPads?
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Hey Dennis,

What size iPad do you have?  Do you think 16GB is too restrictive or
do you find that its generally fine (I personally am not going to be
watching movies or that stuff on it to be sure)?

Just curious if 16GB is going to feel far to small very quickly.

Kevin

On Thu, Dec 8, 2011 at 5:06 PM, Dennis Moser <sinsofmachaut@gmail.com> wrot=
e:
> Mark,
>
> What are the specs on that one (K3000) ?
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Thu, Dec 8, 2011 at 5:19 PM, mark francombe <mark@markfrancombe.com> w=
rote:
>> ok thx.. had a quick look.. cheapest here is about 3000 kroner, thats ab=
out
>> 518 dollars, so.. NOT CHEAP ENOUGH!!
>>
>>
>> later then..
>>
>> M
>>
>>
>>
>>
>>
>>
>> On Fri, Dec 9, 2011 at 1:15 AM, Dennis Moser <sinsofmachaut@gmail.com>
>> wrote:
>>>
>>> Mark,
>>>
>>> The "3G" refers to a cellular telephony chip that allows the iPad to
>>> run on a cellular phone network (hence the reference to the AT&T
>>> stores), theoretically like a giant iPhone.
>>>
>>> HOWEVER, for music goodness, it isn't needed since they all come with
>>> WiFi capability to run on a network.
>>>
>>> You can save some money by NOT buying a 3G version. I DO rec going
>>> with the iPad2 if you can get it because of a faster processor=85
>>>
>>>
>>> Best,
>>>
>>> Dennis
>>>
>>> http://soundcloud.com/usrsbin
>>> http://audiozoloft.com
>>> http://usrslashsbin.angrek.com/
>>>
>>>
>>>
>>> On Thu, Dec 8, 2011 at 5:11 PM, mark francombe <mark@markfrancombe.com>
>>> wrote:
>>> > OK.. I came in late in the iPad story, they always looked pretty sill=
y
>>> > to
>>> > me, and now all my geek friends have tired of theirs,(lets face it, y=
ou
>>> > HAVE
>>> > to look up actors names on imdb just because you can), so Im a bit
>>> > backward
>>> > in "padSpeak"
>>> >
>>> > Whats 3G got to do with it? Is that the new thing that everyone want =
so
>>> > the
>>> > old ones are cheap?
>>> >
>>> > Here in Norway, everyones got too much money, so maybe ( if theres a =
new
>>> > one
>>> > just come out), I should just go check some skips (dumpsters).
>>> >
>>> >
>>> > mark
>>> >
>>> >
>>> > On Fri, Dec 9, 2011 at 1:06 AM, Dennis Moser <sinsofmachaut@gmail.com=
>
>>> > wrote:
>>> >>
>>> >> Mark.
>>> >>
>>> >> IF, and it's a big "if", you can score one without the 3G, get the
>>> >> biggest memory you can =85 try the Apple Store first for a refurb iP=
ad2,
>>> >> non-3G. =A0No idea what it will cost you there in Norway, tho'=85
>>> >>
>>> >>
>>> >> Best,
>>> >>
>>> >> Dennis
>>> >>
>>> >
>>> >
>>> > --
>>> > Mark Francombe
>>> > www.markfrancombe.com
>>> > www.ordoabkhao.com
>>> > http://vimeo.com/user825094
>>> > http://www.looop.no
>>> > twitter @markfrancombe
>>> > http://www.flickr.com/photos/24478662@N00/
>>> >
>>>
>>
>>
>>
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>> http://www.flickr.com/photos/24478662@N00/
>>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 03:48:48 2011
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Subject: Re: Cheapish iPads?
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Kevin,

If you're dedicating the iPad to music work only, 16 GB may very well
be enough. I took that approach with my iPod Touch, dedicated it to
JUST music apps and I'm doing okay on space.

I went whole hog and bought a 64 GB, but I'm in a situation of having
to use it for both work purposes and for music (which is why I'm
seriously considering a second iPad that I can  dedicate for one use
only =97 thinking 16-32GB).  Right now, I have 131 apps on the 64GB iPad
and it's taking up 7.2 GB =85 so there's still TONS of space. I try NOT
to keep any production audio files on it, there's only a little music
on it. Mostly, when I'm using it for music, I run the outputs to a
recorder.

Let me know if you need anymore details. (And anyone else who is interested=
!)

Best,

Dennis


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 8, 2011 at 8:19 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Hey Dennis,
>
> What size iPad do you have? =A0Do you think 16GB is too restrictive or
> do you find that its generally fine (I personally am not going to be
> watching movies or that stuff on it to be sure)?
>
> Just curious if 16GB is going to feel far to small very quickly.
>
> Kevin
>
> On Thu, Dec 8, 2011 at 5:06 PM, Dennis Moser <sinsofmachaut@gmail.com> wr=
ote:
>> Mark,
>>
>> What are the specs on that one (K3000) ?
>>
>> Best,
>>
>> Dennis
>>
>> http://soundcloud.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>> On Thu, Dec 8, 2011 at 5:19 PM, mark francombe <mark@markfrancombe.com> =
wrote:
>>> ok thx.. had a quick look.. cheapest here is about 3000 kroner, thats a=
bout
>>> 518 dollars, so.. NOT CHEAP ENOUGH!!
>>>
>>>
>>> later then..
>>>
>>> M
>>>
>>>
>>>
>>>
>>>
>>>
>>> On Fri, Dec 9, 2011 at 1:15 AM, Dennis Moser <sinsofmachaut@gmail.com>
>>> wrote:
>>>>
>>>> Mark,
>>>>
>>>> The "3G" refers to a cellular telephony chip that allows the iPad to
>>>> run on a cellular phone network (hence the reference to the AT&T
>>>> stores), theoretically like a giant iPhone.
>>>>
>>>> HOWEVER, for music goodness, it isn't needed since they all come with
>>>> WiFi capability to run on a network.
>>>>
>>>> You can save some money by NOT buying a 3G version. I DO rec going
>>>> with the iPad2 if you can get it because of a faster processor=85
>>>>
>>>>
>>>> Best,
>>>>
>>>> Dennis
>>>>
>>>> http://soundcloud.com/usrsbin
>>>> http://audiozoloft.com
>>>> http://usrslashsbin.angrek.com/
>>>>
>>>>
>>>>
>>>> On Thu, Dec 8, 2011 at 5:11 PM, mark francombe <mark@markfrancombe.com=
>
>>>> wrote:
>>>> > OK.. I came in late in the iPad story, they always looked pretty sil=
ly
>>>> > to
>>>> > me, and now all my geek friends have tired of theirs,(lets face it, =
you
>>>> > HAVE
>>>> > to look up actors names on imdb just because you can), so Im a bit
>>>> > backward
>>>> > in "padSpeak"
>>>> >
>>>> > Whats 3G got to do with it? Is that the new thing that everyone want=
 so
>>>> > the
>>>> > old ones are cheap?
>>>> >
>>>> > Here in Norway, everyones got too much money, so maybe ( if theres a=
 new
>>>> > one
>>>> > just come out), I should just go check some skips (dumpsters).
>>>> >
>>>> >
>>>> > mark
>>>> >
>>>> >
>>>> > On Fri, Dec 9, 2011 at 1:06 AM, Dennis Moser <sinsofmachaut@gmail.co=
m>
>>>> > wrote:
>>>> >>
>>>> >> Mark.
>>>> >>
>>>> >> IF, and it's a big "if", you can score one without the 3G, get the
>>>> >> biggest memory you can =85 try the Apple Store first for a refurb i=
Pad2,
>>>> >> non-3G. =A0No idea what it will cost you there in Norway, tho'=85
>>>> >>
>>>> >>
>>>> >> Best,
>>>> >>
>>>> >> Dennis
>>>> >>
>>>> >
>>>> >
>>>> > --
>>>> > Mark Francombe
>>>> > www.markfrancombe.com
>>>> > www.ordoabkhao.com
>>>> > http://vimeo.com/user825094
>>>> > http://www.looop.no
>>>> > twitter @markfrancombe
>>>> > http://www.flickr.com/photos/24478662@N00/
>>>> >
>>>>
>>>
>>>
>>>
>>> --
>>> Mark Francombe
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> http://vimeo.com/user825094
>>> http://www.looop.no
>>> twitter @markfrancombe
>>> http://www.flickr.com/photos/24478662@N00/
>>>
>>
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>

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Subject: OT, well not really: The Emerging Art of Algorithmic Music (It's looped!)
Date: Thu, 8 Dec 2011 23:53:44 -0600
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http://www.technologyreview.com/blog/arxiv/27396/?ref=rss




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From: Ben <benoitruelle@yahoo.fr>
To: Loopers-Delight@loopers-delight.com
Date: Fri, 9 Dec 2011 08:40:28 +0100
Subject: Re: OT, well not really: The Emerging Art of Algorithmic Music 
 (It's looped!)
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Hi, I came accross this some months ago.
Nice, I still haven't figured all the math but it's amazing. A single 
line of code and some parts sound like patterns.
Yes it's looping (or perhaps more modulo-ing or counter-wrapping) but 
I let you calculate the period ;-)

You can experiment online at 
http://wurstcaptures.untergrund.net/music/ or 
http://entropedia.co.uk/generative_music/

To comment about the OT flag: I like this kind of stuff as I think 
most of this list members do.
Even if I'm mainly a lurker (possibly because my englis is so-so) and 
with almost 2000 mails behind, i think this list is one of the most 
informative I follow and most OT subjects are in my interest domains. 
The other one beeing the now dead (I don't like forums) Nord modular 
one.

regards,

Ben.


--------------------------------------------------
<mike@michaelplishka.com> wrote:
(09/12/2011 06:53)

> http://www.technologyreview.com/blog/arxiv/27396/?ref=rss

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 10:09:24 2011
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Date: Fri, 09 Dec 2011 10:09:07 +0000
From: Philip Conway <Philip.Conway@bristol.ac.uk>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Cheapish iPads?
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I got mine off of Ebay with a tiny crack in one corner and a few minor=20
scratches on the screen.  It's risky because you don't know how bad=20
scratches might be from pictures and the screen is very expensive to=20
replace, obviously, but I consider myself pretty lucky with my purchase.=20
The blemishes are hardly noticeable and don't affect the use of the device=20
at all.

So, long story short, a second hand, wifi-only iPad 1 would be your best=20
bet if you can find the right one.  If that isn't cheap enough nothing will =

be.


Philip.

--On 08 December 2011 16:58 -0700 Dennis Moser <sinsofmachaut@gmail.com>=20
wrote:

> Kevin
>
> As despicable as some may find eBay, you "should" be able to get some
> deals there.  Aside from the glass getting scratched up, it's not like
> there is a lot to go wrong on them =E2=80=94 a plus side of using the =
flash
> storage on them.
>
> You can also watch the AT&T store for special deals =E2=80=94 the data =
plan
> for the 3G version is monthly so you can drop it after month, so you'd
> want to factor in the cost of that (and you can buy the very cheapest
> one).
>
> We actually took advantage of a special thru AT&T and managed to save
> a bit more =E2=80=A6 I DO recommend going for the iPad2...
>
> And yeah, there are DEFINITELY some Apps that are coming out that
> really make worth a close look =E2=80=94 I'm trying to figure out how I =
can
> afford a second one!
>
> Best,
>
> Dennis
>
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Thu, Dec 8, 2011 at 4:53 PM, Kevin Cheli-Colando
> <billowhead@gmail.com> wrote:
>> Anyone know where to get a better deal than the $50 off refurbished
>> pads at the Apple store? =C2=A0I think I've finally seen one app too =
many
>> to not need this device.
>>
>> So sad.
>>
>> Kevin
>>
>> --
>> Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all
>> trouble.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:=C2=A0 http://www.minds-eye.org
>> Video http://www.vimeo.com/user877640/videos
>>
>




From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 11:16:38 2011
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On 7/22/64 11:59 AM, Patrick Bishop wrote:
> If there was such thing as a */Consumer Patience Award/* I would 
> nominate all of you who are waiting for your LP-2's!!

Knowing the circumstances of Bob Amstadt's life in the last year,  it is 
a minor miracle that this product is going to ship
at all, let alone very soon.

Knowing that he's creating this thing entirely by himself whilst pulling 
a very heavy, demanding 40-50 hour a week
hi tech job, while he provides and cares for a family of five,  giving 
up virtually ALL of his free time to work on this project through
the death of his father and repeated back orderings by companies who 
manufacture parts for the unit........all the while being
heavily underfunded..........

...............I would like to nominate all of you waiting for your
pre-paid LP-2s for the Consumer Compassion Award.

This innovator and contributor to the live looping world deserves it.

And the LP-2 is going to rock, heavily.   I assure you.  I've been 
putting mine through the paces.

respectfully,  Rick Walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 14:45:39 2011
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Subject: Re: Cheapish iPads?
From: Dennis Moser <sinsofmachaut@gmail.com>
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Well-put, Philip!

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Fri, Dec 9, 2011 at 3:09 AM, Philip Conway
<Philip.Conway@bristol.ac.uk> wrote:
> I got mine off of Ebay with a tiny crack in one corner and a few minor
> scratches on the screen. =A0It's risky because you don't know how bad
> scratches might be from pictures and the screen is very expensive to
> replace, obviously, but I consider myself pretty lucky with my purchase. =
The
> blemishes are hardly noticeable and don't affect the use of the device at
> all.
>
> So, long story short, a second hand, wifi-only iPad 1 would be your best =
bet
> if you can find the right one. =A0If that isn't cheap enough nothing will=
 be.
>
>
> Philip.
>
>
> --On 08 December 2011 16:58 -0700 Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
>
>> Kevin
>>
>> As despicable as some may find eBay, you "should" be able to get some
>> deals there. =A0Aside from the glass getting scratched up, it's not like
>> there is a lot to go wrong on them =97 a plus side of using the flash
>> storage on them.
>>
>> You can also watch the AT&T store for special deals =97 the data plan
>> for the 3G version is monthly so you can drop it after month, so you'd
>> want to factor in the cost of that (and you can buy the very cheapest
>> one).
>>
>> We actually took advantage of a special thru AT&T and managed to save
>> a bit more =85 I DO recommend going for the iPad2...
>>
>> And yeah, there are DEFINITELY some Apps that are coming out that
>> really make worth a close look =97 I'm trying to figure out how I can
>> afford a second one!
>>
>> Best,
>>
>> Dennis
>>
>>
>> http://soundcloud.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>> On Thu, Dec 8, 2011 at 4:53 PM, Kevin Cheli-Colando
>> <billowhead@gmail.com> wrote:
>>>
>>> Anyone know where to get a better deal than the $50 off refurbished
>>> pads at the Apple store? =A0I think I've finally seen one app too many
>>> to not need this device.
>>>
>>> So sad.
>>>
>>> Kevin
>>>
>>> --
>>> Till now you seriously considered yourself to be the body and to have a
>>> form. That is the primal ignorance which is the root cause of all
>>> trouble.
>>>
>>> - Ramana Maharshi (1879-1950)
>>>
>>> Sound and Vision:=A0 http://www.minds-eye.org
>>> Video http://www.vimeo.com/user877640/videos
>>>
>>
>
>
>
>

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Subject: Bob's Dad (was: LP-2 )
Date: Fri, 9 Dec 2011 09:26:52 -0800
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Sorry to hear of Bob's father passing--when I first heard of this pedal, he
was ailing.
Hope his passing was merciful--
Happy holidays everyone.

Gary

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 21:06:30 2011
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Date: Fri, 09 Dec 2011 22:06:24 +0100
From: buzap@gmx.net
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Subject: Logic Pro 199,- download / Mainstage 2.2
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Hi guys

so, there is a new version of Logic Pro 9 available as download from Mac App Store for only 199,- ! It's just the basic SW. But check this out: you can download all the 19GB instruments etc. for free!
Mainstage comes as a new version 2.2. (great feature: direct midi mapping without screen controls). Would be interesting how all this performs on multi-core/64bit.

best regards
Buzap
-- 
NEU: FreePhone - 0ct/min Handyspartarif mit Geld-zurÃ¼ck-Garantie!		
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 21:41:00 2011
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Date: Fri, 09 Dec 2011 16:40:56 -0500
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Subject: Galactic Travels Playlist #766 for December 8, 2011.
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http://wdiy.org/programs/gt/playlists/2011/111208.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #766                December 8, 2011.

WDIY Playlist: http://wdiy.org/shows/playList.jsp?id=8008

RECAP:
On this show, I continued the month-long focus on Dan Pound.  The
Featured CD at Midnight was "Esoterica" on Poundsounds.
http://wdiy.org/programs/gt/playlists/2011/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Paul Ellis           The Click and Chime  Out of the Vast Comes Nearness
                        of Passing Time      Lotuspike
Paul Nagle           MoogyLan BogetMan    Beyond E-ville (Bogus Focus)
Mazmoneth            De Molay             Music By Mirrors (DiN)
Mazmoneth            Kali's Day Off       Music By Mirrors (DiN)
Numina               A Deep Sense         Subterranean Landscapes
                                             (Numinamusic Recordings)
Dan Pound            Esoterica Part One   Esoterica (Poundsounds)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Dan Pound            Esoterica Part Two   Esoterica (Poundsounds)
Dan Pound            Esoterica Part Three Esoterica (Poundsounds)
Dan Pound            Esoterica Part Four  Esoterica (Poundsounds)
Dan Pound            Esoterica Part Five  Esoterica (Poundsounds)
Dan Pound            Esoterica Part Six   Esoterica (Poundsounds)
Dan Pound            Esoterica Part Seven Esoterica (Poundsounds)
Dan Pound            Esoterica Part Eight Esoterica (Poundsounds)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Dan
Pound.  The Featured CD at Midnight will be "Living Planet" on
Poundsounds.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://wdiy.org/listen on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Dec  9 22:13:59 2011
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Per Boysen <perboysen@gmail.com>
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Nice price. I bought the MS 2.2 upgrade yesterday. Nice with a
overview page for MIDI binding for me when I play the EWI because an
EWI always sends a lot of simultaneous CC# when you play it and
therefor you can't send just one specific CC# in order to MIDI learn
it. This version also supports 4 and 8 core cpu computers so people
with the 4 core Macbook Pro will get a lot of live juice with MS2. I
have the 2 core i7 MBP and even with the the new hyperthreading that
handles 2 cores as 4 cores I'm not finding MS 2.2 as CPU efficient as
Live 8. But for switching between lots of alternative effect chain
patches MS wins because Live doesn't offer that at all.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Fri, Dec 9, 2011 at 10:06 PM,  <buzap@gmx.net> wrote:
> Hi guys
>
> so, there is a new version of Logic Pro 9 available as download from Mac =
App Store for only 199,- ! It's just the basic SW. But check this out: you =
can download all the 19GB instruments etc. for free!
> Mainstage comes as a new version 2.2. (great feature: direct midi mapping=
 without screen controls). Would be interesting how all this performs on mu=
lti-core/64bit.
>
> best regards
> Buzap
> --
> NEU: FreePhone - 0ct/min Handyspartarif mit Geld-zur=C3=BCck-Garantie!
> Jetzt informieren: http://www.gmx.net/de/go/freephone
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 01:15:10 2011
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Subject: Listen to Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, December 10 at 6 am EST/GMT-5.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 02:07:22 2011
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References: <01b501ccb636$eae16130$c0a42390$@michaelplishka.com> <20111209084028.34D9EF68.benoitruelle@yahoo.fr>
In-Reply-To: <20111209084028.34D9EF68.benoitruelle@yahoo.fr>
Subject: RE: OT, well not really: The Emerging Art of Algorithmic Music  (It's looped!)
Date: Fri, 9 Dec 2011 20:07:16 -0600
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Thanks Ben for the links, much appreciated!!!

Mike

-----Original Message-----
From: Ben [mailto:benoitruelle@yahoo.fr] 
Sent: Friday, December 09, 2011 1:40 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT, well not really: The Emerging Art of Algorithmic Music
(It's looped!)

Hi, I came accross this some months ago.
Nice, I still haven't figured all the math but it's amazing. A single line
of code and some parts sound like patterns.
Yes it's looping (or perhaps more modulo-ing or counter-wrapping) but I let
you calculate the period ;-)

You can experiment online at
http://wurstcaptures.untergrund.net/music/ or
http://entropedia.co.uk/generative_music/

To comment about the OT flag: I like this kind of stuff as I think most of
this list members do.
Even if I'm mainly a lurker (possibly because my englis is so-so) and with
almost 2000 mails behind, i think this list is one of the most informative I
follow and most OT subjects are in my interest domains. 
The other one beeing the now dead (I don't like forums) Nord modular one.

regards,

Ben.


--------------------------------------------------
<mike@michaelplishka.com> wrote:
(09/12/2011 06:53)

> http://www.technologyreview.com/blog/arxiv/27396/?ref=rss

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 11:06:05 2011
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Todd Matthews <gtmatthews@gmail.com>
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Thanks for the heads up Buznap and Per. Seems like this will be a good =
experimental weekend with new mainstage, new Ableton, new Softstep =
updates.

I'm with you Per. I can't wait for the day that there is a CPU efficient =
software that lets you easily switch between effects patches with a midi =
command and send those into Mobius/Sooperlooper. Only the effects patch =
currently used is using CPU. Allows tails to finish from previous =
effects patches=85.. and if your CPU meter is under 50% then there are =
no glitches. Maybe 2012 will be the year!
On Dec 9, 2011, at 5:13 PM, Per Boysen wrote:

> Nice price. I bought the MS 2.2 upgrade yesterday. Nice with a
> overview page for MIDI binding for me when I play the EWI because an
> EWI always sends a lot of simultaneous CC# when you play it and
> therefor you can't send just one specific CC# in order to MIDI learn
> it. This version also supports 4 and 8 core cpu computers so people
> with the 4 core Macbook Pro will get a lot of live juice with MS2. I
> have the 2 core i7 MBP and even with the the new hyperthreading that
> handles 2 cores as 4 cores I'm not finding MS 2.2 as CPU efficient as
> Live 8. But for switching between lots of alternative effect chain
> patches MS wins because Live doesn't offer that at all.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>=20
>=20
>=20
> On Fri, Dec 9, 2011 at 10:06 PM,  <buzap@gmx.net> wrote:
>> Hi guys
>>=20
>> so, there is a new version of Logic Pro 9 available as download from =
Mac App Store for only 199,- ! It's just the basic SW. But check this =
out: you can download all the 19GB instruments etc. for free!
>> Mainstage comes as a new version 2.2. (great feature: direct midi =
mapping without screen controls). Would be interesting how all this =
performs on multi-core/64bit.
>>=20
>> best regards
>> Buzap
>> --
>> NEU: FreePhone - 0ct/min Handyspartarif mit Geld-zur=FCck-Garantie!
>> Jetzt informieren: http://www.gmx.net/de/go/freephone
>>=20
>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 12:34:43 2011
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Subject: Cass county waltz
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--14dae9340bc931615b04b3bc205b
Content-Type: text/plain; charset=ISO-8859-1

Didnt see link of this on the list yet - this is so soothing, beautiful
piece!
Been playing it over and over this morning, here in grey wintery Finland.

http://youtu.be/9JuTnXCqfBU

-- 
Petri Lahtinen

--14dae9340bc931615b04b3bc205b
Content-Type: text/html; charset=ISO-8859-1

Didnt see link of this on the list yet - this is so soothing, beautiful piece! <br>Been playing it over and over this morning, here in grey wintery Finland.<br><br><a href="http://youtu.be/9JuTnXCqfBU">http://youtu.be/9JuTnXCqfBU</a><br clear="all">
<br>-- <br>Petri Lahtinen<br><br><br>

--14dae9340bc931615b04b3bc205b--

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Subject: Re: Re: LP-2 SHIPPING STATUS UPDATE
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--14dae934118d4c8cd804b3bc4c96
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Fine piece of writing of a thing called "perspective". Thank you Rick.

2011/12/9 Rick Walker <looppool@cruzio.com>

> On 7/22/64 11:59 AM, Patrick Bishop wrote:
>
>> If there was such thing as a */Consumer Patience Award/* I would nominate
>> all of you who are waiting for your LP-2's!!
>>
>
> Knowing the circumstances of Bob Amstadt's life in the last year,  it is a
> minor miracle that this product is going to ship
> at all, let alone very soon.
>
> Knowing that he's creating this thing entirely by himself whilst pulling a
> very heavy, demanding 40-50 hour a week
> hi tech job, while he provides and cares for a family of five,  giving up
> virtually ALL of his free time to work on this project through
> the death of his father and repeated back orderings by companies who
> manufacture parts for the unit........all the while being
> heavily underfunded..........
>
> ...............I would like to nominate all of you waiting for your
> pre-paid LP-2s for the Consumer Compassion Award.
>
> This innovator and contributor to the live looping world deserves it.
>
> And the LP-2 is going to rock, heavily.   I assure you.  I've been putting
> mine through the paces.
>
> respectfully,  Rick Walker
>
>


-- 
Petri Lahtinen

--14dae934118d4c8cd804b3bc4c96
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Fine piece of writing of a thing called &quot;perspective&quot;. Thank you =
Rick.<br><br><div class=3D"gmail_quote">2011/12/9 Rick Walker <span dir=3D"=
ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;=
</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">On 7/22/64 11:59 AM, Patrick Bishop wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
If there was such thing as a */Consumer Patience Award/* I would nominate a=
ll of you who are waiting for your LP-2&#39;s!!<br>
</blockquote>
<br>
Knowing the circumstances of Bob Amstadt&#39;s life in the last year, =A0it=
 is a minor miracle that this product is going to ship<br>
at all, let alone very soon.<br>
<br>
Knowing that he&#39;s creating this thing entirely by himself whilst pullin=
g a very heavy, demanding 40-50 hour a week<br>
hi tech job, while he provides and cares for a family of five, =A0giving up=
 virtually ALL of his free time to work on this project through<br>
the death of his father and repeated back orderings by companies who manufa=
cture parts for the unit........all the while being<br>
heavily underfunded..........<br>
<br>
...............I would like to nominate all of you waiting for your<br>
pre-paid LP-2s for the Consumer Compassion Award.<br>
<br>
This innovator and contributor to the live looping world deserves it.<br>
<br>
And the LP-2 is going to rock, heavily. =A0 I assure you. =A0I&#39;ve been =
putting mine through the paces.<br>
<br>
respectfully, =A0Rick Walker<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--14dae934118d4c8cd804b3bc4c96--

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 10, 2011 at 12:06 PM, Todd Matthews <gtmatthews@gmail.com> wrot=
e:
> I'm with you Per. I can't wait for the day that there is a CPU efficient =
software that lets you easily switch between effects patches with a midi co=
mmand and send those into Mobius/Sooperlooper. Only the effects patch curre=
ntly used is using CPU. Allows tails to finish from previous effects patche=
s=E2=80=A6.. and if your CPU meter is under 50% then there are no glitches.=
 Maybe 2012 will be the year!


No need to wait, Mainstage does that! Switching between effect patches
uses very little CPU. All other patches, that you are not playing
through (but maybe want to switch to later) doesn't tax the CPU at
all. It is only the effects patch you do play through, the active
patch, that taxes the CPU.

Per

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 15:39:26 2011
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Todd Matthews <gtmatthews@gmail.com>
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I'm gonna try it out today and tomorrow to do another one of my cheesy =
holiday looping covers:)

 I'm gonna cross my fingers this adventure goes glitch free on my dual =
core i7 lappy.

I'll report my results with updated Mainstage and Softstep.
On Dec 10, 2011, at 7:56 AM, Per Boysen wrote:

> On Sat, Dec 10, 2011 at 12:06 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>> I'm with you Per. I can't wait for the day that there is a CPU =
efficient software that lets you easily switch between effects patches =
with a midi command and send those into Mobius/Sooperlooper. Only the =
effects patch currently used is using CPU. Allows tails to finish from =
previous effects patches=85.. and if your CPU meter is under 50% then =
there are no glitches. Maybe 2012 will be the year!
>=20
>=20
> No need to wait, Mainstage does that! Switching between effect patches
> uses very little CPU. All other patches, that you are not playing
> through (but maybe want to switch to later) doesn't tax the CPU at
> all. It is only the effects patch you do play through, the active
> patch, that taxes the CPU.
>=20
> Per
>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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On Sat, Dec 10, 2011 at 4:39 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I'll report my results with updated Mainstage and Softstep.

Looking forward to read!

Per

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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2011/12/10, Todd Matthews <gtmatthews@gmail.com>:

> I'm with you Per. I can't wait for the day that there is a CPU efficient
> software that lets you easily switch between effects patches with a midi
> command and send those into Mobius/Sooperlooper. Only the effects patch
> currently used is using CPU. Allows tails to finish from previous effects
> patches=85..

well, plogue bidule does exactly that, several versions ago.

--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 16:18:09 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 10 Dec 2011 11:17:25 -0500
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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Wait... I do this with the effects chain in Live's Audio Effects rack all
the time using the chain selector, overlapping delays and all...

On Sat, Dec 10, 2011 at 11:15 AM, Ra=FCl Bonell <raul.bonell@gmail.com> wro=
te:

> 2011/12/10, Todd Matthews <gtmatthews@gmail.com>:
>
> > I'm with you Per. I can't wait for the day that there is a CPU efficien=
t
> > software that lets you easily switch between effects patches with a mid=
i
> > command and send those into Mobius/Sooperlooper. Only the effects patch
> > currently used is using CPU. Allows tails to finish from previous effec=
ts
> > patches=85..
>
> well, plogue bidule does exactly that, several versions ago.
>
> --
>
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your
> imagination,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>
> Kim Flint
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 *The Best Classical Music of the Year, 2011* -
Amazon.com<http://www.amazon.com/b/?node=3D3454852011>

=95 Outerborough, Todd Reynolds' solo double CD is now available wherever
music is sold. Here's a direct link to Amazon, however!
<http://www.amazon.com/Outerborough/dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=
=3DUTF8&qid=3D1323231891&sr=3D301-1>


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--0016e659feb831d8b304b3bf3f3b
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Wait... I do this with=A0the effects chain in Live&#39;s Audio Effects rack=
 all the time using=A0the chain selector, overlapping delays and all...=A0<=
br><br><div class=3D"gmail_quote">On Sat, Dec 10, 2011 at 11:15 AM, Ra=FCl =
Bonell <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.=
bonell@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">2011/12/10, Todd Matthews &lt;<a href=3D"mai=
lto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;:<br>
<div class=3D"im"><br>
&gt; I&#39;m with you Per. I can&#39;t wait for the day that there is a CPU=
 efficient<br>
&gt; software that lets you easily switch between effects patches with a mi=
di<br>
&gt; command and send those into Mobius/Sooperlooper. Only the effects patc=
h<br>
&gt; currently used is using CPU. Allows tails to finish from previous effe=
cts<br>
&gt; patches=85..<br>
<br>
</div>well, plogue bidule does exactly that, several versions ago.<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
--<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.<br>
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,<br>
they provide you a falsely superior position in your social group.<br>
For the strong, they provide a means by which you are easily manipulated.<b=
r>
In reality, they serve the entertainment needs of others.<br>
In the Kimatorium, they are irrelevant.<br>
<br>
Kim Flint<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br>
<a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">raulbonell.tumbl=
r.com</a> - <a href=3D"http://collective.com" target=3D"_blank">collective.=
com</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div>-- <b=
r>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 <a href=3D"http://www.amazon.co=
m/b/?node=3D3454852011" target=3D"_blank"><i>The Best Classical Music of=A0=
the Year, 2011</i> - Amazon.com</a><div>

<br><div>=95=A0Outerborough, Todd Reynolds&#39; solo double CD is now avail=
able wherever music is sold. <a href=3D"http://www.amazon.com/Outerborough/=
dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=3DUTF8&amp;qid=3D1323231891&amp;sr=
=3D301-1" target=3D"_blank">Here&#39;s a direct link to Amazon, however!=A0=
</a><div>

<div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica"><br></p></di=
v><div><div><div>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<br><a href=3D"http://toddreynolds.com" target=3D"_blank">ht=
tp://toddreynolds.com</a><br><a href=3D"http://twitter.com/digifiddler" tar=
get=3D"_blank">http://twitter.com/digifiddler</a><br>

<a href=3D"http://myspace.com/toddreynoldsmusic" target=3D"_blank">http://m=
yspace.com/toddreynoldsmusic</a><br><a href=3D"http://blog.toddreynolds.com=
" target=3D"_blank">http://blog.toddreynolds.com</a><br><a href=3D"http://f=
acebook.com/toddreynolds" target=3D"_blank">http://facebook.com/toddreynold=
s</a><br>

<a href=3D"http://reverbnation.com/toddreynolds" target=3D"_blank">http://r=
everbnation.com/toddreynolds</a><br></div></div></div></div></div></div><di=
v><br></div><div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica">=
<br>

</p></div><br>

--0016e659feb831d8b304b3bf3f3b--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 16:21:31 2011
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From: bruno kleinefeld <bruno.bk@gmail.com>
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Subject: LP2 - multiply?
Date: Sat, 10 Dec 2011 17:21:25 +0100
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Given that from the Looperlative Facebook page (where I am trying to =
communicate with Bob) seems that the long Lp2 gestation is coming to a =
(happy?) end

I was trying to understand if the baby will be able to do "multiply" EDP =
style.
Searched everywhere but I found only controversial info.

Anybody (Rick?) has more precise details about it?

In case which small new looper has that function?=20


tx

best

b:k=

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 16:24:04 2011
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Date: Sat, 10 Dec 2011 17:21:03 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: LP2 - multiply?
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Am 10.12.2011 17:21, schrieb bruno kleinefeld:
> I was trying to understand if the baby will be able to do "multiply" EDP style.
> Searched everywhere but I found only controversial info.
>
> In case which small new looper has that function?
The Boss DD20 does something like the EDPs "unrounded multiply" in its 
delay modes. And I would assume that many delays which allow you to tap 
the delay time allow you to do that.

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 16:36:23 2011
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Date: Sat, 10 Dec 2011 17:36:21 +0100
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: =?ISO-8859-1?Q?Ra=FCl_Bonell?= <raul.bonell@gmail.com>
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ableton stills charging some cpu cycles even if you turn them off, not
like bidule, which is more efficient at this point.

-- 
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imagination,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 16:39:22 2011
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Subject: Re: LP2 - multiply?
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On Sat, Dec 10, 2011 at 5:21 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Am 10.12.2011 17:21, schrieb bruno kleinefeld:
>
>> I was trying to understand if the baby will be able to do "multiply" EDP
>> style.
>> Searched everywhere but I found only controversial info.
>>
>

I was wondering what you define as EDP style multiply? Do you mean the type
where it multiplys AS YOU GO, instead of suddenly giving you a
pre-detemined multiply amount? (X2 X4 etc). If so, then I agree that the
precise way that EDP does it (combined with the ingenious and unique LED
display) is perfect. One of the reasons why I couldnt qute replace EDP with
Mobius is that I am so used to the EDP multiply. (I only wish EDP had the
Mobius DIVIDE) .

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

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On Sat, Dec 10, 2011 at 5:21 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;<=
/span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quot=
e" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"=
>

Am 10.12.2011 17:21, schrieb bruno kleinefeld:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div class=3D"im">
I was trying to understand if the baby will be able to do &quot;multiply&qu=
ot; EDP style.<br>
Searched everywhere but I found only controversial info.<br></div></blockqu=
ote></blockquote><div><br><br>I was wondering what you define as EDP style =
multiply? Do you mean the type where it multiplys AS YOU GO, instead of sud=
denly giving you a pre-detemined multiply amount? (X2 X4 etc). If so, then =
I agree that the precise way that EDP does it (combined with the ingenious =
and unique LED display) is perfect. One of the reasons why I couldnt qute r=
eplace EDP with Mobius is that I am so used to the EDP multiply. (I only wi=
sh EDP had the Mobius DIVIDE) .<br>

<br></div></div>-- <br><i style=3D"font-family:verdana,sans-serif;color:rgb=
(255, 255, 255);background-color:rgb(0, 0, 0)"><font style=3D"font-family:t=
rebuchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br><fon=
t size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markfranc=
ombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:rg=
b(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordoabkhao.com/" targe=
t=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51, 0, 51)"><a st=
yle=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" target=3D=
"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=3D"_=
blank">http://www.looop.no</a><br>twitter @markfrancombe<br><a href=3D"http=
://www.flickr.com/photos/24478662@N00/" target=3D"_blank">http://www.flickr=
.com/photos/24478662@N00/</a><br>

</font><br>

--20cf303a31b12324d104b3bf8b21--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 16:46:32 2011
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Per Boysen <perboysen@gmail.com>
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> 2011/12/10, Todd Matthews <gtmatthews@gmail.com>:
>
>> I'm with you Per. I can't wait for the day that there is a CPU efficient
>> software that lets you easily switch between effects patches with a midi
>> command and send those into Mobius/Sooperlooper. Only the effects patch
>> currently used is using CPU. Allows tails to finish from previous effect=
s
>> patches=E2=80=A6..


On Sat, Dec 10, 2011 at 5:15 PM, Ra=C3=BCl Bonell <raul.bonell@gmail.com> w=
rote:
> well, plogue bidule does exactly that, several versions ago.

Yes, that's correct. Before Mainstage existed I always used Bidule to
switch between effect patches. In fact, when Mainstage came around it
was like a copy of my Bidule setup, but better sounding and less CPU
intensive. But my Bidule Group for dynamically awaiting the previous
patch's tail to go down before closing the old line is still better
than the fixed number of seconds overlap Mainstage uses (BTW, if
anyone wants to pick up this custom made Group it is named "Tailprsv".
Should be shared by the deep hackers at the Bidule forum, or I can
send one by email). My reason for using Mainstage rather than Bidule
today is not this simple patch switching but the better (and way less
expensive) effect plugins and virtual instruments (synths, sampler)
that comes as part of MS. It's just ridiculously cheap that you now
get all that for $30.


On Sat, Dec 10, 2011 at 5:17 PM, todd reynolds <toddreyn@gmail.com> wrote:
> Wait... I do this with the effects chain in Live's Audio Effects rack all
> the time using the chain selector, overlapping delays and all...

Yes, many do so. The difference is that Live doesn't fully offload CPU
load for devices not in use. Mainstage can do that because it loads
every plugin into RAM when you boot up the application. I happily use
Live now but there is no way I could keep 55 alternative patches at
hand, in Live, to be instantly loaded by kicking a foot switch, each
one of those patches almost maxing out the CPU when active. In Live I
go with a different approach: I set up a couple effects I might use
and simply turn them off or on (like the rack trick you mentioned).
Since the last Live 8 upgrade Live has gotten way more CPU friendly
and I'm noticing here that exactly the same number of third-party
effects use less of the CPU when run under Live compared to when run
under Mainstage. But that's not the point in using Mainstage.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Per Boysen <perboysen@gmail.com>
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On Fri, Dec 9, 2011 at 10:06 PM,  <buzap@gmx.net> wrote:
> so, there is a new version of Logic Pro 9 available as download from Mac App Store for only 199,- ! It's just the basic SW. But check this out: you can download all the 19GB instruments etc. for free!
> Mainstage comes as a new version 2.2. (great feature: direct midi mapping without screen controls). Would be interesting how all this performs on multi-core/64bit.


Peter Kirn posted a write-up. Excellent as usual:

http://createdigitalmusic.com/2011/12/logic-9-and-updated-mainstage-on-app-store-at-cut-rate-prices/

Per

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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I've always run into crazy glitches with Bidule. It has never worked for =
me. I do realize it could be user error but I've spent many many hours =
trying and don't care to spend anymore:)

I do appreciate the help though.


On Dec 10, 2011, at 11:15 AM, Ra=FCl Bonell wrote:

> 2011/12/10, Todd Matthews <gtmatthews@gmail.com>:
>=20
>> I'm with you Per. I can't wait for the day that there is a CPU =
efficient
>> software that lets you easily switch between effects patches with a =
midi
>> command and send those into Mobius/Sooperlooper. Only the effects =
patch
>> currently used is using CPU. Allows tails to finish from previous =
effects
>> patches=85..
>=20
> well, plogue bidule does exactly that, several versions ago.
>=20
> --=20
> =
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your =
imagination,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily =
manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>=20
> Kim Flint
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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On Sat, Dec 10, 2011 at 6:05 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I've always run into crazy glitches with Bidule. It has never worked for me. I do realize it could be user error but I've spent many many hours trying and don't care to spend anymore:)

Well, my experience is that Bidule worked better for me when running
Windows XP compared to when running OS X. The multi core support is
still flaky. But it is wonderful to have an open audio/MIDI/data
patching canvas in Bidule, so I'm hoping it will mature soon (or I
might look to Max or Max4Live for building stuff).

At the moment I'm building a diamond shaped octaphonic mixer
environment in Logic and it's coming out quite well. Can control and
record space placement movements of sound in the 8 channel speaker
field from the small joysticks on my little Faderfox MIDI mixer. Very
useful. There are quite advanced MIDI- META- and fader data math algo
tools in Logic, so you can route something somewhere and transform it
on the way to whatever data needed to do whatever you want to do. Just
like Bidule, but with a super prefab mixing audio engine at hand :-)
Can't wait to plug in this new monster!

Per

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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I know, I know, and that's the only way I've ever played live gigs. =
Ableton with dummy clips. Although my last gig this past summer I had a =
complete audio spaz out that hopefully didn't do too much damage to the =
audiences ears:(=20

That sparked my retreat once again from using computer live.=20

Now that there's been updates to Softstep, Mainstage, Ableton, and even =
RME driver I thought it was time to try again.=20

I will be testing out Mainstage and LIve again to see which works best =
for me.=20



On Dec 10, 2011, at 11:17 AM, todd reynolds wrote:

> Wait... I do this with the effects chain in Live's Audio Effects rack =
all the time using the chain selector, overlapping delays and all...=20
>=20
> On Sat, Dec 10, 2011 at 11:15 AM, Ra=FCl Bonell =
<raul.bonell@gmail.com> wrote:
> 2011/12/10, Todd Matthews <gtmatthews@gmail.com>:
>=20
> > I'm with you Per. I can't wait for the day that there is a CPU =
efficient
> > software that lets you easily switch between effects patches with a =
midi
> > command and send those into Mobius/Sooperlooper. Only the effects =
patch
> > currently used is using CPU. Allows tails to finish from previous =
effects
> > patches=85..
>=20
> well, plogue bidule does exactly that, several versions ago.
>=20
> --
> =
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your =
imagination,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily =
manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>=20
> Kim Flint
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>=20
>=20
>=20
>=20
> --=20
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =95 The Best Classical Music of the Year, 2011 - Amazon.com
>=20
> =95 Outerborough, Todd Reynolds' solo double CD is now available =
wherever music is sold. Here's a direct link to Amazon, however!=20
>=20
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=

> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>=20
>=20
>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876


--Apple-Mail=_4B3748A0-BD8E-4B03-B81A-E98E6D164FD4
Content-Transfer-Encoding: quoted-printable
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
know, I know, and that's the only way I've ever played live gigs. =
Ableton with dummy clips. Although my last gig this past summer I had a =
complete audio spaz out that hopefully didn't do too much damage to the =
audiences ears:(&nbsp;<div><br></div><div>That sparked my retreat once =
again from using computer live.&nbsp;</div><div><br></div><div>Now that =
there's been updates to Softstep, Mainstage, Ableton, and even RME =
driver I thought it was time to try =
again.&nbsp;</div><div><br></div><div>I will be testing out Mainstage =
and LIve again to see which works best for =
me.&nbsp;</div><div><br></div><div><br></div><div><br><div><div>On Dec =
10, 2011, at 11:17 AM, todd reynolds wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Wait... I =
do this with&nbsp;the effects chain in Live's Audio Effects rack all the =
time using&nbsp;the chain selector, overlapping delays and =
all...&nbsp;<br><br><div class=3D"gmail_quote">On Sat, Dec 10, 2011 at =
11:15 AM, Ra=FCl Bonell <span dir=3D"ltr">&lt;<a =
href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span>=
 wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex">2011/12/10, Todd =
Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;:<br>
<div class=3D"im"><br>
&gt; I'm with you Per. I can't wait for the day that there is a CPU =
efficient<br>
&gt; software that lets you easily switch between effects patches with a =
midi<br>
&gt; command and send those into Mobius/Sooperlooper. Only the effects =
patch<br>
&gt; currently used is using CPU. Allows tails to finish from previous =
effects<br>
&gt; patches=85..<br>
<br>
</div>well, plogue bidule does exactly that, several versions ago.<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
--<br>
=
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.<br>
Your moral values are meaningless, artificial constructs. For your =
imagination,<br>
they provide you a falsely superior position in your social group.<br>
For the strong, they provide a means by which you are easily =
manipulated.<br>
In reality, they serve the entertainment needs of others.<br>
In the Kimatorium, they are irrelevant.<br>
<br>
Kim Flint<br>
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br>
<a href=3D"http://raulbonell.tumblr.com/" =
target=3D"_blank">raulbonell.tumblr.com</a> - <a =
href=3D"http://collective.com/" target=3D"_blank">collective.com</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div>-- =
<br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 <a =
href=3D"http://www.amazon.com/b/?node=3D3454852011" =
target=3D"_blank"><i>The Best Classical Music of&nbsp;the Year, 2011</i> =
- Amazon.com</a><div>

<br><div>=95&nbsp;Outerborough, Todd Reynolds' solo double CD is now =
available wherever music is sold. <a =
href=3D"http://www.amazon.com/Outerborough/dp/B004PW1C4M/ref=3Dsr_shvl_alb=
um_1?ie=3DUTF8&amp;qid=3D1323231891&amp;sr=3D301-1" =
target=3D"_blank">Here's a direct link to Amazon, =
however!&nbsp;</a><div>

<div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
"><br></div></div><div><div><div>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><a href=3D"http://toddreynolds.com/" =
target=3D"_blank">http://toddreynolds.com</a><br><a =
href=3D"http://twitter.com/digifiddler" =
target=3D"_blank">http://twitter.com/digifiddler</a><br>

<a href=3D"http://myspace.com/toddreynoldsmusic" =
target=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br><a =
href=3D"http://blog.toddreynolds.com/" =
target=3D"_blank">http://blog.toddreynolds.com</a><br><a =
href=3D"http://facebook.com/toddreynolds" =
target=3D"_blank">http://facebook.com/toddreynolds</a><br>

<a href=3D"http://reverbnation.com/toddreynolds" =
target=3D"_blank">http://reverbnation.com/toddreynolds</a><br></div></div>=
</div></div></div></div><div><br></div><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; "><br>

</div></div><br>
</blockquote></div><br><div apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div>--------------------</div><div>Todd Matthews</div><div><div><a =
href=3D"http://toddbass.com">toddbass.com</a></div><div>twitter: =
gtodd876</div></div></div></span></span>
</div>
<br></div></body></html>=

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Subject: re: Cass county waltz
Date: Sat, 10 Dec 2011 09:59:04 -0800
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Thanks for the props Petri. 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 18:16:57 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Cass county waltz
Date: Sat, 10 Dec 2011 18:16:55 +0000
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Wow that was really=2C really good.. did i see some of that Landreth behind=
 the slide tricks... The use of the loops on this was vere=2C very good ind=
eed!

Date: Sat=2C 10 Dec 2011 14:34:42 +0200
Subject: Cass county waltz
From: kollegavalmentaja@gmail.com
To: Loopers-Delight@loopers-delight.com

Didnt see link of this on the list yet - this is so soothing=2C beautiful p=
iece!=20
Been playing it over and over this morning=2C here in grey wintery Finland.

http://youtu.be/9JuTnXCqfBU

--=20
Petri Lahtinen


 		 	   		  =

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Wow that was really=2C really good.. did i see some of that Landreth behind=
 the slide tricks...&nbsp=3B<div>The use of the loops on this was vere=2C v=
ery good indeed!</div><div><br><div><br><div><div id=3D"SkyDrivePlaceholder=
"></div><hr id=3D"stopSpelling">Date: Sat=2C 10 Dec 2011 14:34:42 +0200<br>=
Subject: Cass county waltz<br>From: kollegavalmentaja@gmail.com<br>To: Loop=
ers-Delight@loopers-delight.com<br><br>Didnt see link of this on the list y=
et - this is so soothing=2C beautiful piece! <br>Been playing it over and o=
ver this morning=2C here in grey wintery Finland.<br><br><a href=3D"http://=
youtu.be/9JuTnXCqfBU" target=3D"_blank">http://youtu.be/9JuTnXCqfBU</a><br =
clear=3D"all">
<br>-- <br>Petri Lahtinen<br><br><br></div></div></div> 		 	   		  </div></=
body>
</html>=

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Subject: More live looping (sampling) music.. The co-created process
 consists of five interrelated steps, see figure 2.
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And yet another thing.. keeping a drone (which is the only "raga" like thin=
g in this ditty.. again electric guitar into the amazing Elektron Octatrack=
..=20
All sound are guitar warped=2C mangled by the octatrack.. live no editing..=
.=20
http://soundcloud.com/anders-bergdahl/latin-space-age-raga

ALL sound are made with Soloway Swan Single 15 (guitar) > V-stack tweedy (a=
mp sim in a stomp box)  > elektron Octrack! Thats it!!=20
All sound are the guitar mangled a bit=2C sometimes.. ehh often.. even the =
"rhythm" is guitar..... 		 	   		  =

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And yet another thing.. keeping a drone (which is the only "raga" like thin=
g in this ditty.. again electric guitar into the amazing Elektron Octatrack=
..&nbsp=3B<br>All sound are guitar warped=2C mangled by the octatrack.. liv=
e no editing...&nbsp=3B<div><br><a href=3D"http://soundcloud.com/anders-ber=
gdahl/latin-space-age-raga">http://soundcloud.com/anders-bergdahl/latin-spa=
ce-age-raga</a><br><br>ALL sound are made with Soloway Swan Single 15 (guit=
ar) &gt=3B V-stack tweedy (amp sim in a stomp box) &nbsp=3B&gt=3B elektron =
Octrack! Thats it!!&nbsp=3B<br>All sound are the guitar mangled a bit=2C so=
metimes.. ehh often.. even the "rhythm" is guitar.....</div> 		 	   		  </d=
iv></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 18:38:12 2011
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Subject: Re: LP2 - multiply?
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> Am 10.12.2011 17:21, schrieb bruno kleinefeld:
>> I was trying to understand if the baby will be able to do "multiply" 
>> EDP style.
>> Searched everywhere but I found only controversial info.

The LP2 doesn't have Multiply.


>>
>> In case which small new looper has that function?

Vox VDL-1 has multiply via it's  'Resample' function.
It's not far off the EDP style. Most noticeable difference
is that if you end the Multiply late, but less than half way through the loop,
it will round the loop down to the last whole number.


It has 2 loops, and when you record the second one the default
is for it to be an exact multiple of the first loop.


Rainer Straschill wrote:
> The Boss DD20 does something like the EDPs "unrounded multiply" in its 
> delay modes. And I would assume that many delays which allow you to tap 
> the delay time allow you to do that.
> 
>             Rainer


...some delays will erase the loop .
(Akai Headrush in delay mode being an example)

I used to use do that on the Lexicon JamMan in delay mode,
...it was easy enough to get the timing right, but 
half the time it would click badly. It was the only
way I could Mult back in the 90's.



andy






> 

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Subject: RE: LP2 - multiply?
Date: Sat, 10 Dec 2011 10:43:15 -0800
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For me, EDP style multiply includes windowing-originally a bug, exploited by
Andre LaFosse-and I don't think the LP-2 will have it.

I always miss it when using the other loopers I employ, tho . . .

I reckon it is available on software loopers, although I don't know which.


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>For me, EDP style multiply includes
windowing&#8212;originally a bug, exploited by Andre LaFosse&#8212;and I =
don&#8217;t
think the LP-2 will have it.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I always miss it when using the =
other
loopers I employ, tho . . .<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I reckon it is available on =
software
loopers, although I don&#8217;t know which.<o:p></o:p></span></font></p>

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mark francombe wrote:

> (I only wish EDP 
> had the Mobius DIVIDE) .
> 

probably not even close...but....

Insert Mode = SUS
Quantise = 8th
8th/Cycle = 2 (or some other value)

then each quick hit of Mult will half the loop


....that's the closest we could get.



Could try it with 
Moreloops=2
SwitchQuant = CnF ( or Quantised equivalent )
8th/cycle= 8 or 16 or something
+ above settings

then
1) hit Next (nothing happens)
2) a quick hit on Mult gives you a fast Stutter
3) hit Next (nothing happens)
4) wait till you're "on the one" again and hit Undo to bring back your loop

andy




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Has anyone attempted to build the LP-1's "Scramble" feature in Max For Live?
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Has anyone attempted to b<span class="Apple-style-span" style="font-size: 13px; ">uild the LP-1's "Scramble" feature in Max For Live?</span></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 18:55:42 2011
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I can't imagine Windowing is on any looper not programmed by Matthias, hardware
or software, or ever will be.

If you intentionally started to make an equivalent effect
you'd do it in a different way.....and then you'd probably 
find loads of other cool stuff that's more controllable.

andy



Clayton Gary Lehmann wrote:
> For me, EDP style multiply includes windowing—originally a bug, 
> exploited by Andre LaFosse—and I don’t think the LP-2 will have it.
> 
> I always miss it when using the other loopers I employ, tho . . .
> 
> I reckon it is available on software loopers, although I don’t know which.
> 

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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 10 Dec 2011 13:58:11 -0500
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--f46d0444ef2d16826204b3c17e0d
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If I understand it correctly,  it's sort of already there in M4L's
buffershuffler., which is built on the chucker~ object, but Greg Heffernan
is the guy who's really jiggered those m4l devices to mangle his loops, and
done it really well.

T.


On Sat, Dec 10, 2011 at 1:52 PM, Phil Clevenger <phil.clevenger@gmail.com>w=
rote:

> Has anyone attempted to build the LP-1's "Scramble" feature in Max For
> Live?
>



--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 *The Best Classical Music of the Year, 2011* -
Amazon.com<http://www.amazon.com/b/?node=3D3454852011>

=95 Outerborough, Todd Reynolds' solo double CD is now available wherever
music is sold. Here's a direct link to Amazon, however!
<http://www.amazon.com/Outerborough/dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=
=3DUTF8&qid=3D1323231891&sr=3D301-1>


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--f46d0444ef2d16826204b3c17e0d
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If I understand it correctly, =A0it&#39;s sort of already there in M4L&#39;=
s buffershuffler., which is built on the chucker~ object, but Greg Hefferna=
n is the guy who&#39;s really jiggered those m4l devices to mangle his loop=
s, and done it really well.=A0<div>

<br></div><div>T.</div><div><br><br><div class=3D"gmail_quote">On Sat, Dec =
10, 2011 at 1:52 PM, Phil Clevenger <span dir=3D"ltr">&lt;<a href=3D"mailto=
:phil.clevenger@gmail.com">phil.clevenger@gmail.com</a>&gt;</span> wrote:<b=
r>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word">Has anyo=
ne attempted to b<span style=3D"font-size:13px">uild the LP-1&#39;s &quot;S=
cramble&quot; feature in Max For Live?</span></div>

</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D<br>=95 <a href=3D"http://www.amazon.com/b/?node=3D345=
4852011" target=3D"_blank"><i>The Best Classical Music of=A0the Year, 2011<=
/i> - Amazon.com</a><div>

<br><div>=95=A0Outerborough, Todd Reynolds&#39; solo double CD is now avail=
able wherever music is sold. <a href=3D"http://www.amazon.com/Outerborough/=
dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=3DUTF8&amp;qid=3D1323231891&amp;sr=
=3D301-1" target=3D"_blank">Here&#39;s a direct link to Amazon, however!=A0=
</a><div>

<div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica"><br></p></di=
v><div><div><div>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<br><a href=3D"http://toddreynolds.com" target=3D"_blank">ht=
tp://toddreynolds.com</a><br><a href=3D"http://twitter.com/digifiddler" tar=
get=3D"_blank">http://twitter.com/digifiddler</a><br>

<a href=3D"http://myspace.com/toddreynoldsmusic" target=3D"_blank">http://m=
yspace.com/toddreynoldsmusic</a><br><a href=3D"http://blog.toddreynolds.com=
" target=3D"_blank">http://blog.toddreynolds.com</a><br><a href=3D"http://f=
acebook.com/toddreynolds" target=3D"_blank">http://facebook.com/toddreynold=
s</a><br>

<a href=3D"http://reverbnation.com/toddreynolds" target=3D"_blank">http://r=
everbnation.com/toddreynolds</a><br></div></div></div></div></div></div><di=
v><br></div><div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica">=
<br>

</p></div><br>
</div>

--f46d0444ef2d16826204b3c17e0d--

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Subject: EchoLoop Windowing? ( was RE: LP2 - multiply?)
Date: Sat, 10 Dec 2011 11:21:06 -0800
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I installed the EchoLoop VST, using Sonar, but haven't been able to loop
audio coming in, only on data already in a sequence, and that's no fun--
Does this plug in allow loop windowing?
And am I using the wrong VST host?

Gary

-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk] 
Sent: Saturday, December 10, 2011 10:56 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP2 - multiply?

I can't imagine Windowing is on any looper not programmed by Matthias,
hardware
or software, or ever will be.

If you intentionally started to make an equivalent effect
you'd do it in a different way.....and then you'd probably 
find loads of other cool stuff that's more controllable.

andy



Clayton Gary Lehmann wrote:
> For me, EDP style multiply includes windowing-originally a bug, 
> exploited by Andre LaFosse-and I don't think the LP-2 will have it.
> 
> I always miss it when using the other loopers I employ, tho . . .
> 
> I reckon it is available on software loopers, although I don't know which.
> 

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X-Mailer: iPhone Mail (9A405)
From: Todd Reynolds <toddreyn@gmail.com>
Subject: Re: LP2 - multiply?
Date: Sat, 10 Dec 2011 14:26:40 -0500
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In answer to that, yes, max for live can do that in spades, so we can say, i=
n a way, that Ableton can do it, both with buffershuffler (included w m4l), a=
nd with however you'd like to cannibalize it.=20

Sent from my iPhone

On Dec 10, 2011, at 1:43 PM, "Clayton Gary Lehmann" <hqr@cox.net> wrote:

> For me, EDP style multiply includes windowing=E2=80=94originally a bug, ex=
ploited by Andre LaFosse=E2=80=94and I don=E2=80=99t think the LP-2 will hav=
e it.
> I always miss it when using the other loopers I employ, tho . . .
> I reckon it is available on software loopers, although I don=E2=80=99t kno=
w which.

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<html><head></head><body bgcolor=3D"#FFFFFF"><div>In answer to that, yes, ma=
x for live can do that in spades, so we can say, in a way, that Ableton can d=
o it, both with buffershuffler (included w m4l), and with however you'd like=
 to cannibalize it.&nbsp;<br><br>Sent from my iPhone</div><div><br>On Dec 10=
, 2011, at 1:43 PM, "Clayton Gary Lehmann" &lt;<a href=3D"mailto:hqr@cox.net=
">hqr@cox.net</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cit=
e"><div>


<meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dus-ascii">=

<meta name=3D"Generator" content=3D"Microsoft Word 11 (filtered medium)">
<style>
<!--
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<div class=3D"Section1">

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span s=
tyle=3D"font-size:
10.0pt;font-family:Arial;color:navy">For me, EDP style multiply includes
windowing=E2=80=94originally a bug, exploited by Andre LaFosse=E2=80=94and I=
 don=E2=80=99t
think the LP-2 will have it.<o:p></o:p></span></font></p>

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span s=
tyle=3D"font-size:
10.0pt;font-family:Arial;color:navy">I always miss it when using the other
loopers I employ, tho . . .<o:p></o:p></span></font></p>

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span s=
tyle=3D"font-size:
10.0pt;font-family:Arial;color:navy">I reckon it is available on software
loopers, although I don=E2=80=99t know which.<o:p></o:p></span></font></p>

</div>




</div></blockquote></body></html>=

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Duplication of LP1 Shuffle in Max?

Todd Reynolds wrote:
> In answer to that, yes, max for live can do that in spades, 

Apart from the basic shuffle
the LP1 does,

1) lets' you keep Overdubbing, including with feedback turned down

2) does a quick fade between chunks to prevent clicks.

3) Lets you tap Record to determine loop length.

...dunnow if those are already available in Max...they
could be of course.

andy
...and of course we all hope soon that the LP1 Scramble will be Quantised

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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 10 Dec 2011 15:02:05 -0500
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--f46d0418257c9ad98904b3c26236
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In general, one can safely say that pretty much 'anything' is doable in
max, including making coffee, lol.

However, it most often involves some programming.

What I was citing here was actually the ability to have a mobius track
going to an audio track in Live and shuffling its buffer.  Should that m4l
plugin track be separate and in addition to the regular track, then, yes,
all of that would be possible, though it is not a 'one track solution' as
it is in the LP1 or edp.  I'm so used to using several paths to get
something done that in these hardware devices did happen on one track or
loop, that I tend to only think in those solutions. So, to be clear, no you
cannot replicate exactly the ways of the LP1 shuffle in its implementation,
but yes, I can see how one could replicate its sound or results this way,
with a little creative routing and thinking, thereby 'building it in' to
your own custom looper.  Let's get Per in on this one, he often has more
thorough responses and ideas than do I.  In fact, he might very well be
doing this very thing already.

T.

On Sat, Dec 10, 2011 at 2:42 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:

> Duplication of LP1 Shuffle in Max?
>
>
> Todd Reynolds wrote:
>
>> In answer to that, yes, max for live can do that in spades,
>>
>
> Apart from the basic shuffle
> the LP1 does,
>
> 1) lets' you keep Overdubbing, including with feedback turned down
>
> 2) does a quick fade between chunks to prevent clicks.
>
> 3) Lets you tap Record to determine loop length.
>
> ...dunnow if those are already available in Max...they
> could be of course.
>
> andy
> ...and of course we all hope soon that the LP1 Scramble will be Quantised
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 *The Best Classical Music of the Year, 2011* -
Amazon.com<http://www.amazon.com/b/?node=3D3454852011>

=95 Outerborough, Todd Reynolds' solo double CD is now available wherever
music is sold. Here's a direct link to Amazon, however!
<http://www.amazon.com/Outerborough/dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=
=3DUTF8&qid=3D1323231891&sr=3D301-1>


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--f46d0418257c9ad98904b3c26236
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

In general, one can safely say that pretty much &#39;anything&#39; is doabl=
e in max, including making coffee, lol. =A0<div><br></div><div>However, it =
most often involves some programming. =A0</div><div><br></div><div>What I w=
as citing here was actually the ability to have a mobius track going to an =
audio track in Live and shuffling its buffer. =A0Should that m4l plugin tra=
ck be separate and in addition to the regular track, then, yes, all of that=
 would be possible, though it is not a &#39;one track solution&#39; as it i=
s in=A0the LP1 or edp. =A0I&#39;m so used to using several paths to get som=
ething done that in these hardware devices did happen on one track or loop,=
 that I tend to only think in those solutions. So, to be clear, no you cann=
ot replicate exactly the ways of the LP1 shuffle in its implementation, but=
 yes, I can see how one could replicate its sound or results this way, with=
 a little creative routing and thinking, thereby &#39;building it in&#39; t=
o your own custom looper. =A0Let&#39;s get Per in on this one, he often has=
 more thorough responses and ideas than do I. =A0In fact, he might very wel=
l be doing this very thing already.=A0</div>

<div><br></div><div>T.<br><br><div class=3D"gmail_quote">On Sat, Dec 10, 20=
11 at 2:42 PM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler=
@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc soli=
d;padding-left:1ex">

Duplication of LP1 Shuffle in Max?<div class=3D"im"><br>
<br>
Todd Reynolds wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
In answer to that, yes, max for live can do that in spades, <br>
</blockquote>
<br></div>
Apart from the basic shuffle<br>
the LP1 does,<br>
<br>
1) lets&#39; you keep Overdubbing, including with feedback turned down<br>
<br>
2) does a quick fade between chunks to prevent clicks.<br>
<br>
3) Lets you tap Record to determine loop length.<br>
<br>
...dunnow if those are already available in Max...they<br>
could be of course.<br>
<br>
andy<br>
...and of course we all hope soon that the LP1 Scramble will be Quantised<b=
r>
<br>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D<br>=95 <a href=3D"http://www.amazon.com/b/?node=3D345=
4852011" target=3D"_blank"><i>The Best Classical Music of=A0the Year, 2011<=
/i> - Amazon.com</a><div>

<br><div>=95=A0Outerborough, Todd Reynolds&#39; solo double CD is now avail=
able wherever music is sold. <a href=3D"http://www.amazon.com/Outerborough/=
dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=3DUTF8&amp;qid=3D1323231891&amp;sr=
=3D301-1" target=3D"_blank">Here&#39;s a direct link to Amazon, however!=A0=
</a><div>

<div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica"><br></p></di=
v><div><div><div>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<br><a href=3D"http://toddreynolds.com" target=3D"_blank">ht=
tp://toddreynolds.com</a><br><a href=3D"http://twitter.com/digifiddler" tar=
get=3D"_blank">http://twitter.com/digifiddler</a><br>

<a href=3D"http://myspace.com/toddreynoldsmusic" target=3D"_blank">http://m=
yspace.com/toddreynoldsmusic</a><br><a href=3D"http://blog.toddreynolds.com=
" target=3D"_blank">http://blog.toddreynolds.com</a><br><a href=3D"http://f=
acebook.com/toddreynolds" target=3D"_blank">http://facebook.com/toddreynold=
s</a><br>

<a href=3D"http://reverbnation.com/toddreynolds" target=3D"_blank">http://r=
everbnation.com/toddreynolds</a><br></div></div></div></div></div></div><di=
v><br></div><div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica">=
<br>

</p></div><br>
</div>

--f46d0418257c9ad98904b3c26236--

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From: mark francombe <mark@markfrancombe.com>
Date: Sat, 10 Dec 2011 21:14:45 +0100
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Well thanks for the suggestions Andy, I have NO idea how you are able to
keep all those EDPosibilities, in your head.. But if you read my message
carefully I wrote, I wish EDP had the MOBIUS DIVIDE.. Its quite clever,
just cuts in half WHATEVER you are doing, at WHATEVER level you are, even
if you only have 1 cycle, or loop... its quite clever... if Matt was to
nick that idea off Jeff for ELoop (hard), I think they could call it quits?
(Psst and I would be very happy)

On Sat, Dec 10, 2011 at 7:46 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> mark francombe wrote:
>
>  (I only wish EDP had the Mobius DIVIDE) .
>>
>>
> probably not even close...but....
>
> Insert Mode = SUS
> Quantise = 8th
> 8th/Cycle = 2 (or some other value)
>
> then each quick hit of Mult will half the loop
>
>
> ....that's the closest we could get.
>
>
>
> Could try it with Moreloops=2
> SwitchQuant = CnF ( or Quantised equivalent )
> 8th/cycle= 8 or 16 or something
> + above settings
>
> then
> 1) hit Next (nothing happens)
> 2) a quick hit on Mult gives you a fast Stutter
> 3) hit Next (nothing happens)
> 4) wait till you're "on the one" again and hit Undo to bring back your loop
>
> andy
>
>
>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf305b0a36b5e6b004b3c28eaf
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Well thanks for the suggestions Andy, I have NO idea how you are able to ke=
ep all those EDPosibilities, in your head.. But if you read my message care=
fully I wrote, I wish EDP had the MOBIUS DIVIDE.. Its quite clever, just cu=
ts in half WHATEVER you are doing, at WHATEVER level you are, even if you o=
nly have 1 cycle, or loop... its quite clever... if Matt was to nick that i=
dea off Jeff for ELoop (hard), I think they could call it quits? (Psst and =
I would be very happy)<br>

<br><div class=3D"gmail_quote">On Sat, Dec 10, 2011 at 7:46 PM, andy butler=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@t=
iscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<div class=3D"im">mark francombe wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
(I only wish EDP had the Mobius DIVIDE) .<br>
<br>
</blockquote>
<br></div>
probably not even close...but....<br>
<br>
Insert Mode =3D SUS<br>
Quantise =3D 8th<br>
8th/Cycle =3D 2 (or some other value)<br>
<br>
then each quick hit of Mult will half the loop<br>
<br>
<br>
....that&#39;s the closest we could get.<br>
<br>
<br>
<br>
Could try it with Moreloops=3D2<br>
SwitchQuant =3D CnF ( or Quantised equivalent )<br>
8th/cycle=3D 8 or 16 or something<br>
+ above settings<br>
<br>
then<br>
1) hit Next (nothing happens)<br>
2) a quick hit on Mult gives you a fast Stutter<br>
3) hit Next (nothing happens)<br>
4) wait till you&#39;re &quot;on the one&quot; again and hit Undo to bring =
back your loop<span class=3D"HOEnZb"><font color=3D"#888888"><br>
<br>
andy<br>
<br>
<br>
<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-colo=
r:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf305b0a36b5e6b004b3c28eaf--

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Subject: Re: LP2 - multiply?
From: Per Boysen <perboysen@gmail.com>
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Sorry guys, I never understood this discussion was about Mobius -
thought it was just a question "if one can scramble in Max" and I
didn't find a reason to chime in on that (since you can of course
scramble because "ecerything is doable in max"). Regarding the
"leading a Mobius loop into Max4Live in order to scramble it" I don't
understand why you wouldn't simply scramble the loop in Mobius? There
are four optional default algorithms for scrambling and you can easily
make your own scrmable script. I use two home-rolled scr... oops, just
rembered it's are called "Shuffle" in Mobius; they both combine
reversing certain slices, reordering others while applying random
processing to others. The creative point I like in using Mobius is
that all such scripts that draw on quantized slicing works totally
different if you change "the grid", meaning pushing the slider for
"16ths per Cycle" a bit. So the same shuffle/scramble pedal works in
all timing measures and you can seriously fuck up shit too if feeling
glitchy for the day.

Per


On Sat, Dec 10, 2011 at 9:02 PM, todd reynolds <toddreyn@gmail.com> wrote:
> In general, one can safely say that pretty much 'anything' is doable in m=
ax,
> including making coffee, lol.
>
> However, it most often involves some programming.
>
> What I was citing here was actually the ability to have a mobius track go=
ing
> to an audio track in Live and shuffling its buffer. =C2=A0Should that m4l=
 plugin
> track be separate and in addition to the regular track, then, yes, all of
> that would be possible, though it is not a 'one track solution' as it is
> in=C2=A0the LP1 or edp. =C2=A0I'm so used to using several paths to get s=
omething done
> that in these hardware devices did happen on one track or loop, that I te=
nd
> to only think in those solutions. So, to be clear, no you cannot replicat=
e
> exactly the ways of the LP1 shuffle in its implementation, but yes, I can
> see how one could replicate its sound or results this way, with a little
> creative routing and thinking, thereby 'building it in' to your own custo=
m
> looper. =C2=A0Let's get Per in on this one, he often has more thorough re=
sponses
> and ideas than do I. =C2=A0In fact, he might very well be doing this very=
 thing
> already.
>
> T.
>
> On Sat, Dec 10, 2011 at 2:42 PM, andy butler <akbutler@tiscali.co.uk> wro=
te:
>>
>> Duplication of LP1 Shuffle in Max?
>>
>>
>> Todd Reynolds wrote:
>>>
>>> In answer to that, yes, max for live can do that in spades,
>>
>>
>> Apart from the basic shuffle
>> the LP1 does,
>>
>> 1) lets' you keep Overdubbing, including with feedback turned down
>>
>> 2) does a quick fade between chunks to prevent clicks.
>>
>> 3) Lets you tap Record to determine loop length.
>>
>> ...dunnow if those are already available in Max...they
>> could be of course.
>>
>> andy
>> ...and of course we all hope soon that the LP1 Scramble will be Quantise=
d
>>
>
>
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =E2=80=A2 The Best Classical Music of=C2=A0the Year, 2011 - Amazon.com
>
> =E2=80=A2=C2=A0Outerborough, Todd Reynolds' solo double CD is now availab=
le wherever
> music is sold. Here's a direct link to Amazon, however!
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 20:25:20 2011
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Mark et al,

I think the discussion of Scrambilng in M4L (thread =3D "ScrambleMax") =
got mixed into your thread regarding LP2 Multiply.

Phil :)


On Dec 10, 2011, at 12:14 PM, mark francombe wrote:

> Well thanks for the suggestions Andy, I have NO idea how you are able =
to keep all those EDPosibilities, in your head.. But if you read my =
message carefully I wrote, I wish EDP had the MOBIUS DIVIDE.. Its quite =
clever, just cuts in half WHATEVER you are doing, at WHATEVER level you =
are, even if you only have 1 cycle, or loop... its quite clever... if =
Matt was to nick that idea off Jeff for ELoop (hard), I think they could =
call it quits? (Psst and I would be very happy)
>=20
> On Sat, Dec 10, 2011 at 7:46 PM, andy butler <akbutler@tiscali.co.uk> =
wrote:
> mark francombe wrote:
>=20
> (I only wish EDP had the Mobius DIVIDE) .
>=20
>=20
> probably not even close...but....
>=20
> Insert Mode =3D SUS
> Quantise =3D 8th
> 8th/Cycle =3D 2 (or some other value)
>=20
> then each quick hit of Mult will half the loop
>=20
>=20
> ....that's the closest we could get.
>=20
>=20
>=20
> Could try it with Moreloops=3D2
> SwitchQuant =3D CnF ( or Quantised equivalent )
> 8th/cycle=3D 8 or 16 or something
> + above settings
>=20
> then
> 1) hit Next (nothing happens)
> 2) a quick hit on Mult gives you a fast Stutter
> 3) hit Next (nothing happens)
> 4) wait till you're "on the one" again and hit Undo to bring back your =
loop
>=20
> andy
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> --=20
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>=20


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Mark et al,<div><br></div><div>I think the discussion of Scrambilng in M4L (thread = "ScrambleMax") got mixed into your thread regarding LP2 Multiply.</div><div><br></div><div>Phil :)</div><div><br></div><div><br><div><div>On Dec 10, 2011, at 12:14 PM, mark francombe wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">Well thanks for the suggestions Andy, I have NO idea how you are able to keep all those EDPosibilities, in your head.. But if you read my message carefully I wrote, I wish EDP had the MOBIUS DIVIDE.. Its quite clever, just cuts in half WHATEVER you are doing, at WHATEVER level you are, even if you only have 1 cycle, or loop... its quite clever... if Matt was to nick that idea off Jeff for ELoop (hard), I think they could call it quits? (Psst and I would be very happy)<br>

<br><div class="gmail_quote">On Sat, Dec 10, 2011 at 7:46 PM, andy butler <span dir="ltr">&lt;<a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<div class="im">mark francombe wrote:<br>
<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
(I only wish EDP had the Mobius DIVIDE) .<br>
<br>
</blockquote>
<br></div>
probably not even close...but....<br>
<br>
Insert Mode = SUS<br>
Quantise = 8th<br>
8th/Cycle = 2 (or some other value)<br>
<br>
then each quick hit of Mult will half the loop<br>
<br>
<br>
....that's the closest we could get.<br>
<br>
<br>
<br>
Could try it with Moreloops=2<br>
SwitchQuant = CnF ( or Quantised equivalent )<br>
8th/cycle= 8 or 16 or something<br>
+ above settings<br>
<br>
then<br>
1) hit Next (nothing happens)<br>
2) a quick hit on Mult gives you a fast Stutter<br>
3) hit Next (nothing happens)<br>
4) wait till you're "on the one" again and hit Undo to bring back your loop<span class="HOEnZb"><font color="#888888"><br>
<br>
andy<br>
<br>
<br>
<br>
<br>
</font></span></blockquote></div><br><br clear="all"><br>-- <br><i style="font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, 0, 0)"><font style="font-family:trebuchet ms,sans-serif" size="4"><u>Mark Francombe</u></font></i><br>

<font size="1"><a style="color:rgb(51, 0, 51)" href="http://www.markfrancombe.com/" target="_blank">www.markfrancombe.com</a><br style="color:rgb(51, 0, 51)"><a style="color:rgb(51, 0, 51)" href="http://www.ordoabkhao.com/" target="_blank">www.ordoabkhao.com</a><br style="color:rgb(51, 0, 51)">

<a style="color:rgb(51, 0, 51)" href="http://vimeo.com/user825094" target="_blank">http://vimeo.com/user825094</a><br style="color:rgb(51, 0, 51)"><a style="color:rgb(51, 0, 51)" href="http://www.looop.no/" target="_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href="http://www.flickr.com/photos/24478662@N00/" target="_blank">http://www.flickr.com/photos/24478662@N00/</a><br></font><br>
</blockquote></div><br></div></body></html>
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Subject: Re: LP2 - multiply?
References: <B2E16045-8F73-4DF2-8E84-8C6218ADBDF0@gmail.com> <4EE386EF.4000506@googlemail.com> <CAJKe7oYpWkbAOv4AXFcaDhzwd32W9PFAEXWCyyjgFqHMYer=FQ@mail.gmail.com> <4EE3A91F.8070005@tiscali.co.uk> <CAJKe7ob5MQR7hM-14ugbBAoRmcyEkkW9s1mptR7wQjH3wUFJuQ@mail.gmail.com> <3CD67D08-9687-42B3-8B83-8ED9E21150BD@gmail.com>
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I'm so sorry. That one's prob my fault. Apologies.=20

Sent from my iPhone

On Dec 10, 2011, at 3:25 PM, Phil Clevenger <phil.clevenger@gmail.com> wrote=
:

> Mark et al,
>=20
> I think the discussion of Scrambilng in M4L (thread =3D "ScrambleMax") got=
 mixed into your thread regarding LP2 Multiply.
>=20
> Phil :)
>=20
>=20
> On Dec 10, 2011, at 12:14 PM, mark francombe wrote:
>=20
>> Well thanks for the suggestions Andy, I have NO idea how you are able to k=
eep all those EDPosibilities, in your head.. But if you read my message care=
fully I wrote, I wish EDP had the MOBIUS DIVIDE.. Its quite clever, just cut=
s in half WHATEVER you are doing, at WHATEVER level you are, even if you onl=
y have 1 cycle, or loop... its quite clever... if Matt was to nick that idea=
 off Jeff for ELoop (hard), I think they could call it quits? (Psst and I wo=
uld be very happy)
>>=20
>> On Sat, Dec 10, 2011 at 7:46 PM, andy butler <akbutler@tiscali.co.uk> wro=
te:
>> mark francombe wrote:
>>=20
>> (I only wish EDP had the Mobius DIVIDE) .
>>=20
>>=20
>> probably not even close...but....
>>=20
>> Insert Mode =3D SUS
>> Quantise =3D 8th
>> 8th/Cycle =3D 2 (or some other value)
>>=20
>> then each quick hit of Mult will half the loop
>>=20
>>=20
>> ....that's the closest we could get.
>>=20
>>=20
>>=20
>> Could try it with Moreloops=3D2
>> SwitchQuant =3D CnF ( or Quantised equivalent )
>> 8th/cycle=3D 8 or 16 or something
>> + above settings
>>=20
>> then
>> 1) hit Next (nothing happens)
>> 2) a quick hit on Mult gives you a fast Stutter
>> 3) hit Next (nothing happens)
>> 4) wait till you're "on the one" again and hit Undo to bring back your lo=
op
>>=20
>> andy
>>=20
>>=20
>>=20
>>=20
>>=20
>>=20
>>=20
>> --=20
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>> http://www.flickr.com/photos/24478662@N00/
>>=20
>=20

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<html><head></head><body bgcolor=3D"#FFFFFF"><div>I'm so sorry. That one's p=
rob my fault. Apologies.&nbsp;</div><div><br>Sent from my iPhone</div><div><=
br>On Dec 10, 2011, at 3:25 PM, Phil Clevenger &lt;<a href=3D"mailto:phil.cl=
evenger@gmail.com">phil.clevenger@gmail.com</a>&gt; wrote:<br><br></div><div=
></div><blockquote type=3D"cite"><div>Mark et al,<div><br></div><div>I think=
 the discussion of Scrambilng in M4L (thread =3D "ScrambleMax") got mixed in=
to your thread regarding LP2 Multiply.</div><div><br></div><div>Phil :)</div=
><div><br></div><div><br><div><div>On Dec 10, 2011, at 12:14 PM, mark franco=
mbe wrote:</div><br class=3D"Apple-interchange-newline"><blockquote type=3D"=
cite">Well thanks for the suggestions Andy, I have NO idea how you are able t=
o keep all those EDPosibilities, in your head.. But if you read my message c=
arefully I wrote, I wish EDP had the MOBIUS DIVIDE.. Its quite clever, just c=
uts in half WHATEVER you are doing, at WHATEVER level you are, even if you o=
nly have 1 cycle, or loop... its quite clever... if Matt was to nick that id=
ea off Jeff for ELoop (hard), I think they could call it quits? (Psst and I w=
ould be very happy)<br>

<br><div class=3D"gmail_quote">On Sat, Dec 10, 2011 at 7:46 PM, andy butler <=
span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tisc=
ali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D=
"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<div class=3D"im">mark francombe wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px=
 #ccc solid;padding-left:1ex">
(I only wish EDP had the Mobius DIVIDE) .<br>
<br>
</blockquote>
<br></div>
probably not even close...but....<br>
<br>
Insert Mode =3D SUS<br>
Quantise =3D 8th<br>
8th/Cycle =3D 2 (or some other value)<br>
<br>
then each quick hit of Mult will half the loop<br>
<br>
<br>
....that's the closest we could get.<br>
<br>
<br>
<br>
Could try it with Moreloops=3D2<br>
SwitchQuant =3D CnF ( or Quantised equivalent )<br>
8th/cycle=3D 8 or 16 or something<br>
+ above settings<br>
<br>
then<br>
1) hit Next (nothing happens)<br>
2) a quick hit on Mult gives you a fast Stutter<br>
3) hit Next (nothing happens)<br>
4) wait till you're "on the one" again and hit Undo to bring back your loop<=
span class=3D"HOEnZb"><font color=3D"#888888"><br>
<br>
andy<br>
<br>
<br>
<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rg=
b(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><=
u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markfr=
ancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordoabk=
hao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,=
 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targe=
t=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, 51=
)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=3D=
"_blank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@N=
00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br></f=
ont><br>
</blockquote></div><br></div></div></blockquote></body></html>=

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mark francombe wrote:
> Well thanks for the suggestions Andy, I have NO idea how you are able to 
> keep all those EDPosibilities, in your head.. But if you read my message 
> carefully I wrote, I wish EDP had the MOBIUS DIVIDE.. Its quite clever, 
> just cuts in half WHATEVER you are doing, at WHATEVER level you are, 
> even if you only have 1 cycle, or loop

right, this *only* works to cut down to 1/2 a cycle
whatever the loop length.


Other than that there's Multi-Increase where
you can quickly define the number of cycles 
by repeatedly hitting Mult.

Echoloop doesn't have it at present, 
but Matt already worked on how to make the 
number of Cycles in a loop changeable as the loop is
running. (which would make Halving the loop easy)


>... its quite clever...

so if loop is 7 cycles it cuts it to 3 1/2 ?


> if Matt 
> was to nick that idea off Jeff for ELoop (hard),

iirc it was David Torn who was asking for some form of Divide
when loop 4 was being finalized.
What we ended up with was as close as we could get.

(never heard from him after that tho')


andy

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 22:13:32 2011
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Wow,  Bruno,   wow!!!!!
I've tried to contact you for a really long time but not known how to.
Glad to hear from you again.

There is no multiply function in the LP-2

Sorry to dissapoint but very, very happy to hear from you, finally.

How are you doing?   How's your looping coming along?

yours,  very fondly,    Rick
(Chris says hi, too)

ps please write me a note off list.



On 7/22/64 11:59 AM, bruno kleinefeld wrote:
> Given that from the Looperlative Facebook page (where I am trying to communicate with Bob) seems that the long Lp2 gestation is coming to a (happy?) end
>
> I was trying to understand if the baby will be able to do "multiply" EDP style.
> Searched everywhere but I found only controversial info.
>
> Anybody (Rick?) has more precise details about it?
>
> In case which small new looper has that function?
>
>
> tx
>
> best
>
> b:k

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 22:20:54 2011
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On 7/22/64 11:59 AM, Clayton Gary Lehmann wrote:
>
> For me, EDP style multiply includes windowing—originally a bug, 
> exploited by Andre LaFosse—and I don’t think the LP-2 will have it.
>
> I always miss it when using the other loopers I employ, tho . . .
>
> I reckon it is available on software loopers, although I don’t know which.
>
LOL, it IS available in the beautiful and hardly ever used EDP that I'm 
selling currently.

White faced, with Loop IV and full memory, a proprietary footpedal and a 
special
custom two way Brother Sync cable that was only used one time.

Contact me off list, if you are interested.


yours, Rick Walker

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Does "multiply" mean to take a loop and make it some number of times longer (x2, x3, etc.)? What is the difference between doing that and just letting subsequent loops be created (and quantized) to some multiple of the first loop (even x1 if desired)? If a "multiplied" loop just repeats itself some number of times it seems unnecessary and wasteful of memory. I'm trying to contrast "multiply" with the Boomerang III "Sync" mode where a loop can be created and then up to three more can be created which are quantized to any multiple of the first loop's length (x1, x2, ..., xn). Is there some important difference I'm not seeing or do I not even understand what "multiply" is in the first place?

Any explanation appreciated!

G

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From: "Clayton Gary Lehmann" <hqr@cox.net>
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Subject: RE: LP2 - multiply?
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That is the function on the EDP, yes . . .
It plays the existing loop over and over, while overdubbing (usually) new
material.
It can seem wasteful, but is also useful--especially when used the way I am,
by windowing--that is, creating a multiple with new start and stop times.
There are various ways of doing this, but the simplest is by triggering
multiply twice and record twice from the front panel.
The 'Rang is cool because the master sample stays the same size, but the
other loops are multiples of it.
Multiply may be executed in different ways on other loopers--it is the EDP
to which I, certainly, am referring.
Gary


-----Original Message-----
From: Grant [mailto:grantmepeace@mindspring.com] 
Sent: Saturday, December 10, 2011 2:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP2 - multiply?

Does "multiply" mean to take a loop and make it some number of times longer
(x2, x3, etc.)? What is the difference between doing that and just letting
subsequent loops be created (and quantized) to some multiple of the first
loop (even x1 if desired)? If a "multiplied" loop just repeats itself some
number of times it seems unnecessary and wasteful of memory. I'm trying to
contrast "multiply" with the Boomerang III "Sync" mode where a loop can be
created and then up to three more can be created which are quantized to any
multiple of the first loop's length (x1, x2, ..., xn). Is there some
important difference I'm not seeing or do I not even understand what
"multiply" is in the first place?

Any explanation appreciated!

G

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 23:06:09 2011
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Subject: Electribe ESX (was Re: Roland GR55 - First Impressions review)
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On Nov 28, 2011, at 2:06 PM, mark francombe wrote:

> Recent sales of neglected gear have resulted in two purchases. The =
Korg Electribe ESX (As suggested by Philip I believe) and the much =
lauded Roland GR55 Guitar synth.
> Lets take that one now, and the drum-machine later.

Still looking forward to the ESX review...


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Nov 28, 2011, at 2:06 PM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Recent sales =
of neglected gear have resulted in two purchases. The Korg Electribe ESX =
(As suggested by Philip I believe) and the much lauded Roland GR55 =
Guitar synth.<br>Lets take that one now, and the drum-machine =
later.<br></span></blockquote></div><br><div>Still looking forward to =
the ESX review...</div><div><br></div></body></html>=

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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I jumped on the mainstage bandwagon when I saw that price...  all
those effects and instruments for $30 is hard to beat.  Plus, I can
keep all my Bidule patches and run them in the Bidule AU within
mainstage, so nothing is lost, better effects are gained...

However, I'm having a hard time with the user interface...  I'll have
to read through the manual.  I'm used to cabling little boxes
together, but it looks like I'll have to understand how a mixer works.

I want the audio in to go to my bidule AU and from there to my effect
patches.  So I think this means I need a strip at concert level with
bidule so that it shows up in every patch.  I haven't had much time to
play with it, and it doesn't look like it's gonna happen before
Christmas...

Sylvain

On Sat, Dec 10, 2011 at 12:22 PM, Todd Matthews <gtmatthews@gmail.com> wrot=
e:
> I know, I know, and that's the only way I've ever played live gigs. Ablet=
on
> with dummy clips. Although my last gig this past summer I had a complete
> audio spaz out that hopefully didn't do too much damage to the audiences
> ears:(
>
> That sparked my retreat once again from using computer live.
>
> Now that there's been updates to Softstep, Mainstage, Ableton, and even R=
ME
> driver I thought it was time to try again.
>
> I will be testing out Mainstage and LIve again to see which works best fo=
r
> me.
>
>
>
> On Dec 10, 2011, at 11:17 AM, todd reynolds wrote:
>
> Wait... I do this with=A0the effects chain in Live's Audio Effects rack a=
ll
> the time using=A0the chain selector, overlapping delays and all...
>
> On Sat, Dec 10, 2011 at 11:15 AM, Ra=FCl Bonell <raul.bonell@gmail.com> w=
rote:
>>
>> 2011/12/10, Todd Matthews <gtmatthews@gmail.com>:
>>
>> > I'm with you Per. I can't wait for the day that there is a CPU efficie=
nt
>> > software that lets you easily switch between effects patches with a mi=
di
>> > command and send those into Mobius/Sooperlooper. Only the effects patc=
h
>> > currently used is using CPU. Allows tails to finish from previous
>> > effects
>> > patches=85..
>>
>> well, plogue bidule does exactly that, several versions ago.
>>
>> --
>>
>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.
>> Your moral values are meaningless, artificial constructs. For your
>> imagination,
>> they provide you a falsely superior position in your social group.
>> For the strong, they provide a means by which you are easily manipulated=
.
>> In reality, they serve the entertainment needs of others.
>> In the Kimatorium, they are irrelevant.
>>
>> Kim Flint
>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
>> raulbonell.tumblr.com - collective.com
>>
>
>
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =95 The Best Classical Music of=A0the Year, 2011 - Amazon.com
>
> =95=A0Outerborough, Todd Reynolds' solo double CD is now available wherev=
er
> music is sold. Here's a direct link to Amazon, however!
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>
>
>
>
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 23:20:14 2011
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OK, that's more like using (the Rang's) 'live copy' which creates a new loop consisting of any loops currently playing plus any live input. The copied loop can be any length so I guess it would accomplish the same goal. Still, since multiple loops can play simultaneously (again on the Rang) it seems to me you get the same 'effective' result using the simpler technique from the previous post.

One fun thing to do is create the first loop and make it say a measure long. Then you can create a second loop of say 7 measures and then a third of 8 measures. When all are playing together they shift off by a measure each time around. Not always easy to find something that 'works' with this but many 'happy accidents' happen! Maybe I'll try something like 25 and 26 which would change over a long time. :)

G

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 23:27:47 2011
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I guess it would only be wasteful if you're just recycling the same loop over and over. The Rang's 'live copy' can be used to extract just a part of an existing loop but I've never tried to make a loop that was smaller than the master. I'll need to experiment and see if that works. I'm sure it would work in the 'free' mode and that might be good enough.

G


-----Original Message-----
>From: Clayton Gary Lehmann <hqr@cox.net>
>Sent: Dec 10, 2011 5:04 PM
>To: 'Grant' <grantmepeace@mindspring.com>
>Cc: Loopers-Delight@loopers-delight.com
>Subject: RE: LP2 - multiply?
>
>That is the function on the EDP, yes . . .
>It plays the existing loop over and over, while overdubbing (usually) new
>material.
>It can seem wasteful, but is also useful--especially when used the way I am,
>by windowing--that is, creating a multiple with new start and stop times.
>There are various ways of doing this, but the simplest is by triggering
>multiply twice and record twice from the front panel.
>The 'Rang is cool because the master sample stays the same size, but the
>other loops are multiples of it.
>Multiply may be executed in different ways on other loopers--it is the EDP
>to which I, certainly, am referring.
>Gary

From Loopers-Delight-request@loopers-delight.com  Sat Dec 10 23:44:03 2011
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Per Boysen <perboysen@gmail.com>
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Some quick MS info from the top of my head (bouncing out big files now
from a mix so I can't open the appl to check details):

Yes, you're right that MS works a lot like a mixer does, that's
correct as for signal routing. But MS also has its own concept for
controlling the mixer and inserted or (send/return) looped effects.
This concept builds has three aspects that are represented by three
alternative modes to work on your session:

1) Layout Mode - connect with the outer world by MIDI.
First window, called up by hitting cmd-1. Here you create the
graphical control symbols you need for whatever control you plan to
perform. Example: if you want to just record loops, overdub into them
and adjust loop feedback you need three the three objects 2 buttons
and one fader (or knob). Ok, drag in the objects and drop them inside
the Layout Mode window. Select an object and click "learn" in the left
column where the selected object's characteristics are displayed. Send
in external MIDI by kicking a MIDI floor pedal, pushing a keyboard
key, hitting a MIDI button or whatever physical control gadget you
happen to have connected to the computer. Done.

2) Edit Mode - connect with internal software world of effects, mixer
and instruments.
Second Window, called up by hitting cmd-2. Here you create patches.
For each patch you create and tweak channel strips holding effects and
instruments if an instrument strip (there are also audio strips). Note
if working on Patch Level or Concert Level. Any Aux Channel strip
(send/return fx loop for example) created on Global level will be
available in all other patches. But stuff you create at Patch Level
will only be available when that patch is the active patch (good way
to get rid of CPU intensive stuff when not needing them; swap to a
different patch).

3) Performance Mode (cmd-3) and Full Screen Mode (cmd-4) - gig matching sta=
tus.
Performance mode will let you keep other windows open, like if you
want to see the SooperLooper or Mobius GUI window beside Mainstage's
GUI. Full Screen Mode takes full advantage of the screen space and
pushes other applications into the background. Optimally stable and
looks good but you won't be able to check emails while in Full Screen
Mode ;-)

That's it. The trick to get into Mainstage is to know its two faces:
First create a graphic representation of your physical control gear
and and assign MIDI form physical to graphic objects, then assign
control bindings from graphic objects to musical parameters in the
software.

cheers

Per




On Sun, Dec 11, 2011 at 12:06 AM, Sylvain Poitras
<sylvain.trombone@gmail.com> wrote:
> I jumped on the mainstage bandwagon when I saw that price... =C2=A0all
> those effects and instruments for $30 is hard to beat. =C2=A0Plus, I can
> keep all my Bidule patches and run them in the Bidule AU within
> mainstage, so nothing is lost, better effects are gained...
>
> However, I'm having a hard time with the user interface... =C2=A0I'll hav=
e
> to read through the manual. =C2=A0I'm used to cabling little boxes
> together, but it looks like I'll have to understand how a mixer works.
>
> I want the audio in to go to my bidule AU and from there to my effect
> patches. =C2=A0So I think this means I need a strip at concert level with
> bidule so that it shows up in every patch. =C2=A0I haven't had much time =
to
> play with it, and it doesn't look like it's gonna happen before
> Christmas...

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Date: Sat, 10 Dec 2011 18:59:02 -0500
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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks Per, it's starting to make sense, I hope I'll have tome to work
on this soo.
Sylvain

On Sat, Dec 10, 2011 at 6:44 PM, Per Boysen <perboysen@gmail.com> wrote:
> Some quick MS info from the top of my head (bouncing out big files now
> from a mix so I can't open the appl to check details):
>
> Yes, you're right that MS works a lot like a mixer does, that's
> correct as for signal routing. But MS also has its own concept for
> controlling the mixer and inserted or (send/return) looped effects.
> This concept builds has three aspects that are represented by three
> alternative modes to work on your session:
>
> 1) Layout Mode - connect with the outer world by MIDI.
> First window, called up by hitting cmd-1. Here you create the
> graphical control symbols you need for whatever control you plan to
> perform. Example: if you want to just record loops, overdub into them
> and adjust loop feedback you need three the three objects 2 buttons
> and one fader (or knob). Ok, drag in the objects and drop them inside
> the Layout Mode window. Select an object and click "learn" in the left
> column where the selected object's characteristics are displayed. Send
> in external MIDI by kicking a MIDI floor pedal, pushing a keyboard
> key, hitting a MIDI button or whatever physical control gadget you
> happen to have connected to the computer. Done.
>
> 2) Edit Mode - connect with internal software world of effects, mixer
> and instruments.
> Second Window, called up by hitting cmd-2. Here you create patches.
> For each patch you create and tweak channel strips holding effects and
> instruments if an instrument strip (there are also audio strips). Note
> if working on Patch Level or Concert Level. Any Aux Channel strip
> (send/return fx loop for example) created on Global level will be
> available in all other patches. But stuff you create at Patch Level
> will only be available when that patch is the active patch (good way
> to get rid of CPU intensive stuff when not needing them; swap to a
> different patch).
>
> 3) Performance Mode (cmd-3) and Full Screen Mode (cmd-4) - gig matching s=
tatus.
> Performance mode will let you keep other windows open, like if you
> want to see the SooperLooper or Mobius GUI window beside Mainstage's
> GUI. Full Screen Mode takes full advantage of the screen space and
> pushes other applications into the background. Optimally stable and
> looks good but you won't be able to check emails while in Full Screen
> Mode ;-)
>
> That's it. The trick to get into Mainstage is to know its two faces:
> First create a graphic representation of your physical control gear
> and and assign MIDI form physical to graphic objects, then assign
> control bindings from graphic objects to musical parameters in the
> software.
>
> cheers
>
> Per
>
>
>
>
> On Sun, Dec 11, 2011 at 12:06 AM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>> I jumped on the mainstage bandwagon when I saw that price... =A0all
>> those effects and instruments for $30 is hard to beat. =A0Plus, I can
>> keep all my Bidule patches and run them in the Bidule AU within
>> mainstage, so nothing is lost, better effects are gained...
>>
>> However, I'm having a hard time with the user interface... =A0I'll have
>> to read through the manual. =A0I'm used to cabling little boxes
>> together, but it looks like I'll have to understand how a mixer works.
>>
>> I want the audio in to go to my bidule AU and from there to my effect
>> patches. =A0So I think this means I need a strip at concert level with
>> bidule so that it shows up in every patch. =A0I haven't had much time to
>> play with it, and it doesn't look like it's gonna happen before
>> Christmas...
>

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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Only issue I ran into today with Mainstage 2.2 and Mobius was that even =
after saving my set I needed to reselect "side chain to bus 1" to pass =
audio through Mobius.=20

When I would first fire up the program no audio would pass through =
Mobius even though it looks as though side chain on Mobius was set to =
bus 1. If I reselected it from the drop down menu then the audio would =
pass through Mobius again. Other than that minor issue I had no audio =
glitches today and had lots of fun looping!

Now that I think about it, my set was originally from a previous version =
of Mainstage so maybe if I start a new set from scratch in 2.2 that will =
take care of this bug?



|Looking forward to read!
|
|Per
--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

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did i see some of that Landreth behind the slide tricks...


Indeed Anders I completely nicked that technique from Sonny Landreth,  
watching him a few years back from the photographers pit supporting  
John Hiatt with his band the Goners, the light bulb went off when I  
saw him use this technique. My Tele is set up with slightly lighter  
than ideal strings tuned to E major which is why you hear a bit too  
much clank, heavier strings the better.  its definitely a finesse  
technique, playing on the wild side as he describes, playing behind  
the bar. With all due respect to Derek Trucks who is just as amazing  
in his own right, Sonny is the gold standard for me amongst non lap  
steel slide guitar players, a real innovator, with the juiciest ,  
richest tone, so sensual and deep.
  Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">did i see some of that =
Landreth behind the slide tricks...&nbsp;</span><div><font =
class=3D"Apple-style-span" face=3D"Tahoma"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Tahoma"><span class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">Indeed Anders I =
completely nicked that technique from Sonny Landreth, watching him a few =
years back from the photographers pit supporting John Hiatt with his =
band the Goners, the light bulb went off when I saw him use this =
technique. My Tele is set up with slightly lighter than ideal strings =
tuned to E major which is why you hear a bit too much clank, heavier =
strings the better. &nbsp;its definitely a finesse technique, playing on =
the wild side as he describes, playing behind the bar. With all due =
respect to Derek Trucks who is just as amazing in his own right, Sonny =
is the gold standard for me amongst non lap steel slide guitar players, =
a real innovator, with the juiciest , richest tone, so sensual and =
deep.&nbsp;</span></div></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; =
">&nbsp;Bill</span></div></body></html>=

--Apple-Mail-48--483724529--

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On Sat, Dec 10, 2011 at 10:43 PM, andy butler <akbutler@tiscali.co.uk>wrote:

> ... its quite clever...
>>
>
> so if loop is 7 cycles it cuts it to 3 1/2 ?



