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Date: Mon, 28 Feb 2011 16:48:55 -0800
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Subject: Re: recording an album
From: Matt Davignon <mattdavignon@gmail.com>
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> i think it was matt davignon (please confirm if i'm
> wrong here MATT, my old brain works not great lately!) who emailed me to
> tell me he records all his stuff w/ the zoom h2 (endless hrs of stuff) then
> transfers to computer and edits down to the good stuff to
> release things. man i thought that was a great process, let the creativity
> roll, pull good stuff later....

Yup, that's exactly what I've been doing. It works great if you're
only using sources that are REAL-TIME and DIRECT.

Now I'm trying to re-enter the world of computer multitracking (using
a laptop and Adobe Audition). It's terribly humbling. It took me more
than a year of cursing to figure out how to get it so that your 2nd
track doesn't include the monitor mix of your first track. Still can't
figure it out for my other computer. The next challenge will be
getting a loud enough signal that I don't have to noise-reduce every
track.

In every recording session I have about an hour of productivity before
I get fed up and storm off. For being an electronic musician, I know
very little about technology. :(

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 01:25:38 2011
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: midi looping, synths, and kaossilators
Date: Tue, 1 Mar 2011 01:25:35 +0000
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howdy mark
=20
changing clock times results in pitch shift of audio recorded...if that is =
good or bad depends completely on your outlook musically=2C i would descrip=
e it as a rather sticky mess=2C but then given the right aplication im sure=
 it could be used as a great effect...as always the tool is what it is...it=
s how you use it.
=20
the transitional period is to my ear chaotic and elastic...but it does seem=
 to keep relative time once it has slowed but obviously at a lower pitch (r=
everse for bmp increase)
=20
in my aplication its not an issue as i sync it to the relativly static edp =
clock=2C if you have heard the repeaters time/pitch slide as you scroll=2C =
its not dissimilar...somehow not as pretty though.
=20
the only big one to remember is to erase loop content before restarting at =
a new speed...ive had some horrible sets where i have done an echoplex  mul=
tiply to record funtion which ends up with a differant clock time...this ba=
sicsally messes with all recorded kopro material to some random half arsed =
non-pitch.
=20
again it wouldnt supprise me at all if someone could work this into an awes=
ome mutch longed for feature...especially with the very controlled clocks o=
f something  like the looperlative.
=20
=20
=20
om: markfrancombe@gmail.com
> Date: Mon=2C 28 Feb 2011 21:52:23 +0100
> Subject: Re: midi looping=2C synths=2C and kaossilators
> To: Loopers-Delight@loopers-delight.com
>=20
> But here's a question (or experiment) for you Philip... So you say
> it's an audio looper=2C that syncs pretty good from midi clock??? So...
> What happens if you slow down the clock?
>=20
>=20
> Mark
>=20
> >
>=20
 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
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margin:0px=3B
padding:0px
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body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
howdy mark<BR>
&nbsp=3B<BR>
changing clock times results in&nbsp=3Bpitch shift of audio recorded...if t=
hat is good or bad depends completely on your outlook musically=2C i would =
descripe it as a rather sticky mess=2C but then given the right aplication =
im sure it could be used as a great effect...as always the tool is what it =
is...its how you use it.<BR>
&nbsp=3B<BR>
the transitional period is to my ear chaotic and elastic...but it does seem=
 to keep relative time once it has slowed but obviously at a lower pitch (r=
everse for bmp increase)<BR>
&nbsp=3B<BR>
in my aplication its not an issue as i sync it to the relativly static edp =
clock=2C if you have heard the repeaters time/pitch slide as you scroll=2C =
its not dissimilar...somehow not as pretty though.<BR>
&nbsp=3B<BR>
the only big one to remember is to erase loop content before restarting at =
a new speed...ive had some horrible sets where i have done an echoplex&nbsp=
=3B multiply to record funtion which ends up with a differant clock time...=
this basicsally messes with all recorded kopro material to some random half=
 arsed non-pitch.<BR>
&nbsp=3B<BR>
again it wouldnt supprise me at all if someone could work this into an awes=
ome mutch longed for feature...especially with the very controlled clocks o=
f something&nbsp=3B like the looperlative.<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
om: markfrancombe@gmail.com<BR>&gt=3B Date: Mon=2C 28 Feb 2011 21:52:23 +01=
00<BR>&gt=3B Subject: Re: midi looping=2C synths=2C and kaossilators<BR>&gt=
=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B But here's=
 a question (or experiment) for you Philip... So you say<BR>&gt=3B it's an =
audio looper=2C that syncs pretty good from midi clock??? So...<BR>&gt=3B W=
hat happens if you slow down the clock?<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B Mar=
k<BR>&gt=3B <BR>&gt=3B &gt=3B<BR>&gt=3B <BR><BR> 		 	   		  </body>
</html>=

--_9d9cf669-6dc8-4aa6-a347-e9a611c2a2a7_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 04:50:18 2011
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Subject: RE: SONIC HAIKU
Date: Mon, 28 Feb 2011 22:50:01 -0600
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Very cool!

"Overwhelmed by You" , in the Volume3 of Loopers Delight Compilation
(http://www.cdbaby.com/cd/loopersdelight) ; lyrics are a haiku, the
underlying background measures are 5,7, 5 patterns.  It's longer than 30
seconds though.

~peace~

Plish
www.michaelplishka.com
www.scribbledmusings.com
www.zenstorming.com


-----Original Message-----
From: Rick Walker [mailto:looppool@cruzio.com] 
Sent: Monday, February 28, 2011 12:53 PM
To: LOOPERS DELIGHT (posting)
Subject: SONIC HAIKU

Todd Mathews asked me to send him the little melodica improv I made with a
terrible mic and he sent me back this short beautiful piece of music and
video that he made.

On 2/27/11 3:52 PM, Todd Matthews wrote:
I took my bass and a zoom recorder to a long cement tunnel today and here's
a lil' 30 sec snippet:
http://flic.kr/p/9mzTAh

I just thought it was a very hip audio/visual haiku and I asked him if it
would be okay to share it with the list along with a request to see if other
people on the list would be into making some very, very short form
audio/visual pieces in the spirit of a Sonic Haiku................let's say
30 seconds, max

He wrote this back:

"Sounds great!! I'm in. You can post the link to it to kick off the Sonic
Haiku thread. This could end up being a really cool thread. Like the Twitter
of LD :)"

I like it...............the Twitter of LD!!!!

rick walker

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 06:36:11 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
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Subject: mac bidule to vst
Date: Tue, 1 Mar 2011 06:36:09 +0000
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Hi guys=2C=20

Could anyone here who uses Bidule tell me whetherit's true that you can run=
 VST plugins on it using a mac?
I read it somewhere but wanted to run it past the experts =3B-)

peace

g

Sentientfx -  Innovative music plugins. http://sentientfx.com/


 		 	   		  =

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<body class=3D'hmmessage'>
Hi guys=2C <br><br>Could anyone here who uses Bidule tell me whetherit's tr=
ue that you can run VST plugins on it using a mac?<br>I read it somewhere b=
ut wanted to run it past the experts =3B-)<br><br>peace<br><br>g<br><br>Sen=
tientfx -&nbsp=3B Innovative music plugins. <a href=3D"http://sentientfx.co=
m/" target=3D"_blank">http://sentientfx.com/</a><br><br><br> 		 	   		  </b=
ody>
</html>=

--_a25057f4-67a5-42ac-9d53-5c73920caee1_--

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	<BAY141-W17610FFA20545DAC64F1D985C10@phx.gbl>
Date: Tue, 1 Mar 2011 01:48:05 -0500
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Subject: Re: mac bidule to vst
From: james fowler <twostroke@gmail.com>
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I don't have an answer but I strongly recommend posting on bidule's
forum as well.
generally seb is quite prompt with his responses.

- Jim

On Tuesday, March 1, 2011, Gareth Whittock <buddhamachine@live.co.uk> wrote=
:
>
>
>
>
>
> Hi guys,
>
> Could anyone here who uses Bidule tell me whetherit's true that you can r=
un VST plugins on it using a mac?
> I read it somewhere but wanted to run it past the experts ;-)
>
> peace
>
> g
>
> Sentientfx -=A0 Innovative music plugins. http://sentientfx.com/
>
>
>  		 	   	=09
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 06:54:44 2011
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Thanks James

g


Sentientfx -  Innovative music plugins. http://sentientfx.com/



> Date: Tue=2C 1 Mar 2011 01:48:05 -0500
> Subject: Re: mac bidule to vst
> From: twostroke@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> I don't have an answer but I strongly recommend posting on bidule's
> forum as well.
> generally seb is quite prompt with his responses.
>=20
> - Jim
>=20
> On Tuesday=2C March 1=2C 2011=2C Gareth Whittock <buddhamachine@live.co.u=
k> wrote:
> >
> >
> >
> >
> >
> > Hi guys=2C
> >
> > Could anyone here who uses Bidule tell me whetherit's true that you can=
 run VST plugins on it using a mac?
> > I read it somewhere but wanted to run it past the experts =3B-)
> >
> > peace
> >
> > g
> >
> > Sentientfx -  Innovative music plugins. http://sentientfx.com/
> >
> >
> >  		 	   	=09
> >
>=20
 		 	   		  =

--_2bf59de5-6f67-4c46-84a3-50977b15e755_
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Thanks James<br><br>g<br><br><br>Sentientfx -&nbsp=3B Innovative music plug=
ins. <a href=3D"http://sentientfx.com/" target=3D"_blank">http://sentientfx=
.com/</a><br><br><br><br>&gt=3B Date: Tue=2C 1 Mar 2011 01:48:05 -0500<br>&=
gt=3B Subject: Re: mac bidule to vst<br>&gt=3B From: twostroke@gmail.com<br=
>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B I don'=
t have an answer but I strongly recommend posting on bidule's<br>&gt=3B for=
um as well.<br>&gt=3B generally seb is quite prompt with his responses.<br>=
&gt=3B <br>&gt=3B - Jim<br>&gt=3B <br>&gt=3B On Tuesday=2C March 1=2C 2011=
=2C Gareth Whittock &lt=3Bbuddhamachine@live.co.uk&gt=3B wrote:<br>&gt=3B &=
gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<b=
r>&gt=3B &gt=3B Hi guys=2C<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Could anyone h=
ere who uses Bidule tell me whetherit's true that you can run VST plugins o=
n it using a mac?<br>&gt=3B &gt=3B I read it somewhere but wanted to run it=
 past the experts =3B-)<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B peace<br>&gt=3B &=
gt=3B<br>&gt=3B &gt=3B g<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Sentientfx -&nbs=
p=3B Innovative music plugins. http://sentientfx.com/<br>&gt=3B &gt=3B<br>&=
gt=3B &gt=3B<br>&gt=3B &gt=3B  		 	   		<br>&gt=3B &gt=3B<br>&gt=3B <br> 		=
 	   		  </body>
</html>=

--_2bf59de5-6f67-4c46-84a3-50977b15e755_--

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Mime-Version: 1.0 (iPhone Mail 8C148)
Date: Tue, 1 Mar 2011 08:47:49 +0100
Message-ID: <-4165733281605784232@unknownmsgid>
Subject: Re: midi looping, synths, and kaossilators
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Yikes!! Sounds awful!!! I will also be synching to EDP, so sounds like
I'll be ok.
So kicking the EDP into half speed creates a terrible mess I suppose?
I'll have to hear this mess to hear if I like it... LOL

One new question that this throws up us that I guess this pretty much
rules out starting a loop on the KPro, as you start a loop. For
example setting up a BPM by pressing UNDO in reset, and selecting BPM
by Feedback knob, there's no way to start the thing without hitting a
button. But this us what you said right out... Only NOW do I get
that...
Der

Mark

Sent from my (advertisement removed)

On 1 Mar 2011, at 02:25, phillip wilson <phillwilson@hotmail.com> wrote:

> howdy mark
>
> changing clock times results in pitch shift of audio recorded...if that i=
s good or bad depends completely on your outlook musically, i would descrip=
e it as a rather sticky mess, but then given the right aplication im sure i=
t could be used as a great effect...as always the tool is what it is...its =
how you use it.
>
> the transitional period is to my ear chaotic and elastic...but it does se=
em to keep relative time once it has slowed but obviously at a lower pitch =
(reverse for bmp increase)
>
> in my aplication its not an issue as i sync it to the relativly static ed=
p clock, if you have heard the repeaters time/pitch slide as you scroll, it=
s not dissimilar...somehow not as pretty though.
>
> the only big one to remember is to erase loop content before restarting a=
t a new speed...ive had some horrible sets where i have done an echoplex  m=
ultiply to record funtion which ends up with a differant clock time...this =
basicsally messes with all recorded kopro material to some random half arse=
d non-pitch.
>
> again it wouldnt supprise me at all if someone could work this into an aw=
esome mutch longed for feature...especially with the very controlled clocks=
 of something  like the looperlative.
>
>
>
> om: markfrancombe@gmail.com
> > Date: Mon, 28 Feb 2011 21:52:23 +0100
> > Subject: Re: midi looping, synths, and kaossilators
> > To: Loopers-Delight@loopers-delight.com
> >
> > But here's a question (or experiment) for you Philip... So you say
> > it's an audio looper, that syncs pretty good from midi clock??? So...
> > What happens if you slow down the clock?
> >
> >
> > Mark
> >
> > >
> >
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 08:21:45 2011
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Sure it can,
but they have to be vsts that are compiled with a Mac.

You can also use it to wrap vst>>au and vice versa.

andy

Gareth Whittock wrote:
> Hi guys,
> 
> Could anyone here who uses Bidule tell me whetherit's true that you can 
> run VST plugins on it using a mac?
> I read it somewhere but wanted to run it past the experts ;-)
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 09:55:45 2011
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: midi looping, synths, and kaossilators
Date: Tue, 1 Mar 2011 09:55:43 +0000
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correct my friend.


btw=2C non of this was a knock  on the
KoPro.. I love this instrument. It is a great hybrid of instrument=2C contr=
oller
and looper and I think you will LOVE the ability to cut down a recorded phr=
ase
to tiny tiny subdivisions  ie from 16
bars to quarter notes. I love making beds of sound like this .

=20

Ive never
used pre-recorded phrases so I cant give you a definitive starting the ko p=
ro with material already in it =2C I imagine if you
recorded phrase A at 120bpm =2C then at a later point set the EDP to 120 bm=
p=2C the
phrase would remain unchanged in pitch. However starting it would still be =
a
manual task.

=20

I think
starting from  a fresh palette for each
new performance is definetly the modus operandi.





> From: markfrancombe@gmail.com
> Date: Tue=2C 1 Mar 2011 08:47:49 +0100
> Subject: Re: midi looping=2C synths=2C and kaossilators
> To: Loopers-Delight@loopers-delight.com
>=20
> Yikes!! Sounds awful!!! I will also be synching to EDP=2C so sounds like
> I'll be ok.
> So kicking the EDP into half speed creates a terrible mess I suppose?
> I'll have to hear this mess to hear if I like it... LOL
>=20
> One new question that this throws up us that I guess this pretty much
> rules out starting a loop on the KPro=2C as you start a loop. For
> example setting up a BPM by pressing UNDO in reset=2C and selecting BPM
> by Feedback knob=2C there's no way to start the thing without hitting a
> button. But this us what you said right out... Only NOW do I get
> that...
> Der
>=20
> Mark
>=20
> Sent from my (advertisement removed)
>=20
> On 1 Mar 2011=2C at 02:25=2C phillip wilson <phillwilson@hotmail.com> wro=
te:
>=20
> > howdy mark
> >
> > changing clock times results in pitch shift of audio recorded...if that=
 is good or bad depends completely on your outlook musically=2C i would des=
cripe it as a rather sticky mess=2C but then given the right aplication im =
sure it could be used as a great effect...as always the tool is what it is.=
..its how you use it.
> >
> > the transitional period is to my ear chaotic and elastic...but it does =
seem to keep relative time once it has slowed but obviously at a lower pitc=
h (reverse for bmp increase)
> >
> > in my aplication its not an issue as i sync it to the relativly static =
edp clock=2C if you have heard the repeaters time/pitch slide as you scroll=
=2C its not dissimilar...somehow not as pretty though.
> >
> > the only big one to remember is to erase loop content before restarting=
 at a new speed...ive had some horrible sets where i have done an echoplex =
 multiply to record funtion which ends up with a differant clock time...thi=
s basicsally messes with all recorded kopro material to some random half ar=
sed non-pitch.
> >
> > again it wouldnt supprise me at all if someone could work this into an =
awesome mutch longed for feature...especially with the very controlled cloc=
ks of something  like the looperlative.
> >
> >
> >
> > om: markfrancombe@gmail.com
> > > Date: Mon=2C 28 Feb 2011 21:52:23 +0100
> > > Subject: Re: midi looping=2C synths=2C and kaossilators
> > > To: Loopers-Delight@loopers-delight.com
> > >
> > > But here's a question (or experiment) for you Philip... So you say
> > > it's an audio looper=2C that syncs pretty good from midi clock??? So.=
..
> > > What happens if you slow down the clock?
> > >
> > >
> > > Mark
> > >
> > > >
> > >
> >
>=20
 		 	   		  =

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correct my friend.<br><br><br>btw=2C non of this was a knock <!--[if gte ms=
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<![endif]--><span style=3D"font-size: 10pt=3B font-family: Arial=3B"> on th=
e
KoPro.. I love this instrument. It is a great hybrid of instrument=2C contr=
oller
and looper and I think you will LOVE the ability to cut down a recorded phr=
ase
to tiny tiny subdivisions<span style=3D"">&nbsp=3B </span>ie from 16
bars to quarter notes. I love making beds of sound like this .</span>

<p class=3D"MsoNormal"><span style=3D"font-size: 10pt=3B font-family: Arial=
=3B">&nbsp=3B</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size: 10pt=3B font-family: Arial=
=3B">Ive never
used pre-recorded phrases so I cant give you a definitive starting the ko p=
ro with material already in it =2C I imagine if you
recorded phrase A at 120bpm =2C then at a later point set the EDP to 120 bm=
p=2C the
phrase would remain unchanged in pitch. However starting it would still be =
a
manual task.</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size: 10pt=3B font-family: Arial=
=3B">&nbsp=3B</span></p>

<p class=3D"MsoNormal"><span style=3D"font-size: 10pt=3B font-family: Arial=
=3B">I think
starting from<span style=3D"">&nbsp=3B </span>a fresh palette for each
new performance is definetly the modus operandi.</span></p><p class=3D"MsoN=
ormal"><br><span style=3D"font-size: 10pt=3B font-family: Arial=3B"></span>=
</p><p class=3D"MsoNormal"><span style=3D"font-size: 10pt=3B font-family: A=
rial=3B"><br></span></p>

<br><br>&gt=3B From: markfrancombe@gmail.com<br>&gt=3B Date: Tue=2C 1 Mar 2=
011 08:47:49 +0100<br>&gt=3B Subject: Re: midi looping=2C synths=2C and kao=
ssilators<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&=
gt=3B Yikes!! Sounds awful!!! I will also be synching to EDP=2C so sounds l=
ike<br>&gt=3B I'll be ok.<br>&gt=3B So kicking the EDP into half speed crea=
tes a terrible mess I suppose?<br>&gt=3B I'll have to hear this mess to hea=
r if I like it... LOL<br>&gt=3B <br>&gt=3B One new question that this throw=
s up us that I guess this pretty much<br>&gt=3B rules out starting a loop o=
n the KPro=2C as you start a loop. For<br>&gt=3B example setting up a BPM b=
y pressing UNDO in reset=2C and selecting BPM<br>&gt=3B by Feedback knob=2C=
 there's no way to start the thing without hitting a<br>&gt=3B button. But =
this us what you said right out... Only NOW do I get<br>&gt=3B that...<br>&=
gt=3B Der<br>&gt=3B <br>&gt=3B Mark<br>&gt=3B <br>&gt=3B Sent from my (adve=
rtisement removed)<br>&gt=3B <br>&gt=3B On 1 Mar 2011=2C at 02:25=2C philli=
p wilson &lt=3Bphillwilson@hotmail.com&gt=3B wrote:<br>&gt=3B <br>&gt=3B &g=
t=3B howdy mark<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B changing clock times resu=
lts in pitch shift of audio recorded...if that is good or bad depends compl=
etely on your outlook musically=2C i would descripe it as a rather sticky m=
ess=2C but then given the right aplication im sure it could be used as a gr=
eat effect...as always the tool is what it is...its how you use it.<br>&gt=
=3B &gt=3B<br>&gt=3B &gt=3B the transitional period is to my ear chaotic an=
d elastic...but it does seem to keep relative time once it has slowed but o=
bviously at a lower pitch (reverse for bmp increase)<br>&gt=3B &gt=3B<br>&g=
t=3B &gt=3B in my aplication its not an issue as i sync it to the relativly=
 static edp clock=2C if you have heard the repeaters time/pitch slide as yo=
u scroll=2C its not dissimilar...somehow not as pretty though.<br>&gt=3B &g=
t=3B<br>&gt=3B &gt=3B the only big one to remember is to erase loop content=
 before restarting at a new speed...ive had some horrible sets where i have=
 done an echoplex  multiply to record funtion which ends up with a differan=
t clock time...this basicsally messes with all recorded kopro material to s=
ome random half arsed non-pitch.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B again it=
 wouldnt supprise me at all if someone could work this into an awesome mutc=
h longed for feature...especially with the very controlled clocks of someth=
ing  like the looperlative.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B<br>&gt=3B &gt=3B om: markfrancombe@gmail.com<br>&gt=3B &gt=3B &gt=3B Da=
te: Mon=2C 28 Feb 2011 21:52:23 +0100<br>&gt=3B &gt=3B &gt=3B Subject: Re: =
midi looping=2C synths=2C and kaossilators<br>&gt=3B &gt=3B &gt=3B To: Loop=
ers-Delight@loopers-delight.com<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &g=
t=3B But here's a question (or experiment) for you Philip... So you say<br>=
&gt=3B &gt=3B &gt=3B it's an audio looper=2C that syncs pretty good from mi=
di clock??? So...<br>&gt=3B &gt=3B &gt=3B What happens if you slow down the=
 clock?<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &g=
t=3B Mark<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B &gt=3B<br>&gt=3B =
&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_4dee74e2-5eab-47c9-a453-a17239055635_--

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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: midi looping, synths, and kaossilators
Date: Tue, 1 Mar 2011 10:29:53 +0000
Importance: Normal
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--_f5438e26-4e2a-421e-9b04-d947f74b776e_
Content-Type: text/plain; charset="iso-8859-1"
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I have 3 things I would qualify as Midi Loopers of sorts

MPC 500
Korg Electribe ESX
Flame Six In A Row.

The MPC I have read in the manual can be set in a loop of sorts=2C recievin=
g midi notes from a controller to any of its 48 tracks record the notes inp=
ut from the controller  and then play them back in real time wile more note=
s are added to this or another track. plus you have all that MPC sampling f=
unctionality.... not tried it though=2C I just use it for speech samples.

ESX this has =2C i think =2C stolen the "first love " crown from the EDP fo=
r me=2C I have never used such a fun unit in my work and it has changed me =
in the same way that the EDP did 10 years ago. You can use an external cont=
roller as described above to control the external sound source OR  to give =
note data to either of the 2 availiable "keyboard" sample tracks available =
onboard or you can use its onboard keys to input notes or even more fun the=
 scailic arpegiator  (think mini KoPro)  the only issue in this and other m=
idi loopers is that if you accidentally overwrite  the note on message at t=
he loop boundry you just get akward silence for that step=2C so always remo=
ve your finger from the controller JUST before the loop point.I also use th=
is to midi loop drum parts.
(I believe the EMX can be used like this but with 5 keyboard type parts.)=20

Six In A Row. This is a boutique midi looper of the scaled variety kind of =
a Hybrid of the tenori on  / monome and KoPro concepts. it has a grid of li=
t rubber buttons=2C you pick a scale and a key and the grid lights move ot =
show you the placement of root notes and "removes" the wrong notes. you can=
 then jam up to 4 bar phrases  on either of two loop slots  plus a separate=
 drum track ... each can be set for individual midi channels =2C I use mine=
 with an old MU-7 its ace.


From: eterogenus@gmail.com
Subject: Re: midi looping=2C synths=2C and kaossilators
Date: Sun=2C 27 Feb 2011 20:45:36 +0100
To: Loopers-Delight@loopers-delight.com

I don't have any experience with the  kaossilator=2C but I own a Kaoss Pad =
II since 2004=2C so my experience with this kind of products is just relate=
d to the KPII.

I have always expounded on this list that I am dreaming of a "Midi Looper".=
 With all the functions of an EDP=2C but.. not audio based. Reasons? Cos th=
e thing about a synth loop (pre-programmed) is that it can still be tweaked=
=2C either by hand=2C or by LFO sweep /modulation routings.



I do routinely "audio loop" my synths. (a doepfer modular system=2C a Korg =
MS2000 and the trusty GR30 guitar synth) but for "synth lines" Ive always p=
re-programmed them=2C either via the onboard modulation sequencer of the Ko=
rg=2C or a variety of analog sequencers I have for the modular (the best be=
ing called=2C weirdly "Mobius")



The Korg is VERY tweakable=2C so a relatively standard patch can easily be =
quickly manipulated to "fit in" with the current improvisation.=20

But theres my problem / wish.

TO HAVE ALL AVAILABLE=3B WHERE ALL FACTORS BOTH NOTES AND TIMBRE CAN BE FRE=
ELY IMPROVISED=2C LIVE=2C AND LOOPED.=20



So to be able to improvise the synth loop notes.

So=2C to the questions:

The Kaosilator PRO.=20
How is it to play..?=20
Is it a proper "Instrument"=20
Can I play it=2C and get what I imagine.. or is it basicaly random (within =
a key and scale)???=20
KPII has synth sounds too=2C but not very useful for me. Yes=2C you play wi=
thin a key (don't know if the Kaossilator Pro allow to switch key and scale=
...=2C better checking the manual)=2C but the fact is that IT is like playi=
ng a theremin. And it is good in that department=2C if you are looking to t=
hat kind of sounds=2C but have to say that it's not allow you to really pla=
y melodies...So it's not a "proper instrument"=2C IMO=2C neither really "ra=
ndom".


Supposing I have some guitar loops going .. and I imagine a growly distorte=
d acid bass to pop in for 3 notes=2C then silent for 4 bars.. then loop...=
=20
OR...=20
Can I quickly loop a little string section=2C=20
OR=2C can I hear a Xylophone in my head=2C and within a few seconds=2C sele=
ct a patch=2C and add some twinkles?



And Tech questions..=20
How is it at following midi clock?=20
Better checking the manual here and see what it really allow to do.My KP se=
nds midi clock out=2C but it can't work as master clock: it just sends out =
midi messages (PCs and CCs)=2C ALL using the same MIDI channel.
When used as a controller for another synth=2C is all information sent on 2=
 axis?=20
Can I map X to pitch on an external synth (Im thinking my Korg) and the Y t=
o filter cutoff on the external synth? (If my external synth allows this.. =
which I dont know.. have to find the manual.)
Again: better checking the manual(s) !KP sends information on Y and X axis=
=2C but do you need to address those info trough different midi channels or=
 the same  ?Do you want to get control over different machines ?


Is the midi loop on the Kaosilator SENT out the midi out=2C making it a mid=
i sequncer/looper for an external synth..=20
And finally=2C=20
Whats the on-board audio loopers like?
Don't really know about those features=2C sorry.



Just a question: why the Kaossilator and not the last Kaoss Pad version (4=
=2C maybe) which seems to me a more "complete" tool ? I think it can work l=
ike a synth too.
-fwww.eterogeneo.com

IF ALL GOOD...

For Sale:=20

Red Sound Federation synched Multi effects
Insanly good loop mangler=2C delay=2C filter=2C chopper and very psychedeli=
c multi band panner=2C all syncable...



Boss Dr Groove 202 (with built in 2 track sequencer)
Previously used to automate 2 EDP=B4s

(or swap for a Kaosilator Pro of course...)


Mark





=20
--=20


Mark Francombe
www.markfrancombe.com

www.ordoabkhao.comhttp://vimeo.com/user825094

http://www.looop.no
twitter @markfrancombe

 		 	   		  =

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<html>
<head>
<style><!--
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margin:0px=3B
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{
font-size: 10pt=3B
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<body class=3D'hmmessage'>
I have 3 things I would qualify as Midi Loopers of sorts<br><br>MPC 500<br>=
Korg Electribe ESX<br>Flame Six In A Row.<br><br>The MPC I have read in the=
 manual can be set in a loop of sorts=2C recieving midi notes from a contro=
ller to any of its 48 tracks record the notes input from the controller&nbs=
p=3B and then play them back in real time wile more notes are added to this=
 or another track. plus you have all that MPC sampling functionality.... no=
t tried it though=2C I just use it for speech samples.<br><br>ESX this has =
=2C i think =2C stolen the "first love " crown from the EDP for me=2C I hav=
e never used such a fun unit in my work and it has changed me in the same w=
ay that the EDP did 10 years ago. You can use an external controller as des=
cribed above to control the external sound source OR&nbsp=3B to give note d=
ata to either of the 2 availiable "keyboard" sample tracks available onboar=
d or you can use its onboard keys to input notes or even more fun the scail=
ic arpegiator&nbsp=3B (think mini KoPro)&nbsp=3B the only issue in this and=
 other midi loopers is that if you accidentally overwrite&nbsp=3B the note =
on message at the loop boundry you just get akward silence for that step=2C=
 so always remove your finger from the controller JUST before the loop poin=
t.I also use this to midi loop drum parts.<br>(I believe the EMX can be use=
d like this but with 5 keyboard type parts.) <br><br>Six In A Row. This is =
a boutique midi looper of the scaled variety kind of a Hybrid of the tenori=
 on&nbsp=3B / monome and KoPro concepts. it has a grid of lit rubber button=
s=2C you pick a scale and a key and the grid lights move ot show you the pl=
acement of root notes and "removes" the wrong notes. you can then jam up to=
 4 bar phrases&nbsp=3B on either of two loop slots&nbsp=3B plus a separate =
drum track ... each can be set for individual midi channels =2C I use mine =
with an old MU-7 its ace.<br><br><br><hr id=3D"stopSpelling">From: eterogen=
us@gmail.com<br>Subject: Re: midi looping=2C synths=2C and kaossilators<br>=
Date: Sun=2C 27 Feb 2011 20:45:36 +0100<br>To: Loopers-Delight@loopers-deli=
ght.com<br><br><div>I don't have any experience with the &nbsp=3Bkaossilato=
r=2C but I own a Kaoss Pad II since 2004=2C so my experience with this kind=
 of products is just related to the KPII.</div><div><br></div><blockquote><=
div><font face=3D"Arial=2C Helvetica=2C sans-serif" size=3D"2"><br>I have a=
lways expounded on this list that I am dreaming of a "Midi Looper". With al=
l the functions of an EDP=2C but.. not audio based. Reasons? Cos the thing =
about a synth loop (pre-programmed) is that it can still be tweaked=2C eith=
er by hand=2C or by LFO sweep</font><font face=3D"Arial=2C Helvetica=2C san=
s-serif" size=3D"2"> /modulation</font><font face=3D"Arial=2C Helvetica=2C =
sans-serif" size=3D"2"> routings.<br>

<br>I do routinely "audio loop" my synths. (a doepfer modular system=2C a K=
org MS2000 and the trusty GR30 guitar synth) but for "synth lines" Ive alwa=
ys pre-programmed them=2C either via the onboard modulation sequencer of th=
e Korg=2C or a variety of analog sequencers I have for the modular (the bes=
t being called=2C weirdly "Mobius")<br>

<br>The Korg is VERY tweakable=2C so a relatively standard patch can easily=
 be quickly manipulated to "fit in" with the current improvisation. <br><br=
>But theres my problem / wish.<br><br>TO HAVE ALL AVAILABLE=3B WHERE ALL FA=
CTORS BOTH NOTES AND TIMBRE CAN BE FREELY IMPROVISED=2C LIVE=2C AND LOOPED.=
 <br>

<br>So to be able to improvise the synth loop notes.<br><br>So=2C to the qu=
estions:<br><br>The Kaosilator PRO. <br>How is it to play..? <br>Is it a pr=
oper "Instrument" <br>Can I play it=2C and get what I imagine.. or is it ba=
sicaly random (within a key and scale)??? <br></font></div></blockquote><di=
v>KPII has synth sounds too=2C but not very useful for me. Yes=2C you play =
within a key (don't know if the Kaossilator Pro allow to switch key and sca=
le...=2C better checking the manual)=2C but the fact is that IT is like pla=
ying a theremin. And it is good in that department=2C if you are looking to=
 that kind of sounds=2C but have to say that it's not allow you to really p=
lay melodies...</div><div>So it's not a "proper instrument"=2C IMO=2C neith=
er really "random".</div><br><blockquote><div><font face=3D"Arial=2C Helvet=
ica=2C sans-serif" size=3D"2">

Supposing I have some guitar loops going .. and I imagine a growly distorte=
d acid bass to pop in for 3 notes=2C then silent for 4 bars.. then loop... =
<br>OR... <br>Can I quickly loop a little string section=2C <br>OR=2C can I=
 hear a Xylophone in my head=2C and within a few seconds=2C select a patch=
=2C and add some twinkles?<br>

<br>And Tech questions.. <br>How is it at following midi clock? <br></font>=
</div></blockquote><div>Better checking the manual here and see what it rea=
lly allow to do.</div><div>My KP sends midi clock out=2C but it can't work =
as master clock: it just sends out midi messages (PCs and CCs)=2C ALL using=
 the same MIDI channel.</div><br><blockquote><div><font face=3D"Arial=2C He=
lvetica=2C sans-serif" size=3D"2">When used as a controller for another syn=
th=2C is all information sent on 2 axis? <br>Can I map X to pitch on an ext=
ernal synth (Im thinking my Korg) and the Y to filter cutoff on the externa=
l synth? (If my external synth allows this.. which I dont know.. have to fi=
nd the manual.)<br></font></div></blockquote><div>Again: better checking th=
e manual(s) !</div><div>KP sends information on Y and X axis=2C but do you =
need to address those info trough different midi channels or the same &nbsp=
=3B?</div><div>Do you want to get control over different machines ?</div><b=
r><blockquote><div><font face=3D"Arial=2C Helvetica=2C sans-serif" size=3D"=
2">

Is the midi loop on the Kaosilator SENT out the midi out=2C making it a mid=
i sequncer/looper for an external synth.. <br></font><font face=3D"Arial=2C=
 Helvetica=2C sans-serif" size=3D"2">And finally=2C <br>Whats the on-board =
audio loopers like?<br></font></div></blockquote>Don't really know about th=
ose features=2C sorry.<br><blockquote><div><font face=3D"Arial=2C Helvetica=
=2C sans-serif" size=3D"2">

</font><font face=3D"Arial=2C Helvetica=2C sans-serif" size=3D"2"><br></fon=
t></div></blockquote><div>Just a question: why the Kaossilator and not the =
last Kaoss Pad version (4=2C maybe) which seems to me a more "complete" too=
l ? I think it can work like a synth too.</div><div><br></div><div>-f</div>=
<div><a href=3D"http://www.eterogeneo.com" target=3D"_blank">www.eterogeneo=
.com</a></div><div><br></div><br><blockquote><div><font face=3D"Arial=2C He=
lvetica=2C sans-serif" size=3D"2">IF ALL GOOD...<br><br>For Sale: <br><br>R=
ed Sound Federation synched Multi effects<br>Insanly good loop mangler=2C d=
elay=2C filter=2C chopper and very psychedelic multi band panner=2C all syn=
cable...<br>

<br>Boss Dr Groove 202 (with built in 2 track sequencer)<br>Previously used=
 to automate 2 EDP=B4s<br><br>(or swap for a Kaosilator Pro of course...)<b=
r><br><br>Mark<br><br><br><br><br><br>&nbsp=3B<br clear=3D"all"></font><br>=
-- <br>

<i style=3D"font-family: verdana=2Csans-serif=3B color: rgb(255=2C 255=2C 2=
55)=3B background-color: rgb(0=2C 0=2C 0)=3B"><font style=3D"font-family: t=
rebuchet ms=2Csans-serif=3B" size=3D"4"><u>Mark Francombe</u></font></i><br=
><font size=3D"1"><a style=3D"color: rgb(51=2C 0=2C 51)=3B" href=3D"http://=
www.markfrancombe.com/" target=3D"_blank"></a><a href=3D"http://www.markfra=
ncombe.com" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color: =
rgb(51=2C 0=2C 51)=3B">

<a style=3D"color: rgb(51=2C 0=2C 51)=3B" href=3D"http://www.ordoabkhao.com=
/" target=3D"_blank"></a><a href=3D"http://www.ordoabkhao.com" target=3D"_b=
lank">www.ordoabkhao.com</a><br style=3D"color: rgb(51=2C 0=2C 51)=3B"><a s=
tyle=3D"color: rgb(51=2C 0=2C 51)=3B" href=3D"http://vimeo.com/user825094" =
target=3D"_blank"></a><a href=3D"http://vimeo.com/user825094" target=3D"_bl=
ank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51=2C 0=2C 51)=
=3B">

<a style=3D"color: rgb(51=2C 0=2C 51)=3B" href=3D"http://www.looop.no/" tar=
get=3D"_blank"></a><a href=3D"http://www.looop.no" target=3D"_blank">http:/=
/www.looop.no</a><br>twitter @markfrancombe</font><br>
</div></blockquote> 		 	   		  </body>
</html>=

--_f5438e26-4e2a-421e-9b04-d947f74b776e_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 11:17:30 2011
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	<BAY141-W17610FFA20545DAC64F1D985C10@phx.gbl>
Date: Tue, 1 Mar 2011 12:17:28 +0100
Message-ID: <AANLkTinhnRK9K2GTTFDERmRdvQ0hGGg7h2kQTMMPzOuh@mail.gmail.com>
Subject: Re: mac bidule to vst
From: Per Boysen <perboysen@gmail.com>
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On Tue, Mar 1, 2011 at 7:36 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Could anyone here who uses Bidule tell me whetherit's true that you can run
> VST plugins on it using a mac?
> I read it somewhere but wanted to run it past the experts ;-)

Certainly! (assuming we're talking Mac VST ;-)

Per

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 11:24:59 2011
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I'm sorry to say that since Google is assimilating YouTube user accounts you 
may not sign into your own account without becoming a Google user, as of 
today.

Consequently I have deleted all but a few videos - the ones not containing 
my own work (except for the anti-Scientology "SP Brain Test #37") - from my 
YouTube page.  Also I will no longer be sending links to YouTube to anyone, 
as one must sign in with said Google account in order to do so.  As 
Google-YouTube do not accept complaints of any kind except through paper 
snail mail (which most likely goes in the bin when they get it), the only 
way to communicate your distaste for their monolithic move is to do what 
I've done, and post comments about it elsewhere.

Stephen Goodman
EarthLight Productions

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 11:48:10 2011
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Date: Tue, 1 Mar 2011 12:48:09 +0100
Message-ID: <AANLkTi=5fnu7XFYSF-zojUS71MkYQ6cFTujYiZtYm+Pq@mail.gmail.com>
Subject: Re: recording an album
From: Per Boysen <perboysen@gmail.com>
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>> i think it was matt davignon (please confirm if i'm
>> wrong here MATT, my old brain works not great lately!) who emailed me to
>> tell me he records all his stuff w/ the zoom h2 (endless hrs of stuff) then
>> transfers to computer and edits down to the good stuff to
>> release things. man i thought that was a great process, let the creativity
>> roll, pull good stuff later....

On Tue, Mar 1, 2011 at 1:48 AM, Matt Davignon <mattdavignon@gmail.com> wrote:
> Yup, that's exactly what I've been doing.


Me too! But I was using a H4. Both Lo Fi Lazer sessions were recorded that way:
http://www.jamendo.com/en/artist/lo.fi.lazer

When I use a computer based performance rig I use to set up a function
to instantly record the main output, same concept as the H2/H4.

The problem with recording a lot of sound sources already merged into
a stream is that if certain frequencies were out of balance as you
performed it may be difficult to fix that in the recording. But I must
say that a lot of in depth editing of an orchestral stereo file
actually is possible if you are using a software that lets your
automate EQ. Takes a lot of time though.

But actualy I use both methods for producing recorded music, I mean I
also do close mik multi track recording. The backdraw is that you have
to make a lot of mistakes first to acquire enough experience of where
the process may lead you - and then you have to still keep your
creative mind focused on your vision rather on what you are hearing as
you are recording. This method definitely is boring and unsexy but it
pays back in fidelity. Maybe better suited for composed music than for
improvised. The two keys to succeed are to (1) do your homework and
(2) keep the vision alive.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: midi looping, synths, and kaossilators
Date: Tue, 1 Mar 2011 13:09:52 +0100
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Hi Mark et all

I saw last week this small soft : =
http://myweb.tiscali.co.uk/philweb/philizound/freebies/software/sequetron=
/sequetron.html
I didn't had theb time to try it yet but perhaps worth a look?

Ben

  ----- Original Message -----=20
  From: phillip wilson=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Tuesday, March 01, 2011 11:29
  Subject: RE: midi looping, synths, and kaossilators


  I have 3 things I would qualify as Midi Loopers of sorts

  MPC 500
  Korg Electribe ESX
  Flame Six In A Row.

  The MPC I have read in the manual can be set in a loop of sorts, =
recieving midi notes from a controller to any of its 48 tracks record =
the notes input from the controller  and then play them back in real =
time wile more notes are added to this or another track. plus you have =
all that MPC sampling functionality.... not tried it though, I just use =
it for speech samples.

  ESX this has , i think , stolen the "first love " crown from the EDP =
for me, I have never used such a fun unit in my work and it has changed =
me in the same way that the EDP did 10 years ago. You can use an =
external controller as described above to control the external sound =
source OR  to give note data to either of the 2 availiable "keyboard" =
sample tracks available onboard or you can use its onboard keys to input =
notes or even more fun the scailic arpegiator  (think mini KoPro)  the =
only issue in this and other midi loopers is that if you accidentally =
overwrite  the note on message at the loop boundry you just get akward =
silence for that step, so always remove your finger from the controller =
JUST before the loop point.I also use this to midi loop drum parts.
  (I believe the EMX can be used like this but with 5 keyboard type =
parts.)=20

  Six In A Row. This is a boutique midi looper of the scaled variety =
kind of a Hybrid of the tenori on  / monome and KoPro concepts. it has a =
grid of lit rubber buttons, you pick a scale and a key and the grid =
lights move ot show you the placement of root notes and "removes" the =
wrong notes. you can then jam up to 4 bar phrases  on either of two loop =
slots  plus a separate drum track ... each can be set for individual =
midi channels , I use mine with an old MU-7 its ace.



-------------------------------------------------------------------------=
-----
  From: eterogenus@gmail.com
  Subject: Re: midi looping, synths, and kaossilators
  Date: Sun, 27 Feb 2011 20:45:36 +0100
  To: Loopers-Delight@loopers-delight.com


  I don't have any experience with the  kaossilator, but I own a Kaoss =
Pad II since 2004, so my experience with this kind of products is just =
related to the KPII.



    I have always expounded on this list that I am dreaming of a "Midi =
Looper". With all the functions of an EDP, but.. not audio based. =
Reasons? Cos the thing about a synth loop (pre-programmed) is that it =
can still be tweaked, either by hand, or by LFO sweep /modulation =
routings.

    I do routinely "audio loop" my synths. (a doepfer modular system, a =
Korg MS2000 and the trusty GR30 guitar synth) but for "synth lines" Ive =
always pre-programmed them, either via the onboard modulation sequencer =
of the Korg, or a variety of analog sequencers I have for the modular =
(the best being called, weirdly "Mobius")

    The Korg is VERY tweakable, so a relatively standard patch can =
easily be quickly manipulated to "fit in" with the current =
improvisation.=20

    But theres my problem / wish.

    TO HAVE ALL AVAILABLE; WHERE ALL FACTORS BOTH NOTES AND TIMBRE CAN =
BE FREELY IMPROVISED, LIVE, AND LOOPED.=20

    So to be able to improvise the synth loop notes.

    So, to the questions:

    The Kaosilator PRO.=20
    How is it to play..?=20
    Is it a proper "Instrument"=20
    Can I play it, and get what I imagine.. or is it basicaly random =
(within a key and scale)???=20

  KPII has synth sounds too, but not very useful for me. Yes, you play =
within a key (don't know if the Kaossilator Pro allow to switch key and =
scale..., better checking the manual), but the fact is that IT is like =
playing a theremin. And it is good in that department, if you are =
looking to that kind of sounds, but have to say that it's not allow you =
to really play melodies...
  So it's not a "proper instrument", IMO, neither really "random".


    Supposing I have some guitar loops going .. and I imagine a growly =
distorted acid bass to pop in for 3 notes, then silent for 4 bars.. then =
loop...=20
    OR...=20
    Can I quickly loop a little string section,=20
    OR, can I hear a Xylophone in my head, and within a few seconds, =
select a patch, and add some twinkles?

    And Tech questions..=20
    How is it at following midi clock?=20

  Better checking the manual here and see what it really allow to do.
  My KP sends midi clock out, but it can't work as master clock: it just =
sends out midi messages (PCs and CCs), ALL using the same MIDI channel.


    When used as a controller for another synth, is all information sent =
on 2 axis?=20
    Can I map X to pitch on an external synth (Im thinking my Korg) and =
the Y to filter cutoff on the external synth? (If my external synth =
allows this.. which I dont know.. have to find the manual.)

  Again: better checking the manual(s) !
  KP sends information on Y and X axis, but do you need to address those =
info trough different midi channels or the same  ?
  Do you want to get control over different machines ?


    Is the midi loop on the Kaosilator SENT out the midi out, making it =
a midi sequncer/looper for an external synth..=20
    And finally,=20
    Whats the on-board audio loopers like?

  Don't really know about those features, sorry.



  Just a question: why the Kaossilator and not the last Kaoss Pad =
version (4, maybe) which seems to me a more "complete" tool ? I think it =
can work like a synth too.


  -f
  www.eterogeneo.com




    IF ALL GOOD...

    For Sale:=20

    Red Sound Federation synched Multi effects
    Insanly good loop mangler, delay, filter, chopper and very =
psychedelic multi band panner, all syncable...

    Boss Dr Groove 202 (with built in 2 track sequencer)
    Previously used to automate 2 EDP=B4s

    (or swap for a Kaosilator Pro of course...)


    Mark





    =20

    --=20
    Mark Francombe
    www.markfrancombe.com
    www.ordoabkhao.com
    http://vimeo.com/user825094
    http://www.looop.no
    twitter @markfrancombe

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<DIV><FONT face=3DArial>Hi Mark et all</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I saw last week this small soft : <A=20
href=3D"http://myweb.tiscali.co.uk/philweb/philizound/freebies/software/s=
equetron/sequetron.html">http://myweb.tiscali.co.uk/philweb/philizound/fr=
eebies/software/sequetron/sequetron.html</A></FONT></DIV>
<DIV><FONT face=3DArial>I didn't had theb time to try it yet but perhaps =
worth a=20
look?</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Ben</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dphillwilson@hotmail.com =
href=3D"mailto:phillwilson@hotmail.com">phillip=20
  wilson</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 01, 2011 =
11:29</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: midi looping, =
synths, and=20
  kaossilators</DIV>
  <DIV><BR></DIV>I have 3 things I would qualify as Midi Loopers of=20
  sorts<BR><BR>MPC 500<BR>Korg Electribe ESX<BR>Flame Six In A =
Row.<BR><BR>The=20
  MPC I have read in the manual can be set in a loop of sorts, recieving =
midi=20
  notes from a controller to any of its 48 tracks record the notes input =
from=20
  the controller&nbsp; and then play them back in real time wile more =
notes are=20
  added to this or another track. plus you have all that MPC sampling=20
  functionality.... not tried it though, I just use it for speech=20
  samples.<BR><BR>ESX this has , i think , stolen the "first love " =
crown from=20
  the EDP for me, I have never used such a fun unit in my work and it =
has=20
  changed me in the same way that the EDP did 10 years ago. You can use =
an=20
  external controller as described above to control the external sound =
source=20
  OR&nbsp; to give note data to either of the 2 availiable "keyboard" =
sample=20
  tracks available onboard or you can use its onboard keys to input =
notes or=20
  even more fun the scailic arpegiator&nbsp; (think mini KoPro)&nbsp; =
the only=20
  issue in this and other midi loopers is that if you accidentally=20
  overwrite&nbsp; the note on message at the loop boundry you just get =
akward=20
  silence for that step, so always remove your finger from the =
controller JUST=20
  before the loop point.I also use this to midi loop drum parts.<BR>(I =
believe=20
  the EMX can be used like this but with 5 keyboard type parts.) =
<BR><BR>Six In=20
  A Row. This is a boutique midi looper of the scaled variety kind of a =
Hybrid=20
  of the tenori on&nbsp; / monome and KoPro concepts. it has a grid of =
lit=20
  rubber buttons, you pick a scale and a key and the grid lights move ot =
show=20
  you the placement of root notes and "removes" the wrong notes. you can =
then=20
  jam up to 4 bar phrases&nbsp; on either of two loop slots&nbsp; plus a =

  separate drum track ... each can be set for individual midi channels , =
I use=20
  mine with an old MU-7 its ace.<BR><BR><BR>
  <HR id=3DstopSpelling>
  From: eterogenus@gmail.com<BR>Subject: Re: midi looping, synths, and=20
  kaossilators<BR>Date: Sun, 27 Feb 2011 20:45:36 +0100<BR>To:=20
  Loopers-Delight@loopers-delight.com<BR><BR>
  <DIV>I don't have any experience with the &nbsp;kaossilator, but I own =
a Kaoss=20
  Pad II since 2004, so my experience with this kind of products is just =
related=20
  to the KPII.</DIV>
  <DIV><BR></DIV>
  <BLOCKQUOTE>
    <DIV><FONT size=3D2 face=3D"Arial, Helvetica, sans-serif"><BR>I have =
always=20
    expounded on this list that I am dreaming of a "Midi Looper". With =
all the=20
    functions of an EDP, but.. not audio based. Reasons? Cos the thing =
about a=20
    synth loop (pre-programmed) is that it can still be tweaked, either =
by hand,=20
    or by LFO sweep</FONT><FONT size=3D2 face=3D"Arial, Helvetica, =
sans-serif">=20
    /modulation</FONT><FONT size=3D2 face=3D"Arial, Helvetica, =
sans-serif">=20
    routings.<BR><BR>I do routinely "audio loop" my synths. (a doepfer =
modular=20
    system, a Korg MS2000 and the trusty GR30 guitar synth) but for =
"synth=20
    lines" Ive always pre-programmed them, either via the onboard =
modulation=20
    sequencer of the Korg, or a variety of analog sequencers I have for =
the=20
    modular (the best being called, weirdly "Mobius")<BR><BR>The Korg is =
VERY=20
    tweakable, so a relatively standard patch can easily be quickly =
manipulated=20
    to "fit in" with the current improvisation. <BR><BR>But theres my =
problem /=20
    wish.<BR><BR>TO HAVE ALL AVAILABLE; WHERE ALL FACTORS BOTH NOTES AND =
TIMBRE=20
    CAN BE FREELY IMPROVISED, LIVE, AND LOOPED. <BR><BR>So to be able to =

    improvise the synth loop notes.<BR><BR>So, to the =
questions:<BR><BR>The=20
    Kaosilator PRO. <BR>How is it to play..? <BR>Is it a proper =
"Instrument"=20
    <BR>Can I play it, and get what I imagine.. or is it basicaly random =
(within=20
    a key and scale)??? <BR></FONT></DIV></BLOCKQUOTE>
  <DIV>KPII has synth sounds too, but not very useful for me. Yes, you =
play=20
  within a key (don't know if the Kaossilator Pro allow to switch key =
and=20
  scale..., better checking the manual), but the fact is that IT is like =
playing=20
  a theremin. And it is good in that department, if you are looking to =
that kind=20
  of sounds, but have to say that it's not allow you to really play=20
  melodies...</DIV>
  <DIV>So it's not a "proper instrument", IMO, neither really=20
"random".</DIV><BR>
  <BLOCKQUOTE>
    <DIV><FONT size=3D2 face=3D"Arial, Helvetica, sans-serif">Supposing =
I have some=20
    guitar loops going .. and I imagine a growly distorted acid bass to =
pop in=20
    for 3 notes, then silent for 4 bars.. then loop... <BR>OR... <BR>Can =
I=20
    quickly loop a little string section, <BR>OR, can I hear a Xylophone =
in my=20
    head, and within a few seconds, select a patch, and add some=20
    twinkles?<BR><BR>And Tech questions.. <BR>How is it at following =
midi clock?=20
    <BR></FONT></DIV></BLOCKQUOTE>
  <DIV>Better checking the manual here and see what it really allow to =
do.</DIV>
  <DIV>My KP sends midi clock out, but it can't work as master clock: it =
just=20
  sends out midi messages (PCs and CCs), ALL using the same MIDI=20
  channel.</DIV><BR>
  <BLOCKQUOTE>
    <DIV><FONT size=3D2 face=3D"Arial, Helvetica, sans-serif">When used =
as a=20
    controller for another synth, is all information sent on 2 axis? =
<BR>Can I=20
    map X to pitch on an external synth (Im thinking my Korg) and the Y =
to=20
    filter cutoff on the external synth? (If my external synth allows =
this..=20
    which I dont know.. have to find the =
manual.)<BR></FONT></DIV></BLOCKQUOTE>
  <DIV>Again: better checking the manual(s) !</DIV>
  <DIV>KP sends information on Y and X axis, but do you need to address =
those=20
  info trough different midi channels or the same &nbsp;?</DIV>
  <DIV>Do you want to get control over different machines ?</DIV><BR>
  <BLOCKQUOTE>
    <DIV><FONT size=3D2 face=3D"Arial, Helvetica, sans-serif">Is the =
midi loop on=20
    the Kaosilator SENT out the midi out, making it a midi =
sequncer/looper for=20
    an external synth.. <BR></FONT><FONT size=3D2=20
    face=3D"Arial, Helvetica, sans-serif">And finally, <BR>Whats the =
on-board=20
    audio loopers like?<BR></FONT></DIV></BLOCKQUOTE>Don't really know =
about those=20
  features, sorry.<BR>
  <BLOCKQUOTE>
    <DIV><FONT size=3D2 face=3D"Arial, Helvetica, =
sans-serif"></FONT><FONT size=3D2=20
    face=3D"Arial, Helvetica, sans-serif"><BR></FONT></DIV></BLOCKQUOTE>
  <DIV>Just a question: why the Kaossilator and not the last Kaoss Pad =
version=20
  (4, maybe) which seems to me a more "complete" tool ? I think it can =
work like=20
  a synth too.</DIV>
  <DIV><BR></DIV>
  <DIV>-f</DIV>
  <DIV><A href=3D"http://www.eterogeneo.com"=20
  target=3D_blank>www.eterogeneo.com</A></DIV>
  <DIV><BR></DIV><BR>
  <BLOCKQUOTE>
    <DIV><FONT size=3D2 face=3D"Arial, Helvetica, sans-serif">IF ALL=20
    GOOD...<BR><BR>For Sale: <BR><BR>Red Sound Federation synched Multi=20
    effects<BR>Insanly good loop mangler, delay, filter, chopper and =
very=20
    psychedelic multi band panner, all syncable...<BR><BR>Boss Dr Groove =
202=20
    (with built in 2 track sequencer)<BR>Previously used to automate 2=20
    EDP=B4s<BR><BR>(or swap for a Kaosilator Pro of=20
    course...)<BR><BR><BR>Mark<BR><BR><BR><BR><BR><BR>&nbsp;<BR=20
    clear=3Dall></FONT><BR>-- <BR><I=20
    style=3D"BACKGROUND-COLOR: rgb(0,0,0); FONT-FAMILY: =
verdana,sans-serif; COLOR: rgb(255,255,255)"><FONT=20
    style=3D"FONT-FAMILY: trebuchet ms,sans-serif" size=3D4><U>Mark=20
    Francombe</U></FONT></I><BR><FONT size=3D1><A style=3D"COLOR: =
rgb(51,0,51)"=20
    href=3D"http://www.markfrancombe.com/" target=3D_blank></A><A=20
    href=3D"http://www.markfrancombe.com"=20
    target=3D_blank>www.markfrancombe.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
    style=3D"COLOR: rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/"=20
    target=3D_blank></A><A href=3D"http://www.ordoabkhao.com"=20
    target=3D_blank>www.ordoabkhao.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
    style=3D"COLOR: rgb(51,0,51)" href=3D"http://vimeo.com/user825094"=20
    target=3D_blank></A><A href=3D"http://vimeo.com/user825094"=20
    target=3D_blank>http://vimeo.com/user825094</A><BR=20
    style=3D"COLOR: rgb(51,0,51)"><A style=3D"COLOR: rgb(51,0,51)"=20
    href=3D"http://www.looop.no/" target=3D_blank></A><A =
href=3D"http://www.looop.no"=20
    target=3D_blank>http://www.looop.no</A><BR>twitter=20
    =
@markfrancombe</FONT><BR></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0144_01CBD811.F3F4A010--

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Subject: Re: midi looping, synths, and kaossilators
From: Lasse juul Kolding <dubbilan@gmail.com>
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I have made a nifty little midi looping module with max msp, as part of a
bigger project. It can loop/overdub/grab everything... notes, CC's,
pitchbend, aftertouch... and from many different sources, at the same time
as it keeps track which destinations they should be returned to. So that I
can loop a knob movement directly on one synth, and another movement on
another, while having the notes going to which ever synths I specify on the
fly.
Having four of these running together is a lot of fun!
Eventually I would like to turn it into something other people could use,
but for now it's a max only thing specifically routed to my hardware :/



On Tue, Mar 1, 2011 at 1:09 PM, BEN <benoitruelle@yahoo.fr> wrote:

>  Hi Mark et all
>
> I saw last week this small soft :
> http://myweb.tiscali.co.uk/philweb/philizound/freebies/software/sequetron=
/sequetron.html
> I didn't had theb time to try it yet but perhaps worth a look?
>
> Ben
>
>
> ----- Original Message -----
> *From:* phillip wilson <phillwilson@hotmail.com>
> *To:* loopers-delight@loopers-delight.com
> *Sent:* Tuesday, March 01, 2011 11:29
> *Subject:* RE: midi looping, synths, and kaossilators
>
> I have 3 things I would qualify as Midi Loopers of sorts
>
> MPC 500
> Korg Electribe ESX
> Flame Six In A Row.
>
> The MPC I have read in the manual can be set in a loop of sorts, recievin=
g
> midi notes from a controller to any of its 48 tracks record the notes inp=
ut
> from the controller  and then play them back in real time wile more notes
> are added to this or another track. plus you have all that MPC sampling
> functionality.... not tried it though, I just use it for speech samples.
>
> ESX this has , i think , stolen the "first love " crown from the EDP for
> me, I have never used such a fun unit in my work and it has changed me in
> the same way that the EDP did 10 years ago. You can use an external
> controller as described above to control the external sound source OR  to
> give note data to either of the 2 availiable "keyboard" sample tracks
> available onboard or you can use its onboard keys to input notes or even
> more fun the scailic arpegiator  (think mini KoPro)  the only issue in th=
is
> and other midi loopers is that if you accidentally overwrite  the note on
> message at the loop boundry you just get akward silence for that step, so
> always remove your finger from the controller JUST before the loop point.=
I
> also use this to midi loop drum parts.
> (I believe the EMX can be used like this but with 5 keyboard type parts.)
>
> Six In A Row. This is a boutique midi looper of the scaled variety kind o=
f
> a Hybrid of the tenori on  / monome and KoPro concepts. it has a grid of =
lit
> rubber buttons, you pick a scale and a key and the grid lights move ot sh=
ow
> you the placement of root notes and "removes" the wrong notes. you can th=
en
> jam up to 4 bar phrases  on either of two loop slots  plus a separate dru=
m
> track ... each can be set for individual midi channels , I use mine with =
an
> old MU-7 its ace.
>
>
> ------------------------------
> From: eterogenus@gmail.com
> Subject: Re: midi looping, synths, and kaossilators
> Date: Sun, 27 Feb 2011 20:45:36 +0100
> To: Loopers-Delight@loopers-delight.com
>
> I don't have any experience with the  kaossilator, but I own a Kaoss Pad =
II
> since 2004, so my experience with this kind of products is just related t=
o
> the KPII.
>
>
> I have always expounded on this list that I am dreaming of a "Midi Looper=
".
> With all the functions of an EDP, but.. not audio based. Reasons? Cos the
> thing about a synth loop (pre-programmed) is that it can still be tweaked=
,
> either by hand, or by LFO sweep /modulation routings.
>
> I do routinely "audio loop" my synths. (a doepfer modular system, a Korg
> MS2000 and the trusty GR30 guitar synth) but for "synth lines" Ive always
> pre-programmed them, either via the onboard modulation sequencer of the
> Korg, or a variety of analog sequencers I have for the modular (the best
> being called, weirdly "Mobius")
>
> The Korg is VERY tweakable, so a relatively standard patch can easily be
> quickly manipulated to "fit in" with the current improvisation.
>
> But theres my problem / wish.
>
> TO HAVE ALL AVAILABLE; WHERE ALL FACTORS BOTH NOTES AND TIMBRE CAN BE
> FREELY IMPROVISED, LIVE, AND LOOPED.
>
> So to be able to improvise the synth loop notes.
>
> So, to the questions:
>
> The Kaosilator PRO.
> How is it to play..?
> Is it a proper "Instrument"
> Can I play it, and get what I imagine.. or is it basicaly random (within =
a
> key and scale)???
>
> KPII has synth sounds too, but not very useful for me. Yes, you play with=
in
> a key (don't know if the Kaossilator Pro allow to switch key and scale...=
,
> better checking the manual), but the fact is that IT is like playing a
> theremin. And it is good in that department, if you are looking to that k=
ind
> of sounds, but have to say that it's not allow you to really play
> melodies...
> So it's not a "proper instrument", IMO, neither really "random".
>
>  Supposing I have some guitar loops going .. and I imagine a growly
> distorted acid bass to pop in for 3 notes, then silent for 4 bars.. then
> loop...
> OR...
> Can I quickly loop a little string section,
> OR, can I hear a Xylophone in my head, and within a few seconds, select a
> patch, and add some twinkles?
>
> And Tech questions..
> How is it at following midi clock?
>
> Better checking the manual here and see what it really allow to do.
> My KP sends midi clock out, but it can't work as master clock: it just
> sends out midi messages (PCs and CCs), ALL using the same MIDI channel.
>
>  When used as a controller for another synth, is all information sent on =
2
> axis?
> Can I map X to pitch on an external synth (Im thinking my Korg) and the Y
> to filter cutoff on the external synth? (If my external synth allows this=
..
> which I dont know.. have to find the manual.)
>
> Again: better checking the manual(s) !
> KP sends information on Y and X axis, but do you need to address those in=
fo
> trough different midi channels or the same  ?
> Do you want to get control over different machines ?
>
>  Is the midi loop on the Kaosilator SENT out the midi out, making it a
> midi sequncer/looper for an external synth..
> And finally,
> Whats the on-board audio loopers like?
>
> Don't really know about those features, sorry.
>
>
> Just a question: why the Kaossilator and not the last Kaoss Pad version (=
4,
> maybe) which seems to me a more "complete" tool ? I think it can work lik=
e a
> synth too.
>
> -f
> www.eterogeneo.com
>
>
>  IF ALL GOOD...
>
> For Sale:
>
> Red Sound Federation synched Multi effects
> Insanly good loop mangler, delay, filter, chopper and very psychedelic
> multi band panner, all syncable...
>
> Boss Dr Groove 202 (with built in 2 track sequencer)
> Previously used to automate 2 EDP=B4s
>
> (or swap for a Kaosilator Pro of course...)
>
>
> Mark
>
>
>
>
>
>
>
> --
> *Mark Francombe*
> <http://www.markfrancombe.com/>www.markfrancombe.com
> <http://www.ordoabkhao.com/>www.ordoabkhao.com
> <http://vimeo.com/user825094>http://vimeo.com/user825094
> <http://www.looop.no/>http://www.looop.no
> twitter @markfrancombe
>
>

--000e0cd348ba09a37a049d6beab2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I have made a nifty little midi looping module with max msp, as part of a b=
igger project. It can loop/overdub/grab everything... notes, CC&#39;s, pitc=
hbend, aftertouch... and from many different sources, at the same time as i=
t keeps track which destinations they should be returned to. So that I can =
loop a knob movement directly on one synth, and another movement on another=
, while having the notes going to which ever synths I specify on the fly.<d=
iv>
Having four of these running together is a lot of fun!<br><div>Eventually I=
 would like to turn it into something other people could use, but for now i=
t&#39;s a max only thing specifically routed to my hardware :/</div><div>
<br></div><div><br></div><div><br><div class=3D"gmail_quote">On Tue, Mar 1,=
 2011 at 1:09 PM, BEN <span dir=3D"ltr">&lt;<a href=3D"mailto:benoitruelle@=
yahoo.fr">benoitruelle@yahoo.fr</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial">Hi Mark et all</font></div>
<div><font face=3D"Arial"></font>=A0</div>
<div><font face=3D"Arial">I saw last week this small soft : <a href=3D"http=
://myweb.tiscali.co.uk/philweb/philizound/freebies/software/sequetron/seque=
tron.html" target=3D"_blank">http://myweb.tiscali.co.uk/philweb/philizound/=
freebies/software/sequetron/sequetron.html</a></font></div>

<div><font face=3D"Arial">I didn&#39;t had theb time to try it yet but perh=
aps worth a=20
look?</font></div>
<div><font face=3D"Arial"></font>=A0</div><font color=3D"#888888">
<div><font face=3D"Arial">Ben</font></div></font><div><div></div><div class=
=3D"h5">
<div><font face=3D"Arial"></font>=A0</div>
<blockquote style=3D"border-left:#000000 2px solid;padding-left:5px;padding=
-right:0px;margin-left:5px;margin-right:0px" dir=3D"ltr">
  <div style=3D"font:10pt arial">----- Original Message ----- </div>
  <div style=3D"font:10pt arial;background:#e4e4e4"><b>From:</b>=20
  <a title=3D"phillwilson@hotmail.com" href=3D"mailto:phillwilson@hotmail.c=
om" target=3D"_blank">phillip=20
  wilson</a> </div>
  <div style=3D"font:10pt arial"><b>To:</b> <a title=3D"loopers-delight@loo=
pers-delight.com" href=3D"mailto:loopers-delight@loopers-delight.com" targe=
t=3D"_blank">loopers-delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font:10pt arial"><b>Sent:</b> Tuesday, March 01, 2011 11:29=
</div>
  <div style=3D"font:10pt arial"><b>Subject:</b> RE: midi looping, synths, =
and=20
  kaossilators</div>
  <div><br></div>I have 3 things I would qualify as Midi Loopers of=20
  sorts<br><br>MPC 500<br>Korg Electribe ESX<br>Flame Six In A Row.<br><br>=
The=20
  MPC I have read in the manual can be set in a loop of sorts, recieving mi=
di=20
  notes from a controller to any of its 48 tracks record the notes input fr=
om=20
  the controller=A0 and then play them back in real time wile more notes ar=
e=20
  added to this or another track. plus you have all that MPC sampling=20
  functionality.... not tried it though, I just use it for speech=20
  samples.<br><br>ESX this has , i think , stolen the &quot;first love &quo=
t; crown from=20
  the EDP for me, I have never used such a fun unit in my work and it has=
=20
  changed me in the same way that the EDP did 10 years ago. You can use an=
=20
  external controller as described above to control the external sound sour=
ce=20
  OR=A0 to give note data to either of the 2 availiable &quot;keyboard&quot=
; sample=20
  tracks available onboard or you can use its onboard keys to input notes o=
r=20
  even more fun the scailic arpegiator=A0 (think mini KoPro)=A0 the only=20
  issue in this and other midi loopers is that if you accidentally=20
  overwrite=A0 the note on message at the loop boundry you just get akward=
=20
  silence for that step, so always remove your finger from the controller J=
UST=20
  before the loop point.I also use this to midi loop drum parts.<br>(I beli=
eve=20
  the EMX can be used like this but with 5 keyboard type parts.) <br><br>Si=
x In=20
  A Row. This is a boutique midi looper of the scaled variety kind of a Hyb=
rid=20
  of the tenori on=A0 / monome and KoPro concepts. it has a grid of lit=20
  rubber buttons, you pick a scale and a key and the grid lights move ot sh=
ow=20
  you the placement of root notes and &quot;removes&quot; the wrong notes. =
you can then=20
  jam up to 4 bar phrases=A0 on either of two loop slots=A0 plus a=20
  separate drum track ... each can be set for individual midi channels , I =
use=20
  mine with an old MU-7 its ace.<br><br><br>
  <hr>
  From: <a href=3D"mailto:eterogenus@gmail.com" target=3D"_blank">eterogenu=
s@gmail.com</a><br>Subject: Re: midi looping, synths, and=20
  kaossilators<br>Date: Sun, 27 Feb 2011 20:45:36 +0100<br>To:=20
  <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">=
Loopers-Delight@loopers-delight.com</a><br><br>
  <div>I don&#39;t have any experience with the =A0kaossilator, but I own a=
 Kaoss=20
  Pad II since 2004, so my experience with this kind of products is just re=
lated=20
  to the KPII.</div>
  <div><br></div>
  <blockquote>
    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif"><br>I have =
always=20
    expounded on this list that I am dreaming of a &quot;Midi Looper&quot;.=
 With all the=20
    functions of an EDP, but.. not audio based. Reasons? Cos the thing abou=
t a=20
    synth loop (pre-programmed) is that it can still be tweaked, either by =
hand,=20
    or by LFO sweep</font><font size=3D"2" face=3D"Arial, Helvetica, sans-s=
erif">=20
    /modulation</font><font size=3D"2" face=3D"Arial, Helvetica, sans-serif=
">=20
    routings.<br><br>I do routinely &quot;audio loop&quot; my synths. (a do=
epfer modular=20
    system, a Korg MS2000 and the trusty GR30 guitar synth) but for &quot;s=
ynth=20
    lines&quot; Ive always pre-programmed them, either via the onboard modu=
lation=20
    sequencer of the Korg, or a variety of analog sequencers I have for the=
=20
    modular (the best being called, weirdly &quot;Mobius&quot;)<br><br>The =
Korg is VERY=20
    tweakable, so a relatively standard patch can easily be quickly manipul=
ated=20
    to &quot;fit in&quot; with the current improvisation. <br><br>But there=
s my problem /=20
    wish.<br><br>TO HAVE ALL AVAILABLE; WHERE ALL FACTORS BOTH NOTES AND TI=
MBRE=20
    CAN BE FREELY IMPROVISED, LIVE, AND LOOPED. <br><br>So to be able to=20
    improvise the synth loop notes.<br><br>So, to the questions:<br><br>The=
=20
    Kaosilator PRO. <br>How is it to play..? <br>Is it a proper &quot;Instr=
ument&quot;=20
    <br>Can I play it, and get what I imagine.. or is it basicaly random (w=
ithin=20
    a key and scale)??? <br></font></div></blockquote>
  <div>KPII has synth sounds too, but not very useful for me. Yes, you play=
=20
  within a key (don&#39;t know if the Kaossilator Pro allow to switch key a=
nd=20
  scale..., better checking the manual), but the fact is that IT is like pl=
aying=20
  a theremin. And it is good in that department, if you are looking to that=
 kind=20
  of sounds, but have to say that it&#39;s not allow you to really play=20
  melodies...</div>
  <div>So it&#39;s not a &quot;proper instrument&quot;, IMO, neither really=
=20
&quot;random&quot;.</div><br>
  <blockquote>
    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif">Supposing I=
 have some=20
    guitar loops going .. and I imagine a growly distorted acid bass to pop=
 in=20
    for 3 notes, then silent for 4 bars.. then loop... <br>OR... <br>Can I=
=20
    quickly loop a little string section, <br>OR, can I hear a Xylophone in=
 my=20
    head, and within a few seconds, select a patch, and add some=20
    twinkles?<br><br>And Tech questions.. <br>How is it at following midi c=
lock?=20
    <br></font></div></blockquote>
  <div>Better checking the manual here and see what it really allow to do.<=
/div>
  <div>My KP sends midi clock out, but it can&#39;t work as master clock: i=
t just=20
  sends out midi messages (PCs and CCs), ALL using the same MIDI=20
  channel.</div><br>
  <blockquote>
    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif">When used a=
s a=20
    controller for another synth, is all information sent on 2 axis? <br>Ca=
n I=20
    map X to pitch on an external synth (Im thinking my Korg) and the Y to=
=20
    filter cutoff on the external synth? (If my external synth allows this.=
.=20
    which I dont know.. have to find the manual.)<br></font></div></blockqu=
ote>
  <div>Again: better checking the manual(s) !</div>
  <div>KP sends information on Y and X axis, but do you need to address tho=
se=20
  info trough different midi channels or the same =A0?</div>
  <div>Do you want to get control over different machines ?</div><br>
  <blockquote>
    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif">Is the midi=
 loop on=20
    the Kaosilator SENT out the midi out, making it a midi sequncer/looper =
for=20
    an external synth.. <br></font><font size=3D"2" face=3D"Arial, Helvetic=
a, sans-serif">And finally, <br>Whats the on-board=20
    audio loopers like?<br></font></div></blockquote>Don&#39;t really know =
about those=20
  features, sorry.<br>
  <blockquote>
    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif"></font><fon=
t size=3D"2" face=3D"Arial, Helvetica, sans-serif"><br></font></div></block=
quote>
  <div>Just a question: why the Kaossilator and not the last Kaoss Pad vers=
ion=20
  (4, maybe) which seems to me a more &quot;complete&quot; tool ? I think i=
t can work like=20
  a synth too.</div>
  <div><br></div>
  <div>-f</div>
  <div><a href=3D"http://www.eterogeneo.com" target=3D"_blank">www.eterogen=
eo.com</a></div>
  <div><br></div><br>
  <blockquote>
    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif">IF ALL=20
    GOOD...<br><br>For Sale: <br><br>Red Sound Federation synched Multi=20
    effects<br>Insanly good loop mangler, delay, filter, chopper and very=
=20
    psychedelic multi band panner, all syncable...<br><br>Boss Dr Groove 20=
2=20
    (with built in 2 track sequencer)<br>Previously used to automate 2=20
    EDP=B4s<br><br>(or swap for a Kaosilator Pro of=20
    course...)<br><br><br>Mark<br><br><br><br><br><br>=A0<br clear=3D"all">=
</font><br>-- <br><i style=3D"background-color:rgb(0,0,0);font-family:verda=
na,sans-serif;color:rgb(255,255,255)"><font style=3D"font-family:trebuchet =
ms,sans-serif" size=3D"4"><u>Mark=20
    Francombe</u></font></i><br><font size=3D"1"><a style=3D"color:rgb(51,0=
,51)" href=3D"http://www.markfrancombe.com/" target=3D"_blank"></a><a href=
=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancombe.com</=
a><br style=3D"color:rgb(51,0,51)">
<a style=3D"color:rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/" target=
=3D"_blank"></a><a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www=
.ordoabkhao.com</a><br style=3D"color:rgb(51,0,51)"><a style=3D"color:rgb(5=
1,0,51)" href=3D"http://vimeo.com/user825094" target=3D"_blank"></a><a href=
=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825=
094</a><br style=3D"color:rgb(51,0,51)">
<a style=3D"color:rgb(51,0,51)" href=3D"http://www.looop.no/" target=3D"_bl=
ank"></a><a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop=
.no</a><br>twitter=20
    @markfrancombe</font><br></div></blockquote></blockquote></div></div></=
div>
</blockquote></div><br></div></div>

--000e0cd348ba09a37a049d6beab2--

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Date: Tue, 01 Mar 2011 14:52:30 -0000
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Subject: any ardunio users?
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Anybody out there use the Ardunio board? 

I want to convert midi program changes from a midi pedal into CC 
messages to control an EDP. I know what output to send and will
be using a "case" statement so, in pseudocode

if patch number = 1, send CC21
if patch number = 2, send CC33

etc.

I have the sending part working, but I can't figure out how to 
identify the midi data coming from the pedal in order to compare it. 

I've intalled the midi.h library, but the documentation is waaay too 
deep for me.



All the best,

Nick Robinson

music site : 	http://www.looping.me.uk
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 15:25:54 2011
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Date: Tue, 1 Mar 2011 07:25:51 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: midi looping, synths, and kaossilators
To: Loopers-Delight@loopers-delight.com
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--0-1782280408-1298993151=:16298
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make it Max for Live maybe.=0A=0AAntony=0A=0A=0A=0A________________________=
________=0AFrom: Lasse juul Kolding <dubbilan@gmail.com>=0ATo: Loopers-Deli=
ght@loopers-delight.com=0ASent: Tue, March 1, 2011 2:38:40 PM=0ASubject: Re=
: midi looping, synths, and kaossilators=0A=0AI have made a nifty little mi=
di looping module with max msp, as part of a bigger =0Aproject. It can loop=
/overdub/grab everything... notes, CC's, pitchbend, =0Aaftertouch... and fr=
om many different sources, at the same time as it keeps =0Atrack which dest=
inations they should be returned to. So that I can loop a knob =0Amovement =
directly on one synth, and another movement on another, while having =0Athe=
 notes going to which ever synths I specify on the fly.=0AHaving four of th=
ese running together is a lot of fun!=0A=0AEventually I would like to turn =
it into something other people could use, but =0Afor now it's a max only th=
ing specifically routed to my hardware :/=0A=0A=0A=0A=0AOn Tue, Mar 1, 2011=
 at 1:09 PM, BEN <benoitruelle@yahoo.fr> wrote:=0A=0AHi Mark et all=0A> =0A=
>I saw last week this small soft : =0A>http://myweb.tiscali.co.uk/philweb/p=
hilizound/freebies/software/sequetron/sequetron.html=0A>=0A>I didn't had th=
eb time to try it yet but perhaps worth a  look?=0A> Ben=0A> =0A>----- Orig=
inal Message ----- =0A>>From: phillip    wilson =0A>>To: loopers-delight@lo=
opers-delight.com =0A>>Sent: Tuesday, March 01, 2011 11:29=0A>>Subject: RE:=
 midi looping, synths, and    kaossilators=0A>>=0A>>I have 3 things I would=
 qualify as Midi Loopers of    sorts=0A>>=0A>>MPC 500=0A>>Korg Electribe ES=
X=0A>>Flame Six In A Row.=0A>>=0A>>The    MPC I have read in the manual can=
 be set in a loop of sorts, recieving =0A>>midi    notes from a controller =
to any of its 48 tracks record the notes input =0A>>from    the controller =
 and then play them back in real time wile more notes are    =0A>>added to =
this or another track. plus you have all that MPC sampling    =0A>>function=
ality.... not tried it though, I just use it for speech    samples.=0A>>=0A=
>>ESX this has , i think , stolen the "first love " crown from    the EDP f=
or me, =0A>>I have never used such a fun unit in my work and it has    chan=
ged me in the =0A>>same way that the EDP did 10 years ago. You can use an  =
  external controller as =0A>>described above to control the external sound=
 source    OR  to give note data to =0A>>either of the 2 availiable "keyboa=
rd" sample    tracks available onboard or you =0A>>can use its onboard keys=
 to input notes or    even more fun the scailic =0A>>arpegiator  (think min=
i KoPro)  the only    issue in this and other midi loopers =0A>>is that if =
you accidentally    overwrite  the note on message at the loop =0A>>boundry=
 you just get akward    silence for that step, so always remove your =0A>>f=
inger from the controller JUST    before the loop point.I also use this to =
midi =0A>>loop drum parts.=0A>>(I believe    the EMX can be used like this =
but with 5 keyboard type parts.) =0A>>=0A>>Six In    A Row. This is a bouti=
que midi looper of the scaled variety kind of a =0A>>Hybrid    of the tenor=
i on  / monome and KoPro concepts. it has a grid of lit    =0A>>rubber butt=
ons, you pick a scale and a key and the grid lights move ot show    =0A>>yo=
u the placement of root notes and "removes" the wrong notes. you can then  =
  =0A>>jam up to 4 bar phrases  on either of two loop slots  plus a    sepa=
rate drum =0A>>track ... each can be set for individual midi channels , I u=
se    mine with an =0A>>old MU-7 its ace.=0A>>=0A>>=0A>>___________________=
_____________=0A From: eterogenus@gmail.com=0A>>Subject: Re: midi looping, =
synths, and    kaossilators=0A>>Date: Sun, 27 Feb 2011 20:45:36 +0100=0A>>T=
o: Loopers-Delight@loopers-delight.com=0A>>=0A>>=0A>>I don't have any exper=
ience with the  kaossilator, but I own a Kaoss    Pad II =0A>>since 2004, s=
o my experience with this kind of products is just related    to =0A>>the K=
PII.=0A>>=0A>>=0A>>=0A>>>I have always      expounded on this list that I a=
m dreaming of a "Midi Looper". =0A>>>With all the      functions of an EDP,=
 but.. not audio based. Reasons? Cos the =0A>>>thing about a      synth loo=
p (pre-programmed) is that it can still be tweaked, =0A>>>either by hand,  =
    or by LFO sweep/modulationroutings.=0A>>>=0A>>>I do routinely "audio lo=
op" my synths. (a doepfer modular      system, a Korg =0A>>>MS2000 and the =
trusty GR30 guitar synth) but for "synth      lines" Ive always =0A>>>pre-p=
rogrammed them, either via the onboard modulation      sequencer of the =0A=
>>>Korg, or a variety of analog sequencers I have for the      modular (the=
 best =0A>>>being called, weirdly "Mobius")=0A>>>=0A>>>The Korg is VERY    =
  tweakable, so a relatively standard patch can easily be =0A>>>quickly man=
ipulated      to "fit in" with the current improvisation. =0A>>>=0A>>>=0A>>=
>But theres my problem /      wish.=0A>>>=0A>>>TO HAVE ALL AVAILABLE; WHERE=
 ALL FACTORS BOTH NOTES AND TIMBRE      CAN BE =0A>>>FREELY IMPROVISED, LIV=
E, AND LOOPED. =0A>>>=0A>>>=0A>>>So to be able to      improvise the synth =
loop notes.=0A>>>=0A>>>So, to the questions:=0A>>>=0A>>>The      Kaosilator=
 PRO. =0A>>>How is it to play..? =0A>>>Is it a proper "Instrument" =0A>>>Ca=
n I play it, and get what I imagine.. or is it basicaly random (within     =
 a =0A>>>key and scale)??? =0A>>>=0A>>>=0A>KPII has synth sounds too, but n=
ot very useful for me. Yes, you play    within a =0A>key (don't know if the=
 Kaossilator Pro allow to switch key and    scale..., =0A>better checking t=
he manual), but the fact is that IT is like playing    a =0A>theremin. And =
it is good in that department, if you are looking to that kind    =0A>of so=
unds, but have to say that it's not allow you to really play    melodies...=
=0A>So it's not a "proper instrument", IMO, neither really  "random".=0A>=
=0A>Supposing I have some      guitar loops going .. and I imagine a growly=
 =0A>distorted acid bass to pop in      for 3 notes, then silent for 4 bars=
.. then =0A>loop... =0A>=0A>>OR... =0A>>Can I      quickly loop a little st=
ring section, =0A>>OR, can I hear a Xylophone in my      head, and within a=
 few seconds, select a =0A>>patch, and add some      twinkles?=0A>>=0A>>And=
 Tech questions.. =0A>>How is it at following midi clock? =0A>>=0ABetter ch=
ecking the manual here and see what it really allow to do.=0AMy KP sends mi=
di clock out, but it can't work as master clock: it just    sends =0Aout mi=
di messages (PCs and CCs), ALL using the same MIDI    channel.=0A=0AWhen us=
ed as a      controller for another synth, is all information sent on 2 =0A=
axis? =0A=0A>Can I      map X to pitch on an external synth (Im thinking my=
 Korg) and the Y =0A>to      filter cutoff on the external synth? (If my ex=
ternal synth allows this..      =0A>which I dont know.. have to find the ma=
nual.)=0A>=0AAgain: better checking the manual(s) !=0AKP sends information =
on Y and X axis, but do you need to address those    info =0Atrough differe=
nt midi channels or the same  ?=0ADo you want to get control over different=
 machines ?=0A=0AIs the midi loop on      the Kaosilator SENT out the midi =
out, making it a midi =0Asequncer/looper for      an external synth.. =0A=
=0A>And finally, =0A>Whats the on-board      audio loopers like?=0A>Don't r=
eally know about those    features, sorry.=0A=0A=0A>=0AJust a question: why=
 the Kaossilator and not the last Kaoss Pad version    (4, =0Amaybe) which =
seems to me a more "complete" tool ? I think it can work like    a =0Asynth=
 too.=0A=0A-f=0Awww.eterogeneo.com=0A=0A=0AIF ALL      GOOD...=0A>=0A>For S=
ale: =0A>=0A>Red Sound Federation synched Multi      effects=0A>Insanly goo=
d loop mangler, delay, filter, chopper and very      psychedelic =0A>multi =
band panner, all syncable...=0A>=0A>Boss Dr Groove 202      (with built in =
2 track sequencer)=0A>Previously used to automate 2      EDP=B4s=0A>=0A>(or=
 swap for a Kaosilator Pro of      course...)=0A>=0A>=0A>Mark=0A>=0A>=0A>=
=0A>=0A>=0A> =0A>=0A>-- =0A>Mark      Francombe=0A>www.markfrancombe.com=0A=
>www.ordoabkhao.com=0A>http://vimeo.com/user825094=0A>http://www.looop.no=
=0A>twitter      @markfrancombe=0A>=0A=0A=0A=0A      
--0-1782280408-1298993151=:16298
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>make it Max for Live maybe.</div><div><br></div><div>Antony</div>=
<div style=3D"font-family:arial, helvetica, sans-serif;font-size:14pt"><br>=
<div style=3D"font-family:times new roman, new york, times, serif;font-size=
:12pt"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"fo=
nt-weight: bold;">From:</span></b> Lasse juul Kolding &lt;dubbilan@gmail.co=
m&gt;<br><b><span style=3D"font-weight: bold;">To:</span></b> Loopers-Delig=
ht@loopers-delight.com<br><b><span style=3D"font-weight: bold;">Sent:</span=
></b> Tue, March 1, 2011 2:38:40 PM<br><b><span style=3D"font-weight: bold;=
">Subject:</span></b> Re: midi looping, synths, and kaossilators<br></font>=
<br>=0AI have made a nifty little midi looping module with max msp, as part=
 of a bigger project. It can loop/overdub/grab everything... notes, CC's, p=
itchbend, aftertouch... and from many different sources, at the same time a=
s it keeps track which destinations they should be returned to. So that I c=
an loop a knob movement directly on one synth, and another movement on anot=
her, while having the notes going to which ever synths I specify on the fly=
.<div>=0AHaving four of these running together is a lot of fun!<br><div>Eve=
ntually I would like to turn it into something other people could use, but =
for now it's a max only thing specifically routed to my hardware :/</div><d=
iv>=0A<br></div><div><br></div><div><br><div class=3D"gmail_quote">On Tue, =
Mar 1, 2011 at 1:09 PM, BEN <span dir=3D"ltr">&lt;<a rel=3D"nofollow" ymail=
to=3D"mailto:benoitruelle@yahoo.fr" target=3D"_blank" href=3D"mailto:benoit=
ruelle@yahoo.fr">benoitruelle@yahoo.fr</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc soli=
d;padding-left:1ex;">=0A=0A=0A=0A=0A=0A=0A<div>=0A<div><font face=3D"Arial"=
>Hi Mark et all</font></div>=0A<div><font face=3D"Arial"></font>&nbsp;</div=
>=0A<div><font face=3D"Arial"><span>I saw last week this small soft : <a ta=
rget=3D"_blank" href=3D"http://myweb.tiscali.co.uk/philweb/philizound/freeb=
ies/software/sequetron/sequetron.html">http://myweb.tiscali.co.uk/philweb/p=
hilizound/freebies/software/sequetron/sequetron.html</a></span></font></div=
>=0A=0A<div><font face=3D"Arial">I didn't had theb time to try it yet but p=
erhaps worth a =0Alook?</font></div>=0A<div><font face=3D"Arial"></font>&nb=
sp;</div><font color=3D"#888888">=0A<div><font face=3D"Arial">Ben</font></d=
iv></font><div><div></div><div class=3D"h5">=0A<div><font face=3D"Arial"></=
font>&nbsp;</div>=0A<blockquote style=3D"border-left:#000000 2px solid;padd=
ing-left:5px;padding-right:0px;margin-left:5px;margin-right:0px;" dir=3D"lt=
r">=0A  <div style=3D"font:10pt arial;">----- Original Message ----- </div>=
=0A  <div style=3D"font:10pt arial;background:#e4e4e4;"><b>From:</b> =0A  <=
a rel=3D"nofollow" title=3D"phillwilson@hotmail.com" ymailto=3D"mailto:phil=
lwilson@hotmail.com" target=3D"_blank" href=3D"mailto:phillwilson@hotmail.c=
om">phillip =0A  wilson</a> </div>=0A  <div style=3D"font:10pt arial;"><b>T=
o:</b> <a rel=3D"nofollow" title=3D"loopers-delight@loopers-delight.com" ym=
ailto=3D"mailto:loopers-delight@loopers-delight.com" target=3D"_blank" href=
=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loopers-del=
ight.com</a> =0A  </div>=0A  <div style=3D"font:10pt arial;"><b>Sent:</b> T=
uesday, March 01, 2011 11:29</div>=0A  <div style=3D"font:10pt arial;"><b>S=
ubject:</b> RE: midi looping, synths, and =0A  kaossilators</div>=0A  <div>=
<br></div>I have 3 things I would qualify as Midi Loopers of =0A  sorts<br>=
<br>MPC 500<br>Korg Electribe ESX<br>Flame Six In A Row.<br><br>The =0A  MP=
C I have read in the manual can be set in a loop of sorts, recieving midi =
=0A  notes from a controller to any of its 48 tracks record the notes input=
 from =0A  the controller&nbsp; and then play them back in real time wile m=
ore notes are =0A  added to this or another track. plus you have all that M=
PC sampling =0A  functionality.... not tried it though, I just use it for s=
peech =0A  samples.<br><br>ESX this has , i think , stolen the "first love =
" crown from =0A  the EDP for me, I have never used such a fun unit in my w=
ork and it has =0A  changed me in the same way that the EDP did 10 years ag=
o. You can use an =0A  external controller as described above to control th=
e external sound source =0A  OR&nbsp; to give note data to either of the 2 =
availiable "keyboard" sample =0A  tracks available onboard or you can use i=
ts onboard keys to input notes or =0A  even more fun the scailic arpegiator=
&nbsp; (think mini KoPro)&nbsp; the only =0A  issue in this and other midi =
loopers is that if you accidentally =0A  overwrite&nbsp; the note on messag=
e at the loop boundry you just get akward =0A  silence for that step, so al=
ways remove your finger from the controller JUST =0A  before the loop point=
.I also use this to midi loop drum parts.<br>(I believe =0A  the EMX can be=
 used like this but with 5 keyboard type parts.) <br><br>Six In =0A  A Row.=
 This is a boutique midi looper of the scaled variety kind of a Hybrid =0A =
 of the tenori on&nbsp; / monome and KoPro concepts. it has a grid of lit =
=0A  rubber buttons, you pick a scale and a key and the grid lights move ot=
 show =0A  you the placement of root notes and "removes" the wrong notes. y=
ou can then =0A  jam up to 4 bar phrases&nbsp; on either of two loop slots&=
nbsp; plus a =0A  separate drum track ... each can be set for individual mi=
di channels , I use =0A  mine with an old MU-7 its ace.<br><br><br>=0A  <hr=
>=0A  From: <a rel=3D"nofollow" ymailto=3D"mailto:eterogenus@gmail.com" tar=
get=3D"_blank" href=3D"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a=
><br>Subject: Re: midi looping, synths, and =0A  kaossilators<br>Date: Sun,=
 27 Feb 2011 20:45:36 +0100<br>To: =0A  <a rel=3D"nofollow" ymailto=3D"mail=
to:Loopers-Delight@loopers-delight.com" target=3D"_blank" href=3D"mailto:Lo=
opers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><=
br><br>=0A  <div>I don't have any experience with the &nbsp;kaossilator, bu=
t I own a Kaoss =0A  Pad II since 2004, so my experience with this kind of =
products is just related =0A  to the KPII.</div>=0A  <div><br></div>=0A  <b=
lockquote>=0A    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif=
"><br>I have always =0A    expounded on this list that I am dreaming of a "=
Midi Looper". With all the =0A    functions of an EDP, but.. not audio base=
d. Reasons? Cos the thing about a =0A    synth loop (pre-programmed) is tha=
t it can still be tweaked, either by hand, =0A    or by LFO sweep</font><fo=
nt size=3D"2" face=3D"Arial, Helvetica, sans-serif"> =0A    /modulation</fo=
nt><font size=3D"2" face=3D"Arial, Helvetica, sans-serif"> =0A    routings.=
<br><br>I do routinely "audio loop" my synths. (a doepfer modular =0A    sy=
stem, a Korg MS2000 and the trusty GR30 guitar synth) but for "synth =0A   =
 lines" Ive always pre-programmed them, either via the onboard modulation =
=0A    sequencer of the Korg, or a variety of analog sequencers I have for =
the =0A    modular (the best being called, weirdly "Mobius")<br><br>The Kor=
g is VERY =0A    tweakable, so a relatively standard patch can easily be qu=
ickly manipulated =0A    to "fit in" with the current improvisation. <br><b=
r>But theres my problem / =0A    wish.<br><br>TO HAVE ALL AVAILABLE; WHERE =
ALL FACTORS BOTH NOTES AND TIMBRE =0A    CAN BE FREELY IMPROVISED, LIVE, AN=
D LOOPED. <br><br>So to be able to =0A    improvise the synth loop notes.<b=
r><br>So, to the questions:<br><br>The =0A    Kaosilator PRO. <br>How is it=
 to play..? <br>Is it a proper "Instrument" =0A    <br>Can I play it, and g=
et what I imagine.. or is it basicaly random (within =0A    a key and scale=
)??? <br></font></div></blockquote>=0A  <div>KPII has synth sounds too, but=
 not very useful for me. Yes, you play =0A  within a key (don't know if the=
 Kaossilator Pro allow to switch key and =0A  scale..., better checking the=
 manual), but the fact is that IT is like playing =0A  a theremin. And it i=
s good in that department, if you are looking to that kind =0A  of sounds, =
but have to say that it's not allow you to really play =0A  melodies...</di=
v>=0A  <div>So it's not a "proper instrument", IMO, neither really =0A"rand=
om".</div><br>=0A  <blockquote>=0A    <div><font size=3D"2" face=3D"Arial, =
Helvetica, sans-serif">Supposing I have some =0A    guitar loops going .. a=
nd I imagine a growly distorted acid bass to pop in =0A    for 3 notes, the=
n silent for 4 bars.. then loop... <br>OR... <br>Can I =0A    quickly loop =
a little string section, <br>OR, can I hear a Xylophone in my =0A    head, =
and within a few seconds, select a patch, and add some =0A    twinkles?<br>=
<br>And Tech questions.. <br>How is it at following midi clock? =0A    <br>=
</font></div></blockquote>=0A  <div>Better checking the manual here and see=
 what it really allow to do.</div>=0A  <div>My KP sends midi clock out, but=
 it can't work as master clock: it just =0A  sends out midi messages (PCs a=
nd CCs), ALL using the same MIDI =0A  channel.</div><br>=0A  <blockquote>=
=0A    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif">When use=
d as a =0A    controller for another synth, is all information sent on 2 ax=
is? <br>Can I =0A    map X to pitch on an external synth (Im thinking my Ko=
rg) and the Y to =0A    filter cutoff on the external synth? (If my externa=
l synth allows this.. =0A    which I dont know.. have to find the manual.)<=
br></font></div></blockquote>=0A  <div>Again: better checking the manual(s)=
 !</div>=0A  <div>KP sends information on Y and X axis, but do you need to =
address those =0A  info trough different midi channels or the same &nbsp;?<=
/div>=0A  <div>Do you want to get control over different machines ?</div><b=
r>=0A  <blockquote>=0A    <div><font size=3D"2" face=3D"Arial, Helvetica, s=
ans-serif">Is the midi loop on =0A    the Kaosilator SENT out the midi out,=
 making it a midi sequncer/looper for =0A    an external synth.. <br></font=
><font size=3D"2" face=3D"Arial, Helvetica, sans-serif">And finally, <br>Wh=
ats the on-board =0A    audio loopers like?<br></font></div></blockquote>Do=
n't really know about those =0A  features, sorry.<br>=0A  <blockquote>=0A  =
  <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif"></font><font =
size=3D"2" face=3D"Arial, Helvetica, sans-serif"><br></font></div></blockqu=
ote>=0A  <div>Just a question: why the Kaossilator and not the last Kaoss P=
ad version =0A  (4, maybe) which seems to me a more "complete" tool ? I thi=
nk it can work like =0A  a synth too.</div>=0A  <div><br></div>=0A  <div>-f=
</div>=0A  <div><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.et=
erogeneo.com">www.eterogeneo.com</a></div>=0A  <div><br></div><br>=0A  <blo=
ckquote>=0A    <div><font size=3D"2" face=3D"Arial, Helvetica, sans-serif">=
IF ALL =0A    GOOD...<br><br>For Sale: <br><br>Red Sound Federation synched=
 Multi =0A    effects<br>Insanly good loop mangler, delay, filter, chopper =
and very =0A    psychedelic multi band panner, all syncable...<br><br>Boss =
Dr Groove 202 =0A    (with built in 2 track sequencer)<br>Previously used t=
o automate 2 =0A    EDP=B4s<br><br>(or swap for a Kaosilator Pro of =0A    =
course...)<br><br><br>Mark<br><br><br><br><br><br>&nbsp;<br clear=3D"all"><=
/font><br>-- <br><i style=3D"background-color:rgb(0,0,0);font-family:verdan=
a, sans-serif;color:rgb(255,255,255);"><font style=3D"font-family:trebuchet=
 ms, sans-serif;" size=3D"4"><u>Mark =0A    Francombe</u></font></i><br><fo=
nt size=3D"1"><a rel=3D"nofollow" style=3D"color:rgb(51,0,51);" target=3D"_=
blank" href=3D"http://www.markfrancombe.com/"></a><a rel=3D"nofollow" targe=
t=3D"_blank" href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a=
><br style=3D"color:rgb(51,0,51);">=0A<a rel=3D"nofollow" style=3D"color:rg=
b(51,0,51);" target=3D"_blank" href=3D"http://www.ordoabkhao.com/"></a><a r=
el=3D"nofollow" target=3D"_blank" href=3D"http://www.ordoabkhao.com">www.or=
doabkhao.com</a><br style=3D"color:rgb(51,0,51);"><a rel=3D"nofollow" style=
=3D"color:rgb(51,0,51);" target=3D"_blank" href=3D"http://vimeo.com/user825=
094"></a><span><a target=3D"_blank" href=3D"http://vimeo.com/user825094">ht=
tp://vimeo.com/user825094</a></span><br style=3D"color:rgb(51,0,51);">=0A<a=
 rel=3D"nofollow" style=3D"color:rgb(51,0,51);" target=3D"_blank" href=3D"h=
ttp://www.looop.no/"></a><span><a target=3D"_blank" href=3D"http://www.looo=
p.no">http://www.looop.no</a></span><br>twitter =0A    @markfrancombe</font=
><br></div></blockquote></blockquote></div></div></div>=0A</blockquote></di=
v><br></div></div>=0A</div></div><div style=3D"position:fixed"></div>=0A=0A=
=0A</div><br>=0A=0A      </body></html>
--0-1782280408-1298993151=:16298--

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Date: Tue, 1 Mar 2011 10:34:17 -0700
Message-ID: <AANLkTi=S1mJVek0BVj=G-hQ01dQY1htLeq+mbqQYducf@mail.gmail.com>
Subject: Re: mac bidule to vst
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Gareth,

Yes, you can run Mac-specific VSTs inside bidule (tho' you might want
to consider using AU versions, if available).

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Feb 28, 2011 at 11:36 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Hi guys,
>
> Could anyone here who uses Bidule tell me whetherit's true that you can r=
un
> VST plugins on it using a mac?
> I read it somewhere but wanted to run it past the experts ;-)
>
> peace
>
> g
>
> Sentientfx -=A0 Innovative music plugins. http://sentientfx.com/
>
>
>

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Date: Tue, 1 Mar 2011 18:45:24 +0100
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Subject: Re: mac bidule to vst
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On Tue, Mar 1, 2011 at 6:34 PM, Dennis Moser <sinsofmachaut@gmail.com> wrote:
> Yes, you can run Mac-specific VSTs inside bidule (tho' you might want
> to consider using AU versions, if available).


Why?
AFAIK a VST version works just as well as an AU version in Bidule.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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This *looks* like a way to run pc vst plugins
on mac using freeware.


This standalone runs the pc vsts

http://www.apple.com/downloads/macosx/audio/vfxhostsoftware.html

then to route the audio from one app to another

http://cycling74.com/products/soundflower/

Looks a bit awkward.
Wonder why no-one wrote a wrapper,
would be a good product.


andy

andy butler wrote:
> Sure it can,
> but they have to be vsts that are compiled with a Mac.
> 
> You can also use it to wrap vst>>au and vice versa.
> 
> andy
> 
> Gareth Whittock wrote:
>> Hi guys,
>>
>> Could anyone here who uses Bidule tell me whetherit's true that you 
>> can run VST plugins on it using a mac?
>> I read it somewhere but wanted to run it past the experts ;-)
>>
> 
> 

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loopers-delight@loopers-delight.com,<br/>
<br/>
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&mdash; Daniel Harris
<br/>
<br/>
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Confirmation Message from Daniel Harris
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Wow uberspam! Very brave adding a public list to a mailing list :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 1 Mar 2011, at 19:00, Daniel Harris wrote:

> loopers-delight@loopers-delight.com,
>
> You are receiving this message because Daniel Harris added you as a =20=

> contact.
>
> "I recently started using ReverbNation's FanReach system for my =20
> mailing list. They hate unsolicited email and I do too, so I'm =20
> sending out this courtesy re-confirmation email. You don't need to =20
> do anything to remain on the list. Thanks for being a fan!"
> =97 Daniel Harris
>
> Your options:
>  Confirm my email so that I will be eligible for any exclusives =20
> from Daniel Harris
>  Do nothing and remain on the Daniel Harris mailing list.
>  Unsubscribe from this list
>  Report Spam or Abuse
>
>
> 	This email sent through FanReach from ReverbNation.  Daniel =
Harris =20
> have indicated that you have requested this information.
> ReverbNation.com: 501 Washington St., Suite D, Durham NC 27701
>      Update Contact Info       Unsubscribe       Report Abuse       =20=

> Privacy


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Wow uberspam! Very brave adding a public list to a mailing list =
:)<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 1 Mar 2011, =
at 19:00, Daniel Harris wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><a =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@looper=
s-delight.com</a>,<br><br>You are receiving this message because Daniel =
Harris added you as a contact.<br><br>"I recently started using =
ReverbNation's FanReach system for my mailing list. They hate =
unsolicited email and I do too, so I'm sending out this courtesy =
re-confirmation email. You don't need to do anything to remain on the =
list. Thanks for being a fan!"<br>=97 Daniel Harris<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>Your =
options:<br>&nbsp;<a =
href=3D"http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA1363648_76=
89985_33409121&amp;fsc=3D8e60336546a&amp;action_code=3Dopt_in">Confirm =
my email so that I will be eligible for any exclusives from Daniel =
Harris</a><br>&nbsp;Do nothing and remain on the Daniel Harris mailing =
list.<br>&nbsp;<a =
href=3D"http://www.reverbnation.com/c/fr2/artist_1363648?eid=3DA1363648_76=
89985_33409121&amp;fsc=3D8e60336546a">Unsubscribe from this =
list</a><br>&nbsp;<a =
href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA1363648_76=
89985_33409121&amp;fsc=3D8e60336546a">Report Spam or Abuse</a><span =
class=3D"Apple-converted-space">&nbsp;</span><br><br><hr><table><tbody><tr=
><td><img alt=3D"" =
src=3D"http://www.reverbnation.com/fan_reach/cer/A1363648_7689985_33409121=
.gif?1"><br><img alt=3D"" =
src=3D"http://cache.reverbnation.com/images/rpk/powered_by_reverbnation.pn=
g"></td><td style=3D"font-family: Verdana, Arial, Helvetica, sans-serif; =
color: rgb(51, 51, 51); font-size: 10px; ">This email sent through =
FanReach from ReverbNation.&nbsp;&nbsp;Daniel Harris have indicated that =
you have requested this information.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>ReverbNation.com: 501 =
Washington St., Suite D, Durham NC 27701<br>&nbsp;&nbsp;&nbsp;&nbsp;<a =
href=3D"http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA1363648_76=
89985_33409121&amp;fsc=3D8e60336546a">&nbsp;Update Contact =
Info&nbsp;</a><span =
class=3D"Apple-converted-space">&nbsp;</span>&nbsp;&nbsp;&nbsp;&nbsp;<a =
href=3D"http://www.reverbnation.com/c/fr2/artist_1363648?eid=3DA1363648_76=
89985_33409121&amp;fsc=3D8e60336546a">&nbsp;Unsubscribe&nbsp;</a><span =
class=3D"Apple-converted-space">&nbsp;</span>&nbsp;&nbsp;&nbsp;&nbsp;<a =
href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA1363648_76=
89985_33409121&amp;fsc=3D8e60336546a">&nbsp;Report Abuse&nbsp;</a><span =
class=3D"Apple-converted-space">&nbsp;</span>&nbsp;&nbsp;&nbsp;&nbsp;<a =
href=3D"http://www.reverbnation.com/c./cms/PrivacyPolicy?layout=3Dpopup&am=
p;display=3Dview_popup" style=3D"color: rgb(51, 51, 51); =
">&nbsp;Privacy&nbsp;</a></td></tr></tbody></table></span></blockquote></d=
iv><br></div></body></html>=

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Subject: Re: Confirmation Message from Daniel Harris
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D'oh!

2011/3/1 Matt Stevens <mattstevensguitar@btinternet.com>

> Wow uberspam! Very brave adding a public list to a mailing list :)
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 1 Mar 2011, at 19:00, Daniel Harris wrote:
>
> loopers-delight@loopers-delight.com,
>
> You are receiving this message because Daniel Harris added you as a
> contact.
>
> "I recently started using ReverbNation's FanReach system for my mailing
> list. They hate unsolicited email and I do too, so I'm sending out this
> courtesy re-confirmation email. You don't need to do anything to remain o=
n
> the list. Thanks for being a fan!"
> =97 Daniel Harris
>
> Your options:
>  Confirm my email so that I will be eligible for any exclusives from
> Daniel Harris<http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA136=
3648_7689985_33409121&fsc=3D8e60336546a&action_code=3Dopt_in>
>  Do nothing and remain on the Daniel Harris mailing list.
>  Unsubscribe from this list<http://www.reverbnation.com/c/fr2/artist_1363=
648?eid=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>  Report Spam or Abuse<http://www.reverbnation.com/c/fr6/artist_1363648?ei=
d=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>
>
> ------------------------------
>
> This email sent through FanReach from ReverbNation.  Daniel Harris have
> indicated that you have requested this information.
> ReverbNation.com: 501 Washington St., Suite D, Durham NC 27701
>      Update Contact Info <http://www.reverbnation.com/c/fr7/artist_136364=
8?eid=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>       Unsubscribe <http://www.reverbnation.com/c/fr2/artist_1363648?eid=
=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>       Report Abuse <http://www.reverbnation.com/c/fr6/artist_1363648?eid=
=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>       Privacy <http://www.reverbnation.com/c./cms/PrivacyPolicy?layout=3D=
popup&display=3Dview_popup>
>
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf30433fd2e60bf3049d70a38c
Content-Type: text/html; charset=windows-1252
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D&#39;oh!<br><br><div class=3D"gmail_quote">2011/3/1 Matt Stevens <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com">mattsteven=
sguitar@btinternet.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
<div style=3D"word-wrap: break-word;">
Wow uberspam! Very brave adding a public list to a mailing list :)<div><br>=
<font color=3D"#888888"><div> <span style=3D"border-collapse: separate; col=
or: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: norm=
al; font-variant: normal; font-weight: normal; letter-spacing: normal; line=
-height: normal; text-indent: 0px; text-transform: none; white-space: norma=
l; word-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb=
(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; fon=
t-variant: normal; font-weight: normal; letter-spacing: normal; line-height=
: normal; text-indent: 0px; text-transform: none; white-space: normal; word=
-spacing: 0px;"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div></font><div><div></div><div cla=
ss=3D"h5"><br><div><div>On 1 Mar 2011, at 19:00, Daniel Harris wrote:</div>=
<br><blockquote type=3D"cite"><span style=3D"border-collapse: separate; col=
or: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant:=
 normal; font-weight: normal; letter-spacing: normal; line-height: normal; =
text-indent: 0px; text-transform: none; white-space: normal; word-spacing: =
0px; font-size: medium;"><a href=3D"mailto:loopers-delight@loopers-delight.=
com" target=3D"_blank">loopers-delight@loopers-delight.com</a>,<br>
<br>You are receiving this message because Daniel Harris added you as a con=
tact.<br><br>&quot;I recently started using ReverbNation&#39;s FanReach sys=
tem for my mailing list. They hate unsolicited email and I do too, so I&#39=
;m sending out this courtesy re-confirmation email. You don&#39;t need to d=
o anything to remain on the list. Thanks for being a fan!&quot;<br>
=97 Daniel Harris<span>=A0</span><br><br>Your options:<br>=A0<a href=3D"htt=
p://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA1363648_7689985_334091=
21&amp;fsc=3D8e60336546a&amp;action_code=3Dopt_in" target=3D"_blank">Confir=
m my email so that I will be eligible for any exclusives from Daniel Harris=
</a><br>
=A0Do nothing and remain on the Daniel Harris mailing list.<br>=A0<a href=
=3D"http://www.reverbnation.com/c/fr2/artist_1363648?eid=3DA1363648_7689985=
_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">Unsubscribe from this li=
st</a><br>
=A0<a href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA13636=
48_7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">Report Spam or=
 Abuse</a><span>=A0</span><br><br><hr><table><tbody><tr><td><img src=3D"" a=
lt=3D""><br>
<img src=3D"" alt=3D""></td><td style=3D"font-family: Verdana,Arial,Helveti=
ca,sans-serif; color: rgb(51, 51, 51); font-size: 10px;">This email sent th=
rough FanReach from ReverbNation.=A0=A0Daniel Harris have indicated that yo=
u have requested this information.<span>=A0</span><br>
ReverbNation.com: 501 Washington St., Suite D, Durham NC 27701<br>=A0=A0=A0=
=A0<a href=3D"http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA13636=
48_7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">=A0Update Cont=
act Info=A0</a><span>=A0</span>=A0=A0=A0=A0<a href=3D"http://www.reverbnati=
on.com/c/fr2/artist_1363648?eid=3DA1363648_7689985_33409121&amp;fsc=3D8e603=
36546a" target=3D"_blank">=A0Unsubscribe=A0</a><span>=A0</span>=A0=A0=A0=A0=
<a href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA1363648_=
7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">=A0Report Abuse=
=A0</a><span>=A0</span>=A0=A0=A0=A0<a href=3D"http://www.reverbnation.com/c=
./cms/PrivacyPolicy?layout=3Dpopup&amp;display=3Dview_popup" style=3D"color=
: rgb(51, 51, 51);" target=3D"_blank">=A0Privacy=A0</a></td>
</tr></tbody></table></span></blockquote></div><br></div></div></div></div>=
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahti=
nen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://pet=
rilahtinen.blogspot.com/</a><br><a href=3D"http://soundcloud.com/petrilahti=
nen" target=3D"_blank">http://soundcloud.com/petrilahtinen</a><br><a href=
=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitter.com/=
PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://pet=
rilahtinen.bandcamp.com/</a><br>-------------------------------------------=
--------<br>&quot;Only become professional musician if there is no choice.&=
quot; -Robert Fripp-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--20cf30433fd2e60bf3049d70a38c--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 19:17:36 2011
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	id 2C4D9183464; Tue,  1 Mar 2011 19:17:35 +0000 (UTC)
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From: mark francombe <mark@markfrancombe.com>
Date: Tue, 1 Mar 2011 20:17:13 +0100
X-Google-Sender-Auth: adGE1XBVrnuxhgm1Ia2wxs2rKO8
Message-ID: <AANLkTim5o7mncx2Q_wsf6kPPfK+Oy8axuuMF6LwAaD0j@mail.gmail.com>
Subject: Re: Confirmation Message from Daniel Harris
To: Loopers-Delight@loopers-delight.com
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Resent-Date: Tue,  1 Mar 2011 19:17:35 +0000 (UTC)

--90e6ba61384ef7cfcf049d70a5e3
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I unsubbed us... hope it works... cant have any old riff raff sending shit
to the list eh?

On Tue, Mar 1, 2011 at 8:14 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Wow uberspam! Very brave adding a public list to a mailing list :)
>
>  Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 1 Mar 2011, at 19:00, Daniel Harris wrote:
>
> loopers-delight@loopers-delight.com,
>
> You are receiving this message because Daniel Harris added you as a
> contact.
>
> "I recently started using ReverbNation's FanReach system for my mailing
> list. They hate unsolicited email and I do too, so I'm sending out this
> courtesy re-confirmation email. You don't need to do anything to remain o=
n
> the list. Thanks for being a fan!"
> =97 Daniel Harris
>
> Your options:
>  Confirm my email so that I will be eligible for any exclusives from
> Daniel Harris<http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA136=
3648_7689985_33409121&fsc=3D8e60336546a&action_code=3Dopt_in>
>  Do nothing and remain on the Daniel Harris mailing list.
>  Unsubscribe from this list<http://www.reverbnation.com/c/fr2/artist_1363=
648?eid=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>  Report Spam or Abuse<http://www.reverbnation.com/c/fr6/artist_1363648?ei=
d=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>
>
> ------------------------------
>
> This email sent through FanReach from ReverbNation.  Daniel Harris have
> indicated that you have requested this information.
> ReverbNation.com: 501 Washington St., Suite D, Durham NC 27701
>      Update Contact Info <http://www.reverbnation.com/c/fr7/artist_136364=
8?eid=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>       Unsubscribe <http://www.reverbnation.com/c/fr2/artist_1363648?eid=
=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>       Report Abuse <http://www.reverbnation.com/c/fr6/artist_1363648?eid=
=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>       Privacy <http://www.reverbnation.com/c./cms/PrivacyPolicy?layout=3D=
popup&display=3Dview_popup>
>
>
>


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba61384ef7cfcf049d70a5e3
Content-Type: text/html; charset=windows-1252
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I unsubbed us... hope it works... cant have any old riff raff sending shit =
to the list eh?<br><br><div class=3D"gmail_quote">On Tue, Mar 1, 2011 at 8:=
14 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguit=
ar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<b=
r>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Wow uberspam! Very brave adding a public list to a mailing list :)<div><br>=
<div> <span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-f=
amily: Helvetica; font-size: 12px; font-style: normal; font-variant: normal=
; font-weight: normal; letter-spacing: normal; line-height: normal; text-in=
dent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><=
span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-=
weight: normal; letter-spacing: normal; line-height: normal; text-indent: 0=
px; text-transform: none; white-space: normal; word-spacing: 0px;"><div>

Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>

<div><br></div></span><br></span><br> </div><br><div><div>On 1 Mar 2011, at=
 19:00, Daniel Harris wrote:</div><br><blockquote type=3D"cite"><span style=
=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica;=
 font-style: normal; font-variant: normal; font-weight: normal; letter-spac=
ing: normal; line-height: normal; text-indent: 0px; text-transform: none; w=
hite-space: normal; word-spacing: 0px; font-size: medium;"><a href=3D"mailt=
o:loopers-delight@loopers-delight.com" target=3D"_blank">loopers-delight@lo=
opers-delight.com</a>,<br>

<br>You are receiving this message because Daniel Harris added you as a con=
tact.<br><br>&quot;I recently started using ReverbNation&#39;s FanReach sys=
tem for my mailing list. They hate unsolicited email and I do too, so I&#39=
;m sending out this courtesy re-confirmation email. You don&#39;t need to d=
o anything to remain on the list. Thanks for being a fan!&quot;<br>

=97 Daniel Harris<span>=A0</span><br><br>Your options:<br>=A0<a href=3D"htt=
p://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA1363648_7689985_334091=
21&amp;fsc=3D8e60336546a&amp;action_code=3Dopt_in" target=3D"_blank">Confir=
m my email so that I will be eligible for any exclusives from Daniel Harris=
</a><br>

=A0Do nothing and remain on the Daniel Harris mailing list.<br>=A0<a href=
=3D"http://www.reverbnation.com/c/fr2/artist_1363648?eid=3DA1363648_7689985=
_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">Unsubscribe from this li=
st</a><br>

=A0<a href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA13636=
48_7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">Report Spam or=
 Abuse</a><span>=A0</span><br><br><hr><table><tbody><tr><td><img src=3D"" a=
lt=3D""><br>

<img src=3D"" alt=3D""></td><td style=3D"font-family: Verdana,Arial,Helveti=
ca,sans-serif; color: rgb(51, 51, 51); font-size: 10px;">This email sent th=
rough FanReach from ReverbNation.=A0=A0Daniel Harris have indicated that yo=
u have requested this information.<span>=A0</span><br>

ReverbNation.com: 501 Washington St., Suite D, Durham NC 27701<br>=A0=A0=A0=
=A0<a href=3D"http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA13636=
48_7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">=A0Update Cont=
act Info=A0</a><span>=A0</span>=A0=A0=A0=A0<a href=3D"http://www.reverbnati=
on.com/c/fr2/artist_1363648?eid=3DA1363648_7689985_33409121&amp;fsc=3D8e603=
36546a" target=3D"_blank">=A0Unsubscribe=A0</a><span>=A0</span>=A0=A0=A0=A0=
<a href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA1363648_=
7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">=A0Report Abuse=
=A0</a><span>=A0</span>=A0=A0=A0=A0<a href=3D"http://www.reverbnation.com/c=
./cms/PrivacyPolicy?layout=3Dpopup&amp;display=3Dview_popup" style=3D"color=
: rgb(51, 51, 51);" target=3D"_blank">=A0Privacy=A0</a></td>

</tr></tbody></table></span></blockquote></div><br></div></div></blockquote=
></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family: verdana,sa=
ns-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font=
 style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francom=
be</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba61384ef7cfcf049d70a5e3--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  1 19:24:54 2011
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	id 78680183464; Tue,  1 Mar 2011 19:24:54 +0000 (UTC)
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References: <fanreach.7689985.33409121@www.fanreach.com>
	<AF7C396D-9A69-4CB3-869F-E7ABA9F521F4@btinternet.com>
	<AANLkTim5o7mncx2Q_wsf6kPPfK+Oy8axuuMF6LwAaD0j@mail.gmail.com>
Date: Tue, 1 Mar 2011 14:24:52 -0500
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Message-ID: <AANLkTinNujjrqrj1eh1YQAWR=+rWNNvMhKBxj_DMZMro@mail.gmail.com>
Subject: Re: Confirmation Message from Daniel Harris
From: daniel <daniel@ithinkwethink.org>
To: Loopers-Delight@loopers-delight.com
Cc: mark francombe <mark@markfrancombe.com>
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Sorry gang!

I'm new to using that thing and I must have clicked on the LD list when
importing.

Sorry about that.


On Tue, Mar 1, 2011 at 2:17 PM, mark francombe <mark@markfrancombe.com>wrot=
e:

> I unsubbed us... hope it works... cant have any old riff raff sending shi=
t
> to the list eh?
>
>
> On Tue, Mar 1, 2011 at 8:14 PM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
>> Wow uberspam! Very brave adding a public list to a mailing list :)
>>
>>  Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 1 Mar 2011, at 19:00, Daniel Harris wrote:
>>
>> loopers-delight@loopers-delight.com,
>>
>> You are receiving this message because Daniel Harris added you as a
>> contact.
>>
>> "I recently started using ReverbNation's FanReach system for my mailing
>> list. They hate unsolicited email and I do too, so I'm sending out this
>> courtesy re-confirmation email. You don't need to do anything to remain =
on
>> the list. Thanks for being a fan!"
>> =97 Daniel Harris
>>
>> Your options:
>>  Confirm my email so that I will be eligible for any exclusives from
>> Daniel Harris<http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA13=
63648_7689985_33409121&fsc=3D8e60336546a&action_code=3Dopt_in>
>>  Do nothing and remain on the Daniel Harris mailing list.
>>  Unsubscribe from this list<http://www.reverbnation.com/c/fr2/artist_136=
3648?eid=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>>  Report Spam or Abuse<http://www.reverbnation.com/c/fr6/artist_1363648?e=
id=3DA1363648_7689985_33409121&fsc=3D8e60336546a>
>>
>>
>> ------------------------------
>>
>> This email sent through FanReach from ReverbNation.  Daniel Harris have
>> indicated that you have requested this information.
>> ReverbNation.com: 501 Washington St., Suite D, Durham NC 27701
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>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

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Sorry gang! <br><br>I&#39;m new to using that thing and I must have clicked=
 on the LD list when importing. <br><br>Sorry about that. <br><br><br><div =
class=3D"gmail_quote">On Tue, Mar 1, 2011 at 2:17 PM, mark francombe <span =
dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancomb=
e.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I unsubbed us... =
hope it works... cant have any old riff raff sending shit to the list eh?<d=
iv>
<div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Tue, Mar=
 1, 2011 at 8:14 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:m=
attstevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinte=
rnet.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Wow uberspam! Very brave adding a public list to a mailing list :)<div><br>=
<div> <span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-f=
amily: Helvetica; font-size: 12px; font-style: normal; font-variant: normal=
; font-weight: normal; letter-spacing: normal; line-height: normal; text-in=
dent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><=
span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-=
weight: normal; letter-spacing: normal; line-height: normal; text-indent: 0=
px; text-transform: none; white-space: normal; word-spacing: 0px;"><div>


Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>


<div><br></div></span><br></span><br> </div><br><div><div>On 1 Mar 2011, at=
 19:00, Daniel Harris wrote:</div><br><blockquote type=3D"cite"><span style=
=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica;=
 font-style: normal; font-variant: normal; font-weight: normal; letter-spac=
ing: normal; line-height: normal; text-indent: 0px; text-transform: none; w=
hite-space: normal; word-spacing: 0px; font-size: medium;"><a href=3D"mailt=
o:loopers-delight@loopers-delight.com" target=3D"_blank">loopers-delight@lo=
opers-delight.com</a>,<br>


<br>You are receiving this message because Daniel Harris added you as a con=
tact.<br><br>&quot;I recently started using ReverbNation&#39;s FanReach sys=
tem for my mailing list. They hate unsolicited email and I do too, so I&#39=
;m sending out this courtesy re-confirmation email. You don&#39;t need to d=
o anything to remain on the list. Thanks for being a fan!&quot;<br>


=97 Daniel Harris<span>=A0</span><br><br>Your options:<br>=A0<a href=3D"htt=
p://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA1363648_7689985_334091=
21&amp;fsc=3D8e60336546a&amp;action_code=3Dopt_in" target=3D"_blank">Confir=
m my email so that I will be eligible for any exclusives from Daniel Harris=
</a><br>


=A0Do nothing and remain on the Daniel Harris mailing list.<br>=A0<a href=
=3D"http://www.reverbnation.com/c/fr2/artist_1363648?eid=3DA1363648_7689985=
_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">Unsubscribe from this li=
st</a><br>


=A0<a href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA13636=
48_7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">Report Spam or=
 Abuse</a><span>=A0</span><br><br><hr><table><tbody><tr><td><img src=3D"" a=
lt=3D""><br>


<img src=3D"" alt=3D""></td><td style=3D"font-family: Verdana,Arial,Helveti=
ca,sans-serif; color: rgb(51, 51, 51); font-size: 10px;">This email sent th=
rough FanReach from ReverbNation.=A0=A0Daniel Harris have indicated that yo=
u have requested this information.<span>=A0</span><br>


ReverbNation.com: 501 Washington St., Suite D, Durham NC 27701<br>=A0=A0=A0=
=A0<a href=3D"http://www.reverbnation.com/c/fr7/artist_1363648?eid=3DA13636=
48_7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">=A0Update Cont=
act Info=A0</a><span>=A0</span>=A0=A0=A0=A0<a href=3D"http://www.reverbnati=
on.com/c/fr2/artist_1363648?eid=3DA1363648_7689985_33409121&amp;fsc=3D8e603=
36546a" target=3D"_blank">=A0Unsubscribe=A0</a><span>=A0</span>=A0=A0=A0=A0=
<a href=3D"http://www.reverbnation.com/c/fr6/artist_1363648?eid=3DA1363648_=
7689985_33409121&amp;fsc=3D8e60336546a" target=3D"_blank">=A0Report Abuse=
=A0</a><span>=A0</span>=A0=A0=A0=A0<a href=3D"http://www.reverbnation.com/c=
./cms/PrivacyPolicy?layout=3Dpopup&amp;display=3Dview_popup" style=3D"color=
: rgb(51, 51, 51);" target=3D"_blank">=A0Privacy=A0</a></td>


</tr></tbody></table></span></blockquote></div><br></div></div></blockquote=
></div><br><br clear=3D"all"><br></div></div><font color=3D"#888888">-- <br=
><i style=3D"font-family: verdana,sans-serif; color: rgb(255, 255, 255); ba=
ckground-color: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,san=
s-serif;" size=3D"4"><u>Mark Francombe</u></font></i><br>


<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">


<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>


twitter @markfrancombe</font><br>
</font></blockquote></div><br>

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Subject: Re: midi looping, synths, and kaossilators
From: Tim Thompson <me@timthompson.com>
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>> I am dreaming of a "Midi Looper".

I know those dreams.  Mine resulted in a dust-covered two-person
five-track MIDI looper:

    http://blueparticles.com/particles/album/burningman2009/slides/IMGP0239.html

    http://www.youtube.com/watch?v=aHZveIJjxJ0

 ...Tim...

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Subject: virtual guitar pedalboard
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http://www.crunchgear.com/2010/02/14/virtual-guitar-pedalboard-interface/

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Subject: Re: Mobius scripts audio examples
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Nice ideas Simeon, I'll be messing with that for sure.


Luis,this may (or may not) be of interest to you. I had floated the idea
quite some time ago, but the example I posted was way to long and the idea
may not have been clear enough.

A while back, when Per made a few posts about the Chapman stick tuning, I
got interested in playing with stacks of perfect 5ths laid down on separate
tracks and and then pitch shifting the tracks individually in order to
define different harmonic functions. Since I was interested in a rythmic
ostenato for this, I never even considered the rate shifting that Simeon is
using and the pitch shift in Mobius needs a bit more development before it's
ready for showtime.

I played around with several VST's in Bidule and found that 'Son of a Pitch'
seemed to be efficient enough that I could run several instances on my old
Dell 6400 without choking. So I set up 6 instances of 'SOP' on the first
three stereo outputs of a Matrix which was connected to the Mobius Stereo
outputs.  You'll see the layout in the this group.

http://www.samplesmith.com/LD/SOP_PitchShift_Mobius.bgrp

http:/ww.samplesmith.com/LD/PitchShifted.mp3     links to a little demo
where I lay down a quick 3 loops (any rhythm or note order you want, of
course) and just play some scalar stuff to illustrate the idea.

The way it works is:
00:00:00   1. Record a stack on Track 1 Notes C, G, D
00:02:11    2. Record a stack on Track 2 Notes Eb, Bb, F
00:02:22    3. Record a stack on Track 3 Notes G, D, A

This gives you a nice C- Dorian chord to blow on.
Now you can shift the tracks individually. The descriptions here relate to
the the unshifted (original) notes.

00:27:05 Shift Track 2 up a semi-tone and it goes to C Lydian, say Cmaj7#11

00:40:11  Shift Track 2 up a semitone and Track 3 up a tone and you still
have a Lydian scale but substituting A, E F# for the G, D, A it's a
different flavor.

00:49:18  Shift Track 2 up a Tone (to F, C G) and Track 3 up a tone and you
get a similar thing but with an F natural in the mix, suggesting a IV chord.

00:58:18  Dropping all 3 tracks a semitone gives a substitue for a V
function -at least that's how I use it.

01:07:22   And dropping Track 2 a semitone gives a D Dorian sound which can
work for a ii or a IV chord.

01:17      Back to the original  C Dorian -forgive the blooper!

The way I set it up in Bidule was to preset the individual instances of SOP
to plus or minus 1 or 2 semitones and then turn them on or off as required,
so if you load the group you'll see, TR1_SOP -1 CC56, meaning Track 1, Son
of a Pitch, minus 1 semitone, controlled by CC56, etc etc.

The reason for the matrix was to route Mobius tracks 5,6 and 7 through the
same shifters as 1,2 and three. That way, I could record some more ethereal
stuff (differing loop lengths work fine) on those tracks and they would
change function with the chords. The complication with that is you are
restricted to the same note groups on on those tracks as you are on 1,2 and
3. So, it is a bit challenging to stay within the parameters.
Track 4 is unshifted, giving a safe place to 'land' after recording the
initial loops and also provides a 'blowing' track that won't get pitch
shifted while you're soloing (can get interesting if you don't do this).

  I started doing some analysis on this but got distracted with some gigs at
the time. Here's a pdf <http:/samplesmith.com/LD/Stacks.pdf> that might
offer some ideas -unfinished.

This certainly isn't for everybody, and it ain't the 'be all and end all'
for harmonizing, but it does offer quick loop build up and excellent voice
leading. It might be more practical on midi controllers with *lots* of
buttons, because there are obviously way more options than I've listed here.

I hope someone has some fun with it.
k

--00504502d91915fc7b049d73ec0b
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Nice ideas Simeon, I&#39;ll be messing with that for sure.<br>=A0<br><br>Lu=
is,this may (or may not) be of interest to you. I had floated the idea quit=
e some time ago, but the example I posted was way to long and the idea may =
not have been clear enough.<br>

<br>A while back, when Per made a few posts about the Chapman stick tuning,=
 I got interested in playing with stacks of perfect 5ths laid down on separ=
ate tracks and and then pitch shifting the tracks individually in order to =
define different harmonic functions. Since I was interested in a rythmic os=
tenato for this, I never even considered the rate shifting that Simeon is u=
sing and the pitch shift in Mobius needs a bit more development before it&#=
39;s ready for showtime.<br>

<br>I played around with several VST&#39;s in Bidule and found that &#39;So=
n of a Pitch&#39; seemed to be efficient enough that I could run several in=
stances on my old Dell 6400 without choking. So I set up 6 instances of &#3=
9;SOP&#39; on the first three stereo outputs of a Matrix which was connecte=
d to the Mobius Stereo outputs.=A0 You&#39;ll see the layout in the this gr=
oup.<br>

<br><a href=3D"http://www.samplesmith.com/LD/SOP_PitchShift_Mobius.bgrp" ta=
rget=3D"_blank">http://www.samplesmith.com/LD/SOP_PitchShift_Mobius.bgrp</a=
><br><br>http:/<a href=3D"http://ww.samplesmith.com/LD/PitchShifted.mp3" ta=
rget=3D"_blank">ww.samplesmith.com/LD/PitchShifted.mp3</a> =A0=A0=A0 links =
to a little demo where I lay down a quick 3 loops (any=20
rhythm or note order you want, of course) and just play some scalar=20
stuff to illustrate the idea.<br><br>The way it works is:<br>00:00:00=A0=A0=
 1. Record a stack on Track 1 Notes C, G, D=A0=A0 <br>00:02:11=A0=A0=A0 2. =
Record a stack on Track 2 Notes Eb, Bb, F=A0=A0 <br>00:02:22 =A0=A0 3. Reco=
rd a stack on Track 3 Notes G, D, A=A0=A0=A0=A0=A0 <br>

<br>This gives you a nice C- Dorian chord to blow on.<br>Now you can shift =
the tracks individually. The descriptions here relate to the the unshifted =
(original) notes.<br><br>00:27:05 Shift Track 2 up a semi-tone and it goes =
to C Lydian, say Cmaj7#11<br>

<br>00:40:11=A0 Shift Track 2 up a semitone and Track 3 up a tone and you s=
till have a Lydian scale but substituting A, E F# for the G, D, A it&#39;s =
a different flavor.<br><br>00:49:18=A0 Shift Track 2 up a Tone (to F, C G) =
and Track 3 up a tone and you get a similar thing but with an F natural in =
the mix, suggesting a IV chord.<br>

<br>00:58:18=A0 Dropping all 3 tracks a semitone gives a substitue for a V =
function -at least that&#39;s how I use it.<br><br>01:07:22=A0=A0 And dropp=
ing Track 2 a semitone gives a D Dorian sound which can work for a ii or a =
IV chord.<br>

<br>01:17=A0=A0=A0=A0=A0 Back to the original=A0 C Dorian -forgive the bloo=
per!<br><br>The way I set it up in Bidule was to preset the individual inst=
ances of SOP to plus or minus 1 or 2 semitones and then turn them on or off=
 as required, so if you load the group you&#39;ll see, TR1_SOP -1 CC56, mea=
ning Track 1, Son of a Pitch, minus 1 semitone, controlled by CC56, etc etc=
.<br>

<br>The reason for the matrix was to route Mobius tracks 5,6 and 7 through =
the same shifters as 1,2 and three. That way, I could record some more ethe=
real stuff (differing loop lengths work fine) on those tracks and they woul=
d change function with the chords. The complication with that is you are re=
stricted to the same note groups on on those tracks as you are on 1,2 and 3=
. So, it is a bit challenging to stay within the parameters.<br>

Track 4 is unshifted, giving a safe place to &#39;land&#39; after recording=
 the initial loops and also provides a &#39;blowing&#39; track that won&#39=
;t get pitch shifted while you&#39;re soloing (can get interesting if you d=
on&#39;t do this).=A0=A0 <br>

<br>=A0 I started doing some analysis on this but got distracted with some =
gigs at the time. Here&#39;s a <a href=3D"http:/samplesmith.com/LD/Stacks.p=
df">pdf</a> that might offer some ideas -unfinished. =A0=A0 <br>
<br>This certainly isn&#39;t for everybody, and it ain&#39;t the &#39;be al=
l and end all&#39; for harmonizing, but it does offer quick loop build up a=
nd excellent voice leading. It might be more practical on midi controllers =
with *lots* of buttons, because there are obviously way more options than I=
&#39;ve listed here.<br>
<br>I hope someone has some fun with it.<br>k<br>
<br><br>
<div style=3D"display: inline;"></div>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--00504502d91915fc7b049d73ec0b--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 00:55:35 2011
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Date: Tue, 1 Mar 2011 16:55:33 -0800
Message-ID: <AANLkTikNZHRpaD6ZFjhFfD3PbjK8GZr3W0efk8QdcqVg@mail.gmail.com>
Subject: Re: virtual guitar pedalboard
From: Rafael Nunes <supersimples@gmail.com>
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--90e6ba6e8892c9cffd049d755ef5
Content-Type: text/plain; charset=ISO-8859-1

Wow. That is awesome!
 Huge potential!
On Tue, Mar 1, 2011 at 1:16 PM, Louie Angulo <louie.angulo@googlemail.com>wrote:

> http://www.crunchgear.com/2010/02/14/virtual-guitar-pedalboard-interface/
>
>


-- 
Rafa's One Man Band Online:
http://rafasonemanband.bandcamp.com/
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
http://www.youtube.com/watch?v=Zwwsee6K1Sc
http://vimeo.com/11499020
http://www.myspace.com/rafasonemanband

--90e6ba6e8892c9cffd049d755ef5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Wow. That is awesome!<br>=A0Huge potential!<br><div class=3D"gmail_quote">O=
n Tue, Mar 1, 2011 at 1:16 PM, Louie Angulo <span dir=3D"ltr">&lt;<a href=
=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><a href=3D"http://www.crunchgear.com/2010/0=
2/14/virtual-guitar-pedalboard-interface/" target=3D"_blank">http://www.cru=
nchgear.com/2010/02/14/virtual-guitar-pedalboard-interface/</a><br>

<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Rafa&#39;s One Man Band=
 Online:<br><a href=3D"http://rafasonemanband.bandcamp.com/" target=3D"_bla=
nk">http://rafasonemanband.bandcamp.com/</a><br><a href=3D"http://www.faceb=
ook.com/pages/Rafas-One-Man-Band/33261753239" target=3D"_blank">http://www.=
facebook.com/pages/Rafas-One-Man-Band/33261753239</a><div>
<a href=3D"http://www.youtube.com/watch?v=3DZwwsee6K1Sc" target=3D"_blank">=
http://www.youtube.com/watch?v=3DZwwsee6K1Sc</a><br><a href=3D"http://vimeo=
.com/11499020" target=3D"_blank">http://vimeo.com/11499020</a><br><a href=
=3D"http://www.myspace.com/rafasonemanband" target=3D"_blank">http://www.my=
space.com/rafasonemanband</a></div>
<br>

--90e6ba6e8892c9cffd049d755ef5--

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Date: Wed, 2 Mar 2011 01:37:24 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: windows on Mac
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I know some of you run windows on a Mac. I have a couple of questions:
- what is the cheapest way to get a version of windows to install on a Mac Book 
Pro?
- what is the best windows version to install?

I plan to use windows run some editors for some synths and pedals I have.

Antony Hequet


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div><font class="Apple-style-span" face="'times new roman', 'new york', times, serif" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 16px;">I know some of you run windows on a Mac. I have a couple of questions:</span></font></span></font></div><div><font class="Apple-style-span" face="'times new roman', 'new york', times, serif" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 16px;">- what is the cheapest way to get a version of windows to install on a Mac Book Pro?</span></font></span></font></div><div><font
 class="Apple-style-span" face="'times new roman', 'new york', times, serif" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 16px;">- what is the best windows version to install?</span></font></span></font></div><div><font class="Apple-style-span" face="'times new roman', 'new york', times, serif" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 16px;"><br></span></font></span></font></div><div><font class="Apple-style-span" face="'times new roman', 'new york', times, serif" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 16px;">I plan
 to use windows run some editors for some synths and pedals I have.</span></font></span></font></div><div><font class="Apple-style-span" face="'times new roman', 'new york', times, serif" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 16px;"><br></span></font></span></font></div><div><font class="Apple-style-span" face="'times new roman', 'new york', times, serif" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 16px;">Antony Hequet</span></font></span></font></div><div style="position:fixed"></div>


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antonyhequet@yahoo.com wrote:
> I know some of you run windows on a Mac. I have a couple of questions:
> - what is the cheapest way to get a version of windows to install on a 
> Mac Book Pro?

Amazon?

If you're in EU, then ebay for legal OEM edition
from decommissioned machine.

> - what is the best windows version to install?

depends on your definition of best..
...but not Vista ;-)

> 
> I plan to use windows run some editors for some synths and pedals I have.

Those should have docs to tell you what you need.
There's no advantage in getting a later version than that,
and beware that drivers may not be available for later editions of win.

Probably you're looking at XP SP2 either Home or Pro
edition. (there's no advantage using Pro, which is
usually more expensive, but no disadvantage either).

andy

> 
> Antony Hequet
> 

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Date: Wed, 2 Mar 2011 10:51:57 +0000 (GMT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: EDP message
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I just had 'dEAdr' appear on the display of my EDP when going into nextloop=
.  Prev loop kept repeating, but all front panel buttons and FCB presses we=
re inoperative.  Everything *seems* OK after a power down/up.=0A=0ANever se=
en this message before, no mention of it in the manual. Only thing I'd done=
 differently was to change SYNC to Out (previously Off), about 45 mins of u=
se ago.=0A=0AAny ideas?=0A=0AStephen=0A=0A=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 10:57:05 2011
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Subject: Re: windows on Mac
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On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> If you're in EU, then ebay for legal OEM edition
> from decommissioned machine.


That's  what I use - an old OEM version of XP SP2 that came with my
first Centrino laptop. The authorization code never worked on the
original PC so Microsoft sent me a new code. But on my Macbook the
original OEM authorization works and I run it inside a Bootcamp
partition. Costed me no extra money to set up.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 11:01:55 2011
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To: Loopers-Delight@loopers-delight.com
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That's one of three error messages that you may see
when the edp crashes.

Just reboot and it'll be fine.

If you can get the error where the EDP looks ok,
but cycles through the whole memory of the current loop
until it finds it's way back to playing the audio that it ought
to then you get a certificate.
I never figured it, but something to do with Nextlooping away
from a loop before it's sorted itself out after Mult and Reverse.

andy

Stephen Scott wrote:
> I just had 'dEAdr' appear on the display of my EDP when going into nextloop.  Prev loop kept repeating, but all front panel buttons and FCB presses were inoperative.  Everything *seems* OK after a power down/up.
> 
> Never seen this message before, no mention of it in the manual. Only thing I'd done differently was to change SYNC to Out (previously Off), about 45 mins of use ago.
> 
> Any ideas?
> 
> Stephen
> 
> 
> 
> 
>       
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 11:37:53 2011
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Subject: Elektron Octatrack: is someone considering it?
From: "Bruno E. Kleinefeld" <bruno.bk@gmail.com>
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Hi folks

I didn't see any recent discussion about the Elektron Octatrack here, a =
part the long polemic about the commercial, tough it is a month now that =
it is on the market.

The hype about it is pretty high. On the other hand for what I see on =
the Elektron users forum the first software release seems very buggy, =
but I guess that this is pretty normal for something so deep/complicated
I wrote to the Elektron guys and they told me that the Midi control =
implementation will be available in april, while the looper machine is =
"a little beyond that date". (Doing that in april means probably that =
they will not miss the Frankfurt MusikMesse without showing it debugged =
and midi-controled)

I am really thoughtful: the learning curve seems very steep. On the =
other hand the promises (we don't have much more then promises actually) =
are big: " The Octatrack can function like a looper. The only difference =
is that it will be much more powerful than your average looping device. =
Dedicated looper machines will be implemented in coming OS updates."

On The Gear Page there is a long detailed discussion and even David Torn =
has showed proactive interest...=20

Did anybody here already try it?

Are you digging/waiting it?=

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 11:58:16 2011
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From: Stephen Scott <loopingsteve@yahoo.co.uk>
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re:'dEAdr' message...=0A=0Aandy b wrote:=0A=0A> That's one of three error m=
essages=0A> that you may see=0A> when the edp crashes.=0A> =0A> Just reboot=
 and it'll be fine.=0A=0AThanks Andy.=0A=0A> If you can get the error where=
 the EDP looks ok,=0A> but cycles through the whole memory of the current l=
oop=0A> until it finds it's way back to playing the audio that it=0A> ought=
=0A> to then you get a certificate.=0A> I never figured it, but something t=
o do with Nextlooping=0A> away=0A> from a loop before it's sorted itself ou=
t after Mult and=0A> Reverse.=0A=0AThe challenge is on!=0A=0AStephen=0A=0A=
=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 12:18:36 2011
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Subject: Re: Re: midi looping, synths, and kaossilators
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On 7/22/64 11:59 AM, Tim Thompson wrote:
>>> I am dreaming of a "Midi Looper".
> I know those dreams.  Mine resulted in a dust-covered two-person
> five-track MIDI looper:
>
>      http://blueparticles.com/particles/album/burningman2009/slides/IMGP0239.html
>
>      http://www.youtube.com/watch?v=aHZveIJjxJ0
>
>   ...Tim...
This is really awesome,  Tim.


Would you be into describing how you built it and how it 
works............it's kind of intuitive but many of us
weren't there.

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Subject: Re: Re: midi looping, synths, and kaossilators
From: Simeon Harris <simeonharris40@googlemail.com>
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lol! that may just be the coolest thing i've seen this year


>>     http://www.youtube.com/watch?v=aHZveIJjxJ0
>>
>>  ...Tim...
>>
>
>

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lol! that may just be the coolest thing i&#39;ve seen this year<br><br><div=
 class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin: 0=
pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: =
1ex;">
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
 =A0 =A0 <a href=3D"http://www.youtube.com/watch?v=3DaHZveIJjxJ0" target=3D=
"_blank">http://www.youtube.com/watch?v=3DaHZveIJjxJ0</a><br>
<br>
 =A0...Tim...<br>
</blockquote><br></blockquote></div>

--000e0cd23ed8389282049d7f0395--

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Subject: RE: Elektron Octatrack: is someone considering it?
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I have an Octatrack since a few weeks but have not had time to REALLY learn=
 it. As it stands now it is not a looper as we usuallly define loopers... h=
owever you can sample loop and mangle up to 16 seconds of input audio... Yo=
u can sort of overdup bu sampling main output including a "though" machine =
which can be youre live signal with or without effects=2C trigless trigs an=
d other nice stuff..
With this version of OS (99e) sampling is a bit akward and you can't do it =
via midi foot switch so as the only looper it's sort of lacking right now. =
The effects are GREAT=2C and it also sort of works as a mixer. Live guitar =
and trough machine on one input=2C you EDP or other looper on one input and=
 6 tracks to sample the inputs and mangle them..=20
When you have sampled soemthing almost ANY input can be turned in to rhythm=
ic patterns and its very easy to manipulte sounds live and still sound good=
. Trigless trigs are a lote of fun=2C you can pitch shift at diffrent seque=
ncer steps and take a long tone and turn it into a melody=2C or a shot loop=
 and pitch it reversem stutter=2C apply effects.. once you undetstand that =
it is NOT a EDP there are a lot of stuff you cant do on loopers that the Oc=
ta can do. It's man power is as alive remix toll and rhytmcreator.. it is n=
o problem staring with zero samplas and built intresting peice live. It's m=
ore a live recordign device with unique sound sculpturing capabilities than=
 a looper right now... BUT with midi and a loop machine toghter with what i=
t already does with the Beta OS it can be a really=2C really intresting new=
 kind of tool.... i have two short clips on soundcloud.. just experiments o=
ne guitar looping sort of thing and one where i live sampled Splattercell a=
nd mangler it lika one could mangle a live band sample...
http://soundcloud.com/search?q%5Bfulltext%5D=3Danders+bergdahl
=20
> Subject: Elektron Octatrack: is someone considering it?
> From: bruno.bk@gmail.com
> Date: Wed=2C 2 Mar 2011 12:37:48 +0100
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi folks
>=20
> I didn't see any recent discussion about the Elektron Octatrack here=2C a=
 part the long polemic about the commercial=2C tough it is a month now that=
 it is on the market.
>=20
> The hype about it is pretty high. On the other hand for what I see on the=
 Elektron users forum the first software release seems very buggy=2C but I =
guess that this is pretty normal for something so deep/complicated
> I wrote to the Elektron guys and they told me that the Midi control imple=
mentation will be available in april=2C while the looper machine is "a litt=
le beyond that date". (Doing that in april means probably that they will no=
t miss the Frankfurt MusikMesse without showing it debugged and midi-contro=
led)
>=20
> I am really thoughtful: the learning curve seems very steep. On the other=
 hand the promises (we don't have much more then promises actually) are big=
: " The Octatrack can function like a looper. The only difference is that i=
t will be much more powerful than your average looping device. Dedicated lo=
oper machines will be implemented in coming OS updates."
>=20
> On The Gear Page there is a long detailed discussion and even David Torn =
has showed proactive interest...=20
>=20
> Did anybody here already try it?
>=20
> Are you digging/waiting it?
 		 	   		  =

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<html>
<head>
<style><!--
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body.hmmessage
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<body class=3D'hmmessage'>
I have an Octatrack since a few&nbsp=3Bweeks but have not had time to REALL=
Y learn it. As it stands now it is not a looper as we usuallly define loope=
rs... however you can sample loop and mangle up to 16 seconds of input audi=
o... You can sort of overdup bu sampling main output including a "though"&n=
bsp=3Bmachine which can be youre live signal with or without effects=2C tri=
gless trigs and other nice stuff..<BR>
With this version of OS (99e) sampling is a bit akward and you can't do it =
via midi&nbsp=3Bfoot switch so&nbsp=3Bas the only looper it's sort of lacki=
ng right now. The effects are GREAT=2C and it also sort of works as a mixer=
. Live guitar and trough machine&nbsp=3Bon one input=2C you EDP or other&nb=
sp=3Blooper on one input and 6 tracks to sample the inputs and mangle them.=
. <BR>
When you have sampled soemthing almost ANY input&nbsp=3Bcan be turned in to=
 rhythmic patterns and its very easy to manipulte sounds live and still sou=
nd good. Trigless trigs are a lote of fun=2C you can pitch shift at diffren=
t sequencer steps and take a long tone and turn it into a melody=2C or a sh=
ot loop and pitch it reversem stutter=2C apply effects.. once you undetstan=
d that it is NOT a EDP there are a lot of stuff you cant&nbsp=3Bdo on loope=
rs that the Octa can do. It's man power is as alive remix toll and rhytmcre=
ator.. it is no problem staring with zero samplas and built intresting peic=
e live. It's more a live recordign device with unique sound sculpturing cap=
abilities than a looper right now... BUT with midi and a loop machine toght=
er with what it already does with the Beta OS it can be a really=2C really =
intresting new kind of tool.... i have&nbsp=3Btwo short clips on soundcloud=
.. just experiments one guitar&nbsp=3Blooping sort of&nbsp=3Bthing and one =
where i live sampled Splattercell and mangler it lika one could mangle a li=
ve band sample...<BR>
<A href=3D"http://soundcloud.com/search?q%5Bfulltext%5D=3Danders+bergdahl">=
http://soundcloud.com/search?q%5Bfulltext%5D=3Danders+bergdahl</A><BR>&nbsp=
=3B<BR>
&gt=3B Subject: Elektron Octatrack: is someone considering it?<BR>&gt=3B Fr=
om: bruno.bk@gmail.com<BR>&gt=3B Date: Wed=2C 2 Mar 2011 12:37:48 +0100<BR>=
&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B Hi folk=
s<BR>&gt=3B <BR>&gt=3B I didn't see any recent discussion about the Elektro=
n Octatrack here=2C a part the long polemic about the commercial=2C tough i=
t is a month now that it is on the market.<BR>&gt=3B <BR>&gt=3B The hype ab=
out it is pretty high. On the other hand for what I see on the Elektron use=
rs forum the first software release seems very buggy=2C but I guess that th=
is is pretty normal for something so deep/complicated<BR>&gt=3B I wrote to =
the Elektron guys and they told me that the Midi control implementation wil=
l be available in april=2C while the looper machine is "a little beyond tha=
t date". (Doing that in april means probably that they will not miss the Fr=
ankfurt MusikMesse without showing it debugged and midi-controled)<BR>&gt=
=3B <BR>&gt=3B I am really thoughtful: the learning curve seems very steep.=
 On the other hand the promises (we don't have much more then promises actu=
ally) are big: " The Octatrack can function like a looper. The only differe=
nce is that it will be much more powerful than your average looping device.=
 Dedicated looper machines will be implemented in coming OS updates."<BR>&g=
t=3B <BR>&gt=3B On The Gear Page there is a long detailed discussion and ev=
en David Torn has showed proactive interest... <BR>&gt=3B <BR>&gt=3B Did an=
ybody here already try it?<BR>&gt=3B <BR>&gt=3B Are you digging/waiting it?=
<BR> 		 	   		  </body>
</html>=

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Subject: Re: windows on Mac
From: Fabio_A <eterogenus@gmail.com>
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2011/3/2 Per Boysen

>
> That's  what I use - an old OEM version of XP SP2


Same here.
My Macbook is from 2007 and I run Bidule and Mobius in Win trough a bootcamp
partition.
Waiting for Mobius 2.0 to definitively delete the Win partition and switch
to the mac .

-fabio
www.eterogeneo.com

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<br><br>
<div class=3D"gmail_quote">2011/3/2 Per Boysen<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">=A0</div>That&#39;s =A0what I use - an old OEM version of=
 XP SP2 </blockquote>
<div>=A0</div>
<div>Same here. </div>
<div>My Macbook is from 2007 and I run Bidule and Mobius=A0in Win trough a =
bootcamp partition.</div>
<div>Waiting for=A0Mobius 2.0 to definitively delete the Win partition and =
switch to the mac .</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div></div>

--20cf307d03386cd1f9049d7f4932--

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Subject: Re: windows on Mac
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On Wed, Mar 2, 2011 at 1:45 PM, Fabio_A <eterogenus@gmail.com> wrote:
> 2011/3/2 Per Boysen
>>
>>
>> That's =C2=A0what I use - an old OEM version of XP SP2
>
>
> Same here.
> My Macbook is from 2007 and I run Bidule and Mobius=C2=A0in Win trough a =
bootcamp
> partition.
> Waiting for=C2=A0Mobius 2.0 to definitively delete the Win partition and =
switch
> to the mac .


Fabio, do you too get a the feeling that Bidule runs better under
Windows? I ran the same Bidule setup both under XP and OS X on the
same Macbook and I think so.

Per

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--_ced79c25-c966-4d5e-9e32-fea4b7c271e6_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 14:34:20 2011
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Date: Wed, 2 Mar 2011 06:34:19 -0800
Message-ID: <AANLkTik0h_H5tr1UQCRwrUFnf8VYug6ReFXVn0wmO-0b@mail.gmail.com>
Subject: Re: Re: midi looping, synths, and kaossilators
From: Tim Thompson <me@timthompson.com>
To: Loopers-Delight@loopers-delight.com
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>> ... a dust-covered two-person five-track MIDI looper:
> Would you be into describing how you built it and how it works

Here's some slides describing its construction and operation:

      http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf

  ...Tim...

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 14:42:09 2011
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Subject: Re: windows on Mac
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Yes, XP rocks!!  Ok not rox but Sux Less!!  Vista sux mightily!! I might hav=
e an OEM xp pro laying around Antonio, let me look.=20

Andy o=

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 14:44:23 2011
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Date: Wed, 2 Mar 2011 15:44:21 +0100
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Subject: Re: Re: midi looping, synths, and kaossilators
From: Lasse juul Kolding <dubbilan@gmail.com>
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--000e0cd51506cefff1049d80f21e
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Really really cool, Tim!! :)
Always wanted to go to Burning Man, but it's sooo far away!

@Antony... that's an idea. I don't have Max for Live, but was thinking about
getting it and turning a couple of different modules into MFL objects.
Was so easy with Max 4, that you could just export as VST, like the old
audio looper I once posted here...
Also, I'm slowly getting into more "real" ie, c++ stuff.


On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <me@timthompson.com> wrote:

> >> ... a dust-covered two-person five-track MIDI looper:
> > Would you be into describing how you built it and how it works
>
> Here's some slides describing its construction and operation:
>
>      http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf
>
>  ...Tim...
>
>

--000e0cd51506cefff1049d80f21e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Really really cool, Tim!! :)<div>Always wanted to go to Burning Man, but it=
&#39;s sooo far away!</div><div><br></div><div>@Antony... that&#39;s an ide=
a. I don&#39;t have Max for Live, but was thinking about getting it and tur=
ning a couple of different modules into MFL objects.</div>
<div>Was so easy with Max 4, that you could just export as VST, like the ol=
d audio looper I once posted here...</div><div>Also, I&#39;m slowly getting=
 into more &quot;real&quot; ie, c++ stuff.</div><div>=A0<br><br><div class=
=3D"gmail_quote">
On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <span dir=3D"ltr">&lt;<a href=
=3D"mailto:me@timthompson.com">me@timthompson.com</a>&gt;</span> wrote:<br>=
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">
&gt;&gt; ... a dust-covered two-person five-track MIDI looper:<br>
<div class=3D"im">&gt; Would you be into describing how you built it and ho=
w it works<br>
<br>
</div>Here&#39;s some slides describing its construction and operation:<br>
<br>
 =A0 =A0 =A0<a href=3D"http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pd=
f" target=3D"_blank">http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf<=
/a><br>
<font color=3D"#888888"><br>
 =A0...Tim...<br>
<br>
</font></blockquote></div><br></div>

--000e0cd51506cefff1049d80f21e--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 14:46:15 2011
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Date: Wed, 2 Mar 2011 06:46:13 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: windows on Mac
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <4A0AAA55-9480-453D-8282-0620652C8BED@1800dialword.com>
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XP pro OEM would be most welcome; I have been f..g around with this for months 
for some crazy reason. Starting to feel jinxed. However cast that spell is going 
to suffer as i laugh him or her away to another remote galaxy when I finally 
make it work.

XP rocks the universe:-)))



________________________________
From: Andy Owens <andy@1800dialword.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 3:41:35 PM
Subject: Re: windows on Mac

Yes, XP rocks!!  Ok not rox but Sux Less!!  Vista sux mightily!! I might have an 
OEM xp pro laying around Antonio, let me look. 


Andy o



      
--0-2114185452-1299077173=:21903
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>XP pro OEM would be most welcome; I have been f..g around with this for months for some crazy reason. Starting to feel jinxed. However cast that spell is going to suffer as i laugh him or her away to another remote galaxy when I finally make it work.</div><div><br></div><div>XP rocks the universe:-)))</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Andy Owens &lt;andy@1800dialword.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 3:41:35 PM<br><b><span style="font-weight:
 bold;">Subject:</span></b> Re: windows on Mac<br></font><br>
Yes, XP rocks!!&nbsp; Ok not rox but Sux Less!!&nbsp; Vista sux mightily!! I might have an OEM xp pro laying around Antonio, let me look. <br><br>Andy o<br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-2114185452-1299077173=:21903--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 14:52:55 2011
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Date: Wed, 2 Mar 2011 06:52:52 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Re: midi looping, synths, and kaossilators
To: Loopers-Delight@loopers-delight.com
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--0-1142704933-1299077572=:31353
Content-Type: text/plain; charset=us-ascii

MFL should be a good way to get something out there, not universal but 
accessible.

A



________________________________
From: Lasse juul Kolding <dubbilan@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 3:44:21 PM
Subject: Re: Re: midi looping, synths, and kaossilators

Really really cool, Tim!! :)
Always wanted to go to Burning Man, but it's sooo far away!

@Antony... that's an idea. I don't have Max for Live, but was thinking about 
getting it and turning a couple of different modules into MFL objects.
Was so easy with Max 4, that you could just export as VST, like the old audio 
looper I once posted here...
Also, I'm slowly getting into more "real" ie, c++ stuff.
 


On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <me@timthompson.com> wrote:

>> ... a dust-covered two-person five-track MIDI looper:
>
>> Would you be into describing how you built it and how it works
>
>Here's some slides describing its construction and operation:
>
>     http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf
>
> ...Tim...
>
>



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>MFL should be a good way to get something out there, not universal but accessible.</div><div><br></div><div>A</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Lasse juul Kolding &lt;dubbilan@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 3:44:21 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Re: midi looping, synths, and kaossilators<br></font><br>
Really really cool, Tim!! :)<div>Always wanted to go to Burning Man, but it's sooo far away!</div><div><br></div><div>@Antony... that's an idea. I don't have Max for Live, but was thinking about getting it and turning a couple of different modules into MFL objects.</div>
<div>Was so easy with Max 4, that you could just export as VST, like the old audio looper I once posted here...</div><div>Also, I'm slowly getting into more "real" ie, c++ stuff.</div><div>&nbsp;<br><br><div class="gmail_quote">
On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:me@timthompson.com" target="_blank" href="mailto:me@timthompson.com">me@timthompson.com</a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
&gt;&gt; ... a dust-covered two-person five-track MIDI looper:<br>
<div class="im">&gt; Would you be into describing how you built it and how it works<br>
<br>
</div>Here's some slides describing its construction and operation:<br>
<br><span>
 &nbsp; &nbsp; &nbsp;<a target="_blank" href="http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf">http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf</a></span><br>
<font color="#888888"><br>
 &nbsp;...Tim...<br>
<br>
</font></blockquote></div><br></div>
</div></div><div style="position:fixed"></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 14:59:23 2011
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On 7/22/64 11:59 AM, Tim Thompson wrote:
>>>> I am dreaming of a "Midi Looper".
>> I know those dreams.  Mine resulted in a dust-covered two-person
>> five-track MIDI looper:

Man those little white wires look like they are just waiting to be Ipad conn=
ectors!!!

Andy o=

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Subject: monitoring cpu usage in bidule
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is there a bidule for it? i normally have the main window minimised, so i
can't see the dsp readout

sim

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is there a bidule for it? i normally have the main window minimised, so i can&#39;t see the dsp readout<br><br>sim<br>

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Subject: Re: Re: midi looping, synths, and kaossilators
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On Wed, Mar 2, 2011 at 3:44 PM, Lasse juul Kolding <dubbilan@gmail.com> wrote:
> Always wanted to go to Burning Man

Me too. Overseas...
Checking BM YT clips here now. Cool festival.

Per

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Hi Anders

yes I know you have it :)
from The Gear Page... I have been listening with attention to your =
samples, specially the guitar one.=20

but the fact that one has really to LEARN IT, written in capitals... =
scares me.
Not that I do not want to learn... but I start to be tired to be =
surrounded by screaming things that ask me TO LEARN THEM!

It is just that the OT seems so intriguing... the first device in a =
while that explores (or promises to explore) new boundaries of the =
looping thing.
We'll probably have to wait and see what the new OS will bring. Keep us =
informed!


best

b:k

>=20
>=20
> Da: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
> Data: 02 marzo 2011 13.33.24 GMT+01.00
> A: Loopers Delight <loopers-delight@loopers-delight.com>
> Oggetto: RE: Elektron Octatrack: is someone considering it?
>=20
>=20
> I have an Octatrack since a few weeks but have not had time to REALLY =
learn it. As it stands now it is not a looper as we usuallly define =
loopers... however you can sample loop and mangle up to 16 seconds of =
input audio... You can sort of overdup bu sampling main output including =
a "though" machine which can be youre live signal with or without =
effects, trigless trigs and other nice stuff..
> With this version of OS (99e) sampling is a bit akward and you can't =
do it via midi foot switch so as the only looper it's sort of lacking =
right now. The effects are GREAT, and it also sort of works as a mixer. =
Live guitar and trough machine on one input, you EDP or other looper on =
one input and 6 tracks to sample the inputs and mangle them..=20
> When you have sampled soemthing almost ANY input can be turned in to =
rhythmic patterns and its very easy to manipulte sounds live and still =
sound good. Trigless trigs are a lote of fun, you can pitch shift at =
diffrent sequencer steps and take a long tone and turn it into a melody, =
or a shot loop and pitch it reversem stutter, apply effects.. once you =
undetstand that it is NOT a EDP there are a lot of stuff you cant do on =
loopers that the Octa can do. It's man power is as alive remix toll and =
rhytmcreator.. it is no problem staring with zero samplas and built =
intresting peice live. It's more a live recordign device with unique =
sound sculpturing capabilities than a looper right now... BUT with midi =
and a loop machine toghter with what it already does with the Beta OS it =
can be a really, really intresting new kind of tool.... i have two short =
clips on soundcloud.. just experiments one guitar looping sort of thing =
and one where i live sampled Splattercell and mangler it lika one could =
mangle a live band sample...
> http://soundcloud.com/search?q%5Bfulltext%5D=3Danders+bergdahl
> =20
> > Subject: Elektron Octatrack: is someone considering it?
> > From: bruno.bk@gmail.com
> > Date: Wed, 2 Mar 2011 12:37:48 +0100
> > To: Loopers-Delight@loopers-delight.com
> >=20
> > Hi folks
> >=20
> > I didn't see any recent discussion about the Elektron Octatrack =
here, a part the long polemic about the commercial, tough it is a month =
now that it is on the market.
> >=20
> > The hype about it is pretty high. On the other hand for what I see =
on the Elektron users forum the first software release seems very buggy, =
but I guess that this is pretty normal for something so deep/complicated
> > I wrote to the Elektron guys and they told me that the Midi control =
implementation will be available in april, while the looper machine is =
"a little beyond that date". (Doing that in april means probably that =
they will not miss the Frankfurt MusikMesse without showing it debugged =
and midi-controled)
> >=20
> > I am really thoughtful: the learning curve seems very steep. On the =
other hand the promises (we don't have much more then promises actually) =
are big: " The Octatrack can function like a looper. The only difference =
is that it will be much more powerful than your average looping device. =
Dedicated looper machines will be implemented in coming OS updates."
> >=20
> > On The Gear Page there is a long detailed discussion and even David =
Torn has showed proactive interest...=20
> >=20
> > Did anybody here already try it?
> >=20
> > Are you digging/waiting it?
>=20
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>Hi Anders</div><div><br></div><div>yes I know you have it =
:)</div><div>from The Gear Page... I have been listening with attention =
to your samples, specially the guitar =
one.&nbsp;</div><div><br></div><div>but the fact that one has really to =
LEARN IT, written in capitals... scares me.</div><div>Not that I do not =
want to learn... but I start to be tired to be surrounded by screaming =
things that ask me TO LEARN THEM!</div><div><br></div><div>It is just =
that the OT seems so intriguing... the first device in a while that =
explores (or promises to explore) new boundaries of the looping =
thing.</div><div>We'll probably have to wait and see what the new OS =
will bring. Keep us =
informed!</div><div><br></div><div><br></div><div>best</div><div><br></div=
><div>b:k</div><div><br></div><div><blockquote type=3D"cite"><div =
class=3D"gmail_quote"></div>
<br><br><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px;"><span style=3D"font-family:'Helvetica'; =
font-size:medium; color:rgba(127, 127, 127, 1.0);"><b>Da: =
</b></span><span style=3D"font-family:'Helvetica'; =
font-size:medium;">Anders Bergdahl &lt;<a =
href=3D"mailto:anders_e_bergdahl@hotmail.com">anders_e_bergdahl@hotmail.co=
m</a>&gt;<br></span></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px;"><span =
style=3D"font-family:'Helvetica'; font-size:medium; color:rgba(127, 127, =
127, 1.0);"><b>Data: </b></span><span style=3D"font-family:'Helvetica'; =
font-size:medium;">02 marzo 2011 13.33.24 GMT+01.00<br></span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px;"><span style=3D"font-family:'Helvetica'; =
font-size:medium; color:rgba(127, 127, 127, 1.0);"><b>A: =
</b></span><span style=3D"font-family:'Helvetica'; =
font-size:medium;">Loopers Delight &lt;<a =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@looper=
s-delight.com</a>&gt;<br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span =
style=3D"font-family:'Helvetica'; font-size:medium; color:rgba(127, 127, =
127, 1.0);"><b>Oggetto: </b></span><span style=3D"font-family:'Helvetica';=
 font-size:medium;"><b>RE: Elektron Octatrack: is someone considering =
it?</b><br></span></div><br><br><div class=3D"hmmessage">
I have an Octatrack since a few&nbsp;weeks but have not had time to =
REALLY learn it. As it stands now it is not a looper as we usuallly =
define loopers... however you can sample loop and mangle up to 16 =
seconds of input audio... You can sort of overdup bu sampling main =
output including a "though"&nbsp;machine which can be youre live signal =
with or without effects, trigless trigs and other nice stuff..<br>
With this version of OS (99e) sampling is a bit akward and you can't do =
it via midi&nbsp;foot switch so&nbsp;as the only looper it's sort of =
lacking right now. The effects are GREAT, and it also sort of works as a =
mixer. Live guitar and trough machine&nbsp;on one input, you EDP or =
other&nbsp;looper on one input and 6 tracks to sample the inputs and =
mangle them.. <br>
When you have sampled soemthing almost ANY input&nbsp;can be turned in =
to rhythmic patterns and its very easy to manipulte sounds live and =
still sound good. Trigless trigs are a lote of fun, you can pitch shift =
at diffrent sequencer steps and take a long tone and turn it into a =
melody, or a shot loop and pitch it reversem stutter, apply effects.. =
once you undetstand that it is NOT a EDP there are a lot of stuff you =
cant&nbsp;do on loopers that the Octa can do. It's man power is as alive =
remix toll and rhytmcreator.. it is no problem staring with zero samplas =
and built intresting peice live. It's more a live recordign device with =
unique sound sculpturing capabilities than a looper right now... BUT =
with midi and a loop machine toghter with what it already does with the =
Beta OS it can be a really, really intresting new kind of tool.... i =
have&nbsp;two short clips on soundcloud.. just experiments one =
guitar&nbsp;looping sort of&nbsp;thing and one where i live sampled =
Splattercell and mangler it lika one could mangle a live band =
sample...<br>
<a =
href=3D"http://soundcloud.com/search?q%5Bfulltext%5D=3Danders+bergdahl">ht=
tp://soundcloud.com/search?q%5Bfulltext%5D=3Danders+bergdahl</a><br>&nbsp;=
<br>
&gt; Subject: Elektron Octatrack: is someone considering it?<br>&gt; =
From: <a href=3D"mailto:bruno.bk@gmail.com">bruno.bk@gmail.com</a><br>&gt;=
 Date: Wed, 2 Mar 2011 12:37:48 +0100<br>&gt; To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>&gt; <br>&gt; Hi folks<br>&gt; <br>&gt; I didn't =
see any recent discussion about the Elektron Octatrack here, a part the =
long polemic about the commercial, tough it is a month now that it is on =
the market.<br>&gt; <br>&gt; The hype about it is pretty high. On the =
other hand for what I see on the Elektron users forum the first software =
release seems very buggy, but I guess that this is pretty normal for =
something so deep/complicated<br>&gt; I wrote to the Elektron guys and =
they told me that the Midi control implementation will be available in =
april, while the looper machine is "a little beyond that date". (Doing =
that in april means probably that they will not miss the Frankfurt =
MusikMesse without showing it debugged and midi-controled)<br>&gt; =
<br>&gt; I am really thoughtful: the learning curve seems very steep. On =
the other hand the promises (we don't have much more then promises =
actually) are big: " The Octatrack can function like a looper. The only =
difference is that it will be much more powerful than your average =
looping device. Dedicated looper machines will be implemented in coming =
OS updates."<br>&gt; <br>&gt; On The Gear Page there is a long detailed =
discussion and even David Torn has showed proactive interest... <br>&gt; =
<br>&gt; Did anybody here already try it?<br>&gt; <br>&gt; Are you =
digging/waiting it?<br> 		 	   		  </div>
<br><br></blockquote></div><br></body></html>=

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Date: Wed, 2 Mar 2011 16:19:42 +0100
Message-ID: <AANLkTikAJDwaEzu0QUyjubT53dwuLpRNTFN3cdpcSgCZ@mail.gmail.com>
Subject: Re: Re: midi looping, synths, and kaossilators
From: Lasse juul Kolding <dubbilan@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Content-Type: text/plain; charset=ISO-8859-1

MFL looks quite fun, but still limited in many ways compared to what you can
do inside Max. The midi looper part is mostly - or at least made extra -
interesting due to the way it's built into a larger setup dealing with some
kind of live meta-sequencing/looping - have no idea what to call it!
So far I couldn't see any way of getting these modules to talk to each other
within a MFL environment, but maybe I'll find a solution. Otherwise, I'm
seriously thinking about brushing up on c++ and rewriting the whole thing
once the prototype is done... this, off course will take time!
In any case, i will definitely post something, when something relevant is
there to post :)



On Wed, Mar 2, 2011 at 3:52 PM, <antonyhequet@yahoo.com> wrote:

> MFL should be a good way to get something out there, not universal but
> accessible.
>
> A
>
> ------------------------------
> *From:* Lasse juul Kolding <dubbilan@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wed, March 2, 2011 3:44:21 PM
> *Subject:* Re: Re: midi looping, synths, and kaossilators
>
> Really really cool, Tim!! :)
> Always wanted to go to Burning Man, but it's sooo far away!
>
> @Antony... that's an idea. I don't have Max for Live, but was thinking
> about getting it and turning a couple of different modules into MFL objects.
> Was so easy with Max 4, that you could just export as VST, like the old
> audio looper I once posted here...
> Also, I'm slowly getting into more "real" ie, c++ stuff.
>
>
> On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <me@timthompson.com> wrote:
>
>> >> ... a dust-covered two-person five-track MIDI looper:
>> > Would you be into describing how you built it and how it works
>>
>> Here's some slides describing its construction and operation:
>>
>>      http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf
>>
>>  ...Tim...
>>
>>
>
>

--000e0cd4836a3ceff7049d8171d9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

MFL looks quite fun, but still limited in many ways compared to what you ca=
n do inside Max. The midi looper part is mostly - or at least made extra - =
interesting due to the way it&#39;s built into a larger setup dealing with =
some kind of live meta-sequencing/looping - have no idea what to call it!<d=
iv>
So far I couldn&#39;t see any way of getting these modules to talk to each =
other within a MFL environment, but maybe I&#39;ll find a solution. Otherwi=
se, I&#39;m seriously thinking about brushing up on c++ and rewriting the w=
hole thing once the prototype is done... this, off course will take time!</=
div>
<div>In any case, i will definitely post something, when something relevant=
 is there to post :)</div><div><br></div><div><br><br><div class=3D"gmail_q=
uote">On Wed, Mar 2, 2011 at 3:52 PM,  <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span> wrote:<br=
>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div><div style=3D"font-family:arial, helve=
tica, sans-serif;font-size:14pt"><div>MFL should be a good way to get somet=
hing out there, not universal but accessible.</div>
<div><br></div><div>A</div><div style=3D"font-family:arial, helvetica, sans=
-serif;font-size:14pt"><br><div style=3D"font-family:times new roman, new y=
ork, times, serif;font-size:12pt"><font size=3D"2" face=3D"Tahoma"><div cla=
ss=3D"im">
<hr size=3D"1"><b><span style=3D"font-weight:bold">From:</span></b> Lasse j=
uul Kolding &lt;<a href=3D"mailto:dubbilan@gmail.com" target=3D"_blank">dub=
bilan@gmail.com</a>&gt;<br><b><span style=3D"font-weight:bold">To:</span></=
b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank"=
>Loopers-Delight@loopers-delight.com</a><br>
</div><b><span style=3D"font-weight:bold">Sent:</span></b> Wed, March 2, 20=
11 3:44:21 PM<br><b><span style=3D"font-weight:bold">Subject:</span></b> Re=
: Re: midi looping, synths, and kaossilators<br></font><div><div></div><div=
 class=3D"h5">
<br>
Really really cool, Tim!! :)<div>Always wanted to go to Burning Man, but it=
&#39;s sooo far away!</div><div><br></div><div>@Antony... that&#39;s an ide=
a. I don&#39;t have Max for Live, but was thinking about getting it and tur=
ning a couple of different modules into MFL objects.</div>

<div>Was so easy with Max 4, that you could just export as VST, like the ol=
d audio looper I once posted here...</div><div>Also, I&#39;m slowly getting=
 into more &quot;real&quot; ie, c++ stuff.</div><div>=A0<br><br><div class=
=3D"gmail_quote">

On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <span dir=3D"ltr">&lt;<a rel=
=3D"nofollow" href=3D"mailto:me@timthompson.com" target=3D"_blank">me@timth=
ompson.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">

&gt;&gt; ... a dust-covered two-person five-track MIDI looper:<br>
<div>&gt; Would you be into describing how you built it and how it works<br=
>
<br>
</div>Here&#39;s some slides describing its construction and operation:<br>
<br><span>
 =A0 =A0 =A0<a href=3D"http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pd=
f" target=3D"_blank">http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf<=
/a></span><br>
<font color=3D"#888888"><br>
 =A0...Tim...<br>
<br>
</font></blockquote></div><br></div>
</div></div></div></div><div></div>


</div><br>

      </div></blockquote></div><br></div>

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Date: Wed, 2 Mar 2011 08:26:48 -0700
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Subject: Re: monitoring cpu usage in bidule
From: Keith Smith <kahsmith@gmail.com>
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Don't think so. On windows? You can run the task manager minimized and
set it to show the little bar graph in the notifications are of the
task bar --but that probably costs more than its worth.
k

On Wed, Mar 2, 2011 at 8:00 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
>
> is there a bidule for it? i normally have the main window minimised, so i can't see the dsp readout
>
> sim

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 15:38:07 2011
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Date: Wed, 2 Mar 2011 07:38:05 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Re: midi looping, synths, and kaossilators
To: Loopers-Delight@loopers-delight.com
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a stand alone looper then.

Antony



________________________________
From: Lasse juul Kolding <dubbilan@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 4:19:42 PM
Subject: Re: Re: midi looping, synths, and kaossilators

MFL looks quite fun, but still limited in many ways compared to what you can do 
inside Max. The midi looper part is mostly - or at least made extra - 
interesting due to the way it's built into a larger setup dealing with some kind 
of live meta-sequencing/looping - have no idea what to call it!
So far I couldn't see any way of getting these modules to talk to each other 
within a MFL environment, but maybe I'll find a solution. Otherwise, I'm 
seriously thinking about brushing up on c++ and rewriting the whole thing once 
the prototype is done... this, off course will take time!
In any case, i will definitely post something, when something relevant is there 
to post :)




On Wed, Mar 2, 2011 at 3:52 PM, <antonyhequet@yahoo.com> wrote:

MFL should be a good way to get something out there, not universal but 
accessible.
>
>
>A
>
>
>
________________________________
From: Lasse juul Kolding <dubbilan@gmail.com>
>To: Loopers-Delight@loopers-delight.com
>Sent: Wed, March 2, 2011 3:44:21 PM
>Subject: Re: Re: midi looping, synths, and kaossilators
>
>
>Really really cool, Tim!! :)
>Always wanted to go to Burning Man, but it's sooo far away!
>
>
>@Antony... that's an idea. I don't have Max for Live, but was thinking about 
>getting it and turning a couple of different modules into MFL objects.
>Was so easy with Max 4, that you could just export as VST, like the old audio 
>looper I once posted here...
>Also, I'm slowly getting into more "real" ie, c++ stuff.
> 
>
>
>On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <me@timthompson.com> wrote:
>
>>> ... a dust-covered two-person five-track MIDI looper:
>>
>>> Would you be into describing how you built it and how it works
>>
>>Here's some slides describing its construction and operation:
>>
>>     http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf
>>
>> ...Tim...
>>
>>
>
>



      
--0-832715433-1299080285=:73182
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>a stand alone looper then.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Lasse juul Kolding &lt;dubbilan@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 4:19:42 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Re: midi looping, synths, and kaossilators<br></font><br>MFL looks quite fun, but still limited in many ways compared to what you can do inside Max. The midi looper part is mostly - or at least made extra -
 interesting due to the way it's built into a larger setup dealing with some kind of live meta-sequencing/looping - have no idea what to call it!<div>
So far I couldn't see any way of getting these modules to talk to each other within a MFL environment, but maybe I'll find a solution. Otherwise, I'm seriously thinking about brushing up on c++ and rewriting the whole thing once the prototype is done... this, off course will take time!</div>
<div>In any case, i will definitely post something, when something relevant is there to post :)</div><div><br></div><div><br><br><div class="gmail_quote">On Wed, Mar 2, 2011 at 3:52 PM,  <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:antonyhequet@yahoo.com" target="_blank" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><div>MFL should be a good way to get something out there, not universal but accessible.</div>
<div><br></div><div>A</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt;"><font size="2" face="Tahoma"><div class="im">
<hr size="1"><b><span style="font-weight:bold;">From:</span></b> Lasse juul Kolding &lt;<a rel="nofollow" ymailto="mailto:dubbilan@gmail.com" target="_blank" href="mailto:dubbilan@gmail.com">dubbilan@gmail.com</a>&gt;<br><b><span style="font-weight:bold;">To:</span></b> <a rel="nofollow" ymailto="mailto:Loopers-Delight@loopers-delight.com" target="_blank" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>
</div><b><span style="font-weight:bold;">Sent:</span></b> Wed, March 2, 2011 3:44:21 PM<br><b><span style="font-weight:bold;">Subject:</span></b> Re: Re: midi looping, synths, and kaossilators<br></font><div><div></div><div class="h5">
<br>
Really really cool, Tim!! :)<div>Always wanted to go to Burning Man, but it's sooo far away!</div><div><br></div><div>@Antony... that's an idea. I don't have Max for Live, but was thinking about getting it and turning a couple of different modules into MFL objects.</div>

<div>Was so easy with Max 4, that you could just export as VST, like the old audio looper I once posted here...</div><div>Also, I'm slowly getting into more "real" ie, c++ stuff.</div><div>&nbsp;<br><br><div class="gmail_quote">

On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:me@timthompson.com" target="_blank" href="mailto:me@timthompson.com">me@timthompson.com</a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

&gt;&gt; ... a dust-covered two-person five-track MIDI looper:<br>
<div>&gt; Would you be into describing how you built it and how it works<br>
<br>
</div>Here's some slides describing its construction and operation:<br>
<br><span>
 &nbsp; &nbsp; &nbsp;<a rel="nofollow" target="_blank" href="http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf">http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf</a></span><br>
<font color="#888888"><br>
 &nbsp;...Tim...<br>
<br>
</font></blockquote></div><br></div>
</div></div></div></div><div></div>


</div><br>

      </div></blockquote></div><br></div>
</div></div><div style="position:fixed"></div>


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From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 15:50:36 2011
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Date: Wed, 2 Mar 2011 15:50:35 +0000
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Subject: Re: monitoring cpu usage in bidule
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oh ok. .on a mac you can do almost the same thing. i've just set up activity
monitor to open on startup and display a little cpu graph as a float window
in the bottom corner of the screen

sim

On Wed, Mar 2, 2011 at 3:26 PM, Keith Smith <kahsmith@gmail.com> wrote:

> Don't think so. On windows? You can run the task manager minimized and
> set it to show the little bar graph in the notifications are of the
> task bar --but that probably costs more than its worth.
> k
>
> On Wed, Mar 2, 2011 at 8:00 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> >
> > is there a bidule for it? i normally have the main window minimised, so i
> can't see the dsp readout
> >
> > sim
>
>

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oh ok. .on a mac you can do almost the same thing. i&#39;ve just set up act=
ivity monitor to open on startup and display a little cpu graph as a float =
window in the bottom corner of the screen<br><br>sim<br><br><div class=3D"g=
mail_quote">
On Wed, Mar 2, 2011 at 3:26 PM, Keith Smith <span dir=3D"ltr">&lt;<a href=
=3D"mailto:kahsmith@gmail.com">kahsmith@gmail.com</a>&gt;</span> wrote:<br>=
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Don&#39;t think so. On windows? You can run the task manager minimized and<=
br>
set it to show the little bar graph in the notifications are of the<br>
task bar --but that probably costs more than its worth.<br>
<font color=3D"#888888">k<br>
</font><div><div></div><div class=3D"h5"><br>
On Wed, Mar 2, 2011 at 8:00 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt;<br>
&gt; is there a bidule for it? i normally have the main window minimised, s=
o i can&#39;t see the dsp readout<br>
&gt;<br>
&gt; sim<br>
<br>
</div></div></blockquote></div><br>

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On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> If you're in EU, then ebay for legal OEM edition
> from decommissioned machine.


please give me some more details so I can find it for sure


Per Boysen
that's  what I use - an old OEM version of XP SP2 that came with my
first Centrino laptop. The authorization code never worked on the
original PC so Microsoft sent me a new code. But on my Macbook the
original OEM authorization works and I run it inside a Bootcamp
partition. Costed me no extra money to set up.

Is there a particular version of XP I should hunt for, is SP2 a recommended 
version

If I can get WIndows / for free or very cheap, any reason not to get that?

Antony H


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div><font class="Apple-style-span" face="Tahoma"><span class="Apple-style-span" style="font-size: small;"><font class="Apple-style-span" face="arial, helvetica, sans-serif" size="6"><span class="Apple-style-span" style="font-size: 19px;"><br></span></font></span></font></div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><br>
On Wed, Mar 2, 2011 at 11:46 AM, andy butler &lt;<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>&gt; If you're in EU, then ebay for legal OEM edition<br>&gt; from decommissioned machine.<br><br></div><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><b>please give me some more details so I can find it for sure</b><br><br></div><div style="font-family:arial, helvetica, sans-serif;font-size:13px">Per Boysen</div><div style="font-family:arial, helvetica, sans-serif;font-size:13px">that's&nbsp; what I use - an old OEM version of XP SP2 that came with my<br>first Centrino laptop. The authorization code never worked on the<br>original PC so Microsoft sent me a new code. But on my Macbook the<br>original OEM authorization works and I run it inside a Bootcamp<br>partition. Costed me no extra money to set up.</div><div style="font-family:arial, helvetica,
 sans-serif;font-size:13px"><br></div><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><b>Is there a particular version of XP I should hunt for, is SP2 a recommended version</b></div><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><b><br></b></div><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><b>If I can get WIndows / for free or very cheap, any reason not to get that?</b></div><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><b><br></b></div><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><b>Antony H<br></b><br><br><br></div></div><div style="position:fixed"></div>


</div><br>

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Date: Wed, 2 Mar 2011 08:15:59 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack: is someone considering it?
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I am very interested in the Octotrack despite the silly film. Just want to see 
it work as a simple looper before I am ready to spend money on it.

Antony



________________________________
From: Bruno E. Kleinefeld <bruno.bk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 4:19:33 PM
Subject: RE: Elektron Octatrack: is someone considering it?


Hi Anders

yes I know you have it :)
from The Gear Page... I have been listening with attention to your samples, 
specially the guitar one. 

but the fact that one has really to LEARN IT, written in capitals... scares me.
Not that I do not want to learn... but I start to be tired to be surrounded by 
screaming things that ask me TO LEARN THEM!

It is just that the OT seems so intriguing... the first device in a while that 
explores (or promises to explore) new boundaries of the looping thing.
We'll probably have to wait and see what the new OS will bring. Keep us 
informed!


best

b:k


>
>
>Da: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
>
>Data: 02 marzo 2011 13.33.24 GMT+01.00
>
>A: Loopers Delight <loopers-delight@loopers-delight.com>
>
>Oggetto: RE: Elektron Octatrack: is someone considering it?
>
>
>
>I have an Octatrack since a few weeks but have not had time to REALLY learn it. 
>As it stands now it is not a looper as we usuallly define loopers... however you 
>can sample loop and mangle up to 16 seconds of input audio... You can sort of 
>overdup bu sampling main output including a "though" machine which can be youre 
>live signal with or without effects, trigless trigs and other nice stuff..
>With this version of OS (99e) sampling is a bit akward and you can't do it via 
>midi foot switch so as the only looper it's sort of lacking right now. The 
>effects are GREAT, and it also sort of works as a mixer. Live guitar and trough 
>machine on one input, you EDP or other looper on one input and 6 tracks to 
>sample the inputs and mangle them.. 
>
>When you have sampled soemthing almost ANY input can be turned in to rhythmic 
>patterns and its very easy to manipulte sounds live and still sound good. 
>Trigless trigs are a lote of fun, you can pitch shift at diffrent sequencer 
>steps and take a long tone and turn it into a melody, or a shot loop and pitch 
>it reversem stutter, apply effects.. once you undetstand that it is NOT a EDP 
>there are a lot of stuff you cant do on loopers that the Octa can do. It's man 
>power is as alive remix toll and rhytmcreator.. it is no problem staring with 
>zero samplas and built intresting peice live. It's more a live recordign device 
>with unique sound sculpturing capabilities than a looper right now... BUT with 
>midi and a loop machine toghter with what it already does with the Beta OS it 
>can be a really, really intresting new kind of tool.... i have two short clips 
>on soundcloud.. just experiments one guitar looping sort of thing and one where 
>i live sampled Splattercell and mangler it lika one could mangle a live band 
>sample...
>http://soundcloud.com/search?q%5Bfulltext%5D=anders+bergdahl
> 
>> Subject: Elektron Octatrack: is someone considering it?
>> From: bruno.bk@gmail.com
>> Date: Wed, 2 Mar 2011 12:37:48 +0100
>> To: Loopers-Delight@loopers-delight.com
>> 
>> Hi folks
>> 
>> I didn't see any recent discussion about the Elektron Octatrack here, a part 
>>the long polemic about the commercial, tough it is a month now that it is on the 
>>market.
>> 
>> The hype about it is pretty high. On the other hand for what I see on the 
>>Elektron users forum the first software release seems very buggy, but I guess 
>>that this is pretty normal for something so deep/complicated
>> I wrote to the Elektron guys and they told me that the Midi control 
>>implementation will be available in april, while the looper machine is "a little 
>>beyond that date". (Doing that in april means probably that they will not miss 
>>the Frankfurt MusikMesse without showing it debugged and midi-controled)
>> 
>> I am really thoughtful: the learning curve seems very steep. On the other hand 
>>the promises (we don't have much more then promises actually) are big: " The 
>>Octatrack can function like a looper. The only difference is that it will be 
>>much more powerful than your average looping device. Dedicated looper machines 
>>will be implemented in coming OS updates."
>> 
>> On The Gear Page there is a long detailed discussion and even David Torn has 
>>showed proactive interest... 
>>
>> 
>> Did anybody here already try it?
>> 
>> Are you digging/waiting it?
>
>
>



      
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Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I am very interested in the Octotrack despite the silly film. Just want to see it work as a simple looper before I am ready to spend money on it.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Bruno E. Kleinefeld &lt;bruno.bk@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 4:19:33 PM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: Elektron Octatrack: is someone considering it?<br></font><br><div>Hi
 Anders</div><div><br></div><div>yes I know you have it :)</div><div>from The Gear Page... I have been listening with attention to your samples, specially the guitar one.&nbsp;</div><div><br></div><div>but the fact that one has really to LEARN IT, written in capitals... scares me.</div><div>Not that I do not want to learn... but I start to be tired to be surrounded by screaming things that ask me TO LEARN THEM!</div><div><br></div><div>It is just that the OT seems so intriguing... the first device in a while that explores (or promises to explore) new boundaries of the looping thing.</div><div>We'll probably have to wait and see what the new OS will bring. Keep us informed!</div><div><br></div><div><br></div><div>best</div><div><br></div><div>b:k</div><div><br></div><div><blockquote type="cite"><div class="gmail_quote"></div>
<br><br><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><span style="font-family:'Helvetica';font-size:medium;"><b>Da: </b></span><span style="font-family:'Helvetica';font-size:medium;">Anders Bergdahl &lt;<a rel="nofollow" ymailto="mailto:anders_e_bergdahl@hotmail.com" target="_blank" href="mailto:anders_e_bergdahl@hotmail.com">anders_e_bergdahl@hotmail.com</a>&gt;<br></span></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><span style="font-family:'Helvetica';font-size:medium;"><b>Data: </b></span><span style="font-family:'Helvetica';font-size:medium;">02 marzo 2011 13.33.24 GMT+01.00<br></span></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><span style="font-family:'Helvetica';font-size:medium;"><b>A: </b></span><span style="font-family:'Helvetica';font-size:medium;">Loopers Delight &lt;<a rel="nofollow"
 ymailto="mailto:loopers-delight@loopers-delight.com" target="_blank" href="mailto:loopers-delight@loopers-delight.com">loopers-delight@loopers-delight.com</a>&gt;<br></span></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><span style="font-family:'Helvetica';font-size:medium;"><b>Oggetto: </b></span><span style="font-family:'Helvetica';font-size:medium;"><b>RE: Elektron Octatrack: is someone considering it?</b><br></span></div><br><br><div class="hmmessage">
I have an Octatrack since a few&nbsp;weeks but have not had time to REALLY learn it. As it stands now it is not a looper as we usuallly define loopers... however you can sample loop and mangle up to 16 seconds of input audio... You can sort of overdup bu sampling main output including a "though"&nbsp;machine which can be youre live signal with or without effects, trigless trigs and other nice stuff..<br>
With this version of OS (99e) sampling is a bit akward and you can't do it via midi&nbsp;foot switch so&nbsp;as the only looper it's sort of lacking right now. The effects are GREAT, and it also sort of works as a mixer. Live guitar and trough machine&nbsp;on one input, you EDP or other&nbsp;looper on one input and 6 tracks to sample the inputs and mangle them.. <br>
When you have sampled soemthing almost ANY input&nbsp;can be turned in to rhythmic patterns and its very easy to manipulte sounds live and still sound good. Trigless trigs are a lote of fun, you can pitch shift at diffrent sequencer steps and take a long tone and turn it into a melody, or a shot loop and pitch it reversem stutter, apply effects.. once you undetstand that it is NOT a EDP there are a lot of stuff you cant&nbsp;do on loopers that the Octa can do. It's man power is as alive remix toll and rhytmcreator.. it is no problem staring with zero samplas and built intresting peice live. It's more a live recordign device with unique sound sculpturing capabilities than a looper right now... BUT with midi and a loop machine toghter with what it already does with the Beta OS it can be a really, really intresting new kind of tool.... i have&nbsp;two short clips on soundcloud.. just experiments one guitar&nbsp;looping sort of&nbsp;thing and one where i
 live sampled Splattercell and mangler it lika one could mangle a live band sample...<br>
<a rel="nofollow" target="_blank" href="http://soundcloud.com/search?q%5Bfulltext%5D=anders+bergdahl">http://soundcloud.com/search?q%5Bfulltext%5D=anders+bergdahl</a><br>&nbsp;<br>
&gt; Subject: Elektron Octatrack: is someone considering it?<br>&gt; From: <a rel="nofollow" ymailto="mailto:bruno.bk@gmail.com" target="_blank" href="mailto:bruno.bk@gmail.com">bruno.bk@gmail.com</a><br>&gt; Date: Wed, 2 Mar 2011 12:37:48 +0100<br>&gt; To: <a rel="nofollow" ymailto="mailto:Loopers-Delight@loopers-delight.com" target="_blank" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>&gt; <br>&gt; Hi folks<br>&gt; <br>&gt; I didn't see any recent discussion about the Elektron Octatrack here, a part the long polemic about the commercial, tough it is a month now that it is on the market.<br>&gt; <br>&gt; The hype about it is pretty high. On the other hand for what I see on the Elektron users forum the first software release seems very buggy, but I guess that this is pretty normal for something so deep/complicated<br>&gt; I wrote to the Elektron guys and they told me that the Midi control implementation
 will be available in april, while the looper machine is "a little beyond that date". (Doing that in april means probably that they will not miss the Frankfurt MusikMesse without showing it debugged and midi-controled)<br>&gt; <br>&gt; I am really thoughtful: the learning curve seems very steep. On the other hand the promises (we don't have much more then promises actually) are big: " The Octatrack can function like a looper. The only difference is that it will be much more powerful than your average looping device. Dedicated looper machines will be implemented in coming OS updates."<br>&gt; <br>&gt; On The Gear Page there is a long detailed discussion and even David Torn has showed proactive interest... <br>&gt; <br>&gt; Did anybody here already try it?<br>&gt; <br>&gt; Are you digging/waiting it?<br> 		 	   		  </div>
<br><br></blockquote></div><br></div></div><div style="position:fixed"></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 16:18:44 2011
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Date: Wed, 2 Mar 2011 11:18:40 -0500
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Subject: Re: windows on Mac
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm running Windows 7 Ultimate that I picked up on ebay for 150 $CAD.
The mac runs a bit hotter under windows and the keyboard baklight has
a life of its own.  But it works fine.  My only problem is that I've
gotten used to using multiple fingers for various actions on my
trakpad and I haven't been able to replicate that on windows 7
(haven't spent a lot of time on this, probably could work).  That and
I keep hitting mac keyboard shortcuts with no results.  I don't think
I can dual boot my mind.

Sylvain

On Wed, Mar 2, 2011 at 10:56 AM,  <antonyhequet@yahoo.com> wrote:
>
>
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wro=
te:
>> If you're in EU, then ebay for legal OEM edition
>> from decommissioned machine.
>
> please give me some more details so I can find it for sure
>
> Per Boysen
> that's=A0 what I use - an old OEM version of XP SP2 that came with my
> first Centrino laptop. The authorization code never worked on the
> original PC so Microsoft sent me a new code. But on my Macbook the
> original OEM authorization works and I run it inside a Bootcamp
> partition. Costed me no extra money to set up.
> Is there a particular version of XP I should hunt for, is SP2 a recommend=
ed
> version
> If I can get WIndows / for free or very cheap, any reason not to get that=
?
> Antony H
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 16:21:21 2011
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Date: Wed, 2 Mar 2011 09:21:20 -0700
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Subject: Re: windows on Mac
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FWIW, policy here (Canada) seems to be that you qualify for OEM
pricing on Windows if you buy a new hard drive at the same time.
I did that with XP for the lappy, and more recently with Win7 64 for my des=
ktop.
k

On Wed, Mar 2, 2011 at 8:56 AM,  <antonyhequet@yahoo.com> wrote:
>
>
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wro=
te:
>> If you're in EU, then ebay for legal OEM edition
>> from decommissioned machine.
>
> please give me some more details so I can find it for sure
>
> Per Boysen
> that's=A0 what I use - an old OEM version of XP SP2 that came with my
> first Centrino laptop. The authorization code never worked on the
> original PC so Microsoft sent me a new code. But on my Macbook the
> original OEM authorization works and I run it inside a Bootcamp
> partition. Costed me no extra money to set up.
> Is there a particular version of XP I should hunt for, is SP2 a recommend=
ed
> version
> If I can get WIndows / for free or very cheap, any reason not to get that=
?
> Antony H

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 16:24:30 2011
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Date: Wed, 2 Mar 2011 08:18:02 -0800
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Subject: Re: windows on Mac
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When I installed XP on my Macbook I seem to recall that it stated it
HAS to be XP with SP2 or above.

As always, I could be wrong though.

Kevin

On Wed, Mar 2, 2011 at 7:56 AM,  <antonyhequet@yahoo.com> wrote:
>
>
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wro=
te:
>> If you're in EU, then ebay for legal OEM edition
>> from decommissioned machine.
>
> please give me some more details so I can find it for sure
>
> Per Boysen
> that's=A0 what I use - an old OEM version of XP SP2 that came with my
> first Centrino laptop. The authorization code never worked on the
> original PC so Microsoft sent me a new code. But on my Macbook the
> original OEM authorization works and I run it inside a Bootcamp
> partition. Costed me no extra money to set up.
> Is there a particular version of XP I should hunt for, is SP2 a recommend=
ed
> version
> If I can get WIndows / for free or very cheap, any reason not to get that=
?
> Antony H
>
>
>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Date: Wed, 2 Mar 2011 08:46:00 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: windows on Mac
To: Loopers-Delight@loopers-delight.com
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OK so SP2
sounds like a useful choice so far...



________________________________
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 5:18:02 PM
Subject: Re: windows on Mac

When I installed XP on my Macbook I seem to recall that it stated it
HAS to be XP with SP2 or above.

As always, I could be wrong though.

Kevin

On Wed, Mar 2, 2011 at 7:56 AM,  <antonyhequet@yahoo.com> wrote:
>
>
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>> If you're in EU, then ebay for legal OEM edition
>> from decommissioned machine.
>
> please give me some more details so I can find it for sure
>
> Per Boysen
> that's  what I use - an old OEM version of XP SP2 that came with my
> first Centrino laptop. The authorization code never worked on the
> original PC so Microsoft sent me a new code. But on my Macbook the
> original OEM authorization works and I run it inside a Bootcamp
> partition. Costed me no extra money to set up.
> Is there a particular version of XP I should hunt for, is SP2 a recommended
> version
> If I can get WIndows / for free or very cheap, any reason not to get that?
> Antony H
>
>
>
>
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>OK so SP2</div><div>sounds like a useful choice so far...</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Kevin Cheli-Colando &lt;billowhead@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 5:18:02 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: windows on Mac<br></font><br>When I installed XP on my Macbook I seem to recall that it stated it<br>HAS to be XP with SP2 or above.<br><br>As always, I could be wrong though.<br><br>Kevin<br><br>On Wed, Mar 2, 2011 at 7:56
 AM,&nbsp; &lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt;<br>&gt;<br>&gt; On Wed, Mar 2, 2011 at 11:46 AM, andy butler &lt;<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>&gt;&gt; If you're in EU, then ebay for legal OEM edition<br>&gt;&gt; from decommissioned machine.<br>&gt;<br>&gt; please give me some more details so I can find it for sure<br>&gt;<br>&gt; Per Boysen<br>&gt; that's&nbsp; what I use - an old OEM version of XP SP2 that came with my<br>&gt; first Centrino laptop. The authorization code never worked on the<br>&gt; original PC so Microsoft sent me a new code. But on my Macbook the<br>&gt; original OEM authorization works and I run it inside a Bootcamp<br>&gt; partition. Costed me no extra money to set up.<br>&gt; Is there a particular version of XP I should hunt for, is SP2 a
 recommended<br>&gt; version<br>&gt; If I can get WIndows / for free or very cheap, any reason not to get that?<br>&gt; Antony H<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br><br><br><br>-- <br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br><br>Sound and Vision:&nbsp; <a href="http://www.minds-eye.org" target="_blank">http://www.minds-eye.org</a><br>Video <a href="http://www.vimeo.com/user877640/videos" target="_blank">http://www.vimeo.com/user877640/videos</a><br><br></div></div><div style="position:fixed"></div>


</div><br>

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Date: Wed, 2 Mar 2011 08:46:52 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: windows on Mac
To: Loopers-Delight@loopers-delight.com
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i can dual boot my mind and it's a mess:-)



________________________________
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 5:18:40 PM
Subject: Re: windows on Mac

I'm running Windows 7 Ultimate that I picked up on ebay for 150 $CAD.
The mac runs a bit hotter under windows and the keyboard baklight has
a life of its own.  But it works fine.  My only problem is that I've
gotten used to using multiple fingers for various actions on my
trakpad and I haven't been able to replicate that on windows 7
(haven't spent a lot of time on this, probably could work).  That and
I keep hitting mac keyboard shortcuts with no results.  I don't think
I can dual boot my mind.

Sylvain

On Wed, Mar 2, 2011 at 10:56 AM,  <antonyhequet@yahoo.com> wrote:
>
>
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>> If you're in EU, then ebay for legal OEM edition
>> from decommissioned machine.
>
> please give me some more details so I can find it for sure
>
> Per Boysen
> that's  what I use - an old OEM version of XP SP2 that came with my
> first Centrino laptop. The authorization code never worked on the
> original PC so Microsoft sent me a new code. But on my Macbook the
> original OEM authorization works and I run it inside a Bootcamp
> partition. Costed me no extra money to set up.
> Is there a particular version of XP I should hunt for, is SP2 a recommended
> version
> If I can get WIndows / for free or very cheap, any reason not to get that?
> Antony H
>
>
>
>
>


      
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Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>i can dual boot my mind and it's a mess:-)</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Sylvain Poitras &lt;sylvain.trombone@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 5:18:40 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: windows on Mac<br></font><br>
I'm running Windows 7 Ultimate that I picked up on ebay for 150 $CAD.<br>The mac runs a bit hotter under windows and the keyboard baklight has<br>a life of its own.&nbsp; But it works fine.&nbsp; My only problem is that I've<br>gotten used to using multiple fingers for various actions on my<br>trakpad and I haven't been able to replicate that on windows 7<br>(haven't spent a lot of time on this, probably could work).&nbsp; That and<br>I keep hitting mac keyboard shortcuts with no results.&nbsp; I don't think<br>I can dual boot my mind.<br><br>Sylvain<br><br>On Wed, Mar 2, 2011 at 10:56 AM,&nbsp; &lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt;<br>&gt;<br>&gt; On Wed, Mar 2, 2011 at 11:46 AM, andy butler &lt;<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>&gt;&gt; If you're in EU, then ebay for legal OEM
 edition<br>&gt;&gt; from decommissioned machine.<br>&gt;<br>&gt; please give me some more details so I can find it for sure<br>&gt;<br>&gt; Per Boysen<br>&gt; that's&nbsp; what I use - an old OEM version of XP SP2 that came with my<br>&gt; first Centrino laptop. The authorization code never worked on the<br>&gt; original PC so Microsoft sent me a new code. But on my Macbook the<br>&gt; original OEM authorization works and I run it inside a Bootcamp<br>&gt; partition. Costed me no extra money to set up.<br>&gt; Is there a particular version of XP I should hunt for, is SP2 a recommended<br>&gt; version<br>&gt; If I can get WIndows / for free or very cheap, any reason not to get that?<br>&gt; Antony H<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br><br></div></div><div style="position:fixed"></div>


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Date: Wed, 2 Mar 2011 08:48:49 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: windows on Mac
To: Loopers-Delight@loopers-delight.com
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That's kool. Hey i can never thank everyone here enough: I need to get my head 
in upgrade ode and this is SOOOO helpful, I have no words to say it properly!

Antony



________________________________
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 5:21:20 PM
Subject: Re: windows on Mac

FWIW, policy here (Canada) seems to be that you qualify for OEM
pricing on Windows if you buy a new hard drive at the same time.
I did that with XP for the lappy, and more recently with Win7 64 for my desktop.
k

On Wed, Mar 2, 2011 at 8:56 AM,  <antonyhequet@yahoo.com> wrote:
>
>
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>> If you're in EU, then ebay for legal OEM edition
>> from decommissioned machine.
>
> please give me some more details so I can find it for sure
>
> Per Boysen
> that's  what I use - an old OEM version of XP SP2 that came with my
> first Centrino laptop. The authorization code never worked on the
> original PC so Microsoft sent me a new code. But on my Macbook the
> original OEM authorization works and I run it inside a Bootcamp
> partition. Costed me no extra money to set up.
> Is there a particular version of XP I should hunt for, is SP2 a recommended
> version
> If I can get WIndows / for free or very cheap, any reason not to get that?
> Antony H


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>That's kool. Hey i can never thank everyone here enough: I need to get my head in upgrade ode and this is SOOOO helpful, I have no words to say it properly!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Keith Smith &lt;kahsmith@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 5:21:20 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: windows on Mac<br></font><br>
FWIW, policy here (Canada) seems to be that you qualify for OEM<br>pricing on Windows if you buy a new hard drive at the same time.<br>I did that with XP for the lappy, and more recently with Win7 64 for my desktop.<br>k<br><br>On Wed, Mar 2, 2011 at 8:56 AM,&nbsp; &lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt;<br>&gt;<br>&gt; On Wed, Mar 2, 2011 at 11:46 AM, andy butler &lt;<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>&gt;&gt; If you're in EU, then ebay for legal OEM edition<br>&gt;&gt; from decommissioned machine.<br>&gt;<br>&gt; please give me some more details so I can find it for sure<br>&gt;<br>&gt; Per Boysen<br>&gt; that's&nbsp; what I use - an old OEM version of XP SP2 that came with my<br>&gt; first Centrino laptop. The authorization code never worked on the<br>&gt; original PC so
 Microsoft sent me a new code. But on my Macbook the<br>&gt; original OEM authorization works and I run it inside a Bootcamp<br>&gt; partition. Costed me no extra money to set up.<br>&gt; Is there a particular version of XP I should hunt for, is SP2 a recommended<br>&gt; version<br>&gt; If I can get WIndows / for free or very cheap, any reason not to get that?<br>&gt; Antony H<br><br></div></div><div style="position:fixed"></div>


</div><br>

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Subject: Re: windows on Mac
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On Wed, Mar 2, 2011 at 5:46 PM,  <antonyhequet@yahoo.com> wrote:
> OK so SP2
> sounds like a useful choice so far...

...and remember: If it works well with your audio applications do not
- repeat DO NOT - take the recent MS online updates! Leave the system
as it is and use the lappy as a hardware box. No Internet, no spam
protection utilities etc etc. For stuff like that you can re-boot into
the less fragile OS X.

A good idea, when using XP under Bootcamp on a Mac, is to format the
Windows partition in a format that is readable from the Mac side. I
think this format is called FAT, FAT32 or something like that. That
way you may always record a live stereo file as you are playing and
access it also when booted into the OS X.

Per

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Subject: Re: Mobius scripts audio examples
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awesome Keith,sounds like a hip trick as well ill be checking that out !
thanx a lot
Luis

On Wed, Mar 2, 2011 at 12:11 AM, Keith Smith <kahsmith@gmail.com> wrote:
> Nice ideas Simeon, I'll be messing with that for sure.
>
>
> Luis,this may (or may not) be of interest to you. I had floated the idea
> quite some time ago, but the example I posted was way to long and the ide=
a
> may not have been clear enough.
>
> A while back, when Per made a few posts about the Chapman stick tuning, I
> got interested in playing with stacks of perfect 5ths laid down on separa=
te
> tracks and and then pitch shifting the tracks individually in order to
> define different harmonic functions. Since I was interested in a rythmic
> ostenato for this, I never even considered the rate shifting that Simeon =
is
> using and the pitch shift in Mobius needs a bit more development before i=
t's
> ready for showtime.
>
> I played around with several VST's in Bidule and found that 'Son of a Pit=
ch'
> seemed to be efficient enough that I could run several instances on my ol=
d
> Dell 6400 without choking. So I set up 6 instances of 'SOP' on the first
> three stereo outputs of a Matrix which was connected to the Mobius Stereo
> outputs.=A0 You'll see the layout in the this group.
>
> http://www.samplesmith.com/LD/SOP_PitchShift_Mobius.bgrp
>
> http:/ww.samplesmith.com/LD/PitchShifted.mp3 =A0=A0=A0 links to a little =
demo
> where I lay down a quick 3 loops (any rhythm or note order you want, of
> course) and just play some scalar stuff to illustrate the idea.
>
> The way it works is:
> 00:00:00=A0=A0 1. Record a stack on Track 1 Notes C, G, D
> 00:02:11=A0=A0=A0 2. Record a stack on Track 2 Notes Eb, Bb, F
> 00:02:22 =A0=A0 3. Record a stack on Track 3 Notes G, D, A
>
> This gives you a nice C- Dorian chord to blow on.
> Now you can shift the tracks individually. The descriptions here relate t=
o
> the the unshifted (original) notes.
>
> 00:27:05 Shift Track 2 up a semi-tone and it goes to C Lydian, say Cmaj7#=
11
>
> 00:40:11=A0 Shift Track 2 up a semitone and Track 3 up a tone and you sti=
ll
> have a Lydian scale but substituting A, E F# for the G, D, A it's a
> different flavor.
>
> 00:49:18=A0 Shift Track 2 up a Tone (to F, C G) and Track 3 up a tone and=
 you
> get a similar thing but with an F natural in the mix, suggesting a IV cho=
rd.
>
> 00:58:18=A0 Dropping all 3 tracks a semitone gives a substitue for a V
> function -at least that's how I use it.
>
> 01:07:22=A0=A0 And dropping Track 2 a semitone gives a D Dorian sound whi=
ch can
> work for a ii or a IV chord.
>
> 01:17=A0=A0=A0=A0=A0 Back to the original=A0 C Dorian -forgive the bloope=
r!
>
> The way I set it up in Bidule was to preset the individual instances of S=
OP
> to plus or minus 1 or 2 semitones and then turn them on or off as require=
d,
> so if you load the group you'll see, TR1_SOP -1 CC56, meaning Track 1, So=
n
> of a Pitch, minus 1 semitone, controlled by CC56, etc etc.
>
> The reason for the matrix was to route Mobius tracks 5,6 and 7 through th=
e
> same shifters as 1,2 and three. That way, I could record some more ethere=
al
> stuff (differing loop lengths work fine) on those tracks and they would
> change function with the chords. The complication with that is you are
> restricted to the same note groups on on those tracks as you are on 1,2 a=
nd
> 3. So, it is a bit challenging to stay within the parameters.
> Track 4 is unshifted, giving a safe place to 'land' after recording the
> initial loops and also provides a 'blowing' track that won't get pitch
> shifted while you're soloing (can get interesting if you don't do this).
>
> =A0 I started doing some analysis on this but got distracted with some gi=
gs at
> the time. Here's a pdf that might offer some ideas -unfinished.
>
> This certainly isn't for everybody, and it ain't the 'be all and end all'
> for harmonizing, but it does offer quick loop build up and excellent voic=
e
> leading. It might be more practical on midi controllers with *lots* of
> buttons, because there are obviously way more options than I've listed he=
re.
>
> I hope someone has some fun with it.
> k
>
>
>

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Subject: seamless loops & windows tools (ambiloop vs Mobius)
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--00163631012f1f63d2049d83123f
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Hi all

I compose sort of ambient music (
http://solyaris.altervista.org<http://solyaris.altervista.org/mellowstasis.htm>)
and I wish to come back to possibly use loops as compositional bricks.
So,
In past I happly used ambiloop ( http://www.ambiloop.com/ ) on windows os,
to record some live performances loops (usually with high overdubbing); my
aim was to produce seamless loops soundscapes (I used a volume pedal to do
smooth fade-in / fade-out)... so the loops just recorded loops sounded
perfect (seamless = without clicks) during immediate playback inside the sw,
but saving to disk these loops (tracks) for further elaboration with an
external wave editor, sometime (or always.. I do not remember), the saved
.wav audio files contained clicks ( = no seamless loop); Anyway I solved
things and the final result was my piece "Frogs Fall from Sky in the
Magnolia Dales" ( http://solyaris.altervista.org/mellowstasis.htm ).

Indeed, does the alternative sw Mobius ( http://www.circularlabs.com ) save
.wav without start-end clicks / artifacts ?
(Sorry for my strange question: I can't record and test myself these days).


BTW, There is a Windows wave editor that can really help on producing
seamless loops ?
I mean something like the no-more-available
http://www.sonicspot.com/zero-xseamlesslooper/zero-xseamlesslooper.html ?

