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Date: Thu, 30 Jun 2011 20:03:04 -0400
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Subject: Thought Radio Playlist for June 25, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/110625.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EDT/GMT-4 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                 Show #201                June 25, 2011.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Roach and      The Next Place       The Road Eternal (Projekt)
   Erik Wollo
Memory Geist         Metaphore            Benthos (DiN DDL)
VA [Mario            Quit Earth           Sequences No. 14
   Schonwalder]
VA [Coral Cave]      The Energy of        Sequences No. 14
                        Seaquest
VA [Mark Dwane]      Paaradigm Shift      Sequences No. 14
Schonwalder and      Cup 1                Filter-Kaffee 101 (SynGate)
   Rothe


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Stanton Lanier       A Thousand Years     A Thousand Years (none)
VA [Bill Wren]       En Mai               Sounds from the Circle III
                                             (New Age Circle)
VA [Nicky Bendix]    Celtic Twilight      Sounds from the Circle III
                                             (New Age Circle)
VA [Laura Sullivan]  The Serpent Mound    Sounds from the Circle III
                                             (New Age Circle)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Riverside            Living in the Past   Memories In My Head (LLaser's
                                             Edge)
Wobbler              In Orbit             Rites at Dawn (Termo)
Pendragon            Your Black Heart     Passion (Madfish)
Genesis              The Musical Box *    Nursery Cryme (Atlantic)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/GMT-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 01:40:25 2011
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Date: Thu, 30 Jun 2011 21:40:40 -0400
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On 6/30/2011 4:30 PM, Michael Peters wrote:
>> listen to all three parts, it changes.
> lol :)  great drones David!

Thanks Michael. I'm glad folks here get it. :)


-- 
* David Beardsley
* http://biink.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 01:46:32 2011
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Subject: Re: some video
From: Daniel Thomas <danielthomas4@mac.com>
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Date: Thu, 30 Jun 2011 18:45:36 -0700
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> listen to all three parts, it changes.
Listen to it three times, and it changes 9 times more.

i think this gave me a buzz!

daniel 

On Jun 30, 2011, at 8:18 AM, David Beardsley wrote:

> at last, I have some video on utube.
> 
> 
> David Beardsley, microtonal guitar at Pianos, NYC 3-27-11
> 
> http://www.youtube.com/watch?v=HqUH3doD05U
> 
> listen to all three parts, it changes.
> 
> -- 
> * David Beardsley
> * http://biink.com
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 04:56:06 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Fri, 1 Jul 2011 04:56:03 +0000
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--_ec13c27e-3425-46a0-9f75-525f05398514_
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Hi there Fro=2C
I kept waiting for an afghani child's face to pop up there somewhere or may=
be a rich oil baron. I found politically=2C it towed the official western l=
ine. I guess you're anti war but don't forget the innocent people whose liv=
es have been ended or ruined by soldiers.
Slick arrangement though.

Peace

Gareth

From: parispro00@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Thu=2C 30 Jun 2011 15:17:26 -0500








Long time no video. Hope everyone is doing well. Enjoy your weekend and if =
you think this video should be heard=2C please help me by sharing it with y=
our friends & family.

www.youtube.com/TheWanderingMadman
or
http://www.youtube.com/watch?v=3DpzRNFRBTW_w

Enjoy.





The Wandering Madman=20
 		 	   		   		 	   		  =

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</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
Hi there Fro=2C<br>I kept waiting for an afghani child's face to pop up the=
re somewhere or maybe a rich oil baron. I found politically=2C it towed the=
 official western line. I guess you're anti war but don't forget the innoce=
nt people whose lives have been ended or ruined by soldiers.<br>Slick arran=
gement though.<br><br>Peace<br><br>Gareth<br><br><div><hr id=3D"stopSpellin=
g">From: parispro00@hotmail.com<br>To: loopers-delight@loopers-delight.com<=
br>Subject: New Video - "Cigarettes &amp=3B Sidewalks" by The Wandering Mad=
man<br>Date: Thu=2C 30 Jun 2011 15:17:26 -0500<br><br>

<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
">
<meta name=3D"Generator" content=3D"Microsoft SafeHTML">
<style>
.ExternalClass .ecxhmmessage P
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{font-size:10pt=3Bfont-family:Tahoma=3B}

</style>

<div dir=3D"ltr">
<div>Long time no video. Hope everyone is doing well. Enjoy your weekend an=
d if you think this video should be heard=2C please help me by sharing it w=
ith your friends &amp=3B family.</div><div><br></div><div><br></div><div>ww=
w.youtube.com/TheWanderingMadman</div><div><br></div><div>or</div><br>http:=
//www.youtube.com/watch?v=3DpzRNFRBTW_w<div><br></div><div><br></div><div>E=
njoy.<br><br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
</div> 		 	   		  </div></div> 		 	   		  </div></body>
</html>=

--_ec13c27e-3425-46a0-9f75-525f05398514_--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 07:53:27 2011
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
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--90e6ba6e8cd401c60e04a6fd508b
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Hey Fro
 love your set-up there, great sound too - I have to say that if I didnt
know your work better, the stream of (Im guessing dead)  soldiers appears to
be a celebration of their lives and their choice to support the politics of
war. I dont think you meant that?
I think its a moving and relevant message, when one understands what you are
trying to do, I feel that it may be misinterpreted however, and as Gareth
pointed out, depictions of the casualties of war, must be predominately made
up of those innocents that are being slaughtered needlessly by our
governments, and not those "heros" (ironic exclamation points) who chose
this killing career path.

Howabout a new video with faces from the "other side" Same song- same take
even... identical in every way, apart from the faces? Now THAT would be an
interesting couple of videos, that would surly go viral?

Keep up the videos Fro my bro..

you are a talented guy

Mark


On Fri, Jul 1, 2011 at 6:56 AM, Gareth Whittock <buddhamachine@live.co.uk>wrote:

>  Hi there Fro,
> I kept waiting for an afghani child's face to pop up there somewhere or
> maybe a rich oil baron. I found politically, it towed the official western
> line. I guess you're anti war but don't forget the innocent people whose
> lives have been ended or ruined by soldiers.
> Slick arrangement though.
>
> Peace
>
> Gareth
>
> ------------------------------
> From: parispro00@hotmail.com
> To: loopers-delight@loopers-delight.com
> Subject: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
> Date: Thu, 30 Jun 2011 15:17:26 -0500
>
>  Long time no video. Hope everyone is doing well. Enjoy your weekend and
> if you think this video should be heard, please help me by sharing it with
> your friends & family.
>
>
> www.youtube.com/TheWanderingMadman
>
> or
>
> http://www.youtube.com/watch?v=pzRNFRBTW_w
>
>
> Enjoy.
>
>
> The Wandering Madman <http://www.youtube.com/TheWanderingMadman>
>



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8cd401c60e04a6fd508b
Content-Type: text/html; charset=ISO-8859-1
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Hey Fro<br>=A0love your set-up there, great sound too - I have to say that =
if I didnt know your work better, the stream of (Im guessing dead)=A0 soldi=
ers appears to be a celebration of their lives and their choice to support =
the politics of war. I dont think you meant that?<br>

I think its a moving and relevant message, when one understands what you ar=
e trying to do, I feel that it may be misinterpreted however, and as Gareth=
 pointed out, depictions of the casualties of war, must be predominately ma=
de up of those innocents that are being slaughtered needlessly by our gover=
nments, and not those &quot;heros&quot; (ironic exclamation points) who cho=
se this killing career path.<br>

<br>Howabout a new video with faces from the &quot;other side&quot; Same so=
ng- same take even... identical in every way, apart from the faces? Now THA=
T would be an interesting couple of videos, that would surly go viral?<br>

<br>Keep up the videos Fro my bro..<br><br>you are a talented guy<br><br>Ma=
rk<br><br><br><div class=3D"gmail_quote">On Fri, Jul 1, 2011 at 6:56 AM, Ga=
reth Whittock <span dir=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co=
.uk">buddhamachine@live.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">



<div><div dir=3D"ltr">
Hi there Fro,<br>I kept waiting for an afghani child&#39;s face to pop up t=
here somewhere or maybe a rich oil baron. I found politically, it towed the=
 official western line. I guess you&#39;re anti war but don&#39;t forget th=
e innocent people whose lives have been ended or ruined by soldiers.<br>

Slick arrangement though.<br><br>Peace<br><br>Gareth<br><br><div><hr>From: =
<a href=3D"mailto:parispro00@hotmail.com" target=3D"_blank">parispro00@hotm=
ail.com</a><br>To: <a href=3D"mailto:loopers-delight@loopers-delight.com" t=
arget=3D"_blank">loopers-delight@loopers-delight.com</a><br>

Subject: New Video - &quot;Cigarettes &amp; Sidewalks&quot; by The Wanderin=
g Madman<br>Date: Thu, 30 Jun 2011 15:17:26 -0500<br><br>





<div dir=3D"ltr">
<div>Long time no video. Hope everyone is doing well. Enjoy your weekend an=
d if you think this video should be heard, please help me by sharing it wit=
h your friends &amp; family.</div><div><br></div><div><br></div><div><a hre=
f=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">www.youtu=
be.com/TheWanderingMadman</a></div>

<div><br></div><div>or</div><br><a href=3D"http://www.youtube.com/watch?v=
=3DpzRNFRBTW_w" target=3D"_blank">http://www.youtube.com/watch?v=3DpzRNFRBT=
W_w</a><div><br></div><div><br></div><div>Enjoy.<br><br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
</div> 		 	   		  </div></div> 		 	   		  </div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family=
:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, 0, 0)"=
><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Fra=
ncombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8cd401c60e04a6fd508b--

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Subject: Reviewing Faderfox LV3 mini hand MIDI mixer/controler
From: Per Boysen <perboysen@gmail.com>
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Hi guys,

I'm just into replacing my five year old generation one MIDI mixer
with the new third generation mixer from German Faderfox, The LV3, and
as I just got my brain wrapped around this little cutie I thought I
could write up here for those that might be interested.
http://www.faderfox.de/

Small, light but sturdy and all powered by USB this is a dream
controller - in some aspects. It only sends CC#, the continuous data
that perfectly matches controlling seamlessly sweeping parameters. 4
rotary pots with a light led, one rotary pot with no led, 8 faders, 2
X/Y joysticks and three rows of 8 buttons each plus five more buttons.
That's what you see, but there is more on the inside because "track
selection" buttons change the output of the 4 upper rotary pots to
send four different CC#s for each track. There are 3 effect buttons
that also offer unique CC#s for the four upper rotary knobs, so you
reach a lot with quite few buttons thanks to this smart design. The
two push buttons down by the joysticks have green leds to indicate
on/off status.

But the 8 vertical faders never change their output, which makes them
perfect for parameters like "track level" that you may want to always
have handy no matter what else you are fiddling with for the moment.
Same goes for the two joysticks, but there is a two second process to
call up one of five optional CC# setups for the two joysticks (and a
digital number display that tells you what preset is loaded for the
joysticks).

All five rotary pots also send a certain CC# value when pushed. The
four top row rotary pots send value 127 when pushed the first time and
value 0 when pushed a second time. Between these pushes you may hit
one of the eight track selection buttons to use the very same rotary
knob to send another CC#, for a completely different task, but when
you get back again by pushing the original track selection button this
rotary knob's led goes red to indicate that it sent the value 127 and
thus will follow up with the value 0 if pushed now. Genius design,
isn't it! Have read this you might understand that pushing the four
top row rotary buttons is perfect for setting parameters into some
kind of mode that is "on" or "off". Or if using a host like Mainstage,
that offers scaling of incoming MIDI control, you may define two exact
values for the targeted software parameter to toggle between (not
having to stick with the "0" and "127" that the LV3 is actually
sending).

On thing that is different compared to the two earlier versions of the
LV is that now you don't get any MIDI Notes sent out. I found that
some of the buttons that send out only the CC# value 127 (not
alternating between 0 and 127) actually can trigger some functions and
scripts in Mobius. Not all though and I suspect this is a murky Mobius
area that might get improved. As said, Mainstage can handle any CC#
value in the traditional "MIDI note style" manner to target whatever
on/off function there might be in the software.

The LV3 has also dropped the option to push a button and reassign the
eight vertical faders to send over eight other CC# channels (like
controlling track 1-8 and push a button to control track 9-16 by the
same physical faders). I don't miss this because having reassignable
faders used to confuse me and I never used that feature in the LV1.

If using Ableton Live there is a template you can load into Live and
achieve native support for the LV3. Then the LV3 also doubles up as a
tool for navigating around Lives spreadsheet-like mixer view screen.

The four top row rotary knobs can be programmed to for absolute mode
or incremental, and some more options, but I run the LV3 in its
default setup and perform data scaling in Mainstage when needed.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 12:08:24 2011
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Date: Fri, 01 Jul 2011 08:08:39 -0400
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On 6/30/2011 9:45 PM, Daniel Thomas wrote:
>> listen to all three parts, it changes.
> Listen to it three times, and it changes 9 times more.
>
> i think this gave me a buzz!


ha!

there's an extremely slow development to this piece. towards
the end, I started adding many notes to the mix instead of only notes 
close to the octave.


-- 
* David Beardsley
* http://biink.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 13:46:51 2011
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Date: Fri, 01 Jul 2011 09:46:43 -0400
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Subject: Galactic Travels Playlist #743 for June 30, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110630.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #743                June 30, 2011.

RECAP:
On this show, I continued the month-long focus on Radio Massacre
International.  The Featured CD at Midnight was "Rain Falls in a
Different Way" on Northern Echo.
http://wdiy.org/programs/gt/playlists/2011/focus.html#jun

On this show, I played music by Mark Jenkins who will appear at the
Soundscapes Concert Series.  Visit the events page for details.
http://wdiy.org/programs/gt/events.html

This program was dedicated to the very fond memory of "Boombox" Dave
Horrod.  He was a good friend to me and a bright light of the people who
attended Ricochet Gatherings.  I will miss him.



PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mark Jenkins         The Howling Heart    This Island Earth (AMP)
                        of Evil
Mark Jenkins         The Watchmen of      This Island Earth (AMP)
                        Heaven
Papercutz            Is Fading            Do Outro Lado Do Esphelho
                                             (Audiobulb)
VA [Callisto]        The Darkness of      A Little More Night Music (AD
                        Night                Music)
Takashi Suzuki       Resonance in Blue 3  Resonance (none)
Gert Emmens          Part 19              The Nearest Far Away Place
                                             Volume 3 (Groove)
Radio Massacre       Rain Falls In a      Rain Falls in a Different Way
   International        Different Way        (Northern Echo)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Radio Massacre       Pluto                Rain Falls in a Different Way
   International                             (Northern Echo)
Radio Massacre       Silicon Psychosis    Rain Falls in a Different Way
   International                             (Northern Echo)
Radio Massacre       The Emissary         Rain Falls in a Different Way
   International                             (Northern Echo)
Radio Massacre       M.F. in the Sky      Rain Falls in a Different Way
   International                             (Northern Echo)
Radio Massacre       Chainless & Beauty   Rain Falls in a Different Way
   International        Black                (Northern Echo)
Radio Massacre       Yeager               Rain Falls in a Different Way
   International                             (Northern Echo)
Radio Massacre       Everywhere's         Rain Falls in a Different Way
   International        Somewhere *          (Northern Echo)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Jürgen
Haible.  The Featured CD at Midnight will be "Of Eagles and Prophets"
which is a self-released title.
http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 16:40:36 2011
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----------MB_8CE0624B9877005_1F10_CABA6_webmail-m093.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain; charset="us-ascii"

something else i just thought of.....the friday before these 2 possible da=
tes, are FIRST FRIDAY and there


will be the ART CRAWLS, which are very well attended.....we could have a=
 show at the CHILDREN'S ART GALLERY


the nite before.....also, if you have time to spare you could hang at HOUS=
E KLOBUCHAR for as long as you like or till


the soup runs out, think of it as a quasi-vacation.....i am still waiting=
 to hear back from the promoters if i indeed can have the entire day,


so stay tuned!.....the "J" boys jim and jeff are cornsidering, anyone else=
?








=20

----------MB_8CE0624B9877005_1F10_CABA6_webmail-m093.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'>som=
ething else i just thought of.....the friday before these 2 possible dates=
, are FIRST FRIDAY and there
<div><br>
</div>

<div>will be the ART CRAWLS, which are very well attended.....we could hav=
e a show at the CHILDREN'S ART GALLERY</div>

<div><br>
</div>

<div>the nite before.....also, if you have time to spare you could hang at=
 HOUSE KLOBUCHAR for as long as you like or till</div>

<div><br>
</div>

<div>the soup runs out, think of it as a quasi-vacation.....i am still wai=
ting to hear back from the promoters if i indeed can have the entire day,<=
/div>

<div><br>
</div>

<div>so stay tuned!.....the "J" boys jim and jeff are cornsidering, anyone=
 else?<br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">
<div id=3D"AOLMsgPart_2_0dc22036-be2d-4e61-a215-ff877811f007"><br>
<br>


</div>
 <!-- end of AOLMsgPart_2_0dc22036-be2d-4e61-a215-ff877811f007 -->



</div>
</div>
</font>

----------MB_8CE0624B9877005_1F10_CABA6_webmail-m093.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 18:17:37 2011
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Subject: Teasing Time - Pt.2
Date: Fri, 1 Jul 2011 11:17:12 -0700
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OK between Mark Hamburg and Bill Walker I've found some effective ways =
to 'tease time' out of loops of unknown length.

My original question came from a desire to figure out how to sneakily =
subdivide a long, repeating ambient loop from my non-MIDI Pigtronix =
Echolution. Had hoped there was some Zen mathematics that could be =
brought to bear... ;)

These solutions, however, require MIDI and a looper, in this case an =
LP-1.  And that's fine with me.

So I have discovered what is doubtless to you more experienced loopers =
would call 'The Oldest Trick In The Book' :D

- Start with an running empty loop, with MIDI clock generated by the =
looper, sending out to whatever, in this case the SL-20 Slicer (Thanks =
Mark).

- With a volume pedal, sneak in a bit of the slicer's effect send here =
and there - and the time will gently emerge :)

and / or:

- Using Q-replace on the LP-1, in this case set for 16, drop some beeps =
and boops in here and there, and again, time will emerge (Thanks Bill).

Old news to the Council of Elders, but great fun for me !

Best,

Phil :)=

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 18:29:06 2011
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Phil Clevenger schrieb:
> - Using Q-replace on the LP-1, in this case set for 16, drop some beeps and boops in here and there, and again, time will emerge (Thanks Bill).
>
> Old news to the Council of Elders, but great fun for me 
There's even older tricks from the loop, which don't require MIDI or a 
proper looper - however, some kind of "sus" operation is very helpful 
(if your delay pedal doesn't support that, which is usually the case, 
you can use a properly wired footswitch with additional jack for that 
anti-killswitch effect; I think they're even sold under some name).

In my experience (and this is just the oddness of the human brain), if 
you drop in short beeps and boops in any timing to an existing loop, you 
will always find that it ends up making up some kind of groove (however 
odd or untight).

Take this example:
http://moinlabs.bandcamp.com/track/sequencing-bad-mojo

Starting at about 3:20, I add short beeps and boops on top of an 
existing loop in an entirely unquantized fashion. It seems to form a 
groove - which I hadn't in mind when I did this, it was more of some 
random button presses.

The faux virtuoso arpeggi in this one 
http://moinlabs.bandcamp.com/track/leather-allergy were done the same way.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: "Brian Carabee" <compguy2@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Fri, 1 Jul 2011 14:23:22 -0400
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The man meant what he meant.

You mean he doesn't have the RIGHT to present a work of art that differs 
from your guys' perspectives?

Has he not the RIGHT to present a work of art without his peers saying, "I'm 
sure you didn't meant **that***?

You guys have a lot of "how abouts". Well how about you "allow" an artist 
his expression, even if his perspective or opinion differs from yours?

Or is there a new oppressive power looming in the Politically Correct 
universe? One that would crush free expression of those who's views differ?

Brian


----- Original Message ----- 
Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman


Hey Fro
 love your set-up there, great sound too - I have to say that if I didnt 
know your work better, the stream of (Im guessing dead)  soldiers appears to 
be a celebration of their lives and their choice to support the politics of 
war. I dont think you meant that?
I think its a moving and relevant message, when one understands what you are 
trying to do, I feel that it may be misinterpreted however, and as Gareth 
pointed out, depictions of the casualties of war, must be predominately made 
up of those innocents that are being slaughtered needlessly by our 
governments, and not those "heros" (ironic exclamation points) who chose 
this killing career path.

Howabout a new video with faces from the "other side" Same song- same take 
even... identical in every way, apart from the faces? Now THAT would be an 
interesting couple of videos, that would surly go viral?

Keep up the videos Fro my bro..

you are a talented guy

Mark



On Fri, Jul 1, 2011 at 6:56 AM, Gareth Whittock <buddhamachine@live.co.uk> 
wrote:

Hi there Fro,
I kept waiting for an afghani child's face to pop up there somewhere or 
maybe a rich oil baron. I found politically, it towed the official western 
line. I guess you're anti war but don't forget the innocent people whose 
lives have been ended or ruined by soldiers.
Slick arrangement though.

Peace

Gareth




From: parispro00@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Thu, 30 Jun 2011 15:17:26 -0500


Long time no video. Hope everyone is doing well. Enjoy your weekend and if 
you think this video should be heard, please help me by sharing it with your 
friends & family.




www.youtube.com/TheWanderingMadman


or

http://www.youtube.com/watch?v=pzRNFRBTW_w




Enjoy.


The Wandering Madman



-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 18:43:42 2011
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
From: Daniel Thomas <danielthomas4@mac.com>
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I think I agree with you, Brian. 

Art need not be explained by the artist to serve its purpose.   And the preferred political commentary of one may be opposed to the preferred commentary of another.  Lets not hem each other in with our politics.  Let art be art. 

Now, everyone go be art.

Daniel 
On Jul 1, 2011, at 11:23 AM, Brian Carabee wrote:

> The man meant what he meant.
> 
> You mean he doesn't have the RIGHT to present a work of art that differs from your guys' perspectives?
> 
> Has he not the RIGHT to present a work of art without his peers saying, "I'm sure you didn't meant **that***?
> 
> You guys have a lot of "how abouts". Well how about you "allow" an artist his expression, even if his perspective or opinion differs from yours?
> 
> Or is there a new oppressive power looming in the Politically Correct universe? One that would crush free expression of those who's views differ?
> 
> Brian
> 
> 
> ----- Original Message ----- Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
> 
> 
> Hey Fro
> love your set-up there, great sound too - I have to say that if I didnt know your work better, the stream of (Im guessing dead)  soldiers appears to be a celebration of their lives and their choice to support the politics of war. I dont think you meant that?
> I think its a moving and relevant message, when one understands what you are trying to do, I feel that it may be misinterpreted however, and as Gareth pointed out, depictions of the casualties of war, must be predominately made up of those innocents that are being slaughtered needlessly by our governments, and not those "heros" (ironic exclamation points) who chose this killing career path.
> 
> Howabout a new video with faces from the "other side" Same song- same take even... identical in every way, apart from the faces? Now THAT would be an interesting couple of videos, that would surly go viral?
> 
> Keep up the videos Fro my bro..
> 
> you are a talented guy
> 
> Mark
> 
> 
> 
> On Fri, Jul 1, 2011 at 6:56 AM, Gareth Whittock <buddhamachine@live.co.uk> wrote:
> 
> Hi there Fro,
> I kept waiting for an afghani child's face to pop up there somewhere or maybe a rich oil baron. I found politically, it towed the official western line. I guess you're anti war but don't forget the innocent people whose lives have been ended or ruined by soldiers.
> Slick arrangement though.
> 
> Peace
> 
> Gareth
> 
> 
> 
> 
> From: parispro00@hotmail.com
> To: loopers-delight@loopers-delight.com
> Subject: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
> Date: Thu, 30 Jun 2011 15:17:26 -0500
> 
> 
> Long time no video. Hope everyone is doing well. Enjoy your weekend and if you think this video should be heard, please help me by sharing it with your friends & family.
> 
> 
> 
> 
> www.youtube.com/TheWanderingMadman
> 
> 
> or
> 
> http://www.youtube.com/watch?v=pzRNFRBTW_w
> 
> 
> 
> 
> Enjoy.
> 
> 
> The Wandering Madman
> 
> 
> 
> -- 
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 18:44:18 2011
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Fri, 1 Jul 2011 14:35:54 -0400
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------=_NextPart_000_0117_01CC37FC.2EEC34E0
Content-Type: text/plain;
	charset="iso-8859-1"
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My point is that there is something so utterly offensive about telling a =
fellow artist that he should re-do his art in order to reflect one's own =
political beliefs and perspectives.

It would be entirely appropriate to vocalize and register your =
disagreement, but to suggest to the artist that he should CHANGE his art =
to make you feel better and to satisfy your own idea of "fairness" is =
outrageous.

It would also be appropriate for you to decide to create art with an =
opposing message as a rebuttal. But to tell him he should change his =
piece to reflect your own views? Outrageous!! Does anyone else here see =
that massive danger with this (with your own RIGHT to express your view =
through your art) or should I spell it out?

Brian


----- Original Message -----=20


  Hey Fro
   love your set-up there, great sound too - I have to say that if I =
didnt know your work better, the stream of (Im guessing dead)  soldiers =
appears to be a celebration of their lives and their choice to support =
the politics of war. I dont think you meant that?
  I think its a moving and relevant message, when one understands what =
you are trying to do, I feel that it may be misinterpreted however, and =
as Gareth pointed out, depictions of the casualties of war, must be =
predominately made up of those innocents that are being slaughtered =
needlessly by our governments, and not those "heros" (ironic exclamation =
points) who chose this killing career path.

  Howabout a new video with faces from the "other side" Same song- same =
take even... identical in every way, apart from the faces? Now THAT =
would be an interesting couple of videos, that would surly go viral?

  Keep up the videos Fro my bro..

  you are a talented guy

  Mark
------=_NextPart_000_0117_01CC37FC.2EEC34E0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>My point is that there is something so =
utterly=20
offensive about telling a fellow artist that he should re-do his art in =
order to=20
reflect one's own political beliefs and perspectives.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>It would be entirely appropriate to =
vocalize and=20
register your disagreement, but to suggest to the artist that he should =
CHANGE=20
his art to make you feel better and to satisfy your own idea of =
"fairness" is=20
outrageous.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>It would also be appropriate for you to =
decide to=20
create art with an opposing message as a rebuttal. But to tell him he =
should=20
change his piece to reflect your own views? Outrageous!! Does anyone =
else here=20
see that massive danger with this (with your own RIGHT to express your =
view=20
through your art)&nbsp;or should I spell it out?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Brian</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV><FONT size=3D2 face=3DArial></FONT><BR></DIV>Hey =
Fro<BR>&nbsp;love your=20
  set-up there, great sound too - I have to say that if I didnt know =
your work=20
  better, the stream of (Im guessing dead)&nbsp; soldiers appears to be =
a=20
  celebration of their lives and their choice to support the politics of =
war. I=20
  dont think you meant that?<BR>I think its a moving and relevant =
message, when=20
  one understands what you are trying to do, I feel that it may be=20
  misinterpreted however, and as Gareth pointed out, depictions of the=20
  casualties of war, must be predominately made up of those innocents =
that are=20
  being slaughtered needlessly by our governments, and not those "heros" =
(ironic=20
  exclamation points) who chose this killing career =
path.<BR><BR>Howabout a new=20
  video with faces from the "other side" Same song- same take even... =
identical=20
  in every way, apart from the faces? Now THAT would be an interesting =
couple of=20
  videos, that would surly go viral?<BR><BR>Keep up the videos Fro my=20
  bro..<BR><BR>you are a talented =
guy<BR><BR>Mark</BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0117_01CC37FC.2EEC34E0--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 18:46:36 2011
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Subject: Re: YO YO YO EH?.....fest???????????
From: Matt Davignon <mattdavignon@gmail.com>
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--bcaec52c6a8fd82ff804a7066f2f
Content-Type: text/plain; charset=ISO-8859-1

Soooo close! Kristin Miltner and I will be in the midwest the following
week, and it's possible we may have a chance to make it to Pittsburgh.
(Waiting to see where dates are on latest round of bookings.)

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt


On Fri, Jul 1, 2011 at 9:40 AM, michael klobuchar <nemoguitt@aol.com> wrote:

> something else i just thought of.....the friday before these 2 possible
> dates, are FIRST FRIDAY and there
>
>  will be the ART CRAWLS, which are very well attended.....we could have a
> show at the CHILDREN'S ART GALLERY
>
>  the nite before.....also, if you have time to spare you could hang at
> HOUSE KLOBUCHAR for as long as you like or till
>
>  the soup runs out, think of it as a quasi-vacation.....i am still waiting
> to hear back from the promoters if i indeed can have the entire day,
>
>  so stay tuned!.....the "J" boys jim and jeff are cornsidering, anyone
> else?
>
>
>
>
>
>

--bcaec52c6a8fd82ff804a7066f2f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Soooo close! Kristin Miltner and I will be in the midwest the following wee=
k, and it&#39;s possible we may have a chance to make it to Pittsburgh. (Wa=
iting to see where dates are on latest round of bookings.)<br><br>-- <br>
Matt Davignon<br><a href=3D"mailto:mattdavignon@gmail.com" target=3D"_blank=
">mattdavignon@gmail.com</a><br><a href=3D"http://www.ribosomemusic.com/" t=
arget=3D"_blank">www.ribosomemusic.com</a><br>Podcast! <a href=3D"http://ri=
bosomematt.podomatic.com/" target=3D"_blank">http://ribosomematt.podomatic.=
com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">http://www.youtube.com/user/ribosomematt</a><br><br><br><div class=3D"gma=
il_quote">On Fri, Jul 1, 2011 at 9:40 AM, michael klobuchar <span dir=3D"lt=
r">&lt;<a href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.com</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><font color=3D"bl=
ack" face=3D"Arial, Helvetica, sans-serif" size=3D"2">something else i just=
 thought of.....the friday before these 2 possible dates, are FIRST FRIDAY =
and there
<div><br>
</div>

<div>will be the ART CRAWLS, which are very well attended.....we could have=
 a show at the CHILDREN&#39;S ART GALLERY</div>

<div><br>
</div>

<div>the nite before.....also, if you have time to spare you could hang at =
HOUSE KLOBUCHAR for as long as you like or till</div>

<div><br>
</div>

<div>the soup runs out, think of it as a quasi-vacation.....i am still wait=
ing to hear back from the promoters if i indeed can have the entire day,</d=
iv>

<div><br>
</div>

<div>so stay tuned!.....the &quot;J&quot; boys jim and jeff are cornsiderin=
g, anyone else?<br>
<br>

<div style=3D"clear: both;"></div>
<br>
<br>

<div style=3D"font-family: helvetica,arial; font-size: 10pt; color: black;"=
>
<div><br>
<br>


</div>
=20



</div>
</div>
</font>
</blockquote></div><br><br clear=3D"all"><br><br>

--bcaec52c6a8fd82ff804a7066f2f--

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Date: Fri, 1 Jul 2011 11:53:23 -0700
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I believe those suggestions were offered as critiques based on prior
experience with Fro's work (and worldview as expressed in his art).  I
don't think they were demanding any changes, just pointing out that
the impression of 'where he's coming from' in the video was different
than they had previously experienced in his other posts.

Why jump to the worst possible conclusion first?

Of course I could be completely wrong but I give folks the benefit of
the doubt first.

Respectfully,

Kevin

On Fri, Jul 1, 2011 at 11:35 AM, Brian Carabee <compguy2@comcast.net> wrote=
:
> My point is that there is something so utterly offensive about telling a
> fellow artist that he should re-do his art in order to reflect one's own
> political beliefs and perspectives.
>
> It would be entirely appropriate to vocalize and register your disagreeme=
nt,
> but to suggest to the artist that he should CHANGE his art to make you fe=
el
> better and to satisfy your own idea of "fairness" is outrageous.
>
> It would also be appropriate for you to decide to create art with an
> opposing message as a rebuttal. But to tell him he should change his piec=
e
> to reflect your own views? Outrageous!! Does anyone else here see that
> massive danger with this (with your own RIGHT to express your view throug=
h
> your art)=A0or should I spell it out?
>
> Brian
>
>
> ----- Original Message -----
>
> Hey Fro
> =A0love your set-up there, great sound too - I have to say that if I didn=
t
> know your work better, the stream of (Im guessing dead)=A0 soldiers appea=
rs to
> be a celebration of their lives and their choice to support the politics =
of
> war. I dont think you meant that?
> I think its a moving and relevant message, when one understands what you =
are
> trying to do, I feel that it may be misinterpreted however, and as Gareth
> pointed out, depictions of the casualties of war, must be predominately m=
ade
> up of those innocents that are being slaughtered needlessly by our
> governments, and not those "heros" (ironic exclamation points) who chose
> this killing career path.
>
> Howabout a new video with faces from the "other side" Same song- same tak=
e
> even... identical in every way, apart from the faces? Now THAT would be a=
n
> interesting couple of videos, that would surly go viral?
>
> Keep up the videos Fro my bro..
>
> you are a talented guy
>
> Mark



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Date: Fri, 1 Jul 2011 14:54:58 -0400
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf307f3166d8c80d04a7068df8
Content-Type: text/plain; charset=ISO-8859-1

Daniel and Brian, thank you for posting your comments. I agree also. Fro
doesn't need defending by me but I admire him greatly. He has a big heart
and a major talent! He is playing live streaming from his truck (now in
Colorado) Sunday 8 PM central btw! A must see experience IMO :)
http://www.thewanderingmadman.com/

peace,

jeff

On Fri, Jul 1, 2011 at 2:43 PM, Daniel Thomas <danielthomas4@mac.com> wrote:

> I think I agree with you, Brian.
>
> Art need not be explained by the artist to serve its purpose.   And the
> preferred political commentary of one may be opposed to the preferred
> commentary of another.  Lets not hem each other in with our politics.  Let
> art be art.
>
> Now, everyone go be art.
>
> Daniel
> On Jul 1, 2011, at 11:23 AM, Brian Carabee wrote:
>
> > The man meant what he meant.
> >
> > You mean he doesn't have the RIGHT to present a work of art that differs
> from your guys' perspectives?
> >
> > Has he not the RIGHT to present a work of art without his peers saying,
> "I'm sure you didn't meant **that***?
> >
> > You guys have a lot of "how abouts". Well how about you "allow" an artist
> his expression, even if his perspective or opinion differs from yours?
> >
> > Or is there a new oppressive power looming in the Politically Correct
> universe? One that would crush free expression of those who's views differ?
> >
> > Brian
> >
> >
> > ----- Original Message ----- Subject: Re: New Video - "Cigarettes &
> Sidewalks" by The Wandering Madman
> >
> >
> > Hey Fro
> > love your set-up there, great sound too - I have to say that if I didnt
> know your work better, the stream of (Im guessing dead)  soldiers appears to
> be a celebration of their lives and their choice to support the politics of
> war. I dont think you meant that?
> > I think its a moving and relevant message, when one understands what you
> are trying to do, I feel that it may be misinterpreted however, and as
> Gareth pointed out, depictions of the casualties of war, must be
> predominately made up of those innocents that are being slaughtered
> needlessly by our governments, and not those "heros" (ironic exclamation
> points) who chose this killing career path.
> >
> > Howabout a new video with faces from the "other side" Same song- same
> take even... identical in every way, apart from the faces? Now THAT would be
> an interesting couple of videos, that would surly go viral?
> >
> > Keep up the videos Fro my bro..
> >
> > you are a talented guy
> >
> > Mark
> >
> >
> >
> > On Fri, Jul 1, 2011 at 6:56 AM, Gareth Whittock <
> buddhamachine@live.co.uk> wrote:
> >
> > Hi there Fro,
> > I kept waiting for an afghani child's face to pop up there somewhere or
> maybe a rich oil baron. I found politically, it towed the official western
> line. I guess you're anti war but don't forget the innocent people whose
> lives have been ended or ruined by soldiers.
> > Slick arrangement though.
> >
> > Peace
> >
> > Gareth
> >
> >
> >
> >
> > From: parispro00@hotmail.com
> > To: loopers-delight@loopers-delight.com
> > Subject: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
> > Date: Thu, 30 Jun 2011 15:17:26 -0500
> >
> >
> > Long time no video. Hope everyone is doing well. Enjoy your weekend and
> if you think this video should be heard, please help me by sharing it with
> your friends & family.
> >
> >
> >
> >
> > www.youtube.com/TheWanderingMadman
> >
> >
> > or
> >
> > http://www.youtube.com/watch?v=pzRNFRBTW_w
> >
> >
> >
> >
> > Enjoy.
> >
> >
> > The Wandering Madman
> >
> >
> >
> > --
> > Mark Francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > http://vimeo.com/user825094
> > http://www.looop.no
> > twitter @markfrancombe
>
>

--20cf307f3166d8c80d04a7068df8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Daniel and Brian, thank you for posting your comments. I agree also. Fro do=
esn&#39;t need defending by me but I admire him greatly. He has a big heart=
 and a major talent! He is playing live streaming from his truck (now in Co=
lorado) Sunday 8 PM central btw! A must see experience IMO :) <a href=3D"ht=
tp://www.thewanderingmadman.com/">http://www.thewanderingmadman.com/</a><br=
>
<br>peace,<br><br>jeff<br><br><div class=3D"gmail_quote">On Fri, Jul 1, 201=
1 at 2:43 PM, Daniel Thomas <span dir=3D"ltr">&lt;<a href=3D"mailto:danielt=
homas4@mac.com">danielthomas4@mac.com</a>&gt;</span> wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px =
solid rgb(204, 204, 204); padding-left: 1ex;">
I think I agree with you, Brian.<br>
<br>
Art need not be explained by the artist to serve its purpose. =A0 And the p=
referred political commentary of one may be opposed to the preferred commen=
tary of another. =A0Lets not hem each other in with our politics. =A0Let ar=
t be art.<br>

<br>
Now, everyone go be art.<br>
<br>
Daniel<br>
On Jul 1, 2011, at 11:23 AM, Brian Carabee wrote:<br>
<br>
&gt; The man meant what he meant.<br>
&gt;<br>
&gt; You mean he doesn&#39;t have the RIGHT to present a work of art that d=
iffers from your guys&#39; perspectives?<br>
&gt;<br>
&gt; Has he not the RIGHT to present a work of art without his peers saying=
, &quot;I&#39;m sure you didn&#39;t meant **that***?<br>
&gt;<br>
&gt; You guys have a lot of &quot;how abouts&quot;. Well how about you &quo=
t;allow&quot; an artist his expression, even if his perspective or opinion =
differs from yours?<br>
&gt;<br>
&gt; Or is there a new oppressive power looming in the Politically Correct =
universe? One that would crush free expression of those who&#39;s views dif=
fer?<br>
&gt;<br>
&gt; Brian<br>
&gt;<br>
&gt;<br>
&gt; ----- Original Message ----- Subject: Re: New Video - &quot;Cigarettes=
 &amp; Sidewalks&quot; by The Wandering Madman<br>
&gt;<br>
&gt;<br>
&gt; Hey Fro<br>
&gt; love your set-up there, great sound too - I have to say that if I didn=
t know your work better, the stream of (Im guessing dead) =A0soldiers appea=
rs to be a celebration of their lives and their choice to support the polit=
ics of war. I dont think you meant that?<br>

&gt; I think its a moving and relevant message, when one understands what y=
ou are trying to do, I feel that it may be misinterpreted however, and as G=
areth pointed out, depictions of the casualties of war, must be predominate=
ly made up of those innocents that are being slaughtered needlessly by our =
governments, and not those &quot;heros&quot; (ironic exclamation points) wh=
o chose this killing career path.<br>

&gt;<br>
&gt; Howabout a new video with faces from the &quot;other side&quot; Same s=
ong- same take even... identical in every way, apart from the faces? Now TH=
AT would be an interesting couple of videos, that would surly go viral?<br>

&gt;<br>
&gt; Keep up the videos Fro my bro..<br>
&gt;<br>
&gt; you are a talented guy<br>
&gt;<br>
&gt; Mark<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; On Fri, Jul 1, 2011 at 6:56 AM, Gareth Whittock &lt;<a href=3D"mailto:=
buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; wrote:<br>
&gt;<br>
&gt; Hi there Fro,<br>
&gt; I kept waiting for an afghani child&#39;s face to pop up there somewhe=
re or maybe a rich oil baron. I found politically, it towed the official we=
stern line. I guess you&#39;re anti war but don&#39;t forget the innocent p=
eople whose lives have been ended or ruined by soldiers.<br>

&gt; Slick arrangement though.<br>
&gt;<br>
&gt; Peace<br>
&gt;<br>
&gt; Gareth<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; From: <a href=3D"mailto:parispro00@hotmail.com">parispro00@hotmail.com=
</a><br>
&gt; To: <a href=3D"mailto:loopers-delight@loopers-delight.com">loopers-del=
ight@loopers-delight.com</a><br>
&gt; Subject: New Video - &quot;Cigarettes &amp; Sidewalks&quot; by The Wan=
dering Madman<br>
&gt; Date: Thu, 30 Jun 2011 15:17:26 -0500<br>
&gt;<br>
&gt;<br>
&gt; Long time no video. Hope everyone is doing well. Enjoy your weekend an=
d if you think this video should be heard, please help me by sharing it wit=
h your friends &amp; family.<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; <a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank=
">www.youtube.com/TheWanderingMadman</a><br>
&gt;<br>
&gt;<br>
&gt; or<br>
&gt;<br>
&gt; <a href=3D"http://www.youtube.com/watch?v=3DpzRNFRBTW_w" target=3D"_bl=
ank">http://www.youtube.com/watch?v=3DpzRNFRBTW_w</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; Enjoy.<br>
&gt;<br>
&gt;<br>
&gt; The Wandering Madman<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Mark Francombe<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao=
.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>
&gt; twitter @markfrancombe<br>
<br>
</blockquote></div><br>

--20cf307f3166d8c80d04a7068df8--

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Subject: New Eno Streaming at Wired
From: Kevin Cheli-Colando <billowhead@gmail.com>
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http://www.wired.com/underwire/2011/07/brian-eno-drums-between-the-bells/

In case you'd like a listen.

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 19:44:43 2011
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
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Kevin,

Read those posts. Fro was asked to change it. That's what I have a problem 
with. I wasn't jumping to a conclusion but rather I felt extremely offended 
that it was suggested to a man that he should re-do it because "he couldn't 
possibly have meant that". That offends me to no end, and it should offend 
any of us.

It is very upsetting to know that if I submit a piece of music for my peers 
here on Looper's Delight, I will be scolded and "corrected" if my expressed 
view differs from some other's. That should never be the spirit of an 
artistic community. There are many different people here with many different 
perspectives on INCREDIBLY COMPLEX issues and we should never shame someone 
for expressing views that differ from ours.

Factually and respectfully voicing opposition to a view is perfectly fair. 
But the suggestions that he should re-do his art because some may perceive a 
certain world-view or opinion is simply an outrage.

He has every right to sing and express his particular perspective. That is 
what artistic freedom is all about, in my opinion. The removal of that 
freedom is the beginning of the end. Dictatorships can consist of one person 
or they can consist of general consensus of opinion, or by the most vocal 
group. All three dictatorial entities are reprehensible and fraught with 
danger.

Ok, I've said my piece. I don't want to beat it to death but I want you to 
be fully aware of why I am offended that we seem to need to conform to a 
certain political view or be gently corrected here. There is real danger 
concealed behind those polite, friendly corrections and requests to change 
an artistic expression.

Brian


----- Original Message ----- 

I believe those suggestions were offered as critiques based on prior
experience with Fro's work (and worldview as expressed in his art).  I
don't think they were demanding any changes, just pointing out that
the impression of 'where he's coming from' in the video was different
than they had previously experienced in his other posts.

Why jump to the worst possible conclusion first?

Of course I could be completely wrong but I give folks the benefit of
the doubt first.

Respectfully,

Kevin 

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Date: Fri, 01 Jul 2011 15:56:19 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Top 20 Report for June, 2011.
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http://wdiy.org/programs/gt/playlists/2011/top20-06jun.html

WDIY 88.1 FM "Galactic Travels" Top 20 for June, 2011.
Shows #739 to #743; 2-June-2011 to 30-June-2011
Reported in non-ranked, alphanumeric order.

The Special Focus for June was Radio Massacre International.
http://wdiy.org/programs/gt/playlists/2011/focus.html#jun


ARTIST - ALBUM TITLE - LABEL
========================================================================
A Dancing Beggar - Follow the Dark as if It Were Light - Audiobulb
Alpha Wave Movement - Soniq Variants - Harmonic Resonance Recordings
Erik Wollo and Bernhard Wostheinrich - Arcadia Borealis - DiN
Gert Emmens - The Nearest Far Away Place Volume 3 - Groove
Monty Adkins - Fragile.Flicker.Fragment - Audiobulb
Ozone Player and Matt Howarth - Long Range Influence - Visual Power
Papercutz - Do Outro Lado Do Esphelho - Audiobulb
Radio Massacre International - Antisocial - Northern Echo
Radio Massacre International - Rain Falls in Grey - Cuneiform
Radio Massacre International - Rain Falls in a Different Way - Northern Echo
Radio Massacre International - Fast Forward - Northern Echo
Radio Massacre International - Philadelphia Air-shot - Northern Echo
Remy - i-Dentity - Deserted Island
Saul Stokes - Sleek Nucleus - Stokesmusic
Schonwalder and Rothe - Filter-Kaffee 101 - SynGate
Sensitive Chaos - Seeker After Patterns - Subsequent
Steve Roach - Live at SoundQuest Fest - Timeroom Editions
Steve Roach and Erik Wollo - The Road Eternal - Projekt
Takashi Suzuki - Resonance - none
Various Artists - Autistici Reworked: Resonating Wires - Audiobulb

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 20:32:51 2011
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Date: Fri, 1 Jul 2011 22:32:49 +0200
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 1, 2011 at 9:44 PM, Brian Carabee <compguy2@comcast.net> wrote:
> Read those posts. Fro was asked to change it. That's what I have a problem
> with. I wasn't jumping to a conclusion but rather I felt extremely offended
> that it was suggested to a man that he should re-do it because "he couldn't
> possibly have meant that". That offends me to no end, and it should offend
> any of us.


If your intention as an artist is to make a clear statement it is
indeed helpful when people speak out about not fully understanding
what you meant in a particular piece of work. Giving each other such
critic on a discussion board like this means no offense.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 21:40:28 2011
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Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Fri, 1 Jul 2011 17:40:21 -0400
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It's an offense when someone says, "I'm sure you didn't mean that" and tells 
them how they should change that particular piece in order to cause it to 
convey an opposing or a different view.

Thanks for sharing.

Brian


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 01, 2011 4:32 PM
Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman


> On Fri, Jul 1, 2011 at 9:44 PM, Brian Carabee <compguy2@comcast.net> 
> wrote:
>> Read those posts. Fro was asked to change it. That's what I have a 
>> problem
>> with. I wasn't jumping to a conclusion but rather I felt extremely 
>> offended
>> that it was suggested to a man that he should re-do it because "he 
>> couldn't
>> possibly have meant that". That offends me to no end, and it should 
>> offend
>> any of us.
>
>
> If your intention as an artist is to make a clear statement it is
> indeed helpful when people speak out about not fully understanding
> what you meant in a particular piece of work. Giving each other such
> critic on a discussion board like this means no offense.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  1 22:14:13 2011
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From: FRO DIDDLY <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Fri, 1 Jul 2011 17:14:11 -0500
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--_1b147280-400c-450d-9210-71cbeb445449_
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If not soly to help me arrange my thoughts in my head=2C I need to reply to=
 the comments as they are all relevant but this will be my only reply on th=
e topic.

My only regret is that the video did not direct people to the text descript=
ion that lies underneath the actual clip. These few paragraphs were an afte=
rthought but ended up explaining how I feel fairly well. I would imagine if=
 most of the commentators had read it (and I suggest you do)=2C you may hav=
e a different viewpoint of me and the video.=20

Regardless of all the contradicting comments and suggestions=2C my goal was=
 accomplished.  Art will always be misinterpreted=2C thus I try not to rela=
y specific opinions. I have no religion and I have no politic=2C thus I am =
not trying to convert anybody. I am simply trying to make people think and =
feel=2C as it appears to me that most of the world has gone numb and has gr=
own accustomed to accepting or ignoring the situations that are handed to t=
hem. I can only go by my hope that regardless of the viewpoints=2C if every=
 single person on the planet was vocal and passionate about how they feel=
=2C love would prevail and make the world a better place.=20


Thank you for watching.


The Wandering Madman=20


 		 	   		  =

--_1b147280-400c-450d-9210-71cbeb445449_
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<html>
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body.hmmessage
{
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</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
<br>If not soly to help me arrange my thoughts in my head=2C I need to repl=
y to the comments as they are all relevant but this will be my only reply o=
n the topic.<br><br>My only regret is that the video did not direct people =
to the text description that lies underneath the actual clip. These few par=
agraphs were an afterthought but ended up explaining how I feel fairly well=
. I would imagine if most of the commentators had read it (and I suggest yo=
u do)=2C you may have a different viewpoint of me and the video. <br><br>Re=
gardless of all the contradicting comments and suggestions=2C my goal was a=
ccomplished.&nbsp=3B Art will always be misinterpreted=2C thus I try not to=
 relay specific opinions. I have no religion and I have no politic=2C thus =
I am not trying to convert anybody. I am simply trying to make people think=
 and feel=2C as it appears to me that most of the world has gone numb and h=
as grown accustomed to accepting or ignoring the situations that are handed=
 to them. I can only go by my hope that regardless of the viewpoints=2C if =
every single person on the planet was vocal and passionate about how they f=
eel=2C love would prevail and make the world a better place. <br><br><br>Th=
ank you for watching.<br><br><br><a href=3D"http://www.youtube.com/TheWande=
ringMadman" target=3D"_blank">The Wandering Madman </a><br><br><br> 		 	   =
		  </div></body>
</html>=

--_1b147280-400c-450d-9210-71cbeb445449_--

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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: New Video - "Cigarettes & Sidewalks" by The Wandering Madman
Date: Sat, 02 Jul 2011 14:40:08 -0700
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> Regardless of all the contradicting comments and suggestions, my goal was accomplished.  Art will always be misinterpreted, thus I try not to relay specific opinions. I have no religion and I have no politic, thus I am not trying to convert anybody. I am simply trying to make people think and feel, as it appears to me that most of the world has gone numb and has grown accustomed to accepting or ignoring the situations that are handed to them. I can only go by my hope that regardless of the viewpoints, if every single person on the planet was vocal and passionate about how they feel, love would prevail and make the world a better place. 

Beautiful!  I love this list.

d
On Jul 1, 2011, at 3:14 PM, FRO DIDDLY wrote:

> 
> If not soly to help me arrange my thoughts in my head, I need to reply to the comments as they are all relevant but this will be my only reply on the topic.
> 
> My only regret is that the video did not direct people to the text description that lies underneath the actual clip. These few paragraphs were an afterthought but ended up explaining how I feel fairly well. I would imagine if most of the commentators had read it (and I suggest you do), you may have a different viewpoint of me and the video. 
> 
> Regardless of all the contradicting comments and suggestions, my goal was accomplished.  Art will always be misinterpreted, thus I try not to relay specific opinions. I have no religion and I have no politic, thus I am not trying to convert anybody. I am simply trying to make people think and feel, as it appears to me that most of the world has gone numb and has grown accustomed to accepting or ignoring the situations that are handed to them. I can only go by my hope that regardless of the viewpoints, if every single person on the planet was vocal and passionate about how they feel, love would prevail and make the world a better place. 
> 
> 
> Thank you for watching.
> 
> 
> The Wandering Madman 
> 
> 


--Boundary_(ID_CuhVIvhlGjMC5snYqKMsig)
Content-type: text/html; CHARSET=US-ASCII
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<html><head><base href=3D"x-msg://3092/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><font class=3D"Apple-style-span" =
face=3D"Tahoma"><blockquote type=3D"cite" style=3D"font-family: 'Myriad =
Set'; "><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: 'Myriad Set'; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
class=3D"hmmessage" style=3D"font-size: 10pt; font-family: Tahoma; =
"><div dir=3D"ltr">Regardless of all the contradicting comments and =
suggestions, my goal was accomplished.&nbsp; Art will always be =
misinterpreted, thus I try not to relay specific opinions. I have no =
religion and I have no politic, thus I am not trying to convert anybody. =
I am simply trying to make people think and feel, as it appears to me =
that most of the world has gone numb and has grown accustomed to =
accepting or ignoring the situations that are handed to them. I can only =
go by my hope that regardless of the viewpoints, if every single person =
on the planet was vocal and passionate about how they feel, love would =
prevail and make the world a better =
place.&nbsp;<br></div></div></span></blockquote><div><font =
class=3D"Apple-style-span" face=3D"Tahoma"><br></font></div>Beautiful! =
&nbsp;I love this list.</font><div><font class=3D"Apple-style-span" =
face=3D"Tahoma"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Tahoma">d<br></font><div><div>On Jul 1, 2011, at 3:14 PM, FRO =
DIDDLY wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: 'Myriad Set'; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
class=3D"hmmessage" style=3D"font-size: 10pt; font-family: Tahoma; =
"><div dir=3D"ltr"><br>If not soly to help me arrange my thoughts in my =
head, I need to reply to the comments as they are all relevant but this =
will be my only reply on the topic.<br><br>My only regret is that the =
video did not direct people to the text description that lies underneath =
the actual clip. These few paragraphs were an afterthought but ended up =
explaining how I feel fairly well. I would imagine if most of the =
commentators had read it (and I suggest you do), you may have a =
different viewpoint of me and the video.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>Regardless of all =
the contradicting comments and suggestions, my goal was =
accomplished.&nbsp; Art will always be misinterpreted, thus I try not to =
relay specific opinions. I have no religion and I have no politic, thus =
I am not trying to convert anybody. I am simply trying to make people =
think and feel, as it appears to me that most of the world has gone numb =
and has grown accustomed to accepting or ignoring the situations that =
are handed to them. I can only go by my hope that regardless of the =
viewpoints, if every single person on the planet was vocal and =
passionate about how they feel, love would prevail and make the world a =
better place.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br><br>Thank you for =
watching.<br><br><br><a href=3D"http://www.youtube.com/TheWanderingMadman"=
 target=3D"_blank">The Wandering Madman<span =
class=3D"Apple-converted-space">&nbsp;</span></a><br><br><br></div></div><=
/span></blockquote></div><br></div></body></html>=

--Boundary_(ID_CuhVIvhlGjMC5snYqKMsig)--

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Subject: Re: New Eno Streaming at Wired
From: Louie Angulo <louie.angulo@googlemail.com>
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whos playing the guitar there? awesome!

On Fri, Jul 1, 2011 at 8:58 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> http://www.wired.com/underwire/2011/07/brian-eno-drums-between-the-bells/
>
> In case you'd like a listen.
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 09:57:08 2011
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Subject: Re: New Eno Streaming at Wired
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On Sun, Jul 3, 2011 at 9:45 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> whos playing the guitar there? awesome!
>
> On Fri, Jul 1, 2011 at 8:58 PM, Kevin Cheli-Colando
> <billowhead@gmail.com> wrote:
>> http://www.wired.com/underwire/2011/07/brian-eno-drums-between-the-bells/


I have not been much of an Eno fan but in this release I enjoy every
second! I'm glad I finally clicked the link to check it out because
this really sounds great, besides being plain interesting. Wow. And
more Wow!

Wows from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 13:09:17 2011
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Subject: pi video
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--=====================_733213406==.ALT
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My nephew sent this to me as he thought it may be something that I'd 
enjoy. I don't recall it being posted before but it is quite fun.

<http://www.freeguitarvideos.com/blog/2011/03/numerical-music-theory-the-pi-song.html>http://www.freeguitarvideos.com/blog/2011/03/numerical-music-theory-the-pi-song.html


Paul Haslem
Ontario, Canada
www.dulcify.ca

--=====================_733213406==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
My nephew sent this to me as he thought it may be something that I'd
enjoy. I don't recall it being posted before but it is quite
fun.<br><br>
<a href="http://www.freeguitarvideos.com/blog/2011/03/numerical-music-theory-the-pi-song.html">
http://www.freeguitarvideos.com/blog/2011/03/numerical-music-theory-the-pi-song.html</a>
<br><br>
<br>
Paul Haslem<br>
Ontario, Canada<br>
<a href="http://www.dulcify.ca/" eudora="autourl">www.dulcify.ca<br>
</a></body>
</html>

--=====================_733213406==.ALT--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 13:11:26 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: a couple of Ableton items
Date: Sun, 3 Jul 2011 13:11:23 +0000
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--_fbcdb92d-1539-4d86-a191-6ae5f4beda48_
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I know a few of you guys use Ableton for looping - so do I nowadays. So.Is =
anyone else getting tempo drift for the built in looper? Mine goes way out =
after around 2 minutes rendering it useless for my needs.andIs anyone else =
here using ClyphX - I haven't downloaded it yet but it looks cool. Here's a=
 link:
http://beatwise.proboards.com/index.cgi?board=3Dproduction&action=3Ddisplay=
&thread=3D716
Basically it lets you script settings in Ableton allowing you to change mul=
tiple parameters from one command.
Peace
G
p.s. Thanks for the long delay suggestions from a couple of you guys. I end=
ed up just stringing some short delays together on the same track and sendi=
ng its output back to its input for feedback.. this has some cool implicati=
ons for inserting processors in the feedback chain.


 		 	   		  =

--_fbcdb92d-1539-4d86-a191-6ae5f4beda48_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
<div><span class=3D"Apple-style-span" style=3D"font-size: 10pt=3B ">I know =
a few of you guys use Ableton for looping - so do I nowadays.&nbsp=3B</span=
></div><div><span class=3D"Apple-style-span" style=3D"font-size: 10pt=3B ">=
</span><span class=3D"Apple-style-span" style=3D"font-size: 11.6667px=3B ">=
So.</span></div><div><span class=3D"Apple-style-span" style=3D"font-size: 1=
0pt=3B ">Is anyone else getting tempo drift for the built in looper? Mine g=
oes way out after around 2 minutes rendering it useless for my needs.</span=
></div><div><span class=3D"Apple-style-span" style=3D"font-size: 10pt=3B ">=
and</span></div><div><span class=3D"Apple-style-span" style=3D"font-size: 1=
0pt=3B ">Is anyone else here using ClyphX - I haven't downloaded it yet but=
 it looks cool. Here's a link:</span></div><div><span class=3D"Apple-style-=
span" style=3D"font-size: 10pt=3B "><br></span></div><div><span class=3D"Ap=
ple-style-span" style=3D"font-size: 10pt=3B ">http://beatwise.proboards.com=
/index.cgi?board=3Dproduction&amp=3Baction=3Ddisplay&amp=3Bthread=3D716</sp=
an></div><div><span class=3D"Apple-style-span" style=3D"font-size: 10pt=3B =
"><br></span></div><div><span class=3D"Apple-style-span" style=3D"font-size=
: 10pt=3B ">Basically it lets you script settings in Ableton allowing you t=
o change multiple parameters from one command.</span></div><div><span class=
=3D"Apple-style-span" style=3D"font-size: 10pt=3B "><br></span></div><div><=
span class=3D"Apple-style-span" style=3D"font-size: 10pt=3B ">Peace</span><=
/div><div><span class=3D"Apple-style-span" style=3D"font-size: 10pt=3B "><b=
r></span></div><div><span class=3D"Apple-style-span" style=3D"font-size: 10=
pt=3B ">G</span></div><div><span class=3D"Apple-style-span" style=3D"font-s=
ize: 10pt=3B "><br></span></div><div><span class=3D"Apple-style-span" style=
=3D"font-size: 10pt=3B ">p.s. Thanks for the long delay suggestions from a =
couple of you guys. I ended up just stringing some short delays together on=
 the same track and sending its output back to its input for feedback.. thi=
s has some cool implications for inserting processors in the feedback chain=
.</span></div><div><span class=3D"Apple-style-span" style=3D"font-size: 10p=
t=3B "><br></span></div><div><span class=3D"Apple-style-span" style=3D"font=
-size: 11.6667px=3B "><br></span></div><div><br></div> 		 	   		  </div></b=
ody>
</html>=

--_fbcdb92d-1539-4d86-a191-6ae5f4beda48_--

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Subject: Re: a couple of Ableton items
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On Sun, Jul 3, 2011 at 3:11 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Is anyone else getting tempo drift for the built in looper? Mine goes way
> out after around 2 minutes rendering it useless for my needs.

I've heard grunts about that. Do a search over at the Live forum and
you will get the details.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 14:23:16 2011
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Date: Sun, 03 Jul 2011 16:23:11 +0200
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Subject: DD20 odd behaviour: high-pitched constant whine in specific wiring
 situations
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Hi everyone,

I'm finally at my wit's end - so the only possible solution left is to 
ask you:

My Boss DD20 has for a long time been integrated into a setup centered 
around a Mackie 1202 VLZ Pro mixer (aka "Nerdville Setup"). After 
remodelling that setup recently ("Nerdville 2.0"), I considered a 
constant high-pitched shrieking sound emitting from the DD20.

The sound is also present if there are no inputs connected to the DD20, 
or if all other connections to the mixer are removed. The sound remains 
if I connect the DD20 to different inputs of the mixer. Trying different 
cables doesn't help, either.
The sound does not appear in the DD20's headphone connection, and by 
using an unbalanced (TS) cable instead of a TRS cable to connect the 
DD20 to the mixer.

So the short version: workaround defined (using TS cable). However, I'd 
prefer to know what is happening here.

Any ideas?

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 14:29:31 2011
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Subject: Re: DD20 odd behaviour: high-pitched constant whine in specific
 wiring situations
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Rainer, I haven't had that one but have you tried running the DD 20 on
battery only yet? I have had that issue with another delay before;
battery/no noise, ac/noise so ps could be at fault which would be a good
thing...

best,

J

On Sun, Jul 3, 2011 at 10:23 AM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Hi everyone,
>
> I'm finally at my wit's end - so the only possible solution left is to ask
> you:
>
> My Boss DD20 has for a long time been integrated into a setup centered
> around a Mackie 1202 VLZ Pro mixer (aka "Nerdville Setup"). After
> remodelling that setup recently ("Nerdville 2.0"), I considered a constant
> high-pitched shrieking sound emitting from the DD20.
>
> The sound is also present if there are no inputs connected to the DD20, or
> if all other connections to the mixer are removed. The sound remains if I
> connect the DD20 to different inputs of the mixer. Trying different cables
> doesn't help, either.
> The sound does not appear in the DD20's headphone connection, and by using
> an unbalanced (TS) cable instead of a TRS cable to connect the DD20 to the
> mixer.
>
> So the short version: workaround defined (using TS cable). However, I'd
> prefer to know what is happening here.
>
> Any ideas?
>
>         Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

--20cf307f31662f45e004a72b14f4
Content-Type: text/html; charset=ISO-8859-1
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Rainer, I haven&#39;t had that one but have you tried running the DD 20 on =
battery only yet? I have had that issue with another delay before; battery/=
no noise, ac/noise so ps could be at fault which would be a good thing...<b=
r>
<br>best,<br><br>J<br><br><div class=3D"gmail_quote">On Sun, Jul 3, 2011 at=
 10:23 AM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinso=
und@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><bloc=
kquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-lef=
t: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hi everyone,<br>
<br>
I&#39;m finally at my wit&#39;s end - so the only possible solution left is=
 to ask you:<br>
<br>
My Boss DD20 has for a long time been integrated into a setup centered arou=
nd a Mackie 1202 VLZ Pro mixer (aka &quot;Nerdville Setup&quot;). After rem=
odelling that setup recently (&quot;Nerdville 2.0&quot;), I considered a co=
nstant high-pitched shrieking sound emitting from the DD20.<br>

<br>
The sound is also present if there are no inputs connected to the DD20, or =
if all other connections to the mixer are removed. The sound remains if I c=
onnect the DD20 to different inputs of the mixer. Trying different cables d=
oesn&#39;t help, either.<br>

The sound does not appear in the DD20&#39;s headphone connection, and by us=
ing an unbalanced (TS) cable instead of a TRS cable to connect the DD20 to =
the mixer.<br>
<br>
So the short version: workaround defined (using TS cable). However, I&#39;d=
 prefer to know what is happening here.<br>
<br>
Any ideas?<br>
<br>
 =A0 =A0 =A0 =A0 Rainer<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br>

--20cf307f31662f45e004a72b14f4--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 14:52:18 2011
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Subject: Re: pi video
Date: Sun, 3 Jul 2011 07:52:14 -0700
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On Jul 3, 2011, at 5:45 AM, paul wrote:

> My nephew sent this to me as he thought it may be something that I'd =
enjoy. I don't recall it being posted before but it is quite fun.
>=20
> =
http://www.freeguitarvideos.com/blog/2011/03/numerical-music-theory-the-pi=
-song.html=20

Though unfortunately some people feel they own the rights to the notion =
of pi as the basis for music:

http://vihart.com/blog/pi-politics/

Mark



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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div>On Jul 3, 2011, at 5:45 AM, paul wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div>
My nephew sent this to me as he thought it may be something that I'd
enjoy. I don't recall it being posted before but it is quite
fun.<br><br>
<a href="http://www.freeguitarvideos.com/blog/2011/03/numerical-music-theory-the-pi-song.html">
http://www.freeguitarvideos.com/blog/2011/03/numerical-music-theory-the-pi-song.html</a>&nbsp;</div></blockquote><br></div><div>Though unfortunately some people feel they own the rights to the notion of pi as the basis for music:</div><div><br></div><div><a href="http://vihart.com/blog/pi-politics/">http://vihart.com/blog/pi-politics/</a></div><div><br></div><div>Mark</div><div><br></div><br></body></html>
--Apple-Mail-520-685052496--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 14:55:26 2011
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Subject: Re: OT Query Mac purchase
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I would simply add that he should also strongly consider Apple
Refurbs, either directly from Apple or from these folks:
http://www.smalldog.com/ (some of you Mac users may already know about
Small Dog, voted one of the best businesses in Vermont).

The Refurbs are often a significantly less expensive way to get some
great buys and can get the same AppleCare coverage as a new machine.

Best,

Dennis


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Jun 30, 2011 at 9:44 AM, Daniel Thomas <danielthomas4@mac.com> wrote:
> IF its all about running virtual instruments, he needs a fast and powerful machine. I recommend the i7 processors on the iMacs or MBPs.
>
> If he is only recording midi data and spitting back out to external sound modules, then a trailing edge machine would suffice.
>
> Daniel
> On Jun 30, 2011, at 2:08 AM, Rick Walker wrote:
>
>> Hi folks,
>>
>> I have a client who is considering putting together a midi recording
>> setup using a Mac computer.
>>
>> He's going to use VSTi instruments with a keyboard almost exclusively and very little real time audio.
>>
>> He wondered whether a brand new Mac Mini or a Macbook would do the trick
>> or whether he should fork out the extra dough and get a Macbook Pro.
>>
>> My MBP is over 4 years old now so I can't really advise him.
>>
>> Would you mind letting me know what you guys know about such a purchase?
>>
>> Thanks a lot,
>>
>> Rick Walker
>>
>
>

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I haven't tried that, for one simple reason:
Having to use batteries is a showstopper from the view of my equipment 
logistics, which using unbalanced lines is not.

I have, however, in the meantime tried to connect the DD20 with TRS 
lines to the CentralStation (balanced ins), and found no noise. On the 
other hand, the Mackie with other devices works fine as well - the 
typical "swap devices and see what happens" test failed...

          Rainer

Jeff Duke schrieb:
> Rainer, I haven't had that one but have you tried running the DD 20 on 
> battery only yet? I have had that issue with another delay before; 
> battery/no noise, ac/noise so ps could be at fault which would be a 
> good thing...
>
> best,
>
> J
>
> On Sun, Jul 3, 2011 at 10:23 AM, Rainer Straschill 
> <moinsound@googlemail.com <mailto:moinsound@googlemail.com>> wrote:
>
>     Hi everyone,
>
>     I'm finally at my wit's end - so the only possible solution left
>     is to ask you:
>
>     My Boss DD20 has for a long time been integrated into a setup
>     centered around a Mackie 1202 VLZ Pro mixer (aka "Nerdville
>     Setup"). After remodelling that setup recently ("Nerdville 2.0"),
>     I considered a constant high-pitched shrieking sound emitting from
>     the DD20.
>
>     The sound is also present if there are no inputs connected to the
>     DD20, or if all other connections to the mixer are removed. The
>     sound remains if I connect the DD20 to different inputs of the
>     mixer. Trying different cables doesn't help, either.
>     The sound does not appear in the DD20's headphone connection, and
>     by using an unbalanced (TS) cable instead of a TRS cable to
>     connect the DD20 to the mixer.
>
>     So the short version: workaround defined (using TS cable).
>     However, I'd prefer to know what is happening here.
>
>     Any ideas?
>
>             Rainer
>
>     -- 
>     http://moinlabs.de
>     Follow me on twitter: http://twitter.com/moinlabs
>
>


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: doc rossi <docittern@gmail.com>
Subject: Re: OT Query Mac purchase
Date: Sun, 3 Jul 2011 17:18:11 +0200
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I've had great luck with refurbs - and everything else - from small dog. =
they're very good.

On Jul 3, 2011, at 4:55 PM, Dennis Moser wrote:

> I would simply add that he should also strongly consider Apple
> Refurbs, either directly from Apple or from these folks:
> http://www.smalldog.com/ (some of you Mac users may already know about
> Small Dog, voted one of the best businesses in Vermont).
>=20
> The Refurbs are often a significantly less expensive way to get some
> great buys and can get the same AppleCare coverage as a new machine.
>=20
> Best,
>=20
> Dennis
>=20
>=20
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>=20
>=20
>=20
> On Thu, Jun 30, 2011 at 9:44 AM, Daniel Thomas <danielthomas4@mac.com> =
wrote:
>> IF its all about running virtual instruments, he needs a fast and =
powerful machine. I recommend the i7 processors on the iMacs or MBPs.
>>=20
>> If he is only recording midi data and spitting back out to external =
sound modules, then a trailing edge machine would suffice.
>>=20
>> Daniel
>> On Jun 30, 2011, at 2:08 AM, Rick Walker wrote:
>>=20
>>> Hi folks,
>>>=20
>>> I have a client who is considering putting together a midi recording
>>> setup using a Mac computer.
>>>=20
>>> He's going to use VSTi instruments with a keyboard almost =
exclusively and very little real time audio.
>>>=20
>>> He wondered whether a brand new Mac Mini or a Macbook would do the =
trick
>>> or whether he should fork out the extra dough and get a Macbook Pro.
>>>=20
>>> My MBP is over 4 years old now so I can't really advise him.
>>>=20
>>> Would you mind letting me know what you guys know about such a =
purchase?
>>>=20
>>> Thanks a lot,
>>>=20
>>> Rick Walker
>>>=20
>>=20
>>=20
>=20

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On Sat, Jul 2, 2011 at 11:40 PM, Daniel Thomas <danielthomas4@mac.com>wrote=
:

Regardless of all the contradicting comments and suggestions, my goal was
accomplished.  Art will always be misinterpreted, thus I try not to relay
specific opinions. I have no religion and I have no politic, thus I am not
trying to convert anybody. I am simply trying to make people think and feel=
,
as it appears to me that most of the world has gone numb and has grown
accustomed to accepting or ignoring the situations that are handed to them.
I can only go by my hope that regardless of the viewpoints, if every single
person on the planet was vocal and passionate about how they feel, love
would prevail and make the world a better place.


Beautiful!  I love this list.

d

Quite, me too and well said Fro!

You are always clear and clever in your written word, and I did read your
text that accompanied the video, which clearly shows which side of the
political fence you lie, so theres no need to say you are non-political,
political stance is not something one should be afraid to stand by. My
comment was as Per pointed out, a little and hopefully constructive
criticism from a fellow humanitarian/looper/film-maker. I do understand tha=
t
within the culture and position of the US of A, the choice of imagery would
stand as you intended it, for to parade the faces of the dead infront of a
US audience is to hold up their shame in front of their eyes. My comment wa=
s
simply pointing out that from a world view point, it can also be seen
another way, as US National Pride and posturing. As an English man Garath
also noticed this.
You are right that Art will often be misinterpreted, but as Brian stated
(completely incorrectly)

"You mean he doesn't have the RIGHT to present a work of art that differs
from your guys' perspectives?"

Of course not, but your perspective doesn't differ from mine, we share the
same perspective and beliefs, and still I felt your intention was not fully
realized.

I=B4ll say it again, GREAT WORK FRO, keep it up! And I applaud you for addi=
ng
this exiting and political layer to your looping videos, my own music and
video has no such connections or meaning, and are surly the weaker for it.

Mark


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e82c0224fe204a72e5be5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><br><div class=3D"gmail_quote">On Sat, Jul 2, 2011 at 11:40 PM, Daniel =
Thomas <span dir=3D"ltr">&lt;<a href=3D"mailto:danielthomas4@mac.com">danie=
lthomas4@mac.com</a>&gt;</span> wrote:<br><font face=3D"Tahoma"><div class=
=3D"im">

<blockquote type=3D"cite" style=3D"font-family:&#39;Myriad Set&#39;"><span =
style=3D"border-collapse:separate;font-family:&#39;Myriad Set&#39;;font-sty=
le:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line=
-height:normal;text-indent:0px;text-transform:none;white-space:normal;word-=
spacing:0px;font-size:medium"><div style=3D"font-size:10pt;font-family:Taho=
ma">

<div dir=3D"ltr">Regardless
 of all the contradicting comments and suggestions, my goal was=20
accomplished.=A0 Art will always be misinterpreted, thus I try not to=20
relay specific opinions. I have no religion and I have no politic, thus I
 am not trying to convert anybody. I am simply trying to make people=20
think and feel, as it appears to me that most of the world has gone numb
 and has grown accustomed to accepting or ignoring the situations that=20
are handed to them. I can only go by my hope that regardless of the=20
viewpoints, if every single person on the planet was vocal and=20
passionate about how they feel, love would prevail and make the world a=20
better place.=A0<br></div></div></span></blockquote><div><font face=3D"Taho=
ma"><br></font></div></div>Beautiful! =A0I love this list.</font><div><font=
 face=3D"Tahoma"><br></font></div><font color=3D"#888888"><font face=3D"Tah=
oma">d</font></font><font face=3D"Tahoma"><br>

<br>Quite, me too and well said Fro! <br><br>You are always clear and cleve=
r in your written word, and I did read your text that accompanied the video=
, which clearly shows which side of the political fence you lie, so theres =
no need to say you are non-political, political stance is not something one=
 should be afraid to stand by. My comment was as Per pointed out, a little =
and hopefully constructive criticism from a fellow humanitarian/looper/film=
-maker. I do understand that within the culture and position of the US of A=
, the choice of imagery would stand as you intended it, for to parade the f=
aces of the dead infront of a US audience is to hold up their shame in fron=
t of their eyes. My comment was simply pointing out that from a world view =
point, it can also be seen another way, as US National Pride and posturing.=
 As an English man Garath also noticed this.<br>

You are right that Art will often be misinterpreted, but as Brian stated (c=
ompletely incorrectly) <br><br></font>&quot;You mean he doesn&#39;t have th=
e RIGHT to present a work of art that differs from your guys&#39; perspecti=
ves?&quot;<br>

<br>Of course not, but your perspective doesn&#39;t differ from mine, we sh=
are the same perspective and beliefs, and still I felt your intention was n=
ot fully realized.<br><font face=3D"Tahoma"><br>I=B4ll say it again, GREAT =
WORK FRO, keep it up! And I applaud you for adding this exiting and politic=
al layer to your looping videos, my own music and video has no such connect=
ions or meaning, and are surly the weaker for it.<br>

<br>Mark</font><br></div><br clear=3D"all"><br>-- <br><i style=3D"font-fami=
ly:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, 0, 0=
)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark F=
rancombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e82c0224fe204a72e5be5--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 18:31:47 2011
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Subject: Faderfox LV3: Impressions & Mixed Feelings
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Hi folks

I've got my brand-new Faderfox LV3 (http://faderfox.de) now and would like to share my first impressions - and unfortunately mixed feelings I had as a non-Ableton user so far.

So, first of all, the hardware is really great. Basically, it works just plug&play via USB. No midi cable, no power supply. It's wonderful. 8 faders, 3x8 buttons, 5 push-encoders, 2 joysticks and more... This is an excellent form-factor. And it just fits perfectly on top of my Motu Ultralite. 
The new rubber encoders work perfectly fine, though I personally prefer hard plastic. If I remember right, the rubber feet are also new and they provide excellent grip.

Now, let's get to the software... The whole thing is optimized for Ableton Live and I'm sure it works great with it (haven't tried it yet). There is also a mapping configuration that you can just copy&paste, so it should work with Ableton out of the box. The scene encoder & the feedback LEDs (clip status for 8 tracks) are also convenient, I guess.
However, I want to use this with Mainstage+Mobius and was hoping for a system setting that would provide me a "plain vanilla midi CC mode". Boy, I was disappointed... Theoretically, the buttons are "programmable". In reality, however - at least as far as I've figured out so far - they are extremely limited:
- The 8x black button row is hard-coded. They are intended for track select. They send a CC with "127" on press (no release message) for ca. 1 second.
- The other buttons are "programmable". The only thing you can assign, however, are 8 Ableton functions. Out of these 8 functions, only "Clip Launch" provides a proper midi CC with press=127/release=0. The other ones either work like the black keys (send "127" only) or toggle between 0/127/0/... with each alternating press (no release message).
This means, I was only able to assign proper CC messages for Mainstage on 8 buttons with "clip launch". I wasn't able to work with the rest of the 2x8 buttons (and another 3x8 with Shift key). After spending a whole day fiddling, I was kind of able to more or less work-around with the mighty MidiPipe (Mac OSX). But this is clearly not how it should be...
I was so busy with the buttons, that I haven't found a solution for the encoders yet: They either send 0/1 or toggle between 0-6 and 122-127. Wasn't able to use them so far.
The volume faders worked just the way they should: Midi CC 0-127. Perfect.

To sum it up: This is a beautiful, portable, solid plug&play controller. Yet, at least in this very first release, it seems that all the love & attention has been put into the hardware (and to be fair: Ableton useability). For pure midi CC control, I was't yet really satisfied. For a 250 Euro premium product, I'd expect more:
- Proper documentation (not just 4 page leaflet), at least online documentation, wiki or forum.
- A true simple "midi CC mode": All buttons work press=127/release=0. Encoders send CC 0 through 127.
- Even better: an editor/configuration tool like Korg nano series.
- Configure (or simply turn off) LEDs.
- More flexible functions, i.e. program change with the scene encoder...
I haven't contacted Mathias Fuchs (developer) yet. Let's just hope some improvement is on the way. 
So my suggestion: If you love the form factor and are an Ableton user, give it a try. Non-Ableton users: Don't expect comfortable tweaking like the Korg Nano series software.
I can respect that the initial focus is on Ableton Live useability. In the long run, however, imho a "programmable" midi controller for 250 EUR should be able to provide more for the non-Ableton user. Let's hope for the best. I'd really love to love this controller... :-)

In the meantime: If anyone else here knows how to work some Faderfox-magic with Mainstage/MidiPipe, help is GREATLY appreciated!

best regards
Buzap





-- 
Empfehlen Sie GMX DSL Ihren Freunden und Bekannten und wir
belohnen Sie mit bis zu 50,- Euro! https://freundschaftswerbung.gmx.de

From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 18:57:25 2011
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Hi Per

Great you're on board with LV3+Mainstage, too :-)
Obviously, if you've read my post, you know I'm struggling with LV3 + Mainstage... ;-)

> The four top row rotary knobs can be programmed to for absolute mode
How do you get them to work from 0..127 in mainstage?

What is your best practic to transform "send 127" or "toggle 0/127" buttons into press=127/release=0 buttons (like clip launch)? I'd like to assign more buttons to instant functions i.e. instant stutter or delay tap. How do you work-around with mainstage?

>Genius design
Can you give an example, how this would work with scaling in Mainstage usefully?

best regards
Buzap

-- 
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From Loopers-Delight-request@loopers-delight.com  Sun Jul  3 19:10:00 2011
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Trying with a battery would be a diagnostic for checking
if the noise is introduced by the wall wart.

Boss style wall warts, with +VE earth can often
produce problems with noise.
Are you using one of those newer(smaller) switching mode warts?
Those can introduce a very strong signal onto the 
+VE earth line which would sound as you describe.

andy



Rainer Straschill wrote:

> My Boss DD20 has for a long time been integrated into a setup centered 
> around a Mackie 1202 VLZ Pro mixer (aka "Nerdville Setup"). After 
> remodelling that setup recently ("Nerdville 2.0"), I considered a 
> constant high-pitched shrieking sound emitting from the DD20.
> 
> The sound is also present if there are no inputs connected to the DD20, 
> or if all other connections to the mixer are removed. The sound remains 
> if I connect the DD20 to different inputs of the mixer. Trying different 
> cables doesn't help, either.

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Subject: Re: Reviewing Faderfox LV3 mini hand MIDI mixer/controler
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On Sun, Jul 3, 2011 at 8:57 PM, Buzap Buzap <buzap@gmx.net> wrote:
>> The four top row rotary knobs can be programmed to for absolute mode
> How do you get them to work from 0..127 in mainstage?
>

I don't use absolute mode. I use them to just add or subtract from the
actual level of the target parameter, incrementally that is. So if a
track level parameter is left at value 67 my turning of the Faderfox
knob to the right will start increasing this parameter like 68, 69,
70, 71 and so on. Or if I grab the knob and turn it left the parameter
will go 66, 65, 64 etc.

> What is your best practic to transform "send 127" or "toggle 0/127" butto=
ns into press=3D127/release=3D0 buttons (like clip launch)? I'd like to ass=
ign more buttons to instant functions i.e. instant stutter or delay tap. Ho=
w do you work-around with mainstage?

I don't work - it just works. When using a button style control object
(from the Mainstage graphic object pool) Mainstage interprets both
type of Faderfox buttons in the same way.  The buttons that only send
the 127 value and the buttons that send alternatively 0 and 127 gets
treated the same way due to me having chosen the Mainstage button
style control object. Well, that's my educated guess of how it works -
I don't really know the details but in this case sending the value 0
and 127 both gives the same "toggle function" result.

>
>>Genius design
> Can you give an example, how this would work with scaling in Mainstage us=
efully?

A volume pedal is a good example; you typically want it to not be
linear but to rather increase volume a bit faster in the beginning -
if starting from the silent position (heel down / tow up on the
expression pedal). At least that's how I like it. Then you apply the
actual scaling at the binding between the graphical Mainstage object
and the software parameter. These scaling is presented like a graph in
an X/Y field and you can click the graph to create nodes that you can
drag to shape the graph for exactly the envelop you want.

But there is also an option to apply some scaling at the binding
between graphical Mainstage control object at the incoming external
MIDI stream. Not by linear curves, just by deciding if a control
object shall behave like an on/off thing, like a linear sweep or like
momentary switch. Or if it shall follow data scaled, in an absolute
way or incrementally.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Faderfox LV3: Impressions & Mixed Feelings
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On Sun, Jul 3, 2011 at 8:31 PM,  <buzap@gmx.net> wrote:
> If anyone else here knows how to work some Faderfox-magic with Mainstage/MidiPipe, help is GREATLY appreciated!

What I did was to launch both Mainstage and Bidule when plugging in
the LV3 for the first time. Bidule has a tool called "MIDI Monitor 2"
that shows what MIDI messages are coming into the computer. This
monitor made it a simple task, of a couple of hours, to try out all
combinations of button pressing on the Faderfox and learn how they
interact (which I described in my earlier post). So when knowing what
CC# can be spit out by the LV3 you can create a mixer or looper or
whatever interface you need in Mainstage to match that MIDI data.

Maybe I should say that I only use Mobius as a four track looper - not
the default eight tracks. One nifty thing that was nice to set up with
the LV3 was four band EQs for every channel; you press the track
selection button for a chosen track and then the four rotary
(incremental) will start targeting the four EQ bands for this
particular track. Graphically I used "visual meter" on the Mainstage
screen because then these four bands can be put on a horisontal line
and graphically form a linear EQ curve. I like it that way because you
"see" the sound by just one glance and the four encoder knobs kind of
represent one EQ band "visual meter" each. This was just one example -
if you start by learning what MIDI can be sent out from the LV3 and
how the track selection buttons will re-organize what is sent out by
the encoders (either by pressing them for a 0 or 127 value or by
twisting them for incremental or absolute 1/127 control) you can start
making up control environments to get at parameters you want to play
with. The important step is to memorize all LV3 combination first,
only then you can start inventing different possible applications.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 00:56:08 2011
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--bcaec53f9847091e8004a733d500
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Fro Diddly aka The Wandering madman will be live in 5 minutes!

http://www.thewanderingmadman.com/webcam.html



<http://www.thewanderingmadman.com/webcam.html>

--bcaec53f9847091e8004a733d500
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Fro Diddly aka The Wandering madman will be live in 5 minutes!<br><br><a href="http://www.thewanderingmadman.com/webcam.html">http://www.thewanderingmadman.com/webcam.html</a><br><h6 class="uiStreamMessage"><span class="messageBody"><br>
<br><a href="http://www.thewanderingmadman.com/webcam.html" rel="nofollow" target="_blank"><span></span><br></a></span></h6>

--bcaec53f9847091e8004a733d500--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 01:26:17 2011
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Wish I could catch but off to see movei with daughter. I did watch
main vid off his site while cooking, incredibly passionate stuff.

Jim

On 7/3/11, Jeff Duke <jeffloops@gmail.com> wrote:
> Fro Diddly aka The Wandering madman will be live in 5 minutes!
>
> http://www.thewanderingmadman.com/webcam.html
>
>
>
> <http://www.thewanderingmadman.com/webcam.html>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 07:45:30 2011
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Hi Per

yes, I've spent plenty of time analyzing Faderfox LV3 behaviour (would have preferred a midi implementation chart...). Overall, I think the LV3 buttons are great for turning things on/off. But I want to reliably trigger Mainstage/Mobius commands without looking at a screen. That's why I want a physical controller.

>>The four top row rotary knobs ...
>I use them to just add or subtract
I want to use the encoder to control loop/delay feedback. On the Korg NanoKontrol, I look at the physical knob and know the feedback. I turn it all the way up, it's 100%, all the way down, it's 0%. How do you do this with LV3/Mainstage?

>>transform "send 127" or "toggle 0/127"
>>buttons into "press=127/release=0" buttons?
>Mainstage interprets both type of Faderfox buttons in the same way. 
My impression is that they are interpreted slightly different. When I assign "send 127" instead of "press=127/release=0" to Mobius via Mainstage, it sometimes skips a button press when I hit it quickly twice (i.e. short loop, delay tap).
My workaround (after several hours fiddling):
- Faderfox sends "127" to MidiPipe,
- MidiPipe sends "127" to Mainstage,
- MidiPipe converts "127">"0" (Set command),
- MidiPipe waits 5ms (Delay command),
- MidiPipe sends "0" to Mainstage.
This way, Mainstage/Mobius properly reacts to "send 127" CC command. But maybe there is an easier way without MidiPipe?

best regards
Buzap


-- 
NEU: FreePhone - kostenlos mobil telefonieren!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

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On Mon, Jul 4, 2011 at 9:45 AM, Buzap Buzap <buzap@gmx.net> wrote:
> yes, I've spent plenty of time analyzing Faderfox LV3 behaviour (would have preferred a midi implementation chart...).

Me too. Would have saved me an hour of research with the Bidule MIDI
monitoring.

> Overall, I think the LV3 buttons are great for turning things on/off. But I want to reliably trigger Mainstage/Mobius commands without looking at a screen. That's why I want a physical controller.

I keep some Mainstage effect on/off on the LV3 and some on the Gordius
LG2. Moving functions around to try out the best distribution for the
smoothest performance setup. But what the LV3 is best at is to use it
as a "mixer" - having said so you could as well "mix" parameters like
feedback lops or whatever.

Per

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Just saw/listened to it: great piece, Fro !
...and an interesting discussion too.

-f
www.eterogeneo.com



2011/7/3 mark francombe <mark@markfrancombe.com>

>
>
>  On Sat, Jul 2, 2011 at 11:40 PM, Daniel Thomas <danielthomas4@mac.com>wr=
ote:
>
>  Regardless of all the contradicting comments and suggestions, my goal wa=
s
> accomplished.  Art will always be misinterpreted, thus I try not to relay
> specific opinions. I have no religion and I have no politic, thus I am no=
t
> trying to convert anybody. I am simply trying to make people think and fe=
el,
> as it appears to me that most of the world has gone numb and has grown
> accustomed to accepting or ignoring the situations that are handed to the=
m.
> I can only go by my hope that regardless of the viewpoints, if every sing=
le
> person on the planet was vocal and passionate about how they feel, love
> would prevail and make the world a better place.
>
>
> Beautiful!  I love this list.
>
> d
>
>
> Quite, me too and well said Fro!
>
> You are always clear and clever in your written word, and I did read your
> text that accompanied the video, which clearly shows which side of the
> political fence you lie, so theres no need to say you are non-political,
> political stance is not something one should be afraid to stand by. My
> comment was as Per pointed out, a little and hopefully constructive
> criticism from a fellow humanitarian/looper/film-maker. I do understand t=
hat
> within the culture and position of the US of A, the choice of imagery wou=
ld
> stand as you intended it, for to parade the faces of the dead infront of =
a
> US audience is to hold up their shame in front of their eyes. My comment =
was
> simply pointing out that from a world view point, it can also be seen
> another way, as US National Pride and posturing. As an English man Garath
> also noticed this.
> You are right that Art will often be misinterpreted, but as Brian stated
> (completely incorrectly)
>
> "You mean he doesn't have the RIGHT to present a work of art that differs
> from your guys' perspectives?"
>
> Of course not, but your perspective doesn't differ from mine, we share th=
e
> same perspective and beliefs, and still I felt your intention was not ful=
ly
> realized.
>
> I=B4ll say it again, GREAT WORK FRO, keep it up! And I applaud you for ad=
ding
> this exiting and political layer to your looping videos, my own music and
> video has no such connections or meaning, and are surly the weaker for it=
.
>
> Mark
>
>
> --
>  *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

--bcaec5014ba902797104a73c42b6
Content-Type: text/html; charset=ISO-8859-1
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<div>Just saw/listened to it: great piece, Fro !</div>
<div>...and an interesting discussion too.</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2011/7/3 mark francombe <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</spa=
n><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br><br>
<div class=3D"gmail_quote">
<div class=3D"im">On Sat, Jul 2, 2011 at 11:40 PM, Daniel Thomas <span dir=
=3D"ltr">&lt;<a href=3D"mailto:danielthomas4@mac.com" target=3D"_blank">dan=
ielthomas4@mac.com</a>&gt;</span> wrote:<br><font face=3D"Tahoma">
<div>
<blockquote style=3D"FONT-FAMILY: &#39;Myriad Set&#39;" type=3D"cite"><span=
 style=3D"WORD-SPACING: 0px; FONT: medium &#39;Myriad Set&#39;; TEXT-TRANSF=
ORM: none; TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; B=
ORDER-COLLAPSE: separate">
<div style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">
<div dir=3D"ltr">Regardless of all the contradicting comments and suggestio=
ns, my goal was accomplished.=A0 Art will always be misinterpreted, thus I =
try not to relay specific opinions. I have no religion and I have no politi=
c, thus I am not trying to convert anybody. I am simply trying to make peop=
le think and feel, as it appears to me that most of the world has gone numb=
 and has grown accustomed to accepting or ignoring the situations that are =
handed to them. I can only go by my hope that regardless of the viewpoints,=
 if every single person on the planet was vocal and passionate about how th=
ey feel, love would prevail and make the world a better place.=A0<br>
</div></div></span></blockquote>
<div><font face=3D"Tahoma"><br></font></div></div>Beautiful! =A0I love this=
 list.</font>=20
<div><font face=3D"Tahoma"><br></font></div><font color=3D"#888888"><font f=
ace=3D"Tahoma">d</font></font></div><font face=3D"Tahoma"><br><br>Quite, me=
 too and well said Fro! <br><br>You are always clear and clever in your wri=
tten word, and I did read your text that accompanied the video, which clear=
ly shows which side of the political fence you lie, so theres no need to sa=
y you are non-political, political stance is not something one should be af=
raid to stand by. My comment was as Per pointed out, a little and hopefully=
 constructive criticism from a fellow humanitarian/looper/film-maker. I do =
understand that within the culture and position of the US of A, the choice =
of imagery would stand as you intended it, for to parade the faces of the d=
ead infront of a US audience is to hold up their shame in front of their ey=
es. My comment was simply pointing out that from a world view point, it can=
 also be seen another way, as US National Pride and posturing. As an Englis=
h man Garath also noticed this.<br>
You are right that Art will often be misinterpreted, but as Brian stated (c=
ompletely incorrectly) <br><br></font>
<div class=3D"im">&quot;You mean he doesn&#39;t have the RIGHT to present a=
 work of art that differs from your guys&#39; perspectives?&quot;<br><br></=
div>Of course not, but your perspective doesn&#39;t differ from mine, we sh=
are the same perspective and beliefs, and still I felt your intention was n=
ot fully realized.<br>
<font face=3D"Tahoma"><br>I=B4ll say it again, GREAT WORK FRO, keep it up! =
And I applaud you for adding this exiting and political layer to your loopi=
ng videos, my own music and video has no such connections or meaning, and a=
re surly the weaker for it.<br>
<br>Mark</font><br></div><font color=3D"#888888"><br clear=3D"all"><br>-- <=
br></font>
<div>
<div></div>
<div class=3D"h5"><i style=3D"COLOR: rgb(255,255,255); FONT-FAMILY: verdana=
,sans-serif; BACKGROUND-COLOR: rgb(0,0,0)"><font style=3D"FONT-FAMILY: treb=
uchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br><font s=
ize=3D"1"><a style=3D"COLOR: rgb(51,0,51)" href=3D"http://www.markfrancombe=
.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"COLOR: rgb(5=
1,0,51)">
<a style=3D"COLOR: rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/" target=
=3D"_blank">www.ordoabkhao.com</a><br style=3D"COLOR: rgb(51,0,51)"><a styl=
e=3D"COLOR: rgb(51,0,51)" href=3D"http://vimeo.com/user825094" target=3D"_b=
lank">http://vimeo.com/user825094</a><br style=3D"COLOR: rgb(51,0,51)">
<a style=3D"COLOR: rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_b=
lank">http://www.looop.no</a><br>twitter @markfrancombe</font><br></div></d=
iv></blockquote></div><br>

--bcaec5014ba902797104a73c42b6--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 12:07:32 2011
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	<8CE058E74C3A8E1-15D8-6E3E@webmail-m173.sysops.aol.com>
Date: Mon, 4 Jul 2011 08:07:30 -0400
Message-ID: <CAMb8y2bgTH+h-E+d7UFq0+rub8giPFUjpaW8we0587iA5tTj6w@mail.gmail.com>
Subject: Re: fest???????????
From: Butch Band <butchband@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I will be bringing rotten eggs and tomatoes! :)

On Thursday, June 30, 2011, michael klobuchar <nemoguitt@aol.com> wrote:
> mentioned this this morn on FB that i =A0have a gig on GRANDVIEW AVE. eit=
her aug 6th or sept third.....
>
>
>
> the stage will be overlooking the city directly across the street from th=
e incline, the hours are 11am-5 pm,
>
>
>
>
> i told them i would play 12-3.....BUT.....if i could have the whole block=
 of time, and i think i might, we could have an outstanding fest
>
>
>
>
> in public.....would anyone be interested?????.....i have beds, couches, t=
asty soup, a pool and we are about a 10 minute walk
>
>
>
>
> to the stage.....come stay and play......let me know soon if there is any=
 interest otherwise it will be the FLEMTONES and SACRED DONUT
>
>
>
>
> for 6 hours and that could get ugly.....at the last FLEMTONES SHOW my #1 =
son, ian, was at the door and told me about a guy who had just walked in
>
>
>
>
> and immediately hurried out shaking his head saying "WHAT THE FUCK WAS TH=
AT?".....help an old guy out here, they could throw me off the MOUNT!
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 12:09:33 2011
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Subject: Re: fest???????????
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--bcaec53f9847726afa04a73d3dde
Content-Type: text/plain; charset=ISO-8859-1

Alright! Breakfast!

j

On Mon, Jul 4, 2011 at 8:07 AM, Butch Band <butchband@gmail.com> wrote:

> I will be bringing rotten eggs and tomatoes! :)
>
> On Thursday, June 30, 2011, michael klobuchar <nemoguitt@aol.com> wrote:
> > mentioned this this morn on FB that i  have a gig on GRANDVIEW AVE.
> either aug 6th or sept third.....
> >
> >
> >
> > the stage will be overlooking the city directly across the street from
> the incline, the hours are 11am-5 pm,
> >
> >
> >
> >
> > i told them i would play 12-3.....BUT.....if i could have the whole block
> of time, and i think i might, we could have an outstanding fest
> >
> >
> >
> >
> > in public.....would anyone be interested?????.....i have beds, couches,
> tasty soup, a pool and we are about a 10 minute walk
> >
> >
> >
> >
> > to the stage.....come stay and play......let me know soon if there is any
> interest otherwise it will be the FLEMTONES and SACRED DONUT
> >
> >
> >
> >
> > for 6 hours and that could get ugly.....at the last FLEMTONES SHOW my #1
> son, ian, was at the door and told me about a guy who had just walked in
> >
> >
> >
> >
> > and immediately hurried out shaking his head saying "WHAT THE FUCK WAS
> THAT?".....help an old guy out here, they could throw me off the MOUNT!
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
>

--bcaec53f9847726afa04a73d3dde
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Alright! Breakfast!<br><br>j<br><br><div class=3D"gmail_quote">On Mon, Jul =
4, 2011 at 8:07 AM, Butch Band <span dir=3D"ltr">&lt;<a href=3D"mailto:butc=
hband@gmail.com">butchband@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">
I will be bringing rotten eggs and tomatoes! :)<br>
<br>
On Thursday, June 30, 2011, michael klobuchar &lt;<a href=3D"mailto:nemogui=
tt@aol.com">nemoguitt@aol.com</a>&gt; wrote:<br>
&gt; mentioned this this morn on FB that i =A0have a gig on GRANDVIEW AVE. =
either aug 6th or sept third.....<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; the stage will be overlooking the city directly across the street from=
 the incline, the hours are 11am-5 pm,<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; i told them i would play 12-3.....BUT.....if i could have the whole bl=
ock of time, and i think i might, we could have an outstanding fest<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; in public.....would anyone be interested?????.....i have beds, couches=
, tasty soup, a pool and we are about a 10 minute walk<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; to the stage.....come stay and play......let me know soon if there is =
any interest otherwise it will be the FLEMTONES and SACRED DONUT<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; for 6 hours and that could get ugly.....at the last FLEMTONES SHOW my =
#1 son, ian, was at the door and told me about a guy who had just walked in=
<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; and immediately hurried out shaking his head saying &quot;WHAT THE FUC=
K WAS THAT?&quot;.....help an old guy out here, they could throw me off the=
 MOUNT!<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</blockquote></div><br>

--bcaec53f9847726afa04a73d3dde--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 14:29:35 2011
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Subject: OT: Dropbox and PayPal
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba61374a1f836104a73f32f6
Content-Type: text/plain; charset=ISO-8859-1

A couple of services that I use as a musician a lot, have updated their user
agreements,
ones mentioned in the header of this post.
I tried reading the updated agreements, could not find anything suspicious.
On the other hand, regarding the Dropbox's latest update, there has been
really strong
discussion about it.

Has anyone on the list had time to review these and what are your opinions?

Greetings from Finland,

-- 
Petri Lahtinen

http://www.petrilahtinen.com

--90e6ba61374a1f836104a73f32f6
Content-Type: text/html; charset=ISO-8859-1
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A couple of services that I use as a musician a lot, have updated their use=
r agreements,<br>ones mentioned in the header of this post.<br>I tried read=
ing the updated agreements, could not find anything suspicious.<br>On the o=
ther hand, regarding the Dropbox&#39;s latest update, there has been really=
 strong<br>
discussion about it.<br><br>Has anyone on the list had time to review these=
 and what are your opinions?<br><br>Greetings from Finland,<br clear=3D"all=
"><br>-- <br>Petri Lahtinen<br><br><a href=3D"http://www.petrilahtinen.com"=
 target=3D"_blank">http://www.petrilahtinen.com</a><br>
<br>

--90e6ba61374a1f836104a73f32f6--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 14:42:08 2011
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Date: Mon, 4 Jul 2011 14:35:05 +0000 (UTC)
From: Charlie Milkey <pilotcp@gmail.com>
To:  <Loopers-Delight@loopers-delight.com>
Message-ID: <710401114.9101178.1309790105796.JavaMail.app@ela4-bed39.prod>
Subject: Invitation to connect on LinkedIn
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------=_Part_9101177_2021633842.1309790105794
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: 7bit

LinkedIn
------------

   
I'd like to add you to my professional network on LinkedIn.

- Charlie

Charlie Milkey
Assistant Manager at Walgreens 
Greater Minneapolis-St. Paul Area

Confirm that you know Charlie Milkey
https://www.linkedin.com/e/-kn1xg9-gppj7lq8-1y/isd/3423589058/Rz-lzFu0/


 
-- 
(c) 2011, LinkedIn Corporation
------=_Part_9101177_2021633842.1309790105794
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<html>
  <body>

  

<table border="0" width="550" cellpadding="0" cellspacing="0" style="max-width:550px; border-top:4px solid #39C; font: 12px arial, sans-serif; margin: 0 auto;"><tr><td>  
  <h1 style="color: #000; font: bold 23px arial; margin:5px 0;" >LinkedIn</h1>

<div style="font:13px arial, sans-serif; width:540px">  
    
    <p>
      I'd like to add you to my professional network on LinkedIn.<br/>
<br/>
- Charlie
    </p>
    
    <table cellpadding="0" cellspacing="0" style="margin-bottom: 10px;">
      <tr>
        <td style="font: 13px arial, sans-serif; width: 490px;">
          <div style="padding: 5px 5px 5px 0">
            Charlie Milkey<br>
                Assistant Manager at Walgreens 
            <br>
                  Greater Minneapolis-St. Paul Area
          </div>
          </div>
        </td>
      </tr>
    </table>

    <p>
              <a style="background-color:#ffcc00; display:inline-block; border-right: 1px solid #7a5a20; border-bottom: 1px solid #7a5a20; padding:10px; text-decoration: none; color: #000; text-align: center; white-space:none; font-weight: bold;" href="https://www.linkedin.com/e/-kn1xg9-gppj7lq8-1y/isd/3423589058/Rz-lzFu0/EML-invg_59/">Confirm that you know Charlie</a>
    </p>
</div>




  <p style="width: 550px; margin: 3px auto; font: 10px arial, sans-serif; color: #999;">&#169; 2011, LinkedIn Corporation</p>
  
<img src="http://www.linkedin.com/emimp/-kn1xg9-gppj7lq8-1y.gif" style="width:1px; height:1px;"/></body>
</html>
------=_Part_9101177_2021633842.1309790105794--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 14:53:27 2011
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Date: Mon, 4 Jul 2011 10:53:26 -0400
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Subject: Re: OT: Dropbox and PayPal
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http://blog.dropbox.com/?p=846
http://forums.dropbox.com/topic.php?id=2730

I use Dropbox and really love it. I don't use it for any secure info however
just music and stuff. If I was concerned I would not use it on an unsecured
network just as I wouldn't log into my bank at the coffeeshop, etc. Hackers
and security are in a very fluid battle that is changing all the time. I am
no genius so I try to be careful no matter how secure the service says it
is. I change passwords (hard ones) often, etc also for my more private
services.