Aha.. well I had to go and check didnt i?
You immediatly spotted the logical problem. And you were right, Mobius is
NOT qite as clever as I thought, however, if this was an implementation one
COULD do in Eloop soft of hard, it would do for me. the fact that I never
knew this, seems to suggest that it works... if you dont think about it but
just use it!

If a loop is 7 cycles and you hit divide, .. it DOES end up with a "loop
time" of 3 1/2 cycles.. BUT it's combined these cycles to 1 new cycle,

So if a cycle was 1 second and your loop was 7, you end up with 1 cycle
that is 3.5 second.

I realise this cause synch problems...



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

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On Sat, Dec 10, 2011 at 10:43 PM, andy butler <span dir=3D"ltr">&lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wr=
ote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">

<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204,204,204);padding-left:1ex">... its quite clever...<b=
r>
</blockquote>
<br>
so if loop is 7 cycles it cuts it to 3 1/2 ?</blockquote><div><br><br>Aha..=
 well I had to go and check didnt i?<br>You immediatly spotted the logical =
problem. And you were right, Mobius is NOT qite as clever as I thought, how=
ever, if this was an implementation one COULD do in Eloop soft of hard, it =
would do for me. the fact that I never knew this, seems to suggest that it =
works... if you dont think about it but just use it!<br>

<br>If a loop is 7 cycles and you hit divide, .. it DOES end up with a &quo=
t;loop time&quot; of 3 1/2 cycles.. BUT it&#39;s combined these cycles to 1=
 new cycle, <br><br>So if a cycle was 1 second and your loop was 7, you end=
 up with 1 cycle that is 3.5 second.<br>

<br>I realise this cause synch problems... <br></div></div><br><br clear=3D=
"all"><br>-- <br><i style=3D"font-family:verdana,sans-serif;color:rgb(255,2=
55,255);background-color:rgb(0,0,0)"><font style=3D"font-family:trebuchet m=
s,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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That's weird, Todd. I have not tried 2.2 yet so I can't confirm your
finding here. But there are other ways to set up Mobius in Mainstage
than that sidechain based one. For the last year I have been running
Mobius on an Aux channel to where I send audio with the send know from
every channel strip who's audio I want to loop. The point in opening
Mobius on an instrument channel and using the sidechain to fetch audio
is to pipe your external control MIDI for Mobius through Mainstage.
But I'm not doing that; I have set up Mobius to listen directly to a
MIDI In port without Mainstage having to do anything with it. I like
that setup because it means you have all your MIDI bindings inside
Mobius and in all host applications I use for Mobius it always works
the same related my foot control pedalboard and hand controlled MIDI
mixer. Oh, and I'm not using separate output channels from Mobius now,
just one audio output.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Sun, Dec 11, 2011 at 1:54 AM, Todd Matthews <gtmatthews@gmail.com> wrote=
:
> Only issue I ran into today with Mainstage 2.2 and Mobius was that even a=
fter saving my set I needed to reselect "side chain to bus 1" to pass audio=
 through Mobius.
>
> When I would first fire up the program no audio would pass through Mobius=
 even though it looks as though side chain on Mobius was set to bus 1. If I=
 reselected it from the drop down menu then the audio would pass through Mo=
bius again. Other than that minor issue I had no audio glitches today and h=
ad lots of fun looping!
>
> Now that I think about it, my set was originally from a previous version =
of Mainstage so maybe if I start a new set from scratch in 2.2 that will ta=
ke care of this bug?

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Subject: Re: Boss PS-6 as a tool for looped bass.
Date: Sun, 11 Dec 2011 13:12:45 +0900
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On Nov 28, 2011, at 6:56 AM, chaz worm wrote:

> I had an OC2 and I found it unacceptable for even my ridiculously  
> low standards. I hated it.
> I went to the nearest used equipment store to find a replacement.


I'm happy to hear this not so glowing review because it confirms my  
view. I wonder what put you off about it. For me, I find it difficult  
to operate. It keeps doing things I don't expect and trying to double  
stomp really messes me up (went out and immediately bought an FS-6  
footswitch). Reading the posts in this forum, I just figure everybody  
else is, like you say, at a different level. I want to loop, but I'm  
just finding it difficult. I have tried to use Mobius. It seems cool  
but I want to use it with footpedals. I bought a Behringer FBC1010  
because I read that it was a good match for it. I cannot get it to do  
anything. I may have putty for brains but this stuff is not easy to  
get started with. If I had money, I'd pay for looping lessons.
cheers,

Ed Durbrow
Saitama, Japan
http://www.musicianspage.com/musicians/9688/
http://www9.plala.or.jp/edurbrow/




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Nov 28, 2011, =
at 6:56 AM, chaz worm wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Geneva; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">I had an OC2 =
and I found it unacceptable for even my ridiculously low standards. I =
hated it.<span class=3D"Apple-converted-space">&nbsp;</span><br>I went =
to the nearest used equipment store to find a replacement.<span =
class=3D"Apple-converted-space">&nbsp;</span></span></blockquote></div><di=
v><br></div>I'm happy to hear this not so glowing review because it =
confirms my view. I wonder what put you off about it. For me, I find it =
difficult to operate. It keeps doing things I don't expect and trying to =
double stomp really messes me up (went out and immediately bought an =
FS-6 footswitch). Reading the posts in this forum, I just figure =
everybody else is, like you say, at a different level. I want to loop, =
but I'm just finding it difficult. I have tried to use Mobius. It seems =
cool but I want to use it with footpedals. I bought a Behringer FBC1010 =
because I read that it was a good match for it. I cannot get it to do =
anything. I may have putty for brains but this stuff is not easy to get =
started with. If I had money, I'd pay for looping =
lessons.<div>cheers,<br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Geneva; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F"><span class=3D"Apple-style-span" style=3D"color: =
rgb(0, 0, 0); font-family: Georgia; font-size: 13px; line-height: 15px; =
"><br style=3D"line-height: 1.22em; "></span>Ed =
Durbrow</font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F">Saitama, Japan</font></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Chalkboard" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; "><a =
href=3D"http://www.musicianspage.com/musicians/9688/">http://www.musicians=
page.com/musicians/9688/</a></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Chalkboard" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; =
"></span></font><span class=3D"Apple-style-span" style=3D"font-family: =
Chalkboard; font-size: 14px; color: rgb(111, 111, 111); "><a =
href=3D"http://www9.plala.or.jp/edurbrow/">http://www9.plala.or.jp/edurbro=
w/</a></span></div><div><br></div></span></div></div></span></div></span><=
/div></span></div></span></div></span></div></span></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 07:51:36 2011
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Subject: Loop Lessons (was: PS-6)
Date: Sat, 10 Dec 2011 23:50:53 -0800
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Boy, me too . . .

Gary

________________________________________
From: Ed Durbrow [mailto:edurbrow@sea.plala.or.jp] 
Sent: Saturday, December 10, 2011 8:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boss PS-6 as a tool for looped bass.
Ed wrote:
<snip>
If I had money, I'd pay for looping lessons.


From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 08:15:18 2011
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Subject: Re: Boss PS-6 as a tool for looped bass.
Date: Sun, 11 Dec 2011 03:15:56 -0500
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For starters it was probably the first pedal I ever had.  I was a bass =
player / lead singer in a 3 person grunge/punk band (back when grungy =
wasn't cool, mid-late 80's) and the idea of filling up all that space =
when my guitarist was doing his soaring solos seemed compelling in =
theory. =20
"It would be like triple cloning myself for the betterment of our meager =
band", i thought. =20
I assumed it would be an octave up and down.  I'm a real meat and =
potatoes bass player.  I hate playing past the 5th fret and I go nights =
where I could easily lose my g-string too.  I could venture up into that =
guitar whelm I thought. =20
NO.  TWO octaves DOWN.  means I'm having to play the D and G strings =
around the 7-9th frets.  SCREW THAT. =20
I would rather anchor that bottom end.  screw the middle.
Instead I was playing up so high my already cheap/bad bass sounded like =
a popcorn fart.

In summation I didn't feel it tracked well and it sounded worse.  Be =
that as it may I still found it superior to the dane-electro pedal (i =
think, actually I think mine is now in the trash) that people spoke well =
of.  it was HORRIBLE.  I hated it.=20
I thought of selling it to somone on this list.  I would sell it for 20 =
in a heart beat but I couldn't with a good concious.  I truly felt my =
pedal had to be bad. =20
My main ax is a 50 dollar banjo that I defretted to make a minstrel =
banjo. =20
MY EARS AREN"T THAT DELICATE.
I will convince my head that something sounds good even if its crap.  As =
long as its different, and more importantly, CHEAP.
please listen to my best song, Clifford Ratliff in which I feature said =
banjo. =20
ITS CRAP but the song suites it.
I'm just a crappy guy but I guess I take my low end serious. =20
Sorry so lengthy.  i'm typing this from a computer and i type faster =
than I think.

chaz
  ----- Original Message -----=20
  From: Ed Durbrow=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, December 10, 2011 11:12 PM
  Subject: Re: Boss PS-6 as a tool for looped bass.




  On Nov 28, 2011, at 6:56 AM, chaz worm wrote:


    I had an OC2 and I found it unacceptable for even my ridiculously =
low standards. I hated it.=20
    I went to the nearest used equipment store to find a replacement.=20


  I'm happy to hear this not so glowing review because it confirms my =
view. I wonder what put you off about it. For me, I find it difficult to =
operate. It keeps doing things I don't expect and trying to double stomp =
really messes me up (went out and immediately bought an FS-6 =
footswitch). Reading the posts in this forum, I just figure everybody =
else is, like you say, at a different level. I want to loop, but I'm =
just finding it difficult. I have tried to use Mobius. It seems cool but =
I want to use it with footpedals. I bought a Behringer FBC1010 because I =
read that it was a good match for it. I cannot get it to do anything. I =
may have putty for brains but this stuff is not easy to get started =
with. If I had money, I'd pay for looping lessons.
  cheers,


  Ed Durbrow
  Saitama, Japan
  http://www.musicianspage.com/musicians/9688/
  http://www9.plala.or.jp/edurbrow/






------=_NextPart_000_0006_01CCB7B3.32F5CBA0
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<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>For starters it was probably the first =
pedal I ever=20
had.&nbsp; I was a bass player / lead singer in a 3 person grunge/punk =
band=20
(back when grungy wasn't cool, mid-late 80's) and the idea of filling up =
all=20
that space when my guitarist was doing his soaring solos seemed =
compelling in=20
theory.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>"It would be like triple cloning myself =
for the=20
betterment of our meager band", i thought.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I assumed it would be an octave up and =
down.&nbsp;=20
I'm a real meat and potatoes bass player.&nbsp; I hate playing past the =
5th fret=20
and I go nights where I could easily lose my g-string too.&nbsp; I could =
venture=20
up into that guitar whelm I thought.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>NO.&nbsp; TWO octaves DOWN.&nbsp; means =
I'm having=20
to play the D and G strings around the 7-9th frets.&nbsp; SCREW =
THAT.&nbsp;=20
</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I would rather anchor that bottom =
end.&nbsp; screw=20
the middle.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Instead I was playing up so high my =
already=20
cheap/bad bass sounded like a popcorn fart.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>In summation I didn't feel it tracked =
well and it=20
sounded worse.&nbsp; Be that as it may I still found it superior to the=20
dane-electro pedal (i think, actually I think mine is now in the trash) =
that=20
people spoke well of.&nbsp; it was HORRIBLE.&nbsp; I hated=20
it.&nbsp;</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I thought of selling it to somone on =
this=20
list.&nbsp; I would sell it for 20 in a heart beat but I couldn't with a =
good=20
concious.&nbsp; I truly felt my pedal had to be bad.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>My main ax is a 50 dollar banjo that I =
defretted to=20
make a minstrel banjo.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>MY EARS AREN"T THAT =
DELICATE.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I will convince my head that something =
sounds good=20
even if its crap.&nbsp; As long as its different, and more importantly,=20
CHEAP.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>please listen to my best song, Clifford =
Ratliff in=20
which I feature said banjo.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>ITS CRAP but the song suites =
it.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I'm just a crappy guy but I guess I =
take my low end=20
serious.&nbsp; </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Sorry so lengthy.&nbsp; i'm typing this =
from a=20
computer and i type faster than I think.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>chaz</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dedurbrow@sea.plala.or.jp =
href=3D"mailto:edurbrow@sea.plala.or.jp">Ed=20
  Durbrow</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, December 10, =
2011 11:12=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Boss PS-6 as a =
tool for=20
  looped bass.</DIV>
  <DIV><BR></DIV><BR>
  <DIV>
  <DIV>On Nov 28, 2011, at 6:56 AM, chaz worm wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN=20
    style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
    class=3DApple-style-span>I had an OC2 and I found it unacceptable =
for even my=20
    ridiculously low standards. I hated it.<SPAN=20
    class=3DApple-converted-space>&nbsp;</SPAN><BR>I went to the nearest =
used=20
    equipment store to find a replacement.<SPAN=20
    =
class=3DApple-converted-space>&nbsp;</SPAN></SPAN></BLOCKQUOTE></DIV>
  <DIV><BR></DIV>I'm happy to hear this not so glowing review because it =

  confirms my view. I wonder what put you off about it. For me, I find =
it=20
  difficult to operate. It keeps doing things I don't expect and trying =
to=20
  double stomp really messes me up (went out and immediately bought an =
FS-6=20
  footswitch). Reading the posts in this forum, I just figure everybody =
else is,=20
  like you say, at a different level. I want to loop, but I'm just =
finding it=20
  difficult. I have tried to use Mobius. It seems cool but I want to use =
it with=20
  footpedals. I bought a Behringer FBC1010 because I read that it was a =
good=20
  match for it. I cannot get it to do anything. I may have putty for =
brains but=20
  this stuff is not easy to get started with. If I had money, I'd pay =
for=20
  looping lessons.
  <DIV>cheers,<BR>
  <DIV apple-content-edited=3D"true"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"><SPAN=20
  style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Helvetica; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
  class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space">
  <DIV><SPAN style=3D"FONT-SIZE: 12px" class=3DApple-style-span>
  <DIV><FONT class=3DApple-style-span size=3D4 face=3DChalkboard><SPAN=20
  style=3D"FONT-SIZE: 14px" class=3DApple-style-span><FONT =
class=3DApple-style-span=20
  color=3D#6f6f6f><SPAN=20
  style=3D"LINE-HEIGHT: 15px; FONT-FAMILY: Georgia; COLOR: rgb(0,0,0); =
FONT-SIZE: 13px"=20
  class=3DApple-style-span><BR style=3D"LINE-HEIGHT: 1.22em"></SPAN>Ed=20
  Durbrow</FONT></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span size=3D4 face=3DChalkboard><SPAN=20
  style=3D"FONT-SIZE: 14px" class=3DApple-style-span><FONT =
class=3DApple-style-span=20
  color=3D#6f6f6f>Saitama, Japan</FONT></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span size=3D4 face=3DChalkboard><SPAN=20
  style=3D"FONT-SIZE: 14px" class=3DApple-style-span><A=20
  =
href=3D"http://www.musicianspage.com/musicians/9688/">http://www.musician=
spage.com/musicians/9688/</A></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span size=3D4 face=3DChalkboard><SPAN=20
  style=3D"FONT-SIZE: 14px" class=3DApple-style-span></SPAN></FONT><SPAN =

  style=3D"FONT-FAMILY: Chalkboard; COLOR: rgb(111,111,111); FONT-SIZE: =
14px"=20
  class=3DApple-style-span><A=20
  =
href=3D"http://www9.plala.or.jp/edurbrow/">http://www9.plala.or.jp/edurbr=
ow/</A></SPAN></DIV>
  =
<DIV><BR></DIV></SPAN></DIV></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV>=
</SPAN></DIV></SPAN></DIV></SPAN></DIV></SPAN><BR=20
  =
class=3DApple-interchange-newline></DIV><BR></DIV></BLOCKQUOTE></BODY></H=
TML>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 08:17:55 2011
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To: <Loopers-Delight@loopers-delight.com>
References: <4297907.1323559666706.JavaMail.root@elwamui-mouette.atl.sa.earthlink.net>
Subject: RE: LP2 - multiply?
Date: Sun, 11 Dec 2011 09:17:48 +0100
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I think it would be great to have a feature comparison chart, especially of
LP1 and LP2 ... or even better, of EDP/Moebius/Echoloop/Evoloop/LP1/LP2 ...
because there are so many similarities but also differences ... as for me, I
still don't really know what the LP2 can do and which of the amazing things
the LP1 does are incorporated in its little brother 

-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 08:19:21 2011
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Subject: Re: Boss PS-6 as a tool for looped bass.
References: <CA+4ax3FcQcaAvnsbPcNj5D5GL9zZT=TJEVMUgHsknEi44nhR+A@mail.gmail.com> <4ED207FB.3060502@tiscali.co.uk> <CA+4ax3HKzZ4qVYj77JVqcmXyuFXe8bt44rrhwpaxnPaGAR1TgA@mail.gmail.com> <CAFfQLe45Z=tOd7W1wM_AZVjG6CRNW28+evO7AADKhh=d0NKRig@mail.gmail.com> <4ED2A860.7060705@tiscali.co.uk> <8E2BB248-D06E-43E8-A6F5-BF0F626BDF26@earthwormandfire.com> <1345C462-307D-4D03-8180-B30F7C0D5AB5@sea.plala.or.jp> <777D77BACD0B43368099C6CAFC67C691@chazdebf28bffc>
From: chaz worm <chaz@earthwormandfire.com>
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My bad. "Clifford" is at my chazworm.com address I think.=20
I'm anything but a perfectionist.=20

Chaz Worm - singer, bass, banjo
Earth, Worm, &, Fire and
Electric Light Opry
http://ChazWorm.com
http://ELOpry.com
http://HankZeppelin.com
http://YouTube.com/ChazWorm


On Dec 11, 2011, at 3:15 AM, "chaz worm" <chaz@earthwormandfire.com> wrote:

> For starters it was probably the first pedal I ever had.  I was a bass pla=
yer / lead singer in a 3 person grunge/punk band (back when grungy wasn't co=
ol, mid-late 80's) and the idea of filling up all that space when my guitari=
st was doing his soaring solos seemed compelling in theory.=20
> "It would be like triple cloning myself for the  betterment of our meager b=
and", i thought. =20
> I assumed it would be an octave up and down.  I'm a real meat and potatoes=
 bass player.  I hate playing past the 5th fret and I go nights where I coul=
d easily lose my g-string too.  I could venture up into that guitar whelm I t=
hought.=20
> NO.  TWO octaves DOWN.  means I'm having to play the D and G strings aroun=
d the 7-9th frets.  SCREW THAT.=20
> I would rather anchor that bottom end.  screw the middle.
> Instead I was playing up so high my already cheap/bad bass sounded like a p=
opcorn fart.
> =20
> In summation I didn't feel it tracked well and it sounded worse.  Be that a=
s it may I still found it superior to the dane-electro pedal (i think, actua=
lly I think mine is now in the trash) that people spoke well of.  it was HOR=
RIBLE.  I hated it.=20
> I thought of selling it to somone on this list.  I would sell it for 20 in=
 a heart beat but I couldn't with a good concious.  I truly felt my pedal ha=
d to be bad.=20
> My main ax is a 50 dollar banjo that I defretted to make a minstrel banjo.=
=20
> MY EARS AREN"T THAT DELICATE.
> I will convince my head that something sounds good even if its crap.  As l=
ong as its different, and more importantly, CHEAP.
> please listen to my best song, Clifford Ratliff in which I feature said ba=
njo.=20
> ITS CRAP but the song suites it.
> I'm just a crappy guy but I guess I take my low end serious.=20
> Sorry so lengthy.  i'm typing this from a computer and i type faster than I=
 think.
> =20
> chaz
> ----- Original Message -----
> From: Ed Durbrow
> To: Loopers-Delight@loopers-delight.com
> Sent: Saturday, December 10, 2011 11:12 PM
> Subject: Re: Boss PS-6 as a tool for looped bass.
>=20
>=20
> On Nov 28, 2011, at 6:56 AM, chaz worm wrote:
>=20
>> I had an OC2 and I found it unacceptable for even my ridiculously low sta=
ndards. I hated it.=20
>> I went to the nearest used equipment store to find a replacement.=20
>=20
>=20
> I'm happy to hear this not so glowing review because it confirms my view. I=
 wonder what put you off about it. For me, I find it difficult to operate. I=
t keeps doing things I don't expect and trying to double stomp really messes=
 me up (went out and immediately bought an FS-6 footswitch). Reading the pos=
ts in this forum, I just figure everybody else is,    like you say, at a dif=
ferent level. I want to loop, but I'm just finding it difficult. I have trie=
d to use Mobius. It seems cool but I want to use it with footpedals. I bough=
t a Behringer FBC1010 because I read that it was a good match for it. I cann=
ot get it to do anything. I may have putty for brains but this stuff is not e=
asy to get started with. If I had money, I'd pay for looping lessons.
> cheers,
>=20
> Ed Durbrow
> Saitama, Japan
> http://www.musicianspage.com/musicians/9688/
> http://www9.plala.or.jp/edurbrow/
>=20
>=20
>=20

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<html><head></head><body bgcolor="#FFFFFF"><div>My bad. "Clifford" is at my <a href="http://chazworm.com">chazworm.com</a> address I think.&nbsp;</div><div>I'm anything but a perfectionist.&nbsp;<br><br><div><div>Chaz Worm - singer, bass, banjo</div><div>Earth, Worm, &amp;, Fire and</div><div>Electric Light Opry</div><div><a href="http://ChazWorm.com">http://ChazWorm.com</a></div><div><a href="http://ELOpry.com">http://ELOpry.com</a></div><div><a href="http://HankZeppelin.com">http://HankZeppelin.com</a></div><div><a href="http://YouTube.com/ChazWorm">http://YouTube.com/ChazWorm</a></div><div><br></div></div></div><div><br>On Dec 11, 2011, at 3:15 AM, "chaz worm" &lt;<a href="mailto:chaz@earthwormandfire.com">chaz@earthwormandfire.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<meta content="text/html; charset=iso-8859-1" http-equiv="Content-Type">
<meta name="GENERATOR" content="MSHTML 8.00.6001.19154">
<style></style>


<div><font size="2" face="Arial">For starters it was probably the first pedal I ever 
had.&nbsp; I was a bass player / lead singer in a 3 person grunge/punk band 
(back when grungy wasn't cool, mid-late 80's) and the idea of filling up all 
that space when my guitarist was doing his soaring solos seemed compelling in 
theory.&nbsp; </font></div>
<div><font size="2" face="Arial">"It would be like triple cloning myself for the 
betterment of our meager band", i thought.&nbsp; </font></div>
<div><font size="2" face="Arial">I assumed it would be an octave up and down.&nbsp; 
I'm a real meat and potatoes bass player.&nbsp; I hate playing past the 5th fret 
and I go nights where I could easily lose my g-string too.&nbsp; I could venture 
up into that guitar whelm I thought.&nbsp; </font></div>
<div><font size="2" face="Arial">NO.&nbsp; TWO octaves DOWN.&nbsp; means I'm having 
to play the D and G strings around the 7-9th frets.&nbsp; SCREW THAT.&nbsp; 
</font></div>
<div><font size="2" face="Arial">I would rather anchor that bottom end.&nbsp; screw 
the middle.</font></div>
<div><font size="2" face="Arial">Instead I was playing up so high my already 
cheap/bad bass sounded like a popcorn fart.</font></div>
<div><font size="2" face="Arial"></font>&nbsp;</div>
<div><font size="2" face="Arial">In summation I didn't feel it tracked well and it 
sounded worse.&nbsp; Be that as it may I still found it superior to the 
dane-electro pedal (i think, actually I think mine is now in the trash) that 
people spoke well of.&nbsp; it was HORRIBLE.&nbsp; I hated 
it.&nbsp;</font></div>
<div><font size="2" face="Arial">I thought of selling it to somone on this 
list.&nbsp; I would sell it for 20 in a heart beat but I couldn't with a good 
concious.&nbsp; I truly felt my pedal had to be bad.&nbsp; </font></div>
<div><font size="2" face="Arial">My main ax is a 50 dollar banjo that I defretted to 
make a minstrel banjo.&nbsp; </font></div>
<div><font size="2" face="Arial">MY EARS AREN"T THAT DELICATE.</font></div>
<div><font size="2" face="Arial">I will convince my head that something sounds good 
even if its crap.&nbsp; As long as its different, and more importantly, 
CHEAP.</font></div>
<div><font size="2" face="Arial">please listen to my best song, Clifford Ratliff in 
which I feature said banjo.&nbsp; </font></div>
<div><font size="2" face="Arial">ITS CRAP but the song suites it.</font></div>
<div><font size="2" face="Arial">I'm just a crappy guy but I guess I take my low end 
serious.&nbsp; </font></div>
<div><font size="2" face="Arial">Sorry so lengthy.&nbsp; i'm typing this from a 
computer and i type faster than I think.</font></div>
<div><font size="2" face="Arial"></font>&nbsp;</div>
<div><font size="2" face="Arial">chaz</font></div>
<blockquote style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" dir="ltr">
  <div style="FONT: 10pt arial">----- Original Message ----- </div>
  <div style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><b>From:</b> 
  <a title="edurbrow@sea.plala.or.jp" href="mailto:edurbrow@sea.plala.or.jp">Ed 
  Durbrow</a> </div>
  <div style="FONT: 10pt arial"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a> 
  </div>
  <div style="FONT: 10pt arial"><b>Sent:</b> Saturday, December 10, 2011 11:12 
  PM</div>
  <div style="FONT: 10pt arial"><b>Subject:</b> Re: Boss PS-6 as a tool for 
  looped bass.</div>
  <div><br></div><br>
  <div>
  <div>On Nov 28, 2011, at 6:56 AM, chaz worm wrote:</div><br class="Apple-interchange-newline">
  <blockquote type="cite"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">I had an OC2 and I found it unacceptable for even my 
    ridiculously low standards. I hated it.<span class="Apple-converted-space">&nbsp;</span><br>I went to the nearest used 
    equipment store to find a replacement.<span class="Apple-converted-space">&nbsp;</span></span></blockquote></div>
  <div><br></div>I'm happy to hear this not so glowing review because it 
  confirms my view. I wonder what put you off about it. For me, I find it 
  difficult to operate. It keeps doing things I don't expect and trying to 
  double stomp really messes me up (went out and immediately bought an FS-6 
  footswitch). Reading the posts in this forum, I just figure everybody else is, 
  like you say, at a different level. I want to loop, but I'm just finding it 
  difficult. I have tried to use Mobius. It seems cool but I want to use it with 
  footpedals. I bought a Behringer FBC1010 because I read that it was a good 
  match for it. I cannot get it to do anything. I may have putty for brains but 
  this stuff is not easy to get started with. If I had money, I'd pay for 
  looping lessons.
  <div>cheers,<br>
  <div apple-content-edited="true"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">
  <div style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">
  <div style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">
  <div style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">
  <div style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Geneva; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">
  <div style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Helvetica; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">
  <div style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space"><span style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium Helvetica; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class="Apple-style-span">
  <div style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space">
  <div><span style="FONT-SIZE: 12px" class="Apple-style-span">
  <div><font class="Apple-style-span" size="4" face="Chalkboard"><span style="FONT-SIZE: 14px" class="Apple-style-span"><font class="Apple-style-span" color="#6f6f6f"><span style="LINE-HEIGHT: 15px; FONT-FAMILY: Georgia; COLOR: rgb(0,0,0); FONT-SIZE: 13px" class="Apple-style-span"><br style="LINE-HEIGHT: 1.22em"></span>Ed 
  Durbrow</font></span></font></div>
  <div><font class="Apple-style-span" size="4" face="Chalkboard"><span style="FONT-SIZE: 14px" class="Apple-style-span"><font class="Apple-style-span" color="#6f6f6f">Saitama, Japan</font></span></font></div>
  <div><font class="Apple-style-span" size="4" face="Chalkboard"><span style="FONT-SIZE: 14px" class="Apple-style-span"><a href="http://www.musicianspage.com/musicians/9688/">http://www.musicianspage.com/musicians/9688/</a></span></font></div>
  <div><font class="Apple-style-span" size="4" face="Chalkboard"><span style="FONT-SIZE: 14px" class="Apple-style-span"></span></font><span style="FONT-FAMILY: Chalkboard; COLOR: rgb(111,111,111); FONT-SIZE: 14px" class="Apple-style-span"><a href="http://www9.plala.or.jp/edurbrow/">http://www9.plala.or.jp/edurbrow/</a></span></div>
  <div><br></div></span></div></div></span></div></span></div></span></div></span></div></span></div></span></div></span><br class="Apple-interchange-newline"></div><br></div></blockquote>
</div></blockquote></body></html>
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Subject: Re: Electribe ESX (was Re: Roland GR55 - First Impressions review)
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*On Nov 28, 2011, at 2:06 PM, mark francombe wrote:
Recent sales of neglected gear have resulted in two purchases. The Korg
Electribe ESX (As suggested by Philip I believe) and the much lauded Roland
GR55 Guitar synth.Lets take that one now, and the drum-machine later.*
*On Sun, Dec 11, 2011 at 12:06 AM, Mark Hamburg <mark@grubmah.com> wrote:*
*Still looking forward to the ESX review...

OK Then Mark!
*Well, a few caveats first*,* I have NOT had enough time to really go
through the whole machine, and some funky issues I have, may simply be
NEWB-ness.
Having said that, I dive in. I will say at the outset that I have always
been a BIG lover of drum-machines, and have owned many, and wish to God
that I had kept every last one of them. I might even make a page on my blog
listing them.

**There is no doubt in my mind that this one is by far the best
drum-machine I have ever owned. Of course an 808 or a 606 has/had its
unbeatable features, but the Electribe ESX1 is a sampler, and as such you
can have any sounds you want. Of course pitching an 808 bass-drum on an 808
is always going to be better than pitching a sampler, but this is a new
drum-machine with its own sound in a way. It comes with a stack of drum
sounds and OK-ish instruments, but interestingly NOT NAMED.. the 808 Bass
drum is just called BD-2. And its not stuffed full of sounds (My previous
Dr Groove had 512 sounds... I NEVER could be bothered to go through them)
So, This is quite good in a way, it encourages you to make your own
samples... I have been sampling pins dropping, tiny little sandpaper
scrapes, teeth clacking, and plastic bottles filled with water...

But to Sampling later.

The Electribes are known for its live tweakability, and the effect section
is great (the reverb however is un-usable) But basically there are 3
effects sends, and every intrument can be assigned to any of the sends. The
sends can be routed, machine wide to go from one send into the next. and
the instruments can be "tapped" into that chain at any point. So a hi hat
can get delay, and a snare can get bit-crushing AND delay.
I am enjoying having three delays with different delay times, and then
punching in and out the different times. There is something they call a
Motion Sequence. This is grabbed from the KP3 and is automation of your
effect tweaking... I think this is probably very powerful, but haven't
really gone into it too much. But alot of things can be solved using this.
For example, I was quite disappointed that it doesnt have proper (OK any)
method to adjust individual note volume (velocity). To make realistic drum
patterns this is an absolute necessity. Well firstly I though, well of
course this is a "dance oriented" machine and as such the subtleties of
realistic drum programming are lost on this genre... but then I realized
that with a bit of subtle tweaking of the instrument level knob WHILE
RECORDING ON THE MOTION SEQ, got me very quickly a subtly varying velocity
on that instrument within the pattern. Not realistic, but very very nice.

The fact that every instrument can be modulated by effects, an lfo on
volume filter and pan, the length of the sample envelope ( Basic, would
have liked an Attack, as well of  just Decay) every sample can be reversed
and have its in point adjusted live, fantastic for scanning thru a long
varying drone sample ( a bit like wave-table scanning).

Which brings me to the sampler section, and types of sample, and the not so
OT part of this topic.
I should mention that I knew beforehand that an audio input can be treated
by the effects and indeed can have a pattern recorded on the grid, so you
can "Trance gate" incoming audio. this is of course fun, but I must admit
that I thought that sampling would be just as fun.
I was imagining, and interpreted the manual online before my purchase, that
one could A) SAMPLE LIVE... as the pattern was playing, and, B) in much the
same way that I understand the Elektron Octatrack works, the sample you
JUST made could be triggered by a pre-programmed grid.
Not the case on either of the above. Infact (why? Why? WHY?) you HAVE to
stop the pattern playing and sample in a stopped position. EVEN WORSE, you
have to EDIT the sample in a stopped position. This to me has resulted in a
flurry of forum posts onto the quite dead Electribe Forum, regarding HOW
THE HELL CAN YOU EDIT A DRUM LOOP IN THE MACHINE. If you cant hear it
looping IN SITU, you can't tell if you have the right in-point. You can
always find a LOOP point ok, but does that loop sit, in sync, with other
elements on the grid? You cant tell wothout going out of Sample editting
mode and listening to it in a pattern, and IF you are planning that to be
one of the "special sample modes" its even worse, cos you have to perform
an operation first.

So The ESX went, for me, from being a potential weird LIVE LOOPING DEVICE,
to being... well... a drum-machine.

God... 20 years ago, I was LIVE sampling into my Akai S1000 while it was
triggered by my Amiga Computer running Octamed... And you cant do it now???

Second sample issue: The pointlessness of the Stretch and Slice samples.
There are 3 "types" of samples on the ESX. A regular one shot sample, meant
for individual drum sounds. Great, no arguments here... On these sounds you
have all you need to edit the sound on the front panel, as the ESX has a
knob for Start Point.
But the other modes???
Stretch part: A time shifted part (you have 1 stereo slot, or 2 mono) that
will stay the same length however you pitch it.. lots of fun.. BUT IF YOU
CAN EDIT YOUR SAMPLE SEE ABOVE. you HAVE to get the sample length exactly
correct because when you run the program that turns it into the Stretch
Sample, it has to divide correctly. but If you cant edit in sync with the
drum machine, it pretty impossible to do.
But then THE TOTALLY pointless SLICE part. "What you you mean Mark? Isnt
this like a Rex file on Reason? But arnt they cool as F***???) Well yes it
is.. This (for the younger amongst us) was the method we used in the old
days, to enable speeding up and slowing down of drum loops. One slice the
loop into 16 beats ( I did 8, couldn't be assed) BY HAND, on our
samplers... (lots of maths and keeping notes to not erase a slice by
accident and lots of annoying naming with a scroll wheels) So that when you
programmed your beat you assigned one slice to a different note and then
played a scale on the sequencer to re build your loop.

This you can do on the ESX, infact its easy! But then... the next (AND
IMPORTANT) part of slicing was that it gave us the ability to rearrange a
drum-loop... who cares about speeding it up, we can do that in other ways
not (see STRETCH PART above) but no.. REARRANGING  DRUM LOOP SLICES CANNOT
BE DONE ON THE ESX!!! So what CAN be done? Well you can mute bits of it...
thats it... totally pointless!!!
OK.. there IS a way to take a drum loop, slice it, then assign each slice
to a REGULAR sample slot, and re prgram you beat THAT WAY (Infact this is a
nifty way to load up a whole bunch of drum sounds. Put them all into one
big Wav fale then slice it, and then add then BY SLICE to the regular pads-
it also saves onf ESX memory "slots")
So I really dont have a clue what they were thinking here... Its like they
knew that thsi technique was used in Break-beat music, but never fully
understood why!

I got some ansers from the forums regarding HOW people were editing samples
ON the ESX... There are not, they are just importing drum loops from the
computer. (I have another problem with this ... see below)

To summarize with:

Its beautifully made, strong, metal, heavy and a joy to play with as a
result!
The demo songs, (though crap) do demonstrate what is possible on this unit,
and if you were doing dance music, I would say maybe you need nothing else.
I cant currently get samples off my computer and on to a SD card, but this
maybe an issue I can solve sometime. It might be the type of card or I
might be able to run some kind of software, but weirdly Korg don't make a
editor software!
OH, and the Valves.. a gimmick.. they sound horrible. turn them off! Warm
distortion.. my arse! (there is some talk of swapping them out for an
alternative valve, making some improvements, but its NOT like the valve
distortion can be assigned to one instrument, its to the whole damn mix...
who needs that?)

As Mr Walker said, about my GR55 review, Ive been REALLY critical here...
remember Im a grumpy Englishman and as such always look for the worse in
things (people) After all this criticism, I want people to review what I
said right at the start of this review. The place I marked with two
asterisks ...
**
thus.

MArk

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

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<b><font size=3D"1">On Nov 28, 2011, at 2:06 PM, mark francombe wrote:<br>R=
ecent sales of neglected gear have resulted in two purchases. The Korg Elec=
tribe ESX (As suggested by Philip I believe) and the much lauded Roland GR5=
5 Guitar synth.</font><font size=3D"1"><span style=3D"border-collapse:separ=
ate;font-family:Helvetica;font-style:normal;font-variant:normal;font-weight=
:normal;letter-spacing:normal;line-height:normal;text-indent:0px;text-trans=
form:none;white-space:normal;word-spacing:0px">Lets take that one now, and =
the drum-machine later.</span></font></b><div style=3D"word-wrap:break-word=
">

<b><font size=3D"1">On Sun, Dec 11, 2011 at 12:06 AM, Mark Hamburg <span di=
r=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah.com">mark@grubmah.com</a>&gt;<=
/span> wrote:</font></b></div><div class=3D"gmail_quote"><div><b><font size=
=3D"1">Still looking forward to the ESX review...<br>

<br><font>OK Then Mark! <br></font></font></b><font size=3D"1"><font>Well</=
font></font><font size=3D"1"><font>, a few caveats first</font></font><b><f=
ont size=3D"1"><font>,</font></font></b><font size=3D"1"><font> I have NOT =
had enough time to really go through the whole machine, and some funky issu=
es I have, may simply be NEWB-ness. <br>

Having said that, I dive in. I will say at the outset that I have always be=
en a BIG lover of drum-machines</font></font>, and have owned many, and wis=
h to God that I had kept every last one of them. I might even make a page o=
n my blog listing them.<br>

<br>**There is no doubt in my mind that this one is by far the best drum-ma=
chine I have ever owned. Of course an 808 or a 606 has/had its unbeatable f=
eatures, but the Electribe ESX1 is a sampler, and as such you can have any =
sounds you want. Of course pitching an 808 bass-drum on an 808 is always go=
ing to be better than pitching a sampler, but this is a new drum-machine wi=
th its own sound in a way. It comes with a stack of drum sounds and OK-ish =
instruments, but interestingly NOT NAMED.. the 808 Bass drum is just called=
 BD-2. And its not stuffed full of sounds (My previous Dr Groove had 512 so=
unds... I NEVER could be bothered to go through them) So, This is quite goo=
d in a way, it encourages you to make your own samples... I have been sampl=
ing pins dropping, tiny little sandpaper scrapes, teeth clacking, and plast=
ic bottles filled with water...<br>

<br>But to Sampling later.<br><br>The Electribes are known for its live twe=
akability, and the effect section is great (the reverb however is un-usable=
) But basically there are 3 effects sends, and every intrument can be assig=
ned to any of the sends. The sends can be routed, machine wide to go from o=
ne send into the next. and the instruments can be &quot;tapped&quot; into t=
hat chain at any point. So a hi hat can get delay, and a snare can get bit-=
crushing AND delay. <br>

I am enjoying having three delays with different delay times, and then punc=
hing in and out the different times. There is something they call a Motion =
Sequence. This is grabbed from the KP3 and is automation of your effect twe=
aking... I think this is probably very powerful, but haven&#39;t really gon=
e into it too much. But alot of things can be solved using this.<br>

For example, I was quite disappointed that it doesnt have proper (OK any) m=
ethod to adjust individual note volume (velocity). To make realistic drum p=
atterns this is an absolute necessity. Well firstly I though, well of cours=
e this is a &quot;dance oriented&quot; machine and as such the subtleties o=
f realistic drum programming are lost on this genre... but then I realized =
that with a bit of subtle tweaking of the instrument level knob WHILE RECOR=
DING ON THE MOTION SEQ, got me very quickly a subtly varying velocity on th=
at instrument within the pattern. Not realistic, but very very nice. <br>

<br>The fact that every instrument can be modulated by effects, an lfo on v=
olume filter and pan, the length of the sample envelope ( Basic, would have=
 liked an Attack, as well of=A0 just Decay) every sample can be reversed an=
d have its in point adjusted live, fantastic for scanning thru a long varyi=
ng drone sample ( a bit like wave-table scanning).<br>

<br>Which brings me to the sampler section, and types of sample, and the no=
t so OT part of this topic. <br>I should mention that I knew beforehand tha=
t an audio input can be treated by the effects and indeed can have a patter=
n recorded on the grid, so you can &quot;Trance gate&quot; incoming audio. =
this is of course fun, but I must admit that I thought that sampling would =
be just as fun.<br>

I was imagining, and interpreted the manual online before my purchase, that=
 one could A) SAMPLE LIVE... as the pattern was playing, and, B) in much th=
e same way that I understand the Elektron Octatrack works, the sample you J=
UST made could be triggered by a pre-programmed grid. <br>

Not the case on either of the above. Infact (why? Why? WHY?) you HAVE to st=
op the pattern playing and sample in a stopped position. EVEN WORSE, you ha=
ve to EDIT the sample in a stopped position. This to me has resulted in a f=
lurry of forum posts onto the quite dead Electribe Forum, regarding HOW THE=
 HELL CAN YOU EDIT A DRUM LOOP IN THE MACHINE. If you cant hear it looping =
IN SITU, you can&#39;t tell if you have the right in-point. You can always =
find a LOOP point ok, but does that loop sit, in sync, with other elements =
on the grid? You cant tell wothout going out of Sample editting mode and li=
stening to it in a pattern, and IF you are planning that to be one of the &=
quot;special sample modes&quot; its even worse, cos you have to perform an =
operation first.<br>

<br>So The ESX went, for me, from being a potential weird LIVE LOOPING DEVI=
CE, to being... well... a drum-machine.<br><br>God... 20 years ago, I was L=
IVE sampling into my Akai S1000 while it was triggered by my Amiga Computer=
 running Octamed... And you cant do it now???<br>

<br>Second sample issue: The pointlessness of the Stretch and Slice samples=
.<br>There are 3 &quot;types&quot; of samples on the ESX. A regular one sho=
t sample, meant for individual drum sounds. Great, no arguments here... On =
these sounds you have all you need to edit the sound on the front panel, as=
 the ESX has a knob for Start Point.<br>

But the other modes???<br>Stretch part: A time shifted part (you have 1 ste=
reo slot, or 2 mono) that will stay the same length however you pitch it.. =
lots of fun.. BUT IF YOU CAN EDIT YOUR SAMPLE SEE ABOVE. you HAVE to get th=
e sample length exactly correct because when you run the program that turns=
 it into the Stretch Sample, it has to divide correctly. but If you cant ed=
it in sync with the drum machine, it pretty impossible to do.<br>

But then THE TOTALLY pointless SLICE part. &quot;What you you mean Mark? Is=
nt this like a Rex file on Reason? But arnt they cool as F***???) Well yes =
it is.. This (for the younger amongst us) was the method we used in the old=
 days, to enable speeding up and slowing down of drum loops. One slice the =
loop into 16 beats ( I did 8, couldn&#39;t be assed) BY HAND, on our sample=
rs... (lots of maths and keeping notes to not erase a slice by accident and=
 lots of annoying naming with a scroll wheels) So that when you programmed =
your beat you assigned one slice to a different note and then played a scal=
e on the sequencer to re build your loop. <br>

<br>This you can do on the ESX, infact its easy! But then... the next (AND =
IMPORTANT) part of slicing was that it gave us the ability to rearrange a d=
rum-loop... who cares about speeding it up, we can do that in other ways no=
t (see STRETCH PART above) but no.. REARRANGING=A0 DRUM LOOP SLICES CANNOT =
BE DONE ON THE ESX!!! So what CAN be done? Well you can mute bits of it... =
thats it... totally pointless!!!<br>

OK.. there IS a way to take a drum loop, slice it, then assign each slice t=
o a REGULAR sample slot, and re prgram you beat THAT WAY (Infact this is a =
nifty way to load up a whole bunch of drum sounds. Put them all into one bi=
g Wav fale then slice it, and then add then BY SLICE to the regular pads- i=
t also saves onf ESX memory &quot;slots&quot;)<br>

So I really dont have a clue what they were thinking here... Its like they =
knew that thsi technique was used in Break-beat music, but never fully unde=
rstood why!<br><br>I got some ansers from the forums regarding HOW people w=
ere editing samples ON the ESX... There are not, they are just importing dr=
um loops from the computer. (I have another problem with this ... see below=
)<br>

<br>To summarize with:<br><br>Its beautifully made, strong, metal, heavy an=
d a joy to play with as a result!<br>The demo songs, (though crap) do demon=
strate what is possible on this unit, and if you were doing dance music, I =
would say maybe you need nothing else.<br>

I cant currently get samples off my computer and on to a SD card, but this =
maybe an issue I can solve sometime. It might be the type of card or I migh=
t be able to run some kind of software, but weirdly Korg don&#39;t make a e=
ditor software!<br>

OH, and the Valves.. a gimmick.. they sound horrible. turn them off! Warm d=
istortion.. my arse! (there is some talk of swapping them out for an altern=
ative valve, making some improvements, but its NOT like the valve distortio=
n can be assigned to one instrument, its to the whole damn mix... who needs=
 that?)<br>

<br>As Mr Walker said, about my GR55 review, Ive been REALLY critical here.=
.. remember Im a grumpy Englishman and as such always look for the worse in=
 things (people) After all this criticism, I want people to review what I s=
aid right at the start of this review. The place I marked with two asterisk=
s ...<br>

**<br>thus. <br><br>MArk<br clear=3D"all"></div></div><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255,255,255);background-color:=
rgb(0,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4">=
<u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

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Subject: Re: LP2 - multiply?
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Didnt Per have something like this on his website once?
Is it up to date Per?

On Sun, Dec 11, 2011 at 9:17 AM, Michael Peters <mp@mpeters.de> wrote:

> I think it would be great to have a feature comparison chart, especially of
> LP1 and LP2 ... or even better, of EDP/Moebius/Echoloop/Evoloop/LP1/LP2 ...
> because there are so many similarities but also differences ... as for me,
> I
> still don't really know what the LP2 can do and which of the amazing things
> the LP1 does are incorporated in its little brother
>
> -Michael
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf300513e28d72bb04b3ce3449
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Didnt Per have something like this on his website once?<br>Is it up to date=
 Per?<br><br><div class=3D"gmail_quote">On Sun, Dec 11, 2011 at 9:17 AM, Mi=
chael Peters <span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpet=
ers.de</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">I think it would be great to have a feature =
comparison chart, especially of<br>
LP1 and LP2 ... or even better, of EDP/Moebius/Echoloop/Evoloop/LP1/LP2 ...=
<br>
because there are so many similarities but also differences ... as for me, =
I<br>
still don&#39;t really know what the LP2 can do and which of the amazing th=
ings<br>
the LP1 does are incorporated in its little brother<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
-Michael<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255,255,255);background-color:=
rgb(0,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4">=
<u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

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Programming the FCB1010, if its the firts thing youve done in midi world..
would be hell.
But its NOT as hard as people make out.
I have instructions on my blog at:
http://www.markfrancombe.com/wordpress/?p=49

However if you are going for Mobius, I really suggest that you do what Per
does, and let the programming of your pedal be done by Mobius, not the FCB.
OK It might be wise later one to set the FCB to have a set of clean default
midi note numbers.
(But you can skip this and try with whatever the FCB is already programmed
with... might work???)

What I mean by that is you need to program PEDAL ONE to send a midi note.
(press DOWN and hold Press UP once to pass a function we dont need. YOu
then see lights on different pedals, this shows WHAT is being programmed,
turn every light off by pressing a pedal, till only pedal 10 is lit. This
means midi note. Press UP to edit THAT. select number ONE, and then press
UP again, to save... Press DOWN and HOLD; to leave programing. You have now
programmed a pedal to send midi note 1. Now doe the same for the 10 pedals
increasing the number. SO that pedal 2 gets midi note 2 and so on.

THEN Never touch the FCB1010 again. Everything you do now is within the
midi binding window in Mobius. Just select a parameter you want to control
from a pedal, click learn, and press the pedal. It should show you what the
pedal just sent... Do this with all the commands you want... On the bog
page I have incuded a list of the most sensible starting up paremeters. But
bare in mind this is meant for EDP so you need to decode the difference

hope this helps

Mark


On Sun, Dec 11, 2011 at 5:12 AM, Ed Durbrow <edurbrow@sea.plala.or.jp>wrote:

>
> On Nov 28, 2011, at 6:56 AM, chaz worm wrote:
>
> I had an OC2 and I found it unacceptable for even my ridiculously low
> standards. I hated it.
> I went to the nearest used equipment store to find a replacement.
>
>
> I'm happy to hear this not so glowing review because it confirms my view.
> I wonder what put you off about it. For me, I find it difficult to operate.
> It keeps doing things I don't expect and trying to double stomp really
> messes me up (went out and immediately bought an FS-6 footswitch). Reading
> the posts in this forum, I just figure everybody else is, like you say, at
> a different level. I want to loop, but I'm just finding it difficult. I
> have tried to use Mobius. It seems cool but I want to use it with
> footpedals. I bought a Behringer FBC1010 because I read that it was a good
> match for it. I cannot get it to do anything. I may have putty for brains
> but this stuff is not easy to get started with. If I had money, I'd pay for
> looping lessons.
> cheers,
>
> Ed Durbrow
> Saitama, Japan
> http://www.musicianspage.com/musicians/9688/
> http://www9.plala.or.jp/edurbrow/
>
>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--005045017548ea5e9704b3ce6372
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Programming the FCB1010, if its the firts thing youve done in midi world.. =
would be hell.<br>But its NOT as hard as people make out.<br>I have instruc=
tions on my blog at:<br><a href=3D"http://www.markfrancombe.com/wordpress/?=
p=3D49">http://www.markfrancombe.com/wordpress/?p=3D49</a><br>

<br>However if you are going for Mobius, I really suggest that you do what =
Per does, and let the programming of your pedal be done by Mobius, not the =
FCB. OK It might be wise later one to set the FCB to have a set of clean de=
fault midi note numbers. <br>

(But you can skip this and try with whatever the FCB is already programmed =
with... might work???)<br><br>What I mean by that is you need to program PE=
DAL ONE to send a midi note. (press DOWN and hold Press UP once to pass a f=
unction we dont need. YOu then see lights on different pedals, this shows W=
HAT is being programmed, turn every light off by pressing a pedal, till onl=
y pedal 10 is lit. This means midi note. Press UP to edit THAT. select numb=
er ONE, and then press UP again, to save... Press DOWN and HOLD; to leave p=
rograming. You have now programmed a pedal to send midi note 1. Now doe the=
 same for the 10 pedals increasing the number. SO that pedal 2 gets midi no=
te 2 and so on.<br>

<br>THEN Never touch the FCB1010 again. Everything you do now is within the=
 midi binding window in Mobius. Just select a parameter you want to control=
 from a pedal, click learn, and press the pedal. It should show you what th=
e pedal just sent... Do this with all the commands you want... On the bog p=
age I have incuded a list of the most sensible starting up paremeters. But =
bare in mind this is meant for EDP so you need to decode the difference<br>

<br>hope this helps<br><br>Mark<br><br><br><div class=3D"gmail_quote">On Su=
n, Dec 11, 2011 at 5:12 AM, Ed Durbrow <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:edurbrow@sea.plala.or.jp">edurbrow@sea.plala.or.jp</a>&gt;</span> wrote=
:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word"><br><div=
><div>On Nov 28, 2011, at 6:56 AM, chaz worm wrote:</div><br><blockquote ty=
pe=3D"cite">

<span style=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Geneva=
;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:no=
rmal;line-height:normal;text-align:-webkit-auto;text-indent:0px;text-transf=
orm:none;white-space:normal;word-spacing:0px;font-size:medium">I had an OC2=
 and I found it unacceptable for even my ridiculously low standards. I hate=
d it.<span>=A0</span><br>

I went to the nearest used equipment store to find a replacement.<span>=A0<=
/span></span></blockquote></div><div><br></div>I&#39;m happy to hear this n=
ot so glowing review because it confirms my view. I wonder what put you off=
 about it. For me, I find it difficult to operate. It keeps doing things I =
don&#39;t expect and trying to double stomp really messes me up (went out a=
nd immediately bought an FS-6 footswitch). Reading the posts in this forum,=
 I just figure everybody else is, like you say, at a different level. I wan=
t to loop, but I&#39;m just finding it difficult. I have tried to use Mobiu=
s. It seems cool but I want to use it with footpedals. I bought a Behringer=
 FBC1010 because I read that it was a good match for it. I cannot get it to=
 do anything. I may have putty for brains but this stuff is not easy to get=
 started with. If I had money, I&#39;d pay for looping lessons.<div>

cheers,<span class=3D"HOEnZb"><font color=3D"#888888"><br><div> <span style=
=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Geneva;font-style=
:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-h=
eight:normal;text-align:auto;text-indent:0px;text-transform:none;white-spac=
e:normal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-w=
ord">

<span style=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Geneva=
;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:no=
rmal;line-height:normal;text-indent:0px;text-transform:none;white-space:nor=
mal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word">

<span style=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Geneva=
;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:no=
rmal;line-height:normal;text-indent:0px;text-transform:none;white-space:nor=
mal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word">

<span style=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Geneva=
;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:no=
rmal;line-height:normal;text-indent:0px;text-transform:none;white-space:nor=
mal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word">

<span style=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Geneva=
;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:no=
rmal;line-height:normal;text-indent:0px;text-transform:none;white-space:nor=
mal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word">

<span style=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Helvet=
ica;font-size:medium;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">

<span style=3D"border-collapse:separate;color:rgb(0,0,0);font-family:Helvet=
ica;font-size:medium;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">

<div><span style=3D"font-size:12px"><div><font face=3D"Chalkboard" size=3D"=
4"><span style=3D"font-size:14px"><font color=3D"#6F6F6F"><span style=3D"co=
lor:rgb(0,0,0);font-family:Georgia;font-size:13px;line-height:15px"><br sty=
le=3D"line-height:1.22em">

</span>Ed Durbrow</font></span></font></div><div><font face=3D"Chalkboard" =
size=3D"4"><span style=3D"font-size:14px"><font color=3D"#6F6F6F">Saitama, =
Japan</font></span></font></div><div><font face=3D"Chalkboard" size=3D"4"><=
span style=3D"font-size:14px"><a href=3D"http://www.musicianspage.com/music=
ians/9688/" target=3D"_blank">http://www.musicianspage.com/musicians/9688/<=
/a></span></font></div>

<div><font face=3D"Chalkboard" size=3D"4"><span style=3D"font-size:14px"></=
span></font><span style=3D"font-family:Chalkboard;font-size:14px;color:rgb(=
111,111,111)"><a href=3D"http://www9.plala.or.jp/edurbrow/" target=3D"_blan=
k">http://www9.plala.or.jp/edurbrow/</a></span></div>

<div><br></div></span></div></div></span></div></span></div></span></div></=
span></div></span></div></span></div></span><br> </div><br></font></span></=
div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"f=
ont-family:verdana,sans-serif;color:rgb(255,255,255);background-color:rgb(0=
,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Ma=
rk Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--005045017548ea5e9704b3ce6372--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 10:59:36 2011
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mark francombe schrieb:
> Programming the FCB1010, if its the firts thing youve done in midi 
> world.. would be hell.
> But its NOT as hard as people make out.
> I have instructions on my blog at:
> http://www.markfrancombe.com/wordpress/?p=49
There's two things that make this cumbersome: first, there's quite some 
functionality hidden in that primitive programming user interface. Then, 
the sheer number of button presses required to program all the MIDI 
notes and exp pedals for all of your switches (not just the first 10) 
isn't that much fun...

I personally used this freeware editor (windows only afaik):
http://host.mtnsys.com:81/faq-fcb/PCEditorBeta.htm

There might be other alternatives available.

And as suggested, after you've done that, make sure to never go into 
programming mode again. Heck, I think the last time I did this was 2005?

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 11:25:11 2011
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On Sun, Dec 11, 2011 at 11:59 AM, Rainer Straschill <
moinsound@googlemail.com> wrote:

>
> And as suggested, after you've done that, make sure to never go into
> programming mode again. Heck, I think the last time I did this was 2005?


There is some Mac software I believe, but its only for firmware 2 or above
(does it go above 2?) My FCB is firmware 1.00 and has lasted 8 years, with
only a few switches going dodgy that I replaced simply and easily)  And I
find programming it pretty simple now... The weirdness of which you spoke
is I believe the initial setting up of the global shit... If anyone needs
another explanation of that just ask...

Ufortunately there are still few hardware boxes capable of midi learn, (LP1
being one exception I believe) so IMNOHO, its best to get used to
programing the FCB without software, frankly, plugging it into the computer
and faffing with software and midi ins and outs and wondering why its not
working.. etc, takes much longer than LONG DOWN UP PRESS PRESS UP PRESS UP
LONG DOWN



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--0050450175483e697404b3cf4519
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On Sun, Dec 11, 2011 at 11:59 AM, Rainer Straschill <span dir=3D"ltr">&lt;<=
a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;=
</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quo=
te" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"=
>

<br>
And as suggested, after you&#39;ve done that, make sure to never go into pr=
ogramming mode again. Heck, I think the last time I did this was 2005?</blo=
ckquote><div><br>There is some Mac software I believe, but its only for fir=
mware 2 or above (does it go above 2?) My FCB is firmware 1.00 and has last=
ed 8 years, with only a few switches going dodgy that I replaced simply and=
 easily)=A0 And I find programming it pretty simple now... The weirdness of=
 which you spoke is I believe the initial setting up of the global shit... =
If anyone needs another explanation of that just ask...<br>

<br>Ufortunately there are still few hardware boxes capable of midi learn, =
(LP1 being one exception I believe) so IMNOHO, its best to get used to prog=
raming the FCB without software, frankly, plugging it into the computer and=
 faffing with software and midi ins and outs and wondering why its not work=
ing.. etc, takes much longer than LONG DOWN UP PRESS PRESS UP PRESS UP LONG=
 DOWN<br>

</div></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family:verdan=
a,sans-serif;color:rgb(255,255,255);background-color:rgb(0,0,0)"><font styl=
e=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u><=
/font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--0050450175483e697404b3cf4519--

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Subject: Re: Logic Pro 199,- download / Mainstage 2.2
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Oh cool! That makes more sense not to send my Mobius midi controls =
through Mainstage if I don't need to.

Thank you for the tip, Per!

On Dec 10, 2011, at 10:34 PM, Per Boysen wrote:

> That's weird, Todd. I have not tried 2.2 yet so I can't confirm your
> finding here. But there are other ways to set up Mobius in Mainstage
> than that sidechain based one.

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 13:35:15 2011
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	<B4715414AF3D435984ECE925129A0D22@mpeserver>
	<CAJKe7obQGr7gntQN+Ok_ep=b5LMFvLPgs20Fx5jbSPwwxpc9UA@mail.gmail.com>
Date: Sun, 11 Dec 2011 14:35:14 +0100
Message-ID: <CAJC14Wgh8J40rYVBzsO+mE5tL8BXiQNzU8WA6LbKdZrh-X3myg@mail.gmail.com>
Subject: Re: LP2 - multiply?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Dec 11, 2011 at 11:08 AM, mark francombe <mark@markfrancombe.com> wrote:
> Didnt Per have something like this on his website once?
> Is it up to date Per?


Yes, pretty much up to date as far as I have found information. LP2 is
not covered because there hasn't been an official release yet and no
feature set chart or manual published.

http://www.looproom.com/looperchart.php

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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From: "Bruno E. Kleinefeld" <bruno.bk@gmail.com>
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Subject: Re: LP2 - multiply? (for Rick Walker)
Date: Sun, 11 Dec 2011 18:30:06 +0100
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--Apple-Mail-12--427461113
Content-Transfer-Encoding: quoted-printable
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	charset=us-ascii

sorry guys for using the list for personal purposes but it seems that my =
emails never reach Rick, so I just send him a PM here. Please excuse me.




Rick my dear!


I do not know how this thing among us works :)

You write me, I answer you, and everytime it seems that you do not =
receive my emails.

One year ago I wrote you twice, about your kind invitation you sent me =
to the Y2K (did u forget you did it ???), but had no answer. And this =
happened in the past too.

what is wrong with my emails? :(=20

anyhow I am fine. Fiorella too, and I know you are 'cause I follow you =
on the list.

I am sending you an email with the lost messages, maybe there is =
something interesting for you. I even uploaded on your ftp, years ago, =
the recording of your concert here in Milan, but you never told me if =
you received. Did you receive it? Well I think so, 'cause the upload =
worked fine :)

Give Chris a huge hug from me.=20

b:k


>=20
> Da:=20
> Rick Walker <looppool@cruzio.com>
> Data:=20
> 10 dicembre 2011 23.13.23 GMT+01.00
> A:=20
> bruno kleinefeld <bruno.bk@gmail.com>
> Cc:=20
> Loopers-Delight@loopers-delight.com
> Oggetto:=20
> Re: LP2 - multiply?
>=20
>=20
> Wow,  Bruno,   wow!!!!!
> I've tried to contact you for a really long time but not known how to.
> Glad to hear from you again.
>=20
> There is no multiply function in the LP-2
>=20
> Sorry to dissapoint but very, very happy to hear from you, finally.
>=20
> How are you doing?   How's your looping coming along?
>=20
> yours,  very fondly,    Rick
> (Chris says hi, too)
>=20
> ps please write me a note off list.

--Apple-Mail-12--427461113
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>sorry guys for using the list for personal purposes but it seems =
that my emails never reach Rick, so I just send him a PM here. Please =
excuse =
me.</div><div><br></div><div><br></div><div><br></div><div><br></div><div>=
Rick my dear!<br><br><br>I do not know how this thing among us works =
:)<br><br>You write me, I answer you, and everytime it seems that you do =
not receive my emails.<br><br>One year ago I wrote you twice, about your =
kind invitation you sent me to the Y2K (did u forget you did it ???), =
but had no answer. And this happened in the past too.<br><br>what is =
wrong with my emails? :(&nbsp;<br><br>anyhow I am fine. Fiorella too, =
and I know you are 'cause I follow you on the =
list.</div><div><br></div><div>I am sending you an email with the lost =
messages, maybe there is something interesting for you. I even uploaded =
on your ftp, years ago, the recording of your concert here in Milan, but =
you never told me if you received. Did you receive it? Well I think so, =
'cause the upload worked fine :)<br><br>Give Chris a huge hug from =
me.&nbsp;<br></div><div><br></div><div>b:k</div><div><br></div><div><br></=
div><div></div><blockquote class=3D"webkit-indent-blockquote" =
style=3D"margin: 0 0 0 40px; border: none; padding: =
0px;"></blockquote><blockquote type=3D"cite"><div><br></div><blockquote =
class=3D"webkit-indent-blockquote" style=3D"margin: 0 0 0 40px; border: =
none; padding: 0px;"><div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><span style=3D"font-family: =
Helvetica; font-size: medium; color: rgb(127, 127, 127); =
"><b>Da:&nbsp;</b></span></div><span style=3D"font-family: Helvetica; =
font-size: medium; ">Rick Walker &lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;<br></span>=
</div><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span style=3D"font-family: =
Helvetica; font-size: medium; color: rgb(127, 127, 127); =
"><b>Data:&nbsp;</b></span></div><span style=3D"font-family: Helvetica; =
font-size: medium; ">10 dicembre 2011 23.13.23 =
GMT+01.00<br></span></div><div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgb(127, 127, =
127); "><b>A:&nbsp;</b></span></div><span style=3D"font-family: =
Helvetica; font-size: medium; ">bruno kleinefeld &lt;<a =
href=3D"mailto:bruno.bk@gmail.com">bruno.bk@gmail.com</a>&gt;<br></span></=
div><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span style=3D"font-family: =
Helvetica; font-size: medium; color: rgb(127, 127, 127); =
"><b>Cc:&nbsp;</b></span></div><span style=3D"font-family: Helvetica; =
font-size: medium; "><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></span></div><div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgb(127, 127, =
127); "><b>Oggetto:&nbsp;</b></span></div><span style=3D"font-family: =
Helvetica; font-size: medium; "><b>Re: LP2 - =
multiply?</b><br></span></div><div><br></div><div><br></div><div>Wow, =
&nbsp;Bruno, &nbsp;&nbsp;wow!!!!!</div><div>I've tried to contact you =
for a really long time but not known how to.</div><div>Glad to hear from =
you again.</div><div><br></div><div>There is no multiply function in the =
LP-2</div><div><br></div><div>Sorry to dissapoint but very, very happy =
to hear from you, finally.</div><div><br></div><div>How are you doing? =
&nbsp;&nbsp;How's your looping coming =
along?</div><div><br></div><div>yours, &nbsp;very fondly, =
&nbsp;&nbsp;&nbsp;Rick</div><div>(Chris says hi, =
too)</div><div><br></div><div>ps please write me a note off =
list.</div></blockquote></blockquote></body></html>=

--Apple-Mail-12--427461113--

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From: "Kris Hartung" <krispen.hartung@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Ableton Live Automation - How Annoying
Date: Sun, 11 Dec 2011 10:55:32 -0700
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How are you live loopers using Live dealing with automation when you =
record your performances? I find it entirely annoying that when I am =
recording a performance, all within one track, that all of my key =
strokes are recorded as automation. Is there a way to turn that off =
globally?  I read some other forums and found others having the same =
problem.   
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<DIV><FONT size=3D2 face=3DArial>How are you live loopers using Live =
dealing with=20
automation when you record your performances? I find it entirely =
annoying that=20
when I am recording a performance, all within one track, that all of my =
key=20
strokes are recorded as automation. Is there a way to turn that off=20
globally?&nbsp; I read some other forums and found others having the =
same=20
problem.&nbsp;&nbsp; </FONT></DIV></BODY></HTML>

------=_NextPart_000_0EEC_01CCB7F3.6749FDA0--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 19:03:15 2011
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Date: Sun, 11 Dec 2011 20:03:13 +0100
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Subject: Re: Ableton Live Automation - How Annoying
From: =?ISO-8859-1?Q?Ra=FCl_Bonell?= <raul.bonell@gmail.com>
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don't push the record button of the arrange view (that one in the
transport section, up, in the middle) and just arm the tracks you want
to record in the session view, then capture your performance as a
scene..

2011/12/11, Kris Hartung <krispen.hartung@gmail.com>:
> How are you live loopers using Live dealing with automation when you record
> your performances? I find it entirely annoying that when I am recording a
> performance, all within one track, that all of my key strokes are recorded
> as automation. Is there a way to turn that off globally?  I read some other
> forums and found others having the same problem.


-- 
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imagination,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

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Subject: Re: Ableton Live Automation - How Annoying
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Ahh. I'll try that.   Thanks.

Love that quote from Kim, btw.
Kris

----- Original Message ----- 



> don't push the record button of the arrange view (that one in the
> transport section, up, in the middle) and just arm the tracks you want
> to record in the session view, then capture your performance as a
> scene..
>
> 2011/12/11, Kris Hartung <krispen.hartung@gmail.com>:
>> How are you live loopers using Live dealing with automation when you 
>> record
>> your performances? I find it entirely annoying that when I am recording a
>> performance, all within one track, that all of my key strokes are 
>> recorded
>> as automation. Is there a way to turn that off globally?  I read some 
>> other
>> forums and found others having the same problem.
>
>
> -- 
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> Your moral values are meaningless, artificial constructs. For your 
> imagination,
> they provide you a falsely superior position in your social group.
> For the strong, they provide a means by which you are easily manipulated.
> In reality, they serve the entertainment needs of others.
> In the Kimatorium, they are irrelevant.
>
> Kim Flint
> 

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 19:59:32 2011
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Rick my dear!


I do not know how this thing among us works :)

You write me, I answer you, and everytime it seems that you do not  
receive my emails.

One year ago I wrote you twice, about your kind invitation you sent me  
to the Y2K (did u forget you did it ???), but had no answer. And this  
happened in the past too.

what is wrong with my emails? :(

  Sounds like someone accidentally got in to some else's spam filter,  
which reminds me I need to check mine more often.
  Bill
--Apple-Mail-74--418501630
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: 7bit

<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><font class="Apple-style-span" color="#8a00ff"><br></font></div><div><font class="Apple-style-span" color="#8a00ff">Rick my dear!<br><br><br>I do not know how this thing among us works :)<br><br>You write me, I answer you, and everytime it seems that you do not receive my emails.<br><br>One year ago I wrote you twice, about your kind invitation you sent me to the Y2K (did u forget you did it ???), but had no answer. And this happened in the past too.<br><br>what is wrong with my emails? :(&nbsp;</font></div><div><font class="Apple-style-span" color="#8a00ff"><br></font></div><div>&nbsp;Sounds like someone accidentally got in to some else's spam filter, which reminds me I need to check mine more often.</div><div>&nbsp;Bill</div></body></html>
--Apple-Mail-74--418501630--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 20:17:28 2011
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Subject: Re: Ableton Live Automation - How Annoying
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On Sun, Dec 11, 2011 at 8:10 PM, Kris Hartung <krispen.hartung@gmail.com> w=
rote:
> Yes, I am doing this. =C2=A0I created one audio track that gets its input=
 from
> the Master and I record just that track.
> But the problem is that while I am recording live, I am pressing keystoke=
s
> to activate certain effects, etc. And all those are recorded as automatio=
n
> and played back again.

Well, to simply mine and Ra=C3=BCls posta:
Do-not-use-the-record-on-the-nav-bar to record audio! That rec button
is for DJ style peeps that keep a bunch of loops on the harddrive and
just want to record how they mangle playback of those pre recorded
files.

What you should do is to route the audio stream you want recorded into
an audio track and then RECORD IT AS A CLIP. The detailed way to carry
that out is to (1) record enable the audio track and (2) click the
little marker (the launch button) on the clip to make it start
recording. The file will be stored inside the "samples" folder in your
project folder (where you have saved the working doc).

There is also the way Ra=C3=BCl hinted at, to record by launching a scene
(stop reading here if too much - the rest is optional). A scene is the
name for all clips on all tracks that line up horizontally on the same
row. The way to launch a scene is to click this row's launch button of
the Master Output column/track/channel to the very right. Clicking
there starts all clips *in this scene* and IF a track (vertical
column) is record enabled the clip will start recording. If that clip
slot already is occupied by a recorded clip no recording will happen
even if the track is record enabled. If the clip slot is empty (clip
has been deleted by the user) no recording is going to happen there
even if the track is rec enabled. So, there you have the basics in
working with scenes.

Hope this helps. The power of Live is actually its spreadsheet layout,
just give you brain a little time to embrace the concept. It is indeed
different than most recorders. When you get into it you will see that
it in fact is a spreadsheet for music production, because just like in
Excel you can record into clips and arm those clips with different
unique instructions for how to behave. I remember the Max patches you
used some years ago, with extreme randomization but still somewhat
drawing on what audio you play into it - similar things can easily be
set up with this spreadsheet design.


>
> The Live user guide says:
>
> "All changes of a control that occur while the Control
> Bar=E2=80=99s Record switch is on become automation. Try recording automa=
tion for a
> control, for
> instance a mixer volume slider. After recording, play back what you have
> just recorded
> to see and hear the effect of the control movement. You will notice that =
a
> little LED has
> appeared in the slider thumb to indicate that the control is now automate=
d.
> Try recording
> automation for track panning and the Track Activator switch as well; thei=
r
> automation LEDs
> appear in their upper left corners."
>
> But it doesn't say how to turn this off globally so that nothing is recor=
ded
> accept the audio to the track.


That is because you use a different method to record audio (like
described above).

Per

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 23:22:29 2011
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From: Grant <grantmepeace@mindspring.com>
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Subject: Re: WHY - multiply?
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>Multiply offers some advantage that you only have one loop to control.
>Stop and Start is simple, and you can use Reverse and speed change
>without worry of keeping the layers in sync.

I guess that could be handy. Do you usually specify how much to multiply by (vs just letting it continue to extend until the multiply function is deactivated)?

G

From Loopers-Delight-request@loopers-delight.com  Sun Dec 11 23:38:10 2011
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Date: Mon, 12 Dec 2011 01:38:09 +0200
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Subject: Re: Cass county waltz
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--90e6ba6151d2b811aa04b3d982b1
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No problem Bill, its just something in your choice of notes and playing
that resonates me so much!
I wish I could play guitar like you - this piece got me immediately singing
some lines with it. I really really liked it.
Also this piece came through very heartfelt - subject is not the easiest of
kind.
Do you have this anywhere as a recording?

-Petri-

2011/12/11 William Walker <billwalker@baymoon.com>

> did i see some of that Landreth behind the slide tricks...
>
>
> Indeed Anders I completely nicked that technique from Sonny Landreth,
> watching him a few years back from the photographers pit supporting John
> Hiatt with his band the Goners, the light bulb went off when I saw him use
> this technique. My Tele is set up with slightly lighter than ideal strings
> tuned to E major which is why you hear a bit too much clank, heavier
> strings the better.  its definitely a finesse technique, playing on the
> wild side as he describes, playing behind the bar. With all due respect to
> Derek Trucks who is just as amazing in his own right, Sonny is the gold
> standard for me amongst non lap steel slide guitar players, a real
> innovator, with the juiciest , richest tone, so sensual and deep.
>  Bill
>



-- 
Petri Lahtinen

--90e6ba6151d2b811aa04b3d982b1
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No problem Bill, its just something in your choice of notes and playing tha=
t resonates me so much!<br>I wish I could play guitar like you - this piece=
 got me immediately singing some lines with it. I really really liked it.<b=
r>
Also this piece came through very heartfelt - subject is not the easiest of=
 kind. <br>Do you have this anywhere as a recording?<br><br>-Petri-<br><br>=
<div class=3D"gmail_quote">2011/12/11 William Walker <span dir=3D"ltr">&lt;=
<a href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</s=
pan><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word"><div cla=
ss=3D"im"><span style=3D"font-family:Tahoma;font-size:13px">did i see some =
of that Landreth behind the slide tricks...=A0</span><div>
<font face=3D"Tahoma"><span style=3D"font-size:13px"><br></span></font></di=
v></div><div><font face=3D"Tahoma"><span style=3D"font-size:13px"><br></spa=
n></font><div><span style=3D"font-family:Tahoma;font-size:13px">Indeed Ande=
rs I completely nicked that technique from Sonny Landreth, watching him a f=
ew years back from the photographers pit supporting John Hiatt with his ban=
d the Goners, the light bulb went off when I saw him use this technique. My=
 Tele is set up with slightly lighter than ideal strings tuned to E major w=
hich is why you hear a bit too much clank, heavier strings the better. =A0i=
ts definitely a finesse technique, playing on the wild side as he describes=
, playing behind the bar. With all due respect to Derek Trucks who is just =
as amazing in his own right, Sonny is the gold standard for me amongst non =
lap steel slide guitar players, a real innovator, with the juiciest , riche=
st tone, so sensual and deep.=A0</span></div>
</div><div><span style=3D"font-family:Tahoma;font-size:13px">=A0Bill</span>=
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><br><br>

--90e6ba6151d2b811aa04b3d982b1--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 00:20:37 2011
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Date: Mon, 12 Dec 2011 01:20:34 +0100
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Subject: Re: WHY - multiply?
From: Per Boysen <perboysen@gmail.com>
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On Mon, Dec 12, 2011 at 12:22 AM, Grant <grantmepeace@mindspring.com> wrote:
> Do you usually specify how much to multiply by (vs just letting it continue to extend until the multiply function is deactivated)?



I have discussed this with other looping musicians and there seems to
be no approach that is more used than the other. Myself I do both,
depending on the musical situation. When I do an Instant Multiply I
first decide on how much longer I want to make the loop, and of course
no additional layers are created as it is just an instant button press
(same when doing an Instant Devide to shorten a loop in a blink). But
when doing traditional Multiply I play along and add a new layer in
real-time until I have played through what I feel would make a natural
length for the new loop/part, then I kick Multiply to set the new loop
point at the next upcoming quantization cusp.

I remember back when Loop4 was released for the EDP, it added the
option to press a number of times on the Multiply switch to decide in
advance how long you want the real-time Multiply process to go on. I
did not like that function, as I wanted to play along to get a feel of
the musically fitting new loop length, and unfortunately I often
happened to kick in this new command when I was going to use Multiply
to cut down the length a long loop to just one cycle. I found no
"undo" for that error and no way to disable this new feature either,
you were just stuck there - can't say it was a favorite ;-))

A creative way to use Multiply, on loopers that support it, is to end
Multiply with Record to cut down the loop's length to a value between
the cycle quantize value. When looping with multi channel loopers I
sometimes use this on one of many parallel loops and typically cut
down one loop to a length that goes well poly rhythmically with the
other loops - like for example if playing in 4/4 you cut down one
parallel loop to 3 beats and let it play along with the other loops
that spin on 4, 8 or 16 beats. Just a simple example, anything goes.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 02:50:36 2011
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Michael Peters wrote:
> ...still don't really know what the LP2 can do and which of the amazing things
> the LP1 does are incorporated in its little brother
>
two goodies in the LP-2 that are not currently in the LP-1 that I put 
into the feature set

RANDOM RETRIGGER
everytime you retrigger it goes to a random place in the loop.  I put 
this in with the idea of
relooping or resampling, so as to give someone the ability to play the 
retrigger pedal
as an ostinato rhythm with the foot............an indulgent feature but 
some cool things
can come from it.


and

1/4 speed ,  Quadruple speed.   (artifacty as hell, but in a very cool way)

I love both of those.

Here they are demonstrated.

http://www.youtube.com/watch?v=d3T74R4m7jo&list=UU04qO6rN2FCTqc8oMGWVCcQ&feature=plcp

This is the first time I ever had the unit to play with:
Literally the first thing I played on it......

two unsynced solo electric guitar tracks,
using a fretless pink stratocaster (with dayglo pink UV active strings) 
and a harmonic
capo attached to it at the 12 fret.........instrument tuned to a 6 
string scale (as opposed
to standard or any kind of open tuning).

I played it mostly as a zither with small amounts of fretless playing 
thrown in for good measure:


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Subject: Re: LP2 Random Retrigger  -  Quarter/Quadruple Speed
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Can hear those footswitches flying ;)

On Dec 11, 2011, at 6:50 PM, Rick Walker wrote:

> Michael Peters wrote:
>> ...still don't really know what the LP2 can do and which of the =
amazing things
>> the LP1 does are incorporated in its little brother
>>=20
> two goodies in the LP-2 that are not currently in the LP-1 that I put =
into the feature set
>=20
> RANDOM RETRIGGER
> everytime you retrigger it goes to a random place in the loop.  I put =
this in with the idea of
> relooping or resampling, so as to give someone the ability to play the =
retrigger pedal
> as an ostinato rhythm with the foot............an indulgent feature =
but some cool things
> can come from it.
>=20
>=20
> and
>=20
> 1/4 speed ,  Quadruple speed.   (artifacty as hell, but in a very cool =
way)
>=20
> I love both of those.
>=20
> Here they are demonstrated.
>=20
> =
http://www.youtube.com/watch?v=3Dd3T74R4m7jo&list=3DUU04qO6rN2FCTqc8oMGWVC=
cQ&feature=3Dplcp
>=20
> This is the first time I ever had the unit to play with:
> Literally the first thing I played on it......
>=20
> two unsynced solo electric guitar tracks,
> using a fretless pink stratocaster (with dayglo pink UV active =
strings) and a harmonic
> capo attached to it at the 12 fret.........instrument tuned to a 6 =
string scale (as opposed
> to standard or any kind of open tuning).
>=20
> I played it mostly as a zither with small amounts of fretless playing =
thrown in for good measure:
>=20
>=20

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Date: Sun, 11 Dec 2011 22:36:38 -0500
Message-ID: <CAF-7VCDX12_NBk7ba4BGwJA+m1BCRvYj7hS0CGE8QrQTAo6LoA@mail.gmail.com>
Subject: Re: LP2 Random Retrigger - Quarter/Quadruple Speed
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--20cf307f31209abd8404b3dcd743
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Rick digging the channel, some I have seen before some new.  Jim

On Sun, Dec 11, 2011 at 9:50 PM, Rick Walker <looppool@cruzio.com> wrote:

> Michael Peters wrote:
>
>> ...still don't really know what the LP2 can do and which of the amazing
>> things
>> the LP1 does are incorporated in its little brother
>>
>>  two goodies in the LP-2 that are not currently in the LP-1 that I put
> into the feature set
>
> RANDOM RETRIGGER
> everytime you retrigger it goes to a random place in the loop.  I put thi=
s
> in with the idea of
> relooping or resampling, so as to give someone the ability to play the
> retrigger pedal
> as an ostinato rhythm with the foot............an indulgent feature but
> some cool things
> can come from it.
>
>
> and
>
> 1/4 speed ,  Quadruple speed.   (artifacty as hell, but in a very cool wa=
y)
>
> I love both of those.
>
> Here they are demonstrated.
>
> http://www.youtube.com/watch?**v=3Dd3T74R4m7jo&list=3D**
> UU04qO6rN2FCTqc8oMGWVCcQ&**feature=3Dplcp<http://www.youtube.com/watch?v=
=3Dd3T74R4m7jo&list=3DUU04qO6rN2FCTqc8oMGWVCcQ&feature=3Dplcp>
>
> This is the first time I ever had the unit to play with:
> Literally the first thing I played on it......
>
> two unsynced solo electric guitar tracks,
> using a fretless pink stratocaster (with dayglo pink UV active strings)
> and a harmonic
> capo attached to it at the 12 fret.........instrument tuned to a 6 string
> scale (as opposed
> to standard or any kind of open tuning).
>
> I played it mostly as a zither with small amounts of fretless playing
> thrown in for good measure:
>
>
>


--=20
--=20
*Tips Across the
Waters<http://itunes.apple.com/us/app/tips-across-the-waters/id474128076?=
=3Dmt8>
*, a new app for iOS from James Goodin/Wood and Wire Ware.

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin
& Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

--20cf307f31209abd8404b3dcd743
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Rick digging the channel, some I have seen before some new. =A0Jim<br><br><=
div class=3D"gmail_quote">On Sun, Dec 11, 2011 at 9:50 PM, Rick Walker <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.co=
m</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Michael Peters wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
...still don&#39;t really know what the LP2 can do and which of the amazing=
 things<br>
the LP1 does are incorporated in its little brother<br>
<br>
</blockquote>
two goodies in the LP-2 that are not currently in the LP-1 that I put into =
the feature set<br>
<br>
RANDOM RETRIGGER<br>
everytime you retrigger it goes to a random place in the loop. =A0I put thi=
s in with the idea of<br>
relooping or resampling, so as to give someone the ability to play the retr=
igger pedal<br>
as an ostinato rhythm with the foot............an indulgent feature but som=
e cool things<br>
can come from it.<br>
<br>
<br>
and<br>
<br>
1/4 speed , =A0Quadruple speed. =A0 (artifacty as hell, but in a very cool =
way)<br>
<br>
I love both of those.<br>
<br>
Here they are demonstrated.<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3Dd3T74R4m7jo&amp;list=3DUU04qO6r=
N2FCTqc8oMGWVCcQ&amp;feature=3Dplcp" target=3D"_blank">http://www.youtube.c=
om/watch?<u></u>v=3Dd3T74R4m7jo&amp;list=3D<u></u>UU04qO6rN2FCTqc8oMGWVCcQ&=
amp;<u></u>feature=3Dplcp</a><br>

<br>
This is the first time I ever had the unit to play with:<br>
Literally the first thing I played on it......<br>
<br>
two unsynced solo electric guitar tracks,<br>
using a fretless pink stratocaster (with dayglo pink UV active strings) and=
 a harmonic<br>
capo attached to it at the 12 fret.........instrument tuned to a 6 string s=
cale (as opposed<br>
to standard or any kind of open tuning).<br>
<br>
I played it mostly as a zither with small amounts of fretless playing throw=
n in for good measure:<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div>--=A0</=
div><div><i><a href=3D"http://itunes.apple.com/us/app/tips-across-the-water=
s/id474128076?=3Dmt8" target=3D"_blank">Tips Across the Waters</a></i>, a n=
ew app for iOS from James Goodin/Wood and Wire Ware.</div>
<div><br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording =
by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD =
will benefit JDRF International.=A0=A0<a href=3D"http://jimgoodinpeterthorn=
.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
</div><br>

--20cf307f31209abd8404b3dcd743--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 07:11:48 2011
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From: Phil Clevenger <phil.clevenger@gmail.com>
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Subject: Computer Stands
Date: Sun, 11 Dec 2011 23:11:43 -0800
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Those of you who perform with laptops as part of your setup... what =
kinds of stands or other contraptions are you currently using to keep =
the computer accessible?=

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 07:30:37 2011
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Subject: Re: Computer Stands
From: Laurie Amat <voicesound@att.net>
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You can try a music stand. The inflexible tray, collapsible legs...


On Dec 11, 2011, at 11:11 PM, Phil Clevenger wrote:

> Those of you who perform with laptops as part of your setup... what =
kinds of stands or other contraptions are you currently using to keep =
the computer accessible?

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 07:38:22 2011
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Subject: RE: Computer Stands
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That's what I use . . . I don't know if it is stable enough, I try to keep
an eye on it . . .

Gary


-----Original Message-----
From: Laurie Amat [mailto:voicesound@att.net] 
Sent: Sunday, December 11, 2011 11:31 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Computer Stands

You can try a music stand. The inflexible tray, collapsible legs...


On Dec 11, 2011, at 11:11 PM, Phil Clevenger wrote:

> Those of you who perform with laptops as part of your setup... what kinds
of stands or other contraptions are you currently using to keep the computer
accessible?

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 11:23:37 2011
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Phil Clevenger wrote:
> Those of you who perform with laptops

If I did I would look into Projector Stands.


andy

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 11:34:54 2011
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Subject: Re: LP2 Random Retrigger  -  Quarter/Quadruple Speed
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Rick Walker wrote:

> RANDOM RETRIGGER
> everytime you retrigger it goes to a random place in the loop.  I put 
> this in with the idea of
> relooping or resampling, so as to give someone the ability to play the 
> retrigger pedal
> as an ostinato rhythm with the foot............an indulgent feature but 
> some cool things
> can come from it.

I couldn't hear the effect *exactly* as described here in the 
demo.
Is it more accurately "jump to Random position and keep re-triggering to it  while button
 is held down"?


There's certainly some stuff in there which sounds like EDP stutter mode.
I'm hearing iterated rapid repeats.


> Here they are demonstrated.
> 
> http://www.youtube.com/watch?v=d3T74R4m7jo&list=UU04qO6rN2FCTqc8oMGWVCcQ&feature=plcp 
> 

hint...
Would be nice to have a demo that wasn't a layered up studio track,
that would make it easier to to grasp what's going on with the new features.

Isn't there a nice demo of 1/2 1/4 speed on you tube somewhere that
really shows how that can be used.



andy

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 11:50:05 2011
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Subject: RE: Computer Stands
Date: Mon, 12 Dec 2011 03:49:51 -0800
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Just did a search online of options . . .
I have used the TableTote and now need a new one--it is less stable than the
music stand I currently use, that does not have collapsible legs. I wonder
if the new version with longer legs would be useful to me--
http://www.pctabletote.com/our-tables.html


Gary


-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk] 
Sent: Monday, December 12, 2011 3:24 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Computer Stands

Phil Clevenger wrote:
> Those of you who perform with laptops

If I did I would look into Projector Stands.


andy

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 11:59:55 2011
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Subject: TableTote (was Computer Stands)
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Just ordered the standing height model, free shipping, so $50 delivered.
They say that the maximum height of 39 inches is not recommended--how is it
they put it--
"The longer legs allow for height up to 39 inches vs the regular TABLETOTE
height of 29 inches. It's recommended, for maximum stability, the unit not
be used at maximum height of 39 inches."
So I would use it at my own risk. I live for danger . . .
Gary


-----Original Message-----
From: Clayton Gary Lehmann [mailto:hqr@cox.net] 
Sent: Monday, December 12, 2011 3:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Computer Stands

Just did a search online of options . . .
I have used the TableTote and now need a new one--it is less stable than the
music stand I currently use, that does not have collapsible legs. I wonder
if the new version with longer legs would be useful to me--
http://www.pctabletote.com/our-tables.html


Gary


-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk] 
Sent: Monday, December 12, 2011 3:24 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Computer Stands

Phil Clevenger wrote:
> Those of you who perform with laptops

If I did I would look into Projector Stands.


andy

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I use a laptop but need additional space for nanokontrols and stuff. I
usually use a simple keyboard stand and put my black rectangular guitar case
on it as a table. If I need even more space, I take a wooden board that I
found in my basement that is somewhat larger than the guitar case. Yes, it
can be kicked over easily but the last times I used it I sat down and it
didn't feel too dangerous :)  This video is a bit dark but you can just
about see it: www.youtube.com/watch?v=2scew9Pnw18

-Michael

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Subject: Re: LP2 Random Retrigger  -  Quarter/Quadruple Speed
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I've used this one for years. It has never broken, and it is light as a feat=
her. It's a fantastic solution. At first it 'seemed' expensive for what it w=
as. Until I started using it.=20

http://instand.com

Sent from my iPhone

On Dec 12, 2011, at 2:11 AM, Phil Clevenger <phil.clevenger@gmail.com> wrote=
:

> Those of you who perform with laptops as part of your setup... what kinds o=
f stands or other contraptions are you currently using to keep the computer a=
ccessible?

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:14:32 2011
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         /KAOzj7MRR2iOEtRBzgHDZGMsVRszsOiw//WE=
Subject: Re: Computer Stands
References: <67AE0852-B83B-4A65-AF51-66EA28A1AADF@gmail.com> <E8595DC11420438288C6AF203F43855B@mpeserver>
From: Todd Reynolds <toddreyn@gmail.com>
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I also buy FireWire cables from Mono price.com. I bought a 6 foot, and a 15 f=
oot so that I can have my rack as far away as I need it. I also buy my cable=
s my FireWire cables USB cables from Monoprice.com. The 6 foot was seven dol=
lars, and the 15 foot, was $10.

Sent from my iPhone

On Dec 12, 2011, at 7:09 AM, "Michael Peters" <mp@mpeters.de> wrote:

> I use a laptop but need additional space for nanokontrols and stuff. I
> usually use a simple keyboard stand and put my black rectangular guitar ca=
se
> on it as a table. If I need even more space, I take a wooden board that I
> found in my basement that is somewhat larger than the guitar case. Yes, it=

> can be kicked over easily but the last times I used it I sat down and it
> didn't feel too dangerous :)  This video is a bit dark but you can just
> about see it: www.youtube.com/watch?v=3D2scew9Pnw18
>=20
> -Michael
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:20:27 2011
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I made one myself.. I used a music stand. I got rid of the face (but =
kept the connection to the stand itself).. bought a piece of wood, cut =
it the size of exactly my MacBook, painted it black and hooked it up to =
the connection that fits on the stand et voila. Looks awesome!

Cheers,

Reyn

www.reyn.net
www.studiothechurch.com

On Dec 12, 2011, at 1:14 PM, Todd Reynolds wrote:

> I also buy FireWire cables from Mono price.com. I bought a 6 foot, and =
a 15 foot so that I can have my rack as far away as I need it. I also =
buy my cables my FireWire cables USB cables from Monoprice.com. The 6 =
foot was seven dollars, and the 15 foot, was $10.
>=20
> Sent from my iPhone
>=20
> On Dec 12, 2011, at 7:09 AM, "Michael Peters" <mp@mpeters.de> wrote:
>=20
>> I use a laptop but need additional space for nanokontrols and stuff. =
I
>> usually use a simple keyboard stand and put my black rectangular =
guitar case
>> on it as a table. If I need even more space, I take a wooden board =
that I
>> found in my basement that is somewhat larger than the guitar case. =
Yes, it
>> can be kicked over easily but the last times I used it I sat down and =
it
>> didn't feel too dangerous :)  This video is a bit dark but you can =
just
>> about see it: www.youtube.com/watch?v=3D2scew9Pnw18
>>=20
>> -Michael
>>=20
>=20


--Apple-Mail=_70EB37A0-9977-4557-A71E-73E73ED888F8
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
made one myself.. I used a music stand. I got rid of the face (but kept =
the connection to the stand itself).. bought a piece of wood, cut it the =
size of exactly my MacBook, painted it black and hooked it up to the =
connection that fits on the stand et voila. Looks =
awesome!<div><br></div><div><div apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Cheers,<br><br>Reyn<br><br><a =
href=3D"http://www.reyn.net">www.reyn.net</a><br>www.studiothechurch.com</=
div></span></span>
</div>
<br><div><div>On Dec 12, 2011, at 1:14 PM, Todd Reynolds wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>I =
also buy FireWire cables from Mono <a =
href=3D"http://price.com">price.com</a>. I bought a 6 foot, and a 15 =
foot so that I can have my rack as far away as I need it. I also buy my =
cables my FireWire cables USB cables from <a =
href=3D"http://Monoprice.com">Monoprice.com</a>. The 6 foot was seven =
dollars, and the 15 foot, was $10.<br><br>Sent from my iPhone<br><br>On =
Dec 12, 2011, at 7:09 AM, "Michael Peters" &lt;<a =
href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt; =
wrote:<br><br><blockquote type=3D"cite">I use a laptop but need =
additional space for nanokontrols and stuff. =
I<br></blockquote><blockquote type=3D"cite">usually use a simple =
keyboard stand and put my black rectangular guitar =
case<br></blockquote><blockquote type=3D"cite">on it as a table. If I =
need even more space, I take a wooden board that =
I<br></blockquote><blockquote type=3D"cite">found in my basement that is =
somewhat larger than the guitar case. Yes, =
it<br></blockquote><blockquote type=3D"cite">can be kicked over easily =
but the last times I used it I sat down and =
it<br></blockquote><blockquote type=3D"cite">didn't feel too dangerous =
:) &nbsp;This video is a bit dark but you can =
just<br></blockquote><blockquote type=3D"cite">about see it: <a =
href=3D"http://www.youtube.com/watch?v=3D2scew9Pnw18">www.youtube.com/watc=
h?v=3D2scew9Pnw18</a><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">-Michael<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><br></div></blockquote></div><br></div></bo=
dy></html>=

--Apple-Mail=_70EB37A0-9977-4557-A71E-73E73ED888F8--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:22:48 2011
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Subject: Re: Computer Stands
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Example:

=
http://a3.sphotos.ak.fbcdn.net/hphotos-ak-ash4/384690_257616077626070_1000=
01330400606_659968_319275606_n.jpg

Cheers,

Reyn

www.reyn.net
www.studiothechurch.com

On Dec 12, 2011, at 1:11 PM, Todd Reynolds wrote:

> I've used this one for years. It has never broken, and it is light as =
a feather. It's a fantastic solution. At first it 'seemed' expensive for =
what it was. Until I started using it.=20
>=20
> http://instand.com
>=20
> Sent from my iPhone
>=20
> On Dec 12, 2011, at 2:11 AM, Phil Clevenger <phil.clevenger@gmail.com> =
wrote:
>=20
>> Those of you who perform with laptops as part of your setup... what =
kinds of stands or other contraptions are you currently using to keep =
the computer accessible?
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:25:06 2011
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Date: Mon, 12 Dec 2011 13:25:05 +0100
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Subject: Re: Computer Stands
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I access my computer by two MIDI control surfaces. One is the foot
pedalboard Gordius Little Giant and the other is the
two-cig-pack-sized Faderfox LV3. For the LV3 I borrow a small table, a
high bar chair or two stacked (empty) beer boxes. The laptop itself
can be stuffed away anywhere, I have set up the system for not needing
to see the screen all the time.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Mon, Dec 12, 2011 at 8:11 AM, Phil Clevenger
<phil.clevenger@gmail.com> wrote:
> Those of you who perform with laptops as part of your setup... what kinds of stands or other contraptions are you currently using to keep the computer accessible?

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:36:49 2011
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Subject: Re: Computer Stands
References: <67AE0852-B83B-4A65-AF51-66EA28A1AADF@gmail.com> <E8595DC11420438288C6AF203F43855B@mpeserver> <71DF24CA-E50B-4C08-9FF6-9A955396EC91@gmail.com> <16E7F617-6039-454B-ACC4-EF956E4D7F64@reyn.net>
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--Apple-Mail-3820B15E-8E5E-44B7-A9F9-D16C7C96617B
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You're right.  It DOES look awesome.=20

Sent from my iPhone

On Dec 12, 2011, at 7:20 AM, Reyn Ouwehand <loopers-delight@reyn.net> wrote:=


> I made one myself.. I used a music stand. I got rid of the face (but kept t=
he connection to the stand itself).. bought a piece of wood, cut it the size=
 of exactly my MacBook, painted it black and hooked it up to the connection t=
hat fits on the stand et voila. Looks awesome!
>=20
> Cheers,
>=20
> Reyn
>=20
> www.reyn.net
> www.studiothechurch.com
>=20
> On Dec 12, 2011, at 1:14 PM, Todd Reynolds wrote:
>=20
>> I also buy FireWire cables from Mono price.com. I bought a 6 foot, and a 1=
5 foot so that I can have my rack as far away as I need it. I also buy my ca=
bles my FireWire cables USB cables from Monoprice.com. The 6 foot was seven d=
ollars, and the 15 foot, was $10.
>>=20
>> Sent from my iPhone
>>=20
>> On Dec 12, 2011, at 7:09 AM, "Michael Peters" <mp@mpeters.de> wrote:
>>=20
>>> I use a laptop but need additional space for nanokontrols and stuff. I
>>> usually use a simple keyboard stand and put my black rectangular guitar c=
ase
>>> on it as a table. If I need even more space, I take a wooden board that I=

>>> found in my basement that is somewhat larger than the guitar case. Yes, i=
t
>>> can be kicked over easily but the last times I used it I sat down and it=

>>> didn't feel too dangerous :)  This video is a bit dark but you can just
>>> about see it: www.youtube.com/watch?v=3D2scew9Pnw18
>>>=20
>>> -Michael
>>>=20
>>=20
>=20

--Apple-Mail-3820B15E-8E5E-44B7-A9F9-D16C7C96617B
Content-Transfer-Encoding: quoted-printable
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	charset=utf-8

<html><head></head><body bgcolor=3D"#FFFFFF"><div>You're right. &nbsp;It DOE=
S look awesome.&nbsp;<br><br>Sent from my iPhone</div><div><br>On Dec 12, 20=
11, at 7:20 AM, Reyn Ouwehand &lt;<a href=3D"mailto:loopers-delight@reyn.net=
">loopers-delight@reyn.net</a>&gt; wrote:<br><br></div><div></div><blockquot=
e type=3D"cite"><div>I made one myself.. I used a music stand. I got rid of t=
he face (but kept the connection to the stand itself).. bought a piece of wo=
od, cut it the size of exactly my MacBook, painted it black and hooked it up=
 to the connection that fits on the stand et voila. Looks awesome!<div><br><=
/div><div><div apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; color: r=
gb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: norma=
l; font-weight: normal; letter-spacing: normal; line-height: normal; orphans=
: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white=
-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spac=
ing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-=
effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px=
; font-size: medium; "><span class=3D"Apple-style-span" style=3D"border-coll=
apse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: nor=
mal; font-variant: normal; font-weight: normal; letter-spacing: normal; line=
-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; tex=
t-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webki=
t-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -web=
kit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webki=
t-text-stroke-width: 0px; font-size: medium; "><div style=3D"word-wrap: brea=
k-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">C=
heers,<br><br>Reyn<br><br><a href=3D"http://www.reyn.net">www.reyn.net</a><b=
r><a href=3D"http://www.studiothechurch.com">www.studiothechurch.com</a></di=
v></span></span>
</div>
<br><div><div>On Dec 12, 2011, at 1:14 PM, Todd Reynolds wrote:</div><br cla=
ss=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>I also buy Fi=
reWire cables from Mono <a href=3D"http://price.com">price.com</a>. I bought=
 a 6 foot, and a 15 foot so that I can have my rack as far away as I need it=
. I also buy my cables my FireWire cables USB cables from <a href=3D"http://=
Monoprice.com">Monoprice.com</a>. The 6 foot was seven dollars, and the 15 f=
oot, was $10.<br><br>Sent from my iPhone<br><br>On Dec 12, 2011, at 7:09 AM,=
 "Michael Peters" &lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;=
 wrote:<br><br><blockquote type=3D"cite">I use a laptop but need additional s=
pace for nanokontrols and stuff. I<br></blockquote><blockquote type=3D"cite"=
>usually use a simple keyboard stand and put my black rectangular guitar cas=
e<br></blockquote><blockquote type=3D"cite">on it as a table. If I need even=
 more space, I take a wooden board that I<br></blockquote><blockquote type=3D=
"cite">found in my basement that is somewhat larger than the guitar case. Ye=
s, it<br></blockquote><blockquote type=3D"cite">can be kicked over easily bu=
t the last times I used it I sat down and it<br></blockquote><blockquote typ=
e=3D"cite">didn't feel too dangerous :) &nbsp;This video is a bit dark but y=
ou can just<br></blockquote><blockquote type=3D"cite">about see it: <a href=3D=
"http://www.youtube.com/watch?v=3D2scew9Pnw18">www.youtube.com/watch?v=3D2sc=
ew9Pnw18</a><br></blockquote><blockquote type=3D"cite"><br></blockquote><blo=
ckquote type=3D"cite">-Michael<br></blockquote><blockquote type=3D"cite"><br=
></blockquote><br></div></blockquote></div><br></div></div></blockquote></bo=
dy></html>=

--Apple-Mail-3820B15E-8E5E-44B7-A9F9-D16C7C96617B--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:37:46 2011
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Date: Mon, 12 Dec 2011 13:37:45 +0100
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Subject: Re: LP2 Random Retrigger - Quarter/Quadruple Speed
From: Per Boysen <perboysen@gmail.com>
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On Mon, Dec 12, 2011 at 3:50 AM, Rick Walker <looppool@cruzio.com> wrote:
>
>
> 1/4 speed , =C2=A0Quadruple speed.