Any suggestion welcome
giorgio

--00163631012f1f63d2049d83123f
Content-Type: text/html; charset=UTF-8
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Hi all<br><br>I compose sort of ambient music ( <a href=3D"http://solyaris.=
altervista.org/mellowstasis.htm" target=3D"_blank">http://solyaris.altervis=
ta.org</a> ) and I wish to come back to possibly use loops as compositional=
 bricks. So, In past I happly used ambiloop ( <a href=3D"http://www.ambiloo=
p.com/">http://www.ambiloop.com/</a> ) on windows os, to record some live p=
erformances loops (usually with=20
high overdubbing); my aim was to produce seamless loops soundscapes (I=20
used a volume pedal to do smooth fade-in / fade-out)... so the loops=20
just recorded loops sounded perfect (seamless =3D without clicks) during=20
immediate playback inside the sw, but saving to disk these loops (tracks) f=
or further elaboration with an=20
external wave editor, sometime (or always.. I do not remember), the=20
saved .wav audio files contained clicks ( =3D no seamless loop); Anyway I s=
olved things and the final result was my piece &quot;Frogs Fall from Sky in=
 the Magnolia Dales&quot; ( <a href=3D"http://solyaris.altervista.org/mello=
wstasis.htm" target=3D"_blank">http://solyaris.altervista.org/mellowstasis.=
htm</a> ).<br>

<br>Indeed, does the alternative sw Mobius ( <a href=3D"http://www.circular=
labs.com">http://www.circularlabs.com</a> ) save .wav without start-end cli=
cks / artifacts ? <br>(Sorry for my strange question: I can&#39;t record an=
d test myself these days).<br>


<br><br>BTW, There is a Windows wave editor that can really help on produci=
ng seamless loops ? <br>I mean something like the no-more-available <a href=
=3D"http://www.sonicspot.com/zero-xseamlesslooper/zero-xseamlesslooper.html=
">http://www.sonicspot.com/zero-xseamlesslooper/zero-xseamlesslooper.html</=
a> ?<br>


<br>
Any suggestion welcome<br>giorgio<br clear=3D"all"><br>

--00163631012f1f63d2049d83123f--

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Date: Wed, 2 Mar 2011 10:19:44 -0700
Message-ID: <AANLkTimR=YC9zYbRxSUXjofvb6b+NYeDCPa2qB-R_1AQ@mail.gmail.com>
Subject: Re: windows on Mac
From: Dennis Moser <sinsofmachaut@gmail.com>
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And for those of you considering a brand-new Macbook (as being
announced this week), BE ADVISED THAT WINDOWS XP IS NO LONGER GOING TO
BE SUPPORTED UNDER BOOTCAMP. (Yes, the caps were by design...).
Details and discussion here:

http://www.iclarified.com/entry/comments.php?enid=14075#commentsanchor

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Wed, Mar 2, 2011 at 2:37 AM,  <antonyhequet@yahoo.com> wrote:
> I know some of you run windows on a Mac. I have a couple of questions:
> - what is the cheapest way to get a version of windows to install on a Mac
> Book Pro?
> - what is the best windows version to install?
> I plan to use windows run some editors for some synths and pedals I have.
> Antony Hequet
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 17:22:43 2011
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Date: Wed, 2 Mar 2011 17:22:40 +0000
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Subject: Re: seamless loops & windows tools (ambiloop vs Mobius)
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6eb0c012928049d83298c
Content-Type: text/plain; charset=ISO-8859-1

software loopers tend to use small crossfades between the ends of the loops
so they sound seamless. once saved, the corssfades are no longer there, so
can lead to clicks. i don't know if mobius saves loops with the crossfades
intact. hopefully jeff will be able to chime in here.

sim

On Wed, Mar 2, 2011 at 5:15 PM, Giorgio Robino <giorgio.robino@gmail.com>wrote:

> Hi all
>
> I compose sort of ambient music ( http://solyaris.altervista.org<http://solyaris.altervista.org/mellowstasis.htm>) and I wish to come back to possibly use loops as compositional bricks. So,
> In past I happly used ambiloop ( http://www.ambiloop.com/ ) on windows os,
> to record some live performances loops (usually with high overdubbing); my
> aim was to produce seamless loops soundscapes (I used a volume pedal to do
> smooth fade-in / fade-out)... so the loops just recorded loops sounded
> perfect (seamless = without clicks) during immediate playback inside the sw,
> but saving to disk these loops (tracks) for further elaboration with an
> external wave editor, sometime (or always.. I do not remember), the saved
> .wav audio files contained clicks ( = no seamless loop); Anyway I solved
> things and the final result was my piece "Frogs Fall from Sky in the
> Magnolia Dales" ( http://solyaris.altervista.org/mellowstasis.htm ).
>
> Indeed, does the alternative sw Mobius ( http://www.circularlabs.com )
> save .wav without start-end clicks / artifacts ?
> (Sorry for my strange question: I can't record and test myself these days).
>
>
> BTW, There is a Windows wave editor that can really help on producing
> seamless loops ?
> I mean something like the no-more-available
> http://www.sonicspot.com/zero-xseamlesslooper/zero-xseamlesslooper.html ?
>
> Any suggestion welcome
> giorgio
>
>

--000e0cd6eb0c012928049d83298c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

software loopers tend to use small crossfades between the ends of the loops=
 so they sound seamless. once saved, the corssfades are no longer there, so=
 can lead to clicks. i don&#39;t know if mobius saves loops with the crossf=
ades intact. hopefully jeff will be able to chime in here.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Wed, Mar 2, 2011 at 5:15 PM, G=
iorgio Robino <span dir=3D"ltr">&lt;<a href=3D"mailto:giorgio.robino@gmail.=
com">giorgio.robino@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rg=
b(204, 204, 204); padding-left: 1ex;">
Hi all<br><br>I compose sort of ambient music ( <a href=3D"http://solyaris.=
altervista.org/mellowstasis.htm" target=3D"_blank">http://solyaris.altervis=
ta.org</a> ) and I wish to come back to possibly use loops as compositional=
 bricks. So, In past I happly used ambiloop ( <a href=3D"http://www.ambiloo=
p.com/" target=3D"_blank">http://www.ambiloop.com/</a> ) on windows os, to =
record some live performances loops (usually with=20
high overdubbing); my aim was to produce seamless loops soundscapes (I=20
used a volume pedal to do smooth fade-in / fade-out)... so the loops=20
just recorded loops sounded perfect (seamless =3D without clicks) during=20
immediate playback inside the sw, but saving to disk these loops (tracks) f=
or further elaboration with an=20
external wave editor, sometime (or always.. I do not remember), the=20
saved .wav audio files contained clicks ( =3D no seamless loop); Anyway I s=
olved things and the final result was my piece &quot;Frogs Fall from Sky in=
 the Magnolia Dales&quot; ( <a href=3D"http://solyaris.altervista.org/mello=
wstasis.htm" target=3D"_blank">http://solyaris.altervista.org/mellowstasis.=
htm</a> ).<br>


<br>Indeed, does the alternative sw Mobius ( <a href=3D"http://www.circular=
labs.com" target=3D"_blank">http://www.circularlabs.com</a> ) save .wav wit=
hout start-end clicks / artifacts ? <br>(Sorry for my strange question: I c=
an&#39;t record and test myself these days).<br>



<br><br>BTW, There is a Windows wave editor that can really help on produci=
ng seamless loops ? <br>I mean something like the no-more-available <a href=
=3D"http://www.sonicspot.com/zero-xseamlesslooper/zero-xseamlesslooper.html=
" target=3D"_blank">http://www.sonicspot.com/zero-xseamlesslooper/zero-xsea=
mlesslooper.html</a> ?<br>



<br>
Any suggestion welcome<br><font color=3D"#888888">giorgio<br clear=3D"all">=
<br>
</font></blockquote></div><br>

--000e0cd6eb0c012928049d83298c--

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Date: Wed, 2 Mar 2011 09:53:10 -0800
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Subject: Re: windows on Mac
From: Rafael Nunes <supersimples@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba4fc2480a11af049d839685
Content-Type: text/plain; charset=ISO-8859-1

Just popped in to say this, and mention that Windows 7 is pretty damn solid
for running Audio apps at this point, and you can take full advantage of RAM
and cpu. Just my 2 cents. XP SP2 is super solid, but if you need any ram/cpu
intensive vst's or synths, I recommend Windows 7 x64

On Wed, Mar 2, 2011 at 9:19 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> And for those of you considering a brand-new Macbook (as being
> announced this week), BE ADVISED THAT WINDOWS XP IS NO LONGER GOING TO
> BE SUPPORTED UNDER BOOTCAMP. (Yes, the caps were by design...).
> Details and discussion here:
>
> http://www.iclarified.com/entry/comments.php?enid=14075#commentsanchor
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Wed, Mar 2, 2011 at 2:37 AM,  <antonyhequet@yahoo.com> wrote:
> > I know some of you run windows on a Mac. I have a couple of questions:
> > - what is the cheapest way to get a version of windows to install on a
> Mac
> > Book Pro?
> > - what is the best windows version to install?
> > I plan to use windows run some editors for some synths and pedals I have.
> > Antony Hequet
> >
>
>


-- 
Rafa's One Man Band Online:
http://rafasonemanband.bandcamp.com/
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
http://www.youtube.com/watch?v=Zwwsee6K1Sc
http://vimeo.com/11499020
http://www.myspace.com/rafasonemanband

--90e6ba4fc2480a11af049d839685
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just popped in to say this, and mention that Windows 7 is pretty damn solid=
 for running Audio apps at this point, and you can take full advantage of R=
AM and cpu. Just my 2 cents. XP SP2 is super solid, but if you need any ram=
/cpu intensive vst&#39;s or synths, I recommend Windows 7 x64=A0<br>
<br><div class=3D"gmail_quote">On Wed, Mar 2, 2011 at 9:19 AM, Dennis Moser=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.com">sinsofmac=
haut@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
And for those of you considering a brand-new Macbook (as being<br>
announced this week), BE ADVISED THAT WINDOWS XP IS NO LONGER GOING TO<br>
BE SUPPORTED UNDER BOOTCAMP. (Yes, the caps were by design...).<br>
Details and discussion here:<br>
<br>
<a href=3D"http://www.iclarified.com/entry/comments.php?enid=3D14075#commen=
tsanchor" target=3D"_blank">http://www.iclarified.com/entry/comments.php?en=
id=3D14075#commentsanchor</a><br>
<br>
Best,<br>
<br>
Dennis<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
On Wed, Mar 2, 2011 at 2:37 AM, =A0&lt;<a href=3D"mailto:antonyhequet@yahoo=
.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>
&gt; I know some of you run windows on a Mac. I have a couple of questions:=
<br>
&gt; - what is the cheapest way to get a version of windows to install on a=
 Mac<br>
&gt; Book Pro?<br>
&gt; - what is the best windows version to install?<br>
&gt; I plan to use windows run some editors for some synths and pedals I ha=
ve.<br>
&gt; Antony Hequet<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Rafa&#39;s =
One Man Band Online:<br><a href=3D"http://rafasonemanband.bandcamp.com/" ta=
rget=3D"_blank">http://rafasonemanband.bandcamp.com/</a><br><a href=3D"http=
://www.facebook.com/pages/Rafas-One-Man-Band/33261753239" target=3D"_blank"=
>http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239</a><div>
<a href=3D"http://www.youtube.com/watch?v=3DZwwsee6K1Sc" target=3D"_blank">=
http://www.youtube.com/watch?v=3DZwwsee6K1Sc</a><br><a href=3D"http://vimeo=
.com/11499020" target=3D"_blank">http://vimeo.com/11499020</a><br><a href=
=3D"http://www.myspace.com/rafasonemanband" target=3D"_blank">http://www.my=
space.com/rafasonemanband</a></div>
<br>

--90e6ba4fc2480a11af049d839685--

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Date: Wed, 2 Mar 2011 10:10:51 -0800
Subject: FS: Monome 40h - $300 
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
 "AH" <analogue@hyperreal.org>
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Due to flakes all sales have fallen through. Lowering price to speed
things up. Please email if you'd actually like to buy it :)

Monome 40h  - $300.00 US

Great condition, no scratches or issues.
New pics up at http://daedsound.com/Salez/FS.htm

If you're reading this you probably know all about this little monster.=20
PC or Mac USB interface synth/sampler/controller.  All sorts of free
software running under MAX/MSP (free runtime available).  All LEDs
(GREEN!), interface, etc work (I was running it on a Windows XP laptop.)

Full info up at: http://monome.org/devices


Can accept USPS MO or Personal Paypal payment (or buyer pays PP fees).
Will ship anywhere or pick up in Phila PA.

Possible trades:

EH POG II
Clean Bass head - Something clean and powerful for small club use.
Roland Bass Synth pickup/setup
Modcan A Modules



--=20
     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 18:12:38 2011
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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Re: windows on Mac
Date: Wed, 2 Mar 2011 13:12:31 -0500
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I might try running a win7 with a live looping setup to test it against =
my OSX setup. I have some glitches with Mobius/Mainstage using a =
fireface UC that I'm trying to solve before a couple shows I have in =
April. Anybody have any good website links on the proper =
optimizations(what to turn off) for low latency audio in Win7?=20

-Todd Matthews



On Mar 2, 2011, at 12:53 PM, Rafael Nunes wrote:

> Just popped in to say this, and mention that Windows 7 is pretty damn =
solid for running Audio apps at this point, and you can take full =
advantage of RAM and cpu. Just my 2 cents. XP SP2 is super solid, but if =
you need any ram/cpu intensive vst's or synths, I recommend Windows 7 =
x64=20
>=20
> On Wed, Mar 2, 2011 at 9:19 AM, Dennis Moser <sinsofmachaut@gmail.com> =
wrote:
> And for those of you considering a brand-new Macbook (as being
> announced this week), BE ADVISED THAT WINDOWS XP IS NO LONGER GOING TO
> BE SUPPORTED UNDER BOOTCAMP. (Yes, the caps were by design...).
> Details and discussion here:
>=20
> http://www.iclarified.com/entry/comments.php?enid=3D14075#commentsanchor=

>=20
> Best,
>=20
> Dennis
>=20
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>=20
>=20
>=20
> On Wed, Mar 2, 2011 at 2:37 AM,  <antonyhequet@yahoo.com> wrote:
> > I know some of you run windows on a Mac. I have a couple of =
questions:
> > - what is the cheapest way to get a version of windows to install on =
a Mac
> > Book Pro?
> > - what is the best windows version to install?
> > I plan to use windows run some editors for some synths and pedals I =
have.
> > Antony Hequet
> >
>=20
>=20
>=20
>=20
> --=20
> Rafa's One Man Band Online:
> http://rafasonemanband.bandcamp.com/
> http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
> http://www.youtube.com/watch?v=3DZwwsee6K1Sc
> http://vimeo.com/11499020
> http://www.myspace.com/rafasonemanband
>=20

Todd Matthews
http://www.joshuasteelemusic.com





--Apple-Mail-1-807288369
Content-Transfer-Encoding: quoted-printable
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
might try running a win7 with a live looping setup to test it against my =
OSX setup. I have some glitches with Mobius/Mainstage using a fireface =
UC that I'm trying to solve before a couple shows I have in April. =
Anybody have any good website links on the proper optimizations(what to =
turn off) for low latency audio in =
Win7?&nbsp;<div><div><br></div><div>-Todd =
Matthews</div><div><br></div><div><br></div><div><br><div><div>On Mar 2, =
2011, at 12:53 PM, Rafael Nunes wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Just =
popped in to say this, and mention that Windows 7 is pretty damn solid =
for running Audio apps at this point, and you can take full advantage of =
RAM and cpu. Just my 2 cents. XP SP2 is super solid, but if you need any =
ram/cpu intensive vst's or synths, I recommend Windows 7 x64&nbsp;<br>
<br><div class=3D"gmail_quote">On Wed, Mar 2, 2011 at 9:19 AM, Dennis =
Moser <span dir=3D"ltr">&lt;<a =
href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</s=
pan> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex;">
And for those of you considering a brand-new Macbook (as being<br>
announced this week), BE ADVISED THAT WINDOWS XP IS NO LONGER GOING =
TO<br>
BE SUPPORTED UNDER BOOTCAMP. (Yes, the caps were by design...).<br>
Details and discussion here:<br>
<br>
<a =
href=3D"http://www.iclarified.com/entry/comments.php?enid=3D14075#comments=
anchor" =
target=3D"_blank">http://www.iclarified.com/entry/comments.php?enid=3D1407=
5#commentsanchor</a><br>
<br>
Best,<br>
<br>
Dennis<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" =
target=3D"_blank">http://soundcloud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com/" =
target=3D"_blank">http://audiozoloft.com</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" =
target=3D"_blank">http://usrslashsbin.angrek.com/</a><br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
On Wed, Mar 2, 2011 at 2:37 AM, &nbsp;&lt;<a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; =
wrote:<br>
&gt; I know some of you run windows on a Mac. I have a couple of =
questions:<br>
&gt; - what is the cheapest way to get a version of windows to install =
on a Mac<br>
&gt; Book Pro?<br>
&gt; - what is the best windows version to install?<br>
&gt; I plan to use windows run some editors for some synths and pedals I =
have.<br>
&gt; Antony Hequet<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Rafa's =
One Man Band Online:<br><a href=3D"http://rafasonemanband.bandcamp.com/" =
target=3D"_blank">http://rafasonemanband.bandcamp.com/</a><br><a =
href=3D"http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239" =
target=3D"_blank">http://www.facebook.com/pages/Rafas-One-Man-Band/3326175=
3239</a><div>
<a href=3D"http://www.youtube.com/watch?v=3DZwwsee6K1Sc" =
target=3D"_blank">http://www.youtube.com/watch?v=3DZwwsee6K1Sc</a><br><a =
href=3D"http://vimeo.com/11499020" =
target=3D"_blank">http://vimeo.com/11499020</a><br><a =
href=3D"http://www.myspace.com/rafasonemanband" =
target=3D"_blank">http://www.myspace.com/rafasonemanband</a></div>
<br>
</blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></div></body></html>=

--Apple-Mail-1-807288369--

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Subject: Re: seamless loops & windows tools (ambiloop vs Mobius)
From: Jeff Larson <jeff.larson@sailpoint.com>
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> Indeed, does the alternative sw Mobius ( http://www.circularlabs.com )
> save .wav without start-end clicks / artifacts ?

I think I know what your problem is.  It isn't really an "artifact",
the loop is being saved exactly the way it was recorded.  The problem
is that in a looper, loops normally play from beginning to end and
then repeat.  If you overdub and you let the overdub carry over the
loop boundary, then the audio will not be faded to zero at the
begininning and end of the loop.  When the looper plays this audio
continuously, you don't notice this, it sounds like seamless audio
without clicks.  But if you save this loop to a file and play the loop
in an application that is not a looper, there will be a click at the
beginning and end of the audio.

This is difficult to talk about without pictures.

Layer 1: rrrrrrrr
Layer 2: ----oooo
Layer 3: oo------

The letter 'r' means the loop was being recorded for the first time,
'-' means the loop was playing, and 'o' means overdubing.

The result will look like this:

    oo--oooo

In order for the overdub to sound seamless it is important that the
looper *not* fade the starting and ending edges of this loop to zero.
When the loop is allowed to play forever, you want it to sound like
this:

    oo--oooooo--oooooo--oooo

If you fade the edges of the loop to zero...

    _o--ooo_

Here '_' means silence.  The faded loop will sound like this when it
plays:

    _o--ooo__o--ooo__o--ooo_

You normally do not want this in a looper, the faded edges will be
audible as a "fade bump" that you will hear every time the loop
repeats.

If you save an unfaded loop to a file then bring it into an audio
application that is not a looper, the start and end of the wave form
will have sharp edges that will sound like clicks if you play the wave
form without looping it.  If you need to do this then you need to edit
the wave file and fade the edges, this is sometimes called "top and
tail" fading.

So to answer your question, Mobius will save loops WITHOUT
top and tail fading so that you can load them back into Mobius
and have them play seamlessly.  If you want to save Mobius loops
and use them in a different audio application, you will need
to edit them and fade the edges.  Most pro audio editors
provided an easy way to do this.

Jeff

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<div><br></div><div>&gt; Indeed, does the alternative sw Mobius ( <a href=
=3D"http://www.circularlabs.com">http://www.circularlabs.com</a> )=A0</div>=
<div>&gt; save .wav without start-end clicks / artifacts ?=A0</div><div><br=
></div>
<div>I think I know what your problem is. =A0It isn&#39;t really an &quot;a=
rtifact&quot;,</div><div>the loop is being saved exactly the way it was rec=
orded. =A0The problem</div><div>is that in a looper, loops normally play fr=
om beginning to end and</div>
<div>then repeat. =A0If you overdub and you let the overdub carry over the<=
/div><div>loop boundary, then the audio will not be faded to zero at the</d=
iv><div>begininning and end of the loop. =A0When the looper plays this audi=
o</div>
<div>continuously, you don&#39;t notice this, it sounds like seamless audio=
</div><div>without clicks. =A0But if you save this loop to a file and play =
the loop</div><div>in an application that is not a looper, there will be a =
click at the</div>
<div>beginning and end of the audio.</div><div><br></div><div>This is diffi=
cult to talk about without pictures.</div><div><br></div><div>Layer 1: rrrr=
rrrr</div><div>Layer 2: ----oooo</div><div>Layer 3: oo------</div><div>
<br></div><div>The letter &#39;r&#39; means the loop was being recorded for=
 the first time,</div><div>&#39;-&#39; means the loop was playing, and &#39=
;o&#39; means overdubing.</div><div><br></div><div>The result will look lik=
e this:</div>
<div><br></div><div>=A0=A0 =A0oo--oooo</div><div><br></div><div>In order fo=
r the overdub to sound seamless it is important that the</div><div>looper *=
not* fade the starting and ending edges of this loop to zero.</div><div>Whe=
n the loop is allowed to play forever, you want it to sound like</div>
<div>this:</div><div><br></div><div>=A0=A0 =A0oo--oooooo--oooooo--oooo</div=
><div><br></div><div>If you fade the edges of the loop to zero...</div><div=
><br></div><div>=A0=A0 =A0_o--ooo_</div><div><br></div><div>Here &#39;_&#39=
; means silence. =A0The faded loop will sound like this when it</div>
<div>plays:</div><div><br></div><div>=A0=A0 =A0_o--ooo__o--ooo__o--ooo_</di=
v><div><br></div><div>You normally do not want this in a looper, the faded =
edges will be</div><div>audible as a &quot;fade bump&quot; that you will he=
ar every time the loop</div>
<div>repeats.</div><div><br></div><div>If you save an unfaded loop to a fil=
e then bring it into an audio</div><div>application that is not a looper, t=
he start and end of the wave form</div><div>will have sharp edges that will=
 sound like clicks if you play the wave</div>
<div>form without looping it. =A0If you need to do this then you need to ed=
it</div><div>the wave file and fade the edges, this is sometimes called &qu=
ot;top and</div><div>tail&quot; fading.</div><div><br></div><div>So to answ=
er your question, Mobius will save loops WITHOUT</div>
<div>top and tail fading so that you can load them back into Mobius</div><d=
iv>and have them play seamlessly. =A0If you want to save Mobius loops</div>=
<div>and use them in a different audio application, you will need</div><div=
>
to edit them and fade the edges. =A0Most pro audio editors</div><div>provid=
ed an easy way to do this.</div><div><br></div><div>Jeff</div><div><br></di=
v>

--20cf307f3aec6cb9fc049d83ed08--

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antonyhequet@yahoo.com wrote:
> 
> 
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>> wrote:
>  > If you're in EU, then ebay for legal OEM edition
>  > from decommissioned machine.
> 
> *please give me some more details so I can find it for sure*

search ebay,
and check the rating of the seller 


> *
> *If I can get WIndows / for free or very cheap, any reason not to get that?*
> *

only advice is
"don't get burned"

andy

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 18:46:37 2011
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Date: Wed, 2 Mar 2011 10:46:35 -0800
Subject: FS: Ibanez Iceman Bass ICB300EX  - $300
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
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Selling an excellent condition Ibanez ICB300EX bass. Note this is not the
passive older ICB300. For once they actually upgraded an upgrade and this
is a greatly improved instrument that sounds and plays like a winner.

Classic black with inlay trim, Pearl inlays on rosewood fretboard, active
EQ. It's set up with clean heavy gauge round wounds for a heavy low end
sound and a fast great feeling neck. The pickups and eq on this let you
dial in anything you want and it just plays like a mutha.

Here is an excellent and accurate Video review of this bass. My bass is i=
n
excellent condition functionally and cosmetically. Will even include newl=
y
installed 9VT for EQ :)
http://www.youtube.com/watch?v=3DfggGzJWdjVA

This is now out of production. Sells for $400-$500 on eb*y all the time.
I'm asking $300 for a fast sale.

I'd consider partial trades with cash either way for the following:

EH POG II
Good clean Bass Amp head. Need something loud enough for small club use
but not monstrous. Might consider an easy to carry combo if it has a 15"
speaker.

USPS Mo or Paypal personal payment (or PP buyer pays fees). Pickup in
Phila pa or will ship at buyers expense for shipping and box. Will pack
VERY well for free.

My local CL post with some low res pictures is here:
http://philadelphia.craigslist.org/msg/2242949991.html

References out the wazoo. Email any questions of for pics of actual unit
(this is one great looking bass).

Thanks!

D_


     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 19:39:20 2011
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Subject: Re: Looper developer looking for opinions on some interface questions
From: Michael Tyson <michael@atastypixel.com>
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Me again!  Finally, I've put together something resembling a demo: =
http://www.youtube.com/watch?v=3DNaFI7wzvrog

I haven't shown everything yet (one big feature that I'll do another =
demo with soon is merging by dragging from one track to another), but it =
gives an idea of what I'm up to.

What do you think?

The next thing I'm trying to decide is quantized events:

 - One-finger tap in the middle of a track punches in straight away
 - If you do a 2-finger tap *after* a 1-finger tap (that is, 2-finger =
tap while recording), anywhere on screen, it schedules a quantized =
punch-out, based on 1 cycle of the master clock length.
 - A 2-finger tap gesture from a non-recording state begins a quantized =
punch in, followed by a quantized punch out.
 - A menu item (access menu by holding track) lets you set the =
auto-punch duration, from 1x the master loop, to multiples of that, or =
fractions of that (as in, 1x, 2x, 3x, 4x, etc, in one direction, and =
1/2, 1/3, 1/4, 1/5, 1/6, etc. in the other direction).

I'd love to hear anyone's thoughts on it.

Also, I'd love any feedback on those thoughts about editing the master =
track duration:  The master track length is set by the first loop, and =
is displayed visually along the bar at the bottom, like ruler tick =
marks.  Pinch to adjust the length - that is, multiply it out, or divide =
it up.  Or drag a track to the bar at the bottom to have the master =
clock sync to that track.

Cheers =3D)
Michael

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Date: Wed, 2 Mar 2011 20:43:49 +0100
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Subject: Re: seamless loops & windows tools (ambiloop vs Mobius)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 2, 2011 at 6:15 PM, Giorgio Robino <giorgio.robino@gmail.com> wrote:
> BTW, There is a Windows wave editor that can really help on producing
> seamless loops ?


Any decent sample editor should do that. My favorite is SoundForge.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 19:46:09 2011
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Date: Wed, 2 Mar 2011 11:46:07 -0800
Subject: FS: Effects pedals
From: legion@helpwantedproductions.com
To: "Synth DIY" <synth-diy@dropmix.xs4all.nl>,
 "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
 "AH" <analogue@hyperreal.org>
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various cool and unusual pedals FS. I'm CCing SDIY because some of these
(especially the DF2) are a ripe for modding and bending :)

Pictures and more details up at: http://daedsound.com/Salez/FS.htm

- Ibanez SF10 - Swell Flanger $85 - - Rare "10" series unit with a unique
eveleope like control setting. Can be very sweet and stringlike as well a=
s
doing standard and solid flange duty

- Original Ross Distortion - $100 - not a reissue (guessing form the late
70s-80s?). Blackface with cream colored (looks like glow-in-the-dark)
face. Pic doesn't do it justice, very cool classic.

- Boss DF-2 Distortion Feedback - $85 - One of the weird ones Boss got
right in the 80s. Useful solid distortion with the option to stomp and
hold to sustain feedback tone and play over it. Very cool and in good
shape

- 1970s Univox Uniwah - $75 (Lower price!) - Classic! I can't find a mode=
l
# on this so I'm not sure if it's the UW1 or UW2. It has the footswitch
button on the right hands side under the pedal rocker if that helps. it
looks like this one:
http://www.bostonguitar.com/Merchant2/merchant.mvc?Screen=3DPROD&Store_Co=
de=3DBGWI&Product_Code=3DVE-MISC-UNIVOX-UNIWAH&Category_Code=3DVE-MISC

- Mint in box Boss AW2 auto wah - $55 . Flexible and useful at a bargain
price. Like new!


I think prices are fair but will listen to serious offers especially for
more than one pedal. USPS MO or Paypal Personal (or PP with buyer pays
fees). Located in Phila Pa and can ship anywhere.

Thanks!





--=20
     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 19:47:44 2011
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Date: Wed, 2 Mar 2011 11:47:42 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: windows on Mac
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OK I ll try not to get burned baby burned:-)

Antony



________________________________
From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 7:22:31 PM
Subject: Re: windows on Mac



antonyhequet@yahoo.com wrote:
> 
> 
> On Wed, Mar 2, 2011 at 11:46 AM, andy butler <akbutler@tiscali.co.uk 
><mailto:akbutler@tiscali.co.uk>> wrote:
>  > If you're in EU, then ebay for legal OEM edition
>  > from decommissioned machine.
> 
> *please give me some more details so I can find it for sure*

search ebay,
and check the rating of the seller 

> *
> *If I can get WIndows / for free or very cheap, any reason not to get that?*
> *

only advice is
"don't get burned"

andy


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>OK I ll try not to get burned baby burned:-)</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> andy butler &lt;akbutler@tiscali.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 7:22:31 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: windows on Mac<br></font><br>
<br><br><a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> wrote:<br>&gt; <br>&gt; <br>&gt; On Wed, Mar 2, 2011 at 11:46 AM, andy butler &lt;<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a> &lt;mailto:<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;&gt; wrote:<br>&gt;&nbsp; &gt; If you're in EU, then ebay for legal OEM edition<br>&gt;&nbsp; &gt; from decommissioned machine.<br>&gt; <br>&gt; *please give me some more details so I can find it for sure*<br><br>search ebay,<br>and check the rating of the seller <br><br>&gt; *<br>&gt; *If I can get WIndows / for free or very cheap, any reason not to get that?*<br>&gt; *<br><br>only advice is<br>"don't get burned"<br><br>andy<br><br></div></div><div style="position:fixed"></div>


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Subject: Re: windows on Mac
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: Per Boysen <perboysen@gmail.com>
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  >Per Boysen
> Fabio, do you too get a the feeling that Bidule runs better under
> Windows? I ran the same Bidule setup both under XP and OS X on the
> same Macbook and I think so.
>
> I've not compared them. My Win partition is dedicated to music only, while
on the mac side I do all the usual stuff (e.mailing, surfing, photo
treatments...).
I stayed with my looping/virtual gear under Win till now just 'cos it
essentially worked very well.
>From 2007 till now I had just 1 crash while gigging, but it was caused by
unexpected MIDI messages coming from the FCB.
I implemented Bidule and created different layouts, the system was stable, I
got in love with some plugins operating just under windows - like "dbGlitch"
- and that's why I've never switched my musical work on the Mac side. That's
all.

But it's interesting what you said: did OS X ask for more CPU than Win ?
Do I have to stay where I am ?

-f
www.eterogeneo.com

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<br><br>
<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>
<div class=3D"h5">&gt;Per Boysen<br>Fabio, do you too get a the feeling tha=
t Bidule runs better under<br>Windows? I ran the same Bidule setup both und=
er XP and OS X on the<br>same Macbook and I think so.<br><font color=3D"#88=
8888"><br>
</font></div></div></blockquote>
<div>I&#39;ve not compared them. My Win partition is dedicated=A0to music o=
nly, while on the mac side I do all the usual stuff (e.mailing, surfing, ph=
oto treatments...).</div>
<div>I stayed with my looping/virtual gear under Win till now just &#39;cos=
 it essentially worked very well. </div>
<div>From 2007 till now I had just 1 crash while gigging, but it was caused=
 by unexpected MIDI messages coming from the FCB. </div>
<div>I implemented Bidule and created different layouts, the system was=A0s=
table, I got in love with some plugins operating just under windows -=A0lik=
e &quot;dbGlitch&quot; - and that&#39;s why=A0I&#39;ve never switched my mu=
sical work on the Mac side. That&#39;s all.</div>

<div>=A0</div>
<div>But it&#39;s interesting what you said: did=A0OS X ask for more=A0CPU =
than Win ?</div>
<div>Do I have to stay where I am ?</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div></div>

--bcaec53f93254e1ad0049d853105--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 19:48:44 2011
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Date: Wed, 2 Mar 2011 20:48:42 +0100
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Subject: Re: Re: midi looping, synths, and kaossilators
From: Lasse juul Kolding <dubbilan@gmail.com>
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Maybe I could strip it down just to the simple looper part and give it away
as a Max Runtime - which is free to download.
I'll have a look at it, but no time today!


On Wed, Mar 2, 2011 at 4:38 PM, <antonyhequet@yahoo.com> wrote:

> a stand alone looper then.
>
> Antony
>
> ------------------------------
> *From:* Lasse juul Kolding <dubbilan@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wed, March 2, 2011 4:19:42 PM
>
> *Subject:* Re: Re: midi looping, synths, and kaossilators
>
> MFL looks quite fun, but still limited in many ways compared to what you
> can do inside Max. The midi looper part is mostly - or at least made extra -
> interesting due to the way it's built into a larger setup dealing with some
> kind of live meta-sequencing/looping - have no idea what to call it!
> So far I couldn't see any way of getting these modules to talk to each
> other within a MFL environment, but maybe I'll find a solution. Otherwise,
> I'm seriously thinking about brushing up on c++ and rewriting the whole
> thing once the prototype is done... this, off course will take time!
> In any case, i will definitely post something, when something relevant is
> there to post :)
>
>
>
> On Wed, Mar 2, 2011 at 3:52 PM, <antonyhequet@yahoo.com> wrote:
>
>> MFL should be a good way to get something out there, not universal but
>> accessible.
>>
>> A
>>
>> ------------------------------
>> *From:* Lasse juul Kolding <dubbilan@gmail.com>
>> *To:* Loopers-Delight@loopers-delight.com
>> *Sent:* Wed, March 2, 2011 3:44:21 PM
>> *Subject:* Re: Re: midi looping, synths, and kaossilators
>>
>> Really really cool, Tim!! :)
>> Always wanted to go to Burning Man, but it's sooo far away!
>>
>> @Antony... that's an idea. I don't have Max for Live, but was thinking
>> about getting it and turning a couple of different modules into MFL objects.
>> Was so easy with Max 4, that you could just export as VST, like the old
>> audio looper I once posted here...
>> Also, I'm slowly getting into more "real" ie, c++ stuff.
>>
>>
>> On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <me@timthompson.com> wrote:
>>
>>> >> ... a dust-covered two-person five-track MIDI looper:
>>> > Would you be into describing how you built it and how it works
>>>
>>> Here's some slides describing its construction and operation:
>>>
>>>      http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf
>>>
>>>  ...Tim...
>>>
>>>
>>
>>
>
>

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Maybe I could strip it down just to the simple looper part and give it away=
 as a Max Runtime - which is free to download.<div>I&#39;ll have a look at =
it, but no time today!</div><div><br><br><div class=3D"gmail_quote">On Wed,=
 Mar 2, 2011 at 4:38 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:antonyheq=
uet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div><div style=3D"font-family:arial, helve=
tica, sans-serif;font-size:14pt"><div>a stand alone looper then.</div><div>=
<br>
</div><div>Antony</div><div style=3D"font-family:arial, helvetica, sans-ser=
if;font-size:14pt"><br><div style=3D"font-family:times new roman, new york,=
 times, serif;font-size:12pt"><font size=3D"2" face=3D"Tahoma"><div class=
=3D"im">
<hr size=3D"1"><b><span style=3D"font-weight:bold">From:</span></b> Lasse j=
uul Kolding &lt;<a href=3D"mailto:dubbilan@gmail.com" target=3D"_blank">dub=
bilan@gmail.com</a>&gt;<br><b><span style=3D"font-weight:bold">To:</span></=
b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank"=
>Loopers-Delight@loopers-delight.com</a><br>
</div><b><span style=3D"font-weight:bold">Sent:</span></b> Wed, March 2, 20=
11 4:19:42 PM<div class=3D"im"><br><b><span style=3D"font-weight:bold">Subj=
ect:</span></b> Re: Re: midi looping, synths, and kaossilators<br></div></f=
ont><div class=3D"im">
<br>MFL looks quite fun, but still limited in many ways compared to what yo=
u can do inside Max. The midi looper part is mostly - or at least made extr=
a -
 interesting due to the way it&#39;s built into a larger setup dealing with=
 some kind of live meta-sequencing/looping - have no idea what to call it!<=
div>
So far I couldn&#39;t see any way of getting these modules to talk to each =
other within a MFL environment, but maybe I&#39;ll find a solution. Otherwi=
se, I&#39;m seriously thinking about brushing up on c++ and rewriting the w=
hole thing once the prototype is done... this, off course will take time!</=
div>

<div>In any case, i will definitely post something, when something relevant=
 is there to post :)</div><div><br></div><div><br><br><div class=3D"gmail_q=
uote">On Wed, Mar 2, 2011 at 3:52 PM,  <span dir=3D"ltr">&lt;<a rel=3D"nofo=
llow" href=3D"mailto:antonyhequet@yahoo.com" target=3D"_blank">antonyhequet=
@yahoo.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div><div style=3D"font-family:arial, helvet=
ica, sans-serif;font-size:14pt"><div>MFL should be a good way to get someth=
ing out there, not universal but accessible.</div>

<div><br></div><div>A</div><div style=3D"font-family:arial, helvetica, sans=
-serif;font-size:14pt"><br><div style=3D"font-family:times new roman, new y=
ork, times, serif;font-size:12pt"><font size=3D"2" face=3D"Tahoma"><div>
<hr size=3D"1"><b><span style=3D"font-weight:bold">From:</span></b> Lasse j=
uul Kolding &lt;<a rel=3D"nofollow" href=3D"mailto:dubbilan@gmail.com" targ=
et=3D"_blank">dubbilan@gmail.com</a>&gt;<br><b><span style=3D"font-weight:b=
old">To:</span></b> <a rel=3D"nofollow" href=3D"mailto:Loopers-Delight@loop=
ers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><=
br>

</div><b><span style=3D"font-weight:bold">Sent:</span></b> Wed, March 2, 20=
11 3:44:21 PM<br><b><span style=3D"font-weight:bold">Subject:</span></b> Re=
: Re: midi looping, synths, and kaossilators<br></font><div><div></div><div=
>

<br>
Really really cool, Tim!! :)<div>Always wanted to go to Burning Man, but it=
&#39;s sooo far away!</div><div><br></div><div>@Antony... that&#39;s an ide=
a. I don&#39;t have Max for Live, but was thinking about getting it and tur=
ning a couple of different modules into MFL objects.</div>


<div>Was so easy with Max 4, that you could just export as VST, like the ol=
d audio looper I once posted here...</div><div>Also, I&#39;m slowly getting=
 into more &quot;real&quot; ie, c++ stuff.</div><div>=A0<br><br><div class=
=3D"gmail_quote">


On Wed, Mar 2, 2011 at 3:34 PM, Tim Thompson <span dir=3D"ltr">&lt;<a rel=
=3D"nofollow" href=3D"mailto:me@timthompson.com" target=3D"_blank">me@timth=
ompson.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">


&gt;&gt; ... a dust-covered two-person five-track MIDI looper:<br>
<div>&gt; Would you be into describing how you built it and how it works<br=
>
<br>
</div>Here&#39;s some slides describing its construction and operation:<br>
<br><span>
 =A0 =A0 =A0<a rel=3D"nofollow" href=3D"http://nosuch.com/tjt/bm/monolith_2=
_at_lovetechsf.pdf" target=3D"_blank">http://nosuch.com/tjt/bm/monolith_2_a=
t_lovetechsf.pdf</a></span><br>
<font color=3D"#888888"><br>
 =A0...Tim...<br>
<br>
</font></blockquote></div><br></div>
</div></div></div></div><div></div>


</div><br>

      </div></blockquote></div><br></div>
</div></div></div><div></div>


</div><br>

      </div></blockquote></div><br></div>

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Date: Wed, 2 Mar 2011 11:54:54 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: windows on Mac
To: Loopers-Delight@loopers-delight.com
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--0-1884485777-1299095694=:33813
Content-Type: text/plain; charset=us-ascii

thanks Per,

I will remember that!

Antony



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 2, 2011 5:53:59 PM
Subject: Re: windows on Mac

On Wed, Mar 2, 2011 at 5:46 PM,  <antonyhequet@yahoo.com> wrote:
> OK so SP2
> sounds like a useful choice so far...

...and remember: If it works well with your audio applications do not
- repeat DO NOT - take the recent MS online updates! Leave the system
as it is and use the lappy as a hardware box. No Internet, no spam
protection utilities etc etc. For stuff like that you can re-boot into
the less fragile OS X.

A good idea, when using XP under Bootcamp on a Mac, is to format the
Windows partition in a format that is readable from the Mac side. I
think this format is called FAT, FAT32 or something like that. That
way you may always record a live stereo file as you are playing and
access it also when booted into the OS X.

Per


      
--0-1884485777-1299095694=:33813
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>thanks Per,</div><div><br></div><div>I will remember that!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 2, 2011 5:53:59 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: windows on Mac<br></font><br>
On Wed, Mar 2, 2011 at 5:46 PM,&nbsp; &lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt; OK so SP2<br>&gt; sounds like a useful choice so far...<br><br>...and remember: If it works well with your audio applications do not<br>- repeat DO NOT - take the recent MS online updates! Leave the system<br>as it is and use the lappy as a hardware box. No Internet, no spam<br>protection utilities etc etc. For stuff like that you can re-boot into<br>the less fragile OS X.<br><br>A good idea, when using XP under Bootcamp on a Mac, is to format the<br>Windows partition in a format that is readable from the Mac side. I<br>think this format is called FAT, FAT32 or something like that. That<br>way you may always record a live stereo file as you are playing and<br>access it also when booted into the OS X.<br><br>Per<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1884485777-1299095694=:33813--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 20:52:45 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: virtual guitar pedalboard
Date: Wed, 2 Mar 2011 20:52:43 +0000
Importance: Normal
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Very cool idea... Now he needs a vertical one to interpret virtual pedal co=
ntrol...

G


Sentientfx -  Innovative music plugins. http://sentientfx.com/



> Date: Tue=2C 1 Mar 2011 22:16:01 +0100
> Subject: virtual guitar pedalboard
> From: louie.angulo@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> http://www.crunchgear.com/2010/02/14/virtual-guitar-pedalboard-interface/
>=20
 		 	   		  =

--_09930c5f-f5b9-441d-94c1-4255e85dd3f4_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
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}
body.hmmessage
{
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font-family:Tahoma
}
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</head>
<body class=3D'hmmessage'>
Very cool idea... Now he needs a vertical one to interpret virtual pedal co=
ntrol...<div><br></div><div><br></div><div>G</div><div><br></div><div><br><=
br>Sentientfx -&nbsp=3B Innovative music plugins. <a href=3D"http://sentien=
tfx.com/" target=3D"_blank">http://sentientfx.com/</a><br><br><br><br>&gt=
=3B Date: Tue=2C 1 Mar 2011 22:16:01 +0100<br>&gt=3B Subject: virtual guita=
r pedalboard<br>&gt=3B From: louie.angulo@googlemail.com<br>&gt=3B To: loop=
ers-delight@loopers-delight.com<br>&gt=3B <br>&gt=3B http://www.crunchgear.=
com/2010/02/14/virtual-guitar-pedalboard-interface/<br>&gt=3B <br></div> 		=
 	   		  </body>
</html>=

--_09930c5f-f5b9-441d-94c1-4255e85dd3f4_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 21:04:05 2011
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Date: Wed, 2 Mar 2011 13:02:37 -0800
Message-ID: <AANLkTi=m8Foq0QxX55btXua-PgwJ0A78Du74AqN3Dkmd@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I ordered one after watching several demo videos on youtube.

I find myself wishing it had a mode for holding multiple "freezes" so
that I could build up "chords" from different sources, then release
them together.

...But I'll happily take what it does. I'm thinking of lots of things
to do with it - none of them involving guitar just yet.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 21:11:56 2011
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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--bcaec51b1d79920c93049d865c63
Content-Type: text/plain; charset=ISO-8859-1

Im interested in knowing how it achieves such a short loop without the
associated buzz, because on the demos Ive seen I cant hear the badabadabada
of a loop at all, so it must just be a tiny blip, but then one tends to get
that electronic ringing.... (which is obviously cool) but what does this do
to avoid that?

Please tell me your thoughts when it arrives Matt?

Mark


On Wed, Mar 2, 2011 at 10:02 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> I ordered one after watching several demo videos on youtube.
>
> I find myself wishing it had a mode for holding multiple "freezes" so
> that I could build up "chords" from different sources, then release
> them together.
>
> ...But I'll happily take what it does. I'm thinking of lots of things
> to do with it - none of them involving guitar just yet.
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--bcaec51b1d79920c93049d865c63
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Im interested in knowing how it achieves such a short loop without the asso=
ciated buzz, because on the demos Ive seen I cant hear the badabadabada of =
a loop at all, so it must just be a tiny blip, but then one tends to get th=
at electronic ringing.... (which is obviously cool) but what does this do t=
o avoid that?<br>

<br>Please tell me your thoughts when it arrives Matt?<br><br>Mark<br><br><=
br><div class=3D"gmail_quote">On Wed, Mar 2, 2011 at 10:02 PM, Matt Davigno=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavig=
non@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I ordered one aft=
er watching several demo videos on youtube.<br>
<br>
I find myself wishing it had a mode for holding multiple &quot;freezes&quot=
; so<br>
that I could build up &quot;chords&quot; from different sources, then relea=
se<br>
them together.<br>
<br>
...But I&#39;ll happily take what it does. I&#39;m thinking of lots of thin=
gs<br>
to do with it - none of them involving guitar just yet.<br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--bcaec51b1d79920c93049d865c63--

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Date: Wed, 2 Mar 2011 16:23:02 -0500
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: daniel <daniel@ithinkwethink.org>
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Cc: mark francombe <mark@markfrancombe.com>
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I don't own one...YET. oh man, i really want one though. played with it for
a while at my local guitar shop and ended up giving a few tutorials while i
was there. them things is fun!


On Wed, Mar 2, 2011 at 4:11 PM, mark francombe <mark@markfrancombe.com>wrote:

> Im interested in knowing how it achieves such a short loop without the
> associated buzz, because on the demos Ive seen I cant hear the badabadabada
> of a loop at all, so it must just be a tiny blip, but then one tends to get
> that electronic ringing.... (which is obviously cool) but what does this do
> to avoid that?
>
> Please tell me your thoughts when it arrives Matt?
>
> Mark
>
>
>
> On Wed, Mar 2, 2011 at 10:02 PM, Matt Davignon <mattdavignon@gmail.com>wrote:
>
>> I ordered one after watching several demo videos on youtube.
>>
>> I find myself wishing it had a mode for holding multiple "freezes" so
>> that I could build up "chords" from different sources, then release
>> them together.
>>
>> ...But I'll happily take what it does. I'm thinking of lots of things
>> to do with it - none of them involving guitar just yet.
>>
>> --
>> Matt Davignon
>> mattdavignon@gmail.com
>> www.ribosomemusic.com
>> Rigs! www.youtube.com/user/ribosomematt
>>
>>
>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

--20cf305497e399430f049d868418
Content-Type: text/html; charset=ISO-8859-1
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I don&#39;t own one...YET. oh man, i really want one though. played with it=
 for a while at my local guitar shop and ended up giving a few tutorials wh=
ile i was there. them things is fun!<br><br><br><div class=3D"gmail_quote">
On Wed, Mar 2, 2011 at 4:11 PM, mark francombe <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> w=
rote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8=
ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Im interested in knowing how it achieves such a short loop without the asso=
ciated buzz, because on the demos Ive seen I cant hear the badabadabada of =
a loop at all, so it must just be a tiny blip, but then one tends to get th=
at electronic ringing.... (which is obviously cool) but what does this do t=
o avoid that?<br>


<br>Please tell me your thoughts when it arrives Matt?<br><font color=3D"#8=
88888"><br>Mark</font><div><div></div><div class=3D"h5"><br><br><br><div cl=
ass=3D"gmail_quote">On Wed, Mar 2, 2011 at 10:02 PM, Matt Davignon <span di=
r=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com" target=3D"_blank">m=
attdavignon@gmail.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I ordered one aft=
er watching several demo videos on youtube.<br>
<br>
I find myself wishing it had a mode for holding multiple &quot;freezes&quot=
; so<br>
that I could build up &quot;chords&quot; from different sources, then relea=
se<br>
them together.<br>
<br>
...But I&#39;ll happily take what it does. I&#39;m thinking of lots of thin=
gs<br>
to do with it - none of them involving guitar just yet.<br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com" target=3D"_blank">mattdavignon@gm=
ail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div><div><div><=
/div><div class=3D"h5">-- <br><i style=3D"font-family: verdana,sans-serif; =
color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font style=3D"=
font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francombe</u></fo=
nt></i><br>


<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">


<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>


twitter @markfrancombe</font><br>
</div></div></blockquote></div><br>

--20cf305497e399430f049d868418--

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Subject: RC 30 anyone?
From: daniel <daniel@ithinkwethink.org>
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Anyone mess around with the RC 30 yet?

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Anyone mess around with the RC 30 yet? <br>

--20cf301d42287e7494049d868612--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  2 22:47:19 2011
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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That's an incredibly useful effect! I've been doing it in software for
a couple of years pre looper. Sometimes I do more freezing than
looping. I use both an expression pedal and a stomp switch (like this
box has) as my playing interface. The expression pedal kind of covers
the "fast" and "slow" modes. I tried but did not succeed building also
a "latch mode" by using envelop follow processing on the input.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Looper developer looking for opinions on some interface questions
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Cool stuff Michael!

Is there going to be any way to have a new track asynchronous to the =
master loop?

Also, something to consider: the ability to change which track is the =
master loop, allowing for continuous performance.

-Myke





On 2011-03-02, at 12:39 PM, Michael Tyson wrote:

> Me again!  Finally, I've put together something resembling a demo: =
http://www.youtube.com/watch?v=3DNaFI7wzvrog
>=20
> I haven't shown everything yet (one big feature that I'll do another =
demo with soon is merging by dragging from one track to another), but it =
gives an idea of what I'm up to.
>=20
> What do you think?
>=20
> The next thing I'm trying to decide is quantized events:
>=20
> - One-finger tap in the middle of a track punches in straight away
> - If you do a 2-finger tap *after* a 1-finger tap (that is, 2-finger =
tap while recording), anywhere on screen, it schedules a quantized =
punch-out, based on 1 cycle of the master clock length.
> - A 2-finger tap gesture from a non-recording state begins a quantized =
punch in, followed by a quantized punch out.
> - A menu item (access menu by holding track) lets you set the =
auto-punch duration, from 1x the master loop, to multiples of that, or =
fractions of that (as in, 1x, 2x, 3x, 4x, etc, in one direction, and =
1/2, 1/3, 1/4, 1/5, 1/6, etc. in the other direction).
>=20
> I'd love to hear anyone's thoughts on it.
>=20
> Also, I'd love any feedback on those thoughts about editing the master =
track duration:  The master track length is set by the first loop, and =
is displayed visually along the bar at the bottom, like ruler tick =
marks.  Pinch to adjust the length - that is, multiply it out, or divide =
it up.  Or drag a track to the bar at the bottom to have the master =
clock sync to that track.
>=20
> Cheers =3D)
> Michael
>=20

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On 7/22/64 11:59 AM, Tim Thompson wrote:
>>> ... a dust-covered two-person five-track MIDI looper:
>> Would you be into describing how you built it and how it works
> Here's some slides describing its construction and operation:
>
>        http://nosuch.com/tjt/bm/monolith_2_at_lovetechsf.pdf
>
>    ...Tim...
Wow, this was so,     well,     monolithic.


Really impressive.     Nice work.


rick walker

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Date: Wed, 02 Mar 2011 15:16:55 -0800
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On 7/22/64 11:59 AM, Per Boysen wrote:
> A good idea, when using XP under Bootcamp on a Mac, is to format the
> Windows partition in a format that is readable from the Mac side. I
> think this format is called FAT, FAT32 or something like that. That
> way you may always record a live stereo file as you are playing and
> access it also when booted into the OS X.
It is my understanding that if you do this, Per, that you can only 
transfer 4 gigs of material
from side to side at any time which can greatly limit audio/visual storage
so, though it is a bit more conventient, I was advised to eschew its use 
and use NTSF instead.

Do you have more detailed and accurate information about this
and/or do you have some opinions about this statement.  I just took it 
on face value when
I clean installed my systems, but now that I have to clean install my 
3rd system (2nd failed
harddrive....thanks, Apple) It would be great to get your advise.

rick walker

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On 7/22/64 11:59 AM, Dennis Moser wrote:
> And for those of you considering a brand-new Macbook (as being
> announced this week), BE ADVISED THAT WINDOWS XP IS NO LONGER GOING TO
> BE SUPPORTED UNDER BOOTCAMP.

Ahhhh,  I just love Apple
(this post drips with sarcasm for the literalists in the crowd)

rick walker

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Subject: Re: seamless loops & windows tools (ambiloop vs Mobius)
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On 7/22/64 11:59 AM, Giorgio Robino wrote:
> BTW, There is a Windows wave editor that can really help on producing 
> seamless loops ?
> I mean something like the no-more-available 
> http://www.sonicspot.com/zero-xseamlesslooper/zero-xseamlesslooper.html ?
Here is a simple editing work around for creating seamless loops in
any audio editor.    Audacity is free on Windows but very clumsy.
I love Sony Sound Forge.   It's very intuitive to use and powerful.

Explode your view to the sample level (so that you can see every single 
sample
at the beginning of the .wav file.

Grab the first 5-10 samples and execute the command to FADE IN

Go to the end of the sample and do the exact opposite:
Grap the last 5-10 samples and FADE OUT.

That should eliminate your loop 'clicks'

rick walker

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Date: Thu, 3 Mar 2011 00:26:25 +0100
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Subject: Re: Re: windows on Mac
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On Thu, Mar 3, 2011 at 12:18 AM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, Dennis Moser wrote:
>>
>> And for those of you considering a brand-new Macbook (as being
>> announced this week), BE ADVISED THAT WINDOWS XP IS NO LONGER GOING TO
>> BE SUPPORTED UNDER BOOTCAMP.
>
> Ahhhh, =C2=A0I just love Apple
> (this post drips with sarcasm for the literalists in the crowd)
>

I suggested XP only because the man said he wants to run very old
software. In any other case W7 is of course better.

Per

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sorry this isn't about macs or pcs.....STANO, you will tell me when you=20
switch over to computers for

your playing (then i will join the crowd).....a few of you know my=20
level of incompetence when it comes to COMPLEX THINGS,

computers, tying shoes etc.....i have a few xrta $ and not want but=20
NEED another looper.....my #1 son stole my rang

after i got my M13 and i want something to replace it, i only have the=20
looper in the M13 to work with at present.....

signal chain as of today:  guitar with 2 lines out > M13.....FX SEND=20
M13 > alesis air fx > alesis ineko > alesis bitrman >

off to srm 450s.....i know we had this discussion already and i have=20
read all the posts but i was wondering if

as of today, does anyone have any new oppinions or other=20
suggestions?.....i am also going to get the expression

pedal (s) for the M13.....young bill showed me the beauty of=20
this!.....THANK YOU BILL, you are a sweet lad!.....

i thnak you for your cornsideration!.....this just popped into my=20
noggin, are there any smallish loopers with FX sends?



From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 01:05:45 2011
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Subject: Re: OT - Premonition Factory - The Sense Of Time [new release]
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Hi,
All pre-orders of the limited edition deluxe CD of =93The Sense of Time=94
will ship on March 5, 2011. This is a professionally manufactured 6
page digisleeve with CD (no CD-R) with an 8-page booklet. The free
worldwide shipping period will be extended for a while so if you want
to order a copy, do it now, you save 3 EUR. For more informtion,
please check the website. Thanks!

PS There are still a few tickets for the Loopfest of this weekend....
As last year, there will a lot of people, I think even more, with a
lot of loopers talk in the corridors and backstage ;-)
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: Mobius scripts audio examples
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It occurs to me that you could use Simeon's method (rate-shifting
tracks with the same content), but using a stack of 4ths or 5ths to
get the same thing I'm talking about, or just use use pairs of 4ths or
5ths).
Then there are the insane possibilities of doing it with a very simple
rhythm. The time values would be inversely related to the pitch shift
multiplier (presumably the 12th root of 2^n where n is the number of
semitones). Hell, why not treat time the same way we do pitch.  Heh,
and I get mixed up in 5/4  ;)

k

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Date: Wed, 2 Mar 2011 21:46:43 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Re: windows on Mac
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I read up on it when I did my firts attempt at bootcamp Windows XP. When you do 
the bootcamp install routine you are offered the possibility of  formating your 
partition as FAT32, this insures you can use that partition oth form Windows XP 
and Mac OS X. THis option is not available with Windows 7 or other Windows 
versiosn such as VIsta. You must stick to Windows XP. This metes you swap audio 
files without hassle. That's all I know about it. Per is the expert and has the 
experience, i just applied what he told me and read in the documentation for 
Bootcamp.

Antony Hequet



________________________________
From: Rick Walker <looppool@cruzio.com>
To: Per Boysen <perboysen@gmail.com>
Cc: Loopers-Delight@loopers-delight.com
Sent: Thu, March 3, 2011 12:16:55 AM
Subject: Re: Re: windows on Mac

On 7/22/64 11:59 AM, Per Boysen wrote:
> A good idea, when using XP under Bootcamp on a Mac, is to format the
> Windows partition in a format that is readable from the Mac side. I
> think this format is called FAT, FAT32 or something like that. That
> way you may always record a live stereo file as you are playing and
> access it also when booted into the OS X.
It is my understanding that if you do this, Per, that you can only transfer 4 
gigs of material
from side to side at any time which can greatly limit audio/visual storage
so, though it is a bit more conventient, I was advised to eschew its use and use 
NTSF instead.

Do you have more detailed and accurate information about this
and/or do you have some opinions about this statement.  I just took it on face 
value when
I clean installed my systems, but now that I have to clean install my 3rd system 
(2nd failed
harddrive....thanks, Apple) It would be great to get your advise.

rick walker


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I read up on it when I did my firts attempt at bootcamp Windows XP. When you do the bootcamp install routine you are offered the possibility of &nbsp;formating your partition as FAT32, this insures you can use that partition oth form Windows XP and Mac OS X. THis option is not available with Windows 7 or other Windows versiosn such as VIsta. You must stick to Windows XP. This metes you swap audio files without hassle. That's all I know about it. Per is the expert and has the experience, i just applied what he told me and read in the documentation for Bootcamp.</div><div><br></div><div>Antony Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span
 style="font-weight: bold;">From:</span></b> Rick Walker &lt;looppool@cruzio.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">Cc:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, March 3, 2011 12:16:55 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Re: windows on Mac<br></font><br>
On 7/22/64 11:59 AM, Per Boysen wrote:<br>&gt; A good idea, when using XP under Bootcamp on a Mac, is to format the<br>&gt; Windows partition in a format that is readable from the Mac side. I<br>&gt; think this format is called FAT, FAT32 or something like that. That<br>&gt; way you may always record a live stereo file as you are playing and<br>&gt; access it also when booted into the OS X.<br>It is my understanding that if you do this, Per, that you can only transfer 4 gigs of material<br>from side to side at any time which can greatly limit audio/visual storage<br>so, though it is a bit more conventient, I was advised to eschew its use and use NTSF instead.<br><br>Do you have more detailed and accurate information about this<br>and/or do you have some opinions about this statement.&nbsp; I just took it on face value when<br>I clean installed my systems, but now that I have to clean install my 3rd system (2nd failed<br>harddrive....thanks, Apple) It
 would be great to get your advise.<br><br>rick walker<br><br></div></div><div style="position:fixed"></div>


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Date: Wed, 2 Mar 2011 22:27:27 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack: is someone considering it?
To: Loopers-Delight@loopers-delight.com
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Anders,
>
>
>from what I understand of what you wrote below, MIDI is not part of the deal 
>right now. I am not sure what you are saying about it not being a looper. Can 
>you make loops at all? Can you make loops in a limited fashion?
>
>>Antony


I have an Octatrack since a few weeks but have not had time to REALLY learn it. 
As it stands now it is not a looper as we usuallly define loopers... however you 
can sample loop and mangle up to 16 seconds of input audio... You can sort of 
overdup bu sampling main output including a "though" machine which can be youre 
live signal with or without effects, trigless trigs and other nice stuff..
With this version of OS (99e) sampling is a bit akward and you can't do it via 
midi foot switch so as the only looper it's sort of lacking right now. The 
effects are GREAT, and it also sort of works as a mixer. Live guitar and trough 
machine on one input, you EDP or other looper on one input and 6 tracks to 
sample the inputs and mangle them.. 

When you have sampled soemthing almost ANY input can be turned in to rhythmic 
patterns and its very easy to manipulte sounds live and still sound good. 
Trigless trigs are a lote of fun, you can pitch shift at diffrent sequencer 
steps and take a long tone and turn it into a melody, or a shot loop and pitch 
it reversem stutter, apply effects.. once you undetstand that it is NOT a EDP 
there are a lot of stuff you cant do on loopers that the Octa can do. It's man 
power is as alive remix toll and rhytmcreator.. it is no problem staring with 
zero samplas and built intresting peice live. It's more a live recordign device 
with unique sound sculpturing capabilities than a looper right now... BUT with 
midi and a loop machine toghter with what it already does with the Beta OS it 
can be a really, really intresting new kind of tool.... i have two short clips 
on soundcloud.. just experiments one guitar looping sort of thing and one where 
i  live sampled Splattercell and mangler it lika one could mangle a live band 
sample...
http://soundcloud.com/search?q%5Bfulltext%5D=anders+bergdahl


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><div style="font-family:times new roman, new york, times, serif;font-size:12pt;"><div><blockquote type="cite"><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><font class="Apple-style-span" face="Helvetica"><span class="Apple-style-span" style="font-size: medium;">Anders,</span></font></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><font class="Apple-style-span" face="Helvetica"><span class="Apple-style-span" style="font-size:
 medium;"><br></span></font></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><font class="Apple-style-span" face="Helvetica"><span class="Apple-style-span" style="font-size: medium;">from what I understand of what you wrote below, MIDI is not part of the deal right now. I am not sure what you are saying about it not being a looper. Can you make loops at all? Can you make loops in a limited fashion?</span></font></div><blockquote type="cite"><br></blockquote><span class="Apple-style-span" style="font-size: large;">Antony</span><br><br><div class="hmmessage">
I have an Octatrack since a few&nbsp;weeks but have not had time to REALLY learn it. As it stands now it is not a looper as we usuallly define loopers... however you can sample loop and mangle up to 16 seconds of input audio... You can sort of overdup bu sampling main output including a "though"&nbsp;machine which can be youre live signal with or without effects, trigless trigs and other nice stuff..<br>
With this version of OS (99e) sampling is a bit akward and you can't do it via midi&nbsp;foot switch so&nbsp;as the only looper it's sort of lacking right now. The effects are GREAT, and it also sort of works as a mixer. Live guitar and trough machine&nbsp;on one input, you EDP or other&nbsp;looper on one input and 6 tracks to sample the inputs and mangle them.. <br>
When you have sampled soemthing almost ANY input&nbsp;can be turned in to rhythmic patterns and its very easy to manipulte sounds live and still sound good. Trigless trigs are a lote of fun, you can pitch shift at diffrent sequencer steps and take a long tone and turn it into a melody, or a shot loop and pitch it reversem stutter, apply effects.. once you undetstand that it is NOT a EDP there are a lot of stuff you cant&nbsp;do on loopers that the Octa can do. It's man power is as alive remix toll and rhytmcreator.. it is no problem staring with zero samplas and built intresting peice live. It's more a live recordign device with unique sound sculpturing capabilities than a looper right now... BUT with midi and a loop machine toghter with what it already does with the Beta OS it can be a really, really intresting new kind of tool.... i have&nbsp;two short clips on soundcloud.. just experiments one guitar&nbsp;looping sort of&nbsp;thing and one where i
 live sampled Splattercell and mangler it lika one could mangle a live band sample...<br><span>
<a target="_blank" href="http://soundcloud.com/search?q%5Bfulltext%5D=anders+bergdahl">http://soundcloud.com/search?q%5Bfulltext%5D=anders+bergdahl</a></span><br><br> 		 	   		  </div>
<br><br></blockquote></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><font class="Apple-style-span" face="Helvetica"><span class="Apple-style-span" style="font-size: medium;"><br></span></font></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><font class="Apple-style-span" face="Helvetica"><span class="Apple-style-span" style="font-size: medium;"><br></span></font></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><font class="Apple-style-span" face="Helvetica"><span class="Apple-style-span" style="font-size: medium;"><br></span></font></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><font class="Apple-style-span" face="Helvetica"><span class="Apple-style-span" style="font-size:
 medium;"><br></span></font></div></div><br></div></div><div style=""></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 06:56:32 2011
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Date: Thu, 03 Mar 2011 00:56:09 -0500
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: "The Trip" Video on You Tube
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I've posted another video on You Tube -- an excerpt from one of my 
favorite shows of 2010

"The Trip" is an excerpt from an improvised performance featuring my 
video improvisations, and Forbes Graham, trumpet, Eric Crawley, 
Harpejji and electronics, Teresa Czepiel  Movement, and Eric Sack -- 
Camera. "The Trip" combines improvised video and sound, movement, 
camera work and video feedback into an intense melange that stays 
close to (but always on the right side) of the thin line between the 
psychedelic and the incoherent.

"The Trip"  was recorded live at Outpost 186, Cambridge MA, on May 16, 2010.

http://www.youtube.com/watch?v=Z_onjpVmgnQ

BTW Some of my photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 07:27:45 2011
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Date: Wed, 02 Mar 2011 23:27:38 -0800
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On 7/22/64 11:59 AM, mark francombe wrote:
> Im interested in knowing how it achieves such a short loop without the 
> associated buzz, because on the demos Ive seen I cant hear the 
> badabadabada of a loop at all, so it must just be a tiny blip, but 
> then one tends to get that electronic ringing.... (which is obviously 
> cool) but what does this do to avoid that?
Not sure how it works, but it's really amazing.
Chris was able to bring one out for me to try out this past week so I 
had a couple of hours with it.

it has three modes

short, long and latch

in short and long,  the button is a momentary switch and will only hold 
a note as long as you hold
the button down.

short makes the 'droned' note come on very quickly and go away 
instantaneously when you let off

long let's the 'droned' note have a slightly slower Attack and then you 
can set a nicely musical
release when you let off..........this release continues even when you 
are starting to 'drone' another
part of whatever you are playing.

You can preset short and long mode attack and release rates when the 
pedal is powered down but not
during the middle of a performance.

the latch mode is very hip.........everytime you hit a note it drones 
the note so you never
hit the switch and then have to hit it again to make it stop in order to 
continue on with your
droning fun.

I was able to do very hip solos, freezing notes again.

If you suddenly stop playing and hit the button again,  it actually 
loops the 'silence' and if you listen
carefully, the unit is making a loop of the noise.

I'm with Matt though,   as soon as I can afford one,  I'm going to be 
using it with all kinds of
noise sources and probably not so much guitar.

I was able to make some very hip 'drones' by using a Floyd Rose tremelo 
on my
fretless Strat go all the way down to complete d-tune..........very hip 
noise drone from
that technique.

This is a very cool and musical tool,  imho.   I'm trying to sell some 
gear to
buy one as we speak.

Anyone want to buy a Gibson EDP fully tricked out with a footpedal?
A vintage (and expensive first generation Red Whammy pedal)?
A vintage and expensive  Roland TR808?
A vintage first ever Roland Guitar Synth (minus the proprietary cable 
and the synth)
     quite hip because it has an octaphonic pickup on it that could be 
converted
for some cool stuff.   I'll let this one go pretty cheap (with the cable 
it'd be a grand)

lol........they are for sale, theyr'e just pricey.

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 07:34:40 2011
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On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
> sorry this isn't about macs or pcs.....STANO, you will tell me when 
> you switch over to computers for
>
> your playing (then i will join the crowd).....a few of you know my 
> level of incompetence when it comes to COMPLEX THINGS,
>
> computers, tying shoes etc.....i have a few xrta $ and not want but 
> NEED another looper.....my #1 son stole my rang
>
> after i got my M13 and i want something to replace it, i only have the 
> looper in the M13 to work with at present.....
>
> signal chain as of today:  guitar with 2 lines out > M13.....FX SEND 
> M13 > alesis air fx > alesis ineko > alesis bitrman >
>
> off to srm 450s.....i know we had this discussion already and i have 
> read all the posts but i was wondering if
>
> as of today, does anyone have any new oppinions or other 
> suggestions?.....i am also going to get the expression
>
> pedal (s) for the M13.....young bill showed me the beauty of 
> this!.....THANK YOU BILL, you are a sweet lad!.....
>
> i thnak you for your cornsideration!.....this just popped into my 
> noggin, are there any smallish loopers with FX sends?
I don't know the Rang 3 at all, Michael, but my cursory understanding is 
that they are just incredibly different beasts.
The LP2 has lots of slicing and dicing effects (and some very cool 1/2 
and 1/4 speed options that are very fun);
it has the ability to store up to 8 loops and load them from an SD card; 
it has 30 levels of undo and it has feedback control
with an extra expression pedal......it also has midi in/out for syncing 
to other midi devices
It also is a mono unit.

Doesn't the Rang have multiple and simultaneous loops?   Isn't it true 
stereo?   Does it have any midi?  Does it store loops?

My impression is that the LP2 is better for mangling and also 
synchronizing and the Rang might be better if a
singer songwriter wanted to have one looper.

The LP2 for me is a perfect augmentation if you already have another 
looper, especially if it has midi.

Any RANG 3 users out there yet?     Can you help us out with it's 
capabilities?

rick walker

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> On 7/22/64 11:59 AM, Dennis Moser wrote:
BE ADVISED THAT WINDOWS XP IS NO LONGER GOING TO BE SUPPORTED UNDER 
BOOTCAMP.
> On 7/22/64 11:59 AM, Rick Walker wrote:
> Ahhhh,  I just love Apple
> (this post drips with sarcasm for the literalists in the crowd)

Hi everybody,
Please forgive me,   that post was unnecessarily bitchy and I'm sorry I 
wrote it in such a reactive space.

I truly do understand, though am obviously a bit bitter, that I got a lemon
when I bought my MPB and that it truly, seems to have been an anecdotal 
experience.

    I know so many people who's opinion's I respect that really, the new 
MBPs think are going to be
the best of all possible worlds.

I just had one shot, financially, of getting a computer this expensive and
it turned out to be a collosal dud, but I've met people doing pro audio 
with
the identical machine that I purchased who have not had a single problem.

I apologize for being bitter in this public forum.

My advise is to respect the advise of the leading experts on both 
Windows and Mac
on this list...........they would never steer you wrong.

yours,  very respectfully,    rick walker

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On Thu, Mar 3, 2011 at 6:46 AM,  <antonyhequet@yahoo.com> wrote:
> I read up on it when I did my firts attempt at bootcamp Windows XP. When =
you
> do the bootcamp install routine you are offered the possibility of
> =C2=A0formating your partition as FAT32, this insures you can use that pa=
rtition
> oth form Windows XP and Mac OS X. THis option is not available with Windo=
ws
> 7 or other Windows versiosn such as VIsta.


Thank you, Antony. That's essential information.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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--000e0cd4c76400f564049d90aec4
Content-Type: text/plain; charset=ISO-8859-1

lol! i'm gonna try that!

On Thu, Mar 3, 2011 at 3:15 AM, Keith Smith <kahsmith@gmail.com> wrote:

>
> Then there are the insane possibilities of doing it with a very simple
> rhythm.
>

--000e0cd4c76400f564049d90aec4
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lol! i&#39;m gonna try that!<br><br><div class=3D"gmail_quote">On Thu, Mar =
3, 2011 at 3:15 AM, Keith Smith <span dir=3D"ltr">&lt;<a href=3D"mailto:kah=
smith@gmail.com">kahsmith@gmail.com</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Then there are the insane possibilities of doing it with a very simple<br>
rhythm.<br></blockquote></div>

--000e0cd4c76400f564049d90aec4--

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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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> On 7/22/64 11:59 AM, mark francombe wrote:
>>
>> Im interested in knowing how it achieves such a short loop without the
>> associated buzz,

Granular processing?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Further to this idea I suceeded last night in making a "version" of this
effect in the vortex. using a very short delay speed with feedback 100, and
an alternative B patch with NO morph speed, I could jump from one to the
other quite quickly..

On Thu, Mar 3, 2011 at 10:40 AM, Per Boysen <perboysen@gmail.com> wrote:

> > On 7/22/64 11:59 AM, mark francombe wrote:
> >>
> >> Im interested in knowing how it achieves such a short loop without the
> >> associated buzz,
>
> Granular processing?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8f7872bc7f049d90f7ec
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Further to this idea I suceeded last night in making a &quot;version&quot; =
of this effect in the vortex. using a very short delay speed with feedback =
100, and an alternative B patch with NO morph speed, I could jump from one =
to the other quite quickly.. <br>

<br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 10:40 AM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;">

&gt; On 7/22/64 11:59 AM, mark francombe wrote:<br>
&gt;&gt;<br>
&gt;&gt; Im interested in knowing how it achieves such a short loop without=
 the<br>
&gt;&gt; associated buzz,<br>
<br>
Granular processing?<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8f7872bc7f049d90f7ec--

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Date: Thu, 3 Mar 2011 11:03:35 +0100
Message-ID: <AANLkTik3kUzG8dzBFxrTv3dc6U0ZVExceKt8jZ=KAR1m@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 3, 2011 at 10:50 AM, mark francombe <mark@markfrancombe.com> wrote:
> Further to this idea I suceeded last night in making a "version" of this
> effect in the vortex. using a very short delay speed with feedback 100, and
> an alternative B patch with NO morph speed, I could jump from one to the
> other quite quickly..

Great! Do you think that it works well thanks to some special "loop
point cross fading" function in the Vortex?

My trick is based on a tape delay setting typically used for creating
reverb. Then the freeze stomp button, or expression pedal for
"slow/long mode", works the feedback, level and wet/dry parameters.

Per

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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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On Thu, Mar 3, 2011 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
Great! Do you think that it works well thanks to some special "loop
point cross fading" function in the Vortex?

Im not sure, but I have to admit I was using maybe longer loops than the
Freeze appears to do, there was a slight takatakatakataka going on, but no
electronic buzz, so maybe. But I think its more to do with the fact that
when you switch from one patch to the other in Vortex, you are not just
changing patches but morphing them. A longer morph time didnt work as the
second patch did not have any audio in it, as the morph occured if also
tried to fade the delay buffer to 0 , resulting in a quiet loop. but an
instantaneous morph, seemed to do the trick, presumably there is some part
of the morph algorithm still inplay, even if the morph time is 0..

Well thats my clever sounding guess...

Mark



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8f78d86d72049d917fbb
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On Thu, Mar 3, 2011 at 11:03 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r>Great! Do you think that it works well thanks to some special &quot;loop<=
br>


point cross fading&quot; function in the Vortex?<br><br>Im not sure, but I =
have to admit I was using maybe longer loops than the Freeze appears to do,=
 there was a slight takatakatakataka going on, but no electronic buzz, so m=
aybe. But I think its more to do with the fact that when you switch from on=
e patch to the other in Vortex, you are not just changing patches but morph=
ing them. A longer morph time didnt work as the second patch did not have a=
ny audio in it, as the morph occured if also tried to fade the delay buffer=
 to 0 , resulting in a quiet loop. but an instantaneous morph, seemed to do=
 the trick, presumably there is some part of the morph algorithm still inpl=
ay, even if the morph time is 0.. <br>

<br>Well thats my clever sounding guess...<br><br>Mark<br><br><br clear=3D"=
all"><br>-- <br><i style=3D"font-family: verdana,sans-serif; color: rgb(255=
, 255, 255); background-color: rgb(0, 0, 0);"><font style=3D"font-family: t=
rebuchet ms,sans-serif;" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8f78d86d72049d917fbb--

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Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Morphing - that's the shit!


On Thu, Mar 3, 2011 at 11:28 AM, mark francombe <mark@markfrancombe.com> wrote:
> On Thu, Mar 3, 2011 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
> Great! Do you think that it works well thanks to some special "loop
> point cross fading" function in the Vortex?
>
> Im not sure, but I have to admit I was using maybe longer loops than the
> Freeze appears to do, there was a slight takatakatakataka going on, but no
> electronic buzz, so maybe. But I think its more to do with the fact that
> when you switch from one patch to the other in Vortex, you are not just
> changing patches but morphing them. A longer morph time didnt work as the
> second patch did not have any audio in it, as the morph occured if also
> tried to fade the delay buffer to 0 , resulting in a quiet loop. but an
> instantaneous morph, seemed to do the trick, presumably there is some part
> of the morph algorithm still inplay, even if the morph time is 0..
>
> Well thats my clever sounding guess...
>
> Mark
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 10:45:52 2011
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Here's my attempt at similar

http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3

thing I like about the Vortex is that after working out
a patch for a specific purpose there's usually other
sounds that can be had by 'mis-using ' it.

the same patch abused:-

http://myweb.tiscali.co.uk/andybutler/vortex/vortex5.mp3

Anyone remember the days when we used to crave for the 
mythical "8 second Vortex"?

That whole morphing thing is still very much unexplored,
the Vortex only has 2 delay units of 1s which can morph
from into a single 2s.

andy

mark francombe wrote:
> Further to this idea I suceeded last night in making a "version" of this 
> effect in the vortex. using a very short delay speed with feedback 100, 
> and an alternative B patch with NO morph speed, I could jump from one to 
> the other quite quickly..
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 10:55:33 2011
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Date: Thu, 3 Mar 2011 11:55:32 +0100
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 3, 2011 at 11:45 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Here's my attempt at similar
>
> http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3
>

That's a good sounding freeze!

Here's how my software version sounds:
http://soundcloud.com/pboy/going-fishing-20101205-1553

Per

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Date: Thu, 3 Mar 2011 10:56:17 +0000
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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--000e0cd6aeb4fd35a9049d91e0d3
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nice!

there was much discussion on the axefx forum when this pedal came out about
whether the axefx could do something similar. it was easy to do actually,
but using very long delays and reverb to create the freeze texture and tying
feedback + input to a pedal.

http://soundcloud.com/fractalaudio/freeze

sim

On Thu, Mar 3, 2011 at 10:45 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Here's my attempt at similar
>
> http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3
>
> thing I like about the Vortex is that after working out
> a patch for a specific purpose there's usually other
> sounds that can be had by 'mis-using ' it.
>
> the same patch abused:-
>
> http://myweb.tiscali.co.uk/andybutler/vortex/vortex5.mp3
>
> Anyone remember the days when we used to crave for the mythical "8 second
> Vortex"?
>
> That whole morphing thing is still very much unexplored,
> the Vortex only has 2 delay units of 1s which can morph
> from into a single 2s.
>
> andy
>
>
> mark francombe wrote:
>
>> Further to this idea I suceeded last night in making a "version" of this
>> effect in the vortex. using a very short delay speed with feedback 100, and
>> an alternative B patch with NO morph speed, I could jump from one to the
>> other quite quickly..
>>
>>
>

--000e0cd6aeb4fd35a9049d91e0d3
Content-Type: text/html; charset=ISO-8859-1
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nice!<br><br>there was much discussion on the axefx forum when this pedal c=
ame out about whether the axefx could do something similar. it was easy to =
do actually, but using very long delays and reverb to create the freeze tex=
ture and tying feedback + input to a pedal.<br>
<br><a href=3D"http://soundcloud.com/fractalaudio/freeze">http://soundcloud=
.com/fractalaudio/freeze</a><br><br>sim<br><br><div class=3D"gmail_quote">O=
n Thu, Mar 3, 2011 at 10:45 AM, andy butler <span dir=3D"ltr">&lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Here&#39;s my att=
empt at similar<br>
<br>
<a href=3D"http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3" target=
=3D"_blank">http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3</a><br=
>
<br>
thing I like about the Vortex is that after working out<br>
a patch for a specific purpose there&#39;s usually other<br>
sounds that can be had by &#39;mis-using &#39; it.<br>
<br>
the same patch abused:-<br>
<br>
<a href=3D"http://myweb.tiscali.co.uk/andybutler/vortex/vortex5.mp3" target=
=3D"_blank">http://myweb.tiscali.co.uk/andybutler/vortex/vortex5.mp3</a><br=
>
<br>
Anyone remember the days when we used to crave for the mythical &quot;8 sec=
ond Vortex&quot;?<br>
<br>
That whole morphing thing is still very much unexplored,<br>
the Vortex only has 2 delay units of 1s which can morph<br>
from into a single 2s.<br><font color=3D"#888888">
<br>
andy</font><div><div></div><div class=3D"h5"><br>
<br>
mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Further to this idea I suceeded last night in making a &quot;version&quot; =
of this effect in the vortex. using a very short delay speed with feedback =
100, and an alternative B patch with NO morph speed, I could jump from one =
to the other quite quickly..<br>

<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--000e0cd6aeb4fd35a9049d91e0d3--

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Cheers Myke!

I'm not planning non-synced tracks, no, as it's a bit too niche.  That =
said, Loopy can have any master loop length, so if you begin with a =
really short one, then tracks recorded later will appear to not be in =
sync with each other, as they're quantised to multiples of a very very =
short master loop, which is equivalent to no sync at all, if the master =
loop's short enough.

So, yes, it can be done - just record a super-short first loop (as in, =
double-tap on the track button), then it'll sound like there's no sync =
after.

And yep, I'm planning master loop changing:

>> The master track length is set by the first loop, and is displayed =
visually along the bar at the bottom, like ruler tick marks.  Pinch to =
adjust the length - that is, multiply it out, or divide it up.  Or drag =
a track to the bar at the bottom to have the master clock sync to that =
track.

On 2 Mar 2011, at 22:50, Myke Atkinson wrote:

> Cool stuff Michael!
>=20
> Is there going to be any way to have a new track asynchronous to the =
master loop?
>=20
> Also, something to consider: the ability to change which track is the =
master loop, allowing for continuous performance.
>=20
> -Myke

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Per Boysen wrote:
> Morphing - that's the shit!
> 
> 
> On Thu, Mar 3, 2011 at 11:28 AM, mark francombe <mark@markfrancombe.com> wrote:
>> Im not sure, but I have to admit I was using maybe longer loops than the
>> Freeze appears to do, there was a slight takatakatakataka going on

I think the EH unit avoids takatakaing by getting the crossfade just 
right.
i've seen a demo when "glitchy sounds" are produced by string scraping,
and then it does taka away as expected, so the delay's quite long.

It's also possible that the EH unit adjusts the delay time
so that there's no unevenness due to phase.


>> instantaneous morph, seemed to do the trick, presumably there is some part
>> of the morph algorithm still inplay, even if the morph time is 0..

yup, there's still a crossfade

andy

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Typical Fucking Boysen, put as all top shame..

Wonderful Per, I couldn't really even hear the freeze, till I realised that
this was Chapman Stick, and not "Floaty Ambient Pad Number 256"...


@ Andy, back to Vortex.. have you managed to get good setting using that
other patch.. is it 9 A?? Cant remember the name.. (12 oclock ) I always
wanted an auto-freeze that just took the last sound you played and froze it.
unfortunately the shorter you make the loop, the quieter it becomes...
becasue hweveer fast you take your finger of the guitar and silence the
audio, it will grab that bit, where its going quiet, not a moment before...


On Thu, Mar 3, 2011 at 11:55 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 3, 2011 at 11:45 AM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> > Here's my attempt at similar
> >
> > http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3
> >
>
> That's a good sounding freeze!
>
> Here's how my software version sounds:
> http://soundcloud.com/pboy/going-fishing-20101205-1553
>
> Per
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf30363c8fbc2f98049d9204b8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Typical Fucking Boysen, put as all top shame..<br><br>Wonderful Per, I coul=
dn&#39;t really even hear the freeze, till I realised that this was Chapman=
 Stick, and not &quot;Floaty Ambient Pad Number 256&quot;...<br><br><br>

@ Andy, back to Vortex.. have you managed to get good setting using that ot=
her patch.. is it 9 A?? Cant remember the name.. (12 oclock ) I always want=
ed an auto-freeze that just took the last sound you played and froze it. un=
fortunately the shorter you make the loop, the quieter it becomes... becasu=
e hweveer fast you take your finger of the guitar and silence the audio, it=
 will grab that bit, where its going quiet, not a moment before...<br>

<br><br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 11:55 AM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">

<div class=3D"im">On Thu, Mar 3, 2011 at 11:45 AM, andy butler &lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br=
>
&gt; Here&#39;s my attempt at similar<br>
&gt;<br>
&gt; <a href=3D"http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3" t=
arget=3D"_blank">http://myweb.tiscali.co.uk/andybutler/vortex/vortex4.mp3</=
a><br>
&gt;<br>
<br>
</div>That&#39;s a good sounding freeze!<br>
<br>
Here&#39;s how my software version sounds:<br>
<a href=3D"http://soundcloud.com/pboy/going-fishing-20101205-1553" target=
=3D"_blank">http://soundcloud.com/pboy/going-fishing-20101205-1553</a><br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf30363c8fbc2f98049d9204b8--

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Date: Thu, 3 Mar 2011 12:13:17 +0100
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 3, 2011 at 12:05 PM, mark francombe <mark@markfrancombe.com> wrote:
> couldn't really even hear the freeze

WOT! It's THE CHORDS, man! Tapping a chord and then freezing it to
sound one, two or four bars (while moving the chord hand somewhere
else, to match whatever the other melody hand is up to).

Per

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mark francombe wrote:

> @ Andy, back to Vortex.. have you managed to get good setting using that 
> other patch.. is it 9 A?? Cant remember the name.. (12 oclock ) 

Curse you Francombe I should be working.

>From what I remember the problem is that we really
want a 2 stage operation, ramp the 
feedback (and input vol) up, and after that ramp the input vol down.
...but there's only one morph, so as feedback goes up
the input volume has to go down. 

...and it's all complicated by the fact that the Vortex 
has 2 types of delay.
1) where the input vol is automatically reduced has fbk increases,
   which is mostly the parallel 1s delays
2) where th input vol isn't affected when fbk increases, usually
   the (series) 2s delays 

One way to get a smoother freeze is to use different delay times
on parallel delays, and maybe different delays between the two sides of
the morph.

I think I may have ended up using the pedal for a smoother effect on the morph.

andy

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--20cf307f326c9922a5049d948a42
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Could you post the detailed settings for that Mark?

Jeff

On Thu, Mar 3, 2011 at 4:50 AM, mark francombe <mark@markfrancombe.com>wrote:

> Further to this idea I suceeded last night in making a "version" of this
> effect in the vortex. using a very short delay speed with feedback 100, and
> an alternative B patch with NO morph speed, I could jump from one to the
> other quite quickly..
>
> On Thu, Mar 3, 2011 at 10:40 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> > On 7/22/64 11:59 AM, mark francombe wrote:
>> >>
>> >> Im interested in knowing how it achieves such a short loop without the
>> >> associated buzz,
>>
>> Granular processing?
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>>
>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

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Could you post the detailed settings for that Mark? <br><br>Jeff<br><br><di=
v class=3D"gmail_quote">On Thu, Mar 3, 2011 at 4:50 AM, mark francombe <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranco=
mbe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Further to this i=
dea I suceeded last night in making a &quot;version&quot; of this effect in=
 the vortex. using a very short delay speed with feedback 100, and an alter=
native B patch with NO morph speed, I could jump from one to the other quit=
e quickly.. <br>


<br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 10:40 AM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_bla=
nk">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">


&gt; On 7/22/64 11:59 AM, mark francombe wrote:<br>
&gt;&gt;<br>
&gt;&gt; Im interested in knowing how it achieves such a short loop without=
 the<br>
&gt;&gt; associated buzz,<br>
<br>
Granular processing?<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>


<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">


<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>


twitter @markfrancombe</font><br>
</blockquote></div><br>

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a) about loop track saving / reuse:

Thanks Jeff for your very accurate and clear explanation!

Possibly I was not too clear in my explanation; In facts my process was this
one:

1) I perform an overdubbed "perfect" loop (using ambiloop)
2) I save this track as the file loop.wav
3) I run an audio editor (using audition) and I INSERT JUXTAPOSING many
instances (COPIES) of this loop.wav chunk: my aim now is to play for example
10 contingous clicles of loop.wav ..

HERE I realize clicks... ( ! ) mmhh....now come in my mind the possible
problem: phearps is the audio editor that do not perfectly juxtapose
contigous audio chunks .. ?! .... (I used here a functionality called
"multiply" that I believed was working doing perfect jusxatposition (at
"sample level")  but pheraps this was not true: I have to re-test...

Anyway thanks again for your clear analysis, that is helping in understand
the point!


b) about seamless loop editing:
Thanks Rick, yes I'm aware of the little fade-in - fade-out method to avoid
clicks.
sorry, again I was not too clear in my inbitial post: I refer to an editor
helping in realization of "perfect loops"
I mean something like the old beautiful "infinity" on Mac ...

Au revoir
giorgio

2011/3/2 Jeff Larson <jeff.larson@sailpoint.com>

>
> > Indeed, does the alternative sw Mobius ( http://www.circularlabs.com )
> > save .wav without start-end clicks / artifacts ?
>
> I think I know what your problem is.  It isn't really an "artifact",
> the loop is being saved exactly the way it was recorded.  The problem
> is that in a looper, loops normally play from beginning to end and
> then repeat.  If you overdub and you let the overdub carry over the
> loop boundary, then the audio will not be faded to zero at the
> begininning and end of the loop.  When the looper plays this audio
> continuously, you don't notice this, it sounds like seamless audio
> without clicks.  But if you save this loop to a file and play the loop
> in an application that is not a looper, there will be a click at the
> beginning and end of the audio.
>
> This is difficult to talk about without pictures.
>
> Layer 1: rrrrrrrr
> Layer 2: ----oooo
> Layer 3: oo------
>
> The letter 'r' means the loop was being recorded for the first time,
> '-' means the loop was playing, and 'o' means overdubing.
>
> The result will look like this:
>
>     oo--oooo
>
> In order for the overdub to sound seamless it is important that the
> looper *not* fade the starting and ending edges of this loop to zero.
> When the loop is allowed to play forever, you want it to sound like
> this:
>
>     oo--oooooo--oooooo--oooo
>
> If you fade the edges of the loop to zero...
>
>     _o--ooo_
>
> Here '_' means silence.  The faded loop will sound like this when it
> plays:
>
>     _o--ooo__o--ooo__o--ooo_
>
> You normally do not want this in a looper, the faded edges will be
> audible as a "fade bump" that you will hear every time the loop
> repeats.
>
> If you save an unfaded loop to a file then bring it into an audio
> application that is not a looper, the start and end of the wave form
> will have sharp edges that will sound like clicks if you play the wave
> form without looping it.  If you need to do this then you need to edit
> the wave file and fade the edges, this is sometimes called "top and
> tail" fading.
>
> So to answer your question, Mobius will save loops WITHOUT
> top and tail fading so that you can load them back into Mobius
> and have them play seamlessly.  If you want to save Mobius loops
> and use them in a different audio application, you will need
> to edit them and fade the edges.  Most pro audio editors
> provided an easy way to do this.
>
> Jeff
>
>


-- 
"Siamo polvere di stelle, siamo oro, e dobbiamo far ritorno al giardino"
(Joni Mitchell)
Giorgio Robino http://solyaris.altervista.org

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Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<br>a) about loop track saving / reuse:<br><br>Thanks Jeff for your very ac=
curate and clear explanation!<br><br>Possibly I was not too clear in my exp=
lanation; In facts my process was this one:<br><br>1) I perform an overdubb=
ed &quot;perfect&quot; loop (using ambiloop)<br>


2) I save this track as the file loop.wav<br>3) I run an audio editor (usin=
g audition) and I INSERT JUXTAPOSING many instances (COPIES) of this loop.w=
av chunk: my aim now is to play for example 10 contingous clicles of loop.w=
av .. <br>


<br>HERE I realize clicks... ( ! ) mmhh....now come in my mind the possible=
 problem: phearps is the audio editor that do not perfectly juxtapose conti=
gous audio chunks .. ?! .... (I used here a functionality called &quot;mult=
iply&quot; that I believed was working doing perfect jusxatposition (at &qu=
ot;sample level&quot;)=C2=A0 but pheraps this was not true: I have to re-te=
st...<br>

<br>Anyway thanks again for your clear analysis, that is helping in underst=
and the point!<br>
<br><br>b) about seamless loop editing:<br>Thanks Rick, yes I&#39;m aware o=
f the little fade-in - fade-out method to avoid clicks.<br>sorry, again I w=
as not too clear in my inbitial post: I refer to an editor helping in reali=
zation of &quot;perfect loops&quot;<br>

I mean something like the old beautiful &quot;infinity&quot; on Mac ...<br>=
<br>Au revoir<br>giorgio<br><br><div class=3D"gmail_quote">2011/3/2 Jeff La=
rson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com" tar=
get=3D"_blank">jeff.larson@sailpoint.com</a>&gt;</span><br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div><div><br></div><div>&gt; Indeed, does the alternative sw Mobius ( <a h=
ref=3D"http://www.circularlabs.com" target=3D"_blank">http://www.circularla=
bs.com</a> )=C2=A0</div><div>&gt; save .wav without start-end clicks / arti=
facts ?=C2=A0</div>


<div><br></div>
</div><div>I think I know what your problem is. =C2=A0It isn&#39;t really a=
n &quot;artifact&quot;,</div><div>the loop is being saved exactly the way i=
t was recorded. =C2=A0The problem</div><div>is that in a looper, loops norm=
ally play from beginning to end and</div>



<div>then repeat. =C2=A0If you overdub and you let the overdub carry over t=
he</div><div>loop boundary, then the audio will not be faded to zero at the=
</div><div>begininning and end of the loop. =C2=A0When the looper plays thi=
s audio</div>



<div>continuously, you don&#39;t notice this, it sounds like seamless audio=
</div><div>without clicks. =C2=A0But if you save this loop to a file and pl=
ay the loop</div><div>in an application that is not a looper, there will be=
 a click at the</div>



<div>beginning and end of the audio.</div><div><br></div><div>This is diffi=
cult to talk about without pictures.</div><div><br></div><div>Layer 1: rrrr=
rrrr</div><div>Layer 2: ----oooo</div><div>Layer 3: oo------</div><div>



<br></div><div>The letter &#39;r&#39; means the loop was being recorded for=
 the first time,</div><div>&#39;-&#39; means the loop was playing, and &#39=
;o&#39; means overdubing.</div><div><br></div><div>The result will look lik=
e this:</div>



<div><br></div><div>=C2=A0=C2=A0 =C2=A0oo--oooo</div><div><br></div><div>In=
 order for the overdub to sound seamless it is important that the</div><div=
>looper *not* fade the starting and ending edges of this loop to zero.</div=
><div>When the loop is allowed to play forever, you want it to sound like</=
div>



<div>this:</div><div><br></div><div>=C2=A0=C2=A0 =C2=A0oo--oooooo--oooooo--=
oooo</div><div><br></div><div>If you fade the edges of the loop to zero...<=
/div><div><br></div><div>=C2=A0=C2=A0 =C2=A0_o--ooo_</div><div><br></div><d=
iv>Here &#39;_&#39; means silence. =C2=A0The faded loop will sound like thi=
s when it</div>



<div>plays:</div><div><br></div><div>=C2=A0=C2=A0 =C2=A0_o--ooo__o--ooo__o-=
-ooo_</div><div><br></div><div>You normally do not want this in a looper, t=
he faded edges will be</div><div>audible as a &quot;fade bump&quot; that yo=
u will hear every time the loop</div>



<div>repeats.</div><div><br></div><div>If you save an unfaded loop to a fil=
e then bring it into an audio</div><div>application that is not a looper, t=
he start and end of the wave form</div><div>will have sharp edges that will=
 sound like clicks if you play the wave</div>



<div>form without looping it. =C2=A0If you need to do this then you need to=
 edit</div><div>the wave file and fade the edges, this is sometimes called =
&quot;top and</div><div>tail&quot; fading.</div><div><br></div><div>So to a=
nswer your question, Mobius will save loops WITHOUT</div>



<div>top and tail fading so that you can load them back into Mobius</div><d=
iv>and have them play seamlessly. =C2=A0If you want to save Mobius loops</d=
iv><div>and use them in a different audio application, you will need</div><=
div>



to edit them and fade the edges. =C2=A0Most pro audio editors</div><div>pro=
vided an easy way to do this.</div><div><br></div><font color=3D"#888888"><=
div>Jeff</div><div><br></div>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>&quot;Siamo polv=
ere di stelle, siamo oro, e dobbiamo far ritorno al giardino&quot; (Joni Mi=
tchell)<br>Giorgio Robino <a href=3D"http://solyaris.altervista.org" target=
=3D"_blank">http://solyaris.altervista.org</a><br>




--000e0cd2df78f9d765049d94c7da--

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Date: Thu, 3 Mar 2011 09:22:12 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
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I love how "granular" processing has become such a catch-all in the 
electronic music community.. ;-)

The "freeze" pedal uses hi coefficient allpass filters, it's similar 
to a digital reverb set to an infinite decay time.



>  > On 7/22/64 11:59 AM, mark francombe wrote:
>>>
>>>  Im interested in knowing how it achieves such a short loop without the
>>>  associated buzz,
>
>Granular processing?
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com
>www.looproom.com internet music hub


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: Re: seamless loops & windows tools (ambiloop vs Mobius)
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I've seen this thread flashing by and would like to just chime in a
short comment, without having read many earlier posts in the
discussion. The thing is that the subject line is not very clear to
me. While Ambiloop is ambient looper, Mobius is an all round looper.
So they are kind of "apples and oranges" in the regard of comparing
how well they create seamless loops. For Ambiloop the creation of
seamless loops is its very purpose, at least from what I remember of
the release long ago. But with Mobius you have to use looping
techniques that create seamless loops. The main technique is to go out
of Record or Multiply Mode by Overdub and play/provide source audio
matching a "soft closing" of the loop point.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: seamless loops & windows tools (ambiloop vs Mobius)
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--20cf300258885c5fac049d957f8c
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Ciao Giorgio,


2011/3/3 Giorgio Robino <giorgio.robino@gmail.com>

>
> 1) I perform an overdubbed "perfect" loop (using ambiloop)
> 2) I save this track as the file loop.wav
> 3) I run an audio editor (using audition) and I INSERT JUXTAPOSING many
> instances (COPIES) of this loop.wav chunk: my aim now is to play for example
> 10 contingous clicles of loop.wav ..
>

are the clicks you get coincident with every loop end/start?
maybe you simply need to crossfade the various repetitions.

Ciao

Marco

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Ciao Giorgio,<br><br><br><div class=3D"gmail_quote">2011/3/3 Giorgio Robino=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:giorgio.robino@gmail.com">giorgio.=
robino@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
<br>1) I perform an overdubbed &quot;perfect&quot; loop (using ambiloop)<br=
>


2) I save this track as the file loop.wav<br>3) I run an audio editor (usin=
g audition) and I INSERT JUXTAPOSING many instances (COPIES) of this loop.w=
av chunk: my aim now is to play for example 10 contingous clicles of loop.w=
av .. <br>
</blockquote><div><br>are the clicks you get coincident with every loop end=
/start?<br>maybe you simply need to crossfade the various repetitions.<br>=
=A0<br>Ciao<br><br>Marco<br></div><br></div><br>

--20cf300258885c5fac049d957f8c--

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On Mar 3, 2011, at 9:31 AM, "Charles Zwicky" <cazwicky@earthlink.net> wrote:=


> how "granular" processing has become such a catch-all in

Somebody called my fiddle playing granular one time but I think he meant it s=
ounded like a box of rocks!!

Hey who knows if the LG pedals will send a midi start command by its own sel=
f?

Andy o=

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Electro Harmonix Freeze - Sound Retainer
References: <AANLkTikOXTC0WatOO6=FRJg-Pkp+SgEzqgQ0qvieTnt1@mail.gmail.com> <4D6F42EA.6080107@cruzio.com> <AANLkTi=0iVaEs3O0SkgERgvELNSDtM4sWeUKA9MZ_nyf@mail.gmail.com> <p06240827c995540d8813@[192.168.2.2]> <494C131D-F88D-434D-9408-304C84960897@1800dialword.com>
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Andy Owens wrote:
 
> Hey who knows if the LG pedals will send a midi start command by its own self?

yup

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Date: Thu, 3 Mar 2011 16:33:52 +0100
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 3, 2011 at 3:22 PM, Charles Zwicky <cazwicky@earthlink.net> wrote:
> The "freeze" pedal uses hi coefficient allpass filters, it's similar to a
> digital reverb set to an infinite decay time.

INteresting to know. Thanks, Charles! Then it's not that far from my
custom software solution of tweaking a tape delay reverb simulation
:-)

When guessing on granular synthesis being used in the stomp box I
based that on experience with software like Metasynth, Riverrun and
Alchemy.

Per

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Date: Thu, 03 Mar 2011 10:14:16 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Correction "The Trip" Video on You Tube
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

Wrong link last time -- the right one is 
http://www.youtube.com/watch?v=KRuFGotfKi8

I've posted another video on You Tube -- an excerpt from one of my 
favorite shows of 2010

"The Trip" is an excerpt from an improvised performance featuring my 
video improvisations, and Forbes Graham, trumpet, Eric Crawley, 
Harpejji and electronics, Teresa Czepiel  Movement, and Eric Sack -- 
Camera. "The Trip" combines improvised video and sound, movement, 
camera work and video feedback into an intense melange that stays 
close to (but always on the right side) of the thin line between the 
psychedelic and the incoherent.

"The Trip"  was recorded live at Outpost 186, Cambridge MA, on May 16, 2010.


BTW Some of my photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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Date: Thu, 3 Mar 2011 17:36:03 +0100
Message-ID: <-7890509984860652642@unknownmsgid>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--90e6ba6e860a1ae947049d96a336
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Later Jeff, tonight its the gym, followed by Yoga, i will post when i am
muscularly at one with my chi.



Sent from my (advertisement removed)

On 3 Mar 2011, at 15:07, Jeff Duke <jeffloops@gmail.com> wrote:

Could you post the detailed settings for that Mark?

Jeff

On Thu, Mar 3, 2011 at 4:50 AM, mark francombe <mark@markfrancombe.com>wrote:

> Further to this idea I suceeded last night in making a "version" of this
> effect in the vortex. using a very short delay speed with feedback 100, and
> an alternative B patch with NO morph speed, I could jump from one to the
> other quite quickly..
>
> On Thu, Mar 3, 2011 at 10:40 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> > On 7/22/64 11:59 AM, mark francombe wrote:
>> >>
>> >> Im interested in knowing how it achieves such a short loop without the
>> >> associated buzz,
>>
>> Granular processing?
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>>
>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

--90e6ba6e860a1ae947049d96a336
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<html><body bgcolor=3D"#FFFFFF"><div>Later Jeff, tonight its the gym, follo=
wed by Yoga, i will post when i am muscularly at one with my chi.</div><div=
><br></div><div><br><br>Sent from my (advertisement removed)</div><div><br>
On 3 Mar 2011, at 15:07, Jeff Duke &lt;<a href=3D"mailto:jeffloops@gmail.co=
m">jeffloops@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote t=
ype=3D"cite"><div>Could you post the detailed settings for that Mark? <br><=
br>
Jeff<br><br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 4:50 AM, mark=
 francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">=
<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a></a>&gt=
;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Further to this i=
dea I suceeded last night in making a &quot;version&quot; of this effect in=
 the vortex. using a very short delay speed with feedback 100, and an alter=
native B patch with NO morph speed, I could jump from one to the other quit=
e quickly.. <br>



<br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 10:40 AM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_bla=
nk"><a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt;<=
/span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">


&gt; On 7/22/64 11:59 AM, mark francombe wrote:<br>
&gt;&gt;<br>
&gt;&gt; Im interested in knowing how it achieves such a short loop without=
 the<br>
&gt;&gt; associated buzz,<br>
<br>
Granular processing?<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank"><a href=3D"http://www.bo=
ysen.se">www.boysen.se</a></a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank"><a href=3D"http://ww=
w.perboysen.com">www.perboysen.com</a></a><br>
<a href=3D"http://www.looproom.com" target=3D"_blank"><a href=3D"http://www=
.looproom.com">www.looproom.com</a></a> internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>



<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank"><a href=3D"http://www.markfrancombe.com"=
>www.markfrancombe.com</a></a><br style=3D"color: rgb(51, 0, 51);"><a style=
=3D"color: rgb(51, 0, 51);" href=3D"http://www.ordoabkhao.com/" target=3D"_=
blank"><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br =
style=3D"color: rgb(51, 0, 51);">



<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank"><a href=3D"http://vimeo.com/user825094">http://vimeo.com/us=
er825094</a></a><br style=3D"color: rgb(51, 0, 51);"><a style=3D"color: rgb=
(51, 0, 51);" href=3D"http://www.looop.no/" target=3D"_blank"><a href=3D"ht=
tp://www.looop.no">http://www.looop.no</a></a><br>



twitter @markfrancombe</font><br>
</blockquote></div><br>
</div></blockquote></body></html>

--90e6ba6e860a1ae947049d96a336--

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Charles Zwicky wrote:
> I love how "granular" processing has become such a catch-all in the 
> electronic music community.. ;-)
> 
> The "freeze" pedal uses hi coefficient allpass filters, it's similar to 
> a digital reverb set to an infinite decay time.

I've not heard the term "hi coefficient" used in filter dsp before.

As a reverb is a network of delays with feedback I don't
disagree with your analysis of course.
Except that the sound isn't reverb-like.


There's clearly a repetition every 180mS here

http://www.youtube.com/watch?v=sjFth1mg5Rc

from 2:48

but then there's longer cycles audible too.

...but there's no glissandi within the freeze
...however, unlike a reverbed glissando there's
  still clearly defined constant frequencies

need to hear it without Youtube sound compression,
but I'm still puzzled

andy


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Subject: Re: seamless loops & windows tools (ambiloop vs Mobius)
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Marco Ronci wrote:

> are the clicks you get coincident with every loop end/start?
> maybe you simply need to crossfade the various repetitions.

If the looping has sample accurate timing there'll be no clicks,
...unless the audio editor tries to introduce a crossfade,
then that will *cause* a click.

andy

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Date: Thu, 3 Mar 2011 11:53:40 -0500
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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Andy,

  A reverb is not simply a "network of delays", in fact most digital 
reverbs consist of  a loop of allpass filters*  set to various delay 
lengths with a variety of injection points and output taps.

* An allpass filter is defined as a feedforward  delay combined with 
a feedback delay, it is at the heart of every digital reverb and the 
result of increasing the coefficient is greater diffusion.

-Chuck


>Charles Zwicky wrote:
>>I love how "granular" processing has become such a catch-all in the 
>>electronic music community.. ;-)
>>
>>The "freeze" pedal uses hi coefficient allpass filters, it's 
>>similar to a digital reverb set to an infinite decay time.
>
>I've not heard the term "hi coefficient" used in filter dsp before.
>
>As a reverb is a network of delays with feedback I don't
>disagree with your analysis of course.
>Except that the sound isn't reverb-like.
>
>
>There's clearly a repetition every 180mS here
>
>http://www.youtube.com/watch?v=sjFth1mg5Rc
>
>from 2:48
>
>but then there's longer cycles audible too.
>
>...but there's no glissandi within the freeze
>...however, unlike a reverbed glissando there's
>  still clearly defined constant frequencies
>
>need to hear it without Youtube sound compression,
>but I'm still puzzled
>
>andy


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 17:29:31 2011
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Date: Thu, 03 Mar 2011 09:19:21 -0800
Subject: Re: LP2 OR RANG 3
From: Richard Atkinson <thetoyroom@charter.net>
To: LOOPERS DELIGHT LIST <Loopers-Delight@loopers-delight.com>
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Relatively new Rang 3 user here.  I concur with Rick.  Although I haven't
touched an LP2, the rang is perfect for arrangements, songwriting and
sequential loop playing, long ambient/rubato passages, in/out fades,
stopping/starting all loops, etc.  Slicing and dicing is NOT going to be in
the general bag of tricks.

It's an independent beast as well, since it does not support midi for
control or sync.  My first serious looper was an original 8 second, then 32,
Lexi Jam Man, and I didn't ever use midi sync or control...just those funky
plastic Lexi pedals it came with.  The Rang 'FEELS', in playing it, like an
uber cool original Jamman, with an incredible feature set.  Sound quality
seems excellent and transparent.

Current signal flow:

Guitar or Bass
EB volume pedal
Line 6 M9
Tech 21 Blonde preamp (for guit)
Tech 21 Bass Driver (for bass)
Moogerfooger Midi Murf
This mono signal goes into Rang L
Korg ES-1 sampling groovebox goes into  Rang R

If I'm running into a mono, then there's just a left out and L/R get summed
to L

Currently recording direct, I'm running both L and R rang outs to separate
channels on my mixer.  So guit/bass and drumbeats go on separate tracks.
The ES1 is more being used as a sampler trigger for single drum hits/loops
into the Rang for looping.  It's not currently 'playing' in sync, and
probably won't be...although I'm wanting to catch a loop on the Rang, then
tap tempo the ES1 into relatively close sync, start play on a blank beat
pattern, so it will then send clock to the new Murf I just got.  Then the
Murf will get in relatively close tempo with the loop, for cool animated
bleeps and bloops with the rang loop.  Still have to rig that up...

For me, exiting the honeymoon stage, I'm enjoying the heck out of the Rang.

Regards,
Rich




On 3/2/11 11:34 PM, "Rick Walker" <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
>> sorry this isn't about macs or pcs.....STANO, you will tell me when
>> you switch over to computers for
>> 
>> your playing (then i will join the crowd).....a few of you know my
>> level of incompetence when it comes to COMPLEX THINGS,
>> 
>> computers, tying shoes etc.....i have a few xrta $ and not want but
>> NEED another looper.....my #1 son stole my rang
>> 
>> after i got my M13 and i want something to replace it, i only have the
>> looper in the M13 to work with at present.....
>> 
>> signal chain as of today:  guitar with 2 lines out > M13.....FX SEND
>> M13 > alesis air fx > alesis ineko > alesis bitrman >
>> 
>> off to srm 450s.....i know we had this discussion already and i have
>> read all the posts but i was wondering if
>> 
>> as of today, does anyone have any new oppinions or other
>> suggestions?.....i am also going to get the expression
>> 
>> pedal (s) for the M13.....young bill showed me the beauty of
>> this!.....THANK YOU BILL, you are a sweet lad!.....
>> 
>> i thnak you for your cornsideration!.....this just popped into my
>> noggin, are there any smallish loopers with FX sends?
> I don't know the Rang 3 at all, Michael, but my cursory understanding is
> that they are just incredibly different beasts.
> The LP2 has lots of slicing and dicing effects (and some very cool 1/2
> and 1/4 speed options that are very fun);
> it has the ability to store up to 8 loops and load them from an SD card;
> it has 30 levels of undo and it has feedback control
> with an extra expression pedal......it also has midi in/out for syncing
> to other midi devices
> It also is a mono unit.
> 
> Doesn't the Rang have multiple and simultaneous loops?   Isn't it true
> stereo?   Does it have any midi?  Does it store loops?
> 
> My impression is that the LP2 is better for mangling and also
> synchronizing and the Rang might be better if a
> singer songwriter wanted to have one looper.
> 
> The LP2 for me is a perfect augmentation if you already have another
> looper, especially if it has midi.
> 
> Any RANG 3 users out there yet?     Can you help us out with it's
> capabilities?
> 
> rick walker
> 


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Subject: OT Tasty freeze
Date: Thu, 3 Mar 2011 09:53:33 -0800
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I'm surprised no one has mentioned the Eventide Timefactor in the  
discussion of  freeze and sample and hold.  I just took the plunge and  
bought one to replace my dying DL-4, Holy shitsky!  I must have not  
been paying attention when the virtues of this pedal were being  
discussed. I like the fact that you can apply a hold function at  
anytime with any delay algorithm, including reverse delay. I also like  
the fact that once you have hit the hold button you can use tap tempo  
to alter the loops length which can create some very interesting  
artifacts. I have been eying the timefactor for a long time and  
finally decided that it was time to stop pining for one and pull the  
trigger.  i can't believe how good this thing sounds and I've only  
scratched the surface. Now I understand what all the fuss was about.
  Bill

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:00:20 2011
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Date: Thu, 3 Mar 2011 11:00:17 -0700
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Subject: Re: Mobius scripts audio examples
From: Keith Smith <kahsmith@gmail.com>
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LOL again - The things that happen to loopers in bed:

I started thinking about the purely rhythmic possibilities of this. Let's
use a percussion sound instead. Same thing; record it on 3 tracks. Now
rate-shift them to generate polyrhythmic patterns.

So, I made a spreadsheet to calculate the frequency ratios over 2 octaves.
The reciprocals of those ratios give you the time values of the rate-shifted
tracks, so if you consider 1 cycle to be a whole note (4 beats) in 4/4, then
rate-shifting +12 gives a 1/2 note, +24 gives 1/4. OK. Now shifting +7 gives
you very nearly a 1/4 triplet, +17 very nearly a 16th, +19 a 1/8 triplet.

The last 3 would drift, of course, because they're not exact, but they're
pretty close, so they might be useful for a short time, or let 'em drift and
deal with it. It does make me wonder: If you could script to the exact
rate-shifts for various note *time* values, then all kinds of neat mayhem
could be created very quickly by using Simeon's method of recording a single
sound (or pattern) on three tracks at once and then rate-shifting the other
2 tracks. I'm thinking 3 tracks for chord manipulation and 3 more for
percussion sounds, leaves 2 for melodic looping. Of course you could use
different sounds on each track.

The spreadsheet isn't exhaustive (pdf at
http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf ). It's just a
germ of an idea that needs a lot more thought. -if anyone wants the .xls
file, just email me -or let me know if I'm re-inventing the wheel ;)
k



On Thu, Mar 3, 2011 at 2:30 AM, Simeon Harris <simeonharris40@googlemail.com>
wrote:
> lol! i'm gonna try that!
>
> On Thu, Mar 3, 2011 at 3:15 AM, Keith Smith <kahsmith@gmail.com> wrote:
>>
>> Then there are the insane possibilities of doing it with a very simple
>> rhythm.
>

--001636c5ab675ae098049d97cd26
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LOL again - The things that happen to loopers in bed:<br><br>I started thin=
king about the purely rhythmic possibilities of this. Let&#39;s use a percu=
ssion sound instead. Same thing; record it on 3 tracks. Now rate-shift them=
 to generate polyrhythmic patterns.<br>
<br>So, I made a spreadsheet to calculate the frequency ratios over 2 octav=
es. The reciprocals of those ratios give you the time values of the rate-sh=
ifted tracks, so if you consider 1 cycle to be a whole note (4 beats) in 4/=
4, then rate-shifting +12 gives a 1/2 note, +24 gives 1/4. OK. Now shifting=
 +7 gives you very nearly a 1/4 triplet, +17 very nearly a 16th, +19 a 1/8 =
triplet. <br>
<br>The last 3 would drift, of course, because they&#39;re not exact, but t=
hey&#39;re pretty close, so they might be useful for a short time, or let &=
#39;em drift and deal with it. It does make me wonder: If you could script =
to the exact rate-shifts for various note *time* values, then all kinds of =
neat mayhem could be created very quickly by using Simeon&#39;s method of r=
ecording a single sound (or pattern) on three tracks at once and then rate-=
shifting the other 2 tracks. I&#39;m thinking 3 tracks for chord manipulati=
on and 3 more for percussion sounds, leaves 2 for melodic looping. Of cours=
e you could use different sounds on each track.<br>
<br>The spreadsheet isn&#39;t exhaustive (pdf at <a href=3D"http://www.samp=
lesmith.com/LD/Rate-shiftingForPolyrythms.pdf">http://www.samplesmith.com/L=
D/Rate-shiftingForPolyrythms.pdf</a> ). It&#39;s just a germ of an idea tha=
t needs a lot more thought. -if anyone wants the .xls file, just email me -=
or let me know if I&#39;m re-inventing the wheel ;)<br>
k<br><br><br><br>On Thu, Mar 3, 2011 at 2:30 AM, Simeon Harris &lt;<a href=
=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>=
&gt; wrote:<br>&gt; lol! i&#39;m gonna try that!<br>&gt;<br>&gt; On Thu, Ma=
r 3, 2011 at 3:15 AM, Keith Smith &lt;<a href=3D"mailto:kahsmith@gmail.com"=
>kahsmith@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>&gt;&gt; Then there are the insane possibilities of doing it wi=
th a very simple<br>&gt;&gt; rhythm.<br>&gt;<br><br><br><br><div style=3D"v=
isibility: hidden; display: inline;" id=3D"avg_ls_inline_popup"></div><styl=
e type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-index:999=
9;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240px;  =
overflow: hidden;  word-wrap: break-word;  color: black;  font-size: 10px; =
 text-align: left;  line-height: 13px;}</style>

--001636c5ab675ae098049d97cd26--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:01:30 2011
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References: <52956327-DF15-4107-BAF7-A3F1F608BDF7@baymoon.com>
Date: Thu, 3 Mar 2011 18:01:28 +0000
Message-ID: <AANLkTin33RRCm+k3HeQ5petr8mMQyWe_Ks+s8Ym8crsu@mail.gmail.com>
Subject: Re: OT Tasty freeze
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--00151750edbc980996049d97d133
Content-Type: text/plain; charset=ISO-8859-1

yeah, eventide kicks ass all over the place!

you can do the glitchy changing the delay time on the eclipse as well.
especially good if you attach a cc pedal to the tempo subdivision parameter,
then you can change the delay time and it's always quantized. very nice.

On Thu, Mar 3, 2011 at 5:53 PM, William Walker <billwalker@baymoon.com>wrote:

> I'm surprised no one has mentioned the Eventide Timefactor in the
> discussion of  freeze and sample and hold.  I just took the plunge and
> bought one to replace my dying DL-4, Holy shitsky!  I must have not been
> paying attention when the virtues of this pedal were being discussed. I like
> the fact that you can apply a hold function at anytime with any delay
> algorithm, including reverse delay. I also like the fact that once you have
> hit the hold button you can use tap tempo to alter the loops length which
> can create some very interesting artifacts. I have been eying the timefactor
> for a long time and finally decided that it was time to stop pining for one
> and pull the trigger.  i can't believe how good this thing sounds and I've
> only scratched the surface. Now I understand what all the fuss was about.
>  Bill
>
>

--00151750edbc980996049d97d133
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yeah, eventide kicks ass all over the place!<br><br>you can do the glitchy =
changing the delay time on the eclipse as well. especially good if you atta=
ch a cc pedal to the tempo subdivision parameter, then you can change the d=
elay time and it&#39;s always quantized. very nice.<br>
<br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 5:53 PM, William Walk=
er <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwalk=
er@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204=
); padding-left: 1ex;">
I&#39;m surprised no one has mentioned the Eventide Timefactor in the discu=
ssion of =A0freeze and sample and hold. =A0I just took the plunge and bough=
t one to replace my dying DL-4, Holy shitsky! =A0I must have not been payin=
g attention when the virtues of this pedal were being discussed. I like the=
 fact that you can apply a hold function at anytime with any delay algorith=
m, including reverse delay. I also like the fact that once you have hit the=
 hold button you can use tap tempo to alter the loops length which can crea=
te some very interesting artifacts. I have been eying the timefactor for a =
long time and finally decided that it was time to stop pining for one and p=
ull the trigger. =A0i can&#39;t believe how good this thing sounds and I&#3=
9;ve only scratched the surface. Now I understand what all the fuss was abo=
ut.<br>

=A0Bill<br>
<br>
</blockquote></div><br>

--00151750edbc980996049d97d133--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:15:03 2011
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	<AANLkTin33RRCm+k3HeQ5petr8mMQyWe_Ks+s8Ym8crsu@mail.gmail.com>
Date: Thu, 3 Mar 2011 11:15:01 -0700
Message-ID: <AANLkTinyFXPZBFhcNGTaMrrn_p_+ZF8cODZ1uz7CJg6O@mail.gmail.com>
Subject: Re: OT Tasty freeze
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00032555b19a053a5a049d98027a
Content-Type: text/plain; charset=ISO-8859-1

Har! With Bill on board, I do feel validated. And thanks for the hint. I
have been using the hold but didn't notice you could mess with the tempo
while it was on.
I just hope they'll come around to letting us use the delay time knobs to
turn the loop inside out (reverse).
I also love the modulated delay (just a touch). I can't quite get that sound
from anything else I've tried.

Protect those knobs! I had to replace one when the little centering tit on
the end of the shaft (inside) got broken. Keep it in a box or on the board.
k

On Thu, Mar 3, 2011 at 11:01 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> yeah, eventide kicks ass all over the place!
>
> you can do the glitchy changing the delay time on the eclipse as well.
> especially good if you attach a cc pedal to the tempo subdivision parameter,
> then you can change the delay time and it's always quantized. very nice.
>
>
> On Thu, Mar 3, 2011 at 5:53 PM, William Walker <billwalker@baymoon.com>wrote:
>
>> I'm surprised no one has mentioned the Eventide Timefactor in the
>> discussion of  freeze and sample and hold.  I just took the plunge and
>> bought one to replace my dying DL-4, Holy shitsky!  I must have not been
>> paying attention when the virtues of this pedal were being discussed. I like
>> the fact that you can apply a hold function at anytime with any delay
>> algorithm, including reverse delay. I also like the fact that once you have
>> hit the hold button you can use tap tempo to alter the loops length which
>> can create some very interesting artifacts. I have been eying the timefactor
>> for a long time and finally decided that it was time to stop pining for one
>> and pull the trigger.  i can't believe how good this thing sounds and I've
>> only scratched the surface. Now I understand what all the fuss was about.
>>  Bill
>>
>>
>

--00032555b19a053a5a049d98027a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Har! With Bill on board, I do feel validated. And thanks for the hint. I ha=
ve been using the hold but didn&#39;t notice you could mess with the tempo =
while it was on.<br>I just hope they&#39;ll come around to letting us use t=
he delay time knobs to turn the loop inside out (reverse).<br>
I also love the modulated delay (just a touch). I can&#39;t quite get that =
sound from anything else I&#39;ve tried.<br><br>Protect those knobs! I had =
to replace one when the little centering tit on the end of the shaft (insid=
e) got broken. Keep it in a box or on the board.<br>
k<br><br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 11:01 AM, Simeon=
 Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.c=
om">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
yeah, eventide kicks ass all over the place!<br><br>you can do the glitchy =
changing the delay time on the eclipse as well. especially good if you atta=
ch a cc pedal to the tempo subdivision parameter, then you can change the d=
elay time and it&#39;s always quantized. very nice.<div>
<div></div><div class=3D"h5"><br>
<br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 5:53 PM, William Walk=
er <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com" target=
=3D"_blank">billwalker@baymoon.com</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">

I&#39;m surprised no one has mentioned the Eventide Timefactor in the discu=
ssion of =A0freeze and sample and hold. =A0I just took the plunge and bough=
t one to replace my dying DL-4, Holy shitsky! =A0I must have not been payin=
g attention when the virtues of this pedal were being discussed. I like the=
 fact that you can apply a hold function at anytime with any delay algorith=
m, including reverse delay. I also like the fact that once you have hit the=
 hold button you can use tap tempo to alter the loops length which can crea=
te some very interesting artifacts. I have been eying the timefactor for a =
long time and finally decided that it was time to stop pining for one and p=
ull the trigger. =A0i can&#39;t believe how good this thing sounds and I&#3=
9;ve only scratched the surface. Now I understand what all the fuss was abo=
ut.<br>


=A0Bill<br>
<br>
</blockquote></div><br>
</div></div></blockquote></div><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--00032555b19a053a5a049d98027a--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:30:32 2011
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From: Todd Matthews <gtmatthews@gmail.com>
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: quoted-printable
Subject: FS: Timefactor, M9 and Rang 3 
Date: Thu, 3 Mar 2011 13:30:25 -0500
Message-Id: <C794D4C1-459A-45E8-8E00-BC89B6A8B5B1@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give =
first dibs here before I Craigslist/Ebay them. All of these pedals are =
freaking amazing if your into hardware looping and are in perfect =
condition but I have velcro on the bottom so they attached to my =
pedalboard. I could leave the velcro on or put the rubber feet back =
depending on your setup.. I'm selling to finance some real nice =
recording gear as I discussed earlier on LD and as much as I'd like to =
keep this rig in case my laptop looping setup crashes and burns..... =
this is the only way I'll make the recording gear purchases happen. I =
have the boxes, manuals, etc.=20

250- Timefactor
250- M9
350 for the Boomerang

Paypal me at this email address and I'll ship them the same day. If I =
don't hear anything here in the next couple days I'll go ahead toss em =
on ebay.


-Todd Matthews





From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:32:24 2011
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Date: Thu, 3 Mar 2011 10:32:21 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: FS: Timefactor, M9 and Rang 3
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <C794D4C1-459A-45E8-8E00-BC89B6A8B5B1@gmail.com>
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--0-746078054-1299177141=:24335
Content-Type: text/plain; charset=us-ascii

hello,

I could be interested in the Timefactor. Where are you located, I am in France. 
how much do you want for it?

Antony



________________________________
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, March 3, 2011 7:30:25 PM
Subject: FS: Timefactor, M9 and Rang 3 

I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give first dibs 
here before I Craigslist/Ebay them. All of these pedals are freaking amazing if 
your into hardware looping and are in perfect condition but I have velcro on the 
bottom so they attached to my pedalboard. I could leave the velcro on or put the 
rubber feet back depending on your setup.. I'm selling to finance some real nice 
recording gear as I discussed earlier on LD and as much as I'd like to keep this 
rig in case my laptop looping setup crashes and burns..... this is the only way 
I'll make the recording gear purchases happen. I have the boxes, manuals, etc. 


250- Timefactor
250- M9
350 for the Boomerang

Paypal me at this email address and I'll ship them the same day. If I don't hear 
anything here in the next couple days I'll go ahead toss em on ebay.


-Todd Matthews


      
--0-746078054-1299177141=:24335
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>hello,</div><div><br></div><div>I could be interested in the Timefactor. Where are you located, I am in France. how much do you want for it?</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Todd Matthews &lt;gtmatthews@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, March 3, 2011 7:30:25 PM<br><b><span style="font-weight: bold;">Subject:</span></b> FS: Timefactor, M9 and Rang 3 <br></font><br>I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give
 first dibs here before I Craigslist/Ebay them. All of these pedals are freaking amazing if your into hardware looping and are in perfect condition but I have velcro on the bottom so they attached to my pedalboard. I could leave the velcro on or put the rubber feet back depending on your setup.. I'm selling to finance some real nice recording gear as I discussed earlier on LD and as much as I'd like to keep this rig in case my laptop looping setup crashes and burns..... this is the only way I'll make the recording gear purchases happen. I have the boxes, manuals, etc. <br><br>250- Timefactor<br>250- M9<br>350 for the Boomerang<br><br>Paypal me at this email address and I'll ship them the same day. If I don't hear anything here in the next couple days I'll go ahead toss em on ebay.<br><br><br>-Todd Matthews<br><br><br><br><br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:40:37 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Electro Harmonix Freeze - Sound Retainer
References: <AANLkTikOXTC0WatOO6=FRJg-Pkp+SgEzqgQ0qvieTnt1@mail.gmail.com> <4D6F42EA.6080107@cruzio.com> <AANLkTi=0iVaEs3O0SkgERgvELNSDtM4sWeUKA9MZ_nyf@mail.gmail.com> <p06240827c995540d8813@[192.168.2.2]> <4D6FC589.1030908@tiscali.co.uk> <p0624082ac99576949f94@[192.168.2.2]>
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Charles Zwicky wrote:
> 
> Andy,
> 
>  A reverb is not simply a "network of delays", 

...but your description below is *exactly* that.
All the elements of it are composed of delays.
 


Anyone who has Bidule can open up Freeverb and see how it works.
...and maybe use it as a basis to create a freeze of sorts.

I didn't hear increasing phase dispersion in the EH examples,
which would be the case if the sound was looping through 
an allpass, but maybe I just didn't hear it.

>in fact most digital 
> reverbs consist of  a loop of allpass filters*  set to various delay 
> lengths with a variety of injection points and output taps.
> 
> * An allpass filter is defined as a feedforward  delay combined with a 
> feedback delay, it is at the heart of every digital reverb and the 
> result of increasing the coefficient is greater diffusion.
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:47:32 2011
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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Re: FS: Timefactor, M9 and Rang 3
Date: Thu, 3 Mar 2011 13:47:28 -0500
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To: Loopers-Delight@loopers-delight.com
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I should have written the prices for dollars marks. All prices are in US =
doallrs: $250 for the Timefactor and also for the M9, and $350 for the =
Rang3. How Geo-self-centered of me!

-Todd Matthews
On Mar 3, 2011, at 1:32 PM, antonyhequet@yahoo.com wrote:

> hello,
>=20
> I could be interested in the Timefactor. Where are you located, I am =
in France. how much do you want for it?
>=20
> Antony
>=20
> From: Todd Matthews <gtmatthews@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, March 3, 2011 7:30:25 PM
> Subject: FS: Timefactor, M9 and Rang 3=20
>=20
> I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give =
first dibs here before I Craigslist/Ebay them. All of these pedals are =
freaking amazing if your into hardware looping and are in perfect =
condition but I have velcro on the bottom so they attached to my =
pedalboard. I could leave the velcro on or put the rubber feet back =
depending on your setup.. I'm selling to finance some real nice =
recording gear as I discussed earlier on LD and as much as I'd like to =
keep this rig in case my laptop looping setup crashes and burns..... =
this is the only way I'll make the recording gear purchases happen. I =
have the boxes, manuals, etc.=20
>=20
> 250- Timefactor
> 250- M9
> 350 for the Boomerang
>=20
> Paypal me at this email address and I'll ship them the same day. If I =
don't hear anything here in the next couple days I'll go ahead toss em =
on ebay.
>=20
>=20
> -Todd Matthews
>=20
>=20
>=20
>=20
>=20
>=20
>=20

Todd Matthews
http://www.joshuasteelemusic.com





--Apple-Mail-2-895784819
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<html><head><base href=3D"x-msg://7/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; ">I should have written the prices for dollars marks. =
All prices are in US doallrs: $250 for the Timefactor and also for the =
M9, and $350 for the Rang3. How Geo-self-centered of =
me!<div><br></div><div>-Todd Matthews<br><div><div><div>On Mar 3, 2011, =
at 1:32 PM, <a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">hello,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I could be interested in the =
Timefactor. Where are you located, I am in France. how much do you want =
for it?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Antony</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 14pt; "><br><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
13px; "><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span =
style=3D"font-weight: bold; ">From:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Todd Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;<br><b><s=
pan style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Thu, =
March 3, 2011 7:30:25 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>FS: Timefactor, M9 and Rang =
3<span class=3D"Apple-converted-space">&nbsp;</span><br></font><br>I'm =
going to sell my Timefactor, M9 and Rang 3 and I thought I'd give first =
dibs here before I Craigslist/Ebay them. All of these pedals are =
freaking amazing if your into hardware looping and are in perfect =
condition but I have velcro on the bottom so they attached to my =
pedalboard. I could leave the velcro on or put the rubber feet back =
depending on your setup.. I'm selling to finance some real nice =
recording gear as I discussed earlier on LD and as much as I'd like to =
keep this rig in case my laptop looping setup crashes and burns..... =
this is the only way I'll make the recording gear purchases happen. I =
have the boxes, manuals, etc.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>250- =
Timefactor<br>250- M9<br>350 for the Boomerang<br><br>Paypal me at this =
email address and I'll ship them the same day. If I don't hear anything =
here in the next couple days I'll go ahead toss em on =
ebay.<br><br><br>-Todd Matthews<br><br><br><br><br><br></div></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; position: fixed; "></div></div><br></div></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:51:41 2011
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Subject: Re: FS: Timefactor, M9 and Rang 3
References: <C794D4C1-459A-45E8-8E00-BC89B6A8B5B1@gmail.com> <344601.24335.qm@web120708.mail.ne1.yahoo.com> <9703CB10-3654-4085-9258-7C3E1DC17272@gmail.com>
From: Todd Reynolds <toddreyn@gmail.com>
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Save that timefactor for me for a few minutes?

Sent from my iPhone

On Mar 3, 2011, at 1:47 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> I should have written the prices for dollars marks. All prices are in US d=
oallrs: $250 for the Timefactor and also for the M9, and $350 for the Rang3.=
 How Geo-self-centered of me!
>=20
> -Todd Matthews
> On Mar 3, 2011, at 1:32 PM, antonyhequet@yahoo.com wrote:
>=20
>> hello,
>>=20
>> I could be interested in the Timefactor. Where are you located, I am in Fra=
nce. how much do you want for it?
>>=20
>> Antony
>>=20
>> From: Todd Matthews <gtmatthews@gmail.com>
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Thu, March 3, 2011 7:30:25 PM
>> Subject: FS: Timefactor, M9 and Rang 3=20
>>=20
>> I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give fir=
st dibs here before I Craigslist/Ebay them. All of these pedals are freaking=
 amazing if your into hardware looping and are in perfect condition but I ha=
ve velcro on the bottom so they attached to my pedalboard. I could leave the=
 velcro on or put the rubber feet back depending on your setup.. I'm selling=
 to finance some real nice recording gear as I discussed earlier on LD and a=
s much as I'd like to keep this rig in case my laptop looping setup crashes a=
nd burns..... this is the only way I'll make the recording gear purchases ha=
ppen. I have the boxes, manuals, etc.=20
>>=20
>> 250- Timefactor
>> 250- M9
>> 350 for the Boomerang
>>=20
>> Paypal me at this email address and I'll ship them the same day. If I don=
't hear anything here in the next couple days I'll go ahead toss em on ebay.=

>>=20
>>=20
>> -Todd Matthews
>>=20
>>=20
>>=20
>>=20
>>=20
>>=20
>>=20
>=20
> Todd Matthews
> http://www.joshuasteelemusic.com
>=20
>=20
>=20
>=20

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<html><body bgcolor=3D"#FFFFFF"><div>Save that timefactor for me for a few m=
inutes?<br><br>Sent from my iPhone</div><div><br>On Mar 3, 2011, at 1:47 PM,=
 Todd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.=
com</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>I s=
hould have written the prices for dollars marks. All prices are in US doallr=
s: $250 for the Timefactor and also for the M9, and $350 for the Rang3. How G=
eo-self-centered of me!<div><br></div><div>-Todd Matthews<br><div><div><div>=
On Mar 3, 2011, at 1:32 PM, <a href=3D"mailto:antonyhequet@yahoo.com"><a hre=
f=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a></a> wrote:</d=
iv><br class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span c=
lass=3D"Apple-style-span" style=3D"border-collapse: separate; font-family: H=
elvetica; font-style: normal; font-variant: normal; font-weight: normal; let=
ter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text=
-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit=
-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webk=
it-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit=
-text-stroke-width: 0px; font-size: medium; "><div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: a=
rial, helvetica, sans-serif; font-size: 14pt; "><div style=3D"margin-top: 0p=
x; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">hello,</div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-l=
eft: 0px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; marg=
in-bottom: 0px; margin-left: 0px; ">I could be interested in the Timefactor.=
 Where are you located, I am in France. how much do you want for it?</div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-l=
eft: 0px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; marg=
in-bottom: 0px; margin-left: 0px; ">Antony</div><div style=3D"margin-top: 0p=
x; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: ari=
al, helvetica, sans-serif; font-size: 14pt; "><br><div style=3D"margin-top: 0=
px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: ar=
ial, helvetica, sans-serif; font-size: 13px; "><font size=3D"2" face=3D"Taho=
ma"><hr size=3D"1"><b><span style=3D"font-weight: bold; ">From:</span></b><s=
pan class=3D"Apple-converted-space">&nbsp;</span>Todd Matthews &lt;<a href=3D=
"mailto:gtmatthews@gmail.com"><a href=3D"mailto:gtmatthews@gmail.com">gtmatt=
hews@gmail.com</a></a>&gt;<br><b><span style=3D"font-weight: bold; ">To:</sp=
an></b><span class=3D"Apple-converted-space">&nbsp;</span><a href=3D"mailto:=
Loopers-Delight@loopers-delight.com"><a href=3D"mailto:Loopers-Delight@loope=
rs-delight.com">Loopers-Delight@loopers-delight.com</a></a><br><b><span styl=
e=3D"font-weight: bold; ">Sent:</span></b><span class=3D"Apple-converted-spa=
ce">&nbsp;</span>Thu, March 3, 2011 7:30:25 PM<br><b><span style=3D"font-wei=
ght: bold; ">Subject:</span></b><span class=3D"Apple-converted-space">&nbsp;=
</span>FS: Timefactor, M9 and Rang 3<span class=3D"Apple-converted-space">&n=
bsp;</span><br></font><br>I'm going to sell my Timefactor, M9 and Rang 3 and=
 I thought I'd give first dibs here before I Craigslist/Ebay them. All of th=
ese pedals are freaking amazing if your into hardware looping and are in per=
fect condition but I have velcro on the bottom so they attached to my pedalb=
oard. I could leave the velcro on or put the rubber feet back depending on y=
our setup.. I'm selling to finance some real nice recording gear as I discus=
sed earlier on LD and as much as I'd like to keep this rig in case my laptop=
 looping setup crashes and burns..... this is the only way I'll make the rec=
ording gear purchases happen. I have the boxes, manuals, etc.<span class=3D"=
Apple-converted-space">&nbsp;</span><br><br>250- Timefactor<br>250- M9<br>35=
0 for the Boomerang<br><br>Paypal me at this email address and I'll ship the=
m the same day. If I don't hear anything here in the next couple days I'll g=
o ahead toss em on ebay.<br><br><br>-Todd Matthews<br><br><br><br><br><br></=
div></div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0=
px; margin-left: 0px; position: fixed; "></div></div><br></div></span><br cl=
ass=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; color: r=
gb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: norma=
l; font-weight: normal; letter-spacing: normal; line-height: normal; orphans=
: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: n=
ormal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px;=
 -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: n=
one; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-si=
ze: medium; "><span class=3D"Apple-style-span" style=3D"border-collapse: sep=
arate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font=
-variant: normal; font-weight: normal; letter-spacing: normal; line-height: n=
ormal; orphans: 2; text-indent: 0px; text-transform: none; white-space: norm=
al; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -w=
ebkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none=
; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size:=
 medium; "><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -w=
ebkit-line-break: after-white-space; ">Todd Matthews</div><div><a href=3D"ht=
tp://www.joshuasteelemusic.com"><a href=3D"http://www.joshuasteelemusic.com"=
>http://www.joshuasteelemusic.com</a></a></div><div><br></div></span><br cla=
ss=3D"Apple-interchange-newline"></span><br class=3D"Apple-interchange-newli=
ne">
</div>
<br></div></div></div></blockquote></body></html>=

--Apple-Mail-11-896027915--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 18:59:48 2011
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Date: Thu, 3 Mar 2011 13:59:42 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
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>Charles Zwicky wrote:
>>Andy,
>>  A reverb is not simply a "network of delays",
>
>...but your description below is *exactly* that.
>All the elements of it are composed of delays.

Perhaps to the uninformed it would appear that way... so when is a 
"delay" not a delay?

When it's used to create an allpass.

The delays used in an allpass filter are typically very  short, and 
measured in samples rather than mS...



>I didn't hear increasing phase dispersion in the EH examples,
>which would be the case if the sound was looping through an allpass, 
>but maybe I just didn't hear it.

I'm not sure that you meant to write "phase dispersion"... Try to 
think about the topolgy in a different way.   If the allpass network 
is located after the loop, it would diffuse the signal but not cause 
an increase in density with each repeat, as would be the case if the 
AP filter were inside the loop.  This would also obscure the loop 
points if there were enough AP filters in series.


>
>>in fact most digital reverbs consist of  a loop of allpass filters* 
>>set to various delay lengths with a variety of injection points and 
>>output taps.
>>
>>* An allpass filter is defined as a feedforward  delay combined 
>>with a feedback delay, it is at the heart of every digital reverb 
>>and the result of increasing the coefficient is greater diffusion.


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 19:01:56 2011
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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Re: FS: Timefactor, M9 and Rang 3
Date: Thu, 3 Mar 2011 14:01:51 -0500
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--Apple-Mail-1-896647694
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=us-ascii

Todd! Hal Dean just pay pal'ed me at the same time you sent this email. =
I would have totally sold to you had I known you needed one. Sorry :(


On Mar 3, 2011, at 1:51 PM, Todd Reynolds wrote:

> Save that timefactor for me for a few minutes?
>=20
> Sent from my iPhone
>=20
> On Mar 3, 2011, at 1:47 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>=20
>> I should have written the prices for dollars marks. All prices are in =
US doallrs: $250 for the Timefactor and also for the M9, and $350 for =
the Rang3. How Geo-self-centered of me!
>>=20
>> -Todd Matthews
>> On Mar 3, 2011, at 1:32 PM, antonyhequet@yahoo.com wrote:
>>=20
>>> hello,
>>>=20
>>> I could be interested in the Timefactor. Where are you located, I am =
in France. how much do you want for it?
>>>=20
>>> Antony
>>>=20
>>> From: Todd Matthews <gtmatthews@gmail.com>
>>> To: Loopers-Delight@loopers-delight.com
>>> Sent: Thu, March 3, 2011 7:30:25 PM
>>> Subject: FS: Timefactor, M9 and Rang 3=20
>>>=20
>>> I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd =
give first dibs here before I Craigslist/Ebay them. All of these pedals =
are freaking amazing if your into hardware looping and are in perfect =
condition but I have velcro on the bottom so they attached to my =
pedalboard. I could leave the velcro on or put the rubber feet back =
depending on your setup.. I'm selling to finance some real nice =
recording gear as I discussed earlier on LD and as much as I'd like to =
keep this rig in case my laptop looping setup crashes and burns..... =
this is the only way I'll make the recording gear purchases happen. I =
have the boxes, manuals, etc.=20
>>>=20
>>> 250- Timefactor
>>> 250- M9
>>> 350 for the Boomerang
>>>=20
>>> Paypal me at this email address and I'll ship them the same day. If =
I don't hear anything here in the next couple days I'll go ahead toss em =
on ebay.
>>>=20
>>>=20
>>> -Todd Matthews
>>>=20
>>>=20
>>>=20
>>>=20
>>>=20
>>>=20
>>>=20
>>=20
>> Todd Matthews
>> http://www.joshuasteelemusic.com
>>=20
>>=20
>>=20
>>=20

Todd Matthews
http://www.joshuasteelemusic.com





--Apple-Mail-1-896647694
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Todd! =
Hal Dean just pay pal'ed me at the same time you sent this email. I =
would have totally sold to you had I known you needed one. Sorry =
:(<div><br></div><div><br><div><div>On Mar 3, 2011, at 1:51 PM, Todd =
Reynolds wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>Save that timefactor for me =
for a few minutes?<br><br>Sent from my iPhone</div><div><br>On Mar 3, =
2011, at 1:47 PM, Todd Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>I should =
have written the prices for dollars marks. All prices are in US doallrs: =
$250 for the Timefactor and also for the M9, and $350 for the Rang3. How =
Geo-self-centered of me!<div><br></div><div>-Todd =
Matthews<br><div><div><div>On Mar 3, 2011, at 1:32 PM, <a =
href=3D"mailto:antonyhequet@yahoo.com"></a><a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">hello,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I could be interested in the =
Timefactor. Where are you located, I am in France. how much do you want =
for it?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Antony</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 14pt; "><br><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
13px; "><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span =
style=3D"font-weight: bold; ">From:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Todd Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com"></a><a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;<br><b><s=
pan style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com"></a><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Thu, =
March 3, 2011 7:30:25 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>FS: Timefactor, M9 and Rang =
3<span class=3D"Apple-converted-space">&nbsp;</span><br></font><br>I'm =
going to sell my Timefactor, M9 and Rang 3 and I thought I'd give first =
dibs here before I Craigslist/Ebay them. All of these pedals are =
freaking amazing if your into hardware looping and are in perfect =
condition but I have velcro on the bottom so they attached to my =
pedalboard. I could leave the velcro on or put the rubber feet back =
depending on your setup.. I'm selling to finance some real nice =
recording gear as I discussed earlier on LD and as much as I'd like to =
keep this rig in case my laptop looping setup crashes and burns..... =
this is the only way I'll make the recording gear purchases happen. I =
have the boxes, manuals, etc.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>250- =
Timefactor<br>250- M9<br>350 for the Boomerang<br><br>Paypal me at this =
email address and I'll ship them the same day. If I don't hear anything =
here in the next couple days I'll go ahead toss em on =
ebay.<br><br><br>-Todd Matthews<br><br><br><br><br><br></div></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; position: fixed; "></div></div><br></div></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com/"></a><a =
href=3D"http://www.joshuasteelemusic.com/">http://www.joshuasteelemusic.co=
m</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></div></div></blockquote></div></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-1-896647694--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 19:04:33 2011
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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Re: FS: Timefactor, M9 and Rang 3
Date: Thu, 3 Mar 2011 14:04:28 -0500
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To: Loopers-Delight@loopers-delight.com
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--Apple-Mail-2-896805018
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Holy guacamole!! All pedals have been sold. The internet is freakin' =
fast.

-Todd Matthews
On Mar 3, 2011, at 1:32 PM, antonyhequet@yahoo.com wrote:

> hello,
>=20
> I could be interested in the Timefactor. Where are you located, I am =
in France. how much do you want for it?
>=20
> Antony
>=20
> From: Todd Matthews <gtmatthews@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, March 3, 2011 7:30:25 PM
> Subject: FS: Timefactor, M9 and Rang 3=20
>=20
> I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give =
first dibs here before I Craigslist/Ebay them. All of these pedals are =
freaking amazing if your into hardware looping and are in perfect =
condition but I have velcro on the bottom so they attached to my =
pedalboard. I could leave the velcro on or put the rubber feet back =
depending on your setup.. I'm selling to finance some real nice =
recording gear as I discussed earlier on LD and as much as I'd like to =
keep this rig in case my laptop looping setup crashes and burns..... =
this is the only way I'll make the recording gear purchases happen. I =
have the boxes, manuals, etc.=20
>=20
> 250- Timefactor
> 250- M9
> 350 for the Boomerang
>=20
> Paypal me at this email address and I'll ship them the same day. If I =
don't hear anything here in the next couple days I'll go ahead toss em =
on ebay.
>=20
>=20
> -Todd Matthews
>=20
>=20
>=20
>=20
>=20
>=20
>=20

Todd Matthews
http://www.joshuasteelemusic.com





--Apple-Mail-2-896805018
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head><base href=3D"x-msg://9/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; ">Holy guacamole!! All pedals have been sold. The =
internet is freakin' fast.<div><br></div><div>-Todd =
Matthews<br><div><div>On Mar 3, 2011, at 1:32 PM, <a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">hello,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I could be interested in the =
Timefactor. Where are you located, I am in France. how much do you want =
for it?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Antony</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 14pt; "><br><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
13px; "><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span =
style=3D"font-weight: bold; ">From:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Todd Matthews &lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;<br><b><s=
pan style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Thu, =
March 3, 2011 7:30:25 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>FS: Timefactor, M9 and Rang =
3<span class=3D"Apple-converted-space">&nbsp;</span><br></font><br>I'm =
going to sell my Timefactor, M9 and Rang 3 and I thought I'd give first =
dibs here before I Craigslist/Ebay them. All of these pedals are =
freaking amazing if your into hardware looping and are in perfect =
condition but I have velcro on the bottom so they attached to my =
pedalboard. I could leave the velcro on or put the rubber feet back =
depending on your setup.. I'm selling to finance some real nice =
recording gear as I discussed earlier on LD and as much as I'd like to =
keep this rig in case my laptop looping setup crashes and burns..... =
this is the only way I'll make the recording gear purchases happen. I =
have the boxes, manuals, etc.<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>250- =
Timefactor<br>250- M9<br>350 for the Boomerang<br><br>Paypal me at this =
email address and I'll ship them the same day. If I don't hear anything =
here in the next couple days I'll go ahead toss em on =
ebay.<br><br><br>-Todd Matthews<br><br><br><br><br><br></div></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; position: fixed; "></div></div><br></div></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-2-896805018--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 19:05:20 2011
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	id 5A4821834D2; Thu,  3 Mar 2011 19:05:19 +0000 (UTC)
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References: <C794D4C1-459A-45E8-8E00-BC89B6A8B5B1@gmail.com>
 <344601.24335.qm@web120708.mail.ne1.yahoo.com> <9703CB10-3654-4085-9258-7C3E1DC17272@gmail.com>
 <FC585095-35C1-4F84-8433-BF9A414D34CF@gmail.com> <1EC77FD0-D66D-4E8F-BBA2-2C22A07034AF@gmail.com>
From: todd reynolds <toddreyn@gmail.com>
Date: Thu, 3 Mar 2011 14:04:45 -0500
Message-ID: <AANLkTikqFazeN1PSr93X9h-EhZav6o31Vb9iCyd2KrFi@mail.gmail.com>
Subject: Re: FS: Timefactor, M9 and Rang 3
To: Loopers-Delight@loopers-delight.com
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--000e0cd4c5a0c5589f049d98b5c4
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

no worries,  first come first serve, as it should be... enjoy it Hal!

On Thu, Mar 3, 2011 at 2:01 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> Todd! Hal Dean just pay pal'ed me at the same time you sent this email. I
> would have totally sold to you had I known you needed one. Sorry :(
>
>
> On Mar 3, 2011, at 1:51 PM, Todd Reynolds wrote:
>
> Save that timefactor for me for a few minutes?
>
> Sent from my iPhone
>
> On Mar 3, 2011, at 1:47 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
>
> I should have written the prices for dollars marks. All prices are in US
> doallrs: $250 for the Timefactor and also for the M9, and $350 for the
> Rang3. How Geo-self-centered of me!
>
> -Todd Matthews
> On Mar 3, 2011, at 1:32 PM, <antonyhequet@yahoo.com>antonyhequet@yahoo.co=
mwrote:
>
>  hello,
>
> I could be interested in the Timefactor. Where are you located, I am in
> France. how much do you want for it?
>
> Antony
>
> ------------------------------
> *From:* Todd Matthews < <gtmatthews@gmail.com>gtmatthews@gmail.com>
> *To:*  <Loopers-Delight@loopers-delight.com>
> Loopers-Delight@loopers-delight.com
> *Sent:* Thu, March 3, 2011 7:30:25 PM
> *Subject:* FS: Timefactor, M9 and Rang 3
>
> I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give fir=
st
> dibs here before I Craigslist/Ebay them. All of these pedals are freaking
> amazing if your into hardware looping and are in perfect condition but I
> have velcro on the bottom so they attached to my pedalboard. I could leav=
e
> the velcro on or put the rubber feet back depending on your setup.. I'm
> selling to finance some real nice recording gear as I discussed earlier o=
n
> LD and as much as I'd like to keep this rig in case my laptop looping set=
up
> crashes and burns..... this is the only way I'll make the recording gear
> purchases happen. I have the boxes, manuals, etc.
>
> 250- Timefactor
> 250- M9
> 350 for the Boomerang
>
> Paypal me at this email address and I'll ship them the same day. If I don=
't
> hear anything here in the next couple days I'll go ahead toss em on ebay.
>
>
> -Todd Matthews
>
>
>
>
>
>
>
>
>  Todd Matthews
> <http://www.joshuasteelemusic.com/>http://www.joshuasteelemusic.com
>
>
>
>
>
>  Todd Matthews
> http://www.joshuasteelemusic.com
>
>
>
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 Outerborough, my debut double CD set soon available on iTunes, and is
released on INNOVA Recordings on March 24th.  The CD Release party is
scheduled for March 16th at ISSUE Project Room.  I'd be delighted to have
you there.

=95 also, don't forget the double bill at Le Poisson Rouge with Cellist Zoe
Keating on March 6th!  first show sold out, tix still available for the
newly added show.


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--000e0cd4c5a0c5589f049d98b5c4
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

no worries, =A0first come first serve, as it should be... enjoy it Hal!=A0<=
br><br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 2:01 PM, Todd Matt=
hews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthe=
ws@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">Todd! H=
al Dean just pay pal&#39;ed me at the same time you sent this email. I woul=
d have totally sold to you had I known you needed one. Sorry :(<div>

<div></div><div class=3D"h5"><div><br></div><div><br><div><div>On Mar 3, 20=
11, at 1:51 PM, Todd Reynolds wrote:</div><br><blockquote type=3D"cite"><di=
v bgcolor=3D"#FFFFFF"><div>Save that timefactor for me for a few minutes?<b=
r>

<br>Sent from my iPhone</div><div><br>On Mar 3, 2011, at 1:47 PM, Todd Matt=
hews &lt;<a href=3D"mailto:gtmatthews@gmail.com" target=3D"_blank">gtmatthe=
ws@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cit=
e">

<div>I should have written the prices for dollars marks. All prices are in =
US doallrs: $250 for the Timefactor and also for the M9, and $350 for the R=
ang3. How Geo-self-centered of me!<div><br></div><div>-Todd Matthews<br>

<div><div><div>On Mar 3, 2011, at 1:32 PM, <a href=3D"mailto:antonyhequet@y=
ahoo.com" target=3D"_blank"></a><a href=3D"mailto:antonyhequet@yahoo.com" t=
arget=3D"_blank">antonyhequet@yahoo.com</a> wrote:</div><br><blockquote typ=
e=3D"cite">

<span style=3D"border-collapse:separate;font-family:Helvetica;font-style:no=
rmal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-heig=
ht:normal;text-indent:0px;text-transform:none;white-space:normal;word-spaci=
ng:0px;font-size:medium"><div>

<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;font-family:arial, helvetica, sans-serif;font-size:14pt"><div style=3D=
"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px">hello,<=
/div>

<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px"><br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom=
:0px;margin-left:0px">I could be interested in the Timefactor. Where are yo=
u located, I am in France. how much do you want for it?</div>

<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px"><br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom=
:0px;margin-left:0px">Antony</div><div style=3D"margin-top:0px;margin-right=
:0px;margin-bottom:0px;margin-left:0px;font-family:arial, helvetica, sans-s=
erif;font-size:14pt">

<br><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-=
left:0px;font-family:arial, helvetica, sans-serif;font-size:13px"><font siz=
e=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weight:bold">=
From:</span></b><span>=A0</span>Todd Matthews &lt;<a href=3D"mailto:gtmatth=
ews@gmail.com" target=3D"_blank"></a><a href=3D"mailto:gtmatthews@gmail.com=
" target=3D"_blank">gtmatthews@gmail.com</a>&gt;<br>

<b><span style=3D"font-weight:bold">To:</span></b><span>=A0</span><a href=
=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank"></a><a hr=
ef=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers=
-Delight@loopers-delight.com</a><br>

<b><span style=3D"font-weight:bold">Sent:</span></b><span>=A0</span>Thu, Ma=
rch 3, 2011 7:30:25 PM<br><b><span style=3D"font-weight:bold">Subject:</spa=
n></b><span>=A0</span>FS: Timefactor, M9 and Rang 3<span>=A0</span><br></fo=
nt><br>

I&#39;m going to sell my Timefactor, M9 and Rang 3 and I thought I&#39;d gi=
ve first dibs here before I Craigslist/Ebay them. All of these pedals are f=
reaking amazing if your into hardware looping and are in perfect condition =
but I have velcro on the bottom so they attached to my pedalboard. I could =
leave the velcro on or put the rubber feet back depending on your setup.. I=
&#39;m selling to finance some real nice recording gear as I discussed earl=
ier on LD and as much as I&#39;d like to keep this rig in case my laptop lo=
oping setup crashes and burns..... this is the only way I&#39;ll make the r=
ecording gear purchases happen. I have the boxes, manuals, etc.<span>=A0</s=
pan><br>

<br>250- Timefactor<br>250- M9<br>350 for the Boomerang<br><br>Paypal me at=
 this email address and I&#39;ll ship them the same day. If I don&#39;t hea=
r anything here in the next couple days I&#39;ll go ahead toss em on ebay.<=
br>

<br><br>-Todd Matthews<br><br><br><br><br><br></div></div><div style=3D"mar=
gin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px"></div></div=
><br></div></span><br></blockquote></div><br><div>
<span style=3D"border-collapse:separate;font-family:Helvetica;font-style:no=
rmal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-heig=
ht:normal;text-indent:0px;text-transform:none;white-space:normal;word-spaci=
ng:0px;font-size:medium"><span style=3D"border-collapse:separate;font-famil=
y:Helvetica;font-style:normal;font-variant:normal;font-weight:normal;letter=
-spacing:normal;line-height:normal;text-indent:0px;text-transform:none;whit=
e-space:normal;word-spacing:0px;font-size:medium"><div style=3D"word-wrap:b=
reak-word">

Todd Matthews</div><div><a href=3D"http://www.joshuasteelemusic.com/" targe=
t=3D"_blank"></a><a href=3D"http://www.joshuasteelemusic.com/" target=3D"_b=
lank">http://www.joshuasteelemusic.com</a></div><div><br></div></span><br><=
/span><br>


</div>
<br></div></div></div></blockquote></div></blockquote></div><br><div>
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-style:normal;font-variant:normal;font-weight:normal;letter-spaci=
ng:normal;line-height:normal;text-align:auto;text-indent:0px;text-transform=
:none;white-space:normal;word-spacing:0px;font-size:medium"><span style=3D"=
border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-styl=
e:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-=
height:normal;text-indent:0px;text-transform:none;white-space:normal;word-s=
pacing:0px;font-size:medium"><div style=3D"word-wrap:break-word">

<div>Todd Matthews</div><div><a href=3D"http://www.joshuasteelemusic.com" t=
arget=3D"_blank">http://www.joshuasteelemusic.com</a></div><div><br></div><=
/div></span><br></span><br>
</div>
<br></div></div></div></div></blockquote></div><br><br clear=3D"all"><br>--=
 <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 Outerborough, my debut doubl=
e CD set soon available on iTunes, and is released on INNOVA Recordings on =
March 24th. =A0The CD Release party is scheduled for March 16th at ISSUE Pr=
oject Room. =A0I&#39;d be delighted to have you there.=A0<div>

<br></div><div>=95 also, don&#39;t forget the double bill at Le Poisson Rou=
ge with Cellist Zoe Keating on March 6th! =A0first show sold out, tix still=
 available for the newly added show.=A0<br><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>

<a href=3D"http://toddreynolds.com" target=3D"_blank">http://toddreynolds.c=
om</a><br><a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http=
://twitter.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynold=
smusic" target=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com" target=3D"_blank">http://blog.todd=
reynolds.com</a><br><a href=3D"http://facebook.com/toddreynolds" target=3D"=
_blank">http://facebook.com/toddreynolds</a><br><a href=3D"http://reverbnat=
ion.com/toddreynolds" target=3D"_blank">http://reverbnation.com/toddreynold=
s</a><br>

</div><br>

--000e0cd4c5a0c5589f049d98b5c4--

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Date: Thu, 3 Mar 2011 19:26:28 +0000
Message-ID: <AANLkTimPq11d=FJYQzew+E6br7PMX=DKEDQdGTuR8iD0@mail.gmail.com>
Subject: Re: Mobius scripts audio examples
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd51b549233a1049d9901ea
Content-Type: text/plain; charset=ISO-8859-1

well i tried it with some simple rhythms and the results were pretty
unusable using my exisiting rate shifts. i guess with more thought as you've
laid out, you could possible do something pretty cool.

one thing i'd really like is the ability to predict how a rate shift will
affect the length of a loop and therefore calculate multiple rate shifts so
that the overall loop length is unaffected. i tried to work it out (the math
isn't particularly hard), but the results didn't work in practice...

sim

On Thu, Mar 3, 2011 at 6:00 PM, Keith Smith <kahsmith@gmail.com> wrote:

> LOL again - The things that happen to loopers in bed:
>
> I started thinking about the purely rhythmic possibilities of this. Let's
> use a percussion sound instead. Same thing; record it on 3 tracks. Now
> rate-shift them to generate polyrhythmic patterns.
>
> So, I made a spreadsheet to calculate the frequency ratios over 2 octaves.
> The reciprocals of those ratios give you the time values of the rate-shifted
> tracks, so if you consider 1 cycle to be a whole note (4 beats) in 4/4, then
> rate-shifting +12 gives a 1/2 note, +24 gives 1/4. OK. Now shifting +7 gives
> you very nearly a 1/4 triplet, +17 very nearly a 16th, +19 a 1/8 triplet.
>
> The last 3 would drift, of course, because they're not exact, but they're
> pretty close, so they might be useful for a short time, or let 'em drift and
> deal with it. It does make me wonder: If you could script to the exact
> rate-shifts for various note *time* values, then all kinds of neat mayhem
> could be created very quickly by using Simeon's method of recording a single
> sound (or pattern) on three tracks at once and then rate-shifting the other
> 2 tracks. I'm thinking 3 tracks for chord manipulation and 3 more for
> percussion sounds, leaves 2 for melodic looping. Of course you could use
> different sounds on each track.
>
> The spreadsheet isn't exhaustive (pdf at
> http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf ). It's just
> a germ of an idea that needs a lot more thought. -if anyone wants the .xls
> file, just email me -or let me know if I'm re-inventing the wheel ;)
> k
>
>
>
> On Thu, Mar 3, 2011 at 2:30 AM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
> > lol! i'm gonna try that!
> >
> > On Thu, Mar 3, 2011 at 3:15 AM, Keith Smith <kahsmith@gmail.com> wrote:
> >>
> >> Then there are the insane possibilities of doing it with a very simple
> >> rhythm.
> >
>
>
>
>

--000e0cd51b549233a1049d9901ea
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well i tried it with some simple rhythms and the results were pretty unusab=
le using my exisiting rate shifts. i guess with more thought as you&#39;ve =
laid out, you could possible do something pretty cool.<br><br>one thing i&#=
39;d really like is the ability to predict how a rate shift will affect the=
 length of a loop and therefore calculate multiple rate shifts so that the =
overall loop length is unaffected. i tried to work it out (the math isn&#39=
;t particularly hard), but the results didn&#39;t work in practice...<br>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 6:00 PM, K=
eith Smith <span dir=3D"ltr">&lt;<a href=3D"mailto:kahsmith@gmail.com">kahs=
mith@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204=
); padding-left: 1ex;">
LOL again - The things that happen to loopers in bed:<br><br>I started thin=
king about the purely rhythmic possibilities of this. Let&#39;s use a percu=
ssion sound instead. Same thing; record it on 3 tracks. Now rate-shift them=
 to generate polyrhythmic patterns.<br>

<br>So, I made a spreadsheet to calculate the frequency ratios over 2 octav=
es. The reciprocals of those ratios give you the time values of the rate-sh=
ifted tracks, so if you consider 1 cycle to be a whole note (4 beats) in 4/=
4, then rate-shifting +12 gives a 1/2 note, +24 gives 1/4. OK. Now shifting=
 +7 gives you very nearly a 1/4 triplet, +17 very nearly a 16th, +19 a 1/8 =
triplet. <br>

<br>The last 3 would drift, of course, because they&#39;re not exact, but t=
hey&#39;re pretty close, so they might be useful for a short time, or let &=
#39;em drift and deal with it. It does make me wonder: If you could script =
to the exact rate-shifts for various note *time* values, then all kinds of =
neat mayhem could be created very quickly by using Simeon&#39;s method of r=
ecording a single sound (or pattern) on three tracks at once and then rate-=
shifting the other 2 tracks. I&#39;m thinking 3 tracks for chord manipulati=
on and 3 more for percussion sounds, leaves 2 for melodic looping. Of cours=
e you could use different sounds on each track.<br>

<br>The spreadsheet isn&#39;t exhaustive (pdf at <a href=3D"http://www.samp=
lesmith.com/LD/Rate-shiftingForPolyrythms.pdf" target=3D"_blank">http://www=
.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf</a> ). It&#39;s just a g=
erm of an idea that needs a lot more thought. -if anyone wants the .xls fil=
e, just email me -or let me know if I&#39;m re-inventing the wheel ;)<br>

k<br><br><br><br>On Thu, Mar 3, 2011 at 2:30 AM, Simeon Harris &lt;<a href=
=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeonharris40@=
googlemail.com</a>&gt; wrote:<br>&gt; lol! i&#39;m gonna try that!<br>&gt;<=
br>
&gt; On Thu, Mar 3, 2011 at 3:15 AM, Keith Smith &lt;<a href=3D"mailto:kahs=
mith@gmail.com" target=3D"_blank">kahsmith@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>&gt;&gt; Then there are the insane possibilities of doing it wi=
th a very simple<br>&gt;&gt; rhythm.<br>&gt;<br><br><br><br><div style=3D"d=
isplay: inline;"></div>
</blockquote></div><br>

--000e0cd51b549233a1049d9901ea--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 20:05:54 2011
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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Charles Zwicky wrote:

> The delays used in an allpass filter are typically very  short, and 
> measured in samples rather than mS...

At least in Bidule the delay parameter for Allpass 
is measured in mS.
In freeverb the range is from 5 to 15mS.

As I understand it, it's intended to be a way of having a delay
with feedback, but arranged so that there's no comb effect on
sustained notes.


> I'm not sure that you meant to write "phase dispersion"... 

Just meant that different frequencies are delayed by different amounts.
(Allpass is also used in a phase fx.)


>Try to think 
> about the topolgy in a different way.   If the allpass network is 
> located after the loop, 

sorry, I took your description below to mean that there
was a "loop of allpass filters".

> 
>> Charles said
>>> in fact most digital reverbs consist of  a loop of allpass filters* 

;-)
andy

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 20:17:57 2011
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Date: Thu, 3 Mar 2011 13:17:54 -0700
Message-ID: <AANLkTinD6JuzLwyQxavcYOgT5_n7mRu7qKgO2u+cSRai@mail.gmail.com>
Subject: Re: Mobius scripts audio examples
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Simeon, you are much farther along on scripting than I am. Can you actually
specify a non-semitone value?
Also, I'm thinking the math is not quite on -that the rate factor should
actually be the reciprocal of the values in the /cycle (1/ratio) column eg.
half triplet = 1/.33333=3
k

On Thu, Mar 3, 2011 at 12:26 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> well i tried it with some simple rhythms and the results were pretty
> unusable using my exisiting rate shifts. i guess with more thought as you've
> laid out, you could possible do something pretty cool.
>
> one thing i'd really like is the ability to predict how a rate shift will
> affect the length of a loop and therefore calculate multiple rate shifts so
> that the overall loop length is unaffected. i tried to work it out (the math
> isn't particularly hard), but the results didn't work in practice...
>
> sim
>
>
> On Thu, Mar 3, 2011 at 6:00 PM, Keith Smith <kahsmith@gmail.com> wrote:
>
>> LOL again - The things that happen to loopers in bed:
>>
>> I started thinking about the purely rhythmic possibilities of this. Let's
>> use a percussion sound instead. Same thing; record it on 3 tracks. Now
>> rate-shift them to generate polyrhythmic patterns.
>>
>> So, I made a spreadsheet to calculate the frequency ratios over 2 octaves.
>> The reciprocals of those ratios give you the time values of the rate-shifted
>> tracks, so if you consider 1 cycle to be a whole note (4 beats) in 4/4, then
>> rate-shifting +12 gives a 1/2 note, +24 gives 1/4. OK. Now shifting +7 gives
>> you very nearly a 1/4 triplet, +17 very nearly a 16th, +19 a 1/8 triplet.
>>
>> The last 3 would drift, of course, because they're not exact, but they're
>> pretty close, so they might be useful for a short time, or let 'em drift and
>> deal with it. It does make me wonder: If you could script to the exact
>> rate-shifts for various note *time* values, then all kinds of neat mayhem
>> could be created very quickly by using Simeon's method of recording a single
>> sound (or pattern) on three tracks at once and then rate-shifting the other
>> 2 tracks. I'm thinking 3 tracks for chord manipulation and 3 more for
>> percussion sounds, leaves 2 for melodic looping. Of course you could use
>> different sounds on each track.
>>
>> The spreadsheet isn't exhaustive (pdf at
>> http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf ). It's just
>> a germ of an idea that needs a lot more thought. -if anyone wants the .xls
>> file, just email me -or let me know if I'm re-inventing the wheel ;)
>> k
>>
>

--001636c5bd8682e850049d99b915
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Simeon, you are much farther along on scripting than I am. Can you actually=
 specify a non-semitone value?<br>Also, I&#39;m thinking the math is not qu=
ite on -that the rate factor should actually be the reciprocal of the value=
s in the /cycle (1/ratio) column eg. half triplet =3D 1/.33333=3D3 <br>
k<br><br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 12:26 PM, Simeon=
 Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.c=
om">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
well i tried it with some simple rhythms and the results were pretty unusab=
le using my exisiting rate shifts. i guess with more thought as you&#39;ve =
laid out, you could possible do something pretty cool.<br><br>one thing i&#=
39;d really like is the ability to predict how a rate shift will affect the=
 length of a loop and therefore calculate multiple rate shifts so that the =
overall loop length is unaffected. i tried to work it out (the math isn&#39=
;t particularly hard), but the results didn&#39;t work in practice...<br>

<br>sim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Thu, Mar 3, 2011 at 6:00 PM, Keith Smith <span dir=3D"ltr">&lt;<a href=
=3D"mailto:kahsmith@gmail.com" target=3D"_blank">kahsmith@gmail.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
LOL again - The things that happen to loopers in bed:<br><br>I started thin=
king about the purely rhythmic possibilities of this. Let&#39;s use a percu=
ssion sound instead. Same thing; record it on 3 tracks. Now rate-shift them=
 to generate polyrhythmic patterns.<br>


<br>So, I made a spreadsheet to calculate the frequency ratios over 2 octav=
es. The reciprocals of those ratios give you the time values of the rate-sh=
ifted tracks, so if you consider 1 cycle to be a whole note (4 beats) in 4/=
4, then rate-shifting +12 gives a 1/2 note, +24 gives 1/4. OK. Now shifting=
 +7 gives you very nearly a 1/4 triplet, +17 very nearly a 16th, +19 a 1/8 =
triplet. <br>


<br>The last 3 would drift, of course, because they&#39;re not exact, but t=
hey&#39;re pretty close, so they might be useful for a short time, or let &=
#39;em drift and deal with it. It does make me wonder: If you could script =
to the exact rate-shifts for various note *time* values, then all kinds of =
neat mayhem could be created very quickly by using Simeon&#39;s method of r=
ecording a single sound (or pattern) on three tracks at once and then rate-=
shifting the other 2 tracks. I&#39;m thinking 3 tracks for chord manipulati=
on and 3 more for percussion sounds, leaves 2 for melodic looping. Of cours=
e you could use different sounds on each track.<br>


<br>The spreadsheet isn&#39;t exhaustive (pdf at <a href=3D"http://www.samp=
lesmith.com/LD/Rate-shiftingForPolyrythms.pdf" target=3D"_blank">http://www=
.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf</a> ). It&#39;s just a g=
erm of an idea that needs a lot more thought. -if anyone wants the .xls fil=
e, just email me -or let me know if I&#39;m re-inventing the wheel ;)<br>


k<br>
</blockquote></div></div></div></blockquote></div><br><div style=3D"visibil=
ity: hidden; display: inline;" id=3D"avg_ls_inline_popup"></div><style type=
=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-index:9999;  pa=
dding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240px;  overfl=
ow: hidden;  word-wrap: break-word;  color: black;  font-size: 10px;  text-=
align: left;  line-height: 13px;}</style>

--001636c5bd8682e850049d99b915--

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Date: Thu, 3 Mar 2011 14:33:08 -0600
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Subject: Re: Mobius scripts audio examples
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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You can't yet specify a non-semitone rate shift value.  That's coming
soon....

I don't know if it helps but here is the formula for converting a +/-
semitone rate
shift into a floating point number.

/**
 * The frequency factor between two semitones.
 * This is 2^1/12
 */
#define SEMITONE_FACTOR 1.059463f

float Resampler::getScaleRate(int degree)
{
float rate = 1.0;

if (degree > 0) {
// speed up
rate = (float)pow(SEMITONE_FACTOR, degree);
}
else if (degree < 0) {
// slow down, abs and invert
rate = (1.0f / (float)pow(SEMITONE_FACTOR, -degree));
}

return rate;
}

You can then divide the loop length by this number to get the new loop
length.
There may be some round-off error but it should be fairly close.

Jeff



On Thu, Mar 3, 2011 at 2:17 PM, Keith Smith <kahsmith@gmail.com> wrote:

> Simeon, you are much farther along on scripting than I am. Can you actually
> specify a non-semitone value?
> Also, I'm thinking the math is not quite on -that the rate factor should
> actually be the reciprocal of the values in the /cycle (1/ratio) column eg.
> half triplet = 1/.33333=3
> k
>
>

--20cf307f369201d56b049d99f099
Content-Type: text/html; charset=ISO-8859-1
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You can&#39;t yet specify a non-semitone rate shift value. =A0That&#39;s co=
ming soon....<div><br></div><div>I don&#39;t know if it helps but here is t=
he formula for converting a +/- semitone rate=A0</div><div>shift into a flo=
ating point number.</div>
<div><br></div><div><div>/**</div><div>=A0* The frequency factor between tw=
o semitones. =A0</div><div>=A0* This is 2^1/12</div><div>=A0*/</div><div>#d=
efine SEMITONE_FACTOR 1.059463f</div><div><br></div><div>float Resampler::g=
etScaleRate(int degree)</div>
<div>{</div><div><span class=3D"Apple-tab-span" style=3D"white-space:pre">	=
</span>float rate =3D 1.0;</div><div><br></div><div><span class=3D"Apple-ta=
b-span" style=3D"white-space:pre">	</span>if (degree &gt; 0) {</div><div><s=
pan class=3D"Apple-tab-span" style=3D"white-space:pre">		</span>// speed up=
</div>
<div><span class=3D"Apple-tab-span" style=3D"white-space:pre">		</span>rate=
 =3D (float)pow(SEMITONE_FACTOR, degree);</div><div><span class=3D"Apple-ta=
b-span" style=3D"white-space:pre">	</span>}</div><div><span class=3D"Apple-=
tab-span" style=3D"white-space:pre">	</span>else if (degree &lt; 0) {</div>
<div><span class=3D"Apple-tab-span" style=3D"white-space:pre">		</span>// s=
low down, abs and invert</div><div><span class=3D"Apple-tab-span" style=3D"=
white-space:pre">		</span>rate =3D (1.0f / (float)pow(SEMITONE_FACTOR, -deg=
ree));</div>
<div><span class=3D"Apple-tab-span" style=3D"white-space:pre">	</span>}</di=
v><div><br></div><div><span class=3D"Apple-tab-span" style=3D"white-space:p=
re">	</span>return rate;</div><div>}</div></div><div><br></div><div>You can=
 then divide the loop length by this number to get the new loop length.</di=
v>
<div>There may be some round-off error but it should be fairly close.</div>=
<div><br></div><div>Jeff</div><div><br></div><div><br><br><div class=3D"gma=
il_quote">On Thu, Mar 3, 2011 at 2:17 PM, Keith Smith <span dir=3D"ltr">&lt=
;<a href=3D"mailto:kahsmith@gmail.com">kahsmith@gmail.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Simeon, you are much farther along on scrip=
ting than I am. Can you actually specify a non-semitone value?<br>Also, I&#=
39;m thinking the math is not quite on -that the rate factor should actuall=
y be the reciprocal of the values in the /cycle (1/ratio) column eg. half t=
riplet =3D 1/.33333=3D3 <br>
<font color=3D"#888888">
k</font><div><div></div><div class=3D"h5"><br></div></div></blockquote></di=
v></div>

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Date: Thu, 3 Mar 2011 15:34:12 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
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>Charles Zwicky wrote:
>
>>The delays used in an allpass filter are typically very  short, and 
>>measured in samples rather than mS...
>
>At least in Bidule the delay parameter for Allpass is measured in mS.
>In freeverb the range is from 5 to 15mS.


Certainly not within the range where you would hear them as a discreet delay...

>
>As I understand it, it's intended to be a way of having a delay
>with feedback, but arranged so that there's no comb effect on
>sustained notes.


No, not at all.. it's effect is diffuse an impulse.  Try putting one 
in  the feedback loop of a delay line with a coefficient of about 0.5 
and you'll hear what I mean...

>
>
>>I'm not sure that you meant to write "phase dispersion"...
>
>Just meant that different frequencies are delayed by different amounts.
>(Allpass is also used in a phase fx.)


It's an entirely different implementation than what you'd typically 
find in an analog "phase shifter".


>
>
>>Try to think about the topolgy in a different way.   If the allpass 
>>network is located after the loop,
>
>sorry, I took your description below to mean that there
>was a "loop of allpass filters".
>
>>
>>>Charles said
>>>>in fact most digital reverbs consist of  a loop of allpass filters*


This comment is referring to a non "constant density" reverb, for 
example as in a Lexicon and Ensoniq reverb.
As I pointed out above there are several ways to do it. It's likely 
that the EH "Freeze" uses a series of allpass filters before and 
after a fixed delay line.

>
>;-)
>andy

Yep... |-O



-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Date: Thu, 3 Mar 2011 21:43:04 +0100
Message-ID: <AANLkTimzYw+66EMgvc4JoXiGZd_4dpLWdaSwWY2DxiLH@mail.gmail.com>
Subject: Re: Mobius scripts audio examples
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 3, 2011 at 9:33 PM, Jeff Larson <jeff.larson@sailpoint.com> wro=
te:
> You can't yet specify a non-semitone rate shift value. =C2=A0That's comin=
g
> soon....


Excellent news!!!
Guess we will be able to set up seamless tonal sweeps than as well?
I will be having a lot of fun with fixed micro tonal scales.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Thu, 3 Mar 2011 14:07:52 -0700
Message-ID: <AANLkTikOK2MoyCRr+rK4363Hw=3=BYRwmJ1LCgFhtPZT@mail.gmail.com>
Subject: Re: Mobius scripts audio examples
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I just added a rate-factor column to that sheet -same link
http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf
They're all multiple of each other once they exceed 4 and that's as much as
Jeff can give us I think, and probably as much as we could use anyway with
the pitch shift taken into consideration.

Sorry, Jeff. I thought I was replying to the list.
Again, thanks for chiming in on this! Hi Per!
k


On Thu, Mar 3, 2011 at 1:43 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 3, 2011 at 9:33 PM, Jeff Larson <jeff.larson@sailpoint.com>
> wrote:
> > You can't yet specify a non-semitone rate shift value.  That's coming
> > soon....
>
>
> Excellent news!!!
> Guess we will be able to set up seamless tonal sweeps than as well?
> I will be having a lot of fun with fixed micro tonal scales.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--001636c5ab672df2e5049d9a6c98
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I just added a rate-factor column to that sheet -same link <a href=3D"http:=
//www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf" target=3D"_blank">=
http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf</a><br>They&#3=
9;re all multiple of each other once they exceed 4 and that&#39;s as much a=
s Jeff can give us I think, and probably as much as we could use anyway wit=
h the pitch shift taken into consideration.<br>
<br>Sorry, Jeff. I thought I was replying to the list.<br>Again, thanks for=
 chiming in on this! Hi Per!<br>k<br><br><br><div class=3D"gmail_quote">On =
Thu, Mar 3, 2011 at 1:43 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Thu, Mar 3, 2011 at 9:33 PM, Jeff Larson &lt;<a href=3D"mailto:jeff.lar=
son@sailpoint.com">jeff.larson@sailpoint.com</a>&gt; wrote:<br>

&gt; You can&#39;t yet specify a non-semitone rate shift value. =A0That&#39=
;s coming<br>
&gt; soon....<br>
<br>
<br>
</div>Excellent news!!!<br>
Guess we will be able to set up seamless tonal sweeps than as well?<br>
I will be having a lot of fun with fixed micro tonal scales.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

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Subject: Re: Mobius scripts audio examples
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 3, 2011 at 10:07 PM, Keith Smith <kahsmith@gmail.com> wrote:
> I just added a rate-factor column to that sheet -same link
> http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf

Thank you for the PDF, Keith! An interesting recourse to study in
depth and envision new rate shift sequences. I'm dropping it into my
Mobius Research folder. Since I've started using Mobius six years ago
I have played with the same two rate shift sequence scripts and it
might be time for me to expand a little ;-))  Those two scripts each
exist in five alternative versions, each one matching a specific time
signature. The number of up vs down rate shifts keep the loop length
during the duration of the script. I must say I like that a lot, for
its performance aspects and rhythmic effects as well, and I don't miss
pitch shift at all.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Mobius scripts audio examples
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You're very welcome, indeed.
Since your last post I was looking at the math for Just and Pythagorean
Intonation. It's going to take a bottle of courage for me to get into that!
Do I feel a fretless guitar coming into my future soon?
k

On Thu, Mar 3, 2011 at 2:26 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 3, 2011 at 10:07 PM, Keith Smith <kahsmith@gmail.com> wrote:
> > I just added a rate-factor column to that sheet -same link
> > http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pdf
>
> Thank you for the PDF, Keith! An interesting recourse to study in
> depth and envision new rate shift sequences. I'm dropping it into my
> Mobius Research folder. Since I've started using Mobius six years ago
> I have played with the same two rate shift sequence scripts and it
> might be time for me to expand a little ;-))  Those two scripts each
> exist in five alternative versions, each one matching a specific time
> signature. The number of up vs down rate shifts keep the loop length
> during the duration of the script. I must say I like that a lot, for
> its performance aspects and rhythmic effects as well, and I don't miss
> pitch shift at all.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>

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Content-Transfer-Encoding: quoted-printable

You&#39;re very welcome, indeed.<br>Since your last post I was looking at t=
he math for Just and Pythagorean Intonation. It&#39;s going to take a bottl=
e of courage for me to get into that!<br>Do I feel a fretless guitar coming=
 into my future soon?<br>
k<br><br><div class=3D"gmail_quote">On Thu, Mar 3, 2011 at 2:26 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
<div class=3D"im">On Thu, Mar 3, 2011 at 10:07 PM, Keith Smith &lt;<a href=
=3D"mailto:kahsmith@gmail.com">kahsmith@gmail.com</a>&gt; wrote:<br>
&gt; I just added a rate-factor column to that sheet -same link<br>
&gt; <a href=3D"http://www.samplesmith.com/LD/Rate-shiftingForPolyrythms.pd=
f" target=3D"_blank">http://www.samplesmith.com/LD/Rate-shiftingForPolyryth=
ms.pdf</a><br>
<br>
</div>Thank you for the PDF, Keith! An interesting recourse to study in<br>
depth and envision new rate shift sequences. I&#39;m dropping it into my<br=
>
Mobius Research folder. Since I&#39;ve started using Mobius six years ago<b=
r>
I have played with the same two rate shift sequence scripts and it<br>
might be time for me to expand a little ;-)) =A0Those two scripts each<br>
exist in five alternative versions, each one matching a specific time<br>
signature. The number of up vs down rate shifts keep the loop length<br>
during the duration of the script. I must say I like that a lot, for<br>
its performance aspects and rhythmic effects as well, and I don&#39;t miss<=
br>
pitch shift at all.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br></div></div></blockquote></div><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

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Date: Thu, 3 Mar 2011 22:50:08 +0100
Message-ID: <AANLkTik3R4gzeL5ehcqZL6ifCiSyrwkcdQ4DQm4T0Fvj@mail.gmail.com>
Subject: Re: Mobius scripts audio examples
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 3, 2011 at 10:43 PM, Keith Smith <kahsmith@gmail.com> wrote:
> Do I feel a fretless guitar coming into my future soon?

Are you serious! Wow :-))  Nice! Glad to hear that because I love
fretless! Using a Telecaster I defretted myself but I really want to
pick up one of those French Vigier fretless guitars with a certain
metal finger board. Those are the best. A bit expensive for me, but
still  underpriced if looking at how good they seem to be. I'd like a
Sustianiac mic at neck position and a Dimarzio Dual Sound at the
bridge position.

The longneck Tarhu (unfretted version) is another tempting instrument,
but the luthier makes them in Austrailea! And the bowing technique
demands about a year to get into I would guess. But what a sound!

Per

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Date: Thu, 3 Mar 2011 15:12:15 -0700
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Subject: Re: Mobius scripts audio examples
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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OMG!=A0=A0 Well, the last two years have been devastating for freelancers
around here, so the bank is broke.
However I do have one of those nice little (cheap) Yamaha Pacifica
Tele copies laying around that just might lose its frets sometime.
I've had it tuned in 5ths since you started writing about the 'stick',
but honestly, I haven't played it much.

I'll be keeping the frets IN on the Asat and the Tennessean, thank you
very much ;)

I just acquired my first EDP, so I'm in the throes of learning that
right now. When Jeff gets 2.0 out, I'll probably drift back to the
computer, but I'm really enjoying the somewhat liberating experience
of hardware for the moment --EDP + Repeater has some interesting
possibilities.

My biggest problem with this stuff is getting a chance to play it with
somebody (or keeping the inspiration up to play a lot by myself). I'm
pretty type-cast as a 'standards jazz guy' around here. The solo gigs
I get offered are *very* inside.

Hmmm. You do me thinking.....
k



On Thu, Mar 3, 2011 at 2:50 PM, Per Boysen <perboysen@gmail.com> wrote:
>
> On Thu, Mar 3, 2011 at 10:43 PM, Keith Smith <kahsmith@gmail.com> wrote:
> > Do I feel a fretless guitar coming into my future soon?
>
> Are you serious! Wow :-)) =A0Nice! Glad to hear that because I love
> fretless! Using a Telecaster I defretted myself but I really want to
> pick up one of those French Vigier fretless guitars with a certain
> metal finger board. Those are the best. A bit expensive for me, but
> still =A0underpriced if looking at how good they seem to be. I'd like a
> Sustianiac mic at neck position and a Dimarzio Dual Sound at the
> bridge position.
>
> The longneck Tarhu (unfretted version) is another tempting instrument,
> but the luthier makes them in Austrailea! And the bowing technique
> demands about a year to get into I would guess. But what a sound!
>
> Per

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Date: Thu, 3 Mar 2011 23:28:14 +0100
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Subject: Re: Mobius scripts audio examples
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 3, 2011 at 11:12 PM, Keith Smith <kahsmith@gmail.com> wrote:

> However I do have one of those nice little (cheap) Yamaha Pacifica
> Tele copies laying around that just might lose its frets sometime.

Tellies are no good for fretless, since it is hard to plane the
fingerboard well due to its curved character. A better option would be
to find a cheap baritone guitar. Or even better, buying a replacement
baritone neck from Schekter. I've tried that but those damned
manufacturers want to put in the frets right on.

> I've had it tuned in 5ths since you started writing about the 'stick',

After a year with a STick I'm finding six 5ths mirrored strings is
very complementary to six 4ths strings.


> --EDP + Repeater has some interesting
> possibilities.

Yes, I had those and that rig led me to Mobius. Still running Mobius
scripts that started as MIDI tap dancing for the Repeater ;-))


> My biggest problem with this stuff is getting a chance to play it with
> somebody (or keeping the inspiration up to play a lot by myself). I'm
> pretty type-cast as a 'standards jazz guy' around here. The solo gigs
> I get offered are *very* inside.

Hook up with some "extreme soloist jazz" guy! When looping it becomes
such an inspiring thing to simply provide a steady stream of backing
chords for a monophonic cat to climb around. To both loop and handle
the lead/melody function can indeed be a bit overwhelming for one
single musician - funnily that was the reason I got into Stick
playing; to get away from the need for looping and be able to do more
instant bass-chords-melody instant impro in a solo concert setup.

Per

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Date: Thu, 3 Mar 2011 15:55:00 -0700
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Subject: Re: Mobius scripts audio examples
From: Keith Smith <kahsmith@gmail.com>
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On Thu, Mar 3, 2011 at 3:28 PM, Per Boysen <perboysen@gmail.com> wrote:

> Hook up with some "extreme soloist jazz" guy! When looping it becomes
> such an inspiring thing to simply provide a steady stream of backing
> chords for a monophonic cat to climb around. To both loop and handle
> the lead/melody function can indeed be a bit overwhelming for one
> single musician - funnily that was the reason I got into Stick
> playing; to get away from the need for looping and be able to do more
> instant bass-chords-melody instant impro in a solo concert setup.

Gotcha. I have my eye on a really nice tenor sax player -in Cuba right
now. We've talked about a duo CD.
I love that one with Bill Frisell and Joe Lovano & Paul Motian.
I guess my ideal is the way Frisell can get into and out of a loop so
easily (and thus, get through a set of changes). It never sounds like
it's 'looping for looping's sake'. It's always in the service of the
musical idea first.
k
>
> Per
>
>

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On Thu, Mar 3, 2011 at 11:55 PM, Keith Smith <kahsmith@gmail.com> wrote:
> I love that one with Bill Frisell and Joe Lovano & Paul Motian.
> I guess my ideal is the way Frisell can get into and out of a loop so
> easily (and thus, get through a set of changes). It never sounds like
> it's 'looping for looping's sake'. It's always in the service of the
> musical idea first.

Well said. Totally agree.

Per

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--bcaec52e5eb11f701c049d9c1c4f
Content-Type: text/plain; charset=ISO-8859-1

On Thu, Mar 3, 2011 at 8:04 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> Holy guacamole!! All pedals have been sold. The internet is freakin' fast.
>
>
> Thats because you were selling some cool, kick ass gear!!!

You wanna try selling a ancient old drum-machine...

https://mail.google.com/mail/?shva=1#inbox/12e6d0ba678e201e

PAH!! Then the internet is slow as shit!!

:-)

m
-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--bcaec52e5eb11f701c049d9c1c4f
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On Thu, Mar 3, 2011 at 8:04 PM, Todd Matthews <span dir=3D"ltr">&lt;<a href=
=3D"mailto:gtmatthews@gmail.com" target=3D"_blank">gtmatthews@gmail.com</a>=
&gt;</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">


<div style=3D"word-wrap: break-word;">Holy guacamole!! All pedals have been=
 sold. The internet is freakin&#39; fast.<div><br></div><br></div></blockqu=
ote><div>Thats because you were selling some cool, kick ass gear!!! <br>

<br>You wanna try selling a ancient old drum-machine...<br><br><a href=3D"h=
ttps://mail.google.com/mail/?shva=3D1#inbox/12e6d0ba678e201e">https://mail.=
google.com/mail/?shva=3D1#inbox/12e6d0ba678e201e</a><br><br>PAH!! Then the =
internet is slow as shit!!<br>

<br>:-)<br><br>m<br></div></div>-- <br><i style=3D"font-family: verdana,san=
s-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font =
style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francomb=
e</u></font></i><br>


<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">


<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>


twitter @markfrancombe</font><br>

--bcaec52e5eb11f701c049d9c1c4f--

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Hello all,

I just realized I have a guitar equipped with sustainer pickups that
I'm not likely to be playing much at all as is and something made me
think I should pull the frets off to give it another life.  Its a
Korean Kramer Strat copy if that matters.  I've found the unfretted
site and it looks straightforward but I thought I might ask for any
tips any of you might have before I go ahead with this (didn't you
defret a guitar a while back Per?).

Thanks,

Kevin



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 23:45:45 2011
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Subject: Calton cases
Date: Thu, 3 Mar 2011 15:45:42 -0800
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Anyone on this list do business with Calton Cases?  I have bought =
several from them over the years, but the company changed hands a while =
back and now I have been waiting since last May for a case.  I sent them =
more than $900 and I fear I may never get satisfaction.  I have had only =
sporadic replies from them to my calls and emails, and I don't think I =
will ever get a case, nor my money back.

Calton made great cases, and I really need one for my Turner Model 1.  I =
am now trying to scrape some more bucks together, and looking for a new =
maker of roadworthy cases.

Since I started talking about this, on (e.g.) the Folk Alliance Western =
Region list, I have heard from many other people who are in a similar =
situation.

You have been warned!


From Loopers-Delight-request@loopers-delight.com  Thu Mar  3 23:51:26 2011
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Subject: Re: Fretless Guitar
Date: Thu, 03 Mar 2011 15:50:59 -0800
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I've defretted about 6 guitars.
Use 15 minute epoxy if possible.
Use a really thin toothpick to get in the slots.
It's difficult not to mess up the edge of the fretboard when you pull up, 
unless you can get a good grip on the fret with pliers.

You can use wood putty too.  On a fretless bass it will be okay because the 
fret indentations won't do anything to thick strings.
You'll have to file the nut otherwise the intonation will be really messed 
up.
There will be little sustain with normal guitar strings.  Thicker the 
better.  Wounds strings sustain much better.

toby
----- Original Message ----- 
From: "Kevin Cheli-Colando" <billowhead@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 03, 2011 3:34 PM
Subject: OT: Fretless Guitar


Hello all,

I just realized I have a guitar equipped with sustainer pickups that
I'm not likely to be playing much at all as is and something made me
think I should pull the frets off to give it another life.  Its a
Korean Kramer Strat copy if that matters.  I've found the unfretted
site and it looks straightforward but I thought I might ask for any
tips any of you might have before I go ahead with this (didn't you
defret a guitar a while back Per?).

Thanks,

Kevin



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision: http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 00:18:43 2011
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Date: Thu, 3 Mar 2011 17:18:41 -0700
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Subject: Re: OT: Fretless Guitar
From: Dennis Moser <sinsofmachaut@gmail.com>
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I've done two de-frets now.

The best advice I was given from a luthier was 1. For the electric
make sure and cover the pickups (better still, remove them if you can)
BEFORE you start any work on it because you will want to
re-surface/refinish the finger board and if you use fine steel wool,
well, that should be self-explanatory. 2. DO consider "filling" the
slots that remain from the fret removal, unless you're putting a plain
fingerboard back on...it helps keep the neck from warping ever so
slightly.

Otherwise, yeah, it's pretty straightforward...sounds like a really
cool project!

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Mar 3, 2011 at 4:34 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Hello all,
>
> I just realized I have a guitar equipped with sustainer pickups that
> I'm not likely to be playing much at all as is and something made me
> think I should pull the frets off to give it another life. =A0Its a
> Korean Kramer Strat copy if that matters. =A0I've found the unfretted
> site and it looks straightforward but I thought I might ask for any
> tips any of you might have before I go ahead with this (didn't you
> defret a guitar a while back Per?).
>
> Thanks,
>
> Kevin
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 00:49:40 2011
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Subject: Re: OT: Fretless Guitar
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Also, give the neck a good look before you start.  I started in on a project 
and I didn't realize until I put the neck back on the guitar that it was 
back bowed and the truss rod wasn't fixing the problem.  String buzz that 
couldn't be fixed except for raising the action a mile high.

t


----- Original Message ----- 
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 03, 2011 4:18 PM
Subject: Re: OT: Fretless Guitar


I've done two de-frets now.

The best advice I was given from a luthier was 1. For the electric
make sure and cover the pickups (better still, remove them if you can)
BEFORE you start any work on it because you will want to
re-surface/refinish the finger board and if you use fine steel wool,
well, that should be self-explanatory. 2. DO consider "filling" the
slots that remain from the fret removal, unless you're putting a plain
fingerboard back on...it helps keep the neck from warping ever so
slightly.

Otherwise, yeah, it's pretty straightforward...sounds like a really
cool project!

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Mar 3, 2011 at 4:34 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Hello all,
>
> I just realized I have a guitar equipped with sustainer pickups that
> I'm not likely to be playing much at all as is and something made me
> think I should pull the frets off to give it another life. Its a
> Korean Kramer Strat copy if that matters. I've found the unfretted
> site and it looks straightforward but I thought I might ask for any
> tips any of you might have before I go ahead with this (didn't you
> defret a guitar a while back Per?).
>
> Thanks,
>
> Kevin
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 01:08:09 2011
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll begin a month-long
Special Focus on Richard Lainhart.  The Featured CD at Midnight will
be "Five Nocturnes" on O-Town Music.  For details, see the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 02:44:27 2011
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Subject: RE: OT: Fretless Guitar
Date: Thu, 3 Mar 2011 18:43:29 -0800
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Yes and keep in mind that when you pull the frets the neck will need a
truss rod adjustment, as the frets actually will push the neck back
some, in fact we used to get some straightening of Martins with no truss
rod just with a refret, so you might want to put just a bit of a back
bow in the neck after you pull the frets and if they seem to be glued in
you can use a small soldering iron tip to heat them. If it's an ebony
fretboard you can use ebony dust (just sand some ebony and collect it)
and mix that with the epoxy, which will make it stronger, sand better
and look better too, if rosewood, then the same. Finding a piece of
ebony or rosewood might be a different story.........you can order that
dust too probably from a luthier supply. Oh that's probably a maple
fretboard isn't it, yeah a lot easier and any hardwood would do, light
colored I mean, but not pine. If its maple its gonna look like a bull's
ass sewn up with a grapevine, but you could stain it black.

Andy O

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 03:00:33 2011
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From: "Andy Owens" <andy@1800dialword.com>
To: <Loopers-Delight@loopers-delight.com>
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By the way you'll probably need to sand the finish off that fretboard
for it to work halfway decent, then easy to stain it if you wanted to,
most have some lacquer on the fretboard I think....just fyi. If you need
to lower the nut and are happy with the string slots and spacing and
stuff, might be better to pull the nut and sand it down, by hand, with
sandpaper glued to a flat surface, then you are just lowering all the
way across but don't go too far. Again a bit of heat will help it pop
loose, maybe a few seconds with a heat lamp, but its probably plastic so
be careful. Nuts really shouldn't be glued in, other than a few drops of
white glue to just give it a little grip, which releases easily with a
little heat. Man this is making me want to get my luthier tools out
again!!!

Andy o

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Date: Thu, 3 Mar 2011 20:11:44 -0700
Message-ID: <AANLkTi=C+-tHib6h9vp4LRkL1kKhRy8yb41yFpmMBigY@mail.gmail.com>
Subject: Re: Calton cases
From: "^|>^m" <will.it.go.round@gmail.com>
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heh
http://www.bbb.org/maritime-provinces/business-reviews/musical-instruments-supplies-and-accessories/calton-cases-north-america-in-moncton-nb-26215

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heh<div><a href=3D"http://www.bbb.org/maritime-provinces/business-reviews/m=
usical-instruments-supplies-and-accessories/calton-cases-north-america-in-m=
oncton-nb-26215">http://www.bbb.org/maritime-provinces/business-reviews/mus=
ical-instruments-supplies-and-accessories/calton-cases-north-america-in-mon=
cton-nb-26215</a></div>

--bcaec5016659788e6e049d9f819c--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 03:21:02 2011
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Date: Thu, 3 Mar 2011 19:21:00 -0800
Message-ID: <AANLkTin8xmwh94OQWHEGaj-jZamLgWDqX0qDfgD27WQ7@mail.gmail.com>
Subject: Re: OT: Fretless Guitar
From: doody <ringdangdoodled@gmail.com>
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--001636c598fba41724049d9fa2b6
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 Man this is making me want to get my luthier tools out
> again!!!
>
> Andy o
>

I got the plans to build a hurdy-gurdy...

http://www.youtube.com/watch?v=oZKQf-JIvRU

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<font size=3D"4"><br></font><br><div class=3D"gmail_quote"><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">=A0Man this is making me want to =
get my luthier tools out<br>

again!!!<br>
<br>
Andy o<br></blockquote><div><br>I got the plans to build a hurdy-gurdy...<b=
r><br><a href=3D"http://www.youtube.com/watch?v=3DoZKQf-JIvRU">http://www.y=
outube.com/watch?v=3DoZKQf-JIvRU</a><br></div></div><br>

--001636c598fba41724049d9fa2b6--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 03:35:11 2011
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Subject: Sorting out the good stuff
From: Kevin Cheli-Colando <billowhead@gmail.com>
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A few days back I think, someone mentioned that they play a ton and
then go back and sort out the good stuff from all the hours of sound
to make an album (or something to that effect).  I was wondering how
they managed to do that (sorry, can't remember who said that or when
exactly).

I've got hundreds of hours of looped recordings, some an hour or more
single take.  And there are some truly amazing spots in there.  And
there are some VERY rough spots as well, things that embarrass me me
when I say I'm a guitarist rough.  But I find, I have a really hard
time excising the 'good' bits from the flow of things because the
rough spots seem somehow necessary to explain the good bits.  Or
finding when exactly to come in to the good stuff.  Edit too soon and
it seems kind of lost and aimless, edit too late and you wonder that
anyone would ever listen past the first minute of nonsense.

So I'm just wondering, for all the people who do the play and play and
play and grab the good bits later, how do you decide?  Do you have a
strategy or plan in place before you listen?

Just curious and not at all sure its really a serious question or just
rhetorical but I will throw it out anyway.

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 03:46:31 2011
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Date: Thu, 3 Mar 2011 21:46:29 -0600
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Subject: small digital recorders-TASCAM DR03
From: Scott Hansen <evanpeewee@gmail.com>
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i ended my search, bought a tascam dr03.
saw they were on sale at MF for $79, they honored the $15 gift card from GC
(my local GC didn't have it), & i had a 40$ gift certificate too. so i
didn't pay much for it.

should note i had been debating either the olympus dm420 or ws700-small
digital voice recorders...but then saw the tascams in my MF catalog...
i originally wanted to get the DR07,but both GC & MF were out of them, and
come to find out, it's discontinued...it looks a little bigger, think it has
a few more options. besides the price, a few reviews i read basically said
it's an EASY recorder to use, which i wanted (i'm dumb & lazy).

FIRST REACTIONS-when i got it on tues, the box WEIGHED NOTHING. when i took
it out of the mailing box, the packaging weighed less than NOTHING. i
wondered if anything was in there. when i took it out, i couldn't believe
how small & light it was. i also thought it looked kind of cheap/plasticy,
wondered how it will last, but i figured i didn't pay much for it...i was
bummed it had no headphones w/ it (the olympus recorders come w/ some). wed
night i did a cursory read of the manual (barely)-just checked to see which
option for recording, i set it on one of the higher MP3 settings (they start
it at highest PCM recordings-which gives the 2mb memory card about 2 hrs of
recording)-and the recording time went to 14 hrs, which i thought was plenty
of time for my need-i really wanted to just record my practice/playing time
and listen back to try to work on my playing technique. have no illusions of
recording anything masterpiece-ful to wow anyone--really just wanted to hear
my playing to work on things.
i recorded 2 little sessions on wed, one thursday morning, one thur
afternoon. i was a little scared to listen back. wasn't sure if i'd just
hear that i SUCK, or if the sound would suck, etc (should note i've done
recording on my old 4 track tascam, my digital cd recorder, & my digital
fostex 8 track). i think some reviews of people saying small recorders have
crappy sound was in my head, and i figured the stereo mics in the thing were
probably not great. well, after listening to the stuff i recorded, i'm
really blown away by the sound. honesty really captures my sound/ playing i
thought (warts & all). so far i've had it about a foot away from my fender
amp a bit off to the side. it's a nice little recorder. i won't say that it
will compete w/ any more expensive digital recorder (the $200 or $500 & up
ones), but for $80 it's decent. certainly for capturing ideas it's easy to
use, especially for me. the funny thing i've learning in my playing: i'm
always STIFF in the beginning, and things sound better when i'm playing
against my drum machine...at least so far....the other thing i like is it is
small, not hard to carry to and from work which is part of the time i use
for listening....

i'm finding in all my stuff so far once i get loosened up, i've done some
little loop things w/ my digitech DL8 and played over it, textures, noise,
lots of my FUZZ MACHINE use
w/ my swollen pickle stuff, little processing from my korg kaoss pad 2....i
really love it. don't know if it will meet everyone's needs, not sure how it
compares w/ the zoom ones, but i like this one.
happy looping.
s---
www.myspace.com/scotthansen

--001636499a4bbfb31d049d9ffdaa
Content-Type: text/html; charset=ISO-8859-1
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<div>i ended my search, bought a tascam dr03.</div>
<div>saw they were on sale at MF for $79,=A0they honored the $15 gift card =
from GC (my local GC didn&#39;t have it), &amp; i had a 40$ gift certificat=
e too. so i didn&#39;t pay much for it.</div>
<div><br>should note i had been debating either the olympus dm420 or ws700-=
small digital voice recorders...but then saw the tascams in my MF catalog..=
.<br>i originally wanted to get the DR07,but both GC &amp; MF were out of t=
hem, and come to find out, it&#39;s discontinued...it looks a little bigger=
, think it has a few more options. besides the price, a few reviews i read =
basically said it&#39;s an EASY recorder to use, which i wanted (i&#39;m du=
mb &amp; lazy).</div>

<div><br>FIRST REACTIONS-when i got it on tues, the box WEIGHED NOTHING. wh=
en i took it out of the mailing box, the packaging weighed less than NOTHIN=
G. i wondered if anything was in there. when i took it out, i couldn&#39;t =
believe how small &amp; light it was. i also thought it looked kind of chea=
p/plasticy, wondered how it will last, but i figured i didn&#39;t pay much =
for it...i was bummed it had no headphones w/ it (the olympus recorders com=
e w/ some). wed night i did a cursory read of the manual (barely)-just chec=
ked to see which option for recording, i set it on one of the higher MP3 se=
ttings (they start it at highest PCM recordings-which gives the 2mb memory =
card about 2 hrs of recording)-and the recording time went to 14 hrs, which=
 i thought was plenty of time for my need-i really wanted to just record my=
 practice/playing time and listen back to try to work on my playing techniq=
ue. have no illusions of recording anything masterpiece-ful to wow anyone--=
really just wanted to hear my playing to work on things.<br>
i recorded 2 little sessions on wed, one thursday morning, one thur afterno=
on. i was a little scared to listen back. wasn&#39;t sure if i&#39;d just h=
ear that i SUCK, or if the sound would suck, etc (should note i&#39;ve done=
 recording on my old 4 track tascam, my digital cd recorder, &amp; my digit=
al fostex 8 track). i think some reviews of people saying small recorders h=
ave crappy sound was in my head, and i figured the stereo mics in the thing=
 were probably not great. well, after listening to the stuff i recorded, i&=
#39;m really blown away by the sound. honesty really captures my sound/ pla=
ying i thought (warts &amp; all). so far i&#39;ve had it about a foot away =
from my fender amp a bit off to the side. it&#39;s a nice little recorder. =
i won&#39;t say that it will compete w/ any more expensive digital recorder=
 (the $200 or $500 &amp; up ones), but for $80 it&#39;s decent. certainly f=
or capturing ideas it&#39;s easy to use, especially for me. the funny thing=
 i&#39;ve learning in my playing: i&#39;m always STIFF in the beginning, an=
d things sound better when i&#39;m playing against my drum machine...at lea=
st so far....the other thing i like is it is small, not hard to carry to an=
d from work which is part of the time i use for listening....</div>

<div>=A0</div>
<div>i&#39;m finding in all my stuff so far once i get loosened up, i&#39;v=
e done some little loop things w/ my digitech DL8 and played over it, textu=
res, noise, lots of my FUZZ MACHINE use</div>
<div>w/ my swollen pickle stuff, little processing from my korg kaoss pad 2=
....i really love it. don&#39;t know if it will meet everyone&#39;s needs, =
not sure how it</div>
<div>compares w/ the zoom ones, but i like this one.</div>
<div>happy looping.</div>
<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a><br></div>

--001636499a4bbfb31d049d9ffdaa--

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This is good to know, i actually inquired about 3 weeks ago about  
ordering a case for my weissenborn copy and he got right back to me  
and  said the lead time  was 9 weeks, which I thought was a bit long  
unless but i had heard from the builder of my guitar that he had had  
difficulty getting stuff out of him.  I'm sorry about your travails  
David. It makes me think he's in financial difficulty or something.  
One guy you might give a call to is Jeff Traugott who may have some  
insight as he orders the majority of his cases from Calton.
  good luck
  Bill

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Subject: Re: Sorting out the good stuff
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Hey kev!
I know and understand how you feel! This exactly what i do too.
I use all of your strategies, i also manually re loop bits ( often to
Get past the errors, or crossfade long passages into new bits... You
need a good editor, and i like to use a multi track non destructive
thing, like reaper or Logic or acid (the only reason to use a pc
imho).  I have to admit that I very rarely manage to synch a long
track on a daw timeline, and play new stuff as overdubs. I chatted
with Per last year about different strategies, but i still can't get a
long sound file to be rock solid sync with thr daw bpm.

Sometimes i cant delete the dodgy bits, i Think as long As they lead
somewhere and the final feeling after the piece is over is good then
you have created contrast.

On the Other hand  i sometimes harshly chop and cut right down taking
only the individual bars that Are good.

On one album, i Even offer both the edits and the long form jams. (fish).

I dont know what kind of music you play but my opinion is that
recorded music is different that live. With live you can watch while
the artist creates, in front of your eyes... Recorded music shouldnt
have any fluff.

Cut it out!!!

Mark






Sent from my (advertisement removed)

On 4 Mar 2011, at 04:35, Kevin Cheli-Colando <billowhead@gmail.com> wrote:

> A few days back I think, someone mentioned that they play a ton and
> then go back and sort out the good stuff from all the hours of sound
> to make an album (or something to that effect).  I was wondering how
> they managed to do that (sorry, can't remember who said that or when
> exactly).
>
> I've got hundreds of hours of looped recordings, some an hour or more
> single take.  And there are some truly amazing spots in there.  And
> there are some VERY rough spots as well, things that embarrass me me
> when I say I'm a guitarist rough.  But I find, I have a really hard
> time excising the 'good' bits from the flow of things because the
> rough spots seem somehow necessary to explain the good bits.  Or
> finding when exactly to come in to the good stuff.  Edit too soon and
> it seems kind of lost and aimless, edit too late and you wonder that
> anyone would ever listen past the first minute of nonsense.
>
> So I'm just wondering, for all the people who do the play and play and
> play and grab the good bits later, how do you decide?  Do you have a
> strategy or plan in place before you listen?
>
> Just curious and not at all sure its really a serious question or just
> rhetorical but I will throw it out anyway.
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>

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From: tim echols <eekamouse67@yahoo.com>
Subject: Re: OT: Fretless Guitar
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i have defretted and refinished several basses, and helped a friend defret =
an electric guitar one time.  very practical for playing the loony tunes th=
eme.  tips that i saw during various projects that may help you:

--the easiest thing i found to fill the frets back in was flat toothpicks. =
 if you have a rosewood neck and don't want lines, dye them.  if you have a=
 maple neck and you want lines, dye them.

--you can also make a mixture of superglue and sawdust (alder is recommende=
d) to fill in the holes, depending on your expertise.

--we finished the neck of the guitar with superglue, which is actually self=
-leveling, and thus more forgiving in this regard than epoxy.  but epoxy is=
 recommended--  it takes much longer to dry, though.  i'm not recommending =
you use superglue, just saying that it works.  you spread it on with a cred=
it card (that you do not need again), make sure it is reasonably level, com=
e back in an hour or two, and, well--  it is like epoxy, as it takes more t=
han one coat, and you sand it down afterwards. just thought you might enjoy=
 knowing that.


time


--- On Thu, 3/3/11, Kevin Cheli-Colando <billowhead@gmail.com> wrote:

> From: Kevin Cheli-Colando <billowhead@gmail.com>
> Subject: OT: Fretless Guitar
> To: Loopers-Delight@loopers-delight.com
> Date: Thursday, March 3, 2011, 5:34 PM
> Hello all,
>=20
> I just realized I have a guitar equipped with sustainer
> pickups that
> I'm not likely to be playing much at all as is and
> something made me
> think I should pull the frets off to give it another
> life.=A0 Its a
> Korean Kramer Strat copy if that matters.=A0 I've found
> the unfretted
> site and it looks straightforward but I thought I might ask
> for any
> tips any of you might have before I go ahead with this
> (didn't you
> defret a guitar a while back Per?).
>=20
> Thanks,
>=20
> Kevin
>=20
>=20
>=20
> --=20
> Till now you seriously considered yourself to be the body
> and to have a
> form. That is the primal ignorance which is the root cause
> of all trouble.
>=20
> - Ramana Maharshi (1879-1950)
>=20
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>=20
> =0A=0A=0A      

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Per Boysen wrote:
 
> The longneck Tarhu (unfretted version) is another tempting instrument,
> but the luthier makes them in Austrailea! And the bowing technique
> demands about a year to get into I would guess. But what a sound!

Like the Turkish classical Kemanche.

(played you some when you were in uk)

...very nice


andy

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Per Boysen wrote:
 Tellies are no good for fretless, since it is hard to plane the
> fingerboard well due to its curved character. 

Find a good large mirror.
Stick sandpaper to it with double sided tape.
Remove nut from neck (and neck from body).

Now it's not too hard to sand it flat and keep
the curve.

andy

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Subject: Re: was now tele fretless OT
From: Per Boysen <perboysen@gmail.com>
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> Per Boysen wrote:
> Tellies are no good for fretless, since it is hard to plane the
>>
>> fingerboard well due to its curved character.

On Fri, Mar 4, 2011 at 9:55 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Find a good large mirror.
> Stick sandpaper to it with double sided tape.
> Remove nut from neck (and neck from body).
>
> Now it's not too hard to sand it flat and keep
> the curve.