I also have a verified account with Paypal and so far have not had any
issues. I watch it fairly closely as I do with anything like this. Change
passwords often and use hard ones! I do this sometimes after any
transaction.

I am not a lawyer either but I will say that I get "good vibes" from Dropbox
and like how they try to be transparent, remain as usable to me as they can
and still be secure. Always room for improvements though so I will also be
as proactive as I know how, defend my own security and keep as informed as I
can.

Looking forward to hearing what others have to say.

best,

jeff



On Mon, Jul 4, 2011 at 10:29 AM, Petri Lahtinen <kollegavalmentaja@gmail.com
> wrote:

> A couple of services that I use as a musician a lot, have updated their
> user agreements,
> ones mentioned in the header of this post.
> I tried reading the updated agreements, could not find anything suspicious.
> On the other hand, regarding the Dropbox's latest update, there has been
> really strong
> discussion about it.
>
> Has anyone on the list had time to review these and what are your opinions?
>
> Greetings from Finland,
>
> --
> Petri Lahtinen
>
> http://www.petrilahtinen.com
>
>

--bcaec5171ed593c4be04a73f87e1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<a href=3D"http://blog.dropbox.com/?p=3D846">http://blog.dropbox.com/?p=3D8=
46</a><br><a href=3D"http://forums.dropbox.com/topic.php?id=3D2730">http://=
forums.dropbox.com/topic.php?id=3D2730</a><br><br>I use Dropbox and really =
love it. I don&#39;t use it for any secure info however just music and stuf=
f. If I was concerned I would not use it on an unsecured network just as I =
wouldn&#39;t log into my bank at the coffeeshop, etc. Hackers and security =
are in a very fluid battle that is changing all the time. I am no genius so=
 I try to be careful no matter how secure the service says it is. I change =
passwords (hard ones) often, etc also for my more private services.<br>
<br>I also have a verified account with Paypal and so far have not had any =
issues. I watch it fairly closely as I do with anything like this. Change p=
asswords often and use hard ones! I do this sometimes after any transaction=
.<br>
<br>I am not a lawyer either but I will say that I get &quot;good vibes&quo=
t; from Dropbox and like how they try to be transparent, remain as usable t=
o me as they can and still be secure. Always room for improvements though s=
o I will also be as proactive as I know how, defend my own security and kee=
p as informed as I can.<br>
<br>Looking forward to hearing what others have to say.<br><br>best,<br><br=
>jeff<br><br><br><br><div class=3D"gmail_quote">On Mon, Jul 4, 2011 at 10:2=
9 AM, Petri Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:kollegavalment=
aja@gmail.com">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">A couple of servi=
ces that I use as a musician a lot, have updated their user agreements,<br>
ones mentioned in the header of this post.<br>I tried reading the updated a=
greements, could not find anything suspicious.<br>On the other hand, regard=
ing the Dropbox&#39;s latest update, there has been really strong<br>
discussion about it.<br><br>Has anyone on the list had time to review these=
 and what are your opinions?<br><br>Greetings from Finland,<br clear=3D"all=
"><font color=3D"#888888"><br>-- <br>Petri Lahtinen<br><br><a href=3D"http:=
//www.petrilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a>=
<br>

<br>
</font></blockquote></div><br>

--bcaec5171ed593c4be04a73f87e1--

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	<CAK7t344fsD=PkiaJN+=yNjJZWqEqf1=yiek0Z9X6UfUZ4eEDeA@mail.gmail.com>
Date: Mon, 4 Jul 2011 11:01:39 -0400
Message-ID: <CAF-7VCBt=iQjRkSVR9f7S4DxZWVAhy+0w+HijCmZsRrMNsbyAA@mail.gmail.com>
Subject: Re: OT: Dropbox and PayPal
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--bcaec53f8ebdfd442d04a73fa418
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Petri I agree with Jeff re a 'good vibe'.  I began using DropBox about 3
years ago and have been a convert ever since. I've recruited a few folks
there and I'm up to a shade under 3 gig.  The great thing about them is the=
y
never hassel you to buy storage be a member or do anymore than use them.  S=
o
far no security issues and I sync across I think 4 computers now at one
point or another.

On another note I owe you an email re collab, will be in touch.

Jim

On Mon, Jul 4, 2011 at 10:53 AM, Jeff Duke <jeffloops@gmail.com> wrote:

> http://blog.dropbox.com/?p=3D846
> http://forums.dropbox.com/topic.php?id=3D2730
>
> I use Dropbox and really love it. I don't use it for any secure info
> however just music and stuff. If I was concerned I would not use it on an
> unsecured network just as I wouldn't log into my bank at the coffeeshop,
> etc. Hackers and security are in a very fluid battle that is changing all
> the time. I am no genius so I try to be careful no matter how secure the
> service says it is. I change passwords (hard ones) often, etc also for my
> more private services.
>
> I also have a verified account with Paypal and so far have not had any
> issues. I watch it fairly closely as I do with anything like this. Change
> passwords often and use hard ones! I do this sometimes after any
> transaction.
>
> I am not a lawyer either but I will say that I get "good vibes" from
> Dropbox and like how they try to be transparent, remain as usable to me a=
s
> they can and still be secure. Always room for improvements though so I wi=
ll
> also be as proactive as I know how, defend my own security and keep as
> informed as I can.
>
> Looking forward to hearing what others have to say.
>
> best,
>
> jeff
>
>
>
>
> On Mon, Jul 4, 2011 at 10:29 AM, Petri Lahtinen <
> kollegavalmentaja@gmail.com> wrote:
>
>> A couple of services that I use as a musician a lot, have updated their
>> user agreements,
>> ones mentioned in the header of this post.
>> I tried reading the updated agreements, could not find anything
>> suspicious.
>> On the other hand, regarding the Dropbox's latest update, there has been
>> really strong
>> discussion about it.
>>
>> Has anyone on the list had time to review these and what are your
>> opinions?
>>
>> Greetings from Finland,
>>
>> --
>> Petri Lahtinen
>>
>> http://www.petrilahtinen.com
>>
>>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--bcaec53f8ebdfd442d04a73fa418
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Petri I agree with Jeff re a &#39;good vibe&#39;. =A0I began using DropBox =
about 3 years ago and have been a convert ever since. I&#39;ve recruited a =
few folks there and I&#39;m up to a shade under 3 gig. =A0The great thing a=
bout them is they never hassel you to buy storage be a member or do anymore=
 than use them. =A0So far no security issues and I sync across I think 4 co=
mputers now at one point or another.<div>
<br></div><div>On another note I owe you an email re collab, will be in tou=
ch.</div><div><br></div><div>Jim<br><br><div class=3D"gmail_quote">On Mon, =
Jul 4, 2011 at 10:53 AM, Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:=
jeffloops@gmail.com">jeffloops@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><a href=3D"http://blog.dropbox.com/?p=3D846=
" target=3D"_blank">http://blog.dropbox.com/?p=3D846</a><br><a href=3D"http=
://forums.dropbox.com/topic.php?id=3D2730" target=3D"_blank">http://forums.=
dropbox.com/topic.php?id=3D2730</a><br>
<br>I use Dropbox and really love it. I don&#39;t use it for any secure inf=
o however just music and stuff. If I was concerned I would not use it on an=
 unsecured network just as I wouldn&#39;t log into my bank at the coffeesho=
p, etc. Hackers and security are in a very fluid battle that is changing al=
l the time. I am no genius so I try to be careful no matter how secure the =
service says it is. I change passwords (hard ones) often, etc also for my m=
ore private services.<br>

<br>I also have a verified account with Paypal and so far have not had any =
issues. I watch it fairly closely as I do with anything like this. Change p=
asswords often and use hard ones! I do this sometimes after any transaction=
.<br>

<br>I am not a lawyer either but I will say that I get &quot;good vibes&quo=
t; from Dropbox and like how they try to be transparent, remain as usable t=
o me as they can and still be secure. Always room for improvements though s=
o I will also be as proactive as I know how, defend my own security and kee=
p as informed as I can.<br>

<br>Looking forward to hearing what others have to say.<br><br>best,<br><fo=
nt color=3D"#888888"><br>jeff</font><div><div></div><div class=3D"h5"><br><=
br><br><br><div class=3D"gmail_quote">On Mon, Jul 4, 2011 at 10:29 AM, Petr=
i Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:kollegavalmentaja@gmail.=
com" target=3D"_blank">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<br=
>

<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex">A couple of services th=
at I use as a musician a lot, have updated their user agreements,<br>
ones mentioned in the header of this post.<br>I tried reading the updated a=
greements, could not find anything suspicious.<br>On the other hand, regard=
ing the Dropbox&#39;s latest update, there has been really strong<br>
discussion about it.<br><br>Has anyone on the list had time to review these=
 and what are your opinions?<br><br>Greetings from Finland,<br clear=3D"all=
"><font color=3D"#888888"><br>-- <br>Petri Lahtinen<br><br><a href=3D"http:=
//www.petrilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a>=
<br>


<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--bcaec53f8ebdfd442d04a73fa418--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 18:12:44 2011
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From: Mark Hamburg <mark@grubmah.com>
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Subject: Boss SL-20 question (analog thru snob)
Date: Mon, 4 Jul 2011 11:12:41 -0700
Message-Id: <ED3573BB-FAC9-4646-A5C1-E64968EA060C@grubmah.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
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Does anyone know whether the SL-20 runs the signal through without =
digitizing it (at least when bypassed)? I'm fine with Boss buffered =
bypass, but I'm currently into the pure analog signal path thing for at =
least part of my rig.

Thanks.
Mark

From Loopers-Delight-request@loopers-delight.com  Mon Jul  4 20:26:34 2011
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Date: Mon, 4 Jul 2011 23:26:33 +0300
Message-ID: <CAOpEpQbhSiDxQ+DJA9s9BA5HDtDJVaBz4nv6DzQCUUO95Ne7iQ@mail.gmail.com>
Subject: Re: OT: Dropbox and PayPal
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015176f17bce4340a04a7442ecb
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Thanks Jim, the piece is underway.
I found this guy, Yuri Landman, who has good material on preparing guitar o=
n
the web.
:-) My trusty acoustic is now in serious modification... :-D

2011/7/4 Jim Goodin <jimgoodinmusic@gmail.com>

> Petri I agree with Jeff re a 'good vibe'.  I began using DropBox about 3
> years ago and have been a convert ever since. I've recruited a few folks
> there and I'm up to a shade under 3 gig.  The great thing about them is t=
hey
> never hassel you to buy storage be a member or do anymore than use them. =
 So
> far no security issues and I sync across I think 4 computers now at one
> point or another.
>
> On another note I owe you an email re collab, will be in touch.
>
> Jim
>
>
> On Mon, Jul 4, 2011 at 10:53 AM, Jeff Duke <jeffloops@gmail.com> wrote:
>
>> http://blog.dropbox.com/?p=3D846
>> http://forums.dropbox.com/topic.php?id=3D2730
>>
>> I use Dropbox and really love it. I don't use it for any secure info
>> however just music and stuff. If I was concerned I would not use it on a=
n
>> unsecured network just as I wouldn't log into my bank at the coffeeshop,
>> etc. Hackers and security are in a very fluid battle that is changing al=
l
>> the time. I am no genius so I try to be careful no matter how secure the
>> service says it is. I change passwords (hard ones) often, etc also for m=
y
>> more private services.
>>
>> I also have a verified account with Paypal and so far have not had any
>> issues. I watch it fairly closely as I do with anything like this. Chang=
e
>> passwords often and use hard ones! I do this sometimes after any
>> transaction.
>>
>> I am not a lawyer either but I will say that I get "good vibes" from
>> Dropbox and like how they try to be transparent, remain as usable to me =
as
>> they can and still be secure. Always room for improvements though so I w=
ill
>> also be as proactive as I know how, defend my own security and keep as
>> informed as I can.
>>
>> Looking forward to hearing what others have to say.
>>
>> best,
>>
>> jeff
>>
>>
>>
>>
>> On Mon, Jul 4, 2011 at 10:29 AM, Petri Lahtinen <
>> kollegavalmentaja@gmail.com> wrote:
>>
>>> A couple of services that I use as a musician a lot, have updated their
>>> user agreements,
>>> ones mentioned in the header of this post.
>>> I tried reading the updated agreements, could not find anything
>>> suspicious.
>>> On the other hand, regarding the Dropbox's latest update, there has bee=
n
>>> really strong
>>> discussion about it.
>>>
>>> Has anyone on the list had time to review these and what are your
>>> opinions?
>>>
>>> Greetings from Finland,
>>>
>>> --
>>> Petri Lahtinen
>>>
>>> http://www.petrilahtinen.com
>>>
>>>
>>
>
>
> --
> *From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodi=
n
> & Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>



--=20
Petri Lahtinen

http://www.petrilahtinen.com

--0015176f17bce4340a04a7442ecb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks Jim, the piece is underway.<br>I found this guy, Yuri Landman, who h=
as good material on preparing guitar on the web.<br>:-) My trusty acoustic =
is now in serious modification... :-D<br><br><div class=3D"gmail_quote">201=
1/7/4 Jim Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gma=
il.com">jimgoodinmusic@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Petri I agree wit=
h Jeff re a &#39;good vibe&#39;. =A0I began using DropBox about 3 years ago=
 and have been a convert ever since. I&#39;ve recruited a few folks there a=
nd I&#39;m up to a shade under 3 gig. =A0The great thing about them is they=
 never hassel you to buy storage be a member or do anymore than use them. =
=A0So far no security issues and I sync across I think 4 computers now at o=
ne point or another.<div>

<br></div><div>On another note I owe you an email re collab, will be in tou=
ch.</div><div><br></div><div>Jim<div><div></div><div class=3D"h5"><br><br><=
div class=3D"gmail_quote">On Mon, Jul 4, 2011 at 10:53 AM, Jeff Duke <span =
dir=3D"ltr">&lt;<a href=3D"mailto:jeffloops@gmail.com" target=3D"_blank">je=
ffloops@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><a href=3D"http:/=
/blog.dropbox.com/?p=3D846" target=3D"_blank">http://blog.dropbox.com/?p=3D=
846</a><br>
<a href=3D"http://forums.dropbox.com/topic.php?id=3D2730" target=3D"_blank"=
>http://forums.dropbox.com/topic.php?id=3D2730</a><br>
<br>I use Dropbox and really love it. I don&#39;t use it for any secure inf=
o however just music and stuff. If I was concerned I would not use it on an=
 unsecured network just as I wouldn&#39;t log into my bank at the coffeesho=
p, etc. Hackers and security are in a very fluid battle that is changing al=
l the time. I am no genius so I try to be careful no matter how secure the =
service says it is. I change passwords (hard ones) often, etc also for my m=
ore private services.<br>


<br>I also have a verified account with Paypal and so far have not had any =
issues. I watch it fairly closely as I do with anything like this. Change p=
asswords often and use hard ones! I do this sometimes after any transaction=
.<br>


<br>I am not a lawyer either but I will say that I get &quot;good vibes&quo=
t; from Dropbox and like how they try to be transparent, remain as usable t=
o me as they can and still be secure. Always room for improvements though s=
o I will also be as proactive as I know how, defend my own security and kee=
p as informed as I can.<br>


<br>Looking forward to hearing what others have to say.<br><br>best,<br><fo=
nt color=3D"#888888"><br>jeff</font><div><div></div><div><br><br><br><br><d=
iv class=3D"gmail_quote">On Mon, Jul 4, 2011 at 10:29 AM, Petri Lahtinen <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com" target=
=3D"_blank">kollegavalmentaja@gmail.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">A couple of servi=
ces that I use as a musician a lot, have updated their user agreements,<br>

ones mentioned in the header of this post.<br>I tried reading the updated a=
greements, could not find anything suspicious.<br>On the other hand, regard=
ing the Dropbox&#39;s latest update, there has been really strong<br>
discussion about it.<br><br>Has anyone on the list had time to review these=
 and what are your opinions?<br><br>Greetings from Finland,<br clear=3D"all=
"><font color=3D"#888888"><br>-- <br>Petri Lahtinen<br><br><a href=3D"http:=
//www.petrilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a>=
<br>



<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br=
><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording by Jim G=
oodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will ben=
efit JDRF International.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.=
com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>

<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petril=
ahtinen.com</a><br><br>

--0015176f17bce4340a04a7442ecb--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  5 00:27:52 2011
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Date: Mon, 4 Jul 2011 18:27:51 -0600
Message-ID: <CAM62fAFcnX2dU==JnCYFY+hAz2=xQ4+ii4w-CZy8b4Y_vQUaFA@mail.gmail.com>
Subject: Re: OT: Dropbox and PayPal
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Petri,

Basically echoing the same sentiments here, with one adviso:

If you're concerned about the security of Dropbox (and there is good
reason to be, after this last go-around), you might look into using
Spider Oak (https://spideroak.com/) which is significantly more secure
(at least for now: like Jeff says, it's a moving target).

PayPal is good once you get verified.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Jul 4, 2011 at 8:29 AM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> A couple of services that I use as a musician a lot, have updated their user
> agreements,
> ones mentioned in the header of this post.
> I tried reading the updated agreements, could not find anything suspicious.
> On the other hand, regarding the Dropbox's latest update, there has been
> really strong
> discussion about it.
>
> Has anyone on the list had time to review these and what are your opinions?
>
> Greetings from Finland,
>
> --
> Petri Lahtinen
>
> http://www.petrilahtinen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  5 01:18:52 2011
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Date: Mon, 04 Jul 2011 20:09:52 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Still Waters photo essay  on flickr
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I've posted another Photo Essay, entitled "Still Waters" -- 
http://www.flickr.com/photos/22231918@N06/sets/72157627118057460

Well, not completely still-:)

This photo-essay contains images that were taken at wetlands locoed 
near my home in Framingham, MA. I particularly recommend Broadmoor 
Wildlife Sanctuary (run by the Mass Audubon.

-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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Subject: RE: Dropbox and PayPal
Date: Mon, 4 Jul 2011 20:19:55 -0700
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Related to DropBox:

http://tinyurl.com/3be58og

Sure wish someone would make a host-your-own equivalent.

 

PayPal, short version: 

Arguably OK for very small, individual, person-to-person transaction. I'd
stay far away from them for business use though. I've seen them hijack
serious business money for months at a time without strong basis, more than
once, up close and personal. (I used to do technology consulting work).

 

HTH,

C

 

 

From: Petri Lahtinen [mailto:kollegavalmentaja@gmail.com] 
Sent: Monday, July 04, 2011 7:30 AM
To: Loopers-Delight@loopers-delight.com
Subject: OT: Dropbox and PayPal

 

A couple of services that I use as a musician a lot, have updated their user
agreements,
ones mentioned in the header of this post.
I tried reading the updated agreements, could not find anything suspicious.
On the other hand, regarding the Dropbox's latest update, there has been
really strong
discussion about it.

Has anyone on the list had time to review these and what are your opinions?

Greetings from Finland,

-- 
Petri Lahtinen

http://www.petrilahtinen.com


------=_NextPart_000_0001_01CC3A87.D67BDF20
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<html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
xmlns=3D"http://www.w3.org/TR/REC-html40"><head><META =
HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii"><meta name=3DGenerator content=3D"Microsoft Word 14 =
(filtered medium)"><style><!--
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<o:idmap v:ext=3D"edit" data=3D"1" />
</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Related to DropBox:<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><a =
href=3D"http://tinyurl.com/3be58og">http://tinyurl.com/3be58og</a><o:p></=
o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Sure wish someone would make a host-your-own =
equivalent.<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>PayPal, short version: <o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Arguably OK for very small, individual, person-to-person transaction. =
I&#8217;d stay far away from them for business use though. I&#8217;ve =
seen them hijack serious business money for months at a time without =
strong basis, more than once, up close and personal. (I used to do =
technology consulting work).<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>HTH,<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>C<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
Petri Lahtinen [mailto:kollegavalmentaja@gmail.com] <br><b>Sent:</b> =
Monday, July 04, 2011 7:30 AM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> OT: Dropbox and =
PayPal<o:p></o:p></span></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal style=3D'margin-bottom:12.0pt'>A couple of services =
that I use as a musician a lot, have updated their user =
agreements,<br>ones mentioned in the header of this post.<br>I tried =
reading the updated agreements, could not find anything =
suspicious.<br>On the other hand, regarding the Dropbox's latest update, =
there has been really strong<br>discussion about it.<br><br>Has anyone =
on the list had time to review these and what are your =
opinions?<br><br>Greetings from Finland,<br clear=3Dall><br>-- <br>Petri =
Lahtinen<br><br><a href=3D"http://www.petrilahtinen.com" =
target=3D"_blank">http://www.petrilahtinen.com</a><o:p></o:p></p></div></=
body></html>
------=_NextPart_000_0001_01CC3A87.D67BDF20--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  5 03:54:54 2011
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Date: Mon, 04 Jul 2011 20:54:44 -0700
From: Rick Walker <looppool@cruzio.com>
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Subject: Y2KX+1 International Live Looping Festivals  join together in Florence,
 Rome and Santa Cruz
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I'm very excited to announce that Massimo Liverani and Fabio Anile have 
joined with me and
the Y2KX+1 loop festival staff  to produce
Italian editions of the Y2KX+1 International Live Looping Festivals in 
2011 and 2012.

The 4th edition of the Florence Live Looping Festival will be the first 
official
Y2KX+1 International Live Looping Festival of this year and will be held 
this month
on July 16th and 17th in Florence (I'll announce that formally in the 
next email to the list).

Additionally,  Y2KX+1 will be held in San Jose, San Francisco and Santa 
Cruz from October 12th through 17th.

Next summer,  Fabio Anile will hold a Rome (Roma) edition of Y2KX+2, 
tentatively set for July
and Massimo will tentatively hold the 5th edition of the Florence 
(Firenze) and the California
edition will also be held in the 2nd weekend of October as it is every year.

I'm particularly excited about this partnership as Massimo and Fabio 
have both produced really beautiful
and very professional live looping festivals in the past.  I'm honored 
and privileged to be associated
with these two wonderful artists and members of our looping community.

****************************************************************************************************

We also hope that other cities around the world will join us in this 
endeavor to continue to promote
live looping all over the planet.

Anyone who is interested in producing an 'edition' of the festival is 
encouraged to contact us
if they need any advice about how to produce a well run festival on 
very, very little income........lol......our specialty!

yours,

Rick Walker
founder:      Y2K International Live Looping Festivals
"fine international live looping festivals since 2001"*
_www.y2kloopfest.com_



* this is, of course,  facetious

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 16th and 17th, 2011
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The 4th edition of the *FLORENCE Y2KX+1 International Live Looping 
Festival *
will be held in *Florence (Firenze, Italia) *on*July 16th *and*17th, 2011*.
*_
http://tinyurl.com/Florence-Y2KX-1-Loopfest_*

Produced by *Massimo Liverani*, the festival has a very strong two day 
lineup featuring
Italy's *Giovanni Lami*, *Enrico Coniglio*, *Fabio Anile*, *Rob 
Easychord* and *Bassi Lele*.
*Michael Peters *(who runs the Koln Live Looping Festival) and
*Rainer Straschill* (who has also produced looping performances in 
Munchen) will represent Germany
and there will be appearances by Singapores' *Randolf Arriola*, the UK's
*Gareth Whittock* and *Willy Oteri* and *Dave Laczko* from the
United States.

Finally *Massimo Liverani* will provide iPhone interludes
between performances.

The festival will be held at the *Teatro Blu,  Parco dell'Anconella Via 
Villamagna, Firenze *and *entry is FREE
to all ages from 2100-2400 hours*

This will be the first official association with the California Y2KX+1 
International Live Looping Festivals.

This week *Massimo LIverani* (Florence) and *Fabio Anile* (Rome) 
announced a formal partnership with
*Rick Walker* (US) and the staff of the Y2KX+1 festival (*Steve Ucello, 
Maha Taitano, Eric DeArantanha, Trevor
McClain *and *Soren Wagner)* to produce live looping festivals in 
*Florence, Rome
*and*California *in*2011 *and*2012.*

for more information, go to:
_*www.livelooping.it *_    or
*_www.officinecroma.it_*

*Riccardo Camminatore
(press secretary: Italian Live Looping Guild)*

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   July 16th and 17th, 2011
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Thanx Rick! I'm a little affected! It's a perfect message, so this Festival is 
becoming a great event!
X fingers and hugs to you!  

Max Liver 


>----Messaggio originale----
>Da: looppool@cruzio.com
>Data: 05/07/2011 6.24
>A: "LOOPERS DELIGHT (posting)"<Loopers-Delight@loopers-delight.com>
>Ogg: Y2KX+1 International Live Looping Festival:  FLORENCE, ITALY   July 16th 
and 17th, 2011
>
>The 4th edition of the *FLORENCE Y2KX+1 International Live Looping 
>Festival *
>will be held in *Florence (Firenze, Italia) *on*July 16th *and*17th, 2011*.
>*_
>http://tinyurl.com/Florence-Y2KX-1-Loopfest_*
>
>Produced by *Massimo Liverani*, the festival has a very strong two day 
>lineup featuring
>Italy's *Giovanni Lami*, *Enrico Coniglio*, *Fabio Anile*, *Rob 
>Easychord* and *Bassi Lele*.
>*Michael Peters *(who runs the Koln Live Looping Festival) and
>*Rainer Straschill* (who has also produced looping performances in 
>Munchen) will represent Germany
>and there will be appearances by Singapores' *Randolf Arriola*, the UK's
>*Gareth Whittock* and *Willy Oteri* and *Dave Laczko* from the
>United States.
>
>Finally *Massimo Liverani* will provide iPhone interludes
>between performances.
>
>The festival will be held at the *Teatro Blu,  Parco dell'Anconella Via 
>Villamagna, Firenze *and *entry is FREE
>to all ages from 2100-2400 hours*
>
>This will be the first official association with the California Y2KX+1 
>International Live Looping Festivals.
>
>This week *Massimo LIverani* (Florence) and *Fabio Anile* (Rome) 
>announced a formal partnership with
>*Rick Walker* (US) and the staff of the Y2KX+1 festival (*Steve Ucello, 
>Maha Taitano, Eric DeArantanha, Trevor
>McClain *and *Soren Wagner)* to produce live looping festivals in 
>*Florence, Rome
>*and*California *in*2011 *and*2012.*
>
>for more information, go to:
>_*www.livelooping.it *_    or
>*_www.officinecroma.it_*
>
>*Riccardo Camminatore
>(press secretary: Italian Live Looping Guild)*
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul  5 12:24:22 2011
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Date: Tue, 05 Jul 2011 08:24:14 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Re: Galactic Travels Playlist #739 for June 2, 2011.
References: <4DE8FB47.9080607@soundscapes.us> <35451E07-E4C0-43AD-BFD0-0E66BF114CD1@eijkhout.net> <33417151.33688.1307116405666.JavaMail.root@m08>
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Thanks, Andy, for remembering and sharing that.  Indeed, even if people 
don't listen to GT, they do like to check out the music listed in the 
playlists that I post.

As to being local;
Yes, it's a local show via FM but is world-wide via the station's web 
stream.  The stream is real time so you have to tune in when GT is 
actually on the air.  This is not an on-demand show.  This is not very 
convenient for our European friends since GT starts on Friday at 4:04 am 
in the UK and 5:04 am on the continent.  I've been told that someone 
records my shows and makes them available.  I am not allowed to 
encourage this and I don't know where this site is located.  But it does 
spread the word of EM.  WDIY's stream is only 56kbps, i.e. the frequency 
response drastically starts to roll off at 6kHz and is gone by 6.5kHz so 
there really isn't any loss of sales to people who enjoy reasonable 
fidelity music.

As to the podcasts;
No, entire shows are not archived or podcast.  WDIY doesn't have the 
resources to do that.  The station does not have the facilities to hold 
the files nor the financial resources to pay for the royaly fees 
required.  In our case, podcasts can only contain material that BMI, 
ASCAP, et al won't chase after us for fees.  Therefore, there are only a 
few podcasts and they only contain material where the copyright owner is 
WDIY or a license has been granted by the copyright owner to podcast 
material free of charge.  Podcasts, therefore, only contain special 
moments from the broadcast show where we have been granted a free 
license for podcast use.  Such moments include concerts played live on 
GT and repackaged as a podcast by me long after the broadcast.

As to having my own list;
Yes, there is one but it is for people who are already fans.  (There is 
also a MySpace page and a Facebook Fan Page.)  However, since part of my 
reason for doing this show is to promote the people who create 
Electronic Music, I must let people know in places where potential fans 
may exist.  LD is such a place since many electronic musicians use 
looping as a tool of their craft.  The Ambient and Spacemusic genre can 
only continue if new fans can be cultivated.  That can't happen if 
people don't hear about shows like GT on lists like LD.

However, I reiterate my offer not to post here if that is the 
consensus.  Kim always encouraged me to post my playlists here.  I also 
post about Thought Radio, too.

Cheers,

Bill

On 6/3/11 11:44 AM, andy butler wrote:
> Not the first time that question has come up here.
>
> The poster, Bill, would have been happy to not
> send it here, but a number of LDers said that they
> liked the playlists as a suggestion for music that
> they could check out.
>
> andy
>
> Victor Eijkhout wrote:
>> On Jun 3, 2011, at 10:18 AM, Bill Fox wrote:
>>
>>> Galactic Travels is an electronic, ambient, and space music show, that
>>> airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and 
>>> Bethlehem,
>>> PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
>>> and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
>>> in Digital HD at 88.1 FM.
>>
>> I must be missing something. This seems to be a purely local, 
>> realtime broadcast, show. So why bother sending it to several mailing 
>> lists?
>>
>> Victor.

From Loopers-Delight-request@loopers-delight.com  Tue Jul  5 15:52:25 2011
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Date: Tue, 5 Jul 2011 08:52:21 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: dropbox and paypal
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Howdy,

 
i'm going through something right now. Paypal shows a payment to a vendor, then a refund of that payment. On my bank statement, it shows 2 withdrawals on the same day. So, now instead of $0 I'm out $98 for this mistake. I'm trying to get it ironed out. We'll see
Rig

From Loopers-Delight-request@loopers-delight.com  Tue Jul  5 22:23:07 2011
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From: Phil Clevenger <phil.clevenger@gmail.com>
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Subject: Re: Boss SL-20 question (analog thru snob)
Date: Tue, 5 Jul 2011 15:23:00 -0700
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--Apple-Mail-4-884899232
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Well Mark, I just did the following diagnostic, which I read somewhere =
was a reliable way to test for true bypass:

Connected my guitar into the OUT jack of the SL-20.

Connected the IN jack of the SL-20 to my amp.

No sound was produced :(

Confirmed that other items in my kit that are known to be TBP all passed =
this same test, and produced dry sound.

Further, some discourse on the Analogman site (appended below)  =
indicates that BOSS pedals and Ibanez pedals with these kinds of =
electronic switches are difficult to make as TBP for some tech reasons, =
so infer as you will.

That said, the Slicer seems to handle my dry tone admirably with no =
noticeable loss or mangling.

Phil

On Jul 4, 2011, at 11:12 AM, Mark Hamburg wrote:

> Does anyone know whether the SL-20 runs the signal through without =
digitizing it (at least when bypassed)? I'm fine with Boss buffered =
bypass, but I'm currently into the pure analog signal path thing for at =
least part of my rig.
>=20
> Thanks.
> Mark
>=20

- - - - -

=46rom http://www.analogman.com/boss.htm :


Can you make my Boss Pedal true bypass??

In order to make an Ibanez, Boss or other electronically- switched pedal =
true bypass, you need to drill a hole on top and mount a standard round =
metal stomp switch. You also need to hot-wire the circuit so it is =
always ON. We do not offer this mod as drilling and mounting the switch =
is very time consuming and messy. Also these pedals do not suck tone =
like a wah wah when off, as they use active electronic FET switching so =
it is not much of a benefit. The Boss pedals seem to effect your tone a =
bit less than the Ibanez pedals when OFF (less high end attenuation).

An easier solution would be to use a TRUE BYPASS box, which is a small =
box with IN, OUT, SEND, and RETURN jacks, and a switch. When OFF, the =
signal goes direct from the IN to the OUT jack. When ON, the signal goes =
through the SEND/RETURN effects loop (and the pedal(s) that you have in =
that loop). These are handy for having around, you can even use it as an =
AB box. We can build these out of the MXR PAPERWEIGHTS that we have, or =
in generic cases. It is also possible to build multiple true bypass =
boxes with multiple loops/switches. They are about $85 for a normal true =
bypass box in a generic case. See my switchbox page for more info. =20


~ eof ~=

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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Well =
Mark, I just did the following diagnostic, which I read somewhere was a =
reliable way to test for true bypass:<div><br></div><div>Connected my =
guitar into the OUT jack of the =
SL-20.</div><div><br></div><div>Connected the IN jack of the SL-20 to my =
amp.</div><div><br></div><div>No sound was produced =
:(</div><div><br></div><div>Confirmed that other items in my kit that =
are known to be TBP all passed this same test, and produced dry =
sound.</div><div><br></div><div>Further, some discourse on the Analogman =
site (appended below) &nbsp;indicates that BOSS pedals and Ibanez pedals =
with these kinds of electronic switches are difficult to make as TBP for =
some tech reasons, so infer as you will.</div><div><br></div><div>That =
said, the Slicer seems to handle my dry tone admirably with no =
noticeable loss or =
mangling.</div><div><br></div><div>Phil</div><div><br><div><div>On Jul =
4, 2011, at 11:12 AM, Mark Hamburg wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Does =
anyone know whether the SL-20 runs the signal through without digitizing =
it (at least when bypassed)? I'm fine with Boss buffered bypass, but I'm =
currently into the pure analog signal path thing for at least part of my =
rig.<br><br>Thanks.<br>Mark<br><br></div></blockquote></div><br></div><div=
>- - - - -</div><div><br></div><div>From&nbsp;<a =
href=3D"http://www.analogman.com/boss.htm">http://www.analogman.com/boss.h=
tm</a> :</div><div><br></div><div><br></div><div><p><b>Can you make my =
Boss Pedal true bypass?? </b></p><p>In order to make an Ibanez, Boss or =
other electronically-
switched pedal true bypass, you need to drill a hole on top and
mount a standard round metal stomp switch. You also need to hot-wire=20
the circuit so it is always ON. We do not offer this mod as drilling and
mounting the switch is very time consuming and messy.
Also these pedals do not suck tone
like a wah wah when off, as they use active electronic FET
switching so it is not much of a benefit.=20
The Boss pedals seem to effect your tone a bit less than
the Ibanez pedals when OFF (less high end attenuation).
</p><p>An easier
solution would be to use a TRUE BYPASS box, which is a small box
with IN, OUT, SEND, and RETURN jacks, and a switch. When OFF, the
signal goes direct from the IN to the OUT jack. When ON, the
signal goes through the SEND/RETURN effects loop (and the pedal(s)
that you have in that loop). These are handy for having around,
you can even use it as an AB box. We can build these out
of the MXR PAPERWEIGHTS that we have, or in generic cases. It is
also possible to build multiple true bypass boxes with multiple
loops/switches. They are about $85 for a normal true bypass box
in a generic case. See my=20
<a href=3D"http://www.analogman.com/switchbox/index.htm" =
target=3D"newwindow">=20
switchbox page </a> for more info. &nbsp;</p><div><br></div></div><div>~ =
eof ~</div></body></html>=

--Apple-Mail-4-884899232--

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Thanks. It's almost certainly buffered bypass since all Boss pedals are =
and I'm fine with that. I'm not a true bypass snob. The question is =
whether it's an analog bypass when disengaged or whether it goes through =
the A/D & D/A converters even then (i.e., DSP bypass). Since Roland/Boss =
isn't known for using the highest quality converters, I'd rather not =
have them in the signal chain when not using the effect.

That said, my pedal board is looking pretty full. Though, of course, if =
I spill to another board...

Mark

On Jul 5, 2011, at 3:23 PM, Phil Clevenger wrote:

> Well Mark, I just did the following diagnostic, which I read somewhere =
was a reliable way to test for true bypass:
>=20
> Connected my guitar into the OUT jack of the SL-20.
>=20
> Connected the IN jack of the SL-20 to my amp.
>=20
> No sound was produced :(
>=20
> Confirmed that other items in my kit that are known to be TBP all =
passed this same test, and produced dry sound.
>=20
> Further, some discourse on the Analogman site (appended below)  =
indicates that BOSS pedals and Ibanez pedals with these kinds of =
electronic switches are difficult to make as TBP for some tech reasons, =
so infer as you will.
>=20
> That said, the Slicer seems to handle my dry tone admirably with no =
noticeable loss or mangling.
>=20
> Phil
>=20
> On Jul 4, 2011, at 11:12 AM, Mark Hamburg wrote:
>=20
>> Does anyone know whether the SL-20 runs the signal through without =
digitizing it (at least when bypassed)? I'm fine with Boss buffered =
bypass, but I'm currently into the pure analog signal path thing for at =
least part of my rig.
>>=20
>> Thanks.
>> Mark
>>=20
>=20
> - - - - -
>=20
> =46rom http://www.analogman.com/boss.htm :
>=20
>=20
> Can you make my Boss Pedal true bypass??
>=20
> In order to make an Ibanez, Boss or other electronically- switched =
pedal true bypass, you need to drill a hole on top and mount a standard =
round metal stomp switch. You also need to hot-wire the circuit so it is =
always ON. We do not offer this mod as drilling and mounting the switch =
is very time consuming and messy. Also these pedals do not suck tone =
like a wah wah when off, as they use active electronic FET switching so =
it is not much of a benefit. The Boss pedals seem to effect your tone a =
bit less than the Ibanez pedals when OFF (less high end attenuation).
>=20
> An easier solution would be to use a TRUE BYPASS box, which is a small =
box with IN, OUT, SEND, and RETURN jacks, and a switch. When OFF, the =
signal goes direct from the IN to the OUT jack. When ON, the signal goes =
through the SEND/RETURN effects loop (and the pedal(s) that you have in =
that loop). These are handy for having around, you can even use it as an =
AB box. We can build these out of the MXR PAPERWEIGHTS that we have, or =
in generic cases. It is also possible to build multiple true bypass =
boxes with multiple loops/switches. They are about $85 for a normal true =
bypass box in a generic case. See my switchbox page for more info. =20
>=20
>=20
> ~ eof ~


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Thanks. It's almost certainly buffered bypass since all Boss pedals =
are and I'm fine with that. I'm not a true bypass snob. The question is =
whether it's an analog bypass when disengaged or whether it goes through =
the A/D &amp; D/A converters even then (i.e., DSP bypass). Since =
Roland/Boss isn't known for using the highest quality converters, I'd =
rather not have them in the signal chain when not using the =
effect.<div><br></div><div>That said, my pedal board is looking pretty =
full. Though, of course, if I spill to another =
board...<br><div><br></div><div>Mark<br><div><br><div><div>On Jul 5, =
2011, at 3:23 PM, Phil Clevenger wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Well Mark, I just did the =
following diagnostic, which I read somewhere was a reliable way to test =
for true bypass:<div><br></div><div>Connected my guitar into the OUT =
jack of the SL-20.</div><div><br></div><div>Connected the IN jack of the =
SL-20 to my amp.</div><div><br></div><div>No sound was produced =
:(</div><div><br></div><div>Confirmed that other items in my kit that =
are known to be TBP all passed this same test, and produced dry =
sound.</div><div><br></div><div>Further, some discourse on the Analogman =
site (appended below) &nbsp;indicates that BOSS pedals and Ibanez pedals =
with these kinds of electronic switches are difficult to make as TBP for =
some tech reasons, so infer as you will.</div><div><br></div><div>That =
said, the Slicer seems to handle my dry tone admirably with no =
noticeable loss or =
mangling.</div><div><br></div><div>Phil</div><div><br><div><div>On Jul =
4, 2011, at 11:12 AM, Mark Hamburg wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Does =
anyone know whether the SL-20 runs the signal through without digitizing =
it (at least when bypassed)? I'm fine with Boss buffered bypass, but I'm =
currently into the pure analog signal path thing for at least part of my =
rig.<br><br>Thanks.<br>Mark<br><br></div></blockquote></div><br></div><div=
>- - - - -</div><div><br></div><div>From&nbsp;<a =
href=3D"http://www.analogman.com/boss.htm">http://www.analogman.com/boss.h=
tm</a> :</div><div><br></div><div><br></div><div><p><b>Can you make my =
Boss Pedal true bypass?? </b></p><p>In order to make an Ibanez, Boss or =
other electronically-
switched pedal true bypass, you need to drill a hole on top and
mount a standard round metal stomp switch. You also need to hot-wire=20
the circuit so it is always ON. We do not offer this mod as drilling and
mounting the switch is very time consuming and messy.
Also these pedals do not suck tone
like a wah wah when off, as they use active electronic FET
switching so it is not much of a benefit.=20
The Boss pedals seem to effect your tone a bit less than
the Ibanez pedals when OFF (less high end attenuation).
</p><p>An easier
solution would be to use a TRUE BYPASS box, which is a small box
with IN, OUT, SEND, and RETURN jacks, and a switch. When OFF, the
signal goes direct from the IN to the OUT jack. When ON, the
signal goes through the SEND/RETURN effects loop (and the pedal(s)
that you have in that loop). These are handy for having around,
you can even use it as an AB box. We can build these out
of the MXR PAPERWEIGHTS that we have, or in generic cases. It is
also possible to build multiple true bypass boxes with multiple
loops/switches. They are about $85 for a normal true bypass box
in a generic case. See my=20
<a href=3D"http://www.analogman.com/switchbox/index.htm" =
target=3D"newwindow">=20
switchbox page </a> for more info. &nbsp;</p><div><br></div></div><div>~ =
eof ~</div></div></blockquote></div><br></div></div></div></body></html>=

--Apple-Mail-921-890643026--

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Subject: Re: Boss SL-20 question (analog thru snob)
Date: Tue, 05 Jul 2011 18:04:18 -0700
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If you can't tell the difference with your ears, does it really matter then?

t
  ----- Original Message ----- 
  From: Mark Hamburg 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Tuesday, July 05, 2011 4:58 PM
  Subject: Re: Boss SL-20 question (analog thru snob)


  Thanks. It's almost certainly buffered bypass since all Boss pedals are and I'm fine with that. I'm not a true bypass snob. The question is whether it's an analog bypass when disengaged or whether it goes through the A/D & D/A converters even then (i.e., DSP bypass). Since Roland/Boss isn't known for using the highest quality converters, I'd rather not have them in the signal chain when not using the effect.


  That said, my pedal board is looking pretty full. Though, of course, if I spill to another board...



  Mark



  On Jul 5, 2011, at 3:23 PM, Phil Clevenger wrote:


    Well Mark, I just did the following diagnostic, which I read somewhere was a reliable way to test for true bypass:


    Connected my guitar into the OUT jack of the SL-20.


    Connected the IN jack of the SL-20 to my amp.


    No sound was produced :(


    Confirmed that other items in my kit that are known to be TBP all passed this same test, and produced dry sound.


    Further, some discourse on the Analogman site (appended below)  indicates that BOSS pedals and Ibanez pedals with these kinds of electronic switches are difficult to make as TBP for some tech reasons, so infer as you will.


    That said, the Slicer seems to handle my dry tone admirably with no noticeable loss or mangling.


    Phil


    On Jul 4, 2011, at 11:12 AM, Mark Hamburg wrote:


      Does anyone know whether the SL-20 runs the signal through without digitizing it (at least when bypassed)? I'm fine with Boss buffered bypass, but I'm currently into the pure analog signal path thing for at least part of my rig.

      Thanks.
      Mark




    - - - - -


    From http://www.analogman.com/boss.htm :




    Can you make my Boss Pedal true bypass?? 

    In order to make an Ibanez, Boss or other electronically- switched pedal true bypass, you need to drill a hole on top and mount a standard round metal stomp switch. You also need to hot-wire the circuit so it is always ON. We do not offer this mod as drilling and mounting the switch is very time consuming and messy. Also these pedals do not suck tone like a wah wah when off, as they use active electronic FET switching so it is not much of a benefit. The Boss pedals seem to effect your tone a bit less than the Ibanez pedals when OFF (less high end attenuation). 

    An easier solution would be to use a TRUE BYPASS box, which is a small box with IN, OUT, SEND, and RETURN jacks, and a switch. When OFF, the signal goes direct from the IN to the OUT jack. When ON, the signal goes through the SEND/RETURN effects loop (and the pedal(s) that you have in that loop). These are handy for having around, you can even use it as an AB box. We can build these out of the MXR PAPERWEIGHTS that we have, or in generic cases. It is also possible to build multiple true bypass boxes with multiple loops/switches. They are about $85 for a normal true bypass box in a generic case. See my switchbox page for more info.  



    ~ eof ~


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META name=GENERATOR content="MSHTML 8.00.6001.18372">
<STYLE></STYLE>
</HEAD>
<BODY 
style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space" 
bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>If you can't tell the difference with your ears, 
does it really matter then?</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=mark@grubmah.com href="mailto:mark@grubmah.com">Mark Hamburg</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, July 05, 2011 4:58 
PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Boss SL-20 question (analog 
  thru snob)</DIV>
  <DIV><BR></DIV>Thanks. It's almost certainly buffered bypass since all Boss 
  pedals are and I'm fine with that. I'm not a true bypass snob. The question is 
  whether it's an analog bypass when disengaged or whether it goes through the 
  A/D &amp; D/A converters even then (i.e., DSP bypass). Since Roland/Boss isn't 
  known for using the highest quality converters, I'd rather not have them in 
  the signal chain when not using the effect.
  <DIV><BR></DIV>
  <DIV>That said, my pedal board is looking pretty full. Though, of course, if I 
  spill to another board...<BR>
  <DIV><BR></DIV>
  <DIV>Mark<BR>
  <DIV><BR>
  <DIV>
  <DIV>On Jul 5, 2011, at 3:23 PM, Phil Clevenger wrote:</DIV><BR 
  class=Apple-interchange-newline>
  <BLOCKQUOTE type="cite">
    <DIV 
    style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space">Well 
    Mark, I just did the following diagnostic, which I read somewhere was a 
    reliable way to test for true bypass:
    <DIV><BR></DIV>
    <DIV>Connected my guitar into the OUT jack of the SL-20.</DIV>
    <DIV><BR></DIV>
    <DIV>Connected the IN jack of the SL-20 to my amp.</DIV>
    <DIV><BR></DIV>
    <DIV>No sound was produced :(</DIV>
    <DIV><BR></DIV>
    <DIV>Confirmed that other items in my kit that are known to be TBP all 
    passed this same test, and produced dry sound.</DIV>
    <DIV><BR></DIV>
    <DIV>Further, some discourse on the Analogman site (appended below) 
    &nbsp;indicates that BOSS pedals and Ibanez pedals with these kinds of 
    electronic switches are difficult to make as TBP for some tech reasons, so 
    infer as you will.</DIV>
    <DIV><BR></DIV>
    <DIV>That said, the Slicer seems to handle my dry tone admirably with no 
    noticeable loss or mangling.</DIV>
    <DIV><BR></DIV>
    <DIV>Phil</DIV>
    <DIV><BR>
    <DIV>
    <DIV>On Jul 4, 2011, at 11:12 AM, Mark Hamburg wrote:</DIV><BR 
    class=Apple-interchange-newline>
    <BLOCKQUOTE type="cite">
      <DIV>Does anyone know whether the SL-20 runs the signal through without 
      digitizing it (at least when bypassed)? I'm fine with Boss buffered 
      bypass, but I'm currently into the pure analog signal path thing for at 
      least part of my 
    rig.<BR><BR>Thanks.<BR>Mark<BR><BR></DIV></BLOCKQUOTE></DIV><BR></DIV>
    <DIV>- - - - -</DIV>
    <DIV><BR></DIV>
    <DIV>From&nbsp;<A 
    href="http://www.analogman.com/boss.htm">http://www.analogman.com/boss.htm</A> 
    :</DIV>
    <DIV><BR></DIV>
    <DIV><BR></DIV>
    <DIV>
    <P><B>Can you make my Boss Pedal true bypass?? </B></P>
    <P>In order to make an Ibanez, Boss or other electronically- switched pedal 
    true bypass, you need to drill a hole on top and mount a standard round 
    metal stomp switch. You also need to hot-wire the circuit so it is always 
    ON. We do not offer this mod as drilling and mounting the switch is very 
    time consuming and messy. Also these pedals do not suck tone like a wah wah 
    when off, as they use active electronic FET switching so it is not much of a 
    benefit. The Boss pedals seem to effect your tone a bit less than the Ibanez 
    pedals when OFF (less high end attenuation). </P>
    <P>An easier solution would be to use a TRUE BYPASS box, which is a small 
    box with IN, OUT, SEND, and RETURN jacks, and a switch. When OFF, the signal 
    goes direct from the IN to the OUT jack. When ON, the signal goes through 
    the SEND/RETURN effects loop (and the pedal(s) that you have in that loop). 
    These are handy for having around, you can even use it as an AB box. We can 
    build these out of the MXR PAPERWEIGHTS that we have, or in generic cases. 
    It is also possible to build multiple true bypass boxes with multiple 
    loops/switches. They are about $85 for a normal true bypass box in a generic 
    case. See my <A href="http://www.analogman.com/switchbox/index.htm" 
    target=newwindow>switchbox page </A>for more info. &nbsp;</P>
    <DIV><BR></DIV></DIV>
    <DIV>~ eof 
~</DIV></DIV></BLOCKQUOTE></DIV><BR></DIV></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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Subject: THIS IS A TEST
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ONLY A TEST

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 01:22:22 2011
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Loud and clear here Ted!

On Thu, Jul 7, 2011 at 2:59 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wro=
te:

> ONLY A TEST
>
>


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Loud and clear here Ted!<br><br><div class=3D"gmail_quote">On Thu, Jul 7, 2=
011 at 2:59 AM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:ted=
killian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc=
 solid;padding-left:1ex;">

ONLY A TEST<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family=
:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, 0, 0)"=
><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Fra=
ncombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba212461713e8704a7708cb5--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 01:23:33 2011
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	<CAJKe7oba9etBDuWgEp1CDuzrAX+nKStipDA=PgaJxBswaLSiqg@mail.gmail.com>
Date: Wed, 6 Jul 2011 21:23:32 -0400
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Subject: Re: THIS IS A TEST
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To: Loopers-Delight@loopers-delight.com
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--bcaec5016281b2fdb304a7709023
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5x5 good buddy!

On Wed, Jul 6, 2011 at 9:22 PM, mark francombe <mark@markfrancombe.com>wrot=
e:

> Loud and clear here Ted!
>
> On Thu, Jul 7, 2011 at 2:59 AM, tEd =AE KiLLiAn <tedkillian@charter.net>w=
rote:
>
>> ONLY A TEST
>>
>>
>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

--bcaec5016281b2fdb304a7709023
Content-Type: text/html; charset=ISO-8859-1
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5x5 good buddy!<br><br><div class=3D"gmail_quote">On Wed, Jul 6, 2011 at 9:=
22 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfran=
combe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
Loud and clear here Ted!<br><br><div class=3D"gmail_quote">On Thu, Jul 7, 2=
011 at 2:59 AM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:ted=
killian@charter.net" target=3D"_blank">tedkillian@charter.net</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

ONLY A TEST<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family=
: verdana,sans-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0=
, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>=
Mark Francombe</u></font></i><br>


<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">


<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>


twitter @markfrancombe</font><br>
</blockquote></div><br>

--bcaec5016281b2fdb304a7709023--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 01:30:53 2011
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Subject: Re: THIS IS A TEST
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Did I miss something? Iis Loopers moving to a FB gtoup instead of the
list mail or is the group an add'l?

Txj jim

On 7/6/11, Jeff Duke <jeffloops@gmail.com> wrote:
> 5x5 good buddy!
>
> On Wed, Jul 6, 2011 at 9:22 PM, mark francombe
> <mark@markfrancombe.com>wrote:
>
>> Loud and clear here Ted!
>>
>> On Thu, Jul 7, 2011 at 2:59 AM, tEd =AE KiLLiAn
>> <tedkillian@charter.net>wrote:
>>
>>> ONLY A TEST
>>>
>>>
>>
>>
>> --
>> *Mark Francombe*
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 01:42:41 2011
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Reply-To: "Stephen Goodman" <spgoodman@earthlight.net>
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <CD977986-0449-4308-9BBB-552D42CC5B08@charter.net><CAJKe7oba9etBDuWgEp1CDuzrAX+nKStipDA=PgaJxBswaLSiqg@mail.gmail.com><CAK7t344a0ZJLfyQ-ig8+uxxrmkPZkMVaSacsiAfQVeBJ4My1Hw@mail.gmail.com> <CAF-7VCD64Zn4kj8FCQ06pjM_Bn+kJNdBgEC0tRHVtUXdb0fQGA@mail.gmail.com>
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Subject: Re: THIS IS A TEST
Date: Thu, 7 Jul 2011 02:42:49 +0100
Organization: EarthLight Productions
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I have to admit that in the last week I've wondered if this was the end of 
the mail list...

-----Original Message----- 
From: Jim Goodin
Sent: Thursday, July 07, 2011 2:30 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: THIS IS A TEST

Did I miss something? Iis Loopers moving to a FB gtoup instead of the
list mail or is the group an add'l?

Txj jim

On 7/6/11, Jeff Duke <jeffloops@gmail.com> wrote:
> 5x5 good buddy!
>
> On Wed, Jul 6, 2011 at 9:22 PM, mark francombe
> <mark@markfrancombe.com>wrote:
>
>> Loud and clear here Ted!
>>
>> On Thu, Jul 7, 2011 at 2:59 AM, tEd ® KiLLiAn
>> <tedkillian@charter.net>wrote:
>>
>>> ONLY A TEST
>>>
>>>
>>
>>
>> --
>> *Mark Francombe*
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>>
>

-- 
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin &
Peter Thörn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 01:59:40 2011
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Date: Wed, 6 Jul 2011 21:59:38 -0400
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Subject: Re: THIS IS A TEST
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To: Stephen Goodman <spgoodman@earthlight.net>, Loopers-Delight@loopers-delight.com
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Good so I'm not only one who is confuzed Stephen.  This seems liKe an
add'l FB group to allow for more content posting similiar to Post
Minimlaism and Afterhours.

On 7/6/11, Stephen Goodman <spgoodman@earthlight.net> wrote:
> I have to admit that in the last week I've wondered if this was the end o=
f
> the mail list...
>
> -----Original Message-----
> From: Jim Goodin
> Sent: Thursday, July 07, 2011 2:30 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: THIS IS A TEST
>
> Did I miss something? Iis Loopers moving to a FB gtoup instead of the
> list mail or is the group an add'l?
>
> Txj jim
>
> On 7/6/11, Jeff Duke <jeffloops@gmail.com> wrote:
>> 5x5 good buddy!
>>
>> On Wed, Jul 6, 2011 at 9:22 PM, mark francombe
>> <mark@markfrancombe.com>wrote:
>>
>>> Loud and clear here Ted!
>>>
>>> On Thu, Jul 7, 2011 at 2:59 AM, tEd =AE KiLLiAn
>>> <tedkillian@charter.net>wrote:
>>>
>>>> ONLY A TEST
>>>>
>>>>
>>>
>>>
>>> --
>>> *Mark Francombe*
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> http://vimeo.com/user825094
>>> http://www.looop.no
>>> twitter @markfrancombe
>>>
>>
>
> --
> Sent from my mobile device
>
> *From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodi=
n &
> Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 02:00:21 2011
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Date: Wed, 6 Jul 2011 19:00:16 -0700
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From: Violet Xoxox <violet@missviolet.com>
Subject: Re: THIS IS A TEST
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>ONLY A TEST

Hmmm.  Are some of you not receiving list mail?

We've been in the process of cleaning up the archive and made some changes
a couple of weeks back to stop the horrific amount of spam from going to
the archives (seems spammers had gotten hold of the archive address).  But
I'm wondering if the spam filtering may be too extreme and is affecting the
list itself.

Can anyone tell me what they've been experiencing?  Take a look at the
recent archives and see if there are messages you haven't been receiving,
and if something's going haywire, we'll get it fixed. :)

Violet
xoxox

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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: THIS IS A TEST
Date: Wed, 6 Jul 2011 19:06:38 -0700
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Well, the cool thing about the FB page is that you can post music, =20
video and pictures.

I would not like to ever think of the old LD list going away.

But sometimes I have wish for a little loosening of the "no file =20
attachments" rule.

Hopefully the two can coexist.

Damn!

I've spent the last 15 years up here (come this October).

I feel more connected to some of you than I do to some of my own =20
biological family.

Let's hope it keep going for a good while yet.


On Jul 6, 2011, at 6:59 PM, Jim Goodin wrote:

> Good so I'm not only one who is confuzed Stephen.  This seems liKe an
> add'l FB group to allow for more content posting similiar to Post
> Minimlaism and Afterhours.
>
> On 7/6/11, Stephen Goodman <spgoodman@earthlight.net> wrote:
>> I have to admit that in the last week I've wondered if this was the =20=

>> end of
>> the mail list...
>>
>> -----Original Message-----
>> From: Jim Goodin
>> Sent: Thursday, July 07, 2011 2:30 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: THIS IS A TEST
>>
>> Did I miss something? Iis Loopers moving to a FB gtoup instead of the
>> list mail or is the group an add'l?
>>
>> Txj jim
>>
>> On 7/6/11, Jeff Duke <jeffloops@gmail.com> wrote:
>>> 5x5 good buddy!
>>>
>>> On Wed, Jul 6, 2011 at 9:22 PM, mark francombe
>>> <mark@markfrancombe.com>wrote:
>>>
>>>> Loud and clear here Ted!
>>>>
>>>> On Thu, Jul 7, 2011 at 2:59 AM, tEd =AE KiLLiAn
>>>> <tedkillian@charter.net>wrote:
>>>>
>>>>> ONLY A TEST
>>>>>
>>>>>
>>>>
>>>>
>>>> --
>>>> *Mark Francombe*
>>>> www.markfrancombe.com
>>>> www.ordoabkhao.com
>>>> http://vimeo.com/user825094
>>>> http://www.looop.no
>>>> twitter @markfrancombe
>>>>
>>>
>>
>> --
>> Sent from my mobile device
>>
>> *=46rom Brooklyn To Glindran*, a new World/Free Jazz recording by Jim =
=20
>> Goodin &
>> Peter Th=F6rn.  Proceeds
>> from the sale of this CD will benefit JDRF International.
>> jimgoodinpeterthorn.bandcamp.com.
>>
>> woodandwiremusic.wordpress.com
>>
>>
>
> --=20
> Sent from my mobile device
>
> *=46rom Brooklyn To Glindran*, a new World/Free Jazz recording by Jim =20=

> Goodin &
> Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 02:28:49 2011
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Subject: OT: Some recent free and nice guitar VSTs
From: Art Simon <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
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--0016e64761e6066cdd04a7717a56
Content-Type: text/plain; charset=ISO-8859-1

Just a heads up on some nice freeware. I hadn't really checked for free
guitar VST software in a while. I stumbled on the Guitar Amp Modelling
forum<http://www.guitarampmodeling.com/>,
and I was pleasantly surprised to find three VSTs that I really like.

NRR1
<http://bedroomproducersblog.com/2010/11/13/ignite-amps-releases-nrr1-a-freeware-amp-sim-vst/>"was
fully coded in C++ and spent 11 months in development. Its concept is
loosely based on a *Soldano X88R* guitar amp"  You'll need a cabinet
simulation to use with it, I've been using the free
OURcabinetsimulator<http://www.kvraudio.com/get/3381.html>
.

Acme Bar Gig's Shred <http://www.acmebargig.com/product/shred/> is a
complete suite with a cabinet emulator and effects.

TSE808 <http://www.theserinaexperiment.net/forum/viewtopic.php?f=8&t=36>is a
well done simulation of the Ibanez Tube Screamer.that works nicely with
NRR1.

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016e64761e6066cdd04a7717a56
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just a heads up on some nice freeware. I hadn&#39;t really checked for free=
 guitar VST software in a while. I stumbled on the <a href=3D"http://www.gu=
itarampmodeling.com/">Guitar Amp Modelling forum</a>, and I was pleasantly =
surprised to find three VSTs that I really like.<br>
<br><a href=3D"http://bedroomproducersblog.com/2010/11/13/ignite-amps-relea=
ses-nrr1-a-freeware-amp-sim-vst/">NRR1 </a>&quot;was fully coded in C++ and=
 spent 11 months in development.<span id=3D"more-2261"></span> Its concept =
is loosely based on a=A0<strong style=3D"font-weight: normal;">Soldano X88R=
</strong> guitar amp&quot;=A0 You&#39;ll need a cabinet simulation to use w=
ith it, I&#39;ve been using the free <a href=3D"http://www.kvraudio.com/get=
/3381.html">OURcabinetsimulator</a>.<br>
<br><a href=3D"http://www.acmebargig.com/product/shred/">Acme Bar Gig&#39;s=
 Shred</a> is a complete suite with a cabinet emulator and effects.<br><br>=
<a href=3D"http://www.theserinaexperiment.net/forum/viewtopic.php?f=3D8&amp=
;t=3D36">TSE808 </a>is a well done simulation of the Ibanez Tube Screamer.t=
hat works nicely with NRR1.<br clear=3D"all">
<br>-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com">simart@gmail.co=
m</a><br>myspace [dot] com/artsimon<br>

--0016e64761e6066cdd04a7717a56--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 02:50:15 2011
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Date: Wed, 6 Jul 2011 19:50:11 -0700
To: Loopers-Delight@loopers-delight.com
From: Violet Xoxox <violet@loopers-delight.com>
Subject: Re: THIS IS A TEST
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Ted wrote:
>But sometimes I have wish for a little loosening of the "no file
>attachments" rule.

Well, there's a VERY good reason for not allowing attachments, and we found
out the hard way many years ago: viruses.

All it takes is for one list member to be infected by a virus (or worm or
trojan), and then once that person's computer is infected, the virus has
access to their address book and starts sending itself (as an attachment)
to everyone in it.  And when the virus sends itself to Looper's Delight,
everyone on the list [with a PC] who opens it gets infected.  And people
*do* open it because they think, "Oh, hey, look, my good friend List Member
X has sent this attachment. I bet it's a really cool looping thing!"  And
then all of *those* infected computers start sending the virus to the list.

It's a nightmare!

Violet
xoxox



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Date: Thu, 7 Jul 2011 01:04:10 -0400
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Subject: Re: THIS IS A TEST
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Violet agreed re no attach rule. I have however only been receiving
the FB group posts.  I have not contributed to it, I do think its a
good thing but would not like to see the list mail go away.  Thx jim

On 7/6/11, Violet Xoxox <violet@loopers-delight.com> wrote:
> Ted wrote:
>>But sometimes I have wish for a little loosening of the "no file
>>attachments" rule.
>
> Well, there's a VERY good reason for not allowing attachments, and we fou=
nd
> out the hard way many years ago: viruses.
>
> All it takes is for one list member to be infected by a virus (or worm or
> trojan), and then once that person's computer is infected, the virus has
> access to their address book and starts sending itself (as an attachment)
> to everyone in it.  And when the virus sends itself to Looper's Delight,
> everyone on the list [with a PC] who opens it gets infected.  And people
> *do* open it because they think, "Oh, hey, look, my good friend List Memb=
er
> X has sent this attachment. I bet it's a really cool looping thing!"  And
> then all of *those* infected computers start sending the virus to the lis=
t.
>
> It's a nightmare!
>
> Violet
> xoxox
>
>
>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

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I think the list is 

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Stupid iPod

I think the FB page is great for sharing vids etc, but the list is still the=
 place for long discussions about mobius scripting etc etc. I can't see why p=
eople would stop using it.=20=

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 08:01:01 2011
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From: Violet Xoxox <violet@missviolet.com>
Subject: Re: THIS IS A TEST
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Jim Goodin <jimgoodinmusic@gmail.com> wrote:
>Violet agreed re no attach rule. I have however only been receiving
>the FB group posts.  I have not contributed to it, I do think its a
>good thing but would not like to see the list mail go away.  Thx jim

Gah, really?  So no list mail at all???  Well crap, we've tightened one of
these lug nuts a little too much.

When did you stop receiving stuff from the list?  Any details you (or
anyone else) can provide will help.

Wait ... if you're not getting list mail, how did you see my post?

I just noticed earlier that the site is wonky, too.  The wrong section is
showing up as the entry page, and the actual entry page is showing up
somewhere else.  Fabulous.  It must have gotten messed up when we
regenerated the archive to remove spam.  We updated a few more things, or
tried to.  One change that should have been really simple caused the entire
site to go haywire when we regenerated the pages, and that's probably what
caused the entry page to get farked up.  We reversed the change right
after, reverting to a backup copy.  That was supposed to put things as they
were before.  Seems it didn't.  Surprise!

Websites ... never a dull moment.  Restructuring this puppy is going to be
a major undertaking.  I never should have let Kim touch that website
creation program.  LOL  I can't even figure out what he did in some spots.
Or why.  It's a mess.  I'm not surprised he stopped updating it.

(Yay, we just got the entry page changed back properly as I was getting
ready to send this.  So ignore the part where I mentioned that.)

Violet
xoxox

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--90e6ba6e8552a71a1d04a77b323b
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On Thu, Jul 7, 2011 at 4:06 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wro=
te:

> Well, the cool thing about the FB page
>


Theres a Facebook page? No-one tells me nuffink...

--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8552a71a1d04a77b323b
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<br><br><div class=3D"gmail_quote">On Thu, Jul 7, 2011 at 4:06 AM, tEd =AE =
KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">ted=
killian@charter.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;=
">

Well, the cool thing about the FB page<br clear=3D"all"></blockquote><div><=
br><br>Theres a Facebook page? No-one tells me nuffink... <br></div></div><=
br>-- <br><i style=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 25=
5);background-color:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,s=
ans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8552a71a1d04a77b323b--

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Very much in agreement!!!

On Jul 7, 2011, at 12:31 AM, Simeon Harris wrote:

> I think the FB page is great for sharing vids etc, but the list is  
> still the place for long discussions about mobius scripting etc etc.  
> I can't see why people would stop using it.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 14:17:23 2011
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Subject: OT: more Logic hell... this time .. control assignments!
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--90e6ba2124612a27a204a77b6019
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Anyone know why I cant get my controll assignments for the transport buttons
to work. Im using a 61 key Axiom keyboard. and Im positioned far away from
my laptop.. so I need those rewind play and record buttons to work... I
followed these...
http://audio.tutsplus.com/tutorials/recording/how-to-configure-your-axiom-control-surface-with-logic-pro-9/

...instructions, but they are VERY intermitant, if they work at all.. In
fact I see some number on the transport increasing by one as I press the
button ive assigned, and occasionaly (different for each button) it WILL
fire off the required control and Logic will Play/stop etc...

I have had nothing but trouble form Logic, am really hating it.. I kep
plugging away because, a) I paid for it.. and b) its supposed to be good
aint it? I just know that when ever I have to use it again, I spend more
time configuring and fiddling than playing.. thats not good...

bring back Reason, all is forgiven...

Mark

PS: I just got my PPL statement and noticed that Steve Reichs *Music for 18
Musicians (Section II) Is the 10th most played classical record of 2010...
cool!

M
*


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba2124612a27a204a77b6019
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Anyone know why I cant get my controll assignments for the transport button=
s to work. Im using a 61 key Axiom keyboard. and Im positioned far away fro=
m my laptop.. so I need those rewind play and record buttons to work... I f=
ollowed these...<br>

<a href=3D"http://audio.tutsplus.com/tutorials/recording/how-to-configure-y=
our-axiom-control-surface-with-logic-pro-9/">http://audio.tutsplus.com/tuto=
rials/recording/how-to-configure-your-axiom-control-surface-with-logic-pro-=
9/</a><br>

<br>...instructions, but they are VERY intermitant, if they work at all.. I=
n fact I see some number on the transport increasing by one as I press the =
button ive assigned, and occasionaly (different for each button) it WILL fi=
re off the required control and Logic will Play/stop etc...<br>

<br>I have had nothing but trouble form Logic, am really hating it.. I kep =
plugging away because, a) I paid for it.. and b) its supposed to be good ai=
nt it? I just know that when ever I have to use it again, I spend more time=
 configuring and fiddling than playing.. thats not good...<br>

<br>bring back Reason, all is forgiven...<br clear=3D"all"><br>Mark<br><br>=
PS: I just got my PPL statement and noticed that Steve Reichs <em>Music for=
 18 Musicians (Section II) Is the 10th most played classical record of 2010=
... cool!<br>

<br>M<br></em><br><br><br>-- <br><i style=3D"font-family:verdana,sans-serif=
;color:rgb(255, 255, 255);background-color:rgb(0, 0, 0)"><font style=3D"fon=
t-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></=
i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba2124612a27a204a77b6019--

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Date: Thu, 7 Jul 2011 10:58:33 -0400
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Subject: Re: OT: more Logic hell... this time .. control assignments!
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--============_-902071779==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"


Mark,

  Try the "controller assignments" window (Logic->Preferences->Control 
Surfaces,  be sure to  "reset all controller assignments"..

It's not difficult, and as always be sure to RTFM...

-Chuck



>Anyone know why I cant get my controll assignments for the transport 
>buttons to work. Im using a 61 key Axiom keyboard. and Im positioned 
>far away from my laptop.. so I need those rewind play and record 
>buttons to work... I followed these...
><http://audio.tutsplus.com/tutorials/recording/how-to-configure-your-axiom-control-surface-with-logic-pro-9/>http://audio.tutsplus.com/tutorials/recording/how-to-configure-your-axiom-control-surface-with-logic-pro-9/
>
>...instructions, but they are VERY intermitant, if they work at 
>all.. In fact I see some number on the transport increasing by one 
>as I press the button ive assigned, and occasionaly (different for 
>each button) it WILL fire off the required control and Logic will 
>Play/stop etc...
>
>I have had nothing but trouble form Logic, am really hating it.. I 
>kep plugging away because, a) I paid for it.. and b) its supposed to 
>be good aint it? I just know that when ever I have to use it again, 
>I spend more time configuring and fiddling than playing.. thats not 
>good...
>
>bring back Reason, all is forgiven...
>
>Mark
>
>PS: I just got my PPL statement and noticed that Steve Reichs Music 
>for 18 Musicians (Section II) Is the 10th most played classical 
>record of 2010... cool!
>
>M
>
>
>
>--
>Mark Francombe
><http://www.markfrancombe.com/>www.markfrancombe.com
><http://www.ordoabkhao.com/>www.ordoabkhao.com
><http://vimeo.com/user825094>http://vimeo.com/user825094
><http://www.looop.no/>http://www.looop.no
>twitter @markfrancombe


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-902071779==_ma============
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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT: more Logic hell... this time .. control
assignment</title></head><body>
<div><br></div>
<div>Mark,</div>
<div><br></div>
<div>&nbsp;Try the &quot;controller assignments&quot; window
(Logic-&gt;Preferences-&gt;Control Surfaces,&nbsp; be sure to&nbsp;
&quot;reset all controller assignments&quot;.. </div>
<div><br></div>
<div>It's not difficult, and as always be sure to RTFM...</div>
<div><br></div>
<div>-Chuck</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Anyone know why I cant get my controll
assignments for the transport buttons to work. Im using a 61 key Axiom
keyboard. and Im positioned far away from my laptop.. so I need those
rewind play and record buttons to work... I followed
these...</blockquote>
<blockquote type="cite" cite><a
href=
"http://audio.tutsplus.com/tutorials/recording/how-to-configure-your-axiom-control-surface-with-logic-pro-9/"><span
></span
>http://audio.tutsplus.com/tutorials/recording/how-to-configure-your-<span
></span>axiom-control-surface-with-logic-pro-9/</a><br>
<br>
...instructions, but they are VERY intermitant, if they work at all..
In fact I see some number on the transport increasing by one as I
press the button ive assigned, and occasionaly (different for each
button) it WILL fire off the required control and Logic will Play/stop
etc...<br>
<br>
I have had nothing but trouble form Logic, am really hating it.. I kep
plugging away because, a) I paid for it.. and b) its supposed to be
good aint it? I just know that when ever I have to use it again, I
spend more time configuring and fiddling than playing.. thats not
good...<br>
<br>
bring back Reason, all is forgiven...<br>
<br>
Mark<br>
<br>
PS: I just got my PPL statement and noticed that Steve Reichs<i> Music
for 18 Musicians (Section II) Is the 10th most played classical record
of 2010... cool!<br>
<br>
M<br>
</i><br>
<br>
<br>
--<br>
<font size="+1"><u><i>Mark Francombe</i></u></font><br>
<a href="http://www.markfrancombe.com/"><font
size="-2">www.markfrancombe.com</font></a><font size="-2"><br>
</font><a href="http://www.ordoabkhao.com/"><font
size="-2">www.ordoabkhao.com</font></a><font size="-2"><br>
</font><a href="http://vimeo.com/user825094"><font
size="-2">http://vimeo.com/user825094</font></a><font size="-2"><br>
</font><a href="http://www.looop.no/"><font
size="-2">http://www.looop.no</font></a><font size="-2"><br>
twitter @markfrancombe</font></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-902071779==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 15:47:24 2011
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Subject: Re: THIS IS A TEST
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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How about a link to FB page?
Sylvain

On Thu, Jul 7, 2011 at 10:11 AM, tEd =AE KiLLiAn <tedkillian@charter.net> w=
rote:
> Very much in agreement!!!
>
> On Jul 7, 2011, at 12:31 AM, Simeon Harris wrote:
>
>> I think the FB page is great for sharing vids etc, but the list is still
>> the place for long discussions about mobius scripting etc etc. I can't s=
ee
>> why people would stop using it.
>
>

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Date: Thu, 07 Jul 2011 17:59:35 +0200
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Oh, Ted - attaching files is sooooo Nineties!
If you want to share something with us, put it somewhere and send us a link.
Music? Audioboo. Longer music? Soundcloud, Bandcamp. Pictures? Flickr, 
Picasa. Text documents etc.? Google Docs. Don't like any of this? Use 
your own website...

          Rainer

(who likes the list just the way it is and because it is the way it is)
> Ted wrote:
>   
>> But sometimes I have wish for a little loosening of the "no file
>> attachments" rule.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: THIS IS A TEST
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http://www.facebook.com/groups/LoopersDelight?ap=1

On Thu, Jul 7, 2011 at 4:47 PM, Sylvain Poitras
<sylvain.trombone@gmail.com>wrote:

> How about a link to FB page?
> Sylvain
>
>

--000e0cd48de44d3e2104a77cd1c1
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<a href=3D"http://www.facebook.com/groups/LoopersDelight?ap=3D1">http://www=
.facebook.com/groups/LoopersDelight?ap=3D1</a><br><br><div class=3D"gmail_q=
uote">On Thu, Jul 7, 2011 at 4:47 PM, Sylvain Poitras <span dir=3D"ltr">&lt=
;<a href=3D"mailto:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</=
a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">How about a link to FB page?<br>
Sylvain<br><br></blockquote></div>

--000e0cd48de44d3e2104a77cd1c1--

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Subject: Re: OT: more Logic hell... this time .. control assignments!
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Hey charles... I am RTFM.. following them like the bible... bit unclear
frankely hence me using a better online tut......but as I said, its NOT
working correctly... I might give your "reset all controller assignments
suggestion" a go... but if its anything lke any other program Ive used, to
reset the assignment I working on (deleting as Logic calls it) should be
enough...

I might be on to something else, it seems to be a issue with the Axiom
keyboards... there seems to be some difference of opinion on the work
around... trying all approaches as we speak.. but again a whole day wasted,
reading fucking manuals than music making..!

God!!!  This program, and what Apple have done with Final Cut ProX, and I
might be heading back to PC, or to Adobe at least...

God help us all!


Mark

On Thu, Jul 7, 2011 at 4:58 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

> **
>
> Mark,
>
>  Try the "controller assignments" window (Logic->Preferences->Control
> Surfaces,  be sure to  "reset all controller assignments"..
>
> It's not difficult, and as always be sure to RTFM...
>
> -Chuck
>
>
>
> Anyone know why I cant get my controll assignments for the transport
> buttons to work. Im using a 61 key Axiom keyboard. and Im positioned far
> away from my laptop.. so I need those rewind play and record buttons to
> work... I followed these...
>
> http://audio.tutsplus.com/tutorials/recording/how-to-configure-your-
> axiom-control-surface-with-logic-pro-9/
>
> ...instructions, but they are VERY intermitant, if they work at all.. In
> fact I see some number on the transport increasing by one as I press the
> button ive assigned, and occasionaly (different for each button) it WILL
> fire off the required control and Logic will Play/stop etc...
>
> I have had nothing but trouble form Logic, am really hating it.. I kep
> plugging away because, a) I paid for it.. and b) its supposed to be good
> aint it? I just know that when ever I have to use it again, I spend more
> time configuring and fiddling than playing.. thats not good...
>
> bring back Reason, all is forgiven...
>
> Mark
>
> PS: I just got my PPL statement and noticed that Steve Reichs* Music for
> 18 Musicians (Section II) Is the 10th most played classical record of
> 2010... cool!
>
> M
> *
>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>
>
>
> **
>
> --
>
> **
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e82c0ed4f7304a77cee93
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey charles... I am RTFM.. following them like the bible... bit unclear fra=
nkely hence me using a better online tut......but as I said, its NOT workin=
g correctly... I might give your &quot;reset all controller assignments sug=
gestion&quot; a go... but if its anything lke any other program Ive used, t=
o reset the assignment I working on (deleting as Logic calls it) should be =
enough...<br>

<br>I might be on to something else, it seems to be a issue with the Axiom =
keyboards... there seems to be some difference of opinion on the work aroun=
d... trying all approaches as we speak.. but again a whole day wasted, read=
ing fucking manuals than music making..!<br>

<br>God!!!=A0 This program, and what Apple have done with Final Cut ProX, a=
nd I might be heading back to PC, or to Adobe at least...<br><br>God help u=
s all!<br><br><br>Mark<br><br><div class=3D"gmail_quote">On Thu, Jul 7, 201=
1 at 4:58 PM, Charles Zwicky <span dir=3D"ltr">&lt;<a href=3D"mailto:cazwic=
ky@earthlink.net">cazwicky@earthlink.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><u></u>
<div>
<div><br></div>
<div>Mark,</div>
<div><br></div>
<div>=A0Try the &quot;controller assignments&quot; window
(Logic-&gt;Preferences-&gt;Control Surfaces,=A0 be sure to=A0
&quot;reset all controller assignments&quot;.. </div>
<div><br></div>
<div>It&#39;s not difficult, and as always be sure to RTFM...</div>
<div><br></div>
<div>-Chuck</div><div><div></div><div class=3D"h5">
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite">Anyone know why I cant get my controll
assignments for the transport buttons to work. Im using a 61 key Axiom
keyboard. and Im positioned far away from my laptop.. so I need those
rewind play and record buttons to work... I followed
these...</blockquote>
<blockquote type=3D"cite"><a href=3D"http://audio.tutsplus.com/tutorials/re=
cording/how-to-configure-your-axiom-control-surface-with-logic-pro-9/" targ=
et=3D"_blank"><span></span>http://audio.tutsplus.com/tutorials/recording/ho=
w-to-configure-your-<span></span>axiom-control-surface-with-logic-pro-9/</a=
><br>


<br>
...instructions, but they are VERY intermitant, if they work at all..
In fact I see some number on the transport increasing by one as I
press the button ive assigned, and occasionaly (different for each
button) it WILL fire off the required control and Logic will Play/stop
etc...<br>
<br>
I have had nothing but trouble form Logic, am really hating it.. I kep
plugging away because, a) I paid for it.. and b) its supposed to be
good aint it? I just know that when ever I have to use it again, I
spend more time configuring and fiddling than playing.. thats not
good...<br>
<br>
bring back Reason, all is forgiven...<br>
<br>
Mark<br>
<br>
PS: I just got my PPL statement and noticed that Steve Reichs<i> Music
for 18 Musicians (Section II) Is the 10th most played classical record
of 2010... cool!<br>
<br>
M<br>
</i><br>
<br>
<br>
--<br>
<font size=3D"+1"><u><i>Mark Francombe</i></u></font><br>
<a href=3D"http://www.markfrancombe.com/" target=3D"_blank"><font size=3D"-=
2">www.markfrancombe.com</font></a><font size=3D"-2"><br>
</font><a href=3D"http://www.ordoabkhao.com/" target=3D"_blank"><font size=
=3D"-2">www.ordoabkhao.com</font></a><font size=3D"-2"><br>
</font><a href=3D"http://vimeo.com/user825094" target=3D"_blank"><font size=
=3D"-2">http://vimeo.com/user825094</font></a><font size=3D"-2"><br>
</font><a href=3D"http://www.looop.no/" target=3D"_blank"><font size=3D"-2"=
>http://www.looop.no</font></a><font size=3D"-2"><br>
twitter @markfrancombe</font></blockquote>
<div><br></div>
<div><br></div>
<u></u></div></div><pre>--=20
</pre><u></u>
<div><br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a></div>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family=
:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, 0, 0)"=
><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Fra=
ncombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e82c0ed4f7304a77cee93--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 16:11:25 2011
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Subject: Re: OT: more Logic hell... this time .. control assignments!
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--90e6ba6e8552dfeee104a77cf7e0
Content-Type: text/plain; charset=ISO-8859-1

OH and while Im at it, how the BLOODY HELL do I pitch a clip on the
timeline? I can just regular old transpose, or reverse for than matter?

On Thu, Jul 7, 2011 at 4:16 PM, mark francombe <mark@markfrancombe.com>wrote:

> Anyone know why I cant get my controll assignments for the transport
> buttons to work. Im using a 61 key Axiom keyboard. and Im positioned far
> away from my laptop.. so I need those rewind play and record buttons to
> work... I followed these...
>
> http://audio.tutsplus.com/tutorials/recording/how-to-configure-your-axiom-control-surface-with-logic-pro-9/
>
> ...instructions, but they are VERY intermitant, if they work at all.. In
> fact I see some number on the transport increasing by one as I press the
> button ive assigned, and occasionaly (different for each button) it WILL
> fire off the required control and Logic will Play/stop etc...
>
> I have had nothing but trouble form Logic, am really hating it.. I kep
> plugging away because, a) I paid for it.. and b) its supposed to be good
> aint it? I just know that when ever I have to use it again, I spend more
> time configuring and fiddling than playing.. thats not good...
>
> bring back Reason, all is forgiven...
>
> Mark
>
> PS: I just got my PPL statement and noticed that Steve Reichs *Music for
> 18 Musicians (Section II) Is the 10th most played classical record of
> 2010... cool!
>
> M
> *
>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8552dfeee104a77cf7e0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OH and while Im at it, how the BLOODY HELL do I pitch a clip on the timelin=
e? I can just regular old transpose, or reverse for than matter?<br><br><di=
v class=3D"gmail_quote">On Thu, Jul 7, 2011 at 4:16 PM, mark francombe <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranco=
mbe.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Anyone know why I cant get my controll assi=
gnments for the transport buttons to work. Im using a 61 key Axiom keyboard=
. and Im positioned far away from my laptop.. so I need those rewind play a=
nd record buttons to work... I followed these...<br>


<a href=3D"http://audio.tutsplus.com/tutorials/recording/how-to-configure-y=
our-axiom-control-surface-with-logic-pro-9/" target=3D"_blank">http://audio=
.tutsplus.com/tutorials/recording/how-to-configure-your-axiom-control-surfa=
ce-with-logic-pro-9/</a><br>


<br>...instructions, but they are VERY intermitant, if they work at all.. I=
n fact I see some number on the transport increasing by one as I press the =
button ive assigned, and occasionaly (different for each button) it WILL fi=
re off the required control and Logic will Play/stop etc...<br>


<br>I have had nothing but trouble form Logic, am really hating it.. I kep =
plugging away because, a) I paid for it.. and b) its supposed to be good ai=
nt it? I just know that when ever I have to use it again, I spend more time=
 configuring and fiddling than playing.. thats not good...<br>


<br>bring back Reason, all is forgiven...<br clear=3D"all"><br>Mark<br><br>=
PS: I just got my PPL statement and noticed that Steve Reichs <i>Music for =
18 Musicians (Section II) Is the 10th most played classical record of 2010.=
.. cool!<br>


<br>M<br></i><font color=3D"#888888"><br><br><br>-- <br><i style=3D"font-fa=
mily:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, 0,=
 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark=
 Francombe</u></font></i><br>


<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">


<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>


twitter @markfrancombe</font><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0,=
 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>M=
ark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8552dfeee104a77cf7e0--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 17:19:40 2011
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Subject: Re: OT: more Logic hell... this time .. control assignments!
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 7, 2011 at 6:11 PM, mark francombe <mark@markfrancombe.com> wrote:
> OH and while Im at it, how the BLOODY HELL do I pitch a clip on the
> timeline? I can just regular old transpose, or reverse for than matter?


Three ways I know about in Logic that would answer your question:

1) If working with Apple Loops (guessing that is what you mean by "a
clip"?) you double-click inside the global transposition track
(guessing that is what you mean by "the timeline"?) to place a node.
Then drag nodes up or down in pitch to transpose the playing loops. I
think this is a tedious way and prefer simply lasso selecting certain
apple loops in the arrange window and chose a value for the
Transposition playback parameter in the Inspector to the left. If you
have a long apple loop that needs to be transposed at a point within
its duration I still prefer the faster arrange window method: simply
cut the loop and transpose the coming part different! Crossfading for
smooth transition over the cut (Inspector setting applied to selected
part or using the crossfade mouse tool).
2) Open the audio file in the sample editor and transpose the file
destructively (double-clicking the audio region).
3) Select the audio region and activate "Follow Tempo" by ticking the
so called box in the Inspector on the left side (only works for audio
you have recorded, not for "canned samples").

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 18:27:03 2011
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Subject: Set-Up
From: Kevin Cheli-Colando <billowhead@gmail.com>
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I sometimes worry I spend more time envisioning the perfect rig,
cases, projection system, etc than I do actually playing, but I'm
going to ask this anyway.

It seems that the amount of gear I want to have available to play out
with just keeps growing; between laptops, projectors, hardware and
instruments, its become a lot of stuff to travel with and actually
have usefully available for performance.

So with that in mind, what are the solutions people have come up with
for traveling and performing with a large variety of gear?

I'm looking toward the most compact and easy to set up kind of tips
so, anybody feeling like bragging about or sharing their solutions?

Kevin
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Date: Thu, 7 Jul 2011 20:29:29 +0200
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Instrument, laptop, audio interface, MIDI control surface, tooth
brush, sleeping bag.

Per Boysen



On Thu, Jul 7, 2011 at 8:27 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> I sometimes worry I spend more time envisioning the perfect rig,
> cases, projection system, etc than I do actually playing, but I'm
> going to ask this anyway.
>
> It seems that the amount of gear I want to have available to play out
> with just keeps growing; between laptops, projectors, hardware and
> instruments, its become a lot of stuff to travel with and actually
> have usefully available for performance.
>
> So with that in mind, what are the solutions people have come up with
> for traveling and performing with a large variety of gear?
>
> I'm looking toward the most compact and easy to set up kind of tips
> so, anybody feeling like bragging about or sharing their solutions?
>
> Kevin
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=C2=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 18:39:42 2011
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Subject: Re: Set-Up
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Any more details?  Like how you arrange things, cabling, furniture or
particular gear, etc.

And how do you connect the toothbrush?

Kevin

On Thu, Jul 7, 2011 at 11:29 AM, Per Boysen <perboysen@gmail.com> wrote:
> Instrument, laptop, audio interface, MIDI control surface, tooth
> brush, sleeping bag.
>
> Per Boysen
>
>
>
> On Thu, Jul 7, 2011 at 8:27 PM, Kevin Cheli-Colando
> <billowhead@gmail.com> wrote:
>> I sometimes worry I spend more time envisioning the perfect rig,
>> cases, projection system, etc than I do actually playing, but I'm
>> going to ask this anyway.
>>
>> It seems that the amount of gear I want to have available to play out
>> with just keeps growing; between laptops, projectors, hardware and
>> instruments, its become a lot of stuff to travel with and actually
>> have usefully available for performance.
>>
>> So with that in mind, what are the solutions people have come up with
>> for traveling and performing with a large variety of gear?
>>
>> I'm looking toward the most compact and easy to set up kind of tips
>> so, anybody feeling like bragging about or sharing their solutions?
>>
>> Kevin
>> --
>> Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all troubl=
e.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:=A0 http://www.minds-eye.org
>> Video http://www.vimeo.com/user877640/videos
>>
>>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 19:59:08 2011
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Subject: Re: THIS IS A TEST
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Violet this thread began by Ted was the only non FB related email form
the list I have received in several days. Not sure how this one gOt
through.
Jim

On 7/7/11, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> Violet agreed re no attach rule. I have however only been receiving
> the FB group posts.  I have not contributed to it, I do think its a
> good thing but would not like to see the list mail go away.  Thx jim
>
> On 7/6/11, Violet Xoxox <violet@loopers-delight.com> wrote:
>> Ted wrote:
>>>But sometimes I have wish for a little loosening of the "no file
>>>attachments" rule.
>>
>> Well, there's a VERY good reason for not allowing attachments, and we
>> found
>> out the hard way many years ago: viruses.
>>
>> All it takes is for one list member to be infected by a virus (or worm o=
r
>> trojan), and then once that person's computer is infected, the virus has
>> access to their address book and starts sending itself (as an attachment=
)
>> to everyone in it.  And when the virus sends itself to Looper's Delight,
>> everyone on the list [with a PC] who opens it gets infected.  And people
>> *do* open it because they think, "Oh, hey, look, my good friend List
>> Member
>> X has sent this attachment. I bet it's a really cool looping thing!"  An=
d
>> then all of *those* infected computers start sending the virus to the
>> list.
>>
>> It's a nightmare!
>>
>> Violet
>> xoxox
>>
>>
>>
>>
>
> --
> Sent from my mobile device
>
> *From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodi=
n
> &
> Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 20:01:52 2011
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Subject: Re: OT: more Logic hell... this time .. control assignments!
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--90e6ba6e8cd4065c4e04a78030b4
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Interesting things to try here.. thx as always Per... a question of terms
here.. when you say Apple Loops... Is this what I would call "midi loops" as
in the premade loops that come with Logic, for use in their synths? What of
"Samples" as in audio files.. can I not transpose these in the "timeline" (I
tried destructive editting in the sample editor and found this less than
usefull, as I had to re-launch the project to Undo!!! I come from a PS world
where Acid was so intuative for manipulating audio... I just chopped up my
sound file on the timelime, and added or subtracted semitones per chucnk to
"play" the sample.. Logic surely has a way to do this, but im damned if I
can find it!


Mark





On Thu, Jul 7, 2011 at 7:19 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Jul 7, 2011 at 6:11 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > OH and while Im at it, how the BLOODY HELL do I pitch a clip on the
> > timeline? I can just regular old transpose, or reverse for than matter?
>
>
> Three ways I know about in Logic that would answer your question:
>
> 1) If working with Apple Loops (guessing that is what you mean by "a
> clip"?) you double-click inside the global transposition track
> (guessing that is what you mean by "the timeline"?) to place a node.
> Then drag nodes up or down in pitch to transpose the playing loops. I
> think this is a tedious way and prefer simply lasso selecting certain
> apple loops in the arrange window and chose a value for the
> Transposition playback parameter in the Inspector to the left. If you
> have a long apple loop that needs to be transposed at a point within
> its duration I still prefer the faster arrange window method: simply
> cut the loop and transpose the coming part different! Crossfading for
> smooth transition over the cut (Inspector setting applied to selected
> part or using the crossfade mouse tool).
> 2) Open the audio file in the sample editor and transpose the file
> destructively (double-clicking the audio region).
> 3) Select the audio region and activate "Follow Tempo" by ticking the
> so called box in the Inspector on the left side (only works for audio
> you have recorded, not for "canned samples").
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8cd4065c4e04a78030b4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Interesting things to try here.. thx as always Per... a question of terms h=
ere.. when you say Apple Loops... Is this what I would call &quot;midi loop=
s&quot; as in the premade loops that come with Logic, for use in their synt=
hs? What of &quot;Samples&quot; as in audio files.. can I not transpose the=
se in the &quot;timeline&quot; (I tried destructive editting in the sample =
editor and found this less than usefull, as I had to re-launch the project =
to Undo!!! I come from a PS world where Acid was so intuative for manipulat=
ing audio... I just chopped up my sound file on the timelime, and added or =
subtracted semitones per chucnk to &quot;play&quot; the sample.. Logic sure=
ly has a way to do this, but im damned if I can find it!<br>

<br><br>Mark<br><br><br><br><br><br><div class=3D"gmail_quote">On Thu, Jul =
7, 2011 at 7:19 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perb=
oysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;=
padding-left:1ex;">

<div class=3D"im">On Thu, Jul 7, 2011 at 6:11 PM, mark francombe &lt;<a hre=
f=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<b=
r>
&gt; OH and while Im at it, how the BLOODY HELL do I pitch a clip on the<br=
>
&gt; timeline? I can just regular old transpose, or reverse for than matter=
?<br>
<br>
<br>
</div>Three ways I know about in Logic that would answer your question:<br>
<br>
1) If working with Apple Loops (guessing that is what you mean by &quot;a<b=
r>
clip&quot;?) you double-click inside the global transposition track<br>
(guessing that is what you mean by &quot;the timeline&quot;?) to place a no=
de.<br>
Then drag nodes up or down in pitch to transpose the playing loops. I<br>
think this is a tedious way and prefer simply lasso selecting certain<br>
apple loops in the arrange window and chose a value for the<br>
Transposition playback parameter in the Inspector to the left. If you<br>
have a long apple loop that needs to be transposed at a point within<br>
its duration I still prefer the faster arrange window method: simply<br>
cut the loop and transpose the coming part different! Crossfading for<br>
smooth transition over the cut (Inspector setting applied to selected<br>
part or using the crossfade mouse tool).<br>
2) Open the audio file in the sample editor and transpose the file<br>
destructively (double-clicking the audio region).<br>
3) Select the audio region and activate &quot;Follow Tempo&quot; by ticking=
 the<br>
so called box in the Inspector on the left side (only works for audio<br>
you have recorded, not for &quot;canned samples&quot;).<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0,=
 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>M=
ark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8cd4065c4e04a78030b4--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 20:24:04 2011
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Kevin Cheli-Colando schrieb:
> It seems that the amount of gear I want to have available to play out
> with just keeps growing; between laptops, projectors, hardware and
> instruments, its become a lot of stuff to travel with and actually
> have usefully available for performance.
>
> So with that in mind, what are the solutions people have come up with
> for traveling and performing with a large variety of gear?
>   
Two things:
1. integrated devices. A distortion stomp box and a filter rack effect 
doesn't make sense, a multi-effect device does. Typically, the highest 
degree of multi-purpose integration is a (I'm not saying "laptop") computer.
2. find out what you need and leave everything else at home.

Optional:
3. if 2 sometimes changes, make your setup modular. If you already use a 
computer, this is not so much a consideration, but stilll, you might 
have an optional monitor or faderbox that you don't need under all 
circumstances.

And finally:
4. the package is one of the most important aspects when it comes to 
portability.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 20:27:42 2011
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Date: Thu, 7 Jul 2011 22:27:40 +0200
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Subject: Re: OT: more Logic hell... this time .. control assignments!
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 7, 2011 at 10:01 PM, mark francombe <mark@markfrancombe.com> wrote:
> Interesting things to try here.. thx as always Per... a question of terms
> here.. when you say Apple Loops... Is this what I would call "midi loops" as
> in the premade loops that come with Logic, for use in their synths?

Might be. Apple Loops behave like audio clips that can follow tempo
and be transposed. But here comes more to complicate it: There are
green and blue apple loops. The blue is and will forever be just audio
loops but the green apple loops can be UNPACKED and then gives you the
instrument setup originally used to create that loop: The virtual
instrument, its channel strip loaded with the right effect plugins and
a midi region on the track to drive the notes. This is nifty if you
find a green loop that you like but that you wish would have "just a
little less compression, distortion" or whatever. Drop it on an
instrument track to set of the UNPACKING.

> What of
> "Samples" as in audio files.. can I not transpose these in the "timeline" (I
> tried destructive editting in the sample editor and found this less than
> usefull, as I had to re-launch the project to Undo!!! I come from a PS world
> where Acid was so intuative for manipulating audio... I just chopped up my
> sound file on the timelime, and added or subtracted semitones per chucnk to
> "play" the sample.. Logic surely has a way to do this, but im damned if I
> can find it!

That's exactly how it can be done in Logic as well!
- Scissors tools: chop, chop.
- Marker tool: select slice, or bunch of slices with the shift button down.
- Hold down mouse over the Transform field and pick the new pitch.

Per

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On Thu, Jul 7, 2011 at 10:27 PM, Per Boysen <perboysen@gmail.com> wrote:

> - Hold down mouse over the Transform field and pick the new pitch.


Its this Transform field that must be the holy grail of which I seek!
Weirdly my company name is Transform...



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba61358843f5d604a78098e3
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<br><br><div class=3D"gmail_quote">On Thu, Jul 7, 2011 at 10:27 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

- Hold down mouse over the Transform field and pick the new pitch.</blockqu=
ote></div><br>Its this Transform field that must be the holy grail of which=
 I seek!<br>Weirdly my company name is Transform...<br><br><br clear=3D"all=
">

<br>-- <br><i style=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 2=
55);background-color:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,=
sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br><font size=3D"1"=
><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markfrancombe.com/" t=
arget=3D"_blank">www.markfrancombe.com</a><br style=3D"color:rgb(51, 0, 51)=
">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordoabkhao.com/" targe=
t=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51, 0, 51)"><a st=
yle=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" target=3D=
"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=3D"_=
blank">http://www.looop.no</a><br>twitter @markfrancombe</font><br>

--90e6ba61358843f5d604a78098e3--

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Subject: Re: OT: more Logic hell... this time .. control assignments!
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On Thu, Jul 7, 2011 at 10:30 PM, mark francombe <mark@markfrancombe.com> wrote:
> Its this Transform field that must be the holy grail of which I seek!
> Weirdly my company name is Transform...


Espionage! Jobs got his eyes on you now.  Watch your steps carefully!

Per

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> And finally:
> 4. the package is one of the most important aspects when it comes to
> portability.
>

I suppose I should have been clearer in my request.  This is really
what I want to know about.  What traveling packages have people
created for maximum efficiency, expandability, gear, etc.  I want to
borrow the ideas (that I know will be fantastic) of the people on this
list.

As for myself, I have a deep love for a well designed case.  I scour
the thrift shops looking for odd cases that can be re-purposed.  My
favorite such find is a box that was used to sell Amway windows and
its a large, 2.5x2.5x1 case that opens at the top and the front face
folds down.  There is a small shelf that was inside and now I have a
very portable lighting rig that carries two oil projectors, a light
bar and a smoke machine, nearly all of which can be operated without
removing them from the case.  And I bought it for $5 (the case that
is).

Carry on,

Kevin
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 21:07:26 2011
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Subject: Re: OT: more Logic hell... this time .. control assignments!
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Marc,

Logic + controller = hell...
Sounds very familiar...

Good luck!
Buzap

-- 
NEU: FreePhone - kostenlos mobil telefonieren!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 21:11:17 2011
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I think the main decision is either:
1.) All-in-one solution: Integrate everything in a nice rack/footboard etc.
2.) Modular solution: Stay flexible by combining several components according to current need. 

-- 
Empfehlen Sie GMX DSL Ihren Freunden und Bekannten und wir
belohnen Sie mit bis zu 50,- Euro! https://freundschaftswerbung.gmx.de

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Just took the time to view it. Really beautiful!

Buzap

PS: did you use  click track on the headphones in the beginning?

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 21:18:16 2011
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Subject: Re: Set-Up
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Ok Kevin, now I understand better what you're up for. Over here I used
to use a Peli Flightcase like
http://customcases.dk/cases/peli-cases/peli-case-1650.html
but as flight regulation began kicking against my wallet I reorganized
and went for a more modular setup where things can be packed to
optimize the free check-in luggage wight. If going overseas two bags
are allowed and that's no problem. The challenge is to travel here in
Europe where you only get one trunk for free.

If I can do a concert with only a flute I pack it together with audio
interface and laptop into my cabin bag and check in everything else in
a sturdy suitcase of normal size.

If I'm about to play guitar or Stick it is a bit more tricky. I have a
good Stick case that can also take my Gordius MIDI foot pedalboard
plus the most heavy things that can be crammed into the Stick case
wrapped up in bubble plastic material. Then I check in the Stick case
and bring 8 kg of whatever left over as hand luggage on the plane in a
bag of exactly the maximal size allowed. This means there is not much
weight for cloths so I have to wear a double setup of cloths on the
plane and some detergent in the bag. Cables can be borrowed on
location and a shaving machine can be exchanged for light and small
plastic on-time razors. Since my hand controlled midi mixer is ultra
small and takes its power directly from USB I can skip over bringing a
power supply for this. When I arrive at the destination airport I
repack my things, taking out everything of the Stick case and put it
inside my cabin luggage bag. This to make the Stick case easier to
carry (I have a loose strap that I can put through its handle to carry
it hanging on one shoulder as well) and also to assemble all heavy
stuff in the cabin bag that has wheels.

Oh, a good trick is to weight one's hand luggage without the computer
since you will be asked anyway to take out your computer before
examining the hand luggage weight at the airport. So the computer can
actually be the two kilo that go above the allowed 8 kg (making 10 kg
*after* the security check). And finally, you are allowed to bring
heavy things in your pockets too - if they are not listed among the
stuff that are forbidden inside the cabin. Audio interface and power
supply transformers are typical such *pocket stuff*.

Per



On Thu, Jul 7, 2011 at 10:55 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
>> And finally:
>> 4. the package is one of the most important aspects when it comes to
>> portability.
>>
>
> I suppose I should have been clearer in my request. =C2=A0This is really
> what I want to know about. =C2=A0What traveling packages have people
> created for maximum efficiency, expandability, gear, etc. =C2=A0I want to
> borrow the ideas (that I know will be fantastic) of the people on this
> list.
>
> As for myself, I have a deep love for a well designed case. =C2=A0I scour
> the thrift shops looking for odd cases that can be re-purposed. =C2=A0My
> favorite such find is a box that was used to sell Amway windows and
> its a large, 2.5x2.5x1 case that opens at the top and the front face
> folds down. =C2=A0There is a small shelf that was inside and now I have a
> very portable lighting rig that carries two oil projectors, a light
> bar and a smoke machine, nearly all of which can be operated without
> removing them from the case. =C2=A0And I bought it for $5 (the case that
> is).
>
> Carry on,
>
> Kevin
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=C2=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

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Date: Thu, 7 Jul 2011 23:25:33 +0200
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Subject: Re: OT: more Logic hell... this time .. control assignments!
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 7, 2011 at 11:07 PM, Buzap Buzap <buzap@gmx.net> wrote:
>
> Logic + controller = hell...
> Sounds very familiar...


I used Logic + MIDI controller Faderfox LV1 and Gordius LG2 at
Precences Electronique and it worked perfect. I first tried to set up
the 8 channel surround live audio + prepared tracks in Mainstage but
it wasn't possible due to some bug (that now is fixed). For the next
surround gig in January I will be trying Ableton Live instead. It
seems Live is very stable and efficient now on the new i7 MBP's.

Per

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 21:31:47 2011
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Gear shopping advice please! (pedal, controller, guitar, looper on
 budget)
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Hi folks

I'm preparing a purchase requests for some musical gear at work.
It needs to be budget & no-nonsense. And it needs to be available in Europe.

Do you have better choices/recommendations than these?
- Cheap & effective looper (or should I insist on investing more?)Boss RC-3 Looper (190EUR)
- Midi controller (for Ableton Live: keys, buttons, vol knobs): Akai MPK Mini (90EUR)
http://www.thomann.de/gb/akai_mpkmini.htm
- Foot pedal (USB enough, Logidy better? available in Europe?): Behringer FCB1010 (110EUR)
- Guitar (Strat type for 180-400EUR): Fender Squier?