What would that speed shift mean in tonal interval, a two octaves up shift?
And I guess you can start looping in Quadruple mode and then take it
down to Normal to achieve doom-grunt-noise sound to your loop?

> (artifacty as hell, but in a very cool way)

I'm kind of used to "the chipmunk sound" and like it for what it is.
That video piece is nice, Rick!

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:52:24 2011
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Hi folks

> For the LV3 I borrow a small table, a
> high bar chair or two stacked (empty) beer boxes. The laptop itself
> can be stuffed away anywhere, I have set up the system for not needing
> to see the screen all the time.

I do a very similar thing:
- Stanton Uberstand
- Laptop bottom
- Audio Interface on top
- Faderfox LV3 on top of the interface
- Everything on a chair, table, stacked boxes etc.

best regards
Buzap
-- 
Empfehlen Sie GMX DSL Ihren Freunden und Bekannten und wir
belohnen Sie mit bis zu 50,- Euro! https://freundschaftswerbung.gmx.de

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 12:55:17 2011
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The best "anti-Multiply" example I know is: Ableton Live clips/scenes.
When you have a bunch of parallel loops, all synced to each other, you hardly ever miss Multiply (except unrounded Multiply).
Buzap
-- 
Empfehlen Sie GMX DSL Ihren Freunden und Bekannten und wir
belohnen Sie mit bis zu 50,- Euro! https://freundschaftswerbung.gmx.de

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 13:10:53 2011
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Subject: Re: Computer Stands
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I've been looking at something along these lines:
http://store.bilila.com/lastwist.html
Sylvain

On Mon, Dec 12, 2011 at 7:52 AM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi folks
>
>> For the LV3 I borrow a small table, a
>> high bar chair or two stacked (empty) beer boxes. The laptop itself
>> can be stuffed away anywhere, I have set up the system for not needing
>> to see the screen all the time.
>
> I do a very similar thing:
> - Stanton Uberstand
> - Laptop bottom
> - Audio Interface on top
> - Faderfox LV3 on top of the interface
> - Everything on a chair, table, stacked boxes etc.
>
> best regards
> Buzap
> --
> Empfehlen Sie GMX DSL Ihren Freunden und Bekannten und wir
> belohnen Sie mit bis zu 50,- Euro! https://freundschaftswerbung.gmx.de
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 13:53:48 2011
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On Mon, Dec 12, 2011 at 2:10 PM, Sylvain Poitras
<sylvain.trombone@gmail.com> wrote:
> I've been looking at something along these lines:
> http://store.bilila.com/lastwist.html

I borrowed something like that a the Rome Looping Festival three years
ago. Quite neat stand, you can see it on this short video clip:
http://www.youtube.com/user/perboysen#p/u/12/bx-5xrQnC4M

Per

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Subject: Re: WHY - multiply?
From: Per Boysen <perboysen@gmail.com>
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On Mon, Dec 12, 2011 at 1:55 PM, Buzap Buzap <buzap@gmx.net> wrote:
> The best "anti-Multiply" example I know is: Ableton Live clips/scenes.
> When you have a bunch of parallel loops, all synced to each other, you hardly ever miss Multiply (except unrounded Multiply).

Do you mean that you can achieve the same by adding another parallel
loop clip that you make longer? That's correct, you can even revers
all looping clips on a scene just as handy as if they were layers of
the same (multiplied) loop.

But I still stick with Mobius in Live rather than recording clips. But
I guess I would think different if doing pre composed material like
for example Kid Beyond (die-hard Live user).

A personal take:
I just love the open feeling of playing free improvisation with live
looping techniques and I think that this future-wide-open attitude
rubs off emotionally on the audience in a positive way. Can't explain
how it works, but I really have a strong feeling of that happening. I
get the same feeling when listening to recordings of the sixties'
"spiritual free jazz" artists (Sanders, Coltrane, Dolphy and more).
It's "something collective" that "opens up" and it doesn't happen if
arrangements are too rigid or clips can't be mangled on-the-fly. The
Gospel of Looping? LOL ;-)

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 14:38:11 2011
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Im with you there Per, and in a way the 2 (or is it 3 ) approaches to using
multiply kinda stand for the different approaches in Live Looping.
I very rarely use the type of Multiply where on Mobius or Repeater you just
select 2X or 4X looping (on EDP the multi-increase method works almost the
same, I never have the problems Per outlined earlier, when I want "instant
mult" I just double click the mult pedal).

..no I almost always prefer the typ of multiply that EDP os more know
for,(also available on Mobius)  which just multiply as you play, and then
when you hit the second time it closes. IN FACT. I NEVER use Over dub,
prefering to do a multiply EVERY TIME; somtimes I end up only repeating the
same length, (an overdub). but if I feel like going on longer I can!
The fluidity of playing that this allows really encourages the feeling that
the looper really is part of the instrument, as oppsed to being a kind of
recording process, like a "drop-in".. "Gotta get my part done before the
PUT POINT."

The Jazz greats you mention Per, mean nothing to me, but I hear the same in
my heros, of the long form improv of the 70s Germans, Can being my faves...

Lets hear it for Multiply! The root of the loop!

m


> A personal take:
> I just love the open feeling of playing free improvisation with live
> looping techniques and I think that this future-wide-open attitude
> rubs off emotionally on the audience in a positive way. Can't explain
> how it works, but I really have a strong feeling of that happening. I
> get the same feeling when listening to recordings of the sixties'
> "spiritual free jazz" artists (Sanders, Coltrane, Dolphy and more).
> It's "something collective" that "opens up" and it doesn't happen if
> arrangements are too rigid or clips can't be mangled on-the-fly. The
> Gospel of Looping? LOL ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--001636c5c2b74ef68c04b3e61508
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Im with you there Per, and in a way the 2 (or is it 3 ) approaches to using=
 multiply kinda stand for the different approaches in Live Looping.<br>I ve=
ry rarely use the type of Multiply where on Mobius or Repeater you just sel=
ect 2X or 4X looping (on EDP the multi-increase method works almost the sam=
e, I never have the problems Per outlined earlier, when I want &quot;instan=
t mult&quot; I just double click the mult pedal).<br>

<br>..no I almost always prefer the typ of multiply that EDP os more know f=
or,(also available on Mobius)=A0 which just multiply as you play, and then =
when you hit the second time it closes. IN FACT. I NEVER use Over dub, pref=
ering to do a multiply EVERY TIME; somtimes I end up only repeating the sam=
e length, (an overdub). but if I feel like going on longer I can!<br>

The fluidity of playing that this allows really encourages the feeling that=
 the looper really is part of the instrument, as oppsed to being a kind of =
recording process, like a &quot;drop-in&quot;.. &quot;Gotta get my part don=
e before the PUT POINT.&quot;<br>

<br>The Jazz greats you mention Per, mean nothing to me, but I hear the sam=
e in my heros, of the long form improv of the 70s Germans, Can being my fav=
es...<br><br>Lets hear it for Multiply! The root of the loop!<br><br>m<br>

<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
<br>
A personal take:<br>
I just love the open feeling of playing free improvisation with live<br>
looping techniques and I think that this future-wide-open attitude<br>
rubs off emotionally on the audience in a positive way. Can&#39;t explain<b=
r>
how it works, but I really have a strong feeling of that happening. I<br>
get the same feeling when listening to recordings of the sixties&#39;<br>
&quot;spiritual free jazz&quot; artists (Sanders, Coltrane, Dolphy and more=
).<br>
It&#39;s &quot;something collective&quot; that &quot;opens up&quot; and it =
doesn&#39;t happen if<br>
arrangements are too rigid or clips can&#39;t be mangled on-the-fly. The<br=
>
Gospel of Looping? LOL ;-)<br>
<br>
Greetings from Sweden<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http://www.y=
outube.com/perboysen</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255,255,255);background-color:=
rgb(0,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4">=
<u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--001636c5c2b74ef68c04b3e61508--

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Subject: LP2
Date: Mon, 12 Dec 2011 06:40:39 -0800
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This seems to be the week that the LP2 is shipping . . .
http://looperlative.posterous.com/first-10-lp2s-are-assembled-and-tested
Santa Bob is coming to town . . .

Gary


From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 14:42:07 2011
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Subject: Re: WHY - multiply?
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--20cf303a31b16e85a104b3e62370
Content-Type: text/plain; charset=ISO-8859-1

Jeez I should really check my spolling b4 I post.. sorry...

CORRECTION FOLLOWS

> Im with you there Per, and in a way, the 2 (or is it 3? ) approaches to
> using multiply kinda stand for the different approaches in Live Looping.
> I very rarely use the type of Multiply on Mobius or Repeater which
> instantly gives  2X or 4X the loop (on EDP the multi-increase method works
> almost the same, I never have the problems Per outlined earlier, when I
> want "instant mult" I just double click the mult pedal).
>
> ..No.. I almost always prefer the type of multiply that EDP is more known
> for, (also available on Mobius)  which just multiplies as you play, and
> then when you hit the second time it closes. INFACT. I NEVER use overdub,
> preferring to do a multiply EVERY TIME; sometimes I end up only repeating
> the same length, (an overdub). but if I feel like going on longer I can!
>


> The fluidity of playing that this allows really encourages the feeling
> that the looper really is part of the instrument, as oppsed to being a kind
> of recording process, like a "drop-in"..
>


> "Gotta get my part done before the OUT POINT."
>
> The Jazz greats you mention Per, mean nothing to me, but I hear the same
> in my heros, of the long form improv of the 70s Germans, Can being my
> faves...
>
> Lets hear it for Multiply! The root of the loop!
>



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf303a31b16e85a104b3e62370
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Jeez I should really check my spolling b4 I post.. sorry...<br><br><div cla=
ss=3D"gmail_quote">CORRECTION FOLLOWS<br><blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><di=
v id=3D":1qs">

Im with you there Per, and in a way, the 2 (or is it 3? ) approaches to usi=
ng multiply kinda stand for the different approaches in Live Looping.<br>I =
very rarely use the type of Multiply on Mobius or Repeater which instantly =
gives=A0 2X or 4X the loop (on EDP the multi-increase method works almost t=
he same, I never have the problems Per outlined earlier, when I want &quot;=
instant mult&quot; I just double click the mult pedal).<br>


<br>..No.. I almost always prefer the type of multiply that EDP is more kno=
wn for, (also available on Mobius)=A0 which just multiplies as you play, an=
d then when you hit the second time it closes. INFACT. I NEVER use overdub,=
 preferring to do a multiply EVERY TIME; sometimes I end up only repeating =
the same length, (an overdub). but if I feel like going on longer I can!<br=
>

</div></blockquote><div>=A0</div><blockquote class=3D"gmail_quote" style=3D=
"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204,204,204);padding-le=
ft:1ex"><div id=3D":1qs">
The fluidity of playing that this allows really encourages the feeling that=
 the looper really is part of the instrument, as oppsed to being a kind of =
recording process, like a &quot;drop-in&quot;.. </div></blockquote><div>

=A0</div><blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8e=
x;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div id=3D":1qs"=
>&quot;Gotta get my part done before the OUT POINT.&quot;<br>
<br>The Jazz greats you mention Per, mean nothing to me, but I hear the sam=
e in my heros, of the long form improv of the 70s Germans, Can being my fav=
es...<br><br>Lets hear it for Multiply! The root of the loop!<div class=3D"=
yj6qo ajU">

<div id=3D":1s2" class=3D"ajR" tabindex=3D"0"></div></div></div></blockquot=
e></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family:verdana,sa=
ns-serif;color:rgb(255,255,255);background-color:rgb(0,0,0)"><font style=3D=
"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></fon=
t></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf303a31b16e85a104b3e62370--

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Subject: Re: WHY - multiply?
From: Per Boysen <perboysen@gmail.com>
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On Mon, Dec 12, 2011 at 3:37 PM, mark francombe <mark@markfrancombe.com> wrote:
> 2X or 4X looping

Hey - the cool one is 3X and 3/. That's the trick make a short "hi
hat" loop not crash into boring-land too soon. I only use Instant
Multiply when aiming at such poly rhythm effect in parallel loops,
otherwise I'm like Mark sticking with the linear Multiply where you
play along in the flow.

One useful script I made for Mobius goes "reverse and overdub on next
cycle cusp". Most times I hit that pedal I follow it up with a
traditional (linear, EDP-style) Multiply in the lame-duck-period (from
the moment command is given until it is executed on the quantize
point). This makes the looper start multiplying in reverse mode. To
finish this action I hit the "reverse and overdub on next cycle cusp"
pedal a second time.

Lovely gospel, Mark! :-)  Yes the Kraut Crowd also "had it" IMHO. Same vibe.

Pierz

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Subject: I hope you like it!
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--f46d0444e96b0f2f2704b3e7a530
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<font class=3D"Apple-style-span" face=3D"Arial"><div><font face=3D"Arial" c=
olor=3D"#000000">2011 Sdivert.com =A0Boxing Day Sale=20
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present for your family and friends? I just bought an iphone4 on this webis=
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<font color=3D"#3366ff" size=3D"4">Sdivert.com</font>=A0 the stuffs are fai=
rly good and=20
lead a a prevailing market price. You can buy the brand new and multi-funct=
ion=20
digital products here. In order to celebrate the coming christmas, from 23r=
d ,=20
Nov to 28th, Dec, they have various christmas decorations as free gift for=
=20
you.</font></font></div>
<div><font face=3D"Arial"><br><font color=3D"#000000">Merry christmas for y=
ou and your=20
family in advance!</font></font></div></font>

--f46d0444e96b0f2f2704b3e7a530--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 12 18:34:32 2011
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Thanks for the kind words Petri I hope to have this song recorded an  
mixed by March along with a bunch of other music.
  Bill

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Subject: Re: Cass county waltz
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--0016e6dee8276d4e3304b3ea8000
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Curious about the mechanics of the reversed section...

It's a IV - V - vi progression, which I hadn't heard looped prior...

I did note a vi - V - IV section before but structurally it's different
than the IV - V - vi section,so i don't think you are reversing that....

Are you playing the changes yourself  over tonally non-committed backing
bits? And are you  reversing only one track or several?

Must have listened to that track a dozen times now Bill, really lovely work.

Phil :)

--0016e6dee8276d4e3304b3ea8000
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Curious about the mechanics of the reversed section...<div><br></div><div>I=
t&#39;s a IV - V - vi progression, which I hadn&#39;t heard looped prior...=
</div><div><br></div><div>I
 did note a vi - V - IV section before but structurally it&#39;s different=
=20
than the IV - V - vi section,so i don&#39;t think you are reversing that...=
.</div><div><br></div><div>Are you playing the changes yourself =A0over ton=
ally non-committed backing bits? And are you =A0reversing only one track or=
 several?</div>
<div><br></div><div>Must have listened to that track a dozen times now Bill=
, really lovely work.<br><br>Phil :)<br></div>

--0016e6dee8276d4e3304b3ea8000--

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Thanks so much everyone, what a fantastic variety of solutions :)

On Dec 12, 2011, at 5:53 AM, Per Boysen wrote:

> On Mon, Dec 12, 2011 at 2:10 PM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>> I've been looking at something along these lines:
>> http://store.bilila.com/lastwist.html
> 
> I borrowed something like that a the Rome Looping Festival three years
> ago. Quite neat stand, you can see it on this short video clip:
> http://www.youtube.com/user/perboysen#p/u/12/bx-5xrQnC4M
> 
> Per
> 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 13 05:33:21 2011
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Subject: Re: Re: LP2 Random Retrigger  -  Quarter/Quadruple Speed
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On 7/22/64 11:59 AM, andy butler wrote:
>
> hint...
> Would be nice to have a demo that wasn't a layered up studio track,
> that would make it easier to to grasp what's going on with the new 
> features.
>
*
*
> *We'll start working on demos  right after Christmas.*
*Why they are not out yet is this:
I literally have had a partially working prototype and only for a short 
time.
It was not in it's final physical form because we had to wait so long 
for the company
who made the extruded aluminum housings, so I didn't want to put a lot 
of energy into
making a demo of a box that doesn't look like the final product.

*Isn't there a nice demo of 1/2 1/4 speed on you tube somewhere that
really shows how that can be used.
*
the 1/4,  quadruple speed works exactly like 1/2, double speed in a DL-4 
or EDP.
......no different........

What is so cool about the unit is that you can have 1/2 speed or double 
speed on once Button
and the 1/4-quadruple speed function on a second Button.

I literally played polyrhtyhmic patterns in this example with two feet 
using this technique,
You can get some wicked effect to then re-sample/loop using this 
technique,  though
it would take your fingers controlling a second looper to accomplish it.

*I couldn't hear the effect *exactly* as described here in the demo 
(random retrigger)
Is it more accurately "jump to Random position and keep re-triggering to 
it  while button
is held down"?
*No,*
*The Random Retrigger works thusly................push Random Retrigger 
and the looper will begin to play at a randomized
place in the loop,  practically it is completely random.
Everytime you hit Random Retrigger it goes to a different place, but the 
square wave effect of going from one
place in the loop to another causes a kind of ersatz transient in the 
sound so it makes it very effect to
'play' ostinato rhythmic patterns with your foot whose timbre changes 
continually every time you press the pedal.

I intended it, specifically to be re-looped another LP-2 or another 
looper of any brand.

The unit has all these  Retriggering Options

Retrigger (One Shot)     this is identical to a DL-4 retrigger command
Retrigger (Continuous)  this Retriggers from the beginning and lets the 
loop continue on indefinitely
    (this was specifically put in to let loopers re-'sync' with a live 
band or with a looper who they are not
synchronized with using midi, even though that is also possible with the 
LP-2
Retrigger (Random)  as explained above.

As soon as BIll and I have saleable LP-2s in our hot little hands, we'll 
begin making a Video Manual
and be available for questions.   I promise.

Rick Walker
*
>
>
>
> andy

From Loopers-Delight-request@loopers-delight.com  Tue Dec 13 05:37:18 2011
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On 7/22/64 11:59 AM, Per Boysen wrote:
> What would that speed shift mean in tonal interval, a two octaves up shift?
*Exactly,   two octaves up,  if you begin in 1/4 sample speed mode
or two octaves down,  if you begin in normal sample mode.
*
> And I guess you can start looping in Quadruple mode and then take it
> down to Normal to achieve doom-grunt-noise sound to your loop?
*Precisely!     also wicked past arpeggios sped up four times sound like
'splashes' of sound which is very cool for noise embellishment.

*
>
>> >  (artifacty as hell, but in a very cool way)
> I'm kind of used to "the chipmunk sound" and like it for what it is.
> That video piece is nice, Rick!
*Thanks, Per!*
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 13 08:16:42 2011
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I like the "gospel attitude" (or maybe it's the Christmas spirit ;-) ).

You certainly have a point: There is a difference between "Gotta get my part done before the PUT POINT" vs "I don't know (yet) where this is going"...

Perhaps it's the vulnerability of stepping into unknown territory that distinguishes on-the-fly live-looping from charted (pre-fabricated loop) territory.

Per: Ahh, I love that stuff (and Eric Dolphy especially!).

best regards
Buzap


-- 
NEU: FreePhone - 0ct/min Handyspartarif mit Geld-zurÃ¼ck-Garantie!		
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Rick Walker wrote:
 
> *Isn't there a nice demo of 1/2 1/4 speed on you tube somewhere that
> really shows how that can be used.
> *
> the 1/4,  quadruple speed works exactly like 1/2, double speed in a DL-4 
> or EDP.
> ......no different........

Sure, but the way *you* use the speed change while building up layers 
is a lot more interesting that the more common technique
of "do a loop then half speed it", and I reckon that 1/4
speed works much better used in your way.


> *I couldn't hear the effect *exactly* as described here in the demo 
> (random retrigger)
> Is it more accurately "jump to Random position and keep re-triggering to 
> it  while button
> is held down"?
> *No,*

right, so where does that rapid retriggering (stutter) sound
come from? 
...and I thought I heard those getting looped too.


> 'play' ostinato rhythmic patterns with your foot whose timbre changes 
> continually every time you press the pedal.

so it really needs a smooth loop for that to be perceivable




> As soon as BIll and I have saleable LP-2s in our hot little hands, we'll 
> begin making a Video Manual
> and be available for questions.   I promise.
> 
> Rick Walker

excellent

andy

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Subject: How to fix an echoplex footswitch?
From: marcus kirby <marcusloops@gmail.com>
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The record function on my edp footswitch is no longer working. From
what I understand, it's just resistors that need to be replaced,
possibly the footswitch itself?

If I open it up, I should probably just replace all of the resistors, yeah?

Any help, i.e. values of resistors would be appreciated.

From Loopers-Delight-request@loopers-delight.com  Tue Dec 13 22:40:17 2011
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It's usually a worn-out switch.  I have replaced that one many times.  =
Someone around here knows where to get em and what the catalog number =
is; I can't remember.


On Dec 13, 2011, at 2:03 PM, marcus kirby wrote:

> The record function on my edp footswitch is no longer working. From
> what I understand, it's just resistors that need to be replaced,
> possibly the footswitch itself?
>=20
> If I open it up, I should probably just replace all of the resistors, =
yeah?
>=20
> Any help, i.e. values of resistors would be appreciated.
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




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Subject: Re: How to fix an echoplex footswitch?
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--0016e6d96787ab094004b4011ef5
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I just replaced one of those switches, sourced from here:

http://www.britishaudioservice.com/parts.php?mfg=3&cat=18

Super fast, super cheap. Repair job was a piece of cake. Can't speak to the
resistors, did not muck with those.

Phil :)


On Tue, Dec 13, 2011 at 2:12 PM, David Gans <david@trufun.com> wrote:

>
> It's usually a worn-out switch.  I have replaced that one many times.
>  Someone around here knows where to get em and what the catalog number is;
> I can't remember.
>
>
> On Dec 13, 2011, at 2:03 PM, marcus kirby wrote:
>
> > The record function on my edp footswitch is no longer working. From
> > what I understand, it's just resistors that need to be replaced,
> > possibly the footswitch itself?
> >
> > If I open it up, I should probably just replace all of the resistors,
> yeah?
> >
> > Any help, i.e. values of resistors would be appreciated.
> >
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>
>
>
>
>

--0016e6d96787ab094004b4011ef5
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I just replaced one of those switches, sourced from here:<br><br><a href=3D=
"http://www.britishaudioservice.com/parts.php?mfg=3D3&amp;cat=3D18">http://=
www.britishaudioservice.com/parts.php?mfg=3D3&amp;cat=3D18</a><br><br>Super=
 fast, super cheap. Repair job was a piece of cake. Can&#39;t speak to the =
resistors, did not muck with those.<br>
<br>Phil :)<br><br><br><div class=3D"gmail_quote">On Tue, Dec 13, 2011 at 2=
:12 PM, David Gans <span dir=3D"ltr">&lt;<a href=3D"mailto:david@trufun.com=
">david@trufun.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
<br>
It&#39;s usually a worn-out switch. =A0I have replaced that one many times.=
 =A0Someone around here knows where to get em and what the catalog number i=
s; I can&#39;t remember.<br>
<div class=3D"HOEnZb"><div class=3D"h5"><br>
<br>
On Dec 13, 2011, at 2:03 PM, marcus kirby wrote:<br>
<br>
&gt; The record function on my edp footswitch is no longer working. From<br=
>
&gt; what I understand, it&#39;s just resistors that need to be replaced,<b=
r>
&gt; possibly the footswitch itself?<br>
&gt;<br>
&gt; If I open it up, I should probably just replace all of the resistors, =
yeah?<br>
&gt;<br>
&gt; Any help, i.e. values of resistors would be appreciated.<br>
&gt;<br>
<br>
</div></div><span class=3D"HOEnZb"><font color=3D"#888888">David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a href=3D"mailto:=
david@gdhour.com">david@gdhour.com</a><br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730<br>
Blog: =A0<a href=3D"http://cloudsurfing.gdhour.com" target=3D"_blank">http:=
//cloudsurfing.gdhour.com</a><br>
Web site: <a href=3D"http://www.dgans.com" target=3D"_blank">http://www.dga=
ns.com</a><br>
Photos: <a href=3D"http://www.flickr.com/photos/dgans" target=3D"_blank">ht=
tp://www.flickr.com/photos/dgans</a><br>
Music: <a href=3D"http://www.cdbaby.com/all/dgans" target=3D"_blank">http:/=
/www.cdbaby.com/all/dgans</a><br>
<br>
<br>
<br>
<br>
</font></span></blockquote></div><br>

--0016e6d96787ab094004b4011ef5--

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  This track had 4 tracks, a single note ostinato I created my  
toggling track speed as i recorded the loop if you toggle track speed  
every two beats while recording a simple 1/8th note figure you get a  
3/4 time signature check the archives more more possibilities with  
this technique. I also layed down a guit-box track  using half pseed  
again to create the shaker part and layered faux kick and snare on  
top, i also recorded a  quantize replace track set to a factor of 12  
to create and underlying 12/8 pulse, again playing very minimal note  
choices with in the key. lastly after i had established my main theme  
i played a VIm V IV progression  in half speed, soloed over it a bit  
without over dubbing, came back in to overdub toward the end of the IV  
chord and hit a replace/1/2 speed/reverse command to end overdub and  
flip the chord progression around as I jump and octave. I do this  
technique a fair amount to book end a progression  by playing it in  
reverse at twice the speed.
  Bill












Curious about the mechanics of the reversed section...

It's a IV - V - vi progression, which I hadn't heard looped prior...

I did note a vi - V - IV section before but structurally it's  
different than the IV - V - vi section,so i don't think you are  
reversing that....

Are you playing the changes yourself  over tonally non-committed  
backing bits? And are you  reversing only one track or several?

Must have listened to that track a dozen times now Bill, really lovely  
work.

Phil :)

From Loopers-Delight-request@loopers-delight.com  Tue Dec 13 23:37:05 2011
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On 7/22/64 11:59 AM, Clayton Gary Lehmann wrote:
> This seems to be the week that the LP2 is shipping . . .
> http://looperlative.posterous.com/first-10-lp2s-are-assembled-and-tested
> Santa Bob is coming to town . . .
>
> Gary
Bob also wrote:

"As a bonus for waiting so long,
I will be shipping SanDisk Ultra SDHC cards with all of the preorders LP2s."


That was nice of him.

rick walker

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--f46d043c806c5a1e8904b401dfb8
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How much will the lp-2 cost? Is the midi sync solic?
On Dec 13, 2011 5:37 PM, "Rick Walker" <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Clayton Gary Lehmann wrote:
>
>> This seems to be the week that the LP2 is shipping . . .
>> http://looperlative.posterous.**com/first-10-lp2s-are-**
>> assembled-and-tested<http://looperlative.posterous.com/first-10-lp2s-are-assembled-and-tested>
>> Santa Bob is coming to town . . .
>>
>> Gary
>>
> Bob also wrote:
>
> "As a bonus for waiting so long,
> I will be shipping SanDisk Ultra SDHC cards with all of the preorders
> LP2s."
>
>
> That was nice of him.
>
> rick walker
>
>

--f46d043c806c5a1e8904b401dfb8
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<p>How much will the lp-2 cost? Is the midi sync solic?</p>
<div class=3D"gmail_quote">On Dec 13, 2011 5:37 PM, &quot;Rick Walker&quot;=
 &lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wro=
te:<br type=3D"attribution"><blockquote class=3D"gmail_quote" style=3D"marg=
in:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
On 7/22/64 11:59 AM, Clayton Gary Lehmann wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
This seems to be the week that the LP2 is shipping . . .<br>
<a href=3D"http://looperlative.posterous.com/first-10-lp2s-are-assembled-an=
d-tested" target=3D"_blank">http://looperlative.posterous.<u></u>com/first-=
10-lp2s-are-<u></u>assembled-and-tested</a><br>
Santa Bob is coming to town . . .<br>
<br>
Gary<br>
</blockquote>
Bob also wrote:<br>
<br>
&quot;As a bonus for waiting so long,<br>
I will be shipping SanDisk Ultra SDHC cards with all of the preorders LP2s.=
&quot;<br>
<br>
<br>
That was nice of him.<br>
<br>
rick walker<br>
<br>
</blockquote></div>

--f46d043c806c5a1e8904b401dfb8--

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On 7/22/64 11:59 AM, andy butler wrote:..
> about my use of 1/4, 4X function in the LP-2:
>
> "Sure, but the way *you* use the speed change while building up layers 
> is a lot more interesting that the more common technique
> of "do a loop then half speed it", and I reckon that 1/4
> speed works much better used in your way. "

Well,  I used it in a more experimental way............I notices that if 
I kicked the presently recorded loop down to 1/4 speed
at random places,  then I could play a really rapid set of notes in a 
burst..............kicked back up to speed would give me
these little bursts of hi pitched information...........it worked 
especially well with mute picking so that you'd really get the
click of the pick on the strings.

As is frequent with some of my improvs,  I couldn't tell you what I did 
because I never do exactly the same thing twice
(with the expeption of noticing that a particular piece of found objects 
make for a good 'piece')

So I apologize for not being more articulate.

As soon as I have the money, I need to get one of those zoom cameras 
that my brother has to make a video
that both has high quality audio and HD video.   Right now I don't have 
a good solution for high quality video
and high quality audio.........as soon as I can afford that,  I'll start 
making videos like bill does,  then people
can tell what I do.
>
> right, so where does that rapid retriggering (stutter) sound
> come from? ...and I thought I heard those getting looped too.
Well, the unit does to Retrigger (continuous) so I probably used that as 
well.
>
>
>> about playing ostinato rhyms with the new Random Retrigger function:
>
> "so it really needs a smooth loop for that to be perceivable "
Exactly..............this technique works best if you use non-transient 
oriented loops (i.e.,  ambient styled,  if dense timbrally)
It's much more aggro and avant garde sounding if you split up rhtyhmic 
tracks with transients in them.
>
>
>
>
>> As soon as BIll and I have saleable LP-2s in our hot little hands, 
>> we'll begin making a Video Manual
>> and be available for questions.   I promise.
>>
>> Rick Walker
>
> excellent
>
> andy

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Date: Tue, 13 Dec 2011 19:43:31 -0500
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Subject: Re: LP2
From: Thomas Wegmann <theweg@gmail.com>
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Very nice, I am drooling for it.  Merry Christmas to all!!!
On Dec 13, 2011 6:37 PM, "Rick Walker" <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Clayton Gary Lehmann wrote:
>
>> This seems to be the week that the LP2 is shipping . . .
>> http://looperlative.posterous.**com/first-10-lp2s-are-**
>> assembled-and-tested<http://looperlative.posterous.com/first-10-lp2s-are-assembled-and-tested>
>> Santa Bob is coming to town . . .
>>
>> Gary
>>
> Bob also wrote:
>
> "As a bonus for waiting so long,
> I will be shipping SanDisk Ultra SDHC cards with all of the preorders
> LP2s."
>
>
> That was nice of him.
>
> rick walker
>
>

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<p>Very nice, I am drooling for it.=A0 Merry Christmas to all!!!</p>
<div class=3D"gmail_quote">On Dec 13, 2011 6:37 PM, &quot;Rick Walker&quot;=
 &lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wro=
te:<br type=3D"attribution"><blockquote class=3D"gmail_quote" style=3D"marg=
in:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
On 7/22/64 11:59 AM, Clayton Gary Lehmann wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
This seems to be the week that the LP2 is shipping . . .<br>
<a href=3D"http://looperlative.posterous.com/first-10-lp2s-are-assembled-an=
d-tested" target=3D"_blank">http://looperlative.posterous.<u></u>com/first-=
10-lp2s-are-<u></u>assembled-and-tested</a><br>
Santa Bob is coming to town . . .<br>
<br>
Gary<br>
</blockquote>
Bob also wrote:<br>
<br>
&quot;As a bonus for waiting so long,<br>
I will be shipping SanDisk Ultra SDHC cards with all of the preorders LP2s.=
&quot;<br>
<br>
<br>
That was nice of him.<br>
<br>
rick walker<br>
<br>
</blockquote></div>

--20cf307f33d630fd3a04b402a8a7--

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Not to derail a thread here, (I've long stopped posting my congrats after
Bill posts something, I feel like there should be a button for that on
gmail actually.. ) but what I wanted to ask was... what are you guys
talking about when you say V and VI and IV actually? its popped up a few
times and and I dont know what it means?

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Not to derail a thread here, (I&#39;ve long stopped posting my congrats aft=
er Bill posts something, I feel like there should be a button for that on g=
mail actually.. ) but what I wanted to ask was... what are you guys talking=
 about when you say V and VI and IV actually? its popped up a few times and=
 and I dont know what it means?<br>


--20cf300513e2cd3c7c04b402ec67--

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Subject: RE: Cass county waltz
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Those are chords, built on the scale steps indicated . . .

Do Re Mi is 1 2 3 and the triads formed from stacking every other note of
the scale are the chords-

So in C, V is G, VI is A (and vi is Am) and IV is F.

 

Gary

 

  _____  

From: markfrancombe@gmail.com [mailto:markfrancombe@gmail.com] On Behalf Of
mark francombe
Sent: Tuesday, December 13, 2011 5:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Cass county waltz

 

Not to derail a thread here, (I've long stopped posting my congrats after
Bill posts something, I feel like there should be a button for that on gmail
actually.. ) but what I wanted to ask was... what are you guys talking about
when you say V and VI and IV actually? its popped up a few times and and I
dont know what it means?


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Those are chords, built on the =
scale steps
indicated . . .<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Do Re Mi is 1 2 3 and the triads =
formed
from stacking every other note of the scale are the =
chords&#8212;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>So in C, V is G, VI is A (and vi is =
Am)
and IV is F.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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<p class=3DMsoNormal><st1:City w:st=3D"on"><st1:place w:st=3D"on"><font =
size=3D6
  color=3Dnavy face=3D"Bickley Script"><span =
style=3D'font-size:25.0pt;font-family:
  "Bickley =
Script";color:navy'>Gary</span></font></st1:place></st1:City><font
size=3D6 color=3Dnavy face=3D"Bickley Script"><span =
style=3D'font-size:25.0pt;
font-family:"Bickley Script";color:navy'><o:p></o:p></span></font></p>

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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'>
markfrancombe@gmail.com [mailto:markfrancombe@gmail.com] <b><span
style=3D'font-weight:bold'>On Behalf Of </span></b>mark francombe<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, December =
13, 2011
5:02 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Cass county =
waltz</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Not to derail a thread here, (I've long stopped posting my =
congrats
after Bill posts something, I feel like there should be a button for =
that on
gmail actually.. ) but what I wanted to ask was... what are you guys =
talking
about when you say V and VI and IV actually? its popped up a few times =
and and
I dont know what it means?<o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 01:55:26 2011
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Subject: Re: How to fix an echoplex footswitch?
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Markus,

To my knowledge (and I owned a pair of 'em for 16 years) those resistors =
don't "wear out".

It's the switches that go bad.

If you buy a bag of them from Mouser online and learn how to =
solder/unsolder them you will never regret it.

BTW, you can also buy more long-lasting reliable switches.

However, they tend to be ones that turn on/off with a loud click.

Although the buttons on the EDP footswitch are a little prone to give =
out after a while (particularly on the most used buttons), they have the =
virtue of being nice and quiet for live performance.

My 2 cents.

Ted

On Dec 13, 2011, at 2:03 PM, marcus kirby wrote:

> The record function on my edp footswitch is no longer working. From
> what I understand, it's just resistors that need to be replaced,
> possibly the footswitch itself?
>=20
> If I open it up, I should probably just replace all of the resistors, =
yeah?
>=20
> Any help, i.e. values of resistors would be appreciated.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 02:25:09 2011
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I've been lent an iPad2 to use for a while.
It's a new world for me and I'm really enjoying learning
what's out there.

So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro,  the 
amazing SampleWiz and MorphWiz,
the Filtatron Moog synth app and the Animoog app.

I was wondering what other apps people have discovered that
they can highly recommend for apps to augment one's
live looping performances, specifically.

Thanks, in advance for your expertise and recommendations.

yours,   Rick Walker


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Subject: Re: How to fix an echoplex footswitch?
From: marcus kirby <marcusloops@gmail.com>
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--f46d043c806caa7f4004b4041599
Content-Type: text/plain; charset=ISO-8859-1

I'll buy a bag of the red switches then. Thanks for the help!
On Dec 13, 2011 7:55 PM, "Ted Killian" <tedkillian@charter.net> wrote:

> Markus,
>
> To my knowledge (and I owned a pair of 'em for 16 years) those resistors
> don't "wear out".
>
> It's the switches that go bad.
>
> If you buy a bag of them from Mouser online and learn how to
> solder/unsolder them you will never regret it.
>
> BTW, you can also buy more long-lasting reliable switches.
>
> However, they tend to be ones that turn on/off with a loud click.
>
> Although the buttons on the EDP footswitch are a little prone to give out
> after a while (particularly on the most used buttons), they have the virtue
> of being nice and quiet for live performance.
>
> My 2 cents.
>
> Ted
>
> On Dec 13, 2011, at 2:03 PM, marcus kirby wrote:
>
> > The record function on my edp footswitch is no longer working. From
> > what I understand, it's just resistors that need to be replaced,
> > possibly the footswitch itself?
> >
> > If I open it up, I should probably just replace all of the resistors,
> yeah?
> >
> > Any help, i.e. values of resistors would be appreciated.
>
>

--f46d043c806caa7f4004b4041599
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<p>I&#39;ll buy a bag of the red switches then. Thanks for the help!</p>
<div class=3D"gmail_quote">On Dec 13, 2011 7:55 PM, &quot;Ted Killian&quot;=
 &lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&g=
t; wrote:<br type=3D"attribution"><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Markus,<br>
<br>
To my knowledge (and I owned a pair of &#39;em for 16 years) those resistor=
s don&#39;t &quot;wear out&quot;.<br>
<br>
It&#39;s the switches that go bad.<br>
<br>
If you buy a bag of them from Mouser online and learn how to solder/unsolde=
r them you will never regret it.<br>
<br>
BTW, you can also buy more long-lasting reliable switches.<br>
<br>
However, they tend to be ones that turn on/off with a loud click.<br>
<br>
Although the buttons on the EDP footswitch are a little prone to give out a=
fter a while (particularly on the most used buttons), they have the virtue =
of being nice and quiet for live performance.<br>
<br>
My 2 cents.<br>
<br>
Ted<br>
<br>
On Dec 13, 2011, at 2:03 PM, marcus kirby wrote:<br>
<br>
&gt; The record function on my edp footswitch is no longer working. From<br=
>
&gt; what I understand, it&#39;s just resistors that need to be replaced,<b=
r>
&gt; possibly the footswitch itself?<br>
&gt;<br>
&gt; If I open it up, I should probably just replace all of the resistors, =
yeah?<br>
&gt;<br>
&gt; Any help, i.e. values of resistors would be appreciated.<br>
<br>
</blockquote></div>

--f46d043c806caa7f4004b4041599--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 04:07:14 2011
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Date: Tue, 13 Dec 2011 23:07:06 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: BEST iPad Apps for LIVE LOOPING
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The best I've seen are:  Loopy2,  Everyday Looper and the TC voice 
jam, in order of preference.

>I've been lent an iPad2 to use for a while.
>It's a new world for me and I'm really enjoying learning
>what's out there.
>
>So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro, 
>the amazing SampleWiz and MorphWiz,
>the Filtatron Moog synth app and the Animoog app.
>
>I was wondering what other apps people have discovered that
>they can highly recommend for apps to augment one's
>live looping performances, specifically.
>
>Thanks, in advance for your expertise and recommendations.
>
>yours,   Rick Walker


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: Re: BEST iPad Apps for LIVE LOOPING
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I could have sworn I had Loopy2 (had the others). My iPad (I) got erased whe=
n I upgraded my iOS. Now when I try to find "Loopy2" in apps its not their. I=
 bet it upstairs on desktop where I sync this.=20
I'm snuggly ensconced in this triple quilted womb I've created for myself in=
 my freezing house.

 I'm going nowhere.=20

Chaz Worm - singer, bass, banjo
Earth, Worm, &, Fire and
Electric Light Opry
http://ChazWorm.com
http://ELOpry.com
http://HankZeppelin.com
http://YouTube.com/ChazWorm


On Dec 13, 2011, at 11:07 PM, Charles Zwicky <cazwicky@earthlink.net> wrote:=


> The best I've seen are:  Loopy2,  Everyday Looper and the TC voice jam, in=
 order of preference.
>=20
>> I've been lent an iPad2 to use for a while.
>> It's a new world for me and I'm really enjoying learning
>> what's out there.
>>=20
>> So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro, the ama=
zing SampleWiz and MorphWiz,
>> the Filtatron Moog synth app and the Animoog app.
>>=20
>> I was wondering what other apps people have discovered that
>> they can highly recommend for apps to augment one's
>> live looping performances, specifically.
>>=20
>> Thanks, in advance for your expertise and recommendations.
>>=20
>> yours,   Rick Walker
>=20
>=20
> --=20
>=20
> ...
> http://www.zmix.net
>=20
> http://www.esession.com/ChuckZwicky
>=20
> http://albumcredits.com/zmix
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 05:26:16 2011
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Subject: Re: Cass county waltz
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> what are you guys talking about when you say V and VI and IV actually? its popped up a few times and and I dont know what it means?

Its the language  Chord Progression.   

Capital Roman Numerals indicate Major Chords
lower case indicate Minor Chords
The numbers themselves indicate the position in the scale , where DO RE ME = 1 2 3.   (oh, suddenly I hear an old Jackson 5 song coming on...)

Happy harmony sleuthing.
Daniel 

On Dec 13, 2011, at 5:02 PM, mark francombe wrote:

> Not to derail a thread here, (I've long stopped posting my congrats after Bill posts something, I feel like there should be a button for that on gmail actually.. ) but what I wanted to ask was... what are you guys talking about when you say V and VI and IV actually? its popped up a few times and and I dont know what it means?

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Subject: Re: BEST iPad Apps for LIVE LOOPING
From: Myke Atkinson <mykeatkinson@gmail.com>
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Not positive, but I think Charles meant "Loopy HD" when he said Loopy2.

-Myke





On 2011-12-13, at 9:54 PM, chaz worm wrote:

> I could have sworn I had Loopy2 (had the others). My iPad (I) got =
erased when I upgraded my iOS. Now when I try to find "Loopy2" in apps =
its not their. I bet it upstairs on desktop where I sync this.=20
> I'm snuggly ensconced in this triple quilted womb I've created for =
myself in my freezing house.
>=20
> I'm going nowhere.=20
>=20
> Chaz Worm - singer, bass, banjo
> Earth, Worm, &, Fire and
> Electric Light Opry
> http://ChazWorm.com
> http://ELOpry.com
> http://HankZeppelin.com
> http://YouTube.com/ChazWorm
>=20
>=20
> On Dec 13, 2011, at 11:07 PM, Charles Zwicky <cazwicky@earthlink.net> =
wrote:
>=20
>> The best I've seen are:  Loopy2,  Everyday Looper and the TC voice =
jam, in order of preference.
>>=20
>>> I've been lent an iPad2 to use for a while.
>>> It's a new world for me and I'm really enjoying learning
>>> what's out there.
>>>=20
>>> So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro, =
the amazing SampleWiz and MorphWiz,
>>> the Filtatron Moog synth app and the Animoog app.
>>>=20
>>> I was wondering what other apps people have discovered that
>>> they can highly recommend for apps to augment one's
>>> live looping performances, specifically.
>>>=20
>>> Thanks, in advance for your expertise and recommendations.
>>>=20
>>> yours,   Rick Walker
>>=20
>>=20
>> --=20
>>=20
>> ...
>> http://www.zmix.net
>>=20
>> http://www.esession.com/ChuckZwicky
>>=20
>> http://albumcredits.com/zmix
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 06:44:16 2011
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Date: Wed, 14 Dec 2011 07:19:43 +0100
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Subject: Re: Cass county waltz
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what do you call the root note? 0?

Sent from my (advertisement removed)

On 14 Dec 2011, at 06:26, Daniel Thomas <danielthomas4@mac.com> wrote:

>> what are you guys talking about when you say V and VI and IV actually? i=
ts popped up a few times and and I dont know what it means?
>
> Its the language  Chord Progression.
>
> Capital Roman Numerals indicate Major Chords
> lower case indicate Minor Chords
> The numbers themselves indicate the position in the scale , where DO RE M=
E =3D 1 2 3.   (oh, suddenly I hear an old Jackson 5 song coming on...)
>
> Happy harmony sleuthing.
> Daniel
>
> On Dec 13, 2011, at 5:02 PM, mark francombe wrote:
>
>> Not to derail a thread here, (I've long stopped posting my congrats afte=
r Bill posts something, I feel like there should be a button for that on gm=
ail actually.. ) but what I wanted to ask was... what are you guys talking =
about when you say V and VI and IV actually? its popped up a few times and =
and I dont know what it means?
>

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Subject: Re: Cass county waltz
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--14dae9340bd38ccf8704b407b4ce
Content-Type: text/plain; charset=ISO-8859-1

I (1)

On Wed, Dec 14, 2011 at 1:19 AM, mark francombe <markfrancombe@gmail.com>wrote:

> what do you call the root note? 0?
>
> Sent from my (advertisement removed)
>
> On 14 Dec 2011, at 06:26, Daniel Thomas <danielthomas4@mac.com> wrote:
>
> >> what are you guys talking about when you say V and VI and IV actually?
> its popped up a few times and and I dont know what it means?
> >
> > Its the language  Chord Progression.
> >
> > Capital Roman Numerals indicate Major Chords
> > lower case indicate Minor Chords
> > The numbers themselves indicate the position in the scale , where DO RE
> ME = 1 2 3.   (oh, suddenly I hear an old Jackson 5 song coming on...)
> >
> > Happy harmony sleuthing.
> > Daniel
> >
> > On Dec 13, 2011, at 5:02 PM, mark francombe wrote:
> >
> >> Not to derail a thread here, (I've long stopped posting my congrats
> after Bill posts something, I feel like there should be a button for that
> on gmail actually.. ) but what I wanted to ask was... what are you guys
> talking about when you say V and VI and IV actually? its popped up a few
> times and and I dont know what it means?
> >
>
>


-- 
The above words carry a spirit of benevolence and good humor. If you do not
understand the content of this message; you have a responsibility to ask
questions to allow for a process of mutual understanding to occur. Be
assured any response will receive my attention to the highest degree which
is available; I ask you not to take advantage of my attention as my time
may be better spent elsewhere. I will respect your privacy on the condition
that you respect mine.

Best wishes, Billy

(I respectfully ask that you do not copy this signature; for every copy
diminishes the appearance of authenticity and compromises the honorable
intentions from which this signature was created.)

--14dae9340bd38ccf8704b407b4ce
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I (1)<br><br><div class=3D"gmail_quote">On Wed, Dec 14, 2011 at 1:19 AM, ma=
rk francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:markfrancombe@gmail.co=
m">markfrancombe@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex">
what do you call the root note? 0?<br>
<br>
Sent from my (advertisement removed)<br>
<div><div></div><div class=3D"h5"><br>
On 14 Dec 2011, at 06:26, Daniel Thomas &lt;<a href=3D"mailto:danielthomas4=
@mac.com">danielthomas4@mac.com</a>&gt; wrote:<br>
<br>
&gt;&gt; what are you guys talking about when you say V and VI and IV actua=
lly? its popped up a few times and and I dont know what it means?<br>
&gt;<br>
&gt; Its the language =A0Chord Progression.<br>
&gt;<br>
&gt; Capital Roman Numerals indicate Major Chords<br>
&gt; lower case indicate Minor Chords<br>
&gt; The numbers themselves indicate the position in the scale , where DO R=
E ME =3D 1 2 3. =A0 (oh, suddenly I hear an old Jackson 5 song coming on...=
)<br>
&gt;<br>
&gt; Happy harmony sleuthing.<br>
&gt; Daniel<br>
&gt;<br>
&gt; On Dec 13, 2011, at 5:02 PM, mark francombe wrote:<br>
&gt;<br>
&gt;&gt; Not to derail a thread here, (I&#39;ve long stopped posting my con=
grats after Bill posts something, I feel like there should be a button for =
that on gmail actually.. ) but what I wanted to ask was... what are you guy=
s talking about when you say V and VI and IV actually? its popped up a few =
times and and I dont know what it means?<br>

&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
The above words carry a spirit of benevolence and good humor. If you do not=
 understand the content of this message; you have a responsibility to ask q=
uestions to allow for a process of mutual understanding to occur. Be assure=
d any response will receive my attention to the highest degree which is ava=
ilable; I ask you not to take advantage of my attention as my time may be b=
etter spent elsewhere. I will respect your privacy on the condition that yo=
u respect mine.<div>
<br></div><div>Best wishes, Billy</div><div><br></div><div>(I respectfully =
ask that you do not copy this signature; for every copy diminishes=A0the ap=
pearance of authenticity and=A0compromises the honorable intentions from wh=
ich this signature was created.)</div>
<br>

--14dae9340bd38ccf8704b407b4ce--

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Subject: Re: WHY - multiply?
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since I think of myself as the creator of this function its a pleasure =
to read what great users think about it!
its the one function I used a lot personally
and I often felt the desire to change the short base loop after the =
multiplication, which is possible if multiply happens on a new track and =
thus only could be done with two EDPs
then again I love unrounded multiply too... does it work on several =
tracks in some apps?

now this made me type here:
On 12 Dec 2011, at 11:08, Per Boysen wrote:
>=20
> A personal take:
> I just love the open feeling of playing free improvisation with live
> looping techniques and I think that this future-wide-open attitude
> rubs off emotionally on the audience in a positive way. Can't explain
> how it works, but I really have a strong feeling of that happening. I
> get the same feeling when listening to recordings of the sixties'
> "spiritual free jazz" artists (Sanders, Coltrane, Dolphy and more).
> It's "something collective" that "opens up" and it doesn't happen if
> arrangements are too rigid or clips can't be mangled on-the-fly. The
> Gospel of Looping? LOL ;-)
>=20
even on TV they go back to real live transmission of the stupid talk =
shows.=20
seems that the public prefers to watch some real idiot than a perfect =
movie illusion :-)
so its not just the gospel of looping, but of the NOW - or what?
I remember Randolf saying that he sometimes introduces errors just so =
the public feels that its real, and this is also a clowns tradition: let =
the ball drop once and you get the sympathy of the public

so I am even thinking of building the Evoloop without loop saving =
function!=

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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">since =
I think of myself as the creator of this function its a pleasure to read =
what great users think about it!<div>its the one function I used a lot =
personally</div><div>and I often felt the desire to change the short =
base loop after the multiplication, which is possible if multiply =
happens on a new track and thus only could be done with two =
EDPs</div><div>then again I love unrounded multiply too... does it work =
on several tracks in some apps?</div><div><br></div><div>now this made =
me type here:<br><div><div>On 12 Dec 2011, at 11:08, Per Boysen =
wrote:</div><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font>A personal =
take:<br>I just love the open feeling of playing free improvisation with =
live<br>looping techniques and I think that this future-wide-open =
attitude<br>rubs off emotionally on the audience in a positive way. =
Can't explain<br>how it works, but I really have a strong feeling of =
that happening. I<br>get the same feeling when listening to recordings =
of the sixties'<br>"spiritual free jazz" artists (Sanders, Coltrane, =
Dolphy and more).<br>It's "something collective" that "opens up" and it =
doesn't happen if<br>arrangements are too rigid or clips can't be =
mangled on-the-fly. The<br>Gospel of Looping? LOL =
;-)<br><br></div></blockquote></div>even on TV they go back to real live =
transmission of the stupid talk shows.&nbsp;</div><div>seems that the =
public prefers to watch some real idiot than a perfect movie illusion =
:-)</div><div>so its not just the gospel of looping, but of the NOW - or =
what?</div><div>I remember Randolf saying that he sometimes introduces =
errors just so the public feels that its real, and this is also a clowns =
tradition: let the ball drop once and you get the sympathy of the =
public</div><div><br></div><div>so I am even thinking of building the =
Evoloop without loop saving function!</div></body></html>=

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Sent from my (advertisement removed)

On 14 Dec 2011, at 08:01, Matthias Grob <matilists@gmail.com> wrote:

>
> so I am even thinking of building the Evoloop without loop saving function!

that would be a "feature" In my book!

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On 14 Dec 2011, at 04:24, mark francombe wrote:
>=20
> On 14 Dec 2011, at 08:01, Matthias Grob <matilists@gmail.com> wrote:
>=20
>> so I am even thinking of building the Evoloop without loop saving =
function!
>=20
> that would be a "feature" In my book!
>=20
LOL
its an attitude maybe? like a tatoo meaning "I am a hard guy" :-)
and eventually it becomes a flag for the public: where they see that =
shiny machine, the musician is not cheating :-)


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On 14 Dec 2011, at 04:24, mark francombe wrote:</div><blockquote type="cite"><div><font class="Apple-style-span" color="#000000"><br></font>On 14 Dec 2011, at 08:01, Matthias Grob &lt;<a href="mailto:matilists@gmail.com">matilists@gmail.com</a>&gt; wrote:<br><br><blockquote type="cite">so I am even thinking of building the Evoloop without loop saving function!</blockquote><br>that would be a "feature" In my book!<br><br></div></blockquote></div>LOL<div>its an attitude maybe? like a tatoo meaning "I am a hard guy" :-)</div><div>and eventually it becomes a flag for the public: where they see that shiny machine, the musician is not cheating :-)</div><div><br></div></body></html>
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+1

:)

On Dec 13, 2011, at 11:42 PM, Matthias Grob wrote:

>=20
> On 14 Dec 2011, at 04:24, mark francombe wrote:
>>=20
>> On 14 Dec 2011, at 08:01, Matthias Grob <matilists@gmail.com> wrote:
>>=20
>>> so I am even thinking of building the Evoloop without loop saving =
function!
>>=20
>> that would be a "feature" In my book!
>>=20
> LOL
> its an attitude maybe? like a tatoo meaning "I am a hard guy" :-)
> and eventually it becomes a flag for the public: where they see that =
shiny machine, the musician is not cheating :-)
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">+1<div><br></div><div>:)</div><div><br><div><div>On Dec 13, 2011, at =
11:42 PM, Matthias Grob wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On 14 Dec 2011, =
at 04:24, mark francombe wrote:</div><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span"><br></font>On 14 Dec 2011, at 08:01, Matthias =
Grob &lt;<a =
href=3D"mailto:matilists@gmail.com">matilists@gmail.com</a>&gt; =
wrote:<br><br><blockquote type=3D"cite">so I am even thinking of =
building the Evoloop without loop saving function!</blockquote><br>that =
would be a "feature" In my =
book!<br><br></div></blockquote></div>LOL<div>its an attitude maybe? =
like a tatoo meaning "I am a hard guy" :-)</div><div>and eventually it =
becomes a flag for the public: where they see that shiny machine, the =
musician is not cheating =
:-)</div><div><br></div></div></blockquote></div><br></div></body></html>=

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Those are chords, built on the scale steps indicated . . .
Do Re Mi is 1 2 3 and the triads formed from stacking every other note =20=

of the scale are the chords=97
So in C, V is G, VI is A (and vi is Am) and IV is F.


Just like Gary sez, I was using roman numerals to describe my chord =20
progression  though I would like to add:
  I was in the key of E so the basic triad chords in that key are:
   I        II         III         IV      V       VI        VII
  E maj F# min G# min A maj B maj C# min D# dim

  I used an e major tuning,   the progression was in 12/8 with a =20
verse  cycle that went:

   I                IV               I              =20
V                    IV
  E for 2 bars A for 2 bars E for 1 bar B for 1 bar and A for 2 bars,
                          VI                     V                     =20=

IV
  the bridge went C#min for 1 bar , B for 1 bar, and A for 2 bars

at the end I reversed the bridge section track as i changed it from =20
1/2 speed to normal speed to create  a 2 measure IV V VI.

  Ok Mark so don't give me compliments.... don't prop up my (depending =20=

on your point of view) fragile, or inflated ego.  see what I care, you =20=

rat bastard... would you at least throw me a like on Youtube? is that =20=

so much to ask mate?
  warm fuzzy hugs to ya
  Bill


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman'; "><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size: 10pt; font-family: Arial; =
color: navy; ">Those are chords, built on the scale steps indicated . . =
.<o:p></o:p></span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman'; "><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size: 10pt; font-family: Arial; =
color: navy; ">Do Re Mi is 1 2 3 and the triads formed from stacking =
every other note of the scale are the =
chords=97<o:p></o:p></span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman'; "><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size: 10pt; font-family: Arial; =
color: navy; ">So in C, V is G, VI is A (and vi is Am) and IV is =
F.</span></font></div><div style=3D"margin-top: 0in; margin-right: 0in; =
margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: =
'Times New Roman'; "><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size: 10pt; font-family: Arial; color: navy; =
"><br></span></font></div><div style=3D"margin-top: 0in; margin-right: =
0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; =
font-family: 'Times New Roman'; "><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size: 10pt; font-family: Arial; =
color: navy; "><br></span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman'; "><font size=3D"2" face=3D"Arial" =
color=3D"#010101"><span style=3D"font-size: 10pt; font-family: Arial; =
">Just like Gary sez, I was using roman numerals to describe my chord =
progression &nbsp;though I would like to add:</span></font></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; "><font class=3D"Apple-style-span" =
color=3D"#010101" face=3D"Arial"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;">&nbsp;I was in the key of E so the basic =
triad chords in that key are:</span></font></div><div style=3D"margin-top:=
 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; =
"><font class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp; I &nbsp; =
&nbsp; &nbsp; &nbsp;II &nbsp; &nbsp; &nbsp; &nbsp; III &nbsp; &nbsp; =
&nbsp; &nbsp; IV &nbsp; &nbsp; &nbsp;V &nbsp; &nbsp; &nbsp; VI &nbsp; =
&nbsp; &nbsp; &nbsp;VII</span></font></div><div style=3D"margin-top: =
0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; =
"><font class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp;E maj F# min =
G# min A maj B maj C# min D# dim</span></font></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; "><font class=3D"Apple-style-span" =
color=3D"#010101" face=3D"Arial"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;"><br></span></font></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; "><font class=3D"Apple-style-span" =
color=3D"#010101" face=3D"Arial"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;">&nbsp;I used an e major tuning, &nbsp; the =
progression was in 12/8 with a verse &nbsp;cycle that =
went:</span></font></div><div style=3D"margin-top: 0in; margin-right: =
0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp; I &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;IV &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; I &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;V &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;IV</span></font></div><div style=3D"margin-top: 0in; margin-right: =
0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp;E for 2 bars =
A for 2 bars E for 1 bar B for 1 bar and A for 2 =
bars,&nbsp;</span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;VI &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; V &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; IV</span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp;the bridge =
went C#min for 1 bar , B for 1 bar, and A for 2 =
bars&nbsp;</span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">at the end I =
reversed the bridge section track as i changed it from 1/2 speed to =
normal speed to create &nbsp;a 2 measure IV V =
VI.&nbsp;</span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp;Ok Mark so =
don't give me compliments.... don't prop up my (depending on your point =
of view) fragile, or inflated ego. &nbsp;see what I care, you rat =
bastard... would you at least throw me a like on Youtube? is that so =
much to ask mate?</span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">&nbsp;warm fuzzy =
hugs to ya</span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;">&nbsp;Bill</span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; "><font =
class=3D"Apple-style-span" color=3D"#010101" face=3D"Arial"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div></body></html>=

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From: Ben <benoitruelle@yahoo.fr>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 14 Dec 2011 09:11:51 +0100
Subject: Re: BEST iPad Apps for LIVE LOOPING
In-Reply-To: <4EE808FD.8090909@cruzio.com>
References: <4EE808FD.8090909@cruzio.com>
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Hi Rick,

As i saw you are not only searching apps that are looping but anything
that you may use in a looping context (sound sources).
There's is now a "show" on sonicstate mentionning the great apps. I 
havn't had the time to watch yet but I think there are already 2 or 3 
episodes.

There are the sites
http://en.440audio.com/software/
http://www.idesignsound.com/

Regarding the apps, have a look  at :
the new Geo apps from Rudess (based on the free mugician app), 
the korgs ims20 and electribe.
soundprism
thumbjam
Curtis
addictive synth (with a loop function).
Sunrizer
synthx
crystal synth
pixelwave and spectrumgen

then on the midi/osc side of stuff:
lemur
miditouch
touchOSC
Konkreet
little midi machine


Welcome to this new world.

Ben





--------------------------------------------------
Rick Walker <looppool@cruzio.com> wrote:
(14/12/2011 03:25)

> I've been lent an iPad2 to use for a while.
> It's a new world for me and I'm really enjoying learning
> what's out there.
> 
> So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro,  the 
> amazing SampleWiz and MorphWiz,
> the Filtatron Moog synth app and the Animoog app.
> 
> I was wondering what other apps people have discovered that
> they can highly recommend for apps to augment one's
> live looping performances, specifically.
> 
> Thanks, in advance for your expertise and recommendations.
> 
> yours,   Rick Walker

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From: Ben <benoitruelle@yahoo.fr>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 14 Dec 2011 09:34:25 +0100
Subject: Re: WHY - multiply?
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This reminds me of the first advertising from clavia "no sample 
inside" when they launch the VA hype in '95-'96 :-)
Ben

--------------------------------------------------
Phil Clevenger <phil.clevenger@gmail.com> wrote:
(14/12/2011 08:47)

> +1
> 
> :)
> 
> On Dec 13, 2011, at 11:42 PM, Matthias Grob wrote:
> 
> > 
> > On 14 Dec 2011, at 04:24, mark francombe wrote:
> >> 
> >> On 14 Dec 2011, at 08:01, Matthias Grob <matilists@gmail.com> wrote:
> >> 
> >>> so I am even thinking of building the Evoloop without loop saving function!
> >> 
> >> that would be a "feature" In my book!
> >> 
> > LOL
> > its an attitude maybe? like a tatoo meaning "I am a hard guy" :-)
> > and eventually it becomes a flag for the public: where they see that shiny machine, the musician is not cheating :-)
> > 

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--20cf305640cf0d4ff704b409a7d9
Content-Type: text/plain; charset=ISO-8859-1

On Wed, Dec 14, 2011 at 9:05 AM, William Walker <billwalker@baymoon.com>wrote:

>  Ok Mark so don't give me compliments.... don't prop up my (depending on
> your point of view) fragile, or inflated ego.  see what I care, you rat
> bastard... would you at least throw me a like on Youtube? is that so much
> to ask mate?
>  warm fuzzy hugs to ya
>  Bill
>

Its not that Bill, its just that the dictionary is running out of
superlatives... But ok..

Another Abso-fuck-In-sane-O-fabuliscious performance by BIll..


M..




-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf305640cf0d4ff704b409a7d9
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On Wed, Dec 14, 2011 at 9:05 AM, William Walker <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</span> =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bord=
er-left:1px #ccc solid;padding-left:1ex">

<div style=3D"margin:0in 0in 0.0001pt"><font color=3D"#010101" face=3D"Aria=
l"><span style=3D"font-size:13px">=A0Ok
 Mark so don&#39;t give me compliments.... don&#39;t prop up my (depending =
on=20
your point of view) fragile, or inflated ego. =A0see what I care, you rat=
=20
bastard... would you at least throw me a like on Youtube? is that so=20
much to ask mate?</span></font></div><div style=3D"margin:0in 0in 0.0001pt"=
><font color=3D"#010101" face=3D"Arial"><span style=3D"font-size:13px">=A0w=
arm fuzzy hugs to ya</span></font></div><div style=3D"margin:0in 0in 0.0001=
pt"><font color=3D"#010101" face=3D"Arial"><span style=3D"font-size:13px">=
=A0Bill</span></font></div>

</blockquote><div>=A0</div>Its not that Bill, its just that the dictionary =
is running out of superlatives... But ok..<br><br>Another Abso-fuck-In-sane=
-O-fabuliscious performance by BIll..<br><br><br>M..<br><div class=3D"gmail=
_quote">

<br></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family:verdana,=
sans-serif;color:rgb(255,255,255);background-color:rgb(0,0,0)"><font style=
=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></=
font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf305640cf0d4ff704b409a7d9--

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Subject: OT: Boss RC-30 and FS-6 switch for sale
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--14dae9340dcb1cd0ce04b40b3f0f
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Hi loopers!

If there are any Finnish people nowadays on the list,
I am selling my RC-30 and the switch that expands the functionality of the
unit.
also power included for the unit and cable for FS-6.
All items in mint condition.

Contact me off the list if youre interested
and here's the ad on muusikoiden.net :

http://muusikoiden.net/tori/nayta.php?id=587207

-- 
Petri Lahtinen

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Hi loopers!<br><br>If there are any Finnish people nowadays on the list,<br=
>I am selling my RC-30 and the switch that expands the functionality of the=
 unit.<br>also power included for the unit and cable for FS-6.<br>All items=
 in mint condition.<br>
<br>Contact me off the list if youre interested<br>and here&#39;s the ad on=
 <a href=3D"http://muusikoiden.net">muusikoiden.net</a> :<br><br><a href=3D=
"http://muusikoiden.net/tori/nayta.php?id=3D587207">http://muusikoiden.net/=
tori/nayta.php?id=3D587207</a><br clear=3D"all">
<br>-- <br>Petri Lahtinen<br><br><br>

--14dae9340dcb1cd0ce04b40b3f0f--

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Very much agreed!!!!



> Another Abso-fuck-In-sane-O-fabuliscious performance by BIll..
>
>
> M..
>
>
>

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Very much agreed!!!!<br><br><div class=3D"gmail_quote"><br><blockquote clas=
s=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;pad=
ding-left:1ex"><br>Another Abso-fuck-In-sane-O-fabuliscious performance by =
BIll..<span class=3D"HOEnZb"><font color=3D"#888888"><br>
<br><br>M..<br><div class=3D"gmail_quote">

<br></div></font></span><br>
</blockquote></div>

--14dae934105302c07304b40b516a--

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On 7/22/64 11:59 AM, marcus kirby wrote:
> How much will the lp-2 cost? Is the midi sync solic?
$300.    Midi sync is solid both ways.

Check the archives for several posts I've made about
it's pretty wonderful feature set.

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Date: Wed, 14 Dec 2011 08:32:24 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: BEST iPad Apps for LIVE LOOPING
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Of course, I forgot that the iPad version was called LoopyHD..!  It's 
excellent..

>Not positive, but I think Charles meant "Loopy HD" when he said Loopy2.
>
>-Myke
>
>
>
>
>
>On 2011-12-13, at 9:54 PM, chaz worm wrote:
>
>>  I could have sworn I had Loopy2 (had the others). My iPad (I) got 
>>erased when I upgraded my iOS. Now when I try to find "Loopy2" in 
>>apps its not their. I bet it upstairs on desktop where I sync this.
>>  I'm snuggly ensconced in this triple quilted womb I've created for 
>>myself in my freezing house.
>>
>>  I'm going nowhere.
>>
>>  Chaz Worm - singer, bass, banjo
>>  Earth, Worm, &, Fire and
>>  Electric Light Opry
>>  http://ChazWorm.com
>>  http://ELOpry.com
>>  http://HankZeppelin.com
>>  http://YouTube.com/ChazWorm
>>
>>
>>  On Dec 13, 2011, at 11:07 PM, Charles Zwicky <cazwicky@earthlink.net> wrote:
>>
>>>  The best I've seen are:  Loopy2,  Everyday Looper and the TC 
>>>voice jam, in order of preference.
>>>
>>>>  I've been lent an iPad2 to use for a while.
>>>>  It's a new world for me and I'm really enjoying learning
>>>>  what's out there.
>>>>
>>>>  So far,  I have added   FL Studio Mobile HD, the Kaossilator 
>>>>Pro, the amazing SampleWiz and MorphWiz,
>>>>  the Filtatron Moog synth app and the Animoog app.
>>>>
>>>>  I was wondering what other apps people have discovered that
>>>>  they can highly recommend for apps to augment one's
>>>>  live looping performances, specifically.
>>>>
>>>>  Thanks, in advance for your expertise and recommendations.
>>>>
>>>>  yours,   Rick Walker
>>>
>>>
>>>  --
>>>
>>>  ...
>>>  http://www.zmix.net
>>>
>>>  http://www.esession.com/ChuckZwicky
>>>
>>>  http://albumcredits.com/zmix
>>>
>>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 14:39:44 2011
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Subject: Re: WHY - multiply?
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On Wed, Dec 14, 2011 at 8:01 AM, Matthias Grob <matilists@gmail.com> wrote:
> since I think of myself as the creator of this function its a pleasure to
> read what great users think about it!
> its the one function I used a lot personally
> and I often felt the desire to change the short base loop after the
> multiplication, which is possible if multiply happens on a new track and
> thus only could be done with two EDPs
> then again I love unrounded multiply too... does it work on several tracks
> in some apps?


Great to read you chiming in on this, Matthias! I may try answering
those questions for Mobius, since I've been using that looper a lot
over the recent years. If  "unrounded multiply" would include closing
Multiply mode by Record it does not work over several tracks (for
parallel loops) in Mobius. But Mobius has another way to achieve the
same result: to apply the Instant Multiply or Instant Divide command
while having activated the Focus Lock for a number of tracks.

Since Mobius is a multi track looper the track you chose for creating
the first loop becomes the Master Track and it is according to this
track's cycle length all other track are realigning for track sync.
But there is a command to change the Master Track during a looping
session. If the new Master Track has been modified by "unrounded
multiply" I assume the result will be a new tempo and a new cycle
length as the quantization grid for the rest of the session (if that
was what you meant by "change the short base loop"?)


> so I am even thinking of building the Evoloop without loop saving function!

I second that decision. Today's world is already full of recording
devices, so there's no need to clutter up a performance instrument
with that function.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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Subject: Re: WHY - multiply?
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On Wed, Dec 14, 2011 at 9:34 AM, Ben <benoitruelle@yahoo.fr> wrote:
> This reminds me of the first advertising from clavia "no sample
> inside" when they launch the VA hype in '95-'96 :-)
> Ben

Ha, ha... yes, I remembered that period. The tendency back the was
that producers were sick of the quantized and repetitious elements
coming form basing sound design on samples so the expectations on pure
algorithm driven engines were unrealistically high, like if that would
bring back the sonic magic of the analog era into digital gear. IMHO
that is where we are at today, but it took a lot longer time than we
hoped for in -95. And funnily sample based sound design is cool again
today.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 15:00:26 2011
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Date: Wed, 14 Dec 2011 00:34:25 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T, Jim Hobbs, Eric Rosenthal,Dave Bryant,
 Junko Simons Dec 16 Outpost 186
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

Visual Music LIVE continues at Outpost 186 on Friday  at 8 PM.  -- 
I'll be doing video improvisations with four superb musicians.

Solo: Dave Bryant, piano
Duet: Jim Hobbs, Alto, Eric Rosenthal, drums
Quartet: Dave, Jim, Eric plus Junko Simons, cello.

Dr. T -- Video Projections

My projections are produced by mixing multiple DVD sources a video 
mixer and effects processors. The sources consist of 
computer-manipulated original material derived from my still 
photography and videography. The original subject matter is usually 
recognizable, but sometimes processed to complete abstraction. 
Sometimes the projections and music respond directly to each other -- 
sometimes they simply co-exist.


Outpost 186, 186 Hampshire St (in the back), near Inman Square, Cambridge MA

Suggested donation,  $10

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org

Many of my finished video pieces (both studio and live) can be seen 
at http://www.youtube.com/Tobenfeld.

Those of you who attend or perform at events at Outpost 186 may find 
my photo essay "Improvisations from an Outpost" 
http://www.flickr.com/photos/22231918@N06/sets/72157624670849749/ to 
be of interest,




-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 15:38:48 2011
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Subject: New EDP?
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Is there a new EDP currently in development? I seem to remember  
reading that there was, but I haven't heard anything recently. Can  
anyone enlighten me?

Thank you.

Jeff

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On Wed, Dec 14, 2011 at 4:35 PM, Jeff Shirkey <jcshirke@frontier.com> wrote:
> Is there a new EDP currently in development? I seem to remember reading that
> there was, but I haven't heard anything recently. Can anyone enlighten me?

Actually Matthias Grob mentioned the Evoloop on this list just an hour
ago in the "Why Multiply" thread. Well, I did an internet search and
found the URL at http://www.evoloop.org/

Per

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Rick Walker wrote:
> I've been lent an iPad2 to use for a while.
> It's a new world for me and I'm really enjoying learning
> what's out there.
> 
> So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro,  the 
> amazing SampleWiz and MorphWiz,
> the Filtatron Moog synth app and the Animoog app.
> 
> I was wondering what other apps people have discovered that
> they can highly recommend for apps to augment one's
> live looping performances, specifically.
> 
> Thanks, in advance for your expertise and recommendations.
> 
> yours,   Rick Walker

This begs a question: How much processing (and as such which ipad version), is
needed for (mostly) looping?

I can't see looping requireing that much processing power - of course unless 
really mangling the tone, which I won't be doing.


-- 
rgds,
van Sinn


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Rick Walker wrote:
> On 7/22/64 11:59 AM, andy butler wrote:..
>> about my use of 1/4, 4X function in the LP-2:
>>
>> "Sure, but the way *you* use the speed change while building up layers 
>> is a lot more interesting that the more common technique
>> of "do a loop then half speed it", and I reckon that 1/4
>> speed works much better used in your way. "
> 
> Well,  I used it in a more experimental way............I notices that if 
> I kicked the presently recorded loop down to 1/4 speed
> at random places,  then I could play a really rapid set of notes in a 
> burst..............

there's a track on your Dayglow Green Plastic album done with electric bass
which is pretty much an object lesson in the use of half speed
(on the DL4)

building up overdubbed layers at the 2 speeds

>>
>> right, so where does that rapid retriggering (stutter) sound
>> come from? ...and I thought I heard those getting looped too.

> Well, the unit does to Retrigger (continuous) so I probably used that as 
> well.

hmmm, but 'Retrigger continuous' in LP2 speak just means a single retrigger
that doesn't stop after one loop.




>>> about playing ostinato rhyms with the new Random Retrigger function:
>>
>> "so it really needs a smooth loop for that to be perceivable "
> Exactly..............this technique works best if you use non-transient 
> oriented loops (i.e.,  ambient styled,  if dense timbrally)

Sonically it's 'Scramble' but with a user input rhythm.

First thing to try with your brand new LP2 is Retrig Random
while Overdubbing.

Wonder how long it'll be before someone wants it Quantised ;-)

andy

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	<4EE8C091.6040802@post.cybercity.dk>
Date: Wed, 14 Dec 2011 17:50:06 +0100
Message-ID: <CAJC14WizZumkhv2rQaDWYs_yzFJund30-NMbQ1bujV1YgUWmCg@mail.gmail.com>
Subject: Re: BEST iPad Apps for LIVE LOOPING
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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You wouldn't chose the iPad for gaining processing power, so it might
as well be as good to focus on using it as a controller? Just the
other day the Lemur iPad app was released and according to what early
adopters say on the web this app now rules for touch screen control on
a budget (referring to original Lemur price tag). I have not tried
much of this myself though, as I prefer controllers that you can play
without the need of gazing at them.

If you want to use iPad apps that also process audio the challenge is
to get good quality audio into and out of the iPad. The Alesis Dock is
a piece of gear that does target this issue.

Finally, if you want to play around with the built-in audio ports you
may have to stand crappy fidelity for live input real-time processing
or to chose not to work in real-time. There are apps that can render
high quality audio files that can be exported, but to me that feels
like going back to 1995 when we first did that on ReBirth (not a very
intuitive work-flow as you need to plan ahead well)

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Wed, Dec 14, 2011 at 4:28 PM, van Sinn <vansinn@post.cybercity.dk> wrote=
:
> Rick Walker wrote:
>>
>> I've been lent an iPad2 to use for a while.
>> It's a new world for me and I'm really enjoying learning
>> what's out there.
>>
>> So far, =C2=A0I have added =C2=A0 FL Studio Mobile HD, the Kaossilator P=
ro, =C2=A0the
>> amazing SampleWiz and MorphWiz,
>> the Filtatron Moog synth app and the Animoog app.
>>
>> I was wondering what other apps people have discovered that
>> they can highly recommend for apps to augment one's
>> live looping performances, specifically.
>>
>> Thanks, in advance for your expertise and recommendations.
>>
>> yours, =C2=A0 Rick Walker
>
>
> This begs a question: How much processing (and as such which ipad version=
),
> is
> needed for (mostly) looping?
>
> I can't see looping requireing that much processing power - of course unl=
ess
> really mangling the tone, which I won't be doing.
>
>
> --
> rgds,
> van Sinn
>
>

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Date: Wed, 14 Dec 2011 09:03:09 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Reply-To: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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---2114655128-1803837677-1323882189=:17979
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Hi, all:=0A=A0=0AI just picked up a Tascam DR-2d on a closeout for a very r=
easonable price. The recording formats of this portable unit are varied and=
 full-featured. I remember recording at a very high resolution many years a=
go and was awestruck by the clarity of the sound eminating from my speakers=
. The guitar tones had much clarity. Of course, to listen to the music in a=
 portable format, I recorded to CD (16Bit/44.1Khz, I believe). =0A=A0=0ASo,=
 the question is: is there any advantage to recording the source at a highe=
r rate (e.g. 24Bit/98Khz or 24Bit/44 Khz) when, ultimately, the songs will =
be converted to CD quality?=0A=A0=0AOf course, the higher rate means fillin=
g up SD cards quicker. But, they are fairly reasonable as far as cost. Opin=
ions?=0A=A0=0AThanks, Paul
---2114655128-1803837677-1323882189=:17979
Content-Type: text/html; charset=iso-8859-1
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<html><body><div style=3D"color:#000; background-color:#fff; font-family:ti=
mes new roman, new york, times, serif;font-size:12pt"><div style=3D"RIGHT: =
auto">Hi, all:</div>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">I just picked up a Tascam DR-2d on a closeout fo=
r a very reasonable price. The recording formats of this portable unit are =
varied and full-featured. I remember recording at a very high resolution ma=
ny years ago and was awestruck by the clarity of the sound em<VAR id=3Dyui-=
ie-cursor></VAR>inating from my speakers. The guitar tones had much clarity=
. Of course, to listen to the music in a portable format, I recorded to CD =
(16Bit/44.1Khz, I believe). </div>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">So, the question is: is there any advantage to r=
ecording the source at a higher rate (e.g. 24Bit/98Khz or 24Bit/44 Khz) whe=
n, ultimately, the songs will be converted to CD quality?</div>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">Of course, the higher rate means filling up SD c=
ards quicker. But, they are fairly reasonable as far as cost. Opinions?</di=
v>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">Thanks, Paul</div></div></body></html>
---2114655128-1803837677-1323882189=:17979--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 17:09:36 2011
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Date: Wed, 14 Dec 2011 10:09:35 -0700
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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Paul Richards <paulrichard_rocks@yahoo.com>
Cc: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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"Record once, edit many."

You can't realistically uprez the recording, so if you have the
storage, go ahead and use the 24bit capability=85you can always down-rez
to  64 kbitMP3  later =85 :D

Seriously? I noticed a tremendous difference with field recordings
when I bumped my TASCAM DR-100 to full 24-bit/96kHz. There was so much
more there to work with later...

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Wed, Dec 14, 2011 at 10:03 AM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Hi, all:
>
> I just picked up a Tascam DR-2d on a closeout for a very reasonable price=
.
> The recording formats of this portable unit are varied and full-featured.=
 I
> remember recording at a very high resolution many years ago and was
> awestruck by the clarity of the sound eminating from my speakers. The gui=
tar
> tones had much clarity. Of course, to listen to the music in a portable
> format, I recorded to CD (16Bit/44.1Khz, I believe).
>
> So, the question is: is there any advantage to recording the source at a
> higher rate (e.g. 24Bit/98Khz or 24Bit/44 Khz) when, ultimately, the song=
s
> will be converted to CD quality?
>
> Of course, the higher rate means filling up SD cards quicker. But, they a=
re
> fairly reasonable as far as cost. Opinions?
>
> Thanks, Paul

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Subject: Re: BEST iPad Apps for LIVE LOOPING
Date: Wed, 14 Dec 2011 09:34:23 -0800
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Regarding Per's suggestion for using an iPad as a controller surface,  
there are some folks who are using iPads to control church organ  
voicings wirelessly in this way, and it should be pretty easy to adapt  
it for live looping use I would think.

For using iPad on a wireless network as a controller surface, there's  
an app called Desktop Connect which discovers computers on a wireless  
network. It also includes support for Easyconnect which is supposed to  
work over the internet via a googlemail account and is free.

There's another iPad app called Air Display which displays your  
computer's screen on the iPad so you can control it in real time  
wirelessly.  I guess I could use this to display Mobius on the iPad,  
and then have touch-screen capability to control it!  Man, I've got to  
get an iPad.  I could walk around with it rather than using a pedal or  
the computer's keyboard to build my loops.  I'm concerned about  
latency working through a network, though.

There is also an app called TouchOSC which you can use, which has a  
corresponding desktop app for OS X or Windows.  You can create a  
layout of your own with "switches, faders, LED's, etc." to use as a  
MIDI control surface.  It supports muti-touch and sweeping.  Here is  
an example of a layout that was created to allow controlling a church  
organ, which can be pretty complex with all of the stops, manuals, and  
so forth involved.

http://www.flickr.com/photos/11042821@N00/5953445348/

Has anyone used these for live looping, and if so what has been your  
experience?  Thanks.

Michael Carlson (TripleOhNine)





Michael Carlson (TripleOhNine)
On Dec 14, 2011, at 8:50 AM, Per Boysen wrote:

> You wouldn't chose the iPad for gaining processing power, so it might
> as well be as good to focus on using it as a controller? Just the
> other day the Lemur iPad app was released and according to what early
> adopters say on the web this app now rules for touch screen control on
> a budget (referring to original Lemur price tag). I have not tried
> much of this myself though, as I prefer controllers that you can play
> without the need of gazing at them.
>
> If you want to use iPad apps that also process audio the challenge is
> to get good quality audio into and out of the iPad. The Alesis Dock is
> a piece of gear that does target this issue.
>
> Finally, if you want to play around with the built-in audio ports you
> may have to stand crappy fidelity for live input real-time processing
> or to chose not to work in real-time. There are apps that can render
> high quality audio files that can be exported, but to me that feels
> like going back to 1995 when we first did that on ReBirth (not a very
> intuitive work-flow as you need to plan ahead well)
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>
>
> On Wed, Dec 14, 2011 at 4:28 PM, van Sinn  
> <vansinn@post.cybercity.dk> wrote:
>> Rick Walker wrote:
>>>
>>> I've been lent an iPad2 to use for a while.
>>> It's a new world for me and I'm really enjoying learning
>>> what's out there.
>>>
>>> So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro,   
>>> the
>>> amazing SampleWiz and MorphWiz,
>>> the Filtatron Moog synth app and the Animoog app.
>>>
>>> I was wondering what other apps people have discovered that
>>> they can highly recommend for apps to augment one's
>>> live looping performances, specifically.
>>>
>>> Thanks, in advance for your expertise and recommendations.
>>>
>>> yours,   Rick Walker
>>
>>
>> This begs a question: How much processing (and as such which ipad  
>> version),
>> is
>> needed for (mostly) looping?
>>
>> I can't see looping requireing that much processing power - of  
>> course unless
>> really mangling the tone, which I won't be doing.
>>
>>
>> --
>> rgds,
>> van Sinn
>>
>>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Regarding Per's suggestion for =
using an iPad as a controller surface, there are some folks who are =
using iPads to control church organ voicings wirelessly in this way, and =
it should be pretty easy to adapt it for live looping use I would =
think.<div><br></div><div>For using iPad on a wireless network as a =
controller surface, there's an app called Desktop Connect which =
discovers computers on a wireless network. It also includes support for =
Easyconnect which is supposed to work over the internet via a googlemail =
account and is free. &nbsp;<div><br></div><div>There's another iPad app =
called Air Display which displays your computer's screen on the iPad so =
you can control it in real time wirelessly. &nbsp;I guess I could use =
this to display Mobius on the iPad, and then have touch-screen =
capability to control it! &nbsp;Man, I've got to get an iPad. &nbsp;I =
could walk around with it rather than using a pedal or the computer's =
keyboard to build my loops. &nbsp;I'm concerned about latency working =
through a network, though. &nbsp;</div><div><br></div><div>There is also =
an app called TouchOSC which you can use, which has a corresponding =
desktop app for OS X or Windows. &nbsp;You can create a layout of your =
own with "switches, faders, LED's, etc." to use as a MIDI control =
surface. &nbsp;It supports muti-touch and sweeping. &nbsp;Here is an =
example of a layout that was created to allow controlling a church =
organ, which can be pretty complex with all of the stops, manuals, and =
so forth involved.</div><div><br></div><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 10px/normal Times; "><a =
href=3D"http://www.flickr.com/photos/11042821@N00/5953445348/">http://www.=
flickr.com/photos/11042821@N00/5953445348/</a><span style=3D"font: =
12.0px Helvetica">&nbsp;</span></div></div><div><br></div><div>Has =
anyone used these for live looping, and if so what has been your =
experience? &nbsp;Thanks. &nbsp;</div><div><br></div><div>Michael =
Carlson =
(TripleOhNine)</div><div><br></div><div><br><div><br></div><div><br></div>=
<div><br></div><div>Michael Carlson (TripleOhNine)<br><div><div>On Dec =
14, 2011, at 8:50 AM, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>You =
wouldn't chose the iPad for gaining processing power, so it might<br>as =
well be as good to focus on using it as a controller? Just the<br>other =
day the Lemur iPad app was released and according to what =
early<br>adopters say on the web this app now rules for touch screen =
control on<br>a budget (referring to original Lemur price tag). I have =
not tried<br>much of this myself though, as I prefer controllers that =
you can play<br>without the need of gazing at them.<br><br>If you want =
to use iPad apps that also process audio the challenge is<br>to get good =
quality audio into and out of the iPad. The Alesis Dock is<br>a piece of =
gear that does target this issue.<br><br>Finally, if you want to play =
around with the built-in audio ports you<br>may have to stand crappy =
fidelity for live input real-time processing<br>or to chose not to work =
in real-time. There are apps that can render<br>high quality audio files =
that can be exported, but to me that feels<br>like going back to 1995 =
when we first did that on ReBirth (not a very<br>intuitive work-flow as =
you need to plan ahead well)<br><br>Greetings from Sweden<br><br>Per =
Boysen<br><a =
href=3D"http://www.perboysen.com">www.perboysen.com</a><br>http://www.yout=
ube.com/perboysen<br><br><br><br>On Wed, Dec 14, 2011 at 4:28 PM, van =
Sinn &lt;vansinn@post.cybercity.dk&gt; wrote:<br><blockquote =
type=3D"cite">Rick Walker wrote:<br></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">I've been lent an iPad2 to use =
for a while.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">It's a new world for me and I'm =
really enjoying learning<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">what's out =
there.<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">So far, &nbsp;I have added =
&nbsp; FL Studio Mobile HD, the Kaossilator Pro, =
&nbsp;the<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">amazing SampleWiz and =
MorphWiz,<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">the Filtatron Moog synth app and =
the Animoog app.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">I was wondering what other apps =
people have discovered that<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">they can highly recommend for =
apps to augment one's<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">live looping performances, =
specifically.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Thanks, in advance for your =
expertise and recommendations.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">yours, &nbsp; Rick =
Walker<br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">This begs a =
question: How much processing (and as such which ipad =
version),<br></blockquote><blockquote =
type=3D"cite">is<br></blockquote><blockquote type=3D"cite">needed for =
(mostly) looping?<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">I can't see =
looping requireing that much processing power - of course =
unless<br></blockquote><blockquote type=3D"cite">really mangling the =
tone, which I won't be doing.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">--<br></blockquote><blockquote =
type=3D"cite">rgds,<br></blockquote><blockquote type=3D"cite">van =
Sinn<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><br><br></div></blockquote></div><br></div>=
</div></div></body></html>=

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I record all my gigs at 96-24. Better to archive, and better to produce, =
in high-res and downsample at the last stage.




On Dec 14, 2011, at 9:03 AM, Paul Richards wrote:

> So, the question is: is there any advantage to recording the source at =
a higher rate (e.g. 24Bit/98Khz or 24Bit/44 Khz) when, ultimately, the =
songs will be converted to CD quality?
> =20
> Of course, the higher rate means filling up SD cards quicker. But, =
they are fairly reasonable as far as cost. Opinions?
> =20
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div><br></div>I record all my gigs at 96-24. Better to =
archive, and better to produce, in high-res and downsample at the last =
stage.<div><br></div><div><br></div><div><br></div><div><br><div><div>On =
Dec 14, 2011, at 9:03 AM, Paul Richards wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: 'times new roman', 'new =
york', times, serif; font-size: 16px; "><div style=3D"right: auto; ">So, =
the question is: is there any advantage to recording the source at a =
higher rate (e.g. 24Bit/98Khz or 24Bit/44 Khz) when, ultimately, the =
songs will be converted to CD quality?</div><div style=3D"right: auto; =
">&nbsp;</div><div style=3D"right: auto; ">Of course, the higher rate =
means filling up SD cards quicker. But, they are fairly reasonable as =
far as cost. Opinions?</div><div style=3D"right: auto; =
">&nbsp;</div></span></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

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Date: Wed, 14 Dec 2011 18:55:43 +0100
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Subject: Re: BEST iPad Apps for LIVE LOOPING
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 14, 2011 at 6:34 PM, TripleOhNine <3x09@carlsonarts.com> wrote:
> Has anyone used these for live looping, and if so what has been your
> experience? =C2=A0Thanks.


Hi Michael,

Not for looping in specific, but when TouchOSC native support was new
to Logic I tried using my iPhone4 to control Logic over wireless. I
did not experience any disturbing latency, it felt just like pushing
buttons on a transport bar (play, stop, rewind, mute track etc). Note
that this is about controlling software that supports OSC. I don't
dare to tell what the latency would be if having to translate OSC into
MIDI on the receiving side, like was done a lot before OSC support
became the norm (OSCulator, Missing Linke etc).

I remember reading some note from Jeff Larsson that he has bee working
on native OSC support for Mobius, so I guess you will be using that
when it gets out?

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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Yes there is good reason.  There are many, including archiving for =
possible upgrades in hi res players of the future and in the event you =
should ever need the higher res surround DVD format, but most important =
is, the higher the quality of the initial recording, the better the mp3 =
or 16/44.1 will sound. =20

I think 24/44.1 sounds terrific and use that a lot for tracking.

If you're recording gorgeous solo acoustic guitar stuff, 24/88.1 is =
good. =20

I use Bias Peak to convert to lower res. =20

I haven't used it myself, but I've heard this one:

http://www.sonnoxplugins.com/pub/plugins/products/pro-codec.htm

is terrific because you can HEAR or audition what's being thrown out in =
down sampling.  It's by the fine folks of Fraunhofer who brought us mp3 =
in the first place.

All of this has been flamed and argued so much it's best to put on your =
asbestos suit when approaching the topic. =20

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com

On Dec 14, 2011, at 9:03 AM, Paul Richards wrote:

> Hi, all:
> =20
> I just picked up a Tascam DR-2d on a closeout for a very reasonable =
price. The recording formats of this portable unit are varied and =
full-featured. I remember recording at a very high resolution many years =
ago and was awestruck by the clarity of the sound eminating from my =
speakers. The guitar tones had much clarity. Of course, to listen to the =
music in a portable format, I recorded to CD (16Bit/44.1Khz, I believe).
> =20
> So, the question is: is there any advantage to recording the source at =
a higher rate (e.g. 24Bit/98Khz or 24Bit/44 Khz) when, ultimately, the =
songs will be converted to CD quality?
> =20
> Of course, the higher rate means filling up SD cards quicker. But, =
they are fairly reasonable as far as cost. Opinions?
> =20
> Thanks, Paul


--Apple-Mail-9--166691614
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Yes =
there is good reason. &nbsp;There are many, including archiving for =
possible upgrades in hi res players of the future and in the event you =
should ever need the higher res surround DVD format, but most important =
is, the higher the quality of the initial recording, the better the mp3 =
or 16/44.1 will sound. &nbsp;<div><br></div><div>I think 24/44.1 sounds =
terrific and use that a lot for tracking.<div><br></div><div>If you're =
recording gorgeous solo acoustic guitar stuff, 24/88.1 is good. =
&nbsp;<br><div><br></div><div>I use Bias Peak to convert to lower res. =
&nbsp;</div><div><br></div><div>I haven't used it myself, but I've heard =
this one:</div><div><br></div><div><b><a =
href=3D"http://www.sonnoxplugins.com/pub/plugins/products/pro-codec.htm">h=
ttp://www.sonnoxplugins.com/pub/plugins/products/pro-codec.htm</a></b></di=
v><div><br></div><div>is terrific because you can HEAR or audition =
what's being thrown out in down sampling. &nbsp;It's by the fine folks =
of Fraunhofer who brought us mp3 in the first =
place.</div><div><br></div><div>All of this has been flamed and argued =
so much it's best to put on your asbestos suit when approaching the =
topic. &nbsp;</div></div></div><div><br></div><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
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-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
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0px; -webkit-border-horizontal-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
18px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
18px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
12px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
12px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div style=3D"color: rgb(0, 0, 0); "><font =
class=3D"Apple-style-span" face=3D"Arial">richard sales</font></div><div =
style=3D"color: rgb(0, 0, 0); "><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div =
style=3D"color: rgb(0, 0, 0); "><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div style=3D"color: rgb(0, 0, 0); "><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv style=3D"color: rgb(0, 0, 0); =
"><br></div></div></span></div></span></div></span></div></span></div></sp=
an></div></span></div></span></div></span></span></div><div><div>On Dec =
14, 2011, at 9:03 AM, Paul Richards wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><div =
style=3D"color:#000; background-color:#fff; font-family:times new roman, =
new york, times, serif;font-size:12pt"><div style=3D"RIGHT: auto">Hi, =
all:</div>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">I just picked up a Tascam DR-2d on a closeout =
for a very reasonable price. The recording formats of this portable unit =
are varied and full-featured. I remember recording at a very high =
resolution many years ago and was awestruck by the clarity of the sound =
em<var id=3D"yui-ie-cursor"></var>inating from my speakers. The guitar =
tones had much clarity. Of course, to listen to the music in a portable =
format, I recorded to CD (16Bit/44.1Khz, I believe). </div>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">So, the question is: is there any advantage =
to recording the source at a higher rate (e.g. 24Bit/98Khz or 24Bit/44 =
Khz) when, ultimately, the songs will be converted to CD quality?</div>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">Of course, the higher rate means filling up =
SD cards quicker. But, they are fairly reasonable as far as cost. =
Opinions?</div>
<div style=3D"RIGHT: auto">&nbsp;</div>
<div style=3D"RIGHT: auto">Thanks, =
Paul</div></div></div></blockquote></div><br></body></html>=

--Apple-Mail-9--166691614--

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From: TripleOhNine <3x09@carlsonarts.com>
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Subject: Re: BEST iPad Apps for LIVE LOOPING
Date: Wed, 14 Dec 2011 10:12:06 -0800
References: <4EE808FD.8090909@cruzio.com> <4EE8C091.6040802@post.cybercity.dk> <CAJC14WizZumkhv2rQaDWYs_yzFJund30-NMbQ1bujV1YgUWmCg@mail.gmail.com> <DBBB2E28-602C-4F85-881C-73DB4B9ECD81@carlsonarts.com> <CAJC14WhQ3=TK6CasS=3HaiykRfgH96pYhEGWMSo-hdckQVZxpQ@mail.gmail.com>
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Oh, yeah!  I can't wait.  I think I want to stick with Mobius, even  
though there are iPad and iPhone apps out there that you can use to  
loop.  Mobius is so much more powerful, and if I can keep that power  
and add touchscreen capability and portability of control surface, i  
will be well on my way to vocal looping world domination.  I want to  
be the Bobby McFerrin of the 21st Century!

Michael

On Dec 14, 2011, at 9:55 AM, Per Boysen wrote:

> On Wed, Dec 14, 2011 at 6:34 PM, TripleOhNine <3x09@carlsonarts.com>  
> wrote:
>> Has anyone used these for live looping, and if so what has been your
>> experience?  Thanks.
>
>
> Hi Michael,
>
> Not for looping in specific, but when TouchOSC native support was new
> to Logic I tried using my iPhone4 to control Logic over wireless. I
> did not experience any disturbing latency, it felt just like pushing
> buttons on a transport bar (play, stop, rewind, mute track etc). Note
> that this is about controlling software that supports OSC. I don't
> dare to tell what the latency would be if having to translate OSC into
> MIDI on the receiving side, like was done a lot before OSC support
> became the norm (OSCulator, Missing Linke etc).
>
> I remember reading some note from Jeff Larsson that he has bee working
> on native OSC support for Mobius, so I guess you will be using that
> when it gets out?
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>

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Subject: Re: BEST iPad Apps for LIVE LOOPING
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>[Per]
>> I remember reading some note from Jeff Larsson that he has bee working
>> on native OSC support for Mobius
>
>Yes, Mobius supports OSC.  You can send it looping commands, change
>presets,=20
>set the controls (input level, output level, feedback, etc.) and a few
>other things.
>
>It's a bit experimental and I don't advertise it, but I have tested it
>with TouchOSC.
>
>Jeff


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Subject: Re: BEST iPad Apps for LIVE LOOPING
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On Wed, Dec 14, 2011 at 7:12 PM, TripleOhNine <3x09@carlsonarts.com> wrote:
> and if I can keep that power and add touchscreen capability and portabili=
ty
> of control surface, i will be well on my way to vocal looping world
> domination. =C2=A0I want to be the Bobby McFerrin of the 21st Century!


LOL! Now we've got that on print in the archives!!!!  Looking forward
to that new vocal looping dominated world. Must be what the Mayan's
mumbled about to happen on Dec 21 2012 :-) I dug your layering of
throat singing at SC loopfest in October. Really cool sounding.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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Thanks for comments Per et al.
Hehe, no, I wasn't exactly thinking of the iPad as a DSP add-on.. ;)

I'm aware of the useless audio, and would use some outboard shizzle, like the 
Alesis dock - which may just end up rendering the whole shebang too expensive.
Oh.. and the size of such a dock could also render the project useless.

Anyways, before even starting to consider the financial parts, I'd need to 
know if the iPad can actually cope with handling looping.
You can pretty much tell I do not have an iPad yet ;)

I'd also need to know if such a (iPad+loopapp+dock) package can be controlled 
via MIDI, as I'd want to use my Groundcontrol floorboard for this.

I'm less worried about latency. As I see it, looping is a matter of snooping 
the direct audio, loop it, and add/sum the loop onto the direct stream.
Not sure what the latency would be, but say 10 ms both in and out shouldn't be 
too annoying.
I would happily build a Y-splitter and summing point, if needed.