There must be many carpenter specific methods to plane a curved neck
well. In my case I'm too lazy to do all that. So I prefer to look at
material that already lends itself well for fretless guitar, rather
than costumizing another Telecaster. An important factor is that the
neck, or specifically the finger board, has to be as hard as possible.
A very hard wood pane or even metal cover works excellent. And a
bolt-on neck is less favorable then one that is built together with
the body. The action for a fretless guitar has to be set extremely
low, that is why planing the board is essential. Compared to a bass
guitar strings don't have that much mass and this is why baritone neck
are popular for fretless guitars. And also the use of thicker strings,
but then you might need to adjust intonation by moving the bridge a
bit further down, or fret markers on the neck will indicate falsely.
You see, there's a lot of stuff to keep in mind and that's why I'm
finding those expertize built Vigier fretless guitars so tempting.

Per
(rather making music than messing around planing boards or whatever)

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Subject: Re: Mobius scripts audio examples
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> Per Boysen wrote:
>
>> The longneck Tarhu (unfretted version) is another tempting instrument,
>> but the luthier makes them in Austrailea! And the bowing technique
>> demands about a year to get into I would guess. But what a sound!

On Fri, Mar 4, 2011 at 9:51 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Like the Turkish classical Kemanche.
>
> (played you some when you were in uk)
>
> ...very nice
>

Yes, I remember. It was really great visiting you in Norwich.

Per :-)

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Subject: Re: OT: Fretless Guitar
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On Fri, Mar 4, 2011 at 12:34 AM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Korean Kramer Strat copy if that matters. =C2=A0I've found the unfretted
> site and it looks straightforward but I thought I might ask for any
> tips any of you might have before I go ahead with this (didn't you
> defret a guitar a while back Per?).


Yes, Kevin. I actually have defretted two. The Telecaster works kind
of ok but the other one had an old Schecter neck and I suffered from
the typical issue with doing fret job on old instruments; parts of
wood come off when you remove old frets. So this neck needs more work.
Lots of great hints have been given in this thread already, so I have
nothing to add. Just read up well on unfretted.com, that's where I
found guidance when took the leap.


On Fri, Mar 4, 2011 at 4:21 AM, doody <ringdangdoodled@gmail.com> wrote:
> I got the plans to build a hurdy-gurdy...
>
> http://www.youtube.com/watch?v=3DoZKQf-JIvRU

Wow! That instrument is a complicated machine inside. You're looking
at some seriously advanced project.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Sorting out the good stuff
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On Fri, Mar 4, 2011 at 4:35 AM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> have a really hard
> time excising the 'good' bits from the flow of things because the
> rough spots seem somehow necessary to explain the good bits.

Totally accurate remark there! I suffer this a lot too. My method to
deal with it is to listen and analyze what I was doing that made the
music communicate those emotions. The I try to play it again, and
again, and again... The idea is to not work with "notes" and "chords"
as your tools but with pure emotion. Of course that's belongs in
utopia and is not possible in the real world, but I have discovered
that simply feeding the vision and wanting there makes you a better
musician. And this attitude automatically leads to "less fluff"
recorded (to go with Marc's excellent phrasing).

Per

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Subject: Re: OT: Fretless Guitar
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I don't know much about defretting, but I played a fretless guitar for a
while and I know that choice of strings is quite a big factor in playability
and sound and it's probably a good idea to think of that before you start
the project. Roundwounds can eat into the fretboard (and your fingers if you
slide around!), so you might want to either make sure that your fretboard
can cope with them or use really light strings (8s/9s). Heavy flatwounds
should be easier on your fretboard, but they will sound different and might
need a different setup or detuning.


I personally tried heavy flatwounds (13s) tuned to D or C# (I don't remember
anymore) and light rounds in standard and in the end went with
the roundwounds, which I thought were more versatile in terms of sound. I
guess a consideration for you will also be the Sustainer and the string type
and gauge that will work best with it.


On 4 March 2011 09:28, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Mar 4, 2011 at 12:34 AM, Kevin Cheli-Colando
> <billowhead@gmail.com> wrote:
> > Korean Kramer Strat copy if that matters.  I've found the unfretted
> > site and it looks straightforward but I thought I might ask for any
> > tips any of you might have before I go ahead with this (didn't you
> > defret a guitar a while back Per?).
>
>
> Yes, Kevin. I actually have defretted two. The Telecaster works kind
> of ok but the other one had an old Schecter neck and I suffered from
> the typical issue with doing fret job on old instruments; parts of
> wood come off when you remove old frets. So this neck needs more work.
> Lots of great hints have been given in this thread already, so I have
> nothing to add. Just read up well on unfretted.com, that's where I
> found guidance when took the leap.
>
>
> On Fri, Mar 4, 2011 at 4:21 AM, doody <ringdangdoodled@gmail.com> wrote:
> > I got the plans to build a hurdy-gurdy...
> >
> > http://www.youtube.com/watch?v=oZKQf-JIvRU
>
> Wow! That instrument is a complicated machine inside. You're looking
> at some seriously advanced project.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--20cf302d4ce2520817049da59896
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I don&#39;t know much about defretting, but I played a fretless guitar=
=A0for a while and I know that choice of strings is quite a big factor in p=
layability and sound and it&#39;s probably a good idea to think of that bef=
ore you start the project.=A0Roundwounds can eat into the fretboard (and yo=
ur fingers if you slide around!), so you might want to either make sure tha=
t your fretboard can cope with them or use=A0really light strings (8s/9s).=
=A0Heavy flatwounds should be easier on your fretboard, but they will=A0sou=
nd different and might need a different setup or detuning.=A0</div>

<div>=A0</div>
<div>=A0</div>
<div>I personally=A0tried heavy=A0flatwounds (13s)=A0tuned to D=A0or C# (I =
don&#39;t remember anymore) and light rounds in standard and in the end wen=
t with the=A0roundwounds, which I thought were more versatile in terms of s=
ound. I guess a consideration for you will also be the Sustainer and the st=
ring type and gauge that will work best with it. =A0=A0=A0</div>

<div><br>=A0</div>
<div class=3D"gmail_quote">On 4 March 2011 09:28, Per Boysen <span dir=3D"l=
tr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;<=
/span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">On Fri, Mar 4, 2011 at 12:34 AM, Kevin Cheli-Colando<br>&=
lt;<a href=3D"mailto:billowhead@gmail.com">billowhead@gmail.com</a>&gt; wro=
te:<br>&gt; Korean Kramer Strat copy if that matters. =A0I&#39;ve found the=
 unfretted<br>
&gt; site and it looks straightforward but I thought I might ask for any<br=
>&gt; tips any of you might have before I go ahead with this (didn&#39;t yo=
u<br>&gt; defret a guitar a while back Per?).<br><br><br></div>Yes, Kevin. =
I actually have defretted two. The Telecaster works kind<br>
of ok but the other one had an old Schecter neck and I suffered from<br>the=
 typical issue with doing fret job on old instruments; parts of<br>wood com=
e off when you remove old frets. So this neck needs more work.<br>Lots of g=
reat hints have been given in this thread already, so I have<br>
nothing to add. Just read up well on <a href=3D"http://unfretted.com/" targ=
et=3D"_blank">unfretted.com</a>, that&#39;s where I<br>found guidance when =
took the leap.<br>
<div class=3D"im"><br><br>On Fri, Mar 4, 2011 at 4:21 AM, doody &lt;<a href=
=3D"mailto:ringdangdoodled@gmail.com">ringdangdoodled@gmail.com</a>&gt; wro=
te:<br>&gt; I got the plans to build a hurdy-gurdy...<br>&gt;<br>&gt; <a hr=
ef=3D"http://www.youtube.com/watch?v=3DoZKQf-JIvRU" target=3D"_blank">http:=
//www.youtube.com/watch?v=3DoZKQf-JIvRU</a><br>
<br></div>Wow! That instrument is a complicated machine inside. You&#39;re =
looking<br>at some seriously advanced project.<br><br>Greetings from Sweden=
<br><font color=3D"#888888"><br>Per Boysen<br><a href=3D"http://www.boysen.=
se/" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com/" target=3D"_blank">www.perboysen.com</=
a><br><a href=3D"http://www.looproom.com/" target=3D"_blank">www.looproom.c=
om</a> internet music hub<br><br></font></blockquote></div><br>

--20cf302d4ce2520817049da59896--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 10:42:24 2011
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Date: Fri, 4 Mar 2011 11:42:22 +0100
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Subject: Re: OT: Fretless Guitar
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Mar 4, 2011 at 11:27 AM, Pawel Janowski <pjanowski@gmail.com> wrote=
:
> I personally=C2=A0tried heavy=C2=A0flatwounds (13s)=C2=A0tuned to D=C2=A0=
or C# (I don't remember
> anymore) and light rounds in standard and in the end went with
> the=C2=A0roundwounds, which I thought were more versatile in terms of sou=
nd. I
> guess a consideration for you will also be the Sustainer and the string t=
ype
> and gauge that will work best with it.

I too started out using heavy flatwound jazz strings on my fretless
Telecaster. I tuned it dropped to D. Now I have settled with
roundwound baritone strings which I tune drop-B. This gives me the
best sound and "string vibration performance" so far.

My Sustainiac crapped out but with these thick strings I get enough
sustain anyway, and I'm enjoying a natural sting attack/decay envelope
;-))  I my guitar wasn't a Telecaster I would go for a magnetic
Sustainiac neck pickup.

Per

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 12:12:31 2011
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On 7/22/64 11:59 AM, Kevin Cheli-Colando wrote:
> I just realized I have a guitar equipped with sustainer pickups that
> I'm not likely to be playing much at all as is and something made me
> think I should pull the frets off to give it another life.  Its a
> Korean Kramer Strat copy if that matters.  I've found the unfretted
> site and it looks straightforward but I thought I might ask for any
> tips any of you might have before I go ahead with this
>
>
> Go on E-bay and find the most inexpensive fret ripping tool.
I think I paid $9 for mine, including shipping.

Then go VERY, VERY SLOWLY ...........grab each fret and gently
rock it back and forth

This is because it's very easy to grab the fretboard wood if you rip 
quickly.

This is what I"ve been told.........I don't know because I haven't had 
the courage to
rip the frets off of my 'sound of god'  3/4 no name bass that I've put 
shitloads of
customization into.

I'm gonna do it, though and I have the tool.....lol

rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 12:14:28 2011
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Subject: Re: OT: Fretless Guitar
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DO IT!

t
----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "Kevin Cheli-Colando" <billowhead@gmail.com>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 04, 2011 4:12 AM
Subject: Re: OT: Fretless Guitar


> On 7/22/64 11:59 AM, Kevin Cheli-Colando wrote:
>> I just realized I have a guitar equipped with sustainer pickups that
>> I'm not likely to be playing much at all as is and something made me
>> think I should pull the frets off to give it another life.  Its a
>> Korean Kramer Strat copy if that matters.  I've found the unfretted
>> site and it looks straightforward but I thought I might ask for any
>> tips any of you might have before I go ahead with this
>>
>>
>> Go on E-bay and find the most inexpensive fret ripping tool.
> I think I paid $9 for mine, including shipping.
> 
> Then go VERY, VERY SLOWLY ...........grab each fret and gently
> rock it back and forth
> 
> This is because it's very easy to grab the fretboard wood if you rip 
> quickly.
> 
> This is what I"ve been told.........I don't know because I haven't had 
> the courage to
> rip the frets off of my 'sound of god'  3/4 no name bass that I've put 
> shitloads of
> customization into.
> 
> I'm gonna do it, though and I have the tool.....lol
> 
> rick walker
> 
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 13:39:15 2011
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Per Boysen wrote:


So why does the action need to be ultra low?

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 14:05:16 2011
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Date: Fri, 4 Mar 2011 15:05:14 +0100
Message-ID: <AANLkTinkJrSraWxrmTMXDfHCb4-hkHaYe_gjBfTC=N=2@mail.gmail.com>
Subject: Re: was now tele fretless OT
From: Per Boysen <perboysen@gmail.com>
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On Fri, Mar 4, 2011 at 2:39 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> So why does the action need to be ultra low?

Because if not, notes won't ring very long. Only with ultra low action
a fretless guitar becomes "a singing instrument", with less ultra low
(!) action it becomes "a clunking instrument". Given you prefer the
longer note decay, that is.

Per

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References: <AANLkTimkdBE-X=FTm0j5GLL=U_xvQ1o123WeimgHbjB5@mail.gmail.com> <AANLkTimYP8_=FTzHobvZVdPwC=o4AhVDNfCmHGSmEu0=@mail.gmail.com> <AANLkTikZVx981mQBTQGhUTabdXwiSnooeQt0R4gSGDSi@mail.gmail.com> <AANLkTikoSdNsfTPTokCPVfiTL4Bog6G265wQLgMSVYBJ@mail.gmail.com> <AANLkTimPq11d=FJYQzew+E6br7PMX=DKEDQdGTuR8iD0@mail.gmail.com> <AANLkTinD6JuzLwyQxavcYOgT5_n7mRu7qKgO2u+cSRai@mail.gmail.com> <AANLkTik36cFoESjg2mYGiDJB_QLpgyEivd60akWONcTD@mail.gmail.com> <AANLkTimzYw+66EMgvc4JoXiGZd_4dpLWdaSwWY2DxiLH@mail.gmail.com> <AANLkTikOK2MoyCRr+rK4363Hw=3=BYRwmJ1LCgFhtPZT@mail.gmail.com> <AANLkTi=C0cpcb333p7HUvF2xFMvUJ-r5ToKWtvnH7Pnf@mail.gmail.com> <AANLkTi=4eyS3ZQHVPb=mQJCA1B1EFYHLpEVKy-dcS=Mc@mail.gmail.com> <AANLkTik3R4gzeL5ehcqZL6ifCiSyrwkcdQ4DQm4T0Fvj@mail.gmail.com> <AANLkTimRaPTyUiBbWi+9ajpYQBrKaFyy8Tzosozn58zz@mail.gmail.com> <AANLkTikuVmj+Uteg=fwZw5ad3kQb_W-GbkPWLCOnUqOM@mail.gmail.com> <4D70A906.10800@tiscali.co.uk> <AANLkTi=Yy-MjDqH9_fSeVUJCkAPUuFaWQscKXfhwH=0E@mail.gmail.com> <4D70EB8A.
	3050405@tiscali.co.uk> <AANLkTinkJrSraWxrmTMXDfHCb4-hkHaYe_gjBfTC=N=2@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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Date: Fri, 4 Mar 2011 09:15:15 -0500
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That may have more to do with string tension than actual action heighth but i=
nteresting and the anecdotal evidence I guess important. Seems illogical but=
 no actual experience on it, will ask Wayne Henderson, going over there next=
 week.=20

Andy o



On Mar 4, 2011, at 9:05 AM, "Per Boysen" <perboysen@gmail.com> wrote:

> On Fri, Mar 4, 2011 at 2:39 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
>> So why does the action need to be ultra low?
>=20
> Because if not, notes won't ring very long. Only with ultra low action
> a fretless guitar becomes "a singing instrument", with less ultra low
> (!) action it becomes "a clunking instrument". Given you prefer the
> longer note decay, that is.
>=20
> Per
>=20

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Date: Fri, 4 Mar 2011 07:19:01 -0700
Message-ID: <AANLkTims_Xbnh6Mep7Fe4sw1J_BqAm5RuF5GpALDvf5A@mail.gmail.com>
Subject: Re: OT: Fretless Guitar
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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With this talk about thicker strings working better, I wonder if
that's why Godin only offers this in nylon:

http://www.godinguitars.com/godinmultnylonfretlessp.htm

I tried one in a music shop several year ago, but didn't plug it in
-wish I had, now.

I have one of these, and its great.
http://www.godinguitars.com/godinmultgrconsap.htm

k

On Fri, Mar 4, 2011 at 5:14 AM, Toby G <carpet8@mac.com> wrote:
> DO IT!
>
> t
> ----- Original Message ----- From: "Rick Walker" <looppool@cruzio.com>
> To: "Kevin Cheli-Colando" <billowhead@gmail.com>
> Cc: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, March 04, 2011 4:12 AM
> Subject: Re: OT: Fretless Guitar
>
>
>> On 7/22/64 11:59 AM, Kevin Cheli-Colando wrote:
>>>
>>> I just realized I have a guitar equipped with sustainer pickups that
>>> I'm not likely to be playing much at all as is and something made me
>>> think I should pull the frets off to give it another life. =A0Its a
>>> Korean Kramer Strat copy if that matters. =A0I've found the unfretted
>>> site and it looks straightforward but I thought I might ask for any
>>> tips any of you might have before I go ahead with this
>>>
>>>
>>> Go on E-bay and find the most inexpensive fret ripping tool.
>>
>> I think I paid $9 for mine, including shipping.
>>
>> Then go VERY, VERY SLOWLY ...........grab each fret and gently
>> rock it back and forth
>>
>> This is because it's very easy to grab the fretboard wood if you rip
>> quickly.
>>
>> This is what I"ve been told.........I don't know because I haven't had t=
he
>> courage to
>> rip the frets off of my 'sound of god' =A03/4 no name bass that I've put
>> shitloads of
>> customization into.
>>
>> I'm gonna do it, though and I have the tool.....lol
>>
>> rick walker
>>
>>
>
>

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Subject: Re: OT: Fretless Guitar
Date: Fri, 4 Mar 2011 06:48:07 -0800
References: <AANLkTikwxyT5ofFW9-7QSf_WhgM_df6zyRad4X39GkYV@mail.gmail.com> <AANLkTimjkwfwjrL6TaBxRz3+f1SM7PpW6O0XFuJPm2kb@mail.gmail.com> <4508737A600D426782610052F7714D27@NORBY11> <864434907DE0E9429B16AD587941F73F07C30DCA@EXVBE010-2.exch010.intermedia.net> <864434907DE0E9429B16AD587941F73F07C30DCC@EXVBE010-2.exch010.intermedia.net> <AANLkTin8xmwh94OQWHEGaj-jZamLgWDqX0qDfgD27WQ7@mail.gmail.com>
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Hey there Dood!

How's life in the desert with those EDPs?

As I sit in front of my computer every morning your artwork hangs  
directly above the screen.

Hi dee ho!

Cheers,

Ted

On Mar 3, 2011, at 7:21 PM, doody wrote:

>
>
>  Man this is making me want to get my luthier tools out
> again!!!
>
> Andy o
>
> I got the plans to build a hurdy-gurdy...
>
> http://www.youtube.com/watch?v=oZKQf-JIvRU
>

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Stew-Mac's fret puller is a splendid investment.  You will still get some b=
reakout but a lot less.

Hal Dean


-----Original Message-----
From: Toby G [mailto:carpet8@mac.com]=20
Sent: Thursday, March 03, 2011 6:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fretless Guitar

I've defretted about 6 guitars.
Use 15 minute epoxy if possible.
Use a really thin toothpick to get in the slots.
It's difficult not to mess up the edge of the fretboard when you pull up, u=
nless you can get a good grip on the fret with pliers.

You can use wood putty too.  On a fretless bass it will be okay because the=
 fret indentations won't do anything to thick strings.
You'll have to file the nut otherwise the intonation will be really messed =
up.
There will be little sustain with normal guitar strings.  Thicker the bette=
r.  Wounds strings sustain much better.

toby
----- Original Message -----
From: "Kevin Cheli-Colando" <billowhead@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 03, 2011 3:34 PM
Subject: OT: Fretless Guitar


Hello all,

I just realized I have a guitar equipped with sustainer pickups that
I'm not likely to be playing much at all as is and something made me
think I should pull the frets off to give it another life.  Its a
Korean Kramer Strat copy if that matters.  I've found the unfretted
site and it looks straightforward but I thought I might ask for any
tips any of you might have before I go ahead with this (didn't you
defret a guitar a while back Per?).

Thanks,

Kevin



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision: http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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Charles Zwicky wrote:

>>
>> As I understand it, it's intended to be a way of having a delay
>> with feedback, but arranged so that there's no comb effect on
>> sustained notes.
> 
> 
> No, not at all.. it's effect is diffuse an impulse.  Try putting one in  
> the feedback loop of a delay line with a coefficient of about 0.5 and 
> you'll hear what I mean...

The idea is to diffuse *without* comb filtering.
Don't know why you're saying "not at all",
I'm just repeating reverb 101 there.

>>
>>
>>> I'm not sure that you meant to write "phase dispersion"...
>>
>> Just meant that different frequencies are delayed by different amounts.
>> (Allpass is also used in a phase fx.)
> 
> 
> It's an entirely different implementation than what you'd typically find 
> in an analog "phase shifter".

:-) I think I can guess that analog is a different implementation
to digital.


soniq reverb.
>  It's likely that 
> the EH "Freeze" uses a series of allpass filters before and after a 
> fixed delay line.

Two sets of allpass? They're all linear processes so order is not 
important. Or is there some other element involved?

Actually, listening to the demos more it doesn't sound so good on
complex chords, and it's rather more metallic on some notes than others.
Wouldn't be at all surprised if there's some techniques taken from
the EH pedals that *do* use granular techniques, used in order to
get the sound seamless. Doesn't the Hog have a freeze mode which
sounds similar?

Anyway, I prefer the sound from the Vortex ;-)

andy


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Chiming in briefly: I've defretted a Casio MG500 and an Ibanez bass. In bot=
h cases I used wood filler for the slots; I like having the fret ghosts as =
a guide to position. I finished the necks with several applications of poly=
urethane.

The Casio is now a fretless MIDI guitar, quite fun. I have it tuned down a =
whole step from standard tuning as it seemed to me that the defretting some=
what compromises the stiffness of the neck (you'll see others talk about th=
is on Unfretted, as I recall). I have flatwound strings on it, which I like=
, but if you do the toothpicks and superglue job others have described here=
, it seems unlikely you would really HAVE to use them.

Kevin, your thought that defretting a guitar with a sustainer is a good pro=
ject is spot on - I have a Vertigo with sustainer, from ebay, waiting for t=
he same treatment when I have the time and money. The sustainer will addres=
s, at least in theory, the issue of defretted instruments being sustain-cha=
llenged. Let us know how it turns out!

Hal Dean


On 4 March 2011 09:28, Per Boysen <perboysen@gmail.com<mailto:perboysen@gma=
il.com>> wrote:
On Fri, Mar 4, 2011 at 12:34 AM, Kevin Cheli-Colando
<billowhead@gmail.com<mailto:billowhead@gmail.com>> wrote:
> Korean Kramer Strat copy if that matters.  I've found the unfretted
> site and it looks straightforward but I thought I might ask for any
> tips any of you might have before I go ahead with this (didn't you
> defret a guitar a while back Per?).

Yes, Kevin. I actually have defretted two. The Telecaster works kind
of ok but the other one had an old Schecter neck and I suffered from
the typical issue with doing fret job on old instruments; parts of
wood come off when you remove old frets. So this neck needs more work.
Lots of great hints have been given in this thread already, so I have
nothing to add. Just read up well on unfretted.com<http://unfretted.com/>, =
that's where I
found guidance when took the leap.


On Fri, Mar 4, 2011 at 4:21 AM, doody <ringdangdoodled@gmail.com<mailto:rin=
gdangdoodled@gmail.com>> wrote:
> I got the plans to build a hurdy-gurdy...
>
> http://www.youtube.com/watch?v=3DoZKQf-JIvRU
Wow! That instrument is a complicated machine inside. You're looking
at some seriously advanced project.

Greetings from Sweden

Per Boysen
www.boysen.se<http://www.boysen.se/>
www.perboysen.com<http://www.perboysen.com/>
www.looproom.com<http://www.looproom.com/> internet music hub


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<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D">Chiming in briefly: I&#82=
17;ve defretted a Casio MG500 and an Ibanez bass. In both cases I used wood=
 filler for the slots; I like having the fret ghosts as a guide
 to position. I finished the necks with several applications of polyurethan=
e.<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D">The Casio is now a fretle=
ss MIDI guitar, quite fun. I have it tuned down a whole step from standard =
tuning as it seemed to me that the defretting somewhat compromises
 the stiffness of the neck (you&#8217;ll see others talk about this on Unfr=
etted, as I recall). I have flatwound strings on it, which I like, but if y=
ou do the toothpicks and superglue job others have described here, it seems=
 unlikely you would really HAVE to use
 them.<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D">Kevin, your thought that =
defretting a guitar with a sustainer is a good project is spot on &#8211; I=
 have a Vertigo with sustainer, from ebay, waiting for the same
 treatment when I have the time and money. The sustainer will address, at l=
east in theory, the issue of defretted instruments being sustain-challenged=
. Let us know how it turns out!<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<p class=3D"MsoNormal"><i><span style=3D"font-size:11.0pt;font-family:&quot=
;Palatino Linotype&quot;,&quot;serif&quot;;color:#1F497D">Hal Dean<o:p></o:=
p></span></i></p>
<div>
<p class=3D"MsoNormal"><br>
&nbsp;<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal">On 4 March 2011 09:28, Per Boysen &lt;<a href=3D"mai=
lto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<o:p></o:p></p>
<div>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt">On Fri, Mar 4, 2011 a=
t 12:34 AM, Kevin Cheli-Colando<br>
&lt;<a href=3D"mailto:billowhead@gmail.com">billowhead@gmail.com</a>&gt; wr=
ote:<br>
&gt; Korean Kramer Strat copy if that matters. &nbsp;I've found the unfrett=
ed<br>
&gt; site and it looks straightforward but I thought I might ask for any<br=
>
&gt; tips any of you might have before I go ahead with this (didn't you<br>
&gt; defret a guitar a while back Per?).<br>
<br>
<o:p></o:p></p>
</div>
<p class=3D"MsoNormal">Yes, Kevin. I actually have defretted two. The Telec=
aster works kind<br>
of ok but the other one had an old Schecter neck and I suffered from<br>
the typical issue with doing fret job on old instruments; parts of<br>
wood come off when you remove old frets. So this neck needs more work.<br>
Lots of great hints have been given in this thread already, so I have<br>
nothing to add. Just read up well on <a href=3D"http://unfretted.com/" targ=
et=3D"_blank">
unfretted.com</a>, that's where I<br>
found guidance when took the leap.<o:p></o:p></p>
<div>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt"><br>
<br>
On Fri, Mar 4, 2011 at 4:21 AM, doody &lt;<a href=3D"mailto:ringdangdoodled=
@gmail.com">ringdangdoodled@gmail.com</a>&gt; wrote:<br>
&gt; I got the plans to build a hurdy-gurdy...<br>
&gt;<br>
&gt; <a href=3D"http://www.youtube.com/watch?v=3DoZKQf-JIvRU" target=3D"_bl=
ank">http://www.youtube.com/watch?v=3DoZKQf-JIvRU</a><o:p></o:p></p>
</div>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt">Wow! That instrument =
is a complicated machine inside. You're looking<br>
at some seriously advanced project.<br>
<br>
Greetings from Sweden<br>
<span style=3D"color:#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se/" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com/" target=3D"_blank">www.perboysen.com</=
a><br>
<a href=3D"http://www.looproom.com/" target=3D"_blank">www.looproom.com</a>=
 internet music hub</span><o:p></o:p></p>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
</body>
</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 15:04:11 2011
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To: "Loopers-Delight@loopers-delight.com"
	<Loopers-Delight@loopers-delight.com>
Subject: RE: FS: Timefactor, M9 and Rang 3
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Date: Fri, 4 Mar 2011 14:50:04 +0000
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Todds,

Apologies to one and thanks to the other. How weird that Walker's rave and =
the TF sale were in the same digest! I'm in a serious "cycling through peda=
ls" phase and following closely any discussion about them here, since is po=
pulated with such discerning folks. I'm appreciative of all the reviews.

Hal

From: todd reynolds [mailto:toddreyn@gmail.com]
Sent: Thursday, March 03, 2011 2:05 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: FS: Timefactor, M9 and Rang 3

no worries,  first come first serve, as it should be... enjoy it Hal!
On Thu, Mar 3, 2011 at 2:01 PM, Todd Matthews <gtmatthews@gmail.com<mailto:=
gtmatthews@gmail.com>> wrote:
Todd! Hal Dean just pay pal'ed me at the same time you sent this email. I w=
ould have totally sold to you had I known you needed one. Sorry :(


On Mar 3, 2011, at 1:51 PM, Todd Reynolds wrote:


Save that timefactor for me for a few minutes?

Sent from my iPhone

On Mar 3, 2011, at 1:47 PM, Todd Matthews <gtmatthews@gmail.com<mailto:gtma=
tthews@gmail.com>> wrote:
I should have written the prices for dollars marks. All prices are in US do=
allrs: $250 for the Timefactor and also for the M9, and $350 for the Rang3.=
 How Geo-self-centered of me!

-Todd Matthews
On Mar 3, 2011, at 1:32 PM, antonyhequet@yahoo.com<mailto:antonyhequet@yaho=
o.com> wrote:


hello,

I could be interested in the Timefactor. Where are you located, I am in Fra=
nce. how much do you want for it?

Antony

________________________________
From: Todd Matthews <gtmatthews@gmail.com<mailto:gtmatthews@gmail.com>>
To: Loopers-Delight@loopers-delight.com<mailto:Loopers-Delight@loopers-deli=
ght.com>
Sent: Thu, March 3, 2011 7:30:25 PM
Subject: FS: Timefactor, M9 and Rang 3

I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give first=
 dibs here before I Craigslist/Ebay them. All of these pedals are freaking =
amazing if your into hardware looping and are in perfect condition but I ha=
ve velcro on the bottom so they attached to my pedalboard. I could leave th=
e velcro on or put the rubber feet back depending on your setup.. I'm selli=
ng to finance some real nice recording gear as I discussed earlier on LD an=
d as much as I'd like to keep this rig in case my laptop looping setup cras=
hes and burns..... this is the only way I'll make the recording gear purcha=
ses happen. I have the boxes, manuals, etc.

250- Timefactor
250- M9
350 for the Boomerang

Paypal me at this email address and I'll ship them the same day. If I don't=
 hear anything here in the next couple days I'll go ahead toss em on ebay.


-Todd Matthews







Todd Matthews
http://www.joshuasteelemusic.com<http://www.joshuasteelemusic.com/>




Todd Matthews
http://www.joshuasteelemusic.com






--
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* Outerborough, my debut double CD set soon available on iTunes, and is rel=
eased on INNOVA Recordings on March 24th.  The CD Release party is schedule=
d for March 16th at ISSUE Project Room.  I'd be delighted to have you there=
.

* also, don't forget the double bill at Le Poisson Rouge with Cellist Zoe K=
eating on March 6th!  first show sold out, tix still available for the newl=
y added show.


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
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http://reverbnation.com/toddreynolds


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libri&quot;,&quot;sans-serif&quot;;color:#1F497D">Todds,<o:p></o:p></span><=
/p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D">Apologies to one and than=
ks to the other. How weird that Walker&#8217;s rave and the TF sale were in=
 the same digest! I&#8217;m in a serious &#8220;cycling through pedals&#822=
1; phase
 and following closely any discussion about them here, since is populated w=
ith such discerning folks. I&#8217;m appreciative of all the reviews.<o:p><=
/o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<p class=3D"MsoNormal"><i><span style=3D"font-size:11.0pt;font-family:&quot=
;Palatino Linotype&quot;,&quot;serif&quot;;color:#1F497D">Hal<o:p></o:p></s=
pan></i></p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-family:&quot=
;Tahoma&quot;,&quot;sans-serif&quot;">From:</span></b><span style=3D"font-s=
ize:10.0pt;font-family:&quot;Tahoma&quot;,&quot;sans-serif&quot;"> todd rey=
nolds [mailto:toddreyn@gmail.com]
<br>
<b>Sent:</b> Thursday, March 03, 2011 2:05 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: FS: Timefactor, M9 and Rang 3<o:p></o:p></span></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt">no worries, &nbsp;fir=
st come first serve, as it should be... enjoy it Hal!&nbsp;<o:p></o:p></p>
<div>
<p class=3D"MsoNormal">On Thu, Mar 3, 2011 at 2:01 PM, Todd Matthews &lt;<a=
 href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt; wrote:<o=
:p></o:p></p>
<div>
<p class=3D"MsoNormal">Todd! Hal Dean just pay pal'ed me at the same time y=
ou sent this email. I would have totally sold to you had I known you needed=
 one. Sorry :(<o:p></o:p></p>
<div>
<div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<div>
<div>
<p class=3D"MsoNormal">On Mar 3, 2011, at 1:51 PM, Todd Reynolds wrote:<o:p=
></o:p></p>
</div>
<p class=3D"MsoNormal"><br>
<br>
<o:p></o:p></p>
<div>
<div>
<p class=3D"MsoNormal">Save that timefactor for me for a few minutes?<br>
<br>
Sent from my iPhone<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt"><br>
On Mar 3, 2011, at 1:47 PM, Todd Matthews &lt;<a href=3D"mailto:gtmatthews@=
gmail.com" target=3D"_blank">gtmatthews@gmail.com</a>&gt; wrote:<o:p></o:p>=
</p>
</div>
<blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
<div>
<p class=3D"MsoNormal">I should have written the prices for dollars marks. =
All prices are in US doallrs: $250 for the Timefactor and also for the M9, =
and $350 for the Rang3. How Geo-self-centered of me!<o:p></o:p></p>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">-Todd Matthews<o:p></o:p></p>
<div>
<div>
<div>
<p class=3D"MsoNormal">On Mar 3, 2011, at 1:32 PM, <a href=3D"mailto:antony=
hequet@yahoo.com" target=3D"_blank">
antonyhequet@yahoo.com</a> wrote:<o:p></o:p></p>
</div>
<p class=3D"MsoNormal"><br>
<br>
<o:p></o:p></p>
<div>
<div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;font-family:&quot;Ar=
ial&quot;,&quot;sans-serif&quot;">hello,<o:p></o:p></span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;font-family:&quot;Ar=
ial&quot;,&quot;sans-serif&quot;"><o:p>&nbsp;</o:p></span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;font-family:&quot;Ar=
ial&quot;,&quot;sans-serif&quot;">I could be interested in the Timefactor. =
Where are you located, I am in France. how much do you want for it?<o:p></o=
:p></span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;font-family:&quot;Ar=
ial&quot;,&quot;sans-serif&quot;"><o:p>&nbsp;</o:p></span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;font-family:&quot;Ar=
ial&quot;,&quot;sans-serif&quot;">Antony<o:p></o:p></span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;font-family:&quot;Ar=
ial&quot;,&quot;sans-serif&quot;"><o:p>&nbsp;</o:p></span></p>
<div>
<div class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span=
 style=3D"font-size:10.0pt;font-family:&quot;Tahoma&quot;,&quot;sans-serif&=
quot;">
<hr size=3D"1" width=3D"100%" align=3D"center">
</span></div>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt"><b><span style=3D"fon=
t-size:10.0pt;font-family:&quot;Tahoma&quot;,&quot;sans-serif&quot;">From:<=
/span></b><span style=3D"font-size:10.0pt;font-family:&quot;Tahoma&quot;,&q=
uot;sans-serif&quot;">&nbsp;Todd Matthews &lt;<a href=3D"mailto:gtmatthews@=
gmail.com" target=3D"_blank">gtmatthews@gmail.com</a>&gt;<br>
<b>To:</b>&nbsp;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b>Sent:</b>&nbsp;Thu, March 3, 2011 7:30:25 PM<br>
<b>Subject:</b>&nbsp;FS: Timefactor, M9 and Rang 3&nbsp;<br>
</span><span style=3D"font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;=
sans-serif&quot;"><br>
I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give first=
 dibs here before I Craigslist/Ebay them. All of these pedals are freaking =
amazing if your into hardware looping and are in perfect condition but I ha=
ve velcro on the bottom so they
 attached to my pedalboard. I could leave the velcro on or put the rubber f=
eet back depending on your setup.. I'm selling to finance some real nice re=
cording gear as I discussed earlier on LD and as much as I'd like to keep t=
his rig in case my laptop looping
 setup crashes and burns..... this is the only way I'll make the recording =
gear purchases happen. I have the boxes, manuals, etc.&nbsp;<br>
<br>
250- Timefactor<br>
250- M9<br>
350 for the Boomerang<br>
<br>
Paypal me at this email address and I'll ship them the same day. If I don't=
 hear anything here in the next couple days I'll go ahead toss em on ebay.<=
br>
<br>
<br>
-Todd Matthews<br>
<br>
<br>
<br>
<br>
<o:p></o:p></span></p>
</div>
</div>
</div>
<p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-family:&quot;He=
lvetica&quot;,&quot;sans-serif&quot;"><o:p>&nbsp;</o:p></span></p>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-family:&quot;He=
lvetica&quot;,&quot;sans-serif&quot;">Todd Matthews<o:p></o:p></span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-family:&quot;He=
lvetica&quot;,&quot;sans-serif&quot;"><a href=3D"http://www.joshuasteelemus=
ic.com/" target=3D"_blank">http://www.joshuasteelemusic.com</a><o:p></o:p><=
/span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-family:&quot;He=
lvetica&quot;,&quot;sans-serif&quot;"><o:p>&nbsp;</o:p></span></p>
</div>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt"><o:p>&nbsp;</o:p></p>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
</div>
</div>
</blockquote>
</div>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<div>
<div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-family:&quot;He=
lvetica&quot;,&quot;sans-serif&quot;;color:black">Todd Matthews<o:p></o:p><=
/span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-family:&quot;He=
lvetica&quot;,&quot;sans-serif&quot;;color:black"><a href=3D"http://www.jos=
huasteelemusic.com" target=3D"_blank">http://www.joshuasteelemusic.com</a><=
o:p></o:p></span></p>
</div>
<div>
<p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-family:&quot;He=
lvetica&quot;,&quot;sans-serif&quot;;color:black"><o:p>&nbsp;</o:p></span><=
/p>
</div>
</div>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt"><o:p>&nbsp;</o:p></p>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
</div>
</div>
</div>
</div>
<p class=3D"MsoNormal"><br>
<br clear=3D"all">
<br>
-- <br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
&#8226; Outerborough, my debut double CD set soon available on iTunes, and =
is released on INNOVA Recordings on March 24th. &nbsp;The CD Release party =
is scheduled for March 16th at ISSUE Project Room. &nbsp;I'd be delighted t=
o have you there.&nbsp;<o:p></o:p></p>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">&#8226; also, don't forget the double bill at Le Poi=
sson Rouge with Cellist Zoe Keating on March 6th! &nbsp;first show sold out=
, tix still available for the newly added show.&nbsp;<br>
<br>
<br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br=
>
<a href=3D"http://toddreynolds.com" target=3D"_blank">http://toddreynolds.c=
om</a><br>
<a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http://twitter=
.com/digifiddler</a><br>
<a href=3D"http://myspace.com/toddreynoldsmusic" target=3D"_blank">http://m=
yspace.com/toddreynoldsmusic</a><br>
<a href=3D"http://blog.toddreynolds.com" target=3D"_blank">http://blog.todd=
reynolds.com</a><br>
<a href=3D"http://facebook.com/toddreynolds" target=3D"_blank">http://faceb=
ook.com/toddreynolds</a><br>
<a href=3D"http://reverbnation.com/toddreynolds" target=3D"_blank">http://r=
everbnation.com/toddreynolds</a><o:p></o:p></p>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
</body>
</html>

--_000_F3758BD5E05F2049BBC449788EC936AF02D68CWCUXCH07PASSHELCL_--

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To: "Loopers-Delight@loopers-delight.com"
	<Loopers-Delight@loopers-delight.com>
Subject: RE: Sorting out the good stuff
Thread-Topic: Sorting out the good stuff
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Funny, I've been reading "Arcana", a book of musicians writing about music =
edited by Zorn.  Frith's entry consists of a compendium of diary entries, i=
n one of which he talks about how critics of improvisational music sometime=
s complain they have to sit through boring passages before things get excit=
ing. But the notion that the exciting parts can be identified in advance, p=
racticed, and focused on in performance is precisely what makes for clich=
=E9s.

This may differ from what you're asking about, in the sense that your loope=
d recordings may not be absolutely "real-time".  If they are like my simila=
r trove, they are a mix of the real-time on-the-fly and the "Ah, that sound=
s cool, let us now search a bit for the next way to monkey with it, and the=
n add or subtract or whatever accordingly" approach.  In the latter case on=
e is already editing, maybe heavily.

I've paraphrased Frith here, but his conclusion is pretty much "the rough s=
pots seem somehow necessary to explain the good bits."

Inasmuch as I too have a lot of loops on a hard drive that I occasionally c=
all up for editing and assembling into larger pieces, I'll be very curious =
to hear what people say. I've spent some time importing Mobius loops into A=
'ton Live and using Live's kit of warping tools to make variations. I have =
rarely found the results remarkable, but I chalk that up to a lack of time =
spent REALLY learning Live and focusing on this technique. =20

Hal Dean



-----Original Message-----
From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]=20
Sent: Thursday, March 03, 2011 10:35 PM
To: Loopers-Delight@loopers-delight.com
Subject: Sorting out the good stuff

A few days back I think, someone mentioned that they play a ton and then go=
 back and sort out the good stuff from all the hours of sound to make an al=
bum (or something to that effect).  I was wondering how they managed to do =
that (sorry, can't remember who said that or when exactly).

I've got hundreds of hours of looped recordings, some an hour or more singl=
e take.  And there are some truly amazing spots in there.  And there are so=
me VERY rough spots as well, things that embarrass me me when I say I'm a g=
uitarist rough.  But I find, I have a really hard time excising the 'good' =
bits from the flow of things because the rough spots seem somehow necessary=
 to explain the good bits.  Or finding when exactly to come in to the good =
stuff.  Edit too soon and it seems kind of lost and aimless, edit too late =
and you wonder that anyone would ever listen past the first minute of nonse=
nse.

So I'm just wondering, for all the people who do the play and play and play=
 and grab the good bits later, how do you decide?  Do you have a strategy o=
r plan in place before you listen?

Just curious and not at all sure its really a serious question or just rhet=
orical but I will throw it out anyway.

Kevin

--
Till now you seriously considered yourself to be the body and to have a for=
m. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org Video http://www.vimeo.com/us=
er877640/videos

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On Fri, Mar 4, 2011 at 3:53 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> Anyway, I prefer the sound from the Vortex ;-)
>
> andy
>

Im so glad you said that Andy! Now I dont have to buy a freeze... however,
After Jeff requesting I post my Vortex settings, I have to admit,that when I
re-visited my patch, I realised that it wasnt quite as good as I thought,
and WAS quite er.. loopy sounding, as in too long. Attepts to make the loop
a bit shorter kinda failed..

Ehem.. Care to share YOUR settings?

;-O

m

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf306845f704ccc2049da9941f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

On Fri, Mar 4, 2011 at 3:53 PM, andy butler <span dir=3D"ltr">&lt;<a href=
=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wr=
ote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">

<div id=3D":164">Anyway, I prefer the sound from the Vortex ;-)<br><font co=
lor=3D"#888888">
<br>
andy</font></div></blockquote><div><br>Im so glad you said that Andy! Now I=
 dont have to buy a freeze... however, After Jeff requesting I post my Vort=
ex settings, I have to admit,that when I re-visited my patch, I realised th=
at it wasnt quite as good as I thought, and WAS quite er.. loopy sounding, =
as in too long. Attepts to make the loop a bit shorter kinda failed..<br>

<br>Ehem.. Care to share YOUR settings? <br></div></div><br>;-O<br><br>m<br=
 clear=3D"all"><br>-- <br><i style=3D"font-family: verdana,sans-serif; colo=
r: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font style=3D"font=
-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francombe</u></font><=
/i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf306845f704ccc2049da9941f--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 16:03:24 2011
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From: "Kris Hartung" <krispenhartung@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Fretless Guitar
Date: Fri, 4 Mar 2011 09:03:26 -0700
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I've been thinking of having my custom archtop guitar made fretless.  We 
have two of the finest fretless players here in Boise, Ned Evitt being one 
of them, who tours all over the nation.  We use one luthier here, who is a 
perfectionist at it and has mastered it long ago.  He puts glass on them. 
They sound amazing.  The other guy just leaves the fretboard wood, because 
for jazz it sounds more natural...so it is akin to the fretboard of a cello 
or something. I'll probably just go with the wood.
Kris

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Electro Harmonix Freeze - Vortex Patch
References: <AANLkTikOXTC0WatOO6=FRJg-Pkp+SgEzqgQ0qvieTnt1@mail.gmail.com> <4D6F42EA.6080107@cruzio.com> <AANLkTi=0iVaEs3O0SkgERgvELNSDtM4sWeUKA9MZ_nyf@mail.gmail.com> <p06240827c995540d8813@192.168.2.2> <4D6FC589.1030908@tiscali.co.uk> <p0624082ac99576949f94@192.168.2.2> <4D6FE0AB.6090605@tiscali.co.uk> <p0624082cc99592ae35be@192.168.2.2> <4D6FF4A9.8000500@tiscali.co.uk> <p0624082dc995a8fa6f8e@192.168.2.2> <4D70FCE9.2080409@tiscali.co.uk> <AANLkTimOAkm36GhxC4dRDGjjfVLqY-K7L3Hq24Da8L13@mail.gmail.com>
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> On Fri, Mar 4, 2011 at 3:53 PM, andy butler <akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>> wrote:
> 
>     Anyway, I prefer the sound from the Vortex ;-)

mark francombe wrote:
> Im so glad you said that Andy! Now I dont have to buy a freeze... 
> 
> Ehem.. Care to share YOUR settings?
> 

ahh, found it in an old mail.

Haven't tried this one for ages, think I may
have been aiming for a swirly sound rather than
a static freeze.

Don't remember if I had a particular tap time
that I used with it.

Here it is:-

Play in A  then  use pedal to morph and trap the sound.
but be careful, sound depends a lot on how you work the ped


            SWEEP A                             MOSAIC A
MIX             64                                  64
OUTPUT          64                                  64
MODFX           64                                  64
ECHO LVL        35                                   1
MORPH           PEDAL
ENV             1                                    1
ECHO 1%         3                                    3
ECHO 2%         2                                    5
FBK 1           18                                  64
FBK 2           43                                  64
RATE1           6                                    6
DEPTH1          48                                  64
RES1            28                                   1
RATE2           22                                  22
DEPTH2           9                                   9
RES2             1                                  43    


do comment if it doesn't do what you need

andy

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 16:24:42 2011
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Subject: Re: LP2 OR RANG 3 or M9
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thanks richard and rick....."slice and dice" is really not a big issue=20
to me NOW.....richard, if i create a 5 sec. loop can i also create a 4=20
sec. loop and play the two together and have that evolving loop

then play?.....after i posted my first question, i had the thought, why=20
not get an M9 and have all the firepower (fx).....thoughts????.....keep=20
in mind, i am a RANG lover!!!!!


From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 16:28:04 2011
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Date: Fri, 04 Mar 2011 11:27:46 -0500
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-----Original Message-----
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, Mar 3, 2011 1:30 pm
Subject: FS: Timefactor, M9 and Rang 3


I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give=20
first dibs here before I Craigslist/Ebay them. All of these pedals are=20
freaking amazing if your into hardware looping and are in perfect=20
condition but I have velcro on the bottom so they attached to my=20
pedalboard. I could leave the velcro on or put the rubber feet back=20
depending on your setup.. I'm selling to finance some real nice=20
recording gear as I discussed earlier on LD and as much as I'd like to=20
keep this rig in case my laptop looping setup crashes and burns.....=20
this is the only way I'll make the recording gear purchases happen. I=20
have the boxes, manuals, etc. 250- Timefactor250- M9350 for the=20
BoomerangPaypal me at this email address and I'll ship them the same=20
day. If I don't hear anything here in the next couple days I'll go=20
ahead toss em on ebay.-Todd Matthews
 =20

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 16:28:09 2011
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-----Original Message-----
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, Mar 3, 2011 1:30 pm
Subject: FS: Timefactor, M9 and Rang 3


I'm going to sell my Timefactor, M9 and Rang 3 and I thought I'd give=20
first dibs here before I Craigslist/Ebay them. All of these pedals are=20
freaking amazing if your into hardware looping and are in perfect=20
condition but I have velcro on the bottom so they attached to my=20
pedalboard. I could leave the velcro on or put the rubber feet back=20
depending on your setup.. I'm selling to finance some real nice=20
recording gear as I discussed earlier on LD and as much as I'd like to=20
keep this rig in case my laptop looping setup crashes and burns.....=20
this is the only way I'll make the recording gear purchases happen. I=20
have the boxes, manuals, etc. 250- Timefactor250- M9350 for the=20
BoomerangPaypal me at this email address and I'll ship them the same=20
day. If I don't hear anything here in the next couple days I'll go=20
ahead toss em on ebay.-Todd Matthews
 =20

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 16:49:15 2011
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Subject: Re: OT: Fretless Guitar
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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I defretted a cheap-ass fake telecaster I picked up at a yard sale by
pulling hard on the frets with a pair of pliers.  I filled the fret
holes with some dupont plastic wood compound that you can sand and
paint like wood once it dires.  I used the neck to build a cigar box
guitar, so I wasn't too concerned with things like precision or
tuning...

Sylvain

On Fri, Mar 4, 2011 at 9:43 AM, Dean, Hal <HDean@wcupa.edu> wrote:
> Chiming in briefly: I=92ve defretted a Casio MG500 and an Ibanez bass. In=
 both
> cases I used wood filler for the slots; I like having the fret ghosts as =
a
> guide to position. I finished the necks with several applications of
> polyurethane.
>
>
>
> The Casio is now a fretless MIDI guitar, quite fun. I have it tuned down =
a
> whole step from standard tuning as it seemed to me that the defretting
> somewhat compromises the stiffness of the neck (you=92ll see others talk =
about
> this on Unfretted, as I recall). I have flatwound strings on it, which I
> like, but if you do the toothpicks and superglue job others have describe=
d
> here, it seems unlikely you would really HAVE to use them.
>
>
>
> Kevin, your thought that defretting a guitar with a sustainer is a good
> project is spot on =96 I have a Vertigo with sustainer, from ebay, waitin=
g for
> the same treatment when I have the time and money. The sustainer will
> address, at least in theory, the issue of defretted instruments being
> sustain-challenged. Let us know how it turns out!
>
>
>
> Hal Dean
>
>
>
> On 4 March 2011 09:28, Per Boysen <perboysen@gmail.com> wrote:
>
> On Fri, Mar 4, 2011 at 12:34 AM, Kevin Cheli-Colando
> <billowhead@gmail.com> wrote:
>> Korean Kramer Strat copy if that matters. =A0I've found the unfretted
>> site and it looks straightforward but I thought I might ask for any
>> tips any of you might have before I go ahead with this (didn't you
>> defret a guitar a while back Per?).
>
> Yes, Kevin. I actually have defretted two. The Telecaster works kind
> of ok but the other one had an old Schecter neck and I suffered from
> the typical issue with doing fret job on old instruments; parts of
> wood come off when you remove old frets. So this neck needs more work.
> Lots of great hints have been given in this thread already, so I have
> nothing to add. Just read up well on unfretted.com, that's where I
> found guidance when took the leap.
>
> On Fri, Mar 4, 2011 at 4:21 AM, doody <ringdangdoodled@gmail.com> wrote:
>> I got the plans to build a hurdy-gurdy...
>>
>> http://www.youtube.com/watch?v=3DoZKQf-JIvRU
>
> Wow! That instrument is a complicated machine inside. You're looking
> at some seriously advanced project.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

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Damn.



On Mar 3, 2011, at 7:11 PM, ^|>^m wrote:

> heh
> =
http://www.bbb.org/maritime-provinces/business-reviews/musical-instruments=
-supplies-and-accessories/calton-cases-north-america-in-moncton-nb-26215

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div><br></div>Damn.<div><br></div><div><br></div><div><b=
r><div><div>On Mar 3, 2011, at 7:11 PM, ^|&gt;^m wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">heh<div><a =
href=3D"http://www.bbb.org/maritime-provinces/business-reviews/musical-ins=
truments-supplies-and-accessories/calton-cases-north-america-in-moncton-nb=
-26215">http://www.bbb.org/maritime-provinces/business-reviews/musical-ins=
truments-supplies-and-accessories/calton-cases-north-america-in-moncton-nb=
-26215</a></div></span></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

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Contact info for Jeff Traugott, please?


On Mar 3, 2011, at 8:45 PM, William Walker wrote:

> This is good to know, i actually inquired about 3 weeks ago about =
ordering a case for my weissenborn copy and he got right back to me and  =
said the lead time  was 9 weeks, which I thought was a bit long unless =
but i had heard from the builder of my guitar that he had had difficulty =
getting stuff out of him.  I'm sorry about your travails David. It makes =
me think he's in financial difficulty or something. One guy you might =
give a call to is Jeff Traugott who may have some insight as he orders =
the majority of his cases from Calton.
> good luck
> Bill
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 17:30:32 2011
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I'm going to sell my Timefactor,
250- Timefactor


Doh!!!!! note to self, next time I get GAS I should contact the list  
first and save some $$$$$$$ Rats!



PS that being said it was worth every penny,  I don't know why i  
waited so long. the sound quality is dazzling.
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Arial, sans-serif; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#4C18FF">I'm going to sell my =
Timefactor,&nbsp;</font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Arial, sans-serif; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#4C18FF"><br></font></span><span =
class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; =
font-size: 13px; "><font class=3D"Apple-style-span" color=3D"#4C18FF">250-=
 Timefactor</font></span><div><span class=3D"Apple-style-span" =
style=3D"font-family: Arial, sans-serif; font-size: 13px; "><font =
class=3D"Apple-style-span" =
color=3D"#4C18FF"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; =
font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#4C18FF"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; =
font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#000005">Doh!!!!! note to self, next time I get GAS I should =
contact the list first and save some $$$$$$$ =
Rats!</font></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Arial, sans-serif; font-size: 13px; "><font =
class=3D"Apple-style-span" =
color=3D"#000005"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; =
font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#000005"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; =
font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#000005"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; =
font-size: 13px; "><font class=3D"Apple-style-span" color=3D"#000005">PS =
that being said it was worth every penny, &nbsp;I don't know why i =
waited so long. the sound quality is =
dazzling.</font></span></div></body></html>=

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If you are a fan of the original Rang, then the Rang III will fit more 
in your comfort zone than the M9, as a primary looper, IMO.  I picked up 
a used original Rang a few years ago, from a shop that was closing. 
They had lost the power supply, so i got it cheap.  Got a power supply 
for it and started playing.  I enjoyed it very much, except it needed a 
bit of work on scratchy jacks and pots, which i never did, and the 
fidelity was a little dark.  I ended up paying it forward and giving it 
away to an aspiring looper, who enjoyed it immensely.

The 'fun factor' however, was the driving force for me getting the Rang 
III.

Yes!  you can do what you ask.

The two major modes in the RIII are Serial and Free, and in basic setup, 
you have 3 loops to work with.  In Serial mode, each loop will play 
after the next.  So if you record loop 1, and then start recording loop 
2, loop 1 will stop, and you begin recording loop 2.  You could end your 
loop 2 by hitting the loop 2 button, which will continue looping loop 2, 
or you could end your loop 2 recording by hitting loop 1 again, which 
would end loop 2, and loop 1 would beging playing again.  Make sense? 
This sets you up for verse/chorus/bridge type songwriting.

In Free mode, the loops will play together, irregardless of when you 
started them.  This would be the scenario you described.  Record your 5 
second loop on loop 1, then record your 4 second loop on loop 2.  They 
will then continue to play polyrhythmically.  Loop 3 is still open for 
another loop, as well.

Now...the next 'mode' in the Rang is the Sync mode, which is triggered 
by you, the player, by selecting which loop gets recorded first.  If you 
start with loop 1 or loop 2, everything operates as i just 
described...either in free/layer mode, or serial mode.

However, IF you do your first loop on Loop 3, then the Rang switches 
into Sync mode, and things operate a bit differently.

In Serial 'Sync', Loop 3 is recorded first, and that becomes the 
rhythmic/tempo baseline for the other two loops to be based off of.  for 
example, record a short rhythmic loop on loop 3 (one bar).  Now you have 
the same SERIAL type function (one loop after another) with loop 1 and 
2, but they are 'slaves' to the one bar loop length of Loop 3.  Loops 1 
and 2 will be multiples of Loop 3, either 1x 2x, 3x, 4x, 8x, 
whatever....
As you near the end of the where you would close the loop, then you tap 
to close it, but it will remain open until the master loop comes around 
to the top and then closes your slave loop recording.  This is kindof 
like how Ableton will record and end loops in tempo with the beat (and 
bar setting).  You don't have to end the loop exactly on the measure, 
you just tell it you want it to close and it happens on the downbeat of 
the next measure.

In Free 'Sync', it operates in the same way, where loops 1 and 2 are 
still 'slaves' to multiples of loop 3, but loops 1 and 2 are able to 
layer on top of each other.

As well, there is an optional behavior of having a Loop 4, but it steals 
away one of the footbuttons, which i've got setup to do other things.  3 
loops is enough to rattle my meager skills, anyway.

Right now, my Rang is setup thusly, with the bonus buttons.

Bonus 1 Tap:  Overdub.    Record any loop, tap bonus 1, and then as you 
close the loop, it's in instant overdub.
Bonus 1 Hold:  Erase.  Holding this button allows you to select any 'non 
playing' loop to erase.  When no loops are playing, it erases ALL loops.

Bonus 2 Tap:  Stop or Play All.  This will stop all loops.  Hitting this 
bonus when everthing is stopped plays all loops again in unsynced mode. 
In synced, it will play the master and whatever single slave loop you 
choose.
Bonus 2 Hold:  Fade.  this will begin a fade of any playing loops.  its 
a variable setting, and i have mine set to a medium/long fade.  This is 
a fantastic feature and allows the Rang to become organic and mutating, 
rather than the abrubt start/stop of, say, the DL4.  Used in conjunction 
with another looper, it's uber cool, because you can hit one switch and 
the whole structure starts to fade out, and will automatically stop when 
it reaches the end of the fade.  So you have a great thing happening 
with the Rang....then start to fade, but keep playing and possibly 
looping on the M9 (that is before the Rang) and you can get a whole new 
ball of wax developing while the Rang is fading out stuff, and you don't 
have to worry about it...it will just stop.

So...let it stop.  then Hold bonus 1 and delete all the previous loops, 
and you can record your new input coming from the M9, and keep on 
truckin'...

hope that helps.  i'm still learning with this thing, but it sure is a 
blast to play so far...

rich


On Fri, Mar 4, 2011 at 8:24 AM, nemoguitt@aol.com wrote:

> thanks richard and rick....."slice and dice" is really not a big issue 
> to me NOW.....richard, if i create a 5 sec. loop can i also create a 4 
> sec. loop and play the two together and have that evolving loop
>
> then play?.....after i posted my first question, i had the thought, 
> why not get an M9 and have all the firepower 
> (fx).....thoughts????.....keep in mind, i am a RANG lover!!!!!

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 17:37:11 2011
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Date: Fri, 4 Mar 2011 09:16:49 -0800
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Amazing!  How many hours or weeks, months of practice did it take for  
the performer to pull this off?
http://www.youtube.com/watch_popup?v=XKRj-T4l-e8

Cheers,
Rev. Fever
Portland,OR

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 17:46:06 2011
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Subject: Re: Timefactor
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--Apple-Mail-12-978494807
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My pitch factor has been a dream.=20

Sent from my iPhone

On Mar 4, 2011, at 12:30 PM, William Walker <billwalker@baymoon.com> wrote:

> I'm going to sell my Timefactor,=20
> 250- Timefactor
>=20
>=20
> Doh!!!!! note to self, next time I get GAS I should contact the list first=
 and save some $$$$$$$ Rats!
>=20
>=20
>=20
> PS that being said it was worth every penny,  I don't know why i waited so=
 long. the sound quality is dazzling.

--Apple-Mail-12-978494807
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	charset=utf-8

<html><body bgcolor=3D"#FFFFFF"><div>My pitch factor has been a dream.&nbsp;=
<br><br>Sent from my iPhone</div><div><br>On Mar 4, 2011, at 12:30 PM, Willi=
am Walker &lt;<a href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.c=
om</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div><sp=
an class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; font-=
size: 13px; "><font class=3D"Apple-style-span" color=3D"#4C18FF">I'm going t=
o sell my Timefactor,&nbsp;</font></span><span class=3D"Apple-style-span" st=
yle=3D"font-family: Arial, sans-serif; font-size: 13px; "><font class=3D"App=
le-style-span" color=3D"#4C18FF"><br></font></span><span class=3D"Apple-styl=
e-span" style=3D"font-family: Arial, sans-serif; font-size: 13px; "><font cl=
ass=3D"Apple-style-span" color=3D"#4C18FF">250- Timefactor</font></span><div=
><span class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; f=
ont-size: 13px; "><font class=3D"Apple-style-span" color=3D"#4C18FF"><br></f=
ont></span></div><div><span class=3D"Apple-style-span" style=3D"font-family:=
 Arial, sans-serif; font-size: 13px; "><font class=3D"Apple-style-span" colo=
r=3D"#4C18FF"><br></font></span></div><div><span class=3D"Apple-style-span" s=
tyle=3D"font-family: Arial, sans-serif; font-size: 13px; "><font class=3D"Ap=
ple-style-span" color=3D"#000005">Doh!!!!! note to self, next time I get GAS=
 I should contact the list first and save some $$$$$$$ Rats!</font></span></=
div><div><span class=3D"Apple-style-span" style=3D"font-family: Arial, sans-=
serif; font-size: 13px; "><font class=3D"Apple-style-span" color=3D"#000005"=
><br></font></span></div><div><span class=3D"Apple-style-span" style=3D"font=
-family: Arial, sans-serif; font-size: 13px; "><font class=3D"Apple-style-sp=
an" color=3D"#000005"><br></font></span></div><div><span class=3D"Apple-styl=
e-span" style=3D"font-family: Arial, sans-serif; font-size: 13px; "><font cl=
ass=3D"Apple-style-span" color=3D"#000005"><br></font></span></div><div><spa=
n class=3D"Apple-style-span" style=3D"font-family: Arial, sans-serif; font-s=
ize: 13px; "><font class=3D"Apple-style-span" color=3D"#000005">PS that bein=
g said it was worth every penny, &nbsp;I don't know why i waited so long. th=
e sound quality is dazzling.</font></span></div></div></blockquote></body></=
html>=

--Apple-Mail-12-978494807--

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Date: Fri, 4 Mar 2011 09:51:27 -0800
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Subject: Re: Sorting out the good stuff
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There's a good chance that was me. That's how I made my last 3 cds.

When I first listen to a show recording, I listen to it in my audio
editor. At this step, I listen to the entire show, and copy everything
that sounds like a song into a new file. At this step, I'm not
concerned with quality or whether it's a final edit. The file names
include the date (yyyy-mm-dd), venue, a letter representing the order
in the set and usually a short aesthetic description of the track.
(For example "2009-8-11 Joes Bar A - Spongy Drone.wav")

The next step is to listen to the tracks from several shows on shuffle
play over the range of about 2 months. This gives me an idea of which
tracks contain album-worthy music. I'll put those tracks in a
sub-folder. With me, that will be about 1/3 as many tracks as I
started with. For a typical Matt cd, that's about 20 tracks. I'll
continue listening to the tracks in the subfolder. This is when I
start trying to get a sense of what makes a good "starting cd" song,
"middle cd" song, and "ending cd" song.

At some point, I'll actually open up my CD editor tool. I use Sony CD
Architect, which I really like. It works almost like multitracking
software, except it allows you to determine exactly when CD track
markers are. I start with the track I determined to be my "Starting
Track". At that point, I know where I want the edit point to be for my
"Starting Track". I'll listen to the end of the starting track, and
play several of the other tracks afterwards, to try to get a good fit.
The edit start points for my other tracks often depend on how they
flow from the previous song.

When working on the cd program, that's when I do the most critical
listening of the tracks I like. Several "Good" tracks take too long to
develop. I often wind up editing out large chunks out of the middle of
tracks to take out the areas where I find myself waiting for the next
thing to happen. Fortunately with looping music, that's fairly easy.
If you place the two wave forms of the same track parallel to each
other, you can often see the looping points. It's fairly easy to take
out a few loop cycles, and crossfade between the wav files as your
edit. My "Living Things" cd has several cases where 11 minute tracks
were brought down to 6 minute tracks.

Once I have a rough cut, I give a few copies of the draft to people I
think both understand what I'm trying to do, and will be the most
honest critics. I ask them to give it a close listen, and let me know
of any parts where they find themselves: A) trying to ignore an
element B) waiting for the next thing to happen C) unpleasantly
distracted by something that happened.  I then make the final draft
based on their notes.

So, some thoughts on the above:
--If a track's start point is actually in the middle of a fairly long
transition (from the performance recording), consider using a sudden
start rather than a fade-in. Sometimes the "transition out" of the
previous track will sound a little like a preamble or development,
when you listen to the clip outside of its original performance
context.
--When it comes to editing, I'm not worried about hurting my own
feelings. I'm pretty merciless. Don't use ANY tracks where you find
yourself trying to tune out any elements. (Such as "This sounds great
if you imagine that the rhythm isn't too loud".)  If you can't fix it,
don't put it on the cd.
--I wind up not using lots of work I'm really proud of because I could
not find a way to take out the elements I didn't like.
--Sometimes perfectly good tracks don't make it to CD, simply because
I couldn't find a good place for them to fit with the other tracks.
(And in some cases because they didn't fit with the aesthetic theme of
the cd.)
--Sometimes I'll use a 30 to 60 second clip from the "reject bin" to
serve as a transition between two tracks. (On my "SoftWetFish" cd,
that track actually got radio airplay!)
--Kevin, you mentioned that on some of your tracks you feel that the
"rough" areas are necessary to explain the good bits. I'd suggest
taking a clip where you cut out the rough areas, and listen to that
clip by itself for a while. You might find it does ok on its own.
That's one thing I learned from pop music. Most pop music doesn't
spend too much time setting the stage - it just jumps right in.


--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

Kevin Cheli-Colando <billowhead@gmail.com> went:
> A few days back I think, someone mentioned that they play a ton and
> then go back and sort out the good stuff from all the hours of sound
> to make an album (or something to that effect). =A0I was wondering how
> they managed to do that (sorry, can't remember who said that or when
> exactly).
>
> I've got hundreds of hours of looped recordings, some an hour or more
> single take. =A0And there are some truly amazing spots in there. =A0And
> there are some VERY rough spots as well, things that embarrass me me
> when I say I'm a guitarist rough. =A0But I find, I have a really hard
> time excising the 'good' bits from the flow of things because the
> rough spots seem somehow necessary to explain the good bits. =A0Or
> finding when exactly to come in to the good stuff.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 18:18:23 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Elektron Octatrack used as a looper of sorts..
Date: Fri, 4 Mar 2011 18:18:21 +0000
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With eight channels of sampling and effects and crazy crossfader and trigle=
ss trig stuff the Octatrack is a VERY diffrent beast.. Here I'm usin it as =
alooper of sorts=2C i sample and resample since it has eight track i can st=
ack stuff and replace stuff and to somethings a looper cant... according to=
 Elektron there will be a proper looping machine later this spring but what=
 is there is deeper than most loopers or samplers and it can be used for li=
ve experimental looping=2C perhaps not as good for building live backings..=
.. yet.. if you don't want youre backings to be experimental than it's GRAT
 A soloway Swan Guitar into a V-stack Tweedy (amp sim) into Octatrack into =
recorder. No effects ot anything just "live" plying on guitar and Octatrack=
.. I had some stuff like pitchshifting=2C delays and more mapped to the Cro=
ssfader so i can kind of play the pitch on some of the tracks... COOL (migh=
t sound strange) some trigless trigs on some track to=2C among other thing=
=2C shift pitch=2C revers and stuff..=20
The OT VERY FUN to play with and sort of musical.. need to practice a lot m=
ore but there is potential in this machine...
http://soundcloud.com/...rgdah...guitar-odyssey
THE "LIVE" guitar is a "through" machine I also use a trig recorder to pitc=
h shift the live guitar with trigless trigs.. (in left chanel)=20

So what du you think???=20
=20
Regards=2C
=20
Anders 		 	   		  =

--_b0c2be05-965c-4144-b6ec-45f723906a33_
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<html>
<head>
<style><!--
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<body class=3D'hmmessage'>
With eight channels of sampling and effects and crazy crossfader and trigle=
ss trig stuff the Octatrack is a VERY diffrent beast.. Here I'm usin it as =
alooper of sorts=2C i sample and resample since it has eight track i can st=
ack stuff and replace stuff and to somethings a looper cant... according to=
 Elektron there will be a proper looping machine later this spring but what=
 is there is deeper than most loopers or samplers and it can be used for li=
ve experimental looping=2C perhaps not as good for building live backings..=
.. yet.. if you don't want youre backings to be experimental than it's GRAT=
<BR>
&nbsp=3BA soloway Swan Guitar into a V-stack Tweedy (amp sim) into Octatrac=
k into recorder. No effects ot anything just "live" plying on guitar and Oc=
tatrack.. I had some stuff like pitchshifting=2C delays and more mapped to =
the Crossfader so i can kind of play the pitch on some of the tracks... COO=
L (might sound strange) some trigless trigs on some track to=2C among other=
 thing=2C shift pitch=2C revers and stuff.. <BR>The OT VERY FUN to play wit=
h and sort of musical.. need to practice a lot more but there is potential =
in this machine...<BR><A href=3D"http://soundcloud.com/anders-bergdah...gui=
tar-odyssey" target=3D_new><FONT color=3D#333333>http://soundcloud.com/...r=
gdah...guitar-odyssey</FONT></A><BR>THE "LIVE" guitar is a "through" machin=
e I also use a trig recorder to pitch shift the live guitar with trigless t=
rigs.. (in left chanel) <BR><BR>
So what du you think??? <BR>
&nbsp=3B<BR>
Regards=2C<BR>
&nbsp=3B<BR>
Anders<BR> 		 	   		  </body>
</html>=

--_b0c2be05-965c-4144-b6ec-45f723906a33_--

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Date: Fri, 4 Mar 2011 10:24:08 -0800
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Subject: Re: OT: A must see, must hear
From: Kevin Cheli-Colando <billowhead@gmail.com>
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I wonder how many glasses got knocked over in learning.

Impressive stuff to be sure.

Kevin

On Fri, Mar 4, 2011 at 9:16 AM, Revfever <revfever@ubergadget.com> wrote:
> Amazing! =A0How many hours or weeks, months of practice did it take for t=
he
> performer to pull this off?
> http://www.youtube.com/watch_popup?v=3DXKRj-T4l-e8
>
> Cheers,
> Rev. Fever
> Portland,OR
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: Re: Timefactor
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I agree. That's the one I can't go without. 

On Mar 4, 2011, at 12:45 PM, Todd Reynolds wrote:

> My pitch factor has been a dream. 






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Ahhhh....dream. I am lusting after my Eventide Space module that I placed an early order on. Man, those reverbs....

--- On Fri, 3/4/11, Todd Matthews <gtmatthews@gmail.com> wrote:


From: Todd Matthews <gtmatthews@gmail.com>
Subject: Re: Timefactor
To: Loopers-Delight@loopers-delight.com
Date: Friday, March 4, 2011, 1:24 PM


I agree. That's the one I can't go without. 

On Mar 4, 2011, at 12:45 PM, Todd Reynolds wrote:

> My pitch factor has been a dream. 









      
--0-671957194-1299263413=:33811
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Ahhhh....dream. I am lusting after my Eventide Space module that I placed an early order on. Man, those reverbs....<BR><BR>--- On <B>Fri, 3/4/11, Todd Matthews <I>&lt;gtmatthews@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><BR>From: Todd Matthews &lt;gtmatthews@gmail.com&gt;<BR>Subject: Re: Timefactor<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Friday, March 4, 2011, 1:24 PM<BR><BR>
<DIV class=plainMail>I agree. That's the one I can't go without. <BR><BR>On Mar 4, 2011, at 12:45 PM, Todd Reynolds wrote:<BR><BR>&gt; My pitch factor has been a dream. <BR><BR><BR><BR><BR><BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>

      
--0-671957194-1299263413=:33811--

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Subject: Re: OT: A must see, must hear
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WOW! Just amazing. So difficult. So rewarding.  Pursuits like this exist for no reason other than beauty.  Inspiring.

thanks for sharing.

d


On Mar 4, 2011, at 9:16 AM, Revfever wrote:

> Amazing!  How many hours or weeks, months of practice did it take for the performer to pull this off?
> http://www.youtube.com/watch_popup?v=XKRj-T4l-e8
> 
> Cheers,
> Rev. Fever
> Portland,OR
> 

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That was incredible! Not sure why but for some reason it reminded me of =
this scene from the Philadelphia orchestra documentary, Music Inside and =
Out
http://www.youtube.com/watch?v=3DhdLi6mJb1rA
On Mar 4, 2011, at 12:16 PM, Revfever wrote:

> Amazing!  How many hours or weeks, months of practice did it take for =
the performer to pull this off?
> http://www.youtube.com/watch_popup?v=3DXKRj-T4l-e8
>=20
> Cheers,
> Rev. Fever
> Portland,OR
>=20




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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">That was incredible! Not sure why but for some reason it reminded me of this scene from the Philadelphia orchestra documentary, Music Inside and Out<div><a href="http://www.youtube.com/watch?v=hdLi6mJb1rA">http://www.youtube.com/watch?v=hdLi6mJb1rA</a></div><div>On Mar 4, 2011, at 12:16 PM, Revfever wrote:</div><div><div><br class="Apple-interchange-newline"><blockquote type="cite"><div>Amazing! &nbsp;How many hours or weeks, months of practice did it take for the performer to pull this off?<br><a href="http://www.youtube.com/watch_popup?v=XKRj-T4l-e8">http://www.youtube.com/watch_popup?v=XKRj-T4l-e8</a><br><br>Cheers,<br>Rev. Fever<br>Portland,OR<br><br></div></blockquote></div><br><div>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><br></div></div>
</div>
<br></div></body></html>
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Subject: Video of recent Zoe gig online
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Stumbled into this video of list member Zoe Keating performing. Good
audio recording of a great gig.

http://www.ustream.tv/recorded/10082147

She loops in SooperLooper on a Mac and uses a Behringer FCB1010 for
looping control. As far as I know.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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i don't have a great answer, matt d's post that i just read, really did a
good job explaining his methods.
i also remember from old david torn interviews that he uses a similar method
(or did at least on the "oah"
album), the idea when he was improvising was to just let stuff flow, and
then he would listen back and
pull out "the good stuff" as we're talking about.

if i remember, he generally would move the "good stuff" to computer
programs, but he would also
add stuff to it, whatever was needed...i think he always said he thought of
the improvised loops were
the base to his compositions....

i know for me, w/ using my new tascam dr03, i've been really enjoying
listening to the stuff,
i need to sit down and document what's going on...i suppose this could be
done easier w/ transfer
to computer, but i don't have a dedicated me/music computer...it's a
family/shared one...
but as i have 6 files of stuff recorded so far, it's going to be hard to
remember what was on file 2
at the 3 min mark...so documentation will be important.

i do know that i think the recordings sound good for me. the idea of just
"hit record" and play
w/ no constraints is sort of liberating....they feel looser (after i get
going). i've felt that it's some
of my best loop stuff i've done in awhile-all mostly done w/ my dl8, short
loops...although i've done
a few things w/ my new (for me) boss sp303...which i do love also....
i may have to read the manual of that, and figure out the sequencer in it!
(ha!).

i think certainly one good approach is to be able to step away from stuff,
listen to it after a period of time,
which is the same stuff that is recommended w/ writing or working on
paintings...diving in immediately
at times you are too connected to it....having fresh ears and really
deciding what is the best can be hard...

and certainly for me, i've only got probably 45 min of material recorded in
3 days....no idea how you would
tackle HUNDREDS OF HRS of stuff, from a yrs worth of material....that would
be a challenge....
s---

--00151759366c075db0049dad24d2
Content-Type: text/html; charset=ISO-8859-1

i don&#39;t have a great answer, matt d&#39;s post that i just read, really did a good job explaining his methods.<br>
i also remember from old david torn interviews that he uses a similar method (or did at least on the &quot;oah&quot;<br>
album), the idea when he was improvising was to just let stuff flow, and then he would listen back and<br>
pull out &quot;the good stuff&quot; as we&#39;re talking about.<br>
<br>
if i remember, he generally would move the &quot;good stuff&quot; to computer programs, but he would also <br>
add stuff to it, whatever was needed...i think he always said he thought of the improvised loops were<br>
the base to his compositions....<br>
<br>
i know for me, w/ using my new tascam dr03, i&#39;ve been really enjoying listening to the stuff,<br>
i need to sit down and document what&#39;s going on...i suppose this could be done easier w/ transfer<br>
to computer, but i don&#39;t have a dedicated me/music computer...it&#39;s a family/shared one...<br>
but as i have 6 files of stuff recorded so far, it&#39;s going to be hard to remember what was on file 2<br>
at the 3 min mark...so documentation will be important.<br>
<br>
i do know that i think the recordings sound good for me. the idea of just &quot;hit record&quot; and play<br>
w/ no constraints is sort of liberating....they feel looser (after i get going). i&#39;ve felt that it&#39;s some<br>
of my best loop stuff i&#39;ve done in awhile-all mostly done w/ my dl8, short loops...although i&#39;ve done<br>
a few things w/ my new (for me) boss sp303...which i do love also....<br>
i may have to read the manual of that, and figure out the sequencer in it! (ha!).<br>
<br>
i think certainly one good approach is to be able to step away from stuff, listen to it after a period of time,<br>
which is the same stuff that is recommended w/ writing or working on paintings...diving in immediately<br>
at times you are too connected to it....having fresh ears and really deciding what is the best can be hard...<br>
<br>
and certainly for me, i&#39;ve only got probably 45 min of material recorded in 3 days....no idea how you would<br>
tackle HUNDREDS OF HRS of stuff, from a yrs worth of material....that would be a challenge....<br>
s---

--00151759366c075db0049dad24d2--

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Subject: Re: OT: A must see, must hear
Date: Fri, 4 Mar 2011 10:43:03 -0800
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The "tuned" glasses in a Glass Harmonica are firmly attached to the  
structure to prevent that from happening. (Hopefully)
I can just barely hen-peck parts of that famous piece by Bach on my  
piano and *that* guy was performing great
and on a  *much more difficult* instrument!  I guess I'll just give  
it all up and go and become an insurance salesman. :-)

Cheerios,
Rev. Fever
Portland,OR
The Angry Red Planet

On Mar 4, 2011, at 10:24 AM, Kevin Cheli-Colando wrote:

> I wonder how many glasses got knocked over in learning.
>
> Impressive stuff to be sure.
>
> Kevin
>
> On Fri, Mar 4, 2011 at 9:16 AM, Revfever <revfever@ubergadget.com>  
> wrote:
>> Amazing!  How many hours or weeks, months of practice did it take  
>> for the
>> performer to pull this off?
>> http://www.youtube.com/watch_popup?v=XKRj-T4l-e8
>>
>> Cheers,
>> Rev. Fever
>> Portland,OR
>>
>>
>
>
>
> -- 
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>

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On Mar 4, 2011, at 12:30 PM, Paul Richards wrote:

> Ahhhh....dream. I am lusting after my Eventide Space module that I  
> placed an early order on. Man, those reverbs....
>

You'll love it. It can do *a lot*.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On Mar 4, 2011, at 12:30 PM, Paul Richards wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style="position: static; z-index: auto; "><tbody><tr><td valign="top" style="font: inherit;">Ahhhh....dream. I am lusting after my Eventide Space module that I placed an early order on. Man, those reverbs....<br><font class="Apple-style-span" color="#144FAE"><font class="Apple-style-span" color="#000000"><br></font></font></td></tr></tbody></table>       </blockquote></div><br><div>You'll love it. It can do *a lot*.</div><div><br></div><div>Jeff</div></body></html>
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Date: Fri, 4 Mar 2011 15:25:32 -0500
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Subject: Re: Electro Harmonix Freeze - Sound Retainer
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>Charles Zwicky wrote:
>
>>>
>>>As I understand it, it's intended to be a way of having a delay
>>>with feedback, but arranged so that there's no comb effect on
>>>sustained notes.
>>
>>
>>No, not at all.. it's effect is diffuse an impulse.  Try putting 
>>one in  the feedback loop of a delay line with a coefficient of 
>>about 0.5 and you'll hear what I mean...
>
>The idea is to diffuse *without* comb filtering.

There is plenty of comb filtering in an allpass and it's quite 
audible at a coefficient higher than 0-.3 or so..


>Don't know why you're saying "not at all",
>I'm just repeating reverb 101 there.


But you're repeating things without a basic understanding of the 
principals involved,  so it has become a semantic argument, and one 
that it would be pointless to continue unless you showed some 
interest in the basic engineering .  If you are interested in reverb 
design, I can certainly help. I've done enough of it... :)

>
>>>
>>>
>>>>I'm not sure that you meant to write "phase dispersion"...
>>>
>>>Just meant that different frequencies are delayed by different amounts.
>>>(Allpass is also used in a phase fx.)
>>
>>
>>It's an entirely different implementation than what you'd typically 
>>find in an analog "phase shifter".
>
>:-) I think I can guess that analog is a different implementation
>to digital.



But not the difference I was referring to.  For starters, it would be 
impossible to get the amount of delay required from a standard 
capacitor based allpass filter.



>
>soniq reverb.
>>  It's likely that the EH "Freeze" uses a series of allpass filters 
>>before and after a fixed delay line.
>
>Two sets of allpass? They're all linear processes so order is not 
>important. Or is there some other element involved?
>
>Actually, listening to the demos more it doesn't sound so good on
>complex chords, and it's rather more metallic on some notes than others.
>Wouldn't be at all surprised if there's some techniques taken from
>the EH pedals that *do* use granular techniques, used in order to
>get the sound seamless. Doesn't the Hog have a freeze mode which
>sounds similar?

Why does everything people don't understand get thrown in the 
"granular" bin? Allpass filters have plenty of resonances and comb 
filtering effects, just play around with some basic building blocks 
in some DSP  programming environment and you'll start to get a feel 
for how these things sound.  Plus it's a lot of fun...!


>
>Anyway, I prefer the sound from the Vortex ;-)
>
>andy


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: Re: Video of recent Zoe gig online
From: Todd Matthews <gtmatthews@gmail.com>
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Thanks Per!! I've been itching to see Zoe live for a long time now. This =
just made my day.
-Todd Matthews
On Mar 4, 2011, at 1:44 PM, Per Boysen wrote:

> Stumbled into this video of list member Zoe Keating performing. Good
> audio recording of a great gig.
>=20
> http://www.ustream.tv/recorded/10082147
>=20
> She loops in SooperLooper on a Mac and uses a Behringer FCB1010 for
> looping control. As far as I know.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20






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Hayley got a new PRS acoustic with an Ameritage case.  Heavy duty.  =
She's flown it quite a bit and it seems to be holding up.  Don't know =
what they cost, but can't be any more than Calton. =20
Of course, there are plenty places that will make you an Anvil style =
case.  They're great.  I've had one for 32 years that's been through it =
all.  Heavy as lead, though.=20

Richard
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.reverbnation.com/richardsalestreefrogorchestra










On Mar 3, 2011, at 3:45 PM, David Gans wrote:

>=20
>=20
> Anyone on this list do business with Calton Cases?  I have bought =
several from them over the years, but the company changed hands a while =
back and now I have been waiting since last May for a case.  I sent them =
more than $900 and I fear I may never get satisfaction.  I have had only =
sporadic replies from them to my calls and emails, and I don't think I =
will ever get a case, nor my money back.
>=20
> Calton made great cases, and I really need one for my Turner Model 1.  =
I am now trying to scrape some more bucks together, and looking for a =
new maker of roadworthy cases.
>=20
> Since I started talking about this, on (e.g.) the Folk Alliance =
Western Region list, I have heard from many other people who are in a =
similar situation.
>=20
> You have been warned!
>=20
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Hayley got a new PRS acoustic with an Ameritage case. &nbsp;Heavy =
duty. &nbsp;She's flown it quite a bit and it seems to be holding up. =
&nbsp;Don't know what they cost, but can't be any more than Calton. =
&nbsp;<div>Of course, there are plenty places that will make you an =
Anvil style case. &nbsp;They're great. &nbsp;I've had one for 32 years =
that's been through it all. &nbsp;Heavy as lead, =
though.&nbsp;</div><div><br></div><div>Richard<br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.reverbnation.com/richardsalestreefrogorchestra">www.rev=
erbnation.com/richardsalestreefrogorchestra</a></font></div><div><br></div=
></div></span><br class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Mar 3, 2011, at 3:45 PM, David Gans wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><br><br>Anyone on this list do business with Calton =
Cases? &nbsp;I have bought several from them over the years, but the =
company changed hands a while back and now I have been waiting since =
last May for a case. &nbsp;I sent them more than $900 and I fear I may =
never get satisfaction. &nbsp;I have had only sporadic replies from them =
to my calls and emails, and I don't think I will ever get a case, nor my =
money back.<br><br>Calton made great cases, and I really need one for my =
Turner Model 1. &nbsp;I am now trying to scrape some more bucks =
together, and looking for a new maker of roadworthy cases.<br><br>Since =
I started talking about this, on (e.g.) the Folk Alliance Western Region =
list, I have heard from many other people who are in a similar =
situation.<br><br>You have been =
warned!<br><br><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-2-985770998--

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Charles Zwicky wrote:

>  so it has become a semantic argument, 

no it hasn't






From Loopers-Delight-request@loopers-delight.com  Fri Mar  4 22:01:46 2011
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>Charles Zwicky wrote:
>
>>  so it has become a semantic argument,
>
>no it hasn't

I'm sorry, I'm not allowed to argue any more until you've paid me... :)


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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http://www.traugottguitars.com/
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><br></div><a href="http://www.traugottguitars.com/">http://www.traugottguitars.com/</a></body></html>
--Apple-Mail-6-997873199--

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Thanks!



On Mar 4, 2011, at 3:08 PM, William Walker wrote:

> 
> http://www.traugottguitars.com/

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
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"><div><br></div>Thanks!<div><br></div><div><br></div><div><br><div><div>O=
n Mar 4, 2011, at 3:08 PM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
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class=3D"Apple-interchange-newline"><a =
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a></span></span></blockquote></div><br><div>
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break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-1-998005225--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 00:12:07 2011
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Subject: =?ISO-8859-1?Q?Zo=EB_Keating_and_Todd_Reynolds=3A_Live_Web_cast_and_On?=
	=?ISO-8859-1?Q?line_Chat?=
From: "^|>^m" <will.it.go.round@gmail.com>
To: Loopers_Delight <Loopers-Delight@loopers-delight.com>
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--20cf307d0254af5b10049db11c08
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On *Sunday, March 6 at 7 p.m., EST*, Q2 presents a live audio Web cast of
experimental musician and technophile Zo=EB Keating in a sold-out concert f=
rom
Greenwich Village's (Le) Poisson Rouge. Joining Keating for a voltaic,
electroacoustic double bill is New Music stalwart Todd Reynolds.

http://www.wqxr.org/articles/q2-live-concerts/2011/feb/23/zoe-keating-and-t=
odd-reynolds/

Cool! :) -Adam

--20cf307d0254af5b10049db11c08
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<div><span style=3D"font-family:Arial, Helvetica, &#39;Liberation Sans&#39;=
, FreeSans, sans-serif;font-size:13px;line-height:19px">On=A0<strong style=
=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;paddi=
ng-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;border-top=
-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width=
:0px;border-style:initial;border-color:initial;outline-width:0px;outline-st=
yle:initial;outline-color:initial;font-size:13px;vertical-align:baseline;ba=
ckground-color:transparent;background-repeat:initial initial">Sunday, March=
 6 at 7 p.m., EST</strong>, Q2 presents a live audio Web cast of experiment=
al musician and technophile=A0Zo=EB Keating=A0in a sold-out concert from Gr=
eenwich Village&#39;s (Le) Poisson Rouge. Joining Keating for a voltaic, el=
ectroacoustic double bill is New Music stalwart=A0Todd Reynolds.</span></di=
v>

<div><br></div><a href=3D"http://www.wqxr.org/articles/q2-live-concerts/201=
1/feb/23/zoe-keating-and-todd-reynolds/" target=3D"_blank">http://www.wqxr.=
org/articles/q2-live-concerts/2011/feb/23/zoe-keating-and-todd-reynolds/</a=
>
<div><br></div><div>Cool! :) -Adam</div>

--20cf307d0254af5b10049db11c08--

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Date: Fri, 4 Mar 2011 20:00:34 -0700
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Subject: Re: Elektron Octatrack used as a looper of sorts..
From: "^|>^m" <will.it.go.round@gmail.com>
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--20cf307d025463489d049db37722
Content-Type: text/plain; charset=ISO-8859-1

The link didn't work for me. Try again?

--20cf307d025463489d049db37722
Content-Type: text/html; charset=ISO-8859-1

The link didn&#39;t work for me. Try again?

--20cf307d025463489d049db37722--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 05:10:41 2011
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Subject: Re: Elektron Octatrack used as a looper of sorts..
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On Fri, Mar 4, 2011 at 7:00 PM, ^|>^m <will.it.go.round@gmail.com> wrote:
> The link didn't work for me. Try again?

http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 06:23:55 2011
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From: "Andy Owens" <andy@1800dialword.com>
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Hey you ustreamers out there, I was gonna get on there, well I did, but
anyway, I am in BFE and my upload and download are about the same, .7
mbps. That aint fast enough is it?

Andy o

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 06:36:12 2011
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Subject: Re: ustreamers
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I used to be ok with that speed about a year ago but something changed 
around last summer.   I dunno, give it a shot and see?

t
----- Original Message ----- 
From: "Andy Owens" <andy@1800dialword.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 04, 2011 10:14 PM
Subject: ustreamers


Hey you ustreamers out there, I was gonna get on there, well I did, but
anyway, I am in BFE and my upload and download are about the same, .7
mbps. That aint fast enough is it?

Andy o

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 08:48:55 2011
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Charles Zwicky wrote:
> 
> 
>> Charles Zwicky wrote:
>>
>>>  so it has become a semantic argument,
>>
>> no it hasn't
> 
> I'm sorry, I'm not allowed to argue any more until you've paid me... :)
> 
> 
LOL
:-)

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 09:09:06 2011
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, March 5 at 6 am EST/GMT-5.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 09:20:32 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working
 link...(sorry)
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http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey
=20


Date: Fri=2C 4 Mar 2011 20:00:34 -0700
Subject: Re: Elektron Octatrack used as a looper of sorts..
From: will.it.go.round@gmail.com
To: Loopers-Delight@loopers-delight.com

The link didn't work for me. Try again? 		 	   		  =

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<body class=3D'hmmessage'>
<A href=3D"http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey">htt=
p://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey</A><BR>&nbsp=3B<BR=
>

<HR id=3DstopSpelling>
Date: Fri=2C 4 Mar 2011 20:00:34 -0700<BR>Subject: Re: Elektron Octatrack u=
sed as a looper of sorts..<BR>From: will.it.go.round@gmail.com<BR>To: Loope=
rs-Delight@loopers-delight.com<BR><BR>The link didn't work for me. Try agai=
n? 		 	   		  </body>
</html>=

--_0ea54784-04d6-46eb-b1a9-2bc05300000f_--

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Thanks for that Andy, cant try it right now cos the rack is in the car from
rehearsing last night... interesting that it uses mosaic I just discovered
how useful that one is...  Ive been using deja vu for looping. Last niht I
had two mosaic with different taps.. a 3 and a 6 and a 4 and a 5.. and was
morphing between... after a bit I just parked in a sweet spot somewhere in
between...

One new issue i discovered, is that when I hit bypass, i kind of thought
that the input to vortex would be muted, so that when I came back it would
be quiet and have to fill up from new input, but infact it had been
listening to my input the whole time... HUGE SUDDEN WALL OF DELAYS!!!
Everyone jumped.. well me and Jens anyway (thats all we are)... is do I need
to switch patches to a no delay patch to do this? Or are there only certain
patches that are actually still listening to input, while the output is
muted?

Mark

PS: Doesnt it seem quaint to be talking about Vortex again? Ive missed it
actually! Are your super hippy cool pages still up anywhere? I printed out
that whole site at one time, maybe 13 years ago!!




Ehem.. Care to share YOUR settings?
>>
>>
>
>           SWEEP A                             MOSAIC A
> MIX             64                                  64
> OUTPUT          64                                  64
> MODFX           64                                  64
> ECHO LVL        35                                   1
> MORPH           PEDAL
> ENV             1                                    1
> ECHO 1%         3                                    3
> ECHO 2%         2                                    5
> FBK 1           18                                  64
> FBK 2           43                                  64
> RATE1           6                                    6
> DEPTH1          48                                  64
> RES1            28                                   1
> RATE2           22                                  22
> DEPTH2           9                                   9
> RES2             1                                  43
>
> do comment if it doesn't do what you need
>
> andy
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Thanks for that Andy, cant try it right now cos the rack is in the car from=
 rehearsing last night... interesting that it uses mosaic I just discovered=
 how useful that one is...=A0 Ive been using deja vu for looping. Last niht=
 I had two mosaic with different taps.. a 3 and a 6 and a 4 and a 5.. and w=
as morphing between... after a bit I just parked in a sweet spot somewhere =
in between...<br>

<br>One new issue i discovered, is that when I hit bypass, i kind of though=
t that the input to vortex would be muted, so that when I came back it woul=
d be quiet and have to fill up from new input, but infact it had been liste=
ning to my input the whole time... HUGE SUDDEN WALL OF DELAYS!!! Everyone j=
umped.. well me and Jens anyway (thats all we are)... is do I need to switc=
h patches to a no delay patch to do this? Or are there only certain patches=
 that are actually still listening to input, while the output is muted?<br>

<br>Mark<br><br>PS: Doesnt it seem quaint to be talking about Vortex again?=
 Ive missed it actually! Are your super hippy cool pages still up anywhere?=
 I printed out that whole site at one time, maybe 13 years ago!!<br><br>

<br><br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" st=
yle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204)=
; padding-left: 1ex;"><blockquote class=3D"gmail_quote" style=3D"margin: 0p=
t 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1=
ex;">


Ehem.. Care to share YOUR settings?<br>
<br>
</blockquote>
<br>
<br>
 =A0 =A0 =A0 =A0 =A0 SWEEP A =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 MOSAIC A<br>
MIX =A0 =A0 =A0 =A0 =A0 =A0 64 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
OUTPUT =A0 =A0 =A0 =A0 =A064 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
MODFX =A0 =A0 =A0 =A0 =A0 64 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
ECHO LVL =A0 =A0 =A0 =A035 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 1<br>
MORPH =A0 =A0 =A0 =A0 =A0 PEDAL<br>
ENV =A0 =A0 =A0 =A0 =A0 =A0 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A01<br>
ECHO 1% =A0 =A0 =A0 =A0 3 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A03<br>
ECHO 2% =A0 =A0 =A0 =A0 2 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A05<br>
FBK 1 =A0 =A0 =A0 =A0 =A0 18 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
FBK 2 =A0 =A0 =A0 =A0 =A0 43 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
RATE1 =A0 =A0 =A0 =A0 =A0 6 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=
 =A0 =A0 =A0 =A0 =A0 =A06<br>
DEPTH1 =A0 =A0 =A0 =A0 =A048 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
RES1 =A0 =A0 =A0 =A0 =A0 =A028 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 1<br>
RATE2 =A0 =A0 =A0 =A0 =A0 22 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A022<br>
DEPTH2 =A0 =A0 =A0 =A0 =A0 9 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 9<br>
RES2 =A0 =A0 =A0 =A0 =A0 =A0 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A043 =A0 =A0<br>
<br>
do comment if it doesn&#39;t do what you need<br><font color=3D"#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--bcaec517aca6f806e3049db8c8be--

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Subject: Video of recent Zoe gig online
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all killer no filler....
Bill

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 09:43:36 2011
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Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. You really 
nead at least around 1.6 upload, ideally a bit faster. Download speed is 
less important.

So, I'm sorry to say, while you're at the British Forum for Ethnomusicology, 
it looks like Ustream will be difficult for you.

Steve

----- Original Message ----- 
From: "Andy Owens" <andy@1800dialword.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 05, 2011 6:14 AM
Subject: ustreamers


Hey you ustreamers out there, I was gonna get on there, well I did, but
anyway, I am in BFE and my upload and download are about the same, .7
mbps. That aint fast enough is it?

Andy o


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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Video of recent Zoe gig online
Date: Sat, 5 Mar 2011 10:23:34 +0000
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Loving this - playing it this morning.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 4 Mar 2011, at 18:44, Per Boysen wrote:

> Stumbled into this video of list member Zoe Keating performing. Good
> audio recording of a great gig.
>
> http://www.ustream.tv/recorded/10082147
>
> She loops in SooperLooper on a Mac and uses a Behringer FCB1010 for
> looping control. As far as I know.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>


--Apple-Mail-9-1038351535
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Loving this - playing it this morning.&nbsp;<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 4 Mar 2011, =
at 18:44, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Stumbled into this video of list member Zoe Keating =
performing. Good</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">audio recording of a great =
gig.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.ustream.tv/recorded/10082147">http://www.ustream.tv/rec=
orded/10082147</a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">She loops in SooperLooper on a =
Mac and uses a Behringer FCB1010 for</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">looping =
control. As far as I know.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Greetings from Sweden</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.perboysen.com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.looproom.com internet music hub</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-9-1038351535--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 10:26:20 2011
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Subject: How do I make a gated reverb?
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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How do I make a gated reverb in the TC Electronics Fireworx.
There isnt one built in, but theres envelope followers and they can be sent
to er... things... Can anyone explain what a real gated reverb is, how its
constructed, maybe I can emulate one?

Strange there isnt one as a standard in Fireworx...

Any Fireworx users know if there is a hidden patch where theres done that...
but with 400 factory presets, I just get a wrist ache!

m

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--bcaec51b1b7f656e6f049db9aa8f
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How do I make a gated reverb in the TC Electronics Fireworx.<br>There isnt =
one built in, but theres envelope followers and they can be sent to er... t=
hings... Can anyone explain what a real gated reverb is, how its constructe=
d, maybe I can emulate one?<br>

<br>Strange there isnt one as a standard in Fireworx...<br><br>Any Fireworx=
 users know if there is a hidden patch where theres done that... but with 4=
00 factory presets, I just get a wrist ache!<br><br>m<br clear=3D"all"><br>

-- <br><i style=3D"font-family: verdana,sans-serif; color: rgb(255, 255, 25=
5); background-color: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet =
ms,sans-serif;" size=3D"4"><u>Mark Francombe</u></font></i><br><font size=
=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.markfrancombe=
.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"color: rgb(5=
1, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.ordoabkhao.com/" tar=
get=3D"_blank">www.ordoabkhao.com</a><br style=3D"color: rgb(51, 0, 51);"><=
a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" tar=
get=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, 0=
, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" target=3D=
"_blank">http://www.looop.no</a><br>twitter @markfrancombe</font><br>

--bcaec51b1b7f656e6f049db9aa8f--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 10:31:53 2011
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Subject: Re: ustreamers
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I beg to differ a little.  Because I'm out in BFN (bum-frack nowhere) in the 
West Country of England I'd be lucky if one line got me 1.5M download, 400K 
up.  I have to multiplex or bond two line together, which gives me 800K 
upload, 5M download tops.  The upload speed is fairly consistent, but the 
hardware they use really sucks - so sometimes it goes brain dead on me - but 
in general I've been able to broadcast for some time.

-----Original Message----- 
From: Steve Moyes
Sent: Saturday, March 05, 2011 9:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: ustreamers

Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. You really
nead at least around 1.6 upload, ideally a bit faster. Download speed is
less important.

So, I'm sorry to say, while you're at the British Forum for Ethnomusicology,
it looks like Ustream will be difficult for you.

Steve

----- Original Message ----- 
From: "Andy Owens" <andy@1800dialword.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 05, 2011 6:14 AM
Subject: ustreamers


Hey you ustreamers out there, I was gonna get on there, well I did, but
anyway, I am in BFE and my upload and download are about the same, .7
mbps. That aint fast enough is it?

Andy o 

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 10:33:28 2011
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Date: Sat, 5 Mar 2011 11:33:25 +0100
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Subject: Re: How do I make a gated reverb?
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Try assign *input level* (as detected by the env follower) to *decay
time* of a reverb placed later on in the effect chain. Or some other
paramater... I haven't had a FireworX for years so my fireworkzing is
bit rusty. Heck, just try out what routing sounds best!

Per


On Sat, Mar 5, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com> wrote:
> How do I make a gated reverb in the TC Electronics Fireworx.
> There isnt one built in, but theres envelope followers and they can be sent
> to er... things... Can anyone explain what a real gated reverb is, how its
> constructed, maybe I can emulate one?
>
> Strange there isnt one as a standard in Fireworx...
>
> Any Fireworx users know if there is a hidden patch where theres done that...
> but with 400 factory presets, I just get a wrist ache!
>
> m
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 10:58:38 2011
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Subject: Re: How do I make a gated reverb?
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--bcaec517aca6e1eed5049dba24d2
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I thought about something like that Per, but wont that just make a reverb
that fades out as the guitar signal fades.. (interesting idea, worth a try)

I think I need something that triggers when I play a sounds (opens? like a
VCA???) then after a while closes suddenly. So I was thinking...

Env Follower to trigger a VCA, with a short release time. that release time
is set to adjust the delay time of a reverb. So loud signal Equals long
verb, and release time equals short verb... BUT.. how do I get that *timed*
part of a gated reverb, from the moment you hit, to the moment it cuts...

This is just chat really Ill try it later (Rack still in car...) I just
wondered if anyone know what a gated reverb REALLY is?

M

On Sat, Mar 5, 2011 at 11:33 AM, Per Boysen <perboysen@gmail.com> wrote:

> Try assign *input level* (as detected by the env follower) to *decay
> time* of a reverb placed later on in the effect chain. Or some other
> paramater... I haven't had a FireworX for years so my fireworkzing is
> bit rusty. Heck, just try out what routing sounds best!
>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--bcaec517aca6e1eed5049dba24d2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I thought about something like that Per, but wont that just make a reverb t=
hat fades out as the guitar signal fades.. (interesting idea, worth a try)<=
br><br>I think I need something that triggers when I play a sounds (opens? =
like a VCA???) then after a while closes suddenly. So I was thinking... <br=
>

<br>Env Follower to trigger a VCA, with a short release time. that release =
time is set to adjust the delay time of a reverb. So loud signal Equals lon=
g verb, and release time equals short verb... BUT.. how do I get that *time=
d* part of a gated reverb, from the moment you hit, to the moment it cuts..=
.<br>

<br>This is just chat really Ill try it later (Rack still in car...) I just=
 wondered if anyone know what a gated reverb REALLY is?<br><br>M<br><br><di=
v class=3D"gmail_quote">On Sat, Mar 5, 2011 at 11:33 AM, Per Boysen <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</=
a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Try assign *input=
 level* (as detected by the env follower) to *decay<br>
time* of a reverb placed later on in the effect chain. Or some other<br>
paramater... I haven&#39;t had a FireworX for years so my fireworkzing is<b=
r>
bit rusty. Heck, just try out what routing sounds best!<br>
<br><div><div class=3D"h5">
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-col=
or: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" si=
ze=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--bcaec517aca6e1eed5049dba24d2--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 11:12:25 2011
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Subject: Re: How do I make a gated reverb?
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1.
Per Boysen wrote:
> Try assign *input level* (as detected by the env follower) to *decay
> time* of a reverb placed later on in the effect chain. Or some other
> paramater... I haven't had a FireworX for years so my fireworkzing is
> bit rusty. Heck, just try out what routing sounds best!

2.
The classic "Phil Collins Snare" method
is to route the output from the reverb to 
a gate which is is controlled by the
input signal.
3.
Most manufacturers have a version which uses
a special reverb algorithm with no tail.
i.e. not really any gating, more like a multi-tap
delay without feedback.
Not in the list of presets, but in the list of
basic reverb types.

andy

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 11:13:07 2011
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Subject: Re: How do I make a gated reverb?
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Well, you're right. My suggestion isn't really for a classic "gate
verb" because the classic setup is to stick a mic up to something,
cable the mic through a reverb and cable that through a noise gate. By
setting the threshold of the noise gate you control the length of the
gate verb. My post was more about a dynamic verb gating setup. Why not
try the classic gate verb routing in the FireworX?

Funnily, I first got into using gate verbs by hearing some early
releases from Cabaret Voltaire. I worked like mad, cabling reverbs and
noise gates all over the place, but never got my stuff to sound right.
Many, many years later I heard that CV had not used reverb gating
technique at all on those tracks, they had simply used a sampler with
sampled drum hits ;-))  LOL

Per



On Sat, Mar 5, 2011 at 11:58 AM, mark francombe <mark@markfrancombe.com> wrote:
> I thought about something like that Per, but wont that just make a reverb
> that fades out as the guitar signal fades.. (interesting idea, worth a try)
>
> I think I need something that triggers when I play a sounds (opens? like a
> VCA???) then after a while closes suddenly. So I was thinking...
>
> Env Follower to trigger a VCA, with a short release time. that release time
> is set to adjust the delay time of a reverb. So loud signal Equals long
> verb, and release time equals short verb... BUT.. how do I get that *timed*
> part of a gated reverb, from the moment you hit, to the moment it cuts...
>
> This is just chat really Ill try it later (Rack still in car...) I just
> wondered if anyone know what a gated reverb REALLY is?
>
> M
>
> On Sat, Mar 5, 2011 at 11:33 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> Try assign *input level* (as detected by the env follower) to *decay
>> time* of a reverb placed later on in the effect chain. Or some other
>> paramater... I haven't had a FireworX for years so my fireworkzing is
>> bit rusty. Heck, just try out what routing sounds best!
>>
>>
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 11:23:46 2011
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Subject: Roger O'Donnell
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
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--002215045bdbe4d62d049dba7e61
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I thought this was worth of sharing

http://www.youtube.com/watch?v=IBmguHdth7Y

-- 
Petri Lahtinen

http://www.petrilahtinen.com

--002215045bdbe4d62d049dba7e61
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I thought this was worth of sharing<br><br><a href=3D"http://www.youtube.co=
m/watch?v=3DIBmguHdth7Y">http://www.youtube.com/watch?v=3DIBmguHdth7Y</a><b=
r clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><a href=3D"http://www.petr=
ilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a><br>
<br>

--002215045bdbe4d62d049dba7e61--

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Date: Sat, 5 Mar 2011 12:46:56 +0100
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Subject: Re: Roger O'Donnell
From: Per Boysen <perboysen@gmail.com>
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On Sat, Mar 5, 2011 at 12:23 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> I thought this was worth of sharing
> http://www.youtube.com/watch?v=IBmguHdth7Y

Thanks Petri, I enjoy that music a lot! But what the heck is "Glitch
Sequencer"? An internet search only gives Roger O'Donnell Facebook
page. But that's cool because over there he recently uploaded a video
to show off "how Glitch Sequencer works".
http://www.facebook.com/pages/Roger-ODonnell/9158211963
Pretty interesting although he never actually says what Glitch
Sequencer is! I would guess it is a Max For Live mockup?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 12:03:42 2011
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Subject: Re: Electro Harmonix Freeze - Vortex Patch
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mark francombe wrote:

>  HUGE SUDDEN WALL OF 
> do I need to switch patches to a no delay patch to do this? 

any switching of patches cleans out what's in the delays
(shame really)

It depends on the preset you use whether turning down
the Echo LVL or the FX level stops the audio getting into the delays.
I'm not sure about details, if ever I run a patch that can
do 100% feedback I always have pedal control.

...and yes, I get that burst of noise sometimes too


> Or are there only certain patches that are actually still listening to 
> input, while the output is muted?

haven't checked, but I assume they all do it


> 
> Mark
> 
> PS: Doesnt it seem quaint to be talking about Vortex again?

yup, but then there's never been a replacement for it
either in hardware or software.

>Ive missed 
> it actually! >Are your super hippy cool pages still up anywhere? I 
> printed out that whole site at one time, maybe 13 years ago!!

http://www.andybutler.com/vortex/vortex.htm

In the mid nineties, that "pink fluffy clouds" seamless tile background was state 
of the art...........I thought at the time.

andy

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Subject: Re: How do I make a gated reverb?
To: Loopers-Delight@loopers-delight.com
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--90e6ba3fcc3f78eac4049dbb27f0
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> Funnily, I first got into using gate verbs by hearing some early
> releases from Cabaret Voltaire. I worked like mad, cabling reverbs and
> noise gates all over the place, but never got my stuff to sound right.
> Many, many years later I heard that CV had not used reverb gating
> technique at all on those tracks, they had simply used a sampler with
> sampled drum hits ;-))  LOL
>
> Per
>
>
>
LOL... Ha ha!!! Must ve been later CV right? I fell in love with the fast
buzzing delay they used on drums actually... on things like sluggin fer
Jesus and Red Mecca.

Ive said many times that the Cabs were HUGE for me growing up, I am so prou=
d
that I got to see them play live pretty early. (Before Chris Watson quit).
The=B4re early work was so inspiring to industrial music, and the later stu=
ff
has been cited by many extremely big House and Techno producers to be a big
influence... What arent they hugely rich?

Thx for the reminder... Nag Nag Nag now playing here...  (7" version vinyl =
I
may add...)

m


--=20
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba3fcc3f78eac4049dbb27f0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;">
Funnily, I first got into using gate verbs by hearing some early<br>
releases from Cabaret Voltaire. I worked like mad, cabling reverbs and<br>
noise gates all over the place, but never got my stuff to sound right.<br>
Many, many years later I heard that CV had not used reverb gating<br>
technique at all on those tracks, they had simply used a sampler with<br>
sampled drum hits ;-)) =A0LOL<br>
<font color=3D"#888888"><br>
Per<br>
</font><div><div></div><div class=3D"h5"><br clear=3D"all"><br></div></div>=
</blockquote><div><br>LOL... Ha ha!!! Must ve been later CV right? I fell i=
n love with the fast buzzing delay they used on drums actually... on things=
 like sluggin fer Jesus and Red Mecca.<br>

<br>Ive said many times that the Cabs were HUGE for me growing up, I am so =
proud that I got to see them play live pretty early. (Before Chris Watson q=
uit). The=B4re early work was so inspiring to industrial music, and the lat=
er stuff has been cited by many extremely big House and Techno producers to=
 be a big influence... What arent they hugely rich?<br>

<br>Thx for the reminder... Nag Nag Nag now playing here...=A0 (7&quot; ver=
sion vinyl I may add...)<br><br>m<br>=A0</div></div><br>-- <br><i style=3D"=
font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-colo=
r: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" siz=
e=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba3fcc3f78eac4049dbb27f0--

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Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Per Boysen <perboysen@gmail.com>
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>>
>> Mark:
>> PS: Doesnt it seem quaint to be talking about Vortex again?

On Sat, Mar 5, 2011 at 1:03 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> yup, but then there's never been a replacement for it
> either in hardware or software.

Andy's Vortex site:
"The Vortex was the first of those four units to be discontinued ,
essentially because no-one understood what it did."

What a shame!

Per

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Subject: Re: How do I make a gated reverb?
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On Sat, Mar 5, 2011 at 1:09 PM, mark francombe <mark@markfrancombe.com> wro=
te:
> Ive said many times that the Cabs were HUGE for me growing up, I am so pr=
oud
> that I got to see them play live pretty early. (Before Chris Watson quit)=
.

You got to see them live!!!

> The=C2=B4re early work was so inspiring to industrial music, and the late=
r stuff
> has been cited by many extremely big House and Techno producers to be a b=
ig
> influence... What arent they hugely rich?

As most groundbreaking creative artists they probable are stinking
rich, but just never tells anyone about it. ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Sat, 5 Mar 2011 13:20:26 +0100
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Subject: Re: How do I make a gated reverb?
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On Sat, Mar 5, 2011 at 1:14 PM, Per Boysen <perboysen@gmail.com> wrote:

> You got to see them live!!!


Twice!

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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On Sat, Mar 5, 2011 at 1:14 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D=
"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><=
div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin=
: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-lef=
t: 1ex;">

You got to see them live!!!</blockquote></div><br>Twice!<br clear=3D"all"><=
br>-- <br><i style=3D"font-family: verdana,sans-serif; color: rgb(255, 255,=
 255); background-color: rgb(0, 0, 0);"><font style=3D"font-family: trebuch=
et ms,sans-serif;" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba3fcc3fca4c21049dbb4a29--

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Subject: Re: How do I make a gated reverb?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Mar 5, 2011 at 1:20 PM, mark francombe <mark@markfrancombe.com> wro=
te:
> On Sat, Mar 5, 2011 at 1:14 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> You got to see them live!!!
>
> Twice!


You... =C2=A5=C2=A5=C2=A2=E2=80=B0=C2=A5=C2=B6=E2=80=B0\{=E2=89=A0=C2=BF=C2=
=BF=C2=BF@=C2=A5!!!!

P;-)

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 12:25:40 2011
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Date: Sat, 5 Mar 2011 04:25:38 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)
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--0-393867172-1299327938=:59984
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Anders,

please enlighten me and clarify what the Octotrack currently does in the way of 
live sampling and how that is different from what you would call a real looper. 
I am very intersted in getting one but I need to be sure what it really does 
first.

Antony



________________________________
From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat, March 5, 2011 10:20:30 AM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)

http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey
 
________________________________
 Date: Fri, 4 Mar 2011 20:00:34 -0700
Subject: Re: Elektron Octatrack used as a looper of sorts..
From: will.it.go.round@gmail.com
To: Loopers-Delight@loopers-delight.com

The link didn't work for me. Try again? 


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>Anders,</div><div><br></div><div>please enlighten me and clarify what the Octotrack currently does in the way of live sampling and how that is different from what you would call a real looper. I am very intersted in getting one but I need to be sure what it really does first.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-delight.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Sat, March 5, 2011
 10:20:30 AM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br></font><br>


<style><!--
.hmmessage P
{
margin:0px;padding:0px;}
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{
font-size:10pt;font-family:Tahoma;}
--></style><span>


<a target="_blank" href="http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey">http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey</a></span><br>&nbsp;<br>

<hr id="stopSpelling">
Date: Fri, 4 Mar 2011 20:00:34 -0700<br>Subject: Re: Elektron Octatrack used as a looper of sorts..<br>From: will.it.go.round@gmail.com<br>To: Loopers-Delight@loopers-delight.com<br><br>The link didn't work for me. Try again? 		 	   		  
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-393867172-1299327938=:59984--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 16:14:28 2011
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Date: Sat, 5 Mar 2011 11:14:26 -0500
Message-ID: <AANLkTik2OHK3bCT421i1BU2PoOY4HQeWQCMLNzGuv5wS@mail.gmail.com>
Subject: Re: ustreamers
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Andy, Steve, we must be thinking in different units here. I would give a lot
for a 1.6 mbps! That's blazing upstream speed!
I broadcast often with a 10 mbps down and a .860 mbps upstream connection.
The upstream is the important one here.

For broadcast I use the Flash Media Encoder for good control over quality.
Video is 300 kbps, audio is 192 kbps stereo. So total upload used is under
.500 mbps which leaves me some headroom to bring in a Ninjam session if I
want (using a public server) which might add another 100 kpbs up so still
safe.

So have we got our megs and kilos mixed up or what here? :). .7 mbps is 700
kbps, plenty o' speed for the upside of your connection. I am surprised that
your down is the same, usually it's much faster down than up.

my .02 units worth,

J

On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes
<stephenmoyes@blueyonder.co.uk>wrote:

> Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. You really
> nead at least around 1.6 upload, ideally a bit faster. Download speed is
> less important.
>
> So, I'm sorry to say, while you're at the British Forum for
> Ethnomusicology, it looks like Ustream will be difficult for you.
>
> Steve
>
> ----- Original Message ----- From: "Andy Owens" <andy@1800dialword.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, March 05, 2011 6:14 AM
> Subject: ustreamers
>
>
> Hey you ustreamers out there, I was gonna get on there, well I did, but
> anyway, I am in BFE and my upload and download are about the same, .7
> mbps. That aint fast enough is it?
>
> Andy o
>
>

--20cf3071cbbc7bedd2049dbe8e95
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Andy, Steve, we must be thinking in different units here. I would give a lo=
t for a 1.6 mbps! That&#39;s blazing upstream speed! <br>I broadcast often =
with a 10 mbps down and a .860 mbps upstream connection. The upstream is th=
e important one here.<br>
<br>For broadcast I use the Flash Media Encoder for good control over quali=
ty. Video is 300 kbps, audio is 192 kbps stereo. So total upload used is un=
der .500 mbps which leaves me some headroom to bring in a Ninjam session if=
 I want (using a public server) which might add another 100 kpbs up so stil=
l safe.<br>
<br>So have we got our megs and kilos mixed up or what here? :). .7 mbps is=
 700 kbps, plenty o&#39; speed for the upside of your connection. I am surp=
rised that your down is the same, usually it&#39;s much faster down than up=
.<br>
<br>my .02 units worth,<br><br>J<br><br><div class=3D"gmail_quote">On Sat, =
Mar 5, 2011 at 4:43 AM, Steve Moyes <span dir=3D"ltr">&lt;<a href=3D"mailto=
:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.uk</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Andy, I&#39;m afr=
aid .7 mbps upload speed is a bit slow for Ustream. You really nead at leas=
t around 1.6 upload, ideally a bit faster. Download speed is less important=
.<br>

<br>
So, I&#39;m sorry to say, while you&#39;re at the British Forum for Ethnomu=
sicology, it looks like Ustream will be difficult for you.<br>
<br>
Steve<br>
<br>
----- Original Message ----- From: &quot;Andy Owens&quot; &lt;<a href=3D"ma=
ilto:andy@1800dialword.com" target=3D"_blank">andy@1800dialword.com</a>&gt;=
<br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Saturday, March 05, 2011 6:14 AM<br>
Subject: ustreamers<br>
<br>
<br>
Hey you ustreamers out there, I was gonna get on there, well I did, but<br>
anyway, I am in BFE and my upload and download are about the same, .7<br>
mbps. That aint fast enough is it?<br>
<br>
Andy o<br>
<br>
</blockquote></div><br>

--20cf3071cbbc7bedd2049dbe8e95--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 16:39:06 2011
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: ustreamers
Date: Sat, 5 Mar 2011 16:39:11 -0000
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Well Jeff, I wasn't wrong about my connection, but I WAS wrong about =
everything else. I just tested my connection and got 1.9 mbps, which is =
about what I expected. Then I checked my Flash Media Encoder settings - =
I have it at 500 kbps for video and 192 stereo for audio, so I should be =
able to broadcast that with Andy's .7 mbps connection.

I suppose that meas the occasional problems I had in the past were not =
due, as I thought, to lack of upload speed. It seems I was blaming my =
ISP, when I should have been blaming either Ustream, or my own =
incompetance.

Thanks for putting me right, Jeff.

And Andy, ignore all I said before and get Ustreaming!

Steve
  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 05, 2011 4:14 PM
  Subject: Re: ustreamers


  Andy, Steve, we must be thinking in different units here. I would give =
a lot for a 1.6 mbps! That's blazing upstream speed!=20
  I broadcast often with a 10 mbps down and a .860 mbps upstream =
connection. The upstream is the important one here.

  For broadcast I use the Flash Media Encoder for good control over =
quality. Video is 300 kbps, audio is 192 kbps stereo. So total upload =
used is under .500 mbps which leaves me some headroom to bring in a =
Ninjam session if I want (using a public server) which might add another =
100 kpbs up so still safe.

  So have we got our megs and kilos mixed up or what here? :). .7 mbps =
is 700 kbps, plenty o' speed for the upside of your connection. I am =
surprised that your down is the same, usually it's much faster down than =
up.

  my .02 units worth,

  J


  On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes =
<stephenmoyes@blueyonder.co.uk> wrote:

    Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. You =
really nead at least around 1.6 upload, ideally a bit faster. Download =
speed is less important.

    So, I'm sorry to say, while you're at the British Forum for =
Ethnomusicology, it looks like Ustream will be difficult for you.

    Steve

    ----- Original Message ----- From: "Andy Owens" =
<andy@1800dialword.com>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Saturday, March 05, 2011 6:14 AM
    Subject: ustreamers


    Hey you ustreamers out there, I was gonna get on there, well I did, =
but
    anyway, I am in BFE and my upload and download are about the same, =
.7
    mbps. That aint fast enough is it?

    Andy o




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18928">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Well Jeff, I wasn't wrong about my =
connection, but=20
I WAS wrong about everything else. I just tested my connection and got =
1.9 mbps,=20
which is about what I expected. Then I checked my Flash Media Encoder =
settings -=20
I have it at 500 kbps for video and 192 stereo for audio, so I should be =
able to=20
broadcast that with Andy's .7 mbps connection.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I suppose that meas the occasional =
problems I had=20
in the past were not due, as I thought, to lack of upload speed. It =
seems I was=20
blaming my ISP, when I should have been blaming either Ustream, or my =
own=20
incompetance.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Thanks for putting me right, =
Jeff.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>And Andy, ignore all I said before and =
get=20
Ustreaming!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Steve</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Djeffloops@gmail.com =
href=3D"mailto:jeffloops@gmail.com">Jeff Duke</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 05, 2011 =
4:14=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ustreamers</DIV>
  <DIV><BR></DIV>Andy, Steve, we must be thinking in different units =
here. I=20
  would give a lot for a 1.6 mbps! That's blazing upstream speed! <BR>I=20
  broadcast often with a 10 mbps down and a .860 mbps upstream =
connection. The=20
  upstream is the important one here.<BR><BR>For broadcast I use the =
Flash Media=20
  Encoder for good control over quality. Video is 300 kbps, audio is 192 =
kbps=20
  stereo. So total upload used is under .500 mbps which leaves me some =
headroom=20
  to bring in a Ninjam session if I want (using a public server) which =
might add=20
  another 100 kpbs up so still safe.<BR><BR>So have we got our megs and =
kilos=20
  mixed up or what here? :). .7 mbps is 700 kbps, plenty o' speed for =
the upside=20
  of your connection. I am surprised that your down is the same, usually =
it's=20
  much faster down than up.<BR><BR>my .02 units worth,<BR><BR>J<BR><BR>
  <DIV class=3Dgmail_quote>On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.=
uk</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>Andy, I'm afraid .7 mbps upload speed is a bit =
slow for=20
    Ustream. You really nead at least around 1.6 upload, ideally a bit =
faster.=20
    Download speed is less important.<BR><BR>So, I'm sorry to say, while =
you're=20
    at the British Forum for Ethnomusicology, it looks like Ustream will =
be=20
    difficult for you.<BR><BR>Steve<BR><BR>----- Original Message ----- =
From:=20
    "Andy Owens" &lt;<A href=3D"mailto:andy@1800dialword.com"=20
    target=3D_blank>andy@1800dialword.com</A>&gt;<BR>To: &lt;<A=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
    target=3D_blank>Loopers-Delight@loopers-delight.com</A>&gt;<BR>Sent: =
Saturday,=20
    March 05, 2011 6:14 AM<BR>Subject: ustreamers<BR><BR><BR>Hey you =
ustreamers=20
    out there, I was gonna get on there, well I did, but<BR>anyway, I am =
in BFE=20
    and my upload and download are about the same, .7<BR>mbps. That aint =
fast=20
    enough is it?<BR><BR>Andy=20
o<BR><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00BD_01CBDB53.DB124FD0--


From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 17:24:39 2011
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Subject: Re: LP2 OR RANG 3 or M9
Date: Sat, 05 Mar 2011 12:24:24 -0500
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The 'fun factor' however, was the driving force for me getting the Rang=20
III.=C2=A0
=C2=A0


wow .....thanks for the informative post rich.....sounds like the rang=20
3  will open

up a ton-o-options.....i'm getting excited!

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 17:24:50 2011
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Date: Sat, 5 Mar 2011 10:24:48 -0700
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Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Dennis Moser <sinsofmachaut@gmail.com>
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Lexicon Vortex:

Rule #1. Never buy just one
Rule #2. See Rule #1
Rule #3. There is nothing else quite like them, especially when used in pairs
Rule #4. You will need spares; see Rule #1

...that is all.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sat, Mar 5, 2011 at 5:11 AM, Per Boysen <perboysen@gmail.com> wrote:
>>>
>>> Mark:
>>> PS: Doesnt it seem quaint to be talking about Vortex again?
>
> On Sat, Mar 5, 2011 at 1:03 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>> yup, but then there's never been a replacement for it
>> either in hardware or software.
>
> Andy's Vortex site:
> "The Vortex was the first of those four units to be discontinued ,
> essentially because no-one understood what it did."
>
> What a shame!
>
> Per
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 17:32:01 2011
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Subject: Re: ustreamers
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--20cf307ca2a4c7d915049dbfa309
Content-Type: text/plain; charset=ISO-8859-1

Steve, you are saying that you have a 1.9 M upload speed?! I am thinking of
switching to cable from dsl for that very reason. I am maxed at .860 kbps up
:(

I would lower your video to 200-300 max with a .7 though. IMO you need
plenty of headroom there. Video takes a backseat and having the show
skipping/lagging ruins it!

That said sometimes it is Ustreams fault but mostly it's not :)

best,

J

On Sat, Mar 5, 2011 at 11:39 AM, Steve Moyes
<stephenmoyes@blueyonder.co.uk>wrote:

>  Well Jeff, I wasn't wrong about my connection, but I WAS wrong about
> everything else. I just tested my connection and got 1.9 mbps, which is
> about what I expected. Then I checked my Flash Media Encoder settings - I
> have it at 500 kbps for video and 192 stereo for audio, so I should be able
> to broadcast that with Andy's .7 mbps connection.
>
> I suppose that meas the occasional problems I had in the past were not due,
> as I thought, to lack of upload speed. It seems I was blaming my ISP, when I
> should have been blaming either Ustream, or my own incompetance.
>
> Thanks for putting me right, Jeff.
>
> And Andy, ignore all I said before and get Ustreaming!
>
> Steve
>
> ----- Original Message -----
> *From:* Jeff Duke <jeffloops@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, March 05, 2011 4:14 PM
> *Subject:* Re: ustreamers
>
> Andy, Steve, we must be thinking in different units here. I would give a
> lot for a 1.6 mbps! That's blazing upstream speed!
> I broadcast often with a 10 mbps down and a .860 mbps upstream connection.
> The upstream is the important one here.
>
> For broadcast I use the Flash Media Encoder for good control over quality.
> Video is 300 kbps, audio is 192 kbps stereo. So total upload used is under
> .500 mbps which leaves me some headroom to bring in a Ninjam session if I
> want (using a public server) which might add another 100 kpbs up so still
> safe.
>
> So have we got our megs and kilos mixed up or what here? :). .7 mbps is 700
> kbps, plenty o' speed for the upside of your connection. I am surprised that
> your down is the same, usually it's much faster down than up.
>
> my .02 units worth,
>
> J
>
> On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes <stephenmoyes@blueyonder.co.uk
> > wrote:
>
>> Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. You
>> really nead at least around 1.6 upload, ideally a bit faster. Download speed
>> is less important.
>>
>> So, I'm sorry to say, while you're at the British Forum for
>> Ethnomusicology, it looks like Ustream will be difficult for you.
>>
>> Steve
>>
>> ----- Original Message ----- From: "Andy Owens" <andy@1800dialword.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Saturday, March 05, 2011 6:14 AM
>> Subject: ustreamers
>>
>>
>> Hey you ustreamers out there, I was gonna get on there, well I did, but
>> anyway, I am in BFE and my upload and download are about the same, .7
>> mbps. That aint fast enough is it?
>>
>> Andy o
>>
>>
>

--20cf307ca2a4c7d915049dbfa309
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Steve, you are saying that you have a 1.9 M upload speed?! I am thinking of=
 switching to cable from dsl for that very reason. I am maxed at .860 kbps =
up :(<br><br>I would lower your video to 200-300 max with a .7 though. IMO =
you need plenty of headroom there. Video takes a backseat and having the sh=
ow skipping/lagging ruins it!<br>
<br>That said sometimes it is Ustreams fault but mostly it&#39;s not :)<br>=
<br>best,<br><br>J<br><br><div class=3D"gmail_quote">On Sat, Mar 5, 2011 at=
 11:39 AM, Steve Moyes <span dir=3D"ltr">&lt;<a href=3D"mailto:stephenmoyes=
@blueyonder.co.uk">stephenmoyes@blueyonder.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Well Jeff, I wasn&#39;t wrong about my=
 connection, but=20
I WAS wrong about everything else. I just tested my connection and got 1.9 =
mbps,=20
which is about what I expected. Then I checked my Flash Media Encoder setti=
ngs -=20
I have it at 500 kbps for video and 192 stereo for audio, so I should be ab=
le to=20
broadcast that with Andy&#39;s .7 mbps connection.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">I suppose that meas the occasional pro=
blems I had=20
in the past were not due, as I thought, to lack of upload speed. It seems I=
 was=20
blaming my ISP, when I should have been blaming either Ustream, or my own=
=20
incompetance.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Thanks for putting me right, Jeff.</fo=
nt></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">And Andy, ignore all I said before and=
 get=20
Ustreaming!</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Steve</font></div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; padding-right: 0px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"font: 10pt arial; background: none repeat scroll 0% 0% rgb(=
228, 228, 228);"><b>From:</b>=20
  <a title=3D"jeffloops@gmail.com" href=3D"mailto:jeffloops@gmail.com" targ=
et=3D"_blank">Jeff Duke</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Saturday, March 05, 2011 4:=
14=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: ustreamers</div>
  <div><br></div>Andy, Steve, we must be thinking in different units here. =
I=20
  would give a lot for a 1.6 mbps! That&#39;s blazing upstream speed! <br>I=
=20
  broadcast often with a 10 mbps down and a .860 mbps upstream connection. =
The=20
  upstream is the important one here.<br><br>For broadcast I use the Flash =
Media=20
  Encoder for good control over quality. Video is 300 kbps, audio is 192 kb=
ps=20
  stereo. So total upload used is under .500 mbps which leaves me some head=
room=20
  to bring in a Ninjam session if I want (using a public server) which migh=
t add=20
  another 100 kpbs up so still safe.<br><br>So have we got our megs and kil=
os=20
  mixed up or what here? :). .7 mbps is 700 kbps, plenty o&#39; speed for t=
he upside=20
  of your connection. I am surprised that your down is the same, usually it=
&#39;s=20
  much faster down than up.<br><br>my .02 units worth,<br><br>J<br><br>
  <div class=3D"gmail_quote">On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:stephenmoyes@blueyonder.co.uk" target=
=3D"_blank">stephenmoyes@blueyonder.co.uk</a>&gt;</span>=20
  wrote:<br>
  <blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">Andy, I&#39;m a=
fraid .7 mbps upload speed is a bit slow for=20
    Ustream. You really nead at least around 1.6 upload, ideally a bit fast=
er.=20
    Download speed is less important.<br><br>So, I&#39;m sorry to say, whil=
e you&#39;re=20
    at the British Forum for Ethnomusicology, it looks like Ustream will be=
=20
    difficult for you.<br><br>Steve<br><br>----- Original Message ----- Fro=
m:=20
    &quot;Andy Owens&quot; &lt;<a href=3D"mailto:andy@1800dialword.com" tar=
get=3D"_blank">andy@1800dialword.com</a>&gt;<br>To: &lt;<a href=3D"mailto:L=
oopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loope=
rs-delight.com</a>&gt;<br>
Sent: Saturday,=20
    March 05, 2011 6:14 AM<br>Subject: ustreamers<br><br><br>Hey you ustrea=
mers=20
    out there, I was gonna get on there, well I did, but<br>anyway, I am in=
 BFE=20
    and my upload and download are about the same, .7<br>mbps. That aint fa=
st=20
    enough is it?<br><br>Andy=20
o<br><br></blockquote></div><br></blockquote></div>
</blockquote></div><br>

--20cf307ca2a4c7d915049dbfa309--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 17:41:14 2011
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	<AANLkTi=iJyRyG6pqZMOEmJbphw-8G9M5N0FvFyqD6dVm@mail.gmail.com>
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	<00c001cbdb53$dbbb8820$0d7ba85e@eced5194571a442>
Date: Sat, 5 Mar 2011 12:41:13 -0500
Message-ID: <AANLkTiku7G1QTyeTR2d+3EFmDoGaDXrCyCZhtukTkcL8@mail.gmail.com>
Subject: Re: ustreamers
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--bcaec501631fd4d19b049dbfc434
Content-Type: text/plain; charset=ISO-8859-1

Oh and Andy, the best way is to test broadcast a lot before the show. Use
the FME and record your local copy with it. Also don't forget as I have
often to record the Ustream copy for later viewing. This is where you will
learn what you can do.  You will get a better idea of what you are capable
of this way far more than just doing the numbers. With the FME you also have
an audio vu meter to make sure of optimum signal without clipping as far as
the audio. The FME with Ustream is a bit tricky but easy once you do it a
couple of times and worth it. Always start the FME broadcasting first,
followed by the Ustream console which will (usually) pick it up quickly.

J

On Sat, Mar 5, 2011 at 11:39 AM, Steve Moyes
<stephenmoyes@blueyonder.co.uk>wrote:

>  Well Jeff, I wasn't wrong about my connection, but I WAS wrong about
> everything else. I just tested my connection and got 1.9 mbps, which is
> about what I expected. Then I checked my Flash Media Encoder settings - I
> have it at 500 kbps for video and 192 stereo for audio, so I should be able
> to broadcast that with Andy's .7 mbps connection.
>
> I suppose that meas the occasional problems I had in the past were not due,
> as I thought, to lack of upload speed. It seems I was blaming my ISP, when I
> should have been blaming either Ustream, or my own incompetance.
>
> Thanks for putting me right, Jeff.
>
> And Andy, ignore all I said before and get Ustreaming!
>
> Steve
>
> ----- Original Message -----
> *From:* Jeff Duke <jeffloops@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, March 05, 2011 4:14 PM
> *Subject:* Re: ustreamers
>
> Andy, Steve, we must be thinking in different units here. I would give a
> lot for a 1.6 mbps! That's blazing upstream speed!
> I broadcast often with a 10 mbps down and a .860 mbps upstream connection.
> The upstream is the important one here.
>
> For broadcast I use the Flash Media Encoder for good control over quality.
> Video is 300 kbps, audio is 192 kbps stereo. So total upload used is under
> .500 mbps which leaves me some headroom to bring in a Ninjam session if I
> want (using a public server) which might add another 100 kpbs up so still
> safe.
>
> So have we got our megs and kilos mixed up or what here? :). .7 mbps is 700
> kbps, plenty o' speed for the upside of your connection. I am surprised that
> your down is the same, usually it's much faster down than up.
>
> my .02 units worth,
>
> J
>
> On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes <stephenmoyes@blueyonder.co.uk
> > wrote:
>
>> Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. You
>> really nead at least around 1.6 upload, ideally a bit faster. Download speed
>> is less important.
>>
>> So, I'm sorry to say, while you're at the British Forum for
>> Ethnomusicology, it looks like Ustream will be difficult for you.
>>
>> Steve
>>
>> ----- Original Message ----- From: "Andy Owens" <andy@1800dialword.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Saturday, March 05, 2011 6:14 AM
>> Subject: ustreamers
>>
>>
>> Hey you ustreamers out there, I was gonna get on there, well I did, but
>> anyway, I am in BFE and my upload and download are about the same, .7
>> mbps. That aint fast enough is it?
>>
>> Andy o
>>
>>
>

--bcaec501631fd4d19b049dbfc434
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Oh and Andy, the best way is to test broadcast a lot before the show. Use t=
he FME and record your local copy with it. Also don&#39;t forget as I have =
often to record the Ustream copy for later viewing. This is where you will =
learn what you can do.=A0 You will get a better idea of what you are capabl=
e of this way far more than just doing the numbers. With the FME you also h=
ave an audio vu meter to make sure of optimum signal without clipping as fa=
r as the audio. The FME with Ustream is a bit tricky but easy once you do i=
t a couple of times and worth it. Always start the FME broadcasting first, =
followed by the Ustream console which will (usually) pick it up quickly.<br=
>
<br>J<br><br><div class=3D"gmail_quote">On Sat, Mar 5, 2011 at 11:39 AM, St=
eve Moyes <span dir=3D"ltr">&lt;<a href=3D"mailto:stephenmoyes@blueyonder.c=
o.uk">stephenmoyes@blueyonder.co.uk</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Well Jeff, I wasn&#39;t wrong about my=
 connection, but=20
I WAS wrong about everything else. I just tested my connection and got 1.9 =
mbps,=20
which is about what I expected. Then I checked my Flash Media Encoder setti=
ngs -=20
I have it at 500 kbps for video and 192 stereo for audio, so I should be ab=
le to=20
broadcast that with Andy&#39;s .7 mbps connection.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">I suppose that meas the occasional pro=
blems I had=20
in the past were not due, as I thought, to lack of upload speed. It seems I=
 was=20
blaming my ISP, when I should have been blaming either Ustream, or my own=
=20
incompetance.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Thanks for putting me right, Jeff.</fo=
nt></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">And Andy, ignore all I said before and=
 get=20
Ustreaming!</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Steve</font></div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; padding-right: 0px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"font: 10pt arial; background: none repeat scroll 0% 0% rgb(=
228, 228, 228);"><b>From:</b>=20
  <a title=3D"jeffloops@gmail.com" href=3D"mailto:jeffloops@gmail.com" targ=
et=3D"_blank">Jeff Duke</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Saturday, March 05, 2011 4:=
14=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: ustreamers</div>
  <div><br></div>Andy, Steve, we must be thinking in different units here. =
I=20
  would give a lot for a 1.6 mbps! That&#39;s blazing upstream speed! <br>I=
=20
  broadcast often with a 10 mbps down and a .860 mbps upstream connection. =
The=20
  upstream is the important one here.<br><br>For broadcast I use the Flash =
Media=20
  Encoder for good control over quality. Video is 300 kbps, audio is 192 kb=
ps=20
  stereo. So total upload used is under .500 mbps which leaves me some head=
room=20
  to bring in a Ninjam session if I want (using a public server) which migh=
t add=20
  another 100 kpbs up so still safe.<br><br>So have we got our megs and kil=
os=20
  mixed up or what here? :). .7 mbps is 700 kbps, plenty o&#39; speed for t=
he upside=20
  of your connection. I am surprised that your down is the same, usually it=
&#39;s=20
  much faster down than up.<br><br>my .02 units worth,<br><br>J<br><br>
  <div class=3D"gmail_quote">On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:stephenmoyes@blueyonder.co.uk" target=
=3D"_blank">stephenmoyes@blueyonder.co.uk</a>&gt;</span>=20
  wrote:<br>
  <blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">Andy, I&#39;m a=
fraid .7 mbps upload speed is a bit slow for=20
    Ustream. You really nead at least around 1.6 upload, ideally a bit fast=
er.=20
    Download speed is less important.<br><br>So, I&#39;m sorry to say, whil=
e you&#39;re=20
    at the British Forum for Ethnomusicology, it looks like Ustream will be=
=20
    difficult for you.<br><br>Steve<br><br>----- Original Message ----- Fro=
m:=20
    &quot;Andy Owens&quot; &lt;<a href=3D"mailto:andy@1800dialword.com" tar=
get=3D"_blank">andy@1800dialword.com</a>&gt;<br>To: &lt;<a href=3D"mailto:L=
oopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loope=
rs-delight.com</a>&gt;<br>
Sent: Saturday,=20
    March 05, 2011 6:14 AM<br>Subject: ustreamers<br><br><br>Hey you ustrea=
mers=20
    out there, I was gonna get on there, well I did, but<br>anyway, I am in=
 BFE=20
    and my upload and download are about the same, .7<br>mbps. That aint fa=
st=20
    enough is it?<br><br>Andy=20
o<br><br></blockquote></div><br></blockquote></div>
</blockquote></div><br>

--bcaec501631fd4d19b049dbfc434--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 17:43:58 2011
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <SNT143-w2370B5436CA1DDC38AA464B6C20@phx.gbl><AANLkTi=iJyRyG6pqZMOEmJbphw-8G9M5N0FvFyqD6dVm@mail.gmail.com><AANLkTimH-71HmGx8LfL+7rpQvULV8Z1yy7rDMPYhnW4x@mail.gmail.com><864434907DE0E9429B16AD587941F73F07C30F63@EXVBE010-2.exch010.intermedia.net><003701cbdb19$d2adc520$0d7ba85e@eced5194571a442><AANLkTik2OHK3bCT421i1BU2PoOY4HQeWQCMLNzGuv5wS@mail.gmail.com><00c001cbdb53$dbbb8820$0d7ba85e@eced5194571a442> <AANLkTinFgSnJ51ETJjOUS_0zAfdwYD88QJr2p7nM6pQo@mail.gmail.com>
In-Reply-To: <AANLkTinFgSnJ51ETJjOUS_0zAfdwYD88QJr2p7nM6pQo@mail.gmail.com>
Subject: Re: ustreamers
Date: Sat, 5 Mar 2011 17:44:01 -0000
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No, it=E2=80=99s 800K.  I don=E2=80=99t even encode the video for that, =
keeping down round 300-400K.  I can say only once that it=E2=80=99s been =
a Ustream problem =E2=80=93 during a big promo they were running just =
when I was playing...

From: Jeff Duke=20
Sent: Saturday, March 05, 2011 5:31 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: ustreamers

Steve, you are saying that you have a 1.9 M upload speed?! I am thinking =
of switching to cable from dsl for that very reason. I am maxed at .860 =
kbps up :(

I would lower your video to 200-300 max with a .7 though. IMO you need =
plenty of headroom there. Video takes a backseat and having the show =
skipping/lagging ruins it!

That said sometimes it is Ustreams fault but mostly it's not :)

best,

J


On Sat, Mar 5, 2011 at 11:39 AM, Steve Moyes =
<stephenmoyes@blueyonder.co.uk> wrote:

  Well Jeff, I wasn't wrong about my connection, but I WAS wrong about =
everything else. I just tested my connection and got 1.9 mbps, which is =
about what I expected. Then I checked my Flash Media Encoder settings - =
I have it at 500 kbps for video and 192 stereo for audio, so I should be =
able to broadcast that with Andy's .7 mbps connection.

  I suppose that meas the occasional problems I had in the past were not =
due, as I thought, to lack of upload speed. It seems I was blaming my =
ISP, when I should have been blaming either Ustream, or my own =
incompetance.

  Thanks for putting me right, Jeff.

  And Andy, ignore all I said before and get Ustreaming!

  Steve
    ----- Original Message -----=20
    From: Jeff Duke=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Saturday, March 05, 2011 4:14 PM
    Subject: Re: ustreamers

    Andy, Steve, we must be thinking in different units here. I would =
give a lot for a 1.6 mbps! That's blazing upstream speed!=20
    I broadcast often with a 10 mbps down and a .860 mbps upstream =
connection. The upstream is the important one here.

    For broadcast I use the Flash Media Encoder for good control over =
quality. Video is 300 kbps, audio is 192 kbps stereo. So total upload =
used is under .500 mbps which leaves me some headroom to bring in a =
Ninjam session if I want (using a public server) which might add another =
100 kpbs up so still safe.

    So have we got our megs and kilos mixed up or what here? :). .7 mbps =
is 700 kbps, plenty o' speed for the upside of your connection. I am =
surprised that your down is the same, usually it's much faster down than =
up.

    my .02 units worth,

    J


    On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes =
<stephenmoyes@blueyonder.co.uk> wrote:

      Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. =
You really nead at least around 1.6 upload, ideally a bit faster. =
Download speed is less important.

      So, I'm sorry to say, while you're at the British Forum for =
Ethnomusicology, it looks like Ustream will be difficult for you.

      Steve

      ----- Original Message ----- From: "Andy Owens" =
<andy@1800dialword.com>
      To: <Loopers-Delight@loopers-delight.com>
      Sent: Saturday, March 05, 2011 6:14 AM
      Subject: ustreamers


      Hey you ustreamers out there, I was gonna get on there, well I =
did, but
      anyway, I am in BFE and my upload and download are about the same, =
.7
      mbps. That aint fast enough is it?

      Andy o





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Content-Type: text/html;
	charset="utf-8"
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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>No, it=E2=80=99s 800K.&nbsp; I don=E2=80=99t even encode the video =
for that, keeping down=20
round 300-400K.&nbsp; I can say only once that it=E2=80=99s been a =
Ustream problem =E2=80=93=20
during a big promo they were running just when I was playing...</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Djeffloops@gmail.com=20
href=3D"mailto:jeffloops@gmail.com">Jeff Duke</A> </DIV>
<DIV><B>Sent:</B> Saturday, March 05, 2011 5:31 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: ustreamers</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">Steve,=20
you are saying that you have a 1.9 M upload speed?! I am thinking of =
switching=20
to cable from dsl for that very reason. I am maxed at .860 kbps up =
:(<BR><BR>I=20
would lower your video to 200-300 max with a .7 though. IMO you need =
plenty of=20
headroom there. Video takes a backseat and having the show =
skipping/lagging=20
ruins it!<BR><BR>That said sometimes it is Ustreams fault but mostly =
it's not=20
:)<BR><BR>best,<BR><BR>J<BR><BR>
<DIV class=3Dgmail_quote>On Sat, Mar 5, 2011 at 11:39 AM, Steve Moyes =
<SPAN=20
dir=3Dltr>&lt;<A=20
href=3D"mailto:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.=
uk</A>&gt;</SPAN>=20
wrote:<BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
class=3Dgmail_quote>
  <DIV bgcolor=3D"#ffffff">
  <DIV><FONT size=3D2 face=3DArial>Well Jeff, I wasn't wrong about my =
connection,=20
  but I WAS wrong about everything else. I just tested my connection and =
got 1.9=20
  mbps, which is about what I expected. Then I checked my Flash Media =
Encoder=20
  settings - I have it at 500 kbps for video and 192 stereo for audio, =
so I=20
  should be able to broadcast that with Andy's .7 mbps =
connection.</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2 face=3DArial>I suppose that meas the occasional =
problems I had=20
  in the past were not due, as I thought, to lack of upload speed. It =
seems I=20
  was blaming my ISP, when I should have been blaming either Ustream, or =
my own=20
  incompetance.</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2 face=3DArial>Thanks for putting me right, =
Jeff.</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2 face=3DArial>And Andy, ignore all I said before =
and get=20
  Ustreaming!</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2 face=3DArial>Steve</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(0,0,0) 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV style=3D"FONT: 10pt arial; BACKGROUND: =
rgb(228,228,228)"><B>From:</B> <A=20
    title=3Djeffloops@gmail.com href=3D"mailto:jeffloops@gmail.com"=20
    target=3D_blank>Jeff Duke</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
    target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 05, =
2011 4:14=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ustreamers</DIV>
    <DIV>&nbsp;</DIV>Andy, Steve, we must be thinking in different units =
here. I=20
    would give a lot for a 1.6 mbps! That's blazing upstream speed! =
<BR>I=20
    broadcast often with a 10 mbps down and a .860 mbps upstream =
connection. The=20
    upstream is the important one here.<BR><BR>For broadcast I use the =
Flash=20
    Media Encoder for good control over quality. Video is 300 kbps, =
audio is 192=20
    kbps stereo. So total upload used is under .500 mbps which leaves me =
some=20
    headroom to bring in a Ninjam session if I want (using a public =
server)=20
    which might add another 100 kpbs up so still safe.<BR><BR>So have we =
got our=20
    megs and kilos mixed up or what here? :). .7 mbps is 700 kbps, =
plenty o'=20
    speed for the upside of your connection. I am surprised that your =
down is=20
    the same, usually it's much faster down than up.<BR><BR>my .02 units =

    worth,<BR><BR>J<BR><BR>
    <DIV class=3Dgmail_quote>On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes =
<SPAN=20
    dir=3Dltr>&lt;<A href=3D"mailto:stephenmoyes@blueyonder.co.uk"=20
    target=3D_blank>stephenmoyes@blueyonder.co.uk</A>&gt;</SPAN> =
wrote:<BR>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt =
0pt 0.8ex; PADDING-LEFT: 1ex"=20
    class=3Dgmail_quote>Andy, I'm afraid .7 mbps upload speed is a bit =
slow for=20
      Ustream. You really nead at least around 1.6 upload, ideally a bit =
faster.=20
      Download speed is less important.<BR><BR>So, I'm sorry to say, =
while=20
      you're at the British Forum for Ethnomusicology, it looks like =
Ustream=20
      will be difficult for you.<BR><BR>Steve<BR><BR>----- Original =
Message=20
      ----- From: "Andy Owens" &lt;<A =
href=3D"mailto:andy@1800dialword.com"=20
      target=3D_blank>andy@1800dialword.com</A>&gt;<BR>To: &lt;<A=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      =
target=3D_blank>Loopers-Delight@loopers-delight.com</A>&gt;<BR>Sent:=20
      Saturday, March 05, 2011 6:14 AM<BR>Subject: =
ustreamers<BR><BR><BR>Hey you=20
      ustreamers out there, I was gonna get on there, well I did, =
but<BR>anyway,=20
      I am in BFE and my upload and download are about the same, =
.7<BR>mbps.=20
      That aint fast enough is it?<BR><BR>Andy=20
  o<BR><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></DIV></BLOCKQUOTE></DIV>
<DIV>&nbsp;</DIV></DIV></DIV></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 17:52:09 2011
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <SNT143-w2370B5436CA1DDC38AA464B6C20@phx.gbl><AANLkTi=iJyRyG6pqZMOEmJbphw-8G9M5N0FvFyqD6dVm@mail.gmail.com><AANLkTimH-71HmGx8LfL+7rpQvULV8Z1yy7rDMPYhnW4x@mail.gmail.com><864434907DE0E9429B16AD587941F73F07C30F63@EXVBE010-2.exch010.intermedia.net><003701cbdb19$d2adc520$0d7ba85e@eced5194571a442><AANLkTik2OHK3bCT421i1BU2PoOY4HQeWQCMLNzGuv5wS@mail.gmail.com><00c001cbdb53$dbbb8820$0d7ba85e@eced5194571a442> <AANLkTinFgSnJ51ETJjOUS_0zAfdwYD88QJr2p7nM6pQo@mail.gmail.com>
Subject: Re: ustreamers
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  ----- Original Message -----=20
  From: Jeff Duke=20


  Steve, you are saying that you have a 1.9 M upload speed?

  Yes. It's cable.

  I would lower your video to 200-300 max with a .7 though. IMO you need =
plenty of headroom there. Video takes a backseat and having the show =
skipping/lagging ruins it!

  Agreed.

  That said sometimes it is Ustreams fault but mostly it's not :)

  Again you are correct, Jeff. It may have been more often Ustream's =
fault a couple of years ago, but not so much now...

  Cheers

  Steve




  On Sat, Mar 5, 2011 at 11:39 AM, Steve Moyes =
<stephenmoyes@blueyonder.co.uk> wrote:

    Well Jeff, I wasn't wrong about my connection, but I WAS wrong about =
everything else. I just tested my connection and got 1.9 mbps, which is =
about what I expected. Then I checked my Flash Media Encoder settings - =
I have it at 500 kbps for video and 192 stereo for audio, so I should be =
able to broadcast that with Andy's .7 mbps connection.

    I suppose that meas the occasional problems I had in the past were =
not due, as I thought, to lack of upload speed. It seems I was blaming =
my ISP, when I should have been blaming either Ustream, or my own =
incompetance.

    Thanks for putting me right, Jeff.

    And Andy, ignore all I said before and get Ustreaming!

    Steve
      ----- Original Message -----=20
      From: Jeff Duke=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Saturday, March 05, 2011 4:14 PM
      Subject: Re: ustreamers


      Andy, Steve, we must be thinking in different units here. I would =
give a lot for a 1.6 mbps! That's blazing upstream speed!=20
      I broadcast often with a 10 mbps down and a .860 mbps upstream =
connection. The upstream is the important one here.

      For broadcast I use the Flash Media Encoder for good control over =
quality. Video is 300 kbps, audio is 192 kbps stereo. So total upload =
used is under .500 mbps which leaves me some headroom to bring in a =
Ninjam session if I want (using a public server) which might add another =
100 kpbs up so still safe.

      So have we got our megs and kilos mixed up or what here? :). .7 =
mbps is 700 kbps, plenty o' speed for the upside of your connection. I =
am surprised that your down is the same, usually it's much faster down =
than up.

      my .02 units worth,

      J


      On Sat, Mar 5, 2011 at 4:43 AM, Steve Moyes =
<stephenmoyes@blueyonder.co.uk> wrote:

        Andy, I'm afraid .7 mbps upload speed is a bit slow for Ustream. =
You really nead at least around 1.6 upload, ideally a bit faster. =
Download speed is less important.

        So, I'm sorry to say, while you're at the British Forum for =
Ethnomusicology, it looks like Ustream will be difficult for you.

        Steve

        ----- Original Message ----- From: "Andy Owens" =
<andy@1800dialword.com>
        To: <Loopers-Delight@loopers-delight.com>
        Sent: Saturday, March 05, 2011 6:14 AM
        Subject: ustreamers


        Hey you ustreamers out there, I was gonna get on there, well I =
did, but
        anyway, I am in BFE and my upload and download are about the =
same, .7
        mbps. That aint fast enough is it?

        Andy o






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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18928">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Djeffloops@gmail.com =
href=3D"mailto:jeffloops@gmail.com">Jeff Duke</A>=20
  </DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT><BR></DIV>
  <DIV>Steve, you are saying that you have a 1.9 M upload speed?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial>Yes. It's cable.</FONT></DIV><FONT size=3D2=20
  face=3DArial></FONT><FONT size=3D2 face=3DArial></FONT>
  <DIV><BR>I would lower your video to 200-300 max with a .7 though. IMO =
you=20
  need plenty of headroom there. Video takes a backseat and having the =
show=20
  skipping/lagging ruins it!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial>Agreed.</FONT><BR><BR>That said sometimes it =
is Ustreams=20
  fault but mostly it's not :)</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial>Again you are correct, Jeff. It may have been =
more often=20
  Ustream's fault a couple of years ago, but not so much=20
  now...</FONT><BR><BR>Cheers</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial>Steve</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><BR><BR>&nbsp;</DIV>
  <DIV class=3Dgmail_quote>On Sat, Mar 5, 2011 at 11:39 AM, Steve Moyes =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.=
uk</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT size=3D2 face=3DArial>Well Jeff, I wasn't wrong about my =
connection,=20
    but I WAS wrong about everything else. I just tested my connection =
and got=20
    1.9 mbps, which is about what I expected. Then I checked my Flash =
Media=20
    Encoder settings - I have it at 500 kbps for video and 192 stereo =
for audio,=20
    so I should be able to broadcast that with Andy's .7 mbps=20
    connection.</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2 face=3DArial>I suppose that meas the occasional =
problems I=20
    had in the past were not due, as I thought, to lack of upload speed. =
It=20
    seems I was blaming my ISP, when I should have been blaming either =
Ustream,=20
    or my own incompetance.</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2 face=3DArial>Thanks for putting me right, =
Jeff.</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2 face=3DArial>And Andy, ignore all I said before =
and get=20
    Ustreaming!</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2 face=3DArial>Steve</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: rgb(0,0,0) 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV style=3D"FONT: 10pt arial; BACKGROUND: =
rgb(228,228,228)"><B>From:</B>=20
      <A title=3Djeffloops@gmail.com href=3D"mailto:jeffloops@gmail.com" =

      target=3D_blank>Jeff Duke</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 05, =
2011 4:14=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: =
ustreamers</DIV>
      <DIV><BR></DIV>Andy, Steve, we must be thinking in different units =
here. I=20
      would give a lot for a 1.6 mbps! That's blazing upstream speed! =
<BR>I=20
      broadcast often with a 10 mbps down and a .860 mbps upstream =
connection.=20
      The upstream is the important one here.<BR><BR>For broadcast I use =
the=20
      Flash Media Encoder for good control over quality. Video is 300 =
kbps,=20
      audio is 192 kbps stereo. So total upload used is under .500 mbps =
which=20
      leaves me some headroom to bring in a Ninjam session if I want =
(using a=20
      public server) which might add another 100 kpbs up so still=20
      safe.<BR><BR>So have we got our megs and kilos mixed up or what =
here? :).=20
      .7 mbps is 700 kbps, plenty o' speed for the upside of your =
connection. I=20
      am surprised that your down is the same, usually it's much faster =
down=20
      than up.<BR><BR>my .02 units worth,<BR><BR>J<BR><BR>
      <DIV class=3Dgmail_quote>On Sat, Mar 5, 2011 at 4:43 AM, Steve =
Moyes <SPAN=20
      dir=3Dltr>&lt;<A href=3D"mailto:stephenmoyes@blueyonder.co.uk"=20
      target=3D_blank>stephenmoyes@blueyonder.co.uk</A>&gt;</SPAN> =
wrote:<BR>
      <BLOCKQUOTE=20
      style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt =
0pt 0.8ex; PADDING-LEFT: 1ex"=20
      class=3Dgmail_quote>Andy, I'm afraid .7 mbps upload speed is a bit =
slow=20
        for Ustream. You really nead at least around 1.6 upload, ideally =
a bit=20
        faster. Download speed is less important.<BR><BR>So, I'm sorry =
to say,=20
        while you're at the British Forum for Ethnomusicology, it looks =
like=20
        Ustream will be difficult for you.<BR><BR>Steve<BR><BR>----- =
Original=20
        Message ----- From: "Andy Owens" &lt;<A=20
        href=3D"mailto:andy@1800dialword.com"=20
        target=3D_blank>andy@1800dialword.com</A>&gt;<BR>To: &lt;<A=20
        href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
        =
target=3D_blank>Loopers-Delight@loopers-delight.com</A>&gt;<BR>Sent:=20
        Saturday, March 05, 2011 6:14 AM<BR>Subject: =
ustreamers<BR><BR><BR>Hey=20
        you ustreamers out there, I was gonna get on there, well I did,=20
        but<BR>anyway, I am in BFE and my upload and download are about =
the=20
        same, .7<BR>mbps. That aint fast enough is it?<BR><BR>Andy=20
      =
o<BR><BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></DIV></BLOCKQUOTE></DIV><BR=
></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00E1_01CBDB5E.14010110--


From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 19:01:52 2011
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From: David Gans <david@trufun.com>
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I don't want an Anvil style case.  The Caltons have been great for me, =
and it just breaks my heart that the company has turned bad.

I will look into Ameritage when I've got some money to spend. Thanks.


On Mar 4, 2011, at 11:47 AM, richard sales wrote:

> Hayley got a new PRS acoustic with an Ameritage case.  Heavy duty.  =
She's flown it quite a bit and it seems to be holding up.  Don't know =
what they cost, but can't be any more than Calton.
>=20
> Of course, there are plenty places that will make you an Anvil style =
case.  They're great.  I've had one for 32 years that's been through it =
all.  Heavy as lead, though.=20
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>I don't want an Anvil style case. &nbsp;The =
Caltons have been great for me, and it just breaks my heart that the =
company has turned bad.</div><div><br></div><div>I will look into =
Ameritage when I've got some money to spend. =
Thanks.</div><div><br></div><div><br><div><div>On Mar 4, 2011, at 11:47 =
AM, richard sales wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Hayley got a =
new PRS acoustic with an Ameritage case. &nbsp;Heavy duty. &nbsp;She's =
flown it quite a bit and it seems to be holding up. &nbsp;Don't know =
what they cost, but can't be any more than =
Calton.</span></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Of course, =
there are plenty places that will make you an Anvil style case. =
&nbsp;They're great. &nbsp;I've had one for 32 years that's been through =
it all. &nbsp;Heavy as lead, though.&nbsp;<br></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-5-1069442669--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 19:32:15 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working
 link...(sorry)
Date: Sat, 5 Mar 2011 19:32:13 +0000
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Well today the Octa is limitied to 16 seconds of sampling=2C the default wa=
y of sampling is to sample 1-64 sequencer steps. To sample you first need t=
o set up source and lenght of sampling=2C something I typically do before i=
 start a "song". In this case all tracks on the Octa was set to sample from=
 source B and length was diffrent for a few treack but mostley 32 steps (2 =
beats) track one was 64 steps. Then you have to set playback for each tracl=
 (also someting i do before hand) so you can sample on one track and play t=
hat back on many (or no) tracks.=20
So when you start playing you will have a setup=2C which of course could al=
so include tracks with pre-recorded samples taht could be as mong as you li=
ke if you don't need to manipulate all parametrs in real time... then when =
you sample you need to press track+record simultanusly=2C which is less tha=
n great for live use. IN the next major OSupgrade there will bi MIDI so tha=
t you can record by MIDI commands and there will be a "real-tima recording"=
 mode as well. There ar very few of the ordinary looping commands=2C no fee=
dback control=2C overdub etc.. all you can do at the moment is tp sampla an=
d manipulate=2C you can sample from internal tracks=2C main or cue so you c=
an for exanple sample several tracks to one or live audio and a track to on=
e track sto simulate overdub. I didn't use any fancy stuff like that for th=
is track..
What it has that Loopers don't have is sequencer and effects that can be se=
quenced=2C slicing of sample=2C AMP parameters for playback=2C seemless pic=
hshift down and up one octave... really cool but as said a bit diffrent tha=
n what you expect from a looper.. but with better live sampling and a loope=
r machine this will be a BEAST..=20
=20
Anders



Date: Sat=2C 5 Mar 2011 04:25:38 -0800
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with workin=
g link...(sorry)
To: Loopers-Delight@loopers-delight.com






Anders=2C


please enlighten me and clarify what the Octotrack currently does in the wa=
y of live sampling and how that is different from what you would call a rea=
l looper. I am very intersted in getting one but I need to be sure what it =
really does first.


Antony




From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat=2C March 5=2C 2011 10:20:30 AM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with workin=
g link...(sorry)



http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey
=20


Date: Fri=2C 4 Mar 2011 20:00:34 -0700
Subject: Re: Elektron Octatrack used as a looper of sorts..
From: will.it.go.round@gmail.com
To: Loopers-Delight@loopers-delight.com

The link didn't work for me. Try again?=20

 		 	   		  =

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Well today the Octa is limitied to 16 seconds of sampling=2C the default wa=
y of sampling is to sample 1-64 sequencer steps. To sample you&nbsp=3Bfirst=
 need to set up source&nbsp=3Band lenght&nbsp=3Bof sampling=2C something I =
typically do before i start a "song". In this case all tracks on the Octa w=
as set to sample from source B and length was&nbsp=3Bdiffrent for a few tre=
ack&nbsp=3Bbut mostley 32 steps (2 beats) track one was 64 steps. Then you =
have to set playback for&nbsp=3Beach tracl (also someting i do before hand)=
 so you can sample on one track and play that back on many (or no) tracks. =
<BR>
So when you start playing you will have a setup=2C which of course could al=
so include tracks with pre-recorded samples taht could be as mong as you li=
ke if you don't need to manipulate all parametrs in real time... then when =
you sample you need to press track+record simultanusly=2C which is less tha=
n great for live use. IN the next major OSupgrade there will bi MIDI so tha=
t you can record by MIDI commands and there will be a "real-tima recording"=
 mode as well. There ar very few of the ordinary looping commands=2C no fee=
dback control=2C overdub etc.. all you can do at the moment is tp sampla an=
d manipulate=2C you can sample from internal tracks=2C main or cue so you c=
an for exanple sample several tracks to one or live audio and a track to on=
e track sto simulate overdub. I didn't use any fancy stuff like that for th=
is track..<BR>
What it has that Loopers don't have is sequencer and effects that can be se=
quenced=2C slicing of sample=2C AMP parameters for playback=2C seemless pic=
hshift down and up one octave... really cool but as said a bit diffrent tha=
n what you expect from a looper.. but with better live sampling and a loope=
r machine this will be a BEAST.. <BR>
&nbsp=3B<BR>
Anders<BR><BR>

<HR id=3DstopSpelling>
Date: Sat=2C 5 Mar 2011 04:25:38 -0800<BR>From: antonyhequet@yahoo.com<BR>S=
ubject: Re: Elektron Octatrack used as a looper of sorts.. now with working=
 link...(sorry)<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
<META name=3DGenerator content=3D"Microsoft SafeHTML">
<STYLE>
.ExternalClass DIV
{=3B}

</STYLE>

<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
0pt">
<DIV>Anders=2C</DIV>
<DIV><BR></DIV>
<DIV>please enlighten me and clarify what the Octotrack currently does in t=
he way of live sampling and how that is different from what you would call =
a real looper. I am very intersted in getting one but I need to be sure wha=
t it really does first.</DIV>
<DIV><BR></DIV>
<DIV>Antony</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
0pt"><BR>
<DIV style=3D"FONT-FAMILY: times new roman=2C new york=2C times=2C serif=3B=
 FONT-SIZE: 12pt"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Anders Bergdahl &lt=
=3Banders_e_bergdahl@hotmail.com&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bo=
ld">To:</SPAN></B> Loopers Delight &lt=3Bloopers-delight@loopers-delight.co=
m&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sat=2C Mar=
ch 5=2C 2011 10:20:30 AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</=
SPAN></B> RE: Elektron Octatrack used as a looper of sorts.. now with worki=
ng link...(sorry)<BR></FONT><BR>
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<SPAN><A href=3D"http://soundcloud.com/anders-bergdahl/2011-a-guitar-odysse=
y" target=3D_blank>http://soundcloud.com/anders-bergdahl/2011-a-guitar-odys=
sey</A></SPAN><BR>&nbsp=3B<BR>
<HR id=3DecxstopSpelling>
Date: Fri=2C 4 Mar 2011 20:00:34 -0700<BR>Subject: Re: Elektron Octatrack u=
sed as a looper of sorts..<BR>From: will.it.go.round@gmail.com<BR>To: Loope=
rs-Delight@loopers-delight.com<BR><BR>The link didn't work for me. Try agai=
n? </DIV></DIV>
<DIV></DIV></DIV><BR> 		 	   		  </body>
</html>=

--_163f51c6-d25b-4fbb-9849-21bdd6eee5b5_--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 20:04:32 2011
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Subject: Re: LP2 OR RANG 3
From: Mark Hamburg <mark@grubmah.com>
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I don't have a Rang, but I've looked at it in my potential drive away =
from rack effects. Two interesting points that those with Rangs should =
confirm. One good. One not so good.

Good: Per loop undo. Which means that in some sense you have up to 8 =
loops available (and in the normal configuration) 6 loops. It's just =
that only 4 or 3 of them can be playing at a time.

Not so good: The Rang has a sound dip at the recording point to make =
some loops more seamless but I would imagine that this would interfere =
with delay tails and ambient drones. There are work arounds but these =
can involve things like recording a blank loop first.

There's also the frustration that it offers lots of options but the =
control surface doesn't have enough buttons to handle them all. There is =
supposedly an expander box coming.

Mark

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 20:47:37 2011
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Date: Sat, 5 Mar 2011 12:47:35 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)
To: Loopers-Delight@loopers-delight.com
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Anders,

thank you for the detailed overview, I really appreciate it. Yes, when it has a 
dedicated sampler it will be loopedy loo. Is the 16 sec limitation a software 
thing or does it have to do with onboard RAM? What are the effects like?

Antony



________________________________
From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat, March 5, 2011 8:32:13 PM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)

 Well today the Octa is limitied to 16 seconds of sampling, the default way of 
sampling is to sample 1-64 sequencer steps. To sample you first need to set up 
source and lenght of sampling, something I typically do before i start a "song". 
In this case all tracks on the Octa was set to sample from source B and length 
was diffrent for a few treack but mostley 32 steps (2 beats) track one was 64 
steps. Then you have to set playback for each tracl (also someting i do before 
hand) so you can sample on one track and play that back on many (or no) tracks. 

So when you start playing you will have a setup, which of course could also 
include tracks with pre-recorded samples taht could be as mong as you like if 
you don't need to manipulate all parametrs in real time... then when you sample 
you need to press track+record simultanusly, which is less than great for live 
use. IN the next major OSupgrade there will bi MIDI so that you can record by 
MIDI commands and there will be a "real-tima recording" mode as well. There ar 
very few of the ordinary looping commands, no feedback control, overdub etc.. 
all you can do at the moment is tp sampla and manipulate, you can sample from 
internal tracks, main or cue so you can for exanple sample several tracks to one 
or live audio and a track to one track sto simulate overdub. I didn't use any 
fancy stuff like that for this track..
What it has that Loopers don't have is sequencer and effects that can be 
sequenced, slicing of sample, AMP parameters for playback, seemless pichshift 
down and up one octave... really cool but as said a bit diffrent than what you 
expect from a looper.. but with better live sampling and a looper machine this 
will be a BEAST.. 

 
Anders

________________________________
 Date: Sat, 5 Mar 2011 04:25:38 -0800
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)
To: Loopers-Delight@loopers-delight.com

 
Anders,

please enlighten me and clarify what the Octotrack currently does in the way of 
live sampling and how that is different from what you would call a real looper. 
I am very intersted in getting one but I need to be sure what it really does 
first.

Antony



________________________________
 From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat, March 5, 2011 10:20:30 AM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)

 http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey
 
________________________________
 Date: Fri, 4 Mar 2011 20:00:34 -0700
Subject: Re: Elektron Octatrack used as a looper of sorts..
From: will.it.go.round@gmail.com
To: Loopers-Delight@loopers-delight.com

The link didn't work for me. Try again? 



      
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Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>Anders,</div><div><br></div><div>thank you for the detailed overview, I really appreciate it. Yes, when it has a dedicated sampler it will be loopedy loo. Is the 16 sec limitation a software thing or does it have to do with onboard RAM? What are the effects like?</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-delight.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Sat, March 5, 2011 8:32:13
 PM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br></font><br>


<style><!--
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Well today the Octa is limitied to 16 seconds of sampling, the default way of sampling is to sample 1-64 sequencer steps. To sample you&nbsp;first need to set up source&nbsp;and lenght&nbsp;of sampling, something I typically do before i start a "song". In this case all tracks on the Octa was set to sample from source B and length was&nbsp;diffrent for a few treack&nbsp;but mostley 32 steps (2 beats) track one was 64 steps. Then you have to set playback for&nbsp;each tracl (also someting i do before hand) so you can sample on one track and play that back on many (or no) tracks. <br>
So when you start playing you will have a setup, which of course could also include tracks with pre-recorded samples taht could be as mong as you like if you don't need to manipulate all parametrs in real time... then when you sample you need to press track+record simultanusly, which is less than great for live use. IN the next major OSupgrade there will bi MIDI so that you can record by MIDI commands and there will be a "real-tima recording" mode as well. There ar very few of the ordinary looping commands, no feedback control, overdub etc.. all you can do at the moment is tp sampla and manipulate, you can sample from internal tracks, main or cue so you can for exanple sample several tracks to one or live audio and a track to one track sto simulate overdub. I didn't use any fancy stuff like that for this track..<br>
What it has that Loopers don't have is sequencer and effects that can be sequenced, slicing of sample, AMP parameters for playback, seemless pichshift down and up one octave... really cool but as said a bit diffrent than what you expect from a looper.. but with better live sampling and a looper machine this will be a BEAST.. <br>
&nbsp;<br>
Anders<br><br>

<hr id="stopSpelling">
Date: Sat, 5 Mar 2011 04:25:38 -0800<br>From: antonyhequet@yahoo.com<br>Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br>To: Loopers-Delight@loopers-delight.com<br><br>
 
<style>
.ExternalClass DIV
{}

</style>

<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:10pt;">
<div>Anders,</div>
<div><br></div>
<div>please enlighten me and clarify what the Octotrack currently does in the way of live sampling and how that is different from what you would call a real looper. I am very intersted in getting one but I need to be sure what it really does first.</div>
<div><br></div>
<div>Antony</div>
<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:10pt;"><br>
<div style="FONT-FAMILY:times new roman, new york, times, serif;FONT-SIZE:12pt;"><font size="2" face="Tahoma">
<hr size="1">
<b><span style="FONT-WEIGHT:bold;">From:</span></b> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style="FONT-WEIGHT:bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-delight.com&gt;<br><b><span style="FONT-WEIGHT:bold;">Sent:</span></b> Sat, March 5, 2011 10:20:30 AM<br><b><span style="FONT-WEIGHT:bold;">Subject:</span></b> RE: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br></font><br>
<style>
.ExternalClass .ecxhmmessage P
{padding:0px;}
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{font-size:10pt;font-family:Tahoma;}

</style>
<span><span><a target="_blank" href="http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey">http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey</a></span></span><br>&nbsp;<br>
<hr id="ecxstopSpelling">
Date: Fri, 4 Mar 2011 20:00:34 -0700<br>Subject: Re: Elektron Octatrack used as a looper of sorts..<br>From: will.it.go.round@gmail.com<br>To: Loopers-Delight@loopers-delight.com<br><br>The link didn't work for me. Try again? </div></div>
<div></div></div><br> 		 	   		  
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-890809537-1299358055=:39736--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 20:54:01 2011
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
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Subject: Re: Electro Harmonix Freeze - Vortex Patch
Date: Sat, 5 Mar 2011 12:53:58 -0800
References: <AANLkTikOXTC0WatOO6=FRJg-Pkp+SgEzqgQ0qvieTnt1@mail.gmail.com> <4D6F42EA.6080107@cruzio.com> <AANLkTi=0iVaEs3O0SkgERgvELNSDtM4sWeUKA9MZ_nyf@mail.gmail.com> <p06240827c995540d8813@192.168.2.2> <4D6FC589.1030908@tiscali.co.uk> <p0624082ac99576949f94@192.168.2.2> <4D6FE0AB.6090605@tiscali.co.uk> <p0624082cc99592ae35be@192.168.2.2> <4D6FF4A9.8000500@tiscali.co.uk> <p0624082dc995a8fa6f8e@192.168.2.2> <4D70FCE9.2080409@tiscali.co.uk> <AANLkTimOAkm36GhxC4dRDGjjfVLqY-K7L3Hq24Da8L13@mail.gmail.com> <4D71118B.9040403@tiscali.co.uk> <AANLkTi=NuHhVuLBbaf563tvAXptALO1UTCK2Y=2yGRFp@mail.gmail.com> <4D7226A9.5090507@tiscali.co.uk> <AANLkTik-5LDmUgoPM1K2w5wvLviFsGY1VOnZo68MYPWz@mail.gmail.com> <AANLkTimfJgh2R4_0rHRDC-H4rnURigPtcw4PHfiMvscz@mail.gmail.com>
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Amen.

I own two . . . still . . . even though I am going software for most  
other things.


On Mar 5, 2011, at 9:24 AM, Dennis Moser wrote:

> Lexicon Vortex:
>
> Rule #1. Never buy just one
> Rule #2. See Rule #1
> Rule #3. There is nothing else quite like them, especially when used  
> in pairs
> Rule #4. You will need spares; see Rule #1
>
> ...that is all.
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Sat, Mar 5, 2011 at 5:11 AM, Per Boysen <perboysen@gmail.com>  
> wrote:
>>>>
>>>> Mark:
>>>> PS: Doesnt it seem quaint to be talking about Vortex again?
>>
>> On Sat, Mar 5, 2011 at 1:03 PM, andy butler  
>> <akbutler@tiscali.co.uk> wrote:
>>> yup, but then there's never been a replacement for it
>>> either in hardware or software.
>>
>> Andy's Vortex site:
>> "The Vortex was the first of those four units to be discontinued ,
>> essentially because no-one understood what it did."
>>
>> What a shame!
>>
>> Per
>>
>>
>

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	<4D6FF4A9.8000500@tiscali.co.uk>
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Date: Sat, 5 Mar 2011 16:21:52 -0500
Message-ID: <AANLkTik0dcaGq637EQ=ysLn6a4L9EMXZoKnF2TsGY_XJ@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Jeff Duke <jeffloops@gmail.com>
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I love my two! Thanks Dennis. I was so happy when you finally parted with 2
of your 4 :)



On Sat, Mar 5, 2011 at 3:53 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wro=
te:

> Amen.
>
> I own two . . . still . . . even though I am going software for most othe=
r
> things.
>
>
> On Mar 5, 2011, at 9:24 AM, Dennis Moser wrote:
>
>  Lexicon Vortex:
>>
>> Rule #1. Never buy just one
>> Rule #2. See Rule #1
>> Rule #3. There is nothing else quite like them, especially when used in
>> pairs
>> Rule #4. You will need spares; see Rule #1
>>
>> ...that is all.
>>
>> Best,
>>
>> Dennis
>>
>> http://soundcloud.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>> On Sat, Mar 5, 2011 at 5:11 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>>
>>>>> Mark:
>>>>> PS: Doesnt it seem quaint to be talking about Vortex again?
>>>>>
>>>>
>>> On Sat, Mar 5, 2011 at 1:03 PM, andy butler <akbutler@tiscali.co.uk>
>>> wrote:
>>>
>>>> yup, but then there's never been a replacement for it
>>>> either in hardware or software.
>>>>
>>>
>>> Andy's Vortex site:
>>> "The Vortex was the first of those four units to be discontinued ,
>>> essentially because no-one understood what it did."
>>>
>>> What a shame!
>>>
>>> Per
>>>
>>>
>>>
>>

--20cf3071cbbcf572ba049dc2d963
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I love my two! Thanks Dennis. I was so happy when you finally parted with 2=
 of your 4 :)<br><br><br><br><div class=3D"gmail_quote">On Sat, Mar 5, 2011=
 at 3:53 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkil=
lian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Amen.<br>
<br>
I own two . . . still . . . even though I am going software for most other =
things.<br>
<br>
<br>
On Mar 5, 2011, at 9:24 AM, Dennis Moser wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Lexicon Vortex:<br>
<br>
Rule #1. Never buy just one<br>
Rule #2. See Rule #1<br>
Rule #3. There is nothing else quite like them, especially when used in pai=
rs<br>
Rule #4. You will need spares; see Rule #1<br>
<br>
...that is all.<br>
<br>
Best,<br>
<br>
Dennis<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
<br>
<br>
On Sat, Mar 5, 2011 at 5:11 AM, Per Boysen &lt;<a href=3D"mailto:perboysen@=
gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Mark:<br>
PS: Doesnt it seem quaint to be talking about Vortex again?<br>
</blockquote></blockquote>
<br>
On Sat, Mar 5, 2011 at 1:03 PM, andy butler &lt;<a href=3D"mailto:akbutler@=
tiscali.co.uk" target=3D"_blank">akbutler@tiscali.co.uk</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
yup, but then there&#39;s never been a replacement for it<br>
either in hardware or software.<br>
</blockquote>
<br>
Andy&#39;s Vortex site:<br>
&quot;The Vortex was the first of those four units to be discontinued ,<br>
essentially because no-one understood what it did.&quot;<br>
<br>
What a shame!<br>
<br>
Per<br>
<br>
<br>
</blockquote>
<br>
</blockquote>
</blockquote></div><br>

--20cf3071cbbcf572ba049dc2d963--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 21:43:31 2011
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By the way Per.. I tried your suggestion for gated reverb...

On Sat, Mar 5, 2011 at 11:33 AM, Per Boysen <perboysen@gmail.com> wrote:

> Try assign *input level* (as detected by the env follower) to *decay
> time* of a reverb placed later on in the effect chain.
> Per
>
> Absolutely NOTHING like gated reverb... but absolutely amazing!!! I admit I
> had a stupidly long reverb set (20sec) but it only appears when you play..
> so its a bit like having some weird tuned filters, that change your sound
> dependant on what you just played!!! Very odd indeed...
>

but velly velly interesting... and dat iz vat vee like...




-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--bcaec517aca648993e049dc327ee
Content-Type: text/html; charset=ISO-8859-1
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By the way Per.. I tried your suggestion for gated reverb...<br><br><div cl=
ass=3D"gmail_quote">On Sat, Mar 5, 2011 at 11:33 AM, Per Boysen <span dir=
=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>=
&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Try assign *input=
 level* (as detected by the env follower) to *decay<br>
time* of a reverb placed later on in the effect chain. <font color=3D"#8888=
88"><br>
Per<br>
</font><div><div></div><div class=3D"h5"><br clear=3D"all">Absolutely NOTHI=
NG like gated reverb... but absolutely amazing!!! I admit I had a stupidly =
long reverb set (20sec) but it only appears when you play.. so its a bit li=
ke having some weird tuned filters, that change your sound dependant on wha=
t you just played!!! Very odd indeed... <br>

</div></div></blockquote><div><br>but velly velly interesting... and dat iz=
 vat vee like...<br><br><br>=A0<br></div></div><br>-- <br><i style=3D"font-=
family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: rg=
b(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D"=
4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--bcaec517aca648993e049dc327ee--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 22:01:51 2011
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Date: Sat, 05 Mar 2011 14:01:48 -0800
Subject: Re: LP2 OR RANG 3
From: Richard Atkinson <thetoyroom@charter.net>
To: LOOPERS DELIGHT LIST <Loopers-Delight@loopers-delight.com>
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re: the 'not so good' point.  This is defeatable with the current software.
I turned mine off, and have had no probs doing ambient drones.


On 3/5/11 11:57 AM, "Mark Hamburg" <mark@grubmah.com> wrote:

> I don't have a Rang, but I've looked at it in my potential drive away from
> rack effects. Two interesting points that those with Rangs should confirm. One
> good. One not so good.
> 
> Good: Per loop undo. Which means that in some sense you have up to 8 loops
> available (and in the normal configuration) 6 loops. It's just that only 4 or
> 3 of them can be playing at a time.
> 
> Not so good: The Rang has a sound dip at the recording point to make some
> loops more seamless but I would imagine that this would interfere with delay
> tails and ambient drones. There are work arounds but these can involve things
> like recording a blank loop first.
> 
> There's also the frustration that it offers lots of options but the control
> surface doesn't have enough buttons to handle them all. There is supposedly an
> expander box coming.
> 
> Mark
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 22:39:04 2011
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On Mar 5, 2011, at 2:01 PM, Richard Atkinson wrote:

> re: the 'not so good' point.  This is defeatable with the current =
software.
> I turned mine off, and have had no probs doing ambient drones.

When I read the manual, it sounded like that was just an option for =
overdubs (stacks) as opposed to the initial recording.

Mark

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This has to be the wrong patch Andy... look at ECHO LVL on MOSAIC A... its
set to 1... er.. no echo... no "sound trappage".. I tried this withn 64...
still not much...
apart from a squiggly morph effect... probably juist the differences between
the res rate and depth levels....



On Fri, Mar 4, 2011 at 5:21 PM, andy butler <akbutler@tiscali.co.uk> wrote:

>
> Here it is:-
>
> Play in A  then  use pedal to morph and trap the sound.
> but be careful, sound depends a lot on how you work the ped
>
>
>           SWEEP A                             MOSAIC A
> MIX             64                                  64
> OUTPUT          64                                  64
> MODFX           64                                  64
> ECHO LVL        35                                   1
> MORPH           PEDAL
> ENV             1                                    1
> ECHO 1%         3                                    3
> ECHO 2%         2                                    5
> FBK 1           18                                  64
> FBK 2           43                                  64
> RATE1           6                                    6
> DEPTH1          48                                  64
> RES1            28                                   1
> RATE2           22                                  22
> DEPTH2           9                                   9
> RES2             1                                  43
>
> do comment if it doesn't do what you need
>
> andy




-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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This has to be the wrong patch Andy... look at ECHO LVL on MOSAIC A... its =
set to 1... er.. no echo... no &quot;sound trappage&quot;.. I tried this wi=
thn 64... still not much...<br>apart from a squiggly morph effect... probab=
ly juist the differences between the res rate and depth levels....<br>

<br><br><br><div class=3D"gmail_quote">On Fri, Mar 4, 2011 at 5:21 PM, andy=
 butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akb=
utler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204=
, 204); padding-left: 1ex;">

<br>
Here it is:-<br>
<br>
Play in A =A0then =A0use pedal to morph and trap the sound.<br>
but be careful, sound depends a lot on how you work the ped<br>
<br>
<br>
 =A0 =A0 =A0 =A0 =A0 SWEEP A =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 MOSAIC A<br>
MIX =A0 =A0 =A0 =A0 =A0 =A0 64 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
OUTPUT =A0 =A0 =A0 =A0 =A064 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
MODFX =A0 =A0 =A0 =A0 =A0 64 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
ECHO LVL =A0 =A0 =A0 =A035 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 1<br>
MORPH =A0 =A0 =A0 =A0 =A0 PEDAL<br>
ENV =A0 =A0 =A0 =A0 =A0 =A0 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A01<br>
ECHO 1% =A0 =A0 =A0 =A0 3 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A03<br>
ECHO 2% =A0 =A0 =A0 =A0 2 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A05<br>
FBK 1 =A0 =A0 =A0 =A0 =A0 18 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
FBK 2 =A0 =A0 =A0 =A0 =A0 43 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
RATE1 =A0 =A0 =A0 =A0 =A0 6 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=
 =A0 =A0 =A0 =A0 =A0 =A06<br>
DEPTH1 =A0 =A0 =A0 =A0 =A048 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A064<br>
RES1 =A0 =A0 =A0 =A0 =A0 =A028 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 1<br>
RATE2 =A0 =A0 =A0 =A0 =A0 22 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A022<br>
DEPTH2 =A0 =A0 =A0 =A0 =A0 9 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A0 9<br>
RES2 =A0 =A0 =A0 =A0 =A0 =A0 1 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =
=A0 =A0 =A0 =A0 =A0 =A043 =A0 =A0<br>
<br>
do comment if it doesn&#39;t do what you need<br><font color=3D"#888888">
<br>
andy</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"=
font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-colo=
r: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" siz=
e=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e824ccc3220049dc43788--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  5 23:37:58 2011
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Subject: RE: LP2 OR RANG 3
Date: Sat, 5 Mar 2011 18:31:41 -0500
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Here's what the manual says about Undo:

10.9 Undo (Redo) - Assignable to either Bonus button & controlled by a tap
or hold

Mute the last part stacked on a loop (Undo) - After stacking, press Undo and
the last sounds stacked will be removed from the loop, and Undo will blink
slow. The "last sounds stacked" is defined as all recorded sounds between
two presses of Stack.

Restore a muted part (Redo) - Press Undo while it is blinking and the part
is restored so it is heard again. Undo stops blinking.

When Undo/Redo won't work.

1) If the stack function is used again, the previously stacked part can no
longer be disabled or enabled.
A) If Undo is NOT blinking when stack is used again, the previously stacked
part becomes a permanent part of its loop.
B) If Undo is blinking when stack is used again, the previously stacked part
is lost and cannot be recovered. Undo stops blinking.
2) If stacking is active and you move from one loop to another, the material
stacked on the first loop becomes permanent and cannot be "undone." The Undo
function now applies to what you are stacking on the second loop.
3) If a part is stacked while Undo is not assigned to a Bonus button, the
part will not respond to Undo if it is assigned later.

NOTE - The last stacked part can still be turned on or off after playing or
recording other loops.
=====

One of the Rang's "optional behaviors" is to change the way it handles loop
boundaries in order to enable seamless drones.
=====

You can see the whole Rang' manual here:
http://www.boomerangmusic.com/E-156%20eManual%20Version2.pdf
=====

The "sidecar" which will allow direct access of all features is looking like
a reality. Mike Nelson talks about it here:
http://createdigitalmusic.com/2011/02/boomerang-iii-is-the-live-looper-box-t
exas-made-great-video-tutorials/?utm_source=feedburner&utm_medium=feed&utm_c
ampaign=Feed%3A+createdigitalmusic+%28createdigitalmusic.com%29&utm_content=
Bloglines

and there's what looks like an artist's rendering as well.

Hope this helps.

hoby


-----Original Message-----
From: Mark Hamburg [mailto:mark@grubmah.com] 
Sent: Saturday, March 05, 2011 2:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP2 OR RANG 3

I don't have a Rang, but I've looked at it in my potential drive away from
rack effects. Two interesting points that those with Rangs should confirm.
One good. One not so good.

Good: Per loop undo. Which means that in some sense you have up to 8 loops
available (and in the normal configuration) 6 loops. It's just that only 4
or 3 of them can be playing at a time.

Not so good: The Rang has a sound dip at the recording point to make some
loops more seamless but I would imagine that this would interfere with delay
tails and ambient drones. There are work arounds but these can involve
things like recording a blank loop first.

There's also the frustration that it offers lots of options but the control
surface doesn't have enough buttons to handle them all. There is supposedly
an expander box coming.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 01:33:29 2011
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Well said with very few words Dennis........ Ah the lovely confluence of technology and G.A.S. ......


-----Original Message-----
>From: Dennis Moser <sinsofmachaut@gmail.com>
>Sent: Mar 5, 2011 10:24 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Electro Harmonix Freeze - Vortex Patch
>
>Lexicon Vortex:
>
>Rule #1. Never buy just one
>Rule #2. See Rule #1
>Rule #3. There is nothing else quite like them, especially when used in pairs
>Rule #4. You will need spares; see Rule #1
>
>...that is all.
>
>Best,
>
>Dennis
>
>http://soundcloud.com/usrsbin
>http://audiozoloft.com
>http://usrslashsbin.angrek.com/
>
>
>
>On Sat, Mar 5, 2011 at 5:11 AM, Per Boysen <perboysen@gmail.com> wrote:
>>>>
>>>> Mark:
>>>> PS: Doesnt it seem quaint to be talking about Vortex again?
>>
>> On Sat, Mar 5, 2011 at 1:03 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>>> yup, but then there's never been a replacement for it
>>> either in hardware or software.
>>
>> Andy's Vortex site:
>> "The Vortex was the first of those four units to be discontinued ,
>> essentially because no-one understood what it did."
>>
>> What a shame!
>>
>> Per
>>
>>
>

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I own a Vortex...still have no idea about its proper use!! and it seems to
suck some of my tone...I wonder why? Anyone here experience that?

I also have a Freeze, which I have been getting better at using these days.
Love it! I bet it would be cool to have a few Freeze's placed at various
points in one's signal chain, upstream of your loopers. Fun!!!

Edward in NJ

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 02:35:13 2011
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Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)
From: Art Simon <simart@gmail.com>
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Cool track, and nice guitar work! Sounds like it was a lot of fun.
Thanks Anders!

On Sat, Mar 5, 2011 at 12:47 PM,  <antonyhequet@yahoo.com> wrote:
> Anders,
> thank you for the detailed overview, I really appreciate it. Yes, when it
> has a dedicated sampler it will be loopedy loo. Is the 16 sec limitation =
a
> software thing or does it have to do with onboard RAM? What are the effec=
ts
> like?
> Antony
> ________________________________
> From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
> To: Loopers Delight <loopers-delight@loopers-delight.com>
> Sent: Sat, March 5, 2011 8:32:13 PM
> Subject: RE: Elektron Octatrack used as a looper of sorts.. now with work=
ing
> link...(sorry)
>
> Well today the Octa is limitied to 16 seconds of sampling, the default wa=
y
> of sampling is to sample 1-64 sequencer steps. To sample you=A0first need=
 to
> set up source=A0and lenght=A0of sampling, something I typically do before=
 i
> start a "song". In this case all tracks on the Octa was set to sample fro=
m
> source B and length was=A0diffrent for a few treack=A0but mostley 32 step=
s (2
> beats) track one was 64 steps. Then you have to set playback for=A0each t=
racl
> (also someting i do before hand) so you can sample on one track and play
> that back on many (or no) tracks.
> So when you start playing you will have a setup, which of course could al=
so
> include tracks with pre-recorded samples taht could be as mong as you lik=
e
> if you don't need to manipulate all parametrs in real time... then when y=
ou
> sample you need to press track+record simultanusly, which is less than gr=
eat
> for live use. IN the next major OSupgrade there will bi MIDI so that you =
can
> record by MIDI commands and there will be a "real-tima recording" mode as
> well. There ar very few of the ordinary looping commands, no feedback
> control, overdub etc.. all you can do at the moment is tp sampla and
> manipulate, you can sample from internal tracks, main or cue so you can f=
or
> exanple sample several tracks to one or live audio and a track to one tra=
ck
> sto simulate overdub. I didn't use any fancy stuff like that for this
> track..
> What it has that Loopers don't have is sequencer and effects that can be
> sequenced, slicing of sample, AMP parameters for playback, seemless
> pichshift down and up one octave... really cool but as said a bit diffren=
t
> than what you expect from a looper.. but with better live sampling and a
> looper machine this will be a BEAST..
>
> Anders
>
> ________________________________
> Date: Sat, 5 Mar 2011 04:25:38 -0800
> From: antonyhequet@yahoo.com
> Subject: Re: Elektron Octatrack used as a looper of sorts.. now with work=
ing
> link...(sorry)
> To: Loopers-Delight@loopers-delight.com
>
> Anders,
> please enlighten me and clarify what the Octotrack currently does in the =
way
> of live sampling and how that is different from what you would call a rea=
l
> looper. I am very intersted in getting one but I need to be sure what it
> really does first.
> Antony
> ________________________________
> From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
> To: Loopers Delight <loopers-delight@loopers-delight.com>
> Sent: Sat, March 5, 2011 10:20:30 AM
> Subject: RE: Elektron Octatrack used as a looper of sorts.. now with work=
ing
> link...(sorry)
>
> http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey
>
> ________________________________
> Date: Fri, 4 Mar 2011 20:00:34 -0700
> Subject: Re: Elektron Octatrack used as a looper of sorts..
> From: will.it.go.round@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
> The link didn't work for me. Try again?
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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From: richard sales <richard@glasswing.com>
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Subject: Re: Calton cases
Date: Sat, 5 Mar 2011 20:49:20 -0800
In-Reply-To: <85846083-42D4-498B-9855-D1422F066375@trufun.com>
To: Loopers-Delight@loopers-delight.com
References: <A871CCB1-BA4D-4D81-938E-CBF3D7CB177F@trufun.com> <405EBA10-631F-4173-8B19-73BE0A3FB6C0@glasswing.com> <85846083-42D4-498B-9855-D1422F066375@trufun.com>
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--Apple-Mail-21--1042786911
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David,

well, I wouldn't let Calton get away with 900 Georges either. =20

It looks like Elderly Instruments has them in stock.  I suspect they're =
way behind and only servicing their big vendors.=20

www.elderly.com

You might call Elderly and ask around.  Maybe they can find a solution =
for you.  They have a good rep.

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com
www.reverbnation.com/richardsalestreefrogorchestra










On Mar 5, 2011, at 11:01 AM, David Gans wrote:

>=20
> I don't want an Anvil style case.  The Caltons have been great for me, =
and it just breaks my heart that the company has turned bad.
>=20
> I will look into Ameritage when I've got some money to spend. Thanks.
>=20
>=20
> On Mar 4, 2011, at 11:47 AM, richard sales wrote:
>=20
>> Hayley got a new PRS acoustic with an Ameritage case.  Heavy duty.  =
She's flown it quite a bit and it seems to be holding up.  Don't know =
what they cost, but can't be any more than Calton.
>>=20
>> Of course, there are plenty places that will make you an Anvil style =
case.  They're great.  I've had one for 32 years that's been through it =
all.  Heavy as lead, though.=20
>>=20
>=20
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>=20
>=20
>=20
>=20


--Apple-Mail-21--1042786911
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">David,<div><br></div><div>well, I wouldn't let Calton get away with =
900 Georges either. &nbsp;<div><span class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 12px; "><br></span></div><div>It =
looks like Elderly Instruments has them in stock. &nbsp;I suspect =
they're way behind and only servicing their big =
vendors.&nbsp;</div><div><br></div><div><a =
href=3D"http://www.elderly.com">www.elderly.com</a></div><div><br></div><d=
iv>You might call Elderly and ask around. &nbsp;Maybe they can find a =
solution for you. &nbsp;They have a good =
rep.</div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 12px; ">richard =
sales</span></div><div><div><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.reverbnation.com/richardsalestreefrogorchestra">www.rev=
erbnation.com/richardsalestreefrogorchestra</a></font></div><div><br></div=
></div></span><br class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Mar 5, 2011, at 11:01 AM, David Gans wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div>I don't =
want an Anvil style case. &nbsp;The Caltons have been great for me, and =
it just breaks my heart that the company has turned =
bad.</div><div><br></div><div>I will look into Ameritage when I've got =
some money to spend. Thanks.</div><div><br></div><div><br><div><div>On =
Mar 4, 2011, at 11:47 AM, richard sales wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Hayley got a =
new PRS acoustic with an Ameritage case. &nbsp;Heavy duty. &nbsp;She's =
flown it quite a bit and it seems to be holding up. &nbsp;Don't know =
what they cost, but can't be any more than =
Calton.</span></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Of course, =
there are plenty places that will make you an Anvil style case. =
&nbsp;They're great. &nbsp;I've had one for 32 years that's been through =
it all. &nbsp;Heavy as lead, though.&nbsp;<br></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-size: medium; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Times; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-size: 12px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com/">http://cloudsurfing.gdhour.com</a=
></div><div>Web site: <a =
href=3D"http://www.dgans.com/">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></div></blockquote></div><br></div></div></body></html>=

--Apple-Mail-21--1042786911--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 05:51:37 2011
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Date: Sat, 5 Mar 2011 22:51:33 -0700
Message-ID: <AANLkTinD50mnq8oCmTjX2cPxMODmxJPqf4oVtTMMEU-L@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ed,

They (along with the Lexicon Jamman) are very sensitive as to their
input settings...they're really kind of eccentric bits of gear...if
there is tone suckage, I'd recommend trying to just play through the
Vortex and tweak it to get it right...

And as everyone else has been saying (and why I still own two of them;
I'm down from four), there is simply nothing out there that does the
same thing, neither hardware nor software (and believe us, it's not
from lack of looking and trying to find a replacement for them!).

Play with it and enjoy it...they really are quite special.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sat, Mar 5, 2011 at 7:04 PM, ejyuhas <ejyuhas@embarqmail.com> wrote:
>
> I own a Vortex...still have no idea about its proper use!! and it seems to
> suck some of my tone...I wonder why? Anyone here experience that?
>
> I also have a Freeze, which I have been getting better at using these days.
> Love it! I bet it would be cool to have a few Freeze's placed at various
> points in one's signal chain, upstream of your loopers. Fun!!!
>
> Edward in NJ
>
>

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Date: Sat, 5 Mar 2011 22:55:05 -0700
Message-ID: <AANLkTi=BU6PWXPei-coXxJ5gqWfQ8Oavgo_d5CUbH50-@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm not in the habit of doing this, but this album was one of my first
serious attempts at using the Vortex...it's ONLY a pair of Vortexes
and my first electric guitar, a Fender Squire and an Ebow...I used a
pair of Morley A/B switches to route the signal around and recorded
straight to hard drive.

http://itunes.apple.com/us/album/the-ambient-guitar-vol-i/id152016640

...just to continue with what Andy had pointed out about using the Vortex.

Enjoy!

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sat, Mar 5, 2011 at 10:51 PM, Dennis Moser <sinsofmachaut@gmail.com> wrote:
> Ed,
>
> They (along with the Lexicon Jamman) are very sensitive as to their
> input settings...they're really kind of eccentric bits of gear...if
> there is tone suckage, I'd recommend trying to just play through the
> Vortex and tweak it to get it right...
>
> And as everyone else has been saying (and why I still own two of them;
> I'm down from four), there is simply nothing out there that does the
> same thing, neither hardware nor software (and believe us, it's not
> from lack of looking and trying to find a replacement for them!).
>
> Play with it and enjoy it...they really are quite special.
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Sat, Mar 5, 2011 at 7:04 PM, ejyuhas <ejyuhas@embarqmail.com> wrote:
>>
>> I own a Vortex...still have no idea about its proper use!! and it seems to
>> suck some of my tone...I wonder why? Anyone here experience that?
>>
>> I also have a Freeze, which I have been getting better at using these days.
>> Love it! I bet it would be cool to have a few Freeze's placed at various
>> points in one's signal chain, upstream of your loopers. Fun!!!
>>
>> Edward in NJ
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 08:16:25 2011
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Date: Sun, 6 Mar 2011 09:15:32 +0100
Message-ID: <-6592828410188813703@unknownmsgid>
Subject: Re: Electro Harmonix Freeze - Vortex Patch
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Well it doesnt have a true bypass, so that might be ut? But Im afraid
i never understand the statement ...it sucks my tone... What do
guitarists mean? What tone? The tone of the original guitar? As in
bass And treble tone? Or some magical other tone? Its annoying that
things dont have true bypass cos then you have to deal with multiple
gain controls, But does the Sound change, i dunno... You just bought a
Vortex... Do   You want the Sound to stay the same?

No sarcasm here... Educate me?

Mark

Sent from my (advertisement removed)

On 6 Mar 2011, at 03:04, "ejyuhas" <ejyuhas@embarqmail.com> wrote:

>
> I own a Vortex...still have no idea about its proper use!! and it seems to
> suck some of my tone...I wonder why? Anyone here experience that?
>
> I also have a Freeze, which I have been getting better at using these days.
> Love it! I bet it would be cool to have a few Freeze's placed at various
> points in one's signal chain, upstream of your loopers. Fun!!!
>
> Edward in NJ
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 08:30:54 2011
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Subject: Re: Electro Harmonix Freeze - Vortex Patch
Date: Sun, 06 Mar 2011 00:29:10 -0800
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Have you ever played through a tube screamer with the effect off?  That's 
tone suckage.  Sounds like you turned your tone control on your guitar 
to -10

t
----- Original Message ----- 
From: "mark francombe" <markfrancombe@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 06, 2011 12:15 AM
Subject: Re: Electro Harmonix Freeze - Vortex Patch


> Well it doesnt have a true bypass, so that might be ut? But Im afraid
> i never understand the statement ...it sucks my tone... What do
> guitarists mean? What tone? The tone of the original guitar? As in
> bass And treble tone? Or some magical other tone? Its annoying that
> things dont have true bypass cos then you have to deal with multiple
> gain controls, But does the Sound change, i dunno... You just bought a
> Vortex... Do   You want the Sound to stay the same?
>
> No sarcasm here... Educate me?
>
> Mark
>
> Sent from my (advertisement removed)
>
> On 6 Mar 2011, at 03:04, "ejyuhas" <ejyuhas@embarqmail.com> wrote:
>
>>
>> I own a Vortex...still have no idea about its proper use!! and it seems 
>> to
>> suck some of my tone...I wonder why? Anyone here experience that?
>>
>> I also have a Freeze, which I have been getting better at using these 
>> days.
>> Love it! I bet it would be cool to have a few Freeze's placed at various
>> points in one's signal chain, upstream of your loopers. Fun!!!
>>
>> Edward in NJ
>>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 10:55:22 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working
 link...(sorry)
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I think  the sampling limitation are sofware limitations=2C and in part due=
 to RAM limitations on the Flex machines. For longer samples it would be ni=
ce to record direct to card.  I really like the effects you can also let LF=
O affect a lot of effect parameters in a beat synced way. The LFO can also =
be applied to pitch=2C staring point and the rate=2C rate goes from "normal=
" or realtime to slow down to full reverse.. it's really cool to map these =
thing to scenes and control it with the crossfader=2C or map the to sequenc=
er steps so that you reverse just=2C for example=2C 1/4 of the sample... or=
 again asign it to an LFO which you can design with its own pattern. And i =
haven't even started using sample slicing=2C micro timing=2C different time=
 signatures on two track for polyryhtms...
MUch fun can be had with this device...=20



Date: Sat=2C 5 Mar 2011 12:47:35 -0800
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with workin=
g link...(sorry)
To: Loopers-Delight@loopers-delight.com






Anders=2C


thank you for the detailed overview=2C I really appreciate it. Yes=2C when =
it has a dedicated sampler it will be loopedy loo. Is the 16 sec limitation=
 a software thing or does it have to do with onboard RAM? What are the effe=
cts like?


Antony




From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat=2C March 5=2C 2011 8:32:13 PM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with workin=
g link...(sorry)



Well today the Octa is limitied to 16 seconds of sampling=2C the default wa=
y of sampling is to sample 1-64 sequencer steps. To sample you first need t=
o set up source and lenght of sampling=2C something I typically do before i=
 start a "song". In this case all tracks on the Octa was set to sample from=
 source B and length was diffrent for a few treack but mostley 32 steps (2 =
beats) track one was 64 steps. Then you have to set playback for each tracl=
 (also someting i do before hand) so you can sample on one track and play t=
hat back on many (or no) tracks.=20
So when you start playing you will have a setup=2C which of course could al=
so include tracks with pre-recorded samples taht could be as mong as you li=
ke if you don't need to manipulate all parametrs in real time... then when =
you sample you need to press track+record simultanusly=2C which is less tha=
n great for live use. IN the next major OSupgrade there will bi MIDI so tha=
t you can record by MIDI commands and there will be a "real-tima recording"=
 mode as well. There ar very few of the ordinary looping commands=2C no fee=
dback control=2C overdub etc.. all you can do at the moment is tp sampla an=
d manipulate=2C you can sample from internal tracks=2C main or cue so you c=
an for exanple sample several tracks to one or live audio and a track to on=
e track sto simulate overdub. I didn't use any fancy stuff like that for th=
is track..
What it has that Loopers don't have is sequencer and effects that can be se=
quenced=2C slicing of sample=2C AMP parameters for playback=2C seemless pic=
hshift down and up one octave... really cool but as said a bit diffrent tha=
n what you expect from a looper.. but with better live sampling and a loope=
r machine this will be a BEAST..=20
=20
Anders



Date: Sat=2C 5 Mar 2011 04:25:38 -0800
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with workin=
g link...(sorry)
To: Loopers-Delight@loopers-delight.com





Anders=2C


please enlighten me and clarify what the Octotrack currently does in the wa=
y of live sampling and how that is different from what you would call a rea=
l looper. I am very intersted in getting one but I need to be sure what it =
really does first.


Antony




From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat=2C March 5=2C 2011 10:20:30 AM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with workin=
g link...(sorry)



http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey
=20


Date: Fri=2C 4 Mar 2011 20:00:34 -0700
Subject: Re: Elektron Octatrack used as a looper of sorts..
From: will.it.go.round@gmail.com
To: Loopers-Delight@loopers-delight.com

The link didn't work for me. Try again?=20



 		 	   		  =

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I think&nbsp=3B the sampling limitation are sofware limitations=2C and in p=
art due to RAM limitations on the Flex machines. For longer samples it woul=
d be nice to record direct to card.&nbsp=3B I really like the effects you c=
an also let LFO affect a lot of effect parameters in a beat synced way. The=
 LFO can also be applied to pitch=2C staring point and the rate=2C rate goe=
s from "normal" or realtime to slow down to full reverse.. it's really cool=
 to map these thing to scenes and control it with the crossfader=2C or map =
the to sequencer steps so that you reverse just=2C for example=2C&nbsp=3B1/=
4 of the sample... or again asign it to an LFO which you can design with it=
s own pattern. And i haven't even started using sample slicing=2C micro tim=
ing=2C different time signatures on two track for polyryhtms...<BR>
MUch fun can be had with this device... <BR><BR>

<HR id=3DstopSpelling>
Date: Sat=2C 5 Mar 2011 12:47:35 -0800<BR>From: antonyhequet@yahoo.com<BR>S=
ubject: Re: Elektron Octatrack used as a looper of sorts.. now with working=
 link...(sorry)<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
<META name=3DGenerator content=3D"Microsoft SafeHTML">
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<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
0pt">
<DIV>Anders=2C</DIV>
<DIV><BR></DIV>
<DIV>thank you for the detailed overview=2C I really appreciate it. Yes=2C =
when it has a dedicated sampler it will be loopedy loo. Is the 16 sec limit=
ation a software thing or does it have to do with onboard RAM? What are the=
 effects like?</DIV>
<DIV><BR></DIV>
<DIV>Antony</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
0pt"><BR>
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 FONT-SIZE: 12pt"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Anders Bergdahl &lt=
=3Banders_e_bergdahl@hotmail.com&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bo=
ld">To:</SPAN></B> Loopers Delight &lt=3Bloopers-delight@loopers-delight.co=
m&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sat=2C Mar=
ch 5=2C 2011 8:32:13 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</S=
PAN></B> RE: Elektron Octatrack used as a looper of sorts.. now with workin=
g link...(sorry)<BR></FONT><BR>
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Well today the Octa is limitied to 16 seconds of sampling=2C the default wa=
y of sampling is to sample 1-64 sequencer steps. To sample you&nbsp=3Bfirst=
 need to set up source&nbsp=3Band lenght&nbsp=3Bof sampling=2C something I =
typically do before i start a "song". In this case all tracks on the Octa w=
as set to sample from source B and length was&nbsp=3Bdiffrent for a few tre=
ack&nbsp=3Bbut mostley 32 steps (2 beats) track one was 64 steps. Then you =
have to set playback for&nbsp=3Beach tracl (also someting i do before hand)=
 so you can sample on one track and play that back on many (or no) tracks. =
<BR>So when you start playing you will have a setup=2C which of course coul=
d also include tracks with pre-recorded samples taht could be as mong as yo=
u like if you don't need to manipulate all parametrs in real time... then w=
hen you sample you need to press track+record simultanusly=2C which is less=
 than great for live use. IN the next major OSupgrade there will bi MIDI so=
 that you can record by MIDI commands and there will be a "real-tima record=
ing" mode as well. There ar very few of the ordinary looping commands=2C no=
 feedback control=2C overdub etc.. all you can do at the moment is tp sampl=
a and manipulate=2C you can sample from internal tracks=2C main or cue so y=
ou can for exanple sample several tracks to one or live audio and a track t=
o one track sto simulate overdub. I didn't use any fancy stuff like that fo=
r this track..<BR>What it has that Loopers don't have is sequencer and effe=
cts that can be sequenced=2C slicing of sample=2C AMP parameters for playba=
ck=2C seemless pichshift down and up one octave... really cool but as said =
a bit diffrent than what you expect from a looper.. but with better live sa=
mpling and a looper machine this will be a BEAST.. <BR>&nbsp=3B<BR>Anders<B=
R><BR>
<HR id=3DecxstopSpelling>
Date: Sat=2C 5 Mar 2011 04:25:38 -0800<BR>From: antonyhequet@yahoo.com<BR>S=
ubject: Re: Elektron Octatrack used as a looper of sorts.. now with working=
 link...(sorry)<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
<STYLE>
.ExternalClass DIV
{=3B}
</STYLE>

<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
0pt">
<DIV>Anders=2C</DIV>
<DIV><BR></DIV>
<DIV>please enlighten me and clarify what the Octotrack currently does in t=
he way of live sampling and how that is different from what you would call =
a real looper. I am very intersted in getting one but I need to be sure wha=
t it really does first.</DIV>
<DIV><BR></DIV>
<DIV>Antony</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
0pt"><BR>
<DIV style=3D"FONT-FAMILY: times new roman=2C new york=2C times=2C serif=3B=
 FONT-SIZE: 12pt"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Anders Bergdahl &lt=
=3Banders_e_bergdahl@hotmail.com&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bo=
ld">To:</SPAN></B> Loopers Delight &lt=3Bloopers-delight@loopers-delight.co=
m&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sat=2C Mar=
ch 5=2C 2011 10:20:30 AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</=
SPAN></B> RE: Elektron Octatrack used as a looper of sorts.. now with worki=
ng link...(sorry)<BR></FONT><BR>
<STYLE>
.ExternalClass .ecxhmmessage P
{padding:0px=3B}
.ExternalClass body.ecxhmmessage
{font-size:10pt=3Bfont-family:Tahoma=3B}
</STYLE>
<SPAN><SPAN><A href=3D"http://soundcloud.com/anders-bergdahl/2011-a-guitar-=
odyssey" target=3D_blank>http://soundcloud.com/anders-bergdahl/2011-a-guita=
r-odyssey</A></SPAN></SPAN><BR>&nbsp=3B<BR>
<HR id=3DecxstopSpelling>
Date: Fri=2C 4 Mar 2011 20:00:34 -0700<BR>Subject: Re: Elektron Octatrack u=
sed as a looper of sorts..<BR>From: will.it.go.round@gmail.com<BR>To: Loope=
rs-Delight@loopers-delight.com<BR><BR>The link didn't work for me. Try agai=
n? </DIV></DIV>
<DIV></DIV></DIV><BR></DIV></DIV>
<DIV></DIV></DIV><BR> 		 	   		  </body>
</html>=

--_75e65a6b-3f7b-42ef-94ae-1a38caae167d_--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 11:51:35 2011
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Subject: Re: Electro Harmonix Freeze - Vortex Patch
References: <AANLkTikOXTC0WatOO6=FRJg-Pkp+SgEzqgQ0qvieTnt1@mail.gmail.com> <4D6F42EA.6080107@cruzio.com> <AANLkTi=0iVaEs3O0SkgERgvELNSDtM4sWeUKA9MZ_nyf@mail.gmail.com> <p06240827c995540d8813@192.168.2.2> <4D6FC589.1030908@tiscali.co.uk> <p0624082ac99576949f94@192.168.2.2> <4D6FE0AB.6090605@tiscali.co.uk> <p0624082cc99592ae35be@192.168.2.2> <4D6FF4A9.8000500@tiscali.co.uk> <p0624082dc995a8fa6f8e@192.168.2.2> <4D70FCE9.2080409@tiscali.co.uk> <AANLkTimOAkm36GhxC4dRDGjjfVLqY-K7L3Hq24Da8L13@mail.gmail.com> <4D71118B.9040403@tiscali.co.uk> <AANLkTimjuPf=N8KHRnTK6WXNcQc3qQAVHkHNsG9oNPs8@mail.gmail.com>
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ok,
I have to find the 'special booklet'.
......
That checks out apart from MIX being 32 on both patches.
Also it suggests MORPH values of 27 if morphing without the pedal.
...