I don't know what/how much will be approved. But I have to submit the request soon and would appreciate your judgement.

Thanks
Buzap

-- 
NEU: FreePhone - kostenlos mobil telefonieren!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 22:02:36 2011
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Subject: Re: Gear shopping advice please! (pedal, controller, guitar, looper
 on budget)
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speaking of the RC-3 is that the only currently available battery looper?
i have a gig coming up out in the woods and ill be taking the AER
mobile amp and thought about taking an compact battery looper
anybody  using it? one thing i recall not liking from the RC-2 is that
it seemed to correct automatically your timing which i despise with
passion is this the same deal?
thanx
Luis




On Thu, Jul 7, 2011 at 11:31 PM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi folks
>
> I'm preparing a purchase requests for some musical gear at work.
> It needs to be budget & no-nonsense. And it needs to be available in Europe.
>
> Do you have better choices/recommendations than these?
> - Cheap & effective looper (or should I insist on investing more?)Boss RC-3 Looper (190EUR)
> - Midi controller (for Ableton Live: keys, buttons, vol knobs): Akai MPK Mini (90EUR)
> http://www.thomann.de/gb/akai_mpkmini.htm
> - Foot pedal (USB enough, Logidy better? available in Europe?): Behringer FCB1010 (110EUR)
> - Guitar (Strat type for 180-400EUR): Fender Squier?
>
> I don't know what/how much will be approved. But I have to submit the request soon and would appreciate your judgement.
>
> Thanks
> Buzap
>
> --
> NEU: FreePhone - kostenlos mobil telefonieren!
> Jetzt informieren: http://www.gmx.net/de/go/freephone
>
>



-- 
www.luis-angulo.com

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--20cf307f390cd6d8b404a7822a25
Content-Type: text/plain; charset=ISO-8859-1

Speaking of multi effect units has anyone tried out the Line 6 HD 500? 48
sec (mono) looper w/dedicated buttons, all of the M13/9 fx(?) says M class
fx, plus amp modeling unlike the 13/9. No one carries them locally and I
didn't want to buy it just to try it, only to return it.
http://line6.com/podhd/multi-effects/

j

On Thu, Jul 7, 2011 at 4:19 PM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> Kevin Cheli-Colando schrieb:
>
>> It seems that the amount of gear I want to have available to play out
>> with just keeps growing; between laptops, projectors, hardware and
>> instruments, its become a lot of stuff to travel with and actually
>> have usefully available for performance.
>>
>> So with that in mind, what are the solutions people have come up with
>> for traveling and performing with a large variety of gear?
>>
>>
> Two things:
> 1. integrated devices. A distortion stomp box and a filter rack effect
> doesn't make sense, a multi-effect device does. Typically, the highest
> degree of multi-purpose integration is a (I'm not saying "laptop") computer.
> 2. find out what you need and leave everything else at home.
>
> Optional:
> 3. if 2 sometimes changes, make your setup modular. If you already use a
> computer, this is not so much a consideration, but stilll, you might have an
> optional monitor or faderbox that you don't need under all circumstances.
>
> And finally:
> 4. the package is one of the most important aspects when it comes to
> portability.
>
>         Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

--20cf307f390cd6d8b404a7822a25
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Speaking of multi effect units has anyone tried out the Line 6 HD 500? 48 s=
ec (mono) looper w/dedicated buttons, all of the M13/9 fx(?) says M class f=
x, plus amp modeling unlike the 13/9. No one carries them locally and I did=
n&#39;t want to buy it just to try it, only to return it. <a href=3D"http:/=
/line6.com/podhd/multi-effects/">http://line6.com/podhd/multi-effects/</a><=
br>
<br>j<br><br><div class=3D"gmail_quote">On Thu, Jul 7, 2011 at 4:19 PM, Rai=
ner Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail=
.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">
Kevin Cheli-Colando schrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
It seems that the amount of gear I want to have available to play out<br>
with just keeps growing; between laptops, projectors, hardware and<br>
instruments, its become a lot of stuff to travel with and actually<br>
have usefully available for performance.<br>
<br>
So with that in mind, what are the solutions people have come up with<br>
for traveling and performing with a large variety of gear?<br>
 =A0<br>
</blockquote>
Two things:<br>
1. integrated devices. A distortion stomp box and a filter rack effect does=
n&#39;t make sense, a multi-effect device does. Typically, the highest degr=
ee of multi-purpose integration is a (I&#39;m not saying &quot;laptop&quot;=
) computer.<br>

2. find out what you need and leave everything else at home.<br>
<br>
Optional:<br>
3. if 2 sometimes changes, make your setup modular. If you already use a co=
mputer, this is not so much a consideration, but stilll, you might have an =
optional monitor or faderbox that you don&#39;t need under all circumstance=
s.<br>

<br>
And finally:<br>
4. the package is one of the most important aspects when it comes to portab=
ility.<br>
<br>
 =A0 =A0 =A0 =A0 Rainer<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br>

--20cf307f390cd6d8b404a7822a25--

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--90e6ba6e8cd4b1848c04a782311a
Content-Type: text/plain; charset=ISO-8859-1

Pssst... I still cant find Transform track thingy...


On Thu, Jul 7, 2011 at 10:41 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Jul 7, 2011 at 10:30 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Its this Transform field that must be the holy grail of which I seek!
> > Weirdly my company name is Transform...
>
>
> Espionage! Jobs got his eyes on you now.  Watch your steps carefully!
>
> Per
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8cd4b1848c04a782311a
Content-Type: text/html; charset=ISO-8859-1
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Pssst... I still cant find Transform track thingy... <br><br><br><div class=
=3D"gmail_quote">On Thu, Jul 7, 2011 at 10:41 PM, Per Boysen <span dir=3D"l=
tr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;<=
/span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">On Thu, Jul 7, 2011 at 10=
:30 PM, mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@m=
arkfrancombe.com</a>&gt; wrote:<br>


&gt; Its this Transform field that must be the holy grail of which I seek!<=
br>
&gt; Weirdly my company name is Transform...<br>
<br>
<br>
</div>Espionage! Jobs got his eyes on you now. =A0Watch your steps carefull=
y!<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0,=
 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>M=
ark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8cd4b1848c04a782311a--

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Its not a track. It is a little tick box labeled "Transposition"
located inside the Inspector box to the left (arrange window's general
channel strip). Drag the mouse upwards or downwards. For octaves use
the fast drop-down meny.



On Fri, Jul 8, 2011 at 12:25 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> Pssst... I still cant find Transform track thingy...
>
>
> On Thu, Jul 7, 2011 at 10:41 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> On Thu, Jul 7, 2011 at 10:30 PM, mark francombe <mark@markfrancombe.com>
>> wrote:
>> > Its this Transform field that must be the holy grail of which I seek!
>> > Weirdly my company name is Transform...
>>
>>
>> Espionage! Jobs got his eyes on you now. =C2=A0Watch your steps carefull=
y!
>>
>> Per
>>
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 22:43:48 2011
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Subject: Re: OT: more Logic hell... this time .. control assignments!
From: Per Boysen <perboysen@gmail.com>
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Do you mean the global Transposition Track at the top? If so, you have
to enable it first: "View > Global Tracks". But this is tedious.
Better stay with your Acid-like method.

Per



On Fri, Jul 8, 2011 at 12:40 AM, Per Boysen <perboysen@gmail.com> wrote:
> Its not a track. It is a little tick box labeled "Transposition"
> located inside the Inspector box to the left (arrange window's general
> channel strip). Drag the mouse upwards or downwards. For octaves use
> the fast drop-down meny.
>
>
>
> On Fri, Jul 8, 2011 at 12:25 AM, mark francombe <mark@markfrancombe.com> =
wrote:
>> Pssst... I still cant find Transform track thingy...
>>
>>
>> On Thu, Jul 7, 2011 at 10:41 PM, Per Boysen <perboysen@gmail.com> wrote:
>>>
>>> On Thu, Jul 7, 2011 at 10:30 PM, mark francombe <mark@markfrancombe.com=
>
>>> wrote:
>>> > Its this Transform field that must be the holy grail of which I seek!
>>> > Weirdly my company name is Transform...
>>>
>>>
>>> Espionage! Jobs got his eyes on you now. =C2=A0Watch your steps careful=
ly!
>>>
>>> Per
>>>
>>
>>
>>
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 23:17:51 2011
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Subject: Re: Set-Up
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Hi there,

I used to suffer with this too. There was a time when my live
performance rig required 4 trips to the car. Now it requires just 1.

I got a very large rolling suitcase from one of the Mexican markets in
San Francisco's Mission district. I keep my gear is wrapped in towels
to save on space. The most fragile gear is in boxes with bubble wrap.
They are stacked in order of breakability/replaceability.

The dealbreaker for me is that I needed something I could carry on
public transportation. That was a big element of me switching primary
instruments, too. The only downside is that it still takes me 20
minutes to set it all up. I've looked into pedalboards. What I really
need is an enormous pedalboard that packs up into a rolling case that
also has room for floor pedals. (The pedalboard would be a table.)

Things I've learned for airplane travel:
1) It's much, much cheaper to have two full-size suitcases than it is
to have one full-size suitcase that is over weight. (On my last tour,
the overweight bag was $110, where an extra check-in bag would've been
$35.)
2) Get a small rolling suitcase for carry-on, and put the most
valuable or hard-to-replace items in there. Checked baggage tends to
go through a lot of abuse. Last I knew, carry-on baggage did not have
a weight limit.
3) If your check-in or carry-on contains a very suspicious-looking
instrument, it's a good idea to paste newspaper articles or
descriptions of it on the outside of the case.

My solution for performing with a large variety of gear? Don't. At my
venue I've seen many shows where people bring a large variety of
instruments. They tend to get so distracted in making sure they use
everything that the performance becomes more of a demonstration than a
concert. Do you really need a smoke machine?

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 23:22:42 2011
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> Do you really need a smoke machine?
>
>

That's a rhetorical question right :-)

Kevin
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Jul  7 23:24:43 2011
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Subject: Re: Set-Up
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--bcaec5014dd780ab6504a78305ef
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http://www.looksolutionsusa.com/minifogmachines.shtml

:)

On Thu, Jul 7, 2011 at 7:17 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Do you really need a smoke machine?
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Podcast! http://ribosomematt.podomatic.com
> Rigs! http://www.youtube.com/user/ribosomematt
>
>

--bcaec5014dd780ab6504a78305ef
Content-Type: text/html; charset=ISO-8859-1
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<a href=3D"http://www.looksolutionsusa.com/minifogmachines.shtml">http://ww=
w.looksolutionsusa.com/minifogmachines.shtml</a><br><br>:)<br><br><div clas=
s=3D"gmail_quote">On Thu, Jul 7, 2011 at 7:17 PM, Matt Davignon <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.c=
om</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"> Do you really ne=
ed a smoke machine?<br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Podcast! <a href=3D"http://ribosomematt.podomatic.com" target=3D"_blank">ht=
tp://ribosomematt.podomatic.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">http://www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br>

--bcaec5014dd780ab6504a78305ef--

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From: Matt Davignon 
. Do you really need a smoke machine?





     ...uhmmm

http://stanosaur.com/

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 00:29:30 2011
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll begin a month-long
Special Focus on Jürgen Haible.  The Featured CD at Midnight will be
"Of Eagles and Prophets" by Jürgen Haible.  Details are at the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

On tonight's show, I will play music by Mark Jenkins who will be
performing at the Soundscapes Concert Series on Sunday, July 24, 8 pm
at the Nazareth Center for the Arts.            http://soundscapes.us

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

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--90e6ba2124612b0bb604a784b8e3
Content-Type: text/plain; charset=ISO-8859-1

Are you completely sure this works with normal dragged in samples (Like in
Acid) AFAIK I thought this was only for midi loops...
Er.. Apple loops...

Well who do I think Im talking to.. ??? Of course you know what you are
talking about... just that we maybe at cross-purposes...



On Fri, Jul 8, 2011 at 12:40 AM, Per Boysen <perboysen@gmail.com> wrote:

> Its not a track. It is a little tick box labeled "Transposition"
> located inside the Inspector box to the left (arrange window's general
> channel strip). Drag the mouse upwards or downwards. For octaves use
> the fast drop-down meny.
>
>
>
> On Fri, Jul 8, 2011 at 12:25 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Pssst... I still cant find Transform track thingy...
> >
> >
> > On Thu, Jul 7, 2011 at 10:41 PM, Per Boysen <perboysen@gmail.com> wrote:
> >>
> >> On Thu, Jul 7, 2011 at 10:30 PM, mark francombe <mark@markfrancombe.com
> >
> >> wrote:
> >> > Its this Transform field that must be the holy grail of which I seek!
> >> > Weirdly my company name is Transform...
> >>
> >>
> >> Espionage! Jobs got his eyes on you now.  Watch your steps carefully!
> >>
> >> Per
> >>
> >
> >
> >
> > --
> > Mark Francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > http://vimeo.com/user825094
> > http://www.looop.no
> > twitter @markfrancombe
> >
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba2124612b0bb604a784b8e3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Are you completely sure this works with normal dragged in samples (Like in =
Acid) AFAIK I thought this was only for midi loops...<br>Er.. Apple loops..=
.<br><br>Well who do I think Im talking to.. ??? Of course you know what yo=
u are talking about... just that we maybe at cross-purposes...<br>

<br><br><br><div class=3D"gmail_quote">On Fri, Jul 8, 2011 at 12:40 AM, Per=
 Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=
=3D"_blank">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">Its not a track. It is a little tick box lab=
eled &quot;Transposition&quot;<br>
located inside the Inspector box to the left (arrange window&#39;s general<=
br>
channel strip). Drag the mouse upwards or downwards. For octaves use<br>
the fast drop-down meny.<br>
<div><div></div><div><br>
<br>
<br>
On Fri, Jul 8, 2011 at 12:25 AM, mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt; wrote:<=
br>
&gt; Pssst... I still cant find Transform track thingy...<br>
&gt;<br>
&gt;<br>
&gt; On Thu, Jul 7, 2011 at 10:41 PM, Per Boysen &lt;<a href=3D"mailto:perb=
oysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; On Thu, Jul 7, 2011 at 10:30 PM, mark francombe &lt;<a href=3D"mai=
lto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt=
;<br>
&gt;&gt; wrote:<br>
&gt;&gt; &gt; Its this Transform field that must be the holy grail of which=
 I seek!<br>
&gt;&gt; &gt; Weirdly my company name is Transform...<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; Espionage! Jobs got his eyes on you now. =A0Watch your steps caref=
ully!<br>
&gt;&gt;<br>
&gt;&gt; Per<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Mark Francombe<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao=
.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>
&gt; twitter @markfrancombe<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:r=
gb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"=
><u>Mark Francombe</u></font></i><br>


<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">


<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>


twitter @markfrancombe</font><br>

--90e6ba2124612b0bb604a784b8e3--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 04:15:45 2011
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Subject: Re: Set-Up
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For a long while I considered getting a collapsable cardboard box,  
painting it charcoal grey, putting battery powered LEDs all over it  
and, taping an iPod to the inside.

The blinky lights would've been for show (of course) and the iPod  
could contain all the looping backing tracks I would need to play to.

Provide the instrument of your choice (kazoo, spoons, Stradivarius,  
Les Paul) and  a small amp of some sort and your done.

On Jul 7, 2011, at 11:27 AM, Kevin Cheli-Colando wrote:

> I sometimes worry I spend more time envisioning the perfect rig,
> cases, projection system, etc than I do actually playing, but I'm
> going to ask this anyway.
>
> It seems that the amount of gear I want to have available to play out
> with just keeps growing; between laptops, projectors, hardware and
> instruments, its become a lot of stuff to travel with and actually
> have usefully available for performance.
>
> So with that in mind, what are the solutions people have come up with
> for traveling and performing with a large variety of gear?
>
> I'm looking toward the most compact and easy to set up kind of tips
> so, anybody feeling like bragging about or sharing their solutions?
>
> Kevin
> -- 
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 06:05:54 2011
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Subject: Re: Gear shopping advice please! (pedal, controller, guitar, looper on
 budget)
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Hi Luis

I have the RC-2 and I don't remember it correcting my timing. You just Rec>Play>Overdub>Play and that's pretty much it. (Just turn down the rhythm track.)

I don't know if RC-3 is really an improvement. I haven't looked at it thoroughly yet.

Have fun in the woods - sounds really interesting! :-)

Buzap

-- 
NEU: FreePhone - kostenlos mobil telefonieren!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 06:08:12 2011
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Subject: Re: OT: more Logic hell... this time .. control assignments!
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> > Logic + controller = hell...
> > Sounds very familiar...

Good it worked out for you. I just remember some buttons that were not available as straightforward midi. But curiously, some Mackie DAW controller could do it. So I had to reverse-engineer those commands... 
That's pretty much hell to me ;-)
Buzap
-- 
NEU: FreePhone - kostenlos mobil telefonieren!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 06:25:16 2011
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Interesting thread!

>If your check-in or carry-on contains a very suspicious-looking
instrument,
LOL... My harmonicas always seem to be very suspicious at the airport (and try to explain why you have a dozen with you...). They always want to see each one of them and sometimes even demonstrate by playing... ;-))

For a rack, I think this would be an interesting solution (2U, flight carry on, laptop):
http://www.skbcases.com/music/products/proddetail.php?f=&id=426
But instead, I went for a foldable solution using the Stanton Uberstand (bit pricey but works great): 
http://www.stantondj.com/stanton-accessories/uberstand.html

best regard
Buzap



-- 
NEU: FreePhone - kostenlos mobil telefonieren!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 06:31:14 2011
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Subject: RE: Set-Up
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> Oh, a good trick is to weight one's hand luggage without the computer
> since you will be asked anyway to take out your computer before
> examining the hand luggage weight at the airport. So the computer can
> actually be the two kilo that go above the allowed 8 kg (making 10 kg
> *after* the security check). 

I just found (for the flight to Florence and later back from Rome) that
these numbers depend on the airline. AirBerlin = 8kg hand lugguage including
a computer, the luggage can consist of several parts adding up to max 8kg
(guitar + laptop). Easyjet = 1 part only allowed in the hand luggage (=
guitar), so I'll have to stuff my notebook into my suitcase for the flight
back. <sigh>

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 06:41:40 2011
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Subject: RE: Set-Up
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I've just got one of these: http://www.decks.co.uk/products/american_dj/ACF=
SWVMS4_LuxI can get my 1u Saffire pro soundcard=2C Line6 M13=2C 2 expressio=
n pedals=2C laptop and all power supplies in it as well as leads spare stri=
ngs and batteries. It just about conforms to hand luggage dimensions though=
 I had to remove the cool trolley thing to get it to fit. Everything is pre=
-wired in it too so it will set up in minutes. The M13 sits on top of the s=
oundcard in the rack lid at gigs. My guitar can go in the hold with tee shi=
rts and knickers wrapped around it=2C (oh and a toothbrush :)

Gareth=2C Sentientfx -  Innovative music plugins. http://sentientfx.com/

> Date: Fri=2C 8 Jul 2011 08:25:12 +0200
> From: buzap@gmx.net
> Subject: Re: Set-Up
> To: Loopers-Delight@loopers-delight.com
>=20
> Interesting thread!
>=20
> >If your check-in or carry-on contains a very suspicious-looking
> instrument=2C
> LOL... My harmonicas always seem to be very suspicious at the airport (an=
d try to explain why you have a dozen with you...). They always want to see=
 each one of them and sometimes even demonstrate by playing... =3B-))
>=20
> For a rack=2C I think this would be an interesting solution (2U=2C flight=
 carry on=2C laptop):
> http://www.skbcases.com/music/products/proddetail.php?f=3D&id=3D426
> But instead=2C I went for a foldable solution using the Stanton Uberstand=
 (bit pricey but works great):=20
> http://www.stantondj.com/stanton-accessories/uberstand.html
>=20
> best regard
> Buzap
>=20
>=20
>=20
> --=20
> NEU: FreePhone - kostenlos mobil telefonieren!		=09
> Jetzt informieren: http://www.gmx.net/de/go/freephone
>=20
 		 	   		  =

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<body class=3D'hmmessage'><div dir=3D'ltr'>
I've just got one of these:&nbsp=3Bhttp://www.decks.co.uk/products/american=
_dj/ACFSWVMS4_Lux<div>I can get my 1u Saffire pro soundcard=2C Line6 M13=2C=
 2 expression pedals=2C laptop and all power supplies in it as well as lead=
s spare strings and batteries. It just about conforms to hand luggage dimen=
sions though I had to remove the cool trolley thing to get it to fit. Every=
thing is pre-wired in it too so it will set up in minutes. The M13 sits on =
top of the soundcard in the rack lid at gigs. My guitar can go in the hold =
with tee shirts and knickers wrapped around it=2C (oh and a toothbrush :)</=
div><div><br></div><div><br>Gareth=2C Sentientfx -&nbsp=3B Innovative music=
 plugins. <a href=3D"http://sentientfx.com/" target=3D"_blank">http://senti=
entfx.com/</a><br><br><div>&gt=3B Date: Fri=2C 8 Jul 2011 08:25:12 +0200<br=
>&gt=3B From: buzap@gmx.net<br>&gt=3B Subject: Re: Set-Up<br>&gt=3B To: Loo=
pers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Interesting thread!<b=
r>&gt=3B <br>&gt=3B &gt=3BIf your check-in or carry-on contains a very susp=
icious-looking<br>&gt=3B instrument=2C<br>&gt=3B LOL... My harmonicas alway=
s seem to be very suspicious at the airport (and try to explain why you hav=
e a dozen with you...). They always want to see each one of them and someti=
mes even demonstrate by playing... =3B-))<br>&gt=3B <br>&gt=3B For a rack=
=2C I think this would be an interesting solution (2U=2C flight carry on=2C=
 laptop):<br>&gt=3B http://www.skbcases.com/music/products/proddetail.php?f=
=3D&amp=3Bid=3D426<br>&gt=3B But instead=2C I went for a foldable solution =
using the Stanton Uberstand (bit pricey but works great): <br>&gt=3B http:/=
/www.stantondj.com/stanton-accessories/uberstand.html<br>&gt=3B <br>&gt=3B =
best regard<br>&gt=3B Buzap<br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B -- <=
br>&gt=3B NEU: FreePhone - kostenlos mobil telefonieren!			<br>&gt=3B Jetzt=
 informieren: http://www.gmx.net/de/go/freephone<br>&gt=3B <br></div></div>=
 		 	   		  </div></body>
</html>=

--_82d19aea-9c12-4758-b52a-9aabc235254d_--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 06:46:19 2011
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Subject: RE: Set-Up
Date: Fri, 8 Jul 2011 06:46:17 +0000
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I wouldn't put a laptop in the hold Michael. When i arrived in Japan for so=
me looping gigs a number of years back=2C the screen had shattered due=2C I=
'm assuming=2C to air pressure differences.

Gareth=2C Sentientfx -  Innovative music plugins. http://sentientfx.com/

> From: mp@mpeters.de
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Set-Up
> Date: Fri=2C 8 Jul 2011 08:31:10 +0200
>=20
> > Oh=2C a good trick is to weight one's hand luggage without the computer
> > since you will be asked anyway to take out your computer before
> > examining the hand luggage weight at the airport. So the computer can
> > actually be the two kilo that go above the allowed 8 kg (making 10 kg
> > *after* the security check).=20
>=20
> I just found (for the flight to Florence and later back from Rome) that
> these numbers depend on the airline. AirBerlin =3D 8kg hand lugguage incl=
uding
> a computer=2C the luggage can consist of several parts adding up to max 8=
kg
> (guitar + laptop). Easyjet =3D 1 part only allowed in the hand luggage (=
=3D
> guitar)=2C so I'll have to stuff my notebook into my suitcase for the fli=
ght
> back. <sigh>
>=20
> -Michael
>=20
 		 	   		  =

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<body class=3D'hmmessage'><div dir=3D'ltr'>
I wouldn't put a laptop in the hold Michael. When i arrived in Japan for so=
me looping gigs a number of years back=2C the screen had shattered due=2C I=
'm assuming=2C to air pressure differences.<div><div><br><br>Gareth=2C Sent=
ientfx -&nbsp=3B Innovative music plugins. <a href=3D"http://sentientfx.com=
/" target=3D"_blank">http://sentientfx.com/</a><br><br><div>&gt=3B From: mp=
@mpeters.de<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Sub=
ject: RE: Set-Up<br>&gt=3B Date: Fri=2C 8 Jul 2011 08:31:10 +0200<br>&gt=3B=
 <br>&gt=3B &gt=3B Oh=2C a good trick is to weight one's hand luggage witho=
ut the computer<br>&gt=3B &gt=3B since you will be asked anyway to take out=
 your computer before<br>&gt=3B &gt=3B examining the hand luggage weight at=
 the airport. So the computer can<br>&gt=3B &gt=3B actually be the two kilo=
 that go above the allowed 8 kg (making 10 kg<br>&gt=3B &gt=3B *after* the =
security check). <br>&gt=3B <br>&gt=3B I just found (for the flight to Flor=
ence and later back from Rome) that<br>&gt=3B these numbers depend on the a=
irline. AirBerlin =3D 8kg hand lugguage including<br>&gt=3B a computer=2C t=
he luggage can consist of several parts adding up to max 8kg<br>&gt=3B (gui=
tar + laptop). Easyjet =3D 1 part only allowed in the hand luggage (=3D<br>=
&gt=3B guitar)=2C so I'll have to stuff my notebook into my suitcase for th=
e flight<br>&gt=3B back. &lt=3Bsigh&gt=3B<br>&gt=3B <br>&gt=3B -Michael<br>=
&gt=3B <br></div></div></div> 		 	   		  </div></body>
</html>=

--_d8c5fcd9-7fb3-49cc-b61a-d6032cef729e_--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 08:19:49 2011
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From: nat grant <natskyplaysdrums@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: OT: gigs/venues in Jakarta, Los Angeles
Date: Fri, 8 Jul 2011 18:14:47 +1000
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dear loopers

i'm looking to play a couple of shows in Jakarta and Los Angeles in October=
 this year - wondering if anyone might have any leads on venues/improv even=
ts in those cities=2C and/or might have a contact they could share=2C and/o=
r would be interested in playing a show with me... doesn't have to be a lar=
ge affair=2C just looking to play and open to bars/galleries/warehouses/wei=
rd spaces.=20

i'll probably be in jakarta october 2-7=2C LA oct 8-12ish...

any ideas?

=3D) nat

--------------------=20
Nat Grant - M.Mus (Perf)
(percussion)=20
http://www.myspace.com/natskyplaysdrums
http://www.youtube.com/natskyplaysdrums
http://www.soundcloud.com/natskyplaysdrums
http://natskyplaysdrums.bandcamp.com (free download)
 		 	   		  =

--_aab8c16b-1f45-4850-843e-19ccd02f46af_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
dear loopers<br><br>i'm looking to play a couple of shows in Jakarta and Lo=
s Angeles in October this year - wondering if anyone might have any leads o=
n venues/improv events in those cities=2C and/or might have a contact they =
could share=2C and/or would be interested in playing a show with me... does=
n't have to be a large affair=2C just looking to play and open to bars/gall=
eries/warehouses/weird spaces. <br><br>i'll probably be in jakarta october =
2-7=2C LA oct 8-12ish...<br><br>any ideas?<br><br>=3D) nat<br><br><div>----=
---------------- <br>Nat Grant - M.Mus (Perf)<br>(percussion) <br>http://ww=
w.myspace.com/natskyplaysdrums<br>http://www.youtube.com/natskyplaysdrums<b=
r>http://www.soundcloud.com/natskyplaysdrums<br>http://natskyplaysdrums.ban=
dcamp.com (free download)<br></div> 		 	   		  </div></body>
</html>=

--_aab8c16b-1f45-4850-843e-19ccd02f46af_--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 10:17:16 2011
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Subject: Re: OT: more Logic hell... this time .. control assignments!
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 8, 2011 at 3:25 AM, mark francombe <mark@markfrancombe.com> wrote:
> Are you completely sure this works with normal dragged in samples (Like in
> Acid) AFAIK I thought this was only for midi loops...
> Er.. Apple loops...

See earlier post. It's all in there. Good luck!

pboy

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Subject: Galactic Travels Playlist #744 for July 7, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110707.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #744                July 7, 2011.

RECAP:
On this show, I began a month-long focus on Jürgen Haible.  The Featured
CD at Midnight was "Of Eagles and Prophets" which is a self-released
title.http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

On this show, I played music by Mark Jenkins who will appear at the
Soundscapes Concert Series.  Visit the events page for details.
http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mark Jenkins         Red Bank             This Island Earth (AMP)
Mark Jenkins         Metuchen             This Island Earth (AMP)
Mark Jenkins         Sandy Hook           This Island Earth (AMP)
Mystified            Bone Drone 12        Bone Drones 3 (Mystified
                                             Music)
Paragate             Silhed | Spejlet     Stillness in the Mirror
                                             (Auraltone)
Mario Scholwalder    Cup 5                Filter-Kaffee 101 (SynGate)
   and Frank Rothe
Mario Scholwalder    Cup 6                Filter-Kaffee 101 (SynGate)
   and Frank Rothe
Kamil Kowalczyk      Plasma *             Aurora (Prototyp Produktion)
Jürgen Haible        October '96 Part 1   Of Eagles and Prophets (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jürgen Haible        October '96 Part 2   Of Eagles and Prophets (none)
Jürgen Haible        October '96 Part 3   Of Eagles and Prophets (none)
Jürgen Haible        Anthrazit            Of Eagles and Prophets (none)
Jürgen Haible        Tragodie einer       Of Eagles and Prophets (none)
                        Geburt
Jürgen Haible        Hochgebirge          Of Eagles and Prophets (none)
Jürgen Haible        Zarathustra's        Of Eagles and Prophets (none)
                        Untergang
Jürgen Haible        Media in vita        Of Eagles and Prophets (none)
Jürgen Haible        Die Grosse Genesung  Of Eagles and Prophets (none)
Jürgen Haible        Turnier Himmelfahrt  Of Eagles and Prophets (none)
Jürgen Haible        A Sultry Night       Of Eagles and Prophets (none)
Jürgen Haible        Facing the Shadow    Of Eagles and Prophets (none)
Jürgen Haible        The Beauty of        Of Eagles and Prophets (none)
                        Innocence

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Jürgen Haible.  The Featured CD at Midnight will be "Dark November"
which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 14:09:34 2011
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Subject: Re: Set-Up
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> For a rack, I think this would be an interesting solution (2U, flight carry on, laptop):

> http://www.skbcases.com/music/products/proddetail.php?f=&id=426

this one is wonderful i recently bought it and sold all of the other ones i have
cheers
Luis

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 14:11:24 2011
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Date: Fri, 8 Jul 2011 16:11:23 +0200
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Subject: Re: Gear shopping advice please! (pedal, controller, guitar, looper
 on budget)
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yes its a wedding party at an amazing place a small castle overlooking
the lake should be fun looping there;-)
cheers
Luis

On Fri, Jul 8, 2011 at 8:05 AM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi Luis
>
> I have the RC-2 and I don't remember it correcting my timing. You just Rec>Play>Overdub>Play and that's pretty much it. (Just turn down the rhythm track.)
>
> I don't know if RC-3 is really an improvement. I haven't looked at it thoroughly yet.
>
> Have fun in the woods - sounds really interesting! :-)
>
> Buzap
>
> --
> NEU: FreePhone - kostenlos mobil telefonieren!
> Jetzt informieren: http://www.gmx.net/de/go/freephone
>
>



-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 15:41:55 2011
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From: Chris Beaty <CTB@visi.com>
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Subject: Looperlative LP-1
Date: Fri, 8 Jul 2011 10:31:53 -0500
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I'm looking for help getting my Looperlative LP1 to receive midi info
the forums at looperlative are kinda quiet, and I'm in a ruch
any help?
Thanks,
Chris



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Date: Fri, 8 Jul 2011 17:11:13 +0100
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Subject: Re: Looperlative LP-1
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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hi chris. can you be more specific? are you talking about midi clock, or
other midi data?

have you tried assigning functions to incoming messages?

what are you using to send data?

sim

On Fri, Jul 8, 2011 at 4:31 PM, Chris Beaty <CTB@visi.com> wrote:

> I'm looking for help getting my Looperlative LP1 to receive midi info
> the forums at looperlative are kinda quiet, and I'm in a ruch
> any help?
> Thanks,
> Chris
>
>
>
>

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hi chris. can you be more specific? are you talking about midi clock, or ot=
her midi data?<div><br></div><div>have you tried assigning functions to inc=
oming messages?</div><div><br></div><div>what are you using to send data?</=
div>
<div><br></div><div>sim<br><br><div class=3D"gmail_quote">On Fri, Jul 8, 20=
11 at 4:31 PM, Chris Beaty <span dir=3D"ltr">&lt;<a href=3D"mailto:CTB@visi=
.com">CTB@visi.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"=
>
I&#39;m looking for help getting my Looperlative LP1 to receive midi info<b=
r>
the forums at looperlative are kinda quiet, and I&#39;m in a ruch<br>
any help?<br>
Thanks,<br>
<font color=3D"#888888">Chris<br>
<br>
<br>
<br>
</font></blockquote></div><br></div>

--000e0cd48de41f9c9404a7911547--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 16:20:43 2011
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Date: Fri, 8 Jul 2011 12:20:34 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Looperlative LP-1
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Hi Chris..!

  There are several people here who were involved in the development 
of the LP-1, I hope you get the assistance you seek..!

-Chuck

>I'm looking for help getting my Looperlative LP1 to receive midi info
>the forums at looperlative are kinda quiet, and I'm in a ruch
>any help?
>Thanks,
>Chris


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 16:28:49 2011
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Subject: Re: Looperlative LP-1
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Hi simeon,
thanks for getting back
I'm simply trying to control the LP1 with my Roland FC-200
this actually used to work, once upon a time
now, when I put the unit in the MIDI/USER btn mode, and push the FC-200 =
pedals, I get Nada
I've checked the midi traffic withe pedal-channel 1 and other midi =
devices see incoming data from the FC-200
I've sent beat clock to the LP1
I get a BPM of 0 on the LP1
So I am getting the feeling that the LP1 is not seeing any midi
I've had this for about 5 years, and used it a little here and there
I sent it to Bob about 3 years ago, for repair, as it was sounding bad

Any hints?
thanks,
Chris


On Jul 8, 2011, at 11:11 AM, Simeon Harris wrote:

> hi chris. can you be more specific? are you talking about midi clock, =
or other midi data?
>=20
> have you tried assigning functions to incoming messages?
>=20
> what are you using to send data?
>=20
> sim
>=20
> On Fri, Jul 8, 2011 at 4:31 PM, Chris Beaty <CTB@visi.com> wrote:
> I'm looking for help getting my Looperlative LP1 to receive midi info
> the forums at looperlative are kinda quiet, and I'm in a ruch
> any help?
> Thanks,
> Chris
>=20
>=20
>=20
>=20

Thanks,
Chris




--Apple-Mail-2--1024637335
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hi =
simeon,<div>thanks for getting back</div><div>I'm simply trying to =
control the LP1 with my Roland FC-200</div><div>this actually used to =
work, once upon a time</div><div>now, when I put the unit in the =
MIDI/USER btn mode, and push the FC-200 pedals, I get =
Nada</div><div>I've checked the midi traffic withe pedal-channel 1 and =
other midi devices see incoming data from the FC-200</div><div>I've sent =
beat clock to the LP1</div><div>I get a BPM of 0 on the LP1</div><div>So =
I am getting the feeling that the LP1 is not seeing any =
midi</div><div>I've had this for about 5 years, and used it a little =
here and there</div><div>I sent it to Bob about 3 years ago, for repair, =
as it was sounding bad</div><div><br></div><div>Any =
hints?</div><div>thanks,</div><div>Chris</div><div><br></div><div><br><div=
><div>On Jul 8, 2011, at 11:11 AM, Simeon Harris wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">hi chris. =
can you be more specific? are you talking about midi clock, or other =
midi data?<div><br></div><div>have you tried assigning functions to =
incoming messages?</div><div><br></div><div>what are you using to send =
data?</div>
<div><br></div><div>sim<br><br><div class=3D"gmail_quote">On Fri, Jul 8, =
2011 at 4:31 PM, Chris Beaty <span dir=3D"ltr">&lt;<a =
href=3D"mailto:CTB@visi.com">CTB@visi.com</a>&gt;</span> =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex;">
I'm looking for help getting my Looperlative LP1 to receive midi =
info<br>
the forums at looperlative are kinda quiet, and I'm in a ruch<br>
any help?<br>
Thanks,<br>
<font color=3D"#888888">Chris<br>
<br>
<br>
<br>
</font></blockquote></div><br></div>
</blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; =
"><div>Thanks,</div><div>Chris</div><div><br></div></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-2--1024637335--

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Chris Beaty wrote:
> Hi simeon,
> thanks for getting back
> I'm simply trying to control the LP1 with my Roland FC-200
> this actually used to work, once upon a time
> now, when I put the unit in the MIDI/USER btn mode, and push the FC-200 
> pedals, I get Nada
> I've checked the midi traffic withe pedal-channel 1 and other midi 
> devices see incoming data from the FC-200

That would be a sign that the LP1 midi channel 
is not set to one that the FC-200 is sending on.

andy




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Subject: Re: Looperlative LP-1
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I've tried all 16.....one, after the other
Wish I knew what I was missing here...
and this did work, once upon a time
any other notions?
Chris
On Jul 8, 2011, at 12:01 PM, andy butler wrote:

> Chris Beaty wrote:
>> Hi simeon,
>> thanks for getting back
>> I'm simply trying to control the LP1 with my Roland FC-200
>> this actually used to work, once upon a time
>> now, when I put the unit in the MIDI/USER btn mode, and push the =
FC-200 pedals, I get Nada
>> I've checked the midi traffic withe pedal-channel 1 and other midi =
devices see incoming data from the FC-200
>=20
> That would be a sign that the LP1 midi channel is not set to one that =
the FC-200 is sending on.
>=20
> andy
>=20
>=20
>=20
>=20
>=20

Thanks,
Chris



From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 17:07:51 2011
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Subject: Re: Looperlative LP-1
From: Daniel Thomas <danielthomas4@mac.com>
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Date: Fri, 08 Jul 2011 10:07:47 -0700
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Any midi data filters running in your midi configuration?  

Do you have an LED midi tester?  This might help you route out whether its a problem with a jack, cable, or midi config.  


Daniel 
On Jul 8, 2011, at 10:05 AM, Chris Beaty wrote:

> I've tried all 16.....one, after the other
> Wish I knew what I was missing here...
> and this did work, once upon a time
> any other notions?
> Chris
> On Jul 8, 2011, at 12:01 PM, andy butler wrote:
> 
>> Chris Beaty wrote:
>>> Hi simeon,
>>> thanks for getting back
>>> I'm simply trying to control the LP1 with my Roland FC-200
>>> this actually used to work, once upon a time
>>> now, when I put the unit in the MIDI/USER btn mode, and push the FC-200 pedals, I get Nada
>>> I've checked the midi traffic withe pedal-channel 1 and other midi devices see incoming data from the FC-200
>> 
>> That would be a sign that the LP1 midi channel is not set to one that the FC-200 is sending on.
>> 
>> andy
>> 
>> 
>> 
>> 
>> 
> 
> Thanks,
> Chris
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 17:12:18 2011
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Subject: Re: Looperlative LP-1
From: Chris Beaty <ctb@visi.com>
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I've connected the FC-200 to my line 6 delay pro
it's set to get info on channel 1
it reads all the program changes I send it
I have not changed the settings on the FC-200, and it used to work
I also connected 2 midi keyboards to the LP1, put the LP1 in MIDI/USER =
btn mode and hit every key and button on the boards
nothing
I may be missing something simple here...but what?
Thanks,
Chris
On Jul 8, 2011, at 12:07 PM, Daniel Thomas wrote:

> Any midi data filters running in your midi configuration? =20
>=20
> Do you have an LED midi tester?  This might help you route out whether =
its a problem with a jack, cable, or midi config. =20
>=20
>=20
> Daniel=20
> On Jul 8, 2011, at 10:05 AM, Chris Beaty wrote:
>=20
>> I've tried all 16.....one, after the other
>> Wish I knew what I was missing here...
>> and this did work, once upon a time
>> any other notions?
>> Chris
>> On Jul 8, 2011, at 12:01 PM, andy butler wrote:
>>=20
>>> Chris Beaty wrote:
>>>> Hi simeon,
>>>> thanks for getting back
>>>> I'm simply trying to control the LP1 with my Roland FC-200
>>>> this actually used to work, once upon a time
>>>> now, when I put the unit in the MIDI/USER btn mode, and push the =
FC-200 pedals, I get Nada
>>>> I've checked the midi traffic withe pedal-channel 1 and other midi =
devices see incoming data from the FC-200
>>>=20
>>> That would be a sign that the LP1 midi channel is not set to one =
that the FC-200 is sending on.
>>>=20
>>> andy
>>>=20
>>>=20
>>>=20
>>>=20
>>>=20
>>=20
>> Thanks,
>> Chris
>>=20
>>=20
>>=20
>=20
>=20

Thanks,
Chris



From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 17:23:04 2011
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Subject: Re: Looperlative LP-1
From: Daniel Thomas <danielthomas4@mac.com>
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 <CADMLiSjrnA18SsYsAvmXbV+hd8k2MJy53XKzvmzQE__+7fA3mw@mail.gmail.com>
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Did you try swapping out the midi cable?  
Midi cables short out just like any other cable. Its rare but I have seen it at the back of my own midi patch bay-- took me days to figure it out---  Of course, had I dug in my toolbox for the Midi Tester when I first suspected a possible short, It would have taken minutes to figure out. 

D
On Jul 8, 2011, at 10:12 AM, Chris Beaty wrote:

> I've connected the FC-200 to my line 6 delay pro
> it's set to get info on channel 1
> it reads all the program changes I send it
> I have not changed the settings on the FC-200, and it used to work
> I also connected 2 midi keyboards to the LP1, put the LP1 in MIDI/USER btn mode and hit every key and button on the boards
> nothing
> I may be missing something simple here...but what?
> Thanks,
> Chris
> On Jul 8, 2011, at 12:07 PM, Daniel Thomas wrote:
> 
>> Any midi data filters running in your midi configuration?  
>> 
>> Do you have an LED midi tester?  This might help you route out whether its a problem with a jack, cable, or midi config.  
>> 
>> 
>> Daniel 
>> On Jul 8, 2011, at 10:05 AM, Chris Beaty wrote:
>> 
>>> I've tried all 16.....one, after the other
>>> Wish I knew what I was missing here...
>>> and this did work, once upon a time
>>> any other notions?
>>> Chris
>>> On Jul 8, 2011, at 12:01 PM, andy butler wrote:
>>> 
>>>> Chris Beaty wrote:
>>>>> Hi simeon,
>>>>> thanks for getting back
>>>>> I'm simply trying to control the LP1 with my Roland FC-200
>>>>> this actually used to work, once upon a time
>>>>> now, when I put the unit in the MIDI/USER btn mode, and push the FC-200 pedals, I get Nada
>>>>> I've checked the midi traffic withe pedal-channel 1 and other midi devices see incoming data from the FC-200
>>>> 
>>>> That would be a sign that the LP1 midi channel is not set to one that the FC-200 is sending on.
>>>> 
>>>> andy
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>> 
>>> Thanks,
>>> Chris
>>> 
>>> 
>>> 
>> 
>> 
> 
> Thanks,
> Chris
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 17:26:51 2011
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Subject: Re: Looperlative LP-1
From: Chris Beaty <ctb@visi.com>
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swapped
no dice
thanks for the idea
On Jul 8, 2011, at 12:21 PM, Daniel Thomas wrote:

> Did you try swapping out the midi cable? =20
> Midi cables short out just like any other cable. Its rare but I have =
seen it at the back of my own midi patch bay-- took me days to figure it =
out---  Of course, had I dug in my toolbox for the Midi Tester when I =
first suspected a possible short, It would have taken minutes to figure =
out.=20
>=20
> D
> On Jul 8, 2011, at 10:12 AM, Chris Beaty wrote:
>=20
>> I've connected the FC-200 to my line 6 delay pro
>> it's set to get info on channel 1
>> it reads all the program changes I send it
>> I have not changed the settings on the FC-200, and it used to work
>> I also connected 2 midi keyboards to the LP1, put the LP1 in =
MIDI/USER btn mode and hit every key and button on the boards
>> nothing
>> I may be missing something simple here...but what?
>> Thanks,
>> Chris
>> On Jul 8, 2011, at 12:07 PM, Daniel Thomas wrote:
>>=20
>>> Any midi data filters running in your midi configuration? =20
>>>=20
>>> Do you have an LED midi tester?  This might help you route out =
whether its a problem with a jack, cable, or midi config. =20
>>>=20
>>>=20
>>> Daniel=20
>>> On Jul 8, 2011, at 10:05 AM, Chris Beaty wrote:
>>>=20
>>>> I've tried all 16.....one, after the other
>>>> Wish I knew what I was missing here...
>>>> and this did work, once upon a time
>>>> any other notions?
>>>> Chris
>>>> On Jul 8, 2011, at 12:01 PM, andy butler wrote:
>>>>=20
>>>>> Chris Beaty wrote:
>>>>>> Hi simeon,
>>>>>> thanks for getting back
>>>>>> I'm simply trying to control the LP1 with my Roland FC-200
>>>>>> this actually used to work, once upon a time
>>>>>> now, when I put the unit in the MIDI/USER btn mode, and push the =
FC-200 pedals, I get Nada
>>>>>> I've checked the midi traffic withe pedal-channel 1 and other =
midi devices see incoming data from the FC-200
>>>>>=20
>>>>> That would be a sign that the LP1 midi channel is not set to one =
that the FC-200 is sending on.
>>>>>=20
>>>>> andy
>>>>>=20
>>>>>=20
>>>>>=20
>>>>>=20
>>>>>=20
>>>>=20
>>>> Thanks,
>>>> Chris
>>>>=20
>>>>=20
>>>>=20
>>>=20
>>>=20
>>=20
>> Thanks,
>> Chris
>>=20
>>=20
>>=20
>=20
>=20

Thanks,
Chris



From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 17:33:05 2011
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Chris Beaty wrote:

> now, when I put the unit in the MIDI/USER btn mode, 

just checking,

but you did then hit the "Enter" button?


andy

From Loopers-Delight-request@loopers-delight.com  Fri Jul  8 21:26:01 2011
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Subject: Re: Looperlative LP-1
From: Chris Beaty <ctb@visi.com>
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sure did hit the enter button
that is where the action stops, in my process
Thanks,
Chris
On Jul 8, 2011, at 12:33 PM, andy butler wrote:

> 
> 
> Chris Beaty wrote:
> 
>> now, when I put the unit in the MIDI/USER btn mode, 
> 
> just checking,
> 
> but you did then hit the "Enter" button?
> 
> 
> andy
> 
> 

Thanks,
Chris



From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 00:03:42 2011
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Greetings,

I have an original Boss RC-20... not the newer RC-20XL.  I'm toying with 
the idea of picking up a second one... as cheaply as possible.  (But I 
will wait until I actually need it before acting on the impulse.)

Meanwhile, as I search eBay and Craig's List, I'm only finding the XL 
version.  Really?  Does no one want to dump the older (oldest of the 
Boss RC-xx), less capable model?  If anyone spots one, please forward a 
link.  Thanks.

The idea is: I'm trying to convince a singer to start a (pop/rock) duo 
where I play acoustic guitar.  I need to make loops, usuall only one 
loop per song is needed for the songs I've been working on.  But every 
now and then, I need a second loop faster than I can erase the first 
loop.  Remember, I'm not saving loops on the fly or touching the pedal 
with my hands.  It's all foot-only operation.  By putting a second RC-20 
in series with the one I've got, I'd have all the capability that I 
need.  I'm not interested in using loops prepared in advance or saving 
what I play on the fly so memory slots and anything more spiffy aren't 
desired.  I figure getting a second RC-20 ought to be cheaper than 
selling what I've got and replacing it with something more capable like 
an RC-50, for example.

Oh my!  I just searched the Boss site for "Loop Station" and found RC-2 
and RC-3.  These flew totally under my radar!  It looks like an RC-2 
would be good enough for my application.  Is this a current or 
discontinued item?

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 00:30:15 2011
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If I understand correctly what you want to do, you're going to have some =
issues regardless of what you get.  You run those in series, but they're =
not going to sync.  Eventually their timing will get off from one =
another.  Unless there is some way of doing this that I've missed all =
these years.  This is if you want them to play during the same song.  =
Maybe not, and I've misunderstood.

Curious to hear what you come up with.

JF=

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 00:45:15 2011
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Subject: Looperlative LP1 help
Date: Fri, 8 Jul 2011 19:45:06 -0500
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Hello all,
to begon with-thanks to everyone who has chimed in to help me out
So far, nothing is working, midi-wise with my LP1
Midi channels are set to 1
cables are good
FC-200 is sending program changes, if connected to other devices
FInally I've connected the FC-200 out to the midi in on the LP1
then tested connections out from the thu or out midi on the LP1 to other =
devices
no midi is passing thru
super frustrated, as I really wanted to use this on a project

any other ideas out there?

Thanks,
Chris

I'm looking for help getting my Looperlative LP1 to receive midi info
the forums at looperlative are kinda quiet, and I'm in a ruch
any help?

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 00:47:34 2011
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From: "Kris Hartung" <krispen.hartung@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <CD977986-0449-4308-9BBB-552D42CC5B08@charter.net><CAJKe7oba9etBDuWgEp1CDuzrAX+nKStipDA=PgaJxBswaLSiqg@mail.gmail.com><CAK7t344a0ZJLfyQ-ig8+uxxrmkPZkMVaSacsiAfQVeBJ4My1Hw@mail.gmail.com><CAF-7VCD64Zn4kj8FCQ06pjM_Bn+kJNdBgEC0tRHVtUXdb0fQGA@mail.gmail.com><9A57A484CF2C4A2D8ABDBDBCB64D7A1E@ELUK1><CAF-7VCCr7FTjJdEH6qMWB1t3GDBZYJzsXbZK6RxeOjMk4jxeKQ@mail.gmail.com><23175064-A4D2-4EC5-ADE7-13A11E26B519@charter.net><a0623098cca3acbfaa0ce@192.168.1.102><CAF-7VCCWJYaXfbo4_tvKbo1OPrOcu6m1N3=ozVmY_3bFtMPPuQ@mail.gmail.com> <2804837.240.1310172147376.JavaMail.root@m01>
In-Reply-To: <2804837.240.1310172147376.JavaMail.root@m01>
Subject: Re: THIS IS A TEST...
Date: Fri, 8 Jul 2011 18:47:21 -0600
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"...for the next sixty (or thirty) seconds, this station will conduct a test 
of the Emergency Broadcast System. This is only a test."

"(name of host station in a particular market) is conducting a test of the 
Emergency Broadcast System. This is only a test."

 "....This station is conducting a test of the Emergency Broadcast System. 
This is only a test."

"...of the Emergency Broadcast System. The broadcasters of your area in 
voluntary cooperation with the FCC and other authorities (or, in later 
years, "federal, state and local authorities") have developed this system to 
keep you informed in the event of an emergency."

"If this had been an actual emergency, the Attention Signal you just heard 
would have been followed by official information, news or instructions."

Have  nice day. :)
www.krispenhartung.com



From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 00:58:11 2011
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Subject: Re: Original Boss RC-20
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On 7/8/11 8:23 PM, john floridis wrote:
> If I understand correctly what you want to do, you're going to have some issues regardless of what you get.  You run those in series, but they're not going to sync.  Eventually their timing will get off from one another.  Unless there is some way of doing this that I've missed all these years.  This is if you want them to play during the same song.  Maybe not, and I've misunderstood.
> Curious to hear what you come up with.
Hi John,

Thanks for the reply.  I guess I wasn't totally clear.  I do not need to 
sync two loops.  I don't even need to do much in the way of overdubbing 
on a single loop.  What I need is two separate loops for different parts 
of the same song.  First, I need a loop for a verse or chorus.  Then I 
need a totally different loop for the coda.  I just don't have enough 
time to spend erasing the first loop while vamping what I'd rather be 
recording immediately into the second looper in order to keep things tight.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 01:41:30 2011
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Date: Fri, 8 Jul 2011 21:41:23 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Looperlative LP1 help
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Are you able to control the LP-1 with another controller (or a MIDI 
sequencer sending PC or CC messages)?

CZ

>Hello all,
>to begon with-thanks to everyone who has chimed in to help me out
>So far, nothing is working, midi-wise with my LP1
>Midi channels are set to 1
>cables are good
>FC-200 is sending program changes, if connected to other devices
>FInally I've connected the FC-200 out to the midi in on the LP1
>then tested connections out from the thu or out midi on the LP1 to 
>other devices
>no midi is passing thru
>super frustrated, as I really wanted to use this on a project
>
>any other ideas out there?
>
>Thanks,
>Chris
>
>I'm looking for help getting my Looperlative LP1 to receive midi info
>the forums at looperlative are kinda quiet, and I'm in a ruch
>any help?


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 02:23:54 2011
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Subject: Re: Looperlative LP1 help
From: Chris Beaty <ctb@visi.com>
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Hi Chuck,
I've tried connecting my oxygen 8 keyboard-hitting all the keys and =
dials
and tried connectng my Fatar Keyboard-doing same
even connecting my line 6 pro delay
no midi response from the LP1
In the LP1 manual, there is mention of midi bypass
it says that midi bypass can be controlled from a panel button only (not =
sure what is meant by that)
I cannot find midi bypass in any of the LP1 menus on screen
it also states that all incoming midi will be sent to the out port, when =
bypassed
but again, it see no evidence of midi passing thru
I just tried my old GR gtr synth-no response from LP1
this LP1 has spent most of it's life on the shelf-it's hard for me to =
believe that suddenly the midi connections have gone south
as well, I sent this unit to Bob for repair (audio gurgle) about 3 years =
ago-it's seen relatively no use since then
I can't help but think there is some "item" that is not properly enabled =
on this unit

I'm looking into software loopers, but the latency is hard for me to =
enjoy
I've pulled sooper looper into Abelton live, but it's hard for me to get =
that going-no user manual

can't a fella just get some looping going? The only feature that I =
really, really need is the "multiply" feature
I'd just use my line 6 stuff, if it was available there
as well, I'd like to loop some acoustic stuff, so I'm attempting to use =
a mixer and some pre's
but I'm stopped without foot control of the LP1

ther's my sob story

BTW-So enjoyed the Emanuel link on FB-I used to work with that guy, here =
in MPLS

Cheers,
Chris
On Jul 8, 2011, at 8:41 PM, Charles Zwicky wrote:

>=20
> Are you able to control the LP-1 with another controller (or a MIDI =
sequencer sending PC or CC messages)?
>=20
> CZ
>=20
>> Hello all,
>> to begon with-thanks to everyone who has chimed in to help me out
>> So far, nothing is working, midi-wise with my LP1
>> Midi channels are set to 1
>> cables are good
>> FC-200 is sending program changes, if connected to other devices
>> FInally I've connected the FC-200 out to the midi in on the LP1
>> then tested connections out from the thu or out midi on the LP1 to =
other devices
>> no midi is passing thru
>> super frustrated, as I really wanted to use this on a project
>>=20
>> any other ideas out there?
>>=20
>> Thanks,
>> Chris
>>=20
>> I'm looking for help getting my Looperlative LP1 to receive midi info
>> the forums at looperlative are kinda quiet, and I'm in a ruch
>> any help?
>=20
>=20
> --=20
>=20
> ...
> http://www.zmix.net
>=20
> http://www.esession.com/ChuckZwicky
>=20
> http://albumcredits.com/zmix
>=20
>=20

Thanks,
Chris



From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 02:54:22 2011
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Subject: Re: Original Boss RC-20
From: Victor Eijkhout <victor@eijkhout.net>
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On Jul 8, 2011, at 7:58 PM, Bill Fox wrote:

> What I need is two separate loops for different parts of the same =
song.  First, I need a loop for a verse or chorus.  Then I need a =
totally different loop for the coda.

The RC-50 has a mode where its three loops can be played like that. =
Someone told me they are dropping in price.

Victor.

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 03:02:18 2011
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Date: Fri, 08 Jul 2011 22:55:56 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: New Horizons video in two galleries
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
 Frameworks@jonasmekasfilms.com
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Hi folks,

"New Horizons", my favorite recent video, will be on display as part 
of the annual juried show at Amazing Things Art Center in Framingham, 
http://www.amazingthings.org/ and at the annual member's show at 119 
Gallery in Lowell, http://www.119gallery.org/.

The reception in Framingham is Sunday, July 10  from noon - 2PM (I'll 
be there on the early side) --- the 119 reception is Saturday July 16 
from 3 - 6 PM.

You can also see the piece at 
http://www.youtube.com/watch?v=BXD7WP9LK0k --- but you'll miss all of 
the other fine art.
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

"My destination is always the same, but I work out a different route 
to get there"  -- Henri Matisse

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 05:06:01 2011
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Subject: Re: Looperlative LP1 help
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--Alternative__boundary__1310184356934
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Maybe a solder connection at the midi ports inside the unit needs to be res=
ecured.



-- Sent from my Palm Pre
On Jul 8, 2011 10:23 PM, Chris Beaty &lt;ctb@visi.com&gt; wrote:=20

Hi Chuck,

I've tried connecting my oxygen 8 keyboard-hitting all the keys and dials

and tried connectng my Fatar Keyboard-doing same

even connecting my line 6 pro delay

no midi response from the LP1

In the LP1 manual, there is mention of midi bypass

it says that midi bypass can be controlled from a panel button only (not su=
re what is meant by that)

I cannot find midi bypass in any of the LP1 menus on screen

it also states that all incoming midi will be sent to the out port, when by=
passed

but again, it see no evidence of midi passing thru

I just tried my old GR gtr synth-no response from LP1

this LP1 has spent most of it's life on the shelf-it's hard for me to belie=
ve that suddenly the midi connections have gone south

as well, I sent this unit to Bob for repair (audio gurgle) about 3 years ag=
o-it's seen relatively no use since then

I can't help but think there is some "item" that is not properly enabled on=
 this unit



I'm looking into software loopers, but the latency is hard for me to enjoy

I've pulled sooper looper into Abelton live, but it's hard for me to get th=
at going-no user manual



can't a fella just get some looping going? The only feature that I really,=
 really need is the "multiply" feature

I'd just use my line 6 stuff, if it was available there

as well, I'd like to loop some acoustic stuff, so I'm attempting to use a=
 mixer and some pre's

but I'm stopped without foot control of the LP1



ther's my sob story



BTW-So enjoyed the Emanuel link on FB-I used to work with that guy, here in=
 MPLS



Cheers,

Chris

On Jul 8, 2011, at 8:41 PM, Charles Zwicky wrote:



&gt;=20

&gt; Are you able to control the LP-1 with another controller (or a MIDI se=
quencer sending PC or CC messages)?

&gt;=20

&gt; CZ

&gt;=20

&gt;&gt; Hello all,

&gt;&gt; to begon with-thanks to everyone who has chimed in to help me out

&gt;&gt; So far, nothing is working, midi-wise with my LP1

&gt;&gt; Midi channels are set to 1

&gt;&gt; cables are good

&gt;&gt; FC-200 is sending program changes, if connected to other devices

&gt;&gt; FInally I've connected the FC-200 out to the midi in on the LP1

&gt;&gt; then tested connections out from the thu or out midi on the LP1 to=
 other devices

&gt;&gt; no midi is passing thru

&gt;&gt; super frustrated, as I really wanted to use this on a project

&gt;&gt;=20

&gt;&gt; any other ideas out there?

&gt;&gt;=20

&gt;&gt; Thanks,

&gt;&gt; Chris

&gt;&gt;=20

&gt;&gt; I'm looking for help getting my Looperlative LP1 to receive midi=
 info

&gt;&gt; the forums at looperlative are kinda quiet, and I'm in a ruch

&gt;&gt; any help?

&gt;=20

&gt;=20

&gt; --=20

&gt;=20

&gt; ...

&gt; http://www.zmix.net

&gt;=20

&gt; http://www.esession.com/ChuckZwicky

&gt;=20

&gt; http://albumcredits.com/zmix

&gt;=20

&gt;=20



Thanks,

Chris









--Alternative__boundary__1310184356934
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Maybe a solder connection at the midi ports inside the unit needs to be res=
ecured.<br><br><span style=3D"font-family:Prelude, Verdana, san-serif;"><br=
><br></span><span id=3D"signature"><div style=3D"font-family: arial, sans-s=
erif; font-size: 12px;color: #999999;">-- Sent from my Palm Pre</div><br></=
span><span style=3D"color:navy; font-family:Prelude, Verdana, san-serif; ">=
<hr align=3D"left" style=3D"width:75%">On Jul 8, 2011 10:23 PM, Chris Beaty=
 &lt;ctb@visi.com&gt; wrote: <br><br>Hi Chuck,
<br>I've tried connecting my oxygen 8 keyboard-hitting all the keys and dia=
ls
<br>and tried connectng my Fatar Keyboard-doing same
<br>even connecting my line 6 pro delay
<br>no midi response from the LP1
<br>In the LP1 manual, there is mention of midi bypass
<br>it says that midi bypass can be controlled from a panel button only (no=
t sure what is meant by that)
<br>I cannot find midi bypass in any of the LP1 menus on screen
<br>it also states that all incoming midi will be sent to the out port, whe=
n bypassed
<br>but again, it see no evidence of midi passing thru
<br>I just tried my old GR gtr synth-no response from LP1
<br>this LP1 has spent most of it's life on the shelf-it's hard for me to=
 believe that suddenly the midi connections have gone south
<br>as well, I sent this unit to Bob for repair (audio gurgle) about 3 year=
s ago-it's seen relatively no use since then
<br>I can't help but think there is some "item" that is not properly enable=
d on this unit
<br>
<br>I'm looking into software loopers, but the latency is hard for me to en=
joy
<br>I've pulled sooper looper into Abelton live, but it's hard for me to ge=
t that going-no user manual
<br>
<br>can't a fella just get some looping going? The only feature that I real=
ly, really need is the "multiply" feature
<br>I'd just use my line 6 stuff, if it was available there
<br>as well, I'd like to loop some acoustic stuff, so I'm attempting to use=
 a mixer and some pre's
<br>but I'm stopped without foot control of the LP1
<br>
<br>ther's my sob story
<br>
<br>BTW-So enjoyed the Emanuel link on FB-I used to work with that guy, her=
e in MPLS
<br>
<br>Cheers,
<br>Chris
<br>On Jul 8, 2011, at 8:41 PM, Charles Zwicky wrote:
<br>
<br>&gt;=20
<br>&gt; Are you able to control the LP-1 with another controller (or a MID=
I sequencer sending PC or CC messages)?
<br>&gt;=20
<br>&gt; CZ
<br>&gt;=20
<br>&gt;&gt; Hello all,
<br>&gt;&gt; to begon with-thanks to everyone who has chimed in to help me=
 out
<br>&gt;&gt; So far, nothing is working, midi-wise with my LP1
<br>&gt;&gt; Midi channels are set to 1
<br>&gt;&gt; cables are good
<br>&gt;&gt; FC-200 is sending program changes, if connected to other devic=
es
<br>&gt;&gt; FInally I've connected the FC-200 out to the midi in on the LP1
<br>&gt;&gt; then tested connections out from the thu or out midi on the LP=
1 to other devices
<br>&gt;&gt; no midi is passing thru
<br>&gt;&gt; super frustrated, as I really wanted to use this on a project
<br>&gt;&gt;=20
<br>&gt;&gt; any other ideas out there?
<br>&gt;&gt;=20
<br>&gt;&gt; Thanks,
<br>&gt;&gt; Chris
<br>&gt;&gt;=20
<br>&gt;&gt; I'm looking for help getting my Looperlative LP1 to receive mi=
di info
<br>&gt;&gt; the forums at looperlative are kinda quiet, and I'm in a ruch
<br>&gt;&gt; any help?
<br>&gt;=20
<br>&gt;=20
<br>&gt; --=20
<br>&gt;=20
<br>&gt; ...
<br>&gt; http://www.zmix.net
<br>&gt;=20
<br>&gt; http://www.esession.com/ChuckZwicky
<br>&gt;=20
<br>&gt; http://albumcredits.com/zmix
<br>&gt;=20
<br>&gt;=20
<br>
<br>Thanks,
<br>Chris
<br>
<br>
<br>
<br></span>

--Alternative__boundary__1310184356934--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 06:05:48 2011
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Subject: Re: Looperlative LP-1
Date: Fri, 8 Jul 2011 23:05:41 -0700
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What kind of midi cable are you using?  if its the cheap kind with the  
thick plastic molded ends like hosa cables, they won't seat far enough  
in to the LP-1 to make proper contact, use a high quality metal end  
midi cable,  If you haven't used the LP-1 in a while you might spray  
the midi ports with a good cleanser like D-Oxit as oxidation can cause  
problems as well. if you live in a humid climate or by a body of  
water. if you have a midi interface i'd do what Daniel suggested, and  
run a midi diagnostic. if all else fails send it back to Bob and he  
will fix it, sorry you are having issues
  Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 06:20:02 2011
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Subject: Re: Original Boss RC-20
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Why not use a looper with more than one loop? Also, if it's stereo, you could use one channel for guitar and one for vocal stuff (routed as desired).

G


-----Original Message-----
>The idea is: I'm trying to convince a singer to start a (pop/rock) duo 
>where I play acoustic guitar.  I need to make loops, usuall only one 
>loop per song is needed for the songs I've been working on.  But every 
>now and then, I need a second loop faster than I can erase the first 
>loop.  Remember, I'm not saving loops on the fly or touching the pedal 
>with my hands.  It's all foot-only operation.  By putting a second RC-20 
>in series with the one I've got, I'd have all the capability that I 
>need.  I'm not interested in using loops prepared in advance or saving 
>what I play on the fly so memory slots and anything more spiffy aren't 
>desired.  I figure getting a second RC-20 ought to be cheaper than 
>selling what I've got and replacing it with something more capable like 
>an RC-50, for example.
>
>Cheers,
>
>Bill
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 08:32:13 2011
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, July 9 at 6 am EDT/GMT-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.  On today's show, I will play music by Mark Jenkins who will be
performing at the Soundscapes Concert Series on Sunday, July 24, 8 pm
at the Nazareth Center for the Arts.
http://soundscapes.us

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

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Subject: Re: Looperlative LP-1
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I think that's the problem right there....midi cables not connecting properl=
y. You can get the plastic ones to fit, but you have to push them in hard.=20=


Sent from my iPod

On 9 Jul 2011, at 07:05, William Walker <billwalker@baymoon.com> wrote:

> What kind of midi cable are you using?  if its the cheap kind with the thi=
ck plastic molded ends like hosa cables, they won't seat far enough in to th=
e LP-1 to make proper contact, use a high quality metal end midi cable,  If y=
ou haven't used the LP-1 in a while you might spray the midi ports with a go=
od cleanser like D-Oxit as oxidation can cause problems as well. if you live=
 in a humid climate or by a body of water. if you have a midi interface i'd d=
o what Daniel suggested, and run a midi diagnostic. if all else fails send i=
t back to Bob and he will fix it, sorry you are having issues
> Bill
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 14:05:25 2011
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Checkout the Boomerang III.

http://www.youtube.com/watch?v=3DuoKF0gbW6Ko
http://www.boomerangmusic.com/

Pros: 3 loops. Flexibility to do a rhythm loop plus 2 loops that can be =
switched between sequentially. Stereo. Reverse and half-speed support.

Cons: No MIDI sync in or out (in case you care about drum machines or =
the like). Recording seamless loops -- i.e., the record into overdub =
maneuver -- involves a really complicated foot dance. (I'm pushing hard =
for that to get addressed in a future software revision.)

Mark

On Jul 8, 2011, at 11:20 PM, Grant wrote:

> Why not use a looper with more than one loop? Also, if it's stereo, =
you could use one channel for guitar and one for vocal stuff (routed as =
desired).
>=20
> G
>=20
>=20
> -----Original Message-----
>> The idea is: I'm trying to convince a singer to start a (pop/rock) =
duo=20
>> where I play acoustic guitar.  I need to make loops, usuall only one=20=

>> loop per song is needed for the songs I've been working on.  But =
every=20
>> now and then, I need a second loop faster than I can erase the first=20=

>> loop.  Remember, I'm not saving loops on the fly or touching the =
pedal=20
>> with my hands.  It's all foot-only operation.  By putting a second =
RC-20=20
>> in series with the one I've got, I'd have all the capability that I=20=

>> need.  I'm not interested in using loops prepared in advance or =
saving=20
>> what I play on the fly so memory slots and anything more spiffy =
aren't=20
>> desired.  I figure getting a second RC-20 ought to be cheaper than=20
>> selling what I've got and replacing it with something more capable =
like=20
>> an RC-50, for example.
>>=20
>> Cheers,
>>=20
>> Bill
>>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 15:39:08 2011
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Subject: Re: Looperlative LP-1
From: Chris Beaty <ctb@visi.com>
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I have a large supply of midi cables,.
I've tried 6 now
cables with metal tips, as well
still no dice...
I think I've ruled out the cables
any other reasons that midi is not responding on the LP-1
On Jul 9, 2011, at 5:29 AM, Simeon Harris wrote:

> I think that's the problem right there....midi cables not connecting =
properly. You can get the plastic ones to fit, but you have to push them =
in hard.=20
>=20
> Sent from my iPod
>=20
> On 9 Jul 2011, at 07:05, William Walker <billwalker@baymoon.com> =
wrote:
>=20
>> What kind of midi cable are you using?  if its the cheap kind with =
the thick plastic molded ends like hosa cables, they won't seat far =
enough in to the LP-1 to make proper contact, use a high quality metal =
end midi cable,  If you haven't used the LP-1 in a while you might spray =
the midi ports with a good cleanser like D-Oxit as oxidation can cause =
problems as well. if you live in a humid climate or by a body of water. =
if you have a midi interface i'd do what Daniel suggested, and run a =
midi diagnostic. if all else fails send it back to Bob and he will fix =
it, sorry you are having issues
>> Bill
>>=20
>=20
>=20

Thanks,
Chris



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Date: Sat, 9 Jul 2011 08:53:47 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Original Boss RC-20
To: Loopers-Delight@loopers-delight.com
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--0-1441371766-1310226827=:11211
Content-Type: text/plain; charset=iso-8859-1
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Looks like the Boss RC-50 is discontinued! I checked 4 major music vendor s=
ites and saw the discontinued message. Interesting...will Boss be replacing=
 it with a re-vamped version?

--- On Fri, 7/8/11, Victor Eijkhout <victor@eijkhout.net> wrote:


From: Victor Eijkhout <victor@eijkhout.net>
Subject: Re: Original Boss RC-20
To: Loopers-Delight@loopers-delight.com
Date: Friday, July 8, 2011, 10:21 PM



On Jul 8, 2011, at 7:58 PM, Bill Fox wrote:

> What I need is two separate loops for different parts of the same song.=
=A0 First, I need a loop for a verse or chorus.=A0 Then I need a totally di=
fferent loop for the coda.

The RC-50 has a mode where its three loops can be played like that. Someone=
 told me they are dropping in price.

Victor.


--0-1441371766-1310226827=:11211
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Looks like the Boss RC-50 is discontinued! I =
checked 4 major music vendor sites and saw the discontinued message. Intere=
sting...will Boss be replacing it with a re-vamped version?<BR><BR>--- On <=
B>Fri, 7/8/11, Victor Eijkhout <I>&lt;victor@eijkhout.net&gt;</I></B> wrote=
:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Victor Eijkhout &lt;victor@eijkhout.net&gt;=
<BR>Subject: Re: Original Boss RC-20<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Date: Friday, July 8, 2011, 10:21 PM<BR><BR>
<DIV class=3DplainMail><BR>On Jul 8, 2011, at 7:58 PM, Bill Fox wrote:<BR><=
BR>&gt; What I need is two separate loops for different parts of the same s=
ong.&nbsp; First, I need a loop for a verse or chorus.&nbsp; Then I need a =
totally different loop for the coda.<BR><BR>The RC-50 has a mode where its =
three loops can be played like that. Someone told me they are dropping in p=
rice.<BR><BR>Victor.<BR><BR></DIV></BLOCKQUOTE></td></tr></table>
--0-1441371766-1310226827=:11211--

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Subject: Re: Original Boss RC-20
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On Jul 9, 2011, at 10:53 AM, Paul Richards wrote:

> I checked 4 major music vendor sites and saw the discontinued message.

Guitar Center lists it for a clearance price of 450.

> Interesting...will Boss be replacing it with a re-vamped version?

That would be cool. If it weren't for the fact that I bought my RC-50 =
only a few months ago.

Btw, http://www.eijkhout.net/mp3s/loop/Friday%20loop.mp3

Victor.

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 16:34:07 2011
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Subject: Re: Looperlative LP-1
Date: Sat, 9 Jul 2011 09:33:59 -0700
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  PS, and this is something i would suggest to anyone, find a good  
electronic technician in your area,  and get them to take a look  
inside your LP-1, I think you have an issue at the source (the midi  
jacks themselves, possibly a cold solder joint as earlier suggested)   
As a matter of fact it is now common wisdom that any gear  made in  
china, which would include most PC board manufacturing, be gone  
through and had the critical connections re-soldered using better  
quality solder.  Particularly for connections like inputs and outputs  
and midi connections if applicable. Why? because cheap solder and wave  
soldering does not produce long lasting connections. Even a guy like  
Bob who is doing all of the final assembly must subcontract his pc  
boards and other components.
Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 16:41:32 2011
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Subject: Re: Looperlative LP-1
Date: Sat, 9 Jul 2011 09:41:25 -0700
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last question, are you able to initiate commands from the front panel  
buttons? if so definitely check the solder joints on the midi jacks.
  Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 16:56:31 2011
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Subject: Re: Original Boss RC-20
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Victor,

A bit of wisdom that may and may not apply to the RC 50 but has applied to M=
ANY things I've bought, upgraded, swapped, sold, horse traded etc:

THe newest version is NOT always the best.   In fact, after having spent hun=
dreds of thousands of dollars on music stuff, I frequently wait to buy the n=
ewest versions so the creator has time to iron out the bugs that slipped thr=
ough the cracks.  Quite often, WE are the focus group, the test group of new=
 devices, software etc.  I remember this well in the first days of Digidesig=
n where I would call with an issue, they'd ask me to repeat what happened.  T=
hen there would be silence and they would say, "Oh cool!  I think I know wha=
t that is.  I'll get back to you."

Think of the Jupiter 8, the old tweed Fender Supers and Twins, the Tube Scre=
amer, the migration from analogue tape to digital (both have extreme advanta=
ges over the other). =20

Newer is not necessarily better.  Sometimes it is, often it's not.  For Digi=
design (now Avid), MOSTLY it's improvement... but often it's four steps forw=
ard, one terrible step back.=20

With time, marketing hype starts to sound like white noise.=20

Just my simple headed opinion!!!  Results may vary!

Richard Sales
Sent from my IPad
www.glasswing.com


On Jul 9, 2011, at 9:22 AM, Victor Eijkhout <victor@eijkhout.net> wrote:

>=20
> On Jul 9, 2011, at 10:53 AM, Paul Richards wrote:
>=20
>> I checked 4 major music vendor sites and saw the discontinued message.
>=20
> Guitar Center lists it for a clearance price of 450.
>=20
>> Interesting...will Boss be replacing it with a re-vamped version?
>=20
> That would be cool. If it weren't for the fact that I bought my RC-50 only=
 a few months ago.
>=20
> Btw, http://www.eijkhout.net/mp3s/loop/Friday%20loop.mp3
>=20
> Victor.
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 17:02:23 2011
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Subject: Re: Looperlative LP-1
From: Chris Beaty <ctb@visi.com>
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Front panel works
thanks,
chris
On Jul 9, 2011, at 11:41 AM, William Walker wrote:

> last question, are you able to initiate commands from the front panel =
buttons? if so definitely check the solder joints on the midi jacks.
> Bill
>=20
>=20

Thanks,
Chris



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Subject: Re: Original Boss RC-20
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Totally agreeing with Richard that new products may not be the best.
But please note that this about Roland/Boss loopers and the RC-50
really is the best among those. So sad it is going out of production
now.

Looped Greeetings

Per Boysen



On Sat, Jul 9, 2011 at 6:57 PM, richard sales <richard@glasswing.com> wrote=
:
> Victor,
>
> A bit of wisdom that may and may not apply to the RC 50 but has applied t=
o MANY things I've bought, upgraded, swapped, sold, horse traded etc:
>
> THe newest version is NOT always the best. =C2=A0 In fact, after having s=
pent hundreds of thousands of dollars on music stuff, I frequently wait to =
buy the newest versions so the creator has time to iron out the bugs that s=
lipped through the cracks. =C2=A0Quite often, WE are the focus group, the t=
est group of new devices, software etc. =C2=A0I remember this well in the f=
irst days of Digidesign where I would call with an issue, they'd ask me to =
repeat what happened. =C2=A0Then there would be silence and they would say,=
 "Oh cool! =C2=A0I think I know what that is. =C2=A0I'll get back to you."
>
> Think of the Jupiter 8, the old tweed Fender Supers and Twins, the Tube S=
creamer, the migration from analogue tape to digital (both have extreme adv=
antages over the other).
>
> Newer is not necessarily better. =C2=A0Sometimes it is, often it's not. =
=C2=A0For Digidesign (now Avid), MOSTLY it's improvement... but often it's =
four steps forward, one terrible step back.
>
> With time, marketing hype starts to sound like white noise.
>
> Just my simple headed opinion!!! =C2=A0Results may vary!
>
> Richard Sales
> Sent from my IPad
> www.glasswing.com
>
>
> On Jul 9, 2011, at 9:22 AM, Victor Eijkhout <victor@eijkhout.net> wrote:
>
>>
>> On Jul 9, 2011, at 10:53 AM, Paul Richards wrote:
>>
>>> I checked 4 major music vendor sites and saw the discontinued message.
>>
>> Guitar Center lists it for a clearance price of 450.
>>
>>> Interesting...will Boss be replacing it with a re-vamped version?
>>
>> That would be cool. If it weren't for the fact that I bought my RC-50 on=
ly a few months ago.
>>
>> Btw, http://www.eijkhout.net/mp3s/loop/Friday%20loop.mp3
>>
>> Victor.
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 17:48:10 2011
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Subject: MI Business Plan [was: Re: Original Boss RC-20}
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On 7/9/11 1:05 PM, Per Boysen wrote:
> So sad it is going out of production
> now.
How else can Boss get thousands of people to buy the next big thing from 
them?   ;-)
Gear companies must update or replace items in their gear lines in order 
to keep us buying and them in business.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 19:44:41 2011
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Subject: Re: Original Boss RC-20
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> the RC-50 really is the best among those. 
> So sad it is going out of production now.

Probably the best time to sell my RC-50 now... :-)
Anybody in Europe interested?

best rgds
Buzap
-- 
NEU: FreePhone - kostenlos mobil telefonieren!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Sat Jul  9 20:09:36 2011
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On Sat, Jul 9, 2011 at 9:44 PM, Buzap Buzap <buzap@gmx.net> wrote:
>> the RC-50 really is the best among those.
>> So sad it is going out of production now.
>
> Probably the best time to sell my RC-50 now... :-)


No, the best time to BUY ONE!!!!

Per

From Loopers-Delight-request@loopers-delight.com  Sun Jul 10 01:20:03 2011
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To: Loopers-Delight@loopers-delight.com
Subject: PITTSBURGH mini fest update
Date: Sat, 09 Jul 2011 21:19:48 -0400
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----------MB_8CE0CB69815D6E7_13DC_42D6E_Webmail-m107.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain; charset="us-ascii"

so far, jim goodin and jeff duke have shown an interest in the SEPT 2-3 fe=
st here in the burg.....


FRIDAY nite sept 2 will be a show at the INTERNATIONAL CHILDREN'S ART GALL=
ERY, 7-?, there is a=20


first friday art crawl this evening so there will be lots of folks stoppin=
g in.....saturday the third will be


an outdoor show on GRANDVIEW AVE overlooking the city, 11-4, this is in co=
njuncture with an art market


that will be held on the ajoining street.....as i had mentioned, the stage=
 area is directly across the street


from the incline that brings all the visitors to the mount and at this tim=
e of year, there are many of them.....


i think it might be a holiday of some sort.....i have your basic PA system=
, mackie 1202 mixer, 2 srm 450's


with stands and a bunch-o-boxes.....everyone is welcome to stay at HOUSE=
 KLOBY, bed, couch, floor,


pool, coffee, donutz.....if you want to make a holiday out of it, wonderfu=
l, no rush on my behalf.....


if anyone else is interested in playing, please let me know soonest so i=
 can get some adverts taken


care of.....i will need short bios from everyone for the ads etc.....any=
 questions, ask away, off list......


there ya go!.....i'm getting excited.....DONUTZ!!!!!!!!!!!!!!!!!








=20

----------MB_8CE0CB69815D6E7_13DC_42D6E_Webmail-m107.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'Arial, Helvetica, sans-serif'>so=
 far, jim goodin and jeff duke have shown an interest in the SEPT 2-3 fest=
 here in the burg.....
<div><br>
</div>

<div>FRIDAY nite sept 2 will be a show at the INTERNATIONAL CHILDREN'S ART=
 GALLERY, 7-?, there is a&nbsp;</div>

<div><br>
</div>

<div>first friday art crawl this evening so there will be lots of folks st=
opping in.....saturday the third will be</div>

<div><br>
</div>

<div>an outdoor show on GRANDVIEW AVE overlooking the city, 11-4, this is=
 in conjuncture with an art market</div>

<div><br>
</div>

<div>that will be held on the ajoining street.....as i had mentioned, the=
 stage area is directly across the street</div>

<div><br>
</div>

<div>from the incline that brings all the visitors to the mount and at thi=
s time of year, there are many of them.....</div>

<div><br>
</div>

<div>i think it might be a holiday of some sort.....i have your basic PA=
 system, mackie 1202 mixer, 2 srm 450's</div>

<div><br>
</div>

<div>with stands and a bunch-o-boxes.....everyone is welcome to stay at HO=
USE KLOBY, bed, couch, floor,</div>

<div><br>
</div>

<div>pool, coffee, donutz.....if you want to make a holiday out of it, won=
derful, no rush on my behalf.....</div>

<div><br>
</div>

<div>if anyone else is interested in playing, please let me know soonest=
 so i can get some adverts taken</div>

<div><br>
</div>

<div>care of.....i will need short bios from everyone for the ads etc.....=
any questions, ask away, off list......</div>

<div><br>
</div>

<div>there ya go!.....i'm getting excited.....DONUTZ!!!!!!!!!!!!!!!!!<br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">
<div id=3D"AOLMsgPart_0_efadf55f-65cc-4d80-89ff-8fdcbe6200ce" style=3D"mar=
gin: 0px;font-family: Tahoma, Verdana, Arial, Sans-Serif;font-size: 12px;c=
olor: #000;background-color: #fff;"><pre style=3D"font-size: 9pt;"><tt>
</tt></pre>
</div>
 <!-- end of AOLMsgPart_0_efadf55f-65cc-4d80-89ff-8fdcbe6200ce -->



</div>
</div>
</font>

----------MB_8CE0CB69815D6E7_13DC_42D6E_Webmail-m107.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 10 17:58:21 2011
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Date: Sun, 10 Jul 2011 13:58:15 -0400
From: PiNG <ping@theambientping.com>
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To: "Ambient@hyperreal" <ambient@hyperreal.org>, 
 Dark Seeds <DarkSeedsNews@yahoogroups.com>,
 Drone Deep Chill <drone_deep_chill@yahoogroups.com>, 
 Loopers Delight <Loopers-Delight@loopers-delight.com>,
 The Ambient Way <the_ambient_way@yahoogroups.com>
Subject: 07.12.11 > The PiNG presents AMOEBA STARFISH + SPACENOIZ + STILLCOILED
 + GENERAL CHAOS VISUALS
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. 07.12.11 . THE AMBiENT PiNG presents
MYSTERY MOON of MARS featuring AMOEBA STARFISH +
SPACENOIZ + STILLCOILED + GENERAL CHAOS VISUALS
@ Supermarket . 268 Augusta Ave . Kensington Market
     just south of College  .  Map, info and directions at:
     http://www.supermarkettoronto.com/site/section/contact
     Tues. July 12th . Doors open at 8:00 . 1st set at 8:30 . $6

. SPACENOIZ . Jim Field, formerly of Rhea's Obsession brings
his spacenoiz project and his many string things and efx back
to the PiNG for a solo set of beautiful spacey atmospherics.
http://www.myspace.com/jimfieldfromrheas

. AMOEBA STARFISH . Featuring one of our favourite space
guitarists Phil Ogison along with laptop percussionist
Jeff Howard, AMOEBA STARFISH combines elements of
groove, chill, space & psychedelia in equal proportions, at
times tribal, at times alien, sure to intrigue, soothe and excite.
The AMOEBA has mutated and the STARFISH sprouts another
point for this show as PiNG favourite WALLY JERICHO will also
be plugging in his horns and stuff.
http://www.reverbnation.com/amoebastarfish#

. STILLCOILED . It's been a while (the Club Nia days) since we
last saw StillCoiled perform improvised ambience for us, but
brilliantfish (Rob Greenway) and partner in noiz Jim Field
(spacenoiz / Rhea's Obsession) are making sounds again
as StillCoiled so we've invited them to space out and to
make things PiNG.

. GENERAL CHAOS VISUALS . The unique evolving light paintings
of General Chaos Visuals will provide us with mesmerizing eye
candy of painted lights projected onto a canvas of performers.
http://www.generalchaosvisuals.ca

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG SOON

. TUESDAY AUGUST 16th 2011 . XII DECADE.2
THE AMBiENT PiNG's 12TH ANNiVERSARY featuring
TRANSMORPHOUS SOUND ENSEMBLE + GEEK WEEKEND
+ quasiMODAL + GENERAL CHAOS VISUALS

. TUESDAY SEPTEMBER 13th 2011 . RAMAC 305 featuring
NAW + ORTIZ + LANDON SPEERS

@ Supermarket . 268 Augusta Ave . Kensington Market
     just south of College  .  Map, info and directions at:
     http://www.supermarkettoronto.com/site/section/contact
     PiNG doors open at 8 . 1st set at 8:30 . $6

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

The PiNG also has a Twitter account to send you advance updates
and reminders of the when & where of future PiNG events.
Just search for ambientping to find us. http://twitter.com

We're also on facebook too, again just search THE AMBiENT PiNG.
http://www.facebook.com

ViSiT the ping things store for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 11 06:20:06 2011
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Subject: OSC and I phones and Whiskers on kittens........
Date: Sun, 10 Jul 2011 23:19:58 -0700
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Some friends of my wife  Nancy just gave us their old I phones so I've  
downloaded OSC and the Missing link template and fired up a Missing  
link, and though I have yet to figure out how to program midi program  
changes in to it to get at all my  LP-1 parameters happening .  I've  
already got it running for midi note and cc control and that in itself  
is adding some cool new capability such as using midi notes to control  
replace which allows me to replace portions of my loop for as long  as  
i touch the key on the I phones keyboard template, a true sus command  
that due to laziness, I haven't tried programming my Little Giant to  
do. Its  great for interrupting a percolating loop with a portion of  
long sustained notes or vise versa, and doing glitchy stutter replaces  
by hitting the  key rapidly. granted i have to take one hand of the  
instrument to control it but its fun to play one handed at time as  
well. Also I have programmed a fader array to control  volume,   
feedback, panning and track speed and 4 individual track faders .  
having the speed on a fader allows me to accurately go to different  
percentages of the track speed that I could never do with a foot pedal  
controller,  so I can put the loop in another key, record additional  
content in  and then return it to the original key as follows. I'll  
record content at 100% (normal speed), move it the fader  to 75% (3/4  
speed), the 50% (half speed). then 37% (3/8 this speed???and finally  
25% (1/4 speed) all the while adding new content to the loop.  If i'm  
playing in E minor for example at normal speed, when I go to 75% speed  
it drops the key to B min, I then add some more stuff, and return to  
the original key. Recording at these other track speeds can cause some  
interesting artifacts and overtones.  The more I figure this thing out  
the more i like it. The Missing Link is great for us old school  
hardware guys who don't want to be left out of the future:-) and want  
more control over their gear. Additionally, any multi effect with  
extensive external cc control can really benefit from what an I phone,  
or touch, or pad,  and a Missing Link can do to really mix your  
effects in real time.
I'm looking in to a mic stand adaptor for my I phone and also if  
anyone has had any luck programming program change information on an  
OSC template I'd be grateful for some help as so far I'm stymied.
  Thanks
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Jul 11 06:57:40 2011
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Subject: FS: Looperlative LP1 
Date: Sun, 10 Jul 2011 23:32:52 -0700
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Mint condition LP1 for sale. Includes original box, manual, and  
packaging. $1000 shipped and paypalled. Local pick up available - SF  
Bay Area.

Thanks!

From Loopers-Delight-request@loopers-delight.com  Mon Jul 11 08:11:10 2011
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Subject: RE: PITTSBURGH mini fest update
Date: Mon, 11 Jul 2011 10:11:05 +0200
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> .....DONUTZ!!!!!!!!!!!!!!!!! 
 
very tempting !!  maybe next year ! I already have so many dates in
September, it would be difficult. But I'd love to come and play on the east
coast ... Sabine and me are thinking of visiting NYC again anyway to visit
some friends and spend time ... it would be great to bring the guitar ...
 
-Michael
www.michaelpeters.de
 

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<META content=3D"text/html; charset=3Dus-ascii" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.19088"></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D500430808-11072011>&gt;&nbsp;</SPAN>.....DONUTZ!!!!!!!!!!!!!!!!!<=
SPAN=20
class=3D500430808-11072011>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D500430808-11072011></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D500430808-11072011>very tempting !!&nbsp; maybe next year =
!&nbsp;I already=20
have so many dates in September, it would be difficult. But I'd love to =
come and=20
play on the east coast ...&nbsp;Sabine and me are thinking of visiting =
NYC again=20
anyway to visit some friends and spend time ... it would be great to =
bring the=20
guitar ...</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D500430808-11072011></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D500430808-11072011>-Michael</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D500430808-11072011><A=20
href=3D"http://www.michaelpeters.de">www.michaelpeters.de</A></SPAN></FON=
T></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D500430808-11072011></SPAN></FONT></FONT>&nbsp;</DIV><!-- end of =
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 11 11:13:04 2011
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References: <CAJC14Wgv7ZNqdGdwgRWc=7WvR2XLLVOPvZhjtsrSJEsgdPskrA@mail.gmail.com>
Subject: Re: Original Boss RC-20
Date: Mon, 11 Jul 2011 13:06:05 +0200
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... I=C2=B4ve just checked on e-bay here in Germany and the prices for =
used RC-50's range up to 600,- Euros, definitely not below 500,- Euros. =
It seems that waiting for a follow-up model might be a better idea, for =
the RC-50 prices might drop again. Or the new one is better anyway ;-)

I hope Boss/Roland is not replacing the RC-50 with their release of the =
RC-30.

Cheers

Ingo

=20


----- Original Message -----=20
  From: Per Boysen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 09, 2011 10:09 PM
  Subject: Re: Original Boss RC-20


  On Sat, Jul 9, 2011 at 9:44 PM, Buzap Buzap <buzap@gmx.net> wrote:
  >> the RC-50 really is the best among those.
  >> So sad it is going out of production now.
  >
  > Probably the best time to sell my RC-50 now... :-)


  No, the best time to BUY ONE!!!!

  Per

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=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"text/html; charset=3Dutf-8" http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D4 face=3DArial>... I=C2=B4ve just checked on e-bay =
here in Germany and=20
the prices for used RC-50's range&nbsp;up to&nbsp;600,- Euros, =
definitely not=20
below 500,- Euros. It seems that waiting for a follow-up model might be =
a better=20
idea, for the RC-50 prices might drop again. Or&nbsp;the new one is =
better=20
anyway ;-)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I hope Boss/Roland is not =
replacing&nbsp;the RC-50=20
with their release of the RC-30.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Cheers</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Ingo</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dperboysen@gmail.com href=3D"mailto:perboysen@gmail.com">Per =
Boysen</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 09, 2011 =
10:09=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Original Boss =
RC-20</DIV>
  <DIV><BR></DIV>On Sat, Jul 9, 2011 at 9:44 PM, Buzap Buzap &lt;<A=20
  href=3D"mailto:buzap@gmx.net">buzap@gmx.net</A>&gt; wrote:<BR>&gt;&gt; =
the RC-50=20
  really is the best among those.<BR>&gt;&gt; So sad it is going out of=20
  production now.<BR>&gt;<BR>&gt; Probably the best time to sell my =
RC-50 now...=20
  :-)<BR><BR><BR>No, the best time to BUY=20
ONE!!!!<BR><BR>Per<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 11 11:51:29 2011
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Subject: Thought Radio Playlist for July 9, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/110709.html

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

On this program, I played music by Mark Jenkins who will play at the
Soundscapes Concert Series on Sunday, July 24, at 8:00 pm.
http://soundscapes.us


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jurgen Haible        The Beauty of        Of Eagles and Prophets (none)
                        Innocence
Mark Jenkins         Moonchild            The iPad Album (AMP)
VA [Lambert          Way To Way           Sequences No. 14
   Ringlage]
VA [David Wright]    Live at London       Sequences No. 14
                        Planetarium
A Dancing Beggar     Stars Bring Us       Follow the Dark As If It Were
                        Closer               Light (Audiobulb)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Richard Schulman]Meditation 5         Sounds from the Circle III
VA [Rieg]            The Greem Fairy      Sounds from the Circle III
Homeless Balloon     Ancient City part 1  Ancient City (24 Chillout)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Lana Lane            Breathe Intro        Gemini (Think Tank)
Lana Lane            Johnny Moon          Gemini (Think Tank)
Lana Lane            Breathe In the Air   Gemini (Think Tank)
Lana Lane            On the Run           Gemini (Think Tank)
Lana Lane            Time                 Gemini (Think Tank)
Lana Lane            Breathe Reprise      Gemini (Think Tank)
Pink Floyd           Shine On You Crazy   Pulse (Columbia)
                        Diamond
Mary Fahl            Us and Them          From the Dark Side of the Moon
Mary Fahl            Any Colour You Like  From the Dark Side of the Moon
Alan Morse           Cold Fusion *        Four O'clock and Hysteria
                                             (InsideOut)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/GMT-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 11 12:09:18 2011
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Date: Mon, 11 Jul 2011 08:09:16 -0400
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Subject: Re: OSC and I phones and Whiskers on kittens........
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf307cfece5ac2d604a7ca0d17
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Bill I'm intending to try this for Mobius.  Sounds like you have made some
good discoveries thusfar.  Seems like I recall Randolf having some cool
attachment to his guitar supporting the his iphone.  Thanks for the report.

Jim

On Mon, Jul 11, 2011 at 2:19 AM, William Walker <billwalker@baymoon.com>wro=
te:

> Some friends of my wife  Nancy just gave us their old I phones so I've
> downloaded OSC and the Missing link template and fired up a Missing link,
> and though I have yet to figure out how to program midi program changes i=
n
> to it to get at all my  LP-1 parameters happening .  I've already got it
> running for midi note and cc control and that in itself is adding some co=
ol
> new capability such as using midi notes to control replace which allows m=
e
> to replace portions of my loop for as long  as i touch the key on the I
> phones keyboard template, a true sus command that due to laziness, I have=
n't
> tried programming my Little Giant to do. Its  great for interrupting a
> percolating loop with a portion of long sustained notes or vise versa, an=
d
> doing glitchy stutter replaces by hitting the  key rapidly. granted i hav=
e
> to take one hand of the instrument to control it but its fun to play one
> handed at time as well. Also I have programmed a fader array to control
>  volume,  feedback, panning and track speed and 4 individual track faders=
 .
> having the speed on a fader allows me to accurately go to different
> percentages of the track speed that I could never do with a foot pedal
> controller,  so I can put the loop in another key, record additional cont=
ent
> in  and then return it to the original key as follows. I'll record conten=
t
> at 100% (normal speed), move it the fader  to 75% (3/4 speed), the 50% (h=
alf
> speed). then 37% (3/8 this speed???and finally 25% (1/4 speed) all the wh=
ile
> adding new content to the loop.  If i'm playing in E minor for example at
> normal speed, when I go to 75% speed it drops the key to B min, I then ad=
d
> some more stuff, and return to the original key. Recording at these other
> track speeds can cause some interesting artifacts and overtones.  The mor=
e I
> figure this thing out the more i like it. The Missing Link is great for u=
s
> old school hardware guys who don't want to be left out of the future:-) a=
nd
> want more control over their gear. Additionally, any multi effect with
> extensive external cc control can really benefit from what an I phone, or
> touch, or pad,  and a Missing Link can do to really mix your effects in r=
eal
> time.
> I'm looking in to a mic stand adaptor for my I phone and also if anyone h=
as
> had any luck programming program change information on an OSC template I'=
d
> be grateful for some help as so far I'm stymied.
>  Thanks
>  Bill
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf307cfece5ac2d604a7ca0d17
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Bill I&#39;m intending to try this for Mobius. =A0Sounds like you have made=
 some good discoveries thusfar. =A0Seems like I recall Randolf having some =
cool attachment to his guitar supporting the his iphone. =A0Thanks for the =
report.<div>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Mon, Jul 11, 2011 a=
t 2:19 AM, William Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalke=
r@baymoon.com">billwalker@baymoon.com</a>&gt;</span> wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid=
;padding-left:1ex;">
Some friends of my wife =A0Nancy just gave us their old I phones so I&#39;v=
e downloaded OSC and the Missing link template and fired up a Missing link,=
 and though I have yet to figure out how to program midi program changes in=
 to it to get at all my =A0LP-1 parameters happening . =A0I&#39;ve already =
got it running for midi note and cc control and that in itself is adding so=
me cool new capability such as using midi notes to control replace which al=
lows me to replace portions of my loop for as long =A0as i touch the key on=
 the I phones keyboard template, a true sus command that due to laziness, I=
 haven&#39;t tried programming my Little Giant to do. Its =A0great for inte=
rrupting a percolating loop with a portion of long sustained notes or vise =
versa, and doing glitchy stutter replaces by hitting the =A0key rapidly. gr=
anted i have to take one hand of the instrument to control it but its fun t=
o play one handed at time as well. Also I have programmed a fader array to =
control =A0volume, =A0feedback, panning and track speed and 4 individual tr=
ack faders . having the speed on a fader allows me to accurately go to diff=
erent percentages of the track speed that I could never do with a foot peda=
l controller, =A0so I can put the loop in another key, record additional co=
ntent in =A0and then return it to the original key as follows. I&#39;ll rec=
ord content at 100% (normal speed), move it the fader =A0to 75% (3/4 speed)=
, the 50% (half speed). then 37% (3/8 this speed???and finally 25% (1/4 spe=
ed) all the while adding new content to the loop. =A0If i&#39;m playing in =
E minor for example at normal speed, when I go to 75% speed it drops the ke=
y to B min, I then add some more stuff, and return to the original key. Rec=
ording at these other track speeds can cause some interesting artifacts and=
 overtones. =A0The more I figure this thing out the more i like it. The Mis=
sing Link is great for us old school hardware guys who don&#39;t want to be=
 left out of the future:-) and want more control over their gear. Additiona=
lly, any multi effect with extensive external cc control can really benefit=
 from what an I phone, or touch, or pad, =A0and a Missing Link can do to re=
ally mix your effects in real time.<br>

I&#39;m looking in to a mic stand adaptor for my I phone and also if anyone=
 has had any luck programming program change information on an OSC template=
 I&#39;d be grateful for some help as so far I&#39;m stymied.<br>
=A0Thanks<br>
=A0Bill<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf307cfece5ac2d604a7ca0d17--

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Subject: signal to noise magazine - interview
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hi to all,

there is a long, detailed interview about my works, technical gear etc =
at the latest "Signal To Noise" magazine summer 2011 issue. for those =
who are interested...

http://www.signaltonoisemagazine.org/currentissue.html

thanks a lot and best.

www.erdemhelvacioglu.com


=

=


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-9" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18975">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>hi to all,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>there is a long, detailed interview =
about my works,=20
technical gear etc at the latest "Signal To Noise" magazine summer 2011 =
issue.=20
for those who are interested...</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.signaltonoisemagazine.org/currentissue.html">http://ww=
w.signaltonoisemagazine.org/currentissue.html</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>thanks a lot and best.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A></FO=
NT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
=

=


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From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 02:01:26 2011
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Subject: Re: signal to noise magazine - interview
From: Jeffrey Collins <jeffreycollins1975@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cdfd4684e057e04a7d5ad2c
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Congrats Erdem. Looking forward to the read. Cheers. Jeffrey

2011/7/11 Erdem Helvacioglu <erdemhel@tnn.net>

> **
> hi to all,
>
> there is a long, detailed interview about my works, technical gear etc at
> the latest "Signal To Noise" magazine summer 2011 issue. for those who are
> interested...
>
> http://www.signaltonoisemagazine.org/currentissue.html
>
> thanks a lot and best.
>
> www.erdemhelvacioglu.com
>
>

--000e0cdfd4684e057e04a7d5ad2c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Congrats Erdem. Looking forward to the read. Cheers. Jeffrey<br><br><div cl=
ass=3D"gmail_quote">2011/7/11 Erdem Helvacioglu <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:erdemhel@tnn.net">erdemhel@tnn.net</a>&gt;</span><br><blockquo=
te class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc so=
lid;padding-left:1ex;">
<u></u>





<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">hi to all,</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial">there is a long, detailed interview ab=
out my works,=20
technical gear etc at the latest &quot;Signal To Noise&quot; magazine summe=
r 2011 issue.=20
for those who are interested...</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial"><a href=3D"http://www.signaltonoisemag=
azine.org/currentissue.html" target=3D"_blank">http://www.signaltonoisemaga=
zine.org/currentissue.html</a></font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial">thanks a lot and best.</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial"><a href=3D"http://www.erdemhelvacioglu=
.com" target=3D"_blank">www.erdemhelvacioglu.com</a></font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>



</div>
</blockquote></div><br>

--000e0cdfd4684e057e04a7d5ad2c--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 02:03:01 2011
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Subject: on KFJC tonight
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Friends,

I'll be on KFJC tonight to promote the Outsound Summit and Touch the
Gear. 89.7 fm (near San Francisco) & kfjc.org. I'm on between 8 and 9.
I'll be playing tracks by both Touch the Gear participants, and other
musicians who use invented instruments, repurposed objects and other
unusual sound sources.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Podcast! http://ribosomematt.podomatic.com
Rigs! http://www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 03:38:37 2011
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Date: Mon, 11 Jul 2011 23:23:40 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Ugly Beatuy photo essay  on flickr
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi,

I posted a new photo essay titled "Ugly Beauty" on Flickr at 
http://www.flickr.com/photos/22231918@N06/sets/72157627050182543

I enjoy taking photographs of subjects that are not normally thought 
of as aesthetically pleasing. I'm emphatically not interested in 
grotesque, shocking or violent subject matter. I try to make beauty 
out of ordinary things such as a twig on a wood surface, lines 
painted on the street, or shadows cast by a fence.

I strive to make art from the mundane, and use visual aspects such as 
light, shadow, texture, juxtaposition and framing to this end. "Ugly 
Beauty" is the title of a Thelonious Monk composition, and it has 
long been a mental concept I keep in mind while photographing these 
images. Minor White's concept of photographing "things for what else 
they are also inspires this work, and Brian Eno's oblique strategy 
"Make a blank valuable by putting it in an exquisite frame." plays a 
role in it as well.