/van


Per Boysen wrote:
> You wouldn't chose the iPad for gaining processing power, so it might
> as well be as good to focus on using it as a controller? Just the
> other day the Lemur iPad app was released and according to what early
> adopters say on the web this app now rules for touch screen control on
> a budget (referring to original Lemur price tag). I have not tried
> much of this myself though, as I prefer controllers that you can play
> without the need of gazing at them.
> 
> If you want to use iPad apps that also process audio the challenge is
> to get good quality audio into and out of the iPad. The Alesis Dock is
> a piece of gear that does target this issue.
> 
> Finally, if you want to play around with the built-in audio ports you
> may have to stand crappy fidelity for live input real-time processing
> or to chose not to work in real-time. There are apps that can render
> high quality audio files that can be exported, but to me that feels
> like going back to 1995 when we first did that on ReBirth (not a very
> intuitive work-flow as you need to plan ahead well)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
> 
> 
> 
> On Wed, Dec 14, 2011 at 4:28 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> 
>>Rick Walker wrote:
>>
>>>I've been lent an iPad2 to use for a while.
>>>It's a new world for me and I'm really enjoying learning
>>>what's out there.
>>>
>>>So far,  I have added   FL Studio Mobile HD, the Kaossilator Pro,  the
>>>amazing SampleWiz and MorphWiz,
>>>the Filtatron Moog synth app and the Animoog app.
>>>
>>>I was wondering what other apps people have discovered that
>>>they can highly recommend for apps to augment one's
>>>live looping performances, specifically.
>>>
>>>Thanks, in advance for your expertise and recommendations.
>>>
>>>yours,   Rick Walker
>>
>>
>>This begs a question: How much processing (and as such which ipad version),
>>is
>>needed for (mostly) looping?
>>
>>I can't see looping requireing that much processing power - of course unless
>>really mangling the tone, which I won't be doing.
>>
>>
>>--
>>rgds,
>>van Sinn


-- 
rgds,
van Sinn

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Subject: Re: BEST iPad Apps for LIVE LOOPING
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 14, 2011 at 9:14 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> Anyways, before even starting to consider the financial parts, I'd need to
> know if the iPad can actually cope with handling looping.

Loopy should be well known by now on this list. A demo:
http://www.youtube.com/watch?v=7GgiVhTB_yA

Dev's page:
http://loopyapp.com/

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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>>> ANDY:
>>> right, so where does that rapid retriggering (stutter) sound
>>> come from? ...and I thought I heard those getting looped too.
> ME:
> Well, the unit does to Retrigger (continuous) so I probably used that 
> as well.
>
ANDY:
> hmmm, but 'Retrigger continuous' in LP2 speak just means a single 
> retrigger
> that doesn't stop after one loop. 

ME:

*Yeah, but I frequently use a stutter action with my foot to retrigger 
using
that technique..........it will still cause the stutter effect but I can 
let it
go and it will continue on.

Before, with the line 6   you had to do that and then right before the end
of the loop you had to do a tricky little rapid stop/start move to get
the loop to continue.

Does that answer your question?

Rick
*

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 21:17:28 2011
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On 7/22/64 11:59 AM, David Gans wrote:
> I record all my gigs at 96-24. Better to archive, and better to 
> produce, in high-res and downsample at the last stage.
What I've always wondered:

Does a recording at 96-24 downsampled to 44-16
sound better than a recording sampled only at 44-16, initially.

And if so,  what's the logic?

Daniel Thomas once explained the answer to me a long time ago, but I 
have completely forgotten what
he told me.    Please forgive the brain fart.

Rick Walker


From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 21:20:08 2011
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Wow, rock my world,  thanks, Ben!

Rick


On 7/22/64 11:59 AM, Ben wrote:
> Hi Rick,
>
> As i saw you are not only searching apps that are looping but anything
> that you may use in a looping context (sound sources).
> There's is now a "show" on sonicstate mentionning the great apps. I
> havn't had the time to watch yet but I think there are already 2 or 3
> episodes.
>
> There are the sites
> http://en.440audio.com/software/
> http://www.idesignsound.com/
>
> Regarding the apps, have a look  at :
> the new Geo apps from Rudess (based on the free mugician app),
> the korgs ims20 and electribe.
> soundprism
> thumbjam
> Curtis
> addictive synth (with a loop function).
> Sunrizer
> synthx
> crystal synth
> pixelwave and spectrumgen
>
> then on the midi/osc side of stuff:
> lemur
> miditouch
> touchOSC
> Konkreet
> little midi machine
>
>
> Welcome to this new world.
>
> Ben
>
>
>
>

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Subject: OT: is really OT: Cigarette
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--e89a8f3ba0dbc9642904b41416d0
Content-Type: text/plain; charset=ISO-8859-1

This is really OT, there is no looping in sight here whatsoever

http://soundcloud.com/petrilahtinen/cigarette

Selling my gear and going back to basics with voice and acoustic, after
experimenting with VST-music and loopers for a year,

-- 
Petri Lahtinen

--e89a8f3ba0dbc9642904b41416d0
Content-Type: text/html; charset=ISO-8859-1
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This is really OT, there is no looping in sight here whatsoever<br><br><a h=
ref=3D"http://soundcloud.com/petrilahtinen/cigarette">http://soundcloud.com=
/petrilahtinen/cigarette</a><br><br>Selling my gear and going back to basic=
s with voice and acoustic, after experimenting with VST-music and loopers f=
or a year,<br>
<br>-- <br>Petri Lahtinen<br><br><br>

--e89a8f3ba0dbc9642904b41416d0--

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Subject: Re: OT: is really OT: Cigarette
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On Wed, Dec 14, 2011 at 10:31 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> http://soundcloud.com/petrilahtinen/cigarette

Nice song, Petri! I like the way you keep the vocals so straight and
let the guitar playing ramble around a bit. You know, with such strong
vocals you may be able to reduce the guitar playing even more.  I
heard you doing some maj-7 harmony where it isn't part of the melody
so you're already on that experimental track ;-)

Per

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On Wed, Dec 14, 2011 at 10:17 PM, Rick Walker <looppool@cruzio.com> wrote:
> Does a recording at 96-24 downsampled to 44-16
> sound better than a recording sampled only at 44-16, initially.

In theory the latter would sound better since it only shuffles around
the zeros and ones once. But this isn't true if you apply digital
processing to a recording. Then the final mix will sound better if
recorded at the higher resolution and the processing was carried out
at that higher resolution before taking it down to 44-16 as the last
step, compared to recording at the lower resolution and do the same
processing at that lower resolution.

Greetings from Sweden

Per Boysen
- one iPad on each foot -

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On 14 Dec 2011, at 18:17, Rick Walker wrote:
>=20
> Does a recording at 96-24 downsampled to 44-16
> sound better than a recording sampled only at 44-16, initially.
>=20
> And if so,  what's the logic?

since you never record at optimum level and filtering and compression =
can bring up noise during mixing, so it makes a lot of sense to do this =
whole process in 24bit and only go to 16bit in the end.

the 96k (or rather 88.2k since you want to end up in 44.1 and resampling =
brings another problem) is a bit harder to understand: remember the =
strange interferences that can create pretty low tones when two picolos =
play together?
imagine that this also happens between the non audible overtones of two =
real instruments. so if the microphones do reach those frequencies and =
you mix them after recording, it can make a difference. I do not have =
the experience to say how easy they are audible. I am pretty sure they =
are not audible when the signal comes from ordinary mics and guitar =
processors.
if you only record to two tracks, then treat them and then convert to =
44.1 in the end, I do not see why 88.2 would bring anything=

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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><br><div><div>On 14 Dec 2011, at 18:17, Rick Walker =
wrote:</div><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font>Does a recording =
at 96-24 downsampled to 44-16<br>sound better than a recording sampled =
only at 44-16, initially.<br><br>And if so, &nbsp;what's the =
logic?<br></div></blockquote></div><br><div>since you never record at =
optimum level and filtering and compression can bring up noise during =
mixing, so it makes a lot of sense to do this whole process in 24bit and =
only go to 16bit in the end.</div><div><br></div><div>the 96k (or rather =
88.2k since you want to end up in 44.1 and resampling brings another =
problem) is a bit harder to understand: remember the strange =
interferences that can create pretty low tones when two picolos play =
together?</div><div>imagine that this also happens between the non =
audible overtones of two real instruments. so if the microphones do =
reach those frequencies and you mix them after recording, it can make a =
difference. I do not have the experience to say how easy they are =
audible. I am pretty sure they are not audible when the signal comes =
from ordinary mics and guitar processors.</div><div>if you only record =
to two tracks, then treat them and then convert to 44.1 in the end, I do =
not see why 88.2 would bring anything</div></body></html>=

--Apple-Mail-21--150757969--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 22:23:33 2011
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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
Date: Wed, 14 Dec 2011 23:23:30 +0100
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If your material has to end on a CD, record on 88.2kHz. If it's for film =
record on 96kHz. Due to the math..

And yes, you'll hear the difference between 44.1 and 88.2. Especially if =
you're mixing a lot of tracks together.. will make your life easier..

Cheers,

Reyn

www.reyn.net
www.studiothechurch.com

On Dec 14, 2011, at 11:21 PM, Matthias Grob wrote:

>=20
> On 14 Dec 2011, at 18:17, Rick Walker wrote:
>>=20
>> Does a recording at 96-24 downsampled to 44-16
>> sound better than a recording sampled only at 44-16, initially.
>>=20
>> And if so,  what's the logic?
>=20
> since you never record at optimum level and filtering and compression =
can bring up noise during mixing, so it makes a lot of sense to do this =
whole process in 24bit and only go to 16bit in the end.
>=20
> the 96k (or rather 88.2k since you want to end up in 44.1 and =
resampling brings another problem) is a bit harder to understand: =
remember the strange interferences that can create pretty low tones when =
two picolos play together?
> imagine that this also happens between the non audible overtones of =
two real instruments. so if the microphones do reach those frequencies =
and you mix them after recording, it can make a difference. I do not =
have the experience to say how easy they are audible. I am pretty sure =
they are not audible when the signal comes from ordinary mics and guitar =
processors.
> if you only record to two tracks, then treat them and then convert to =
44.1 in the end, I do not see why 88.2 would bring anything


--Apple-Mail=_A807B3D4-F2F2-4806-BD26-6D5434AB174F
Content-Transfer-Encoding: quoted-printable
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>If your material has to end on a CD, record on 88.2kHz. If it's =
for film record on 96kHz. Due to the math..</div><div><br></div><div>And =
yes, you'll hear the difference between 44.1 and 88.2. Especially if =
you're mixing a lot of tracks together.. will make your life =
easier..</div><br><div apple-content-edited=3D"true"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Cheers,<br><br>Reyn<br><br><a =
href=3D"http://www.reyn.net/">www.reyn.net</a><br><a =
href=3D"http://www.studiothechurch.com/">www.studiothechurch.com</a></div>=
</span></span></div><div apple-content-edited=3D"true">
</div>
<br><div><div>On Dec 14, 2011, at 11:21 PM, Matthias Grob =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; "><br><div><div>On 14 Dec =
2011, at 18:17, Rick Walker wrote:</div><blockquote =
type=3D"cite"><div><font class=3D"Apple-style-span"><br></font>Does a =
recording at 96-24 downsampled to 44-16<br>sound better than a recording =
sampled only at 44-16, initially.<br><br>And if so, &nbsp;what's the =
logic?<br></div></blockquote></div><br><div>since you never record at =
optimum level and filtering and compression can bring up noise during =
mixing, so it makes a lot of sense to do this whole process in 24bit and =
only go to 16bit in the end.</div><div><br></div><div>the 96k (or rather =
88.2k since you want to end up in 44.1 and resampling brings another =
problem) is a bit harder to understand: remember the strange =
interferences that can create pretty low tones when two picolos play =
together?</div><div>imagine that this also happens between the non =
audible overtones of two real instruments. so if the microphones do =
reach those frequencies and you mix them after recording, it can make a =
difference. I do not have the experience to say how easy they are =
audible. I am pretty sure they are not audible when the signal comes =
from ordinary mics and guitar processors.</div><div>if you only record =
to two tracks, then treat them and then convert to 44.1 in the end, I do =
not see why 88.2 would bring =
anything</div></div></blockquote></div><br></body></html>=

--Apple-Mail=_A807B3D4-F2F2-4806-BD26-6D5434AB174F--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 22:40:27 2011
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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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Am 14.12.2011 22:17, schrieb Rick Walker:
> Does a recording at 96-24 downsampled to 44-16
> sound better than a recording sampled only at 44-16, initially.
That's two questions in one:
1) does a 24bit recording sound better than a 16bit one?
2) does a 96kHz recording sound better than a 44.1kHz one?

ad 1: In my experience, yes, at least if your gear is able to make use 
of the increased resolution of the 24bit. Which may or may not be the 
case, depending how your setup looks.
The reason here: typically, you use steps which bring down the dynamic 
range during processing steps. You record with some headroom, then you 
apply some compression...let's say you recorded with a 12dB headroom, 
and you furthermore apply a 2:1 compression at -12dB threshold, then two 
bits are gone. If you started with 16bits, you're down to 14. If you 
started with 24, you still got 6 more than you need.

ad 2: first of all, as someone already mentioned, if CD is your target 
format, then 88.2 makes more sense than 96. That being said, I suggest 
you do a quick test and see how much of the added frequency range 
actually goes through your recording setup (which includes cables etc.).
There's software for this:
http://audio.rightmark.org/index_new.shtml

Both explanations nonwithstanding, I always recommend using the maximum 
available bit depth for mixdown (which your run-of-the-mill DAW will do 
automatically) and for the mixdown audio files. As for the frequency - 
in theory, higher sampling frequency especially when processing the 2bus 
(read: mastering) makes sense. Don't know about if it really does 
matter, though...

                    Rainer
(who tends to record in 24/48 - because that difference between 44.1 and 
48 can be heard).


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 23:03:45 2011
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  This is really lovely  Petri, though Its been a while since i  
experienced a period of time when I felt like I needed to stop looping  
and start writing and playing without loops, I understand the feeling  
and may I offer this.  If i were a singer songwriter guitar player, I  
would do much less multi-tasking than I do now and i doubt I'd do more  
than create a bit of guit-box groove and perhaps a bridge or solo  
section change  that I could undo, or  minimal ostinato note or two  
that works against all of the chords and leave it at that.  You might  
check out the great Joseph Arthur playing solo on Youtube for  
inspiration in this regard., though I think he is doing more  
sophisticated things than what i described above these days, probably  
on a lap top :-). The other thing is perhaps you may be more of a  
hardware guy , some of us still are:-). Any of the techniques i  
described above can be done on the most basic of loopers. I've been  
teaching guitar for many years and I can say without question that if  
you are a life long student of the guitar, as I am, a basic looper is  
your practice pal, your song writing partner, and your rhythmic butt  
kicker all in one, it doesn't have to be a glowing screen with endless  
possibilities.
good luck and stay in touch
  Bill

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 23:31:29 2011
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From: Bingham Steve <stevebingham@me.com>
Subject: Midi in Live 8
Date: Wed, 14 Dec 2011 23:31:26 +0000
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Hi,

Although I've been watching events on LD for quite a while it's been ages since I posted anything, mainly because I had a pretty stable setup of Gordius LG controlling Sooperlooper within Logic 9. Highly recommended!

Anyway, I've decided to give Live 8 a go, for a variety of reasons, and getting some new hardware into my setup (SoftStep and 12Step) has given me an excuse to get to grips with the Ableton program.

So far I've got some audio tracks setup, and am able to get sound from my electric violin, my iPad and the 12Step into Live. I'm sending these all to SL on a return track, which seems to work well.

I then started on midi control: Managed to work out how to get the LG to send signals to a midi track and then route this to SL, so I can now use all my old midi bindings. Great!

Next I tried to get an expression pedal attached to the LG to control volume of the loops in SL, and an expression pedal connected to the 12Step to control volume of the audio track in Live that the 12Step is sending signals to.

Both these I was able to do; but here's the problem: When there's no audio playing at all (not live and not looped) then both expression pedals are fine. However as soon as there is audio playing then moving either of the expression pedals does what it's meant to, but also causes clicks and glitches in the audio!

I can't find the solution: I'm guessing it's a routing issue, or stray midi sifnals getting to go somewhere they shouldn't.

Any suggestions gratefully received!

And best wishes for Christmas!

Steve

From Loopers-Delight-request@loopers-delight.com  Wed Dec 14 23:54:50 2011
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Subject: THREE track of Live looping/sampling (getting som EDP style stutter
 with live sequenced sample)
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Still having FUN with the Octatrack.. l like the stutter=2C random resample=
 that is so cool on the EDP and LP1.. here I use a sequencer pattern that r=
eplays a live sampled loop.. All of the sequencer stuff is guitar but i als=
o use retrigg and slices to make it sound strange.. on the first track i us=
e the LoFi distortion of the octatrack to get a dirty soundListen with care=
... strangeness is there.. (the last track is the best=2C i think.. you mig=
ht not think so...)http://soundcloud.com/anders-bergdahl/sets/fourteenoftwe=
lve/
I will soon write down a short piece in the octatrack as looper.. and a LOO=
PER machine will come... some day..  		 	   		  =

--_7ae31856-1aef-4cdd-a287-91ebad1df438_
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<html>
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{
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<body class=3D'hmmessage'><div dir=3D'ltr'>
Still having FUN with the Octatrack.. l like the stutter=2C random resample=
 that is so cool on the EDP and LP1.. here I use a&nbsp=3Bsequencer&nbsp=3B=
pattern that replays a live sampled loop.. All of the sequencer stuff is gu=
itar but i also use retrigg and slices to make it sound strange.. on the fi=
rst track i use the LoFi distortion of the octatrack to get a dirty sound<d=
iv>Listen with care... strangeness is there.. (the last track is the best=
=2C i think.. you might not think so...)</div><div><a href=3D"http://soundc=
loud.com/anders-bergdahl/sets/fourteenoftwelve/">http://soundcloud.com/ande=
rs-bergdahl/sets/fourteenoftwelve/</a></div><div><br></div><div>I will soon=
 write down a short&nbsp=3Bpiece&nbsp=3Bin the octatrack as looper.. and a =
LOOPER machine will come... some day..&nbsp=3B</div> 		 	   		  </div></bod=
y>
</html>=

--_7ae31856-1aef-4cdd-a287-91ebad1df438_--

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Subject: Re: Midi in Live 8
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On Thu, Dec 15, 2011 at 12:31 AM, Bingham Steve <stevebingham@me.com> wrote:
> However as soon as there is audio playing then moving either of the expression pedals does what it's meant to, but also causes clicks and glitches in the audio!


HI Steve,

MIDI port:
Long ago I had this "CC# sweep causing zipper noise" issue with an RME
Multiface audio interface when using the RME's MIDI ports. I found a
solution in not using the MIDI ports on the Audio Interface but a
cheap MIDI-to-USB cable/converter instead.

Badly coded plugin:
Recently I've also had "CC# sweep causing zipper noise" issues related
to the SoundToys plugin EchoBoy. I talked to the developers about that
and had it confirmed that they know about the issue (but fixing it is
not their highest priority). When the plugin caused noise I was
controlling three of EchoBoy's parameters simultaneously from the same
CC# swept by the expression pedal. I fixed this issue by only
controlling one continuous parameter in EchoBoy and directing the
signal through two other plugins/mixer stages where I applied the same
exp pedal CC# to affect the other two aspects of the live morphing
sound.

The audio interface I use now, RME Fireface400, is flawless with no
issues. Only convenience is the reason I plug everything in by USB
cables into a USB hub on the MBP - the 400's MIDI interface doesn't
have the issues of the earlier Multiface.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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Subject: Re: WHY - multiply?
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On 14 Dec 2011, at 11:39, Per Boysen wrote:

> On Wed, Dec 14, 2011 at 8:01 AM, Matthias Grob <matilists@gmail.com> =
wrote:
>> since I think of myself as the creator of this function its a =
pleasure to
>> read what great users think about it!
>> its the one function I used a lot personally
>> and I often felt the desire to change the short base loop after the
>> multiplication, which is possible if multiply happens on a new track =
and
>> thus only could be done with two EDPs
>> then again I love unrounded multiply too... does it work on several =
tracks
>> in some apps?
>=20
>=20
> Great to read you chiming in on this, Matthias! I may try answering
> those questions for Mobius, since I've been using that looper a lot
> over the recent years. If  "unrounded multiply" would include closing
> Multiply mode by Record it does not work over several tracks (for
> parallel loops) in Mobius. But Mobius has another way to achieve the
> same result: to apply the Instant Multiply or Instant Divide command
> while having activated the Focus Lock for a number of tracks.

nice... but the Instant only does factor 2,3,4 not the free chop out I =
do with Unround, right?
>=20
> Since Mobius is a multi track looper the track you chose for creating
> the first loop becomes the Master Track and it is according to this
> track's cycle length all other track are realigning for track sync.
> But there is a command to change the Master Track during a looping
> session. If the new Master Track has been modified by "unrounded
> multiply" I assume the result will be a new tempo and a new cycle
> length as the quantization grid for the rest of the session (if that
> was what you meant by "change the short base loop"?)

I did not mean to change its time.=20
since usually roughly the short is the rhythm and the long the harmony,=20=

its interesting to improve the rhythm after the harmony is done
and obviously quicker and more precise if done on the original track
to change the time of this base loop would be rather crazy to my ears =
:-)
- unless its a fraction of the previous time... rather Divide than =
UnroundMultiply

I love UnroundMulti to create shocking new rhythms within the same sound =
trip
and trying to imagine now, it could be even better to continue with the =
old harmony loop, chopped in a more delicate way...=20
>=20
>=20
>> so I am even thinking of building the Evoloop without loop saving =
function!
>=20
> I second that decision. Today's world is already full of recording
> devices, so there's no need to clutter up a performance instrument
> with that function.

hm... its not the same... so save a single loop with another recorder is =
less acurate and practical
I must say I love to record with the same laptop I loop on
and I would love to just insert an USB stick into the looper to have the =
whole performance, even in a more editable way...
its rather the play back funcion I question. also, it needs more UI to =
select the loop than just record

thank you, Per!

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Rick Walker wrote:

> ME:
> 
> *Yeah, but I frequently use a stutter action with my foot to retrigger 
> using
> that technique..........it will still cause the stutter effect but I can 
> let it
> go and it will continue on.
> 

> Does that answer your question?

absolutely,
looking forward to hearing the results of unleashing
the LP2 into world.

andy

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van Sinn wrote:
 
> I'm aware of the useless audio, and would use some outboard shizzle, 
> like the Alesis dock - 

doesn't the Alesis dock just use the audio input of the pad?

(I'd think otherwise, but there's no sample rate in the spec)

andy



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Subject: Re: OT: is really OT: Cigarette
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--e89a8f3ba0dba9cebc04b41e1118
Content-Type: text/plain; charset=ISO-8859-1

Thank u Per! :-)

Dont know what the heck youre talking about - I like to experiment with
chords,
though I dont theoritically know what I am doing! I try to widen the range
and give
depth to vocals with chords.

-Petri-

2011/12/15 Per Boysen <perboysen@gmail.com>

> On Wed, Dec 14, 2011 at 10:31 PM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
> > http://soundcloud.com/petrilahtinen/cigarette
>
> Nice song, Petri! I like the way you keep the vocals so straight and
> let the guitar playing ramble around a bit. You know, with such strong
> vocals you may be able to reduce the guitar playing even more.  I
> heard you doing some maj-7 harmony where it isn't part of the melody
> so you're already on that experimental track ;-)
>
> Per
>
>


-- 
Petri Lahtinen

--e89a8f3ba0dba9cebc04b41e1118
Content-Type: text/html; charset=ISO-8859-1
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Thank u Per! :-)<br><br>Dont know what the heck youre talking about - I lik=
e to experiment with chords,<br>though I dont theoritically know what I am =
doing! I try to widen the range and give<br>depth to vocals with chords. <b=
r>
<br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/15 Per Boysen <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</=
a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8=
ex;border-left:1px #ccc solid;padding-left:1ex">
On Wed, Dec 14, 2011 at 10:31 PM, Petri Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@gmail.=
com</a>&gt; wrote:<br>
&gt; <a href=3D"http://soundcloud.com/petrilahtinen/cigarette" target=3D"_b=
lank">http://soundcloud.com/petrilahtinen/cigarette</a><br>
<br>
Nice song, Petri! I like the way you keep the vocals so straight and<br>
let the guitar playing ramble around a bit. You know, with such strong<br>
vocals you may be able to reduce the guitar playing even more. =A0I<br>
heard you doing some maj-7 harmony where it isn&#39;t part of the melody<br=
>
so you&#39;re already on that experimental track ;-)<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--e89a8f3ba0dba9cebc04b41e1118--

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--14dae9340dcb78b5ca04b41e3999
Content-Type: text/plain; charset=ISO-8859-1

Hi Bill

I relate to all the things you said - the reason for me abandoning the
hardware is mainly economical.
We are hitting a real all-time-low with jobs and economical situation here
in Finland.

But the other is hat I have never committed myself to acoustic playing and
songwriting on that medium,
and now I think I really wanna do that, all other things aside.

But when I got my first looper 3 years ago I started immediately feel my
timing improve,
it was really easy to figure out 2-3 guitar parts etc etc. So when I'm
again economically fit,
I'll gather around me a space station such as you have on your feet :-)

btw, thanks Bill for introducing me to an artist that I didnt know before
http://www.youtube.com/watch?v=oeg9Af7q9Jw

-Petri-



2011/12/15 William Walker <billwalker@baymoon.com>

>  This is really lovely  Petri, though Its been a while since i experienced
> a period of time when I felt like I needed to stop looping and start
> writing and playing without loops, I understand the feeling and may I offer
> this.  If i were a singer songwriter guitar player, I would do much less
> multi-tasking than I do now and i doubt I'd do more than create a bit of
> guit-box groove and perhaps a bridge or solo section change  that I could
> undo, or  minimal ostinato note or two that works against all of the chords
> and leave it at that.  You might check out the great Joseph Arthur playing
> solo on Youtube for inspiration in this regard., though I think he is doing
> more sophisticated things than what i described above these days, probably
> on a lap top :-). The other thing is perhaps you may be more of a hardware
> guy , some of us still are:-). Any of the techniques i described above can
> be done on the most basic of loopers. I've been teaching guitar for many
> years and I can say without question that if you are a life long student of
> the guitar, as I am, a basic looper is your practice pal, your song writing
> partner, and your rhythmic butt kicker all in one, it doesn't have to be a
> glowing screen with endless possibilities.
> good luck and stay in touch
>  Bill
>
>


-- 
Petri Lahtinen

--14dae9340dcb78b5ca04b41e3999
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Bill<br><br>I relate to all the things you said - the reason for me aban=
doning the hardware is mainly economical.<br>We are hitting a real all-time=
-low with jobs and economical situation here in Finland.<br><br>But the oth=
er is hat I have never committed myself to acoustic playing and songwriting=
 on that medium,<br>
and now I think I really wanna do that, all other things aside.<br><br>But =
when I got my first looper 3 years ago I started immediately feel my timing=
 improve,<br>it was really easy to figure out 2-3 guitar parts etc etc. So =
when I&#39;m again economically fit,<br>
I&#39;ll gather around me a space station such as you have on your feet :-)=
<br><br>btw, thanks Bill for introducing me to an artist that I didnt know =
before<br><a href=3D"http://www.youtube.com/watch?v=3Doeg9Af7q9Jw">http://w=
ww.youtube.com/watch?v=3Doeg9Af7q9Jw</a><br>
<br>-Petri-<br><br><br><br><div class=3D"gmail_quote">2011/12/15 William Wa=
lker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwa=
lker@baymoon.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
=A0This is really lovely =A0Petri, though Its been a while since i experien=
ced a period of time when I felt like I needed to stop looping and start wr=
iting and playing without loops, I understand the feeling and may I offer t=
his. =A0If i were a singer songwriter guitar player, I would do much less m=
ulti-tasking than I do now and i doubt I&#39;d do more than create a bit of=
 guit-box groove and perhaps a bridge or solo section change =A0that I coul=
d undo, or =A0minimal ostinato note or two that works against all of the ch=
ords and leave it at that. =A0You might check out the great Joseph Arthur p=
laying solo on Youtube for inspiration in this regard., though I think he i=
s doing more sophisticated things than what i described above these days, p=
robably on a lap top :-). The other thing is perhaps you may be more of a h=
ardware guy , some of us still are:-). Any of the techniques i described ab=
ove can be done on the most basic of loopers. I&#39;ve been teaching guitar=
 for many years and I can say without question that if you are a life long =
student of the guitar, as I am, a basic looper is your practice pal, your s=
ong writing partner, and your rhythmic butt kicker all in one, it doesn&#39=
;t have to be a glowing screen with endless possibilities.<br>

good luck and stay in touch<br>
=A0Bill<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--14dae9340dcb78b5ca04b41e3999--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 09:39:39 2011
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Subject: RE: is really OT: Cigarette
Date: Thu, 15 Dec 2011 10:39:34 +0100
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> a basic looper is your practice pal, your song writing partner, and your
rhythmic butt kicker all in one, it doesn't have to be a glowing screen with
endless possibilities.

very well put Bill

-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 12:35:04 2011
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Date: Thu, 15 Dec 2011 13:35:02 +0100
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Subject: Re: is really OT: Cigarette
From: Per Boysen <perboysen@gmail.com>
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On Thu, Dec 15, 2011 at 10:39 AM, Michael Peters <mp@mpeters.de> wrote:
>> a basic looper is your practice pal, your song writing partner, and your
> rhythmic butt kicker all in one, it doesn't have to be a glowing screen with
> endless possibilities.
>
> very well put Bill
>
> -Michael
>

Not to slag looping (!) but I actually liked the non-looping qualities
of Petri's posted song, i.e. the ritardandi.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 12:59:43 2011
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Date: Thu, 15 Dec 2011 13:59:42 +0100
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Subject: Re: WHY - multiply?
From: Per Boysen <perboysen@gmail.com>
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>> Great to read you chiming in on this, Matthias! I may try answering
>> those questions for Mobius, since I've been using that looper a lot
>> over the recent years. If =C2=A0"unrounded multiply" would include closi=
ng
>> Multiply mode by Record it does not work over several tracks (for
>> parallel loops) in Mobius. But Mobius has another way to achieve the
>> same result: to apply the Instant Multiply or Instant Divide command
>> while having activated the Focus Lock for a number of tracks.

On Thu, Dec 15, 2011 at 7:06 AM, Matthias Grob <matilists@gmail.com> wrote:
>
> nice... but the Instant only does factor 2,3,4 not the free chop out I do=
 with Unround, right?

Correct. It is not equal to Multiply-->Record but rather
complimentary. I particularly appreciate having 3 as an optional
coefficient. The Instant Divide/Multiply is also fun to "abuse", like
for example divide down to a very, very short loop down in granular
undergound and then maybe play melodies with it by speed shifting
until finally go back again along the Undo/Redo path until you are
back at the original loop. One can do this to a parallel loop while an
older loop plays along in a normal way.



>>> so I am even thinking of building the Evoloop without loop saving funct=
ion!
>>
>> I second that decision. Today's world is already full of recording
>> devices, so there's no need to clutter up a performance instrument
>> with that function.
>
> hm... its not the same... so save a single loop with another recorder is =
less acurate and practical
> I must say I love to record with the same laptop I loop on
> and I would love to just insert an USB stick into the looper to have the =
whole performance, even in a more editable way...
> its rather the play back funcion I question. also, it needs more UI to se=
lect the loop than just record


I was thinking more from the customer's point of view. I'd rather pay
for an awesome looper than for a little less awesome looper with a
built-in recording facility.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 14:05:31 2011
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Date: Thu, 15 Dec 2011 07:05:24 -0700
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Subject: Re: BEST iPad Apps for LIVE LOOPING
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The Alesis dock uses the 30-pin connector for ALL non-tactile
input/output from the iPad=97audio and video.

Best,

Dennis


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 15, 2011 at 2:19 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> van Sinn wrote:
>
>> I'm aware of the useless audio, and would use some outboard shizzle, lik=
e
>> the Alesis dock -
>
>
> doesn't the Alesis dock just use the audio input of the pad?
>
> (I'd think otherwise, but there's no sample rate in the spec)
>
> andy
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 14:32:13 2011
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Subject: Re: WHY - multiply?
Date: Thu, 15 Dec 2011 07:31:54 -0700
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Cripes...a lot of dicsussion on this! :)    I have to say, I weened myself 
off of Multply in Mobius recently, and now I'm just looping on additional 
tracks because I can achieve the same goal but have more flexibility to 
mute, manipulate, or reset individual parts.

Sidenote: I am syncing mobius to Live, but Next Loop is acting really funky. 
Anyone doing this with success?

----- Original Message ----- 



>> Great to read you chiming in on this, Matthias! I may try answering
>> those questions for Mobius, since I've been using that looper a lot
>> over the recent years. If "unrounded multiply" would include closing
>> Multiply mode by Record it does not work over several tracks (for
>> parallel loops) in Mobius. But Mobius has another way to achieve the
>> same result: to apply the Instant Multiply or Instant Divide command
>> while having activated the Focus Lock for a number of tracks.

On Thu, Dec 15, 2011 at 7:06 AM, Matthias Grob <matilists@gmail.com> wrote:
>
> nice... but the Instant only does factor 2,3,4 not the free chop out I do 
> with Unround, right?

Correct. It is not equal to Multiply-->Record but rather
complimentary. I particularly appreciate having 3 as an optional
coefficient. The Instant Divide/Multiply is also fun to "abuse", like
for example divide down to a very, very short loop down in granular
undergound and then maybe play melodies with it by speed shifting
until finally go back again along the Undo/Redo path until you are
back at the original loop. One can do this to a parallel loop while an
older loop plays along in a normal way.



>>> so I am even thinking of building the Evoloop without loop saving 
>>> function!
>>
>> I second that decision. Today's world is already full of recording
>> devices, so there's no need to clutter up a performance instrument
>> with that function.
>
> hm... its not the same... so save a single loop with another recorder is 
> less acurate and practical
> I must say I love to record with the same laptop I loop on
> and I would love to just insert an USB stick into the looper to have the 
> whole performance, even in a more editable way...
> its rather the play back funcion I question. also, it needs more UI to 
> select the loop than just record


I was thinking more from the customer's point of view. I'd rather pay
for an awesome looper than for a little less awesome looper with a
built-in recording facility.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 14:36:08 2011
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Date: Thu, 15 Dec 2011 14:36:09 +0000
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Subject: Re: BEST iPad Apps for LIVE LOOPING
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Dennis Moser wrote:
> The Alesis dock uses the 30-pin connector for ALL non-tactile
> input/output from the iPad—audio and video.

You'll have to excuse my i-Ignorance, which extends 
way beyond my curiosity.

I presume the 30 pin connector has the analog audio 
on it's pins in order to work with those docking speaker
things.

So for me the question remains unanswered.


andy



> 
> Best,
> 
> Dennis
> 
> 
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
> 
> 
> 
> On Thu, Dec 15, 2011 at 2:19 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>> van Sinn wrote:
>>
>>> I'm aware of the useless audio, and would use some outboard shizzle, like
>>> the Alesis dock -
>>
>> doesn't the Alesis dock just use the audio input of the pad?
>>
>> (I'd think otherwise, but there's no sample rate in the spec)
>>
>> andy
>>
>>
>>
> 
> 

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Subject: Re: BEST iPad Apps for LIVE LOOPING
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Andy,

:D =85 no worries. I didn't know what the audio was coming off that
30-pin either.  However, this SHOULD answer the question:

http://www.computeraudiophile.com/content/Can-you-get-audio-digital-out-iPa=
d

"Submitted by The Computer Au... on Sat, 08/14/2010 - 20:24.  Joined:
11/28/2007 .:. Offline .:. Comments: 8508
Hi ajax - I'm a bit confused
Hi ajax - I'm a bit confused at what exactly your friend is trying to
accomplish. I'm sure it's something very neat but right now I'm lost
:~)

To answer the question about the iPad outputting digital audio -> The
headphone jack is only analog. But the dock connector can output
digital audio with the camera connection kit. You can only connect to
a 16 bit USB DAC, but at least it's digital out. A good 16 bit DAC for
this is the Devilsound / Halide Design DAC."

So the answer is =97 if you use the headphone jack, you get ANALOG
audio. If you use anything that plugs into the 30-pin connector, like
the Alesis ioDock, you get digital audio.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 15, 2011 at 7:36 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> Dennis Moser wrote:
>>
>> The Alesis dock uses the 30-pin connector for ALL non-tactile
>> input/output from the iPad=97audio and video.
>
>
> You'll have to excuse my i-Ignorance, which extends way beyond my curiosi=
ty.
>
> I presume the 30 pin connector has the analog audio on it's pins in order=
 to
> work with those docking speaker
> things.
>
> So for me the question remains unanswered.
>
>
> andy
>
>
>
>
>>
>> Best,
>>
>> Dennis
>>
>>
>> http://soundcloud.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>> On Thu, Dec 15, 2011 at 2:19 AM, andy butler <akbutler@tiscali.co.uk>
>> wrote:
>>>
>>> van Sinn wrote:
>>>
>>>> I'm aware of the useless audio, and would use some outboard shizzle,
>>>> like
>>>> the Alesis dock -
>>>
>>>
>>> doesn't the Alesis dock just use the audio input of the pad?
>>>
>>> (I'd think otherwise, but there's no sample rate in the spec)
>>>
>>> andy
>>>
>>>
>>>
>>
>>
>

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Subject: Re: is really OT: Cigarette
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--14dae9340c2799b6f504b422d8cc
Content-Type: text/plain; charset=ISO-8859-1

It really Per is really therapeutic to play free things, after
working on fixed bpm's, electronic stuff and synchronized-tracks-loopers as
RC-30

:-D

2011/12/15 Per Boysen <perboysen@gmail.com>

> On Thu, Dec 15, 2011 at 10:39 AM, Michael Peters <mp@mpeters.de> wrote:
> >> a basic looper is your practice pal, your song writing partner, and your
> > rhythmic butt kicker all in one, it doesn't have to be a glowing screen
> with
> > endless possibilities.
> >
> > very well put Bill
> >
> > -Michael
> >
>
> Not to slag looping (!) but I actually liked the non-looping qualities
> of Petri's posted song, i.e. the ritardandi.
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>


-- 
Petri Lahtinen

--14dae9340c2799b6f504b422d8cc
Content-Type: text/html; charset=ISO-8859-1
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It really Per is really therapeutic to play free things, after<br>working o=
n fixed bpm&#39;s, electronic stuff and synchronized-tracks-loopers as RC-3=
0<br><br>:-D<br><br><div class=3D"gmail_quote">2011/12/15 Per Boysen <span =
dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com<=
/a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">On Thu, Dec 15, 2011 at 10:39 AM, Michael Pe=
ters &lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt; wrote:<br>
&gt;&gt; a basic looper is your practice pal, your song writing partner, an=
d your<br>
&gt; rhythmic butt kicker all in one, it doesn&#39;t have to be a glowing s=
creen with<br>
&gt; endless possibilities.<br>
&gt;<br>
&gt; very well put Bill<br>
&gt;<br>
&gt; -Michael<br>
&gt;<br>
<br>
Not to slag looping (!) but I actually liked the non-looping qualities<br>
of Petri&#39;s posted song, i.e. the ritardandi.<br>
<br>
Greetings from Sweden<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http://www.y=
outube.com/perboysen</a><br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--14dae9340c2799b6f504b422d8cc--

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Subject: Re: WHY - multiply?
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On Thu, Dec 15, 2011 at 3:31 PM, Kris Hartung <krispen.hartung@gmail.com> w=
rote:
> =C2=A0I have to say, I weened myself off of Multply in Mobius recently, a=
nd now
> I'm just looping on additional tracks because I can achieve the same goal
> but have more flexibility to mute, manipulate, or reset individual parts.

It's funny that I'm cultivating similar ambitions - to instantly vary
the looping music while constantly play along on physical instruments
- but my method is the opposite: I use as few tracks as possible. The
reason is that I find it easier to manipulate one major track holding
many musical parts as layers, shorter or longer by previous
multiplying: I mean, everything stays in perfect sync even when doing
speed shifting and reversing since it is all part of the same loop.
For "muting just one part" I stick with Undo, but then I'm limited to
the latest addition I made so I need to keep that in mind when
creating my loop. It has become a second nature to create loop layers
in an order that prepares for a musical "re-mix" by the Undo/Redo
stepping.


> Sidenote: I am syncing mobius to Live, but Next Loop is acting really fun=
ky.
> Anyone doing this with success?

Yes, right now I'm about to go down to Istanbul for the second diamond
shaped eight channel surround concert with the duo together with
Erdem. We did a previous gig i Paris this spring but then I used Logic
for pre-prepared surround tracks. For this concert I'm using Live and
run Mobius VST synced to Live at "Host Bar" sync mode. I have not
noticed issues with Next Loop but will look fully into that, beginning
on Saturday. Will report back if I find something not working.

My other Mobius settings are the same as when I run it as the sync
master; I use "Quantize =3D Subcycle" and "SwitchQuant =3D Cycle". I
disable all compensation for tempo change (no speed shift, no change
of loop length). In Live I have set the tempo and time measure for
each song in advance by typing it into the scene slots of the master
track and then I have a foot switch assigned to Live's Next Clip while
preferences set to launch on selection. This means I need to fix two
things in Mobius between songs; first, if I have any loops going when
finishing a song I need to do a global reset of Mobius to let the
looper pick up the tempo of the new song about to start, and so I also
need to change the 8th per Cycle for all Mobius tracks (I only use
four, so it is a quick fix from the hand mixer buttons) to match the
upcoming time measure. That's not a heavy burden as nine songs out of
ten are in 4/4, and for the last piece I put all Mobius tracks at
"8ths per Cycle =3D 14" as it goes in 7/8. This system has been working
perfect so far, but as said, I have been preparing surround tracks
this week and will start rehearsing the live looping parts two days
from now.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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Subject: Re: is really OT: Cigarette
From: Per Boysen <perboysen@gmail.com>
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I totally understand that! This was a main reason I expanded into
Stick playing; being free to play rubato while still doing two or
three musical parts simultaneously. Looking back from this new
position I can tell that I also love the machine-like and exact timing
you can achieve with looping - but to my taste this repetitiveness
becomes even cooler if combined with free rubato parts.

Per


On Thu, Dec 15, 2011 at 4:07 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> It really Per is really therapeutic to play free things, after
> working on fixed bpm's, electronic stuff and synchronized-tracks-loopers as
> RC-30
>
> :-D
>
>
> 2011/12/15 Per Boysen <perboysen@gmail.com>
>>
>> On Thu, Dec 15, 2011 at 10:39 AM, Michael Peters <mp@mpeters.de> wrote:
>> >> a basic looper is your practice pal, your song writing partner, and
>> >> your
>> > rhythmic butt kicker all in one, it doesn't have to be a glowing screen
>> > with
>> > endless possibilities.
>> >
>> > very well put Bill
>> >
>> > -Michael
>> >
>>
>> Not to slag looping (!) but I actually liked the non-looping qualities
>> of Petri's posted song, i.e. the ritardandi.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.perboysen.com
>> http://www.youtube.com/perboysen
>>
>
>
>
> --
> Petri Lahtinen
>
>

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This is a multi-part message in MIME format.
----------MB_8CE8969D322141C_D8C_17FF32_webmail-d066.sysops.aol.com
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> a basic looper is your practice pal, your song writing partner, and your
rhythmic butt kicker all in one, it doesn't have to be a glowing screen wit=
h
endless possibilities.

very well put Bill

-Michael







i always knew young bill was a closet LUDDITE.....but my cold heart skipped=
 a few beats when i saw he was using a=20
telephone/pad/pod/tool of SATAN in his kit!..... technology is moving way t=
o fast for this boy!.....i don't even understand=20
half of the commercials i see for phones and things of that ilk.....i feel =
like i am living in a foreign land.....
=20

----------MB_8CE8969D322141C_D8C_17FF32_webmail-d066.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'><br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 "><blockquote style=3D"border-left: 2px solid blue; padding-left: 3px;"><p=
re><tt>&gt; a basic looper is your practice pal, your song writing partner,=
 and your
rhythmic butt kicker all in one, it doesn't have to be a glowing screen wit=
h
endless possibilities.

very well put Bill

-Michael
</tt></pre></blockquote></div>
<br>
<br>
<br>

<div style=3D"color: black; ">
<div id=3D"AOLMsgPart_0_78602332-3e99-415b-9ecf-b62756d7d307" style=3D"marg=
in-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; color=
: rgb(0, 0, 0); background-color: rgb(255, 255, 255); "><pre><tt><font clas=
s=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif" size=3D"2">i a=
lways knew young bill was a closet LUDDITE.....but my cold heart skipped a =
few beats when i saw he was using a </font></tt></pre><pre><tt><font class=
=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif" size=3D"2">tele=
phone/pad/pod/tool of SATAN in his kit!..... technology is moving way to fa=
st for this boy!.....i don't even understand </font></tt></pre><pre><font c=
lass=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif" size=3D"2">=
half of the commercials i see for phones and things of that ilk.....i feel =
like i am living in a foreign land.....</font></pre>
</div>
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</div>
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 18:32:43 2011
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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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This is actually one of the topics I'm about writing up on in a series of
technical articles, starting mid january on adadepot.com .

Sorry for the lengthy post, but it's difficult to explain in a short post.


Sampling rate:

Many audio interfaces simply aren't build to function equally correctly at
both low and high sampling rates, and thus may work better at the higher
sample rates.

For this reason some/many says that sampling at higher rates produce
better audio quality with their particular interface.
My comment to reality is: If the chosen gear does sound better at higher
sample rates, by all means of course use it this way ;)

 From a theory point of view, sampling at higher bitrates makes absolutely no
difference.
The Nyquist–Shannon sampling theorem in clear math states that a signal can be
accurately reproduced at half the sampling frequency - provided infinitely
steep anti-aliasing filters are employed.
See http://en.wikipedia.org/wiki/Nyquist–Shannon_sampling_theorem

Older designs using analog filters often had issues with such filters being 
unable to completely cut off aliasing products.

For more than a decade, modern AD/DA converters has had build-in digital 
antialiasing filters which, alongside with oversampling, results in very steep 
slopes, making it fairly easy to reproduce 20Khz from 44.1Khz sampling.

It is interesting to note that (64 to 256 times) oversampling converters 
actually up- and downsamples to the wanted sample rate.
In other words, although we may choose a certain sampling rate with our 
interface, the converter internally samples at a much higher rate, and then 
converts this to our desired rate.


Sampling word width:

We get approx 6.06 dB per bit, or in practical terms 6dB/bit.
So 16 bit gives us a dynamic range of 96 dB (which can be improved using 
aggressive noise shaping).

Most practical music gear, unless being quite pro, will not have this dynamic
range, and much less a signal/noise ration even approaching 96dB.
My RME quadmic mic preamp has 120dB range, but the rest of my gear
doesn't, and building a project studio with a noise floor at even -80dB is a
dire and expensive task.

So 16 bit would suffice just fine for the raw recordings.
However, it's a different issue once we start to work on those samples.

Every time we add two equally sized full-scale samples, the result will be 
twice as large; an increase of 6 dB.  Expressed in bits:
Adding two full 24 bit signals will result in a 25 bit signal (1 bit = 6 dB).
Using EQ and myriads of effects will all make the resulting signal grow.

Even if we keep the signal normalized on the DAW, it still grows - it
just grows downwards, that is, it'll have more and more lower bits.
We cannot simply truncate or ignore those lower bits, as they all contains
information about the signal.

When we at some point convert to the final 44.1/16 format, all bits in this
large-bit signal are used as part of the conversion and dithering process.

A main reason why the DAW world has been moving from 24 bit to 32 bit, and 
resently to 64 bit processing: To avoid loosing any 'bit' of information 
during the process, and only at the final stage convert to 44.1/16.

I said above that 16 bits would work just fine for recording..
While this is true, the recording engineer would have to fairly accurately
place the audio fairly close to full-scale, and overshoots could easily occur
(like the sax bloving extra hard, or someone spitting in the mic).
Using 20 or 24 bits makes the recording process somewhat easier ;)

Succeding processing will work jsut fine on those 16/20/24 bit samples in 32 
or 64 bit formats used internally in the DAW.


Reyn Ouwehand wrote:
> If your material has to end on a CD, record on 88.2kHz. If it's for film
> record on 96kHz. Due to the math..

I assume you mean that an 88.2 Khz sample only needs to downscaled by a factor
two to arrive at 44.1 Khz..
Which isn't so.  The 88.2 signal will need to be calculated and dithered
exactly the same way as with any other bitrate.


Rick Walker wrote:
> On 7/22/64 11:59 AM, David Gans wrote:
> 
>> I record all my gigs at 96-24. Better to archive, and better to 
>> produce, in high-res and downsample at the last stage.
> 
> What I've always wondered:
> 
> Does a recording at 96-24 downsampled to 44-16
> sound better than a recording sampled only at 44-16, initially.
> 
> And if so,  what's the logic?
> 
> Daniel Thomas once explained the answer to me a long time ago, but I 
> have completely forgotten what
> he told me.    Please forgive the brain fart.
> 
> Rick Walker


-- 
rgds,
van Sinn


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Subject: Re: Live Looping versus using Pre-Recorded Loops
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yep, I call this evolooping :-)

On 8 Nov 2011, at 09:41, Per Boysen wrote:
> The art form of live looping
> shouldn't bee seen as "making a loop and play over it" but rather as
> "making a loop and keep on changing it while playing over it". 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 18:51:15 2011
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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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2011/12/15, van Sinn <vansinn@post.cybercity.dk>:

> Reyn Ouwehand wrote:
>> If your material has to end on a CD, record on 88.2kHz. If it's for film
>> record on 96kHz. Due to the math..
>
> I assume you mean that an 88.2 Khz sample only needs to downscaled by a
> factor
> two to arrive at 44.1 Khz..
> Which isn't so.  The 88.2 signal will need to be calculated and dithered
> exactly the same way as with any other bitrate.

that makes sense. guess i got it from bob katz book. 96 Khz should
better for compatibility matters, 88.2 Khz because uses less storage
space, but quality humanly indistinguishable, suposing a stable clock
for both sample rates on the same capturing device.


.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imagination,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

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Subject: Re: is really OT: Cigarette
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--90e6ba6151d2c959fb04b426ccda
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:-D

2011/12/15 michael klobuchar <nemoguitt@aol.com>

>
> > a basic looper is your practice pal, your song writing partner, and your
> rhythmic butt kicker all in one, it doesn't have to be a glowing screen with
> endless possibilities.
>
> very well put Bill
>
> -Michael
>
>
>
>
>  i always knew young bill was a closet LUDDITE.....but my cold heart skipped a few beats when i saw he was using a
>
> telephone/pad/pod/tool of SATAN in his kit!..... technology is moving way to fast for this boy!.....i don't even understand
>
> half of the commercials i see for phones and things of that ilk.....i feel like i am living in a foreign land.....
>
>


-- 
Petri Lahtinen

--90e6ba6151d2c959fb04b426ccda
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

:-D<br><br><div class=3D"gmail_quote">2011/12/15 michael klobuchar <span di=
r=3D"ltr">&lt;<a href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.com</a>&gt=
;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bo=
rder-left:1px #ccc solid;padding-left:1ex">
<font color=3D"black" face=3D"Arial, Helvetica, sans-serif"><div class=3D"i=
m"><br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black"><bloc=
kquote style=3D"border-left:2px solid blue;padding-left:3px"><pre><tt>&gt; =
a basic looper is your practice pal, your song writing partner, and your
rhythmic butt kicker all in one, it doesn&#39;t have to be a glowing screen=
 with
endless possibilities.

very well put Bill

-Michael
</tt></pre></blockquote></div>
<br>
<br>
<br>

</div><div style=3D"color:black">
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;color:rgb(0,0,0);background-color:rgb(255,255,255)"><pre><tt><font fac=
e=3D"Arial, Helvetica, sans-serif">i always knew young bill was a closet LU=
DDITE.....but my cold heart skipped a few beats when i saw he was using a <=
/font></tt></pre>
<pre><tt><font face=3D"Arial, Helvetica, sans-serif">telephone/pad/pod/tool=
 of SATAN in his kit!..... technology is moving way to fast for this boy!..=
...i don&#39;t even understand </font></tt></pre><pre><font face=3D"Arial, =
Helvetica, sans-serif">half of the commercials i see for phones and things =
of that ilk.....i feel like i am living in a foreign land.....</font></pre>

</div>
=20



</div>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><br><br>

--90e6ba6151d2c959fb04b426ccda--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 20:37:13 2011
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On 12/15/11 11:21 AM, Simeon Harris wrote:
> hi rick, did you download my files for this yet?
>
> ta
>
> sim
>
>
Oh god, Simeon,
I've been so overwhelmed with other things.

I just have been putting things in a file to download later because
I was ill for 3 weeks and am now preparing for a big festival performance
in LA in three days.

Please forgive me.

I'll go download it right now.

Sorry, mate,

yours,   Rick


From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 20:41:04 2011
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On 12/15/11 11:21 AM, Simeon Harris wrote:
> hi rick, did you download my files for this yet?
>
> ta
>
> sim
>
>
OKEE DOKEE,

The his res file should be downloaded in 15 minutes.
I'm so sorry for the delay.

I'll get on this right after Christmas,  I promise.

Rick

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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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Van Sinn wrote:

> 
> Sorry for the lengthy post, 

don't apologise, your time is appreciated.

...here are the customary nitpicks


>  The 88.2 signal will need to be calculated and dithered
> exactly the same way as with any other bitrate.

I don't know if that's true. For a 2:1 Sample Rate Conversion
it's only necessary to low pass appropriately and then throw away 1/2
the samples.

To convert 96:44.1 needs interpolation as well,
and that may introduce artefacts.
(not all audio recording software is equal as regards this)


Dithering surely isn't relevant to SRC, only to bit depth.




> So 16 bit would suffice just fine for the raw recordings.

> To avoid loosing any 'bit' of 
> information during the process

Surely that applies to the original recording, especially
if it's bit's are going to be "stretched out" by
processing.



Anyway, it seems the verdict is 

"Record at 24bit/44kHz unless you've tried 
a higher sample rate and got better results."

andy














andy






From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 20:57:52 2011
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Subject: Listen to Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on Dan Pound.  The Featured CD at Midnight
will be "Living Planet" on Poundsounds.  Details are at the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 21:36:28 2011
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This is a multi-part message in MIME format.
--------------020902020809090303020301
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Content-Transfer-Encoding: 7bit

On 7/22/64 11:59 AM, Dennis Moser wrote:
> So the answer is --- if you use the headphone jack, you get ANALOG
> audio. If you use anything that plugs into the 30-pin connector, like
> the Alesis ioDock, you get digital audio.
I wonder if there are any other and notably cheaper ways
to get digital audio out from the iPad.

Anyone know of any?

rick walker

--------------020902020809090303020301
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
  </head>
  <body bgcolor="#FFFFFF" text="#000000">
    On 7/22/64 11:59 AM, Dennis Moser wrote:
    <blockquote
cite="mid:%3CCAM62fAG-7Rai9_MExUO_KidVJ83q7axms0RSPvzpezvB3JhENA@mail.gmail.com%3E"
      type="cite">
      <pre wrap="">So the answer is &#8212; if you use the headphone jack, you get ANALOG
audio. If you use anything that plugs into the 30-pin connector, like
the Alesis ioDock, you get digital audio.</pre>
    </blockquote>
    <font size="+1">I wonder if there are any other and notably cheaper
      ways <br>
      to get digital audio out from the iPad.<br>
      <br>
      Anyone know of any?<br>
      <br>
      rick walker<br>
    </font>
  </body>
</html>

--------------020902020809090303020301--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 21:43:35 2011
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--20cf300fad5d54609404b428603d
Content-Type: text/plain; charset=ISO-8859-1

I had my 11/11/11 track ready and was about to upload it, then found out it
was corrupted! damn! :-)
Well, it was such an odd thing, maybe it was better left in the digital
heaven

:-D

2011/12/15 Rick Walker <looppool@cruzio.com>

> On 12/15/11 11:21 AM, Simeon Harris wrote:
>
>> hi rick, did you download my files for this yet?
>>
>> ta
>>
>> sim
>>
>>
>>  OKEE DOKEE,
>
> The his res file should be downloaded in 15 minutes.
> I'm so sorry for the delay.
>
> I'll get on this right after Christmas,  I promise.
>
> Rick
>
>


-- 
Petri Lahtinen

--20cf300fad5d54609404b428603d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I had my 11/11/11 track ready and was about to upload it, then found out it=
 was corrupted! damn! :-)<br>Well, it was such an odd thing, maybe it was b=
etter left in the digital heaven <br><br>:-D<br><br><div class=3D"gmail_quo=
te">
2011/12/15 Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cru=
zio.com">looppool@cruzio.com</a>&gt;</span><br><blockquote class=3D"gmail_q=
uote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1e=
x"><div class=3D"im">
On 12/15/11 11:21 AM, Simeon Harris wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
hi rick, did you download my files for this yet?<br>
<br>
ta<br>
<br>
sim<br>
<br>
<br>
</blockquote></div>
OKEE DOKEE,<br>
<br>
The his res file should be downloaded in 15 minutes.<br>
I&#39;m so sorry for the delay.<br>
<br>
I&#39;ll get on this right after Christmas, =A0I promise.<span class=3D"HOE=
nZb"><font color=3D"#888888"><br>
<br>
Rick<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--20cf300fad5d54609404b428603d--

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Subject: Re: Re: BEST iPad Apps for LIVE LOOPING
From: Per Boysen <perboysen@gmail.com>
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On Thu, Dec 15, 2011 at 10:36 PM, Rick Walker <looppool@cruzio.com> wrote:
> I wonder if there are any other and notably cheaper ways
> to get digital audio out from the iPad.
>
> Anyone know of any?


Render as file on disc, but that ain't real-time. However, it may be
ok for an application that works similarly to Ableton Live in that you
don't actually record audio but your mangling of playback of audio
that already exist as source files on disc. Then the interesting part
is your mangling performance and you may leave the iPad to take its
time to render a high quality audio file of that.

Per

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Subject: Re: Midi in Live 8
From: Bingham Steve <stevebingham@me.com>
In-reply-to:
 <CAJC14WgH+-R27qb10Gm6oSiOSEhDShozXyb+F99YdG9oG+0kuA@mail.gmail.com>
Date: Thu, 15 Dec 2011 22:15:33 +0000
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Hi Per,

Thanks! Your Midi port suggestion sounds like the solution I might need: =
I have a midi to USB converter so will try it out now=85..

Cheers,
Steve


On 15 Dec 2011, at 00:43, Per Boysen wrote:

> On Thu, Dec 15, 2011 at 12:31 AM, Bingham Steve <stevebingham@me.com> =
wrote:
>> However as soon as there is audio playing then moving either of the =
expression pedals does what it's meant to, but also causes clicks and =
glitches in the audio!
>=20
>=20
> HI Steve,
>=20
> MIDI port:
> Long ago I had this "CC# sweep causing zipper noise" issue with an RME
> Multiface audio interface when using the RME's MIDI ports. I found a
> solution in not using the MIDI ports on the Audio Interface but a
> cheap MIDI-to-USB cable/converter instead.
>=20
> Badly coded plugin:
> Recently I've also had "CC# sweep causing zipper noise" issues related
> to the SoundToys plugin EchoBoy. I talked to the developers about that
> and had it confirmed that they know about the issue (but fixing it is
> not their highest priority). When the plugin caused noise I was
> controlling three of EchoBoy's parameters simultaneously from the same
> CC# swept by the expression pedal. I fixed this issue by only
> controlling one continuous parameter in EchoBoy and directing the
> signal through two other plugins/mixer stages where I applied the same
> exp pedal CC# to affect the other two aspects of the live morphing
> sound.
>=20
> The audio interface I use now, RME Fireface400, is flawless with no
> issues. Only convenience is the reason I plug everything in by USB
> cables into a USB hub on the MBP - the 400's MIDI interface doesn't
> have the issues of the earlier Multiface.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 23:16:18 2011
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Subject: Re: Midi in Live 8
From: Bingham Steve <stevebingham@me.com>
In-reply-to:
 <CAJC14WgH+-R27qb10Gm6oSiOSEhDShozXyb+F99YdG9oG+0kuA@mail.gmail.com>
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Hi again Per!

This gets more interesting: I tried connecting via a midi to USB box, but that didn't make any difference. I also tried turning a basic Live setup with no plugins. That didn't work. Actually the expression pedal connected via my 12Step seems to be working OK. It's just the one controlling SL, which is going via the pedal 1 port on my Gordius LG, which is making the "zipper" noise.

More experimenting shows that actually any midi signal coming from the LG makes a noise - so pressing a button switch on the LG makes a very slight click through the speakers. This happens whatever midi port setup I seem to have within Live; whatever way the midi from the LG is connected (via my sound interface / or midi to USB box / or direct USB).

The same expression pedal connected via the 12Step works fine, and a different pedal on the LG still "zips"!

I tried removing the 12Step from the equation and just connecting the LG - no change.

Since I've used expression pedals with the LG in Logic for over a year, the problem seems like it must be down to something in Live 8. Can't fathom out what though!

All the best,
Steve


On 15 Dec 2011, at 00:43, Per Boysen wrote:

> On Thu, Dec 15, 2011 at 12:31 AM, Bingham Steve <stevebingham@me.com> wrote:
>> However as soon as there is audio playing then moving either of the expression pedals does what it's meant to, but also causes clicks and glitches in the audio!
> 
> 
> HI Steve,
> 
> MIDI port:
> Long ago I had this "CC# sweep causing zipper noise" issue with an RME
> Multiface audio interface when using the RME's MIDI ports. I found a
> solution in not using the MIDI ports on the Audio Interface but a
> cheap MIDI-to-USB cable/converter instead.
> 
> Badly coded plugin:
> Recently I've also had "CC# sweep causing zipper noise" issues related
> to the SoundToys plugin EchoBoy. I talked to the developers about that
> and had it confirmed that they know about the issue (but fixing it is
> not their highest priority). When the plugin caused noise I was
> controlling three of EchoBoy's parameters simultaneously from the same
> CC# swept by the expression pedal. I fixed this issue by only
> controlling one continuous parameter in EchoBoy and directing the
> signal through two other plugins/mixer stages where I applied the same
> exp pedal CC# to affect the other two aspects of the live morphing
> sound.
> 
> The audio interface I use now, RME Fireface400, is flawless with no
> issues. Only convenience is the reason I plug everything in by USB
> cables into a USB hub on the MBP - the 400's MIDI interface doesn't
> have the issues of the earlier Multiface.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
> 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 23:43:42 2011
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Subject: Re: BEST iPad Apps for LIVE LOOPING
Date: Thu, 15 Dec 2011 15:43:36 -0800
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On Dec 15, 2011, at 1:36 PM, Rick Walker wrote:

> to get digital audio out from the iPad.
>
> Anyone know of any?



It seems you can use a usb audio interface with the camera connector  
kit to get audio in and out but the usb interface has to be  
"driverless".

http://blog.faberacoustical.com/2010/ios/ipad/usb-audio-devices-that-work-with-ipad/
http://www.youtube.com/watch?v=8bz_YiMUY5E&feature=player_embedded

Have not tried it.

BobC
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 15, 2011, =
at 1:36 PM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-size: large; ">to get digital =
audio out from the iPad.<br><br>Anyone know of =
any?</span></span></blockquote></div><div><br></div><br><div>It seems =
you can use a usb audio interface with the camera connector kit to get =
audio in and out but the usb interface has to be =
"driverless".</div><div><br></div><div><a =
href=3D"http://blog.faberacoustical.com/2010/ios/ipad/usb-audio-devices-th=
at-work-with-ipad/">http://blog.faberacoustical.com/2010/ios/ipad/usb-audi=
o-devices-that-work-with-ipad/</a></div><div><a =
href=3D"http://www.youtube.com/watch?v=3D8bz_YiMUY5E&amp;feature=3Dplayer_=
embedded">http://www.youtube.com/watch?v=3D8bz_YiMUY5E&amp;feature=3Dplaye=
r_embedded</a></div><div><br></div><div>Have not tried =
it.</div><div><br></div><div>BobC</div></body></html>=

--Apple-Mail-2--59450279--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 15 23:49:29 2011
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Subject: Re: Midi in Live 8
From: Bingham Steve <stevebingham@me.com>
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Solved it! (after reading Per's posts in the Bidule forum)

Increased the buffer slightly in Live.

Great - now on with getting to know Live a bit better=85=85

Thanks Per.



On 15 Dec 2011, at 23:15, Bingham Steve wrote:

> Hi again Per!
>=20
> This gets more interesting: I tried connecting via a midi to USB box, =
but that didn't make any difference. I also tried turning a basic Live =
setup with no plugins. That didn't work. Actually the expression pedal =
connected via my 12Step seems to be working OK. It's just the one =
controlling SL, which is going via the pedal 1 port on my Gordius LG, =
which is making the "zipper" noise.
>=20
> More experimenting shows that actually any midi signal coming from the =
LG makes a noise - so pressing a button switch on the LG makes a very =
slight click through the speakers. This happens whatever midi port setup =
I seem to have within Live; whatever way the midi from the LG is =
connected (via my sound interface / or midi to USB box / or direct USB).
>=20
> The same expression pedal connected via the 12Step works fine, and a =
different pedal on the LG still "zips"!
>=20
> I tried removing the 12Step from the equation and just connecting the =
LG - no change.
>=20
> Since I've used expression pedals with the LG in Logic for over a =
year, the problem seems like it must be down to something in Live 8. =
Can't fathom out what though!
>=20
> All the best,
> Steve
>=20
>=20
> On 15 Dec 2011, at 00:43, Per Boysen wrote:
>=20
>> On Thu, Dec 15, 2011 at 12:31 AM, Bingham Steve <stevebingham@me.com> =
wrote:
>>> However as soon as there is audio playing then moving either of the =
expression pedals does what it's meant to, but also causes clicks and =
glitches in the audio!
>>=20
>>=20
>> HI Steve,
>>=20
>> MIDI port:
>> Long ago I had this "CC# sweep causing zipper noise" issue with an =
RME
>> Multiface audio interface when using the RME's MIDI ports. I found a
>> solution in not using the MIDI ports on the Audio Interface but a
>> cheap MIDI-to-USB cable/converter instead.
>>=20
>> Badly coded plugin:
>> Recently I've also had "CC# sweep causing zipper noise" issues =
related
>> to the SoundToys plugin EchoBoy. I talked to the developers about =
that
>> and had it confirmed that they know about the issue (but fixing it is
>> not their highest priority). When the plugin caused noise I was
>> controlling three of EchoBoy's parameters simultaneously from the =
same
>> CC# swept by the expression pedal. I fixed this issue by only
>> controlling one continuous parameter in EchoBoy and directing the
>> signal through two other plugins/mixer stages where I applied the =
same
>> exp pedal CC# to affect the other two aspects of the live morphing
>> sound.
>>=20
>> The audio interface I use now, RME Fireface400, is flawless with no
>> issues. Only convenience is the reason I plug everything in by USB
>> cables into a USB hub on the MBP - the 400's MIDI interface doesn't
>> have the issues of the earlier Multiface.
>>=20
>> Greetings from Sweden
>>=20
>> Per Boysen
>> www.perboysen.com
>> http://www.youtube.com/perboysen
>>=20
>=20

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Date: Fri, 16 Dec 2011 00:54:59 +0100
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Subject: Re: Midi in Live 8
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On Fri, Dec 16, 2011 at 12:49 AM, Bingham Steve <stevebingham@me.com> wrote:
> Solved it! (after reading Per's posts in the Bidule forum)

Glad to hear you found a solution!

> Increased the buffer slightly in Live.

What buffer were you running Live at when the noise happened?

Per

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Date: Thu, 15 Dec 2011 19:21:47 -0500
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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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Van,

  Good to see that you're going to be  writing this, it should disspel 
a lot of myths.

There is a lot of folk wisdom out there about the "advantages" to 
working with higher sample rates.. but consider the following 
information:

The AK5394 is a typical high end A/D chip used in many converter 
designs.  It offers great performance ( such as 123dB s/n,  0.001dB 
filter induced passband ripple, etc).  Good stuff. 

It employs  oversampling, implemented as follows;  256x oversampling 
at the 48khz sample rate, 128x oversampling at 96khz, and 64x 
oversampling at 192khz.

OK, now do the math:

256 x 48khz  =  128 x 96khz  =  64 x 192khz = 12.288Mhz

In other words, the input is sampled at rate of 12.288Mhz independent 
of the system sampling rate.

For one thing, this means that aliasing is nonexistent even at a 
"44.1khz" sample rate.  
Another interesting item about this converter chip (though these 
performance examples are typical of most converters) is that the 
noise and distortion figures for a -20dBfs signal level are best at 
the 44.1k and 48k sample rates,  3dB worse at 88.2k/96k, and  6dB 
worse at the 176k/192k rates. In terms of distortion percentage they 
nearly triple compared to the 44.1k/48k rates.

It's no wonder that people with sensitive ears hear a difference at 
96k or 192k...  ;-)


At 19:33 +0100 15/12/11, van Sinn wrote:
>This is actually one of the topics I'm about writing up on in a series of
>technical articles, starting mid january on adadepot.com .
>
>Sorry for the lengthy post, but it's difficult to explain in a short post.
>
>
>Sampling rate:
>
>Many audio interfaces simply aren't build to function equally correctly at
>both low and high sampling rates, and thus may work better at the higher
>sample rates.
>
>For this reason some/many says that sampling at higher rates produce
>better audio quality with their particular interface.
>My comment to reality is: If the chosen gear does sound better at higher
>sample rates, by all means of course use it this way ;)
>
>From a theory point of view, sampling at higher bitrates makes absolutely no
>difference.
>The Nyquist-Shannon sampling theorem in clear math states that a signal can be
>accurately reproduced at half the sampling frequency - provided infinitely
>steep anti-aliasing filters are employed.
>See http://en.wikipedia.org/wiki/Nyquist-Shannon_sampling_theorem
>
>Older designs using analog filters often had issues with such 
>filters being unable to completely cut off aliasing products.
>
>For more than a decade, modern AD/DA converters has had build-in 
>digital antialiasing filters which, alongside with oversampling, 
>results in very steep slopes, making it fairly easy to reproduce 
>20Khz from 44.1Khz sampling.
>
>It is interesting to note that (64 to 256 times) oversampling 
>converters actually up- and downsamples to the wanted sample rate.
>In other words, although we may choose a certain sampling rate with 
>our interface, the converter internally samples at a much higher 
>rate, and then converts this to our desired rate.
>
>
>Sampling word width:
>
>We get approx 6.06 dB per bit, or in practical terms 6dB/bit.
>So 16 bit gives us a dynamic range of 96 dB (which can be improved 
>using aggressive noise shaping).
>
>Most practical music gear, unless being quite pro, will not have this dynamic
>range, and much less a signal/noise ration even approaching 96dB.
>My RME quadmic mic preamp has 120dB range, but the rest of my gear
>doesn't, and building a project studio with a noise floor at even -80dB is a
>dire and expensive task.
>
>So 16 bit would suffice just fine for the raw recordings.
>However, it's a different issue once we start to work on those samples.
>
>Every time we add two equally sized full-scale samples, the result 
>will be twice as large; an increase of 6 dB.  Expressed in bits:
>Adding two full 24 bit signals will result in a 25 bit signal (1 bit = 6 dB).
>Using EQ and myriads of effects will all make the resulting signal grow.
>
>Even if we keep the signal normalized on the DAW, it still grows - it
>just grows downwards, that is, it'll have more and more lower bits.
>We cannot simply truncate or ignore those lower bits, as they all contains
>information about the signal.
>
>When we at some point convert to the final 44.1/16 format, all bits in this
>large-bit signal are used as part of the conversion and dithering process.
>
>A main reason why the DAW world has been moving from 24 bit to 32 
>bit, and resently to 64 bit processing: To avoid loosing any 'bit' 
>of information during the process, and only at the final stage 
>convert to 44.1/16.
>
>I said above that 16 bits would work just fine for recording..
>While this is true, the recording engineer would have to fairly accurately
>place the audio fairly close to full-scale, and overshoots could easily occur
>(like the sax bloving extra hard, or someone spitting in the mic).
>Using 20 or 24 bits makes the recording process somewhat easier ;)
>
>Succeding processing will work jsut fine on those 16/20/24 bit 
>samples in 32 or 64 bit formats used internally in the DAW.
>
>
>Reyn Ouwehand wrote:
>>If your material has to end on a CD, record on 88.2kHz. If it's for film
>>record on 96kHz. Due to the math..
>
>I assume you mean that an 88.2 Khz sample only needs to downscaled by a factor
>two to arrive at 44.1 Khz..
>Which isn't so.  The 88.2 signal will need to be calculated and dithered
>exactly the same way as with any other bitrate.
>
>
>Rick Walker wrote:
>>On 7/22/64 11:59 AM, David Gans wrote:
>>
>>>I record all my gigs at 96-24. Better to archive, and better to 
>>>produce, in high-res and downsample at the last stage.
>>
>>What I've always wondered:
>>
>>Does a recording at 96-24 downsampled to 44-16
>>sound better than a recording sampled only at 44-16, initially.
>>
>>And if so,  what's the logic?
>>
>>Daniel Thomas once explained the answer to me a long time ago, but 
>>I have completely forgotten what
>>he told me.    Please forgive the brain fart.
>>
>>Rick Walker
>
>
>--
>rgds,
>van Sinn


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-888127584==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz
recording</title></head><body>
<div>Van,</div>
<div><br></div>
<div>&nbsp;Good to see that you're going to be&nbsp; writing this, it
should disspel&nbsp; a lot of myths.</div>
<div><br></div>
<div><font color="#161616">There is a lot of folk wisdom out there
about the &quot;advantages&quot; to working with higher sample rates..
but consider the following information:</font></div>
<div><font color="#161616"><br>
The AK5394 is a typical high end A/D chip used in many converter
designs. &nbsp;It offers great performance ( such as 123dB s/n,
&nbsp;0.001dB filter induced passband ripple, etc). &nbsp;Good
stuff.&nbsp;</font></div>
<div><font color="#161616"><br></font></div>
<div><font color="#161616">It employs&nbsp; oversampling, implemented
as follows; &nbsp;256x oversampling at the 48khz sample rate, 128x
oversampling at 96khz, and 64x oversampling at 192khz.</font></div>
<div><font color="#161616"><br></font></div>
<div><font color="#161616">OK, now do the math:</font></div>
<div><font color="#161616"><br></font></div>
<div><font color="#161616">256 x 48khz &nbsp;= &nbsp;128 x 96khz
&nbsp;= &nbsp;64 x 192khz = 12.288Mhz</font></div>
<div><font color="#161616"><br>
In other words, the input is sampled at rate of 12.288Mhz independent
of the system sampling rate.</font></div>
<div><font color="#161616"><br>
For one thing, this means that aliasing is nonexistent even at a
&quot;44.1khz&quot; sample rate. &nbsp;<br>
Another interesting item about this converter chip (though these
performance examples are typical of most converters) is that the noise
and distortion figures for a -20dBfs signal level are best at the
44.1k and 48k sample rates, &nbsp;3dB worse at 88.2k/96k, and
&nbsp;6dB worse at the&nbsp;176k/192k&nbsp;rates. In terms of
distortion percentage they nearly triple compared to the 44.1k/48k
rates.</font></div>
<div><font color="#161616"><br></font></div>
<div><font color="#161616">It's no wonder that people with sensitive
ears hear a difference at 96k or 192k...&nbsp; ;-)</font></div>
<div><br></div>
<div><br></div>
<div>At 19:33 +0100 15/12/11, van Sinn wrote:</div>
<blockquote type="cite" cite>This is actually one of the topics I'm
about writing up on in a series of<br>
technical articles, starting mid january on adadepot.com .<br>
<br>
Sorry for the lengthy post, but it's difficult to explain in a short
post.<br>
<br>
<br>
Sampling rate:<br>
<br>
Many audio interfaces simply aren't build to function equally
correctly at<br>
both low and high sampling rates, and thus may work better at the
higher<br>
sample rates.<br>
<br>
For this reason some/many says that sampling at higher rates
produce<br>
better audio quality with their particular interface.<br>
My comment to reality is: If the chosen gear does sound better at
higher<br>
sample rates, by all means of course use it this way ;)<br>
<br>
>From a theory point of view, sampling at higher bitrates makes
absolutely no<br>
difference.<br>
The Nyquist-Shannon sampling theorem in clear math states that a
signal can be<br>
accurately reproduced at half the sampling frequency - provided
infinitely<br>
steep anti-aliasing filters are employed.<br>
See
http://en.wikipedia.org/wiki/Nyquist-Shannon_sampling_theorem<br>
<br>
Older designs using analog filters often had issues with such filters
being unable to completely cut off aliasing products.<br>
<br>
For more than a decade, modern AD/DA converters has had build-in
digital antialiasing filters which, alongside with oversampling,
results in very steep slopes, making it fairly easy to reproduce 20Khz
from 44.1Khz sampling.<br>
<br>
It is interesting to note that (64 to 256 times) oversampling
converters actually up- and downsamples to the wanted sample rate.<br>
In other words, although we may choose a certain sampling rate with
our interface, the converter internally samples at a much higher rate,
and then converts this to our desired rate.<br>
<br>
<br>
Sampling word width:<br>
<br>
We get approx 6.06 dB per bit, or in practical terms 6dB/bit.<br>
So 16 bit gives us a dynamic range of 96 dB (which can be improved
using aggressive noise shaping).<br>
<br>
Most practical music gear, unless being quite pro, will not have this
dynamic<br>
range, and much less a signal/noise ration even approaching 96dB.<br>
My RME quadmic mic preamp has 120dB range, but the rest of my gear<br>
doesn't, and building a project studio with a noise floor at even
-80dB is a<br>
dire and expensive task.<br>
<br>
So 16 bit would suffice just fine for the raw recordings.<br>
However, it's a different issue once we start to work on those
samples.<br>
<br>
Every time we add two equally sized full-scale samples, the result
will be twice as large; an increase of 6 dB.&nbsp; Expressed in
bits:<br>
Adding two full 24 bit signals will result in a 25 bit signal (1 bit =
6 dB).<br>
Using EQ and myriads of effects will all make the resulting signal
grow.</blockquote>
<blockquote type="cite" cite><br>
Even if we keep the signal normalized on the DAW, it still grows -
it<br>
just grows downwards, that is, it'll have more and more lower
bits.<br>
We cannot simply truncate or ignore those lower bits, as they all
contains<br>
information about the signal.<br>
<br>
When we at some point convert to the final 44.1/16 format, all bits in
this<br>
large-bit signal are used as part of the conversion and dithering
process.<br>
<br>
A main reason why the DAW world has been moving from 24 bit to 32 bit,
and resently to 64 bit processing: To avoid loosing any 'bit' of
information during the process, and only at the final stage convert to
44.1/16.<br>
<br>
I said above that 16 bits would work just fine for recording..<br>
While this is true, the recording engineer would have to fairly
accurately<br>
place the audio fairly close to full-scale, and overshoots could
easily occur<br>
(like the sax bloving extra hard, or someone spitting in the mic).<br>
Using 20 or 24 bits makes the recording process somewhat easier ;)<br>
<br>
Succeding processing will work jsut fine on those 16/20/24 bit samples
in 32 or 64 bit formats used internally in the DAW.<br>
<br>
<br>
Reyn Ouwehand wrote:
<blockquote type="cite" cite>If your material has to end on a CD,
record on 88.2kHz. If it's for film<br>
record on 96kHz. Due to the math..</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
I assume you mean that an 88.2 Khz sample only needs to downscaled by
a factor<br>
two to arrive at 44.1 Khz..<br>
Which isn't so.&nbsp; The 88.2 signal will need to be calculated and
dithered<br>
exactly the same way as with any other bitrate.<br>
<br>
<br>
Rick Walker wrote:
<blockquote type="cite" cite>On 7/22/64 11:59 AM, David Gans
wrote:<br>
<blockquote type="cite" cite>I record all my gigs at 96-24. Better to
archive, and better to produce, in high-res and downsample at the last
stage.</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
What I've always wondered:<br>
<br>
Does a recording at 96-24 downsampled to 44-16<br>
sound better than a recording sampled only at 44-16, initially.<br>
<br>
And if so,&nbsp; what's the logic?<br>
<br>
Daniel Thomas once explained the answer to me a long time ago, but I
have completely forgotten what<br>
he told me.&nbsp;&nbsp;&nbsp; Please forgive the brain fart.<br>
<br>
Rick Walker</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
<br>
--<br>
rgds,<br>
van Sinn</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-888127584==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 16 00:58:40 2011
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Subject: Re: BEST iPad Apps for LIVE LOOPING
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no, look, it has analog audio, too:

http://pinouts.ru/CellularPhones-A-N/iPhone_connector_pinout.shtml

but since it has USB and even Firewire, I suspect the dock uses the =
digital audio really.

On 15 Dec 2011, at 11:47, Dennis Moser wrote:

> Andy,
>=20
> :D =85 no worries. I didn't know what the audio was coming off that
> 30-pin either.  However, this SHOULD answer the question:
>=20
> =
http://www.computeraudiophile.com/content/Can-you-get-audio-digital-out-iP=
ad
>=20
> To answer the question about the iPad outputting digital audio -> The
> headphone jack is only analog. But the dock connector can output
> digital audio with the camera connection kit. You can only connect to
> a 16 bit USB DAC, but at least it's digital out. A good 16 bit DAC for
> this is the Devilsound / Halide Design DAC."
>=20
> So the answer is =97 if you use the headphone jack, you get ANALOG
> audio. If you use anything that plugs into the 30-pin connector, like
> the Alesis ioDock, you get digital audio.
>=20
>=20

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Analog audio is out of the headphone jack =97 digital is out of the
30-pin =85 and the Alesis dock is USB only, no Firewire=85

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 15, 2011 at 5:58 PM, Matthias Grob <matilists@gmail.com> wrote:
> no, look, it has analog audio, too:
>
> http://pinouts.ru/CellularPhones-A-N/iPhone_connector_pinout.shtml
>
> but since it has USB and even Firewire, I suspect the dock uses the digit=
al audio really.
>
> On 15 Dec 2011, at 11:47, Dennis Moser wrote:
>
>> Andy,
>>
>> :D =85 no worries. I didn't know what the audio was coming off that
>> 30-pin either. =A0However, this SHOULD answer the question:
>>
>> http://www.computeraudiophile.com/content/Can-you-get-audio-digital-out-=
iPad
>>
>> To answer the question about the iPad outputting digital audio -> The
>> headphone jack is only analog. But the dock connector can output
>> digital audio with the camera connection kit. You can only connect to
>> a 16 bit USB DAC, but at least it's digital out. A good 16 bit DAC for
>> this is the Devilsound / Halide Design DAC."
>>
>> So the answer is =97 if you use the headphone jack, you get ANALOG
>> audio. If you use anything that plugs into the 30-pin connector, like
>> the Alesis ioDock, you get digital audio.
>>
>>
>

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  Petri, I'm sorry that things are difficult in Finland right now, and  
I hope you navigate these waters without too much strife. These are  
indeed tenuous times we live in. Regarding Joseph Arthur, he has been  
around for a while, Peter Gabriel signed him to real world in the mid  
90's. he's always been somewhat under the radar, like another favorite  
of mine Ron Sexsmith who is also worth checking out.
  Take care
  Bill

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Subject: RE: OT: is really OT: Cigarette
Date: Fri, 16 Dec 2011 09:10:11 +0000
Importance: Normal
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I dont know if it has been mentioned because of my rather spiralling backwa=
rds dated email=2C=20

but his "live at Gypsy Tea Room " album contains some wonderful and in its =
day complex sounding looping.

paticularly Big City Secret.

I remember fondly how impressed I was back in a time where I owned just a  =
DL4 and a RC 20=20

> From: billwalker@baymoon.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: is really OT: Cigarette
> Date: Thu=2C 15 Dec 2011 19:36:03 -0800
>=20
>   Petri=2C I'm sorry that things are difficult in Finland right now=2C an=
d =20
> I hope you navigate these waters without too much strife. These are =20
> indeed tenuous times we live in. Regarding Joseph Arthur=2C he has been =
=20
> around for a while=2C Peter Gabriel signed him to real world in the mid =
=20
> 90's. he's always been somewhat under the radar=2C like another favorite =
=20
> of mine Ron Sexsmith who is also worth checking out.
>   Take care
>   Bill
>=20
 		 	   		  =

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<body class=3D'hmmessage'><div dir=3D'ltr'>
I dont know if it has been mentioned because of my rather spiralling backwa=
rds dated email=2C <br><br>but his "live at Gypsy Tea Room " album contains=
 some wonderful and in its day complex sounding looping.<br><br>paticularly=
 Big City Secret.<br><br>I remember fondly how impressed I was back in a ti=
me where I owned just a&nbsp=3B DL4 and a RC 20 <br><br><div><div id=3D"Sky=
DrivePlaceholder"></div>&gt=3B From: billwalker@baymoon.com<br>&gt=3B To: L=
oopers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: OT: is really OT:=
 Cigarette<br>&gt=3B Date: Thu=2C 15 Dec 2011 19:36:03 -0800<br>&gt=3B <br>=
&gt=3B   Petri=2C I'm sorry that things are difficult in Finland right now=
=2C and  <br>&gt=3B I hope you navigate these waters without too much strif=
e. These are  <br>&gt=3B indeed tenuous times we live in. Regarding Joseph =
Arthur=2C he has been  <br>&gt=3B around for a while=2C Peter Gabriel signe=
d him to real world in the mid  <br>&gt=3B 90's. he's always been somewhat =
under the radar=2C like another favorite  <br>&gt=3B of mine Ron Sexsmith w=
ho is also worth checking out.<br>&gt=3B   Take care<br>&gt=3B   Bill<br>&g=
t=3B <br></div> 		 	   		  </div></body>
</html>=

--_997f72bc-05c6-42e7-b44a-b2cb197e3bfe_--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 16 09:42:02 2011
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Charles Zwicky wrote:

> 256 x 48khz  =  128 x 96khz  =  64 x 192khz = 12.288Mhz
> 
> In other words, the input is sampled at rate of 12.288Mhz independent of 
> the system sampling rate.
> 
> For one thing, this means that aliasing is nonexistent even at a 
> "44.1khz" sample rate.  


Interesting,
what's the bit depth at the 12.288Mhz rate?

andy

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Subject: Re: BEST iPad Apps for LIVE LOOPING
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Matthias Grob wrote:
> no, look, it has analog audio, too:
> 
> http://pinouts.ru/CellularPhones-A-N/iPhone_connector_pinout.shtml
> 
> but since it has USB and even Firewire, I suspect the dock uses the digital audio really.

The Alesis Dock didn't have anything about sample rates in it's specs that I could see.

That's why I suspect it's sending to the analog pins.

Could be otherwise of course.


andy


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you may be right, but where do you take that information from, Dennis?
the analog definitely is on the 30pin, too!

On 15 Dec 2011, at 22:47, Dennis Moser wrote:

> Analog audio is out of the headphone jack =97 digital is out of the
> 30-pin =85 and the Alesis dock is USB only, no Firewire=85
>=20
> Best,
>=20
> Dennis
>=20
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>=20
>=20
>=20
> On Thu, Dec 15, 2011 at 5:58 PM, Matthias Grob <matilists@gmail.com> =
wrote:
>> no, look, it has analog audio, too:
>>=20
>> http://pinouts.ru/CellularPhones-A-N/iPhone_connector_pinout.shtml
>>=20
>> but since it has USB and even Firewire, I suspect the dock uses the =
digital audio really.
>>=20
>> On 15 Dec 2011, at 11:47, Dennis Moser wrote:
>>=20
>>> Andy,
>>>=20
>>> :D =85 no worries. I didn't know what the audio was coming off that
>>> 30-pin either.  However, this SHOULD answer the question:
>>>=20
>>> =
http://www.computeraudiophile.com/content/Can-you-get-audio-digital-out-iP=
ad
>>>=20
>>> To answer the question about the iPad outputting digital audio -> =
The
>>> headphone jack is only analog. But the dock connector can output
>>> digital audio with the camera connection kit. You can only connect =
to
>>> a 16 bit USB DAC, but at least it's digital out. A good 16 bit DAC =
for
>>> this is the Devilsound / Halide Design DAC."
>>>=20
>>> So the answer is =97 if you use the headphone jack, you get ANALOG
>>> audio. If you use anything that plugs into the 30-pin connector, =
like
>>> the Alesis ioDock, you get digital audio.
>>>=20
>>>=20
>>=20
>=20

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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
Date: Fri, 16 Dec 2011 08:18:15 -0500
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Bit depth is independent of sample rate.=20
The bit depth simply determines the number of discreet amplitude levels whic=
h can be quantified at each sample. The number is expressed as an exponent o=
f 2 (because each bit is binary - a 1 or a 0).  16 bits =3D 2^16 =3D 16,535 a=
mplitude values, 24 bits =3D 2^24
=3D16,777,216...!


Sent from my iPad Nano

On Dec 16, 2011, at 4:42 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Charles Zwicky wrote:
>=20
>> 256 x 48khz  =3D  128 x 96khz  =3D  64 x 192khz =3D 12.288Mhz
>> In other words, the input is sampled at rate of 12.288Mhz independent of t=
he system sampling rate.
>> For one thing, this means that aliasing is nonexistent even at a "44.1khz=
" sample rate. =20
>=20
>=20
> Interesting,
> what's the bit depth at the 12.288Mhz rate?
>=20
> andy
>=20

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Whose on first base?


I didn't mean that. 

rather to question what the *numerical* bit depth of the 
12.288Mhz sampling would be.

I was prompted to doing that by looking up 
"how does an oversampling ADC work?"
and reading that the sampling was at 1bit.


Now, I'm easily convinced that sampling at 16bit 12.288Mhz
and digital filtering to 44kHz would rid of aliasing very easily,
....but not so convinced (yet) knowing about the 1 bit sampling.

andy




Charles Zwicky wrote:
> Bit depth is independent of sample rate. 
> The bit depth simply determines the number of discreet amplitude levels which can be quantified at each sample. The number is expressed as an exponent of 2 (because each bit is binary - a 1 or a 0).  16 bits = 2^16 = 16,535 amplitude values, 24 bits = 2^24
> =16,777,216...!
> 
> 
> Sent from my iPad Nano
> 
> On Dec 16, 2011, at 4:42 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> 
>> Charles Zwicky wrote:
>>
>>> 256 x 48khz  =  128 x 96khz  =  64 x 192khz = 12.288Mhz
>>> In other words, the input is sampled at rate of 12.288Mhz independent of the system sampling rate.
>>> For one thing, this means that aliasing is nonexistent even at a "44.1khz" sample rate.  
>>
>> Interesting,
>> what's the bit depth at the 12.288Mhz rate?
>>
>> andy
>>
> 
> 

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Date: Fri, 16 Dec 2011 08:15:37 -0700
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Subject: Re: BEST iPad Apps for LIVE LOOPING
From: Dennis Moser <sinsofmachaut@gmail.com>
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Matthias,

I posted this yesterday:

"
http://www.computeraudiophile.com/content/Can-you-get-audio-digital-out-iPa=
d

"Submitted by The Computer Au... on Sat, 08/14/2010 - 20:24.  Joined:
11/28/2007 .:. Offline .:. Comments: 8508
Hi ajax - I'm a bit confused
Hi ajax - I'm a bit confused at what exactly your friend is trying to
accomplish. I'm sure it's something very neat but right now I'm lost
:~)

To answer the question about the iPad outputting digital audio -> The
headphone jack is only analog. But the dock connector can output
digital audio with the camera connection kit. You can only connect to
a 16 bit USB DAC, but at least it's digital out. A good 16 bit DAC for
this is the Devilsound / Halide Design DAC."

****

But I stand corrected on one count: the Alesis ioDock does not appear
to do ANY conversion. While the 30-pin connector DOES carry a digital
audio signal (that's what makes it possible to use an HDMI connection
to have Hi-Def A/V) apparently the ioDock is using ONLY the analog
audio signal. Still haven't' found a definitive answer/source for
that, but that's the conclusion I'm getting to on what I'm finding.

I suppose that technically you could grab the digital signal off the
right pins if you knew how to design the hardware & software to do
it=85that's a bit beyond me, tho'!

Best,

Dennis "Who is NOT an audio engineer"

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Fri, Dec 16, 2011 at 6:11 AM, Matthias Grob <matilists@gmail.com> wrote:
> you may be right, but where do you take that information from, Dennis?
> the analog definitely is on the 30pin, too!
>
> On 15 Dec 2011, at 22:47, Dennis Moser wrote:
>
>> Analog audio is out of the headphone jack =97 digital is out of the
>> 30-pin =85 and the Alesis dock is USB only, no Firewire=85
>>
>> Best,
>>
>> Dennis
>>
>> http://soundcloud.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>> On Thu, Dec 15, 2011 at 5:58 PM, Matthias Grob <matilists@gmail.com> wro=
te:
>>> no, look, it has analog audio, too:
>>>
>>> http://pinouts.ru/CellularPhones-A-N/iPhone_connector_pinout.shtml
>>>
>>> but since it has USB and even Firewire, I suspect the dock uses the dig=
ital audio really.
>>>
>>> On 15 Dec 2011, at 11:47, Dennis Moser wrote:
>>>
>>>> Andy,
>>>>
>>>> :D =85 no worries. I didn't know what the audio was coming off that
>>>> 30-pin either. =A0However, this SHOULD answer the question:
>>>>
>>>> http://www.computeraudiophile.com/content/Can-you-get-audio-digital-ou=
t-iPad
>>>>
>>>> To answer the question about the iPad outputting digital audio -> The
>>>> headphone jack is only analog. But the dock connector can output
>>>> digital audio with the camera connection kit. You can only connect to
>>>> a 16 bit USB DAC, but at least it's digital out. A good 16 bit DAC for
>>>> this is the Devilsound / Halide Design DAC."
>>>>
>>>> So the answer is =97 if you use the headphone jack, you get ANALOG
>>>> audio. If you use anything that plugs into the 30-pin connector, like
>>>> the Alesis ioDock, you get digital audio.
>>>>
>>>>
>>>
>>
>

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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
Date: Fri, 16 Dec 2011 10:18:02 -0500
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Hi Andy,

I hop I am understanding  your question..  The word width produced is 24 bit=
s at any of the available sample rates.=20

There are no effective 1bit PCM A/D converters (DSD is a different matter). S=
o in a sense it is an "apple and oranges" situation, most over sampling conv=
erters use a 4 bit sigma-delta type converter but the resulting output is 24=
 bit resolution. In the case of the 96 I/O streams I run in my mix room, the=
 converter chip is capable of around 123-126dB s/n rather than the theoretic=
al 144dB that 24 bits could represent.  This is due to purely Physical limit=
ations, which dictate for example that you cannot design a useful gain stage=
 with less than  -129dB of noise.=20


Sent from my iPad Nano

On Dec 16, 2011, at 9:25 AM, andy butler <akbutler@tiscali.co.uk> wrote:

>=20
> Whose on first base?
>=20
>=20
> I didn't mean that.=20
> rather to question what the *numerical* bit depth of the 12.288Mhz samplin=
g would be.
>=20
> I was prompted to doing that by looking up "how does an oversampling ADC w=
ork?"
> and reading that the sampling was at 1bit.
>=20
>=20
> Now, I'm easily convinced that sampling at 16bit 12.288Mhz
> and digital filtering to 44kHz would rid of aliasing very easily,
> ....but not so convinced (yet) knowing about the 1 bit sampling.
>=20
> andy
>=20
>=20
>=20
>=20
> Charles Zwicky wrote:
>> Bit depth is independent of sample rate. The bit depth simply determines t=
he number of discreet amplitude levels which can be quantified at each sampl=
e. The number is expressed as an exponent of 2 (because each bit is binary -=
 a 1 or a 0).  16 bits =3D 2^16 =3D 16,535 amplitude values, 24 bits =3D 2^2=
4
>> =3D16,777,216...!
>> Sent from my iPad Nano
>> On Dec 16, 2011, at 4:42 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>>> Charles Zwicky wrote:
>>>=20
>>>> 256 x 48khz  =3D  128 x 96khz  =3D  64 x 192khz =3D 12.288Mhz
>>>> In other words, the input is sampled at rate of 12.288Mhz independent o=
f the system sampling rate.
>>>> For one thing, this means that aliasing is nonexistent even at a "44.1k=
hz" sample rate. =20
>>>=20
>>> Interesting,
>>> what's the bit depth at the 12.288Mhz rate?
>>>=20
>>> andy
>>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Dec 16 16:18:22 2011
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Cool Phil I'll check that out.

"I dont know if it has been mentioned because of my rather spiralling  
backwards dated email,

but his "live at Gypsy Tea Room " album contains some wonderful and in  
its day complex sounding looping.

paticularly Big City Secret."
--Apple-Mail-6-227950
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="font-family: Tahoma; font-size: 13px; ">Cool Phil I'll check that out.<br><br><div dir="ltr"><font class="Apple-style-span" color="#5b00ff">"I dont know if it has been mentioned because of my rather spiralling backwards dated email,&nbsp;<br><br>but his "live at Gypsy Tea Room " album contains some wonderful and in its day complex sounding looping.<br><br>paticularly Big City Secret."</font></div></span></body></html>
--Apple-Mail-6-227950--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 16 17:14:33 2011
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Ahh, I see what you mean..
1bit converters works quite differently than older parallel converters.
In the old parallel converters, all bits were level set in parallel at the 
same time.
Those were also called successive approximation converters, and was build on a 
ladder resistor network, each step in the ladder being calculated, and lazer 
trimmed to hairfine tolerenses, to power-of-2 voltage steps.

A 1bit converter will look at the level difference in the analog signal from 
each convertion sample to the next, and set the next word to the determined 
new value.  In other words, it's based on voltage/level comparators.
And no, it doesn't change one bit only at a time ;)


andy butler wrote:
> 
> Whose on first base?
> 
> 
> I didn't mean that.
> rather to question what the *numerical* bit depth of the 12.288Mhz 
> sampling would be.
> 
> I was prompted to doing that by looking up "how does an oversampling ADC 
> work?"
> and reading that the sampling was at 1bit.
> 
> 
> Now, I'm easily convinced that sampling at 16bit 12.288Mhz
> and digital filtering to 44kHz would rid of aliasing very easily,
> ....but not so convinced (yet) knowing about the 1 bit sampling.
> 
> andy
> 
> 
> 
> 
> Charles Zwicky wrote:
> 
>> Bit depth is independent of sample rate. The bit depth simply 
>> determines the number of discreet amplitude levels which can be 
>> quantified at each sample. The number is expressed as an exponent of 2 
>> (because each bit is binary - a 1 or a 0).  16 bits = 2^16 = 16,535 
>> amplitude values, 24 bits = 2^24
>> =16,777,216...!
>>
>>
>> Sent from my iPad Nano
>>
>> On Dec 16, 2011, at 4:42 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>>
>>> Charles Zwicky wrote:
>>>
>>>> 256 x 48khz  =  128 x 96khz  =  64 x 192khz = 12.288Mhz
>>>> In other words, the input is sampled at rate of 12.288Mhz 
>>>> independent of the system sampling rate.
>>>> For one thing, this means that aliasing is nonexistent even at a 
>>>> "44.1khz" sample rate.  
>>>
>>>
>>> Interesting,
>>> what's the bit depth at the 12.288Mhz rate?
>>>
>>> andy
>>>
>>
>>
> 
> 


-- 
rgds,
van Sinn

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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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Most low-end converter designs today are 1bit delta sigma ones (the ones 
which look at the differences, as Van described).
Hi-end stuff is usually 5bit delta sigma (also looking at the 
difference, but with higher resolution).

Am 16.12.2011 18:15, schrieb van Sinn:
> Ahh, I see what you mean..
> 1bit converters works quite differently than older parallel converters.
> In the old parallel converters, all bits were level set in parallel at 
> the same time.
> Those were also called successive approximation converters, and was 
> build on a ladder resistor network, each step in the ladder being 
> calculated, and lazer trimmed to hairfine tolerenses, to power-of-2 
> voltage steps.
>
> A 1bit converter will look at the level difference in the analog 
> signal from each convertion sample to the next, and set the next word 
> to the determined new value.  In other words, it's based on 
> voltage/level comparators.
> And no, it doesn't change one bit only at a time ;)
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs

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From: Laurie Amat <voicesound@att.net>
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Subject: Loopers in Rhode Island
Date: Fri, 16 Dec 2011 12:02:45 -0800
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Hi,=20
I'm going to R.I., Mass. and NY in March and would like to meet some =
loopers, especially in R.I.

Who's out there?