So I reckon the wrong bit is "play in A then..."
which should be              "play in B then..."  

...try working the pedal
in the opposite direction, see if that works.

andy

mark francombe wrote:
> This has to be the wrong patch Andy... look at ECHO LVL on MOSAIC A... 
> its set to 1... er.. no echo... no "sound trappage".. I tried this withn 
> 64... still not much...
> apart from a squiggly morph effect... probably juist the differences 
> between the res rate and depth levels....
>     Here it is:-
> 
>     Play in A  then  use pedal to morph and trap the sound.
>     but be careful, sound depends a lot on how you work the ped
> 
> 
>               SWEEP A                             MOSAIC A
>     MIX             64                                  64
>     OUTPUT          64                                  64
>     MODFX           64                                  64
>     ECHO LVL        35                                   1
>     MORPH           PEDAL
>     ENV             1                                    1
>     ECHO 1%         3                                    3
>     ECHO 2%         2                                    5
>     FBK 1           18                                  64
>     FBK 2           43                                  64
>     RATE1           6                                    6
>     DEPTH1          48                                  64
>     RES1            28                                   1
>     RATE2           22                                  22
>     DEPTH2           9                                   9
>     RES2             1                                  43    
> 
>     do comment if it doesn't do what you need
> 
>     andy

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 12:08:20 2011
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Subject: Re: Electro Harmonix Freeze - Vortex Patch
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mark francombe schrieb:
> No sarcasm here... Educate me?
>   
'sucking tone' is a term that I've only heard from guitarists so far, 
and which they use to describe an (unwanted) effect on the guitar sound 
when going through some box (which can be an effect, or an amp, or a 
cable etc.). One aspect of tone suckage is less high frequency content, 
another one might be loss of dynamic range, often not as this effect per 
se but low dynamics masked in noise perceived as a loss of dynamic 
range, some change in the way your guitar signal chain responds to your 
playing, or tube voodoo.

The most famous kind of tone sucking is plugging your guitar into a low 
impedance input (e.g. mixer or soundcard) in combination with a guitar 
with passive electronics, possibly even a vintage one. This will 
inevitably lead to a high-frequency rolloff.

With regard to the Vortex, this could be:
    * if you plug directly into the Vortex, then the high-frequency 
rolloff as described above will happen.
    * the Vortex is specified with a dynamic range of 83dB. Others have 
already mentioned that it tends to distort audibly and uglily if you 
overload the converters - so unless you use a compressor/limiter in 
front of it, people typically keep a lot of headroom - which, with other 
effects and noise buildup, could have negative effects on the dynamic range.
    * the Vortex is not an all-tube and a digital device, so that tube 
voodoo would also apply here...

The tone suckage is only relevant if you have the device in an insert 
(as opposed to send) configuration, so it did never apply to me (in my 
equipment logistics paradigm, there's rack device -> rack -> mixer).

Aren't you a guitarist, Mark? I'm really surprised that you don't know 
of the antichrist of tone suckage ;).

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 12:20:13 2011
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Subject: Innovative Gear That Got Discontinued   was Electro Harmonix Freeze
 - Vortex Patch
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> Andy's Vortex site:
> >>  "The Vortex was the first of those four units to be discontinued ,
> >>  essentially because no-one understood what it did."  What a shame!

This comment got me to thinking about all the innovative musical gear 
projects
that got discontinued much to the detriment of future creativity and 
innovation.

I think, also, of the amazing  voice to synth software called Kantos by 
Antares.

Faced with the inability of Midi to incorporate sophisticated voice to 
Midi VST plugins
the engineers at Anatares designed a synthesizer that was able to be played
by audio in (no Midi whatsoever).

This innovative software was just on the verge of being able to use custom
samples to 'morph' with the use of voice when the plugged was pulled by the
head of Antares................I was incredibly bummed when this happened.


Additionally,  the amazing Echoplex EDP was effectively killed by Gibson 
at a time
when a significant hardware upgrade and accompanying Loop V software 
(yet to be
developed) could have made amazing progress in live looping technology.

What other instruments besides the Vortex, Kantos and the EDP got squashed
in an untimely fashion much to our chagrin?

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 12:42:59 2011
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Date: Sun, 6 Mar 2011 13:42:57 +0100
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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze
 - Vortex Patch
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 6, 2011 at 1:20 PM, Rick Walker <looppool@cruzio.com> wrote:
> What other instruments besides the Vortex, Kantos and the EDP got squashed
> in an untimely fashion much to our chagrin?

Well, the Elecrixpro Repeater for one... And being an internet collab
pioneer I remember the old Rocketnetwork - that was a sad story of
corporate misunderstanding of a product that could have become a big
thing if marketed properly.

And just recently the electric guitar model Epiphone Les Paul Ultra II
was discontinued after just a short period of manufacturing. This is
the dual output guitar where you can drive one rig from the classic
set of two humbuckers and another rig from the brilliant acoustic
Shadow Nanomag pickup built into the neck. No further comments needed,
anyone can imagine what holy graal that is to a looping musician. They
sold them for peanuts in the stores although this actually is an
instrument at the same level as the models that go for around 200-300
USD. I managed to snag me one of those before the stores dried out of
them ;-)) Corporate Douche Bags!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze
 - Vortex Patch
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 6, 2011 at 1:42 PM, Per Boysen <perboysen@gmail.com> wrote:
> They
> sold them for peanuts in the stores although this actually is an
> instrument at the same level as the models that go for around 200-300
> USD. I managed to snag me one of those before the stores dried out of
> them ;-)) Corporate Douche Bags!

Woopsy! My naughty fingers got me again! TYPO - TYPO!
The figure should be 2000-3000 USD.

Sorry about that
Per

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Subject: RE: Innovative Gear That Got Discontinued   was Electro Harmonix
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That's curiously timely Rick . Monolith is designed to be driven in the sam=
e way=2C(sans midi) and I'm adapting it for use with other instruments incl=
uding wind instruments and voice following a discussion with my other half =
yesterday..

peace

G



Sentientfx -  Innovative music plugins. http://sentientfx.com/



>=20
> I think=2C also=2C of the amazing  voice to synth software called Kantos =
by=20
> Antares.
>=20
> Faced with the inability of Midi to incorporate sophisticated voice to=20
> Midi VST plugins
> the engineers at Anatares designed a synthesizer that was able to be play=
ed
> by audio in (no Midi whatsoever).
>
>=20
> Rick Walker
>=20
 		 	   		  =

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<html>
<head>
<style><!--
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{
margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
That's curiously timely Rick . Monolith is designed to be driven in the sam=
e way=2C(sans midi) and I'm adapting it for use with other instruments incl=
uding wind instruments and voice following a discussion with my other half =
yesterday..<br><br>peace<br><br>G<br><br><br><br>Sentientfx -&nbsp=3B Innov=
ative music plugins. <a href=3D"http://sentientfx.com/" target=3D"_blank">h=
ttp://sentientfx.com/</a><br><br><br><br>&gt=3B <br>&gt=3B I think=2C also=
=2C of the amazing  voice to synth software called Kantos by <br>&gt=3B Ant=
ares.<br>&gt=3B <br>&gt=3B Faced with the inability of Midi to incorporate =
sophisticated voice to <br>&gt=3B Midi VST plugins<br>&gt=3B the engineers =
at Anatares designed a synthesizer that was able to be played<br>&gt=3B by =
audio in (no Midi whatsoever).<br>&gt=3B<br>&gt=3B <br>&gt=3B Rick Walker<b=
r>&gt=3B <br> 		 	   		  </body>
</html>=

--_af3fbfec-be80-491e-b920-74bd1bbac931_--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 13:02:01 2011
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Subject: Re: Innovative Gear That Got Discontinued   - Vortex 
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Rick Walker wrote:
> 
>> Andy's Vortex site:
>> >>  "The Vortex was the first of those four units to be discontinued ,
>> >>  essentially because no-one understood what it did."  What a shame!
> 
> This comment got me to thinking about all the innovative musical gear 
> projects
> that got discontinued much to the detriment of future creativity and 
> innovation.

Thing about the Vortex was that I don't think it's "special powers"
were appreciated by the designers, especially not at the executive level.

The supplied factory presets are mostly boring.

The ability to Morph from one algorithm to a completely
different one is what really sets the Vortex apart,
and I reckon that was only intended to create a smooth
transition from one sound to the next.

The Morphing *could* be emulated of course, really
it's just one big algorithm...but it's the easy
way a user can select a pair of presets for a 
Morph that provokes the killer sounds.

Just picking 2 favourite sounds and morphing between
them can often produces a great range of in between sounds,
often with unexpected weirdness.
(carefully swept with an expression pedal).

The patches which I programmed for a specific purpose
have usually been re-usable for alternate fx just
by using in a different way, very instrument like. 


andy

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Date: Sun, 6 Mar 2011 05:15:10 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)
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sounds like the modulaton department is well stacked. From what I understood 
sampling to the card for live looping has not been considered an option BY THE 
DESIGNERS. So now it's down to the RAM size. 
I am really curious to get my hands on one of these beasts!

Antony



________________________________
From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sun, March 6, 2011 11:55:18 AM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)

 I think  the sampling limitation are sofware limitations, and in part due to 
RAM limitations on the Flex machines. For longer samples it would be nice to 
record direct to card.  I really like the effects you can also let LFO affect a 
lot of effect parameters in a beat synced way. The LFO can also be applied to 
pitch, staring point and the rate, rate goes from "normal" or realtime to slow 
down to full reverse.. it's really cool to map these thing to scenes and control 
it with the crossfader, or map the to sequencer steps so that you reverse just, 
for example, 1/4 of the sample... or again asign it to an LFO which you can 
design with its own pattern. And i haven't even started using sample slicing, 
micro timing, different time signatures on two track for polyryhtms...
MUch fun can be had with this device... 

________________________________
 Date: Sat, 5 Mar 2011 12:47:35 -0800
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)
To: Loopers-Delight@loopers-delight.com

 
Anders,

thank you for the detailed overview, I really appreciate it. Yes, when it has a 
dedicated sampler it will be loopedy loo. Is the 16 sec limitation a software 
thing or does it have to do with onboard RAM? What are the effects like?

Antony



________________________________
 From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat, March 5, 2011 8:32:13 PM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)

 Well today the Octa is limitied to 16 seconds of sampling, the default way of 
sampling is to sample 1-64 sequencer steps. To sample you first need to set up 
source and lenght of sampling, something I typically do before i start a "song". 
In this case all tracks on the Octa was set to sample from source B and length 
was diffrent for a few treack but mostley 32 steps (2 beats) track one was 64 
steps. Then you have to set playback for each tracl (also someting i do before 
hand) so you can sample on one track and play that back on many (or no) tracks. 

So when you start playing you will have a setup, which of course could also 
include tracks with pre-recorded samples taht could be as mong as you like if 
you don't need to manipulate all parametrs in real time... then when you sample 
you need to press track+record simultanusly, which is less than great for live 
use. IN the next major OSupgrade there will bi MIDI so that you can record by 
MIDI commands and there will be a "real-tima recording" mode as well. There ar 
very few of the ordinary looping commands, no feedback control, overdub etc.. 
all you can do at the moment is tp sampla and manipulate, you can sample from 
internal tracks, main or cue so you can for exanple sample several tracks to one 
or live audio and a track to one track sto simulate overdub. I didn't use any 
fancy stuff like that for this track..
What it has that Loopers don't have is sequencer and effects that can be 
sequenced, slicing of sample, AMP parameters for playback, seemless pichshift 
down and up one octave... really cool but as said a bit diffrent than what you 
expect from a looper.. but with better live sampling and a looper machine this 
will be a BEAST.. 

 
Anders

________________________________
 Date: Sat, 5 Mar 2011 04:25:38 -0800
From: antonyhequet@yahoo.com
Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)
To: Loopers-Delight@loopers-delight.com

 
Anders,

please enlighten me and clarify what the Octotrack currently does in the way of 
live sampling and how that is different from what you would call a real looper. 
I am very intersted in getting one but I need to be sure what it really does 
first.

Antony



________________________________
 From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sat, March 5, 2011 10:20:30 AM
Subject: RE: Elektron Octatrack used as a looper of sorts.. now with working 
link...(sorry)

 http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey
 
________________________________
 Date: Fri, 4 Mar 2011 20:00:34 -0700
Subject: Re: Elektron Octatrack used as a looper of sorts..
From: will.it.go.round@gmail.com
To: Loopers-Delight@loopers-delight.com

The link didn't work for me. Try again? 


      
--0-1989654421-1299417310=:32425
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>sounds like the modulaton department is well stacked. From what I understood sampling to the card for live looping has not been considered an option BY THE DESIGNERS. So now it's down to the RAM size.&nbsp;</div><div>I am really curious to get my hands on one of these beasts!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-delight.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, March 6, 2011
 11:55:18 AM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br></font><br>


<style><!--
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I think&nbsp; the sampling limitation are sofware limitations, and in part due to RAM limitations on the Flex machines. For longer samples it would be nice to record direct to card.&nbsp; I really like the effects you can also let LFO affect a lot of effect parameters in a beat synced way. The LFO can also be applied to pitch, staring point and the rate, rate goes from "normal" or realtime to slow down to full reverse.. it's really cool to map these thing to scenes and control it with the crossfader, or map the to sequencer steps so that you reverse just, for example,&nbsp;1/4 of the sample... or again asign it to an LFO which you can design with its own pattern. And i haven't even started using sample slicing, micro timing, different time signatures on two track for polyryhtms...<br>
MUch fun can be had with this device... <br><br>

<hr id="stopSpelling">
Date: Sat, 5 Mar 2011 12:47:35 -0800<br>From: antonyhequet@yahoo.com<br>Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br>To: Loopers-Delight@loopers-delight.com<br><br>
 
<style>
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</style>

<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:10pt;">
<div>Anders,</div>
<div><br></div>
<div>thank you for the detailed overview, I really appreciate it. Yes, when it has a dedicated sampler it will be loopedy loo. Is the 16 sec limitation a software thing or does it have to do with onboard RAM? What are the effects like?</div>
<div><br></div>
<div>Antony</div>
<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:10pt;"><br>
<div style="FONT-FAMILY:times new roman, new york, times, serif;FONT-SIZE:12pt;"><font size="2" face="Tahoma">
<hr size="1">
<b><span style="FONT-WEIGHT:bold;">From:</span></b> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style="FONT-WEIGHT:bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-delight.com&gt;<br><b><span style="FONT-WEIGHT:bold;">Sent:</span></b> Sat, March 5, 2011 8:32:13 PM<br><b><span style="FONT-WEIGHT:bold;">Subject:</span></b> RE: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br></font><br>
<style>
.ExternalClass .ecxhmmessage P
{padding:0px;}
.ExternalClass body.ecxhmmessage
{font-size:10pt;font-family:Tahoma;}

</style>
Well today the Octa is limitied to 16 seconds of sampling, the default way of sampling is to sample 1-64 sequencer steps. To sample you&nbsp;first need to set up source&nbsp;and lenght&nbsp;of sampling, something I typically do before i start a "song". In this case all tracks on the Octa was set to sample from source B and length was&nbsp;diffrent for a few treack&nbsp;but mostley 32 steps (2 beats) track one was 64 steps. Then you have to set playback for&nbsp;each tracl (also someting i do before hand) so you can sample on one track and play that back on many (or no) tracks. <br>So when you start playing you will have a setup, which of course could also include tracks with pre-recorded samples taht could be as mong as you like if you don't need to manipulate all parametrs in real time... then when you sample you need to press track+record simultanusly, which is less than great for live use. IN the next major OSupgrade there will bi MIDI so that you can
 record by MIDI commands and there will be a "real-tima recording" mode as well. There ar very few of the ordinary looping commands, no feedback control, overdub etc.. all you can do at the moment is tp sampla and manipulate, you can sample from internal tracks, main or cue so you can for exanple sample several tracks to one or live audio and a track to one track sto simulate overdub. I didn't use any fancy stuff like that for this track..<br>What it has that Loopers don't have is sequencer and effects that can be sequenced, slicing of sample, AMP parameters for playback, seemless pichshift down and up one octave... really cool but as said a bit diffrent than what you expect from a looper.. but with better live sampling and a looper machine this will be a BEAST.. <br>&nbsp;<br>Anders<br><br>
<hr id="ecxstopSpelling">
Date: Sat, 5 Mar 2011 04:25:38 -0800<br>From: antonyhequet@yahoo.com<br>Subject: Re: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br>To: Loopers-Delight@loopers-delight.com<br><br>
<style>
.ExternalClass DIV
{}
</style>

<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:10pt;">
<div>Anders,</div>
<div><br></div>
<div>please enlighten me and clarify what the Octotrack currently does in the way of live sampling and how that is different from what you would call a real looper. I am very intersted in getting one but I need to be sure what it really does first.</div>
<div><br></div>
<div>Antony</div>
<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:10pt;"><br>
<div style="FONT-FAMILY:times new roman, new york, times, serif;FONT-SIZE:12pt;"><font size="2" face="Tahoma">
<hr size="1">
<b><span style="FONT-WEIGHT:bold;">From:</span></b> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style="FONT-WEIGHT:bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-delight.com&gt;<br><b><span style="FONT-WEIGHT:bold;">Sent:</span></b> Sat, March 5, 2011 10:20:30 AM<br><b><span style="FONT-WEIGHT:bold;">Subject:</span></b> RE: Elektron Octatrack used as a looper of sorts.. now with working link...(sorry)<br></font><br>
<style>
.ExternalClass .ecxhmmessage P
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</style>
<span><span><span><a target="_blank" href="http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey">http://soundcloud.com/anders-bergdahl/2011-a-guitar-odyssey</a></span></span></span><br>&nbsp;<br>
<hr id="ecxstopSpelling">
Date: Fri, 4 Mar 2011 20:00:34 -0700<br>Subject: Re: Elektron Octatrack used as a looper of sorts..<br>From: will.it.go.round@gmail.com<br>To: Loopers-Delight@loopers-delight.com<br><br>The link didn't work for me. Try again? </div></div>
<div></div></div><br></div></div>
<div></div></div><br> 		 	   		  
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1989654421-1299417310=:32425--

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Date: Sun, 6 Mar 2011 14:18:12 +0100
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Subject: Re: Innovative Gear That Got Discontinued - Vortex
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 6, 2011 at 2:02 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> Just picking 2 favourite sounds and morphing between
> them can often produces a great range of in between sounds,
> often with unexpected weirdness.
> (carefully swept with an expression pedal).

I'm so into this technique! But in software it kills Mainstage 2 and
Biduler/OSX for me so I have to stick with the obsolete Mainstage 1 to
get my proper fill of morhing alright.

Per

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Subject: Re: Innovative Gear That Got Discontinued   was Electro Harmonix
 Freeze - Vortex Patch
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Rick Walker schrieb:
> This comment got me to thinking about all the innovative musical gear 
> projects
> that got discontinued much to the detriment of future creativity and 
> innovation.
The reason here is that the relationship between a development engineer 
and a product manager is something alike to that between an artist and a 
record company A&R manager. Well, it's usually not that bad, but similar.
Manufacturing and supporting a specific product brings with it a lot of 
fixed costs (both one-time and per-time), and even more so if the 
product does not fit in well with the rest of your product line. This 
seems to be the case in all of the examples mentioned here: Lexicon has 
its focus on very high priced studio processors, Gibson has its focus on 
electric guitars, and Antares has its focus on more "normal" processors 
with a special emphasis on vocals.

Similar to the world of record labels, computers have brought a change 
here to some extent. While in the past, unless you were really crazy and 
highly talented, you wouldn't just build a Vortex-kinda thing for 
yourself (and you wouldn't under no circumstances build it for others), 
software has brought a change here. Both with interesting 
development/runtime frameworks and the possibility to distribute freely, 
something like the Kantos dervative you're longing for can be done in PD 
or Reaktor or MAX/MSP, and (unless it violates Antares 
copyrights/patents) can also be distributed without any support - on the 
basis of "if I already did it, I can put it out as well and perhaps even 
get some money for it".

As you mentioned, the EDP got kicked by Gibson - so what? There's Möbius 
which does a lot of things the EDP does (and more). Want a hardware 
version? Port Möbius to some kind of platform FPGA eval board (priced 
around $400) and have fun. And in a wonderful fashion, if someone does 
that for the fun of it, there are no pre-production costs (or rather, 
the pre-production costs are his spare time).

Ok, back to topic...has anyone ever done a software version of the 
Vortex btw?

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 14:17:26 2011
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Essentially the Vortex *isn't* a stomp box.
It's a line level device which also has an
input which can handle the guitar.

To go Guitar>>>Vortex>>>Guitar Amp

It's far from ideal, because when you get the level right 
for the Vortex it's to loud for your amp input.

You'd need some kind of volume control between Vortex and
amp to make it work.

When in Bypass, the Vortex has a high quality analog buffer,
and afaik the impedance is high enough not to cause undue treble
loss in a guitar.
When switched on, there is a loss of the highest treble, not
in the usual guitar range but easily detected if using an
analog synth. This is presumably due to filtering needed
before the AD conversion, which is to 32kHz
The input will give analog distortion if overloaded,
rather than digital.

andy


ejyuhas wrote:
> I own a Vortex...still have no idea about its proper use!! and it seems to
> suck some of my tone...I wonder why? Anyone here experience that?

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 14:30:04 2011
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 Freeze - Vortex Patch
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Rainer Straschill wrote:

> Ok, back to topic...has anyone ever done a software version of the 
> Vortex btw?
> 

I could give you a quote for one :-)

andy

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 Freeze - Vortex Patch
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Rainer Straschill wrote:
> 
> Ok, back to topic...has anyone ever done a software version of the 
> Vortex btw?

I'm only aware of the fairly limited emulations Lexicon placed in some
products, like in the MPX G2 (which I have).



andy butler wrote:
>
> Thing about the Vortex was that I don't think it's "special powers"
> were appreciated by the designers, especially not at the executive
> level.

I think it's very much down to the Vortex being too weird for the 
general audience, requiring too much understanding and experimentation, 
plus the most stupid lack of MIDI interfacing (always beats me why..?).

> The supplied factory presets are mostly boring.

..which didn't exactly ease adoption to market, being so special..

> The ability to Morph from one algorithm to a completely
> different one is what really sets the Vortex apart,
> and I reckon that was only intended to create a smooth
> transition from one sound to the next.

I fully agree.  Add to this best envelope follower I've ever seen, which
seemingly in a natural way interpretes the players picking frenzy.
Effects structure build on two separatly programmable delaylines.
Ability to work with extremely short delays making it possible to use it 
sortof as a digital (FIR) filter.

I've tried so many times not having it in my rig, mostly due to lack of 
MIDI and saving space, but it's still there, hard to be without ;)


-- 
rgds,
van Sinn


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On Sun, Mar 6, 2011 at 1:08 PM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> Aren't you a guitarist, Mark? I'm really surprised that you don't know of
> the antichrist of tone suckage ;).
>
>         Rainer
>

Ha HA... I do indeed call myself a guitarist, but from day 1 I used way too
many effects to mask...
A) Playing ability or lack of...
B) Crapness of guitars... and their er... special tone.

I suspect that they just mean that theres something about it they dont like,
so they say "Its sucks my tone!" I dont think they really know what it is...
I mean... guitarists love distortion pedals... er.. dont they suck the
guitars tone? what about wah wah... they suck and spit tone alternately

I have never owned a Fender (ok I have a Fender bass.) A Gibson, or anything
with a special sound.
Infact, I always thought they sounded horrible, (With the exception of the
strat, which sounds like a totally straight clean guitar, just waiting for
effects IMHO). Telecasters sound like clock chimes...
Jaguars sound like scissors...
Gibsons sound like planks of wood.

I like generic, off the shelf, dont sound like nothing, guitars... I run
them thru stuff, and then they sound like something... if its too bassy, I
put it through something else thats trebly, if its too dry, I add dirt and
reverb, I really havent got a clue what the "tone" is... apart from annoying
tones that some guitars have, in which case they should have their jacks
inserted while holding down all strings which is, as everyone knows the
simple way of clearing a guitars bad sound, back to its factory settings...

:-)

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba3fcc3f534a48049dd14c80
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On Sun, Mar 6, 2011 at 1:08 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a =
href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;</=
span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote=
" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">

<div id=3D":1ca">Aren&#39;t you a guitarist, Mark? I&#39;m really surprised=
 that you don&#39;t know of the antichrist of tone suckage ;).<br>
<br>
 =A0 =A0 =A0 =A0 Rainer<br><font color=3D"#888888">
</font></div></blockquote></div><br>Ha HA... I do indeed call myself a guit=
arist, but from day 1 I used way too many effects to mask...<br>
A) Playing ability or lack of...<br>
B) Crapness of guitars... and their er... special tone.<br><br>I suspect th=
at they just mean that theres something about it they dont like, so they sa=
y &quot;Its sucks my tone!&quot; I dont think they really know what it is..=
.<br>

I mean... guitarists love distortion pedals... er.. dont they suck the guit=
ars tone? what about wah wah... they suck and spit tone alternately <br>
<br>
I have never owned a Fender (ok I have a Fender bass.) A Gibson, or=20
anything with a special sound. <br>Infact, I always thought they sounded=20
horrible, (With the exception of the strat, which sounds like a totally=20
straight clean guitar, just waiting for effects IMHO). Telecasters sound
 like clock chimes... <br>Jaguars sound like scissors...<br>Gibsons sound l=
ike=20
planks of wood.<br>
<br>
I like generic, off the shelf, dont sound like nothing, guitars... I run
 them thru stuff, and then they sound like something... if its too=20
bassy, I put it through something else thats trebly, if its too dry, I=20
add dirt and reverb, I really havent got a clue what the &quot;tone&quot; i=
s...=20
apart from annoying tones that some guitars have, in which case they=20
should have their jacks inserted while holding down all strings which=20
is, as everyone knows the simple way of clearing a guitars bad sound,=20
back to its factory settings...<br>
<br>
:-)<br clear=3D"all"><br>-- <br><i style=3D"font-family: verdana,sans-serif=
; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font style=
=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francombe</u>=
</font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba3fcc3f534a48049dd14c80--

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Subject: Re: Electro Harmonix Freeze - Vortex Patch
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--90e6ba6e824c22519c049dd166c0
Content-Type: text/plain; charset=ISO-8859-1

Andy, I just started routing the Vortex as you describe, rather than effect
return...

Well not exactly, Im running it after my Fireworx.. now I AM having issues
with distortion actually.. now is that due to to high output from the
fireworx into the Vortex (PS I LIKE the distortion actually, has a nice warm
ampy quality to it.. but.. it shouldnt be there, it has to go...) OR.. is it
, as you describe, that the Vortex makes too high an output into my mixer? I
think I did cure it by pressing in a pad switch and turning up a bit on the
mixer...

God I wish I knew WHY things worked, instead of finding everything out via
trial and error!!!
(People at work say.. How come you knew that 5 clicks of the letter T means
"highlight all forwards" in Final Cut... I say.. dunno... just found it out
one day...)


I'm on my 2nd wife... first was just practicing...

Mark

On Sun, Mar 6, 2011 at 3:17 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> Essentially the Vortex *isn't* a stomp box.
> It's a line level device which also has an
> input which can handle the guitar.
>
> To go Guitar>>>Vortex>>>Guitar Amp
>
> It's far from ideal, because when you get the level right for the Vortex
> it's to loud for your amp input.
>
> You'd need some kind of volume control between Vortex and
> amp to make it work.
>
> When in Bypass, the Vortex has a high quality analog buffer,
> and afaik the impedance is high enough not to cause undue treble
> loss in a guitar.
> When switched on, there is a loss of the highest treble, not
> in the usual guitar range but easily detected if using an
> analog synth. This is presumably due to filtering needed
> before the AD conversion, which is to 32kHz
> The input will give analog distortion if overloaded,
> rather than digital.
>
> andy
>
>
>
> ejyuhas wrote:
>
>> I own a Vortex...still have no idea about its proper use!! and it seems to
>> suck some of my tone...I wonder why? Anyone here experience that?
>>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e824c22519c049dd166c0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Andy, I just started routing the Vortex as you describe, rather than effect=
 return...<br><br>Well not exactly, Im running it after my Fireworx.. now I=
 AM having issues with distortion actually.. now is that due to to high out=
put from the fireworx into the Vortex (PS I LIKE the distortion actually, h=
as a nice warm ampy quality to it.. but.. it shouldnt be there, it has to g=
o...) OR.. is it , as you describe, that the Vortex makes too high an outpu=
t into my mixer? I think I did cure it by pressing in a pad switch and turn=
ing up a bit on the mixer...<br>

<br>God I wish I knew WHY things worked, instead of finding everything out =
via trial and error!!! <br>(People at work say.. How come you knew that 5 c=
licks of the letter T means &quot;highlight all forwards&quot; in Final Cut=
... I say.. dunno... just found it out one day...)<br>

<br>=A0<br>I&#39;m on my 2nd wife... first was just practicing...<br><br>Ma=
rk<br><br><div class=3D"gmail_quote">On Sun, Mar 6, 2011 at 3:17 PM, andy b=
utler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbut=
ler@tiscali.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Essentially the V=
ortex *isn&#39;t* a stomp box.<br>
It&#39;s a line level device which also has an<br>
input which can handle the guitar.<br>
<br>
To go Guitar&gt;&gt;&gt;Vortex&gt;&gt;&gt;Guitar Amp<br>
<br>
It&#39;s far from ideal, because when you get the level right for the Vorte=
x it&#39;s to loud for your amp input.<br>
<br>
You&#39;d need some kind of volume control between Vortex and<br>
amp to make it work.<br>
<br>
When in Bypass, the Vortex has a high quality analog buffer,<br>
and afaik the impedance is high enough not to cause undue treble<br>
loss in a guitar.<br>
When switched on, there is a loss of the highest treble, not<br>
in the usual guitar range but easily detected if using an<br>
analog synth. This is presumably due to filtering needed<br>
before the AD conversion, which is to 32kHz<br>
The input will give analog distortion if overloaded,<br>
rather than digital.<br><font color=3D"#888888">
<br>
andy</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
ejyuhas wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I own a Vortex...still have no idea about its proper use!! and it seems to<=
br>
suck some of my tone...I wonder why? Anyone here experience that?<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-col=
or: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" si=
ze=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e824c22519c049dd166c0--

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	<-6592828410188813703@unknownmsgid>
	<4D737937.2090908@googlemail.com>
	<AANLkTi=i_yQ+txPpfFpkez4Fv56+XZSYe28pSJ9XdZLH@mail.gmail.com>
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Message-ID: <AANLkTinYm=8Cbh-Xzif8T8GP2+MHwTiow_0eBQ-z2YCu@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Mar 6, 2011 at 3:35 PM, mark francombe <mark@markfrancombe.com> wrote:
> Telecasters sound like clock chimes...
> Jaguars sound like scissors...
> Gibsons sound like planks of wood.

Plenty of fun stuff there! :-)

> I like generic, off the shelf, dont sound like nothing, guitars... I run
> them thru stuff, and then they sound like something...

LOL! Me, I like the tenor sax sounding like a Tube Of Tooth Paste.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Electro Harmonix Freeze - Vortex Patch
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--90e6ba3fcc3fc6492b049dd1849d
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LOL!! Or maybe like your countryman, and my favorite saxophonist, Mats
Gustafsson, who makes his sax sound like a barking dog...

On Sun, Mar 6, 2011 at 3:48 PM, Per Boysen <perboysen@gmail.com> wrote:

>
> LOL! Me, I like the tenor sax sounding like a Tube Of Tooth Paste.
>
> Greetings from Sweden




-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba3fcc3fc6492b049dd1849d
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LOL!! Or maybe like your countryman, and my favorite saxophonist, Mats Gust=
afsson, who makes his sax sound like a barking dog...<br><br><div class=3D"=
gmail_quote">On Sun, Mar 6, 2011 at 3:48 PM, Per Boysen <span dir=3D"ltr">&=
lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span=
> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
><br>
</div>LOL! Me, I like the tenor sax sounding like a Tube Of Tooth Paste.<br=
>
<br>
Greetings from Sweden</blockquote></div><br><br clear=3D"all"><br>-- <br><i=
 style=3D"font-family: verdana,sans-serif; color: rgb(255, 255, 255); backg=
round-color: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-s=
erif;" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba3fcc3fc6492b049dd1849d--

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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze
 - Vortex Patch
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--20cf306845f7f3b62c049dd1a663
Content-Type: text/plain; charset=ISO-8859-1

I think the lack of a writable LCD of patch names is my main gripe... and
not enough patchs... I mean... 16???

Ive never missed midi cos I dont need to change patches between songs
(Lexicons foolish idea of preset chains is very odd) apart from A to B and
Bypass, and I have a dedicated couple of switches for that...
I have modified my Vortex to synch both the tap tempo to the beat AND the
morph switching to the beat, but not using midi of course, although for a
bit I had an intermediate solution using a box from Kenton that turned midi
into a clock pulse that would drive the tap tempo socket... So my Vortex is
synched...

Mark

On Sun, Mar 6, 2011 at 3:06 PM, van Sinn <vansinn@post.cybercity.dk> wrote:

> Rainer Straschill wrote:
>
>>
>> Ok, back to topic...has anyone ever done a software version of the Vortex
>> btw?
>>
>
> I'm only aware of the fairly limited emulations Lexicon placed in some
> products, like in the MPX G2 (which I have).
>
>
>
> andy butler wrote:
>
>>
>> Thing about the Vortex was that I don't think it's "special powers"
>> were appreciated by the designers, especially not at the executive
>> level.
>>
>
> I think it's very much down to the Vortex being too weird for the general
> audience, requiring too much understanding and experimentation, plus the
> most stupid lack of MIDI interfacing (always beats me why..?).
>
>  The supplied factory presets are mostly boring.
>>
>
> ..which didn't exactly ease adoption to market, being so special..
>
>  The ability to Morph from one algorithm to a completely
>> different one is what really sets the Vortex apart,
>> and I reckon that was only intended to create a smooth
>> transition from one sound to the next.
>>
>
> I fully agree.  Add to this best envelope follower I've ever seen, which
> seemingly in a natural way interpretes the players picking frenzy.
> Effects structure build on two separatly programmable delaylines.
> Ability to work with extremely short delays making it possible to use it
> sortof as a digital (FIR) filter.
>
> I've tried so many times not having it in my rig, mostly due to lack of
> MIDI and saving space, but it's still there, hard to be without ;)
>
>
> --
> rgds,
> van Sinn
>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf306845f7f3b62c049dd1a663
Content-Type: text/html; charset=ISO-8859-1
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I think the lack of a writable LCD of patch names is my main gripe... and n=
ot enough patchs... I mean... 16???<br><br>Ive never missed midi cos I dont=
 need to change patches between songs (Lexicons foolish idea of preset chai=
ns is very odd) apart from A to B and Bypass, and I have a dedicated couple=
 of switches for that... <br>

I have modified my Vortex to synch both the tap tempo to the beat AND the m=
orph switching to the beat, but not using midi of course, although for a bi=
t I had an intermediate solution using a box from Kenton that turned midi i=
nto a clock pulse that would drive the tap tempo socket... So my Vortex is =
synched...<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Sun, Mar 6, 2011 at 3:06 PM, =
van Sinn <span dir=3D"ltr">&lt;<a href=3D"mailto:vansinn@post.cybercity.dk"=
>vansinn@post.cybercity.dk</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(2=
04, 204, 204); padding-left: 1ex;">

<div class=3D"im">Rainer Straschill wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Ok, back to topic...has anyone ever done a software version of the Vortex b=
tw?<br>
</blockquote>
<br></div>
I&#39;m only aware of the fairly limited emulations Lexicon placed in some<=
br>
products, like in the MPX G2 (which I have).<br>
<br>
<br>
<br>
andy butler wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Thing about the Vortex was that I don&#39;t think it&#39;s &quot;special po=
wers&quot;<br>
were appreciated by the designers, especially not at the executive<br>
level.<br>
</blockquote>
<br>
I think it&#39;s very much down to the Vortex being too weird for the gener=
al audience, requiring too much understanding and experimentation, plus the=
 most stupid lack of MIDI interfacing (always beats me why..?).<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
The supplied factory presets are mostly boring.<br>
</blockquote>
<br>
..which didn&#39;t exactly ease adoption to market, being so special..<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
The ability to Morph from one algorithm to a completely<br>
different one is what really sets the Vortex apart,<br>
and I reckon that was only intended to create a smooth<br>
transition from one sound to the next.<br>
</blockquote>
<br>
I fully agree. =A0Add to this best envelope follower I&#39;ve ever seen, wh=
ich<br>
seemingly in a natural way interpretes the players picking frenzy.<br>
Effects structure build on two separatly programmable delaylines.<br>
Ability to work with extremely short delays making it possible to use it so=
rtof as a digital (FIR) filter.<br>
<br>
I&#39;ve tried so many times not having it in my rig, mostly due to lack of=
 MIDI and saving space, but it&#39;s still there, hard to be without ;)<br>
<br>
<br>
-- <br>
rgds,<br><font color=3D"#888888">
van Sinn<br>
<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf306845f7f3b62c049dd1a663--

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Subject: Re: Calton cases
From: Keith Smith <kahsmith@gmail.com>
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This guy, Jeff Hoffee, seems to be on the way up:
http://www.carbonfibercases.com/
check out the testing vid's esp. terror test 2
k

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This guy, Jeff Hoffee, seems to be on the way up:=A0 <a href=3D"http://www.=
carbonfibercases.com/">http://www.carbonfibercases.com/</a><br>check out th=
e testing vid&#39;s esp. terror test 2<br>k<br><br><br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--0016e6d9a16ea8a33c049dd1b797--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 15:22:17 2011
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Date: Sun, 6 Mar 2011 16:22:16 +0100
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Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 6, 2011 at 3:51 PM, mark francombe <mark@markfrancombe.com> wrote:
> LOL!! Or maybe like your countryman, and my favorite saxophonist, Mats
> Gustafsson, who makes his sax sound like a barking dog...

hah! That's an awesome guy! But i rather think his sax abusing sounds
like manufacturing machines breaking down (when there is no one there
to press the STOP button, so the heavy machines just keep breaking
down for eternity... somehow self generating in the breaking down
process. Mats is alien)

Per

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Subject: Re: Electro Harmonix Freeze - Vortex Patch
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mark francombe wrote:
> Im running it after my Fireworx.. now I AM having 
> issues with distortion actually.. now is that due to to high output from 
> the fireworx into the Vortex 

possible,
I always have the vortex input volume down around "9 o'clock"
for line level signals.
A small tweak makes quite a difference.

Ideal is that the red Overload LED only comes on when you hit
the guitar v.hard.
(although for sometimes that led also picks up overload within
   the patch)


> that the Vortex makes too high an 
> output into my mixer? 

Unlikely, the mixer *should* be able to
take it.

Probably it's just needs "millimeter precision calibration"
on the input knob of the vortex.

I've used the vortex as a DI (2005 gigs), and it *is* handy to 
have enough gain to just plug in a guitar...but it means
the useful range for line level is awkwardly small.

andy

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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze - Vortex Patch
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The Vortex drifts out of my rig. It drifts back in.

It's a bit noisy and takes care getting the levels right. It's UI is =
awkward. It needs a footpedal to bypass it.

But even on relatively tame effects, it has a warmth and character all =
its own.

The other unit that drifts out and back in is the Korg AM8000R which =
similarly is able to create unusual sounds (though no morphing, just =
lots of parameter manipulation potential) though I find it cleaner and =
colder sounding than the Vortex.

Right now, the Vortex is out because my primary guitar chain is all in =
pedals now rather than a rack, but I'm thinking it could be fun with a =
DSI Mopho...

Mark

P.S. I actually have two Korg AM8000R's and I seem routinely to only be =
using one. I should probably think about selling the other to a good =
home. Hint, hint. The Vortex will not be up for sale (though I've got a =
Reflex if anyone wants it).

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Subject: Further OT: Tone Suckage (was Re: Electro Harmonix Freeze - Vortex Patch)
From: Mark Hamburg <mark@grubmah.com>
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Even getting the resistance right in a volume pedal can matter. I was =
surprised to find that my Lovepedal Eternity Fuse overdrive really, =
really does not like being right in front of my 25k Ernie Ball volume =
pedal (which I went with over the 250k because it is sitting later in =
the signal chain). I've had to make sure that something that isn't true =
bypass is sitting between the two.

Mark

On Mar 6, 2011, at 4:08 AM, Rainer Straschill wrote:

> 'sucking tone' is a term that I've only heard from guitarists so far, =
and which they use to describe an (unwanted) effect on the guitar sound =
when going through some box (which can be an effect, or an amp, or a =
cable etc.). One aspect of tone suckage is less high frequency content, =
another one might be loss of dynamic range, often not as this effect per =
se but low dynamics masked in noise perceived as a loss of dynamic =
range, some change in the way your guitar signal chain responds to your =
playing, or tube voodoo.
>=20
> The most famous kind of tone sucking is plugging your guitar into a =
low impedance input (e.g. mixer or soundcard) in combination with a =
guitar with passive electronics, possibly even a vintage one. This will =
inevitably lead to a high-frequency rolloff.

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Innovative Gear That Got Discontinued   was Electro Harmonix
 Freeze - Vortex Patch
References: <3890370.1299374647280.JavaMail.root@mswamui-chipeau.atl.sa.earthlink.net> <4D737BF6.7010803@cruzio.com> <4D738BF1.9020408@googlemail.com> <4D739A6E.7090107@tiscali.co.uk>
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andy butler schrieb:
> Ok, back to topic...has anyone ever done a software version of the 
> Vortex btw?
> I could give you a quote for one :-)
That one still valid?
http://www.loopers-delight.com/LDarchive/200509/msg00155.html

;).
Did you also price it btw, and look at the number of prospective buyers?

Seriously, the fact that a target might be coming from hw units which 
are not exactly fetching huge prices (seems to be a little above 100 
whatever - i.e. cheaper in the U.S.), and that well-respected plugins 
such as PSP N20 go for $150 might make this a tricky endeavour to get a 
business case...

But perhaps one day a crazy programming guy will do it and throw it out 
to the community - hey, what about you, Mark? ;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: Electro Harmonix Freeze - Vortex Patch
Date: Sun, 6 Mar 2011 08:20:33 -0800
References: <CB2AF55D-6EB1-401D-A96A-7F652900FE06@charter.net> <42.A0.09940.29BE27D4@smtp02.embarq.synacor.com> <AANLkTinD50mnq8oCmTjX2cPxMODmxJPqf4oVtTMMEU-L@mail.gmail.com> <AANLkTi=BU6PWXPei-coXxJ5gqWfQ8Oavgo_d5CUbH50-@mail.gmail.com>
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Like!

On Mar 5, 2011, at 9:55 PM, Dennis Moser wrote:

> I'm not in the habit of doing this, but this album was one of my first
> serious attempts at using the Vortex...it's ONLY a pair of Vortexes
> and my first electric guitar, a Fender Squire and an Ebow...I used a
> pair of Morley A/B switches to route the signal around and recorded
> straight to hard drive.
>
> http://itunes.apple.com/us/album/the-ambient-guitar-vol-i/id152016640
>
> ...just to continue with what Andy had pointed out about using the  
> Vortex.
>
> Enjoy!
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/

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Date: Sun, 6 Mar 2011 17:27:17 +0100
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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze
 - Vortex Patch
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If i could program i would be rich and wouldnt be wasting my time
talking to nerds on the internet, but drinking cocktails on my boat...

Sent from my (advertisement removed)

On 6 Mar 2011, at 17:10, Rainer Straschill <moinsound@googlemail.com> wrote:

>
> But perhaps one day a crazy programming guy will do it and throw it out to the community - hey, what about you, Mark? ;)
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 17:24:24 2011
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Subject: Lower octave
Date: Sun, 6 Mar 2011 18:24:13 +0100
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I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I
want something that reliably turns guitar notes (especially the lower notes)
into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you will
probably recommend Chopitch - I need some help using it because more often
than not, the Chopitch sound gets cut off very quickly - not sure what to
do)

-Michael


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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Lower octave
Date: Sun, 6 Mar 2011 17:27:01 +0000
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I use a Whammy Pedal although the POG is much better

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 6 Mar 2011, at 17:24, Michael Peters wrote:

> I watched Theo Travis playing flute yesterday in Antwerp, and saw  
> that he
> used a Boss OC-2 octaver to occasionally add a lower octave to his  
> flute. I
> want something that reliably turns guitar notes (especially the  
> lower notes)
> into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you  
> will
> probably recommend Chopitch - I need some help using it because  
> more often
> than not, the Chopitch sound gets cut off very quickly - not sure  
> what to
> do)
>
> -Michael
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I use a Whammy Pedal although the POG is much better<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 6 Mar 2011, =
at 17:24, Michael Peters wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I watched Theo Travis playing flute yesterday in =
Antwerp, and saw that he</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">used a Boss =
OC-2 octaver to occasionally add a lower octave to his flute. =
I</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">want something that reliably turns guitar notes =
(especially the lower notes)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">into a bass - =
a pedal and/or a plugin. Recommendations?<span =
class=3D"Apple-converted-space">&nbsp; </span>(Andy, you will</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">probably recommend Chopitch - I need some help using =
it because more often</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">than not, the Chopitch =
sound gets cut off very quickly - not sure what to</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">do)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">-Michael</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: How do I make a gated reverb?
Date: Sun, 06 Mar 2011 09:43:15 -0800
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>  I just wondered if anyone know what a gated reverb REALLY is?


Its an overused drum sound from the 80s  :)
Used subtly, its a way to get instruments to punch through the mix while retaining the sense of space around the instrument. 

I don't know the TC device that you are using.   But a simple gated reverb is where the reverb tail is cut off by a noise gate--a threshold control determines at what level the gate begins to snap shut and a hold time control determines the lag before the gate closes.  
Some later day digital gated verb presets feature auto-tempo sync for the hold time feature.  Useful.  But in the absence of this, there is always the calculator. 

Qtr note @ 120 bpm = 500ms.

does this get at what you are asking?

everything you never needed to know about gated reverb here:

http://en.wikipedia.org/wiki/Gated_reverb

Daniel  


Some noise gates allow a time factor that snaps the gate shut after so many miliseconds have passed. 
  
On Mar 5, 2011, at 2:58 AM, mark francombe wrote:

> I thought about something like that Per, but wont that just make a reverb that fades out as the guitar signal fades.. (interesting idea, worth a try)
> 
> I think I need something that triggers when I play a sounds (opens? like a VCA???) then after a while closes suddenly. So I was thinking... 
> 
> Env Follower to trigger a VCA, with a short release time. that release time is set to adjust the delay time of a reverb. So loud signal Equals long verb, and release time equals short verb... BUT.. how do I get that *timed* part of a gated reverb, from the moment you hit, to the moment it cuts...
> 
> This is just chat really Ill try it later (Rack still in car...) I just wondered if anyone know what a gated reverb REALLY is?
> 
> M
> 
> On Sat, Mar 5, 2011 at 11:33 AM, Per Boysen <perboysen@gmail.com> wrote:
> Try assign *input level* (as detected by the env follower) to *decay
> time* of a reverb placed later on in the effect chain. Or some other
> paramater... I haven't had a FireworX for years so my fireworkzing is
> bit rusty. Heck, just try out what routing sounds best!
> 
> 
> 
> 
> 
> -- 
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><blockquote type=3D"cite">&nbsp;I just wondered if anyone know =
what a gated reverb REALLY =
is?</blockquote><div><br></div><div><br></div><div>Its an overused drum =
sound from the 80s &nbsp;:)</div><div>Used subtly, its a way to get =
instruments to punch through the mix while retaining the sense of space =
around the instrument.&nbsp;</div><div><br></div><div>I don't know the =
TC device that you are using. &nbsp; But a simple gated reverb is where =
the reverb tail is cut off by a noise gate--a threshold control =
determines at what level the gate begins to snap shut and a hold time =
control determines the lag before the gate closes. &nbsp;</div><div>Some =
later day digital gated verb presets feature auto-tempo sync for the =
hold time feature. &nbsp;Useful. &nbsp;But in the absence of this, there =
is always the calculator.&nbsp;</div><div><br></div><div>Qtr note @ 120 =
bpm =3D 500ms.</div><div><br></div><div>does this get at what you are =
asking?</div><div><br></div><div>everything you never needed to know =
about gated reverb here:</div><div><br></div><div><a =
href=3D"http://en.wikipedia.org/wiki/Gated_reverb">http://en.wikipedia.org=
/wiki/Gated_reverb</a></div><div><br></div><div>Daniel =
&nbsp;</div><div><br></div><div><br></div><div>Some noise gates allow a =
time factor that snaps the gate shut after so many miliseconds have =
passed.&nbsp;</div><div>&nbsp;&nbsp;</div><div><div><div>On Mar 5, 2011, =
at 2:58 AM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I thought =
about something like that Per, but wont that just make a reverb that =
fades out as the guitar signal fades.. (interesting idea, worth a =
try)<br><br>I think I need something that triggers when I play a sounds =
(opens? like a VCA???) then after a while closes suddenly. So I was =
thinking... <br>

<br>Env Follower to trigger a VCA, with a short release time. that =
release time is set to adjust the delay time of a reverb. So loud signal =
Equals long verb, and release time equals short verb... BUT.. how do I =
get that *timed* part of a gated reverb, from the moment you hit, to the =
moment it cuts...<br>

<br>This is just chat really Ill try it later (Rack still in car...) I =
just wondered if anyone know what a gated reverb REALLY =
is?<br><br>M<br><br><div class=3D"gmail_quote">On Sat, Mar 5, 2011 at =
11:33 AM, Per Boysen <span dir=3D"ltr">&lt;<a =
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> =
wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Try =
assign *input level* (as detected by the env follower) to *decay<br>
time* of a reverb placed later on in the effect chain. Or some other<br>
paramater... I haven't had a FireworX for years so my fireworkzing =
is<br>
bit rusty. Heck, just try out what routing sounds best!<br>
<br><div><div class=3D"h5">
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i =
style=3D"font-family: verdana,sans-serif; color: rgb(255, 255, 255); =
background-color: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet =
ms,sans-serif;" size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" =
href=3D"http://www.markfrancombe.com/" =
target=3D"_blank">www.markfrancombe.com</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" =
href=3D"http://www.ordoabkhao.com/" =
target=3D"_blank">www.ordoabkhao.com</a><br style=3D"color: rgb(51, 0, =
51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" =
target=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: =
rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" =
href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>
</blockquote></div><br></div></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 17:44:52 2011
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Subject: Re: Calton cases
From: Daniel Thomas <danielthomas4@mac.com>
In-reply-to: <85846083-42D4-498B-9855-D1422F066375@trufun.com>
Date: Sun, 06 Mar 2011 09:44:48 -0800
Cc: David Gans <david@trufun.com>
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Ditto

love my calton cases.

d
On Mar 5, 2011, at 11:01 AM, David Gans wrote:

> 
> I don't want an Anvil style case.  The Caltons have been great for me, and it just breaks my heart that the company has turned bad.
> 
> I will look into Ameritage when I've got some money to spend. Thanks.
> 
> 
> On Mar 4, 2011, at 11:47 AM, richard sales wrote:
> 
>> Hayley got a new PRS acoustic with an Ameritage case.  Heavy duty.  She's flown it quite a bit and it seems to be holding up.  Don't know what they cost, but can't be any more than Calton.
>> 
>> Of course, there are plenty places that will make you an Anvil style case.  They're great.  I've had one for 32 years that's been through it all.  Heavy as lead, though. 
>> 
> 
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
> 
> 
> 
> 


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Ditto<div><br></div><div>love my calton =
cases.</div><div><br></div><div>d<br><div><div>On Mar 5, 2011, at 11:01 =
AM, David Gans wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div>I don't =
want an Anvil style case. &nbsp;The Caltons have been great for me, and =
it just breaks my heart that the company has turned =
bad.</div><div><br></div><div>I will look into Ameritage when I've got =
some money to spend. Thanks.</div><div><br></div><div><br><div><div>On =
Mar 4, 2011, at 11:47 AM, richard sales wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Hayley got a =
new PRS acoustic with an Ameritage case. &nbsp;Heavy duty. &nbsp;She's =
flown it quite a bit and it seems to be holding up. &nbsp;Don't know =
what they cost, but can't be any more than =
Calton.</span></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Of course, =
there are plenty places that will make you an Anvil style case. =
&nbsp;They're great. &nbsp;I've had one for 32 years that's been through =
it all. &nbsp;Heavy as lead, though.&nbsp;<br></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-size: medium; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Times; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-size: 12px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com/">http://cloudsurfing.gdhour.com</a=
></div><div>Web site: <a =
href=3D"http://www.dgans.com/">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></div></blockquote></div><br></div></body></html>=

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Date: Sun, 6 Mar 2011 10:03:41 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
To: Loopers-Delight@loopers-delight.com
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Hi Charles,

I am interested in experimenting in DSP environment, can you give some 
suggestions for hardware/software? I am looking at this MPLAB starter kit, do 
you think that is a good choice?

http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&nodeId=1406&dDocName=en534506


Thanks,
Eric




________________________________
From: Charles Zwicky <cazwicky@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, March 4, 2011 3:25:32 PM
Subject: Re: Electro Harmonix Freeze - Sound Retainer


Why does everything people don't understand get thrown in the 
"granular" bin? Allpass filters have plenty of resonances and comb 
filtering effects, just play around with some basic building blocks 
in some DSP  programming environment and you'll start to get a feel 
for how these things sound.  Plus it's a lot of fun...!


      
--0-152887775-1299434621=:39901
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div><div>Hi Charles,<br>
<br>
I am interested in experimenting in DSP environment, can you give some suggestions for hardware/software? I am looking at this MPLAB starter kit, do you think that is a good choice?<br><br><span><a target="_blank" href="http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&amp;nodeId=1406&amp;dDocName=en534506">http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&amp;nodeId=1406&amp;dDocName=en534506</a></span><br><br>Thanks,<br>Eric<br></div></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Charles Zwicky &lt;cazwicky@earthlink.net&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, March 4, 2011 3:25:32 PM<br><b><span
 style="font-weight: bold;">Subject:</span></b> Re: Electro Harmonix Freeze - Sound Retainer<br></font><br>
<br>Why does everything people don't understand get thrown in the <br>"granular" bin? Allpass filters have plenty of resonances and comb <br>filtering effects, just play around with some basic building blocks <br>in some DSP&nbsp; programming environment and you'll start to get a feel <br>for how these things sound.&nbsp; Plus it's a lot of fun...!<br><br></div></div>
</div><br>

      </body></html>
--0-152887775-1299434621=:39901--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 18:10:19 2011
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Date: Sun, 6 Mar 2011 11:10:18 -0700
Message-ID: <AANLkTinLrTzuVnKx01qsgYXJRVe9VcZ87im7oF0ud5UP@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Vortex Patch
From: Dennis Moser <sinsofmachaut@gmail.com>
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Ahhhh, Andy...thanks again for the technical explanation...I find
myself often in the "Francombe Territory" of tweaking dials (tho' I
have bought my last two guitars on the basis of their native tone,
i.e., what do they sound like unamplified). As soon as you said you
keep your VTX input around 9:00, I thought, "Ah, that's what I've been
doing once I got it working!"

And, indeed, just a little tweak is all these puppies ever seem to
need. These are NOT tools for making sweeping changes at the input
level!

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Mar 6, 2011 at 8:34 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> mark francombe wrote:
>>
>> Im running it after my Fireworx.. now I AM having issues with distortion
>> actually.. now is that due to to high output from the fireworx into the
>> Vortex
>
> possible,
> I always have the vortex input volume down around "9 o'clock"
> for line level signals.
> A small tweak makes quite a difference.
>
> Ideal is that the red Overload LED only comes on when you hit
> the guitar v.hard.
> (although for sometimes that led also picks up overload within
> =A0the patch)
>
>
>> that the Vortex makes too high an output into my mixer?
>
> Unlikely, the mixer *should* be able to
> take it.
>
> Probably it's just needs "millimeter precision calibration"
> on the input knob of the vortex.
>
> I've used the vortex as a DI (2005 gigs), and it *is* handy to have enoug=
h
> gain to just plug in a guitar...but it means
> the useful range for line level is awkwardly small.
>
> andy
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 18:31:10 2011
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Date: Sun, 6 Mar 2011 13:29:23 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
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--============_-912686229==_ma============
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Hi Eric,
  Depending on whether you're on Mac or PC there are some good 
software only choices, and if you're interested in HW / stompbox 
development, check out Spin Semiconductor's development system:

http://www.spinsemi.com/products.html


>Hi Charles,
>
>I am interested in experimenting in DSP environment, can you give 
>some suggestions for hardware/software? I am looking at this MPLAB 
>starter kit, do you think that is a good choice?
>
><http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&nodeId=1406&dDocName=en534506>http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&nodeId=1406&dDocName=en534506
>
>Thanks,
>Eric
>
>
>
>From: Charles Zwicky <cazwicky@earthlink.net>
>To: Loopers-Delight@loopers-delight.com
>Sent: Fri, March 4, 2011 3:25:32 PM
>Subject: Re: Electro Harmonix Freeze - Sound Retainer
>
>
>Why does everything people don't understand get thrown in the
>"granular" bin? Allpass filters have plenty of resonances and comb
>filtering effects, just play around with some basic building blocks
>in some DSP  programming environment and you'll start to get a feel
>for how these things sound.  Plus it's a lot of fun...!


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-912686229==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Electro Harmonix Freeze - Sound
Retainer</title></head><body>
<div>Hi Eric,</div>
<div>&nbsp;Depending on whether you're on Mac or PC there are some
good&nbsp; software only choices, and if you're interested in HW /
stompbox development, check out Spin Semiconductor's development
system:</div>
<div><br></div>
<div>http://www.spinsemi.com/products.html</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Hi Charles,<br>
<br>
I am interested in experimenting in DSP environment, can you give some
suggestions for hardware/software? I am looking at this MPLAB starter
kit, do you think that is a good choice?<br>
</blockquote>
<blockquote type="cite" cite><a
href=
"http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&amp;nodeId=1406&amp;dDocName=en534506"><span
></span
>http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&amp;<span
></span>nodeId=1406&amp;dDocName=en534506</a><br>
<br>
Thanks,<br>
Eric<br>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>
<hr size="1"></blockquote>
<blockquote type="cite" cite><font face="Tahoma"
size="-1"><b>From:</b> Charles Zwicky
&lt;cazwicky@earthlink.net&gt;<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Sent:</b> Fri, March 4, 2011 3:25:32 PM<br>
<b>Subject:</b> Re: Electro Harmonix Freeze - Sound Retainer<br>
</font><br>
<br>
Why does everything people don't understand get thrown in the<br>
&quot;granular&quot; bin? Allpass filters have plenty of resonances
and comb<br>
filtering effects, just play around with some basic building
blocks<br>
in some DSP&nbsp; programming environment and you'll start to get a
feel<br>
for how these things sound.&nbsp; Plus it's a lot of
fun...!</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-912686229==_ma============--

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Subject: Re: Lower octave
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 6, 2011 at 6:24 PM, Michael Peters <mp@mpeters.de> wrote:
> want something that reliably turns guitar notes (especially the lower notes)
> into a bass - a pedal and/or a plugin.

The octavider of Amplitube 3 is ok. If you keep just a little of the
guitar's original pitch in the sound to mask out the tiny latency of
the bass octave.

Per

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Subject: Re: Lower octave
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> On Sun, Mar 6, 2011 at 6:24 PM, Michael Peters <mp@mpeters.de> wrote:
>> want something that reliably turns guitar notes (especially the lower notes)
>> into a bass - a pedal and/or a plugin.

I have also used MXR Blue Box which was ok in the hardware world. And
POG of course, if you have more money...

Per

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Date: Sun, 6 Mar 2011 10:52:02 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
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Hi Charles,

Thanks, the FV-1 looks cool.

I am on PC, maybe software-only would be better as a starting point, can you 
give a suggestion?

Thanks,
Eric




________________________________
From: Charles Zwicky <cazwicky@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, March 6, 2011 1:29:23 PM
Subject: Re: Electro Harmonix Freeze - Sound Retainer

Re: Electro Harmonix Freeze - Sound Retainer 
Hi Eric,
 Depending on whether you're on Mac or PC there are some good  software only 
choices, and if you're interested in HW / stompbox development, check out Spin 
Semiconductor's development system:

http://www.spinsemi.com/products.html


Hi Charles,
>
>I am interested in experimenting in DSP environment, can you give some 
>suggestions for hardware/software? I am looking at this MPLAB starter kit, do 
>you think that is a good choice?
>
http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&nodeId=1406&dDocName=en534506

>
>Thanks,
>Eric
>

>

________________________________

From: Charles Zwicky <cazwicky@earthlink.net>
>To: Loopers-Delight@loopers-delight.com
>Sent: Fri, March 4, 2011 3:25:32 PM
>Subject: Re: Electro Harmonix Freeze - Sound Retainer
>
>
>Why does everything people don't understand get thrown in the
>"granular" bin? Allpass filters have plenty of resonances and comb
>filtering effects, just play around with some basic building blocks
>in some DSP  programming environment and you'll start to get a feel
>for how these things sound.  Plus it's a lot of fun...!


-- 


...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Hi Charles,<br><br>Thanks, the FV-1 looks cool.<br><br>I am on PC, maybe software-only would be better as a starting point, can you give a suggestion?<br><br>Thanks,<br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Charles Zwicky &lt;cazwicky@earthlink.net&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, March 6, 2011 1:29:23 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Electro Harmonix Freeze - Sound Retainer<br></font><br>

<style type="text/css"><!--
blockquote, dl, ul, ol, li {padding-top:0;padding-bottom:0;}
--></style><title>Re: Electro Harmonix Freeze - Sound
Retainer</title>
<div>Hi Eric,</div>
<div>&nbsp;Depending on whether you're on Mac or PC there are some
good&nbsp; software only choices, and if you're interested in HW /
stompbox development, check out Spin Semiconductor's development
system:</div>
<div><br></div>
<div><span><a target="_blank" href="http://www.spinsemi.com/products.html">http://www.spinsemi.com/products.html</a></span></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite="">Hi Charles,<br>
<br>
I am interested in experimenting in DSP environment, can you give some
suggestions for hardware/software? I am looking at this MPLAB starter
kit, do you think that is a good choice?<br>
</blockquote>
<blockquote type="cite" cite=""><a rel="nofollow" target="_blank" href="http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&amp;nodeId=1406&amp;dDocName=en534506"><span>
</span>http://www.microchip.com/stellent/idcplg?IdcService=SS_GET_PAGE&amp;<span></span>nodeId=1406&amp;dDocName=en534506</a><br>
<br>
Thanks,<br>
Eric<br>
</blockquote>
<blockquote type="cite" cite=""><br></blockquote>
<blockquote type="cite" cite="">
<hr size="1"></blockquote>
<blockquote type="cite" cite=""><font face="Tahoma" size="-1"><b>From:</b> Charles Zwicky
&lt;cazwicky@earthlink.net&gt;<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Sent:</b> Fri, March 4, 2011 3:25:32 PM<br>
<b>Subject:</b> Re: Electro Harmonix Freeze - Sound Retainer<br>
</font><br>
<br>
Why does everything people don't understand get thrown in the<br>
"granular" bin? Allpass filters have plenty of resonances
and comb<br>
filtering effects, just play around with some basic building
blocks<br>
in some DSP&nbsp; programming environment and you'll start to get a
feel<br>
for how these things sound.&nbsp; Plus it's a lot of
fun...!</blockquote>
<div><br></div>
<div><br></div>
<pre>-- <br></pre> 
<div><br>
...<br><span>
<a target="_blank" href="http://www.zmix.net">http://www.zmix.net</a></span><br>
<br><span>
<a target="_blank" href="http://www.esession.com/ChuckZwicky">http://www.esession.com/ChuckZwicky</a></span><br>
<br><span>
<a target="_blank" href="http://albumcredits.com/zmix">http://albumcredits.com/zmix</a></span></div>
</div></div>
</div><br>

      </body></html>
--0-882061478-1299437522=:66640--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 18:58:58 2011
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Thanks. The case I need has to be custom built (its for a Turner Model =
1), so it won't be in any shop's stock. But maybe a retailer can help me =
get Calton's attention.



On Mar 5, 2011, at 8:49 PM, richard sales wrote:

> David,
>=20
> well, I wouldn't let Calton get away with 900 Georges either. =20
>=20
> It looks like Elderly Instruments has them in stock.  I suspect =
they're way behind and only servicing their big vendors.=20
>=20
> www.elderly.com
>=20
> You might call Elderly and ask around.  Maybe they can find a solution =
for you.  They have a good rep.
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>Thanks. The case I need has to be custom built =
(its for a Turner Model 1), so it won't be in any shop's stock. But =
maybe a retailer can help me get Calton's =
attention.</div><div><br></div><div><br></div><div><br></div><div><div><di=
v>On Mar 5, 2011, at 8:49 PM, richard sales wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; =
">David,<div><br></div><div>well, I wouldn't let Calton get away with =
900 Georges either. &nbsp;<div><span class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 12px; "><br></span></div><div>It =
looks like Elderly Instruments has them in stock. &nbsp;I suspect =
they're way behind and only servicing their big =
vendors.&nbsp;</div><div><br></div><div><a =
href=3D"http://www.elderly.com/">www.elderly.com</a></div><div><br></div><=
div>You might call Elderly and ask around. &nbsp;Maybe they can find a =
solution for you. &nbsp;They have a good rep.</div><br =
class=3D"Apple-interchange-newline"></div></span></blockquote></div><br><d=
iv>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-5--991811633--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 19:51:24 2011
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I always planned to get the Pog, but when I tried it at NAMM it didnt seem t=
o work that well and the guy demoing it was a bit of a dick. But the guy in T=
he Duhks uses one on guitar, with seperate pickups on the bass strings and t=
hat is the bass sound for the band and it sounds great so must be possible. I=
 tried it at NAMM on my plugged in mandocello, but it didnt track the string=
 pair too well. Ya'll are provably talkibg plugins anyway, but thats my $.02=


Andy o



On Mar 6, 2011, at 12:24 PM, "Michael Peters" <mp@mpeters.de> wrote:

> octaver to occasionally add a lower octave to his flute. I

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Date: Sun, 6 Mar 2011 22:08:33 +0200
Message-ID: <AANLkTik2svRvDLimsxWBcOg41AUmiVy+niLSLkuRxZ0e@mail.gmail.com>
Subject: Re: Roger O'Donnell
From: Petri Lahtinen <kollegavalmentaja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151773e350924cd8049dd5f1a1
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Beats me too!

There's some software running on the macbook beside him, the GUI doesnt
remind me of any software I know...

But I know, of all people, you have the experience, if you dont know what it
is, then it's gotta be mystery software!!!!

-Petri-

2011/3/5 Per Boysen <perboysen@gmail.com>

> On Sat, Mar 5, 2011 at 12:23 PM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
> > I thought this was worth of sharing
> > http://www.youtube.com/watch?v=IBmguHdth7Y
>
> Thanks Petri, I enjoy that music a lot! But what the heck is "Glitch
> Sequencer"? An internet search only gives Roger O'Donnell Facebook
> page. But that's cool because over there he recently uploaded a video
> to show off "how Glitch Sequencer works".
> http://www.facebook.com/pages/Roger-ODonnell/9158211963
> Pretty interesting although he never actually says what Glitch
> Sequencer is! I would guess it is a Max For Live mockup?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

--00151773e350924cd8049dd5f1a1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Beats me too!<br><br>There&#39;s some software running on the macbook besid=
e him, the GUI doesnt remind me of any software I know...<br><br>But I know=
, of all people, you have the experience, if you dont know what it is, then=
 it&#39;s gotta be mystery software!!!!<br>
<br>-Petri-<br><br><div class=3D"gmail_quote">2011/3/5 Per Boysen <span dir=
=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>=
&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0=
pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">On Sat, Mar 5, 2011 at 12:23 PM, Petri Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@gmail.=
com</a>&gt; wrote:<br>
&gt; I thought this was worth of sharing<br>
&gt; <a href=3D"http://www.youtube.com/watch?v=3DIBmguHdth7Y" target=3D"_bl=
ank">http://www.youtube.com/watch?v=3DIBmguHdth7Y</a><br>
<br>
</div>Thanks Petri, I enjoy that music a lot! But what the heck is &quot;Gl=
itch<br>
Sequencer&quot;? An internet search only gives Roger O&#39;Donnell Facebook=
<br>
page. But that&#39;s cool because over there he recently uploaded a video<b=
r>
to show off &quot;how Glitch Sequencer works&quot;.<br>
<a href=3D"http://www.facebook.com/pages/Roger-ODonnell/9158211963" target=
=3D"_blank">http://www.facebook.com/pages/Roger-ODonnell/9158211963</a><br>
Pretty interesting although he never actually says what Glitch<br>
Sequencer is! I would guess it is a Max For Live mockup?<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www=
.petrilahtinen.com</a><br><br>

--00151773e350924cd8049dd5f1a1--

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Subject: Re: Roger O'Donnell
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On Sun, Mar 6, 2011 at 9:08 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> There's some software running on the macbook beside him, the GUI doesnt
> remind me of any software I know...

*That* actually is the "Glitch Sequencer".

> But I know, of all people, you have the experience, if you dont know what it
> is, then it's gotta be mystery software!!!!

I already took my guess in the previous post: "a M4L patch".

Per

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 20:16:22 2011
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Subject: Re: Roger O'Donnell
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--00151773e35071497d049dd60d0d
Content-Type: text/plain; charset=ISO-8859-1

Maybe I'll ask him straight on Facebook, he's on the friend list of mine.
Iike hundreds of others, but still

:-)

2011/3/6 Per Boysen <perboysen@gmail.com>

> On Sun, Mar 6, 2011 at 9:08 PM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
> > There's some software running on the macbook beside him, the GUI doesnt
> > remind me of any software I know...
>
> *That* actually is the "Glitch Sequencer".
>
> > But I know, of all people, you have the experience, if you dont know what
> it
> > is, then it's gotta be mystery software!!!!
>
> I already took my guess in the previous post: "a M4L patch".
>
> Per
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

--00151773e35071497d049dd60d0d
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Maybe I&#39;ll ask him straight on Facebook, he&#39;s on the friend list of=
 mine.<br>Iike hundreds of others, but still<br><br>:-)<br><br><div class=
=3D"gmail_quote">2011/3/6 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Sun, Mar 6, 2011 at 9:08 PM, Petri Lahtinen<br>
&lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@gmail.=
com</a>&gt; wrote:<br>
&gt; There&#39;s some software running on the macbook beside him, the GUI d=
oesnt<br>
&gt; remind me of any software I know...<br>
<br>
</div>*That* actually is the &quot;Glitch Sequencer&quot;.<br>
<div class=3D"im"><br>
&gt; But I know, of all people, you have the experience, if you dont know w=
hat it<br>
&gt; is, then it&#39;s gotta be mystery software!!!!<br>
<br>
</div>I already took my guess in the previous post: &quot;a M4L patch&quot;=
.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www=
.petrilahtinen.com</a><br><br>

--00151773e35071497d049dd60d0d--

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Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Mar 6, 2011 at 7:52 PM, E Gross <slapbandjam@yahoo.com> wrote:
> Thanks, the FV-1 looks cool.
>
> I am on PC, maybe software-only would be better as a starting point, can you
> give a suggestion?

Many so called tape delay simulator plugins can do that. Just assign a
kick switch or expression pedal to its feedback parameter and trim the
values to make the freeze work. After trying many I have settled with
the software plugin for this is EchoBoy from SoundToys. There is also
the reverb plugin Eos that has an "Infinite" button that you can
assign to your foot pedal. But I can't recommend Eos because it gives
an audible click noise if going into or out of freeze mode as audio
passes through the plugin. Another reason I like EchoBoy better is
that it doesn't really freeze audio in the technical sense, it simple
keeps a loop at 99 percent feedback and from this comes that the
fidelity slowly degrades during "freeze time" and I like that effect a
lot. Oh, and of course you have to set up a signal routing to pass by
the EchoBoy during its "freeze time".

Best wishes

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 21:23:15 2011
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 Dark Seeds <DarkSeedsNews@yahoogroups.com>,
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 Loopers Delight <Loopers-Delight@loopers-delight.com>,
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Subject: 03.08.11 > The PiNG presents luminations + URM + KALTE + GENERAL
 CHAOS VISUALS
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. 03.08.11 . THE AMBiENT PiNG presents FiT THE FiRST
featuring luminations (DVD screening) + URM + KALTE
+ GENERAL CHAOS VISUALS

@ Supermarket  . 268 Augusta Ave . Kensington Market .
     just south of College . Map, info and directions at:
     http://www.supermarkettoronto.com/site/section/contact
     Tues. March 8th . Doors open at 8pm . 1st set at 8:00 . $6

. 8:00 . luminations . The premiere screening of "luminations" by
General Chaos Visuals and URM to celebrate the release of their
hour long DVD of projected light and ambient electronic music.
This unique film features the multi-layered projected translucent
light paintings of Stephen Lindsey (General Chaos Visuals) which
were created to accompany a musical soundtrack of soundscapes
and electronic music created by Jamie Todd (URM.) For over ten
years, Stephen and Jamie have collaborated and experimented
with these techniques of merging light projections with live music.
This film represents the realization of their lengthy efforts
to create something new and unique in the realm of
audio and visual synergy.

The techniques used for creating the imagery in this film primarily
include the use of hand-painted transparent images, which are
kinetically rotated and overlaid with multiple projectors. The images
are manipulated using optical analog techniques such as prisms,
crystals and fingers. The overall technique has been in development
in live gigs for over ten years now, and although based on some
elements of 60’s light shows, the General Chaos Visuals live
experience is a new beast entirely of its own.

The audio soundtrack, "Shadows of Light", was created by URM's
Jamie Todd (also of dreamSTATE, NOiNO and SADU) who takes
us on a sonic trip made up of six pieces which explore alien
mutant psycho jazz, dark/light ambience, spacey soundscapes
along with some sequencer driven Berlin School pulse. All of the
music was created in real time on a single laptop utilizing a virtual
wall of modular and semi-modular soft synthesizers run through
a matrix of soft efx.

General Chaos Visuals: http://webhome.idirect.com/%7Eslindsey
URM: http://www.urm.ca

. 9:00 . URM . To complement the free download release of his
"stratification" LP on the ping things net label, Jamie Todd
unleashes a sonic suite of sequences and soundscapes to perform
the LP LiVE in its entirety as a continuous audio journey. With lots
of new sound manipulating toys in the URM arsenal, "stratification" is
a tasty mix of sequencer driven Berlin School electronics combined
with haunting ambient soundscapes and seasoned with that wee
bit of weirdness that Jamie has always been so fond of applying
to the mix. As this is a special night, celebrating a couple of URM
releases, Scott M2 of dreamSTATE (who is itching to play live
with his new iPad) will join Jamie for the final 1/3 of the URM set.

Download for free URM's "stratification" from the ping things net label:
http://pingthings.blogspot.com/2010/11/download-stratification-by-urm.html

. 10:30 . KALTE come out of hibernation to play the PiNG for their
1st show of 2011 celebrating the launch of their new album "Fissures"
to be released by Petcord on Mar. 15th.  http://www.petcord.com
Deane and Rik of Kalte will be performing a set drawn from the
mysteries of the Hadopelagic Zone, cold music heard in inhospitable
spaces, ominous and dark tones inspired by massive pressures and
arctic depths. For more information visit www.kaltemusic.com

. GENERAL CHAOS VISUALS . The unique evolving light paintings
of General Chaos Visuals will provide us with mesmerizing eye
candy projected onto a live canvas of performers.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG SOON:

TUESDAY APRiL 12 2011 - Cymbl and Lorde Awesome
+ FSK1138 + GENERAL CHAOS VISUALS
@ Supermarket . 268 Augusta Ave . Kensington Market
     just south of College  .  Map, info and directions at:
     http://www.supermarkettoronto.com/site/section/contact
     PiNG doors open at 8pm . 1st set at 8:30 . $6

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

NEW ADVENTURES IN SOUND ART CELEBRATES 10 YEARS!
BIRTHDAY SOUND BASH FUNDRAISER
NAISA Sound Bash Installation March 1 - 31, 2011
Sound Bash Performances every Saturday on March @ 8pm at
the NAISA Space, 601 Christie St #252, Artscape Wychwood Barns

A Sound Installation that you Pay to Play
www.naisa.ca/SoundBash.html

Sound Bash Performances March 5 (Neil Wiernik), 12 (Alan Bloor),
19 (Bentley Jarvis), 26 (Rick Sacks)

Sound Bash Performance tickets: $20 / purchase at the NAISA
Space or     www.naisa.ca/eshops/bashreg.php
Pay-to-Play session: $20 / 20 minutes - schedule your session
at www.naisa.ca/eshops/bashreg.php
Download audio by donation starting March 1: recordings of
performances/found objects
www.naisa.ca/eshops/esoundbash.php

In March, 2011 New Adventures in Sound Art (NAISA) turns 10! To
celebrate we invite you to a bash like no other ... literally. For the
month of March, NAISA's Installation Space will be filled with found
objects especially selected because of the interesting sounds they
make when struck or played, offering you a chance to play with
sound and manipulate it live.

"Since its inception in March 2001, New Adventures in Sound Art
(NAISA) has provided a home for the sonic imagination in Toronto,
a place where anyone can explore art through sound. As NAISA
turns 10, we encourage you to join in the celebration both on-line
and in person to help create a Bash like no other in which you
invent and explore sound following the lead of your imagination."
- Darren Copeland, NAISA Artistic Director

Situated throughout the NAISA space will be everyday man-made
objects, sometimes with contact mics attached and sometimes not,
and NAISA will provide you with the tools to conceive and conduct
your own performance.

We'll even record it for prosperity and give you a copy! All to help
support NAISA and its educational and presentation opportunities
for sound and media artists. Celebrate and support NAISA with
a bash that lasts.

Go to www.naisa.ca/eshops/bashreg.php to schedule your
pay-to-play session or buy tickets to any of the 8pm performances
plus special guests on this evolving instrument / sound installation:

March 5 Neil Wiernik (www.phoniq.net/)
March 12 Alan Bloor (www.pholde.com)
March 19 Bentley Jarvis
March 26 Rick Sacks (www.rixax.com)

For those not able to attend in person, you can still support NAISA
by downloading your choice of audio recordings by donation
http://www.naisa.ca/eshops/esoundbash.php
. Included will be recordings of the found objects as well as
recordings of performances on them by Neil Wiernik, Alan Bloor,
Bentley Jarvis, Rick Sacks and many more supporters of NAISA.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

The PiNG also has a Twitter account to send you advance
updates and reminders of the when & where of future PiNG events.
Just search for ambientping to find us. http://twitter.com

ViSiT the ping things store for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 21:35:42 2011
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Subject: small digital recorders-TASCAM DR03
From: Scott Hansen <evanpeewee@gmail.com>
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--0016e64718361e6b10049dd7298a
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fwding this message from Ed, who has a japanese gmail acct, so LD site is
blocked, sorry it took me so long ED, i check my email not very often
(lazy!)
message below....

---------- Forwarded message ----------
From: Ed Durbrow <edurbrow@gmail.com>
Date: Thu, Mar 3, 2011 at 11:32 PM
Subject: Re: small digital recorders-TASCAM DR03
To: Loopers-Delight@loopers-delight.com


When my R-09 fell apart a while ago I bought a DR-03. It has a couple of
nifty features the R-09 didn't have, but then time has marched on quite a
bit since the R-09 first came out. I often use it in the car to listen to
lectures, so one thing I like is the ability to increment the play speed by
10% intervals. This is handy if I've listened to a lecture but didn't put my
full attention into it and then listen again at say 140%. Another feature
that at first I could see no need for, but  later found out  could be very
useful, was made clear to me when I went to a concert of a singer
songwriter. There is a pre-record function. I can put it in record pause
while the performer is futzing around and tuning, but not have to worry
about missing the start of the tune because it records 2 seconds BEFORE I
hit the record button!

Negatives:
Infuriatingly, it does not have a pause button. This actually made me decide
to pay to get the R-09 repaired instead of throwing it out. When I'm
composing, I might stop and think about where I'm going or try different
chords. Without a pause button, every time I stop it creates a new file.
This also seems to be a "feature" of most digital movie cameras these days.
I don't understand the logic of this at all. Also, there seems to be only
one speed to fast forward or review. At least you can go backwards past the
beginning of a file to the previous file, which you cannot do on the R-09
(at least not on my version -the original). However, the R-09 would go
faster the longer you held the FF or REV button. Listening to lectures, I
often want to hear one sentence again. I often don't hit it just right and
it goes to the beginning of the file (another infuriating thing). If it is a
1/2 hour or 45 minute file, it takes forever to find the place I was just
listening to.

I've got both the R-09 and the DR-03 with me on this trip to America (as
well as my RC-2, to stay relevant). I just have to say that these devices
have changed my life. If I have an idea in the middle of the night, instead
of having to boot a computer, turn on mic pres, mixers, wait for the DAW to
fire up and then save a file before I can even record, I just turn one of
these guys on. Four second boot up time for the R-09, seven seconds for the
DR-03. Love 'em. Saves heaps of space too because I just keep all my ideas
as mp3s in iTunes.

--0016e64718361e6b10049dd7298a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>fwding this message from Ed, who has a japanese gmail acct, so LD site=
 is blocked, sorry it took me so long ED, i check my email not very often (=
lazy!)</div>
<div>message below....</div>
<div>=A0</div>
<div>---------- Forwarded message ----------<br>From: Ed Durbrow &lt;<a hre=
f=3D"mailto:edurbrow@gmail.com">edurbrow@gmail.com</a>&gt;<br>Date: Thu, Ma=
r 3, 2011 at 11:32 PM<br>Subject: Re: small digital recorders-TASCAM DR03<b=
r>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a></div>
<p><br>When my R-09 fell apart a while ago I bought a DR-03. It has a coupl=
e of nifty features the R-09 didn&#39;t have, but then time has marched on =
quite a bit since the R-09 first came out. I often use it in the car to lis=
ten to lectures, so one thing I like is the ability to increment the play s=
peed by 10% intervals. This is handy if I&#39;ve listened to a lecture but =
didn&#39;t put my full attention into it and then listen again at say 140%.=
 Another feature that at first I could see no need for, but=A0 later found =
out=A0 could be very useful, was made clear to me when I went to a concert =
of a singer songwriter. There is a pre-record function. I can put it in rec=
ord pause while the performer is futzing around and tuning, but not have to=
 worry about missing the start of the tune because it records 2 seconds BEF=
ORE I hit the record button!</p>

<p>Negatives:<br>Infuriatingly, it does not have a pause button. This actua=
lly made me decide to pay to get the R-09 repaired instead of throwing it o=
ut. When I&#39;m composing, I might stop and think about where I&#39;m goin=
g or try different chords. Without a pause button, every time I stop it cre=
ates a new file. This also seems to be a &quot;feature&quot; of most digita=
l movie cameras these days. I don&#39;t understand the logic of this at all=
. Also, there seems to be only one speed to fast forward or review. At leas=
t you can go backwards past the beginning of a file to the previous file, w=
hich you cannot do on the R-09 (at least not on my version -the original). =
However, the R-09 would go faster the longer you held the FF or REV button.=
 Listening to lectures, I often want to hear one sentence again. I often do=
n&#39;t hit it just right and it goes to the beginning of the file (another=
 infuriating thing). If it is a 1/2 hour or 45 minute file, it takes foreve=
r to find the place I was just listening to.</p>

<p>I&#39;ve got both the R-09 and the DR-03 with me on this trip to America=
 (as well as my RC-2, to stay relevant). I just have to say that these devi=
ces have changed my life. If I have an idea in the middle of the night, ins=
tead of having to boot a computer, turn on mic pres, mixers, wait for the D=
AW to fire up and then save a file before I can even record, I just turn on=
e of these guys on. Four second boot up time for the R-09, seven seconds fo=
r the DR-03. Love &#39;em. Saves heaps of space too because I just keep all=
 my ideas as mp3s in iTunes.</p>

--0016e64718361e6b10049dd7298a--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 21:48:11 2011
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	<AANLkTi=rcrsEtaphGZ=svwvLULGNW8iZK2je4fxEmZpX@mail.gmail.com>
Date: Sun, 6 Mar 2011 16:48:10 -0500
Message-ID: <AANLkTi=4UCnqhYuwe=wk=brvcDEOwkoKtqeE3PQD7xFg@mail.gmail.com>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf307cfc0ad183d5049dd75524
Content-Type: text/plain; charset=ISO-8859-1

I just realized while setting up for a Ninjam that my Digitech Timebender
can do some pretty cool freeze/hold/play over it stuff. The only issue I
guess is that you have to hold a pedal for about a sec before it freezes and
holds what you just played. Then a quick tap and press and hold to change
note/chord or whatever. I'll try to record something later for an example.

J

On Sun, Mar 6, 2011 at 3:21 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Mar 6, 2011 at 7:52 PM, E Gross <slapbandjam@yahoo.com> wrote:
> > Thanks, the FV-1 looks cool.
> >
> > I am on PC, maybe software-only would be better as a starting point, can
> you
> > give a suggestion?
>
> Many so called tape delay simulator plugins can do that. Just assign a
> kick switch or expression pedal to its feedback parameter and trim the
> values to make the freeze work. After trying many I have settled with
> the software plugin for this is EchoBoy from SoundToys. There is also
> the reverb plugin Eos that has an "Infinite" button that you can
> assign to your foot pedal. But I can't recommend Eos because it gives
> an audible click noise if going into or out of freeze mode as audio
> passes through the plugin. Another reason I like EchoBoy better is
> that it doesn't really freeze audio in the technical sense, it simple
> keeps a loop at 99 percent feedback and from this comes that the
> fidelity slowly degrades during "freeze time" and I like that effect a
> lot. Oh, and of course you have to set up a signal routing to pass by
> the EchoBoy during its "freeze time".
>
> Best wishes
>

--20cf307cfc0ad183d5049dd75524
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I just realized while setting up for a Ninjam that my Digitech Timebender c=
an do some pretty cool freeze/hold/play over it stuff. The only issue I gue=
ss is that you have to hold a pedal for about a sec before it freezes and h=
olds what you just played. Then a quick tap and press and hold to change no=
te/chord or whatever. I&#39;ll try to record something later for an example=
. <br>
<br>J<br><br><div class=3D"gmail_quote">On Sun, Mar 6, 2011 at 3:21 PM, Per=
 Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboy=
sen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204)=
; padding-left: 1ex;">
On Sun, Mar 6, 2011 at 7:52 PM, E Gross &lt;<a href=3D"mailto:slapbandjam@y=
ahoo.com">slapbandjam@yahoo.com</a>&gt; wrote:<br>
&gt; Thanks, the FV-1 looks cool.<br>
&gt;<br>
&gt; I am on PC, maybe software-only would be better as a starting point, c=
an you<br>
&gt; give a suggestion?<br>
<br>
Many so called tape delay simulator plugins can do that. Just assign a<br>
kick switch or expression pedal to its feedback parameter and trim the<br>
values to make the freeze work. After trying many I have settled with<br>
the software plugin for this is EchoBoy from SoundToys. There is also<br>
the reverb plugin Eos that has an &quot;Infinite&quot; button that you can<=
br>
assign to your foot pedal. But I can&#39;t recommend Eos because it gives<b=
r>
an audible click noise if going into or out of freeze mode as audio<br>
passes through the plugin. Another reason I like EchoBoy better is<br>
that it doesn&#39;t really freeze audio in the technical sense, it simple<b=
r>
keeps a loop at 99 percent feedback and from this comes that the<br>
fidelity slowly degrades during &quot;freeze time&quot; and I like that eff=
ect a<br>
lot. Oh, and of course you have to set up a signal routing to pass by<br>
the EchoBoy during its &quot;freeze time&quot;.<br>
<br>
Best wishes<br>
</blockquote></div><br>

--20cf307cfc0ad183d5049dd75524--

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Date: Sun, 06 Mar 2011 17:21:12 -0500
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Subject: Galactic Travels Playlist #726 for March 3, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110303.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #726                March 3, 2011.

RECAP:
On this show, I began a month-long focus on Richard Lainhart.  The
Featured CD at Midnight was "Five Nocturnes" on O-Town Music.

Lainhart: http://wdiy.org/programs/gt/playlists/2011/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Gert Emmens          Opaque Divergence    Metamorphosis (Groove)
Spyra                Wale Im Bergwerk     No Beats For 1 Hour (Ricochet
                                             Dream)
Spyra                Orange Toad          No Beats For 1 Hour (Ricochet
                                             Dream)
Meg Bowles           A Quiet Light        A Quiet Light (Kumatone)
Richard Lainhart     Nocturme 0 (050998)  Five Nocturnes (O-Town)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Richard Lainhart     Nocturme 0 (091998)  Five Nocturnes (O-Town)
Richard Lainhart     Nocturme 1 (082998)  Five Nocturnes (O-Town)
Richard Lainhart     Nocturme 2 (101399)  Five Nocturnes (O-Town)
Richard Lainhart     Nocturme 3 (041900)  Five Nocturnes (O-Town)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Richard Lainhart.  The Featured CD at Midnight will be "Staring at the
Moon" on O-Town Music.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Sun Mar  6 23:01:32 2011
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        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
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Subject: Thought Radio Playlist for March 5, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/110305.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called <b>Thought Radio</b> and you can expect 
to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                 Show #193                March 5, 2011.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Roach          Shroud of Night *    Circadian Rhythms (Timeroom)
VA [Future 11]       Music Is My Life     Sequences No. 12
VA [Synthesis]       Invasion             Sequences No. 12
VA [Robert Scott     Air Friction         Sequences No. 12
   Thompson]
Ombient              Sleep                Ombient (none)
Alpha Wave Movment   Eternal Panorama     Soniq Variants (Harmonic
                                             Resonance Recordings)
Steve Dinsdale       Consequences         On the Other Side (Northern
                                             Echoe)
Nattefrost           In Natura            Dying Sun/Scarlet Moon
                                             (Groove)


Phase II/Eclectic:

Today, Phase II was pre-empted by Phase I.


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
The Tangent          The Cantebury        Down and Out in Paris and London
                        Sequence Volume 2    (InsideOut)
Trey Gunn            Dziban               I'll Tell You What I Saw (7D
                                             Media)
Kaipa                The Fleeting         Angling Feelings (InsideOut)
                        Existence of Time
Spock's Beard        Jaws of Heaven       X (none)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/GMT-5.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

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Subject: RE: Lower octave
Date: Sun, 6 Mar 2011 18:39:54 -0500
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I'm using a Boss OC-2 for my "guitar as bass" sounds...sometimes it works
great, sometimes sounds unrealistic.

 

You have to dial the knobs just right, otherwise it really gets "too vibe-y,
or rather, distorted", instead of sounding like a true bass.

 

But used with an eBow, it really adds some droney depth and low-end to one's
loops and playing.

 

Edward

 

  _____  

From: Matt Stevens [mailto:mattstevensguitar@btinternet.com] 
Sent: Sunday, March 06, 2011 12:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Lower octave

 

I use a Whammy Pedal although the POG is much better

 

Matt Stevens

www.mattstevensguitar.com

mattstevensguitar@btinternet.com

 





 

On 6 Mar 2011, at 17:24, Michael Peters wrote:





I watched Theo Travis playing flute yesterday in Antwerp, and saw that he

used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I

want something that reliably turns guitar notes (especially the lower notes)

into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you will

probably recommend Chopitch - I need some help using it because more often

than not, the Chopitch sound gets cut off very quickly - not sure what to

do)

 

-Michael

 

 

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I'm using a Boss OC-2 for my =
&quot;guitar
as bass&quot; sounds...sometimes it works great, sometimes sounds =
unrealistic.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>You have to dial the knobs just =
right,
otherwise it really gets &quot;too vibe-y, or rather, distorted&quot;, =
instead
of sounding like a true bass.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>But used with an eBow, it really =
adds some
droney depth and low-end to one's loops and =
playing.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Edward<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Matt =
Stevens
[mailto:mattstevensguitar@btinternet.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Sunday, March 06, =
2011 12:27
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: Lower =
octave</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>I use a Whammy Pedal although the POG is much =
better<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div><span style=3D'orphans: 2;text-align:auto;widows: =
2;-webkit-border-horizontal-spacing: 0px;
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<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>Matt =
Stevens<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>www.mattsteve=
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</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'><a
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</a><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'><o:p>&nbsp;</=
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</div>

<p class=3DMsoNormal><font size=3D1 color=3Dblack face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'></span><br>
<br>
</span></font><o:p></o:p></p>

</div>

</span>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On 6 Mar 2011, at 17:24, Michael Peters =
wrote:<o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br>
<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>I watched Theo Travis playing flute yesterday in <st1:City =
w:st=3D"on"><st1:place
 w:st=3D"on">Antwerp</st1:place></st1:City>, and saw that =
he<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>used a Boss OC-2 octaver to occasionally add a lower octave to =
his
flute. I<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>want something that reliably turns guitar notes (especially the =
lower
notes)<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>into a bass - a pedal and/or a plugin. Recommendations?<span
class=3Dapple-converted-space>&nbsp; </span>(Andy, you =
will<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>probably recommend Chopitch - I need some help using it because =
more
often<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>than not, the Chopitch sound gets cut off very quickly - not =
sure what
to<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>do)<o:p></o:p></span></font></p>

</div>

<div style=3D'min-height: 14px'>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>-Michael<o:p></o:p></span></font></p>

</div>

<div style=3D'min-height: 14px'>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
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</div>

<div style=3D'min-height: 14px'>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
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</div>

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Date: Sun, 6 Mar 2011 19:56:46 -0600
Message-ID: <AANLkTikS=t_NaPYUaH9uJGiCgmr3fHf=odRHzZ+Dv08L@mail.gmail.com>
Subject: small digital recorders-TASCAM DR03
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i will agree w/ ed's comments on the dr03. i really love it. i've been
listening to my playing, and i tend to just do freeform stuff, but have been
liking the results. the funniest thing is that i'm finding that my amp
sounds different on the recorder (which is basically in front of the amp for
the most part) than what i hear when i sit on the side of it. but i think it
sounds better than what i'm hearing! ha!

i will agree that the one thing i don't like about the dr03 is the lack of
the "PAUSE" button. seems odd. but the small size and the results of what
i've recorded, i'm loving it. need to sit down and load some stuff up on the
computer. may have to break out the manual (dread-the horror!!!!!)
s---
,

---------- Forwarded message ----------
From: Ed Durbrow <edurbrow@gmail.com>
Date: Thu, Mar 3, 2011 at 11:32 PM
Subject: Re: small digital recorders-TASCAM DR03
To: Loopers-Delight@loopers-delight.com


When my R-09 fell apart a while ago I bought a DR-03. It has a couple of
nifty features the R-09 didn't have, but then time has marched on quite a
bit since the R-09 first came out. I often use it in the car to listen to
lectures, so one thing I like is the ability to increment the play speed by
10% intervals. This is handy if I've listened to a lecture but didn't put my
full attention into it and then listen again at say 140%. Another feature
that at first I could see no need for, but  later found out  could be very
useful, was made clear to me when I went to a concert of a singer
songwriter. There is a pre-record function. I can put it in record pause
while the performer is futzing around and tuning, but not have to worry
about missing the start of the tune because it records 2 seconds BEFORE I
hit the record button!

Negatives:
Infuriatingly, it does not have a pause button. This actually made me decide
to pay to get the R-09 repaired instead of throwing it out. When I'm
composing, I might stop and think about where I'm going or try different
chords. Without a pause button, every time I stop it creates a new file.
This also seems to be a "feature" of most digital movie cameras these days.
I don't understand the logic of this at all. Also, there seems to be only
one speed to fast forward or review. At least you can go backwards past the
beginning of a file to the previous file, which you cannot do on the R-09
(at least not on my version -the original). However, the R-09 would go
faster the longer you held the FF or REV button. Listening to lectures, I
often want to hear one sentence again. I often don't hit it just right and
it goes to the beginning of the file (another infuriating thing). If it is a
1/2 hour or 45 minute file, it takes forever to find the place I was just
listening to.

I've got both the R-09 and the DR-03 with me on this trip to America (as
well as my RC-2, to stay relevant). I just have to say that these devices
have changed my life. If I have an idea in the middle of the night, instead
of having to boot a computer, turn on mic pres, mixers, wait for the DAW to
fire up and then save a file before I can even record, I just turn one of
these guys on. Four second boot up time for the R-09, seven seconds for the
DR-03. Love 'em. Saves heaps of space too because I just keep all my ideas
as mp3s in iTunes.


On Mar 3, 2011, at 7:46 PM, Scott Hansen wrote:

i ended my search, bought a tascam dr03.
saw they were on sale at MF for $79, they honored the $15 gift card from GC
(my local GC didn't have it), & i had a 40$ gift certificate too. so i
didn't pay much for it.

should note i had been debating either the olympus dm420 or ws700-small
digital voice recorders...but then saw the tascams in my MF catalog...
i originally wanted to get the DR07,but both GC & MF were out of them, and
come to find out, it's discontinued...it looks a little bigger, think it has
a few more options. besides the price, a few reviews i read basically said
it's an EASY recorder to use, which i wanted (i'm dumb & lazy).

FIRST REACTIONS-when i got it on tues, the box WEIGHED NOTHING. when i took
it out of the mailing box, the packaging weighed less than NOTHING. i
wondered if anything was in there. when i took it out, i couldn't believe
how small & light it was. i also thought it looked kind of cheap/plasticy,
wondered how it will last, but i figured i didn't pay much for it...i was
bummed it had no headphones w/ it (the olympus recorders come w/ some). wed
night i did a cursory read of the manual (barely)-just checked to see which
option for recording, i set it on one of the higher MP3 settings (they start
it at highest PCM recordings-which gives the 2mb memory card about 2 hrs of
recording)-and the recording time went to 14 hrs, which i thought was plenty
of time for my need-i really wanted to just record my practice/playing time
and listen back to try to work on my playing technique. have no illusions of
recording anything masterpiece-ful to wow anyone--really just wanted to hear
my playing to work on things.
i recorded 2 little sessions on wed, one thursday morning, one thur
afternoon. i was a little scared to listen back. wasn't sure if i'd just
hear that i SUCK, or if the sound would suck, etc (should note i've done
recording on my old 4 track tascam, my digital cd recorder, & my digital
fostex 8 track). i think some reviews of people saying small recorders have
crappy sound was in my head, and i figured the stereo mics in the thing were
probably not great. well, after listening to the stuff i recorded, i'm
really blown away by the sound. honesty really captures my sound/ playing i
thought (warts & all). so far i've had it about a foot away from my fender
amp a bit off to the side. it's a nice little recorder. i won't say that it
will compete w/ any more expensive digital recorder (the $200 or $500 & up
ones), but for $80 it's decent. certainly for capturing ideas it's easy to
use, especially for me. the funny thing i've learning in my playing: i'm
always STIFF in the beginning, and things sound better when i'm playing
against my drum machine...at least so far....the other thing i like is it is
small, not hard to carry to and from work which is part of the time i use
for listening....

i'm finding in all my stuff so far once i get loosened up, i've done some
little loop things w/ my digitech DL8 and played over it, textures, noise,
lots of my FUZZ MACHINE use
w/ my swollen pickle stuff, little processing from my korg kaoss pad 2....i
really love it. don't know if it will meet everyone's needs, not sure how it
compares w/ the zoom ones, but i like this one.
happy looping.
s---

--0016e6dd8a66ebe46f049ddacef2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">i will agree w/ ed&#39;s comments on the dr03. i=
 really love it. i&#39;ve been listening to my playing, and i tend to just =
do freeform stuff, but have been liking the results. the funniest thing is =
that i&#39;m finding that my amp sounds different on the recorder (which is=
 basically in front of the amp for the most part) than what i hear when i s=
it on the side of it. but i think it sounds better than what i&#39;m hearin=
g! ha!</div>

<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">i will agree that the one thing i don&#39;t like=
 about the dr03 is the lack of the &quot;PAUSE&quot; button. seems odd. but=
 the small size and the results of what i&#39;ve recorded, i&#39;m loving i=
t. need to sit down and load some stuff up on the computer. may have to bre=
ak out the manual (dread-the horror!!!!!)</div>

<div class=3D"gmail_quote">s---</div>
<div class=3D"gmail_quote">,<br><br>
<div class=3D"gmail_quote">---------- Forwarded message ----------<br>From:=
 <b class=3D"gmail_sendername">Ed Durbrow</b> <span dir=3D"ltr">&lt;<a href=
=3D"mailto:edurbrow@gmail.com" target=3D"_blank">edurbrow@gmail.com</a>&gt;=
</span><br>
Date: Thu, Mar 3, 2011 at 11:32 PM<br>Subject: Re: small digital recorders-=
TASCAM DR03<br>To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" t=
arget=3D"_blank">Loopers-Delight@loopers-delight.com</a><br><br><br>When my=
 R-09 fell apart a while ago I bought a DR-03. It has a couple of nifty fea=
tures the R-09 didn&#39;t have, but then time has marched on quite a bit si=
nce the R-09 first came out. I often use it in the car to listen to lecture=
s, so one thing I like is the ability to increment the play speed by 10% in=
tervals. This is handy if I&#39;ve listened to a lecture but didn&#39;t put=
 my full attention into it and then listen again at say 140%. Another featu=
re that at first I could see no need for, but=A0 later found out=A0 could b=
e very useful, was made clear to me when I went to a concert of a singer so=
ngwriter. There is a pre-record function. I can put it in record pause whil=
e the performer is futzing around and tuning, but not have to worry about m=
issing the start of the tune because it records 2 seconds BEFORE I hit the =
record button!<br>
<br>Negatives:<br>Infuriatingly, it does not have a pause button. This actu=
ally made me decide to pay to get the R-09 repaired instead of throwing it =
out. When I&#39;m composing, I might stop and think about where I&#39;m goi=
ng or try different chords. Without a pause button, every time I stop it cr=
eates a new file. This also seems to be a &quot;feature&quot; of most digit=
al movie cameras these days. I don&#39;t understand the logic of this at al=
l. Also, there seems to be only one speed to fast forward or review. At lea=
st you can go backwards past the beginning of a file to the previous file, =
which you cannot do on the R-09 (at least not on my version -the original).=
 However, the R-09 would go faster the longer you held the FF or REV button=
. Listening to lectures, I often want to hear one sentence again. I often d=
on&#39;t hit it just right and it goes to the beginning of the file (anothe=
r infuriating thing). If it is a 1/2 hour or 45 minute file, it takes forev=
er to find the place I was just listening to.<br>
<br>I&#39;ve got both the R-09 and the DR-03 with me on this trip to Americ=
a (as well as my RC-2, to stay relevant). I just have to say that these dev=
ices have changed my life. If I have an idea in the middle of the night, in=
stead of having to boot a computer, turn on mic pres, mixers, wait for the =
DAW to fire up and then save a file before I can even record, I just turn o=
ne of these guys on. Four second boot up time for the R-09, seven seconds f=
or the DR-03. Love &#39;em. Saves heaps of space too because I just keep al=
l my ideas as mp3s in iTunes.<br>
<br><br>On Mar 3, 2011, at 7:46 PM, Scott Hansen wrote:<br><br>i ended my s=
earch, bought a tascam dr03.<br>saw they were on sale at MF for $79, they h=
onored the $15 gift card from GC (my local GC didn&#39;t have it), &amp; i =
had a 40$ gift certificate too. so i didn&#39;t pay much for it.<br>
<br>should note i had been debating either the olympus dm420 or ws700-small=
 digital voice recorders...but then saw the tascams in my MF catalog...<br>=
i originally wanted to get the DR07,but both GC &amp; MF were out of them, =
and come to find out, it&#39;s discontinued...it looks a little bigger, thi=
nk it has a few more options. besides the price, a few reviews i read basic=
ally said it&#39;s an EASY recorder to use, which i wanted (i&#39;m dumb &a=
mp; lazy).<br>
<br>FIRST REACTIONS-when i got it on tues, the box WEIGHED NOTHING. when i =
took it out of the mailing box, the packaging weighed less than NOTHING. i =
wondered if anything was in there. when i took it out, i couldn&#39;t belie=
ve how small &amp; light it was. i also thought it looked kind of cheap/pla=
sticy, wondered how it will last, but i figured i didn&#39;t pay much for i=
t...i was bummed it had no headphones w/ it (the olympus recorders come w/ =
some). wed night i did a cursory read of the manual (barely)-just checked t=
o see which option for recording, i set it on one of the higher MP3 setting=
s (they start it at highest PCM recordings-which gives the 2mb memory card =
about 2 hrs of recording)-and the recording time went to 14 hrs, which i th=
ought was plenty of time for my need-i really wanted to just record my prac=
tice/playing time and listen back to try to work on my playing technique. h=
ave no illusions of recording anything masterpiece-ful to wow anyone--reall=
y just wanted to hear my playing to work on things.<br>
i recorded 2 little sessions on wed, one thursday morning, one thur afterno=
on. i was a little scared to listen back. wasn&#39;t sure if i&#39;d just h=
ear that i SUCK, or if the sound would suck, etc (should note i&#39;ve done=
 recording on my old 4 track tascam, my digital cd recorder, &amp; my digit=
al fostex 8 track). i think some reviews of people saying small recorders h=
ave crappy sound was in my head, and i figured the stereo mics in the thing=
 were probably not great. well, after listening to the stuff i recorded, i&=
#39;m really blown away by the sound. honesty really captures my sound/ pla=
ying i thought (warts &amp; all). so far i&#39;ve had it about a foot away =
from my fender amp a bit off to the side. it&#39;s a nice little recorder. =
i won&#39;t say that it will compete w/ any more expensive digital recorder=
 (the $200 or $500 &amp; up ones), but for $80 it&#39;s decent. certainly f=
or capturing ideas it&#39;s easy to use, especially for me. the funny thing=
 i&#39;ve learning in my playing: i&#39;m always STIFF in the beginning, an=
d things sound better when i&#39;m playing against my drum machine...at lea=
st so far....the other thing i like is it is small, not hard to carry to an=
d from work which is part of the time i use for listening....<br>
=A0<br>i&#39;m finding in all my stuff so far once i get loosened up, i&#39=
;ve done some little loop things w/ my digitech DL8 and played over it, tex=
tures, noise, lots of my FUZZ MACHINE use<br>w/ my swollen pickle stuff, li=
ttle processing from my korg kaoss pad 2....i really love it. don&#39;t kno=
w if it will meet everyone&#39;s needs, not sure how it<br>
compares w/ the zoom ones, but i like this one.<br>happy looping.<br>s---<b=
r></div><br></div><br>

--0016e6dd8a66ebe46f049ddacef2--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 02:33:18 2011
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Message-ID: <AANLkTi=RjiUyX_3_Dpv09yXVs-NzGwnMxmU9ZdQs3wv3@mail.gmail.com>
Subject: Lower octave I watched Theo Travis playing flute yesterday in
 Antwerp, and saw that he used a Boss OC-2 octaver to occasionally add a lower
 octave to his flute. I want something that reliably turns guitar notes
 (especially the lower notes) into a bas
From: Ed Durbrow <edurbrow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd48726836f92049ddb51ec
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>
> I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
> used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I
> want something that reliably turns guitar notes (especially the lower
> notes)
> into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you will
> probably recommend Chopitch - I need some help using it because more often
> than not, the Chopitch sound gets cut off very quickly - not sure what to
> do)
>


Michael,
I searched for the very same thing recently. I checked several web sites and
reviews and ended up buying an Octron2 based mostly on demos I heard on
YouTube. I haven't messed with it too much, but I can see I'll probably be
happy with it. It tracks pretty well. One feature I like is that there are
three foot switches and they are spaced so you can step on two at a time if
you like. For example, if you have just the lower octave happening, you
could step on that and the direct switch at the same time to switch
immediately over to direct mode. Same with upper octave.
Caveat: the only thing I have to compare it to is the octave shifter in my
Zoom PFX9003, which is extremely useless.

--000e0cd48726836f92049ddb51ec
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<blockquote style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(=
204, 204, 204); padding-left: 1ex;" class=3D"gmail_quote">I watched Theo Tr=
avis playing flute yesterday in Antwerp, and saw that he<br>used a Boss OC-=
2 octaver to occasionally add a lower octave to his flute. I<br>
want something that reliably turns guitar notes (especially the lower notes=
)<br>into a bass - a pedal and/or a plugin. Recommendations?=A0 (Andy, you =
will<br>probably recommend Chopitch - I need some help using it because mor=
e often<br>
than not, the Chopitch sound gets cut off very quickly - not sure what to<b=
r>do)<br></blockquote><br><br>Michael,<br>I searched for the very same thin=
g recently. I checked several web sites and reviews and ended up buying an =
Octron2 based mostly on demos I heard on YouTube. I haven&#39;t messed with=
 it too much, but I can see I&#39;ll probably be happy with it. It tracks p=
retty well. One feature I like is that there are three foot switches and th=
ey are spaced so you can step on two at a time if you like. For example, if=
 you have just the lower octave happening, you could step on that and the d=
irect switch at the same time to switch immediately over to direct mode. Sa=
me with upper octave.<br>
Caveat: the only thing I have to compare it to is the octave shifter in my =
Zoom PFX9003, which is extremely useless.<br>

--000e0cd48726836f92049ddb51ec--

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Subject: Re: Roger O'Donnell
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On 3/7/11 5:12 AM, "Per Boysen" <perboysen@gmail.com> wrote:
> On Sun, Mar 6, 2011 at 9:08 PM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
>> There's some software running on the macbook beside him, the GUI doesnt
>> remind me of any software I know...
> 
> *That* actually is the "Glitch Sequencer".

<*sigh*> 

http://www.glitch-sequencer.com/

;)
        --m.


From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 06:01:49 2011
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Date: Sun, 06 Mar 2011 22:01:42 -0800
From: Rick Walker <looppool@cruzio.com>
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On 7/22/64 11:59 AM, Michael Peters wrote:
> I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
> used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I
> want something that reliably turns guitar notes (especially the lower notes)
> into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you will
> probably recommend Chopitch - I need some help using it because more often
> than not, the Chopitch sound gets cut off very quickly - not sure what to
> do)
>
> -Michael
For what it's worth, when Arild Andersen played the looping festival,  I 
promised him to
find him a Boss OC-2 for his octaving purposes.   When he came, however, 
I let him borrow
both the OC-2 and my Danelectro Chili Dog (which also has a combination 
of regular octave, one octave
below and two octaves below).

Arild made me sell him my unit,  which cost all of $29 USD on line

http://guitars.musiciansfriend.com/product/Danelectro-DJ12-Chili-Dog-Octave-Pedal?sku=151871

This thing is amazing.  I think it tracks better and sounds more 
naturalistic than the OC-2 and
it's hella cheap.

I can't more highly recommend it.     It's so cheap that it's rather hip 
to buy two of them (that potentially
four octaves of pitch shifting down........wooohoooooo.
I did this for a while but then gave my second unit to Sayaka Kabuki to 
use,  my bandmate in
Noise Clinic while I played with them...........I'm glad she has it, but 
I miss it.
Of course, this will create very artifacty things, but I personally love 
using
inexepensive pitch shifters and doing things like sending things four 
octaves up and the
bringing them four octaves down.............some beautiful artifacts result.

I also use the pricier Boss Pitch Shifter which goes low but I use the 
Chili Dog for all of my bass
needs because it tracks better and sounds more naturalistic.

Two enthusiastic thumbs up!!!!

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 06:06:59 2011
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On 7/22/64 11:59 AM, Per Boysen wrote:
>> I have also used MXR Blue Box which was ok in the hardware world. And
> POG of course, if you have more money...


I have the Micro Pog (which is awesome) but, from my understanding and , 
certainly from the sound,
this instrument generates a synthetic octave up and octave down and is 
not a true pitch shifter.

Do I have this right?     It certainly sounds synthetic but wouldn't 
sound very organic with , say,
a flute.

rick walker

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Michael Peters wrote:
> I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
> used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I
> want something that reliably turns guitar notes (especially the lower notes)
> into a bass - a pedal and/or a plugin. Recommendations?

The Electro Harmonix Octave Multiplexer is far
superior to the OC2.
(cheaper too)

Convincingly powerful sound.
Excellent tracking.

>  (Andy, you will
> probably recommend Chopitch - I need some help using it because more often
> than not, the Chopitch sound gets cut off very quickly - not sure what to
> do)

make sure gate control is at zero,
...if no fix, drop me a line

andy

> 
> -Michael
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 09:19:28 2011
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--0-1617753703-1299489566=:49904
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Eventide are the masters of pitch shifting. They must have a pedal that does 
this stuff.

Antony



________________________________
From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, March 7, 2011 10:15:43 AM
Subject: Re: Lower octave



Michael Peters wrote:
> I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
> used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I
> want something that reliably turns guitar notes (especially the lower notes)
> into a bass - a pedal and/or a plugin. Recommendations?

The Electro Harmonix Octave Multiplexer is far
superior to the OC2.
(cheaper too)

Convincingly powerful sound.
Excellent tracking.

>  (Andy, you will
> probably recommend Chopitch - I need some help using it because more often
> than not, the Chopitch sound gets cut off very quickly - not sure what to
> do)

make sure gate control is at zero,
...if no fix, drop me a line

andy

> 
> -Michael
> 
> 
> 


      
--0-1617753703-1299489566=:49904
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:12pt"><div>Eventide are the masters of pitch shifting. They must have a pedal that does this stuff.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:12pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> andy butler &lt;akbutler@tiscali.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, March 7, 2011 10:15:43 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Lower octave<br></font><br>
<br><br>Michael Peters wrote:<br>&gt; I watched Theo Travis playing flute yesterday in Antwerp, and saw that he<br>&gt; used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I<br>&gt; want something that reliably turns guitar notes (especially the lower notes)<br>&gt; into a bass - a pedal and/or a plugin. Recommendations?<br><br>The Electro Harmonix Octave Multiplexer is far<br>superior to the OC2.<br>(cheaper too)<br><br>Convincingly powerful sound.<br>Excellent tracking.<br><br>&gt;&nbsp; (Andy, you will<br>&gt; probably recommend Chopitch - I need some help using it because more often<br>&gt; than not, the Chopitch sound gets cut off very quickly - not sure what to<br>&gt; do)<br><br>make sure gate control is at zero,<br>...if no fix, drop me a line<br><br>andy<br><br>&gt; <br>&gt; -Michael<br>&gt; <br>&gt; <br>&gt; <br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1617753703-1299489566=:49904--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 09:22:59 2011
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Andy Owens wrote:
> I always planned to get the Pog, but it didnt track the string pair too well. 

I've done "a lot" of looking into the tracking of pitch,
and one string is hard enough.
Two strings? ....no way.

a harmoniser that can cope with polyphonic playing
would be a better bet. (although the price will be latency)

andy
ps, yep, I know the EH stuff claims "polyphonic",
but they assume rawk chords.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 09:37:43 2011
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Subject: Re: Lower octave
From: Louie Angulo <louie.angulo@googlemail.com>
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The octaver on the M9 is excellent in fact it tracks better than the OC-3
whats cool about the OC-3 though is the "poly" option you can dial it
so it tracks only the E and A string for ex. and the rest of them
normal so when you play chords it sounds like you are playing bass at
the same time.
Im selling one in ebay at the moment

http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=110656922152

cheers
Luis







On Mon, Mar 7, 2011 at 10:23 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Andy Owens wrote:
>>
>> I always planned to get the Pog, but it didnt track the string pair too
>> well.
>
> I've done "a lot" of looking into the tracking of pitch,
> and one string is hard enough.
> Two strings? ....no way.
>
> a harmoniser that can cope with polyphonic playing
> would be a better bet. (although the price will be latency)
>
> andy
> ps, yep, I know the EH stuff claims "polyphonic",
> but they assume rawk chords.
>
>

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ejyuhas wrote:
> I'm using a Boss OC-2 for my "guitar as bass" sounds...sometimes it 
 
> But used with an eBow, it really adds some droney depth and low-end to 
> one's loops and playing.

treat yourself to the EH Octave unit.
( and get back your money by selling the OC2, that's what
 I did)

I never thought the OC2 felt like bass, but the
EH Octave Multiplexer really does, (well to me
anyway, I'm primarily a bass player)

The Sub Off setting is pretty amazing with an ebow too.

apologies for kind of a rant, if the OC2 works for you
then it's good by definition

andy
ps
tone suck? the bypass on the OC2 does that, well
it did for me anyway, to the extent I couldn't
tolerate it in the signal chain.
...and check out the actual dry sound when you mix
in the dry signal, that's really feeble.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 09:44:48 2011
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Subject: Re: Lower octave Micro Pog
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hi Rick,
yes and no ;-)

It's a true pitch shifter, but it uses really
small chunks for it's granular processing.
(relying on identifying the pitch).

The small chunks make for a synthetic sound,
but mean that the POG can get zero latency 
when shifting down.

Be aware, the pitch up on the Micro Pog does 
have latency (unavoidable for upwards pitch shift)
and it's a bit flat in pitch (== bend the nots up a bit)

andy

Rick Walker wrote:
> I have the Micro Pog (which is awesome) but, from my understanding and , 
> certainly from the sound,
> this instrument generates a synthetic octave up and octave down and is 
> not a true pitch shifter.
> 
> Do I have this right?     It certainly sounds synthetic but wouldn't 
> sound very organic with , say,
> a flute.
> 
> rick walker
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 09:46:26 2011
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Subject: Antwerp
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--000e0cd2537c8266c1049de15e06
Content-Type: text/plain; charset=ISO-8859-1

well i'm back from the antwerp loopfestival and i'd just like to give a big
thanks to sjaak and ingrid for their wonderful hospitality and thank sjaak
for a superb festival. the organisation was flawless and we had a lovely
evening with some wonderful artists and great music.

my own set was a little flawed, with a combination of use error and some
software problems, but i learned a lot and will be redesigning my setup, so
that it is simpler and a bit more sturdy.

lots of photos and video to come in the following weeks, so please check
them out and enjoy all the wonderful music!

sim

--000e0cd2537c8266c1049de15e06
Content-Type: text/html; charset=ISO-8859-1
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well i&#39;m back from the antwerp loopfestival and i&#39;d just like to gi=
ve a big thanks to sjaak and ingrid for their wonderful hospitality and tha=
nk sjaak for a superb festival. the organisation was flawless and we had a =
lovely evening with some wonderful artists and great music. <br>
<br>my own set was a little flawed, with a combination of use error and som=
e software problems, but i learned a lot and will be redesigning my setup, =
so that it is simpler and a bit more sturdy.<br><br>lots of photos and vide=
o to come in the following weeks, so please check them out and enjoy all th=
e wonderful music!<br>
<br>sim<br>

--000e0cd2537c8266c1049de15e06--

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This is a multi-part message in MIME format.
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I use my Line 6 Filter Modeler for lower octave synth sounds. The FM can do=
 a decent Moog Bass impersonation. The tracking is mono, just like the orig=
inal. It is a great pedal w/ a myriad of sonic possibilities.


PJ





-----Original Message-----
From: ejyuhas <ejyuhas@embarqmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Sun, Mar 6, 2011 1:40 pm
Subject: RE: Lower octave



I'm using a Boss OC-2 for my "guitaras bass" sounds...sometimes it works gr=
eat, sometimes sounds unrealistic.
=20
You have to dial the knobs just right,otherwise it really gets "too vibe-y,=
 or rather, distorted", insteadof sounding like a true bass.
=20
But used with an eBow, it really adds somedroney depth and low-end to one's=
 loops and playing.
=20
Edward
=20



From: Matt Stevens[mailto:mattstevensguitar@btinternet.com]=20
Sent: Sunday, March 06, 2011 12:27PM
To:Loopers-Delight@loopers-delight.com
Subject: Re: Lower octave

=20
I use a Whammy Pedal although the POG is much better

=20

Matt Stevens

www.mattstevensguitar.com

mattstevensguitar@btinternet.com

=20





=20

On 6 Mar 2011, at 17:24, Michael Peters wrote:





I watched Theo Travis playing flute yesterday in Antwerp, and saw that he

used a Boss OC-2 octaver to occasionally add a lower octave to hisflute. I

want something that reliably turns guitar notes (especially the lowernotes)

into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you will

probably recommend Chopitch - I need some help using it because moreoften

than not, the Chopitch sound gets cut off very quickly - not sure whatto

do)

=20

-Michael

=20

=20

=20

=20

----------MB_8CDAAC9B34B5DB9_EB4_123B7_webmail-m078.sysops.aol.com
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<font color=3D'black' size=3D'2' face=3D'arial'><font class=3D"Apple-style-=
span" color=3D"#008000"><span class=3D"Apple-style-span" style=3D"font-size=
: large;">I use my Line 6 Filter Modeler for lower octave synth sounds. The=
 FM can do a decent Moog Bass impersonation. The tracking is mono, just lik=
e the original. It is a great pedal w/ a myriad of sonic possibilities.</sp=
an></font>
<div><font class=3D"Apple-style-span" color=3D"#008000"><span class=3D"Appl=
e-style-span" style=3D"font-size: large;"><br>
</span></font></div>

<div><font class=3D"Apple-style-span" color=3D"#008000"><span class=3D"Appl=
e-style-span" style=3D"font-size: large;"><img src=3D"http://o.aolcdn.com/c=
dn.webmail.aol.com/resources/core/images/smile.png" alt=3D":-)" height=3D"2=
5" width=3D"25">PJ</span></font><br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">-----=
Original Message-----<br>
From: ejyuhas &lt;ejyuhas@embarqmail.com&gt;<br>
To: Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Sun, Mar 6, 2011 1:40 pm<br>
Subject: RE: Lower octave<br>
<br>







<div id=3D"AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef">









<style>#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef td{color: black;}=
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@font-face  {font-family:Tahoma;  panose-1:2 11 6 4 3 5 4 4 2 4;}    #AOLMs=
gPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef p.MsoNormal,#AOLMsgPart_1_9e30=
bd4e-2237-4006-b753-62736d34b9ef  li.MsoNormal,#AOLMsgPart_1_9e30bd4e-2237-=
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2736d34b9ef  span.MsoHyperlink  {color:blue;  text-decoration:underline;} #=
AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef a:visited,#AOLMsgPart_1_9=
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;  text-decoration:underline;} #AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d=
34b9ef span.EmailStyle19  {mso-style-type:personal-reply;  font-family:Aria=
l;  color:navy;} @page Section1  {size:8.5in 11.0in;  margin:1.0in 1.25in 1=
.0in 1.25in;} #AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef div.Sectio=
n1  {page:Section1;}  </style>






<div class=3D"Section1">


<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">I'm using a Bos=
s OC-2 for my "guitar
as bass" sounds...sometimes it works great, sometimes sounds unrealistic.</=
span></font></div>



<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>



<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">You have to dia=
l the knobs just right,
otherwise it really gets "too vibe-y, or rather, distorted", instead
of sounding like a true bass.</span></font></div>



<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>



<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">But used with a=
n eBow, it really adds some
droney depth and low-end to one's loops and playing.</span></font></div>



<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>



<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">Edward</span></=
font></div>



<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>



<div>


<div class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><font=
 size=3D"3" face=3D"Times New Roman"><span style=3D"font-size:12.0pt">

<hr size=3D"2" width=3D"100%" align=3D"center">

</span></font></div>



<div class=3D"MsoNormal"><b><font size=3D"2" face=3D"Tahoma"><span style=3D=
"font-size:10.0pt; font-family:Tahoma;font-weight:bold">From:</span></font>=
</b><font size=3D"2" face=3D"Tahoma"><span style=3D"font-size:10.0pt;font-f=
amily:Tahoma"> Matt Stevens
[<a href=3D"mailto:mattstevensguitar@btinternet.com?">mailto:mattstevensgui=
tar@btinternet.com</a>] <br>

<b><span style=3D"font-weight:bold">Sent:</span></b> Sunday, March 06, 2011=
 12:27
PM<br>

<b><span style=3D"font-weight:bold">To:</span></b>
<a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loop=
ers-delight.com</a><br>

<b><span style=3D"font-weight:bold">Subject:</span></b> Re: Lower octave</s=
pan></font></div>


</div>



<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>



<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">I use a Whammy Pedal although the POG is much bet=
ter</span></font></div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>



<div><span style=3D"orphans: 2;text-align:auto;widows: 2;-webkit-border-hor=
izontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;-webkit-text-dec=
orations-in-effect: none; -webkit-text-size-adjust: auto;-webkit-text-strok=
e-width: 0;word-spacing:0px"><span style=3D"orphans: 2;widows: 2;-webkit-bo=
rder-horizontal-spacing: 0px;-webkit-border-vertical-spacing: 0px; -webkit-=
text-decorations-in-effect: none;-webkit-text-size-adjust: auto; -webkit-te=
xt-stroke-width: 0px;word-spacing:0px">


<div>


<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black">Matt St=
evens</span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black"><a href=
=3D"http://www.mattstevensguitar.com" target=3D"_blank">www.mattstevensguit=
ar.com</a></span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black"><a href=
=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.c=
om</a></span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black">&nbsp;<=
/span></font></div>


</div>



<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black"></span>=
<br>

<br>

</font></div>


</span></span></div>





<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>



<div>


<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">On 6 Mar 2011, at 17:24, Michael Peters wrote:</s=
pan></font></div>


</div>



<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt"><br>

<br>

</span></font></div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">I watched Theo Travis playing flute yesterday in =
Antwerp, and saw that he</span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">used a Boss OC-2 octaver to occasionally add a lo=
wer octave to his
flute. I</span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">want something that reliably turns guitar notes (=
especially the lower
notes)</span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">into a bass - a pedal and/or a plugin. Recommenda=
tions?<span class=3D"apple-converted-space">&nbsp; </span>(Andy, you will</=
span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">probably recommend Chopitch - I need some help us=
ing it because more
often</span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">than not, the Chopitch sound gets cut off very qu=
ickly - not sure what
to</span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">do)</span></font></div>


</div>



<div style=3D"min-height: 14px">


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>


</div>



<div>


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">-Michael</span></font></div>


</div>



<div style=3D"min-height: 14px">


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>


</div>



<div style=3D"min-height: 14px">


<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>


</div>


</div>



<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>


</div>


</div>






</div>
 <!-- end of AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef -->



</div>
</div>
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Lower octave
Date: Mon, 7 Mar 2011 10:31:17 +0000
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Agreed - its a bugger to control thou :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 7 Mar 2011, at 10:29, Patrick Bishop wrote:

> I use my Line 6 Filter Modeler for lower octave synth sounds. The  
> FM can do a decent Moog Bass impersonation. The tracking is mono,  
> just like the original. It is a great pedal w/ a myriad of sonic  
> possibilities.
>
> PJ
>
>
>
> -----Original Message-----
> From: ejyuhas <ejyuhas@embarqmail.com>
> To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Sent: Sun, Mar 6, 2011 1:40 pm
> Subject: RE: Lower octave
>
> I'm using a Boss OC-2 for my "guitar as bass" sounds...sometimes it  
> works great, sometimes sounds unrealistic.
>
> You have to dial the knobs just right, otherwise it really gets  
> "too vibe-y, or rather, distorted", instead of sounding like a true  
> bass.
>
> But used with an eBow, it really adds some droney depth and low-end  
> to one's loops and playing.
>
> Edward
>
> From: Matt Stevens [mailto:mattstevensguitar@btinternet.com]
> Sent: Sunday, March 06, 2011 12:27 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Lower octave
>
> I use a Whammy Pedal although the POG is much better
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 6 Mar 2011, at 17:24, Michael Peters wrote:
>
>
> I watched Theo Travis playing flute yesterday in Antwerp, and saw  
> that he
> used a Boss OC-2 octaver to occasionally add a lower octave to his  
> flute. I
> want something that reliably turns guitar notes (especially the  
> lower notes)
> into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you  
> will
> probably recommend Chopitch - I need some help using it because  
> more often
> than not, the Chopitch sound gets cut off very quickly - not sure  
> what to
> do)
>
> -Michael
>
>
>


--Apple-Mail-3--935869685
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Agreed - its a bugger to control thou :)<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 7 Mar 2011, =
at 10:29, Patrick Bishop wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><font =
color=3D"black" size=3D"2" face=3D"arial"><font class=3D"Apple-style-span"=
 color=3D"#008000"><span class=3D"Apple-style-span" style=3D"font-size: =
large;">I use my Line 6 Filter Modeler for lower octave synth sounds. =
The FM can do a decent Moog Bass impersonation. The tracking is mono, =
just like the original. It is a great pedal w/ a myriad of sonic =
possibilities.</span></font> <div><font class=3D"Apple-style-span" =
color=3D"#008000"><span class=3D"Apple-style-span" style=3D"font-size: =
large;"><br> </span></font></div> <div><font class=3D"Apple-style-span" =
color=3D"#008000"><span class=3D"Apple-style-span" style=3D"font-size: =
large;"><img =
src=3D"http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/images/smile=
.png" alt=3D":-)" height=3D"25" width=3D"25">PJ</span></font><br> <br> =
<div style=3D"clear:both"></div> <br> <br> <div =
style=3D"font-family:helvetica,arial;font-size:10pt;color:black">-----Orig=
inal Message-----<br> From: ejyuhas &lt;<a =
href=3D"mailto:ejyuhas@embarqmail.com">ejyuhas@embarqmail.com</a>&gt;<br> =
To: Loopers-Delight &lt;<a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a>&gt;<br> Sent: Sun, Mar 6, 2011 1:40 pm<br> Subject: =
RE: Lower octave<br> <br> <div =
id=3D"AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef"> =
<style>#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef td{color: =
black;}      @font-face  {font-family:Helvetica;  panose-1:2 11 6 4 2 2 =
2 2 2 4;} @font-face  {font-family:Tahoma;  panose-1:2 11 6 4 3 5 4 4 2 =
4;}    #AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef =
p.MsoNormal,#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef  =
li.MsoNormal,#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef  =
div.MsoNormal  {margin:0in;  margin-bottom:.0001pt;  font-size:12.0pt;  =
font-family:"Times New Roman";} =
#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef =
a:link,#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef  =
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a:visited,#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef  =
span.MsoHyperlinkFollowed  {color:blue;  text-decoration:underline;} =
#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef span.EmailStyle19  =
{mso-style-type:personal-reply;  font-family:Arial;  color:navy;} @page =
Section1  {size:8.5in 11.0in;  margin:1.0in 1.25in 1.0in 1.25in;} =
#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef div.Section1  =
{page:Section1;}  </style> <div class=3D"Section1"> <div =
class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size: 10.0pt;font-family:Arial;color:navy">I'm using a =
Boss OC-2 for my "guitar as bass" sounds...sometimes it works great, =
sometimes sounds unrealistic.</span></font></div> <div =
class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size: =
10.0pt;font-family:Arial;color:navy">&nbsp;</span></font></div> <div =
class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size: 10.0pt;font-family:Arial;color:navy">You have to =
dial the knobs just right, otherwise it really gets "too vibe-y, or =
rather, distorted", instead of sounding like a true =
bass.</span></font></div> <div class=3D"MsoNormal"><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span style=3D"font-size: =
10.0pt;font-family:Arial;color:navy">&nbsp;</span></font></div> <div =
class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size: 10.0pt;font-family:Arial;color:navy">But used with =
an eBow, it really adds some droney depth and low-end to one's loops and =
playing.</span></font></div> <div class=3D"MsoNormal"><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span style=3D"font-size: =
10.0pt;font-family:Arial;color:navy">&nbsp;</span></font></div> <div =
class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size: =
10.0pt;font-family:Arial;color:navy">Edward</span></font></div> <div =
class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size: =
10.0pt;font-family:Arial;color:navy">&nbsp;</span></font></div> <div> =
<div class=3D"MsoNormal" align=3D"center" =
style=3D"text-align:center"><font size=3D"3" face=3D"Times New =
Roman"><span style=3D"font-size:12.0pt"> <hr size=3D"2" width=3D"100%" =
align=3D"center"> </span></font></div> <div class=3D"MsoNormal"><b><font =
size=3D"2" face=3D"Tahoma"><span style=3D"font-size:10.0pt; =
font-family:Tahoma;font-weight:bold">From:</span></font></b><font =
size=3D"2" face=3D"Tahoma"><span =
style=3D"font-size:10.0pt;font-family:Tahoma"> Matt Stevens [<a =
href=3D"mailto:mattstevensguitar@btinternet.com?">mailto:mattstevensguitar=
@btinternet.com</a>] <br> <b><span =
style=3D"font-weight:bold">Sent:</span></b> Sunday, March 06, 2011 12:27 =
PM<br> <b><span style=3D"font-weight:bold">To:</span></b> <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br> <b><span =
style=3D"font-weight:bold">Subject:</span></b> Re: Lower =
octave</span></font></div> </div> <div class=3D"MsoNormal"><font =
size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12.0pt">&nbsp;</span></font></div> <div class=3D"MsoNormal"><font =
size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: 12.0pt">I =
use a Whammy Pedal although the POG is much better</span></font></div> =
<div> <div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New =
Roman"><span style=3D"font-size: 12.0pt">&nbsp;</span></font></div> =
<div><span style=3D"orphans: 2;text-align:auto;widows: =
2;-webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px;-webkit-text-decorations-in-effect: =
none; -webkit-text-size-adjust: auto;-webkit-text-stroke-width: =
0;word-spacing:0px"><span style=3D"orphans: 2;widows: =
2;-webkit-border-horizontal-spacing: =
0px;-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none;-webkit-text-size-adjust: auto; =
-webkit-text-stroke-width: 0px;word-spacing:0px"> <div> <div =
class=3D"MsoNormal"><font size=3D"1" color=3D"black" =
face=3D"Helvetica"><span =
style=3D"font-size:9.0pt;font-family:Helvetica;color:black">Matt =
Stevens</span></font></div> </div> <div> <div class=3D"MsoNormal"><font =
size=3D"1" color=3D"black" face=3D"Helvetica"><span =
style=3D"font-size:9.0pt;font-family:Helvetica;color:black"><a =
href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></span></font></div> =
</div> <div> <div class=3D"MsoNormal"><font size=3D"1" color=3D"black" =
face=3D"Helvetica"><span =
style=3D"font-size:9.0pt;font-family:Helvetica;color:black"><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></span></font></div> </div> <div> <div =
class=3D"MsoNormal"><font size=3D"1" color=3D"black" =
face=3D"Helvetica"><span =
style=3D"font-size:9.0pt;font-family:Helvetica;color:black">&nbsp;</span><=
/font></div> </div> <div class=3D"MsoNormal"><font size=3D"1" =
color=3D"black" face=3D"Helvetica"><span =
style=3D"font-size:9.0pt;font-family:Helvetica;color:black"></span><br> =
<br> </font></div> </span></span></div> <div class=3D"MsoNormal"><font =
size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12.0pt">&nbsp;</span></font></div> <div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">On 6 Mar 2011, at 17:24, Michael Peters =
wrote:</span></font></div> </div> <div class=3D"MsoNormal"><font =
size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12.0pt"><br> <br> </span></font></div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">I watched Theo Travis playing flute =
yesterday in Antwerp, and saw that he</span></font></div> </div> <div> =
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">used a Boss OC-2 octaver to occasionally add =
a lower octave to his flute. I</span></font></div> </div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">want something that reliably turns guitar =
notes (especially the lower notes)</span></font></div> </div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">into a bass - a pedal and/or a plugin. =
Recommendations?<span class=3D"apple-converted-space">&nbsp; =
</span>(Andy, you will</span></font></div> </div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">probably recommend Chopitch - I need some =
help using it because more often</span></font></div> </div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">than not, the Chopitch sound gets cut off =
very quickly - not sure what to</span></font></div> </div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">do)</span></font></div> </div> <div =
style=3D"min-height: 14px"> <div class=3D"MsoNormal"><font size=3D"3" =
face=3D"Times New Roman"><span style=3D"font-size: =
12.0pt">&nbsp;</span></font></div> </div> <div> <div =
class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span =
style=3D"font-size: 12.0pt">-Michael</span></font></div> </div> <div =
style=3D"min-height: 14px"> <div class=3D"MsoNormal"><font size=3D"3" =
face=3D"Times New Roman"><span style=3D"font-size: =
12.0pt">&nbsp;</span></font></div> </div> <div style=3D"min-height: =
14px"> <div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New =
Roman"><span style=3D"font-size: 12.0pt">&nbsp;</span></font></div> =
</div> </div> <div class=3D"MsoNormal"><font size=3D"3" face=3D"Times =
New Roman"><span style=3D"font-size: 12.0pt">&nbsp;</span></font></div> =
</div> </div> </div> <!-- end of =
AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef --> </div> </div> =
</font></blockquote></div><br></div></body></html>=

--Apple-Mail-3--935869685--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 10:38:42 2011
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From: "Michael Peters" <mp@mpeters.de>
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Subject: RE: Lower octave
Date: Mon, 7 Mar 2011 11:38:35 +0100
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> I never thought the OC2 felt like bass

I must say I was surprised at the sound quality of the OC2 when Theo Travis
played flute over it. It really sounded like a bass flute, very clean. 

-Michael

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 10:40:37 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Lower octave
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This is a multi-part message in MIME format.
----------MB_8CDAACB3611EAB5_EB4_125C6_webmail-m078.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain; charset="us-ascii"

The Filter Modeler does glitch but that is part of its charm. Every once in=
 a while you play something and notice that the FM seems to be ignoring you=
r playing completely and coming up with its own sounds on its own. You can =
adjust how much original signal is mixed in w/ the sounds and that can help=
 a lot.


PJ





-----Original Message-----
From: Matt Stevens <mattstevensguitar@btinternet.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Mon, Mar 7, 2011 12:31 am
Subject: Re: Lower octave


Agreed - its a bugger to control thou :)


=20
Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




=20


On 7 Mar 2011, at 10:29, Patrick Bishop wrote:


I use my Line 6 Filter Modeler for lower octave synth sounds. The FM can do=
 a decent Moog Bass impersonation. The tracking is mono, just like the orig=
inal. It is a great pedal w/ a myriad of sonic possibilities.=20

=20
=20
PJ
=20
=20
=20
=20
=20
-----Original Message-----
 From: ejyuhas <ejyuhas@embarqmail.com>
 To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
 Sent: Sun, Mar 6, 2011 1:40 pm
 Subject: RE: Lower octave
=20
=20
 =20
=20
I'm using a Boss OC-2 for my "guitar as bass" sounds...sometimes it works g=
reat, sometimes sounds unrealistic.
=20
=20
=20
You have to dial the knobs just right, otherwise it really gets "too vibe-y=
, or rather, distorted", instead of sounding like a true bass.
=20
=20
=20
But used with an eBow, it really adds some droney depth and low-end to one'=
s loops and playing.
=20
=20
=20
Edward
=20
=20
=20
=20
=20
=20
=20
From: Matt Stevens [mailto:mattstevensguitar@btinternet.com]=20
 Sent: Sunday, March 06, 2011 12:27 PM
 To: Loopers-Delight@loopers-delight.com
 Subject: Re: Lower octave
=20
=20
=20
=20
I use a Whammy Pedal although the POG is much better
=20
=20
=20
=20
=20
=20
Matt Stevens
=20
=20
=20
www.mattstevensguitar.com
=20
=20
=20
mattstevensguitar@btinternet.com
=20
=20
=20
=20
=20
=20

=20
=20
=20
=20
=20
=20
=20
=20
On 6 Mar 2011, at 17:24, Michael Peters wrote:
=20
=20

=20
=20
=20
=20
I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
=20
=20
=20
used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I
=20
=20
=20
want something that reliably turns guitar notes (especially the lower notes=
)
=20
=20
=20
into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you will
=20
=20
=20
probably recommend Chopitch - I need some help using it because more often
=20
=20
=20
than not, the Chopitch sound gets cut off very quickly - not sure what to
=20
=20
=20
do)
=20
=20
=20
=20
=20
=20
=20
-Michael
=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
 =20
=20
=20


=20

----------MB_8CDAACB3611EAB5_EB4_125C6_webmail-m078.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'arial'><font class=3D"Apple-style-=
span" color=3D"#008000"><span class=3D"Apple-style-span" style=3D"font-size=
: large;">The Filter Modeler does glitch but that is part of its charm. Eve=
ry once in a while you play something and notice that the FM seems to be ig=
noring your playing completely and coming up with its own sounds on its own=
. You can adjust how much original signal is mixed in w/ the sounds and tha=
t can help a lot.</span></font>
<div><font class=3D"Apple-style-span" color=3D"#008000"><span class=3D"Appl=
e-style-span" style=3D"font-size: large;"><br>
</span></font></div>

<div><font class=3D"Apple-style-span" color=3D"#008000"><span class=3D"Appl=
e-style-span" style=3D"font-size: large; "><span class=3D"Apple-style-span"=
 style=3D"color: rgb(0, 0, 0); font-size: 13px; "><img src=3D"http://o.aolc=
dn.com/cdn.webmail.aol.com/resources/core/images/smile.png" alt=3D":-)" hei=
ght=3D"25" width=3D"25"></span>PJ</span></font><br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">-----=
Original Message-----<br>
From: Matt Stevens &lt;mattstevensguitar@btinternet.com&gt;<br>
To: Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Mon, Mar 7, 2011 12:31 am<br>
Subject: Re: Lower octave<br>
<br>







<div id=3D"AOLMsgPart_1_fc57eb2d-1bd6-4e57-a70b-4b0d84dee5ab">


Agreed - its a bugger to control thou :)
<div><br>

<div> <span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: n=
ormal; font-variant: normal; font-weight: normal; letter-spacing: normal; l=
ine-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-tr=
ansform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-b=
order-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webki=
t-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit=
-text-stroke-width: 0; "><span class=3D"Apple-style-span" style=3D"border-c=
ollapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
12px; font-style: normal; font-variant: normal; font-weight: normal; letter=
-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-t=
ransform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-=
border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webk=
it-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webki=
t-text-stroke-width: 0px; ">
<div>Matt Stevens</div>

<div><a href=3D"http://www.mattstevensguitar.com" target=3D"_blank">www.mat=
tstevensguitar.com</a></div>

<div><a href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@=
btinternet.com</a></div>

<div><br>
</div>
</span><br class=3D"Apple-interchange-newline"></span><br class=3D"Apple-in=
terchange-newline"> </div>
<br>

<div>
<div>On 7 Mar 2011, at 10:29, Patrick Bishop wrote:</div>
<br class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><font col=
or=3D"black" size=3D"2" face=3D"arial"><font class=3D"Apple-style-span" col=
or=3D"#008000"><span class=3D"Apple-style-span" style=3D"font-size: large;"=
>I use my Line 6 Filter Modeler for lower octave synth sounds. The FM can d=
o a decent Moog Bass impersonation. The tracking is mono, just like the ori=
ginal. It is a great pedal w/ a myriad of sonic possibilities.</span></font=
>=20
<div><font class=3D"Apple-style-span" color=3D"#008000"><span class=3D"Appl=
e-style-span" style=3D"font-size: large;"><br>
 </span></font></div>
=20
<div><font class=3D"Apple-style-span" color=3D"#008000"><span class=3D"Appl=
e-style-span" style=3D"font-size: large;"><img src=3D"http://o.aolcdn.com/c=
dn.webmail.aol.com/resources/core/images/smile.png" alt=3D":-)" height=3D"2=
5" width=3D"25">PJ</span></font><br>
 <br>
=20
<div style=3D"clear:both"></div>
 <br>
 <br>
=20
<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">-----=
Original Message-----<br>
 From: ejyuhas &lt;<a href=3D"mailto:ejyuhas@embarqmail.com">ejyuhas@embarq=
mail.com</a>&gt;<br>
 To: Loopers-Delight &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.=
com">Loopers-Delight@loopers-delight.com</a>&gt;<br>
 Sent: Sun, Mar 6, 2011 1:40 pm<br>
 Subject: RE: Lower octave<br>
 <br>
=20
<div id=3D"AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef"> <style>#AOLM=
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t_1_9e30bd4e-2237-4006-b753-62736d34b9ef a:link,#AOLMsgPart_1_fc57eb2d-1bd6=
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-62736d34b9ef a:visited,#AOLMsgPart_1_fc57eb2d-1bd6-4e57-a70b-4b0d84dee5ab =
#AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef  span.MsoHyperlinkFollow=
ed  {color:blue;  text-decoration:underline;} #AOLMsgPart_1_fc57eb2d-1bd6-4=
e57-a70b-4b0d84dee5ab #AOLMsgPart_1_9e30bd4e-2237-4006-b753-62736d34b9ef sp=
an.EmailStyle19  {mso-style-type:personal-reply;  font-family:Arial;  color=
:navy;} @page Section1  {size:8.5in 11.0in;  margin:1.0in 1.25in 1.0in 1.25=
in;} #AOLMsgPart_1_fc57eb2d-1bd6-4e57-a70b-4b0d84dee5ab #AOLMsgPart_1_9e30b=
d4e-2237-4006-b753-62736d34b9ef div.Section1  {page:Section1;}  </style>=20
<div class=3D"Section1">=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">I'm using a Bos=
s OC-2 for my "guitar as bass" sounds...sometimes it works great, sometimes=
 sounds unrealistic.</span></font></div>
=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>
=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">You have to dia=
l the knobs just right, otherwise it really gets "too vibe-y, or rather, di=
storted", instead of sounding like a true bass.</span></font></div>
=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>
=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">But used with a=
n eBow, it really adds some droney depth and low-end to one's loops and pla=
ying.</span></font></div>
=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>
=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">Edward</span></=
font></div>
=20
<div class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><sp=
an style=3D"font-size: 10.0pt;font-family:Arial;color:navy">&nbsp;</span></=
font></div>
=20
<div>=20
<div class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><font=
 size=3D"3" face=3D"Times New Roman"><span style=3D"font-size:12.0pt"> <hr =
size=3D"2" width=3D"100%" align=3D"center"> </span></font></div>
=20
<div class=3D"MsoNormal"><b><font size=3D"2" face=3D"Tahoma"><span style=3D=
"font-size:10.0pt; font-family:Tahoma;font-weight:bold">From:</span></font>=
</b><font size=3D"2" face=3D"Tahoma"><span style=3D"font-size:10.0pt;font-f=
amily:Tahoma"> Matt Stevens [<a href=3D"mailto:mattstevensguitar@btinternet=
.com?">mailto:mattstevensguitar@btinternet.com</a>] <br>
 <b><span style=3D"font-weight:bold">Sent:</span></b> Sunday, March 06, 201=
1 12:27 PM<br>
 <b><span style=3D"font-weight:bold">To:</span></b> <a href=3D"mailto:Loope=
rs-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>
 <b><span style=3D"font-weight:bold">Subject:</span></b> Re: Lower octave</=
span></font></div>
 </div>
=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>
=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">I use a Whammy Pedal although the POG is much bet=
ter</span></font></div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>
=20
<div><span style=3D"orphans: 2;text-align:auto;widows: 2;-webkit-border-hor=
izontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;-webkit-text-dec=
orations-in-effect: none; -webkit-text-size-adjust: auto;-webkit-text-strok=
e-width: 0;word-spacing:0px"><span style=3D"orphans: 2;widows: 2;-webkit-bo=
rder-horizontal-spacing: 0px;-webkit-border-vertical-spacing: 0px; -webkit-=
text-decorations-in-effect: none;-webkit-text-size-adjust: auto; -webkit-te=
xt-stroke-width: 0px;word-spacing:0px">=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black">Matt St=
evens</span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black"><a targ=
et=3D"_blank" href=3D"http://www.mattstevensguitar.com">www.mattstevensguit=
ar.com</a></span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black"><a href=
=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.c=
om</a></span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black">&nbsp;<=
/span></font></div>
 </div>
=20
<div class=3D"MsoNormal"><font size=3D"1" color=3D"black" face=3D"Helvetica=
"><span style=3D"font-size:9.0pt;font-family:Helvetica;color:black"></span>=
<br>
 <br>
 </font></div>
 </span></span></div>
=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>
=20
<div>=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">On 6 Mar 2011, at 17:24, Michael Peters wrote:</s=
pan></font></div>
 </div>
=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt"><br>
 <br>
 </span></font></div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">I watched Theo Travis playing flute yesterday in =
Antwerp, and saw that he</span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">used a Boss OC-2 octaver to occasionally add a lo=
wer octave to his flute. I</span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">want something that reliably turns guitar notes (=
especially the lower notes)</span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">into a bass - a pedal and/or a plugin. Recommenda=
tions?<span class=3D"apple-converted-space">&nbsp; </span>(Andy, you will</=
span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">probably recommend Chopitch - I need some help us=
ing it because more often</span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">than not, the Chopitch sound gets cut off very qu=
ickly - not sure what to</span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">do)</span></font></div>
 </div>
=20
<div style=3D"min-height: 14px">=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>
 </div>
=20
<div>=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">-Michael</span></font></div>
 </div>
=20
<div style=3D"min-height: 14px">=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>
 </div>
=20
<div style=3D"min-height: 14px">=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>
 </div>
 </div>
=20
<div class=3D"MsoNormal"><font size=3D"3" face=3D"Times New Roman"><span st=
yle=3D"font-size: 12.0pt">&nbsp;</span></font></div>
 </div>
 </div>
 </div>
  </div>
 </div>
 </font></blockquote></div>
<br>
</div>

</div>
 <!-- end of AOLMsgPart_1_fc57eb2d-1bd6-4e57-a70b-4b0d84dee5ab -->



</div>
</div>
</font>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 10:42:46 2011
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Date: Mon, 7 Mar 2011 02:42:43 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Lower octave
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <669736.49904.qm@web120706.mail.ne1.yahoo.com>
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--0-1240597156-1299494563=:76013
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

=A0Electro Harmonix Hog vs. Eventide Pitchfactor.....interesting=20

http://www.youtube.com/watch?v=3DHSRaUZWiIEM


Kyle Dean Patten=20
P.O. Box 22 Johnston, IA=A0 50131=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=20
=A0http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0

--- On Mon, 3/7/11, antonyhequet@yahoo.com <antonyhequet@yahoo.com> wrote:

From: antonyhequet@yahoo.com <antonyhequet@yahoo.com>
Subject: Re: Lower octave
To: Loopers-Delight@loopers-delight.com
Date: Monday, March 7, 2011, 3:19 AM

Eventide are the masters of pitch shifting. They must have a pedal that doe=
s this stuff.
Antony
From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, March 7, 2011 10:15:43 AM
Subject: Re: Lower octave

=0A

Michael Peters wrote:
> I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
> used a Boss OC-2 octaver to occasionally add a lower octave to his flute.=
 I
> want something that reliably turns guitar notes (especially the lower not=
es)
> into a bass - a pedal and/or a plugin. Recommendations?

The Electro Harmonix Octave Multiplexer is far
superior to the OC2.
(cheaper too)

Convincingly powerful sound.
Excellent tracking.

>=A0 (Andy, you will
> probably recommend Chopitch - I need some help using it because more ofte=
n
> than not, the Chopitch sound gets cut off very quickly - not sure what to
> do)

make sure gate control is at zero,
...if no fix, drop me a line

andy

>=20
> -Michael
>=20
>=20
>=20

=0A=0A=0A
=0A=0A      
--0-1240597156-1299494563=:76013
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold; font-style:=
 italic;">&nbsp;Electro Harmonix Hog vs. Eventide Pitchfactor.....interesti=
ng </span><br><br><font style=3D"color: rgb(0, 0, 255);" size=3D"2"><span s=
tyle=3D"font-weight: bold;">http://www.youtube.com/watch?v=3DHSRaUZWiIEM</s=
pan></font><br><br><br><font size=3D"3"><span style=3D"color: rgb(255, 0, 1=
27); font-family: bookman old style,new york,times,serif; font-weight: bold=
; font-style: italic;">Kyle Dean Patten </span></font><br>P.O. Box 22 Johns=
ton, IA&nbsp; 50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp; <br><br> <span style=3D"color: rgb(0, 255, 255);">&nbsp;ht=
tp://www.youtube.com/watch?v=3Dobgm3kTi5bs</span><br><span style=3D"color: =
rgb(255, 64, 255);">&nbsp;http://www.youtube.com/watch?v=3Da9g93s0q3uc </sp=
an><br> <span style=3D"color: rgb(64, 255, 160);">http://www.cdbaby.com/cd/=
kdpatten </span><br><span
 style=3D"color: rgb(0, 0, 255);">http://www.myspace.com/kyledeanpatten </s=
pan><br><span style=3D"color: rgb(255, 255, 0);"><span style=3D"color: rgb(=
255, 0, 127);">&nbsp;http://www.linkedin.com/in/kyledeanpatten&nbsp;&nbsp;<=
/span>&nbsp;&nbsp;&nbsp;</span>&nbsp;&nbsp;<br><br>--- On <b>Mon, 3/7/11, a=
ntonyhequet@yahoo.com <i>&lt;antonyhequet@yahoo.com&gt;</i></b> wrote:<br><=
blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5=
px; padding-left: 5px;"><br>From: antonyhequet@yahoo.com &lt;antonyhequet@y=
ahoo.com&gt;<br>Subject: Re: Lower octave<br>To: Loopers-Delight@loopers-de=
light.com<br>Date: Monday, March 7, 2011, 3:19 AM<br><br><div id=3D"yiv1982=
658689"><style type=3D"text/css"><!--#yiv1982658689 DIV {margin:0px;}--></s=
tyle><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 12pt=
;"><div>Eventide are the masters of pitch shifting. They must have a pedal =
that does this stuff.</div><div><br></div><div>Antony</div><div
 style=3D"font-family: arial,helvetica,sans-serif; font-size: 12pt;"><br><d=
iv style=3D"font-family: arial,helvetica,sans-serif; font-size: 13px;"><fon=
t face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D"font-weight: =
bold;">From:</span></b> andy butler &lt;akbutler@tiscali.co.uk&gt;<br><b><s=
pan style=3D"font-weight: bold;">To:</span></b> Loopers-Delight@loopers-del=
ight.com<br><b><span style=3D"font-weight: bold;">Sent:</span></b> Mon, Mar=
ch 7, 2011 10:15:43 AM<br><b><span style=3D"font-weight: bold;">Subject:</s=
pan></b> Re: Lower octave<br></font><br>=0A<br><br>Michael Peters wrote:<br=
>&gt; I watched Theo Travis playing flute yesterday in Antwerp, and saw tha=
t he<br>&gt; used a Boss OC-2 octaver to occasionally add a lower octave to=
 his flute. I<br>&gt; want something that reliably turns guitar notes (espe=
cially the lower notes)<br>&gt; into a bass - a pedal and/or a plugin. Reco=
mmendations?<br><br>The Electro Harmonix Octave Multiplexer is far<br>super=
ior to the OC2.<br>(cheaper too)<br><br>Convincingly powerful sound.<br>Exc=
ellent tracking.<br><br>&gt;&nbsp; (Andy, you will<br>&gt; probably recomme=
nd Chopitch - I need some help using it because more often<br>&gt; than not=
, the Chopitch sound gets cut off very quickly - not sure what to<br>&gt; d=
o)<br><br>make sure gate control is at zero,<br>...if no fix, drop me a lin=
e<br><br>andy<br><br>&gt; <br>&gt; -Michael<br>&gt; <br>&gt; <br>&gt; <br><=
br></div></div><div style=3D""></div>=0A=0A=0A</div><br>=0A=0A      </div><=
/blockquote></td></tr></table>
--0-1240597156-1299494563=:76013--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 11:03:50 2011
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Date: Mon, 7 Mar 2011 12:03:48 +0100
Message-ID: <AANLkTi=dE3A0RO2FLA7hy+2KYPx6+EKPadu_J6wDDxE6@mail.gmail.com>
Subject: Re: Lower octave
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I forgot to mention that I have experienced usable octave down-pitch
with the TC Eltrx FireworX too.  I used it mostly for guitar with that
patch and as all octaviders you have to be careful when playing a
polyphonic instrument to not send chords though the line, or they make
the pitch rider wobble like a hippo.

Today I have more or less stopped using patches that add a lower
octave. Instead I rely on looping for adding the low end (anything you
add to a loop pitched up one octave will loop back one octave low as
the loop is set to normal pitch). I find it more fun to fill up the
low end by using the looper as the instrument.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 11:34:16 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Innovative Gear That Got Discontinued   was Electro Harmonix
 Freeze - Vortex Patch
References: <3890370.1299374647280.JavaMail.root@mswamui-chipeau.atl.sa.earthlink.net> <4D737BF6.7010803@cruzio.com> <4D738BF1.9020408@googlemail.com> <4D739A6E.7090107@tiscali.co.uk> <4D73B1E5.4010009@googlemail.com>
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Rainer Straschill wrote:
> andy butler schrieb:
>> Ok, back to topic...has anyone ever done a software version of the 
>> Vortex btw?
>> I could give you a quote for one :-)
> That one still valid?
> http://www.loopers-delight.com/LDarchive/200509/msg00155.html

I always honour a quote ;-)

> 
> ;).
> Did you also price it btw, and look at the number of prospective buyers?

well, Kris said he'd pay $50 for one :-)

I just estimated a cost based on how long it would take me,
....very roughly.

> 
> Seriously, the fact that a target might be coming from hw units which 
> are not exactly fetching huge prices (seems to be a little above 100 
> whatever - i.e. cheaper in the U.S.), and that well-respected plugins 
> such as PSP N20 go for $150 might make this a tricky endeavour to get a 
> business case...

Sure, there's absolutely no market for fx plugins that do what
nothing else does, even if they'd have practical use in every
studio ( which a soft Vortex wouldn't).

Another part of the analysis is the advertising budget,
...but I'm a programmer...not any kind of promoter.



andy

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 11:56:52 2011
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Date: Mon, 7 Mar 2011 11:56:51 +0000
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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze
 - Vortex Patch
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6ed2cf5bc78049de330b2
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there's a reaktor ensemble called AMOR which is a pretty faithful
reproduction....with morphing and all. i'd be happy yo send it to anyone
who's interested in trying it

sim


Rick Walker schrieb:
>
>
>
> Ok, back to topic...has anyone ever done a software version of the Vortex
> btw?
>

--000e0cd6ed2cf5bc78049de330b2
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there&#39;s a reaktor ensemble called AMOR which is a pretty faithful reproduction....with morphing and all. i&#39;d be happy yo send it to anyone who&#39;s interested in trying it<br><br>sim<br><br><div class="gmail_quote">
<br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Rick Walker schrieb:<div class="im"><br><br></div>
<br>
Ok, back to topic...has anyone ever done a software version of the Vortex btw?<font color="#888888"></font><br></blockquote></div>

--000e0cd6ed2cf5bc78049de330b2--

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Anybody know which octaver pedal Behringer have stolen the plans for in
their crappy plastic pedal?

I bought a couple of B******** pedals for 150 kroners each (ten bucks) a
filter thing was useless, and at first I thought the Octaver was too..
Played alone, it is absolutely awful.. tracks??? You cant really even HEAR a
note!! Its just this horrible mush of low end. Its got loads of controls so
you think at least ONE setting is going to be ok... but no...
UNTILL...
There I was playing at rehearsal the other night and I stomp on it for a
laugh... (incidentely , where did they thik that foot UP was a good way to
engage an effect??? Its not the internet!!!
And it was GREAT... suddenly there was this amazing low growl. Like the bass
player just came in.. my original signal was goos, still intact, but there
was someone new in the room....

I suspect that this shitty plastic pedal will last 10 minutes, so ... I
repeat my original question... who they nick the design off... in a METAL
box?

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf306845f78232f3049de357fc
Content-Type: text/html; charset=ISO-8859-1
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Anybody know which octaver pedal Behringer have stolen the plans for in the=
ir crappy plastic pedal?<br><br>I bought a couple of B******** pedals for 1=
50 kroners each (ten bucks) a filter thing was useless, and at first I thou=
ght the Octaver was too..<br>

Played alone, it is absolutely awful.. tracks??? You cant really even HEAR =
a note!! Its just this horrible mush of low end. Its got loads of controls =
so you think at least ONE setting is going to be ok... but no... <br>UNTILL=
...<br>

There I was playing at rehearsal the other night and I stomp on it for a la=
ugh... (incidentely , where did they thik that foot UP was a good way to en=
gage an effect??? Its not the internet!!!<br>And it was GREAT... suddenly t=
here was this amazing low growl. Like the bass player just came in.. my ori=
ginal signal was goos, still intact, but there was someone new in the room.=
...<br>

<br>I suspect that this shitty plastic pedal will last 10 minutes, so ... I=
 repeat my original question... who they nick the design off... in a METAL =
box?<br clear=3D"all"><br>-- <br><i style=3D"font-family: verdana,sans-seri=
f; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font style=
=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francombe</u>=
</font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf306845f78232f3049de357fc--

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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze
 - Vortex Patch
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With the interface that allows you to select
two different algorithms for A & B ?
(and then morph between them)

Looking at the description, it's just the 16
basic algorithms  with "parameter morphing".
i.e. no morphing between the different algorithms
In that case, it won't do 'the good stuff'.

Thanks for the link though.


What do you need to make a reactor ensemble run?

andy
ps
a total of nine users gave it 5/10,
rather confirming that a Vortex emulation
isn't ever going to make me rich.

Simeon Harris wrote:
> there's a reaktor ensemble called AMOR which is a pretty faithful 
> reproduction....with morphing and all. i'd be happy yo send it to anyone 
> who's interested in trying it
> 
> sim

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As far as hardware goes, I can only endorse the already endorsed EH octave =
multiplexer, really good sound, with lots of options.  I'm also quite parti=
al to the M9 bass octaver (sorry, can't recall what it's modelled on).=0A=
=0ASoftware - I really like the free VST plugin mda SubSynth which is low l=
atency and capable of several usable types of sound.=0A=0AAs a general rule=
, I like to mix a good portion of the original guitar signal.=0A=0AGetting =
OT: the Robin Schmidt pitch shifter is way fun for all sorts of crazy sound=
s, (though not much use as a simple bass octaver imo), but it's a BIG shame=
 that only the bypass and wet envelopes are available for automation in my =
DAW Reaper (does anyone know if I can change this?).  Most other VSTs seem =
to allow automation of every parameter.=0A=0AStephen=0Awww.myspace.com/sylv=
ianfisher=0A=0A=0A--- On Sun, 6/3/11, Michael Peters <mp@mpeters.de> wrote:=
=0A=0A> From: Michael Peters <mp@mpeters.de>=0A> Subject: Lower octave=0A> =
To: Loopers-Delight@loopers-delight.com=0A> Date: Sunday, 6 March, 2011, 17=
:24=0A> I watched Theo Travis playing flute=0A> yesterday in Antwerp, and s=
aw that he=0A> used a Boss OC-2 octaver to occasionally add a lower octave=
=0A> to his flute. I=0A> want something that reliably turns guitar notes (e=
specially=0A> the lower notes)=0A> into a bass - a pedal and/or a plugin.=
=0A> Recommendations?=A0 (Andy, you will=0A> probably recommend Chopitch - =
I need some help using it=0A> because more often=0A> than not, the Chopitch=
 sound gets cut off very quickly -=0A> not sure what to=0A> do)=0A> =0A> -M=
ichael=0A> =0A> =0A> =0A=0A=0A      

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Subject: Re: Innovative Gear That Got Discontinued was Electro Harmonix Freeze
 - Vortex Patch
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--000e0cd56f68428483049de4b627
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yes, just had another look...it only morphs parameters, not algorithms.

to make it work, you need reaktor

sim

On Mon, Mar 7, 2011 at 12:13 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> With the interface that allows you to select
> two different algorithms for A & B ?
> (and then morph between them)
>
> Looking at the description, it's just the 16
> basic algorithms  with "parameter morphing".
> i.e. no morphing between the different algorithms
> In that case, it won't do 'the good stuff'.
>
> Thanks for the link though.
>
>
> What do you need to make a reactor ensemble run?
>
> andy
> ps
> a total of nine users gave it 5/10,
> rather confirming that a Vortex emulation
> isn't ever going to make me rich.
>
>
> Simeon Harris wrote:
>
>> there's a reaktor ensemble called AMOR which is a pretty faithful
>> reproduction....with morphing and all. i'd be happy yo send it to anyone
>> who's interested in trying it
>>
>> sim
>>
>
>

--000e0cd56f68428483049de4b627
Content-Type: text/html; charset=ISO-8859-1
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yes, just had another look...it only morphs parameters, not algorithms.<br>=
<br>to make it work, you need reaktor<br><br>sim <br><br><div class=3D"gmai=
l_quote">On Mon, Mar 7, 2011 at 12:13 PM, andy butler <span dir=3D"ltr">&lt=
;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</=
span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">With the interfac=
e that allows you to select<br>
two different algorithms for A &amp; B ?<br>
(and then morph between them)<br>
<br>
Looking at the description, it&#39;s just the 16<br>
basic algorithms =A0with &quot;parameter morphing&quot;.<br>
i.e. no morphing between the different algorithms<br>
In that case, it won&#39;t do &#39;the good stuff&#39;.<br>
<br>
Thanks for the link though.<br>
<br>
<br>
What do you need to make a reactor ensemble run?<br>
<br>
andy<br>
ps<br>
a total of nine users gave it 5/10,<br>
rather confirming that a Vortex emulation<br>
isn&#39;t ever going to make me rich.<div><div></div><div class=3D"h5"><br>
<br>
Simeon Harris wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
there&#39;s a reaktor ensemble called AMOR which is a pretty faithful repro=
duction....with morphing and all. i&#39;d be happy yo send it to anyone who=
&#39;s interested in trying it<br>
<br>
sim<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--000e0cd56f68428483049de4b627--

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Simeon Harris wrote:
> yes, just had another look...it only morphs parameters, not algorithms.

if it could cope with morphing from one echo divide value 
to another ( keeping the audio circulating smoothly with crossfades)
then it could still be very cool.
...especially if delay times aren't limited to 2s

> 
> to make it work, you need reaktor
> 
> sim

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 14:26:07 2011
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From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: How do I make a gated reverb?
To: Loopers-Delight@loopers-delight.com
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Howdy,

 Go buy a Roland SRV-2000. It has a kick B--t gate verb.
Rig

--- On Sat, 3/5/11, Per Boysen <perboysen@gmail.com> wrote:

> From: Per Boysen <perboysen@gmail.com>
> Subject: Re: How do I make a gated reverb?
> To: Loopers-Delight@loopers-delight.com
> Date: Saturday, March 5, 2011, 3:13 AM
> Well, you're right. My suggestion
> isn't really for a classic "gate
> verb" because the classic setup is to stick a mic up to
> something,
> cable the mic through a reverb and cable that through a
> noise gate. By
> setting the threshold of the noise gate you control the
> length of the
> gate verb. My post was more about a dynamic verb gating
> setup. Why not
> try the classic gate verb routing in the FireworX?
>=20
> Funnily, I first got into using gate verbs by hearing some
> early
> releases from Cabaret Voltaire. I worked like mad, cabling
> reverbs and
> noise gates all over the place, but never got my stuff to
> sound right.
> Many, many years later I heard that CV had not used reverb
> gating
> technique at all on those tracks, they had simply used a
> sampler with
> sampled drum hits ;-))=A0 LOL
>=20
> Per
>=20
>=20
>=20
> On Sat, Mar 5, 2011 at 11:58 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > I thought about something like that Per, but wont that
> just make a reverb
> > that fades out as the guitar signal fades..
> (interesting idea, worth a try)
> >
> > I think I need something that triggers when I play a
> sounds (opens? like a
> > VCA???) then after a while closes suddenly. So I was
> thinking...
> >
> > Env Follower to trigger a VCA, with a short release
> time. that release time
> > is set to adjust the delay time of a reverb. So loud
> signal Equals long
> > verb, and release time equals short verb... BUT.. how
> do I get that *timed*
> > part of a gated reverb, from the moment you hit, to
> the moment it cuts...
> >
> > This is just chat really Ill try it later (Rack still
> in car...) I just
> > wondered if anyone know what a gated reverb REALLY
> is?
> >
> > M
> >
> > On Sat, Mar 5, 2011 at 11:33 AM, Per Boysen <perboysen@gmail.com>
> wrote:
> >>
> >> Try assign *input level* (as detected by the env
> follower) to *decay
> >> time* of a reverb placed later on in the effect
> chain. Or some other
> >> paramater... I haven't had a FireworX for years so
> my fireworkzing is
> >> bit rusty. Heck, just try out what routing sounds
> best!
> >>
> >>
> >
> >
> >
> > --
> > Mark Francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > http://vimeo.com/user825094
> > http://www.looop.no
> > twitter @markfrancombe
> >
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 14:50:13 2011
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Subject: Galactic Travels Top 20 Report for February, 2011.
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http://wdiy.org/programs/gt/playlists/2011/top20-02feb.html

WDIY 88.1 FM "Galactic Travels" Top 20 for February, 2011.
Shows #722 to #725; 3-February-2011 to 24-February-2011
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for February was Nattefrost.
Nattefrost: http://wdiy.org/programs/gt/playlists/2011/focus.html#feb


ARTIST - ALBUM TITLE - LABEL
========================================================================
3 Seconds of Air - We Are Dust Under the Dying Sun - Tonefloat
Ambient Fabric - In Space - Auraltone
Broekhuis, Keller, and Schonwalder - In Repelen - Manikin
Chuck Van Zyl - MemorySpace - Synkronos
Create - We Live By the Machines - Groove
Dave Luxton - Dark Moon - Wayfarer
Dead Beat Project - R'Evolution - A.D. Music
Johan Agebjorn - The Mountain Lake - Lotispike
Nattefrost - Absorbed in Dreams and Yearning - Groove
Nattefrost - Dying Sun, Scarlet Moon - Groove
Nattefrost - Live in Germany 2008 & 2009 - Groove
Nattefrost - Transformation - Groove
Nattefrost - Underneath the Night Sky - Groove
Robert Schroeder - Cygnus-A - Spheric Music
Ron Boots and Synth.nl - Refuge en Verre - Groove
Steve Dinsdale - On the Other Side - Northern Echo
Steve Roach - Immersion Five - Circadian Rhythms - Projekt
Steve Roach and Brian Parnham - The Desert Inbetween - Projekt
The Glimmer Room - A Diary of Occurrences - A-Frame Media
vidnaObmana - Chasing the Odyssee - Tonefloat

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 15:32:26 2011
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Subject: Re: Lower octave
Date: Mon, 7 Mar 2011 07:32:24 -0800
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I have one and don't use it, if anyone is interested . . . cheap!

On Mar 6, 2011, at 10:01 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Michael Peters wrote:
>> I watched Theo Travis playing flute yesterday in Antwerp, and saw  
>> that he
>> used a Boss OC-2 octaver to occasionally add a lower octave to his  
>> flute. I
>> want something that reliably turns guitar notes (especially the  
>> lower notes)
>> into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you  
>> will
>> probably recommend Chopitch - I need some help using it because  
>> more often
>> than not, the Chopitch sound gets cut off very quickly - not sure  
>> what to
>> do)
>>
>> -Michael
> For what it's worth, when Arild Andersen played the looping  
> festival,  I promised him to
> find him a Boss OC-2 for his octaving purposes.   When he came,  
> however, I let him borrow
> both the OC-2 and my Danelectro Chili Dog (which also has a  
> combination of regular octave, one octave
> below and two octaves below).
>
> Arild made me sell him my unit,  which cost all of $29 USD on line
>
> http://guitars.musiciansfriend.com/product/Danelectro-DJ12-Chili-Dog-Octave-Pedal?sku=151871
>
> This thing is amazing.  I think it tracks better and sounds more  
> naturalistic than the OC-2 and
> it's hella cheap.
>
> I can't more highly recommend it.     It's so cheap that it's rather  
> hip to buy two of them (that potentially
> four octaves of pitch shifting down........wooohoooooo.
> I did this for a while but then gave my second unit to Sayaka Kabuki  
> to use,  my bandmate in
> Noise Clinic while I played with them...........I'm glad she has it,  
> but I miss it.
> Of course, this will create very artifacty things, but I personally  
> love using
> inexepensive pitch shifters and doing things like sending things  
> four octaves up and the
> bringing them four octaves down.............some beautiful artifacts  
> result.
>
> I also use the pricier Boss Pitch Shifter which goes low but I use  
> the Chili Dog for all of my bass
> needs because it tracks better and sounds more naturalistic.
>
> Two enthusiastic thumbs up!!!!
>
> rick walker

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Subject: lower octave
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i have used my digitech rp155, zoom g2 (both inexpensive multi-effects units)-
hmmm, they do ok, accurate i'm not sure, mainly use them to lower
octave and then
add fuzz sound to mimic the fripp doing his looping thing back in 70s....
(the rp155-the 2 octaves up is fun munchkin land stuff!)

i also have my lexicon mx200-i think it's a better sounding device, accurate-
probably better then the above, but i'm not sure. i know that when i've used it
it really does sound SUB-frequency at times....which i would then wonder if
amps/guitar amps are properly "hearing" this & replicating (i use a
keyboard amp-
sounds good w/ my fender 60)

also have korg kaoss pad 2-it does all kinds of pitch changing
stuff-accurate-no idea, fun=YES!

i also used to have the original digitech ips33, it came out in late
80s ('88 i think).
got for cheap few yrs ago when i had my 4 space rack.
it only had like 33 programs available, but man they SOUNDED GOOD!
i mean if i wanted f---in' weird, it would deliver.
the word i read in reviews was that "it didn't track properly, bla bla"
(& everyone hated the sound w/ distortion--when will people learn...never...)
and i remember reeves gabrels said that was one thing he liked when he had it,
you could hear it really working to find the note to change to (worked
crazy w/ slide i guess)
but there was something about that unit that sounded so good. the sub
stuff was just
crazy good. again, accuracy, don't know....obviously it was a device
that you couldn't
leave on all the time. ha!
miss it at times, but no longer have rack or space for it.....my
lexicon mx200 is fine, does
many more things, although i leave it on the same reverb setting for
most stuff. ha.

honestly-i would guess if you're wanted a sub octave sound to change
things up-i would
guess most multi-effects units have some pitch change thing that could
do octave down.
is it as good as a boss unit, no idea, but i'm guessing it would work
in a pinch, most people
won't understand what you're doing anyway....(us L-D.com-ers will be
sitting there wondering-
is he using the boss, or did he go danelectro, or is it some cheap
digitech/zoom thing...i can't
see the pedal.......or is it eventide.....hmmmmmmmmm)
s---
www.myspace.com/scotthansen



I watched Theo Travis playing flute yesterday in Antwerp, and saw that he
used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I
want something that reliably turns guitar notes (especially the lower
notes)
into a bass - a pedal and/or a plugin. Recommendations?  (Andy, you will
probably recommend Chopitch - I need some help using it because more often
than not, the Chopitch sound gets cut off very quickly - not sure what to
do)

-Michael

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<pre><font size=3D"4">i have used my digitech rp155, zoom g2 (both inexpens=
ive multi-effects units)-<br>hmmm, they do ok, accurate i&#39;m not sure, m=
ainly use them to lower octave and then<br>add fuzz sound to mimic the frip=
p doing his looping thing back in 70s....<br>
(the rp155-the 2 octaves up is fun munchkin land stuff!)<br><br>i also have=
 my lexicon mx200-i think it&#39;s a better sounding device, accurate-<br>p=
robably better then the above, but i&#39;m not sure. i know that when i&#39=
;ve used it<br>
it really does sound SUB-frequency at times....which i would then wonder if=
 <br>amps/guitar amps are properly &quot;hearing&quot; this &amp; replicati=
ng (i use a keyboard amp-<br>sounds good w/ my fender 60)<br><br>also have =
korg kaoss pad 2-it does all kinds of pitch changing stuff-accurate-no idea=
, fun=3DYES!<br>
<br>i also used to have the original digitech ips33, it came out in late 80=
s (&#39;88 i think).<br>got for cheap few yrs ago when i had my 4 space rac=
k.<br>it only had like 33 programs available, but man they SOUNDED GOOD!<br=
>
i mean if i wanted f---in&#39; weird, it would deliver.<br>the word i read =
in reviews was that &quot;it didn&#39;t track properly, bla bla&quot;<br>(&=
amp; everyone hated the sound w/ distortion--when will people learn...never=
...)<br>
and i remember reeves gabrels said that was one thing he liked when he had =
it,<br>you could hear it really working to find the note to change to (work=
ed crazy w/ slide i guess)<br>but there was something about that unit that =
sounded so good. the sub stuff was just<br>
crazy good. again, accuracy, don&#39;t know....obviously it was a device th=
at you couldn&#39;t<br>leave on all the time. ha!<br>miss it at times, but =
no longer have rack or space for it.....my lexicon mx200 is fine, does<br>
many more things, although i leave it on the same reverb setting for most s=
tuff. ha.<br><br>honestly-i would guess if you&#39;re wanted a sub octave s=
ound to change things up-i would<br>guess most multi-effects units have som=
e pitch change thing that could do octave down.<br>
is it as good as a boss unit, no idea, but i&#39;m guessing it would work i=
n a pinch, most people<br>won&#39;t understand what you&#39;re doing anyway=
....(us L-D.com-ers will be sitting there wondering-<br>is he using the bos=
s, or did he go danelectro, or is it some cheap digitech/zoom thing...i can=
&#39;t<br>
see the pedal.......or is it eventide.....hmmmmmmmmm)<br>s---<br><a href=3D=
"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</a><br><br=
><br><br>I watched Theo Travis playing flute yesterday in Antwerp, and saw =
that he<br>
used a Boss OC-2 octaver to occasionally add a lower octave to his flute. I=
<br>want something that reliably turns guitar notes (especially the lower <=
br>notes)<br>into a bass - a pedal and/or a plugin. Recommendations?  (Andy=
, you will<br>
probably recommend Chopitch - I need some help using it because more often<=
br>than not, the Chopitch sound gets cut off very quickly - not sure what t=
o<br>do)<br><br>-Michael</font><br></pre>

--001636499a4b11c0ea049de776b9--

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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Lower octave Micro Pog
References: <AANLkTin87mW6ARMocpiphRdRjw+t-5dd5ouSCB34=XnO@mail.gmail.com> <4D7475EB.6050804@cruzio.com> <4D74A922.2000804@tiscali.co.uk>
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Hehe, yup, that's always the problem with pitch transposing, the need to 
sample long enough to have enough information to be able to decently 
create the new pitch.

I've never heard anything sounding sufficienty close to the real, and 
will bet the best option will be to accept this, and use whatever pitch 
transposer is found reasonably suitable for deliberately creating a 
somewhat artificial effect.

I think the Eventide PitchFactor comes fairly close to a nicely useful 
downtuning, plus it'll provide many other useful effects.  It's a pedal 
too, and with MIDI to go,so..



andy butler wrote:
> hi Rick,
> yes and no ;-)
> 
> It's a true pitch shifter, but it uses really
> small chunks for it's granular processing.
> (relying on identifying the pitch).
> 
> The small chunks make for a synthetic sound,
> but mean that the POG can get zero latency when shifting down.
> 
> Be aware, the pitch up on the Micro Pog does have latency (unavoidable 
> for upwards pitch shift)
> and it's a bit flat in pitch (== bend the nots up a bit)
> 
> andy
> 
> Rick Walker wrote:
> 
>> I have the Micro Pog (which is awesome) but, from my understanding and 
>> , certainly from the sound,
>> this instrument generates a synthetic octave up and octave down and is 
>> not a true pitch shifter.
>>
>> Do I have this right?     It certainly sounds synthetic but wouldn't 
>> sound very organic with , say,
>> a flute.
>>
>> rick walker


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 17:58:34 2011
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I have two different routes that I use. One is an Electro-Harmonix Micro-Synth, which does a suboctave. More recently, I got a Sonuus GM-2 pitch-to-MIDI converter (which is a great little toy for only $100) that I use to drive either a Waldorf Blofeld module or a Dave Smith Mopho. There is a bit of latency with the GM-2, but the tracking accuracy is remarkably good. 

Chris 

----- Original Message ----- 
From: "van Sinn" <vansinn@post.cybercity.dk> 
To: Loopers-Delight@loopers-delight.com 
Sent: Monday, March 7, 2011 12:34:23 PM 
Subject: Re: Lower octave Micro Pog 

Hehe, yup, that's always the problem with pitch transposing, the need to 
sample long enough to have enough information to be able to decently 
create the new pitch. 

I've never heard anything sounding sufficienty close to the real, and 
will bet the best option will be to accept this, and use whatever pitch 
transposer is found reasonably suitable for deliberately creating a 
somewhat artificial effect. 

I think the Eventide PitchFactor comes fairly close to a nicely useful 
downtuning, plus it'll provide many other useful effects. It's a pedal 
too, and with MIDI to go,so.. 



andy butler wrote: 
> hi Rick, 
> yes and no ;-) 
> 
> It's a true pitch shifter, but it uses really 
> small chunks for it's granular processing. 
> (relying on identifying the pitch). 
> 
> The small chunks make for a synthetic sound, 
> but mean that the POG can get zero latency when shifting down. 
> 
> Be aware, the pitch up on the Micro Pog does have latency (unavoidable 
> for upwards pitch shift) 
> and it's a bit flat in pitch (== bend the nots up a bit) 
> 
> andy 
> 
> Rick Walker wrote: 
> 
>> I have the Micro Pog (which is awesome) but, from my understanding and 
>> , certainly from the sound, 
>> this instrument generates a synthetic octave up and octave down and is 
>> not a true pitch shifter. 
>> 
>> Do I have this right? It certainly sounds synthetic but wouldn't 
>> sound very organic with , say, 
>> a flute. 
>> 
>> rick walker 


-- 
rgds, 
van Sinn 


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<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>I have tw=
o different routes that&nbsp; I use.&nbsp; One is an Electro-Harmonix Micro=
-Synth, which does a suboctave.&nbsp; More recently, I got a Sonuus GM-2 pi=
tch-to-MIDI converter (which is a great little toy for only $100) that I us=
e to drive either a Waldorf Blofeld module or a Dave Smith Mopho.&nbsp; The=
re is a bit of latency with the GM-2, but the tracking accuracy is remarkab=
ly good.<br><br>Chris<br><br>----- Original Message -----<br>From: "van Sin=
n" &lt;vansinn@post.cybercity.dk&gt;<br>To: Loopers-Delight@loopers-delight=
.com<br>Sent: Monday, March 7, 2011 12:34:23 PM<br>Subject: Re: Lower octav=
e Micro Pog<br><br>Hehe, yup, that's always the problem with pitch transpos=
ing, the need to <br>sample long enough to have enough information to be ab=
le to decently <br>create the new pitch.<br><br>I've never heard anything s=
ounding sufficienty close to the real, and <br>will bet the best option wil=
l be to accept this, and use whatever pitch <br>transposer is found reasona=
bly suitable for deliberately creating a <br>somewhat artificial effect.<br=
><br>I think the Eventide PitchFactor comes fairly close to a nicely useful=
 <br>downtuning, plus it'll provide many other useful effects. &nbsp;It's a=
 pedal <br>too, and with MIDI to go,so..<br><br><br><br>andy butler wrote:<=
br>&gt; hi Rick,<br>&gt; yes and no ;-)<br>&gt; <br>&gt; It's a true pitch =
shifter, but it uses really<br>&gt; small chunks for it's granular processi=
ng.<br>&gt; (relying on identifying the pitch).<br>&gt; <br>&gt; The small =
chunks make for a synthetic sound,<br>&gt; but mean that the POG can get ze=
ro latency when shifting down.<br>&gt; <br>&gt; Be aware, the pitch up on t=
he Micro Pog does have latency (unavoidable <br>&gt; for upwards pitch shif=
t)<br>&gt; and it's a bit flat in pitch (=3D=3D bend the nots up a bit)<br>=
&gt; <br>&gt; andy<br>&gt; <br>&gt; Rick Walker wrote:<br>&gt; <br>&gt;&gt;=
 I have the Micro Pog (which is awesome) but, from my understanding and <br=
>&gt;&gt; , certainly from the sound,<br>&gt;&gt; this instrument generates=
 a synthetic octave up and octave down and is <br>&gt;&gt; not a true pitch=
 shifter.<br>&gt;&gt;<br>&gt;&gt; Do I have this right? &nbsp; &nbsp; It ce=
rtainly sounds synthetic but wouldn't <br>&gt;&gt; sound very organic with =
, say,<br>&gt;&gt; a flute.<br>&gt;&gt;<br>&gt;&gt; rick walker<br><br><br>=
-- <br>rgds,<br>van Sinn<br><br></div></body></html>
------=_Part_2277552_1376961899.1299520713178--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 18:10:20 2011
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Subject: Way OT: Funny Ad
From: Kevin Cheli-Colando <billowhead@gmail.com>
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I just saw this on the side of my Google browser and it made me chuckle

Adrenalinn III:  Get the unique guitar sounds of John Mayer, Green Day
& other Pros!

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 19:24:50 2011
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Subject: Daryl Shawn and Tiny Owl (Matt's band) in Oakland this Tuesday
From: Matt Davignon <mattdavignon@gmail.com>
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Hi all,

We have a concert of interest to looping folks tomorrow night in
Oakland. Daryl Shawn is in town, and will be playing his guitar and
tape machines to Laurie Amat's vocals. Then my new band Tiny Owl will
play. Tiny Owl is what happens when you take experimental improvisers
and tell them to play krautrock. It sometimes resembles krautrock, it
sometimes doesn't, but it's usually spacey and interesting. Then there
will be a short collaborative jam at the end.

Tuesday, March 8 =B7 8:00pm
Studio 1510
1510 8th Street (Near West Oakland Bart)
$6-10 sliding scale

1st: Daryl Shawn (guitar & tape manipulation) & Laurie Amat (voice)
&
2nd: Tiny Owl (Matt Davignon & Lance Grabmiller - electronics,
Sebastian Krawczuk - double bass, Suki O'Kane - percussion)


Daryl Shawn plays classical guitar and manipulates the sounds in real
time with multiple cassette machines.

Laurie Amat has been called =93The Voice on Everyone=92s Lips=94. She
performs a wide range of music including modern chamber and opera
works, experimental structured and improvised solo and ensemble works,
punk rock and popular song. Did I mention she's worked with the
Residents? Oh yeah. She's worked with the Residents.

Tiny Owl is a new quartet that creates a special blend of improvised
experimental "space music", ambient and instrumental rock.
http://tinyowl.bandcamp.com

--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 19:32:19 2011
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Subject: Re: Lower octave
Date: Mon, 7 Mar 2011 11:32:10 -0800
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When ever I'm in the mood for some lower octaves  I check this out :-) http://www.youtube.com/watch?v=gtLcELU1brA&feature=related
  Actually i rarely use the octave below setting which is decent on  
the M-9 and based on the boss so tracking is similar. And I've used  
the bass octave settings on the Fireworx which have a typical  
harmonizer's latency which means there is a bit.  Don't remember what  
you are using for looping but if it does any kind of quantize replace,  
I will create a quantized replace created sequence and then half speed  
it, or the more challenging way would be to play your part twice as  
fast as you would want it to sound and then half speed that. On the  
Looperlative, I have a simple yet effective combination preset that  
combines replace with track speed, so that when you come out of  
replace its in the new octave, which can either be an octave lower if  
you start the replace in normal track speed, or an octave higher if  
you start the replace while in half speed. Actually believe it or  
not , I always found the blending of the direct guitar sound with my  
roland guitar synth set to whatever  analog bass  patch  I could  
muster  (a GR30 wasn't great but it was polyphonic) sounded better  
than most octavers or harmonizers I have used.
Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">When ever I'm in the mood for =
some lower octaves &nbsp;I check this out :-)&nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3DgtLcELU1brA&amp;feature=3Drelated=
">http://www.youtube.com/watch?v=3DgtLcELU1brA&amp;feature=3Drelated</a><d=
iv>&nbsp;Actually i rarely use the octave below setting which is decent =
on the M-9 and based on the boss so tracking is similar. And I've used =
the bass octave settings on the Fireworx which have a typical =
harmonizer's latency which means there is a bit. &nbsp;Don't remember =
what you are using for looping but if it does any kind of quantize =
replace, I will create a quantized replace created sequence and then =
half speed it, or the more challenging way would be to play your part =
twice as fast as you would want it to sound and then half speed that. On =
the Looperlative, I have a simple yet effective combination preset that =
combines replace with track speed, so that when you come out of replace =
its in the new octave, which can either be an octave lower if you start =
the replace in normal track speed, or an octave higher if you start the =
replace while in half speed. Actually believe it or not , I always found =
the blending of the direct guitar sound with my roland guitar synth set =
to whatever &nbsp;analog bass &nbsp;patch &nbsp;I could muster &nbsp;(a =
GR30 wasn't great but it was polyphonic) sounded better than most =
octavers or harmonizers I have used.</div><div>Bill</div></body></html>=

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Subject: Re: Roger O'Donnell
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:-D

a simple google search should be appropriate

2011/3/7 Dustbunnies <mech@m3ch.net>

> On 3/7/11 5:12 AM, "Per Boysen" <perboysen@gmail.com> wrote:
> > On Sun, Mar 6, 2011 at 9:08 PM, Petri Lahtinen
> > <kollegavalmentaja@gmail.com> wrote:
> >> There's some software running on the macbook beside him, the GUI doesnt
> >> remind me of any software I know...
> >
> > *That* actually is the "Glitch Sequencer".
>
> <*sigh*>
>
> http://www.glitch-sequencer.com/
>
> ;)
>        --m.
>
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

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:-D<br><br>a simple google search should be appropriate<br><br><div class=
=3D"gmail_quote">2011/3/7 Dustbunnies <span dir=3D"ltr">&lt;<a href=3D"mail=
to:mech@m3ch.net">mech@m3ch.net</a>&gt;</span><br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">
On 3/7/11 5:12 AM, &quot;Per Boysen&quot; &lt;<a href=3D"mailto:perboysen@g=
mail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt; On Sun, Mar 6, 2011 at 9:08 PM, Petri Lahtinen<br>
&gt; &lt;<a href=3D"mailto:kollegavalmentaja@gmail.com">kollegavalmentaja@g=
mail.com</a>&gt; wrote:<br>
&gt;&gt; There&#39;s some software running on the macbook beside him, the G=
UI doesnt<br>
&gt;&gt; remind me of any software I know...<br>
&gt;<br>
&gt; *That* actually is the &quot;Glitch Sequencer&quot;.<br>
<br>
&lt;*sigh*&gt;<br>
<br>
<a href=3D"http://www.glitch-sequencer.com/" target=3D"_blank">http://www.g=
litch-sequencer.com/</a><br>
<br>
;)<br>
 =A0 =A0 =A0 =A0--m.<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><br><=
a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petril=
ahtinen.com</a><br><br>

--00151773e35071d475049debf1cd--

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Date: Mon, 7 Mar 2011 14:32:06 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Electro Harmonix Freeze - Sound Retainer
To: Loopers-Delight@loopers-delight.com
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Hi Per,

Thanks, what I was asking was, what is a good starting point to create my own 
reverbs/delays/effects from scratch, i.e, C code/assembly on a DSP.

Thanks,
Eric




________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, March 6, 2011 3:21:08 PM
Subject: Re: Electro Harmonix Freeze - Sound Retainer

On Sun, Mar 6, 2011 at 7:52 PM, E Gross <slapbandjam@yahoo.com> wrote:
> Thanks, the FV-1 looks cool.
>
> I am on PC, maybe software-only would be better as a starting point, can you
> give a suggestion?

Many so called tape delay simulator plugins can do that. Just assign a
kick switch or expression pedal to its feedback parameter and trim the
values to make the freeze work. After trying many I have settled with
the software plugin for this is EchoBoy from SoundToys. There is also
the reverb plugin Eos that has an "Infinite" button that you can
assign to your foot pedal. But I can't recommend Eos because it gives
an audible click noise if going into or out of freeze mode as audio
passes through the plugin. Another reason I like EchoBoy better is
that it doesn't really freeze audio in the technical sense, it simple
keeps a loop at 99 percent feedback and from this comes that the
fidelity slowly degrades during "freeze time" and I like that effect a
lot. Oh, and of course you have to set up a signal routing to pass by
the EchoBoy during its "freeze time".

Best wishes


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Hi Per,<br><br>Thanks, what I was asking was, what is a good starting point to create my own reverbs/delays/effects from scratch, i.e, C code/assembly on a DSP.<br><br>Thanks,<br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, March 6, 2011 3:21:08 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Electro Harmonix Freeze - Sound Retainer<br></font><br>
On Sun, Mar 6, 2011 at 7:52 PM, E Gross &lt;<a ymailto="mailto:slapbandjam@yahoo.com" href="mailto:slapbandjam@yahoo.com">slapbandjam@yahoo.com</a>&gt; wrote:<br>&gt; Thanks, the FV-1 looks cool.<br>&gt;<br>&gt; I am on PC, maybe software-only would be better as a starting point, can you<br>&gt; give a suggestion?<br><br>Many so called tape delay simulator plugins can do that. Just assign a<br>kick switch or expression pedal to its feedback parameter and trim the<br>values to make the freeze work. After trying many I have settled with<br>the software plugin for this is EchoBoy from SoundToys. There is also<br>the reverb plugin Eos that has an "Infinite" button that you can<br>assign to your foot pedal. But I can't recommend Eos because it gives<br>an audible click noise if going into or out of freeze mode as audio<br>passes through the plugin. Another reason I like EchoBoy better is<br>that it doesn't really freeze audio in the technical sense, it
 simple<br>keeps a loop at 99 percent feedback and from this comes that the<br>fidelity slowly degrades during "freeze time" and I like that effect a<br>lot. Oh, and of course you have to set up a signal routing to pass by<br>the EchoBoy during its "freeze time".<br><br>Best wishes<br><br></div></div>
</div><br>

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On 7/22/64 11:59 AM, Michael Peters wrote:
>> I never thought the OC2 felt like bass
> I must say I was surprised at the sound quality of the OC2 when Theo Travis
> played flute over it. It really sounded like a bass flute, very clean.
>
> -Michael
I agree with Andy and Michael..........it WILL sound good on things that 
have closer
to a sine wav sound (like a flute) but it really lacks at sounding like 
a bass guitar
when one puts a normal low E string on a regular guitar through it.

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Subject: controlling amplitube 3 with fcb1010
From: Louie Angulo <louie.angulo@googlemail.com>
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Hi gang,
im trying to control a demo version of amplitube with the fcb1010
so far i can only turn on an fx doing the midi learn and assigining a
control change but i cannot turn it off
ive tired different things but still no success
this is what ive tired so far:
control change 01 value 00-127
ive tried using 2 control changes using the fcbs CC1 sending CC 01
value 0-0 and then CC2 sending 01 value 127-127
however it works when i assign
FCB button 1 control change 01 value 00-00
FCB button 2 control change 01 value 127-127
any ideas?

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 22:52:03 2011
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On 7/22/64 11:59 AM, K D Patten wrote:
> Electro Harmonix Hog vs. Eventide Pitchfactor.....interesting
Wow, I'm surprised,  the Hog completely owns the Eventide for pitch 
shifting
accuracy.   They're not even in the same league, timbrally.   That's 
shocking
to me.

rick walker

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Subject: Re: Electro Harmonix Freeze - Sound Retainer
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 7, 2011 at 11:32 PM, E Gross <slapbandjam@yahoo.com> wrote:
> Thanks, what I was asking was, what is a good starting point to create my
> own reverbs/delays/effects from scratch, i.e, C code/assembly on a DSP.


Hi Eric,

Maybe SynthEdit? It's a shareware Windows application which uses a
modular VPL (Visual Programming Language) to create music synthesizers
and effects units.
http://www.synthedit.com/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 22:55:11 2011
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Subject: Re: controlling amplitube 3 with fcb1010
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Make sure you're doing that MIDI Learn etc in the Amplitube
plugin/applicaton and not in a host application.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Mar 7, 2011 at 11:49 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Hi gang,
> im trying to control a demo version of amplitube with the fcb1010
> so far i can only turn on an fx doing the midi learn and assigining a
> control change but i cannot turn it off
> ive tired different things but still no success
> this is what ive tired so far:
> control change 01 value 00-127
> ive tried using 2 control changes using the fcbs CC1 sending CC 01
> value 0-0 and then CC2 sending 01 value 127-127
> however it works when i assign
> FCB button 1 control change 01 value 00-00
> FCB button 2 control change 01 value 127-127
> any ideas?
>
>

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Am 07.03.2011 23:49, schrieb Louie Angulo:
> Hi gang,
> im trying to control a demo version of amplitube with the fcb1010
> so far i can only turn on an fx doing the midi learn and assigining a
> control change but i cannot turn it off
>
> any ideas?
Don't know about Amplitube that much (had used an old version within 
Live and controlled that w/ a FCB1010 and that worked fine, but I 
believe I implemented that toggle thing via Live), but here's two things 
to check:

a) for the toggle functionality, both CCs must be set to the same MIDI 
channel (in global settings)
b) in your description, you always name a range (e.g. 0-0, 127-127) for 
your controllers. Are you sure you didn't program the expression pedals 
accidentally?

               Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 23:06:09 2011
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Subject: Re: Lower octave
Date: Mon, 7 Mar 2011 17:09:31 -0600
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> Wow, I'm surprised,  the Hog completely owns the Eventide for pitch  
> shifting
> accuracy.

I'm pretty sure you have to use a different setting/algorithm than the  
reviewer used for the Eventide to handle chords. Some of the  
algorithms handle single note lines/harmonies, and others handle  
chords much better.

That said, the Hog may still win the shoot out. But my hunch is that  
the Eventide could have fared better.

Jeff

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Subject: Re: OT - Premonition Factory - The Sense Of Time [new release]
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Hi all,
All pre-orders of the limited edition deluxe CD of =93The Sense of Time=94
have been shipped today. In case you didn't know, this is an album
existing of 99% live looping, 2-track stereo, live studio recordings
with additional post-production done by Markus Reuter.

PS The free worldwide shipping period will be extended till the end of
the month. For more information, please check the website. Thanks!
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Tue, 8 Mar 2011 00:54:07 +0100
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Subject: Re: controlling amplitube 3 with fcb1010
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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i forgot to mention in the plugin app wont even work!
is it because is a demo version perhaps?

On Mon, Mar 7, 2011 at 11:55 PM, Per Boysen <perboysen@gmail.com> wrote:
> Make sure you're doing that MIDI Learn etc in the Amplitube
> plugin/applicaton and not in a host application.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Mon, Mar 7, 2011 at 11:49 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> Hi gang,
>> im trying to control a demo version of amplitube with the fcb1010
>> so far i can only turn on an fx doing the midi learn and assigining a
>> control change but i cannot turn it off
>> ive tired different things but still no success
>> this is what ive tired so far:
>> control change 01 value 00-127
>> ive tried using 2 control changes using the fcbs CC1 sending CC 01
>> value 0-0 and then CC2 sending 01 value 127-127
>> however it works when i assign
>> FCB button 1 control change 01 value 00-00
>> FCB button 2 control change 01 value 127-127
>> any ideas?
>>
>>
>
>

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Subject: Re: controlling amplitube 3 with fcb1010
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yes Rainer,both Control change functions are globally set to channel
one on the fcb1010
no,i m programing only the Control changes and not the continuous
controllers yet...

> a) for the toggle functionality, both CCs must be set to the same MIDI
> channel (in global settings)
> b) in your description, you always name a range (e.g. 0-0, 127-127) for y=
our
> controllers. Are you sure you didn't program the expression pedals
> accidentally?
>
> =A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar  7 23:57:27 2011
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References: <f856338f7a3bfce83bc7be9e5d31010b.squirrel@webmail.helpwantedproductions.com>
Subject: Vortex Sync with Echoplex
Date: Mon, 7 Mar 2011 20:53:28 +0100
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Hi !
a question for Vortex and EDP owners:
did one of you tried this : http://www.andybutler.com/vortex/edpsync.htm
i tried but didn't manage to make it work...
thanks
boost

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Subject: Re: Vortex Sync with Echoplex
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Sure... Mine works... Plus mine can sync morph switching to the beat
too..  Keep trying it's a great mod.

Sent from my (advertisement removed)

On 8 Mar 2011, at 00:57, boost <boost@boosterized.com> wrote:

> Hi !
> a question for Vortex and EDP owners:
> did one of you tried this : http://www.andybutler.com/vortex/edpsync.htm
> i tried but didn't manage to make it work...
> thanks
> boost
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 00:13:01 2011
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On 7/22/64 11:59 AM, Jeff Shirkey wrote:
>> I'm pretty sure you have to use a different setting/algorithm than 
>> the reviewer used for the Eventide to handle chords. Some of the 
>> algorithms handle single note lines/harmonies, and others handle 
>> chords much better.
> That said, the Hog may still win the shoot out. But my hunch is that 
> the Eventide could have fared better.
>

Yeah, that makes sense, Jeff,  but what really impressed me in the 
comparison was the single note
harmonization and in particular, the bass settings.    The tracking 
seemed a lot better, the sound was much more
natural.

To my ear, chordal harmonizations always seem to dense unless there are 
very few elements in a mix
The Micro Pog which I own (and like) handles chords pretty darn well but 
it's just too thick of a sound once
you begin adding other instruments to the mix.

Am I the only one here with this feeling?

rick walker

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On 7/22/64 11:59 AM, Kevin Cheli-Colando wrote:
> I just saw this on the side of my Google browser and it made me chuckle
>
> Adrenalinn III:  Get the unique guitar sounds of John Mayer, Green Day
> &  other Pros!
To bad they didn't name check Justin Bieber.   I would most certainly 
have bought one.

rick walker

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>>
>
> Yeah, that makes sense, Jeff,  but what really impressed me in the  
> comparison was the single note
> harmonization and in particular, the bass settings.    The tracking  
> seemed a lot better, the sound was much more
> natural.


I agree with you completely. I wonder if the boys at Eventide have  
seen that video?

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><blockquote type="cite"><div><blockquote type="cite"><font class="Apple-style-span" color="#000000"><br></font></blockquote><br>Yeah, that makes sense, Jeff, &nbsp;but what really impressed me in the comparison was the single note<br>harmonization and in particular, the bass settings. &nbsp;&nbsp;&nbsp;The tracking seemed a lot better, the sound was much more<br>natural.<br></div></blockquote></div><br><div><br></div><div>I agree with you completely. I wonder if the boys at Eventide have seen that video?&nbsp;</div><div><br></div><div>Jeff</div></body></html>
--Apple-Mail-4--886255134--

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Subject: Re: Lower octave
References: <1032D458CA1444CE92A66DA306E59E14@mpeserver> <4D74A23F.3090409@tiscali.co.uk> <669736.49904.qm@web120706.mail.ne1.yahoo.com>
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That's what I use, a pitchfactor. Love it.=20

Sent from my iPhone

On Mar 7, 2011, at 4:19 AM, antonyhequet@yahoo.com wrote:

> Eventide are the masters of pitch shifting. They must have a pedal that do=
es this stuff.
>=20
> Antony
>=20
> From: andy butler <akbutler@tiscali.co.uk>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, March 7, 2011 10:15:43 AM
> Subject: Re: Lower octave
>=20
>=20
>=20
> Michael Peters wrote:
> > I watched Theo Travis playing flute yesterday in Antwerp, and saw that h=
e
> > used a Boss OC-2 octaver to occasionally add a lower octave to his flute=
. I
> > want something that reliably turns guitar notes (especially the lower no=
tes)
> > into a bass - a pedal and/or a plugin. Recommendations?
>=20
> The Electro Harmonix Octave Multiplexer is far
> superior to the OC2.
> (cheaper too)
>=20
> Convincingly powerful sound.
> Excellent tracking.
>=20
> >  (Andy, you will
> > probably recommend Chopitch - I need some help using it because more oft=
en
> > than not, the Chopitch sound gets cut off very quickly - not sure what t=
o
> > do)
>=20
> make sure gate control is at zero,
> ...if no fix, drop me a line
>=20
> andy
>=20
> >=20
> > -Michael
> >=20
> >=20
> >=20
>=20
>=20

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<html><body bgcolor=3D"#FFFFFF"><div>That's what I use, a pitchfactor. Love i=
t.&nbsp;<br><br>Sent from my iPhone</div><div><br>On Mar 7, 2011, at 4:19 AM=
, <a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> wrote=
:<br><br></div><div></div><blockquote type=3D"cite"><div><div style=3D"font-=
family:arial, helvetica, sans-serif;font-size:12pt"><div>Eventide are the ma=
sters of pitch shifting. They must have a pedal that does this stuff.</div><=
div><br></div><div>Antony</div><div style=3D"font-family:arial, helvetica, s=
ans-serif;font-size:12pt"><br><div style=3D"font-family:arial, helvetica, sa=
ns-serif;font-size:13px"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b>=
<span style=3D"font-weight: bold;">From:</span></b> andy butler &lt;<a href=3D=
"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;<br><b><span s=
tyle=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loopers-Delight=
@loopers-delight.com"><a href=3D"mailto:Loopers-Delight@loopers-delight.com"=
>Loopers-Delight@loopers-delight.com</a></a><br><b><span style=3D"font-weigh=
t: bold;">Sent:</span></b> Mon, March 7, 2011 10:15:43 AM<br><b><span style=3D=
"font-weight: bold;">Subject:</span></b> Re: Lower octave<br></font><br>
<br><br>Michael Peters wrote:<br>&gt; I watched Theo Travis playing flute ye=
sterday in Antwerp, and saw that he<br>&gt; used a Boss OC-2 octaver to occa=
sionally add a lower octave to his flute. I<br>&gt; want something that reli=
ably turns guitar notes (especially the lower notes)<br>&gt; into a bass - a=
 pedal and/or a plugin. Recommendations?<br><br>The Electro Harmonix Octave M=
ultiplexer is far<br>superior to the OC2.<br>(cheaper too)<br><br>Convincing=
ly powerful sound.<br>Excellent tracking.<br><br>&gt;&nbsp; (Andy, you will<=
br>&gt; probably recommend Chopitch - I need some help using it because more=
 often<br>&gt; than not, the Chopitch sound gets cut off very quickly - not s=
ure what to<br>&gt; do)<br><br>make sure gate control is at zero,<br>...if n=
o fix, drop me a line<br><br>andy<br><br>&gt; <br>&gt; -Michael<br>&gt; <br>=
&gt; <br>&gt; <br><br></div></div><div style=3D"position:fixed"></div>


</div><br>

      </div></blockquote></body></html>=

--Apple-Mail-14--886131603--

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From: Jeremy devros <deafrose58@hotmail.com>
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Subject: Per & Erdum in "Signal to Noise"
Date: Mon, 7 Mar 2011 16:30:21 -0800
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FYI
Not sure if this was mentioned but there is very positive review of Per & E=
rdum's new release in Signal To Noise mag
Good going=2C guys!
J.D.Devros
deafrose58 		 	   		  =

--_365bac30-1eab-440d-ab98-15296b10fd91_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
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--></style>
</head>
<body class=3D'hmmessage'>
FYI<BR>
Not sure if this was mentioned but there is very positive review of Per &am=
p=3B Erdum's new release in Signal To Noise mag<BR>
Good going=2C guys!<BR>
J.D.Devros<BR>
deafrose58<BR> 		 	   		  </body>
</html>=

--_365bac30-1eab-440d-ab98-15296b10fd91_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 04:58:39 2011
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Date: Mon, 07 Mar 2011 23:45:21 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T with Wisterax, Lowell MA 3.12 and gallery show in Monson
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be doing video improvisations at 119 Gallery (my favorite 
perfomance space) on Saturday. I'll be working with Wisteriax, Karen 
Langlie's solo cello and electronics project. My last show with 
Wisteriax was pretty magical, see and hear an excerpt at 
http://www.youtube.com/watch?v=zYizcmwc974

Karen and I are on at 9:15. opening will be Mark Bisson (Guitar) and 
Mike Fuaiole (Electronics) BiRdOrGaN project at 8:30
119 Chelmsford St
Lowell, MA 01851
8:00 PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.

I also have some video work at a wonderful art show in Monson MA 
(small town venue, big city quality). This show has a reception on 
Saturday afternoon. http://www.monsonartscouncil.com/shows.asp


-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 06:17:49 2011
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Subject: Electro Harmonix Freeze - a quick review
From: Matt Davignon <mattdavignon@gmail.com>
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Got my Electro Harmonix Freeze today. Here are some observations:

The pedal is small - about 2" across x 4" long. It's only slightly
larger than its wall wart. Yup - the power source is another wall
wart. Some day somebody will think to move the transformer 6" up the
cable instead of at the plug, but until then we can still live like
it's frickin 1985. Also the switch is one of those loud metal
clickers, like on the DL-4. It's easily operated by either hands or
feet.

Now on to the pedal itself. It has 3 modes. In both "Fast" and "Slow"
mode, the pedal engages only while you're holding the switch. It picks
up whatever sound it hears AT THE MOMENT YOU FIRST PRESS THE SWITCH
and makes a drone out of it. The only difference between fast and slow
is what happens when you let go. (Letting go turns the pedal off.)
With fast, the drone instantly ends. With slow, it takes about a half
second to fade out. The most useful mode is probably "latch". In that
mode, the drone continues after you let go of the switch. If you hit
the switch again, it grabs another drone. To turn the pedal off in
this mode, double tap.

None of the modes keep a memory. Once a drone is not playing, it's
lost. There is an effect level knob that lets you control the drone
volume level.

Now, on to sound quality. With smooth sounds such as a guitar or my
"boop" drum machine sound, it sounds close. With something like speech
or typical drum machine sounds, it sounds just a tad murkier, as if
there's a bit of reverb thrown in. I can't quite get a bead on what
interval the loop is at. It does surprisingly well with very short
sounds, but with longer sounds you'll hear a certain ebb and flow,
almost as if it's playing a 1 second sample forward and reverse. At
one point, I swore I heard different harmonics looping at different
time intervals. So yeah - I'm impressed that I don't instantly get how
it works. Lastly, if there's a lot going on when you turn on the
effect (such as when I'm quickly mashing lots of drum machine keys),
it will make a brief coughing sound when you hit the switch, but the
cough will not be part of the drone. Seriously - it sounds like a
cough.

Overall, I'm happy I got it - it will be a useful effect for my rig
and in general recording, where I'm often trying to make tonal sounds
out of non-tonal sounds. I'll be using it at the Tiny Owl concert
tomorrow (tuesday) night.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 07:17:25 2011
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Subject: Eventide Timefactor  further discoveries
Date: Mon, 7 Mar 2011 23:17:17 -0800
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Neat little looper on the Time Factor, not much time but several  
different track speeds and correct me if I'm wrong, the looper does  
seem to respond well  to incoming midi sync, as well as stop and  
start. also I like that it offers the option to replace or overdub  
with either latched or unlatched button response. In addition to  
hooking up an EV-5 pedal for expression and morphing duties,  I have  
also added a three button aux switch, an old digitech FS300 that is  
compatible and can be used to assign 3 extra functions  in either  
delay or loop mode. this is where the fun begins.
  I have programmed a ducking delay function with a twist similar to  
what Per was describing  doing with the Fireworx a while back. My  
ducking delay patch is set to a very high threshold so that as long as  
I sustain notes, very little of the delay is heard, but the moment i  
rest or if i play staccato or muted i can hear the delay bloom. What  
is interesting is that within this ducking delay patch I assigned an  
aux switch to toggle between 0% feedback and %110 percent feedback so  
that if I want to, anytime I stop playing for any length of time the  
delay will begin to slowly self oscillate and grow louder until I  
begin playing again and the delay is again ducked and not heard.  (one  
has to be careful not to leave it in this mode and leave the room as  
it does have the capability of self oscillating in to severe speaker  
damage). In addition to this I can at any time hit the hold function  
as well to create a none oscillating infinite loop repeat. I like that  
the hold feature is available on all of the different delay types and  
the timefactor's delays respond to my Looperlatives incoming midi  
clock very well, syncing up flawlessly, and responding to track speed  
changes quickly. I will post some  examples when I get some free time
  Bill

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 08:31:41 2011
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Subject: Re: controlling amplitube 3 with fcb1010
From: Per Boysen <perboysen@gmail.com>
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On Tue, Mar 8, 2011 at 12:54 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> i forgot to mention in the plugin app wont even work!
> is it because is a demo version perhaps?

Sorry, I can't tell because I don't have the demo version. But the
full version works very well with external MIDI control.  INside the
plugin there are a bunch of available "preset slots" that you have to
set up what plugin parameter each slot will handle. Then the slot
number are what turn up in the host app's control system. The set up
page is reached by opening the Ampltube 3 plugin GUI and clicking the
button mareked "AUTO" at the lower right side. If instead you click
"MIDI" there, you may perform MIDI learn inside the plugin - but that
only works if you have set up the host to submit your external MIDI
input into the plugin.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 09:19:36 2011
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did you check out the Soundart Chameleon?
http://www.chameleon.synth.net/english/index.shtml

ask me off list if you are

andy

E Gross wrote:
> Hi Per,
> 
> Thanks, what I was asking was, what is a good starting point to create 
> my own reverbs/delays/effects from scratch, i.e, C code/assembly on a DSP.
> 
> Thanks,
> Eric
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 10:04:42 2011
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Rick Walker wrote:

> To my ear, chordal harmonizations always seem to dense unless there are 
> very few elements in a mix
> The Micro Pog which I own (and like) handles chords pretty darn well but 
> it's just too thick of a sound once
> you begin adding other instruments to the mix.
> 
> Am I the only one here with this feeling?

I'm with you on that one Rick.

For me it's all about setting up a musical space,
and then inhabiting it.