In picking images for this photo essay, I was faced with the unusual 
challenge of deciding whether an image is ugly enough to be included, 
as well as the more common task of deciding whether the inane is 
beautiful enough. I hope that viewing these images makes you day a 
little more beautiful, and helps you to see more beauty in your 
surroundings.

You can send me feedback on this photo essay (or on the whole 
concept)  at emile@foryourhead.com

-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 04:10:07 2011
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cool show Matt-hard to figure out all the instruments you were describing tho.


-----Original Message-----
>From: Matt Davignon <mattdavignon@gmail.com>
>Sent: Jul 11, 2011 7:02 PM
>To: Loopers Delight <Loopers-Delight@loopers-delight.com>
>Subject: on KFJC tonight
>
>Friends,
>
>I'll be on KFJC tonight to promote the Outsound Summit and Touch the
>Gear. 89.7 fm (near San Francisco) & kfjc.org. I'm on between 8 and 9.
>I'll be playing tracks by both Touch the Gear participants, and other
>musicians who use invented instruments, repurposed objects and other
>unusual sound sources.
>
>-- 
>Matt Davignon
>mattdavignon@gmail.com
>www.ribosomemusic.com
>Podcast! http://ribosomematt.podomatic.com
>Rigs! http://www.youtube.com/user/ribosomematt
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 05:31:13 2011
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Subject: signal to noise magazine - interview
Date: Mon, 11 Jul 2011 22:31:05 -0700
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excellent interview Erdem,
congratulations
Bill

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 06:57:52 2011
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Subject: Re: OSC and I phones and Whiskers on kittens........
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--Apple-Mail-9--713300116
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Bill I'm intending to try this for Mobius.  Sounds like you have made  
some good discoveries thus far.  Seems like I recall Randolf having  
some cool attachment to his guitar supporting the his iphone.  Thanks  
for the report.

Jim

Yes,
  the thing that Randolph had was really cool, I believe his Klien has  
more controllers on it than Adrian Belew's Parker Fly!
  I'm going to suggest he find a way to mount a Kaoss pad on it :-)  
Then it will be all over..:-) Though if i'm switching instruments that  
becomes less practical to have it mounted on a guitar, so I've been  
researching alternatives and they do make microphone stand adaptors  
which looks like what I'll use,but  I'd like to find an adaptor that  
actually has mic stand threads or camera mount threads  rather than a  
clamping style adaptor which is what I've seen so far. I was finally,  
able to get my pc messages going and set up a cool template with 20 pc  
messages,  thanks to Hans Lindauer at Missing Link,  that i will  
eventually get in and alter so that I can have basically every  
function I use covered without having to switch banks on my foot  
controller. though most critical stuff for timing I would still do  
with my feet, but commands like quantize replace can now gravitate to  
the i phone as I rarely capture the initial attack of the note when  
applying quantize replace to achieve a softer more ambiguous timbre.  
And the thing is totally click-less!!!!!!!
Makes me wonder if any one has yet been able to tame the softstep and  
make it work for them.  Makes me wish I had an
  I pad, and makes me wish Apple made a foot controller :-)
  Bill
--Apple-Mail-9--713300116
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
color=3D"#6B31FF"><br>Bill I'm intending to try this for Mobius. =
&nbsp;Sounds like you have made some good discoveries thus far. =
&nbsp;Seems like I recall Randolf having some cool attachment to his =
guitar supporting the his iphone. &nbsp;Thanks for the =
report.</font><div><font class=3D"Apple-style-span" =
color=3D"#6B31FF"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#6B31FF">Jim</font></div><div><font class=3D"Apple-style-span" =
color=3D"#6B31FF"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#04010C">Yes,</font></div><div><font class=3D"Apple-style-span" =
color=3D"#04010C">&nbsp;the thing that Randolph had was really cool, I =
believe his Klien has more controllers on it than Adrian Belew's Parker =
Fly!</font></div><div><font class=3D"Apple-style-span" =
color=3D"#04010C">&nbsp;I'm going to suggest he find a way to mount a =
Kaoss pad on it :-) Then it will be all over..:-) Though if i'm =
switching instruments that becomes less practical to have it mounted on =
a guitar, so I've been researching alternatives and they do make =
microphone stand adaptors which looks like what I'll use,but &nbsp;I'd =
like to find an adaptor that actually has mic stand threads or camera =
mount threads &nbsp;rather than a clamping style adaptor which is what =
I've seen so far. I was finally, able to get my pc messages going and =
set up a cool template with 20 pc messages,&nbsp;</font><span =
class=3D"Apple-style-span" style=3D"color: rgb(4, 1, 12); ">&nbsp;thanks =
to Hans Lindauer at Missing Link,&nbsp;</span><span =
class=3D"Apple-style-span" style=3D"color: rgb(4, 1, 12); ">&nbsp;that i =
will eventually get in and alter so that I can have basically every =
function I use covered without having to switch banks on my foot =
controller. though most critical stuff for timing I would still do with =
my feet, but commands like quantize replace can now gravitate to the i =
phone as I rarely capture the initial attack of the note when applying =
quantize replace to achieve a softer more ambiguous timbre. And the =
thing is totally click-less!!!!!!!&nbsp;</span></div><div><font =
class=3D"Apple-style-span" color=3D"#04010C">Makes me wonder if any one =
has yet been able to tame the softstep and make it work for them. =
&nbsp;Makes me wish I had an</font></div><div><font =
class=3D"Apple-style-span" color=3D"#04010C">&nbsp;I pad, and makes me =
wish Apple made a foot controller :-)</font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#04010C">&nbsp;Bill</font></div></body></html>=

--Apple-Mail-9--713300116--

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Subject: EDP, DirectMIDI, quant, 8ths
Date: Tue, 12 Jul 2011 00:00:37 -0700
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--Apple-Mail-1--713127628
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	charset=us-ascii

I am discovering that LoopIV in the EDP does not seem to have a way to =
directly  control 8ths/Cycle, Quantize, or SwitchQuant.

How are you folks controlling these params with your MIDI controllers?

I found this nugget on LD...

- - - - -

The excel spreadsheet (=20
http://www.loopers-delight.com/tools/echoplex/echoplex.html )is great =
for=20
all midi commands but wont give you the commands to switch quantize =
on/off=20
on the edp.(it is on the LD site
this is sys ex domain

Quant Cycle
F0 00 01 30 0B 01 01 13 02 01 00 01 F7
Quant 8th
F0 00 01 30 0B 01 01 13 02 01 00 02 F7
Quant loop
F0 00 01 30 0B 01 01 13 02 01 00 03 F7
Quant Off
F0 00 01 30 0B 01 01 13 02 01 00 00 F7

Claude
- - - - -

Is this part of the solution ? Does this code somehow add the ability to =
control Quant values with direct MIDI? SysEx frightens me...

Many thanks,

Phil :)


--Apple-Mail-1--713127628
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>I am discovering that LoopIV in the EDP does not seem to have a way to directly &nbsp;control 8ths/Cycle, Quantize, or SwitchQuant.</div><div><br></div><div>How are you folks controlling these params with your MIDI controllers?</div><div><br></div><div>I found this nugget on LD...</div><div><br></div><div>- - - - -</div><div><br></div><div><pre>The excel spreadsheet ( 
<a href="http://www.loopers-delight.com/tools/echoplex/echoplex.html">http://www.loopers-delight.com/tools/echoplex/echoplex.html</a> )is great for 
all midi commands but wont give you the commands to switch quantize on/off 
on the edp.(it is on the LD site
this is sys ex domain

Quant Cycle
F0 00 01 30 0B 01 01 13 02 01 00 01 F7
Quant 8th
F0 00 01 30 0B 01 01 13 02 01 00 02 F7
Quant loop
F0 00 01 30 0B 01 01 13 02 01 00 03 F7
Quant Off
F0 00 01 30 0B 01 01 13 02 01 00 00 F7

Claude
</pre><div>- - - - -</div></div><div><br></div><div>Is this part of the solution ? Does this code somehow add the ability to control Quant values with direct MIDI? SysEx frightens me...</div><div><br></div><div>Many thanks,</div><div><br></div><div>Phil :)</div><div><br></div></body></html>
--Apple-Mail-1--713127628--

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Date: Tue, 12 Jul 2011 10:38:51 +0200
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Subject: Re: OSC and I phones and Whiskers on kittens........
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Jul 12, 2011 at 8:57 AM, William Walker <billwalker@baymoon.com> wr=
ote:
> wish I had an
> =C2=A0I pad, and makes me wish Apple made a foot controller :-)


Put the ipad on the floor and toe it?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 15:28:15 2011
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Subject: Re: OT: Dropbox and PayPal
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001517740bc8b778ee04a7e0f2e1
Content-Type: text/plain; charset=ISO-8859-1

Thanks everyone for the input.

Best,

-Petri-

2011/7/5 Dennis Moser <sinsofmachaut@gmail.com>

> Petri,
>
> Basically echoing the same sentiments here, with one adviso:
>
> If you're concerned about the security of Dropbox (and there is good
> reason to be, after this last go-around), you might look into using
> Spider Oak (https://spideroak.com/) which is significantly more secure
> (at least for now: like Jeff says, it's a moving target).
>
> PayPal is good once you get verified.
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Mon, Jul 4, 2011 at 8:29 AM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
> > A couple of services that I use as a musician a lot, have updated their
> user
> > agreements,
> > ones mentioned in the header of this post.
> > I tried reading the updated agreements, could not find anything
> suspicious.
> > On the other hand, regarding the Dropbox's latest update, there has been
> > really strong
> > discussion about it.
> >
> > Has anyone on the list had time to review these and what are your
> opinions?
> >
> > Greetings from Finland,
> >
> > --
> > Petri Lahtinen
> >
> > http://www.petrilahtinen.com
> >
> >
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

--001517740bc8b778ee04a7e0f2e1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks everyone for the input.<br><br>Best,<br><br>-Petri-<br><br><div clas=
s=3D"gmail_quote">2011/7/5 Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</span><br><bl=
ockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-l=
eft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Petri,<br>
<br>
Basically echoing the same sentiments here, with one adviso:<br>
<br>
If you&#39;re concerned about the security of Dropbox (and there is good<br=
>
reason to be, after this last go-around), you might look into using<br>
Spider Oak (<a href=3D"https://spideroak.com/" target=3D"_blank">https://sp=
ideroak.com/</a>) which is significantly more secure<br>
(at least for now: like Jeff says, it&#39;s a moving target).<br>
<br>
PayPal is good once you get verified.<br>
<br>
Best,<br>
<br>
Dennis<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
On Mon, Jul 4, 2011 at 8:29 AM, Petri Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@gmail.=
com</a>&gt; wrote:<br>
&gt; A couple of services that I use as a musician a lot, have updated thei=
r user<br>
&gt; agreements,<br>
&gt; ones mentioned in the header of this post.<br>
&gt; I tried reading the updated agreements, could not find anything suspic=
ious.<br>
&gt; On the other hand, regarding the Dropbox&#39;s latest update, there ha=
s been<br>
&gt; really strong<br>
&gt; discussion about it.<br>
&gt;<br>
&gt; Has anyone on the list had time to review these and what are your opin=
ions?<br>
&gt;<br>
&gt; Greetings from Finland,<br>
&gt;<br>
&gt; --<br>
&gt; Petri Lahtinen<br>
&gt;<br>
&gt; <a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.=
petrilahtinen.com</a><br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http:=
//www.petrilahtinen.com</a><br><br>

--001517740bc8b778ee04a7e0f2e1--

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Message-ID: <CAOpEpQboNC_1Tt1ESOQFSUawU=iD2enPHoS_rbj7KJNDoqDsCw@mail.gmail.com>
Subject: Re: Original Boss RC-20
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8b4840698a04a7e12a2e
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It really seems that RC-50 is discontinued
and being replaced with RC-30 now.

Probably too good for the market, was the case with RC-50.
There are more buyers for smaller loopers, and as my
music store worker friend said, he held RC-50 in the shelf for two years.
Smaller loopers move faster.

Dont know if the BOSS is going to announce a looper with more than 2 loops,
but this is what I have learned through my contacts

-Petri Lahtinen-

2011/7/11 Ingo Ito <ingoito@itofarm.com>

> **
> ... I=B4ve just checked on e-bay here in Germany and the prices for used
> RC-50's range up to 600,- Euros, definitely not below 500,- Euros. It see=
ms
> that waiting for a follow-up model might be a better idea, for the RC-50
> prices might drop again. Or the new one is better anyway ;-)
>
> I hope Boss/Roland is not replacing the RC-50 with their release of the
> RC-30.
>
> Cheers
>
> Ingo
>
>
>
>
> ----- Original Message -----
>
> *From:* Per Boysen <perboysen@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, July 09, 2011 10:09 PM
> *Subject:* Re: Original Boss RC-20
>
> On Sat, Jul 9, 2011 at 9:44 PM, Buzap Buzap <buzap@gmx.net> wrote:
> >> the RC-50 really is the best among those.
> >> So sad it is going out of production now.
> >
> > Probably the best time to sell my RC-50 now... :-)
>
>
> No, the best time to BUY ONE!!!!
>
> Per
>
>


--=20
Petri Lahtinen

http://www.petrilahtinen.com

--90e6ba6e8b4840698a04a7e12a2e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

It really seems that RC-50 is discontinued<br>and being replaced with RC-30=
 now.<br><br>Probably too good for the market, was the case with RC-50.<br>=
There are more buyers for smaller loopers, and as my<br>music store worker =
friend said, he held RC-50 in the shelf for two years.<br>
Smaller loopers move faster.<br><br>Dont know if the BOSS is going to annou=
nce a looper with more than 2 loops,<br>but this is what I have learned thr=
ough my contacts<br><br>-Petri Lahtinen-<br><br><div class=3D"gmail_quote">
2011/7/11 Ingo Ito <span dir=3D"ltr">&lt;<a href=3D"mailto:ingoito@itofarm.=
com">ingoito@itofarm.com</a>&gt;</span><br><blockquote class=3D"gmail_quote=
" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">
<u></u>





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"4">... I=B4ve just checked on e-bay here =
in Germany and=20
the prices for used RC-50&#39;s range=A0up to=A0600,- Euros, definitely not=
=20
below 500,- Euros. It seems that waiting for a follow-up model might be a b=
etter=20
idea, for the RC-50 prices might drop again. Or=A0the new one is better=20
anyway ;-)</font></div>
<div>=A0</div>
<div><font face=3D"Arial" size=3D"4">I hope Boss/Roland is not replacing=A0=
the RC-50=20
with their release of the RC-30.</font></div>
<div>=A0</div>
<div><font face=3D"Arial" size=3D"4">Cheers</font></div>
<div>=A0</div>
<div><font face=3D"Arial" size=3D"4">Ingo</font></div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>----- Original Message ----- </div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; padding-right: 0px; margin-left: 5px; margin-right: 0px;"><div class=3D"i=
m">
  <div style=3D"font: 10pt arial; background: none repeat scroll 0% 0% rgb(=
228, 228, 228);"><b>From:</b>=20
  <a title=3D"perboysen@gmail.com" href=3D"mailto:perboysen@gmail.com" targ=
et=3D"_blank">Per Boysen</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  </div><div class=3D"im"><div style=3D"font: 10pt arial;"><b>Sent:</b> Sat=
urday, July 09, 2011 10:09=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: Original Boss RC-20<=
/div>
  <div><br></div></div><div><div></div><div class=3D"h5">On Sat, Jul 9, 201=
1 at 9:44 PM, Buzap Buzap &lt;<a href=3D"mailto:buzap@gmx.net" target=3D"_b=
lank">buzap@gmx.net</a>&gt; wrote:<br>&gt;&gt; the RC-50=20
  really is the best among those.<br>&gt;&gt; So sad it is going out of=20
  production now.<br>&gt;<br>&gt; Probably the best time to sell my RC-50 n=
ow...=20
  :-)<br><br><br>No, the best time to BUY=20
ONE!!!!<br><br>Per<br></div></div></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petril=
ahtinen.com</a><br><br>

--90e6ba6e8b4840698a04a7e12a2e--

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Subject: Re: Original Boss RC-20
From: john floridis <john@johnfloridis.com>
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I hope that the RC 30 is not the "solution" from Boss for more than one =
loop.  Though they are two "phrases" in some ways, whatever the length =
is of the first recorded loop, the second can be no longer....unless I =
totally missed something when I tried one.

One thought.....isn't the summer NAMM show in a couple of weeks?  Is it =
possible that they might have something coming out then?  Just seem =
ironic that they discontinue the RC 50 right before hand.

John=

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 15:53:52 2011
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Subject: Boomerang III- "All Stop" Function
From: john floridis <john@johnfloridis.com>
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Does anyone know if the Boomerang has a way to set one of those switches =
to a simple "all stop" function?  I have found this very useful on the =
RC 50.

John=

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 16:01:57 2011
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Subject: Re: Original Boss RC-20
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--001517740b0a4c650f04a7e16b49
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In NAMM that was in January. RC-30 AND RC-3 were announced, I bought RC-30
right away.

Would be really weird if they'd announce more products in Summer NAMM.

My guess is that the bigger, more feature-laden loopers just dont
sell the quantities that keep a product line alive at BOSS.


2011/7/12 john floridis <john@johnfloridis.com>

> I hope that the RC 30 is not the "solution" from Boss for more than one
> loop.  Though they are two "phrases" in some ways, whatever the length is of
> the first recorded loop, the second can be no longer....unless I totally
> missed something when I tried one.
>
> One thought.....isn't the summer NAMM show in a couple of weeks?  Is it
> possible that they might have something coming out then?  Just seem ironic
> that they discontinue the RC 50 right before hand.
>
> John
>



-- 
Petri Lahtinen

http://www.petrilahtinen.com

--001517740b0a4c650f04a7e16b49
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In NAMM that was in January. RC-30 AND RC-3 were announced, I bought RC-30 =
right away.<br><br>Would be really weird if they&#39;d announce more produc=
ts in Summer NAMM.<br><br>My guess is that the bigger, more feature-laden l=
oopers just dont<br>
sell the quantities that keep a product line alive at BOSS.<br><br><br><div=
 class=3D"gmail_quote">2011/7/12 john floridis <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:john@johnfloridis.com">john@johnfloridis.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I hope that the RC 30 is not the &quot;solution&quot; from Boss for more th=
an one loop. =A0Though they are two &quot;phrases&quot; in some ways, whate=
ver the length is of the first recorded loop, the second can be no longer..=
..unless I totally missed something when I tried one.<br>

<br>
One thought.....isn&#39;t the summer NAMM show in a couple of weeks? =A0Is =
it possible that they might have something coming out then? =A0Just seem ir=
onic that they discontinue the RC 50 right before hand.<br>
<font color=3D"#888888"><br>
John<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www=
.petrilahtinen.com</a><br><br>

--001517740b0a4c650f04a7e16b49--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 16:18:20 2011
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Subject: Re: Original Boss RC-20
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Unfortunately, I think you're probably right.  Part of the reason behind =
my follow up question about the "all stop" function on the Boomerang.

John=

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Date: Tue, 12 Jul 2011 10:10:22 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: signal to noise magazine - interview
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--0-336764533-1310490622=:11820
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=A0
Not wanting to steal any of Erdem's well-deserved thunder, but my review of=
=A0local freaky music fest "Open Ears" appears in the same issue.
=A0
Pity that StN is ceasing quarterly publication and turning into an annual, =
though...
=A0
=A0
ted.

Or would you sing somethin' different. Somethin' real. Somethin' *you* felt=
. Cause I'm telling you right now, that's the kind of song people want to h=
ear. That's the kind of song that truly saves people. It ain't got nothin t=
o do with believin' in God, Mr. Cash. It has to do with believin' in yourse=
lf. Sam Phillips, "Walk the Line"

--- On Mon, 7/11/11, Erdem Helvacioglu <erdemhel@tnn.net> wrote:


From: Erdem Helvacioglu <erdemhel@tnn.net>
Subject: signal to noise magazine - interview
To: Loopers-Delight@loopers-delight.com
Received: Monday, July 11, 2011, 12:24 PM





hi to all,
=A0
there is a long, detailed interview about my works, technical gear etc at t=
he latest "Signal To Noise" magazine summer 2011 issue. for those who are i=
nterested...
=A0
http://www.signaltonoisemagazine.org/currentissue.html
=A0
thanks a lot and best.
=A0
www.erdemhelvacioglu.com
=A0
--0-336764533-1310490622=:11820
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Not wanting to steal any of Erdem's well-deserved thunder, but my revi=
ew of&nbsp;local freaky music fest "Open Ears" appears in the same issue.</=
DIV>
<DIV>&nbsp;</DIV>
<DIV>Pity that StN is ceasing quarterly publication and turning into an ann=
ual, though...</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted.<BR><BR>Or would you sing somethin' different. Somethin' real. Som=
ethin' *you* felt. Cause I'm telling you right now, that's the kind of song=
 people want to hear. That's the kind of song that truly saves people. It a=
in't got nothin to do with believin' in God, Mr. Cash. It has to do with be=
lievin' in yourself. Sam Phillips, "Walk the Line"<BR><BR>--- On <B>Mon, 7/=
11/11, Erdem Helvacioglu <I>&lt;erdemhel@tnn.net&gt;</I></B> wrote:<BR></DI=
V>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Erdem Helvacioglu &lt;erdemhel@tnn.net&gt;<=
BR>Subject: signal to noise magazine - interview<BR>To: Loopers-Delight@loo=
pers-delight.com<BR>Received: Monday, July 11, 2011, 12:24 PM<BR><BR>
<DIV id=3Dyiv1892115462>
<STYLE></STYLE>

<DIV><FONT size=3D2 face=3DArial>hi to all,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>there is a long, detailed interview about =
my works, technical gear etc at the latest "Signal To Noise" magazine summe=
r 2011 issue. for those who are interested...</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A href=3D"http://www.signaltonoisemagazin=
e.org/currentissue.html" rel=3Dnofollow target=3D_blank>http://www.signalto=
noisemagazine.org/currentissue.html</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>thanks a lot and best.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A href=3D"http://www.erdemhelvacioglu.com=
/" rel=3Dnofollow target=3D_blank>www.erdemhelvacioglu.com</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV></DIV></BLOCKQUOTE></td=
></tr></table>
--0-336764533-1310490622=:11820--

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Subject: Re: Original Boss RC-20
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On Tue, Jul 12, 2011 at 5:43 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> It really seems that RC-50 is discontinued
> and being replaced with RC-30 now.


No, they are two very different products. I just spent a week with two
RC-30's so I had a chance to check them out together with my live
looping students.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Tue, 12 Jul 2011 19:30:14 +0200
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Subject: Re: signal to noise magazine - interview
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On Tue, Jul 12, 2011 at 7:10 PM, ditch wrestler <ditchwrestler@yahoo.com> wrote:
>
> Not wanting to steal any of Erdem's well-deserved thunder, but my review of
> local freaky music fest "Open Ears" appears in the same issue.
>

Congrats to you both, Ditch and Erdem!

> Pity that StN is ceasing quarterly publication and turning into an annual, though...

Increasing the Signal To Noise, now reaching a full year! They should
change name to Latency To Latitude.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 20:01:04 2011
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Subject: Re: Boomerang III- "All Stop" Function
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On Jul 12, 2011, at 8:53 AM, john floridis wrote:

> Does anyone know if the Boomerang has a way to set one of those =
switches to a simple "all stop" function?  I have found this very useful =
on the RC 50.

I don't have ready access to my Boomerang right now, but I'm pretty sure =
All Stop is an option. The manual is available online.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 20:08:51 2011
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Subject: Re: Original Boss RC-20
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--0015176f0b3846ece304a7e4dea3
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Yes, Per, they are!
I didnt mean that in the sense of functionality.
Only that the RC-30 may be the most feature-laden,
looper that BOSS has now in it's products.

I dont know for sure what will the future of RC-50 be,
but as far as I know, its quite old and there is no
upgrading in sight.

But I can be totally wrong, and BOSS is
upgrading the RC-50 as I write this... :-)


2011/7/12 Per Boysen <perboysen@gmail.com>

> On Tue, Jul 12, 2011 at 5:43 PM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
> > It really seems that RC-50 is discontinued
> > and being replaced with RC-30 now.
>
>
> No, they are two very different products. I just spent a week with two
> RC-30's so I had a chance to check them out together with my live
> looping students.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

--0015176f0b3846ece304a7e4dea3
Content-Type: text/html; charset=ISO-8859-1
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Yes, Per, they are! <br>I didnt mean that in the sense of functionality.<br=
>Only that the RC-30 may be the most feature-laden, <br>looper that BOSS ha=
s now in it&#39;s products.<br><br>I dont know for sure what will the futur=
e of RC-50 be,<br>
but as far as I know, its quite old and there is no<br>upgrading in sight.<=
br><br>But I can be totally wrong, and BOSS is <br>upgrading the RC-50 as I=
 write this... :-)<br><br><br><div class=3D"gmail_quote">2011/7/12 Per Boys=
en <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@g=
mail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On Tue, Jul 12, 2=
011 at 5:43 PM, Petri Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@gmail.=
com</a>&gt; wrote:<br>
&gt; It really seems that RC-50 is discontinued<br>
&gt; and being replaced with RC-30 now.<br>
<br>
<br>
No, they are two very different products. I just spent a week with two<br>
RC-30&#39;s so I had a chance to check them out together with my live<br>
looping students.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www=
.petrilahtinen.com</a><br><br>

--0015176f0b3846ece304a7e4dea3--

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--001517740b0a44399404a7e4e44a
Content-Type: text/plain; charset=ISO-8859-1

But I know for sure, no new units can be ordered to Finland at least.
And this info comes from a very large chain of music stores in Finland.
At least this was the info I was given, when I tried to buy RC-50 myself.

2011/7/12 Petri Lahtinen <kollegavalmentaja@gmail.com>

> Yes, Per, they are!
> I didnt mean that in the sense of functionality.
> Only that the RC-30 may be the most feature-laden,
> looper that BOSS has now in it's products.
>
> I dont know for sure what will the future of RC-50 be,
> but as far as I know, its quite old and there is no
> upgrading in sight.
>
> But I can be totally wrong, and BOSS is
> upgrading the RC-50 as I write this... :-)
>
>
>
> 2011/7/12 Per Boysen <perboysen@gmail.com>
>
>> On Tue, Jul 12, 2011 at 5:43 PM, Petri Lahtinen
>> <kollegavalmentaja@gmail.com> wrote:
>> > It really seems that RC-50 is discontinued
>> > and being replaced with RC-30 now.
>>
>>
>> No, they are two very different products. I just spent a week with two
>> RC-30's so I had a chance to check them out together with my live
>> looping students.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>>
>
>
> --
> Petri Lahtinen
>
> http://www.petrilahtinen.com
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

--001517740b0a44399404a7e4e44a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

But I know for sure, no new units can be ordered to Finland at least.<br>An=
d this info comes from a very large chain of music stores in Finland.<br>At=
 least this was the info I was given, when I tried to buy RC-50 myself.<br>
<br><div class=3D"gmail_quote">2011/7/12 Petri Lahtinen <span dir=3D"ltr">&=
lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@gmail.c=
om</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1e=
x;">
Yes, Per, they are! <br>I didnt mean that in the sense of functionality.<br=
>Only that the RC-30 may be the most feature-laden, <br>looper that BOSS ha=
s now in it&#39;s products.<br><br>I dont know for sure what will the futur=
e of RC-50 be,<br>

but as far as I know, its quite old and there is no<br>upgrading in sight.<=
br><br>But I can be totally wrong, and BOSS is <br>upgrading the RC-50 as I=
 write this... :-)<div><div></div><div class=3D"h5"><br><br><br><div class=
=3D"gmail_quote">
2011/7/12 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmai=
l.com" target=3D"_blank">perboysen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On Tue, Jul 12, 2=
011 at 5:43 PM, Petri Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com" target=3D"_blank">kolleg=
avalmentaja@gmail.com</a>&gt; wrote:<br>
&gt; It really seems that RC-50 is discontinued<br>
&gt; and being replaced with RC-30 now.<br>
<br>
<br>
No, they are two very different products. I just spent a week with two<br>
RC-30&#39;s so I had a chance to check them out together with my live<br>
looping students.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div><div><div><=
/div><div class=3D"h5">-- <br>Petri Lahtinen<br><br><a href=3D"http://www.p=
etrilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a><br><br=
>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http:=
//www.petrilahtinen.com</a><br><br>

--001517740b0a44399404a7e4e44a--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 20:26:12 2011
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Subject: RE: Boomerang III- "All Stop" Function
Date: Tue, 12 Jul 2011 16:26:07 -0400
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Yes. You can set one of the Bonus buttons to Play/Stop All. I believe the
sidecar (which should be coming soon) has a button dedicated to that
function, leaving the Bonus button to be set to another function.

-----Original Message-----
From: john floridis [mailto:john@johnfloridis.com] 
Sent: Tuesday, July 12, 2011 11:54 AM
To: Loopers-Delight@loopers-delight.com
Subject: Boomerang III- "All Stop" Function

Does anyone know if the Boomerang has a way to set one of those switches to
a simple "all stop" function?  I have found this very useful on the RC 50.

John

From Loopers-Delight-request@loopers-delight.com  Tue Jul 12 20:28:22 2011
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One Bonus Button choice is "Play-Stop-All". Seems like that would do the trick.

G


-----Original Message-----
>From: john floridis <john@johnfloridis.com>
>Sent: Jul 12, 2011 10:53 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Boomerang III- "All Stop" Function
>
>Does anyone know if the Boomerang has a way to set one of those switches to a simple "all stop" function?  I have found this very useful on the RC 50.
>
>John

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Message-ID: <CAH6UJvZCUK7=NWpnEKycqonkWVPz_dvthuwCsoNA==G+SnpPwQ@mail.gmail.com>
Subject: Re: signal to noise magazine - interview
From: Jeffrey Collins <jeffreycollins1975@gmail.com>
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Ew. They are going to Annual. That's not how a magazine works. That's not
even a magazine anymore then. It's not like there's not music to be written.
I hope they decide to put it back as a quarterly.

J

On Tue, Jul 12, 2011 at 1:30 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Jul 12, 2011 at 7:10 PM, ditch wrestler <ditchwrestler@yahoo.com>
> wrote:
> >
> > Not wanting to steal any of Erdem's well-deserved thunder, but my review
> of
> > local freaky music fest "Open Ears" appears in the same issue.
> >
>
> Congrats to you both, Ditch and Erdem!
>
> > Pity that StN is ceasing quarterly publication and turning into an
> annual, though...
>
> Increasing the Signal To Noise, now reaching a full year! They should
> change name to Latency To Latitude.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--0016364c7b430e970904a7e677a4
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Ew. They are going to Annual. That&#39;s not how a magazine works. That&#39=
;s not even a magazine anymore then. It&#39;s not like there&#39;s not musi=
c to be written. I hope they decide to put it back as a quarterly.<div><br>
</div><div>J<br><br><div class=3D"gmail_quote">On Tue, Jul 12, 2011 at 1:30=
 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1e=
x;">
<div class=3D"im">On Tue, Jul 12, 2011 at 7:10 PM, ditch wrestler &lt;<a hr=
ef=3D"mailto:ditchwrestler@yahoo.com">ditchwrestler@yahoo.com</a>&gt; wrote=
:<br>
&gt;<br>
&gt; Not wanting to steal any of Erdem&#39;s well-deserved thunder, but my =
review of<br>
&gt; local freaky music fest &quot;Open Ears&quot; appears in the same issu=
e.<br>
&gt;<br>
<br>
</div>Congrats to you both, Ditch and Erdem!<br>
<div class=3D"im"><br>
&gt; Pity that StN is ceasing quarterly publication and turning into an ann=
ual, though...<br>
<br>
</div>Increasing the Signal To Noise, now reaching a full year! They should=
<br>
change name to Latency To Latitude.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br></div>

--0016364c7b430e970904a7e677a4--

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Date: Tue, 12 Jul 2011 15:04:49 -0700
Subject: Re: Boomerang III- "All Stop" Function
From: Richard Atkinson <thetoyroom@charter.net>
To: LOOPERS DELIGHT LIST <Loopers-Delight@loopers-delight.com>
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+1
Yes, All Stop works peachy on the Boomerang III.  My Bonus buttons are set
thusly:

Bonus 1:  Quick Tap = Stop All  Long Hold = Fade (in or out)
Bonus 2:  Quck Tap = Overdub  Long Hold = Erase (non running) Track

It's a pretty flexible setup, allowing transitions and new loop creation.
I haven't really worked with a different setup than that, yet.  I might if I
end up getting a Sidecar.

A cool fave with the Rang III is that overdub stays on when you switch
tracks.  Super cool for introducing a third theme to link the two separate
loops together.

Rich




On 7/12/11 1:26 PM, "Hoby Ebert" <list2@moondogeast.org> wrote:

> Yes. You can set one of the Bonus buttons to Play/Stop All. I believe the
> sidecar (which should be coming soon) has a button dedicated to that
> function, leaving the Bonus button to be set to another function.
> 
> -----Original Message-----
> From: john floridis [mailto:john@johnfloridis.com]
> Sent: Tuesday, July 12, 2011 11:54 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Boomerang III- "All Stop" Function
> 
> Does anyone know if the Boomerang has a way to set one of those switches to
> a simple "all stop" function?  I have found this very useful on the RC 50.
> 
> John
> 


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Date: Tue, 12 Jul 2011 17:59:00 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: signal to noise magazine - interview
To: Loopers-Delight@loopers-delight.com
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The StN editor has a new job, I believe, and certainly very few people are =
getting rich from music publishing these days so fair enough that he has to=
 switch focus.=A0 That mag is very much a one-person show.

An annual could work but obviously it has to move away from reviews and mov=
e to long-form pieces.=A0 I'm currently enjoying the first issue of Loops, =
which seems to be coming out once a year, and it's good reading - http://ww=
w.loopsjournal.com/

Too bad I can only enjoy the first issue so far as the publisher hasn't see=
n fit to an official overseas release of the 2nd issue.


ted.

Or would you sing somethin' different. Somethin' real. Somethin' *you* felt=
. Cause I'm telling you right now, that's the kind of song people want to h=
ear. That's the kind of song that truly saves people. It ain't got nothin t=
o do with believin' in God, Mr. Cash. It has to do with believin' in yourse=
lf.   Sam Phillips, "Walk the Line"

--- On Tue, 7/12/11, Jeffrey Collins <jeffreycollins1975@gmail.com> wrote:

From: Jeffrey Collins <jeffreycollins1975@gmail.com>
Subject: Re: signal to noise magazine - interview
To: Loopers-Delight@loopers-delight.com
Received: Tuesday, July 12, 2011, 3:03 PM

Ew. They are going to Annual. That's not how a magazine works. That's not e=
ven a magazine anymore then. It's not like there's not music to be written.=
 I hope they decide to put it back as a quarterly.
=0AJ

On Tue, Jul 12, 2011 at 1:30 PM, Per Boysen <perboysen@gmail.com> wrote:
=0AOn Tue, Jul 12, 2011 at 7:10 PM, ditch wrestler <ditchwrestler@yahoo.com=
> wrote:
=0A>
=0A> Not wanting to steal any of Erdem's well-deserved thunder, but my revi=
ew of
=0A> local freaky music fest "Open Ears" appears in the same issue.
=0A>
=0A
=0ACongrats to you both, Ditch and Erdem!
=0A
=0A> Pity that StN is ceasing quarterly publication and turning into an ann=
ual, though...
=0A
=0AIncreasing the Signal To Noise, now reaching a full year! They should
=0Achange name to Latency To Latitude.
=0A
=0AGreetings from Sweden
=0A
=0APer Boysen
=0Awww.boysen.se
=0Awww.perboysen.com
=0Awww.looproom.com internet music hub
=0A
=0A
=0A
--0-2034137353-1310518740=:24198
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>The StN editor has a new job, I believe, =
and certainly very few people are getting rich from music publishing these =
days so fair enough that he has to switch focus.&nbsp; That mag is very muc=
h a one-person show.<br><br>An annual could work but obviously it has to mo=
ve away from reviews and move to long-form pieces.&nbsp; I'm currently enjo=
ying the first issue of Loops, which seems to be coming out once a year, an=
d it's good reading - http://www.loopsjournal.com/<br><br>Too bad I can onl=
y enjoy the first issue so far as the publisher hasn't seen fit to an offic=
ial overseas release of the 2nd issue.<br><br><br>ted.<br><br>Or would you =
sing somethin' different. Somethin' real. Somethin' *you* felt. Cause I'm t=
elling you right now, that's the kind of song people want to hear. That's t=
he kind of song that truly saves people. It ain't got nothin to do with
 believin' in God, Mr. Cash. It has to do with believin' in yourself.   Sam=
 Phillips, "Walk the Line"<br><br>--- On <b>Tue, 7/12/11, Jeffrey Collins <=
i>&lt;jeffreycollins1975@gmail.com&gt;</i></b> wrote:<br><blockquote style=
=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left=
: 5px;"><br>From: Jeffrey Collins &lt;jeffreycollins1975@gmail.com&gt;<br>S=
ubject: Re: signal to noise magazine - interview<br>To: Loopers-Delight@loo=
pers-delight.com<br>Received: Tuesday, July 12, 2011, 3:03 PM<br><br><div i=
d=3D"yiv1600436468">Ew. They are going to Annual. That's not how a magazine=
 works. That's not even a magazine anymore then. It's not like there's not =
music to be written. I hope they decide to put it back as a quarterly.<div>=
<br>=0A</div><div>J<br><br><div class=3D"yiv1600436468gmail_quote">On Tue, =
Jul 12, 2011 at 1:30 PM, Per Boysen <span dir=3D"ltr">&lt;<a rel=3D"nofollo=
w" ymailto=3D"mailto:perboysen@gmail.com" target=3D"_blank" href=3D"/mc/com=
pose?to=3Dperboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br=
><blockquote class=3D"yiv1600436468gmail_quote" style=3D"margin:0 0 0 .8ex;=
border-left:1px #ccc solid;padding-left:1ex;">=0A<div class=3D"yiv160043646=
8im">On Tue, Jul 12, 2011 at 7:10 PM, ditch wrestler &lt;<a rel=3D"nofollow=
" ymailto=3D"mailto:ditchwrestler@yahoo.com" target=3D"_blank" href=3D"/mc/=
compose?to=3Dditchwrestler@yahoo.com">ditchwrestler@yahoo.com</a>&gt; wrote=
:<br>=0A&gt;<br>=0A&gt; Not wanting to steal any of Erdem's well-deserved t=
hunder, but my review of<br>=0A&gt; local freaky music fest "Open Ears" app=
ears in the same issue.<br>=0A&gt;<br>=0A<br>=0A</div>Congrats to you both,=
 Ditch and Erdem!<br>=0A<div class=3D"yiv1600436468im"><br>=0A&gt; Pity tha=
t StN is ceasing quarterly publication and turning into an annual, though..=
.<br>=0A<br>=0A</div>Increasing the Signal To Noise, now reaching a full ye=
ar! They should<br>=0Achange name to Latency To Latitude.<br>=0A<br>=0AGree=
tings from Sweden<br>=0A<font color=3D"#888888"><br>=0APer Boysen<br>=0A<a =
rel=3D"nofollow" target=3D"_blank" href=3D"http://www.boysen.se">www.boysen=
.se</a><br>=0A<a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.perb=
oysen.com">www.perboysen.com</a><br>=0A<a rel=3D"nofollow" target=3D"_blank=
" href=3D"http://www.looproom.com">www.looproom.com</a> internet music hub<=
br>=0A<br>=0A</font></blockquote></div><br></div>=0A</div></blockquote></td=
></tr></table>
--0-2034137353-1310518740=:24198--

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Subject: Re: Re: OSC and I phones and Whiskers on kittens........
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> On Tue, Jul 12, 2011 at 8:57 AM, William Walker<billwalker@baymoon.com>  wrote:
>> wish I had an
>>   I pad, and makes me wish Apple made a foot controller :-)
> Per answered:
Put the ipad on the floor and toe it?
>
>
you are a genius, Per Boysen!

rick

From Loopers-Delight-request@loopers-delight.com  Wed Jul 13 07:53:23 2011
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Subject: Re: EDP, DirectMIDI, quant, 8ths
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--Apple-Mail-26--623568217
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The silence of the EDP elders on this subject seemed to be saying to me, =
"The answer is in your own hands already, grasshopper."=20

And so it was. After wrestling with it for days, the nugget below and =
the EDP+ manual eventually pried the scales from my eyes and I've been a =
SysEx programming fool all night. A mapping scheme for my FC-300 is =
finally emerging that allows me to PLAY the EDP for a change  (no more =
faceplate fingering!), and to control the LP-1 as well. Will likely =
change over time but it is so much better than the previous state of =
affairs around here. So SysEx is not so scary after all. Ugly as hell, =
but not scary :)

On the other hand, the silence of the EDP elders may have instead been =
saying, "Dude, quit messing around with 15-year old hardware and call us =
again when you get some looping software and join the rest of us in the =
bright and shining future." Who can tell.. ;)

Best from the land of n00b,

Phil :)




On Jul 12, 2011, at 12:00 AM, Phil Clevenger wrote:

> I am discovering that LoopIV in the EDP does not seem to have a way to =
directly  control 8ths/Cycle, Quantize, or SwitchQuant.
>=20
> How are you folks controlling these params with your MIDI controllers?
>=20
> I found this nugget on LD...
>=20
> - - - - -
>=20
> The excel spreadsheet (=20
> http://www.loopers-delight.com/tools/echoplex/echoplex.html )is great =
for=20
> all midi commands but wont give you the commands to switch quantize =
on/off=20
> on the edp.(it is on the LD site
> this is sys ex domain
>=20
> Quant Cycle
> F0 00 01 30 0B 01 01 13 02 01 00 01 F7
> Quant 8th
> F0 00 01 30 0B 01 01 13 02 01 00 02 F7
> Quant loop
> F0 00 01 30 0B 01 01 13 02 01 00 03 F7
> Quant Off
> F0 00 01 30 0B 01 01 13 02 01 00 00 F7
>=20
> Claude
> - - - - -
>=20
> Is this part of the solution ? Does this code somehow add the ability =
to control Quant values with direct MIDI? SysEx frightens me...
>=20
> Many thanks,
>=20
> Phil :)
>=20


--Apple-Mail-26--623568217
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">The =
silence of the EDP elders on this subject seemed to be saying to me, =
"The answer is in your own hands already, =
grasshopper."&nbsp;<div><br></div><div>And so it was. After wrestling =
with it for days, the nugget below and the EDP+ manual eventually pried =
the scales from my eyes and I've been a SysEx programming fool all =
night. A mapping scheme for my FC-300 is finally emerging that allows me =
to PLAY the EDP for a change &nbsp;(no more faceplate fingering!), and =
to control the LP-1 as well. Will likely change over time but it is so =
much better than the previous state of affairs around here. So SysEx is =
not so scary after all. Ugly as hell, but not scary =
:)</div><div><br></div><div>On the other hand, the silence of the EDP =
elders may have instead been saying, "Dude, quit messing around with =
15-year old hardware and call us again when you get some looping =
software and join the rest of us in the bright and shining future." Who =
can tell.. ;)</div><div><br></div><div>Best from the land of =
n00b,</div><div><br></div><div>Phil =
:)</div><div><br></div><div><br></div><div><br></div><div><br><div><div>On=
 Jul 12, 2011, at 12:00 AM, Phil Clevenger wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>I am discovering that =
LoopIV in the EDP does not seem to have a way to directly &nbsp;control =
8ths/Cycle, Quantize, or SwitchQuant.</div><div><br></div><div>How are =
you folks controlling these params with your MIDI =
controllers?</div><div><br></div><div>I found this nugget on =
LD...</div><div><br></div><div>- - - - =
-</div><div><br></div><div><pre>The excel spreadsheet (=20
<a =
href=3D"http://www.loopers-delight.com/tools/echoplex/echoplex.html">http:=
//www.loopers-delight.com/tools/echoplex/echoplex.html</a> )is great for=20=

all midi commands but wont give you the commands to switch quantize =
on/off=20
on the edp.(it is on the LD site
this is sys ex domain

Quant Cycle
F0 00 01 30 0B 01 01 13 02 01 00 01 F7
Quant 8th
F0 00 01 30 0B 01 01 13 02 01 00 02 F7
Quant loop
F0 00 01 30 0B 01 01 13 02 01 00 03 F7
Quant Off
F0 00 01 30 0B 01 01 13 02 01 00 00 F7

Claude
</pre><div>- - - - -</div></div><div><br></div><div>Is this part of the =
solution ? Does this code somehow add the ability to control Quant =
values with direct MIDI? SysEx frightens =
me...</div><div><br></div><div>Many =
thanks,</div><div><br></div><div>Phil =
:)</div><div><br></div></div></blockquote></div><br></div></body></html>=

--Apple-Mail-26--623568217--

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Subject: Re: EDP, DirectMIDI, quant, 8ths
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--20cf30549e778bb38c04a7f140c0
Content-Type: text/plain; charset=ISO-8859-1

I Think the way these function are supposed to be controlled using the EDP
methodology is to save them as presets.... But sounds like you're well on
the way to developing an awesome set up. I would love to swap one of my edps
for a LP1... And go for a system like you!!!

Sent from my (advertisement removed)

On 13 Jul 2011, at 09:53, Phil Clevenger <phil.clevenger@gmail.com> wrote:

The silence of the EDP elders on this subject seemed to be saying to me,
"The answer is in your own hands already, grasshopper."

And so it was. After wrestling with it for days, the nugget below and the
EDP+ manual eventually pried the scales from my eyes and I've been a SysEx
programming fool all night. A mapping scheme for my FC-300 is finally
emerging that allows me to PLAY the EDP for a change  (no more faceplate
fingering!), and to control the LP-1 as well. Will likely change over time
but it is so much better than the previous state of affairs around here. So
SysEx is not so scary after all. Ugly as hell, but not scary :)

On the other hand, the silence of the EDP elders may have instead been
saying, "Dude, quit messing around with 15-year old hardware and call us
again when you get some looping software and join the rest of us in the
bright and shining future." Who can tell.. ;)

Best from the land of n00b,

Phil :)




On Jul 12, 2011, at 12:00 AM, Phil Clevenger wrote:

I am discovering that LoopIV in the EDP does not seem to have a way to
directly  control 8ths/Cycle, Quantize, or SwitchQuant.

How are you folks controlling these params with your MIDI controllers?

I found this nugget on LD...

- - - - -

The excel spreadsheet (
http://www.loopers-delight.com/tools/echoplex/echoplex.html )is great
for
all midi commands but wont give you the commands to switch quantize on/off
on the edp.(it is on the LD site
this is sys ex domain

Quant Cycle
F0 00 01 30 0B 01 01 13 02 01 00 01 F7
Quant 8th
F0 00 01 30 0B 01 01 13 02 01 00 02 F7
Quant loop
F0 00 01 30 0B 01 01 13 02 01 00 03 F7
Quant Off
F0 00 01 30 0B 01 01 13 02 01 00 00 F7

Claude

- - - - -

Is this part of the solution ? Does this code somehow add the ability to
control Quant values with direct MIDI? SysEx frightens me...

Many thanks,

Phil :)

--20cf30549e778bb38c04a7f140c0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>I Think the way these function are sup=
posed to be controlled using the EDP methodology is to save them as presets=
.... But sounds like you&#39;re well on the way to developing an awesome se=
t up. I would love to swap one of my edps for a LP1... And go for a system =
like you!!!<br>
<br>Sent from my (advertisement removed)</div><div><br>On 13 Jul 2011, at 0=
9:53, Phil Clevenger &lt;<a href=3D"mailto:phil.clevenger@gmail.com">phil.c=
levenger@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type=
=3D"cite">
<div>The silence of the EDP elders on this subject seemed to be saying to m=
e, &quot;The answer is in your own hands already, grasshopper.&quot;=A0<div=
><br></div><div>And so it was. After wrestling with it for days, the nugget=
 below and the EDP+ manual eventually pried the scales from my eyes and I&#=
39;ve been a SysEx programming fool all night. A mapping scheme for my FC-3=
00 is finally emerging that allows me to PLAY the EDP for a change =A0(no m=
ore faceplate fingering!), and to control the LP-1 as well. Will likely cha=
nge over time but it is so much better than the previous state of affairs a=
round here. So SysEx is not so scary after all. Ugly as hell, but not scary=
 :)</div>
<div><br></div><div>On the other hand, the silence of the EDP elders may ha=
ve instead been saying, &quot;Dude, quit messing around with 15-year old ha=
rdware and call us again when you get some looping software and join the re=
st of us in the bright and shining future.&quot; Who can tell.. ;)</div>
<div><br></div><div>Best from the land of n00b,</div><div><br></div><div>Ph=
il :)</div><div><br></div><div><br></div><div><br></div><div><br><div><div>=
On Jul 12, 2011, at 12:00 AM, Phil Clevenger wrote:</div><br class=3D"Apple=
-interchange-newline">
<blockquote type=3D"cite"><div style=3D"word-wrap: break-word; -webkit-nbsp=
-mode: space; -webkit-line-break: after-white-space; ">I am discovering tha=
t LoopIV in the EDP does not seem to have a way to directly =A0control 8ths=
/Cycle, Quantize, or SwitchQuant.</div>
<div><br></div><div>How are you folks controlling these params with your MI=
DI controllers?</div><div><br></div><div>I found this nugget on LD...</div>=
<div><br></div><div>- - - - -</div><div><br></div><div><pre>The excel sprea=
dsheet (=20
<a href=3D"http://www.loopers-delight.com/tools/echoplex/echoplex.html"><a =
href=3D"http://www.loopers-delight.com/tools/echoplex/echoplex.html">http:/=
/www.loopers-delight.com/tools/echoplex/echoplex.html</a></a> )is great for=
=20
all midi commands but wont give you the commands to switch quantize on/off=
=20
on the edp.(it is on the LD site
this is sys ex domain

Quant Cycle
F0 00 01 30 0B 01 01 13 02 01 00 01 F7
Quant 8th
F0 00 01 30 0B 01 01 13 02 01 00 02 F7
Quant loop
F0 00 01 30 0B 01 01 13 02 01 00 03 F7
Quant Off
F0 00 01 30 0B 01 01 13 02 01 00 00 F7

Claude
</pre><div>- - - - -</div></div><div><br></div><div>Is this part of the sol=
ution ? Does this code somehow add the ability to control Quant values with=
 direct MIDI? SysEx frightens me...</div><div><br></div><div>Many thanks,</=
div>
<div><br></div><div>Phil :)</div><div><br></div></blockquote></div><br></di=
v></div></blockquote></body></html>

--20cf30549e778bb38c04a7f140c0--

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Subject: Re: EDP, DirectMIDI, quant, 8ths
From: Per Boysen <perboysen@gmail.com>
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> On Jul 12, 2011, at 12:00 AM, Phil Clevenger wrote:
>
> I am discovering that LoopIV in the EDP does not seem to have a way to
> directly =C2=A0control 8ths/Cycle, Quantize, or SwitchQuant.
> How are you folks controlling these params with your MIDI controllers?


BAck when I was using an EDP I mocked up a bunch of presets with
different useful combinations of those settings and then I simply sent
external MIDI Program Change from my pedalboard to call up the preset
needed at any moment.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Jul 13 19:05:55 2011
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Subject: Re: EDP, DirectMIDI, quant, 8ths
From: Phil Clevenger <phil.clevenger@gmail.com>
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Mark, and Per,

Yes, Program Changes for EDP preset changes are the basis for the =
controller setup. But I find there are too many permutations of possible =
presets for that to be the complete solution. 5 or 6 basic workflows, =
then each wants some quant or 8ths or swichQuant or Insert variation, =
too  much hunting and pecking.

So, two more levels I have added to my 5 or 6 basic preset workflows:

1) Virtual Parameter button: each patch on my FC 300 includes not only =
preset program changes, but a parameter button, so that worst case I can =
do with my feet what I used to do with my hands :)

2) Control Switches: Depending upon the workflow (glitching, =
quantSubstitute, unrounded mult, stutter, etc), there are usually a =
couple of salient needs that are related to the context. For instance, =
quantSubstitute may want the ability to quickly move between 8th =
settings. So I make those available on Control Switches for that =
patch... and in that example, the SysEx string is what i needed to get =
that, as there is no directMIDI for the 8th values. I have 4 control =
switches available currently: I  use two for global needs common to =
every patch (for me) : Set Start Point and QuantMIDIStartSong, then the =
other two are set up on a per-patch basis as described.

This setup scheme seems to get me to where I want to be with a minimal =
amount of tap dancing 90% percent of the time. Hooray !

Phil :)




On Jul 13, 2011, at 3:54:54 AM, Mark Francombe wrote:

> I Think the way these function are supposed to be controlled using the =
EDP methodology
> is to save them as presets.... But sounds like you're well on the way =
to developing an
> awesome set up. I would love to swap one of my edps for a LP1... And =
go for a system like you!!!

On Jul 13, 2011, at 4:24 AM, Per Boysen wrote:

>> On Jul 12, 2011, at 12:00 AM, Phil Clevenger wrote:
>>=20
>> I am discovering that LoopIV in the EDP does not seem to have a way =
to
>> directly  control 8ths/Cycle, Quantize, or SwitchQuant.
>> How are you folks controlling these params with your MIDI =
controllers?
>=20
>=20
> BAck when I was using an EDP I mocked up a bunch of presets with
> different useful combinations of those settings and then I simply sent
> external MIDI Program Change from my pedalboard to call up the preset
> needed at any moment.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jul 13 19:24:31 2011
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Date: Wed, 13 Jul 2011 21:24:30 +0200
Message-ID: <CAJC14Wjiub15u2Tc6A=fTh1usGXzhWANs3vV7LB8mXqtURThiQ@mail.gmail.com>
Subject: Re: EDP, DirectMIDI, quant, 8ths
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Cool, Phil! I've seen German singer Michael Shiefer sending SySex into
two EDPs with no glitches. http://youtu.be/zzdFnZIpYCA. Nice to hear
you got it working now.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Jul 13, 2011 at 9:05 PM, Phil Clevenger
<phil.clevenger@gmail.com> wrote:
> Mark, and Per,
>
> Yes, Program Changes for EDP preset changes are the basis for the control=
ler setup. But I find there are too many permutations of possible presets f=
or that to be the complete solution. 5 or 6 basic workflows, then each want=
s some quant or 8ths or swichQuant or Insert variation, too =C2=A0much hunt=
ing and pecking.
>
> So, two more levels I have added to my 5 or 6 basic preset workflows:
>
> 1) Virtual Parameter button: each patch on my FC 300 includes not only pr=
eset program changes, but a parameter button, so that worst case I can do w=
ith my feet what I used to do with my hands :)
>
> 2) Control Switches: Depending upon the workflow (glitching, quantSubstit=
ute, unrounded mult, stutter, etc), there are usually a couple of salient n=
eeds that are related to the context. For instance, quantSubstitute may wan=
t the ability to quickly move between 8th settings. So I make those availab=
le on Control Switches for that patch... and in that example, the SysEx str=
ing is what i needed to get that, as there is no directMIDI for the 8th val=
ues. I have 4 control switches available currently: I =C2=A0use two for glo=
bal needs common to every patch (for me) : Set Start Point and QuantMIDISta=
rtSong, then the other two are set up on a per-patch basis as described.
>
> This setup scheme seems to get me to where I want to be with a minimal am=
ount of tap dancing 90% percent of the time. Hooray !
>
> Phil :)
>
>
>
>
> On Jul 13, 2011, at 3:54:54 AM, Mark Francombe wrote:
>
>> I Think the way these function are supposed to be controlled using the E=
DP methodology
>> is to save them as presets.... But sounds like you're well on the way to=
 developing an
>> awesome set up. I would love to swap one of my edps for a LP1... And go =
for a system like you!!!
>
> On Jul 13, 2011, at 4:24 AM, Per Boysen wrote:
>
>>> On Jul 12, 2011, at 12:00 AM, Phil Clevenger wrote:
>>>
>>> I am discovering that LoopIV in the EDP does not seem to have a way to
>>> directly =C2=A0control 8ths/Cycle, Quantize, or SwitchQuant.
>>> How are you folks controlling these params with your MIDI controllers?
>>
>>
>> BAck when I was using an EDP I mocked up a bunch of presets with
>> different useful combinations of those settings and then I simply sent
>> external MIDI Program Change from my pedalboard to call up the preset
>> needed at any moment.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 13 20:12:35 2011
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Subject: Where to buy Boomerang?
Date: Wed, 13 Jul 2011 14:12:33 -0600
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To: Delight Loopers <Loopers-Delight@loopers-delight.com>
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What is the word out there on the Looper's "street" regarding the best =
place to buy a Boomerang?

John=

From Loopers-Delight-request@loopers-delight.com  Wed Jul 13 21:27:41 2011
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Date: Wed, 13 Jul 2011 17:06:51 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: Where to buy Boomerang?
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I ordered mine direct from the website

Paul Haslem
www.dulcify.ca
Ontario, Canada





Quoting john floridis <john@johnfloridis.com>:

> What is the word out there on the Looper's "street" regarding the  
> best place to buy a Boomerang?
>
> John
>



From Loopers-Delight-request@loopers-delight.com  Wed Jul 13 22:14:41 2011
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Subject: Audio Breakout Kits available for RMC, Graphtech, & Roland GK pick-ups
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Folks,

First phase of beta testing is done.

Audio break out kits are available for users with Graphtech Ghost
Modular, RMC, and Roland GK-3 pick-ups at a reduced price of =A340 | $65
| =8045 (including postage). The kits are availble on a first come,
first serve, basis. Please drop a mail to info at rickygraham dot net,
if you're interested.

Further discussion on beta testing:

http://rickygraham.com/septar-board-beta-kits-june-2011 (Andy Butler)

http://rickygraham.com/septar-board-roland-gk-3-rmc-beta-test-enda-b
(Enda Bates)

http://rickygraham.com/septar-board-roland-gk-3a-beta-test (Roland
GK-3 + Travel Guitar)

Ricky

From Loopers-Delight-request@loopers-delight.com  Thu Jul 14 04:49:12 2011
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Subject: Re: signal to noise magazine - interview
Date: Thu, 14 Jul 2011 13:49:04 +0900
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How come I can't find the interview? Clicking anywhere on the Current =20=

issue page brings up nothing and choosing Free issues as PDFs brings =20
me to a page with nothing on it except
THE JOURNAL OF IMPROVISED & EXPERIMENTAL MUSIC

Website powered by Network Solutions=AE






Ed Durbrow
Saitama, Japan
http://www.musicianspage.com/musicians/9688/
http://www9.plala.or.jp/edurbrow/




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div>How come I can't =
find the interview? Clicking anywhere on the Current issue page brings =
up nothing and choosing Free issues as PDFs brings me to a page with =
nothing on it except&nbsp;<span class=3D"Apple-style-span" =
style=3D"font-family: arial, verdana, sans-serif; color: rgb(85, 85, =
85); font-size: 12px; "><h2 id=3D"website-slogan" class=3D"secondary" =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; padding-top: 20px; padding-right: 10px; =
padding-bottom: 0px; padding-left: 10px; background-color: rgb(255, 255, =
255); font-family: 'arial black', arial, sans-serif; font-size: 22px; =
font-weight: normal; color: rgb(88, 121, 147); font-style: normal; =
text-decoration: none; width: 980px; ">THE JOURNAL OF IMPROVISED &amp; =
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position: relative; clear: both; "></div><table border=3D"0" =
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0px; padding-left: 0px; "><tr style=3D"margin-top: 0px; margin-right: =
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padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><td =
align=3D"left" valign=3D"middle" style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; =
padding-right: 0px; padding-bottom: 0px; padding-left: 0px; =
"></td></tr><tr style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
0px; padding-bottom: 0px; padding-left: 0px; "><td align=3D"left" =
valign=3D"middle" style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
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10px; margin-right: 20px; margin-bottom: 15px; margin-left: 10px; =
padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: =
0px; font-size: 10px; font-family: arial, verdana, sans-serif; =
font-style: normal; "><a title=3D"Website" =
href=3D"http://ads.networksolutions.com/landing?code=3DP111C100S1N0B142A1D=
401E0000V100" style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: =
0px; padding-bottom: 0px; padding-left: 0px; font-family: arial, =
verdana, sans-serif; font-size: 10px; font-weight: normal; color: =
rgb(88, 121, 147); font-style: normal; text-decoration: none; =
">Website</a>&nbsp;powered by Network =
Solutions=AE</p></td></tr></tbody></table></td></tr></tbody></table></span=
><div><br class=3D"webkit-block-placeholder"></div><div><br =
class=3D"webkit-block-placeholder"></div><div><br =
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Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F"><span class=3D"Apple-style-span" style=3D"color: =
rgb(0, 0, 0); font-family: Georgia; font-size: 13px; line-height: 15px; =
"><br style=3D"line-height: 1.22em; "></span>Ed =
Durbrow</font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F">Saitama, Japan</font></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Chalkboard" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; "><a =
href=3D"http://www.musicianspage.com/musicians/9688/">http://www.musicians=
page.com/musicians/9688/</a></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Chalkboard" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; =
"></span></font><span class=3D"Apple-style-span" style=3D"font-family: =
Chalkboard; font-size: 14px; color: rgb(111, 111, 111); "><a =
href=3D"http://www9.plala.or.jp/edurbrow/">http://www9.plala.or.jp/edurbro=
w/</a></span></div><div><br></div></span></div></div></span></div></span><=
/div></span></div></span></div></span></div></span></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

--Apple-Mail-4--548220627--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 14 13:39:47 2011
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Date: Thu, 14 Jul 2011 13:31:39 +0000 (UTC)
From: eddrake1@comcast.net
To: Loopers-Delight@loopers-delight.com
Message-ID: <1210129526.643008.1310650299498.JavaMail.root@sz0056a.westchester.pa.mail.comcast.net>
In-Reply-To: <731199276.642080.1310649265609.JavaMail.root@sz0056a.westchester.pa.mail.comcast.net>
Subject: FS Electrix Repeater
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Since I haven't been using my Electrix Repeater much for a while I have decided to put it up for sale it and I'm offering it here first before it goes to Ebay. 


I'm the original owner and I bought it when they first came out. This is a fully functioning unit and has the original power supply and has not been modded. Other than taking it out to a few gigs in a rack case when I first got it, it's been in my smoke free music room in a rack ever since. 
I have the box and all manuals and I have ALL versions of the operating system on Flash cards. 


I have several Flash cards for sale that have the Hitachi controller which are FULLY COMPATIBLE with all recording functions on the Repeater 


Original 16 MB CFC with Electrix logo 
128 MB Simpletech CFC 
256 MB Simpletech CFC 
512 MB Pretec CFC 


Also one 32MB SanDisk CFC that the very last operating system came loaded on (I never used this for recording but I suspect it doesn't have the Hitachi controller or allow ALL functions in real time) 


I would like to sell all of this as a package deal. I know compatible CF cards are very hard to find but I don't want to get into selling the CF cards separately so please don't ask. 


I'd like to get $800 for everything with the buyer paying shipping. I'll take Paypal so email me and we can talk and spare us both the Ebay nonsense. 


Thanks for looking!! 


Ed Drake 
------=_Part_643007_666792396.1310650299497
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>Since I h=
aven't been using my Electrix Repeater much for a while I have decided to p=
ut it up for sale it and I'm offering it here first before it goes to Ebay.=
<div><br></div><div>I'm the original owner and I bought it when they first =
came out. This is a fully functioning unit and has the original power suppl=
y and has not been modded. Other than taking it out to a few gigs in a rack=
 case when I first got it, it's been in my smoke free music room in a rack =
ever since.</div><div>I have the box and all manuals and I have ALL version=
s of the operating system on Flash cards.</div><div><br></div><div>I have s=
everal Flash cards for sale that have the Hitachi controller which are FULL=
Y COMPATIBLE with all recording functions on the Repeater&nbsp;</div><div><=
br></div><div>Original 16 MB CFC with Electrix logo</div><div>128 MB Simple=
tech CFC&nbsp;</div><div>256 MB Simpletech CFC</div><div>512 MB Pretec CFC<=
/div><div><br></div><div>Also one 32MB SanDisk CFC that the very last opera=
ting system came loaded on (I never used this for recording but I suspect i=
t doesn't have the Hitachi controller or allow ALL functions in real time)<=
/div><div><br></div><div>I would like to sell all of this as a package deal=
. I know compatible CF cards are very hard to find but I don't want to get =
into selling the CF cards separately so please don't ask.</div><div><br></d=
iv><div>I'd like to get $800 for everything with the buyer paying shipping.=
 I'll take Paypal so email me and we can talk and spare us both the Ebay no=
nsense.</div><div><br></div><div>Thanks for looking!!</div><div><br></div><=
div>Ed Drake</div></div></body></html>
------=_Part_643007_666792396.1310650299497--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 14 19:07:39 2011
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References: <1310518740.24198.YahooMailClassic@web34308.mail.mud.yahoo.com>
	<6327A64B-B0F3-4C70-9105-0B014E510963@sea.plala.or.jp>
Date: Thu, 14 Jul 2011 15:07:36 -0400
Message-ID: <CAH6UJvYZzE-zOh051SFmV5P=wc38o49O1fhgn9ax-YuBnoMeMg@mail.gmail.com>
Subject: Re: signal to noise magazine - interview
From: Jeffrey Collins <jeffreycollins1975@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636416d7301ee8304a80c3f62
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Content-Transfer-Encoding: quoted-printable

Same with us.

On Thu, Jul 14, 2011 at 12:49 AM, Ed Durbrow <edurbrow@sea.plala.or.jp>wrot=
e:

>
> How come I can't find the interview? Clicking anywhere on the Current iss=
ue
> page brings up nothing and choosing Free issues as PDFs brings me to a pa=
ge
> with nothing on it except THE JOURNAL OF IMPROVISED & EXPERIMENTAL MUSIC
>
>
> Website<http://ads.networksolutions.com/landing?code=3DP111C100S1N0B142A1=
D401E0000V100> powered
> by Network Solutions=AE
>
>
>
>
>
> Ed Durbrow
> Saitama, Japan
> http://www.musicianspage.com/musicians/9688/
> http://www9.plala.or.jp/edurbrow/
>
>
>
>

--001636416d7301ee8304a80c3f62
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Same with us.<br><br><div class=3D"gmail_quote">On Thu, Jul 14, 2011 at 12:=
49 AM, Ed Durbrow <span dir=3D"ltr">&lt;<a href=3D"mailto:edurbrow@sea.plal=
a.or.jp">edurbrow@sea.plala.or.jp</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;pad=
ding-left:1ex;">
<div style=3D"word-wrap:break-word"><div><br></div>How come I can&#39;t fin=
d the interview? Clicking anywhere on the Current issue page brings up noth=
ing and choosing Free issues as PDFs brings me to a page with nothing on it=
 except=A0<span style=3D"font-family:arial, verdana, sans-serif;color:rgb(8=
5, 85, 85);font-size:12px"><h2 style=3D"margin-top:0px;margin-right:0px;mar=
gin-bottom:0px;margin-left:0px;padding-top:20px;padding-right:10px;padding-=
bottom:0px;padding-left:10px;background-color:rgb(255, 255, 255);font-famil=
y:&#39;arial black&#39;, arial, sans-serif;font-size:22px;font-weight:norma=
l;color:rgb(88, 121, 147);font-style:normal;text-decoration:none;width:980p=
x">
THE JOURNAL OF IMPROVISED &amp; EXPERIMENTAL MUSIC</h2><div style=3D"margin=
-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px=
;padding-right:0px;padding-bottom:0px;padding-left:0px;clear:both"></div>
<table style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-le=
ft:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0p=
x;width:1000px"><tbody style=3D"margin-top:0px;margin-right:0px;margin-bott=
om:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px=
;padding-left:0px"><tr style=3D"margin-top:0px;margin-right:0px;margin-bott=
om:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px=
;padding-left:0px">
<td align=3D"left" valign=3D"top" style=3D"margin-top:0px;margin-right:0px;=
margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding=
-bottom:0px;padding-left:0px;width:795px"><div style=3D"margin-top:0px;marg=
in-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-righ=
t:0px;padding-bottom:0px;padding-left:0px;width:790px;text-align:left">
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;=
float:left;width:260px"><div style=3D"margin-top:0px;margin-right:0px;margi=
n-bottom:0px;margin-left:0px;padding-top:5px;padding-right:5px;padding-bott=
om:5px;padding-left:5px;border-top-width:0px;border-top-style:none;border-r=
ight-width:0px;border-right-style:none;border-bottom-width:0px;border-botto=
m-style:none;border-left-width:0px;border-left-style:none;min-height:34px">
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px"=
><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-lef=
t:0px;padding-top:5px;padding-right:5px;padding-bottom:5px;padding-left:5px=
;border-top-width:0px;border-top-style:none;border-right-width:0px;border-r=
ight-style:none;border-bottom-width:0px;border-bottom-style:none;border-lef=
t-width:0px;border-left-style:none;width:240px;overflow-x:hidden;overflow-y=
:hidden">
<table border=3D"0" name=3D"" width=3D"100%" cellpadding=3D"5" cellspacing=
=3D"0" style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-le=
ft:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0p=
x"><tbody style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin=
-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left=
:0px"><tr align=3D"" valign=3D"" style=3D"margin-top:0px;margin-right:0px;m=
argin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-=
bottom:0px;padding-left:0px">
<td colspan=3D"1" rowspan=3D"1" width=3D"100%" align=3D"center" valign=3D"t=
op" style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:=
0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px">=
=A0</td></tr>
</tbody></table></div></div></div></div><div style=3D"margin-top:0px;margin=
-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:=
0px;padding-bottom:0px;padding-left:0px;float:left;width:260px"><div style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;paddi=
ng-top:5px;padding-right:5px;padding-bottom:5px;padding-left:5px;border-top=
-width:0px;border-top-style:none;border-right-width:0px;border-right-style:=
none;border-bottom-width:0px;border-bottom-style:none;border-left-width:0px=
;border-left-style:none;min-height:34px">
</div></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px=
;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;paddi=
ng-left:0px;float:left;width:270px"><div style=3D"margin-top:0px;margin-rig=
ht:0px;margin-bottom:0px;margin-left:0px;padding-top:5px;padding-right:5px;=
padding-bottom:5px;padding-left:5px;border-top-width:0px;border-top-style:n=
one;border-right-width:0px;border-right-style:none;border-bottom-width:0px;=
border-bottom-style:none;border-left-width:0px;border-left-style:none">
</div></div></div><div style=3D"margin-top:0px;margin-right:0px;margin-bott=
om:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-bottom:0px=
;padding-left:0px;clear:both"></div><table border=3D"0" width=3D"100%" cell=
padding=3D"0" cellspacing=3D"0" style=3D"margin-top:0px;margin-right:0px;ma=
rgin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padding-b=
ottom:0px;padding-left:0px">
<tbody style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-le=
ft:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0p=
x"><tr style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-le=
ft:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0p=
x">
<td align=3D"left" valign=3D"middle" style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padd=
ing-bottom:0px;padding-left:0px"></td></tr><tr style=3D"margin-top:0px;marg=
in-right:0px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-righ=
t:0px;padding-bottom:0px;padding-left:0px">
<td align=3D"left" valign=3D"middle" style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;padd=
ing-bottom:0px;padding-left:0px"><p style=3D"margin-top:10px;margin-right:2=
0px;margin-bottom:15px;margin-left:10px;padding-top:0px;padding-right:0px;p=
adding-bottom:0px;padding-left:0px;font-size:10px;font-family:arial, verdan=
a, sans-serif;font-style:normal">
<a title=3D"Website" href=3D"http://ads.networksolutions.com/landing?code=
=3DP111C100S1N0B142A1D401E0000V100" style=3D"margin-top:0px;margin-right:0p=
x;margin-bottom:0px;margin-left:0px;padding-top:0px;padding-right:0px;paddi=
ng-bottom:0px;padding-left:0px;font-family:arial, verdana, sans-serif;font-=
size:10px;font-weight:normal;color:rgb(88, 121, 147);font-style:normal;text=
-decoration:none" target=3D"_blank">Website</a>=A0powered by Network Soluti=
ons=AE</p>
</td></tr></tbody></table></td></tr></tbody></table></span><div><br></div><=
font color=3D"#888888"><div><br></div><div><br></div><div><br></div><div> <=
span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Genev=
a;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:n=
ormal;line-height:normal;text-align:auto;text-indent:0px;text-transform:non=
e;white-space:normal;word-spacing:0px;font-size:medium"><div style=3D"word-=
wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Gene=
va;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:=
normal;line-height:normal;text-indent:0px;text-transform:none;white-space:n=
ormal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word=
">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Gene=
va;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:=
normal;line-height:normal;text-indent:0px;text-transform:none;white-space:n=
ormal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word=
">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Gene=
va;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:=
normal;line-height:normal;text-indent:0px;text-transform:none;white-space:n=
ormal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word=
">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Gene=
va;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:=
normal;line-height:normal;text-indent:0px;text-transform:none;white-space:n=
ormal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:break-word=
">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">
<div><span style=3D"font-size:12px"><div><font face=3D"Chalkboard" size=3D"=
4"><span style=3D"font-size:14px"><font color=3D"#6F6F6F"><span style=3D"co=
lor:rgb(0, 0, 0);font-family:Georgia;font-size:13px;line-height:15px"><br s=
tyle=3D"line-height:1.22em">
</span>Ed Durbrow</font></span></font></div><div><font face=3D"Chalkboard" =
size=3D"4"><span style=3D"font-size:14px"><font color=3D"#6F6F6F">Saitama, =
Japan</font></span></font></div><div><font face=3D"Chalkboard" size=3D"4"><=
span style=3D"font-size:14px"><a href=3D"http://www.musicianspage.com/music=
ians/9688/" target=3D"_blank">http://www.musicianspage.com/musicians/9688/<=
/a></span></font></div>
<div><font face=3D"Chalkboard" size=3D"4"><span style=3D"font-size:14px"></=
span></font><span style=3D"font-family:Chalkboard;font-size:14px;color:rgb(=
111, 111, 111)"><a href=3D"http://www9.plala.or.jp/edurbrow/" target=3D"_bl=
ank">http://www9.plala.or.jp/edurbrow/</a></span></div>
<div><br></div></span></div></div></span></div></span></div></span></div></=
span></div></span></div></span></div></span><br> </div><br></font></div></b=
lockquote></div><br>

--001636416d7301ee8304a80c3f62--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 14 19:17:03 2011
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
References: <1310518740.24198.YahooMailClassic@web34308.mail.mud.yahoo.com><6327A64B-B0F3-4C70-9105-0B014E510963@sea.plala.or.jp> <CAH6UJvYZzE-zOh051SFmV5P=wc38o49O1fhgn9ax-YuBnoMeMg@mail.gmail.com>
Subject: Re: signal to noise magazine - interview
Date: Thu, 14 Jul 2011 22:16:31 +0300
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you need to buy the hardcopy....they only put the pdf copies of previous =
issues as far as i know... sorry about that.

best.

www.erdemhelvacioglu.com

  ----- Original Message -----=20
  From: Jeffrey Collins=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 14, 2011 10:07 PM
  Subject: Re: signal to noise magazine - interview


  Same with us.


  On Thu, Jul 14, 2011 at 12:49 AM, Ed Durbrow =
<edurbrow@sea.plala.or.jp> wrote:



    How come I can't find the interview? Clicking anywhere on the =
Current issue page brings up nothing and choosing Free issues as PDFs =
brings me to a page with nothing on it except THE JOURNAL OF IMPROVISED =
& EXPERIMENTAL MUSIC =20

              =20
                Website powered by Network Solutions=AE
              =20
        =20










    Ed Durbrow
    Saitama, Japan
    http://www.musicianspage.com/musicians/9688/
    http://www9.plala.or.jp/edurbrow/









=

=


------=_NextPart_000_0009_01CC4273.AF069C20
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18975">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>you need to buy the hardcopy....they =
only put the=20
pdf copies of previous issues as far as i know... sorry about =
that.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>best.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A></DI=
V>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Djeffreycollins1975@gmail.com=20
  href=3D"mailto:jeffreycollins1975@gmail.com">Jeffrey Collins</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 14, 2011 =
10:07=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: signal to noise =
magazine -=20
  interview</DIV>
  <DIV><BR></DIV>Same with us.<BR><BR>
  <DIV class=3Dgmail_quote>On Thu, Jul 14, 2011 at 12:49 AM, Ed Durbrow =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:edurbrow@sea.plala.or.jp">edurbrow@sea.plala.or.jp</A>&gt;=
</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; =
PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>
    <DIV style=3D"WORD-WRAP: break-word">
    <DIV><BR></DIV>How come I can't find the interview? Clicking =
anywhere on the=20
    Current issue page brings up nothing and choosing Free issues as =
PDFs brings=20
    me to a page with nothing on it except&nbsp;<SPAN=20
    style=3D"FONT-FAMILY: arial, verdana, sans-serif; COLOR: =
rgb(85,85,85); FONT-SIZE: 12px">
    <H2=20
    style=3D"PADDING-BOTTOM: 0px; BACKGROUND-COLOR: rgb(255,255,255); =
FONT-STYLE: normal; MARGIN: 0px; PADDING-LEFT: 10px; WIDTH: 980px; =
PADDING-RIGHT: 10px; FONT-FAMILY: 'arial black', arial, sans-serif; =
COLOR: rgb(88,121,147); FONT-SIZE: 22px; FONT-WEIGHT: normal; =
TEXT-DECORATION: none; PADDING-TOP: 20px">THE=20
    JOURNAL OF IMPROVISED &amp; EXPERIMENTAL MUSIC</H2>
    <DIV=20
    style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: 0px; =
PADDING-RIGHT: 0px; CLEAR: both; PADDING-TOP: 0px"></DIV>
    <TABLE=20
    style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: 0px; WIDTH: =
1000px; PADDING-RIGHT: 0px; PADDING-TOP: 0px">
      <TBODY=20
      style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: 0px; =
PADDING-RIGHT: 0px; PADDING-TOP: 0px">
      <TR=20
      style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: 0px; =
PADDING-RIGHT: 0px; PADDING-TOP: 0px">
        <TD=20
        style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: 0px; =
WIDTH: 795px; PADDING-RIGHT: 0px; PADDING-TOP: 0px"=20
        vAlign=3Dtop align=3Dleft>
          <DIV=20
          style=3D"TEXT-ALIGN: left; PADDING-BOTTOM: 0px; MARGIN: 0px; =
PADDING-LEFT: 0px; WIDTH: 790px; PADDING-RIGHT: 0px; PADDING-TOP: 0px">
          <DIV=20
          style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: 0px; =
WIDTH: 260px; PADDING-RIGHT: 0px; FLOAT: left; PADDING-TOP: 0px">
          <DIV=20
          style=3D"BORDER-BOTTOM: 0px; BORDER-LEFT: 0px; PADDING-BOTTOM: =
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          <DIV=20
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name=3D"">
            <TBODY=20
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0px; PADDING-RIGHT: 0px; PADDING-TOP: 0px">
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            style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: =
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            <TR=20
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0px; PADDING-RIGHT: 0px; PADDING-TOP: 0px">
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              style=3D"PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: =
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              vAlign=3Dcenter align=3Dleft>
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                style=3D"PADDING-BOTTOM: 0px; FONT-STYLE: normal; =
MARGIN: 10px 20px 15px 10px; PADDING-LEFT: 0px; PADDING-RIGHT: 0px; =
FONT-FAMILY: arial, verdana, sans-serif; FONT-SIZE: 10px; PADDING-TOP: =
0px"><A=20
                style=3D"PADDING-BOTTOM: 0px; FONT-STYLE: normal; =
MARGIN: 0px; PADDING-LEFT: 0px; PADDING-RIGHT: 0px; FONT-FAMILY: arial, =
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FONT-WEIGHT: normal; TEXT-DECORATION: none; PADDING-TOP: 0px"=20
                title=3DWebsite=20
                =
href=3D"http://ads.networksolutions.com/landing?code=3DP111C100S1N0B142A1=
D401E0000V100"=20
                target=3D_blank>Website</A>&nbsp;powered by Network=20
              =
Solutions=AE</P></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></SPA=
N>
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    style=3D"TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: =
separate; FONT: medium Helvetica; WHITE-SPACE: normal; LETTER-SPACING: =
normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
    <DIV style=3D"WORD-WRAP: break-word"><SPAN=20
    style=3D"TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: =
separate; FONT: medium Helvetica; WHITE-SPACE: normal; LETTER-SPACING: =
normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px">
    <DIV style=3D"WORD-WRAP: break-word">
    <DIV><SPAN style=3D"FONT-SIZE: 12px">
    <DIV><FONT size=3D4 face=3DChalkboard><SPAN style=3D"FONT-SIZE: =
14px"><FONT=20
    color=3D#6f6f6f><SPAN=20
    style=3D"LINE-HEIGHT: 15px; FONT-FAMILY: Georgia; COLOR: rgb(0,0,0); =
FONT-SIZE: 13px"><BR=20
    style=3D"LINE-HEIGHT: 1.22em"></SPAN>Ed =
Durbrow</FONT></SPAN></FONT></DIV>
    <DIV><FONT size=3D4 face=3DChalkboard><SPAN style=3D"FONT-SIZE: =
14px"><FONT=20
    color=3D#6f6f6f>Saitama, Japan</FONT></SPAN></FONT></DIV>
    <DIV><FONT size=3D4 face=3DChalkboard><SPAN style=3D"FONT-SIZE: =
14px"><A=20
    href=3D"http://www.musicianspage.com/musicians/9688/"=20
    =
target=3D_blank>http://www.musicianspage.com/musicians/9688/</A></SPAN></=
FONT></DIV>
    <DIV><FONT size=3D4 face=3DChalkboard><SPAN=20
    style=3D"FONT-SIZE: 14px"></SPAN></FONT><SPAN=20
    style=3D"FONT-FAMILY: Chalkboard; COLOR: rgb(111,111,111); =
FONT-SIZE: 14px"><A=20
    href=3D"http://www9.plala.or.jp/edurbrow/"=20
    target=3D_blank>http://www9.plala.or.jp/edurbrow/</A></SPAN></DIV>
    =
<DIV><BR></DIV></SPAN></DIV></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV>=
</SPAN></DIV></SPAN></DIV></SPAN></DIV></SPAN><BR></DIV><BR></FONT></DIV>=
</BLOCKQUOTE></DIV><BR></BLOCKQUOTE>
=

=


</BODY></HTML>

------=_NextPart_000_0009_01CC4273.AF069C20--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 14 23:59:53 2011
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Date: Thu, 14 Jul 2011 19:59:41 -0400
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll continue the
month-long Special Focus on Jürgen Haible.  The Featured CD at Midnight
will be "Dark November."  Details are at the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

On tonight's show, I will play music by Mark Jenkins who will be
performing at the Soundscapes Concert Series on Sunday, July 24, 8 pm
at the Nazareth Center for the Arts.            http://soundscapes.us

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 15 08:31:34 2011
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As a quick reminder:

This weekend sees Firenze/Italia's Live Looping Festival managed by 
Massimo Liverani, a festival that is part of the International Live 
Looping Festival thingie curated by Rick Walker.

There's a plethora of great artists performing:
http://www.livelooping.it/home.html

Me, I'm off to drive there - see you there!

             Rainer

ps: obviously, there will be no MoinSound Studio Session tomorrow...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Jul 15 12:53:09 2011
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Subject: Galactic Travels Playlist #745 for July 14, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110714.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #745                July 14, 2011.

RECAP:
On this show, I continued the month-long focus on Jürgen Haible.  The
Featured CD at Midnight was "Dark November" which is a self-released
title.
Jürgen Haible: http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

On this show, I played music by Mark Jenkins who will appear at the
Soundscapes Concert Series.  Visit the events</a> page for details.
Events: http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mark Jenkins         Starless and Bible   Supernova (AMP)
                        Black
signalsundertests    #000000              mecca (none)
M. Peck              A Lost Mantra        Beneath Forever (Earth Mantra)
Steve Rose           Somehow Different    The Diminishingg Day (none)
                        (Part 1)
Steve Roach and      Travel By Moonlight  The Road Eternal (Projekt)
   Eric Wøllo
Ray Carl Daye        A Fragile Shift *    Echoes from the Aether (none)
Jürgen Haible        Dark November        Holiday In Purgatory (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jürgen Haible        In the Snow, Fever   Holiday In Purgatory (none)
Jürgen Haible        A Ceremony of Gold   Holiday In Purgatory (none)
Jürgen Haible        Roaming the          Holiday In Purgatory (none)
                        Centuries
Jürgen Haible        Beryll on Copper     Holiday In Purgatory (none)
Jürgen Haible        Second Loop          Holiday In Purgatory (none)
Jürgen Haible        Hibernation          Holiday In Purgatory (none)
Jürgen Haible        Kunohara's Bug       Holiday In Purgatory (none)
                        World
Jürgen Haible        Oranges and Other    Holiday In Purgatory (none)
                        Fruits

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Jürgen Haible.  The Featured CD at Midnight will be "Holiday In
Purgatory" which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 15 15:07:31 2011
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Subject: Re: off to Firenze Live Looping Festival this weekend
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--20cf307cfece25291c04a81d02a8
Content-Type: text/plain; charset=ISO-8859-1
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Rainer have a great time and great set.  Safe travels on the road.  Excitin=
g
that this international collaboration is taking shape.

Jim

On Fri, Jul 15, 2011 at 4:31 AM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> As a quick reminder:
>
> This weekend sees Firenze/Italia's Live Looping Festival managed by Massi=
mo
> Liverani, a festival that is part of the International Live Looping Festi=
val
> thingie curated by Rick Walker.
>
> There's a plethora of great artists performing:
> http://www.livelooping.it/**home.html<http://www.livelooping.it/home.html=
>
>
> Me, I'm off to drive there - see you there!
>
>            Rainer
>
> ps: obviously, there will be no MoinSound Studio Session tomorrow...
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf307cfece25291c04a81d02a8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Rainer have a great time and great set.=A0 Safe travels on the road.=
=A0 Exciting that this international collaboration is taking shape.</div>
<div>=A0</div>
<div>Jim<br><br></div>
<div class=3D"gmail_quote">On Fri, Jul 15, 2011 at 4:31 AM, Rainer Straschi=
ll <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moinso=
und@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">As a quick reminder:<br><br>This=
 weekend sees Firenze/Italia&#39;s Live Looping Festival managed by Massimo=
 Liverani, a festival that is part of the International Live Looping Festiv=
al thingie curated by Rick Walker.<br>
<br>There&#39;s a plethora of great artists performing:<br><a href=3D"http:=
//www.livelooping.it/home.html" target=3D"_blank">http://www.livelooping.it=
/<u></u>home.html</a><br><br>Me, I&#39;m off to drive there - see you there=
!<br>
<br>=A0 =A0 =A0 =A0 =A0 =A0Rainer<br><br>ps: obviously, there will be no Mo=
inSound Studio Session tomorrow...<br><font color=3D"#888888"><br>-- <br><a=
 href=3D"http://moinlabs.de/" target=3D"_blank">http://moinlabs.de</a><br>F=
ollow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bla=
nk">http://twitter.com/moinlabs</a><br>
<br></font></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Broo=
klyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; P=
eter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Int=
ernational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com/" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com/" target=3D"_blank">wo=
odandwiremusic.wordpress.com</a><br>

--20cf307cfece25291c04a81d02a8--

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Subject: Re: OT: Dropbox and PayPal
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--0015176f0b38f1c45504a8217810
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http://lifehacker.com/5821634/why-you-should-ditch-paypal-and-use-these-other-services-to-send-people-money

-- 
Petri Lahtinen

http://www.petrilahtinen.com

--0015176f0b38f1c45504a8217810
Content-Type: text/html; charset=ISO-8859-1

<a href="http://lifehacker.com/5821634/why-you-should-ditch-paypal-and-use-these-other-services-to-send-people-money">http://lifehacker.com/5821634/why-you-should-ditch-paypal-and-use-these-other-services-to-send-people-money</a><br>
<br>-- <br>Petri Lahtinen<br><br><a href="http://www.petrilahtinen.com" target="_blank">http://www.petrilahtinen.com</a><br><br>

--0015176f0b38f1c45504a8217810--

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Subject: OT: Thinking outside the box
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A fascinating clip on Melodyne inventor Peter Neubäcker.

http://www.celemony.com/cms/index.php?id=interview_peter&L=0


http://islandfunk.com
http://www.andredonawa.com
http://www.youtube.com/user/AndreDonawa

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Subject: Re: OT: Thinking outside the box
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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Thank you Andr=E9!

2011/7/16 "Andr=E9 Donawa" <andre@andredonawa.com>

> A fascinating clip on Melodyne inventor Peter Neub=E4cker.
>
> http://www.celemony.com/cms/index.php?id=3Dinterview_peter&L=3D0
>
>
> http://islandfunk.com
> http://www.andredonawa.com
> http://www.youtube.com/user/AndreDonawa
>
>


--=20
Petri Lahtinen

http://www.petrilahtinen.com

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Thank you Andr=E9!<br><br><div class=3D"gmail_quote">2011/7/16 &quot;Andr=
=E9 Donawa&quot; <span dir=3D"ltr">&lt;<a href=3D"mailto:andre@andredonawa.=
com">andre@andredonawa.com</a>&gt;</span><br><blockquote class=3D"gmail_quo=
te" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204=
, 204); padding-left: 1ex;">
A fascinating clip on Melodyne inventor Peter Neub=E4cker.<br>
<br>
<a href=3D"http://www.celemony.com/cms/index.php?id=3Dinterview_peter&amp;L=
=3D0" target=3D"_blank">http://www.celemony.com/cms/index.php?id=3Dintervie=
w_peter&amp;L=3D0</a><br>
<br>
<br>
<a href=3D"http://islandfunk.com" target=3D"_blank">http://islandfunk.com</=
a><br>
<a href=3D"http://www.andredonawa.com" target=3D"_blank">http://www.andredo=
nawa.com</a><br>
<a href=3D"http://www.youtube.com/user/AndreDonawa" target=3D"_blank">http:=
//www.youtube.com/user/AndreDonawa</a><br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petril=
ahtinen.com</a><br><br>

--001517740b0a55cc0c04a82f020e--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 16 17:10:33 2011
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hi Phil,
glad you got the sysex working.

A couple of hints

1) while processing a sysex command the edp doesn't have the processing power
to do anything else. That includes checking for midi input.
If you need to change more than one param with a sysex command
you'll have to use a midi controller that puts a delay between them.
The audio from the edp will drop out briefly while processing sysex.

2) Changes to 8th/Cycle aren't effective till the end of the cycle
  (or is it end of the loop?) 

andy butler
(back from holiday)


Phil Clevenger wrote:
> Mark, and Per,
> 
> Yes, Program Changes for EDP preset changes are the basis for the controller setup. But I find there are too many permutations 

From Loopers-Delight-request@loopers-delight.com  Sat Jul 16 20:38:59 2011
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Thanks Andy !

Yep I noticed an audio drop when making these changes, but it's the =
audio from my guitar that drops, while the ongoing loop remains =
uninterrupted. So I just avoid playing notes while executing Sysex =
commands. Easier to hit the pedals that way anyway ;)

Good tip about the multiple command delay... so far I've been sending =
SysEx only one at a time. WIll be on the lookout as things evolve :)

Best,

Phil :)


On Jul 16, 2011, at 10:11 AM, andy butler wrote:

> hi Phil,
> glad you got the sysex working.
>=20
> A couple of hints
>=20
> 1) while processing a sysex command the edp doesn't have the =
processing power
> to do anything else. That includes checking for midi input.
> If you need to change more than one param with a sysex command
> you'll have to use a midi controller that puts a delay between them.
> The audio from the edp will drop out briefly while processing sysex.
>=20
> 2) Changes to 8th/Cycle aren't effective till the end of the cycle
> (or is it end of the loop?)=20
> andy butler
> (back from holiday)
>=20
>=20
> Phil Clevenger wrote:
>> Mark, and Per,
>> Yes, Program Changes for EDP preset changes are the basis for the =
controller setup. But I find there are too many permutations=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Jul 16 22:55:38 2011
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Subject: NYC loopers, I'm having a party this Sunday afternoon
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On a whim, I thought I'd extend an invitation!

My theory is that there aren't so many New York City loopers that my
apartment will be crammed.

3PM tomorrow, Williamsburg, Brooklyn, reply off-list for address and phone #
pls....

-- 
     /t

http://radio.swirly.com - art music radio 24/7 366/1000

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<div>On a whim, I thought I&#39;d extend an invitation!</div><div><br></div=
>My theory is that there aren&#39;t so many New York City loopers that my a=
partment will be crammed.<div><br></div><div>3PM tomorrow, Williamsburg, Br=
ooklyn, reply off-list for address and phone # pls....<br clear=3D"all">

<br>-- <br>=C2=A0 =C2=A0=C2=A0 /t<br><br><a href=3D"http://radio.swirly.com=
">http://radio.swirly.com</a> - art music radio 24/7 366/1000<br>
</div>

--bcaec5014df716138c04a837aa07--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 16 23:25:11 2011
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Subject: Re: NYC loopers, I'm having a party this Sunday afternoon
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Thankfully when I finally move to NYC, I'll know about fellow loopers and  
musicians that make beautiful music.

Right on. I hope the event goes very well.

Jeffrey

On , Tom Swirly <tom@swirly.com> wrote:
> On a whim, I thought I'd extend an invitation!


> My theory is that there aren't so many New York City loopers that my  
> apartment will be crammed.

> 3PM tomorrow, Williamsburg, Brooklyn, reply off-list for address and  
> phone # pls....


> --
> /t

> http://radio.swirly.com - art music radio 24/7 366/1000





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Thankfully when I finally move to NYC, I&#39;ll know about fellow loopers a=
nd musicians that make beautiful music.<br /><br />Right on. I hope the eve=
nt goes very well.<br /><br />Jeffrey<br /><br />On , Tom Swirly &lt;tom@sw=
irly.com&gt; wrote:<br />&gt; On a whim, I thought I&#39;d extend an invita=
tion!<br />&gt; <br />&gt; <br />&gt; My theory is that there aren&#39;t so=
 many New York City loopers that my apartment will be crammed.<br />&gt; <b=
r />&gt; 3PM tomorrow, Williamsburg, Brooklyn, reply off-list for address a=
nd phone # pls....<br />&gt; <br />&gt; <br />&gt; -- <br />&gt; =A0 =A0=A0=
 /t<br />&gt; <br />&gt; http://radio.swirly.com - art music radio 24/7 366=
/1000<br />&gt; <br />&gt; <br />&gt; <br />&gt;
--20cf303bfb10ced94e04a83813a3--

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Sounds like fun! E- mail me the details.=20

Chuck

Sent from my iPad Nano

On Jul 16, 2011, at 6:55 PM, Tom Swirly <tom@swirly.com> wrote:

> On a whim, I thought I'd extend an invitation!
>=20
> My theory is that there aren't so many New York City loopers that my apart=
ment will be crammed.
>=20
> 3PM tomorrow, Williamsburg, Brooklyn, reply off-list for address and phone=
 # pls....
>=20
> --=20
>      /t
>=20
> http://radio.swirly.com - art music radio 24/7 366/1000

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	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Sounds like fun! E- mail me the details.&nbsp;</div><div><br></div><div>Chuck<br><br>Sent from my iPad Nano</div><div><br>On Jul 16, 2011, at 6:55 PM, Tom Swirly &lt;<a href="mailto:tom@swirly.com">tom@swirly.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><div>On a whim, I thought I'd extend an invitation!</div><div><br></div>My theory is that there aren't so many New York City loopers that my apartment will be crammed.<div><br></div><div>3PM tomorrow, Williamsburg, Brooklyn, reply off-list for address and phone # pls....<br clear="all">

<br>-- <br>&nbsp; &nbsp;&nbsp; /t<br><br><a href="http://radio.swirly.com"><a href="http://radio.swirly.com">http://radio.swirly.com</a></a> - art music radio 24/7 366/1000<br>
</div>
</div></blockquote></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 17 00:06:34 2011
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Subject: FS: Eventide Eclipse
Date: Sat, 16 Jul 2011 19:11:11 -0500
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Eventide Eclipse (v. 4 software) in excellent condition for sale.  
Asking $1250 shipped in CONUS.

Thanks,

Jeff

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Subject: Mobius Track Selection and Launchpad
From: John Singletary <singletaryj472@gmail.com>
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Hey Everyone, I am a newbie learning Mobius and have been hosting it
was a vst in Audiomulch with a Motu Unltralite intrface (8 ins and 8
outs) and have it set up so each input goes to an isolated output such
i.e.(in 1 to out 1) etc. and it seemed to be working smoothly until
something seemed to have happened in Mobius so that it only will get
signal from highlighted tracks in Mobius and they must be in the same
aux out i.e. (tracks 3 and 4 or 7 and 8) if 7 is on then 4 will be
silent. It was not doing this before anyone know why this might have
started happening? Also, I heard that Novation or Circular labs was
working on a script so that the Novation Launchpad works in Mobius
like it does in Live, does anyone know anything about this?
Thanks so much guys,
Best Regards,

John

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Subject: Re: EDP, DirectMIDI, quant, 8ths
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Well dammit Andy you are right, I just had not noticed !

The guitar sound cuts out for sure, as I described, so much that it's =
impossible not to hear. But now that you put the bug in my head, I can =
definitely hear not only the EDP ongoing loop sound cut out during SysEx =
change, but a little low-frequency blip that could be very annoying in =
the wrong situation... gah!

So I guess for me these SysEx commands are a temporary solution only ;)

Best,

Phil :)


On Jul 16, 2011, at 10:11 AM, andy butler wrote:

> hi Phil,
> glad you got the sysex working.
>=20
> A couple of hints
>=20
> 1) while processing a sysex command the edp doesn't have the =
processing power
> to do anything else. That includes checking for midi input.
> If you need to change more than one param with a sysex command
> you'll have to use a midi controller that puts a delay between them.
> The audio from the edp will drop out briefly while processing sysex.
>=20
> 2) Changes to 8th/Cycle aren't effective till the end of the cycle
> (or is it end of the loop?)=20
> andy butler
> (back from holiday)
>=20
>=20
> Phil Clevenger wrote:
>> Mark, and Per,
>> Yes, Program Changes for EDP preset changes are the basis for the =
controller setup. But I find there are too many permutations=20
>=20

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Subject: Any leads on finding a Yamaha bc1 or bc3 or bc3a breath controller?
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Went online today to buy a replacement breath controller (i'm a vl70 freak)
and was shocked and dismayed to find out that yamaha has not only
discontinued the vl70, but the breath controllers for it -
anyone have any of the above-mentioned items they want to sell, or any leads
on how to find used ones?
much appreciated -

--002354530ec489188104a83b94ca
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Went online today to buy a replacement breath controller (i&#39;m a vl70 fr=
eak) and was shocked and dismayed to find out that yamaha has not only disc=
ontinued the vl70, but the breath controllers for it - <br>anyone have any =
of the above-mentioned items they want to sell, or any leads on how to find=
 used ones?<br>
much appreciated - <br>

--002354530ec489188104a83b94ca--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 17 06:46:51 2011
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Subject: Composing/Planning the Looping Fun
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--0016364efa6236af4004a83e3f0d
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So as this is my first post, I'll offer a quick introduction.  For the past
year-and-a-half has been learning how to play the violin (electric).
 Originally my goal was just to learn how to play the violin, but with
success I quickly expanded on that.  I decided to plan out how to create a
solo electric violin looping performance.  That's what I've been focusing on
(as much as I can with a full-time job) for the past few months.  Also, I'm
a software engineer.  One thing to know about software engineers is that we
spend months planning software in detail before we get to the part where we
implement it.  A lot of creative thought goes into planning out
elegantly-written software.  I believe it is similar to planning out an
elegant looping structure/song.

So, hopefully my background will help explain the seeming oddness of my
question ...

How do you guys compose/plan your songs?  For the instrument-based loopers
out there, do you write sheet music for the loop and free-play sections and
have some scheme for organizing it or do you simply play and improvise till
you have something that works?  My problem would be remembering exactly what
I played from one day to the next.  Maybe it's because I'm so new to
playing, though, that I don't quite have the ability to keep it all in my
head the same way every time.

Hopefully you guys have already solved my problem and can fill me in, but if
not here's what I've been thinking ... First I play around with some rhythms
and melodies on the piano (USB keyboard attached to PC so I can play and
take notes).  Once I have some sections that I like I write the loop
sections to sheet music using LilyPond <http://lilypond.org>.  However, that
only gives the the independent section, not the whole song or when to press
the pedals to start/stop/overdub a loop.  That is where I've been putting a
lot of thought lately.

So with that problem in mind I had some inspiration from my CS education.  I
can think of a loop-based song like a finite state
machine<http://en.wikipedia.org/wiki/Finite-state_machine> (FSM),
which is simply a way to describe the states a machine (in this case a
loop-based song) can be in and how it transitions between the states.  The
only way to change which loops are playing (0 to *) is to press a foot
pedal, similar to how the only way to change a FSM state is with a
transition.  With that I can diagram out my loop-based song, with each loop
start/end/overdub, effect on/off, effect settings, etc. to the very end.  I
think this is flexible enough to be useful for mapping out any loop-based
song.

Thoughts?

--0016364efa6236af4004a83e3f0d
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So as this is my first post, I&#39;ll offer a quick introduction. =A0For th=
e past year-and-a-half has been learning how to play the violin (electric).=
 =A0Originally my goal was just to learn how to play the violin, but with s=
uccess I quickly expanded on that. =A0I decided to plan out how to create a=
 solo electric violin looping performance. =A0That&#39;s what I&#39;ve been=
 focusing on (as much as I can with a full-time job) for the past few month=
s. =A0Also,=A0I&#39;m a software engineer. =A0One thing to know about softw=
are engineers is that=A0we spend months planning software in detail before =
we get to the part where we implement it. =A0A lot of creative thought goes=
 into planning out elegantly-written software. =A0I believe it is similar t=
o planning out an elegant looping structure/song.<div>

<br></div><div>So, hopefully my background will help explain the seeming od=
dness of my question ...=A0</div><div><br></div><div>How do you guys compos=
e/plan your songs? =A0For the instrument-based loopers out there, do you wr=
ite sheet music for the loop and free-play sections and have some scheme fo=
r organizing it or do you simply play and improvise till you have something=
 that works? =A0My problem would be remembering exactly what I played from =
one day to the next. =A0Maybe it&#39;s because I&#39;m so new to playing, t=
hough, that I don&#39;t quite have the ability to keep it all in my head th=
e same way every time. =A0</div>
<div><br></div><div>Hopefully you guys have already solved my problem and c=
an fill me in, but if not here&#39;s what I&#39;ve been thinking ... First =
I play around with some rhythms and melodies on the piano (USB keyboard att=
ached to PC so I can play and take notes). =A0Once I have some sections tha=
t I like I write the loop sections to sheet music using <a href=3D"http://l=
ilypond.org">LilyPond</a>. =A0However, that only gives the the independent =
section, not the whole song or when to press the pedals to start/stop/overd=
ub a loop. =A0That is where I&#39;ve been putting a lot of thought lately. =
=A0</div>
<div><br></div><div>So with that problem in mind I had some inspiration fro=
m my CS education. =A0I can think of a loop-based song like a=A0<a href=3D"=
http://en.wikipedia.org/wiki/Finite-state_machine">finite state machine</a>=
=A0(FSM), which is simply a way to describe the states a machine (in this c=
ase a loop-based song) can be in and how it transitions between the states.=
 =A0The only way to change which loops are playing (0 to *) is to press a f=
oot pedal, similar to how the only way to change a FSM state is with a tran=
sition. =A0With that I can diagram out my loop-based song, with each loop s=
tart/end/overdub, effect on/off, effect settings, etc. to the very end. =A0=
I think this is flexible enough to be useful for mapping out any loop-based=
 song.</div>
<div><br></div><div>Thoughts?</div>

--0016364efa6236af4004a83e3f0d--

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Phil Clevenger wrote:
> Thanks Andy !
> 
> Yep I noticed an audio drop when making these changes, but it's the audio from my guitar that drops, 

very unlikely, the dry signal follows an analog path

>while the ongoing loop remains uninterrupted.

possible...I certainly noticed a dropout when I changed 
midi channel via sysex.