Laurie=

From Loopers-Delight-request@loopers-delight.com  Fri Dec 16 20:03:38 2011
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Date: Fri, 16 Dec 2011 15:03:37 -0500
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Subject: Re: Loopers in Rhode Island
From: william middlemiss <billymiddlemiss@gmail.com>
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Im in Mass. Im usually willing to drive.

--14dae9340bd3b8d17a04b43b18a6
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Im in Mass. Im usually willing to drive.<br><br><div class="gmail_quote"><br></div>

--14dae9340bd3b8d17a04b43b18a6--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 16 20:04:26 2011
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Date: Fri, 16 Dec 2011 13:04:25 -0700
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Subject: Re: Loopers in Rhode Island
From: Dennis Moser <sinsofmachaut@gmail.com>
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You're 4 years too late! I left there in 2007 =85

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Fri, Dec 16, 2011 at 1:02 PM, Laurie Amat <voicesound@att.net> wrote:
> Hi,
> I'm going to R.I., Mass. and NY in March and would like to meet some loop=
ers, especially in R.I.
>
> Who's out there?
>
> Laurie

From Loopers-Delight-request@loopers-delight.com  Fri Dec 16 20:28:56 2011
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----------MB_8CE8A48718783CC_189C_1A5925_webmail-m038.sysops.aol.com
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Hi Laurie - I'm in NY (City and Long Island).  I will be away from 3/20 to =
3/29 but if you're in town earlier in March I would be pleased to get toget=
her with you, my colleague in sonic mayehm, Chris Peters, and whoever else =
can be drummed up.

Regards,

Harry


Harry Weinberg, Esq.
Realty Advisory Board On Labor Relations, Inc.
292 Madison Avenue - 16th Floor
New York, N.Y. 10017
(212) 889-4100
(212) 889-4105 (F)
(917) 687-6019 (C)




-----Original Message-----
From: Laurie Amat <voicesound@att.net>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Fri, Dec 16, 2011 3:02 pm
Subject: Loopers in Rhode Island


Hi,=20
'm going to R.I., Mass. and NY in March and would like to meet some loopers=
,=20
specially in R.I.
Who's out there?
Laurie


----------MB_8CE8A48718783CC_189C_1A5925_webmail-m038.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'>
<div><FONT face=3D"Arial, Helvetica, sans-serif"></FONT>Hi Laurie - I'm in =
NY (City and Long Island).&nbsp; I will be away from 3/20 to 3/29 but if yo=
u're in town earlier in March I would be pleased to get together with you, =
my colleague in sonic mayehm, Chris Peters, and whoever else can be drummed=
 up.</div>


<div>&nbsp;</div>


<div>Regards,</div>


<div>&nbsp;</div>


<div>Harry<br>
<br>
</div>


<div style=3D"CLEAR: both">Harry Weinberg, Esq.<br>
Realty Advisory Board On Labor Relations, Inc.

<div>292 Madison Avenue - 16th Floor<br>
New York, N.Y. 10017</div>


<div>(212) 889-4100</div>


<div>(212) 889-4105 (F)</div>


<div>(917) 687-6019 (C)<br>
</div>
</div>
<br>
<br>


<div style=3D"FONT-FAMILY: arial,helvetica; COLOR: black; FONT-SIZE: 10pt">=
-----Original Message-----<br>
From: Laurie Amat &lt;voicesound@att.net&gt;<br>
To: Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Fri, Dec 16, 2011 3:02 pm<br>
Subject: Loopers in Rhode Island<br>
<br>


<div style=3D"BACKGROUND-COLOR: #fff; MARGIN: 0px; FONT-FAMILY: Tahoma, Ver=
dana, Arial, Sans-Serif; COLOR: #000; FONT-SIZE: 12px" id=3DAOLMsgPart_0_a4=
e31de8-575f-433a-84bd-06298ddd4ad7><PRE style=3D"FONT-SIZE: 9pt"><TT>Hi,=20
I'm going to R.I., Mass. and NY in March and would like to meet some looper=
s,=20
especially in R.I.

Who's out there?

Laurie
</TT></PRE></div>
<!-- end of AOLMsgPart_0_a4e31de8-575f-433a-84bd-06298ddd4ad7 --></div>
</font>
----------MB_8CE8A48718783CC_189C_1A5925_webmail-m038.sysops.aol.com--

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Subject: Re: Loopers in Rhode Island
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--001517510bbc72aeb804b43bce0f
Content-Type: text/plain; charset=ISO-8859-1

whoa, how many of y'all loopers be in MA? (i'm in boston)

On Fri, Dec 16, 2011 at 3:28 PM, Harry Weinberg <harryesq@aol.com> wrote:

> Hi Laurie - I'm in NY (City and Long Island).  I will be away from 3/20 to
> 3/29 but if you're in town earlier in March I would be pleased to get
> together with you, my colleague in sonic mayehm, Chris Peters, and whoever
> else can be drummed up.
>
> Regards,
>
> Harry
>
>  Harry Weinberg, Esq.
> Realty Advisory Board On Labor Relations, Inc.
> 292 Madison Avenue - 16th Floor
> New York, N.Y. 10017
> (212) 889-4100
> (212) 889-4105 (F)
> (917) 687-6019 (C)
>
>
> -----Original Message-----
> From: Laurie Amat <voicesound@att.net>
> To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Sent: Fri, Dec 16, 2011 3:02 pm
> Subject: Loopers in Rhode Island
>
> Hi,
> I'm going to R.I., Mass. and NY in March and would like to meet some loopers,
> especially in R.I.
>
> Who's out there?
>
> Laurie
>
>

--001517510bbc72aeb804b43bce0f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

whoa, how many of y&#39;all loopers be in MA? (i&#39;m in boston) <br><br><=
div class=3D"gmail_quote">On Fri, Dec 16, 2011 at 3:28 PM, Harry Weinberg <=
span dir=3D"ltr">&lt;<a href=3D"mailto:harryesq@aol.com">harryesq@aol.com</=
a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><font color=3D"black" face=3D"Arial, Helveti=
ca, sans-serif">
<div><font face=3D"Arial, Helvetica, sans-serif"></font>Hi Laurie - I&#39;m=
 in NY (City and Long Island).=A0 I will be away from 3/20 to 3/29 but if y=
ou&#39;re in town earlier in March I would be pleased to get together with =
you, my colleague in sonic mayehm, Chris Peters, and whoever else can be dr=
ummed up.</div>



<div>=A0</div>


<div>Regards,</div>


<div>=A0</div>


<div>Harry<br>
<br>
</div>


<div style=3D"CLEAR:both">Harry Weinberg, Esq.<br>
Realty Advisory Board On Labor Relations, Inc.

<div>292 Madison Avenue - 16th Floor<br>
New York, N.Y. 10017</div>


<div><a href=3D"tel:%28212%29%20889-4100" value=3D"+12128894100" target=3D"=
_blank">(212) 889-4100</a></div>


<div><a href=3D"tel:%28212%29%20889-4105" value=3D"+12128894105" target=3D"=
_blank">(212) 889-4105</a> (F)</div>


<div><a href=3D"tel:%28917%29%20687-6019" value=3D"+19176876019" target=3D"=
_blank">(917) 687-6019</a> (C)<br>
</div>
</div><div><div class=3D"h5">
<br>
<br>


<div style=3D"FONT-FAMILY:arial,helvetica;COLOR:black;FONT-SIZE:10pt">-----=
Original Message-----<br>
From: Laurie Amat &lt;<a href=3D"mailto:voicesound@att.net" target=3D"_blan=
k">voicesound@att.net</a>&gt;<br>
To: Loopers-Delight &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.c=
om" target=3D"_blank">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Fri, Dec 16, 2011 3:02 pm<br>
Subject: Loopers in Rhode Island<br>
<br>


<div style=3D"BACKGROUND-COLOR:#fff;MARGIN:0px;FONT-FAMILY:Tahoma,Verdana,A=
rial,Sans-Serif;COLOR:#000;FONT-SIZE:12px"><pre style=3D"FONT-SIZE:9pt"><tt=
>Hi,=20
I&#39;m going to R.I., Mass. and NY in March and would like to meet some lo=
opers,=20
especially in R.I.

Who&#39;s out there?

Laurie
</tt></pre></div>
</div>
</div></div></font></blockquote></div><br>

--001517510bbc72aeb804b43bce0f--

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Indeed, specifications and math can be quite fun bastards.. ;)

In my babbleings, I only thought of 64x oversample converters.
Those have a quantizing frequency of just over 3Mhz at 48Khz sample rate, 
which likewise doesn't require any anti aliasing filters.
A 2nd order filter is still employed, though, to filter any quantising noise.

But it's a helluva lot easier implementing a 2nd order digital filter than the 
6th or 8th order analog phase-liniar ditto required with a parallel converter 
at 44.1/48Khz (where many designs have used a mere 4th order Butterworth 
filters, which aren't phase-liniar and has ripple in the passband).

When I build a 1 second digital delay as my graduation project in '84, I used 
an 11th order (Sallen-Key) Bessel filter to reach the required flanking slope.
Had to use 1% resistors and capacitors, which was hand measured and soldered 
2-by-2 in series or parallel to math the 0.25% tolerences required ;-D
Coupled with Analog Devices converters and Burr-Brown sample/hold amplifier 
(monstrous expensive back then), the result was crystal clear.
You simply wouldn't do things like this in a production device, hahaha.

It's getting off-topic, so I'll shut up for now ;)

/m


Charles Zwicky wrote:
> Van,
> 
>  Good to see that you're going to be  writing this, it should disspel  a 
> lot of myths.
> 
> There is a lot of folk wisdom out there about the "advantages" to 
> working with higher sample rates.. but consider the following information:
> 
> The AK5394 is a typical high end A/D chip used in many converter 
> designs.  It offers great performance ( such as 123dB s/n,  0.001dB 
> filter induced passband ripple, etc).  Good stuff. 
> 
> It employs  oversampling, implemented as follows;  256x oversampling at 
> the 48khz sample rate, 128x oversampling at 96khz, and 64x oversampling 
> at 192khz.
> 
> OK, now do the math:
> 
> 256 x 48khz  =  128 x 96khz  =  64 x 192khz = 12.288Mhz
> 
> In other words, the input is sampled at rate of 12.288Mhz independent of 
> the system sampling rate.
> 
> For one thing, this means that aliasing is nonexistent even at a 
> "44.1khz" sample rate.  
> Another interesting item about this converter chip (though these 
> performance examples are typical of most converters) is that the noise 
> and distortion figures for a -20dBfs signal level are best at the 44.1k 
> and 48k sample rates,  3dB worse at 88.2k/96k, and  6dB worse at 
> the 176k/192k rates. In terms of distortion percentage they nearly 
> triple compared to the 44.1k/48k rates.
> 
> It's no wonder that people with sensitive ears hear a difference at 96k 
> or 192k...  ;-)
> 
> 
> At 19:33 +0100 15/12/11, van Sinn wrote:
> 
>> This is actually one of the topics I'm about writing up on in a series of
>> technical articles, starting mid january on adadepot.com .
>>
>> Sorry for the lengthy post, but it's difficult to explain in a short post.
>>
>>
>> Sampling rate:
>>
>> Many audio interfaces simply aren't build to function equally correctly at
>> both low and high sampling rates, and thus may work better at the higher
>> sample rates.
>>
>> For this reason some/many says that sampling at higher rates produce
>> better audio quality with their particular interface.
>> My comment to reality is: If the chosen gear does sound better at higher
>> sample rates, by all means of course use it this way ;)
>>
>> >From a theory point of view, sampling at higher bitrates makes 
>> absolutely no
>> difference.
>> The Nyquist-Shannon sampling theorem in clear math states that a 
>> signal can be
>> accurately reproduced at half the sampling frequency - provided infinitely
>> steep anti-aliasing filters are employed.
>> See http://en.wikipedia.org/wiki/Nyquist-Shannon_sampling_theorem
>>
>> Older designs using analog filters often had issues with such filters 
>> being unable to completely cut off aliasing products.
>>
>> For more than a decade, modern AD/DA converters has had build-in 
>> digital antialiasing filters which, alongside with oversampling, 
>> results in very steep slopes, making it fairly easy to reproduce 20Khz 
>> from 44.1Khz sampling.
>>
>> It is interesting to note that (64 to 256 times) oversampling 
>> converters actually up- and downsamples to the wanted sample rate.
>> In other words, although we may choose a certain sampling rate with 
>> our interface, the converter internally samples at a much higher rate, 
>> and then converts this to our desired rate.
>>
>>
>> Sampling word width:
>>
>> We get approx 6.06 dB per bit, or in practical terms 6dB/bit.
>> So 16 bit gives us a dynamic range of 96 dB (which can be improved 
>> using aggressive noise shaping).
>>
>> Most practical music gear, unless being quite pro, will not have this 
>> dynamic
>> range, and much less a signal/noise ration even approaching 96dB.
>> My RME quadmic mic preamp has 120dB range, but the rest of my gear
>> doesn't, and building a project studio with a noise floor at even 
>> -80dB is a
>> dire and expensive task.
>>
>> So 16 bit would suffice just fine for the raw recordings.
>> However, it's a different issue once we start to work on those samples.
>>
>> Every time we add two equally sized full-scale samples, the result 
>> will be twice as large; an increase of 6 dB.  Expressed in bits:
>> Adding two full 24 bit signals will result in a 25 bit signal (1 bit = 
>> 6 dB).
>> Using EQ and myriads of effects will all make the resulting signal grow.
> 
>>
>> Even if we keep the signal normalized on the DAW, it still grows - it
>> just grows downwards, that is, it'll have more and more lower bits.
>> We cannot simply truncate or ignore those lower bits, as they all contains
>> information about the signal.
>>
>> When we at some point convert to the final 44.1/16 format, all bits in 
>> this
>> large-bit signal are used as part of the conversion and dithering process.
>>
>> A main reason why the DAW world has been moving from 24 bit to 32 bit, 
>> and resently to 64 bit processing: To avoid loosing any 'bit' of 
>> information during the process, and only at the final stage convert to 
>> 44.1/16.
>>
>> I said above that 16 bits would work just fine for recording..
>> While this is true, the recording engineer would have to fairly accurately
>> place the audio fairly close to full-scale, and overshoots could 
>> easily occur
>> (like the sax bloving extra hard, or someone spitting in the mic).
>> Using 20 or 24 bits makes the recording process somewhat easier ;)
>>
>> Succeding processing will work jsut fine on those 16/20/24 bit samples 
>> in 32 or 64 bit formats used internally in the DAW.
>>
>>
>> Reyn Ouwehand wrote:
>>
>>> If your material has to end on a CD, record on 88.2kHz. If it's for film
>>> record on 96kHz. Due to the math..
>>
>>
>> I assume you mean that an 88.2 Khz sample only needs to downscaled by 
>> a factor
>> two to arrive at 44.1 Khz..
>> Which isn't so.  The 88.2 signal will need to be calculated and dithered
>> exactly the same way as with any other bitrate.
>>
>>
>> Rick Walker wrote:
>>
>>> On 7/22/64 11:59 AM, David Gans wrote:
>>>
>>>> I record all my gigs at 96-24. Better to archive, and better to 
>>>> produce, in high-res and downsample at the last stage.
>>>
>>>
>>> What I've always wondered:
>>>
>>> Does a recording at 96-24 downsampled to 44-16
>>> sound better than a recording sampled only at 44-16, initially.
>>>
>>> And if so,  what's the logic?
>>>
>>> Daniel Thomas once explained the answer to me a long time ago, but I 
>>> have completely forgotten what
>>> he told me.    Please forgive the brain fart.
>>>
>>> Rick Walker
>>
>>
>>
>> --
>> rgds,
>> van Sinn
> 
> 
> 
> -- 
> 
> 
> ...
> http://www.zmix.net
> 
> http://www.esession.com/ChuckZwicky
> 
> http://albumcredits.com/zmix


-- 
rgds,
van Sinn

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Subject: Loopers gone and present
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Sold the RC-30 today - it really went fast!

And it was already the in the afternoon, when my friend, my acoustic duo
partner,
asked me if I wanted to try out a delay for our acoustic gigs - Digitech
Hardwire Delay DL-8.

Although I have sworn never to touch on Digitech products (at least guitar
effects),
I took the unit. Found out it has a looper! :-D Ok, so its 8 sec delay, so
looper and "looper".

It seems you can take the looper away from man, but not the man away from
loopers!

:-D
-- 
Petri Lahtinen

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Sold the RC-30 today - it really went fast!<br><br>And it was already the i=
n the afternoon, when my friend, my acoustic duo partner,<br>asked me if I =
wanted to try out a delay for our acoustic gigs - Digitech Hardwire Delay D=
L-8.<br>
<br>Although I have sworn never to touch on Digitech products (at least gui=
tar effects),<br>I took the unit. Found out it has a looper! :-D Ok, so its=
 8 sec delay, so looper and &quot;looper&quot;.<br><br>It seems you can tak=
e the looper away from man, but not the man away from loopers!<br>
<br clear=3D"all">:-D<br>-- <br>Petri Lahtinen<br><br><br>

--14dae9340db9f13b1c04b442daac--

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Thanks Bill for your kind words, no its not like I'm ending on the streets,
well who knows,
but we are dealing with a major financial crisis in Europe, and it shows...!

Ron Sexsmith, I'm familiar with him,
Well, I have to confess, it was some Michael Buble-record where I found
him! :-D

2011/12/16 William Walker <billwalker@baymoon.com>

>  Petri, I'm sorry that things are difficult in Finland right now, and I
> hope you navigate these waters without too much strife. These are indeed
> tenuous times we live in. Regarding Joseph Arthur, he has been around for a
> while, Peter Gabriel signed him to real world in the mid 90's. he's always
> been somewhat under the radar, like another favorite of mine Ron Sexsmith
> who is also worth checking out.
>  Take care
>  Bill
>
>


-- 
Petri Lahtinen

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Thanks Bill for your kind words, no its not like I&#39;m ending on the stre=
ets, well who knows,<br>but we are dealing with a major financial crisis in=
 Europe, and it shows...!<br><br>Ron Sexsmith, I&#39;m familiar with him,<b=
r>
Well, I have to confess, it was some Michael Buble-record where I found him=
! :-D<br><br><div class=3D"gmail_quote">2011/12/16 William Walker <span dir=
=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.c=
om</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">=A0Petri, I&#39;m sorry that things are diff=
icult in Finland right now, and I hope you navigate these waters without to=
o much strife. These are indeed tenuous times we live in. Regarding Joseph =
Arthur, he has been around for a while, Peter Gabriel signed him to real wo=
rld in the mid 90&#39;s. he&#39;s always been somewhat under the radar, lik=
e another favorite of mine Ron Sexsmith who is also worth checking out.<br>

=A0Take care<br>
=A0Bill<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--14dae9340db902e52e04b442e598--

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Subject: Re: Loopers gone and present
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On Sat, Dec 17, 2011 at 6:19 AM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> :-D Ok, so its 8 sec delay, so looper and "looper".
>
> It seems you can take the looper away from man, but not the man away from
> loopers!


"Life's a loop"

Per ;-)

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:-)

It actually is a 20 sec looper, this Digitech thingy.
Very annoying to use, tap tempo functionality horrible,
so my negative image on Digitech stuff remains.
But actually nice sounding delay, compared to Visual Sound's H2O delay that
I had before,
which cut the low end massively.

Althoug, I'm a huge fan of Vocalist 3 G, which I have
and love to use - in that unit they have really succeeded.

-Petri-

2011/12/17 Per Boysen <perboysen@gmail.com>

> On Sat, Dec 17, 2011 at 6:19 AM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
> > :-D Ok, so its 8 sec delay, so looper and "looper".
> >
> > It seems you can take the looper away from man, but not the man away from
> > loopers!
>
>
> "Life's a loop"
>
> Per ;-)
>
>


-- 
Petri Lahtinen

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:-)<br><br>It actually is a 20 sec looper, this Digitech thingy.<br>Very an=
noying to use, tap tempo functionality horrible, <br>so my negative image o=
n Digitech stuff remains.<br>But actually nice sounding delay, compared to =
Visual Sound&#39;s H2O delay that I had before,<br>
which cut the low end massively.<br><br>Althoug, I&#39;m a huge fan of Voca=
list 3 G, which I have<br>and love to use - in that unit they have really s=
ucceeded.<br><br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/17 Per B=
oysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboyse=
n@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div class=3D"im">On Sat, Dec 17, 2011 at 6:=
19 AM, Petri Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@gmail.=
com</a>&gt; wrote:<br>
&gt; :-D Ok, so its 8 sec delay, so looper and &quot;looper&quot;.<br>
&gt;<br>
&gt; It seems you can take the looper away from man, but not the man away f=
rom<br>
&gt; loopers!<br>
<br>
<br>
</div>&quot;Life&#39;s a loop&quot;<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per ;-)<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--e89a8f3ba0dbbbb4c704b44c822c--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 17 17:02:08 2011
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Subject: Re: Loopers gone and present
From: Jeff Duke <jeffloops@gmail.com>
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Petri,

 I agree that the looper on those is not really usable but as an 8 sec
delay type looper it can be very effective.

Put it on the 8 sec range in tap tempo with the feedback up about 3/4.
Capture your loop and then move the feedback knob to max. It will now
repeat the loop without adding to it. Then when you want to morph it or add
to it just move the feedback knob down again. You set the "loop" length
with tap tempo and it works much better than the crappy way it works in
actual loop mode. 8 seconds used to be a very long loop :)

peace,

Jeff

On Sat, Dec 17, 2011 at 11:50 AM, Petri Lahtinen <
kollegavalmentaja@gmail.com> wrote:

> :-)
>
> It actually is a 20 sec looper, this Digitech thingy.
> Very annoying to use, tap tempo functionality horrible,
> so my negative image on Digitech stuff remains.
> But actually nice sounding delay, compared to Visual Sound's H2O delay
> that I had before,
> which cut the low end massively.
>
> Althoug, I'm a huge fan of Vocalist 3 G, which I have
> and love to use - in that unit they have really succeeded.
>
> -Petri-
>
> 2011/12/17 Per Boysen <perboysen@gmail.com>
>
>> On Sat, Dec 17, 2011 at 6:19 AM, Petri Lahtinen
>> <kollegavalmentaja@gmail.com> wrote:
>> > :-D Ok, so its 8 sec delay, so looper and "looper".
>> >
>> > It seems you can take the looper away from man, but not the man away
>> from
>> > loopers!
>>
>>
>> "Life's a loop"
>>
>> Per ;-)
>>
>>
>
>
> --
> Petri Lahtinen
>
>
>

--f46d0416ffd96358f704b44cad7e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Petri,<br><br>=A0I agree that the looper on those is not really usable but =
as an 8 sec delay type looper it can be very effective.<br><br>Put it on th=
e 8 sec range in tap tempo with the feedback up about 3/4. Capture your loo=
p and then move the feedback knob to max. It will now repeat the loop witho=
ut adding to it. Then when you want to morph it or add to it just move the =
feedback knob down again. You set the &quot;loop&quot; length with tap temp=
o and it works much better than the crappy way it works in actual loop mode=
. 8 seconds used to be a very long loop :)<br>
<br>peace,<br><br>Jeff<br><br><div class=3D"gmail_quote">On Sat, Dec 17, 20=
11 at 11:50 AM, Petri Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:koll=
egavalmentaja@gmail.com">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<=
br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">:-)<br><br>It actually is a 20 sec looper, t=
his Digitech thingy.<br>Very annoying to use, tap tempo functionality horri=
ble, <br>
so my negative image on Digitech stuff remains.<br>But actually nice soundi=
ng delay, compared to Visual Sound&#39;s H2O delay that I had before,<br>
which cut the low end massively.<br><br>Althoug, I&#39;m a huge fan of Voca=
list 3 G, which I have<br>and love to use - in that unit they have really s=
ucceeded.<br><br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/17 Per B=
oysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=
=3D"_blank">perboysen@gmail.com</a>&gt;</span><br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div>On Sat, Dec 17, 2011 at 6:19 AM, Petri =
Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com" target=3D"_blank">kolleg=
avalmentaja@gmail.com</a>&gt; wrote:<br>
&gt; :-D Ok, so its 8 sec delay, so looper and &quot;looper&quot;.<br>
&gt;<br>
&gt; It seems you can take the looper away from man, but not the man away f=
rom<br>
&gt; loopers!<br>
<br>
<br>
</div>&quot;Life&#39;s a loop&quot;<br>
<span><font color=3D"#888888"><br>
Per ;-)<br>
<br><span class=3D"HOEnZb"><font color=3D"#888888">
</font></span></font></span></blockquote></div><span class=3D"HOEnZb"><font=
 color=3D"#888888"><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>
</font></span></blockquote></div><br>

--f46d0416ffd96358f704b44cad7e--

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Yes, Vocalist 3 G is fun. I borrowed one for a week once. I also think
Digitech makes good guitar amp simulators, at least all I have tried
sounded very good.

Per


On Sat, Dec 17, 2011 at 6:02 PM, Jeff Duke <jeffloops@gmail.com> wrote:
> Petri,
>
> =C2=A0I agree that the looper on those is not really usable but as an 8 s=
ec delay
> type looper it can be very effective.
>
> Put it on the 8 sec range in tap tempo with the feedback up about 3/4.
> Capture your loop and then move the feedback knob to max. It will now rep=
eat
> the loop without adding to it. Then when you want to morph it or add to i=
t
> just move the feedback knob down again. You set the "loop" length with ta=
p
> tempo and it works much better than the crappy way it works in actual loo=
p
> mode. 8 seconds used to be a very long loop :)
>
> peace,
>
> Jeff
>
>
> On Sat, Dec 17, 2011 at 11:50 AM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
>>
>> :-)
>>
>> It actually is a 20 sec looper, this Digitech thingy.
>> Very annoying to use, tap tempo functionality horrible,
>> so my negative image on Digitech stuff remains.
>> But actually nice sounding delay, compared to Visual Sound's H2O delay
>> that I had before,
>> which cut the low end massively.
>>
>> Althoug, I'm a huge fan of Vocalist 3 G, which I have
>> and love to use - in that unit they have really succeeded.
>>
>> -Petri-
>>
>> 2011/12/17 Per Boysen <perboysen@gmail.com>
>>>
>>> On Sat, Dec 17, 2011 at 6:19 AM, Petri Lahtinen
>>> <kollegavalmentaja@gmail.com> wrote:
>>> > :-D Ok, so its 8 sec delay, so looper and "looper".
>>> >
>>> > It seems you can take the looper away from man, but not the man away
>>> > from
>>> > loopers!
>>>
>>>
>>> "Life's a loop"
>>>
>>> Per ;-)
>>>
>>
>>
>>
>> --
>> Petri Lahtinen
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 17 17:29:27 2011
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Subject: Re: Loopers in Rhode Island
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This is a multi-part message in MIME format.
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how about PITTSBURGH?



-----Original Message-----
From: Laurie Amat <voicesound@att.net>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Fri, Dec 16, 2011 10:02 am
Subject: Loopers in Rhode Island


Hi,=20
I'm going to R.I., Mass. and NY in March and would like to meet some looper=
s,=20
especially in R.I.

Who's out there?

Laurie

=20

----------MB_8CE8AF88F46A433_DB4_257D81_Webmail-m115.sysops.aol.com
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<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'><fon=
t class=3D"Apple-style-span" size=3D"2">how about PITTSBURGH?</font><br>
<br>
<br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 ">-----Original Message-----<br>
From: Laurie Amat &lt;voicesound@att.net&gt;<br>
To: Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Fri, Dec 16, 2011 10:02 am<br>
Subject: Loopers in Rhode Island<br>
<br>







<div id=3D"AOLMsgPart_0_0823bf57-d31c-4394-9ff4-4ffe0a78d4c3" style=3D"marg=
in: 0px;font-family: Tahoma, Verdana, Arial, Sans-Serif;font-size: 12px;col=
or: #000;background-color: #fff;">

<pre style=3D"font-size: 9pt;"><tt>Hi,=20
I'm going to R.I., Mass. and NY in March and would like to meet some looper=
s,=20
especially in R.I.

Who's out there?

Laurie
</tt></pre>
</div>
 <!-- end of AOLMsgPart_0_0823bf57-d31c-4394-9ff4-4ffe0a78d4c3 -->



</div>
</font>
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From Loopers-Delight-request@loopers-delight.com  Sat Dec 17 18:29:33 2011
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Subject: Galactic Travels Playlist #767 for December 15, 2011.
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http://wdiy.org/programs/gt/playlists/2011/111215.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #767                December 15, 2011.

WDIY Playlist: http://wdiy.org/shows/playList.jsp?id=8049

RECAP:
On this show, I continued the month-long focus on Dan Pound.  The
Featured CD at Midnight was "Living Planet" on Poundsounds.
http://wdiy.org/programs/gt/playlists/2011/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
12 Folloers/Meteo    Tritochiark          Espers (Lightfall)
   Xavier
Signalsundertests    #FFFFFF              mecca (none)
Polaris and          Octahedron Moon      Collision (Ricochet Dream)
   Krzysztof Horn
Polaris and          The Parent of All    Collision (Ricochet Dream)
   Krzysztof Horn       Others
Twyndyllyngs         Observation          Event Horizon (electro-music
                                             media and Fox's Den)
Twyndyllyngs         Approach             Event Horizon (electro-music
                                             media and Fox's Den)
A Produce and        Lost in              Intangible (Hypnos)
   Loren Nerell         Transformation
Modulator ESP        Beyond the Synset    Beyond the Sunset (none)
Dan Pound            Birth of a Planet    Living Planet (Poundsounds)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Dan Pound            Dawn of Man          Living Planet (Poundsounds)
Dan Pound            Monolith             Living Planet (Poundsounds)
Dan Pound            Time Forgotten       Living Planet (Poundsounds)
Dan Pound            Living Planet        Living Planet (Poundsounds)
Dan Pound            Ray of Creation      Living Planet (Poundsounds)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Dan
Pound.  The Featured CD at Midnight will be "Aurora" on Poundsounds.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://wdiy.org/listen on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 17 18:49:33 2011
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Subject: Thought Radio Playlist for December 10, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/111210.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.
http://soundscapes.us/afterglow/index.html

                 Show #213                December 10, 2011.

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Roach          Disc 1 tracks 1 - 2  Journey of One (Projekt)
VA [Myth Gestalt     In This Realm of     Sequences No. 16
   Musik]               Imperfection 1
VA [Chris Chambers]  Trance               Sequences No. 16
VA [Artur Lanson]    Znak Zasluchania     Sequences No. 16
                        Probka
Synth.nl             Orbit                Apollo (Groove)
Robert Rich          Macula               Medicine Box (Soundscape)
Mystified            Atlantic Passage     Coming Days (Attenuation
                                             Circuit)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Bruno San Filippo    Bioma                Bioma (ad21)
   and Max Corbacho


Phase III/Progressive Rock:


ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Glass Hammer         One Heart            Cor Cordium (Arion)
3rdegree             Scenery              Narrow-Caster (none)
Ben Craven           Great & Terrible     Great & Terrible Potions
                        Potions              (Desert Comb)
Ozric Tentacles      Will of the Wisp     Paper Monkeys (Madfish)
Spock's Beard        The Man Behind the   X (none)
                        Mirror


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/GMT-5.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Dec 17 21:47:47 2011
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Subject: Re: Loopers gone and present
From: Matthias Grob <matilists@gmail.com>
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On 17 Dec 2011, at 08:46, Per Boysen wrote:

> On Sat, Dec 17, 2011 at 6:19 AM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
>> :-D Ok, so its 8 sec delay, so looper and "looper".
>> 
>> It seems you can take the looper away from man, but not the man away from
>> loopers!
> 
> 
> "Life's a loop"
> 
> Per ;-)
> 
well, its a spiral (an evoloop), otherwise we would neither grow nor die

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Subject: Re: BEST iPad Apps for LIVE LOOPING
From: Matthias Grob <matilists@gmail.com>
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On 16 Dec 2011, at 12:15, Dennis Moser wrote:

> But I stand corrected on one count: the Alesis ioDock does not appear
> to do ANY conversion. While the 30-pin connector DOES carry a digital
> audio signal (that's what makes it possible to use an HDMI connection
> to have Hi-Def A/V) apparently the ioDock is using ONLY the analog
> audio signal. Still haven't' found a definitive answer/source for
> that, but that's the conclusion I'm getting to on what I'm finding.

hm... yes, most iPad audio adapters even work on the 3,5mm mic input
strange that I could not find any adapter that goes with the 30pin
other than the alesis which is a bit pricy if its really just a mic =
preamp and a usb-midi interface
>=20
> I suppose that technically you could grab the digital signal off the
> right pins if you knew how to design the hardware & software to do
> it=85that's a bit beyond me, tho'!

well, since the USB and firewire wires are on the 30pin, any standard =
audio interface could be adaptable

http://www.youtube.com/watch?v=3DVFQ6vjhASww

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Subject: Re: Loopers gone and present
Date: Sat, 17 Dec 2011 18:59:05 -0800
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"Life's a loop, and then you multiply."

Michael

On Dec 17, 2011, at 3:46 AM, Per Boysen wrote:

> On Sat, Dec 17, 2011 at 6:19 AM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
>> :-D Ok, so its 8 sec delay, so looper and "looper".
>>
>> It seems you can take the looper away from man, but not the man  
>> away from
>> loopers!
>
>
> "Life's a loop"
>
> Per ;-)
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 18 04:58:59 2011
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Date: Sat, 17 Dec 2011 23:58:36 -0500
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Subject: Holiday Looping Vol. 3
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--0015175cd44e0ba8d204b456b1e1
Content-Type: text/plain; charset=ISO-8859-1

http://vimeo.com/33849024

Merry Christmas, Happy Hanukkah, Happy Holidays to all

-- 
Todd Matthews
toddbass.com
Twitter: gtodd876

--0015175cd44e0ba8d204b456b1e1
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<a href=3D"http://vimeo.com/33849024">http://vimeo.com/33849024</a><div><br=
></div><div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<br clear=
=3D"all"><div><br></div>-- <br>Todd Matthews<div><a href=3D"http://toddbass=
.com" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>

--0015175cd44e0ba8d204b456b1e1--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 18 10:53:14 2011
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Subject: Re: Holiday Looping Vol. 3
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--14dae9340c27f7cf2a04b45ba391
Content-Type: text/plain; charset=ISO-8859-1

Excellent! :-)
Thanks Todd for sharing!

2011/12/18 Todd Matthews <gtmatthews@gmail.com>

> http://vimeo.com/33849024
>
> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>
> --
> Todd Matthews
> toddbass.com
> Twitter: gtodd876
>
>


-- 
Petri Lahtinen

--14dae9340c27f7cf2a04b45ba391
Content-Type: text/html; charset=ISO-8859-1
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Excellent! :-)<br>Thanks Todd for sharing!<br><br><div class=3D"gmail_quote=
">2011/12/18 Todd Matthews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthe=
ws@gmail.com">gtmatthews@gmail.com</a>&gt;</span><br><blockquote class=3D"g=
mail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-l=
eft:1ex">
<a href=3D"http://vimeo.com/33849024" target=3D"_blank">http://vimeo.com/33=
849024</a><div><br></div><div>Merry Christmas, Happy Hanukkah, Happy Holida=
ys to all<span class=3D"HOEnZb"><font color=3D"#888888"><br clear=3D"all"><=
div><br>
</div>-- <br>Todd Matthews<div><a href=3D"http://toddbass.com" target=3D"_b=
lank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</font></span></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--14dae9340c27f7cf2a04b45ba391--

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Date: Sun, 18 Dec 2011 13:07:19 +0100
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Subject: Re: Loopers gone and present
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 17, 2011 at 10:46 PM, Matthias Grob <matilists@gmail.com> wrote:
> well, its a spiral (an evoloop), otherwise we would neither grow nor die


Are you on to a new paradigm in music there? Should we start
"evo-loopers-delight"? Ha, ha... just joking, but seriously I think
your expression "evolooping" brings an important point in that it
implies that a musician is constantly breeding a loop rather than just
playing over its repetitions. Somehow these two ways of using looping
technology feels different at a fundamental level.


On Sun, Dec 18, 2011 at 3:59 AM, TripleOhNine <3x09@carlsonarts.com> wrote:
> "Life's a loop, and then you multiply."

:-)

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Sun Dec 18 16:12:02 2011
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Subject: Re: Holiday Looping Vol. 3
From: john floridis <john@johnfloridis.com>
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Outstanding.....fun....funny......and ultimately very touching at the =
end.  A great gift, and a great tribute.

John=

From Loopers-Delight-request@loopers-delight.com  Sun Dec 18 16:54:32 2011
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X-Mailer: iPad Mail (9A405)
From: Jim Goodin <jimgoodinmusic@gmail.com>
Subject: Re: BEST iPad Apps for LIVE LOOPING
Date: Sun, 18 Dec 2011 11:54:28 -0500
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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That's really interesting as thAt I've felt from beginning with apple that t=
he audio hw apex were built in but undocumented to minimize whatever risk th=
at info might have been to apple.  I just put the Line 6 adapter on my sugge=
sted Xmas list to my family and it seemed the cam adapter plus powered USB h=
ub would do the trick to getting to my Tqscam USB audio interfaces.  That in=
vestment btwn that and tha line 6 is minima but compared with 200 for the Al=
esia unit, this is a very affordable option,  Dennis thx or passing along th=
e YouTube how to.

Get Tips Across the Waters for your iDevice, http://iTunes.apple.com/us/app/=
tips-across-the-waters/id474128076?=3Dmt8

On Dec 17, 2011, at 4:54 PM, Matthias Grob <matilists@gmail.com> wrote:

>=20
> On 16 Dec 2011, at 12:15, Dennis Moser wrote:
>=20
>> But I stand corrected on one count: the Alesis ioDock does not appear
>> to do ANY conversion. While the 30-pin connector DOES carry a digital
>> audio signal (that's what makes it possible to use an HDMI connection
>> to have Hi-Def A/V) apparently the ioDock is using ONLY the analog
>> audio signal. Still haven't' found a definitive answer/source for
>> that, but that's the conclusion I'm getting to on what I'm finding.
>=20
> hm... yes, most iPad audio adapters even work on the 3,5mm mic input
> strange that I could not find any adapter that goes with the 30pin
> other than the alesis which is a bit pricy if its really just a mic preamp=
 and a usb-midi interface
>>=20
>> I suppose that technically you could grab the digital signal off the
>> right pins if you knew how to design the hardware & software to do
>> it=E2=80=A6that's a bit beyond me, tho'!
>=20
> well, since the USB and firewire wires are on the 30pin, any standard audi=
o interface could be adaptable
>=20
> http://www.youtube.com/watch?v=3DVFQ6vjhASww
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Dec 18 19:14:18 2011
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Subject: Re: Holiday Looping Vol. 3
From: Wytold Lebing <wytoldmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--e89a8ff1c820f8a9bb04b462a3ce
Content-Type: text/plain; charset=ISO-8859-1

Awesome!  Here's a looping holiday track that I recorded a couple weeks
ago...The looping is on electric cello, and there's some non-looped
percussion too.

http://wytold.bandcamp.com/track/carol-of-the-bells-o-holy-night-2

On Sun, Dec 18, 2011 at 11:05 AM, john floridis <john@johnfloridis.com>wrote:

> Outstanding.....fun....funny......and ultimately very touching at the end.
>  A great gift, and a great tribute.
>
> John
>



-- 
Wytold
www.Wytold.com <http://www.wytold.com/>
My New CD "When Fulvio Finds Celeste" <http://wytold.bandcamp.com/>

--e89a8ff1c820f8a9bb04b462a3ce
Content-Type: text/html; charset=ISO-8859-1
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Awesome! =A0Here&#39;s a looping holiday track that I recorded a couple wee=
ks ago...The looping is on electric cello, and there&#39;s some non-looped =
percussion too.<div><br></div><div><a href=3D"http://wytold.bandcamp.com/tr=
ack/carol-of-the-bells-o-holy-night-2">http://wytold.bandcamp.com/track/car=
ol-of-the-bells-o-holy-night-2</a><br>
<br><div class=3D"gmail_quote">On Sun, Dec 18, 2011 at 11:05 AM, john flori=
dis <span dir=3D"ltr">&lt;<a href=3D"mailto:john@johnfloridis.com">john@joh=
nfloridis.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Outstanding.....fun....funny......and ultimately very touching at the end. =
=A0A great gift, and a great tribute.<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
John<br>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div>-- <b=
r><div>Wytold</div>
<div><a href=3D"http://www.wytold.com/" target=3D"_blank">www.Wytold.com</a=
></div>
<div><a href=3D"http://wytold.bandcamp.com/" target=3D"_blank">My New CD &q=
uot;When Fulvio Finds Celeste&quot;</a></div>
<div>=A0</div><br>
</div>

--e89a8ff1c820f8a9bb04b462a3ce--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 18 22:41:16 2011
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Subject: Re: Holiday Looping Vol. 3
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On Sun, Dec 18, 2011 at 8:14 PM, Wytold Lebing <wytoldmusic@gmail.com> wrot=
e:
> Awesome! =C2=A0Here's a looping holiday track that I recorded a couple we=
eks
> ago...The looping is on electric cello, and there's some non-looped
> percussion too.
>
> http://wytold.bandcamp.com/track/carol-of-the-bells-o-holy-night-2


Sounds great, Wytold! Is that a CR you're playing? I have a NXT and
I'm hearing a different tone from your pickups. CT seems to have less
hiss as well ;-)

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Sun Dec 18 23:33:57 2011
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Date: Sun, 18 Dec 2011 18:33:55 -0500
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Subject: Re: Holiday Looping Vol. 3
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--bcaec51ba4777faddc04b466440c
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Todd that is wonderful and as I just posted for you on Vimeo....

"Wow Todd that is wonderful and a surprise with the ending mix of emotions.
 I'm sorry for your loss but you have shown this seasonal full of joy my
friend.  Well done and love the 'in the spirit' suit!"

On Sat, Dec 17, 2011 at 11:58 PM, Todd Matthews <gtmatthews@gmail.com>wrote=
:

> http://vimeo.com/33849024
>
> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>
> --
> Todd Matthews
> toddbass.com
> Twitter: gtodd876
>
>


--=20
--=20
*Tips Across the
Waters<http://itunes.apple.com/us/app/tips-across-the-waters/id474128076?=
=3Dmt8>
*, a new app for iOS from James Goodin/Wood and Wire Ware.

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin
& Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

--bcaec51ba4777faddc04b466440c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Todd that is wonderful and as I just posted for you on Vimeo....<div><br></=
div><div>&quot;Wow Todd that is wonderful and a surprise with the ending mi=
x of emotions. =A0I&#39;m sorry for your loss but you have shown this seaso=
nal full of joy my friend. =A0Well done and love the &#39;in the spirit&#39=
; suit!&quot;<br>
<br><div class=3D"gmail_quote">On Sat, Dec 17, 2011 at 11:58 PM, Todd Matth=
ews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthew=
s@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
<a href=3D"http://vimeo.com/33849024" target=3D"_blank">http://vimeo.com/33=
849024</a><div><br></div><div>Merry Christmas, Happy Hanukkah, Happy Holida=
ys to all<span class=3D"HOEnZb"><font color=3D"#888888"><br clear=3D"all"><=
div><br>
</div>-- <br>Todd Matthews<div><a href=3D"http://toddbass.com" target=3D"_b=
lank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</font></span></div>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div>--=A0</=
div><div><i><a href=3D"http://itunes.apple.com/us/app/tips-across-the-water=
s/id474128076?=3Dmt8" target=3D"_blank">Tips Across the Waters</a></i>, a n=
ew app for iOS from James Goodin/Wood and Wire Ware.</div>
<div><br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording =
by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD =
will benefit JDRF International.=A0=A0<a href=3D"http://jimgoodinpeterthorn=
.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
</div><br>
</div>

--bcaec51ba4777faddc04b466440c--

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Subject: Re: Holiday Looping Vol. 3
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Equally lovely and spirited track as well Wytold.  Textures and vibe are in
the Mannheim spirit.

On Sun, Dec 18, 2011 at 2:14 PM, Wytold Lebing <wytoldmusic@gmail.com>wrote=
:

> Awesome!  Here's a looping holiday track that I recorded a couple weeks
> ago...The looping is on electric cello, and there's some non-looped
> percussion too.
>
> http://wytold.bandcamp.com/track/carol-of-the-bells-o-holy-night-2
>
>
> On Sun, Dec 18, 2011 at 11:05 AM, john floridis <john@johnfloridis.com>wr=
ote:
>
>> Outstanding.....fun....funny......and ultimately very touching at the
>> end.  A great gift, and a great tribute.
>>
>> John
>>
>
>
>
> --
> Wytold
> www.Wytold.com <http://www.wytold.com/>
> My New CD "When Fulvio Finds Celeste" <http://wytold.bandcamp.com/>
>
>
>


--=20
--=20
*Tips Across the
Waters<http://itunes.apple.com/us/app/tips-across-the-waters/id474128076?=
=3Dmt8>
*, a new app for iOS from James Goodin/Wood and Wire Ware.

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin
& Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

--20cf307d02ce889bcd04b4664b08
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Equally lovely and spirited track as well Wytold. =A0Textures and vibe are =
in the Mannheim spirit.<br><br><div class=3D"gmail_quote">On Sun, Dec 18, 2=
011 at 2:14 PM, Wytold Lebing <span dir=3D"ltr">&lt;<a href=3D"mailto:wytol=
dmusic@gmail.com">wytoldmusic@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Awesome! =A0Here&#39;s a looping holiday tra=
ck that I recorded a couple weeks ago...The looping is on electric cello, a=
nd there&#39;s some non-looped percussion too.<div>
<br></div><div><a href=3D"http://wytold.bandcamp.com/track/carol-of-the-bel=
ls-o-holy-night-2" target=3D"_blank">http://wytold.bandcamp.com/track/carol=
-of-the-bells-o-holy-night-2</a><div class=3D"im"><br>
<br><div class=3D"gmail_quote">On Sun, Dec 18, 2011 at 11:05 AM, john flori=
dis <span dir=3D"ltr">&lt;<a href=3D"mailto:john@johnfloridis.com" target=
=3D"_blank">john@johnfloridis.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;pad=
ding-left:1ex">

Outstanding.....fun....funny......and ultimately very touching at the end. =
=A0A great gift, and a great tribute.<br>
<span><font color=3D"#888888"><br>
John<br>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div></div=
><span class=3D"HOEnZb"><font color=3D"#888888">-- <br><div>Wytold</div>
<div><a href=3D"http://www.wytold.com/" target=3D"_blank">www.Wytold.com</a=
></div>
<div><a href=3D"http://wytold.bandcamp.com/" target=3D"_blank">My New CD &q=
uot;When Fulvio Finds Celeste&quot;</a></div>
<div>=A0</div><br>
</font></span></div>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div>--=A0</=
div><div><i><a href=3D"http://itunes.apple.com/us/app/tips-across-the-water=
s/id474128076?=3Dmt8" target=3D"_blank">Tips Across the Waters</a></i>, a n=
ew app for iOS from James Goodin/Wood and Wire Ware.</div>
<div><br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording =
by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD =
will benefit JDRF International.=A0=A0<a href=3D"http://jimgoodinpeterthorn=
.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
</div><br>

--20cf307d02ce889bcd04b4664b08--

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Subject: Re: Holiday Looping Vol. 3
From: Art Simon <simart@gmail.com>
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Thanks Todd! Loved it!

On Sun, Dec 18, 2011 at 3:35 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> Equally lovely and spirited track as well Wytold. =A0Textures and vibe ar=
e in
> the Mannheim spirit.
>
> On Sun, Dec 18, 2011 at 2:14 PM, Wytold Lebing <wytoldmusic@gmail.com>
> wrote:
>>
>> Awesome! =A0Here's a looping holiday track that I recorded a couple week=
s
>> ago...The looping is on electric cello, and there's some non-looped
>> percussion too.
>>
>> http://wytold.bandcamp.com/track/carol-of-the-bells-o-holy-night-2
>>
>>
>> On Sun, Dec 18, 2011 at 11:05 AM, john floridis <john@johnfloridis.com>
>> wrote:
>>>
>>> Outstanding.....fun....funny......and ultimately very touching at the
>>> end. =A0A great gift, and a great tribute.
>>>
>>> John
>>
>>
>>
>>
>> --
>> Wytold
>> www.Wytold.com
>> My New CD "When Fulvio Finds Celeste"
>>
>>
>
>
>
> --
> --
> Tips Across the Waters, a new app for iOS from James Goodin/Wood and Wire
> Ware.
>
> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin =
&
> Peter Th=F6rn.=A0 Proceeds
> from the sale of this CD will benefit JDRF
> International.=A0=A0jimgoodinpeterthorn.bandcamp.com.
>



--=20
Art Simon
simart@gmail.com

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Subject: Re: Holiday Looping Vol. 3
Date: Sun, 18 Dec 2011 17:36:06 -0800
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So sweet and true; thank you, Todd=85and blessings to all!


> On Sat, Dec 17, 2011 at 11:58 PM, Todd Matthews =20
> <gtmatthews@gmail.com> wrote:
> http://vimeo.com/33849024
>
> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>
> --=20
> Todd Matthews
> toddbass.com
> Twitter: gtodd876
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>So sweet and true; =
thank you, Todd=85and blessings to =
all!</div><div><br></div><div><br></div><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: 'Lucida Grande'; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; ">On Sat, Dec 17, 2011 at 11:58 =
PM, Todd Matthews<span class=3D"Apple-converted-space">&nbsp;</span><span =
dir=3D"ltr">&lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span><s=
pan class=3D"Apple-converted-space">&nbsp;</span>wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; =
border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; "><a href=3D"http://vimeo.com/33849024" =
target=3D"_blank">http://vimeo.com/33849024</a><div><br></div><div>Merry =
Christmas, Happy Hanukkah, Happy Holidays to all<span =
class=3D"HOEnZb"><font color=3D"#888888"><br =
clear=3D"all"><div><br></div>--<span =
class=3D"Apple-converted-space">&nbsp;</span><br>Todd Matthews<div><a =
href=3D"http://toddbass.com" =
target=3D"_blank">toddbass.com</a></div><div>Twitter: =
gtodd876</div></font></span></div></blockquote></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></body></html>=

--Apple-Mail-388-206498918--

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Subject: Re: Holiday Looping Vol. 3
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That was amazing. So inspiring I may practice my upright bass.=20
To bow such a nice high register how high is your action? Sounded very cello=
-like.=20

Chaz Worm - singer, bass, banjo
Earth, Worm, &, Fire and
Electric Light Opry
http://ChazWorm.com
http://ELOpry.com
http://HankZeppelin.com
http://YouTube.com/ChazWorm


On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> http://vimeo.com/33849024
>=20
> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>=20
> --=20
> Todd Matthews
> toddbass.com
> Twitter: gtodd876
>=20

--Apple-Mail-B3D9DD2E-80F9-427B-A0C8-C39AD6109DD4
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<html><head></head><body bgcolor=3D"#FFFFFF"><div>That was amazing. So inspi=
ring I may practice my upright bass.&nbsp;</div><div>To bow such a nice high=
 register how high is your action? Sounded very cello-like.&nbsp;<br><br><di=
v><div>Chaz Worm - singer, bass, banjo</div><div>Earth, Worm, &amp;, Fire an=
d</div><div>Electric Light Opry</div><div><a href=3D"http://ChazWorm.com">ht=
tp://ChazWorm.com</a></div><div><a href=3D"http://ELOpry.com">http://ELOpry.=
com</a></div><div><a href=3D"http://HankZeppelin.com">http://HankZeppelin.co=
m</a></div><div><a href=3D"http://YouTube.com/ChazWorm">http://YouTube.com/C=
hazWorm</a></div><div><br></div></div></div><div><br>On Dec 17, 2011, at 11:=
58 PM, Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@=
gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><=
div><a href=3D"http://vimeo.com/33849024">http://vimeo.com/33849024</a><div>=
<br></div><div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<br cle=
ar=3D"all"><div><br></div>-- <br>Todd Matthews<div><a href=3D"http://toddbas=
s.com" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>
</div></blockquote></body></html>=

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Subject: Re: Holiday Looping Vol. 3
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Thanks, all!

Per - it's a CR series cello from NS Design.  Is that what you meant?  I
haven't actually gotten to play on an NXT before because they don't offer a
6 string model, which I was dead set on purchasing :) But it's nice to know
you have an NS instrument as well!

Which kind of answers your question, Chaz...The tuning from low to high for
my electric cello is F-C-G-D-A-E, and the action is such that it is a lot
more natural to play in the high register of the instrument than on a
traditional acoustic cello.  And that's awesome for looping because you
essentially have 6 octaves at your fingertips.  The only problem is that it
sounds kind of nasally in the mid-range, but I can often get around that
with some reverb!

Happy holidays,
Wytold

On Sun, Dec 18, 2011 at 2:06 AM, chaz worm <chaz@earthwormandfire.com>wrote:

> That was amazing. So inspiring I may practice my upright bass.
> To bow such a nice high register how high is your action? Sounded very
> cello-like.
>
> Chaz Worm - singer, bass, banjo
> Earth, Worm, &, Fire and
> Electric Light Opry
> http://ChazWorm.com
> http://ELOpry.com
> http://HankZeppelin.com
> http://YouTube.com/ChazWorm
>
>
> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
>
> http://vimeo.com/33849024
>
> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>
> --
> Todd Matthews
> toddbass.com
> Twitter: gtodd876
>
>

--f46d04138ecd343d0b04b4713d3f
Content-Type: text/html; charset=ISO-8859-1
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Thanks, all!<br><br>Per - it&#39;s a CR series cello from NS Design.=A0 Is =
that what you meant?=A0 I haven&#39;t actually gotten to play on an NXT bef=
ore because they don&#39;t offer a 6 string model, which I was dead set on =
purchasing :) But it&#39;s nice to know you have an NS instrument as well!<=
br>
<br>Which kind of answers your question, Chaz...The tuning from low to high=
 for my electric cello is F-C-G-D-A-E, and the action is such that it is a =
lot more natural to play in the high register of the instrument than on a t=
raditional acoustic cello.=A0 And that&#39;s awesome for looping because yo=
u essentially have 6 octaves at your fingertips.=A0 The only problem is tha=
t it sounds kind of nasally in the mid-range, but I can often get around th=
at with some reverb!<br>
<br>Happy holidays,<br>Wytold<br><br><div class=3D"gmail_quote">On Sun, Dec=
 18, 2011 at 2:06 AM, chaz worm <span dir=3D"ltr">&lt;<a href=3D"mailto:cha=
z@earthwormandfire.com">chaz@earthwormandfire.com</a>&gt;</span> wrote:<br>=
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
<div bgcolor=3D"#FFFFFF"><div>That was amazing. So inspiring I may practice=
 my upright bass.=A0</div><div>To bow such a nice high register how high is=
 your action? Sounded very cello-like.=A0<span class=3D"HOEnZb"><font color=
=3D"#888888"><br>
<br><div><div>Chaz Worm - singer, bass, banjo</div><div>Earth, Worm, &amp;,=
 Fire and</div><div>Electric Light Opry</div><div><a href=3D"http://ChazWor=
m.com" target=3D"_blank">http://ChazWorm.com</a></div><div><a href=3D"http:=
//ELOpry.com" target=3D"_blank">http://ELOpry.com</a></div>
<div><a href=3D"http://HankZeppelin.com" target=3D"_blank">http://HankZeppe=
lin.com</a></div><div><a href=3D"http://YouTube.com/ChazWorm" target=3D"_bl=
ank">http://YouTube.com/ChazWorm</a></div><div><br></div></div></font></spa=
n></div>
<div class=3D"im"><div><br>On Dec 17, 2011, at 11:58 PM, Todd Matthews &lt;=
<a href=3D"mailto:gtmatthews@gmail.com" target=3D"_blank">gtmatthews@gmail.=
com</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div><=
a href=3D"http://vimeo.com/33849024" target=3D"_blank">http://vimeo.com/338=
49024</a><div>
<br></div><div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<br cl=
ear=3D"all"><div><br></div>-- <br>Todd Matthews<div><a href=3D"http://toddb=
ass.com" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>
</div></blockquote></div></div></blockquote></div><br><br>

--f46d04138ecd343d0b04b4713d3f--

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Subject: Re: Holiday Looping Vol. 3
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--f46d04138ecdb223b404b47151ae
Content-Type: text/plain; charset=ISO-8859-1

Oops - just realized you (chaz) were saying Jim's bass sounded like cello.
Chiyaah - I'd only listened previously, not watched the video...I
definitely thought those high harmonics were on a different instrument!
(and maybe the harmony line too)...Fantastic work.

On Mon, Dec 19, 2011 at 7:39 AM, Wytold Lebing <wytoldmusic@gmail.com>wrote:

> Thanks, all!
>
> Per - it's a CR series cello from NS Design.  Is that what you meant?  I
> haven't actually gotten to play on an NXT before because they don't offer a
> 6 string model, which I was dead set on purchasing :) But it's nice to know
> you have an NS instrument as well!
>
> Which kind of answers your question, Chaz...The tuning from low to high
> for my electric cello is F-C-G-D-A-E, and the action is such that it is a
> lot more natural to play in the high register of the instrument than on a
> traditional acoustic cello.  And that's awesome for looping because you
> essentially have 6 octaves at your fingertips.  The only problem is that it
> sounds kind of nasally in the mid-range, but I can often get around that
> with some reverb!
>
> Happy holidays,
> Wytold
>
>
> On Sun, Dec 18, 2011 at 2:06 AM, chaz worm <chaz@earthwormandfire.com>wrote:
>
>> That was amazing. So inspiring I may practice my upright bass.
>> To bow such a nice high register how high is your action? Sounded very
>> cello-like.
>>
>> Chaz Worm - singer, bass, banjo
>> Earth, Worm, &, Fire and
>> Electric Light Opry
>> http://ChazWorm.com
>> http://ELOpry.com
>> http://HankZeppelin.com
>> http://YouTube.com/ChazWorm
>>
>>
>> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
>>
>> http://vimeo.com/33849024
>>
>> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>>
>> --
>> Todd Matthews
>> toddbass.com
>> Twitter: gtodd876
>>
>>
>
>


-- 
Wytold
www.Wytold.com <http://www.wytold.com/>
My New CD "When Fulvio Finds Celeste" <http://wytold.bandcamp.com/>

--f46d04138ecdb223b404b47151ae
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Oops - just realized you (chaz) were saying Jim&#39;s bass sounded like cel=
lo.=A0 Chiyaah - I&#39;d only listened previously, not watched the video...=
I definitely thought those high harmonics were on a different instrument!=
=A0 (and maybe the harmony line too)...Fantastic work.<br>
<br><div class=3D"gmail_quote">On Mon, Dec 19, 2011 at 7:39 AM, Wytold Lebi=
ng <span dir=3D"ltr">&lt;<a href=3D"mailto:wytoldmusic@gmail.com">wytoldmus=
ic@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Thanks, all!<br><br>Per - it&#39;s a CR series cello from NS Design.=A0 Is =
that what you meant?=A0 I haven&#39;t actually gotten to play on an NXT bef=
ore because they don&#39;t offer a 6 string model, which I was dead set on =
purchasing :) But it&#39;s nice to know you have an NS instrument as well!<=
br>

<br>Which kind of answers your question, Chaz...The tuning from low to high=
 for my electric cello is F-C-G-D-A-E, and the action is such that it is a =
lot more natural to play in the high register of the instrument than on a t=
raditional acoustic cello.=A0 And that&#39;s awesome for looping because yo=
u essentially have 6 octaves at your fingertips.=A0 The only problem is tha=
t it sounds kind of nasally in the mid-range, but I can often get around th=
at with some reverb!<br>

<br>Happy holidays,<br>Wytold<div class=3D"HOEnZb"><div class=3D"h5"><br><b=
r><div class=3D"gmail_quote">On Sun, Dec 18, 2011 at 2:06 AM, chaz worm <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:chaz@earthwormandfire.com" target=3D"_=
blank">chaz@earthwormandfire.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
<div bgcolor=3D"#FFFFFF"><div>That was amazing. So inspiring I may practice=
 my upright bass.=A0</div><div>To bow such a nice high register how high is=
 your action? Sounded very cello-like.=A0<span><font color=3D"#888888"><br>
<br><div><div>Chaz Worm - singer, bass, banjo</div><div>Earth, Worm, &amp;,=
 Fire and</div><div>Electric Light Opry</div><div><a href=3D"http://ChazWor=
m.com" target=3D"_blank">http://ChazWorm.com</a></div><div><a href=3D"http:=
//ELOpry.com" target=3D"_blank">http://ELOpry.com</a></div>

<div><a href=3D"http://HankZeppelin.com" target=3D"_blank">http://HankZeppe=
lin.com</a></div><div><a href=3D"http://YouTube.com/ChazWorm" target=3D"_bl=
ank">http://YouTube.com/ChazWorm</a></div><div><br></div></div></font></spa=
n></div>

<div><div><br>On Dec 17, 2011, at 11:58 PM, Todd Matthews &lt;<a href=3D"ma=
ilto:gtmatthews@gmail.com" target=3D"_blank">gtmatthews@gmail.com</a>&gt; w=
rote:<br><br></div><div></div><blockquote type=3D"cite"><div><a href=3D"htt=
p://vimeo.com/33849024" target=3D"_blank">http://vimeo.com/33849024</a><div=
>

<br></div><div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<br cl=
ear=3D"all"><div><br></div>-- <br>Todd Matthews<div><a href=3D"http://toddb=
ass.com" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>
</div></blockquote></div></div></blockquote></div><br><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><div>Wytold=
</div>
<div><a href=3D"http://www.wytold.com/" target=3D"_blank">www.Wytold.com</a=
></div>
<div><a href=3D"http://wytold.bandcamp.com/" target=3D"_blank">My New CD &q=
uot;When Fulvio Finds Celeste&quot;</a></div>
<div>=A0</div><br>

--f46d04138ecdb223b404b47151ae--

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http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA

Happy New Year guys! A bit early.. but..

Feel free to use the video if you don't fancy sending season greetings =
cards yourself! I always make a new video every year. In the end it's =
way less work and more original! :-)

Cheers,

Reyn

www.reyn.net
www.studiothechurch.com

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Thanks Chaz! As bassists we do have to deal with a higher action then =
we'd like to=85. especially playing orchestral bass because you don't =
want the strings to buzz on the fingerboard when your pounding out some =
spiccato.=20

My advice in the upper register is to learn to use your relaxed left arm =
weight to your advantage to help you really make sure that string is =
closed down but in a relaxed state. The right arm advice is to =
experiment with your bow placement, bow speed, and bow weight to get the =
sound you want. For the high register I like to bow pretty close to the =
bridge, faster bow speed, with enough weight to pull out a complex =
tone(from partials) It's hard to describe this stuff by typing an email =
but I hope it helps with the double bass practice!

Merry Christmas Looping Brethren=20
On Dec 18, 2011, at 2:06 AM, chaz worm wrote:

> That was amazing. So inspiring I may practice my upright bass.=20
> To bow such a nice high register how high is your action? Sounded very =
cello-like.=20
>=20
> Chaz Worm - singer, bass, banjo
> Earth, Worm, &, Fire and
> Electric Light Opry
> http://ChazWorm.com
> http://ELOpry.com
> http://HankZeppelin.com
> http://YouTube.com/ChazWorm
>=20
>=20
> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>=20
>> http://vimeo.com/33849024
>>=20
>> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>>=20
>> --=20
>> Todd Matthews
>> toddbass.com
>> Twitter: gtodd876
>>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Thanks Chaz! As bassists we do have to deal with a higher action then =
we'd like to=85. especially playing orchestral bass because you don't =
want the strings to buzz on the fingerboard when your pounding out some =
spiccato.&nbsp;<div><br></div><div>My advice in the upper register is to =
learn to use your relaxed left arm weight to your advantage to help you =
really make sure that string is closed down but in a relaxed state. The =
right arm advice is to experiment with your bow placement, bow speed, =
and bow weight to get the sound you want. For the high register I like =
to bow pretty close to the bridge, faster bow speed, with enough weight =
to pull out a complex tone(from partials) It's hard to describe this =
stuff by typing an email but I hope it helps with the double bass =
practice!</div><div><br></div><div>Merry Christmas Looping =
Brethren&nbsp;<br><div><div>On Dec 18, 2011, at 2:06 AM, chaz worm =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>That was amazing. So =
inspiring I may practice my upright bass.&nbsp;</div><div>To bow such a =
nice high register how high is your action? Sounded very =
cello-like.&nbsp;<br><br><div><div>Chaz Worm - singer, bass, =
banjo</div><div>Earth, Worm, &amp;, Fire and</div><div>Electric Light =
Opry</div><div><a =
href=3D"http://ChazWorm.com/">http://ChazWorm.com</a></div><div><a =
href=3D"http://ELOpry.com/">http://ELOpry.com</a></div><div><a =
href=3D"http://HankZeppelin.com/">http://HankZeppelin.com</a></div><div><a=
 =
href=3D"http://YouTube.com/ChazWorm">http://YouTube.com/ChazWorm</a></div>=
<div><br></div></div></div><div><br>On Dec 17, 2011, at 11:58 PM, Todd =
Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div><a =
href=3D"http://vimeo.com/33849024">http://vimeo.com/33849024</a><div><br><=
/div><div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<br =
clear=3D"all"><div><br></div>-- <br>Todd Matthews<div><a =
href=3D"http://toddbass.com/" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>
</div></blockquote></div></blockquote></div><br><div =
apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div>--------------------</div><div>Todd Matthews</div><div><div><a =
href=3D"http://toddbass.com">toddbass.com</a></div><div>twitter: =
gtodd876</div></div></div></span></span>
</div>
<br></div></body></html>=

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Subject: Re: Holiday Looping Vol. 3
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Yes, Wytold - I've got the 5 string NS NXT. The fingerboard is quite
curved by five strings so I guess it must be almost like a half-circle
to provide bowing access to all six strings!

Having 6 octaves, like yours, at your finger tips is awesome when
looping! That's exactly my ranger when using the Grand Stick or the
EWI. It's nice being able to play bass parts manually down there; when
using an instrument with a more narrow range I tend to rely on looping
tricks for creating bass lines (speed/pitch shifting).

Per



On Mon, Dec 19, 2011 at 1:39 PM, Wytold Lebing <wytoldmusic@gmail.com> wrot=
e:
> Thanks, all!
>
> Per - it's a CR series cello from NS Design.=C2=A0 Is that what you meant=
?=C2=A0 I
> haven't actually gotten to play on an NXT before because they don't offer=
 a
> 6 string model, which I was dead set on purchasing :) But it's nice to kn=
ow
> you have an NS instrument as well!
>
> Which kind of answers your question, Chaz...The tuning from low to high f=
or
> my electric cello is F-C-G-D-A-E, and the action is such that it is a lot
> more natural to play in the high register of the instrument than on a
> traditional acoustic cello.=C2=A0 And that's awesome for looping because =
you
> essentially have 6 octaves at your fingertips.=C2=A0 The only problem is =
that it
> sounds kind of nasally in the mid-range, but I can often get around that
> with some reverb!
>
> Happy holidays,
> Wytold
>
> On Sun, Dec 18, 2011 at 2:06 AM, chaz worm <chaz@earthwormandfire.com>
> wrote:
>>
>> That was amazing. So inspiring I may practice my upright bass.
>> To bow such a nice high register how high is your action? Sounded very
>> cello-like.
>>
>> Chaz Worm - singer, bass, banjo
>> Earth, Worm, &, Fire and
>> Electric Light Opry
>> http://ChazWorm.com
>> http://ELOpry.com
>> http://HankZeppelin.com
>> http://YouTube.com/ChazWorm
>>
>>
>> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> wrote=
:
>>
>> http://vimeo.com/33849024
>>
>> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>>
>> --
>> Todd Matthews
>> toddbass.com
>> Twitter: gtodd876
>>
>
>

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Subject: Re: Holiday Looping Vol. 3
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Haha - yeah, the fingerboard feels pretty darn curved!  In combination with
the NS shoulder strap, it took a couple months to get to where I could
reliably play in tune on the 6 string.  Of course, then my positioning was
off when I went back to the acoustic...sigh hah

The Grand Stick is a dream instrument for me...one day!!

On Mon, Dec 19, 2011 at 8:51 AM, Per Boysen <perboysen@gmail.com> wrote:

> Yes, Wytold - I've got the 5 string NS NXT. The fingerboard is quite
> curved by five strings so I guess it must be almost like a half-circle
> to provide bowing access to all six strings!
>
> Having 6 octaves, like yours, at your finger tips is awesome when
> looping! That's exactly my ranger when using the Grand Stick or the
> EWI. It's nice being able to play bass parts manually down there; when
> using an instrument with a more narrow range I tend to rely on looping
> tricks for creating bass lines (speed/pitch shifting).
>
> Per
>
>
>
> On Mon, Dec 19, 2011 at 1:39 PM, Wytold Lebing <wytoldmusic@gmail.com>
> wrote:
> > Thanks, all!
> >
> > Per - it's a CR series cello from NS Design.  Is that what you meant?  I
> > haven't actually gotten to play on an NXT before because they don't
> offer a
> > 6 string model, which I was dead set on purchasing :) But it's nice to
> know
> > you have an NS instrument as well!
> >
> > Which kind of answers your question, Chaz...The tuning from low to high
> for
> > my electric cello is F-C-G-D-A-E, and the action is such that it is a lot
> > more natural to play in the high register of the instrument than on a
> > traditional acoustic cello.  And that's awesome for looping because you
> > essentially have 6 octaves at your fingertips.  The only problem is that
> it
> > sounds kind of nasally in the mid-range, but I can often get around that
> > with some reverb!
> >
> > Happy holidays,
> > Wytold
> >
> > On Sun, Dec 18, 2011 at 2:06 AM, chaz worm <chaz@earthwormandfire.com>
> > wrote:
> >>
> >> That was amazing. So inspiring I may practice my upright bass.
> >> To bow such a nice high register how high is your action? Sounded very
> >> cello-like.
> >>
> >> Chaz Worm - singer, bass, banjo
> >> Earth, Worm, &, Fire and
> >> Electric Light Opry
> >> http://ChazWorm.com
> >> http://ELOpry.com
> >> http://HankZeppelin.com
> >> http://YouTube.com/ChazWorm
> >>
> >>
> >> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com>
> wrote:
> >>
> >> http://vimeo.com/33849024
> >>
> >> Merry Christmas, Happy Hanukkah, Happy Holidays to all
> >>
> >> --
> >> Todd Matthews
> >> toddbass.com
> >> Twitter: gtodd876
> >>
> >
> >
>
>


-- 
Wytold
www.Wytold.com <http://www.wytold.com/>
My New CD "When Fulvio Finds Celeste" <http://wytold.bandcamp.com/>

--f46d041b4aa0387ad604b472a918
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Haha - yeah, the fingerboard feels pretty darn curved! =A0In combination wi=
th the NS shoulder strap, it took a couple months to get to where I could r=
eliably play in tune on the 6 string. =A0Of course, then my positioning was=
 off when I went back to the acoustic...sigh hah<div>
<br></div><div>The Grand Stick is a dream instrument for me...one day!!</di=
v><div><br><div class=3D"gmail_quote">On Mon, Dec 19, 2011 at 8:51 AM, Per =
Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboys=
en@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Yes, Wytold - I&#39;ve got the 5 string NS N=
XT. The fingerboard is quite<br>
curved by five strings so I guess it must be almost like a half-circle<br>
to provide bowing access to all six strings!<br>
<br>
Having 6 octaves, like yours, at your finger tips is awesome when<br>
looping! That&#39;s exactly my ranger when using the Grand Stick or the<br>
EWI. It&#39;s nice being able to play bass parts manually down there; when<=
br>
using an instrument with a more narrow range I tend to rely on looping<br>
tricks for creating bass lines (speed/pitch shifting).<br>
<br>
Per<br>
<br>
<br>
<br>
On Mon, Dec 19, 2011 at 1:39 PM, Wytold Lebing &lt;<a href=3D"mailto:wytold=
music@gmail.com">wytoldmusic@gmail.com</a>&gt; wrote:<br>
&gt; Thanks, all!<br>
&gt;<br>
&gt; Per - it&#39;s a CR series cello from NS Design.=A0 Is that what you m=
eant?=A0 I<br>
&gt; haven&#39;t actually gotten to play on an NXT before because they don&=
#39;t offer a<br>
&gt; 6 string model, which I was dead set on purchasing :) But it&#39;s nic=
e to know<br>
&gt; you have an NS instrument as well!<br>
&gt;<br>
&gt; Which kind of answers your question, Chaz...The tuning from low to hig=
h for<br>
&gt; my electric cello is F-C-G-D-A-E, and the action is such that it is a =
lot<br>
&gt; more natural to play in the high register of the instrument than on a<=
br>
&gt; traditional acoustic cello.=A0 And that&#39;s awesome for looping beca=
use you<br>
&gt; essentially have 6 octaves at your fingertips.=A0 The only problem is =
that it<br>
&gt; sounds kind of nasally in the mid-range, but I can often get around th=
at<br>
&gt; with some reverb!<br>
&gt;<br>
&gt; Happy holidays,<br>
&gt; Wytold<br>
&gt;<br>
&gt; On Sun, Dec 18, 2011 at 2:06 AM, chaz worm &lt;<a href=3D"mailto:chaz@=
earthwormandfire.com">chaz@earthwormandfire.com</a>&gt;<br>
&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; That was amazing. So inspiring I may practice my upright bass.<br>
&gt;&gt; To bow such a nice high register how high is your action? Sounded =
very<br>
&gt;&gt; cello-like.<br>
&gt;&gt;<br>
&gt;&gt; Chaz Worm - singer, bass, banjo<br>
&gt;&gt; Earth, Worm, &amp;, Fire and<br>
&gt;&gt; Electric Light Opry<br>
&gt;&gt; <a href=3D"http://ChazWorm.com" target=3D"_blank">http://ChazWorm.=
com</a><br>
&gt;&gt; <a href=3D"http://ELOpry.com" target=3D"_blank">http://ELOpry.com<=
/a><br>
&gt;&gt; <a href=3D"http://HankZeppelin.com" target=3D"_blank">http://HankZ=
eppelin.com</a><br>
&gt;&gt; <a href=3D"http://YouTube.com/ChazWorm" target=3D"_blank">http://Y=
ouTube.com/ChazWorm</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; On Dec 17, 2011, at 11:58 PM, Todd Matthews &lt;<a href=3D"mailto:=
gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; <a href=3D"http://vimeo.com/33849024" target=3D"_blank">http://vim=
eo.com/33849024</a><br>
&gt;&gt;<br>
&gt;&gt; Merry Christmas, Happy Hanukkah, Happy Holidays to all<br>
<span class=3D"HOEnZb"><font color=3D"#888888">&gt;&gt;<br>
&gt;&gt; --<br>
&gt;&gt; Todd Matthews<br>
&gt;&gt; <a href=3D"http://toddbass.com" target=3D"_blank">toddbass.com</a>=
<br>
&gt;&gt; Twitter: gtodd876<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div>-- <b=
r><div>Wytold</div>
<div><a href=3D"http://www.wytold.com/" target=3D"_blank">www.Wytold.com</a=
></div>
<div><a href=3D"http://wytold.bandcamp.com/" target=3D"_blank">My New CD &q=
uot;When Fulvio Finds Celeste&quot;</a></div>
<div>=A0</div><br>
</div>

--f46d041b4aa0387ad604b472a918--

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Subject: Re: Holiday Looping Vol. 3
References: <CACgWd+k6DyQ27kN_Tax4OmO6rNqGVRvjMGVqukWu15AxXa1pjg@mail.gmail.com> <1FEE08BF-0455-48CA-A582-A0595660767F@earthwormandfire.com> <953A61F6-523D-4CFF-B946-BE7024E4ED4B@gmail.com>
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Thanx. I play my upright in a very rhythmic capacity and in order to do so m=
y strings are extremely tall. There are many trade offs to this setup. It's g=
ood for a nice percussive tone. The scale is shorter. My favorite is that gu=
itar players and other bass players only attempt to play bass for a few seco=
nds and abandon it disgusted. I like that.=20

The problem is its very hard to play past the 5th position. =20

Chaz Worm - singer, bass, banjo
Earth, Worm, &, Fire and
Electric Light Opry
http://ChazWorm.com
http://ELOpry.com
http://HankZeppelin.com
http://YouTube.com/ChazWorm


On Dec 19, 2011, at 8:22 AM, Todd Matthews <gtmatthews@gmail.com> wrote:

> Thanks Chaz! As bassists we do have to deal with a higher action then we'd=
 like to=E2=80=A6. especially playing orchestral bass because you don't want=
 the strings to buzz on the fingerboard when your pounding out some spiccato=
.=20
>=20
> My advice in the upper register is to learn to use your relaxed left arm w=
eight to your advantage to help you really make sure that string is closed d=
own but in a relaxed state. The right arm advice is to experiment with your b=
ow placement, bow speed, and bow weight to get the sound you want. For the h=
igh register I like to bow pretty close to the bridge, faster bow speed, wit=
h enough weight to pull out a complex tone(from partials) It's hard to descr=
ibe this stuff by typing an email but I hope it helps with the double bass p=
ractice!
>=20
> Merry Christmas Looping Brethren=20
> On Dec 18, 2011, at 2:06 AM, chaz worm wrote:
>=20
>> That was amazing. So inspiring I may practice my upright bass.=20
>> To bow such a nice high register how high is your action? Sounded very ce=
llo-like.=20
>>=20
>> Chaz Worm - singer, bass, banjo
>> Earth, Worm, &, Fire and
>> Electric Light Opry
>> http://ChazWorm.com
>> http://ELOpry.com
>> http://HankZeppelin.com
>> http://YouTube.com/ChazWorm
>>=20
>>=20
>> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> wrote:=

>>=20
>>> http://vimeo.com/33849024
>>>=20
>>> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>>>=20
>>> --=20
>>> Todd Matthews
>>> toddbass.com
>>> Twitter: gtodd876
>>>=20
>=20
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>=20

--Apple-Mail-C0B37D3B-C7A3-44A2-93E2-491183AFF770
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=utf-8

<html><head></head><body bgcolor=3D"#FFFFFF"><div>Thanx. I play my upright i=
n a very rhythmic capacity and in order to do so my strings are extremely ta=
ll. There are many trade offs to this setup. It's good for a nice percussive=
 tone. The scale is shorter. My favorite is that guitar players and other ba=
ss players only attempt to play bass for a few seconds and abandon it disgus=
ted. I like that.&nbsp;</div><div><br></div><div>The problem is its very har=
d to play past the 5th position. &nbsp;<br><br><div><div>Chaz Worm - singer,=
 bass, banjo</div><div>Earth, Worm, &amp;, Fire and</div><div>Electric Light=
 Opry</div><div><a href=3D"http://ChazWorm.com">http://ChazWorm.com</a></div=
><div><a href=3D"http://ELOpry.com">http://ELOpry.com</a></div><div><a href=3D=
"http://HankZeppelin.com">http://HankZeppelin.com</a></div><div><a href=3D"h=
ttp://YouTube.com/ChazWorm">http://YouTube.com/ChazWorm</a></div><div><br></=
div></div></div><div><br>On Dec 19, 2011, at 8:22 AM, Todd Matthews &lt;<a h=
ref=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; wrote:<br><=
br></div><div></div><blockquote type=3D"cite"><div>Thanks Chaz! As bassists w=
e do have to deal with a higher action then we'd like to=E2=80=A6. especiall=
y playing orchestral bass because you don't want the strings to buzz on the f=
ingerboard when your pounding out some spiccato.&nbsp;<div><br></div><div>My=
 advice in the upper register is to learn to use your relaxed left arm weigh=
t to your advantage to help you really make sure that string is closed down b=
ut in a relaxed state. The right arm advice is to experiment with your bow p=
lacement, bow speed, and bow weight to get the sound you want. For the high r=
egister I like to bow pretty close to the bridge, faster bow speed, with eno=
ugh weight to pull out a complex tone(from partials) It's hard to describe t=
his stuff by typing an email but I hope it helps with the double bass practi=
ce!</div><div><br></div><div>Merry Christmas Looping Brethren&nbsp;<br><div>=
<div>On Dec 18, 2011, at 2:06 AM, chaz worm wrote:</div><br class=3D"Apple-i=
nterchange-newline"><blockquote type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>=
That was amazing. So inspiring I may practice my upright bass.&nbsp;</div><d=
iv>To bow such a nice high register how high is your action? Sounded very ce=
llo-like.&nbsp;<br><br><div><div>Chaz Worm - singer, bass, banjo</div><div>E=
arth, Worm, &amp;, Fire and</div><div>Electric Light Opry</div><div><a href=3D=
"http://ChazWorm.com/">http://ChazWorm.com</a></div><div><a href=3D"http://E=
LOpry.com/">http://ELOpry.com</a></div><div><a href=3D"http://HankZeppelin.c=
om/">http://HankZeppelin.com</a></div><div><a href=3D"http://YouTube.com/Cha=
zWorm">http://YouTube.com/ChazWorm</a></div><div><br></div></div></div><div>=
<br>On Dec 17, 2011, at 11:58 PM, Todd Matthews &lt;<a href=3D"mailto:gtmatt=
hews@gmail.com">gtmatthews@gmail.com</a>&gt; wrote:<br><br></div><div></div>=
<blockquote type=3D"cite"><div><a href=3D"http://vimeo.com/33849024">http://=
vimeo.com/33849024</a><div><br></div><div>Merry Christmas, Happy Hanukkah, H=
appy Holidays to all<br clear=3D"all"><div><br></div>-- <br>Todd Matthews<di=
v><a href=3D"http://toddbass.com/" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>
</div></blockquote></div></blockquote></div><br><div apple-content-edited=3D=
"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; color: r=
gb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: norma=
l; font-weight: normal; letter-spacing: normal; line-height: normal; orphans=
: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: n=
ormal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px;=
 -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: n=
one; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-si=
ze: medium; "><span class=3D"Apple-style-span" style=3D"border-collapse: sep=
arate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font=
-variant: normal; font-weight: normal; letter-spacing: normal; line-height: n=
ormal; orphans: 2; text-indent: 0px; text-transform: none; white-space: norm=
al; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -w=
ebkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none=
; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size:=
 medium; "><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -w=
ebkit-line-break: after-white-space; "><div>--------------------</div><div>T=
odd Matthews</div><div><div><a href=3D"http://toddbass.com">toddbass.com</a>=
</div><div>twitter: gtodd876</div></div></div></span></span>
</div>
<br></div></div></blockquote></body></html>=

--Apple-Mail-C0B37D3B-C7A3-44A2-93E2-491183AFF770--

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Date: Mon, 19 Dec 2011 16:00:35 +0100
Message-ID: <CAJC14WgRWA3=tXRGLbr8WboJ+bfoE+dQvWQdXBb_2ZnPsKQc2A@mail.gmail.com>
Subject: Re: Holiday Looping Vol. 3
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Dec 19, 2011 at 3:21 PM, Wytold Lebing <wytoldmusic@gmail.com> wrot=
e:
> Haha - yeah, the fingerboard feels pretty darn curved! =C2=A0In combinati=
on with
> the NS shoulder strap, it took a couple months to get to where I could
> reliably play in tune on the 6 string. =C2=A0Of course, then my positioni=
ng was
> off when I went back to the acoustic...sigh hah

Interesting! I read in Ned Steinberg's web site that the intention was
not to make an electric version of the acoustic cello but to "see
where this instrument could go if let totally free in the electric
domain". The lame mid range response in the electric output is an
issue, like you were saying. I'm taking care or that by effects like
like the Wha, Big Muff and Octavia. If the PU's were noisy before they
now roar like a hurricane and I need to cut that off with a noise gate
- before reverb, delay and such. That noise gate sounds ok when bowing
but cuts the string sound in an unacceptable way when plucking. So I
kind of trade pizzicato playability for a juicy bowing tone. Can't
have everything ;-)


> The Grand Stick is a dream instrument for me...one day!!

Totally flat fingerboard. Since I got a Roland GK-3 on it there is no
way to access it with a bow. Another trade-off. A bit sad since I
liked the bowed Stick sound, although only three strings were
accessible (lowest and two highest on the sides)

Per

From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 15:28:13 2011
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i can hear DAD sayin'....."sweet tune todd, more moves than a snake, i taug=
ht you well!"







On Sat, Dec 17, 2011 at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> wrot=
e:

http://vimeo.com/33849024


Merry Christmas, Happy Hanukkah, Happy Holidays to all



--=20
Todd Matthews
toddbass.com
Twitter: gtodd876





=20

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<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'><fon=
t class=3D"Apple-style-span" size=3D"2">i can hear DAD sayin'....."sweet tu=
ne todd, more moves than a snake, i taught you well!"</font>
<div><font class=3D"Apple-style-span" size=3D"2"><br>
</font><br>
<br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 ">
<div id=3D"AOLMsgPart_1_72980a03-0558-4e51-a744-ad54d43f792d">
<div>
<div><br>
</div>
<blockquote type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-=
collapse: separate; color: rgb(0, 0, 0); font-family: 'Lucida Grande'; font=
-size: medium; font-style: normal; font-variant: normal; font-weight: norma=
l; letter-spacing: normal; line-height: normal; orphans: 2; text-align: aut=
o; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; =
word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-v=
ertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-tex=
t-size-adjust: auto; -webkit-text-stroke-width: 0px; ">On Sat, Dec 17, 2011=
 at 11:58 PM, Todd Matthews<span class=3D"Apple-converted-space">&nbsp;</sp=
an><span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews=
@gmail.com</a>&gt;</span><span class=3D"Apple-converted-space">&nbsp;</span=
>wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0=
px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; border-=
left-color: rgb(204, 204, 204); border-left-style: solid; padding-left: 1ex=
; "><a target=3D"_blank" href=3D"http://vimeo.com/33849024">http://vimeo.co=
m/33849024</a>
<div><br>
</div>

<div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<span class=3D"H=
OEnZb"><font color=3D"#888888"><br clear=3D"all">
<div><br>
</div>
--<span class=3D"Apple-converted-space">&nbsp;</span><br>
Todd Matthews
<div><a target=3D"_blank" href=3D"http://toddbass.com">toddbass.com</a></di=
v>

<div>Twitter: gtodd876</div>
</font></span></div>
</blockquote></span><br class=3D"Apple-interchange-newline"></blockquote></=
div>
<br>

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 15:32:12 2011
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References: <E107445E-F34A-4065-9D5C-DC76C764FA5A@trufun.com> <4EE91262.30309@cruzio.com> <4EEA3D66.4050905@post.cybercity.dk> <p06240800cb103cb92fc5@[192.168.2.2]> <4EEBC29F.1020203@post.cybercity.dk> <0A2E036C-F8C9-4C30-88E3-F345C2628E7C@reyn.net>
To: Loopers-Delight@loopers-delight.com
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http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA






terrific!.....tanks ren!
=20

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<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'><br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 "><blockquote style=3D"border-left: 2px solid blue; padding-left: 3px;"><p=
re><tt>http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA</tt></pre></b=
lockquote></div>
<br>
<br>
<br>

<div style=3D"color: black; ">
<div id=3D"AOLMsgPart_0_c195a9cc-b9ec-465a-9f15-8a998cbebf44" style=3D"marg=
in-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; color=
: rgb(0, 0, 0); background-color: rgb(255, 255, 255); "><pre><tt><font clas=
s=3D"Apple-style-span" face=3D"Arial, Helvetica, sans-serif" size=3D"2">ter=
rific!.....tanks ren!</font></tt></pre>
</div>
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 15:34:08 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Holiday Looping Vol. 3
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i would like to add.....the harmony was beautiful!












=20

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<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'><fon=
t class=3D"Apple-style-span" size=3D"2">i would like to add.....the harmony=
 was beautiful!</font><br>
<br>
<br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 ">
<div id=3D"AOLMsgPart_1_92c62f28-a554-47ce-8360-811a9ccd3796"><blockquote t=
ype=3D"cite">
<div>
<div><br>
</div>
</div>
</blockquote>
<div>
<div>
<div><br>
</div>
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 15:52:28 2011
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Subject: Re: Holiday Looping Vol. 3
Date: Mon, 19 Dec 2011 10:52:25 -0500
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--Apple-Mail=_6D7ACE89-1B46-49A8-8759-F0470838E7FD
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Do you mean like the rhythmic bluegrass slapping technique? I've always =
wanted to learn how to play like that one of these days.

Have you ever thought about bridge adjusters so you can have the best of =
both worlds? Only takes a few secs for me to change my string height.

On Dec 19, 2011, at 9:51 AM, chaz worm wrote:

> Thanx. I play my upright in a very rhythmic capacity and in order to =
do so my strings are extremely tall. There are many trade offs to this =
setup. It's good for a nice percussive tone. The scale is shorter. My =
favorite is that guitar players and other bass players only attempt to =
play bass for a few seconds and abandon it disgusted. I like that.=20
>=20
> The problem is its very hard to play past the 5th position. =20
>=20
> Chaz Worm - singer, bass, banjo
> Earth, Worm, &, Fire and
> Electric Light Opry
> http://ChazWorm.com
> http://ELOpry.com
> http://HankZeppelin.com
> http://YouTube.com/ChazWorm
>=20
>=20
> On Dec 19, 2011, at 8:22 AM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>=20
>> Thanks Chaz! As bassists we do have to deal with a higher action then =
we'd like to=85. especially playing orchestral bass because you don't =
want the strings to buzz on the fingerboard when your pounding out some =
spiccato.=20
>>=20
>> My advice in the upper register is to learn to use your relaxed left =
arm weight to your advantage to help you really make sure that string is =
closed down but in a relaxed state. The right arm advice is to =
experiment with your bow placement, bow speed, and bow weight to get the =
sound you want. For the high register I like to bow pretty close to the =
bridge, faster bow speed, with enough weight to pull out a complex =
tone(from partials) It's hard to describe this stuff by typing an email =
but I hope it helps with the double bass practice!
>>=20
>> Merry Christmas Looping Brethren=20
>> On Dec 18, 2011, at 2:06 AM, chaz worm wrote:
>>=20
>>> That was amazing. So inspiring I may practice my upright bass.=20
>>> To bow such a nice high register how high is your action? Sounded =
very cello-like.=20
>>>=20
>>> Chaz Worm - singer, bass, banjo
>>> Earth, Worm, &, Fire and
>>> Electric Light Opry
>>> http://ChazWorm.com
>>> http://ELOpry.com
>>> http://HankZeppelin.com
>>> http://YouTube.com/ChazWorm
>>>=20
>>>=20
>>> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>>>=20
>>>> http://vimeo.com/33849024
>>>>=20
>>>> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>>>>=20
>>>> --=20
>>>> Todd Matthews
>>>> toddbass.com
>>>> Twitter: gtodd876
>>>>=20
>>=20
>> --------------------
>> Todd Matthews
>> toddbass.com
>> twitter: gtodd876
>>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876


--Apple-Mail=_6D7ACE89-1B46-49A8-8759-F0470838E7FD
Content-Transfer-Encoding: quoted-printable
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	charset=windows-1252

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>Do you mean like the rhythmic bluegrass slapping technique? I've =
always wanted to learn how to play like that one of these =
days.</div><div><br></div>Have you ever thought about bridge adjusters =
so you can have the best of both worlds? Only takes a few secs for me to =
change my string height.<div><br><div><div>On Dec 19, 2011, at 9:51 AM, =
chaz worm wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>Thanx. I play my upright in =
a very rhythmic capacity and in order to do so my strings are extremely =
tall. There are many trade offs to this setup. It's good for a nice =
percussive tone. The scale is shorter. My favorite is that guitar =
players and other bass players only attempt to play bass for a few =
seconds and abandon it disgusted. I like =
that.&nbsp;</div><div><br></div><div>The problem is its very hard to =
play past the 5th position. &nbsp;<br><br><div><div>Chaz Worm - singer, =
bass, banjo</div><div>Earth, Worm, &amp;, Fire and</div><div>Electric =
Light Opry</div><div><a =
href=3D"http://ChazWorm.com/">http://ChazWorm.com</a></div><div><a =
href=3D"http://ELOpry.com/">http://ELOpry.com</a></div><div><a =
href=3D"http://HankZeppelin.com/">http://HankZeppelin.com</a></div><div><a=
 =
href=3D"http://YouTube.com/ChazWorm">http://YouTube.com/ChazWorm</a></div>=
<div><br></div></div></div><div><br>On Dec 19, 2011, at 8:22 AM, Todd =
Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>Thanks =
Chaz! As bassists we do have to deal with a higher action then we'd like =
to=85. especially playing orchestral bass because you don't want the =
strings to buzz on the fingerboard when your pounding out some =
spiccato.&nbsp;<div><br></div><div>My advice in the upper register is to =
learn to use your relaxed left arm weight to your advantage to help you =
really make sure that string is closed down but in a relaxed state. The =
right arm advice is to experiment with your bow placement, bow speed, =
and bow weight to get the sound you want. For the high register I like =
to bow pretty close to the bridge, faster bow speed, with enough weight =
to pull out a complex tone(from partials) It's hard to describe this =
stuff by typing an email but I hope it helps with the double bass =
practice!</div><div><br></div><div>Merry Christmas Looping =
Brethren&nbsp;<br><div><div>On Dec 18, 2011, at 2:06 AM, chaz worm =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>That was amazing. So =
inspiring I may practice my upright bass.&nbsp;</div><div>To bow such a =
nice high register how high is your action? Sounded very =
cello-like.&nbsp;<br><br><div><div>Chaz Worm - singer, bass, =
banjo</div><div>Earth, Worm, &amp;, Fire and</div><div>Electric Light =
Opry</div><div><a =
href=3D"http://ChazWorm.com/">http://ChazWorm.com</a></div><div><a =
href=3D"http://ELOpry.com/">http://ELOpry.com</a></div><div><a =
href=3D"http://HankZeppelin.com/">http://HankZeppelin.com</a></div><div><a=
 =
href=3D"http://YouTube.com/ChazWorm">http://YouTube.com/ChazWorm</a></div>=
<div><br></div></div></div><div><br>On Dec 17, 2011, at 11:58 PM, Todd =
Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div><a =
href=3D"http://vimeo.com/33849024">http://vimeo.com/33849024</a><div><br><=
/div><div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<br =
clear=3D"all"><div><br></div>-- <br>Todd Matthews<div><a =
href=3D"http://toddbass.com/" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>
</div></blockquote></div></blockquote></div><br><div =
apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div>--------------------</div><div>Todd Matthews</div><div><div><a =
href=3D"http://toddbass.com/">toddbass.com</a></div><div>twitter: =
gtodd876</div></div></div></span></span>
</div>
<br></div></div></blockquote></div></blockquote></div><br><div =
apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div>--------------------</div><div>Todd Matthews</div><div><div><a =
href=3D"http://toddbass.com">toddbass.com</a></div><div>twitter: =
gtodd876</div></div></div></span></span>
</div>
<br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 15:53:43 2011
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Subject: Re: HNY
From: Todd Matthews <gtmatthews@gmail.com>
In-Reply-To: <0A2E036C-F8C9-4C30-88E3-F345C2628E7C@reyn.net>
Date: Mon, 19 Dec 2011 10:53:41 -0500
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References: <E107445E-F34A-4065-9D5C-DC76C764FA5A@trufun.com> <4EE91262.30309@cruzio.com> <4EEA3D66.4050905@post.cybercity.dk> <p06240800cb103cb92fc5@[192.168.2.2]> <4EEBC29F.1020203@post.cybercity.dk> <0A2E036C-F8C9-4C30-88E3-F345C2628E7C@reyn.net>
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Reyn,

You just blew my mind.