In particular, Guitar is an instrument designed to
"fill up" musical space, ... I try to be careful.


andy

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 11:45:38 2011
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Subject: Re: Lower octave
From: Per Boysen <perboysen@gmail.com>
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> Rick Walker wrote:
>
>> To my ear, chordal harmonizations always seem to dense unless there are
>> very few elements in a mix
>> The Micro Pog which I own (and like) handles chords pretty darn well but
>> it's just too thick of a sound once
>> you begin adding other instruments to the mix.
>>
>> Am I the only one here with this feeling?

On Tue, Mar 8, 2011 at 11:04 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> I'm with you on that one Rick.
>
> For me it's all about setting up a musical space,
> and then inhabiting it.
>
> In particular, Guitar is an instrument designed to
> "fill up" musical space, ... I try to be carefu


Great posts! When I use chordal harmonization with live looping I
restrict the "chords" to simply root note and fifth. This is to leave
open the decision of whether it should be major or minor, I often put
my improvised lead melody line to pass by those "major-vs-minor" notes
when playing over my chord harmonizaton.

For a live band that play songs I do differently though, triggering
full pre prepared brass section chords from single notes I play. But
that's OT here.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 12:12:48 2011
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--20cf30427194c66695049df7873e
Content-Type: text/plain; charset=ISO-8859-1

>
> Great posts! When I use chordal harmonization with live looping I
> restrict the "chords" to simply root note and fifth.
>
> Per Boysen
>

I agree very interesting thread. Iv always loved pitch shifters, and never
worried that they sounded "different" to the guitar.

Apart from "special" Fireworx patchs (feedback harmonising thingys) I just
use 2 different Boss pedals.

The Boss PS 5, has intelligent pitch shifting and I use almost like an
instrument, hand winding the pitch control as it goes thru its scale (or set
to intelligent 5ths). This goes INTO the Boss PS2 (also a delay) This is
always set to the 2 pitch setting, where I have one octave up and one octave
down. I always have both boxes mixed 50% with normal guitar. Interestingly
the PS2 NEVER glitches, even if it is infact recieving 2 notes from the PS
5. (The original note and the pitched note) It maybe that its easier for it
to generate octaves of the input?

The nice thing about this setup is that both pedals work together and by
playing simple lines on the guitar and turning both pedals on and off as you
play. you can get multiple chord structures and tones, without that
"pitched" feeling.

The worst thing you can do with pitch shifters is "leave them on"... then
you just sound like The Residents or Jon Hassel (not too bad I know)...but
play them like they are a part of your melody and they are magical.


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf30427194c66695049df7873e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;">
<br>
Great posts! When I use chordal harmonization with live looping I<br>
restrict the &quot;chords&quot; to simply root note and fifth. <br>
<font color=3D"#888888"><br>
Per Boysen<br></font></blockquote><div><br>I agree very interesting thread.=
 Iv always loved pitch shifters, and never worried that they sounded &quot;=
different&quot; to the guitar. <br><br>Apart from &quot;special&quot; Firew=
orx patchs (feedback harmonising thingys) I just use 2 different Boss pedal=
s.<br>

<br>The Boss PS 5, has intelligent pitch shifting and I use almost like an =
instrument, hand winding the pitch control as it goes thru its scale (or se=
t to intelligent 5ths). This goes INTO the Boss PS2 (also a delay) This is =
always set to the 2 pitch setting, where I have one octave up and one octav=
e down. I always have both boxes mixed 50% with normal guitar. Interestingl=
y the PS2 NEVER glitches, even if it is infact recieving 2 notes from the P=
S 5. (The original note and the pitched note) It maybe that its easier for =
it to generate octaves of the input?<br>

<br>The nice thing about this setup is that both pedals work together and b=
y playing simple lines on the guitar and turning both pedals on and off as =
you play. you can get multiple chord structures and tones, without that &qu=
ot;pitched&quot; feeling.<br>

<br>The worst thing you can do with pitch shifters is &quot;leave them on&q=
uot;... then you just sound like The Residents or Jon Hassel (not too bad I=
 know)...but play them like they are a part of your melody and they are mag=
ical.<br>

</div></div><br clear=3D"all"><br>-- <br><i style=3D"font-family: verdana,s=
ans-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><fon=
t style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Franco=
mbe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf30427194c66695049df7873e--

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Subject: Re: controlling amplitube 3 with fcb1010
From: Louie Angulo <louie.angulo@googlemail.com>
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ok Per i got the FCB1010 sorted out,i had to set up each preset to the
"toggle" function on the FCB1010,now i can turn fx on and off no
problem.

 If instead you click
> "MIDI" there, you may perform MIDI learn inside the plugin - but that
> only works if you have set up the host to submit your external MIDI
> input into the plugin

The plugin is still not responding to the midi learn,how do you setup
the host(Ableton) to submit my esxternal midi input?
In ableton i have under preferences,midi sync-  my RME as the input
port-track-sync-remote all turned on,any ideas?
do i have to install the fcb1010 as a control surface?











>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

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Date: Tue, 8 Mar 2011 15:43:37 +0100
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Subject: Re: controlling amplitube 3 with fcb1010
From: Per Boysen <perboysen@gmail.com>
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On Tue, Mar 8, 2011 at 3:29 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> The plugin is still not responding to the midi learn,how do you setup
> the host(Ableton) to submit my esxternal midi input?
> In ableton i have under preferences,midi sync- =C2=A0my RME as the input

You shouldn't select the RME MIDI In port a "Input for Control
Surface" unless you own and really want to use a natively supported
control surface. Better leave all slots empty in that upper section.

> do i have to install the fcb1010 as a control surface?
No. That would no be possible anyway, as the FCB1010 is not supported
for native control.

> port-track-sync-remote all turned on,any ideas?

*TRACK* is what matters in this case. Make sure the RME is "On" in the
Track column (lower region of GUI). (related: *Remote* should be
active if you want to MIDI Learn directly in Live from the RME Port.
*Sync" should be active if you want to send or receive a sync signal.

Ok, so far Live pref's. No go to the Session View in your session and
create an extra MIDI Track. Set that MIDI Track's input to fetch MIDI
from the RME port and set that track's output to shuffle that MIDI to
the track where the Amplitube 3 plugin is inserted and also targeted
directly into the plugin.

Per

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Subject: re:Eventide Timefactor further discoveries/NEW PURCHASES; tc
 flashback & rp355
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--0016e6dab06b74b751049dfae376
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Dear Bill-thanks for this info. Now i want one of these things (and of
course missing the individual who had
the timefactor for $250 just kills me, b/c i actually had the money at that
time! classic snooze u lose!). and
i just bought a tc electronics flashback delay!
i think the looper is 10 sec-which for me is plenty of time, since i
generally use short delay loops as of late.
if you could post some demos/youtube clips/whatever that would be great. i
think i've seen one youtube demo
w/ someone using the looper. i think the person set up sort of a "pretty
sounding" drone, which i did think was cool.

i'm excited to try out the flashback and see what it's 7 sec of delay time
will be like (although i still like
my digitech dl8 & the 8 sec it has). the reports i've heard from people have
been good. i thought it looked
cool when i saw it.
i also just purchased a digitech rp355--it has the 20 sec looper built in
(like everything nowadays). i may
read the manual to see how it works. ha. but i was wanting some new digital
model options....& to update a
bit new since i have all the old stuff (rp150 & zooms g2).

s---


Neat little looper on the Time Factor, not much time but several
different track speeds and correct me if I'm wrong, the looper does
seem to respond well  to incoming midi sync, as well as stop and
start. also I like that it offers the option to replace or overdub
with either latched or unlatched button response. In addition to
hooking up an EV-5 pedal for expression and morphing duties,  I have
also added a three button aux switch, an old digitech FS300 that is
compatible and can be used to assign 3 extra functions  in either
delay or loop mode. this is where the fun begins.
  I have programmed a ducking delay function with a twist similar to
what Per was describing  doing with the Fireworx a while back. My
ducking delay patch is set to a very high threshold so that as long as
I sustain notes, very little of the delay is heard, but the moment i
rest or if i play staccato or muted i can hear the delay bloom. What
is interesting is that within this ducking delay patch I assigned an
aux switch to toggle between 0% feedback and %110 percent feedback so
that if I want to, anytime I stop playing for any length of time the
delay will begin to slowly self oscillate and grow louder until I
begin playing again and the delay is again ducked and not heard.  (one
has to be careful not to leave it in this mode and leave the room as
it does have the capability of self oscillating in to severe speaker
damage). In addition to this I can at any time hit the hold function
as well to create a none oscillating infinite loop repeat. I like that
the hold feature is available on all of the different delay types and
the timefactor's delays respond to my Looperlatives incoming midi
clock very well, syncing up flawlessly, and responding to track speed
changes quickly. I will post some  examples when I get some free time
  Bill

--0016e6dab06b74b751049dfae376
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Dear Bill-thanks for this info. Now i want one of these things (and of cour=
se missing the individual who had<br>the timefactor for $250 just kills me,=
 b/c i actually had the money at that time! classic snooze u lose!). and <b=
r>
i just bought a tc electronics flashback delay!<br>i think the looper is 10=
 sec-which for me is plenty of time, since i generally use short delay loop=
s as of late.<br>if you could post some demos/youtube clips/whatever that w=
ould be great. i think i&#39;ve seen one youtube demo<br>
w/ someone using the looper. i think the person set up sort of a &quot;pret=
ty sounding&quot; drone, which i did think was cool.<br><br>i&#39;m excited=
 to try out the flashback and see what it&#39;s 7 sec of delay time will be=
 like (although i still like<br>
my digitech dl8 &amp; the 8 sec it has). the reports i&#39;ve heard from pe=
ople have been good. i thought it looked<br>cool when i saw it.<br>i also j=
ust purchased a digitech rp355--it has the 20 sec looper built in (like eve=
rything nowadays). i may<br>
read the manual to see how it works. ha. but i was wanting some new digital=
 model options....&amp; to update a <br>bit new since i have all the old st=
uff (rp150 &amp; zooms g2).<br><br>s---<br><pre><br>Neat little looper on t=
he Time Factor, not much time but several  <br>
different track speeds and correct me if I&#39;m wrong, the looper does  <b=
r>seem to respond well  to incoming midi sync, as well as stop and  <br>sta=
rt. also I like that it offers the option to replace or overdub  <br>with e=
ither latched or unlatched button response. In addition to  <br>
hooking up an EV-5 pedal for expression and morphing duties,  I have  <br>a=
lso added a three button aux switch, an old digitech FS300 that is  <br>com=
patible and can be used to assign 3 extra functions  in either  <br>delay o=
r loop mode. this is where the fun begins.<br>
  I have programmed a ducking delay function with a twist similar to  <br>w=
hat Per was describing  doing with the Fireworx a while back. My  <br>ducki=
ng delay patch is set to a very high threshold so that as long as  <br>
I sustain notes, very little of the delay is heard, but the moment i  <br>r=
est or if i play staccato or muted i can hear the delay bloom. What  <br>is=
 interesting is that within this ducking delay patch I assigned an  <br>
aux switch to toggle between 0% feedback and %110 percent feedback so  <br>=
that if I want to, anytime I stop playing for any length of time the  <br>d=
elay will begin to slowly self oscillate and grow louder until I  <br>begin=
 playing again and the delay is again ducked and not heard.  (one  <br>
has to be careful not to leave it in this mode and leave the room as  <br>i=
t does have the capability of self oscillating in to severe speaker  <br>da=
mage). In addition to this I can at any time hit the hold function  <br>
as well to create a none oscillating infinite loop repeat. I like that  <br=
>the hold feature is available on all of the different delay types and  <br=
>the timefactor&#39;s delays respond to my Looperlatives incoming midi  <br=
>
clock very well, syncing up flawlessly, and responding to track speed  <br>=
changes quickly. I will post some  examples when I get some free time<br>  =
Bill<br><br></pre>

--0016e6dab06b74b751049dfae376--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 16:17:36 2011
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Date: Tue, 8 Mar 2011 16:17:35 +0000
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Subject: Ableton with Mobius: realistic system requirements?
From: Akraf Emaho <akrafemaho@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hello people,

I've recently started exploring both Mobius and Ableton, with a view to
eventually putting together a live act (prob a duo) playing acoustic,
looped, Abletonised music.  A kind of "acoustic house" you could call it.
Having read Rick's legendary percussion post and attached thread, I'm
planning on doing everything live with no canned loops to really get a sens=
e
of fun and intimacy going on.  The idea is to create the most funky,
danceable, joyous vibe possible from just two mediocre musos and a laptop!!=
!
:)

Anyway: the present problem.  My Pentium 4 2.66Ghz with 768MB of RAM can't
handle Live 8 at all.  I'm looking to upgrade it cheaply - I was thinking
maybe a second-hand Athlon x2 with motherboard from eBay (about =A340-=A350
total).  This would allow me to get 2+GB of DDR2, possibly free from a
friend.  The present motherboard will only take the much more expensive DDR
flavour, which would be incompatible with any future upgrades anyway.

Will this be enough to run Ableton synced with Mobius while using effects,
warping, groove engine etc in Ableton?  I just need enough power to allow
experimentation and writing/arranging some songs for this format for now.

Later on I can cross the bridge of needing a super-powerful laptop for the
actual live performances.  There's also the issue of an audio interface, bu=
t
again that can wait for now: this will be done one painfully expensive step
at a time!

Akraf

--bcaec51b1c174268cd049dfaf35f
Content-Type: text/html; charset=ISO-8859-1
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<div>Hello people,</div>
<div>=A0</div>
<div>I&#39;ve recently started=A0exploring both=A0Mobius and Ableton, with =
a view to eventually putting together a live act (prob a duo) playing acous=
tic, looped,=A0Abletonised music.=A0 A kind of &quot;acoustic house&quot; y=
ou could call it.=A0 Having read Rick&#39;s legendary percussion post and a=
ttached thread, I&#39;m planning on doing everything live with no canned lo=
ops to really get a sense of fun and intimacy going on.=A0 The idea is to c=
reate the most funky, danceable, joyous vibe possible from just two mediocr=
e musos and a laptop!!! :)</div>

<div>=A0</div>
<div>Anyway: the present problem.=A0 My Pentium 4 2.66Ghz with 768MB of RAM=
 can&#39;t handle Live 8 at all.=A0 I&#39;m looking to upgrade it cheaply -=
 I was thinking maybe a second-hand=A0Athlon x2 with motherboard from eBay =
(about =A340-=A350 total).=A0 This would allow me to=A0get 2+GB=A0of DDR2, =
possibly free from a friend.=A0 The present motherboard will only take the =
much more expensive=A0DDR flavour, which would be incompatible with any fut=
ure upgrades anyway.</div>

<div>=A0</div>
<div>Will this be enough to run Ableton synced with Mobius while using effe=
cts, warping, groove engine=A0etc in Ableton?=A0 I just need enough power t=
o allow experimentation and writing/arranging some songs for this format fo=
r now.=A0 </div>

<div>=A0</div>
<div>Later on I can cross the bridge of needing a super-powerful laptop for=
 the actual live performances.=A0 There&#39;s also the issue of an audio in=
terface, but again that can wait for now: this will be done one painfully e=
xpensive step at a time!=A0 </div>

<div>=A0</div>
<div>Akraf</div>
<div>=A0</div>
<div>=A0</div>

--bcaec51b1c174268cd049dfaf35f--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 16:30:23 2011
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On 7/22/64 11:59 AM, Matt Davignon wrote:
> The only difference between fast and slow
> is what happens when you let go. (Letting go turns the pedal off.)
Reading the manual with it the other night (and I only had it one 
evening to peruse)
I noticed that you could preset the fast and slow lengths ahead of time by
making a series of button presses before powering up (as I remember it 
hazily).

In one of these settings,  there is a slightly longer ramp up of the volume
in the 'slow' setting which I found to be very musical (sounding subtly as
if a second musician was playing after engaging the pedal).

In the same setting, you could also make the release time a bit longer
which was very nice for letting sounds you've capture fade out at the same
time that you are capturing a new note.

These longer settings are not the default settings of the pedal, however.

I, too, thought it was a shame that the button is so loud (like a DL-4)

I, too, like Matt,  really thought it would be a very cool edition to my
pedal array.

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 16:36:41 2011
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speaking about using the Boss PS5 Intellishifter and the PS2 Pitch 
Shifter/Delay in series,

  mark francombe wrote:
> The nice thing about this setup is that both pedals work together and 
> by playing simple lines on the guitar and turning both pedals on and 
> off as you play. you can get multiple chord structures and tones, 
> without that "pitched" feeling.
>
> The worst thing you can do with pitch shifters is "leave them on"... 
> then you just sound like The Residents or Jon Hassel (not too bad I 
> know)...but play them like they are a part of your melody and they are 
> magical.
Great post, Mark.  I own both of these pedals but have never hooked them 
up in series the way you
have described..............out to the music room, I go!

rick walker

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Subject: Re: Ableton with Mobius: realistic system requirements?
From: Daniel Thomas <danielthomas4@mac.com>
In-reply-to: <AANLkTi=KHT9WL2qimBTXk3oJtEizByH=cVMURKLd8AL8@mail.gmail.com>
Date: Tue, 08 Mar 2011 09:09:11 -0800
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Any motherboard processor combination > 2 ghz will do nicely.  But plan =
on an minimum 4 gb of ram for stable performance on a stage. =20
Good luck with it.
Daniel=20



On Mar 8, 2011, at 8:17 AM, Akraf Emaho wrote:

> Hello people,
> =20
> I've recently started exploring both Mobius and Ableton, with a view =
to eventually putting together a live act (prob a duo) playing acoustic, =
looped, Abletonised music.  A kind of "acoustic house" you could call =
it.  Having read Rick's legendary percussion post and attached thread, =
I'm planning on doing everything live with no canned loops to really get =
a sense of fun and intimacy going on.  The idea is to create the most =
funky, danceable, joyous vibe possible from just two mediocre musos and =
a laptop!!! :)
> =20
> Anyway: the present problem.  My Pentium 4 2.66Ghz with 768MB of RAM =
can't handle Live 8 at all.  I'm looking to upgrade it cheaply - I was =
thinking maybe a second-hand Athlon x2 with motherboard from eBay (about =
=A340-=A350 total).  This would allow me to get 2+GB of DDR2, possibly =
free from a friend.  The present motherboard will only take the much =
more expensive DDR flavour, which would be incompatible with any future =
upgrades anyway.
> =20
> Will this be enough to run Ableton synced with Mobius while using =
effects, warping, groove engine etc in Ableton?  I just need enough =
power to allow experimentation and writing/arranging some songs for this =
format for now.=20
> =20
> Later on I can cross the bridge of needing a super-powerful laptop for =
the actual live performances.  There's also the issue of an audio =
interface, but again that can wait for now: this will be done one =
painfully expensive step at a time!=20
> =20
> Akraf
> =20
> =20

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Hey, i need to invest in a vdieo projector, something good definiton, Nice a=
nd bright. Screen is 2meters by three meters. Projecting a lot Of Stills dra=
wings manga style. Need to be very Wellington defined. What's a good chiite o=
nt too noisy. Is Led l'essai noisy, consume l'essai electricity?
Antony

Sent from my iPhone

On 2011-03-07, at 13:13, andy butler <akbutler@tiscali.co.uk> wrote:

> With the interface that allows you to select
> two different algorithms for A & B ?
> (and then morph between them)
>=20
> Looking at the description, it's just the 16
> basic algorithms  with "parameter morphing".
> i.e. no morphing between the different algorithms
> In that case, it won't do 'the good stuff'.
>=20
> Thanks for the link though.
>=20
>=20
> What do you need to make a reactor ensemble run?
>=20
> andy
> ps
> a total of nine users gave it 5/10,
> rather confirming that a Vortex emulation
> isn't ever going to make me rich.
>=20
> Simeon Harris wrote:
>> there's a reaktor ensemble called AMOR which is a pretty faithful reprodu=
ction....with morphing and all. i'd be happy yo send it to anyone who's inte=
rested in trying it
>> sim
>=20

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thread-topic: OT vidéo projector
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Radio Shack had one the other day that was the size of an iphone and less th=
an $200 but screen size like 2x2 feet or so, small  but...



On Mar 8, 2011, at 1:37 PM, "Antony Hequet" <antonyhequet@yahoo.com> wrote:

> Hey, i need to invest in a vdieo projector, something good definiton, Nice=
 and bright. Screen is 2meters by three meters. Projecting a lot Of Stills d=
rawings manga style. Need to be very Wellington defined. What's a good chiit=
e ont too noisy. Is Led l'essai noisy, consume l'essai electricity?
> Antony
>=20
> Sent from my iPhone
>=20
> On 2011-03-07, at 13:13, andy butler <akbutler@tiscali.co.uk> wrote:
>=20
> > With the interface that allows you to select
> > two different algorithms for A & B ?
> > (and then morph between them)
> >
> > Looking at the description, it's just the 16
> > basic algorithms  with "parameter morphing".
> > i.e. no morphing between the different algorithms
> > In that case, it won't do 'the good stuff'.
> >
> > Thanks for the link though.
> >
> >
> > What do you need to make a reactor ensemble run?
> >
> > andy
> > ps
> > a total of nine users gave it 5/10,
> > rather confirming that a Vortex emulation
> > isn't ever going to make me rich.
> >
> > Simeon Harris wrote:
> >> there's a reaktor ensemble called AMOR which is a pretty faithful repro=
duction....with morphing and all. i'd be happy yo send it to anyone who's in=
terested in trying it
> >> sim
> >
>=20

--Apple-Mail-18--819988962
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<html><body bgcolor="#FFFFFF"><div>Radio Shack had one the other day that was the size of an iphone and less than $200 but screen size like 2x2 feet or so, small &nbsp;but...<br><br><div><br></div></div><div><br>On Mar 8, 2011, at 1:37 PM, "Antony Hequet" &lt;<a href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">Hey, i need to invest in a vdieo projector, something good definiton, Nice and bright. Screen is 2meters by three meters. Projecting a lot Of Stills drawings manga style. Need to be very Wellington defined. What's a good chiite ont too noisy. Is Led l'essai noisy, consume l'essai electricity?<br>
Antony<br>
<br>
Sent from my iPhone<br>
<br>
On 2011-03-07, at 13:13, andy butler &lt;<a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>
<br>
&gt; With the interface that allows you to select<br>
&gt; two different algorithms for A &amp; B ?<br>
&gt; (and then morph between them)<br>
&gt;<br>
&gt; Looking at the description, it's just the 16<br>
&gt; basic algorithms&nbsp; with "parameter morphing".<br>
&gt; i.e. no morphing between the different algorithms<br>
&gt; In that case, it won't do 'the good stuff'.<br>
&gt;<br>
&gt; Thanks for the link though.<br>
&gt;<br>
&gt;<br>
&gt; What do you need to make a reactor ensemble run?<br>
&gt;<br>
&gt; andy<br>
&gt; ps<br>
&gt; a total of nine users gave it 5/10,<br>
&gt; rather confirming that a Vortex emulation<br>
&gt; isn't ever going to make me rich.<br>
&gt;<br>
&gt; Simeon Harris wrote:<br>
&gt;&gt; there's a reaktor ensemble called AMOR which is a pretty faithful reproduction....with morphing and all. i'd be happy yo send it to anyone who's interested in trying it<br>
&gt;&gt; sim<br>
&gt;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-18--819988962--

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Fuc..n iPhone respelling words. I hate it. Duuuu

Sent from my iPhone

On 2011-03-08, at 19:36, Antony Hequet <antonyhequet@yahoo.com> wrote:

> Hey, i need to invest in a vdieo projector, something good definiton, Nice=
 and bright. Screen is 2meters by three meters. Projecting a lot Of Stills d=
rawings manga style. Need to be very Wellington defined. What's a good chiit=
e ont too noisy. Is Led l'essai noisy, consume l'essai electricity?
> Antony
>=20
> Sent from my iPhone
>=20
> On 2011-03-07, at 13:13, andy butler <akbutler@tiscali.co.uk> wrote:
>=20
>> With the interface that allows you to select
>> two different algorithms for A & B ?
>> (and then morph between them)
>>=20
>> Looking at the description, it's just the 16
>> basic algorithms  with "parameter morphing".
>> i.e. no morphing between the different algorithms
>> In that case, it won't do 'the good stuff'.
>>=20
>> Thanks for the link though.
>>=20
>>=20
>> What do you need to make a reactor ensemble run?
>>=20
>> andy
>> ps
>> a total of nine users gave it 5/10,
>> rather confirming that a Vortex emulation
>> isn't ever going to make me rich.
>>=20
>> Simeon Harris wrote:
>>> there's a reaktor ensemble called AMOR which is a pretty faithful reprod=
uction....with morphing and all. i'd be happy yo send it to anyone who's int=
erested in trying it
>>> sim
>>=20
>=20

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Subject: =?utf-8?Q?Re:_OT_vid=C3=A9o_projector?=
Date: Tue, 8 Mar 2011 20:41:46 +0100
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--Apple-Mail-4--816435570
Content-Transfer-Encoding: quoted-printable
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	charset=utf-8

I am in France n=C3=B4 radio Shack aroundcthe corner!
Antony

Sent from my iPhone

On 2011-03-08, at 19:42, "Andy Owens" <andy@1800dialword.com> wrote:

> Radio Shack had one the other day that was the size of an iphone and less t=
han $200 but screen size like 2x2 feet or so, small  but...
>=20
>=20
>=20
> On Mar 8, 2011, at 1:37 PM, "Antony Hequet" <antonyhequet@yahoo.com> wrote=
:
>=20
>> Hey, i need to invest in a vdieo projector, something good definiton, Nic=
e and bright. Screen is 2meters by three meters. Projecting a lot Of Stills d=
rawings manga style. Need to be very Wellington defined. What's a good chiit=
e ont too noisy. Is Led l'essai noisy, consume l'essai electricity?
>> Antony
>>=20
>> Sent from my iPhone
>>=20
>> On 2011-03-07, at 13:13, andy butler <akbutler@tiscali.co.uk> wrote:
>>=20
>> > With the interface that allows you to select
>> > two different algorithms for A & B ?
>> > (and then morph between them)
>> >
>> > Looking at the description, it's just the 16
>> > basic algorithms  with "parameter morphing".
>> > i.e. no morphing between the different algorithms
>> > In that case, it won't do 'the good stuff'.
>> >
>> > Thanks for the link though.
>> >
>> >
>> > What do you need to make a reactor ensemble run?
>> >
>> > andy
>> > ps
>> > a total of nine users gave it 5/10,
>> > rather confirming that a Vortex emulation
>> > isn't ever going to make me rich.
>> >
>> > Simeon Harris wrote:
>> >> there's a reaktor ensemble called AMOR which is a pretty faithful repr=
oduction....with morphing and all. i'd be happy yo send it to anyone who's i=
nterested in trying it
>> >> sim
>> >
>>=20

--Apple-Mail-4--816435570
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
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<html><body bgcolor=3D"#FFFFFF"><div>I am in France n=C3=B4 radio Shack arou=
ndcthe corner!</div><div>Antony<br><br>Sent from my iPhone</div><div><br>On 2=
011-03-08, at 19:42, "Andy Owens" &lt;<a href=3D"mailto:andy@1800dialword.co=
m">andy@1800dialword.com</a>&gt; wrote:<br><br></div><div></div><blockquote t=
ype=3D"cite"><div><div>Radio Shack had one the other day that was the size o=
f an iphone and less than $200 but screen size like 2x2 feet or so, small &n=
bsp;but...<br><br><div><br></div></div><div><br>On Mar 8, 2011, at 1:37 PM, "=
Antony Hequet" &lt;<a href=3D"mailto:antonyhequet@yahoo.com"><a href=3D"mail=
to:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a></a>&gt; wrote:<br><br>=
</div><div></div><blockquote type=3D"cite"><div>

<!-- Converted from text/plain format -->

<p><font size=3D"2">Hey, i need to invest in a vdieo projector, something go=
od definiton, Nice and bright. Screen is 2meters by three meters. Projecting=
 a lot Of Stills drawings manga style. Need to be very Wellington defined. W=
hat's a good chiite ont too noisy. Is Led l'essai noisy, consume l'essai ele=
ctricity?<br>
Antony<br>
<br>
Sent from my iPhone<br>
<br>
On 2011-03-07, at 13:13, andy butler &lt;<a href=3D"mailto:akbutler@tiscali.=
co.uk"><a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a><=
/a>&gt; wrote:<br>
<br>
&gt; With the interface that allows you to select<br>
&gt; two different algorithms for A &amp; B ?<br>
&gt; (and then morph between them)<br>
&gt;<br>
&gt; Looking at the description, it's just the 16<br>
&gt; basic algorithms&nbsp; with "parameter morphing".<br>
&gt; i.e. no morphing between the different algorithms<br>
&gt; In that case, it won't do 'the good stuff'.<br>
&gt;<br>
&gt; Thanks for the link though.<br>
&gt;<br>
&gt;<br>
&gt; What do you need to make a reactor ensemble run?<br>
&gt;<br>
&gt; andy<br>
&gt; ps<br>
&gt; a total of nine users gave it 5/10,<br>
&gt; rather confirming that a Vortex emulation<br>
&gt; isn't ever going to make me rich.<br>
&gt;<br>
&gt; Simeon Harris wrote:<br>
&gt;&gt; there's a reaktor ensemble called AMOR which is a pretty faithful r=
eproduction....with morphing and all. i'd be happy yo send it to anyone who'=
s interested in trying it<br>
&gt;&gt; sim<br>
&gt;<br>
<br>
</font>
</p>


</div></blockquote></div></blockquote></body></html>=

--Apple-Mail-4--816435570--

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Oh, sorry, I meant Cabane de Radio!!!!

Ao

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 21:11:51 2011
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Subject: Re: Vortex Sync with Echoplex
Date: Tue, 8 Mar 2011 22:11:45 +0100
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Hi Mark,
don't know what's wrong.
i connected the ground of both jacks to the ground connected to the 
capacitor.
is that ok ?

----- Original Message ----- 
From: "mark francombe" <markfrancombe@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 08, 2011 12:59 AM
Subject: Re: Vortex Sync with Echoplex


> Sure... Mine works... Plus mine can sync morph switching to the beat
> too..  Keep trying it's a great mod.
>
> Sent from my (advertisement removed)
>
> On 8 Mar 2011, at 00:57, boost <boost@boosterized.com> wrote:
>
>> Hi !
>> a question for Vortex and EDP owners:
>> did one of you tried this : http://www.andybutler.com/vortex/edpsync.htm
>> i tried but didn't manage to make it work...
>> thanks
>> boost
>>
> 

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Subject: Re: controlling amplitube 3 with fcb1010
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Hi Per,
I tried what you suggested,inserting amplitube into abletons audio
track then bridging it into a midi track but still amplitube does not
respond to the behrigner at all.However,when i insert amplitube into a
midi track it responds to the midi comands without a problem.
I also tried using amplitube as stand alone and trying to record into
abletons built in looper but the fx dont get recorded,is there a way
to do it that way?
My goal is just to use this software guitar fx plugin and loop with
the built in looper in ableton,jesus that should work a lot easier,no?
or is amplitube making it complicated so people buy their fottcontroller?
Luis

On Tue, Mar 8, 2011 at 3:43 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Tue, Mar 8, 2011 at 3:29 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> The plugin is still not responding to the midi learn,how do you setup
>> the host(Ableton) to submit my esxternal midi input?
>> In ableton i have under preferences,midi sync- =A0my RME as the input
>
> You shouldn't select the RME MIDI In port a "Input for Control
> Surface" unless you own and really want to use a natively supported
> control surface. Better leave all slots empty in that upper section.
>
>> do i have to install the fcb1010 as a control surface?
> No. That would no be possible anyway, as the FCB1010 is not supported
> for native control.
>
>> port-track-sync-remote all turned on,any ideas?
>
> *TRACK* is what matters in this case. Make sure the RME is "On" in the
> Track column (lower region of GUI). (related: *Remote* should be
> active if you want to MIDI Learn directly in Live from the RME Port.
> *Sync" should be active if you want to send or receive a sync signal.
>
> Ok, so far Live pref's. No go to the Session View in your session and
> create an extra MIDI Track. Set that MIDI Track's input to fetch MIDI
> from the RME port and set that track's output to shuffle that MIDI to
> the track where the Amplitube 3 plugin is inserted and also targeted
> directly into the plugin.
>
> Per
>
>

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Subject: Re: Eventide Timefactor further discoveries/NEW PURCHASES; tc
 flashback & rp355
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I do have to correct you Bill,the looper does not sync properly when
slaved to a drum machine,but it will respond to start/stop commands.
Yes be very careful with regeneration feedback you can get some
serious ear/speaker damage!
Luis

> Neat little looper on the Time Factor, not much time but several
>
> different track speeds and correct me if I'm wrong, the looper does
> seem to respond well  to incoming midi sync, as well as stop and
> start. also I like that it offers the option to replace or overdub
> with either latched or unlatched button response. In addition to
>
> hooking up an EV-5 pedal for expression and morphing duties,  I have
> also added a three button aux switch, an old digitech FS300 that is
> compatible and can be used to assign 3 extra functions  in either
> delay or loop mode. this is where the fun begins.
>
>   I have programmed a ducking delay function with a twist similar to
> what Per was describing  doing with the Fireworx a while back. My
> ducking delay patch is set to a very high threshold so that as long as
>
> I sustain notes, very little of the delay is heard, but the moment i
> rest or if i play staccato or muted i can hear the delay bloom. What
> is interesting is that within this ducking delay patch I assigned an
>
> aux switch to toggle between 0% feedback and %110 percent feedback so
> that if I want to, anytime I stop playing for any length of time the
> delay will begin to slowly self oscillate and grow louder until I
> begin playing again and the delay is again ducked and not heard.  (one
>
> has to be careful not to leave it in this mode and leave the room as
> it does have the capability of self oscillating in to severe speaker
> damage). In addition to this I can at any time hit the hold function
>
> as well to create a none oscillating infinite loop repeat. I like that
> the hold feature is available on all of the different delay types and
> the timefactor's delays respond to my Looperlatives incoming midi
>
> clock very well, syncing up flawlessly, and responding to track speed
> changes quickly. I will post some  examples when I get some free time
>   Bill
>
>

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Date: Tue, 8 Mar 2011 22:39:13 +0100
Message-ID: <AANLkTinzx4yVrzmN0XJWMJQvVejs4ZeiFYA_VG3AoBuF@mail.gmail.com>
Subject: Re: Eventide Timefactor further discoveries
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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i just noticed there is a new sw beta upgrade,gotta try that
though im sure they havent adress the looper sync problem:-(
Luis

On Tue, Mar 8, 2011 at 8:17 AM, William Walker <billwalker@baymoon.com> wro=
te:
> Neat little looper on the Time Factor, not much time but several differen=
t
> track speeds and correct me if I'm wrong, the looper does seem to respond
> well =A0to incoming midi sync, as well as stop and start. also I like tha=
t it
> offers the option to replace or overdub with either latched or unlatched
> button response. In addition to hooking up an EV-5 pedal for expression a=
nd
> morphing duties, =A0I have also added a three button aux switch, an old
> digitech FS300 that is compatible and can be used to assign 3 extra
> functions =A0in either delay or loop mode. this is where the fun begins.
> =A0I have programmed a ducking delay function with a twist similar to wha=
t Per
> was describing =A0doing with the Fireworx a while back. My ducking delay =
patch
> is set to a very high threshold so that as long as I sustain notes, very
> little of the delay is heard, but the moment i rest or if i play staccato=
 or
> muted i can hear the delay bloom. What is interesting is that within this
> ducking delay patch I assigned an aux switch to toggle between 0% feedbac=
k
> and %110 percent feedback so that if I want to, anytime I stop playing fo=
r
> any length of time the delay will begin to slowly self oscillate and grow
> louder until I begin playing again and the delay is again ducked and not
> heard. =A0(one has to be careful not to leave it in this mode and leave t=
he
> room as it does have the capability of self oscillating in to severe spea=
ker
> damage). In addition to this I can at any time hit the hold function as w=
ell
> to create a none oscillating infinite loop repeat. I like that the hold
> feature is available on all of the different delay types and the
> timefactor's delays respond to my Looperlatives incoming midi clock very
> well, syncing up flawlessly, and responding to track speed changes quickl=
y.
> I will post some =A0examples when I get some free time
> =A0Bill
>
>

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Subject: Re: controlling amplitube 3 with fcb1010
From: Per Boysen <perboysen@gmail.com>
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Hi Luis,

It should work also for Amplitube on an Auido Track. I just tried that
here now and can assure you it works (when I kick my expression pedal
on the floor the MIDI CC# goes through the MIDI track into the Audio
Track and the Amplitube plugin gets the message - i.e. MIDI Learn
working ok).

Maybe you simply did not set the Live Track's Monitor toggle to "In"?
With any real-time live data routing in Live you should set the
Monitor to "In".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Tue, Mar 8, 2011 at 10:30 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Hi Per,
> I tried what you suggested,inserting amplitube into abletons audio
> track then bridging it into a midi track but still amplitube does not
> respond to the behrigner at all.However,when i insert amplitube into a
> midi track it responds to the midi comands without a problem.
> I also tried using amplitube as stand alone and trying to record into
> abletons built in looper but the fx dont get recorded,is there a way
> to do it that way?
> My goal is just to use this software guitar fx plugin and loop with
> the built in looper in ableton,jesus that should work a lot easier,no?
> or is amplitube making it complicated so people buy their fottcontroller?
> Luis
>
> On Tue, Mar 8, 2011 at 3:43 PM, Per Boysen <perboysen@gmail.com> wrote:
>> On Tue, Mar 8, 2011 at 3:29 PM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>>> The plugin is still not responding to the midi learn,how do you setup
>>> the host(Ableton) to submit my esxternal midi input?
>>> In ableton i have under preferences,midi sync- =C2=A0my RME as the inpu=
t
>>
>> You shouldn't select the RME MIDI In port a "Input for Control
>> Surface" unless you own and really want to use a natively supported
>> control surface. Better leave all slots empty in that upper section.
>>
>>> do i have to install the fcb1010 as a control surface?
>> No. That would no be possible anyway, as the FCB1010 is not supported
>> for native control.
>>
>>> port-track-sync-remote all turned on,any ideas?
>>
>> *TRACK* is what matters in this case. Make sure the RME is "On" in the
>> Track column (lower region of GUI). (related: *Remote* should be
>> active if you want to MIDI Learn directly in Live from the RME Port.
>> *Sync" should be active if you want to send or receive a sync signal.
>>
>> Ok, so far Live pref's. No go to the Session View in your session and
>> create an extra MIDI Track. Set that MIDI Track's input to fetch MIDI
>> from the RME port and set that track's output to shuffle that MIDI to
>> the track where the Amplitube 3 plugin is inserted and also targeted
>> directly into the plugin.
>>
>> Per
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  8 22:40:53 2011
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Subject: Re: Eventide Timefactor further discoveries/NEW PURCHASES; tc flashback & rp355
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On Mar 8, 2011, at 3:37 PM, Louie Angulo wrote:

> I do have to correct you Bill,the looper does not sync properly when
> slaved to a drum machine

This is probably a dumb question, but you have you upgraded to the  
latest OS? I believe it's still in the beta testing stage, but I  
thought they tried to correct a lot of these problems.

Jeff

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On Mar 8, 2011, at 3:39 PM, Louie Angulo wrote:

> i just noticed there is a new sw beta upgrade,gotta try that
> though im sure they havent adress the looper sync problem:-(

:)

Sorry! I should have read this email before posting. I hope it works  
for you!

Jeff

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Oh:)

Sent from my iPhone

On 2011-03-08, at 22:02, "Andy Owens" <andy@1800dialword.com> wrote:

> Oh, sorry, I meant Cabane de Radio!!!!
> 
> Ao
> 

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Date: Tue, 8 Mar 2011 23:52:54 +0100
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Subject: Re: Eventide Timefactor further discoveries/NEW PURCHASES; tc
 flashback & rp355
From: Louie Angulo <louie.angulo@googlemail.com>
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i havent but i really doubt they did anythong about syncing the looper
because i didnt see any information on that
but i hope im wrong!
Bill is yours loaded with the latest update?

On Tue, Mar 8, 2011 at 11:44 PM, Jeff Shirkey <jcshirke@frontier.com> wrote:
>
> On Mar 8, 2011, at 3:37 PM, Louie Angulo wrote:
>
>> I do have to correct you Bill,the looper does not sync properly when
>> slaved to a drum machine
>
> This is probably a dumb question, but you have you upgraded to the latest
> OS? I believe it's still in the beta testing stage, but I thought they tried
> to correct a lot of these problems.
>
> Jeff
>
>

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Subject: Interpreting the Singularity (O.T.)
From: Louie Angulo <louie.angulo@googlemail.com>
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here is a further interesting take on Kurzwell philosophy from my
previous thread.

http://www.youtube.com/watch?v=zK4gevQ5uqg

cheers
Luis

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Subject: Re: Vortex Sync with Echoplex
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--90e6ba6e824c0adb9d049e008e2d
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Ill be honest to you, it was a very long time since I did it actually.
I built the circuit internally inside my Vortex I disconnected the A/B
channel plug. so now I can just connect a regular lead between EDP and
Vortex.
I take a cable from the input jack for the tap switch and the morph switch,
thru small switches mounted on the front of the Vortex, and back to the
circuit, and capaciter, and out the now defunct A/B socket...

http://twitpic.com/47lej2
(See the two little switches in the top right?)
One synchs the tap to the EDP one synchs the morph.

I have to say that both dont work at the same time, its one OR the other,
but setting a long morph on one preset and a short morph on the other is
very cool, cos then I morph one way over a bar, and then vortex jumps  back
and does it again, rather than the usual slow fade both ways...

GUESSING @ A SOLUTION HERE>>>
But connecting the ground would be wrong. the ground is just the ground.
What you should be doing is connecting the signal to ground via a capaciter,
to smooth out (or is it to lengthen.. ) the pulse. isnt there a diode in
there somewhere...? make sure that its round the right way... they are
always the bugger.

Mark






On Tue, Mar 8, 2011 at 10:11 PM, boost <boost@boosterized.com> wrote:

> Hi Mark,
> don't know what's wrong.
> i connected the ground of both jacks to the ground connected to the
> capacitor.
> is that ok ?
>
> ----- Original Message ----- From: "mark francombe" <
> markfrancombe@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, March 08, 2011 12:59 AM
> Subject: Re: Vortex Sync with Echoplex
>
>
>
>  Sure... Mine works... Plus mine can sync morph switching to the beat
>> too..  Keep trying it's a great mod.
>>
>> Sent from my (advertisement removed)
>>
>> On 8 Mar 2011, at 00:57, boost <boost@boosterized.com> wrote:
>>
>>  Hi !
>>> a question for Vortex and EDP owners:
>>> did one of you tried this : http://www.andybutler.com/vortex/edpsync.htm
>>> i tried but didn't manage to make it work...
>>> thanks
>>> boost
>>>
>>>
>>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e824c0adb9d049e008e2d
Content-Type: text/html; charset=ISO-8859-1
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Ill be honest to you, it was a very long time since I did it actually. <br>=
I built the circuit internally inside my Vortex I disconnected the A/B chan=
nel plug. so now I can just connect a regular lead between EDP and Vortex. =
<br>

I take a cable from the input jack for the tap switch and the morph switch,=
 thru small switches mounted on the front of the Vortex, and back to the ci=
rcuit, and capaciter, and out the now defunct A/B socket...<br><br><a href=
=3D"http://twitpic.com/47lej2">http://twitpic.com/47lej2</a><br>

(See the two little switches in the top right?)<br>One synchs the tap to th=
e EDP one synchs the morph.<br><br>I have to say that both dont work at the=
 same time, its one OR the other, but setting a long morph on one preset an=
d a short morph on the other is very cool, cos then I morph one way over a =
bar, and then vortex jumps=A0 back and does it again, rather than the usual=
 slow fade both ways...<br>

<br>GUESSING @ A SOLUTION HERE&gt;&gt;&gt;<br>But connecting the ground wou=
ld be wrong. the ground is just the ground. What you should be doing is con=
necting the signal to ground via a capaciter, to smooth out (or is it to le=
ngthen.. ) the pulse. isnt there a diode in there somewhere...? make sure t=
hat its round the right way... they are always the bugger.<br>

<br>Mark<br><br><br><br><br><br><br><div class=3D"gmail_quote">On Tue, Mar =
8, 2011 at 10:11 PM, boost <span dir=3D"ltr">&lt;<a href=3D"mailto:boost@bo=
osterized.com">boost@boosterized.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">

Hi Mark,<br>
don&#39;t know what&#39;s wrong.<br>
i connected the ground of both jacks to the ground connected to the capacit=
or.<br>
is that ok ?<br>
<br>
----- Original Message ----- From: &quot;mark francombe&quot; &lt;<a href=
=3D"mailto:markfrancombe@gmail.com" target=3D"_blank">markfrancombe@gmail.c=
om</a>&gt;<br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Tuesday, March 08, 2011 12:59 AM<br>
Subject: Re: Vortex Sync with Echoplex<div><div></div><div class=3D"h5"><br=
>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Sure... Mine works... Plus mine can sync morph switching to the beat<br>
too.. =A0Keep trying it&#39;s a great mod.<br>
<br>
Sent from my (advertisement removed)<br>
<br>
On 8 Mar 2011, at 00:57, boost &lt;<a href=3D"mailto:boost@boosterized.com"=
 target=3D"_blank">boost@boosterized.com</a>&gt; wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hi !<br>
a question for Vortex and EDP owners:<br>
did one of you tried this : <a href=3D"http://www.andybutler.com/vortex/edp=
sync.htm" target=3D"_blank">http://www.andybutler.com/vortex/edpsync.htm</a=
><br>
i tried but didn&#39;t manage to make it work...<br>
thanks<br>
boost<br>
<br>
</blockquote>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-col=
or: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" si=
ze=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e824c0adb9d049e008e2d--

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Subject: OT: More modern koto playing from Michiyo Yagi, this time a bit Crimson-esque
From: Art Simon <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
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Loved this one, it made my day:
http://www.youtube.com/watch?v=NNL4WZhkuFc&feature=related

Michiyo Yagi, koto, Akihisa Tsuboy violin, and Tamaya Honda just rips
it up on the drums
It's Live at Nishi-Ogikubo Aketa no Mise, Tokyo (Japan) / 26th Dec. 2010 /

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Date: Wed, 9 Mar 2011 01:50:06 +0100
Message-ID: <AANLkTinkwmu9aiCKYjyE4rWOz5MyAHaQYPd=mi9Zc0zJ@mail.gmail.com>
Subject: Re: controlling amplitube 3 with fcb1010
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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yes i pretty sure i did have the tracks monitor turned on on the audio
track where the amplitube plugin is inserted,otherwise you cannot here
the stomp box effects going through.
do you have a demo version as well?
but ill make sure again and get back to you
thanx Per
Luis

On Tue, Mar 8, 2011 at 11:11 PM, Per Boysen <perboysen@gmail.com> wrote:
> Hi Luis,
>
> It should work also for Amplitube on an Auido Track. I just tried that
> here now and can assure you it works (when I kick my expression pedal
> on the floor the MIDI CC# goes through the MIDI track into the Audio
> Track and the Amplitube plugin gets the message - i.e. MIDI Learn
> working ok).
>
> Maybe you simply did not set the Live Track's Monitor toggle to "In"?
> With any real-time live data routing in Live you should set the
> Monitor to "In".
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Tue, Mar 8, 2011 at 10:30 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> Hi Per,
>> I tried what you suggested,inserting amplitube into abletons audio
>> track then bridging it into a midi track but still amplitube does not
>> respond to the behrigner at all.However,when i insert amplitube into a
>> midi track it responds to the midi comands without a problem.
>> I also tried using amplitube as stand alone and trying to record into
>> abletons built in looper but the fx dont get recorded,is there a way
>> to do it that way?
>> My goal is just to use this software guitar fx plugin and loop with
>> the built in looper in ableton,jesus that should work a lot easier,no?
>> or is amplitube making it complicated so people buy their fottcontroller=
?
>> Luis
>>
>> On Tue, Mar 8, 2011 at 3:43 PM, Per Boysen <perboysen@gmail.com> wrote:
>>> On Tue, Mar 8, 2011 at 3:29 PM, Louie Angulo
>>> <louie.angulo@googlemail.com> wrote:
>>>> The plugin is still not responding to the midi learn,how do you setup
>>>> the host(Ableton) to submit my esxternal midi input?
>>>> In ableton i have under preferences,midi sync- =A0my RME as the input
>>>
>>> You shouldn't select the RME MIDI In port a "Input for Control
>>> Surface" unless you own and really want to use a natively supported
>>> control surface. Better leave all slots empty in that upper section.
>>>
>>>> do i have to install the fcb1010 as a control surface?
>>> No. That would no be possible anyway, as the FCB1010 is not supported
>>> for native control.
>>>
>>>> port-track-sync-remote all turned on,any ideas?
>>>
>>> *TRACK* is what matters in this case. Make sure the RME is "On" in the
>>> Track column (lower region of GUI). (related: *Remote* should be
>>> active if you want to MIDI Learn directly in Live from the RME Port.
>>> *Sync" should be active if you want to send or receive a sync signal.
>>>
>>> Ok, so far Live pref's. No go to the Session View in your session and
>>> create an extra MIDI Track. Set that MIDI Track's input to fetch MIDI
>>> from the RME port and set that track's output to shuffle that MIDI to
>>> the track where the Amplitube 3 plugin is inserted and also targeted
>>> directly into the plugin.
>>>
>>> Per
>>>
>>>
>>
>>
>
>

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Date: Tue, 8 Mar 2011 16:51:50 -0800
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Subject: Re: OT: More modern koto playing from Michiyo Yagi, this time a bit Crimson-esque
From: Kevin Cheli-Colando <billowhead@gmail.com>
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That was great, thanks.

Kevin

On Tue, Mar 8, 2011 at 4:21 PM, Art Simon <simart@gmail.com> wrote:
> Loved this one, it made my day:
> http://www.youtube.com/watch?v=3DNNL4WZhkuFc&feature=3Drelated
>
> Michiyo Yagi, koto, Akihisa Tsuboy violin, and Tamaya Honda just rips
> it up on the drums
> It's Live at Nishi-Ogikubo Aketa no Mise, Tokyo (Japan) / 26th Dec. 2010 =
/
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Date: Tue, 8 Mar 2011 19:52:55 -0500 (EST)
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Subject: RE: OT: More modern koto playing from Michiyo Yagi, this time a bit
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Like!

On Tue, Mar 8, 2011 at 4:21 PM, Art Simon wrote:

> Loved this one, it made my day:
> http://www.youtube.com/watch?v=NNL4WZhkuFc&feature=related
>
> Michiyo Yagi, koto, Akihisa Tsuboy violin, and Tamaya Honda just rips
> it up on the drums
> It's Live at Nishi-Ogikubo Aketa no Mise, Tokyo (Japan) / 26th Dec. 
> 2010 /
>
> -- 
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon

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Date: Tue, 8 Mar 2011 21:01:21 -0500 (EST)
From: =?UTF8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
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Subject: YOUR FANTASY BAND
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Hi gang,

Just for the grins and giggles of it, I thought I'd post something a 
little different today.

Being sort of tired of heavy deep and philosophical discussions and/or 
obscure technical problem-solving for gear or software many of us don't 
own (and likely never will).

Here is my proposal for a question:

If you could form a performing ensemble of any sort or size, with anyone 
living or dead, sky's the limit, who would it be?

This is something akin to daydreaming of what you'd do if you won the 
lottery, I admit (or something ridiculous like that), and serves about 
as much practical use.

But it could be fun.

I'm still thinking about mine . . .

A lot of people I really like as individual musicians often would make 
odd or even impossible pairings stylistically.

Of course this is all nonsense, and they'd never play with the likes of 
me anyway.

But, as silly as it may be, it's fun to daydream.

I'd like to play in a band that had . . .

	Cuong Vu: trumpet

	Mick Karn: bass

	Joey Baron: drums

	Dawn Upshaw: vocals (operatic soprano)

	Kronos Quartet: strings

	Sonny Sharrock on one guitar

	And moi: on another guitar (and loops).

Sort of a pickles and pudding combination, I admit . . . but that's me.

Now it's your turn.

	[fill in the blanks]

Have fun...

Ted

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Subject: bidule users - live usage & "presets"
From: james fowler <twostroke@gmail.com>
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--000e0cd56b0a002019049e03db74
Content-Type: text/plain; charset=ISO-8859-1

sorry for the quasi-off-topic query, but for what it's worth i have multiple
instances of edpx running in most of my layouts.

in bidule i use "layouts" like presets: each has a distinct set of vsts,
routings, mixers/mixes, etc.  unfortunately, there's no way to call these up
via midi (so says seb at plogue), so this kinda sucks as i really don't want
to be fucking with the computer during a live situation.  i need to be able
to call up a preset via midi...just like you would on an effects box, synth
module, etc.  how are we achieving this?

thanks.

- jim

--000e0cd56b0a002019049e03db74
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sorry for the quasi-off-topic query, but for what it&#39;s worth i have mul=
tiple instances of edpx running in most of my layouts.<br><br>in bidule i u=
se &quot;layouts&quot; like presets: each has a distinct set of vsts, routi=
ngs, mixers/mixes, etc.=A0 unfortunately, there&#39;s no way to call these =
up via midi (so says seb at plogue), so this kinda sucks as i really don&#3=
9;t want to be fucking with the computer during a live situation.=A0 i need=
 to be able to call up a preset via midi...just like you would on an effect=
s box, synth module, etc.=A0 how are we achieving this?<br>
<br>thanks.<br><br>- jim<br>

--000e0cd56b0a002019049e03db74--

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Date: Tue, 8 Mar 2011 19:05:58 -0800
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Subject: Re: YOUR FANTASY BAND
From: Art Simon <simart@gmail.com>
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Sorry Ted, I can't do any better. That would be my fantasy band as well!

On Tue, Mar 8, 2011 at 6:01 PM, tEd =AE kiLLiAn <tedkillian@charter.net> wr=
ote:
> Hi gang,
>
> Just for the grins and giggles of it, I thought I'd post something a litt=
le
> different today.
>
> Being sort of tired of heavy deep and philosophical discussions and/or
> obscure technical problem-solving for gear or software many of us don't o=
wn
> (and likely never will).
>
> Here is my proposal for a question:
>
> If you could form a performing ensemble of any sort or size, with anyone
> living or dead, sky's the limit, who would it be?
>
> This is something akin to daydreaming of what you'd do if you won the
> lottery, I admit (or something ridiculous like that), and serves about as
> much practical use.
>
> But it could be fun.
>
> I'm still thinking about mine . . .
>
> A lot of people I really like as individual musicians often would make od=
d
> or even impossible pairings stylistically.
>
> Of course this is all nonsense, and they'd never play with the likes of m=
e
> anyway.
>
> But, as silly as it may be, it's fun to daydream.
>
> I'd like to play in a band that had . . .
>
> =A0 =A0 =A0 =A0Cuong Vu: trumpet
>
> =A0 =A0 =A0 =A0Mick Karn: bass
>
> =A0 =A0 =A0 =A0Joey Baron: drums
>
> =A0 =A0 =A0 =A0Dawn Upshaw: vocals (operatic soprano)
>
> =A0 =A0 =A0 =A0Kronos Quartet: strings
>
> =A0 =A0 =A0 =A0Sonny Sharrock on one guitar
>
> =A0 =A0 =A0 =A0And moi: on another guitar (and loops).
>
> Sort of a pickles and pudding combination, I admit . . . but that's me.
>
> Now it's your turn.
>
> =A0 =A0 =A0 =A0[fill in the blanks]
>
> Have fun...
>
> Ted
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 03:28:51 2011
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i wanna jam with JIMI


-----Original Message-----
>From: Art Simon <simart@gmail.com>
>Sent: Mar 8, 2011 7:05 PM
>To: Loopers-Delight@loopers-delight.com
>Cc: tEd =C2=AE kiLLiAn <tedkillian@charter.net>
>Subject: Re: YOUR FANTASY BAND
>
>Sorry Ted, I can't do any better. That would be my fantasy band as well!
>
>On Tue, Mar 8, 2011 at 6:01 PM, tEd =C2=AE kiLLiAn <tedkillian@charter.net=
> wrote:
>> Hi gang,
>>
>> Just for the grins and giggles of it, I thought I'd post something a lit=
tle
>> different today.
>>
>> Being sort of tired of heavy deep and philosophical discussions and/or
>> obscure technical problem-solving for gear or software many of us don't =
own
>> (and likely never will).
>>
>> Here is my proposal for a question:
>>
>> If you could form a performing ensemble of any sort or size, with anyone
>> living or dead, sky's the limit, who would it be?
>>
>> This is something akin to daydreaming of what you'd do if you won the
>> lottery, I admit (or something ridiculous like that), and serves about a=
s
>> much practical use.
>>
>> But it could be fun.
>>
>> I'm still thinking about mine . . .
>>
>> A lot of people I really like as individual musicians often would make o=
dd
>> or even impossible pairings stylistically.
>>
>> Of course this is all nonsense, and they'd never play with the likes of =
me
>> anyway.
>>
>> But, as silly as it may be, it's fun to daydream.
>>
>> I'd like to play in a band that had . . .
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0Cuong Vu: trumpet
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0Mick Karn: bass
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0Joey Baron: drums
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0Dawn Upshaw: vocals (operatic soprano)
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0Kronos Quartet: strings
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0Sonny Sharrock on one guitar
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0And moi: on another guitar (and loops).
>>
>> Sort of a pickles and pudding combination, I admit . . . but that's me.
>>
>> Now it's your turn.
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0[fill in the blanks]
>>
>> Have fun...
>>
>> Ted
>>
>>
>
>
>
>--=20
>Art Simon
>simart@gmail.com
>myspace [dot] com/artsimon
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 07:22:43 2011
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Date: Tue, 8 Mar 2011 23:22:41 -0800
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Subject: Re: YOUR FANTASY BAND
From: Matt Davignon <mattdavignon@gmail.com>
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I wouldn't mine being in a band that had Tony Allen (of Fela Kuti's
band) on drums, Ryan Moore (of Legendary Pink Dots & Twilight Circus
Dub Sound System) on bass, Bill Wolter (a local dude I know) on
guitar, and me doing various electronic stuff. Probably no vocalist
unless maybe if Horace Andy was available. If Adrian Utley (from
Portishead) was available on organ, or Arve Henriksen was available
for trumpet, I'd probably let them sit in with us.


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 07:28:20 2011
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Subject: Re: YOUR FANTASY BAND
Date: Tue, 08 Mar 2011 23:28:16 -0800
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Mine would be Sigur-Ros + Vernon Reid and Jaco

t
----- Original Message ----- 
From: "Matt Davignon" <mattdavignon@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 08, 2011 11:22 PM
Subject: Re: YOUR FANTASY BAND


>I wouldn't mine being in a band that had Tony Allen (of Fela Kuti's
> band) on drums, Ryan Moore (of Legendary Pink Dots & Twilight Circus
> Dub Sound System) on bass, Bill Wolter (a local dude I know) on
> guitar, and me doing various electronic stuff. Probably no vocalist
> unless maybe if Horace Andy was available. If Adrian Utley (from
> Portishead) was available on organ, or Arve Henriksen was available
> for trumpet, I'd probably let them sit in with us.
> 
> 
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 08:24:19 2011
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Date: Wed, 9 Mar 2011 09:24:17 +0100
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Subject: Re: bidule users - live usage & "presets"
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 9, 2011 at 3:55 AM, james fowler <twostroke@gmail.com> wrote:
> sorry for the quasi-off-topic query, but for what it's worth i have multi=
ple
> instances of edpx running in most of my layouts.
>
> in bidule i use "layouts" like presets: each has a distinct set of vsts,
> routings, mixers/mixes, etc.=C2=A0 unfortunately, there's no way to call =
these up
> via midi (so says seb at plogue), so this kinda sucks as i really don't w=
ant
> to be fucking with the computer during a live situation.=C2=A0 i need to =
be able
> to call up a preset via midi...just like you would on an effects box, syn=
th
> module, etc.=C2=A0 how are we achieving this?
>

Use the Bidule object called Audio Switcher. Cable your audio input
device into the Audio Switcher's audio input and cable out from each
output tag to a full "session" of yours. Each of those output tags
correspond per default to a MIDI Program Change number, so depending
on what PC you send in from your pedalboard (cable your MIDI Device
into the Audio Switcher's MIDI input tag) your input audio will be
routed through one of the alternative sessions (by the tags).Now, in
order to have all objects not in used being turned off, to spare CPU
power, you should go into the global Parameters window and link all
object's Mode to the Audio Switcher tag they're getting their signal
from. Inside the Parameters window there will be a hell of a lot of
objects so be kind to yourself and start naming each object to
indicate which sessions/effect chain it belongs to.

Here is an example of the Audio Switcher linking in the Parameters window:

Source: Audio Swiicher_1, Processing Mode Output 1.
Target: Chorus_1, Mode.

Source: Audio Swiicher_1, Processing Mode Output 2.
Target: Delay_2, Mode.

...etc, etc.

There is a very useful custom Group for reverb tail preservation when
switching between huge patches from the Audio Switcher. It should be
downloadable somewhere on the Bidule forum, a guy once built it for me
after a discussion on the topic. I can send it over by private email
or file transfer too.

Best wishes
Per Boysen

.

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--bcaec51b1b7f5cf80b049e088a5b
Content-Type: text/plain; charset=ISO-8859-1

>
> Subject: Re: YOUR FANTASY BAND
>
>

Mine would be:

Drums: jaki leibeziet  Bass: Jah Wobble

Guitar : Me

2nd guitar (hidden offstage to make it looked like I did it) Bill Walker.

Keyboards/Electronics : Helge Sten

Vocals: Alison Shaw or Gibby Haynes or John Lennon or John Lydon or Danielle
Dax

Recording / Production: Holger Czukay







-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--bcaec51b1b7f5cf80b049e088a5b
Content-Type: text/html; charset=ISO-8859-1
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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;"><div class=3D"im"><br>
Subject: Re: YOUR FANTASY BAND<br clear=3D"all"><br></div></blockquote><div=
><br><br>Mine would be:<br><br><h2 style=3D"font-weight: normal; font-famil=
y: arial,helvetica,sans-serif;" class=3D"title icon"><font size=3D"2">Drums=
: jaki leibeziet=A0</font></h2>

<font size=3D"2"><span style=3D"font-family: arial,helvetica,sans-serif;">B=
ass: Jah Wobble</span><br style=3D"font-family: arial,helvetica,sans-serif;=
"><br style=3D"font-family: arial,helvetica,sans-serif;"><span style=3D"fon=
t-family: arial,helvetica,sans-serif;">Guitar : Me<br>

<br>2nd guitar (hidden offstage to make it looked like I did it) Bill Walke=
r.<br style=3D"font-family: arial,helvetica,sans-serif;"></span><br style=
=3D"font-family: arial,helvetica,sans-serif;"><span style=3D"font-family: a=
rial,helvetica,sans-serif;">Keyboards/Electronics : Helge Sten</span></font=
><br>

<br>Vocals: Alison Shaw or Gibby Haynes or John Lennon or John Lydon or Dan=
ielle Dax<br><br>Recording / Production: Holger Czukay<br><br><br><br><br><=
br><br></div></div><br>-- <br><i style=3D"font-family: verdana,sans-serif; =
color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font style=3D"=
font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francombe</u></fo=
nt></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--bcaec51b1b7f5cf80b049e088a5b--

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From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: Re: YOUR FANTASY BAND
To: Loopers-Delight@loopers-delight.com
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--- On Wed, 9/3/11, mark francombe <mark@markfrancombe.com> wrote:=0A=0ASub=
ject: Re: YOUR FANTASY BAND=0A=0AGuitar : Me=0A=0A2nd guitar (hidden offsta=
ge to make it looked like I did it) Bill Walker.=0A=0A=0ALOL!=0A=0A=0ABass:=
 Jah Wobble=0A=0ATerrific player, but at a recent gig, I saw him unexpected=
ly give his guitarist quite a kicking mid-song.  I'd love to know what he d=
id to deserve this.=0A=0A=0A=0A=0A=0A=0A=0A=0A-- =0AMark Francombe=0A=0A=0A=
www.markfrancombe.com=0Awww.ordoabkhao.com=0A=0A=0Ahttp://vimeo.com/user825=
094=0Ahttp://www.looop.no=0A=0A=0Atwitter @markfrancombe=0A=0A=0A=0A=0A    =
  

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 09:15:01 2011
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Subject: Re: Vortex Sync with Echoplex
Date: Wed, 9 Mar 2011 10:15:03 +0100
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thank you mark, i'm gonna try again....


----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, March 08, 2011 11:58 PM
  Subject: Re: Vortex Sync with Echoplex


  Ill be honest to you, it was a very long time since I did it actually. =

  I built the circuit internally inside my Vortex I disconnected the A/B =
channel plug. so now I can just connect a regular lead between EDP and =
Vortex.=20
  I take a cable from the input jack for the tap switch and the morph =
switch, thru small switches mounted on the front of the Vortex, and back =
to the circuit, and capaciter, and out the now defunct A/B socket...

  http://twitpic.com/47lej2
  (See the two little switches in the top right?)
  One synchs the tap to the EDP one synchs the morph.

  I have to say that both dont work at the same time, its one OR the =
other, but setting a long morph on one preset and a short morph on the =
other is very cool, cos then I morph one way over a bar, and then vortex =
jumps  back and does it again, rather than the usual slow fade both =
ways...

  GUESSING @ A SOLUTION HERE>>>
  But connecting the ground would be wrong. the ground is just the =
ground. What you should be doing is connecting the signal to ground via =
a capaciter, to smooth out (or is it to lengthen.. ) the pulse. isnt =
there a diode in there somewhere...? make sure that its round the right =
way... they are always the bugger.

  Mark







  On Tue, Mar 8, 2011 at 10:11 PM, boost <boost@boosterized.com> wrote:

    Hi Mark,
    don't know what's wrong.
    i connected the ground of both jacks to the ground connected to the =
capacitor.
    is that ok ?

    ----- Original Message ----- From: "mark francombe" =
<markfrancombe@gmail.com>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Tuesday, March 08, 2011 12:59 AM
    Subject: Re: Vortex Sync with Echoplex




      Sure... Mine works... Plus mine can sync morph switching to the =
beat
      too..  Keep trying it's a great mod.

      Sent from my (advertisement removed)

      On 8 Mar 2011, at 00:57, boost <boost@boosterized.com> wrote:


        Hi !
        a question for Vortex and EDP owners:
        did one of you tried this : =
http://www.andybutler.com/vortex/edpsync.htm
        i tried but didn't manage to make it work...
        thanks
        boost









  --=20
  Mark Francombe
  www.markfrancombe.com
  www.ordoabkhao.com
  http://vimeo.com/user825094
  http://www.looop.no
  twitter @markfrancombe

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.6058" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>thank you mark, i'm gonna try=20
again....</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 08, 2011 =
11:58=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vortex Sync with=20
  Echoplex</DIV>
  <DIV><BR></DIV>Ill be honest to you, it was a very long time since I =
did it=20
  actually. <BR>I built the circuit internally inside my Vortex I =
disconnected=20
  the A/B channel plug. so now I can just connect a regular lead between =
EDP and=20
  Vortex. <BR>I take a cable from the input jack for the tap switch and =
the=20
  morph switch, thru small switches mounted on the front of the Vortex, =
and back=20
  to the circuit, and capaciter, and out the now defunct A/B =
socket...<BR><BR><A=20
  =
href=3D"http://twitpic.com/47lej2">http://twitpic.com/47lej2</A><BR>(See =
the two=20
  little switches in the top right?)<BR>One synchs the tap to the EDP =
one synchs=20
  the morph.<BR><BR>I have to say that both dont work at the same time, =
its one=20
  OR the other, but setting a long morph on one preset and a short morph =
on the=20
  other is very cool, cos then I morph one way over a bar, and then =
vortex=20
  jumps&nbsp; back and does it again, rather than the usual slow fade =
both=20
  ways...<BR><BR>GUESSING @ A SOLUTION HERE&gt;&gt;&gt;<BR>But =
connecting the=20
  ground would be wrong. the ground is just the ground. What you should =
be doing=20
  is connecting the signal to ground via a capaciter, to smooth out (or =
is it to=20
  lengthen.. ) the pulse. isnt there a diode in there somewhere...? make =
sure=20
  that its round the right way... they are always the=20
  bugger.<BR><BR>Mark<BR><BR><BR><BR><BR><BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Mar 8, 2011 at 10:11 PM, boost <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:boost@boosterized.com">boost@boosterized.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Hi=20
    Mark,<BR>don't know what's wrong.<BR>i connected the ground of both =
jacks to=20
    the ground connected to the capacitor.<BR>is that ok ?<BR><BR>----- =
Original=20
    Message ----- From: "mark francombe" &lt;<A=20
    href=3D"mailto:markfrancombe@gmail.com"=20
    target=3D_blank>markfrancombe@gmail.com</A>&gt;<BR>To: &lt;<A=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
    target=3D_blank>Loopers-Delight@loopers-delight.com</A>&gt;<BR>Sent: =
Tuesday,=20
    March 08, 2011 12:59 AM<BR>Subject: Re: Vortex Sync with Echoplex
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5><BR><BR><BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Sure...=20
      Mine works... Plus mine can sync morph switching to the =
beat<BR>too..=20
      &nbsp;Keep trying it's a great mod.<BR><BR>Sent from my =
(advertisement=20
      removed)<BR><BR>On 8 Mar 2011, at 00:57, boost &lt;<A=20
      href=3D"mailto:boost@boosterized.com"=20
      target=3D_blank>boost@boosterized.com</A>&gt; wrote:<BR><BR>
      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; =
BORDER-LEFT: rgb(204,204,204) 1px solid">Hi=20
        !<BR>a question for Vortex and EDP owners:<BR>did one of you =
tried this=20
        : <A href=3D"http://www.andybutler.com/vortex/edpsync.htm"=20
        =
target=3D_blank>http://www.andybutler.com/vortex/edpsync.htm</A><BR>i=20
        tried but didn't manage to make it=20
      =
work...<BR>thanks<BR>boost<BR><BR></BLOCKQUOTE><BR></BLOCKQUOTE><BR></DIV=
></DIV></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR><I=20
  style=3D"COLOR: rgb(255,255,255); FONT-FAMILY: verdana,sans-serif; =
BACKGROUND-COLOR: rgb(0,0,0)"><FONT=20
  style=3D"FONT-FAMILY: trebuchet ms,sans-serif" size=3D4><U>Mark=20
  Francombe</U></FONT></I><BR><FONT size=3D1><A style=3D"COLOR: =
rgb(51,0,51)"=20
  href=3D"http://www.markfrancombe.com/"=20
  target=3D_blank>www.markfrancombe.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
  style=3D"COLOR: rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/"=20
  target=3D_blank>www.ordoabkhao.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
  style=3D"COLOR: rgb(51,0,51)" href=3D"http://vimeo.com/user825094"=20
  target=3D_blank>http://vimeo.com/user825094</A><BR=20
  style=3D"COLOR: rgb(51,0,51)"><A style=3D"COLOR: rgb(51,0,51)"=20
  href=3D"http://www.looop.no/" =
target=3D_blank>http://www.looop.no</A><BR>twitter=20
  @markfrancombe</FONT><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0049_01CBDE42.DAECA220--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 09:46:47 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Interpreting the Singularity (O.T.)
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Again this depends on the assumption that an  
exponential increase will extend "to infinity".

In the history of the universe, no exponential
increase ever did that yet.

Look at the growth of any organism,
in the early stages cell division is exponential,
but there's no infinitely large carrot.

andy


Louie Angulo wrote:
> here is a further interesting take on Kurzwell philosophy from my
> previous thread.
> 
> http://www.youtube.com/watch?v=zK4gevQ5uqg
> 
> cheers
> Luis
> 
> 

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Interesting thoughts, Andy! I remember in the sixties when people were
so scared about the growth of global population (of humans) as this
growth had been measured to follow a progressive curve. Some futurists
thought it would lead to "a demographic explosion" and a cruel
Armageddon scenario. So what happened? Well, the global population
growth curve simply stopped being progressive and found a new balance.

I listened to the linked video and must say those guys did not seem to
pick up on Kurzwell's extrapolation on the escalating progressive
curve. They seemed to present a more probable future scenario. The
main point, as I understand it, being the issue with different people
experiencing access to information differently. Boosting the technical
accessibility to "unlimited information" will not give the same result
for every individual, because what comes out to a great deal depends
on who is navigating this brand new super efficient synapse based
interface. And as our brains learn pretty fast there will at some
point be a progressive curve of people getting divided into classes.
Classes with different abilities to digest and thrive on the brave new
world.

I can't see why you wouldn't agree to that future scenario. If looking
around you may find that this process has already started. Not very
bright outlook though, in many ways the antithesis to the present
ideas of democracy and everyone's equal rights. I personally think
knowledge and technology is good but I often miss the political
perspective that could educate us in a way that we should be able to
set the controls for a target we want and avoid less wanted scenarios.

Per


On Wed, Mar 9, 2011 at 10:46 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> Again this depends on the assumption that an =C2=A0exponential increase w=
ill
> extend "to infinity".
>
> In the history of the universe, no exponential
> increase ever did that yet.
>
> Look at the growth of any organism,
> in the early stages cell division is exponential,
> but there's no infinitely large carrot.
>
> andy
>
>
> Louie Angulo wrote:
>>
>> here is a further interesting take on Kurzwell philosophy from my
>> previous thread.
>>
>> http://www.youtube.com/watch?v=3DzK4gevQ5uqg
>>
>> cheers
>> Luis
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 10:44:15 2011
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Subject: Re: Interpreting the Singularity (O.T.)
Date: Wed, 09 Mar 2011 02:44:10 -0800
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You guys are only scraping the surface of the current knowledge.  Some books 
that would fill in what you're talking about include "On Intelligence" by 
Jeff Hawkins and "The Singularity is Near" by Kurzweil.  Also Ben Goertzel 
is an AI guru--his blog is chock full of singularity stuff.  It's probably 
good to mention that not everbody thinks like Ray.

However, if an AI is constructed that is smarter than a human and can self 
improve all bets are off.  Nobody knows what would be the result.  I don't 
feel very flaky in mentioning this.  Maybe 8 years ago I would feel weird 
believing that strong AI is coming but doing some(a lot) of deep reading 
about guys who are getting someplace (Hawkins for instance) has changed my 
mind.  His figuring out that the brain process that is important is 
prediction, coupled with "invariant" object representations has convinced 
me.

It ain't neural nets and genetic algorithms anymore.  Those were way off the 
mark.  They work for what they do but the brain doesn't work that way.

t


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 09, 2011 2:20 AM
Subject: Re: Interpreting the Singularity (O.T.)


Interesting thoughts, Andy! I remember in the sixties when people were
so scared about the growth of global population (of humans) as this
growth had been measured to follow a progressive curve. Some futurists
thought it would lead to "a demographic explosion" and a cruel
Armageddon scenario. So what happened? Well, the global population
growth curve simply stopped being progressive and found a new balance.

I listened to the linked video and must say those guys did not seem to
pick up on Kurzwell's extrapolation on the escalating progressive
curve. They seemed to present a more probable future scenario. The
main point, as I understand it, being the issue with different people
experiencing access to information differently. Boosting the technical
accessibility to "unlimited information" will not give the same result
for every individual, because what comes out to a great deal depends
on who is navigating this brand new super efficient synapse based
interface. And as our brains learn pretty fast there will at some
point be a progressive curve of people getting divided into classes.
Classes with different abilities to digest and thrive on the brave new
world.

I can't see why you wouldn't agree to that future scenario. If looking
around you may find that this process has already started. Not very
bright outlook though, in many ways the antithesis to the present
ideas of democracy and everyone's equal rights. I personally think
knowledge and technology is good but I often miss the political
perspective that could educate us in a way that we should be able to
set the controls for a target we want and avoid less wanted scenarios.

Per


On Wed, Mar 9, 2011 at 10:46 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Again this depends on the assumption that an exponential increase will
> extend "to infinity".
>
> In the history of the universe, no exponential
> increase ever did that yet.
>
> Look at the growth of any organism,
> in the early stages cell division is exponential,
> but there's no infinitely large carrot.
>
> andy
>
>
> Louie Angulo wrote:
>>
>> here is a further interesting take on Kurzwell philosophy from my
>> previous thread.
>>
>> http://www.youtube.com/watch?v=zK4gevQ5uqg
>>
>> cheers
>> Luis
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 11:29:46 2011
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Subject: Re: YOUR FANTASY BAND
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Drums: Ronald Shannon Jackson


Bass: Bill Lasswell


Guitar: Bill Frisell


Cello: Hank Roberts


Trumpet: Jon Hassell




PJ








=20

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<font color=3D'black' size=3D'2' face=3D'arial'><br>
Drums: Ronald Shannon Jackson
<div><br>
</div>

<div>Bass: Bill Lasswell</div>

<div><br>
</div>

<div>Guitar: Bill Frisell</div>

<div><br>
</div>

<div>Cello: Hank Roberts</div>

<div><br>
</div>

<div>Trumpet: Jon Hassell</div>

<div><br>
</div>

<div><br>
</div>

<div><img src=3D"http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/ima=
ges/smile.png" alt=3D":-)" height=3D"25" width=3D"25">PJ<br>

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<br>
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<div class=3D"gmail_quote">
<div><font size=3D"2"><font class=3D"Apple-style-span" face=3D"arial, helve=
tica, sans-serif"><br>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 11:49:48 2011
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Subject: Re: Ableton with Mobius: realistic system requirements?
From: Akraf Emaho <akrafemaho@gmail.com>
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So memory is king! I'll aim to get this machine up to 4gb then.

Thanks Daniel.


On 3/8/11, Daniel Thomas <danielthomas4@mac.com> wrote:
> Any motherboard processor combination > 2 ghz will do nicely.  But plan o=
n
> an minimum 4 gb of ram for stable performance on a stage.
> Good luck with it.
> Daniel
>
>
>
> On Mar 8, 2011, at 8:17 AM, Akraf Emaho wrote:
>
>> Hello people,
>>
>> I've recently started exploring both Mobius and Ableton, with a view to
>> eventually putting together a live act (prob a duo) playing acoustic,
>> looped, Abletonised music.  A kind of "acoustic house" you could call it=
.
>> Having read Rick's legendary percussion post and attached thread, I'm
>> planning on doing everything live with no canned loops to really get a
>> sense of fun and intimacy going on.  The idea is to create the most funk=
y,
>> danceable, joyous vibe possible from just two mediocre musos and a
>> laptop!!! :)
>>
>> Anyway: the present problem.  My Pentium 4 2.66Ghz with 768MB of RAM can=
't
>> handle Live 8 at all.  I'm looking to upgrade it cheaply - I was thinkin=
g
>> maybe a second-hand Athlon x2 with motherboard from eBay (about =A340-=
=A350
>> total).  This would allow me to get 2+GB of DDR2, possibly free from a
>> friend.  The present motherboard will only take the much more expensive
>> DDR flavour, which would be incompatible with any future upgrades anyway=
.
>>
>> Will this be enough to run Ableton synced with Mobius while using effect=
s,
>> warping, groove engine etc in Ableton?  I just need enough power to allo=
w
>> experimentation and writing/arranging some songs for this format for now=
.
>>
>> Later on I can cross the bridge of needing a super-powerful laptop for t=
he
>> actual live performances.  There's also the issue of an audio interface,
>> but again that can wait for now: this will be done one painfully expensi=
ve
>> step at a time!
>>
>> Akraf
>>
>>
>
>

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Subject: YOUR FANTASY BAND
From: Rainer Straschill <moinsound@googlemail.com>
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Ted,

apart from that:
> A lot of people I really like as individual musicians often would make
> odd or even impossible pairings stylistically.

a lot of people might also not work from a workplace chemistry point
of view - I'd comment on that further on.

Ok, horns is easy:
Markus Stockhausen (tp), Mike Svoboda (tb).
Both classically trained and with a big experience just being
excellent sidemen (also coming from that classical background). But
still with a lot of creativity to boot.

rhythm section:
Dave Lombardo (dr), Evelyn Glennie (perc), Trilok Gurtu (dr), Michael
Manring (b).
Glennie: classical background - perhaps too much of a soloist focus?
Gurtu: most of his stuff as a sideman
Lombardo: was never the leading creative force in the groups he played
with, yet has a very diverse backgrond (Slayer, Patton, Zorn)
Manring: great both as a normal bass player (see e.g. Yo Miles) and as
a soloist - when he whips out the solo frenzy, Bach (see below) will
do bass pedals.

chordal instruments:
Johann Sebastian Bach (keys, also bass pedals, loops)
If not him, who should do melodic loops?
David Fiuczinsky (g)

vocals (if any):
Mike Patton, for stylistic diversity and great stage personality (a
true front man, if need be).

me: doing electronic stuff and somewhat leading/composing for the group.

If it needs to be limited to living persons,
replace J.S. Bach with...mhhhm, don't know. Someone who is cool on odd
synths and perhaps another odd thing - Kevin Kissinger?

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 11:53:15 2011
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MY FANTASY BAND:

Drums:   Brian Blade trading off with Jon Christensen (and two tunes 
with John Bonham)

Bass Guitar:   Mechelle Ndgecello trading off with Eberhard Weber and 
Mick Karn

Guitar and effects:   Eivind Aarset

Lap Steel Guitar and Ambient effects:    Bill Walker

Trumpet and Atmospherics:   Jon Hassell

Utility Instrumentalist on anything they could agree to:     Jon Brion 
and Mark Isham

Everything else or Silence:   myself

Live Interactive Visuals:   Tim Thompson, David Tristram,  Phoenix Tows
                                          mixed by whoever the three of 
them could agree on.

Mixed in real time by Daniel Lanois and Brian Eno

with Michael Peters doing a secondary live, experimental remix of the 
proceedings
that people in the audience could listen to through open air headphones
broadcast, wirelessly through an FM receiver in such a way each audience 
member
could mix the live sound with the experimental mix in their headphones 
to their own personal taste.

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Subject: Re: bidule users - live usage & "presets"
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unfortunately, the audio switcher approach won't work.  first of all, i
don't always have an audio input.  sometimes it do, but for the most part
it's one (or more) of my four midi controllers.  secondly, my layouts are on
the massive side and are quite varied from one to the other.  i wonder if
each layout (once it's finished, or at least in a ready-to-go state) could
be grouped and thereby allow me to function in one layout for the duration
of the performance.  dunno if that'll work but maybe worth investigating.

- jim

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unfortunately, the audio switcher approach won&#39;t work.=A0 first of all,=
 i don&#39;t always have an audio input.=A0 sometimes it do, but for the mo=
st part it&#39;s one (or more) of my four midi controllers.=A0 secondly, my=
 layouts are on the massive side and are quite varied from one to the other=
.=A0 i wonder if each layout (once it&#39;s finished, or at least in a read=
y-to-go state) could be grouped and thereby allow me to function in one lay=
out for the duration of the performance.=A0 dunno if that&#39;ll work but m=
aybe worth investigating.=A0 <br>
<br>- jim<br>

--000e0cdf16eae86191049e0d43b2--

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Subject: Re: Interpreting the Singularity (O.T.)
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Toby G wrote:
> You guys are only scraping the surface of the current knowledge.

Don't know how you concluded that.
That 'singularity' thing isn't knowledge
'till you actually present the giant carrot.


> Some 
> books that would fill in what you're talking about include "On 
> Intelligence" by Jeff Hawkins 
> and "The Singularity is Near" by 
> Kurzweil. 
> Also Ben Goertzel is an AI guru--his blog is chock full of 
> singularity stuff.  It's probably good to mention that not everbody 
> thinks like Ray.

here's Goertzel pointing out that the "exponential curve" may flatten out:

"Of course, this sort of extrapolation is by no means certain. Among many counterarguments, one might argue that the inertia of human systems will cause the rate of technological progress to flatten out at a certain point."

(from an abstract quoted in his blog)

> 
> However, if an AI is constructed that is smarter than a human

like "wouldn't spend time on OT discussions on a mailing list" 
kind of smart?

Thing is, before we can say "more intelligent than human"
we have to define intelligence, and then find a way of rating it.


> and can 
> self improve all bets are off.  Nobody knows what would be the result.  
> I don't feel very flaky in mentioning this.  Maybe 8 years ago I would 
> feel weird believing that strong AI is coming but doing some(a lot) of 
> deep reading about guys who are getting someplace (Hawkins for instance) 
> has changed my mind.  His figuring out that the brain process that is 
> important is prediction, coupled with "invariant" object representations 
> has convinced me.

Which sounds a lot more interesting than the singularity stuff.
You wanna elucidate?

andy









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On 3/8/11 7:23 AM, "Petri Lahtinen" <kollegavalmentaja@gmail.com> wrote:
> 2011/3/7 Dustbunnies <mech@m3ch.net>
>> 
>> http://www.glitch-sequencer.com/
>
> :-D
> 
> a simple google search should be appropriate

Yep, that's how I found it: typed in "glitch sequencer" and it was the first
result to come up.

Although, to be fair, I already knew it was out there.  Somebody (maybe
Richard Devine) posted the URL to Twitter a few months ago, so I'd already
downloaded it and played around a bit.  I was merely surprised you guys were
having a bit of difficulty locating it.  :)

It's an interesting enough program, though.  I might come back around to it
when I've got some spare time.  Have fun!!!

    --m.


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Subject: Re: Eventide Timefactor further discoveries/NEW PURCHASES; tc
 flashback & rp355
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On 3/9/11 1:13 AM, "Scott Hansen" <evanpeewee@gmail.com> wrote:
> 
> i just bought a tc electronics flashback delay!
> i think the looper is 10 sec-which for me is plenty of time, since i generally
> use short delay loops as of late.

Scott,

Care to do a quick review of the Flashback when you get up to speed?

I've seen one of TC's demos for it, and thought it looked pretty
interesting.  The one thing I was most curious about is whether Feedback was
active during Loop Mode, or if they implemented Looping in the same stupid
manner as Digitech and most fo the Boss RC units.

Otherwise, the demos sound pretty darn nice....

    --m.


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Subject: Re: controlling amplitube 3 with FCB1010,found it!
From: Louie Angulo <louie.angulo@googlemail.com>
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Ok Per i finally found it,but i do have to correct your statment and
add a couple of important things here to save headaches for anybody
trying to do this:

So In order for a plugin like amplitube or guitar rig to be controlled
inside ableton:
The main confusion i see people are having trying to do this is not
only activating "monitor in" but also arming both audio and midi
tracks for recording,this are 2 different things.

considering you know the other stuff like setting your soundcards
inputs outputs,scanning your plugin and setiing its preferences as
well, inserting the plugin in the arrangement view and setting its ins
and outs which Per already mentioned in this thread
go to Ableton preferences and under the menu " record warp lauch "
deselect "arm" and "solo " under "exclusive"
this will enable you to am record both audio and midi tracks,otherwise
you will only be able to arm one at a time.
yo do have to have the" monitor in" activated in both tracks to hear
the input and outputs as Per mentioned,BUT:
even more important is that you have to arm both tracks for
"recording" to be able to send midi information from your
footcontroller to the midi track and back to the audio track.
now you can turn stomp boxes on and off in the plugin within ableton
and loop the sounds in its little looper and have a groove sample of
your choice stretch to your tempo voilai!!! this is what ive been
trying to do syncing mobius and ableton lately,but after messing
around i chose abletons looper at the end to do this,there is a trade
off offcourse,abletons looper is not as flexible as Mobius but slaving
Ableton to Mobius doesnt work too good.
However in abletons little looper  you still have multiply important
options like,undo,redo,speed,shift,reverse,quantization,drag loop
option ot the session view to create multiple parts,wow im impressed
what this baby looper has to offer and very excited to start
experimenting with!
cheers
Luis


On Tue, Mar 8, 2011 at 11:11 PM, Per Boysen <perboysen@gmail.com> wrote:
> Hi Luis,
>
> It should work also for Amplitube on an Auido Track. I just tried that
> here now and can assure you it works (when I kick my expression pedal
> on the floor the MIDI CC# goes through the MIDI track into the Audio
> Track and the Amplitube plugin gets the message - i.e. MIDI Learn
> working ok).
>
> Maybe you simply did not set the Live Track's Monitor toggle to "In"?
> With any real-time live data routing in Live you should set the
> Monitor to "In".
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Tue, Mar 8, 2011 at 10:30 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> Hi Per,
>> I tried what you suggested,inserting amplitube into abletons audio
>> track then bridging it into a midi track but still amplitube does not
>> respond to the behrigner at all.However,when i insert amplitube into a
>> midi track it responds to the midi comands without a problem.
>> I also tried using amplitube as stand alone and trying to record into
>> abletons built in looper but the fx dont get recorded,is there a way
>> to do it that way?
>> My goal is just to use this software guitar fx plugin and loop with
>> the built in looper in ableton,jesus that should work a lot easier,no?
>> or is amplitube making it complicated so people buy their fottcontroller=
?
>> Luis
>>
>> On Tue, Mar 8, 2011 at 3:43 PM, Per Boysen <perboysen@gmail.com> wrote:
>>> On Tue, Mar 8, 2011 at 3:29 PM, Louie Angulo
>>> <louie.angulo@googlemail.com> wrote:
>>>> The plugin is still not responding to the midi learn,how do you setup
>>>> the host(Ableton) to submit my esxternal midi input?
>>>> In ableton i have under preferences,midi sync- =A0my RME as the input
>>>
>>> You shouldn't select the RME MIDI In port a "Input for Control
>>> Surface" unless you own and really want to use a natively supported
>>> control surface. Better leave all slots empty in that upper section.
>>>
>>>> do i have to install the fcb1010 as a control surface?
>>> No. That would no be possible anyway, as the FCB1010 is not supported
>>> for native control.
>>>
>>>> port-track-sync-remote all turned on,any ideas?
>>>
>>> *TRACK* is what matters in this case. Make sure the RME is "On" in the
>>> Track column (lower region of GUI). (related: *Remote* should be
>>> active if you want to MIDI Learn directly in Live from the RME Port.
>>> *Sync" should be active if you want to send or receive a sync signal.
>>>
>>> Ok, so far Live pref's. No go to the Session View in your session and
>>> create an extra MIDI Track. Set that MIDI Track's input to fetch MIDI
>>> from the RME port and set that track's output to shuffle that MIDI to
>>> the track where the Amplitube 3 plugin is inserted and also targeted
>>> directly into the plugin.
>>>
>>> Per
>>>
>>>
>>
>>
>
>

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> my layouts are on the massive side and are quite varied from one to the
other 
 
same here. I also noticed that more often than not, Bidule crashes when I
open another layout while one is already open. They say this is due to the
poor programming  and memory handling of one or more of the plugins I use.
<sigh>  This seems to be a downside of the modular plugin idea.
 
-Michael
 

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<DIV dir=3Dltr align=3Dleft><FONT size=3D2 face=3DArial><SPAN=20
class=3D109084415-09032011>&gt; </SPAN></FONT>my layouts are on the =
massive side=20
and are quite varied from one to the other<SPAN =
class=3D109084415-09032011><FONT=20
size=3D2 face=3DArial>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D109084415-09032011></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D109084415-09032011><FONT =
size=3D2=20
face=3DArial>same here. I also noticed that more often than not, Bidule =
crashes=20
when I open another layout while one is already open. They say this is =
due to=20
the poor programming&nbsp; and memory handling of one or more of the =
plugins I=20
use. &lt;sigh&gt;&nbsp; This seems to be a downside of the modular =
plugin=20
idea.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D109084415-09032011></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D109084415-09032011><FONT =
size=3D2=20
face=3DArial>-Michael</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
class=3D109084415-09032011>&nbsp;</SPAN></DIV></BODY></HTML>

------=_NextPart_000_0041_01CBDE79.78E84C50--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 15:52:42 2011
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Subject: Re: YOUR FANTASY BAND
Date: Wed, 09 Mar 2011 10:52:27 -0500
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THE BERNHARDS : bernhard wagner, bill walker, me.....but it seems i=20
have already been kicked out of this band!

BIG SIGH!.....

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 15:55:31 2011
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Subject: Re: controlling amplitube 3 with FCB1010,found it!
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 9, 2011 at 4:28 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> So In order for a plugin like amplitube or guitar rig to be controlled
> inside ableton:
> The main confusion i see people are having trying to do this is not
> only activating "monitor in" but also arming both audio and midi
> tracks for recording,this are 2 different things.

Sorry for not mentioning that. That's not just how Live works but also
true for many other DAW host apps. Without arming, no through-put.
Just like on a taper recorder :-)

Per

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Date: Wed, 9 Mar 2011 15:58:36 +0000
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Subject: Re: bidule users - live usage & "presets"
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--000e0cd56f683d9d7e049e0ecd14
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michael, have you tried hitting the little button that stops the audio at
the top of the layout window before opening another layout?

it might work, i havn't tried it myself

sim

On Wed, Mar 9, 2011 at 3:46 PM, Michael Peters <mp@mpeters.de> wrote:

>  > my layouts are on the massive side and are quite varied from one to the
> other
>
> same here. I also noticed that more often than not, Bidule crashes when I
> open another layout while one is already open. They say this is due to the
> poor programming  and memory handling of one or more of the plugins I use.
> <sigh>  This seems to be a downside of the modular plugin idea.
>
> -Michael
>
>

--000e0cd56f683d9d7e049e0ecd14
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michael, have you tried hitting the little button that stops the audio at t=
he top of the layout window before opening another layout?<br><br>it might =
work, i havn&#39;t tried it myself<br><br>sim<br><br><div class=3D"gmail_qu=
ote">
On Wed, Mar 9, 2011 at 3:46 PM, Michael Peters <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">




<div><div class=3D"im">
<div dir=3D"ltr" align=3D"left"><font face=3D"Arial" size=3D"2"><span>&gt; =
</span></font>my layouts are on the massive side=20
and are quite varied from one to the other<span><font face=3D"Arial" size=
=3D"2">=A0</font></span></div>
<div dir=3D"ltr" align=3D"left"><span></span>=A0</div>
</div><div dir=3D"ltr" align=3D"left"><span><font face=3D"Arial" size=3D"2"=
>same here. I also noticed that more often than not, Bidule crashes=20
when I open another layout while one is already open. They say this is due =
to=20
the poor programming=A0 and memory handling of one or more of the plugins I=
=20
use. &lt;sigh&gt;=A0 This seems to be a downside of the modular plugin=20
idea.</font></span></div>
<div dir=3D"ltr" align=3D"left"><span></span>=A0</div>
<div dir=3D"ltr" align=3D"left"><span><font face=3D"Arial" size=3D"2">-Mich=
ael</font></span></div>
<div dir=3D"ltr" align=3D"left"><span>=A0</span></div></div>
</blockquote></div><br>

--000e0cd56f683d9d7e049e0ecd14--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 16:03:15 2011
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Subject: Re: bidule users - live usage & "presets"
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On Wed, Mar 9, 2011 at 3:08 PM, james fowler <twostroke@gmail.com> wrote:
> unfortunately, the audio switcher approach won't work.=C2=A0 first of all=
, i
> don't always have an audio input.

I too made that false assumption first. The name "Audio Switcher" may
be misleading because it works even without an audio through-put. I
have used that technique in Bidule setups to activate and deactivate
huge systems of MIDI driven software instruments and effect plugins.
Just look at it as an advanced and totally programmable "on/off
button"  :-))

If you "don't know", just set up a small pilot test for five minutes
to see how it works.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 16:27:00 2011
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Subject: Re: bidule users - live usage & "presets"
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--bcaec50162b7a7978d049e0f32dd
Content-Type: text/plain; charset=ISO-8859-1

Same behaviour here.
Loading some layouts will causes a crash, indipendently by the audio engine
being switched on or off.

-f
www.eterogeneo.com


2011/3/9 Simeon Harris <simeonharris40@googlemail.com>

> michael, have you tried hitting the little button that stops the audio at
> the top of the layout window before opening another layout?
>
> it might work, i havn't tried it myself
>
> sim
>
>
> On Wed, Mar 9, 2011 at 3:46 PM, Michael Peters <mp@mpeters.de> wrote:
>
>>  > my layouts are on the massive side and are quite varied from one to
>> the other
>>
>> same here. I also noticed that more often than not, Bidule crashes when I
>> open another layout while one is already open. They say this is due to the
>> poor programming  and memory handling of one or more of the plugins I use.
>> <sigh>  This seems to be a downside of the modular plugin idea.
>>
>> -Michael
>>
>>
>
>

--bcaec50162b7a7978d049e0f32dd
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<div>Same behaviour here.</div>
<div>Loading some layouts=A0will causes=A0a crash, indipendently by the aud=
io engine being switched on or off.</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br>=A0</div>
<div class=3D"gmail_quote">2011/3/9 Simeon Harris <span dir=3D"ltr">&lt;<a =
href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com=
</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">michael, have you tried hitting =
the little button that stops the audio at the top of the layout window befo=
re opening another layout?<br>
<br>it might work, i havn&#39;t tried it myself<br><br>sim=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Wed, Mar 9, 2011 at 3:46 PM, Michael Peters <=
span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de" target=3D"_blank">mp@=
mpeters.de</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<div>
<div>
<div dir=3D"ltr" align=3D"left"><font face=3D"Arial" size=3D"2"><span>&gt; =
</span></font>my layouts are on the massive side and are quite varied from =
one to the other<span><font face=3D"Arial" size=3D"2">=A0</font></span></di=
v>
<div dir=3D"ltr" align=3D"left"><span></span>=A0</div></div>
<div dir=3D"ltr" align=3D"left"><span><font face=3D"Arial" size=3D"2">same =
here. I also noticed that more often than not, Bidule crashes when I open a=
nother layout while one is already open. They say this is due to the poor p=
rogramming=A0 and memory handling of one or more of the plugins I use. &lt;=
sigh&gt;=A0 This seems to be a downside of the modular plugin idea.</font><=
/span></div>

<div dir=3D"ltr" align=3D"left"><span></span>=A0</div>
<div dir=3D"ltr" align=3D"left"><span><font face=3D"Arial" size=3D"2">-Mich=
ael</font></span></div>
<div dir=3D"ltr" align=3D"left"><span>=A0</span></div></div></blockquote></=
div><br></div></div></blockquote></div><br>

--bcaec50162b7a7978d049e0f32dd--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 17:05:15 2011
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Date: Thu, 10 Mar 2011 02:05:10 +0900
Subject: Semi-OT: EHX Killswitch...
From: Dustbunnies <mech@m3ch.net>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Message-ID: <C99DE256.2B36%mech@m3ch.net>
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Been meaning to post this for a bit, but have only now gotten around to it:

        http://www.ehx.com/products/killswitch

With all the talk in the past of slicer- and SUS-type effects, I'm surprised
this hasn't come up yet.

Killswitch allows you to create gated or slicer effects by simply tapping on
its momentary switch.  Of course, we can already do that by using Bill's
Korg Tuner hack (amongst others), but the Killswitch goes a bit further.

First, you can switch the polarity at the twist of a dial.  In one position,
it allows all signal to pass naturally, then kills it when the pedal is
depressed.  At the other extreme, no signal passes at all until you press
the switch.

Additionally, it incorporates an effect loop so that, if desired, you can
route the signal to another effect chain, rather than muting it.  That means
that you can apply effects to only the notes that are played while you are
holding down the switch.  You can, for instance, apply distortion to every
third note by tapping in threes, or send only the final note of a solo to a
delay unit.

This loop-chain behavior can also be reversed (sending all audio through the
effect loop unless you're pressing the switch) so it would be easy to set up
a mass of repeating echos as a bed, then use the switch to route the signal
unaffected as you solo over it, for example.

I swear EHX must have been eavesdropping on my ranting here, or countless
other forums, for a unit exactly like this.  It's almost 100% like what I've
designed/requested quite a few times in the past, but never had the skills
to build myself (I tend to set things on fire if you give me a soldering
iron).

Best part, it's only $45 USD... cheap!

A simple but extremely useful little tool, I can hardly wait for them to
release it over here in Japan.  Sounds like it could lead to some serious
sonic entertainment.

    --m.


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Message-ID: <AANLkTi=2yqueVNvTkmPd4rqt8jHcYyc6w2KHa4bvOOSJ@mail.gmail.com>
Subject: Re: Semi-OT: EHX Killswitch...
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf307abde963cde4049e0feab4
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"Bill's Korg Tuner hack"? How did I miss this? Could you post the details? I
am making one or I at least have some parts laid out and a half way idea
with the parts from Radio Shack.

j

On Wed, Mar 9, 2011 at 12:05 PM, Dustbunnies <mech@m3ch.net> wrote:

> Been meaning to post this for a bit, but have only now gotten around to it:
>
>        http://www.ehx.com/products/killswitch
>
> With all the talk in the past of slicer- and SUS-type effects, I'm
> surprised
> this hasn't come up yet.
>
> Killswitch allows you to create gated or slicer effects by simply tapping
> on
> its momentary switch.  Of course, we can already do that by using Bill's
> Korg Tuner hack (amongst others), but the Killswitch goes a bit further.
>
>
>
>    --m.
>
>

--20cf307abde963cde4049e0feab4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

&quot;Bill&#39;s Korg Tuner hack&quot;? How did I miss this? Could you post=
 the details? I am making one or I at least have some parts laid out and a =
half way idea with the parts from Radio Shack.<br><br>j<br><br><div class=
=3D"gmail_quote">
On Wed, Mar 9, 2011 at 12:05 PM, Dustbunnies <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mech@m3ch.net">mech@m3ch.net</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1p=
x solid rgb(204, 204, 204); padding-left: 1ex;">
Been meaning to post this for a bit, but have only now gotten around to it:=
<br>
<br>
 =A0 =A0 =A0 =A0<a href=3D"http://www.ehx.com/products/killswitch" target=
=3D"_blank">http://www.ehx.com/products/killswitch</a><br>
<br>
With all the talk in the past of slicer- and SUS-type effects, I&#39;m surp=
rised<br>
this hasn&#39;t come up yet.<br>
<br>
Killswitch allows you to create gated or slicer effects by simply tapping o=
n<br>
its momentary switch. =A0Of course, we can already do that by using Bill&#3=
9;s<br>
Korg Tuner hack (amongst others), but the Killswitch goes a bit further.<br=
>
<br>
<br>
<br>
 =A0 =A0--m.<br>
<br>
</blockquote></div><br>

--20cf307abde963cde4049e0feab4--

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Subject: The Sound of Pi
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Some looped musical fun for the math nerds out there:

http://www.collegehumor.com/video:1948828

 

C


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looped musical fun for the math nerds out there:<o:p></o:p></p><p =
class=3DMsoNormal><a =
href=3D"http://www.collegehumor.com/video:1948828">http://www.collegehumo=
r.com/video:1948828</a><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal>C<o:p></o:p></p></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 17:53:22 2011
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To: <Loopers-Delight@loopers-delight.com>
References: <f856338f7a3bfce83bc7be9e5d31010b.squirrel@webmail.helpwantedproductions.com> <F506E0A4335C41A0A26FF33F52501838@boo6e771026609> <-3812130917591960353@unknownmsgid> <B7717776AA9B4CAB913BD342BF6F171A@boo6e771026609> <AANLkTi=WQEQdjGyE8CDX4J3C769eZWVzvmcwAWTF2dha@mail.gmail.com>
Subject: Re: Vortex Sync with Echoplex
Date: Wed, 9 Mar 2011 18:53:23 +0100
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HI Mark,
i tried again today but it didn't work...
explain me what do you mean by "ground is just the ground" ?
to wich ground is connected the capacitor ? to the ground of the input =
jack ?
i don't understand what's wrong...
thanks

  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, March 08, 2011 11:58 PM
  Subject: Re: Vortex Sync with Echoplex


  Ill be honest to you, it was a very long time since I did it actually. =

  I built the circuit internally inside my Vortex I disconnected the A/B =
channel plug. so now I can just connect a regular lead between EDP and =
Vortex.=20
  I take a cable from the input jack for the tap switch and the morph =
switch, thru small switches mounted on the front of the Vortex, and back =
to the circuit, and capaciter, and out the now defunct A/B socket...

  http://twitpic.com/47lej2
  (See the two little switches in the top right?)
  One synchs the tap to the EDP one synchs the morph.

  I have to say that both dont work at the same time, its one OR the =
other, but setting a long morph on one preset and a short morph on the =
other is very cool, cos then I morph one way over a bar, and then vortex =
jumps  back and does it again, rather than the usual slow fade both =
ways...

  GUESSING @ A SOLUTION HERE>>>
  But connecting the ground would be wrong. the ground is just the =
ground. What you should be doing is connecting the signal to ground via =
a capaciter, to smooth out (or is it to lengthen.. ) the pulse. isnt =
there a diode in there somewhere...? make sure that its round the right =
way... they are always the bugger.

  Mark







  On Tue, Mar 8, 2011 at 10:11 PM, boost <boost@boosterized.com> wrote:

    Hi Mark,
    don't know what's wrong.
    i connected the ground of both jacks to the ground connected to the =
capacitor.
    is that ok ?

    ----- Original Message ----- From: "mark francombe" =
<markfrancombe@gmail.com>
    To: <Loopers-Delight@loopers-delight.com>
    Sent: Tuesday, March 08, 2011 12:59 AM
    Subject: Re: Vortex Sync with Echoplex




      Sure... Mine works... Plus mine can sync morph switching to the =
beat
      too..  Keep trying it's a great mod.

      Sent from my (advertisement removed)

      On 8 Mar 2011, at 00:57, boost <boost@boosterized.com> wrote:


        Hi !
        a question for Vortex and EDP owners:
        did one of you tried this : =
http://www.andybutler.com/vortex/edpsync.htm
        i tried but didn't manage to make it work...
        thanks
        boost









  --=20
  Mark Francombe
  www.markfrancombe.com
  www.ordoabkhao.com
  http://vimeo.com/user825094
  http://www.looop.no
  twitter @markfrancombe

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>HI Mark,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i tried again today but it didn't=20
work...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>explain me what do you mean by "ground =
is just the=20
ground" ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>to wich ground is connected the =
capacitor ? to the=20
ground of the input jack ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i don't understand what's =
wrong...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanks</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 08, 2011 =
11:58=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vortex Sync with=20
  Echoplex</DIV>
  <DIV><BR></DIV>Ill be honest to you, it was a very long time since I =
did it=20
  actually. <BR>I built the circuit internally inside my Vortex I =
disconnected=20
  the A/B channel plug. so now I can just connect a regular lead between =
EDP and=20
  Vortex. <BR>I take a cable from the input jack for the tap switch and =
the=20
  morph switch, thru small switches mounted on the front of the Vortex, =
and back=20
  to the circuit, and capaciter, and out the now defunct A/B =
socket...<BR><BR><A=20
  =
href=3D"http://twitpic.com/47lej2">http://twitpic.com/47lej2</A><BR>(See =
the two=20
  little switches in the top right?)<BR>One synchs the tap to the EDP =
one synchs=20
  the morph.<BR><BR>I have to say that both dont work at the same time, =
its one=20
  OR the other, but setting a long morph on one preset and a short morph =
on the=20
  other is very cool, cos then I morph one way over a bar, and then =
vortex=20
  jumps&nbsp; back and does it again, rather than the usual slow fade =
both=20
  ways...<BR><BR>GUESSING @ A SOLUTION HERE&gt;&gt;&gt;<BR>But =
connecting the=20
  ground would be wrong. the ground is just the ground. What you should =
be doing=20
  is connecting the signal to ground via a capaciter, to smooth out (or =
is it to=20
  lengthen.. ) the pulse. isnt there a diode in there somewhere...? make =
sure=20
  that its round the right way... they are always the=20
  bugger.<BR><BR>Mark<BR><BR><BR><BR><BR><BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Mar 8, 2011 at 10:11 PM, boost <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:boost@boosterized.com">boost@boosterized.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Hi=20
    Mark,<BR>don't know what's wrong.<BR>i connected the ground of both =
jacks to=20
    the ground connected to the capacitor.<BR>is that ok ?<BR><BR>----- =
Original=20
    Message ----- From: "mark francombe" &lt;<A=20
    href=3D"mailto:markfrancombe@gmail.com"=20
    target=3D_blank>markfrancombe@gmail.com</A>&gt;<BR>To: &lt;<A=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
    target=3D_blank>Loopers-Delight@loopers-delight.com</A>&gt;<BR>Sent: =
Tuesday,=20
    March 08, 2011 12:59 AM<BR>Subject: Re: Vortex Sync with Echoplex
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5><BR><BR><BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Sure...=20
      Mine works... Plus mine can sync morph switching to the =
beat<BR>too..=20
      &nbsp;Keep trying it's a great mod.<BR><BR>Sent from my =
(advertisement=20
      removed)<BR><BR>On 8 Mar 2011, at 00:57, boost &lt;<A=20
      href=3D"mailto:boost@boosterized.com"=20
      target=3D_blank>boost@boosterized.com</A>&gt; wrote:<BR><BR>
      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; =
BORDER-LEFT: rgb(204,204,204) 1px solid">Hi=20
        !<BR>a question for Vortex and EDP owners:<BR>did one of you =
tried this=20
        : <A href=3D"http://www.andybutler.com/vortex/edpsync.htm"=20
        =
target=3D_blank>http://www.andybutler.com/vortex/edpsync.htm</A><BR>i=20
        tried but didn't manage to make it=20
      =
work...<BR>thanks<BR>boost<BR><BR></BLOCKQUOTE><BR></BLOCKQUOTE><BR></DIV=
></DIV></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR><I=20
  style=3D"COLOR: rgb(255,255,255); FONT-FAMILY: verdana,sans-serif; =
BACKGROUND-COLOR: rgb(0,0,0)"><FONT=20
  style=3D"FONT-FAMILY: trebuchet ms,sans-serif" size=3D4><U>Mark=20
  Francombe</U></FONT></I><BR><FONT size=3D1><A style=3D"COLOR: =
rgb(51,0,51)"=20
  href=3D"http://www.markfrancombe.com/"=20
  target=3D_blank>www.markfrancombe.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
  style=3D"COLOR: rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/"=20
  target=3D_blank>www.ordoabkhao.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
  style=3D"COLOR: rgb(51,0,51)" href=3D"http://vimeo.com/user825094"=20
  target=3D_blank>http://vimeo.com/user825094</A><BR=20
  style=3D"COLOR: rgb(51,0,51)"><A style=3D"COLOR: rgb(51,0,51)"=20
  href=3D"http://www.looop.no/" =
target=3D_blank>http://www.looop.no</A><BR>twitter=20
  @markfrancombe</FONT><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0049_01CBDE8B.440D8BF0--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 18:10:55 2011
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Subject: Re: The Sound of Pi
From: Tim Thompson <me@timthompson.com>
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The microsound mailing list has an almost-every-year project by its members
to produce music based on pi.  I contributed a couple of pieces when it
started in 2003:

   http://www.microsound.org/projects/project.php?name=pi%20day%202003

The pull-down menu at the very top-right of that page lets you see
subsequent years.

  ...Tim...

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The microsound mailing list has an almost-every-year project by its members=
 to produce music based on pi. =A0I contributed a couple of pieces when it =
started in 2003:<div><br></div><div>=A0=A0=A0<a href=3D"http://www.microsou=
nd.org/projects/project.php?name=3Dpi%20day%202003">http://www.microsound.o=
rg/projects/project.php?name=3Dpi%20day%202003</a></div>
<div><br></div><div>The pull-down menu at the very top-right of that page l=
ets you see subsequent years.</div><div><br></div><div>=A0=A0...Tim...</div=
>

--485b3973ea5347fa1e049e10a6a5--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 18:31:29 2011
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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: The Sound of Pi
Date: Wed, 09 Mar 2011 10:31:10 -0800
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This makes my inner nerd all damp and misty..

daniel 
On Mar 9, 2011, at 9:28 AM, CM wrote:

> Some looped musical fun for the math nerds out there:
> http://www.collegehumor.com/video:1948828
>  
> C


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<html><head><base href=3D"x-msg://545/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; ">This makes my inner nerd all damp and =
misty..<div><br></div><div>daniel&nbsp;<br><div><div>On Mar 9, 2011, at =
9:28 AM, CM wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: 'Myriad Set'; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
lang=3D"EN-US" link=3D"blue" vlink=3D"purple"><div class=3D"WordSection1" =
style=3D"page: WordSection1; "><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
11pt; font-family: Calibri, sans-serif; ">Some looped musical fun for =
the math nerds out there:<o:p></o:p></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
11pt; font-family: Calibri, sans-serif; "><a =
href=3D"http://www.collegehumor.com/video:1948828" style=3D"color: blue; =
text-decoration: underline; =
">http://www.collegehumor.com/video:1948828</a><o:p></o:p></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 11pt; font-family: Calibri, sans-serif; =
"><o:p>&nbsp;</o:p></div><div style=3D"margin-top: 0in; margin-right: =
0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: 11pt; =
font-family: Calibri, sans-serif; =
">C<o:p></o:p></div></div></div></span></blockquote></div><br></div></body=
></html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 18:37:19 2011
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	<5BED21B9-53D3-49D7-9987-5EDC809AB6CC@mac.com>
Date: Wed, 9 Mar 2011 19:37:17 +0100
Message-ID: <AANLkTinqGLHfQq1OTGxFcNDNSKEa=uvXJjEftQ+T7fxS@mail.gmail.com>
Subject: Re: The Sound of Pi
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--000e0cd517c8b9df01049e1104dc
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I too enjoyed that tremendously :)


On Wed, Mar 9, 2011 at 7:31 PM, Daniel Thomas <danielthomas4@mac.com> wrote:

> This makes my inner nerd all damp and misty..
>
> daniel
>
> On Mar 9, 2011, at 9:28 AM, CM wrote:
>
> Some looped musical fun for the math nerds out there:
> http://www.collegehumor.com/video:1948828
>
> C
>
>
>

--000e0cd517c8b9df01049e1104dc
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I too enjoyed that tremendously :)<br><br><br><div class=3D"gmail_quote">On=
 Wed, Mar 9, 2011 at 7:31 PM, Daniel Thomas <span dir=3D"ltr">&lt;<a href=
=3D"mailto:danielthomas4@mac.com">danielthomas4@mac.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">This makes my inner nerd all damp and misty..<div><br>=
</div>
<div><font color=3D"#888888">daniel=A0</font><div><div></div><div class=3D"=
h5"><br><div><div>On Mar 9, 2011, at 9:28 AM, CM wrote:</div><br><blockquot=
e type=3D"cite"><span style=3D"border-collapse: separate; font-family: &#39=
;Myriad Set&#39;; font-style: normal; font-variant: normal; font-weight: no=
rmal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-t=
ransform: none; white-space: normal; word-spacing: 0px; font-size: medium;"=
><div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">
<div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: =
Calibri,sans-serif;">Some looped musical fun for the math nerds out there:<=
/div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 11pt; font-family: =
Calibri,sans-serif;">
<a href=3D"http://www.collegehumor.com/video:1948828" style=3D"color: blue;=
 text-decoration: underline;" target=3D"_blank">http://www.collegehumor.com=
/video:1948828</a></div><div style=3D"margin: 0in 0in 0.0001pt; font-size: =
11pt; font-family: Calibri,sans-serif;">
=A0</div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 11pt; font-fami=
ly: Calibri,sans-serif;">C</div></div></div></span></blockquote></div><br><=
/div></div></div></div></blockquote></div><br>

--000e0cd517c8b9df01049e1104dc--

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Well, Pi is very special to mathematicians, but when it comes to making 
music
there is a better one - Mi (like Music).
The decimal representation of Mi consists of all subsequent natural numbers:
0.123456789101112131415161718192021.....

This irrational number contains binary representations of all musical 
masterpieces
that has been written in the past, are being created now or will be 
created in the future!
(And a lot of other sh*t.)
I mean, when you put it through a DAC you would get all possible kinds 
of sounds ever.
There is one catch - you need a lot of time.... really a lot...   like 
eternity...
As our lifetime is limited, I would rather suggest to create your
masterpieces in a more musical way:)

Regards,
MichaÅ‚
(Mathematician, the inventor of Mi)

> Some looped musical fun for the math nerds out there:
>
> http://www.collegehumor.com/video:1948828
>
> C
>


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    Well, Pi is very special to mathematicians, but when it comes to
    making music<br>
    there is a better one - Mi (like Music).<br>
    The decimal representation of Mi consists of all subsequent natural
    numbers:<br>
    0.123456789101112131415161718192021.....<br>
    <br>
    This irrational number contains binary representations of all
    musical masterpieces<br>
    that has been written in the past, are being created now or will be
    created in the future!<br>
    (And a lot of other sh*t.)<br>
    I mean, when you put it through a DAC you would get all possible
    kinds of sounds ever.<br>
    There is one catch - you need a lot of time.... really a lot...Â Â 
    like eternity...<br>
    As our lifetime is limited, I would rather suggest to create your<br>
    masterpieces in a more musical way:)<br>
    <br>
    Regards,<br>
    MichaÅ‚<br>
    (Mathematician, the inventor of Mi)<br>
    <br>
    <blockquote
      cite="mid:000901cbde7f$71c01e20$55405a60$@asyouthink.com"
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	color:blue;
	text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
	{mso-style-priority:99;
	color:purple;
	text-decoration:underline;}
span.EmailStyle17
	{mso-style-type:personal-compose;
	font-family:"Calibri","sans-serif";
	color:windowtext;}
.MsoChpDefault
	{mso-style-type:export-only;
	font-family:"Calibri","sans-serif";}
@page WordSection1
	{size:8.5in 11.0in;
	margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
	{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]-->
      <div class="WordSection1">
        <p class="MsoNormal">Some looped musical fun for the math nerds
          out there:<o:p></o:p></p>
        <p class="MsoNormal"><a moz-do-not-send="true"
            href="http://www.collegehumor.com/video:1948828">http://www.collegehumor.com/video:1948828</a><o:p></o:p></p>
        <p class="MsoNormal"><o:p>Â </o:p></p>
        <p class="MsoNormal">C<o:p></o:p></p>
      </div>
    </blockquote>
    <br>
  </body>
</html>

--------------010606080600050502030407--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 19:25:45 2011
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Date: Wed, 09 Mar 2011 11:25:38 -0800
From: Rick Walker <looppool@cruzio.com>
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To: Jeff Duke <jeffloops@gmail.com>
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Subject: Re: Re: Semi-OT: EHX Killswitch...
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On 7/22/64 11:59 AM, Jeff Duke wrote about Duke Sexton's post
> "Bill's Korg Tuner hack"? How did I miss this? Could you post the 
> details? I am making one or I at least have some parts laid out and a 
> half way idea with the parts from Radio Shack.
Two of my favorite musicians and posters on this group.............the 
Dukes!!!!!

Let us now pray to the powers that be that they put somewhat quite 
buttons on this puppy.

While we're at it.............why, oh why,  can't someone invent a QUIET 
yet durable momentary or latched switch button.
.............drum hardware people had this sorted out years 
ago.............teflon bushings,  baby!!!!!!!


rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 19:37:58 2011
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Date: Wed, 09 Mar 2011 11:37:55 -0800
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Subject: YOUR FANTASY BAND (Side Project)
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ooooh, ooooh, oooooh,   is it okay to have two fantasy bands? 
.....perhaps, because, between
million selling debut and sophomore records,  we all get bored with all 
the traveling, press junkets, money and
groupies that we feel compelled to express ourselves with a side project.

My Fantasy Side Project would be an all guitar band
(with people who can also double on other instruments):

THE DUKES of NOISE

Jeff Duke on electric guitar
Duke Sexton on electric guitar
Mark Francombe on electric guitar/modular synthesizers/chaos
Stan Card on guitar feedback
Rick Walker on fretless guitar, tuned  D-D-D-D-D-D (with every D a few 
cents detuned from every other D)





From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 19:38:53 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Semi-OT: EHX Killswitch...
Date: Wed, 9 Mar 2011 19:38:50 +0000
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 <AANLkTi=2yqueVNvTkmPd4rqt8jHcYyc6w2KHa4bvOOSJ@mail.gmail.com>,<4D77D432.9020108@cruzio.com>
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--_df8a25e0-e171-4a4e-b47e-fae9c61d78ed_
Content-Type: text/plain; charset="iso-8859-1"
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I'm guessing that live music is often VERY F*KING LOUD!!
So it never occurs to the designers to invent something as subtle as quiet =
switches =3B-)
If you read Harmony Central reviews it seems that most=2C (guitarists at le=
ast)=2C seem to spend their time kicking pedals around the stage and spilli=
ng beer on them before allowing them to drop out of the back of the van on =
their way home after a gig... It's all a bit testosteronial if you ask me.=
=20
I've always liked my zoom 8080 plastic=2C(silent) switches and plastic peda=
ls which have been with me all around the UK=2C Europe=2C Japan and over to=
 the USA - and STILL working a treat =2C (though superceded for sheer lovel=
iness by the line6 M13).

Peace

G



Sentientfx -  Innovative music plugins. http://sentientfx.com/



> Date: Wed=2C 9 Mar 2011 11:25:38 -0800
> From: looppool@cruzio.com
> To: jeffloops@gmail.com
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: Semi-OT: EHX Killswitch...
>=20
> On 7/22/64 11:59 AM=2C Jeff Duke wrote about Duke Sexton's post
> > "Bill's Korg Tuner hack"? How did I miss this? Could you post the=20
> > details? I am making one or I at least have some parts laid out and a=20
> > half way idea with the parts from Radio Shack.
> Two of my favorite musicians and posters on this group.............the=20
> Dukes!!!!!
>=20
> Let us now pray to the powers that be that they put somewhat quite=20
> buttons on this puppy.
>=20
> While we're at it.............why=2C oh why=2C  can't someone invent a QU=
IET=20
> yet durable momentary or latched switch button.
> .............drum hardware people had this sorted out years=20
> ago.............teflon bushings=2C  baby!!!!!!!
>=20
>=20
> rick walker
>=20
 		 	   		  =

--_df8a25e0-e171-4a4e-b47e-fae9c61d78ed_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
I'm guessing that live music is often VERY F*KING LOUD!!<br>So it never occ=
urs to the designers to invent something as subtle as quiet switches =3B-)<=
br>If you read Harmony Central reviews it seems that most=2C (guitarists at=
 least)=2C seem to spend their time kicking pedals around the stage and spi=
lling beer on them before allowing them to drop out of the back of the van =
on their way home after a gig... It's all a bit testosteronial if you ask m=
e. <br>I've always liked my zoom 8080 plastic=2C(silent) switches and plast=
ic pedals which have been with me all around the UK=2C Europe=2C Japan and =
over to the USA - and STILL working a treat =2C (though superceded for shee=
r loveliness by the line6 M13).<br><br>Peace<br><br>G<br><br><br><br>Sentie=
ntfx -&nbsp=3B Innovative music plugins. <a href=3D"http://sentientfx.com/"=
 target=3D"_blank">http://sentientfx.com/</a><br><br><br><br>&gt=3B Date: W=
ed=2C 9 Mar 2011 11:25:38 -0800<br>&gt=3B From: looppool@cruzio.com<br>&gt=
=3B To: jeffloops@gmail.com<br>&gt=3B CC: Loopers-Delight@loopers-delight.c=
om<br>&gt=3B Subject: Re: Re: Semi-OT: EHX Killswitch...<br>&gt=3B <br>&gt=
=3B On 7/22/64 11:59 AM=2C Jeff Duke wrote about Duke Sexton's post<br>&gt=
=3B &gt=3B "Bill's Korg Tuner hack"? How did I miss this? Could you post th=
e <br>&gt=3B &gt=3B details? I am making one or I at least have some parts =
laid out and a <br>&gt=3B &gt=3B half way idea with the parts from Radio Sh=
ack.<br>&gt=3B Two of my favorite musicians and posters on this group......=
.......the <br>&gt=3B Dukes!!!!!<br>&gt=3B <br>&gt=3B Let us now pray to th=
e powers that be that they put somewhat quite <br>&gt=3B buttons on this pu=
ppy.<br>&gt=3B <br>&gt=3B While we're at it.............why=2C oh why=2C  c=
an't someone invent a QUIET <br>&gt=3B yet durable momentary or latched swi=
tch button.<br>&gt=3B .............drum hardware people had this sorted out=
 years <br>&gt=3B ago.............teflon bushings=2C  baby!!!!!!!<br>&gt=3B=
 <br>&gt=3B <br>&gt=3B rick walker<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_df8a25e0-e171-4a4e-b47e-fae9c61d78ed_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 19:46:38 2011
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Date: Wed, 9 Mar 2011 11:46:37 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: new boss pedal!
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
MIME-Version: 1.0
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--0-1804299877-1299699997=:78426
Content-Type: text/plain; charset=iso-8859-1
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=A0
Even if you can't read Dutch, I think this would be a great pedal for a lot=
 of people...
=A0
http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=3D1195&groepI=
d=3D6&subGroepId=3D21
=A0
=A0
ted h.


Or would you sing somethin' different. Somethin' real. Somethin' *you* felt=
. Cause I'm telling you right now, that's the kind of song people want to h=
ear. That's the kind of song that truly saves people. It ain't got nothin t=
o do with believin' in God, Mr. Cash. It has to do with believin' in yourse=
lf. Sam Phillips, "Walk the Line"=0A=0A
--0-1804299877-1299699997=:78426
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Even if you can't read Dutch, I think this would be a great pedal for =
a lot of people...</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.muziekhuisdacapo.nl/producten_detail.asp?product=
Id=3D1195&amp;groepId=3D6&amp;subGroepId=3D21">http://www.muziekhuisdacapo.=
nl/producten_detail.asp?productId=3D1195&amp;groepId=3D6&amp;subGroepId=3D2=
1</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted h.</DIV>
<DIV><BR><BR>Or would you sing somethin' different. Somethin' real. Somethi=
n' *you* felt. Cause I'm telling you right now, that's the kind of song peo=
ple want to hear. That's the kind of song that truly saves people. It ain't=
 got nothin to do with believin' in God, Mr. Cash. It has to do with believ=
in' in yourself. Sam Phillips, "Walk the Line"</DIV></td></tr></table><br>
--0-1804299877-1299699997=:78426--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 19:49:26 2011
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Subject: Re: Semi-OT: EHX Killswitch...
From: Myke Atkinson <mykeatkinson@gmail.com>
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Date: Wed, 9 Mar 2011 12:49:21 -0700
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The switch sounds pretty loud to me based on this video:
http://www.youtube.com/watch?v=3DUn0IjtVShB4

But maybe that's just how he's tapping it?

Only way I could see this being a little better is by having someway to =
allow a 'tails mode' switch where if you had a delay or verb in the =
effect send it wouldn't be cut off when you revert to direct mode.

-Myke





On 2011-03-09, at 12:25 PM, Rick Walker wrote:

> Let us now pray to the powers that be that they put somewhat quite =
buttons on this puppy.

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	<4D77D432.9020108@cruzio.com>
	<430F635C-975E-44D9-9288-4273A8BB94F9@gmail.com>
Date: Wed, 9 Mar 2011 11:50:50 -0800
Message-ID: <AANLkTikVCWZ2TPsOWP=bckFVnnUhxyojr4CrGmaBGKn0@mail.gmail.com>
Subject: Re: Semi-OT: EHX Killswitch...
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well the EH site says "silent switching" so who know exactly what that
means, but they tried at least.

Kevin

On Wed, Mar 9, 2011 at 11:49 AM, Myke Atkinson <mykeatkinson@gmail.com> wro=
te:
> The switch sounds pretty loud to me based on this video:
> http://www.youtube.com/watch?v=3DUn0IjtVShB4
>
> But maybe that's just how he's tapping it?
>
> Only way I could see this being a little better is by having someway to a=
llow a 'tails mode' switch where if you had a delay or verb in the effect s=
end it wouldn't be cut off when you revert to direct mode.
>
> -Myke
>
>
>
>
>
> On 2011-03-09, at 12:25 PM, Rick Walker wrote:
>
>> Let us now pray to the powers that be that they put somewhat quite butto=
ns on this puppy.
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Date: Wed, 9 Mar 2011 15:07:34 -0500
Message-ID: <AANLkTimNhHWUT_i_WdbC4dfMyWJOWSj939c9aMpsDLmY@mail.gmail.com>
Subject: Re: YOUR FANTASY BAND
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151747b380938ba6049e124794
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Okay I think I'll play....

Michael Hedges on electric harp guitar indicative of what he was using on
Taproot.

Marc Anderson on tabla and Steve Tibbetts might as well come along and do
something amazing.

Warren Zevon to bring forth lyricism like Bill Lee

David Lindley on violin or whatever he wants

If he's not on violin maybe me on violin.

I don't even know if we'd have to play mostly I'd just like to hang out wit=
h
these fellas and talk about life and how they became who they became.

Jim

On Wed, Mar 9, 2011 at 10:52 AM, <nemoguitt@aol.com> wrote:

>
> THE BERNHARDS : bernhard wagner, bill walker, me.....but it seems i have
> already been kicked out of this band!
>
> BIG SIGH!.....
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--00151747b380938ba6049e124794
Content-Type: text/html; charset=ISO-8859-1
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Okay I think I&#39;ll play....<br><br>Michael Hedges on electric harp guita=
r indicative of what he was using on Taproot.<br><br>Marc Anderson on tabla=
 and Steve Tibbetts might as well come along and do something amazing.<br>
<br>Warren Zevon to bring forth lyricism like Bill Lee<br><br>David Lindley=
 on violin or whatever he wants<br><br>If he&#39;s not on violin maybe me o=
n violin.<br><br>I don&#39;t even know if we&#39;d have to play mostly I&#3=
9;d just like to hang out with these fellas and talk about life and how the=
y became who they became.<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Wed, Mar 9, 2011 at 10:52 AM, =
 <span dir=3D"ltr">&lt;<a href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.c=
om</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"marg=
in: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-l=
eft: 1ex;">
<br>
THE BERNHARDS : bernhard wagner, bill walker, me.....but it seems i have al=
ready been kicked out of this band!<br>
<br>
BIG SIGH!.....<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--00151747b380938ba6049e124794--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 20:15:49 2011
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From: stanitarium@earthlink.net
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Subject: Re: YOUR FANTASY BAND (Side Project)
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now THATS a band-lets go!


-----Original Message-----
>From: Rick Walker <looppool@cruzio.com>
>Sent: Mar 9, 2011 11:37 AM
>To: Loopers-Delight@loopers-delight.com
>Cc: Loopers-Delight@loopers-delight.com
>Subject: YOUR FANTASY BAND (Side Project)
>
>ooooh, ooooh, oooooh,   is it okay to have two fantasy bands? 
>.....perhaps, because, between
>million selling debut and sophomore records,  we all get bored with all 
>the traveling, press junkets, money and
>groupies that we feel compelled to express ourselves with a side project.
>
>My Fantasy Side Project would be an all guitar band
>(with people who can also double on other instruments):
>
>THE DUKES of NOISE
>
>Jeff Duke on electric guitar
>Duke Sexton on electric guitar
>Mark Francombe on electric guitar/modular synthesizers/chaos
>Stan Card on guitar feedback
>Rick Walker on fretless guitar, tuned  D-D-D-D-D-D (with every D a few 
>cents detuned from every other D)
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 20:40:30 2011
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Date: Wed, 9 Mar 2011 15:40:28 -0500
Message-ID: <AANLkTimKbM+46NbQC7NJn99J9392seTKFjKMM_OtNUhP@mail.gmail.com>
Subject: Re: YOUR FANTASY BAND (Side Project)
From: Jeff Duke <jeffloops@gmail.com>
To: stanitarium@earthlink.net
Cc: Loopers-Delight@loopers-delight.com
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--20cf307cfc0a3f420d049e12bd3c
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I am booking airline as I type..(I wish) :)

J

On Wed, Mar 9, 2011 at 3:15 PM, <stanitarium@earthlink.net> wrote:

> now THATS a band-lets go!
>
>
> -----Original Message-----
> >From: Rick Walker <looppool@cruzio.com>
> >Sent: Mar 9, 2011 11:37 AM
> >To: Loopers-Delight@loopers-delight.com
> >Cc: Loopers-Delight@loopers-delight.com
> >Subject: YOUR FANTASY BAND (Side Project)
> >
> >ooooh, ooooh, oooooh,   is it okay to have two fantasy bands?
> >.....perhaps, because, between
> >million selling debut and sophomore records,  we all get bored with all
> >the traveling, press junkets, money and
> >groupies that we feel compelled to express ourselves with a side project.
> >
> >My Fantasy Side Project would be an all guitar band
> >(with people who can also double on other instruments):
> >
> >THE DUKES of NOISE
> >
> >Jeff Duke on electric guitar
> >Duke Sexton on electric guitar
> >Mark Francombe on electric guitar/modular synthesizers/chaos
> >Stan Card on guitar feedback
> >Rick Walker on fretless guitar, tuned  D-D-D-D-D-D (with every D a few
> >cents detuned from every other D)
> >
> >
> >
> >
> >
>

--20cf307cfc0a3f420d049e12bd3c
Content-Type: text/html; charset=ISO-8859-1
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I am booking airline as I type..(I wish) :)<br><br>J<br><br><div class=3D"g=
mail_quote">On Wed, Mar 9, 2011 at 3:15 PM,  <span dir=3D"ltr">&lt;<a href=
=3D"mailto:stanitarium@earthlink.net">stanitarium@earthlink.net</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">now THATS a band-=
lets go!<br>
<br>
<br>
-----Original Message-----<br>
&gt;From: Rick Walker &lt;<a href=3D"mailto:looppool@cruzio.com">looppool@c=
ruzio.com</a>&gt;<br>
&gt;Sent: Mar 9, 2011 11:37 AM<br>
&gt;To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Deli=
ght@loopers-delight.com</a><br>
&gt;Cc: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Deli=
ght@loopers-delight.com</a><br>
&gt;Subject: YOUR FANTASY BAND (Side Project)<br>
&gt;<br>
&gt;ooooh, ooooh, oooooh, =A0 is it okay to have two fantasy bands?<br>
&gt;.....perhaps, because, between<br>
&gt;million selling debut and sophomore records, =A0we all get bored with a=
ll<br>
&gt;the traveling, press junkets, money and<br>
&gt;groupies that we feel compelled to express ourselves with a side projec=
t.<br>
&gt;<br>
&gt;My Fantasy Side Project would be an all guitar band<br>
&gt;(with people who can also double on other instruments):<br>
&gt;<br>
&gt;THE DUKES of NOISE<br>
&gt;<br>
&gt;Jeff Duke on electric guitar<br>
&gt;Duke Sexton on electric guitar<br>
&gt;Mark Francombe on electric guitar/modular synthesizers/chaos<br>
&gt;Stan Card on guitar feedback<br>
&gt;Rick Walker on fretless guitar, tuned =A0D-D-D-D-D-D (with every D a fe=
w<br>
&gt;cents detuned from every other D)<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
</blockquote></div><br>

--20cf307cfc0a3f420d049e12bd3c--

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Subject: Re: Semi-OT: EHX Killswitch...
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I'm thinking that 'silent switching' in that context means it's a 
kill switch that doesn't introduce a click into the audio signal 
which is a notorious problem with most kill switches that are 
installed on guitars.


At 2011/03/09 11:50 AM, Kevin Cheli-Colando wrote:
>Well the EH site says "silent switching" so who know exactly what that
>means, but they tried at least.
>
>Kevin
>
>On Wed, Mar 9, 2011 at 11:49 AM, Myke Atkinson <mykeatkinson@gmail.com> wrote:
> > The switch sounds pretty loud to me based on this video:
> > http://www.youtube.com/watch?v=Un0IjtVShB4
> >
> > But maybe that's just how he's tapping it?
> >
> > Only way I could see this being a little better is by having 
> someway to allow a 'tails mode' switch where if you had a delay or 
> verb in the effect send it wouldn't be cut off when you revert to direct mode.
> >
> > -Myke
> >
> >
> >
> >
> >
> > On 2011-03-09, at 12:25 PM, Rick Walker wrote:
> >
> >> Let us now pray to the powers that be that they put somewhat 
> quite buttons on this puppy.
> >

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 20:58:04 2011
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Subject: OT: Reversing the external pedal on the Fireworx
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Any Fireworx users out there?

Just to explain my off topic-ness... Wheres the forum for fireworx... the TC
forum is so dead.. I NEVER get an answer there... Any Fx users no of an
active user group?

And NOW.. to the final question, for the beautiful lounge suite...

The pedal input on the back of fireworx... for some reason the filters all
work backwards.. in relation to how a wah wah usually is. So the toe up
position would normally be bassy, muffled and woody, the toe down position
would normally be bright, trebly and tinny! On the Fireworx its the
opposite...
Ive tried to patch the control matrix line that I have set to the pedal
(EXT3) thru the Function module, but adding it to a minus number doesnt do
anything...

Any users know the answer?

Maximillion Frankham OBE




-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--00221504821b18271e049e12fc7f
Content-Type: text/html; charset=ISO-8859-1
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Any Fireworx users out there?<br><br>Just to explain my off topic-ness... W=
heres the forum for fireworx... the TC forum is so dead.. I NEVER get an an=
swer there... Any Fx users no of an active user group?<br><br>And NOW.. to =
the final question, for the beautiful lounge suite... <br>

<br>The pedal input on the back of fireworx... for some reason the filters =
all work backwards.. in relation to how a wah wah usually is. So the toe up=
 position would normally be bassy, muffled and woody, the toe down position=
 would normally be bright, trebly and tinny! On the Fireworx its the opposi=
te...<br>

Ive tried to patch the control matrix line that I have set to the pedal (EX=
T3) thru the Function module, but adding it to a minus number doesnt do any=
thing... <br><br>Any users know the answer?<br><br>Maximillion Frankham OBE=
<br>

<br><br><br clear=3D"all"><br>-- <br><i style=3D"font-family: verdana,sans-=
serif; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font st=
yle=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Francombe<=
/u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--00221504821b18271e049e12fc7f--

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Date: Wed, 9 Mar 2011 14:00:44 -0700
Message-ID: <AANLkTimNpdUgVhB-geT46VB6FZyR79+w8PKqJqFhaTZc@mail.gmail.com>
Subject: Re: new boss pedal!
From: Dennis Moser <sinsofmachaut@gmail.com>
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--bcaec51a8f70b77c9e049e1305be
Content-Type: text/plain; charset=ISO-8859-1

But it's MONO!

:P

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/


On Wed, Mar 9, 2011 at 12:46 PM, ditch wrestler <ditchwrestler@yahoo.com>wrote:

>
> Even if you can't read Dutch, I think this would be a great pedal for a lot
> of people...
>
>
> http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=1195&groepId=6&subGroepId=21
>
>
> ted h.
>
>
> Or would you sing somethin' different. Somethin' real. Somethin' *you*
> felt. Cause I'm telling you right now, that's the kind of song people want
> to hear. That's the kind of song that truly saves people. It ain't got
> nothin to do with believin' in God, Mr. Cash. It has to do with believin' in
> yourself. Sam Phillips, "Walk the Line"
>
>

--bcaec51a8f70b77c9e049e1305be
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

But it&#39;s MONO!<br><br>:P<br><br>Best,<br><br>Dennis<br><br clear=3D"all=
"><a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundc=
loud.com/usrsbin</a><br><a href=3D"http://audiozoloft.com" target=3D"_blank=
">http://audiozoloft.com</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br><br><div class=3D"gmail_quote">On Wed, Mar 9, 2011 at 12:46 PM, ditch w=
restler <span dir=3D"ltr">&lt;<a href=3D"mailto:ditchwrestler@yahoo.com">di=
tchwrestler@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top"><div>=A0</div>
<div>Even if you can&#39;t read Dutch, I think this would be a great pedal =
for a lot of people...</div>
<div>=A0</div>
<div><a href=3D"http://www.muziekhuisdacapo.nl/producten_detail.asp?product=
Id=3D1195&amp;groepId=3D6&amp;subGroepId=3D21" target=3D"_blank">http://www=
.muziekhuisdacapo.nl/producten_detail.asp?productId=3D1195&amp;groepId=3D6&=
amp;subGroepId=3D21</a></div>

<div>=A0</div>
<div>=A0</div>
<div>ted h.</div>
<div><br><br>Or would you sing somethin&#39; different. Somethin&#39; real.=
 Somethin&#39; *you* felt. Cause I&#39;m telling you right now, that&#39;s =
the kind of song people want to hear. That&#39;s the kind of song that trul=
y saves people. It ain&#39;t got nothin to do with believin&#39; in God, Mr=
. Cash. It has to do with believin&#39; in yourself. Sam Phillips, &quot;Wa=
lk the Line&quot;</div>
</td></tr></tbody></table><br></blockquote></div><br>

--bcaec51a8f70b77c9e049e1305be--

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Subject: Re: OT: Reversing the external pedal on the Fireworx
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On Wed, Mar 9, 2011 at 9:57 PM, mark francombe <mark@markfrancombe.com> wrote:
> Any users know the answer?

How about putting it through a "X to Y and Y to X" converter. You may
have to take out the soldering gear and make one.

Pierre Boison
- almost French

From Loopers-Delight-request@loopers-delight.com  Wed Mar  9 21:09:00 2011
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On Wed, Mar 9, 2011 at 6:53 PM, boost <boost@boosterized.com> wrote:

>  HI Mark,
> i tried again today but it didn't work...
> explain me what do you mean by "ground is just the ground" ?
>

I mean, in a jack cable the ground lugs are connected to ground.. leave them
there, ignore them, pretend they don't exist!


>  to wich ground is connected the capacitor ? to the ground of the input
> jack ?
>

The cable needs a diode in the live wire, so disconnect the tip wire in the
jack plug. solder instead a diode, (with the stripe AWAY from the solder
lug). Now the wire you disconnected needs to be soldered to the OTHER end of
the diode (the end WITH the stripe).
Nearly there...
Now connect the same place (the join with the diode and the wire) to the
ground lug together with the wire thats already there (but continue to
ignore it..) The cap also has a right way and wrong way... neg to ground,
pos to wire.

If you think this is pretty difficult to fit in a jack socket, then I agree,
thast why i did it inside my Vortex. The fact that it can all fit inside a
jack plug is a rumour spread about but that dirty trickster Butler, who
doesnt want anyone to nick his tricks... but still puts them on his website
to appear sharing and open...

If you still dont get it.. Ill draw a picture!!!

(Ill do it anyway... give me an hour... Im opening Maya!!)

Mark




>  i don't understand what's wrong...
> thanks
>
>
> ----- Original Message -----
> *From:* mark francombe <mark@markfrancombe.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Tuesday, March 08, 2011 11:58 PM
> *Subject:* Re: Vortex Sync with Echoplex
>
> Ill be honest to you, it was a very long time since I did it actually.
> I built the circuit internally inside my Vortex I disconnected the A/B
> channel plug. so now I can just connect a regular lead between EDP and
> Vortex.
> I take a cable from the input jack for the tap switch and the morph switch,
> thru small switches mounted on the front of the Vortex, and back to the
> circuit, and capaciter, and out the now defunct A/B socket...
>
> http://twitpic.com/47lej2
> (See the two little switches in the top right?)
> One synchs the tap to the EDP one synchs the morph.
>
> I have to say that both dont work at the same time, its one OR the other,
> but setting a long morph on one preset and a short morph on the other is
> very cool, cos then I morph one way over a bar, and then vortex jumps  back
> and does it again, rather than the usual slow fade both ways...
>
> GUESSING @ A SOLUTION HERE>>>
> But connecting the ground would be wrong. the ground is just the ground.
> What you should be doing is connecting the signal to ground via a capaciter,
> to smooth out (or is it to lengthen.. ) the pulse. isnt there a diode in
> there somewhere...? make sure that its round the right way... they are
> always the bugger.
>
> Mark
>
>
>
>
>
>
> On Tue, Mar 8, 2011 at 10:11 PM, boost <boost@boosterized.com> wrote:
>
>> Hi Mark,
>> don't know what's wrong.
>> i connected the ground of both jacks to the ground connected to the
>> capacitor.
>> is that ok ?
>>
>> ----- Original Message ----- From: "mark francombe" <
>> markfrancombe@gmail.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, March 08, 2011 12:59 AM
>> Subject: Re: Vortex Sync with Echoplex
>>
>>
>>
>> Sure... Mine works... Plus mine can sync morph switching to the beat
>>> too..  Keep trying it's a great mod.
>>>
>>> Sent from my (advertisement removed)
>>>
>>> On 8 Mar 2011, at 00:57, boost <boost@boosterized.com> wrote:
>>>
>>> Hi !
>>>> a question for Vortex and EDP owners:
>>>> did one of you tried this :
>>>> http://www.andybutler.com/vortex/edpsync.htm
>>>> i tried but didn't manage to make it work...
>>>> thanks
>>>> boost
>>>>
>>>>
>>>
>>
>
>
> --
> *Mark Francombe*
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--0016364d2edb2858f8049e1323b9
Content-Type: text/html; charset=ISO-8859-1
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On Wed, Mar 9, 2011 at 6:53 PM, boost <span dir=3D"ltr">&lt;<a href=3D"mail=
to:boost@boosterized.com">boost@boosterized.com</a>&gt;</span> wrote:<br><d=
iv class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin:=
 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left=
: 1ex;">







<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">HI Mark,</font></div>
<div><font face=3D"Arial" size=3D"2">i tried again today but it didn&#39;t=
=20
work...</font></div>
<div><font face=3D"Arial" size=3D"2">explain me what do you mean by &quot;g=
round is just the=20
ground&quot; ?</font></div></div></blockquote><div><br>I mean, in a jack ca=
ble the ground lugs are connected to ground.. leave them there, ignore them=
, pretend they don&#39;t exist!<br>=A0<br></div><blockquote class=3D"gmail_=
quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, =
204, 204); padding-left: 1ex;">

<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">to wich ground is connected the capaci=
tor ? to the=20
ground of the input jack ?</font></div></div></blockquote><div><br>The cabl=
e needs a diode in the live wire, so disconnect the tip wire in the jack pl=
ug. solder instead a diode, (with the stripe AWAY from the solder lug). Now=
 the wire you disconnected needs to be soldered to the OTHER end of the dio=
de (the end WITH the stripe). <br>

Nearly there...<br>Now connect the same place (the join with the diode and =
the wire) to the ground lug together with the wire thats already there (but=
 continue to ignore it..) The cap also has a right way and wrong way... neg=
 to ground, pos to wire.<br>

<br>If you think this is pretty difficult to fit in a jack socket, then I a=
gree, thast why i did it inside my Vortex. The fact that it can all fit ins=
ide a jack plug is a rumour spread about but that dirty trickster Butler, w=
ho doesnt want anyone to nick his tricks... but still puts them on his webs=
ite to appear sharing and open...<br>

<br>If you still dont get it.. Ill draw a picture!!!<br><br>(Ill do it anyw=
ay... give me an hour... Im opening Maya!!)<br><br>Mark<br><br><br>=A0</div=
><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bord=
er-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">i don&#39;t understand what&#39;s wron=
g...</font></div>
<div><font face=3D"Arial" size=3D"2">thanks</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<blockquote style=3D"padding-right: 0px; padding-left: 5px; margin-left: 5p=
x; border-left: 2px solid rgb(0, 0, 0); margin-right: 0px;"><div class=3D"i=
m">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228); fo=
nt: 10pt arial;"><b>From:</b>=20
  <a title=3D"mark@markfrancombe.com" href=3D"mailto:mark@markfrancombe.com=
" target=3D"_blank">mark=20
  francombe</a> </div>
  </div><div class=3D"im"><div style=3D"font: 10pt arial;"><b>To:</b> <a ti=
tle=3D"Loopers-Delight@loopers-delight.com" href=3D"mailto:Loopers-Delight@=
loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com<=
/a>=20
  </div>
  </div><div><div></div><div class=3D"h5"><div style=3D"font: 10pt arial;">=
<b>Sent:</b> Tuesday, March 08, 2011 11:58=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: Vortex Sync with=20
  Echoplex</div>
  <div><br></div>Ill be honest to you, it was a very long time since I did =
it=20
  actually. <br>I built the circuit internally inside my Vortex I disconnec=
ted=20
  the A/B channel plug. so now I can just connect a regular lead between ED=
P and=20
  Vortex. <br>I take a cable from the input jack for the tap switch and the=
=20
  morph switch, thru small switches mounted on the front of the Vortex, and=
 back=20
  to the circuit, and capaciter, and out the now defunct A/B socket...<br><=
br><a href=3D"http://twitpic.com/47lej2" target=3D"_blank">http://twitpic.c=
om/47lej2</a><br>(See the two=20
  little switches in the top right?)<br>One synchs the tap to the EDP one s=
ynchs=20
  the morph.<br><br>I have to say that both dont work at the same time, its=
 one=20
  OR the other, but setting a long morph on one preset and a short morph on=
 the=20
  other is very cool, cos then I morph one way over a bar, and then vortex=
=20
  jumps=A0 back and does it again, rather than the usual slow fade both=20
  ways...<br><br>GUESSING @ A SOLUTION HERE&gt;&gt;&gt;<br>But connecting t=
he=20
  ground would be wrong. the ground is just the ground. What you should be =
doing=20
  is connecting the signal to ground via a capaciter, to smooth out (or is =
it to=20
  lengthen.. ) the pulse. isnt there a diode in there somewhere...? make su=
re=20
  that its round the right way... they are always the=20
  bugger.<br><br>Mark<br><br><br><br><br><br><br>
  <div class=3D"gmail_quote">On Tue, Mar 8, 2011 at 10:11 PM, boost <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:boost@boosterized.com" target=3D"_blank">b=
oost@boosterized.com</a>&gt;</span>=20
  wrote:<br>
  <blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);">Hi=20
    Mark,<br>don&#39;t know what&#39;s wrong.<br>i connected the ground of =
both jacks to=20
    the ground connected to the capacitor.<br>is that ok ?<br><br>----- Ori=
ginal=20
    Message ----- From: &quot;mark francombe&quot; &lt;<a href=3D"mailto:ma=
rkfrancombe@gmail.com" target=3D"_blank">markfrancombe@gmail.com</a>&gt;<br=
>To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_=
blank">Loopers-Delight@loopers-delight.com</a>&gt;<br>

Sent: Tuesday,=20
    March 08, 2011 12:59 AM<br>Subject: Re: Vortex Sync with Echoplex
    <div>
    <div></div>
    <div><br><br><br>
    <blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0=
pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);">Sure...=20
      Mine works... Plus mine can sync morph switching to the beat<br>too..=
=20
      =A0Keep trying it&#39;s a great mod.<br><br>Sent from my (advertiseme=
nt=20
      removed)<br><br>On 8 Mar 2011, at 00:57, boost &lt;<a href=3D"mailto:=
boost@boosterized.com" target=3D"_blank">boost@boosterized.com</a>&gt; wrot=
e:<br><br>
      <blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin:=
 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);">Hi=20
        !<br>a question for Vortex and EDP owners:<br>did one of you tried =
this=20
        : <a href=3D"http://www.andybutler.com/vortex/edpsync.htm" target=
=3D"_blank">http://www.andybutler.com/vortex/edpsync.htm</a><br>i=20
        tried but didn&#39;t manage to make it=20
      work...<br>thanks<br>boost<br><br></blockquote><br></blockquote><br><=
/div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"=
color: rgb(255, 255, 255); font-family: verdana,sans-serif; background-colo=
r: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" siz=
e=3D"4"><u>Mark=20
  Francombe</u></font></i><br><font size=3D"1"><a style=3D"color: rgb(51, 0=
, 51);" href=3D"http://www.markfrancombe.com/" target=3D"_blank">www.markfr=
ancombe.com</a><br style=3D"color: rgb(51, 0, 51);"><a style=3D"color: rgb(=
51, 0, 51);" href=3D"http://www.ordoabkhao.com/" target=3D"_blank">www.ordo=
abkhao.com</a><br style=3D"color: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter=20
  @markfrancombe</font><br></div></div></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family=
: verdana,sans-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0=
, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>=
Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--0016364d2edb2858f8049e1323b9--

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From: mark francombe <mark@markfrancombe.com>
Date: Wed, 9 Mar 2011 22:12:47 +0100
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Message-ID: <AANLkTimkN6G0HVXiGrZ0T3O5n2bW+r5HQPqT-DsPmNsi@mail.gmail.com>
Subject: Re: YOUR FANTASY BAND (Side Project)
To: Loopers-Delight@loopers-delight.com
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Im in!!
... working on my rider already... Hmm 6 pack dark ale, 8th of Morrocan,
clean socks, and 15 9v batteries...

On Wed, Mar 9, 2011 at 9:40 PM, Jeff Duke <jeffloops@gmail.com> wrote:

> I am booking airline as I type..(I wish) :)
>
> J
>
>
> On Wed, Mar 9, 2011 at 3:15 PM, <stanitarium@earthlink.net> wrote:
>
>> now THATS a band-lets go!
>>
>>
>> -----Original Message-----
>> >From: Rick Walker <looppool@cruzio.com>
>> >Sent: Mar 9, 2011 11:37 AM
>> >To: Loopers-Delight@loopers-delight.com
>> >Cc: Loopers-Delight@loopers-delight.com
>> >Subject: YOUR FANTASY BAND (Side Project)
>> >
>> >ooooh, ooooh, oooooh,   is it okay to have two fantasy bands?
>> >.....perhaps, because, between
>> >million selling debut and sophomore records,  we all get bored with all
>> >the traveling, press junkets, money and
>> >groupies that we feel compelled to express ourselves with a side project.
>> >
>> >My Fantasy Side Project would be an all guitar band
>> >(with people who can also double on other instruments):
>> >
>> >THE DUKES of NOISE
>> >
>> >Jeff Duke on electric guitar
>> >Duke Sexton on electric guitar
>> >Mark Francombe on electric guitar/modular synthesizers/chaos
>> >Stan Card on guitar feedback
>> >Rick Walker on fretless guitar, tuned  D-D-D-D-D-D (with every D a few
>> >cents detuned from every other D)
>> >
>> >
>> >
>> >
>> >
>>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Im in!!<br>... working on my rider already... Hmm 6 pack dark ale, 8th of M=
orrocan, clean socks, and 15 9v batteries...<br><br><div class=3D"gmail_quo=
te">On Wed, Mar 9, 2011 at 9:40 PM, Jeff Duke <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jeffloops@gmail.com">jeffloops@gmail.com</a>&gt;</span> wrote:<b=
r>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I am booking airl=
ine as I type..(I wish) :)<br><font color=3D"#888888"><br>J</font><div><div=
>
</div>
<div class=3D"h5"><br><br><div class=3D"gmail_quote">On Wed, Mar 9, 2011 at=
 3:15 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:stanitarium@earthlink.ne=
t" target=3D"_blank">stanitarium@earthlink.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">now THATS a band-=
lets go!<br>
<br>
<br>
-----Original Message-----<br>
&gt;From: Rick Walker &lt;<a href=3D"mailto:looppool@cruzio.com" target=3D"=
_blank">looppool@cruzio.com</a>&gt;<br>
&gt;Sent: Mar 9, 2011 11:37 AM<br>
&gt;To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a><br>
&gt;Cc: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a><br>
&gt;Subject: YOUR FANTASY BAND (Side Project)<br>
&gt;<br>
&gt;ooooh, ooooh, oooooh, =A0 is it okay to have two fantasy bands?<br>
&gt;.....perhaps, because, between<br>
&gt;million selling debut and sophomore records, =A0we all get bored with a=
ll<br>
&gt;the traveling, press junkets, money and<br>
&gt;groupies that we feel compelled to express ourselves with a side projec=
t.<br>
&gt;<br>
&gt;My Fantasy Side Project would be an all guitar band<br>
&gt;(with people who can also double on other instruments):<br>
&gt;<br>
&gt;THE DUKES of NOISE<br>
&gt;<br>
&gt;Jeff Duke on electric guitar<br>
&gt;Duke Sexton on electric guitar<br>
&gt;Mark Francombe on electric guitar/modular synthesizers/chaos<br>
&gt;Stan Card on guitar feedback<br>
&gt;Rick Walker on fretless guitar, tuned =A0D-D-D-D-D-D (with every D a fe=
w<br>
&gt;cents detuned from every other D)<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-col=
or: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" si=
ze=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--001517573fbcfcf9ab049e13316b--

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Subject: Re: new boss pedal!
Date: Wed, 9 Mar 2011 16:25:48 -0500
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I'm gonna get two and run them in series!
On Mar 9, 2011, at 2:46 PM, ditch wrestler wrote:
> =20
> Even if you can't read Dutch, I think this would be a great pedal for =
a lot of people...
> =20
> =
http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=3D1195&groep=
Id=3D6&subGroepId=3D21
> =20
>=20


--Apple-Mail-3--723798156
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I'm gonna get two and run them in series!<div><div><div>On Mar 9, 2011, at 2:46 PM, ditch wrestler wrote:</div><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style="position: static; z-index: auto; "><tbody><tr><td valign="top" style="font: inherit;"><div>&nbsp;</div>
<div>Even if you can't read Dutch, I think this would be a great pedal for a lot of people...</div>
<div>&nbsp;</div>
<div><a href="http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=1195&amp;groepId=6&amp;subGroepId=21">http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=1195&amp;groepId=6&amp;subGroepId=21</a></div>
<div>&nbsp;</div>
<div><br></div></td></tr></tbody></table></blockquote></div>
<br></div></body></html>
--Apple-Mail-3--723798156--

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Date: Wed, 9 Mar 2011 14:02:13 -0800
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Subject: Re: YOUR FANTASY BAND
From: Matt Davignon <mattdavignon@gmail.com>
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Hey Mark,

What projects has Helge Sten been involved in other than Deathprod and
recording Supersilent? I like his drone work.

mark francombe <mark@markfrancombe.com> was like:
>
> Keyboards/Electronics : Helge Sten

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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--90e6ba6e8bbc281dfe049e13fba8
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He is IN Supersilent too you know... he plays... something... Yes
Deathprod...  but also he records a lot of expreimental people here, and
some not so... Susanna and the magic band for example... but its his
Supersilent work that puts him in my band.. he lives not 100 meters from me
actually... dont know him though.. but I try to smile occasionally in the
Supermarket!

Mark

On Wed, Mar 9, 2011 at 11:02 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Hey Mark,
>
> What projects has Helge Sten been involved in other than Deathprod and
> recording Supersilent? I like his drone work.
>
> mark francombe <mark@markfrancombe.com> was like:
> >
> > Keyboards/Electronics : Helge Sten
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8bbc281dfe049e13fba8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

He is IN Supersilent too you know... he plays... something... Yes Deathprod=
...=A0 but also he records a lot of expreimental people here, and some not =
so... Susanna and the magic band for example... but its his Supersilent wor=
k that puts him in my band.. he lives not 100 meters from me actually... do=
nt know him though.. but I try to smile occasionally in the Supermarket!<br=
>

<br>Mark<br><br><div class=3D"gmail_quote">On Wed, Mar 9, 2011 at 11:02 PM,=
 Matt Davignon <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.c=
om">mattdavignon@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(2=
04, 204, 204); padding-left: 1ex;">

Hey Mark,<br>
<br>
What projects has Helge Sten been involved in other than Deathprod and<br>
recording Supersilent? I like his drone work.<br>
<br>
mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranc=
ombe.com</a>&gt; was like:<br>
&gt;<br>
&gt; Keyboards/Electronics : Helge Sten<br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8bbc281dfe049e13fba8--

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Date: Wed, 9 Mar 2011 14:40:59 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: new boss pedal!
To: Loopers-Delight@loopers-delight.com
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--0-1782956633-1299710459=:64645
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Howdy,
=A0
=A0Not me, I'm gonna run em parallel! Wait,,=A0 2 in series, paralleled wit=
h 2 more in series! Maybe even stereo. What the hey, Pink Floyd em,,, QUAD!=
!!!
Rig

--- On Wed, 3/9/11, Todd Matthews <gtmatthews@gmail.com> wrote:


From: Todd Matthews <gtmatthews@gmail.com>
Subject: Re: new boss pedal!
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, March 9, 2011, 1:25 PM


I'm gonna get two and run them in series!


On Mar 9, 2011, at 2:46 PM, ditch wrestler wrote:





=A0
Even if you can't read Dutch, I think this would be a great pedal for a lot=
 of people...
=A0
http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=3D1195&groepI=
d=3D6&subGroepId=3D21
=A0


=0A=0A=0A      
--0-1782956633-1299710459=:64645
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Howdy,</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;Not me, I'm gonna run em parallel! Wait,,&nbsp; 2 in series, par=
alleled with 2 more in series! Maybe even stereo. What the hey, Pink Floyd =
em,,, QUAD!!!!</DIV>
<DIV>Rig<BR><BR>--- On <B>Wed, 3/9/11, Todd Matthews <I>&lt;gtmatthews@gmai=
l.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Todd Matthews &lt;gtmatthews@gmail.com&gt;<=
BR>Subject: Re: new boss pedal!<BR>To: Loopers-Delight@loopers-delight.com<=
BR>Date: Wednesday, March 9, 2011, 1:25 PM<BR><BR>
<DIV id=3Dyiv610888687>I'm gonna get two and run them in series!
<DIV>
<DIV>
<DIV>On Mar 9, 2011, at 2:46 PM, ditch wrestler wrote:</DIV>
<BLOCKQUOTE type=3D"cite">
<TABLE border=3D0 cellSpacing=3D0 cellPadding=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>&nbsp;</DIV>
<DIV>Even if you can't read Dutch, I think this would be a great pedal for =
a lot of people...</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.muziekhuisdacapo.nl/producten_detail.asp?product=
Id=3D1195&amp;groepId=3D6&amp;subGroepId=3D21" rel=3Dnofollow target=3D_bla=
nk>http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=3D1195&amp=
;groepId=3D6&amp;subGroepId=3D21</A></DIV>
<DIV>&nbsp;</DIV>
<DIV><BR></DIV></TD></TR></TBODY></TABLE></BLOCKQUOTE></DIV><BR></DIV></DIV=
></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1782956633-1299710459=:64645--

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--20cf306845f7b8fd29049e148463
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>
> i don't understand what's wrong...
>
>>  thanks
>>
>>
If you still dont get it.. Ill draw a picture!!!

> (Ill do it anyway... give me an hour... Im opening Maya!!)
>

And here it is. How to make the sync cable for vortex to EDP. Drawn in Maya
by me, (ok it took a little longer than an hour, hour and a half I think!)

https://skitch.com/markfrancombe/ru7tp/jackplug.jpg



Mark


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf306845f7b8fd29049e148463
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<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margi=
n: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-le=
ft: 1ex;"><div class=3D"gmail_quote"><div><div><font face=3D"Arial" size=3D=
"2">i don&#39;t understand what&#39;s wrong...</font></div>

<div class=3D"h5"><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0p=
t 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"=
>
<div bgcolor=3D"#ffffff">

<div><font face=3D"Arial" size=3D"2">thanks</font></div>
<div><font face=3D"Arial" size=3D"2"></font> <br></div></div></blockquote><=
/div></div></div></blockquote><div><br>If you still dont get it.. Ill draw =
a picture!!!<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt =
0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<div class=3D"gmail_quote"><div>(Ill do it anyway... give me an hour... Im =
opening Maya!!)<br></div></div></blockquote><div><br>And here it is. How to=
 make the sync cable for vortex to EDP. Drawn in Maya by me, (ok it took a =
little longer than an hour, hour and a half I think!)<br>

<br><a href=3D"https://skitch.com/markfrancombe/ru7tp/jackplug.jpg">https:/=
/skitch.com/markfrancombe/ru7tp/jackplug.jpg</a><br><br><br></div><font col=
or=3D"#888888"><br>Mark<br></font><br></div></div><br>-- <br><i style=3D"fo=
nt-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color:=
 rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=
=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf306845f7b8fd29049e148463--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 02:44:50 2011
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Date: Thu, 10 Mar 2011 11:44:44 +0900
Subject: Re: Semi-OT: EHX Killswitch...
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C99E6A2C.2B82%mech@m3ch.net>
Thread-Topic: Semi-OT: EHX Killswitch...
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On 3/10/11 2:18 AM, "Jeff Duke" <jeffloops@gmail.com> wrote:
>
> "Bill's Korg Tuner hack"? How did I miss this? Could you post the details? I
> am making one or I at least have some parts laid out and a half way idea with
> the parts from Radio Shack.

Oh, that one's easy, no soldering required (so I don't have to burn down my
house).

There's one of the Korg tuners -- model DT-7, IIRC, but there may be others
-- which has an input for an external 'bypass' pedal.  If you attach an
external switch, you can use that to mute the signal while you tune your
guitar.  However, you can use it as a killswitch very easily.

I've had a Roland FSU-5 plugged into one, and it works well.  You can also
hear Bill (who came up with this in the first place) use this setup in a
couple of his videos.

    --m.


From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 03:15:00 2011
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Date: Wed, 9 Mar 2011 22:14:58 -0500
Message-ID: <AANLkTimGD8C9_-ju7WvdFnBzu9R4fv44RF+qEYTD5Y6Y@mail.gmail.com>
Subject: Re: Semi-OT: EHX Killswitch...
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks DB, I have one that will meet the requirements, I'll check it out as
soon as I can find it :) (hunting through boxes of archived gear)

j

On Wed, Mar 9, 2011 at 9:44 PM, Dustbunnies <mech@m3ch.net> wrote:

> On 3/10/11 2:18 AM, "Jeff Duke" <jeffloops@gmail.com> wrote:
> >
> > "Bill's Korg Tuner hack"? How did I miss this? Could you post the
> details? I
> > am making one or I at least have some parts laid out and a half way idea
> with
> > the parts from Radio Shack.
>
> Oh, that one's easy, no soldering required (so I don't have to burn down my
> house).
>
> There's one of the Korg tuners -- model DT-7, IIRC, but there may be others
> -- which has an input for an external 'bypass' pedal.  If you attach an
> external switch, you can use that to mute the signal while you tune your
> guitar.  However, you can use it as a killswitch very easily.
>
> I've had a Roland FSU-5 plugged into one, and it works well.  You can also
> hear Bill (who came up with this in the first place) use this setup in a
> couple of his videos.
>
>    --m.
>
>

--20cf307d05821957a9049e1840e2
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Thanks DB, I have one that will meet the requirements, I&#39;ll check it ou=
t as soon as I can find it :) (hunting through boxes of archived gear)<br><=
br>j<br><br><div class=3D"gmail_quote">On Wed, Mar 9, 2011 at 9:44 PM, Dust=
bunnies <span dir=3D"ltr">&lt;<a href=3D"mailto:mech@m3ch.net">mech@m3ch.ne=
t</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On 3/10/11 2:18 A=
M, &quot;Jeff Duke&quot; &lt;<a href=3D"mailto:jeffloops@gmail.com">jeffloo=
ps@gmail.com</a>&gt; wrote:<br>

&gt;<br>
&gt; &quot;Bill&#39;s Korg Tuner hack&quot;? How did I miss this? Could you=
 post the details? I<br>
&gt; am making one or I at least have some parts laid out and a half way id=
ea with<br>
&gt; the parts from Radio Shack.<br>
<br>
Oh, that one&#39;s easy, no soldering required (so I don&#39;t have to burn=
 down my<br>
house).<br>
<br>
There&#39;s one of the Korg tuners -- model DT-7, IIRC, but there may be ot=
hers<br>
-- which has an input for an external &#39;bypass&#39; pedal. =A0If you att=
ach an<br>
external switch, you can use that to mute the signal while you tune your<br=
>
guitar. =A0However, you can use it as a killswitch very easily.<br>
<br>
I&#39;ve had a Roland FSU-5 plugged into one, and it works well. =A0You can=
 also<br>
hear Bill (who came up with this in the first place) use this setup in a<br=
>
couple of his videos.<br>
<br>
 =A0 =A0--m.<br>
<br>
</blockquote></div><br>

--20cf307d05821957a9049e1840e2--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 05:01:57 2011
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Subject: Re: Re: YOUR FANTASY BAND (Side Project)
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On 7/22/64 11:59 AM, mark francombe wrote:
> Im in!!... working on my rider already... Hmm 6 pack dark ale, 8th of 
> Morrocan, clean socks, and 15 9v batteries...
Don't forget the black pants, black button up shirts, black shoes and 
black attitude.

We can call our music BLACK NOISE (actually a great name for a band now 
that I come to think of it).

We're a go, then!!!!!

Shall we all converge for Y2K11 in Santa Cruz for the first
DUKES of NOISE dream band performance?

What do you say,  Duke, Jeff, Stan, Mark?

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 05:55:11 2011
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Subject: Re: Re: YOUR FANTASY BAND (Side Project)
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--bcaec51b174deb6305049e1a7cf6
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duet: fripp+caruso

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duet: fripp+caruso<br><br><div style=3D"display: inline;"></div><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
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nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--bcaec51b174deb6305049e1a7cf6--

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Subject: Re: Re: YOUR FANTASY BAND (Side Project)
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I am there Rick! Don't forget the case of complimentary black earplugs for
the audience..:)

On Thu, Mar 10, 2011 at 12:01 AM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, mark francombe wrote:
>
>> Im in!!... working on my rider already... Hmm 6 pack dark ale, 8th of
>> Morrocan, clean socks, and 15 9v batteries...
>>
> Don't forget the black pants, black button up shirts, black shoes and black
> attitude.
>
> We can call our music BLACK NOISE (actually a great name for a band now
> that I come to think of it).
>
> We're a go, then!!!!!
>
> Shall we all converge for Y2K11 in Santa Cruz for the first
> DUKES of NOISE dream band performance?
>
> What do you say,  Duke, Jeff, Stan, Mark?
>

--bcaec53f92f5fd4a36049e1a92ef
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I am there Rick! Don&#39;t forget the case of complimentary black earplugs =
for the audience..:)<br><br><div class=3D"gmail_quote">On Thu, Mar 10, 2011=
 at 12:01 AM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@=
cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On 7/22/64 11:59 =
AM, mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Im in!!... working on my rider already... Hmm 6 pack dark ale, 8th of Morro=
can, clean socks, and 15 9v batteries...<br>
</blockquote>
Don&#39;t forget the black pants, black button up shirts, black shoes and b=
lack attitude.<br>
<br>
We can call our music BLACK NOISE (actually a great name for a band now tha=
t I come to think of it).<br>
<br>
We&#39;re a go, then!!!!!<br>
<br>
Shall we all converge for Y2K11 in Santa Cruz for the first<br>
DUKES of NOISE dream band performance?<br>
<br>
What do you say, =A0Duke, Jeff, Stan, Mark?<br>
</blockquote></div><br>

--bcaec53f92f5fd4a36049e1a92ef--

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SPL Stan will be there yall


-----Original Message-----
>From: Rick Walker <looppool@cruzio.com>
>Sent: Mar 9, 2011 9:01 PM
>To: mark francombe <mark@markfrancombe.com>
>Cc: Loopers-Delight@loopers-delight.com, STAN CARD <stanitarium@earthlink.net>, DUKE SEXTON <mech@m3ch.net>, Jeff Duke <jeff_d@embarqmail.com>
>Subject: Re: Re: YOUR FANTASY BAND (Side Project)
>
>On 7/22/64 11:59 AM, mark francombe wrote:
>> Im in!!... working on my rider already... Hmm 6 pack dark ale, 8th of 
>> Morrocan, clean socks, and 15 9v batteries...
>Don't forget the black pants, black button up shirts, black shoes and 
>black attitude.
>
>We can call our music BLACK NOISE (actually a great name for a band now 
>that I come to think of it).
>
>We're a go, then!!!!!
>
>Shall we all converge for Y2K11 in Santa Cruz for the first
>DUKES of NOISE dream band performance?
>
>What do you say,  Duke, Jeff, Stan, Mark?
>

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Date: Wed, 9 Mar 2011 23:35:58 -0800 (PST)
From: "MR. JAMES VICTOR" <officefile-----754@att.net>
Reply-To: moneygramservice56@globomail.com
Subject: CONTACT MONEY GRAM INTERNATIONAL FOR YOUR PAYMENT!!
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-35536244-1299742558=:79886"

--0-35536244-1299742558=:79886
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ATTENTION BENEFICIARY,
=C2=A0
WE THE MONEY GRAM URGENT REMMITTING OFFICE HAVE SENT YOUR FULL COMPENSATION=
 PAYMENT OF $900.000.00USD TO YOU THROUGH MONEY GRAM, YOU WILL BE RECEIVING=
 THE SUM OF $7.450.00USD PER DAY, NOW WE HAVE SEND THE FIRST PAYMENT TO YOU=
, CONTACT OUR DIRECTOR DR.JIM WILFRED AND ASK HIM TO GIVE YOU THE MONEY GRA=
M PAYMENT INFORMATION SO THAT YOU CAN BE ABLE TO PICK UP YOUR FUNDS THROUGH=
 MONEY GRAM WITHOUT ANY PROBLEM.
=C2=A0
HERE IS THE CONTACT INFORMATION OF MONEY GRAM
DIRECTOR GENERAL=E2=80=A6DR.JIM WILFRED
EMAIL ADRESS ... (moneygramservice56@globomail.com)
PHONE NUMBER +229-98072631
=C2=A0
THEN CONTACT HIM WITH YOUR FULL INFORMATION.
YOUR NAME: _____________________
COUNTRY: ______________________
PHONE NUMBER: ____________________
ADDRESS: _____________________________
CITY: _____________________________________
AGE: _________________________________________
SEX: ______________________________________________
=C2=A0
CALL OR EMAIL HIM NOW SO THAT HE CAN PROVIDE THE MONEY GRAM INFORMATION TO =
YOU AS URGENT AS YOU CAN AND ALSO ASK HIM TO PROVIDE YOUR (IRS) FORM.
=C2=A0
THANKS AND GOD
MR. JAMES VICTOR

--0-35536244-1299742558=:79886
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><span style=3D"font-weight: bold;">AT=
TENTION BENEFICIARY,</span><br style=3D"font-weight: bold;"><span style=3D"=
font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span sty=
le=3D"font-weight: bold;">WE THE MONEY GRAM URGENT REMMITTING OFFICE HAVE S=
ENT YOUR FULL COMPENSATION PAYMENT OF $900.000.00USD TO YOU THROUGH MONEY G=
RAM, YOU WILL BE RECEIVING THE SUM OF $7.450.00USD PER DAY, NOW WE HAVE SEN=
D THE FIRST PAYMENT TO YOU, CONTACT OUR DIRECTOR DR.JIM WILFRED AND ASK HIM=
 TO GIVE YOU THE MONEY GRAM PAYMENT INFORMATION SO THAT YOU CAN BE ABLE TO =
PICK UP YOUR FUNDS THROUGH MONEY GRAM WITHOUT ANY PROBLEM.</span><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br=
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">HERE IS TH=
E CONTACT INFORMATION OF MONEY GRAM</span><br style=3D"font-weight: bold;">=
<span
 style=3D"font-weight: bold;">DIRECTOR GENERAL=E2=80=A6DR.JIM WILFRED</span=
><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">EMAIL =
ADRESS ... (moneygramservice56@globomail.com)</span><br style=3D"font-weigh=
t: bold;"><span style=3D"font-weight: bold;">PHONE NUMBER +229-98072631</sp=
an><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbs=
p;</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;=
">THEN CONTACT HIM WITH YOUR FULL INFORMATION.</span><br style=3D"font-weig=
ht: bold;"><span style=3D"font-weight: bold;">YOUR NAME: __________________=
___</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold=
;">COUNTRY: ______________________</span><br style=3D"font-weight: bold;"><=
span style=3D"font-weight: bold;">PHONE NUMBER: ____________________</span>=
<br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">ADDRESS=
: _____________________________</span><br style=3D"font-weight: bold;"><spa=
n style=3D"font-weight: bold;">CITY:
 _____________________________________</span><br style=3D"font-weight: bold=
;"><span style=3D"font-weight: bold;">AGE: ________________________________=
_________</span><br style=3D"font-weight: bold;"><span style=3D"font-weight=
: bold;">SEX: ______________________________________________</span><br styl=
e=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><b=
r style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">CALL OR E=
MAIL HIM NOW SO THAT HE CAN PROVIDE THE MONEY GRAM INFORMATION TO YOU AS UR=
GENT AS YOU CAN AND ALSO ASK HIM TO PROVIDE YOUR (IRS) FORM.</span><br styl=
e=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><b=
r style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">THANKS AN=
D GOD</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bo=
ld;">MR. JAMES VICTOR</span><br style=3D"font-weight: bold;"></td></tr></ta=
ble>
--0-35536244-1299742558=:79886--

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Date: Thu, 10 Mar 2011 08:39:57 +0100
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Subject: Re: new boss pedal!
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502d15fc4ea80049e1bf301
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jeeez that took a long time to come...

On Wed, Mar 9, 2011 at 8:46 PM, ditch wrestler <ditchwrestler@yahoo.com>wrote:

>
> Even if you can't read Dutch, I think this would be a great pedal for a lot
> of people...
>
>
> http://www.muziekhuisdacapo.nl/producten_detail.asp?productId=1195&groepId=6&subGroepId=21
>
>
> ted h.
>
>
> Or would you sing somethin' different. Somethin' real. Somethin' *you*
> felt. Cause I'm telling you right now, that's the kind of song people want
> to hear. That's the kind of song that truly saves people. It ain't got
> nothin to do with believin' in God, Mr. Cash. It has to do with believin' in
> yourself. Sam Phillips, "Walk the Line"
>
>

--00504502d15fc4ea80049e1bf301
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

jeeez that took a long time to come...<br><br><div class=3D"gmail_quote">On=
 Wed, Mar 9, 2011 at 8:46 PM, ditch wrestler <span dir=3D"ltr">&lt;<a href=
=3D"mailto:ditchwrestler@yahoo.com">ditchwrestler@yahoo.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><table border=3D"=
0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td style=3D"font: inheri=
t;" valign=3D"top">
<div>=A0</div>
<div>Even if you can&#39;t read Dutch, I think this would be a great pedal =
for a lot of people...</div>
<div>=A0</div>
<div><a href=3D"http://www.muziekhuisdacapo.nl/producten_detail.asp?product=
Id=3D1195&amp;groepId=3D6&amp;subGroepId=3D21" target=3D"_blank">http://www=
.muziekhuisdacapo.nl/producten_detail.asp?productId=3D1195&amp;groepId=3D6&=
amp;subGroepId=3D21</a></div>

<div>=A0</div>
<div>=A0</div>
<div>ted h.</div>
<div><br><br>Or would you sing somethin&#39; different. Somethin&#39; real.=
 Somethin&#39; *you* felt. Cause I&#39;m telling you right now, that&#39;s =
the kind of song people want to hear. That&#39;s the kind of song that trul=
y saves people. It ain&#39;t got nothin to do with believin&#39; in God, Mr=
. Cash. It has to do with believin&#39; in yourself. Sam Phillips, &quot;Wa=
lk the Line&quot;</div>
</td></tr></tbody></table><br></blockquote></div><br>

--00504502d15fc4ea80049e1bf301--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 07:42:27 2011
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Subject: New podcast
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Hi all,

I've finished a new podcast, which is on http://ribosomematt.podomatic.com/

I probably won't post these here for ever, since they are largely
off-topic for this list. However, there is a way to subscribe on the
website, which I think automatically connects it to itunes. Anyway,
here it is:

Episode 4

0) Opening Chimes
1) Scala & Kolacny Brothers "Everything In Its Right Place" (from "On
The Rocks", 2008)
2) The Quiet American "Seven Minutes in Tibet" (from CT-Collective
"Locations, Vol. 2", 2004)
Note - it's a palindrome!
3) The Tear Garden "Turn Me On Dead Man" (from "The Last Man to Fly", 1993)
4) F.M. Einheit "Auftritt Geist/Wald" (from "Prometheus/Lear", 1993)
5) Kammerflimmer Kollectief "Implodiert" (From "M=E4ander", 1999)
6) Shadowbug 4 "No, I Swear...Look At My Tongue" (from "Tiny Voices of
Love and Fear", 1999)
7) Scientist "Your Teeth in My Neck" (from "Scientist Rids The World
of The Evil Curse of The Vampires", 1981)
8) Victoria Jordanova "Secret Life of Bees - Swarm" (from "In a
Landscape", 2007)
9) Information "Every Possible Artificial Condition" (from "Biomekano", 200=
2)
10) Mercury Rev "Faraway from Cars" (from "Snowflake Midnight", 2008)
11) Ernesto Diaz-Infante "Durability of the Throwaway Art Gesture"
(from "Ernesto Diaz-Infante", 2003)
12) Midisport (aka Atom TM) "Midi A-Gogo (V.2001)" (from "14
Footballers in Milk Chocolate", 2001)
13) Lumper/Splitter "Sputnik" (from "Lumper/Splitter", 2005)

--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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Date: Thu, 10 Mar 2011 00:10:09 -0800 (PST)
From: "Mrs.Rose Williams" <web---------4webt@att.net>
Reply-To: rose_wiilams_2011@yahoo.co.jp
Subject: Dear Beloved
To: undisclosed recipients: ;
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Dear Beloved

I am Mrs. Rose Williams, a widow of 73years, suffering from cancer of the breast, my husband and my only son were killed last year during the UK terrorist attack when we visited London for holidays.My condition is serious and according to my doctor, it is obvious that I might not survive.

I have some funds that my late husband WILLED to me in cash; the sum of US$8,900,000.00 United States of American Dollars. I packaged it in consignments and deposited it with a finance house. After my prayers, I searched a site in the internet, I found your email address and I decided to contact you for the usage of the funds in your Ministry.

Therefore, if you are honest and faithful enough to use this fund strictly for the work, your response will be highly appreciated. Kindly Reply
through my Email: rose_wiilams_2011@yahoo.co.jp

Yours sincerely,
Mrs. Rose Williams.
--0-1711903847-1299744609=:25119
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><BR><BR>Dear Beloved<BR><BR>I am Mrs. Rose Williams, a widow of 73years, suffering from cancer of the breast, my husband and my only son were killed last year during the UK terrorist attack when we visited London for holidays.My condition is serious and according to my doctor, it is obvious that I might not survive.<BR><BR>I have some funds that my late husband WILLED to me in cash; the sum of US$8,900,000.00 United States of American Dollars. I packaged it in consignments and deposited it with a finance house. After my prayers, I searched a site in the internet, I found your email address and I decided to contact you for the usage of the funds in your Ministry.<BR><BR>Therefore, if you are honest and faithful enough to use this fund strictly for the work, your response will be highly appreciated. Kindly Reply<BR>through my Email:
 rose_wiilams_2011@yahoo.co.jp<BR><BR>Yours sincerely,<BR>Mrs. Rose Williams.</td></tr></table>
--0-1711903847-1299744609=:25119--

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Date: Thu, 10 Mar 2011 00:10:21 -0800 (PST)
From: "Mrs.Rose Williams" <web---------4webt@att.net>
Reply-To: rose_wiilams_2011@yahoo.co.jp
Subject: Dear Beloved
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Dear Beloved

I am Mrs. Rose Williams, a widow of 73years, suffering from cancer of the breast, my husband and my only son were killed last year during the UK terrorist attack when we visited London for holidays.My condition is serious and according to my doctor, it is obvious that I might not survive.

I have some funds that my late husband WILLED to me in cash; the sum of US$8,900,000.00 United States of American Dollars. I packaged it in consignments and deposited it with a finance house. After my prayers, I searched a site in the internet, I found your email address and I decided to contact you for the usage of the funds in your Ministry.

Therefore, if you are honest and faithful enough to use this fund strictly for the work, your response will be highly appreciated. Kindly Reply
through my Email: rose_wiilams_2011@yahoo.co.jp

Yours sincerely,
Mrs. Rose Williams.
--0-1807983250-1299744621=:2775
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><BR><BR>Dear Beloved<BR><BR>I am Mrs. Rose Williams, a widow of 73years, suffering from cancer of the breast, my husband and my only son were killed last year during the UK terrorist attack when we visited London for holidays.My condition is serious and according to my doctor, it is obvious that I might not survive.<BR><BR>I have some funds that my late husband WILLED to me in cash; the sum of US$8,900,000.00 United States of American Dollars. I packaged it in consignments and deposited it with a finance house. After my prayers, I searched a site in the internet, I found your email address and I decided to contact you for the usage of the funds in your Ministry.<BR><BR>Therefore, if you are honest and faithful enough to use this fund strictly for the work, your response will be highly appreciated. Kindly Reply<BR>through my Email:
 rose_wiilams_2011@yahoo.co.jp<BR><BR>Yours sincerely,<BR>Mrs. Rose Williams.</td></tr></table>
--0-1807983250-1299744621=:2775--

From pgg6@me.com  Thu Mar 10 08:39:07 2011
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From: Barry Tambo <pgg6@me.com>
Subject: Hello, i am barrister.Barry Tambo from the Republic of South Africa,
 I client of mine the late Lawrence Gill?s died and he listed your name on his
 Will, please get back to me for more details .Barry Tambo (Esq)
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From wisniewskaj@neostrada.pl  Thu Mar 10 08:57:19 2011
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From: Barr Raymond Chang <wisniewskaj@neostrada.pl>
Subject: GET BACK TO ME ASAP.
Date: Thu, 10 Mar 2011 15:49:36 -0800
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Hello,

I am Raymond Chang,an attorney at law. A deceased client 
of mine,that bears the same last name as yours, died as 
the result of a heart-related condition on March 12th 2005. 
His heart condition was due to the death of all the members 
of his family in the tsunami disaster on the 26th December 
2004 in Sumatra Indonesia. 

http://en.wikipedia.org/wiki/2004_Indian_Ocean_earthquake

I contacted you to assist in distributing the money left behind by my client. 

Get back to me for more details.

Best regards,
Barr.Raymond Chang.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 09:10:52 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Vortex Sync with Echoplex
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mark francombe wrote:

> And here it is. How to make the sync cable for vortex to EDP. Drawn in 
> Maya by me, (ok it took a little longer than an hour, hour and a half I 
> think!)
> 
> https://skitch.com/markfrancombe/ru7tp/jackplug.jpg

amazing, can I use it on the site?

worth mentioning that the jack shown plugs
into the EDP (not Vortex)

andy

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Subject: Re: Vortex Sync with Echoplex
Date: Thu, 10 Mar 2011 10:06:50 +0100
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Thanks Mark for taking the time !!!
what you drawed is the jack that goes into the beat sync jack, isn't it =
?
well that is absolutely what i did from the begining...
still don't work....
yesterday i bought brand new caps and diode to be sure...
but still don't work....
it's driving me crazy.
my cap is a 2,2 microfarad  (uF) .
i plugged the jack into a mixer to hear the difference between the beat =
sync, and the beat sync modified by the circuit.
well all i can hear is that it is sort of low-passed by the circuit, and =
that the level is lower.
doesn't seem to lenghten the pulse.
i'm gonna give up cause i have no idea what to change....
thanks anyway for your help
boost
  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, March 09, 2011 11:47 PM
  Subject: Re: Vortex Sync with Echoplex


    i don't understand what's wrong...
      thanks



  If you still dont get it.. Ill draw a picture!!!

    (Ill do it anyway... give me an hour... Im opening Maya!!)


  And here it is. How to make the sync cable for vortex to EDP. Drawn in =
Maya by me, (ok it took a little longer than an hour, hour and a half I =
think!)

  https://skitch.com/markfrancombe/ru7tp/jackplug.jpg




  Mark



  --=20
  Mark Francombe
  www.markfrancombe.com
  www.ordoabkhao.com
  http://vimeo.com/user825094
  http://www.looop.no
  twitter @markfrancombe

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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.6058" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Mark for taking the time =
!!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>what you drawed is the jack that goes =
into the beat=20
sync jack, isn't it ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>well that is absolutely what i did from =
the=20
begining...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>still don't work....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>yesterday i bought brand new caps and =
diode to be=20
sure...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>but still don't work....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>it's driving me crazy.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>my cap is a 2,2 microfarad&nbsp; (uF)=20
.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i plugged the jack into a mixer to hear =
the=20
difference between the beat sync, and the beat sync modified by the=20
circuit.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>well all i can hear is that it is sort =
of=20
low-passed by the circuit, and that the level is lower.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>doesn't seem to lenghten the =
pulse.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i'm gonna give up cause i have no idea =
what to=20
change....</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanks anyway for your =
help</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>boost</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 09, 2011 =
11:47=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Vortex Sync with=20
  Echoplex</DIV>
  <DIV><BR></DIV>
  <DIV class=3Dgmail_quote>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV class=3Dgmail_quote>
    <DIV>
    <DIV><FONT face=3DArial size=3D2>i don't understand what's =
wrong...</FONT></DIV>
    <DIV class=3Dh5>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
      <DIV bgcolor=3D"#ffffff">
      <DIV><FONT face=3DArial size=3D2>thanks</FONT></DIV>
      <DIV><FONT face=3DArial=20
    =
size=3D2></FONT><BR></DIV></DIV></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUO=
TE>
  <DIV><BR>If you still dont get it.. Ill draw a picture!!!<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV class=3Dgmail_quote>
    <DIV>(Ill do it anyway... give me an hour... Im opening=20
    Maya!!)<BR></DIV></DIV></BLOCKQUOTE>
  <DIV><BR>And here it is. How to make the sync cable for vortex to EDP. =
Drawn=20
  in Maya by me, (ok it took a little longer than an hour, hour and a =
half I=20
  think!)<BR><BR><A=20
  =
href=3D"https://skitch.com/markfrancombe/ru7tp/jackplug.jpg">https://skit=
ch.com/markfrancombe/ru7tp/jackplug.jpg</A><BR><BR><BR></DIV><FONT=20
  color=3D#888888><BR>Mark<BR></FONT><BR></DIV></DIV><BR>-- <BR><I=20
  style=3D"COLOR: rgb(255,255,255); FONT-FAMILY: verdana,sans-serif; =
BACKGROUND-COLOR: rgb(0,0,0)"><FONT=20
  style=3D"FONT-FAMILY: trebuchet ms,sans-serif" size=3D4><U>Mark=20
  Francombe</U></FONT></I><BR><FONT size=3D1><A style=3D"COLOR: =
rgb(51,0,51)"=20
  href=3D"http://www.markfrancombe.com/"=20
  target=3D_blank>www.markfrancombe.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
  style=3D"COLOR: rgb(51,0,51)" href=3D"http://www.ordoabkhao.com/"=20
  target=3D_blank>www.ordoabkhao.com</A><BR style=3D"COLOR: =
rgb(51,0,51)"><A=20
  style=3D"COLOR: rgb(51,0,51)" href=3D"http://vimeo.com/user825094"=20
  target=3D_blank>http://vimeo.com/user825094</A><BR=20
  style=3D"COLOR: rgb(51,0,51)"><A style=3D"COLOR: rgb(51,0,51)"=20
  href=3D"http://www.looop.no/" =
target=3D_blank>http://www.looop.no</A><BR>twitter=20
  @markfrancombe</FONT><BR></BLOCKQUOTE></BODY></HTML>

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Subject: Re: The "singing" of Pi
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--20cf3054aa43ecb26b049e1db118
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by kate bush:
http://www.youtube.com/watch?v=kZSHr5E7fZY

-f
www.eterogeneo.com

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<div>by kate bush:</div>
<div><a href=3D"http://www.youtube.com/watch?v=3DkZSHr5E7fZY">http://www.yo=
utube.com/watch?v=3DkZSHr5E7fZY</a></div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>

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Attention: Beneficiary


I am Mrs. Farida Mzamber Waziri (Chairman) Efcc Investigation Office Nigeria, there is presently a counter claims on your funds by one MRS. JANET MILLER, who is presently trying to make us believe that you are dead and even explained that you entered into an agreement with her before your death, to help you in receiving your fund $10.5M So here comes the big question.

Did you sign any Deed of Assignment in favor of (MRS. JANET MILLER)?. thereby making her the current beneficiary with this following account details: MRS. JANET MILLER, AC/NUMBER: 6503809428. ROUTING/122006743, B/NAME:CITI BANK, ADDRESS:NEW YORK,USA We shall proceed to issue all payments details to the said MRS. JANET MILLER, if we do not hear from you within the next two working days from today.However, you are advice to email the bank immediately and confirm to them also if MRS. JANET MILLER is from you or not.

1) BANK NAME: IBTC BANK PLC
2) CONTACT TELEPHONE: +234-7035 384 082
3) CONTACT NAME: MR.KENNETH YINKA
4) OFFICIAL E-mail: standardibtc-herteredbnk@info.al

Please note that you have less than 48hrs to get in contact with the paying bank before they proceed to issue all payments to the said Mrs.Miller.

Thanks

Mrs. Farida Mzamber Waziri
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Attention: Beneficiary<br><br><br>I am Mrs. Farida Mzamber Waziri (Chairman) Efcc Investigation Office Nigeria, there is presently a counter claims on your funds by one MRS. JANET MILLER, who is presently trying to make us believe that you are dead and even explained that you entered into an agreement with her before your death, to help you in receiving your fund $10.5M So here comes the big question.<br><br>Did you sign any Deed of Assignment in favor of (MRS. JANET MILLER)?. thereby making her the current beneficiary with this following account details: MRS. JANET MILLER, AC/NUMBER: 6503809428. ROUTING/122006743, B/NAME:CITI BANK, ADDRESS:NEW YORK,USA We shall proceed to issue all payments details to the said MRS. JANET MILLER, if we do not hear from you within the next two working days from today.However, you are advice to email the bank immediately
 and confirm to them also if MRS. JANET MILLER is from you or not.<br><br>1) BANK NAME: IBTC BANK PLC<br>2) CONTACT TELEPHONE: +234-7035 384 082<br>3) CONTACT NAME: MR.KENNETH YINKA<br>4) OFFICIAL E-mail: standardibtc-herteredbnk@info.al<br><br>Please note that you have less than 48hrs to get in contact with the paying bank before they proceed to issue all payments to the said Mrs.Miller.<br><br>Thanks<br><br>Mrs. Farida Mzamber Waziri</td></tr></table>
--0-677537263-1299747880=:33430--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 10:32:14 2011
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On 3/9/11 10:01 PM, Jeff Duke wrote:
> I am there Rick! Don't forget the case of complimentary black earplugs 
> for the audience..:)
>
Silly me,  I forgot that entirely.

and you know what,  I actually think they make black earplugs.
what a great gimick for a performance to hand such a thing out.

I have been silly but I'd love do to something like that for Y2K11.

You guys are all so inspiring to me. I"m lucky to have you amongst my 
comrades in
life and art.

love, Rick

From joesekuma011@gmail.com  Thu Mar 10 10:53:27 2011
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Date: Thu, 10 Mar 2011 02:53:01 -0800 (PST)
From: Joseph Kuma <joesekuma011@gmail.com>
Reply-To: josephkuma01@yahoo.co.jp
Subject: From Mr Joseph Kuma.
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1165035826-1299754381=:32756"

--0-1165035826-1299754381=:32756
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=A0From Mr Joseph Kuma.=20
=A0=20
Greetings and best regard.=20
=A0
I am Mr.Joseph Kuma a 41 years old,from Cote D'Ivoire.I am the foreign paym=
ent consolidation manager of=A0 a commercial Bank in Cote D'Ivoire .I find =
your contact in a business directory and I decide to contact you immediatel=
y for friendship and business of mutual benefit for you and me.
=A0
My branch made excess profit of $'3,500.000.00 during the last fiscal year,=
 which I placed in a secured Account=A0 as a bonded fund in our bank since =
I have already submitted 2009 approved end of the year report to our head o=
ffice.=20
=A0
In essence,I need your trust to stand as the original depositor of this fun=
d, so that the fund will be transferred to your company or private account =
immediately.
=A0
I will use my position to influence this project in other to expedite the t=
ransfer by our bank head office to your foreign bank account . I intend to =
part with 30% of this fund to you as gratification while 70% shall be for m=
e.=20
=A0=20
This transaction is purely legal and practically no risks involve, it will =
be a bank-to-bank transfer.=20
=A0
I await your positive reply for more details.
=A0
I end here with much love and also with much respect to you.=20
Best Regards=20
Mr Joseph Kuma.
--0-1165035826-1299754381=:32756
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>
<DIV><STRONG>&nbsp;From Mr Joseph Kuma. <BR>&nbsp; <BR>Greetings and best r=
egard. <BR>&nbsp;<BR>I am Mr.Joseph Kuma a 41 years old,from Cote D'Ivoire.=
I am the foreign payment consolidation manager of&nbsp; a commercial Bank i=
n Cote D'Ivoire .I find your contact in a business directory and I decide t=
o contact you immediately for friendship and business of mutual benefit for=
 you and me.<BR>&nbsp;<BR>My branch made excess profit of $'3,500.000.00 du=
ring the last fiscal year, which I placed in a secured Account&nbsp; as a b=
onded fund in our bank since I have already submitted 2009 approved end of =
the year report to our head office. <BR>&nbsp;<BR>In essence,I need your tr=
ust to stand as the original depositor of this fund, so that the fund will =
be transferred to your company or private account immediately.<BR>&nbsp;<BR=
>I will use my position to influence this project in other to expedite the =
transfer by our bank head office to your foreign bank account . I
 intend to part with 30% of this fund to you as gratification while 70% sha=
ll be for me. <BR>&nbsp; <BR>This transaction is purely legal and practical=
ly no risks involve, it will be a bank-to-bank transfer. <BR>&nbsp;<BR>I aw=
ait your positive reply for more details.<BR>&nbsp;<BR>I end here with much=
 love and also with much respect to you. <BR>Best Regards <BR>Mr Joseph Kum=
a.</STRONG></DIV></td></tr></table>
--0-1165035826-1299754381=:32756--

From revjudela@gmail.com  Thu Mar 10 10:53:49 2011
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Date: Thu, 10 Mar 2011 09:51:06 +0100
From: "Dr.Ban Ki-Moon." <revjudela@gmail.com>
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UNITED NATIONS COMPENSATION UNIT IN AFFILIATION WITH WORLD BANK FROM SPECIAL
ENVOY TO SECRETARY GENERAL BAN KI-MOON.

Contact Skyline Courier Delivery Company for immediate delivery of the United
Nations Compensation fund $1.700,000.00 USD:

Attention: Beneficiary

You may not understand why this mail came to you. We have been having a meeting
for the past 7 months which just ended 2 days ago with the secretary to the
UNITED NATIONS.

This email is to all the people that have been victim in any part of the world,
the UNITED NATIONS IN Affiliation with WORLD BANK have agreed to compensate you
with the sum of  USD$1.700,000.00 USD: , for self support.This is regarding the
draws he organized before he left the office to help individuals to own a self
charity organization also for your to build your Personal Company/organization
so as to help the less privileged in there society due to the financial crisis.

This includes every foreign contractors that may have not received their
contract, inheritance & lotto sum, and people that have had an unfinished
transaction or international business that failed due to Government problems
etc. We found your name in the list of those who are to benefit from these
compensation exercise and that is why we are contacting you, this have been
agreed upon and have been signed.

You are advised to contact Dr. Emmanuel Eke of Skyline Courier Delivery Company
in Benin Republic, as he is our representative in Benin, contact him immediately
for your Cheque/ International Bank Draft of USD$1.700,000.00 USD. This funds
are in a Bank Draft for security purpose, so he will send it to you and you can
clear it in any bank of your choice.

Therefore, you should send him your full Name and telephone number your correct
mailing address and ID to avoid wrong delivery, where you want him to send the
Draft to you. Contact him now and inform him that you received an email from the
UNITED NATIONS , instructing you to call him for immediate release of your Bank
Draft of USD$1.700,000.00 USD and forward your details to  Dr. Emmanuel Eke
immediately for your Bank Draft at the given address below:

Company's Name ; Skyline Courier Delivery Company.
Contact person: Dr. Emmanuel Eke .
Tel:+229-98950302.
E-mail: (skylinec@blumail.org) OR (skylinecc@ymail.com)
I apologize on behalf of my organization for any delay you might have
encountered in receiving your fund in the past.

Thanks and God bless you and your family.

Hoping to hear from you as soon as you cash your Bank Draft.
Making the world a better place.

Regards,
Secretary-General
Dr.Ban Ki-Moon.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 13:04:14 2011
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From: "Michael Peters" <mp@mpeters.de>
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Subject: DL4 expression pedal
Date: Thu, 10 Mar 2011 14:04:02 +0100
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I'd like to try an expression pedal for my Line6 DL4 which I currently run
in "loop sampler" mode only. The manual suggests that I can control several
parameters with it such as loop mix, delay length, delay speed. Is your
experience that one has to have the Line6 EX-1 pedal for this? I was only
successful with a Roland EV-5 (which should work according to the LD page)
but it only changes delay speed. All my other expression pedals have no
effect at all.

The last time I saw Eiving Aarset, he controlled the mix with an expression
pedal, but sometimes seemed to also control delay gain and delay speed - is
there some trick how to control several parameters, or can one only do one
at a time, having to unplug and recalibrate the pedal every timeone wants to
control another parameter? or can it be changed on the fly somehow?

-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 13:06:27 2011
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: DL4 expression pedal
Date: Thu, 10 Mar 2011 13:06:19 +0000
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--Apple-Mail-44--667367072
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As i remember you twist the nob then this is controllable from the  
pedal. I think.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 10 Mar 2011, at 13:04, Michael Peters wrote:

> I'd like to try an expression pedal for my Line6 DL4 which I  
> currently run
> in "loop sampler" mode only. The manual suggests that I can control  
> several
> parameters with it such as loop mix, delay length, delay speed. Is  
> your
> experience that one has to have the Line6 EX-1 pedal for this? I  
> was only
> successful with a Roland EV-5 (which should work according to the  
> LD page)
> but it only changes delay speed. All my other expression pedals  
> have no
> effect at all.
>
> The last time I saw Eiving Aarset, he controlled the mix with an  
> expression
> pedal, but sometimes seemed to also control delay gain and delay  
> speed - is
> there some trick how to control several parameters, or can one only  
> do one
> at a time, having to unplug and recalibrate the pedal every timeone  
> wants to
> control another parameter? or can it be changed on the fly somehow?
>
> -Michael
>


--Apple-Mail-44--667367072
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
As i remember you twist the nob then this is controllable from the =
pedal. I think.<div>&nbsp;<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 10 Mar 2011, =
at 13:04, Michael Peters wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I'd like to try an expression pedal for my Line6 DL4 =
which I currently run</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">in "loop sampler" mode =
only. The manual suggests that I can control several</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">parameters with it such as loop mix, delay length, =
delay speed. Is your</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">experience that one has to =
have the Line6 EX-1 pedal for this? I was only</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">successful with a Roland EV-5 (which should work =
according to the LD page)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">but it only =
changes delay speed. All my other expression pedals have no</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">effect at all.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">The last time I saw Eiving =
Aarset, he controlled the mix with an expression</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">pedal, but sometimes seemed to also control delay =
gain and delay speed - is</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">there some =
trick how to control several parameters, or can one only do =
one</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">at a time, having to unplug and =
recalibrate the pedal every timeone wants to</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">control another parameter? or can it be changed on =
the fly somehow?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">-Michael</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote></div><br></div></body></html>=

--Apple-Mail-44--667367072--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 13:30:18 2011
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Date: Thu, 10 Mar 2011 16:13:05 +0900
Subject: Re: YOUR FANTASY BAND (Side Project)
From: Dustbunnies <mech@m3ch.net>
To: Rick Walker <looppool@cruzio.com>,
	mark francombe <mark@markfrancombe.com>
Cc: <Loopers-Delight@loopers-delight.com>,
	STAN CARD <stanitarium@earthlink.net>,
	Jeff Duke <jeff_d@embarqmail.com>
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On 3/10/11 2:01 PM, "Rick Walker" <looppool@cruzio.com> wrote:
>On 7/22/64 11:59 AM, mark francombe wrote:
>> Im in!!... working on my rider already... Hmm 6 pack dark ale, 8th of
>> Morrocan, clean socks, and 15 9v batteries...
> Don't forget the black pants, black button up shirts, black shoes and
> black attitude.
> 
> We can call our music BLACK NOISE (actually a great name for a band now
> that I come to think of it).
> 
> We're a go, then!!!!!
> 
> Shall we all converge for Y2K11 in Santa Cruz for the first
> DUKES of NOISE dream band performance?
> 
> What do you say,  Duke, Jeff, Stan, Mark?

I say to hell with Sonic Youth and Glenn Branca.  Compared to this lineup,
they're just a bunch of pansies.

As my (former) local faves, Big Black, made famous:

        Earth <-- Atomizer <-- Let's Go!!!

    --m.


From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 13:31:16 2011
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Subject: Re: YOUR FANTASY BAND (Side Project)
From: Dustbunnies <mech@m3ch.net>
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On 3/10/11 4:37 AM, "Rick Walker" <looppool@cruzio.com> wrote:
>
> THE DUKES of NOISE
> 
> Jeff Duke on electric guitar
> Duke Sexton on electric guitar
> Mark Francombe on electric guitar/modular synthesizers/chaos
> Stan Card on guitar feedback
> Rick Walker on fretless guitar, tuned  D-D-D-D-D-D (with every D a few
> cents detuned from every other D)

Bwahahahahah!!  Just got around to picking up this thread.  Thanks Rick, you
flatter me too much!

Gods, how could I ever say no to working with such a talented and creative
group of individuals.  I'm sure I'd feel like odd-man-out talentwise ("I'm
not worthy, I'm not worthy..."), but count me in!

Sounds like a fun ride, regardless!!!!

    --m. (a.k.a. the other Duke ;)


From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 13:33:14 2011
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Date: Thu, 10 Mar 2011 14:33:12 +0100
Message-ID: <AANLkTinRWLvpUoo5H2B+qsjiFkxkirPMgJDryX4O02Th@mail.gmail.com>
Subject: Re: DL4 expression pedal
From: Johannes Korn <jenko.nashorn@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0023543a2874157550049e20e35a
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Other pedals should work, and you should be able to control the other
parameters as well.

I once made an expression pedal for my DL4 out of a cheap volume
pedal myself. It worked, but the potentiometer had the wrong characteristic,
so most of the way nothing happened, and on the last bit the changes were
radical. But worked in principle, and I could control the delay *and*
the mix of the loop.
Hope this helps.
2011/3/10 Michael Peters <mp@mpeters.de>

> I'd like to try an expression pedal for my Line6 DL4 which I currently run
> in "loop sampler" mode only. The manual suggests that I can control several
> parameters with it such as loop mix, delay length, delay speed. Is your
> experience that one has to have the Line6 EX-1 pedal for this? I was only
> successful with a Roland EV-5 (which should work according to the LD page)
> but it only changes delay speed. All my other expression pedals have no
> effect at all.
>
> The last time I saw Eiving Aarset, he controlled the mix with an expression
> pedal, but sometimes seemed to also control delay gain and delay speed - is
> there some trick how to control several parameters, or can one only do one
> at a time, having to unplug and recalibrate the pedal every timeone wants
> to
> control another parameter? or can it be changed on the fly somehow?
>
> -Michael
>
>


-- 
jenko.nashorn@googlemail.com
www.myspace.com/nashorn

--0023543a2874157550049e20e35a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Other pedals should work, and you should be able to control the other =
parameters as well. </div>
<div>=A0</div>
<div>I once made an expression pedal for my DL4 out of a cheap volume pedal=
=A0myself. It worked, but the potentiometer had the wrong characteristic, s=
o most of the way nothing happened, and on the last bit the changes were ra=
dical. But worked in principle, and I could control the delay *and* the=A0m=
ix of the loop.<br>
</div>
<div>Hope this helps.<br></div>
<div class=3D"gmail_quote">2011/3/10 Michael Peters <span dir=3D"ltr">&lt;<=
a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I&#39;d like to try an expressio=
n pedal for my Line6 DL4 which I currently run<br>in &quot;loop sampler&quo=
t; mode only. The manual suggests that I can control several<br>
parameters with it such as loop mix, delay length, delay speed. Is your<br>=
experience that one has to have the Line6 EX-1 pedal for this? I was only<b=
r>successful with a Roland EV-5 (which should work according to the LD page=
)<br>
but it only changes delay speed. All my other expression pedals have no<br>=
effect at all.<br><br>The last time I saw Eiving Aarset, he controlled the =
mix with an expression<br>pedal, but sometimes seemed to also control delay=
 gain and delay speed - is<br>
there some trick how to control several parameters, or can one only do one<=
br>at a time, having to unplug and recalibrate the pedal every timeone want=
s to<br>control another parameter? or can it be changed on the fly somehow?=
<br>
<font color=3D"#888888"><br>-Michael<br><br></font></blockquote></div><br><=
br clear=3D"all"><br>-- <br>
<div><a href=3D"mailto:jenko.nashorn@googlemail.com" target=3D"_blank">jenk=
o.nashorn@googlemail.com</a></div>
<div><a href=3D"http://www.myspace.com/nashorn" target=3D"_blank">www.myspa=
ce.com/nashorn</a></div><br>

--0023543a2874157550049e20e35a--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 13:34:46 2011
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Subject: Re: DL4 expression pedal
Date: Thu, 10 Mar 2011 13:35:09 -0000
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I use a very cheap Proel expression pedal with my DL4 and it works fine. In 
loop mode I just use it to control loop mixe, but you cand also control 
other parameters at the same time. It will only retain the last setting that 
you saved, but you don't need to unplug it to recalibrate. As Matt says, you 
can just twist the knobs to change what is controlled, but unless you save 
those changes, it will revert to previous settings next time you plug it in.

Steve

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 10, 2011 1:04 PM
Subject: DL4 expression pedal


> I'd like to try an expression pedal for my Line6 DL4 which I currently run
> in "loop sampler" mode only. The manual suggests that I can control 
> several
> parameters with it such as loop mix, delay length, delay speed. Is your
> experience that one has to have the Line6 EX-1 pedal for this? I was only
> successful with a Roland EV-5 (which should work according to the LD page)
> but it only changes delay speed. All my other expression pedals have no
> effect at all.
>
> The last time I saw Eiving Aarset, he controlled the mix with an 
> expression
> pedal, but sometimes seemed to also control delay gain and delay speed - 
> is
> there some trick how to control several parameters, or can one only do one
> at a time, having to unplug and recalibrate the pedal every timeone wants 
> to
> control another parameter? or can it be changed on the fly somehow?
>
> -Michael
> 


From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 14:14:15 2011
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I think it has to be a Roland type expression pedal.


I don't have the manual, the only item I have
from that era of Line 6 stuff is a rack unit, 
and those had a different way to set the pedal.

There's some kind of sequence where you put the pedal toe
down, set the controls as you like, then roll back to
heel down and set those controls to *any other setting 
you like*.
I did try this with a DL4 once, and it worked, but
I seem to remember that the settings didn't always 
"take".

It's complete parameter morphing, but obviously you
can't morph from one algorithm to another.

iirc the DL4 doesn't have presets, so you
only get one "morph" without re-programming.


andy



Michael Peters wrote:
> I'd like to try an expression pedal for my Line6 DL4 which I currently run
> in "loop sampler" mode only. The manual suggests that I can control several
> parameters with it such as loop mix, delay length, delay speed. Is your
> experience that one has to have the Line6 EX-1 pedal for this? 

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andy butler wrote:

> iirc the DL4 doesn't have presets, so you
> only get one "morph" without re-programming.

Or does it let you save your setting for each of the fx?



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Subject: Re: bidule users - live usage & "presets"
From: james fowler <twostroke@gmail.com>
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"I also noticed that more often than not, Bidule crashes when I open another
layout while one is already open. They say this is due to the poor
programming  and memory handling of one or more of the plugins I use.
<sigh>  This seems to be a downside of the modular plugin idea."

hmm...just tried to replicate your problem and failed.  i have multiple
sequencers running, multiple vst instruments, multiple effects, etc.  every
time i opened a new layout without stopping the current playback, it simply
stopped playback and loaded the new layout.  but like simeon said, i'd
remove that potential monkey wrench from the gears by simply truncating the
current audio.

"I too made that false assumption first. The name "Audio Switcher" may
be misleading because it works even without an audio through-put. I
have used that technique in Bidule setups to activate and deactivate
huge systems of MIDI driven software instruments and effect plugins.
Just look at it as an advanced and totally programmable "on/off
button"  :-))

If you "don't know", just set up a small pilot test for five minutes
to see how it works."

thanks again for the insight and clarification...i'll have a look at it in
the manual (bidule really needs a better manual) and of course dummy
something up and go exploring.

i'll report back once i've come up with something...in case anyone is
curious.

- jim

--000e0cd6ad1e851c49049e21fa0d
Content-Type: text/html; charset=ISO-8859-1
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&quot;<span><font face=3D"Arial" size=3D"2">I also noticed that more=20
often than not, Bidule crashes when I open another layout while one is=20
already open. They say this is due to the poor programming=A0 and memory=20
handling of one or more of the plugins I use. &lt;sigh&gt;=A0 This seems=20
to be a downside of the modular plugin idea.&quot;<br><br>hmm...just tried =
to replicate your problem and failed.=A0 i have multiple sequencers running=
, multiple vst instruments, multiple effects, etc.=A0 every time i opened a=
 new layout without stopping the current playback, it simply stopped playba=
ck and loaded the new layout.=A0 but like simeon said, i&#39;d remove that =
potential monkey wrench from the gears by simply truncating the current aud=
io.=A0 <br>
<br>&quot;</font></span>I too made that false assumption first. The name &q=
uot;Audio Switcher&quot; may<br>
be misleading because it works even without an audio through-put. I<br>
have used that technique in Bidule setups to activate and deactivate<br>
huge systems of MIDI driven software instruments and effect plugins.<br>
Just look at it as an advanced and totally programmable &quot;on/off<br>
button&quot; =A0:-))<br>
<br>
If you &quot;don&#39;t know&quot;, just set up a small pilot test for five =
minutes<br>
to see how it works.&quot;<br><br>thanks again for the insight and clarific=
ation...i&#39;ll have a look at it in the manual (bidule really needs a bet=
ter manual) and of course dummy something up and go exploring.<br><br>
i&#39;ll report back once i&#39;ve come up with something...in case anyone =
is curious.<br><br>- jim<br>

--000e0cd6ad1e851c49049e21fa0d--

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Subject: Re: bidule users - live usage & "presets"
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On Thu, Mar 10, 2011 at 3:51 PM, james fowler <twostroke@gmail.com> wrote:
> i'll have a look at it in the manual (bidule really needs a better manual)
> and of course dummy something up and go exploring.