Another sysex quirk of the edp is that the unique device number
will sometimes be 'forgot' and revert to 255. Never found
out why, and it didn't happen often...but worth bearing in mind.
Not a problem with one edp of course, just keep to 255.

andy

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Phil Clevenger wrote:
> Well dammit Andy you are right, I just had not noticed !
> 
> The guitar sound cuts out for sure, as I described, so much that it's impossible not to hear.

I hadn't noticed that one.

> But now that you put the bug in my head, I can definitely hear not only the EDP ongoing loop sound

> cut out during SysEx change, but a little low-frequency blip that could be very annoying in the wrong situation... gah!

It might help to do the DC offset setup for the edp, that won't help
the dropout, but might eliminate the blip.

> 
> So I guess for me these SysEx commands are a temporary solution only ;)

this was true for me.

I don't know of anyone currently using edp sysex.

It was intended to set up the edp from sequencer between "songs"
rather than realtime control.

I don't remember, but maybe it's possible to program the presets via
sysex, so at least you could have different presets for each piece you play.

regards
andy

> 
> Best,
> 
> Phil :)

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hi Steve,
welcome

Steve Crumpler wrote:
> So as this is my first post, I'll offer a quick introduction.  For the 
> past year-and-a-half has been learning how to play the violin 
> (electric).  Originally my goal was just to learn how to play the 
> violin, but with success I quickly expanded on that.  I decided to plan 
> out how to create a solo electric violin looping performance.  That's 
> what I've been focusing on (as much as I can with a full-time job) for 
> the past few months.  Also, I'm a software engineer.  One thing to know 
> about software engineers is that we spend months planning software in 
> detail before we get to the part where we implement it.  A lot of 
> creative thought goes into planning out elegantly-written software.  I 
> believe it is similar to planning out an elegant looping structure/song.

let's just say there's also inelegant software out there :-)

The alternative approach is 
1) just get it going
2) listen to user feedback
3) accommodate the wishes of users

> So, hopefully my background will help explain the seeming oddness of my 
> question ... 
> 
> How do you guys compose/plan your songs?  For the instrument-based 
> loopers out there, do you write sheet music for the loop and free-play 
> sections and have some scheme for organizing it or do you simply play 
> and improvise till you have something that works?  

If I'm working on a piece I will just run through it over and over,
with occasional breaks to figure out how to get the looping 
hardware to do what I want, or to work on the harmony/arrangement
aspects of sections. 

Generally I end up with a set of "moves" on the loop technology,
some harmonic and rhythmic structure, and some compatible
melodic material, although the amount of variation per each
performance depends on the piece.
 
> So with that problem in mind I had some inspiration from my CS 
> education.  I can think of a loop-based song like a finite state machine 
> <http://en.wikipedia.org/wiki/Finite-state_machine> (FSM), which is 
> simply a way to describe the states a machine (in this case a loop-based 
> song) can be in and how it transitions between the states.  The only way 
> to change which loops are playing (0 to *) is to press a foot pedal, 
> similar to how the only way to change a FSM state is with a transition. 
>  With that I can diagram out my loop-based song, with each loop 
> start/end/overdub, effect on/off, effect settings, etc. to the very end. 
>  I think this is flexible enough to be useful for mapping out any 
> loop-based song.

I'd say *no*, to describe a sophisticated looping device the number of possible
states becomes unwieldy.
..and some features like playback speed aren't easily described by on/off flags.

> Thoughts?

>From a programmer perspective, the thing about a looping device is
that you're very likely to want to extend it's capabilities after finishing it.
If you use a state machine as described I then you're likely
to end up with inelegant software with hard to find bugs.

I'd at least consider a structure whereby each loop has it's own
FSM.

Of course, I'm aware it's likely you know exactly what your about,
and that these comments are telling you nothing new :-)

andy

From Loopers-Delight-request@loopers-delight.com  Sun Jul 17 12:02:40 2011
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Subject: Re: Composing/Planning the Looping Fun
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Step 1. First advice here: Know Music!

Step 2. To break this down into an action plan, here are some points:

- Know what chords are usually used in a each key.
- Know what makes a melody work over a certain chord change structure.
- Know rhythm. Learn what it sounds like and how to play any beat over
any other beat.

Step 3. Analyze "breaking the rules".
One early famous example is how Lennon/McCartney used to suddenly
throw in a minor chord where classic music theory would predict a
major chord (and this of cause implying different song harmony and
melody playing at that particular part of the song). Another example
might be Miles Davis well known trick to "imagine the song going in a
a different key and play according to that instead of the actual key".

Step 4.
Solve the technical challenges of live looping; I mean things like
figuring out what part to start with in order to build more parts into
the same loop (or as other parallel loops?). Maybe a bass line works
under two different melodies? Fine, then you may first make a loop of
this bass line and then either play those two melodies after each
other over the ever spinning bass line loop... or you could first copy
the bass line loop into a new loop slot and overdub the two melodies
one at each copy of the bass line loop. Such a decision depends on
what you're going to do later in the arrangement.

Step X - variation:
"Unlearn" the above step-for-step approach and try using it for
improvising "instant composition".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sun, Jul 17, 2011 at 8:46 AM, Steve Crumpler <yared0319@gmail.com> wrote=
:
> So as this is my first post, I'll offer a quick introduction. =C2=A0For t=
he past
> year-and-a-half has been learning how to play the violin (electric).
> =C2=A0Originally my goal was just to learn how to play the violin, but wi=
th
> success I quickly expanded on that. =C2=A0I decided to plan out how to cr=
eate a
> solo electric violin looping performance. =C2=A0That's what I've been foc=
using on
> (as much as I can with a full-time job) for the past few months. =C2=A0Al=
so,=C2=A0I'm
> a software engineer. =C2=A0One thing to know about software engineers is =
that=C2=A0we
> spend months planning software in detail before we get to the part where =
we
> implement it. =C2=A0A lot of creative thought goes into planning out
> elegantly-written software. =C2=A0I believe it is similar to planning out=
 an
> elegant looping structure/song.
> So, hopefully my background will help explain the seeming oddness of my
> question ...
> How do you guys compose/plan your songs? =C2=A0For the instrument-based l=
oopers
> out there, do you write sheet music for the loop and free-play sections a=
nd
> have some scheme for organizing it or do you simply play and improvise ti=
ll
> you have something that works? =C2=A0My problem would be remembering exac=
tly what
> I played from one day to the next. =C2=A0Maybe it's because I'm so new to
> playing, though, that I don't quite have the ability to keep it all in my
> head the same way every time.
> Hopefully you guys have already solved my problem and can fill me in, but=
 if
> not here's what I've been thinking ... First I play around with some rhyt=
hms
> and melodies on the piano (USB keyboard attached to PC so I can play and
> take notes). =C2=A0Once I have some sections that I like I write the loop
> sections to sheet music using LilyPond. =C2=A0However, that only gives th=
e the
> independent section, not the whole song or when to press the pedals to
> start/stop/overdub a loop. =C2=A0That is where I've been putting a lot of=
 thought
> lately.
> So with that problem in mind I had some inspiration from my CS education.=
 =C2=A0I
> can think of a loop-based song like a=C2=A0finite state machine=C2=A0(FSM=
), which is
> simply a way to describe the states a machine (in this case a loop-based
> song) can be in and how it transitions between the states. =C2=A0The only=
 way to
> change which loops are playing (0 to *) is to press a foot pedal, similar=
 to
> how the only way to change a FSM state is with a transition. =C2=A0With t=
hat I
> can diagram out my loop-based song, with each loop start/end/overdub, eff=
ect
> on/off, effect settings, etc. to the very end. =C2=A0I think this is flex=
ible
> enough to be useful for mapping out any loop-based song.
> Thoughts?

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Subject: Re: Mobius Track Selection and Launchpad
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On Sun, Jul 17, 2011 at 4:00 AM, John Singletary
<singletaryj472@gmail.com> wrote:
> Also, I heard that Novation or Circular labs was
> working on a script so that the Novation Launchpad works in Mobius
> like it does in Live, does anyone know anything about this?


Check this thread at the Mobius forum:

http://www.circularlabs.com/forums/showthread.php?t=97&highlight=Launchpad

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jul 17 13:24:51 2011
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On 7/17/11 8:02 AM, Per Boysen wrote:
> Step 3. Analyze "breaking the rules".
> One early famous example is how Lennon/McCartney used to suddenly
> throw in a minor chord where classic music theory would predict a
> major chord (and this of cause implying different song harmony and
> melody playing at that particular part of the song).
Hi Per,

Can you cite a specific example and name a song and where the minor 
chord is located in that song?

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun Jul 17 13:36:29 2011
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On 7/17/11 2:46 AM, Steve Crumpler wrote:
> How do you guys compose/plan your songs?
Plan?  We don't need no stinkin' plan!  ;-)  Many people improvise a 
melody or a chord pattern or a rhythm and then fly from there.  This 
tends to be more dominant in soundscapes than in pop or jazz structured 
pieces but not limited to that domain.

In my guise as an electronic musician, nearly all of what I do is 
improvised.  Only at Different Skies and mindSpiral have I taken part in 
pieces that employed any real planning/up front composing.  In xeroid 
entity and Twyndyllyngs and at Ricochet Gatherings it is all improv.

In my guise as a wannabe duo (I haven't found a partner, yet), I plan on 
doing cover songs which will be an entirely different mode of 
operation.  The partner I have in mind only songs so loops will be 
required if I ever want to take a solo.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun Jul 17 13:37:57 2011
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Date: Sun, 17 Jul 2011 15:37:56 +0200
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Subject: Re: Composing/Planning the Looping Fun
From: Per Boysen <perboysen@gmail.com>
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Sorry, not time at hand right now to listen through the old Beatles
catalog. But I estimate, from memory, that you hear that thing in
around every third or fourth Beatles song from the early days.
Probably on the Help album I think. Sometimes I've also heard the
Beatles change a typical major subdominant into a minor for a stick.
That would hint at an augmented fifth from the main key's perspective
and as such not as much "breaking rules" as the key change
(major/minor).

per


On Sun, Jul 17, 2011 at 3:24 PM, Bill Fox <billyfox@soundscapes.us> wrote:
> On 7/17/11 8:02 AM, Per Boysen wrote:
>>
>> Step 3. Analyze "breaking the rules".
>> One early famous example is how Lennon/McCartney used to suddenly
>> throw in a minor chord where classic music theory would predict a
>> major chord (and this of cause implying different song harmony and
>> melody playing at that particular part of the song).
>
> Hi Per,
>
> Can you cite a specific example and name a song and where the minor chord is
> located in that song?
>
> Cheers,
>
> Bill
>
>

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Subject: Re: Composing/Planning the Looping Fun
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On Sun, Jul 17, 2011 at 3:36 PM, Bill Fox <billyfox@soundscapes.us> wrote:
> On 7/17/11 2:46 AM, Steve Crumpler wrote:
>>
>> How do you guys compose/plan your songs?
>
> Plan? =C2=A0We don't need no stinkin' plan! =C2=A0;-)


Well, some people have. Right off the top of my head I'm thinking
about list members Zoe Keating and Fro. They both start from finished
compositions and deconstruct the composition to rebuild it according
to available looping options. That is planning that proceeds the
performance, i.e. "a plan".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jul 17 21:23:16 2011
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Date: Sun, 17 Jul 2011 23:23:22 +0200
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Subject: Back from Firenze - the tradition lives on!
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Ok, I'm back from Firenze, right as the last notes of WD-41's set 
(Willie Oteri/David Laczko) should be sounding out.

What a gas! Apart from trying out my Nerdville 2.0 setup live for the 
first time (and getting the audience of an ambient-loop festival to sing 
along!!!), it was great fun to listen to the set of this huge bandwidth 
of musicians (for day one, we had Giovanni Lami, Enrico Coniglio, Fabio 
Anile, myself and Michael Peters) - and of course to just hang out with 
them, Gareth (plus Emma), David/Willie, and of course being shown round 
Firenze by our charming host, Massimo.

Thanks, Massimo. The tradition of the International Live Looping 
Festivals does live on, also in the old world.

             Rainer

ps: pics, audio clips and videos about to follow.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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On Sun, Jul 17, 2011 at 11:23 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> ps: pics, audio clips and videos about to follow.

Looking forward to that, Rainer!  :-)

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jul 18 00:44:47 2011
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Rainer excellent report on Y2K Italy. So cool you got to be there and
be part of.  I look fwd to seeing the imagery soon.

Jim

On 7/17/11, Per Boysen <perboysen@gmail.com> wrote:
> On Sun, Jul 17, 2011 at 11:23 PM, Rainer Straschill
> <moinsound@googlemail.com> wrote:
>> ps: pics, audio clips and videos about to follow.
>
> Looking forward to that, Rainer!  :-)
>
> Per
>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 18 16:35:16 2011
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Subject: Recording posted. Filtering *post* loop. Oomingmak...
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I just built a new Bidule session for Mobius and here's the improvised
test ride sound check:
http://soundcloud.com/pboy/sticktronix-diabolica

Just made two loops with the Stick Guitar but the cool thing happening
here is that Bidule offers enough CPU muscles to put dynamic filtering
plugins on the five loop channel outputs. With the i7 2-core MBP I
found the best sound is when sticking with only one core in Bidule. I
tried all combinations for multi-core distribution in Bidule but could
not get rid of sound artifacts. On one core the output sounds crystal
clear.

I'm quite happy withe Oomingmak audio-pitch-to-synth-wave plugin from
Expert Sleepers (much more useful to me than traditional guitar type
fuzz/dist/overdrive). ESPECIALLY when the loops you record through
Oomingmak can be played back through live tweaked FilterFreak and
PhaseMistress (SoundToys.com). The incremental rotary encoder pot
knobs of the Faderfox mini hand mixer works like a charm for tweaking
filters on loop channel outputs.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Jul 18 18:34:20 2011
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Subject: The Soundscapes Concert Series THIS Sunday
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Reminder:
Sunday, July 24, the Soundscapes Concert Series returns to the Nazareth 
Center for the Arts with Mark Jenkins of the UK.

Mark Jenkins is the author of the acclaimed book and CD "ANALOG 
SYNTHESIZERS" and is the first musician in the world to release a CD 
created entirely on the Apple iPad.  He has created music for concert 
performances, advertising, TV and CD releases, and has performed at the 
London Planetarium, London Royal Greenwich Observatory Planetarium, 
London South Bank, Carnegie Science Center Pittsburgh, National Theatre 
Brazil, and in France, Holland, and China.

Doors open at 7:30 pm and the concert is at 8:00 pm. The concert is 
free. Donations are requested to support the musician and to enable the 
Nazareth Center for the Arts to pay operating expenses. The NCA is 
located at 30 Belvidere Street, Nazareth, PA 18064 just off of Route 191 
on the southwest corner of Belvidere Street and South Spruce Street.

I hope to see you there!

Cheers,

Bill Fox
The Soundscapes Concert Series
http://soundscapes.us

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Emile I loved this.  Great interaction.  Karen's score was really edgy and =
a
perfect contrast to your imagery and manipulation which I thought from the
realism this was a really interesting chapter in your work.  I'll wall this=
.

Jim

On Mon, Jul 18, 2011 at 9:35 PM, Emile Tobenfeld (a.k.a Dr. T) <
emile@foryourhead.com> wrote:

> Hi folks,
>
> I've posted another video on You Tube at http://www.youtube.com/watch?**
> v=3DqqA1t6ovdPE <http://www.youtube.com/watch?v=3DqqA1t6ovdPE>. "For Cell=
o and
> Birds" is taken from my performance with Wisteriax on March 12, 2011 at 1=
19
> Gallery in Lowell, MA. Wisteriax is Karen Langlie's solo project for cell=
o
> and electronics -- spacy, ambient and very imaginative. I really enjoy
> improvising with her, and the close attention she pays to the visuals
> unifies the performance.
>
> I decided to divide our set into sections, and chose a different visual
> theme to start each section. The theme for the first section was birds, a=
nd
> "For Cello and Birds" consists of this section.
>
> Special thanks go to Walter Wright and Mary Ann Kearns of 119 Gallery,
> which hosted this event.
>
>
> BTW Some of my photography can be viewed at http://www.flickr.com/photos/=
*
> *22231918@N06/collections/**72157603627170351/<http://www.flickr.com/phot=
os/22231918@N06/collections/72157603627170351/>
> --
> " Practice makes perfect, imperfect is better."  -- Paul Bley
>
>                Emile Tobenfeld, Ph. D.
> Video Producer                  Image Processing Specialist
> Video for your HEAD!                    Boris FX
> http://www.foryourhead.com              http://www.borisfx.com
>



--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

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Emile I loved this. =A0Great interaction. =A0Karen&#39;s score was really e=
dgy and a perfect contrast to your imagery and manipulation which I thought=
 from the realism this was a really interesting chapter in your work. =A0I&=
#39;ll wall this.<div>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Mon, Jul 18, 2011 a=
t 9:35 PM, Emile Tobenfeld (a.k.a Dr. T) <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:emile@foryourhead.com">emile@foryourhead.com</a>&gt;</span> wrote:<br=
><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1=
px #ccc solid;padding-left:1ex;">
Hi folks,<br>
<br>
I&#39;ve posted another video on You Tube at <a href=3D"http://www.youtube.=
com/watch?v=3DqqA1t6ovdPE" target=3D"_blank">http://www.youtube.com/watch?<=
u></u>v=3DqqA1t6ovdPE</a>. &quot;For Cello and Birds&quot; is taken from my=
 performance with Wisteriax on March 12, 2011 at 119 Gallery in Lowell, MA.=
 Wisteriax is Karen Langlie&#39;s solo project for cello and electronics --=
 spacy, ambient and very imaginative. I really enjoy improvising with her, =
and the close attention she pays to the visuals unifies the performance.<br=
>

<br>
I decided to divide our set into sections, and chose a different visual the=
me to start each section. The theme for the first section was birds, and &q=
uot;For Cello and Birds&quot; consists of this section.<br>
<br>
Special thanks go to Walter Wright and Mary Ann Kearns of 119 Gallery, whic=
h hosted this event.<br>
<br>
<br>
BTW Some of my photography can be viewed at <a href=3D"http://www.flickr.co=
m/photos/22231918@N06/collections/72157603627170351/" target=3D"_blank">htt=
p://www.flickr.com/photos/<u></u>22231918@N06/collections/<u></u>7215760362=
7170351/</a><br>
<font color=3D"#888888">
-- <br>
&quot; Practice makes perfect, imperfect is better.&quot; =A0-- Paul Bley<b=
r>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Emile Tobenfeld, Ph. D.<br>
Video Producer =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Image Processing Speciali=
st<br>
Video for your HEAD! =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Boris FX<br>
<a href=3D"http://www.foryourhead.com" target=3D"_blank">http://www.foryour=
head.com</a> =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"http://www.borisfx.com" =
target=3D"_blank">http://www.borisfx.com</a><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn=
 To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter=
 Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Interna=
tional.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_b=
lank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf307f3a66f71e6d04a8634422--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 19 03:06:47 2011
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Date: Mon, 18 Jul 2011 21:35:04 -0400
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: "For Cello and Birds" New video on You Tube
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Hi folks,

I've posted another video on You Tube at 
http://www.youtube.com/watch?v=qqA1t6ovdPE. "For Cello and Birds" is 
taken from my performance with Wisteriax on March 12, 2011 at 119 
Gallery in Lowell, MA. Wisteriax is Karen Langlie's solo project for 
cello and electronics -- spacy, ambient and very imaginative. I 
really enjoy improvising with her, and the close attention she pays 
to the visuals unifies the performance.

I decided to divide our set into sections, and chose a different 
visual theme to start each section. The theme for the first section 
was birds, and "For Cello and Birds" consists of this section.

Special thanks go to Walter Wright and Mary Ann Kearns of 119 
Gallery, which hosted this event.


BTW Some of my photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 19 11:22:45 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Tue, 19 Jul 2011 07:22:14 -0400
Message-ID: <CAMz0DjdLbPVkss7ySSpZPMGv=Oq3APDsfuQq+tMLAO2OSnxuvQ@mail.gmail.com>
Subject: New track. Sxip Shirey and Todd Reynolds.
To: "Looper's Delight" <Loopers-Delight@loopers-delight.com>
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http://soundcloud.com/toddreyn/southdressingroom


I'm doing the looping,  Sxip's doing the soundcrafting with Bells,
pitchshifting,  tubes, etc.

Twas a fun time for us...

Cheers, all!

http://soundcloud.com/toddreyn/southdressingroom

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<div><a href=3D"http://soundcloud.com/toddreyn/southdressingroom">http://so=
undcloud.com/toddreyn/southdressingroom</a></div><div><br></div><div><br></=
div>I&#39;m doing the looping, =A0Sxip&#39;s doing the soundcrafting with B=
ells, pitchshifting, =A0tubes, etc. =A0<div>

<br></div><div>Twas a fun time for us...=A0</div><div><br></div><div>Cheers=
, all!=A0</div><div><br></div><div><a href=3D"http://soundcloud.com/toddrey=
n/southdressingroom">http://soundcloud.com/toddreyn/southdressingroom</a></=
div>

<div><br></div><div><br clear=3D"all"><br><div><br></div><div><p style=3D"m=
argin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica"><br></p></div><br>
</div>

--0023545bddecac60b104a86a5535--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 19 11:40:33 2011
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Date: Tue, 19 Jul 2011 13:40:32 +0200
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Subject: Re: New track. Sxip Shirey and Todd Reynolds.
From: Per Boysen <perboysen@gmail.com>
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On Tue, Jul 19, 2011 at 1:22 PM, todd reynolds <toddreyn@gmail.com> wrote:
> http://soundcloud.com/toddreyn/southdressingroom
>
> I'm doing the looping, =C2=A0Sxip's doing the soundcrafting with Bells,
> pitchshifting, =C2=A0tubes, etc.
> Twas a fun time for us...


Enjoying The Water Bears!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Jul 19 13:01:55 2011
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Date: Tue, 19 Jul 2011 15:01:53 +0200 (CEST)
From: Massimo Liverani <mas.liv@libero.it>
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Subject: R: FS Electrix Repeater
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Hi, i got one repeater so excuse me, but i'm not interested by now but what is the 'Hitachi controller'? 
Massimo






p { margin: 0; }p { margin: 0; }-->Since I haven't been using my Electrix Repeater much for a while I have decided to put it up for sale it and I'm offering it here first before it goes to Ebay.
I'm the original owner and I bought it when they first came out. This is a fully functioning unit and has the original power supply and has not been modded. Other than taking it out to a few gigs in a rack case when I first got it, it's been in my smoke free music room in a rack ever since.I have the box and all manuals and I have ALL versions of the operating system on Flash cards.
I have several Flash cards for sale that have the Hitachi controller which are FULLY COMPATIBLE with all recording functions on the Repeater 
Original 16 MB CFC with Electrix logo128 MB Simpletech CFC 256 MB Simpletech CFC512 MB Pretec CFC
Also one 32MB SanDisk CFC that the very last operating system came loaded on (I never used this for recording but I suspect it doesn't have the Hitachi controller or allow ALL functions in real time)
I would like to sell all of this as a package deal. I know compatible CF cards are very hard to find but I don't want to get into selling the CF cards separately so please don't ask.
I'd like to get $800 for everything with the buyer paying shipping. I'll take Paypal so email me and we can talk and spare us both the Ebay nonsense.
Thanks for looking!!
Ed Drake



 
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<p style=3D"margin: 0px; padding: 0px;">Hi, i got one repeater so excuse me=
, but i'm not interested by now but what is the </p><p style=3D"margin: 0px=
; padding: 0px;">'Hitachi controller'? </p><p style=3D"margin: 0px; padding=
: 0px;"><br></p><p style=3D"margin: 0px; padding: 0px;">Massimo<br></p>
<blockquote>
<br>
<br>
<!--<mce:style type=3D'text/css'>p { margin: 0; }</mce:style><style  type=
=3D'text/css' mce_bogus=3D"1">p { margin: 0; }</style>--><div style=3D"font=
-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);" mce_style=3D"font-fa=
mily: Arial; font-size: 12pt; color: #000000">Since I haven't been using my=
 Electrix Repeater much for a while I have decided to put it up for sale it=
 and I'm offering it here first before it goes to Ebay.<div><br></div><div>=
I'm the original owner and I bought it when they first came out. This is a =
fully functioning unit and has the original power supply and has not been m=
odded. Other than taking it out to a few gigs in a rack case when I first g=
ot it, it's been in my smoke free music room in a rack ever since.</div><di=
v>I have the box and all manuals and I have ALL versions of the operating s=
ystem on Flash cards.</div><div><br></div><div>I have several Flash cards f=
or sale that have the Hitachi controller which are FULLY COMPATIBLE with al=
l recording functions on the Repeater&nbsp;</div><div><br></div><div>Origin=
al 16 MB CFC with Electrix logo</div><div>128 MB Simpletech CFC&nbsp;</div>=
<div>256 MB Simpletech CFC</div><div>512 MB Pretec CFC</div><div><br></div>=
<div>Also one 32MB SanDisk CFC that the very last operating system came loa=
ded on (I never used this for recording but I suspect it doesn't have the H=
itachi controller or allow ALL functions in real time)</div><div><br></div>=
<div>I would like to sell all of this as a package deal. I know compatible =
CF cards are very hard to find but I don't want to get into selling the CF =
cards separately so please don't ask.</div><div><br></div><div>I'd like to =
get $800 for everything with the buyer paying shipping. I'll take Paypal so=
 email me and we can talk and spare us both the Ebay nonsense.</div><div><b=
r></div><div>Thanks for looking!!</div><div><br></div><div>Ed Drake</div></=
div><br>
</blockquote><p><br></p><div style=3D"position: absolute; left: -10000px; t=
op: 0px; width: 1px; height: 1px; overflow: hidden;" id=3D"_mcePaste">&nbsp=
;</div>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 19 13:13:56 2011
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 <CAJC14Wi5CtxeDhqZrSZQnfzvGugsNS0zGkB_MhFKY5ps2mnyDg@mail.gmail.com>
From: todd reynolds <toddreyn@gmail.com>
Date: Tue, 19 Jul 2011 09:13:25 -0400
Message-ID: <CAMz0Djf-QJ863gQp_Hj8rAMwfkhiVD-G_uQGyOwSxjLLweuQ9Q@mail.gmail.com>
Subject: Re: New track. Sxip Shirey and Todd Reynolds.
To: Loopers-Delight@loopers-delight.com
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thanks, Per!


>
> Enjoying The Water Bears!
>
> Greetings from Sweden
>
> Per Boysen
>

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thanks, Per! =A0<br><br><div class=3D"gmail_quote"><blockquote class=3D"gma=
il_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-lef=
t:1ex;"><div class=3D"im"><br>
<br>
</div>Enjoying The Water Bears!<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br></font></blockquote></div><div><br></div><div><p style=3D"mar=
gin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica"><br></p></div><br>

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Massimo, 


The Hitachi controller was only in certain flash cards and cards with this controller are fast enough to allow all real time recording functions to the card (such as recording backwards) without error messages. Cards with the Hitachi controller were always hard to find and cost more and are almost impossible to find now. Some Pretec and Simple Tech cards had the Hitachi controller. You can use any compact flash card in the Repeater but if you push the slower cards too hard they will throw the error message and not be able to keep up. 


I still have the Repeater and Flash cards for sale and haven't put them on ebay yet. 


Ed 
----- Original Message -----
From: "Massimo Liverani" <mas.liv@libero.it> 
To: Loopers-Delight@loopers-delight.com 
Sent: Tuesday, July 19, 2011 9:01:53 AM 
Subject: R: FS Electrix Repeater 



Hi, i got one repeater so excuse me, but i'm not interested by now but what is the 

'Hitachi controller'? 




Massimo 





Since I haven't been using my Electrix Repeater much for a while I have decided to put it up for sale it and I'm offering it here first before it goes to Ebay. 


I'm the original owner and I bought it when they first came out. This is a fully functioning unit and has the original power supply and has not been modded. Other than taking it out to a few gigs in a rack case when I first got it, it's been in my smoke free music room in a rack ever since. 
I have the box and all manuals and I have ALL versions of the operating system on Flash cards. 


I have several Flash cards for sale that have the Hitachi controller which are FULLY COMPATIBLE with all recording functions on the Repeater 


Original 16 MB CFC with Electrix logo 
128 MB Simpletech CFC 
256 MB Simpletech CFC 
512 MB Pretec CFC 


Also one 32MB SanDisk CFC that the very last operating system came loaded on (I never used this for recording but I suspect it doesn't have the Hitachi controller or allow ALL functions in real time) 


I would like to sell all of this as a package deal. I know compatible CF cards are very hard to find but I don't want to get into selling the CF cards separately so please don't ask. 


I'd like to get $800 for everything with the buyer paying shipping. I'll take Paypal so email me and we can talk and spare us both the Ebay nonsense. 


Thanks for looking!! 


Ed Drake 



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<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'><br>Massi=
mo,<div><br></div><div>The Hitachi controller was only in certain flash car=
ds and cards with this controller are fast enough to allow all real time re=
cording functions to the card (such as recording backwards) without error m=
essages. Cards with the Hitachi controller were always hard to find and cos=
t more and are almost impossible to find now. Some Pretec and Simple Tech c=
ards had the Hitachi controller. You can use any compact flash card in the =
Repeater but if you push the slower cards too hard they will throw the erro=
r message and not be able to keep up.</div><div><br></div><div>I still have=
 the Repeater and Flash cards for sale and haven't put them on ebay yet.</d=
iv><div><br></div><div>Ed<br><hr id=3D"zwchr"><b>From: </b>"Massimo Liveran=
i" &lt;mas.liv@libero.it&gt;<br><b>To: </b>Loopers-Delight@loopers-delight.=
com<br><b>Sent: </b>Tuesday, July 19, 2011 9:01:53 AM<br><b>Subject: </b>R:=
 FS Electrix Repeater<br><br><p style=3D"margin: 0px; padding: 0px;">Hi, i =
got one repeater so excuse me, but i'm not interested by now but what is th=
e </p><p style=3D"margin: 0px; padding: 0px;">'Hitachi controller'? </p><p =
style=3D"margin: 0px; padding: 0px;"><br></p><p style=3D"margin: 0px; paddi=
ng: 0px;">Massimo<br></p>
<blockquote>
<br>
<br>
<!--<mce:style type=3D'text/css'>p { margin: 0; }</mce:style><style  type=
=3D'text/css' mce_bogus=3D"1">p { margin: 0; }</style>--><div style=3D"font=
-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">Since I haven't been=
 using my Electrix Repeater much for a while I have decided to put it up fo=
r sale it and I'm offering it here first before it goes to Ebay.<div><br></=
div><div>I'm the original owner and I bought it when they first came out. T=
his is a fully functioning unit and has the original power supply and has n=
ot been modded. Other than taking it out to a few gigs in a rack case when =
I first got it, it's been in my smoke free music room in a rack ever since.=
</div><div>I have the box and all manuals and I have ALL versions of the op=
erating system on Flash cards.</div><div><br></div><div>I have several Flas=
h cards for sale that have the Hitachi controller which are FULLY COMPATIBL=
E with all recording functions on the Repeater&nbsp;</div><div><br></div><d=
iv>Original 16 MB CFC with Electrix logo</div><div>128 MB Simpletech CFC&nb=
sp;</div><div>256 MB Simpletech CFC</div><div>512 MB Pretec CFC</div><div><=
br></div><div>Also one 32MB SanDisk CFC that the very last operating system=
 came loaded on (I never used this for recording but I suspect it doesn't h=
ave the Hitachi controller or allow ALL functions in real time)</div><div><=
br></div><div>I would like to sell all of this as a package deal. I know co=
mpatible CF cards are very hard to find but I don't want to get into sellin=
g the CF cards separately so please don't ask.</div><div><br></div><div>I'd=
 like to get $800 for everything with the buyer paying shipping. I'll take =
Paypal so email me and we can talk and spare us both the Ebay nonsense.</di=
v><div><br></div><div>Thanks for looking!!</div><div><br></div><div>Ed Drak=
e</div></div><br>
</blockquote><p>&nbsp;</p></div></div></body></html>
------=_Part_848890_736472478.1311089088258--

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Date: Tue, 19 Jul 2011 18:48:29 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: OT: bi-amping
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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So, I'd like experiment with bi-amping, i.e., splitting my double bass' signal between hi- and lo-frequencies and running it into two different amps.

Is there an easy way to do this?

I know some pre-amps have this capacity but I'm hoping that there's a floor pedal or a/b box that can do this.


ted.

Or would you sing somethin' different. Somethin' real. Somethin' *you* felt. Cause I'm telling you right now, that's the kind of song people want to hear. That's the kind of song that truly saves people. It ain't got nothin to do with believin' in God, Mr. Cash. It has to do with believin' in yourself.   Sam Phillips, "Walk the Line"

--0-151790563-1311126509=:41866
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">So, I'd like experiment with bi-amping, i.e., splitting my double bass' signal between hi- and lo-frequencies and running it into two different amps.<br><br>Is there an easy way to do this?<br><br>I know some pre-amps have this capacity but I'm hoping that there's a floor pedal or a/b box that can do this.<br><br><br>ted.<br><br>Or would you sing somethin' different. Somethin' real. Somethin' *you* felt. Cause I'm telling you right now, that's the kind of song people want to hear. That's the kind of song that truly saves people. It ain't got nothin to do with believin' in God, Mr. Cash. It has to do with believin' in yourself.   Sam Phillips, "Walk the Line"<br></td></tr></table>
--0-151790563-1311126509=:41866--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 04:50:33 2011
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Subject: Re: New track. Sxip Shirey and Todd Reynolds.
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That's a fun piece of improv. Lots of great dynamics and character.
Thanks for sharing.

On Tue, Jul 19, 2011 at 8:22 PM, todd reynolds <toddreyn@gmail.com> wrote:
> http://soundcloud.com/toddreyn/southdressingroom
>
> I'm doing the looping, =A0Sxip's doing the soundcrafting with Bells,
> pitchshifting, =A0tubes, etc.
> Twas a fun time for us...
> Cheers, all!
> http://soundcloud.com/toddreyn/southdressingroom
>
>
>
>
>
>



--=20
networking practice for sound environments :: http://nowhere.iamnobody.net

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 08:29:23 2011
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ditch wrestler wrote:
> So, I'd like experiment with bi-amping, i.e., splitting my double bass' 
> signal between hi- and lo-frequencies and running it into two different 
> amps.
> 
> Is there an easy way to do this?

I run my electric bass through a single JBL Eon 15.
Just hooking up bass-preamp-powered speaker.

That must be the easiest....(Eons are bi-amped internally)



You could get a simple active crossover unit.
Or do it with the tone controls on the amp...that works.

If you use 2 amps then hum can be a problem you'll need to solve
with some kind of a ground lift on one of the amps.

andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 11:21:26 2011
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Thank you Ed, your explanation was clear, and i realize now that all that umpredictable errors of bad cfc etc  that i got live with my repeater and that was one of the reason cause i use it only sometimes and only in studio werecause by that.Not interested to sell separately one of your flash with hitachi controller? I can immagine your response but i'd like to ask you.Max




----Messaggio originale----

Da: eddrake1@comcast.net

Data: 19/07/2011 17.24

A: <Loopers-Delight@loopers-delight.com>

Ogg: Re: R: FS Electrix Repeater



p { margin: 0; }p { margin: 0; }-->
Massimo,
The Hitachi controller was only in certain flash cards and cards with this controller are fast enough to allow all real time recording functions to the card (such as recording backwards) without error messages. Cards with the Hitachi controller were always hard to find and cost more and are almost impossible to find now. Some Pretec and Simple Tech cards had the Hitachi controller. You can use any compact flash card in the Repeater but if you push the slower cards too hard they will throw the error message and not be able to keep up.
I still have the Repeater and Flash cards for sale and haven't put them on ebay yet.
Ed
From: "Massimo Liverani" <mas.liv@libero.it>
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, July 19, 2011 9:01:53 AM
Subject: R: FS Electrix Repeater

Hi, i got one repeater so excuse me, but i'm not interested by now but what is the 'Hitachi controller'? 
Massimo






p { margin: 0; }p { margin: 0; }p { margin: 0; }-->Since I haven't been using my Electrix Repeater much for a while I have decided to put it up for sale it and I'm offering it here first before it goes to Ebay.
I'm the original owner and I bought it when they first came out. This is a fully functioning unit and has the original power supply and has not been modded. Other than taking it out to a few gigs in a rack case when I first got it, it's been in my smoke free music room in a rack ever since.I have the box and all manuals and I have ALL versions of the operating system on Flash cards.
I have several Flash cards for sale that have the Hitachi controller which are FULLY COMPATIBLE with all recording functions on the Repeater 
Original 16 MB CFC with Electrix logo128 MB Simpletech CFC 256 MB Simpletech CFC512 MB Pretec CFC
Also one 32MB SanDisk CFC that the very last operating system came loaded on (I never used this for recording but I suspect it doesn't have the Hitachi controller or allow ALL functions in real time)
I would like to sell all of this as a package deal. I know compatible CF cards are very hard to find but I don't want to get into selling the CF cards separately so please don't ask.
I'd like to get $800 for everything with the buyer paying shipping. I'll take Paypal so email me and we can talk and spare us both the Ebay nonsense.
Thanks for looking!!
Ed Drake








------=_Part_11182_16255830.1311158819752
Content-Type: text/html;charset="UTF-8"
Content-Transfer-Encoding: quoted-printable

<p style=3D"margin: 0px; padding: 0px;">Thank you Ed, your explanation was =
clear, and i realize now that all that umpredictable errors of bad cfc etc&=
nbsp; </p><p style=3D"margin: 0px; padding: 0px;">that i got live with my r=
epeater and that was one of the reason cause i use it only sometimes and on=
ly in studio were</p><p style=3D"margin: 0px; padding: 0px;">cause by that.=
</p><p style=3D"margin: 0px; padding: 0px;">Not interested to sell separate=
ly one of your flash with hitachi controller? </p><p style=3D"margin: 0px; =
padding: 0px;">I can immagine your response but i'd like to ask you.</p><p =
style=3D"margin: 0px; padding: 0px;">Max<br></p><p style=3D"margin: 0px; pa=
dding: 0px;"><br></p><p style=3D"margin: 0px; padding: 0px;"><br></p>
<blockquote>
----Messaggio originale----<br>
Da: eddrake1@comcast.net<br>
Data: 19/07/2011 17.24<br>
A: &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Ogg: Re: R: FS Electrix Repeater<br>
<br>
<!--<mce:style type=3D'text/css'>p { margin: 0; }</mce:style><style  type=
=3D'text/css' mce_bogus=3D"1">p { margin: 0; }</style>--><div style=3D"font=
-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);" mce_style=3D"font-fa=
mily: Arial; font-size: 12pt; color: #000000"><br>Massimo,<div><br></div><d=
iv>The Hitachi controller was only in certain flash cards and cards with th=
is controller are fast enough to allow all real time recording functions to=
 the card (such as recording backwards) without error messages. Cards with =
the Hitachi controller were always hard to find and cost more and are almos=
t impossible to find now. Some Pretec and Simple Tech cards had the Hitachi=
 controller. You can use any compact flash card in the Repeater but if you =
push the slower cards too hard they will throw the error message and not be=
 able to keep up.</div><div><br></div><div>I still have the Repeater and Fl=
ash cards for sale and haven't put them on ebay yet.</div><div><br></div><d=
iv>Ed<br><hr id=3D"zwchr"><b>From: </b>"Massimo Liverani" &lt;mas.liv@liber=
o.it&gt;<br><b>To: </b>Loopers-Delight@loopers-delight.com<br><b>Sent: </b>=
Tuesday, July 19, 2011 9:01:53 AM<br><b>Subject: </b>R: FS Electrix Repeate=
r<br><br><p style=3D"margin: 0px; padding: 0px;" mce_style=3D"margin: 0px; =
padding: 0px;">Hi, i got one repeater so excuse me, but i'm not interested =
by now but what is the </p><p style=3D"margin: 0px; padding: 0px;" mce_styl=
e=3D"margin: 0px; padding: 0px;">'Hitachi controller'? </p><p style=3D"marg=
in: 0px; padding: 0px;" mce_style=3D"margin: 0px; padding: 0px;"><br></p><p=
 style=3D"margin: 0px; padding: 0px;" mce_style=3D"margin: 0px; padding: 0p=
x;">Massimo<br></p>
<blockquote>
<br>
<br>
<!--<mce:style type=3D'text/css'>p { margin: 0; }</mce:style><mce:style  ty=
pe=3D'text/css' mce_bogus=3D"1">p { margin: 0; }</mce:style><style   type=
=3D'text/css' mce_bogus=3D"1" mce_bogus=3D"1">p { margin: 0; }</style>--><d=
iv style=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);" mce_=
style=3D"font-family: Arial; font-size: 12pt; color: #000000;">Since I have=
n't been using my Electrix Repeater much for a while I have decided to put =
it up for sale it and I'm offering it here first before it goes to Ebay.<di=
v><br></div><div>I'm the original owner and I bought it when they first cam=
e out. This is a fully functioning unit and has the original power supply a=
nd has not been modded. Other than taking it out to a few gigs in a rack ca=
se when I first got it, it's been in my smoke free music room in a rack eve=
r since.</div><div>I have the box and all manuals and I have ALL versions o=
f the operating system on Flash cards.</div><div><br></div><div>I have seve=
ral Flash cards for sale that have the Hitachi controller which are FULLY C=
OMPATIBLE with all recording functions on the Repeater&nbsp;</div><div><br>=
</div><div>Original 16 MB CFC with Electrix logo</div><div>128 MB Simpletec=
h CFC&nbsp;</div><div>256 MB Simpletech CFC</div><div>512 MB Pretec CFC</di=
v><div><br></div><div>Also one 32MB SanDisk CFC that the very last operatin=
g system came loaded on (I never used this for recording but I suspect it d=
oesn't have the Hitachi controller or allow ALL functions in real time)</di=
v><div><br></div><div>I would like to sell all of this as a package deal. I=
 know compatible CF cards are very hard to find but I don't want to get int=
o selling the CF cards separately so please don't ask.</div><div><br></div>=
<div>I'd like to get $800 for everything with the buyer paying shipping. I'=
ll take Paypal so email me and we can talk and spare us both the Ebay nonse=
nse.</div><div><br></div><div>Thanks for looking!!</div><div><br></div><div=
>Ed Drake</div></div><br>
</blockquote><p><br></p></div></div><br>
</blockquote><p><br></p>
------=_Part_11182_16255830.1311158819752--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 11:25:15 2011
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I've posted a short blog entry about the Florence loopfest ... that is, the first day of it, because I missed the 2nd day. There is also a youtube clip with sections from my set

http://veloopity.blogspot.com/2011/07/suitcase-full-of-stars.html

-Michael






From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 12:14:04 2011
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Subject: Re: New track. Sxip Shirey and Todd Reynolds.
From: jayrope LD <jrploopers@kliklak.net>
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Excellent work, love the storytelling and humor in there :)
Is that a fiddle? If so, how do you pickup the signal?
Recently inherited a wonderful viola and wonder how to electricize this.
(Besides proper intonation, whoa oh)
j
- - -=20
jayrope
http://www.kliklak.net

On Jul 20, 2011, at 1:21 PM, =
Loopers-Delight-d-request@loopers-delight.com wrote:

> That's a fun piece of improv. Lots of great dynamics and character.
> Thanks for sharing.
>=20
> On Tue, Jul 19, 2011 at 8:22 PM, todd reynolds <toddreyn@gmail.com> =
wrote:
>> http://soundcloud.com/toddreyn/southdressingroom
>>=20
>> I'm doing the looping,  Sxip's doing the soundcrafting with Bells,
>> pitchshifting,  tubes, etc.
>> Twas a fun time for us...
>> Cheers, all!
>> http://soundcloud.com/toddreyn/southdressingroom

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Subject: Re: New track. Sxip Shirey and Todd Reynolds.
From: Johannes Korn <jenko.nashorn@googlemail.com>
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--bcaec52be4535b40ac04a87f7d0c
Content-Type: text/plain; charset=ISO-8859-1

Hi j,

I can recommend the Fishman V100 pickup. It's not too expensive, can be
installed without any modifications to the instrument, and sounds quite
decent.

Best regards,
Johannes


2011/7/20 jayrope LD <jrploopers@kliklak.net>

>
> Recently inherited a wonderful viola and wonder how to electricize this.
> (Besides proper intonation, whoa oh)
> j
> - - -
> jayrope
> http://www.kliklak.net
>
> On Jul 20, 2011, at 1:21 PM, Loopers-Delight-d-request@loopers-delight.comwrote:
>
> > That's a fun piece of improv. Lots of great dynamics and character.
> > Thanks for sharing.
> >
> > On Tue, Jul 19, 2011 at 8:22 PM, todd reynolds <toddreyn@gmail.com>
> wrote:
> >> http://soundcloud.com/toddreyn/southdressingroom
> >>
> >> I'm doing the looping,  Sxip's doing the soundcrafting with Bells,
> >> pitchshifting,  tubes, etc.
> >> Twas a fun time for us...
> >> Cheers, all!
> >> http://soundcloud.com/toddreyn/southdressingroom
>
>


-- 
jenko.nashorn@googlemail.com
www.myspace.com/nashorn

--bcaec52be4535b40ac04a87f7d0c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi j,<div><br></div><div>I can recommend the Fishman V100 pickup. It&#39;s =
not too expensive, can be installed without any modifications to the instru=
ment, and sounds quite decent.</div><div><br></div><div>Best regards,</div>
<div>Johannes</div><div><br><br><div class=3D"gmail_quote">2011/7/20 jayrop=
e LD <span dir=3D"ltr">&lt;<a href=3D"mailto:jrploopers@kliklak.net">jrploo=
pers@kliklak.net</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<br>
Recently inherited a wonderful viola and wonder how to electricize this.<br=
>
(Besides proper intonation, whoa oh)<br>
j<br>
- - -<br>
jayrope<br>
<a href=3D"http://www.kliklak.net" target=3D"_blank">http://www.kliklak.net=
</a><br>
<div><div></div><div class=3D"h5"><br>
On Jul 20, 2011, at 1:21 PM, <a href=3D"mailto:Loopers-Delight-d-request@lo=
opers-delight.com">Loopers-Delight-d-request@loopers-delight.com</a> wrote:=
<br>
<br>
&gt; That&#39;s a fun piece of improv. Lots of great dynamics and character=
.<br>
&gt; Thanks for sharing.<br>
&gt;<br>
&gt; On Tue, Jul 19, 2011 at 8:22 PM, todd reynolds &lt;<a href=3D"mailto:t=
oddreyn@gmail.com">toddreyn@gmail.com</a>&gt; wrote:<br>
&gt;&gt; <a href=3D"http://soundcloud.com/toddreyn/southdressingroom" targe=
t=3D"_blank">http://soundcloud.com/toddreyn/southdressingroom</a><br>
&gt;&gt;<br>
&gt;&gt; I&#39;m doing the looping, =A0Sxip&#39;s doing the soundcrafting w=
ith Bells,<br>
&gt;&gt; pitchshifting, =A0tubes, etc.<br>
&gt;&gt; Twas a fun time for us...<br>
&gt;&gt; Cheers, all!<br>
&gt;&gt; <a href=3D"http://soundcloud.com/toddreyn/southdressingroom" targe=
t=3D"_blank">http://soundcloud.com/toddreyn/southdressingroom</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><div><a hre=
f=3D"mailto:jenko.nashorn@googlemail.com" target=3D"_blank">jenko.nashorn@g=
ooglemail.com</a></div>
<div><a href=3D"http://www.myspace.com/nashorn" target=3D"_blank">www.myspa=
ce.com/nashorn</a></div><br>
</div>

--bcaec52be4535b40ac04a87f7d0c--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 14:26:29 2011
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On 7/22/64 11:59 AM, todd reynolds wrote:
>
> I'm doing the looping,  Sxip's doing the soundcrafting with Bells, 
> pitchshifting,  tubes, etc.
>
> Twas a fun time for us...

I'm really enjoying listening to this track,  Todd!   This sounds like a 
commercially releasable outing.

One of my favorite things in looping is to do all the looping for an 
acoustic artist in a duet.
It produces such interesting results.   The processor can't control what 
the acoustic musician is doing and the
acoustic musician can't control how they are processed.   With big ears 
as are so beautifully evidenced here,
the results are unlike what anyone can do by  themselves.

I'd love to fly Nat Grant and I in the next time you guys set up shop to 
join in the 'out of the box'
percussive fun!       We're going to do a duet at the Luggage Store for 
this coming Loop Festival.
I'm excited to play with her again.   She's so creative.

Thanks for sharing.

rick walker
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 14:37:18 2011
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On 7/22/64 11:59 AM, ditch wrestler wrote:
> So, I'd like experiment with bi-amping, i.e., splitting my double 
> bass' signal between hi- and lo-frequencies and running it into two 
> different amps.
>
> Is there an easy way to do this?
This may be ridiculously lo fi,  but what I do in my 'rhythm n' noise'  
project  'aEther Engine' is to take a simple
y-chord straight out of my Strat (male 1/4" into Strat,  two female 1/4" 
out to  two guitar cables;

1) one line going to treble oriented noise/slicin' dicing effects table 
and then onto a tiny 5 watt, Vox guitar amp and

2) the other line going through bass oriented octaver/noise/slicin' 
dicin' effects table and then onto a tiny 5 watt
Roland Bass Cube.

I mic each of these amps (and have them up on keyboard stands so that 
they are at a perfect height for me to walk straight up to them for
controlled feedback effects)  and send the two mic-ed channels through 
my Looperlative and on into the main P.A.

It works great for me.

I have complete volume control of the two channels by merely controlling 
the output volume of the little cube amps.

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 14:57:25 2011
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Date: Wed, 20 Jul 2011 07:57:21 -0700
From: Rick Walker <looppool@cruzio.com>
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Subject: Randolf Arriola mentioned in Bangkok Post
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Our own Randolf Arriola got this cool mention (with a description of 
live looping)
in the Bangkok Post tech section.  (thanks to Gary Hall for finding it).

http://www.bangkokpost.com/tech/gadget/247703/technology-in-harmony

Congratulations,  Randolf!

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 14:59:07 2011
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Date: Wed, 20 Jul 2011 16:52:25 +0200 (CEST)
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good performance, i like it a lot.
very interesting sounds and rythms, beautiful stars blinking out sometimes =
:-)
congrats
andi

----- Urspr=C3=BCngliche Nachricht -----
Von: "" <mp@mpeters.de>
Erhalten: 20.07.2011 13:25
An: Loopers-Delight@loopers-delight.com

I've posted a short blog entry about the Florence loopfest ... that is, the=
 first day of it, because I missed the 2nd day. There is also a youtube cli=
p with sections from my set

http://veloopity.blogspot.com/2011/07/suitcase-full-of-stars.html

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 16:31:10 2011
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Date: Wed, 20 Jul 2011 17:31:09 +0100 (BST)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Stian Westerhus - guitar
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Hi=A0
Here`s Stian Westerhus; delay, looping, guitar......
http://www.youtube.com/watch?v=3Dfm5a9t8PcdU&feature=3Drelated
best regards Rune F.=A0
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi&nbsp;<div><br></div><div>Here`s Stian West=
erhus; delay, looping, guitar......</div><div><br></div><div>http://www.you=
tube.com/watch?v=3Dfm5a9t8PcdU&amp;feature=3Drelated</div><div><br></div><d=
iv>best regards Rune F.&nbsp;</div></td></tr></table>
--0-1454237125-1311179469=:71930--

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Date: Wed, 20 Jul 2011 10:09:53 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: OT: bi-amping
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=A0
That is lovingly low-tech, Rick!
=A0
But last time I ran that set-up and had a volume pedal on each line, one vo=
lume pedal would override the other so I couldn't just have one line but ha=
d to have both.
=A0
Maybe there was a matching problem - can't recall if my cables were trs or =
not...
=A0
=A0
ted.

Or would you sing somethin' different. Somethin' real. Somethin' *you* felt=
. Cause I'm telling you right now, that's the kind of song people want to h=
ear. That's the kind of song that truly saves people. It ain't got nothin t=
o do with believin' in God, Mr. Cash. It has to do with believin' in yourse=
lf. Sam Phillips, "Walk the Line"

--- On Wed, 7/20/11, Rick Walker <looppool@cruzio.com> wrote:


From: Rick Walker <looppool@cruzio.com>
Subject: Re: OT: bi-amping
To: "ditch wrestler" <ditchwrestler@yahoo.com>
Cc: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Received: Wednesday, July 20, 2011, 7:37 AM


On 7/22/64 11:59 AM, ditch wrestler wrote:
> So, I'd like experiment with bi-amping, i.e., splitting my double bass' s=
ignal between hi- and lo-frequencies and running it into two different amps=
.
>=20
> Is there an easy way to do this?
This may be ridiculously lo fi,=A0 but what I do in my 'rhythm n' noise'=A0=
 project=A0 'aEther Engine' is to take a simple
y-chord straight out of my Strat (male 1/4" into Strat,=A0 two female 1/4" =
out to=A0 two guitar cables;

1) one line going to treble oriented noise/slicin' dicing effects table and=
 then onto a tiny 5 watt, Vox guitar amp and

2) the other line going through bass oriented octaver/noise/slicin' dicin' =
effects table and then onto a tiny 5 watt
Roland Bass Cube.

I mic each of these amps (and have them up on keyboard stands so that they =
are at a perfect height for me to walk straight up to them for
controlled feedback effects)=A0 and send the two mic-ed channels through my=
 Looperlative and on into the main P.A.

It works great for me.

I have complete volume control of the two channels by merely controlling th=
e output volume of the little cube amps.

rick walker


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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>That is lovingly low-tech, Rick!</DIV>
<DIV>&nbsp;</DIV>
<DIV>But last time I ran that set-up and had a volume pedal on each line, o=
ne volume pedal would override the other so I couldn't just have one line b=
ut had to have both.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Maybe there was a matching problem - can't recall if my cables were tr=
s or not...</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted.<BR><BR>Or would you sing somethin' different. Somethin' real. Som=
ethin' *you* felt. Cause I'm telling you right now, that's the kind of song=
 people want to hear. That's the kind of song that truly saves people. It a=
in't got nothin to do with believin' in God, Mr. Cash. It has to do with be=
lievin' in yourself. Sam Phillips, "Walk the Line"<BR><BR>--- On <B>Wed, 7/=
20/11, Rick Walker <I>&lt;looppool@cruzio.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Rick Walker &lt;looppool@cruzio.com&gt;<BR>=
Subject: Re: OT: bi-amping<BR>To: "ditch wrestler" &lt;ditchwrestler@yahoo.=
com&gt;<BR>Cc: "Loopers Delight" &lt;Loopers-Delight@loopers-delight.com&gt=
;<BR>Received: Wednesday, July 20, 2011, 7:37 AM<BR><BR>
<DIV class=3DplainMail>On 7/22/64 11:59 AM, ditch wrestler wrote:<BR>&gt; S=
o, I'd like experiment with bi-amping, i.e., splitting my double bass' sign=
al between hi- and lo-frequencies and running it into two different amps.<B=
R>&gt; <BR>&gt; Is there an easy way to do this?<BR>This may be ridiculousl=
y lo fi,&nbsp; but what I do in my 'rhythm n' noise'&nbsp; project&nbsp; 'a=
Ether Engine' is to take a simple<BR>y-chord straight out of my Strat (male=
 1/4" into Strat,&nbsp; two female 1/4" out to&nbsp; two guitar cables;<BR>=
<BR>1) one line going to treble oriented noise/slicin' dicing effects table=
 and then onto a tiny 5 watt, Vox guitar amp and<BR><BR>2) the other line g=
oing through bass oriented octaver/noise/slicin' dicin' effects table and t=
hen onto a tiny 5 watt<BR>Roland Bass Cube.<BR><BR>I mic each of these amps=
 (and have them up on keyboard stands so that they are at a perfect height =
for me to walk straight up to them for<BR>controlled feedback
 effects)&nbsp; and send the two mic-ed channels through my Looperlative an=
d on into the main P.A.<BR><BR>It works great for me.<BR><BR>I have complet=
e volume control of the two channels by merely controlling the output volum=
e of the little cube amps.<BR><BR>rick walker<BR><BR></DIV></BLOCKQUOTE></t=
d></tr></table>
--0-1760406914-1311181793=:71282--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 17:38:26 2011
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Subject: Re: Randolf Arriola mentioned in Bangkok Post
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Pretty neat, excellent Randolf!

On Wed, Jul 20, 2011 at 10:57 AM, Rick Walker <looppool@cruzio.com> wrote:

> Our own Randolf Arriola got this cool mention (with a description of live
> looping)
> in the Bangkok Post tech section.  (thanks to Gary Hall for finding it).
>
> http://www.bangkokpost.com/**tech/gadget/247703/technology-**in-harmony<h=
ttp://www.bangkokpost.com/tech/gadget/247703/technology-in-harmony>
>
> Congratulations,  Randolf!
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3079b7c41e3e9604a883b341
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Pretty neat, excellent Randolf!<br><br>
<div class=3D"gmail_quote">On Wed, Jul 20, 2011 at 10:57 AM, Rick Walker <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.=
com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Our own Randolf Arriola got this=
 cool mention (with a description of live looping)<br>in the Bangkok Post t=
ech section. =A0(thanks to Gary Hall for finding it).<br>
<br><a href=3D"http://www.bangkokpost.com/tech/gadget/247703/technology-in-=
harmony" target=3D"_blank">http://www.bangkokpost.com/<u></u>tech/gadget/24=
7703/technology-<u></u>in-harmony</a><br><br>Congratulations, =A0Randolf!<b=
r>
<br></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To=
 Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=
=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Internatio=
nal.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com/" target=3D"_bla=
nk">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com/" target=3D"_blank">wo=
odandwiremusic.wordpress.com</a><br>

--20cf3079b7c41e3e9604a883b341--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 20 17:48:18 2011
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Date: Wed, 20 Jul 2011 18:48:19 +0100
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That's easy to solve, 
just reverse input and output connections on both vol peds.
(In any case, they weren't wired in the conventional way)

andy


ditch wrestler wrote:
>  
> That is lovingly low-tech, Rick!
>  
> But last time I ran that set-up and had a volume pedal on each line, one 
> volume pedal would override the other so I couldn't just have one line 
> but had to have both.
>  
> Maybe there was a matching problem - can't recall if my cables were trs 
> or not...
>  
>  
> ted.

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Date: Wed, 20 Jul 2011 15:18:57 -0700 (PDT)
From: Darren Michaels <milkdudbass@yahoo.com>
Subject: Short Boomerang III Review
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Here's a short review of the 'Rang III I did for Bass Players United website. It's mostly a short synopsis of what it can do. 
http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler/
Thanks in advance for reading!

Darren Michaels
http://www.darrenmichaelsbass.com/
http://darrenmichaels.bandcamp.com/


--0-1335451615-1311200337=:41891
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Here's a short review of the 'Rang III I did for Bass Players United website. It's mostly a short synopsis of what it can do. <br><a href="http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler/">http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler</a>/<br><div id="yiv1670639919">Thanks in advance for reading!<br><br>Darren Michaels<br>http://www.darrenmichaelsbass.com/<br>http://darrenmichaels.bandcamp.com/<br><br></div></td></tr></table>
--0-1335451615-1311200337=:41891--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 00:12:47 2011
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Subject: Re: Short Boomerang III Review
From: Alexandre Klinke <alexandre.klinke@gmail.com>
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--0015174764b457c91c04a88935ab
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Nice review, thanks for posting. I've been thinking about getting the
boomerang as an alternative to using my fcb1010/laptop rig. It does sound
like a cool piece of equipment.
Cheers,
Alex

www.alexandreklinke.com

On Wed, Jul 20, 2011 at 3:18 PM, Darren Michaels <milkdudbass@yahoo.com>wrote:

> Here's a short review of the 'Rang III I did for Bass Players United
> website. It's mostly a short synopsis of what it can do.
>
> http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler
> /
> Thanks in advance for reading!
>
> Darren Michaels
> http://www.darrenmichaelsbass.com/
> http://darrenmichaels.bandcamp.com/
>
>

--0015174764b457c91c04a88935ab
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Nice review, thanks for posting. I&#39;ve been thinking about getting the b=
oomerang as an alternative to using my fcb1010/laptop rig. It does sound li=
ke a cool piece of equipment.<div>Cheers,</div><div>Alex</div><div><br></di=
v>
<div><a href=3D"http://www.alexandreklinke.com">www.alexandreklinke.com</a>=
<br><br><div class=3D"gmail_quote">On Wed, Jul 20, 2011 at 3:18 PM, Darren =
Michaels <span dir=3D"ltr">&lt;<a href=3D"mailto:milkdudbass@yahoo.com">mil=
kdudbass@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font:inherit">Here&#39;=
s a short review of the &#39;Rang III I did for Bass Players United website=
. It&#39;s mostly a short synopsis of what it can do. <br>
<a href=3D"http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boo=
merang-iii-phrase-sampler/" target=3D"_blank">http://melodyvalley.ca/basspl=
ayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler</a>/<br><div>T=
hanks in advance for reading!<br>
<font color=3D"#888888"><br>Darren Michaels<br><a href=3D"http://www.darren=
michaelsbass.com/" target=3D"_blank">http://www.darrenmichaelsbass.com/</a>=
<br><a href=3D"http://darrenmichaels.bandcamp.com/" target=3D"_blank">http:=
//darrenmichaels.bandcamp.com/</a><br>
<br></font></div></td></tr></tbody></table></blockquote></div><br></div>

--0015174764b457c91c04a88935ab--

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Date: Wed, 20 Jul 2011 18:15:01 -0700 (PDT)
From: Darren Michaels <milkdudbass@yahoo.com>
Subject: Re: Short Boomerang III Review
To: Loopers-Delight@loopers-delight.com
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Thanks for reading. I've been using the 'Rang for a about a year now. So far, it's been my favorite hardware looper. Sounds great and friggin' easy to use, too. 
Darren Michaels
http://www.darrenmichaelsbass.com/
http://darrenmichaels.bandcamp.com/




--- On Wed, 7/20/11, Alexandre Klinke <alexandre.klinke@gmail.com> wrote:

From: Alexandre Klinke <alexandre.klinke@gmail.com>
Subject: Re: Short Boomerang III Review
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, July 20, 2011, 8:12 PM

Nice review, thanks for posting. I've been thinking about getting the boomerang as an alternative to using my fcb1010/laptop rig. It does sound like a cool piece of equipment.Cheers,Alex

www.alexandreklinke.com

On Wed, Jul 20, 2011 at 3:18 PM, Darren Michaels <milkdudbass@yahoo.com> wrote:

Here's a short review of the 'Rang III I did for Bass Players United website. It's mostly a short synopsis of what it can do. 

http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler/
Thanks in advance for reading!


Darren Michaels
http://www.darrenmichaelsbass.com/
http://darrenmichaels.bandcamp.com/





--0-635793648-1311210901=:49073
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Thanks for reading. I've been using the 'Rang for a about a year now. So far, it's been my favorite hardware looper. Sounds great and friggin' easy to use, too. <br>Darren Michaels<font color="#888888"><br><a rel="nofollow" target="_blank" href="http://www.darrenmichaelsbass.com/">http://www.darrenmichaelsbass.com/</a><br><a rel="nofollow" target="_blank" href="http://darrenmichaels.bandcamp.com/">http://darrenmichaels.bandcamp.com/</a><br>
</font><br><br><br>--- On <b>Wed, 7/20/11, Alexandre Klinke <i>&lt;alexandre.klinke@gmail.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Alexandre Klinke &lt;alexandre.klinke@gmail.com&gt;<br>Subject: Re: Short Boomerang III Review<br>To: Loopers-Delight@loopers-delight.com<br>Date: Wednesday, July 20, 2011, 8:12 PM<br><br><div id="yiv84346242">Nice review, thanks for posting. I've been thinking about getting the boomerang as an alternative to using my fcb1010/laptop rig. It does sound like a cool piece of equipment.<div>Cheers,</div><div>Alex</div><div><br></div>
<div><a rel="nofollow" target="_blank" href="http://www.alexandreklinke.com">www.alexandreklinke.com</a><br><br><div class="yiv84346242gmail_quote">On Wed, Jul 20, 2011 at 3:18 PM, Darren Michaels <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:milkdudbass@yahoo.com" target="_blank" href="/mc/compose?to=milkdudbass@yahoo.com">milkdudbass@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class="yiv84346242gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><table border="0" cellpadding="0" cellspacing="0"><tbody><tr><td style="font:inherit;" valign="top">Here's a short review of the 'Rang III I did for Bass Players United website. It's mostly a short synopsis of what it can do. <br>
<a rel="nofollow" target="_blank" href="http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler/">http://melodyvalley.ca/bassplayersunited/2011/07/gear-review-boomerang-iii-phrase-sampler</a>/<br><div>Thanks in advance for reading!<br>
<font color="#888888"><br>Darren Michaels<br><a rel="nofollow" target="_blank" href="http://www.darrenmichaelsbass.com/">http://www.darrenmichaelsbass.com/</a><br><a rel="nofollow" target="_blank" href="http://darrenmichaels.bandcamp.com/">http://darrenmichaels.bandcamp.com/</a><br>
<br></font></div></td></tr></tbody></table></blockquote></div><br></div>
</div></blockquote></td></tr></table>
--0-635793648-1311210901=:49073--

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From: "Brian Carabee" <compguy2@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Short Boomerang III Review
Date: Thu, 21 Jul 2011 00:10:18 -0400
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I second that emotion...

What I love is the flat switches which allow for precision and are easy on 
the feet. Plus it is very forgiving with input levels, exactly the opposite 
of previous generations.

What kills me is the limited implementation of features (the fact that the 
two bonus buttons can only be assigned 4 functions out of 11 or so). I would 
have much rather had a larger footprint with more footswitches. The upcoming 
sidecar should take care of my concern, but I would sure rather have it all 
in one unit and I would sure rather have it TODAY.

That's my one and only beef about the 'Rang. Well, that and the fact that 
you can't save loops to a card.

I would highly recommend the unit to anyone who feels that the features are 
what they need. The quality is absolutely superb.

Brian


----- Original Message ----- 
From: Darren Michaels
To: Loopers-Delight@loopers-delight.com
Sent: Wednesday, July 20, 2011 9:15 PM
Subject: Re: Short Boomerang III Review


Thanks for reading. I've been using the 'Rang for a about a year now. So 
far, it's been my favorite hardware looper. Sounds great and friggin' easy 
to use, too.
Darren Michaels 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 10:55:13 2011
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For what it's worth,  I bought a very beautiful new pedal by DwarfCraft
called the LOOP MANGLER

http://www.geargasstore.com/products/dwarfcraft-devices-loop-mangler-effects-loop-pedal

  that has a joy stick in the middle that
matches the volumes of two loops of effects.

It's great because you can completely control the mixing of two loops in 
real time.

I love it, but it ends up sending out a mono signal.

This might work for you,   but you just have to figure out your gain 
structure (as you do with all
effects chains, anyway.

Good luck, Ditch.

Rick




On 7/22/64 11:59 AM, ditch wrestler wrote:
> That is lovingly low-tech, Rick!
> But last time I ran that set-up and had a volume pedal on each line, 
> one volume pedal would override the other so I couldn't just have one 
> line but had to have both.
> Maybe there was a matching problem - can't recall if my cables were 
> trs or not...

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 13:58:38 2011
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Subject: Midwest Monthly Looping Gig
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I'd like to gauge interest in a monthly looping night in Chicago. The venue w=
ould be the back room of Haymarket Pub and Brewery in Chicago (so if you're a=
lso an enthusiast of excellent craft beer, that'll be a bonus  for you). The=
 evenings that are available are Sun - Wed

Are there any loopers in the midwest interested in that kind of thing?

Cheers,=20
Jeff


Sent from my iPad=

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Date: Thu, 21 Jul 2011 07:36:21 -0700 (PDT)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Midwest Monthly Looping Gig
To: Loopers-Delight@loopers-delight.com
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--0-2010214483-1311258981=:76578
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I may possibly be interested........just depends on cash flow....I'm 5 and =
1 half hours away

Kyle Dean Patten=20
P.O. Box 22 Johnston, IA=A0 50131
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
http://lmgtfy.com/?q=3DKyle+Dean+Patten+

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
http://www.cdbaby.com/cd/kdpatten =20
http://www.myspace.com/kyledeanpatten=20
http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0

--- On Thu, 7/21/11, Jeff Evans <sazerac.jeff@gmail.com> wrote:

From: Jeff Evans <sazerac.jeff@gmail.com>
Subject: Midwest Monthly Looping Gig
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.=
com>
Date: Thursday, July 21, 2011, 8:59 AM

I'd like to gauge interest in a monthly looping night in Chicago. The venue=
 would be the back room of Haymarket Pub and Brewery in Chicago (so if you'=
re also an enthusiast of excellent craft beer, that'll be a bonus=A0 for yo=
u). The evenings that are available are Sun - Wed

Are there any loopers in the midwest interested in that kind of thing?

Cheers,=20
Jeff


Sent from my iPad

--0-2010214483-1311258981=:76578
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><font style=3D"font-weight: bold; font-style:=
 italic;" size=3D"2">I may possibly be interested........just depends on ca=
sh flow</font><font style=3D"font-style: italic;" size=3D"2"><span style=3D=
"font-weight: bold;">....I'm 5 and 1 half hours away</span></font><br><br><=
font size=3D"3"><span style=3D"color: rgb(255, 0, 127); font-family: bookma=
n old style,new york,times,serif; font-weight: bold; font-style: italic;">K=
yle Dean Patten </span></font><br><span style=3D"color: rgb(128, 0, 255);">=
P.O. Box 22 Johnston, IA&nbsp; 50131<br>&nbsp;</span>&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br><font style=3D"font-family=
: verdana,helvetica,sans-serif;" size=3D"3"><a rel=3D"nofollow" target=3D"_=
blank" href=3D"http://lmgtfy.com/?q=3DKyle+Dean+Patten+"><span class=3D"ysh=
ortcuts" id=3D"lw_1308010509_0">http://lmgtfy.com/?q=3DKyle+Dean+Patten+</s=
pan></a></font><br
 style=3D"font-family: verdana,helvetica,sans-serif;"><br style=3D"font-fam=
ily: verdana,helvetica,sans-serif;"> <font style=3D"font-family: verdana,he=
lvetica,sans-serif;" size=3D"1"><span style=3D"color: rgb(255, 0, 127); fon=
t-style: italic;">&nbsp;http://www.youtube.com/watch?v=3Dobgm3kTi5bs</span>=
<br style=3D"color: rgb(255, 0, 127); font-style: italic;"><span style=3D"c=
olor: rgb(255, 0, 127); font-style: italic;">&nbsp;http://www.youtube.com/w=
atch?v=3Da9g93s0q3uc </span><br style=3D"color: rgb(255, 0, 127); font-styl=
e: italic;"><span style=3D"color: rgb(255, 0, 127); font-style: italic;">ht=
tp://www.cdbaby.com/cd/kdpatten </span></font> <font style=3D"font-family: =
verdana,helvetica,sans-serif;" size=3D"1"><br style=3D"color: rgb(255, 0, 1=
27); font-style: italic;"><span style=3D"color: rgb(255, 0, 127); font-styl=
e: italic;">http://www.myspace.com/kyledeanpatten </span></font><span style=
=3D"color: rgb(255, 255, 0); font-family: lucida console,sans-serif;"><span=
 style=3D"color: rgb(255,
 0, 127); font-family: verdana,helvetica,sans-serif;"><span style=3D"font-s=
tyle: italic;"><font size=3D"1"><br>http://www.linkedin.com/in/kyledeanpatt=
en&nbsp;</font>&nbsp;</span>&nbsp;</span>&nbsp;&nbsp;</span>&nbsp;&nbsp;<br=
><br>--- On <b>Thu, 7/21/11, Jeff Evans <i>&lt;sazerac.jeff@gmail.com&gt;</=
i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 25=
5); margin-left: 5px; padding-left: 5px;"><br>From: Jeff Evans &lt;sazerac.=
jeff@gmail.com&gt;<br>Subject: Midwest Monthly Looping Gig<br>To: "Loopers-=
Delight@loopers-delight.com" &lt;Loopers-Delight@loopers-delight.com&gt;<br=
>Date: Thursday, July 21, 2011, 8:59 AM<br><br><div class=3D"plainMail">I'd=
 like to gauge interest in a monthly looping night in Chicago. The venue wo=
uld be the back room of Haymarket Pub and Brewery in Chicago (so if you're =
also an enthusiast of excellent craft beer, that'll be a bonus&nbsp; for yo=
u). The evenings that are available are Sun - Wed<br><br>Are there any
 loopers in the midwest interested in that kind of thing?<br><br>Cheers, <b=
r>Jeff<br><br><br>Sent from my iPad<br></div></blockquote></td></tr></table=
>
--0-2010214483-1311258981=:76578--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 15:01:47 2011
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Date: Thu, 21 Jul 2011 16:19:25 +0200
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So, Apple just released not only an updated lappie, but also, finally, after 
much rumour, an updated Mini.
Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Radeon 6630 
graphics, and the usual I/O, like FW800.

A friend of mine, whom among other things builds media centers, says i5/i7 in 
real life never goes past 45watts no matter what work he puts them, incl. 
graphics/video rendering, so this should be nice for a home/project studio.

I'm seriously concidering selling off two lappies and shop the Mini with the 
SSD and at least 4GB ram.  I'd likely house my audio on an external FW drive.
Sharing the drive and a Fireface400 on the FW800 may be an issue to resolve..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 16:46:21 2011
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Subject: Re: New Mac Mini with i5/7
From: Louie Angulo <louie.angulo@googlemail.com>
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you got me interested Van ill check that out!
and what about a screen? what would you hook up that is smaller than
the integrated screen on the mini laptops?

On Thu, Jul 21, 2011 at 4:19 PM, van Sinn <vansinn@post.cybercity.dk> wrote=
:
> So, Apple just released not only an updated lappie, but also, finally, af=
ter
> much rumour, an updated Mini.
> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Radeon
> 6630 graphics, and the usual I/O, like FW800.
>
> A friend of mine, whom among other things builds media centers, says i5/i=
7
> in real life never goes past 45watts no matter what work he puts them, in=
cl.
> graphics/video rendering, so this should be nice for a home/project studi=
o.
>
> I'm seriously concidering selling off two lappies and shop the Mini with =
the
> SSD and at least 4GB ram. =A0I'd likely house my audio on an external FW
> drive.
> Sharing the drive and a Fireface400 on the FW800 may be an issue to
> resolve..
>
> --
> rgds,
> van Sinn
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 17:11:46 2011
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Subject: Re: New Mac Mini with i5/7
From: Todd Matthews <gtmatthews@gmail.com>
In-Reply-To: <CAJeW8jMvAVrD0ahUz1ZG5O2k1u66qPFTf+EVWyB=tBa918cx1Q@mail.gmail.com>
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Th mac mini 'server version' even has the quad core i7 and two hard =
drives. Could be an incredible recording machine.

>=20
> On Thu, Jul 21, 2011 at 4:19 PM, van Sinn <vansinn@post.cybercity.dk> =
wrote:
>> So, Apple just released not only an updated lappie, but also, =
finally, after
>> much rumour, an updated Mini.
>> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, =
Radeon
>> 6630 graphics, and the usual I/O, like FW800.
>>=20
>> A friend of mine, whom among other things builds media centers, says =
i5/i7
>> in real life never goes past 45watts no matter what work he puts =
them, incl.
>> graphics/video rendering, so this should be nice for a home/project =
studio.
>>=20
>> I'm seriously concidering selling off two lappies and shop the Mini =
with the
>> SSD and at least 4GB ram.  I'd likely house my audio on an external =
FW
>> drive.
>> Sharing the drive and a Fireface400 on the FW800 may be an issue to
>> resolve..
>>=20
>> --
>> rgds,
>> van Sinn
>>=20
>>=20

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

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Subject: Re: New Mac Mini with i5/7
From: Daniel Thomas <danielthomas4@mac.com>
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Its an amazing machine, the new Mini.  But, I personally could never stomach a primary audio box that does not support cards.   I need my UAD cards at a minimum.

D
On Jul 21, 2011, at 10:11 AM, Todd Matthews wrote:

> Th mac mini 'server version' even has the quad core i7 and two hard drives. Could be an incredible recording machine.
> 
>> 
>> On Thu, Jul 21, 2011 at 4:19 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
>>> So, Apple just released not only an updated lappie, but also, finally, after
>>> much rumour, an updated Mini.
>>> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Radeon
>>> 6630 graphics, and the usual I/O, like FW800.
>>> 
>>> A friend of mine, whom among other things builds media centers, says i5/i7
>>> in real life never goes past 45watts no matter what work he puts them, incl.
>>> graphics/video rendering, so this should be nice for a home/project studio.
>>> 
>>> I'm seriously concidering selling off two lappies and shop the Mini with the
>>> SSD and at least 4GB ram.  I'd likely house my audio on an external FW
>>> drive.
>>> Sharing the drive and a Fireface400 on the FW800 may be an issue to
>>> resolve..
>>> 
>>> --
>>> rgds,
>>> van Sinn
>>> 
>>> 
> 
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
> 

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My live concert laptop has the two core i7 and although the CPU speed
in MHz isn't that much higher this processor for me is the final boost
that takes me over the CPU barrier for live performing. For studio
work it is even more bang for the buck if you go for the four core
model - given you are running recording production software that can
take advantage of that.

I do studio productions in the MBP anyway, I just think the two cores
are enough for the work I usually get called for. Only the two core
MBP is available with such a small screen as 13" so for me it was a
no-brainer. Funny that technology now has reached such an advanced
stage that you don't look only at the processing powers when shopping
a computer! Ew... it really wasn't fun back when an overclocked Intel
Celeron was the way to go :-)

Next phase in tech I'm looking forward to is a version of Bidule that
can run multi processor/core code with a clean audio fidelity. Can't
be far away now... On the i7 MBP I'm running the full live shebang on
just one core because it sounds best that way.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Jul 21, 2011 at 7:11 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
>> On Thu, Jul 21, 2011 at 4:19 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
>>> So, Apple just released not only an updated lappie, but also, finally, after
>>> much rumour, an updated Mini.
>>> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Radeon
>>> 6630 graphics, and the usual I/O, like FW800.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 17:45:19 2011
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To: Loopers-Delight@loopers-delight.com, Daniel Thomas <danielthomas4@mac.com>
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Free your UAD plugins from the box! :)

http://www.uaudio.com/uad-plug-ins/uad-2-quad/uad-2-satellite-quad.html

Quoting Daniel Thomas <danielthomas4@mac.com>:

> Its an amazing machine, the new Mini.  But, I personally could never =20
>  stomach a primary audio box that does not support cards.   I need =20
> my  UAD cards at a minimum.
>
> D
> On Jul 21, 2011, at 10:11 AM, Todd Matthews wrote:
>
>> Th mac mini 'server version' even has the quad core i7 and two hard =20
>>  drives. Could be an incredible recording machine.
>>
>>>
>>> On Thu, Jul 21, 2011 at 4:19 PM, van Sinn  =20
>>> <vansinn@post.cybercity.dk> wrote:
>>>> So, Apple just released not only an updated lappie, but also,  =20
>>>> finally, after
>>>> much rumour, an updated Mini.
>>>> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Rade=
on
>>>> 6630 graphics, and the usual I/O, like FW800.
>>>>
>>>> A friend of mine, whom among other things builds media centers, says i5=
/i7
>>>> in real life never goes past 45watts no matter what work he puts  =20
>>>> them, incl.
>>>> graphics/video rendering, so this should be nice for a  =20
>>>> home/project studio.
>>>>
>>>> I'm seriously concidering selling off two lappies and shop the  =20
>>>> Mini with the
>>>> SSD and at least 4GB ram.  I'd likely house my audio on an external FW
>>>> drive.
>>>> Sharing the drive and a Fireface400 on the FW800 may be an issue to
>>>> resolve..
>>>>
>>>> --
>>>> rgds,
>>>> van Sinn
>>>>
>>>>
>>
>> --------------------
>> Todd Matthews
>> toddbass.com
>> twitter: gtodd876
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 17:49:26 2011
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Subject: Re: New Mac Mini with i5/7
From: Daniel Thomas <danielthomas4@mac.com>
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> Free your UAD plugins from the box! :)
> 
> http://www.uaudio.com/uad-plug-ins/uad-2-quad/uad-2-satellite-quad.html
Well, yes there is that, but if you have a battery of good cards that work..  why incur the expense?  

I have considered getting one of these satellites for my MBPRo to use in live looping performance but-- I don't really need high end models of massenburg, SSL, manley,  when performing through a PA system.


Daniel 
On Jul 21, 2011, at 9:03 AM, cpr@musetrap.com wrote:

> Free your UAD plugins from the box! :)
> 
> http://www.uaudio.com/uad-plug-ins/uad-2-quad/uad-2-satellite-quad.html
> 
> Quoting Daniel Thomas <danielthomas4@mac.com>:
> 
>> Its an amazing machine, the new Mini.  But, I personally could never  stomach a primary audio box that does not support cards.   I need my  UAD cards at a minimum.
>> 
>> D
>> On Jul 21, 2011, at 10:11 AM, Todd Matthews wrote:
>> 
>>> Th mac mini 'server version' even has the quad core i7 and two hard  drives. Could be an incredible recording machine.
>>> 
>>>> 
>>>> On Thu, Jul 21, 2011 at 4:19 PM, van Sinn  <vansinn@post.cybercity.dk> wrote:
>>>>> So, Apple just released not only an updated lappie, but also,  finally, after
>>>>> much rumour, an updated Mini.
>>>>> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Radeon
>>>>> 6630 graphics, and the usual I/O, like FW800.
>>>>> 
>>>>> A friend of mine, whom among other things builds media centers, says i5/i7
>>>>> in real life never goes past 45watts no matter what work he puts  them, incl.
>>>>> graphics/video rendering, so this should be nice for a  home/project studio.
>>>>> 
>>>>> I'm seriously concidering selling off two lappies and shop the  Mini with the
>>>>> SSD and at least 4GB ram.  I'd likely house my audio on an external FW
>>>>> drive.
>>>>> Sharing the drive and a Fireface400 on the FW800 may be an issue to
>>>>> resolve..
>>>>> 
>>>>> --
>>>>> rgds,
>>>>> van Sinn
>>>>> 
>>>>> 
>>> 
>>> --------------------
>>> Todd Matthews
>>> toddbass.com
>>> twitter: gtodd876
>>> 
>> 
>> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 18:35:23 2011
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Was not aware that the word "shebang" was common parlance in Sweden !

On Jul 21, 2011, at 10:44 AM, Per Boysen wrote:

> My live concert laptop has the two core i7 and although the CPU speed
> in MHz isn't that much higher this processor for me is the final boost
> that takes me over the CPU barrier for live performing. For studio
> work it is even more bang for the buck if you go for the four core
> model - given you are running recording production software that can
> take advantage of that.
>=20
> I do studio productions in the MBP anyway, I just think the two cores
> are enough for the work I usually get called for. Only the two core
> MBP is available with such a small screen as 13" so for me it was a
> no-brainer. Funny that technology now has reached such an advanced
> stage that you don't look only at the processing powers when shopping
> a computer! Ew... it really wasn't fun back when an overclocked Intel
> Celeron was the way to go :-)
>=20
> Next phase in tech I'm looking forward to is a version of Bidule that
> can run multi processor/core code with a clean audio fidelity. Can't
> be far away now... On the i7 MBP I'm running the full live shebang on
> just one core because it sounds best that way.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
>=20
>=20
> On Thu, Jul 21, 2011 at 7:11 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>>> On Thu, Jul 21, 2011 at 4:19 PM, van Sinn =
<vansinn@post.cybercity.dk> wrote:
>>>> So, Apple just released not only an updated lappie, but also, =
finally, after
>>>> much rumour, an updated Mini.
>>>> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, =
Radeon
>>>> 6630 graphics, and the usual I/O, like FW800.
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 18:44:45 2011
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On Thu, Jul 21, 2011 at 8:35 PM, Phil Clevenger
<phil.clevenger@gmail.com> wrote:
> Was not aware that the word "shebang" was common parlance in Sweden !

It is. Living with instant internet access on a peninsula hosting only
eight million people your brain grows kind of linguistic mash-up  ;-)
 Swedes these days just throw in English words here and there while
speaking Swedish and even our newscasts use English phrasing but with
Swedish words. It's a funny time! I'm desperately fighting to learn
some decent French but even the French these days want to practice
their English when you visit their country.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 19:53:08 2011
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Subject: Firenze 2011
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Ok, you asked for it, you get it.
(as they say: video, or it didn't happen)

Blog article, including photos and video!
http://moinsound.wordpress.com/2011/07/21/nerdville-and-more-the-firenze-2011-live-looping-festival/

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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On Thu, Jul 21, 2011 at 9:52 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Blog article, including photos and video!
> http://moinsound.wordpress.com/2011/07/21/nerdville-and-more-the-firenze-2011-live-looping-festival/

Great write-up! And good music video :-)

per boy

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Date: Thu, 21 Jul 2011 16:58:39 -0400
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll continue the
month-long Special Focus on Jürgen Haible.  The Featured CD at Midnight
will be "Holiday In Purgatory."  Details are at the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

On tonight's show, I will play music by Mark Jenkins who will be
performing at the Soundscapes Concert Series on Sunday, July 24, 8 pm
at the Nazareth Center for the Arts.            http://soundscapes.us

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 21 22:16:42 2011
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Subject: Re: New Mac Mini with i5/7
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 21, 2011 at 4:19 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> So, Apple just released not only an updated lappie, but also, finally, after
> much rumour, an updated Mini.
> Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Radeon
> 6630 graphics, and the usual I/O, like FW800.


A short review already up at
http://www.macminicolo.net/macmini2011

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: RE: Midwest Monthly Looping Gig
Date: Thu, 21 Jul 2011 20:01:21 -0500
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I'm interested.  I'm an hour away in good traffic, 3 in bad.

Peace,

Plish

-----Original Message-----
From: Jeff Evans [mailto:sazerac.jeff@gmail.com] 
Sent: Thursday, July 21, 2011 8:59 AM
To: Loopers-Delight@loopers-delight.com
Subject: Midwest Monthly Looping Gig

I'd like to gauge interest in a monthly looping night in Chicago. The venue
would be the back room of Haymarket Pub and Brewery in Chicago (so if you're
also an enthusiast of excellent craft beer, that'll be a bonus  for you).
The evenings that are available are Sun - Wed

Are there any loopers in the midwest interested in that kind of thing?

Cheers, 
Jeff


Sent from my iPad

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From: "Clayton Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: LP-2
Date: Thu, 21 Jul 2011 20:24:38 -0700
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Like some others here, I have placed a deposit (actually payment in full)
for the Looperlative LP-2.

I put my money down on 6/10/11, so I am hardly a trailblazer.

With the recent posting of the Boomerang III, I am tempted to get that
instead.

However, Bob doesn't answer emails or phone calls-I got thru to him on the
number listed on my credit card invoice, but that number is no good.

Have I made a bad mistake?

What do I do now?

Thanks for any clues here,

Gary Lehmann

"Gnarly Heman"


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Like some others here, I have placed a deposit =
(actually
payment in full) for the Looperlative LP-2.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I put my money down on 6/10/11, so I am hardly a
trailblazer.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>With the recent posting of the Boomerang III, I am =
tempted
to get that instead.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>However, Bob doesn&#8217;t answer emails or phone =
calls&#8212;I
got thru to him on the number listed on my credit card invoice, but that =
number
is no good.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Have I made a bad =
mistake?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>What do I do now?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Thanks for any clues =
here,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Gary Lehmann<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&#8220;Gnarly =
Heman&#8221;<o:p></o:p></span></font></p>

</div>

</body>

</html>

------=_NextPart_000_0069_01CC47E4.3713C5A0--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 04:52:41 2011
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On 7/22/64 11:59 AM, van Sinn wrote:
> So, Apple just released................ an updated Mini.

Any idea of the street price for this puppy?     The cool thing about 
the Minis is
that you can easily put together a pretty happening little portable
studio inside of a cushioned small suitcase and use it, for gigging,   
like a laptop.

rick walker

ps who is ecstatic to have discovered (thanks, Tim Thompson) that is is 
relatively easy
to replace a harddrive in his 4 year old Mac Book Pro with a harddrive 
that is up to
twice as fast as the one Apple put into it and that this whole process 
takes only
2-3 minutes.

This means, I can put a Win XP professional OS on one harddrive and keep
my OSX system on the other harddrive and switch them out whenever I gig,
as I need to.

The new Seagate Harddrive is for sale online for a mere $59!!!!!!
I thought I was going to have to go buy a $700 PC laptop and now I may 
not have to after all.

wooooo hoooooo!!!!!!!!

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 07:52:47 2011
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Per Boysen wrote:
> On Thu, Jul 21, 2011 at 8:35 PM, Phil Clevenger
> <phil.clevenger@gmail.com> wrote:
> 
>>Was not aware that the word "shebang" was common parlance in Sweden !
> 
> 
> It is. Living with instant internet access on a peninsula hosting only
> eight million people your brain grows kind of linguistic mash-up  ;-)
>  Swedes these days just throw in English words here and there while
> speaking Swedish and even our newscasts use English phrasing but with
> Swedish words. It's a funny time! I'm desperately fighting to learn
> some decent French but even the French these days want to practice
> their English when you visit their country.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub

It's the same for me, being almost fluent in German, but my friends there 
prefer English and will answer back this way even if I start in German ;)
Trying to learn some French online as a prelude to taking classes..
And I want the whole shebang too, hahaha
Danish, like Sweedish, is likewise an international affair. HÃ¤msk bra!

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 08:14:00 2011
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Hi Gary,

The guy to contact is Rick Walker,
RICKWALKER<at>looppool.info
 though I can tell you 
some of what what he'll say.
Bob must be desperate to get the LP2 out by now, I'm sure
his available free time is spent with the LP2.
(Bob also has a day job and a family to support as well 
  as other commitments, as I understand it there's not 
  that much free time available).
If he's hard to contact, that'll be why. 

It wouldn't be the first time a cutting edge looping device
took longer than expected to ship, that's certainly the case
with the Boomerang too...it's just they started development
earlier and have now released the product.
 
The software developers mantra is 
"it always takes longer than you think, even
if you take into account that it takes longer than you think",
and that really applies to looping devices in a big way.

The new technology depends not on big companies who can
reliably(fairly) hit a release, but on dedicated guys
like Bob who care about creating great products for loopers
more than they care about profits.



all the best
andy









Clayton Gary Lehmann wrote:
> Like some others here, I have placed a deposit (actually payment in 
> full) for the Looperlative LP-2.
> 
> I put my money down on 6/10/11, so I am hardly a trailblazer.
> 
> With the recent posting of the Boomerang III, I am tempted to get that 
> instead.
> 
> However, Bob doesn’t answer emails or phone calls—I got thru to him on 
> the number listed on my credit card invoice, but that number is no good.
> 
> Have I made a bad mistake?
> 
> What do I do now?
> 
> Thanks for any clues here,
> 
> Gary Lehmann
> 
> “Gnarly Heman”
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 08:19:39 2011
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--Apple-Mail-1-155608566
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=windows-1252

Looperlative Facebook update from Wednesday 11:00 am:
LP2 production is held up until back ordered parts arrive. Everything is =
on order.

And from May 30:
I'm ordering production LP2 electronics today. Which means I should have =
assembled units starting in about 2 weeks. It will take me several weeks =
to ship all of the orders. Bob
Sounds like he's fairly close :)

Phil


On Jul 22, 2011, at 1:14 AM, andy butler wrote:

> Hi Gary,
>=20
> The guy to contact is Rick Walker,
> RICKWALKER<at>looppool.info
> though I can tell you some of what what he'll say.
> Bob must be desperate to get the LP2 out by now, I'm sure
> his available free time is spent with the LP2.
> (Bob also has a day job and a family to support as well  as other =
commitments, as I understand it there's not  that much free time =
available).
> If he's hard to contact, that'll be why.=20
> It wouldn't be the first time a cutting edge looping device
> took longer than expected to ship, that's certainly the case
> with the Boomerang too...it's just they started development
> earlier and have now released the product.
> The software developers mantra is "it always takes longer than you =
think, even
> if you take into account that it takes longer than you think",
> and that really applies to looping devices in a big way.
>=20
> The new technology depends not on big companies who can
> reliably(fairly) hit a release, but on dedicated guys
> like Bob who care about creating great products for loopers
> more than they care about profits.
>=20
>=20
>=20
> all the best
> andy
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> Clayton Gary Lehmann wrote:
>> Like some others here, I have placed a deposit (actually payment in =
full) for the Looperlative LP-2.
>> I put my money down on 6/10/11, so I am hardly a trailblazer.
>> With the recent posting of the Boomerang III, I am tempted to get =
that instead.
>> However, Bob doesn=92t answer emails or phone calls=97I got thru to =
him on the number listed on my credit card invoice, but that number is =
no good.
>> Have I made a bad mistake?
>> What do I do now?
>> Thanks for any clues here,
>> Gary Lehmann
>> =93Gnarly Heman=94
>=20


--Apple-Mail-1-155608566
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=windows-1252

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Looperlative Facebook update from Wednesday 11:00 am:<div><span =
class=3D"Apple-style-span" style=3D"font-size: 10px; font-weight: bold; =
">LP2 production is held up until back ordered parts arrive.  Everything =
is on order.</span></div><div><form rel=3D"async" =
class=3D"commentable_item autoexpand_mode" method=3D"post" =
action=3D"/ajax/ufi/modify.php"><br>And from May 30:<br><span =
class=3D"Apple-style-span" style=3D"font-size: 10px; "><b>I'm
 ordering production LP2 electronics today. Which means I should have=20
assembled units starting in about 2 weeks. It will take me several weeks
 to ship all of the orders. Bob</b></span></form><div><div><form =
rel=3D"async" class=3D"commentable_item autoexpand_mode" method=3D"post" =
action=3D"/ajax/ufi/modify.php"><div class=3D"UIImageBlock clearfix =
uiStreamFooter">Sounds like he's fairly close :)</div><div =
class=3D"UIImageBlock clearfix uiStreamFooter"><br></div><div =
class=3D"UIImageBlock clearfix =
uiStreamFooter">Phil</div></form></div><div><br></div><div><br></div><div>=
On Jul 22, 2011, at 1:14 AM, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Hi =
Gary,<br><br>The guy to contact is Rick =
Walker,<br>RICKWALKER&lt;at&gt;looppool.info<br>though I can tell you =
some of what what he'll say.<br>Bob must be desperate to get the LP2 out =
by now, I'm sure<br>his available free time is spent with the =
LP2.<br>(Bob also has a day job and a family to support as well &nbsp;as =
other commitments, as I understand it there's not &nbsp;that much free =
time available).<br>If he's hard to contact, that'll be why. <br>It =
wouldn't be the first time a cutting edge looping device<br>took longer =
than expected to ship, that's certainly the case<br>with the Boomerang =
too...it's just they started development<br>earlier and have now =
released the product.<br>The software developers mantra is "it always =
takes longer than you think, even<br>if you take into account that it =
takes longer than you think",<br>and that really applies to looping =
devices in a big way.<br><br>The new technology depends not on big =
companies who can<br>reliably(fairly) hit a release, but on dedicated =
guys<br>like Bob who care about creating great products for =
loopers<br>more than they care about profits.<br><br><br><br>all the =
best<br>andy<br><br><br><br><br><br><br><br><br><br>Clayton Gary Lehmann =
wrote:<br><blockquote type=3D"cite">Like some others here, I have placed =
a deposit (actually payment in full) for the Looperlative =
LP-2.<br></blockquote><blockquote type=3D"cite">I put my money down on =
6/10/11, so I am hardly a trailblazer.<br></blockquote><blockquote =
type=3D"cite">With the recent posting of the Boomerang III, I am tempted =
to get that instead.<br></blockquote><blockquote type=3D"cite">However, =
Bob doesn=92t answer emails or phone calls=97I got thru to him on the =
number listed on my credit card invoice, but that number is no =
good.<br></blockquote><blockquote type=3D"cite">Have I made a bad =
mistake?<br></blockquote><blockquote type=3D"cite">What do I do =
now?<br></blockquote><blockquote type=3D"cite">Thanks for any clues =
here,<br></blockquote><blockquote type=3D"cite">Gary =
Lehmann<br></blockquote><blockquote type=3D"cite">=93Gnarly =
Heman=94<br></blockquote><br></div></blockquote></div><br></div></body></h=
tml>=

--Apple-Mail-1-155608566--

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Todd Matthews wrote:
> Th mac mini 'server version' even has the quad core i7 and two hard drives. Could be an incredible recording machine.
> 
> 
>>On Thu, Jul 21, 2011 at 4:19 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
>>
>>>So, Apple just released not only an updated lappie, but also, finally, after
>>>much rumour, an updated Mini.
>>>Comes with core i5 or i7, up to 8GB ram, 500GB drive or 256GB SSD, Radeon
>>>6630 graphics, and the usual I/O, like FW800.
>>>
>>>A friend of mine, whom among other things builds media centers, says i5/i7
>>>in real life never goes past 45watts no matter what work he puts them, incl.
>>>graphics/video rendering, so this should be nice for a home/project studio.
>>>
>>>I'm seriously concidering selling off two lappies and shop the Mini with the
>>>SSD and at least 4GB ram.  I'd likely house my audio on an external FW
>>>drive.
>>>Sharing the drive and a Fireface400 on the FW800 may be an issue to
>>>resolve..
>>>
>>>--
>>>rgds,
>>>van Sinn
>>>
>>>
> 
> 
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876


Yup, the server version would be cool, except that you might not be able to 
install the Lion desktop version on it with full support for everything.
When I checked half a year ago, it was reported that not all drivers for 
things like network and cardreader were present for at least some of the older 
Mini server versions.  IIRC, these could be post-installed, but functional 
networking might be nice having out of the box ;)

Another issue with the server could be that Apple's shopping wizard likely 
will not allow putting it together with a quad i7, 8GB ram, one SSD and one 
harddrive - and of course a desktop Lion.


Daniel Thomas wrote:
 > Its an amazing machine, the new Mini.  But, I personally could never stomach
 > a primary audio box that does not support cards.   I need my UAD cards at a
 > minimum.


I understand you on this.  Maybe you could arrange an external card thingy, 
hooked to an unused PCIe slot, like in the following example:

While I do have an RME Fireface400, I might prefer using my Multiface for 
having lower latencies, and also due to having an RME Quad Mic interface.
For this I'd clearly need an interfacing slot of sorts.
However, I've seen someone removing the bluetooth interface (IIRC), and add 
something else to this PCIe slot, so it isn't totally unlikely a Cardbus 
interface could be added, allowing the Multiface via an RME cardbus interface.
This would of course require either having the actual cardbus slot externally, 
or cut an opening somewhere on the Mini - a daring mod on a brand new Mini ;)
Just might be possible routing a flatcable out to an external slot; dunno..


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 09:43:20 2011
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Date: Fri, 22 Jul 2011 11:43:19 +0200
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Subject: Re: New Mac Mini with i5/7
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> On 7/22/64 11:59 AM, van Sinn wrote:
>>
>> So, Apple just released................ an updated Mini.
>

On Fri, Jul 22, 2011 at 6:52 AM, Rick Walker <looppool@cruzio.com> wrote:

> Any idea of the street price for this puppy?


"Now starting at $599"
says http://www.apple.com/macmini/  :-)

For track intensive studio producing the $999 server model might be
worth looking at.
"2.0GHz quad-core Intel Core i7 processor that delivers incredible
speed and performance, thanks to innovations like Turbo Boost 2.0,
Hyper-Threading, and an integrated memory controller."

Info:
http://www.macrumors.com/2011/07/20/apple-releases-new-sandy-bridge-mac-minis-and-thunderbolt-display/

And a test review:
http://www.macminicolo.net/macmini2011

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 10:15:49 2011
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Resonating Universes album - limited edition signed copies
Date: Fri, 22 Jul 2011 13:13:33 +0300
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This is a multi-part message in MIME format.

------=_NextPart_000_0003_01CC4871.287CE5C0
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	charset="iso-8859-9"
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Hey loopers,

My new album "Resonating Universes" has been released in London by =
Sargasso Records. It is a work for concert harp, turkish harp, electric =
harp and electronics. Lots of processing, lots of loops, lots of analog =
pedals and lots of preparation on the instruments.

The label now has 100 signed and numbered copies of the album. Hope you =
will be interested and enjoy the music.

http://www.sargasso.com/khxc/index.php?app=3Dccp0&ns=3Dprodshow&ref=3DSCD=
28064LE

Thanks so much and best regards.

Erdem Helvacioglu

www.erdemhelvacioglu.com

=

=


------=_NextPart_000_0003_01CC4871.287CE5C0
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	charset="iso-8859-9"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"text/html; charset=3Diso-8859-9" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18975">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hey loopers,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>My new album "Resonating Universes" has =
been=20
released in London by Sargasso Records. It is a work for concert harp, =
turkish=20
harp, electric harp and electronics. Lots of processing, lots of loops, =
lots of=20
analog pedals and lots of preparation on the instruments.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>The label now has 100 signed and =
numbered copies of=20
the album. Hope you will be interested and enjoy the music.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.sargasso.com/khxc/index.php?app=3Dccp0&amp;ns=3Dprodsh=
ow&amp;ref=3DSCD28064LE">http://www.sargasso.com/khxc/index.php?app=3Dccp=
0&amp;ns=3Dprodshow&amp;ref=3DSCD28064LE</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Thanks so much and best =
regards.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Erdem Helvacioglu</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A></FO=
NT></DIV>
=

=


</BODY></HTML>

------=_NextPart_000_0003_01CC4871.287CE5C0--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 11:05:01 2011
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Date: Fri, 22 Jul 2011 04:04:54 -0700
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Subject: Re: LP-2
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Here's the situation guys.

Bob has been forced to take a new hi tech job because the manufacturing 
delays on the LP-2 have made it so that
he had to start to make new income for his beautiful family of 5.

Coupled with probably 50 hours of new work a week that is NON 
Looperlative related, on top of trying to get his
three kids to all of their summer activities (sports and otherwise) and 
the fact that
hardware parts for the LP-2 construction have been back ordered for a 
really long time,  means that
there have been lots of delays in the construction of the initial units 
that have been pre-ordered.

Currently,  just to save time,  Bob is not answering any emails at all 
from the outside........there's, literally, no time for him to do so.

Sooooooo,   if you have made a deposit and feel that you can no longer 
wait for an LP-2,   e-mail me directly
(and , PLEASE,  off list) and I'll make sure that Bob knows that you 
need a refund to get your looping needs met.

Because he is a very small vendor,  he has been back ordered on hardware 
parts that are crucial to the development of the
LP-2.

 From what we can tell (and it's not 100% certain but highly likely)  
all the orders for the LP-2 that have been prepaid should
be shipping within two months (possibly sooner).

If you can't wait and want to use your funds,    let me know and I'll 
have Bob contact you.