On Dec 19, 2011, at 8:13 AM, Reyn Ouwehand wrote:

> http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA
>=20
> Happy New Year guys! A bit early.. but..
>=20
> Feel free to use the video if you don't fancy sending season greetings =
cards yourself! I always make a new video every year. In the end it's =
way less work and more original! :-)
>=20
> Cheers,
>=20
> Reyn
>=20
> www.reyn.net
> www.studiothechurch.com
>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 16:22:16 2011
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Subject: Re: Holiday Looping Vol. 3
References: <CACgWd+k6DyQ27kN_Tax4OmO6rNqGVRvjMGVqukWu15AxXa1pjg@mail.gmail.com> <1FEE08BF-0455-48CA-A582-A0595660767F@earthwormandfire.com> <953A61F6-523D-4CFF-B946-BE7024E4ED4B@gmail.com> <4B32D8D3-062D-4325-959E-BFA0E783A396@earthwormandfire.com> <A30CAFFA-1E1A-485D-A77B-598707DC9EB2@gmail.com>
From: chaz worm <chaz@earthwormandfire.com>
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Date: Mon, 19 Dec 2011 11:22:07 -0500
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Right. For some reason I never thought to much about actually adjusting my b=
ridge. I may check into that.=20
As far as bluegrass slap goes its super easy. You abandon the idea of "picki=
ng a note". I create an inadvertent note when I release the strings with my s=
lapping hand. Almost an uppick if you will  It's easy to keep time in that m=
anner. I think it sounds very good. It may not. I notice bluegrass players s=
eem to not like my approach. Oh well. I don't play bluegrass anyway. I play p=
unkgrass. I'm not sure what the aesthetic protocol is for bluegrass bass. I'=
m just making my own for punkgrass bass.=20

Chaz Worm - singer, bass, banjo
Earth, Worm, &, Fire and
Electric Light Opry
http://ChazWorm.com
http://ELOpry.com
http://HankZeppelin.com
http://YouTube.com/ChazWorm


On Dec 19, 2011, at 10:52 AM, Todd Matthews <gtmatthews@gmail.com> wrote:

> Do you mean like the rhythmic bluegrass slapping technique? I've always wa=
nted to learn how to play like that one of these days.
>=20
> Have you ever thought about bridge adjusters so you can have the best of b=
oth worlds? Only takes a few secs for me to change my string height.
>=20
> On Dec 19, 2011, at 9:51 AM, chaz worm wrote:
>=20
>> Thanx. I play my upright in a very rhythmic capacity and in order to do s=
o my strings are extremely tall. There are many trade offs to this setup. It=
's good for a nice percussive tone. The scale is shorter. My favorite is tha=
t guitar players and other bass players only attempt to play bass for a few s=
econds and abandon it disgusted. I like that.=20
>>=20
>> The problem is its very hard to play past the 5th position. =20
>>=20
>> Chaz Worm - singer, bass, banjo
>> Earth, Worm, &, Fire and
>> Electric Light Opry
>> http://ChazWorm.com
>> http://ELOpry.com
>> http://HankZeppelin.com
>> http://YouTube.com/ChazWorm
>>=20
>>=20
>> On Dec 19, 2011, at 8:22 AM, Todd Matthews <gtmatthews@gmail.com> wrote:
>>=20
>>> Thanks Chaz! As bassists we do have to deal with a higher action then we=
'd like to=E2=80=A6. especially playing orchestral bass because you don't wa=
nt the strings to buzz on the fingerboard when your pounding out some spicca=
to.=20
>>>=20
>>> My advice in the upper register is to learn to use your relaxed left arm=
 weight to your advantage to help you really make sure that string is closed=
 down but in a relaxed state. The right arm advice is to experiment with you=
r bow placement, bow speed, and bow weight to get the sound you want. For th=
e high register I like to bow pretty close to the bridge, faster bow speed, w=
ith enough weight to pull out a complex tone(from partials) It's hard to des=
cribe this stuff by typing an email but I hope it helps with the double bass=
 practice!
>>>=20
>>> Merry Christmas Looping Brethren=20
>>> On Dec 18, 2011, at 2:06 AM, chaz worm wrote:
>>>=20
>>>> That was amazing. So inspiring I may practice my upright bass.=20
>>>> To bow such a nice high register how high is your action? Sounded very c=
ello-like.=20
>>>>=20
>>>> Chaz Worm - singer, bass, banjo
>>>> Earth, Worm, &, Fire and
>>>> Electric Light Opry
>>>> http://ChazWorm.com
>>>> http://ELOpry.com
>>>> http://HankZeppelin.com
>>>> http://YouTube.com/ChazWorm
>>>>=20
>>>>=20
>>>> On Dec 17, 2011, at 11:58 PM, Todd Matthews <gtmatthews@gmail.com> wrot=
e:
>>>>=20
>>>>> http://vimeo.com/33849024
>>>>>=20
>>>>> Merry Christmas, Happy Hanukkah, Happy Holidays to all
>>>>>=20
>>>>> --=20
>>>>> Todd Matthews
>>>>> toddbass.com
>>>>> Twitter: gtodd876
>>>>>=20
>>>=20
>>> --------------------
>>> Todd Matthews
>>> toddbass.com
>>> twitter: gtodd876
>>>=20
>=20
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>=20

--Apple-Mail-E5A27906-BF9D-4C10-9C43-4A203D31C8B2
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<html><head></head><body bgcolor=3D"#FFFFFF"><div>Right. For some reason I n=
ever thought to much about actually adjusting my bridge. I may check into th=
at.&nbsp;</div><div>As far as bluegrass slap goes its super easy. You abando=
n the idea of "picking a note". I create an inadvertent note when I release t=
he strings with my slapping hand. Almost an uppick if you will &nbsp;It's ea=
sy to keep time in that manner. I think it sounds very good. It may not. I n=
otice bluegrass players seem to not like my approach. Oh well. I don't play b=
luegrass anyway. I play punkgrass. I'm not sure what the aesthetic protocol i=
s for bluegrass bass. I'm just making my own for punkgrass bass.&nbsp;<br><b=
r><div><div>Chaz Worm - singer, bass, banjo</div><div>Earth, Worm, &amp;, Fi=
re and</div><div>Electric Light Opry</div><div><a href=3D"http://ChazWorm.co=
m">http://ChazWorm.com</a></div><div><a href=3D"http://ELOpry.com">http://EL=
Opry.com</a></div><div><a href=3D"http://HankZeppelin.com">http://HankZeppel=
in.com</a></div><div><a href=3D"http://YouTube.com/ChazWorm">http://YouTube.=
com/ChazWorm</a></div><div><br></div></div></div><div><br>On Dec 19, 2011, a=
t 10:52 AM, Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatt=
hews@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"ci=
te"><div><div>Do you mean like the rhythmic bluegrass slapping technique? I'=
ve always wanted to learn how to play like that one of these days.</div><div=
><br></div>Have you ever thought about bridge adjusters so you can have the b=
est of both worlds? Only takes a few secs for me to change my string height.=
<div><br><div><div>On Dec 19, 2011, at 9:51 AM, chaz worm wrote:</div><br cl=
ass=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div bgcolor=3D"=
#FFFFFF"><div>Thanx. I play my upright in a very rhythmic capacity and in or=
der to do so my strings are extremely tall. There are many trade offs to thi=
s setup. It's good for a nice percussive tone. The scale is shorter. My favo=
rite is that guitar players and other bass players only attempt to play bass=
 for a few seconds and abandon it disgusted. I like that.&nbsp;</div><div><b=
r></div><div>The problem is its very hard to play past the 5th position. &nb=
sp;<br><br><div><div>Chaz Worm - singer, bass, banjo</div><div>Earth, Worm, &=
amp;, Fire and</div><div>Electric Light Opry</div><div><a href=3D"http://Cha=
zWorm.com/">http://ChazWorm.com</a></div><div><a href=3D"http://ELOpry.com/"=
>http://ELOpry.com</a></div><div><a href=3D"http://HankZeppelin.com/">http:/=
/HankZeppelin.com</a></div><div><a href=3D"http://YouTube.com/ChazWorm">http=
://YouTube.com/ChazWorm</a></div><div><br></div></div></div><div><br>On Dec 1=
9, 2011, at 8:22 AM, Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.co=
m">gtmatthews@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote t=
ype=3D"cite"><div>Thanks Chaz! As bassists we do have to deal with a higher a=
ction then we'd like to=E2=80=A6. especially playing orchestral bass because=
 you don't want the strings to buzz on the fingerboard when your pounding ou=
t some spiccato.&nbsp;<div><br></div><div>My advice in the upper register is=
 to learn to use your relaxed left arm weight to your advantage to help you r=
eally make sure that string is closed down but in a relaxed state. The right=
 arm advice is to experiment with your bow placement, bow speed, and bow wei=
ght to get the sound you want. For the high register I like to bow pretty cl=
ose to the bridge, faster bow speed, with enough weight to pull out a comple=
x tone(from partials) It's hard to describe this stuff by typing an email bu=
t I hope it helps with the double bass practice!</div><div><br></div><div>Me=
rry Christmas Looping Brethren&nbsp;<br><div><div>On Dec 18, 2011, at 2:06 A=
M, chaz worm wrote:</div><br class=3D"Apple-interchange-newline"><blockquote=
 type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>That was amazing. So inspiring I=
 may practice my upright bass.&nbsp;</div><div>To bow such a nice high regis=
ter how high is your action? Sounded very cello-like.&nbsp;<br><br><div><div=
>Chaz Worm - singer, bass, banjo</div><div>Earth, Worm, &amp;, Fire and</div=
><div>Electric Light Opry</div><div><a href=3D"http://ChazWorm.com/">http://=
ChazWorm.com</a></div><div><a href=3D"http://ELOpry.com/">http://ELOpry.com<=
/a></div><div><a href=3D"http://HankZeppelin.com/">http://HankZeppelin.com</=
a></div><div><a href=3D"http://YouTube.com/ChazWorm">http://YouTube.com/Chaz=
Worm</a></div><div><br></div></div></div><div><br>On Dec 17, 2011, at 11:58 P=
M, Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmai=
l.com</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>=
<a href=3D"http://vimeo.com/33849024">http://vimeo.com/33849024</a><div><br>=
</div><div>Merry Christmas, Happy Hanukkah, Happy Holidays to all<br clear=3D=
"all"><div><br></div>-- <br>Todd Matthews<div><a href=3D"http://toddbass.com=
/" target=3D"_blank">toddbass.com</a></div>

<div>Twitter: gtodd876</div><br>
</div>
</div></blockquote></div></blockquote></div><br><div apple-content-edited=3D=
"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; font-fa=
mily: Helvetica; font-style: normal; font-variant: normal; font-weight: norm=
al; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0p=
x; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -=
webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;=
 -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -=
webkit-text-stroke-width: 0px; font-size: medium; "><span class=3D"Apple-sty=
le-span" style=3D"border-collapse: separate; font-family: Helvetica; font-st=
yle: normal; font-variant: normal; font-weight: normal; letter-spacing: norm=
al; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none;=
 white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizonta=
l-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decoratio=
ns-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-widt=
h: 0px; font-size: medium; "><div style=3D"word-wrap: break-word; -webkit-nb=
sp-mode: space; -webkit-line-break: after-white-space; "><div>--------------=
------</div><div>Todd Matthews</div><div><div><a href=3D"http://toddbass.com=
/">toddbass.com</a></div><div>twitter: gtodd876</div></div></div></span></sp=
an>
</div>
<br></div></div></blockquote></div></blockquote></div><br><div apple-content=
-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; color: r=
gb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: norma=
l; font-weight: normal; letter-spacing: normal; line-height: normal; orphans=
: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: n=
ormal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px;=
 -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: n=
one; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-si=
ze: medium; "><span class=3D"Apple-style-span" style=3D"border-collapse: sep=
arate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font=
-variant: normal; font-weight: normal; letter-spacing: normal; line-height: n=
ormal; orphans: 2; text-indent: 0px; text-transform: none; white-space: norm=
al; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -w=
ebkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none=
; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size:=
 medium; "><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -w=
ebkit-line-break: after-white-space; "><div>--------------------</div><div>T=
odd Matthews</div><div><div><a href=3D"http://toddbass.com">toddbass.com</a>=
</div><div>twitter: gtodd876</div></div></div></span></span>
</div>
<br></div></div></blockquote></body></html>=

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References: <E107445E-F34A-4065-9D5C-DC76C764FA5A@trufun.com>
	<4EE91262.30309@cruzio.com>
	<4EEA3D66.4050905@post.cybercity.dk>
	<p06240800cb103cb92fc5@192.168.2.2>
	<4EEBC29F.1020203@post.cybercity.dk>
	<0A2E036C-F8C9-4C30-88E3-F345C2628E7C@reyn.net>
	<6C0DAF57-154F-4A2A-9705-8810C99BC06B@gmail.com>
Date: Mon, 19 Dec 2011 21:51:29 +0200
Message-ID: <CAOpEpQYvg1raHwd3WXMsYF_7EQ3YnpasFtydFYigLpko8355wQ@mail.gmail.com>
Subject: Re: HNY
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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well well well - loopers are also magicians, at least Reyn is!

Wonderful, skillfully done ! Thank you!!!

2011/12/19 Todd Matthews <gtmatthews@gmail.com>

> Reyn,
>
> You just blew my mind.
>
> On Dec 19, 2011, at 8:13 AM, Reyn Ouwehand wrote:
>
> > http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA
> >
> > Happy New Year guys! A bit early.. but..
> >
> > Feel free to use the video if you don't fancy sending season greetings
> cards yourself! I always make a new video every year. In the end it's way
> less work and more original! :-)
> >
> > Cheers,
> >
> > Reyn
> >
> > www.reyn.net
> > www.studiothechurch.com
> >
>
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>
>


-- 
Petri Lahtinen

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well well well - loopers are also magicians, at least Reyn is!<br><br>Wonde=
rful, skillfully done ! Thank you!!!<br><br><div class=3D"gmail_quote">2011=
/12/19 Todd Matthews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gma=
il.com">gtmatthews@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Reyn,<br>
<br>
You just blew my mind.<br>
<div><div class=3D"h5"><br>
On Dec 19, 2011, at 8:13 AM, Reyn Ouwehand wrote:<br>
<br>
&gt; <a href=3D"http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA" tar=
get=3D"_blank">http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA</a><b=
r>
&gt;<br>
&gt; Happy New Year guys! A bit early.. but..<br>
&gt;<br>
&gt; Feel free to use the video if you don&#39;t fancy sending season greet=
ings cards yourself! I always make a new video every year. In the end it&#3=
9;s way less work and more original! :-)<br>
&gt;<br>
&gt; Cheers,<br>
&gt;<br>
&gt; Reyn<br>
&gt;<br>
&gt; <a href=3D"http://www.reyn.net" target=3D"_blank">www.reyn.net</a><br>
&gt; <a href=3D"http://www.studiothechurch.com" target=3D"_blank">www.studi=
othechurch.com</a><br>
&gt;<br>
<br>
</div></div>--------------------<br>
<span class=3D"HOEnZb"><font color=3D"#888888">Todd Matthews<br>
<a href=3D"http://toddbass.com" target=3D"_blank">toddbass.com</a><br>
twitter: gtodd876<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--bcaec5299589d78e3c04b4774644--

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References: <E107445E-F34A-4065-9D5C-DC76C764FA5A@trufun.com> <4EE91262.30309@cruzio.com> <4EEA3D66.4050905@post.cybercity.dk> <p06240800cb103cb92fc5@192.168.2.2> <4EEBC29F.1020203@post.cybercity.dk> <0A2E036C-F8C9-4C30-88E3-F345C2628E7C@reyn.net> <6C0DAF57-154F-4A2A-9705-8810C99BC06B@gmail.com> <CAOpEpQYvg1raHwd3WXMsYF_7EQ3YnpasFtydFYigLpko8355wQ@mail.gmail.com>
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Well, musicians, magicians, it's very close.... :-)

An english friend of mine always laughed when I said musician as I =
always seem to pronounce it as 'magician'.... :-D

Cheers,

Reyn

www.reyn.net
www.studiothechurch.com

On Dec 19, 2011, at 8:51 PM, Petri Lahtinen wrote:

> well well well - loopers are also magicians, at least Reyn is!
>=20
> Wonderful, skillfully done ! Thank you!!!
>=20
> 2011/12/19 Todd Matthews <gtmatthews@gmail.com>
> Reyn,
>=20
> You just blew my mind.
>=20
> On Dec 19, 2011, at 8:13 AM, Reyn Ouwehand wrote:
>=20
> > http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA
> >
> > Happy New Year guys! A bit early.. but..
> >
> > Feel free to use the video if you don't fancy sending season =
greetings cards yourself! I always make a new video every year. In the =
end it's way less work and more original! :-)
> >
> > Cheers,
> >
> > Reyn
> >
> > www.reyn.net
> > www.studiothechurch.com
> >
>=20
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>=20
>=20
>=20
>=20
> --=20
> Petri Lahtinen
>=20
>=20


--Apple-Mail=_412CE329-7951-4DF2-93D2-1A2F12C0A482
Content-Transfer-Encoding: quoted-printable
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	charset=iso-8859-1

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>Well, musicians, magicians, it's very close.... =
:-)</div><div><br></div><div>An english friend of mine always laughed =
when I said musician as I always seem to pronounce it as 'magician'.... =
:-D</div><br><div apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Cheers,<br><br>Reyn<br><br><a =
href=3D"http://www.reyn.net">www.reyn.net</a><br>www.studiothechurch.com</=
div></span></span>
</div>
<br><div><div>On Dec 19, 2011, at 8:51 PM, Petri Lahtinen =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">well well well - loopers are also magicians, at least Reyn =
is!<br><br>Wonderful, skillfully done ! Thank you!!!<br><br><div =
class=3D"gmail_quote">2011/12/19 Todd Matthews <span dir=3D"ltr">&lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span><b=
r>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex">Reyn,<br>
<br>
You just blew my mind.<br>
<div><div class=3D"h5"><br>
On Dec 19, 2011, at 8:13 AM, Reyn Ouwehand wrote:<br>
<br>
&gt; <a href=3D"http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA" =
target=3D"_blank">http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA</=
a><br>
&gt;<br>
&gt; Happy New Year guys! A bit early.. but..<br>
&gt;<br>
&gt; Feel free to use the video if you don't fancy sending season =
greetings cards yourself! I always make a new video every year. In the =
end it's way less work and more original! :-)<br>
&gt;<br>
&gt; Cheers,<br>
&gt;<br>
&gt; Reyn<br>
&gt;<br>
&gt; <a href=3D"http://www.reyn.net/" =
target=3D"_blank">www.reyn.net</a><br>
&gt; <a href=3D"http://www.studiothechurch.com/" =
target=3D"_blank">www.studiothechurch.com</a><br>
&gt;<br>
<br>
</div></div>--------------------<br>
<span class=3D"HOEnZb"><font color=3D"#888888">Todd Matthews<br>
<a href=3D"http://toddbass.com/" target=3D"_blank">toddbass.com</a><br>
twitter: gtodd876<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri =
Lahtinen<br><br><br>
</blockquote></div><br></body></html>=

--Apple-Mail=_412CE329-7951-4DF2-93D2-1A2F12C0A482--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 20:37:25 2011
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> From: Todd Matthews 
> Reyn,
> You just blew my mind.
> http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA

mine too :)  have a great year too Reyn!   -Michael


From Loopers-Delight-request@loopers-delight.com  Mon Dec 19 21:44:52 2011
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Way cool Reyn! Happy New Year!

On Mon, Dec 19, 2011 at 12:37 PM, Michael Peters <mp@mpeters.de> wrote:
>> From: Todd Matthews
>> Reyn,
>> You just blew my mind.
>> http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA
>
> mine too :) =A0have a great year too Reyn! =A0 -Michael
>
>



--=20
Art Simon
simart@gmail.com

From Loopers-Delight-request@loopers-delight.com  Tue Dec 20 03:16:42 2011
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very cool! HNY!

2011/12/19, Art Simon <simart@gmail.com>:
> Way cool Reyn! Happy New Year!
>
> On Mon, Dec 19, 2011 at 12:37 PM, Michael Peters <mp@mpeters.de> wrote:
>>> From: Todd Matthews
>>> Reyn,
>>> You just blew my mind.
>>> http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA
>>
>> mine too :) =A0have a great year too Reyn! =A0 -Michael
>>
>>
>
>
>
> --
> Art Simon
> simart@gmail.com
>
>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imaginat=
ion,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

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--14dae93411bbb518fc04b48345ce
Content-Type: text/plain; charset=ISO-8859-1

Would really apperciate feedback on these...

maudio http://www.m-audio.com/products/en_us/ProFire2626.html
motu http://www.motu.com/products/motuaudio/8pre/i-o.html

Does anyone on the list have these? Experiences, Answers? Questions!
Questions? Answers!  (Focus)  :-)

-- 
Petri Lahtinen

--14dae93411bbb518fc04b48345ce
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Would really apperciate feedback on these...<br><br>maudio <a href=3D"http:=
//www.m-audio.com/products/en_us/ProFire2626.html" target=3D"_blank">http:/=
/www.m-audio.com/products/en_us/ProFire2626.html</a><br>
motu <a href=3D"http://www.motu.com/products/motuaudio/8pre/i-o.html" targe=
t=3D"_blank">http://www.motu.com/products/motuaudio/8pre/i-o.html</a><br><b=
r>Does anyone on the list have these? Experiences, Answers? Questions! Ques=
tions? Answers!=A0 (Focus)=A0 :-)<br clear=3D"all">
<br>-- <br>Petri Lahtinen<br><br><br>

--14dae93411bbb518fc04b48345ce--

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Subject: digitech jamman delay pedal? the actual 16 sec of delay in it?
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--90e6ba3fd26f3df06304b48b9da1
Content-Type: text/plain; charset=ISO-8859-1

does anyone have one of these?

have you messed w/ the 16 of delay?

can you loop w/ it?

does it do varispeed stuff like what bill frisell did w/ his old digitehc
pds8000?

just curious.

thanks,
scott

--90e6ba3fd26f3df06304b48b9da1
Content-Type: text/html; charset=ISO-8859-1

does anyone have one of these?<br><br>have you messed w/ the 16 of delay?<br><br>can you loop w/ it?<br><br>does it do varispeed stuff like what bill frisell did w/ his old digitehc pds8000?<br><br>just curious.<br><br>thanks,<br>
scott<br>

--90e6ba3fd26f3df06304b48b9da1--

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Subject: My LP2 order is ready to ship
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I got an email from Bob on Saturday, confirming my mailing address for
imminent LP2 shipment!

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

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Subject: Re: digitech jamman delay pedal? the actual 16 sec of delay in it?
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<head><style>body{font-size:10pt;font-family:arial,sans-serif;background-co=
lor:#ffffff;color:black;}p{margin:0px;}</style></head><body><font color=3D"=
#000000"><font size=3D"2"><font face=3D"arial,sans-serif">Hi Scott-i gott m=
ine still. never measured whether its actually 16 seconds er not.</font></f=
ont></font><div><font color=3D"#000000"><font size=3D"2"><font face=3D"aria=
l,sans-serif">its my 1st looper ala ABelew-does varispeed-warp and total me=
ssup of the signal if you want. the 16sec. is a 4 bits-so not very good for=
 an accurate signal to be looped.</font></font></font></div><div><font colo=
r=3D"#000000"><font size=3D"2"><font face=3D"arial,sans-serif">Frisell used=
 one of these in the early days til the pds8000-which kinda does the same t=
hing-but not as many variations, choices w/it.</font></font></font></div><d=
iv><font color=3D"#000000"><font size=3D"2"><font face=3D"arial,sans-serif"=
>s<br></font></font></font><blockquote style=3D"PADDING-LEFT: 5px; MARGIN-L=
EFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message-----
<br>From: Scott Hansen <evanpeewee@gmail.com>
<br>Sent: Dec 20, 2011 12:07 PM
<br>To: Loopers-Delight@loopers-delight.com
<br>Subject: digitech jamman delay pedal? the actual 16 sec of delay in it?

<br><br>does anyone have one of these?<br><br>have you messed w/ the 16 of =
delay?<br><br>can you loop w/ it?<br><br>does it do varispeed stuff like wh=
at bill frisell did w/ his old digitehc pds8000?<br><br>just curious.<br><b=
r>thanks,<br>
scott<br>
</evanpeewee@gmail.com></blockquote></div></body>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 01:08:05 2011
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Subject: Re: My LP2 order is ready to ship
From: Thomas Wegmann <theweg@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf302ef872ca5d0c04b48fd01c
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That is great!

On Tue, Dec 20, 2011 at 5:28 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> I got an email from Bob on Saturday, confirming my mailing address for
> imminent LP2 shipment!
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Podcast! http://ribosomematt.podomatic.com
> Rigs! http://www.youtube.com/user/ribosomematt
>
>


-- 
Greg Wegmann

TheWeg@Frontier.com
TheWeg@GMail.com

--20cf302ef872ca5d0c04b48fd01c
Content-Type: text/html; charset=ISO-8859-1
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That is great!<br><br><div class=3D"gmail_quote">On Tue, Dec 20, 2011 at 5:=
28 PM, Matt Davignon <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@g=
mail.com">mattdavignon@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex">
I got an email from Bob on Saturday, confirming my mailing address for<br>
imminent LP2 shipment!<br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Podcast! <a href=3D"http://ribosomematt.podomatic.com" target=3D"_blank">ht=
tp://ribosomematt.podomatic.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">http://www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div>=
Greg Wegmann<br><br><a href=3D"mailto:TheWeg@Frontier.com" target=3D"_blank=
">TheWeg@Frontier.com</a></div>
<div>TheWeg@GMail.com<br></div><br>

--20cf302ef872ca5d0c04b48fd01c--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 04:39:57 2011
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To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: Interfaces
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--=====================_1031073==.ALT
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I have the motu 8pre and love it. I've used both as a my interface 
for the computer and on occasion as a mic pre out on the adat to my 
mixing board to pick up 8 more channels. I haven't had any issues 
with it at all.

Paul Haslem
www.dulcify.ca
Ontario, Canada






At 02:10 AM 12/20/2011, you wrote:
>Would really apperciate feedback on these...
>
>maudio 
><http://www.m-audio.com/products/en_us/ProFire2626.html>http://www.m-audio.com/products/en_us/ProFire2626.html
>motu 
><http://www.motu.com/products/motuaudio/8pre/i-o.html>http://www.motu.com/products/motuaudio/8pre/i-o.html
>
>Does anyone on the list have these? Experiences, Answers? Questions! 
>Questions? Answers!  (Focus)  :-)
>
>--
>Petri Lahtinen
>

--=====================_1031073==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
I have the motu 8pre and love it. I've used both as a my interface for
the computer and on occasion as a mic pre out on the adat to my mixing
board to pick up 8 more channels. I haven't had any issues with it at
all.<br><br>
Paul Haslem<br>
<a href="http://www.dulcify.ca/" eudora="autourl">www.dulcify.ca<br>
</a>Ontario, Canada<br><br>
<br><br>
<br><br>
<br>
At 02:10 AM 12/20/2011, you wrote:<br>
<blockquote type=cite class=cite cite="">Would really apperciate feedback
on these...<br><br>
maudio
<a href="http://www.m-audio.com/products/en_us/ProFire2626.html">
http://www.m-audio.com/products/en_us/ProFire2626.html</a><br>
motu
<a href="http://www.motu.com/products/motuaudio/8pre/i-o.html">
http://www.motu.com/products/motuaudio/8pre/i-o.html</a><br><br>
Does anyone on the list have these? Experiences, Answers? Questions!
Questions? Answers!&nbsp; (Focus)&nbsp; :-)<br><br>
-- <br>
Petri Lahtinen<br><br>
</blockquote></body>
</html>

--=====================_1031073==.ALT--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 07:05:46 2011
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--bcaec5299589ff9ebc04b494cf96
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Thanks Paul!

2011/12/19 paul <phaslem@wightman.ca>

>  I have the motu 8pre and love it. I've used both as a my interface for
> the computer and on occasion as a mic pre out on the adat to my mixing
> board to pick up 8 more channels. I haven't had any issues with it at all.
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>
>
>
>
>
>
> At 02:10 AM 12/20/2011, you wrote:
>
> Would really apperciate feedback on these...
>
> maudio http://www.m-audio.com/products/en_us/ProFire2626.html
> motu http://www.motu.com/products/motuaudio/8pre/i-o.html
>
> Does anyone on the list have these? Experiences, Answers? Questions!
> Questions? Answers!  (Focus)  :-)
>
> --
> Petri Lahtinen
>
>


-- 
Petri Lahtinen

--bcaec5299589ff9ebc04b494cf96
Content-Type: text/html; charset=ISO-8859-1
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Thanks Paul!<br><br><div class=3D"gmail_quote">2011/12/19 paul <span dir=3D=
"ltr">&lt;<a href=3D"mailto:phaslem@wightman.ca">phaslem@wightman.ca</a>&gt=
;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bo=
rder-left:1px #ccc solid;padding-left:1ex">

<div>
I have the motu 8pre and love it. I&#39;ve used both as a my interface for
the computer and on occasion as a mic pre out on the adat to my mixing
board to pick up 8 more channels. I haven&#39;t had any issues with it at
all.<br><br>
Paul Haslem<br>
<a href=3D"http://www.dulcify.ca/" target=3D"_blank">www.dulcify.ca<br>
</a>Ontario, Canada<div><div class=3D"h5"><br><br>
<br><br>
<br><br>
<br>
At 02:10 AM 12/20/2011, you wrote:<br>
<blockquote type=3D"cite">Would really apperciate feedback
on these...<br><br>
maudio
<a href=3D"http://www.m-audio.com/products/en_us/ProFire2626.html" target=
=3D"_blank">
http://www.m-audio.com/products/en_us/ProFire2626.html</a><br>
motu
<a href=3D"http://www.motu.com/products/motuaudio/8pre/i-o.html" target=3D"=
_blank">
http://www.motu.com/products/motuaudio/8pre/i-o.html</a><br><br>
Does anyone on the list have these? Experiences, Answers? Questions!
Questions? Answers!=A0 (Focus)=A0 :-)<br><br>
-- <br>
Petri Lahtinen<br><br>
</blockquote></div></div></div>

</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--bcaec5299589ff9ebc04b494cf96--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 10:15:29 2011
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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Wed, 21 Dec 2011 05:15:07 -0500
Message-ID: <CAEEJk4pu+DprGeTv4Cn6zWhJpsgGHz-PMTM3v-4dSt9-ezKovA@mail.gmail.com>
Subject: My version of O Holy Night
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--f46d043c06e483ebb404b4977610
Content-Type: text/plain; charset=ISO-8859-1

Hey everyone!

I've been meaning to record a holiday/Christmas song for several years, but
I finally had some time to do it! I used to sing in various a cappella and
barbershop groups, where we did really powerful versions of O Holy Night.
I'm a looper at heart, but sometimes, other recordings come out that aren't
heavily loop based (although I do my recordings in Ableton, and the
bassline/rhythm is looped).

My rendition of that holiday classic has a bit more 'flavour' to it
(although I still want to do a really vocal heavy version!), with some
salsa/latin/reggae sounds in there. I grew up in South America, so it's
about time that those influences poked their heads out. It's a home
recording, but still a good enough recording to play for the family at
Christmas dinner!

You can listen to it on my website www.jeanpaulderoover.com, where you can
also download it for free.

Happy holidays to all my fellow loopers!

-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

--f46d043c06e483ebb404b4977610
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey everyone!<br><br>I&#39;ve been meaning to record a holiday/Christmas so=
ng for several years, but I finally had some time to do it! I used to sing =
in various a cappella and barbershop groups, where we did really powerful v=
ersions of O Holy Night. I&#39;m a looper at heart, but sometimes, other re=
cordings come out that aren&#39;t heavily loop based (although I do my reco=
rdings in Ableton, and the bassline/rhythm is looped).<div>

<br></div><div>My rendition of that holiday classic has a bit more &#39;fla=
vour&#39; to it (although I still want to do a really vocal heavy version!)=
, with some salsa/latin/reggae sounds in there. I grew up in South America,=
 so it&#39;s about time that those influences poked their heads out. It&#39=
;s a home recording, but still a good enough recording to play for the fami=
ly at Christmas dinner!</div>

<div><br></div><div>You can listen to it on my website=A0<a href=3D"http://=
www.jeanpaulderoover.com">www.jeanpaulderoover.com</a>, where you can also =
download it for free.=A0<br><br>Happy holidays to all my fellow loopers!<br=
 clear=3D"all">

<div><br></div>-- <br>Jean-Paul De Roover<br><a href=3D"http://www.jeanpaul=
deroover.com" target=3D"_blank">www.jeanpaulderoover.com</a><br>(807) 251-3=
376<br>
</div>

--f46d043c06e483ebb404b4977610--

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From: Ben <benoitruelle@yahoo.fr>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 21 Dec 2011 12:47:56 +0100
Subject: Re: HNY
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Nice, Reyn !!!
And very original !!
HNY to you all!! Joyeux No=EBl et Meilleurs voeux pour la nouvelle=20
ann=E9e.

Ben

--------------------------------------------------
Reyn Ouwehand <loopers-delight@reyn.net> wrote:
(19/12/2011 14:13)

> http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA
>=20
> Happy New Year guys! A bit early.. but..
>=20
> Feel free to use the video if you don't fancy sending season greetings ca=
rds yourself! I always make a new video every year. In the end it's way les=
s work and more original! :-)
>=20
> Cheers,
>=20
> Reyn
>=20
> www.reyn.net
> www.studiothechurch.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 11:58:21 2011
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Merci, et toi aussi!

Cheers,

Reyn

www.reyn.net
www.studiothechurch.com

On Dec 21, 2011, at 12:47 PM, Ben wrote:

> Nice, Reyn !!!
> And very original !!
> HNY to you all!! Joyeux No=EBl et Meilleurs voeux pour la nouvelle=20
> ann=E9e.
>=20
> Ben
>=20
> --------------------------------------------------
> Reyn Ouwehand <loopers-delight@reyn.net> wrote:
> (19/12/2011 14:13)
>=20
>> http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA
>>=20
>> Happy New Year guys! A bit early.. but..
>>=20
>> Feel free to use the video if you don't fancy sending season =
greetings cards yourself! I always make a new video every year. In the =
end it's way less work and more original! :-)
>>=20
>> Cheers,
>>=20
>> Reyn
>>=20
>> www.reyn.net
>> www.studiothechurch.com
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>Merci, et toi aussi!</div><br><div apple-content-edited=3D"true">
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Cheers,<br><br>Reyn<br><br><a =
href=3D"http://www.reyn.net">www.reyn.net</a><br>www.studiothechurch.com</=
div></span></span></div>
<br><div><div>On Dec 21, 2011, at 12:47 PM, Ben wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Nice, =
Reyn !!!<br>And very original !!<br>HNY to you all!! Joyeux No=EBl et =
Meilleurs voeux pour la nouvelle =
<br>ann=E9e.<br><br>Ben<br><br>-------------------------------------------=
-------<br>Reyn Ouwehand &lt;<a =
href=3D"mailto:loopers-delight@reyn.net">loopers-delight@reyn.net</a>&gt; =
wrote:<br>(19/12/2011 14:13)<br><br><blockquote type=3D"cite"><a =
href=3D"http://www.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA">http://www=
.youtube.com/reynouwehand#p/u/12/gT-ML0NKRlA</a><br></blockquote><blockquo=
te type=3D"cite"><br></blockquote><blockquote type=3D"cite">Happy New =
Year guys! A bit early.. but..<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Feel free to =
use the video if you don't fancy sending season greetings cards =
yourself! I always make a new video every year. In the end it's way less =
work and more original! :-)<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Cheers,<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Reyn<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><a =
href=3D"http://www.reyn.net">www.reyn.net</a><br></blockquote><blockquote =
type=3D"cite"><a =
href=3D"http://www.studiothechurch.com">www.studiothechurch.com</a><br></b=
lockquote><br></div></blockquote></div><br></body></html>=

--Apple-Mail=_E466DC0A-4415-40A3-A35C-E488335E8E25--

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Subject: SXSW
From: daniel <daniel@ithinkwethink.org>
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Hey Hey Hey!

Is anyone planning on heading down to SXSW in March?

I'm definitely going and was thinking it'd be pretty swell if we could
setup a Looper's Delight showcase.

Thoughts?


love
Dan


www.iamdanielharris.com

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Hey Hey Hey! <br><br>Is anyone planning on heading down to SXSW in March? <br><br>I&#39;m definitely going and was thinking it&#39;d be pretty swell if we could setup a Looper&#39;s Delight showcase. <br><br>Thoughts? <br>
<br><br>love<br>Dan<br><br><br><a href="http://www.iamdanielharris.com">www.iamdanielharris.com</a> <br>

--0016e6d45fe8a5a7b604b49bb79f--

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Really nice J-P.

On Dec 21, 2011, at 2:15 AM, Jean-Paul De Roover wrote:

> Hey everyone!
>=20
> I've been meaning to record a holiday/Christmas song for several =
years, but I finally had some time to do it! I used to sing in various a =
cappella and barbershop groups, where we did really powerful versions of =
O Holy Night. I'm a looper at heart, but sometimes, other recordings =
come out that aren't heavily loop based (although I do my recordings in =
Ableton, and the bassline/rhythm is looped).
>=20
> My rendition of that holiday classic has a bit more 'flavour' to it =
(although I still want to do a really vocal heavy version!), with some =
salsa/latin/reggae sounds in there. I grew up in South America, so it's =
about time that those influences poked their heads out. It's a home =
recording, but still a good enough recording to play for the family at =
Christmas dinner!
>=20
> You can listen to it on my website www.jeanpaulderoover.com, where you =
can also download it for free.=20
>=20
> Happy holidays to all my fellow loopers!
>=20
> --=20
> Jean-Paul De Roover
> www.jeanpaulderoover.com
> (807) 251-3376

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Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
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Thanks for all the very interesting information. I opted for the 24Bit/44Kh=
z setting on the Tascam DR-2d. I have to say, though, that this unit is the=
 most twitchy portable digital recorder I've used as far as getting good re=
cording levels. I 'think' I finally have a setting that works (and I'm usin=
g the "safety" track Dual Record at -6 dB lower). I thought I 'still' notic=
ed an artifact or two where my guitar sent the level too high for a brief p=
eriod. I'm close to returning the unit frankly as I never had issues with a=
ny of the Zoom recordings like this unit. =0A=A0=0ARegards, Paul
---2114655128-891665158-1324482169=:36846
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body><div style=3D"color:#000; background-color:#fff; font-family:ti=
mes new roman, new york, times, serif;font-size:12pt"><div style=3D"RIGHT: =
auto"><SPAN style=3D"RIGHT: auto">Thanks for all the very interesting infor=
mation. I opted for the 24Bit/44Khz setting on the Tascam DR-2d. I have to =
say, though, that this unit is the most twitchy portable digital recorder I=
've used as far as getting good recording levels. I 'think' I finally have =
a setting that works (and I'm using the "safety" track Dual Record at -6 dB=
 lower). I thought I 'still' noticed an artifact or two where my guitar sen=
t the level too high for a brief period. I'm close to returning the unit fr=
ankly as I never had issues with any of the Zoom recordings like this unit.=
 </SPAN></div>
<div style=3D"RIGHT: auto"><SPAN style=3D"RIGHT: auto"></SPAN>&nbsp;</div>
<div style=3D"RIGHT: auto"><SPAN style=3D"RIGHT: auto">Regards, Paul<VAR id=
=3Dyui-ie-cursor></VAR></SPAN></div>
<div style=3D"RIGHT: auto"><SPAN style=3D"RIGHT: auto"></SPAN>&nbsp;</div>
<div style=3D"RIGHT: auto"><SPAN style=3D"RIGHT: auto"></SPAN>&nbsp;</div>
<div style=3D"RIGHT: auto"><SPAN style=3D"RIGHT: auto"></SPAN>&nbsp;</div>
<div style=3D"RIGHT: auto"><BR style=3D"RIGHT: auto"></div>
<DIV style=3D"FONT-FAMILY: times new roman, new york, times, serif; FONT-SI=
ZE: 12pt">
<DIV style=3D"FONT-FAMILY: times new roman, new york, times, serif; FONT-SI=
ZE: 12pt"><FONT size=3D2 face=3DArial>
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ORDER-RIGHT: #ccc 1px solid; PADDING-TOP: 0px" class=3Dhr readonly=3D"true"=
 contenteditable=3D"false"></DIV></FONT><BR><BR></DIV></DIV></div></body></=
html>
---2114655128-891665158-1324482169=:36846--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 15:51:33 2011
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	<20111221041413.452E684ABC@server01.gorrie.wightman.ca>
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Subject: Re: Interfaces
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015175cd80a5849bb04b49c2877
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Much the same, here. It replaced an aging Firepod. I do find the Motu
drivers can be a bit fussy on Windows, but the gear sounds great.
Having said that, I should add that the most trouble I had was getting an
old 2408Mk3 to run on Win7/64, but with the latest drivers it's all good
now.
I've used the 8pre both as interface for my Laptop(XP on DellE6400) and to
feed Adat to a 1st generation Traveller on the same machine. No issues,
though I do find the DSP prog a bit cluttzy.
It also gets used to send Adat to the 2408 on my Win7 Desktop.


On Wed, Dec 21, 2011 at 12:05 AM, Petri Lahtinen <
kollegavalmentaja@gmail.com> wrote:

> Thanks Paul!
>
>
> 2011/12/19 paul <phaslem@wightman.ca>
>
>>  I have the motu 8pre and love it. I've used both as a my interface for
>> the computer and on occasion as a mic pre out on the adat to my mixing
>> board to pick up 8 more channels. I haven't had any issues with it at al=
l.
>>
>> Paul Haslem
>> www.dulcify.ca
>> Ontario, Canada
>>
>>
>>
>>
>>
>>
>>
>> At 02:10 AM 12/20/2011, you wrote:
>>
>> Would really apperciate feedback on these...
>>
>> maudio http://www.m-audio.com/products/en_us/ProFire2626.html
>> motu http://www.motu.com/products/motuaudio/8pre/i-o.html
>>
>> Does anyone on the list have these? Experiences, Answers? Questions!
>> Questions? Answers!  (Focus)  :-)
>>
>> --
>> Petri Lahtinen
>>
>>
>
>
> --
> Petri Lahtinen
>
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio, Northern Lights =96 Altai Khangai - www.keithsmith.ca
Photography - www.mymountains.ca

--0015175cd80a5849bb04b49c2877
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Much the same, here. It replaced an aging Firepod. I do find the Motu drive=
rs can be a bit fussy on Windows, but the gear sounds great.<br>Having said=
 that, I should add that the most trouble I had was getting an old 2408Mk3 =
to run on Win7/64, but with the latest drivers it&#39;s all good now.<br>
I&#39;ve used the 8pre both as interface for my Laptop(XP on DellE6400) and=
 to feed Adat to a 1st generation Traveller on the same machine. No issues,=
 though I do find the DSP prog a bit cluttzy.<br>It also gets used to send =
Adat to the 2408 on my Win7 Desktop.<br>
=A0<br><br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 12:05 AM, Pet=
ri Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:kollegavalmentaja@gmail=
.com">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid r=
gb(204,204,204);padding-left:1ex">
Thanks Paul!<div class=3D"HOEnZb"><div class=3D"h5"><br><br><div class=3D"g=
mail_quote">2011/12/19 paul <span dir=3D"ltr">&lt;<a href=3D"mailto:phaslem=
@wightman.ca" target=3D"_blank">phaslem@wightman.ca</a>&gt;</span><br><bloc=
kquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:=
1px solid rgb(204,204,204);padding-left:1ex">


<div>
I have the motu 8pre and love it. I&#39;ve used both as a my interface for
the computer and on occasion as a mic pre out on the adat to my mixing
board to pick up 8 more channels. I haven&#39;t had any issues with it at
all.<br><br>
Paul Haslem<br>
<a href=3D"http://www.dulcify.ca/" target=3D"_blank">www.dulcify.ca<br>
</a>Ontario, Canada<div><div><br><br>
<br><br>
<br><br>
<br>
At 02:10 AM 12/20/2011, you wrote:<br>
<blockquote type=3D"cite">Would really apperciate feedback
on these...<br><br>
maudio
<a href=3D"http://www.m-audio.com/products/en_us/ProFire2626.html" target=
=3D"_blank">
http://www.m-audio.com/products/en_us/ProFire2626.html</a><br>
motu
<a href=3D"http://www.motu.com/products/motuaudio/8pre/i-o.html" target=3D"=
_blank">
http://www.motu.com/products/motuaudio/8pre/i-o.html</a><br><br>
Does anyone on the list have these? Experiences, Answers? Questions!
Questions? Answers!=A0 (Focus)=A0 :-)<br><br>
-- <br>
Petri Lahtinen<br><br>
</blockquote></div></div></div>

</blockquote></div><br><br clear=3D"all"><br></div></div><span class=3D"HOE=
nZb"><font color=3D"#888888">-- <br>Petri Lahtinen<br><br><br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smi=
th -Guitar<br><br>Keith Smith Trio, Northern Lights =96 Altai Khangai - <a =
href=3D"http://www.keithsmith.ca" target=3D"_blank">www.keithsmith.ca</a><b=
r>Photography - <a href=3D"http://www.mymountains.ca" target=3D"_blank">www=
.mymountains.ca</a><br>
<div style=3D"display:inline"></div><br>
<div style=3D"display:inline" id=3D"avg_ls_inline_popup"></div><style type=
=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-index:9999;  pa=
dding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240px;  overfl=
ow: hidden;  word-wrap: break-word;  color: black;  font-size: 10px;  text-=
align: left;  line-height: 13px;}</style>

--0015175cd80a5849bb04b49c2877--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 17:06:22 2011
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Date: Wed, 21 Dec 2011 18:06:46 +0100
From: van Sinn <vansinn@post.cybercity.dk>
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To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Subject: Re: OT: 24Bit/96Khz vs 16Bit/ 44.1Khz recording
References: <E107445E-F34A-4065-9D5C-DC76C764FA5A@trufun.com> <4EE91262.30309@cruzio.com> <4EEA3D66.4050905@post.cybercity.dk> <p06240800cb103cb92fc5@[192.168.2.2]> <4EEB1268.20706@tiscali.co.uk> <525F06F3-BB19-438B-B9FE-66F404C33D85@earthlink.net> <4EEB54DE.3080908@tiscali.co.uk> <4EEB7CAE.2060009@post.cybercity.dk> <4EEB7D9A.4090105@googlemail.com> <1324482169.36846.YahooMailNeo@web36707.mail.mud.yahoo.com>
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Is it possible your Tascam (which I don't know) has ill calibrated inputs, so 
when you set it for -6dB recording, you're actually closer to the max?

How about simply using a soft-knee limiter as a gentle lid on the top peaks?

/van

Paul Richards wrote:
> Thanks for all the very interesting information. I opted for the 
> 24Bit/44Khz setting on the Tascam DR-2d. I have to say, though, that 
> this unit is the most twitchy portable digital recorder I've used as far 
> as getting good recording levels. I 'think' I finally have a setting 
> that works (and I'm using the "safety" track Dual Record at -6 dB 
> lower). I thought I 'still' noticed an artifact or two where my guitar 
> sent the level too high for a brief period. I'm close to returning the 
> unit frankly as I never had issues with any of the Zoom recordings like 
> this unit.
>  
> Regards, Paul


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 17:22:07 2011
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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Wed, 21 Dec 2011 12:21:42 -0500
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Subject: Re: My version of O Holy Night
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--f46d043bdf1429ab7304b49d6caa
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Thanks Ted! I hope everything's well in Oregon!

On Wed, Dec 21, 2011 at 10:39 AM, Ted Killian <tedkillian@charter.net>wrote:

> Really nice J-P.
>
> On Dec 21, 2011, at 2:15 AM, Jean-Paul De Roover wrote:
>
> > Hey everyone!
> >
> > I've been meaning to record a holiday/Christmas song for several years,
> but I finally had some time to do it! I used to sing in various a cappella
> and barbershop groups, where we did really powerful versions of O Holy
> Night. I'm a looper at heart, but sometimes, other recordings come out that
> aren't heavily loop based (although I do my recordings in Ableton, and the
> bassline/rhythm is looped).
> >
> > My rendition of that holiday classic has a bit more 'flavour' to it
> (although I still want to do a really vocal heavy version!), with some
> salsa/latin/reggae sounds in there. I grew up in South America, so it's
> about time that those influences poked their heads out. It's a home
> recording, but still a good enough recording to play for the family at
> Christmas dinner!
> >
> > You can listen to it on my website www.jeanpaulderoover.com, where you
> can also download it for free.
> >
> > Happy holidays to all my fellow loopers!
> >
> > --
> > Jean-Paul De Roover
> > www.jeanpaulderoover.com
> > (807) 251-3376
>
>


-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

--f46d043bdf1429ab7304b49d6caa
Content-Type: text/html; charset=ISO-8859-1
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Thanks Ted! I hope everything&#39;s well in Oregon!<br><br><div class=3D"gm=
ail_quote">On Wed, Dec 21, 2011 at 10:39 AM, Ted Killian <span dir=3D"ltr">=
&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt=
;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Really nice J-P.<br>
<div><div></div><div class=3D"h5"><br>
On Dec 21, 2011, at 2:15 AM, Jean-Paul De Roover wrote:<br>
<br>
&gt; Hey everyone!<br>
&gt;<br>
&gt; I&#39;ve been meaning to record a holiday/Christmas song for several y=
ears, but I finally had some time to do it! I used to sing in various a cap=
pella and barbershop groups, where we did really powerful versions of O Hol=
y Night. I&#39;m a looper at heart, but sometimes, other recordings come ou=
t that aren&#39;t heavily loop based (although I do my recordings in Ableto=
n, and the bassline/rhythm is looped).<br>


&gt;<br>
&gt; My rendition of that holiday classic has a bit more &#39;flavour&#39; =
to it (although I still want to do a really vocal heavy version!), with som=
e salsa/latin/reggae sounds in there. I grew up in South America, so it&#39=
;s about time that those influences poked their heads out. It&#39;s a home =
recording, but still a good enough recording to play for the family at Chri=
stmas dinner!<br>


&gt;<br>
&gt; You can listen to it on my website <a href=3D"http://www.jeanpaulderoo=
ver.com" target=3D"_blank">www.jeanpaulderoover.com</a>, where you can also=
 download it for free.<br>
&gt;<br>
&gt; Happy holidays to all my fellow loopers!<br>
&gt;<br>
&gt; --<br>
&gt; Jean-Paul De Roover<br>
&gt; <a href=3D"http://www.jeanpaulderoover.com" target=3D"_blank">www.jean=
paulderoover.com</a><br>
&gt; <a href=3D"tel:%28807%29%20251-3376" value=3D"+18072513376">(807) 251-=
3376</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
Jean-Paul De Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=
=3D"_blank">www.jeanpaulderoover.com</a><br>(807) 251-3376<br>

--f46d043bdf1429ab7304b49d6caa--

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AOC announces an Apple Iphone docking monitor:
http://www.theinquirer.net/inquirer/news/2134095/aoc-announces-apple-iphone-docking-monitor

"Because Apple products all use the same proprietary connector you can also 
dock different Ipod models but the Ipad is probably a bit big to place in 
front of your monitor."

If it's really the same connector on all Apple products, an audio gadget for 
the iphone should work on the ipad too.
Not that I know of such gadgets, but others may..


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 19:28:58 2011
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Date: Wed, 21 Dec 2011 14:28:35 -0500
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--00151747c696dfee2d04b49f310a
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I went last year, and it's a zoo. That sounds like a really cool idea
though. What are the costs involved?

On Wed, Dec 21, 2011 at 10:20 AM, daniel <daniel@ithinkwethink.org> wrote:

> Hey Hey Hey!
>
> Is anyone planning on heading down to SXSW in March?
>
> I'm definitely going and was thinking it'd be pretty swell if we could
> setup a Looper's Delight showcase.
>
> Thoughts?
>
>
> love
> Dan
>
>
> www.iamdanielharris.com
>



-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

--00151747c696dfee2d04b49f310a
Content-Type: text/html; charset=ISO-8859-1
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I went last year, and it&#39;s a zoo. That sounds like a really cool idea t=
hough. What are the costs involved?<br><br><div class=3D"gmail_quote">On We=
d, Dec 21, 2011 at 10:20 AM, daniel <span dir=3D"ltr">&lt;<a href=3D"mailto=
:daniel@ithinkwethink.org">daniel@ithinkwethink.org</a>&gt;</span> wrote:<b=
r>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Hey Hey Hey! <br><br>Is anyone planning on h=
eading down to SXSW in March? <br><br>I&#39;m definitely going and was thin=
king it&#39;d be pretty swell if we could setup a Looper&#39;s Delight show=
case. <br>

<br>Thoughts? <br>
<br><br>love<br>Dan<br><br><br><a href=3D"http://www.iamdanielharris.com" t=
arget=3D"_blank">www.iamdanielharris.com</a> <br>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>Jean-Paul De=
 Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=3D"_blank">ww=
w.jeanpaulderoover.com</a><br>(807) 251-3376<br>

--00151747c696dfee2d04b49f310a--

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Subject: Re: SXSW
From: daniel <daniel@ithinkwethink.org>
To: Loopers-Delight@loopers-delight.com
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--0015173ff2d440e3a104b49f3f9e
Content-Type: text/plain; charset=ISO-8859-1

Yeah, I was there in 2010 -- insanity. But if we were able to find a coffee
shop or if anyone on this list is based in Austin and could host a
house-showcase, that'd be great.

Anyone on here based down in Austin, TX?

On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul De Roover
<j.de.roover@gmail.com>wrote:

> I went last year, and it's a zoo. That sounds like a really cool idea
> though. What are the costs involved?
>
>
> On Wed, Dec 21, 2011 at 10:20 AM, daniel <daniel@ithinkwethink.org> wrote:
>
>> Hey Hey Hey!
>>
>> Is anyone planning on heading down to SXSW in March?
>>
>> I'm definitely going and was thinking it'd be pretty swell if we could
>> setup a Looper's Delight showcase.
>>
>> Thoughts?
>>
>>
>> love
>> Dan
>>
>>
>> www.iamdanielharris.com
>>
>
>
>
> --
> Jean-Paul De Roover
> www.jeanpaulderoover.com
> (807) 251-3376
>

--0015173ff2d440e3a104b49f3f9e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Yeah, I was there in 2010 -- insanity. But if we were able to find a coffee=
 shop or if anyone on this list is based in Austin and could host a house-s=
howcase, that&#39;d be great. <br><br>Anyone on here based down in Austin, =
TX? <br>
<br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul D=
e Roover <span dir=3D"ltr">&lt;<a href=3D"mailto:j.de.roover@gmail.com">j.d=
e.roover@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
I went last year, and it&#39;s a zoo. That sounds like a really cool idea t=
hough. What are the costs involved?<div class=3D"HOEnZb"><div class=3D"h5">=
<br><br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 10:20 AM, daniel=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:daniel@ithinkwethink.org" target=
=3D"_blank">daniel@ithinkwethink.org</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Hey Hey Hey! <br><br>Is anyone planning on h=
eading down to SXSW in March? <br><br>I&#39;m definitely going and was thin=
king it&#39;d be pretty swell if we could setup a Looper&#39;s Delight show=
case. <br>


<br>Thoughts? <br>
<br><br>love<br>Dan<br><br><br><a href=3D"http://www.iamdanielharris.com" t=
arget=3D"_blank">www.iamdanielharris.com</a> <br>
</blockquote></div><br><br clear=3D"all"><div><br></div></div></div><span c=
lass=3D"HOEnZb"><font color=3D"#888888">-- <br>Jean-Paul De Roover<br><a hr=
ef=3D"http://www.jeanpaulderoover.com" target=3D"_blank">www.jeanpaulderoov=
er.com</a><br>
<a href=3D"tel:%28807%29%20251-3376" value=3D"+18072513376" target=3D"_blan=
k">(807) 251-3376</a><br>
</font></span></blockquote></div><br>

--0015173ff2d440e3a104b49f3f9e--

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--0016e6d64b19a14cd704b4a0821b
Content-Type: text/plain; charset=ISO-8859-1

I'm already going some Canadian dates in March, but count me in for 2013!

Also, do you ever venture up into Canada?

On Wed, Dec 21, 2011 at 2:32 PM, daniel <daniel@ithinkwethink.org> wrote:

> Yeah, I was there in 2010 -- insanity. But if we were able to find a
> coffee shop or if anyone on this list is based in Austin and could host a
> house-showcase, that'd be great.
>
> Anyone on here based down in Austin, TX?
>
> On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul De Roover <
> j.de.roover@gmail.com> wrote:
>
>> I went last year, and it's a zoo. That sounds like a really cool idea
>> though. What are the costs involved?
>>
>>
>> On Wed, Dec 21, 2011 at 10:20 AM, daniel <daniel@ithinkwethink.org>wrote:
>>
>>> Hey Hey Hey!
>>>
>>> Is anyone planning on heading down to SXSW in March?
>>>
>>> I'm definitely going and was thinking it'd be pretty swell if we could
>>> setup a Looper's Delight showcase.
>>>
>>> Thoughts?
>>>
>>>
>>> love
>>> Dan
>>>
>>>
>>> www.iamdanielharris.com
>>>
>>
>>
>>
>> --
>> Jean-Paul De Roover
>> www.jeanpaulderoover.com
>> (807) 251-3376
>>
>
>


-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

--0016e6d64b19a14cd704b4a0821b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;m already going some Canadian dates in March, but count me in for 201=
3!<div><br></div><div>Also, do you ever venture up into Canada?<br><br><div=
 class=3D"gmail_quote">On Wed, Dec 21, 2011 at 2:32 PM, daniel <span dir=3D=
"ltr">&lt;<a href=3D"mailto:daniel@ithinkwethink.org">daniel@ithinkwethink.=
org</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Yeah, I was there in 2010 -- insanity. But i=
f we were able to find a coffee shop or if anyone on this list is based in =
Austin and could host a house-showcase, that&#39;d be great. <br>

<br>Anyone on here based down in Austin, TX? <br><div><div></div><div class=
=3D"h5">
<br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul D=
e Roover <span dir=3D"ltr">&lt;<a href=3D"mailto:j.de.roover@gmail.com" tar=
get=3D"_blank">j.de.roover@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;=
padding-left:1ex">


I went last year, and it&#39;s a zoo. That sounds like a really cool idea t=
hough. What are the costs involved?<div><div><br><br><div class=3D"gmail_qu=
ote">On Wed, Dec 21, 2011 at 10:20 AM, daniel <span dir=3D"ltr">&lt;<a href=
=3D"mailto:daniel@ithinkwethink.org" target=3D"_blank">daniel@ithinkwethink=
.org</a>&gt;</span> wrote:<br>




<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Hey Hey Hey! <br><br>Is anyone planning on h=
eading down to SXSW in March? <br><br>I&#39;m definitely going and was thin=
king it&#39;d be pretty swell if we could setup a Looper&#39;s Delight show=
case. <br>




<br>Thoughts? <br>
<br><br>love<br>Dan<br><br><br><a href=3D"http://www.iamdanielharris.com" t=
arget=3D"_blank">www.iamdanielharris.com</a> <br>
</blockquote></div><br><br clear=3D"all"><div><br></div></div></div><span><=
font color=3D"#888888">-- <br>Jean-Paul De Roover<br><a href=3D"http://www.=
jeanpaulderoover.com" target=3D"_blank">www.jeanpaulderoover.com</a><br>
<a href=3D"tel:%28807%29%20251-3376" value=3D"+18072513376" target=3D"_blan=
k">(807) 251-3376</a><br>
</font></span></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
Jean-Paul De Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=
=3D"_blank">www.jeanpaulderoover.com</a><br>(807) 251-3376<br>
</div>

--0016e6d64b19a14cd704b4a0821b--

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Subject: Re: SXSW
From: daniel <daniel@ithinkwethink.org>
To: Loopers-Delight@loopers-delight.com
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--f46d0444e9f1e9d69704b4a0a62f
Content-Type: text/plain; charset=ISO-8859-1

i haven't in a while, but i'd love a good excuse! where abouts are you?

On Wed, Dec 21, 2011 at 4:02 PM, Jean-Paul De Roover
<j.de.roover@gmail.com>wrote:

> I'm already going some Canadian dates in March, but count me in for 2013!
>
> Also, do you ever venture up into Canada?
>
>
> On Wed, Dec 21, 2011 at 2:32 PM, daniel <daniel@ithinkwethink.org> wrote:
>
>> Yeah, I was there in 2010 -- insanity. But if we were able to find a
>> coffee shop or if anyone on this list is based in Austin and could host a
>> house-showcase, that'd be great.
>>
>> Anyone on here based down in Austin, TX?
>>
>> On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul De Roover <
>> j.de.roover@gmail.com> wrote:
>>
>>> I went last year, and it's a zoo. That sounds like a really cool idea
>>> though. What are the costs involved?
>>>
>>>
>>> On Wed, Dec 21, 2011 at 10:20 AM, daniel <daniel@ithinkwethink.org>wrote:
>>>
>>>> Hey Hey Hey!
>>>>
>>>> Is anyone planning on heading down to SXSW in March?
>>>>
>>>> I'm definitely going and was thinking it'd be pretty swell if we could
>>>> setup a Looper's Delight showcase.
>>>>
>>>> Thoughts?
>>>>
>>>>
>>>> love
>>>> Dan
>>>>
>>>>
>>>> www.iamdanielharris.com
>>>>
>>>
>>>
>>>
>>> --
>>> Jean-Paul De Roover
>>> www.jeanpaulderoover.com
>>> (807) 251-3376
>>>
>>
>>
>
>
> --
> Jean-Paul De Roover
> www.jeanpaulderoover.com
> (807) 251-3376
>

--f46d0444e9f1e9d69704b4a0a62f
Content-Type: text/html; charset=ISO-8859-1
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i haven&#39;t in a while, but i&#39;d love a good excuse! where abouts are =
you? <br><br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 4:02 PM, Je=
an-Paul De Roover <span dir=3D"ltr">&lt;<a href=3D"mailto:j.de.roover@gmail=
.com">j.de.roover@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">I&#39;m already going some Canadian dates in=
 March, but count me in for 2013!<div><br></div><div>Also, do you ever vent=
ure up into Canada?<div>
<div class=3D"h5"><br><br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 a=
t 2:32 PM, daniel <span dir=3D"ltr">&lt;<a href=3D"mailto:daniel@ithinkweth=
ink.org" target=3D"_blank">daniel@ithinkwethink.org</a>&gt;</span> wrote:<b=
r>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Yeah, I was there in 2010 -- insanity. But i=
f we were able to find a coffee shop or if anyone on this list is based in =
Austin and could host a house-showcase, that&#39;d be great. <br>


<br>Anyone on here based down in Austin, TX? <br><div><div></div><div>
<br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul D=
e Roover <span dir=3D"ltr">&lt;<a href=3D"mailto:j.de.roover@gmail.com" tar=
get=3D"_blank">j.de.roover@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;=
padding-left:1ex">



I went last year, and it&#39;s a zoo. That sounds like a really cool idea t=
hough. What are the costs involved?<div><div><br><br><div class=3D"gmail_qu=
ote">On Wed, Dec 21, 2011 at 10:20 AM, daniel <span dir=3D"ltr">&lt;<a href=
=3D"mailto:daniel@ithinkwethink.org" target=3D"_blank">daniel@ithinkwethink=
.org</a>&gt;</span> wrote:<br>





<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Hey Hey Hey! <br><br>Is anyone planning on h=
eading down to SXSW in March? <br><br>I&#39;m definitely going and was thin=
king it&#39;d be pretty swell if we could setup a Looper&#39;s Delight show=
case. <br>





<br>Thoughts? <br>
<br><br>love<br>Dan<br><br><br><a href=3D"http://www.iamdanielharris.com" t=
arget=3D"_blank">www.iamdanielharris.com</a> <br>
</blockquote></div><br><br clear=3D"all"><div><br></div></div></div><span><=
font color=3D"#888888">-- <br>Jean-Paul De Roover<br><a href=3D"http://www.=
jeanpaulderoover.com" target=3D"_blank">www.jeanpaulderoover.com</a><br>
<a href=3D"tel:%28807%29%20251-3376" value=3D"+18072513376" target=3D"_blan=
k">(807) 251-3376</a><br>
</font></span></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
Jean-Paul De Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=
=3D"_blank">www.jeanpaulderoover.com</a><br><a href=3D"tel:%28807%29%20251-=
3376" value=3D"+18072513376" target=3D"_blank">(807) 251-3376</a><br>

</div></div></div>
</blockquote></div><br>

--f46d0444e9f1e9d69704b4a0a62f--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Content-Type: multipart/alternative; boundary=Apple-Mail-2-450061986
Subject: Merry Christmas
Date: Wed, 21 Dec 2011 21:15:29 +0000
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Some christmas loopage action :) 

http://mattstevens.bandcamp.com/releases

Merry Christmas guys, hope to see you at a loop festival soon :) 

Here is to an amazing 2012 :) 

Best 

Matt Stevens
http://www.fierceandthedead.com
http://www.mattstevensguitar.com
http://www.spencerparkmusic.com
mattstevensguitar@btinternet.com


--Apple-Mail-2-450061986
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Some christmas loopage action :)&nbsp;<div><br></div><div><a href="http://mattstevens.bandcamp.com/releases">http://mattstevens.bandcamp.com/releases</a><br><div><br></div><div>Merry Christmas guys, hope to see you at a loop festival soon :)&nbsp;</div><div><br></div><div>Here is to an amazing 2012 :)&nbsp;</div><div><br></div><div>Best&nbsp;</div><div><br><div>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Matt Stevens</div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><a href="http://www.fierceandthedead.com">http://www.fierceandthedead.com</a><br>http://www.mattstevensguitar.com<br>http://www.spencerparkmusic.com<br>mattstevensguitar@btinternet.com</div>
</div>
<br></div></div></body></html>
--Apple-Mail-2-450061986--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 21 21:54:22 2011
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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Wed, 21 Dec 2011 16:54:00 -0500
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--f46d043bdf14ea5f8504b4a1393d
Content-Type: text/plain; charset=ISO-8859-1

I'm in Thunder Bay, ON (about 7 hours north of Minneapolis, MN). However, I
tour A LOT, so I generally get out to either coast at least once a year.

On Wed, Dec 21, 2011 at 4:13 PM, daniel <daniel@ithinkwethink.org> wrote:

> i haven't in a while, but i'd love a good excuse! where abouts are you?
>
> On Wed, Dec 21, 2011 at 4:02 PM, Jean-Paul De Roover <
> j.de.roover@gmail.com> wrote:
>
>> I'm already going some Canadian dates in March, but count me in for 2013!
>>
>> Also, do you ever venture up into Canada?
>>
>>
>> On Wed, Dec 21, 2011 at 2:32 PM, daniel <daniel@ithinkwethink.org> wrote:
>>
>>> Yeah, I was there in 2010 -- insanity. But if we were able to find a
>>> coffee shop or if anyone on this list is based in Austin and could host a
>>> house-showcase, that'd be great.
>>>
>>> Anyone on here based down in Austin, TX?
>>>
>>> On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul De Roover <
>>> j.de.roover@gmail.com> wrote:
>>>
>>>> I went last year, and it's a zoo. That sounds like a really cool idea
>>>> though. What are the costs involved?
>>>>
>>>>
>>>> On Wed, Dec 21, 2011 at 10:20 AM, daniel <daniel@ithinkwethink.org>wrote:
>>>>
>>>>> Hey Hey Hey!
>>>>>
>>>>> Is anyone planning on heading down to SXSW in March?
>>>>>
>>>>> I'm definitely going and was thinking it'd be pretty swell if we could
>>>>> setup a Looper's Delight showcase.
>>>>>
>>>>> Thoughts?
>>>>>
>>>>>
>>>>> love
>>>>> Dan
>>>>>
>>>>>
>>>>> www.iamdanielharris.com
>>>>>
>>>>
>>>>
>>>>
>>>> --
>>>> Jean-Paul De Roover
>>>> www.jeanpaulderoover.com
>>>> (807) 251-3376
>>>>
>>>
>>>
>>
>>
>> --
>> Jean-Paul De Roover
>> www.jeanpaulderoover.com
>> (807) 251-3376
>>
>
>


-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

--f46d043bdf14ea5f8504b4a1393d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;m in Thunder Bay, ON (about 7 hours north of Minneapolis, MN). Howeve=
r, I tour A LOT, so I generally get out to either coast at least once a yea=
r.<br><br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 4:13 PM, danie=
l <span dir=3D"ltr">&lt;<a href=3D"mailto:daniel@ithinkwethink.org">daniel@=
ithinkwethink.org</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">i haven&#39;t in a while, but i&#39;d love a=
 good excuse! where abouts are you? <br><div><div></div><div class=3D"h5"><=
br>

<div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 4:02 PM, Jean-Paul De Ro=
over <span dir=3D"ltr">&lt;<a href=3D"mailto:j.de.roover@gmail.com" target=
=3D"_blank">j.de.roover@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">I&#39;m already going some Canadian dates in=
 March, but count me in for 2013!<div><br></div><div>Also, do you ever vent=
ure up into Canada?<div>


<div><br><br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 2:32 PM, da=
niel <span dir=3D"ltr">&lt;<a href=3D"mailto:daniel@ithinkwethink.org" targ=
et=3D"_blank">daniel@ithinkwethink.org</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Yeah, I was there in 2010 -- insanity. But i=
f we were able to find a coffee shop or if anyone on this list is based in =
Austin and could host a house-showcase, that&#39;d be great. <br>




<br>Anyone on here based down in Austin, TX? <br><div><div></div><div>
<br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 2:28 PM, Jean-Paul D=
e Roover <span dir=3D"ltr">&lt;<a href=3D"mailto:j.de.roover@gmail.com" tar=
get=3D"_blank">j.de.roover@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;=
padding-left:1ex">





I went last year, and it&#39;s a zoo. That sounds like a really cool idea t=
hough. What are the costs involved?<div><div><br><br><div class=3D"gmail_qu=
ote">On Wed, Dec 21, 2011 at 10:20 AM, daniel <span dir=3D"ltr">&lt;<a href=
=3D"mailto:daniel@ithinkwethink.org" target=3D"_blank">daniel@ithinkwethink=
.org</a>&gt;</span> wrote:<br>







<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Hey Hey Hey! <br><br>Is anyone planning on h=
eading down to SXSW in March? <br><br>I&#39;m definitely going and was thin=
king it&#39;d be pretty swell if we could setup a Looper&#39;s Delight show=
case. <br>







<br>Thoughts? <br>
<br><br>love<br>Dan<br><br><br><a href=3D"http://www.iamdanielharris.com" t=
arget=3D"_blank">www.iamdanielharris.com</a> <br>
</blockquote></div><br><br clear=3D"all"><div><br></div></div></div><span><=
font color=3D"#888888">-- <br>Jean-Paul De Roover<br><a href=3D"http://www.=
jeanpaulderoover.com" target=3D"_blank">www.jeanpaulderoover.com</a><br>
<a href=3D"tel:%28807%29%20251-3376" value=3D"+18072513376" target=3D"_blan=
k">(807) 251-3376</a><br>
</font></span></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
Jean-Paul De Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=
=3D"_blank">www.jeanpaulderoover.com</a><br><a href=3D"tel:%28807%29%20251-=
3376" value=3D"+18072513376" target=3D"_blank">(807) 251-3376</a><br>



</div></div></div>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
Jean-Paul De Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=
=3D"_blank">www.jeanpaulderoover.com</a><br>(807) 251-3376<br>

--f46d043bdf14ea5f8504b4a1393d--

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Sounds really not nice...

I am using Olympus LS-10, has anyone noticed any glitches with that?
I can really recommend that unit, though I am not the audiophile in any
way, so my judgement may not be
the most professional :-)

But with digital recorders, its always hard with the peaks....

-Petri-

2011/12/21 van Sinn <vansinn@post.cybercity.dk>

> Is it possible your Tascam (which I don't know) has ill calibrated inputs,
> so when you set it for -6dB recording, you're actually closer to the max?
>
> How about simply using a soft-knee limiter as a gentle lid on the top
> peaks?
>
> /van
>
>
> Paul Richards wrote:
>
>> Thanks for all the very interesting information. I opted for the
>> 24Bit/44Khz setting on the Tascam DR-2d. I have to say, though, that this
>> unit is the most twitchy portable digital recorder I've used as far as
>> getting good recording levels. I 'think' I finally have a setting that
>> works (and I'm using the "safety" track Dual Record at -6 dB lower). I
>> thought I 'still' noticed an artifact or two where my guitar sent the level
>> too high for a brief period. I'm close to returning the unit frankly as I
>> never had issues with any of the Zoom recordings like this unit.
>>  Regards, Paul
>>
>
>
> --
> rgds,
> van Sinn
>
>


-- 
Petri Lahtinen

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Sounds really not nice...<br><br>I am using Olympus LS-10, has anyone notic=
ed any glitches with that?<br>I can really recommend that unit, though I am=
 not the audiophile in any way, so my judgement may not be <br>the most pro=
fessional :-)<br>
<br>But with digital recorders, its always hard with the peaks....<br><br>-=
Petri-<br><br><div class=3D"gmail_quote">2011/12/21 van Sinn <span dir=3D"l=
tr">&lt;<a href=3D"mailto:vansinn@post.cybercity.dk">vansinn@post.cybercity=
.dk</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Is it possible your Tascam (which I don&#39;=
t know) has ill calibrated inputs, so when you set it for -6dB recording, y=
ou&#39;re actually closer to the max?<br>

<br>
How about simply using a soft-knee limiter as a gentle lid on the top peaks=
?<br>
<br>
/van<div class=3D"HOEnZb"><div class=3D"h5"><br>
<br>
Paul Richards wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Thanks for all the very interesting information. I opted for the 24Bit/44Kh=
z setting on the Tascam DR-2d. I have to say, though, that this unit is the=
 most twitchy portable digital recorder I&#39;ve used as far as getting goo=
d recording levels. I &#39;think&#39; I finally have a setting that works (=
and I&#39;m using the &quot;safety&quot; track Dual Record at -6 dB lower).=
 I thought I &#39;still&#39; noticed an artifact or two where my guitar sen=
t the level too high for a brief period. I&#39;m close to returning the uni=
t frankly as I never had issues with any of the Zoom recordings like this u=
nit.<br>

=A0Regards, Paul<br>
</blockquote>
<br>
<br></div></div><span class=3D"HOEnZb"><font color=3D"#888888">
-- <br>
rgds,<br>
van Sinn<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 22 11:09:06 2011
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Date: Thu, 22 Dec 2011 13:09:05 +0200
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Subject: Re: Merry Christmas
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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Thanks Matt - been fearing you abandoned this list altogether...
well, being a rock star has its disadvantages :-P

This Silent night really turns out really nice, after a shockingly "normal"
start... :-)

Merry Christmas and happy new year 2012 to you Matt too!
Thanks for every mention in the Twitter and comments during these couple of
years.
You are my hero of the digital world's DIY-musician, example for all of us,
how you can achieve your goals, if your material is good and you have the
guts to work and promote on it.

All the best to you and the family!

-Petri-

2011/12/21 Matt Stevens <mattstevensguitar@btinternet.com>

> Some christmas loopage action :)
>
> http://mattstevens.bandcamp.com/releases
>
> Merry Christmas guys, hope to see you at a loop festival soon :)
>
> Here is to an amazing 2012 :)
>
> Best
>
> Matt Stevens
> http://www.fierceandthedead.com
> http://www.mattstevensguitar.com
> http://www.spencerparkmusic.com
> mattstevensguitar@btinternet.com
>
>


-- 
Petri Lahtinen

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Thanks Matt - been fearing you abandoned this list altogether...<br>well, b=
eing a rock star has its disadvantages :-P<br><br>This Silent night really =
turns out really nice, after a shockingly &quot;normal&quot; start... :-)<b=
r>
<br>Merry Christmas and happy new year 2012 to you Matt too!<br>Thanks for =
every mention in the Twitter and comments during these couple of years.<br>=
You are my hero of the digital world&#39;s DIY-musician, example for all of=
 us,<br>
how you can achieve your goals, if your material is good and you have the g=
uts to work and promote on it.<br><br>All the best to you and the family!<b=
r><br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/21 Matt Stevens <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com">matt=
stevensguitar@btinternet.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word">Some chr=
istmas loopage action :)=A0<div><br></div><div><a href=3D"http://mattsteven=
s.bandcamp.com/releases" target=3D"_blank">http://mattstevens.bandcamp.com/=
releases</a><br>
<div><br></div><div>Merry Christmas guys, hope to see you at a loop festiva=
l soon :)=A0</div><div><br></div><div>Here is to an amazing 2012 :)=A0</div=
><div><br></div><div>Best=A0</div><span class=3D"HOEnZb"><font color=3D"#88=
8888"><div>
<br><div>
<div style=3D"word-wrap:break-word">Matt Stevens</div><div style=3D"word-wr=
ap:break-word"><a href=3D"http://www.fierceandthedead.com" target=3D"_blank=
">http://www.fierceandthedead.com</a><br><a href=3D"http://www.mattstevensg=
uitar.com" target=3D"_blank">http://www.mattstevensguitar.com</a><br>
<a href=3D"http://www.spencerparkmusic.com" target=3D"_blank">http://www.sp=
encerparkmusic.com</a><br><a href=3D"mailto:mattstevensguitar@btinternet.co=
m" target=3D"_blank">mattstevensguitar@btinternet.com</a></div>
</div>
<br></div></font></span></div></div></blockquote></div><br><br clear=3D"all=
"><br>-- <br>Petri Lahtinen<br><br><br>

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Subject: Re: My version of O Holy Night
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Lovely singing!

Thanks Jean-Paul!

Happy holidays to you too!

-Petri-

2011/12/21 Jean-Paul De Roover <j.de.roover@gmail.com>

> Thanks Ted! I hope everything's well in Oregon!
>
>
> On Wed, Dec 21, 2011 at 10:39 AM, Ted Killian <tedkillian@charter.net>wrote:
>
>> Really nice J-P.
>>
>> On Dec 21, 2011, at 2:15 AM, Jean-Paul De Roover wrote:
>>
>> > Hey everyone!
>> >
>> > I've been meaning to record a holiday/Christmas song for several years,
>> but I finally had some time to do it! I used to sing in various a cappella
>> and barbershop groups, where we did really powerful versions of O Holy
>> Night. I'm a looper at heart, but sometimes, other recordings come out that
>> aren't heavily loop based (although I do my recordings in Ableton, and the
>> bassline/rhythm is looped).
>> >
>> > My rendition of that holiday classic has a bit more 'flavour' to it
>> (although I still want to do a really vocal heavy version!), with some
>> salsa/latin/reggae sounds in there. I grew up in South America, so it's
>> about time that those influences poked their heads out. It's a home
>> recording, but still a good enough recording to play for the family at
>> Christmas dinner!
>> >
>> > You can listen to it on my website www.jeanpaulderoover.com, where you
>> can also download it for free.
>> >
>> > Happy holidays to all my fellow loopers!
>> >
>> > --
>> > Jean-Paul De Roover
>> > www.jeanpaulderoover.com
>> > (807) 251-3376
>>
>>
>
>
> --
> Jean-Paul De Roover
> www.jeanpaulderoover.com
> (807) 251-3376
>



-- 
Petri Lahtinen

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Lovely singing!<br><br>Thanks Jean-Paul!<br><br>Happy holidays to you too!<=
br><br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/21 Jean-Paul De Ro=
over <span dir=3D"ltr">&lt;<a href=3D"mailto:j.de.roover@gmail.com">j.de.ro=
over@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Thanks Ted! I hope everything&#39;s well in =
Oregon!<div class=3D"HOEnZb"><div class=3D"h5"><br><br><div class=3D"gmail_=
quote">
On Wed, Dec 21, 2011 at 10:39 AM, Ted Killian <span dir=3D"ltr">&lt;<a href=
=3D"mailto:tedkillian@charter.net" target=3D"_blank">tedkillian@charter.net=
</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Really nice J-P.<br>
<div><div></div><div><br>
On Dec 21, 2011, at 2:15 AM, Jean-Paul De Roover wrote:<br>
<br>
&gt; Hey everyone!<br>
&gt;<br>
&gt; I&#39;ve been meaning to record a holiday/Christmas song for several y=
ears, but I finally had some time to do it! I used to sing in various a cap=
pella and barbershop groups, where we did really powerful versions of O Hol=
y Night. I&#39;m a looper at heart, but sometimes, other recordings come ou=
t that aren&#39;t heavily loop based (although I do my recordings in Ableto=
n, and the bassline/rhythm is looped).<br>



&gt;<br>
&gt; My rendition of that holiday classic has a bit more &#39;flavour&#39; =
to it (although I still want to do a really vocal heavy version!), with som=
e salsa/latin/reggae sounds in there. I grew up in South America, so it&#39=
;s about time that those influences poked their heads out. It&#39;s a home =
recording, but still a good enough recording to play for the family at Chri=
stmas dinner!<br>



&gt;<br>
&gt; You can listen to it on my website <a href=3D"http://www.jeanpaulderoo=
ver.com" target=3D"_blank">www.jeanpaulderoover.com</a>, where you can also=
 download it for free.<br>
&gt;<br>
&gt; Happy holidays to all my fellow loopers!<br>
&gt;<br>
&gt; --<br>
&gt; Jean-Paul De Roover<br>
&gt; <a href=3D"http://www.jeanpaulderoover.com" target=3D"_blank">www.jean=
paulderoover.com</a><br>
&gt; <a href=3D"tel:%28807%29%20251-3376" value=3D"+18072513376" target=3D"=
_blank">(807) 251-3376</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>=
Jean-Paul De Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=
=3D"_blank">www.jeanpaulderoover.com</a><br><a href=3D"tel:%28807%29%20251-=
3376" value=3D"+18072513376" target=3D"_blank">(807) 251-3376</a><br>

</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><br><br>

--14dae934062307442204b4ac5bd6--

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On Dec 21, 2011, at 1:54 PM, Jean-Paul De Roover wrote:

> I'm in Thunder Bay, ON (about 7 hours north of Minneapolis, MN). =
However, I tour A LOT, so I generally get out to either coast at least =
once a year.

Thunder Bay Loopfest?

I don't know whether it would be better to do it in mid-winter or =
mid-summer, however.

And you would need to advise everyone on how best to get to Thunder =
Bay...

Mark


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Dec 21, 2011, at 1:54 PM, Jean-Paul De Roover =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">I'm in =
Thunder Bay, ON (about 7 hours north of Minneapolis, MN). However, I =
tour A LOT, so I generally get out to either coast at least once a =
year.<br></span></blockquote></div><br><div>Thunder Bay =
Loopfest?</div><div><br></div><div>I don't know whether it would be =
better to do it in mid-winter or mid-summer, =
however.</div><div><br></div><div>And you would need to advise everyone =
on how best to get to Thunder =
Bay...</div><div><br></div><div>Mark</div><div><br></div></body></html>=

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        Loopers Delight Mailing List <Loopers-Delight@loopers-delight.com>
Subject: Listen to Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on Dan Pound.  The Featured CD at Midnight
will be "Aurora" on Poundsounds.  Details are at the Special Focus page
at: http://wdiy.org/programs/gt/playlists/2011/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

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Subject: Questions from a newbie
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--bcaec517c42a503e1c04b4b3afaf
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Hello everybody,

since a long time I listen to music like Dub FX or Mr. Woodnote. Now I
decided to try it myself.
I installed Sooperlooper and Rakarrack, now I have two more questions left:
- I need a good microphone (I use a headset at the moment), does anyone
have any tips?
- second: are there any good exercises to do? Or is there a piece of music
with notes so I could practice it?

Thanks in advance,
Georg Hartmann

--bcaec517c42a503e1c04b4b3afaf
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<div>Hello everybody,<br></div><div><br></div><div>since a long time I listen to music like Dub FX or Mr. Woodnote. Now I decided to try it myself.</div><div>I installed Sooperlooper and Rakarrack, now I have two more questions left:</div>
<div>- I need a good microphone (I use a headset at the moment), does anyone have any tips?</div><div>- second: are there any good exercises to do? Or is there a piece of music with notes so I could practice it?</div><div>
<br></div><div>Thanks in advance,</div><div>Georg Hartmann</div>

--bcaec517c42a503e1c04b4b3afaf--

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Subject: OT My orchestration of O Holy Night
Date: Thu, 22 Dec 2011 15:13:34 -0500
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There seems to be a lot of "O Holy Night" renditions going around here on
LD, so I thought I'd throw my effort into the ring.

 

Two years ago I bought Garritan Personal Orchestra and needed to choose a
song to orchestrate, so I chose this. Essentially the arrangement is a
conglomeration of different arrangements I've heard over the years.

 

This effort may be a little short on instrument dynamics (I had little idea
of how to do that back then), but I think it's not bad for a first effort.

 

Enjoy.

 

http://tinyurl.com/c88en7w


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vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal>There =
seems to be a lot of &#8220;O Holy Night&#8221; renditions going around =
here on LD, so I thought I&#8217;d throw my effort into the =
ring.<o:p></o:p></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal>Two years ago I bought Garritan Personal Orchestra and =
needed to choose a song to orchestrate, so I chose this. Essentially the =
arrangement is a conglomeration of different arrangements I&#8217;ve =
heard over the years.<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>This effort =
may be a little short on instrument dynamics (I had little idea of how =
to do that back then), but I think it&#8217;s not bad for a first =
effort.<o:p></o:p></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal>Enjoy.<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal>http://tinyurl.com/c88en7w<o:p></o:p></p></div></body><=
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 22 20:19:15 2011
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BC schrieb:
>
> There seems to be a lot of “O Holy Night” renditions going around here 
> on LD, so I thought I’d throw my effort into the ring.
>
I'm somewhat curious: why do all people stick to tunes by such composers 
as Adolphe Adam, Mykola Leontovich or Franz Xaver Gruber when there's a 
huge repertoire by all the Bachs, Praetoriusses, Bruckners and so on?

Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Dec 22 20:44:38 2011
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Familiarity and associations with fond memories, I'm sure.

Brian


-----Original Message-----
From: Rainer Straschill [mailto:moinsound@googlemail.com] 
Sent: Thursday, December 22, 2011 3:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT My orchestration of O Holy Night etc.

BC schrieb:
>
> There seems to be a lot of "O Holy Night" renditions going around here 
> on LD, so I thought I'd throw my effort into the ring.
>
I'm somewhat curious: why do all people stick to tunes by such composers as
Adolphe Adam, Mykola Leontovich or Franz Xaver Gruber when there's a huge
repertoire by all the Bachs, Praetoriusses, Bruckners and so on?

Rainer

--
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Dec 22 20:48:28 2011
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By the way, I'm very amused by your question because I had "Es Ist Ein Ros
Entsprungen" playing in the background as I was reading your message!

Brian


-----Original Message-----
From: Rainer Straschill [mailto:moinsound@googlemail.com] 
Sent: Thursday, December 22, 2011 3:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT My orchestration of O Holy Night etc.

BC schrieb:
>
> There seems to be a lot of "O Holy Night" renditions going around here 
> on LD, so I thought I'd throw my effort into the ring.
>
I'm somewhat curious: why do all people stick to tunes by such composers as
Adolphe Adam, Mykola Leontovich or Franz Xaver Gruber when there's a huge
repertoire by all the Bachs, Praetoriusses, Bruckners and so on?

Rainer

--
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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luv it!




=20
http://tinyurl.com/c88en7w

=20

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<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'><fon=
t class=3D"Apple-style-span" size=3D"2">luv it!</font><br>
<br>
<br>

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Date: Thu, 22 Dec 2011 14:37:40 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Reply-To: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: Merry Christmas/My version of O Holy Night & Bowed Bass Come O Come Emmanuel
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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---1206011839-522678633-1324593460=:47949
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Sounds cool Matt and Jean-Paul! innovative arrangements and cool performanc=
es! here's a little bowed bass looping I did live at a Christmas show last =
week- "Come O Come Emmanuel" free download-hope you enjoy it=0A-happy holid=
ays everyone (which ever one you happen to celebrate!)=A0=0ASteve Uccello=
=0A=0Ahttp://soundcloud.com/uccello_project/come-o-come-emmanuel-live-12=0A=
=0A=0A=0A________________________________=0A From: Matt Stevens <mattsteven=
sguitar@btinternet.com>=0ATo: Loopers-Delight@loopers-delight.com =0ASent: =
Wednesday, December 21, 2011 1:15 PM=0ASubject: Merry Christmas=0A =0A=0ASo=
me christmas loopage action :)=A0=0A=0Ahttp://mattstevens.bandcamp.com/rele=
ases=0A=0A=0AMerry Christmas guys, hope to see you at a loop festival soon =
:)=A0=0A=0AHere is to an amazing 2012 :)=A0=0A=0ABest=A0=0A=0A=0AMatt Steve=
ns=0Ahttp://www.fierceandthedead.com=0Ahttp://www.mattstevensguitar.com=0Ah=
ttp://www.spencerparkmusic.com=0Amattstevensguitar@btinternet.com=0A=0AHey =
everyone!=0A=0AI've been meaning to record a holiday/Christmas song for sev=
eral years, but I finally had some time to do it! I used to sing in various=
 a cappella and barbershop groups, where we did really powerful versions of=
 O Holy Night. I'm a looper at heart, but sometimes, other recordings come =
out that aren't heavily loop based (although I do my recordings in Ableton,=
 and the bassline/rhythm is looped).=0A=0AMy rendition of that holiday clas=
sic has a bit more 'flavour' to it (although I still want to do a really vo=
cal heavy version!), with some salsa/latin/reggae sounds in there. I grew u=
p in South America, so it's about time that those influences poked their he=
ads out. It's a home recording, but still a good enough recording to play f=
or the family at Christmas dinner!=0A=0AYou can listen to it on my website=
=A0www.jeanpaulderoover.com, where you can also download it for free.=A0=0A=
=0AHappy holidays to all my fellow loopers!=0A=0A--=A0=0AJean-Paul De Roove=
r=0Awww.jeanpaulderoover.com=0A(807) 251-3376
---1206011839-522678633-1324593460=:47949
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<html><body><div style=3D"color:#000; background-color:#fff; font-family:ar=
ial, helvetica, sans-serif;font-size:14pt"><div><span>Sounds cool Matt and =
Jean-Paul! innovative arrangements and cool performances! here's a little b=
owed bass looping I did live at a Christmas show last week- "Come O Come Em=
manuel" free download-hope you enjoy it</span></div><div><span>-happy holid=
ays everyone (which ever one you happen to celebrate!)&nbsp;</span></div><d=
iv><span>Steve Uccello</span></div><div><span><br></span></div><div><span>h=
ttp://soundcloud.com/uccello_project/come-o-come-emmanuel-live-12<br></span=
></div><div><br></div>  <div style=3D"font-size: 14pt; font-family: arial, =
helvetica, sans-serif; "> <div style=3D"font-size: 12pt; font-family: 'time=
s new roman', 'new york', times, serif; "> <font size=3D"2" face=3D"Arial">=
 <hr size=3D"1">  <b><span style=3D"font-weight:bold;">From:</span></b> Mat=
t Stevens &lt;mattstevensguitar@btinternet.com&gt;<br> <b><span
 style=3D"font-weight: bold;">To:</span></b> Loopers-Delight@loopers-deligh=
t.com <br> <b><span style=3D"font-weight: bold;">Sent:</span></b> Wednesday=
, December 21, 2011 1:15 PM<br> <b><span style=3D"font-weight: bold;">Subje=
ct:</span></b> Merry Christmas<br> </font> <br>=0A<div id=3D"yiv1058138007"=
><div>Some christmas loopage action :)&nbsp;<div><br></div><div><a rel=3D"n=
ofollow" target=3D"_blank" href=3D"http://mattstevens.bandcamp.com/releases=
">http://mattstevens.bandcamp.com/releases</a><br><div><br></div><div>Merry=
 Christmas guys, hope to see you at a loop festival soon :)&nbsp;</div><div=
><br></div><div>Here is to an amazing 2012 :)&nbsp;</div><div><br></div><di=
v>Best&nbsp;</div><div><br><div>=0A<div style=3D"word-wrap:break-word;">Mat=
t Stevens</div><div style=3D"word-wrap:break-word;">http://www.fierceandthe=
dead.com<br>http://www.mattstevensguitar.com<br>http://www.spencerparkmusic=
.com<br>mattstevensguitar@btinternet.com</div><div style=3D"word-wrap:break=
-word;"><br></div><div style=3D"word-wrap:break-word;"><span class=3D"Apple=
-style-span" style=3D"font-family: Arial, Helvetica, sans-serif; font-size:=
 12px; color: rgb(69, 69, 69); ">Hey everyone!<br><br>I've been meaning to =
record a holiday/Christmas song for several years, but I finally had some t=
ime to do it! I used to sing in various a cappella and barbershop groups, w=
here we did really powerful versions of O Holy Night. I'm a looper at heart=
, but sometimes, other recordings come out that aren't heavily loop based (=
although I do my recordings in Ableton, and the bassline/rhythm is looped).=
<div><br></div><div>My rendition of that holiday classic has a bit more 'fl=
avour' to it (although I still want to
 do a really vocal heavy version!), with some salsa/latin/reggae sounds in =
there. I grew up in South America, so it's about time that those influences=
 poked their heads out. It's a home recording, but still a good enough reco=
rding to play for the family at Christmas dinner!</div><div><br></div><div>=
You can listen to it on my website&nbsp;<a rel=3D"nofollow" target=3D"_blan=
k" href=3D"http://www.jeanpaulderoover.com/" style=3D"text-decoration: unde=
rline; color: rgb(35, 71, 134); outline-width: 0px; outline-style: initial;=
 outline-color: initial; "><span class=3D"yshortcuts" id=3D"lw_1324592890_0=
">www.jeanpaulderoover.com</span></a>, where you can also download it for f=
ree.&nbsp;<br><br>Happy holidays to all my fellow loopers!<br clear=3D"all"=
><div><br></div>--&nbsp;<br>Jean-Paul De Roover<br><a rel=3D"nofollow" targ=
et=3D"_blank" href=3D"http://www.jeanpaulderoover.com/" style=3D"text-decor=
ation: underline; color: rgb(35, 71, 134); outline-width: 0px; outline-styl=
e: initial;
 outline-color: initial; ">www.jeanpaulderoover.com</a><br>(807) 251-3376</=
div></span></div>=0A</div>=0A<br></div></div></div></div><br><br> </div> </=
div>  </div></body></html>
---1206011839-522678633-1324593460=:47949--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 23 01:29:10 2011
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Subject: Maschine
Date: Thu, 22 Dec 2011 17:29:06 -0800
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Has anyone used Maschine?  What do you think?  Initially I was going to =
get it just so I could have drum pads again, but the more I learn about =
it, the more interesting it seems.  Haven't bought it yet, thought I'd =
check.  I don't think I heard much from the group about it.  If so, let =
me know and I'll go wander the archives and save you the effort of =
repeating old news.

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com






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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Has =
anyone used Maschine? &nbsp;What do you think? &nbsp;Initially I was =
going to get it just so I could have drum pads again, but the more I =
learn about it, the more interesting it seems. &nbsp;Haven't bought it =
yet, thought I'd check. &nbsp;I don't think I heard much from the group =
about it. &nbsp;If so, let me know and I'll go wander the archives and =
save you the effort of repeating old news.<div><br></div><div><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
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auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-size: medium; font-style: normal; =
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class=3D"Apple-style-span" face=3D"Arial">richard sales</font></div><div =
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<div style=3D"color: rgb(0, 0, 0); "><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
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iv><font class=3D"Apple-style-span" =
color=3D"#908e38"><br></font></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span></div></span></div></span=
></div></span></div></span></span></div><br></div></body></html>=

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Subject: Re: Interfaces
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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Thanks Keith!!

2011/12/21 Keith Smith <kahsmith@gmail.com>

> Much the same, here. It replaced an aging Firepod. I do find the Motu
> drivers can be a bit fussy on Windows, but the gear sounds great.
> Having said that, I should add that the most trouble I had was getting an
> old 2408Mk3 to run on Win7/64, but with the latest drivers it's all good
> now.
> I've used the 8pre both as interface for my Laptop(XP on DellE6400) and t=
o
> feed Adat to a 1st generation Traveller on the same machine. No issues,
> though I do find the DSP prog a bit cluttzy.
> It also gets used to send Adat to the 2408 on my Win7 Desktop.
>
>
>
> On Wed, Dec 21, 2011 at 12:05 AM, Petri Lahtinen <
> kollegavalmentaja@gmail.com> wrote:
>
>> Thanks Paul!
>>
>>
>> 2011/12/19 paul <phaslem@wightman.ca>
>>
>>>  I have the motu 8pre and love it. I've used both as a my interface for
>>> the computer and on occasion as a mic pre out on the adat to my mixing
>>> board to pick up 8 more channels. I haven't had any issues with it at a=
ll.
>>>
>>> Paul Haslem
>>> www.dulcify.ca
>>> Ontario, Canada
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> At 02:10 AM 12/20/2011, you wrote:
>>>
>>> Would really apperciate feedback on these...
>>>
>>> maudio http://www.m-audio.com/products/en_us/ProFire2626.html
>>> motu http://www.motu.com/products/motuaudio/8pre/i-o.html
>>>
>>> Does anyone on the list have these? Experiences, Answers? Questions!
>>> Questions? Answers!  (Focus)  :-)
>>>
>>> --
>>> Petri Lahtinen
>>>
>>>
>>
>>
>> --
>> Petri Lahtinen
>>
>>
>>
>
>
> --
> Keith Smith -Guitar
>
> Keith Smith Trio, Northern Lights =96 Altai Khangai - www.keithsmith.ca
> Photography - www.mymountains.ca
>
>


--=20
Petri Lahtinen

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Thanks Keith!!<br><br><div class=3D"gmail_quote">2011/12/21 Keith Smith <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:kahsmith@gmail.com">kahsmith@gmail.com=
</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex">
Much the same, here. It replaced an aging Firepod. I do find the Motu drive=
rs can be a bit fussy on Windows, but the gear sounds great.<br>Having said=
 that, I should add that the most trouble I had was getting an old 2408Mk3 =
to run on Win7/64, but with the latest drivers it&#39;s all good now.<br>

I&#39;ve used the 8pre both as interface for my Laptop(XP on DellE6400) and=
 to feed Adat to a 1st generation Traveller on the same machine. No issues,=
 though I do find the DSP prog a bit cluttzy.<br>It also gets used to send =
Adat to the 2408 on my Win7 Desktop.<div class=3D"HOEnZb">
<div class=3D"h5"><br>
=A0<br><br><div class=3D"gmail_quote">On Wed, Dec 21, 2011 at 12:05 AM, Pet=
ri Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:kollegavalmentaja@gmail=
.com" target=3D"_blank">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;borde=
r-left:1px solid rgb(204,204,204);padding-left:1ex">

Thanks Paul!<div><div><br><br><div class=3D"gmail_quote">2011/12/19 paul <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:phaslem@wightman.ca" target=3D"_blank=
">phaslem@wightman.ca</a>&gt;</span><br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204,204,204);pad=
ding-left:1ex">



<div>
I have the motu 8pre and love it. I&#39;ve used both as a my interface for
the computer and on occasion as a mic pre out on the adat to my mixing
board to pick up 8 more channels. I haven&#39;t had any issues with it at
all.<br><br>
Paul Haslem<br>
<a href=3D"http://www.dulcify.ca/" target=3D"_blank">www.dulcify.ca<br>
</a>Ontario, Canada<div><div><br><br>
<br><br>
<br><br>
<br>
At 02:10 AM 12/20/2011, you wrote:<br>
<blockquote type=3D"cite">Would really apperciate feedback
on these...<br><br>
maudio
<a href=3D"http://www.m-audio.com/products/en_us/ProFire2626.html" target=
=3D"_blank">
http://www.m-audio.com/products/en_us/ProFire2626.html</a><br>
motu
<a href=3D"http://www.motu.com/products/motuaudio/8pre/i-o.html" target=3D"=
_blank">
http://www.motu.com/products/motuaudio/8pre/i-o.html</a><br><br>
Does anyone on the list have these? Experiences, Answers? Questions!
Questions? Answers!=A0 (Focus)=A0 :-)<br><br>
-- <br>
Petri Lahtinen<br><br>
</blockquote></div></div></div>

</blockquote></div><br><br clear=3D"all"><br></div></div><span><font color=
=3D"#888888">-- <br>Petri Lahtinen<br><br><br>
</font></span></blockquote></div><br><br clear=3D"all"><br></div></div><spa=
n class=3D"HOEnZb"><font color=3D"#888888">-- <br>Keith Smith -Guitar<br><b=
r>Keith Smith Trio, Northern Lights =96 Altai Khangai - <a href=3D"http://w=
ww.keithsmith.ca" target=3D"_blank">www.keithsmith.ca</a><br>
Photography - <a href=3D"http://www.mymountains.ca" target=3D"_blank">www.m=
ymountains.ca</a><br>
<div style=3D"display:inline"></div><br>
<div style=3D"display:inline"></div>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--14dae9340c59bd92e704b4bec9ea--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 23 15:35:00 2011
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Subject: RE: OT My orchestration of O Holy Night
Date: Fri, 23 Dec 2011 10:26:46 -0500
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Thanks, Michael. The encouragement is appreciated!

 

Brian

 

 

From: michael klobuchar [mailto:nemoguitt@aol.com] 
Sent: Thursday, December 22, 2011 4:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT My orchestration of O Holy Night

 

luv it!



 

http://tinyurl.com/c88en7w


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</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Thanks, Michael. The encouragement is =
appreciated!<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Brian<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
michael klobuchar [mailto:nemoguitt@aol.com] <br><b>Sent:</b> Thursday, =
December 22, 2011 4:14 PM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: OT My =
orchestration of O Holy Night<o:p></o:p></span></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif";color:black'>l=
uv it!<br><br><o:p></o:p></span></p><div><div =
id=3D"AOLMsgPart_1_37b6ce43-7841-450a-bf76-f8ab32ed44ea"><div><div><p =
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k'><a href=3D"http://tinyurl.com/c88en7w" =
target=3D"_blank">http://tinyurl.com/c88en7w</a><o:p></o:p></span></p></d=
iv></div></div></div></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 23 17:12:32 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: mIDwINTER mEDITATION
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http://soundcloud.com/...l/midwinter-meditation



Where the cold snaps i the night at the stars sparkle against a black sky..



when you stand i the silence a bit longer=2C



- long from cities and lightsyou hear the darkness roar..

...and melodies of peace rumble in your head



Time gets engulfed by darkness

... light is ahead.. yet far away.. 		 	   		  =

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<br>
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when you stand i the silence a bit longer=2C<br>
<br>
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Time gets engulfed by darkness<br>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 23 17:27:42 2011
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Photo Essay on Flickr
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I just posted a new photo essay Railroad Overpass, Medfield MA 
12.23.11  at 
http://www.flickr.com/photos/22231918@N06/sets/72157628533754333/

When I visit my primary care physician, I pass under an interesting 
railroad overpass set in an other wise typical suburban neighborhood. 
I've often thought it would be interesting to photograph.

When I visited her yesterday for my annual exam, I had my Lumix LX 3 
in my pocket. It was as close to a perfect sky and light as one can 
hope for,, and here are the results of the shoot. (Next year I'll 
bring a DSLR with a long lens.)

BTW Some of my videos can be viewed at
http://www.youtube.com/Tobenfeld
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec 23 17:55:06 2011
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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Fri, 23 Dec 2011 12:54:42 -0500
Message-ID: <CAEEJk4p2vjD1++iShKo3nj5hKMnSE_RT8H=RGxgrNtLqw62EGg@mail.gmail.com>
Subject: Re: SXSW
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I actually started a quadrennial event called Loopy Leap Year (February
29th for those not following).

Mid summer is tough because everyone in Thunder Bay goes out to camps and
cottages, so draws are tricky.

As for getting to Thunder Bay - depends on how much stuff you have. If
you're into flying. Get to Toronto, then you can often find $100 seat sales
via Porter to TBay. Otherwise, driving from the US is good, and I'd
recommend coming from Minneapolis. Either way, you'll have to drive a lot.