Yes it indeed needs a good manual! There seems to be a lot of nifty
keyboard commands to make programming in Bidule faster, but I haven't
been able to find any listing of that. Only comments by the Super
Bidulists at the Plogue forum indicate that this holy graal exists.

> i'll report back once i've come up with something...in case anyone is
> curious.

Good luck!

Per

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Subject: Re: bidule users - live usage & "presets"
From: Todd Matthews <gtmatthews@gmail.com>
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Thanks Per for all these tips in this thread. I have a Win7 partition =
that I have been tweaking on my macbook, I have bidule, and mobius =
installed and I think it's ready to start testing. I hoping I can get =
around the random nasty audio glitch I can't seem to troubleshoot by =
using Mobius on the Windows side. This thread couldn't have come at a =
better time.
I'll be able to use my soundtoys plugs as vst but what do you recommend =
for EQ or compression on the windows side of the fence? I'v been spoiled =
using the built-in stuff in Mainstage.
-Todd Matthews
On Mar 10, 2011, at 9:58 AM, Per Boysen wrote:

> On Thu, Mar 10, 2011 at 3:51 PM, james fowler <twostroke@gmail.com> =
wrote:
>> i'll have a look at it in the manual (bidule really needs a better =
manual)
>> and of course dummy something up and go exploring.
>=20
> Yes it indeed needs a good manual! There seems to be a lot of nifty
> keyboard commands to make programming in Bidule faster, but I haven't
> been able to find any listing of that. Only comments by the Super
> Bidulists at the Plogue forum indicate that this holy graal exists.
>=20
>> i'll report back once i've come up with something...in case anyone is
>> curious.
>=20
> Good luck!
>=20
> Per
>=20

Todd Matthews
http://www.joshuasteelemusic.com




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Subject: Re: DL4 expression pedal
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You can save one setting for the looper, and four settings for the delays. 
You select the saved delay settings with the four footswitches and the saved 
looper setting returns whenever you switch the selecter knob to Loop 
Sampler. So that's a maximum of five programmed "morphs".

Not sure if I have explained that very well, but hope it helps.

Steve
----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 10, 2011 2:32 PM
Subject: Re: DL4 expression pedal


> andy butler wrote:
>
>> iirc the DL4 doesn't have presets, so you
>> only get one "morph" without re-programming.
>
> Or does it let you save your setting for each of the fx?
>
>
> 


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Subject: Re: bidule users - live usage & "presets"
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On Thu, Mar 10, 2011 at 4:14 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> what do you recommend for EQ or compression on the windows side of the fence?

Hi Todd,

Long ago I bought the EQ and Compressor plugins from Sonalksis and
have been using them a lot under both Windows and Mac. The reason I
bought Sonkalksis was that by the time no other compressor plugins
could work all inside the plugin buffer, meaning no extra latency
added by the plugin. I also like the sound of the Sonalksis
compressor; it is by no way transparent sounding but I just like the
way it colors the sound. STill today I use them in Mainstage. The are
not better then the Logic/Mainstage compressors in  a technical sense,
but sound cooler ;-)) and I always use them in Live instead of Live's
compressors that I have never become friends with. On Mac I use to
slap a four band multi compressor on the main output to open up the
sound a bit (Apples OSX free Multicomp, or Logic's if in that app) but
for Windows I never found an alternative. I don't "just compress
stuff" but make sure the sound I play summed with the loops I create
balance each other with a rather linear curve through the frequency
bands. If not taking that approach, compression might make the music
sound worse. I like the feel of playing and looping through
compression :-))  Similar to the feel of having new strings on an
instrument, "just a little more of all good things"

Per

From Loopers-Delight-request@loopers-delight.com  Thu Mar 10 15:58:49 2011
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References: <5C0233C95B3140FD98B49A3CD9C45063@mpeserver>
	<4D78DCB9.6050402@tiscali.co.uk>
	<4D78E10D.5090802@tiscali.co.uk>
	<00eb01cbdf37$217433d0$0d7ba85e@eced5194571a442>
Date: Thu, 10 Mar 2011 10:58:46 -0500
Message-ID: <AANLkTimiCfPGEPqtAgRskV9V+Ac=D2SuuHaGTsQJCLU8@mail.gmail.com>
Subject: Re: DL4 expression pedal
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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That sounds right Steve, here is a link to the quick start guide
http://line6.com/images/support/manuals/pdfIcon.gif

j

On Thu, Mar 10, 2011 at 10:23 AM, Steve Moyes <stephenmoyes@blueyonder.co.uk
> wrote:

> You can save one setting for the looper, and four settings for the delays.
> You select the saved delay settings with the four footswitches and the saved
> looper setting returns whenever you switch the selecter knob to Loop
> Sampler. So that's a maximum of five programmed "morphs".
>
> Not sure if I have explained that very well, but hope it helps.
>
> Steve
> ----- Original Message ----- From: "andy butler" <akbutler@tiscali.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 10, 2011 2:32 PM
> Subject: Re: DL4 expression pedal
>
>
>  andy butler wrote:
>>
>>  iirc the DL4 doesn't have presets, so you
>>> only get one "morph" without re-programming.
>>>
>>
>> Or does it let you save your setting for each of the fx?
>>
>>
>>
>>
>

--bcaec51ba3fbade02f049e22ebed
Content-Type: text/html; charset=ISO-8859-1
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That sounds right Steve, here is a link to the quick start guide <a href=3D=
"http://line6.com/images/support/manuals/pdfIcon.gif">http://line6.com/imag=
es/support/manuals/pdfIcon.gif</a><br><br>j<br><br><div class=3D"gmail_quot=
e">
On Thu, Mar 10, 2011 at 10:23 AM, Steve Moyes <span dir=3D"ltr">&lt;<a href=
=3D"mailto:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.uk</a>=
&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0p=
t 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1=
ex;">
You can save one setting for the looper, and four settings for the delays. =
You select the saved delay settings with the four footswitches and the save=
d looper setting returns whenever you switch the selecter knob to Loop Samp=
ler. So that&#39;s a maximum of five programmed &quot;morphs&quot;.<br>

<br>
Not sure if I have explained that very well, but hope it helps.<br>
<br>
Steve<br>
----- Original Message ----- From: &quot;andy butler&quot; &lt;<a href=3D"m=
ailto:akbutler@tiscali.co.uk" target=3D"_blank">akbutler@tiscali.co.uk</a>&=
gt;<br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Thursday, March 10, 2011 2:32 PM<br>
Subject: Re: DL4 expression pedal<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
andy butler wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
iirc the DL4 doesn&#39;t have presets, so you<br>
only get one &quot;morph&quot; without re-programming.<br>
</blockquote>
<br>
Or does it let you save your setting for each of the fx?<br>
<br>
<br>
<br>
</blockquote>
<br>
</blockquote></div><br>

--bcaec51ba3fbade02f049e22ebed--

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you should be able to control any parameter, and an ev-5 should work  
although It may not have nearly the range of travel. Just put the  
pedal to heal down, adjust any parameter to your liking, then push the  
toe down and do the same in the looper mode it will commit thst to  
memory without any write function.
  Bill

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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on Richard Lainhart.  The Featured CD at
Midnight will be "Staring at the Moon" on O-Town Music.  For details,
See the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

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Sal! u, tations!

Tonight is the night we've been waiting and shaking for: Daniel
Harris w/School for Robots, This Buildings On Fire, comedy by
Michael Levine up from Austin, TX, and live video art from Steve
Grise!!

The show is at The Savant Project in the Mission Hill area of
Boston (66 Bus, Brigham Circle stop on the Green Line).

THIS IS A FREE CONCERT!!!

Show begins at 8:45 (but you can get there early for a delicious
dinner).

See you tonight!

love,

Daniel Harris



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/>Members:
 Daniel Harris - guitar, vocals, live looping; David Ladon - bass/vocals,=
 Ryan Aylward
 - violin, Josh Kiggans - drums</td>
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"font-weight:
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; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111; width: 27px;"><a =
href=3D"http://www.reverbnation.com/c/fan_reach/pt?eid=3DA1363648_7886772=
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e: 11px; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111; width: 27px;"><a =
href=3D"http://www.reverbnation.com/widget_code/pro_widget_popup/artist_1=
363648?widget_id=3D40&eid=3DA1363648_7886772_33409121"
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img src=3D"http://cache.reverbnation.com/images/share_icons/fanreach/mysp=
ace.png"
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e: 11px; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111; width: 27px;"><a =
href=3D"mailto:?subject=3DTunePak+From+Daniel+Harris&body=3DClick+to+play=
+songs+from+Daniel+Harris%3A%0Ahttp%3A%2F%2Fwww.reverbnation.com%2Ftunepa=
k%2Fartist_1363648%0A%0A"
 alt=3D"Mail" style=3D"color: #111199 !important;" target=3D"_blank"><img=
 src=3D"http://cache.reverbnation.com/images/share_icons/fanreach/mail.pn=
g"
 style=3D"max-width:550px;" border=3D"0" /></a></td><td style=3D"font-siz=
e: 11px; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111; width: 27px;"><a =
href=3D"http://www.reverbnation.com/widget_code/pro_widget_popup/artist_1=
363648?widget_id=3D40&eid=3DA1363648_7886772_33409121"
 alt=3D"Embed" style=3D"color: #111199 !important;" target=3D"_blank"><im=
g src=3D"http://cache.reverbnation.com/images/share_icons/fanreach/embed.=
png"
 style=3D"max-width:550px;" border=3D"0" /></a></td></tr></table></center=
><br /><p style=3D"font-size:
 11px; margin: 0; font-family: Verdana, Arial, Helvetica, sans-serif; col=
or: #111111;"><span
 style=3D"font-family: Courier New;">Sal! u, tations! <br /></span></p><p=
 style=3D"font-size:
 11px; margin: 0; font-family: Verdana, Arial, Helvetica, sans-serif; col=
or: #111111;">&nbsp;</p><p
 style=3D"font-size: 11px; margin: 0; font-family: Verdana, Arial, Helvet=
ica, sans-serif;
 color: #111111;">Tonight is the night we've been waiting and shaking for=
: Daniel
 Harris w/School for Robots, This Buildings On Fire, comedy by Michael Le=
vine up
 from Austin, TX, and live video art from Steve Grise!!</p><p style=3D"fo=
nt-size: 11px;
 margin: 0; font-family: Verdana, Arial, Helvetica, sans-serif; color: #1=
11111;">&nbsp;</p><p
 style=3D"font-size: 11px; margin: 0; font-family: Verdana, Arial, Helvet=
ica, sans-serif;
 color: #111111;">The show is at The Savant Project in the Mission Hill a=
rea of Boston
 (66 Bus, Brigham Circle stop on the Green Line).</p><p style=3D"font-siz=
e: 11px; margin:
 0; font-family: Verdana, Arial, Helvetica, sans-serif; color: #111111;">=
&nbsp;</p><p
 style=3D"font-size: 11px; margin: 0; font-family: Verdana, Arial, Helvet=
ica, sans-serif;
 color: #111111;">THIS IS A FREE CONCERT!!!</p><p style=3D"font-size: 11p=
x; margin:
 0; font-family: Verdana, Arial, Helvetica, sans-serif; color: #111111;">=
&nbsp;</p><p
 style=3D"font-size: 11px; margin: 0; font-family: Verdana, Arial, Helvet=
ica, sans-serif;
 color: #111111;">Show begins at 8:45 (but you can get there early for a =
delicious
 dinner).</p><p style=3D"font-size: 11px; margin: 0; font-family: Verdana=
, Arial, Helvetica,
 sans-serif; color: #111111;">&nbsp;</p><p style=3D"font-size: 11px; marg=
in: 0; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111;">See you tonight!=
</p><p style=3D"font-size:
 11px; margin: 0; font-family: Verdana, Arial, Helvetica, sans-serif; col=
or: #111111;">&nbsp;</p><p
 style=3D"font-size: 11px; margin: 0; font-family: Verdana, Arial, Helvet=
ica, sans-serif;
 color: #111111;">&nbsp;</p><p style=3D"font-size: 11px; margin: 0; font-=
family: Verdana,
 Arial, Helvetica, sans-serif; color: #111111;"><span style=3D"font-famil=
y: Courier
 New;">love,<br /></span></p><p style=3D"font-size: 11px; margin: 0; font=
-family: Verdana,
 Arial, Helvetica, sans-serif; color: #111111;"><span style=3D"font-famil=
y: Courier
 New;">Daniel Harris </span></p><div align=3D"center"><br /><table cellsp=
acing=3D"0"
 border=3D"0" height=3D"46" style=3D"font-size: 10px;" width=3D"500"><tr>=
<td class=3D"header_font
 header_background_color_alt" height=3D"13" valign=3D"top" style=3D"font-=
size: 11px; background:
 #0C0701; font-family: Verdana, Arial, Helvetica, sans-serif; color: #FFF=
FFF; padding-left:
 5px;" width=3D"100%" colspan=3D"5"><b>UPCOMING SHOWS</b></td></tr><tr><t=
d class=3D"schedule_divider"
 style=3D"font-size: 11px; border-bottom: 1px solid #111111; padding: 1px=
; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111;"><a href=3D"http:=
//www.reverbnation.com/venue/562616?eid=3DA1363648_7886772_33409121"
 style=3D"color: #111199 !important;">The Savant Project</a></td><td clas=
s=3D"schedule_divider"
 style=3D"font-size: 11px; border-bottom: 1px solid #111111; padding: 1px=
; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111; text-align: cente=
r;">Boston,
 MA</td><td class=3D"schedule_divider" style=3D"font-size: 11px; border-b=
ottom: 1px solid
 #111111; padding: 1px; font-family: Verdana, Arial, Helvetica, sans-seri=
f; color:
 #111111; text-align: center;">Thu Mar 10 11</td><td class=3D"schedule_di=
vider" style=3D"font-size:
 11px; border-bottom: 1px solid #111111; padding: 1px; font-family: Verda=
na, Arial,
 Helvetica, sans-serif; color: #111111; text-align: right;">08:00 PM</td>=
<td class=3D"schedule_divider"
 style=3D"font-size: 11px; border-bottom: 1px solid #111111; padding: 1px=
; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111; text-align: right=
;">
                                                                    &nbsp=
;
                                                                </td></tr=
><tr><td
 class=3D"schedule_divider" style=3D"font-size: 11px; border-bottom: 1px =
solid #111111;
 padding: 1px; font-family: Verdana, Arial, Helvetica, sans-serif; color:=
 #111111;"><a
 href=3D"http://www.reverbnation.com/venue/562616?eid=3DA1363648_7886772_=
33409121" style=3D"color:
 #111199 !important;">The Savant Project</a></td><td class=3D"schedule_di=
vider" style=3D"font-size:
 11px; border-bottom: 1px solid #111111; padding: 1px; font-family: Verda=
na, Arial,
 Helvetica, sans-serif; color: #111111; text-align: center;">Boston, MA</=
td><td class=3D"schedule_divider"
 style=3D"font-size: 11px; border-bottom: 1px solid #111111; padding: 1px=
; font-family:
 Verdana, Arial, Helvetica, sans-serif; color: #111111; text-align: cente=
r;">Sat
 Apr 09 11</td><td class=3D"schedule_divider" style=3D"font-size: 11px; b=
order-bottom:
 1px solid #111111; padding: 1px; font-family: Verdana, Arial, Helvetica,=
 sans-serif;
 color: #111111; text-align: right;">05:00 PM</td><td class=3D"schedule_d=
ivider" style=3D"font-size:
 11px; border-bottom: 1px solid #111111; padding: 1px; font-family: Verda=
na, Arial,
 Helvetica, sans-serif; color: #111111; text-align: right;">
                                                                    &nbsp=
;
                                                                </td></tr=
><tr><td
 style=3D"font-size: 11px; font-family: Verdana, Arial, Helvetica, sans-s=
erif; color:
 #111111;"><a href=3D"http://www.reverbnation.com/artist/artist_shows/art=
ist_1363648?eid=3DA1363648_7886772_33409121"
 class=3D"link_font" style=3D"font-size: 11px; text-decoration: none; col=
or: #111199;">&gt;
 See More / Details</a></td></tr></table><br /><table cellspacing=3D"0" b=
order=3D"0"
 style=3D"font-size: 10px;" width=3D"500"><tr><td class=3D"header_font he=
ader_background_color_alt"
 height=3D"13" valign=3D"top" style=3D"font-size: 11px; background: #0C07=
01; font-family:
 Verdana, Arial, Helvetica, sans-serif; padding-left: 5px; color: #FFFFFF=
;" width=3D"100%"
 colspan=3D"5"><b>PRESS CLIPPINGS</b></td></tr></table><br />"Harris's so=
und is an
 amalgam of many a tastemaker's favorite acts: imagine if Sufjan Stevens =
and Chad
 VanGaalen were doing covers of hip-hop classics with the aid of a spare =
string section
 as Panda Bear randomly screws around with a loop station, and the end pr=
oduct is
 released on K Records."
&nbsp;&nbsp;Leor Galil, <a href=3D"http://www.reverbnation.com/c/fan_reac=
h/pt?eid=3DA1363648_7886772_33409121&url=3Dhttp%3A%2F%2Fbostonist.com%2F2=
009%2F01%2F26%2Ffringe_benefits_daniel_harris.php"
 style=3D"color: #111199 !important;">Bostonist, Fringe Benefits </a><br =
/><br />"This
 pleasingly spare and stripped-down experimental lo-fi pop acoustic album=
 eschews
 needless flashy razzle-dazzle frills in favoring of a more straightforwa=
rd approach
 to banging out a tune. Said approach possesses a delicate intimacy and e=
qually fragile
 melodicism that's truly something to hear. Harris' vocals are appropriat=
ely warm
 and inviting, the arrangements tight and harmonic, the lyrics thoughtful=
 and reflective.
 Proof positive that the small-scale take on music can be quite moving an=
d effective
 if done with a winning blend of skill and ingenuity." &nbsp;&nbsp;Joe W.=
, Jersey
 Beat<br /><br />"Screw you, folk-rock; Daniel Harris is taking no prison=
ers.  His
 self-proclaimed "anti-folk" album, 32 bits isn't really 8 bits better, p=
romises
 to dismantle the overly-literal alliterative axioms of classic folk musi=
c.  It's
 stripped down orchestration that sounds HUGE (especially through headpho=
nes).  It's
 catchy; you'll find yourself humming the tunes in the shower and, in doi=
ng so, cursing
 the ground that Joni Mitchell paved through history."&nbsp;&nbsp;Christi=
an King
 II , <a href=3D"http://www.reverbnation.com/c/fan_reach/pt?eid=3DA136364=
8_7886772_33409121&url=3Dhttp%3A%2F%2Ftheunsignedsounds.blogspot.com%2F20=
11%2F02%2Fep-5-daniel-harris.html"
 style=3D"color: #111199 !important;">The Unsigned</a><br /><br /><hr /><=
div style=3D"padding:
 5px;"><span class=3D"main_font link_font" style=3D"font-size: 11px; font=
-family: Verdana,
 Arial, Helvetica, sans-serif; color: #111111;"><a href=3D"http://www.rev=
erbnation.com/iamdanielharris?eid=3DA1363648_7886772_33409121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;"><i=
mg src=3D"http://c2sostatic.reverbnation.com/images/website_logos/reverbn=
ation.png"
 style=3D"max-width:550px;" border=3D"0" height=3D"16" width=3D"16" />&nb=
sp;ReverbNation</a>

                                                &nbsp;&nbsp;&nbsp;&nbsp;
                                            <a href=3D"http://www.reverbn=
ation.com/c/fan_reach/pt?eid=3DA1363648_7886772_33409121&url=3Dhttp%3A%2F=
%2Fwww.myspace.com%2Fdanielhmusic"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;"><i=
mg src=3D"http://c2sostatic.reverbnation.com/images/website_logos/myspace=
_16x16.jpg"
 style=3D"max-width:550px;" border=3D"0" height=3D"16" width=3D"16" />&nb=
sp;Myspace</a>
                                                &nbsp;&nbsp;&nbsp;&nbsp;
                                            <a href=3D"http://www.faceboo=
k.com/devray#!/pages/daniel-harris/38237395225"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;"><i=
mg src=3D"http://c2sostatic.reverbnation.com/images/website_logos/faceboo=
k_16x16.jpg"
 style=3D"max-width:550px;" border=3D"0" height=3D"16" width=3D"16" />&nb=
sp;Facebook</a>

                                                &nbsp;&nbsp;&nbsp;&nbsp;
                                            <a href=3D"http://www.reverbn=
ation.com/c/fan_reach/pt?eid=3DA1363648_7886772_33409121&url=3Dhttp%3A%2F=
%2Fwww.last.fm%2Fuser%2Fiamdanielharris"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;"><i=
mg src=3D"http://c2sostatic.reverbnation.com/images/website_logos/last.fm=
_16x16.jpg"
 style=3D"max-width:550px;" border=3D"0" height=3D"16" width=3D"16" />&nb=
sp;Last.fm</a>
                                                &nbsp;&nbsp;&nbsp;&nbsp;
                                            <a href=3D"http://www.reverbn=
ation.com/c/fan_reach/pt?eid=3DA1363648_7886772_33409121&url=3Dhttp%3A%2F=
%2Fwww.iamdanielharris.com"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;"><i=
mg src=3D"http://c2sostatic.reverbnation.com/images/website_logos/artist%=
20website_16x16.jpg"
 style=3D"max-width:550px;" border=3D"0" height=3D"16" width=3D"16" />&nb=
sp;Artist Website</a>

                                                &nbsp;&nbsp;&nbsp;&nbsp;
                                            </span></div><hr /><div style=
=3D"padding:
 5px;"><b>WIDGETS</b> (Put our stuff on your web pages and blogs!)</div><=
div align=3D"center"><span
 class=3D"main_font link_font" style=3D"font-size: 11px; font-family: Ver=
dana, Arial,
 Helvetica, sans-serif; color: #111111;"><a href=3D"http://www.reverbnati=
on.com/controller/widget_code/pro_widget_popup/artist_1363648?eid=3DA1363=
648_7886772_33409121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Mu=
sic Player
 (Pro)</a>
                            &nbsp;&nbsp;&nbsp;
                        <a href=3D"http://www.reverbnation.com/controller=
/widget_code/pro_widget_popup/artist_1363648?eid=3DA1363648_7886772_33409=
121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Vi=
deo Player
 Widget (Pro)</a>
                            &nbsp;&nbsp;&nbsp;
                        <a href=3D"http://www.reverbnation.com/controller=
/widget_code/pro_widget_popup/artist_1363648?eid=3DA1363648_7886772_33409=
121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Sh=
ow Schedule
 Widget (Pro)</a>
                            &nbsp;&nbsp;&nbsp;
                        <a href=3D"http://www.reverbnation.com/controller=
/widget_code/pro_widget_popup/artist_1363648?eid=3DA1363648_7886772_33409=
121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Pr=
ess Widget
 (Pro)</a>
                            &nbsp;&nbsp;&nbsp;
                        <a href=3D"http://www.reverbnation.com/controller=
/widget_code/pro_widget_popup/artist_1363648?eid=3DA1363648_7886772_33409=
121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Fa=
n Collector
 (Pro)</a>
                            &nbsp;&nbsp;&nbsp;
                        <a href=3D"http://www.reverbnation.com/controller=
/widget_code/pro_widget_popup/artist_1363648?eid=3DA1363648_7886772_33409=
121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Ex=
clusive Downloads
 (Pro)</a>
                            &nbsp;&nbsp;&nbsp;
                        <a href=3D"http://www.reverbnation.com/controller=
/widget_code/tune_widget_popup/artist_1363648?eid=3DA1363648_7886772_3340=
9121"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Tu=
neWidget</a>

                            &nbsp;&nbsp;&nbsp;
                        <a href=3D"http://www.reverbnation.com/controller=
/widget_code/grab_box_popup/artist_1363648?eid=3DA1363648_7886772_3340912=
1"
 style=3D"text-decoration: none; white-space: nowrap; color: #111199;">Gr=
ab Box</a>

                            &nbsp;&nbsp;&nbsp;
                        </span></div><br /><br /></div></td>
                  </tr>
                </table>
                <table cellspacing=3D"0" border=3D"0" cellpadding=3D"0" w=
idth=3D"520">
                  <tr>
                    <td style=3D"font-size: 11px; font-family: Verdana, A=
rial, Helvetica,
 sans-serif; color: #111111;">
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pt?eid=3DA1363648_7886772_33409121&url=3D%2Ffanreach"
 style=3D"text-decoration: none; color: #111199;">
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email/fanreach_footer.gif"
 style=3D"max-width:550px;" border=3D"0" />
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          </table>
        </td>
      </tr>
    </table>
  <center style=3D"padding-top:11px;font-family: Arial, Helvetica, sans-s=
erif; font-size: 9px !important;">
  <a href=3D"http://www.reverbnation.com/c/fr5/artist_1363648?eid=3DA1363=
648_7886772_33409121&fsc=3D8e60336546a"
     style=3D"font-family:Arial, Helvetica, sans-serif; color: #333333; f=
ont-size: 10px">View As Webpage</a>
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ont-size: 10px">Update Contact Info</a>
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648_7886772_33409121&fsc=3D8e60336546a" =

     style=3D"font-family:Arial, Helvetica, sans-serif; color: #333333; f=
ont-size: 10px">Unsubscribe</a>
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     style=3D"font-family:Arial, Helvetica, sans-serif; color: #333333; f=
ont-size: 10px">Report Abuse</a>
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ont-size: 10px">Privacy</a>
  &nbsp;<img height=3D"1" width=3D"1" border=3D"0" src=3D"http://a.triggi=
t.com/px?u=3Dreverbnation&rtv=3D1363648em,Rock,Anti-Folk,Experimental" />=

  <br/><br/>
  Physical inquiries can be sent to: Daniel Harris, Humanonymous Art , 58=
 Ridgemont St, Apt 1, Allston, MA, 02134, US<br/>
  If our email is in your Spam/Junk Folder, please <a href=3D'http://www.=
reverbnation.com/controller/cms/view/JunkEmail'>add daniel@ithinkwethink.=
org to your address book.</a>
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Subject: new boss pedal?
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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the link that is listed has been blocked from my work & home web looking.
what is it?
just curious.
s---

--00151759366c328398049e2aeb08
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<div>the link that is listed has been blocked from my work &amp; home web looking.</div>
<div>what is it?</div>
<div>just curious.</div>
<div>s---</div>

--00151759366c328398049e2aeb08--

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Subject: OT-EH killswitch...
From: Scott Hansen <evanpeewee@gmail.com>
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hmmm, looks interesting, and yes it is cheap.

makes me miss my main guitar that finally had all the electronics perfect in
it, wthen the neck went all WONKY on my 2 weeks ago.
i have on/off switches for pu's, so i can do the killswitch stuff which can
be fun....

of course i think the master of it it buckethead w/ his killswitch installed
on his Les Paul, he's really good at those stutter effects w/ it.
when i tried to install the switch in one of my old projects it didn't work
(it' s a radio shack part). so i don't know if buckethead has some higher
quality part or what-(which would be my guess)...tom morello also has a
similar switch in one of his guitars...i think he has a toggle switch...

guess i need to get my guitar on my workbench done quickly....
s---

--0016e6dd8a661dfba4049e2afff3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>hmmm, looks interesting, and yes it is cheap.</div>
<div>=A0</div>
<div>makes me miss my main guitar that finally had all the electronics perf=
ect in it, wthen the neck went all WONKY on my 2 weeks ago.</div>
<div>i have on/off switches for pu&#39;s, so i can do the killswitch stuff =
which can be fun....</div>
<div>=A0</div>
<div>of course i think the master of it it buckethead w/ his killswitch ins=
talled on his Les Paul, he&#39;s really good at those stutter effects w/ it=
.</div>
<div>when i tried to install the switch in one of my old projects it didn&#=
39;t work (it&#39;=A0s a radio shack part). so i don&#39;t know if buckethe=
ad has some higher</div>
<div>quality part or what-(which would be my guess)...tom morello also has =
a similar switch in one of his guitars...i think he has a toggle switch...<=
/div>
<div>=A0</div>
<div>guess i need to get my guitar on my workbench done quickly....</div>
<div>s---</div>
<div>=A0</div>

--0016e6dd8a661dfba4049e2afff3--

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 11 04:54:06 2011
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Date: Thu, 10 Mar 2011 21:54:02 -0700
Message-ID: <AANLkTikMBqr4bFpss2A8LEBP=2NmJrza93m6UHNOEwwh@mail.gmail.com>
Subject: Re: new boss pedal?
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6da934b3df162049e2dc085
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Try this one
http://www.bossarea.com/forum/topic.asp?TOPIC_ID=3D2766

On Thu, Mar 10, 2011 at 6:31 PM, Scott Hansen <evanpeewee@gmail.com> wrote:

> the link that is listed has been blocked from my work & home web looking.
> what is it?
> just curious.
> s---
>



--=20
Keith Smith -Guitar

Keith Smith Trio - www.keithsmith.ca
Northern Lights =96 Altai Khangai www.nl4tet.ca/
Photography - www.mymountains.ca

--0016e6da934b3df162049e2dc085
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Try this one<br><a href=3D"http://www.bossarea.com/forum/topic.asp?TOPIC_ID=
=3D2766">http://www.bossarea.com/forum/topic.asp?TOPIC_ID=3D2766</a><br><br=
><div class=3D"gmail_quote">On Thu, Mar 10, 2011 at 6:31 PM, Scott Hansen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:evanpeewee@gmail.com">evanpeewee@gma=
il.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>the link tha=
t is listed has been blocked from my work &amp; home web looking.</div>
<div>what is it?</div>
<div>just curious.</div>
<div>s---</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith -Guitar<br>=
<br>Keith Smith Trio - <a href=3D"http://www.keithsmith.ca">www.keithsmith.=
ca</a><br>Northern Lights =96 Altai Khangai <a href=3D"http://www.nl4tet.ca=
/">www.nl4tet.ca/</a><br>
Photography - <a href=3D"http://www.mymountains.ca">www.mymountains.ca</a><=
br><br>

--0016e6da934b3df162049e2dc085--

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Date: Fri, 11 Mar 2011 07:59:36 +0100
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Subject: Re: DL4 expression pedal
From: Louie Angulo <louie.angulo@googlemail.com>
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sell it and get the M9 Michael then you have the problem solved;-)
no but seriously youd be very happy witht the M9 because it has a lot
more to offer than the DL4,you can input all the fx into the loop,tap
tempo them, 2 expression pedal inputs to morph delays and loop,pre and
post fx for the loop,longer looping time and midi sync for all the
time base FXs.They are about  the same size as well.Its also handsome
with all those colored lights and will make you look good and
important in life.
Well im happy and dont miss my DL4 at all;-)
cheers
Luis

On Thu, Mar 10, 2011 at 2:04 PM, Michael Peters <mp@mpeters.de> wrote:
> I'd like to try an expression pedal for my Line6 DL4 which I currently run
> in "loop sampler" mode only. The manual suggests that I can control several
> parameters with it such as loop mix, delay length, delay speed. Is your
> experience that one has to have the Line6 EX-1 pedal for this? I was only
> successful with a Roland EV-5 (which should work according to the LD page)
> but it only changes delay speed. All my other expression pedals have no
> effect at all.
>
> The last time I saw Eiving Aarset, he controlled the mix with an expression
> pedal, but sometimes seemed to also control delay gain and delay speed - is
> there some trick how to control several parameters, or can one only do one
> at a time, having to unplug and recalibrate the pedal every timeone wants to
> control another parameter? or can it be changed on the fly somehow?
>
> -Michael
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 11 17:30:54 2011
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Date: Fri, 11 Mar 2011 18:30:48 +0100
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Scott Hansen schrieb:
> quality part or what-(which would be my guess)...tom morello also has 
> a similar switch in one of his guitars...i think he has a toggle switch...
Morello explained in a video (which I can't find) that he started doing 
this w/ a Les Paul by turning one of the pickups fully down and then 
using the pu toggle switch. To get that effect on a strat (e.g. Soul 
Power), he would install a toggle switch (as explained here 
http://www.youtube.com/watch?v=Eg-nF8jG3Hc, and here's the thing in 
concert http://www.youtube.com/watch?v=_cEeCsduGdo)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Mar 11 17:40:34 2011
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Subject: bidule question
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i use a custom colour scheme (biasco) with bidule and it makes the main
layout much easier to see (for me) as it has more contrast, but when you
open a group, or bidule, the colour scheme is still black text on a dark
grey background with green meters in the mixers etc (yuk). is it possible to
change these colours? even changing the text to white would help me
immensely.

sim

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i use a custom colour scheme (biasco) with bidule and it makes the main lay=
out much easier to see (for me) as it has more contrast, but when you open =
a group, or bidule, the colour scheme is still black text on a dark grey ba=
ckground with green meters in the mixers etc (yuk). is it possible to chang=
e these colours? even changing the text to white would help me immensely.<b=
r>
<br>sim<br>

--000e0cd4888a672631049e387537--

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--Apple-Mail-4--544157364
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Prototype

http://vimeo.com/20858211

Sexy!


Regards

BobC


http://tinyurl.com/yt8f8j

http://www.youtube.com/user/tynego
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
">Prototype&nbsp;<div><br></div><div><a =
href=3D"http://vimeo.com/20858211">http://vimeo.com/20858211</a></div><div=
><br></div><div>Sexy!</div><div><br></div><div><br></div><div>Regards</div=
><div><br></div><div>BobC</div><div><br></div><div><br></div><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><a =
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margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></div></div></body></html>=

--Apple-Mail-4--544157364--

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<<Prototype=C2=A0


http://vimeo.com/20858211


Sexy!>> sez bobc




much easier to schleap than my cz 5000s.....sez me

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 09:10:50 2011
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Subject: The old "1U MIXER thread" Once again for fun!
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I know , I know.. its been talked about on LD since the invention of steam.
BUT its been a while, and Im going throught a selling and buying phase, and
looking at problem areas/improvments that can be made to my rack.
It is and always has been ... the mixer. Currently a Behringer  Eurorack Pro
1U 16 input, 1 aux, mute buttons, pan. and its really OK. Maybe a tiny bit
hissy.

But what else is there?

Absolute necessities MUST BE (dont post if these are not available)

1) 1U ... ok 2U MAX!!!
2) 8 STEREO channels (16 mono is also ok, but annoying..)
3) 1 AUX SEND

But this is what I already have in the Behringer, so Improvements for me
would be.

1)Some other way to send signal to my loopers. Currently I'm wasting the
send on that.
I could do with either an EXTRA send but i dont really like that, because I
dont NEED to set a level everytime I want to loop... I want to do that on
the looper, I just want to route the signal, via a switch. The Behringer has
a MUTE switch, and Ive often thought about if I could take a signal from
THAT bus to the loopers, so instead of muting it routed.

2)Some kind of insert: just on the main outs would be ok (I neens to put my
WHOLE rig thru one stereo effect. (I can achieve this just by putting the
mixer before this effect so its not a biggie)

3)A really basic EQ.

So a quick run down, who uses what?, links to pictures and specs would be
handy. Whats out there, anything new?
-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e84aa4f4e5d049e4574a5
Content-Type: text/html; charset=ISO-8859-1
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I know , I know.. its been talked about on LD since the invention of steam.=
 BUT its been a while, and Im going throught a selling and buying phase, an=
d looking at problem areas/improvments that can be made to my rack.<br>It i=
s and always has been ... the mixer. Currently a Behringer=A0 Eurorack Pro =
1U 16 input, 1 aux, mute buttons, pan. and its really OK. Maybe a tiny bit =
hissy.<br>

<br>But what else is there?<br><br>Absolute necessities MUST BE (dont post =
if these are not available)<br><br>1) 1U ... ok 2U MAX!!!<br>2) 8 STEREO ch=
annels (16 mono is also ok, but annoying..)<br>3) 1 AUX SEND <br><br>But th=
is is what I already have in the Behringer, so Improvements for me would be=
.<br>

<br>1)Some other way to send signal to my loopers. Currently I&#39;m wastin=
g the send on that. <br>I could do with either an EXTRA send but i dont rea=
lly like that, because I dont NEED to set a level everytime I want to loop.=
.. I want to do that on the looper, I just want to route the signal, via a =
switch. The Behringer has a MUTE switch, and Ive often thought about if I c=
ould take a signal from THAT bus to the loopers, so instead of muting it ro=
uted.<br>

<br>2)Some kind of insert: just on the main outs would be ok (I neens to pu=
t my WHOLE rig thru one stereo effect. (I can achieve this just by putting =
the mixer before this effect so its not a biggie)<br><br>3)A really basic E=
Q.<br>

<br>So a quick run down, who uses what?, links to pictures and specs would =
be handy. Whats out there, anything new? <br>-- <br><i style=3D"font-family=
: verdana,sans-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0=
, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>=
Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e84aa4f4e5d049e4574a5--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 12:29:09 2011
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mark francombe wrote:
> Currently a Behringer  Eurorack 
> Pro 1U 16 input, 1 aux, mute buttons, pan. 

> 
> Absolute necessities MUST BE (dont post if these are not available)
> 1) 1U 
> 2) 8 STEREO channels (16 mono is also ok, but annoying..)
> 3) 1 AUX SEND

Alesis Multimix Line 8
(it's not hissy)
...and it's mod-able,
the circuit schematic is available.


> 1)Some other way to send signal to my loopers. Currently I'm wasting the 
> send on that.
> I could do with either an EXTRA send but i dont really like that, 
> because I dont NEED to set a level everytime I want to loop... I want to 
> do that on the looper, I just want to route the signal, via a switch. 

I could look at the Alesis schematic and see if that's possible.
...but it would need holes drilling in some tough metal,
and (i expect) some additional resistors.

> The Behringer has a MUTE switch, and Ive often thought about if I could 
> take a signal from THAT bus to the loopers, so instead of muting it routed.

while on some mixers the Mute goes to a Bus, that's not the
case here.
Likely those switches are just single pole single throw
(just on/off)...it might be possible to re-purpose them
as sends, but I think you'd need some additional circuitry.

Without a schematic, modding isn't at all easy.

My pre-schematic attempt to mod the Alesis was a disaster.

> 
> 2)Some kind of insert: just on the main outs would be ok (I neens to put 
> my WHOLE rig thru one stereo effect. (I can achieve this just by putting 
> the mixer before this effect so its not a biggie)

another possible Alesis mod would do this (but would use
up the circuit you wanted for the aux send)

> 
> 3)A really basic EQ.

no ideas

andy

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 13:34:42 2011
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Subject: mixer options for using SW live
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi gang,
in dealing with my RME soundcard and laptop with ableton i realize
that having instant access to a master level and a panic mute button
is crucial,the RME 400 is nice but scrolling for the master level
could get dangerous playing live,and there isnt a physical mute button
on the front either.
So what would you recomend? there are some many options outhere,like a
controller to control the RMEs total mix virtual mixer,a simple nano
patch,and all of the hardware stuff to control ableton like the akai
APC 40,launch pad etc. but since i dont have much experience with this
i rather hear your opinions.
also is it possible to use the RME as a stand alone mixer without the
computer and use a controller like a BEHRINGER BCF 2000 for ex?
thanx
Luis

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 13:38:05 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 12 Mar 2011 08:37:43 -0500
Message-ID: <AANLkTi=p56EviCWt4XyhBQSCbes+8d-2HzYa3pfyV9gQ@mail.gmail.com>
Subject: Re: mixer options for using SW live
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--001517491d54126b8b049e49303a
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Hey Louie,

I was getting into the RME more deeply the other day,  and though it may
take a little something, not only can the RME function as a standalone mixe=
r
without laptop, but you can actually control it with a Mackie Control, or
any midi controller,  so looks like you're in luck!

I have not tackled this yet, but I'm sure someone on the list will have mor=
e
concrete help, though if you need it, I can give you the exact page on the
manual to look at!

T.



On Sat, Mar 12, 2011 at 8:34 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> Hi gang,
> in dealing with my RME soundcard and laptop with ableton i realize
> that having instant access to a master level and a panic mute button
> is crucial,the RME 400 is nice but scrolling for the master level
> could get dangerous playing live,and there isnt a physical mute button
> on the front either.
> So what would you recomend? there are some many options outhere,like a
> controller to control the RMEs total mix virtual mixer,a simple nano
> patch,and all of the hardware stuff to control ableton like the akai
> APC 40,launch pad etc. but since i dont have much experience with this
> i rather hear your opinions.
> also is it possible to use the RME as a stand alone mixer without the
> computer and use a controller like a BEHRINGER BCF 2000 for ex?
> thanx
> Luis
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 Outerborough, my debut double CD set soon available on iTunes, and is
released on INNOVA Recordings on March 29th.  The CD Release party is
scheduled for March 16th at ISSUE Project Room.  I'd be delighted to have
you there.

=95 also, don't forget the double bill at Le Poisson Rouge with Cellist Zoe
Keating on March 6th!  first show sold out, tix still available for the
newly added show.


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--001517491d54126b8b049e49303a
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Hey Louie,=A0<div><br></div><div>I was getting into the RME more deeply the=
 other day, =A0and though it may take a little something, not only can the =
RME function as a standalone mixer without laptop, but you can actually con=
trol it with a Mackie Control, or any midi controller, =A0so looks like you=
&#39;re in luck! =A0</div>

<div><br></div><div>I have not tackled this yet, but I&#39;m sure someone o=
n the list will have more concrete help, though if you need it, I can give =
you the exact page on the manual to look at! =A0</div><div><br></div><div>

T.</div><div><br></div><div><br><br><div class=3D"gmail_quote">On Sat, Mar =
12, 2011 at 8:34 AM, Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:l=
ouie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;</span> wrot=
e:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi gang,<br>
in dealing with my RME soundcard and laptop with ableton i realize<br>
that having instant access to a master level and a panic mute button<br>
is crucial,the RME 400 is nice but scrolling for the master level<br>
could get dangerous playing live,and there isnt a physical mute button<br>
on the front either.<br>
So what would you recomend? there are some many options outhere,like a<br>
controller to control the RMEs total mix virtual mixer,a simple nano<br>
patch,and all of the hardware stuff to control ableton like the akai<br>
APC 40,launch pad etc. but since i dont have much experience with this<br>
i rather hear your opinions.<br>
also is it possible to use the RME as a stand alone mixer without the<br>
computer and use a controller like a BEHRINGER BCF 2000 for ex?<br>
thanx<br>
Luis<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>=95 Outerborough, my debut double CD set soon available on =
iTunes, and is released on INNOVA Recordings on March 29th. =A0The CD Relea=
se party is scheduled for March 16th at ISSUE Project Room. =A0I&#39;d be d=
elighted to have you there.=A0<div>

<br></div><div>=95 also, don&#39;t forget the double bill at Le Poisson Rou=
ge with Cellist Zoe Keating on March 6th! =A0first show sold out, tix still=
 available for the newly added show.=A0<br><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>

<a href=3D"http://toddreynolds.com" target=3D"_blank">http://toddreynolds.c=
om</a><br><a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http=
://twitter.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynold=
smusic" target=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com" target=3D"_blank">http://blog.todd=
reynolds.com</a><br><a href=3D"http://facebook.com/toddreynolds" target=3D"=
_blank">http://facebook.com/toddreynolds</a><br><a href=3D"http://reverbnat=
ion.com/toddreynolds" target=3D"_blank">http://reverbnation.com/toddreynold=
s</a><br>

</div><br>
</div>

--001517491d54126b8b049e49303a--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 13:50:00 2011
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Louie Angulo schrieb:
> also is it possible to use the RME as a stand alone mixer without the
> computer and use a controller like a BEHRINGER BCF 2000 for ex?
> thanx
>   
As already mentioned, the RME can work as a standalone mixer (which can 
be controlled by Mackie Control), and the Behringer BCF2000 can emulate 
Mackie Control, so that would be your lowprice solution. The BCF also 
allows connection of a footswitch, and this can possibly be mapped to 
any function in the RME (not sure about this), so you could even have a 
simple generic footswitch as your panic button (or an expression pedal 
as your master fader).

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 13:51:19 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 12 Mar 2011 08:50:57 -0500
Message-ID: <AANLkTi=p8f36EtVc=8MtwNpRCZA-HGHShD=n0AbKONf0@mail.gmail.com>
Subject: Re: mixer options for using SW live
To: Loopers-Delight@loopers-delight.com
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Yep,  I knew it. Someone would be able to go a little deeper. Thanks,
Rainer!

On Sat, Mar 12, 2011 at 8:49 AM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> Louie Angulo schrieb:
>
>  also is it possible to use the RME as a stand alone mixer without the
>> computer and use a controller like a BEHRINGER BCF 2000 for ex?
>> thanx
>>
>>
> As already mentioned, the RME can work as a standalone mixer (which can b=
e
> controlled by Mackie Control), and the Behringer BCF2000 can emulate Mack=
ie
> Control, so that would be your lowprice solution. The BCF also allows
> connection of a footswitch, and this can possibly be mapped to any functi=
on
> in the RME (not sure about this), so you could even have a simple generic
> footswitch as your panic button (or an expression pedal as your master
> fader).
>
>         Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 Outerborough, my debut double CD set soon available on iTunes, and is
released on INNOVA Recordings on March 29th.  The CD Release party is
scheduled for March 16th at ISSUE Project Room.  I'd be delighted to have
you there.

=95 also, don't forget the double bill at Le Poisson Rouge with Cellist Zoe
Keating on March 6th!  first show sold out, tix still available for the
newly added show.


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

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Yep, =A0I knew it. Someone would be able to go a little deeper. Thanks, Rai=
ner!=A0<br><br><div class=3D"gmail_quote">On Sat, Mar 12, 2011 at 8:49 AM, =
Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlem=
ail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Louie Angulo schrieb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
also is it possible to use the RME as a stand alone mixer without the<br>
computer and use a controller like a BEHRINGER BCF 2000 for ex?<br>
thanx<br>
 =A0<br>
</blockquote></div>
As already mentioned, the RME can work as a standalone mixer (which can be =
controlled by Mackie Control), and the Behringer BCF2000 can emulate Mackie=
 Control, so that would be your lowprice solution. The BCF also allows conn=
ection of a footswitch, and this can possibly be mapped to any function in =
the RME (not sure about this), so you could even have a simple generic foot=
switch as your panic button (or an expression pedal as your master fader).<=
br>


<br>
 =A0 =A0 =A0 =A0 Rainer<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D<br>=95 Outerborough, my debut double CD set soon availab=
le on iTunes, and is released on INNOVA Recordings on March 29th. =A0The CD=
 Release party is scheduled for March 16th at ISSUE Project Room. =A0I&#39;=
d be delighted to have you there.=A0<div>

<br></div><div>=95 also, don&#39;t forget the double bill at Le Poisson Rou=
ge with Cellist Zoe Keating on March 6th! =A0first show sold out, tix still=
 available for the newly added show.=A0<br><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>

<a href=3D"http://toddreynolds.com" target=3D"_blank">http://toddreynolds.c=
om</a><br><a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http=
://twitter.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynold=
smusic" target=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com" target=3D"_blank">http://blog.todd=
reynolds.com</a><br><a href=3D"http://facebook.com/toddreynolds" target=3D"=
_blank">http://facebook.com/toddreynolds</a><br><a href=3D"http://reverbnat=
ion.com/toddreynolds" target=3D"_blank">http://reverbnation.com/toddreynold=
s</a><br>

</div><br>

--001517491d546707f3049e495f64--

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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Re: mixer options for using SW live
Date: Sat, 12 Mar 2011 08:56:26 -0500
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I made a midi pedal just for muting purposes but you can use anything =
that sends midi. The Mackie control protocol is based on midi notes and =
the map can be found here:

http://home.comcast.net/~robbowers11/MCMap.htm

Make sure you are sending note on value of 127. That threw me for a loop =
for a bit.(no pun intended)

Then it Totalmix select Options, then Enable Midi Control. Then go into =
the setting and select the midi port(Port 1 or 2) that you want totalmix =
to respond to and your all set.

-Todd Matthews





--Apple-Mail-1--491561039
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
made a midi pedal just for muting purposes but you can use anything that =
sends midi. The Mackie control protocol is based on midi notes and the =
map can be found here:<div><br></div><div><a =
href=3D"http://home.comcast.net/~robbowers11/MCMap.htm">http://home.comcas=
t.net/~robbowers11/MCMap.htm</a></div><div><br></div><div><a =
href=3D"http://home.comcast.net/~robbowers11/MCMap.htm"></a>Make sure =
you are sending note on value of 127. That threw me for a loop for a =
bit.(no pun intended)</div><div><br></div><div>Then it Totalmix select =
Options, then Enable Midi Control. Then go into the setting and select =
the midi port(Port 1 or 2) that you want totalmix to respond to and your =
all set.</div><div><br></div><div>-Todd Matthews</div><div><div><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div></div><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-1--491561039--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 14:26:36 2011
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Date: Sat, 12 Mar 2011 09:26:31 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #727 for March 10, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110310.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #727                March 10, 2011.

RECAP:
On this show, I began a month-long focus on Richard Lainhart.  The
Featured CD at Midnight was "Five Nocturnes" on O-Town Music.

Lainhart: http://wdiy.org/programs/gt/playlists/2011/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Chuck Van Zyl        September Cemetary   MemorySpace (Synkronos)
Twyndyllyngs         Time Wave            Between Space and Time
                                             (electro-music media)
Dan Pound            Liquid Body          Medusazoa (PoundSounds)
Robert Schroyder     Receiving Signals    Cygnus-A (Spheric Music)
Richard Lainhart     A Cloudless Sky      Staring at the Moon (O-Town)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Richard Lainhart     One Word             Staring at the Moon (O-Town)
Richard Lainhart     Dreamwood            Staring at the Moon (O-Town)
Richard Lainhart     Staring at the Moon  Staring at the Moon (O-Town)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Richard Lainhart.  The Featured CD at Midnight will be "White Night" on
O-Town Music.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 14:34:51 2011
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Subject: Re: bidule question
From: james fowler <twostroke@gmail.com>
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i have no idea.  i didn't even know you could upload your own color scheme.


- jim

On Fri, Mar 11, 2011 at 12:40 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> i use a custom colour scheme (biasco) with bidule and it makes the main
> layout much easier to see (for me) as it has more contrast, but when you
> open a group, or bidule, the colour scheme is still black text on a dark
> grey background with green meters in the mixers etc (yuk). is it possible to
> change these colours? even changing the text to white would help me
> immensely.
>
> sim
>

--000e0cd6ad1e271b29049e49fb6c
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i have no idea.=A0 i didn&#39;t even know you could upload your own color s=
cheme.=A0 <br><br>- jim<br><br><div class=3D"gmail_quote">On Fri, Mar 11, 2=
011 at 12:40 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:sime=
onharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wro=
te:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">i use a custom co=
lour scheme (biasco) with bidule and it makes the main layout much easier t=
o see (for me) as it has more contrast, but when you open a group, or bidul=
e, the colour scheme is still black text on a dark grey background with gre=
en meters in the mixers etc (yuk). is it possible to change these colours? =
even changing the text to white would help me immensely.<br>

<br>sim<br>
</blockquote></div><br>

--000e0cd6ad1e271b29049e49fb6c--

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Date: Sat, 12 Mar 2011 15:17:50 +0000
Message-ID: <AANLkTi=Pkaq4j10TPmu+Ec3U=kRpEgFRJ9AZkqSJDWg2@mail.gmail.com>
Subject: Re: bidule question
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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i posted this question on the plogue forum. you can download various "skins"
and select them from the preferences pane. if you want to change the
colours, you just need to change the RGB values in the skin file using a
text editor.

sim

On Sat, Mar 12, 2011 at 2:34 PM, james fowler <twostroke@gmail.com> wrote:

> i have no idea.  i didn't even know you could upload your own color
> scheme.
>
> - jim
>
>
> On Fri, Mar 11, 2011 at 12:40 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> i use a custom colour scheme (biasco) with bidule and it makes the main
>> layout much easier to see (for me) as it has more contrast, but when you
>> open a group, or bidule, the colour scheme is still black text on a dark
>> grey background with green meters in the mixers etc (yuk). is it possible to
>> change these colours? even changing the text to white would help me
>> immensely.
>>
>> sim
>>
>
>

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i posted this question on the plogue forum. you can download various &quot;=
skins&quot; and select them from the preferences pane. if you want to chang=
e the colours, you just need to change the RGB values in the skin file usin=
g a text editor.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Sat, Mar 12, 2011 at 2:34 PM, =
james fowler <span dir=3D"ltr">&lt;<a href=3D"mailto:twostroke@gmail.com">t=
wostroke@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204,=
 204); padding-left: 1ex;">
i have no idea.=A0 i didn&#39;t even know you could upload your own color s=
cheme.=A0 <br><br>- jim<div><div></div><div class=3D"h5"><br><br><div class=
=3D"gmail_quote">On Fri, Mar 11, 2011 at 12:40 PM, Simeon Harris <span dir=
=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_bl=
ank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">i use a custom co=
lour scheme (biasco) with bidule and it makes the main layout much easier t=
o see (for me) as it has more contrast, but when you open a group, or bidul=
e, the colour scheme is still black text on a dark grey background with gre=
en meters in the mixers etc (yuk). is it possible to change these colours? =
even changing the text to white would help me immensely.<br>


<br>sim<br>
</blockquote></div><br>
</div></div></blockquote></div><br>

--000e0cd6ad8aeda8d9049e4a940c--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 15:20:33 2011
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Yep,
it is possible.
Those colors come from the Theme of your Operating system.
On Windows I can change that easily.

Don't know if this helps if you're on mac.


andy

Simeon Harris wrote:
> i use a custom colour scheme (biasco) with bidule and it makes the main 
> layout much easier to see (for me) as it has more contrast, but when you 
> open a group, or bidule, the colour scheme is still black text on a dark 
> grey background with green meters in the mixers etc (yuk). is it 
> possible to change these colours? even changing the text to white would 
> help me immensely.
> 
> sim

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Subject: Re: mixer options for using SW live
From: Louie Angulo <louie.angulo@googlemail.com>
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wow awesome guys thanx a million,RME rocks the only thing missing are
the EQs,it would have been nice to have at least bass,treble and mids!


On Sat, Mar 12, 2011 at 2:56 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I made a midi pedal just for muting purposes but you can use anything that
> sends midi. The Mackie control protocol is based on midi notes and the map
> can be found here:
> http://home.comcast.net/~robbowers11/MCMap.htm
> Make sure you are sending note on value of 127. That threw me for a loop for
> a bit.(no pun intended)
> Then it Totalmix select Options, then Enable Midi Control. Then go into the
> setting and select the midi port(Port 1 or 2) that you want totalmix to
> respond to and your all set.
> -Todd Matthews
>
>
>
>

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Best rack mount looping mixer ever, but 3u

Http://Www.rane.com/pdf/old/cm86man.pdf

Look at the manual see if you agree.=20

Andy o



On Mar 12, 2011, at 7:29 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:

> mark francombe wrote:
>> Currently a Behringer  Eurorack Pro 1U 16 input, 1 aux, mute buttons, pan=
.=20
>=20
>> Absolute necessities MUST BE (dont post if these are not available)
>> 1) 1U 2) 8 STEREO channels (16 mono is also ok, but annoying..)
>> 3) 1 AUX SEND
>=20
> Alesis Multimix Line 8
> (it's not hissy)
> ...and it's mod-able,
> the circuit schematic is available.
>=20
>=20
>> 1)Some other way to send signal to my loopers. Currently I'm wasting the s=
end on that.
>> I could do with either an EXTRA send but i dont really like that, because=
 I dont NEED to set a level everytime I want to loop... I want to do that on=
 the looper, I just want to route the signal, via a switch.=20
>=20
> I could look at the Alesis schematic and see if that's possible.
> ...but it would need holes drilling in some tough metal,
> and (i expect) some additional resistors.
>=20
>> The Behringer has a MUTE switch, and Ive often thought about if I could t=
ake a signal from THAT bus to the loopers, so instead of muting it routed.
>=20
> while on some mixers the Mute goes to a Bus, that's not the
> case here.
> Likely those switches are just single pole single throw
> (just on/off)...it might be possible to re-purpose them
> as sends, but I think you'd need some additional circuitry.
>=20
> Without a schematic, modding isn't at all easy.
>=20
> My pre-schematic attempt to mod the Alesis was a disaster.
>=20
>> 2)Some kind of insert: just on the main outs would be ok (I neens to put m=
y WHOLE rig thru one stereo effect. (I can achieve this just by putting the m=
ixer before this effect so its not a biggie)
>=20
> another possible Alesis mod would do this (but would use
> up the circuit you wanted for the aux send)
>=20
>> 3)A really basic EQ.
>=20
> no ideas
>=20
> andy
>=20

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Subject: Re: bidule users - live usage & "presets"
From: james fowler <twostroke@gmail.com>
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alright...i got touchosc to communicate with bidule (relatively easy) but
now i've run into a problem downloading custom layouts to my phone from the
touchosc editor.  i figured i'd build my own touchosc layout to accomplish
the simple task of loading new bidule layouts and everything was lookin'
good until now.  i get a "connection failed" message on my iphone.  any
ideas?

this osc stuff seems pretty interesting...

- jim

--000e0cd6ab802d8804049e4b3c41
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alright...i got touchosc to communicate with bidule (relatively easy) but n=
ow i&#39;ve run into a problem downloading custom layouts to my phone from =
the touchosc editor.=A0 i figured i&#39;d build my own touchosc layout to a=
ccomplish the simple task of loading new bidule layouts and everything was =
lookin&#39; good until now.=A0 i get a &quot;connection failed&quot; messag=
e on my iphone.=A0 any ideas?<br>
<br>this osc stuff seems pretty interesting...<br><br>- jim<br>

--000e0cd6ab802d8804049e4b3c41--

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main problem I see there is that it appears to be 8 channels, thats 8 too
few...


On Sat, Mar 12, 2011 at 5:03 PM, Andy Owens <andy@1800dialword.com> wrote:

> Best rack mount looping mixer ever, but 3u
>
> Http://Www.rane.com/pdf/old/cm86man.pdf
>
> Look at the manual see if you agree.
>
> Andy o
>
>
>
> On Mar 12, 2011, at 7:29 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:
>
> > mark francombe wrote:
> >> Currently a Behringer  Eurorack Pro 1U 16 input, 1 aux, mute buttons,
> pan.
> >
> >> Absolute necessities MUST BE (dont post if these are not available)
> >> 1) 1U 2) 8 STEREO channels (16 mono is also ok, but annoying..)
> >> 3) 1 AUX SEND
> >
> > Alesis Multimix Line 8
> > (it's not hissy)
> > ...and it's mod-able,
> > the circuit schematic is available.
> >
> >
> >> 1)Some other way to send signal to my loopers. Currently I'm wasting the
> send on that.
> >> I could do with either an EXTRA send but i dont really like that,
> because I dont NEED to set a level everytime I want to loop... I want to do
> that on the looper, I just want to route the signal, via a switch.
> >
> > I could look at the Alesis schematic and see if that's possible.
> > ...but it would need holes drilling in some tough metal,
> > and (i expect) some additional resistors.
> >
> >> The Behringer has a MUTE switch, and Ive often thought about if I could
> take a signal from THAT bus to the loopers, so instead of muting it routed.
> >
> > while on some mixers the Mute goes to a Bus, that's not the
> > case here.
> > Likely those switches are just single pole single throw
> > (just on/off)...it might be possible to re-purpose them
> > as sends, but I think you'd need some additional circuitry.
> >
> > Without a schematic, modding isn't at all easy.
> >
> > My pre-schematic attempt to mod the Alesis was a disaster.
> >
> >> 2)Some kind of insert: just on the main outs would be ok (I neens to put
> my WHOLE rig thru one stereo effect. (I can achieve this just by putting the
> mixer before this effect so its not a biggie)
> >
> > another possible Alesis mod would do this (but would use
> > up the circuit you wanted for the aux send)
> >
> >> 3)A really basic EQ.
> >
> > no ideas
> >
> > andy
> >
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf307cfecc17a13c049e4b8b4b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

main problem I see there is that it appears to be 8 channels, thats 8 too f=
ew...<br><br><br><div class=3D"gmail_quote">On Sat, Mar 12, 2011 at 5:03 PM=
, Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com"=
>andy@1800dialword.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Best rack mount l=
ooping mixer ever, but 3u<br>
<br>
<a href=3D"Http://Www.rane.com/pdf/old/cm86man.pdf" target=3D"_blank">Http:=
//Www.rane.com/pdf/old/cm86man.pdf</a><br>
<br>
Look at the manual see if you agree.<br>
<br>
Andy o<br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
On Mar 12, 2011, at 7:29 AM, &quot;andy butler&quot; &lt;<a href=3D"mailto:=
akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>
<br>
&gt; mark francombe wrote:<br>
&gt;&gt; Currently a Behringer =A0Eurorack Pro 1U 16 input, 1 aux, mute but=
tons, pan.<br>
&gt;<br>
&gt;&gt; Absolute necessities MUST BE (dont post if these are not available=
)<br>
&gt;&gt; 1) 1U 2) 8 STEREO channels (16 mono is also ok, but annoying..)<br=
>
&gt;&gt; 3) 1 AUX SEND<br>
&gt;<br>
&gt; Alesis Multimix Line 8<br>
&gt; (it&#39;s not hissy)<br>
&gt; ...and it&#39;s mod-able,<br>
&gt; the circuit schematic is available.<br>
&gt;<br>
&gt;<br>
&gt;&gt; 1)Some other way to send signal to my loopers. Currently I&#39;m w=
asting the send on that.<br>
&gt;&gt; I could do with either an EXTRA send but i dont really like that, =
because I dont NEED to set a level everytime I want to loop... I want to do=
 that on the looper, I just want to route the signal, via a switch.<br>


&gt;<br>
&gt; I could look at the Alesis schematic and see if that&#39;s possible.<b=
r>
&gt; ...but it would need holes drilling in some tough metal,<br>
&gt; and (i expect) some additional resistors.<br>
&gt;<br>
&gt;&gt; The Behringer has a MUTE switch, and Ive often thought about if I =
could take a signal from THAT bus to the loopers, so instead of muting it r=
outed.<br>
&gt;<br>
&gt; while on some mixers the Mute goes to a Bus, that&#39;s not the<br>
&gt; case here.<br>
&gt; Likely those switches are just single pole single throw<br>
&gt; (just on/off)...it might be possible to re-purpose them<br>
&gt; as sends, but I think you&#39;d need some additional circuitry.<br>
&gt;<br>
&gt; Without a schematic, modding isn&#39;t at all easy.<br>
&gt;<br>
&gt; My pre-schematic attempt to mod the Alesis was a disaster.<br>
&gt;<br>
&gt;&gt; 2)Some kind of insert: just on the main outs would be ok (I neens =
to put my WHOLE rig thru one stereo effect. (I can achieve this just by put=
ting the mixer before this effect so its not a biggie)<br>
&gt;<br>
&gt; another possible Alesis mod would do this (but would use<br>
&gt; up the circuit you wanted for the aux send)<br>
&gt;<br>
&gt;&gt; 3)A really basic EQ.<br>
&gt;<br>
&gt; no ideas<br>
&gt;<br>
&gt; andy<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-col=
or: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" si=
ze=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf307cfecc17a13c049e4b8b4b--

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--20cf307cfecca1a07c049e4bb4ef
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while on some mixers the Mute goes to a Bus, that's not the

> case here.
> Likely those switches are just single pole single throw
> (just on/off)...it might be possible to re-purpose them
> as sends, but I think you'd need some additional circuitry.
>
>

like what? If I dont use the mute (I dont.. i wish it muted POST aux, but it
doesnt... the AUX is pre fade tho, so thats nice.. I CAN turn down the
channel vol and still feed the loopers... nice)

*Idea*
So.. First I de-solder the switches, and hardwire the connection,,, then I
take a wore from the input jack to the de soldered switch, then I gather all
the other ends together in one almighty blob of  solder that is on its way
out of the mixer somehow.. (nick the headphone jack maybe?) OK, heres where
you think I need curcuitry? Andy? cos all the outputs added together will er
(struggling for technical language here) take a load off each other and
reduce output?, Hmm.. I just daisy chain all the inputs of all my loopers
together NOW; and that works fine....

>
> My pre-schematic attempt to mod the Alesis was a disaster.


And theres no Behringer schematicsm is that right? I have to check.. maybe I
do actually have one, but Im not too good at reading them... as I believe
you know...

>
>
>
>> 2)Some kind of insert: just on the main outs would be ok (I neens to put
>> my WHOLE rig thru one stereo effect. (I can achieve this just by putting the
>> mixer before this effect so its not a biggie)
>>
>
> another possible Alesis mod would do this (but would use
> up the circuit you wanted for the aux send)


Maybe I can do without this feature...


But.. Im surprised theres no other options!! Even expensive ones???



-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--20cf307cfecca1a07c049e4bb4ef
Content-Type: text/html; charset=ISO-8859-1
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while on some mixers the Mute goes to a Bus, that&#39;s not the<br><div cla=
ss=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0=
pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;=
">
case here.<br>
Likely those switches are just single pole single throw<br>
(just on/off)...it might be possible to re-purpose them<br>
as sends, but I think you&#39;d need some additional circuitry.<br><br></bl=
ockquote><div><br>=A0</div><div>like what? If I dont use the mute (I dont..=
 i wish it muted POST aux, but it doesnt... the AUX is pre fade tho, so tha=
ts nice.. I CAN turn down the channel vol and still feed the loopers... nic=
e)<br>

=A0<br>*Idea*<br>So.. First I de-solder the switches, and hardwire the conn=
ection,,, then I take a wore from the input jack to the de soldered switch,=
 then I gather all the other ends together in one almighty blob of=A0 solde=
r that is on its way out of the mixer somehow.. (nick the headphone jack ma=
ybe?) OK, heres where you think I need curcuitry? Andy? cos all the outputs=
 added together will er (struggling for technical language here) take a loa=
d off each other and reduce output?, Hmm.. I just daisy chain all the input=
s of all my loopers together NOW; and that works fine....<br>

</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex;=
 border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
My pre-schematic attempt to mod the Alesis was a disaster.</blockquote><div=
><br>And theres no Behringer schematicsm is that right? I have to check.. m=
aybe I do actually have one, but Im not too good at reading them... as I be=
lieve you know...<br>

</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex;=
 border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=
=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
2)Some kind of insert: just on the main outs would be ok (I neens to put my=
 WHOLE rig thru one stereo effect. (I can achieve this just by putting the =
mixer before this effect so its not a biggie)<br>
</blockquote>
<br></div>
another possible Alesis mod would do this (but would use<br>
up the circuit you wanted for the aux send)</blockquote><div><br>Maybe I ca=
n do without this feature...<br><br><br>But.. Im surprised theres no other =
options!! Even expensive ones??? <br><font color=3D"#888888">
</font></div></div><br><br clear=3D"all"><br>-- <br><i style=3D"font-family=
: verdana,sans-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0=
, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>=
Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--20cf307cfecca1a07c049e4bb4ef--

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mark francombe wrote:
> while on some mixers the Mute goes to a Bus, that's not the
> 
>     case here.
>     Likely those switches are just single pole single throw
>     (just on/off)...it might be possible to re-purpose them
>     as sends, but I think you'd need some additional circuitry. 
> like what? 

like a resistor for each channel, and an opamp with the same value
in it's feedback loop.
...but hard to know where to take the power for the chip
without a schematic.

>  
> *Idea*
> So.. First I de-solder the switches, and hardwire the connection,,, then 
> I take a wore from the input jack to the de soldered switch, then I 
> gather all the other ends together in one almighty blob of  solder that 
> is on its way out of the mixer somehow.. (nick the headphone jack 
> maybe?) OK, heres where you think I need curcuitry? Andy? cos all the 
> outputs added together will er (struggling for technical language here) 
> take a load off each other and reduce output?, Hmm.. I just daisy chain 
> all the inputs of all my loopers together NOW; and that works fine....

....it's fine to daisy chain inputs together, but not outputs.

Outputs are low impedance, inputs are high impedance.
So, chaining outputs does what you say, chaining inputs doesn't.


You could just try using some resistors to connect 
each channel to the big blob at the output.
You'd lose some gain...but that shouldn't be a problem
sending to the EDP,as that has plenty of gain on the input.


> And theres no Behringer schematicsm is that right? 

not at the component level afaik

..and I expect the Behringer is all surface mount components,
not nice for DIY.

andy

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On Sat, Mar 12, 2011 at 6:41 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> ....it's fine to daisy chain inputs together, but not outputs.
>
> Outputs are low impedance, inputs are high impedance.
> So, chaining outputs does what you say, chaining inputs doesn't.
>

But these are inputs no? Inputs to the loopers (thats 2x edp and a repeater
BTW, repeater has both left and right inputs daisy chaned too... doesnt have
a normalised mono input.)

the signal chain would be:

Guitar >-------- INPUT JACK Behringer >----- wirefrom input jack to nicked
MUTE button>>>>>> wire from MUTE button to nicked big blob of solder on
output jack (either drilled new one, or nicked phones output)>>>>>>>>>>>>>>
Then my usual daisy chain cable to all the inputs of loopers, with slightly
increased gain perhaps?

so.. why the resistors?

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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<br><br><div class=3D"gmail_quote">On Sat, Mar 12, 2011 at 6:41 PM, andy bu=
tler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutl=
er@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">

<div id=3D":193">....it&#39;s fine to daisy chain inputs together, but not =
outputs.<br>
<br>
Outputs are low impedance, inputs are high impedance.<br>
So, chaining outputs does what you say, chaining inputs doesn&#39;t.</div><=
/blockquote></div><br>But these are inputs no? Inputs to the loopers (thats=
 2x edp and a repeater BTW, repeater has both left and right inputs daisy c=
haned too... doesnt have a normalised mono input.)<br clear=3D"all">

<br>the signal chain would be:<br><br>Guitar &gt;-------- INPUT JACK Behrin=
ger &gt;----- wirefrom input jack to nicked MUTE button&gt;&gt;&gt;&gt;&gt;=
&gt; wire from MUTE button to nicked big blob of solder on output jack (eit=
her drilled new one, or nicked phones output)&gt;&gt;&gt;&gt;&gt;&gt;&gt;&g=
t;&gt;&gt;&gt;&gt;&gt;&gt; Then my usual daisy chain cable to all the input=
s of loopers, with slightly increased gain perhaps?<br>

<br>so.. why the resistors?<br><br>-- <br><i style=3D"font-family: verdana,=
sans-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><fo=
nt style=3D"font-family: trebuchet ms,sans-serif;" size=3D"4"><u>Mark Franc=
ombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba613b0ec0ff35049e4d7e4d--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 19:34:20 2011
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mark francombe wrote:

> 
> the signal chain would be:
> 
> Guitar >-------- INPUT JACK Behringer >----- wirefrom input jack to 
> nicked MUTE button>>>>>> wire from MUTE button to nicked big blob of 
> solder on output jack (either drilled new one, or nicked phones 
> output)>>>>>>>>>>>>>> Then my usual daisy chain cable to all the inputs 
> of loopers, with slightly increased gain perhaps?
> 
> so.. why the resistors?

right,
just *one* modded mute button.

For some reason I thought all of them.

In that case it *might* work.

...but on further thought

Are you really plugging guitar direct into
the Behringer?

...and you only want that one channel to go to the loopers?

If so, then best to get some kind of active DI, plug guitar into that,
and daisy chain the output to the loopers *and* the mixer channel.

...but then again surely your guitar goes to fx first, so no
DI needed, just daisy chain the fx out to loopers and mixer.

...or am I just wrong again?

andy







From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 19:40:58 2011
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Subject: In praise of the M-9   was  DL4 expression pedal
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On 7/22/64 11:59 AM, Louie Angulo wrote:
> Well im happy and dont miss my DL4 at all;-)
Really,to be really accurate,  it should be said that the Line 6 M-9 it 
IS a DL4, with a little bit
more recording time, the wonderful addition of a single 'undo' which 
also toggles as a redo....

......and then all those amazing effects..........all this in a fairly 
small real estate package (considering
how much processing is on board)....

.....additionally, they have gone and improved a large amount of some of 
their weakest modeling
pedals (especially, the distortion modeller) and then added a bunch of 
new effects like the
amazing 'particle verb' and one of my favorites,  the 'pattern tremelo'.
The number of very musically useable effects is really staggering.  I've 
had mine for over a year
and I'm still discovering cool things to use, musically, in the unit.

As an example, I have an entire bank of pattern tremelos to toggle 
between when I want really fractured/glitchy degradation
of an ambient loop.......each pattern tremelo allows for four 'quarter' 
notes of successive square wave tremelo
speeds that can be set as 'slicing' integers from 1-16.    You can use 
up to three effects simultaneously so
I set up 6 of them and every single one has a different set of integers 
set up..........you run your sound through
3 of them at a time, toggling between other examples and you can get 
very sophisticated and changing
glitch effects.      Just then add some king of warbling filter to the 
fun and it really gets some cool random sounds
to manipulate with a second looper with glitching functions like an EDP 
or LP-1 and/or slicing pedal.

To me, the M-9 is a desert island, single hardware looping solution.    
Add something like the upcoming
LP-2 mini looper to the fun and you can have a very powerful, portable 
looping/re-sampling solution for only around
$700.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 20:41:30 2011
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Subject: Re: In praise of the M-9 was DL4 expression pedal
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Pattern Tremelo! Also one of my fav M9 patches! I am stealing this idea of a
whole bank of them! Brilliant!

j

On Sat, Mar 12, 2011 at 2:40 PM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Louie Angulo wrote:
>
>> Well im happy and dont miss my DL4 at all;-)
>>
> Really,to be really accurate,  it should be said that the Line 6 M-9 it IS
> a DL4, with a little bit
> more recording time, the wonderful addition of a single 'undo' which also
> toggles as a redo....
>
> ......and then all those amazing effects..........all this in a fairly
> small real estate package (considering
> how much processing is on board)....
>
> .....additionally, they have gone and improved a large amount of some of
> their weakest modeling
> pedals (especially, the distortion modeller) and then added a bunch of new
> effects like the
> amazing 'particle verb' and one of my favorites,  the 'pattern tremelo'.
> The number of very musically useable effects is really staggering.  I've
> had mine for over a year
> and I'm still discovering cool things to use, musically, in the unit.
>
> As an example, I have an entire bank of pattern tremelos to toggle between
> when I want really fractured/glitchy degradation
> of an ambient loop.......each pattern tremelo allows for four 'quarter'
> notes of successive square wave tremelo
> speeds that can be set as 'slicing' integers from 1-16.    You can use up
> to three effects simultaneously so
> I set up 6 of them and every single one has a different set of integers set
> up..........you run your sound through
> 3 of them at a time, toggling between other examples and you can get very
> sophisticated and changing
> glitch effects.      Just then add some king of warbling filter to the fun
> and it really gets some cool random sounds
> to manipulate with a second looper with glitching functions like an EDP or
> LP-1 and/or slicing pedal.
>
> To me, the M-9 is a desert island, single hardware looping solution.    Add
> something like the upcoming
> LP-2 mini looper to the fun and you can have a very powerful, portable
> looping/re-sampling solution for only around
> $700.
>
> rick walker
>

--20cf304347006066ab049e4f1a98
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Pattern Tremelo! Also one of my fav M9 patches! I am stealing this idea of =
a whole bank of them! Brilliant!<br><br>j<br><br><div class=3D"gmail_quote"=
>On Sat, Mar 12, 2011 at 2:40 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=
=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On 7/22/64 11:59 =
AM, Louie Angulo wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Well im happy and dont miss my DL4 at all;-)<br>
</blockquote>
Really,to be really accurate, =A0it should be said that the Line 6 M-9 it I=
S a DL4, with a little bit<br>
more recording time, the wonderful addition of a single &#39;undo&#39; whic=
h also toggles as a redo....<br>
<br>
......and then all those amazing effects..........all this in a fairly smal=
l real estate package (considering<br>
how much processing is on board)....<br>
<br>
.....additionally, they have gone and improved a large amount of some of th=
eir weakest modeling<br>
pedals (especially, the distortion modeller) and then added a bunch of new =
effects like the<br>
amazing &#39;particle verb&#39; and one of my favorites, =A0the &#39;patter=
n tremelo&#39;.<br>
The number of very musically useable effects is really staggering. =A0I&#39=
;ve had mine for over a year<br>
and I&#39;m still discovering cool things to use, musically, in the unit.<b=
r>
<br>
As an example, I have an entire bank of pattern tremelos to toggle between =
when I want really fractured/glitchy degradation<br>
of an ambient loop.......each pattern tremelo allows for four &#39;quarter&=
#39; notes of successive square wave tremelo<br>
speeds that can be set as &#39;slicing&#39; integers from 1-16. =A0 =A0You =
can use up to three effects simultaneously so<br>
I set up 6 of them and every single one has a different set of integers set=
 up..........you run your sound through<br>
3 of them at a time, toggling between other examples and you can get very s=
ophisticated and changing<br>
glitch effects. =A0 =A0 =A0Just then add some king of warbling filter to th=
e fun and it really gets some cool random sounds<br>
to manipulate with a second looper with glitching functions like an EDP or =
LP-1 and/or slicing pedal.<br>
<br>
To me, the M-9 is a desert island, single hardware looping solution. =A0 =
=A0Add something like the upcoming<br>
LP-2 mini looper to the fun and you can have a very powerful, portable loop=
ing/re-sampling solution for only around<br>
$700.<br><font color=3D"#888888">
<br>
rick walker<br>
</font></blockquote></div><br>

--20cf304347006066ab049e4f1a98--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 21:37:39 2011
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Date: Sat, 12 Mar 2011 22:37:36 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: OT: "Darkness" - for the people of Japan (MSSS performance)
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 From today's MoinSound Studio Sessions performance:

I decided to call the session "Darkness - for the people of Japan" and 
have it all dark ambient synth stuff.
Gear used: Kurzweil K2600XS (synth voices), Ableton Live w/ Möbius, The 
Grand 3 and some other small VSTs (and the TC Konnekt's reverb), Hohner 
Melodica.

http://www.ustream.tv/recorded/13273518/highlight/156828

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 21:45:44 2011
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From: William Walker <billwalker@baymoon.com>
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Subject: Re: The old "1U MIXER thread" Once again for fun!
Date: Sat, 12 Mar 2011 13:45:36 -0800
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> Andy said;

> , Alesis Multimix Line 8
> (it's not hissy)
> ...and it's mod-able,
> the circuit schematic is available.

Clean enough to rival a rane SM-82? if so I would switch as my SM-82  
was built during a period of time when they used a large wall wart  
power supply the size of a line 6 power supply that connected to the  
unit via a cat cable no less. i like that the multi mix has a built in  
power supply and is light in weight though my rane may be of more  
robust build quality and is made in the US.
Bill



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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><font =
class=3D"Apple-style-span" color=3D"#5724CF">Andy =
said;</font></span></blockquote><br><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><font =
class=3D"Apple-style-span" color=3D"#5724CF">, Alesis Multimix Line =
8<br>(it's not hissy)<br>...and it's mod-able,<br>the circuit schematic =
is available.</font></span></blockquote><br>Clean enough to rival a rane =
SM-82? if so I would switch as my SM-82 was built during a period of =
time when they used a large wall wart power supply the size of a line 6 =
power supply that connected to the unit via a cat cable no less. i like =
that the multi mix has a built in power supply and is light in weight =
though my rane may be of more robust build quality and is made in the =
US.&nbsp;<div>Bill&nbsp;<br><div><br =
class=3D"Apple-interchange-newline"></div><br></div></body></html>=

--Apple-Mail-210--463410591--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 21:46:41 2011
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Rick Walker schrieb:
> On 7/22/64 11:59 AM, Louie Angulo wrote:
>> Well im happy and dont miss my DL4 at all;-)
> Really,to be really accurate,  it should be said that the Line 6 M-9 
> it IS a DL4, with a little bit
> more recording time, the wonderful addition of a single 'undo' which 
> also toggles as a redo....
With all that praise by you, Rick, by Luis, and by many others, I'd just 
like to understand:

The M9 is something which:
    * is only slightly bigger than a DL4,
    * has a longer looper with undo/redo
    * MIDI In/out (but not for the looper)
    * connectors for two exp pedals
    * up to three of any MM/DL/FM/DM modeler effects (plus reverb) at 
one time patched in series

correct?

I had my DL4 for quite some time, but with its relatively big footprint 
and small feature set compared to other devices, it has become kind of a 
one trick pony for me, when I want that sweep delay in a situation when 
I play with my (synth-based) hardware setup. In that setup, the Repeater 
is still the main looper, sometimes with the addition of the Eclipse 
(which has the timethingi stompbox algorithms).
If I'm using the studio computer, then I either use OhmBoyz or Steinberg 
ModDelay for the delays, and Möbius for loops.
If I'm using the live computer setup: the same.
And finally for the portable "Nerdville" stompbox/noise setup, it's just 
too big to justify its inclusion (already with SMM w/Hazari and DD20 as 
loopers, KP3 as loop sampler, and T-Resonator as powerful filter thing).


             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 23:38:01 2011
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> just *one* modded mute button.
>
> For some reason I thought all of them.

No you WERE right... I was simplifying... There are 6 channels (ok 3
stereo) of guitar...

so really its:


GUITAR   ________________ stomp boxes ____ TC Fireworx_____
Vortex_____________ MIXER 1/2
                     |
                     |___________ Hex pickup splitter______GR 30
GUITAR SYNTH____________MIXER 3/4
                                                                        |

 |____Pitchshifter / octaver (Low E string)______MIXER 5/6


AUX SEND _________Kaoscilator Pro _________________MIXER 9/10
                      |
                       ______REPEATER L/R ________________ MIXER 11/12
                      |
                      |______EDP1_______Roland 303 FX ______MIXER 13//14
                      |
                      |______EDP2_______AIR FX____________MIXER 15/16



MIXER L/R out  ____Kaos pad___FOH


(phew that took a while to draw.. hope it works... fun though!)


>
> In that case it *might* work.
>
> ...but on further thought
>
> Are you really plugging guitar direct into
> the Behringer?

no via the Fireworx really...
>
> ...and you only want that one channel to go to the loopers?


nope all of them...

>
> If so, then best to get some kind of active DI, plug guitar into that,
> and daisy chain the output to the loopers *and* the mixer channel.
>
> ...but then again surely your guitar goes to fx first, so no
> DI needed, just daisy chain the fx out to loopers and mixer.
>
> ...or am I just wrong again?

Just lacking 5 channels...

It DOES work how it is now..... but OH for that "loopers dream mixer!"


--
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

From Loopers-Delight-request@loopers-delight.com  Sat Mar 12 23:41:24 2011
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bugger it.. drawing wrapped... trying this...

GUITAR   _____ stomp boxes ____ TC Fireworx_____Vortex_____ MIXER 1/2
                    |
                    |____ Hex pickup splitter______GIT SYNTH_________MIXER 3/4
                                                                       |

|____Pitchshifter______MIXER 5/6


AUX SEND _________Kaoscilator Pro ____________MIXER 9/10
                     |
                      ______REPEATER L/R ____________ MIXER 11/12
                     |
                     |______EDP1_______Roland 303 FX ______MIXER 13//14
                     |
                     |______EDP2_______AIR FX____________MIXER 15/16



MIXER L/R out  ____Kaos pad___FOH



> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>



-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 00:21:57 2011
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On 7/22/64 11:59 AM, Rainer Straschill wrote:
> I had my DL4 for quite some time, but with its relatively big 
> footprint and small feature set compared to other devices, it has 
> become kind of a one trick pony for me, when I want that sweep delay 
> in a situation when I play with my (synth-based) hardware setup.
Yeah, Rainer, I understand anyone's hesitations about a large footprint 
in a stomp box pedal,
and personally, with the addition of an LP-2 mini looper and an M-9,  I 
also am not using
my DL-4s anymore.

There are also the concerns of how much gear one schlepps to a gig.  I 
have a large 'do everything' rig
(double rack cases, midi pedals, et. al.) and a run out the door floor 
pedal hardware rig.

For running out the door I love the M-9.    It, two cables,  some kind 
of 'axe' and a miniature
Vox amplifier and I can really play a lot of music with no muss or fuss
and minimal setup and load time.   That's pretty cool.

There's actually a lot of sound processing under it's hood and it takes 
up about three stomp box pedals in
size.

Can you come up with a rig that does more things........absolutely and 
that's wonderful and
I support you if you don't consider the M-9 for your purposes.

You do have to take your computer, though, and/or rack case and your 
footpedals.
Which really small footprint midi pedal do you currently use?

yours,   Rick

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 00:23:48 2011
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On 7/22/64 11:59 AM, Jeff Duke wrote:
> Pattern Tremelo! Also one of my fav M9 patches! I am stealing this 
> idea of a whole bank of them! Brilliant!
Imitation is the most sincere form of flattery,  Steal away, Jeff <grin>

While we are at it,   what are some of your favorite effects in the M-9 
and the settings you use for it.

rick walker

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Am 13.03.2011 01:21, schrieb Rick Walker:
> You do have to take your computer, though, and/or rack case and your 
> footpedals.
> Which really small footprint midi pedal do you currently use?
Status Quo: still the Behringer (playing from or near home, mostly).
Next evolutionary step: no foot pedal - means no footprint.

Why?
I don't like it that to tell the computer to do something, I need to be 
in a specific position onstage and move my feet in a specific way. 
Saving equipment size is an added bonus.

How?
Wireless human interface device (e.g. trackball) controlling the 
computer. This gets attached to the trombone (the way you hold a 
trombone, you have about three fingers on your left hand which always 
stay in the same position and don't do/hold anything, so they can 
control the trackball). The trackball has three buttons and two CCs (to 
stick with MIDI lingo). Which means that the setup on the computer works 
in some kind of state machine I'll jump around in using the buttons.

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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But there is a flex bus feature and with a midi cable you can add half rack s=
pace rane mixers to it.=20

Ao



On Mar 12, 2011, at 11:26 AM, "mark francombe" <mark@markfrancombe.com> wrot=
e:

> main problem I see there is that it appears to be 8 channels, thats 8 too f=
ew...
>=20
>=20
> On Sat, Mar 12, 2011 at 5:03 PM, Andy Owens <andy@1800dialword.com> wrote:=

> Best rack mount looping mixer ever, but 3u
>=20
> Http://Www.rane.com/pdf/old/cm86man.pdf
>=20
> Look at the manual see if you agree.
>=20
> Andy o
>=20
>=20
>=20
> On Mar 12, 2011, at 7:29 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:=

>=20
> > mark francombe wrote:
> >> Currently a Behringer  Eurorack Pro 1U 16 input, 1 aux, mute buttons, p=
an.
> >
> >> Absolute necessities MUST BE (dont post if these are not available)
> >> 1) 1U 2) 8 STEREO channels (16 mono is also ok, but annoying..)
> >> 3) 1 AUX SEND
> >
> > Alesis Multimix Line 8
> > (it's not hissy)
> > ...and it's mod-able,
> > the circuit schematic is available.
> >
> >
> >> 1)Some other way to send signal to my loopers. Currently I'm wasting th=
e send on that.
> >> I could do with either an EXTRA send but i dont really like that, becau=
se I dont NEED to set a level everytime I want to loop... I want to do that o=
n the looper, I just want to route the signal, via a switch.
> >
> > I could look at the Alesis schematic and see if that's possible.
> > ...but it would need holes drilling in some tough metal,
> > and (i expect) some additional resistors.
> >
> >> The Behringer has a MUTE switch, and Ive often thought about if I could=
 take a signal from THAT bus to the loopers, so instead of muting it routed.=

> >
> > while on some mixers the Mute goes to a Bus, that's not the
> > case here.
> > Likely those switches are just single pole single throw
> > (just on/off)...it might be possible to re-purpose them
> > as sends, but I think you'd need some additional circuitry.
> >
> > Without a schematic, modding isn't at all easy.
> >
> > My pre-schematic attempt to mod the Alesis was a disaster.
> >
> >> 2)Some kind of insert: just on the main outs would be ok (I neens to pu=
t my WHOLE rig thru one stereo effect. (I can achieve this just by putting t=
he mixer before this effect so its not a biggie)
> >
> > another possible Alesis mod would do this (but would use
> > up the circuit you wanted for the aux send)
> >
> >> 3)A really basic EQ.
> >
> > no ideas
> >
> > andy
> >
>=20
>=20
>=20
>=20
> --=20
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe

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<html><body bgcolor="#FFFFFF"><div>But there is a flex bus feature and with a midi cable you can add half rack space rane mixers to it.&nbsp;</div><div><br></div><div>Ao<br><br><div><br></div></div><div><br>On Mar 12, 2011, at 11:26 AM, "mark francombe" &lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>main problem I see there is that it appears to be 8 channels, thats 8 too few...<br><br><br><div class="gmail_quote">On Sat, Mar 12, 2011 at 5:03 PM, Andy Owens <span dir="ltr">&lt;<a href="mailto:andy@1800dialword.com"><a href="mailto:andy@1800dialword.com">andy@1800dialword.com</a></a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Best rack mount looping mixer ever, but 3u<br>
<br>
<a href="Http://Www.rane.com/pdf/old/cm86man.pdf" target="_blank"><a href="Http://Www.rane.com/pdf/old/cm86man.pdf">Http://Www.rane.com/pdf/old/cm86man.pdf</a></a><br>
<br>
Look at the manual see if you agree.<br>
<br>
Andy o<br>
<div><div></div><div class="h5"><br>
<br>
<br>
On Mar 12, 2011, at 7:29 AM, "andy butler" &lt;<a href="mailto:akbutler@tiscali.co.uk"><a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a></a>&gt; wrote:<br>
<br>
&gt; mark francombe wrote:<br>
&gt;&gt; Currently a Behringer &nbsp;Eurorack Pro 1U 16 input, 1 aux, mute buttons, pan.<br>
&gt;<br>
&gt;&gt; Absolute necessities MUST BE (dont post if these are not available)<br>
&gt;&gt; 1) 1U 2) 8 STEREO channels (16 mono is also ok, but annoying..)<br>
&gt;&gt; 3) 1 AUX SEND<br>
&gt;<br>
&gt; Alesis Multimix Line 8<br>
&gt; (it's not hissy)<br>
&gt; ...and it's mod-able,<br>
&gt; the circuit schematic is available.<br>
&gt;<br>
&gt;<br>
&gt;&gt; 1)Some other way to send signal to my loopers. Currently I'm wasting the send on that.<br>
&gt;&gt; I could do with either an EXTRA send but i dont really like that, because I dont NEED to set a level everytime I want to loop... I want to do that on the looper, I just want to route the signal, via a switch.<br>


&gt;<br>
&gt; I could look at the Alesis schematic and see if that's possible.<br>
&gt; ...but it would need holes drilling in some tough metal,<br>
&gt; and (i expect) some additional resistors.<br>
&gt;<br>
&gt;&gt; The Behringer has a MUTE switch, and Ive often thought about if I could take a signal from THAT bus to the loopers, so instead of muting it routed.<br>
&gt;<br>
&gt; while on some mixers the Mute goes to a Bus, that's not the<br>
&gt; case here.<br>
&gt; Likely those switches are just single pole single throw<br>
&gt; (just on/off)...it might be possible to re-purpose them<br>
&gt; as sends, but I think you'd need some additional circuitry.<br>
&gt;<br>
&gt; Without a schematic, modding isn't at all easy.<br>
&gt;<br>
&gt; My pre-schematic attempt to mod the Alesis was a disaster.<br>
&gt;<br>
&gt;&gt; 2)Some kind of insert: just on the main outs would be ok (I neens to put my WHOLE rig thru one stereo effect. (I can achieve this just by putting the mixer before this effect so its not a biggie)<br>
&gt;<br>
&gt; another possible Alesis mod would do this (but would use<br>
&gt; up the circuit you wanted for the aux send)<br>
&gt;<br>
&gt;&gt; 3)A really basic EQ.<br>
&gt;<br>
&gt; no ideas<br>
&gt;<br>
&gt; andy<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear="all"><br>-- <br><i style="font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);"><font style="font-family: trebuchet ms,sans-serif;" size="4"><u>Mark Francombe</u></font></i><br>

<font size="1"><a style="color: rgb(51, 0, 51);" href="http://www.markfrancombe.com/" target="_blank"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br style="color: rgb(51, 0, 51);"><a style="color: rgb(51, 0, 51);" href="http://www.ordoabkhao.com/" target="_blank"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br style="color: rgb(51, 0, 51);">

<a style="color: rgb(51, 0, 51);" href="http://vimeo.com/user825094" target="_blank"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br style="color: rgb(51, 0, 51);"><a style="color: rgb(51, 0, 51);" href="http://www.looop.no/" target="_blank"><a href="http://www.looop.no">http://www.looop.no</a></a><br>

twitter @markfrancombe</font><br>
</div></blockquote></body></html>
--Apple-Mail-6--449820666--

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So why hasnt someone just taken a midi controlled patch bay, then make a 1u o=
r 2u interface unit with microswitches and one of those helium boards/cards f=
or midi control and man you could have the ultimate looping mixer. Easy as p=
i=20

Andy o

On Mar 12, 2011, at 6:41 PM, "mark francombe" <mark@markfrancombe.com> wrote=
:

> bugger it.. drawing wrapped... trying this...
>=20
> GUITAR   _____ stomp boxes ____ TC Fireworx_____Vortex_____ MIXER 1/2
>                    |
>                    |____ Hex pickup splitter______GIT SYNTH_________MIXER 3=
/4
>                                                                       |
>=20
> |____Pitchshifter______MIXER 5/6
>=20
>=20
> AUX SEND _________Kaoscilator Pro ____________MIXER 9/10
>                     |
>                      ______REPEATER L/R ____________ MIXER 11/12
>                     |
>                     |______EDP1_______Roland 303 FX ______MIXER 13//14
>                     |
>                     |______EDP2_______AIR FX____________MIXER 15/16
>=20
>=20
>=20
> MIXER L/R out  ____Kaos pad___FOH
>=20
>=20
>=20
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>>=20
>=20
>=20
>=20
> --=20
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>=20

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Andy Owens wrote:
> So why hasnt someone just taken a midi controlled patch bay,
> then make a 1u or 2u interface unit with microswitches and 
>one of those helium boards/cards for midi control and man
> you could have the ultimate looping mixer. Easy as pi 

reason 1)
the cost

anything over $314.15 is a problem

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Subject: Adrain Belew uses Mobius looper wow!!
From: Louie Angulo <louie.angulo@googlemail.com>
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Wow Jeff you have certainly done something right my friend congrats i
was not aware of this!!

http://www.synth.me/node/843

Luis

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Louie Angulo schrieb:
> Wow Jeff you have certainly done something right my friend congrats i
> was not aware of this!!
>   
Belew is a smart kid, plus he doesn't have as many prejudices as his 
master Fripp ("it's modeled after the EDP, so the sound quality will 
suck the same"), so it was only a matter of time until that happened...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Rick Walker wrote:

> Can you come up with a rig that does more things.......

I'm waiting for the Vox Dynamic Looper to be available
before I answer that.

So far all we heard from that was incompetent demos,
but it's 2 loops with resampling to different loop length
feature could be a winner.

Rainer Straschill wrote: 
>  T-Resonator as powerful filter thing).

is that device also capable of stuff other than
the screaming distortion of the available demos?

I suspect it is (with 'micro-turning' of the 
controls), but that depends on how
*moog-like" the filter really is.
e.g. Can the filter oscillation achieve a sustained
"silvery" sine wave?

andy

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andy butler schrieb:
> is that device also capable of stuff other than
> the screaming distortion of the available demos?
> e.g. Can the filter oscillation achieve a sustained
> "silvery" sine wave?
Sorry, I don't know the definition of "silvery sine wave" - there's not 
so many properties a sine wave can have except for frequency, amplitude 
and phase offset (and if one of them isn't constant, it's more than one 
sine wave...;).
But if you can describe what you're looking for, I can see if it can do it.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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hi Bill,
I haven't ever used a Rane mixer, so I really can't answer that.

The price differential is massive enough (3x at least in uk), 
............though that doesn't
always mean much, as it should be possible to make a really
clean line mixer without going overboard on expensive components.

The feature differential was also an issue for me, the Alesis
wins easily, though I did have to mod it to make the 
mic input worthwhile.

I haven't properly AB'ed the Alesis yet, it seems "ok"
and the truth might end up being expensive.
Certainly no hiss.


The built in psu makes for  another route for hum to get into your
rig. (which an unearthed wall wart isn't if it's isolated
and smoothed correctly).
I've bought some humfrees to sort out problems with that,
but it's only been a problem at gigs ( noticeable 
between pieces, to me anyway).
At home it's only audible when worrying about it.

andy


William Walker wrote:
>> Andy said;
> 
>> , Alesis Multimix Line 8
>> (it's not hissy)
>> ...and it's mod-able,
>> the circuit schematic is available.
> 
> Clean enough to rival a rane SM-82? if so I would switch as my SM-82 was 
> built during a period of time when they used a large wall wart power 
> supply the size of a line 6 power supply that connected to the unit via 
> a cat cable no less. i like that the multi mix has a built in power 
> supply and is light in weight though my rane may be of more robust build 
> quality and is made in the US. 
> Bill 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 11:39:36 2011
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hi Rainer,
ok,
silvery means pure.


Rainer Straschill wrote:
> andy butler schrieb:
>> is that device also capable of stuff other than
>> the screaming distortion of the available demos?
>> e.g. Can the filter oscillation achieve a sustained
>> "silvery" sine wave?
> Sorry, I don't know the definition of "silvery sine wave" - there's not 
> so many properties a sine wave can have except for frequency, amplitude 
> and phase offset (and if one of them isn't constant, it's more than one 
> sine wave...;).
> But if you can describe what you're looking for, I can see if it can do it.
> 
>          Rainer
> 

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andy butler schrieb:
> hi Rainer,
> ok,
> silvery means pure.
Ok, as with "pure silver", you usually state the amount of silver 
content - and with that.
(Quick measurement - T-Resonator w/ shortet ins thru DI (for pads) into 
RME Multiface II, analysis w/ WaveLabs FFT meter).

For negative feedback:
other partials are at or below -57dB relative to the fundamental.
it's relatively easy to find that most silvery point of feedback

positive feedback:
other partials are at or below -40dB relative to the fundamental.
This is just at the start of oscillation. Increase feedback, and you get 
more distortion.

So, the quick answer:
It's roughly more than 99% pure silver.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 14:02:34 2011
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On Mar 13, 2011, at 6:33 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:

> reason 1)
> the cost

Dern, I thought this was art!!! 

Ao

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 14:44:27 2011
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Subject: Re: Jomox T-Resonator was In praise of the M-9   was  DL4 expression
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hi Rainer,
thanks for that,

so would the T-Resonator be useful in
contexts other than a noise setup?

For instance, Would it do a more chaotic equivalent of a dub delay?

Would you use it in an ambient set?

For tonal music?



andy

Rainer Straschill wrote:
> andy butler schrieb:
>> hi Rainer,
>> ok,
>> silvery means pure.

> It's roughly more than 99% pure silver.
> 

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Date: Sun, 13 Mar 2011 07:54:10 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Jomox T-Resonator was In praise of the M-9   was  DL4 expression pedal
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I have one and I found it works well to make rhythmic patters from sustained 
sounds. I sans a long note and generate something that sounds like a brazilian 
quicka from that witht he T resonnator.

Antony



________________________________
From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, March 13, 2011 3:44:38 PM
Subject: Re: Jomox T-Resonator was In praise of the M-9   was  DL4 expression 
pedal

hi Rainer,
thanks for that,

so would the T-Resonator be useful in
contexts other than a noise setup?

For instance, Would it do a more chaotic equivalent of a dub delay?

Would you use it in an ambient set?

For tonal music?



andy

Rainer Straschill wrote:
> andy butler schrieb:
>> hi Rainer,
>> ok,
>> silvery means pure.

> It's roughly more than 99% pure silver.
> 


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>I have one and I found it works well to make rhythmic patters from sustained sounds. I sans a long note and generate something that sounds like a brazilian quicka from that witht he T resonnator.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> andy butler &lt;akbutler@tiscali.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, March 13, 2011 3:44:38 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Jomox T-Resonator was In praise of the M-9   was  DL4
 expression pedal<br></font><br>hi Rainer,<br>thanks for that,<br><br>so would the T-Resonator be useful in<br>contexts other than a noise setup?<br><br>For instance, Would it do a more chaotic equivalent of a dub delay?<br><br>Would you use it in an ambient set?<br><br>For tonal music?<br><br><br><br>andy<br><br>Rainer Straschill wrote:<br>&gt; andy butler schrieb:<br>&gt;&gt; hi Rainer,<br>&gt;&gt; ok,<br>&gt;&gt; silvery means pure.<br><br>&gt; It's roughly more than 99% pure silver.<br>&gt; <br><br></div></div><div style="position:fixed"></div>


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From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 15:42:19 2011
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andy butler schrieb:
> hi Rainer,
> thanks for that,
>
> so would the T-Resonator be useful in
> contexts other than a noise setup?
Depends on what you're looking for.
The T-Resonator is mainly a dual-mono lowpass filter with a delay effect 
thrown in and lots of feedback options.
However, for normal filter use (say, just put a beefy filter on a submix 
or instrument), I'd rather use other things, like a Filter Factory.
The thing it's best at is have the filters singing, modulated by an LFO 
or envelope follower (for that, you don't even need that input signal to 
be anything useful). The setup I use it in is channel1->external 
distortion box->channel 2; with the cross-feedback becoming 
feedback/forward options.

Ambient setup: yes
tonal music: most probably now, because other things do what I want from 
a filter in tonal music better.

Two examples:
http://soundcloud.com/moinlabs/the-big-calm-live-at-moinsound-studio-sessions-excerpt
(mainly the cicade chirping)
http://soundcloud.com/tom-slatter/bigcalm
(here, my part is about 40min. into the track. The T-Resonator is sent 
through various other things here, including an Eclipse, so not a good 
way to judge the possibility to use it for normal stuff. But it's "tonal")

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 16:46:43 2011
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remember how the MOD FX pedals could be combined by inserting one into=20
the other thru the side thingies?

i did this with my 2 bitrmen pedals and this creates some very nice=20
sounds, i have only scratched the surface

of this setup but i am very pleased by the results.....it is very=20
interesting how the first bman effects the second,

totally unheard of sounds are produced.....it has taken me several=20
years to do this but well worth

the wait.....also on another note, i think someone wrote that the M9=20
can take 2 xpression pedals, is

this true?



 =20

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 19:11:32 2011
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Subject: Gig Spam:Live streaming shows on now!
From: Jeff Duke <jeffloops@gmail.com>
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This just started with Matt Stevens looping in fine form, 3 hours of music
live now.
http://cafenoodle.ning.com/

Matt Stevens <http://www.mattstevensguitar.com/> 7pm

Tom Slatter 8pm

Pseudo Ambient (Gaetano Fontanazza) 9pm


j

--20cf307ca056740761049e61f66c
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This just started with Matt Stevens looping in fine form, 3 hours of music live now.<br><a href="http://cafenoodle.ning.com/">http://cafenoodle.ning.com/</a><br><br><p><a href="http://www.mattstevensguitar.com/" target="_blank">Matt Stevens</a> 7pm</p>

<p>Tom Slatter 8pm</p>
<p>Pseudo Ambient (Gaetano Fontanazza) 9pm</p><p><br></p><p>j<br></p><br>

--20cf307ca056740761049e61f66c--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 19:19:27 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
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Subject: More octatrack "looping" kind of stuff...
Date: Sun, 13 Mar 2011 19:19:25 +0000
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Again having FUN with the Elektron Octatrack=2C an amazing little instrumen=
t! So again no real amp=2C just a V-stack Tweedy and my Soloway Swan with l=
ollar minihums and I'm actually using the NECK pickup a lot... not sure wha=
t to call the "music" style... perhaps crazy... This machine as a lot of li=
mitations as a looper=2C in this OS=2C but it does things normal looper don=
't=2C eight separate channels=2C sequencer=2C great effects (that can be tr=
iggered by sequencer)=2C 2 LFO's for EACH channel that can control=2C pitch=
=2C AMP that=2C together with Chorus=2C makes a guitar loop sound like a B3=
 on acid... IT'S FUN!!!=20
http://soundcloud.com/anders-bergdahl/octatrack-8-a-flood-engulfs

As for the octa.. one through machine=2C one flex with a trig record the re=
st are flex tracks sampled live... some scene mapping (the crazy pitch shif=
t in the begning for example)=2C trigless trigs. ALL effects are the octa N=
OTHING added in the mix

Feedback and questions are welcome
Enjoy ? Anders 		 	   		  =

--_00b1b005-d2fc-4c91-8f4b-aeddbd615eb3_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
<span class=3D"Apple-style-span" style=3D"font-family: verdana=2C geneva=2C=
 lucida=2C 'lucida grande'=2C arial=2C helvetica=2C sans-serif=3B -webkit-b=
order-horizontal-spacing: 1px=3B -webkit-border-vertical-spacing: 1px=3B fo=
nt-size: 10pt=3B ">Again having FUN with the Elektron Octatrack=2C an amazi=
ng little instrument! So again no real amp=2C just a V-stack Tweedy and my =
Soloway Swan with lollar minihums and I'm actually using the NECK pickup a =
lot... not sure what to call the "music" style... perhaps crazy...&nbsp=3B<=
/span><div><font class=3D"Apple-style-span" face=3D"verdana=2C geneva=2C lu=
cida=2C 'lucida grande'=2C arial=2C helvetica=2C sans-serif" size=3D"2"><sp=
an class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: 1=
px=3B -webkit-border-vertical-spacing: 1px=3B">This machine as a lot of lim=
itations as a looper=2C in this OS=2C but it does things normal looper don'=
t=2C eight separate channels=2C&nbsp=3Bsequencer=2C great effects (that can=
 be triggered by sequencer)=2C 2 LFO's for EACH channel that can control=2C=
 pitch=2C AMP that=2C together with Chorus=2C makes a guitar loop sound lik=
e a B3 on acid... IT'S FUN!!!&nbsp=3B</span></font><br><a href=3D"http://so=
undcloud.com/anders-bergdahl/octatrack-8-a-flood-engulfs" style=3D"color: r=
gb(34=2C 34=2C 156)=3B font-family: verdana=2C geneva=2C lucida=2C 'lucida =
grande'=2C arial=2C helvetica=2C sans-serif=3B font-size: 10pt=3B -webkit-b=
order-horizontal-spacing: 1px=3B -webkit-border-vertical-spacing: 1px=3B ">=
http://soundcloud.com/anders-bergdahl/octatrack-8-a-flood-engulfs</a><br><b=
r><font class=3D"Apple-style-span" face=3D"verdana=2C geneva=2C lucida=2C '=
lucida grande'=2C arial=2C helvetica=2C sans-serif" size=3D"2"><span class=
=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: 1px=3B -w=
ebkit-border-vertical-spacing: 1px=3B">As for the octa.. one through machin=
e=2C one flex with a trig record the rest are flex tracks sampled live... s=
ome scene mapping (the crazy pitch shift in the begning for example)=2C tri=
gless trigs. ALL effects are the octa NOTHING added in the mix</span></font=
><br><br><font class=3D"Apple-style-span" face=3D"verdana=2C geneva=2C luci=
da=2C 'lucida grande'=2C arial=2C helvetica=2C sans-serif" size=3D"2"><span=
 class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: 1px=
=3B -webkit-border-vertical-spacing: 1px=3B">Feedback and questions are wel=
come</span></font></div><div><font class=3D"Apple-style-span" face=3D"verda=
na=2C geneva=2C lucida=2C 'lucida grande'=2C arial=2C helvetica=2C sans-ser=
if" size=3D"2"><span class=3D"Apple-style-span" style=3D"-webkit-border-hor=
izontal-spacing: 1px=3B -webkit-border-vertical-spacing: 1px=3B"><br></span=
></font></div><div><font class=3D"Apple-style-span" face=3D"verdana=2C gene=
va=2C lucida=2C 'lucida grande'=2C arial=2C helvetica=2C sans-serif" size=
=3D"2"><span class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-=
spacing: 1px=3B -webkit-border-vertical-spacing: 1px=3B">Enjoy ? Anders</sp=
an></font></div> 		 	   		  </body>
</html>=

--_00b1b005-d2fc-4c91-8f4b-aeddbd615eb3_--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 19:26:58 2011
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Subject: Online Gig Spam
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References: <4D7BE9C1.6030606@googlemail.com> <4D7C0E21.9070405@cruzio.com> <4D7CA5FA.2020907@tiscali.co.uk> <4D7CA71B.5030504@googlemail.com> <4D7CAD06.8040409@tiscali.co.uk> <4D7CB892.7040802@googlemail.com>
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Hi Guys

Doing a streaming loop gig at

http://www.cafenoodle.ning.com 

in an hour. 

Would be great to see you there.

Thanks

Matt Stevens :)

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 20:18:48 2011
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Date: Sun, 13 Mar 2011 13:18:44 -0700
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If anyone is willing and interested,   we can help our
fellow loop list member, Gareth to get his new
Guitar controlled Synthesizer company, Sentient FX off the ground by
going to his webpage at FaceBook and adding a 'like' to it.

It's here at

http://www.facebook.com/pages/SentientFX/128053160599640?ref=ts

I just did!

It looks like it's going to be very hip.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 21:16:56 2011
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If any of you live in Brooklyn? well, can I come and stay...? No.. I
mean... My very good Norsk friend Sten Ove, is playing tonight at
Silent Barn. All I can say , is that his band ALTAAR are far from
silent... Its called SY=D8Y in Norwegian.. look it up!

I can promise guitars played very loud, and Sten Oves prefered playing
position is on his knees, head buried deep in effect pedals... its
Death Jazz... the new thing here in Norway.

As for if its got anything to do with looping, well no... but he is
the booker for Bl=E5 in Oslo, best Experimental gig here, so if you want
a gig, its him you must be nice to!

He is alot of fun, I once saw him play a gig dressed as a tree.
Heres my interview with him in Furthernoise webzine
http://www.furthernoise.org/index.php?url=3Dpage.php&ID=3D161&iss=3D61

--=20
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 21:38:55 2011
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Subject: Re: GigSpam: ALTAAR tonight Silent Barn Brooklyn
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Marc that sounds amazing.  I unfortunately can't make it this eve  but
I have heard of this place and im curious.  Sounds like Sten is long
way from home but bringing some cool stuff to Bklyn.  You're coming
over sometime this spring, no?

Jim

On 3/13/11, mark francombe <mark@markfrancombe.com> wrote:
> If any of you live in Brooklyn? well, can I come and stay...? No.. I
> mean... My very good Norsk friend Sten Ove, is playing tonight at
> Silent Barn. All I can say , is that his band ALTAAR are far from
> silent... Its called SY=D8Y in Norwegian.. look it up!
>
> I can promise guitars played very loud, and Sten Oves prefered playing
> position is on his knees, head buried deep in effect pedals... its
> Death Jazz... the new thing here in Norway.
>
> As for if its got anything to do with looping, well no... but he is
> the booker for Bl=E5 in Oslo, best Experimental gig here, so if you want
> a gig, its him you must be nice to!
>
> He is alot of fun, I once saw him play a gig dressed as a tree.
> Heres my interview with him in Furthernoise webzine
> http://www.furthernoise.org/index.php?url=3Dpage.php&ID=3D161&iss=3D61
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

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Subject: Re: SentientFX
Date: Sun, 13 Mar 2011 14:44:59 -0700
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Cool indeed! I hope they're planning to include AUs=85

dpc


On Mar 13, 2011, at 1:18 PM, Rick Walker wrote:

> If anyone is willing and interested,   we can help our
> fellow loop list member, Gareth to get his new
> Guitar controlled Synthesizer company, Sentient FX off the ground by
> going to his webpage at FaceBook and adding a 'like' to it.
>
> It's here at
>
> http://www.facebook.com/pages/SentientFX/128053160599640?ref=3Dts
>
> I just did!
>
> It looks like it's going to be very hip.
>
> rick walker
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 13 23:53:50 2011
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Subject: tape,vintage delays plugins for mac midi controllable
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi folks,
im looking for cool tape delay plugins with nice regeneration for mac
that are midi controllable to use with ableton,any recomendations?
thanx!
Luis

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 00:11:18 2011
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if i were a plug-in user-this item would  be in my arsenal:
http://www.uaudio.com/store/chorus-delays/ep-34.html


-----Original Message-----
>From: Louie Angulo <louie.angulo@googlemail.com>
>Sent: Mar 13, 2011 4:53 PM
>To: Loopers Delight <loopers-delight@loopers-delight.com>
>Subject: tape,vintage delays plugins for mac midi controllable
>
>Hi folks,
>im looking for cool tape delay plugins with nice regeneration for mac
>that are midi controllable to use with ableton,any recomendations?
>thanx!
>Luis
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 01:15:56 2011
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Date: Mon, 14 Mar 2011 02:15:55 +0100
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> im looking for cool tape delay plugins with nice regeneration for mac
> that are midi controllable to use with ableton,any recomendations?

Ableton's ping-pong delay is quite nice, but it doesn't have a very
good "regeneration" I guess. Assuming you mean sound degeneration by
noise and flutter when you're saying "regeneration"?

The one Stan recommends looks good but I have not played with it. But
I can recommend EchoBoy from SoundToys and Timeless2 from FabFilter.
Timeless has better wobble and flutter simulation while EchoBoys can
also sound like a cool reverb besides the usual tape loop delay
simulation.

Ohm Force's OhmBoyz is another good tape delay sim plugin.

Oh, almost forgot to mention Expert Sleeper's Augustus Loop! That's a
really good tape sim plugin. I especially like its "inertia", the tape
noise created as you speed up or slow down a tape loop. That lovely
noise can be totally controlled over external MIDI if you want.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 03:25:17 2011
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Subject: OT: John McLaughlin on Al Jazeera
From: Art Simon <simart@gmail.com>
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I've just recently discovered Al Jazeera, and I'm bowled over by the
quality of the news coverage. I stumbled on this interview with John
McLaughlin by Riz Khan. McLaughlin comes across as such a nice guy!
It's surprising to me that the interviewer seems to care less about
Miles Davis or Tony Williams. The interview really focuses on
McLaughlin's early years and the influence of France and India, though
Miles comes up quite a bit at the end. I enjoyed it quite a bit.
http://english.aljazeera.net/programmes/oneonone/2010/12/201012221565167269.html

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Date: Sun, 13 Mar 2011 23:33:26 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T, Kit Demos, Lou Cohen, Forbes Graham,
 Walter Wright - March 20, Outpost 186
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

Visual Music LIVE continues at Outpost 186 on Sunday March 20 at 8 
PM.  -- I'll be doing video improvisations with

Kit Demos  -- bass
Lou Cohen -- Laptop
Forbes Graham -- trumpet
Walter Wright -- Electronics.

The musicians will play in al 6 duet combinations, followed by a quartet.

Dr. T -- Video Projections

My projections are produced by mixing multiple DVD sources a video 
mixer and effects processors. The sources consist of 
computer-manipulated original material derived from my still 
photography and videography. The original subject matter is usually 
recognizable, but sometimes processed to complete abstraction. 
Sometimes the projections and music respond directly to each other -- 
sometimes they simply co-exist.


Outpost 186, 186 Hampshire St (in the back), near Inman Square, Cambridge MA

Suggested donation,  $10

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org

Many of my finished video pieces (both studio and live) can be seen 
at http://www.youtube.com/Tobenfeld. with a piece from the Spring 
Series at http://www.youtube.com/watch?v=fxBtaJajCkU

Those of you who attend or perform at events at Outpost 186 may find 
my photo essay "Improvisations from an Outpost" 
http://www.flickr.com/photos/22231918@N06/sets/72157624670849749/ to 
be of interest,




-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 07:56:52 2011
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Date: Mon, 14 Mar 2011 00:56:50 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: More octatrack "looping" kind of stuff...
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hello Anders,

sounds like you are enjoying the octotrack. most curious to hear what you are 
doing with it as you discover the possibilities. How do you set up the live 
looping for now?

Antony



________________________________
From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sun, March 13, 2011 8:19:25 PM
Subject: More octatrack "looping" kind of stuff...

 Again having FUN with the Elektron Octatrack, an amazing little instrument! So 
again no real amp, just a V-stack Tweedy and my Soloway Swan with lollar 
minihums and I'm actually using the NECK pickup a lot... not sure what to call 
the "music" style... perhaps crazy... 
This machine as a lot of limitations as a looper, in this OS, but it does things 
normal looper don't, eight separate channels, sequencer, great effects (that can 
be triggered by sequencer), 2 LFO's for EACH channel that can control, pitch, 
AMP that, together with Chorus, makes a guitar loop sound like a B3 on acid... 
IT'S FUN!!! 
http://soundcloud.com/anders-bergdahl/octatrack-8-a-flood-engulfs

As for the octa.. one through machine, one flex with a trig record the rest are 
flex tracks sampled live... some scene mapping (the crazy pitch shift in the 
begning for example), trigless trigs. ALL effects are the octa NOTHING added in 
the mix

Feedback and questions are welcome

Enjoy ? Anders


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>hello Anders,</div><div><br></div><div>sounds like you are enjoying the octotrack. most curious to hear what you are doing with it as you discover the possibilities. How do you set up the live looping for now?</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Anders Bergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-delight.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, March 13, 2011 8:19:25 PM<br><b><span style="font-weight: bold;">Subject:</span></b>
 More octatrack "looping" kind of stuff...<br></font><br>


<style><!--
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<span class="Apple-style-span" style="font-family:verdana, geneva, lucida, arial, helvetica, sans-serif;font-size:10pt;">Again having FUN with the Elektron Octatrack, an amazing little instrument! So again no real amp, just a V-stack Tweedy and my Soloway Swan with lollar minihums and I'm actually using the NECK pickup a lot... not sure what to call the "music" style... perhaps crazy...&nbsp;</span><div><font class="Apple-style-span" face="verdana, geneva, lucida, 'lucida grande', arial, helvetica, sans-serif" size="2"><span class="Apple-style-span" style="">This machine as a lot of limitations as a looper, in this OS, but it does things normal looper don't, eight separate channels,&nbsp;sequencer, great effects (that can be triggered by sequencer), 2 LFO's for EACH channel that can control, pitch, AMP that, together with Chorus, makes a guitar loop sound like a B3 on acid... IT'S FUN!!!&nbsp;</span></font><br><span><a target="_blank"
 href="http://soundcloud.com/anders-bergdahl/octatrack-8-a-flood-engulfs">http://soundcloud.com/anders-bergdahl/octatrack-8-a-flood-engulfs</a></span><br><br><font class="Apple-style-span" face="verdana, geneva, lucida, 'lucida grande', arial, helvetica, sans-serif" size="2"><span class="Apple-style-span" style="">As for the octa.. one through machine, one flex with a trig record the rest are flex tracks sampled live... some scene mapping (the crazy pitch shift in the begning for example), trigless trigs. ALL effects are the octa NOTHING added in the mix</span></font><br><br><font class="Apple-style-span" face="verdana, geneva, lucida, 'lucida grande', arial, helvetica, sans-serif" size="2"><span class="Apple-style-span" style="">Feedback and questions are welcome</span></font></div><div><font class="Apple-style-span" face="verdana, geneva, lucida, 'lucida grande', arial, helvetica, sans-serif" size="2"><span class="Apple-style-span"
 style=""><br></span></font></div><div><font class="Apple-style-span" face="verdana, geneva, lucida, 'lucida grande', arial, helvetica, sans-serif" size="2"><span class="Apple-style-span" style="">Enjoy ? Anders</span></font></div> 		 	   		  
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 09:30:20 2011
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Simeon Harris <simeonharris40@googlemail.com>
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and EXS Little Spacey!

On Mon, Mar 14, 2011 at 1:15 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > im looking for cool tape delay plugins with nice regeneration for mac
> > that are midi controllable to use with ableton,any recomendations?
>
>

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and EXS Little Spacey!<br><br><div class=3D"gmail_quote">On Mon, Mar 14, 20=
11 at 1:15 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen=
@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.=
com</a>&gt; wrote:<br>
&gt; im looking for cool tape delay plugins with nice regeneration for mac<=
br>
&gt; that are midi controllable to use with ableton,any recomendations?<br>=
<br></div></blockquote></div>

--000e0cd6acd03ba9df049e6de737--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 09:55:14 2011
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Subject: Re: tape,vintage delays plugins for mac midi controllable
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Yes,by regeneration i mean the degradation of the analog tape delays,i
love the ones from the eventide timefactor i wish they had that on a
plugin
and all of these can be tapped independent from the global time of
Ableton or synced to it as well correct?
by the way,has anybody tried the adrenalinn sync v2 demo on mac? ive
been having terrible problems with it, just cant seem to make it work!
cheers
Luis

On Mon, Mar 14, 2011 at 10:26 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> and EXS Little Spacey!
>
> On Mon, Mar 14, 2011 at 1:15 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>> > im looking for cool tape delay plugins with nice regeneration for mac
>> > that are midi controllable to use with ableton,any recomendations?
>>
>

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Date: Mon, 14 Mar 2011 11:08:31 +0100
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Subject: Re: tape,vintage delays plugins for mac midi controllable
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On Mon, Mar 14, 2011 at 10:55 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Yes,by regeneration i mean the degradation of the analog tape delays,i
> love the ones from the eventide timefactor i wish they had that on a
> plugin

If you haven't done it yet, check out the free demo of Augustus Loop.
You can set its degeneration pretty much as you want it and you can
even "play" it while the audio is streaming.

> and all of these can be tapped independent from the global time of
> Ableton or synced to it as well correct?

Of course, the are plugins! Which means they pick up on the host's
tempo through the plugin format sync function, be it VST, VST2, VST3
or AU.

Augustus Looper is a bit more advanced, since it can also be used as
the sync master that sends out MIDI Clock tempo related to the length
of delay loops (it can be used as a looper too).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Thanks for the hint. Just marvelous! ...to quote Johnny ;-)


On Mon, Mar 14, 2011 at 4:25 AM, Art Simon <simart@gmail.com> wrote:
> I've just recently discovered Al Jazeera, and I'm bowled over by the
> quality of the news coverage. I stumbled on this interview with John
> McLaughlin by Riz Khan. McLaughlin comes across as such a nice guy!
> It's surprising to me that the interviewer seems to care less about
> Miles Davis or Tony Williams. The interview really focuses on
> McLaughlin's early years and the influence of France and India, though
> Miles comes up quite a bit at the end. I enjoyed it quite a bit.
> http://english.aljazeera.net/programmes/oneonone/2010/12/201012221565167269.html
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>

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Date: Mon, 14 Mar 2011 10:41:23 +0000
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6ad8af3fd6b049e6ef38a
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oh and this is nice too. i use this a lot...

http://kunz.corrupt.ch/?Products:VST_TAL-DUB-II

quite tweakable!

On Mon, Mar 14, 2011 at 10:08 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Mar 14, 2011 at 10:55 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > Yes,by regeneration i mean the degradation of the analog tape delays
>

--000e0cd6ad8af3fd6b049e6ef38a
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oh and this is nice too. i use this a lot...<br><br><a href=3D"http://kunz.=
corrupt.ch/?Products:VST_TAL-DUB-II">http://kunz.corrupt.ch/?Products:VST_T=
AL-DUB-II</a><br><br>quite tweakable!<br><br><div class=3D"gmail_quote">On =
Mon, Mar 14, 2011 at 10:08 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"=
mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On Mon, Mar 14, 2=
011 at 10:55 AM, Louie Angulo<br>
<div class=3D"im">&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.=
angulo@googlemail.com</a>&gt; wrote:<br>
</div><div class=3D"im">&gt; Yes,by regeneration i mean the degradation of =
the analog tape delays<br></div></blockquote></div>

--000e0cd6ad8af3fd6b049e6ef38a--

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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Louie Angulo <louie.angulo@googlemail.com>
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all midi controllable as well?


On Mon, Mar 14, 2011 at 10:26 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> and EXS Little Spacey!
>
> On Mon, Mar 14, 2011 at 1:15 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>> > im looking for cool tape delay plugins with nice regeneration for mac
>> > that are midi controllable to use with ableton,any recomendations?
>>
>

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Date: Mon, 14 Mar 2011 10:53:11 +0000
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Subject: Re: tape,vintage delays plugins for mac midi controllable
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well that depends on the host, doesn't it. the plugin parameters are
presented for control in bidule and mainstage, so i'm guessing they'll be
available in ableton too. tal dub is free, so why not give it a try and see?

sim

On Mon, Mar 14, 2011 at 10:43 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> all midi controllable as well?
>
>
> On Mon, Mar 14, 2011 at 10:26 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > and EXS Little Spacey!
> >
> > On Mon, Mar 14, 2011 at 1:15 AM, Per Boysen <perboysen@gmail.com> wrote:
> >>
> >> On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo
> >> <louie.angulo@googlemail.com> wrote:
> >> > im looking for cool tape delay plugins with nice regeneration for mac
> >> > that are midi controllable to use with ableton,any recomendations?
> >>
> >
>
>

--000e0cd48a20257c67049e6f1e21
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well that depends on the host, doesn&#39;t it. the plugin parameters are pr=
esented for control in bidule and mainstage, so i&#39;m guessing they&#39;l=
l be available in ableton too. tal dub is free, so why not give it a try an=
d see?<br>
<br>sim<br><br><div class=3D"gmail_quote">On Mon, Mar 14, 2011 at 10:43 AM,=
 Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlema=
il.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">
all midi controllable as well?<br>
<div class=3D"im"><br>
<br>
On Mon, Mar 14, 2011 at 10:26 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
</div><div><div></div><div class=3D"h5">&gt; and EXS Little Spacey!<br>
&gt;<br>
&gt; On Mon, Mar 14, 2011 at 1:15 AM, Per Boysen &lt;<a href=3D"mailto:perb=
oysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo<br>
&gt;&gt; &lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@go=
oglemail.com</a>&gt; wrote:<br>
&gt;&gt; &gt; im looking for cool tape delay plugins with nice regeneration=
 for mac<br>
&gt;&gt; &gt; that are midi controllable to use with ableton,any recomendat=
ions?<br>
&gt;&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--000e0cd48a20257c67049e6f1e21--

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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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cool well do!

On Mon, Mar 14, 2011 at 11:53 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> well that depends on the host, doesn't it. the plugin parameters are
> presented for control in bidule and mainstage, so i'm guessing they'll be
> available in ableton too. tal dub is free, so why not give it a try and see?
>
> sim
>
> On Mon, Mar 14, 2011 at 10:43 AM, Louie Angulo <louie.angulo@googlemail.com>
> wrote:
>>
>> all midi controllable as well?
>>
>>
>> On Mon, Mar 14, 2011 at 10:26 AM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>> > and EXS Little Spacey!
>> >
>> > On Mon, Mar 14, 2011 at 1:15 AM, Per Boysen <perboysen@gmail.com> wrote:
>> >>
>> >> On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo
>> >> <louie.angulo@googlemail.com> wrote:
>> >> > im looking for cool tape delay plugins with nice regeneration for mac
>> >> > that are midi controllable to use with ableton,any recomendations?
>> >>
>> >
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 11:30:10 2011
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Date: Mon, 14 Mar 2011 12:30:08 +0100
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Luis,
Check out Augustus Loop and Little Spacey from EXS. Like Per said,
Augustus has many many parameters you can use to fine tune the
regeneration proces.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 11:50:18 2011
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Subject: Eventide Space - marvelous reverb stomp box!
From: Per Boysen <perboysen@gmail.com>
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For those who still fear computers on stage, check out this marvelous
reverb stomp box from Eventide!

http://www.youtube.com/watch?v=CtSUobMug3E

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 11:59:31 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Mon, 14 Mar 2011 07:59:09 -0400
Message-ID: <AANLkTiksG4Yw01XoTbrLJ0rvGL=ri8cuUQrgogjedjis@mail.gmail.com>
Subject: Re: Eventide Space - marvelous reverb stomp box!
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--20cf3054a33d400f63049e700b27
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and even for those who don't!  my pitch factor's been treating me very well=
!
 These are the best stompboxes I've seen in terms of design.  Midi
controllable too from midi clips in Ableton.

On Mon, Mar 14, 2011 at 7:50 AM, Per Boysen <perboysen@gmail.com> wrote:

> For those who still fear computers on stage, check out this marvelous
> reverb stomp box from Eventide!
>
> http://www.youtube.com/watch?v=3DCtSUobMug3E
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 Outerborough, my debut double CD set soon available on iTunes, and is
released on INNOVA Recordings on March 29th.  The CD Release party is
scheduled for March 16th at ISSUE Project Room.  I'd be delighted to have
you there.

http://issueprojectroom.org


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--20cf3054a33d400f63049e700b27
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and even for those who don&#39;t! =A0my pitch factor&#39;s been treating me=
 very well! =A0These are the best stompboxes I&#39;ve seen in terms of desi=
gn. =A0Midi controllable too from midi clips in Ableton.=A0<br><br><div cla=
ss=3D"gmail_quote">

On Mon, Mar 14, 2011 at 7:50 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:=
1px #ccc solid;padding-left:1ex;">

For those who still fear computers on stage, check out this marvelous<br>
reverb stomp box from Eventide!<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DCtSUobMug3E" target=3D"_blank">=
http://www.youtube.com/watch?v=3DCtSUobMug3E</a><br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D<br>=95 Outerborough, my debut double CD set soon availab=
le on iTunes, and is released on INNOVA Recordings on March 29th. =A0The CD=
 Release party is scheduled for March 16th at ISSUE Project Room. =A0I&#39;=
d be delighted to have you there.=A0<div>

<br></div><div><a href=3D"http://issueprojectroom.org" target=3D"_blank">ht=
tp://issueprojectroom.org</a><br><div><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><a href=3D"http://toddreyn=
olds.com" target=3D"_blank">http://toddreynolds.com</a><br>

<a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http://twitter=
.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynoldsmusic" ta=
rget=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br><a href=3D"http=
://blog.toddreynolds.com" target=3D"_blank">http://blog.toddreynolds.com</a=
><br>

<a href=3D"http://facebook.com/toddreynolds" target=3D"_blank">http://faceb=
ook.com/toddreynolds</a><br><a href=3D"http://reverbnation.com/toddreynolds=
" target=3D"_blank">http://reverbnation.com/toddreynolds</a><br></div></div=
><br>



--20cf3054a33d400f63049e700b27--

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Date: Mon, 14 Mar 2011 14:21:55 +0100
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Louie Angulo <louie.angulo@googlemail.com>
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yes i just dowloaded it!
thanx buds
Luis

On Mon, Mar 14, 2011 at 12:30 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Luis,
> Check out Augustus Loop and Little Spacey from EXS. Like Per said,
> Augustus has many many parameters you can use to fine tune the
> regeneration proces.
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

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Date: Mon, 14 Mar 2011 14:25:16 +0100
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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wow Simeon the tal dub is awesome and exactly what i was looking for
man thanx a million times!!!
i love the "in" button !! i wish it had another button to only hear
the direct sound and tap it to bring in the delay again
or could that be accomplished through midi perhaps?
cheers
Luis




On Mon, Mar 14, 2011 at 11:53 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> well that depends on the host, doesn't it. the plugin parameters are
> presented for control in bidule and mainstage, so i'm guessing they'll be
> available in ableton too. tal dub is free, so why not give it a try and see?
>
> sim
>
> On Mon, Mar 14, 2011 at 10:43 AM, Louie Angulo <louie.angulo@googlemail.com>
> wrote:
>>
>> all midi controllable as well?
>>
>>
>> On Mon, Mar 14, 2011 at 10:26 AM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>> > and EXS Little Spacey!
>> >
>> > On Mon, Mar 14, 2011 at 1:15 AM, Per Boysen <perboysen@gmail.com> wrote:
>> >>
>> >> On Mon, Mar 14, 2011 at 12:53 AM, Louie Angulo
>> >> <louie.angulo@googlemail.com> wrote:
>> >> > im looking for cool tape delay plugins with nice regeneration for mac
>> >> > that are midi controllable to use with ableton,any recomendations?
>> >>
>> >
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 13:29:19 2011
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Date: Mon, 14 Mar 2011 13:29:17 +0000
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6ad8a739bcd049e714cb7
Content-Type: text/plain; charset=ISO-8859-1

try attaching a midi cc to the mix parameter - 0% will be dry only, 50% will
be dry+delay and 100% will be delay only

sim

On Mon, Mar 14, 2011 at 1:25 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> wow Simeon the tal dub is awesome and exactly what i was looking for
> man thanx a million times!!!
> i love the "in" button !! i wish it had another button to only hear
> the direct sound and tap it to bring in the delay again
> or could that be accomplished through midi perhaps?
> cheers
> Luis
>
>
>
>

--000e0cd6ad8a739bcd049e714cb7
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Content-Transfer-Encoding: quoted-printable

try attaching a midi cc to the mix parameter - 0% will be dry only, 50% wil=
l be dry+delay and 100% will be delay only<br><br>sim<br><br><div class=3D"=
gmail_quote">On Mon, Mar 14, 2011 at 1:25 PM, Louie Angulo <span dir=3D"ltr=
">&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemai=
l.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">wow Simeon the ta=
l dub is awesome and exactly what i was looking for<br>
man thanx a million times!!!<br>
i love the &quot;in&quot; button !! i wish it had another button to only he=
ar<br>
the direct sound and tap it to bring in the delay again<br>
or could that be accomplished through midi perhaps?<br>
cheers<br>
Luis<br>
<br>
<br><br></blockquote></div>

--000e0cd6ad8a739bcd049e714cb7--

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Date: Mon, 14 Mar 2011 14:45:08 +0100
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Louie Angulo <louie.angulo@googlemail.com>
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yes that it!

On Mon, Mar 14, 2011 at 2:29 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> try attaching a midi cc to the mix parameter - 0% will be dry only, 50% will
> be dry+delay and 100% will be delay only
>
> sim
>
> On Mon, Mar 14, 2011 at 1:25 PM, Louie Angulo <louie.angulo@googlemail.com>
> wrote:
>>
>> wow Simeon the tal dub is awesome and exactly what i was looking for
>> man thanx a million times!!!
>> i love the "in" button !! i wish it had another button to only hear
>> the direct sound and tap it to bring in the delay again
>> or could that be accomplished through midi perhaps?
>> cheers
>> Luis
>>
>>
>>
>

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Date: Mon, 14 Mar 2011 14:47:50 +0100
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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Louie Angulo <louie.angulo@googlemail.com>
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On Mon, Mar 14, 2011 at 2:15 AM, Per Boysen <perboysen@gmail.com> wrote:

> I can recommend EchoBoy from SoundToys and Timeless2 from FabFilter.
> Timeless has better wobble and flutter simulation while EchoBoys can
> also sound like a cool reverb besides the usual tape loop delay
> simulation.

wow very impressive effects im just trying them out,and classy looking
to say the least!
thanx a lot Per and all of you,they are all very cool gotta love this list!






> Ohm Force's OhmBoyz is another good tape delay sim plugin.
>
> Oh, almost forgot to mention Expert Sleeper's Augustus Loop! That's a
> really good tape sim plugin. I especially like its "inertia", the tape
> noise created as you speed up or slow down a tape loop. That lovely
> noise can be totally controlled over external MIDI if you want.
>
> Per
>
>

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Subject: Re: tape,vintage delays plugins for mac midi controllable
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 14, 2011 at 2:47 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> wow very impressive effects im just trying them out,and classy looking
> to say the least!
> thanx a lot Per and all of you,they are all very cool gotta love this list!

:-)

IMHO the Native Bundle from SoundToys is the way to go if you want to
"roll your own Eventide" by software plugins on a computer. I've
actually grown more fond of using EchoBoy as reverb rather than
dedicated reverb algorithms. I just love that shimmering tape delay
cloud that slowly tilts over... Always keeping it pre looper for
"freeze verb" by an expression pedal assigned to its Feedack, Wet/Dry
Mix and Output Level parameters (each parameter locally scaled for
optimally musical soundscape morphing)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 14:36:44 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: More octatrack "looping" kind of stuff...
Date: Mon, 14 Mar 2011 14:36:42 +0000
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Do this kind of loopy type things i have one track set as a "though" machin=
e to which i also apply effects=2C in this case a LOT of delay... I have on=
 track with a trigg sampling from input which will play what is send to the=
 input put i can put triggless trigs and other manipulation that i cant do =
on an "through" machine=2C so the machine i flex and it is recording and pl=
ying back with a bit of latency (a bug that will be fix=2C you can control =
latency with "micro timing"=2C i want a slight delay=2C to this machine i s=
ometimes have triggless trigs that pitch shifts (the pitch shifting is not =
necessarily chromatic=2C it is -12 to place +12 steps with out with no fixe=
d steps=2C i can map this to scenes=2C which i have done in this clip=2C to=
 have sliding pitch shifts available on the cross-fader. Track 8 is master =
an is used to apply=2C in this case=2C a reverb to all tracks. All other tr=
acks are Flex Machines to which i sample my live playing. Until next OS rel=
ease I need to press record and track to record=2C it's not great for live =
looping. On most of these sampling track i apply some "stuff" effects=2C di=
fferent start points. sequencer re-triggs=2C reverse=2C pitch shift.. the w=
orks... I sort of set up some start parameters en then i tweak while playin=
g to go with the flow.=20
Cheers=2C

Anders

Date: Mon=2C 14 Mar 2011 00:56:50 -0700
From: antonyhequet@yahoo.com
Subject: Re: More octatrack "looping" kind of stuff...
To: Loopers-Delight@loopers-delight.com



hello Anders=2C
sounds like you are enjoying the octotrack. most curious to hear what you a=
re doing with it as you discover the possibilities. How do you set up the l=
ive looping for now?
Antony
From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Sent: Sun=2C March 13=2C 2011 8:19:25 PM
Subject:
 More octatrack "looping" kind of stuff...







Again having FUN with the Elektron Octatrack=2C an amazing little instrumen=
t! So again no real amp=2C just a V-stack Tweedy and my Soloway Swan with l=
ollar minihums and I'm actually using the NECK pickup a lot... not sure wha=
t to call the "music" style... perhaps crazy... This machine as a lot of li=
mitations as a looper=2C in this OS=2C but it does things normal looper don=
't=2C eight separate channels=2C sequencer=2C great effects (that can be tr=
iggered by sequencer)=2C 2 LFO's for EACH channel that can control=2C pitch=
=2C AMP that=2C together with Chorus=2C makes a guitar loop sound like a B3=
 on acid... IT'S FUN!!!=20
http://soundcloud.com/anders-bergdahl/octatrack-8-a-flood-engulfs

As for the octa.. one through machine=2C one flex with a trig record the re=
st are flex tracks sampled live... some scene mapping (the crazy pitch shif=
t in the begning for example)=2C trigless trigs. ALL effects are the octa N=
OTHING added in the mix

Feedback and questions are welcome
Enjoy ? Anders 		 	   		 =20




 		 	   		  =

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<font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">Do this kind of=
 loopy type things i have one track set as a "though" machine to which i al=
so apply effects=2C in this case a LOT of delay... I have on track with a t=
rigg sampling from input&nbsp=3Bwhich&nbsp=3Bwill play what is send to the =
input put i can put triggless trigs and other manipulation that i cant do o=
n an "through" machine=2C so the machine i flex and it is recording and ply=
ing back with a bit of&nbsp=3Blatency&nbsp=3B(a bug that will be fix=2C you=
 can control latency with "micro timing"=2C i want a slight delay=2C to thi=
s machine i&nbsp=3Bsometimes&nbsp=3Bhave triggless trigs that pitch shifts =
(the pitch shifting is not&nbsp=3Bnecessarily&nbsp=3Bchromatic=2C it is -12=
 to place +12 steps with out with no fixed steps=2C i can map this to scene=
s=2C which i have done in this clip=2C to have sliding&nbsp=3Bpitch shifts&=
nbsp=3Bavailable&nbsp=3Bon the&nbsp=3Bcross-fader. Track 8 is master an is =
used to apply=2C in this case=2C a reverb to all tracks. All other tracks a=
re Flex Machines to which i sample my live playing. Until next OS&nbsp=3Bre=
lease&nbsp=3BI need to press record and track to record=2C it's not great f=
or live looping. On most of these sampling track i apply some "stuff" effec=
ts=2C different start points.&nbsp=3Bsequencer&nbsp=3Bre-triggs=2C reverse=
=2C pitch shift.. the works...&nbsp=3B</font><div><font class=3D"Apple-styl=
e-span" face=3D"Tahoma" size=3D"2">I sort of set up some start parameters e=
n then i tweak while playing to go with the flow.&nbsp=3B</font></div><div>=
<font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2"><br></font></di=
v><div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">Cheers=
=2C<br><br>Anders<br></font><br><div id=3D"SkyDrivePlaceholder" style=3D"fo=
nt-family: Tahoma=3B font-size: 10pt=3B "></div><hr id=3D"stopSpelling" sty=
le=3D"font-family: Tahoma=3B font-size: 10pt=3B "><font class=3D"Apple-styl=
e-span" face=3D"Tahoma" size=3D"2">Date: Mon=2C 14 Mar 2011 00:56:50 -0700<=
/font><br><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">From:=
 antonyhequet@yahoo.com</font><br><font class=3D"Apple-style-span" face=3D"=
Tahoma" size=3D"2">Subject: Re: More octatrack "looping" kind of stuff...</=
font><br><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">To: Lo=
opers-Delight@loopers-delight.com</font><br><br>
<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
">
<meta name=3D"Generator" content=3D"Microsoft SafeHTML"><style>
.ExternalClass DIV
{=3B}

</style><div style=3D"font-family: arial=2C helvetica=2C sans-serif=3B font=
-size: 10pt=3B "><div>hello Anders=2C</div><div><br></div><div>sounds like =
you are enjoying the octotrack. most curious to hear what you are doing wit=
h it as you discover the possibilities. How do you set up the live looping =
for now?</div><div><br></div><div>Antony</div><div style=3D"font-family:ari=
al=2C helvetica=2C sans-serif=3Bfont-size:10pt"><br><div style=3D"font-fami=
ly:times new roman=2C new york=2C times=2C serif=3Bfont-size:12pt"><font si=
ze=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weight:bold"=
>From:</span></b> Anders Bergdahl &lt=3Banders_e_bergdahl@hotmail.com&gt=3B=
<br><b><span style=3D"font-weight:bold">To:</span></b> Loopers Delight &lt=
=3Bloopers-delight@loopers-delight.com&gt=3B<br><b><span style=3D"font-weig=
ht:bold">Sent:</span></b> Sun=2C March 13=2C 2011 8:19:25 PM<br><b><span st=
yle=3D"font-weight:bold">Subject:</span></b>
 More octatrack "looping" kind of stuff...<br></font><br>


<style>
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{padding:0px=3B}
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{font-size:10pt=3Bfont-family:Tahoma=3B}

</style>


<span class=3D"ecxApple-style-span" style=3D"font-family:verdana=2C geneva=
=2C lucida=2C arial=2C helvetica=2C sans-serif=3Bfont-size:10pt">Again havi=
ng FUN with the Elektron Octatrack=2C an amazing little instrument! So agai=
n no real amp=2C just a V-stack Tweedy and my Soloway Swan with lollar mini=
hums and I'm actually using the NECK pickup a lot... not sure what to call =
the "music" style... perhaps crazy...&nbsp=3B</span><div><font class=3D"ecx=
Apple-style-span" face=3D"verdana=2C geneva=2C lucida=2C 'lucida grande'=2C=
 arial=2C helvetica=2C sans-serif" size=3D"2"><span class=3D"ecxApple-style=
-span" style=3D"">This machine as a lot of limitations as a looper=2C in th=
is OS=2C but it does things normal looper don't=2C eight separate channels=
=2C&nbsp=3Bsequencer=2C great effects (that can be triggered by sequencer)=
=2C 2 LFO's for EACH channel that can control=2C pitch=2C AMP that=2C toget=
her with Chorus=2C makes a guitar loop sound like a B3 on acid... IT'S FUN!=
!!&nbsp=3B</span></font><br><span><a href=3D"http://soundcloud.com/anders-b=
ergdahl/octatrack-8-a-flood-engulfs" target=3D"_blank">http://soundcloud.co=
m/anders-bergdahl/octatrack-8-a-flood-engulfs</a></span><br><br><font class=
=3D"ecxApple-style-span" face=3D"verdana=2C geneva=2C lucida=2C 'lucida gra=
nde'=2C arial=2C helvetica=2C sans-serif" size=3D"2"><span class=3D"ecxAppl=
e-style-span" style=3D"">As for the octa.. one through machine=2C one flex =
with a trig record the rest are flex tracks sampled live... some scene mapp=
ing (the crazy pitch shift in the begning for example)=2C trigless trigs. A=
LL effects are the octa NOTHING added in the mix</span></font><br><br><font=
 class=3D"ecxApple-style-span" face=3D"verdana=2C geneva=2C lucida=2C 'luci=
da grande'=2C arial=2C helvetica=2C sans-serif" size=3D"2"><span class=3D"e=
cxApple-style-span" style=3D"">Feedback and questions are welcome</span></f=
ont></div><div><font class=3D"ecxApple-style-span" face=3D"verdana=2C genev=
a=2C lucida=2C 'lucida grande'=2C arial=2C helvetica=2C sans-serif" size=3D=
"2"><span class=3D"ecxApple-style-span" style=3D""><br></span></font></div>=
<div><font class=3D"ecxApple-style-span" face=3D"verdana=2C geneva=2C lucid=
a=2C 'lucida grande'=2C arial=2C helvetica=2C sans-serif" size=3D"2"><span =
class=3D"ecxApple-style-span" style=3D"">Enjoy ? Anders</span></font></div>=
 		 	   		 =20
</div></div><div style=3D""></div>


</div><br></div> 		 	   		  </body>
</html>=

--_2b87b1a8-f582-4f7e-9df7-abc731249e94_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 15:14:03 2011
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hi Mark,
ok,
actually the problem is we have no idea of what
the circuitry looks like around that mute knob.

Maybe it's worth phoning your local Behringer dealer
and asking for a service sheet. It's not an unreasonable
request.

I had a look at the manual for the mixer, it doesn't have
a block diagram.

If the inputs were mono
making the Mute button hack on *one* channel would likely
have an effect on the signal that's going through the channel.
i.e. you dry signal might drop in level.
...it's *possible* it would work ok of course,
  but I'd be surprised.

Doing it more than one channel certain to produce problems,
...the channels with the "mute" button presses would all be shorted
together...each of those tracks would have the same blend of
inputs going through it.

..and as your using stereo, there's no option to just use
one channel at a time.
(any stereo ch you used the mute button on would be
  mono-ised)

That's why there'd have to be, at minimum, some resistors on
each connection from mute switch to the new "bus".
(which would need some additional gain to compensate).



andy


mark francombe wrote:
>> just *one* modded mute button.
>>
>> For some reason I thought all of them.
> 
> No you WERE right... I was simplifying... There are 6 channels (ok 3
> stereo) of guitar...
> 
> so really its:
> 
> 
> GUITAR   ________________ stomp boxes ____ TC Fireworx_____
> Vortex_____________ MIXER 1/2
>                      |
>                      |___________ Hex pickup splitter______GR 30

and many more

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On Mon, Mar 14, 2011 at 3:36 PM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
t i can put triggless trigs and other manipulation that i cant do on
> an "through" machine,
> Anders
>


Hey Anders, you keep mentioning "trigless trigs" .. Can you explain
this concept, what it is actually? Its sounds like its to do with
triggering effects automatically, but how? and why are they
"trig-less"?

Mark

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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On Mon, Mar 14, 2011 at 4:14 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> Doing it more than one channel certain to produce problems,
> ...the channels with the "mute" button presses would all be shorted
> together...each of those tracks would have the same blend of
> inputs going through it.
>

Actually Andy, I kinda thought of that just after I hit send... its a
STEREO channel. so its very unlikely to be that easy...
The good news is though that I did an extremely high volume comparison
of the mixer "hissyness", I was sure that it was introducing some hiss
into the chain. It isnt.. I made a little exercise using my patchbay
where I could A/B by just inserting one cable and the mixer was taken
out of the chain.. no hiss, no distortion, no audible change in eq or
dynamics.. so... I think the logo on the front was affecting my ears..
I saw Behringer and thought.. hissy shit.. it isnt!!!

 Im very pleasantly suprised... PLUS I think you can daisychain them
if you want more channels...  This mixer is extremely cheap... I think
that this thread where I asked for alternatives ends here with me
recommending the mixer I already have.. Behringer  Eurorack Pro 1U 16
input.

still need a way to send to loopers without using the sends though .. grr

...what a weird old world!




-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Date: Mon, 14 Mar 2011 09:01:05 -0700
Subject: Re: tape delay plug ins
From: billwalker@baymoon.com
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>
I agree with the Stanster, the new UA echoplex tape simulator is
incredible as is there older roland space echo sim. I admit i'm biased
because I have several friends who work there, but there stuff is second
to none, and all though one must purchase a hardware component , A UAD
card or dongle, the benefit is the card handles all of the CPU needs for
the effects. And of course there are the great compressors and eq's not to
mention the amazing dreamverb that is also amazing.
Bill

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Subject: Re: OT: John McLaughlin on Al Jazeera
From: Keith Smith <kahsmith@gmail.com>
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Agreed on Al Jazeera. Even Hilary had to admit they kick butt.
We've had it on cable here for a while and I've been an addict since a
few days before Mubarak stepped down.
Every time I flip back to CNN it's in the middle of another drug commercial.
k

On Mon, Mar 14, 2011 at 4:34 AM, Per Boysen <perboysen@gmail.com> wrote:
>
> Thanks for the hint. Just marvelous! ...to quote Johnny ;-)
>
>
> On Mon, Mar 14, 2011 at 4:25 AM, Art Simon <simart@gmail.com> wrote:
> > I've just recently discovered Al Jazeera, and I'm bowled over by the
> > quality of the news coverage. I stumbled on this interview with John
> > McLaughlin by Riz Khan. McLaughlin comes across as such a nice guy!
> > It's surprising to me that the interviewer seems to care less about
> > Miles Davis or Tony Williams. The interview really focuses on
> > McLaughlin's early years and the influence of France and India, though
> > Miles comes up quite a bit at the end. I enjoyed it quite a bit.
> > http://english.aljazeera.net/programmes/oneonone/2010/12/201012221565167269.html
> >
> > --
> > Art Simon
> > simart@gmail.com
> > myspace [dot] com/artsimon
> >
> >

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Subject: Re: The old "1U MIXER thread" Once again for fun!
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mark francombe wrote:

> still need a way to send to loopers without using the sends though .. grr

You could make a small passive mixer.

Just resistors and switches.

but enough gain in the input of each looper
would be essential

> 
> ...what a weird old world!

yep, I think Behringer get more bashing 
than they deserve.

That thing they do with the yellow LEDs
that actually fade in to make the valves glow 
realistically always cheers me up.

andy

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 16:58:01 2011
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Date: Mon, 14 Mar 2011 17:57:58 +0100
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Subject: Re: The old "1U MIXER thread" Once again for fun!
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Sat, Mar 12, 2011 at 10:10 AM, mark francombe <mark@markfrancombe.com> wrote:
> Absolute necessities MUST BE (dont post if these are not available)
> 1) 1U ... ok 2U MAX!!!
> 2) 8 STEREO channels (16 mono is also ok, but annoying..)
> 3) 1 AUX SEND

Not cheap but if you combine Motu 828mk and expand it with a 8pre to
have more than 16 channels, in 2U ;-) Btw: they work standalon and
have flexible routing options to setup stereo aux send returns.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 16:59:57 2011
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Subject: Re: tape delay plug ins
From: Daniel Thomas <danielthomas4@mac.com>
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Nothing compares to the UAD plug-ins.  Worth every penny.  May I have another card?

D
On Mar 14, 2011, at 9:01 AM, billwalker@baymoon.com wrote:

>> 
> I agree with the Stanster, the new UA echoplex tape simulator is
> incredible as is there older roland space echo sim. I admit i'm biased
> because I have several friends who work there, but there stuff is second
> to none, and all though one must purchase a hardware component , A UAD
> card or dongle, the benefit is the card handles all of the CPU needs for
> the effects. And of course there are the great compressors and eq's not to
> mention the amazing dreamverb that is also amazing.
> Bill
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 17:30:18 2011
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Date: Mon, 14 Mar 2011 18:26:37 +0100
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Subject: Re: tape delay plug ins
From: Per Boysen <perboysen@gmail.com>
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Seconded! UAD has always been "the best" among studio effect software
plugin tools. One should add that they have only recently become
available for laptop live musicians.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Mar 14, 2011 at 5:59 PM, Daniel Thomas <danielthomas4@mac.com> wrot=
e:
> Nothing compares to the UAD plug-ins. =C2=A0Worth every penny. =C2=A0May =
I have another card?
>
> D
> On Mar 14, 2011, at 9:01 AM, billwalker@baymoon.com wrote:
>
>>>
>> I agree with the Stanster, the new UA echoplex tape simulator is
>> incredible as is there older roland space echo sim. I admit i'm biased
>> because I have several friends who work there, but there stuff is second
>> to none, and all though one must purchase a hardware component , A UAD
>> card or dongle, the benefit is the card handles all of the CPU needs for
>> the effects. And of course there are the great compressors and eq's not =
to
>> mention the amazing dreamverb that is also amazing.
>> Bill
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 17:50:24 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: More octatrack "looping" kind of stuff...
Date: Mon, 14 Mar 2011 17:50:21 +0000
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Ohh sorry there seems like there is "elektron" talk just like there is EDP =
talk :)Normally on the sequencer you trig a sample=2C each button represent=
 a possible trig. In the Elektron product you can but a parameter to be cha=
nged on a sequencer trig step=2C this is called a Trigless trig... So these=
 trigless trigs can be effects parameters (filter=2C delay=2C chorus=2C etc=
 settings for example a Delay time change on step 4 of the sequence pattern=
) or on the octatrack it can be Pitch=2C amp parameters and so on... So ins=
tead of trigging a new sample=2C or retrigging sample=2C you trigger other =
parameters... Very FUN.... there is even a possibility to slide the changes=
 so instead of an instant pitch shift a fifth up it slides from root to fif=
th..

> From: mark@markfrancombe.com
> Date: Mon=2C 14 Mar 2011 16:10:47 +0100
> Subject: Re: More octatrack "looping" kind of stuff...
> To: Loopers-Delight@loopers-delight.com
>=20
> On Mon=2C Mar 14=2C 2011 at 3:36 PM=2C Anders Bergdahl
> <anders_e_bergdahl@hotmail.com> wrote:
> t i can put triggless trigs and other manipulation that i cant do on
> > an "through" machine=2C
> > Anders
> >
>=20
>=20
> Hey Anders=2C you keep mentioning "trigless trigs" .. Can you explain
> this concept=2C what it is actually? Its sounds like its to do with
> triggering effects automatically=2C but how? and why are they
> "trig-less"?
>=20
> Mark
>=20
> --=20
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>=20
 		 	   		  =

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<font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">Ohh sorry there=
 seems like there is "elektron" talk just like there is EDP talk :)</font><=
div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">Normally on=
 the sequencer you trig a sample=2C each button represent a possible trig. =
In the Elektron product you can but a parameter to be changed on a sequence=
r trig step=2C this is called a Trigless trig... So these trigless trigs ca=
n be effects parameters (filter=2C delay=2C&nbsp=3Bchorus=2C etc&nbsp=3Bset=
tings for example a Delay time change on step 4 of the sequence pattern) or=
 on the octatrack it can be Pitch=2C amp parameters and so on... So instead=
 of trigging a new sample=2C or retrigging sample=2C you trigger other para=
meters... Very FUN.... there is even a&nbsp=3Bpossibility&nbsp=3Bto slide t=
he changes so instead of an&nbsp=3Binstant&nbsp=3Bpitch shift a&nbsp=3Bfift=
h&nbsp=3Bup it slides from root to&nbsp=3Bfifth..</font><br><br><div id=3D"=
SkyDrivePlaceholder" style=3D"font-family: Tahoma=3B font-size: 10pt=3B "><=
/div><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B Fro=
m: mark@markfrancombe.com</font><br><font class=3D"Apple-style-span" face=
=3D"Tahoma" size=3D"2">&gt=3B Date: Mon=2C 14 Mar 2011 16:10:47 +0100</font=
><br><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B Sub=
ject: Re: More octatrack "looping" kind of stuff...</font><br><font class=
=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B To: Loopers-Delight=
@loopers-delight.com</font><br><font class=3D"Apple-style-span" face=3D"Tah=
oma" size=3D"2">&gt=3B </font><br><font class=3D"Apple-style-span" face=3D"=
Tahoma" size=3D"2">&gt=3B On Mon=2C Mar 14=2C 2011 at 3:36 PM=2C Anders Ber=
gdahl</font><br><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2"=
>&gt=3B &lt=3Banders_e_bergdahl@hotmail.com&gt=3B wrote:</font><br><font cl=
ass=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B t i can put trig=
gless trigs and other manipulation that i cant do on</font><br><font class=
=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B &gt=3B an "through"=
 machine=2C</font><br><font class=3D"Apple-style-span" face=3D"Tahoma" size=
=3D"2">&gt=3B &gt=3B Anders</font><br><font class=3D"Apple-style-span" face=
=3D"Tahoma" size=3D"2">&gt=3B &gt=3B</font><br><font class=3D"Apple-style-s=
pan" face=3D"Tahoma" size=3D"2">&gt=3B </font><br><font class=3D"Apple-styl=
e-span" face=3D"Tahoma" size=3D"2">&gt=3B </font><br><font class=3D"Apple-s=
tyle-span" face=3D"Tahoma" size=3D"2">&gt=3B Hey Anders=2C you keep mention=
ing "trigless trigs" .. Can you explain</font><br><font class=3D"Apple-styl=
e-span" face=3D"Tahoma" size=3D"2">&gt=3B this concept=2C what it is actual=
ly? Its sounds like its to do with</font><br><font class=3D"Apple-style-spa=
n" face=3D"Tahoma" size=3D"2">&gt=3B triggering effects automatically=2C bu=
t how? and why are they</font><br><font class=3D"Apple-style-span" face=3D"=
Tahoma" size=3D"2">&gt=3B "trig-less"?</font><br><font class=3D"Apple-style=
-span" face=3D"Tahoma" size=3D"2">&gt=3B </font><br><font class=3D"Apple-st=
yle-span" face=3D"Tahoma" size=3D"2">&gt=3B Mark</font><br><font class=3D"A=
pple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B </font><br><font class=
=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B -- </font><br><font=
 class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B Mark Francomb=
e</font><br><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=
=3B www.markfrancombe.com</font><br><font class=3D"Apple-style-span" face=
=3D"Tahoma" size=3D"2">&gt=3B www.ordoabkhao.com</font><br><font class=3D"A=
pple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B http://vimeo.com/user825=
094</font><br><font class=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&=
gt=3B http://www.looop.no</font><br><font class=3D"Apple-style-span" face=
=3D"Tahoma" size=3D"2">&gt=3B twitter @markfrancombe</font><br><font class=
=3D"Apple-style-span" face=3D"Tahoma" size=3D"2">&gt=3B </font><br></div> 	=
	 	   		  </body>
</html>=

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Subject: OT Understanding your Muse - A Musical Experiment
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Hey Looping Colleagues!

 

I'm doing an experiment to understand the creative process better for
writing music.  No money involved, just for fun and understanding and
perhaps sharing the learnings with folks. (As an FYI I'm an Innovation
Design Consultant by day)

 

The premise is this.  I provide you with this amazing mood board. It is to
be your inspiration for a song.  Use it however you seem fit, all of it,
part of it. The link is here:

http://farm3.static.flickr.com/2466/3819194257_4ed328ae1d_o.jpg

 

Use this board as inspiration for your tune.  Please be cognizant of what
you are doing and how.  It's important for the next step.

 

After writing/composing the tune, please complete the following short
survey.  

 

http://www.surveymonkey.com/s/NZXGQFS

 

When all is done, we can share the musical outputs if we so desire (I think
it would make for a cool webpage) and I'll analyze the data from the surveys
and publish it. But ultimately? The song is YOURS; I have no rights to
anything you do; as stated before however, I may share the output of the
surveys.

 

Timeline?  When I did this for myself using a different mood board, I forced
myself to do it in a week.  (Some of you may be familiar with that tune, but
I won't point you to it for risk of tainting how you do/describe things.) If
it takes you longer, please let me know, I'm happy to wait!

 

You can always contact me with questions at mike@michaelplishka.com or at
michael@zenstorming.com 

 

Have fun and looking forward to hearing how you work with your muses!!

 

Michael Plishka  aka  Plish

 

www.michaelplishka.com

www.zenstorming.com

 

 

 

 


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<html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
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</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal>Hey =
Looping Colleagues!<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>I'm doing an =
experiment to understand the creative process better for writing =
music.&nbsp; No money involved, just for fun and understanding and =
perhaps sharing the learnings with folks. (As an FYI I'm an Innovation =
Design Consultant by day)<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>The premise =
is this.&nbsp; I provide you with this amazing mood board. It is to be =
your inspiration for a song.&nbsp; Use it however you seem fit, all of =
it, part of it. The link is here:<o:p></o:p></p><p class=3DMsoNormal><a =
href=3D"http://farm3.static.flickr.com/2466/3819194257_4ed328ae1d_o.jpg">=
http://farm3.static.flickr.com/2466/3819194257_4ed328ae1d_o.jpg</a><o:p><=
/o:p></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal>Use this board as inspiration for your tune.&nbsp; =
Please be cognizant of what you are doing and how.&nbsp; It's important =
for the next step.<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>After =
writing/composing the tune, please complete the following short =
survey.&nbsp; <o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><a =
href=3D"http://www.surveymonkey.com/s/NZXGQFS">http://www.surveymonkey.co=
m/s/NZXGQFS</a><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>When all is =
done, we can share the musical outputs if we so desire (I think it would =
make for a cool webpage) and I'll analyze the data from the surveys and =
publish it. But ultimately? The song is YOURS; I have no rights to =
anything you do; as stated before however, I may share the output of the =
surveys.<o:p></o:p></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal>Timeline?&nbsp; When I did this for myself using a =
different mood board, I forced myself to do it in a week.&nbsp; (Some of =
you may be familiar with that tune, but I won't point you to it for risk =
of tainting how you do/describe things.) If it takes you longer, please =
let me know, I'm happy to wait!<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>You can =
always contact me with questions at <a =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</a> or =
at <a =
href=3D"mailto:michael@zenstorming.com">michael@zenstorming.com</a> =
<o:p></o:p></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal>Have fun and looking forward to hearing how you work =
with your muses!!<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>Michael =
Plishka&nbsp; aka&nbsp; Plish<o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><a =
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</a><o:p></o=
:p></p><p class=3DMsoNormal><a =
href=3D"http://www.zenstorming.com">www.zenstorming.com</a><o:p></o:p></p=
><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 19:05:17 2011
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Date: Mon, 14 Mar 2011 15:05:10 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: tape delay plug ins
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Who do you know at UA, Bill?

>  >
>I agree with the Stanster, the new UA echoplex tape simulator is
>incredible as is there older roland space echo sim. I admit i'm biased
>because I have several friends who work there, but there stuff is second
>to none, and all though one must purchase a hardware component , A UAD
>card or dongle, the benefit is the card handles all of the CPU needs for
>the effects. And of course there are the great compressors and eq's not to
>mention the amazing dreamverb that is also amazing.
>Bill


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 20:36:45 2011
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Subject: Re: More octatrack "looping" kind of stuff...
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Thanks Anders, you made all that sound very interesting in deed...
following with interest? Arnt you in Norway? Any chance of a demo?

Mark




On Mon, Mar 14, 2011 at 6:50 PM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> Normally on the sequencer you trig a sample, each button represent a
> possible trig. In the Elektron product you can but a parameter to be chan=
ged
> on a sequencer trig step, this is called a Trigless trig... So these
> trigless trigs can be effects parameters (filter, delay,=A0chorus,
> etc=A0settings for example a Delay time change on step 4 of the sequence
> pattern) or on the octatrack it can be Pitch, amp parameters and so on...=
 So
> instead of trigging a new sample, or retrigging sample, you trigger other
> parameters... Very FUN.... there is even a=A0possibility=A0to slide the c=
hanges
> so instead of an=A0instant=A0pitch shift a=A0fifth=A0up it slides from ro=
ot
> to=A0fifth..



--=20
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 20:40:06 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: More octatrack "looping" kind of stuff...
Date: Mon, 14 Mar 2011 20:40:03 +0000
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Stockholm=2C Sweden.. give me a shout if you come here. I'm very seldom in =
Norway these days... sadly.

> From: mark@markfrancombe.com
> Date: Mon=2C 14 Mar 2011 21:36:18 +0100
> Subject: Re: More octatrack "looping" kind of stuff...
> To: Loopers-Delight@loopers-delight.com
>=20
> Thanks Anders=2C you made all that sound very interesting in deed...
> following with interest? Arnt you in Norway? Any chance of a demo?
>=20
> Mark
>=20
>=20
>=20
>=20
> On Mon=2C Mar 14=2C 2011 at 6:50 PM=2C Anders Bergdahl
> <anders_e_bergdahl@hotmail.com> wrote:
> > Normally on the sequencer you trig a sample=2C each button represent a
> > possible trig. In the Elektron product you can but a parameter to be ch=
anged
> > on a sequencer trig step=2C this is called a Trigless trig... So these
> > trigless trigs can be effects parameters (filter=2C delay=2C chorus=2C
> > etc settings for example a Delay time change on step 4 of the sequence
> > pattern) or on the octatrack it can be Pitch=2C amp parameters and so o=
n... So
> > instead of trigging a new sample=2C or retrigging sample=2C you trigger=
 other
> > parameters... Very FUN.... there is even a possibility to slide the cha=
nges
> > so instead of an instant pitch shift a fifth up it slides from root
> > to fifth..
>=20
>=20
>=20
> --=20
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>=20
 		 	   		  =

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<body class=3D'hmmessage'>
Stockholm=2C Sweden.. give me a shout if you come here. I'm very seldom in =
Norway these days... sadly.<br><br>&gt=3B From: mark@markfrancombe.com<br>&=
gt=3B Date: Mon=2C 14 Mar 2011 21:36:18 +0100<br>&gt=3B Subject: Re: More o=
ctatrack "looping" kind of stuff...<br>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<br>&gt=3B <br>&gt=3B Thanks Anders=2C you made all that sound ve=
ry interesting in deed...<br>&gt=3B following with interest? Arnt you in No=
rway? Any chance of a demo?<br>&gt=3B <br>&gt=3B Mark<br>&gt=3B <br>&gt=3B =
<br>&gt=3B <br>&gt=3B <br>&gt=3B On Mon=2C Mar 14=2C 2011 at 6:50 PM=2C And=
ers Bergdahl<br>&gt=3B &lt=3Banders_e_bergdahl@hotmail.com&gt=3B wrote:<br>=
&gt=3B &gt=3B Normally on the sequencer you trig a sample=2C each button re=
present a<br>&gt=3B &gt=3B possible trig. In the Elektron product you can b=
ut a parameter to be changed<br>&gt=3B &gt=3B on a sequencer trig step=2C t=
his is called a Trigless trig... So these<br>&gt=3B &gt=3B trigless trigs c=
an be effects parameters (filter=2C delay=2C&nbsp=3Bchorus=2C<br>&gt=3B &gt=
=3B etc&nbsp=3Bsettings for example a Delay time change on step 4 of the se=
quence<br>&gt=3B &gt=3B pattern) or on the octatrack it can be Pitch=2C amp=
 parameters and so on... So<br>&gt=3B &gt=3B instead of trigging a new samp=
le=2C or retrigging sample=2C you trigger other<br>&gt=3B &gt=3B parameters=
... Very FUN.... there is even a&nbsp=3Bpossibility&nbsp=3Bto slide the cha=
nges<br>&gt=3B &gt=3B so instead of an&nbsp=3Binstant&nbsp=3Bpitch shift a&=
nbsp=3Bfifth&nbsp=3Bup it slides from root<br>&gt=3B &gt=3B to&nbsp=3Bfifth=
..<br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B -- <br>&gt=3B Mark Francombe<=
br>&gt=3B www.markfrancombe.com<br>&gt=3B www.ordoabkhao.com<br>&gt=3B http=
://vimeo.com/user825094<br>&gt=3B http://www.looop.no<br>&gt=3B twitter @ma=
rkfrancombe<br>&gt=3B <br> 		 	   		  </body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 14 20:50:11 2011
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Date: Mon, 14 Mar 2011 21:50:10 +0100
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Subject: Re: tape delay plug ins
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they do look amazing too bad no x press cards for imacs buuuu
but the dongle sounds like a good thing!

On Mon, Mar 14, 2011 at 5:01 PM,  <billwalker@baymoon.com> wrote:
>>
> I agree with the Stanster, the new UA echoplex tape simulator is
> incredible as is there older roland space echo sim. I admit i'm biased
> because I have several friends who work there, but there stuff is second
> to none, and all though one must purchase a hardware component , A UAD
> card or dongle, the benefit is the card handles all of the CPU needs for
> the effects. And of course there are the great compressors and eq's not to
> mention the amazing dreamverb that is also amazing.
> Bill
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 00:10:41 2011
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Just wanted to let you guys know=2C

I have teamed up with USTREAM and will be broadcasting LIVE from SXSW ALL W=
EEK. From approximately 2PM to 2AM central time every day=2C you can sign i=
n and see what SXSW is all about. Tune in @ www.TheWanderingMadman.com OR d=
ownload the USTREAM app for your phone and search for "The Wandering Madman=
"
----Tonights show will begin at 9:00PM----
----Tweet me! Help spread the word----




The Wandering Madman=20


 		 	   		  =

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<html>
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<style><!--
.hmmessage P
{
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}
body.hmmessage
{
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font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
<br><br>Just wanted to let you guys know=2C<br><br>I have teamed up with US=
TREAM and will be broadcasting LIVE from SXSW ALL WEEK. From approximately =
2PM to 2AM central time every day=2C you can sign in and see what SXSW is a=
ll about. Tune in @ www.TheWanderingMadman.com OR download the USTREAM app =
for your phone and search for "The Wandering Madman"<br>----Tonights show w=
ill begin at 9:00PM----<br>----Tweet me! Help spread the word----<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br> 		 	   		  </body>
</html>=

--_46389453-626e-4d8c-bcd0-c669d682c073_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 09:43:52 2011
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From: "Michael Peters" <mp@mpeters.de>
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Subject: Line6 DL4 expression pedal
Date: Tue, 15 Mar 2011 10:43:45 +0100
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after trying the EV-5 without success (it only changed the delay speed) I
finally gave in and bought an EX-1, the official Line6 expression pedal - it
has a mono plug, other than the other expression pedals, and I thought it
should do the trick. But I don't get it - there is a pattern in how this
pedal behaves, but I don't grasp it, and I can't find a good explanation
anywhere online.

Could a kind soul please explain to me how to set the parameters when in
loop sampler mode? whatever I try, the pedal changes delay speed. How can I
set the mix, for example, without changing the delay speed or regen? what do
I have to do, step by step?

-Michael


From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 09:49:03 2011
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Subject: Re: Line6 DL4 expression pedal
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I tried my one the other day after we spoke about it and it didn't work =
on anything!!

On 15 Mar 2011, at 09:43, Michael Peters wrote:

> after trying the EV-5 without success (it only changed the delay =
speed) I
> finally gave in and bought an EX-1, the official Line6 expression =
pedal - it
> has a mono plug, other than the other expression pedals, and I thought =
it
> should do the trick. But I don't get it - there is a pattern in how =
this
> pedal behaves, but I don't grasp it, and I can't find a good =
explanation
> anywhere online.
>=20
> Could a kind soul please explain to me how to set the parameters when =
in
> loop sampler mode? whatever I try, the pedal changes delay speed. How =
can I
> set the mix, for example, without changing the delay speed or regen? =
what do
> I have to do, step by step?
>=20
> -Michael
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 10:31:56 2011
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did you try following the manual *exactly*?


If you changed the delay speed, then the hardware
part would appear to be working.



andy

Michael Peters wrote:
> after trying the EV-5 without success (it only changed the delay speed) I
> finally gave in and bought an EX-1, the official Line6 expression pedal -

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 12:58:06 2011
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Date: Tue, 15 Mar 2011 08:58:04 -0400
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Subject: Re: Line6 DL4 expression pedal
From: Jeff Duke <jeffloops@gmail.com>
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Content-Type: text/plain; charset=ISO-8859-1

Have you powered down the DL4 first before setting the parameters? In other
words:

Power off the DL4 by unplugging the left/mono input, next plug in the EX-1.
Plug the left/mono input back in.
Heel back, set all knobs where you would want them, toe down the same,
that's it.

I just hooked mine up and this is how it works for me.

I set it to looper
powered it down as per above
plugged in the EH-1 heel down
set all the knobs to minimum (the mix knob only works with the looper in
loop mode)
push the EH-1 to toe down
turn the mix knob all the way up (this gives me about 50/50 with the
straight signal)

start looping moving pedal up and down for mix of loop :) You can add in
delay also but the pedal seems to also begin to control it...

I actually hadn't done that for a long time, I really never used the looper,
only the delays when I used this before getting the M9

hope that helps, I can make a movie if needed

J


On Tue, Mar 15, 2011 at 5:43 AM, Michael Peters <mp@mpeters.de> wrote:

> after trying the EV-5 without success (it only changed the delay speed) I
> finally gave in and bought an EX-1, the official Line6 expression pedal -
> it
> has a mono plug, other than the other expression pedals, and I thought it
> should do the trick. But I don't get it - there is a pattern in how this
> pedal behaves, but I don't grasp it, and I can't find a good explanation
> anywhere online.
>
> Could a kind soul please explain to me how to set the parameters when in
> loop sampler mode? whatever I try, the pedal changes delay speed. How can I
> set the mix, for example, without changing the delay speed or regen? what
> do
> I have to do, step by step?
>
> -Michael
>
>

--bcaec53f91dda21ac6049e84fac5
Content-Type: text/html; charset=ISO-8859-1
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Have you powered down the DL4 first before setting the parameters? In other=
 words:<br><br>Power off the DL4 by unplugging the left/mono input, next pl=
ug in the EX-1. Plug the left/mono input back in. <br>Heel back, set all kn=
obs where you would want them, toe down the same, that&#39;s it.<br>
<br>I just hooked mine up and this is how it works for me.<br><br>I set it =
to looper<br>powered it down as per above<br>plugged in the EH-1 heel down<=
br>set all the knobs to minimum (the mix knob only works with the looper in=
 loop mode)<br>
push the EH-1 to toe down<br>turn the mix knob all the way up (this gives m=
e about 50/50 with the straight signal)<br><br>start looping moving pedal u=
p and down for mix of loop :) You can add in delay also but the pedal seems=
 to also begin to control it...<br>
<br>I actually hadn&#39;t done that for a long time, I really never used th=
e looper, only the delays when I used this before getting the M9<br><br>hop=
e that helps, I can make a movie if needed<br><br>J<br><br><br><div class=
=3D"gmail_quote">
On Tue, Mar 15, 2011 at 5:43 AM, Michael Peters <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span> wrote:<br><blockqu=
ote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: =
1px solid rgb(204, 204, 204); padding-left: 1ex;">
after trying the EV-5 without success (it only changed the delay speed) I<b=
r>
finally gave in and bought an EX-1, the official Line6 expression pedal - i=
t<br>
has a mono plug, other than the other expression pedals, and I thought it<b=
r>
should do the trick. But I don&#39;t get it - there is a pattern in how thi=
s<br>
pedal behaves, but I don&#39;t grasp it, and I can&#39;t find a good explan=
ation<br>
anywhere online.<br>
<br>
Could a kind soul please explain to me how to set the parameters when in<br=
>
loop sampler mode? whatever I try, the pedal changes delay speed. How can I=
<br>
set the mix, for example, without changing the delay speed or regen? what d=
o<br>
I have to do, step by step?<br>
<font color=3D"#888888"><br>
-Michael<br>
<br>
</font></blockquote></div><br>

--bcaec53f91dda21ac6049e84fac5--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 12:59:15 2011
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Date: Tue, 15 Mar 2011 05:59:12 -0700
Subject: Re: Line6 DL4 expression pedal
From: Richard Atkinson <thetoyroom@charter.net>
To: LOOPERS DELIGHT LIST <Loopers-Delight@loopers-delight.com>
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My guess would be that you are adjusting the delay speed and regen in real
time during your playing?  If that's the case, then the expression pedal
will 'remember' those adjustments, and the problem begins.

I've always hated L6's expression pedal implementation.  Yes, you can teach
it to 'learn' what you want it to do, but you can never seem to tell it to
stop learning.  It will always remember whatever knob placement you play
with, so as soon as you hook up the exp. Pedal, it's almost like you can't
touch the pedal in real time anymore, you have to leave the knobs as they
were after you did you initial setting.

Is that the case?  Did you JUST set up mix control, then started playing,
but your song, or whatever, has alterations to delay speed and regen during
it?  If so, then that stupid pedal is going to 'learn' those adjustments...






On 3/15/11 2:43 AM, "Michael Peters" <mp@mpeters.de> wrote:

> after trying the EV-5 without success (it only changed the delay speed) I
> finally gave in and bought an EX-1, the official Line6 expression pedal - it
> has a mono plug, other than the other expression pedals, and I thought it
> should do the trick. But I don't get it - there is a pattern in how this
> pedal behaves, but I don't grasp it, and I can't find a good explanation
> anywhere online.
> 
> Could a kind soul please explain to me how to set the parameters when in
> loop sampler mode? whatever I try, the pedal changes delay speed. How can I
> set the mix, for example, without changing the delay speed or regen? what do
> I have to do, step by step?
> 
> -Michael
> 
> 


From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 13:55:46 2011
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Subject: RE: Line6 DL4 expression pedal
Date: Tue, 15 Mar 2011 14:55:39 +0100
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> did you try following the manual *exactly*?

ah, got it now - it is actually quite simple. The pedal always affects
everything. Set it to heel position, set desired heel values for delay
speed, regen, tweak and tweez; set it to toe position and set desired toe
values. That simple, and it works - it takes just a bit getting used to. If
i don't want it to affect delay speed, its setting for both positions should
be equal. But once I turn a knob, that will be memorized by the pedal for
its current position. No need to unplug anything while playing.

-Michael

"Power off your Stomp Box Modeler by unplugging the LEFT/MONO INPUT. Next,
plug in your Expression Pedal, and set the expression pedal to the full
heel-down position (as shown in the illustration at right). Plug the
left/mono input back in (this turns the Stomp Box back on) and dial up a
sound you like. Now press the expression pedal forward to the fully toe-down
position, and set one or more of your knobs to another setting. Rock back
and forth on your expression pedal, and you'll hear your sound blend between
the two sound settings you just made. Store this sound into one of your
pedal's memories, and both the toe-down and heeldown "snapshots" of the
sound will be saved. Use as many and whichever knobs you like with the
expression pedal, except the model selector. Recalling a stored memory later
without the
expression pedal connected gives you the heel-down setting only."

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 18:10:58 2011
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Subject: Behringer FCB1010
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--000e0cd594ea7e70dc049e89591f
Content-Type: text/plain; charset=ISO-8859-1

I want a pedal board to work with Mobius and a laptop Mac (to be purchased
soon). I haven't heard anything recently about the SoftStep. As I understand
it, the consensus was that SoftStep is still not ready for prime time. I
really wanted something small like that, that would fit in a back pack, so
that I could go by subway to a venue. Someone mentioned here a Boss? or
Roland? or Yamaha? pedal that is newer than the Behringer, but I can't
remember which model or whether it fit as well with Mobius. I figured I'd
buy a Behringer FCB1010 because in a  FAQ somewhere I read that it is the
near perfect controller for looping with Mobius.
So, as I'm heading back to Japan in three weeks, I'd better get cracking on
finding something. In my Google searches for used ones, I keep finding that
when I click on a cheap price it takes me to a site that is selling new
ones. Of course I'm checking Ebay, but I thought I'd ask if anyone here is
selling one (hopefully with the UnO firmware).
TIA

--000e0cd594ea7e70dc049e89591f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I want a pedal board to work with Mobius and a laptop Mac (to be purchased =
soon). I haven&#39;t heard anything recently about the SoftStep. As I under=
stand it, the consensus was that SoftStep is still not ready for prime time=
. I really wanted something small like that, that would fit in a back pack,=
 so that
 I could go by subway to a venue. Someone mentioned here a Boss? or=20
Roland? or Yamaha? pedal that is newer than the Behringer, but I can&#39;t =
remember which model or whether it fit as well with Mobius.
  I figured I&#39;d buy a Behringer FCB1010 because  in a=A0 FAQ somewhere =
I read that it is the near perfect controller for looping with Mobius.<br>S=
o, as I&#39;m heading back to Japan in three weeks, I&#39;d better get crac=
king on finding something. In my Google searches for used ones, I keep find=
ing that when I click on a cheap price it takes me to a site that is sellin=
g new ones. Of course I&#39;m checking Ebay, but I thought I&#39;d ask if a=
nyone here is selling one (hopefully with the <font face=3D"Arial">UnO firm=
ware).<br>
TIA<br></font>

--000e0cd594ea7e70dc049e89591f--

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Date: Tue, 15 Mar 2011 11:52:57 -0700
Message-ID: <AANLkTikopjqB12xbHqDrQSuXPBGwAtEURU8mc0ThVyqr@mail.gmail.com>
Subject: Re: Behringer FCB1010
From: Art Simon <simart@gmail.com>
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Hi Ed,

I replaced my Behringer FCB1010 with the IK Multimedia StealthPedal, a
Boss FS-6 Dual Footswitch and an M-Audio Universal expression
controller pedal. The whole setup cost about $285 and gives me two
expression pedals and two switches. It's a lot simpler than the
Behringer and doesn't require a midi intereface. Packs up much smaller
too.

On Tue, Mar 15, 2011 at 11:10 AM, Ed Durbrow <edurbrow@gmail.com> wrote:
> I want a pedal board to work with Mobius and a laptop Mac (to be purchase=
d
> soon). I haven't heard anything recently about the SoftStep. As I underst=
and
> it, the consensus was that SoftStep is still not ready for prime time. I
> really wanted something small like that, that would fit in a back pack, s=
o
> that I could go by subway to a venue. Someone mentioned here a Boss? or
> Roland? or Yamaha? pedal that is newer than the Behringer, but I can't
> remember which model or whether it fit as well with Mobius. I figured I'd
> buy a Behringer FCB1010 because in a=A0 FAQ somewhere I read that it is t=
he
> near perfect controller for looping with Mobius.
> So, as I'm heading back to Japan in three weeks, I'd better get cracking =
on
> finding something. In my Google searches for used ones, I keep finding th=
at
> when I click on a cheap price it takes me to a site that is selling new
> ones. Of course I'm checking Ebay, but I thought I'd ask if anyone here i=
s
> selling one (hopefully with the UnO firmware).
> TIA
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 19:03:27 2011
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Date: Tue, 15 Mar 2011 20:03:25 +0100
Message-ID: <AANLkTikT3uxV61ThHPXQeZ3r5joCJaNP-7adiTRf_VQ1@mail.gmail.com>
Subject: Re: Behringer FCB1010
From: Per Boysen <perboysen@gmail.com>
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Don't miss out on checking the Gordius Little Giant 2 as well! I
recently got one of those after having used up three FCB1010's (they
typically last exactly three years for me) and I wished I had gone
with it a lot earlier, because it would have saved me some money. The
LG is expensive to buy but cheap to own, compared with the
Behringer(s). Another nasty issue I had with all my FCB's is that they
now and then send out a random MIDI CC# value. I was using hardware
gear that could not filter MIDI and my rack devices kept jumping off
my preferred settings all the time. This kind of happened every third
minute and was a pain in the ass when performing. Then I started using
only software at the receiving end and was unlucky to find the best
sound and functionality with software that was by design hardwired to
some Roland General MIDI specification of the eighties - so the
Behringer random MIDI surprise bug kept biting me. The Gordius pedal
never leaks any MIDI I have not programmed it to send out on my
command, so I'm a very happy musician these days :-)   Oh, another
reason I went with the Gordius is its small size and light weight...
not beating the SoftStep here though, but to me the SoftStep has
disqualified itself in many other areas.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Tue, Mar 15, 2011 at 7:10 PM, Ed Durbrow <edurbrow@gmail.com> wrote:
> I want a pedal board to work with Mobius and a laptop Mac (to be purchase=
d
> soon). I haven't heard anything recently about the SoftStep. As I underst=
and
> it, the consensus was that SoftStep is still not ready for prime time. I
> really wanted something small like that, that would fit in a back pack, s=
o
> that I could go by subway to a venue. Someone mentioned here a Boss? or
> Roland? or Yamaha? pedal that is newer than the Behringer, but I can't
> remember which model or whether it fit as well with Mobius. I figured I'd
> buy a Behringer FCB1010 because in a=C2=A0 FAQ somewhere I read that it i=
s the
> near perfect controller for looping with Mobius.
> So, as I'm heading back to Japan in three weeks, I'd better get cracking =
on
> finding something. In my Google searches for used ones, I keep finding th=
at
> when I click on a cheap price it takes me to a site that is selling new
> ones. Of course I'm checking Ebay, but I thought I'd ask if anyone here i=
s
> selling one (hopefully with the UnO firmware).
> TIA
>

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From: "Ruelle Benoit" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <AANLkTinXq-r820=P-mcEM8CoCyO3WaVdRToVYLyraXC4@mail.gmail.com> <4D6E3595.5020003@cruzio.com> <AANLkTik0h_H5tr1UQCRwrUFnf8VYug6ReFXVn0wmO-0b@mail.gmail.com> <AANLkTimBPPATH5R2HoKaU-Jdfwp_iq9Rv1CVRJnVqPwp@mail.gmail.com> <620254.31353.qm@web120716.mail.ne1.yahoo.com> <AANLkTikAJDwaEzu0QUyjubT53dwuLpRNTFN3cdpcSgCZ@mail.gmail.com> <189223.73182.qm@web120717.mail.ne1.yahoo.com>
Subject: OT: about midi looping, small rythm machine, generative music, DIY, ...
Date: Tue, 15 Mar 2011 21:38:56 +0100
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Hi,

I found this yesterday:

the minicommand:
http://ruinwesen.com/products

Seems a cool little device. You can rewrite completely the soft.
Perhaps a solution for some "open questions" that appeared on the list =
not so long ago.


Ben

------=_NextPart_000_012D_01CBE359.62FA0CA0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<STYLE type=3Dtext/css>DIV {
	MARGIN: 0px
}
</STYLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.19019"></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I found this yesterday:</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>the minicommand:</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://ruinwesen.com/products">http://ruinwesen.com/products</A><=
/FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Seems a cool little device. You can =
rewrite=20
completely the soft.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Perhaps a solution for some "open =
questions" that=20
appeared on the list not so long ago.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Ben</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_012D_01CBE359.62FA0CA0--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 15 21:35:18 2011
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Date: Tue, 15 Mar 2011 14:35:16 -0700
Message-ID: <AANLkTi=2AA_G4vRxgP=CqDGiHB482QA6_yjzdCkzGHj3@mail.gmail.com>
Subject: Re: Behringer FCB1010
From: Ed Durbrow <edurbrow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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This connects to your computer? I have the Boss FS-6, I think, that's the
one with two footswitches.

On Tue, Mar 15, 2011 at 11:52 AM, Art Simon <simart@gmail.com> wrote:

> Hi Ed,
>
> I replaced my Behringer FCB1010 with the IK Multimedia StealthPedal, a
> Boss FS-6 Dual Footswitch and an M-Audio Universal expression
> controller pedal. The whole setup cost about $285 and gives me two
> expression pedals and two switches. It's a lot simpler than the
> Behringer and doesn't require a midi intereface. Packs up much smaller
> too.
>
> On Tue, Mar 15, 2011 at 11:10 AM, Ed Durbrow <edurbrow@gmail.com> wrote:
> > I want a pedal board to work with Mobius and a laptop Mac (to be
> purchased
> > soon). I haven't heard anything recently about the SoftStep. As I
> understand
> > it, the consensus was that SoftStep is still not ready for prime time. I
> > really wanted something small like that, that would fit in a back pack,
> so
> > that I could go by subway to a venue. Someone mentioned here a Boss? or
> > Roland? or Yamaha? pedal that is newer than the Behringer, but I can't
> > remember which model or whether it fit as well with Mobius. I figured I'd
> > buy a Behringer FCB1010 because in a  FAQ somewhere I read that it is the
> > near perfect controller for looping with Mobius.
> > So, as I'm heading back to Japan in three weeks, I'd better get cracking
> on
> > finding something. In my Google searches for used ones, I keep finding
> that
> > when I click on a cheap price it takes me to a site that is selling new
> > ones. Of course I'm checking Ebay, but I thought I'd ask if anyone here
> is
> > selling one (hopefully with the UnO firmware).
> > TIA
> >
>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>

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This connects to your computer? I have the Boss FS-6, I think, that&#39;s t=
he one with two footswitches.<br><br><div class=3D"gmail_quote">On Tue, Mar=
 15, 2011 at 11:52 AM, Art Simon <span dir=3D"ltr">&lt;<a href=3D"mailto:si=
mart@gmail.com">simart@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi Ed,<br>
<br>
I replaced my Behringer FCB1010 with the IK Multimedia StealthPedal, a<br>
Boss FS-6 Dual Footswitch and an M-Audio Universal expression<br>
controller pedal. The whole setup cost about $285 and gives me two<br>
expression pedals and two switches. It&#39;s a lot simpler than the<br>
Behringer and doesn&#39;t require a midi intereface. Packs up much smaller<=
br>
too.<br>
<div><div></div><div class=3D"h5"><br>
On Tue, Mar 15, 2011 at 11:10 AM, Ed Durbrow &lt;<a href=3D"mailto:edurbrow=
@gmail.com">edurbrow@gmail.com</a>&gt; wrote:<br>
&gt; I want a pedal board to work with Mobius and a laptop Mac (to be purch=
ased<br>
&gt; soon). I haven&#39;t heard anything recently about the SoftStep. As I =
understand<br>
&gt; it, the consensus was that SoftStep is still not ready for prime time.=
 I<br>
&gt; really wanted something small like that, that would fit in a back pack=
, so<br>
&gt; that I could go by subway to a venue. Someone mentioned here a Boss? o=
r<br>
&gt; Roland? or Yamaha? pedal that is newer than the Behringer, but I can&#=
39;t<br>
&gt; remember which model or whether it fit as well with Mobius. I figured =
I&#39;d<br>
&gt; buy a Behringer FCB1010 because in a=A0 FAQ somewhere I read that it i=
s the<br>
&gt; near perfect controller for looping with Mobius.<br>
&gt; So, as I&#39;m heading back to Japan in three weeks, I&#39;d better ge=
t cracking on<br>
&gt; finding something. In my Google searches for used ones, I keep finding=
 that<br>
&gt; when I click on a cheap price it takes me to a site that is selling ne=
w<br>
&gt; ones. Of course I&#39;m checking Ebay, but I thought I&#39;d ask if an=
yone here is<br>
&gt; selling one (hopefully with the UnO firmware).<br>
&gt; TIA<br>
&gt;<br>
<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Art Simon<br>
<a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>
myspace [dot] com/artsimon<br>
<br>
</font></blockquote></div><br>

--000e0cd594ea4da574049e8c344b--

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Subject: Re: Behringer FCB1010
From: Ed Durbrow <edurbrow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hmm. It would be quite a financial commitment. i'll check it again, but it
is more than I want to spend, for sure.

On Tue, Mar 15, 2011 at 12:03 PM, Per Boysen <perboysen@gmail.com> wrote:

> Don't miss out on checking the Gordius Little Giant 2 as well! I
> recently got one of those after having used up three FCB1010's (they
> typically last exactly three years for me) and I wished I had gone
> with it a lot earlier, because it would have saved me some money. The
> LG is expensive to buy but cheap to own, compared with the
> Behringer(s). Another nasty issue I had with all my FCB's is that they
> now and then send out a random MIDI CC# value. I was using hardware
> gear that could not filter MIDI and my rack devices kept jumping off
> my preferred settings all the time. This kind of happened every third
> minute and was a pain in the ass when performing. Then I started using
> only software at the receiving end and was unlucky to find the best
> sound and functionality with software that was by design hardwired to
> some Roland General MIDI specification of the eighties - so the
> Behringer random MIDI surprise bug kept biting me. The Gordius pedal
> never leaks any MIDI I have not programmed it to send out on my
> command, so I'm a very happy musician these days :-)   Oh, another
> reason I went with the Gordius is its small size and light weight...
> not beating the SoftStep here though, but to me the SoftStep has
> disqualified itself in many other areas.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Tue, Mar 15, 2011 at 7:10 PM, Ed Durbrow <edurbrow@gmail.com> wrote:
> > I want a pedal board to work with Mobius and a laptop Mac (to be
> purchased
> > soon). I haven't heard anything recently about the SoftStep. As I
> understand
> > it, the consensus was that SoftStep is still not ready for prime time. I
> > really wanted something small like that, that would fit in a back pack,
> so
> > that I could go by subway to a venue. Someone mentioned here a Boss? or
> > Roland? or Yamaha? pedal that is newer than the Behringer, but I can't
> > remember which model or whether it fit as well with Mobius. I figured I'd
> > buy a Behringer FCB1010 because in a  FAQ somewhere I read that it is the
> > near perfect controller for looping with Mobius.
> > So, as I'm heading back to Japan in three weeks, I'd better get cracking
> on
> > finding something. In my Google searches for used ones, I keep finding
> that
> > when I click on a cheap price it takes me to a site that is selling new
> > ones. Of course I'm checking Ebay, but I thought I'd ask if anyone here
> is
> > selling one (hopefully with the UnO firmware).
> > TIA
> >
>
>

--000e0cd47ab283ceb8049e8c400e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hmm. It would be quite a financial commitment. i&#39;ll check it again, but=
 it is more than I want to spend, for sure.<br><br><div class=3D"gmail_quot=
e">On Tue, Mar 15, 2011 at 12:03 PM, Per Boysen <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Don&#39;t miss ou=
t on checking the Gordius Little Giant 2 as well! I<br>
recently got one of those after having used up three FCB1010&#39;s (they<br=
>
typically last exactly three years for me) and I wished I had gone<br>
with it a lot earlier, because it would have saved me some money. The<br>
LG is expensive to buy but cheap to own, compared with the<br>
Behringer(s). Another nasty issue I had with all my FCB&#39;s is that they<=
br>
now and then send out a random MIDI CC# value. I was using hardware<br>
gear that could not filter MIDI and my rack devices kept jumping off<br>
my preferred settings all the time. This kind of happened every third<br>
minute and was a pain in the ass when performing. Then I started using<br>
only software at the receiving end and was unlucky to find the best<br>
sound and functionality with software that was by design hardwired to<br>
some Roland General MIDI specification of the eighties - so the<br>
Behringer random MIDI surprise bug kept biting me. The Gordius pedal<br>
never leaks any MIDI I have not programmed it to send out on my<br>
command, so I&#39;m a very happy musician these days :-) =A0 Oh, another<br=
>
reason I went with the Gordius is its small size and light weight...<br>
not beating the SoftStep here though, but to me the SoftStep has<br>
disqualified itself in many other areas.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Tue, Mar 15, 2011 at 7:10 PM, Ed Durbrow &lt;<a href=3D"mailto:edurbrow@=
gmail.com">edurbrow@gmail.com</a>&gt; wrote:<br>
&gt; I want a pedal board to work with Mobius and a laptop Mac (to be purch=
ased<br>
&gt; soon). I haven&#39;t heard anything recently about the SoftStep. As I =
understand<br>
&gt; it, the consensus was that SoftStep is still not ready for prime time.=
 I<br>
&gt; really wanted something small like that, that would fit in a back pack=
, so<br>
&gt; that I could go by subway to a venue. Someone mentioned here a Boss? o=
r<br>
&gt; Roland? or Yamaha? pedal that is newer than the Behringer, but I can&#=
39;t<br>
&gt; remember which model or whether it fit as well with Mobius. I figured =
I&#39;d<br>
&gt; buy a Behringer FCB1010 because in a=A0 FAQ somewhere I read that it i=
s the<br>
&gt; near perfect controller for looping with Mobius.<br>
&gt; So, as I&#39;m heading back to Japan in three weeks, I&#39;d better ge=
t cracking on<br>
&gt; finding something. In my Google searches for used ones, I keep finding=
 that<br>
&gt; when I click on a cheap price it takes me to a site that is selling ne=
w<br>
&gt; ones. Of course I&#39;m checking Ebay, but I thought I&#39;d ask if an=
yone here is<br>
&gt; selling one (hopefully with the UnO firmware).<br>
&gt; TIA<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--000e0cd47ab283ceb8049e8c400e--

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Date: Tue, 15 Mar 2011 17:28:25 -0700
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Subject: Re: Behringer FCB1010
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Ed,

The Stealth Pedal connects directly to your computer with USB and
draws its power from that as well. I was a little surprised when I set
up at Y2K9 to realize that I only needed one power outlet for my
laptop, everything else got its power via USB, or ran as software.
Life with VSTs and USB devices has sure changed things. Definitely
simplifies your setup.

Looks like the pedal itself runs for $200, not that much more than the FCB1=
010.

It's a small, minimal but flexible setup if that appeals to you. Let
me know if you get one, I'm happy to share what I've learned.

On Tue, Mar 15, 2011 at 2:35 PM, Ed Durbrow <edurbrow@gmail.com> wrote:
> This connects to your computer? I have the Boss FS-6, I think, that's the
> one with two footswitches.
>
> On Tue, Mar 15, 2011 at 11:52 AM, Art Simon <simart@gmail.com> wrote:
>>
>> Hi Ed,
>>
>> I replaced my Behringer FCB1010 with the IK Multimedia StealthPedal, a
>> Boss FS-6 Dual Footswitch and an M-Audio Universal expression
>> controller pedal. The whole setup cost about $285 and gives me two
>> expression pedals and two switches. It's a lot simpler than the
>> Behringer and doesn't require a midi intereface. Packs up much smaller
>> too.
>>
>> On Tue, Mar 15, 2011 at 11:10 AM, Ed Durbrow <edurbrow@gmail.com> wrote:
>> > I want a pedal board to work with Mobius and a laptop Mac (to be
>> > purchased
>> > soon). I haven't heard anything recently about the SoftStep. As I
>> > understand
>> > it, the consensus was that SoftStep is still not ready for prime time.=
 I
>> > really wanted something small like that, that would fit in a back pack=
,
>> > so
>> > that I could go by subway to a venue. Someone mentioned here a Boss? o=
r
>> > Roland? or Yamaha? pedal that is newer than the Behringer, but I can't
>> > remember which model or whether it fit as well with Mobius. I figured
>> > I'd
>> > buy a Behringer FCB1010 because in a=A0 FAQ somewhere I read that it i=
s
>> > the
>> > near perfect controller for looping with Mobius.
>> > So, as I'm heading back to Japan in three weeks, I'd better get cracki=
ng
>> > on
>> > finding something. In my Google searches for used ones, I keep finding
>> > that
>> > when I click on a cheap price it takes me to a site that is selling ne=
w
>> > ones. Of course I'm checking Ebay, but I thought I'd ask if anyone her=
e
>> > is
>> > selling one (hopefully with the UnO firmware).
>> > TIA
>> >
>>
>>
>>
>> --
>> Art Simon
>> simart@gmail.com
>> myspace [dot] com/artsimon
>>
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Date: Tue, 15 Mar 2011 19:00:38 -0700
Message-ID: <AANLkTi==4bz9koeMr7fGKQez8j2zUqTD4A8HexFCggWb@mail.gmail.com>
Subject: Re: Behringer FCB1010
From: Ed Durbrow <edurbrow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd594ea55676c049e8fe93b
Content-Type: text/plain; charset=ISO-8859-1

Maybe I should clarify where I'm coming from. I'm very new to looping and
I'm not sure how far I'll go with it. Most people here are on a completely
different plane than me. I have a Boss RC-2 which I find, not only limiting,
but confusing. That should indicate my mental capacity for these kinds of
devices. I immediately went out and bought an FS-6 for it and that at least
allowed me to step through loops, but having to bend down and save every
loop in order to do that just doesn't seem conducive to live improvisitation
and puts a damper on creativity. I need something simple that will work with
Mobius. Mobius is going to take me a long time to master, I can see that but
that is the direction I want to go in, i.e. computer software.

The Stealth Pedal looks like you can only have a couple of footswitches with
it. ? I suppose it would take some programming and dancing to get it to deal
with Mobius in a way that I could have several loops in different keys and
switch between them with one stomp.

I thought the Behringer would be a good choice if I got a good price on a
used one because I could always sell it again and not lose too much. I
thought perhaps someone here might be moving up to the Stealth or Gordius
and want to get rid of one. I've seen Boss and Yamaha boards in "Hard Off",
a well known chain of recycle shops in Japan, but they aren't as cheap as a
second hand 1010s over here.
Thanks Art,

PS. Do you have any videos showing what you do with your setup?


On Tue, Mar 15, 2011 at 5:28 PM, Art Simon <simart@gmail.com> wrote:

> Hi Ed,
>
> The Stealth Pedal connects directly to your computer with USB and
> draws its power from that as well. I was a little surprised when I set
> up at Y2K9 to realize that I only needed one power outlet for my
> laptop, everything else got its power via USB, or ran as software.
> Life with VSTs and USB devices has sure changed things. Definitely
> simplifies your setup.
>
> Looks like the pedal itself runs for $200, not that much more than the
> FCB1010.
>
> It's a small, minimal but flexible setup if that appeals to you. Let
> me know if you get one, I'm happy to share what I've learned.
>
> On Tue, Mar 15, 2011 at 2:35 PM, Ed Durbrow <edurbrow@gmail.com> wrote:
> > This connects to your computer? I have the Boss FS-6, I think, that's the
> > one with two footswitches.
> >
> > On Tue, Mar 15, 2011 at 11:52 AM, Art Simon <simart@gmail.com> wrote:
> >>
> >> Hi Ed,
> >>
> >> I replaced my Behringer FCB1010 with the IK Multimedia StealthPedal, a
> >> Boss FS-6 Dual Footswitch and an M-Audio Universal expression
> >> controller pedal. The whole setup cost about $285 and gives me two
> >> expression pedals and two switches. It's a lot simpler than the
> >> Behringer and doesn't require a midi intereface. Packs up much smaller
> >> too.
> >>
> >> On Tue, Mar 15, 2011 at 11:10 AM, Ed Durbrow <edurbrow@gmail.com>
> wrote:
> >> > I want a pedal board to work with Mobius and a laptop Mac (to be
> >> > purchased
> >> > soon). I haven't heard anything recently about the SoftStep. As I
> >> > understand
> >> > it, the consensus was that SoftStep is still not ready for prime time.
> I
> >> > really wanted something small like that, that would fit in a back
> pack,
> >> > so
> >> > that I could go by subway to a venue. Someone mentioned here a Boss?
> or
> >> > Roland? or Yamaha? pedal that is newer than the Behringer, but I can't
> >> > remember which model or whether it fit as well with Mobius. I figured
> >> > I'd
> >> > buy a Behringer FCB1010 because in a  FAQ somewhere I read that it is
> >> > the
> >> > near perfect controller for looping with Mobius.
> >> > So, as I'm heading back to Japan in three weeks, I'd better get
> cracking
> >> > on
> >> > finding something. In my Google searches for used ones, I keep finding
> >> > that
> >> > when I click on a cheap price it takes me to a site that is selling
> new
> >> > ones. Of course I'm checking Ebay, but I thought I'd ask if anyone
> here
> >> > is
> >> > selling one (hopefully with the UnO firmware).
> >> > TIA
> >> >
> >>
> >>
> >>
> >> --
> >> Art Simon
> >> simart@gmail.com
> >> myspace [dot] com/artsimon
> >>
> >
> >
>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>

--000e0cd594ea55676c049e8fe93b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Maybe I should clarify where I&#39;m coming from. I&#39;m very new to loopi=
ng and I&#39;m not sure how far I&#39;ll go with it. Most people here are o=
n a completely different plane than me. I have a Boss RC-2 which I find, no=
t only limiting, but confusing. That should indicate my mental capacity for=
 these kinds of devices. I immediately went out and bought an FS-6 for it a=
nd that at least allowed me to step through loops, but having to bend down =
and save every loop in order to do that just doesn&#39;t seem conducive to =
live improvisitation and puts a damper on creativity. I need something simp=
le that will work with Mobius. Mobius is going to take me a long time to ma=
ster, I can see that but that is the direction I want to go in, i.e. comput=
er software. <br>
<br>The Stealth Pedal looks like you can only have a couple of footswitches=
 with it. ? I suppose it would take some programming and dancing to get it =
to deal with Mobius in a way that I could have several loops in different k=
eys and switch between them with one stomp.<br>
<br>I thought the Behringer would be a good choice if I got a good price on=
 a used one because I could always sell it again and not lose too much. I t=
hought perhaps someone here might be moving up to the Stealth or Gordius an=
d want to get rid of one. I&#39;ve seen Boss and Yamaha boards in &quot;Har=
d Off&quot;, a well known chain of recycle shops in Japan, but they aren&#3=
9;t as cheap as a second hand 1010s over here.<br>
Thanks Art,<br><br>PS. Do you have any videos showing what you do with your=
 setup?<br><br><br><div class=3D"gmail_quote">On Tue, Mar 15, 2011 at 5:28 =
PM, Art Simon <span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com">sim=
art@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi Ed,<br>
<br>
The Stealth Pedal connects directly to your computer with USB and<br>
draws its power from that as well. I was a little surprised when I set<br>
up at Y2K9 to realize that I only needed one power outlet for my<br>
laptop, everything else got its power via USB, or ran as software.<br>
Life with VSTs and USB devices has sure changed things. Definitely<br>
simplifies your setup.<br>
<br>
Looks like the pedal itself runs for $200, not that much more than the FCB1=
010.<br>
<br>
It&#39;s a small, minimal but flexible setup if that appeals to you. Let<br=
>
me know if you get one, I&#39;m happy to share what I&#39;ve learned.<br>
<div><div></div><div class=3D"h5"><br>
On Tue, Mar 15, 2011 at 2:35 PM, Ed Durbrow &lt;<a href=3D"mailto:edurbrow@=
gmail.com">edurbrow@gmail.com</a>&gt; wrote:<br>
&gt; This connects to your computer? I have the Boss FS-6, I think, that&#3=
9;s the<br>
&gt; one with two footswitches.<br>
&gt;<br>
&gt; On Tue, Mar 15, 2011 at 11:52 AM, Art Simon &lt;<a href=3D"mailto:sima=
rt@gmail.com">simart@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Hi Ed,<br>
&gt;&gt;<br>
&gt;&gt; I replaced my Behringer FCB1010 with the IK Multimedia StealthPeda=
l, a<br>
&gt;&gt; Boss FS-6 Dual Footswitch and an M-Audio Universal expression<br>
&gt;&gt; controller pedal. The whole setup cost about $285 and gives me two=
<br>
&gt;&gt; expression pedals and two switches. It&#39;s a lot simpler than th=
e<br>
&gt;&gt; Behringer and doesn&#39;t require a midi intereface. Packs up much=
 smaller<br>
&gt;&gt; too.<br>
&gt;&gt;<br>
&gt;&gt; On Tue, Mar 15, 2011 at 11:10 AM, Ed Durbrow &lt;<a href=3D"mailto=
:edurbrow@gmail.com">edurbrow@gmail.com</a>&gt; wrote:<br>
&gt;&gt; &gt; I want a pedal board to work with Mobius and a laptop Mac (to=
 be<br>
&gt;&gt; &gt; purchased<br>
&gt;&gt; &gt; soon). I haven&#39;t heard anything recently about the SoftSt=
ep. As I<br>
&gt;&gt; &gt; understand<br>
&gt;&gt; &gt; it, the consensus was that SoftStep is still not ready for pr=
ime time. I<br>
&gt;&gt; &gt; really wanted something small like that, that would fit in a =
back pack,<br>
&gt;&gt; &gt; so<br>
&gt;&gt; &gt; that I could go by subway to a venue. Someone mentioned here =
a Boss? or<br>
&gt;&gt; &gt; Roland? or Yamaha? pedal that is newer than the Behringer, bu=
t I can&#39;t<br>
&gt;&gt; &gt; remember which model or whether it fit as well with Mobius. I=
 figured<br>
&gt;&gt; &gt; I&#39;d<br>
&gt;&gt; &gt; buy a Behringer FCB1010 because in a=A0 FAQ somewhere I read =
that it is<br>
&gt;&gt; &gt; the<br>
&gt;&gt; &gt; near perfect controller for looping with Mobius.<br>
&gt;&gt; &gt; So, as I&#39;m heading back to Japan in three weeks, I&#39;d =
better get cracking<br>
&gt;&gt; &gt; on<br>
&gt;&gt; &gt; finding something. In my Google searches for used ones, I kee=
p finding<br>
&gt;&gt; &gt; that<br>
&gt;&gt; &gt; when I click on a cheap price it takes me to a site that is s=
elling new<br>
&gt;&gt; &gt; ones. Of course I&#39;m checking Ebay, but I thought I&#39;d =
ask if anyone here<br>
&gt;&gt; &gt; is<br>
&gt;&gt; &gt; selling one (hopefully with the UnO firmware).<br>
&gt;&gt; &gt; TIA<br>
&gt;&gt; &gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; --<br>
&gt;&gt; Art Simon<br>
&gt;&gt; <a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>
&gt;&gt; myspace [dot] com/artsimon<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div>--<br>
<div><div></div><div class=3D"h5">Art Simon<br>
<a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>
myspace [dot] com/artsimon<br>
<br>
</div></div></blockquote></div><br>

--000e0cd594ea55676c049e8fe93b--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 02:19:38 2011
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Date: Tue, 15 Mar 2011 19:19:36 -0700
Message-ID: <AANLkTinDx_UgPnpcSK4SyGCHeWq-7w_0oH2-W8ueezr5@mail.gmail.com>
Subject: Re: Behringer FCB1010
From: Art Simon <simart@gmail.com>
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I've used both the Behringer FCB1010 and the Stealth Pedal with
Mobius. I found the Stealth pedal easier to set up, but neither is
that easy. You'll have to match the numbers from the pedal controller
to Mobius. I found configuring the controller numbers straightforward
in both Mobius and the Stealth Pedal, but it took some head scratching
to get the FCB1010 set up. Mobius isn't as easy as something like
Ableton Live where you press the midi learn button, press the effect
you want to control and wiggle the peddle. That is, unless you are
using Mobius as a VST in Ableton live or some other host that has midi
learn.

There's going to be a learning curve, but that's what this mailing
list is for! Regardless of what you choose, you'll figure it out and
make it work.

The Stealth Pedal is limited to two switches, so if you want more it's
not a good choice.