My own feeling is that it is going to be worth the wait for the price of 
the unit and how sophisticated it will be,
but we both feel that it's okay if you want to bale after having waited 
for so long.

thanks for your patience and we apologize profusely for the delays in 
the manufacturer of this very hip new stomp box looper.

respectfully, and apologetically,

Rick Walker
for Bob Amstadt of Looperlative.
>
>
> Clayton Gary Lehmann wrote:
>> Like some others here, I have placed a deposit (actually payment in 
>> full) for the Looperlative LP-2.
>>
>> I put my money down on 6/10/11, so I am hardly a trailblazer.
>>
>> With the recent posting of the Boomerang III, I am tempted to get 
>> that instead.
>>
>> However, Bob doesn’t answer emails or phone calls—I got thru to him 
>> on the number listed on my credit card invoice, but that number is no 
>> good.
>>
>> Have I made a bad mistake?
>>
>> What do I do now?
>>
>> Thanks for any clues here,
>>
>> Gary Lehmann
>>
>> “Gnarly Heman” 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 12:29:06 2011
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Erdem Helvacioglu wrote:

> turkish harp, 

what's that?
kanun?

andy

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 12:44:30 2011
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Subject: Galactic Travels Playlist #746 for July 21, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110721.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #746                July 21, 2011.

RECAP:
On this show, I continued the month-long focus on Jürgen Haible.  The
Featured CD at Midnight was "Holiday In Purgatory" which is a self-
released title.
http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

On this show, I played music by Mark Jenkins who will appear this Sunday
at the Soundscapes Concert Series.  Visit the events page for details.
http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
VA [Code Indigo]     Lost Radio Programs  A Little More Night Music
                        2 & 3                (AD Music)
VA [Robert Fox]      Lady of the Lake     A Little More Night Music
                                             (AD Music)
VA [Acheloo]         Ishtar Gate          A Little More Night Music
                                             (AD Music)
Sensitive Chaos      L'Asension           Seeker After Patterns
                                             (Subsequent)
Saul Stokes          We Are Signals       Sleek Nucleus (Stokesmusic)
Surreal Realm        Ominous Ambience     Ominous Ambience (none)
Circulum Musicum     Quest                Phases (Thar)
Nautic Depths        Norvegia *           North Passage (Musical
                                             Philosophy)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jürgen Haible        Illumination         Holiday In Purgatory (none)
Jürgen Haible        Queen of Glome       Holiday In Purgatory (none)
Jürgen Haible        Sister My Sister     Holiday In Purgatory (none)
Jürgen Haible        Desecration          Holiday In Purgatory (none)
Jürgen Haible        Knitters of Black    Holiday In Purgatory (none)
                        Wool
Jürgen Haible        Holiday In Purgatory Holiday In Purgatory (none)
Jürgen Haible        Sings Daphne from    Holiday In Purgatory (none)
                        the Dead Room
Jürgen Haible        Open Corridor        Holiday In Purgatory (none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Jürgen Haible.  The Featured CD at Midnight will be "The Secret Life of
Trees" which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

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(on top of trying to get his three kids to all of their summer activities (=
sports and otherwise)

Can't his wife drive the kids to soccer practice or their oboe lessons?
=C2=A0

--- On Fri, 7/22/11, Rick Walker <looppool@cruzio.com> wrote:


From: Rick Walker <looppool@cruzio.com>
Subject: Re: LP-2
To: "andy butler" <akbutler@tiscali.co.uk>
Cc: Loopers-Delight@loopers-delight.com, hqr@cox.net
Date: Friday, July 22, 2011, 4:04 AM


Here's the situation guys.

Bob has been forced to take a new hi tech job because the manufacturing del=
ays on the LP-2 have made it so that
he had to start to make new income for his beautiful family of 5.

Coupled with probably 50 hours of new work a week that is NON Looperlative =
related, on top of trying to get his
three kids to all of their summer activities (sports and otherwise) and the=
 fact that
hardware parts for the LP-2 construction have been back ordered for a reall=
y long time,=C2=A0 means that
there have been lots of delays in the construction of the initial units tha=
t have been pre-ordered.

Currently,=C2=A0 just to save time,=C2=A0 Bob is not answering any emails a=
t all from the outside........there's, literally, no time for him to do so.

Sooooooo,=C2=A0=C2=A0=C2=A0if you have made a deposit and feel that you can=
 no longer wait for an LP-2,=C2=A0=C2=A0=C2=A0e-mail me directly
(and , PLEASE,=C2=A0 off list) and I'll make sure that Bob knows that you n=
eed a refund to get your looping needs met.

Because he is a very small vendor,=C2=A0 he has been back ordered on hardwa=
re parts that are crucial to the development of the
LP-2.

>From what we can tell (and it's not 100% certain but highly likely)=C2=A0 a=
ll the orders for the LP-2 that have been prepaid should
be shipping within two months (possibly sooner).

If you can't wait and want to use your funds,=C2=A0 =C2=A0 let me know and =
I'll have Bob contact you.

My own feeling is that it is going to be worth the wait for the price of th=
e unit and how sophisticated it will be,
but we both feel that it's okay if you want to bale after having waited for=
 so long.

thanks for your patience and we apologize profusely for the delays in the m=
anufacturer of this very hip new stomp box looper.

respectfully, and apologetically,

Rick Walker
for Bob Amstadt of Looperlative.
>=20
>=20
> Clayton Gary Lehmann wrote:
>> Like some others here, I have placed a deposit (actually payment in full=
) for the Looperlative LP-2.
>>=20
>> I put my money down on 6/10/11, so I am hardly a trailblazer.
>>=20
>> With the recent posting of the Boomerang III, I am tempted to get that i=
nstead.
>>=20
>> However, Bob doesn=E2=80=99t answer emails or phone calls=E2=80=94I got =
thru to him on the number listed on my credit card invoice, but that number=
 is no good.
>>=20
>> Have I made a bad mistake?
>>=20
>> What do I do now?
>>=20
>> Thanks for any clues here,
>>=20
>> Gary Lehmann
>>=20
>> =E2=80=9CGnarly Heman=E2=80=9D=20


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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>(on top of trying to get his three kids =
to all of their summer activities (sports and otherwise)<BR></DIV>
<DIV>Can't his wife drive the kids to soccer practice or their oboe lessons=
?</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR>--- On <B>Fri, 7/22/11, Rick Walker <I>&lt;looppool@cruzio.com&gt;=
</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Rick Walker &lt;looppool@cruzio.com&gt;<BR>=
Subject: Re: LP-2<BR>To: "andy butler" &lt;akbutler@tiscali.co.uk&gt;<BR>Cc=
: Loopers-Delight@loopers-delight.com, hqr@cox.net<BR>Date: Friday, July 22=
, 2011, 4:04 AM<BR><BR>
<DIV class=3DplainMail>Here's the situation guys.<BR><BR>Bob has been force=
d to take a new hi tech job because the manufacturing delays on the LP-2 ha=
ve made it so that<BR>he had to start to make new income for his beautiful =
family of 5.<BR><BR>Coupled with probably 50 hours of new work a week that =
is NON Looperlative related, on top of trying to get his<BR>three kids to a=
ll of their summer activities (sports and otherwise) and the fact that<BR>h=
ardware parts for the LP-2 construction have been back ordered for a really=
 long time,&nbsp; means that<BR>there have been lots of delays in the const=
ruction of the initial units that have been pre-ordered.<BR><BR>Currently,&=
nbsp; just to save time,&nbsp; Bob is not answering any emails at all from =
the outside........there's, literally, no time for him to do so.<BR><BR>Soo=
ooooo,&nbsp;&nbsp;&nbsp;if you have made a deposit and feel that you can no=
 longer wait for an LP-2,&nbsp;&nbsp;&nbsp;e-mail me directly<BR>(and
 , PLEASE,&nbsp; off list) and I'll make sure that Bob knows that you need =
a refund to get your looping needs met.<BR><BR>Because he is a very small v=
endor,&nbsp; he has been back ordered on hardware parts that are crucial to=
 the development of the<BR>LP-2.<BR><BR>From what we can tell (and it's not=
 100% certain but highly likely)&nbsp; all the orders for the LP-2 that hav=
e been prepaid should<BR>be shipping within two months (possibly sooner).<B=
R><BR>If you can't wait and want to use your funds,&nbsp; &nbsp; let me kno=
w and I'll have Bob contact you.<BR><BR>My own feeling is that it is going =
to be worth the wait for the price of the unit and how sophisticated it wil=
l be,<BR>but we both feel that it's okay if you want to bale after having w=
aited for so long.<BR><BR>thanks for your patience and we apologize profuse=
ly for the delays in the manufacturer of this very hip new stomp box looper=
.<BR><BR>respectfully, and apologetically,<BR><BR>Rick Walker<BR>for
 Bob Amstadt of Looperlative.<BR>&gt; <BR>&gt; <BR>&gt; Clayton Gary Lehman=
n wrote:<BR>&gt;&gt; Like some others here, I have placed a deposit (actual=
ly payment in full) for the Looperlative LP-2.<BR>&gt;&gt; <BR>&gt;&gt; I p=
ut my money down on 6/10/11, so I am hardly a trailblazer.<BR>&gt;&gt; <BR>=
&gt;&gt; With the recent posting of the Boomerang III, I am tempted to get =
that instead.<BR>&gt;&gt; <BR>&gt;&gt; However, Bob doesn=E2=80=99t answer =
emails or phone calls=E2=80=94I got thru to him on the number listed on my =
credit card invoice, but that number is no good.<BR>&gt;&gt; <BR>&gt;&gt; H=
ave I made a bad mistake?<BR>&gt;&gt; <BR>&gt;&gt; What do I do now?<BR>&gt=
;&gt; <BR>&gt;&gt; Thanks for any clues here,<BR>&gt;&gt; <BR>&gt;&gt; Gary=
 Lehmann<BR>&gt;&gt; <BR>&gt;&gt; =E2=80=9CGnarly Heman=E2=80=9D <BR><BR></=
DIV></BLOCKQUOTE></td></tr></table>
--0-580927774-1311347205=:24917--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 15:52:18 2011
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Subject: Re: LP-2
From: Daniel Thomas <danielthomas4@mac.com>
In-reply-to: <4E29314B.2030805@tiscali.co.uk>
Date: Fri, 22 Jul 2011 08:52:00 -0700
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> The new technology depends not on big companies who can
> reliably(fairly) hit a release, but on dedicated guys
> like Bob who care about creating great products for loopers
> more than they care about profits.

Here here!   Innovation usually comes at a high personal price.  And we =
loopers should know well the truth in this. =20

I for one am patient.  Get it right, Bob.   Feel great about it at =
release.  I'll buy two.

:)

Daniel =20
On Jul 22, 2011, at 1:14 AM, andy butler wrote:

> Hi Gary,
>=20
> The guy to contact is Rick Walker,
> RICKWALKER<at>looppool.info
> though I can tell you some of what what he'll say.
> Bob must be desperate to get the LP2 out by now, I'm sure
> his available free time is spent with the LP2.
> (Bob also has a day job and a family to support as well  as other =
commitments, as I understand it there's not  that much free time =
available).
> If he's hard to contact, that'll be why.=20
> It wouldn't be the first time a cutting edge looping device
> took longer than expected to ship, that's certainly the case
> with the Boomerang too...it's just they started development
> earlier and have now released the product.
> The software developers mantra is "it always takes longer than you =
think, even
> if you take into account that it takes longer than you think",
> and that really applies to looping devices in a big way.
>=20
> The new technology depends not on big companies who can
> reliably(fairly) hit a release, but on dedicated guys
> like Bob who care about creating great products for loopers
> more than they care about profits.
>=20
>=20
>=20
> all the best
> andy
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> Clayton Gary Lehmann wrote:
>> Like some others here, I have placed a deposit (actually payment in =
full) for the Looperlative LP-2.
>> I put my money down on 6/10/11, so I am hardly a trailblazer.
>> With the recent posting of the Boomerang III, I am tempted to get =
that instead.
>> However, Bob doesn=92t answer emails or phone calls=97I got thru to =
him on the number listed on my credit card invoice, but that number is =
no good.
>> Have I made a bad mistake?
>> What do I do now?
>> Thanks for any clues here,
>> Gary Lehmann
>> =93Gnarly Heman=94
>=20

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From: "Clayton Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: Boomerang Software Upgrade Imminent--version 3
Date: Fri, 22 Jul 2011 11:16:03 -0700
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Just got off the phone with Mike Nelson-nice guy, he gave me 15 minutes of
his time.
The latest version of the Boomerang version 3 (BIII) (hey, I just made that
up) supports feedback control thru the expression jack -  the other control
it affords is volume of the loops.
He also said that the SideCar, a remote control pedal for the 'Rang, is
shipping.
I think my money is going to Texas - sorry, Northern California.
Cheers,
Gnarly

From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 18:22:43 2011
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
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Subject: Re: Resonating Universes album - limited edition signed copies
Date: Fri, 22 Jul 2011 21:22:39 +0300
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hey,

here is the info about ceng - the turkish harp.

http://en.wikipedia.org/wiki/%C3%87eng

best.

erdem h.

www.erdemhelvacioglu.com

----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 22, 2011 3:29 PM
Subject: Re: Resonating Universes album - limited edition signed copies


> Erdem Helvacioglu wrote:
> 
>> turkish harp, 
> 
> what's that?
> kanun?
> 
> andy
>




From Loopers-Delight-request@loopers-delight.com  Fri Jul 22 22:00:49 2011
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--00151744830016aef904a8af99a9
Content-Type: text/plain; charset=ISO-8859-1

The moog murf has stereo outputs, with the hi and low bands going to
separate outs. Might be too much tone coloration for you though?
On Jul 21, 2011 5:55 AM, "Rick Walker" <looppool@cruzio.com> wrote:
> For what it's worth, I bought a very beautiful new pedal by DwarfCraft
> called the LOOP MANGLER
>
>
http://www.geargasstore.com/products/dwarfcraft-devices-loop-mangler-effects-loop-pedal
>
> that has a joy stick in the middle that
> matches the volumes of two loops of effects.
>
> It's great because you can completely control the mixing of two loops in
> real time.
>
> I love it, but it ends up sending out a mono signal.
>
> This might work for you, but you just have to figure out your gain
> structure (as you do with all
> effects chains, anyway.
>
> Good luck, Ditch.
>
> Rick
>
>
>
>
> On 7/22/64 11:59 AM, ditch wrestler wrote:
>> That is lovingly low-tech, Rick!
>> But last time I ran that set-up and had a volume pedal on each line,
>> one volume pedal would override the other so I couldn't just have one
>> line but had to have both.
>> Maybe there was a matching problem - can't recall if my cables were
>> trs or not...
>

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<p>The moog murf has stereo outputs, with the hi and low bands going to sep=
arate outs. Might be too much tone coloration for you though?</p>
<div class=3D"gmail_quote">On Jul 21, 2011 5:55 AM, &quot;Rick Walker&quot;=
 &lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wro=
te:<br type=3D"attribution">&gt; For what it&#39;s worth,  I bought a very =
beautiful new pedal by DwarfCraft<br>
&gt; called the LOOP MANGLER<br>&gt; <br>&gt; <a href=3D"http://www.geargas=
store.com/products/dwarfcraft-devices-loop-mangler-effects-loop-pedal">http=
://www.geargasstore.com/products/dwarfcraft-devices-loop-mangler-effects-lo=
op-pedal</a><br>
&gt; <br>&gt;   that has a joy stick in the middle that<br>&gt; matches the=
 volumes of two loops of effects.<br>&gt; <br>&gt; It&#39;s great because y=
ou can completely control the mixing of two loops in <br>&gt; real time.<br=
>
&gt; <br>&gt; I love it, but it ends up sending out a mono signal.<br>&gt; =
<br>&gt; This might work for you,   but you just have to figure out your ga=
in <br>&gt; structure (as you do with all<br>&gt; effects chains, anyway.<b=
r>
&gt; <br>&gt; Good luck, Ditch.<br>&gt; <br>&gt; Rick<br>&gt; <br>&gt; <br>=
&gt; <br>&gt; <br>&gt; On 7/22/64 11:59 AM, ditch wrestler wrote:<br>&gt;&g=
t; That is lovingly low-tech, Rick!<br>&gt;&gt; But last time I ran that se=
t-up and had a volume pedal on each line, <br>
&gt;&gt; one volume pedal would override the other so I couldn&#39;t just h=
ave one <br>&gt;&gt; line but had to have both.<br>&gt;&gt; Maybe there was=
 a matching problem - can&#39;t recall if my cables were <br>&gt;&gt; trs o=
r not...<br>
&gt; <br></div>

--00151744830016aef904a8af99a9--

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	<4E28058C.9020807@cruzio.com>
	<CABWRH2KcF99yJh1LDtsZjGMqv87ONRYL1F9T9MsFqzvU8DNbyA@mail.gmail.com>
Date: Sat, 23 Jul 2011 00:28:35 +0200
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Subject: Re: Re: OT: bi-amping
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Jul 23, 2011 at 12:00 AM, marcus kirby <marcusloops@gmail.com> wrote:
> hi and low bands going to separate outs

That's an good approach! Both for getting a good sound and for
fighting feedback on a live stage. When the Mexican guitar duo Rodrigo
y Gabriela played here in Stockholm they had a fantastic sound (!) and
I took a chat with their live audio engineer. He uses 24 channels on
the PA mixer console to separate frequencies in two acoustic guitars!

I have not done much frequency separation directly in instruments but
I do indeed separate different pickups on an electric guitar I have,
an Epihone Ultra Les Paul 2: humbuckers going out through one line and
the Shadow Nanomag "acoustic" mic through a second line. The two rigs
can be blended directly from the guitar by the volume/tone knobs.

With the Chapman Stick I always run each fretboard over its own line.
I don't put different amps at the other part of those two lines, since
I prefer a computer for amplification and processing. However, in the
box the two lines always meet separated and unique processing and I
even play the two virtual effect-boards separated (dual expression
pedal setups etc).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Jul 23 15:40:55 2011
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Subject: Re: Boomerang Software Upgrade Imminent--version 3
From: Richard Atkinson <thetoyroom@charter.net>
To: LOOPERS DELIGHT LIST <Loopers-Delight@loopers-delight.com>
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I've currently got a Rang III, and am looking forward to the Sidecar.
However, there are no images of the Sidecar on the website anymore, and no
mention of the software upgrade as well.

I can't imagine Mike expects potential buyers to have to call him to get
their new goodies?

So, is this notice premature, or is Boomerang really shipping this stuff?




On 7/22/11 11:16 AM, "Clayton Gary Lehmann" <hqr@cox.net> wrote:

> Just got off the phone with Mike Nelson-nice guy, he gave me 15 minutes of
> his time.
> The latest version of the Boomerang version 3 (BIII) (hey, I just made that
> up) supports feedback control thru the expression jack -  the other control
> it affords is volume of the loops.
> He also said that the SideCar, a remote control pedal for the 'Rang, is
> shipping.
> I think my money is going to Texas - sorry, Northern California.
> Cheers,
> Gnarly
> 


From Loopers-Delight-request@loopers-delight.com  Sat Jul 23 21:25:46 2011
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Date: Sat, 23 Jul 2011 17:25:37 -0400
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Subject: Thought Radio Playlist for July 23, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/110723.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EDT/GMT-4 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                 Show #203                July 23, 2011.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

On this program, I played music by Mark Jenkins who will play at the
Soundscapes Concert Series on Sunday, July 24, at 8:00 pm.
http://soundscapes.us


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
John Sobocan         Boon                 Features of Spheres (none)
Steve Roach          Medicine of the      Live at Soundquest Fest
                        Moment               (Timeroom Editions)
VA [Greg Breden]     Earthrise            Sequences No. 15
Mark Jenkins         Supernova            Supernova (AMP)
Jurgen Haible        Holiday In Purgatory Holiday In Purgatory (none)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Homeless Balloon     Ancient City part 2  Ancient City (24 Chillout)
Keith Driskill       Melancholy Moment    A Time of Innocence (none)
Keith Driskill       My Angel Friend      A Time of Innocence (none)
Antoine DuFour       Spiritual Groove     Sound Pictures (Candyrat)
Antoine DuFour       Mother               Sound Pictures (Candyrat)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Lisa LaRue           Prometheus           Fast and Blue (Nightmare)
GNO                  The Keeper           Cannibal Tango (Sensory)
Morglbl              22 Oz.               Jazz for the Deaf (The Laser's
                                             Edge)
Pinnacle             Too Far Gone         single (Everything To Excess)
Alan Morse           Cold Fusion *        Four O'clock and Hysteria
                                             (InsideOut)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/GMT-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 23 21:49:47 2011
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Bob informed me earlier this week that everything is ready and he's just 
waiting to assemble and ship.

Unfortunately,  he is a very small vendor and he is currently back 
ordered on some
of the parts necessary to finish assembly (have empathy,  this exact 
situation is what made
Apple abandon their original processors in favor of Intel CPUs).

He's been back ordered for weeks now
and assures me that this is the only single holdup.   He's ready to go 
and the preorders
will be taken care of immediately as soon as he's in possession of all 
of the parts.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sat Jul 23 23:49:28 2011
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Subject: RE: Boomerang Software Upgrade Imminent--version 3
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Great news, indeed. Did Mike give you a price on the SideCar?

-----Original Message-----
From: Clayton Gary Lehmann [mailto:hqr@cox.net] 
Sent: Friday, July 22, 2011 2:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: Boomerang Software Upgrade Imminent--version 3

Just got off the phone with Mike Nelson-nice guy, he gave me 15 minutes of
his time.
The latest version of the Boomerang version 3 (BIII) (hey, I just made that
up) supports feedback control thru the expression jack -  the other control
it affords is volume of the loops.
He also said that the SideCar, a remote control pedal for the 'Rang, is
shipping.
I think my money is going to Texas - sorry, Northern California.
Cheers,
Gnarly

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 03:28:52 2011
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Subject: New Moog Lap Steel
Date: Sat, 23 Jul 2011 20:28:45 -0700
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Yesterday the Moog lap steel arrived for review and today I spent  
several hours playing it and recording. here is a  video of a long  
improvisation that exploits the instruments infinite sustain  
capability. This thing is remarkable
Bill
http://www.youtube.com/watch?v=fVfGzEBAalY
  
--Apple-Mail-2-310960503
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Yesterday the Moog lap steel arrived for review and today I spent several hours playing it and recording. here is a &nbsp;video of a long improvisation that exploits the instruments infinite sustain capability. This thing is remarkable&nbsp;<div>Bill</div><div><a href="http://www.youtube.com/watch?v=fVfGzEBAalY">http://www.youtube.com/watch?v=fVfGzEBAalY</a><br><div>&nbsp;</div></div></body></html>
--Apple-Mail-2-310960503--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 04:20:25 2011
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Date: Sat, 23 Jul 2011 21:20:11 -0700
Subject: Re: New Moog Lap Steel
From: Richard Atkinson <thetoyroom@charter.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3394300823_24007273
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Bill,

Although I have known of you for about a decade or more, and feel that I
somewhat =8Cknow you=B9 through the LD list, I have only seen you play once.  I=
t
was at the Loopstock 2002 show in San Luis Obisbo.

I then recently, have seen your lap steel work via youtube.

So, from that perspective, please allow me to say I ABSOLUTELY LOVE where
your head and playing are!  These pulsing ambiences with harmonic and
melodic little journeys is really stellar, my friend, and very, very
listenable.

Kill those fucking switch clicks and you=B9ve got a fan.  Hahaha....actually,
I=B9ve been a fan since 2002.  My reaction to that set was =B3whoa, shit, this
boy knows how to play.=B2

You=B9re doing gods work, son.   Namaste.

Rich





On 7/23/11 8:28 PM, "William Walker" <billwalker@baymoon.com> wrote:

> Yesterday the Moog lap steel arrived for review and today I spent several
> hours playing it and recording. here is a  video of a long improvisation =
that
> exploits the instruments infinite sustain capability. This thing is remar=
kable
> Bill
> http://www.youtube.com/watch?v=3DfVfGzEBAalY
> =20
>=20



--B_3394300823_24007273
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<HTML>
<HEAD>
<TITLE>Re: New Moog Lap Steel</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:12.0px'>Bill,=
<BR>
<BR>
Although I have known of you for about a decade or more, and feel that I so=
mewhat &#8216;know you&#8217; through the LD list, I have only seen you play=
 once. &nbsp;It was at the Loopstock 2002 show in San Luis Obisbo. <BR>
<BR>
I then recently, have seen your lap steel work via youtube.<BR>
<BR>
So, from that perspective, please allow me to say I ABSOLUTELY LOVE where y=
our head and playing are! &nbsp;These pulsing ambiences with harmonic and me=
lodic little journeys is really stellar, my friend, and very, very listenabl=
e.<BR>
<BR>
Kill those fucking switch clicks and you&#8217;ve got a fan. &nbsp;Hahaha..=
..actually, I&#8217;ve been a fan since 2002. &nbsp;My reaction to that set =
was &#8220;whoa, shit, this boy knows how to play.&#8221;<BR>
<BR>
You&#8217;re doing gods work, son. &nbsp;&nbsp;Namaste.<BR>
<BR>
Rich<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
On 7/23/11 8:28 PM, &quot;William Walker&quot; &lt;billwalker@baymoon.com&g=
t; wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:12.0px'>Yesterday the Moog lap steel arrived for review and tod=
ay I spent several hours playing it and recording. here is a &nbsp;video of =
a long improvisation that exploits the instruments infinite sustain capabili=
ty. This thing is remarkable <BR>
Bill<BR>
<a href=3D"http://www.youtube.com/watch?v=3DfVfGzEBAalY">http://www.youtube.com=
/watch?v=3DfVfGzEBAalY</a><BR>
&nbsp;<BR>
<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:12.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3394300823_24007273--


From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 04:36:23 2011
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Subject: Re: New Moog Lap Steel
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<head><style>body{font-size:10pt;font-family:arial,sans-serif;background-co=
lor:#ffffff;color:black;}p{margin:0px;}</style><title>Re: New Moog Lap Stee=
l</title></head><body><font color=3D"#000000"><font size=3D"2"><font face=
=3D"arial,sans-serif">lov the switch clicks and the video-keepum comin' son=
<br></font></font></font><blockquote style=3D"PADDING-LEFT: 5px; MARGIN-LEF=
T: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message-----
<br>From: Richard Atkinson <thetoyroom@charter.net>
<br>Sent: Jul 23, 2011 9:20 PM
<br>To: LOOPERS DELIGHT LIST <loopers-delight@loopers-delight.com>
<br>Subject: Re: New Moog Lap Steel

<br><br><zzzhtml>
<zzzhead>

</zzzhead>
<zzzbody>
<font face=3D"Verdana, Helvetica, Arial"><span style=3D"font-size:12.0px">B=
ill,<br>
<br>
Although I have known of you for about a decade or more, and feel that I so=
mewhat =E2=80=98know you=E2=80=99 through the LD list, I have only seen you=
 play once. &nbsp;It was at the Loopstock 2002 show in San Luis Obisbo. <br=
>
<br>
I then recently, have seen your lap steel work via youtube.<br>
<br>
So, from that perspective, please allow me to say I ABSOLUTELY LOVE where y=
our head and playing are! &nbsp;These pulsing ambiences with harmonic and m=
elodic little journeys is really stellar, my friend, and very, very listena=
ble.<br>
<br>
Kill those fucking switch clicks and you=E2=80=99ve got a fan. &nbsp;Hahaha=
....actually, I=E2=80=99ve been a fan since 2002. &nbsp;My reaction to that=
 set was =E2=80=9Cwhoa, shit, this boy knows how to play.=E2=80=9D<br>
<br>
You=E2=80=99re doing gods work, son. &nbsp;&nbsp;Namaste.<br>
<br>
Rich<br>
<br>
<br>
<br>
<br>
<br>
On 7/23/11 8:28 PM, "William Walker" &lt;billwalker@baymoon.com&gt; wrote:<=
br>
<br>
</span></font><blockquote><font face=3D"Verdana, Helvetica, Arial"><span st=
yle=3D"font-size:12.0px">Yesterday the Moog lap steel arrived for review an=
d today I spent several hours playing it and recording. here is a &nbsp;vid=
eo of a long improvisation that exploits the instruments infinite sustain c=
apability. This thing is remarkable <br>
Bill<br>
<a target=3D"_blank" href=3D"http://www.youtube.com/watch?v=3DfVfGzEBAalY">=
http://www.youtube.com/watch?v=3DfVfGzEBAalY</a><br>
&nbsp;<br>
<br>
</span></font></blockquote><font face=3D"Verdana, Helvetica, Arial"><span s=
tyle=3D"font-size:12.0px"><br>
</span></font>
</zzzbody>
</zzzhtml>

</loopers-delight@loopers-delight.com></thetoyroom@charter.net></blockquote=
></body>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 05:26:09 2011
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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: New Moog Lap Steel
Date: Sat, 23 Jul 2011 22:25:42 -0700
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When can I come over, Bill?!!
:)


Daniel 
On Jul 23, 2011, at 8:28 PM, William Walker wrote:

> Yesterday the Moog lap steel arrived for review and today I spent several hours playing it and recording. here is a  video of a long improvisation that exploits the instruments infinite sustain capability. This thing is remarkable 
> Bill
> http://www.youtube.com/watch?v=fVfGzEBAalY
>  


--Boundary_(ID_rdCYTbfF0d0v6ZIHxRS+Mg)
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">When can I come over, Bill?!!<div>:)</div><div><br></div><div><br></div><div>Daniel&nbsp;<br><div><div>On Jul 23, 2011, at 8:28 PM, William Walker wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Yesterday the Moog lap steel arrived for review and today I spent several hours playing it and recording. here is a &nbsp;video of a long improvisation that exploits the instruments infinite sustain capability. This thing is remarkable&nbsp;<div>Bill</div><div><a href="http://www.youtube.com/watch?v=fVfGzEBAalY">http://www.youtube.com/watch?v=fVfGzEBAalY</a><br><div>&nbsp;</div></div></div></blockquote></div><br></div></body></html>

--Boundary_(ID_rdCYTbfF0d0v6ZIHxRS+Mg)--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 10:17:46 2011
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Richard Atkinson wrote:
 
> Kill those *u**ing switch clicks and you’ve got a fan. 

c'mon,
no nit-picking
Bill's vids have a great sound, something
not that common in a you-tube vid.
Well lit too.

When I get my act together to make some
demo vids I hope I can do as well.

andy

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 10:25:05 2011
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I'm after a *small and light* stereo power amp to minimise my setup - 
around 40 watts per side, ideally. Any suggestions?



All the best,

Nick Robinson

music site : 	http://www.looping.me.uk
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 12:01:11 2011
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Date: Sun, 24 Jul 2011 08:01:01 -0400
From: Bill Fox <billyfox@soundscapes.us>
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
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Subject: TONIGHT - The Soundscapes Concert Series Presents Mark Jenkins at
 the Nazareth Center for the Arts
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Reminder:
Sunday, July 24, the Soundscapes Concert Series returns to the Nazareth 
Center for the Arts with Mark Jenkins of the UK.

Mark Jenkins is the author of the acclaimed book and CD "ANALOG 
SYNTHESIZERS" and is the first musician in the world to release a CD 
created entirely on the Apple iPad.  He has created music for concert 
performances, advertising, TV and CD releases, and has performed at the 
London Planetarium, London Royal Greenwich Observatory Planetarium, 
London South Bank, Carnegie Science Center Pittsburgh, National Theatre 
Brazil, and in France, Holland, and China.

Doors open at 7:30 pm and the concert is at 8:00 pm. The concert is 
free. Donations are requested to support the musician and to enable the 
Nazareth Center for the Arts to pay operating expenses. The NCA is 
located at 30 Belvidere Street, Nazareth, PA 18064 just off of Route 191 
on the southwest corner of Belvidere Street and South Spruce Street.

I hope to see you there!

Cheers,

Bill Fox
The Soundscapes Concert Series
http://soundscapes.us

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 14:44:03 2011
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Date: Sun, 24 Jul 2011 16:44:01 +0200
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Subject: Re: New Moog Lap Steel
From: Louie Angulo <louie.angulo@googlemail.com>
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excellent Bill!
will you be putting the benders on it as well?

On Sun, Jul 24, 2011 at 12:17 PM, andy butler <akbutler@tiscali.co.uk> wrot=
e:
> Richard Atkinson wrote:
>
>> Kill those *u**ing switch clicks and you=92ve got a fan.
>
> c'mon,
> no nit-picking
> Bill's vids have a great sound, something
> not that common in a you-tube vid.
> Well lit too.
>
> When I get my act together to make some
> demo vids I hope I can do as well.
>
> andy
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 15:33:15 2011
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Subject: Re: New Moog Lap Steel
Date: Sun, 24 Jul 2011 08:33:02 -0700
References: <37910AD2-F102-462B-BA27-6E8AAD4AA68F@baymoon.com>
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Nice Bill.

You are apparently enjoying the Moog lap steel better than I enjoyed  
their regular guitar.

Make 'er sing.

Cheers,

Ted

On Jul 23, 2011, at 8:28 PM, William Walker wrote:

> Yesterday the Moog lap steel arrived for review and today I spent  
> several hours playing it and recording. here is a  video of a long  
> improvisation that exploits the instruments infinite sustain  
> capability. This thing is remarkable
> Bill
> http://www.youtube.com/watch?v=fVfGzEBAalY
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 20:37:40 2011
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Subject: Re: New Moog Lap Steel
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--00151774085259956304a8d6ab84
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Finally got back to Oslo from holiday, thanks for all who tried to contact
me while I was away... I was in a hut by the sea with no TV and no internet,
apart from a very expensive roaming solution on the phone, which was mostly
off...

I was about to ramble on about my first impressions thru the streets as we
drove thru, but cant... Just to say that when I opened the inbox I
immediately clicked on this mail from Facebook, with 2 words that I know
will make me click ANY link... Moog and Bill Walker...

I am in tears.. this wonderful music is a soundtrack of the sadness that I
found welcoming me at home

thanks Bill.

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--00151774085259956304a8d6ab84
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Finally got back to Oslo from holiday, thanks for all who tried to contact =
me while I was away... I was in a hut by the sea with no TV and no internet=
, apart from a very expensive roaming solution on the phone, which was most=
ly off... <br>

<br>I was about to ramble on about my first impressions thru the streets as=
 we drove thru, but cant... Just to say that when I opened the inbox I imme=
diately clicked on this mail from Facebook, with 2 words that I know will m=
ake me click ANY link... Moog and Bill Walker...<br>

<br>I am in tears.. this wonderful music is a soundtrack of the sadness tha=
t I found welcoming me at home<br><br>thanks Bill.<br><br>-- <br><i style=
=3D"font-family:verdana,sans-serif;color:rgb(255, 255, 255);background-colo=
r:rgb(0, 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--00151774085259956304a8d6ab84--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 24 22:47:43 2011
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From: Matt McCabe <lists@finleysound.com>
Subject: Re: slimline power amp suggestions?
Date: Sun, 24 Jul 2011 15:47:35 -0700
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Mesa Boogie 20/20?  EL-84 tubes, sounds lovely.  Not sure how much it =
weighs, maybe about 20 pounds.

Matt

---
Finley Sound - Mixing and Mastering
Hidden Valley Lake, CA
(707) 315-3865

Ready to go?  Upload your files here.

On Jul 24, 2011, at 3:15 AM, nick@12testing.net wrote:

> I'm after a *small and light* stereo power amp to minimise my setup -=20=

> around 40 watts per side, ideally. Any suggestions?
>=20
>=20
>=20
> All the best,
>=20
> Nick Robinson
>=20
> music site : 	http://www.looping.me.uk
> myspace site :	http://www.myspace.com/nickrobinsonloops
> looping forum :	http://loopingmusic.proboards99.com
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 00:42:13 2011
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You make me really, really want to get one of those, and I don't even 
play guitar.


On 7/23/11 11:28 PM, William Walker wrote:
> Yesterday the Moog lap steel arrived for review and today I spent
> several hours playing it and recording. here is a video of a long
> improvisation that exploits the instruments infinite sustain capability.
> This thing is remarkable
> Bill
> http://www.youtube.com/watch?v=fVfGzEBAalY

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 01:31:08 2011
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Subject: Hi, Please See Text (thanks)
From: D K <dwwavek@gmail.com>
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Hi,

I may have signed up in correctly (I was under the impression a "read only"
site or forum was available, I am getting multiple emails daily from Loopers
Delight (and I unfortunately do not have the time

to read most of them, what are my optiond

Can I be put on a view site only and no emails (unless I were to post or
reply to a post) I am getting A-Z which if I had time would I am sure be
very interesting,

or is this the only option daily emails etc

if so (daily emails in batchs etc Please disenroll me my apologies for any
issues

David Kasminsky

dwwavek@gmail.com

--005045017058f8e33304a8dac4aa
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Hi,<div><br></div><div>I may have signed up in correctly (I was under the impression a &quot;read only&quot; site or forum was available, I am getting multiple emails daily from Loopers Delight (and I unfortunately do not have the time</div>
<div><br></div><div>to read most of them, what are my optiond</div><div><br></div><div>Can I be put on a view site only and no emails (unless I were to post or reply to a post) I am getting A-Z which if I had time would I am sure be very interesting,</div>
<div><br></div><div>or is this the only option daily emails etc</div><div><br></div><div>if so (daily emails in batchs etc Please disenroll me my apologies for any issues</div><div><br></div><div>David Kasminsky</div><div>
<br></div><div><a href="mailto:dwwavek@gmail.com">dwwavek@gmail.com</a></div>

--005045017058f8e33304a8dac4aa--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 01:49:04 2011
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Date: Sun, 24 Jul 2011 21:49:01 -0400
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Subject: Re: Hi, Please See Text (thanks)
From: Jeff Duke <jeffloops@gmail.com>
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Hi, just go back where you signed in and read up. You will see that there is
a digest version. You just signed up for the wrong one. Make sure to
unsubscribe and the resubscribe to the digest. Directions are there.
http://www.loopers-delight.com/list/LoopList.html
No view only web based forum here though.

best,

Jeff

On Sun, Jul 24, 2011 at 9:31 PM, D K <dwwavek@gmail.com> wrote:

> Hi,
>
> I may have signed up in correctly (I was under the impression a "read only"
> site or forum was available, I am getting multiple emails daily from Loopers
> Delight (and I unfortunately do not have the time
>
> to read most of them, what are my optiond
>
> Can I be put on a view site only and no emails (unless I were to post or
> reply to a post) I am getting A-Z which if I had time would I am sure be
> very interesting,
>
> or is this the only option daily emails etc
>
> if so (daily emails in batchs etc Please disenroll me my apologies for any
> issues
>
> David Kasminsky
>
> dwwavek@gmail.com
>

--20cf3071c9eaf9c6ba04a8db04c8
Content-Type: text/html; charset=ISO-8859-1
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Hi, just go back where you signed in and read up. You will see that there i=
s a digest version. You just signed up for the wrong one. Make sure to unsu=
bscribe and the resubscribe to the digest. Directions are there. <a href=3D=
"http://www.loopers-delight.com/list/LoopList.html">http://www.loopers-deli=
ght.com/list/LoopList.html</a><br>
No view only web based forum here though.<br><br>best,<br><br>Jeff<br><br><=
div class=3D"gmail_quote">On Sun, Jul 24, 2011 at 9:31 PM, D K <span dir=3D=
"ltr">&lt;<a href=3D"mailto:dwwavek@gmail.com">dwwavek@gmail.com</a>&gt;</s=
pan> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi,<div><br></div=
><div>I may have signed up in correctly (I was under the impression a &quot=
;read only&quot; site or forum was available, I am getting multiple emails =
daily from Loopers Delight (and I unfortunately do not have the time</div>

<div><br></div><div>to read most of them, what are my optiond</div><div><br=
></div><div>Can I be put on a view site only and no emails (unless I were t=
o post or reply to a post) I am getting A-Z which if I had time would I am =
sure be very interesting,</div>

<div><br></div><div>or is this the only option daily emails etc</div><div><=
br></div><div>if so (daily emails in batchs etc Please disenroll me my apol=
ogies for any issues</div><div><br></div><div>David Kasminsky</div><div>

<br></div><div><a href=3D"mailto:dwwavek@gmail.com" target=3D"_blank">dwwav=
ek@gmail.com</a></div>
</blockquote></div><br>

--20cf3071c9eaf9c6ba04a8db04c8--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 03:35:25 2011
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Subject: Re: New Moog Lap Steel
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Richard A:
  Thanks for the kind words and feedback, yes the switches, I was just  
discussing that very issue today with a  friend,  I wish someone would  
come up with a rubber cap of some sort to put over switches of this  
type to dampen the click. It wouldn't take much to at least minimize  
this issue. haven't yet tried to open the gordius LG to see if I can  
dampen the sound with foam  on the inside, anyone tried that?The real  
solution when the volume isn't loud enough to drown it out, is to  
import the wave  file in to Cubase and use the  audio from the  
computer, which is cricket free, which for the most part i'm always  
recording, and the vids are a way of documenting what I've done. As  
soon as I teach myself to use that feature in Cubase, My vids will be  
more pro, I'll have pole dancers and four cameras going and a dog show  
as well :-)
Stano and Andy B:
  Thanks for sticking up for me,  Bros  though I've developed a  
thicker hide since a certain Welsh gentleman made the same critique a  
while back ;-) ya gotta be tough in this biz i tell ya ! The mics on  
the Q3,  seem to be hyper sensitive in the high frequencies,  a bit  
sizzly sounding. So they seem to magnify that sound a bit. The  clicky  
shit annoys me too believe me.
Daniel T:
  Mi casa tu casa, Absolutely yes,  Finding the time in the next week  
or so before  I have to pass it along may be an issue, as I suddenly  
got very busy. but I'll have it when the review is over. as well,  I  
have to meet one of the participants in the review who will be in  
Bonny doon the weekend after next so maybe i can bring it by for a few  
hours that Saturday or Sunday, before I hook up with him. The him  
being Robert Powell, a forward thinking pedal steel / lap steel player  
from the North SF bay who I shared some album credits with 20 years ago.
  Louie A:
  Not a chance, the bridge required for this instrument needs to rout  
the strings through the back,and has additional shielding done. and as  
cool as this is,  it doesn't really replace my other lap steels in  
terms of what they do and how they sound. The guitar Hideki made for  
me that has the multi bender   has a wonderful crisp high end and  
great bass  that is singular in sound, perhaps the best sounding lap  
steel i've ever played. reminds me a bit of an old rickenbacher steel   
I once owned.
Ted: Honestly I think this technology lends itself better to the lap  
steel than to a a regular guitar, as rolling the fingers over the  
frets can cause more drop in the sustain until you reach a new  
location, whereas the sliding a bar from one position to another seems  
to have less of this issue. Makes me feel a bit like a theremin  
player.  i'm surprised i haven't seen more Moog guitar players  
whipping out a finger slide , but maybe I'm just not paying attention.  
One thing I did notice, these pickups have there own sound and way of  
driving the signal that is unique, if you are expecting the sound of a  
PAF or P-90 or a good single coil, you might be disappointed.  I like  
the sound very much but its different. What I really liked about  the  
Moog LS  is how the instrument really comes alive in your hands,  and   
I like it best with the filters bypassed and the expression pedal  
assigned to control the intensity of the sustain. However if you are a  
filter lover this thing has two classic moog choices with a wide range  
of control. I wasn't totally moved by the guitar either the limited  
time i spent with it but that was partly do to the look, and the price  
tag made me want to not like :-)
Mark F: wow thanks a lot, man ,   Nancy called me from Asheville where  
she is visiting her Mom and heard the news first and said I needed to  
get in touch with you and find out if you were OK, glad you are and  
sorry for the madness  there in Oslo.
Brian:  Thanks, it really is a different beast,  a real missing link   
kind of mutant half guitar half analog synth, the way it handles  
sustain is unique,  different than other sustainers i've tried with  
perhaps a wider range on tone colors and control.  Its like standing  
in front off a wall of amps without the ear damage. i'm still not sure  
if I will be able to find a way to buy it but it is really seducing  
me, i'm just going to wait and see how this all pans out.
  Thanks for the feedback y'all
  Bill




--Apple-Mail-1-397752106
Content-Type: text/html;
	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Richard =
A:&nbsp;<div>&nbsp;Thanks for the kind words and feedback, yes the =
switches, I was just discussing that very issue today with a =
&nbsp;friend, &nbsp;I wish someone would come up with a rubber cap of =
some sort to put over switches of this type to dampen the click. It =
wouldn't take much to at least minimize this issue. haven't yet tried to =
open the gordius LG to see if I can dampen the sound with foam &nbsp;on =
the inside, anyone tried that?The real solution when the volume isn't =
loud enough to drown it out, is to import the wave &nbsp;file in to =
Cubase and use the &nbsp;audio from the computer, which is cricket free, =
which for the most part i'm always recording, and the vids are a way of =
documenting what I've done. As soon as I teach myself to use that =
feature in Cubase, My vids will be more pro, I'll have pole dancers and =
four cameras going and a dog show as well :-)&nbsp;<div>Stano =
and&nbsp;Andy B:</div><div>&nbsp;Thanks for sticking up for me, =
&nbsp;Bros &nbsp;though I've developed a thicker hide since a certain =
Welsh gentleman made the same critique a while back ;-) ya gotta be =
tough in this biz i tell ya ! The mics on the Q3, &nbsp;seem to be hyper =
sensitive in the high frequencies, &nbsp;a bit sizzly sounding. So they =
seem to magnify that sound a bit. The &nbsp;clicky shit annoys me too =
believe me.</div></div><div>Daniel T:</div><div>&nbsp;Mi casa tu casa, =
Absolutely yes, &nbsp;Finding the time in the next week or so before =
&nbsp;I have to pass it along may be an issue, as I suddenly got very =
busy. but I'll have it when the review is over. as well, &nbsp;I have to =
meet one of the participants in the review who will be in Bonny doon the =
weekend after next so maybe i can bring it by for a few hours that =
Saturday or Sunday, before I hook up with him. The him being Robert =
Powell, a forward thinking pedal steel / lap steel player from the North =
SF bay who I shared some album credits with 20 years =
ago.</div><div><span class=3D"Apple-style-span" style=3D"font-family: =
arial, sans-serif; font-size: 13px; "><span style=3D"font-family: =
Helvetica; font-size: medium; color: rgba(0, 0, 0, 0.496094); =
"><b>&nbsp;</b></span></span><span class=3D"Apple-style-span" =
style=3D"font-family: arial, sans-serif; font-size: 13px; "><span =
style=3D"font-family: Helvetica; font-size: medium; ">Louie =
A:</span></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, sans-serif; font-size: 13px; "><span =
style=3D"font-family: Helvetica; font-size: medium; ">&nbsp;Not a =
chance, the bridge required for this instrument needs to rout the =
strings through the back,and has additional shielding done. and as cool =
as this is, &nbsp;it doesn't really replace my other lap steels in terms =
of what they do and how they sound. The guitar Hideki made for me that =
has the multi bender &nbsp; has a wonderful crisp high end and great =
bass &nbsp;that is singular in sound, perhaps the best sounding lap =
steel i've ever played. reminds me a bit of an old rickenbacher steel =
&nbsp;I once owned.</span></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; =
font-size: 13px; "><span style=3D"font-family: Helvetica; font-size: =
medium; ">Ted: Honestly I think this technology lends itself better to =
the lap steel than to a a regular guitar, as rolling the fingers over =
the frets can cause more drop in the sustain until you reach a new =
location, whereas the sliding a bar from one position to another seems =
to have less of this issue. Makes me feel a bit like a theremin player. =
&nbsp;i'm surprised i haven't seen more Moog guitar players whipping out =
a finger slide , but maybe I'm just not paying attention. One thing I =
did notice, these pickups have there own sound and way of driving the =
signal that is unique, if you are expecting the sound of a PAF or P-90 =
or a good single coil, you might be disappointed. &nbsp;I like the sound =
very much but its different. What I really liked about &nbsp;the Moog LS =
&nbsp;is how the instrument really comes alive in your hands, &nbsp;and =
&nbsp;I like it best with the filters bypassed and the expression pedal =
assigned to control the intensity of the sustain. However if you are a =
filter lover this thing has two classic moog choices with a wide range =
of control. I wasn't totally moved by the guitar either the limited time =
i spent with it but that was partly do to the look, and the price tag =
made me want to not like :-)</span></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; =
font-size: 13px; "><span style=3D"font-family: Helvetica; font-size: =
medium; ">Mark F: wow thanks a lot, man , &nbsp; Nancy called me from =
Asheville where she is visiting her Mom and heard the news first and =
said I needed to get in touch with you and find out if you were OK, glad =
you are and sorry for the madness &nbsp;there in =
Oslo.&nbsp;</span></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, sans-serif; font-size: 13px; "><span =
style=3D"font-family: Helvetica; font-size: medium; ">Brian: =
&nbsp;Thanks, it really is a different beast, &nbsp;a real missing link =
&nbsp;kind of mutant half guitar half analog synth, the way it handles =
sustain is unique, &nbsp;different than other sustainers i've tried with =
perhaps a wider range on tone colors and control. &nbsp;Its like =
standing in front off a wall of amps without the ear damage. i'm still =
not sure if I will be able to find a way to buy it but it is really =
seducing me, i'm just going to wait and see how this all pans =
out.</span></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, sans-serif; font-size: 13px; "><span =
style=3D"font-family: Helvetica; font-size: medium; ">&nbsp;Thanks for =
the feedback y'all</span></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; =
font-size: 13px; "><span style=3D"font-family: Helvetica; font-size: =
medium; ">&nbsp;Bill</span></span></div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; =
font-size: 13px; "><span style=3D"font-family: Helvetica; font-size: =
medium; "><br></span></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, sans-serif; font-size: 13px; "><span =
style=3D"font-family: Helvetica; font-size: medium; =
"><br></span></span></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 05:37:45 2011
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Date: Sun, 24 Jul 2011 22:37:40 -0700
From: Rick Walker <looppool@cruzio.com>
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To: mark francombe <mark@markfrancombe.com>
CC: Loopers-Delight@loopers-delight.com
Subject: Re: Re: New Moog Lap Steel
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On 7/22/64 11:59 AM, mark francombe wrote:
> I am in tears.. this wonderful music is a soundtrack of the sadness 
> that I found welcoming me at home
I'm so sad to hear the news from Oslo, Mark.     Is everyone that you 
know okay?

much love,  we are with you in our hearts.

Rick

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 05:42:28 2011
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To: "nick@12testing.net" <nick@1957.me.uk>
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Subject: Re: slimline power amp suggestions?
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On 7/22/64 11:59 AM, nick@12testing.net wrote:
> I'm after a*small and light*  stereo power amp to minimise my setup -
> around 40 watts per side, ideally. Any suggestions?
Ever since the advent of very high quality and lightweight powered p.a. 
speakers and monitor
speakers  I haven't even looked at a stereo power amplifier.

Have you considered such a solution, Nick?

I have the 10" RCF powered monitors which go down to 40 cycles with 
impunity and
they are excellent.......powerful and you can just send a mic cable from 
them to a p.a.
and use them as your own monitors if you ever do a large venue.    Very 
lightweight,
I can't more highly recommend them and I've used the comparable Mackie 
10" powered mains
which I like (but greatly prefer the RCFs --  they go 10 cycles lower 
and are more compact and
easier to dolly).

rick walker



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      http-equiv="Content-Type">
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    On 7/22/64 11:59 AM, <a class="moz-txt-link-abbreviated" href="mailto:nick@12testing.net">nick@12testing.net</a> wrote:
    <blockquote cite="mid:%3C4E2BF0B8.12329.170BE7@nick.1957.me.uk%3E"
      type="cite">
      <pre wrap="">I'm after a <b class="moz-txt-star"><span class="moz-txt-tag">*</span>small and light<span class="moz-txt-tag">*</span></b> stereo power amp to minimise my setup - 
around 40 watts per side, ideally. Any suggestions?
</pre>
    </blockquote>
    Ever since the advent of very high quality and lightweight powered
    p.a. speakers and monitor <br>
    speakers&nbsp; I haven't even looked at a stereo power amplifier.<br>
    <br>
    Have you considered such a solution, Nick?<br>
    <br>
    I have the 10" RCF powered monitors which go down to 40 cycles with
    impunity and <br>
    they are excellent.......powerful and you can just send a mic cable
    from them to a p.a. <br>
    and use them as your own monitors if you ever do a large venue.&nbsp;&nbsp;&nbsp;
    Very lightweight, <br>
    I can't more highly recommend them and I've used the comparable
    Mackie 10" powered mains <br>
    which I like (but greatly prefer the RCFs --&nbsp; they go 10 cycles
    lower and are more compact and <br>
    easier to dolly).<br>
    <br>
    rick walker<br>
    <br>
    <br>
  </body>
</html>

--------------020706030206040008020204--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 05:48:29 2011
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On 7/22/64 11:59 AM, William Walker wrote:
> Yesterday the Moog lap steel arrived for review and today I spent 
> several hours playing it and recording. here is a  video of a long 
> improvisation that exploits the instruments infinite sustain 
> capability. This thing is remarkable
> Bill
> http://www.youtube.com/watch?v=fVfGzEBAalY
I have to say that living right next to Bill's garage/studio I've had a 
wonderful last few weeks as Bill as been
playing the amazing Lap Steel with palm benders that Hideki Nakanashi 
made for him (with amazing embossed artwork by Ryusei).
Bill's been really inspired and the music has been wonderful.      I 
sometimes come out on my porch and play bowed violin
to his electronic improvisations unbeknownst to him or go inside and 
sing the Scale he's playing in.

Suddenly yesterday,   I heard sounds I've never heard emanating from his 
garage........truly celestial...........
little did I know that he was recording and putting it up immediately on 
youtube.   How could he possibly top himself
again?   I'm so impressed.

If there is any justice in this world,   Moog should gift this amazing 
instrument to Bill.     He makes it sing to the heavens.

I'm just sayin' and without a hint of fear of being thought nepotistic.

rick

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 08:45:25 2011
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William Walker wrote:

> The mics on the Q3,  seem 
> to be hyper sensitive in the high frequencies,  a bit sizzly sounding. 

Try putting some tissue paper in front of the mics 
as an acoustic filter.
It's a technique often used for harsh monitor speakers,
so the physics of it should work for mics too.

andy

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 09:03:08 2011
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Lovely..

On Jul 24, 2011, at 12:17 PM, andy butler wrote:

> Richard Atkinson wrote:
>> Kill those *u**ing switch clicks and you=92ve got a fan.=20
>=20
> c'mon,
> no nit-picking
> Bill's vids have a great sound, something
> not that common in a you-tube vid.
> Well lit too.
>=20
> When I get my act together to make some
> demo vids I hope I can do as well.
>=20
> andy
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 10:28:43 2011
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Subject: first part of my Y2KX+1 in Florence
From: Fabio_A <eterogenus@gmail.com>
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For those of you who aren't on the LD group on FB,
here is the video of my first part at the Y2KX+1 Florence Loopfest,
which I'm very proud of.

It's a precomposed piece made by 8 looped track in Mobius playing
different metrics (5:4:3). The bass line moves back and forth from (Eb) to
(G-)
while the central section moves from (C-) to (Ab).
This is also the first time I've used some scripts to change my loops
"scenes"
and add some "crescendo" and "diminuendo" to the loops
(here is were Mobius excels, IMO).

http://youtu.be/UniHqUnal-c


-f

--20cf307d00e485be6304a8e247a3
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<div>For those of you who aren&#39;t on the LD group on FB, </div>
<div>here is the video of my first part at the Y2KX+1 Florence Loopfest, </=
div>
<div>which I&#39;m very proud of. </div>
<div>=A0</div>
<div>It&#39;s a precomposed piece made by 8 looped track in Mobius playing =
</div>
<div>different=A0metrics (5:4:3). The bass line moves back and forth from=
=A0(Eb) to (G-)</div>
<div>while the central section moves from (C-) to (Ab).</div>
<div>This is also the first time I&#39;ve used=A0some scripts to change my =
loops &quot;scenes&quot; </div>
<div>and add some &quot;crescendo&quot; and &quot;diminuendo&quot; to the l=
oops </div>
<div>(here is were Mobius excels, IMO). </div>
<div>=A0</div>
<div><a href=3D"http://youtu.be/UniHqUnal-c">http://youtu.be/UniHqUnal-c</a=
></div>
<div>=A0</div>
<div>=A0</div>
<div>-f</div>

--20cf307d00e485be6304a8e247a3--

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From: "Marc" <marc@clubcapelli.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: rocktron midimate foot controler
Date: Mon, 25 Jul 2011 22:03:37 +0200
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Hi,

 

Reading this on the Behringer FCB1010 thread :

 

"While we're exploring other pedals, there is also this one I don't think
anyone mentioned:

 

    http://www.rocktron.com/products/controllers/midimate/

 

It is smaller than the FCB and has one jack for an expression pedal.

 

It has been awhile since I looked at this but IIRC, I didn't like it for
Mobius because it was designed

primarily to send program changes and couldn't be configured to work in
"sustain" mode where it

sends something when you press a button and something else when you release
the button.

(Some footswitches call this "instant" or "momentary").  If you don't have
that then you

can't use any of the sustainable functions in Mobius, but this may not
matter to you.  

 

Jeff"

 

 

I wish to draw your attention on the fact that the rocktron midimate foot
controller does not correctly send CC midi messages.

 

It send CC, but the value MUST BE 0 OR 127!... (no intermediate value).

It send 6 PC at the same time, or 6CC, and 1 CC continuous, and no other
midi message.

 

That's why I didn't choose it for my looping usage.

 

Best Regards from France,

 

(sorry for my poor English writing)

 

Marc

 

 


------=_NextPart_000_0621_01CC4B16.B5578FC0
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<html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
xmlns=3D"http://www.w3.org/TR/REC-html40"><head><META =
HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii"><meta name=3DGenerator content=3D"Microsoft Word 14 =
(filtered medium)"><style><!--
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<o:shapelayout v:ext=3D"edit">
<o:idmap v:ext=3D"edit" data=3D"1" />
</o:shapelayout></xml><![endif]--></head><body lang=3DFR link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p =
class=3DMsoNormal>Hi,<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
lang=3DEN-US>Reading this&nbsp;on the Behringer FCB1010 thread =
:<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>&#8220;While we're exploring other pedals, there is also =
this one I don't think anyone mentioned:<o:p></o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US>&nbsp;&nbsp;&nbsp; =
http://www.rocktron.com/products/controllers/midimate/<o:p></o:p></span><=
/p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>It is smaller than the FCB and has one jack for an =
expression pedal.<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>It has been awhile since I looked at this but IIRC, I =
didn't like it for Mobius because it was =
designed<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>primarily to send program changes and couldn't be =
configured to work in &quot;sustain&quot; mode where =
it<o:p></o:p></span></p><p class=3DMsoNormal><span lang=3DEN-US>sends =
something when you press a button and something else when you release =
the button.<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US> (Some footswitches call this &quot;instant&quot; or =
&quot;momentary&quot;).&nbsp; If you don't have that then =
you<o:p></o:p></span></p><p class=3DMsoNormal><span lang=3DEN-US>can't =
use any of the sustainable functions in Mobius, but this may not matter =
to you.&nbsp; <o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>Jeff&#8221;<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>I wish to draw your attention on the fact that the rocktron =
midimate foot controller does not correctly send CC midi =
messages.<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>It send CC, but the value MUST BE 0 OR 127!... (no =
intermediate value).<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>It send 6 PC at the same time, or 6CC, and 1 CC continuous, =
and no other midi message.<o:p></o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US>That&#8217;s why I didn&#8217;t =
choose it for my looping usage.<o:p></o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US>Best Regards from =
France,<o:p></o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
lang=3DEN-US>(sorry for my poor English writing)<o:p></o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US>Marc<o:p></o:p></span></p><p =
class=3DMsoNormal><span lang=3DEN-US><o:p>&nbsp;</o:p></span></p><p =
class=3DMsoNormal><span =
lang=3DEN-US><o:p>&nbsp;</o:p></span></p></div></body></html>
------=_NextPart_000_0621_01CC4B16.B5578FC0--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 20:59:14 2011
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Date: Mon, 25 Jul 2011 22:59:12 +0200
Message-ID: <CAJeW8jM3GfScFgn9N2A-sXuFKEiEirmXZY9ZkreqRgrJPKHiOg@mail.gmail.com>
Subject: Re: slimline power amp suggestions?
From: Louie Angulo <louie.angulo@googlemail.com>
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talking about this makes me jump in into the subject ,ive been
debating wether i should sell my little AER compact 60 and get the AER
domino 3 i just love the sound of this babies with the acoustic
guitars and even putting my Ethos overdrive with its speaker out
through it.
This would allow me to completly bypass a mixer,hook uo my stereo
guitar outs,my microphone voice fx and harmonizers and put my looper
in its fx sends and play small bars without having to haul a whole
P.A.
here it is:
4  independent real channels
true stereo
2x85 watt 8" Speakers
2 effectboards independently with each 16 digital Effects
Channel mutes
DI out controllable
left and right outs
sends and returns
aux in
master Output
weights 14 kilos
i just wonder how the stereo fx would sound compared to a P.A.,off
course i could hook up a powered speaker in the back
price is high but might be worth it,i havent come across something
like this cheaper yet
any thoughts,opinions?

heres a link
http://www.aer-amps.info/images/stories/pdf_data/Flyer/Domino3.pdf

cheers
Luis










On Mon, Jul 25, 2011 at 7:42 AM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, nick@12testing.net wrote:
>
> I'm after a *small and light* stereo power amp to minimise my setup -
> around 40 watts per side, ideally. Any suggestions?
>
> Ever since the advent of very high quality and lightweight powered p.a.
> speakers and monitor
> speakers=A0 I haven't even looked at a stereo power amplifier.
>
> Have you considered such a solution, Nick?
>
> I have the 10" RCF powered monitors which go down to 40 cycles with impun=
ity
> and
> they are excellent.......powerful and you can just send a mic cable from
> them to a p.a.
> and use them as your own monitors if you ever do a large venue.=A0=A0=A0 =
Very
> lightweight,
> I can't more highly recommend them and I've used the comparable Mackie 10=
"
> powered mains
> which I like (but greatly prefer the RCFs --=A0 they go 10 cycles lower a=
nd
> are more compact and
> easier to dolly).
>
> rick walker
>
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 21:05:50 2011
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Date: Mon, 25 Jul 2011 23:05:48 +0200
Message-ID: <CAJeW8jNT4_QoC6zCTRAVgnaZQ_k=NNR5iuPpPA1NASr6obAr7A@mail.gmail.com>
Subject: Re: rocktron midimate foot controler
From: Louie Angulo <louie.angulo@googlemail.com>
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if u can get a Digitech PMC10 in ebay perhaps do it!
it does all and more and its about the same size!
cheers
Luis

On Mon, Jul 25, 2011 at 10:03 PM, Marc <marc@clubcapelli.com> wrote:
> Hi,
>
>
>
> Reading this=A0on the Behringer FCB1010 thread :
>
>
>
> =93While we're exploring other pedals, there is also this one I don't thi=
nk
> anyone mentioned:
>
>
>
> =A0=A0=A0 http://www.rocktron.com/products/controllers/midimate/
>
>
>
> It is smaller than the FCB and has one jack for an expression pedal.
>
>
>
> It has been awhile since I looked at this but IIRC, I didn't like it for
> Mobius because it was designed
>
> primarily to send program changes and couldn't be configured to work in
> "sustain" mode where it
>
> sends something when you press a button and something else when you relea=
se
> the button.
>
> (Some footswitches call this "instant" or "momentary").=A0 If you don't h=
ave
> that then you
>
> can't use any of the sustainable functions in Mobius, but this may not
> matter to you.
>
>
>
> Jeff=94
>
>
>
>
>
> I wish to draw your attention on the fact that the rocktron midimate foot
> controller does not correctly send CC midi messages.
>
>
>
> It send CC, but the value MUST BE 0 OR 127!... (no intermediate value).
>
> It send 6 PC at the same time, or 6CC, and 1 CC continuous, and no other
> midi message.
>
>
>
> That=92s why I didn=92t choose it for my looping usage.
>
>
>
> Best Regards from France,
>
>
>
> (sorry for my poor English writing)
>
>
>
> Marc
>
>
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 21:39:19 2011
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From: "Marc" <marc@clubcapelli.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: rocktron midimate foot controler / Yamaha MFC10
Date: Mon, 25 Jul 2011 23:39:10 +0200
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Luis,

Thank you for this idea. Unfortunatly the PCM-10 is very hard to find in =
second-hand in France, and even in forums, very little writings :
http://fr.audiofanzine.com/pedalier-midi/digitech/PMC-10/

I've studied about all the midi foot controlers available here (in =
second-hand) and my choose were about the FCB1010 / midimate / MFC10
I've not choose the midimate because this problems, and not choose the =
FCB1010 which were too large for a "peaceful family atmosphere" (not =
sure we can write this in English), I've better choose the smaller one =
YAMAHA MFC10.

Have pay 130=E2=82=AC for it last week (second hand but a quite new =
product, full with power and manual), and very happy about it !
It works perfectly, VERY easy to program, 4PC or 4CC or 4 notes =
simultaneous, other midi messages (note, start/stop song, tempo...).
It takes me few seconds for each switch to program my looper, there is 1 =
expression pedal, and I can plug 4 other, perfect for my 5 track looper =
!

I have programmed yet :

o Mute / unmute of all the 5 tracks + entry track
o Solo of all the 5 tracks + entry track
o play / stop / record / overdub / new loop / ext Sync / octave ...
o volume of each of the 5 tracks + entry track with the internal =
expression pedal (receive 1 external tomorrow, will test 2 tracks at =
same time)
o pan of 4 tracks + entry (L/R)
o dry / wet (L/R) of all tracks...
o chorus / verse...
...
No limit for somebody comfortable with midi. So easy to enter in the =
foot controller.

All that works perfectly
Not noticed latency yet (how to perform a latency test? my leg is not as =
fast as 70 ms)     :)

only one limit : it send (on one clic switch) 4 CC OR 4 PC, not 4 CC AND =
4 PC, but with my looper it doesn't make problem for now.


Best Regards from France,

(sorry for my poor English writing)
=20
Marc

> -----Message d'origine-----
> De : Louie Angulo [mailto:louie.angulo@googlemail.com]
> Envoy=C3=A9 : lundi 25 juillet 2011 23:06
> =C3=80 : Loopers-Delight@loopers-delight.com
> Objet : Re: rocktron midimate foot controler
>=20
> if u can get a Digitech PMC10 in ebay perhaps do it!
> it does all and more and its about the same size!
> cheers
> Luis
>=20
> On Mon, Jul 25, 2011 at 10:03 PM, Marc <marc@clubcapelli.com> wrote:
> > Hi,
> >
> >
> >
> > Reading this on the Behringer FCB1010 thread :
> >
> >
> >
> > =E2=80=9CWhile we're exploring other pedals, there is also this one =
I don't
> > think anyone mentioned:
> >
> >
> >
> >     http://www.rocktron.com/products/controllers/midimate/
> >
> >
> >
> > It is smaller than the FCB and has one jack for an expression pedal.
> >
> >
> >
> > It has been awhile since I looked at this but IIRC, I didn't like it
> > for Mobius because it was designed
> >
> > primarily to send program changes and couldn't be configured to work
> > in "sustain" mode where it
> >
> > sends something when you press a button and something else when you
> > release the button.
> >
> > (Some footswitches call this "instant" or "momentary").  If you =
don't
> > have that then you
> >
> > can't use any of the sustainable functions in Mobius, but this may =
not
> > matter to you.
> >
> >
> >
> > Jeff=E2=80=9D
> >
> >
> >
> >
> >
> > I wish to draw your attention on the fact that the rocktron midimate
> > foot controller does not correctly send CC midi messages.
> >
> >
> >
> > It send CC, but the value MUST BE 0 OR 127!... (no intermediate =
value).
> >
> > It send 6 PC at the same time, or 6CC, and 1 CC continuous, and no
> > other midi message.
> >
> >
> >
> > That=E2=80=99s why I didn=E2=80=99t choose it for my looping usage.
> >
> >
> >
> > Best Regards from France,
> >
> >
> >
> > (sorry for my poor English writing)
> >
> >
> >
> > Marc
> >
> >
> >
> >
>=20
>=20
>=20
> --
> www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 22:22:40 2011
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Date: Mon, 25 Jul 2011 15:22:36 -0700
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To: andy butler <akbutler@tiscali.co.uk>
CC: Loopers-Delight@loopers-delight.com
Subject: Toilet Paper in the Studio:   was New Moog Lap Steel
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On 7/22/64 11:59 AM, andy butler wrote:
> William Walker wrote:
>
>> The mics on the Q3,  seem to be hyper sensitive in the high 
>> frequencies,  a bit sizzly sounding. 
>
> Try putting some tissue paper in front of the mics as an acoustic filter.
> It's a technique often used for harsh monitor speakers,
> so the physics of it should work for mics too.
>
> andy
Wow, this takes me back to the days of hanging toilet paper over the 
tweeters of the
Yamaha NS-10Ms to prevent listener fatigue in long sessions.  Thanks for 
the memory, Andy!

The Yamahas were used to simulate what a crappy car speaker would sound 
like.   We'd take our mixes,
run 'em in mono and then dupe to cassette and play them through the 
NS-10Ms to make sure
our shit was radio friendly.   In those days it was huge JBL systems and 
the 10Ms.

I was so fanatical in those days.   I'd run mixes through a good car 
stereo, a crap car stereo, an expensive boom box,  a crap boombox,
a hi fi stereo system and a crap stereo system to make sure that the 
mixes sounded as best as they could for everyone.

I used that technique so many times that I could hear any studio 
monitoring system in town and be able to tell what a mix would sound like
on all of those systems.

******
Sorry you got me reminiscing but speaking of using toilet paper in studios:

We'd take four layers of toilet paper
and drape them over a couple of inches of the edge of the snare drum 
batter head, too, to reduce the ring of the drum without affecting
it's liveliness.    The attack would throw the toilet paper up and then 
it would fall immediately to
gently gate the high ring of the drum.     ............good old toilet 
paper!

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 22:41:38 2011
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Subject: Re: Toilet Paper in the Studio:   was New Moog Lap Steel
From: Daniel Thomas <danielthomas4@mac.com>
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Date: Mon, 25 Jul 2011 15:41:13 -0700
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>    In those days it was huge JBL systems and the 10Ms

I never could stand those huge booming JBLs-- the rooms they were built into quite frequently were made to look like God's studio rather than sound like it.  

In fact, to this day, I still go back to the NS10ms to get the bass balance just right if I am having troubling translating in the car or elsewhere.  
Its not that Ns10ms sound good--quite the contrary... its just that if you can make it sound balanced on a pair of NS10ms without your ears bleeding from the harshness, then it will pretty much fit into any consumer audio system with reasonable accuracy.  

As for toilet paper techniques, I have always been a fan of it for ass, nose, and other wipe requirements. And, I was frequently the guy taping the four sheets to the rim of the snare that Rick mentioned.  

But, since traveling in Japan several times now, I am have become a convert to the Spray your Butt toilet system that is common there.  So, its good to know that Toilet Paper still has some kind of application in modern life.    

:)
Daniel 

> 
> On 7/22/64 11:59 AM, andy butler wrote:
>> William Walker wrote:
>> 
>>> The mics on the Q3,  seem to be hyper sensitive in the high frequencies,  a bit sizzly sounding. 
>> 
>> Try putting some tissue paper in front of the mics as an acoustic filter.
>> It's a technique often used for harsh monitor speakers,
>> so the physics of it should work for mics too.
>> 
>> andy
> Wow, this takes me back to the days of hanging toilet paper over the tweeters of the
> Yamaha NS-10Ms to prevent listener fatigue in long sessions.  Thanks for the memory, Andy!
> 
> The Yamahas were used to simulate what a crappy car speaker would sound like.   We'd take our mixes,
> run 'em in mono and then dupe to cassette and play them through the NS-10Ms to make sure
> our shit was radio friendly.   In those days it was huge JBL systems and the 10Ms.
> 
> I was so fanatical in those days.   I'd run mixes through a good car stereo, a crap car stereo, an expensive boom box,  a crap boombox,
> a hi fi stereo system and a crap stereo system to make sure that the mixes sounded as best as they could for everyone.
> 
> I used that technique so many times that I could hear any studio monitoring system in town and be able to tell what a mix would sound like
> on all of those systems.
> 
> ******
> Sorry you got me reminiscing but speaking of using toilet paper in studios:
> 
> We'd take four layers of toilet paper
> and drape them over a couple of inches of the edge of the snare drum batter head, too, to reduce the ring of the drum without affecting
> it's liveliness.    The attack would throw the toilet paper up and then it would fall immediately to
> gently gate the high ring of the drum.     ............good old toilet paper!
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 25 23:14:55 2011
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Subject: RE: Boomerang Sidecar
Date: Mon, 25 Jul 2011 16:14:42 -0700
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I just got off the phone with Mike Nelson at Boomerang and he confirmed they
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 00:58:05 2011
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Subject: Re: New Moog Lap Steel
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Hey Rick thanks for the lovely words and encouragement, and nepotism  
is ok by me :-)
  Andy i'll try the tissue trick, and come to think of it I have a  
wind screen for it that I don't always use, i assume that would have a  
similar effect, no?
  Bill

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I wonder if Mike has any plans to release a "rang 4" (the size of the
plus) with more switches to keep it all in one
though the rang 3 is still cool because you can choose to expand it
for certain gig situations with the side car, or keep it simple and
compact
cheers
Luis

On Tue, Jul 26, 2011 at 1:14 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:
> I just got off the phone with Mike Nelson at Boomerang and he confirmed they
> have in stock and are shipping the Sidecar, a proprietary foot controller
> for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
> around $400 list.
> Of course, he can't discount it without pissing off his vendors, but give
> him a call and see what he can do for you.
> Gnarly
>
>



-- 
www.luis-angulo.com

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Date: Mon, 25 Jul 2011 18:52:11 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: RE: Boomerang Sidecar
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$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM


I just got off the phone with Mike Nelson at Boomerang and he confirmed they
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly


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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">$400!? That's almost as much as the Boomerang!<BR><BR>--- On <B>Mon, 7/25/11, Clayton Gary Lehmann <I>&lt;hqr@cox.net&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><BR>From: Clayton Gary Lehmann &lt;hqr@cox.net&gt;<BR>Subject: RE: Boomerang Sidecar<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Monday, July 25, 2011, 7:14 PM<BR><BR>
<DIV class=plainMail>I just got off the phone with Mike Nelson at Boomerang and he confirmed they<BR>have in stock and are shipping the Sidecar, a proprietary foot controller<BR>for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere<BR>around $400 list.<BR>Of course, he can't discount it without pissing off his vendors, but give<BR>him a call and see what he can do for you.<BR>Gnarly<BR><BR></DIV></BLOCKQUOTE></td></tr></table>
--0-2113152618-1311645131=:86912--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 01:55:46 2011
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From: Toby G <carpet8@mac.com>
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Subject: Re: Boomerang Sidecar
Date: Mon, 25 Jul 2011 18:55:42 -0700
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A clever way to limit sales.

t
  ----- Original Message ----- 
  From: Paul Richards 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Monday, July 25, 2011 6:52 PM
  Subject: RE: Boomerang Sidecar


        $400!? That's almost as much as the Boomerang!

        --- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


          From: Clayton Gary Lehmann <hqr@cox.net>
          Subject: RE: Boomerang Sidecar
          To: Loopers-Delight@loopers-delight.com
          Date: Monday, July 25, 2011, 7:14 PM


          I just got off the phone with Mike Nelson at Boomerang and he confirmed they
          have in stock and are shipping the Sidecar, a proprietary foot controller
          for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
          around $400 list.
          Of course, he can't discount it without pissing off his vendors, but give
          him a call and see what he can do for you.
          Gnarly

       

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<DIV><FONT size=2 face=Arial>A clever way to limit sales.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=paulrichard_rocks@yahoo.com 
  href="mailto:paulrichard_rocks@yahoo.com">Paul Richards</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, July 25, 2011 6:52 PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: Boomerang Sidecar</DIV>
  <DIV><BR></DIV>
  <TABLE border=0 cellSpacing=0 cellPadding=0>
    <TBODY>
    <TR>
      <TD vAlign=top>$400!? That's almost as much as the Boomerang!<BR><BR>--- 
        On <B>Mon, 7/25/11, Clayton Gary Lehmann <I>&lt;<A 
        href="mailto:hqr@cox.net">hqr@cox.net</A>&gt;</I></B> wrote:<BR>
        <BLOCKQUOTE 
        style="BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><BR>From: 
          Clayton Gary Lehmann &lt;<A 
          href="mailto:hqr@cox.net">hqr@cox.net</A>&gt;<BR>Subject: RE: 
          Boomerang Sidecar<BR>To: <A 
          href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR>Date: 
          Monday, July 25, 2011, 7:14 PM<BR><BR>
          <DIV class=plainMail>I just got off the phone with Mike Nelson at 
          Boomerang and he confirmed they<BR>have in stock and are shipping the 
          Sidecar, a proprietary foot controller<BR>for the Boomerang III. I 
          didn't ask him how much, but IIRC it's somewhere<BR>around $400 
          list.<BR>Of course, he can't discount it without pissing off his 
          vendors, but give<BR>him a call and see what he can do for 
          you.<BR>Gnarly<BR><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE></BLOCKQUOTE></BODY></HTML>

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Subject: RE: Boomerang Sidecar
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Don't quote me, I am not sure, it could be $299.

Oh hell, call him and find out.

G

 

  _____  

From: Toby G [mailto:carpet8@mac.com] 
Sent: Monday, July 25, 2011 6:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar

 

A clever way to limit sales.

 

t

----- Original Message ----- 

From: Paul <mailto:paulrichard_rocks@yahoo.com>  Richards 

To: Loopers-Delight@loopers-delight.com 

Sent: Monday, July 25, 2011 6:52 PM

Subject: RE: Boomerang Sidecar

 


$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM

I just got off the phone with Mike Nelson at Boomerang and he confirmed they
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Don&#8217;t quote me, I am not =
sure, it
could be $299.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Oh hell, call him and find =
out.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>G<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Toby =
G
[mailto:carpet8@mac.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 25, =
2011 6:56
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>A clever way to limit =
sales.</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>t</span></font><o:p></o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.0pt;padding:0in 0in 0in 3.0pt;
margin-left:2.5pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'>=


<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>----- Original Message ----- =
<o:p></o:p></span></font></p>

</div>

<div style=3D'font-color:black'>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;font-weight:bold'>From:</span=
></font></b><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> <a
href=3D"mailto:paulrichard_rocks@yahoo.com" =
title=3D"paulrichard_rocks@yahoo.com">Paul
Richards</a> <o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-weight:bold'>To:</span></font></b><font size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-weight:bold'>Sent:</span></font></b><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> Monday, =
July 25,
2011 6:52 PM<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-weight:bold'>Subject:</span></font></b><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> RE: =
Boomerang
Sidecar<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>$400!? That's almost as much as the =
Boomerang!<br>
  <br>
  --- On <b><span style=3D'font-weight:bold'>Mon, 7/25/11, Clayton Gary =
Lehmann <i><span
  style=3D'font-style:italic'>&lt;<a =
href=3D"mailto:hqr@cox.net">hqr@cox.net</a>&gt;</span></i></span></b>
  wrote:<o:p></o:p></span></font></p>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><br>
  From: Clayton Gary Lehmann &lt;<a =
href=3D"mailto:hqr@cox.net">hqr@cox.net</a>&gt;<br>
  Subject: RE: Boomerang Sidecar<br>
  To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</a><br>
  Date: Monday, July 25, 2011, 7:14 PM<o:p></o:p></span></font></p>
  <div>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>I just got =
off the
  phone with Mike Nelson at Boomerang and he confirmed they<br>
  have in stock and are shipping the Sidecar, a proprietary foot =
controller<br>
  for the Boomerang III. I didn't ask him how much, but IIRC it's =
somewhere<br>
  around $400 list.<br>
  Of course, he can't discount it without pissing off his vendors, but =
give<br>
  him a call and see what he can do for you.<br>
  Gnarly<o:p></o:p></span></font></p>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
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Date: Mon, 25 Jul 2011 23:20:44 -0400
Message-ID: <CAK7t345-OJBNBYEPF1fnFFqHAJ=VygyuDaN=jatS9nTKLTbDLA@mail.gmail.com>
Subject: Re: Boomerang Sidecar
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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http://www.loopersparadise.de/en/pro.php?p=3D544 is the only place I find i=
t
online which makes it after conversion about $380! Yikes!

>A clever way to limit sales.

indeed :)

j

On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <hqr@cox.net> wrote:

> **
>
> Don=92t quote me, I am not sure, it could be $299.****
>
> Oh hell, call him and find out.****
>
> G****
>
> ** **
>  ------------------------------
>
> *From:* Toby G [mailto:carpet8@mac.com]
> *Sent:* Monday, July 25, 2011 6:56 PM
> *To:* **Loopers-Delight@loopers-delight.com**
> *Subject:* Re: Boomerang Sidecar****
>
> ** **
>
> A clever way to limit sales.****
>
>  ****
>
> t****
>
>  ----- Original Message ----- ****
>
> *From:* Paul Richards <paulrichard_rocks@yahoo.com> ****
>
> *To:* Loopers-Delight@loopers-delight.com ****
>
> *Sent:* Monday, July 25, 2011 6:52 PM****
>
> *Subject:* RE: Boomerang Sidecar****
>
> ** **
>
> $400!? That's almost as much as the Boomerang!
>
> --- On *Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net>* wrote:****
>
>
> From: Clayton Gary Lehmann <hqr@cox.net>
> Subject: RE: Boomerang Sidecar
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, July 25, 2011, 7:14 PM****
>
> I just got off the phone with Mike Nelson at Boomerang and he confirmed
> they
> have in stock and are shipping the Sidecar, a proprietary foot controller
> for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
> around $400 list.
> Of course, he can't discount it without pissing off his vendors, but give
> him a call and see what he can do for you.
> Gnarly****
>
> ** **
>
>

--20cf30780c68cad55e04a8f06ab1
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<a href=3D"http://www.loopersparadise.de/en/pro.php?p=3D544">http://www.loo=
persparadise.de/en/pro.php?p=3D544</a> is the only place I find it online w=
hich makes it after conversion about $380! Yikes! <br><br>&gt;<font face=3D=
"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-family: Arial;">A c=
lever way to limit sales.<br>
<br>indeed :)<br><br>j<br></span></font><br><div class=3D"gmail_quote">On M=
on, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:hqr@cox.net">hqr@cox.net</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">





<u></u>





<div bgcolor=3D"white" link=3D"blue" vlink=3D"blue" lang=3D"EN-US">

<div>

<p class=3D"MsoNormal"><font color=3D"navy" face=3D"Arial" size=3D"2"><span=
 style=3D"font-size: 10pt; font-family: Arial; color: navy;">Don=92t quote =
me, I am not sure, it
could be $299.<u></u><u></u></span></font></p>

<p class=3D"MsoNormal"><font color=3D"navy" face=3D"Arial" size=3D"2"><span=
 style=3D"font-size: 10pt; font-family: Arial; color: navy;">Oh hell, call =
him and find out.<u></u><u></u></span></font></p>

<p class=3D"MsoNormal"><font color=3D"navy" face=3D"Arial" size=3D"2"><span=
 style=3D"font-size: 10pt; font-family: Arial; color: navy;">G<u></u><u></u=
></span></font></p>

<p class=3D"MsoNormal"><font color=3D"navy" face=3D"Arial" size=3D"2"><span=
 style=3D"font-size: 10pt; font-family: Arial; color: navy;"><u></u>=A0<u><=
/u></span></font></p>

<div>

<div class=3D"MsoNormal" style=3D"text-align: center;" align=3D"center"><fo=
nt face=3D"Times New Roman" size=3D"3"><span style=3D"font-size: 12pt;">

<hr align=3D"center" size=3D"2" width=3D"100%">

</span></font></div>

<p class=3D"MsoNormal"><b><font face=3D"Tahoma" size=3D"2"><span style=3D"f=
ont-size: 10pt; font-family: Tahoma; font-weight: bold;">From:</span></font=
></b><font face=3D"Tahoma" size=3D"2"><span style=3D"font-size: 10pt; font-=
family: Tahoma;"> Toby G
[mailto:<a href=3D"mailto:carpet8@mac.com" target=3D"_blank">carpet8@mac.co=
m</a>] <br>
<b><span style=3D"font-weight: bold;">Sent:</span></b> Monday, July 25, 201=
1 6:56
PM<br>
<b><span style=3D"font-weight: bold;">To:</span></b> <u></u><a href=3D"mail=
to:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@l=
oopers-delight.com</a><u></u><br>
<b><span style=3D"font-weight: bold;">Subject:</span></b> Re: Boomerang Sid=
ecar</span></font><u></u><u></u></p>

</div>

<p class=3D"MsoNormal"><font face=3D"Times New Roman" size=3D"3"><span styl=
e=3D"font-size: 12pt;"><u></u>=A0<u></u></span></font></p>

<div>

<p class=3D"MsoNormal"><font face=3D"Arial" size=3D"2"><span style=3D"font-=
size: 10pt; font-family: Arial;">A clever way to limit sales.</span></font>=
<u></u><u></u></p>

</div>

<div>

<p class=3D"MsoNormal"><font face=3D"Times New Roman" size=3D"3"><span styl=
e=3D"font-size: 12pt;">=A0<u></u><u></u></span></font></p>

</div>

<div>

<p class=3D"MsoNormal"><font face=3D"Arial" size=3D"2"><span style=3D"font-=
size: 10pt; font-family: Arial;">t</span></font><u></u><u></u></p>

</div>

<blockquote style=3D"border-width: medium medium medium 1pt; border-style: =
none none none solid; border-color: -moz-use-text-color -moz-use-text-color=
 -moz-use-text-color black; padding: 0in 0in 0in 3pt; margin: 5pt 0in 5pt 2=
.5pt;">


<div>

<p class=3D"MsoNormal"><font face=3D"Arial" size=3D"2"><span style=3D"font-=
size: 10pt; font-family: Arial;">----- Original Message ----- <u></u><u></u=
></span></font></p>

</div>

<div>

<p class=3D"MsoNormal" style=3D"background: none repeat scroll 0% 0% rgb(22=
8, 228, 228);"><b><font face=3D"Arial" size=3D"2"><span style=3D"font-size:=
 10pt; font-family: Arial; font-weight: bold;">From:</span></font></b><font=
 face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-family: Ari=
al;"> <a href=3D"mailto:paulrichard_rocks@yahoo.com" title=3D"paulrichard_r=
ocks@yahoo.com" target=3D"_blank">Paul
Richards</a> <u></u><u></u></span></font></p>

</div>

<div>

<p class=3D"MsoNormal"><b><font face=3D"Arial" size=3D"2"><span style=3D"fo=
nt-size: 10pt; font-family: Arial; font-weight: bold;">To:</span></font></b=
><font face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-famil=
y: Arial;"> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" title=3D=
"Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loo=
pers-delight.com</a>
<u></u><u></u></span></font></p>

</div>

<div>

<p class=3D"MsoNormal"><b><font face=3D"Arial" size=3D"2"><span style=3D"fo=
nt-size: 10pt; font-family: Arial; font-weight: bold;">Sent:</span></font><=
/b><font face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-fam=
ily: Arial;"> Monday, July 25,
2011 6:52 PM<u></u><u></u></span></font></p>

</div>

<div>

<p class=3D"MsoNormal"><b><font face=3D"Arial" size=3D"2"><span style=3D"fo=
nt-size: 10pt; font-family: Arial; font-weight: bold;">Subject:</span></fon=
t></b><font face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-=
family: Arial;"> RE: Boomerang
Sidecar<u></u><u></u></span></font></p>

</div>

<div>

<p class=3D"MsoNormal"><font face=3D"Times New Roman" size=3D"3"><span styl=
e=3D"font-size: 12pt;"><u></u>=A0<u></u></span></font></p>

</div>

<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0">
 <tbody><tr>
  <td style=3D"padding: 0in;" valign=3D"top">
  <p class=3D"MsoNormal"><font face=3D"Times New Roman" size=3D"3"><span st=
yle=3D"font-size: 12pt;">$400!? That&#39;s almost as much as the Boomerang!=
<br>
  <br>
  --- On <b><span style=3D"font-weight: bold;">Mon, 7/25/11, Clayton Gary L=
ehmann <i><span style=3D"font-style: italic;">&lt;<a href=3D"mailto:hqr@cox=
.net" target=3D"_blank">hqr@cox.net</a>&gt;</span></i></span></b>
  wrote:<u></u><u></u></span></font></p>
  <p class=3D"MsoNormal" style=3D"margin-bottom: 12pt;"><font face=3D"Times=
 New Roman" size=3D"3"><span style=3D"font-size: 12pt;"><br>
  From: Clayton Gary Lehmann &lt;<a href=3D"mailto:hqr@cox.net" target=3D"_=
blank">hqr@cox.net</a>&gt;<br>
  Subject: RE: Boomerang Sidecar<br>
  To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_bla=
nk">Loopers-Delight@loopers-delight.com</a><br>
  Date: Monday, July 25, 2011, 7:14 PM<u></u><u></u></span></font></p>
  <div>
  <p class=3D"MsoNormal" style=3D"margin-bottom: 12pt;"><font face=3D"Times=
 New Roman" size=3D"3"><span style=3D"font-size: 12pt;">I just got off the
  phone with Mike Nelson at Boomerang and he confirmed they<br>
  have in stock and are shipping the Sidecar, a proprietary foot controller=
<br>
  for the Boomerang III. I didn&#39;t ask him how much, but IIRC it&#39;s s=
omewhere<br>
  around $400 list.<br>
  Of course, he can&#39;t discount it without pissing off his vendors, but =
give<br>
  him a call and see what he can do for you.<br>
  Gnarly<u></u><u></u></span></font></p>
  </div>
  </td>
 </tr>
</tbody></table>

<p class=3D"MsoNormal"><font face=3D"Times New Roman" size=3D"3"><span styl=
e=3D"font-size: 12pt;"><u></u>=A0<u></u></span></font></p>

</blockquote>

</div>

</div>


</blockquote></div><br>

--20cf30780c68cad55e04a8f06ab1--

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From: "Clayton Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
References: <1311645131.86912.YahooMailClassic@web36702.mail.mud.yahoo.com><74DFBF9A9B8143D1A7D8F1F47081DFB9@NORBY11><F21F5A92CF68449C9732F1392F790E7B@your0548c161e1> <CAK7t345-OJBNBYEPF1fnFFqHAJ=VygyuDaN=jatS9nTKLTbDLA@mail.gmail.com>
Subject: RE: Boomerang Sidecar
Date: Mon, 25 Jul 2011 22:40:09 -0700
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Oh well, maybe my first guess was correct.

All I know is, I have not yet received my 'Rang (should be here on
Wednesday)-

But I am certain it's better to operate it where you can turn knobs and push
buttons, and that mean having an additional foot controller (it is not MIDI)
would be indicated.

Four independent loops, one of which can be the master-or not, freestyle for
the more adventurous.

Here's a question, it has a total loop time of 17 min 32 sec at 24K in mono.
So that means four loops=4 min 24 sec each?

If the master loop is only 4 bars long, the total time is longer?

Guess I am gonna find out soon enough.

Ta,

G

  _____  

From: Jeff Duke [mailto:jeffloops@gmail.com] 
Sent: Monday, July 25, 2011 8:21 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar

 

http://www.loopersparadise.de/en/pro.php?p=544 is the only place I find it
online which makes it after conversion about $380! Yikes! 

>A clever way to limit sales.

indeed :)

j

On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <hqr@cox.net> wrote:

Don't quote me, I am not sure, it could be $299.

Oh hell, call him and find out.

G

 

  _____  

From: Toby G [mailto:carpet8@mac.com] 
Sent: Monday, July 25, 2011 6:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar

 

A clever way to limit sales.

 

t

----- Original Message ----- 

From: Paul Richards <mailto:paulrichard_rocks@yahoo.com>  

To: Loopers-Delight@loopers-delight.com 

Sent: Monday, July 25, 2011 6:52 PM

Subject: RE: Boomerang Sidecar

 


$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM

I just got off the phone with Mike Nelson at Boomerang and he confirmed they
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly

 

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Oh well, maybe my first guess was =
correct.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>All I know is, I have not yet =
received my &#8216;Rang
(should be here on Wednesday)&#8212;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>But I am certain it&#8217;s better =
to operate
it where you can turn knobs and push buttons, and that mean having an
additional foot controller (it is not MIDI) would be =
indicated.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Four independent loops, one of =
which can
be the master&#8212;or not, freestyle for the more =
adventurous.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Here&#8217;s a question, it has a =
total
loop time of 17 min 32 sec at 24K in mono. So that means four loops=3D4 =
min 24
sec each?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>If the master loop is only 4 bars =
long,
the total time is longer?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Guess I am gonna find out soon =
enough.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Ta,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>G<o:p></o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Jeff =
Duke
[mailto:jeffloops@gmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 25, =
2011 8:21
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><a
href=3D"http://www.loopersparadise.de/en/pro.php?p=3D544">http://www.loop=
ersparadise.de/en/pro.php?p=3D544</a>
is the only place I find it online which makes it after conversion about =
$380!
Yikes! <br>
<br>
&gt;</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>A clever way to limit sales.<br>
<br>
indeed :)<br>
<br>
j</span></font><o:p></o:p></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann &lt;<a
href=3D"mailto:hqr@cox.net">hqr@cox.net</a>&gt; =
wrote:<o:p></o:p></span></font></p>

<div bgcolor=3Dwhite link=3Dblue vlink=3Dblue>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>Don&#8217;t quote me, I am not sure, it could be =
$299.</span></font><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>Oh hell, call him and find out.</span></font><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>G</span></font><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>&nbsp;</span></font><o:p></o:p></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'>From:</span></font></b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'> Toby G [mailto:<a =
href=3D"mailto:carpet8@mac.com"
target=3D"_blank">carpet8@mac.com</a>] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 25, =
2011 6:56
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>A clever way
to limit sales.</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>t</span></font><o:p></o:p></=
p>

</div>

<blockquote style=3D'border:none;border-left:solid windowtext =
1.0pt;padding:0in 0in 0in 3.0pt;
margin-left:2.5pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt;
border-color:-moz-use-text-color -moz-use-text-color -moz-use-text-color =
black'>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>----- Original
Message ----- </span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
background:#E4E4E4;background-attachment:scroll;background-position-x:0%;=

background-position-y:0%'><b><font size=3D2 face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> <a
href=3D"mailto:paulrichard_rocks@yahoo.com" target=3D"_blank"
title=3D"paulrichard_rocks@yahoo.com">Paul Richards</a> =
</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;font-weight:
bold'>To:</span></font></b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'> <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com"
target=3D"_blank" =
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;font-weight:
bold'>Sent:</span></font></b><font size=3D2 face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial'> Monday, July 25, 2011 6:52 =
PM</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;font-weight:
bold'>Subject:</span></font></b><font size=3D2 face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial'> RE: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
  size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>$400!? That's
  almost as much as the Boomerang!<br>
  <br>
  --- On <b><span style=3D'font-weight:bold'>Mon, 7/25/11, Clayton Gary =
Lehmann <i><span
  style=3D'font-style:italic'>&lt;<a href=3D"mailto:hqr@cox.net" =
target=3D"_blank">hqr@cox.net</a>&gt;</span></i></span></b>
  wrote:<o:p></o:p></span></font></p>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt'><font
  size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><br>
  From: Clayton Gary Lehmann &lt;<a href=3D"mailto:hqr@cox.net" =
target=3D"_blank">hqr@cox.net</a>&gt;<br>
  Subject: RE: Boomerang Sidecar<br>
  To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
  Date: Monday, July 25, 2011, 7:14 PM<o:p></o:p></span></font></p>
  <div>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt'><font
  size=3D3 face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>I =
just got off
  the phone with Mike Nelson at Boomerang and he confirmed they<br>
  have in stock and are shipping the Sidecar, a proprietary foot =
controller<br>
  for the Boomerang III. I didn't ask him how much, but IIRC it's =
somewhere<br>
  around $400 list.<br>
  Of course, he can't discount it without pissing off his vendors, but =
give<br>
  him a call and see what he can do for you.<br>
  Gnarly<o:p></o:p></span></font></p>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</blockquote>

</div>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 07:22:59 2011
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Subject: Re: rocktron midimate foot controler / Yamaha MFC10
References: <063901cc4b13$4b108f20$e131ad60$@clubcapelli.com>
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>  I've better choose the smaller one YAMAHA MFC10.

Beware it has a latency of 70mS or so.
(confirmed by Yamaha tech support UK)

This means the timing isn't accurate enough for rhythmic loops.

andy

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 08:32:31 2011
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Subject: Re: New Moog Lap Steel
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William Walker wrote:

>  Andy i'll try the tissue trick, and come to think of it I have a wind 
> screen for it that I don't always use, i assume that would have a 
> similar effect, no?
>  Bill

Yep, wouldn't hurt to try the windshield.

It also occurs to me that you're probably playing back
on the same speakers (and same room) that you recorded in.
That's going to multiply any unevenness in the sound, and 
might make it seem like you have a problem when you don't.

Listening here on the big speakers a few of the moog sus tones are
a bit screechy (only those really high harmonics), but otherwise
those recordings just sound fulsome.

Interestingly, playback on studio monitors with no visuals
gave me a real impression of being there in the room with you.


andy

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 11:56:27 2011
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Android phone OK for music/looping?
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Hi folks

I'm planning on buying an Android phone. Generally, I'd prefer it to an iPhone (microSD, transparent/open, accessible file system).
However, I'm not sure if the Android will be ok for music/looping. I just need some basic looping (long loop, overdubs, able to save it), basic music notation (abc notation or Lilypond) and some simple things (mp3 voice recorder, tuner, metronome etc.).
Should I be ok with an Android for basic stuff (no gimmicks) or is there simply no alternative for a musician to an iPhone?

best regards
Buzap

-- 
NEU: FreePhone - 0ct/min Handyspartarif mit Geld-zurÃ¼ck-Garantie!		
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 12:16:15 2011
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From: Rick Walker <looppool@cruzio.com>
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Subject: Emily Wells:  Live Looper
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Thanks to a last minute Facebook tip from singer/songwriter/live looper 
Goh Nakamua,
I went to the Crepe Place and caught Emily Wells' set.

http://www.youtube.com/watch?v=wNWto4xiCcw

Man,   she's amazing!    She writes really compelling songs,  plays 
beautiful violin and doubles
on keyboards, melodica, drums and guitar.      Her looping is flawless 
and she has an amazing
sound.     There is beauty and funk and soul and pathos in the music and 
I had a lot of fun dancing to a lot of it
as well.    One of the bartenders at the Crepe Place told me she had 
seen many amazing shows there but that
she thought this was the single best set she'd seen.   I'm inclined to 
agree.

Literally, one of the very best live looping shows I've ever seen.   I'm 
a huge fan!
Check her out!     She's a very sweet human being on top of it all.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 12:38:44 2011
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Date: Tue, 26 Jul 2011 05:38:41 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
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--0-1399442679-1311683921=:81655
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The price point is way too high. I'd say $200 would be high but at least ac=
ceptable. No f'ing way would I blow $400 bucks on it. I'd rather pick up an=
 LP-2.
=C2=A0
Paul

--- On Mon, 7/25/11, Jeff Duke <jeffloops@gmail.com> wrote:


From: Jeff Duke <jeffloops@gmail.com>
Subject: Re: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 11:20 PM


http://www.loopersparadise.de/en/pro.php?p=3D544 is the only place I find i=
t online which makes it after conversion about $380! Yikes!=20

>A clever way to limit sales.

indeed :)

j


On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <hqr@cox.net> wrote:




Don=E2=80=99t quote me, I am not sure, it could be $299.
Oh hell, call him and find out.
G
=C2=A0




From: Toby G [mailto:carpet8@mac.com]=20
Sent: Monday, July 25, 2011 6:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar
=C2=A0

A clever way to limit sales.