On Thu, Dec 22, 2011 at 11:50 AM, Mark Hamburg <mark@grubmah.com> wrote:

> On Dec 21, 2011, at 1:54 PM, Jean-Paul De Roover wrote:
>
> I'm in Thunder Bay, ON (about 7 hours north of Minneapolis, MN). However,
> I tour A LOT, so I generally get out to either coast at least once a year.
>
>
> Thunder Bay Loopfest?
>
> I don't know whether it would be better to do it in mid-winter or
> mid-summer, however.
>
> And you would need to advise everyone on how best to get to Thunder Bay...
>
> Mark
>
>


-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

--0016e6d64b19cb2caf04b4c61d11
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I actually started a quadrennial event called Loopy Leap Year (February 29t=
h for those not following).=A0<div><br></div><div>Mid summer is tough becau=
se everyone in Thunder Bay goes out to camps and cottages, so draws are tri=
cky.=A0</div>

<div><br></div><div>As for getting to Thunder Bay - depends on how much stu=
ff you have. If you&#39;re into flying. Get to Toronto, then you can often =
find $100 seat sales via Porter to TBay. Otherwise, driving from the US is =
good, and I&#39;d recommend coming from Minneapolis. Either way, you&#39;ll=
 have to drive a lot.=A0<br>

<br><div class=3D"gmail_quote">On Thu, Dec 22, 2011 at 11:50 AM, Mark Hambu=
rg <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah.com">mark@grubmah.c=
om</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"marg=
in:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">

<div style=3D"word-wrap:break-word"><div class=3D"im"><div><div>On Dec 21, =
2011, at 1:54 PM, Jean-Paul De Roover wrote:</div><br><blockquote type=3D"c=
ite"><span style=3D"border-collapse:separate;font-family:Helvetica;font-sty=
le:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line=
-height:normal;text-align:-webkit-auto;text-indent:0px;text-transform:none;=
white-space:normal;word-spacing:0px;font-size:medium">I&#39;m in Thunder Ba=
y, ON (about 7 hours north of Minneapolis, MN). However, I tour A LOT, so I=
 generally get out to either coast at least once a year.<br>

</span></blockquote></div><br></div><div>Thunder Bay Loopfest?</div><div><b=
r></div><div>I don&#39;t know whether it would be better to do it in mid-wi=
nter or mid-summer, however.</div><div><br></div><div>And you would need to=
 advise everyone on how best to get to Thunder Bay...</div>

<div><br></div><font color=3D"#888888"><div>Mark</div><div><br></div></font=
></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br>Jean-=
Paul De Roover<br><a href=3D"http://www.jeanpaulderoover.com" target=3D"_bl=
ank">www.jeanpaulderoover.com</a><br>

(807) 251-3376<br>
</div>

--0016e6d64b19cb2caf04b4c61d11--

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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Fri, 23 Dec 2011 12:59:16 -0500
Message-ID: <CAEEJk4p0kqA41QpFA2MTywSe-3doPeNbsw7_FbW10GsPa1KD+g@mail.gmail.com>
Subject: Re: OT My orchestration of O Holy Night
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--00151747c69620bd1c04b4c62e5d
Content-Type: text/plain; charset=ISO-8859-1

Sounds great! Do have any more?


On Fri, Dec 23, 2011 at 10:26 AM, BC <compguy2@comcast.net> wrote:

> Thanks, Michael. The encouragement is appreciated!****
>
> ** **
>
> Brian****
>
> ** **
>
> ** **
>
> *From:* michael klobuchar [mailto:nemoguitt@aol.com]
> *Sent:* Thursday, December 22, 2011 4:14 PM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* Re: OT My orchestration of O Holy Night****
>
> ** **
>
> luv it!
>
> ****
>
>  ****
>
> http://tinyurl.com/c88en7w****
>



-- 
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

--00151747c69620bd1c04b4c62e5d
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Sounds great! Do have any more?<div><br><br><div class=3D"gmail_quote">On F=
ri, Dec 23, 2011 at 10:26 AM, BC <span dir=3D"ltr">&lt;<a href=3D"mailto:co=
mpguy2@comcast.net">compguy2@comcast.net</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc so=
lid;padding-left:1ex">

<div lang=3D"EN-US" link=3D"blue" vlink=3D"purple"><div><p class=3D"MsoNorm=
al"><span style=3D"font-size:11.0pt;font-family:&quot;Calibri&quot;,&quot;s=
ans-serif&quot;;color:#1f497d">Thanks, Michael. The encouragement is apprec=
iated!<u></u><u></u></span></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1f497d"><u></u>=A0<u></u></span><=
/p><p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot=
;Calibri&quot;,&quot;sans-serif&quot;;color:#1f497d">Brian<u></u><u></u></s=
pan></p>

<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1f497d"><u></u>=A0<u></u></span><=
/p><p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot=
;Calibri&quot;,&quot;sans-serif&quot;;color:#1f497d"><u></u>=A0<u></u></spa=
n></p>

<p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-family:&quot=
;Tahoma&quot;,&quot;sans-serif&quot;">From:</span></b><span style=3D"font-s=
ize:10.0pt;font-family:&quot;Tahoma&quot;,&quot;sans-serif&quot;"> michael =
klobuchar [mailto:<a href=3D"mailto:nemoguitt@aol.com" target=3D"_blank">ne=
moguitt@aol.com</a>] <br>

<b>Sent:</b> Thursday, December 22, 2011 4:14 PM<br><b>To:</b> <a href=3D"m=
ailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Deligh=
t@loopers-delight.com</a><br><b>Subject:</b> Re: OT My orchestration of O H=
oly Night<u></u><u></u></span></p>

<p class=3D"MsoNormal"><u></u>=A0<u></u></p><p class=3D"MsoNormal" style=3D=
"margin-bottom:12.0pt"><span style=3D"font-size:10.0pt;font-family:&quot;Ar=
ial&quot;,&quot;sans-serif&quot;;color:black">luv it!<br><br><u></u><u></u>=
</span></p>

<div><div><div><div><p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;=
font-family:&quot;Helvetica&quot;,&quot;sans-serif&quot;;color:black">=A0<u=
></u><u></u></span></p></div><div><p class=3D"MsoNormal"><span style=3D"fon=
t-size:10.0pt;font-family:&quot;Helvetica&quot;,&quot;sans-serif&quot;;colo=
r:black"><a href=3D"http://tinyurl.com/c88en7w" target=3D"_blank">http://ti=
nyurl.com/c88en7w</a><u></u><u></u></span></p>

</div></div></div></div></div></div></blockquote></div><br><br clear=3D"all=
"><div><br></div>-- <br>Jean-Paul De Roover<br><a href=3D"http://www.jeanpa=
ulderoover.com" target=3D"_blank">www.jeanpaulderoover.com</a><br>(807) 251=
-3376<br>


</div>

--00151747c69620bd1c04b4c62e5d--

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Subject: OT/spam my Avant garde/ modern classical output for 2011
From: william middlemiss <billymiddlemiss@gmail.com>
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--14dae93407bb78e1be04b4cca46a
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http://arteffete.bandcamp.com/

Throughout the year, Ive been adding to it. There are still some pieces to
upload and edit, and lots of other ideas to turn into works; but here's
what Ive done so far.

Feedback welcome/appreciated. Im planning on doing some musical
performances with some of my large drip paintings as backdrops in 2012.

Take care, Merry Christmas, (etc.) Happy New Year

-- 
If you do not understand the content of this message; you have a
responsibility to ask questions to allow for a process of mutual
understanding to occur. Be assured any response will receive my attention
to the highest degree which is available; I ask you not to take advantage
of my attention as my time may be better spent elsewhere. I will respect
your privacy on the condition that you respect mine.

Best wishes, Billy

(I respectfully ask that you do not copy this signature; for every copy
diminishes the appearance of authenticity and compromises the honorable
intentions from which this signature was created.)

--14dae93407bb78e1be04b4cca46a
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<a href=3D"http://arteffete.bandcamp.com/">http://arteffete.bandcamp.com/</=
a>=A0<div><br></div><div>Throughout the year, Ive been adding to it. There =
are still some pieces to upload and edit, and lots of other ideas to turn i=
nto works; but here&#39;s what Ive done so far.</div>
<div><br></div><div>Feedback welcome/appreciated. Im planning on doing some=
 musical performances with some of my large drip paintings as backdrops in =
2012.=A0</div><div><br></div><div>Take care, Merry Christmas, (etc.) Happy =
New Year<br clear=3D"all">
<div><br></div>-- <br>If you do not understand the content of this message;=
 you have a responsibility to ask questions to allow for a process of mutua=
l understanding to occur. Be assured any response will receive my attention=
 to the highest degree which is available; I ask you not to take advantage =
of my attention as my time may be better spent elsewhere. I will respect yo=
ur privacy on the condition that you respect mine.<div>
<br></div><div>Best wishes, Billy</div><div><br></div><div>(I respectfully =
ask that you do not copy this signature; for every copy diminishes=A0the ap=
pearance of authenticity and=A0compromises the honorable intentions from wh=
ich this signature was created.)</div>
<br>
</div>

--14dae93407bb78e1be04b4cca46a--

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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, December 24 at 6 am EST/GMT-5.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

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william middlemiss wrote:
 
> you have a 
> responsibility to ask questions


why is it 'classical'?
why 'modern'?
...and why 'avant garde'?

andy
ps beautiful site

From Loopers-Delight-request@loopers-delight.com  Sat Dec 24 10:01:58 2011
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Subject: Re: OT/spam my Avant garde/ modern classical output for 2011
From: william middlemiss <billymiddlemiss@gmail.com>
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--90e6ba1efd82af3d8904b4d39fef
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Andy! Thanks for the compliment!

To answer your questions:

a) Well, because I couldnt find any other description!

b) Because those are descriptions that invoke a tradition, a lineage which
these ideas are part of. Classical because there are 12 tone elements,
phasing explorations, musique concrete, classical instrumentation in parts.
Noise/sound ideas taken from Germany in the 50's where Stockhausen worked,
and sound pieces drawn out in a similar fashion to Xenakis' UPIC drawings.
Why modern? because some of my concepts are sprung from modern visual art
used in a musical context, and because the ideas I use do not belong to a
historical context in the context which I use them. Why avant garde?
because I cannot find other examples of these ideas being used in this
manner, so I have inadvertently become one of the first. My thinking was at
some points as simple as: hey, what if I did a disc with 12 tone guitar,
musique concrete over drum grooves, and sprinkled in unorthodox
instrumentation and electronic sounds.- That is what the "Musique
Dubatronics" is.

Abstracktion was me purposefully combining nontonal/oblique guitarisms with
synthesizers and sound generations which were based around geometric shapes.

Holophonics was an experiment in a 'fractal composition' approach and a
composition formula which remained consistent at extreme timescales.

And the Ambient record is electronic works with loopers and synths and
sequencers. Its the most 'traditional' of those works in terms of the
approach used to generate it, but it also is an intentional deviation from
any discernible 'form.'

The eclectic approach is simply because I could not find another way of
releasing the material Ive accumulated and categorizing it in any means
familiar with the average listener.

So, everything is a little of this, a little of that, and in the end I
tried to make everything as balanced and value-packed as possible. But, its
more or less intended to be challenging music. Its also intended to be
broken up among one's record collection and sprinkled about, as I am
completely aware that most compilations in this manner are sometimes too
challenging for some all at once. There's a certain density which appealed
to me with these 'outside' works, so I was hesitant to break any
combination of them up further.

--90e6ba1efd82af3d8904b4d39fef
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Andy! Thanks for the compliment!</div><div><br></div><div>To answer yo=
ur questions:</div><br>a) Well, because I couldnt find any other descriptio=
n!
<div><br></div><div>b) Because those are descriptions that invoke a traditi=
on, a lineage which these ideas are part of. Classical because there are 12=
 tone elements, phasing explorations, musique concrete, classical instrumen=
tation in parts. Noise/sound ideas taken from Germany in the 50&#39;s where=
 Stockhausen worked, and sound pieces drawn out in a similar fashion to Xen=
akis&#39; UPIC drawings. Why modern? because some of my concepts are sprung=
 from modern visual art used in a musical context, and because the ideas I =
use do not belong to a historical context in the context which I use them. =
Why avant garde? because I cannot find other examples of these ideas being =
used in this manner, so I have inadvertently become one of the first. My th=
inking was at some points as simple as: hey, what if I did a disc with 12 t=
one guitar, musique concrete over drum grooves, and sprinkled in unorthodox=
 instrumentation and electronic sounds.- That is what the &quot;Musique Dub=
atronics&quot; is.</div>
<div><br></div><div>Abstracktion was me purposefully combining nontonal/obl=
ique guitarisms with synthesizers and sound generations which were based ar=
ound geometric shapes.</div><div><br></div><div>Holophonics was an experime=
nt in a &#39;fractal composition&#39; approach and a composition formula wh=
ich remained consistent at extreme timescales.</div>
<div><br></div><div>And the Ambient record is electronic works with loopers=
 and synths and sequencers. Its the most &#39;traditional&#39; of those wor=
ks in terms of the approach used to generate it, but it also is an intentio=
nal deviation from any discernible &#39;form.&#39;=A0</div>
<div><br></div><div>The eclectic approach is simply because I could not fin=
d another way of releasing the material Ive accumulated and categorizing it=
 in any means familiar with the average listener.=A0</div><div><br></div>
<div>So, everything is a little of this, a little of that, and in the end I=
 tried to make everything as balanced and value-packed as possible. But, it=
s more or less intended to be challenging music. Its also intended to be br=
oken up among one&#39;s record collection and sprinkled about, as I am comp=
letely aware that most compilations in this manner are sometimes too challe=
nging for some all at once. There&#39;s a certain density which appealed to=
 me with these &#39;outside&#39; works, so I was hesitant to break any comb=
ination of them up further.=A0</div>

--90e6ba1efd82af3d8904b4d39fef--

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Subject: Re: OT/spam my Avant garde/ modern classical output for 2011
From: Per Boysen <perboysen@gmail.com>
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Thank, William, for adding this informative text! I had a quick glance
and noted that the good looking artwork implied something like this
but I found no linear notes. Keeping this on my listening list for
upcoming tome windows (isn't it exiting to live a modern life between
eventually upcoming windows!!!).

Good questions, Andy! They had been bouncing around my subconscious
too but I was too lazy to dig in.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Sat, Dec 24, 2011 at 11:01 AM, william middlemiss
<billymiddlemiss@gmail.com> wrote:
> Andy! Thanks for the compliment!
>
> To answer your questions:
>
> a) Well, because I couldnt find any other description!
>
> b) Because those are descriptions that invoke a tradition, a lineage which
> these ideas are part of. Classical because there are 12 tone elements,
> phasing explorations, musique concrete, classical instrumentation in parts.
> Noise/sound ideas taken from Germany in the 50's where Stockhausen worked,
> and sound pieces drawn out in a similar fashion to Xenakis' UPIC drawings.
> Why modern? because some of my concepts are sprung from modern visual art
> used in a musical context, and because the ideas I use do not belong to a
> historical context in the context which I use them. Why avant garde? because
> I cannot find other examples of these ideas being used in this manner, so I
> have inadvertently become one of the first. My thinking was at some points
> as simple as: hey, what if I did a disc with 12 tone guitar, musique
> concrete over drum grooves, and sprinkled in unorthodox instrumentation and
> electronic sounds.- That is what the "Musique Dubatronics" is.
>
> Abstracktion was me purposefully combining nontonal/oblique guitarisms with
> synthesizers and sound generations which were based around geometric shapes.
>
> Holophonics was an experiment in a 'fractal composition' approach and a
> composition formula which remained consistent at extreme timescales.
>
> And the Ambient record is electronic works with loopers and synths and
> sequencers. Its the most 'traditional' of those works in terms of the
> approach used to generate it, but it also is an intentional deviation from
> any discernible 'form.'
>
> The eclectic approach is simply because I could not find another way of
> releasing the material Ive accumulated and categorizing it in any means
> familiar with the average listener.
>
> So, everything is a little of this, a little of that, and in the end I tried
> to make everything as balanced and value-packed as possible. But, its more
> or less intended to be challenging music. Its also intended to be broken up
> among one's record collection and sprinkled about, as I am completely aware
> that most compilations in this manner are sometimes too challenging for some
> all at once. There's a certain density which appealed to me with these
> 'outside' works, so I was hesitant to break any combination of them up
> further.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 24 10:28:58 2011
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Subject: Re: OT/spam my Avant garde/ modern classical output for 2011
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Per,

Im going to be adding descriptions. It was interesting in the meantime to
see which tracks garnered attention without descriptions, however.

I do feel satisfaction with your remark about the artwork supporting the
music. I simply added the visual work from this time period, and the two
coalesced. This is probably not a coincidence because of the
abstract/departure from traditional form in both musical and visual idioms
and using note collections, or color collections to determine the direction
of both and give gravity to the result.

Thanks again,
Billy

--14dae9340913456f0204b4d4007a
Content-Type: text/html; charset=ISO-8859-1
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Per,=A0<div><br></div><div>Im going to be adding descriptions. It was inter=
esting in the meantime to see which tracks garnered attention without descr=
iptions, however.</div><div><br></div><div>I do feel satisfaction with your=
 remark about the artwork supporting the music. I simply added the visual w=
ork from this time period, and the two coalesced. This is probably not a co=
incidence because of the abstract/departure from traditional form in both m=
usical and visual idioms and using note collections, or color collections t=
o determine the direction of both and give gravity to the result.<br>
<div><br></div></div><div>Thanks again,</div><div>Billy</div>

--14dae9340913456f0204b4d4007a--

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Subject: Re: mIDwINTER mEDITATION
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--f46d044787d9d29ecf04b4d7a463
Content-Type: text/plain; charset=ISO-8859-1

meditative - really winterish

Seasons greetings from Finland to you Anders!

2011/12/23 Anders Bergdahl <anders_e_bergdahl@hotmail.com>

>  http://soundcloud.com/...l/midwinter-meditation<http://soundcloud.com/anders-bergdahl/midwinter-meditation>
>
> Where the cold snaps i the night at the stars sparkle against a black sky..
>
> when you stand i the silence a bit longer,
>
> - long from cities and lights
>
> you hear the darkness roar..
>
>
> ...and melodies of peace rumble in your head
>
> Time gets engulfed by darkness
> ... light is ahead.. yet far away..****
>



-- 
Petri Lahtinen

--f46d044787d9d29ecf04b4d7a463
Content-Type: text/html; charset=ISO-8859-1
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meditative - really winterish<br><br>Seasons greetings from Finland to you =
Anders!<br><br><div class=3D"gmail_quote">2011/12/23 Anders Bergdahl <span =
dir=3D"ltr">&lt;<a href=3D"mailto:anders_e_bergdahl@hotmail.com">anders_e_b=
ergdahl@hotmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">


<div><div dir=3D"ltr">
<p class=3D"MsoNormal"><a href=3D"http://soundcloud.com/anders-bergdahl/mid=
winter-meditation" target=3D"_blank"><span lang=3D"EN-US">http://soundcloud=
.com/...l/midwinter-meditation</span></a><span lang=3D"EN-US"><br>
<br>
Where the cold snaps i the night at the stars sparkle against a black sky..=
<br>
<br>
when you stand i the silence a bit longer,<br>
<br>
- long from cities and lights</span></p><p class=3D"MsoNormal"><span lang=
=3D"EN-US">you hear the darkness roar..</span></p><p class=3D"MsoNormal"><s=
pan lang=3D"EN-US"><br>
...and melodies of peace rumble in your head<br>
<br>
Time gets engulfed by darkness<br>
... light is ahead.. </span>yet far away..<span lang=3D"EN-US"><u></u><u></=
u></span></p> 		 	   		  </div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--f46d044787d9d29ecf04b4d7a463--

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Subject: Re: SXSW
From: daniel <daniel@ithinkwethink.org>
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Whoa nice. I'll keep that in mind for a future tour.

Anyone on here planning on even going to SXSW in March? Or is anyone on
here based down in Austin, TX?

On Fri, Dec 23, 2011 at 12:54 PM, Jean-Paul De Roover <j.de.roover@gmail.com
> wrote:

> I actually started a quadrennial event called Loopy Leap Year (February
> 29th for those not following).
>
> Mid summer is tough because everyone in Thunder Bay goes out to camps and
> cottages, so draws are tricky.
>
> As for getting to Thunder Bay - depends on how much stuff you have. If
> you're into flying. Get to Toronto, then you can often find $100 seat sales
> via Porter to TBay. Otherwise, driving from the US is good, and I'd
> recommend coming from Minneapolis. Either way, you'll have to drive a lot.
>
>
> On Thu, Dec 22, 2011 at 11:50 AM, Mark Hamburg <mark@grubmah.com> wrote:
>
>> On Dec 21, 2011, at 1:54 PM, Jean-Paul De Roover wrote:
>>
>> I'm in Thunder Bay, ON (about 7 hours north of Minneapolis, MN). However,
>> I tour A LOT, so I generally get out to either coast at least once a year.
>>
>>
>> Thunder Bay Loopfest?
>>
>> I don't know whether it would be better to do it in mid-winter or
>> mid-summer, however.
>>
>> And you would need to advise everyone on how best to get to Thunder Bay...
>>
>> Mark
>>
>>
>
>
> --
> Jean-Paul De Roover
> www.jeanpaulderoover.com
> (807) 251-3376
>

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Whoa nice. I&#39;ll keep that in mind for a future tour. <br><br>Anyone on =
here planning on even going to SXSW in March? Or is anyone on here based do=
wn in Austin, TX? <br><br><div class=3D"gmail_quote">On Fri, Dec 23, 2011 a=
t 12:54 PM, Jean-Paul De Roover <span dir=3D"ltr">&lt;<a href=3D"mailto:j.d=
e.roover@gmail.com">j.de.roover@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">I actually started a quadrennial event calle=
d Loopy Leap Year (February 29th for those not following).=A0<div><br></div=
><div>
Mid summer is tough because everyone in Thunder Bay goes out to camps and c=
ottages, so draws are tricky.=A0</div>

<div><br></div><div>As for getting to Thunder Bay - depends on how much stu=
ff you have. If you&#39;re into flying. Get to Toronto, then you can often =
find $100 seat sales via Porter to TBay. Otherwise, driving from the US is =
good, and I&#39;d recommend coming from Minneapolis. Either way, you&#39;ll=
 have to drive a lot.=A0<div>
<div class=3D"h5"><br>

<br><div class=3D"gmail_quote">On Thu, Dec 22, 2011 at 11:50 AM, Mark Hambu=
rg <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah.com" target=3D"_bla=
nk">mark@grubmah.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex=
">


<div style=3D"word-wrap:break-word"><div><div><div>On Dec 21, 2011, at 1:54=
 PM, Jean-Paul De Roover wrote:</div><br><blockquote type=3D"cite"><span st=
yle=3D"border-collapse:separate;font-family:Helvetica;font-style:normal;fon=
t-variant:normal;font-weight:normal;letter-spacing:normal;line-height:norma=
l;text-align:-webkit-auto;text-indent:0px;text-transform:none;white-space:n=
ormal;word-spacing:0px;font-size:medium">I&#39;m in Thunder Bay, ON (about =
7 hours north of Minneapolis, MN). However, I tour A LOT, so I generally ge=
t out to either coast at least once a year.<br>


</span></blockquote></div><br></div><div>Thunder Bay Loopfest?</div><div><b=
r></div><div>I don&#39;t know whether it would be better to do it in mid-wi=
nter or mid-summer, however.</div><div><br></div><div>And you would need to=
 advise everyone on how best to get to Thunder Bay...</div>


<div><br></div><font color=3D"#888888"><div>Mark</div><div><br></div></font=
></div></blockquote></div><br><br clear=3D"all"><div><br></div></div></div>=
<div class=3D"im">-- <br>Jean-Paul De Roover<br><a href=3D"http://www.jeanp=
aulderoover.com" target=3D"_blank">www.jeanpaulderoover.com</a><br>


<a href=3D"tel:%28807%29%20251-3376" value=3D"+18072513376" target=3D"_blan=
k">(807) 251-3376</a><br>
</div></div>
</blockquote></div><br>

--000e0cdf0af090e58e04b4d8afca--

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Subject: Re: OT/spam my Avant garde/ modern classical output for 2011
From: Ted Killian <tedkillian@charter.net>
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Thanks for sharing Bill.

I enjoyed every minute of it - and may make a purchase too.

And right now I am enjoying streaming all 4 albums at once (something my =
browser sometimes lets me do).

As a musician/visual artis myself I can very much appreciate what you've =
done.

I wish you success.

Best,

Ted Killian


On Dec 23, 2011, at 5:42 PM, william middlemiss wrote:

> http://arteffete.bandcamp.com/=20

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Subject: Re: OT/spam my Avant garde/ modern classical output for 2011
From: marcus kirby <marcusloops@gmail.com>
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I'm not familar with a lot of the concepts you are describing. I'm a bit
younger, and have only heard of the twelve tone system through arvo part.

The other stuff sounds very interesting though. Any links explaining
art/geometry/fractals as the basis for composition?
On Dec 24, 2011 4:01 AM, "william middlemiss" <billymiddlemiss@gmail.com>
wrote:

> Andy! Thanks for the compliment!
>
> To answer your questions:
>
> a) Well, because I couldnt find any other description!
>
> b) Because those are descriptions that invoke a tradition, a lineage which
> these ideas are part of. Classical because there are 12 tone elements,
> phasing explorations, musique concrete, classical instrumentation in parts.
> Noise/sound ideas taken from Germany in the 50's where Stockhausen worked,
> and sound pieces drawn out in a similar fashion to Xenakis' UPIC drawings.
> Why modern? because some of my concepts are sprung from modern visual art
> used in a musical context, and because the ideas I use do not belong to a
> historical context in the context which I use them. Why avant garde?
> because I cannot find other examples of these ideas being used in this
> manner, so I have inadvertently become one of the first. My thinking was at
> some points as simple as: hey, what if I did a disc with 12 tone guitar,
> musique concrete over drum grooves, and sprinkled in unorthodox
> instrumentation and electronic sounds.- That is what the "Musique
> Dubatronics" is.
>
> Abstracktion was me purposefully combining nontonal/oblique guitarisms
> with synthesizers and sound generations which were based around geometric
> shapes.
>
> Holophonics was an experiment in a 'fractal composition' approach and a
> composition formula which remained consistent at extreme timescales.
>
> And the Ambient record is electronic works with loopers and synths and
> sequencers. Its the most 'traditional' of those works in terms of the
> approach used to generate it, but it also is an intentional deviation from
> any discernible 'form.'
>
> The eclectic approach is simply because I could not find another way of
> releasing the material Ive accumulated and categorizing it in any means
> familiar with the average listener.
>
> So, everything is a little of this, a little of that, and in the end I
> tried to make everything as balanced and value-packed as possible. But, its
> more or less intended to be challenging music. Its also intended to be
> broken up among one's record collection and sprinkled about, as I am
> completely aware that most compilations in this manner are sometimes too
> challenging for some all at once. There's a certain density which appealed
> to me with these 'outside' works, so I was hesitant to break any
> combination of them up further.
>

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<p>I&#39;m not familar with a lot of the concepts you are describing. I&#39=
;m a bit younger, and have only heard of the twelve tone system through arv=
o part.</p>
<p>The other stuff sounds very interesting though. Any links explaining art=
/geometry/fractals as the basis for composition?</p>
<div class=3D"gmail_quote">On Dec 24, 2011 4:01 AM, &quot;william middlemis=
s&quot; &lt;<a href=3D"mailto:billymiddlemiss@gmail.com">billymiddlemiss@gm=
ail.com</a>&gt; wrote:<br type=3D"attribution"><blockquote class=3D"gmail_q=
uote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1e=
x">
<div>Andy! Thanks for the compliment!</div><div><br></div><div>To answer yo=
ur questions:</div><br>a) Well, because I couldnt find any other descriptio=
n!
<div><br></div><div>b) Because those are descriptions that invoke a traditi=
on, a lineage which these ideas are part of. Classical because there are 12=
 tone elements, phasing explorations, musique concrete, classical instrumen=
tation in parts. Noise/sound ideas taken from Germany in the 50&#39;s where=
 Stockhausen worked, and sound pieces drawn out in a similar fashion to Xen=
akis&#39; UPIC drawings. Why modern? because some of my concepts are sprung=
 from modern visual art used in a musical context, and because the ideas I =
use do not belong to a historical context in the context which I use them. =
Why avant garde? because I cannot find other examples of these ideas being =
used in this manner, so I have inadvertently become one of the first. My th=
inking was at some points as simple as: hey, what if I did a disc with 12 t=
one guitar, musique concrete over drum grooves, and sprinkled in unorthodox=
 instrumentation and electronic sounds.- That is what the &quot;Musique Dub=
atronics&quot; is.</div>

<div><br></div><div>Abstracktion was me purposefully combining nontonal/obl=
ique guitarisms with synthesizers and sound generations which were based ar=
ound geometric shapes.</div><div><br></div><div>Holophonics was an experime=
nt in a &#39;fractal composition&#39; approach and a composition formula wh=
ich remained consistent at extreme timescales.</div>

<div><br></div><div>And the Ambient record is electronic works with loopers=
 and synths and sequencers. Its the most &#39;traditional&#39; of those wor=
ks in terms of the approach used to generate it, but it also is an intentio=
nal deviation from any discernible &#39;form.&#39;=A0</div>

<div><br></div><div>The eclectic approach is simply because I could not fin=
d another way of releasing the material Ive accumulated and categorizing it=
 in any means familiar with the average listener.=A0</div><div><br></div>

<div>So, everything is a little of this, a little of that, and in the end I=
 tried to make everything as balanced and value-packed as possible. But, it=
s more or less intended to be challenging music. Its also intended to be br=
oken up among one&#39;s record collection and sprinkled about, as I am comp=
letely aware that most compilations in this manner are sometimes too challe=
nging for some all at once. There&#39;s a certain density which appealed to=
 me with these &#39;outside&#39; works, so I was hesitant to break any comb=
ination of them up further.=A0</div>

</blockquote></div>

--001517510bbcfa38c504b4da5290--

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Subject: Re: OT/spam my Avant garde/ modern classical output for 2011
From: william middlemiss <billymiddlemiss@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Marcus, Theres only vague references. Ive come up with a few processes
myself, but they need to be refined, and language to explain them needs to
be agreed upon.

 That is my concentration this winter though. Ill pass on anything of value
I compile.


-Billy

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Marcus, Theres only vague references. Ive come up with a few processes myse=
lf, but they need to be refined, and language to explain them needs to be a=
greed upon.=A0<div><br></div><div>=A0That is my concentration this winter t=
hough. Ill pass on anything of value I compile.<br>
<br><div class=3D"gmail_quote"><br></div><div>-Billy</div>
</div>

--90e6ba6e89c8b9fd3e04b4da7c86--

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Subject: Re: OT/spam my Avant garde/ modern classical output for 2011
From: marcus kirby <marcusloops@gmail.com>
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Thanks. It all sounds very interesting.

On Sat, Dec 24, 2011 at 12:13 PM, william middlemiss
<billymiddlemiss@gmail.com> wrote:
> Marcus, Theres only vague references. Ive come up with a few processes
> myself, but they need to be refined, and language to explain them needs t=
o
> be agreed upon.
>
> =A0That is my concentration this winter though. Ill pass on anything of v=
alue
> I compile.
>
>
> -Billy

From Loopers-Delight-request@loopers-delight.com  Sat Dec 24 18:45:58 2011
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Anders,

I like! Alot!

Interesting contrasting elements, but each holding their own space.

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<div>Anders,</div><div><br></div>I like! Alot!<div><br></div><div>Interesting contrasting elements, but each holding their own space.</div><div><br></div><div><br><br><div class="gmail_quote"><br></div>
</div>

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From Loopers-Delight-request@loopers-delight.com  Sat Dec 24 19:02:18 2011
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Subject: RE: OT My orchestration of O Holy Night
Date: Sat, 24 Dec 2011 14:02:17 -0500
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Sorry, I don't, but thank you for the encouragement.

 

I was going to try to take on "Mars, Bringer of War", as a hybrid of the
classic orchestral arrangement with some of the ELP flavor thrown in, plus
my own interpretation of the crazy, off-the-rails climax near the end.

 

Thank you again for your kind comment.

 

Brian

 

 

From: Jean-Paul De Roover [mailto:j.de.roover@gmail.com] 
Sent: Friday, December 23, 2011 12:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT My orchestration of O Holy Night

 

Sounds great! Do have any more?


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charset=3Dus-ascii"><meta name=3DGenerator content=3D"Microsoft Word 14 =
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style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Sorry, I don&#8217;t, but thank you for the =
encouragement.<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>I was going to try to take on &#8220;Mars, Bringer of War&#8221;, as =
a hybrid of the classic orchestral arrangement with some of the ELP =
flavor thrown in, plus my own interpretation of the crazy, off-the-rails =
climax near the end.<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Thank you again for your kind comment.<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Brian<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
Jean-Paul De Roover [mailto:j.de.roover@gmail.com] <br><b>Sent:</b> =
Friday, December 23, 2011 12:59 PM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: OT My =
orchestration of O Holy Night<o:p></o:p></span></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>Sounds =
great! Do have any more?<o:p></o:p></p></div></body></html>
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Date: Sat, 24 Dec 2011 14:14:49 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Reply-To: Steve Uccello <stevebassbird@yahoo.com>
Subject: Bowed Contrabass-Come O Come Emmanuel-Happy Holidays
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Hey everyone, Happy Holidays (whichever one you happen to celebrate!) In case any missed it who might enjoy: a little free download of this upright bass, live looping, droney version of Come O Come Emmanuel I played at a concert a couple of weeks ago-hope you enjoy! Steve Uccello (Clarified Birds)

http://soundcloud.com/uccello_project/come-o-come-emmanuel-live-12
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<html><body><div style="color:#000; background-color:#fff; font-family:arial, helvetica, sans-serif;font-size:14pt"><div>Hey everyone, Happy Holidays (whichever one you happen to celebrate!) In case any missed it who might enjoy: a little free download of this upright bass, live looping, droney version of Come O Come Emmanuel I played at a concert a couple of weeks ago-hope you enjoy! Steve Uccello (Clarified Birds)</div><div><br></div><div>http://soundcloud.com/uccello_project/come-o-come-emmanuel-live-12<br></div><div><br></div><div><br></div></div></body></html>
--343573205-352204486-1324764889=:5711--

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WOW ... a lot of very good music.. I will need time to digest it all..=20
...holophonics pt.1 and i rellay like i=2C the texture in the background is=
 such a nice backdrop for the bell like sounds..good contrast!
Like some if the ambient stuff as well=2C but to me holophonics is the stuf=
f i prefer.. good mix between ambient and more experimental melodies and te=
xtures..
OOps listning to abstraction #8.. LOVE it... very cool stuff.. prepared gui=
tar and a comb filter?? How was the guitar prepared?=20
Bottom line i need MUCH more time to disgest it..=20
THANKS!!

Date: Fri=2C 23 Dec 2011 20:42:12 -0500
Subject: OT/spam my Avant garde/ modern classical output for 2011
From: billymiddlemiss@gmail.com
To: Loopers-Delight@loopers-delight.com

http://arteffete.bandcamp.com/=20
Throughout the year=2C Ive been adding to it. There are still some pieces t=
o upload and edit=2C and lots of other ideas to turn into works=3B but here=
's what Ive done so far.

Feedback welcome/appreciated. Im planning on doing some musical performance=
s with some of my large drip paintings as backdrops in 2012.=20
Take care=2C Merry Christmas=2C (etc.) Happy New Year

--=20
If you do not understand the content of this message=3B you have a responsi=
bility to ask questions to allow for a process of mutual understanding to o=
ccur. Be assured any response will receive my attention to the highest degr=
ee which is available=3B I ask you not to take advantage of my attention as=
 my time may be better spent elsewhere. I will respect your privacy on the =
condition that you respect mine.

Best wishes=2C Billy
(I respectfully ask that you do not copy this signature=3B for every copy d=
iminishes the appearance of authenticity and compromises the honorable inte=
ntions from which this signature was created.)


 		 	   		  =

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<body class=3D'hmmessage'><div dir=3D'ltr'>
WOW ... a lot of very good music.. I will need time to digest it all..&nbsp=
=3B<div><br></div><div>...holophonics pt.1 and i rellay like i=2C the textu=
re in the background is such a nice backdrop for the bell like sounds..good=
 contrast!</div><div><br></div><div>Like some if the ambient stuff as well=
=2C but to me holophonics is the stuff i prefer.. good mix between&nbsp=3Ba=
mbient&nbsp=3Band more experimental melodies and textures..</div><div><br><=
/div><div>OOps listning to abstraction #8.. LOVE it... very cool stuff.. pr=
epared guitar and a comb filter?? How was the guitar prepared?&nbsp=3B</div=
><div><br></div><div>Bottom line i need MUCH more time to disgest it..&nbsp=
=3B</div><div><br></div><div>THANKS!!<br><br><div><div id=3D"SkyDrivePlaceh=
older"></div><hr id=3D"stopSpelling">Date: Fri=2C 23 Dec 2011 20:42:12 -050=
0<br>Subject: OT/spam my Avant garde/ modern classical output for 2011<br>F=
rom: billymiddlemiss@gmail.com<br>To: Loopers-Delight@loopers-delight.com<b=
r><br><a href=3D"http://arteffete.bandcamp.com/" target=3D"_blank">http://a=
rteffete.bandcamp.com/</a>&nbsp=3B<div><br></div><div>Throughout the year=
=2C Ive been adding to it. There are still some pieces to upload and edit=
=2C and lots of other ideas to turn into works=3B but here's what Ive done =
so far.</div>
<div><br></div><div>Feedback welcome/appreciated. Im planning on doing some=
 musical performances with some of my large drip paintings as backdrops in =
2012.&nbsp=3B</div><div><br></div><div>Take care=2C Merry Christmas=2C (etc=
.) Happy New Year<br clear=3D"all">
<div><br></div>-- <br>If you do not understand the content of this message=
=3B you have a responsibility to ask questions to allow for a process of mu=
tual understanding to occur. Be assured any response will receive my attent=
ion to the highest degree which is available=3B I ask you not to take advan=
tage of my attention as my time may be better spent elsewhere. I will respe=
ct your privacy on the condition that you respect mine.<div>
<br></div><div>Best wishes=2C Billy</div><div><br></div><div>(I respectfull=
y ask that you do not copy this signature=3B for every copy diminishes&nbsp=
=3Bthe appearance of authenticity and&nbsp=3Bcompromises the honorable inte=
ntions from which this signature was created.)</div>
<br>
</div></div></div> 		 	   		  </div></body>
</html>=

--_97e4805c-281a-44b9-acfc-e9415a9bd4b2_--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 24 22:39:03 2011
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Subject: RE: mIDwINTER mEDITATION
Date: Sat, 24 Dec 2011 23:38:49 +0100
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> 2011/12/23 Anders Bergdahl
<http://soundcloud.com/anders-bergdahl/midwinter-meditation>
http://soundcloud.com/...l/midwinter-meditation

love the guitar tone and the scattered sounds, it is like a painting but not
repetitive, it stays surprising. Lovely!

-Michael

 


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class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span lang=3DEN-US =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>&gt; </span><span lang=3DEN-US>2011/12/23 Anders Bergdahl </span><a =
href=3D"http://soundcloud.com/anders-bergdahl/midwinter-meditation" =
target=3D"_blank"><span =
lang=3DEN-US>http://soundcloud.com/...l/midwinter-meditation</span></a><s=
pan style=3D'color:#1F497D'><o:p></o:p></span></p><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'><span lang=3DEN-US =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>love the guitar tone and the scattered sounds, it is like a painting =
but not repetitive, it stays surprising. Lovely!<o:p></o:p></span></p><p =
class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span lang=3DEN-US =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>-Michael<o:p></o:p></span></p><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'><span lang=3DEN-US =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p></div></div></div></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sun Dec 25 14:23:57 2011
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Date: Sun, 25 Dec 2011 09:23:50 -0500
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Subject: Thought Radio Playlist for December 24, 2011.
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Happy Holidays everyone!

http://soundscapes.us/thoughtradio/playlists/2011/111224.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.
http://soundscapes.us/afterglow/index.html

                 Show #214                December 24, 2011.

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Numina               Scraping the         Subterranean Landscapes
                        Surface              (Numinamusic)
VA [Myth Gestalt     In This Realm of     Sequences No. 16
   Musik]               Imperfection 2
VA [Julian Bishop]   Cybernaught          Sequences No. 17
VA [Stephan Whitlan] Unreleased           Sequences No. 17
Polaris and          Collision            Collision (Ricochet Dream)
   Krzysztof Horn


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
The Tunnel Singer    Tears In Rain *      Tears In Rain (none)
Paul McCartney       Moonrise             Ocean's Kingdom (Telarc)


Phase III/Progressive Rock:


ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Spock's Beard        As Far As the Mind   Spock's Beard (InsideOut)
                        See
[Dreaming in the Age of Answers | Here's a Man | They Know We Know |
Stream of Unconsciousness]
A.C.T                Consequences          Silence (InsideOut)
[Silent Screams | Introduction | The Millionaire | Joanna | A Father's
Love | Memory to Fight | The Diary | A Wound That Won't Heal | The Final
Silence]


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/GMT-5.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sun Dec 25 17:18:26 2011
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From: Ted Killian <tedkillian@charter.net>
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Subject: Merry Christmas Everybody!
Date: Sun, 25 Dec 2011 09:18:24 -0800
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Seasons greetings, happy new year and all that other stuff.

Most of all . . . peace on earthy.

From Loopers-Delight-request@loopers-delight.com  Sun Dec 25 17:23:14 2011
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Subject: Re: Merry Christmas Everybody!
From: Thomas Wegmann <theweg@gmail.com>
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Merry Christmas to you and everyone.  Peace to all creatures!
On Dec 25, 2011 12:18 PM, "Ted Killian" <tedkillian@charter.net> wrote:
>
> Seasons greetings, happy new year and all that other stuff.
>
> Most of all . . . peace on earthy.
>

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<p>Merry Christmas to you and everyone.=A0 Peace to all creatures!<br>
On Dec 25, 2011 12:18 PM, &quot;Ted Killian&quot; &lt;<a href=3D"mailto:ted=
killian@charter.net">tedkillian@charter.net</a>&gt; wrote:<br>
&gt;<br>
&gt; Seasons greetings, happy new year and all that other stuff.<br>
&gt;<br>
&gt; Most of all . . . peace on earthy.<br>
&gt;<br>
</p>

--20cf306f7710a4f5bb04b4ede78f--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 25 19:33:19 2011
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Subject: Galactic Travels Playlist #768 for December 22, 2011.
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http://wdiy.org/programs/gt/playlists/2011/111222.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #768                December 22, 2011.

WDIY Playlist: http://wdiy.org/shows/playList.jsp?id=8077

RECAP:
On this show, I continued the month-long focus on Dan Pound.  The
Featured CD at Midnight was "Aurora" on Poundsounds.
http://wdiy.org/programs/gt/playlists/2011/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Sensitive Chaos      Winter Winds Across  Remembering Chestnuts, Icy
                        the Heartland        Cold, and Bells (Subsequent)
Mystified            Raining Red          Flickering Fuel (Dark Meadow)
Keller and          Metropolis *          Long Distances (Manikin)
   Schonwalder
Jonn Serrie          Breath of the        Sunday Morning Peace (Valley
                        Valley               Entertainment)
Dan Pound            Aurora               Aurora (Poundsounds)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Dan Pound            Northern Lights      Aurora (Poundsounds)
Dan Pound            Magnetic Pull        Aurora (Poundsounds)
Dan Pound            True North           Aurora (Poundsounds)
Dan Pound            Wind aand Wing       Aurora (Poundsounds)
Dan Pound            Polaris              Aurora (Poundsounds)
Dan Pound            Under Stars          Aurora (Poundsounds)
Dan Pound            Wind Calling         Aurora (Poundsounds)
Dan Pound            Borealis             Aurora (Poundsounds)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Dan
Pound.  The Featured CD at Midnight will be "Wolf Moon" on Poundsounds.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://wdiy.org/listen on-line.

From Loopers-Delight-request@loopers-delight.com  Sun Dec 25 23:07:46 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Sun, 25 Dec 2011 18:07:02 -0500
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Subject: To my list brethren n sistren! , a little Christmas looping for y'all.
To: "Looper's Delight" <Loopers-Delight@loopers-delight.com>
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--0016e6dbe5f4a86bc904b4f2b721
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Happy Holidays to all of you, respect and joy for whatever you celebrate,
and best wishes for the coming year.

I've loved all the holiday looping over the past couple weeks, and herewith
offer up my own.

Here's a private soundcloud link to one of the tunes from my CD,
Outerborough. It's called Icy Sleeves of Green - you can probably tell what
Christmas tune it's around, lol, and I hope you enjoy it.

http://soundcloud.com/toddreyn/icy-sleeves-of-green/s-YcHmH

If by chance you're interested, I'm reissuing my record on facebook, one
track a week, with extensive liner notes and photos, videos, back story,
you know the drill... Here's the first entry,

https://www.facebook.com/permalink.php?story_fbid=278743
348840735&id=167398653309797

and here's the vehicle I'm using to do it... It sure as hell ain't perfect,
but there are some good things to it.  It's called BandPage... Check this
page out for me?

http://listn.to/Todd-Reynolds

All best to you all, I wish you joy, peace, happiness, all good things
wherever you are.

Todd

--0016e6dbe5f4a86bc904b4f2b721
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Happy Holidays to all of you, respect and joy for whatever you celebrate, a=
nd best wishes for=A0the coming year. =A0<br clear=3D"all"><div><br></div><=
div>I&#39;ve loved all the holiday looping over the past couple weeks, and =
herewith offer up my own. =A0</div>

<div><br></div><div>Here&#39;s a private soundcloud link to one of the tune=
s from my CD, Outerborough. It&#39;s called Icy Sleeves of Green - you can =
probably tell what Christmas tune it&#39;s around, lol, and I hope you enjo=
y it.=A0</div>

<div><br></div><div><a href=3D"http://soundcloud.com/toddreyn/icy-sleeves-o=
f-green/s-YcHmH">http://soundcloud.com/toddreyn/icy-sleeves-of-green/s-YcHm=
H</a></div><div><br></div><div>If by chance you&#39;re interested, I&#39;m =
reissuing my record on facebook, one track a week, with extensive liner not=
es and photos, videos, back story, you know the drill... Here&#39;s the fir=
st entry,=A0</div>

<div><br></div><div><span class=3D"Apple-style-span" style=3D"font-family:&=
#39;lucida grande&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-=
height:14px"><a href=3D"https://www.facebook.com/permalink.php?story_fbid=
=3D278743348840735&amp;id=3D167398653309797" target=3D"_blank" rel=3D"nofol=
low" style=3D"color:rgb(59,89,152);text-decoration:none"><span>https://www.=
facebook.com/</span><span class=3D"word_break" style=3D"display:inline-bloc=
k"></span><span>permalink.php?story_fbid=3D278743</span><span class=3D"word=
_break" style=3D"display:inline-block"></span>348840735&amp;id=3D1673986533=
09797</a>=A0</span></div>

<div><span class=3D"Apple-style-span" style=3D"font-family:&#39;lucida gran=
de&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-height:14px"><b=
r></span></div><div><span class=3D"Apple-style-span" style=3D"font-family:&=
#39;lucida grande&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-=
height:14px">and here&#39;s the vehicle I&#39;m using to do it... It sure a=
s hell ain&#39;t perfect, but there are some good things to it. =A0It&#39;s=
 called BandPage... Check this page out for me?</span></div>

<div><span class=3D"Apple-style-span" style=3D"font-family:&#39;lucida gran=
de&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-height:14px"><b=
r></span></div><div><span class=3D"Apple-style-span" style=3D"font-family:&=
#39;lucida grande&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-=
height:14px"><a href=3D"http://listn.to/Todd-Reynolds">http://listn.to/Todd=
-Reynolds</a></span></div>

<div><span class=3D"Apple-style-span" style=3D"font-family:&#39;lucida gran=
de&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-height:14px"><b=
r></span></div><div><span class=3D"Apple-style-span" style=3D"font-family:&=
#39;lucida grande&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-=
height:14px">All best to you all, I wish you joy, peace, happiness, all goo=
d things wherever you are. =A0</span></div>

<div><span class=3D"Apple-style-span" style=3D"font-family:&#39;lucida gran=
de&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-height:14px"><b=
r></span></div><div><span class=3D"Apple-style-span" style=3D"font-family:&=
#39;lucida grande&#39;,tahoma,verdana,arial,sans-serif;font-size:11px;line-=
height:14px">Todd</span></div>

<div><br></div><div><br></div><div><p style=3D"margin:0px 0px 0px 0px;font:=
12.0px Helvetica"><br></p></div><br>

--0016e6dbe5f4a86bc904b4f2b721--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 25 23:12:18 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: To my list brethren n sistren! , a little Christmas looping for
 y'all.
Date: Sun, 25 Dec 2011 23:12:12 +0000
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Greatness.. sounds very=2C very good..=20
Thanks for posting..
Anders
From: toddreyn@gmail.com
Date: Sun=2C 25 Dec 2011 18:07:02 -0500
Subject: To my list brethren n sistren! =2C a little Christmas looping for =
y'all.
To: Loopers-Delight@loopers-delight.com

Happy Holidays to all of you=2C respect and joy for whatever you celebrate=
=2C and best wishes for the coming year. =20
I've loved all the holiday looping over the past couple weeks=2C and herewi=
th offer up my own. =20


Here's a private soundcloud link to one of the tunes from my CD=2C Outerbor=
ough. It's called Icy Sleeves of Green - you can probably tell what Christm=
as tune it's around=2C lol=2C and I hope you enjoy it.=20


http://soundcloud.com/toddreyn/icy-sleeves-of-green/s-YcHmH
If by chance you're interested=2C I'm reissuing my record on facebook=2C on=
e track a week=2C with extensive liner notes and photos=2C videos=2C back s=
tory=2C you know the drill... Here's the first entry=2C=20


https://www.facebook.com/permalink.php?story_fbid=3D278743348840735&id=3D16=
7398653309797=20


and here's the vehicle I'm using to do it... It sure as hell ain't perfect=
=2C but there are some good things to it.  It's called BandPage... Check th=
is page out for me?


http://listn.to/Todd-Reynolds


All best to you all=2C I wish you joy=2C peace=2C happiness=2C all good thi=
ngs wherever you are. =20


Todd





 		 	   		  =

--_843a4c58-ef13-4471-a644-291ea5512265_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style></head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
<br>Greatness.. sounds very=2C very good..&nbsp=3B<div><br></div><div>Thank=
s for posting..</div><div><br></div><div>Anders<br><div><div id=3D"SkyDrive=
Placeholder"></div><hr id=3D"stopSpelling">From: toddreyn@gmail.com<br>Date=
: Sun=2C 25 Dec 2011 18:07:02 -0500<br>Subject: To my list brethren n sistr=
en! =2C a little Christmas looping for y'all.<br>To: Loopers-Delight@looper=
s-delight.com<br><br>Happy Holidays to all of you=2C respect and joy for wh=
atever you celebrate=2C and best wishes for&nbsp=3Bthe coming year. &nbsp=
=3B<br clear=3D"all"><div><br></div><div>I've loved all the holiday looping=
 over the past couple weeks=2C and herewith offer up my own. &nbsp=3B</div>

<div><br></div><div>Here's a private soundcloud link to one of the tunes fr=
om my CD=2C Outerborough. It's called Icy Sleeves of Green - you can probab=
ly tell what Christmas tune it's around=2C lol=2C and I hope you enjoy it.&=
nbsp=3B</div>

<div><br></div><div><a href=3D"http://soundcloud.com/toddreyn/icy-sleeves-o=
f-green/s-YcHmH" target=3D"_blank">http://soundcloud.com/toddreyn/icy-sleev=
es-of-green/s-YcHmH</a></div><div><br></div><div>If by chance you're intere=
sted=2C I'm reissuing my record on facebook=2C one track a week=2C with ext=
ensive liner notes and photos=2C videos=2C back story=2C you know the drill=
... Here's the first entry=2C&nbsp=3B</div>

<div><br></div><div><span class=3D"ecxApple-style-span" style=3D"font-famil=
y:'lucida grande'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-size:11px=
=3Bline-height:14px"><a href=3D"https://www.facebook.com/permalink.php?stor=
y_fbid=3D278743348840735&amp=3Bid=3D167398653309797" rel=3D"nofollow" style=
=3D"color:rgb(59=2C89=2C152)=3Btext-decoration:none" target=3D"_blank"><spa=
n>https://www.facebook.com/</span><span class=3D"ecxword_break" style=3D"di=
splay:inline-block"></span><span>permalink.php?story_fbid=3D278743</span><s=
pan class=3D"ecxword_break" style=3D"display:inline-block"></span>348840735=
&amp=3Bid=3D167398653309797</a>&nbsp=3B</span></div>

<div><span class=3D"ecxApple-style-span" style=3D"font-family:'lucida grand=
e'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-size:11px=3Bline-height:1=
4px"><br></span></div><div><span class=3D"ecxApple-style-span" style=3D"fon=
t-family:'lucida grande'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-siz=
e:11px=3Bline-height:14px">and here's the vehicle I'm using to do it... It =
sure as hell ain't perfect=2C but there are some good things to it. &nbsp=
=3BIt's called BandPage... Check this page out for me?</span></div>

<div><span class=3D"ecxApple-style-span" style=3D"font-family:'lucida grand=
e'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-size:11px=3Bline-height:1=
4px"><br></span></div><div><span class=3D"ecxApple-style-span" style=3D"fon=
t-family:'lucida grande'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-siz=
e:11px=3Bline-height:14px"><a href=3D"http://listn.to/Todd-Reynolds" target=
=3D"_blank">http://listn.to/Todd-Reynolds</a></span></div>

<div><span class=3D"ecxApple-style-span" style=3D"font-family:'lucida grand=
e'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-size:11px=3Bline-height:1=
4px"><br></span></div><div><span class=3D"ecxApple-style-span" style=3D"fon=
t-family:'lucida grande'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-siz=
e:11px=3Bline-height:14px">All best to you all=2C I wish you joy=2C peace=
=2C happiness=2C all good things wherever you are. &nbsp=3B</span></div>

<div><span class=3D"ecxApple-style-span" style=3D"font-family:'lucida grand=
e'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-size:11px=3Bline-height:1=
4px"><br></span></div><div><span class=3D"ecxApple-style-span" style=3D"fon=
t-family:'lucida grande'=2Ctahoma=2Cverdana=2Carial=2Csans-serif=3Bfont-siz=
e:11px=3Bline-height:14px">Todd</span></div>

<div><br></div><div><br></div><div><p style=3D"font:12.0px Helvetica"><br><=
/p></div><br></div></div> 		 	   		  </div></body>
</html>=

--_843a4c58-ef13-4471-a644-291ea5512265_--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 01:29:53 2011
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        b=v4wchMeHad2djXZlorg9QIMNcd4Sv40oBetWHyIldnW0IN1KX74bXBg4TqrEf2ExIx
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	<CACW8QABsey+w3wm-iXkL_J+Mrv9X=whRG-M=hgmB2UBsuQ=1cQ@mail.gmail.com>
Date: Sun, 25 Dec 2011 20:29:52 -0500
Message-ID: <CAF-7VCAMkruNYnP=r67xQ_Ti_a=yNK8rJni+JL=gmsA5+0d_Lg@mail.gmail.com>
Subject: Re: Merry Christmas Everybody!
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--f46d043892910550aa04b4f4b43a
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Ted and everyone Merry Christmas to those that make merry on this day and
to everyone seasons greetings.  Wishing equally everyone a wonderful new
year filled with much creativity.

I'll pass along that we at ImprovFriday <http://improvfriday.com> had a
wonderful event this weekend.  Many weekends we have as we did this weekend
an optional 'theme', this weekends was seasonal or wintery, much wonderful
work created both as standalone pieces and many 'mashes'.  Check out at the
linked ImprovFriday above.

Jim

On Sun, Dec 25, 2011 at 12:23 PM, Thomas Wegmann <theweg@gmail.com> wrote:

> Merry Christmas to you and everyone.  Peace to all creatures!
>
> On Dec 25, 2011 12:18 PM, "Ted Killian" <tedkillian@charter.net> wrote:
> >
> > Seasons greetings, happy new year and all that other stuff.
> >
> > Most of all . . . peace on earthy.
> >
>
>


--=20
--=20
*Tips Across the
Waters<http://itunes.apple.com/us/app/tips-across-the-waters/id474128076?=
=3Dmt8>
*, a new app for iOS from James Goodin/Wood and Wire Ware.

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin
& Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

--f46d043892910550aa04b4f4b43a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ted and everyone Merry Christmas to those that make merry on this day and t=
o everyone seasons greetings. =A0Wishing equally everyone a wonderful new y=
ear filled with much creativity.<div><br></div><div>I&#39;ll pass along tha=
t we at=A0<a href=3D"http://improvfriday.com">ImprovFriday</a>=A0had a wond=
erful event this weekend. =A0Many weekends we have as we did this weekend a=
n optional &#39;theme&#39;, this weekends was seasonal or wintery, much won=
derful work created both as standalone pieces and many &#39;mashes&#39;. =
=A0Check out at the linked ImprovFriday above.</div>
<div><br></div><div>Jim<br><br><div class=3D"gmail_quote">On Sun, Dec 25, 2=
011 at 12:23 PM, Thomas Wegmann <span dir=3D"ltr">&lt;<a href=3D"mailto:the=
weg@gmail.com">theweg@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex">
<p>Merry Christmas to you and everyone.=A0 Peace to all creatures!</p><div =
class=3D"im"><br>
On Dec 25, 2011 12:18 PM, &quot;Ted Killian&quot; &lt;<a href=3D"mailto:ted=
killian@charter.net" target=3D"_blank">tedkillian@charter.net</a>&gt; wrote=
:<br>
&gt;<br>
&gt; Seasons greetings, happy new year and all that other stuff.<br>
&gt;<br>
&gt; Most of all . . . peace on earthy.<br>
&gt;<br>
</div><p></p>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div>--=A0</=
div><div><i><a href=3D"http://itunes.apple.com/us/app/tips-across-the-water=
s/id474128076?=3Dmt8" target=3D"_blank">Tips Across the Waters</a></i>, a n=
ew app for iOS from James Goodin/Wood and Wire Ware.</div>
<div><br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording =
by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD =
will benefit JDRF International.=A0=A0<a href=3D"http://jimgoodinpeterthorn=
.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
</div><br>
</div>

--f46d043892910550aa04b4f4b43a--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 01:57:38 2011
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Anders, Thank you for taking the time to investigate it!

(as for Abstracktion #8- the guitar had files in the strings. thats not a
comb filter, thats the sympathetic resonances of various files run through
a well-set compressor.)

Merry Christmas!

--14dae93409134b2fbc04b4f51728
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Anders, Thank you for taking the time to investigate it!=A0<div><br></div><=
div>(as for Abstracktion #8- the guitar had files in the strings. thats not=
 a comb filter, thats the sympathetic resonances of various files run throu=
gh a well-set compressor.)<br>
<div><br></div><div>Merry Christmas!<br><br><div class=3D"gmail_quote"><br>=
</div>
</div></div>

--14dae93409134b2fbc04b4f51728--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 03:06:53 2011
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <6D0F84E4-963B-4357-A648-4633D43D408A@charter.net><CACW8QABsey+w3wm-iXkL_J+Mrv9X=whRG-M=hgmB2UBsuQ=1cQ@mail.gmail.com> <CAF-7VCAMkruNYnP=r67xQ_Ti_a=yNK8rJni+JL=gmsA5+0d_Lg@mail.gmail.com>
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Subject: Re: Merry Christmas Everybody!
Date: Mon, 26 Dec 2011 03:00:37 -0000
Organization: EarthLight Productions
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Indeed!  Tonight was the first of twelve nightly shows, =E2=80=9C12 Days =
of Christmas=E2=80=9D.  This series involves variations of traditional =
Christmas Carols, this evening =E2=80=9CIt Came Upon a Midnight =
Clear=E2=80=9D (English version), =E2=80=9CSilent Night=E2=80=9D, and =
=E2=80=9CO Come All Ye Faithful=E2=80=9D.  Included with the videoworks, =
a Thomas Edison version of =E2=80=9CA Christmas Carol=E2=80=9D.

Archived for your enjoyment.
http://www.ustream.tv/recorded/19388687

Merry Christmas and happy holidays to everyone!

Stephen Goodman
EarthLight Productions
------=_NextPart_000_000D_01CCC37A.8B514F90
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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Indeed!&nbsp; Tonight was the first of twelve nightly shows, =
=E2=80=9C12 Days of=20
Christmas=E2=80=9D.&nbsp; This series involves variations of traditional =
Christmas=20
Carols, this evening =E2=80=9CIt Came Upon a Midnight Clear=E2=80=9D =
(English version), =E2=80=9CSilent=20
Night=E2=80=9D, and =E2=80=9CO Come All Ye Faithful=E2=80=9D.&nbsp; =
Included with the videoworks, a=20
Thomas Edison version of =E2=80=9CA Christmas Carol=E2=80=9D.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Archived for your enjoyment.</DIV>
<DIV><A=20
href=3D"http://www.ustream.tv/recorded/19388687">http://www.ustream.tv/re=
corded/19388687</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Merry Christmas and happy holidays to everyone!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Stephen Goodman</DIV>
<DIV>EarthLight Productions</DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_000D_01CCC37A.8B514F90--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 10:57:00 2011
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Subject: The role of the mailing list and the FB sites.
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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Happy Christmas everyone... guess you won't hear from me for a while I got
a PS3!!

I have had a chance to check out the Facebook groups Loopers Delight and
Live Looping over my few precious holidays. I am usually a staunch reader
of this LD mailing list, and occasionally follow links to the FB site if I
want to see someones video?

So, I am slightly confused. What exactly is the point of the 2 seperate
groups here? I understand that one has grown from the LD list and one had
grown from the Live Looping Forum and/or Mattias=B4s Live Looping.org site.
And I understand the reason for these sites.

LiveLooping.org as Mattias=B4s own "take" on the community with a site that
can actually be kept up to date. (The LD site is like a museum of html gone
by)
And Nicks forum existing for the people that would rather post to a forum
than have the huge amounts of mail that LD can generate...

but I ask.. (imagine "Sex in the City" question typing voice here)

"Are not the two Facebook sites just serving exactly the same purpose?"

I notice that everyone is routinely just posting to both, so what is the
point really? I dont really care which survives but shouldn't we
consolidate? Or agree to use one?

OR...

We could agree that one is for use as a discussion place on Facebook, a
perfectly reasonable point as there are many new people in the comunity
that ONLY arrived due to the FB sites I think, and the OTHER site be for
posting songs and videos. Or is it better if they are just muddled up?

OR...

Do people like it as it is, in which case, fine, just please explain to me
the difference?

Happy New Blah Blah Blah..

Mark

--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf300e54e124716f04b4fca069
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Happy Christmas everyone... guess you won&#39;t hear from me for a while I =
got a PS3!!<br><br>I have had a chance to check out the Facebook groups Loo=
pers Delight and Live Looping over my few precious holidays. I am usually a=
 staunch reader of this LD mailing list, and occasionally follow links to t=
he FB site if I want to see someones video?<br>

<br>So, I am slightly confused. What exactly is the point of the 2 seperate=
 groups here? I understand that one has grown from the LD list and one had =
grown from the Live Looping Forum and/or Mattias=B4s Live Looping.org site.=
 And I understand the reason for these sites. <br>

<br>LiveLooping.org as Mattias=B4s own &quot;take&quot; on the community wi=
th a site that can actually be kept up to date. (The LD site is like a muse=
um of html gone by) <br>And Nicks forum existing for the people that would =
rather post to a forum than have the huge amounts of mail that LD can gener=
ate...<br>

<br>but I ask.. (imagine &quot;Sex in the City&quot; question typing voice =
here)<br><br>&quot;Are not the two Facebook sites just serving exactly the =
same purpose?&quot;<br><br>I notice that everyone is routinely just posting=
 to both, so what is the point really? I dont really care which survives bu=
t shouldn&#39;t we consolidate? Or agree to use one?<br>

<br>OR...<br><br>We could agree that one is for use as a discussion place o=
n Facebook, a perfectly reasonable point as there are many new people in th=
e comunity that ONLY arrived due to the FB sites I think, and the OTHER sit=
e be for posting songs and videos. Or is it better if they are just muddled=
 up?<br>

<br>OR... <br><br>Do people like it as it is, in which case, fine, just ple=
ase explain to me the difference?<br><br>Happy New Blah Blah Blah..<br><br>=
Mark<br><br>-- <br><i style=3D"font-family:verdana,sans-serif;color:rgb(255=
,255,255);background-color:rgb(0,0,0)"><font style=3D"font-family:trebuchet=
 ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf300e54e124716f04b4fca069--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 12:32:08 2011
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Date: Mon, 26 Dec 2011 13:32:07 +0100
Message-ID: <CAJC14WhLjppY61z5MLhf6e4gGwJ1GozpQ_gnGTcj2i+-x26j9g@mail.gmail.com>
Subject: Re: To my list brethren n sistren! , a little Christmas looping for y'all.
From: Per Boysen <perboysen@gmail.com>
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On Mon, Dec 26, 2011 at 12:07 AM, todd reynolds <toddreyn@gmail.com> wrote:
> Here's a private soundcloud link to one of the tunes from my CD,
> Outerborough. It's called Icy Sleeves of Green - you can probably tell what
> Christmas tune it's around, lol, and I hope you enjoy it.
>
> http://soundcloud.com/toddreyn/icy-sleeves-of-green/s-YcHmH

Lovely piece, Todd! Today I  acquired a green Brittish duffel and Icy
Sleeves of Green is just what I need in headphones inside that heavy
hood.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 16:38:16 2011
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Date: Mon, 26 Dec 2011 18:38:15 +0200
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Subject: Re: To my list brethren n sistren! , a little Christmas looping for y'all.
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--f46d044787d9aad8c104b50164e3
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WONDERFUL piece!


-Petri-

2011/12/26 Per Boysen <perboysen@gmail.com>

> On Mon, Dec 26, 2011 at 12:07 AM, todd reynolds <toddreyn@gmail.com>
> wrote:
> > Here's a private soundcloud link to one of the tunes from my CD,
> > Outerborough. It's called Icy Sleeves of Green - you can probably tell
> what
> > Christmas tune it's around, lol, and I hope you enjoy it.
> >
> > http://soundcloud.com/toddreyn/icy-sleeves-of-green/s-YcHmH
>
> Lovely piece, Todd! Today I  acquired a green Brittish duffel and Icy
> Sleeves of Green is just what I need in headphones inside that heavy
> hood.
>
> Per
>
>


-- 
Petri Lahtinen

--f46d044787d9aad8c104b50164e3
Content-Type: text/html; charset=ISO-8859-1
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WONDERFUL piece! <br><br><br>-Petri-<br><br><div class=3D"gmail_quote">2011=
/12/26 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.c=
om">perboysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote"=
 style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
<div class=3D"im">On Mon, Dec 26, 2011 at 12:07 AM, todd reynolds &lt;<a hr=
ef=3D"mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>&gt; wrote:<br>
&gt; Here&#39;s a private soundcloud link to one of the tunes from my CD,<b=
r>
&gt; Outerborough. It&#39;s called Icy Sleeves of Green - you can probably =
tell what<br>
&gt; Christmas tune it&#39;s around, lol, and I hope you enjoy it.<br>
&gt;<br>
&gt; <a href=3D"http://soundcloud.com/toddreyn/icy-sleeves-of-green/s-YcHmH=
" target=3D"_blank">http://soundcloud.com/toddreyn/icy-sleeves-of-green/s-Y=
cHmH</a><br>
<br>
</div>Lovely piece, Todd! Today I =A0acquired a green Brittish duffel and I=
cy<br>
Sleeves of Green is just what I need in headphones inside that heavy<br>
hood.<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Per<br>
<br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--f46d044787d9aad8c104b50164e3--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 16:42:59 2011
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Date: Mon, 26 Dec 2011 18:42:58 +0200
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Subject: Re: The role of the mailing list and the FB sites.
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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As for me, I dropped the FB-thing totally off 3 months ago.
No regrets.

I continue to praise the simplicity, usefulness of this list.

Really hoping people understand fully that not everyone on this list is on
Facebook.
(ok, there are really few perhaps, but still :-)

I would really like to think, that people could honour this list, cause it
began all here,
and keep the posts flowing here too.

Happy New Looping Year 2012

-Petri-

2011/12/26 mark francombe <mark@markfrancombe.com>

> Happy Christmas everyone... guess you won't hear from me for a while I go=
t
> a PS3!!
>
> I have had a chance to check out the Facebook groups Loopers Delight and
> Live Looping over my few precious holidays. I am usually a staunch reader
> of this LD mailing list, and occasionally follow links to the FB site if =
I
> want to see someones video?
>
> So, I am slightly confused. What exactly is the point of the 2 seperate
> groups here? I understand that one has grown from the LD list and one had
> grown from the Live Looping Forum and/or Mattias=B4s Live Looping.org sit=
e.
> And I understand the reason for these sites.
>
> LiveLooping.org as Mattias=B4s own "take" on the community with a site th=
at
> can actually be kept up to date. (The LD site is like a museum of html go=
ne
> by)
> And Nicks forum existing for the people that would rather post to a forum
> than have the huge amounts of mail that LD can generate...
>
> but I ask.. (imagine "Sex in the City" question typing voice here)
>
> "Are not the two Facebook sites just serving exactly the same purpose?"
>
> I notice that everyone is routinely just posting to both, so what is the
> point really? I dont really care which survives but shouldn't we
> consolidate? Or agree to use one?
>
> OR...
>
> We could agree that one is for use as a discussion place on Facebook, a
> perfectly reasonable point as there are many new people in the comunity
> that ONLY arrived due to the FB sites I think, and the OTHER site be for
> posting songs and videos. Or is it better if they are just muddled up?
>
> OR...
>
> Do people like it as it is, in which case, fine, just please explain to m=
e
> the difference?
>
> Happy New Blah Blah Blah..
>
> Mark
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>
>


--=20
Petri Lahtinen

--90e6ba6e81cc8817eb04b5017590
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

As for me, I dropped the FB-thing totally off 3 months ago.<br>No regrets. =
<br><br>I continue to praise the simplicity, usefulness of this list.<br><b=
r>Really hoping people understand fully that not everyone on this list is o=
n Facebook.<br>
(ok, there are really few perhaps, but still :-)<br><br>I would really like=
 to think, that people could honour this list, cause it began all here,<br>=
and keep the posts flowing here too. <br><br>Happy New Looping Year 2012<br=
>
<br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/26 mark francombe <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranc=
ombe.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margi=
n:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Happy Christmas everyone... guess you won&#39;t hear from me for a while I =
got a PS3!!<br><br>I have had a chance to check out the Facebook groups Loo=
pers Delight and Live Looping over my few precious holidays. I am usually a=
 staunch reader of this LD mailing list, and occasionally follow links to t=
he FB site if I want to see someones video?<br>


<br>So, I am slightly confused. What exactly is the point of the 2 seperate=
 groups here? I understand that one has grown from the LD list and one had =
grown from the Live Looping Forum and/or Mattias=B4s Live Looping.org site.=
 And I understand the reason for these sites. <br>


<br>LiveLooping.org as Mattias=B4s own &quot;take&quot; on the community wi=
th a site that can actually be kept up to date. (The LD site is like a muse=
um of html gone by) <br>And Nicks forum existing for the people that would =
rather post to a forum than have the huge amounts of mail that LD can gener=
ate...<br>


<br>but I ask.. (imagine &quot;Sex in the City&quot; question typing voice =
here)<br><br>&quot;Are not the two Facebook sites just serving exactly the =
same purpose?&quot;<br><br>I notice that everyone is routinely just posting=
 to both, so what is the point really? I dont really care which survives bu=
t shouldn&#39;t we consolidate? Or agree to use one?<br>


<br>OR...<br><br>We could agree that one is for use as a discussion place o=
n Facebook, a perfectly reasonable point as there are many new people in th=
e comunity that ONLY arrived due to the FB sites I think, and the OTHER sit=
e be for posting songs and videos. Or is it better if they are just muddled=
 up?<br>


<br>OR... <br><br>Do people like it as it is, in which case, fine, just ple=
ase explain to me the difference?<br><br>Happy New Blah Blah Blah..<span cl=
ass=3D"HOEnZb"><font color=3D"#888888"><br><br>Mark<br><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255,255,255);background-color:=
rgb(0,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4">=
<u>Mark Francombe</u></font></i><br>


<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">


<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>


twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lah=
tinen<br><br><br>

--90e6ba6e81cc8817eb04b5017590--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 17:22:02 2011
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Date: Mon, 26 Dec 2011 18:21:58 +0100
Message-ID: <CAFjf2GD-Rv6jHycsMOqghTeW+7t4hTEj9x_xPSGsd5goAzmyUQ@mail.gmail.com>
Subject: Re: The role of the mailing list and the FB sites.
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf300fb091015ab804b502018d
Content-Type: text/plain; charset=ISO-8859-1

>
>
>
> "Are not the two Facebook sites just serving exactly the same purpose?"
>

Actually, the answer is yes, since I saw posts duplicated on both pages



>  I dont really care which survives but shouldn't we consolidate? Or agree
> to use one?
>

I have the same opinion. Would like to use just one. I think that
duplication could be confusing for newbies...


>
> Happy New Blah Blah Blah..


Same to you, Mark !
;-)

-f
www.eterogeneo.com




>
>
> Mark
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>
>

--20cf300fb091015ab804b502018d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margi=
n:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><br><br>&quot;Are=
 not the two Facebook sites just serving exactly the same purpose?&quot;<br=
></blockquote>
<div><br></div><div>Actually, the answer is yes, since I saw posts duplicat=
ed on both pages</div><div><br></div><div>=A0</div><blockquote class=3D"gma=
il_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-lef=
t:1ex">
=A0I dont really care which survives but shouldn&#39;t we consolidate? Or a=
gree to use one?<br></blockquote><div><br></div><div>I have the same opinio=
n. Would like to use just one. I think that duplication could be confusing =
for newbies...</div>
<div>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;=
border-left:1px #ccc solid;padding-left:1ex"><br>Happy New Blah Blah Blah..=
</blockquote><div><br></div><div>Same to you, Mark !</div><div>;-)</div><di=
v>
<br></div><div>-f</div><div><a href=3D"http://www.eterogeneo.com">www.etero=
geneo.com</a></div><div><br></div><div><br></div><div>=A0</div><blockquote =
class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid=
;padding-left:1ex">
<span class=3D"HOEnZb"><font color=3D"#888888"><br><br>Mark<br><br>-- <br><=
i style=3D"font-family:verdana,sans-serif;color:rgb(255,255,255);background=
-color:rgb(0,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=
=3D"4"><u>Mark Francombe</u></font></i><br>


<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">


<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>


twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>
</font></span></blockquote></div><br>

--20cf300fb091015ab804b502018d--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 26 23:17:05 2011
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Subject: Re: The role of the mailing list and the FB sites.
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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I"ve subscribed to the facebook group and I get notified by email when
someone posts there.  Gmail puts nice labels and keeps these posts
together with the regular LD stuff, so for me there's no distinction
between the two.  It all comes to my inbox and gets organized by
gmail.  I answer facebook and mailing list in gmail...  It comes down
to what people want to use to communicate (mailing list or facebook),
I'll listen either way.  Couple issues that comes to mind:

1- The cross-posting is annoying
2- message archiving is no longer controlled by someone from the community
3- LD archive shows up in google searches and anyone can access the
messages without signing up... compare and contrast with facebook

[insert appropriate seasonal greeting here]

Sylvain

From Loopers-Delight-request@loopers-delight.com  Tue Dec 27 06:31:43 2011
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Subject: Re: The role of the mailing list and the FB sites.
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For me, it seems the email list allows for more in-depth discussion both on
and off of the list (as in: address others directly by email vs. facebook)

Facebook seems to be more brief, less serious in many respects.

Email allows for personally archiving information and collating it in
various ways (personalized folders, labels etc.)

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For me, it seems the email list allows for more in-depth discussion both on=
 and off of the list (as in: address others directly by email vs. facebook)=
=A0<div><br></div><div>Facebook seems to be more brief, less serious in man=
y respects.=A0</div>


<div><br></div><div>Email allows for personally archiving information and c=
ollating it in various ways (personalized folders, labels etc.)=A0<br><br><=
div class=3D"gmail_quote"><br></div>
</div>

--14dae9399dcd4a776a04b50d0955--

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Before my point gets derailed completely.. Please guys just check my
original post.
I was NOT making any points regarding the differences between either the LD
mailing list, the Live Looping Forum, OR the Facebook groups, those
advantages and disadvantages are well known and over-discussed.

(I for one welcome that Facebook has nearly taken all the
YouTube/Soundcloud spam posts. Although I LOVE to hear what you guys are
doing, I=B4m afraid as a general rule I dont have time to check out
everyone's offerings, so them dissapearing to Facebook is just good for me.
Leaving the list for more looping philosophy and discussion. It is these
things that we really have in common, not so in much musical taste. I watch
clips often to admire the looping, but often not the music ha ha..sorry..
sure you guys can take it..)

Anyway...
I was just commenting that there are TWO Facebook accounts, and that
everyone seems to be posting to both... THAT is what I dont see the point
in.

Sylvain, William and Petri, you seem to have missed my point. Sorry if I
was unclear, but Fabio seemed to get it.

Mark



On Tue, Dec 27, 2011 at 7:31 AM, william middlemiss <
billymiddlemiss@gmail.com> wrote:

> For me, it seems the email list allows for more in-depth discussion both
> on and off of the list (as in: address others directly by email vs.
> facebook)

--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf303dd31274756a04b5106961
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Before my point gets derailed completely.. Please guys just check my origin=
al post.<br>I was NOT making any points regarding the differences between e=
ither the LD mailing list, the Live Looping Forum, OR the Facebook groups, =
those advantages and disadvantages are well known and over-discussed.<br>

<br>(I for one welcome that Facebook has nearly taken all the YouTube/Sound=
cloud spam posts. Although I LOVE to hear what you guys are doing, I=B4m af=
raid as a general rule I dont have time to check out everyone&#39;s offerin=
gs, so them dissapearing to Facebook is just good for me. Leaving the list =
for more looping philosophy and discussion. It is these things that we real=
ly have in common, not so in much musical taste. I watch clips often to adm=
ire the looping, but often not the music ha ha..sorry.. sure you guys can t=
ake it..)<br>

<br>Anyway...<br>I was just commenting that there are TWO Facebook accounts=
, and that everyone seems to be posting to both... THAT is what I dont see =
the point in. <br><br>Sylvain, William and Petri, you seem to have missed m=
y point. Sorry if I was unclear, but Fabio seemed to get it.<br>

<br>Mark<br><br><br><br><div class=3D"gmail_quote">On Tue, Dec 27, 2011 at =
7:31 AM, william middlemiss <span dir=3D"ltr">&lt;<a href=3D"mailto:billymi=
ddlemiss@gmail.com">billymiddlemiss@gmail.com</a>&gt;</span> wrote:<br><blo=
ckquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #c=
cc solid;padding-left:1ex">

For me, it seems the email list allows for more in-depth discussion both on=
 and off of the list (as in: address others directly by email vs. facebook)=
=A0</blockquote></div>-- <br><i style=3D"font-family:verdana,sans-serif;col=
or:rgb(255,255,255);background-color:rgb(0,0,0)"><font style=3D"font-family=
:trebuchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf303dd31274756a04b5106961--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 27 12:18:24 2011
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Date: Tue, 27 Dec 2011 07:18:23 -0500
Message-ID: <CAP-n2V3YVAkQSheA8wS4RJ9s93+T9WNZ_PRmve+e15XH22Tjtg@mail.gmail.com>
Subject: Re: The role of the mailing list and the FB sites.
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--f46d041b47e822a98b04b511e1a4
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Ah!
Sorry Mark, I was unaware there were multiple Facebook groups...  That does
seem excessively redundant.
Sylvain

On Tuesday, December 27, 2011, mark francombe <mark@markfrancombe.com>
wrote:
> Before my point gets derailed completely.. Please guys just check my
original post.
> I was NOT making any points regarding the differences between either the
LD mailing list, the Live Looping Forum, OR the Facebook groups, those
advantages and disadvantages are well known and over-discussed.
>
> (I for one welcome that Facebook has nearly taken all the
YouTube/Soundcloud spam posts. Although I LOVE to hear what you guys are
doing, I=B4m afraid as a general rule I dont have time to check out
everyone's offerings, so them dissapearing to Facebook is just good for me.
Leaving the list for more looping philosophy and discussion. It is these
things that we really have in common, not so in much musical taste. I watch
clips often to admire the looping, but often not the music ha ha..sorry..
sure you guys can take it..)
>
> Anyway...
> I was just commenting that there are TWO Facebook accounts, and that
everyone seems to be posting to both... THAT is what I dont see the point
in.
>
> Sylvain, William and Petri, you seem to have missed my point. Sorry if I
was unclear, but Fabio seemed to get it.
>
> Mark
>
>
>
> On Tue, Dec 27, 2011 at 7:31 AM, william middlemiss <
billymiddlemiss@gmail.com> wrote:
>>
>> For me, it seems the email list allows for more in-depth discussion both
on and off of the list (as in: address others directly by email vs.
facebook)
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>
>

--f46d041b47e822a98b04b511e1a4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ah!<br>Sorry Mark, I was unaware there were multiple Facebook groups... =A0=
That does seem excessively redundant.<br>Sylvain <br><br>On Tuesday, Decemb=
er 27, 2011, mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">m=
ark@markfrancombe.com</a>&gt; wrote:<br>
&gt; Before my point gets derailed completely.. Please guys just check my o=
riginal post.<br>&gt; I was NOT making any points regarding the differences=
 between either the LD mailing list, the Live Looping Forum, OR the Faceboo=
k groups, those advantages and disadvantages are well known and over-discus=
sed.<br>
&gt;<br>&gt; (I for one welcome that Facebook has nearly taken all the YouT=
ube/Soundcloud spam posts. Although I LOVE to hear what you guys are doing,=
 I=B4m afraid as a general rule I dont have time to check out everyone&#39;=
s offerings, so them dissapearing to Facebook is just good for me. Leaving =
the list for more looping philosophy and discussion. It is these things tha=
t we really have in common, not so in much musical taste. I watch clips oft=
en to admire the looping, but often not the music ha ha..sorry.. sure you g=
uys can take it..)<br>
&gt;<br>&gt; Anyway...<br>&gt; I was just commenting that there are TWO Fac=
ebook accounts, and that everyone seems to be posting to both... THAT is wh=
at I dont see the point in.<br>&gt;<br>&gt; Sylvain, William and Petri, you=
 seem to have missed my point. Sorry if I was unclear, but Fabio seemed to =
get it.<br>
&gt;<br>&gt; Mark<br>&gt;<br>&gt;<br>&gt;<br>&gt; On Tue, Dec 27, 2011 at 7=
:31 AM, william middlemiss &lt;<a href=3D"mailto:billymiddlemiss@gmail.com"=
>billymiddlemiss@gmail.com</a>&gt; wrote:<br>&gt;&gt;<br>&gt;&gt; For me, i=
t seems the email list allows for more in-depth discussion both on and off =
of the list (as in: address others directly by email vs. facebook)=A0<br>
&gt;<br>&gt; --<br>&gt; Mark Francombe<br>&gt; <a href=3D"http://www.markfr=
ancombe.com">www.markfrancombe.com</a><br>&gt; <a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br>&gt; <a href=3D"http://vimeo.com/user82=
5094">http://vimeo.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no">http://www.looop.no</a><br>&gt; twitte=
r @markfrancombe<br>&gt; <a href=3D"http://www.flickr.com/photos/24478662@N=
00/">http://www.flickr.com/photos/24478662@N00/</a><br>&gt;<br>&gt;

--f46d041b47e822a98b04b511e1a4--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 27 17:38:18 2011
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Date: Tue, 27 Dec 2011 19:38:15 +0200
Message-ID: <CAOpEpQaT8nWpt314-KN4P1Ykff4HMHkO02vpfvdGcaJjKrHE3A@mail.gmail.com>
Subject: Re: The role of the mailing list and the FB sites.
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--f46d044787d91a215c04b516594f
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"3- LD archive shows up in google searches and anyone can access the
messages without signing up... compare and contrast with facebook"

I have never thought these messages here are private in any way.
And neither in the FB!

I think its GOOD that archive and all the wisdom of this list
is available for ANYONE in the net, this is not a secret society, am I
right? :-)

-Petri-

2011/12/27 Sylvain Poitras <sylvain.trombone@gmail.com>

> Ah!
> Sorry Mark, I was unaware there were multiple Facebook groups...  That
> does seem excessively redundant.
> Sylvain
>
> On Tuesday, December 27, 2011, mark francombe <mark@markfrancombe.com>
> wrote:
> > Before my point gets derailed completely.. Please guys just check my
> original post.
> > I was NOT making any points regarding the differences between either th=
e
> LD mailing list, the Live Looping Forum, OR the Facebook groups, those
> advantages and disadvantages are well known and over-discussed.
> >
> > (I for one welcome that Facebook has nearly taken all the
> YouTube/Soundcloud spam posts. Although I LOVE to hear what you guys are
> doing, I=B4m afraid as a general rule I dont have time to check out
> everyone's offerings, so them dissapearing to Facebook is just good for m=
e.
> Leaving the list for more looping philosophy and discussion. It is these
> things that we really have in common, not so in much musical taste. I wat=
ch
> clips often to admire the looping, but often not the music ha ha..sorry..
> sure you guys can take it..)
> >
> > Anyway...
> > I was just commenting that there are TWO Facebook accounts, and that
> everyone seems to be posting to both... THAT is what I dont see the point
> in.
> >
> > Sylvain, William and Petri, you seem to have missed my point. Sorry if =
I
> was unclear, but Fabio seemed to get it.
> >
> > Mark
> >
> >
> >
> > On Tue, Dec 27, 2011 at 7:31 AM, william middlemiss <
> billymiddlemiss@gmail.com> wrote:
> >>
> >> For me, it seems the email list allows for more in-depth discussion
> both on and off of the list (as in: address others directly by email vs.
> facebook)
> >
> > --
> > Mark Francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > http://vimeo.com/user825094
> > http://www.looop.no
> > twitter @markfrancombe
> > http://www.flickr.com/photos/24478662@N00/
> >
> >
>



--=20
Petri Lahtinen

--f46d044787d91a215c04b516594f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

&quot;3- LD archive shows up in google searches and anyone can access the<b=
r>
messages without signing up... compare and contrast with facebook&quot;<br>=
<br>I have never thought these messages here are private in any way.<br>And=
 neither in the FB! <br><br>I think its GOOD that archive and all the wisdo=
m of this list<br>
is available for ANYONE in the net, this is not a secret society, am I righ=
t? :-)<br><br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/27 Sylvain =
Poitras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail.com"=
>sylvain.trombone@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Ah!<br>Sorry Mark, I was unaware there were =
multiple Facebook groups... =A0That does seem excessively redundant.<span c=
lass=3D"HOEnZb"><font color=3D"#888888"><br>
Sylvain <br></font></span><div class=3D"HOEnZb"><div class=3D"h5"><br>On Tu=
esday, December 27, 2011, mark francombe &lt;<a href=3D"mailto:mark@markfra=
ncombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; Before my point gets derailed completely.. Please guys just check my o=
riginal post.<br>&gt; I was NOT making any points regarding the differences=
 between either the LD mailing list, the Live Looping Forum, OR the Faceboo=
k groups, those advantages and disadvantages are well known and over-discus=
sed.<br>

&gt;<br>&gt; (I for one welcome that Facebook has nearly taken all the YouT=
ube/Soundcloud spam posts. Although I LOVE to hear what you guys are doing,=
 I=B4m afraid as a general rule I dont have time to check out everyone&#39;=
s offerings, so them dissapearing to Facebook is just good for me. Leaving =
the list for more looping philosophy and discussion. It is these things tha=
t we really have in common, not so in much musical taste. I watch clips oft=
en to admire the looping, but often not the music ha ha..sorry.. sure you g=
uys can take it..)<br>

&gt;<br>&gt; Anyway...<br>&gt; I was just commenting that there are TWO Fac=
ebook accounts, and that everyone seems to be posting to both... THAT is wh=
at I dont see the point in.<br>&gt;<br>&gt; Sylvain, William and Petri, you=
 seem to have missed my point. Sorry if I was unclear, but Fabio seemed to =
get it.<br>

&gt;<br>&gt; Mark<br>&gt;<br>&gt;<br>&gt;<br>&gt; On Tue, Dec 27, 2011 at 7=
:31 AM, william middlemiss &lt;<a href=3D"mailto:billymiddlemiss@gmail.com"=
 target=3D"_blank">billymiddlemiss@gmail.com</a>&gt; wrote:<br>&gt;&gt;<br>
&gt;&gt; For me, it seems the email list allows for more in-depth discussio=
n both on and off of the list (as in: address others directly by email vs. =
facebook)=A0<br>
&gt;<br>&gt; --<br>&gt; Mark Francombe<br>&gt; <a href=3D"http://www.markfr=
ancombe.com" target=3D"_blank">www.markfrancombe.com</a><br>&gt; <a href=3D=
"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>&gt=
; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.co=
m/user825094</a><br>

&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>&gt; twitter @markfrancombe<br>&gt; <a href=3D"http://www.flickr.com=
/photos/24478662@N00/" target=3D"_blank">http://www.flickr.com/photos/24478=
662@N00/</a><br>
&gt;<br>&gt;
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><br><br>

--f46d044787d91a215c04b516594f--

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Date: Tue, 27 Dec 2011 19:39:58 +0200
Message-ID: <CAOpEpQaupwmgeQUWjCNaZ9jzgmq+3ptEdXPQ_X=9Ly0DCwO5jA@mail.gmail.com>
Subject: Re: The role of the mailing list and the FB sites.
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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And sorry Mark to lead the conversation away from your original post about
2 groups in FB.
In nutshell -> to me the mailing list is all good - no need to improve or
hassle with the social networking sites.

-Petri-

--14dae934110d38a2f304b5165fed
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And sorry Mark to lead the conversation away from your original post about 2 groups in FB.<br>In nutshell -&gt; to me the mailing list is all good - no need to improve or hassle with the social networking sites.<br><br>-Petri-<br>

--14dae934110d38a2f304b5165fed--

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Subject: Re: The role of the mailing list and the FB sites.
From: william middlemiss <billymiddlemiss@gmail.com>
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"
Anyway...
I was just commenting that there are TWO Facebook accounts, and that
everyone seems to be posting to both... THAT is what I dont see the point
in.

Sylvain, William and Petri, you seem to have missed my point. Sorry if I
was unclear, but Fabio seemed to get it. "

Youre correct. I did not infer that from your message. My apologies.

--14dae93405378e6de504b5169b3e
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&quot;<br><span style=3D"font-family:arial,sans-serif;font-size:13px;backgr=
ound-color:rgb(255,255,255)">Anyway...</span><br style=3D"font-family:arial=
,sans-serif;font-size:13px;background-color:rgb(255,255,255)"><span style=
=3D"font-family:arial,sans-serif;font-size:13px;background-color:rgb(255,25=
5,255)">I was just commenting that there are TWO Facebook accounts, and tha=
t everyone seems to be posting to both... THAT is what I dont see the point=
 in.=A0</span><br style=3D"font-family:arial,sans-serif;font-size:13px;back=
ground-color:rgb(255,255,255)">
<br style=3D"font-family:arial,sans-serif;font-size:13px;background-color:r=
gb(255,255,255)"><span style=3D"font-family:arial,sans-serif;font-size:13px=
;background-color:rgb(255,255,255)">Sylvain, William and Petri, you seem to=
 have missed my point. Sorry if I was unclear, but Fabio seemed to get it.<=
/span>=A0&quot;<div>
<br></div><div>Youre correct. I did not infer that from your message. My ap=
ologies.=A0<br><div class=3D"gmail_quote"><br></div>
</div>

--14dae93405378e6de504b5169b3e--

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Subject: Re: The role of the mailing list and the FB sites.
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--14dae93411ef0f41ce04b5183195
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No William, I'm not missing your point - I second you on your opinions!

-Petri-

2011/12/27 william middlemiss <billymiddlemiss@gmail.com>

> "
> Anyway...
> I was just commenting that there are TWO Facebook accounts, and that
> everyone seems to be posting to both... THAT is what I dont see the point
> in.
>
> Sylvain, William and Petri, you seem to have missed my point. Sorry if I
> was unclear, but Fabio seemed to get it. "
>
> Youre correct. I did not infer that from your message. My apologies.
>
>


-- 
Petri Lahtinen

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No William, I&#39;m not missing your point - I second you on your opinions!=
<br><br>-Petri-<br><br><div class=3D"gmail_quote">2011/12/27 william middle=
miss <span dir=3D"ltr">&lt;<a href=3D"mailto:billymiddlemiss@gmail.com">bil=
lymiddlemiss@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div class=3D"im">&quot;<br><span style=3D"f=
ont-family:arial,sans-serif;font-size:13px;background-color:rgb(255,255,255=
)">Anyway...</span><br style=3D"font-family:arial,sans-serif;font-size:13px=
;background-color:rgb(255,255,255)">
<span style=3D"font-family:arial,sans-serif;font-size:13px;background-color=
:rgb(255,255,255)">I was just commenting that there are TWO Facebook accoun=
ts, and that everyone seems to be posting to both... THAT is what I dont se=
e the point in.=A0</span><br style=3D"font-family:arial,sans-serif;font-siz=
e:13px;background-color:rgb(255,255,255)">

<br style=3D"font-family:arial,sans-serif;font-size:13px;background-color:r=
gb(255,255,255)"><span style=3D"font-family:arial,sans-serif;font-size:13px=
;background-color:rgb(255,255,255)">Sylvain, William and Petri, you seem to=
 have missed my point. Sorry if I was unclear, but Fabio seemed to get it.<=
/span>=A0&quot;<div>

<br></div></div><div>Youre correct. I did not infer that from your message.=
 My apologies.=A0<br><div class=3D"gmail_quote"><br></div>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--14dae93411ef0f41ce04b5183195--

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Subject: Re: The role of the mailing list and the FB sites.
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--14dae93404c5bfbebc04b5183495
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And now already mixing stuff - :-)  maybe the facebook is better in the end?
NO it wont be. :-D

-Petri-

--14dae93404c5bfbebc04b5183495
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And now already mixing stuff - :-)=A0 maybe the facebook is better in the e=
nd?<br>NO it wont be. :-D<br><br>-Petri-<br>

--14dae93404c5bfbebc04b5183495--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 27 21:49:25 2011
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Date: Tue, 27 Dec 2011 15:55:48 -0600
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Is anyone using the Boss DR 880 with an RC 50? If so, how are you  
connecting it? Do you use the aux input on the RC 50?

Thanks,

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Dec 27 22:49:09 2011
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To me, there are two reasons why the mailing list at Loopers Delight 
should continue.

1) Everything posted is archived and, thus easily researchable.      I 
can't tell you how many times, I've
told a complete newbie to take their extensive questions and research 
them first in those archives.

2) The Loopers Delight mailing list is not moderated,  whereas the 
FaceBook Loopers Delight page is.
I disagreed with Kim about this one initially,  but over the years,  
I've come to see that all things get
worked out and that in the end,  bad behavior is not rewarded on the list.

I prefer the older anarchic approach, personally.


I do appreciate the L.D. FB page because it has stimulated so much 
posting of videos and audio, something
that is inconvenient at best on the Loopers Delight mailing list, so I 
don't think one or the other should
be eliminated.


****************************
That said and done,  I think it would be wise to fold the Live Looping 
group into
the Loopers Delight Facebook group or vice versa just to knock down the 
redundancy of posts.

I frequently post to all three but just because I don't want to miss 
anyone in the community and it
would be good to reduce the traffic.

At the same time,  there are a lot of loopers from all over the world 
who have reached out to this community
because of the L.D. FB page so I think it's a good think to have 
duplicated postings at times.

I don't know about you,   but if I see something that is duplicated,  I 
just don't reading.
It's my own brains'  news filter.

yours,
Rick Walker

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 00:57:54 2011
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Date: Tue, 27 Dec 2011 16:57:51 -0800
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Subject: Re: The role of the mailing list and the FB sites.
From: Matt Davignon <mattdavignon@gmail.com>
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Frankly, I don't think Facebook is going to last longer than a few
more years, as a former subscriber of Tribe, Myspace and Friendster.

Sure, Facebook has some good things, but it does have its flaws, and I
think people will gradually get sick of it when the right new puppy
comes around.

Besides, reading LD on a gmail account is pretty sweet. It manages all
the conversations nicely.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

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Sent from my (advertisement removed)

On 27 Dec 2011, at 23:49, Rick Walker <looppool@cruzio.com> wrote:

> I don't know about you,   but if I see something that is duplicated,  I just don't reading.
> It's my own brains'  news

but 2 identical fb groups... I can't follow both, I dont have time.
I'm hereby un-subing from the live looping one and sticking with the
LD one. the mailing list is nearly perfect for me, if you include a
YouTube URL in a post I see it embedded in the post anyway, just like
FB.

m

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Date: Wed, 28 Dec 2011 03:10:33 +0100
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Subject: Re: The role of the mailing list and the FB sites.
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from what I'm hearing they have shot themselves in the foot with the
"timeline", maybe that time is up sooner than you think Matt?

Sent from my (advertisement removed)

On 28 Dec 2011, at 01:57, Matt Davignon <mattdavignon@gmail.com> wrote:

> Frankly, I don't think Facebook is going to last longer than a few
> more years, as a former subscriber of Tribe, Myspace and Friendster.
>
> Sure, Facebook has some good things, but it does have its flaws, and I
> think people will gradually get sick of it when the right new puppy
> comes around.
>
> Besides, reading LD on a gmail account is pretty sweet. It manages all
> the conversations nicely.
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Podcast! http://ribosomematt.podomatic.com
> Rigs! http://www.youtube.com/user/ribosomematt
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 05:15:11 2011
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Subject: Re: The role of the mailing list and the FB sites.
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The whole facebook thing  is a bit overwhelming to me, I simply don't  
have the time  like you said Mark to listen to everyones posts on one  
site much less two.  I occasionally try to listen to a bunch of posts  
in a row, sometimes all at once which is good Charles Ives inspired  
fun. Add to what you said about the two facebook sites being somewhat  
redundant , the fact that some people post so much,  how can we all  
possibly get through that much material and lead normal lives? I guess  
I might be guilty of over-posting sometimes, though I try not to do  
more than once a week if that much. but the whole issue of posting to  
both facebook sites creating redundant posts and more e-mail is a bit  
much.   I would  prefer  people subscribe to my Youtube site. Why?  
because it's the most watched video oriented site on the web.  No  
other reason. I'd rather hear what people have to say about the music  
on my Youtube site even though its attached to a google e-mail address  
I don't use much.  I'd rather talk about looping techniques   
technology and philosophy here than facebook, which does venture in to  
gear discussion but is by nature a more chatty chummy socializing kind  
of vibe. this is not a bad thing necessarily but, for me... time spent  
talking about music is time spent away from playing music.
I'd rather Rock than Talk!!!!!!!!!
  happy new year my friends
Bill

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Date: Wed, 28 Dec 2011 01:15:26 -0500
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--14dae9340f61fa25a704b520ec07
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I honestly dont think it matters; either medium finds its purpose or falls
away. If people feel they arent being heard and what they have to say is
worthwhile, they'll try again some other way.

Its not like we're writing with a pen and pencil then buying stamps.

--14dae9340f61fa25a704b520ec07
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<br><br><div class=3D"gmail_quote">I honestly dont think it matters; either=
 medium finds its purpose or falls away. If people feel they arent being he=
ard and what they have to say is worthwhile, they&#39;ll try again some oth=
er way.=A0</div>
<div class=3D"gmail_quote"><br></div><div class=3D"gmail_quote">Its not lik=
e we&#39;re writing with a pen and pencil then buying stamps.=A0</div>

--14dae9340f61fa25a704b520ec07--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 06:25:00 2011
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Broadmoor Reservation 12.22.11  Photo Essay on Flickr
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I've posted a new photo essay (Broadmoor Reservation 12.22.11) on 
Flickr at 
http://www.flickr.com/photos/22231918@N06/sets/72157628600137569/

These photographs were taken shortly after the photos in my Railroad 
Overpass, Medfield MA 12.22.11 essay, Broadmoor Reservation in South 
Natick is run by the Audubon Society and is one of the most magically 
beautiful places in the western suburbs of Boston. My route home that 
day took me within a mile of Broadmoor, so I stopped there on my 
return trip.

Broadmoor abounds with textures, reflections, shapes and shadows. 
There is a boardwalk over the wetlands near the entrance, and most of 
these photos were taken from that boardwalk.

BTW Some of my videos can be viewed at
http://www.youtube.com/Tobenfeld
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 06:28:04 2011
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Subject: Re: Broadmoor Reservation 12.22.11 Photo Essay on Flickr
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--14dae9340b8119661504b5211a06
Content-Type: text/plain; charset=ISO-8859-1

http://www.massaudubon.org/Nature_Connection/Sanctuaries/Broadmoor/index.php

I just looked it up!

I live about an hour north and have never been or even heard of it!

Beautiful shots!