On Tue, Mar 15, 2011 at 7:00 PM, Ed Durbrow <edurbrow@gmail.com> wrote:
> Maybe I should clarify where I'm coming from. I'm very new to looping and
> I'm not sure how far I'll go with it. Most people here are on a completel=
y
> different plane than me. I have a Boss RC-2 which I find, not only limiti=
ng,
> but confusing. That should indicate my mental capacity for these kinds of
> devices. I immediately went out and bought an FS-6 for it and that at lea=
st
> allowed me to step through loops, but having to bend down and save every
> loop in order to do that just doesn't seem conducive to live improvisitat=
ion
> and puts a damper on creativity. I need something simple that will work w=
ith
> Mobius. Mobius is going to take me a long time to master, I can see that =
but
> that is the direction I want to go in, i.e. computer software.
>
> The Stealth Pedal looks like you can only have a couple of footswitches w=
ith
> it. ? I suppose it would take some programming and dancing to get it to d=
eal
> with Mobius in a way that I could have several loops in different keys an=
d
> switch between them with one stomp.
>
> I thought the Behringer would be a good choice if I got a good price on a
> used one because I could always sell it again and not lose too much. I
> thought perhaps someone here might be moving up to the Stealth or Gordius
> and want to get rid of one. I've seen Boss and Yamaha boards in "Hard Off=
",
> a well known chain of recycle shops in Japan, but they aren't as cheap as=
 a
> second hand 1010s over here.
> Thanks Art,
>
> PS. Do you have any videos showing what you do with your setup?
>
>
> On Tue, Mar 15, 2011 at 5:28 PM, Art Simon <simart@gmail.com> wrote:
>>
>> Hi Ed,
>>
>> The Stealth Pedal connects directly to your computer with USB and
>> draws its power from that as well. I was a little surprised when I set
>> up at Y2K9 to realize that I only needed one power outlet for my
>> laptop, everything else got its power via USB, or ran as software.
>> Life with VSTs and USB devices has sure changed things. Definitely
>> simplifies your setup.
>>
>> Looks like the pedal itself runs for $200, not that much more than the
>> FCB1010.
>>
>> It's a small, minimal but flexible setup if that appeals to you. Let
>> me know if you get one, I'm happy to share what I've learned.
>>
>> On Tue, Mar 15, 2011 at 2:35 PM, Ed Durbrow <edurbrow@gmail.com> wrote:
>> > This connects to your computer? I have the Boss FS-6, I think, that's
>> > the
>> > one with two footswitches.
>> >
>> > On Tue, Mar 15, 2011 at 11:52 AM, Art Simon <simart@gmail.com> wrote:
>> >>
>> >> Hi Ed,
>> >>
>> >> I replaced my Behringer FCB1010 with the IK Multimedia StealthPedal, =
a
>> >> Boss FS-6 Dual Footswitch and an M-Audio Universal expression
>> >> controller pedal. The whole setup cost about $285 and gives me two
>> >> expression pedals and two switches. It's a lot simpler than the
>> >> Behringer and doesn't require a midi intereface. Packs up much smalle=
r
>> >> too.
>> >>
>> >> On Tue, Mar 15, 2011 at 11:10 AM, Ed Durbrow <edurbrow@gmail.com>
>> >> wrote:
>> >> > I want a pedal board to work with Mobius and a laptop Mac (to be
>> >> > purchased
>> >> > soon). I haven't heard anything recently about the SoftStep. As I
>> >> > understand
>> >> > it, the consensus was that SoftStep is still not ready for prime
>> >> > time. I
>> >> > really wanted something small like that, that would fit in a back
>> >> > pack,
>> >> > so
>> >> > that I could go by subway to a venue. Someone mentioned here a Boss=
?
>> >> > or
>> >> > Roland? or Yamaha? pedal that is newer than the Behringer, but I
>> >> > can't
>> >> > remember which model or whether it fit as well with Mobius. I figur=
ed
>> >> > I'd
>> >> > buy a Behringer FCB1010 because in a=A0 FAQ somewhere I read that i=
t is
>> >> > the
>> >> > near perfect controller for looping with Mobius.
>> >> > So, as I'm heading back to Japan in three weeks, I'd better get
>> >> > cracking
>> >> > on
>> >> > finding something. In my Google searches for used ones, I keep
>> >> > finding
>> >> > that
>> >> > when I click on a cheap price it takes me to a site that is selling
>> >> > new
>> >> > ones. Of course I'm checking Ebay, but I thought I'd ask if anyone
>> >> > here
>> >> > is
>> >> > selling one (hopefully with the UnO firmware).
>> >> > TIA
>> >> >
>> >>
>> >>
>> >>
>> >> --
>> >> Art Simon
>> >> simart@gmail.com
>> >> myspace [dot] com/artsimon
>> >>
>> >
>> >
>>
>>
>>
>> --
>> Art Simon
>> simart@gmail.com
>> myspace [dot] com/artsimon
>>
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 02:32:32 2011
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Subject: Re: Behringer FCB1010
Date: Tue, 15 Mar 2011 20:32:29 -0600
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Hello Ed,

I actually have an FCB1010 that I've been thinking about moving.  I  
believe it's about 7 years old.  I haven't used it for several years,  
but it is still in good shape.  I still have the original box for it.   
I may have missed this, but what are you looking to spend?  I'd rather  
it go to a good home as long as it's a fair price.  I don't see myself  
using it in the time to come.  I used mine with an EDP.

I do remember a learning curve setting it up, but as I recall there is  
a user's group online.

John

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--0015174bdcfe78bf8d049e9064e4
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Yes, I know Mobius is going to be an uphill learn. It looks like it can do
everything though. I've been learning Logic for the last year and a half
after 25 years of Digital Performer. Very hard to learn new ways of doing
things, but a very cool tool. Ableton looks very capable too, but I'm
overloaded on things to study.

I originally thought compact was a good idea when I got the RC-2, but I
think more switches, each set up for its own thing, would be easier for me.

Thanks,

On Tue, Mar 15, 2011 at 7:19 PM, Art Simon <simart@gmail.com> wrote:

> I've used both the Behringer FCB1010 and the Stealth Pedal with
> Mobius. I found the Stealth pedal easier to set up, but neither is
> that easy. You'll have to match the numbers from the pedal controller
> to Mobius. I found configuring the controller numbers straightforward
> in both Mobius and the Stealth Pedal, but it took some head scratching
> to get the FCB1010 set up. Mobius isn't as easy as something like
> Ableton Live where you press the midi learn button, press the effect
> you want to control and wiggle the peddle. That is, unless you are
> using Mobius as a VST in Ableton live or some other host that has midi
> learn.
>
> There's going to be a learning curve, but that's what this mailing
> list is for! Regardless of what you choose, you'll figure it out and
> make it work.
>
> The Stealth Pedal is limited to two switches, so if you want more it's
> not a good choice.

--0015174bdcfe78bf8d049e9064e4
Content-Type: text/html; charset=ISO-8859-1
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Yes, I know Mobius is going to be an uphill learn. It looks like it can do =
everything though. I&#39;ve been learning Logic for the last year and a hal=
f after 25 years of Digital Performer. Very hard to learn new ways of doing=
 things, but a very cool tool. Ableton looks very capable too, but I&#39;m =
overloaded on things to study.<br>
<br>I originally thought compact was a good idea when I got the RC-2, but I=
 think more switches, each set up for its own thing, would be easier for me=
.<br><br>Thanks,<br><br><div class=3D"gmail_quote">On Tue, Mar 15, 2011 at =
7:19 PM, Art Simon <span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com=
">simart@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I&#39;ve used bot=
h the Behringer FCB1010 and the Stealth Pedal with<br>
Mobius. I found the Stealth pedal easier to set up, but neither is<br>
that easy. You&#39;ll have to match the numbers from the pedal controller<b=
r>
to Mobius. I found configuring the controller numbers straightforward<br>
in both Mobius and the Stealth Pedal, but it took some head scratching<br>
to get the FCB1010 set up. Mobius isn&#39;t as easy as something like<br>
Ableton Live where you press the midi learn button, press the effect<br>
you want to control and wiggle the peddle. That is, unless you are<br>
using Mobius as a VST in Ableton live or some other host that has midi<br>
learn.<br>
<br>
There&#39;s going to be a learning curve, but that&#39;s what this mailing<=
br>
list is for! Regardless of what you choose, you&#39;ll figure it out and<br=
>
make it work.<br>
<br>
The Stealth Pedal is limited to two switches, so if you want more it&#39;s<=
br>
not a good choice.</blockquote></div><br>

--0015174bdcfe78bf8d049e9064e4--

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Subject: Re: Behringer FCB1010
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Cc: Art Simon <simart@gmail.com>
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> On Tue, Mar 15, 2011 at 9:19 PM, Art Simon <simart@gmail.com> wrote:
> Mobius isn't as easy as something like
> Ableton Live where you press the midi learn button, press the effect
> you want to control and wiggle the peddle. That is, unless you are
> using Mobius as a VST in Ableton live or some other host that has midi
> learn.

Huh? Mobius has always had "MIDI learn".  Oh, maybe it's slightly more
complicated than Ableton because you have to pick what you want to
control from a list of names rather than click on things in the UI.
In part this is because you can control a lot of things that aren't
always visible in the UI.  Once you've selected your "target" then
just wiggle the MIDI pedal and it will assign it.

Most FCB users program it to send notes from 0 to 99, set the pedals
to two random CC numbers, and never touch it again.   Then use MIDI
learn within Mobius to assign those to different things.

Going back to the original question...I wouldn't completely rule out
the SoftStep.  It is too small and twitchy for my taste, but the
software seems to be adequate now.  If size and weight are important
and you're willing to spend some time learning how to to use it
accurately, then it's worth considering.  I think they still have
a 30 day return policy.

Jeff

--0015174c0b98624701049e923df9
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<div><br></div><div>&gt; On Tue, Mar 15, 2011 at 9:19 PM, Art Simon &lt;<a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a>&gt; wrote:</div><div>=
&gt; Mobius isn&#39;t as easy as something like</div><div>&gt; Ableton Live=
 where you press the midi learn button, press the effect</div>
<div>&gt; you want to control and wiggle the peddle. That is, unless you ar=
e</div><div>&gt; using Mobius as a VST in Ableton live or some other host t=
hat has midi</div><div>&gt; learn.</div><div><br></div><div>Huh? Mobius has=
 always had &quot;MIDI learn&quot;. =A0Oh, maybe it&#39;s slightly more</di=
v>
<div>complicated than Ableton because you have to pick what you want to</di=
v><div>control from a list of names rather than click on things in the UI.<=
/div><div>In part this is because you can control a lot of things that aren=
&#39;t</div>
<div>always visible in the UI. =A0Once you&#39;ve selected your &quot;targe=
t&quot; then</div><div>just wiggle the MIDI pedal and it will assign it.</d=
iv><div><br></div><div>Most FCB users program it to send notes from 0 to 99=
, set the pedals</div>
<div>to two random CC numbers, and never touch it again. =A0 Then use MIDI<=
/div><div>learn within Mobius to assign those to different things. =A0</div=
><div><br></div><div>Going back to the original question...I wouldn&#39;t c=
ompletely rule out</div>
<div>the SoftStep. =A0It is too small and twitchy for my taste, but the</di=
v><div>software seems to be adequate now. =A0If size and weight are importa=
nt</div><div>and you&#39;re willing to spend some time learning how to to u=
se it</div>
<div>accurately, then it&#39;s worth considering. =A0I think they still hav=
e</div><div>a 30 day return policy.</div><div><br></div><div>Jeff</div><div=
><br></div>

--0015174c0b98624701049e923df9--

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Ed Durbrow wrote:

> I thought the Behringer would be a good choice if I got a good price on 
> a used one 

Yes, but be careful how much use it's had.
The Uno chip is a good idea.
Excellent feature set for starting with Mobius.

> Stealth or 

somewhat unknown here,
not latency tested and 
don't know if anyone here tried
it with Mobius.

> Gordius 

not entry level due to cost,
but it's the best.

> I've seen Boss and 

the different models have varying suitability.
..no latency test


>Yamaha boards in 

totally avoid, 70mS latency
...no good at all for looping

>
andy butler
(just sold an fcb, ...Gordius user)

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Subject: Re: OT: about midi looping, small rythm machine, generative music,
 DIY, ...
From: Simeon Harris <simeonharris40@googlemail.com>
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that's very neat

On Tue, Mar 15, 2011 at 8:38 PM, Ruelle Benoit <benoitruelle@yahoo.fr>wrote:

>  Hi,
>
> I found this yesterday:
>
> the minicommand:
> http://ruinwesen.com/products
>
> Seems a cool little device. You can rewrite completely the soft.
> Perhaps a solution for some "open questions" that appeared on the list not
> so long ago.
>
>
> Ben
>
>

--000e0cd48a208d8076049e961a59
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

that&#39;s very neat<br><br><div class=3D"gmail_quote">On Tue, Mar 15, 2011=
 at 8:38 PM, Ruelle Benoit <span dir=3D"ltr">&lt;<a href=3D"mailto:benoitru=
elle@yahoo.fr">benoitruelle@yahoo.fr</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Hi,</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">I found this yesterday:</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">the minicommand:</font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://ruinwesen.com/produc=
ts" target=3D"_blank">http://ruinwesen.com/products</a></font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Seems a cool little device. You can re=
write=20
completely the soft.</font></div>
<div><font face=3D"Arial" size=3D"2">Perhaps a solution for some &quot;open=
 questions&quot; that=20
appeared on the list not so long ago.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Ben</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div></div>
</blockquote></div><br>

--000e0cd48a208d8076049e961a59--

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Subject: Re: Behringer FCB1010
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Oops, sorry Jeff. My mistake. It's been a while since I worked with
Mobius. Thanks for setting me straight.

On Tue, Mar 15, 2011 at 9:47 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
> Huh? Mobius has always had "MIDI learn". =A0Oh, maybe it's slightly more
> complicated than Ableton because you have to pick what you want to
> control from a list of names rather than click on things in the UI.
> In part this is because you can control a lot of things that aren't
> always visible in the UI. =A0Once you've selected your "target" then
> just wiggle the MIDI pedal and it will assign it.
> Most FCB users program it to send notes from 0 to 99, set the pedals
> to two random CC numbers, and never touch it again. =A0 Then use MIDI
> learn within Mobius to assign those to different things.
> Going back to the original question...I wouldn't completely rule out
> the SoftStep. =A0It is too small and twitchy for my taste, but the
> software seems to be adequate now. =A0If size and weight are important
> and you're willing to spend some time learning how to to use it
> accurately, then it's worth considering. =A0I think they still have
> a 30 day return policy.
> Jeff
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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From: "Brian Carabee" <compguy2@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
References: <AANLkTimvjLkCg2Xhzfb9ewuV8f9okCDRm6E2_MWZYdV8@mail.gmail.com><AANLkTikopjqB12xbHqDrQSuXPBGwAtEURU8mc0ThVyqr@mail.gmail.com><AANLkTi=2AA_G4vRxgP=CqDGiHB482QA6_yjzdCkzGHj3@mail.gmail.com><AANLkTinh7br6_NUpGTtpynMSvrMVvV9tVpnBCn0eeicj@mail.gmail.com><AANLkTi==4bz9koeMr7fGKQez8j2zUqTD4A8HexFCggWb@mail.gmail.com><AANLkTinDx_UgPnpcSK4SyGCHeWq-7w_0oH2-W8ueezr5@mail.gmail.com><AANLkTinBquHnGfzeOdsgYN9gPZD-Wb79kCUOCn--bXeT@mail.gmail.com> <AANLkTimSuNMjy3J0gp7fY3_i=b7AL=c0OPBcTq1M4S7v@mail.gmail.com>
Subject: Does anyone make a COMPACT midi controller pedal?
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I'm using the new VoiceLive Touch and just realized that it has midi control 
capability.

My challenge is that I want to use a floor pedal controller, but I need it 
to be SMALL. I used to have to drive a golf cart from one end of my setup to 
another, and I really am intent on cutting down.

I use a Boomerang III on the floor, and I'd just like to have a small midi 
pedal with it, enabling me to control no more than 5 or 6 functions.

Does any such animal exist?

Thanks,
Brian 

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Subject: Re: OT: about midi looping, small rythm machine, generative music,
 DIY, ...
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--90e6ba6e8bf4692f2e049e9a869b
Content-Type: text/plain; charset=ISO-8859-1

I rather like the look of this too... Hmmm can it be switched to be the
front end of a variety of uses... A Fireworx control?

On Wed, Mar 16, 2011 at 10:23 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> that's very neat
>
>
> On Tue, Mar 15, 2011 at 8:38 PM, Ruelle Benoit <benoitruelle@yahoo.fr>wrote:
>
>>  Hi,
>>
>> I found this yesterday:
>>
>> the minicommand:
>> http://ruinwesen.com/products
>>
>> Seems a cool little device. You can rewrite completely the soft.
>> Perhaps a solution for some "open questions" that appeared on the list not
>> so long ago.
>>
>>
>> Ben
>>
>>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8bf4692f2e049e9a869b
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I rather like the look of this too... Hmmm can it be switched to be the fro=
nt end of a variety of uses... A Fireworx control?<br><br><div class=3D"gma=
il_quote">On Wed, Mar 16, 2011 at 10:23 AM, Simeon Harris <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@google=
mail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">that&#39;s very n=
eat<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On =
Tue, Mar 15, 2011 at 8:38 PM, Ruelle Benoit <span dir=3D"ltr">&lt;<a href=
=3D"mailto:benoitruelle@yahoo.fr" target=3D"_blank">benoitruelle@yahoo.fr</=
a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Hi,</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">I found this yesterday:</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">the minicommand:</font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://ruinwesen.com/produc=
ts" target=3D"_blank">http://ruinwesen.com/products</a></font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Seems a cool little device. You can re=
write=20
completely the soft.</font></div>
<div><font face=3D"Arial" size=3D"2">Perhaps a solution for some &quot;open=
 questions&quot; that=20
appeared on the list not so long ago.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Ben</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div></div>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D=
"font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-col=
or: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" si=
ze=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8bf4692f2e049e9a869b--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 15:08:19 2011
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Subject: Re: Does anyone make a COMPACT midi controller pedal?
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Is the Liquid Foot Jr. small enough for you?

Jeff

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My eyes and my feet say it's absolutely perfect, but my wallet protests.

Looks like an awesome unit, just the right size.

If I can't find something less expensive, that will be a good candidate. 
Thanks!

Brian

----- Original Message ----- 
From: "Jeff Shirkey" <jcshirke@frontier.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 16, 2011 11:11 AM
Subject: Re: Does anyone make a COMPACT midi controller pedal?


> Is the Liquid Foot Jr. small enough for you?
>
> Jeff
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 15:45:15 2011
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Subject: Re: Does anyone make a COMPACT midi controller pedal?
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> My eyes and my feet say it's absolutely perfect, but my wallet  
> protests.

I know, man...not cheap. :( They come up for sale used, though. Maybe  
check out Huge Racks (an online forum, if you're not familiar with  
it). You could even post an ad there. I saved $50-100 on mine, I think.

>
> Looks like an awesome unit, just the right size.
>
There's not much it can't do (at least for my purposes it's  
fantastic)...but double check its capabilities. I know a lot of folks  
here want to have MIDI control of things I probably would never dream  
of.

Anyway, good luck in your quest!

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 16:11:34 2011
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Subject: Re: Behringer FCB1010
From: Per Boysen <perboysen@gmail.com>
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> On Tue, Mar 15, 2011 at 9:47 PM, Jeff Larson <jeff.larson@sailpoint.com> wrote:

>> Most FCB users program it to send notes from 0 to 99

Not me! I used to set up my FCBs as 1-10 in bank one, 11-20 in bank
two etc etc. That way the MIDI note numbers will always correspond to
the numbers on the physical pedals. With that system MIDI learn in
Mobius is just a breeze.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 16:34:13 2011
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Subject: Re: Does anyone make a COMPACT midi controller pedal?
Date: Wed, 16 Mar 2011 17:27:48 +0100
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Does the liquid foot work properly. Are the switches smooth an silent?=20
Antony

Sent from my iPhone

On 2011-03-16, at 16:48, Jeff Shirkey <jcshirke@frontier.com> wrote:

>=20
>> My eyes and my feet say it's absolutely perfect, but my wallet protests.
>=20
> I know, man...not cheap. :( They come up for sale used, though. Maybe chec=
k out Huge Racks (an online forum, if you're not familiar with it). You coul=
d even post an ad there. I saved $50-100 on mine, I think.
>=20
>>=20
>> Looks like an awesome unit, just the right size.
>>=20
> There's not much it can't do (at least for my purposes it's fantastic)...b=
ut double check its capabilities. I know a lot of folks here want to have MI=
DI control of things I probably would never dream of.
>=20
> Anyway, good luck in your quest!
>=20
> Jeff
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 16:42:39 2011
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From: "Andy Owens" <andy@1800dialword.com>
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thread-topic: Does anyone make a COMPACT midi controller pedal?
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Date: Wed, 16 Mar 2011 12:41:53 -0400
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Small midi pedal, I like midibuddy. 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 16:44:15 2011
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Subject: Re: Does anyone make a COMPACT midi controller pedal?
From: Kevin Cheli-Colando <billowhead@gmail.com>
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As Rick pointed out some time ago, the Line 6 M9 can double as a
smallish midi controller (though the switches are anything but
silent).  7 buttons, loads of fantastic effects and about $350 new (oh
yeah, and a decently robust looper).

Kevin

On Wed, Mar 16, 2011 at 9:27 AM, Antony Hequet <antonyhequet@yahoo.com> wro=
te:
> Does the liquid foot work properly. Are the switches smooth an silent?
> Antony
>
> Sent from my iPhone
>
> On 2011-03-16, at 16:48, Jeff Shirkey <jcshirke@frontier.com> wrote:
>
>>
>>> My eyes and my feet say it's absolutely perfect, but my wallet protests=
.
>>
>> I know, man...not cheap. :( They come up for sale used, though. Maybe ch=
eck out Huge Racks (an online forum, if you're not familiar with it). You c=
ould even post an ad there. I saved $50-100 on mine, I think.
>>
>>>
>>> Looks like an awesome unit, just the right size.
>>>
>> There's not much it can't do (at least for my purposes it's fantastic)..=
.but double check its capabilities. I know a lot of folks here want to have=
 MIDI control of things I probably would never dream of.
>>
>> Anyway, good luck in your quest!
>>
>> Jeff
>>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 16:47:24 2011
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Subject: gaze upon my beautific visage and weep
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd7098c724010049e9c4cbb
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here - http://vimeo.com/21108230

or just listen and download for free here if it's all too much -
http://simeonharris.bandcamp.com/album/antwerp-2011



video and audio from my set at Antwerp this year. didn't go as well as i'd
hoped and had some gremlins creep into my laptop and muck about with the
gubbins, so most of the first piece is missing.

learned a lot from the experience though and it was great to meet the other
artists and audience members from the list who made it.

sim

--000e0cd7098c724010049e9c4cbb
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here - <a href=3D"http://vimeo.com/21108230">http://vimeo.com/21108230</a><=
br><br>or just listen and download for free here if it&#39;s all too much -=
 <a href=3D"http://simeonharris.bandcamp.com/album/antwerp-2011">http://sim=
eonharris.bandcamp.com/album/antwerp-2011</a><br>
<br><br><br>video and audio from my set at Antwerp this year. didn&#39;t go=
 as well as i&#39;d hoped and had some gremlins creep into my laptop and mu=
ck about with the gubbins, so most of the first piece is missing.<br><br>
learned a lot from the experience though and it was great to meet the other=
 artists and audience members from the list who made it.<br><br>sim<br>

--000e0cd7098c724010049e9c4cbb--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 16:54:42 2011
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Subject: Re: Does anyone make a COMPACT midi controller pedal?
Date: Wed, 16 Mar 2011 11:58:11 -0500
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On Mar 16, 2011, at 11:27 AM, Antony Hequet wrote:

> Does the liquid foot work properly. Are the switches smooth an silent?

They work great for my purposes. I never hear any pops when switching,  
and they are definitely high quality switches. I couldn't be happier  
with my pedalboard, and the Liquid Foot Jr. is the brain that controls  
it all.

Pics of my board are here: http://www.trailertrashpedalboards.com/proseries_scroll.htm

Scroll down to Pro Series, 36" and 40" boards. Mine is the first one  
(in red) that says "40" Red w/ATA case. Wired by Trailer Trash).

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 20:23:58 2011
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Subject: Re: Behringer FCB1010
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On Wed, Mar 16, 2011 at 2:16 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Gordius
>
> not entry level due to cost,
> but it's the best.


Doesn't the Godius require a PC to edit? I'm on Mac.


> Yamaha boards in
>
> totally avoid, 70mS latency
> ...no good at all for looping
>

That is very useful information.

One last question: The Behringer requires a midi interface to interact with
Mobius, does it not? I just thought of this. This is pushing me towards the
Stealth. I envision being able to put a MacBook, pedalboard, and a few
effects into my back pack and carry my guitar and lute to a gig, riding
trains. I have a couple of rackmount midi interfaces (motu 828 and FirePod)
but that would add extra weight and take up precious space in my baggage. Of
course I could buy yet another midi interface in the form of a small USB
one, but that seems like a waste and a step backwards.

--000e0cd594ea0d7996049e9f537a
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<br><br><div class=3D"gmail_quote">On Wed, Mar 16, 2011 at 2:16 AM, andy bu=
tler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutl=
er@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
<div class=3D"im">
Gordius <br>
</div>
<br>
not entry level due to cost,<br>
but it&#39;s the best.</blockquote><div><br>Doesn&#39;t the Godius require =
a PC to edit? I&#39;m on Mac.<br>=A0</div><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
Yamaha boards in <br>

<br>
totally avoid, 70mS latency<br>
...no good at all for looping<br></blockquote><div><br>That is very useful =
information. <br><br>One last question: The Behringer requires a midi inter=
face to interact with Mobius, does it not? I just thought of this. This is =
pushing me towards the Stealth. I envision being able to put a MacBook, ped=
alboard, and a few effects into my back pack and carry my guitar and lute t=
o a gig, riding trains. I have a couple of rackmount midi interfaces (motu =
828 and FirePod) but that would add extra weight and take up precious space=
 in my baggage. Of course I could buy yet another midi interface in the for=
m of a small USB one, but that seems like a waste and a step backwards.<br>
</div></div>

--000e0cd594ea0d7996049e9f537a--

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Date: Wed, 16 Mar 2011 15:43:40 -0500
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Subject: Re: Behringer FCB1010
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
Cc: Ed Durbrow <edurbrow@gmail.com>
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--bcaec51b16e995db80049e9f999f
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Yes, you will need a USB/MIDI interface for the FCB.  They are however
little more than cables now so I wouldn't rule the FCB out just because of
this:


http://keyboards-midi.musiciansfriend.com/product/M-Audio-USB-Uno-1X1-MIDI-Interface?sku=701379

<http://keyboards-midi.musiciansfriend.com/product/M-Audio-USB-Uno-1X1-MIDI-Interface?sku=701379>I
forget what audio interface you're using but many have a 1x1 MIDI interface.

While we're exploring other pedals, there is also this one I don't think
anyone mentioned:

    http://www.rocktron.com/products/controllers/midimate/

It is smaller than the FCB and has one jack for an expression pedal.

It has been awhile since I looked at this but IIRC, I didn't like it for
Mobius because it was designed
primarily to send program changes and couldn't be configured to work in
"sustain" mode where it
sends something when you press a button and something else when you release
the button.
(Some footswitches call this "instant" or "momentary").  If you don't have
that then you
can't use any of the sustainable functions in Mobius, but this may not
matter to you.

Jeff

On Wed, Mar 16, 2011 at 3:23 PM, Ed Durbrow <edurbrow@gmail.com> wrote:

>
> One last question: The Behringer requires a midi interface to interact with
> Mobius, does it not? I just thought of this. This is pushing me towards the
> Stealth. I envision being able to put a MacBook, pedalboard, and a few
> effects into my back pack and carry my guitar and lute to a gig, riding
> trains. I have a couple of rackmount midi interfaces (motu 828 and FirePod)
> but that would add extra weight and take up precious space in my baggage. Of
> course I could buy yet another midi interface in the form of a small USB
> one, but that seems like a waste and a step backwards.
>

--bcaec51b16e995db80049e9f999f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Yes, you will need a USB/MIDI interface for the FCB. =A0They are however li=
ttle more than cables now so I wouldn&#39;t rule the FCB out just because o=
f this:<div><br></div><div>=A0=A0 =A0=A0<a href=3D"http://keyboards-midi.mu=
siciansfriend.com/product/M-Audio-USB-Uno-1X1-MIDI-Interface?sku=3D701379">=
http://keyboards-midi.musiciansfriend.com/product/M-Audio-USB-Uno-1X1-MIDI-=
Interface?sku=3D701379</a></div>
<div><br></div><div><a href=3D"http://keyboards-midi.musiciansfriend.com/pr=
oduct/M-Audio-USB-Uno-1X1-MIDI-Interface?sku=3D701379"></a>I forget what au=
dio interface you&#39;re using but many have a 1x1 MIDI interface.</div><di=
v>
<br></div><div>While we&#39;re exploring other pedals, there is also this o=
ne I don&#39;t think anyone mentioned:</div><div><br></div><div>=A0=A0 =A0<=
a href=3D"http://www.rocktron.com/products/controllers/midimate/">http://ww=
w.rocktron.com/products/controllers/midimate/</a></div>
<div><br></div><div>It is smaller than the FCB and has one jack for an expr=
ession pedal.</div><div><br></div><div>It has been awhile since I looked at=
 this but IIRC, I didn&#39;t like it for Mobius because it was designed</di=
v>
<div>primarily to send program changes and couldn&#39;t be configured to wo=
rk in &quot;sustain&quot; mode where it</div><div>sends something when you =
press a button and something else when you release the button.</div><div>
(Some footswitches call this &quot;instant&quot; or &quot;momentary&quot;).=
 =A0If you don&#39;t have that then you</div><div>can&#39;t use any of the =
sustainable functions in Mobius, but this may not matter to you. =A0</div><=
div>
<br></div><div>Jeff</div><div><br></div><div><div class=3D"gmail_quote">On =
Wed, Mar 16, 2011 at 3:23 PM, Ed Durbrow <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:edurbrow@gmail.com">edurbrow@gmail.com</a>&gt;</span> wrote:<br><bloc=
kquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #cc=
c solid;padding-left:1ex;">
<div class=3D"gmail_quote"><div><br>One last question: The Behringer requir=
es a midi interface to interact with Mobius, does it not? I just thought of=
 this. This is pushing me towards the Stealth. I envision being able to put=
 a MacBook, pedalboard, and a few effects into my back pack and carry my gu=
itar and lute to a gig, riding trains. I have a couple of rackmount midi in=
terfaces (motu 828 and FirePod) but that would add extra weight and take up=
 precious space in my baggage. Of course I could buy yet another midi inter=
face in the form of a small USB one, but that seems like a waste and a step=
 backwards.<br>

</div></div>
</blockquote></div><br></div>

--bcaec51b16e995db80049e9f999f--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 20:56:38 2011
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Date: Wed, 16 Mar 2011 21:56:33 +0100
From: Nadia Salom <nadia.salom@gmx.de>
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To: Loopers-Delight@loopers-delight.com
Subject: World Water DAY
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This is a multi-part message in MIME format.
--------------080503030708070204050905
Content-Type: text/plain; charset=ISO-8859-15; format=flowed
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Dear Looper Friends,

On March 22nd I will be performing my song "Queen Yemanja" for World 
Water Day. In light of recent events I feel that it is absolutely 
essential to raise awareness about the importance of pure clean water 
for everybody on the planet...

Last year I already collected water recordingsfrom Indonesia, Los 
Angeles, No. Carolina, Peru, Phillipines, Berlin, Australia, Italy and 
Brasil... and am always able to mix in more sounds into the song. Please 
let me know if you would like to mix in the sounds of water from where 
you live, andsend me the water recordings from whatever source from 
where ever you are...

I would be glad to hear from you!

Best wishes,
Nadia Salom

p.s. here is one version of the song w/ looping but unfortunately not 
the best recording of it... http://www.youtube.com/watch?v=V4VlSa3uLwQ

-- 

http://www.nirmala07.net


--------------080503030708070204050905
Content-Type: text/html; charset=ISO-8859-15
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
  <head>

    <meta http-equiv="content-type" content="text/html; charset=ISO-8859-15">
  </head>
  <body bgcolor="#ffffff" text="#000000">
    <p class="uiStreamMessage"
      data-ft="{&quot;type&quot;:&quot;msg&quot;}">Dear Looper Friends,</p>
    <p class="uiStreamMessage"
      data-ft="{&quot;type&quot;:&quot;msg&quot;}">On March 22nd I will
      be performing my song "Queen Yemanja" for World Water Day. In
      light of recent events I feel that it is absolutely essential to
      raise awareness about the importance of pure clean water for
      everybody on the planet...</p>
    <p class="uiStreamMessage"
      data-ft="{&quot;type&quot;:&quot;msg&quot;}">Last year I already
      collected water recordings<span class="messageBody"> from
        Indonesia, Los Angeles, No. Carolina, Peru, Phillipines, Berlin,
        Australia, Italy and Brasil... and am always able to mix in more
        sounds into the song. </span>Please let me know if you would
      like to mix in the sounds of water from where you live, and<span
        class="messageBody"> send me the water recordings from whatever
        source from where ever you are...<br>
      </span></p>
    <p class="uiStreamMessage"
      data-ft="{&quot;type&quot;:&quot;msg&quot;}"><span
        class="messageBody">I would be glad to hear from you!</span></p>
    <p class="uiStreamMessage"
      data-ft="{&quot;type&quot;:&quot;msg&quot;}"><span
        class="messageBody">Best wishes,<br>
        Nadia Salom<br>
      </span></p>
    <p class="uiStreamMessage"
      data-ft="{&quot;type&quot;:&quot;msg&quot;}"><span
        class="messageBody">p.s. here is one version of the song w/
        looping but unfortunately not the best recording of it...
        <a class="moz-txt-link-freetext" href="http://www.youtube.com/watch?v=V4VlSa3uLwQ">http://www.youtube.com/watch?v=V4VlSa3uLwQ</a><br>
      </span></p>
    <div class="moz-signature">-- <br>
      <meta http-equiv="Content-Type" content="text/html;
        charset=ISO-8859-15">
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      <meta name="Generator" content="Cocoa HTML Writer">
      <meta name="CocoaVersion" content="1038">
      <style type="text/css">
    p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica}
  </style>
      <p class="p1"><a class="moz-txt-link-freetext" href="http://www.nirmala07.net">http://www.nirmala07.net</a></p>
    </div>
  </body>
</html>

--------------080503030708070204050905--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 21:42:29 2011
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From: Matthew Stevens <mattstevensguitar@btinternet.com>
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Subject: Live session
Date: Wed, 16 Mar 2011 21:42:26 +0000
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Hi guys

I don't normally post my music here but this is some strictly live =
looped stuff recorded for a Canadian internet radio show:

http://mattstevens.bandcamp.com/album/the-european-perspective-sessions

Thanks - let me know what you think :)

Matt Stevens=20



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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hi guys<div><br></div><div>I don't normally post my music here but this is some strictly live looped stuff recorded for a Canadian internet radio show:</div><div><br></div><div><a href="http://mattstevens.bandcamp.com/album/the-european-perspective-sessions">http://mattstevens.bandcamp.com/album/the-european-perspective-sessions</a></div><div><br></div><div>Thanks - let me know what you think :)</div><div><br></div><div>Matt Stevens&nbsp;</div><div><br></div><div><br></div></body></html>
--Apple-Mail-84--118000137--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 22:00:38 2011
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Subject: Re: Live session
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I liked it. You found a way to put some interesting harmonic
progressions into loops. I get tired of hearing drones all the time.
Getting interesting harmony into loops is the biggest obstacle for me
with looping. thanks for posting this.

On Wed, Mar 16, 2011 at 2:42 PM, Matthew Stevens
<mattstevensguitar@btinternet.com> wrote:
> Hi guys
> I don't normally post my music here but this is some strictly live looped
> stuff recorded for a Canadian internet radio show:
> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions
> Thanks - let me know what you think :)
> Matt Stevens
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 22:03:16 2011
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Date: Wed, 16 Mar 2011 15:03:15 -0700
Message-ID: <AANLkTinsGL+brcUOFdT7p20Kg5c8gMHTzdC=Aek59twR@mail.gmail.com>
Subject: Re: Live session
From: Ed Durbrow <edurbrow@gmail.com>
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I liked it. You found a way to put some interesting harmonic
progressions into loops. I get tired of hearing drones all the time.
Getting interesting harmony into loops is the biggest obstacle for me
with looping. Thanks for posting this.

On Wed, Mar 16, 2011 at 2:42 PM, Matthew Stevens
<mattstevensguitar@btinternet.com> wrote:
> Hi guys
> I don't normally post my music here but this is some strictly live looped
> stuff recorded for a Canadian internet radio show:
> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions
> Thanks - let me know what you think :)
> Matt Stevens
>
>

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Subject: Re: Live session
From: Matthew Stevens <mattstevensguitar@btinternet.com>
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Thanks loads Ed :)

On 16 Mar 2011, at 22:00, Ed Durbrow wrote:

> I liked it. You found a way to put some interesting harmonic
> progressions into loops. I get tired of hearing drones all the time.
> Getting interesting harmony into loops is the biggest obstacle for me
> with looping. thanks for posting this.
> 
> On Wed, Mar 16, 2011 at 2:42 PM, Matthew Stevens
> <mattstevensguitar@btinternet.com> wrote:
>> Hi guys
>> I don't normally post my music here but this is some strictly live looped
>> stuff recorded for a Canadian internet radio show:
>> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions
>> Thanks - let me know what you think :)
>> Matt Stevens
>> 
>> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 16 23:26:07 2011
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Subject: EDP foot controller
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi,

Couple of quick questions for those familiar with the EDP's foot controller.

1- Are these the right switches?
http://britishaudioservice.com/parts.php?cat=18 (Red EDP Tap Switch)

2- are these switches as responsive and quiet as they appear?

3- Anyone has a spare EDP foot controller to sell me on the cheap?

Thanks!

Sylvain

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 00:23:45 2011
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Sylvain,

If you are refering to the item "Model #: 73-SWT-EDP-FC-RED" that you 
can scroll down to about mid-way down the page . . . looks like the 
right ones to me.

They are indeed quiet, but don't take a lot of "stomping" to break. 
(being largely plasic).

But those appear to be the ones.

Best,

Ted


On Wed, Mar 16, 2011 at 4:26 PM, Sylvain Poitras wrote:

> Hi,
>
> Couple of quick questions for those familiar with the EDP's foot 
> controller.
>
> 1- Are these the right switches?
> http://britishaudioservice.com/parts.php?cat=18 (Red EDP Tap Switch)
>
> 2- are these switches as responsive and quiet as they appear?
>
> 3- Anyone has a spare EDP foot controller to sell me on the cheap?
>
> Thanks!
>
> Sylvain

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Date: Wed, 16 Mar 2011 17:31:30 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: MIDI foot controller
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--0-745685312-1300321890=:62298
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anyone hear have an opinion about the gaspedal MIDI foot controller?

Antony Hequet


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:12pt"><div><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 16px;">anyone hear have an opinion about the gaspedal MIDI foot controller?</span></font></span></font></div><div><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 16px;"><br></span></font></span></font></div><div><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 16px;">Antony Hequet</span></font></span></font></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-745685312-1300321890=:62298--

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--Apple-Mail-58--101314315
Content-Transfer-Encoding: quoted-printable
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	charset=us-ascii

I'm using a Tech-21 MIDI Moose for its function, construction, and size =
- http://www.tech21nyc.com/products/effects/midimoose.html. I'm quite =
pleased with it. They also make a smaller pedal, the MIDI Mouse - =
http://www.tech21nyc.com/products/effects/midimouse.html.
On Mar 16, 2011, at 9:28 AM, Brian Carabee wrote:

> I'm using the new VoiceLive Touch and just realized that it has midi =
control capability.
>=20
> My challenge is that I want to use a floor pedal controller, but I =
need it to be SMALL. I used to have to drive a golf cart from one end of =
my setup to another, and I really am intent on cutting down.
>=20
> I use a Boomerang III on the floor, and I'd just like to have a small =
midi pedal with it, enabling me to control no more than 5 or 6 =
functions.
>=20
> Does any such animal exist?
>=20
> Thanks,
> Brian=20

All the best,

Loren Claypool
genre-indifferent instrumental guitar music
www.lorenclaypool.com and links from there




--Apple-Mail-58--101314315
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I'm =
using a Tech-21 MIDI Moose for its function, construction, and size =
-&nbsp;<a =
href=3D"http://www.tech21nyc.com/products/effects/midimoose.html">http://w=
ww.tech21nyc.com/products/effects/midimoose.html</a>. I'm quite pleased =
with it. They also make a smaller pedal, the MIDI Mouse -&nbsp;<a =
href=3D"http://www.tech21nyc.com/products/effects/midimouse.html">http://w=
ww.tech21nyc.com/products/effects/midimouse.html</a>.<br><div><div>On =
Mar 16, 2011, at 9:28 AM, Brian Carabee wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>I'm =
using the new VoiceLive Touch and just realized that it has midi control =
capability.<br><br>My challenge is that I want to use a floor pedal =
controller, but I need it to be SMALL. I used to have to drive a golf =
cart from one end of my setup to another, and I really am intent on =
cutting down.<br><br>I use a Boomerang III on the floor, and I'd just =
like to have a small midi pedal with it, enabling me to control no more =
than 5 or 6 functions.<br><br>Does any such animal =
exist?<br><br>Thanks,<br>Brian <br></div></blockquote></div><br><div>
<div style=3D"font-size: 12px; "><div>All the =
best,</div><div><br></div><div>Loren =
Claypool</div><div>genre-indifferent instrumental guitar =
music</div><div><a =
href=3D"http://www.lorenclaypool.com">www.lorenclaypool.com</a> and =
links from there</div></div><div style=3D"font-size: 12px; =
"><br></div><br class=3D"Apple-interchange-newline">
</div>
<br></body></html>=

--Apple-Mail-58--101314315--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 03:16:07 2011
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References:
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    <6DFE9CF18EFC47B68978CC992B2289F4@office>
Date: Wed, 16 Mar 2011 23:16:10 -0400
Subject: Re: Does anyone make a COMPACT midi controller pedal?
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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You might want to try the Midi Mouse.
I'm using it in place of my FCB.
It's a bit more fiddly to implement but worth it for the small footprint.

http://www.youtube.com/watch?v=F3r-vl1_wcs

Andre

http://barbadosguitar.com/wordpress
http://www.youtube.com/user/AndreDonawa?feature=mhsn

On Wed, March 16, 2011 10:28 am, Brian Carabee wrote:
> I'm using the new VoiceLive Touch and just realized that it has midi
> control
> capability.
>
> My challenge is that I want to use a floor pedal controller, but I need it
> to be SMALL. I used to have to drive a golf cart from one end of my setup
> to
> another, and I really am intent on cutting down.
>
> I use a Boomerang III on the floor, and I'd just like to have a small midi
> pedal with it, enabling me to control no more than 5 or 6 functions.
>
> Does any such animal exist?
>
> Thanks,
> Brian
>
>





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thanks Matt, enjoyed that a lot.

...so when are you going to start hitting
 the Half Speed button?
;-)

andy butler


Matthew Stevens wrote:

> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions
> 
> Thanks - let me know what you think :)
> 
> Matt Stevens 
> 
> 

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Subject: Re: Live session
From: Matthew Stevens <mattstevensguitar@btinternet.com>
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thanks Andy

lol - half speed - its only a matter of time :) 

I need to get that EDP working.....

On 17 Mar 2011, at 09:06, andy butler wrote:

> thanks Matt, enjoyed that a lot.
> 
> ...so when are you going to start hitting
> the Half Speed button?
> ;-)
> 
> andy butler
> 
> 
> Matthew Stevens wrote:
> 
>> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions
>> Thanks - let me know what you think :)
>> Matt Stevens 
> 

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Ed Durbrow wrote:
> 
> 
> On Wed, Mar 16, 2011 at 2:16 AM, andy butler wrote:
> 
>     Gordius

> Doesn't the Godius require a PC to edit? I'm on Mac.

the Mac editor is well on the way to release
(and when Xavier says that, I believe it)

> lute 

:-)
what do you play on it (from tab?)

( I never looped mine yet )

andy

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 09:23:54 2011
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Matthew Stevens wrote:
> thanks Andy
> 
> lol - half speed - its only a matter of time :) 

I was just itching for you to do that on the
reverse loop at the end of the set

> 
> I need to get that EDP working.....

you did all that with a DL4 !!

andy
oh, mustn't forget the link

> >> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions

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Subject: Re: Live session
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nice harms Matt!

On Wed, Mar 16, 2011 at 10:42 PM, Matthew Stevens
<mattstevensguitar@btinternet.com> wrote:
> Hi guys
> I don't normally post my music here but this is some strictly live looped
> stuff recorded for a Canadian internet radio show:
> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions
> Thanks - let me know what you think :)
> Matt Stevens
>
>

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Date: Thu, 17 Mar 2011 11:34:51 +0100
Message-ID: <AANLkTiks1EDjbAxDyqweht4ANnk6b5kWjPbqH9bb7PF2@mail.gmail.com>
Subject: Re: Does anyone make a COMPACT midi controller pedal?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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not sure what you want to cotrol with it but if u want to control the
sus comands of the EDP forget it,it wont do it,i had it for a while
but didnt like it,the interface is not very logical and is almost 4X
times more expensive than the FCB1010 and the FCB does more and in an
easier way!
Luis

On Wed, Mar 16, 2011 at 5:58 PM, Jeff Shirkey <jcshirke@frontier.com> wrote:
>
> On Mar 16, 2011, at 11:27 AM, Antony Hequet wrote:
>
>> Does the liquid foot work properly. Are the switches smooth an silent?
>
> They work great for my purposes. I never hear any pops when switching, and
> they are definitely high quality switches. I couldn't be happier with my
> pedalboard, and the Liquid Foot Jr. is the brain that controls it all.
>
> Pics of my board are here:
> http://www.trailertrashpedalboards.com/proseries_scroll.htm
>
> Scroll down to Pro Series, 36" and 40" boards. Mine is the first one (in
> red) that says "40" Red w/ATA case. Wired by Trailer Trash).
>
> Jeff
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 10:42:11 2011
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Subject: Stretched Landscape remixed
Date: Thu, 17 Mar 2011 11:42:04 +0100
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go to http://bit.ly/fTITfB for a free download album of remixes of the
ambient Stretched Landscape #1 (which contains loops, yes :). A number of LD
loopers are among the remixers.

-Michael

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Subject: Re: Live session
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:) The DL4 is my safety blanket!

On 17 Mar 2011, at 09:23, andy butler wrote:

> Matthew Stevens wrote:
>> thanks Andy
>> lol - half speed - its only a matter of time :) 
> 
> I was just itching for you to do that on the
> reverse loop at the end of the set
> 
>> I need to get that EDP working.....
> 
> you did all that with a DL4 !!
> 
> andy
> oh, mustn't forget the link
> 
>> >> http://mattstevens.bandcamp.com/album/the-european-perspective-sessions
> 

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Awesome! I love that album.


os.


On 17 March 2011 10:42, Michael Peters <mp@mpeters.de> wrote:
> go to http://bit.ly/fTITfB for a free download album of remixes of the
> ambient Stretched Landscape #1 (which contains loops, yes :). A number of LD
> loopers are among the remixers.
>
> -Michael
>
>



-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Leinhos, Peter is out of the office.
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I will be out of the office starting  03/17/2011 and will not return until
03/21/2011.

For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793

***** PLEASE NOTE ***** This E-Mail/telefax message and any
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lol!

here we go again!

:O)

On Thu, Mar 17, 2011 at 11:23 AM, <peter.leinhos@farmersinsurance.com>wrote:

>
> I will be out of the office starting  03/17/2011 and will not return until
> 03/21/2011.
>
>

--000e0cd3489e3c5119049eac4be9
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lol!<br><br>here we go again!<br><br>:O)<br><br><div class=3D"gmail_quote">=
On Thu, Mar 17, 2011 at 11:23 AM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:=
peter.leinhos@farmersinsurance.com">peter.leinhos@farmersinsurance.com</a>&=
gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>
I will be out of the office starting =A003/17/2011 and will not return unti=
l<br>
03/21/2011.<br><br></blockquote></div>

--000e0cd3489e3c5119049eac4be9--

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Really? Really!

>I will be out of the office starting  03/17/2011 and will not return until
>03/21/2011.
>
>For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793
>
>***** PLEASE NOTE ***** This E-Mail/telefax message and any
>documents accompanying this transmission may contain privileged
>and/or confidential information and is intended solely for the
>addressee(s) named above. If you are not the intended
>addressee/recipient, you are hereby notified that any use of,
>disclosure, copying, distribution, or reliance on the contents of
>this E-Mail/telefax information is strictly prohibited and may
>result in legal action against you. Please reply to the sender
>advising of the error in transmission and immediately
>delete/destroy the message and any accompanying documents. Thank
>you.*****


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: Re: gaze upon my beautific visage and weep
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sounds really good to me Simeon!
so how are you doing the frippertonics polyritmic stuff at the begining?
how about the hand controller you have there,looks like a keyboard,is
that a nano kontrol of some kind?
great stuff man!
Luis

On Wed, Mar 16, 2011 at 5:47 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> here - http://vimeo.com/21108230
>
> or just listen and download for free here if it's all too much -
> http://simeonharris.bandcamp.com/album/antwerp-2011
>
>
>
> video and audio from my set at Antwerp this year. didn't go as well as i'd
> hoped and had some gremlins creep into my laptop and muck about with the
> gubbins, so most of the first piece is missing.
>
> learned a lot from the experience though and it was great to meet the other
> artists and audience members from the list who made it.
>
> sim
>



-- 
www.luis-angulo.com

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btw --

A while back we were discussing some t-shirts with the (now famous) =20
Leinhos, Peter is out of the office message on it.

I really really want to buy one...  (sorry if I missed this =20
information earlier).

-- Kissinger, Kevin is in the office  :(


Quoting Charles Zwicky <cazwicky@earthlink.net>:

> Really? Really!
>
>> I will be out of the office starting  03/17/2011 and will not return unti=
l
>> 03/21/2011.
>>
>> For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793
>>
>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>> documents accompanying this transmission may contain privileged
>> and/or confidential information and is intended solely for the
>> addressee(s) named above. If you are not the intended
>> addressee/recipient, you are hereby notified that any use of,
>> disclosure, copying, distribution, or reliance on the contents of
>> this E-Mail/telefax information is strictly prohibited and may
>> result in legal action against you. Please reply to the sender
>> advising of the error in transmission and immediately
>> delete/destroy the message and any accompanying documents. Thank
>> you.*****
>
>
> --=20
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix



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Date: Thu, 17 Mar 2011 09:05:28 -0400
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Subject: Re: EDP foot controller
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Thanks, Ted
Sylvain

On Wed, Mar 16, 2011 at 8:23 PM, tEd =AE kiLLiAn <tedkillian@charter.net> w=
rote:
> Sylvain,
>
> If you are refering to the item "Model #: 73-SWT-EDP-FC-RED" that you can
> scroll down to about mid-way down the page . . . looks like the right one=
s
> to me.
>
> They are indeed quiet, but don't take a lot of "stomping" to break. (bein=
g
> largely plasic).
>
> But those appear to be the ones.
>
> Best,
>
> Ted
>
>
> On Wed, Mar 16, 2011 at 4:26 PM, Sylvain Poitras wrote:
>
>> Hi,
>>
>> Couple of quick questions for those familiar with the EDP's foot
>> controller.
>>
>> 1- Are these the right switches?
>> http://britishaudioservice.com/parts.php?cat=3D18 (Red EDP Tap Switch)
>>
>> 2- are these switches as responsive and quiet as they appear?
>>
>> 3- Anyone has a spare EDP foot controller to sell me on the cheap?
>>
>> Thanks!
>>
>> Sylvain
>
>

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Subject: Re: gaze upon my beautific visage and weep
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd48a20b00d3e049ead64d9
Content-Type: text/plain; charset=ISO-8859-1

thanks louie!

the polyrhythmic stuff is all created using mobius scripting. there are two
identical tracks, but one is double the length of the other and has the last
16th removed. i play one note into a track that is overdubbing with rate
changes to create the melody. this is then copied, multiplied, panned and
chopped with one button press.

the controller is just a novation remote zero sl (old model) -
http://homestudioscaracas.files.wordpress.com/2009/03/novation-remote.jpg

sim

On Thu, Mar 17, 2011 at 12:51 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> sounds really good to me Simeon!
> so how are you doing the frippertonics polyritmic stuff at the begining?
> how about the hand controller you have there,looks like a keyboard,is
> that a nano kontrol of some kind?
> great stuff man!
> Luis
>
> On Wed, Mar 16, 2011 at 5:47 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > here - http://vimeo.com/21108230
> >
> > or just listen and download for free here if it's all too much -
> > http://simeonharris.bandcamp.com/album/antwerp-2011
>

--000e0cd48a20b00d3e049ead64d9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks louie!<br><br>the polyrhythmic stuff is all created using mobius scr=
ipting. there are two identical tracks, but one is double the length of the=
 other and has the last 16th removed. i play one note into a track that is =
overdubbing with rate changes to create the melody. this is then copied, mu=
ltiplied, panned and chopped with one button press.<br>
<br>the controller is just a novation remote zero sl (old model) - <a href=
=3D"http://homestudioscaracas.files.wordpress.com/2009/03/novation-remote.j=
pg">http://homestudioscaracas.files.wordpress.com/2009/03/novation-remote.j=
pg</a><br>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, Mar 17, 2011 at 12:51 PM,=
 Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlema=
il.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">
sounds really good to me Simeon!<br>
so how are you doing the frippertonics polyritmic stuff at the begining?<br=
>
how about the hand controller you have there,looks like a keyboard,is<br>
that a nano kontrol of some kind?<br>
great stuff man!<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Wed, Mar 16, 2011 at 5:47 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; here - <a href=3D"http://vimeo.com/21108230" target=3D"_blank">http://=
vimeo.com/21108230</a><br>
&gt;<br>
&gt; or just listen and download for free here if it&#39;s all too much -<b=
r>
&gt; <a href=3D"http://simeonharris.bandcamp.com/album/antwerp-2011" target=
=3D"_blank">http://simeonharris.bandcamp.com/album/antwerp-2011</a><br></di=
v></div></blockquote></div>

--000e0cd48a20b00d3e049ead64d9--

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Very Nice Simeon! Im a bit into the idea of one of them Novations too
actually.. they are just USB tho right? No midi in/out?
Great video too!
Can you take us thru your rig?.. Whats in the rack, and whats on the floor?

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 13:27:14 2011
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Subject: Re: gaze upon my beautific visage and weep
From: Simeon Harris <simeonharris40@googlemail.com>
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no, the novations have midi and usb. in fact two usb ports (on one cable)
and two midi outs as well as in and thru.

the rack has an axe fx ultra in it. on top of that is a macbook pro running
mobius hosted in bidule and on the floor are two midi controllers (one for
controlling mobius and one for selecting sounds on the axe fx). the novation
gives me hands on control of mobius and the plugins that are used for post
processing loops in bidule. you can also hear me using expersleepers'
crossfade loop synth quite a lot, which is giving those forward/backward
rate shifted repeats.

that's it!

sim

On Thu, Mar 17, 2011 at 1:20 PM, mark francombe <mark@markfrancombe.com>wrote:

> Very Nice Simeon! Im a bit into the idea of one of them Novations too
> actually.. they are just USB tho right? No midi in/out?
> Great video too!
> Can you take us thru your rig?.. Whats in the rack, and whats on the floor?
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>
>

--000e0cd4888a84b447049ead9e97
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no, the novations have midi and usb. in fact two usb ports (on one cable) a=
nd two midi outs as well as in and thru.<br><br>the rack has an axe fx ultr=
a in it. on top of that is a macbook pro running mobius hosted in bidule an=
d on the floor are two midi controllers (one for controlling mobius and one=
 for selecting sounds on the axe fx). the novation gives me hands on contro=
l of mobius and the plugins that are used for post processing loops in bidu=
le. you can also hear me using expersleepers&#39; crossfade loop synth quit=
e a lot, which is giving those forward/backward rate shifted repeats.<br>
<br>that&#39;s it!<br><br>sim<br><br><div class=3D"gmail_quote">On Thu, Mar=
 17, 2011 at 1:20 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border=
-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Very Nice Simeon! Im a bit into the idea of one of them Novations too<br>
actually.. they are just USB tho right? No midi in/out?<br>
Great video too!<br>
Can you take us thru your rig?.. Whats in the rack, and whats on the floor?=
<br>
<font color=3D"#888888"><br>
--<br>
Mark Francombe<br>
<a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancomb=
e.com</a><br>
<a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com<=
/a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><b=
r>
twitter @markfrancombe<br>
<br>
</font></blockquote></div><br>

--000e0cd4888a84b447049ead9e97--

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Subject: Aidan Baker
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd7098c70c230049eada9ea
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played at the antwerp festival too. i thought he was rather splendid. you
can watch his performance on vimeo here - http://vimeo.com/21133177

very minimal setup. just a few boss pedals and an old akai headrush, but he
developed a huge wash of sound that was very captivating.

he's an extremely prolific artist and is constantly gigging and recording
all over the world. nice chap, too.

sim

--000e0cd7098c70c230049eada9ea
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played at the antwerp festival too. i thought he was rather splendid. you c=
an watch his performance on vimeo here - <a href=3D"http://vimeo.com/211331=
77">http://vimeo.com/21133177</a><br><br>very minimal setup. just a few bos=
s pedals and an old akai headrush, but he developed a huge wash of sound th=
at was very captivating.<br>
<br>he&#39;s an extremely prolific artist and is constantly gigging and rec=
ording all over the world. nice chap, too.<br><br>sim<br>

--000e0cd7098c70c230049eada9ea--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 16:36:37 2011
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Date: Thu, 17 Mar 2011 17:36:29 +0100
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Subject: Re: EDP foot controller
From: andy soto <musicalmexicana@gmail.com>
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--00261883adfc743973049eb0434d
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 I'm looking to replace the stompswitches from my EDP's foot controller as
well, but 10 bucks a piece for those switches on British audio seem
expensive to me.

  is there another place I can buy them?

 Thanks,

 Andy

On Thu, Mar 17, 2011 at 2:05 PM, Sylvain Poitras <sylvain.trombone@gmail.co=
m
> wrote:

> Thanks, Ted
> Sylvain
>
> On Wed, Mar 16, 2011 at 8:23 PM, tEd =AE kiLLiAn <tedkillian@charter.net>
> wrote:
> > Sylvain,
> >
> > If you are refering to the item "Model #: 73-SWT-EDP-FC-RED" that you c=
an
> > scroll down to about mid-way down the page . . . looks like the right
> ones
> > to me.
> >
> > They are indeed quiet, but don't take a lot of "stomping" to break.
> (being
> > largely plasic).
> >
> > But those appear to be the ones.
> >
> > Best,
> >
> > Ted
> >
> >
> > On Wed, Mar 16, 2011 at 4:26 PM, Sylvain Poitras wrote:
> >
> >> Hi,
> >>
> >> Couple of quick questions for those familiar with the EDP's foot
> >> controller.
> >>
> >> 1- Are these the right switches?
> >> http://britishaudioservice.com/parts.php?cat=3D18 (Red EDP Tap Switch)
> >>
> >> 2- are these switches as responsive and quiet as they appear?
> >>
> >> 3- Anyone has a spare EDP foot controller to sell me on the cheap?
> >>
> >> Thanks!
> >>
> >> Sylvain
> >
> >
>
>

--00261883adfc743973049eb0434d
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<br>=A0I&#39;m looking to replace the stompswitches from my EDP&#39;s foot =
controller as well, but 10 bucks a piece for those switches on British audi=
o seem expensive to me.<br><br>=A0 is there another place I can buy them?<b=
r>
<br>=A0Thanks,<br><br>=A0Andy<br><br><div class=3D"gmail_quote">On Thu, Mar=
 17, 2011 at 2:05 PM, Sylvain Poitras <span dir=3D"ltr">&lt;<a href=3D"mail=
to:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Thanks, Ted<br>
<font color=3D"#888888">Sylvain<br>
</font><div><div></div><div class=3D"h5"><br>
On Wed, Mar 16, 2011 at 8:23 PM, tEd =AE kiLLiAn &lt;<a href=3D"mailto:tedk=
illian@charter.net">tedkillian@charter.net</a>&gt; wrote:<br>
&gt; Sylvain,<br>
&gt;<br>
&gt; If you are refering to the item &quot;Model #: 73-SWT-EDP-FC-RED&quot;=
 that you can<br>
&gt; scroll down to about mid-way down the page . . . looks like the right =
ones<br>
&gt; to me.<br>
&gt;<br>
&gt; They are indeed quiet, but don&#39;t take a lot of &quot;stomping&quot=
; to break. (being<br>
&gt; largely plasic).<br>
&gt;<br>
&gt; But those appear to be the ones.<br>
&gt;<br>
&gt; Best,<br>
&gt;<br>
&gt; Ted<br>
&gt;<br>
&gt;<br>
&gt; On Wed, Mar 16, 2011 at 4:26 PM, Sylvain Poitras wrote:<br>
&gt;<br>
&gt;&gt; Hi,<br>
&gt;&gt;<br>
&gt;&gt; Couple of quick questions for those familiar with the EDP&#39;s fo=
ot<br>
&gt;&gt; controller.<br>
&gt;&gt;<br>
&gt;&gt; 1- Are these the right switches?<br>
&gt;&gt; <a href=3D"http://britishaudioservice.com/parts.php?cat=3D18" targ=
et=3D"_blank">http://britishaudioservice.com/parts.php?cat=3D18</a> (Red ED=
P Tap Switch)<br>
&gt;&gt;<br>
&gt;&gt; 2- are these switches as responsive and quiet as they appear?<br>
&gt;&gt;<br>
&gt;&gt; 3- Anyone has a spare EDP foot controller to sell me on the cheap?=
<br>
&gt;&gt;<br>
&gt;&gt; Thanks!<br>
&gt;&gt;<br>
&gt;&gt; Sylvain<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--00261883adfc743973049eb0434d--

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Date: Thu, 17 Mar 2011 18:18:53 +0100
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Subject: Re: gaze upon my beautific visage and weep
From: Louie Angulo <louie.angulo@googlemail.com>
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Simeon do you prefer using the Axe FX Ultra instead of guitar FX
plugins like guitar rig? wouldnt that be more portable considering you
are using bidule?
thanx for the info!
cheers

On Thu, Mar 17, 2011 at 2:27 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> no, the novations have midi and usb. in fact two usb ports (on one cable)
> and two midi outs as well as in and thru.
>
> the rack has an axe fx ultra in it. on top of that is a macbook pro running
> mobius hosted in bidule and on the floor are two midi controllers (one for
> controlling mobius and one for selecting sounds on the axe fx). the novation
> gives me hands on control of mobius and the plugins that are used for post
> processing loops in bidule. you can also hear me using expersleepers'
> crossfade loop synth quite a lot, which is giving those forward/backward
> rate shifted repeats.
>
> that's it!
>
> sim
>
> On Thu, Mar 17, 2011 at 1:20 PM, mark francombe <mark@markfrancombe.com>
> wrote:
>>
>> Very Nice Simeon! Im a bit into the idea of one of them Novations too
>> actually.. they are just USB tho right? No midi in/out?
>> Great video too!
>> Can you take us thru your rig?.. Whats in the rack, and whats on the
>> floor?
>>
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>>
>
>



-- 
www.luis-angulo.com

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Subject: Re: gaze upon my beautific visage and weep
From: Simeon Harris <simeonharris40@googlemail.com>
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i don't like the latency, or the possibility of crashes, or the fact that my
macbook probably couldn't run guitar rig and the looping rig at the same
time. the axe-fx only weighs 4.5kg, so it's really easy to carry around and
really not that much larger than a laptop in a decent padded bag.

sim

On Thu, Mar 17, 2011 at 5:18 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> Simeon do you prefer using the Axe FX Ultra instead of guitar FX
> plugins like guitar rig? wouldnt that be more portable considering you
> are using bidule?
> thanx for the info!
> cheers
>
>

--000e0cd48a20281b3e049eb106e2
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i don&#39;t like the latency, or the possibility of crashes, or the fact th=
at my macbook probably couldn&#39;t run guitar rig and the looping rig at t=
he same time. the axe-fx only weighs 4.5kg, so it&#39;s really easy to carr=
y around and really not that much larger than a laptop in a decent padded b=
ag.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, Mar 17, 2011 at 5:18 PM, =
Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlemai=
l.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">
Simeon do you prefer using the Axe FX Ultra instead of guitar FX<br>
plugins like guitar rig? wouldnt that be more portable considering you<br>
are using bidule?<br>
thanx for the info!<br>
cheers<br>
<div><div></div><br></div></blockquote></div>

--000e0cd48a20281b3e049eb106e2--

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Subject: Re: gaze upon my beautific visage and weep
From: Simeon Harris <simeonharris40@googlemail.com>
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oh, and i forgot to say that the axe fx knocks the socks guitar rig in terms
of sound quality

On Thu, Mar 17, 2011 at 5:30 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> i don't like the latency, or the possibility of crashes, or the fact that
> my macbook probably couldn't run guitar rig and the looping rig at the same
> time. the axe-fx only weighs 4.5kg, so it's really easy to carry around and
> really not that much larger than a laptop in a decent padded bag.
>
> sim
>
>
> On Thu, Mar 17, 2011 at 5:18 PM, Louie Angulo <louie.angulo@googlemail.com
> > wrote:
>
>> Simeon do you prefer using the Axe FX Ultra instead of guitar FX
>> plugins like guitar rig? wouldnt that be more portable considering you
>> are using bidule?
>> thanx for the info!
>> cheers
>>
>>

--000e0cd6acd0f27293049eb12907
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oh, and i forgot to say that the axe fx knocks the socks guitar rig in term=
s of sound quality<br><br><div class=3D"gmail_quote">On Thu, Mar 17, 2011 a=
t 5:30 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharr=
is40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br=
>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">i don&#39;t like =
the latency, or the possibility of crashes, or the fact that my macbook pro=
bably couldn&#39;t run guitar rig and the looping rig at the same time. the=
 axe-fx only weighs 4.5kg, so it&#39;s really easy to carry around and real=
ly not that much larger than a laptop in a decent padded bag.<br>

<br>sim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Thu, Mar 17, 2011 at 5:18 PM, Louie Angulo <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:louie.angulo@googlemail.com" target=3D"_blank">louie.angulo@goo=
glemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Simeon do you prefer using the Axe FX Ultra instead of guitar FX<br>
plugins like guitar rig? wouldnt that be more portable considering you<br>
are using bidule?<br>
thanx for the info!<br>
cheers<br>
<div><div></div><br></div></blockquote></div>
</div></div></blockquote></div><br>

--000e0cd6acd0f27293049eb12907--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 18:02:35 2011
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Date: Thu, 17 Mar 2011 11:37:57 -0500
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Subject: OT: Cry Baby: The Pedal That Rocks The World
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for us musical history geeks.. :)

http://vimeo.com/20902369

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 18:02:41 2011
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Date: Thu, 17 Mar 2011 19:02:38 +0100
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Subject: Re: gaze upon my beautific visage and weep
From: Louie Angulo <louie.angulo@googlemail.com>
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wow!! i might be trying out one soon,man but that price....

On Thu, Mar 17, 2011 at 6:40 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> oh, and i forgot to say that the axe fx knocks the socks guitar rig in terms
> of sound quality
>
> On Thu, Mar 17, 2011 at 5:30 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>>
>> i don't like the latency, or the possibility of crashes, or the fact that
>> my macbook probably couldn't run guitar rig and the looping rig at the same
>> time. the axe-fx only weighs 4.5kg, so it's really easy to carry around and
>> really not that much larger than a laptop in a decent padded bag.
>>
>> sim
>>
>> On Thu, Mar 17, 2011 at 5:18 PM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>>>
>>> Simeon do you prefer using the Axe FX Ultra instead of guitar FX
>>> plugins like guitar rig? wouldnt that be more portable considering you
>>> are using bidule?
>>> thanx for the info!
>>> cheers
>>>
>
>



-- 
www.luis-angulo.com

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Mouser Electronics.

=20
<http://www.mouser.com/Search/Refine.aspx?Keyword=3Dmountain+switch&No=3D50=
&FS=3DTrue>

I forget the exact link to the product.

But they're less than $2 for only one (and even less if yu buy more)=20
from mouser.

Back when I had EDPs, I bought a bag of a couple of dozen from Mouser.

It's a good idea to buy more than you immediately need - to have spares=20
for the future.

They areeasy to replace and not a difficult soldering job at all.

Anyone could do it.

That's my 2 cents...

Ted (again).

On Thu, Mar 17, 2011 at 9:36 AM, andy soto wrote:


=C2=A0I'm looking to replace the stompswitches from my EDP's foot controlle=
r=20
as well, but 10 bucks a piece for those switches on British audio seem=20
expensive to me.

=C2=A0 is there another place I can buy them?

=C2=A0Thanks,

=C2=A0Andy

On Thu, Mar 17, 2011 at 2:05 PM, Sylvain Poitras <=20
sylvain.trombone@gmail.com=20
<javascript:parent.gMail.openComposeWindow('sylvain.trombone@gmail.com')>=
=20
> wrote:
Thanks, Ted
Sylvain

On Wed, Mar 16, 2011 at 8:23 PM, tEd =C2=AE kiLLiAn < tedkillian@charter.ne=
t=20
<javascript:parent.gMail.openComposeWindow('tedkillian@charter.net')> >=20
wrote:
> Sylvain,
> If you are refering to the item "Model #: 73-SWT-EDP-FC-RED" that you=20
> can scroll down to about mid-way down the page . . . looks like the=20
> right ones to me.
> They are indeed quiet, but don't take a lot of "stomping" to break.=20
> (being largely plasic).
> But those appear to be the ones.
> Best,
> Ted
>
> On Wed, Mar 16, 2011 at 4:26 PM, Sylvain Poitras wrote:
>> Hi,
>> Couple of quick questions for those familiar with the EDP's foot=20
>> controller.
>> 1- Are these the right switches?=20
>> http://britishaudioservice.com/parts.php?cat=3D18=20
>> <http://britishaudioservice.com/parts.php?cat=3D18> (Red EDP Tap=20
>> Switch)
>> 2- are these switches as responsive and quiet as they appear?
>> 3- Anyone has a spare EDP foot controller to sell me on the cheap?
>> Thanks!
>> Sylvain
>
>

  <http://britishaudioservice.com/parts.php?cat=3D18>

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<DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LET=
TERSPACING=3D"0" KERNING=3D"0">Mouser Electronics.</FONT></DIV><FONT FACE=
=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"=
><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"=
#000000" LETTERSPACING=3D"0" KERNING=3D"0">&lt;http://www.mouser.com/Search=
/Refine.aspx?Keyword=3Dmountain+switch&amp;No=3D50&amp;FS=3DTrue&gt;</FONT>=
</DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"=
0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=
=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">I forget the exa=
ct link to the product.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=
=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEF=
T"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" =
KERNING=3D"0">But they're less than $2 for only one (and even less if yu bu=
y more) from mouser.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D=
"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT">=
<FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KER=
NING=3D"0">Back when I had EDPs, I bought a bag of a couple of dozen from M=
ouser.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETT=
ERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"=
Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">It'=
s a good idea to buy more than you immediately need - to have spares for th=
e future.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" L=
ETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=
=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"=
>They areeasy to replace and not a difficult soldering job at all.</FONT></=
DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0"=
 KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=
=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">Anyone could do =
it.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERS=
PACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Ver=
dana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">That's=
 my 2 cents...</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#0000=
00" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT =
FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=
=3D"0">Ted (again).</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"=
#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><=
FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERN=
ING=3D"0">On Thu, Mar 17, 2011 at 9:36 AM, andy soto wrote:</FONT></DIV><FO=
NT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNIN=
G=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" CO=
LOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&nbsp;<FONT SIZE=3D"3"></=
FONT></FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COL=
OR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">=C2=A0I'm looking to repla=
ce the stompswitches from my EDP's foot controller as well, but 10 bucks a =
piece for those switches on British audio seem expensive to me. </FONT></DI=
V><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" K=
ERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"=
3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">=C2=A0 is there anot=
her place I can buy them? </FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"3" CO=
LOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"=
LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"=
0" KERNING=3D"0">=C2=A0Thanks, </FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"=
3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIG=
N=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACIN=
G=3D"0" KERNING=3D"0">=C2=A0Andy </FONT></DIV><FONT FACE=3D"Verdana" SIZE=
=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV =
ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSP=
ACING=3D"0" KERNING=3D"0">On Thu, Mar 17, 2011 at 2:05 PM, Sylvain Poitras =
&lt; <FONT COLOR=3D"#3333FF"><A HREF=3D"javascript:parent.gMail.openCompose=
Window('sylvain.trombone@gmail.com')" TARGET=3D""><U>sylvain.trombone@gmail=
.com</U></A></FONT>&gt; wrote: </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=
=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"=
>Thanks, Ted </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=
=3D"3" COLOR=3D"#888888" LETTERSPACING=3D"0" KERNING=3D"0">Sylvain </FONT><=
/DIV><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#888888" LETTERSPACING=3D"0=
" KERNING=3D"0"><br></FONT><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#0000=
00" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT =
FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=
=3D"0">On Wed, Mar 16, 2011 at 8:23 PM, tEd =C2=AE kiLLiAn &lt; <FONT COLOR=
=3D"#3333FF"><A HREF=3D"javascript:parent.gMail.openComposeWindow('tedkilli=
an@charter.net')" TARGET=3D""><U>tedkillian@charter.net</U></A></FONT>&gt; =
wrote: </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" C=
OLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; Sylvain, </FONT></D=
IV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" =
LETTERSPACING=3D"0" KERNING=3D"0">&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"><FO=
NT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNIN=
G=3D"0">&gt; If you are refering to the item &quot;Model #: 73-SWT-EDP-FC-R=
ED&quot; that you can </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdan=
a" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; scro=
ll down to about mid-way down the page . . . looks like the right ones </FO=
NT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#00=
0000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; to me. </FONT></DIV><DIV ALIGN=
=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=
=3D"0" KERNING=3D"0">&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Ve=
rdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; =
They are indeed quiet, but don't take a lot of &quot;stomping&quot; to brea=
k. (being </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3=
" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; largely plasic).=
 </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=
=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; </FONT></DIV><DIV ALIGN=
=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=
=3D"0" KERNING=3D"0">&gt; But those appear to be the ones. </FONT></DIV><DI=
V ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTER=
SPACING=3D"0" KERNING=3D"0">&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FAC=
E=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0=
">&gt; Best, </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=
=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; </FONT></DI=
V><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" L=
ETTERSPACING=3D"0" KERNING=3D"0">&gt; Ted </FONT></DIV><DIV ALIGN=3D"LEFT">=
<FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KER=
NING=3D"0">&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZ=
E=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; </FONT></D=
IV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" =
LETTERSPACING=3D"0" KERNING=3D"0">&gt; On Wed, Mar 16, 2011 at 4:26 PM, Syl=
vain Poitras wrote: </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana"=
 SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; </FONT=
></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#0000=
00" LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; Hi, </FONT></DIV><DIV ALIGN=
=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=
=3D"0" KERNING=3D"0">&gt;&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=
=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"=
>&gt;&gt; Couple of quick questions for those familiar with the EDP's foot =
</FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D=
"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; controller. </FONT></D=
IV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" =
LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"=
><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KE=
RNING=3D"0">&gt;&gt; 1- Are these the right switches? </FONT></DIV><DIV ALI=
GN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACI=
NG=3D"0" KERNING=3D"0">&gt;&gt; <FONT COLOR=3D"#3333FF"><A HREF=3D"http://b=
ritishaudioservice.com/parts.php?cat=3D18" TARGET=3D"_blank"><U>http://brit=
ishaudioservice.com/parts.php?cat=3D18</U></A></FONT>(Red EDP Tap Switch) <=
/FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"=
#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; </FONT></DIV><DIV ALIGN=
=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=
=3D"0" KERNING=3D"0">&gt;&gt; 2- are these switches as responsive and quiet=
 as they appear? </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SI=
ZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; </FON=
T></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000=
000" LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; 3- Anyone has a spare EDP f=
oot controller to sell me on the cheap? </FONT></DIV><DIV ALIGN=3D"LEFT"><F=
ONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNI=
NG=3D"0">&gt;&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" S=
IZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; Than=
ks! </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLO=
R=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt;&gt; </FONT></DIV><DIV =
ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSP=
ACING=3D"0" KERNING=3D"0">&gt;&gt; Sylvain </FONT></DIV><DIV ALIGN=3D"LEFT"=
><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KE=
RNING=3D"0">&gt; </FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SI=
ZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">&gt; </FONT></=
DIV><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"0"=
 KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=
=3D"3" COLOR=3D"#3333FF" LETTERSPACING=3D"0" KERNING=3D"0"><A HREF=3D"http:=
//britishaudioservice.com/parts.php?cat=3D18" TARGET=3D"_blank"></A></FONT>=
</DIV><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#000000" LETTERSPACING=3D"=
0" KERNING=3D"0"><br></FONT>
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Date: Thu, 17 Mar 2011 20:51:34 +0100
Message-ID: <AANLkTimZ6J064MF=E3tx0hLW7sZXtjBxZvHShPKrawGY@mail.gmail.com>
Subject: Re: EDP foot controller
From: andy soto <musicalmexicana@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm talking about the metal ones, not the cheap plastic ones :)




On Thu, Mar 17, 2011 at 8:30 PM, tEd =AE kiLLiAn <tedkillian@charter.net>wr=
ote:

> Mouser Electronics.
>
> <
> http://www.mouser.com/Search/Refine.aspx?Keyword=3Dmountain+switch&No=3D5=
0&FS=3DTrue
> >
>
> I forget the exact link to the product.
>
> But they're less than $2 for only one (and even less if yu buy more) from
> mouser.
>
> Back when I had EDPs, I bought a bag of a couple of dozen from Mouser.
>
> It's a good idea to buy more than you immediately need - to have spares f=
or
> the future.
>
> They areeasy to replace and not a difficult soldering job at all.
>
> Anyone could do it.
>
> That's my 2 cents...
>
> Ted (again).
>
> On Thu, Mar 17, 2011 at 9:36 AM, andy soto wrote:
>
>
>  I'm looking to replace the stompswitches from my EDP's foot controller a=
s
> well, but 10 bucks a piece for those switches on British audio seem
> expensive to me.
>
>   is there another place I can buy them?
>
>  Thanks,
>
>  Andy
>
> On Thu, Mar 17, 2011 at 2:05 PM, Sylvain Poitras < *
> sylvain.trombone@gmail.com*> wrote:
> Thanks, Ted
> Sylvain
>
>
> On Wed, Mar 16, 2011 at 8:23 PM, tEd =AE kiLLiAn < *tedkillian@charter.ne=
t*>
> wrote:
> > Sylvain,
> >
> > If you are refering to the item "Model #: 73-SWT-EDP-FC-RED" that you c=
an
>
> > scroll down to about mid-way down the page . . . looks like the right
> ones
> > to me.
> >
> > They are indeed quiet, but don't take a lot of "stomping" to break.
> (being
> > largely plasic).
> >
> > But those appear to be the ones.
> >
> > Best,
> >
> > Ted
> >
> >
> > On Wed, Mar 16, 2011 at 4:26 PM, Sylvain Poitras wrote:
> >
> >> Hi,
> >>
> >> Couple of quick questions for those familiar with the EDP's foot
> >> controller.
> >>
> >> 1- Are these the right switches?
> >> *http://britishaudioservice.com/parts.php?cat=3D18*<http://britishaudi=
oservice.com/parts.php?cat=3D18>(Red
> EDP Tap Switch)
> >>
> >> 2- are these switches as responsive and quiet as they appear?
> >>
> >> 3- Anyone has a spare EDP foot controller to sell me on the cheap?
> >>
> >> Thanks!
> >>
> >> Sylvain
> >
> >
>
> <http://britishaudioservice.com/parts.php?cat=3D18>
>
>

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I&#39;m talking about the metal ones, not the cheap plastic ones :)<br><br>=
<br><br><br><div class=3D"gmail_quote">On Thu, Mar 17, 2011 at 8:30 PM, tEd=
 =AE kiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net=
">tedkillian@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div align=3D"LEF=
T"><font color=3D"#000000" face=3D"Verdana" size=3D"2">Mouser Electronics.<=
/font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">&lt;<a href=
=3D"http://www.mouser.com/Search/Refine.aspx?Keyword=3Dmountain+switch&amp;=
No=3D50&amp;FS=3DTrue" target=3D"_blank">http://www.mouser.com/Search/Refin=
e.aspx?Keyword=3Dmountain+switch&amp;No=3D50&amp;FS=3DTrue</a>&gt;</font></=
div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">I forget the =
exact link to the product.</font></div><font color=3D"#000000" face=3D"Verd=
ana" size=3D"2"><br>
</font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D=
"2">But they&#39;re less than $2 for only one (and even less if yu buy more=
) from mouser.</font></div><font color=3D"#000000" face=3D"Verdana" size=3D=
"2"><br></font><div align=3D"LEFT">
<font color=3D"#000000" face=3D"Verdana" size=3D"2">Back when I had EDPs, I=
 bought a bag of a couple of dozen from Mouser.</font></div><font color=3D"=
#000000" face=3D"Verdana" size=3D"2"><br></font><div align=3D"LEFT"><font c=
olor=3D"#000000" face=3D"Verdana" size=3D"2">It&#39;s a good idea to buy mo=
re than you immediately need - to have spares for the future.</font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">They areeasy =
to replace and not a difficult soldering job at all.</font></div><font colo=
r=3D"#000000" face=3D"Verdana" size=3D"2"><br>
</font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D=
"2">Anyone could do it.</font></div><font color=3D"#000000" face=3D"Verdana=
" size=3D"2"><br></font><div align=3D"LEFT"><font color=3D"#000000" face=3D=
"Verdana" size=3D"2">That&#39;s my 2 cents...</font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">Ted (again).<=
/font></div><div><div></div><div class=3D"h5"><font color=3D"#000000" face=
=3D"Verdana" size=3D"2"><br>
</font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D=
"2">On Thu, Mar 17, 2011 at 9:36 AM, andy soto wrote:</font></div><font col=
or=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=3D"LEFT"><=
font color=3D"#000000" face=3D"Verdana" size=3D"2">=A0<font size=3D"3"></fo=
nt></font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">=A0=
I&#39;m looking to replace the stompswitches from my EDP&#39;s foot control=
ler as well, but 10 bucks a piece for those switches on British audio seem =
expensive to me. </font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"3"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">=A0 is there =
another place I can buy them? </font></div><font color=3D"#000000" face=3D"=
Verdana" size=3D"3"><br>
</font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D=
"3">=A0Thanks, </font></div><font color=3D"#000000" face=3D"Verdana" size=
=3D"3"><br></font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verda=
na" size=3D"3">=A0Andy </font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"3"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">On Thu, Mar 1=
7, 2011 at 2:05 PM, Sylvain Poitras &lt; <font color=3D"#3333ff"><a><u>sylv=
ain.trombone@gmail.com</u></a></font>&gt; wrote: </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">Tha=
nks, Ted </font></div><div align=3D"LEFT"><font color=3D"#888888" face=3D"V=
erdana" size=3D"3">Sylvain </font></div><font color=3D"#888888" face=3D"Ver=
dana" size=3D"3"><br>
</font><font color=3D"#000000" face=3D"Verdana" size=3D"3"><br></font><div =
align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">On Wed, =
Mar 16, 2011 at 8:23 PM, tEd =AE kiLLiAn &lt; <font color=3D"#3333ff"><a><u=
>tedkillian@charter.net</u></a></font>&gt; wrote: </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
; Sylvain, </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D=
"Verdana" size=3D"3">&gt; </font></div><div align=3D"LEFT"><font color=3D"#=
000000" face=3D"Verdana" size=3D"3">&gt; If you are refering to the item &q=
uot;Model #: 73-SWT-EDP-FC-RED&quot; that you can </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
; scroll down to about mid-way down the page . . . looks like the right one=
s </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana"=
 size=3D"3">&gt; to me. </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
; </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana"=
 size=3D"3">&gt; They are indeed quiet, but don&#39;t take a lot of &quot;s=
tomping&quot; to break. (being </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
; largely plasic). </font></div><div align=3D"LEFT"><font color=3D"#000000"=
 face=3D"Verdana" size=3D"3">&gt; </font></div><div align=3D"LEFT"><font co=
lor=3D"#000000" face=3D"Verdana" size=3D"3">&gt; But those appear to be the=
 ones. </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
; </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana"=
 size=3D"3">&gt; Best, </font></div><div align=3D"LEFT"><font color=3D"#000=
000" face=3D"Verdana" size=3D"3">&gt; </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
; Ted </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verd=
ana" size=3D"3">&gt; </font></div><div align=3D"LEFT"><font color=3D"#00000=
0" face=3D"Verdana" size=3D"3">&gt; </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
; On Wed, Mar 16, 2011 at 4:26 PM, Sylvain Poitras wrote: </font></div><div=
 align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt; </=
font></div><div align=3D"LEFT">
<font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt;&gt; Hi, </font></d=
iv><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">=
&gt;&gt; </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"V=
erdana" size=3D"3">&gt;&gt; Couple of quick questions for those familiar wi=
th the EDP&#39;s foot </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
;&gt; controller. </font></div><div align=3D"LEFT"><font color=3D"#000000" =
face=3D"Verdana" size=3D"3">&gt;&gt; </font></div><div align=3D"LEFT"><font=
 color=3D"#000000" face=3D"Verdana" size=3D"3">&gt;&gt; 1- Are these the ri=
ght switches? </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
;&gt; <font color=3D"#3333ff"><a href=3D"http://britishaudioservice.com/par=
ts.php?cat=3D18" target=3D"_blank"><u>http://britishaudioservice.com/parts.=
php?cat=3D18</u></a></font>(Red EDP Tap Switch) </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
;&gt; </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verd=
ana" size=3D"3">&gt;&gt; 2- are these switches as responsive and quiet as t=
hey appear? </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
;&gt; </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verd=
ana" size=3D"3">&gt;&gt; 3- Anyone has a spare EDP foot controller to sell =
me on the cheap? </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
;&gt; </font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verd=
ana" size=3D"3">&gt;&gt; Thanks! </font></div><div align=3D"LEFT"><font col=
or=3D"#000000" face=3D"Verdana" size=3D"3">&gt;&gt; </font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"3">&gt=
;&gt; Sylvain </font></div><div align=3D"LEFT"><font color=3D"#000000" face=
=3D"Verdana" size=3D"3">&gt; </font></div><div align=3D"LEFT"><font color=
=3D"#000000" face=3D"Verdana" size=3D"3">&gt; </font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"3"><br></font><div align=
=3D"LEFT"><font color=3D"#3333ff" face=3D"Verdana" size=3D"3"><a href=3D"ht=
tp://britishaudioservice.com/parts.php?cat=3D18" target=3D"_blank"></a></fo=
nt></div><font color=3D"#000000" face=3D"Verdana" size=3D"3"><br>
</font></div></div></blockquote></div><br>

--0016e65a078c199fef049eb2fdbe--

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Subject: Re: EDP foot controller
From: Loaf citious <loafcitious@gmail.com>
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I like the metal ones from British Audio Supply.
Unless your only a flute into a condenser mic.
You won't mind the sound at all if your rockin'
w/ a guitar and a drum machine (well, that's my
experience).
And you won't have to replace them as often.
I only bought one extra and havn't used it yet.
The cost is much different immediately but,
if you play a lot, they will easily pay for themselves.
And it's much more fun if your used to 'stomp' boxes
and the like.

$0.02 from the Lurker.

Cheers,
Andy G.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 20:16:49 2011
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Date: Thu, 17 Mar 2011 21:16:47 +0100
Message-ID: <AANLkTikdr4A_4aKpNVCUyx=7JvtN78Za7exC9OPqBVDw@mail.gmail.com>
Subject: Re: EDP foot controller
From: andy soto <musicalmexicana@gmail.com>
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--e0cb4e3856d44cc4c7049eb357ae
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 Agree but  you must be able to buy those metal ones somewhere for less
money...

 Not that I have anything against BAS, I'm  just a musician on a budget,
like most people here :)

 Andy

On Thu, Mar 17, 2011 at 9:13 PM, Loaf citious <loafcitious@gmail.com> wrote:

> I like the metal ones from British Audio Supply.
> Unless your only a flute into a condenser mic.
> You won't mind the sound at all if your rockin'
> w/ a guitar and a drum machine (well, that's my
> experience).
> And you won't have to replace them as often.
> I only bought one extra and havn't used it yet.
> The cost is much different immediately but,
> if you play a lot, they will easily pay for themselves.
> And it's much more fun if your used to 'stomp' boxes
> and the like.
>
> $0.02 from the Lurker.
>
> Cheers,
> Andy G.
>
>

--e0cb4e3856d44cc4c7049eb357ae
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br>=A0Agree but=A0 you must be able to buy those metal ones somewhere for =
less money...<br><br>=A0Not that I have anything against BAS, I&#39;m=A0 ju=
st a musician on a budget, like most people here :)<br><br>=A0Andy<br><br><=
div class=3D"gmail_quote">
On Thu, Mar 17, 2011 at 9:13 PM, Loaf citious <span dir=3D"ltr">&lt;<a href=
=3D"mailto:loafcitious@gmail.com">loafcitious@gmail.com</a>&gt;</span> wrot=
e:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex;=
 border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I like the metal ones from British Audio Supply.<br>
Unless your only a flute into a condenser mic.<br>
You won&#39;t mind the sound at all if your rockin&#39;<br>
w/ a guitar and a drum machine (well, that&#39;s my<br>
experience).<br>
And you won&#39;t have to replace them as often.<br>
I only bought one extra and havn&#39;t used it yet.<br>
The cost is much different immediately but,<br>
if you play a lot, they will easily pay for themselves.<br>
And it&#39;s much more fun if your used to &#39;stomp&#39; boxes<br>
and the like.<br>
<br>
$0.02 from the Lurker.<br>
<br>
Cheers,<br>
Andy G.<br>
<br>
</blockquote></div><br>

--e0cb4e3856d44cc4c7049eb357ae--

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Thanks for sharing this Simeon!

Aidan's record Liminoid/Lifeforms (Alien8 Recordings) was definitely a =
highlight release for me last year.

-Myke





On 2011-03-17, at 7:30 AM, Simeon Harris wrote:

> played at the antwerp festival too. i thought he was rather splendid. =
you can watch his performance on vimeo here - http://vimeo.com/21133177
>=20
> very minimal setup. just a few boss pedals and an old akai headrush, =
but he developed a huge wash of sound that was very captivating.
>=20
> he's an extremely prolific artist and is constantly gigging and =
recording all over the world. nice chap, too.
>=20
> sim


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Thanks for sharing this Simeon!<div><br></div><div>Aidan's record Liminoid/Lifeforms (Alien8 Recordings) was definitely a highlight release for me last year.<br><div>
<span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><br>-Myke<br><br><br><br><br></span>
</div>
<br><div><div>On 2011-03-17, at 7:30 AM, Simeon Harris wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">played at the antwerp festival too. i thought he was rather splendid. you can watch his performance on vimeo here - <a href="http://vimeo.com/21133177">http://vimeo.com/21133177</a><br><br>very minimal setup. just a few boss pedals and an old akai headrush, but he developed a huge wash of sound that was very captivating.<br>
<br>he's an extremely prolific artist and is constantly gigging and recording all over the world. nice chap, too.<br><br>sim<br>
</blockquote></div><br></div></body></html>
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Aidan was amazing, a real pro, and my personal favorite of the night.
Anyway, here's the video of my own performance, a 15 minute ambient
soundscape with 3 unsynced loops.  Btw: we had cut the first 6-7
minutes due to a problem with FOH recorder. Enjoy :)
----
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Ahhh....here's the link http://vimeo.com/21169712
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: tape delay plug ins
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On Mon, Mar 14, 2011 at 6:26 PM, Per Boysen <perboysen@gmail.com> wrote:
> Seconded! UAD has always been "the best" among studio effect software
> plugin tools. One should add that they have only recently become
> available for laptop live musicians.

UAD indeed sounds amazing. Thanks for the tip Per, I didn't know they
had relased the UAD2 Satellite Firewire 400/800 series

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll continue the
month-long Special Focus on Richard Lainhart.  The Featured CD at
Midnight will be "White Night" on O-Town Music.  In the forst portion
of the show, Richard will play a live, in-studio concert.  For details,
See the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 21:49:49 2011
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Subject: Re: tape delay plug ins
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On Thu, Mar 17, 2011 at 10:22 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Mon, Mar 14, 2011 at 6:26 PM, Per Boysen <perboysen@gmail.com> wrote:
>> Seconded! UAD has always been "the best" among studio effect software
>> plugin tools. One should add that they have only recently become
>> available for laptop live musicians.
>
> UAD indeed sounds amazing. Thanks for the tip Per, I didn't know they
> had relased the UAD2 Satellite Firewire 400/800 series

Wasn't it released just recently at NAMM?

Per

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Subject: Re: Leinhos, Peter needs to stop using his work email for this list
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--bcaec517a8f6418f64049eb500ef
Content-Type: text/plain; charset=ISO-8859-1

This joke is growing more old every day.

None other uses his work e-mail for this list, why should dear Peter do
that?

We're not getting any out of office-spam here from any other list member,
why this goes on and on?

2011/3/17 <kkissinger@kevinkissinger.com>

> btw --
>
> A while back we were discussing some t-shirts with the (now famous)
> Leinhos, Peter is out of the office message on it.
>
> I really really want to buy one...  (sorry if I missed this information
> earlier).
>
> -- Kissinger, Kevin is in the office  :(
>
>
>
> Quoting Charles Zwicky <cazwicky@earthlink.net>:
>
>  Really? Really!
>>
>>  I will be out of the office starting  03/17/2011 and will not return
>>> until
>>> 03/21/2011.
>>>
>>> For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793
>>>
>>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>>> documents accompanying this transmission may contain privileged
>>> and/or confidential information and is intended solely for the
>>> addressee(s) named above. If you are not the intended
>>> addressee/recipient, you are hereby notified that any use of,
>>> disclosure, copying, distribution, or reliance on the contents of
>>> this E-Mail/telefax information is strictly prohibited and may
>>> result in legal action against you. Please reply to the sender
>>> advising of the error in transmission and immediately
>>> delete/destroy the message and any accompanying documents. Thank
>>> you.*****
>>>
>>
>>
>> --
>>
>> ...
>> http://www.zmix.net
>>
>> http://www.esession.com/ChuckZwicky
>>
>> http://albumcredits.com/zmix
>>
>
>
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

--bcaec517a8f6418f64049eb500ef
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This joke is growing more old every day.<br><br>None other uses his work e-=
mail for this list, why should dear Peter do that?<br><br>We&#39;re not get=
ting any out of office-spam here from any other list member, why this goes =
on and on?<br>
<br><div class=3D"gmail_quote">2011/3/17  <span dir=3D"ltr">&lt;<a href=3D"=
mailto:kkissinger@kevinkissinger.com">kkissinger@kevinkissinger.com</a>&gt;=
</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0=
.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
btw --<br>
<br>
A while back we were discussing some t-shirts with the (now famous) Leinhos=
, Peter is out of the office message on it.<br>
<br>
I really really want to buy one... =A0(sorry if I missed this information e=
arlier).<br>
<br>
-- Kissinger, Kevin is in the office =A0:(<div><div></div><div class=3D"h5"=
><br>
<br>
<br>
Quoting Charles Zwicky &lt;<a href=3D"mailto:cazwicky@earthlink.net" target=
=3D"_blank">cazwicky@earthlink.net</a>&gt;:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Really? Really!<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I will be out of the office starting =A003/17/2011 and will not return unti=
l<br>
03/21/2011.<br>
<br>
For telecom, Audio or Video issues, =A0contact Greg Bouffard @ 323 932 3793=
<br>
<br>
***** PLEASE NOTE ***** This E-Mail/telefax message and any<br>
documents accompanying this transmission may contain privileged<br>
and/or confidential information and is intended solely for the<br>
addressee(s) named above. If you are not the intended<br>
addressee/recipient, you are hereby notified that any use of,<br>
disclosure, copying, distribution, or reliance on the contents of<br>
this E-Mail/telefax information is strictly prohibited and may<br>
result in legal action against you. Please reply to the sender<br>
advising of the error in transmission and immediately<br>
delete/destroy the message and any accompanying documents. Thank<br>
you.*****<br>
</blockquote>
<br>
<br>
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a><br>
</blockquote>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http:=
//www.petrilahtinen.com</a><br><br>

--bcaec517a8f6418f64049eb500ef--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 22:33:50 2011
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Subject: ableton looper question
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi folks,
In experimenting with Ableton one of the thigs im finding a bit
ackward to deal with is the presence of the plugins when changing
tracks.
Just like on a pedalboard i would like to have a constant visual
control of the looper and the plugin fx regardless of the current
track status,is quite frustrating loosing sight of them as i trigger a
scene or clip or whatever.
Im quite new to this so all of your expert tips are welcome!
thanx
Luis


-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 22:36:00 2011
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Date: Thu, 17 Mar 2011 18:35:34 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: tape delay plug ins
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Yes it was announced at NAMM.

Be aware that  the UAD plugins cannot be used in real-time  without 
suffering from the latency  imposed by  I/O buffering.  In a mixdown 
situation a DAW will compensate for latency automatically.


>On Thu, Mar 17, 2011 at 10:22 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
>>  On Mon, Mar 14, 2011 at 6:26 PM, Per Boysen <perboysen@gmail.com> wrote:
>>>  Seconded! UAD has always been "the best" among studio effect software
>>>  plugin tools. One should add that they have only recently become
>>>  available for laptop live musicians.
>>
>>  UAD indeed sounds amazing. Thanks for the tip Per, I didn't know they
>>  had relased the UAD2 Satellite Firewire 400/800 series
>
>Wasn't it released just recently at NAMM?
>
>Per


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Thu Mar 17 22:43:12 2011
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Date: Fri, 18 Mar 2011 00:30:45 +0200
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Subject: Re: Stretched Landscape remixed
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--bcaec51a76f65c5b45049eb5368c
Content-Type: text/plain; charset=ISO-8859-1

Great work Michael. Listened to whole album today, lovely piece of work!

2011/3/17 Michael Peters <mp@mpeters.de>

> go to http://bit.ly/fTITfB for a free download album of remixes of the
> ambient Stretched Landscape #1 (which contains loops, yes :). A number of
> LD
> loopers are among the remixers.
>
> -Michael
>
>


-- 
Petri Lahtinen

http://www.petrilahtinen.com

--bcaec51a76f65c5b45049eb5368c
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Great work Michael. Listened to whole album today, lovely piece of work!<br=
><br><div class=3D"gmail_quote">2011/3/17 Michael Peters <span dir=3D"ltr">=
&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span><br><block=
quote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left=
: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
go to <a href=3D"http://bit.ly/fTITfB" target=3D"_blank">http://bit.ly/fTIT=
fB</a> for a free download album of remixes of the<br>
ambient Stretched Landscape #1 (which contains loops, yes :). A number of L=
D<br>
loopers are among the remixers.<br>
<font color=3D"#888888"><br>
-Michael<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www=
.petrilahtinen.com</a><br><br>

--bcaec51a76f65c5b45049eb5368c--

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Date: Thu, 17 Mar 2011 16:00:00 -0700
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Subject: Re: Stretched Landscape remixed
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Very nice sounds.  I enjoyed it quite a bit (or rather, am enjoying it).

Kevin



On Thu, Mar 17, 2011 at 3:30 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> Great work Michael. Listened to whole album today, lovely piece of work!
>
> 2011/3/17 Michael Peters <mp@mpeters.de>
>>
>> go to http://bit.ly/fTITfB for a free download album of remixes of the
>> ambient Stretched Landscape #1 (which contains loops, yes :). A number o=
f
>> LD
>> loopers are among the remixers.
>>
>> -Michael
>>
>
>
>
> --
> Petri Lahtinen
>
> http://www.petrilahtinen.com
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 01:52:32 2011
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Subject: ImprovFriday benefit for Japan
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0023545bdbc0e9b235049eb807c3
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Hey gang I wanted to tell you about a benefit going on at ImprovFriday.

This evening, March 17th through Saturday, March 19th at 6pm PST (9pm
EST/local time) the *ImprovFriday <http://improvfriday.ning.com>* online
music community of which I am participating, is holding a benefit event to
gain support for the people of Japan from their recent catastrophic events.


Our normal end of the week and weekend thread event of work is being
facilitated this weekend to encourage donations to the Red Cross efforts in
Japan following the post earthquake and tsunami that shook Japan.  Visit us
at http://improvfriday.ning.com and hear music being created in this 2 plus
day event by members of ImprovFriday for the benefit.  Additionally on
Saturday there will be several live video concerts from participating
artists including Rainer, possibly Jeff Duke (experiencing broadband issues
that may preclude), myself, Steve Goodman and others during the day and
evening.  Scheduling for the live shows is still being planned but at
present starts at 11am EST.  These times are subject to change so I will
send a followup email later.

A donation link to the Red Cross site is provided on the opening page porta=
l
where all the music and events will be displayed.

Please join us all through the next 2.5 days as we through our collective
music raise support, awareness and healing tones for the shaken Japanese
people.

Thanks and have a great loopin' weekend.

Jim

--
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF <http://www.jdrf.org>Internation=
al.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com



--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--0023545bdbc0e9b235049eb807c3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div class=3D"gmail_quote">Hey gang I wanted to tell you about a benefi=
t going on at ImprovFriday.<br><br>This evening, March 17th through Saturda=
y, March 19th at 6pm PST (9pm EST/local time) the <b><a href=3D"http://impr=
ovfriday.ning.com" target=3D"_blank">ImprovFriday</a></b> online music comm=
unity of which I am participating, is holding a benefit event to gain suppo=
rt for the people of Japan from their recent catastrophic events.=A0 <br>




<br>Our normal end of the week and weekend thread event of work is being fa=
cilitated this weekend to encourage donations to the Red Cross efforts in J=
apan following the post earthquake and tsunami that shook Japan.=A0 Visit u=
s at <a href=3D"http://improvfriday.ning.com" target=3D"_blank">http://impr=
ovfriday.ning.com</a> and hear music being created in this 2 plus day event=
 by members of ImprovFriday for the benefit.=A0 Additionally on Saturday th=
ere will be several live video concerts from participating artists includin=
g Rainer, possibly Jeff Duke (experiencing broadband issues that may preclu=
de), myself, Steve Goodman and others during the day and evening.=A0 Schedu=
ling for the live shows is still being planned but at present starts at 11a=
m EST.=A0 These times are subject to change so I will send a followup email=
 later.<br>




<br>A donation link to the Red Cross site is provided on the opening page p=
ortal where all the music and events will be displayed.<br>



<br>Please join us all through the next 2.5 days as we through our collecti=
ve music raise support, awareness and healing tones for the shaken Japanese=
 people.<br><br>Thanks and have a great loopin&#39; weekend.<br><br>Jim <br=
>
<font color=3D"#888888"><br>--<br>



>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &a=
mp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit <a =
href=3D"http://www.jdrf.org" target=3D"_blank">JDRF</a> International.=A0 <=
a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoo=
dinpeterthorn.bandcamp.com</a>.<br>




<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</font></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To Glindran<=
/i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 =
Proceeds<br>from the sale of this CD will benefit JDRF International.=A0 <a=
 href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgood=
inpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--0023545bdbc0e9b235049eb807c3--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 08:29:02 2011
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MIME-Version: 1.0
To: Loopers-Delight@loopers-delight.com
Subject: Re: tape delay plug ins
References: <20110314134753.77A7C183465@arsenic.violacea.com> <4010d285854aa03b7ef8f72e1eaad0fc.squirrel@cruziomail.cruzio.com> <2686240D-76C7-47FD-8773-586EE389FD81@mac.com> <AANLkTikAaaHzH3FAyfgKoJQW-h6rFzB_Hc5MRZu9hTGL@mail.gmail.com> <AANLkTin5T5rU9z686Utma0Spw7D0XagTuNev=K+ETba3@mail.gmail.com> <AANLkTine_O_2NGOan57DT9vCDcCwDw5OzTWGZXMS+T8h@mail.gmail.com> <p06240822c9a83c811737@[192.168.2.2]>
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hi Charles,
is that more than the regular latency
from a pc/mac?
How much in mS (if that's answerable)?

ta
andy

Charles Zwicky wrote:
> Yes it was announced at NAMM.
> 
> Be aware that  the UAD plugins cannot be used in real-time  without 
> suffering from the latency  imposed by  I/O buffering.  In a mixdown 
> situation a DAW will compensate for latency automatically.
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 08:29:21 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: ableton looper question
Date: Fri, 18 Mar 2011 08:29:19 +0000
Importance: Normal
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--_2066cb39-d24d-45cb-a0ec-79b726905fb1_
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Do you need to change tracks? Why not select the track with the looper on s=
 that you can se your looper lights and fire all your other loops etc using=
 the computer/midi keyboard?



Peace


Gareth@Sentientfx -  Innovative music plugins. http://sentientfx.com/



> Date: Thu=2C 17 Mar 2011 23:33:46 +0100
> Subject: ableton looper question
> From: louie.angulo@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> Hi folks=2C
> In experimenting with Ableton one of the thigs im finding a bit
> ackward to deal with is the presence of the plugins when changing
> tracks.
> Just like on a pedalboard i would like to have a constant visual
> control of the looper and the plugin fx regardless of the current
> track status=2Cis quite frustrating loosing sight of them as i trigger a
> scene or clip or whatever.
> Im quite new to this so all of your expert tips are welcome!
> thanx
> Luis
>=20
>=20
> --=20
> www.luis-angulo.com
>=20
 		 	   		  =

--_2066cb39-d24d-45cb-a0ec-79b726905fb1_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Do you need to change tracks? Why not select the track with the looper on s=
 that you can se your looper lights and fire all your other loops etc using=
 the computer/midi keyboard?<br><br><br><br>Peace<br><br><br>Gareth@Sentien=
tfx -&nbsp=3B Innovative music plugins. <a href=3D"http://sentientfx.com/" =
target=3D"_blank">http://sentientfx.com/</a><br><br><br><br>&gt=3B Date: Th=
u=2C 17 Mar 2011 23:33:46 +0100<br>&gt=3B Subject: ableton looper question<=
br>&gt=3B From: louie.angulo@googlemail.com<br>&gt=3B To: loopers-delight@l=
oopers-delight.com<br>&gt=3B <br>&gt=3B Hi folks=2C<br>&gt=3B In experiment=
ing with Ableton one of the thigs im finding a bit<br>&gt=3B ackward to dea=
l with is the presence of the plugins when changing<br>&gt=3B tracks.<br>&g=
t=3B Just like on a pedalboard i would like to have a constant visual<br>&g=
t=3B control of the looper and the plugin fx regardless of the current<br>&=
gt=3B track status=2Cis quite frustrating loosing sight of them as i trigge=
r a<br>&gt=3B scene or clip or whatever.<br>&gt=3B Im quite new to this so =
all of your expert tips are welcome!<br>&gt=3B thanx<br>&gt=3B Luis<br>&gt=
=3B <br>&gt=3B <br>&gt=3B -- <br>&gt=3B www.luis-angulo.com<br>&gt=3B <br> =
		 	   		  </body>
</html>=

--_2066cb39-d24d-45cb-a0ec-79b726905fb1_--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 09:13:42 2011
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Subject: Re: ableton looper question
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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yes i need to change tracks constantly,i have a track with a
microphone input,and for the nylon string,plus i trigger the drum
loops that are on on and off as well.
Im trying to cotrol everything with the behringer FCB1010,im just
looking for a way to always see the state of the looper as i change
tracks.
Luis

On Fri, Mar 18, 2011 at 9:29 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Do you need to change tracks? Why not select the track with the looper on=
 s
> that you can se your looper lights and fire all your other loops etc usin=
g
> the computer/midi keyboard?
>
>
>
> Peace
>
>
> Gareth@Sentientfx -=A0 Innovative music plugins. http://sentientfx.com/
>
>
>
>> Date: Thu, 17 Mar 2011 23:33:46 +0100
>> Subject: ableton looper question
>> From: louie.angulo@googlemail.com
>> To: loopers-delight@loopers-delight.com
>>
>> Hi folks,
>> In experimenting with Ableton one of the thigs im finding a bit
>> ackward to deal with is the presence of the plugins when changing
>> tracks.
>> Just like on a pedalboard i would like to have a constant visual
>> control of the looper and the plugin fx regardless of the current
>> track status,is quite frustrating loosing sight of them as i trigger a
>> scene or clip or whatever.
>> Im quite new to this so all of your expert tips are welcome!
>> thanx
>> Luis
>>
>>
>> --
>> www.luis-angulo.com
>>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 09:44:15 2011
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Subject: Re: ableton looper question
From: Per Boysen <perboysen@gmail.com>
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Are you sure you really want to stare at the screen wile performing?
The tracks and ports in Live works just the same if not being the
selected track in the Session View. So there is no technical need for
selecting tracks.

Here's a tip: since a couple of versions back Live supports multiple
MIDI bindings! This makes it possible for your to assign the same MIDI
note number to both (just as an example) Looper Overdub and for
selection of the track that hosts this instance of Looper. So every
time you press your Overdub pedal the Looper GUI will be displayed on
the screen (since it is part of the track that is being selected by
the same MIDI note number).

The "hot spot area" to click on to assign external MIDI events for
track selection is the top cell of the track, where the number or name
can be written.

Per


On Fri, Mar 18, 2011 at 10:13 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> yes i need to change tracks constantly,i have a track with a
> microphone input,and for the nylon string,plus i trigger the drum
> loops that are on on and off as well.
> Im trying to cotrol everything with the behringer FCB1010,im just
> looking for a way to always see the state of the looper as i change
> tracks.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 11:08:47 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: ableton looper question
Date: Fri, 18 Mar 2011 11:08:45 +0000
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Also=2C I have a latching footpedal that has an led powered by a battery th=
at tells you whether it's on or off. Maybe this would help?


Peace


Gareth@Sentientfx -  Innovative music plugins. http://sentientfx.com/



> Date: Fri=2C 18 Mar 2011 10:44:13 +0100
> Subject: Re: ableton looper question
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Are you sure you really want to stare at the screen wile performing?
> The tracks and ports in Live works just the same if not being the
> selected track in the Session View. So there is no technical need for
> selecting tracks.
>=20
> Here's a tip: since a couple of versions back Live supports multiple
> MIDI bindings! This makes it possible for your to assign the same MIDI
> note number to both (just as an example) Looper Overdub and for
> selection of the track that hosts this instance of Looper. So every
> time you press your Overdub pedal the Looper GUI will be displayed on
> the screen (since it is part of the track that is being selected by
> the same MIDI note number).
>=20
> The "hot spot area" to click on to assign external MIDI events for
> track selection is the top cell of the track=2C where the number or name
> can be written.
>=20
> Per
>=20
>=20
> On Fri=2C Mar 18=2C 2011 at 10:13 AM=2C Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > yes i need to change tracks constantly=2Ci have a track with a
> > microphone input=2Cand for the nylon string=2Cplus i trigger the drum
> > loops that are on on and off as well.
> > Im trying to cotrol everything with the behringer FCB1010=2Cim just
> > looking for a way to always see the state of the looper as i change
> > tracks.
>=20
 		 	   		  =

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Also=2C I have a latching footpedal that has an led powered by a battery th=
at tells you whether it's on or off. Maybe this would help?<br><br><br>Peac=
e<br><br><br>Gareth@Sentientfx -&nbsp=3B Innovative music plugins. <a href=
=3D"http://sentientfx.com/" target=3D"_blank">http://sentientfx.com/</a><br=
><br><br><br>&gt=3B Date: Fri=2C 18 Mar 2011 10:44:13 +0100<br>&gt=3B Subje=
ct: Re: ableton looper question<br>&gt=3B From: perboysen@gmail.com<br>&gt=
=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Are you su=
re you really want to stare at the screen wile performing?<br>&gt=3B The tr=
acks and ports in Live works just the same if not being the<br>&gt=3B selec=
ted track in the Session View. So there is no technical need for<br>&gt=3B =
selecting tracks.<br>&gt=3B <br>&gt=3B Here's a tip: since a couple of vers=
ions back Live supports multiple<br>&gt=3B MIDI bindings! This makes it pos=
sible for your to assign the same MIDI<br>&gt=3B note number to both (just =
as an example) Looper Overdub and for<br>&gt=3B selection of the track that=
 hosts this instance of Looper. So every<br>&gt=3B time you press your Over=
dub pedal the Looper GUI will be displayed on<br>&gt=3B the screen (since i=
t is part of the track that is being selected by<br>&gt=3B the same MIDI no=
te number).<br>&gt=3B <br>&gt=3B The "hot spot area" to click on to assign =
external MIDI events for<br>&gt=3B track selection is the top cell of the t=
rack=2C where the number or name<br>&gt=3B can be written.<br>&gt=3B <br>&g=
t=3B Per<br>&gt=3B <br>&gt=3B <br>&gt=3B On Fri=2C Mar 18=2C 2011 at 10:13 =
AM=2C Louie Angulo<br>&gt=3B &lt=3Blouie.angulo@googlemail.com&gt=3B wrote:=
<br>&gt=3B &gt=3B yes i need to change tracks constantly=2Ci have a track w=
ith a<br>&gt=3B &gt=3B microphone input=2Cand for the nylon string=2Cplus i=
 trigger the drum<br>&gt=3B &gt=3B loops that are on on and off as well.<br=
>&gt=3B &gt=3B Im trying to cotrol everything with the behringer FCB1010=2C=
im just<br>&gt=3B &gt=3B looking for a way to always see the state of the l=
ooper as i change<br>&gt=3B &gt=3B tracks.<br>&gt=3B <br> 		 	   		  </body=
>
</html>=

--_3965b4ac-3796-4a26-9b06-47b75d7e535a_--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 11:48:44 2011
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Date: Fri, 18 Mar 2011 07:48:30 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: tape delay plug ins
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The latency for the UAD PCIe based system is typically double the 
buffer +64 samples, according to the UA web FAQ latency is greater 
for the FW Satellite.

>hi Charles,
>is that more than the regular latency
>from a pc/mac?
>How much in mS (if that's answerable)?
>
>ta
>andy
>
>Charles Zwicky wrote:
>>Yes it was announced at NAMM.
>>
>>Be aware that  the UAD plugins cannot be used in real-time  without 
>>suffering from the latency  imposed by  I/O buffering.  In a 
>>mixdown situation a DAW will compensate for latency automatically.


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-911673579==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: tape delay plug ins</title></head><body>
<div>The latency for the UAD PCIe based system is typically double the
buffer +64 samples, according to the UA web FAQ latency is greater&nbsp;
for the FW<font color="#000000"> Satellite</font>.</div>
<div><br></div>
<blockquote type="cite" cite>hi Charles,<br>
is that more than the regular latency<br>
from a pc/mac?<br>
How much in mS (if that's answerable)?<br>
<br>
ta<br>
andy<br>
<br>
Charles Zwicky wrote:
<blockquote type="cite" cite>Yes it was announced at NAMM.<br>
<br>
Be aware that&nbsp; the UAD plugins cannot be used in real-time&nbsp;
without suffering from the latency&nbsp; imposed by&nbsp; I/O
buffering.&nbsp; In a mixdown situation a DAW will compensate for
latency automatically.</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-911673579==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 13:13:32 2011
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Date: Fri, 18 Mar 2011 13:13:25 -0000
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Subject: Re: EDP foot controller
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On 16 Mar 2011 at 19:26, Sylvain Poitras wrote:

> 3- Anyone has a spare EDP foot controller to sell me on the cheap?

I've just made my own, using a =A310 ebay marshall footswitch as the 
basis and an arduino chip to control it - total cost about =A340 and 
it's fully programmable. 

This was my photoshop mockup 

http://www.nickrobinson.info/music/images/troller.jpg

and this is the reality (so far)

http://www.nickrobinson.info/music/images/troller3.jpg

I'm now wrestling with the subleties of creating a matrix of 
footswitches so I can add more functionality to it.

As with the other thread, it would be good to find pressed steel 
containers so I could position the holes only where I wanted them - 
those on the marshall were too central.



All the best,

Nick Robinson

music site : 	http://www.looping.me.uk
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 13:42:03 2011
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Date: Fri, 18 Mar 2011 14:41:59 +0100
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Subject: Re: Leinhos, Peter needs to stop using his work email for this list
From: Louie Angulo <louie.angulo@googlemail.com>
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i just delete it

On Thu, Mar 17, 2011 at 11:15 PM, Petri Lahtinen
<kollegavalmentaja@gmail.com> wrote:
> This joke is growing more old every day.
>
> None other uses his work e-mail for this list, why should dear Peter do
> that?
>
> We're not getting any out of office-spam here from any other list member,
> why this goes on and on?
>
> 2011/3/17 <kkissinger@kevinkissinger.com>
>>
>> btw --
>>
>> A while back we were discussing some t-shirts with the (now famous)
>> Leinhos, Peter is out of the office message on it.
>>
>> I really really want to buy one... =A0(sorry if I missed this informatio=
n
>> earlier).
>>
>> -- Kissinger, Kevin is in the office =A0:(
>>
>>
>> Quoting Charles Zwicky <cazwicky@earthlink.net>:
>>
>>> Really? Really!
>>>
>>>> I will be out of the office starting =A003/17/2011 and will not return
>>>> until
>>>> 03/21/2011.
>>>>
>>>> For telecom, Audio or Video issues, =A0contact Greg Bouffard @ 323 932
>>>> 3793
>>>>
>>>> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>>>> documents accompanying this transmission may contain privileged
>>>> and/or confidential information and is intended solely for the
>>>> addressee(s) named above. If you are not the intended
>>>> addressee/recipient, you are hereby notified that any use of,
>>>> disclosure, copying, distribution, or reliance on the contents of
>>>> this E-Mail/telefax information is strictly prohibited and may
>>>> result in legal action against you. Please reply to the sender
>>>> advising of the error in transmission and immediately
>>>> delete/destroy the message and any accompanying documents. Thank
>>>> you.*****
>>>
>>>
>>> --
>>>
>>> ...
>>> http://www.zmix.net
>>>
>>> http://www.esession.com/ChuckZwicky
>>>
>>> http://albumcredits.com/zmix
>>
>>
>>
>
>
>
> --
> Petri Lahtinen
>
> http://www.petrilahtinen.com
>
>



--=20
www.luis-angulo.com

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Date: Fri, 18 Mar 2011 14:58:05 +0100
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Subject: Re: EDP foot controller
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Sent from my (advertisement removed)

On 18 Mar 2011, at 14:13, "nick@12testing.net" <nick@1957.me.uk> wrote:

> On 16 Mar 2011 at 19:26, Sylvain Poitras wrote:
>
>> 3- Anyone has a spare EDP foot controller to sell me on the cheap?
>

I do!!! Brand new!! Mail me offlist!

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Subject: Re: OT: Cry Baby: The Pedal That Rocks The World
Date: Fri, 18 Mar 2011 07:59:16 -0700
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Cool documentary.

Thanks for sharing that.

On Mar 17, 2011, at 9:37 AM, cpr@musetrap.com wrote:

> for us musical history geeks.. :)
>
> http://vimeo.com/20902369

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Date: Fri, 18 Mar 2011 12:08:25 -0400
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Subject: Galactic Travels Playlist #728 for March 17, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110317.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #728                March 17, 2011.

RECAP:
On this show, I continued the month-long focus on Richard Lainhart.  The
Featured CD at Midnight was "White Night" on O-Town Music.


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Jordan Rudess and    Part 1 * --          A Fistful of Patchcords (none)
   Richard Lainhart
Richard Lainhart     studio concert
Jordan Rudess and    Part 1 *             A Fistful of Patchcords (none)
   Richard Lainhart

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Richard Lainhart     White Night          White Night (Ex Ovo)
Galactic Anthems     Fog Across the Moor  The Other Side (none)
Galactic Anthems     Ghosts of the        The Other Side (none)
                        Adalusian Plain
Juta Takahashi       Ararat               Silence (Lunisolar)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Richard Lainhart.  The Featured CD at Midnight will be "The Beautiful
Blue Sky" on O-Town Music.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 16:58:41 2011
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Subject: Re: ableton looper question
From: Daniel Thomas <danielthomas4@mac.com>
In-reply-to: <AANLkTimXfDwFm-xX0f5sLxAvedfuKAO80pM1O7fpvF9g@mail.gmail.com>
Date: Fri, 18 Mar 2011 09:58:37 -0700
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> i need to change tracks constantly,i have a track with a
> microphone input,and for the nylon string,plus i trigger the drum
> loops that are on on and off as well.

I found the looper in Ableton to be quite difficult to manage when running multiple loops in sync-- plug in view switching being one among many limitations.  

So, I run a single multitrack looper (Mobius) on a single Ableton channel strip.  Mobius then ports its 8 loops to dedicated channel strips in Ableton.  

In that way, I can keep the Mobius interface on the screen most of the time.  I just run all my inputs through a hw mixer and then into a single Ableton channel.  On this channel I run Mobius which provides 8 synchronous loops.  

On related note, mapping a midi control to the channel select functions can make for easy one button return to a given plugin view.   I use the AKAI live controller but any midi control change will work. 

Make sense?

daniel 

    
On Mar 18, 2011, at 2:13 AM, Louie Angulo wrote:

> yes i need to change tracks constantly,i have a track with a
> microphone input,and for the nylon string,plus i trigger the drum
> loops that are on on and off as well.
> Im trying to cotrol everything with the behringer FCB1010,im just
> looking for a way to always see the state of the looper as i change
> tracks.
> Luis
> 
> On Fri, Mar 18, 2011 at 9:29 AM, Gareth Whittock
> <buddhamachine@live.co.uk> wrote:
>> Do you need to change tracks? Why not select the track with the looper on s
>> that you can se your looper lights and fire all your other loops etc using
>> the computer/midi keyboard?
>> 
>> 
>> 
>> Peace
>> 
>> 
>> Gareth@Sentientfx -  Innovative music plugins. http://sentientfx.com/
>> 
>> 
>> 
>>> Date: Thu, 17 Mar 2011 23:33:46 +0100
>>> Subject: ableton looper question
>>> From: louie.angulo@googlemail.com
>>> To: loopers-delight@loopers-delight.com
>>> 
>>> Hi folks,
>>> In experimenting with Ableton one of the thigs im finding a bit
>>> ackward to deal with is the presence of the plugins when changing
>>> tracks.
>>> Just like on a pedalboard i would like to have a constant visual
>>> control of the looper and the plugin fx regardless of the current
>>> track status,is quite frustrating loosing sight of them as i trigger a
>>> scene or clip or whatever.
>>> Im quite new to this so all of your expert tips are welcome!
>>> thanx
>>> Luis
>>> 
>>> 
>>> --
>>> www.luis-angulo.com
>>> 
>> 
> 
> 
> 
> -- 
> www.luis-angulo.com
> 

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Subject: Re: Stretched Landscape remixed
From: Matt Davignon <mattdavignon@gmail.com>
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I got a chance to listen to the whole thing last night. The level of
artistry and craft is astounding, and puts my own submission (which I
was previously very proud of) to shame. Thanks everyone!

The link, btw, is http://veloopity.bandcamp.com/
(in case you don't like the blindness of url shorteners like bit.ly.)

--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


On Thu, Mar 17, 2011 at 4:00 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Very nice sounds. =A0I enjoyed it quite a bit (or rather, am enjoying it)=
.
>
> Kevin
>
>
>
> On Thu, Mar 17, 2011 at 3:30 PM, Petri Lahtinen
> <kollegavalmentaja@gmail.com> wrote:
>> Great work Michael. Listened to whole album today, lovely piece of work!
>>
>> 2011/3/17 Michael Peters <mp@mpeters.de>
>>>
>>> go to http://bit.ly/fTITfB for a free download album of remixes of the
>>> ambient Stretched Landscape #1 (which contains loops, yes :). A number =
of
>>> LD
>>> loopers are among the remixers.
>>>
>>> -Michael
>>>
>>
>>
>>
>> --
>> Petri Lahtinen
>>
>> http://www.petrilahtinen.com
>>
>>
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

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Subject: Recital & Webcast Sunday
From: daryl shawn <darylshawn@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e86ba89daf7049ec5e6d9
Content-Type: text/plain; charset=ISO-8859-1

This Sunday I'm doing a big recital of my music, including some
looping, which I've been planning a long time. It's in New York
(Brooklyn), but for those of you interested, I'm going to be doing a
live video stream as well.

The recital will start with some solo acoustic guitar pieces, then
there'll be a short intermission, after which I'll be premiering a
song cycle (with lyrics) that I wrote especially for this occasion,
with an ensemble of three classical vocalists and a rhythm section
from the local nu-jazz scene. I'll have my looping four-track &
Dictaphone set up and will be doing some live looping/tape
manipulations in a few of the pieces, along with my straight
nylon-string.

I've never done anything quite like this before and I'm really really excited.

It happens at 4 p.m. EST (8 p.m. UTC) this Sunday, the 20th. The
webcast will be at http://www.ustream.tv/channel/live-from-everywhere.
I'll also be archiving the video, which will be accessible at the same
address after the fact.

If you're in New York, here's the physical location:

South Oxford Space

138 South Oxford St., Brooklyn, NY, 2nd floor

admission by sliding scale donation, $10-5


Can't wait...


Daryl Shawn

www.swanwelder.com

--90e6ba6e86ba89daf7049ec5e6d9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<span class=3D"Apple-style-span" style=3D"border-collapse: collapse; "><pre=
 style=3D"white-space: pre-wrap; word-wrap: break-word; font-family: &#39;T=
imes New Roman&#39;; font-size: medium; ">This Sunday I&#39;m doing a big r=
ecital of my music, including some looping, which I&#39;ve been planning a =
long time. It&#39;s in New York (Brooklyn), but for those of you interested=
, I&#39;m going to be doing a live video stream as well.</pre>
<pre style=3D"word-wrap: break-word; "><font class=3D"Apple-style-span" fac=
e=3D"&#39;Times New Roman&#39;" size=3D"3"><span class=3D"Apple-style-span"=
 style=3D"white-space: pre-wrap;">T</span></font><span class=3D"Apple-style=
-span" style=3D"font-family: arial; font-size: small; white-space: normal; =
">he recital will start with some solo acoustic guitar pieces, then there&#=
39;ll be a short intermission, after which I&#39;ll be premiering a song cy=
cle (with lyrics) that I wrote especially for this occasion, with an ensemb=
le of three classical vocalists and a rhythm section from the local nu-jazz=
 scene. I&#39;ll have my looping four-track &amp; Dictaphone set up and wil=
l be doing some live looping/tape manipulations in a few of the pieces, alo=
ng with my straight nylon-string.=A0</span></pre>
<pre style=3D"word-wrap: break-word; "><span class=3D"Apple-style-span" sty=
le=3D"font-family: arial; white-space: normal; ">I&#39;ve never done anythi=
ng quite like this before and I&#39;m really really excited.=A0</span></pre=
><pre style=3D"word-wrap: break-word; ">
<font class=3D"Apple-style-span" face=3D"arial"><span class=3D"Apple-style-=
span" style=3D"white-space: normal;">It happens at 4 p.m. EST (8 p.m. UTC) =
this Sunday, the 20th. The webcast will be at=A0</span></font><span class=
=3D"Apple-style-span" style=3D"white-space: pre-wrap; font-family: &#39;Tim=
es New Roman&#39;; font-size: medium; "><span style=3D"font-family: arial; =
font-size: small; white-space: normal; "><a href=3D"http://www.ustream.tv/c=
hannel/live-from-everywhere" target=3D"_blank" style=3D"color: rgb(0, 0, 20=
4); ">http://www.ustream.tv/channel/live-from-everywhere</a>. I&#39;ll also=
 be archiving the video, which will be accessible at the same address after=
 the fact.</span></span></pre>
<pre style=3D"word-wrap: break-word; "><font class=3D"Apple-style-span" fac=
e=3D"arial"><span class=3D"Apple-style-span" style=3D"white-space: normal;"=
>If you&#39;re in New York, here&#39;s the physical location:</span></font>=
</pre>
<pre style=3D"white-space: pre-wrap; word-wrap: break-word; font-family: ar=
ial, sans-serif; font-size: 13px; "><font face=3D"arial"><span style=3D"whi=
te-space: normal; "><span style=3D"border-collapse: collapse; font-family: =
arial, sans-serif; font-size: 13px; "><p class=3D"MsoNormal" style=3D"margi=
n-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">
<span style=3D"line-height: 15px; font-family: arial, sans-serif; ">South O=
xford Space</span></p><p class=3D"MsoNormal" style=3D"margin-top: 0px; marg=
in-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span style=3D"line-=
height: 15px; font-family: arial, sans-serif; ">138 South Oxford St., Brook=
lyn, NY, 2nd floor</span></p>
<p class=3D"MsoNormal" style=3D"margin-top: 0px; margin-right: 0px; margin-=
bottom: 0px; margin-left: 0px; "><span class=3D"Apple-style-span" style=3D"=
line-height: 15px; ">admission by sliding scale donation, $10-5</span></p><=
p class=3D"MsoNormal" style=3D"margin-top: 0px; margin-right: 0px; margin-b=
ottom: 0px; margin-left: 0px; ">
<span class=3D"Apple-style-span" style=3D"line-height: 15px; "><br></span><=
/p><p class=3D"MsoNormal" style=3D"margin-top: 0px; margin-right: 0px; marg=
in-bottom: 0px; margin-left: 0px; "><span class=3D"Apple-style-span" style=
=3D"line-height: 15px;">Can&#39;t wait...</span></p>
<p class=3D"MsoNormal" style=3D"margin-top: 0px; margin-right: 0px; margin-=
bottom: 0px; margin-left: 0px; "><span class=3D"Apple-style-span" style=3D"=
line-height: 15px;"><br></span></p><p class=3D"MsoNormal" style=3D"margin-t=
op: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">
<span class=3D"Apple-style-span" style=3D"line-height: 15px; ">Daryl Shawn<=
/span></p><p class=3D"MsoNormal" style=3D"margin-top: 0px; margin-right: 0p=
x; margin-bottom: 0px; margin-left: 0px; "><span class=3D"Apple-style-span"=
 style=3D"line-height: 15px; "><a href=3D"http://www.swanwelder.com">www.sw=
anwelder.com</a></span></p>
</span></span></font></pre></span>

--90e6ba6e86ba89daf7049ec5e6d9--

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Subject: Re: Stretched Landscape remixed
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--20cf3071c97ce285cd049ec63546
Content-Type: text/plain; charset=ISO-8859-1

2011/3/18 Matt Davignon <mattdavignon@gmail.com>

> I got a chance to listen to the whole thing last night.


A very nice album indeed. I shoud add that the cover art is a great piece of
art "per se" .

-f
www.eterogeneo.com

--20cf3071c97ce285cd049ec63546
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br>
<div class=3D"gmail_quote">2011/3/18 Matt Davignon <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt;</spa=
n><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I got a chance to listen to the =
whole thing last night. </blockquote>
<div>=A0</div>
<div>A very nice album indeed. I shoud=A0add that the cover art is a great =
piece of art &quot;per se&quot; .</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div></div>

--20cf3071c97ce285cd049ec63546--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 20:07:04 2011
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Now I love both version, the original and this one. Well done, enjoyed
it very much :)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 18 20:11:43 2011
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Subject: Re: bitrman
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On Sun, Mar 13, 2011 at 5:46 PM,  <nemoguitt@aol.com> wrote:
> the wait.....also on another note, i think someone wrote that the M9 can
> take 2 xpression pedals, is this true?

Yes, see http://www.thomann.de/be/media_bdbviewer_AR_236379.html?image=14

But expression pedals are bad for polka music ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 01:02:35 2011
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Subject: Re: ableton looper question
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I'm loving this thread, Daniel and Per. Midi bindings... nice.

These are exactly the kind of specific instructions that really help =
someone actually figure it out.

Glad I eavesdropped on this one. Thank you.

---Christopher



On Mar 18, 2011, at 9:58 AM, Daniel Thomas wrote:

>> i need to change tracks constantly,i have a track with a
>> microphone input,and for the nylon string,plus i trigger the drum
>> loops that are on on and off as well.
>=20
> I found the looper in Ableton to be quite difficult to manage when =
running multiple loops in sync-- plug in view switching being one among =
many limitations. =20
>=20
> So, I run a single multitrack looper (Mobius) on a single Ableton =
channel strip.  Mobius then ports its 8 loops to dedicated channel =
strips in Ableton. =20
>=20
> In that way, I can keep the Mobius interface on the screen most of the =
time.  I just run all my inputs through a hw mixer and then into a =
single Ableton channel.  On this channel I run Mobius which provides 8 =
synchronous loops. =20
>=20
> On related note, mapping a midi control to the channel select =
functions can make for easy one button return to a given plugin view.   =
I use the AKAI live controller but any midi control change will work.=20
>=20
> Make sense?
>=20
> daniel=20
>=20
>=20
> On Mar 18, 2011, at 2:13 AM, Louie Angulo wrote:
>=20
>> yes i need to change tracks constantly,i have a track with a
>> microphone input,and for the nylon string,plus i trigger the drum
>> loops that are on on and off as well.
>> Im trying to cotrol everything with the behringer FCB1010,im just
>> looking for a way to always see the state of the looper as i change
>> tracks.
>> Luis
>>=20
>> On Fri, Mar 18, 2011 at 9:29 AM, Gareth Whittock
>> <buddhamachine@live.co.uk> wrote:
>>> Do you need to change tracks? Why not select the track with the =
looper on s
>>> that you can se your looper lights and fire all your other loops etc =
using
>>> the computer/midi keyboard?
>>>=20
>>>=20
>>>=20
>>> Peace
>>>=20
>>>=20
>>> Gareth@Sentientfx -  Innovative music plugins. =
http://sentientfx.com/
>>>=20
>>>=20
>>>=20
>>>> Date: Thu, 17 Mar 2011 23:33:46 +0100
>>>> Subject: ableton looper question
>>>> From: louie.angulo@googlemail.com
>>>> To: loopers-delight@loopers-delight.com
>>>>=20
>>>> Hi folks,
>>>> In experimenting with Ableton one of the thigs im finding a bit
>>>> ackward to deal with is the presence of the plugins when changing
>>>> tracks.
>>>> Just like on a pedalboard i would like to have a constant visual
>>>> control of the looper and the plugin fx regardless of the current
>>>> track status,is quite frustrating loosing sight of them as i =
trigger a
>>>> scene or clip or whatever.
>>>> Im quite new to this so all of your expert tips are welcome!
>>>> thanx
>>>> Luis
>>>>=20
>>>>=20
>>>> --
>>>> www.luis-angulo.com
>>>>=20
>>>=20
>>=20
>>=20
>>=20
>> --=20
>> www.luis-angulo.com
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 03:43:14 2011
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Date: Fri, 18 Mar 2011 20:43:12 -0700
Subject: FS: Moog voyager electric blue -$1800 us
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
 "AH" <analogue@hyperreal.org>
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i have been trying to trade my pristine minimoog voyager electric blue
keyboard for a rme version for a few weeks. I have a chance to buy a rme
flat out so I'm posting this to see if someone can buy my unit NOW.

It's in top shape with latest os (3.2 I think? I updated it last month).
It has 128 presets and comes with the $$ Moog voyager fancy form fitting
dust cover.  Everything works as new.

I am asking $1800 for a sale Now so if you need to think about it or get
$$ together it won't work.  That said I can send pics or answer questions
asap as needed for any serious buyer.

Located in phila pa and I can take bank transfer, USPS mo or pay pal
(buyer pays all fees)

Will split boxing costs and buyer pays shipping costs.

This price is firm and only good for a day or so. If it doesn't sell then
I can't get a rme and  will either keep this or sell it for more at some
later point.

will still consider a trade for an Rme plus $500 cash as well.

Thanks for reading and best to send your phone # to speed things up.

References aplenty .


--=20
     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 08:27:09 2011
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        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
        spacemusic Yahoogroups List <spacemusic@yahoogroups.com>,
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, March 19 at 6 am EDT/GMT-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 16:43:35 2011
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Date: Sat, 19 Mar 2011 12:43:12 -0400
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Subject: Line 6 Pod XT Live Multi-Effects Guitar Processor for sale
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--001636c5b6804f2e28049ed898cc
Content-Type: text/plain; charset=windows-1252
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Hi all,

Am liberating some unused equipment from my studio, if anyone is interested=
,
starting with nice effects processor for tone and basic effects, this item
has received very little usage...

Prices go from $185 to $280 on ebay, as linked below, I'm happy to take $20=
0
paypal-ed to my account at todd@toddreynolds.com if anyone is interested.
 No box, no manual, just the unit and its accompanying power supply. A
modest shipping rate would also apply, (not a $40 shipping cost like one
sees repeatedly on ebay, boy that chaps my ass.)

* Line 6 Pod XT Live Multi-Effects Guitar Processor

http://www.youtube.com/watch?v=3DyskgccMi8Fg

http://catalog.ebay.com/Line-6-Pod-XT-Live-Multi-Effects-Guitar-Effect-Peda=
l-/78718056

Cheers, my friends!

Todd


*
--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 Outerborough, my debut double CD set soon available on iTunes, and is
released on INNOVA Recordings on March 29th.  The CD Release party is
scheduled for March 16th at ISSUE Project Room.  I'd be delighted to have
you there.

http://issueprojectroom.org


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--001636c5b6804f2e28049ed898cc
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Hi all,=A0<div><br></div><div>Am liberating some unused equipment from my s=
tudio, if anyone is interested, starting with nice effects processor for to=
ne and basic effects, this item has received very little usage...=A0</div><=
div>

<br></div><div>Prices go from $185 to $280 on ebay, as linked below, I&#39;=
m happy to take $200 paypal-ed to my account at <a href=3D"mailto:todd@todd=
reynolds.com">todd@toddreynolds.com</a> if anyone is interested. =A0No box,=
 no manual, just the unit and its accompanying power supply. A modest shipp=
ing rate would also apply, (not a $40 shipping cost like one sees repeatedl=
y on ebay, boy that chaps my ass.)=A0</div>

<div><br></div><div><span class=3D"Apple-style-span" style=3D"font-family: =
Arial, Helvetica, sans-serif; "><b id=3D"mainContent"><h1 class=3D"vi-is1-t=
itleH1" style=3D"font-size: 18px; font-weight: bold; color: rgb(51, 51, 51)=
; line-height: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0=
px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom:=
 0px; padding-left: 0px; font-family: Trebuchet, &#39;Trebuchet MS&#39;; ">

Line 6 Pod XT Live Multi-Effects Guitar Processor</h1><div><br></div><div><=
a href=3D"http://www.youtube.com/watch?v=3DyskgccMi8Fg">http://www.youtube.=
com/watch?v=3DyskgccMi8Fg</a></div><div><br></div><div><a href=3D"http://ca=
talog.ebay.com/Line-6-Pod-XT-Live-Multi-Effects-Guitar-Effect-Pedal-/787180=
56">http://catalog.ebay.com/Line-6-Pod-XT-Live-Multi-Effects-Guitar-Effect-=
Pedal-/78718056</a></div>

<div><br></div><div>Cheers, my friends! =A0</div><div><br></div><div>Todd</=
div><div><br></div><div><br></div></b></span><br>-- <br>=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D<br>=95 Outerborough, my debut double CD set soon available =
on iTunes, and is released on INNOVA Recordings on March 29th. =A0The CD Re=
lease party is scheduled for March 16th at ISSUE Project Room. =A0I&#39;d b=
e delighted to have you there.=A0<div>

<br></div><div><a href=3D"http://issueprojectroom.org" target=3D"_blank">ht=
tp://issueprojectroom.org</a><br><div><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><a href=3D"http://toddreyn=
olds.com" target=3D"_blank">http://toddreynolds.com</a><br>

<a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http://twitter=
.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynoldsmusic" ta=
rget=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br><a href=3D"http=
://blog.toddreynolds.com" target=3D"_blank">http://blog.toddreynolds.com</a=
><br>

<a href=3D"http://facebook.com/toddreynolds" target=3D"_blank">http://faceb=
ook.com/toddreynolds</a><br><a href=3D"http://reverbnation.com/toddreynolds=
" target=3D"_blank">http://reverbnation.com/toddreynolds</a><br></div></div=
><br>


</div>

--001636c5b6804f2e28049ed898cc--

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Subject: GigSpam: Improv Friday Benefit For Japan today
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--001517473672711718049ed9662f
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Folks ImprovFriday has been hosting a benefit for Japan since Thur PM
concluding this evening at 9pm EST.  I and several others from the communit=
y
are performing live ustream's as part of it today.  Rainer performed a
wonderful set about an hour ago (12noon EST) and apologies for not getting
this out to the community earlier.  Here are the details.

*Jim Goodin (4pm EST), Steve Moyes (5pm EST), Jeff Duke (6pm EST), Stephen
Goodman (7pm EST)*
Today March 19th
http://improvfriday.ning.com
<http://improvfriday.ning.com/>all part of a benefit *For Japan*, donations
to the Red Cross


Join us *For Japan*.

Jim

--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--001517473672711718049ed9662f
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Folks ImprovFriday has been hosting a benefit for Japan since Thur PM concl=
uding this evening at 9pm EST. =A0I and several others from the community a=
re performing live ustream&#39;s as part of it today. =A0Rainer performed a=
 wonderful set about an hour ago (12noon EST) and apologies for not getting=
 this out to the community earlier. =A0Here are the details.<div>
<br></div><div><meta charset=3D"utf-8"><div><b>Jim Goodin (4pm EST), Steve =
Moyes (5pm EST), Jeff Duke (6pm EST), Stephen Goodman (7pm EST)</b></div><d=
iv>Today March 19th</div><div><a href=3D"http://improvfriday.ning.com/" tar=
get=3D"_blank">http://improvfriday.ning.com</a></div>
<div><a href=3D"http://improvfriday.ning.com/" target=3D"_blank"></a>all pa=
rt of a benefit=A0<b>For Japan</b>, donations to the Red Cross</div><div><b=
r></div><div><br></div><div>Join us=A0<b>For Japan</b>.</div><div><br></div=
><div>
Jim</div><br>-- <br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz=
 recording by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale =
of this CD will benefit JDRF International.=A0 <a href=3D"http://jimgoodinp=
eterthorn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com<=
/a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--001517473672711718049ed9662f--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 17:57:09 2011
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Subject: RE: Stretched Landscape remixed
Date: Sat, 19 Mar 2011 18:57:00 +0100
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> From: Matt Davignon [mailto:mattdavignon@gmail.com] 
> The level of artistry and craft is astounding, and puts my own submission
(which I was previously very proud of) to shame

come on Matt, your track is really great, I love it a lot !

-Michael

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 17:59:39 2011
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Subject: RE: Stretched Landscape remixed
Date: Sat, 19 Mar 2011 18:59:31 +0100
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> From: Fabio_A [mailto:eterogenus@gmail.com]  
> I shoud add that the cover art is a great piece of art "per se"  
 
hmmm ... maybe I should put all this looping nonsense in the garbage and
start being a famous graphical artist!! ;)

Anyway if anyone wants a hi-res version (to blow up to poster size to hang
above your living room sofa) let me know :)

-Michael


From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 18:55:25 2011
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Subject: Help! Weird Mobius problem.
Date: Sat, 19 Mar 2011 18:55:31 -0000
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I wonder if any of you Mobius users can help me with this...

I'm doing a live performance on Ustream in a couple of hours from now for 
the Japan benefit at ImprovFriday, and I'm all set up and having a test run 
of everything. For some reason the looped output of Mobius is really quiet, 
much quieter than the live playing. If I record a loop and play over it, I 
can barely hear the loop. The ouptput level is all the way up, and I'm sure 
I haven't changed any other settings since I last used Mobius.

 Any ideas why this could be? I'm using Mobius as a vst in Audiomulch and 
have never had this problem before.

I would be VERY grateful for any help with this.

Thanks!

Steve 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 19:10:29 2011
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Date: Sat, 19 Mar 2011 15:10:20 -0400
Message-ID: <AANLkTims=KOdE-pat50KBqGX=xjeWMwj2cS3FP31PPCv@mail.gmail.com>
Subject: Re: Help! Weird Mobius problem.
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Steve are any of your individual track levels down and you are
overlooking.? Also bet its a post beyond the computer problem, stuck
pedal...

Where does yur mobius feed after your looping computer?

J

On 3/19/11, Steve Moyes <stephenmoyes@blueyonder.co.uk> wrote:
> I wonder if any of you Mobius users can help me with this...
>
> I'm doing a live performance on Ustream in a couple of hours from now for
> the Japan benefit at ImprovFriday, and I'm all set up and having a test r=
un
> of everything. For some reason the looped output of Mobius is really quie=
t,
> much quieter than the live playing. If I record a loop and play over it, =
I
> can barely hear the loop. The ouptput level is all the way up, and I'm su=
re
> I haven't changed any other settings since I last used Mobius.
>
>  Any ideas why this could be? I'm using Mobius as a vst in Audiomulch and
> have never had this problem before.
>
> I would be VERY grateful for any help with this.
>
> Thanks!
>
> Steve
>
>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 19:27:18 2011
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Subject: Re: Help! Weird Mobius problem. Solved (sort of)
Date: Sat, 19 Mar 2011 19:27:13 -0000
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Thanks Jim. I was sure it wasn't post - computer, because the live playing 
was through Mobius too, and that was fine.

Aanyway, I have found the source of the problem, it's the mixer I'm using 
before the audio interface. If I bypass that, all is fine. Now all I need to 
do is work out why it's happening, or do without the mixer altogether, which 
just means farting about plugging/unplugging things if I change instruments, 
and no stereo microphone. Annoying, but not a complete disaster!

Steve

----- Original Message ----- 
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 19, 2011 7:10 PM
Subject: Re: Help! Weird Mobius problem.


Steve are any of your individual track levels down and you are
overlooking.? Also bet its a post beyond the computer problem, stuck
pedal...

Where does yur mobius feed after your looping computer?

J



From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 20:01:06 2011
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Who do you know at UA, Bill?

>  >
>I agree with the Stanster, the new UA echoplex tape simulator is
>incredible as is there older roland space echo sim. I admit i'm biased
>because I have several friends who work there, but there stuff is second
>to none, and all though one must purchase a hardware component , A UAD
>card or dongle, the benefit is the card handles all of the CPU needs for
>the effects. And of course there are the great compressors and eq's not to
>mention the amazing dreamverb that is also amazing.
>Bill


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Sat Mar 19 22:01:06 2011
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Subject: wah wah movie/tc electronic flashback delay
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--0016e6de0014f06cc6049edd07a5
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thanks for the link to the wah wah movie. it was most good to watch.
loved the 70s wacka-wacka stuff....

i had a chance to try out the tc eletronic flashback delay.
liked the 7 sec of delay, the tape and reverse delay was most good.
i set the tape to 7 sec and was just mesmerized by the loop sounds. just
very frippy.
definately has a nice clean sound for sure.
but over all for me it wasn't much better than my digiech dl8, to keep it.
it doesn't do the pitchshifting i like.
never did try the 40 sec looper. if you were in the market for either the
boss dd7 or
the digitech dl8 and didn't have either one of these, i'd recommend testing
it out.
s---

--0016e6de0014f06cc6049edd07a5
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<div>thanks for the link to the wah wah movie. it was most good to watch.</=
div>
<div>loved the 70s wacka-wacka stuff....</div>
<div>=A0</div>
<div>i had a chance to try out the tc eletronic flashback delay.</div>
<div>liked the 7 sec of delay, the tape and reverse delay was most good.</d=
iv>
<div>i set the tape to 7 sec and was just mesmerized by the loop sounds. ju=
st very frippy.</div>
<div>definately has a nice clean sound for sure.</div>
<div>but over all for me it wasn&#39;t much better than my digiech dl8, to =
keep it.</div>
<div>it doesn&#39;t do the pitchshifting i like.</div>
<div>never did try the 40 sec looper. if you were in the market for either =
the boss dd7 or</div>
<div>the digitech dl8 and didn&#39;t have either one of these, i&#39;d reco=
mmend testing it out.</div>
<div>s---</div>

--0016e6de0014f06cc6049edd07a5--

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	<9407FFBB-7568-40AD-A4C2-AE859593D950@charter.net>
Date: Sat, 19 Mar 2011 18:22:56 -0700
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Subject: Re: OT: Cry Baby: The Pedal That Rocks The World
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--bcaec517ab7ede4efc049edfd934
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Loved it! Thanks for the heads up!

On Fri, Mar 18, 2011 at 7:59 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Cool documentary.
>
> Thanks for sharing that.
>
>
> On Mar 17, 2011, at 9:37 AM, cpr@musetrap.com wrote:
>
>  for us musical history geeks.. :)
>>
>> http://vimeo.com/20902369
>>
>
>


--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--bcaec517ab7ede4efc049edfd934
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Loved it! Thanks for the heads up!<br><br><div class=3D"gmail_quote">On Fri=
, Mar 18, 2011 at 7:59 AM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D=
"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote=
:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Cool documentary.=
<br>
<br>
Thanks for sharing that.<div><div></div><div class=3D"h5"><br>
<br>
On Mar 17, 2011, at 9:37 AM, <a href=3D"mailto:cpr@musetrap.com" target=3D"=
_blank">cpr@musetrap.com</a> wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
for us musical history geeks.. :)<br>
<br>
<a href=3D"http://vimeo.com/20902369" target=3D"_blank">http://vimeo.com/20=
902369</a><br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<b=
r><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot]=
 com/artsimon<br>

--bcaec517ab7ede4efc049edfd934--

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Subject: Re: Help! Weird Mobius problem.
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--0015174c15103222e7049ee06670
Content-Type: text/plain; charset=ISO-8859-1

This is probably too late but some things to check....

   - Input Level: if input level is down it will attenuate the signal being
recorded so
     even if Output Level is all the way up it will still sound soft

   - Monitoring Level: if you're monitoring with a side chain at the mixer
     or with "zero latency monitoring" at the audio interface, you may need
to
     reduce your monitoring level relative to the level being recorded by
Mobius

   - Audiomulch: What is in the path between the audio input device and the
Mobius
     plugin inputs, check levels of all plugins in between

    - Feedback: make sure Mobius Feedback and Secondary Feedback are all the
way up
      (assuming that's what you want)

Jeff


On Sat, Mar 19, 2011 at 1:55 PM, Steve Moyes
<stephenmoyes@blueyonder.co.uk>wrote:

> I wonder if any of you Mobius users can help me with this...
>
> I'm doing a live performance on Ustream in a couple of hours from now for
> the Japan benefit at ImprovFriday, and I'm all set up and having a test run
> of everything. For some reason the looped output of Mobius is really quiet,
> much quieter than the live playing. If I record a loop and play over it, I
> can barely hear the loop. The ouptput level is all the way up, and I'm sure
> I haven't changed any other settings since I last used Mobius.
>
> Any ideas why this could be? I'm using Mobius as a vst in Audiomulch and
> have never had this problem before.
>
> I would be VERY grateful for any help with this.
>
> Thanks!
>
> Steve
>
>

--0015174c15103222e7049ee06670
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This is probably too late but some things to check....<div><br></div><div>=
=A0=A0 - Input Level: if input level is down it will attenuate the signal b=
eing recorded so</div><div>=A0=A0 =A0 even if Output Level is all the way u=
p it will still sound soft</div>
<div><br></div><div>=A0=A0 - Monitoring Level: if you&#39;re monitoring wit=
h a side chain at the mixer</div><div>=A0=A0 =A0 or with &quot;zero latency=
 monitoring&quot; at the audio interface, you may need to=A0</div><div>=A0=
=A0 =A0 reduce your monitoring level relative to the level being recorded b=
y Mobius</div>
<div><br></div><div>=A0=A0 - Audiomulch: What is in the path between the au=
dio input device and the Mobius</div><div>=A0=A0 =A0 plugin inputs, check l=
evels of all plugins in between</div><div><br></div><div>=A0=A0 =A0- Feedba=
ck: make sure Mobius Feedback and Secondary Feedback are all the way up</di=
v>
<div>=A0=A0 =A0 =A0(assuming that&#39;s what you want) =A0</div><div><br></=
div><div>Jeff</div><div><br></div><div><br><div class=3D"gmail_quote">On Sa=
t, Mar 19, 2011 at 1:55 PM, Steve Moyes <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.uk</a>&gt;</=
span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I wonder if any of you Mobius users can hel=
p me with this...<br>
<br>
I&#39;m doing a live performance on Ustream in a couple of hours from now f=
or the Japan benefit at ImprovFriday, and I&#39;m all set up and having a t=
est run of everything. For some reason the looped output of Mobius is reall=
y quiet, much quieter than the live playing. If I record a loop and play ov=
er it, I can barely hear the loop. The ouptput level is all the way up, and=
 I&#39;m sure I haven&#39;t changed any other settings since I last used Mo=
bius.<br>

<br>
Any ideas why this could be? I&#39;m using Mobius as a vst in Audiomulch an=
d have never had this problem before.<br>
<br>
I would be VERY grateful for any help with this.<br>
<br>
Thanks!<br><font color=3D"#888888">
<br>
Steve <br>
<br>
</font></blockquote></div><br></div>

--0015174c15103222e7049ee06670--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 20 09:53:57 2011
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From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: CC license for Stretched Landscape Remixes?
Date: Sun, 20 Mar 2011 10:53:47 +0100
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I have been asked if the Stretched Landscape Remix album has been published
under a Creative Commons License. Not yet - I have never thought about these
licenses and I'm not sure about the different types - should the tracks of
this album be published under a CC license, and which one would be
appropriate? 

One can choose from different CC license types in Bandcamp:
http://blog.bandcamp.com/2009/01/19/on-the-expansion-of-creativity-in-the-co
mmons/

-Michael

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To: Loopers-Delight@loopers-delight.com
Subject: Re: /tc electronic flashback delay
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Scott Hansen wrote:

> i had a chance to try out the tc eletronic flashback delay.

> never did try the 40 sec looper. 

Basic Record and Overdub.

The Record is easy to use, tap to start rec,
then tap to end.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Mar 20 11:17:34 2011
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Subject: Re: tape delay plug ins
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actually ive been reading quite a few bad reviews about this
plugins,latency,not working properly etc.

On Thu, Mar 17, 2011 at 11:35 PM, Charles Zwicky <cazwicky@earthlink.net> w=
rote:
> Yes it was announced at NAMM.
>
> Be aware that =A0the UAD plugins cannot be used in real-time =A0without
> suffering from the latency =A0imposed by =A0I/O buffering. =A0In a mixdow=
n
> situation a DAW will compensate for latency automatically.
>
>
>> On Thu, Mar 17, 2011 at 10:22 PM, Sjaak Overgaauw <tcplugin@gmail.com>
>> wrote:
>>>
>>> =A0On Mon, Mar 14, 2011 at 6:26 PM, Per Boysen <perboysen@gmail.com> wr=
ote:
>>>>
>>>> =A0Seconded! UAD has always been "the best" among studio effect softwa=
re
>>>> =A0plugin tools. One should add that they have only recently become
>>>> =A0available for laptop live musicians.
>>>
>>> =A0UAD indeed sounds amazing. Thanks for the tip Per, I didn't know the=
y
>>> =A0had relased the UAD2 Satellite Firewire 400/800 series
>>
>> Wasn't it released just recently at NAMM?
>>
>> Per
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 20 11:22:18 2011
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Subject: Re: ableton looper question
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Yes Daniel this is the work around ive come up with,i guess it takes
some getting used to that,everything cramed up on a screen
dissapearing from time to time
a pedal looper and stomps are nice because well, they are always there;-)
cheers
Luis

>
> On related note, mapping a midi control to the channel select functions c=
an make for easy one button return to a given plugin view. =A0 I use the AK=
AI live controller but any midi control change will work.
>
> Make sense?
>
> daniel
>








>
> On Mar 18, 2011, at 2:13 AM, Louie Angulo wrote:
>
>> yes i need to change tracks constantly,i have a track with a
>> microphone input,and for the nylon string,plus i trigger the drum
>> loops that are on on and off as well.
>> Im trying to cotrol everything with the behringer FCB1010,im just
>> looking for a way to always see the state of the looper as i change
>> tracks.
>> Luis
>>
>> On Fri, Mar 18, 2011 at 9:29 AM, Gareth Whittock
>> <buddhamachine@live.co.uk> wrote:
>>> Do you need to change tracks? Why not select the track with the looper =
on s
>>> that you can se your looper lights and fire all your other loops etc us=
ing
>>> the computer/midi keyboard?
>>>
>>>
>>>
>>> Peace
>>>
>>>
>>> Gareth@Sentientfx - =A0Innovative music plugins. http://sentientfx.com/
>>>
>>>
>>>
>>>> Date: Thu, 17 Mar 2011 23:33:46 +0100
>>>> Subject: ableton looper question
>>>> From: louie.angulo@googlemail.com
>>>> To: loopers-delight@loopers-delight.com
>>>>
>>>> Hi folks,
>>>> In experimenting with Ableton one of the thigs im finding a bit
>>>> ackward to deal with is the presence of the plugins when changing
>>>> tracks.
>>>> Just like on a pedalboard i would like to have a constant visual
>>>> control of the looper and the plugin fx regardless of the current
>>>> track status,is quite frustrating loosing sight of them as i trigger a
>>>> scene or clip or whatever.
>>>> Im quite new to this so all of your expert tips are welcome!
>>>> thanx
>>>> Luis
>>>>
>>>>
>>>> --
>>>> www.luis-angulo.com
>>>>
>>>
>>
>>
>>
>> --
>> www.luis-angulo.com
>>
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 20 11:48:20 2011
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Date: Sun, 20 Mar 2011 12:48:18 +0100
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Subject: Re: CC license for Stretched Landscape Remixes?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I don't know about Germany, but at least here in Sweden one bad side
effects of releasing work under a CC license is that you lose out on
all compensation otherwise paid to the composer when music is
broadcast over public service radio. That may be a considerable loss
of income.

The point in releasing work under a CC license is to make the control
of who will be allowed to use your work and in what way more of an
automatic function built into the work itself - rather than forcing
everyone that might want to use your work to contact you for a
permission, as the traditional legal rights state. One effect of a CC
license can be that more people may use your work around the world,
especially in low (or "no") budget situations as art school student
projects.

There are also some quite effective business models licensing CC music
for a few, one example being Magnatune.

Bottom line: Go to Creative Commons web page and read up. Then think
about your PRO, the legal system in your area and your future plans.
Do the math and see what gives. This should lead you at leas in the
direction of the best decision :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sun, Mar 20, 2011 at 10:53 AM, Michael Peters <mp@mpeters.de> wrote:
> I have been asked if the Stretched Landscape Remix album has been published
> under a Creative Commons License. Not yet - I have never thought about these
> licenses and I'm not sure about the different types - should the tracks of
> this album be published under a CC license, and which one would be
> appropriate?

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Subject: Re: CC license for Stretched Landscape Remixes?
From: Matthew Stevens <mattstevensguitar@btinternet.com>
In-Reply-To: <AANLkTikEOjGiY7uJpTu2LxbRda5AqZbSXb7zgv6NEdo2@mail.gmail.com>
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There are various CC licenses - one that allows you to keep commercial =
rights - its what i use - see the bandcamp CC page

On 20 Mar 2011, at 11:48, Per Boysen wrote:

> I don't know about Germany, but at least here in Sweden one bad side
> effects of releasing work under a CC license is that you lose out on
> all compensation otherwise paid to the composer when music is
> broadcast over public service radio. That may be a considerable loss
> of income.
>=20
> The point in releasing work under a CC license is to make the control
> of who will be allowed to use your work and in what way more of an
> automatic function built into the work itself - rather than forcing
> everyone that might want to use your work to contact you for a
> permission, as the traditional legal rights state. One effect of a CC
> license can be that more people may use your work around the world,
> especially in low (or "no") budget situations as art school student
> projects.
>=20
> There are also some quite effective business models licensing CC music
> for a few, one example being Magnatune.
>=20
> Bottom line: Go to Creative Commons web page and read up. Then think
> about your PRO, the legal system in your area and your future plans.
> Do the math and see what gives. This should lead you at leas in the
> direction of the best decision :-)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
>=20
>=20
> On Sun, Mar 20, 2011 at 10:53 AM, Michael Peters <mp@mpeters.de> =
wrote:
>> I have been asked if the Stretched Landscape Remix album has been =
published
>> under a Creative Commons License. Not yet - I have never thought =
about these
>> licenses and I'm not sure about the different types - should the =
tracks of
>> this album be published under a CC license, and which one would be
>> appropriate?
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Mar 20 12:13:35 2011
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Date: Sun, 20 Mar 2011 13:13:33 +0100
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Subject: Re: CC license for Stretched Landscape Remixes?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 20, 2011 at 1:04 PM, Matthew Stevens
<mattstevensguitar@btinternet.com> wrote:
>> There are also some quite effective business models licensing CC music
>> for a few, one example being Magnatune.

Oops, a TYPO! I meant to type "for a fee", not "for a few" ;-))

Per

From Loopers-Delight-request@loopers-delight.com  Sun Mar 20 12:36:13 2011
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Subject: Re: CC license for Stretched Landscape Remixes?
Date: Sun, 20 Mar 2011 13:35:32 +0100
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According to the guidelines on your site,
this CC licence seems to be the appropriate
ones.


Attribuzione - Non commerciale - Non opere derivate=20
CC BY-NC-ND

This license is the most restrictive of our six main licenses, only allowing=
 others to download your works and share them with others as long as they cr=
edit you, but they can=E2=80=99t change them in any way or use them commerci=
ally.

View License Deed | View Legal Code









 -f
www.eterogeneo.com



Il giorno 20/mar/2011, alle ore 10:53, "Michael Peters" <mp@mpeters.de> ha s=
critto:

> I have been asked if the Stretched Landscape Remix album has been publishe=
d
> under a Creative Commons License. Not yet - I have never thought about the=
se
> licenses and I'm not sure about the different types - should the tracks of=

> this album be published under a CC license, and which one would be
> appropriate?=20
>=20
> One can choose from different CC license types in Bandcamp:
> http://blog.bandcamp.com/2009/01/19/on-the-expansion-of-creativity-in-the-=
co
> mmons/
>=20
> -Michael
>=20

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: 13px; vertical-align: baseline; background-image: initial; background-atta=
chment: initial; background-origin: initial; background-clip: initial; backg=
round-color: transparent; text-decoration: none; color: rgb(28, 67, 139); ba=
ckground-position: initial initial; background-repeat: initial initial; ">Vi=
ew Legal Code</a></span></p></div></li></ul></span><br><br></div><div><br><b=
r></div><div><br></div><div><br></div><div><br></div><div><br></div><div>&nb=
sp;-f</div><div><a href=3D"http://www.eterogeneo.com">www.eterogeneo.com</a>=
</div><div><br></div><div><br></div><div><br></div><div>Il giorno 20/mar/201=
1, alle ore 10:53, "Michael Peters" &lt;<a href=3D"mailto:mp@mpeters.de">mp@=
mpeters.de</a>&gt; ha scritto:<br><br></div><div></div><blockquote type=3D"c=
ite"><div><span>I have been asked if the Stretched Landscape Remix album has=
 been published</span><br><span>under a Creative Commons License. Not yet - I=
 have never thought about these</span><br><span>licenses and I'm not sure ab=
out the different types - should the tracks of</span><br><span>this album be=
 published under a CC license, and which one would be</span><br><span>approp=
riate? </span><br><span></span><br><span>One can choose from different CC li=
cense types in Bandcamp:</span><br><span><a href=3D"http://blog.bandcamp.com=
/2009/01/19/on-the-expansion-of-creativity-in-the-co">http://blog.bandcamp.c=
om/2009/01/19/on-the-expansion-of-creativity-in-the-co</a></span><br><span>m=
mons/</span><br><span></span><br><span>-Michael</span><br><span></span><br><=
/div></blockquote></body></html>=

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Subject: Re: CC license for Stretched Landscape Remixes?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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--0016e6dab6ea7713cd049eeb9b7a
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I use the Creative Commons "Attribution-NonCommercial-NoDerivs". Many online
radio stations use this license to play your music and that's a lot easier
for them than to write the musician in person to ask for permission.
--
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

--0016e6dab6ea7713cd049eeb9b7a
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<p>I use the=A0Creative Commons &quot;Attribution-NonCommercial-NoDerivs&qu=
ot;. Many online radio stations use this license to play your music and tha=
t&#39;s a lot easier for them than to write the musician in person to ask f=
or permission. <br>

--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/">http://premonitionfactory.com/</=
a><br>
<a href=3D"http://livelooping.be/">http://livelooping.be/</a></p>

--0016e6dab6ea7713cd049eeb9b7a--

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Subject: OT: The Release of 'For Japan'
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Last night ImprovFriday released a Bandcamp distribution titled 'For Japan'
that will become a formal CD collection as well, for support of the Red
Cross relief in Japan.  I was a project organizer on this distribution and
I'm just really proud to be part of it and wanted to pass along to this
community.

http://amaranthsound.bandcamp.com

<http://amaranthsound.bandcamp.com>Mark, Ted it was great to see you guys i=
n
some of our video concerts yesterday.  Thanks for turning out.

Jim

--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--00151743f884e345ad049eec3e11
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Last night ImprovFriday released a Bandcamp distribution titled &#39;For Ja=
pan&#39; that will become a formal CD collection as well, for support of th=
e Red Cross relief in Japan. =A0I was a project organizer on this distribut=
ion and I&#39;m just really proud to be part of it and wanted to pass along=
 to this community.<div>
<br></div><div><a href=3D"http://amaranthsound.bandcamp.com">http://amarant=
hsound.bandcamp.com</a></div><div><br></div><div><a href=3D"http://amaranth=
sound.bandcamp.com"></a>Mark, Ted it was great to see you guys in some of o=
ur video concerts yesterday. =A0Thanks for turning out.</div>
<div><br></div><div>Jim<br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--00151743f884e345ad049eec3e11--

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Date: Sun, 20 Mar 2011 09:50:08 -0700
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Subject: Re: CC license for Stretched Landscape Remixes?
From: Matt Davignon <mattdavignon@gmail.com>
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--20cf30549a4bc5e91e049eeccd83
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That's the one I use.

On Sun, Mar 20, 2011 at 5:35 AM, Fabio_A <eterogenus@gmail.com> wrote:

> According to the guidelines on your site,
> this CC licence seems to be the appropriate
> ones.
>
>
>    -
>
>    *Attribuzione - Non commerciale - Non opere derivate
>    CC BY-NC-ND*
>
>    This license is the most restrictive of our six main licenses, only
>    allowing others to download your works and share them with others as l=
ong as
>    they credit you, but they can=92t change them in any way or use them
>    commercially.
>
>    View License Deed <http://creativecommons.org/licenses/by-nc-nd/3.0> |=
 View
>    Legal Code <http://creativecommons.org/licenses/by-nc-nd/3.0/legalcode=
>
>
>
>
>
>
>
>
>
>
>  -f
> www.eterogeneo.com
>
>
>
> Il giorno 20/mar/2011, alle ore 10:53, "Michael Peters" <mp@mpeters.de> h=
a
> scritto:
>
> I have been asked if the Stretched Landscape Remix album has been publish=
ed
> under a Creative Commons License. Not yet - I have never thought about
> these
> licenses and I'm not sure about the different types - should the tracks o=
f
> this album be published under a CC license, and which one would be
> appropriate?
>
> One can choose from different CC license types in Bandcamp:
>
> http://blog.bandcamp.com/2009/01/19/on-the-expansion-of-creativity-in-the=
-co
> mmons/
>
> -Michael
>
>


--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

--20cf30549a4bc5e91e049eeccd83
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That&#39;s the one I use.<br><br><div class=3D"gmail_quote">On Sun, Mar 20,=
 2011 at 5:35 AM, Fabio_A <span dir=3D"ltr">&lt;<a href=3D"mailto:eterogenu=
s@gmail.com">eterogenus@gmail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
<div bgcolor=3D"#FFFFFF"><div>According to the guidelines on your site,</di=
v><div>this CC licence seems to be the appropriate</div><div>ones.</div><di=
v><br></div><div><span style=3D"font-family: Arial,&#39;Helvetica Neue&#39;=
,&#39;Liberation Sans&#39;,FreeSans,sans-serif; font-size: 13px; line-heigh=
t: 22px;"><ul style=3D"margin: 0px 0px 20px; padding: 0px; border-width: 0p=
x; outline-width: 0px; font-size: 13px; vertical-align: baseline; backgroun=
d-color: transparent; list-style-type: disc;">
<li style=3D"margin: 0px 10px; padding: 0px; border-width: 0px; outline-wid=
th: 0px; font-size: 13px; vertical-align: baseline; background-color: trans=
parent; display: inline; float: left; width: 460px;"><div style=3D"margin: =
0px 10px 0px 0px; padding: 0px; border-width: 0px; outline-width: 0px; font=
-size: 13px; vertical-align: baseline; background-color: transparent; displ=
ay: inline; float: left; width: 100px; text-align: right;">
<img src=3D"" alt=3D"" style=3D"margin: 5px 0px 0px; padding: 0px; border-w=
idth: 0px; outline-width: 0px; font-size: 13px; vertical-align: baseline; b=
ackground-color: transparent;" width=3D"88" height=3D"31"></div><div style=
=3D"margin: 0px 0px 0px 10px; padding: 0px; border-width: 0px; outline-widt=
h: 0px; font-size: 13px; vertical-align: baseline; background-color: transp=
arent; display: inline; float: left; width: 280px;">
<p style=3D"margin: 0px 0px 20px; padding: 0px; border-width: 0px; outline-=
width: 0px; font-size: 13px; vertical-align: baseline; background-color: tr=
ansparent;"><b style=3D"margin: 0px; padding: 0px; border-width: 0px; outli=
ne-width: 0px; font-size: 13px; vertical-align: baseline; background-color:=
 transparent;">Attribuzione - Non commerciale - Non opere derivate=A0<br>
CC BY-NC-ND</b></p><p style=3D"margin: 0px 0px 20px; padding: 0px; border-w=
idth: 0px; outline-width: 0px; font-size: 13px; vertical-align: baseline; b=
ackground-color: transparent;">This license is the most restrictive of our =
six main licenses, only allowing others to download your works and share th=
em with others as long as they credit you, but they can=92t change them in =
any way or use them commercially.</p>
<p style=3D"margin: 0px 0px 20px; padding: 0px; border-width: 0px; outline-=
width: 0px; font-size: 13px; vertical-align: baseline; background-color: tr=
ansparent;"><span style=3D"margin: 0px; padding: 0px; border-width: 0px; ou=
tline-width: 0px; font-size: 13px; vertical-align: baseline; background-col=
or: transparent; color: rgb(0, 0, 0);"><a href=3D"http://creativecommons.or=
g/licenses/by-nc-nd/3.0" style=3D"margin: 0px; padding: 0px; border-width: =
0px; outline-width: 0px; font-size: 13px; vertical-align: baseline; backgro=
und-color: transparent; text-decoration: none; color: rgb(28, 67, 139);" ta=
rget=3D"_blank">View License Deed</a>=A0|=A0<a href=3D"http://creativecommo=
ns.org/licenses/by-nc-nd/3.0/legalcode" style=3D"margin: 0px; padding: 0px;=
 border-width: 0px; outline-width: 0px; font-size: 13px; vertical-align: ba=
seline; background-color: transparent; text-decoration: none; color: rgb(28=
, 67, 139);" target=3D"_blank">View Legal Code</a></span></p>
</div></li></ul></span><br><br></div><div><br><br></div><div><br></div><div=
><br></div><div><br></div><div><br></div><div>=A0-f</div><div><a href=3D"ht=
tp://www.eterogeneo.com" target=3D"_blank">www.eterogeneo.com</a></div><div=
><br>
</div><div><br></div><div><br></div><div>Il giorno 20/mar/2011, alle ore 10=
:53, &quot;Michael Peters&quot; &lt;<a href=3D"mailto:mp@mpeters.de" target=
=3D"_blank">mp@mpeters.de</a>&gt; ha scritto:<br><br></div><div><div></div>
<div class=3D"h5"><div></div><blockquote type=3D"cite"><div><span>I have be=
en asked if the Stretched Landscape Remix album has been published</span><b=
r><span>under a Creative Commons License. Not yet - I have never thought ab=
out these</span><br>
<span>licenses and I&#39;m not sure about the different types - should the =
tracks of</span><br><span>this album be published under a CC license, and w=
hich one would be</span><br><span>appropriate? </span><br><span></span><br>
<span>One can choose from different CC license types in Bandcamp:</span><br=
><span><a href=3D"http://blog.bandcamp.com/2009/01/19/on-the-expansion-of-c=
reativity-in-the-co" target=3D"_blank">http://blog.bandcamp.com/2009/01/19/=
on-the-expansion-of-creativity-in-the-co</a></span><br>
<span>mmons/</span><br><span></span><br><span>-Michael</span><br><span></sp=
an><br></div></blockquote></div></div></div></blockquote></div><br><br clea=
r=3D"all"><br>-- <br>Matt Davignon<br><a href=3D"mailto:mattdavignon@gmail.=
com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com">www.ribosomemusic.com</a><br>Rigs!=
 <a href=3D"http://www.youtube.com/user/ribosomematt">www.youtube.com/user/=
ribosomematt</a><br>

--20cf30549a4bc5e91e049eeccd83--

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Subject: Foot controller for a dream looper
Date: Sun, 20 Mar 2011 11:17:05 -0700
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The Looperlative stares at me saying "use me". The Walker brothers keep =
encouraging me. I look at foot controllers trying to decide what would =
match my use pattern. At long last, I think I can map out what I would =
like to be able to do. Now the question becomes, how close will the =
Looperlative actually let me get and is there a foot controller that =
will help me get closer (or even be capable of doing it). As a starting =
point, I know I've got issues because my ideal control configuration =
needs to know more status information about the Looperlative than is =
available to a controller or than is available to commands on the =
Looperlative, so I would need to model the internal logic from the =
Looperlative and hope that the model was correct. I also need to =
distinguish between short and long presses. So, it's a long way to go. =
But I figured I would post this and see what reaction it gets.

My current thinking is centered around a 5 x 3 button matrix similar to =
the Line6 M13. It could reasonably be successfully revised to a 4 x 4 =
matrix.

The basic configuration is to run the eight loops as four pairs though =
much of this work work with other groupings like 8 independent loops or =
two groups of four or various mixtures. Basically assume the loops are =
in groups. A group shares settings for reverse, half-speed, and =
scramble. At most one loop at a time within a group plays. All of the =
loops in a group share a cycle length but they may consist of different =
numbers of cycles.

This is supported via eight buttons -- probably arranged as two rows of =
four -- corresponding to the eight loops. Tap a button and if that loop =
isn't empty and isn't playing, it starts playing and stops playing any =
other loop from the group (probably quantized to the cycle boundary for =
the loop pair or even to the loop boundary for the currently playing =
loop). Tap a button for a loop that is playing and it stops the loop =
playing.

Tap and hold a loop select button and it does the same as above but it =
copies the other loop in the pair into this loop. (Alternatively, it =
could copy this loop into other one in the pair. Either way, the idea is =
that the pair now contains two matching loops so we can go manipulate =
one and then come back to the original.)

Whichever loop select button is tapped last becomes the target loop and =
its group becomes the target group.

This set up alone now puts the player (me) in a position to mix up to =
four different parts with two different but potentially related versions =
of each part.

Now we turn to the action buttons:

* Sync Rec/Dub +++: This button performs a number of duties depending on =
the status of the loop.
	If the loop isn't playing, then tapping the button goes into =
record mode. If the rest of the group isn't empty, it syncs to the cycle =
length for the group.
	If the loop isn't playing and the group is empty, it syncs to =
the master cycle length (set with the first recorded loop).
	If the loop isn't playing and the group is empty, then a long =
press triggers record on the down but disables syncing.
	If the loop is playing, then tapping the button goes into =
overdub mode.
	If the loop is playing, then a long press of the button undoes =
or redoes the last overdub on this loop. As a result overdub doesn't =
engage for a tap until the button is released.
	If the loop is recording, then tapping the button switches into =
overdub -- ideally at 100% feedback (see EDP safe mode).
	If the loop is recording, then a long press deletes the =
recording. This is not undoable.
	If the loop is overdubbing, then a tap exits back to play mode.
	If the loop is overdubbing, then a long press exits back to the =
play mode undoing the overdub (but leaving it available for redo).


* Multiply
	A tap doubles the length of the loop. A second tap triples. A =
third tap quadruples. (Each off of the state before we started =
multiplying.) Any actions other than tapping the button break the =
sequence.
	A long press erases all of the loops in the group. A second long =
press while the group is empty resets everything.

* QReplace
	A short tap does a QReplace.
	A long press accesses a page in which the buttons now all pick =
replacement time divisions. These divisions are also the divisions for =
scramble.
=09
* Half-speed
	A short tap turns half-speed on or off for the group.
	A long press accesses a page in which one can determine what the =
actual speed shift is.

* Reverse
	A short tap turns reverse on or off for the group. If the =
current loop is empty, it will record forward and then playback =
backwards when closed.
	A long press toggles the alt send status for the group.

* Scramble
	A short tap turns scramble on or off for the group.
	A long press does a SUS scramble.

* Fade
	A short press turns global fade on or off. When fade is on, =
transitions for starting and stopping loops and possibly when switching =
between loops in a group does a fade.
	A long press invokes a Fade All which will fade everything down =
or if everything is already faded down will fade everything up.

There are other features that would probably be interesting. I'm not =
thrilled with doubling the alt send control onto the reverse button, but =
I didn't have a good alternative given the button budget I had allowed =
myself. It might be nice to change sync modes as well (loops v cycles v =
immediate).  It probably all would need some real experience playing it =
to tune the behaviors, but there's the general model.

Given another button I might also look at supporting replace mode =
directly with a button so that one can hit a button to start overdubbing =
with feedback at 0% and then hit another buttons (rec/dub) to shift to =
overdubbing at some other feedback level. This can be done with a =
feedback control pedal, but then one has to pay attention to where the =
feedback is set when jumping between loops.

For loop level, I'd like to have essentially a foot controlled mod wheel =
that could push the volume level up or down. Feedback can probably be a =
standard footpedal or other continuous controller though as noted above, =
I would like this to be the feedback for secondary overdubs as opposed =
to the feedback on first loop closure (or at least I'd like an option to =
have it behave this way).

Clearly the underlying loop recording and playback engine on the =
Looperlative is capable of this. Most of the operations are possible on =
the Looperlative. (Exceptions: Changing QReplace division with a =
command; having scramble tie to QReplace; copying into a specific =
non-blank-loop -- but those seem to have more to do with what the =
commands support rather than the loop engine.) But it takes a control =
system that is aware of the current status of the Looperlative and is =
short-press/long-press aware and those both seem like steeper hurdles.

Any advice on how close I can get?

Mark

P.S. I targeted the M13 form factor because it seems to be a good =
compromise between having lots of buttons and not consuming horrendous =
amounts of floor space. My real ideal in all of this would put the =
looper in the box itself.

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Subject: Re: Foot controller for a dream looper
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I'm not sure this is possible with the lp1. I think it would be possible wit=
h mobius and some clever scripting.=20=

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Simeon Harris wrote:
> I'm not sure this is possible with the lp1.

It's not, and I'm sure Mark knows that.

andy




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Subject: Re: tape delay plug ins
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i read a couple of them from different shop websites like amazon and
musicians friend and a couple fo forums thoguh i dont exactly remeber
which ones, i was considering getting one for my laptop since they
caught my interest so i started doing some research,it seems more
problematic between window users...
here are some of them:

Windows XP users ... Beware!!!
Posted by Greg from West Bloomfield, MI on Jan 8, 2011
Experience w/product: I own it
Reviewer's Background: Hobbyist, Musician, etc...
Reviewer's Play Style: Jazz, Gospel, and R&B
I assume UAD hardware products are pretty good... But, if you are
using a Windows XP Laptop computer (like myself), beware!!! I never
got pass the installation. I called UAD tech. support 3 times for over
a week and a half. But with no luck, I still could never get this card
to work. The tech. support said that I needed to upgrade and/or change
the settings on my computer (What)?! I said... wait a minute... hold
on... I don't need to make any changes like that to my computer that
might interupt the other programs I'm using (Cubase 5, M-Audio
interface, Wavelab, etc.). All of those and more seem to be working
just fine. After downloading the drivers, I should be able to just
plug this card in the slot and the light on the card should go from
red to green right?!!! Well, it never happen so I returned this item
and I will be purchasing "Waves Software"!!! I downloaded the demos
and they sound pretty nice and worked just fine!!! Lesson for today:
If you can't download the demo and try it first "DON'T BUY IT"!!!
Maybe I needed a $2000 Mac Computer??? UAD hardware: 5 stars but UAD
software 1 star (and over priced)!!!

a couple from sweetwater music:

Forget it with PC
by from Toronto, ON
January 26, 2011
Music Background: Pro Musician, Producer & Recording hobbyist
I bought this card because of falling in love with UAD plugins at a
previous album recording session. I wanted it for my PC Lenovo laptop.
I was happy to try it but was never able to install it. After... read
more [+] all the possible troubleshooting, correspondence with UAD,
forums=85I had to beg the vendor to take it back. Throughout many
sleepless nights & crashes, I managed to run the card for about 10
mins. The beautiful plugins sounded great and this pisses me off even
more now, since there=92s no way I can ever run them on my PC. It may
run on a Sony or something similar, but in general, UAD is not made
for PCs. I actually got a suggestion from both UAD and the distributor
in Canada to buy a MAC. Well, thanks=85I just need a spare kidney to
sell for a good, music production - capable MAC laptop

Does it's job well, but built flimsy
by MJ from San Jose, CA.
July 11, 2009
Music Background: "Prosumer" - Semi Pro Guitarist, Project Studio
Engineer, Live Sound, with 26 yrs of experience.
I received one of the first of these that Sweetwater received from UA
last week (beginning of July), after waiting for it since March.

Functionality: I give this 5 stars - does exactly... read more [+]
what it's supposed to, set up is completely fool-proof, even as I
already had multiple plugins on my quad card (was easy to link them to
this card). This definitely works great on my '09 mac book pro.

Build Quality: Completely shoddy. This card feels like one accidental
bump against it while in the slot and it would break in half very
easy. Most of the card is plastic, and where the plastic joins the
metal seems like it will break within 6 months.... we'll see, but for
500 bucks for a card I expect it to be top notch build quality. UA
makes great stuff and excellent hardware on the analog side with
excellent build quality - makes me think they outsourced this, and it
shows.

A comment on the packaging: This tiny little card and set of 3 cds
came in a ridiculously large box from UA - the same box my quad card
came in. COME ON UA, BE MORE ENVIRONMENTAL - You're practically in
Santa Cruz for god's sake, the mecca of contemporary
environmentalism!!!

A note on Supply Chain Mgt. - ALWAYS HAVE MULTIPLE VENDORS LINED UP
FOR KEY COMPONENTS! I heard the vendor they went with originally to
make the board in this went out of business, and this was the reason
for the long delay. They had to scramble to find another vendor. This
is a rookie move, and shows me that they may be growing faster than
they are maturing their business practices. Take my advice, don't
dilute your good name with shoddy quality and promises you can't keep.
As a wise man once said, "The sting of poor quality lasts a lot longer
than the sting of steep costs."

All in all a good functioning product that may be a little overpriced,
but if you're sold on UA plugins (which are great), then this will be
for you. close [-]











On Sun, Mar 20, 2011 at 3:37 PM,  <billwalker@baymoon.com> wrote:
>
> RE: UA plugins. never had a problem, =A0but then, I'm using there stuff a=
s
> mix down tools, as they were intended to be used. So perhaps as Charles
> said they aren't as well suited to real time manipulation. As far as
> latency goes, I honestly haven't had that issue. =A0I'm curious, =A0Louie=
,
> were these user reviews or a published review? I take most gear blog site
> reviews with a grain of salt. To me places like the gear page are
> virtually useless, as you never know how much info is based on people who
> really know what they are doing with the technology, and how much is base=
d
> on those =A0for whom the old saying "its a poor carpenter who blames his
> tools" applies . LD is one of the few sites where are a good number of
> people really do know what they are doing and are able to articulate it.
> But there are plenty of sites like the gear page where people spew all
> kinds of opinions not necessarily based on facts. Sometimes I try to talk
> myself out of wanting a piece of gear because of the sticker shock alone,
> so i'll go looking for negative reviews to reinforce my opinion. =A0I rea=
lly
> didn't want to like the new Moog lap steel, because its nearly $3000!!!!,
> but after playing it for about an hour at the Moog factory on Friday, its
> absolute coolness totally changed my opinion. now i just have to find a
> bank to rob. I resisted an Eventide time factor because i thought $400 fo=
r
> a delay pedal was a bit exorbitant. But sometimes you do get what you pay
> for.
> Bill
>
>



--=20
www.luis-angulo.com

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Subject: Re: Foot controller for a dream looper
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On Mar 20, 2011, at 12:31 PM, andy butler wrote:

> Simeon Harris wrote:
>> I'm not sure this is possible with the lp1.
>=20
> It's not, and I'm sure Mark knows that.

I'm aware that there are a few things that just aren't possible and that =
many of the other things I want could be done if the controller were =
sophisticated enough to model the state of the LP1 (and really annoying =
in cases where the model and the LP1 got into a disagreement) but that =
requires a really sophisticated controller. I also know that it fits =
pretty much exactly with the playback and general loop manipulation =
capabilities of the LP1, so it's a matter of how it gets controlled =
rather than what it does -- not to say that's easy.

Mark

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On Mar 20, 2011, at 4:51 PM, Mark Hamburg wrote:

> On Mar 20, 2011, at 12:31 PM, andy butler wrote:
>=20
>> Simeon Harris wrote:
>>> I'm not sure this is possible with the lp1.
>>=20
>> It's not, and I'm sure Mark knows that.
>=20
> I'm aware that there are a few things that just aren't possible and =
that many of the other things I want could be done if the controller =
were sophisticated enough to model the state of the LP1 (and really =
annoying in cases where the model and the LP1 got into a disagreement) =
but that requires a really sophisticated controller. I also know that it =
fits pretty much exactly with the playback and general loop manipulation =
capabilities of the LP1, so it's a matter of how it gets controlled =
rather than what it does -- not to say that's easy.

But I was really pleased when I figured out how to map most of the =
functionality I care about to a reasonable number of switches. But then =
I'm stuck with the gulf between those switches and the actual looping =
machinery.

Mark

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Subject: Re: Foot controller for a dream looper
References: <3615AFB9-858B-4B29-8043-187D45D416C2@grubmah.com> <33083220-4D54-4AE9-87D2-D6E379F877E5@googlemail.com> <4D865616.5010403@tiscali.co.uk> <14F1D491-C079-4841-BEC6-7C93E269A0F4@grubmah.com> <ED919F6E-6D66-42FF-932B-5D97E48B8B29@grubmah.com>
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With mobius you wouldn't need to model the looper in the controller. You jus=
t write a script for each button that asks "if mobius is in this state, then=
 do this. If not then do something else". You'd just need to script the beha=
viours you want depending on the current conditions. This is not possible wi=
th the lp1 and I'm not sure even the most sophisticated floor controller can=
 model a looper within it.=20

Sent from my iPod

On 20 Mar 2011, at 23:52, Mark Hamburg <mark@grubmah.com> wrote:

> On Mar 20, 2011, at 4:51 PM, Mark Hamburg wrote:
>=20
>> On Mar 20, 2011, at 12:31 PM, andy butler wrote:
>>=20
>>> Simeon Harris wrote:
>>>> I'm not sure this is possible with the lp1.
>>>=20
>>> It's not, and I'm sure Mark knows that.
>>=20
>> I'm aware that there are a few things that just aren't possible and that m=
any of the other things I want could be done if the controller were sophisti=
cated enough to model the state of the LP1 (and really annoying in cases whe=
re the model and the LP1 got into a disagreement) but that requires a really=
 sophisticated controller. I also know that it fits pretty much exactly with=
 the playback and general loop manipulation capabilities of the LP1, so it's=
 a matter of how it gets controlled rather than what it does -- not to say t=
hat's easy.
>=20
> But I was really pleased when I figured out how to map most of the functio=
nality I care about to a reasonable number of switches. But then I'm stuck w=
ith the gulf between those switches and the actual looping machinery.
>=20
> Mark
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 02:45:33 2011
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From: Revfever <revfever@ubergadget.com>
Subject: semi OT: M.O.C.
Date: Sun, 20 Mar 2011 19:45:13 -0700
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Been around since 1999. News to me. This is very beautiful and  
moving. Looping in a hospital room or at someone's bedside anyone?
There needs to be more branches of MOC opened all over, and  
everywhere. Please pass this on....
TIA!

http://www.musiciansoncall.org/site/PageNavigator/home

Cheerios,
Rev. Stevie Fever
Portland, OR

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 04:49:11 2011
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Subject: Re: Foot controller for a dream looper
From: Mark Hamburg <mark@grubmah.com>
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On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:

> With mobius you wouldn't need to model the looper in the controller. =
You just write a script for each button that asks "if mobius is in this =
state, then do this. If not then do something else". You'd just need to =
script the behaviours you want depending on the current conditions. This =
is not possible with the lp1 and I'm not sure even the most =
sophisticated floor controller can model a looper within it.=20

However even as I resist a bit the rack aspect of the LP-1, a computer =
based solution seems to go even further in the wrong direction....

Mark

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 07:19:58 2011
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Date: Mon, 21 Mar 2011 00:19:56 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Foot controller for a dream looper
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--0-493131554-1300691996=:66636
Content-Type: text/plain; charset=us-ascii

what is the most sophisticated floor controller anyway? An how does the LP1 
being a rack go in the wrong direction. 
I missed the beginning of this thread...

Antony



________________________________
From: Mark Hamburg <mark@grubmah.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, March 21, 2011 5:49:04 AM
Subject: Re: Foot controller for a dream looper

On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:

> With mobius you wouldn't need to model the looper in the controller. You just 
>write a script for each button that asks "if mobius is in this state, then do 
>this. If not then do something else". You'd just need to script the behaviours 
>you want depending on the current conditions. This is not possible with the lp1 
>and I'm not sure even the most sophisticated floor controller can model a looper 
>within it. 
>

However even as I resist a bit the rack aspect of the LP-1, a computer based 
solution seems to go even further in the wrong direction....

Mark


      
--0-493131554-1300691996=:66636
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>what is the most sophisticated floor controller anyway? An how does the LP1 being a rack go in the wrong direction.&nbsp;</div><div>I missed the beginning of this thread...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Mark Hamburg &lt;mark@grubmah.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, March 21, 2011 5:49:04 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Foot controller for a dream looper<br></font><br>
On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:<br><br>&gt; With mobius you wouldn't need to model the looper in the controller. You just write a script for each button that asks "if mobius is in this state, then do this. If not then do something else". You'd just need to script the behaviours you want depending on the current conditions. This is not possible with the lp1 and I'm not sure even the most sophisticated floor controller can model a looper within it. <br><br>However even as I resist a bit the rack aspect of the LP-1, a computer based solution seems to go even further in the wrong direction....<br><br>Mark<br><br></div></div><div style="position:fixed"></div>


</div><br>







      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 09:20:09 2011
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Mark Hamburg wrote:
> On Mar 20, 2011, at 12:31 PM, andy butler wrote:
> 
>> Simeon Harris wrote:
>>> I'm not sure this is possible with the lp1.
>> It's not, and I'm sure Mark knows that.
> 
> I'm aware that there are a few things that just aren't possible 

The only foot controller anywhere near to doing what you 
want would be from the Gordius range.
It doesn't have the button layout you want.

It *may* be possible to emulate your track
grouping ideas with it.
I'll have to check if I can force it to do
a shortpress/longpress.....no midi controller
does that, but the Gordius might be programmable
to emulate it...I should check.
Even then, the shortpress/longpress in the EDP were
very carefully worked out by Matthias. The shortpress
function is *always* called, so you need to pick 
one that isn't going to annoy you if you want
the longpress.



So what it the extent that your ideas are realisable?

1) Button layout. Hardware doesn't exist. 
2) Loop groupings. Probably possible with a gordius unit.
   Would have to create a different bank for each grouping. 
3) longpress/shortpress. Some of your suggestions are workable.
   ...but whether Gordius will support them I'll find out,
   ...........if you're interested.
4) Multi-function on Rec/Dub. Not practical.
   
5) Some functions are plainly not supported by looperlative.

6) absence of a Mute/Stop switch will drive you crazy eventually.


Best is to spend time with the LP1 and get to know
the feel of the functions that it *does* have ;-)

andy butler


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Date: Mon, 21 Mar 2011 09:29:45 +0000
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Subject: Re: Foot controller for a dream looper
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd7098ca75273049efac48e
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this is good advice, but it seems to me that mark has spent a great deal of
time thinking about his preferred workflow and figuring out exactly what he
wants to do. it's this functionality that i've been focusing on. as we know,
the lp-1 doesn't support some of this functionality and we think that a
footcontroller may not exist that does what mark wants. mark can follow this
path to it's logical end, or look at other options. i suggested mobius,
because it will run on almost any laptop and you can use almost any
footswitch with it and with a bit of creative scripting arrive at a point
where most (if not all...perhaps with one or two tweaks) of the
functionality that mark wants is available to him. i know that using a
laptop may not be mark's preferred M.O., but we're talking about mark's
"dream looper" here. surely the function has to take precedence over the
form?

sim

On Mon, Mar 21, 2011 at 9:19 AM, andy butler <akbutler@tiscali.co.uk> wrote:

>
>
> Best is to spend time with the LP1 and get to know
> the feel of the functions that it *does* have ;-)
>
> andy butler
>
>
>

--000e0cd7098ca75273049efac48e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

this is good advice, but it seems to me that mark has spent a great deal of=
 time thinking about his preferred workflow and figuring out exactly what h=
e wants to do. it&#39;s this functionality that i&#39;ve been focusing on. =
as we know, the lp-1 doesn&#39;t support some of this functionality and we =
think that a footcontroller may not exist that does what mark wants. mark c=
an follow this path to it&#39;s logical end, or look at other options. i su=
ggested mobius, because it will run on almost any laptop and you can use al=
most any footswitch with it and with a bit of creative scripting arrive at =
a point where most (if not all...perhaps with one or two tweaks) of the fun=
ctionality that mark wants is available to him. i know that using a laptop =
may not be mark&#39;s preferred M.O., but we&#39;re talking about mark&#39;=
s &quot;dream looper&quot; here. surely the function has to take precedence=
 over the form?<br>
<br>sim <br><br><div class=3D"gmail_quote">On Mon, Mar 21, 2011 at 9:19 AM,=
 andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk=
">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">

<br>
<br>
Best is to spend time with the LP1 and get to know<br>
the feel of the functions that it *does* have ;-)<br><font color=3D"#888888=
">
<br>
andy butler<br>
<br>
<br>
</font></blockquote></div><br>

--000e0cd7098ca75273049efac48e--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 14:02:35 2011
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Subject: Re: Foot controller for a dream looper
From: Mark Hamburg <mark@grubmah.com>
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On Mar 21, 2011, at 2:19 AM, andy butler wrote:

> Best is to spend time with the LP1 and get to know
> the feel of the functions that it *does* have ;-)

Other than the desire to link scramble to the quantize factor and have =
that selectable via MIDI and the desire to be a bit more specific about =
where a copy goes, the Looperlative does do virtually all of this. But =
to make it do it, I would need a controller with a lot more buttons and =
I would need to pay more attention to the necessary press sequences both =
of which mean that the features probably just won't get used that much.

On the short press v long press front, I tried to carefully pick =
operations for the short press that could either be essentially prefixes =
of the long press -- a la the EDP -- or could wait to initiate until =
button release. Many of the combinations of behaviors -- e.g., the long =
press to undo -- I got from other loopers but I'd have to go look to see =
what. (It may have been the LP2. It could be the Digitech Jamman.)

But I think the message is that I'm blowing out the =
control/configuration capabilities of MIDI foot controllers and the LP1. =
This is where carefully honed experiences like the EDP and the Boomerang =
have an advantage.

Mark

P.S. While looking at my M13, the slightly simpler thing I would want =
and that I wish Line 6 would build:

* Make the loopers stereo
* Give me four of them in the box, switch selectable via the top row of =
buttons
* Give me a multiply button to replicate a loop
* Provide appropriate cycle syncing between the loopers (but make it =
optional for those times when you don't want things synced)
* Make Undo a per loop thing so that for any loop I can essentially have =
two versions though only based on including or not including the last =
overdub.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 14:49:34 2011
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Subject: Re: Foot controller for a dream looper
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Mark Hamburg wrote:

> 
> P.S. While looking at my M13, the slightly simpler thing I would want and that I wish Line 6 would build:
> 
> * Make the loopers stereo
> * Give me four of them in the box, switch selectable via the top row of buttons
> * Give me a multiply button to replicate a loop
> * Provide appropriate cycle syncing between the loopers (but make it optional for those times when you don't want things synced)
> * Make Undo a per loop thing so that for any loop I can essentially have two versions though only based on including or not including the last overdub.

So the Line 6 team gets a much simplified challenge compared to the Looperlative team.

Undo does not really give you 2 versions, it gives you an overdub
which can be switched on/off.
Hence that can be achieved by recording to a different track,
and simply switching that track on/off.

I wonder if there's a looping device which would achieve the above requirement ;-)

andy

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 15:43:54 2011
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Date: Mon, 21 Mar 2011 08:40:46 -0700
Subject: was:tape delay plug ins, now user reviews
From: billwalker@baymoon.com
To: "Louie Angulo" <louie.angulo@googlemail.com>
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These are exactly the kinds of user reviews that i find suspect,  the
first one sounds like someone who has little patience and even less skill
with a computer.  And who knows how well this person manages their ram,
cpu usage, or how optimized for music performance their computer is, i.e.
how many none music related programs are they running that is dragging
down their machine. and the second review ......any kind of dongle type
lap
top add on is vulnerable to getting wacked, its the nature of the beast
and one  reason I haven't gone lap top yet, its such a ridiculously
vulnerable platform in that regard. drop a lap top on a concrete floor and
there is a strong likelihood its toast.
 I'm sorry Louie but these kinds of responses reinforce my
feeling that a little knowledge is dangerous. And that consumers often
have a tendency these days to fly off the handle when they can't get there
new toys to work properly. I have worked both in music retail and
manufacturing long enough to realize that 95% of these kinds of issues are
related to pilot error, not the product. From my own personal experience
most of my computer related problems come from my own lack of knowledge of
the platform not the platform itself.
 Another part of the equation has to do with
leading edge technology, and compatibility issues with trailing edge
computers. If you want to play it safe, wait a few months for the bugs to
get ironed out and compatibility issues are resolved . My windows based,
mainframe computer at home has no problem with my UAD card, but its a card
not a dongle and is internally mounted. As i mentioned before,I know the
guys at UA, they are not in
the business of making inferior products, they actually give a shit about
things like quality control and ease of use. I think the point I was
making is that user reviews cannot always be counted on to be subjective
or even rational. How else do you account for the common occurrence I see
on sites like Harmony central where several glowing reviews are followed
by some angry trashing review, where someone disses a product that
everyone else is heralding. I saw one once where the guy talked shit about
a product and only at the end of the review did he admit he had dropped
the product on concrete and broke it. Another thing that happens on these
site is rival manufacturers will plant bogus negative reviews , after all
there is no over sight on sites like this to prevent them from doing so.
I've seen a number of negative reviews on HC  written by a guy named
anonymous :-) I just don't trust user reviews unless its from people I
know and respect or the positive reviews far out number the negative.
And
to be candid I don't shop on Amazon, unless its absolutely the only
choice.  I don't believe in them as a company and they tend to be a
clearing house for overstock or folding businesses anyway so you are
rarely sure if the warranty
issues will be covered. BTW any price you see below MAP on Amazon is a
vendor who is in violation of the manufacturers MAP policy and there is a
good chance you can't get warranty coverage if something malfunctions.. If
price is your only
consideration, go for it and shop Amazon, but buyer beware......
 good luck
 Bill


From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 16:22:04 2011
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Subject: Re: was:tape delay plug ins, now user reviews
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 21, 2011 at 4:40 PM,  <billwalker@baymoon.com> wrote:
> These are exactly the kinds of user reviews that i find suspect, =C2=A0th=
e
> first one sounds like someone who has little patience and even less skill
> with a computer.

Found no link to the reviews you're talking about? Whenever reading a
review, it is good to first find out whether the writer is really
talking about the product or talking about himself. In case of the
latter, probably without knowing it :-)

As for the earlier discussion about the UAD plugins I said they are
top quality studio tools. Any discussion about latency in this regard
would simply be moot, as (already pointed out by someone else) a DAW
applications compensates for plugin latency so you won't ever notice
it when producing recorded music. However, playing a live audio input
through such plugins will of course give latency because the computer
can not look into the future or read your mind to know in advance what
sound will arrive at the input during the next thirty seven
milliseconds.

A good place for reading reviews is Harmonic Central's user reviews.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 17:07:19 2011
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--bcaec51a89962f5007049f0122fa
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> A good place for reading reviews *was* Harmonic Central's user reviews *until
> they wrecked them beyond recognition*.
>

FTFY

;)

--bcaec51a89962f5007049f0122fa
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<br>
<div class=3D"gmail_quote">
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">A good place for reading reviews=
 <strong>was</strong> Harmonic Central&#39;s user reviews <strong>until the=
y wrecked them beyond recognition</strong>.<br>
</blockquote>
<div>=A0</div>
<div>FTFY</div>
<div>=A0</div>
<div>;)</div></div>

--bcaec51a89962f5007049f0122fa--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 17:39:16 2011
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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:
>
>> With mobius you wouldn't need to model the looper in the controller. You just write a script for each button that asks "if mobius is in this state, then do this. If not then do something else". You'd just need to script the behaviours you want depending on the current conditions. This is not possible with the lp1 and I'm not sure even the most sophisticated floor controller can model a looper within it.
> However even as I resist a bit the rack aspect of the LP-1, a computer based solution seems to go even further in the wrong direction....
>
> Mark
But you have very, very sophisticated and specific, idiosyncratic 
design/requests for a looper, Mark.
Honestly,  how could any dedicated hardware looper EVER accomplish what 
you want, specifically,
let alone what every single other sophisticated looper in the world wants.

You are going to have to go with a computer or else, design your own 
looper as Bob Amstadt did when
he was frustrated with the different paradigms that were available in 
hardware when he designed the
LP-1.

Given that the LP-1 is hardware,  it is by far, the most configurable 
piece of hardware looping gear
ever designed and manufactured.    Will it do everything,  no,  but it 
even has the potential to add new
functionality through continuing software design if there is a consensus 
in the user base.

Additionally,  it is sophisticated that you can get close, if not 
accomplish, a large amount of the things you want.
It just doesn't have long press capability.

Honestly,  it's okay if you don't use the LP-1 as I told you in my last 
private letter to you.
The LP-1 is not for everyone and Bob has been really clear about that 
from day one.

Mobius and a Laptop, with a good sound card and a sophisticated midi 
footpedal configuration
sound like it's the closest to what you want to do.    It will require a 
lot of hard work on your part
to get it all going the way you want, though.   That's the beautiful 
nature of the beast.

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 17:46:51 2011
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Subject: Re: Foot controller for a dream looper
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> That's the beautiful nature of the beast.

It's just a beast.=20

Maybe one day, if I tame it, I will think it beautiful. But until then, =
it's simply a beast that feeds on my time and steals musical moments at =
every opportunity.=20

But alas, the truly beautiful simplicity of the EDP hardware unit wasn't =
enough for me anymore.=20

So... stuck in limbo.=20

I've watched many a hardware/software debate on this list and I still =
think software will eventually win. When it deserves it by being simple =
enough to master within a few short years.=20

Until then... it's a beast, and being a beast is it's nature. There's =
nothing beautiful about it.=20



On Mar 21, 2011, at 10:39 AM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Mark Hamburg wrote:
>> On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:
>>=20
>>> With mobius you wouldn't need to model the looper in the controller. =
You just write a script for each button that asks "if mobius is in this =
state, then do this. If not then do something else". You'd just need to =
script the behaviours you want depending on the current conditions. This =
is not possible with the lp1 and I'm not sure even the most =
sophisticated floor controller can model a looper within it.
>> However even as I resist a bit the rack aspect of the LP-1, a =
computer based solution seems to go even further in the wrong =
direction....
>>=20
>> Mark
> But you have very, very sophisticated and specific, idiosyncratic =
design/requests for a looper, Mark.
> Honestly,  how could any dedicated hardware looper EVER accomplish =
what you want, specifically,
> let alone what every single other sophisticated looper in the world =
wants.
>=20
> You are going to have to go with a computer or else, design your own =
looper as Bob Amstadt did when
> he was frustrated with the different paradigms that were available in =
hardware when he designed the
> LP-1.
>=20
> Given that the LP-1 is hardware,  it is by far, the most configurable =
piece of hardware looping gear
> ever designed and manufactured.    Will it do everything,  no,  but it =
even has the potential to add new
> functionality through continuing software design if there is a =
consensus in the user base.
>=20
> Additionally,  it is sophisticated that you can get close, if not =
accomplish, a large amount of the things you want.
> It just doesn't have long press capability.
>=20
> Honestly,  it's okay if you don't use the LP-1 as I told you in my =
last private letter to you.
> The LP-1 is not for everyone and Bob has been really clear about that =
from day one.
>=20
> Mobius and a Laptop, with a good sound card and a sophisticated midi =
footpedal configuration
> sound like it's the closest to what you want to do.    It will require =
a lot of hard work on your part
> to get it all going the way you want, though.   That's the beautiful =
nature of the beast.
>=20
> rick walker
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 17:54:43 2011
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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: Foot controller for a dream looper
Date: Mon, 21 Mar 2011 10:54:38 -0700
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" It will require a lot of hard work on your part to get it all going the way you want, though.   That's the beautiful nature of the beast."

Ain't that the truth!  Wether it be HW or SW, looping remains the bleeding edge of media production workflow.  The great potential that it holds for music and for video is matched by a near total absence of standard workflows upon which to hang our hats. It makes it hard for to get a grip on a workflow that meets one's unique needs and, in the same stroke, it opens the field to endless workflow design possibilities.  IMO, Both LP-1 and Mobius live up to these statements.  Great potential-Great Challenge.   

No matter what your platform, (i prefer them all :)  the price of admission to create unique and idiosyncratic art with a looper is often high.  Thats not to say that you can't make great looping art with a delay pedal, but if you want to innovate performance workflows that facilitate your own compositional style, you may have to buck up the midnight oil in a very big way.  I certainly have had to pay a lot of dues to the "WTF-is-going-on-now-Gods" in order to break through on any looping platform...HW or SW.

See you in the wee hours.

Daniel   


On Mar 21, 2011, at 10:39 AM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Mark Hamburg wrote:
>> On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:
>> 
>>> With mobius you wouldn't need to model the looper in the controller. You just write a script for each button that asks "if mobius is in this state, then do this. If not then do something else". You'd just need to script the behaviours you want depending on the current conditions. This is not possible with the lp1 and I'm not sure even the most sophisticated floor controller can model a looper within it.
>> However even as I resist a bit the rack aspect of the LP-1, a computer based solution seems to go even further in the wrong direction....
>> 
>> Mark
> But you have very, very sophisticated and specific, idiosyncratic design/requests for a looper, Mark.
> Honestly,  how could any dedicated hardware looper EVER accomplish what you want, specifically,
> let alone what every single other sophisticated looper in the world wants.
> 
> You are going to have to go with a computer or else, design your own looper as Bob Amstadt did when
> he was frustrated with the different paradigms that were available in hardware when he designed the
> LP-1.
> 
> Given that the LP-1 is hardware,  it is by far, the most configurable piece of hardware looping gear
> ever designed and manufactured.    Will it do everything,  no,  but it even has the potential to add new
> functionality through continuing software design if there is a consensus in the user base.
> 
> Additionally,  it is sophisticated that you can get close, if not accomplish, a large amount of the things you want.
> It just doesn't have long press capability.
> 
> Honestly,  it's okay if you don't use the LP-1 as I told you in my last private letter to you.
> The LP-1 is not for everyone and Bob has been really clear about that from day one.
> 
> Mobius and a Laptop, with a good sound card and a sophisticated midi footpedal configuration
> sound like it's the closest to what you want to do.    It will require a lot of hard work on your part
> to get it all going the way you want, though.   That's the beautiful nature of the beast.
> 
> rick walker
> 


--Boundary_(ID_oM1h03Ol7jgN2HrHh+CupQ)
Content-type: text/html; CHARSET=US-ASCII
Content-transfer-encoding: quoted-printable

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">" It =
will require a lot of hard work on your part&nbsp;to get it all going =
the way you want, though. &nbsp;&nbsp;That's the beautiful nature of the =
beast."<div><br></div><div>Ain't that the truth! &nbsp;Wether it be HW =
or SW, looping remains the bleeding edge of media production workflow. =
&nbsp;The great potential that it holds for music and for video is =
matched by a near total absence of standard workflows upon which to hang =
our hats. It makes it hard for to get a grip on a workflow that meets =
one's unique needs and, in the same stroke, it opens the field to =
endless workflow design possibilities. &nbsp;IMO, Both LP-1 and Mobius =
live up to these statements. &nbsp;Great potential-Great Challenge. =
&nbsp;&nbsp;</div><div><br></div><div>No matter what your platform, (i =
prefer them all :) &nbsp;the price of admission to create unique and =
idiosyncratic art with a looper is often high. &nbsp;Thats not to say =
that you can't make great looping art with a delay pedal, but if you =
want to innovate <i>performance workflows that facilitate your own =
compositional style</i>, you may have to buck up the midnight oil in a =
very big way. &nbsp;I certainly have had to pay a lot of dues to the =
"WTF-is-going-on-now-Gods" in order to break through on any looping =
platform...HW or SW.</div><div><br></div><div>See you in the wee =
hours.</div><div><br></div><div>Daniel =
&nbsp;&nbsp;</div><div><div><div><br></div><div><br></div><div>On Mar =
21, 2011, at 10:39 AM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, Mark Hamburg wrote:<br><blockquote type=3D"cite">On =
Mar 20, 2011, at 5:10 PM, Simeon Harris =
wrote:<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">With mobius you wouldn't need to model the looper in the =
controller. You just write a script for each button that asks "if mobius =
is in this state, then do this. If not then do something else". You'd =
just need to script the behaviours you want depending on the current =
conditions. This is not possible with the lp1 and I'm not sure even the =
most sophisticated floor controller can model a looper within =
it.<br></blockquote></blockquote><blockquote type=3D"cite">However even =
as I resist a bit the rack aspect of the LP-1, a computer based solution =
seems to go even further in the wrong =
direction....<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Mark<br></blockquote>But you have very, very sophisticated =
and specific, idiosyncratic design/requests for a looper, =
Mark.<br>Honestly, &nbsp;how could any dedicated hardware looper EVER =
accomplish what you want, specifically,<br>let alone what every single =
other sophisticated looper in the world wants.<br><br>You are going to =
have to go with a computer or else, design your own looper as Bob =
Amstadt did when<br>he was frustrated with the different paradigms that =
were available in hardware when he designed the<br>LP-1.<br><br>Given =
that the LP-1 is hardware, &nbsp;it is by far, the most configurable =
piece of hardware looping gear<br>ever designed and manufactured. =
&nbsp;&nbsp;&nbsp;Will it do everything, &nbsp;no, &nbsp;but it even has =
the potential to add new<br>functionality through continuing software =
design if there is a consensus in the user base.<br><br>Additionally, =
&nbsp;it is sophisticated that you can get close, if not accomplish, a =
large amount of the things you want.<br>It just doesn't have long press =
capability.<br><br>Honestly, &nbsp;it's okay if you don't use the LP-1 =
as I told you in my last private letter to you.<br>The LP-1 is not for =
everyone and Bob has been really clear about that from day =
one.<br><br>Mobius and a Laptop, with a good sound card and a =
sophisticated midi footpedal configuration<br>sound like it's the =
closest to what you want to do. &nbsp;&nbsp;&nbsp;It will require a lot =
of hard work on your part<br>to get it all going the way you want, =
though. &nbsp;&nbsp;That's the beautiful nature of the =
beast.<br><br>rick =
walker<br><br></div></blockquote></div><br></div></body></html>=

--Boundary_(ID_oM1h03Ol7jgN2HrHh+CupQ)--

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From: Christopher Darrow <thedarrow@gmail.com>
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Subject: Re: Foot controller for a dream looper
Date: Mon, 21 Mar 2011 11:15:46 -0700
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>  the price of admission to create unique and idiosyncratic art with a =
looper is often high. =20
>  if you want to innovate performance workflows that facilitate your =
own compositional style,=20
>  you may have to buck up the midnight oil in a very big way.=20


Fuck that. (Not aimed at you Daniel, I understand and respect the spirit =
of your post, I only mean that...) I'm so tired of technology under =
performing, half-baked "solutions" with bull-shit editor/librarian =
software that excuses itself for POOR UI design under the FALSE notion =
that ease-of-use must be (entirely) thrown out the window to retain =
complexity-of-function. =20

The original poster (aka the sophisticated looper)  must make his/her =
own only until $1000 pedals like the LG get their editors in order AND =
software DAW's/Hosts / Looping Plugins work past the billions of =
aggravating glitches that hold us back from realizing our dreams.=20

I, for one, am pissed at this point.