=C2=A0

t


----- Original Message -----=20

From: Paul Richards=20

To: Loopers-Delight@loopers-delight.com=20

Sent: Monday, July 25, 2011 6:52 PM

Subject: RE: Boomerang Sidecar

=C2=A0




$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:

From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM

I just got off the phone with Mike Nelson at Boomerang and he confirmed the=
y
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly
=C2=A0

--0-1399442679-1311683921=:81655
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>The price point is way too high. I'd say=
 $200 would be high but at least acceptable. No f'ing way would I blow $400=
 bucks on it. I'd rather pick up an LP-2.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Paul<BR><BR>--- On <B>Mon, 7/25/11, Jeff Duke <I>&lt;jeffloops@gmail.c=
om&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Jeff Duke &lt;jeffloops@gmail.com&gt;<BR>Su=
bject: Re: Boomerang Sidecar<BR>To: Loopers-Delight@loopers-delight.com<BR>=
Date: Monday, July 25, 2011, 11:20 PM<BR><BR>
<DIV id=3Dyiv184200006><A href=3D"http://www.loopersparadise.de/en/pro.php?=
p=3D544" rel=3Dnofollow target=3D_blank>http://www.loopersparadise.de/en/pr=
o.php?p=3D544</A> is the only place I find it online which makes it after c=
onversion about $380! Yikes! <BR><BR>&gt;<FONT size=3D2 face=3DArial><SPAN =
style=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt">A clever way to limit sales.<=
BR><BR>indeed :)<BR><BR>j<BR></SPAN></FONT><BR>
<DIV class=3Dyiv184200006gmail_quote>On Mon, Jul 25, 2011 at 10:22 PM, Clay=
ton Gary Lehmann <SPAN dir=3Dltr>&lt;<A href=3D"http://us.mc367.mail.yahoo.=
com/mc/compose?to=3Dhqr@cox.net" rel=3Dnofollow target=3D_blank ymailto=3D"=
mailto:hqr@cox.net">hqr@cox.net</A>&gt;</SPAN> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0=
pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3Dyiv184200006gmail_quote><U></U>
<DIV lang=3DEN-US>
<DIV>
<P class=3Dyiv184200006MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">Don=E2=80=
=99t quote me, I am not sure, it could be $299.<U></U><U></U></SPAN></FONT>=
</DIV>
<P class=3Dyiv184200006MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">Oh hell, ca=
ll him and find out.<U></U><U></U></SPAN></FONT></DIV>
<P class=3Dyiv184200006MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">G<U></U><U>=
</U></SPAN></FONT></DIV>
<P class=3Dyiv184200006MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt"><U></U>&nbs=
p;<U></U></SPAN></FONT></DIV>
<DIV>
<DIV style=3D"TEXT-ALIGN: center" class=3Dyiv184200006MsoNormal align=3Dcen=
ter><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"=
>
<HR align=3Dcenter SIZE=3D2 width=3D"100%">
</SPAN></FONT></DIV>
<P class=3Dyiv184200006MsoNormal><B><FONT size=3D2 face=3DTahoma><SPAN styl=
e=3D"FONT-FAMILY: Tahoma; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN><=
/FONT></B><FONT size=3D2 face=3DTahoma><SPAN style=3D"FONT-FAMILY: Tahoma; =
FONT-SIZE: 10pt"> Toby G [mailto:<A href=3D"http://us.mc367.mail.yahoo.com/=
mc/compose?to=3Dcarpet8@mac.com" rel=3Dnofollow target=3D_blank ymailto=3D"=
mailto:carpet8@mac.com">carpet8@mac.com</A>] <BR><B><SPAN style=3D"FONT-WEI=
GHT: bold">Sent:</SPAN></B> Monday, July 25, 2011 6:56 PM<BR><B><SPAN style=
=3D"FONT-WEIGHT: bold">To:</SPAN></B> <U></U><A href=3D"http://us.mc367.mai=
l.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" rel=3Dnofo=
llow target=3D_blank ymailto=3D"mailto:Loopers-Delight@loopers-delight.com"=
>Loopers-Delight@loopers-delight.com</A><U></U><BR><B><SPAN style=3D"FONT-W=
EIGHT: bold">Subject:</SPAN></B> Re: Boomerang Sidecar</SPAN></FONT><U></U>=
<U></U></DIV></DIV>
<P class=3Dyiv184200006MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt"><U></U>&nbsp;<U></U></SPAN></FONT></DIV>
<DIV>
<P class=3Dyiv184200006MsoNormal><FONT size=3D2 face=3DArial><SPAN style=3D=
"FONT-FAMILY: Arial; FONT-SIZE: 10pt">A clever way to limit sales.</SPAN></=
FONT><U></U><U></U></DIV></DIV>
<DIV>
<P class=3Dyiv184200006MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">&nbsp;<U></U><U></U></SPAN></FONT></DIV></DIV=
>
<DIV>
<P class=3Dyiv184200006MsoNormal><FONT size=3D2 face=3DArial><SPAN style=3D=
"FONT-FAMILY: Arial; FONT-SIZE: 10pt">t</SPAN></FONT><U></U><U></U></DIV></=
DIV>
<BLOCKQUOTE style=3D"BORDER-BOTTOM: black; BORDER-LEFT: black 1pt solid; PA=
DDING-BOTTOM: 0in; MARGIN: 5pt 0in 5pt 2.5pt; PADDING-LEFT: 3pt; PADDING-RI=
GHT: 0in; BORDER-TOP: black; BORDER-RIGHT: black; PADDING-TOP: 0in">
<DIV>
<P class=3Dyiv184200006MsoNormal><FONT size=3D2 face=3DArial><SPAN style=3D=
"FONT-FAMILY: Arial; FONT-SIZE: 10pt">----- Original Message ----- <U></U><=
U></U></SPAN></FONT></DIV></DIV>
<DIV>
<P style=3D"BACKGROUND: rgb(228,228,228)" class=3Dyiv184200006MsoNormal><B>=
<FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT-SIZE: 1=
0pt; FONT-WEIGHT: bold">From:</SPAN></FONT></B><FONT size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt"> <A title=3Dpaulrichard=
_rocks@yahoo.com href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dpau=
lrichard_rocks@yahoo.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:=
paulrichard_rocks@yahoo.com">Paul Richards</A> <U></U><U></U></SPAN></FONT>=
</DIV></DIV>
<DIV>
<P class=3Dyiv184200006MsoNormal><B><FONT size=3D2 face=3DArial><SPAN style=
=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt; FONT-WEIGHT: bold">To:</SPAN></FON=
T></B><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT-S=
IZE: 10pt"> <A title=3DLoopers-Delight@loopers-delight.com href=3D"http://u=
s.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com"=
 rel=3Dnofollow target=3D_blank ymailto=3D"mailto:Loopers-Delight@loopers-d=
elight.com">Loopers-Delight@loopers-delight.com</A> <U></U><U></U></SPAN></=
FONT></DIV></DIV>
<DIV>
<P class=3Dyiv184200006MsoNormal><B><FONT size=3D2 face=3DArial><SPAN style=
=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt; FONT-WEIGHT: bold">Sent:</SPAN></F=
ONT></B><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT=
-SIZE: 10pt"> Monday, July 25, 2011 6:52 PM<U></U><U></U></SPAN></FONT></DI=
V></DIV>
<DIV>
<P class=3Dyiv184200006MsoNormal><B><FONT size=3D2 face=3DArial><SPAN style=
=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt; FONT-WEIGHT: bold">Subject:</SPAN>=
</FONT></B><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; F=
ONT-SIZE: 10pt"> RE: Boomerang Sidecar<U></U><U></U></SPAN></FONT></DIV></D=
IV>
<DIV>
<P class=3Dyiv184200006MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt"><U></U>&nbsp;<U></U></SPAN></FONT></DIV></DIV=
>
<TABLE border=3D0 cellSpacing=3D0 cellPadding=3D0>
<TBODY>
<TR>
<TD style=3D"PADDING-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; PA=
DDING-TOP: 0in" vAlign=3Dtop>
<P class=3Dyiv184200006MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">$400!? That's almost as much as the Boomerang=
!<BR><BR>--- On <B><SPAN style=3D"FONT-WEIGHT: bold">Mon, 7/25/11, Clayton =
Gary Lehmann <I><SPAN style=3D"FONT-STYLE: italic">&lt;<A href=3D"http://us=
.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net" rel=3Dnofollow target=3D=
_blank ymailto=3D"mailto:hqr@cox.net">hqr@cox.net</A>&gt;</SPAN></I></SPAN>=
</B> wrote:<U></U><U></U></SPAN></FONT></DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv184200006MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"><BR>From: Cla=
yton Gary Lehmann &lt;<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?=
to=3Dhqr@cox.net" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:hqr@cox.=
net">hqr@cox.net</A>&gt;<BR>Subject: RE: Boomerang Sidecar<BR>To: <A href=
=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-=
delight.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:Loopers-Delig=
ht@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR>Date: Mo=
nday, July 25, 2011, 7:14 PM<U></U><U></U></SPAN></FONT></DIV>
<DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv184200006MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt">I just got of=
f the phone with Mike Nelson at Boomerang and he confirmed they<BR>have in =
stock and are shipping the Sidecar, a proprietary foot controller<BR>for th=
e Boomerang III. I didn't ask him how much, but IIRC it's somewhere<BR>arou=
nd $400 list.<BR>Of course, he can't discount it without pissing off his ve=
ndors, but give<BR>him a call and see what he can do for you.<BR>Gnarly<U><=
/U><U></U></SPAN></FONT></DIV></DIV></TD></TR></TBODY></TABLE>
<P class=3Dyiv184200006MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt"><U></U>&nbsp;<U></U></SPAN></FONT></DIV></BLO=
CKQUOTE></DIV></DIV></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></td></tr></t=
able>
--0-1399442679-1311683921=:81655--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 12:42:51 2011
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Date: Tue, 26 Jul 2011 08:42:16 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Android phone OK for music/looping?
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I bought an iPod touch 4th generation. It has the=20
same processor and screen as the iPhone 4, and it=20
runs all the apps, has wi-fi (web, email,=20
location apps etc).  Most importantly it never=20
rings while I'm looping.  I use a very=20
inexpensive phone for voice communication.

>Hi folks
>
>I'm planning on buying an Android phone.=20
>Generally, I'd prefer it to an iPhone (microSD,=20
>transparent/open, accessible file system).
>However, I'm not sure if the Android will be ok=20
>for music/looping. I just need some basic=20
>looping (long loop, overdubs, able to save it),=20
>basic music notation (abc notation or Lilypond)=20
>and some simple things (mp3 voice recorder,=20
>tuner, metronome etc.).
>Should I be ok with an Android for basic stuff=20
>(no gimmicks) or is there simply no alternative=20
>for a musician to an iPhone?
>
>best regards
>Buzap
>
>--
>NEU: FreePhone - 0ct/min Handyspartarif mit Geld-zur=FCck-Garantie!
>Jetzt informieren: http://www.gmx.net/de/go/freephone


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 12:49:27 2011
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	<4E2E6B5C.4040604@tiscali.co.uk>
Date: Tue, 26 Jul 2011 14:49:26 +0200
Message-ID: <CAJeW8jNN8ut9-RHTJumWARER5=MEkTx0y2ZjRfMFwg6Bghrxew@mail.gmail.com>
Subject: Re: rocktron midimate foot controler / Yamaha MFC10
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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didnt want to dissapoint you either Marc but i had long long ago and
didnt like it at all
the latency is terrible and didnt work for my EDP anyway
but if ti works for what u want to do do it!
Luis

On Tue, Jul 26, 2011 at 9:23 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
>> =A0I've better choose the smaller one YAMAHA MFC10.
>
> Beware it has a latency of 70mS or so.
> (confirmed by Yamaha tech support UK)
>
> This means the timing isn't accurate enough for rhythmic loops.
>
> andy
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 12:57:42 2011
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Date: Tue, 26 Jul 2011 14:57:41 +0200
Message-ID: <CAJeW8jMs8MVjQqT8cXNWHpgJdyxAhQV7Wr1UMf=3x--A6hLCeQ@mail.gmail.com>
Subject: Re: Emily Wells: Live Looper
From: Louie Angulo <louie.angulo@googlemail.com>
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hey but shes using a drumbox i thought that was a sin here!;-))
i wonder where thats coming from though,it looks like a groovebox on
the table synced to her looper,though it could also b coming from one
of those Boss RC loopers?
love it  thanx for the link bro shes awesome!
cheerios
Luis

On Tue, Jul 26, 2011 at 2:16 PM, Rick Walker <looppool@cruzio.com> wrote:
>
> Thanks to a last minute Facebook tip from singer/songwriter/live looper G=
oh
> Nakamua,
> I went to the Crepe Place and caught Emily Wells' set.
>
> http://www.youtube.com/watch?v=3DwNWto4xiCcw
>
> Man, =A0 she's amazing! =A0 =A0She writes really compelling songs, =A0pla=
ys
> beautiful violin and doubles
> on keyboards, melodica, drums and guitar. =A0 =A0 =A0Her looping is flawl=
ess and
> she has an amazing
> sound. =A0 =A0 There is beauty and funk and soul and pathos in the music =
and I
> had a lot of fun dancing to a lot of it
> as well. =A0 =A0One of the bartenders at the Crepe Place told me she had =
seen
> many amazing shows there but that
> she thought this was the single best set she'd seen. =A0 I'm inclined to
> agree.
>
> Literally, one of the very best live looping shows I've ever seen. =A0 I'=
m a
> huge fan!
> Check her out! =A0 =A0 She's a very sweet human being on top of it all.
>
> Rick Walker
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 14:38:06 2011
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Date: Tue, 26 Jul 2011 10:38:05 -0400
Message-ID: <CAK7t3453FMtDzTq1+1+Y_GaitRukxkDNQiR_pC0g=DTW-x1Dww@mail.gmail.com>
Subject: Re: Boomerang Sidecar
From: Jeff Duke <jeffloops@gmail.com>
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--bcaec501c58c34d57d04a8f9e1db
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

upon further looking, that place also sell the 'Rang III for $870. So I jus=
t
bet that when MF or Zzounds get's the sidecar (if they do) they would be
more like that $200 range...http://www.loopersparadise.de/en/pro.php?p=3D31=
7

j

On Tue, Jul 26, 2011 at 8:38 AM, Paul Richards
<paulrichard_rocks@yahoo.com>wrote:

> The price point is way too high. I'd say $200 would be high but at least
> acceptable. No f'ing way would I blow $400 bucks on it. I'd rather pick u=
p
> an LP-2.
>
> Paul
>
> --- On *Mon, 7/25/11, Jeff Duke <jeffloops@gmail.com>* wrote:
>
>
> From: Jeff Duke <jeffloops@gmail.com>
> Subject: Re: Boomerang Sidecar
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, July 25, 2011, 11:20 PM
>
> http://www.loopersparadise.de/en/pro.php?p=3D544 is the only place I find=
 it
> online which makes it after conversion about $380! Yikes!
>
> >A clever way to limit sales.
>
> indeed :)
>
> j
>
> On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <hqr@cox.net<http:=
//us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net>
> > wrote:
>
> **
>
> Don=92t quote me, I am not sure, it could be $299.****
>
> Oh hell, call him and find out.****
>
> G****
>
> ** **
>  ------------------------------
>
> *From:* Toby G [mailto:carpet8@mac.com<http://us.mc367.mail.yahoo.com/mc/=
compose?to=3Dcarpet8@mac.com>]
>
> *Sent:* Monday, July 25, 2011 6:56 PM
> *To:* **Loopers-Delight@loopers-delight.com<http://us.mc367.mail.yahoo.co=
m/mc/compose?to=3DLoopers-Delight@loopers-delight.com>
> **
> *Subject:* Re: Boomerang Sidecar****
>
> ** **
>
> A clever way to limit sales.****
>
>  ****
>
> t****
>
>  ----- Original Message ----- ****
>
> *From:* Paul Richards<http://us.mc367.mail.yahoo.com/mc/compose?to=3Dpaul=
richard_rocks@yahoo.com>
> ****
>
> *To:* Loopers-Delight@loopers-delight.com<http://us.mc367.mail.yahoo.com/=
mc/compose?to=3DLoopers-Delight@loopers-delight.com>
> ****
>
> *Sent:* Monday, July 25, 2011 6:52 PM****
>
> *Subject:* RE: Boomerang Sidecar****
>
> ** **
>
> $400!? That's almost as much as the Boomerang!
>
> --- On *Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net<http://us.mc367.m=
ail.yahoo.com/mc/compose?to=3Dhqr@cox.net>
> >* wrote:****
>
>
> From: Clayton Gary Lehmann <hqr@cox.net<http://us.mc367.mail.yahoo.com/mc=
/compose?to=3Dhqr@cox.net>
> >
> Subject: RE: Boomerang Sidecar
> To: Loopers-Delight@loopers-delight.com<http://us.mc367.mail.yahoo.com/mc=
/compose?to=3DLoopers-Delight@loopers-delight.com>
> Date: Monday, July 25, 2011, 7:14 PM****
>
> I just got off the phone with Mike Nelson at Boomerang and he confirmed
> they
> have in stock and are shipping the Sidecar, a proprietary foot controller
> for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
> around $400 list.
> Of course, he can't discount it without pissing off his vendors, but give
> him a call and see what he can do for you.
> Gnarly****
>
> ** **
>
>
>

--bcaec501c58c34d57d04a8f9e1db
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

upon further looking, that place also sell the &#39;Rang III for $870. So I=
 just bet that when MF or Zzounds get&#39;s the sidecar (if they do) they w=
ould be more like that $200 range...<a href=3D"http://www.loopersparadise.d=
e/en/pro.php?p=3D317">http://www.loopersparadise.de/en/pro.php?p=3D317</a><=
br>
<br>j<br><br><div class=3D"gmail_quote">On Tue, Jul 26, 2011 at 8:38 AM, Pa=
ul Richards <span dir=3D"ltr">&lt;<a href=3D"mailto:paulrichard_rocks@yahoo=
.com">paulrichard_rocks@yahoo.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top"><div>The price point is way too high. I=
&#39;d say $200 would be high but at least acceptable. No f&#39;ing way wou=
ld I blow $400 bucks on it. I&#39;d rather pick up an LP-2.</div>

<div>=A0</div>
<div>Paul<br><br>--- On <b>Mon, 7/25/11, Jeff Duke <i>&lt;<a href=3D"mailto=
:jeffloops@gmail.com" target=3D"_blank">jeffloops@gmail.com</a>&gt;</i></b>=
 wrote:<br></div>
<blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); padding-left:=
 5px; margin-left: 5px;"><br>From: Jeff Duke &lt;<a href=3D"mailto:jeffloop=
s@gmail.com" target=3D"_blank">jeffloops@gmail.com</a>&gt;<br>Subject: Re: =
Boomerang Sidecar<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>Date: Monday, July 25, 2011, 1=
1:20 PM<br><br>
<div><a href=3D"http://www.loopersparadise.de/en/pro.php?p=3D544" rel=3D"no=
follow" target=3D"_blank">http://www.loopersparadise.de/en/pro.php?p=3D544<=
/a> is the only place I find it online which makes it after conversion abou=
t $380! Yikes! <br>
<br>&gt;<font face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; =
font-size: 10pt;">A clever way to limit sales.<br><br>indeed :)<br><br>j<br=
></span></font><br>
<div>On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <span dir=3D"lt=
r">&lt;<a href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.ne=
t" rel=3D"nofollow" target=3D"_blank">hqr@cox.net</a>&gt;</span> wrote:<br>
<blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;"><u></u>
<div lang=3D"EN-US">
<div>
<p><font color=3D"navy" face=3D"Arial" size=3D"2"><span style=3D"font-famil=
y: Arial; color: navy; font-size: 10pt;">Don=92t quote me, I am not sure, i=
t could be $299.<u></u><u></u></span></font></p></div>
<p><font color=3D"navy" face=3D"Arial" size=3D"2"><span style=3D"font-famil=
y: Arial; color: navy; font-size: 10pt;">Oh hell, call him and find out.<u>=
</u><u></u></span></font></p></div>
<p><font color=3D"navy" face=3D"Arial" size=3D"2"><span style=3D"font-famil=
y: Arial; color: navy; font-size: 10pt;">G<u></u><u></u></span></font></p><=
/blockquote></div>
<p><font color=3D"navy" face=3D"Arial" size=3D"2"><span style=3D"font-famil=
y: Arial; color: navy; font-size: 10pt;"><u></u>=A0<u></u></span></font></p=
></div>
<div>
<div style=3D"text-align: center;" align=3D"center"><font face=3D"Times New=
 Roman" size=3D"3"><span style=3D"font-size: 12pt;">
<hr align=3D"center" size=3D"2" width=3D"100%">
</span></font></div>
<p><b><font face=3D"Tahoma" size=3D"2"><span style=3D"font-family: Tahoma; =
font-size: 10pt; font-weight: bold;">From:</span></font></b><font face=3D"T=
ahoma" size=3D"2"><span style=3D"font-family: Tahoma; font-size: 10pt;"> To=
by G [mailto:<a href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dcarp=
et8@mac.com" rel=3D"nofollow" target=3D"_blank">carpet8@mac.com</a>] <br>
<b><span style=3D"font-weight: bold;">Sent:</span></b> Monday, July 25, 201=
1 6:56 PM<br><b><span style=3D"font-weight: bold;">To:</span></b> <u></u><a=
 href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loo=
pers-delight.com" rel=3D"nofollow" target=3D"_blank">Loopers-Delight@looper=
s-delight.com</a><u></u><br>
<b><span style=3D"font-weight: bold;">Subject:</span></b> Re: Boomerang Sid=
ecar</span></font><u></u><u></u></p></div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"font-size: 12pt=
;"><u></u>=A0<u></u></span></font>
</p><div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; font-=
size: 10pt;">A clever way to limit sales.</span></font><u></u><u></u></p></=
div>
<div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"font-size: 12pt=
;">=A0<u></u><u></u></span></font></p></div>
<div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; font-=
size: 10pt;">t</span></font><u></u><u></u></p></div>
<blockquote style=3D"border-width: medium medium medium 1pt; border-style: =
none none none solid; border-color: black; padding: 0in 0in 0in 3pt; margin=
: 5pt 0in 5pt 2.5pt;">
<div>
<p><font face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; font-=
size: 10pt;">----- Original Message ----- <u></u><u></u></span></font></p><=
/div>
<div>
<p style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228);"><b><f=
ont face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; font-size:=
 10pt; font-weight: bold;">From:</span></font></b><font face=3D"Arial" size=
=3D"2"><span style=3D"font-family: Arial; font-size: 10pt;"> <a title=3D"pa=
ulrichard_rocks@yahoo.com" href=3D"http://us.mc367.mail.yahoo.com/mc/compos=
e?to=3Dpaulrichard_rocks@yahoo.com" rel=3D"nofollow" target=3D"_blank">Paul=
 Richards</a> <u></u><u></u></span></font></p>
</div>
<div>
<p><b><font face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; fo=
nt-size: 10pt; font-weight: bold;">To:</span></font></b><font face=3D"Arial=
" size=3D"2"><span style=3D"font-family: Arial; font-size: 10pt;"> <a title=
=3D"Loopers-Delight@loopers-delight.com" href=3D"http://us.mc367.mail.yahoo=
.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" rel=3D"nofollow" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a> <u></u><u></u></s=
pan></font></p>
</div>
<div>
<p><b><font face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; fo=
nt-size: 10pt; font-weight: bold;">Sent:</span></font></b><font face=3D"Ari=
al" size=3D"2"><span style=3D"font-family: Arial; font-size: 10pt;"> Monday=
, July 25, 2011 6:52 PM<u></u><u></u></span></font></p>
</div>
<div>
<p><b><font face=3D"Arial" size=3D"2"><span style=3D"font-family: Arial; fo=
nt-size: 10pt; font-weight: bold;">Subject:</span></font></b><font face=3D"=
Arial" size=3D"2"><span style=3D"font-family: Arial; font-size: 10pt;"> RE:=
 Boomerang Sidecar<u></u><u></u></span></font></p>
</div>
<div>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"font-size: 12pt=
;"><u></u>=A0<u></u></span></font></p></div>
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0">
<tbody>
<tr>
<td style=3D"padding: 0in;" valign=3D"top">
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"font-size: 12pt=
;">$400!? That&#39;s almost as much as the Boomerang!<br><br>--- On <b><spa=
n style=3D"font-weight: bold;">Mon, 7/25/11, Clayton Gary Lehmann <i><span =
style=3D"font-style: italic;">&lt;<a href=3D"http://us.mc367.mail.yahoo.com=
/mc/compose?to=3Dhqr@cox.net" rel=3D"nofollow" target=3D"_blank">hqr@cox.ne=
t</a>&gt;</span></i></span></b> wrote:<u></u><u></u></span></font>
</p><p style=3D"margin-bottom: 12pt;"><font face=3D"Times New Roman" size=
=3D"3"><span style=3D"font-size: 12pt;"><br>From: Clayton Gary Lehmann &lt;=
<a href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net" rel=
=3D"nofollow" target=3D"_blank">hqr@cox.net</a>&gt;<br>
Subject: RE: Boomerang Sidecar<br>To: <a href=3D"http://us.mc367.mail.yahoo=
.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" rel=3D"nofollow" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>Date: Monday, =
July 25, 2011, 7:14 PM<u></u><u></u></span></font>
</p><div>
<p style=3D"margin-bottom: 12pt;"><font face=3D"Times New Roman" size=3D"3"=
><span style=3D"font-size: 12pt;">I just got off the phone with Mike Nelson=
 at Boomerang and he confirmed they<br>have in stock and are shipping the S=
idecar, a proprietary foot controller<br>
for the Boomerang III. I didn&#39;t ask him how much, but IIRC it&#39;s som=
ewhere<br>around $400 list.<br>Of course, he can&#39;t discount it without =
pissing off his vendors, but give<br>him a call and see what he can do for =
you.<br>
Gnarly<u></u><u></u></span></font></p></div></td></tr></tbody></table>
<p><font face=3D"Times New Roman" size=3D"3"><span style=3D"font-size: 12pt=
;"><u></u>=A0<u></u></span></font></p></blockquote></blockquote><br></td></=
tr></tbody></table></blockquote></div><br>

--bcaec501c58c34d57d04a8f9e1db--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 16:49:42 2011
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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: New Moog Lap Steel
Date: Tue, 26 Jul 2011 09:49:17 -0700
In-reply-to: <4E2E7BB0.4010407@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
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> Interestingly, playback on studio monitors with no visuals
> gave me a real impression of being there in the room with you

The zoom's lil electret condensers actually produce a surprisingly deep image.  Also, there is some kind of DSP monkey business going on in that camera that makes it always sound pretty darn presentable.   Though I have noticed that upper harmonics are harsh --  strangely, at lower recording levels.  If I hit the input a little harder, the overall sound of the unit improves-- some DSP threshold getting invoked?
  

Daniel 
On Jul 26, 2011, at 1:32 AM, andy butler wrote:

> William Walker wrote:
> 
>> Andy i'll try the tissue trick, and come to think of it I have a wind screen for it that I don't always use, i assume that would have a similar effect, no?
>> Bill
> 
> Yep, wouldn't hurt to try the windshield.
> 
> It also occurs to me that you're probably playing back
> on the same speakers (and same room) that you recorded in.
> That's going to multiply any unevenness in the sound, and might make it seem like you have a problem when you don't.
> 
> Listening here on the big speakers a few of the moog sus tones are
> a bit screechy (only those really high harmonics), but otherwise
> those recordings just sound fulsome.
> 
> Interestingly, playback on studio monitors with no visuals
> gave me a real impression of being there in the room with you.
> 
> 
> andy
> 


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><blockquote type=3D"cite"><div><font class=3D"Apple-style-span" =
color=3D"#000000"><font class=3D"Apple-style-span" =
color=3D"#144FAE">Interestingly, playback on studio monitors with no =
visuals</font></font></div></blockquote><blockquote =
type=3D"cite"><div>gave me a real impression of being there in the room =
with you</div></blockquote><div><br></div><div><div>The zoom's lil =
electret condensers actually produce a surprisingly deep image. =
&nbsp;Also, there is some kind of DSP monkey business going on in that =
camera that makes it always sound pretty darn presentable. &nbsp; Though =
I have noticed that upper harmonics are harsh -- &nbsp;strangely, at =
lower recording levels. &nbsp;If I hit the input a little harder, the =
overall sound of the unit improves-- some DSP threshold getting =
invoked?</div><div>&nbsp;&nbsp;</div><div><br></div><div>Daniel&nbsp;</div=
><div>On Jul 26, 2011, at 1:32 AM, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>William=
 Walker wrote:<br><br><blockquote type=3D"cite"> Andy i'll try the =
tissue trick, and come to think of it I have a wind screen for it that I =
don't always use, i assume that would have a similar effect, =
no?<br></blockquote><blockquote type=3D"cite"> =
Bill<br></blockquote><br>Yep, wouldn't hurt to try the =
windshield.<br><br>It also occurs to me that you're probably playing =
back<br>on the same speakers (and same room) that you recorded =
in.<br>That's going to multiply any unevenness in the sound, and might =
make it seem like you have a problem when you don't.<br><br>Listening =
here on the big speakers a few of the moog sus tones are<br>a bit =
screechy (only those really high harmonics), but otherwise<br>those =
recordings just sound fulsome.<br><br>Interestingly, playback on studio =
monitors with no visuals<br>gave me a real impression of being there in =
the room with =
you.<br><br><br>andy<br><br></div></blockquote></div><br></body></html>=

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From: FRO DIDDLY <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Ableton - not saving screen layout?
Date: Tue, 26 Jul 2011 17:43:51 -0500
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howdy all-

ableton is not saving my opened plugins and im wondering if this is normal?

meaning every time i open ableton i have to manually open up mobius and any=
 other plugins i want to look at-
normal or no? is there a magic button somewhere to save layout?

ty

fro




The Wandering Madman=20
 		 	   		  =

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<html>
<head>
<style><!--
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{
margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
howdy all-<br><br>ableton is not saving my opened plugins and im wondering =
if this is normal?<br><br>meaning every time i open ableton i have to manua=
lly open up mobius and any other plugins i want to look at-<br>normal or no=
? is there a magic button somewhere to save layout?<br><br>ty<br><br>fro<br=
>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
 		 	   		  </div></body>
</html>=

--_7c59fff1-f1f5-413b-bcc2-f598e2ee80e1_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 26 22:54:39 2011
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Date: Wed, 27 Jul 2011 00:53:57 +0200
Message-ID: <CAJC14WiFMYoD7tJAMcGQd1c==yX2mxbfTXk+B5M_a9aoJN4g4A@mail.gmail.com>
Subject: Re: Ableton - not saving screen layout?
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jul 27, 2011 at 12:43 AM, FRO DIDDLY <parispro00@hotmail.com> wrote:
> ableton is not saving my opened plugins and im wondering if this is normal?
>
> meaning every time i open ableton i have to manually open up mobius and any
> other plugins i want to look at-


> normal or no? i

Not normal.

> is there a magic button somewhere to save layout?

"Yes", sort of. in the preferences you can set up how windows shall behave.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From: Todd Reynolds <toddreyn@gmail.com>
Subject: Re: Ableton - not saving screen layout?
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None whatsoever. Have to open every time I'm afraid. Unless, however, I'm mi=
ssing something.=20

Sent from my iPhone

On Jul 26, 2011, at 6:43 PM, FRO DIDDLY <parispro00@hotmail.com> wrote:

> howdy all-
>=20
> ableton is not saving my opened plugins and im wondering if this is normal=
?
>=20
> meaning every time i open ableton i have to manually open up mobius and an=
y other plugins i want to look at-
> normal or no? is there a magic button somewhere to save layout?
>=20
> ty
>=20
> fro
>=20
> The Wandering Madman

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<html><body bgcolor="#FFFFFF"><div>None whatsoever. Have to open every time I'm afraid. Unless, however, I'm missing something.&nbsp;<br><br>Sent from my iPhone</div><div><br>On Jul 26, 2011, at 6:43 PM, FRO DIDDLY &lt;<a href="mailto:parispro00@hotmail.com">parispro00@hotmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><div dir="ltr">
howdy all-<br><br>ableton is not saving my opened plugins and im wondering if this is normal?<br><br>meaning every time i open ableton i have to manually open up mobius and any other plugins i want to look at-<br>normal or no? is there a magic button somewhere to save layout?<br><br>ty<br><br>fro<br>
<br>

<a href="http://www.youtube.com/TheWanderingMadman" target="_blank">The Wandering Madman </a>
 		 	   		  </div>
</div></blockquote></body></html>
--Apple-Mail-1-553657335--

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Subject: Re: Ableton - not saving screen layout?
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> On Wed, Jul 27, 2011 at 12:43 AM, FRO DIDDLY <parispro00@hotmail.com> wro=
te:
>> ableton is not saving my opened plugins and im wondering if this is norm=
al?
>>
>> meaning every time i open ableton i have to manually open up mobius and =
any
>> other plugins i want to look at-
>
>
>> normal or no? i
>
On Wed, Jul 27, 2011 at 12:53 AM, Per Boysen <perboysen@gmail.com> wrote:
> Not normal.
>
>> is there a magic button somewhere to save layout?
>
> "Yes", sort of. in the preferences you can set up how windows shall behav=
e.


Hell=C3=B6 again.... I was busy inside another application and couldn't
check it out for you hands-on. But now I did and would like to modify
my answer above. As long as you are using Live's own plugin GUI you
can set them up as you want. But the universal draw-back with Live is
that you can only see so many plugin windows at once as fits into the
Detail View window/bar at the bottom. But there is a trick! Live now
supports assigning a MIDI event to many targets so you can simply
assign the same event you are using to set a parameter inside a plugin
also to the Track Bar Title slot. If doing so, this is what happens
when you press your button/pedal for whatever-you-wanna-control: At
the same time as the targeted parameter's value changes (according to
your programming) the track that hosts the plugin is being selected
and this means that all of this track's plugin's GUI windows will be
displayed at the bottom. In order to make room down there showing more
you may want to shrink all other plugins.

Third-party plugin's original GUI window's status are not saved with a
Live session.

Per

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I just paid for a sidecar. The total was $209.00 plus shipping for a 
total of $241.00. Mike also sent me a couple of pictures and the 
manual for the sidecar. If anyone is interested send me an email off 
list and I'll forward the pictures and manual on to you.

Hopefully it should be here in a week or two at the most. I'm going 
on a road trip to Alaska, and Vancouver in Sept. and I hope to be 
familiar enough with it to use it by then.

Paul Haslem
Ontario, Canada
www.dulcify.ca

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Subject: RE: Boomerang Sidecar Price
Date: Tue, 26 Jul 2011 20:23:55 -0400
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I just ordered my Sidecar from my local retailer (same place I bought the
"Rang III) and my cost will be $230 + tax. They are just ordering the one
for me, so bigger outfits that can order larger numbers may get a better
price. In other words, YMMV.

 

hoby

 

  _____  

From: Jeff Duke [mailto:jeffloops@gmail.com] 
Sent: Tuesday, July 26, 2011 10:38 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar

 

upon further looking, that place also sell the 'Rang III for $870. So I just
bet that when MF or Zzounds get's the sidecar (if they do) they would be
more like that $200 range...http://www.loopersparadise.de/en/pro.php?p=317

j

On Tue, Jul 26, 2011 at 8:38 AM, Paul Richards <paulrichard_rocks@yahoo.com>
wrote:


The price point is way too high. I'd say $200 would be high but at least
acceptable. No f'ing way would I blow $400 bucks on it. I'd rather pick up
an LP-2.

 

Paul

--- On Mon, 7/25/11, Jeff Duke <jeffloops@gmail.com> wrote:


From: Jeff Duke <jeffloops@gmail.com>
Subject: Re: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 11:20 PM

http://www.loopersparadise.de/en/pro.php?p=544 is the only place I find it
online which makes it after conversion about $380! Yikes! 

>A clever way to limit sales.

indeed :)

j

On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <hqr@cox.net
<http://us.mc367.mail.yahoo.com/mc/compose?to=hqr@cox.net> > wrote:

Don't quote me, I am not sure, it could be $299.

Oh hell, call him and find out.

G

 


  _____  


From: Toby G [mailto:carpet8@mac.com
<http://us.mc367.mail.yahoo.com/mc/compose?to=carpet8@mac.com> ] 
Sent: Monday, July 25, 2011 6:56 PM
To: Loopers-Delight@loopers-delight.com
<http://us.mc367.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-deligh
t.com> 
Subject: Re: Boomerang Sidecar

  

A clever way to limit sales.

 

t

----- Original Message ----- 

From: Paul Richards
<http://us.mc367.mail.yahoo.com/mc/compose?to=paulrichard_rocks@yahoo.com>  

To: Loopers-Delight@loopers-delight.com
<http://us.mc367.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-deligh
t.com>  

Sent: Monday, July 25, 2011 6:52 PM

Subject: RE: Boomerang Sidecar

 


$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net
<http://us.mc367.mail.yahoo.com/mc/compose?to=hqr@cox.net> > wrote: 


From: Clayton Gary Lehmann <hqr@cox.net
<http://us.mc367.mail.yahoo.com/mc/compose?to=hqr@cox.net> >
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
<http://us.mc367.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-deligh
t.com> 
Date: Monday, July 25, 2011, 7:14 PM 

I just got off the phone with Mike Nelson at Boomerang and he confirmed they
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly

 

 

 


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I just ordered my Sidecar from my =
local
retailer (same place I bought the &#8220;Rang III) and my cost will be =
$230 +
tax. They are just ordering the one for me, so bigger outfits that can =
order
larger numbers may get a better price. In other words, =
YMMV.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>hoby<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D3 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Jeff =
Duke
[mailto:jeffloops@gmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, July 26, =
2011 10:38
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>upon further =
looking,
that place also sell the 'Rang III for $870. So I just bet that when MF =
or Zzounds
get's the sidecar (if they do) they would be more like that $200 =
range...<a
href=3D"http://www.loopersparadise.de/en/pro.php?p=3D317">http://www.loop=
ersparadise.de/en/pro.php?p=3D317</a><br>
<br>
j<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Tue, Jul 26, 2011 at 8:38 AM, Paul Richards &lt;<a
href=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</=
a>&gt;
wrote:<o:p></o:p></span></font></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>The price point is way too high. I'd say =
$200 would
  be high but at least acceptable. No f'ing way would I blow $400 bucks =
on it.
  I'd rather pick up an LP-2.<o:p></o:p></span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>
  </div>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>Paul<br>
  <br>
  --- On <b><span style=3D'font-weight:bold'>Mon, 7/25/11, Jeff Duke =
<i><span
  style=3D'font-style:italic'>&lt;<a href=3D"mailto:jeffloops@gmail.com"
  target=3D"_blank">jeffloops@gmail.com</a>&gt;</span></i></span></b> =
wrote:<o:p></o:p></span></font></p>
  </div>
  <blockquote style=3D'border:none;border-left:solid #1010FF =
1.5pt;padding:0in 0in 0in 3.0pt;
  margin-left:3.0pt;margin-top:5.0pt;margin-bottom:5.0pt'>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><br>
  From: Jeff Duke &lt;<a href=3D"mailto:jeffloops@gmail.com" =
target=3D"_blank">jeffloops@gmail.com</a>&gt;<br>
  Subject: Re: Boomerang Sidecar<br>
  To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
  Date: Monday, July 25, 2011, 11:20 PM<o:p></o:p></span></font></p>
  <div>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><a
  href=3D"http://www.loopersparadise.de/en/pro.php?p=3D544" =
target=3D"_blank">http://www.loopersparadise.de/en/pro.php?p=3D544</a>
  is the only place I find it online which makes it after conversion =
about
  $380! Yikes! <br>
  <br>
  &gt;</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
  font-family:Arial'>A clever way to limit sales.<br>
  <br>
  indeed :)<br>
  <br>
  j</span></font><o:p></o:p></p>
  <div>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>On Mon, Jul 25, 2011 at 10:22 PM, Clayton =
Gary
  Lehmann &lt;<a =
href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net"
  target=3D"_blank">hqr@cox.net</a>&gt; =
wrote:<o:p></o:p></span></font></p>
  <div>
  <div>
  <p><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;
  font-family:Arial;color:navy'>Don&#8217;t quote me, I am not sure, it =
could
  be $299.</span></font><o:p></o:p></p>
  </div>
  <p><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;
  font-family:Arial;color:navy'>Oh hell, call him and find =
out.</span></font><o:p></o:p></p>
  </div>
  <p><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;
  font-family:Arial;color:navy'>G</span></font><o:p></o:p></p>
  </div>
  <p><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;
  font-family:Arial;color:navy'>&nbsp;</span></font><o:p></o:p></p>
  </div>
  <div>
  <div class=3DMsoNormal align=3Dcenter =
style=3D'text-align:center'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>
  <hr size=3D2 width=3D"100%" align=3Dcenter>
  </span></font></div>
  <p><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:
  Tahoma;font-weight:bold'>From:</span></font></b><font size=3D2 =
face=3DTahoma><span
  style=3D'font-size:10.0pt;font-family:Tahoma'> Toby G [mailto:<a
  =
href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dcarpet8@mac.com"
  target=3D"_blank">carpet8@mac.com</a>] <br>
  <b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 25, =
2011 6:56
  PM<br>
  <b><span style=3D'font-weight:bold'>To:</span></b> <a
  =
href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@lo=
opers-delight.com"
  target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
  <b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Boomerang =
Sidecar</span></font><o:p></o:p></p>
  </div>
  <p><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp; <o:p></o:p></span></font></p>
  <div>
  <p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>A
  clever way to limit sales.</span></font><o:p></o:p></p>
  </div>
  <div>
  <p><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>
  </div>
  <div>
  <p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>t</span></font><o:p></o:p></=
p>
  </div>
  <blockquote style=3D'border:none;border-left:solid black =
1.0pt;padding:0in 0in 0in 3.0pt;
  =
margin-left:2.5pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'>=

  <div>
  <p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>-----
  Original Message ----- </span></font><o:p></o:p></p>
  </div>
  <div>
  <p style=3D'background:#E4E4E4;background-position-x:
  0%;background-position-y:0%;
  background-attachment:scroll'><b><font size=3D2 face=3DArial><span
  =
style=3D'font-size:10.0pt;font-family:Arial;font-weight:bold'>From:</span=
></font></b><font
  size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> <a
  =
href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dpaulrichard_rocks@=
yahoo.com"
  target=3D"_blank" title=3D"paulrichard_rocks@yahoo.com">Paul =
Richards</a> </span></font><o:p></o:p></p>
  </div>
  <div>
  <p><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
  font-weight:bold'>To:</span></font></b><font size=3D2 =
face=3DArial><span
  style=3D'font-size:10.0pt;font-family:Arial'> <a
  =
href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@lo=
opers-delight.com"
  target=3D"_blank" =
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
  </span></font><o:p></o:p></p>
  </div>
  <div>
  <p><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
  font-weight:bold'>Sent:</span></font></b><font size=3D2 =
face=3DArial><span
  style=3D'font-size:10.0pt;font-family:Arial'> Monday, July 25, 2011 =
6:52 PM</span></font><o:p></o:p></p>
  </div>
  <div>
  <p><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
  font-weight:bold'>Subject:</span></font></b><font size=3D2 =
face=3DArial><span
  style=3D'font-size:10.0pt;font-family:Arial'> RE: Boomerang =
Sidecar</span></font><o:p></o:p></p>
  </div>
  <div>
  <p><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>
  </div>
  <table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
   <tr>
    <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
    <p><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>$400!?
    That's almost as much as the Boomerang!<br>
    <br>
    --- On <b><span style=3D'font-weight:bold'>Mon, 7/25/11, Clayton =
Gary Lehmann
    <i><span style=3D'font-style:italic'>&lt;<a
    href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net"
    target=3D"_blank">hqr@cox.net</a>&gt;</span></i></span></b> wrote: =
<o:p></o:p></span></font></p>
    <p style=3D'margin-bottom:12.0pt'><font size=3D3 face=3D"Times New =
Roman"><span
    style=3D'font-size:12.0pt'><br>
    From: Clayton Gary Lehmann &lt;<a
    href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net"
    target=3D"_blank">hqr@cox.net</a>&gt;<br>
    Subject: RE: Boomerang Sidecar<br>
    To: <a
    =
href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@lo=
opers-delight.com"
    target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
    Date: Monday, July 25, 2011, 7:14 PM <o:p></o:p></span></font></p>
    <div>
    <p style=3D'margin-bottom:12.0pt'><font size=3D3 face=3D"Times New =
Roman"><span
    style=3D'font-size:12.0pt'>I just got off the phone with Mike Nelson =
at
    Boomerang and he confirmed they<br>
    have in stock and are shipping the Sidecar, a proprietary foot =
controller<br>
    for the Boomerang III. I didn't ask him how much, but IIRC it's =
somewhere<br>
    around $400 list.<br>
    Of course, he can't discount it without pissing off his vendors, but =
give<br>
    him a call and see what he can do for you.<br>
    Gnarly<o:p></o:p></span></font></p>
    </div>
    </td>
   </tr>
  </table>
  <p><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>
  </blockquote>
  </blockquote>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>
  </td>
 </tr>
</table>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 27 01:41:17 2011
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Date: Tue, 26 Jul 2011 18:41:15 -0700 (PDT)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: RE: Boomerang Sidecar Price
To: Loopers-Delight@loopers-delight.com
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Content-Transfer-Encoding: quoted-printable

Heck, I was perfectly happy with the $400 price. Will anyone sell me one fo=
r $400.00?

--- On Tue, 7/26/11, list2 <list2@moondogeast.org> wrote:


From: list2 <list2@moondogeast.org>
Subject: RE: Boomerang Sidecar Price
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, July 26, 2011, 5:23 PM








I just ordered my Sidecar from my local retailer (same place I bought the =
=E2=80=9CRang III) and my cost will be $230 + tax. They are just ordering t=
he one for me, so bigger outfits that can order larger numbers may get a be=
tter price. In other words, YMMV.
=C2=A0
hoby
=C2=A0




From: Jeff Duke [mailto:jeffloops@gmail.com]=20
Sent: Tuesday, July 26, 2011 10:38 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar
=C2=A0
upon further looking, that place also sell the 'Rang III for $870. So I jus=
t bet that when MF or Zzounds get's the sidecar (if they do) they would be =
more like that $200 range...http://www.loopersparadise.de/en/pro.php?p=3D31=
7

j

On Tue, Jul 26, 2011 at 8:38 AM, Paul Richards <paulrichard_rocks@yahoo.com=
> wrote:





The price point is way too high. I'd say $200 would be high but at least ac=
ceptable. No f'ing way would I blow $400 bucks on it. I'd rather pick up an=
 LP-2.

=C2=A0

Paul

--- On Mon, 7/25/11, Jeff Duke <jeffloops@gmail.com> wrote:


From: Jeff Duke <jeffloops@gmail.com>
Subject: Re: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 11:20 PM

http://www.loopersparadise.de/en/pro.php?p=3D544 is the only place I find i=
t online which makes it after conversion about $380! Yikes!=20

>A clever way to limit sales.

indeed :)

j

On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gary Lehmann <hqr@cox.net> wrote:


Don=E2=80=99t quote me, I am not sure, it could be $299.
Oh hell, call him and find out.
G
=C2=A0




From: Toby G [mailto:carpet8@mac.com]=20
Sent: Monday, July 25, 2011 6:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar
=C2=A0=20

A clever way to limit sales.

=C2=A0

t


----- Original Message -----=20

From: Paul Richards=20

To: Loopers-Delight@loopers-delight.com=20

Sent: Monday, July 25, 2011 6:52 PM

Subject: RE: Boomerang Sidecar

=C2=A0




$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:=20

From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM=20

I just got off the phone with Mike Nelson at Boomerang and he confirmed the=
y
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly
=C2=A0
=C2=A0
=C2=A0
--0-1383101622-1311730875=:40499
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Heck, I was perfectly happy with the $400 pri=
ce. Will anyone sell me one for $400.00?<BR><BR>--- On <B>Tue, 7/26/11, lis=
t2 <I>&lt;list2@moondogeast.org&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: list2 &lt;list2@moondogeast.org&gt;<BR>Subj=
ect: RE: Boomerang Sidecar Price<BR>To: Loopers-Delight@loopers-delight.com=
<BR>Date: Tuesday, July 26, 2011, 5:23 PM<BR><BR>
<DIV id=3Dyiv683846235>
<STYLE>
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<DIV class=3Dyiv683846235Section1>
<P class=3Dyiv683846235MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">I just orde=
red my Sidecar from my local retailer (same place I bought the =E2=80=9CRan=
g III) and my cost will be $230 + tax. They are just ordering the one for m=
e, so bigger outfits that can order larger numbers may get a better price. =
In other words, YMMV.</SPAN></FONT></DIV>
<P class=3Dyiv683846235MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">&nbsp;</SPA=
N></FONT></DIV>
<P class=3Dyiv683846235MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">hoby</SPAN>=
</FONT></DIV>
<P class=3Dyiv683846235MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial><=
SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">&nbsp;</SPA=
N></FONT></DIV>
<DIV>
<DIV style=3D"TEXT-ALIGN: center" class=3Dyiv683846235MsoNormal align=3Dcen=
ter><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"=
>
<HR tabIndex=3D-1 align=3Dcenter SIZE=3D3 width=3D"100%">
</SPAN></FONT></DIV>
<P class=3Dyiv683846235MsoNormal><B><FONT size=3D2 face=3DTahoma><SPAN styl=
e=3D"FONT-FAMILY: Tahoma; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN><=
/FONT></B><FONT size=3D2 face=3DTahoma><SPAN style=3D"FONT-FAMILY: Tahoma; =
FONT-SIZE: 10pt"> Jeff Duke [mailto:jeffloops@gmail.com] <BR><B><SPAN style=
=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Tuesday, July 26, 2011 10:38 AM<BR>=
<B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers=
-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re=
: Boomerang Sidecar</SPAN></FONT></DIV></DIV>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv683846235MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt">upon further =
looking, that place also sell the 'Rang III for $870. So I just bet that wh=
en MF or Zzounds get's the sidecar (if they do) they would be more like tha=
t $200 range...<A href=3D"http://www.loopersparadise.de/en/pro.php?p=3D317"=
 rel=3Dnofollow target=3D_blank>http://www.loopersparadise.de/en/pro.php?p=
=3D317</A><BR><BR>j</SPAN></FONT></DIV>
<DIV>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">On Tue, Jul 26, 2011 at 8:38 AM, Paul Richard=
s &lt;<A href=3D"http://us.mc384.mail.yahoo.com/mc/compose?to=3Dpaulrichard=
_rocks@yahoo.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:paulrich=
ard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</A>&gt; wrote:</SPAN></FON=
T></DIV>
<TABLE class=3Dyiv683846235MsoNormalTable border=3D0 cellSpacing=3D0 cellPa=
dding=3D0>
<TBODY>
<TR>
<TD style=3D"PADDING-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; PA=
DDING-TOP: 0in" vAlign=3Dtop>
<DIV>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">The price point is way too high. I'd say $200=
 would be high but at least acceptable. No f'ing way would I blow $400 buck=
s on it. I'd rather pick up an LP-2.</SPAN></FONT></DIV></DIV>
<DIV>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV></DIV>
<DIV>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">Paul<BR><BR>--- On <B><SPAN style=3D"FONT-WEI=
GHT: bold">Mon, 7/25/11, Jeff Duke <I><SPAN style=3D"FONT-STYLE: italic">&l=
t;<A href=3D"http://us.mc384.mail.yahoo.com/mc/compose?to=3Djeffloops@gmail=
.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:jeffloops@gmail.com"=
>jeffloops@gmail.com</A>&gt;</SPAN></I></SPAN></B> wrote:</SPAN></FONT></DI=
V></DIV>
<BLOCKQUOTE style=3D"BORDER-BOTTOM: medium none; BORDER-LEFT: #1010ff 1.5pt=
 solid; PADDING-BOTTOM: 0in; MARGIN-TOP: 5pt; PADDING-LEFT: 3pt; PADDING-RI=
GHT: 0in; MARGIN-BOTTOM: 5pt; MARGIN-LEFT: 3pt; BORDER-TOP: medium none; BO=
RDER-RIGHT: medium none; PADDING-TOP: 0in">
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv683846235MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"><BR>From: Jef=
f Duke &lt;<A href=3D"http://us.mc384.mail.yahoo.com/mc/compose?to=3Djefflo=
ops@gmail.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:jeffloops@g=
mail.com">jeffloops@gmail.com</A>&gt;<BR>Subject: Re: Boomerang Sidecar<BR>=
To: <A href=3D"http://us.mc384.mail.yahoo.com/mc/compose?to=3DLoopers-Delig=
ht@loopers-delight.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:Lo=
opers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><=
BR>Date: Monday, July 25, 2011, 11:20 PM</SPAN></FONT></DIV>
<DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv683846235MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"><A href=3D"ht=
tp://www.loopersparadise.de/en/pro.php?p=3D544" rel=3Dnofollow target=3D_bl=
ank>http://www.loopersparadise.de/en/pro.php?p=3D544</A> is the only place =
I find it online which makes it after conversion about $380! Yikes! <BR><BR=
>&gt;</SPAN></FONT><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: =
Arial; FONT-SIZE: 10pt">A clever way to limit sales.<BR><BR>indeed :)<BR><B=
R>j</SPAN></FONT></DIV>
<DIV>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">On Mon, Jul 25, 2011 at 10:22 PM, Clayton Gar=
y Lehmann &lt;<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr=
@cox.net" rel=3Dnofollow target=3D_blank>hqr@cox.net</A>&gt; wrote:</SPAN><=
/FONT></DIV>
<DIV>
<DIV>
<DIV><FONT color=3Dnavy size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: A=
rial; COLOR: navy; FONT-SIZE: 10pt">Don=E2=80=99t quote me, I am not sure, =
it could be $299.</SPAN></FONT></DIV></DIV>
<DIV><FONT color=3Dnavy size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: A=
rial; COLOR: navy; FONT-SIZE: 10pt">Oh hell, call him and find out.</SPAN><=
/FONT></DIV></DIV>
<DIV><FONT color=3Dnavy size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: A=
rial; COLOR: navy; FONT-SIZE: 10pt">G</SPAN></FONT></DIV></DIV>
<DIV><FONT color=3Dnavy size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: A=
rial; COLOR: navy; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></DIV></DIV>
<DIV>
<DIV style=3D"TEXT-ALIGN: center" class=3Dyiv683846235MsoNormal align=3Dcen=
ter><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"=
>
<HR align=3Dcenter SIZE=3D2 width=3D"100%">
</SPAN></FONT></DIV>
<DIV><B><FONT size=3D2 face=3DTahoma><SPAN style=3D"FONT-FAMILY: Tahoma; FO=
NT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN></FONT></B><FONT size=3D2 fac=
e=3DTahoma><SPAN style=3D"FONT-FAMILY: Tahoma; FONT-SIZE: 10pt"> Toby G [ma=
ilto:<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dcarpet8@mac.=
com" rel=3Dnofollow target=3D_blank>carpet8@mac.com</A>] <BR><B><SPAN style=
=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Monday, July 25, 2011 6:56 PM<BR><B=
><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> <A href=3D"http://us.mc36=
7.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" rel=
=3Dnofollow target=3D_blank>Loopers-Delight@loopers-delight.com</A><BR><B><=
SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: Boomerang Sidecar<=
/SPAN></FONT></DIV></DIV>
<DIV><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">&nbsp; </SPAN></FONT></DIV>
<DIV>
<DIV><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT-SI=
ZE: 10pt">A clever way to limit sales.</SPAN></FONT></DIV></DIV>
<DIV>
<DIV><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">&nbsp;</SPAN></FONT></DIV></DIV>
<DIV>
<DIV><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT-SI=
ZE: 10pt">t</SPAN></FONT></DIV></DIV>
<BLOCKQUOTE style=3D"BORDER-BOTTOM: medium none; BORDER-LEFT: black 1pt sol=
id; PADDING-BOTTOM: 0in; MARGIN: 5pt 0in 5pt 2.5pt; PADDING-LEFT: 3pt; PADD=
ING-RIGHT: 0in; BORDER-TOP: medium none; BORDER-RIGHT: medium none; PADDING=
-TOP: 0in">
<DIV>
<DIV><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT-SI=
ZE: 10pt">----- Original Message ----- </SPAN></FONT></DIV></DIV>
<DIV>
<P style=3D"BACKGROUND: #e4e4e4"><B><FONT size=3D2 face=3DArial><SPAN style=
=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN></F=
ONT></B><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT=
-SIZE: 10pt"> <A title=3Dpaulrichard_rocks@yahoo.com href=3D"http://us.mc36=
7.mail.yahoo.com/mc/compose?to=3Dpaulrichard_rocks@yahoo.com" rel=3Dnofollo=
w target=3D_blank>Paul Richards</A> </SPAN></FONT></DIV></DIV>
<DIV>
<DIV><B><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT=
-SIZE: 10pt; FONT-WEIGHT: bold">To:</SPAN></FONT></B><FONT size=3D2 face=3D=
Arial><SPAN style=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt"> <A title=3DLoope=
rs-Delight@loopers-delight.com href=3D"http://us.mc367.mail.yahoo.com/mc/co=
mpose?to=3DLoopers-Delight@loopers-delight.com" rel=3Dnofollow target=3D_bl=
ank>Loopers-Delight@loopers-delight.com</A> </SPAN></FONT></DIV></DIV>
<DIV>
<DIV><B><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT=
-SIZE: 10pt; FONT-WEIGHT: bold">Sent:</SPAN></FONT></B><FONT size=3D2 face=
=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt"> Monday, July =
25, 2011 6:52 PM</SPAN></FONT></DIV></DIV>
<DIV>
<DIV><B><FONT size=3D2 face=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT=
-SIZE: 10pt; FONT-WEIGHT: bold">Subject:</SPAN></FONT></B><FONT size=3D2 fa=
ce=3DArial><SPAN style=3D"FONT-FAMILY: Arial; FONT-SIZE: 10pt"> RE: Boomera=
ng Sidecar</SPAN></FONT></DIV></DIV>
<DIV>
<DIV><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">&nbsp;</SPAN></FONT></DIV></DIV>
<TABLE class=3Dyiv683846235MsoNormalTable border=3D0 cellSpacing=3D0 cellPa=
dding=3D0>
<TBODY>
<TR>
<TD style=3D"PADDING-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; PA=
DDING-TOP: 0in" vAlign=3Dtop>
<DIV><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">$400!? That's almost as much as the Boomerang!<BR><BR>--- On <B><SPAN sty=
le=3D"FONT-WEIGHT: bold">Mon, 7/25/11, Clayton Gary Lehmann <I><SPAN style=
=3D"FONT-STYLE: italic">&lt;<A href=3D"http://us.mc367.mail.yahoo.com/mc/co=
mpose?to=3Dhqr@cox.net" rel=3Dnofollow target=3D_blank>hqr@cox.net</A>&gt;<=
/SPAN></I></SPAN></B> wrote: </SPAN></FONT></DIV>
<P style=3D"MARGIN-BOTTOM: 12pt"><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt"><BR>From: Clayton Gary Lehmann &lt;<A href=3D=
"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net" rel=3Dnofollow=
 target=3D_blank>hqr@cox.net</A>&gt;<BR>Subject: RE: Boomerang Sidecar<BR>T=
o: <A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Deligh=
t@loopers-delight.com" rel=3Dnofollow target=3D_blank>Loopers-Delight@loope=
rs-delight.com</A><BR>Date: Monday, July 25, 2011, 7:14 PM </SPAN></FONT></=
DIV>
<DIV>
<P style=3D"MARGIN-BOTTOM: 12pt"><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">I just got off the phone with Mike Nelson at =
Boomerang and he confirmed they<BR>have in stock and are shipping the Sidec=
ar, a proprietary foot controller<BR>for the Boomerang III. I didn't ask hi=
m how much, but IIRC it's somewhere<BR>around $400 list.<BR>Of course, he c=
an't discount it without pissing off his vendors, but give<BR>him a call an=
d see what he can do for you.<BR>Gnarly</SPAN></FONT></DIV></DIV></TD></TR>=
</TBODY></TABLE>
<DIV><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">&nbsp;</SPAN></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV></TD></TR></TBODY><=
/TABLE></DIV>
<P class=3Dyiv683846235MsoNormal><FONT size=3D3 face=3D"Times New Roman"><S=
PAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV></DIV></DIV></BLOCK=
QUOTE></td></tr></table>
--0-1383101622-1311730875=:40499--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 27 02:32:41 2011
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Subject: Re: New Moog Lap Steel
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--Apple-Mail-2-566786857
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Andy wrote
Interestingly, playback on studio monitors with no visuals
gave me a real impression of being there in the room with you.

well for you to really get the impression of being in the room with  
me  there might need to be some kind of scratch and sniff element to  
really paint the whole picture:-)
I forgot to mention that I was post processing my quantized loops  
through a TC Fireworx  that was doing a combo of stereo delays, stereo  
delayed octave pitch shifting and very slow stereo panning all synced  
to the LP-1  so you were definitely hearing movement in the imaging.  
also I find it interesting that they suggest setting up the mics  
favoring one side of whatever source you are recording over the other,  
rather than trying to place the Q-3 exactly centered between them.  
perhaps as Daniel T suggested there is some digital trickery going on  
that compensates the two sides of the stereo image. BTW Daniel I  
really appreciate all the feedback about toilet tissue and spraying  
techniques Thanks:-)
  Bill
--Apple-Mail-2-566786857
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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
color=3D"#622BFF"><span class=3D"Apple-style-span" style=3D"color: =
rgb(0, 0, 0); ">Andy wrote</span></font><div><font =
class=3D"Apple-style-span" color=3D"#622BFF"><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); =
"></span>Interestingly, playback on studio monitors with no =
visuals<br>gave me a real impression of being there in the room with =
you.</font><div><br></div><div>well for you to really get the impression =
of being in the room with me &nbsp;there might need to be some kind of =
scratch and sniff element to really paint the whole picture:-)<br>I =
forgot to mention that I was post processing my quantized loops through =
a TC Fireworx &nbsp;that was doing a combo of stereo delays, stereo =
delayed octave pitch shifting and very slow stereo panning all synced to =
the LP-1 &nbsp;so you were definitely hearing movement in the imaging. =
also I find it interesting that they suggest setting up the mics =
favoring one side of whatever source you are recording over the other, =
rather than trying to place the Q-3 exactly centered between them. =
perhaps as Daniel T suggested there is some digital trickery going on =
that compensates the two sides of the stereo image. BTW Daniel I really =
appreciate all the feedback about toilet tissue and spraying techniques =
Thanks:-)&nbsp;</div></div><div>&nbsp;Bill</div></body></html>=

--Apple-Mail-2-566786857--

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Subject: ableton screen layout
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thank you for the replies! and ty for the midi binding idea per=2C i think =
i can get that to work how i want it

salut






The Wandering Madman=20
 		 	   		  =

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<html>
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{
margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'><div dir=3D'ltr'>
thank you for the replies! and ty for the midi binding idea per=2C i think =
i can get that to work how i want it<br><br>salut<br><br><br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
 		 	   		  </div></body>
</html>=

--_fc293ecd-3831-4598-a942-7cd6fcc05b59_--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 27 08:13:02 2011
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Subject: Re: New Moog Lap Steel
References: <6139D06B-683A-476B-AAE7-744241655FE1@baymoon.com> <4E2E7BB0.4010407@tiscali.co.uk> <694A312C-4B06-484E-AD54-10E84934ED2A@mac.com>
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Daniel Thomas wrote:

> The zoom's lil electret condensers actually produce a surprisingly deep 
> image.  Also, there is some kind of DSP monkey business going on in that 
> camera that makes it always sound pretty darn presentable.   Though I 
> have noticed that upper harmonics are harsh --  strangely, at lower 
> recording levels.  If I hit the input a little harder, the overall sound 
> of the unit improves-- some DSP threshold getting invoked?

Hi Daniel,
well I only have the H2, but it doesn't have any DSP going on at all.
If you're getting harsh sound at low levels on the Q3 my first
guess would be that you're using mp3 format for the sound, 
....surely not ;-)

Guess 2 would be something to do with automatic level compensation,
...worth switching that off if it's on unless it's 100% needed.

More likely it'd be something to do with the analog electronics 
of the unit, unless you were recording so quiet that bit depth is an
issue.

..but hey, you got the result you wanted...those Zoom gadgets are
great value for money.

With the H2 it's essential sometimes to record at low level and 
then boost in a DAW. When using 24bit format I've found this works well.
http://www.youtube.com/watch?v=LN6M9I0gUPc
(visuals from the Nikon D90 which has a horrible mic)


andy



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Subject: Re: Ableton - not saving screen layout?
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Fro,
try going into preferences,then submenu "file folder" insert all your
plugins and press "save current set as default"
hope it works
cheers
Luis

On Wed, Jul 27, 2011 at 1:18 AM, Per Boysen <perboysen@gmail.com> wrote:
>> On Wed, Jul 27, 2011 at 12:43 AM, FRO DIDDLY <parispro00@hotmail.com> wr=
ote:
>>> ableton is not saving my opened plugins and im wondering if this is nor=
mal?
>>>
>>> meaning every time i open ableton i have to manually open up mobius and=
 any
>>> other plugins i want to look at-
>>
>>
>>> normal or no? i
>>
> On Wed, Jul 27, 2011 at 12:53 AM, Per Boysen <perboysen@gmail.com> wrote:
>> Not normal.
>>
>>> is there a magic button somewhere to save layout?
>>
>> "Yes", sort of. in the preferences you can set up how windows shall beha=
ve.
>
>
> Hell=F6 again.... I was busy inside another application and couldn't
> check it out for you hands-on. But now I did and would like to modify
> my answer above. As long as you are using Live's own plugin GUI you
> can set them up as you want. But the universal draw-back with Live is
> that you can only see so many plugin windows at once as fits into the
> Detail View window/bar at the bottom. But there is a trick! Live now
> supports assigning a MIDI event to many targets so you can simply
> assign the same event you are using to set a parameter inside a plugin
> also to the Track Bar Title slot. If doing so, this is what happens
> when you press your button/pedal for whatever-you-wanna-control: At
> the same time as the targeted parameter's value changes (according to
> your programming) the track that hosts the plugin is being selected
> and this means that all of this track's plugin's GUI windows will be
> displayed at the bottom. In order to make room down there showing more
> you may want to shrink all other plugins.
>
> Third-party plugin's original GUI window's status are not saved with a
> Live session.
>
> Per
>
>



--=20
www.luis-angulo.com

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William Walker wrote:

> also I 
> find it interesting that they suggest setting up the mics favoring one 
> side of whatever source you are recording over the other, rather than 
> trying to place the Q-3 exactly centered between them. 

Something to do with the 120 degree mic angle?

Nice aftershave by the way.

andy






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Subject: introduction & request
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--20cf3030bd273684a104a9113e82
Content-Type: text/plain; charset=ISO-8859-1

Hello all,

My name is Jon Forsyth, and I'm a guitarist with some looping experience
(mostly various delay pedals and a Lexicon JamMan).

I'm currently a PhD student at NYU studying Music Technology, and my
research involves live looping. I'd like to get a sense of what the looping
community is interested in, what tools they use, their approach to looping,
etc. If anyone is interested in answering a few questions, please contact me
directly.

Thanks in advance, looking forward to hearing from you!


Jon

--20cf3030bd273684a104a9113e82
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hello all,<div><br></div><div>My name is Jon Forsyth, and I&#39;m a guitari=
st with some looping experience (mostly various delay pedals and a Lexicon =
JamMan).</div><div><br></div><div>I&#39;m currently a PhD student at NYU st=
udying Music Technology, and my research involves live looping. I&#39;d lik=
e to get a sense of what the looping community is interested in, what tools=
 they use, their approach to looping, etc. If anyone is interested in answe=
ring a few questions, please contact me directly.</div>


<div><br></div><div>Thanks in advance, looking forward to hearing from you!=
</div><div><br></div><div><br></div><div>Jon</div><div><br></div>


--20cf3030bd273684a104a9113e82--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 27 18:57:35 2011
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Subject: Re: introduction & request
References: <CAM+ZLC7Tw5F4B6kCLMgxnyYDUi2QhvjgwAmsd1uwD78H8rCOZg@mail.gmail.com>
From: Simeon Harris <simeonharris40@googlemail.com>
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Why not post a list of questions here and let whoever wants to answer do so.=
 I know I would be interested in reading the replies you get (and I'll answe=
r too)

Sim

Sent from my iPod

On 27 Jul 2011, at 19:30, Jon Forsyth <jpf211@nyu.edu> wrote:

> Hello all,
>=20
> My name is Jon Forsyth, and I'm a guitarist with some looping experience (=
mostly various delay pedals and a Lexicon JamMan).
>=20
> I'm currently a PhD student at NYU studying Music Technology, and my resea=
rch involves live looping. I'd like to get a sense of what the looping commu=
nity is interested in, what tools they use, their approach to looping, etc. I=
f anyone is interested in answering a few questions, please contact me direc=
tly.
>=20
> Thanks in advance, looking forward to hearing from you!
>=20
>=20
> Jon
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jul 27 18:59:51 2011
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Subject: Re: introduction & request
From: Daniel Thomas <danielthomas4@mac.com>
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Date: Wed, 27 Jul 2011 11:59:47 -0700
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happy to contribute, Jon.  

I think Simeon is right.  Post your questions to the list.  You will get many good responses. 

Daniel 
On Jul 27, 2011, at 11:57 AM, Simeon Harris wrote:

> Why not post a list of questions here and let whoever wants to answer do so. I know I would be interested in reading the replies you get (and I'll answer too)
> 
> Sim
> 
> Sent from my iPod
> 
> On 27 Jul 2011, at 19:30, Jon Forsyth <jpf211@nyu.edu> wrote:
> 
>> Hello all,
>> 
>> My name is Jon Forsyth, and I'm a guitarist with some looping experience (mostly various delay pedals and a Lexicon JamMan).
>> 
>> I'm currently a PhD student at NYU studying Music Technology, and my research involves live looping. I'd like to get a sense of what the looping community is interested in, what tools they use, their approach to looping, etc. If anyone is interested in answering a few questions, please contact me directly.
>> 
>> Thanks in advance, looking forward to hearing from you!
>> 
>> 
>> Jon
>> 
> 

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Subject: Re: Emily Wells: Live Looper
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Emily Wells performed at the Calgary Folk Fest a couple years back and =
it was a pretty stellar performance. This song was one of my favourites:

http://www.youtube.com/watch?v=3DWAWfWEgeXf0

-Myke





On 2011-07-26, at 6:57 AM, Louie Angulo wrote:

> hey but shes using a drumbox i thought that was a sin here!;-))
> i wonder where thats coming from though,it looks like a groovebox on
> the table synced to her looper,though it could also b coming from one
> of those Boss RC loopers?
> love it  thanx for the link bro shes awesome!
> cheerios
> Luis
>=20
> On Tue, Jul 26, 2011 at 2:16 PM, Rick Walker <looppool@cruzio.com> =
wrote:
>>=20
>> Thanks to a last minute Facebook tip from singer/songwriter/live =
looper Goh
>> Nakamua,
>> I went to the Crepe Place and caught Emily Wells' set.
>>=20
>> http://www.youtube.com/watch?v=3DwNWto4xiCcw
>>=20
>> Man,   she's amazing!    She writes really compelling songs,  plays
>> beautiful violin and doubles
>> on keyboards, melodica, drums and guitar.      Her looping is =
flawless and
>> she has an amazing
>> sound.     There is beauty and funk and soul and pathos in the music =
and I
>> had a lot of fun dancing to a lot of it
>> as well.    One of the bartenders at the Crepe Place told me she had =
seen
>> many amazing shows there but that
>> she thought this was the single best set she'd seen.   I'm inclined =
to
>> agree.
>>=20
>> Literally, one of the very best live looping shows I've ever seen.   =
I'm a
>> huge fan!
>> Check her out!     She's a very sweet human being on top of it all.
>>=20
>> Rick Walker
>>=20
>>=20
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20

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Thanks to everyone who responded already!

> Why not post a list of questions here and let whoever wants to answer do so.
> I know I would be interested in reading the replies you get (and I'll answer too)

Yeah, I don't mind getting responses on the list (this "survey" is
pretty informal). So, as long as no one has any objections, I'll start
another thread for some questions.

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Subject: Re: Android phone OK for music/looping?
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This is not 'music' software per se, but it does bring cool =20
functionallity to Android:

On Android, Free, Open Source Touch Control for Music =E2=80=93 And It=E2=80=
=99s Just =20
the Beginning,  =20
http://createdigitalmusic.com/2011/07/on-android-free-open-source-touch-cont=
rol-for-music-and-its-just-the-beginning/#more-19927

Quoting Buzap Buzap <buzap@gmx.net>:

> Hi folks
>
> I'm planning on buying an Android phone. Generally, I'd prefer it to =20
>  an iPhone (microSD, transparent/open, accessible file system).
> However, I'm not sure if the Android will be ok for music/looping. I =20
>  just need some basic looping (long loop, overdubs, able to save =20
> it),  basic music notation (abc notation or Lilypond) and some =20
> simple  things (mp3 voice recorder, tuner, metronome etc.).
> Should I be ok with an Android for basic stuff (no gimmicks) or is  =20
> there simply no alternative for a musician to an iPhone?
>
> best regards
> Buzap
>
> --
> NEU: FreePhone - 0ct/min Handyspartarif mit Geld-zur=C3=BCck-Garantie!
> Jetzt informieren: http://www.gmx.net/de/go/freephone
>
>


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Hi everybody,

In case you didn't see my previous post, I'm a PhD student doing some
research involving live looping, and I'd like to get a sense of what
the looping community is interested in, what tools they use, their
approach to looping, etc. So, here some questions for anyone
interested in participating.


1) what aspects of looping do you enjoy the most?

2) what aspects of looping do you enjoy the least?

3) what looping tools (including controllers) do you currently
use/have used in the past?

4) what are the strengths of these tools?

5) what are the weaknesses of these tools?

6) do you modify a loop once it's been created? if so, how?

7) how much planning do you do for a particular performance?

8) what form does this planning take? (do you write it down, keep it
in your head, etc)

9) at what level of detail do you plan? (melody, harmony, timbres,
dynamics, instrumental techniques, etc.)

10) describe your general approach to loop performance.

11) what would the ideal looping system look like? describe it in as
much detail as you can (and don't worry about practical concerns).

12) any additional comments?



If for some reason you don't want your answers to be public, you can
send them directly to me.

Thanks!

Jon

From Loopers-Delight-request@loopers-delight.com  Wed Jul 27 22:41:18 2011
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Subject: RE: questions for loopers
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Here's my answers


1) what aspects of looping do you enjoy the most?
Capturing audio for backing tracks
2) what aspects of looping do you enjoy the least?
Error from which I cannot recover, in front of an unsympathetic audience
3) what looping tools (including controllers) do you currently
use/have used in the past?
A) Lexicon Jamman, B) Oberheim Echoplex Digital Pro, C) Roland RC-20, D)
Digitech Jamman--controller would be Digitech PMC-10
4) what are the strengths of these tools?
C and D have storage capability, A and B have more control
5) what are the weaknesses of these tools?
See above
6) do you modify a loop once it's been created? if so, how?
Windowing on the EDP mostly
7) how much planning do you do for a particular performance?
none
8) what form does this planning take? (do you write it down, keep it
in your head, etc)
see above
9) at what level of detail do you plan? (melody, harmony, timbres,
dynamics, instrumental techniques, etc.)
see above
10) describe your general approach to loop performance.
Hope you like it
11) what would the ideal looping system look like? describe it in as
much detail as you can (and don't worry about practical concerns).
Not the guy to ask
12) any additional comments?
Try to have fun


From Loopers-Delight-request@loopers-delight.com  Wed Jul 27 23:12:33 2011
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> 1) what aspects of looping do you enjoy the most?

The continual surprise and disappointment of being on the front edge of innovation.  

I love it when the looping device interacts with me like a real musician--surprising me and spurring my own improvisation.    
I hate it when the cable shorts, the computer crashes, the squealing feedback gets recorded in the loop, and any of a thousand other ways that looping can really belly flop an artist.

> 2) what aspects of looping do you enjoy the least?

Don't we all hate schlepping gear to the gig but love seeing it set up cleverly under lights?     Don't we all loath the programming of controllers  (pick your control nightmare) but love the excitement of a new workflow?

> 3) what looping tools (including controllers) do you currently
> use/have used in the past?

Line 6 DL4
Line 6 M13
Lexicon JamMan
Repeater
RC-1 and 2
Ableton
Mobius

> 4) what are the strengths of these tools?

HW vs SW debate I will leave to others.  For me, every looper is an instrument and like an instrument, it has its peculiar abilities and limitations.  If I had more time, I would learn to play them all.

> 6) do you modify a loop once it's been created? if so, how?

O yes.  by way of midi notes, midi arpeggios, quantize replace, filtering and modulation, ADSR, you name it. 
> 
> 7) how much planning do you do for a particular performance?

I rehearse workflows extensively with an aim to-- making all loops in real time while creating musical arrangements that can go somewhere without a long period of navel gazing while I build out the basic tracks.  
Eve when playing a preconceived song form, most of the playing is improvised.

> 8) what form does this planning take? (do you write it down, keep it
> in your head, etc)
I experiment with various looper controls, both recording and processing, to create new workflows that will facilitate quick improvisation of a song form.   When I get a workflow going that works well for me, that inspires some good playing,  I save it as a project and start rehearsing specific musical motifs and the necessary river dance on the controller, to create looping improvisations that can work (most of the time.)

> 
> 9) at what level of detail do you plan? (melody, harmony, timbres,
> dynamics, instrumental techniques, etc.)

Yes.  Just as you would plan for any musical performance.  



On Jul 27, 2011, at 2:59 PM, Jon Forsyth wrote:

> Hi everybody,
> 
> In case you didn't see my previous post, I'm a PhD student doing some
> research involving live looping, and I'd like to get a sense of what
> the looping community is interested in, what tools they use, their
> approach to looping, etc. So, here some questions for anyone
> interested in participating.
> 
> 
> 1) what aspects of looping do you enjoy the most?
> 
> 2) what aspects of looping do you enjoy the least?
> 
> 3) what looping tools (including controllers) do you currently
> use/have used in the past?
> 
> 4) what are the strengths of these tools?
> 
> 5) what are the weaknesses of these tools?
> 
> 6) do you modify a loop once it's been created? if so, how?

Oh yes.  I am a big fan of using midi note data to control pitch of the loop.  I like to use midi arpeggios, frequently voiced as drum grooves, to manipulate the pitch of my loops after I record them.  
Similarly, I and many others here use quantize replace in fascinating ways to 

> 
> 7) how much planning do you do for a particular performance?
> 
> 8) what form does this planning take? (do you write it down, keep it
> in your head, etc)
> 
> 9) at what level of detail do you plan? (melody, harmony, timbres,
> dynamics, instrumental techniques, etc.)
> 
> 10) describe your general approach to loop performance.
> 
> 11) what would the ideal looping system look like? describe it in as
> much detail as you can (and don't worry about practical concerns).
> 
> 12) any additional comments?
> 
> 
> 
> If for some reason you don't want your answers to be public, you can
> send them directly to me.
> 
> Thanks!
> 
> Jon
> 


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><blockquote type=3D"cite"><div>1) what aspects of looping do you =
enjoy the most?<br></div></blockquote><div><br></div><div>The continual =
surprise and disappointment of being on the front edge of innovation. =
&nbsp;</div><div><br></div><div>I love it when the looping device =
interacts with me like a real musician--surprising me and spurring my =
own improvisation. &nbsp; &nbsp;</div><div>I hate it when the cable =
shorts, the computer crashes, the squealing feedback gets recorded in =
the loop, and any of a thousand other ways that looping can really belly =
flop an artist.</div><div><br></div><blockquote type=3D"cite"><div>2) =
what aspects of looping do you enjoy the least?<font =
class=3D"Apple-style-span" color=3D"#000000"><font =
class=3D"Apple-style-span" =
color=3D"#144FAE"><br></font></font></div></blockquote><div><br></div>Don'=
t we all hate schlepping gear to the gig but love seeing it set up =
cleverly under lights? &nbsp; &nbsp; Don't we all loath the programming =
of controllers &nbsp;(pick your control nightmare) but love the =
excitement of a new workflow?</div><div><br><blockquote =
type=3D"cite"><div>3) what looping tools (including controllers) do you =
currently<br>use/have used in the =
past?<br></div></blockquote><div><br></div><div>Line 6 =
DL4</div><div>Line 6 M13</div><div>Lexicon =
JamMan</div><div>Repeater</div><div>RC-1 and =
2</div><div>Ableton</div><div>Mobius</div><div><br></div><blockquote =
type=3D"cite"><div>4) what are the strengths of these tools?<font =
class=3D"Apple-style-span" color=3D"#000000"><font =
class=3D"Apple-style-span" =
color=3D"#144FAE"><br></font></font></div></blockquote><div><br></div>HW =
vs SW debate I will leave to others. &nbsp;For me, every looper is an =
instrument and like an instrument, it has its peculiar abilities and =
limitations. &nbsp;If I had more time, I would learn to play them =
all.<br><div><br></div><blockquote type=3D"cite"><div>6) do you modify a =
loop once it's been created? if so, =
how?<br></div></blockquote><div><br></div>O yes. &nbsp;by way of midi =
notes, midi arpeggios, quantize replace, filtering and modulation, ADSR, =
you name it.&nbsp;<br><blockquote type=3D"cite"><div><br>7) how much =
planning do you do for a particular =
performance?<br></div></blockquote><div><br></div><div>I rehearse =
workflows extensively with an aim to-- making all loops in real time =
while creating musical arrangements that can go somewhere without a long =
period of navel gazing while I build out the basic tracks. =
&nbsp;</div><div>Eve when playing a preconceived song form, most of the =
playing is improvised.</div><div><br></div><blockquote =
type=3D"cite"><div>8) what form does this planning take? (do you write =
it down, keep it<br>in your head, etc)<br></div></blockquote><div>I =
experiment with various looper controls, both recording and processing, =
to create new workflows that will facilitate quick improvisation of a =
song form. &nbsp; When I get a workflow going that works well for me, =
that inspires some good playing, &nbsp;I save it as a project and start =
rehearsing specific musical motifs and the necessary river dance on the =
controller, to create looping improvisations that can work (most of the =
time.)</div><div><br></div><blockquote type=3D"cite"><div><br>9) at what =
level of detail do you plan? (melody, harmony, timbres,<br>dynamics, =
instrumental techniques, etc.)<font class=3D"Apple-style-span" =
color=3D"#000000"><font class=3D"Apple-style-span" =
color=3D"#144FAE"><br></font></font></div></blockquote><div><br></div>Yes.=
 &nbsp;Just as you would plan for any musical performance. =
&nbsp;<br><div><br></div></div><div><br></div><br><div><div>On Jul 27, =
2011, at 2:59 PM, Jon Forsyth wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Hi =
everybody,<br><br>In case you didn't see my previous post, I'm a PhD =
student doing some<br>research involving live looping, and I'd like to =
get a sense of what<br>the looping community is interested in, what =
tools they use, their<br>approach to looping, etc. So, here some =
questions for anyone<br>interested in participating.<br><br><br>1) what =
aspects of looping do you enjoy the most?<br><br>2) what aspects of =
looping do you enjoy the least?<br><br>3) what looping tools (including =
controllers) do you currently<br>use/have used in the past?<br><br>4) =
what are the strengths of these tools?<br><br>5) what are the weaknesses =
of these tools?<br><br>6) do you modify a loop once it's been created? =
if so, how?<br></div></blockquote><div><br></div><div>Oh yes. &nbsp;I am =
a big fan of using midi note data to control pitch of the loop. &nbsp;I =
like to use midi arpeggios, frequently voiced as drum grooves, to =
manipulate the pitch of my loops after I record them. =
&nbsp;</div><div>Similarly, I and many others here use quantize replace =
in fascinating ways to&nbsp;</div><br><blockquote =
type=3D"cite"><div><br>7) how much planning do you do for a particular =
performance?<br><br>8) what form does this planning take? (do you write =
it down, keep it<br>in your head, etc)<br><br>9) at what level of detail =
do you plan? (melody, harmony, timbres,<br>dynamics, instrumental =
techniques, etc.)<br><br>10) describe your general approach to loop =
performance.<br><br>11) what would the ideal looping system look like? =
describe it in as<br>much detail as you can (and don't worry about =
practical concerns).<br><br>12) any additional =
comments?<br><br><br><br>If for some reason you don't want your answers =
to be public, you can<br>send them directly to =
me.<br><br>Thanks!<br><br>Jon<br><br></div></blockquote></div><br></body><=
/html>=

--Boundary_(ID_RyWge/kSTsy3YqrD48MXhg)--

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On Wed, Jul 27, 2011 at 11:59 PM, Jon Forsyth <jpf211@nyu.edu> wrote:
> 1) what aspects of looping do you enjoy the most?
>

To use the looping gear as an instrument. As opposed to using it as a recorder.


> 2) what aspects of looping do you enjoy the least?
>

The "one man band" concept.


> 3) what looping tools (including controllers) do you currently
> use/have used in the past?
>

Currently:
Electric instruments, acoustic instruments, one microphone, two MIDI
surfaces: The Gordius Little GIant 2 and the Faderfox LV3, a laptop
(Macbook Pro) with an audio interface (RME Fireface 400), looper
software Mobius, four alternative host applications (depending on the
kind of project I'm currently involved with): Logic Pro, Mainstage,
Plogue Bidule, Ableton Live.

In the past:
Same audio source instruments as today, Gibson Echoplex Digital Pro,
Electrixpro Repeater, Akai MFC42 analog filterbank, mixer, Lexicon
LXP-5 multi effect unit, TC Electronics Fireworx multi effect unit,
Behringer FCB 1010 pedagboard MIDI controller, Faderfox LV1, a huge
rack.

> 4) what are the strengths of these tools?
>
Current (software based) tools setup provides more power to be
creative, is more portable, and easier to back up.

The previous (hardware based) tools setup looked better on stage, at
least in the dark when all buttons and lids were twinkling.


> 5) what are the weaknesses of these tools?
>
Software based setup needs to be taken care of more, since you have to
follow upgrades in components. For example a computer operating system
might suddenly be upgraded and you need that upgrade for one task but
also have to upgrade a lot of third-party software to work well under
the new OS version.

The old hardware based rig did not have any way to recall set levels.
This meant a gig might sound bad initially before you got all levels
right.


> 6) do you modify a loop once it's been created?
>
Yes, that's an important aspect of the art form.

>  if so, how?
Most possible ways that serves a musical purpose. Fore example:
changing loop length, transposing pitch/speed, replacing certain parts
of the loop's audio with new audio, reversing, re-sampling many loops
into one new loop, adding new layers of audio, "peeling off" layers of
previously added audio, duplicating a loop while mutilating it.


> 7) how much planning do you do for a particular performance?
>

Almost no planning regarding the actual music I will play. But a
lifetime of development regarding needed performance skills; like for
example music harmony theory, improvisational techniques, arrangement
theory, physical instrument playing skills, sound design experience
etc


> 8) what form does this planning take? (do you write it down, keep it
> in your head, etc)

I keep it in my stomach. Although my ambition is to keep it in my
heart, but THAT is still a dream. Seriously, I never plan more than
will be instantly playable without the need for notes on stage. An
octaphonic surround concert may need a lot of planning to set up the
rig but then I use that preparation time to find out solutions that
will make improvisation simple and fluent on stage. This means quite
few but rather powerful options at hand (feet).


> 9) at what level of detail do you plan? (melody, harmony, timbres,
> dynamics, instrumental techniques, etc.)
>

I guess "at all levels" would be accurate here.

> 10) describe your general approach to loop performance.
>

Make some music I enjoy and have fun. If performing at a festival I
might decide at the very last minute to go with an approach that will
go well with (= sounding different) what the artist before me played
on the same stage.


> 11) what would the ideal looping system look like? describe it in as
> much detail as you can (and don't worry about practical concerns).
>

At least 80 foot switches and three expression pedals. A dozen hand
controlled faders and buttons. As for functionality I prefer simple
and powerful modules that you can play pretty instantly. I like three
such "modules", or "stages".

1) First stage may be a delay unit of freeze-reverb located before the
looper in the signal chain. This module should be instantly available
to snag a short moment of live sound, even just a note within a fast
melody run. I think such a "fast audio snatcher/freezer" shall be
controlled by an expression pedal that also mutes passing audio (the
system audio input, actually) when catching and freezing a slice of
audio. Technically you could view it as a *cross fader* between the
normal audio input signal and the audio-freeze-pad thingy. This is
useful for acoustic microphone instruments because it prevents audio
feedback. There are many musical ways to use such a "freeze pad"; you
may snatch a chord and play over it or you may cut parts of the frozen
audio into the looper to build something up there. When using a
Chapman Stick as the physical audio source instrument I use two
parallel input signal paths; each one pre looper and with its own
expression pedal and "audio freeze pad module". With that setup I can
play two fretboards - one with each hand - and freeze slices from left
or right hand as some sort of musical questions-and-answers game.

2) Second stage is the actual looper. I use a looper with five
parallel, internally synchronized, channels. For  each channel I can
create maximum five alternative loops.  The fifth channel is used to
resample the loops currently playng through channels 1 - 4. The five
loops do not have to be of the same length, but they will relate to
each other in a synchronized way, meaning any poly rhythmic relation
can be set up by manipulating the length of the loops. I never use
multiple inputs for my multi channel looper. Instead I manually select
the channel who's loop is going to be the target for the next action.
The looper has to create a tempo for the session based on the length
of the first loop created. A crucial function here (really a
must-have) is the user option to set preferred maximal and minimum
tempo. With that function on board you may start out a performance
with an extremely short first loop (like a half second) or with a very
long first loop like several minutes and you will be sure that the
tempo sent out to all slaved gear will still be within a range that
makes musical sense.

3) Third stage is post looper. I want each looper channel to deliver
its own output for processing. On each of the five outputs I like
different post-loop effect that both work on the stereo panning and on
synchronized processing (LFO following song tempo). Knowing about what
post-loop effects you have at hand is important for the instant
decisions regarding which one of the five loops you lay down a current
musical part in.

The ideal looping system described above is what I'm currently using,
so I'd say I'm a happy camper :-)  I wouldn't want to change anything
in the system.


Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: questions for loopers
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--20cf30025c569caa3b04a916398d
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On Wed, Jul 27, 2011 at 5:59 PM, Jon Forsyth <jpf211@nyu.edu> wrote:

> Hi everybody,
>
> In case you didn't see my previous post, I'm a PhD student doing some
> research involving live looping, and I'd like to get a sense of what
> the looping community is interested in, what tools they use, their
> approach to looping, etc. So, here some questions for anyone
> interested in participating.
>
>
> 1) what aspects of looping do you enjoy the most?
>

The crazy yet cool random things that just happen,


> 2) what aspects of looping do you enjoy the least?
>

Learning curve on the loopers, especially the software ones.  Rerouting all
the little boxes I use to do different things.  +1 for software in this
regard.


>
> 3) what looping tools (including controllers) do you currently
> use/have used in the past?
>

Jamman, RC20XL, DL4, DD20, Mobius, FCB1010 controller, Evolution U-Control.
Occasionally I'll also use AudioMulch and a bunch of VSTs for processing.


> 4) what are the strengths of these tools?
>

Jamman and RC20 have LONG loops and lots of memory. Easy to use.
DD20 and DL4 - again easy to use, plus lots of cool delays.
Mobius - super configurable and flexible.
AudioMulch, again very configurable, and there are a pile of FX that I can
insert into the chain.


>
> 5) what are the weaknesses of these tools?
>

Hadn't really thought about it.


>
> 6) do you modify a loop once it's been created? if so, how?
>

I run the loops through a ton of processing fx.


>
> 7) how much planning do you do for a particular performance?
>

Zero.


>
> 8) what form does this planning take? (do you write it down, keep it
> in your head, etc)
>

See above.


>
> 9) at what level of detail do you plan? (melody, harmony, timbres,
> dynamics, instrumental techniques, etc.)
>

See above.


>
> 10) describe your general approach to loop performance.
>

Turn everything on.  Start pushing buttons til interesting sounds appear.


>
> 11) what would the ideal looping system look like? describe it in as
> much detail as you can (and don't worry about practical concerns).
>

Since I use a lot of different loopers and delays and fx and synths and
guitars, I'd like a nice switching system that didn't involve re-cabling
everything.  I have a patch-bay, but it's still a bit of a pain to switch
stuff around.

I find Mobius nice to use because I can use a foot controller to turn on/off
things, but also use a U-Control controller with sliders and knobs to change
values.


> 12) any additional comments?
>
>
I'm not much of a die-hard software vs hardware guy.  I use both or either,
depends on my mood.  I record everything into Reaper and sometimes mess with
it there.


>
>
> If for some reason you don't want your answers to be public, you can
> send them directly to me.
>
> Thanks!
>
> Jon
>
>
There ya go.

-- 
-==-=-=-
Tony

--20cf30025c569caa3b04a916398d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><br><div class=3D"gmail_quote">On Wed, Jul 27, 2011 at 5:59 PM, Jon For=
syth <span dir=3D"ltr">&lt;<a href=3D"mailto:jpf211@nyu.edu">jpf211@nyu.edu=
</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin=
:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Hi everybody,<br>
<br>
In case you didn&#39;t see my previous post, I&#39;m a PhD student doing so=
me<br>
research involving live looping, and I&#39;d like to get a sense of what<br=
>
the looping community is interested in, what tools they use, their<br>
approach to looping, etc. So, here some questions for anyone<br>
interested in participating.<br>
<br>
<br>
1) what aspects of looping do you enjoy the most?<br></blockquote><div><br>=
The crazy yet cool random things that just happen,<br><br></div><blockquote=
 class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px=
 solid rgb(204, 204, 204); padding-left: 1ex;">

<br>
2) what aspects of looping do you enjoy the least?<br></blockquote><div><br=
>Learning curve on the loopers, especially the software ones.=A0 Rerouting =
all the little boxes I use to do different things.=A0 +1 for software in th=
is regard.<br>
=A0<br></div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt=
 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
3) what looping tools (including controllers) do you currently<br>
use/have used in the past?<br></blockquote><div><br>Jamman, RC20XL, DL4, DD=
20, Mobius, FCB1010 controller, Evolution U-Control.=A0 Occasionally I&#39;=
ll also use AudioMulch and a bunch of VSTs for processing.<br><br></div>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
4) what are the strengths of these tools?<br></blockquote><div><br>Jamman a=
nd RC20 have LONG loops and lots of memory. Easy to use.=A0 <br>DD20 and DL=
4 - again easy to use, plus lots of cool delays.<br>Mobius - super configur=
able and flexible.<br>
AudioMulch, again very configurable, and there are a pile of FX that I can =
insert into the chain.<br>=A0<br></div><blockquote class=3D"gmail_quote" st=
yle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204)=
; padding-left: 1ex;">

<br>
5) what are the weaknesses of these tools?<br></blockquote><div><br>Hadn&#3=
9;t really thought about it.=A0 <br>=A0<br></div><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">

<br>
6) do you modify a loop once it&#39;s been created? if so, how?<br></blockq=
uote><div><br>I run the loops through a ton of processing fx.<br>=A0<br></d=
iv><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bo=
rder-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<br>
7) how much planning do you do for a particular performance?<br></blockquot=
e><div><br>Zero.<br>=A0<br></div><blockquote class=3D"gmail_quote" style=3D=
"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padd=
ing-left: 1ex;">

<br>
8) what form does this planning take? (do you write it down, keep it<br>
in your head, etc)<br></blockquote><div><br>See above.<br>=A0<br></div><blo=
ckquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-le=
ft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
9) at what level of detail do you plan? (melody, harmony, timbres,<br>
dynamics, instrumental techniques, etc.)<br></blockquote><div><br>See above=
.<br>=A0<br></div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0p=
t 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"=
>

<br>
10) describe your general approach to loop performance.<br></blockquote><di=
v><br>Turn everything on.=A0 Start pushing buttons til interesting sounds a=
ppear.<br>=A0<br></div><blockquote class=3D"gmail_quote" style=3D"margin: 0=
pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: =
1ex;">

<br>
11) what would the ideal looping system look like? describe it in as<br>
much detail as you can (and don&#39;t worry about practical concerns).<br><=
/blockquote><div><br>Since I use a lot of different loopers and delays and =
fx and synths and guitars, I&#39;d like a nice switching system that didn&#=
39;t involve re-cabling everything.=A0 I have a patch-bay, but it&#39;s sti=
ll a bit of a pain to switch stuff around.<br>
<br>I find Mobius nice to use because I can use a foot controller to turn o=
n/off things, but also use a U-Control controller with sliders and knobs to=
 change values.=A0 <br><br></div><blockquote class=3D"gmail_quote" style=3D=
"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padd=
ing-left: 1ex;">

<br>
12) any additional comments?<br>
<br></blockquote><div><br>I&#39;m not much of a die-hard software vs hardwa=
re guy.=A0 I use both or either, depends on my mood.=A0 I record everything=
 into Reaper and sometimes mess with it there.<br>=A0<br></div><blockquote =
class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px =
solid rgb(204, 204, 204); padding-left: 1ex;">

<br>
<br>
If for some reason you don&#39;t want your answers to be public, you can<br=
>
send them directly to me.<br>
<br>
Thanks!<br>
<font color=3D"#888888"><br>
Jon<br>
<br>
</font></blockquote></div><br>There ya go.<br clear=3D"all"><br>-- <br>-=3D=
=3D-=3D-=3D- <br>Tony<br>

--20cf30025c569caa3b04a916398d--

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Jon Forsyth wrote:

hi Jon,
thanks for your interest in the art.

I'm sure the "live looping community" in general
is as pleased as I am to see us getting up
to "PhD level" .

> 1) what aspects of looping do you enjoy the most?

Like all the music I make the best part for me
is hearing how it sounds. (hopefully ;-)

Specific to looping or rather to "livelooping" it's the way the technical
possibilities of the looping devices I use interact with 
my compositional technique.

> 
> 2) what aspects of looping do you enjoy the least?

I'm predominantly interested in "Live Looping",
the production of music with pre-made loops isn't
really something that gives me a thrill.

Another downside is that live looping as a way to create
new music has a very low public profile, to the 
extent that even people who use loops for music
deny the possibility.

> 
> 3) what looping tools (including controllers) do you currently
> use/have used in the past?

Main Tools, the mainstay of my musical technique 
Echoplex Digital Pro (2 units for stereo)
Lexicon Vortex
Electro Harmonix Stereo Memory Man with Hazarai
and really the Gordius Little Giant foot controller 
needs to be listed here as well

New Addition.
Looperlative LP1 

Alternative device for "small gigs"
Vox VDL-1 Dynamic Looper

Used in the past.
Lexicon JamMan.
Zoom 2100
Behringer Virtualizer (5s delay)

Tried out briefly
Akai Headrush
Line 6 DL4
Boss RC-50

> 
> 4) what are the strengths of these tools?

Echoplex Digital Pro
Really this is the machine which defines creative looping.
The user interface is carefully thought out to 
offer a great range of control with a small number
of switches.
Fast response time to all commands.
Vast range of loop manipulation techniques easily accessible.
Some of the most interesting are "emergent", i.e. they
are the result of quirks of the software, but given
full status by developer as features.
Designed by loopers, with full input from the loop community.


Lexicon Vortex
Ability to "morph" short loops.
The only available device (including software) 
that allows you to select 2 different effect 
algorithms and go gradually or quickly
between the 2. Sounds trapped in the delays can be
rearranged and modified from the original input.

Electro Harmonix Stereo Memory Man with Hazarai
Varispeed on loop.
Portable stomp box just sophisticated enough to
be worth using in a band context.

Gordius Little Giant foot controller.
the most sophisticated midi controller,
in a conveniently sized package.

Looperlative LP1 
Powerful multi track looper.
Stereo tracks.
User interface is configurable.
For most people, this is the only loop device
they'll ever need.
Designed by loopers.
Software upgrades planned.

Vox VDL-1 Dynamic Looper
Fairly sophisticated live looping device
in stomp box format.
Some inspiring quirks.

Lexicon JamMan.
Best sounding looper for bass.

Zoom 2100
cheap, quirky

Behringer Virtualizer (poly delays)
cheap, good sound quality.

Akai Headrush
none known :-)

Line 6 DL4
Very easy to use.


Boss RC-50
multitrack capability


> 
> 5) what are the weaknesses of these tools?

Echoplex Digital Pro (aka EDP) (2 units for stereo)
need 2 for stereo (can lose sync).
availability

Lexicon Vortex
only 2s of looptime

Electro Harmonix Stereo Memory Man with Hazarai
Looper is just an additional feature on an echo unit,
user interface very limited and not ideal for
rhythmically accurate looping.

Gordius Little Giant foot controller 
price, realistically it needs computer for setup

Looperlative LP1 
availability.
Some people find that the need for user to
configure the interface is a downside.


Vox VDL-1 Dynamic Looper
not designed with input from live loopers,
so lacks obvious features.
no feedback control on loop.


Lexicon JamMan.
limited, no feedback control on sampled loop.


Zoom 2100
very limited,
no feedback control on sampled loop.


Behringer Virtualizer (poly delays)
just a delay

Akai Headrush
very limited


Line 6 DL4
no feedback control on loop



Boss RC-50
Sound quality not that great for the price point.
no feedback control on loop( except with complex workaround).


> 
> 6) do you modify a loop once it's been created? if so, how?

Yes.
1) Change speed of loop (usually an octave)
2) Reverse.
3) Replace chunks of audio within the loop.
4) Insert extra audio into loop, making loop longer.
5) Overdub material.
6) Cancel the overdub (Undo)
7) Retrigger loop from start.
8) Change length of loop.
9) Loop windowing is a specific technique which involves stepping
   back through the memory space of the EDP after the length of loop
   is changed.
10) Lexicon Vortex offers some unusual modifications to its short loops.

There's also different techniques based on more than one loop:
parallel, series and resampling/copying.

> 
> 7) how much planning do you do for a particular performance?

As much as possible.

> 
> 8) what form does this planning take? (do you write it down, keep it
> in your head, etc)

In my head,
but may have set list with a few notations.

Sometimes I make sketch recordings, or use
released recording as a reference.


> 
> 9) at what level of detail do you plan? (melody, harmony, timbres,
> dynamics, instrumental techniques, etc.)

Depends on the piece.
Can be through composed,
or very much improvised.

Often the looping technique can be a defining
part of the composition.


> 
> 10) describe your general approach to loop performance.

The aim is to create something that the audience will enjoy.


> 
> 11) what would the ideal looping system look like? describe it in as
> much detail as you can (and don't worry about practical concerns).

This is a bit like asking
"What would be the ideal stringed instrument?".
More strings?

It's a balance between the amount of available features,
and the immediacy of control of those features.


e.g. It seems attractive to have more independent loops
available, but the result is generally a more static 
performance.

To carry the string analogy further, it might be
worth checking out the range of playing techniques
available on a 2 string Dombra and then compare 
to the results possible with an Arch Lute.

There's also the consideration that it's often working
with the limitations of the technology which unleashes 
creative composition. 
It's long been considered on LD that there is no ideal
loop device, that each user has unique requirements.
I'd add to that by suggesting that it's often the non-ideal
qualities of a loop device which end up giving rise
to the desired (unexpectedly creative) musical result.


Maybe it would be as well to consider what's the 
*minimum* requirement for a looping device.
(and in many ways, that might be close to the ideal system).

> 
> 12) any additional comments?

I guess it's worth adding that many people,
myself included consider the looping device to be an instrument.

1) It needs to be learned before it can be used well.
2) The quirks of the device profoundly affect the music produced.
3) Results can vary greatly depending on the user.

Interestingly though, that would make looping devices
the first instruments to be more concerned with form
and rhythm than with harmony and timbre.


A more contentious issue is whether "livelooping" constitutes
a genre/type of music. Having myself followed the "looping
device as an instrument" philosophy to the extent of producing
music which would be inconceivable (at least in details) 
without the technology I'd find no reason to 
claim otherwise.


andy butler


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Hi John,
I'm also pleased that "live looping" is of interest for your PhD research.
Here are my answers.

1) what aspects of looping do you enjoy the most?
The "istantaneus" capability of the tool both for improvising and composing

2) what aspects of looping do you enjoy the least?
...maybe ...learning curve ?

3) what looping tools (including controllers) do you currently
use/have used in the past?
1992-2003
- midi looping trough sequencers
- various delays,
- Lexicon Jam Man,

2004-2007
 Electrix Repeater,
- Boss DD-20,

>From 2007 till today:
- Mobius software working as a plugin inside Bidule (the Host)
FCB 1010 Behringer (midi footcontroller), nanoKontrol (hand controller)

4) what are the strengths of these tools?
I consider Mobius as the most complete and customizable looper.
Based on the architecture of the glorious EDP, Mobius is a stero multitrack
looper fully customizable using "scripts" (more info: www.circularlabs.com).

Bidule is the host where I make all the audio routing work "to" and "from"
the looper, addressing various fx plugins

5) what are the weaknesses of these tools?
Sometimes when I desider a new function I post a question on this list and
on the Mobius forum and magically it becomes real and available.

6) do you modify a loop once it's been created? if so, how?
Yes, I use:
Half-speed
reverse,
pitch-shift,
multyply
divide
shuffle
slip
as some of my preferred ways to change the shape of the loop.

7) how much planning do you do for a particular performance?
As much as I can.
Since my intent is to play pre-composed songs, I need to plan in advantage
what I'm going to play and "in" which track it has to be located.
Scripts triggering special behaviour of the looper (mute track 2,3,7 at the
same time of a crescendo in track 1 and 8) need also to be planned and
reharsed.
Panning is also an important factor
At the beginning I write down a paper of the song with all the relevant data
and then I find a way to locate all loops over the 8 tracks (including next
loop), and work on scripts to change "scenes" of my loops playing.
Then I start reharse and record it to see what could be improved and study
how to do that (that means, also, thinking to pan position, changing level
of the loops ecc..)
After all the technical issues are solved I continue with daily reharsal
working on flux, dynamics and expressivity.

8) what form does this planning take? (do you write it down, keep it
in your head, etc)
See above.

9) at what level of detail do you plan? (melody, harmony, timbres,
dynamics, instrumental techniques, etc.)
See above.

10) describe your general approach to loop performance.
Try to connect with the audience trough music.