--14dae9340b8119661504b5211a06
Content-Type: text/html; charset=ISO-8859-1

<br><a href="http://www.massaudubon.org/Nature_Connection/Sanctuaries/Broadmoor/index.php">http://www.massaudubon.org/Nature_Connection/Sanctuaries/Broadmoor/index.php</a>

<div><br></div><div>I just looked it up!</div><div><br></div><div>I live about an hour north and have never been or even heard of it!</div><div><br></div><div>Beautiful shots!</div>

--14dae9340b8119661504b5211a06--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 07:04:05 2011
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Subject: Re: Boss DR 880?
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Perhaps I should try to use it. I love my RC50 but I have a very "meat and p=
otatoes" setup. Sometimes I will use my iPhone in my aux input and sample an=
 opening drumbeat (ie When The Levee Breaks at my http://hankzeppelin.com ).=
=20
Is the DR880 a drum machine?  I prefer to make my own drum sounds by slappin=
g my banjo.=20

Chaz

Sent from my iPad

On Dec 27, 2011, at 4:55 PM, Jeff Shirkey <jcshirke@frontier.com> wrote:

> Is anyone using the Boss DR 880 with an RC 50? If so, how are you connecti=
ng it? Do you use the aux input on the RC 50?
>=20
> Thanks,
>=20
> Jeff
>=20

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Subject: Re: The role of the mailing list and the FB sites.
Date: Tue, 27 Dec 2011 23:08:34 -0800
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"Like."

On Dec 27, 2011, at 10:15 PM, william middlemiss wrote:

>
>
> I honestly dont think it matters; either medium finds its purpose or  
> falls away. If people feel they arent being heard and what they have  
> to say is worthwhile, they'll try again some other way.
>
> Its not like we're writing with a pen and pencil then buying stamps.

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Subject: Re: Boss DR 880?
From: william middlemiss <billymiddlemiss@gmail.com>
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In looping (I dont own an rc-50) Ive used switching devices before a volume
pedal into looping devices. I wouldn't ever use the drum machine and
instrument in parallel, so multiple sources would almost never be active
simultaneously. The volume pedal helps control dynamics and source levels.

Of course, my only drum machine is a circuit bent alesis hr-16, and is
unpredictable as a motherf*cker, so I need level control readily at hand,
but I would still use the same configuration for almost any sound source
(even banjo).

--90e6ba6e836c213ab804b521b3af
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In looping (I dont own an rc-50) Ive used switching devices before a volume=
 pedal into looping devices. I wouldn&#39;t ever use the drum machine and i=
nstrument in parallel, so multiple sources would almost never be active sim=
ultaneously. The volume pedal helps control dynamics and source levels.=A0
<div><br></div><div>Of course, my only drum machine is a circuit bent alesi=
s hr-16, and is unpredictable as a motherf*cker, so I need level control re=
adily at hand, but I would still use the same configuration for almost any =
sound source (even banjo).=A0</div>

--90e6ba6e836c213ab804b521b3af--

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Subject: Re: The role of the mailing list and the FB sites.
From: Per Boysen <perboysen@gmail.com>
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After all it is public domain, not something *you* in particular have
to take care of to hundred percent. If there's too much, just don't
look! We must realize that Facebook now has evolved into an instant
rapid stream, like Twitter.

Greetings from Sweden

Per Boysen
"Don't blink - you may miss something"

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http://suavecitas.com/unread_message.php?sid=3D36&asede=3D244&vatyx=3D34
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From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 10:25:16 2011
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As per usual, I would like advice on spending a limited amount of money.
:-)
TASK:
I would like you guys to compare the following possible purchases and their
Pros/Cons as I see them, in my personal situation:

Its between the Gordius Little Giant Footpedal
and an iPad operating thru the missing link and Touch OSC.

Now heres the things you need to know.

I will need a new footpedal soon, anyway.
 My FCB1010 has been on the way out for over 2 years, and now 2 pedals are
a basically unusable. The rest however ARE FINE, and as long as I have foot
necessary commands (RECORD INSERT MULTIPLY NXT LOOP) on my feet I dont mind
too much.

So, the Gordius will obviously be a total REPLACEMENT for the FC1010.
Hows the mac software looking? (the one thing Ive been using as an excuse
NOT to buy- I wont do a windows partition)
I know its possible to assign a string of commands, but how many?
Can I for example have 10 UNDOs (note ons) seperated by 200 ms (believe
me... Ive read the F***** manual, not all things are obvious) If this is
the case, can one seperate these commands by a beat (midi clock) related
division, coming from the midi-IN jack??? (I know this was NOT the case a
year or so ago, Im talking about updates to software here) AND therfore be
able to control the item (an EDP) that is also sending the midi clock.
Im envisioning a possile midi loop situation here. Gordius controlling
Record and insert on EDP, sending clock to Gordius which can also send out
commands to EDP that are timed from the EDP's own clock. Im assuming here
that EVERYTHING arriving at the Gordius midi IN socket can be stripped away
(by Gordius, no intermediate box or expense) to allow ONLY midi clock, no
pgms or notes getting in.

These are the possible cool features I'm looking to be able to do with
Gordius, if its just a replacement footpedal that easier to program due to
software, then.. Meh, Im not THAT interested, I can program the 1010 pretty
damn quick by now (timed myself once... 7 seconds to change a CC ha ha)

...BUT ON THE OTHER HAND

This iPad/Missing link combo.
Exiting cos in a way I feel like it opens up loads of new possibilities for
lots of old gear. Im envisioning continuing to do pedestrian commands on
the FCB1010, but on a mikestand mounted iPad I have access at all times to
some more odd (infact ALL) EDPs commands, instantly.

I currently have my 1010 sending 10 possible presets to the 2 EDPs. but
really its only 5. The first 5 presets are assuming an internal clock, then
I have the next 5 assuming an external clock, but they are identical apart
from that. So the 1010 sends the same preset, to BOTH EDP's on pedal 1 and
5, 2 and 6, 3 and 7 etc. If I want different presets on each, I have to do
it by either the front panel, or in RE-set using insert/mute.

So nicer control of 2 EDPs, than the messy preset method.
PLUS, I can program the Roland GR55 with it, someone has made a very cool
looking patch editor template for TouchOSC for it...
PLUS, Im wondering about taking a new twist on the poor neglected Repeater.
Imagining an iPad page that INSTANTLY puts various tracks in the repeater
in varous states. I can have a grid of 4X24 for pitch shifting various
tracks 4 tracks by 24 notes (octave up or down.) or have various nice
chords worked out beforehand.
At the moment, Touch OSC seems to only be able to send 1 command at a time,
but maybe if I hassle them enough, they might see it as a cool new
addition. Im worried about continued support here though,as they seem to be
concentrating on their new product an iPad VJ device. (maybe Hans from
midssing link should do his OWN template designer, to allow for this. Ive
looked at the alternative app Cntrol, but didnt really find it as
attractive as Touch, might be more flexible tho, if I could get someone
else to program for me)

So, considering MY needs on this thing, I wonder if some lucky bastard uses
BOTH these approaches and can suggest 1 for me?

Or general philosophizing on control issues and How-Tos for flexibility are
also welcome...

No doubt the other WILL come later, but I might have to sell some
furniture... or some of my kids toys?

Mark

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

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As per usual, I would like advice on spending a limited amount of money. <b=
r>:-)<br>TASK:<br>I would like you guys to compare the following possible p=
urchases and their Pros/Cons as I see them, in my personal situation:<br>

<br>Its between the Gordius Little Giant Footpedal<br>and an iPad operating=
 thru the missing link and Touch OSC.<br><br>Now heres the things you need =
to know.<br><br>I will need a new footpedal soon, anyway.<br>=A0My FCB1010 =
has been on the way out for over 2 years, and now 2 pedals are a basically =
unusable. The rest however ARE FINE, and as long as I have foot necessary c=
ommands (RECORD INSERT MULTIPLY NXT LOOP) on my feet I dont mind too much.<=
br>

<br>So, the Gordius will obviously be a total REPLACEMENT for the FC1010.<b=
r>Hows the mac software looking? (the one thing Ive been using as an excuse=
 NOT to buy- I wont do a windows partition)<br>I know its possible to assig=
n a string of commands, but how many?<br>

Can I for example have 10 UNDOs (note ons) seperated by 200 ms (believe me.=
.. Ive read the F***** manual, not all things are obvious) If this is the c=
ase, can one seperate these commands by a beat (midi clock) related divisio=
n, coming from the midi-IN jack??? (I know this was NOT the case a year or =
so ago, Im talking about updates to software here) AND therfore be able to =
control the item  (an EDP) that is also sending the midi clock. <br>

Im envisioning a possile midi loop situation here. Gordius controlling Reco=
rd and insert on EDP, sending clock to Gordius which can also send out comm=
ands to EDP that are timed from the EDP&#39;s own clock. Im assuming here t=
hat EVERYTHING arriving at the Gordius midi IN socket can be stripped away =
(by Gordius, no intermediate box or expense) to allow ONLY midi clock, no p=
gms or notes getting in.<br>

<br>These are the possible cool features I&#39;m looking to be able to do w=
ith Gordius, if its just a replacement footpedal that easier to program due=
 to software, then.. Meh, Im not THAT interested, I can program the 1010 pr=
etty damn quick by now (timed myself once... 7 seconds to change a CC ha ha=
)<br>

<br>...BUT ON THE OTHER HAND<br><br>This iPad/Missing link combo.<br>Exitin=
g cos in a way I feel like it opens up loads of new possibilities for lots =
of old gear. Im envisioning continuing to do pedestrian commands on the FCB=
1010, but on a mikestand mounted iPad I have access at all times to some mo=
re odd (infact ALL) EDPs commands, instantly. <br>

<br>I currently have my 1010 sending 10 possible presets to the 2 EDPs. but=
 really its only 5. The first 5 presets are assuming an internal clock, the=
n I have the next 5 assuming an external clock, but they are identical apar=
t from that. So the 1010 sends the same preset, to BOTH EDP&#39;s on pedal =
1 and 5, 2 and 6, 3 and 7 etc. If I want different presets on each, I have =
to do it by either the front panel, or in RE-set using insert/mute.<br>

<br>So nicer control of 2 EDPs, than the messy preset method.<br>PLUS, I ca=
n program the Roland GR55 with it, someone has made a very cool looking pat=
ch editor template for TouchOSC for it... <br>PLUS, Im wondering about taki=
ng a new twist on the poor neglected Repeater. Imagining an iPad page that =
INSTANTLY puts various tracks in the repeater in varous states. I can have =
a grid of 4X24 for pitch shifting various tracks 4 tracks by 24 notes (octa=
ve up or down.) or have various nice chords worked out beforehand.<br>

At the moment, Touch OSC seems to only be able to send 1 command at a time,=
 but maybe if I hassle them enough, they might see it as a cool new additio=
n. Im worried about continued support here though,as they seem to be concen=
trating on their new product an iPad VJ device. (maybe Hans from midssing l=
ink should do his OWN template designer, to allow for this. Ive looked at t=
he alternative app Cntrol, but didnt really find it as attractive as Touch,=
 might be more flexible tho, if I could get someone else to program for me)=
<br>

<br>So, considering MY needs on this thing, I wonder if some lucky bastard =
uses BOTH these approaches and can suggest 1 for me?<br><br>Or general phil=
osophizing on control issues and How-Tos for flexibility are also welcome..=
.<br>

<br>No doubt the other WILL come later, but I might have to sell some furni=
ture... or some of my kids toys?<br><br>Mark<br clear=3D"all"><br>-- <br><i=
 style=3D"font-family:verdana,sans-serif;color:rgb(255,255,255);background-=
color:rgb(0,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=
=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--20cf303ea7a862837d04b5246a62--

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Subject: Re: Comparing 2 items of control.
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Mark,
One thing to consider is that touchOSC will run on a first gen iPod touch.
 I have a couple of them lying around for that purpose and they can be had
pretty cheap ($50-$70).  They also make little versions of that stand mount
for the iPod/iPhone, but you can also strap one to your guitar.  Just a
thought...  This way you could get both touchOSC and the gordius!
Sylvain

On Wednesday, December 28, 2011, mark francombe <mark@markfrancombe.com>
wrote:
> As per usual, I would like advice on spending a limited amount of money.
> :-)
> TASK:
> I would like you guys to compare the following possible purchases and
their Pros/Cons as I see them, in my personal situation:
>
> Its between the Gordius Little Giant Footpedal
> and an iPad operating thru the missing link and Touch OSC.
>
> Now heres the things you need to know.
>
> I will need a new footpedal soon, anyway.
>  My FCB1010 has been on the way out for over 2 years, and now 2 pedals
are a basically unusable. The rest however ARE FINE, and as long as I have
foot necessary commands (RECORD INSERT MULTIPLY NXT LOOP) on my feet I dont
mind too much.
>
> So, the Gordius will obviously be a total REPLACEMENT for the FC1010.
> Hows the mac software looking? (the one thing Ive been using as an excuse
NOT to buy- I wont do a windows partition)
> I know its possible to assign a string of commands, but how many?
> Can I for example have 10 UNDOs (note ons) seperated by 200 ms (believe
me... Ive read the F***** manual, not all things are obvious) If this is
the case, can one seperate these commands by a beat (midi clock) related
division, coming from the midi-IN jack??? (I know this was NOT the case a
year or so ago, Im talking about updates to software here) AND therfore be
able to control the item (an EDP) that is also sending the midi clock.
> Im envisioning a possile midi loop situation here. Gordius controlling
Record and insert on EDP, sending clock to Gordius which can also send out
commands to EDP that are timed from the EDP's own clock. Im assuming here
that EVERYTHING arriving at the Gordius midi IN socket can be stripped away
(by Gordius, no intermediate box or expense) to allow ONLY midi clock, no
pgms or notes getting in.
>
> These are the possible cool features I'm looking to be able to do with
Gordius, if its just a replacement footpedal that easier to program due to
software, then.. Meh, Im not THAT interested, I can program the 1010 pretty
damn quick by now (timed myself once... 7 seconds to change a CC ha ha)
>
> ...BUT ON THE OTHER HAND
>
> This iPad/Missing link combo.
> Exiting cos in a way I feel like it opens up loads of new possibilities
for lots of old gear. Im envisioning continuing to do pedestrian commands
on the FCB1010, but on a mikestand mounted iPad I have access at all times
to some more odd (infact ALL) EDPs commands, instantly.
>
> I currently have my 1010 sending 10 possible presets to the 2 EDPs. but
really its only 5. The first 5 presets are assuming an internal clock, then
I have the next 5 assuming an external clock, but they are identical apart
from that. So the 1010 sends the same preset, to BOTH EDP's on pedal 1 and
5, 2 and 6, 3 and 7 etc. If I want different presets on each, I have to do
it by either the front panel, or in RE-set using insert/mute.
>
> So nicer control of 2 EDPs, than the messy preset method.
> PLUS, I can program the Roland GR55 with it, someone has made a very cool
looking patch editor template for TouchOSC for it...
> PLUS, Im wondering about taking a new twist on the poor neglected
Repeater. Imagining an iPad page that INSTANTLY puts various tracks in the
repeater in varous states. I can have a grid of 4X24 for pitch shifting
various tracks 4 tracks by 24 notes (octave up or down.) or have various
nice chords worked out beforehand.
> At the moment, Touch OSC seems to only be able to send 1 command at a
time, but maybe if I hassle them enough, they might see it as a cool new
addition. Im worried about continued support here though,as they seem to be
concentrating on their new product an iPad VJ device. (maybe Hans from
midssing link should do his OWN template designer, to allow for this. Ive
looked at the alternative app Cntrol, but didnt really find it as
attractive as Touch, might be more flexible tho, if I could get someone
else to program for me)
>
> So, considering MY needs on this thing, I wonder if some lucky bastard
uses BOTH these approaches and can suggest 1 for me?
>
> Or general philosophizing on control issues and How-Tos for flexibility
are also welcome...
>
> No doubt the other WILL come later, but I might have to sell some
furniture... or some of my kids toys?
>
> Mark
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>
>

--f46d041b47b2790c9b04b525bd11
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Mark,<br>One thing to consider is that touchOSC will run on a first gen iPo=
d touch. =A0I have a couple of them lying around for that purpose and they =
can be had pretty cheap ($50-$70). =A0They also make little versions of tha=
t stand mount for the iPod/iPhone, but you can also strap one to your guita=
r. =A0Just a thought... =A0This way you could get both touchOSC and the gor=
dius!<br>
Sylvain <br><br>On Wednesday, December 28, 2011, mark francombe &lt;<a href=
=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br=
>&gt; As per usual, I would like advice on spending a limited amount of mon=
ey.<br>
&gt; :-)<br>&gt; TASK:<br>&gt; I would like you guys to compare the followi=
ng possible purchases and their Pros/Cons as I see them, in my personal sit=
uation:<br>&gt;<br>&gt; Its between the Gordius Little Giant Footpedal<br>
&gt; and an iPad operating thru the missing link and Touch OSC.<br>&gt;<br>=
&gt; Now heres the things you need to know.<br>&gt;<br>&gt; I will need a n=
ew footpedal soon, anyway.<br>&gt; =A0My FCB1010 has been on the way out fo=
r over 2 years, and now 2 pedals are a basically unusable. The rest however=
 ARE FINE, and as long as I have foot necessary commands (RECORD INSERT MUL=
TIPLY NXT LOOP) on my feet I dont mind too much.<br>
&gt;<br>&gt; So, the Gordius will obviously be a total REPLACEMENT for the =
FC1010.<br>&gt; Hows the mac software looking? (the one thing Ive been usin=
g as an excuse NOT to buy- I wont do a windows partition)<br>&gt; I know it=
s possible to assign a string of commands, but how many?<br>
&gt; Can I for example have 10 UNDOs (note ons) seperated by 200 ms (believ=
e me... Ive read the F***** manual, not all things are obvious) If this is =
the case, can one seperate these commands by a beat (midi clock) related di=
vision, coming from the midi-IN jack??? (I know this was NOT the case a yea=
r or so ago, Im talking about updates to software here) AND therfore be abl=
e to control the item (an EDP) that is also sending the midi clock.<br>
&gt; Im envisioning a possile midi loop situation here. Gordius controlling=
 Record and insert on EDP, sending clock to Gordius which can also send out=
 commands to EDP that are timed from the EDP&#39;s own clock. Im assuming h=
ere that EVERYTHING arriving at the Gordius midi IN socket can be stripped =
away (by Gordius, no intermediate box or expense) to allow ONLY midi clock,=
 no pgms or notes getting in.<br>
&gt;<br>&gt; These are the possible cool features I&#39;m looking to be abl=
e to do with Gordius, if its just a replacement footpedal that easier to pr=
ogram due to software, then.. Meh, Im not THAT interested, I can program th=
e 1010 pretty damn quick by now (timed myself once... 7 seconds to change a=
 CC ha ha)<br>
&gt;<br>&gt; ...BUT ON THE OTHER HAND<br>&gt;<br>&gt; This iPad/Missing lin=
k combo.<br>&gt; Exiting cos in a way I feel like it opens up loads of new =
possibilities for lots of old gear. Im envisioning continuing to do pedestr=
ian commands on the FCB1010, but on a mikestand mounted iPad I have access =
at all times to some more odd (infact ALL) EDPs commands, instantly.<br>
&gt;<br>&gt; I currently have my 1010 sending 10 possible presets to the 2 =
EDPs. but really its only 5. The first 5 presets are assuming an internal c=
lock, then I have the next 5 assuming an external clock, but they are ident=
ical apart from that. So the 1010 sends the same preset, to BOTH EDP&#39;s =
on pedal 1 and 5, 2 and 6, 3 and 7 etc. If I want different presets on each=
, I have to do it by either the front panel, or in RE-set using insert/mute=
.<br>
&gt;<br>&gt; So nicer control of 2 EDPs, than the messy preset method.<br>&=
gt; PLUS, I can program the Roland GR55 with it, someone has made a very co=
ol looking patch editor template for TouchOSC for it...<br>&gt; PLUS, Im wo=
ndering about taking a new twist on the poor neglected Repeater. Imagining =
an iPad page that INSTANTLY puts various tracks in the repeater in varous s=
tates. I can have a grid of 4X24 for pitch shifting various tracks 4 tracks=
 by 24 notes (octave up or down.) or have various nice chords worked out be=
forehand.<br>
&gt; At the moment, Touch OSC seems to only be able to send 1 command at a =
time, but maybe if I hassle them enough, they might see it as a cool new ad=
dition. Im worried about continued support here though,as they seem to be c=
oncentrating on their new product an iPad VJ device. (maybe Hans from midss=
ing link should do his OWN template designer, to allow for this. Ive looked=
 at the alternative app Cntrol, but didnt really find it as attractive as T=
ouch, might be more flexible tho, if I could get someone else to program fo=
r me)<br>
&gt;<br>&gt; So, considering MY needs on this thing, I wonder if some lucky=
 bastard uses BOTH these approaches and can suggest 1 for me?<br>&gt;<br>&g=
t; Or general philosophizing on control issues and How-Tos for flexibility =
are also welcome...<br>
&gt;<br>&gt; No doubt the other WILL come later, but I might have to sell s=
ome furniture... or some of my kids toys?<br>&gt;<br>&gt; Mark<br>&gt;<br>&=
gt; --<br>&gt; Mark Francombe<br>&gt; <a href=3D"http://www.markfrancombe.c=
om">www.markfrancombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>&gt; <=
a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>&=
gt; <a href=3D"http://www.looop.no">http://www.looop.no</a><br>&gt; twitter=
 @markfrancombe<br>
&gt; <a href=3D"http://www.flickr.com/photos/24478662@N00/">http://www.flic=
kr.com/photos/24478662@N00/</a><br>&gt;<br>&gt;

--f46d041b47b2790c9b04b525bd11--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 16:39:05 2011
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Subject: Re: Comparing 2 items of control.
To: Loopers-Delight@loopers-delight.com
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Well tht certainly crossed my mind Sylvain, I do infact have an iPhone..
and I am using it a little, but with the things I want to control, EDP
Repeater and GR55, the screen is a tad small... and I would ahve to do ALOT
of work to change all the templates I have into a teeny tiny version...

having said that... Im waiting for a run in cheapo second hand iPad 1s to
come around.. pretty soon I should think...

Any more thoughts..?

ONE in favour of Gordius?

M





On Wed, Dec 28, 2011 at 1:00 PM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> Mark,
> One thing to consider is that touchOSC will run on a first gen iPod touch.
>  I have a couple of them lying around for that purpose and they can be had
> pretty cheap ($50-$70).  They also make little versions of that stand mount
> for the iPod/iPhone, but you can also strap one to your guitar.  Just a
> thought...  This way you could get both touchOSC and the gordius!
> Sylvain
>
>
-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--0016e68ee4b1451bfd04b529a3fd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Well tht certainly crossed my mind Sylvain, I do infact have an iPhone.. an=
d I am using it a little, but with the things I want to control, EDP Repeat=
er and GR55, the screen is a tad small... and I would ahve to do ALOT of wo=
rk to change all the templates I have into a teeny tiny version...<br>

<br>having said that... Im waiting for a run in cheapo second hand iPad 1s =
to come around.. pretty soon I should think...<br><br>Any more thoughts..?<=
br><br>ONE in favour of Gordius?<br><br>M<br><br><br><br><br><br><div class=
=3D"gmail_quote">

On Wed, Dec 28, 2011 at 1:00 PM, Sylvain Poitras <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</a>&gt=
;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex">

Mark,<br>One thing to consider is that touchOSC will run on a first gen iPo=
d touch. =A0I have a couple of them lying around for that purpose and they =
can be had pretty cheap ($50-$70). =A0They also make little versions of tha=
t stand mount for the iPod/iPhone, but you can also strap one to your guita=
r. =A0Just a thought... =A0This way you could get both touchOSC and the gor=
dius!<span class=3D"HOEnZb"><font color=3D"#888888"><br>


Sylvain <br></font></span><div class=3D"HOEnZb"><div class=3D"h5"><br clear=
=3D"all"></div></div></blockquote></div><br>-- <br><i style=3D"font-family:=
verdana,sans-serif;color:rgb(255,255,255);background-color:rgb(0,0,0)"><fon=
t style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Francomb=
e</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfra=
ncombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:=
rgb(51,0,51)"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao=
.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,=
51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=
=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)"=
><a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>

twitter @markfrancombe<br><a href=3D"http://www.flickr.com/photos/24478662@=
N00/" target=3D"_blank">http://www.flickr.com/photos/24478662@N00/</a><br><=
/font><br>

--0016e68ee4b1451bfd04b529a3fd--

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Subject: Re: Broadmoor Reservation 12.22.11 Photo Essay on Flickr
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--20cf3079bb18b70db104b52a3586
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Emile beautiful images particularly the reflective water ones.  I love the
sense of winter in all this work Emile.

Happy holidays and new year.


Jim

On Wed, Dec 28, 2011 at 12:24 AM, Emile Tobenfeld (a.k.a Dr. T) <
emile@foryourhead.com> wrote:

> Hi folks,
>
> I've posted a new photo essay (Broadmoor Reservation 12.22.11) on Flickr
> at http://www.flickr.com/photos/**22231918@N06/sets/**72157628600137569/<=
http://www.flickr.com/photos/22231918@N06/sets/72157628600137569/>
>
> These photographs were taken shortly after the photos in my Railroad
> Overpass, Medfield MA 12.22.11 essay, Broadmoor Reservation in South Nati=
ck
> is run by the Audubon Society and is one of the most magically beautiful
> places in the western suburbs of Boston. My route home that day took me
> within a mile of Broadmoor, so I stopped there on my return trip.
>
> Broadmoor abounds with textures, reflections, shapes and shadows. There i=
s
> a boardwalk over the wetlands near the entrance, and most of these photos
> were taken from that boardwalk.
>
> BTW Some of my videos can be viewed at
> http://www.youtube.com/**Tobenfeld <http://www.youtube.com/Tobenfeld>
> --
> " Practice makes perfect, imperfect is better."  -- Paul Bley
>
>                Emile Tobenfeld, Ph. D.
> Video Producer                  Image Processing Specialist
> Video for your HEAD!                    Boris FX
> http://www.foryourhead.com              http://www.borisfx.com
>



--=20
--=20
*Tips Across the
Waters<http://itunes.apple.com/us/app/tips-across-the-waters/id474128076?=
=3Dmt8>
*, a new app for iOS from James Goodin/Wood and Wire Ware.

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin
& Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

--20cf3079bb18b70db104b52a3586
Content-Type: text/html; charset=ISO-8859-1
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<div>Emile beautiful images particularly the reflective water ones.=A0 I lo=
ve the sense of winter in all this work Emile.</div><div>=A0</div><div>Happ=
y holidays and new year.</div><div>=A0</div><div>=A0</div><div>Jim<br><br><=
/div>
<div class=3D"gmail_quote">On Wed, Dec 28, 2011 at 12:24 AM, Emile Tobenfel=
d (a.k.a Dr. T) <span dir=3D"ltr">&lt;<a href=3D"mailto:emile@foryourhead.c=
om">emile@foryourhead.com</a>&gt;</span> wrote:<br><blockquote style=3D"mar=
gin:0px 0px 0px 0.8ex;padding-left:1ex;border-left-color:rgb(204,204,204);b=
order-left-width:1px;border-left-style:solid" class=3D"gmail_quote">
Hi folks,<br>
<br>
I&#39;ve posted a new photo essay (Broadmoor Reservation 12.22.11) on Flick=
r at <a href=3D"http://www.flickr.com/photos/22231918@N06/sets/721576286001=
37569/" target=3D"_blank">http://www.flickr.com/photos/<u></u>22231918@N06/=
sets/<u></u>72157628600137569/</a><br>

<br>
These photographs were taken shortly after the photos in my Railroad Overpa=
ss, Medfield MA 12.22.11 essay, Broadmoor Reservation in South Natick is ru=
n by the Audubon Society and is one of the most magically beautiful places =
in the western suburbs of Boston. My route home that day took me within a m=
ile of Broadmoor, so I stopped there on my return trip.<br>

<br>
Broadmoor abounds with textures, reflections, shapes and shadows. There is =
a boardwalk over the wetlands near the entrance, and most of these photos w=
ere taken from that boardwalk.<br>
<br>
BTW Some of my videos can be viewed at<br>
<a href=3D"http://www.youtube.com/Tobenfeld" target=3D"_blank">http://www.y=
outube.com/<u></u>Tobenfeld</a><span class=3D"HOEnZb"><font color=3D"#88888=
8"><br>
-- <br>
&quot; Practice makes perfect, imperfect is better.&quot; =A0-- Paul Bley<b=
r>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Emile Tobenfeld, Ph. D.<br>
Video Producer =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Image Processing Speciali=
st<br>
Video for your HEAD! =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Boris FX<br>
<a href=3D"http://www.foryourhead.com" target=3D"_blank">http://www.foryour=
head.com</a> =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"http://www.borisfx.com" =
target=3D"_blank">http://www.borisfx.com</a><br>
</font></span></blockquote></div><br><br clear=3D"all"><br>-- <br><div>--=
=A0</div><div><i><a href=3D"http://itunes.apple.com/us/app/tips-across-the-=
waters/id474128076?=3Dmt8" target=3D"_blank">Tips Across the Waters</a></i>=
, a new app for iOS from James Goodin/Wood and Wire Ware.</div>
<div><br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording =
by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD =
will benefit JDRF International.=A0=A0<a href=3D"http://jimgoodinpeterthorn=
.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
</div><br>

--20cf3079bb18b70db104b52a3586--

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Date: Wed, 28 Dec 2011 10:09:50 -0800 (PST)
From: Hassaan Majid <hmmajid@yahoo.com>
Reply-To: Hassaan Majid <hmmajid@yahoo.com>
Subject: Wanted: Echoplex
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I would like to acquire a Echoplex, preferably the pro plus (black) version=
 with Loop 4 software.=A0 Can anyone help?=0A

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 18:19:13 2011
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Subject: Re: Comparing 2 items of control.
From: Dennis Moser <sinsofmachaut@gmail.com>
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Mark,

It's comparing oranges to butterflies =97 two highly different
critters/objects. Consider it in the light of a "uni-tasking" versus a
"multi-tasking" tool.

As you know, I am a staunch advocate of the tablets (either Android or
Apple, tho' the iPad has the edge now, that could change soon and
hopefully will, making the decision even more interesting). I tend to
think of the iPad as a "multi-tasker" and the Gordius as more of a
"uni-tasker" simply because I can ALSO use the iPad for a myriad of
other applications.

And as Sylvain rightly points out, you can use touchOSC almost all of
the iOS devices out there, so it isn't a prohibitively expensive
proposition to pick up a used iPod Touch and dedicate it to being a
controller. Obviously, the sheer screen size of the iPad lends itself
to the task of being a controller more effectively than a iPod, but
you can always START w/ the iPod until you can have dedicated iPads.

For what it's worth, the whole tablet environment is going to be in a
state of flux, so having a dedicated controller such as the Gordius
might be the wiser choice.

Best,

Dennis


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Wed, Dec 28, 2011 at 9:38 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> Well tht certainly crossed my mind Sylvain, I do infact have an iPhone.. =
and
> I am using it a little, but with the things I want to control, EDP Repeat=
er
> and GR55, the screen is a tad small... and I would ahve to do ALOT of wor=
k
> to change all the templates I have into a teeny tiny version...
>
> having said that... Im waiting for a run in cheapo second hand iPad 1s to
> come around.. pretty soon I should think...
>
> Any more thoughts..?
>
> ONE in favour of Gordius?
>
> M
>
>
>
>
>
>
> On Wed, Dec 28, 2011 at 1:00 PM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>>
>> Mark,
>> One thing to consider is that touchOSC will run on a first gen iPod touc=
h.
>> =A0I have a couple of them lying around for that purpose and they can be=
 had
>> pretty cheap ($50-$70). =A0They also make little versions of that stand =
mount
>> for the iPod/iPhone, but you can also strap one to your guitar. =A0Just =
a
>> thought... =A0This way you could get both touchOSC and the gordius!
>> Sylvain
>>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>

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Date: Wed, 28 Dec 2011 10:24:48 -0800 (PST)
From: Hassaan Majid <hmmajid@yahoo.com>
Reply-To: Hassaan Majid <hmmajid@yahoo.com>
Subject: Re: Wanted: Echoplex
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Just to clarify, I am based in UK-London=0A=0A=0A=0A----- Original Message =
-----=0AFrom: Hassaan Majid <hmmajid@yahoo.com>=0ATo: "Loopers-Delight@loop=
ers-delight.com" <Loopers-Delight@loopers-delight.com>=0ACc: =0ASent: Wedne=
sday, 28 December 2011, 18:09=0ASubject: Wanted: Echoplex=0A=0AI would like=
 to acquire a Echoplex, preferably the pro plus (black) version with Loop 4=
 software.=A0 Can anyone help?

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On Wed, Dec 28, 2011 at 7:19 PM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> For what it's worth, the whole tablet environment is going to be in a
> state of flux, so having a dedicated controller such as the Gordius
> might be the wiser choice.
>

Thats what I love about tis list... there I was... a state of quandary... 2
sensible suggestions later, and things are beginning to look a bit
clearer...

Are you using the Gordius Dennis? Can you answer my specific questions
regarding midi-clockage in, and its filterability, and/or ability to
commands?
TBH, I only REALLY need the ability to send a stream of notes seperated by
"some time", it doesnt HAVE to be by a specific time... but would be the
cherry...

M



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf303dd31248fc4c04b52b2775
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On Wed, Dec 28, 2011 at 7:19 PM, Dennis Moser <span dir=3D"ltr">&lt;<a href=
=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</span> =
wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" styl=
e=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">

<div id=3D":zi">For what it&#39;s worth, the whole tablet environment is go=
ing to be in a<br>
state of flux, so having a dedicated controller such as the Gordius<br>
might be the wiser choice.</div></blockquote><div><br>Thats what I love abo=
ut tis list... there I was... a state of quandary... 2 sensible suggestions=
 later, and things are beginning to look a bit clearer... <br><br>Are you u=
sing the Gordius Dennis? Can you answer my specific questions regarding mid=
i-clockage in, and its filterability, and/or ability to commands? <br>

TBH, I only REALLY need the ability to send a stream of notes seperated by =
&quot;some time&quot;, it doesnt HAVE to be by a specific time... but would=
 be the cherry...<br><br>M<br></div></div><br><br clear=3D"all"><br>-- <br>

<i style=3D"font-family:verdana,sans-serif;color:rgb(255,255,255);backgroun=
d-color:rgb(0,0,0)"><font style=3D"font-family:trebuchet ms,sans-serif" siz=
e=3D"4"><u>Mark Francombe</u></font></i><br><font size=3D"1"><a style=3D"co=
lor:rgb(51,0,51)" href=3D"http://www.markfrancombe.com/" target=3D"_blank">=
www.markfrancombe.com</a><br style=3D"color:rgb(51,0,51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/" target=
=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,51)"><a style=
=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=3D"_bla=
nk">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_bl=
ank">http://www.looop.no</a><br>twitter @markfrancombe<br><a href=3D"http:/=
/www.flickr.com/photos/24478662@N00/" target=3D"_blank">http://www.flickr.c=
om/photos/24478662@N00/</a><br>

</font><br>

--20cf303dd31248fc4c04b52b2775--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 18:31:18 2011
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Date: Wed, 28 Dec 2011 19:31:17 +0100
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Subject: Re: Comparing 2 items of control.
From: Per Boysen <perboysen@gmail.com>
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If you have a computer in your rig you won't need The Missing Link
because Hexler now offers (quote):

"TouchOSC Bridge is a standalone tool application for Windows and Mac
OS X that relays MIDI messages sent from TouchOSC to any MIDI capable
application on your computer and vice versa. TouchOSC version 1.8 or
higher is required to use this application."

I use the Gordius Control Center for Mac OS X and of course it is very
well designed. What else would you expect from Xavier? :-)  I checked
how many MIDI events you can make one switch send out (instantly) but
after passing 50 I stopped counting. Maybe there is 128, maybe there
are thousands.... I suggest you post your more advanced questions to
the Gordius User's list, http://launch.groups.yahoo.com/group/GORDIUS/
 Myself I just use the Gordius to send out simple events and then I
program more advanced stuff as control MIDI files or Mobius scripts to
be triggered.

As for "pros and cons" I would say that it comes down to what you want
to use your hands for when performing. Myself I like to play
instruments so the Gordius serves me best (as it is foot controlled
and frees up hands for playing). I think the iPad is good too, but for
performing it is not an option for me since it occupies both your eyes
and your hands (body parts that should serve the audience and
instruments when on stage IMHO). Staring into a screen on stage is
sending a sort of stupid message that I rather leave for other artists
to develop. Nevertheless I'm planning on finding a way to attach an
iPhone to my Stick in order to not always having to bring the Gordius.
It really is more about the music than about the gear.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen



On Wed, Dec 28, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com> wrote:
> I would like you guys to compare the following possible purchases and their
> Pros/Cons as I see them, in my personal situation:
>
> Its between the Gordius Little Giant Footpedal
> and an iPad operating thru the missing link and Touch OSC.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 18:31:53 2011
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Date: Wed, 28 Dec 2011 11:31:52 -0700
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Subject: Re: Comparing 2 items of control.
From: Dennis Moser <sinsofmachaut@gmail.com>
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Mark,

Unfortunately, I can't address the specific Gordius issues because I
have an FCB1010 =97 Andy Butler is probably one of  the best sources for
the Gordius=85my comments in that regard would have to be taken as
"studied conjecture based on similar tools"=85but as you know, the iOS
experiences are firsthand.

I guess my contribution comes from trying to strategically acquire the
tools and only buy what I need!

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Wed, Dec 28, 2011 at 11:27 AM, mark francombe <mark@markfrancombe.com> w=
rote:
> On Wed, Dec 28, 2011 at 7:19 PM, Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
>>
>> For what it's worth, the whole tablet environment is going to be in a
>> state of flux, so having a dedicated controller such as the Gordius
>> might be the wiser choice.
>
>
> Thats what I love about tis list... there I was... a state of quandary...=
 2
> sensible suggestions later, and things are beginning to look a bit
> clearer...
>
> Are you using the Gordius Dennis? Can you answer my specific questions
> regarding midi-clockage in, and its filterability, and/or ability to
> commands?
> TBH, I only REALLY need the ability to send a stream of notes seperated b=
y
> "some time", it doesnt HAVE to be by a specific time... but would be the
> cherry...
>
> M
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> http://www.flickr.com/photos/24478662@N00/
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 18:32:41 2011
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Subject: Re: Comparing 2 items of control.
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:) =85 I didn't mean to leave Per out! I forgot he's using a Gordius, too!

~~D.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Wed, Dec 28, 2011 at 11:31 AM, Per Boysen <perboysen@gmail.com> wrote:
> If you have a computer in your rig you won't need The Missing Link
> because Hexler now offers (quote):
>
> "TouchOSC Bridge is a standalone tool application for Windows and Mac
> OS X that relays MIDI messages sent from TouchOSC to any MIDI capable
> application on your computer and vice versa. TouchOSC version 1.8 or
> higher is required to use this application."
>
> I use the Gordius Control Center for Mac OS X and of course it is very
> well designed. What else would you expect from Xavier? :-) =A0I checked
> how many MIDI events you can make one switch send out (instantly) but
> after passing 50 I stopped counting. Maybe there is 128, maybe there
> are thousands.... I suggest you post your more advanced questions to
> the Gordius User's list, http://launch.groups.yahoo.com/group/GORDIUS/
> =A0Myself I just use the Gordius to send out simple events and then I
> program more advanced stuff as control MIDI files or Mobius scripts to
> be triggered.
>
> As for "pros and cons" I would say that it comes down to what you want
> to use your hands for when performing. Myself I like to play
> instruments so the Gordius serves me best (as it is foot controlled
> and frees up hands for playing). I think the iPad is good too, but for
> performing it is not an option for me since it occupies both your eyes
> and your hands (body parts that should serve the audience and
> instruments when on stage IMHO). Staring into a screen on stage is
> sending a sort of stupid message that I rather leave for other artists
> to develop. Nevertheless I'm planning on finding a way to attach an
> iPhone to my Stick in order to not always having to bring the Gordius.
> It really is more about the music than about the gear.
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>
>
> On Wed, Dec 28, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com>=
 wrote:
>> I would like you guys to compare the following possible purchases and th=
eir
>> Pros/Cons as I see them, in my personal situation:
>>
>> Its between the Gordius Little Giant Footpedal
>> and an iPad operating thru the missing link and Touch OSC.
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 18:36:51 2011
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Date: Wed, 28 Dec 2011 19:36:50 +0100
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Subject: Re: Comparing 2 items of control.
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There is only one thing I can think of that would justify buying an
iPod 2 for me: that would be if Five12 releases an OSC control
environment for Numerology.

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 18:42:55 2011
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Date: Wed, 28 Dec 2011 19:42:54 +0100
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Subject: Re: Comparing 2 items of control.
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On Wed, Dec 28, 2011 at 7:32 PM, Dennis Moser <sinsofmachaut@gmail.com> wro=
te:
> :) =E2=80=A6 I didn't mean to leave Per out! I forgot he's using a Gordiu=
s, too!

Hi Dennis,

Actually I'm leaving the Gordius behind next week when going down to
Istanbul to play a gig with Erdem. I realized I can get buy well
enough by controlling laptop processing from the expression pedal +
switch on the GR55 and the two buttons and the knob on the GK3. Oh,
almost forgot the Faderfox LV3 too, it kind makes up for an iPad ;-)

But the Gordius is fantastic! It seems to be the kind of highest
manifestation of MIDI control technology ever - very much like the
Neuman microphones manifests the perfection of the old vacuum tube
technology.

Per

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Subject: Re: Comparing 2 items of control.
To: Loopers-Delight@loopers-delight.com
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--20cf3036387bd8973904b52c7c25
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I get your approach about needing your hands free, desnt seem to be my
issue, with looping I try to not over-play, most guitar plating is about
adding input to the loops not making loops and soloing over them.

As you know I do NOT have a computer in my set-up, for the reasons you
mention, I cant be eye free with a lappy.. my hardware never changes, so
the volume knob is always in roughly the same place, and with my eye-sight,
thats important.

As for not looking at the audience, well, those 25 people at my annual one
gig, really dont know how lucky they are that Im making my choices based on
gazing into all they=B4re wide amazed eyes personally, one at a time.

Im pretty sure that the gordius is the most proffesional choice...
but I DO have a working 1010, and the idea of getting touch control over
lots of hidden parameters in some of my hardware is ... well... exiting to
me.

BUT as has been pointed out, i can try an iphone first..

so...
looking like its gordius AND a missing link... wonder if I can squeeze for
that.. this is all from selling one old synth... the very wonderful Korg
MS2000R, but sorry, if you dont get used for a year in this house, you out
tha door!!

M


PS: Per, can you confirm that these commands (that you can send thosands
of) can be sent at regular intervals, like a time break of say 200ms or 1
second intervals?
Ill hop over to the gordius forums when I have a mo to formulate all my
questions into one post..

M


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe
http://www.flickr.com/photos/24478662@N00/

--20cf3036387bd8973904b52c7c25
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I get your approach about needing your hands free, desnt seem to be my issu=
e, with looping I try to not over-play, most guitar plating is about adding=
 input to the loops not making loops and soloing over them.<br><br>As you k=
now I do NOT have a computer in my set-up, for the reasons you mention, I c=
ant be eye free with a lappy.. my hardware never changes, so the volume kno=
b is always in roughly the same place, and with my eye-sight, thats importa=
nt.<br>

<br>As for not looking at the audience, well, those 25 people at my annual =
one gig, really dont know how lucky they are that Im making my choices base=
d on gazing into all they=B4re wide amazed eyes personally, one at a time. =
<br>

<br>Im pretty sure that the gordius is the most proffesional choice... <br>
but I DO have a working 1010, and the idea of getting touch control over
 lots of hidden parameters in some of my hardware is ... well... exiting
 to me. <br><br>BUT as has been pointed out, i can try an iphone first..<br=
><br>so...<br>looking like its gordius AND a missing link... wonder if I ca=
n squeeze for that.. this is all from selling one old synth... the very won=
derful Korg MS2000R, but sorry, if you dont get used for a year in this hou=
se, you out tha door!!<br>

<br>M <br><br><br>PS: Per, can you confirm that these commands (that you ca=
n send thosands of) can be sent at regular intervals, like a time break of =
say 200ms or 1 second intervals?<br>Ill hop over to the gordius forums when=
 I have a mo to formulate all my questions into one post..<br>

<br>M<br><br><br>-- <br><i style=3D"font-family:verdana,sans-serif;color:rg=
b(255,255,255);background-color:rgb(0,0,0)"><font style=3D"font-family:treb=
uchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br><font s=
ize=3D"1"><a style=3D"color:rgb(51,0,51)" href=3D"http://www.markfrancombe.=
com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:rgb(51,=
0,51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/" target=
=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51,0,51)"><a style=
=3D"color:rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=3D"_bla=
nk">http://vimeo.com/user825094</a><br style=3D"color:rgb(51,0,51)">

<a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_bl=
ank">http://www.looop.no</a><br>twitter @markfrancombe<br><a href=3D"http:/=
/www.flickr.com/photos/24478662@N00/" target=3D"_blank">http://www.flickr.c=
om/photos/24478662@N00/</a><br>

</font><br>

--20cf3036387bd8973904b52c7c25--

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Subject: Re: Comparing 2 items of control.
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 28, 2011 at 9:02 PM, mark francombe <mark@markfrancombe.com> wrote:
> PS: Per, can you confirm that these commands (that you can send thosands of)
> can be sent at regular intervals, like a time break of say 200ms or 1 second
> intervals?

Sorry, I've never tried anything like that with my Gordius LG. But
MIDI is indeed a linear protocol so events are never sent at the same
time, they always line up in a "train of data". I just don't know the
way to line them up for a particular order to be sent out from the LG.
But I'm reading on the Gordius list that some folks are scripting
almost semi intelligent stuff so I would guess that it should be
possible. Just a guess, mind you ;-)

Per

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 23:30:48 2011
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Subject: LP-2 arrived today
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I got it at work, so I won't have a chance to try it out until later.

Some first impressions:
--It's about the same size, but only about 2/3 the weight of a DL-4.
Light is important in my rig these days. However, it also looks and
feels very sturdy.
--The switches are much quieter than the DL-4. It would be easy to
operate this pedal by hand.
--The power source is NOT included. According to the instructions, I
need a "9v negative-center pedal power supply which is commonly used
by many music pedals." Or a 9v battery.
--There is an input for an expression pedal, which controls feedback.
This is not mentioned in the instructions.
--According to the instructions, an SD storage card is required to use
the device. On my device, the cards must be inserted upside down.
--The maximum loop time is not mentioned in the instructions. I
imagine it depends on the SD card, and I've heard it's well over 1
minute at regular speed.
--The instructions are pretty minimal, and they don't include a
description of what the different effects are.
--There are 16 effects, which are activated by 2 effects switches - 8
per switch. (This much is apparent from the photo on the website.)
Assigning the effects to the footswitch appears complicated enough
that I probably won't be doing it during a performance. To do so, you
have to enter Configuration mode, which involves either pressing a
tiny button on the back of the unit, or holding the RECORD button when
in PLAY mode.
--There is also a nice "Setup Mode", in which the effects LEDs work as
a sound level meter, so you can adjust the input level. There are 3
different levels of input gain, plus a trim knob

Hopefully I'll get a chance to start using it this weekend. I've been
looking forward to this for a while.


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Wed Dec 28 23:34:03 2011
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Subject: Re: LP-2 arrived today
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Also, I checked the looperlative website today to see if there was
more info up there. Today, my office firewall (or Firefox's security
alert) is blocking the website as suspicious. I hope it didn't get
hacked!

Matt

On Wed, Dec 28, 2011 at 3:30 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> I got it at work, so I won't have a chance to try it out until later.
>
> Some first impressions:
> --It's about the same size, but only about 2/3 the weight of a DL-4.
> Light is important in my rig these days. However, it also looks and
> feels very sturdy.
> --The switches are much quieter than the DL-4. It would be easy to
> operate this pedal by hand.
> --The power source is NOT included. According to the instructions, I
> need a "9v negative-center pedal power supply which is commonly used
> by many music pedals." Or a 9v battery.
> --There is an input for an expression pedal, which controls feedback.
> This is not mentioned in the instructions.
> --According to the instructions, an SD storage card is required to use
> the device. On my device, the cards must be inserted upside down.
> --The maximum loop time is not mentioned in the instructions. I
> imagine it depends on the SD card, and I've heard it's well over 1
> minute at regular speed.
> --The instructions are pretty minimal, and they don't include a
> description of what the different effects are.
> --There are 16 effects, which are activated by 2 effects switches - 8
> per switch. (This much is apparent from the photo on the website.)
> Assigning the effects to the footswitch appears complicated enough
> that I probably won't be doing it during a performance. To do so, you
> have to enter Configuration mode, which involves either pressing a
> tiny button on the back of the unit, or holding the RECORD button when
> in PLAY mode.
> --There is also a nice "Setup Mode", in which the effects LEDs work as
> a sound level meter, so you can adjust the input level. There are 3
> different levels of input gain, plus a trim knob
>
> Hopefully I'll get a chance to start using it this weekend. I've been
> looking forward to this for a while.
>
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Podcast! http://ribosomematt.podomatic.com
> Rigs! http://www.youtube.com/user/ribosomematt



-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 00:05:37 2011
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Subject: Re: LP-2 arrived today
From: Phil Clevenger <phil.clevenger@gmail.com>
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Date: Wed, 28 Dec 2011 16:05:29 -0800
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It did get hacked, I was up there a few nights ago and it was trying to =
get me to download some very suspicious .ru file every time I hit the =
search box :)

FIRST LP2 SIGHTING ! Congrats... such fun :)

Phil :)


On Dec 28, 2011, at 3:34 PM, Matt Davignon wrote:

> Also, I checked the looperlative website today to see if there was
> more info up there. Today, my office firewall (or Firefox's security
> alert) is blocking the website as suspicious. I hope it didn't get
> hacked!
>=20
> Matt
>=20
> On Wed, Dec 28, 2011 at 3:30 PM, Matt Davignon =
<mattdavignon@gmail.com> wrote:
>> I got it at work, so I won't have a chance to try it out until later.
>>=20
>> Some first impressions:
>> --It's about the same size, but only about 2/3 the weight of a DL-4.
>> Light is important in my rig these days. However, it also looks and
>> feels very sturdy.
>> --The switches are much quieter than the DL-4. It would be easy to
>> operate this pedal by hand.
>> --The power source is NOT included. According to the instructions, I
>> need a "9v negative-center pedal power supply which is commonly used
>> by many music pedals." Or a 9v battery.
>> --There is an input for an expression pedal, which controls feedback.
>> This is not mentioned in the instructions.
>> --According to the instructions, an SD storage card is required to =
use
>> the device. On my device, the cards must be inserted upside down.
>> --The maximum loop time is not mentioned in the instructions. I
>> imagine it depends on the SD card, and I've heard it's well over 1
>> minute at regular speed.
>> --The instructions are pretty minimal, and they don't include a
>> description of what the different effects are.
>> --There are 16 effects, which are activated by 2 effects switches - 8
>> per switch. (This much is apparent from the photo on the website.)
>> Assigning the effects to the footswitch appears complicated enough
>> that I probably won't be doing it during a performance. To do so, you
>> have to enter Configuration mode, which involves either pressing a
>> tiny button on the back of the unit, or holding the RECORD button =
when
>> in PLAY mode.
>> --There is also a nice "Setup Mode", in which the effects LEDs work =
as
>> a sound level meter, so you can adjust the input level. There are 3
>> different levels of input gain, plus a trim knob
>>=20
>> Hopefully I'll get a chance to start using it this weekend. I've been
>> looking forward to this for a while.
>>=20
>>=20
>> --
>> Matt Davignon
>> mattdavignon@gmail.com
>> www.ribosomemusic.com
>> Podcast! http://ribosomematt.podomatic.com
>> Rigs! http://www.youtube.com/user/ribosomematt
>=20
>=20
>=20
> --=20
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Podcast! http://ribosomematt.podomatic.com
> Rigs! http://www.youtube.com/user/ribosomematt
>=20

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Date: Thu, 29 Dec 2011 08:53:54 -0500
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Subject: Re: LP-2 arrived today
From: Thomas Wegmann <theweg@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf306f77106ca64004b53b7251
Content-Type: text/plain; charset=ISO-8859-1

This is great news!   Weg

On Wed, Dec 28, 2011 at 7:05 PM, Phil Clevenger <phil.clevenger@gmail.com>wrote:

> It did get hacked, I was up there a few nights ago and it was trying to
> get me to download some very suspicious .ru file every time I hit the
> search box :)
>
> FIRST LP2 SIGHTING ! Congrats... such fun :)
>
> Phil :)
>
>
> On Dec 28, 2011, at 3:34 PM, Matt Davignon wrote:
>
> > Also, I checked the looperlative website today to see if there was
> > more info up there. Today, my office firewall (or Firefox's security
> > alert) is blocking the website as suspicious. I hope it didn't get
> > hacked!
> >
> > Matt
> >
> > On Wed, Dec 28, 2011 at 3:30 PM, Matt Davignon <mattdavignon@gmail.com>
> wrote:
> >> I got it at work, so I won't have a chance to try it out until later.
> >>
> >> Some first impressions:
> >> --It's about the same size, but only about 2/3 the weight of a DL-4.
> >> Light is important in my rig these days. However, it also looks and
> >> feels very sturdy.
> >> --The switches are much quieter than the DL-4. It would be easy to
> >> operate this pedal by hand.
> >> --The power source is NOT included. According to the instructions, I
> >> need a "9v negative-center pedal power supply which is commonly used
> >> by many music pedals." Or a 9v battery.
> >> --There is an input for an expression pedal, which controls feedback.
> >> This is not mentioned in the instructions.
> >> --According to the instructions, an SD storage card is required to use
> >> the device. On my device, the cards must be inserted upside down.
> >> --The maximum loop time is not mentioned in the instructions. I
> >> imagine it depends on the SD card, and I've heard it's well over 1
> >> minute at regular speed.
> >> --The instructions are pretty minimal, and they don't include a
> >> description of what the different effects are.
> >> --There are 16 effects, which are activated by 2 effects switches - 8
> >> per switch. (This much is apparent from the photo on the website.)
> >> Assigning the effects to the footswitch appears complicated enough
> >> that I probably won't be doing it during a performance. To do so, you
> >> have to enter Configuration mode, which involves either pressing a
> >> tiny button on the back of the unit, or holding the RECORD button when
> >> in PLAY mode.
> >> --There is also a nice "Setup Mode", in which the effects LEDs work as
> >> a sound level meter, so you can adjust the input level. There are 3
> >> different levels of input gain, plus a trim knob
> >>
> >> Hopefully I'll get a chance to start using it this weekend. I've been
> >> looking forward to this for a while.
> >>
> >>
> >> --
> >> Matt Davignon
> >> mattdavignon@gmail.com
> >> www.ribosomemusic.com
> >> Podcast! http://ribosomematt.podomatic.com
> >> Rigs! http://www.youtube.com/user/ribosomematt
> >
> >
> >
> > --
> > Matt Davignon
> > mattdavignon@gmail.com
> > www.ribosomemusic.com
> > Podcast! http://ribosomematt.podomatic.com
> > Rigs! http://www.youtube.com/user/ribosomematt
> >
>
>


-- 
Greg Wegmann

TheWeg@Frontier.com
TheWeg@GMail.com

--20cf306f77106ca64004b53b7251
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This is great news!=A0=A0 Weg<br><br>
<div class=3D"gmail_quote">On Wed, Dec 28, 2011 at 7:05 PM, Phil Clevenger =
<span dir=3D"ltr">&lt;<a href=3D"mailto:phil.clevenger@gmail.com">phil.clev=
enger@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT:1ex;MARGIN:0px 0px =
0px 0.8ex;BORDER-LEFT:#ccc 1px solid">It did get hacked, I was up there a f=
ew nights ago and it was trying to get me to download some very suspicious =
.ru file every time I hit the search box :)<br>
<br>FIRST LP2 SIGHTING ! Congrats... such fun :)<br><font color=3D"#888888"=
><br>Phil :)<br></font>
<div>
<div></div>
<div class=3D"h5"><br><br>On Dec 28, 2011, at 3:34 PM, Matt Davignon wrote:=
<br><br>&gt; Also, I checked the looperlative website today to see if there=
 was<br>&gt; more info up there. Today, my office firewall (or Firefox&#39;=
s security<br>
&gt; alert) is blocking the website as suspicious. I hope it didn&#39;t get=
<br>&gt; hacked!<br>&gt;<br>&gt; Matt<br>&gt;<br>&gt; On Wed, Dec 28, 2011 =
at 3:30 PM, Matt Davignon &lt;<a href=3D"mailto:mattdavignon@gmail.com">mat=
tdavignon@gmail.com</a>&gt; wrote:<br>
&gt;&gt; I got it at work, so I won&#39;t have a chance to try it out until=
 later.<br>&gt;&gt;<br>&gt;&gt; Some first impressions:<br>&gt;&gt; --It&#3=
9;s about the same size, but only about 2/3 the weight of a DL-4.<br>&gt;&g=
t; Light is important in my rig these days. However, it also looks and<br>
&gt;&gt; feels very sturdy.<br>&gt;&gt; --The switches are much quieter tha=
n the DL-4. It would be easy to<br>&gt;&gt; operate this pedal by hand.<br>=
&gt;&gt; --The power source is NOT included. According to the instructions,=
 I<br>
&gt;&gt; need a &quot;9v negative-center pedal power supply which is common=
ly used<br>&gt;&gt; by many music pedals.&quot; Or a 9v battery.<br>&gt;&gt=
; --There is an input for an expression pedal, which controls feedback.<br>
&gt;&gt; This is not mentioned in the instructions.<br>&gt;&gt; --According=
 to the instructions, an SD storage card is required to use<br>&gt;&gt; the=
 device. On my device, the cards must be inserted upside down.<br>&gt;&gt; =
--The maximum loop time is not mentioned in the instructions. I<br>
&gt;&gt; imagine it depends on the SD card, and I&#39;ve heard it&#39;s wel=
l over 1<br>&gt;&gt; minute at regular speed.<br>&gt;&gt; --The instruction=
s are pretty minimal, and they don&#39;t include a<br>&gt;&gt; description =
of what the different effects are.<br>
&gt;&gt; --There are 16 effects, which are activated by 2 effects switches =
- 8<br>&gt;&gt; per switch. (This much is apparent from the photo on the we=
bsite.)<br>&gt;&gt; Assigning the effects to the footswitch appears complic=
ated enough<br>
&gt;&gt; that I probably won&#39;t be doing it during a performance. To do =
so, you<br>&gt;&gt; have to enter Configuration mode, which involves either=
 pressing a<br>&gt;&gt; tiny button on the back of the unit, or holding the=
 RECORD button when<br>
&gt;&gt; in PLAY mode.<br>&gt;&gt; --There is also a nice &quot;Setup Mode&=
quot;, in which the effects LEDs work as<br>&gt;&gt; a sound level meter, s=
o you can adjust the input level. There are 3<br>&gt;&gt; different levels =
of input gain, plus a trim knob<br>
&gt;&gt;<br>&gt;&gt; Hopefully I&#39;ll get a chance to start using it this=
 weekend. I&#39;ve been<br>&gt;&gt; looking forward to this for a while.<br=
>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt; --<br>&gt;&gt; Matt Davignon<br>&gt;&gt; =
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
&gt;&gt; <a href=3D"http://www.ribosomemusic.com/" target=3D"_blank">www.ri=
bosomemusic.com</a><br>&gt;&gt; Podcast! <a href=3D"http://ribosomematt.pod=
omatic.com/" target=3D"_blank">http://ribosomematt.podomatic.com</a><br>&gt=
;&gt; Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"=
_blank">http://www.youtube.com/user/ribosomematt</a><br>
&gt;<br>&gt;<br>&gt;<br>&gt; --<br>&gt; Matt Davignon<br>&gt; <a href=3D"ma=
ilto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>&gt; <a href=3D"=
http://www.ribosomemusic.com/" target=3D"_blank">www.ribosomemusic.com</a><=
br>
&gt; Podcast! <a href=3D"http://ribosomematt.podomatic.com/" target=3D"_bla=
nk">http://ribosomematt.podomatic.com</a><br>&gt; Rigs! <a href=3D"http://w=
ww.youtube.com/user/ribosomematt" target=3D"_blank">http://www.youtube.com/=
user/ribosomematt</a><br>
&gt;<br><br></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br=
>
<div>Greg Wegmann<br><br><a href=3D"mailto:TheWeg@Frontier.com" target=3D"_=
blank">TheWeg@Frontier.com</a></div>
<div>TheWeg@GMail.com<br></div><br>

--20cf306f77106ca64004b53b7251--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 15:48:48 2011
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Subject: Re: Boss DR 880?
Date: Thu, 29 Dec 2011 09:55:13 -0600
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>
>
> Is the DR880 a drum machine?

Since it also includes bass sounds, I think they prefer to call it a  
"rhythm machine", but, yes, that's basically what it is.

I can't decide if I want to make my own tracks in Live and then  
trigger them with the RC-50 or use the Dr. 880.

Is anyone using Live with the RC-50?

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><blockquote type="cite"><div><br><font class="Apple-style-span" color="#000000"><br></font>Is the DR880 a drum machine?&nbsp;</div></blockquote><br></div><div>Since it also includes bass sounds, I think they prefer to call it a "rhythm machine", but, yes, that's basically what it is.</div><div><br></div><div>I can't decide if I want to make my own tracks in Live and then trigger them with the RC-50 or use the Dr. 880.&nbsp;</div><div><br></div><div>Is anyone using Live with the RC-50?&nbsp;</div><div><br></div><div>Jeff</div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 18:35:09 2011
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Subject: LP-2 has made it to market
Date: Thu, 29 Dec 2011 10:35:07 -0800
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I am glad this unit has made it to market - didn't have mine by Xmas, and
it's looking like I won't get it before NYE either, since he has not yet
contacted me - I understand that he is confirming mailing addresses before
shipping.

Not good news that he has been hacked, that doesn't help us here does it?

HYN and super solstice to all, and kudos to Bob for shipping at least one.
Does that mean Rick has his now? I have to think he is at the top of the
list . . .

Gary

From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 18:41:20 2011
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Subject: Twelve Days of Christmas shows
Date: Thu, 29 Dec 2011 18:41:28 -0000
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Happy holidays all!

Nightly I'm performing live variations of Christmas carols for your holiday 
pleasure, with seasonal videoworks, from Christmas Day until January 5, at 
12am London time. See http://tinyurl.com/c8km7zy for your local time.  They 
are of course archived for your later viewing at the channel below. :)

http://www.ustream.tv/channel/twelve-days-of-christmas-2010-11



From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 19:15:30 2011
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Date: Thu, 29 Dec 2011 11:15:28 -0800
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Subject: Re: LP-2 has made it to market
From: Matt Davignon <mattdavignon@gmail.com>
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I was under the assumption that Rick, being the guinea pig
(figuratively), had one the whole time.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt



On Thu, Dec 29, 2011 at 10:35 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:
> I am glad this unit has made it to market - didn't have mine by Xmas, and
> it's looking like I won't get it before NYE either, since he has not yet
> contacted me - I understand that he is confirming mailing addresses before
> shipping.
>
> Not good news that he has been hacked, that doesn't help us here does it?
>
> HYN and super solstice to all, and kudos to Bob for shipping at least one.
> Does that mean Rick has his now? I have to think he is at the top of the
> list . . .
>
> Gary
>

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Subject: RE: LP-2 has made it to market
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Yes, but not a production model.
Any idea where to get a wall wart for it?
We all look forward to your impressions.

Gary

-----Original Message-----
From: Matt Davignon [mailto:mattdavignon@gmail.com] 
Sent: Thursday, December 29, 2011 11:15 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP-2 has made it to market

I was under the assumption that Rick, being the guinea pig
(figuratively), had one the whole time.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt



On Thu, Dec 29, 2011 at 10:35 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:
> I am glad this unit has made it to market - didn't have mine by Xmas, and
> it's looking like I won't get it before NYE either, since he has not yet
> contacted me - I understand that he is confirming mailing addresses before
> shipping.
>
> Not good news that he has been hacked, that doesn't help us here does it?
>
> HYN and super solstice to all, and kudos to Bob for shipping at least one.
> Does that mean Rick has his now? I have to think he is at the top of the
> list . . .
>
> Gary
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 22:16:01 2011
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Subject: Re: LP-2 has made it to market
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I went to Radio Shack to get one, but they needed to know the
amperage. Just "negative center 9v power source" was not enough info.

I sent an email to Bob this morning. If anyone knows, I'd like to know.

Matt

On Thu, Dec 29, 2011 at 11:41 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:
> Yes, but not a production model.
> Any idea where to get a wall wart for it?
> We all look forward to your impressions.
>
> Gary
>
> -----Original Message-----
> From: Matt Davignon [mailto:mattdavignon@gmail.com]
> Sent: Thursday, December 29, 2011 11:15 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: LP-2 has made it to market
>
> I was under the assumption that Rick, being the guinea pig
> (figuratively), had one the whole time.
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Podcast! http://ribosomematt.podomatic.com
> Rigs! http://www.youtube.com/user/ribosomematt
>
>
>
> On Thu, Dec 29, 2011 at 10:35 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:
>> I am glad this unit has made it to market - didn't have mine by Xmas, and
>> it's looking like I won't get it before NYE either, since he has not yet
>> contacted me - I understand that he is confirming mailing addresses before
>> shipping.
>>
>> Not good news that he has been hacked, that doesn't help us here does it?
>>
>> HYN and super solstice to all, and kudos to Bob for shipping at least one.
>> Does that mean Rick has his now? I have to think he is at the top of the
>> list . . .
>>
>> Gary
>>
>



-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 23:18:53 2011
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On 7/22/64 11:59 AM, Matt Davignon wrote:
> --The instructions are pretty minimal, and they don't include a
> description of what the different effects are.
>
So glad you got your LP-2.

It took so long to get the manufacturing happening (due to circumstances
on the manufacturers side, not on Bob's side) that I haven't even had a 
chance
to play one yet, and Bob wanted to get them to people as soon as possible,
  so the intention is to make a video manual as soon as Bill and
I have one in our hot little hands,  which will hopefully be in the next
couple of weeks.

In the meantime,  I'd be happy to explain the functions to you or anyone
if they are mystifying.
> --There are 16 effects, which are activated by 2 effects switches - 8
> per switch. (This much is apparent from the photo on the website.)
> Assigning the effects to the footswitch appears complicated enough
> that I probably won't be doing it during a performance. To do so, you
> have to enter Configuration mode, which involves either pressing a
> tiny button on the back of the unit, or holding the RECORD button when
> in PLAY mode.

I don't know if you saw the post I made of the very first time I used 
the DL-2.
Here's the URL again.


but, saliently,  I used all of these switches in real time during my 
performance.
It requires said double button presses but it's set up so that they can 
be accomplished
in real time.     Like any new instrument,  you'll have to learn a few 
new 'moves' to
get it all going, but I didn't have a problem switching between effects 
during a
performance.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 23:23:21 2011
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On 7/22/64 11:59 AM, Per Boysen wrote:
> There is only one thing I can think of that would justify buying an
> iPod 2 for me: that would be if Five12 releases an OSC control
> environment for Numerology.
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
I would agree with you if it weren't for
Jordan Rudesess two amazing iPad2 apps:

Morphwiz and SampleWiz.

These are amazing real time instruments whose use of the
iPads touch controls to create instruments that truly are new.

I've been looking for a performance Sampler like this all of my life.
(note:  Michael Peters,  check it out!)

I'm in love with both of them.

Then,  all of the amazing apps for the recording of specialty videos to 
augment one's
live looping forays, musically.

I have to say,  I"m really impressed with the iPad2.
(and special thanks to Dennis Moser and the several people who recommended
apps for me to try out to get to know it better).

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Dec 29 23:30:18 2011
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Thanks Rick, I knew if you had a chance to try them you'd like 'em. Do
check out Thumbjam, too, as it has a really sweet MIDI integration
with other apps=97plus you can radically customize the instruments and
create your own personal scales.

Best to all,

Dennis


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Dec 29, 2011 at 4:23 PM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, Per Boysen wrote:
>>
>> There is only one thing I can think of that would justify buying an
>> iPod 2 for me: that would be if Five12 releases an OSC control
>> environment for Numerology.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.perboysen.com
>> http://www.youtube.com/perboysen
>
> I would agree with you if it weren't for
> Jordan Rudesess two amazing iPad2 apps:
>
> Morphwiz and SampleWiz.
>
> These are amazing real time instruments whose use of the
> iPads touch controls to create instruments that truly are new.
>
> I've been looking for a performance Sampler like this all of my life.
> (note: =A0Michael Peters, =A0check it out!)
>
> I'm in love with both of them.
>
> Then, =A0all of the amazing apps for the recording of specialty videos to
> augment one's
> live looping forays, musically.
>
> I have to say, =A0I"m really impressed with the iPad2.
> (and special thanks to Dennis Moser and the several people who recommende=
d
> apps for me to try out to get to know it better).
>
> rick walker
>

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Date: Thu, 29 Dec 2011 18:43:19 -0500
From: Bill Fox <billyfox@soundscapes.us>
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
        spacemusic Yahoogroups List <spacemusic@yahoogroups.com>,
        Ambient Way Yahoogroups List <the_ambient_way@yahoogroups.com>,
        Loopers Delight Mailing List <Loopers-Delight@loopers-delight.com>
Subject: Listen to Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll conclude the
month-long Special Focus on Dan Pound.  The Featured CD at Midnight
will be "Wolf Moon" on Poundsounds.  Details are at the Special Focus
page at: http://wdiy.org/programs/gt/playlists/2011/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 30 01:54:55 2011
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <CAP9xU1sPS3-U_S+nNdV=Gd=8ZF-SJo9N=0oZzLwyxtK5YSLMsA@mail.gmail.com><CAP9xU1tZJHNAj2jhiKHYMOesm3ndgSAN1rK1PN-urCt5P=D9fA@mail.gmail.com><6DE43E3A-0A87-4851-8E43-6341A1E31E6E@gmail.com><CACW8QADt0iv6LsQLXkY8A=-O1KK+jNRGUKu2-WgWawA+LSTpHg@mail.gmail.com><A436FBB34F5A4AEEBB466C87C31D1731@your0548c161e1> <CAP9xU1ucx7NpaSVu7Hyim5pLJHH0cwCoxujELNk9i0=ceWC5wg@mail.gmail.com> <66B3878B17244B35BB439D4CB7565868@your0548c161e1>
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Subject: Fifth Night of Christmas!
Date: Fri, 30 Dec 2011 01:55:02 -0000
Organization: EarthLight Productions
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Show done! Now available for your leisurely holiday listening.  I perform 
ambient variations on traditional Christmas Carols with seasonal videoworks.

http://www.ustream.tv/recorded/19454863

From Loopers-Delight-request@loopers-delight.com  Fri Dec 30 21:54:38 2011
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Subject: time to sell my repeater
From: tyler newman <tyler@batterycage.com>
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Date: Fri, 30 Dec 2011 13:54:35 -0800
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Resent-Date: Fri, 30 Dec 2011 21:54:38 +0000 (UTC)

hi-

i've had my electrix repeater for a few years and never really had the =
time to dig into it the way i had hoped to.=20

i would like to sell it now, since it's just taking up rackspace. it has =
the latest OS installed, and comes with a 128Mb card from =
SimpleTechnology which does support reverse playback.

i am pairing it with my Behringer FCB1010 which has never been used at =
all, so it's stock condition (no UNO firmware).=20

i will let the whole package go for 700$ USD.=20

let me know if you're interested, or know someone that is interested. =
i'm xposting to repeater-users, and will post on ebay next week if i =
don't hear any offers.

thanks!

-tyler=

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 11:49:28 2011
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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Happy New Year!!
Date: Sat, 31 Dec 2011 06:49:27 -0500
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http://vimeo.com/34392921

May 2012 be a productive and prosperous year filled with happiness for =
all loopers
--------------------
Todd Matthews
toddbass.com
twitter: gtodd876


--Apple-Mail=_1E6F719A-BAFF-471C-9184-E776543B320D
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><a href="http://vimeo.com/34392921">http://vimeo.com/34392921</a><div><br></div><div>May 2012 be a productive and prosperous year filled with happiness for all loopers<br><div apple-content-edited="true">
<div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>--------------------</div><div>Todd Matthews</div><div><div><a href="http://toddbass.com">toddbass.com</a></div><div>twitter: gtodd876</div></div></div>
</div>
<br></div></body></html>
--Apple-Mail=_1E6F719A-BAFF-471C-9184-E776543B320D--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 13:11:00 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 31 Dec 2011 08:10:17 -0500
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Subject: Re: Happy New Year!!
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haha! what a pleasure,  thanks, Todd!


On Sat, Dec 31, 2011 at 6:49 AM, Todd Matthews <gtmatthews@gmail.com> wrote=
:

> http://vimeo.com/34392921
>
> May 2012 be a productive and prosperous year filled with happiness for al=
l
> loopers
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 *The Best Classical Music of the Year, 2011* -
Amazon.com<http://www.amazon.com/b/?node=3D3454852011>

=95 Outerborough, Todd Reynolds' solo double CD is now available wherever
music is sold. Here's a direct link to Amazon, however!
<http://www.amazon.com/Outerborough/dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=
=3DUTF8&qid=3D1323231891&sr=3D301-1>


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

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haha! what a pleasure, =A0thanks, Todd!=A0<div><br><br><div class=3D"gmail_=
quote">On Sat, Dec 31, 2011 at 6:49 AM, Todd Matthews <span dir=3D"ltr">&lt=
;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span=
> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word"><a href=
=3D"http://vimeo.com/34392921" target=3D"_blank">http://vimeo.com/34392921<=
/a><div>

<br></div><div>May 2012 be a productive and prosperous year filled with hap=
piness for all loopers<br><div>
<div style=3D"word-wrap:break-word"><div>--------------------</div><span cl=
ass=3D"HOEnZb"><font color=3D"#888888"><div>Todd Matthews</div><div><div><a=
 href=3D"http://toddbass.com" target=3D"_blank">toddbass.com</a></div><div>=
twitter: gtodd876</div>

</div></font></span></div>
</div>
<br></div></div></blockquote></div><br><br clear=3D"all"><div><br></div>-- =
<br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 <a href=3D"http://www.amazon=
.com/b/?node=3D3454852011" target=3D"_blank"><i>The Best Classical Music of=
=A0the Year, 2011</i> - Amazon.com</a><div>

<br><div>=95=A0Outerborough, Todd Reynolds&#39; solo double CD is now avail=
able wherever music is sold. <a href=3D"http://www.amazon.com/Outerborough/=
dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=3DUTF8&amp;qid=3D1323231891&amp;sr=
=3D301-1" target=3D"_blank">Here&#39;s a direct link to Amazon, however!=A0=
</a><div>

<div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica"><br></p></di=
v><div><div><div>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<br><a href=3D"http://toddreynolds.com" target=3D"_blank">ht=
tp://toddreynolds.com</a><br><a href=3D"http://twitter.com/digifiddler" tar=
get=3D"_blank">http://twitter.com/digifiddler</a><br>

<a href=3D"http://myspace.com/toddreynoldsmusic" target=3D"_blank">http://m=
yspace.com/toddreynoldsmusic</a><br><a href=3D"http://blog.toddreynolds.com=
" target=3D"_blank">http://blog.toddreynolds.com</a><br><a href=3D"http://f=
acebook.com/toddreynolds" target=3D"_blank">http://facebook.com/toddreynold=
s</a><br>

<a href=3D"http://reverbnation.com/toddreynolds" target=3D"_blank">http://r=
everbnation.com/toddreynolds</a><br></div></div></div></div></div></div><di=
v><br></div><div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica">=
<br>

</p></div><br>
</div>

--0015174bf2108fa6f904b5631497--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 13:45:29 2011
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Date: Sat, 31 Dec 2011 15:45:27 +0200
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Subject: Re: Happy New Year!!
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Nice!!! :-D

2011/12/31 todd reynolds <toddreyn@gmail.com>

> haha! what a pleasure,  thanks, Todd!
>
>
> On Sat, Dec 31, 2011 at 6:49 AM, Todd Matthews <gtmatthews@gmail.com>wrot=
e:
>
>> http://vimeo.com/34392921
>>
>> May 2012 be a productive and prosperous year filled with happiness for
>> all loopers
>> --------------------
>> Todd Matthews
>> toddbass.com
>> twitter: gtodd876
>>
>>
>
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =95 *The Best Classical Music of the Year, 2011* - Amazon.com<http://www.=
amazon.com/b/?node=3D3454852011>
>
> =95 Outerborough, Todd Reynolds' solo double CD is now available wherever
> music is sold. Here's a direct link to Amazon, however! <http://www.amazo=
n.com/Outerborough/dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=3DUTF8&qid=3D1323=
231891&sr=3D301-1>
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>
>
>
>


--=20
Petri Lahtinen

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Nice!!! :-D<br><br><div class=3D"gmail_quote">2011/12/31 todd reynolds <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:toddreyn@gmail.com">toddreyn@gmail.com<=
/a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .=
8ex;border-left:1px #ccc solid;padding-left:1ex">
haha! what a pleasure, =A0thanks, Todd!=A0<div><div><div class=3D"h5"><br><=
br><div class=3D"gmail_quote">On Sat, Dec 31, 2011 at 6:49 AM, Todd Matthew=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com" target=3D"_=
blank">gtmatthews@gmail.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word"><a href=
=3D"http://vimeo.com/34392921" target=3D"_blank">http://vimeo.com/34392921<=
/a><div>


<br></div><div>May 2012 be a productive and prosperous year filled with hap=
piness for all loopers<br><div>
<div style=3D"word-wrap:break-word"><div>--------------------</div><span><f=
ont color=3D"#888888"><div>Todd Matthews</div><div><div><a href=3D"http://t=
oddbass.com" target=3D"_blank">toddbass.com</a></div><div>twitter: gtodd876=
</div>


</div></font></span></div>
</div>
<br></div></div></blockquote></div><br><br clear=3D"all"><div><br></div></d=
iv></div>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 <a href=3D"http:=
//www.amazon.com/b/?node=3D3454852011" target=3D"_blank"><i>The Best Classi=
cal Music of=A0the Year, 2011</i> - Amazon.com</a><div>


<br><div>=95=A0Outerborough, Todd Reynolds&#39; solo double CD is now avail=
able wherever music is sold. <a href=3D"http://www.amazon.com/Outerborough/=
dp/B004PW1C4M/ref=3Dsr_shvl_album_1?ie=3DUTF8&amp;qid=3D1323231891&amp;sr=
=3D301-1" target=3D"_blank">Here&#39;s a direct link to Amazon, however!=A0=
</a><div>


<div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica"><br></p></di=
v><div><div><div>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<br><a href=3D"http://toddreynolds.com" target=3D"_blank">ht=
tp://toddreynolds.com</a><br><a href=3D"http://twitter.com/digifiddler" tar=
get=3D"_blank">http://twitter.com/digifiddler</a><br>


<a href=3D"http://myspace.com/toddreynoldsmusic" target=3D"_blank">http://m=
yspace.com/toddreynoldsmusic</a><br><a href=3D"http://blog.toddreynolds.com=
" target=3D"_blank">http://blog.toddreynolds.com</a><br><a href=3D"http://f=
acebook.com/toddreynolds" target=3D"_blank">http://facebook.com/toddreynold=
s</a><br>


<a href=3D"http://reverbnation.com/toddreynolds" target=3D"_blank">http://r=
everbnation.com/toddreynolds</a><br></div></div></div></div></div></div><di=
v><br></div><div><p style=3D"margin:0px 0px 0px 0px;font:12.0px Helvetica">=
<br>


</p></div><br>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
br>

--90e6ba6e8808e2c97504b5638f9e--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 15:50:47 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Happy New ----- aGE oF eXPERIMENTATION
Date: Sat, 31 Dec 2011 15:50:40 +0000
Importance: Normal
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More music.. guitar octatrack.. This time a track is set up as...=20
-- ! A LOOPER !--
It records it self and guitar input.. adds combfilter and delay=2C rerecord=
 it self=2C with input adder.. Ad finitum.. or at least til I press stop =
=3B-)
The loop is rather low in mix the combfilter will get CRAZY other wise..
All else is live looping/sampling as well...
http://soundcloud.com/anders-bergdahl/age-of-experimentation

HAPPY NEW YEAR ALL!! 		 	   		  =

--_4bd66ff7-803d-432b-ab11-e5c00854fdad_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style></head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
More music.. guitar octatrack..&nbsp=3B<div>This time a track is set up as.=
..&nbsp=3B</div><div><br></div><div>-- ! A LOOPER !--</div><div><br></div><=
div>It records it self and guitar input.. adds combfilter and delay=2C rere=
cord it self=2C with input adder..&nbsp=3B</div><div>Ad finitum.. or at lea=
st til I press stop =3B-)</div><div><br></div><div>The loop is rather low i=
n mix the combfilter will get CRAZY other wise..</div><div><br></div><div>A=
ll else is live looping/sampling as well...</div><div><br></div><div><a hre=
f=3D"http://soundcloud.com/anders-bergdahl/age-of-experimentation">http://s=
oundcloud.com/anders-bergdahl/age-of-experimentation</a>
</div><div><br></div><div>HAPPY NEW YEAR ALL!!</div> 		 	   		  </div></bod=
y>
</html>=

--_4bd66ff7-803d-432b-ab11-e5c00854fdad_--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 15:55:07 2011
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Date: Sat, 31 Dec 2011 10:55:02 -0500
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Subject: Galactic Travels Playlist #769 for December 29, 2011.
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http://wdiy.org/programs/gt/playlists/2011/111229.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #769                December 29, 2011.

WDIY Playlist: http://wdiy.org/shows/playList.jsp?id=8109

RECAP:
On this show, I concluded the month-long focus on Dan Pound.  The
Featured CD at Midnight was "Wolf Moon" on Poundsounds.
http://wdiy.org/programs/gt/playlists/2011/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Zero Ohms            I Become the         Worlds, Afterworlds
                        Emptiness Through    (relaxedMACHINERY)
                        Which the Axle
                        Turns
John Sobocan         Enoch                01 (Mune Music)
Patrick Geren        Cross the Line       Orange Skies (Quark)
Paragate             To One In Bedlam     Stillness in the Mirror
                                             (Auraltone)
Dave Luxton          Embryonic Dream      Dreams, Ghosts, and Parallel
                                             Universes (Wayfarer)
Steve Brand          Act of Creation      Avatara (Hypnos)
Erik Wollo           Silent Currents 2 *  Silent Currents (Projekt)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Dan Pound            Always On the Run    Wolf Moon (Poundsounds)
Dan Pound            Ancient Spirit       Wolf Moon (Poundsounds)
Dan Pound            Wolf Moon            Wolf Moon (Poundsounds)
Dan Pound            Making Tracks        Wolf Moon (Poundsounds)
Dan Pound            Watching Through     Wolf Moon (Poundsounds)
                        Trees
Dan Pound            The Hunter           Wolf Moon (Poundsounds)
Dan Pound            The Hunted           Wolf Moon (Poundsounds)
Dan Pound            Unknown Territory    Wolf Moon (Poundsounds)
Dan Pound            Homeward             Wolf Moon (Poundsounds)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on
cyberCHUMP. The Featured CD at Midnight will be "Scientists in the
Trees" on Internal Combustion Records.
http://wdiy.org/programs/gt/playlists/2012/focus.html#jan

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://wdiy.org/listen on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 16:15:43 2011
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Subject: Galactic Travels Top 20 Report for December, 2011.
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http://wdiy.org/programs/gt/playlists/2011/top20-12dec.html

WDIY 88.1 FM "Galactic Travels" Top 20 for December, 2011.
Shows #765 to #769; 1-December-2011 to 29-December-2011
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for December was Dan Pound.
http://wdiy.org/programs/gt/playlists/2011/focus.html#dec


ARTIST - ALBUM TITLE - LABEL
========================================================================
12 Followers/Meteo Xavier - Espers - Lightfall
A Produce and Loren Nerell - Intangible - Hypnos
Dan Pound - Aurora - Poundsounds
Dan Pound - Esoterica - Poundsounds
Dan Pound - Impressions - Poundsounds
Dan Pound - Living Planet - Poundsounds
Dan Pound - Wolf Moon - Poundsounds
Dave Luxton - Dreams, Ghosts, and Parallel Universes - Wayfarer
Jonn Serrie - Sunday Morning Peace - Valley Entertainment
Keller and Schonwalder - Long Distances - Manikin
Mazmoneth - Music By Mirrors - DiN
Mystified - Coming Days - Mystified Music
Numina - Subterranean Landscapes - Numinamusic Recordings
Paragate - Stillness in the Mirror - Auraltone
Polaris and Krzysztof Horn - Collision - Ricochet Dream
Robert Rich - Medicine Box - Soundscape
Sam Rosenthal - The Passage - Projekt
Steve Brand - Avatara - Hypnos
Steve Roach - Journey of One - Projekt
Zero Ohms - Worlds, Afterworlds - relaxedMACHINERY

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://wdiy.org/listen on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 16:20:14 2011
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Subject: RE: Happy New Year!!
Date: Sat, 31 Dec 2011 16:20:11 +0000
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--_c660086a-b797-4cd8-b841-b7f2abdd61fd_
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Thanks man! I enjoyed that a lot...
HAPPY NEW YEAR..=20
an other loop is a head in the ever evolving spiral..

From: gtmatthews@gmail.com
Subject: Happy New Year!!
Date: Sat=2C 31 Dec 2011 06:49:27 -0500
To: Loopers-Delight@loopers-delight.com



http://vimeo.com/34392921
May 2012 be a productive and prosperous year filled with happiness for all =
loopers

--------------------Todd Matthewstoddbass.comtwitter: gtodd876


 		 	   		  =

--_c660086a-b797-4cd8-b841-b7f2abdd61fd_
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<html>
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<body class=3D'hmmessage'><div dir=3D'ltr'>
Thanks man! I enjoyed that a lot...<div><br></div><div>HAPPY NEW YEAR..&nbs=
p=3B</div><div><br></div><div>an other loop is a head in the ever evolving =
spiral..<br><br><div><div id=3D"SkyDrivePlaceholder"></div><hr id=3D"stopSp=
elling">From: gtmatthews@gmail.com<br>Subject: Happy New Year!!<br>Date: Sa=
t=2C 31 Dec 2011 06:49:27 -0500<br>To: Loopers-Delight@loopers-delight.com<=
br><br>
<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
">
<meta name=3D"Generator" content=3D"Microsoft SafeHTML"><a href=3D"http://v=
imeo.com/34392921" target=3D"_blank">http://vimeo.com/34392921</a><div><br>=
</div><div>May 2012 be a productive and prosperous year filled with happine=
ss for all loopers<br><div>
<div style=3D"word-wrap:break-word"><div>--------------------</div><div>Tod=
d Matthews</div><div><div><a href=3D"http://toddbass.com" target=3D"_blank"=
>toddbass.com</a></div><div>twitter: gtodd876</div></div></div>
</div>
<br></div></div></div> 		 	   		  </div></body>
</html>=

--_c660086a-b797-4cd8-b841-b7f2abdd61fd_--

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Some of you may have known Richard =97

https://www.facebook.com/rlainhart/posts/2620039735193

~~D.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Date: Sat, 31 Dec 2011 11:46:44 -0500
Message-ID: <CAF-7VCCFdbE3OiSUckQ0A5c77oxaMca_tdO5_43xY_EXhxRZnw@mail.gmail.com>
Subject: =?windows-1252?Q?Re=3A_Sad_news_=85?=
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--bcaec53f395b3567f804b5661836
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Dennis wow, i'm in shock as I knew Richard through ImprovFriday and worked
with him here in NY on a live webcast as well as heard him several times.
 I'm just incredibly surprised and in shock.  As harsh as it sounds to say
thanks at least thanks for making mention on the list.  Just horrible news
and loss.

Jim

On Sat, Dec 31, 2011 at 11:31 AM, Dennis Moser <sinsofmachaut@gmail.com>wro=
te:

> Some of you may have known Richard =97
>
> https://www.facebook.com/rlainhart/posts/2620039735193
>
> ~~D.
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>


--=20
--=20
*Tips Across the
Waters<http://itunes.apple.com/us/app/tips-across-the-waters/id474128076?=
=3Dmt8>
*, a new app for iOS from James Goodin/Wood and Wire Ware.

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin
& Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

--bcaec53f395b3567f804b5661836
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Dennis wow, i&#39;m in shock as I knew Richard through ImprovFriday and wor=
ked with him here in NY on a live webcast as well as heard him several time=
s. =A0I&#39;m just incredibly surprised and in shock. =A0As harsh as it sou=
nds to say thanks at least thanks for making mention on the list. =A0Just h=
orrible news and loss.<div>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Sat, Dec 31, 2011 a=
t 11:31 AM, Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmach=
aut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc soli=
d;padding-left:1ex">
Some of you may have known Richard =97<br>
<br>
<a href=3D"https://www.facebook.com/rlainhart/posts/2620039735193" target=
=3D"_blank">https://www.facebook.com/rlainhart/posts/2620039735193</a><br>
<br>
~~D.<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
</blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div>--=A0</=
div><div><i><a href=3D"http://itunes.apple.com/us/app/tips-across-the-water=
s/id474128076?=3Dmt8" target=3D"_blank">Tips Across the Waters</a></i>, a n=
ew app for iOS from James Goodin/Wood and Wire Ware.</div>
<div><br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording =
by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD =
will benefit JDRF International.=A0=A0<a href=3D"http://jimgoodinpeterthorn=
.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
</div><br>
</div>

--bcaec53f395b3567f804b5661836--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 19:37:46 2011
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Subject: New Years Wishes for 2012
From: Ted Killian <tedkillian@charter.net>
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Dear tribe,

Damn if the last couple of years haven't been cursedly bleak and =
execrably hard.

Months and years come and go . . . and one year's end and another's =
beginning seem just n arbitrary marks on a calendar.

But I am still hoping . . . trying to maintain some optimism (despite =
all rationally perceived and derived evidence to the contrary) . . . =
that 2012 will indeed, somehow, be better.

Despite everything else that my hinder, may we all enjoy increased =
peace, wonder, creative inspiration and a renewal of energy to do those =
things that drive us on . . . and to dream . . . along with health, =
providence, and the bonds of friendship, love, and common human struggle =
this year.

May we each "occupy" our individual corners of the world and make them =
better . . . with our art (or whatever we find handy) . . . or die =
trying.

The vast forces of stupidity, lethargy, bigotry, and shear inertia =
arrayed against us each and every day.

But may hope be rewarded and renewed even so.

That is my wish, for myself and for everyone who reads this.

Ted Killian=

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 19:42:39 2011
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Subject: Re: New Years Wishes for 2012
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Nicely put, Ted. Happy new year to you also :)

On Sat, Dec 31, 2011 at 7:37 PM, Ted Killian <tedkillian@charter.net> wrote=
:
> Dear tribe,
>
> Damn if the last couple of years haven't been cursedly bleak and execrabl=
y hard.
>
> Months and years come and go . . . and one year's end and another's begin=
ning seem just n arbitrary marks on a calendar.
>
> But I am still hoping . . . trying to maintain some optimism (despite all=
 rationally perceived and derived evidence to the contrary) . . . that 2012=
 will indeed, somehow, be better.
>
> Despite everything else that my hinder, may we all enjoy increased peace,=
 wonder, creative inspiration and a renewal of energy to do those things th=
at drive us on . . . and to dream . . . along with health, providence, and =
the bonds of friendship, love, and common human struggle this year.
>
> May we each "occupy" our individual corners of the world and make them be=
tter . . . with our art (or whatever we find handy) . . . or die trying.
>
> The vast forces of stupidity, lethargy, bigotry, and shear inertia arraye=
d against us each and every day.
>
> But may hope be rewarded and renewed even so.
>
> That is my wish, for myself and for everyone who reads this.
>
> Ted Killian

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 19:43:40 2011
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Subject: Re: New Years Wishes for 2012
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--14dae9cc9d4eeb656904b5689022
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Nice Ted.  Happy New Year to you and your family and may 2012 bring much
creativity to your passion.

Jim

On Sat, Dec 31, 2011 at 2:37 PM, Ted Killian <tedkillian@charter.net> wrote=
:

> Dear tribe,
>
> Damn if the last couple of years haven't been cursedly bleak and execrabl=
y
> hard.
>
> Months and years come and go . . . and one year's end and another's
> beginning seem just n arbitrary marks on a calendar.
>
> But I am still hoping . . . trying to maintain some optimism (despite all
> rationally perceived and derived evidence to the contrary) . . . that 201=
2
> will indeed, somehow, be better.
>
> Despite everything else that my hinder, may we all enjoy increased peace,
> wonder, creative inspiration and a renewal of energy to do those things
> that drive us on . . . and to dream . . . along with health, providence,
> and the bonds of friendship, love, and common human struggle this year.
>
> May we each "occupy" our individual corners of the world and make them
> better . . . with our art (or whatever we find handy) . . . or die trying=
.
>
> The vast forces of stupidity, lethargy, bigotry, and shear inertia arraye=
d
> against us each and every day.
>
> But may hope be rewarded and renewed even so.
>
> That is my wish, for myself and for everyone who reads this.
>
> Ted Killian
>



--=20
--=20
*Tips Across the
Waters<http://itunes.apple.com/us/app/tips-across-the-waters/id474128076?=
=3Dmt8>
*, a new app for iOS from James Goodin/Wood and Wire Ware.

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin
& Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

--14dae9cc9d4eeb656904b5689022
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Nice Ted. =A0Happy New Year to you and your family and may 2012 bring much =
creativity to your passion.<div><br></div><div>Jim<br><br><div class=3D"gma=
il_quote">On Sat, Dec 31, 2011 at 2:37 PM, Ted Killian <span dir=3D"ltr">&l=
t;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;<=
/span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Dear tribe,<br>
<br>
Damn if the last couple of years haven&#39;t been cursedly bleak and execra=
bly hard.<br>
<br>
Months and years come and go . . . and one year&#39;s end and another&#39;s=
 beginning seem just n arbitrary marks on a calendar.<br>
<br>
But I am still hoping . . . trying to maintain some optimism (despite all r=
ationally perceived and derived evidence to the contrary) . . . that 2012 w=
ill indeed, somehow, be better.<br>
<br>
Despite everything else that my hinder, may we all enjoy increased peace, w=
onder, creative inspiration and a renewal of energy to do those things that=
 drive us on . . . and to dream . . . along with health, providence, and th=
e bonds of friendship, love, and common human struggle this year.<br>

<br>
May we each &quot;occupy&quot; our individual corners of the world and make=
 them better . . . with our art (or whatever we find handy) . . . or die tr=
ying.<br>
<br>
The vast forces of stupidity, lethargy, bigotry, and shear inertia arrayed =
against us each and every day.<br>
<br>
But may hope be rewarded and renewed even so.<br>
<br>
That is my wish, for myself and for everyone who reads this.<br>
<span class=3D"HOEnZb"><font color=3D"#888888"><br>
Ted Killian<br>
</font></span></blockquote></div><br><br clear=3D"all"><div><br></div>-- <b=
r><div>--=A0</div><div><i><a href=3D"http://itunes.apple.com/us/app/tips-ac=
ross-the-waters/id474128076?=3Dmt8" target=3D"_blank">Tips Across the Water=
s</a></i>, a new app for iOS from James Goodin/Wood and Wire Ware.</div>
<div><br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording =
by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD =
will benefit JDRF International.=A0=A0<a href=3D"http://jimgoodinpeterthorn=
.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
</div><br>
</div>

--14dae9cc9d4eeb656904b5689022--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 19:47:19 2011
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Subject: Re: Happy New Year!!
From: Ted Killian <tedkillian@charter.net>
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Same to you Todd!

On Dec 31, 2011, at 3:49 AM, Todd Matthews wrote:

> http://vimeo.com/34392921
>=20
> May 2012 be a productive and prosperous year filled with happiness for =
all loopers
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 19:59:23 2011
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Subject: Re: New Years Wishes for 2012
Date: Sat, 31 Dec 2011 13:56:33 -0600
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>
> The vast forces of stupidity, lethargy, bigotry, and shear inertia  
> arrayed against us each and every day.
>

Oh, man...you have no idea. Or maybe you do?

Very thoughtful post, and much appreciated.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 20:23:17 2011
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Date: Sat, 31 Dec 2011 12:23:08 -0800
From: Rick Walker <looppool@cruzio.com>
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On 7/22/64 11:59 AM, Matt Davignon wrote:
> I went to Radio Shack to get one, but they needed to know the
> amperage. Just "negative center 9v power source" was not enough info
Here's the poop on typical wall warts from my understanding:

When you get the voltage right (9v in this case) and the tip-negative
assignment correct,   you can use *any* walwart whose amperage is
*higher* than what is required and there is no damage.

so,  I believe, typically,  a walwart for this kind of thing is
anything from 300 mA up to 1000 mA (or 1 Amp)



Things that can screw you up:

1) if the tip positive or negative is incorrect
2)  if the amperage is lower than what is required
3) if the voltage is incorrect
4) if the pedal is DC instead of AC
5) if the tip fit is not tight in the socket

Otherwise,  a typical BOSS PSA 120 or a One Spot, or anything equivalent at
Radio shack  will do the trick.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 20:24:43 2011
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On 7/22/64 11:59 AM, Dennis Moser wrote:
> Thanks Rick, I knew if you had a chance to try them you'd like 'em. Do
> check out Thumbjam, too, as it has a really sweet MIDI integration
> with other apps—plus you can radically customize the instruments and
> create your own personal scales.
Thanks Dennis,
I'm on it. Thumbjam is really cool!

Happy New Years to you and to everyone!

rick

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just two hours and 2011 is gone here.
wish you all the best for the new year!



-- 
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
Your moral values are meaningless, artificial constructs. For your imagination,
they provide you a falsely superior position in your social group.
For the strong, they provide a means by which you are easily manipulated.
In reality, they serve the entertainment needs of others.
In the Kimatorium, they are irrelevant.

Kim Flint
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 31 21:26:04 2011
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Happy new years for you all!!!

I'm a big fan of 2012 myself since last year came off a bit boring as
I was struck by cancer and had to give up some momentum to get healing
treatment by modern cut-out technology (including being looped for
seven months!) but now I'm fine and just can't wait to learn new
exciting instruments, work on new media music projects and put on
weird concerts. I sincerely wish all you list dudes and dudettes the
very best whatever does it for you.
(there are so many wishes bouncing around here that I keep confusing
them all - Mac Guys, PC aficionados, Hardware Guys, Laptop Lizards,
Wishy-Washers, Dronerz... fill me in, please!)

Greetings from Sweden

Per Boysen
www.perboysen.com
http://www.youtube.com/perboysen

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--0023544fb67ea4be0404b56a33cd
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Glad you are well Per. Plenty of great technology to come in 2012, and some
not so great tech.

Cheers. Jeffrey

On Sat, Dec 31, 2011 at 4:26 PM, Per Boysen <perboysen@gmail.com> wrote:

> Happy new years for you all!!!
>
> I'm a big fan of 2012 myself since last year came off a bit boring as
> I was struck by cancer and had to give up some momentum to get healing
> treatment by modern cut-out technology (including being looped for
> seven months!) but now I'm fine and just can't wait to learn new
> exciting instruments, work on new media music projects and put on
> weird concerts. I sincerely wish all you list dudes and dudettes the
> very best whatever does it for you.
> (there are so many wishes bouncing around here that I keep confusing
> them all - Mac Guys, PC aficionados, Hardware Guys, Laptop Lizards,
> Wishy-Washers, Dronerz... fill me in, please!)
>
> Greetings from Sweden
>
> Per Boysen
> www.perboysen.com
> http://www.youtube.com/perboysen
>
>

--0023544fb67ea4be0404b56a33cd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Glad you are well Per. Plenty of great technology to come in 2012, and some=
 not so great tech.<div><br></div><div>Cheers. Jeffrey<br><br><div class=3D=
"gmail_quote">On Sat, Dec 31, 2011 at 4:26 PM, Per Boysen <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Happy new years for you all!!!<br>
<br>
I&#39;m a big fan of 2012 myself since last year came off a bit boring as<b=
r>
I was struck by cancer and had to give up some momentum to get healing<br>
treatment by modern cut-out technology (including being looped for<br>
seven months!) but now I&#39;m fine and just can&#39;t wait to learn new<br=
>
exciting instruments, work on new media music projects and put on<br>
weird concerts. I sincerely wish all you list dudes and dudettes the<br>
very best whatever does it for you.<br>
(there are so many wishes bouncing around here that I keep confusing<br>
them all - Mac Guys, PC aficionados, Hardware Guys, Laptop Lizards,<br>
Wishy-Washers, Dronerz... fill me in, please!)<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http://www.y=
outube.com/perboysen</a><br>
<br>
</font></blockquote></div><br></div>

--0023544fb67ea4be0404b56a33cd--