11) what would the ideal looping system look like? describe it in as
much detail as you can (and don't worry about practical concerns).
See above (question #4)

12) any additional comments?
...
Thanks to you

-f
www.eterogeneo.com

--bcaec547ca7de86b7604a920c6d7
Content-Type: text/html; charset=ISO-8859-1
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<div bgcolor=3D"#FFFFFF">Hi John,</div>
<div bgcolor=3D"#FFFFFF">I&#39;m also pleased that &quot;live looping&quot;=
 is of interest for your PhD research.</div>
<div bgcolor=3D"#FFFFFF">Here are my answers.</div>
<div bgcolor=3D"#FFFFFF"><span></span>=A0</div>
<div bgcolor=3D"#FFFFFF"><span>1) what aspects of looping do you enjoy the =
most?</span><br>The &quot;istantaneus&quot; capability of the tool both for=
 improvising and=A0composing</div>
<div bgcolor=3D"#FFFFFF">
<div bgcolor=3D"#FFFFFF">=A0</div></div>
<div bgcolor=3D"#FFFFFF"><span>2) what aspects of looping do you enjoy the =
least?</span><br>...maybe ...learning curve ?</div>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF"><span>3) what looping tools (including controllers=
) do you currently</span><br><span>use/have used in the past?</span><br>199=
2-2003<br>- midi looping=A0trough sequencers</div>
<div bgcolor=3D"#FFFFFF">- various delays, </div>
<div bgcolor=3D"#FFFFFF">- Lexicon Jam Man,</div>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF">2004-2007</div>
<div bgcolor=3D"#FFFFFF">=A0Electrix Repeater,</div>
<div bgcolor=3D"#FFFFFF">- Boss DD-20,</div>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF">From 2007 till today: </div>
<div bgcolor=3D"#FFFFFF">- Mobius software working as a plugin inside Bidul=
e (the Host)</div>
<div bgcolor=3D"#FFFFFF">FCB 1010 Behringer (midi footcontroller), nanoKont=
rol (hand controller)</div>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF"><span>4) what are the strengths of these tools?</s=
pan><br>I consider Mobius as the most complete and customizable looper.</di=
v>
<div bgcolor=3D"#FFFFFF">Based on the architecture of the glorious EDP, Mob=
ius is a stero multitrack looper fully customizable=A0using &quot;scripts&q=
uot; (more info: <a href=3D"http://www.circularlabs.com/">www.circularlabs.=
com</a>). <br>
</div>
<div bgcolor=3D"#FFFFFF">Bidule is the host where I make all the audio rout=
ing work &quot;to&quot; and &quot;from&quot; the looper, addressing various=
 fx plugins</div>
<div bgcolor=3D"#FFFFFF"><br><span>5) what are the weaknesses of these tool=
s?</span><br>Sometimes when I desider a new function I post a question on t=
his list and on the Mobius forum and magically it becomes real and availabl=
e.</div>

<div bgcolor=3D"#FFFFFF"><span></span>=A0</div>
<div bgcolor=3D"#FFFFFF"><span>6) do you modify a loop once it&#39;s been c=
reated? if so, how?</span><br>Yes, I use:</div>
<div bgcolor=3D"#FFFFFF">Half-speed </div>
<div bgcolor=3D"#FFFFFF">reverse, </div>
<div bgcolor=3D"#FFFFFF">pitch-shift, </div>
<div bgcolor=3D"#FFFFFF">multyply </div>
<div bgcolor=3D"#FFFFFF">divide </div>
<div bgcolor=3D"#FFFFFF">shuffle </div>
<div bgcolor=3D"#FFFFFF">slip</div>
<div bgcolor=3D"#FFFFFF">as some of my preferred ways to change the shape o=
f the loop.</div>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF"><span>7) how much planning do you do for a particu=
lar performance?</span><br>As=A0much as I can.</div>
<div bgcolor=3D"#FFFFFF">Since my intent is to play pre-composed songs, I n=
eed to plan in advantage what I&#39;m going to play and &quot;in&quot; whic=
h track it has to be located.</div>
<div bgcolor=3D"#FFFFFF">Scripts triggering special behaviour of the looper=
 (mute track 2,3,7 at the same time of a crescendo in track 1 and 8) need a=
lso to be planned and reharsed.</div>
<div bgcolor=3D"#FFFFFF">Panning is also an important factor<br></div>
<div bgcolor=3D"#FFFFFF">At the beginning I write down a paper of the song =
with all the relevant data and then I find a way to locate all loops over t=
he 8 tracks (including next loop), and work on scripts to change &quot;scen=
es&quot; of my loops=A0playing.</div>

<div bgcolor=3D"#FFFFFF">Then I start reharse and=A0record it to see what c=
ould be improved and study how to do that (that means, also, thinking to pa=
n position, changing level of the loops ecc..)</div>
<div bgcolor=3D"#FFFFFF">After all the technical issues are solved=A0I cont=
inue with daily reharsal working on flux, dynamics and expressivity.</div>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF"><span>8) what form does this planning take? (do yo=
u write it down, keep it</span><br><span>in your head, etc)</span><br>See a=
bove.</div>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF"><span>9) at what level of detail do you plan? (mel=
ody, harmony, timbres,</span><br><span>dynamics, instrumental techniques, e=
tc.)</span><br>See above.</div>
<div bgcolor=3D"#FFFFFF"><br><span>10) describe your general approach to lo=
op performance.</span><br>Try to connect with the audience trough music.</d=
iv>
<div bgcolor=3D"#FFFFFF">=A0</div>
<div bgcolor=3D"#FFFFFF"><span>11) what would the ideal looping system look=
 like? describe it in as</span><br><span>much detail as you can (and don&#3=
9;t worry about practical concerns).</span><br>See above (question #4)</div=
>

<div bgcolor=3D"#FFFFFF"><br><span>12) any additional comments?</span></div=
>
<div bgcolor=3D"#FFFFFF"><span></span>...<br><span></span></div>
<div bgcolor=3D"#FFFFFF"><span>Thanks to you</span><br><span></span><br><sp=
an></span>-f</div>
<div bgcolor=3D"#FFFFFF"><a href=3D"http://www.eterogeneo.com/">www.eteroge=
neo.com</a><br></div>

--bcaec547ca7de86b7604a920c6d7--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 28 16:41:03 2011
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1) what aspects of looping do you enjoy the most?
currently: recontextualizing sounds

2) what aspects of looping do you enjoy the least?
nobody (except for us loopnerds) gets what it is

3) what looping tools (including controllers) do you currently
use/have used in the past?

Current main looper:
Möbius (software), controlled by FCB1010 and BCR2000
for control, a next step will include a state-machine sequencer 
controlled by a bluetooth trackball

Other loopers I use:
Boss DD20, EH SMM w/Hazari, Line6 M9, Korg KP3

Loopers I have but don't use that much:
Line6 DL4, Lexicon Vortex, Eventide Eclipse, TC D2, Electrix Repeater

Loopers I used in the past and no longer have:
Akai E1 Headrush, Digitech RDS


4) what are the strengths of these tools?
Möbius:
extremely powerful, scripting engine makes it a one-of-its-kind

Boss DD20:
use that in delay mode - long delays, multiple delays, kinda-multiply 
possible

SMM w/Hazari:
Varispeed

M9:
undo/redo, integrated into a nice effects box

Korg KP3:
multitrack

The stompbox looper in the Eclipse allows for cool granular looping

5) what are the weaknesses of these tools?
Möbius:
mhmmm...runs on a computer?

DD20:
multi-delay implementation not perfect, user interface for delays not 
looping-optimized, SOS mode not useful

SMM w/Hazari:
stupid user interface, very short loops not possible

M9:
long press necessary to get into/out of looper mode

Korg KP3:
no overdub, no first loop capability


6) do you modify a loop once it's been created? if so, how?
I'd like to group that into three ways of modification:

a) modifications of the loop content per se (i.e. the recorded audio 
changes):
overdub and related techniques, multiply, overdub w/ external feedback 
loop, shuffle

b) transport control
varispeed (halfspeed etc.), reverse, retrigger, slip

c) post processing (i.e. stuff that you do in another effect post-looper)
the whole bunch, but mainly creative compression, delay, reverb, pitch 
shift (lofi)

7) how much planning do you do for a particular performance?
It depends on my setup.
First, there's the standard Möbius-based setup. In that case: none.

For any other setup (which are hardware setups), planning does go into 
how to organize the signal flow (e.g. effects
processing pre-/post-loop possible), but not into the performance itself.

8) what form does this planning take? (do you write it down, keep it
in your head, etc)
n/a

9) at what level of detail do you plan? (melody, harmony, timbres,
dynamics, instrumental techniques, etc.)
n/a

10) describe your general approach to loop performance.
I play and see what happens.

11) what would the ideal looping system look like? describe it in as
much detail as you can (and don't worry about practical concerns).
small but efficient package, good and configurable user interface, loads 
of functions, multiple tracks, sync options,
varispeed, granular stuff, big undo/redo buffer, frequency-split looping 
stuff, scripting engine...

Möbius does most of it.



12) any additional comments?
none

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Jul 28 18:34:22 2011
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Subject: Listen to Galactic Travels #747
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll conclude the
month-long Special Focus on Jürgen Haible.  The Featured CD at Midnight
will be "The Secret Life of Trees."  Details are at the Special Focus
page at: http://wdiy.org/programs/gt/playlists/2011/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 28 21:37:50 2011
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Date: Thu, 28 Jul 2011 17:37:51 -0400
Subject: Funky Island Looping for Two Guitars
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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No heavy looping skills here, but I had x.amount of fun with this jam.

http://www.youtube.com/watch?v=nPjnIR2h9mc

Andre

http://islandfunk.com
http://www.andredonawa.com
http://www.youtube.com/user/AndreDonawa

From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 00:04:12 2011
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Hello, am I still allowed to post here?    If I got banned because of =
those pictures on TMZ=20
I swear those were photoshopped.=20

With contrition,
Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 00:15:50 2011
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1) what aspects of looping do you enjoy the most?

It's a toss up between the lavish backstage riders and the groupies.
The money is nice of course, but it's secondary to pleasing my fans.
Ultimately, I really like playing with myself.


2) what aspects of looping do you enjoy the least?

Hotels with windows that don't open so you can't throw TVs into the pool.
LD's that give me insufficient light for proper shoe gazing.
Rednecks waving lighters screaming FREEBIRD!   IN C!


3) what looping tools (including controllers) do you currently
use/have used in the past?

Currently I use Mobius and a variety of controllers.  The controllers
I use most often are a Behringer FCB-1010 footswitch, KORG nanoKey,
and KORG nanoKontrol.  I sometimes use an iPad with TouchOSC, Novation
Remote 25, M-Audio Trigger Finger, Keith McMillen Softstep, and
several touch sensitive itinerant laborers.

In the past I've used a Gibson Echoplex Digital Pro, a Lexicon Jamman
(the old one), and a Digitech 2 second delay/sampler.


4) what are the strengths of these tools?

Mobius does just about everything I need though I do occasionally
have problems with priapism. 


5) what are the weaknesses of these tools?

Not flame retardant.  


6) do you modify a loop once it's been created? if so, how?

I usually start building loops for static background patterns.  They may
contain several overdubs and multiplications but afterward they don't
change though I may trigger them randomly to create "songs".
When I get to the "solo" part I treat the loop more like something
I "play" by applying effects, chopping it up into pieces, changing
playback direction and speed, etc. 

Occasionally I might apply transdermal implants, scarification,
or a Prince Albert, but only for weddings and family reunions.


7) how much planning do you do for a particular performance?

Typically a week of fasting, sweat lodges, and a few drum circles.

Most of the time I use looping to create backgrounds for
improvisation.  There is not much planning other than a chord
progression and instrumentation.  I find this enjoyable to do,
but often it is boring to listen to as an audience member.

I am more interesting in hearing people that use loops as an extension
of their instrument, creating complex evolving patterns that could not
be done any other way.  I also like loopers that create complex
multi-part arrangements with parts that are brought in and out.

I have no problem with pre-recorded rhythm parts.


8) what form does this planning take? (do you write it down, keep it
in your head, etc)

I sketch things using a modified form of standard music notation.
Then I drink a lot and stare at it until memorized.


9) at what level of detail do you plan? (melody, harmony, timbres,
dynamics, instrumental techniques, etc.)

Usually just rhythm, chords, and timbres.  The rest is improvised.

I also like to know where all the exits are and the 
average first responder time.


10) describe your general approach to loop performance.

Do no harm.


11) what would the ideal looping system look like? describe it in as
much detail as you can (and don't worry about practical concerns).

Pretty much Mobius but with more cowbell.


12) any additional comments?

I like turtles.

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Subject: Re: questions for loopers
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Jon,

On Jul 27, 2011, at 2:59 PM, Jon Forsyth wrote:

> So, here some questions for anyone interested in participating.
>
> 1) what aspects of looping do you enjoy the most?

 From the very beginning, because much music is based on repeating  
patterns (of some sort or another anyway), the ability to play  
something and the delight at hearing it echoed back at me almost  
immediately - that and the possibility this offers of building up  
larger and more complicated and/or more interesting  
"guitarchitectures" (my own word for it).

> 2) what aspects of looping do you enjoy the least?

Like everyone else, I don't know of anyone who is particularly fond of  
schlepping gear, or double-checking cable connections, battery status  
or other aspects of "gremlin hunting." The more complex systems get,  
particularly for those of us who like to "play the looper as another  
instrument" in addition ot our first instrument, the more prone to  
unwanted glitches and faults they can become.

> 3) what looping tools (including controllers) do you currently
> use/have used in the past?

I began with tape, and fuddled around with early analog and digital  
delays before I go my first true looper (actually a pair), the Electro  
Harmonix 16-Second DDL. From there I bought the early rack mount  
JamMan, and eventually 2 Echoplex Digital Pros in 1996. I now use a  
hybrid software system with MaxMSP hosting a pair of Matthias Grob's  
EchoLoop VSTs that operate as close to exactly like the hardware EDPs  
as could be desired (plus they are stereo).

> 4) what are the strengths of these tools?

Well, every piece of hardware has its pro's and cons. And, software  
does too. I would say that if you use a hardware looper you have the  
advantage of a dedicated tool with a consistent (if limited) interface  
and set of capabilities that will last you as long as you manage to  
take care of it. The world of software is in constant flux. Operating  
systems change periodically, your Software updates periodically too.  
Compatibility issues may mean that from time to time some key part of  
your "rig" has suddenly become obsolete, unsupported or worse, non- 
functional. I owned and used my Oberheim Echoplexes for 16 years  
before I sold them. I can hardly imagine using the same software rig  
unchanged for any longer than a six months at a time. And all that  
change demands a continual investment of time to "bone up," study and  
learn the latest versions of you tools.

> 5) what are the weaknesses of these tools?

Related to the above issues, you come to rely on these things - you  
have a relationship with them - and then one day they're gone. If you  
define your artistic identity around the use of a certain piece of  
finicky/undependable hardware, or transitory ephemeral software that  
will sooner or later be as outdated as 8-track tapes, you yourself  
will have a short musical shelf-life. You must constantly adapt.

> 6) do you modify a loop once it's been created? if so, how?

Yes, backwards, forwards, speed, pitch, various post loop FX, EQ  
reverb, splice, dice, and glitch.

> 7) how much planning do you do for a particular performance?

I plan what to take and what elements (FX and other resources) to use.  
I practice scales, I practice playing with out key parts of my rig  
(imagining  partial failure of some sort) and try to figure out  
possible plan Bs in the even of the worst. I toss random, unmusical  
"garbage" into a loop and try to make music out of it. I plan for a  
certain amount of redundancy in my hybrid hardware/software rig.

> 8) what form does this planning take? (do you write it down, keep it
> in your head, etc).

I should write it down - on something other than post-it notes - but I  
seldom do. As I am now 58 and am starting to lose my marbles a little  
more each day (LOL) I really ought to keep a notebook. I do take the  
owners manuals for every complex piece of software or hardware I take.

> 9) at what level of detail do you plan? (melody, harmony, timbres,
> dynamics, instrumental techniques, etc.)

In terms of musical planning, I do none - really and truly - none. If  
I practice something I find that leads to my having specific  
"expectations" and a greater critical sense that "Gee, that didn't go  
quite as planned." Or, "Oops, doggone it, I've played another clam." I  
know it sounds lazy of me, but I find my anxiety level goes way down  
when I know the audience and I will **both** be hearing whatever  
happens for the first time. I have more than enough ideas boiling  
constantly in my brain. I simply prefer to walk on stage and say  
"1-2-3 go." with an aural tabula rasa before me. I have struggled for  
may years to overcome my inner "critical nature" and my severe  
"performance anxiety." It possible may sound totally nuts, but the  
best thing I ever did was to throw any plan I had out the window.

> 10) describe your general approach to loop performance.

Make a noise, loop it and listen to it, then make another. I keep  
doing that as long as it sounds good to me. If I find myself heading  
down a path I don't like, I change the loop. This works fine if I am  
doing a solo show. If I am doing a set within a bunch of other sets by  
other performers (in a festival, for instance), I try to listen to  
what went immediately before me and do the opposite - to create  
contrast. If they played loud, I play soft, if they were largely  
atmospheric, I'll do
pointillism, if they played atonal I play something lyrical, if they  
used steady beats, I will use none.

> 11) what would the ideal looping system look like? describe it in as
> much detail as you can (and don't worry about practical concerns).

Something that was completely flexible and user definable (I love  
MaxMSP), but invisible (I hate gear, pedals, cables, racks, bags,  
stands, etc.). If it were in my guitar and changed parameters by  
reading my thoughts . . . or better yet, my emotional responses . . .  
as long as we are talking about **ideal**.

> 12) any additional comments?

I think that about does it. Looping is a technique, not a style or  
genre of music. It is a wonderful enabler of musical creativity. It's  
been good to be alive in the last 30 years.

> If for some reason you don't want your answers to be public, you can
> send them directly to me.

Nah, I'm an old timer here - been on the list since October of 1996.  
If I had any shame, it would have surfaced long ago.

> Thanks!

Thank you! I'm enjoying everybody else's answers.

> Jon

Good to meet you Jon,

Best regards,

Ted

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I heart Jeff Larson.
On Jul 28, 2011, at 8:15 PM, Jeff Larson wrote:

> 
> 1) what aspects of looping do you enjoy the most?
> 
> It's a toss up between the lavish backstage riders and the groupies.
> The money is nice of course, but it's secondary to pleasing my fans.
> Ultimately, I really like playing with myself.
> 
> 12) any additional comments?
> 
> I like turtles.
> 

--------------------
Todd Matthews
toddbass.com
twitter: gtodd876

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Thanks to everyone for their informative, thoughtful, and/or amusing
responses! (and keep 'em coming!) You've definitely given me a lot to
think about.

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Subject: RE: Boomerang Sidecar
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I have the 'Rang and have been making it fit into my loop pedal setup-

Spoke with Mike today and he confirmed that the Sidecar is $209 from him
(that includes a modest discount) plus shipping . . .

So around $225 to most places in the US.

I am going to try to do without the Sidecar for now, got the expression
pedal to work on feedback-nice to have rock solid multiple loops for the
"one man band" approach . . .

G

 

  _____  

From: Paul Richards [mailto:paulrichard_rocks@yahoo.com] 
Sent: Monday, July 25, 2011 6:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang Sidecar

 


$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM

I just got off the phone with Mike Nelson at Boomerang and he confirmed they
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I have the &#8216;Rang and have =
been
making it fit into my loop pedal =
setup&#8212;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Spoke with Mike today and he =
confirmed
that the Sidecar is $209 from him (that includes a modest discount) plus
shipping . . .<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>So around $225 to most places in =
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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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10.0pt;font-family:Arial;color:navy'>I am going to try to do without the
Sidecar for now, got the expression pedal to work on feedback&#8212;nice =
to
have rock solid multiple loops for the &#8220;one man band&#8221; =
approach . .
.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>G<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Paul =
Richards
[mailto:paulrichard_rocks@yahoo.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 25, =
2011 6:52
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> RE: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span
  style=3D'font-size:12.0pt'>$400!? That's almost as much as the =
Boomerang!<br>
  <br>
  --- On <b><span style=3D'font-weight:bold'>Mon, 7/25/11, Clayton Gary =
Lehmann <i><span
  style=3D'font-style:italic'>&lt;hqr@cox.net&gt;</span></i></span></b> =
wrote:<o:p></o:p></span></font></p>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><br>
  From: Clayton Gary Lehmann &lt;hqr@cox.net&gt;<br>
  Subject: RE: Boomerang Sidecar<br>
  To: <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
  Date: Monday, July 25, 2011, 7:14 PM<o:p></o:p></span></font></p>
  <div>
  <p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
  face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>I just got =
off the
  phone with Mike Nelson at Boomerang and he confirmed they<br>
  have in stock and are shipping the Sidecar, a proprietary foot =
controller<br>
  for the Boomerang III. I didn't ask him how much, but IIRC it's =
somewhere<br>
  around $400 list.<br>
  Of course, he can't discount it without pissing off his vendors, but =
give<br>
  him a call and see what he can do for you.<br>
  Gnarly<o:p></o:p></span></font></p>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 08:40:30 2011
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Date: Fri, 29 Jul 2011 10:40:29 +0200
Message-ID: <CAJC14Wg4Y8-VG9K9HKnGC=ez7Dh-xUFTj3msQB0JE11Obuy3OA@mail.gmail.com>
Subject: Re: OT: Test
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 29, 2011 at 2:04 AM, Jeff Larson <jeff@zonemobius.com> wrote:
> Hello, am I still allowed to post here? =C2=A0 =C2=A0If I got banned beca=
use of those pictures on TMZ
> I swear those were photoshopped.


Somehow that post did slip through...  :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Fri, 29 Jul 2011 11:57:23 +0200
Message-ID: <CAJeW8jOy=eD+kTWO=oGWN0SS-mYk_R5uG53pD7Y0A1UTcNQDDQ@mail.gmail.com>
Subject: Re: Boomerang Sidecar
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf30780c68d9573604a9324e8b
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

thanx for the hinsight Gary,let me know how it works for you without the
sidecar
im observing it as well and debating to eventually purchase it as well
say do they sell it at guitar center in SD? dont see it offered in their
website though i know they carried it previously
awesome features though i keep hearing is too much tapdance without the
sidecar
cheers
Luis

On Fri, Jul 29, 2011 at 7:32 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:

> ** ** **
>
> I have the =91Rang and have been making it fit into my loop pedal setup=
=97****
>
> Spoke with Mike today and he confirmed that the Sidecar is $209 from him
> (that includes a modest discount) plus shipping . . .****
>
> So around $225 to most places in the ****US****.****
>
> I am going to try to do without the Sidecar for now, got the expression
> pedal to work on feedback=97nice to have rock solid multiple loops for th=
e
> =93one man band=94 approach . . .****
>
> G****
>
> ** **
>  ------------------------------
>
> *From:* Paul Richards [mailto:paulrichard_rocks@yahoo.com]
> *Sent:* Monday, July 25, 2011 6:52 PM
> *To:* **Loopers-Delight@loopers-delight.com**
> *Subject:* RE: Boomerang Sidecar****
>
> ** **
>
> $400!? That's almost as much as the Boomerang!
>
> --- On *Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net>* wrote:****
>
>
> From: Clayton Gary Lehmann <hqr@cox.net>
> Subject: RE: Boomerang Sidecar
> To: **Loopers-Delight@loopers-delight.com**
> Date: Monday, July 25, 2011, 7:14 PM****
>
> I just got off the phone with Mike Nelson at Boomerang and he confirmed
> they
> have in stock and are shipping the Sidecar, a proprietary foot controller
> for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
> around $400 list.
> Of course, he can't discount it without pissing off his vendors, but give
> him a call and see what he can do for you.
> Gnarly****
>
> ** **
>



--=20
www.luis-angulo.com

--20cf30780c68d9573604a9324e8b
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

thanx for the hinsight Gary,let me know how it works for you without the si=
decar=A0<div>im observing it as well and debating to eventually purchase it=
 as well</div><div>say do they sell it at guitar center in SD? dont see it =
offered in their website though i know they carried it previously</div>
<div>awesome features though=A0i keep hearing is too much tapdance without =
the sidecar<div>cheers</div><div>Luis<br><div><br><div class=3D"gmail_quote=
">On Fri, Jul 29, 2011 at 7:32 AM, Clayton Gary Lehmann <span dir=3D"ltr">&=
lt;<a href=3D"mailto:hqr@cox.net">hqr@cox.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">




<u></u>
<u></u>
<u></u>





<div lang=3D"EN-US" link=3D"blue" vlink=3D"purple">

<div>

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span=
 style=3D"font-size:10.0pt;font-family:Arial;color:navy">I have the =91Rang=
 and have been
making it fit into my loop pedal setup=97<u></u><u></u></span></font></p>

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span=
 style=3D"font-size:10.0pt;font-family:Arial;color:navy">Spoke with Mike to=
day and he confirmed
that the Sidecar is $209 from him (that includes a modest discount) plus
shipping . . .<u></u><u></u></span></font></p>

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span=
 style=3D"font-size:10.0pt;font-family:Arial;color:navy">So around $225 to =
most places in the <u></u><u></u>US<u></u><u></u>.<u></u><u></u></span></fo=
nt></p>


<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span=
 style=3D"font-size:10.0pt;font-family:Arial;color:navy">I am going to try =
to do without the
Sidecar for now, got the expression pedal to work on feedback=97nice to
have rock solid multiple loops for the =93one man band=94 approach . .
.<u></u><u></u></span></font></p>

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span=
 style=3D"font-size:10.0pt;font-family:Arial;color:navy">G<u></u><u></u></s=
pan></font></p>

<p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span=
 style=3D"font-size:10.0pt;font-family:Arial;color:navy"><u></u>=A0<u></u><=
/span></font></p>

<div>

<div class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><font=
 size=3D"3" face=3D"Times New Roman"><span style=3D"font-size:12.0pt">

<hr size=3D"2" width=3D"100%" align=3D"center">

</span></font></div>

<p class=3D"MsoNormal"><b><font size=3D"2" face=3D"Tahoma"><span style=3D"f=
ont-size:10.0pt;font-family:Tahoma;font-weight:bold">From:</span></font></b=
><font size=3D"2" face=3D"Tahoma"><span style=3D"font-size:10.0pt;font-fami=
ly:Tahoma"> Paul Richards
[mailto:<a href=3D"mailto:paulrichard_rocks@yahoo.com" target=3D"_blank">pa=
ulrichard_rocks@yahoo.com</a>] <br>
<b><span style=3D"font-weight:bold">Sent:</span></b> Monday, July 25, 2011 =
6:52
PM<br>
<b><span style=3D"font-weight:bold">To:</span></b> <u></u><a href=3D"mailto=
:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loo=
pers-delight.com</a><u></u><br>
<b><span style=3D"font-weight:bold">Subject:</span></b> RE: Boomerang Sidec=
ar</span></font><u></u><u></u></p>

</div>

<p class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span styl=
e=3D"font-size:12.0pt"><u></u>=A0<u></u></span></font></p>

<table border=3D"0" cellspacing=3D"0" cellpadding=3D"0">
 <tbody><tr>
  <td valign=3D"top" style=3D"padding:0in 0in 0in 0in">
  <p class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size:12.0pt">$400!? That&#39;s almost as much as the Boomerang!=
<br>
  <br>
  --- On <b><span style=3D"font-weight:bold">Mon, 7/25/11, Clayton Gary Leh=
mann <i><span style=3D"font-style:italic">&lt;<a href=3D"mailto:hqr@cox.net=
" target=3D"_blank">hqr@cox.net</a>&gt;</span></i></span></b> wrote:<u></u>=
<u></u></span></font></p>

  <p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt"><font size=3D"3" fa=
ce=3D"Times New Roman"><span style=3D"font-size:12.0pt"><br>
  From: Clayton Gary Lehmann &lt;<a href=3D"mailto:hqr@cox.net" target=3D"_=
blank">hqr@cox.net</a>&gt;<br>
  Subject: RE: Boomerang Sidecar<br>
  To: <u></u><a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a><u></u><br>
  Date: Monday, July 25, 2011, 7:14 PM<u></u><u></u></span></font></p>
  <div>
  <p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt"><font size=3D"3" fa=
ce=3D"Times New Roman"><span style=3D"font-size:12.0pt">I just got off the
  phone with Mike Nelson at Boomerang and he confirmed they<br>
  have in stock and are shipping the Sidecar, a proprietary foot controller=
<br>
  for the Boomerang III. I didn&#39;t ask him how much, but IIRC it&#39;s s=
omewhere<br>
  around $400 list.<br>
  Of course, he can&#39;t discount it without pissing off his vendors, but =
give<br>
  him a call and see what he can do for you.<br>
  Gnarly<u></u><u></u></span></font></p>
  </div>
  </td>
 </tr>
</tbody></table>

<p class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span styl=
e=3D"font-size:12.0pt"><u></u>=A0<u></u></span></font></p>

</div>

</div>


</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.l=
uis-angulo.com" target=3D"_blank">www.luis-angulo.com</a><br>
</div></div></div>

--20cf30780c68d9573604a9324e8b--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 10:02:08 2011
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Date: Fri, 29 Jul 2011 12:02:07 +0200
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Subject: Re: questions for loopers
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Jeff for president!

On Fri, Jul 29, 2011 at 4:15 AM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I heart Jeff Larson.
> On Jul 28, 2011, at 8:15 PM, Jeff Larson wrote:
>
>>
>> 1) what aspects of looping do you enjoy the most?
>>
>> It's a toss up between the lavish backstage riders and the groupies.
>> The money is nice of course, but it's secondary to pleasing my fans.
>> Ultimately, I really like playing with myself.
>>
>> 12) any additional comments?
>>
>> I like turtles.
>>
>
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>
>



-- 
www.luis-angulo.com

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Only if the Turtle is going to be his vice president!


=3D-) PJ





-----Original Message-----
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Fri, Jul 29, 2011 2:02 am
Subject: Re: questions for loopers


Jeff for president!

On Fri, Jul 29, 2011 at 4:15 AM, Todd Matthews <gtmatthews@gmail.com> wrote=
:
> I heart Jeff Larson.
> On Jul 28, 2011, at 8:15 PM, Jeff Larson wrote:
>
>>
>> 1) what aspects of looping do you enjoy the most?
>>
>> It's a toss up between the lavish backstage riders and the groupies.
>> The money is nice of course, but it's secondary to pleasing my fans.
>> Ultimately, I really like playing with myself.
>>
>> 12) any additional comments?
>>
>> I like turtles.
>>
>
> --------------------
> Todd Matthews
> toddbass.com
> twitter: gtodd876
>
>



--=20
www.luis-angulo.com


=20

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<font color=3D'black' size=3D'2' face=3D'arial'><span class=3D"Apple-style-=
span" style=3D"color: black; font-size: 13px; ">O</span><font class=3D"Appl=
e-style-span" size=3D"2">nly if the <b><font class=3D"Apple-style-span" col=
or=3D"#006400">Turtle</font></b> is going to be his vice president!</font>
<div style=3D"color: black; "><font class=3D"Apple-style-span" size=3D"2"><=
br>
</font></div>

<div style=3D"color: black; "><font class=3D"Apple-style-span" size=3D"2">=
=3D-) PJ<br>
</font><br>

<div style=3D"font-size: 13px; clear: both; "></div>
<br>
<br>

<div style=3D"font-family: helvetica, arial; font-size: 10pt; color: black;=
 ">-----Original Message-----<br>
From: Louie Angulo &lt;louie.angulo@googlemail.com&gt;<br>
To: Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Fri, Jul 29, 2011 2:02 am<br>
Subject: Re: questions for loopers<br>
<br>







<div id=3D"AOLMsgPart_0_9bde811e-ae7f-4480-a2f1-574e8d1290ce" style=3D"marg=
in: 0px;font-family: Tahoma, Verdana, Arial, Sans-Serif;font-size: 12px;col=
or: #000;background-color: #fff;">

<pre style=3D"font-size: 9pt;"><tt>Jeff for president!

On Fri, Jul 29, 2011 at 4:15 AM, Todd Matthews &lt;<a href=3D"mailto:gtmatt=
hews@gmail.com">gtmatthews@gmail.com</a>&gt; wrote:
&gt; I heart Jeff Larson.
&gt; On Jul 28, 2011, at 8:15 PM, Jeff Larson wrote:
&gt;
&gt;&gt;
&gt;&gt; 1) what aspects of looping do you enjoy the most?
&gt;&gt;
&gt;&gt; It's a toss up between the lavish backstage riders and the groupie=
s.
&gt;&gt; The money is nice of course, but it's secondary to pleasing my fan=
s.
&gt;&gt; Ultimately, I really like playing with myself.
&gt;&gt;
&gt;&gt; 12) any additional comments?
&gt;&gt;
&gt;&gt; I like turtles.
&gt;&gt;
&gt;
&gt; --------------------
&gt; Todd Matthews
&gt; toddbass.com
&gt; twitter: gtodd876
&gt;
&gt;



--=20
<a href=3D"http://www.luis-angulo.com" target=3D"_blank">www.luis-angulo.co=
m</a>

</tt></pre>
</div>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 14:30:43 2011
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From: jayrope LD <jrploopers@kliklak.net>
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Subject: ACF Bootleg spam
Date: Fri, 29 Jul 2011 16:30:30 +0200
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Here's a selection of downloadable bootlegs from a variety of Air =
Cushion Finish's concerts during the last years.

http://www.aircushionfinish.com/bootlegs/

Air Cushion Finish means looping, too, if just as one of the means of =
exploring Krautrock, Postfolk, Ambient, in cathedral dub space or dry =
like a sizzle, shaped by the dial of the wind, while eventually Nino =
Rota stands in the background in dappled shade, surely chuckling.
Music for gallery spaces, boys choirs for enchanted ladies, =
Echtzeitmusik for slow searchers.

Hope you'll enjoy, and thanx in advance for giving it a listen.
(If so, why not leave a comment there)

j
- - -=20
jayrope
http://www.kliklak.net

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From: "Clayton Gary Lehmann" <hqr@cox.net>
To: <Loopers-Delight@loopers-delight.com>
References: <93EC2B7F628444A0841C9F342DD75490@your0548c161e1><1311645131.86912.YahooMailClassic@web36702.mail.mud.yahoo.com><CFE2CAD90F9547C1B767BA8AE107743F@your0548c161e1> <CAJeW8jOy=eD+kTWO=oGWN0SS-mYk_R5uG53pD7Y0A1UTcNQDDQ@mail.gmail.com>
Subject: Boomerang III and Sidecar option
Date: Fri, 29 Jul 2011 09:05:10 -0700
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Boomerang III is special order at GC . . .

You can't access all the great features without the Sidecar but for now it's
great-the sound is VERY clean, plenty of loop time, the footswitches are
completely silent, and having multiple loops that never drift? Priceless . .
. It also has a very solid build (and it's made in Texas 8))

And it's user configurable, I moved the "bonus" controls to where I need
them-but still don't have a footswitch assigned to stop all loops at once .
. .

 

  _____  

From: Louie Angulo [mailto:louie.angulo@googlemail.com] 
Sent: Friday, July 29, 2011 2:57 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar

 

thanx for the hinsight Gary,let me know how it works for you without the
sidecar 

im observing it as well and debating to eventually purchase it as well

say do they sell it at guitar center in SD? dont see it offered in their
website though i know they carried it previously

awesome features though i keep hearing is too much tapdance without the
sidecar

cheers

Luis

 

On Fri, Jul 29, 2011 at 7:32 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:

I have the 'Rang and have been making it fit into my loop pedal setup-

Spoke with Mike today and he confirmed that the Sidecar is $209 from him
(that includes a modest discount) plus shipping . . .

So around $225 to most places in the US.

I am going to try to do without the Sidecar for now, got the expression
pedal to work on feedback-nice to have rock solid multiple loops for the
"one man band" approach . . .

G

 

  _____  

From: Paul Richards [mailto:paulrichard_rocks@yahoo.com] 
Sent: Monday, July 25, 2011 6:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang Sidecar

 


$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM

I just got off the phone with Mike Nelson at Boomerang and he confirmed they
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly

 




-- 
www.luis-angulo.com


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<body lang=3DEN-US link=3Dblue vlink=3Dblue>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Boomerang III is special order at =
GC . . .<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>You can&#8217;t access all the =
great features
without the Sidecar but for now it&#8217;s great&#8212;the sound is VERY =
clean, plenty of
loop time, the footswitches are completely silent, and having multiple =
loops
that never drift? Priceless . . . It also has a very solid build (and =
it&#8217;s made
in Texas 8))<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>And it&#8217;s user configurable, I =
moved the &#8220;bonus&#8221;
controls to where I need them&#8212;but still don&#8217;t have a =
footswitch assigned to
stop all loops at once . . .<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Louie =
Angulo
[mailto:louie.angulo@googlemail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Friday, July 29, =
2011 2:57
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>thanx for the hinsight <st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Gary</st1:place></st1:City>,let
me know how it works for you without the =
sidecar&nbsp;<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>im observing it as well and debating to eventually purchase it =
as well<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>say do they sell it at guitar center in SD? dont see it offered =
in
their website though i know they carried it =
previously<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>awesome features though&nbsp;i keep hearing is too much tapdance
without the sidecar<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>cheers<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Luis<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Fri, Jul 29, 2011 at 7:32 AM, Clayton Gary Lehmann &lt;<a
href=3D"mailto:hqr@cox.net">hqr@cox.net</a>&gt; =
wrote:<o:p></o:p></span></font></p>

<div link=3Dblue vlink=3Dpurple>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>I have the &#8216;Rang and have been making it fit into my =
loop pedal
setup&#8212;</span></font><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>Spoke with Mike today and he confirmed that the Sidecar is =
$209
from him (that includes a modest discount) plus shipping . . =
.</span></font><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>So around $225 to most places in the <st1:country-region =
w:st=3D"on"><st1:place
 =
w:st=3D"on">US</st1:place></st1:country-region>.</span></font><o:p></o:p>=
</p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>I am going to try to do without the Sidecar for now, got the
expression pedal to work on feedback&#8212;nice to have rock solid =
multiple loops for
the &#8220;one man band&#8221; approach . . =
.</span></font><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>G</span></font><o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:navy'>&nbsp;</span></font><o:p></o:p></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:
bold'>From:</span></font></b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:
10.0pt;font-family:Tahoma'> Paul Richards [mailto:<a
href=3D"mailto:paulrichard_rocks@yahoo.com" =
target=3D"_blank">paulrichard_rocks@yahoo.com</a>]
<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Monday, July 25, =
2011 6:52
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> RE: Boomerang =
Sidecar</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

<table class=3DMsoNormalTable border=3D0 cellspacing=3D0 =
cellpadding=3D0>
 <tr>
  <td valign=3Dtop style=3D'padding:0in 0in 0in 0in'>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
  size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>$400!? That's
  almost as much as the Boomerang!<br>
  <br>
  --- On <b><span style=3D'font-weight:bold'>Mon, 7/25/11, Clayton Gary =
Lehmann <i><span
  style=3D'font-style:italic'>&lt;<a href=3D"mailto:hqr@cox.net" =
target=3D"_blank">hqr@cox.net</a>&gt;</span></i></span></b>
  wrote:<o:p></o:p></span></font></p>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt'><font
  size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><br>
  From: Clayton Gary Lehmann &lt;<a href=3D"mailto:hqr@cox.net" =
target=3D"_blank">hqr@cox.net</a>&gt;<br>
  Subject: RE: Boomerang Sidecar<br>
  To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
  Date: Monday, July 25, 2011, 7:14 PM<o:p></o:p></span></font></p>
  <div>
  <p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;margin-bottom:12.0pt'><font
  size=3D3 face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>I =
just got off
  the phone with Mike Nelson at Boomerang and he confirmed they<br>
  have in stock and are shipping the Sidecar, a proprietary foot =
controller<br>
  for the Boomerang III. I didn't ask him how much, but IIRC it's =
somewhere<br>
  around $400 list.<br>
  Of course, he can't discount it without pissing off his vendors, but =
give<br>
  him a call and see what he can do for you.<br>
  Gnarly<o:p></o:p></span></font></p>
  </div>
  </td>
 </tr>
</table>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><font
size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br clear=3Dall>
<br>
-- <br>
<a href=3D"http://www.luis-angulo.com" =
target=3D"_blank">www.luis-angulo.com</a><o:p></o:p></span></font></p>

</div>

</div>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 16:28:08 2011
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Date: Fri, 29 Jul 2011 09:28:06 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Boomerang III and Sidecar option
To: Loopers-Delight@loopers-delight.com
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One thing (as the manual states) is to ensure all inputs & outputs are inse=
rted prior to powering on the unit - otherwise, one can=C2=A0encounter anom=
alous problems - as in no sound.=20
=C2=A0
BTW, Mr. Nelson, if you read these posts, I'd like to recommend a diagram/p=
hoto of the boomerang in the documentation so one can actually see what but=
tons, et al are being referred to in the manual (I usually don't take my ha=
rdware into the crapper but do peruse manuals while on the throne). :)
=C2=A0
P
--- On Fri, 7/29/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


From: Clayton Gary Lehmann <hqr@cox.net>
Subject: Boomerang III and Sidecar option
To: Loopers-Delight@loopers-delight.com
Date: Friday, July 29, 2011, 12:05 PM








Boomerang III is special order at GC . . .
You can=E2=80=99t access all the great features without the Sidecar but for=
 now it=E2=80=99s great=E2=80=94the sound is VERY clean, plenty of loop tim=
e, the footswitches are completely silent, and having multiple loops that n=
ever drift? Priceless . . . It also has a very solid build (and it=E2=80=99=
s made in Texas 8))
And it=E2=80=99s user configurable, I moved the =E2=80=9Cbonus=E2=80=9D con=
trols to where I need them=E2=80=94but still don=E2=80=99t have a footswitc=
h assigned to stop all loops at once . . .
=C2=A0




From: Louie Angulo [mailto:louie.angulo@googlemail.com]=20
Sent: Friday, July 29, 2011 2:57 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Boomerang Sidecar
=C2=A0
thanx for the hinsight Gary ,let me know how it works for you without the s=
idecar=C2=A0

im observing it as well and debating to eventually purchase it as well

say do they sell it at guitar center in SD? dont see it offered in their we=
bsite though i know they carried it previously

awesome features though=C2=A0i keep hearing is too much tapdance without th=
e sidecar

cheers

Luis

=C2=A0

On Fri, Jul 29, 2011 at 7:32 AM, Clayton Gary Lehmann <hqr@cox.net> wrote:


I have the =E2=80=98Rang and have been making it fit into my loop pedal set=
up=E2=80=94
Spoke with Mike today and he confirmed that the Sidecar is $209 from him (t=
hat includes a modest discount) plus shipping . . .
So around $225 to most places in the US .
I am going to try to do without the Sidecar for now, got the expression ped=
al to work on feedback=E2=80=94nice to have rock solid multiple loops for t=
he =E2=80=9Cone man band=E2=80=9D approach . . .
G
=C2=A0




From: Paul Richards [mailto:paulrichard_rocks@yahoo.com]=20
Sent: Monday, July 25, 2011 6:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang Sidecar
=C2=A0




$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:

From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM

I just got off the phone with Mike Nelson at Boomerang and he confirmed the=
y
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly
=C2=A0



--=20
www.luis-angulo.com
--0-567895375-1311956886=:4841
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV><BR>One thing (as the manual states) is =
to ensure all inputs &amp; outputs are inserted prior to powering on the un=
it - otherwise, one can&nbsp;encounter anomalous problems - as in no sound.=
 </DIV>
<DIV>&nbsp;</DIV>
<DIV>BTW, Mr. Nelson, if you read these posts, I'd like to recommend a diag=
ram/photo of the boomerang in the documentation so one can actually see wha=
t buttons, et al are being referred to in the manual (I usually don't take =
my hardware into the crapper but do peruse manuals while on the throne). :)=
</DIV>
<DIV>&nbsp;</DIV>
<DIV>P<BR>--- On <B>Fri, 7/29/11, Clayton Gary Lehmann <I>&lt;hqr@cox.net&g=
t;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Clayton Gary Lehmann &lt;hqr@cox.net&gt;<BR=
>Subject: Boomerang III and Sidecar option<BR>To: Loopers-Delight@loopers-d=
elight.com<BR>Date: Friday, July 29, 2011, 12:05 PM<BR><BR>
<DIV id=3Dyiv1176929364>
<STYLE>
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<DIV class=3Dyiv1176929364Section1>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">Boomerang =
III is special order at GC . . .</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">You can=E2=
=80=99t access all the great features without the Sidecar but for now it=E2=
=80=99s great=E2=80=94the sound is VERY clean, plenty of loop time, the foo=
tswitches are completely silent, and having multiple loops that never drift=
? Priceless . . . It also has a very solid build (and it=E2=80=99s made in =
Texas 8))</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">And it=E2=
=80=99s user configurable, I moved the =E2=80=9Cbonus=E2=80=9D controls to =
where I need them=E2=80=94but still don=E2=80=99t have a footswitch assigne=
d to stop all loops at once . . .</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">&nbsp;</SP=
AN></FONT></DIV>
<DIV>
<DIV style=3D"TEXT-ALIGN: center" class=3Dyiv1176929364MsoNormal align=3Dce=
nter><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">
<HR tabIndex=3D-1 align=3Dcenter SIZE=3D2 width=3D"100%">
</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><B><FONT size=3D2 face=3DTahoma><SPAN sty=
le=3D"FONT-FAMILY: Tahoma; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN>=
</FONT></B><FONT size=3D2 face=3DTahoma><SPAN style=3D"FONT-FAMILY: Tahoma;=
 FONT-SIZE: 10pt"> Louie Angulo [mailto:louie.angulo@googlemail.com] <BR><B=
><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Friday, July 29, 2011 2=
:57 AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delig=
ht@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SP=
AN></B> Re: Boomerang Sidecar</SPAN></FONT></DIV></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">thanx for the hinsight Gary ,let me know how=
 it works for you without the sidecar&nbsp;</SPAN></FONT></DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">im observing it as well and debating to even=
tually purchase it as well</SPAN></FONT></DIV></DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">say do they sell it at guitar center in SD? =
dont see it offered in their website though i know they carried it previous=
ly</SPAN></FONT></DIV></DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">awesome features though&nbsp;i keep hearing =
is too much tapdance without the sidecar</SPAN></FONT></DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">cheers</SPAN></FONT></DIV></DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">Luis</SPAN></FONT></DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">On Fri, Jul 29, 2011 at 7:32 AM, Clayton Gar=
y Lehmann &lt;<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhqr=
@cox.net" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:hqr@cox.net">hqr=
@cox.net</A>&gt; wrote:</SPAN></FONT></DIV>
<DIV>
<DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">I have the=
 =E2=80=98Rang and have been making it fit into my loop pedal setup=E2=80=
=94</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">Spoke with=
 Mike today and he confirmed that the Sidecar is $209 from him (that includ=
es a modest discount) plus shipping . . .</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">So around =
$225 to most places in the US .</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">I am going=
 to try to do without the Sidecar for now, got the expression pedal to work=
 on feedback=E2=80=94nice to have rock solid multiple loops for the =E2=80=
=9Cone man band=E2=80=9D approach . . .</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">G</SPAN></=
FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">&nbsp;</SP=
AN></FONT></DIV>
<DIV>
<DIV style=3D"TEXT-ALIGN: center" class=3Dyiv1176929364MsoNormal align=3Dce=
nter><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">
<HR align=3Dcenter SIZE=3D2 width=3D"100%">
</SPAN></FONT></DIV>
<P class=3Dyiv1176929364MsoNormal><B><FONT size=3D2 face=3DTahoma><SPAN sty=
le=3D"FONT-FAMILY: Tahoma; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN>=
</FONT></B><FONT size=3D2 face=3DTahoma><SPAN style=3D"FONT-FAMILY: Tahoma;=
 FONT-SIZE: 10pt"> Paul Richards [mailto:<A href=3D"http://us.mc367.mail.ya=
hoo.com/mc/compose?to=3Dpaulrichard_rocks@yahoo.com" rel=3Dnofollow target=
=3D_blank ymailto=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@=
yahoo.com</A>] <BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Mo=
nday, July 25, 2011 6:52 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SP=
AN></B> <A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-D=
elight@loopers-delight.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailt=
o:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com<=
/A><BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> RE: Boomera=
ng Sidecar</SPAN></FONT></DIV></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV>
<TABLE class=3Dyiv1176929364MsoNormalTable border=3D0 cellSpacing=3D0 cellP=
adding=3D0>
<TBODY>
<TR>
<TD style=3D"PADDING-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; PA=
DDING-TOP: 0in" vAlign=3Dtop>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">$400!? That's almost as much as the Boomeran=
g!<BR><BR>--- On <B><SPAN style=3D"FONT-WEIGHT: bold">Mon, 7/25/11, Clayton=
 Gary Lehmann <I><SPAN style=3D"FONT-STYLE: italic">&lt;<A href=3D"http://u=
s.mc367.mail.yahoo.com/mc/compose?to=3Dhqr@cox.net" rel=3Dnofollow target=
=3D_blank ymailto=3D"mailto:hqr@cox.net">hqr@cox.net</A>&gt;</SPAN></I></SP=
AN></B> wrote:</SPAN></FONT></DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv1176929364MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"><BR>From: Cla=
yton Gary Lehmann &lt;<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?=
to=3Dhqr@cox.net" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:hqr@cox.=
net">hqr@cox.net</A>&gt;<BR>Subject: RE: Boomerang Sidecar<BR>To: <A href=
=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-=
delight.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:Loopers-Delig=
ht@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR>Date: Mo=
nday, July 25, 2011, 7:14 PM</SPAN></FONT></DIV>
<DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv1176929364MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt">I just got of=
f the phone with Mike Nelson at Boomerang and he confirmed they<BR>have in =
stock and are shipping the Sidecar, a proprietary foot controller<BR>for th=
e Boomerang III. I didn't ask him how much, but IIRC it's somewhere<BR>arou=
nd $400 list.<BR>Of course, he can't discount it without pissing off his ve=
ndors, but give<BR>him a call and see what he can do for you.<BR>Gnarly</SP=
AN></FONT></DIV></DIV></TD></TR></TBODY></TABLE>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV></DIV></DIV></DIV>
<P class=3Dyiv1176929364MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt"><BR><BR clear=3Dall><BR>-- <BR><A href=3D"ht=
tp://www.luis-angulo.com/" rel=3Dnofollow target=3D_blank>www.luis-angulo.c=
om</A></SPAN></FONT></DIV></DIV></DIV></DIV></DIV></DIV></BLOCKQUOTE></td><=
/tr></table>
--0-567895375-1311956886=:4841--

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--90e6ba6e860e0bba8304a9389c80
Content-Type: text/plain; charset=ISO-8859-1
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Hi Jon!

>
> 1) what aspects of looping do you enjoy the most?
>

Making a bigger noise than I could before..  I mean making a full complete
piece of music with all elements. As a solo performer with very little
friends, its important to me that I dont become a solo guitarist. I have
never had the skills for that, and looping helps me cheat. However I dont
think of it as cheating as my favorite types of music could be played by
monkeys. Thats the Ape type not the sixties combo.


>
> 2) what aspects of looping do you enjoy the least?
>

Technical problems...


>
> 3) what looping tools (including controllers) do you currently
> use/have used in the past?
>

I have never been able to "upgrade" to software, as I have fallen in love
with all my loopers over the years and still use them all. Lack of cash has
stopped me from getting a decent sound card to fully explore the software
route, and the LP1 is still hanging there like a apple to me.

I have used and still use. 2 EDP=B4s a repeater and a vortex. I recently
snagged a Kaos pad, but its not quite working out for me.
I amd consdering losing one EDP, selling a synth and getting an LP1.

I have alos worked with Mobius withing Abelton Live and Audio Mulch and
would go that way if I had more time and money to totally re wrok my rig.




>
> 4) what are the strengths of these tools?
>

All said before. But
EDP  - loop windowing

Repeater, the pitch shift

The Vortex, the "cloud looping" techniques.. (small loops, grabbed and
manipulated...) and the morphing...

Mobius, to many strengths to mention... I just dont have time to spend
fiddling with computers in my time off...



> 5) what are the weaknesses of these tools?
>

EDP, hissy and occasionally probelmatic.. (right now I have a problem with
one where the volume of the feedback comes back unfeasably loud... I think
its a setting Ive accidentaly set by sending weird midi...)

Repeater - also hissy (mines un-modified) not wide enough midi synch speed

Vortex, sometimes hissy, no bypass . Could be wilder presets.. a waste of u=
n
saveable memory locations. But no real crits, it is what it is...

Mobius,  Well see above, computers, beginning to hate them...


> 6) do you modify a loop once it's been created? if so, how?
>
>
YEs, apart from "in looper" modifications that I dont consider
modifications. I routinely run loops through:
Roland  EX303 , a few stomp pitch shifters, ring modulation, a modular
synth,



> 7) how much planning do you do for a particular performance?
>

None in the studio, good ideas are remembered and used in performance,
usually turning out totally different, but I used many different sounds, no=
t
just "guitar with reverb" So I have to plan what synth patches to use or
effect patches I use in case I select Pan Pipes by accident...


>
> 8) what form does this planning take? (do you write it down, keep it
> in your head, etc)
>
 Head.. plus I write on stickers, that adorn the item that its a memo for..=
.
mostely good patch numbers



>
> 9) at what level of detail do you plan? (melody, harmony, timbres,
> dynamics, instrumental techniques, etc.)
>


Nope, none of the above, but I do plan a process. Varies so wildly it not
worth mentioning. But a for instance might be. Ill decide to play a minimal
timpani aprpegio from my GR30 guitar synth into one edp. then I play the
same thing into the other but with a longer loop, Then sit back and watch
them "polyrythemselves".. Cut same size bits out of both loops, and then
start a drum loop on the repeater, that is in time but not heard, the audio
may be used as a audio carrier on the Vocodor patch of the EX303, and then
Ill morph into that slowly, so the edps are producing the music, and the
drum loop is producing the rythym.




>
> 10) describe your general approach to loop performance.
>

Have a start, and middle and an end planned... The performance is a struggl=
e
to get from one to the next!!!


>
> 11) what would the ideal looping system look like? describe it in as
> much detail as you can (and don't worry about practical concerns).
>

A small black box with wires to my brain...



>
> 12) any additional comments?
>
>
>
> If for some reason you don't want your answers to be public, you can
> send them directly to me.
>
> Thanks!
>
> Jon
>
>


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e860e0bba8304a9389c80
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Jon!<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<br>
1) what aspects of looping do you enjoy the most?<br></blockquote><div><br>=
Making a bigger noise than I could before..=A0 I mean making a full complet=
e piece of music with all elements. As a solo performer with very little fr=
iends, its important to me that I dont become a solo guitarist. I have neve=
r had the skills for that, and looping helps me cheat. However I dont think=
 of it as cheating as my favorite types of music could be played by monkeys=
. Thats the Ape type not the sixties combo.<br>

=A0</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8=
ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
2) what aspects of looping do you enjoy the least?<br></blockquote><div><br=
>Technical problems...<br>=A0</div><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">


<br>
3) what looping tools (including controllers) do you currently<br>
use/have used in the past?<br></blockquote><div><br>I have never been able =
to &quot;upgrade&quot; to software, as I have fallen in love with all my lo=
opers over the years and still use them all. Lack of cash has stopped me fr=
om getting a decent sound card to fully explore the software route, and the=
 LP1 is still hanging there like a apple to me.<br>

<br>I have used and still use. 2 EDP=B4s a repeater and a vortex. I recentl=
y snagged a Kaos pad, but its not quite working out for me.<br>I amd consde=
ring losing one EDP, selling a synth and getting an LP1.<br><br>I have alos=
 worked with Mobius withing Abelton Live and Audio Mulch and would go that =
way if I had more time and money to totally re wrok my rig.<br>

<br><br>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt=
 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
4) what are the strengths of these tools?<br></blockquote><div><br>All said=
 before. But<br>EDP=A0 - loop windowing<br><br>Repeater, the pitch shift<br=
><br>The Vortex, the &quot;cloud looping&quot; techniques.. (small loops, g=
rabbed and manipulated...) and the morphing...<br>

<br>Mobius, to many strengths to mention... I just dont have time to spend =
fiddling with computers in my time off...<br><br><br></div><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">


<br>
5) what are the weaknesses of these tools?<br></blockquote><div><br>EDP, hi=
ssy and occasionally probelmatic.. (right now I have a problem with one whe=
re the volume of the feedback comes back unfeasably loud... I think its a s=
etting Ive accidentaly set by sending weird midi...)<br>

<br>Repeater - also hissy (mines un-modified) not wide enough midi synch sp=
eed<br><br>Vortex, sometimes hissy, no bypass . Could be wilder presets.. a=
 waste of un saveable memory locations. But no real crits, it is what it is=
...<br>

<br>Mobius,=A0 Well see above, computers, beginning to hate them...<br><br>=
</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex;=
 border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
6) do you modify a loop once it&#39;s been created? if so, how?<br>
<br></blockquote><div><br>YEs, apart from &quot;in looper&quot; modificatio=
ns that I dont consider modifications. I routinely run loops through: <br>R=
oland=A0 EX303 , a few stomp pitch shifters, ring modulation, a modular syn=
th, <br>

<br>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt=
 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
7) how much planning do you do for a particular performance?<br></blockquot=
e><div><br>None in the studio, good ideas are remembered and used in perfor=
mance, usually turning out totally different, but I used many different sou=
nds, not just &quot;guitar with reverb&quot; So I have to plan what synth p=
atches to use or effect patches I use in case I select Pan Pipes by acciden=
t...<br>

=A0</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8=
ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
8) what form does this planning take? (do you write it down, keep it<br>
in your head, etc)<br></blockquote><div>=A0Head.. plus I write on stickers,=
 that adorn the item that its a memo for... mostely good patch numbers<br><=
br>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt =
0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">


<br>
9) at what level of detail do you plan? (melody, harmony, timbres,<br>
dynamics, instrumental techniques, etc.)<br></blockquote><div><br><br>Nope,=
 none of the above, but I do plan a process. Varies so wildly it not worth =
mentioning. But a for instance might be. Ill decide to play a minimal timpa=
ni aprpegio from my GR30 guitar synth into one edp. then I play the same th=
ing into the other but with a longer loop, Then sit back and watch them &qu=
ot;polyrythemselves&quot;.. Cut same size bits out of both loops, and then =
start a drum loop on the repeater, that is in time but not heard, the audio=
 may be used as a audio carrier on the Vocodor patch of the EX303, and then=
 Ill morph into that slowly, so the edps are producing the music, and the d=
rum loop is producing the rythym.<br>

<br><br>=A0<br></div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1e=
x;">
<br>
10) describe your general approach to loop performance.<br></blockquote><di=
v><br>Have a start, and middle and an end planned... The performance is a s=
truggle to get from one to the next!!!<br>=A0</div><blockquote class=3D"gma=
il_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">


<br>
11) what would the ideal looping system look like? describe it in as<br>
much detail as you can (and don&#39;t worry about practical concerns).<br><=
/blockquote><div><br>A small black box with wires to my brain...<br><br>=A0=
</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex;=
 border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">


<br>
12) any additional comments?<br>
<br>
<br>
<br>
If for some reason you don&#39;t want your answers to be public, you can<br=
>
send them directly to me.<br>
<br>
Thanks!<br>
<font color=3D"#888888"><br>
Jon<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0,=
 0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>M=
ark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e860e0bba8304a9389c80--

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Subject: Re: questions for loopers
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> Vortex, sometimes hissy, no bypass . Could be wilder presets.. a waste of=
 un
> saveable memory locations. But no real crits, it is what it is...

Actually you can bypass the Vortex through the last of the four
footswitches (the other three are tap, morph, and user patch select I
think).  No way to access it other than the footswitch though (that I
know of).

Love my Vortex but it does get noisy.

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: OT Linguistica (Re: questions for loopers)
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 29, 2011 at 7:28 PM, mark francombe <mark@markfrancombe.com> wrote:
> if I had more time and money to totally re wrok my rig.
>

What does "wrok" mean? An anagram on "rework"? "Wreck"? "Wok"?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Mark wrote
> Vortex, no bypass . 

Actually it does, but you have to use a footswitch.
(a simple mono one will do).

...or you just mean it doesn't have bypass on the front panel?
(in which case I guess I'm *not* helping) 



andy
from deep in the *secret patch* laboratory


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it's 
work + grok



Per Boysen wrote:
> On Fri, Jul 29, 2011 at 7:28 PM, mark francombe <mark@markfrancombe.com> wrote:
>> if I had more time and money to totally re wrok my rig.
>>
> 
> What does "wrok" mean? An anagram on "rework"? "Wreck"? "Wok"?

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Subject: Re: OT Linguistica (Re: questions for loopers)
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Ok, thanks.

P :-)



On Fri, Jul 29, 2011 at 7:57 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> it's work + grok
>
>
>
> Per Boysen wrote:
>>
>> On Fri, Jul 29, 2011 at 7:28 PM, mark francombe <mark@markfrancombe.com>
>> wrote:
>>>
>>> if I had more time and money to totally re wrok my rig.
>>>
>>
>> What does "wrok" mean? An anagram on "rework"? "Wreck"? "Wok"?
>
>

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It's a form of popular music, more often known as "wrok and wroll."

On Fri, Jul 29, 2011 at 1:50 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jul 29, 2011 at 7:28 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > if I had more time and money to totally re wrok my rig.
> >
>
> What does "wrok" mean? An anagram on "rework"? "Wreck"? "Wok"?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

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It&#39;s a form of popular music, more often known as &quot;wrok and wroll.=
&quot;<br><br><div class=3D"gmail_quote">On Fri, Jul 29, 2011 at 1:50 PM, P=
er Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perb=
oysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On Fri, Jul 29, 2=
011 at 7:28 PM, mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com=
">mark@markfrancombe.com</a>&gt; wrote:<br>

&gt; if I had more time and money to totally re wrok my rig.<br>
&gt;<br>
<br>
What does &quot;wrok&quot; mean? An anagram on &quot;rework&quot;? &quot;Wr=
eck&quot;? &quot;Wok&quot;?<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>

--bcaec517c5563c600c04a9394c1e--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 18:52:02 2011
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Just wanted to say I've been enjoying these all morning.  A nice
variety of sounds and textures.

Thanks,

Kevin

On Fri, Jul 29, 2011 at 7:30 AM, jayrope LD <jrploopers@kliklak.net> wrote:
> Here's a selection of downloadable bootlegs from a variety of Air Cushion=
 Finish's concerts during the last years.
>
> http://www.aircushionfinish.com/bootlegs/
>
> Air Cushion Finish means looping, too, if just as one of the means of exp=
loring Krautrock, Postfolk, Ambient, in cathedral dub space or dry like a s=
izzle, shaped by the dial of the wind, while eventually Nino Rota stands in=
 the background in dappled shade, surely chuckling.
> Music for gallery spaces, boys choirs for enchanted ladies, Echtzeitmusik=
 for slow searchers.
>
> Hope you'll enjoy, and thanx in advance for giving it a listen.
> (If so, why not leave a comment there)
>
> j
> - - -
> jayrope
> http://www.kliklak.net
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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I know that Kev, but the unit is not out of the chain when bypassed, it not
a big point as almost none of my gear does that, not even the fireworx.
personally I rarely use the tap function as I have hardwired the edp to
Vortex synch solution inside my Vortex.

On Fri, Jul 29, 2011 at 7:45 PM, Kevin Cheli-Colando
<billowhead@gmail.com>wrote:

> Actually you can bypass the Vortex through the last of the four
> footswitches (the other three are tap, morph, and user patch select I
> think).  No way to access it other than the footswitch though (that I
> know of).
>



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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I know that Kev, but the unit is not out of the chain when bypassed, it not=
 a big point as almost none of my gear does that, not even the fireworx.<br=
>personally I rarely use the tap function as I have hardwired the edp to Vo=
rtex synch solution inside my Vortex.<br>

<br><div class=3D"gmail_quote">On Fri, Jul 29, 2011 at 7:45 PM, Kevin Cheli=
-Colando <span dir=3D"ltr">&lt;<a href=3D"mailto:billowhead@gmail.com">bill=
owhead@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

<div id=3D":1jm">Actually you can bypass the Vortex through the last of the=
 four<br>
footswitches (the other three are tap, morph, and user patch select I<br>
think). =A0No way to access it other than the footswitch though (that I<br>
know of).<br>
</div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-=
family:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, =
0, 0)"><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Ma=
rk Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6137b2de933104a93a25cc--

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--90e6ba6e8e5826c63004a93a2f47
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On Fri, Jul 29, 2011 at 7:55 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> Mark wrote
>
>> Vortex, no bypass .
>>
>
> Actually it does, but you have to use a footswitch.
> (a simple mono one will do).
>

yeah yeah yeah... but its not a.... yawn... oh you know what I mean
Andy...?

>
> ...or you just mean it doesn't have bypass on the front panel?
> (in which case I guess I'm *not* helping)
>

Mine does now... along with a few other *secret switches*


>
>
> andy
> from deep in the *secret patch* laboratory
>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8e5826c63004a93a2f47
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<br><br><div class=3D"gmail_quote">On Fri, Jul 29, 2011 at 7:55 PM, andy bu=
tler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutl=
er@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

Mark wrote<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Vortex, no bypass . <br>
</blockquote>
<br>
Actually it does, but you have to use a footswitch.<br>
(a simple mono one will do).<br></blockquote><div><br>yeah yeah yeah... but=
 its not a.... yawn... oh you know what I mean Andy...?=A0 <br></div><block=
quote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left=
: 1px solid rgb(204, 204, 204); padding-left: 1ex;">


<br>
...or you just mean it doesn&#39;t have bypass on the front panel?<br>
(in which case I guess I&#39;m *not* helping) <br></blockquote><div><br>Min=
e does now... along with a few other *secret switches*<br>=A0<br></div><blo=
ckquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-le=
ft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">


<br>
<br>
andy<br>
from deep in the *secret patch* laboratory<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family=
:verdana,sans-serif;color:rgb(255, 255, 255);background-color:rgb(0, 0, 0)"=
><font style=3D"font-family:trebuchet ms,sans-serif" size=3D"4"><u>Mark Fra=
ncombe</u></font></i><br>

<font size=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markf=
rancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"colo=
r:rgb(51, 0, 51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordo=
abkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb=
(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" targ=
et=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, =
51)"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=
=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8e5826c63004a93a2f47--

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Date: Fri, 29 Jul 2011 12:22:09 -0700 (PDT)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
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Next time, do some fact checking before getting people all riled up! I was =
ready to throw myself under a train.

--- On Thu, 7/28/11, Clayton Gary Lehmann <hqr@cox.net> wrote:


From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Thursday, July 28, 2011, 10:32 PM








I have the =E2=80=98Rang and have been making it fit into my loop pedal set=
up=E2=80=94
Spoke with Mike today and he confirmed that the Sidecar is $209 from him (t=
hat includes a modest discount) plus shipping . . .
So around $225 to most places in the US .
I am going to try to do without the Sidecar for now, got the expression ped=
al to work on feedback=E2=80=94nice to have rock solid multiple loops for t=
he =E2=80=9Cone man band=E2=80=9D approach . . .
G
=C2=A0




From: Paul Richards [mailto:paulrichard_rocks@yahoo.com]=20
Sent: Monday, July 25, 2011 6:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang Sidecar
=C2=A0




$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:

From: Clayton Gary Lehmann <hqr@cox.net>
Subject: RE: Boomerang Sidecar
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 25, 2011, 7:14 PM

I just got off the phone with Mike Nelson at Boomerang and he confirmed the=
y
have in stock and are shipping the Sidecar, a proprietary foot controller
for the Boomerang III. I didn't ask him how much, but IIRC it's somewhere
around $400 list.
Of course, he can't discount it without pissing off his vendors, but give
him a call and see what he can do for you.
Gnarly
=C2=A0
--0-938358989-1311967329=:73828
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Next time, do some fact checking before getti=
ng people all riled up! I was ready to throw myself under a train.<BR><BR>-=
-- On <B>Thu, 7/28/11, Clayton Gary Lehmann <I>&lt;hqr@cox.net&gt;</I></B> =
wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Clayton Gary Lehmann &lt;hqr@cox.net&gt;<BR=
>Subject: RE: Boomerang Sidecar<BR>To: Loopers-Delight@loopers-delight.com<=
BR>Date: Thursday, July 28, 2011, 10:32 PM<BR><BR>
<DIV id=3Dyiv1638361321>
<STYLE>
<!--
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<DIV class=3Dyiv1638361321Section1>
<P class=3Dyiv1638361321MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">I have the=
 =E2=80=98Rang and have been making it fit into my loop pedal setup=E2=80=
=94</SPAN></FONT></DIV>
<P class=3Dyiv1638361321MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">Spoke with=
 Mike today and he confirmed that the Sidecar is $209 from him (that includ=
es a modest discount) plus shipping . . .</SPAN></FONT></DIV>
<P class=3Dyiv1638361321MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">So around =
$225 to most places in the US .</SPAN></FONT></DIV>
<P class=3Dyiv1638361321MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">I am going=
 to try to do without the Sidecar for now, got the expression pedal to work=
 on feedback=E2=80=94nice to have rock solid multiple loops for the =E2=80=
=9Cone man band=E2=80=9D approach . . .</SPAN></FONT></DIV>
<P class=3Dyiv1638361321MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">G</SPAN></=
FONT></DIV>
<P class=3Dyiv1638361321MsoNormal><FONT color=3Dnavy size=3D2 face=3DArial>=
<SPAN style=3D"FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">&nbsp;</SP=
AN></FONT></DIV>
<DIV>
<DIV style=3D"TEXT-ALIGN: center" class=3Dyiv1638361321MsoNormal align=3Dce=
nter><FONT size=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt=
">
<HR tabIndex=3D-1 align=3Dcenter SIZE=3D2 width=3D"100%">
</SPAN></FONT></DIV>
<P class=3Dyiv1638361321MsoNormal><B><FONT size=3D2 face=3DTahoma><SPAN sty=
le=3D"FONT-FAMILY: Tahoma; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN>=
</FONT></B><FONT size=3D2 face=3DTahoma><SPAN style=3D"FONT-FAMILY: Tahoma;=
 FONT-SIZE: 10pt"> Paul Richards [mailto:paulrichard_rocks@yahoo.com] <BR><=
B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Monday, July 25, 2011 =
6:52 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Deli=
ght@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</S=
PAN></B> RE: Boomerang Sidecar</SPAN></FONT></DIV></DIV>
<P class=3Dyiv1638361321MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV>
<TABLE class=3Dyiv1638361321MsoNormalTable border=3D0 cellSpacing=3D0 cellP=
adding=3D0>
<TBODY>
<TR>
<TD style=3D"PADDING-BOTTOM: 0in; PADDING-LEFT: 0in; PADDING-RIGHT: 0in; PA=
DDING-TOP: 0in" vAlign=3Dtop>
<P class=3Dyiv1638361321MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">$400!? That's almost as much as the Boomeran=
g!<BR><BR>--- On <B><SPAN style=3D"FONT-WEIGHT: bold">Mon, 7/25/11, Clayton=
 Gary Lehmann <I><SPAN style=3D"FONT-STYLE: italic">&lt;hqr@cox.net&gt;</SP=
AN></I></SPAN></B> wrote:</SPAN></FONT></DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv1638361321MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt"><BR>From: Cla=
yton Gary Lehmann &lt;hqr@cox.net&gt;<BR>Subject: RE: Boomerang Sidecar<BR>=
To: Loopers-Delight@loopers-delight.com<BR>Date: Monday, July 25, 2011, 7:1=
4 PM</SPAN></FONT></DIV>
<DIV>
<P style=3D"MARGIN-BOTTOM: 12pt" class=3Dyiv1638361321MsoNormal><FONT size=
=3D3 face=3D"Times New Roman"><SPAN style=3D"FONT-SIZE: 12pt">I just got of=
f the phone with Mike Nelson at Boomerang and he confirmed they<BR>have in =
stock and are shipping the Sidecar, a proprietary foot controller<BR>for th=
e Boomerang III. I didn't ask him how much, but IIRC it's somewhere<BR>arou=
nd $400 list.<BR>Of course, he can't discount it without pissing off his ve=
ndors, but give<BR>him a call and see what he can do for you.<BR>Gnarly</SP=
AN></FONT></DIV></DIV></TD></TR></TBODY></TABLE>
<P class=3Dyiv1638361321MsoNormal><FONT size=3D3 face=3D"Times New Roman"><=
SPAN style=3D"FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></DIV></DIV></DIV></BLOC=
KQUOTE></td></tr></table>
--0-938358989-1311967329=:73828--

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Subject: RE: Boomerang Sidecar
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Yes of course you are right . . .
However, as I mentioned to Mike this morning as I passed along Paul=92s
suggestion, there is no such thing as bad publicity.
Just to repeat, these things are flying out the door at $209.
Maybe I get one . . . I think about it.
G

________________________________________
From: Elmer Fuddski [mailto:jakebrakesrule@yahoo.com]=20
Sent: Friday, July 29, 2011 12:22 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang Sidecar

Next time, do some fact checking before getting people all riled up! I =
was
ready to throw myself under a train.

--- On Thu, 7/28/11, Clayton Gary Lehmann <hqr@cox.net> wrote:
I have the =91Rang and have been making it fit into my loop pedal =
setup=97
Spoke with Mike today and he confirmed that the Sidecar is $209 from him
(that includes a modest discount) plus shipping . . .
So around $225 to most places in the US .
I am going to try to do without the Sidecar for now, got the expression
pedal to work on feedback=97nice to have rock solid multiple loops for =
the
=93one man band=94 approach . . .
G
=A0
________________________________________
From: Paul Richards [mailto:paulrichard_rocks@yahoo.com]=20
Sent: Monday, July 25, 2011 6:52 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang Sidecar
=A0
$400!? That's almost as much as the Boomerang!

--- On Mon, 7/25/11, Clayton Gary Lehmann <hqr@cox.net> wrote:
I just got off the phone with Mike Nelson at Boomerang and he confirmed =
they
have in stock and are shipping the Sidecar, a proprietary foot =
controller
for the Boomerang III. I didn't ask him how much, but IIRC it's =
somewhere
around $400 list.


From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 19:44:14 2011
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Subject: Doepfer Pocket Fader
Date: Fri, 29 Jul 2011 12:44:08 -0700
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Anyone have a Doepfer Pocket Fader they'd like to sell?

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On 7/22/64 11:59 AM, Per Boysen wrote:
> What does "wrok" mean? An anagram on "rework"? "Wreck"? "Wok"?
A wrok is a vesicle that one cooks Chinese food in.     The 'r'  is 
silent,  Per.

rick wralker

From Loopers-Delight-request@loopers-delight.com  Fri Jul 29 22:09:45 2011
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Subject: Galactic Travels Playlist #747 for July 28, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110728.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #747                July 28, 2011.

RECAP:
On this show, I concluded the month-long focus on Jürgen Haible.  The
Featured CD at Midnight was "The Secret Life of Trees" which is a self-
released title.

Jürgen Haible: http://wdiy.org/programs/gt/playlists/2011/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Aria Rostami         Japanese Parisian    Form (FatCat)
Mark Jenkins         Pulsator             The iPad Album (AMP)
Mark Jenkins         Wavedrum             The iPad Album (AMP)
Radio Massacre       Damanhur             City 21 (Northern Echo)
   International
Memory Geist         Ocean Memory         Benthos (DiN DDL)
Takahashi Suzuki     Resonance In Blue 4  Resonance (none)
Jürgen Haible        A Gracious Plenty    The Secret Life of Trees(none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jürgen Haible        The Secret Life of   The Secret Life of Trees(none)
                        Trees
Jürgen Haible        A Pasion in Eden     The Secret Life of Trees(none)
Jürgen Haible        Deirdre's Confession The Secret Life of Trees(none)
Jürgen Haible        After the Fire       The Secret Life of Trees(none)
Jürgen Haible        Grüne Lunge          The Secret Life of Trees(none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Tomas
Weiss and Mathias Grassow.  The Featured CD at Midnight will be
"Aestrata" on Musical Philosophy Records.

Weiss & Grassow: http://wdiy.org/programs/gt/playlists/2011/focus.html#aug

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

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--00235407f006d70ad104a93f1011
Content-Type: text/plain; charset=ISO-8859-1

Sorry if this is too OT, but I know that some loopers like the modFX series
for mangling their loops, so I thought I'd see if anyone wanted my two.

I've got a Philtre and a Bitrman for anyone interested. I live in
Minneapolis and can meet up with anyone here, or can ship. I don't really
know what these go for, but ebay seems to be kicking them out at 100 bucks a
pop, so does 175 USD shipped sound fair? If it's international shipping, we
will have to work out some kind of shipping deal, but I am not averse to
doing that. Please contact me off list if you are interested :)

Charlie

--00235407f006d70ad104a93f1011
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Sorry if this is too OT, but I know that some loopers like the modFX series=
 for mangling their loops, so I thought I&#39;d see if anyone wanted my two=
.=A0<div><br></div><div>I&#39;ve got a Philtre and a Bitrman for anyone int=
erested. I live in Minneapolis and can meet up with anyone here, or can shi=
p. I don&#39;t really know what these go for, but ebay seems to be kicking =
them out at 100 bucks a pop, so does 175 USD shipped sound fair? If it&#39;=
s international shipping, we will have to work out some kind of shipping de=
al, but I am not averse to doing that. Please contact me off list if you ar=
e interested :)=A0</div>

<div><br></div><div>Charlie</div>

--00235407f006d70ad104a93f1011--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 30 04:26:37 2011
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Thanks for sharing Andre.  So cool to just to see friends making music =
like that.  Too often those of us who do it for a living don't take time =
to just jam like that. =20

Again, thanks,
John=

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>> What does "wrok" mean? An anagram on "rework"? "Wreck"? "Wok"?
> It's a form of popular music, more often known as "wrok and wroll."

would it be fair to call them now the wrolling stones? they do look a
bit wrinkle...

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>>> What does "wrok" mean? An anagram on "rework"? "Wreck"? "Wok"?
>> It's a form of popular music, more often known as "wrok and wroll."
>

On Sat, Jul 30, 2011 at 9:36 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> would it be fair to call them now the wrolling stones? they do look a
> bit wrinkle...
>

Yeah - now you're woking!

Per :-)

From Loopers-Delight-request@loopers-delight.com  Sat Jul 30 13:10:48 2011
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A friend of mine received the following letter in the mail from a 
Norwegian friend about the
recent tragic killings in Norway and I wanted to share it with everyone 
on this list
as I find it very inspiring to read and it gave me hope.

The way the Norwegian people have responded in toto to this tragedy 
shines the light
ahead for how we can all treat the hatred, fear and separation that 
exists in the world today.

This is a fantastic list of very creative people from all over the 
world. We are blessed to know each
other and to be able to communicate with each other all the time.

Peace and Love to you all,

Rick Walker


the letter:

Thank you for messages of condolence and sympathy regarding the bombing in
Oslo and shooting in a youth camp on a small island near Oslo. It warms to
have you thinking of us.

I have been able to reach almost all co-counsellors living in Norway. They
have not been so close as to be injuried by the bombing and they were not
present on the island during the attack. But many people here know survivors
or victims or their relatives or friends. We are a small nation and youth
delegations from all parts of Norway were present at the camp.

I guess you know most of the cruelty from the news.  I will not repeat.

But I would like to share some hopeful and deeply moving things happening
here:

The prime minister, the head of police in the municipality of the attacked
island, the king, the queen, leaders of different political parties,- they
have all cried on national television. The leaders of the nation encourage
people  to hug, hold hands, be close, cry, tell their stories and listen to
each other with love and respect.

There is very little demand for revenge against the anti-islamic
offender.  Instead
a collective agreement has been reached to embrace the values that the
offender wished to destroy by creating a more open, friendly and inclusive
society. A young woman said: “If one person can hate this much, think of all
the love we are able to show together.”

There has not been so many people out in the streets since the celebration
of the end of World War II. On Monday in my town, there were muslims and
Christians, young and old, -  thousands and thousands  of people hugging,
giving flowers to each other, putting flowers on buildings and fences. A
wonderful appeal was given: “Tonight the streets are filled with love.”

This atmosphere of sister and brotherhood will probably fade as society goes
back to normal. But something special and precious happened these days. It
showed us what is possible and there are many, many who will make an effort
to have this as a permanent part of society. It will definitely have an
impact on the upcoming elections. Racist statements and extreme right wing
sympathies will be very unpopular.

Myself, I can’t help smile at every person I meet. Thinking: “You precious
person, I am so glad you are alive.”

I am proud of my people.

Anne H.


From Loopers-Delight-request@loopers-delight.com  Sat Jul 30 14:28:22 2011
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Date: Sat, 30 Jul 2011 16:28:20 +0200
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Subject: Re: OT A message of hope from Norway about their recent tragedy
From: Per Boysen <perboysen@gmail.com>
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Indeed, Norway handles this in a great way. I've been following it in
the news and feel proud living in the neighboring country. The only
way towards a better future is to meet terror with love and openness
in a civilized (democratic) way. "Revenge" doesn't belong in a
civilized society.

But I think your friend's friend made a mistake in that letter by
calling this criminal "the anti-islamic offender". The guy is a
murderer, he committed a crime and for that he will be sentenced at
court in a civilized way. I mean, civilized countries have laws to
minimize crime and ensure a safe environment for everyone, we don't
have laws to favor or repress a certain religion or political view.
This understanding is exactly what this terrorist - and others - wants
to blur! Not being cautious about using the proper words can lead to
unintended picking up on terrorist's propaganda views and spreading
them around.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sat, Jul 30, 2011 at 3:10 PM, Rick Walker <looppool@cruzio.com> wrote:
> A friend of mine received the following letter in the mail from a Norwegian
> friend about the
> recent tragic killings in Norway and I wanted to share it with everyone on
> this list
> as I find it very inspiring to read and it gave me hope.
>
> The way the Norwegian people have responded in toto to this tragedy shines
> the light
> ahead for how we can all treat the hatred, fear and separation that exists
> in the world today.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 30 14:50:19 2011
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From: mark francombe <mark@markfrancombe.com>
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Subject: Re: OT A message of hope from Norway about their recent tragedy
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I agree with Per here,

The murderers anti islamic stance is just a smoke screen for what his real
aim was. That was unfortunately ... slaughter! Even calling him a terrorist
is somewhat wrong IMHO. He is a mass-murderer, and giving him the luxury to
hide behind a belief or doctrine, by calling him a terrorist is something
that I struggle to explain to my friends. The word terrorism is bandied
about so much these days its easy to forget that it has a definition.

Thanks for the wonderful message from your friend Rick, there is so much to
add.

After the minutes silence on Monday which I wrote about in my blog
http://www.markfrancombe.com/wordpress/?p=3D1395

...there was a vague facebook group started by a private individual, where
they called for everyone to gather together with roses on Tuesday... despit=
e
it not being an official thing, it became huge. Everyone from the
Prime-minister to the Mayor of Oslo to the Crown Prince (the next King) wer=
e
there and I promise there was not a dry eye in Norway.
>From an technical point of view, they organised and set up a huge stage, PA=
,
artistes to play a few songs.. in one day.. and I forget the number of
people attending but well into the 100=B4s of 1000=B4s

Without meaning to, this mad-man has strengthened the Norwegian people in
ways that he hope to weaken,

Oh and just to clear up a little error that Fox News was reporting. Norway
DOES INDEED HAVE a maximum sentence of 21 years for murder. Indeed for any
crime. In fact we laugh at the US Idea of a serial killer getting 250
years... But failed to be reported, is that 21 years is the time the
Norwegian System believes it can reform a criminal. If they fail, the
sentence can be increase by 5 years, and then another 5 years, and then
another. So yes, a crime of passion (finding your wife in bed with the
milkman) can be reduced to 5 year for good behavior... but I promise you,
Anders Brevik Breier will never get out.



--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf30363ae52de83004a94a8475
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I agree with Per here, <br><br>The murderers anti islamic stance is just a =
smoke screen for what his real aim was. That was unfortunately ... slaughte=
r! Even calling him a terrorist is somewhat wrong IMHO. He is a mass-murder=
er, and giving him the luxury to hide behind a belief or doctrine, by calli=
ng him a terrorist is something that I struggle to explain to my friends. T=
he word terrorism is bandied about so much these days its easy to forget th=
at it has a definition.<br>

<br>Thanks for the wonderful message from your friend Rick, there is so muc=
h to add.<br><br>After the minutes silence on Monday which I wrote about in=
 my blog<br><a href=3D"http://www.markfrancombe.com/wordpress/?p=3D1395">ht=
tp://www.markfrancombe.com/wordpress/?p=3D1395</a><br>

<br>...there was a vague facebook group started by a private individual, wh=
ere they called for everyone to gather together with roses on Tuesday... de=
spite it not being an official thing, it became huge. Everyone from the Pri=
me-minister to the Mayor of Oslo to the Crown Prince (the next King) were t=
here and I promise there was not a dry eye in Norway. <br>

>From an technical point of view, they organised and set up a huge stage, PA=
, artistes to play a few songs.. in one day.. and I forget the number of pe=
ople attending but well into the 100=B4s of 1000=B4s<br><br>Without meaning=
 to, this mad-man has strengthened the Norwegian people in ways that he hop=
e to weaken,<br>

<br>Oh and just to clear up a little error that Fox News was reporting. Nor=
way DOES INDEED HAVE a maximum sentence of 21 years for murder. Indeed for =
any crime. In fact we laugh at the US Idea of a serial killer getting 250 y=
ears... But failed to be reported, is that 21 years is the time the Norwegi=
an System believes it can reform a criminal. If they fail, the sentence can=
 be increase by 5 years, and then another 5 years, and then another. So yes=
, a crime of passion (finding your wife in bed with the milkman) can be red=
uced to 5 year for good behavior... but I promise you, Anders Brevik Breier=
 will never get out.<br>

<br><br><br>-- <br><i style=3D"font-family:verdana,sans-serif;color:rgb(255=
, 255, 255);background-color:rgb(0, 0, 0)"><font style=3D"font-family:trebu=
chet ms,sans-serif" size=3D"4"><u>Mark Francombe</u></font></i><br><font si=
ze=3D"1"><a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.markfrancombe=
.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color:rgb(51=
, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.ordoabkhao.com/" targe=
t=3D"_blank">www.ordoabkhao.com</a><br style=3D"color:rgb(51, 0, 51)"><a st=
yle=3D"color:rgb(51, 0, 51)" href=3D"http://vimeo.com/user825094" target=3D=
"_blank">http://vimeo.com/user825094</a><br style=3D"color:rgb(51, 0, 51)">

<a style=3D"color:rgb(51, 0, 51)" href=3D"http://www.looop.no/" target=3D"_=
blank">http://www.looop.no</a><br>twitter @markfrancombe</font><br>

--20cf30363ae52de83004a94a8475--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 30 23:30:45 2011
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Subject: Just ordered my Boomerang Sidecar
Date: Sat, 30 Jul 2011 19:30:10 -0400
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I just got off the phone with Mike Nelson and he's sending me out a nice new 
Sidecar on Monday.

He's truly a great guy to do business with. I spoke with him for about a 
half hour, talking about his products and the state of the live music scene 
here in NY and down there in TX. The thing that strikes me is that he 
doesn't try to rush you off the phone. He connects in a very genuine way and 
that's very refreshing in this day and age. Living in NY, it's rare that I 
get to slow down and connect.

I can't wait to get my delivery. Finally I'll have all the functionality of 
the Boomerang at my disposal without having to bend over during a gig to 
change functions. Hate the bending.

The nice thing about ordering from Mike is that you know you're going to get 
a quality, tough, and well-engineered product. Experience has proven that.

If anyone is considering a Boomerang, I give it my highest praise, 
especially now that the sidecar is here. The unit is tough, VERY forgiving 
with input levels, has great flat and quiet short-throw footswitches, and 
three modes of operation (Serial, free sync, and free). The sound is 
pristine.

Well, I guess I'm just saying things that have all been said before, but it 
is very rare indeed that I will publically sing the praises of a product 
because there are always flaws that annoy me. Not so with the 'Rang. I guess 
I'm just a bit excited about the impending arrival of my new Sidecar.

Brian 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 02:43:08 2011
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Subject: EDP prices going up
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its amazing how in the past month, the EDP prices have been rising above =
its original street price=20
the latest =
http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&item=3D190560044849
reached US$  875 although its the 5. sold in July, being that the others =
had not much lower prices, even older machines.
as usual, in Europe, prices have been even higher

I find this especially amazing because for those who look for the thing, =
its probably not unknown that the successor Evoloop is in development... =
maybe they do not trust that we will finish it? :-)


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">its amazing how&nbsp;in the past month,&nbsp;the EDP prices have been rising above its original street price&nbsp;<div>the latest&nbsp;<a href="http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=190560044849">http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=190560044849</a></div><div><a href="http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=190560044849"></a>reached US$ &nbsp;875 although its the 5. sold in July, being that the others had not much lower prices, even older machines.</div><div>as usual, in Europe, prices have been even higher</div><div><br></div><div>I find this especially amazing because for those who look for the thing, its probably not unknown that the successor Evoloop is in development... maybe they do not trust that we will finish it? :-)</div><div><br></div></body></html>
--Apple-Mail-29-913011146--

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Date: Sat, 30 Jul 2011 22:49:54 -0400
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--000e0cd25deac5747c04a95491a0
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I trust that you will finish it.

- jim

On Saturday, July 30, 2011, Matthias Grob <matilists@gmail.com> wrote:
> its amazing how in the past month, the EDP prices have been rising above
its original street price
> the latest http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&item=190560044849
> <http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&item=190560044849>reached
US$  875 although its the 5. sold in July, being that the others had not
much lower prices, even older machines.
> as usual, in Europe, prices have been even higher
> I find this especially amazing because for those who look for the thing,
its probably not unknown that the successor Evoloop is in development...
maybe they do not trust that we will finish it? :-)
>

--000e0cd25deac5747c04a95491a0
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I trust that you will finish it.<br><br>- jim<br><br>On Saturday, July 30, =
2011, Matthias Grob &lt;<a href=3D"mailto:matilists@gmail.com">matilists@gm=
ail.com</a>&gt; wrote:<br>&gt; its amazing how=A0in the past month,=A0the E=
DP prices have been rising above its original street price=A0<br>
&gt; the latest=A0<a href=3D"http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&a=
mp;item=3D190560044849">http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;it=
em=3D190560044849</a><br>&gt; &lt;<a href=3D"http://cgi.ebay.ch/ws/eBayISAP=
I.dll?ViewItem&amp;item=3D190560044849">http://cgi.ebay.ch/ws/eBayISAPI.dll=
?ViewItem&amp;item=3D190560044849</a>&gt;reached US$ =A0875 although its th=
e 5. sold in July, being that the others had not much lower prices, even ol=
der machines.<br>
&gt; as usual, in Europe, prices have been even higher<br>&gt; I find this =
especially amazing because for those who look for the thing, its probably n=
ot unknown that the successor Evoloop is in development... maybe they do no=
t trust that we will finish it? :-)<br>
&gt;

--000e0cd25deac5747c04a95491a0--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 03:02:53 2011
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On Jul 30, 2011, at 7:42 PM, Matthias Grob wrote:

> its amazing how in the past month, the EDP prices have been rising =
above its original street price=20
> the latest =
http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&item=3D190560044849
> reached US$  875 although its the 5. sold in July, being that the =
others had not much lower prices, even older machines.
> as usual, in Europe, prices have been even higher
>=20
> I find this especially amazing because for those who look for the =
thing, its probably not unknown that the successor Evoloop is in =
development... maybe they do not trust that we will finish it? :-)

I'll sell an EDP (with Loop IV) including footswitch for $800 + =
shipping. (US only)

[ I hadn't actually researched prices, but this sparked me to think... ]

Mark


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Jul 30, 2011, at 7:42 PM, Matthias Grob wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">its amazing how&nbsp;in the =
past month,&nbsp;the EDP prices have been rising above its original =
street price&nbsp;<div>the latest&nbsp;<a =
href=3D"http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=3D1905600448=
49">http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=3D190560044849</=
a></div><div><a =
href=3D"http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=3D1905600448=
49"></a>reached US$ &nbsp;875 although its the 5. sold in July, being =
that the others had not much lower prices, even older =
machines.</div><div>as usual, in Europe, prices have been even =
higher</div><div><br></div><div>I find this especially amazing because =
for those who look for the thing, its probably not unknown that the =
successor Evoloop is in development... maybe they do not trust that we =
will finish it? :-)</div></div></blockquote><br></div><div>I'll sell an =
EDP (with Loop IV) including footswitch for $800 + shipping. (US =
only)</div><div><br></div><div>[ I hadn't actually researched prices, =
but this sparked me to think... =
]</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-317-914205507--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 03:12:16 2011
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Subject: Re: EDP prices going up
Date: Sat, 30 Jul 2011 20:12:14 -0700
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Matti,

As you know, I am counting on you finishing it.

Best,

Ted

On Jul 30, 2011, at 7:42 PM, Matthias Grob wrote:

> its amazing how in the past month, the EDP prices have been rising  
> above its original street price
> the latest http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&item=190560044849
> reached US$  875 although its the 5. sold in July, being that the  
> others had not much lower prices, even older machines.
> as usual, in Europe, prices have been even higher
>
> I find this especially amazing because for those who look for the  
> thing, its probably not unknown that the successor Evoloop is in  
> development... maybe they do not trust that we will finish it? :-)
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 03:35:37 2011
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Subject: Re: EDP prices going up
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There's a time & place for hardware, and a time & place for software :)

EDP hardware holds its value IMO because it's one of the most reliable, =
well-executed pieces of gear ever. Super solid :)

Phil :)



On Jul 30, 2011, at 8:02 PM, Mark Hamburg wrote:

> On Jul 30, 2011, at 7:42 PM, Matthias Grob wrote:
>=20
>> its amazing how in the past month, the EDP prices have been rising =
above its original street price=20
>> the latest =
http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&item=3D190560044849
>> reached US$  875 although its the 5. sold in July, being that the =
others had not much lower prices, even older machines.
>> as usual, in Europe, prices have been even higher
>>=20
>> I find this especially amazing because for those who look for the =
thing, its probably not unknown that the successor Evoloop is in =
development... maybe they do not trust that we will finish it? :-)
>=20
> I'll sell an EDP (with Loop IV) including footswitch for $800 + =
shipping. (US only)
>=20
> [ I hadn't actually researched prices, but this sparked me to think... =
]
>=20
> Mark
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">There's a time &amp; place for hardware, and a time &amp; place for =
software :)<div><br></div><div>EDP hardware holds its value IMO because =
it's one of the most reliable, well-executed pieces of gear ever. Super =
solid :)</div><div><br></div><div>Phil =
:)</div><div><br></div><div><br></div><div><br><div><div>On Jul 30, =
2011, at 8:02 PM, Mark Hamburg wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Jul 30, 2011, at =
7:42 PM, Matthias Grob wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">its amazing how&nbsp;in the =
past month,&nbsp;the EDP prices have been rising above its original =
street price&nbsp;<div>the latest&nbsp;<a =
href=3D"http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=3D1905600448=
49">http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=3D190560044849</=
a></div><div><a =
href=3D"http://cgi.ebay.ch/ws/eBayISAPI.dll?ViewItem&amp;item=3D1905600448=
49"></a>reached US$ &nbsp;875 although its the 5. sold in July, being =
that the others had not much lower prices, even older =
machines.</div><div>as usual, in Europe, prices have been even =
higher</div><div><br></div><div>I find this especially amazing because =
for those who look for the thing, its probably not unknown that the =
successor Evoloop is in development... maybe they do not trust that we =
will finish it? :-)</div></div></blockquote><br></div><div>I'll sell an =
EDP (with Loop IV) including footswitch for $800 + shipping. (US =
only)</div><div><br></div><div>[ I hadn't actually researched prices, =
but this sparked me to think... =
]</div><div><br></div><div>Mark</div><div><br></div></div></blockquote></d=
iv><br></div></body></html>=

--Apple-Mail-1-916163799--

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Subject: Re: EDP prices going up
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More info on evoloop, I.e. how many lopps? Bought my first edp4 for $400
about five years ago. Bought another edp4 for $600 a few months ago. I'm
stockpilin them!
On Jul 30, 2011 10:35 PM, "Phil Clevenger" <phil.clevenger@gmail.com> wrote:

--00151747bf6259ad2204a95551a6
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<p>More info on evoloop, I.e. how many lopps? Bought my first edp4 for $400 about five years ago. Bought another edp4 for $600 a few months ago. I&#39;m stockpilin them!</p>
<div class="gmail_quote">On Jul 30, 2011 10:35 PM, &quot;Phil Clevenger&quot; &lt;<a href="mailto:phil.clevenger@gmail.com">phil.clevenger@gmail.com</a>&gt; wrote:<br type="attribution"></div>

--00151747bf6259ad2204a95551a6--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 11:40:15 2011
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Subject: Advice Sought:     Installing Win Xp on a Macbook Pro using Boot
 Camp
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Hi folks,

I just got a secondary internal hard drive (500g) for my
Mac Book Pro

*Model Name:    MacBook Pro
   Model Identifier:    MacBookPro3,1
   Processor Name:    Intel Core 2 Duo
   Processor Speed:    2.6 GHz
   Number Of Processors:    1
   Total Number Of Cores:    2
   L2 Cache:    4 MB
   Memory:    2 GB
   Bus Speed:    800 MHz
   Boot ROM Version:    MBP31.0070.B07*

What I would love to do is to install Win XP Pro Service Pack 2 onto 
this harddrive using Boot Camp
along with OS X on a separate and, hopefully, very small partition.

The goal is to have as large a partition possible for Win XP and as 
small a partition as possible for OSX.

I've discovered that swapping out harddrives is very simple and takes 
very little time, so I have a 320gb HD
running OSX on one harddrive as a back up.

Does anyone have any advice for me in terms of what the smallest 
partition I can get away with for a
very, very stripped down version of OSX (mostly for e-mail and simple 
browsing)?

I'm very nervous about doing this,  but I think it will be the perfect 
solution for me (and save me hundreds of dollars that
I just don't have now by not having to go out and buy a Win XP exclusive 
laptop).

Just so you know, my mind's made up about wanting to use WIN XP (mostly 
because of the presence of FL Studio Pro, Vegas Video, Sony Sound Forge and
Sony Acid)  so please don't try to dissuade me from my course for all 
the typical Mac-centric reasons that people tend to have.
I KNOW it's virus free and runs really simply and elegantly compared to 
WIN XP.    I still want to do this in this fashion.

I just need to figure out how to do this if anyone has any experience 
with it.

Thanks so much for all of your advice in advance.  I really appreciate it.

yours,   Rick Walker

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Hi Rick,

OSX can be set up on a very small partition indeed.=20

I've got a dual boot setup on my MacBook, the entire internal drive is only 8=
0GB.=20

OSX has a very small footprint, Apple recommend a minimum of just 7GB..!

With a 500GB drive you could safely partition 493GB to XP, but I'd recommend=
 giving OSX something more generous, for the eventuality that you find somet=
hing useful on OSX.

-Chuck



Sent from my iPad Nano

On Jul 31, 2011, at 7:40 AM, Rick Walker <looppool@cruzio.com> wrote:

> Hi folks,
>=20
> I just got a secondary internal hard drive (500g) for my
> Mac Book Pro
>=20
> *Model Name:    MacBook Pro
>  Model Identifier:    MacBookPro3,1
>  Processor Name:    Intel Core 2 Duo
>  Processor Speed:    2.6 GHz
>  Number Of Processors:    1
>  Total Number Of Cores:    2
>  L2 Cache:    4 MB
>  Memory:    2 GB
>  Bus Speed:    800 MHz
>  Boot ROM Version:    MBP31.0070.B07*
>=20
> What I would love to do is to install Win XP Pro Service Pack 2 onto this h=
arddrive using Boot Camp
> along with OS X on a separate and, hopefully, very small partition.
>=20
> The goal is to have as large a partition possible for Win XP and as small a=
 partition as possible for OSX.
>=20
> I've discovered that swapping out harddrives is very simple and takes very=
 little time, so I have a 320gb HD
> running OSX on one harddrive as a back up.
>=20
> Does anyone have any advice for me in terms of what the smallest partition=
 I can get away with for a
> very, very stripped down version of OSX (mostly for e-mail and simple brow=
sing)?
>=20
> I'm very nervous about doing this,  but I think it will be the perfect sol=
ution for me (and save me hundreds of dollars that
> I just don't have now by not having to go out and buy a Win XP exclusive l=
aptop).
>=20
> Just so you know, my mind's made up about wanting to use WIN XP (mostly be=
cause of the presence of FL Studio Pro, Vegas Video, Sony Sound Forge and
> Sony Acid)  so please don't try to dissuade me from my course for all the t=
ypical Mac-centric reasons that people tend to have.
> I KNOW it's virus free and runs really simply and elegantly compared to WI=
N XP.    I still want to do this in this fashion.
>=20
> I just need to figure out how to do this if anyone has any experience with=
 it.
>=20
> Thanks so much for all of your advice in advance.  I really appreciate it.=

>=20
> yours,   Rick Walker
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 14:40:58 2011
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From: Revfever <revfever@ubergadget.com>
Subject: Semi OT: Musicians helping musicians (Joplin,MO)
Date: Sun, 31 Jul 2011 07:22:32 -0700
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Very moving story.  (except for the part about some heartless sleaze  
bags who took advantage of the tragedy and looted a bunch of gear.)
I also wonder how many looping devices were maybe lost?  Regardless,  
this story brightened the start of my day. Hope it does the same for  
others on LD.
Enjoy...

Cheers-Rev. Fever
Portland,OR

<http://www.cnn.com/2011/US/07/29/joplin.tornado.music.store/index.html>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 16:09:50 2011
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Date: Sun, 31 Jul 2011 12:09:41 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Top 20 Report for July, 2011.
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http://wdiy.org/programs/gt/playlists/2011/top20-07jul.html

WDIY 88.1 FM "Galactic Travels" Top 20 for July, 2011.
Shows #744 to #747; 7-July-2011 to 28-July-2011
Reported in non-ranked, alphanumeric order.

The Special Focus for July was Jürgen Haible.
http://wdiy.org/programs/gt/playlists/2011/focus.html#jul


ARTIST - ALBUM TITLE - LABEL
========================================================================
Aria Rostami - Form - FatCat
Jürgen Haible - Dark November - none
Jürgen Haible - Holiday In Purgatory - none
Jürgen Haible - Of Eagles and Prophets - none
Jürgen Haible - The Secret Life of Trees - none
M. Peck - Beneath Forever - Earth Mantra
Mario Scholwalder and Frank Rothe - Filter-Kaffee 101 - SynGate
Memory Geist - Benthos - DiN DDL
Mystified - Bone Drones 3 - Mystified Music
Paragate - Stillness in the Mirror - Auraltone
Radio Massacre International - City 21 - Northern Echo
Ray Carl Daye - Echoes from the Aether - none
Saul Stokes - Sleek Nucleus - Stokesmusic
Sensitive Chaos - Seeker After Patterns - Subsequent
Steve Roach and Eric Wøllo - The Road Eternal - Projekt
Steve Rose - The Diminishingg Day - none
Surreal Realm - Ominous Ambience - none
Takahashi Suzuki - Resonance - none
Various Artists - A Little More Night Music - AD Music
signalsundertests - mecca - none

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 18:05:45 2011
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Subject: FS: Looperlative LP1
Date: Sun, 31 Jul 2011 10:35:01 -0700
X-Mailer: Apple Mail (2.936)
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Mint condition LP1 for sale. Includes original box, manual, and  
packaging. $900 shipped and paypalled. Local pick up available - SF  
Bay Area.

Thanks!

From Loopers-Delight-request@loopers-delight.com  Sun Jul 31 23:23:44 2011
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Hi folks,

I just got a secondary internal hard drive (500g) for my
Mac Book Pro

*Model Name:    MacBook Pro
   Model Identifier:    MacBookPro3,1
   Processor Name:    Intel Core 2 Duo
   Processor Speed:    2.6 GHz
   Number Of Processors:    1
   Total Number Of Cores:    2
   L2 Cache:    4 MB
   Memory:    2 GB
   Bus Speed:    800 MHz
   Boot ROM Version:    MBP31.0070.B07*

What I would love to do is to install Win XP Pro Service Pack 2 onto 
this harddrive using Boot Camp
along with OS X on a separate and, hopefully, very small partition.

The goal is to have as large a partition possible for Win XP and as 
small a partition as possible for OSX.

I've discovered that swapping out harddrives is very simple and takes 
very little time, so I have a 320gb HD
running OSX on one harddrive as a back up.

Does anyone have any advice for me in terms of what the smallest 
partition I can get away with for a
very, very stripped down version of OSX (mostly for e-mail and simple 
browsing)?

I'm very nervous about doing this,  but I think it will be the perfect 
solution for me (and save me hundreds of dollars that
I just don't have now by not having to go out and buy a Win XP exclusive 
laptop).

Just so you know, my mind's made up about wanting to use WIN XP (mostly 
because of the presence of FL Studio Pro, Vegas Video, Sony Sound Forge and
Sony Acid)  so please don't try to dissuade me from my course for all 
the typical Mac-centric reasons that people tend to have.
I KNOW it's virus free and runs really simply and elegantly compared to 
WIN XP.    I still want to do this in this fashion.

I just need to figure out how to do this if anyone has any experience 
with it.

Thanks so much for all of your advice in advance.  I really appreciate it.

yours,   Rick Walker