On Mar 21, 2011, at 10:54 AM, Daniel Thomas wrote:

> " It will require a lot of hard work on your part to get it all going =
the way you want, though.   That's the beautiful nature of the beast."
>=20
> Ain't that the truth!  Wether it be HW or SW, looping remains the =
bleeding edge of media production workflow.  The great potential that it =
holds for music and for video is matched by a near total absence of =
standard workflows upon which to hang our hats. It makes it hard for to =
get a grip on a workflow that meets one's unique needs and, in the same =
stroke, it opens the field to endless workflow design possibilities.  =
IMO, Both LP-1 and Mobius live up to these statements.  Great =
potential-Great Challenge.  =20
>=20
> No matter what your platform, (i prefer them all :)  the price of =
admission to create unique and idiosyncratic art with a looper is often =
high.  Thats not to say that you can't make great looping art with a =
delay pedal, but if you want to innovate performance workflows that =
facilitate your own compositional style, you may have to buck up the =
midnight oil in a very big way.  I certainly have had to pay a lot of =
dues to the "WTF-is-going-on-now-Gods" in order to break through on any =
looping platform...HW or SW.
>=20
> See you in the wee hours.
>=20
> Daniel  =20
>=20
>=20
> On Mar 21, 2011, at 10:39 AM, Rick Walker wrote:
>=20
>> On 7/22/64 11:59 AM, Mark Hamburg wrote:
>>> On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:
>>>=20
>>>> With mobius you wouldn't need to model the looper in the =
controller. You just write a script for each button that asks "if mobius =
is in this state, then do this. If not then do something else". You'd =
just need to script the behaviours you want depending on the current =
conditions. This is not possible with the lp1 and I'm not sure even the =
most sophisticated floor controller can model a looper within it.
>>> However even as I resist a bit the rack aspect of the LP-1, a =
computer based solution seems to go even further in the wrong =
direction....
>>>=20
>>> Mark
>> But you have very, very sophisticated and specific, idiosyncratic =
design/requests for a looper, Mark.
>> Honestly,  how could any dedicated hardware looper EVER accomplish =
what you want, specifically,
>> let alone what every single other sophisticated looper in the world =
wants.
>>=20
>> You are going to have to go with a computer or else, design your own =
looper as Bob Amstadt did when
>> he was frustrated with the different paradigms that were available in =
hardware when he designed the
>> LP-1.
>>=20
>> Given that the LP-1 is hardware,  it is by far, the most configurable =
piece of hardware looping gear
>> ever designed and manufactured.    Will it do everything,  no,  but =
it even has the potential to add new
>> functionality through continuing software design if there is a =
consensus in the user base.
>>=20
>> Additionally,  it is sophisticated that you can get close, if not =
accomplish, a large amount of the things you want.
>> It just doesn't have long press capability.
>>=20
>> Honestly,  it's okay if you don't use the LP-1 as I told you in my =
last private letter to you.
>> The LP-1 is not for everyone and Bob has been really clear about that =
from day one.
>>=20
>> Mobius and a Laptop, with a good sound card and a sophisticated midi =
footpedal configuration
>> sound like it's the closest to what you want to do.    It will =
require a lot of hard work on your part
>> to get it all going the way you want, though.   That's the beautiful =
nature of the beast.
>>=20
>> rick walker
>>=20
>=20


--Apple-Mail-2-301599428
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>&gt;&nbsp;&nbsp;the price of admission to create =
unique and idiosyncratic art with a looper is often high. =
&nbsp;</div><div>&gt; &nbsp;if you want to innovate&nbsp;<i>performance =
workflows that facilitate your own compositional =
style</i>,&nbsp;</div><div>&gt; &nbsp;you may have to buck up the =
midnight oil in a very big =
way.&nbsp;</div><div><br></div><div><br></div><div>Fuck that. (Not aimed =
at you Daniel, I understand and respect the spirit of your post, I only =
mean that...) I'm so tired of technology under performing, half-baked =
"solutions" with bull-shit editor/librarian software that excuses itself =
for POOR UI design under the FALSE notion that ease-of-use <i>must</i> =
be (<i>entirely</i>) thrown out the window to retain =
complexity-of-function. &nbsp;</div><div><br></div><div>The original =
poster (aka the sophisticated looper) &nbsp;must make his/her own only =
until $1000 pedals like the LG get their editors in order AND software =
DAW's/Hosts / Looping Plugins work past the billions of aggravating =
glitches that hold us back from realizing our =
dreams.&nbsp;</div><div><br></div><div>I, for one, am pissed at this =
point.</div><div><br></div><div><br></div><br><div><div>On Mar 21, 2011, =
at 10:54 AM, Daniel Thomas wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">" It will require a lot of hard =
work on your part&nbsp;to get it all going the way you want, though. =
&nbsp;&nbsp;That's the beautiful nature of the =
beast."<div><br></div><div>Ain't that the truth! &nbsp;Wether it be HW =
or SW, looping remains the bleeding edge of media production workflow. =
&nbsp;The great potential that it holds for music and for video is =
matched by a near total absence of standard workflows upon which to hang =
our hats. It makes it hard for to get a grip on a workflow that meets =
one's unique needs and, in the same stroke, it opens the field to =
endless workflow design possibilities. &nbsp;IMO, Both LP-1 and Mobius =
live up to these statements. &nbsp;Great potential-Great Challenge. =
&nbsp;&nbsp;</div><div><br></div><div>No matter what your platform, (i =
prefer them all :) &nbsp;the price of admission to create unique and =
idiosyncratic art with a looper is often high. &nbsp;Thats not to say =
that you can't make great looping art with a delay pedal, but if you =
want to innovate <i>performance workflows that facilitate your own =
compositional style</i>, you may have to buck up the midnight oil in a =
very big way. &nbsp;I certainly have had to pay a lot of dues to the =
"WTF-is-going-on-now-Gods" in order to break through on any looping =
platform...HW or SW.</div><div><br></div><div>See you in the wee =
hours.</div><div><br></div><div>Daniel =
&nbsp;&nbsp;</div><div><div><div><br></div><div><br></div><div>On Mar =
21, 2011, at 10:39 AM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, Mark Hamburg wrote:<br><blockquote type=3D"cite">On =
Mar 20, 2011, at 5:10 PM, Simeon Harris =
wrote:<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">With mobius you wouldn't need to model the looper in the =
controller. You just write a script for each button that asks "if mobius =
is in this state, then do this. If not then do something else". You'd =
just need to script the behaviours you want depending on the current =
conditions. This is not possible with the lp1 and I'm not sure even the =
most sophisticated floor controller can model a looper within =
it.<br></blockquote></blockquote><blockquote type=3D"cite">However even =
as I resist a bit the rack aspect of the LP-1, a computer based solution =
seems to go even further in the wrong =
direction....<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Mark<br></blockquote>But you have very, very sophisticated =
and specific, idiosyncratic design/requests for a looper, =
Mark.<br>Honestly, &nbsp;how could any dedicated hardware looper EVER =
accomplish what you want, specifically,<br>let alone what every single =
other sophisticated looper in the world wants.<br><br>You are going to =
have to go with a computer or else, design your own looper as Bob =
Amstadt did when<br>he was frustrated with the different paradigms that =
were available in hardware when he designed the<br>LP-1.<br><br>Given =
that the LP-1 is hardware, &nbsp;it is by far, the most configurable =
piece of hardware looping gear<br>ever designed and manufactured. =
&nbsp;&nbsp;&nbsp;Will it do everything, &nbsp;no, &nbsp;but it even has =
the potential to add new<br>functionality through continuing software =
design if there is a consensus in the user base.<br><br>Additionally, =
&nbsp;it is sophisticated that you can get close, if not accomplish, a =
large amount of the things you want.<br>It just doesn't have long press =
capability.<br><br>Honestly, &nbsp;it's okay if you don't use the LP-1 =
as I told you in my last private letter to you.<br>The LP-1 is not for =
everyone and Bob has been really clear about that from day =
one.<br><br>Mobius and a Laptop, with a good sound card and a =
sophisticated midi footpedal configuration<br>sound like it's the =
closest to what you want to do. &nbsp;&nbsp;&nbsp;It will require a lot =
of hard work on your part<br>to get it all going the way you want, =
though. &nbsp;&nbsp;That's the beautiful nature of the =
beast.<br><br>rick =
walker<br><br></div></blockquote></div><br></div></div></blockquote></div>=
<br></body></html>=

--Apple-Mail-2-301599428--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 18:22:20 2011
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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: Foot controller for a dream looper
Date: Mon, 21 Mar 2011 11:22:18 -0700
In-reply-to: <0259F7CD-BD37-437D-97F7-BFA14C1D1020@gmail.com>
To: Loopers-Delight@loopers-delight.com
References: <BBE2C261-5AFB-4B37-AB09-E63E09925F11@grubmah.com>
 <4D878D3A.2040001@cruzio.com> <33F2083C-93CC-4D92-9BDD-7573837CFD2B@mac.com>
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--Boundary_(ID_gW7QEyURooV6xj16viLd0g)
Content-type: text/plain; CHARSET=US-ASCII
Content-transfer-encoding: 7BIT

> I, for one, am pissed at this point.

I for one, am no good at the forum thing. 

To each his own.

D
On Mar 21, 2011, at 11:15 AM, Christopher Darrow wrote:

> 
> >  the price of admission to create unique and idiosyncratic art with a looper is often high.  
> >  if you want to innovate performance workflows that facilitate your own compositional style, 
> >  you may have to buck up the midnight oil in a very big way. 
> 
> 
> Fuck that. (Not aimed at you Daniel, I understand and respect the spirit of your post, I only mean that...) I'm so tired of technology under performing, half-baked "solutions" with bull-shit editor/librarian software that excuses itself for POOR UI design under the FALSE notion that ease-of-use must be (entirely) thrown out the window to retain complexity-of-function.  
> 
> The original poster (aka the sophisticated looper)  must make his/her own only until $1000 pedals like the LG get their editors in order AND software DAW's/Hosts / Looping Plugins work past the billions of aggravating glitches that hold us back from realizing our dreams. 
> 
> I, for one, am pissed at this point.
> 
> 
> 
> On Mar 21, 2011, at 10:54 AM, Daniel Thomas wrote:
> 
>> " It will require a lot of hard work on your part to get it all going the way you want, though.   That's the beautiful nature of the beast."
>> 
>> Ain't that the truth!  Wether it be HW or SW, looping remains the bleeding edge of media production workflow.  The great potential that it holds for music and for video is matched by a near total absence of standard workflows upon which to hang our hats. It makes it hard for to get a grip on a workflow that meets one's unique needs and, in the same stroke, it opens the field to endless workflow design possibilities.  IMO, Both LP-1 and Mobius live up to these statements.  Great potential-Great Challenge.   
>> 
>> No matter what your platform, (i prefer them all :)  the price of admission to create unique and idiosyncratic art with a looper is often high.  Thats not to say that you can't make great looping art with a delay pedal, but if you want to innovate performance workflows that facilitate your own compositional style, you may have to buck up the midnight oil in a very big way.  I certainly have had to pay a lot of dues to the "WTF-is-going-on-now-Gods" in order to break through on any looping platform...HW or SW.
>> 
>> See you in the wee hours.
>> 
>> Daniel   
>> 
>> 
>> On Mar 21, 2011, at 10:39 AM, Rick Walker wrote:
>> 
>>> On 7/22/64 11:59 AM, Mark Hamburg wrote:
>>>> On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:
>>>> 
>>>>> With mobius you wouldn't need to model the looper in the controller. You just write a script for each button that asks "if mobius is in this state, then do this. If not then do something else". You'd just need to script the behaviours you want depending on the current conditions. This is not possible with the lp1 and I'm not sure even the most sophisticated floor controller can model a looper within it.
>>>> However even as I resist a bit the rack aspect of the LP-1, a computer based solution seems to go even further in the wrong direction....
>>>> 
>>>> Mark
>>> But you have very, very sophisticated and specific, idiosyncratic design/requests for a looper, Mark.
>>> Honestly,  how could any dedicated hardware looper EVER accomplish what you want, specifically,
>>> let alone what every single other sophisticated looper in the world wants.
>>> 
>>> You are going to have to go with a computer or else, design your own looper as Bob Amstadt did when
>>> he was frustrated with the different paradigms that were available in hardware when he designed the
>>> LP-1.
>>> 
>>> Given that the LP-1 is hardware,  it is by far, the most configurable piece of hardware looping gear
>>> ever designed and manufactured.    Will it do everything,  no,  but it even has the potential to add new
>>> functionality through continuing software design if there is a consensus in the user base.
>>> 
>>> Additionally,  it is sophisticated that you can get close, if not accomplish, a large amount of the things you want.
>>> It just doesn't have long press capability.
>>> 
>>> Honestly,  it's okay if you don't use the LP-1 as I told you in my last private letter to you.
>>> The LP-1 is not for everyone and Bob has been really clear about that from day one.
>>> 
>>> Mobius and a Laptop, with a good sound card and a sophisticated midi footpedal configuration
>>> sound like it's the closest to what you want to do.    It will require a lot of hard work on your part
>>> to get it all going the way you want, though.   That's the beautiful nature of the beast.
>>> 
>>> rick walker
>>> 
>> 
> 


--Boundary_(ID_gW7QEyURooV6xj16viLd0g)
Content-type: text/html; CHARSET=US-ASCII
Content-transfer-encoding: quoted-printable

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><blockquote type=3D"cite"><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>I, for one, am pissed at this =
point.</div></div></blockquote><div><br></div>I for one, am no good at =
the forum thing.&nbsp;<div><br></div><div>To each his =
own.</div><div><br></div><div>D<br><div><div>On Mar 21, 2011, at 11:15 =
AM, Christopher Darrow wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div><br></div><div>&gt;&nbsp;&nbsp;the price of admission to create =
unique and idiosyncratic art with a looper is often high. =
&nbsp;</div><div>&gt; &nbsp;if you want to innovate&nbsp;<i>performance =
workflows that facilitate your own compositional =
style</i>,&nbsp;</div><div>&gt; &nbsp;you may have to buck up the =
midnight oil in a very big =
way.&nbsp;</div><div><br></div><div><br></div><div>Fuck that. (Not aimed =
at you Daniel, I understand and respect the spirit of your post, I only =
mean that...) I'm so tired of technology under performing, half-baked =
"solutions" with bull-shit editor/librarian software that excuses itself =
for POOR UI design under the FALSE notion that ease-of-use <i>must</i> =
be (<i>entirely</i>) thrown out the window to retain =
complexity-of-function. &nbsp;</div><div><br></div><div>The original =
poster (aka the sophisticated looper) &nbsp;must make his/her own only =
until $1000 pedals like the LG get their editors in order AND software =
DAW's/Hosts / Looping Plugins work past the billions of aggravating =
glitches that hold us back from realizing our =
dreams.&nbsp;</div><div><br></div><div>I, for one, am pissed at this =
point.</div><div><br></div><div><br></div><br><div><div>On Mar 21, 2011, =
at 10:54 AM, Daniel Thomas wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">" It will require a lot of hard =
work on your part&nbsp;to get it all going the way you want, though. =
&nbsp;&nbsp;That's the beautiful nature of the =
beast."<div><br></div><div>Ain't that the truth! &nbsp;Wether it be HW =
or SW, looping remains the bleeding edge of media production workflow. =
&nbsp;The great potential that it holds for music and for video is =
matched by a near total absence of standard workflows upon which to hang =
our hats. It makes it hard for to get a grip on a workflow that meets =
one's unique needs and, in the same stroke, it opens the field to =
endless workflow design possibilities. &nbsp;IMO, Both LP-1 and Mobius =
live up to these statements. &nbsp;Great potential-Great Challenge. =
&nbsp;&nbsp;</div><div><br></div><div>No matter what your platform, (i =
prefer them all :) &nbsp;the price of admission to create unique and =
idiosyncratic art with a looper is often high. &nbsp;Thats not to say =
that you can't make great looping art with a delay pedal, but if you =
want to innovate <i>performance workflows that facilitate your own =
compositional style</i>, you may have to buck up the midnight oil in a =
very big way. &nbsp;I certainly have had to pay a lot of dues to the =
"WTF-is-going-on-now-Gods" in order to break through on any looping =
platform...HW or SW.</div><div><br></div><div>See you in the wee =
hours.</div><div><br></div><div>Daniel =
&nbsp;&nbsp;</div><div><div><div><br></div><div><br></div><div>On Mar =
21, 2011, at 10:39 AM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, Mark Hamburg wrote:<br><blockquote type=3D"cite">On =
Mar 20, 2011, at 5:10 PM, Simeon Harris =
wrote:<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">With mobius you wouldn't need to model the looper in the =
controller. You just write a script for each button that asks "if mobius =
is in this state, then do this. If not then do something else". You'd =
just need to script the behaviours you want depending on the current =
conditions. This is not possible with the lp1 and I'm not sure even the =
most sophisticated floor controller can model a looper within =
it.<br></blockquote></blockquote><blockquote type=3D"cite">However even =
as I resist a bit the rack aspect of the LP-1, a computer based solution =
seems to go even further in the wrong =
direction....<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Mark<br></blockquote>But you have very, very sophisticated =
and specific, idiosyncratic design/requests for a looper, =
Mark.<br>Honestly, &nbsp;how could any dedicated hardware looper EVER =
accomplish what you want, specifically,<br>let alone what every single =
other sophisticated looper in the world wants.<br><br>You are going to =
have to go with a computer or else, design your own looper as Bob =
Amstadt did when<br>he was frustrated with the different paradigms that =
were available in hardware when he designed the<br>LP-1.<br><br>Given =
that the LP-1 is hardware, &nbsp;it is by far, the most configurable =
piece of hardware looping gear<br>ever designed and manufactured. =
&nbsp;&nbsp;&nbsp;Will it do everything, &nbsp;no, &nbsp;but it even has =
the potential to add new<br>functionality through continuing software =
design if there is a consensus in the user base.<br><br>Additionally, =
&nbsp;it is sophisticated that you can get close, if not accomplish, a =
large amount of the things you want.<br>It just doesn't have long press =
capability.<br><br>Honestly, &nbsp;it's okay if you don't use the LP-1 =
as I told you in my last private letter to you.<br>The LP-1 is not for =
everyone and Bob has been really clear about that from day =
one.<br><br>Mobius and a Laptop, with a good sound card and a =
sophisticated midi footpedal configuration<br>sound like it's the =
closest to what you want to do. &nbsp;&nbsp;&nbsp;It will require a lot =
of hard work on your part<br>to get it all going the way you want, =
though. &nbsp;&nbsp;That's the beautiful nature of the =
beast.<br><br>rick =
walker<br><br></div></blockquote></div><br></div></div></blockquote></div>=
<br></div></blockquote></div><br></div></body></html>=

--Boundary_(ID_gW7QEyURooV6xj16viLd0g)--

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Date: Mon, 21 Mar 2011 19:24:00 +0100
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Subject: Re: Re: Foot controller for a dream looper
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 21, 2011 at 6:39 PM, Rick Walker <looppool@cruzio.com> wrote:
> Mobius and a Laptop, with a good sound card and a sophisticated midi
> footpedal configuration
> sound like it's the closest to what you want to do.

Hi guys,

Just want to throw in a clarification here: You don't need a
sophisticated midi foot pedal with Mobius. But Mobius does indeed
allow you to set up sophisticated targets (on the software side, for
your midi foot pedal tap dancing), if you are so inclined ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Re: Foot controller for a dream looper
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Theres really not that much difference between hardware and software,

Hardware has broken/dodgy cables
Software has drivers/settings
both have a learning curve
both never quite do what you want them to do
both do many things you dont need/want them to do
both frustrate the shit outa you
both give you wonderful uplifting wow moments

and...

both need a fucking footpedal....

shiiiit



Mark




-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Subject: Re: Foot controller for a dream looper
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You're awesome Daniel. I assure you, I believe midnight oil is required =
and expected and respect you all the more if you made it to where you =
need to be.=20

I simply meant to express that for some of us, even with many, many =
moons of midnight oil, we're still left wanting and not always because =
our requests are unreasonable. In fact, if everything worked as =
advertised there would be much more looping going on and much less tech =
talk.=20

I'm so frustrated with it I... well, am giving up for another summer.=20

Maybe next year I can call myself a looper again.=20

Believe me, I've tried. And I'm tech savvy. But there's just too many =
broken tools.=20


On Mar 21, 2011, at 11:22 AM, Daniel Thomas wrote:

>> I, for one, am pissed at this point.
>=20
> I for one, am no good at the forum thing.=20
>=20
> To each his own.
>=20
> D
> On Mar 21, 2011, at 11:15 AM, Christopher Darrow wrote:
>=20
>>=20
>> >  the price of admission to create unique and idiosyncratic art with =
a looper is often high. =20
>> >  if you want to innovate performance workflows that facilitate your =
own compositional style,=20
>> >  you may have to buck up the midnight oil in a very big way.=20
>>=20
>>=20
>> Fuck that. (Not aimed at you Daniel, I understand and respect the =
spirit of your post, I only mean that...) I'm so tired of technology =
under performing, half-baked "solutions" with bull-shit editor/librarian =
software that excuses itself for POOR UI design under the FALSE notion =
that ease-of-use must be (entirely) thrown out the window to retain =
complexity-of-function. =20
>>=20
>> The original poster (aka the sophisticated looper)  must make his/her =
own only until $1000 pedals like the LG get their editors in order AND =
software DAW's/Hosts / Looping Plugins work past the billions of =
aggravating glitches that hold us back from realizing our dreams.=20
>>=20
>> I, for one, am pissed at this point.
>>=20
>>=20
>>=20
>> On Mar 21, 2011, at 10:54 AM, Daniel Thomas wrote:
>>=20
>>> " It will require a lot of hard work on your part to get it all =
going the way you want, though.   That's the beautiful nature of the =
beast."
>>>=20
>>> Ain't that the truth!  Wether it be HW or SW, looping remains the =
bleeding edge of media production workflow.  The great potential that it =
holds for music and for video is matched by a near total absence of =
standard workflows upon which to hang our hats. It makes it hard for to =
get a grip on a workflow that meets one's unique needs and, in the same =
stroke, it opens the field to endless workflow design possibilities.  =
IMO, Both LP-1 and Mobius live up to these statements.  Great =
potential-Great Challenge.  =20
>>>=20
>>> No matter what your platform, (i prefer them all :)  the price of =
admission to create unique and idiosyncratic art with a looper is often =
high.  Thats not to say that you can't make great looping art with a =
delay pedal, but if you want to innovate performance workflows that =
facilitate your own compositional style, you may have to buck up the =
midnight oil in a very big way.  I certainly have had to pay a lot of =
dues to the "WTF-is-going-on-now-Gods" in order to break through on any =
looping platform...HW or SW.
>>>=20
>>> See you in the wee hours.
>>>=20
>>> Daniel  =20
>>>=20
>>>=20
>>> On Mar 21, 2011, at 10:39 AM, Rick Walker wrote:
>>>=20
>>>> On 7/22/64 11:59 AM, Mark Hamburg wrote:
>>>>> On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:
>>>>>=20
>>>>>> With mobius you wouldn't need to model the looper in the =
controller. You just write a script for each button that asks "if mobius =
is in this state, then do this. If not then do something else". You'd =
just need to script the behaviours you want depending on the current =
conditions. This is not possible with the lp1 and I'm not sure even the =
most sophisticated floor controller can model a looper within it.
>>>>> However even as I resist a bit the rack aspect of the LP-1, a =
computer based solution seems to go even further in the wrong =
direction....
>>>>>=20
>>>>> Mark
>>>> But you have very, very sophisticated and specific, idiosyncratic =
design/requests for a looper, Mark.
>>>> Honestly,  how could any dedicated hardware looper EVER accomplish =
what you want, specifically,
>>>> let alone what every single other sophisticated looper in the world =
wants.
>>>>=20
>>>> You are going to have to go with a computer or else, design your =
own looper as Bob Amstadt did when
>>>> he was frustrated with the different paradigms that were available =
in hardware when he designed the
>>>> LP-1.
>>>>=20
>>>> Given that the LP-1 is hardware,  it is by far, the most =
configurable piece of hardware looping gear
>>>> ever designed and manufactured.    Will it do everything,  no,  but =
it even has the potential to add new
>>>> functionality through continuing software design if there is a =
consensus in the user base.
>>>>=20
>>>> Additionally,  it is sophisticated that you can get close, if not =
accomplish, a large amount of the things you want.
>>>> It just doesn't have long press capability.
>>>>=20
>>>> Honestly,  it's okay if you don't use the LP-1 as I told you in my =
last private letter to you.
>>>> The LP-1 is not for everyone and Bob has been really clear about =
that from day one.
>>>>=20
>>>> Mobius and a Laptop, with a good sound card and a sophisticated =
midi footpedal configuration
>>>> sound like it's the closest to what you want to do.    It will =
require a lot of hard work on your part
>>>> to get it all going the way you want, though.   That's the =
beautiful nature of the beast.
>>>>=20
>>>> rick walker
>>>>=20
>>>=20
>>=20
>=20


--Apple-Mail-3-302616360
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>You're awesome Daniel. I assure you, I believe =
midnight oil is required and expected and respect you all the more if =
you made it to where you need to be.&nbsp;</div><div><br></div><div>I =
simply meant to express that for some of us, even with many, many moons =
of midnight oil, we're still left wanting and not always because our =
requests are unreasonable. In fact, if everything worked as advertised =
there would be much more looping going on and much less tech =
talk.&nbsp;</div><div><br></div><div>I'm so frustrated with it I... =
well, am giving up for another =
summer.&nbsp;</div><div><br></div><div>Maybe next year I can call myself =
a looper again.&nbsp;</div><div><br></div><div>Believe me, I've tried. =
And I'm tech savvy. But there's just too many broken =
tools.&nbsp;</div><div><br></div><br><div><div>On Mar 21, 2011, at 11:22 =
AM, Daniel Thomas wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>I, for one, am pissed at =
this point.</div></div></blockquote><div><br></div>I for one, am no good =
at the forum thing.&nbsp;<div><br></div><div>To each his =
own.</div><div><br></div><div>D<br><div><div>On Mar 21, 2011, at 11:15 =
AM, Christopher Darrow wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div><br></div><div>&gt;&nbsp;&nbsp;the price of admission to create =
unique and idiosyncratic art with a looper is often high. =
&nbsp;</div><div>&gt; &nbsp;if you want to innovate&nbsp;<i>performance =
workflows that facilitate your own compositional =
style</i>,&nbsp;</div><div>&gt; &nbsp;you may have to buck up the =
midnight oil in a very big =
way.&nbsp;</div><div><br></div><div><br></div><div>Fuck that. (Not aimed =
at you Daniel, I understand and respect the spirit of your post, I only =
mean that...) I'm so tired of technology under performing, half-baked =
"solutions" with bull-shit editor/librarian software that excuses itself =
for POOR UI design under the FALSE notion that ease-of-use <i>must</i> =
be (<i>entirely</i>) thrown out the window to retain =
complexity-of-function. &nbsp;</div><div><br></div><div>The original =
poster (aka the sophisticated looper) &nbsp;must make his/her own only =
until $1000 pedals like the LG get their editors in order AND software =
DAW's/Hosts / Looping Plugins work past the billions of aggravating =
glitches that hold us back from realizing our =
dreams.&nbsp;</div><div><br></div><div>I, for one, am pissed at this =
point.</div><div><br></div><div><br></div><br><div><div>On Mar 21, 2011, =
at 10:54 AM, Daniel Thomas wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">" It will require a lot of hard =
work on your part&nbsp;to get it all going the way you want, though. =
&nbsp;&nbsp;That's the beautiful nature of the =
beast."<div><br></div><div>Ain't that the truth! &nbsp;Wether it be HW =
or SW, looping remains the bleeding edge of media production workflow. =
&nbsp;The great potential that it holds for music and for video is =
matched by a near total absence of standard workflows upon which to hang =
our hats. It makes it hard for to get a grip on a workflow that meets =
one's unique needs and, in the same stroke, it opens the field to =
endless workflow design possibilities. &nbsp;IMO, Both LP-1 and Mobius =
live up to these statements. &nbsp;Great potential-Great Challenge. =
&nbsp;&nbsp;</div><div><br></div><div>No matter what your platform, (i =
prefer them all :) &nbsp;the price of admission to create unique and =
idiosyncratic art with a looper is often high. &nbsp;Thats not to say =
that you can't make great looping art with a delay pedal, but if you =
want to innovate <i>performance workflows that facilitate your own =
compositional style</i>, you may have to buck up the midnight oil in a =
very big way. &nbsp;I certainly have had to pay a lot of dues to the =
"WTF-is-going-on-now-Gods" in order to break through on any looping =
platform...HW or SW.</div><div><br></div><div>See you in the wee =
hours.</div><div><br></div><div>Daniel =
&nbsp;&nbsp;</div><div><div><div><br></div><div><br></div><div>On Mar =
21, 2011, at 10:39 AM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, Mark Hamburg wrote:<br><blockquote type=3D"cite">On =
Mar 20, 2011, at 5:10 PM, Simeon Harris =
wrote:<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">With mobius you wouldn't need to model the looper in the =
controller. You just write a script for each button that asks "if mobius =
is in this state, then do this. If not then do something else". You'd =
just need to script the behaviours you want depending on the current =
conditions. This is not possible with the lp1 and I'm not sure even the =
most sophisticated floor controller can model a looper within =
it.<br></blockquote></blockquote><blockquote type=3D"cite">However even =
as I resist a bit the rack aspect of the LP-1, a computer based solution =
seems to go even further in the wrong =
direction....<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Mark<br></blockquote>But you have very, very sophisticated =
and specific, idiosyncratic design/requests for a looper, =
Mark.<br>Honestly, &nbsp;how could any dedicated hardware looper EVER =
accomplish what you want, specifically,<br>let alone what every single =
other sophisticated looper in the world wants.<br><br>You are going to =
have to go with a computer or else, design your own looper as Bob =
Amstadt did when<br>he was frustrated with the different paradigms that =
were available in hardware when he designed the<br>LP-1.<br><br>Given =
that the LP-1 is hardware, &nbsp;it is by far, the most configurable =
piece of hardware looping gear<br>ever designed and manufactured. =
&nbsp;&nbsp;&nbsp;Will it do everything, &nbsp;no, &nbsp;but it even has =
the potential to add new<br>functionality through continuing software =
design if there is a consensus in the user base.<br><br>Additionally, =
&nbsp;it is sophisticated that you can get close, if not accomplish, a =
large amount of the things you want.<br>It just doesn't have long press =
capability.<br><br>Honestly, &nbsp;it's okay if you don't use the LP-1 =
as I told you in my last private letter to you.<br>The LP-1 is not for =
everyone and Bob has been really clear about that from day =
one.<br><br>Mobius and a Laptop, with a good sound card and a =
sophisticated midi footpedal configuration<br>sound like it's the =
closest to what you want to do. &nbsp;&nbsp;&nbsp;It will require a lot =
of hard work on your part<br>to get it all going the way you want, =
though. &nbsp;&nbsp;That's the beautiful nature of the =
beast.<br><br>rick =
walker<br><br></div></blockquote></div><br></div></div></blockquote></div>=
<br></div></blockquote></div><br></div></div></blockquote></div><br></body=
></html>=

--Apple-Mail-3-302616360--

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Subject: RE: Foot controller for a dream looper
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That's the problem with being at the cutting edge though isn't it?=20
Nobody makes us do it - I have moments of frustration but maybe we should b=
e glad that these options are available...

Peace


Gareth@Sentientfx -  Innovative music plugins. http://sentientfx.com/



From: thedarrow@gmail.com
Subject: Re: Foot controller for a dream looper
Date: Mon=2C 21 Mar 2011 11:15:46 -0700
To: Loopers-Delight@loopers-delight.com




>  the price of admission to create unique and idiosyncratic art with a loo=
per is often high.  >  if you want to innovate performance workflows that f=
acilitate your own compositional style=2C >  you may have to buck up the mi=
dnight oil in a very big way.=20

Fuck that. (Not aimed at you Daniel=2C I understand and respect the spirit =
of your post=2C I only mean that...) I'm so tired of technology under perfo=
rming=2C half-baked "solutions" with bull-shit editor/librarian software th=
at excuses itself for POOR UI design under the FALSE notion that ease-of-us=
e must be (entirely) thrown out the window to retain complexity-of-function=
. =20
The original poster (aka the sophisticated looper)  must make his/her own o=
nly until $1000 pedals like the LG get their editors in order AND software =
DAW's/Hosts / Looping Plugins work past the billions of aggravating glitche=
s that hold us back from realizing our dreams.=20
I=2C for one=2C am pissed at this point.


On Mar 21=2C 2011=2C at 10:54 AM=2C Daniel Thomas wrote:" It will require a=
 lot of hard work on your part to get it all going the way you want=2C thou=
gh.   That's the beautiful nature of the beast."
Ain't that the truth!  Wether it be HW or SW=2C looping remains the bleedin=
g edge of media production workflow.  The great potential that it holds for=
 music and for video is matched by a near total absence of standard workflo=
ws upon which to hang our hats. It makes it hard for to get a grip on a wor=
kflow that meets one's unique needs and=2C in the same stroke=2C it opens t=
he field to endless workflow design possibilities.  IMO=2C Both LP-1 and Mo=
bius live up to these statements.  Great potential-Great Challenge.  =20
No matter what your platform=2C (i prefer them all :)  the price of admissi=
on to create unique and idiosyncratic art with a looper is often high.  Tha=
ts not to say that you can't make great looping art with a delay pedal=2C b=
ut if you want to innovate performance workflows that facilitate your own c=
ompositional style=2C you may have to buck up the midnight oil in a very bi=
g way.  I certainly have had to pay a lot of dues to the "WTF-is-going-on-n=
ow-Gods" in order to break through on any looping platform...HW or SW.
See you in the wee hours.
Daniel  =20

On Mar 21=2C 2011=2C at 10:39 AM=2C Rick Walker wrote:On 7/22/64 11:59 AM=
=2C Mark Hamburg wrote:
On Mar 20=2C 2011=2C at 5:10 PM=2C Simeon Harris wrote:

With mobius you wouldn't need to model the looper in the controller. You ju=
st write a script for each button that asks "if mobius is in this state=2C =
then do this. If not then do something else". You'd just need to script the=
 behaviours you want depending on the current conditions. This is not possi=
ble with the lp1 and I'm not sure even the most sophisticated floor control=
ler can model a looper within it.
However even as I resist a bit the rack aspect of the LP-1=2C a computer ba=
sed solution seems to go even further in the wrong direction....

Mark
But you have very=2C very sophisticated and specific=2C idiosyncratic desig=
n/requests for a looper=2C Mark.
Honestly=2C  how could any dedicated hardware looper EVER accomplish what y=
ou want=2C specifically=2C
let alone what every single other sophisticated looper in the world wants.

You are going to have to go with a computer or else=2C design your own loop=
er as Bob Amstadt did when
he was frustrated with the different paradigms that were available in hardw=
are when he designed the
LP-1.

Given that the LP-1 is hardware=2C  it is by far=2C the most configurable p=
iece of hardware looping gear
ever designed and manufactured.    Will it do everything=2C  no=2C  but it =
even has the potential to add new
functionality through continuing software design if there is a consensus in=
 the user base.

Additionally=2C  it is sophisticated that you can get close=2C if not accom=
plish=2C a large amount of the things you want.
It just doesn't have long press capability.

Honestly=2C  it's okay if you don't use the LP-1 as I told you in my last p=
rivate letter to you.
The LP-1 is not for everyone and Bob has been really clear about that from =
day one.

Mobius and a Laptop=2C with a good sound card and a sophisticated midi foot=
pedal configuration
sound like it's the closest to what you want to do.    It will require a lo=
t of hard work on your part
to get it all going the way you want=2C though.   That's the beautiful natu=
re of the beast.

rick walker



 		 	   		  =

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That's the problem with being at the cutting edge though isn't it? <br>Nobo=
dy makes us do it - I have moments of frustration but maybe we should be gl=
ad that these options are available...<br><br>Peace<br><br><br>Gareth@Senti=
entfx -&nbsp=3B Innovative music plugins. <a href=3D"http://sentientfx.com/=
" target=3D"_blank">http://sentientfx.com/</a><br><br><br><br><hr id=3D"sto=
pSpelling">From: thedarrow@gmail.com<br>Subject: Re: Foot controller for a =
dream looper<br>Date: Mon=2C 21 Mar 2011 11:15:46 -0700<br>To: Loopers-Deli=
ght@loopers-delight.com<br><br>
<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
">
<meta name=3D"Generator" content=3D"Microsoft SafeHTML"><div><br></div><div=
>&gt=3B&nbsp=3B&nbsp=3Bthe price of admission to create unique and idiosync=
ratic art with a looper is often high. &nbsp=3B</div><div>&gt=3B &nbsp=3Bif=
 you want to innovate&nbsp=3B<i>performance workflows that facilitate your =
own compositional style</i>=2C&nbsp=3B</div><div>&gt=3B &nbsp=3Byou may hav=
e to buck up the midnight oil in a very big way.&nbsp=3B</div><div><br></di=
v><div><br></div><div>Fuck that. (Not aimed at you Daniel=2C I understand a=
nd respect the spirit of your post=2C I only mean that...) I'm so tired of =
technology under performing=2C half-baked "solutions" with bull-shit editor=
/librarian software that excuses itself for POOR UI design under the FALSE =
notion that ease-of-use <i>must</i> be (<i>entirely</i>) thrown out the win=
dow to retain complexity-of-function. &nbsp=3B</div><div><br></div><div>The=
 original poster (aka the sophisticated looper) &nbsp=3Bmust make his/her o=
wn only until $1000 pedals like the LG get their editors in order AND softw=
are DAW's/Hosts / Looping Plugins work past the billions of aggravating gli=
tches that hold us back from realizing our dreams.&nbsp=3B</div><div><br></=
div><div>I=2C for one=2C am pissed at this point.</div><div><br></div><div>=
<br></div><br><div><div>On Mar 21=2C 2011=2C at 10:54 AM=2C Daniel Thomas w=
rote:</div><br class=3D"ecxApple-interchange-newline"><blockquote><div styl=
e=3D"word-wrap: break-word=3B">" It will require a lot of hard work on your=
 part&nbsp=3Bto get it all going the way you want=2C though. &nbsp=3B&nbsp=
=3BThat's the beautiful nature of the beast."<div><br></div><div>Ain't that=
 the truth! &nbsp=3BWether it be HW or SW=2C looping remains the bleeding e=
dge of media production workflow. &nbsp=3BThe great potential that it holds=
 for music and for video is matched by a near total absence of standard wor=
kflows upon which to hang our hats. It makes it hard for to get a grip on a=
 workflow that meets one's unique needs and=2C in the same stroke=2C it ope=
ns the field to endless workflow design possibilities. &nbsp=3BIMO=2C Both =
LP-1 and Mobius live up to these statements. &nbsp=3BGreat potential-Great =
Challenge. &nbsp=3B&nbsp=3B</div><div><br></div><div>No matter what your pl=
atform=2C (i prefer them all :) &nbsp=3Bthe price of admission to create un=
ique and idiosyncratic art with a looper is often high. &nbsp=3BThats not t=
o say that you can't make great looping art with a delay pedal=2C but if yo=
u want to innovate <i>performance workflows that facilitate your own compos=
itional style</i>=2C you may have to buck up the midnight oil in a very big=
 way. &nbsp=3BI certainly have had to pay a lot of dues to the "WTF-is-goin=
g-on-now-Gods" in order to break through on any looping platform...HW or SW=
.</div><div><br></div><div>See you in the wee hours.</div><div><br></div><d=
iv>Daniel &nbsp=3B&nbsp=3B</div><div><div><div><br></div><div><br></div><di=
v>On Mar 21=2C 2011=2C at 10:39 AM=2C Rick Walker wrote:</div><br class=3D"=
ecxApple-interchange-newline"><blockquote><div>On 7/22/64 11:59 AM=2C Mark =
Hamburg wrote:<br><blockquote>On Mar 20=2C 2011=2C at 5:10 PM=2C Simeon Har=
ris wrote:<br></blockquote><blockquote><br></blockquote><blockquote><blockq=
uote>With mobius you wouldn't need to model the looper in the controller. Y=
ou just write a script for each button that asks "if mobius is in this stat=
e=2C then do this. If not then do something else". You'd just need to scrip=
t the behaviours you want depending on the current conditions. This is not =
possible with the lp1 and I'm not sure even the most sophisticated floor co=
ntroller can model a looper within it.<br></blockquote></blockquote><blockq=
uote>However even as I resist a bit the rack aspect of the LP-1=2C a comput=
er based solution seems to go even further in the wrong direction....<br></=
blockquote><blockquote><br></blockquote><blockquote>Mark<br></blockquote>Bu=
t you have very=2C very sophisticated and specific=2C idiosyncratic design/=
requests for a looper=2C Mark.<br>Honestly=2C &nbsp=3Bhow could any dedicat=
ed hardware looper EVER accomplish what you want=2C specifically=2C<br>let =
alone what every single other sophisticated looper in the world wants.<br><=
br>You are going to have to go with a computer or else=2C design your own l=
ooper as Bob Amstadt did when<br>he was frustrated with the different parad=
igms that were available in hardware when he designed the<br>LP-1.<br><br>G=
iven that the LP-1 is hardware=2C &nbsp=3Bit is by far=2C the most configur=
able piece of hardware looping gear<br>ever designed and manufactured. &nbs=
p=3B&nbsp=3B&nbsp=3BWill it do everything=2C &nbsp=3Bno=2C &nbsp=3Bbut it e=
ven has the potential to add new<br>functionality through continuing softwa=
re design if there is a consensus in the user base.<br><br>Additionally=2C =
&nbsp=3Bit is sophisticated that you can get close=2C if not accomplish=2C =
a large amount of the things you want.<br>It just doesn't have long press c=
apability.<br><br>Honestly=2C &nbsp=3Bit's okay if you don't use the LP-1 a=
s I told you in my last private letter to you.<br>The LP-1 is not for every=
one and Bob has been really clear about that from day one.<br><br>Mobius an=
d a Laptop=2C with a good sound card and a sophisticated midi footpedal con=
figuration<br>sound like it's the closest to what you want to do. &nbsp=3B&=
nbsp=3B&nbsp=3BIt will require a lot of hard work on your part<br>to get it=
 all going the way you want=2C though. &nbsp=3B&nbsp=3BThat's the beautiful=
 nature of the beast.<br><br>rick walker<br><br></div></blockquote></div><b=
r></div></div></blockquote></div><br> 		 	   		  </body>
</html>=

--_42ee36fe-506b-4e49-985f-a554c659483a_--

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Subject: Re: Foot controller for a dream looper
From: Christopher Darrow <thedarrow@gmail.com>
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>  for your midi foot pedal tap dancing), if you are so inclined ;-)

Perhaps I'll take another look at that, when I get a second wind (next =
fall) as I do actually love the pedal tap dancing.=20

EDP plugin seems to have gone nowhere. (So sad.)



On Mar 21, 2011, at 11:24 AM, Per Boysen wrote:

> On Mon, Mar 21, 2011 at 6:39 PM, Rick Walker <looppool@cruzio.com> =
wrote:
>> Mobius and a Laptop, with a good sound card and a sophisticated midi
>> footpedal configuration
>> sound like it's the closest to what you want to do.
>=20
> Hi guys,
>=20
> Just want to throw in a clarification here: You don't need a
> sophisticated midi foot pedal with Mobius. But Mobius does indeed
> allow you to set up sophisticated targets (on the software side, for
> your midi foot pedal tap dancing), if you are so inclined ;-)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

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The little universe of sophisticated loopers is blessed by the efforts of J=
eff Larson and Bob Amstadt. These fellows are not corporate types putting o=
ut products in order to make a lot of money.... in Jeff's case, NONE. (Fran=
kly, I find some of the salvos aimed at the corporations who make music gea=
r misguided, too, but that is perhaps another topic).

Chris, I too have been so frustrated, at times, by attempts to stretch the =
hardware and software, that I've blamed someone else and been tempted to ve=
nt about it.  But I'm glad I haven't, because it really comes down to "it's=
 a poor workman who blames his tools". If sophisticated workflow scheme A d=
oesn't work, CHANGE THAT, and then write about how wonderful it would be if=
 ________ (fill in blank), without attachment to results, and see how the c=
ommunity responds.

Hal Dean

From: Christopher Darrow [mailto:thedarrow@gmail.com]
Sent: Monday, March 21, 2011 2:16 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Foot controller for a dream looper


>  the price of admission to create unique and idiosyncratic art with a loo=
per is often high.
>  if you want to innovate performance workflows that facilitate your own c=
ompositional style,
>  you may have to buck up the midnight oil in a very big way.


Fuck that. (Not aimed at you Daniel, I understand and respect the spirit of=
 your post, I only mean that...) I'm so tired of technology under performin=
g, half-baked "solutions" with bull-shit editor/librarian software that exc=
uses itself for POOR UI design under the FALSE notion that ease-of-use must=
 be (entirely) thrown out the window to retain complexity-of-function.

The original poster (aka the sophisticated looper)  must make his/her own o=
nly until $1000 pedals like the LG get their editors in order AND software =
DAW's/Hosts / Looping Plugins work past the billions of aggravating glitche=
s that hold us back from realizing our dreams.

I, for one, am pissed at this point.



On Mar 21, 2011, at 10:54 AM, Daniel Thomas wrote:


" It will require a lot of hard work on your part to get it all going the w=
ay you want, though.   That's the beautiful nature of the beast."

Ain't that the truth!  Wether it be HW or SW, looping remains the bleeding =
edge of media production workflow.  The great potential that it holds for m=
usic and for video is matched by a near total absence of standard workflows=
 upon which to hang our hats. It makes it hard for to get a grip on a workf=
low that meets one's unique needs and, in the same stroke, it opens the fie=
ld to endless workflow design possibilities.  IMO, Both LP-1 and Mobius liv=
e up to these statements.  Great potential-Great Challenge.

No matter what your platform, (i prefer them all :)  the price of admission=
 to create unique and idiosyncratic art with a looper is often high.  Thats=
 not to say that you can't make great looping art with a delay pedal, but i=
f you want to innovate performance workflows that facilitate your own compo=
sitional style, you may have to buck up the midnight oil in a very big way.=
  I certainly have had to pay a lot of dues to the "WTF-is-going-on-now-God=
s" in order to break through on any looping platform...HW or SW.

See you in the wee hours.

Daniel


On Mar 21, 2011, at 10:39 AM, Rick Walker wrote:


On 7/22/64 11:59 AM, Mark Hamburg wrote:

On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:

With mobius you wouldn't need to model the looper in the controller. You ju=
st write a script for each button that asks "if mobius is in this state, th=
en do this. If not then do something else". You'd just need to script the b=
ehaviours you want depending on the current conditions. This is not possibl=
e with the lp1 and I'm not sure even the most sophisticated floor controlle=
r can model a looper within it.
However even as I resist a bit the rack aspect of the LP-1, a computer base=
d solution seems to go even further in the wrong direction....

Mark
But you have very, very sophisticated and specific, idiosyncratic design/re=
quests for a looper, Mark.
Honestly,  how could any dedicated hardware looper EVER accomplish what you=
 want, specifically,
let alone what every single other sophisticated looper in the world wants.

You are going to have to go with a computer or else, design your own looper=
 as Bob Amstadt did when
he was frustrated with the different paradigms that were available in hardw=
are when he designed the
LP-1.

Given that the LP-1 is hardware,  it is by far, the most configurable piece=
 of hardware looping gear
ever designed and manufactured.    Will it do everything,  no,  but it even=
 has the potential to add new
functionality through continuing software design if there is a consensus in=
 the user base.

Additionally,  it is sophisticated that you can get close, if not accomplis=
h, a large amount of the things you want.
It just doesn't have long press capability.

Honestly,  it's okay if you don't use the LP-1 as I told you in my last pri=
vate letter to you.
The LP-1 is not for everyone and Bob has been really clear about that from =
day one.

Mobius and a Laptop, with a good sound card and a sophisticated midi footpe=
dal configuration
sound like it's the closest to what you want to do.    It will require a lo=
t of hard work on your part
to get it all going the way you want, though.   That's the beautiful nature=
 of the beast.

rick walker



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<div class=3D"WordSection1">
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D">The little universe of so=
phisticated loopers is blessed by the efforts of Jeff Larson and Bob Amstad=
t. These fellows are not corporate types putting out products
 in order to make a lot of money&#8230;. in Jeff&#8217;s case, NONE. (Frank=
ly, I find some of the salvos aimed at the corporations who make music gear=
 misguided, too, but that is perhaps another topic).<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D">Chris, I too have been so=
 frustrated, at times, by attempts to stretch the hardware and software, th=
at I&#8217;ve blamed someone else and been tempted to vent about
 it.&nbsp; But I&#8217;m glad I haven&#8217;t, because it really comes down=
 to &#8220;it&#8217;s a poor workman who blames his tools&#8221;. If sophis=
ticated workflow scheme A doesn&#8217;t work, CHANGE THAT, and then write a=
bout how wonderful it would be if ________ (fill in blank), without attachm=
ent
 to results, and see how the community responds.<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<div>
<p class=3D"MsoNormal"><i><span style=3D"font-size:11.0pt;font-family:&quot=
;Palatino Linotype&quot;,&quot;serif&quot;;color:#1F497D">Hal Dean</span></=
i><span style=3D"font-size:11.0pt;font-family:&quot;Palatino Linotype&quot;=
,&quot;serif&quot;;color:#1F497D"><o:p></o:p></span></p>
</div>
<p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-family:&quot;Ca=
libri&quot;,&quot;sans-serif&quot;;color:#1F497D"><o:p>&nbsp;</o:p></span><=
/p>
<div>
<div style=3D"border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in">
<p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-family:&quot=
;Tahoma&quot;,&quot;sans-serif&quot;">From:</span></b><span style=3D"font-s=
ize:10.0pt;font-family:&quot;Tahoma&quot;,&quot;sans-serif&quot;"> Christop=
her Darrow [mailto:thedarrow@gmail.com]
<br>
<b>Sent:</b> Monday, March 21, 2011 2:16 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Foot controller for a dream looper<o:p></o:p></span></p=
>
</div>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">&gt;&nbsp;&nbsp;the price of admission to create uni=
que and idiosyncratic art with a looper is often high. &nbsp;<o:p></o:p></p=
>
</div>
<div>
<p class=3D"MsoNormal">&gt; &nbsp;if you want to innovate&nbsp;<i>performan=
ce workflows that facilitate your own compositional style</i>,&nbsp;<o:p></=
o:p></p>
</div>
<div>
<p class=3D"MsoNormal">&gt; &nbsp;you may have to buck up the midnight oil =
in a very big way.&nbsp;<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">Fuck that. (Not aimed at you Daniel, I understand an=
d respect the spirit of your post, I only mean that...) I'm so tired of tec=
hnology under performing, half-baked &quot;solutions&quot; with bull-shit e=
ditor/librarian software that excuses itself
 for POOR UI design under the FALSE notion that ease-of-use <i>must</i> be =
(<i>entirely</i>) thrown out the window to retain complexity-of-function. &=
nbsp;<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">The original poster (aka the sophisticated looper) &=
nbsp;must make his/her own only until $1000 pedals like the LG get their ed=
itors in order AND software DAW's/Hosts / Looping Plugins work past the bil=
lions of aggravating glitches that hold
 us back from realizing our dreams.&nbsp;<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">I, for one, am pissed at this point.<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<div>
<div>
<p class=3D"MsoNormal">On Mar 21, 2011, at 10:54 AM, Daniel Thomas wrote:<o=
:p></o:p></p>
</div>
<p class=3D"MsoNormal"><br>
<br>
<o:p></o:p></p>
<div>
<p class=3D"MsoNormal">&quot; It will require a lot of hard work on your pa=
rt&nbsp;to get it all going the way you want, though. &nbsp;&nbsp;That's th=
e beautiful nature of the beast.&quot;<o:p></o:p></p>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">Ain't that the truth! &nbsp;Wether it be HW or SW, l=
ooping remains the bleeding edge of media production workflow. &nbsp;The gr=
eat potential that it holds for music and for video is matched by a near to=
tal absence of standard workflows upon which
 to hang our hats. It makes it hard for to get a grip on a workflow that me=
ets one's unique needs and, in the same stroke, it opens the field to endle=
ss workflow design possibilities. &nbsp;IMO, Both LP-1 and Mobius live up t=
o these statements. &nbsp;Great potential-Great
 Challenge. &nbsp;&nbsp;<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">No matter what your platform, (i prefer them all :) =
&nbsp;the price of admission to create unique and idiosyncratic art with a =
looper is often high. &nbsp;Thats not to say that you can't make great loop=
ing art with a delay pedal, but if you want
 to innovate <i>performance workflows that facilitate your own compositiona=
l style</i>, you may have to buck up the midnight oil in a very big way. &n=
bsp;I certainly have had to pay a lot of dues to the &quot;WTF-is-going-on-=
now-Gods&quot; in order to break through on any
 looping platform...HW or SW.<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">See you in the wee hours.<o:p></o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">Daniel &nbsp;&nbsp;<o:p></o:p></p>
</div>
<div>
<div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
<div>
<p class=3D"MsoNormal">On Mar 21, 2011, at 10:39 AM, Rick Walker wrote:<o:p=
></o:p></p>
</div>
<p class=3D"MsoNormal"><br>
<br>
<o:p></o:p></p>
<div>
<p class=3D"MsoNormal">On 7/22/64 11:59 AM, Mark Hamburg wrote:<br>
<br>
<o:p></o:p></p>
<p class=3D"MsoNormal">On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:<o:=
p></o:p></p>
<blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</blockquote>
<blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
<blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
<p class=3D"MsoNormal">With mobius you wouldn't need to model the looper in=
 the controller. You just write a script for each button that asks &quot;if=
 mobius is in this state, then do this. If not then do something else&quot;=
. You'd just need to script the behaviours you
 want depending on the current conditions. This is not possible with the lp=
1 and I'm not sure even the most sophisticated floor controller can model a=
 looper within it.<o:p></o:p></p>
</blockquote>
</blockquote>
<blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
<p class=3D"MsoNormal">However even as I resist a bit the rack aspect of th=
e LP-1, a computer based solution seems to go even further in the wrong dir=
ection....<o:p></o:p></p>
</blockquote>
<blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</blockquote>
<blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
<p class=3D"MsoNormal">Mark<o:p></o:p></p>
</blockquote>
<p class=3D"MsoNormal" style=3D"margin-bottom:12.0pt">But you have very, ve=
ry sophisticated and specific, idiosyncratic design/requests for a looper, =
Mark.<br>
Honestly, &nbsp;how could any dedicated hardware looper EVER accomplish wha=
t you want, specifically,<br>
let alone what every single other sophisticated looper in the world wants.<=
br>
<br>
You are going to have to go with a computer or else, design your own looper=
 as Bob Amstadt did when<br>
he was frustrated with the different paradigms that were available in hardw=
are when he designed the<br>
LP-1.<br>
<br>
Given that the LP-1 is hardware, &nbsp;it is by far, the most configurable =
piece of hardware looping gear<br>
ever designed and manufactured. &nbsp;&nbsp;&nbsp;Will it do everything, &n=
bsp;no, &nbsp;but it even has the potential to add new<br>
functionality through continuing software design if there is a consensus in=
 the user base.<br>
<br>
Additionally, &nbsp;it is sophisticated that you can get close, if not acco=
mplish, a large amount of the things you want.<br>
It just doesn't have long press capability.<br>
<br>
Honestly, &nbsp;it's okay if you don't use the LP-1 as I told you in my las=
t private letter to you.<br>
The LP-1 is not for everyone and Bob has been really clear about that from =
day one.<br>
<br>
Mobius and a Laptop, with a good sound card and a sophisticated midi footpe=
dal configuration<br>
sound like it's the closest to what you want to do. &nbsp;&nbsp;&nbsp;It wi=
ll require a lot of hard work on your part<br>
to get it all going the way you want, though. &nbsp;&nbsp;That's the beauti=
ful nature of the beast.<br>
<br>
rick walker<o:p></o:p></p>
</div>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
</div>
</div>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
</body>
</html>

--_000_F3758BD5E05F2049BBC449788EC936AF0309BCWCUXCH07PASSHELCL_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 18:59:42 2011
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CC: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Foot controller for a dream looper
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*On 7/22/64 11:59 AM, Daniel Thomas wrote:*
> *Ain't that the truth!  Wether it be HW or SW, looping remains the 
> bleeding edge of media production workflow.  The great potential that 
> it holds for music and for video is matched by a near total absence of 
> standard workflows upon which to hang our hats. It makes it hard for 
> to get a grip on a workflow that meets one's unique needs and, in the 
> same stroke, it opens the field to endless workflow design 
> possibilities.  IMO, Both LP-1 and Mobius live up to these statements. 
>  Great potential-Great Challenge. *
> *
> *
> *No matter what your platform, (i prefer them all :)  the price of 
> admission to create unique and idiosyncratic art with a looper is 
> often high.  Thats not to say that you can't make great looping art 
> with a delay pedal, but if you want to innovate /performance workflows 
> that facilitate your own compositional style/, you may have to buck up 
> the midnight oil in a very big way.  I certainly have had to pay a lot 
> of dues to the "WTF-is-going-on-now-Gods" in order to break through on 
> any looping platform...HW or SW.*
> *
> *
> *See you in the wee hours.*

Well put, Daniel.

Additionally,  part of the beauty of using any tool can be how we are 
creative getting around
the tool's limitations.

In some respects we're spoiled in this era because we have so many 
powerful tools at our beck and call
and relatively inexpensively compared to 20/30 years ago.

It's hard to remember that the simplest Boss RC-2 Looper would have 
boggled any of our minds
in 1990.

God,  I didn't wish for more from the Lexicon Jamman for several years 
while I got to know it's capabilites.

So much emphasis on this list is put on the functionality of looping 
gear.   That's cool,  we're a looping
list afterall, but in the long run it comes down to how well you know 
your tools and how creative are you
in both using them and in getting around their limitations.

The point, in the long run,  is making music and expressing ourselves.


rick walker

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*On 7/22/64 11:59 AM, Christopher Darrow wrote:*
> *Fuck that. (Not aimed at you Daniel, I understand and respect the 
> spirit of your post, I only mean that...) I'm so tired of technology 
> under performing, half-baked "solutions" with bull-shit 
> editor/librarian software that excuses itself for POOR UI design under 
> the FALSE notion that ease-of-use /must/ be (/entirely/) thrown out 
> the window to retain complexity-of-function. *
> *
> *
> *The original poster (aka the sophisticated looper)  must make his/her 
> own only until $1000 pedals like the LG get their editors in order AND 
> software DAW's/Hosts / Looping Plugins work past the billions of 
> aggravating glitches that hold us back from realizing our dreams. *
> *
> *
> *I, for one, am pissed at this point.*

One by one, the designers of digital looping gear have been dissatisfied 
with the gear that exists and, one by one,
they have put a tremendous amount of time, energy and money into coming 
up with a better mouse
trap.

One by one, they have all taken lots of criticism by musicians who don't 
design the gear.
That's all good because it contributes more knowledge and new ways of 
thinking about designing
new gear for the masses.

I've only had the pleasure of watching two people through years of this 
process but I'm blown away how much time, dedication and software they 
have put into it all.   I'm in awe of them and their amazing skill sets.

If you are pissed, Christopher, at what's out there,  perhaps you should 
consider designing what you think should exist yourself and then go to 
the trouble to put it out to the market place.

 From watching the process of some of our communities' designers,   I 
imagine that it might
engender some humility to mix with your frustration and subsequent anger.

Yours,   Rick Walker,   who also gets frustrated by what doesn't exist a 
fair amount of the time

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Christopher Darrow wrote:
 
> EDP plugin seems to have gone nowhere. (So sad.)

the registration system is now being tested

andy butler
Mathons

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Date: Mon, 21 Mar 2011 12:13:44 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Re: Foot controller for a dream looper
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it is true that a lot of stuff does not work as advertized and it is 
frustrating. And I have been dealing with it for 25 years now:-)

Antony



________________________________
From: Rick Walker <looppool@cruzio.com>
To: Loopers-Delight@loopers-delight.com
Cc: Loopers-Delight@loopers-delight.com
Sent: Mon, March 21, 2011 8:09:17 PM
Subject: Re: Re: Foot controller for a dream looper

*On 7/22/64 11:59 AM, Christopher Darrow wrote:*
> *Fuck that. (Not aimed at you Daniel, I understand and respect the spirit of 
>your post, I only mean that...) I'm so tired of technology under performing, 
>half-baked "solutions" with bull-shit editor/librarian software that excuses 
>itself for POOR UI design under the FALSE notion that ease-of-use /must/ be 
>(/entirely/) thrown out the window to retain complexity-of-function. *
> *
> *
> *The original poster (aka the sophisticated looper)  must make his/her own only 
>until $1000 pedals like the LG get their editors in order AND software 
>DAW's/Hosts / Looping Plugins work past the billions of aggravating glitches 
>that hold us back from realizing our dreams. *
> *
> *
> *I, for one, am pissed at this point.*

One by one, the designers of digital looping gear have been dissatisfied with 
the gear that exists and, one by one,
they have put a tremendous amount of time, energy and money into coming up with 
a better mouse
trap.

One by one, they have all taken lots of criticism by musicians who don't design 
the gear.
That's all good because it contributes more knowledge and new ways of thinking 
about designing
new gear for the masses.

I've only had the pleasure of watching two people through years of this process 
but I'm blown away how much time, dedication and software they have put into it 
all.   I'm in awe of them and their amazing skill sets.

If you are pissed, Christopher, at what's out there,  perhaps you should 
consider designing what you think should exist yourself and then go to the 
trouble to put it out to the market place.

>From watching the process of some of our communities' designers,   I imagine 
that it might
engender some humility to mix with your frustration and subsequent anger.

Yours,   Rick Walker,   who also gets frustrated by what doesn't exist a fair 
amount of the time


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>it is true that a lot of stuff does not work as advertized and it is frustrating. And I have been dealing with it for 25 years now:-)</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Rick Walker &lt;looppool@cruzio.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Cc:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, March 21, 2011 8:09:17 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Re: Foot controller for a dream
 looper<br></font><br>
*On 7/22/64 11:59 AM, Christopher Darrow wrote:*<br>&gt; *Fuck that. (Not aimed at you Daniel, I understand and respect the spirit of your post, I only mean that...) I'm so tired of technology under performing, half-baked "solutions" with bull-shit editor/librarian software that excuses itself for POOR UI design under the FALSE notion that ease-of-use /must/ be (/entirely/) thrown out the window to retain complexity-of-function. *<br>&gt; *<br>&gt; *<br>&gt; *The original poster (aka the sophisticated looper)&nbsp; must make his/her own only until $1000 pedals like the LG get their editors in order AND software DAW's/Hosts / Looping Plugins work past the billions of aggravating glitches that hold us back from realizing our dreams. *<br>&gt; *<br>&gt; *<br>&gt; *I, for one, am pissed at this point.*<br><br>One by one, the designers of digital looping gear have been dissatisfied with the gear that exists and, one by one,<br>they have put a tremendous
 amount of time, energy and money into coming up with a better mouse<br>trap.<br><br>One by one, they have all taken lots of criticism by musicians who don't design the gear.<br>That's all good because it contributes more knowledge and new ways of thinking about designing<br>new gear for the masses.<br><br>I've only had the pleasure of watching two people through years of this process but I'm blown away how much time, dedication and software they have put into it all.&nbsp;  I'm in awe of them and their amazing skill sets.<br><br>If you are pissed, Christopher, at what's out there,&nbsp; perhaps you should consider designing what you think should exist yourself and then go to the trouble to put it out to the market place.<br><br>From watching the process of some of our communities' designers,&nbsp;  I imagine that it might<br>engender some humility to mix with your frustration and subsequent anger.<br><br>Yours,&nbsp;  Rick Walker,&nbsp;  who also gets
 frustrated by what doesn't exist a fair amount of the time<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 19:22:38 2011
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Subject: Re: Foot controller for a dream looper
From: Todd Matthews <gtmatthews@gmail.com>
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You couldn't have expressed my sentiments any better. Especially since I =
just stopped rehearsing now after the audio glitched out in the middle =
of a song. Ahhhhhhhhhhh     :)
There's nothing better to break up your focus and productivity........ =
back to troubleshootin' mode.
On Mar 21, 2011, at 2:28 PM, mark francombe wrote:
> Theres really not that much difference between hardware and software,
>=20
> Hardware has broken/dodgy cables
> Software has drivers/settings
> both have a learning curve
> both never quite do what you want them to do
> both do many things you dont need/want them to do
> both frustrate the shit outa you
> both give you wonderful uplifting wow moments
>=20
> and...
>=20
> both need a fucking footpedal....
>=20
> shiiiit
>=20
>=20
>=20
> Mark
>=20






From Loopers-Delight-request@loopers-delight.com  Mon Mar 21 19:23:09 2011
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Subject: Re: Foot controller for a dream looper
From: Christopher Darrow <thedarrow@gmail.com>
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Date: Mon, 21 Mar 2011 12:27:27 -0700
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I'm for hire! QA and UI design skills.=20

But I'm a "midiot." (Dislexic... midi fries my brain. I seriously think =
I'd do better with pictographs.)=20

It's mostly the not working as advertised thing I'm upset with. Please =
take my "fuck that" as less anger and more a calling out of that =
situation.=20

Love you guys!


On Mar 21, 2011, at 12:09 PM, Rick Walker wrote:

> *On 7/22/64 11:59 AM, Christopher Darrow wrote:*
>> *Fuck that. (Not aimed at you Daniel, I understand and respect the =
spirit of your post, I only mean that...) I'm so tired of technology =
under performing, half-baked "solutions" with bull-shit editor/librarian =
software that excuses itself for POOR UI design under the FALSE notion =
that ease-of-use /must/ be (/entirely/) thrown out the window to retain =
complexity-of-function. *
>> *
>> *
>> *The original poster (aka the sophisticated looper)  must make =
his/her own only until $1000 pedals like the LG get their editors in =
order AND software DAW's/Hosts / Looping Plugins work past the billions =
of aggravating glitches that hold us back from realizing our dreams. *
>> *
>> *
>> *I, for one, am pissed at this point.*
>=20
> One by one, the designers of digital looping gear have been =
dissatisfied with the gear that exists and, one by one,
> they have put a tremendous amount of time, energy and money into =
coming up with a better mouse
> trap.
>=20
> One by one, they have all taken lots of criticism by musicians who =
don't design the gear.
> That's all good because it contributes more knowledge and new ways of =
thinking about designing
> new gear for the masses.
>=20
> I've only had the pleasure of watching two people through years of =
this process but I'm blown away how much time, dedication and software =
they have put into it all.   I'm in awe of them and their amazing skill =
sets.
>=20
> If you are pissed, Christopher, at what's out there,  perhaps you =
should consider designing what you think should exist yourself and then =
go to the trouble to put it out to the market place.
>=20
> =46rom watching the process of some of our communities' designers,   I =
imagine that it might
> engender some humility to mix with your frustration and subsequent =
anger.
>=20
> Yours,   Rick Walker,   who also gets frustrated by what doesn't exist =
a fair amount of the time
>=20

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Date: Mon, 21 Mar 2011 12:23:08 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Re: Foot controller for a dream looper
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after trying a lot of very sophisticated stuff: I had a looper responding to 
breath control (3dB difference between two mics triggers record or  play back, I 
found that simple tools well mastered get me further and let me fly instead of 
being burdened to learn and remember all th sophisticated stuff I programmed:-)

My two cents...

Antony



________________________________
From: Rick Walker <looppool@cruzio.com>
To: Loopers-Delight@loopers-delight.com
Cc: Loopers-Delight@loopers-delight.com
Sent: Mon, March 21, 2011 6:39:06 PM
Subject: Re: Re: Foot controller for a dream looper

On 7/22/64 11:59 AM, Mark Hamburg wrote:
> On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:
> 
>> With mobius you wouldn't need to model the looper in the controller. You just 
>>write a script for each button that asks "if mobius is in this state, then do 
>>this. If not then do something else". You'd just need to script the behaviours 
>>you want depending on the current conditions. This is not possible with the lp1 
>>and I'm not sure even the most sophisticated floor controller can model a looper 
>>within it.
> However even as I resist a bit the rack aspect of the LP-1, a computer based 
>solution seems to go even further in the wrong direction....
> 
> Mark
But you have very, very sophisticated and specific, idiosyncratic 
design/requests for a looper, Mark.
Honestly,  how could any dedicated hardware looper EVER accomplish what you 
want, specifically,
let alone what every single other sophisticated looper in the world wants.

You are going to have to go with a computer or else, design your own looper as 
Bob Amstadt did when
he was frustrated with the different paradigms that were available in hardware 
when he designed the
LP-1.

Given that the LP-1 is hardware,  it is by far, the most configurable piece of 
hardware looping gear
ever designed and manufactured.    Will it do everything,  no,  but it even has 
the potential to add new
functionality through continuing software design if there is a consensus in the 
user base.

Additionally,  it is sophisticated that you can get close, if not accomplish, a 
large amount of the things you want.
It just doesn't have long press capability.

Honestly,  it's okay if you don't use the LP-1 as I told you in my last private 
letter to you.
The LP-1 is not for everyone and Bob has been really clear about that from day 
one.

Mobius and a Laptop, with a good sound card and a sophisticated midi footpedal 
configuration
sound like it's the closest to what you want to do.    It will require a lot of 
hard work on your part
to get it all going the way you want, though.   That's the beautiful nature of 
the beast.

rick walker


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>after trying a lot of very sophisticated stuff: I had a looper responding to breath control (3dB difference between two mics triggers record or &nbsp;play back, I found that simple tools well mastered get me further and let me fly instead of being burdened to learn and remember all th sophisticated stuff I programmed:-)</div><div><br></div><div>My two cents...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Rick Walker &lt;looppool@cruzio.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight:
 bold;">Cc:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, March 21, 2011 6:39:06 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Re: Foot controller for a dream looper<br></font><br>On 7/22/64 11:59 AM, Mark Hamburg wrote:<br>&gt; On Mar 20, 2011, at 5:10 PM, Simeon Harris wrote:<br>&gt; <br>&gt;&gt; With mobius you wouldn't need to model the looper in the controller. You just write a script for each button that asks "if mobius is in this state, then do this. If not then do something else". You'd just need to script the behaviours you want depending on the current conditions. This is not possible with the lp1 and I'm not sure even the most sophisticated floor controller can model a looper within it.<br>&gt; However even as I resist a bit the rack aspect of the LP-1, a computer based solution seems to go even further in the wrong direction....<br>&gt; <br>&gt; Mark<br>But you
 have very, very sophisticated and specific, idiosyncratic design/requests for a looper, Mark.<br>Honestly,&nbsp; how could any dedicated hardware looper EVER accomplish what you want, specifically,<br>let alone what every single other sophisticated looper in the world wants.<br><br>You are going to have to go with a computer or else, design your own looper as Bob Amstadt did when<br>he was frustrated with the different paradigms that were available in hardware when he designed the<br>LP-1.<br><br>Given that the LP-1 is hardware,&nbsp; it is by far, the most configurable piece of hardware looping gear<br>ever designed and manufactured.&nbsp; &nbsp; Will it do everything,&nbsp; no,&nbsp; but it even has the potential to add new<br>functionality through continuing software design if there is a consensus in the user base.<br><br>Additionally,&nbsp; it is sophisticated that you can get close, if not accomplish, a large amount of the things you want.<br>It
 just doesn't have long press capability.<br><br>Honestly,&nbsp; it's okay if you don't use the LP-1 as I told you in my last private letter to you.<br>The LP-1 is not for everyone and Bob has been really clear about that from day one.<br><br>Mobius and a Laptop, with a good sound card and a sophisticated midi footpedal configuration<br>sound like it's the closest to what you want to do.&nbsp; &nbsp; It will require a lot of hard work on your part<br>to get it all going the way you want, though.&nbsp;  That's the beautiful nature of the beast.<br><br>rick walker<br><br></div></div><div style="position:fixed"></div>


</div><br>







      </body></html>
--0-719541826-1300735388=:57999--

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Subject: Re: Foot controller for a dream looper
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Sweet. Does it "hear" midi through Ableton? My other plugins do....=20

That was really my last stopping point. I tried everything I could think =
of.=20

If not, then the next round I'm going to try Per's advice again and =
delve into Mobious.


On Mar 21, 2011, at 12:13 PM, andy butler wrote:

> Christopher Darrow wrote:
>> EDP plugin seems to have gone nowhere. (So sad.)
>=20
> the registration system is now being tested
>=20
> andy butler
> Mathons
>=20

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On Mon, Mar 21, 2011 at 8:32 PM, Christopher Darrow <thedarrow@gmail.com> wrote:
> Sweet. Does it "hear" midi through Ableton? My other plugins do....

Yes, if you set up Ableton to forward received MIDI into the plugin
Mobius will hear it. But personally I like to use a different method:
I set up Mobius to snag MIDI directly from the physical MIDI in port,
no matter if Ableton, Bidule, Mainstage or whatever host application
is hosting the Mobius plugin. By going with that concept I can be sure
that the MIDI bindings I have set up in Mobius will make the looper
react to my MIDI pedal board in exactly the same way every time I plug
in. It is important that if Mobius is set to hihack MIDI in directly
you can't also set up a track (or by the MIDI pref's) in Ableton to
shuffle the same MIDI events into the Mobius plugin. If feeding the
looper dual MIDI events of each kind your looping commands will be
interrupted and crashes will happen. The mantra is "one trigger - one
reaction".

Per

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Christopher Darrow wrote:
> Sweet. Does it "hear" midi through Ableton? My other plugins do.... 

I had the EDP plugin (aka Echoloop)working in Ableton within minutes,
once Per and Ricky Graham had given the hot tips.



I have no explanation as to why it wouldn't work for you in Ableton.



andy butler
Mathons


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Subject: Re: Foot controller for a dream looper
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I just got a PMC10,uff its been a long time we will see what that can do...
Luis

On Mon, Mar 21, 2011 at 12:51 AM, Mark Hamburg <mark@grubmah.com> wrote:
> On Mar 20, 2011, at 12:31 PM, andy butler wrote:
>
>> Simeon Harris wrote:
>>> I'm not sure this is possible with the lp1.
>>
>> It's not, and I'm sure Mark knows that.
>
> I'm aware that there are a few things that just aren't possible and that =
many of the other things I want could be done if the controller were sophis=
ticated enough to model the state of the LP1 (and really annoying in cases =
where the model and the LP1 got into a disagreement) but that requires a re=
ally sophisticated controller. I also know that it fits pretty much exactly=
 with the playback and general loop manipulation capabilities of the LP1, s=
o it's a matter of how it gets controlled rather than what it does -- not t=
o say that's easy.
>
> Mark
>
>



--=20
www.luis-angulo.com

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Subject: Re: was:tape delay plug ins, now user reviews
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very true Bill,the internet is a gamble with this,im sure those
plugins are cool and funcitonal,but im seeing more and more companies
false advertising as well,softstep is one of them,how can you sell
such products in such a state,makes us pay big bucks  and expect us to
be their free beta tester and have understanding and compasion?? The
software for the digitechs jamman stereo looper is a joke as well even
with their latest update!! i had my issues with the eventide
timefactor as well when i first bought it(i was one of the first ones)
and it took them a while to iron may critical issues out,i mean a
400.00dlls pedal and the tap tempo,spill over,and many other basic
functions which they advertised didnt work properly?? i just dont
agree with that,i buy devices to start making music and dont mind
putting in the time to learn how to use them,but i dont pay to become
a beta tester,i understand minor bugs can go undetected and is
expected of them to come up with a fix, but joining a forum for me is
to suggest cool features that will improve them and not to solve such
issues,that has made me waste so much time in the past.
yet they put their videos in youtube and make it all look like
everything works as expected so you salivate and buy it,or they give
you faulty software editors that look killer and suppose to make it
easier for you,i find this pathetic really.
i wouldnt mind becoming their beta tester if they gave me their
devices for free though,but i rather spend my time making music.
Luis




On Mon, Mar 21, 2011 at 4:40 PM,  <billwalker@baymoon.com> wrote:
> These are exactly the kinds of user reviews that i find suspect, =A0the
> first one sounds like someone who has little patience and even less skill
> with a computer. =A0And who knows how well this person manages their ram,
> cpu usage, or how optimized for music performance their computer is, i.e.
> how many none music related programs are they running that is dragging
> down their machine. and the second review ......any kind of dongle type
> lap
> top add on is vulnerable to getting wacked, its the nature of the beast
> and one =A0reason I haven't gone lap top yet, its such a ridiculously
> vulnerable platform in that regard. drop a lap top on a concrete floor an=
d
> there is a strong likelihood its toast.
> =A0I'm sorry Louie but these kinds of responses reinforce my
> feeling that a little knowledge is dangerous. And that consumers often
> have a tendency these days to fly off the handle when they can't get ther=
e
> new toys to work properly. I have worked both in music retail and
> manufacturing long enough to realize that 95% of these kinds of issues ar=
e
> related to pilot error, not the product. From my own personal experience
> most of my computer related problems come from my own lack of knowledge o=
f
> the platform not the platform itself.
> =A0Another part of the equation has to do with
> leading edge technology, and compatibility issues with trailing edge
> computers. If you want to play it safe, wait a few months for the bugs to
> get ironed out and compatibility issues are resolved . My windows based,
> mainframe computer at home has no problem with my UAD card, but its a car=
d
> not a dongle and is internally mounted. As i mentioned before,I know the
> guys at UA, they are not in
> the business of making inferior products, they actually give a shit about
> things like quality control and ease of use. I think the point I was
> making is that user reviews cannot always be counted on to be subjective
> or even rational. How else do you account for the common occurrence I see
> on sites like Harmony central where several glowing reviews are followed
> by some angry trashing review, where someone disses a product that
> everyone else is heralding. I saw one once where the guy talked shit abou=
t
> a product and only at the end of the review did he admit he had dropped
> the product on concrete and broke it. Another thing that happens on these
> site is rival manufacturers will plant bogus negative reviews , after all
> there is no over sight on sites like this to prevent them from doing so.
> I've seen a number of negative reviews on HC =A0written by a guy named
> anonymous :-) I just don't trust user reviews unless its from people I
> know and respect or the positive reviews far out number the negative.
> And
> to be candid I don't shop on Amazon, unless its absolutely the only
> choice. =A0I don't believe in them as a company and they tend to be a
> clearing house for overstock or folding businesses anyway so you are
> rarely sure if the warranty
> issues will be covered. BTW any price you see below MAP on Amazon is a
> vendor who is in violation of the manufacturers MAP policy and there is a
> good chance you can't get warranty coverage if something malfunctions.. I=
f
> price is your only
> consideration, go for it and shop Amazon, but buyer beware......
> =A0good luck
> =A0Bill
>
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 08:02:24 2011
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Date: Tue, 22 Mar 2011 01:02:22 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Live/Mobius iPhone iPad
To: Loopers-Delight@loopers-delight.com
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hello,

what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is 
Osculator necessary in any case? Is there a dedicated app for Live? What's the 
story here:-)

Antony


      
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Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;color:#000000;"><div>hello,</div><div><br></div><div>what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is Osculator necessary in any case? Is there a dedicated app for Live? What's the story here:-)</div><div><br></div><div>Antony</div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1289366831-1300780942=:16101--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 08:37:08 2011
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From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: does anyone really use Softstep?
Date: Tue, 22 Mar 2011 09:37:04 +0100
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I've programmed my Softstep and I could theoretically use it but I don't
feel confident - more often than not it happens that I miss a button when I
need to hit it in the right moment. Sometimes the buttons don't seem to
react but it is because I don't hit it in the right way. I wonder how
reliably this can be overcome by practice. Does anyone of you really use it,
having replaced your old pedal completely?

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 09:22:34 2011
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Subject: Re: Live/Mobius iPhone iPad
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Osculator is only needed if the application to be controlled doesn't
support OSC. What Osculator does is to translate OSC into MIDI. I
don't think neither Live nor Mobius yet support OSC, which means
Osculator is needed. TouchOSC is regarded the best iOS app for OSC
control over a wifi net. It comes with a bunch of useful control
templates (mixers, faders, buttons and stuff) but they also offer an
editor for those who want to create their own graphic interface.
http://hexler.net/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


On Tue, Mar 22, 2011 at 9:02 AM, <antonyhequet@yahoo.com> wrote:
>
> hello,
> what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is Osculator necessary in any case? Is there a dedicated app for Live? What's the story here:-)
> Antony

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 09:39:31 2011
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thanks Per,

U da Man:-)



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, March 22, 2011 10:22:32 AM
Subject: Re: Live/Mobius iPhone iPad

Osculator is only needed if the application to be controlled doesn't
support OSC. What Osculator does is to translate OSC into MIDI. I
don't think neither Live nor Mobius yet support OSC, which means
Osculator is needed. TouchOSC is regarded the best iOS app for OSC
control over a wifi net. It comes with a bunch of useful control
templates (mixers, faders, buttons and stuff) but they also offer an
editor for those who want to create their own graphic interface.
http://hexler.net/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


On Tue, Mar 22, 2011 at 9:02 AM, <antonyhequet@yahoo.com> wrote:
>
> hello,
> what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is 
>Osculator necessary in any case? Is there a dedicated app for Live? What's the 
>story here:-)
> Antony


      
--0-1359840077-1300786768=:12578
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>thanks Per,</div><div><br></div><div>U da Man:-)</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, March 22, 2011 10:22:32 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Live/Mobius iPhone iPad<br></font><br>
Osculator is only needed if the application to be controlled doesn't<br>support OSC. What Osculator does is to translate OSC into MIDI. I<br>don't think neither Live nor Mobius yet support OSC, which means<br>Osculator is needed. TouchOSC is regarded the best iOS app for OSC<br>control over a wifi net. It comes with a bunch of useful control<br>templates (mixers, faders, buttons and stuff) but they also offer an<br>editor for those who want to create their own graphic interface.<br><span><a target="_blank" href="http://hexler.net/">http://hexler.net/</a></span><br><br>Greetings from Sweden<br><br>Per Boysen<br><a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br><br><br>On Tue, Mar 22, 2011 at 9:02 AM, &lt;<a ymailto="mailto:antonyhequet@yahoo.com"
 href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt;<br>&gt; hello,<br>&gt; what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is Osculator necessary in any case? Is there a dedicated app for Live? What's the story here:-)<br>&gt; Antony<br><br></div></div><div style="position:fixed"></div>


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Date: Tue, 22 Mar 2011 02:41:15 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Live/Mobius iPhone iPad
To: Loopers-Delight@loopers-delight.com
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please tell me how you connect MIDI directly to Mobius when running as a plugin 
inside Live...

A



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, March 22, 2011 10:22:32 AM
Subject: Re: Live/Mobius iPhone iPad

Osculator is only needed if the application to be controlled doesn't
support OSC. What Osculator does is to translate OSC into MIDI. I
don't think neither Live nor Mobius yet support OSC, which means
Osculator is needed. TouchOSC is regarded the best iOS app for OSC
control over a wifi net. It comes with a bunch of useful control
templates (mixers, faders, buttons and stuff) but they also offer an
editor for those who want to create their own graphic interface.
http://hexler.net/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


On Tue, Mar 22, 2011 at 9:02 AM, <antonyhequet@yahoo.com> wrote:
>
> hello,
> what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is 
>Osculator necessary in any case? Is there a dedicated app for Live? What's the 
>story here:-)
> Antony


      
--0-1092955161-1300786875=:47931
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>please tell me how you connect MIDI directly to Mobius when running as a plugin inside Live...</div><div><br></div><div>A</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, March 22, 2011 10:22:32 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Live/Mobius iPhone iPad<br></font><br>
Osculator is only needed if the application to be controlled doesn't<br>support OSC. What Osculator does is to translate OSC into MIDI. I<br>don't think neither Live nor Mobius yet support OSC, which means<br>Osculator is needed. TouchOSC is regarded the best iOS app for OSC<br>control over a wifi net. It comes with a bunch of useful control<br>templates (mixers, faders, buttons and stuff) but they also offer an<br>editor for those who want to create their own graphic interface.<br><span><a target="_blank" href="http://hexler.net/">http://hexler.net/</a></span><br><br>Greetings from Sweden<br><br>Per Boysen<br><a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br><br><br>On Tue, Mar 22, 2011 at 9:02 AM, &lt;<a ymailto="mailto:antonyhequet@yahoo.com"
 href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt;<br>&gt; hello,<br>&gt; what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is Osculator necessary in any case? Is there a dedicated app for Live? What's the story here:-)<br>&gt; Antony<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1092955161-1300786875=:47931--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 10:19:34 2011
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Subject: Re: does anyone really use Softstep?
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No, I don't currently use mine at all.

I did replace it for exactly that reason (inconsistency of result) and =
it also it sent out a continuous signal that made monitoring my midi =
signals impossible, which was fixed by replacing it.

The inconsistent results could be fine now too for all I know, but I =
don't use it at the moment so I don't know.

That's what I'm hoping for though, when it comes time to try again.=20




On Mar 22, 2011, at 1:37 AM, Michael Peters wrote:

> I've programmed my Softstep and I could theoretically use it but I =
don't
> feel confident - more often than not it happens that I miss a button =
when I
> need to hit it in the right moment. Sometimes the buttons don't seem =
to
> react but it is because I don't hit it in the right way. I wonder how
> reliably this can be overcome by practice. Does anyone of you really =
use it,
> having replaced your old pedal completely?
>=20
> -Michael
>=20

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Date: Tue, 22 Mar 2011 16:06:54 +0100
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Subject: Re: does anyone really use Softstep?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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yes,I also found it quite hard to trigger the back row ,they could
have raise the back level a bit in my opinion
also the whole XY dec/inc seems a bit difficult without the feel of a
click or something, unless you step on it barefoot offcourse;-)
Michael but you have the PMC10 right? not using it anymore?
cheers
Luis

On Tue, Mar 22, 2011 at 9:37 AM, Michael Peters <mp@mpeters.de> wrote:
> I've programmed my Softstep and I could theoretically use it but I don't
> feel confident - more often than not it happens that I miss a button when I
> need to hit it in the right moment. Sometimes the buttons don't seem to
> react but it is because I don't hit it in the right way. I wonder how
> reliably this can be overcome by practice. Does anyone of you really use it,
> having replaced your old pedal completely?
>
> -Michael
>
>



-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 15:57:31 2011
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You know, if that thing had half the buttons, but twice as big, it might wor=
k.=20

Andy o



On Mar 22, 2011, at 11:07 AM, "Louie Angulo" <louie.angulo@googlemail.com> w=
rote:

> yes,I also found it quite hard to trigger the back row ,they could
> have raise the back level a bit in my opinion
> also the whole XY dec/inc seems a bit difficult without the feel of a
> click or something, unless you step on it barefoot offcourse;-)
> Michael but you have the PMC10 right? not using it anymore?
> cheers
> Luis
>=20
> On Tue, Mar 22, 2011 at 9:37 AM, Michael Peters <mp@mpeters.de> wrote:
>> I've programmed my Softstep and I could theoretically use it but I don't
>> feel confident - more often than not it happens that I miss a button when=
 I
>> need to hit it in the right moment. Sometimes the buttons don't seem to
>> react but it is because I don't hit it in the right way. I wonder how
>> reliably this can be overcome by practice. Does anyone of you really use i=
t,
>> having replaced your old pedal completely?
>>=20
>> -Michael
>>=20
>>=20
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 17:51:25 2011
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Subject: Re: Live/Mobius iPhone iPad
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--000325556dee4ead87049f15e4bf
Content-Type: text/plain; charset=ISO-8859-1

Mobius does support OSC, but it is difficult to configure (editing XML) if
you
don't have an OSC client that can send custom messages.  I think the
newer versions of TouchOSC support custom message so I can provide more
information about the Mobius message format if anyone is interested, but if
you also
want to control Ableton it is probably easier just to use Osculator for
both.

Jeff


On Tue, Mar 22, 2011 at 4:22 AM, Per Boysen <perboysen@gmail.com> wrote:

> Osculator is only needed if the application to be controlled doesn't
> support OSC. What Osculator does is to translate OSC into MIDI. I
> don't think neither Live nor Mobius yet support OSC, which means
> Osculator is needed. TouchOSC is regarded the best iOS app for OSC
> control over a wifi net. It comes with a bunch of useful control
> templates (mixers, faders, buttons and stuff) but they also offer an
> editor for those who want to create their own graphic interface.
> http://hexler.net/
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
> On Tue, Mar 22, 2011 at 9:02 AM, <antonyhequet@yahoo.com> wrote:
> >
> > hello,
> > what is the best app to control Ableton Live and Mobius from an
> iPhone/iPad? Is Osculator necessary in any case? Is there a dedicated app
> for Live? What's the story here:-)
> > Antony
>
>

--000325556dee4ead87049f15e4bf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Mobius does support OSC, but it is difficult to configure (editing XML) if =
you<div><div>don&#39;t have an OSC client that can send custom messages. =
=A0I think the</div><div>newer versions of TouchOSC support custom message =
so=A0I can provide more</div>
<div>information about the Mobius message format if anyone is interested, b=
ut if you also</div><div>want to control Ableton it is probably easier just=
 to use Osculator for both.</div><div><br></div><div>Jeff</div><div><br>
<div><br><div class=3D"gmail_quote">On Tue, Mar 22, 2011 at 4:22 AM, Per Bo=
ysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen=
@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Osculator is only needed if the application to be controlled doesn&#39;t<br=
>
support OSC. What Osculator does is to translate OSC into MIDI. I<br>
don&#39;t think neither Live nor Mobius yet support OSC, which means<br>
Osculator is needed. TouchOSC is regarded the best iOS app for OSC<br>
control over a wifi net. It comes with a bunch of useful control<br>
templates (mixers, faders, buttons and stuff) but they also offer an<br>
editor for those who want to create their own graphic interface.<br>
<a href=3D"http://hexler.net/" target=3D"_blank">http://hexler.net/</a><br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
On Tue, Mar 22, 2011 at 9:02 AM, &lt;<a href=3D"mailto:antonyhequet@yahoo.c=
om">antonyhequet@yahoo.com</a>&gt; wrote:<br>
&gt;<br>
&gt; hello,<br>
&gt; what is the best app to control Ableton Live and Mobius from an iPhone=
/iPad? Is Osculator necessary in any case? Is there a dedicated app for Liv=
e? What&#39;s the story here:-)<br>
&gt; Antony<br>
<br>
</div></div></blockquote></div><br></div></div></div>

--000325556dee4ead87049f15e4bf--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 18:07:50 2011
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Subject: Ableton/Mobius consulting gig
Date: Tue, 22 Mar 2011 11:07:26 -0700
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I have no time to learn to set all this stuff up, but would pay someone
to set me up a system in Ableton and Mobius that simply comes close to
emulating the LP1, in other words, eight tracks, an interface where I
can see there status and some simple mangling like reverse, half speed,
such as that.

=20

So if someone is into that as a paying little design gig, lets talk.

=20

Andy o


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From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 18:13:06 2011
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References: <467935.16101.qm@web120716.mail.ne1.yahoo.com>
	<AANLkTim4zhw6EfaO6jGtBynqZzTZXNL+dPQyXOQ7H2Pm@mail.gmail.com>
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Subject: Re: Ableton/Mobius consulting gig
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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if it's going to be fairly simple (no post processing of loops...midi clips
controlling functions in real time etc etc), why would you need to host in
ableton? you could just run mobius standalone....

i ask, because i could set up mobius for you, but i know nothing of this
ableton of which you speak

On Tue, Mar 22, 2011 at 6:07 PM, Andy Owens <andy@1800dialword.com> wrote:

> I have no time to learn to set all this stuff up, but would pay someone to
> set me up a system in Ableton and Mobius that simply comes close to
> emulating the LP1, in other words, eight tracks, an interface where I can
> see there status and some simple mangling like reverse, half speed, such as
> that.
>
>
>
> So if someone is into that as a paying little design gig, lets talk.
>
>
>
> Andy o
>

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if it&#39;s going to be fairly simple (no post processing of loops...midi c=
lips controlling functions in real time etc etc), why would you need to hos=
t in ableton? you could just run mobius standalone....<br><br>i ask, becaus=
e i could set up mobius for you, but i know nothing of this ableton of whic=
h you speak<br>
<br><div class=3D"gmail_quote">On Tue, Mar 22, 2011 at 6:07 PM, Andy Owens =
<span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com">andy@1800dia=
lword.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US"><div><div><div><div><p c=
lass=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);=
">I have no time to learn to set all this stuff up, but would pay someone t=
o set me up a system in Ableton and Mobius that simply comes close to emula=
ting the LP1, in other words, eight tracks, an interface where I can see th=
ere status and some simple mangling like reverse, half speed, such as that.=
</span></p>
<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">=A0</span></p><p class=3D"MsoNormal"><span style=3D"font-size: 11pt; =
color: rgb(31, 73, 125);">So if someone is into that as a paying little des=
ign gig, lets talk.</span></p>
<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">=A0</span></p><p class=3D"MsoNormal"><span style=3D"font-size: 11pt; =
color: rgb(31, 73, 125);">Andy o</span></p></div></div></div></div></div></=
blockquote>
</div><br>

--000e0cd630e21821fe049f1632a0--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 18:42:15 2011
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Subject: RE: Ableton/Mobius consulting gig
Date: Tue, 22 Mar 2011 11:41:38 -0700
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From: "Andy Owens" <andy@1800dialword.com>
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As you can see, I know jack-shit about it.

=20

I would be running it on a dedicated PC platform, but in a rack mount
case as to have it in my gig rack, so would be on an RME card more than
likely, and all I want is a simple looper, no effects, no nothing to
make it crash, the mst stable possible softare looping setup is what I
want to put together, as a backup to LP1.

=20

Andy 0

=20

=20

=20

From: Simeon Harris [mailto:simeonharris40@googlemail.com]=20
Sent: Tuesday, March 22, 2011 2:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ableton/Mobius consulting gig

=20

if it's going to be fairly simple (no post processing of loops...midi
clips controlling functions in real time etc etc), why would you need to
host in ableton? you could just run mobius standalone....

i ask, because i could set up mobius for you, but i know nothing of this
ableton of which you speak

On Tue, Mar 22, 2011 at 6:07 PM, Andy Owens <andy@1800dialword.com>
wrote:

I have no time to learn to set all this stuff up, but would pay someone
to set me up a system in Ableton and Mobius that simply comes close to
emulating the LP1, in other words, eight tracks, an interface where I
can see there status and some simple mangling like reverse, half speed,
such as that.

=20

So if someone is into that as a paying little design gig, lets talk.

=20

Andy o

=20


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xmlns:mdssi=3D"http://schemas.openxmlformats.org/package/2006/digital-sig=
nature" =
xmlns:mver=3D"http://schemas.openxmlformats.org/markup-compatibility/2006=
" xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
xmlns:mrels=3D"http://schemas.openxmlformats.org/package/2006/relationshi=
ps" xmlns:spwp=3D"http://microsoft.com/sharepoint/webpartpages" =
xmlns:ex12t=3D"http://schemas.microsoft.com/exchange/services/2006/types"=
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xmlns:ex12m=3D"http://schemas.microsoft.com/exchange/services/2006/messag=
es" =
xmlns:pptsl=3D"http://schemas.microsoft.com/sharepoint/soap/SlideLibrary/=
" =
xmlns:spsl=3D"http://microsoft.com/webservices/SharePointPortalServer/Pub=
lishedLinksService" xmlns:Z=3D"urn:schemas-microsoft-com:" =
xmlns:st=3D"&#1;" xmlns=3D"http://www.w3.org/TR/REC-html40"><head><META =
HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii"><meta name=3DGenerator content=3D"Microsoft Word 12 =
(filtered medium)"><style><!--
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<o:idmap v:ext=3D"edit" data=3D"1" />
</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>As you can see, I know jack-shit about it.<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>I would be running it on a dedicated PC platform, but in a rack mount =
case as to have it in my gig rack, so would be on an RME card more than =
likely, and all I want is a simple looper, no effects, no nothing to =
make it crash, the mst stable possible softare looping setup is what I =
want to put together, as a backup to LP1.<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Andy 0<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><div =
style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in'><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
Simeon Harris [mailto:simeonharris40@googlemail.com] <br><b>Sent:</b> =
Tuesday, March 22, 2011 2:13 PM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: =
Ableton/Mobius consulting gig<o:p></o:p></span></p></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'>if it's going to be fairly simple (no =
post processing of loops...midi clips controlling functions in real time =
etc etc), why would you need to host in ableton? you could just run =
mobius standalone....<br><br>i ask, because i could set up mobius for =
you, but i know nothing of this ableton of which you =
speak<o:p></o:p></p><div><p class=3DMsoNormal>On Tue, Mar 22, 2011 at =
6:07 PM, Andy Owens &lt;<a =
href=3D"mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt; =
wrote:<o:p></o:p></p><div><div><div><div><div><p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span =
style=3D'font-size:11.0pt;color:#1F497D'>I have no time to learn to set =
all this stuff up, but would pay someone to set me up a system in =
Ableton and Mobius that simply comes close to emulating the LP1, in =
other words, eight tracks, an interface where I can see there status and =
some simple mangling like reverse, half speed, such as =
that.</span><o:p></o:p></p><p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span =
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p><p =
class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span =
style=3D'font-size:11.0pt;color:#1F497D'>So if someone is into that as a =
paying little design gig, lets talk.</span><o:p></o:p></p><p =
class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span =
style=3D'font-size:11.0pt;color:#1F497D'>&nbsp;</span><o:p></o:p></p><p =
class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span =
style=3D'font-size:11.0pt;color:#1F497D'>Andy =
o</span><o:p></o:p></p></div></div></div></div></div></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div></body></html>
------_=_NextPart_001_01CBE8C0.C73B56B9--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 18:52:27 2011
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References: <467935.16101.qm@web120716.mail.ne1.yahoo.com>
	<AANLkTim4zhw6EfaO6jGtBynqZzTZXNL+dPQyXOQ7H2Pm@mail.gmail.com>
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	<864434907DE0E9429B16AD587941F73F07CD809D@EXVBE010-2.exch010.intermedia.net>
Date: Tue, 22 Mar 2011 18:52:03 +0000
Message-ID: <AANLkTi=xFYeS_68rT1=StQxA3km7rmtpahjO=mmGzchx@mail.gmail.com>
Subject: Re: Ableton/Mobius consulting gig
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=000e0cd7548875049e049f16bdf8
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--000e0cd7548875049e049f16bdf8
Content-Type: text/plain; charset=ISO-8859-1

well my advice would be to run it standalone. it's solid as a rock. i'd be
happy to help you set it up. would you like to contact me off list?

sim

On Tue, Mar 22, 2011 at 6:41 PM, Andy Owens <andy@1800dialword.com> wrote:

> As you can see, I know jack-shit about it.
>
>
>
> I would be running it on a dedicated PC platform, but in a rack mount case
> as to have it in my gig rack, so would be on an RME card more than likely,
> and all I want is a simple looper, no effects, no nothing to make it crash,
> the mst stable possible softare looping setup is what I want to put
> together, as a backup to LP1.
>
>
>
> Andy 0
>
>
>
>
>

--000e0cd7548875049e049f16bdf8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well my advice would be to run it standalone. it&#39;s solid as a rock. i&#=
39;d be happy to help you set it up. would you like to contact me off list?=
<br><br>sim<br><br><div class=3D"gmail_quote">On Tue, Mar 22, 2011 at 6:41 =
PM, Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.co=
m">andy@1800dialword.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div link=3D"blue=
" vlink=3D"purple" lang=3D"EN-US"><div><p class=3D"MsoNormal"><span style=
=3D"font-size: 11pt; color: rgb(31, 73, 125);">As you can see, I know jack-=
shit about it.</span></p>
<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">=A0</span></p><p class=3D"MsoNormal"><span style=3D"font-size: 11pt; =
color: rgb(31, 73, 125);">I would be running it on a dedicated PC platform,=
 but in a rack mount case as to have it in my gig rack, so would be on an R=
ME card more than likely, and all I want is a simple looper, no effects, no=
 nothing to make it crash, the mst stable possible softare looping setup is=
 what I want to put together, as a backup to LP1.</span></p>
<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">=A0</span></p><p class=3D"MsoNormal"><span style=3D"font-size: 11pt; =
color: rgb(31, 73, 125);">Andy 0</span></p><p class=3D"MsoNormal"><span sty=
le=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>
<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">=A0</span><br></p></div></div></blockquote></div>

--000e0cd7548875049e049f16bdf8--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 19:42:05 2011
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Subject: OT: Microphone for Zoom R24 Digital Recorder
From: Butch Band <butchband@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hello from Central Virginia:

I just sold off a Zoom H4N and with it went the stereo mikes I used to
record my living room jams. I bought a Zoom R24 for some of the added
features it furnishes (add'l tracks, sampler pads, included loops, et al).
Now, it also has some onboard stereo microphones which I have yet to test -
but it strikes me that the placement of the microphones on the R24 are not
optimal and don't offer the flexibility of the H4N.

Any recommendations as to a reasonably-priced microphone (or microphones) to
use for a home recording application involving the recording of a one-man
band? THX!

Regards, Butch

--00504502b277419b48049f177058
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Hello from Central Virginia:</div>
<div>=A0</div>
<div>I just sold off a Zoom H4N and with it went the stereo mikes I used to=
 record my living room jams. I bought a Zoom R24 for some of the added feat=
ures it furnishes (add&#39;l tracks, sampler pads, included loops, et al). =
Now, it also has some onboard stereo microphones which I have yet to test -=
 but it strikes me that the placement of the microphones on the R24 are not=
 optimal and don&#39;t offer the flexibility of the H4N. </div>

<div>=A0</div>
<div>Any recommendations as to a reasonably-priced microphone (or microphon=
es) to use for a home recording application involving the recording of a on=
e-man band? THX!</div>
<div>=A0</div>
<div>Regards, Butch</div>

--00504502b277419b48049f177058--

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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: Ableton/Mobius consulting gig
Date: Tue, 22 Mar 2011 12:54:24 -0700
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 <864434907DE0E9429B16AD587941F73F07CD8074@EXVBE010-2.exch010.intermedia.net>
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 <AANLkTim4zhw6EfaO6jGtBynqZzTZXNL+dPQyXOQ7H2Pm@mail.gmail.com>
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I have done what you describe below, Andy.  Though consulting $ are not my motive, I can help you in a limited mentoring fashion.  

 I gotta warn you... if you don't understand how things are configured under the hood, you will be needing more than just config support to fly the craft.  Its of critical importance to know how it all works if you are going to have a positive piloting experience with your rig.  That said, if you have never programmed a midi controls for looping in Ableton or Mobius, I could greatly shorten your learning curve in about an hour of hands on training -- provided you have the necessary gear on hand, you would come out the other end with a functional looper config and modicum of knowledge about how to add additional controls to your dashboard.



R u Mac or Windows based?


Daniel 
On Mar 22, 2011, at 11:07 AM, Andy Owens wrote:

> I have no time to learn to set all this stuff up, but would pay someone to set me up a system in Ableton and Mobius that simply comes close to emulating the LP1, in other words, eight tracks, an interface where I can see there status and some simple mangling like reverse, half speed, such as that.
>  
> So if someone is into that as a paying little design gig, lets talk.
>  
> Andy o


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Content-type: text/html; CHARSET=US-ASCII
Content-transfer-encoding: quoted-printable

<html><head><base href=3D"x-msg://279/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; ">I have done what you describe below, Andy. =
&nbsp;Though consulting $ are not my motive,&nbsp;I can help you in a =
limited mentoring fashion. &nbsp;<div><br></div><div>&nbsp;I gotta warn =
you... if you don't understand how things are configured under the hood, =
you will be needing more than just config support to fly the craft. =
&nbsp;Its of critical importance to know how it all works if you are =
going to have a positive piloting experience with your rig. &nbsp;That =
said, if you have never programmed a midi controls for looping in =
Ableton or Mobius, I could greatly shorten your learning curve in about =
an hour of hands on training -- provided you have the necessary gear on =
hand, you would come out the other end with a functional looper config =
and modicum of knowledge about how to add additional controls to your =
dashboard.</div><div><br></div><div><br></div><div><br></div><div><div>R =
u Mac or Windows =
based?</div><div><br></div><div><br></div><div>Daniel&nbsp;</div><div><div=
><div>On Mar 22, 2011, at 11:07 AM, Andy Owens wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: 'Myriad Set'; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
lang=3D"EN-US" link=3D"blue" vlink=3D"purple"><div class=3D"WordSection1" =
style=3D"page: WordSection1; "><div><div><div><div style=3D"margin-top: =
0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; =
font-size: 12pt; font-family: 'Times New Roman', serif; "><span =
style=3D"font-size: 11pt; font-family: Calibri, sans-serif; color: =
rgb(31, 73, 125); ">I have no time to learn to set all this stuff up, =
but would pay someone to set me up a system in Ableton and Mobius that =
simply comes close to emulating the LP1, in other words, eight tracks, =
an interface where I can see there status and some simple mangling like =
reverse, half speed, such as that.<o:p></o:p></span></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); =
"><o:p>&nbsp;</o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">So if =
someone is into that as a paying little design gig, lets =
talk.<o:p></o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); =
"><o:p>&nbsp;</o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Andy =
o<o:p></o:p></span></div></div></div></div></div></div></span></blockquote=
></div><br></div></div></body></html>=

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Date: Tue, 22 Mar 2011 13:01:50 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Live/Mobius iPhone iPad
To: Loopers-Delight@loopers-delight.com
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I'm going to dive in and tell you once I get my hands dirty.

Antony



________________________________
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
Cc: Per Boysen <perboysen@gmail.com>
Sent: Tue, March 22, 2011 6:51:20 PM
Subject: Re: Live/Mobius iPhone iPad

Mobius does support OSC, but it is difficult to configure (editing XML) if you
don't have an OSC client that can send custom messages.  I think the
newer versions of TouchOSC support custom message so I can provide more
information about the Mobius message format if anyone is interested, but if you 
also
want to control Ableton it is probably easier just to use Osculator for both.

Jeff




On Tue, Mar 22, 2011 at 4:22 AM, Per Boysen <perboysen@gmail.com> wrote:

Osculator is only needed if the application to be controlled doesn't
>support OSC. What Osculator does is to translate OSC into MIDI. I
>don't think neither Live nor Mobius yet support OSC, which means
>Osculator is needed. TouchOSC is regarded the best iOS app for OSC
>control over a wifi net. It comes with a bunch of useful control
>templates (mixers, faders, buttons and stuff) but they also offer an
>editor for those who want to create their own graphic interface.
>http://hexler.net/
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com
>www.looproom.com internet music hub
>
>
>
>On Tue, Mar 22, 2011 at 9:02 AM, <antonyhequet@yahoo.com> wrote:
>>
>> hello,
>> what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is 
>>Osculator necessary in any case? Is there a dedicated app for Live? What's the 
>>story here:-)
>> Antony
>
>



      
--0-629895186-1300824110=:53955
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I'm going<span class="Apple-style-span" style="font-size: 19.2px; ">&nbsp;to dive in and tell you once I get my hands dirty.</span></div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Jeff Larson &lt;jeff.larson@sailpoint.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Cc:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, March 22, 2011 6:51:20 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Live/Mobius
 iPhone iPad<br></font><br>Mobius does support OSC, but it is difficult to configure (editing XML) if you<div><div>don't have an OSC client that can send custom messages. &nbsp;I think the</div><div>newer versions of TouchOSC support custom message so&nbsp;I can provide more</div>
<div>information about the Mobius message format if anyone is interested, but if you also</div><div>want to control Ableton it is probably easier just to use Osculator for both.</div><div><br></div><div>Jeff</div><div><br>
<div><br><div class="gmail_quote">On Tue, Mar 22, 2011 at 4:22 AM, Per Boysen <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:perboysen@gmail.com" target="_blank" href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Osculator is only needed if the application to be controlled doesn't<br>
support OSC. What Osculator does is to translate OSC into MIDI. I<br>
don't think neither Live nor Mobius yet support OSC, which means<br>
Osculator is needed. TouchOSC is regarded the best iOS app for OSC<br>
control over a wifi net. It comes with a bunch of useful control<br>
templates (mixers, faders, buttons and stuff) but they also offer an<br>
editor for those who want to create their own graphic interface.<br>
<a rel="nofollow" target="_blank" href="http://hexler.net/">http://hexler.net/</a><br>
<br>
Greetings from Sweden<br>
<font color="#888888"><br>
Per Boysen<br>
<a rel="nofollow" target="_blank" href="http://www.boysen.se">www.boysen.se</a><br>
<a rel="nofollow" target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br>
<a rel="nofollow" target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br>
</font><div><div></div><div class="h5"><br>
<br>
On Tue, Mar 22, 2011 at 9:02 AM, &lt;<a rel="nofollow" ymailto="mailto:antonyhequet@yahoo.com" target="_blank" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>
&gt;<br>
&gt; hello,<br>
&gt; what is the best app to control Ableton Live and Mobius from an iPhone/iPad? Is Osculator necessary in any case? Is there a dedicated app for Live? What's the story here:-)<br>
&gt; Antony<br>
<br>
</div></div></blockquote></div><br></div></div></div>
</div></div><div style="position:fixed"></div>


</div><br>







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More details???

Cost?
Phantom power?

Aspirations?

then there'll be suggestions

andy

Butch Band wrote:
 
> Any recommendations as to a reasonably-priced microphone (or 
> microphones) to use for a home recording application involving the 
> recording of a one-man band? THX!
>  
> Regards, Butch

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 20:31:40 2011
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> I'm going=A0to dive in and tell you once I get my hands dirty.
> Antony

I had some success in controlling Audio Mulch with the TouchOSC >
Osculator combo.. so I thought I would give this a try for fun. But
starting simple, just try to get Mobius controlled by the iPhone...

So I made a simple 4 track layout using the editor...
http://hexler.net/mint/pepper/orderedlist/downloads/download.php?file=3Dhtt=
p%3A//hexler.net/pub/touchosc/touchosc-editor-1.4.2-osx.zip

Went into Osculator and made the ness suggested midi things, in this
case CCs I thought...
Then fired up Mobius,here I had to first re-scan the midi wotsits, but
usiong the Audio/midi setup tool, THEN I had to restart Mobius, but
when I check the midi devices .. Osculatro WAS there on so I selected
it..

so far so good...

But heres wher I hit the brick wall... In order to have one slider on
the iphone control 4 track volumes in Mobius, I had to FIND the midi
binding in Mobius... Under controls, it says Feedback Input Level,
Oustput Level, Pan and Secondary feedback... BUT NOT PER TRACK... only
one, because usually only ONE is selected... usually handy, but here I
need to access each tracks binding seperately...

did this make sense? Jeff? Hjelp?


Mark

--=20
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Did you see this BTW Antony?

http://www.osculator.net/2009/01/27/use-your-iphone-or-ipod-with-ableton-live/

might be some use...

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Subject: Re: Live/Mobius iPhone iPad
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To: Loopers-Delight@loopers-delight.com
Cc: mark francombe <mark@markfrancombe.com>
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--bcaec51b16e99a1759049f183b07
Content-Type: text/plain; charset=ISO-8859-1

> But heres wher I hit the brick wall... In order to have one slider on
> the iphone control 4 track volumes in Mobius, I had to FIND the midi
> binding in Mobius... Under controls, it says Feedback Input Level,
> Oustput Level, Pan and Secondary feedback... BUT NOT PER TRACK... only
> one, because usually only ONE is selected... usually handy, but here I
> need to access each tracks binding seperately...

When you create a MIDI binding, one of the things you can select is
"Scope".  The default scope is "Global" which means the currently
selected track.  The scope field is a pulldown menu that has an item
for each track.  So, for each Mobius control (input, output, pan,
etc.)  you would create 8 bindings.  Each binding would have a
different MIDI CC number and a different track selected in the scope
menu.

Jeff

--bcaec51b16e99a1759049f183b07
Content-Type: text/html; charset=ISO-8859-1
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<div>&gt; But heres wher I hit the brick wall... In order to have one slide=
r on</div><div>&gt; the iphone control 4 track volumes in Mobius, I had to =
FIND the midi</div><div>&gt; binding in Mobius... Under controls, it says F=
eedback Input Level,</div>
<div>&gt; Oustput Level, Pan and Secondary feedback... BUT NOT PER TRACK...=
 only</div><div>&gt; one, because usually only ONE is selected... usually h=
andy, but here I</div><div>&gt; need to access each tracks binding seperate=
ly...</div>
<div><br></div><div>When you create a MIDI binding, one of the things you c=
an select is</div><div>&quot;Scope&quot;. =A0The default scope is &quot;Glo=
bal&quot; which means the currently</div><div>selected track. =A0The scope =
field is a pulldown menu that has an item</div>
<div>for each track. =A0So, for each Mobius control (input, output, pan,</d=
iv><div>etc.) =A0you would create 8 bindings. =A0Each binding would have a<=
/div><div>different MIDI CC number and a different track selected in the sc=
ope</div>
<div>menu. =A0</div><div><br></div><div>Jeff</div><div><br></div>

--bcaec51b16e99a1759049f183b07--

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Subject: RE: does anyone really use Softstep?
Date: Tue, 22 Mar 2011 22:00:30 +0100
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> Michael but you have the PMC10 right? not using it anymore?

I might go back to using it.

-Michael

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Date: Tue, 22 Mar 2011 14:36:48 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: OT: Microphone for Zoom R24 Digital Recorder
To: Loopers-Delight@loopers-delight.com
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Howdy,

 For spread around stuff,, PZM. For up close detail,,SE condenser with phan=
tom power pre-amp, (Paia tube mic pre-amp kit).
Rig

--- On Tue, 3/22/11, andy butler <akbutler@tiscali.co.uk> wrote:

> From: andy butler <akbutler@tiscali.co.uk>
> Subject: Re: OT: Microphone for Zoom R24 Digital Recorder
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 22, 2011, 1:27 PM
> More details???
>=20
> Cost?
> Phantom power?
>=20
> Aspirations?
>=20
> then there'll be suggestions
>=20
> andy
>=20
> Butch Band wrote:
>=20
> > Any recommendations as to a reasonably-priced
> microphone (or microphones) to use for a home recording
> application involving the recording of a one-man band? THX!
> >=A0 Regards, Butch
>=20
> =0A=0A=0A      

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Subject: Re: OT: Microphone for Zoom R24 Digital Recorder
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--0-1103732848-1300829883=:5277
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Howdy,
=A0
=A0Make that 2 PZMs,,or condenser. The PAIA kit can be bought for stereo.
Rig

--- On Tue, 3/22/11, Butch Band <butchband@gmail.com> wrote:


From: Butch Band <butchband@gmail.com>
Subject: OT: Microphone for Zoom R24 Digital Recorder
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, March 22, 2011, 12:42 PM



Hello from Central Virginia:
=A0
I just sold off a Zoom H4N and with it went the stereo mikes I used to reco=
rd my living room jams. I bought a Zoom R24 for some of the added features =
it furnishes (add'l tracks, sampler pads, included loops, et al). Now, it a=
lso has some onboard stereo microphones which I have yet to test - but it s=
trikes me that the placement of the microphones on the R24 are not optimal =
and don't offer the flexibility of the H4N.=20
=A0
Any recommendations as to a reasonably-priced microphone (or microphones) t=
o use for a home recording application involving the recording of a one-man=
 band? THX!
=A0
Regards, Butch=0A=0A=0A      
--0-1103732848-1300829883=:5277
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Howdy,</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;Make that 2 PZMs,,or condenser. The PAIA kit can be bought for s=
tereo.</DIV>
<DIV>Rig<BR><BR>--- On <B>Tue, 3/22/11, Butch Band <I>&lt;butchband@gmail.c=
om&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Butch Band &lt;butchband@gmail.com&gt;<BR>S=
ubject: OT: Microphone for Zoom R24 Digital Recorder<BR>To: Loopers-Delight=
@loopers-delight.com<BR>Date: Tuesday, March 22, 2011, 12:42 PM<BR><BR>
<DIV id=3Dyiv1292600603>
<DIV>Hello from Central Virginia:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I just sold off a Zoom H4N and with it went the stereo mikes I used to=
 record my living room jams. I bought a Zoom R24 for some of the added feat=
ures it furnishes (add'l tracks, sampler pads, included loops, et al). Now,=
 it also has some onboard stereo microphones which I have yet to test - but=
 it strikes me that the placement of the microphones on the R24 are not opt=
imal and don't offer the flexibility of the H4N. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Any recommendations as to a reasonably-priced microphone (or microphon=
es) to use for a home recording application involving the recording of a on=
e-man band? THX!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Butch</DIV></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=
=0A=0A=0A=0A=0A      
--0-1103732848-1300829883=:5277--

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Date: Tue, 22 Mar 2011 15:10:28 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Live/Mobius iPhone iPad
To: Loopers-Delight@loopers-delight.com
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--0-1802018698-1300831828=:34178
Content-Type: text/plain; charset=us-ascii

hey,

thanks a lot!

Antony



________________________________
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, March 22, 2011 9:34:30 PM
Subject: Re: Live/Mobius iPhone iPad

Did you see this BTW Antony?

http://www.osculator.net/2009/01/27/use-your-iphone-or-ipod-with-ableton-live/

might be some use...

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe


      
--0-1802018698-1300831828=:34178
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><div>hey,</div><div><br></div><div>thanks a lot!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> mark francombe &lt;mark@markfrancombe.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, March 22, 2011 9:34:30 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Live/Mobius iPhone iPad<br></font><br>
Did you see this BTW Antony?<br><br><span><a target="_blank" href="http://www.osculator.net/2009/01/27/use-your-iphone-or-ipod-with-ableton-live/">http://www.osculator.net/2009/01/27/use-your-iphone-or-ipod-with-ableton-live/</a></span><br><br>might be some use...<br><br>-- <br>Mark Francombe<br><a target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><span><a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span><a target="_blank" href="http://www.looop.no">http://www.looop.no</a></span><br>twitter @markfrancombe<br><br></div></div><div style="position:fixed"></div>


</div><br>







      </body></html>
--0-1802018698-1300831828=:34178--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 22 22:44:53 2011
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Date: Tue, 22 Mar 2011 15:44:43 -0700
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On 7/22/64 11:59 AM, Butch Band wrote:
> Any recommendations as to a reasonably-priced microphone (or 
> microphones) to use for a home recording application involving the 
> recording of a one-man band? THX!
Sony makes a really delightful small and inexpensive stereo microphone 
that, saliently, records
fairly flat across the timbral spectrum from 20 hz to 20,000 hz,  called 
the Sony ECM S907.

B+H has it here for a very reasonable $64 USD

http://www.bhphotovideo.com/c/product/150434-REG/Sony_ECMMS907_ECM_MS907_Stereo_Mic.html

If you use some of the freeware Convolution reverbs that are available 
these days and find yourself
some Impulse files of very, very expensive condenser microphones this 
makes this little
puppy a particularly effective and versatile little tool.

It is so small that I just velcro it to the top of my current Canon 
video camera.
It fits in one's pocket.

I think it's the best microphone deal in the universe considering how 
inexpensive it is.

rick walker

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--Apple-Mail-4-413927126
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Don't know if you've seen this yet but Sound Toys has a free plug in =
called Devil Loc.  It's a compressor distortion plug.  Just log in or =
sign up and enter this registration code
250-7193-322.  You need an ILok to use it, though.=20
R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com











On Mar 22, 2011, at 3:44 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Butch Band wrote:
>> Any recommendations as to a reasonably-priced microphone (or =
microphones) to use for a home recording application involving the =
recording of a one-man band? THX!
> Sony makes a really delightful small and inexpensive stereo microphone =
that, saliently, records
> fairly flat across the timbral spectrum from 20 hz to 20,000 hz,  =
called the Sony ECM S907.
>=20
> B+H has it here for a very reasonable $64 USD
>=20
> =
http://www.bhphotovideo.com/c/product/150434-REG/Sony_ECMMS907_ECM_MS907_S=
tereo_Mic.html
>=20
> If you use some of the freeware Convolution reverbs that are available =
these days and find yourself
> some Impulse files of very, very expensive condenser microphones this =
makes this little
> puppy a particularly effective and versatile little tool.
>=20
> It is so small that I just velcro it to the top of my current Canon =
video camera.
> It fits in one's pocket.
>=20
> I think it's the best microphone deal in the universe considering how =
inexpensive it is.
>=20
> rick walker
>=20


--Apple-Mail-4-413927126
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Don't =
know if you've seen this yet but Sound Toys has a free plug in called =
Devil Loc. &nbsp;It's a compressor distortion plug. &nbsp;Just log in or =
sign up and enter this registration code<div>250-7193-322. &nbsp;You =
need an ILok to use it, though.&nbsp;</div><div>R<br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Mar 22, 2011, at 3:44 PM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, Butch Band wrote:<br><blockquote type=3D"cite">Any =
recommendations as to a reasonably-priced microphone (or microphones) to =
use for a home recording application involving the recording of a =
one-man band? THX!<br></blockquote>Sony makes a really delightful small =
and inexpensive stereo microphone that, saliently, records<br>fairly =
flat across the timbral spectrum from 20 hz to 20,000 hz, &nbsp;called =
the Sony ECM S907.<br><br>B+H has it here for a very reasonable $64 =
USD<br><br><a =
href=3D"http://www.bhphotovideo.com/c/product/150434-REG/Sony_ECMMS907_ECM=
_MS907_Stereo_Mic.html">http://www.bhphotovideo.com/c/product/150434-REG/S=
ony_ECMMS907_ECM_MS907_Stereo_Mic.html</a><br><br>If you use some of the =
freeware Convolution reverbs that are available these days and find =
yourself<br>some Impulse files of very, very expensive condenser =
microphones this makes this little<br>puppy a particularly effective and =
versatile little tool.<br><br>It is so small that I just velcro it to =
the top of my current Canon video camera.<br>It fits in one's =
pocket.<br><br>I think it's the best microphone deal in the universe =
considering how inexpensive it is.<br><br>rick =
walker<br><br></div></blockquote></div><br></div></body></html>=

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Subject: Mobius latency compensation
From: Akraf Emaho <akrafemaho@gmail.com>
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Hi,

I've been trying to set up the above so overdubs go where they should
and stay there on subsequent passes.  A couple of attempts have ended
in frustration, i figured not helped by the fact that I'm using the
built-in soundcard on an old desktop machine.

But...

Reading the previous thread on mobius latency, according to Per it's
not possible to achieve perfect sync i.e. it will always drift a bit.
This would seem to be a bit of a dealbreaker for the kind of highly
rhythmic, danceable music I'm looking to use the mobius/live combo
for.

I'm at the point of shelling out for a layla 3g interface so it'd be
great to know if this is going to scupper my plans.

Akraf

From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 02:51:45 2011
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Subject: Re: Ableton/Mobius consulting gig
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Sim Sez; "i ask, because i could set up mobius for you, but i know  
nothing of this ableton of which you speak"

My thoughts exactly,  I'm wondering what is the essential  reason for  
running one platform inside another?   Mobius running in Abelton as an  
example? or superlooper in Abelton.  Is it for managing effects plug  
ins or more extended script commands? My embarrasing computer brain  
disconnect issues oozing to the surface....
Thanks
  Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: 'Times New Roman', serif; font-size: 16px; "><font =
class=3D"Apple-style-span" color=3D"#925FFF">Sim Sez; "i ask, because i =
could set up mobius for you, but i know nothing of this ableton of which =
you speak"</font></span><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'Times New Roman', serif; font-size: 16px; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'Times New Roman', serif; font-size: 16px; ">My =
thoughts exactly, &nbsp;I'm wondering what is the essential &nbsp;reason =
for running one platform inside another? &nbsp;&nbsp;</span><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; ">Mobius&nbsp;</span><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; ">running in&nbsp;Abelton&nbsp;as an example? or =
superlooper in Abelton. &nbsp;Is it for managing effects plug ins or =
more extended script commands? My embarrasing computer brain disconnect =
issues oozing to the surface....</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; ">Thanks</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; ">&nbsp;Bill</span></div></body></html>=

--Apple-Mail-39-418950167--

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Date: Tue, 22 Mar 2011 22:12:29 -0500
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Subject: Re: Mobius latency compensation
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--000325556dee213126049f1dbbd8
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> I've been trying to set up the above so overdubs go where they should
> and stay there on subsequent passes.  A couple of attempts have ended
> in frustration, i figured not helped by the fact that I'm using the
> built-in soundcard on an old desktop machine.

If you haven't already done so, read this section of the installation guide:

   http://www.circularlabs.com/doc/installation.htm#Tuning Latency


Assuming you are using Windows, if you are using the built-in sound card
you will be using an "MME" driver which has very high latency.  It is
possible
for Mobius to compensate for this so that your overdubs will line up but
you have to enter the right values into the latency fields in the
Audio Devices window.  Sometimes the driver is able to tell us what
the latency is, other times it can't and we have to enter it manually.
This is explained in the manual.

If you use a pro audio interface it will come with ASIO drivers that
have very low latency.  Often people don't even bother tuning latency
compensation since it is so slight that it is hard to hear even if it
is off by a few milliseconds.

As an alternative to buying a pro interface you could also try
ASIO4ALL which will give the built-in sound card an ASIO driver.  I have
had success with this, but if you're serious about sound quality you
should still consider an external interface.

> Reading the previous thread on mobius latency, according to Per it's
> not possible to achieve perfect sync i.e. it will always drift a bit.

I'm not sure what this was referring to, but you can certainly tune
latency compesnation for exact alignment of overdubs and once set it
won't drift unless you are also changing your physical location
relative to your monitor speakers.

Jeff

--000325556dee213126049f1dbbd8
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<div><br></div><div>&gt; I&#39;ve been trying to set up the above so overdu=
bs go where they should</div><div>&gt; and stay there on subsequent passes.=
 =A0A couple of attempts have ended</div><div>&gt; in frustration, i figure=
d not helped by the fact that I&#39;m using the</div>
<div>&gt; built-in soundcard on an old desktop machine.</div><div><br></div=
><div>If you haven&#39;t already done so, read this section of the installa=
tion guide:</div><div><br></div><div>=A0=A0 <a href=3D"http://www.circularl=
abs.com/doc/installation.htm#Tuning">http://www.circularlabs.com/doc/instal=
lation.htm#Tuning</a> Latency</div>
<div><br></div><div><br></div><div>Assuming you are using Windows, if you a=
re using the built-in sound card</div><div>you will be using an &quot;MME&q=
uot; driver which has very high latency. =A0It is possible</div><div>for Mo=
bius to compensate for this so that your overdubs will line up but</div>
<div>you have to enter the right values into the latency fields in the</div=
><div>Audio Devices window. =A0Sometimes the driver is able to tell us what=
</div><div>the latency is, other times it can&#39;t and we have to enter it=
 manually.</div>
<div>This is explained in the manual.</div><div><br></div><div>If you use a=
 pro audio interface it will come with ASIO drivers that</div><div>have ver=
y low latency. =A0Often people don&#39;t even bother tuning latency</div>
<div>compensation since it is so slight that it is hard to hear even if it<=
/div><div>is off by a few milliseconds.</div><div><br></div><div>As an alte=
rnative to buying a pro interface you could also try</div><div>ASIO4ALL whi=
ch will give the built-in sound card an ASIO driver. =A0I have</div>
<div>had success with this, but if you&#39;re serious about sound quality y=
ou</div><div>should still consider an external interface.</div><div><br></d=
iv><div>&gt; Reading the previous thread on mobius latency, according to Pe=
r it&#39;s</div>
<div>&gt; not possible to achieve perfect sync i.e. it will always drift a =
bit.</div><div><br></div><div>I&#39;m not sure what this was referring to, =
but you can certainly tune</div><div>latency compesnation for exact alignme=
nt of overdubs and once set it</div>
<div>won&#39;t drift unless you are also changing your physical location</d=
iv><div>relative to your monitor speakers.</div><div><br></div><div>Jeff</d=
iv><div><br></div>

--000325556dee213126049f1dbbd8--

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Subject: Re: does anyone really use Softstep?
From: Louie Angulo <louie.angulo@googlemail.com>
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im really happy using it again,i was lucky to find one unsed,its gotta
be the best foot controller outthere
i wish we could convince Digitech to release it again
i hope it lasts!
Luis

On Tue, Mar 22, 2011 at 10:00 PM, Michael Peters <mp@mpeters.de> wrote:
>> Michael but you have the PMC10 right? not using it anymore?
>
> I might go back to using it.
>
> -Michael
>
>



-- 
www.luis-angulo.com

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: latency figures
Date: Wed, 23 Mar 2011 06:59:32 +0000
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Ok=2C I may be in a position to purchase a new PC laptop soon and will have=
 to trawl thrugh the myriad tech spec jungle
so... Who's got the lowest latency figures?=20
Advice on quad core vs dual vs 8 core=2C amount of ram=2C 64 bit vs 32 bit =
etc.=20
I'll be running Ableton Live  firing loops=2C processing guitar=2C interpre=
ting midi commands=2C synching to another computer and=2C if there's spare =
capacity=2C runing Arkaos VJ software.=20
I want 1 computer to do all this - it can be done - I used to run vj softwa=
re with AudioMulch back in the day with aroound 10ms and that was years ago=
 on trusty windoze XP.
I've now migrated to win7.
so what performance are you gettin=2C (PC only though)

Peace and ever lower latency

Gareth@Sentientfx -  Innovative music plugins. http://sentientfx.com/


 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Ok=2C I may be in a position to purchase a new PC laptop soon and will have=
 to trawl thrugh the myriad tech spec jungle<br>so... Who's got the lowest =
latency figures? <br>Advice on quad core vs dual vs 8 core=2C amount of ram=
=2C 64 bit vs 32 bit etc. <br>I'll be running Ableton Live&nbsp=3B firing l=
oops=2C processing guitar=2C interpreting midi commands=2C synching to anot=
her computer and=2C if there's spare capacity=2C runing Arkaos VJ software.=
 <br>I want 1 computer to do all this - it can be done - I used to run vj s=
oftware with AudioMulch back in the day with aroound 10ms and that was year=
s ago on trusty windoze XP.<br>I've now migrated to win7.<br>so what perfor=
mance are you gettin=2C (PC only though)<br><br>Peace and ever lower latenc=
y<br><br>Gareth@Sentientfx -&nbsp=3B Innovative music plugins. <a href=3D"h=
ttp://sentientfx.com/" target=3D"_blank">http://sentientfx.com/</a><br><br>=
<br> 		 	   		  </body>
</html>=

--_4377653e-f13b-4d8d-98cb-43f9ef0be677_--

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Date: Wed, 23 Mar 2011 00:54:10 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Ableton/Mobius consulting gig
To: Loopers-Delight@loopers-delight.com
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actually,

can you run Mobius and Ableton in parallel?

Antony Hequet



________________________________
From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 23, 2011 3:51:37 AM
Subject: Re: Ableton/Mobius consulting gig

Sim Sez; "i ask, because i could set up mobius for you, but i know nothing of 
this ableton of which you speak"

My thoughts exactly,  I'm wondering what is the essential  reason for running 
one platform inside another?   Mobius running in Abelton as an example? or 
superlooper in Abelton.  Is it for managing effects plug ins or more extended 
script commands? My embarrasing computer brain disconnect issues oozing to the 
surface....
Thanks
 Bill


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><div>actually,</div><div><br></div><div>can you run Mobius and Ableton in parallel?</div><div><br></div><div>Antony Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> William Walker &lt;billwalker@baymoon.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 23, 2011 3:51:37 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Ableton/Mobius consulting gig<br></font><br>
<span class="Apple-style-span" style="font-family:serif;font-size:16px;"><font class="Apple-style-span" color="#925FFF">Sim Sez; "i ask, because i could set up mobius for you, but i know nothing of this ableton of which you speak"</font></span><div><span class="Apple-style-span" style="font-family:serif;font-size:16px;"><br></span></div><div><span class="Apple-style-span" style="font-family:serif;font-size:16px;">My thoughts exactly, &nbsp;I'm wondering what is the essential &nbsp;reason for running one platform inside another? &nbsp;&nbsp;</span><span class="Apple-style-span" style="font-family:serif;font-size:16px;">Mobius&nbsp;</span><span class="Apple-style-span" style="font-family:serif;font-size:16px;">running in&nbsp;Abelton&nbsp;as an example? or superlooper in Abelton. &nbsp;Is it for managing effects plug ins or more extended script commands? My embarrasing computer brain disconnect issues oozing to the surface....</span></div><div><span
 class="Apple-style-span" style="font-family:serif;font-size:16px;">Thanks</span></div><div><span class="Apple-style-span" style="font-family:serif;font-size:16px;">&nbsp;Bill</span></div></div></div><div style="position:fixed"></div>


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Date: Wed, 23 Mar 2011 00:56:46 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: OT TC studioKoonekt 48
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speaking of latency, does anyone have experience with theTC studioKoonekt 48? I 
hear the preamps are good and sound quality excellent but there may be latency 
issues with drivers...

Antony Hequet



________________________________
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
Cc: Akraf Emaho <akrafemaho@gmail.com>
Sent: Wed, March 23, 2011 4:12:29 AM
Subject: Re: Mobius latency compensation



> I've been trying to set up the above so overdubs go where they should
> and stay there on subsequent passes.  A couple of attempts have ended
> in frustration, i figured not helped by the fact that I'm using the
> built-in soundcard on an old desktop machine.

If you haven't already done so, read this section of the installation guide:

   http://www.circularlabs.com/doc/installation.htm#Tuning Latency


Assuming you are using Windows, if you are using the built-in sound card
you will be using an "MME" driver which has very high latency.  It is possible
for Mobius to compensate for this so that your overdubs will line up but
you have to enter the right values into the latency fields in the
Audio Devices window.  Sometimes the driver is able to tell us what
the latency is, other times it can't and we have to enter it manually.
This is explained in the manual.

If you use a pro audio interface it will come with ASIO drivers that
have very low latency.  Often people don't even bother tuning latency
compensation since it is so slight that it is hard to hear even if it
is off by a few milliseconds.

As an alternative to buying a pro interface you could also try
ASIO4ALL which will give the built-in sound card an ASIO driver.  I have
had success with this, but if you're serious about sound quality you
should still consider an external interface.

> Reading the previous thread on mobius latency, according to Per it's
> not possible to achieve perfect sync i.e. it will always drift a bit.

I'm not sure what this was referring to, but you can certainly tune
latency compesnation for exact alignment of overdubs and once set it
won't drift unless you are also changing your physical location
relative to your monitor speakers.

Jeff



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><div>speaking of latency, does anyone have experience with theTC studioKoonekt 48? I hear the preamps are good and sound quality excellent but there may be latency issues with drivers...</div><div><br></div><div>Antony Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Jeff Larson &lt;jeff.larson@sailpoint.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Cc:</span></b> Akraf Emaho &lt;akrafemaho@gmail.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 23, 2011 4:12:29 AM<br><b><span
 style="font-weight: bold;">Subject:</span></b> Re: Mobius latency compensation<br></font><br>
<div><br></div><div>&gt; I've been trying to set up the above so overdubs go where they should</div><div>&gt; and stay there on subsequent passes. &nbsp;A couple of attempts have ended</div><div>&gt; in frustration, i figured not helped by the fact that I'm using the</div>
<div>&gt; built-in soundcard on an old desktop machine.</div><div><br></div><div>If you haven't already done so, read this section of the installation guide:</div><div><br></div><div><span>&nbsp;&nbsp; <a target="_blank" href="http://www.circularlabs.com/doc/installation.htm#Tuning">http://www.circularlabs.com/doc/installation.htm#Tuning</a> Latency</span></div>
<div><br></div><div><br></div><div>Assuming you are using Windows, if you are using the built-in sound card</div><div>you will be using an "MME" driver which has very high latency. &nbsp;It is possible</div><div>for Mobius to compensate for this so that your overdubs will line up but</div>
<div>you have to enter the right values into the latency fields in the</div><div>Audio Devices window. &nbsp;Sometimes the driver is able to tell us what</div><div>the latency is, other times it can't and we have to enter it manually.</div>
<div>This is explained in the manual.</div><div><br></div><div>If you use a pro audio interface it will come with ASIO drivers that</div><div>have very low latency. &nbsp;Often people don't even bother tuning latency</div>
<div>compensation since it is so slight that it is hard to hear even if it</div><div>is off by a few milliseconds.</div><div><br></div><div>As an alternative to buying a pro interface you could also try</div><div>ASIO4ALL which will give the built-in sound card an ASIO driver. &nbsp;I have</div>
<div>had success with this, but if you're serious about sound quality you</div><div>should still consider an external interface.</div><div><br></div><div>&gt; Reading the previous thread on mobius latency, according to Per it's</div>
<div>&gt; not possible to achieve perfect sync i.e. it will always drift a bit.</div><div><br></div><div>I'm not sure what this was referring to, but you can certainly tune</div><div>latency compesnation for exact alignment of overdubs and once set it</div>
<div>won't drift unless you are also changing your physical location</div><div>relative to your monitor speakers.</div><div><br></div><div>Jeff</div><div><br></div>
</div></div><div style="position:fixed"></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 08:03:09 2011
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Subject: Re: Ableton/Mobius consulting gig
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On Tue, Mar 22, 2011 at 12:54 PM, Daniel Thomas <danielthomas4@mac.com> wrote:

> I could greatly shorten your learning curve in about an hour of hands on
> training -- provided you have the necessary gear on hand, you would come out
> the other end with a functional looper config and modicum of knowledge about
> how to add additional controls to your dashboard.

If you are going to get him going on Mobius in standalone, it would be
soooo useful if you taped it. Why the video would probably go viral!

From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 09:41:26 2011
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Subject: Re: Ableton/Mobius consulting gig
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well one reason would be so that you could post process the loops with fx
plugins. or pre-process...depending on what you want to do. i host mobius
inside bidule for this very reason. another cool thing about ableton (i
gather) is that you can create midi clips and fire them off via midi. the
clip can contain controller data, or notes or program changes and be
quantized, so you can do some pretty cool stuff.

On Wed, Mar 23, 2011 at 2:51 AM, William Walker <billwalker@baymoon.com>wrote:

> Sim Sez; "i ask, because i could set up mobius for you, but i know nothing
> of this ableton of which you speak"
>
> My thoughts exactly,  I'm wondering what is the essential  reason for
> running one platform inside another?   Mobius running in Abelton as an
> example? or superlooper in Abelton.  Is it for managing effects plug ins or
> more extended script commands? My embarrasing computer brain disconnect
> issues oozing to the surface....
> Thanks
>  Bill
>

--000e0cd7098c0ed8e7049f232a56
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well one reason would be so that you could post process the loops with fx p=
lugins. or pre-process...depending on what you want to do. i host mobius in=
side bidule for this very reason. another cool thing about ableton (i gathe=
r) is that you can create midi clips and fire them off via midi. the clip c=
an contain controller data, or notes or program changes and be quantized, s=
o you can do some pretty cool stuff.<br>
<br><div class=3D"gmail_quote">On Wed, Mar 23, 2011 at 2:51 AM, William Wal=
ker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwal=
ker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
<div style=3D"word-wrap: break-word;"><span style=3D"font-family: &#39;Time=
s New Roman&#39;,serif; font-size: 16px;"><font color=3D"#925fff">Sim Sez; =
&quot;i ask, because i could set up mobius for you, but i know nothing of t=
his ableton of which you speak&quot;</font></span><div>
<span style=3D"font-family: &#39;Times New Roman&#39;,serif; font-size: 16p=
x;"><br></span></div><div><span style=3D"font-family: &#39;Times New Roman&=
#39;,serif; font-size: 16px;">My thoughts exactly, =A0I&#39;m wondering wha=
t is the essential =A0reason for running one platform inside another? =A0=
=A0</span><span style=3D"font-family: &#39;Times New Roman&#39;,serif; font=
-size: 16px;">Mobius=A0</span><span style=3D"font-family: &#39;Times New Ro=
man&#39;,serif; font-size: 16px;">running in=A0Abelton=A0as an example? or =
superlooper in Abelton. =A0Is it for managing effects plug ins or more exte=
nded script commands? My embarrasing computer brain disconnect issues oozin=
g to the surface....</span></div>
<div><span style=3D"font-family: &#39;Times New Roman&#39;,serif; font-size=
: 16px;">Thanks</span></div><div><span style=3D"font-family: &#39;Times New=
 Roman&#39;,serif; font-size: 16px;">=A0Bill</span></div></div></blockquote=
></div>
<br>

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Date: Wed, 23 Mar 2011 11:14:41 +0100
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Subject: Re: Ableton/Mobius consulting gig
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 23, 2011 at 8:54 AM,  <antonyhequet@yahoo.com> wrote:
> actually,
> can you run Mobius and Ableton in parallel?
> Antony Hequet


Yes, but you need to connect Live's output to Mobius input in some
way. I looked into this a couple of years ago - not with Live though
but with Mainstage (just another host app). The reason for me to run
them in parallel was that Mainstage only works on Mac and there was no
AU plugin version of Mobius for Mac. First I tried "virtual audio
cables" to connect the two applications; Soundflower and Jack. None of
them could keep the timing right, because the latency in those
utilities changes depending on what the computer is processing,
meaning there was no accurate latency figure to set up Mobius to
compensate for. I finally solved the parallel setup by simply patching
two cables into my audio interface. The point in doing so is that
DA/AD conversion related latency always has a fixed number (that can
effectively be compensated for). Output carries Live/Mainstage 1-2 and
goes to PA, output 3-4 is the Mobius loop output and this is patched
into input 3-4 (other inputs needed for instrument input) that is set
(in the audio interface) to merge into the audio interface output 1-2.
Now, cabling out audio and back into the system like that give some 40
ms latency and I carefully trimmed Mobius to comepensate for that, by
moving new audio a bit further in the loop. Such latency compensation
is totally transparent since the looper has all the loop duration's
time to get the job done. I used that rig for more than a year;
daisy-chained Mainstage + Mobius standalone.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 10:38:35 2011
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On 19:59, Andy Owens wrote:
> You know, if that thing had half the buttons, but twice as big, it might work.
>
> Andy o
>
True - but then I wouldn't have bought it!!!
Mine's been ignored for a couple of weeks while I concentrated on other
things; having said that, I'm only halfway through setting it up with
KMI's software, & about a tenth of the way to setting up some bidule
patches that might work, so....er.....no, I'm not actually u-s-i-n-g it
yet...:)
Dave

(Sorry Andy, meant to post this here, not to you just now)


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From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 10:41:08 2011
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Subject: Re: latency figures
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Check the thread at the Live forum where people run a specific test
session on their computers and post the results. That's the best
"laptop review" I know. In the PC world you really need to get under
the hood and compare the same figuration of components inside the
computers.

Some of the things you plan to do is latency compensated in Live, but
that only works if you are not syncing Live. And you didn't tell us if
that's your plan or not?

I don't find latency to be a problem when running software at a 128
sample buffer (same experience from XP Cemtrinos and Macs). But then I
come from a guitarist background and have learned to adapt musically
to latency on stages where you get to play at a new relative position
to your amplifier every night ;-)  My old habit of standing like three
meters away from the amp sort of equals the laptop feel.

When it comes to plug-in latency, I'm not sure that works if Live is
synced. I never use plugins myself that induce latency, I kind of
skip over that issue the easy way. For live playing that is, in the
studio I use very slow plugins for fidelity reasons.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Mar 23, 2011 at 7:59 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Ok, I may be in a position to purchase a new PC laptop soon and will have=
 to
> trawl thrugh the myriad tech spec jungle
> so... Who's got the lowest latency figures?
> Advice on quad core vs dual vs 8 core, amount of ram, 64 bit vs 32 bit et=
c.
> I'll be running Ableton Live=C2=A0 firing loops, processing guitar, inter=
preting
> midi commands, synching to another computer and, if there's spare capacit=
y,
> runing Arkaos VJ software.
> I want 1 computer to do all this - it can be done - I used to run vj
> software with AudioMulch back in the day with aroound 10ms and that was
> years ago on trusty windoze XP.
> I've now migrated to win7.
> so what performance are you gettin, (PC only though)
>
> Peace and ever lower latency
>
> Gareth@Sentientfx -=C2=A0 Innovative music plugins. http://sentientfx.com=
/
>
>
>

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On Wed, Mar 23, 2011 at 4:12 AM, Jeff Larson <jeff.larson@sailpoint.com> wrote:
>> Reading the previous thread on mobius latency, according to Per it's
>> not possible to achieve perfect sync i.e. it will always drift a bit.
> I'm not sure what this was referring to, but you can certainly tune
> latency compesnation for exact alignment of overdubs and once set it
> won't drift unless you are also changing your physical location
> relative to your monitor speakers.


I have mentioned on this list that a tiny amount of constant drift is
always notable. I discovered that when trimming the loop latency
compensation by ear. Probably due to the realignment of drifting going
on in the background. But we are talking almost microscopical time
frames here. As an example I'd say Mobius keeps a better timing than
MIDI Clock sync.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 12:40:10 2011
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> I'm wondering what is the essential  reason for running one platform inside anoth

If you do midi looping, Ableton's clips slots function brings a lot to the table. 

For audio only loopers, one of many advantages is that you can bus the 8 loops to independent tracks in the host software where , you then have access to all the power of the DAWs channel strip and routing and, in the case of Ableton, easy midi control for audio functions outside of mobius.

D

On Mar 22, 2011, at 7:51 PM, William Walker wrote:

> Sim Sez; "i ask, because i could set up mobius for you, but i know nothing of this ableton of which you speak"
> 
> My thoughts exactly,  I'm wondering what is the essential  reason for running one platform inside another?   Mobius running in Abelton as an example? or superlooper in Abelton.  Is it for managing effects plug ins or more extended script commands? My embarrasing computer brain disconnect issues oozing to the surface....
> Thanks
>  Bill


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><blockquote type=3D"cite"><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><span class=3D"Apple-style-span" style=3D"font-family: 'Times New =
Roman', serif; font-size: 16px; ">I'm wondering what is the essential =
&nbsp;reason for running one platform inside =
anoth</span></div></div></blockquote><div><br></div>If you do midi =
looping, Ableton's clips slots function brings a lot to the =
table.&nbsp;<div><br></div><div>For audio only loopers, one of many =
advantages is that you can bus the 8 loops to independent tracks in the =
host software where , you then have access to all the power of the DAWs =
channel strip and routing and, in the case of Ableton, easy midi control =
for audio functions outside of =
mobius.</div><div><br></div><div>D</div><div><br></div><div>On Mar 22, =
2011, at 7:51 PM, William Walker wrote:</div><div><div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: 'Times New Roman', serif; font-size: 16px; "><font =
class=3D"Apple-style-span" color=3D"#925FFF">Sim Sez; "i ask, because i =
could set up mobius for you, but i know nothing of this ableton of which =
you speak"</font></span><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'Times New Roman', serif; font-size: 16px; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: 'Times New Roman', serif; font-size: 16px; ">My =
thoughts exactly, &nbsp;I'm wondering what is the essential &nbsp;reason =
for running one platform inside another? &nbsp;&nbsp;</span><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; ">Mobius&nbsp;</span><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; ">running in&nbsp;Abelton&nbsp;as an example? or =
superlooper in Abelton. &nbsp;Is it for managing effects plug ins or =
more extended script commands? My embarrasing computer brain disconnect =
issues oozing to the surface....</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; ">Thanks</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: 'Times New Roman', =
serif; font-size: 16px; =
">&nbsp;Bill</span></div></div></blockquote></div><br></div></body></html>=

--Boundary_(ID_OUDVponIq5/IbD9szuuh0w)--

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Thanks for the clarification Per!

On 3/23/11, Per Boysen <perboysen@gmail.com> wrote:
> On Wed, Mar 23, 2011 at 4:12 AM, Jeff Larson <jeff.larson@sailpoint.com>
> wrote:
>>> Reading the previous thread on mobius latency, according to Per it's
>>> not possible to achieve perfect sync i.e. it will always drift a bit.
>> I'm not sure what this was referring to, but you can certainly tune
>> latency compesnation for exact alignment of overdubs and once set it
>> won't drift unless you are also changing your physical location
>> relative to your monitor speakers.
>
>
> I have mentioned on this list that a tiny amount of constant drift is
> always notable. I discovered that when trimming the loop latency
> compensation by ear. Probably due to the realignment of drifting going
> on in the background. But we are talking almost microscopical time
> frames here. As an example I'd say Mobius keeps a better timing than
> MIDI Clock sync.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

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Subject: RE: does anyone really use Softstep?
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--Apple-Mail-40-463438481
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hey Michael or any one who has been thwarted so far getting used to  
the softstep. Two  of the things that people where excited about was  
how compact and lite weigh it was, but that very issue of size, and  
liteness is now its undoing in people's eyes, along with the lack of   
a discernable tactile feel or audible sound of a switch being  
engaged,  another  feature anyone  who uses open mics on acoustic  
instruments  was  excited about . Anyone but me seeing the irony here?  
Do I think it can work?
  Yes I do, I think  the sensitivity of the pads can be set so that  
the slightest touch can trigger it and one would just need to get used  
to the lack of feel. I think the xy axis  thing is probably more than  
most of us need or can get our minds around using  I think there are  
work arounds for its lack of weight  and not quite high enough back  
tier but I would love to see someone who owns one try these to see if  
it helps. firstly, these need to be velcro anchored to a larger  
heavier surface so that things like carpets don't  destabilize it or  
cause tipping. secondly the pedal would need to be angled more so that  
the back tier gains more height. I've been using these on my pedal  
board as risers and it occured to me that a couple of  these might  
make a good angle adjuster for the SS as well as adding a bit of  
weight and stabiltiy and I was wondering if any one has addressed this  
issue themselves with any success. ?.http://prostagegear.com/products/pedalboards/booster/
Bill
--Apple-Mail-40-463438481
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">hey Michael or any one who has =
been thwarted so far getting used to the softstep. Two &nbsp;of the =
things that people where excited about was how compact and lite weigh it =
was, but that very issue of size, and liteness is now its undoing in =
people's eyes, along with the lack of &nbsp;a discernable tactile feel =
or audible sound of a switch being engaged, &nbsp;another &nbsp;feature =
anyone &nbsp;who uses open mics on acoustic instruments &nbsp;was =
&nbsp;excited about . Anyone but me seeing the irony here? Do I think it =
can work?<div>&nbsp;Yes I do, I think &nbsp;the sensitivity of the pads =
can be set so that the slightest touch can trigger it and one would just =
need to get used to the lack of feel. I think the xy axis &nbsp;thing is =
probably more than most of us need or can get our minds around using =
&nbsp;I think there are work arounds for its lack of weight &nbsp;and =
not quite high enough back tier but I would love to see someone who owns =
one try these to see if it helps. firstly, these need to be velcro =
anchored to a larger heavier surface so that things like carpets don't =
&nbsp;destabilize it or cause tipping. secondly the pedal would need to =
be angled more so that the back tier gains more height. I've been using =
these on my pedal board as risers and it occured to me that a couple of =
&nbsp;these might make a good angle adjuster for the SS as well as =
adding a bit of weight and stabiltiy and I was wondering if any one has =
addressed this issue themselves with any success. ?.<a =
href=3D"http://prostagegear.com/products/pedalboards/booster/">http://pros=
tagegear.com/products/pedalboards/booster/</a></div><div>Bill</div></body>=
</html>=

--Apple-Mail-40-463438481--

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Date: Wed, 23 Mar 2011 16:28:57 +0100
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Subject: Re: Ableton/Mobius consulting gig
From: Sjaak Overgaauw <tcplugin@gmail.com>
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I use Ableton on Mac and have used Mobius in combination with Bidule
and Mainstage in the past. Routing multiple Mobius tracks to
individual tracks in Ableton should be a piece of cake. I suppose this
works in exactly the same way as in Mainstage, which worked fine and
allows you to use pre-and post loop FX processing.

Other ideas to combine Mobius with hosts like Ableton, Bidule etc:
depending on the audio interface, you can often re-route audio
internally without the need for hardware cables (I use a Motu). For
example: use output 13/14 (phones) inside Ableton as your main outputs
and re-route it directly to Mobius if you prefer to use Mobius
standalone.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: Ableton/Mobius consulting gig
From: Daniel Thomas <danielthomas4@mac.com>
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> Other ideas to combine Mobius with hosts like Ableton, Bidule etc:
> depending on the audio interface, you can often re-route audio
> internally without the need for hardware cables 

Here here!  I shaved about 15 lbs off my looping rig when I moved the bulk of the routing and mixing chores into Ableton.

d


On Mar 23, 2011, at 8:28 AM, Sjaak Overgaauw wrote:

> I use Ableton on Mac and have used Mobius in combination with Bidule
> and Mainstage in the past. Routing multiple Mobius tracks to
> individual tracks in Ableton should be a piece of cake. I suppose this
> works in exactly the same way as in Mainstage, which worked fine and
> allows you to use pre-and post loop FX processing.
> 
> Other ideas to combine Mobius with hosts like Ableton, Bidule etc:
> depending on the audio interface, you can often re-route audio
> internally without the need for hardware cables (I use a Motu). For
> example: use output 13/14 (phones) inside Ableton as your main outputs
> and re-route it directly to Mobius if you prefer to use Mobius
> standalone.
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 16:00:30 2011
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Date: Wed, 23 Mar 2011 17:00:17 +0100
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Subject: Re: OT TC studioKoonekt 48
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antonyhequet@yahoo.com schrieb:
> speaking of latency, does anyone have experience with theTC 
> studioKoonekt 48? I hear the preamps are good and sound quality 
> excellent but there may be latency issues with drivers...
Personal experience here, which shares with the Konnekt48 the computer 
interface/driver structure and I believe the pres/converters.
There was a big issue with the drivers in the early versions, which made 
the interface practically unusable for live applications. This has 
changed since, so latencies in the 3ms range are realistic now.
I myself like the pres and converters, but then again, I'm not using it 
in a high-end-kindof application.

Would I recommend it? It depends, plus is the pres/converters, the 
built-in effects (which only applies if you need those, obviously) and 
an analogue main level adjustment. However, its driver performance is 
still not up to the level set by RME.

       Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 17:26:02 2011
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Date: Wed, 23 Mar 2011 18:25:45 +0100
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Subject: Re: Ableton/Mobius consulting gig
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On Wed, Mar 23, 2011 at 4:57 PM, Daniel Thomas <danielthomas4@mac.com> wrot=
e:
> Here here! =A0I shaved about 15 lbs off my looping rig when I moved the b=
ulk of the routing and mixing chores into Ableton.

Yep! And noise, hum, input gain issues etc  etc ;-) I like the way
Ableton implemented this in Live because you really have the feeling
you're working with an analog mixer and patch panels. You can also
insert a hardware FX unit in an audio track using the "External Audio
Effect" which makes the I/O routing very logical and simple.

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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From: Antony Hequet <antonyhequet@yahoo.com>
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Subject: Re: OT TC studioKoonekt 48
Date: Wed, 23 Mar 2011 19:39:39 +0100
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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How is the driver performance l'essai tha RME? Does it have a goodcrouting M=
atrix?
Antony

Sent from my iPhone

On 2011-03-23, at 17:00, Rainer Straschill <moinsound@googlemail.com> wrote:=


> antonyhequet@yahoo.com schrieb:
>> speaking of latency, does anyone have experience with theTC studioKoonekt=
 48? I hear the preamps are good and sound quality excellent but there may b=
e latency issues with drivers...
> Personal experience here, which shares with the Konnekt48 the computer int=
erface/driver structure and I believe the pres/converters.
> There was a big issue with the drivers in the early versions, which made t=
he interface practically unusable for live applications. This has changed si=
nce, so latencies in the 3ms range are realistic now.
> I myself like the pres and converters, but then again, I'm not using it in=
 a high-end-kindof application.
>=20
> Would I recommend it? It depends, plus is the pres/converters, the built-i=
n effects (which only applies if you need those, obviously) and an analogue m=
ain level adjustment. However, its driver performance is still not up to the=
 level set by RME.
>=20
>      Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Mar 23 19:51:16 2011
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Date: Wed, 23 Mar 2011 15:51:00 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
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Hi Rapha=EBl,

=46antastic work..! I have ordered an iPod touch=20
4th gen and an Apogee "Jam" a/d converter.. your=20
app will be my fist purchase... looking forward=20
to it.

-Chuck Zwicky

>Hi Everyone !
>
>I'm Rapha=EBl, indy iPhone developer, amateur guitarist and looper
>lover. I usually and still use an Electrix Repeater and a RC20XL,
>which wonderfully do their job, but when I first get my hands on an
>iPhone, some ideas began to pop up and they eventually came together
>as an app called Everyday Looper.
>
>First, when using the Repeater, I always got the frustration of not
>being able to visualize my recordings, as a waveform provides great
>information about the audio signal that it represents : rhythm, tempo,
>envelop of notes, silences, ... . Even more great is that it does it
>in 2D, meaning that wherever the play cursor is, I can view these
>infos for the entire length of my loop, so I have a representation of
>the future before hearing it. Translated into facts, Everyday Looper
>displays its four tracks (yes, like the Repeater ^^) waveform in full
>screen. No buttons or anything to clutter the space.
>
>Then I wanted a "joyfull" way to interact with the looper. Real knobs,
>buttons and foot switches are totally cool, but, let's face it, an
>iPhone doesn't have any ... Virtual buttons are off, because of the
>first feature up here and because I don't like them, simply. So I go
>for multi-touch gestures instead. For exemple you can tap with two
>fingers to play/pause, swipe simultaneously over multiple tracks to
>change volume, tap and hold a track and drag it to its destination to
>merge ... That gives a great feeling of interacting directly with
>audio.
>
>And last, I wanted it to assist us in every way possible. So you will
>find features as auto-normalisation, a limiter on both merge path and
>final mix path, and quantized to loop recording.
>
>As I see it, there is two major family of looper users (and of course
>all the shades in-between). The ambient ones, which extensively use
>feedback, overdubbing and can be quite happy with a single loop track.
>The structural ones, for which multiple track, and quantization are
>vital. As you probably guess it, I'm more in the second category, so
>is the looper too. At least for now ^^.
>
>Here is my website if you want more precise information, screenshots,
>videos, ... : http://www.mancingdolecules.com . And here is the direct
>link for download : http://www.itunes.com/app/EverydayLooper .
>
>The app is on sale now (2$/1.6=A4/1.2=A3) to celebrate the 1.1 update
>which adds track merging. The usual price will be (5$/4=A4/3=A3). But I
>would like to offer you a few promo codes, to download it for free, if
>you have an iTunes US Store account. I can give away 5. Simply write
>me directly through this mail (raphael@mancingdolecules.com) and I
>will happily send you one if their is some left.
>
>Don't hesitate to tell me what you think about it, or ask me questions
>if things are unclear. On this mailing list will be fine as I read it
>regularly :).
>
>Cheers !
>
>Rapha=EBl


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 00:45:46 2011
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Subject: Download 2 songs for free
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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Hi all,
You can now download 2 songs for free from the album "59 Airplanes
waiting for New York", see http://premonitionfactory.com/ for more
info. As with all Premonition Factory songs, these were extracted from
studio live improv recordings without additional editing besides
mastering. Btw: all albums are still shippped for free, no matter were
you live :) Enjoy!
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 03:39:41 2011
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Subject: Re: Foot controller for a dream looper
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On Mar 21, 2011, at 7:49 AM, andy butler wrote:

> Mark Hamburg wrote:
>=20
>> P.S. While looking at my M13, the slightly simpler thing I would want =
and that I wish Line 6 would build:
>> * Make the loopers stereo
>> * Give me four of them in the box, switch selectable via the top row =
of buttons
>> * Give me a multiply button to replicate a loop
>> * Provide appropriate cycle syncing between the loopers (but make it =
optional for those times when you don't want things synced)
>> * Make Undo a per loop thing so that for any loop I can essentially =
have two versions though only based on including or not including the =
last overdub.
>=20
> So the Line 6 team gets a much simplified challenge compared to the =
Looperlative team.

I figure Line 6 obviously doesn't care as much as the Looperlative team =
given their past history.

On the other hand, Line 6 has got a device that's really close to being =
a lot deeper and I'm sure they've got the DSP power inside the box to do =
it if they ejected the other effects in a dedicated looper.

> Undo does not really give you 2 versions, it gives you an overdub
> which can be switched on/off.

Yes, but it's still useful without going to multiple loops. The =
Looperlative already had the eight loops so it isn't an architectural =
change in the playback component to treat them in pairs.

> Hence that can be achieved by recording to a different track,
> and simply switching that track on/off.

That doesn't give you feedback control. You can leave Overdub on and =
layer things at low feedback until the original is mostly gone. Then =
click undo and it comes back. (I keep trying to figure out how the UI =
should work for a looper in which you could fade back on undo rather =
than just jumping back.)

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 04:57:17 2011
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--Apple-Mail-257-512884527
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On Mar 21, 2011, at 10:54 AM, Daniel Thomas wrote:

> No matter what your platform, (i prefer them all :)  the price of =
admission to create unique and idiosyncratic art with a looper is often =
high.  Thats not to say that you can't make great looping art with a =
delay pedal, but if you want to innovate performance workflows that =
facilitate your own compositional style, you may have to buck up the =
midnight oil in a very big way.  I certainly have had to pay a lot of =
dues to the "WTF-is-going-on-now-Gods" in order to break through on any =
looping platform...HW or SW.

On the one hand, we have hardware loopers like the EDP and the Boomerang =
III that get a lot of mileage out of their controllers. (It's pretty =
impressive what the Boomerang III promises to do with five buttons, but =
I haven't actually played one to see how well it delivers.)

On the other hand, we've got the Looperlative which offers a lot more =
depth and looping capability than the EDP and Boomerang, but expects =
more UI tuning to build your own experience and because it works with a =
range of devices of varying sophistication doesn't seem to be able to =
hit the control polish levels that the EDP and the Boomerang III have =
even with relatively expensive foot controllers. It's a pity because the =
fundamental device does offer a lot more.

Let's look at one of my more complicated button definitions: the =
rec/dub/undo button.

First, the notion of using a long press for undo came from somewhere =
else that I don't remember right off. (LP2?) It works because toggling =
overdub is rarely a timing critical operation and hence using the "end =
short press" event to toggle overdub while using "end long press" to =
trigger undo works pretty cleanly.

Second, a lot of the distinction about what to do if stopped v playing v =
recording v overdubbing in the short press case is what the Looperlative =
record/dub command already does and what the corresponding switch on a =
Line 6 looper does.

Third, using a long press when triggering record to signal that it =
shouldn't be synced doesn't have any precedent but it seemed a =
reasonable way to provide access to both synced and unsynced recording =
without needing another record/dub switch.

So, my wish list may have looked complicated, but I don't think anything =
on it was that wild.

I watch people at shows looking for places to balance their laptops when =
setting up and it doesn't feel right to me. Maybe for the non-mobile =
rig, however.

I spend a fair amount of my time at work worrying about user interface =
issues and control sets. I used to write simple audio code (long, long =
ago on a Z80). But I know that I'm not going to build my own hardware =
because that's not where my skills lie. What's more, with various things =
seeming so close, I keep hoping that I can find the combination that =
would let me access a reasonable chunk of the looping prowess of the =
Looperlative with as polished a control interface as the "less =
sophisticated" loopers because doing software development for a living, =
I really would rather be making music than writing more software.

(Okay. I've said I don't want to do software development, but give me a =
Forth interpreter in the LP-1 and a MIDI controller that can send press =
begin, short press end, and long press end messages and the ability to =
recognize those messages on the LP-1 and I could probably hit a lot of =
what I'm looking for.)

Mark


--Apple-Mail-257-512884527
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Mar 21, 2011, at 10:54 AM, Daniel Thomas wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div>No =
matter what your platform, (i prefer them all :) &nbsp;the price of =
admission to create unique and idiosyncratic art with a looper is often =
high. &nbsp;Thats not to say that you can't make great looping art with =
a delay pedal, but if you want to innovate<span =
class=3D"Apple-converted-space">&nbsp;</span><i>performance workflows =
that facilitate your own compositional style</i>, you may have to buck =
up the midnight oil in a very big way. &nbsp;I certainly have had to pay =
a lot of dues to the "WTF-is-going-on-now-Gods" in order to break =
through on any looping platform...HW or =
SW.</div></span></blockquote><br></div><div>On the one hand, we have =
hardware loopers like the EDP and the Boomerang III that get a lot of =
mileage out of their controllers. (It's pretty impressive what the =
Boomerang III promises to do with five buttons, but I haven't actually =
played one to see how well it delivers.)</div><div><br></div><div>On the =
other hand, we've got the Looperlative which offers a lot more depth and =
looping capability than the EDP and Boomerang, but expects more UI =
tuning to build your own experience and because it works with a range of =
devices of varying sophistication doesn't seem to be able to hit the =
control polish levels that the EDP and the Boomerang III have even with =
relatively expensive foot controllers. It's a pity because the =
fundamental device does offer a lot more.</div><div><br></div><div>Let's =
look at one of my more complicated button definitions: the rec/dub/undo =
button.</div><div><br></div><div>First, the notion of using a long press =
for undo came from somewhere else that I don't remember right off. =
(LP2?) It works because toggling overdub is rarely a timing critical =
operation and hence using the "end short press" event to toggle overdub =
while using "end long press" to trigger undo works pretty =
cleanly.</div><div><br></div><div>Second, a lot of the distinction about =
what to do if stopped v playing v recording v overdubbing in the short =
press case is what the Looperlative record/dub command already does and =
what the corresponding switch on a Line 6 looper =
does.</div><div><br></div><div>Third, using a long press when triggering =
record to signal that it shouldn't be synced doesn't have any precedent =
but it seemed a reasonable way to provide access to both synced and =
unsynced recording without needing another record/dub =
switch.</div><div><br></div><div>So, my wish list may have looked =
complicated, but I don't think anything on it was that =
wild.</div><div><br></div><div>I watch people at shows looking for =
places to balance their laptops when setting up and it doesn't feel =
right to me. Maybe for the non-mobile rig, =
however.</div><div><br></div><div>I spend a fair amount of my time at =
work worrying about user interface issues and control sets. I used to =
write simple audio code (long, long ago on a Z80). But I know that I'm =
not going to build my own hardware because that's not where my skills =
lie. What's more, with various things seeming so close, I keep hoping =
that I can find the combination that would let me access a reasonable =
chunk of the looping prowess of the Looperlative with as polished a =
control interface as the "less sophisticated" loopers because doing =
software development for a living, I really would rather be making music =
than writing more software.</div><div><br></div><div>(Okay. I've said I =
don't want to do software development, but give me a Forth interpreter =
in the LP-1 and a MIDI controller that can send press begin, short press =
end, and long press end messages and the ability to recognize those =
messages on the LP-1 and I could probably hit a lot of what I'm looking =
for.)</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-257-512884527--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 05:10:01 2011
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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> That doesn't give you feedback control. You can leave Overdub on and layer things at low feedback until the original is mostly gone. Then click undo and it comes back. (I keep trying to figure out how the UI should work for a looper in which you could fade back on undo rather than just jumping back.)
>
> Mark
The LP-2 Mini Looper has 30 levels of undo couple with feedback.

I'm not completely sure, but I think that for every 15% of feedback 
reduction
it automatically sets up an undo point.

I've been beta testing it and you can do some very cool pieces of music 
with
long builds that can then be deconstructed rapidly to arrive back at 
your original
project.

Additionally,  if you make a loop and then call up a second loop (there 
are up to 8 loops
allowed) you can with a bit of fancy footwork go back and forth between 
sequential
loops like in the EDP.

Of course,  it is not set up to do this specifically so it's definitely 
more cumbersome
a way to play........but I've been able to do it with impunity.

You can read about the other goodies in this pretty inexpensive floor 
looper (exact
size of DL-4)  in several posts I've already made here so I won't bore 
anyone by
recounting the other things it does.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 05:15:16 2011
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On 7/22/64 11:59 AM, William Walker wrote:
> hey Michael or any one who has been thwarted so far getting used to 
> the softstep. Two  of the things that people where excited about was 
> how compact and lite weigh it was, but that very issue of size, and 
> liteness is now its undoing in people's eyes, along with the lack of 
>  a discernable tactile feel or audible sound of a switch being 
> engaged,  another  feature anyone  who uses open mics on acoustic 
> instruments  was  excited about . Anyone but me seeing the irony here? 
LOL,  I was wondering if anyone was going to see that irony.   Nice,  Bill.

My question is whether the Softstep considerable firepower can be turned 
off.

In other words, can one make the pedal just do a couple of things 
instead of 5 things?

By lowering the sensitivity and turning funcionality off, I'll bet you 
could have a pretty cool
little unit here.

I'm also guessing also that wearing socks or barefeet might be very 
efficacious in using it, instead
of shoes which can definitely false trigger small buttons closely 
placed.  I don't know because
I've only seen it demoed at NAMM (which was a very impressive demo, by 
the way).
Keith is a fascinating guy as well.  I had a brief talk with him at the 
show and was impressed by
him as a person.

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 14:39:27 2011
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On Mar 23, 2011, at 10:09 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Mark Hamburg wrote:
>> That doesn't give you feedback control. You can leave Overdub on and =
layer things at low feedback until the original is mostly gone. Then =
click undo and it comes back. (I keep trying to figure out how the UI =
should work for a looper in which you could fade back on undo rather =
than just jumping back.)
>>=20
>> Mark
> The LP-2 Mini Looper has 30 levels of undo couple with feedback.
>=20
> I'm not completely sure, but I think that for every 15% of feedback =
reduction
> it automatically sets up an undo point.
>=20
> I've been beta testing it and you can do some very cool pieces of =
music with
> long builds that can then be deconstructed rapidly to arrive back at =
your original
> project.
>=20
> Additionally,  if you make a loop and then call up a second loop =
(there are up to 8 loops
> allowed) you can with a bit of fancy footwork go back and forth =
between sequential
> loops like in the EDP.
>=20
> Of course,  it is not set up to do this specifically so it's =
definitely more cumbersome
> a way to play........but I've been able to do it with impunity.
>=20
> You can read about the other goodies in this pretty inexpensive floor =
looper (exact
> size of DL-4)  in several posts I've already made here so I won't bore =
anyone by
> recounting the other things it does.

That's definitely along the lines that I want. In fact, it's overkill. =
;-)

If I could live with mono -- where the bigger problem is that it affects =
the in & out and not just the loop -- maybe the answer becomes a couple =
of LP2's as a multitrack looper. Or hope for some sort of similar stack =
unwinding to hit the LP1 some time.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 15:02:21 2011
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Date: Thu, 24 Mar 2011 08:02:18 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: OT: Microphone for Zoom R24 Digital Recorder
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--0-1540223743-1300978938=:46336
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks for the response(s).
=A0
This Sony looks interesting and is inexpensive-I may just pop for it. I'm s=
orry I wasn't more clear in my original post regarding my requirements. I a=
m just looking for a microphone to capture live audio in a small space (i.e=
. living room) of my looping efforts with electric guitar, Handsonic HPD10 =
and some synth. I'd prefer running everything into my board/digital recorde=
r=A0but my secondary amp doesn't have a line out so it needs miked anyway (=
I'm still researching a solution to miking that amp).
=A0
Also, I'd like to just record some of my impromptu playing without a lot of=
 preparation to record as normal (albeit the recording technique may not be=
 optimal with external mikes). I have done this with the Zoom H4N with good=
 results by placing the recorder between the two Peavy passive monitors (th=
ey're just sitting on the floor) used as output from my mixer with my guita=
r amp on one side. I'm hoping I can do the same with the Zoom R24.
=A0
Regards, Butch

--- On Tue, 3/22/11, Rick Walker <looppool@cruzio.com> wrote:


From: Rick Walker <looppool@cruzio.com>
Subject: Re: OT: Microphone for Zoom R24 Digital Recorder
To: "Butch Band" <butchband@gmail.com>
Cc: Loopers-Delight@loopers-delight.com
Date: Tuesday, March 22, 2011, 6:44 PM


On 7/22/64 11:59 AM, Butch Band wrote:
> Any recommendations as to a reasonably-priced microphone (or microphones)=
 to use for a home recording application involving the recording of a one-m=
an band? THX!
Sony makes a really delightful small and inexpensive stereo microphone that=
, saliently, records
fairly flat across the timbral spectrum from 20 hz to 20,000 hz,=A0 called =
the Sony ECM S907.

B+H has it here for a very reasonable $64 USD

http://www.bhphotovideo.com/c/product/150434-REG/Sony_ECMMS907_ECM_MS907_St=
ereo_Mic.html

If you use some of the freeware Convolution reverbs that are available thes=
e days and find yourself
some Impulse files of very, very expensive condenser microphones this makes=
 this little
puppy a particularly effective and versatile little tool.

It is so small that I just velcro it to the top of my current Canon video c=
amera.
It fits in one's pocket.

I think it's the best microphone deal in the universe considering how inexp=
ensive it is.

rick walker

=0A=0A=0A      
--0-1540223743-1300978938=:46336
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Thanks for the response(s).</DIV>
<DIV>&nbsp;</DIV>
<DIV>This Sony looks interesting and is inexpensive-I may just pop for it. =
I'm sorry I wasn't more clear in my original post regarding my requirements=
. I am just looking for a microphone to capture live audio in a small space=
 (i.e. living room) of my looping efforts with electric guitar, Handsonic H=
PD10 and some synth. I'd prefer running everything into my board/digital re=
corder&nbsp;but my secondary amp doesn't have a line out so it needs miked =
anyway (I'm still researching a solution to miking that amp).</DIV>
<DIV>&nbsp;</DIV>
<DIV>Also, I'd like to just record some of my impromptu playing without a l=
ot of preparation to record as normal (albeit the recording technique may n=
ot be optimal with external mikes). I have done this with the Zoom H4N with=
 good results by placing the recorder between the two Peavy passive monitor=
s (they're just sitting on the floor) used as output from my mixer with my =
guitar amp on one side. I'm hoping I can do the same with the Zoom R24.</DI=
V>
<DIV>&nbsp;</DIV>
<DIV>Regards, Butch<BR><BR>--- On <B>Tue, 3/22/11, Rick Walker <I>&lt;loopp=
ool@cruzio.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Rick Walker &lt;looppool@cruzio.com&gt;<BR>=
Subject: Re: OT: Microphone for Zoom R24 Digital Recorder<BR>To: "Butch Ban=
d" &lt;butchband@gmail.com&gt;<BR>Cc: Loopers-Delight@loopers-delight.com<B=
R>Date: Tuesday, March 22, 2011, 6:44 PM<BR><BR>
<DIV class=3DplainMail>On 7/22/64 11:59 AM, Butch Band wrote:<BR>&gt; Any r=
ecommendations as to a reasonably-priced microphone (or microphones) to use=
 for a home recording application involving the recording of a one-man band=
? THX!<BR>Sony makes a really delightful small and inexpensive stereo micro=
phone that, saliently, records<BR>fairly flat across the timbral spectrum f=
rom 20 hz to 20,000 hz,&nbsp; called the Sony ECM S907.<BR><BR>B+H has it h=
ere for a very reasonable $64 USD<BR><BR><A href=3D"http://www.bhphotovideo=
.com/c/product/150434-REG/Sony_ECMMS907_ECM_MS907_Stereo_Mic.html" target=
=3D_blank>http://www.bhphotovideo.com/c/product/150434-REG/Sony_ECMMS907_EC=
M_MS907_Stereo_Mic.html</A><BR><BR>If you use some of the freeware Convolut=
ion reverbs that are available these days and find yourself<BR>some Impulse=
 files of very, very expensive condenser microphones this makes this little=
<BR>puppy a particularly effective and versatile little tool.<BR><BR>It is
 so small that I just velcro it to the top of my current Canon video camera=
.<BR>It fits in one's pocket.<BR><BR>I think it's the best microphone deal =
in the universe considering how inexpensive it is.<BR><BR>rick walker<BR><B=
R></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A=0A=0A=0A=0A      
--0-1540223743-1300978938=:46336--

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Subject: RE: Ableton/Mobius consulting gig
Date: Thu, 24 Mar 2011 09:00:46 -0700
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So, if all you wanted was a simple, rock solid looper, then you
would/could just run mobius standalone, with no processing or mangling,
just straight record audio post analog effects?

=20

Ao

=20

From: Simeon Harris [mailto:simeonharris40@googlemail.com]=20
Sent: Wednesday, March 23, 2011 5:41 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ableton/Mobius consulting gig

=20

well one reason would be so that you could post process the loops with
fx plugins. or pre-process...depending on what you want to do. i host
mobius inside bidule for this very reason. another cool thing about
ableton (i gather) is that you can create midi clips and fire them off
via midi. the clip can contain controller data, or notes or program
changes and be quantized, so you can do some pretty cool stuff.

On Wed, Mar 23, 2011 at 2:51 AM, William Walker <billwalker@baymoon.com>
wrote:

Sim Sez; "i ask, because i could set up mobius for you, but i know
nothing of this ableton of which you speak"

=20

My thoughts exactly,  I'm wondering what is the essential  reason for
running one platform inside another?   Mobius running in Abelton as an
example? or superlooper in Abelton.  Is it for managing effects plug ins
or more extended script commands? My embarrasing computer brain
disconnect issues oozing to the surface....

Thanks

 Bill

=20


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</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>So, if all you wanted was a simple, rock solid looper, then you =
would/could just run mobius standalone, with no processing or mangling, =
just straight record audio post analog effects?<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Ao<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><div =
style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in'><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
Simeon Harris [mailto:simeonharris40@googlemail.com] <br><b>Sent:</b> =
Wednesday, March 23, 2011 5:41 AM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: =
Ableton/Mobius consulting gig<o:p></o:p></span></p></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'>well one reason would be so that you =
could post process the loops with fx plugins. or pre-process...depending =
on what you want to do. i host mobius inside bidule for this very =
reason. another cool thing about ableton (i gather) is that you can =
create midi clips and fire them off via midi. the clip can contain =
controller data, or notes or program changes and be quantized, so you =
can do some pretty cool stuff.<o:p></o:p></p><div><p =
class=3DMsoNormal>On Wed, Mar 23, 2011 at 2:51 AM, William Walker &lt;<a =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt; =
wrote:<o:p></o:p></p><div><p class=3DMsoNormal><span =
style=3D'color:#925FFF'>Sim Sez; &quot;i ask, because i could set up =
mobius for you, but i know nothing of this ableton of which you =
speak&quot;</span><o:p></o:p></p><div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div><div><p =
class=3DMsoNormal>My thoughts exactly, &nbsp;I'm wondering what is the =
essential &nbsp;reason for running one platform inside another? =
&nbsp;&nbsp;Mobius&nbsp;running in&nbsp;Abelton&nbsp;as an example? or =
superlooper in Abelton. &nbsp;Is it for managing effects plug ins or =
more extended script commands? My embarrasing computer brain disconnect =
issues oozing to the surface....<o:p></o:p></p></div><div><p =
class=3DMsoNormal>Thanks<o:p></o:p></p></div><div><p =
class=3DMsoNormal>&nbsp;Bill<o:p></o:p></p></div></div></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div></body></html>
------_=_NextPart_001_01CBEA3C.A2D82505--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 16:10:56 2011
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Subject: Re: Ableton/Mobius consulting gig
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--000e0cd7098ccac05c049f3cb82b
Content-Type: text/plain; charset=ISO-8859-1

well, i wouldn't describe Mobius as "simple", but it can be run that way.
the rabbit hole goes as deep as you want it to. with a 10 button
footcontroller, you could have pretty much everything you'd need for a basic
8 track looper, with rec/dub (using a simple script, so you only need one
button), reverse, half speed, mute, reset, next, previous, undo, copy timing
and multiply. and you could simplify the UI to just show what you'd need as
well. the trick is working out what sort of behaviour you want the tracks to
do (synced/unsynced/quantised/unquantised). i run mine with four synced
tracks and four unsynced tracks. but you could save a few different setups
and recall them as needed.

sim

On Thu, Mar 24, 2011 at 4:00 PM, Andy Owens <andy@1800dialword.com> wrote:

> So, if all you wanted was a simple, rock solid looper, then you would/could
> just run mobius standalone, with no processing or mangling, just straight
> record audio post analog effects?
>
>
>
> Ao
>
>

--000e0cd7098ccac05c049f3cb82b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well, i wouldn&#39;t describe Mobius as &quot;simple&quot;, but it can be r=
un that way. the rabbit hole goes as deep as you want it to. with a 10 butt=
on footcontroller, you could have pretty much everything you&#39;d need for=
 a basic 8 track looper, with rec/dub (using a simple script, so you only n=
eed one button), reverse, half speed, mute, reset, next, previous, undo, co=
py timing and multiply. and you could simplify the UI to just show what you=
&#39;d need as well. the trick is working out what sort of behaviour you wa=
nt the tracks to do (synced/unsynced/quantised/unquantised). i run mine wit=
h four synced tracks and four unsynced tracks. but you could save a few dif=
ferent setups and recall them as needed.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, Mar 24, 2011 at 4:00 PM, =
Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com">a=
ndy@1800dialword.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">
<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US"><div><p class=3D"MsoNorm=
al"><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">So, if all yo=
u wanted was a simple, rock solid looper, then you would/could just run mob=
ius standalone, with no processing or mangling, just straight record audio =
post analog effects?</span></p>
<p class=3D"MsoNormal"><span style=3D"font-size: 11pt; color: rgb(31, 73, 1=
25);">=A0</span></p><p class=3D"MsoNormal"><span style=3D"font-size: 11pt; =
color: rgb(31, 73, 125);">Ao</span></p><br></div></div></blockquote></div>

--000e0cd7098ccac05c049f3cb82b--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 17:38:30 2011
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Subject: RE: RE: does anyone really use Softstep?
Date: Thu, 24 Mar 2011 18:38:24 +0100
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> In other words, can one make the pedal just do a couple of things instead
of 5 things?

yes


> I'm also guessing also that wearing socks or barefeet might be very
efficacious in using it

my impression is that the keys need too much pressure - I can't really use
Softstep when I wear no shoes. But I haven't done serious researching yet.


-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 17:48:36 2011
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Date: Thu, 24 Mar 2011 18:48:41 +0100
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Gareth Whittock schrieb:
> Ok, I may be in a position to purchase a new PC laptop soon and will 
> have to trawl thrugh the myriad tech spec jungle
> so... Who's got the lowest latency figures?
> Advice on quad core vs dual vs 8 core, amount of ram, 64 bit vs 32 bit 
> etc.
The latency you get doesn't have that much to do with the CPU.
Main factors tend to be (in no specific order):
    * the computer's chipset
    * (integrated) computer peripherals (some card readers tend to have 
a very negative effect)
    * audio interface drivers
    * audio interface hardware
    * software application
    * your distance to the speakers

The influence of the processor comes after that - a more powerful 
processor can help you lowering latency if the other factors are ok 
(very simplified statement).
There is a performance figure which is a good indicator as how good a 
given computer is for low-latency applications, and it's called DPC 
latency. For a test tool, see http://www.thesycon.de/deu/latency_check.shtml

Some (online) computer magazines have finally started to post DPC 
latency figures a while ago.

Although not a looping application, I got <0.7ms (one way at 48kHz) with 
the following setup:
    * Dell Studio 1747 (w/ Nehalem QuadCore)
    * Win7 Professional, Cubase 5.5
    * RME digiface/HDSP Express
    * recording 17 audio tracks and running The Grand 2

(details on the session: 
http://moinsound.wordpress.com/2010/05/09/a-tatowierte-katz-another-twitterchords-tune/)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: Ableton/Mobius consulting gig
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On Thu, Mar 24, 2011 at 5:00 PM, Andy Owens <andy@1800dialword.com> wrote:
> So, if all you wanted was a simple, rock solid looper, then you would/could
> just run mobius standalone, with no processing or mangling, just straight
> record audio post analog effects?

Sure, you can do that with Mobius. But beware that "simple" is a
status highly dependent on many factors. May I remind about the old
saying "a computer's worst enemy is the User" ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> If I could live with mono -- where the bigger problem is that it affects the in&  out and not just the loop -- maybe the answer becomes a couple of LP2's as a multitrack looper.
Well, it should be said that two LP-2 mini loopers midi-ed together 
would weigh in at $600 and I defy anyone to
put up a hardware looper that would do what two of these guys would do 
at the price point.......I'm just sayin'
(and remember, when we talk about things like the wonderful freeware 
program, Mobius that we're also talking
the necessity of an audio interface card,  midi footpedals and a 
relatively happening laptop computer
which is gonna run around $1,000 to $1,200 for your price point comparison.)

But we have to get it out first..........lol...............we are very, 
very close now.   cross your fingers.

Mark also wrote:

Or hope for some sort of similar stack unwinding to hit the LP1 some time.


Don't think that's in the cards or at least anytime soon.    Andy,  your 
take on this?

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 18:20:12 2011
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Subject: Re: Re: OT: Microphone for Zoom R24 Digital Recorder
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On 7/22/64 11:59 AM, Paul Richards wrote:
> This Sony looks interesting and is inexpensive-I may just pop for it. 
> I'm sorry I wasn't more clear in my original post regarding my 
> requirements. I am just looking for a microphone to capture live audio 
> in a small space (i.e. living room) of my looping efforts with 
> electric guitar, Handsonic HPD10 and some synth. I'd prefer running 
> everything into my board/digital recorder but my secondary amp doesn't 
> have a line out so it needs miked anyway (I'm still researching a 
> solution to miking that amp).
It's perfect for that.   just inexpensive, relatively high quality and 
perfect.

I love my Olympus D-10 for exactly that thing.

another option is the Blue Icycle which is a very inexpensive phantom 
powered USB pre-amp
(you can find them for as cheap as $40 on line or could when I bought mine)
and just use a laptop with a good stereo or mono microphone.

I'm recording the bulk of an acoustic singer/songwriter record with this 
simple method
currently,  straight into Audacity which is a simple and free audio 
editor available for
Windows and OSX.

You just plug in the Icycle connected to a microphone,  hit record
and, voila,  start recording......................use some headphones and
your next track will record as you immediately monitor your first track.

It's not the best audio editor in the world but it's easy for just 
putting things down quickly
which is what I'm trying to do, lately.

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 19:56:44 2011
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Subject: LAST CALL:  B-CIMF 2011 Call to Musicians
Date: Thu, 24 Mar 2011 13:56:32 -0600
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This is a final reminder for the 6th Annual Boise Creative and =
Improvised Music Festival (B-CIMF), which will take place May 6-7, 2011.

If you have already submitted your information, please disregard this =
reminder.

A roster of performers will be finalized by the first week of April.

Thanks,
Kris




----- Original Message -----=20



This is a call to performers for the upcoming 6th Annual Boise Creative =
and=20
Improvised Music Festival (B-CIMF), which will take place May 6-7, 2011.

If you are interested in performing at this event, please send the =
following=20
information to bcimf2011@gmail.com  no later than April 1, 2011.

=95 Artist(s) or group name
=95 Number of performers
=95 Brief description of group
=95 Website (if available)
=95 Contact email and phone #
=95 Web link to an audio or video representation of your work

www.b-cimf.com

Krispen Hartung
Festival Director

Jeff Kaiser
Community Development

bcimf2011@gmail.com

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<DIV><FONT face=3DArial size=3D2>This is a final reminder for&nbsp;the =
6th Annual=20
Boise Creative and Improvised Music Festival (B-CIMF), which will take =
place May=20
6-7, 2011.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DArial>If you have already submitted =
your=20
information, please disregard this reminder.</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>A roster of performers will be =
finalized by the=20
first week of April.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DArial>Thanks,</FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3DArial>Kris</FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT =
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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt arial">----- Original Message ----- <BR></DIV>
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src=3D"cid:F59917C11AA1480484852787228A7647@americas.hpqcorp.net"></FONT>=
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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is a call to performers for the =
upcoming 6th=20
Annual Boise Creative and <BR>Improvised Music Festival (B-CIMF), which =
will=20
take place May 6-7, 2011.<BR><BR>If you are interested in performing at =
this=20
event, please send the following <BR>information to </FONT><A=20
href=3D"mailto:bcimf2011@gmail.com"><FONT face=3DArial=20
size=3D2>bcimf2011@gmail.com</FONT></A><FONT face=3DArial =
size=3D2>&nbsp; no later=20
than April 1, 2011.<BR><BR>=95 Artist(s) or group name<BR>=95 Number of=20
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Contact email and phone #<BR>=95 Web link to an audio or video =
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your work<BR><BR></FONT><A href=3D"http://www.b-cimf.com"><FONT =
face=3DArial=20
size=3D2>www.b-cimf.com</FONT></A><BR><BR><FONT face=3DArial =
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Subject: Re: Mobius latency compensation
From: Louie Angulo <louie.angulo@googlemail.com>
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Jeff i have a question,
in playing around with both Abletons looper and Mobius as a plugin
there is a BPM difference when i try to use Mobius as a master with
Ableton which is unfortunately unusable if trying to sync grooves to
it.
Mobius seems to be much better as a slave though,but Abletons looper
is very acurate as a master.Is this something that will work in future
versions just as well when being used as a plugin perhaps?
cheers
Luis






On Wed, Mar 23, 2011 at 4:12 AM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
>
>> I've been trying to set up the above so overdubs go where they should
>> and stay there on subsequent passes. =A0A couple of attempts have ended
>> in frustration, i figured not helped by the fact that I'm using the
>> built-in soundcard on an old desktop machine.
> If you haven't already done so, read this section of the installation gui=
de:
> =A0=A0 http://www.circularlabs.com/doc/installation.htm#Tuning Latency
>
> Assuming you are using Windows, if you are using the built-in sound card
> you will be using an "MME" driver which has very high latency. =A0It is
> possible
> for Mobius to compensate for this so that your overdubs will line up but
> you have to enter the right values into the latency fields in the
> Audio Devices window. =A0Sometimes the driver is able to tell us what
> the latency is, other times it can't and we have to enter it manually.
> This is explained in the manual.
> If you use a pro audio interface it will come with ASIO drivers that
> have very low latency. =A0Often people don't even bother tuning latency
> compensation since it is so slight that it is hard to hear even if it
> is off by a few milliseconds.
> As an alternative to buying a pro interface you could also try
> ASIO4ALL which will give the built-in sound card an ASIO driver. =A0I hav=
e
> had success with this, but if you're serious about sound quality you
> should still consider an external interface.
>> Reading the previous thread on mobius latency, according to Per it's
>> not possible to achieve perfect sync i.e. it will always drift a bit.
> I'm not sure what this was referring to, but you can certainly tune
> latency compesnation for exact alignment of overdubs and once set it
> won't drift unless you are also changing your physical location
> relative to your monitor speakers.
> Jeff
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 20:48:09 2011
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Subject: Re: Mobius latency compensation
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Luis,

What sort of problems are you having when trying sync mobius and
ableton?  I have no issues with mobius as the master, other than
sometimes a loop that I hear as a single bar ends up as two bars in
ableton (or vice versa, can't remember which right now).  BPM sync is
solid and seems to re-sync at the start of the loop.

Sylvain


On Thu, Mar 24, 2011 at 4:36 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Jeff i have a question,
> in playing around with both Abletons looper and Mobius as a plugin
> there is a BPM difference when i try to use Mobius as a master with
> Ableton which is unfortunately unusable if trying to sync grooves to
> it.
> Mobius seems to be much better as a slave though,but Abletons looper
> is very acurate as a master.Is this something that will work in future
> versions just as well when being used as a plugin perhaps?
> cheers
> Luis
>
>
>
>
>
>
> On Wed, Mar 23, 2011 at 4:12 AM, Jeff Larson <jeff.larson@sailpoint.com> =
wrote:
>>
>>> I've been trying to set up the above so overdubs go where they should
>>> and stay there on subsequent passes. =A0A couple of attempts have ended
>>> in frustration, i figured not helped by the fact that I'm using the
>>> built-in soundcard on an old desktop machine.
>> If you haven't already done so, read this section of the installation gu=
ide:
>> =A0=A0 http://www.circularlabs.com/doc/installation.htm#Tuning Latency
>>
>> Assuming you are using Windows, if you are using the built-in sound card
>> you will be using an "MME" driver which has very high latency. =A0It is
>> possible
>> for Mobius to compensate for this so that your overdubs will line up but
>> you have to enter the right values into the latency fields in the
>> Audio Devices window. =A0Sometimes the driver is able to tell us what
>> the latency is, other times it can't and we have to enter it manually.
>> This is explained in the manual.
>> If you use a pro audio interface it will come with ASIO drivers that
>> have very low latency. =A0Often people don't even bother tuning latency
>> compensation since it is so slight that it is hard to hear even if it
>> is off by a few milliseconds.
>> As an alternative to buying a pro interface you could also try
>> ASIO4ALL which will give the built-in sound card an ASIO driver. =A0I ha=
ve
>> had success with this, but if you're serious about sound quality you
>> should still consider an external interface.
>>> Reading the previous thread on mobius latency, according to Per it's
>>> not possible to achieve perfect sync i.e. it will always drift a bit.
>> I'm not sure what this was referring to, but you can certainly tune
>> latency compesnation for exact alignment of overdubs and once set it
>> won't drift unless you are also changing your physical location
>> relative to your monitor speakers.
>> Jeff
>>
>
>
>
> --
> www.luis-angulo.com
>
>

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Subject: Re: Mobius latency compensation
From: Daniel Thomas <danielthomas4@mac.com>
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Works pretty well for me too regardless of who is clock master.   Though I did see some problems in the presence of a midi clock loop once...

After I figured out how the clock was looping back in, i shut the door and the issue was resolved

daniel 
On Mar 24, 2011, at 1:48 PM, Sylvain Poitras wrote:

> Luis,
> 
> What sort of problems are you having when trying sync mobius and
> ableton?  I have no issues with mobius as the master, other than
> sometimes a loop that I hear as a single bar ends up as two bars in
> ableton (or vice versa, can't remember which right now).  BPM sync is
> solid and seems to re-sync at the start of the loop.
> 
> Sylvain
> 
> 
> On Thu, Mar 24, 2011 at 4:36 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> Jeff i have a question,
>> in playing around with both Abletons looper and Mobius as a plugin
>> there is a BPM difference when i try to use Mobius as a master with
>> Ableton which is unfortunately unusable if trying to sync grooves to
>> it.
>> Mobius seems to be much better as a slave though,but Abletons looper
>> is very acurate as a master.Is this something that will work in future
>> versions just as well when being used as a plugin perhaps?
>> cheers
>> Luis
>> 
>> 
>> 
>> 
>> 
>> 
>> On Wed, Mar 23, 2011 at 4:12 AM, Jeff Larson <jeff.larson@sailpoint.com> wrote:
>>> 
>>>> I've been trying to set up the above so overdubs go where they should
>>>> and stay there on subsequent passes.  A couple of attempts have ended
>>>> in frustration, i figured not helped by the fact that I'm using the
>>>> built-in soundcard on an old desktop machine.
>>> If you haven't already done so, read this section of the installation guide:
>>>    http://www.circularlabs.com/doc/installation.htm#Tuning Latency
>>> 
>>> Assuming you are using Windows, if you are using the built-in sound card
>>> you will be using an "MME" driver which has very high latency.  It is
>>> possible
>>> for Mobius to compensate for this so that your overdubs will line up but
>>> you have to enter the right values into the latency fields in the
>>> Audio Devices window.  Sometimes the driver is able to tell us what
>>> the latency is, other times it can't and we have to enter it manually.
>>> This is explained in the manual.
>>> If you use a pro audio interface it will come with ASIO drivers that
>>> have very low latency.  Often people don't even bother tuning latency
>>> compensation since it is so slight that it is hard to hear even if it
>>> is off by a few milliseconds.
>>> As an alternative to buying a pro interface you could also try
>>> ASIO4ALL which will give the built-in sound card an ASIO driver.  I have
>>> had success with this, but if you're serious about sound quality you
>>> should still consider an external interface.
>>>> Reading the previous thread on mobius latency, according to Per it's
>>>> not possible to achieve perfect sync i.e. it will always drift a bit.
>>> I'm not sure what this was referring to, but you can certainly tune
>>> latency compesnation for exact alignment of overdubs and once set it
>>> won't drift unless you are also changing your physical location
>>> relative to your monitor speakers.
>>> Jeff
>>> 
>> 
>> 
>> 
>> --
>> www.luis-angulo.com
>> 
>> 
> 

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On Wed, Mar 23, 2011 at 4:13 PM, William Walker <billwalker@baymoon.com> wrote:
> Anyone but me seeing the irony here? Do I think it can work?

I really dont think there is any ironic situation here... the issues
that you are focusing on are not totally correct, if you are going on
the written word from this list without trying it yourself Bill, if
you have then... sorry...... all the things you mention are indeed
issues, but not quite as you have understood them.

The size: Not really an issue, the switches are a good distance apart,
about the same as some closely packed stomp boxes. The difference with
stomp boxes (or a fcb or a LG) is the the switches don't accidentally
trigger if you lie you foot gently on one.

The lack of raised back pedals, again, would NOT be an issue if it
wasn't so dangerous to touch the front row of switches.

The lack of tactile feel when it switches is NOT of course about its
making an audible click (as you well know Bill... you cheeky little
monkey) Its about a TACTILE click... a FEELING that you have switched
something.. I ALWAYS had to check with one eye on the screen to see if
it had REALLY gone into record, or overdub, (reverse was never a
problem... heh heh)...

Although it was light, its lack of weight really isn't a problem, its
flat bottomed, and doesn't wobble or slide, maybe rubber feet would
completely erase any issue here...

As far as I was concerned, this type or rubber switches was just not
for me... but I tell ya... the lights... woooow man... I really miss
them coolio lights...

Im glad you think it will work Bill, cos that means other people will too..
I want it to work, its such a good idea, and I like companies who do
something different and new... they deserved to do well, but I do get
a sneaking suspicion that... oh I dunno... Keith...hes... like... a
neighbour? or a friend? or the brother of the friend of your wifes
sisters Aunt? Cos I dont really see why you wanna defend something you
haven't got...??
Go spend money on it and then you might not be so pleased with it...

Quite alot of people have spent (not) alot of money on it, and are not
happy.... Although they did refund me my money, they were a bit
difficult about it, AND of course I lost my shipping money there and
back, thats well over 100 dollars...


just my 1000 cents..

M.

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 21:45:41 2011
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Subject: Thought Radio Playlist for March 19, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/110319.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called <b>Thought Radio</b> and you can expect 
to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                 Show #194                March 19, 2011.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Roach          Shroud of Night *    Circadian Rhythms (Timeroom)
VA [Quiet Point]     Beyond the Quiet     Sequences No. 12
                        Point
VA [Glass House]     The Real World       Sequences No. 12
VA [Ian Boddy]       Spirits              Sequences No. 12
Johan Agebjorn       Amylium Casparium    The Mountain Lake (Lotuspike)
Spyra                Die Blinden          No Beats for 1 Hour (Ricochet
                                             Dream)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Robert Fox           The Velvet Hour      Short Stories (AD Music)
Uwe Gronau           Watching the Sound   Midsummer (none)
Josh Johnston        Saving a Life        The Shape of Things (Shandon)
Craig Karolus        Standing On Top      Standing On Top (none)
Bones & Tones        Dance for Suwoo      Bones & Tones (Freedom Art)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
ASIA                 Heaven               Arena (InsideOut)
Yes                  Siberian Khatru      Extended Versions (BMG)
Porcupine Tree       Deadwing             Deadwinf (Lava)
Hidria Spacefolk     Jahwarp              Live Eleven am (NEARfest)
The Muffins          Walking the Duck     Bandwidth (Cuneiform)
Schicke, Fuhrs,      Wizzard              Sunburst (Esoteric)
   and Frohling


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/GMT-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 22:01:37 2011
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll continue the
month-long Special Focus on Richard Lainhart.  The Featured CD at
Midnight will be "The Beautiful Blue Sky" on O-Town Music.  For details,
See the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#mar
You'll also hear new music from Sensitive Chaos.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 22:09:59 2011
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Date: Thu, 24 Mar 2011 23:09:57 +0100
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Subject: Re: Ableton/Mobius consulting gig
From: Louie Angulo <louie.angulo@googlemail.com>
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Andy,ive been working with both lately and have  pretty much down the
basics,though Mobius is the king of loopers i tell you that little
looper in Ableton 8 is a shy monster!
it has all the important stuff you need,record,multiply,overdub,pitch
shift,feedback reverse and it will slave any groove you put into
ableton perfectly in sync.
Everythng in it is "midi learneable" you just activate the midi learn
function on Ableton and push on your favorite foot controller
You can also use the same looper in different tracks as well,so
imagine having 4 or more different loopers! not only that but once you
have a loop you like you can insert it in a scene and use it to create
arrangments.Then you can put any after fxs adfter the looper like
delays or reverbs etc. and they will all sync to the beat!!
So now that you have all that enchilada going,just push record in
ableton and start recording your performance and arrangement in
realtime by turning things on and off etc.
Im so busy with that at the moment that i havent really messed with
mobius that much,there is som much you can do with the little
looper,and everything ive mentioned is in Ableton without the need of
x tra plugins.Ableton is also very stable and as Sjaak said is like
looking at a mixer which makes things very logical.
Try it!
Luis

On Thu, Mar 24, 2011 at 5:00 PM, Andy Owens <andy@1800dialword.com> wrote:
> So, if all you wanted was a simple, rock solid looper, then you would/cou=
ld
> just run mobius standalone, with no processing or mangling, just straight
> record audio post analog effects?
>
>
>
> Ao
>
>
>
> From: Simeon Harris [mailto:simeonharris40@googlemail.com]
> Sent: Wednesday, March 23, 2011 5:41 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Ableton/Mobius consulting gig
>
>
>
> well one reason would be so that you could post process the loops with fx
> plugins. or pre-process...depending on what you want to do. i host mobius
> inside bidule for this very reason. another cool thing about ableton (i
> gather) is that you can create midi clips and fire them off via midi. the
> clip can contain controller data, or notes or program changes and be
> quantized, so you can do some pretty cool stuff.
>
> On Wed, Mar 23, 2011 at 2:51 AM, William Walker <billwalker@baymoon.com>
> wrote:
>
> Sim Sez; "i ask, because i could set up mobius for you, but i know nothin=
g
> of this ableton of which you speak"
>
>
>
> My thoughts exactly, =A0I'm wondering what is the essential =A0reason for
> running one platform inside another? =A0=A0Mobius=A0running in=A0Abelton=
=A0as an
> example? or superlooper in Abelton. =A0Is it for managing effects plug in=
s or
> more extended script commands? My embarrasing computer brain disconnect
> issues oozing to the surface....
>
> Thanks
>
> =A0Bill
>
>



--=20
www.luis-angulo.com

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Subject: Re: Mobius latency compensation
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ok,so put a sample drum loop in Ableton,put mobius under
syncronization to "out" so it sends midi clock to ableton,record a
groove in Mobius and tell me if the groove is in perfect sync with
Mobius.
Here it isnt,the tempo in ableton doesnt read exactly with Mobius
tempo,however when mobius is slaved to ableton it seems ok,and if it
isnt it retriggers and catches up to the groove.
cheers
Luis







On Thu, Mar 24, 2011 at 9:48 PM, Sylvain Poitras
<sylvain.trombone@gmail.com> wrote:
> Luis,
>
> What sort of problems are you having when trying sync mobius and
> ableton? =A0I have no issues with mobius as the master, other than
> sometimes a loop that I hear as a single bar ends up as two bars in
> ableton (or vice versa, can't remember which right now). =A0BPM sync is
> solid and seems to re-sync at the start of the loop.
>
> Sylvain
>
>
> On Thu, Mar 24, 2011 at 4:36 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> Jeff i have a question,
>> in playing around with both Abletons looper and Mobius as a plugin
>> there is a BPM difference when i try to use Mobius as a master with
>> Ableton which is unfortunately unusable if trying to sync grooves to
>> it.
>> Mobius seems to be much better as a slave though,but Abletons looper
>> is very acurate as a master.Is this something that will work in future
>> versions just as well when being used as a plugin perhaps?
>> cheers
>> Luis
>>
>>
>>
>>
>>
>>
>> On Wed, Mar 23, 2011 at 4:12 AM, Jeff Larson <jeff.larson@sailpoint.com>=
 wrote:
>>>
>>>> I've been trying to set up the above so overdubs go where they should
>>>> and stay there on subsequent passes. =A0A couple of attempts have ende=
d
>>>> in frustration, i figured not helped by the fact that I'm using the
>>>> built-in soundcard on an old desktop machine.
>>> If you haven't already done so, read this section of the installation g=
uide:
>>> =A0=A0 http://www.circularlabs.com/doc/installation.htm#Tuning Latency
>>>
>>> Assuming you are using Windows, if you are using the built-in sound car=
d
>>> you will be using an "MME" driver which has very high latency. =A0It is
>>> possible
>>> for Mobius to compensate for this so that your overdubs will line up bu=
t
>>> you have to enter the right values into the latency fields in the
>>> Audio Devices window. =A0Sometimes the driver is able to tell us what
>>> the latency is, other times it can't and we have to enter it manually.
>>> This is explained in the manual.
>>> If you use a pro audio interface it will come with ASIO drivers that
>>> have very low latency. =A0Often people don't even bother tuning latency
>>> compensation since it is so slight that it is hard to hear even if it
>>> is off by a few milliseconds.
>>> As an alternative to buying a pro interface you could also try
>>> ASIO4ALL which will give the built-in sound card an ASIO driver. =A0I h=
ave
>>> had success with this, but if you're serious about sound quality you
>>> should still consider an external interface.
>>>> Reading the previous thread on mobius latency, according to Per it's
>>>> not possible to achieve perfect sync i.e. it will always drift a bit.
>>> I'm not sure what this was referring to, but you can certainly tune
>>> latency compesnation for exact alignment of overdubs and once set it
>>> won't drift unless you are also changing your physical location
>>> relative to your monitor speakers.
>>> Jeff
>>>
>>
>>
>>
>> --
>> www.luis-angulo.com
>>
>>
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 22:22:15 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: Mobius latency compensation
Date: Thu, 24 Mar 2011 17:22:09 -0500
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Do you have a MIDI "loopback" device connected between Mobius and =
Ableton?
You will need either MIDI Yoke or LoopBe1.

Jeff


On Mar 24, 2011, at 5:18 PM, Louie Angulo wrote:

> ok,so put a sample drum loop in Ableton,put mobius under
> syncronization to "out" so it sends midi clock to ableton,record a
> groove in Mobius and tell me if the groove is in perfect sync with
> Mobius.
> Here it isnt,the tempo in ableton doesnt read exactly with Mobius
> tempo,however when mobius is slaved to ableton it seems ok,and if it
> isnt it retriggers and catches up to the groove.
> cheers
> Luis
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> On Thu, Mar 24, 2011 at 9:48 PM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>> Luis,
>>=20
>> What sort of problems are you having when trying sync mobius and
>> ableton?  I have no issues with mobius as the master, other than
>> sometimes a loop that I hear as a single bar ends up as two bars in
>> ableton (or vice versa, can't remember which right now).  BPM sync is
>> solid and seems to re-sync at the start of the loop.
>>=20
>> Sylvain
>>=20
>>=20
>> On Thu, Mar 24, 2011 at 4:36 PM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>>> Jeff i have a question,
>>> in playing around with both Abletons looper and Mobius as a plugin
>>> there is a BPM difference when i try to use Mobius as a master with
>>> Ableton which is unfortunately unusable if trying to sync grooves to
>>> it.
>>> Mobius seems to be much better as a slave though,but Abletons looper
>>> is very acurate as a master.Is this something that will work in =
future
>>> versions just as well when being used as a plugin perhaps?
>>> cheers
>>> Luis
>>>=20
>>>=20
>>>=20
>>>=20
>>>=20
>>>=20
>>> On Wed, Mar 23, 2011 at 4:12 AM, Jeff Larson =
<jeff.larson@sailpoint.com> wrote:
>>>>=20
>>>>> I've been trying to set up the above so overdubs go where they =
should
>>>>> and stay there on subsequent passes.  A couple of attempts have =
ended
>>>>> in frustration, i figured not helped by the fact that I'm using =
the
>>>>> built-in soundcard on an old desktop machine.
>>>> If you haven't already done so, read this section of the =
installation guide:
>>>>    http://www.circularlabs.com/doc/installation.htm#Tuning Latency
>>>>=20
>>>> Assuming you are using Windows, if you are using the built-in sound =
card
>>>> you will be using an "MME" driver which has very high latency.  It =
is
>>>> possible
>>>> for Mobius to compensate for this so that your overdubs will line =
up but
>>>> you have to enter the right values into the latency fields in the
>>>> Audio Devices window.  Sometimes the driver is able to tell us what
>>>> the latency is, other times it can't and we have to enter it =
manually.
>>>> This is explained in the manual.
>>>> If you use a pro audio interface it will come with ASIO drivers =
that
>>>> have very low latency.  Often people don't even bother tuning =
latency
>>>> compensation since it is so slight that it is hard to hear even if =
it
>>>> is off by a few milliseconds.
>>>> As an alternative to buying a pro interface you could also try
>>>> ASIO4ALL which will give the built-in sound card an ASIO driver.  I =
have
>>>> had success with this, but if you're serious about sound quality =
you
>>>> should still consider an external interface.
>>>>> Reading the previous thread on mobius latency, according to Per =
it's
>>>>> not possible to achieve perfect sync i.e. it will always drift a =
bit.
>>>> I'm not sure what this was referring to, but you can certainly tune
>>>> latency compesnation for exact alignment of overdubs and once set =
it
>>>> won't drift unless you are also changing your physical location
>>>> relative to your monitor speakers.
>>>> Jeff
>>>>=20
>>>=20
>>>=20
>>>=20
>>> --
>>> www.luis-angulo.com
>>>=20
>>>=20
>>=20
>>=20
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20

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Subject: Re: Ableton/Mobius consulting gig
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> Andy,ive been working with both lately and have  pretty much down the
> basics,though Mobius is the king of loopers i tell you that little
> looper in Ableton 8 is a shy monster!

 I was pretty impressed this looper.... It was certainly easy to get going with.  But for a couple of things, it may have been my primary looping platform 

I'll mention my issues w/ the Ableton looper here as it may save someone else the time.  Or, perhaps one you wizards will shed a light on a better method.

Two issues keep me from living and breathing Ableton looper. 

1)  Synchronized Multi Channel looping with the Ableton looper was very cumbersome to set up and, though I am not sure this was the root cause, multi channel looping with the ableton looper is the only time I have ever seen a kernel panic on my Intel MBPRO.
2)  No EDP style multiply function---  This is integral to nearly all of my preferred looping workflows. 

d  

On Mar 24, 2011, at 3:09 PM, Louie Angulo wrote:

> Andy,ive been working with both lately and have  pretty much down the
> basics,though Mobius is the king of loopers i tell you that little
> looper in Ableton 8 is a shy monster!
> it has all the important stuff you need,record,multiply,overdub,pitch
> shift,feedback reverse and it will slave any groove you put into
> ableton perfectly in sync.
> Everythng in it is "midi learneable" you just activate the midi learn
> function on Ableton and push on your favorite foot controller
> You can also use the same looper in different tracks as well,so
> imagine having 4 or more different loopers! not only that but once you
> have a loop you like you can insert it in a scene and use it to create
> arrangments.Then you can put any after fxs adfter the looper like
> delays or reverbs etc. and they will all sync to the beat!!
> So now that you have all that enchilada going,just push record in
> ableton and start recording your performance and arrangement in
> realtime by turning things on and off etc.
> Im so busy with that at the moment that i havent really messed with
> mobius that much,there is som much you can do with the little
> looper,and everything ive mentioned is in Ableton without the need of
> x tra plugins.Ableton is also very stable and as Sjaak said is like
> looking at a mixer which makes things very logical.
> Try it!
> Luis
> 
> On Thu, Mar 24, 2011 at 5:00 PM, Andy Owens <andy@1800dialword.com> wrote:
>> So, if all you wanted was a simple, rock solid looper, then you would/could
>> just run mobius standalone, with no processing or mangling, just straight
>> record audio post analog effects?
>> 
>> 
>> 
>> Ao
>> 
>> 
>> 
>> From: Simeon Harris [mailto:simeonharris40@googlemail.com]
>> Sent: Wednesday, March 23, 2011 5:41 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Ableton/Mobius consulting gig
>> 
>> 
>> 
>> well one reason would be so that you could post process the loops with fx
>> plugins. or pre-process...depending on what you want to do. i host mobius
>> inside bidule for this very reason. another cool thing about ableton (i
>> gather) is that you can create midi clips and fire them off via midi. the
>> clip can contain controller data, or notes or program changes and be
>> quantized, so you can do some pretty cool stuff.
>> 
>> On Wed, Mar 23, 2011 at 2:51 AM, William Walker <billwalker@baymoon.com>
>> wrote:
>> 
>> Sim Sez; "i ask, because i could set up mobius for you, but i know nothing
>> of this ableton of which you speak"
>> 
>> 
>> 
>> My thoughts exactly,  I'm wondering what is the essential  reason for
>> running one platform inside another?   Mobius running in Abelton as an
>> example? or superlooper in Abelton.  Is it for managing effects plug ins or
>> more extended script commands? My embarrasing computer brain disconnect
>> issues oozing to the surface....
>> 
>> Thanks
>> 
>>  Bill
>> 
>> 
> 
> 
> 
> -- 
> www.luis-angulo.com
> 

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Subject: Re: Mobius latency compensation
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--0015174c1510f56ff5049f41f3eb
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Unless you're on a Mac, then you have to use an IAC bus.

On Thu, Mar 24, 2011 at 5:22 PM, Jeff Larson <jeff@zonemobius.com> wrote:

>
>
> Do you have a MIDI "loopback" device connected between Mobius and Ableton?
> You will need either MIDI Yoke or LoopBe1.
>
> Jeff
>
>

--0015174c1510f56ff5049f41f3eb
Content-Type: text/html; charset=ISO-8859-1

Unless you&#39;re on a Mac, then you have to use an IAC bus.<br><br><div class="gmail_quote">On Thu, Mar 24, 2011 at 5:22 PM, Jeff Larson <span dir="ltr">&lt;<a href="mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><br>
<br>
Do you have a MIDI &quot;loopback&quot; device connected between Mobius and Ableton?<br>
You will need either MIDI Yoke or LoopBe1.<br>
<font color="#888888"><br>
Jeff<br>
</font><div><div></div><div class="h5"><br></div></div></blockquote></div>

--0015174c1510f56ff5049f41f3eb--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 22:34:25 2011
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Subject: Re: Mobius latency compensation
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Hi Jeff,
yes,i have in mobius under input devices my RME soundcard input ports
activated so i can control it with my foot controller
then midi out with the IAC driver bus
in ableton i havenc the IAC driver activated with track,sync
Mobius sync mode is"out"
thanx
Luis

On Thu, Mar 24, 2011 at 11:25 PM, Jeff Larson <jeff.larson@sailpoint.com> wrote:
> Unless you're on a Mac, then you have to use an IAC bus.
>
> On Thu, Mar 24, 2011 at 5:22 PM, Jeff Larson <jeff@zonemobius.com> wrote:
>>
>>
>> Do you have a MIDI "loopback" device connected between Mobius and Ableton?
>> You will need either MIDI Yoke or LoopBe1.
>>
>> Jeff
>>
>



-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 22:37:07 2011
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Subject: Re: Ableton/Mobius consulting gig
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havent had an issue with that at all using Abletons looper,then again
im using mac
i should also mentioned that mobius crashed badly a couple of times in
conjunction with ableton so i stop using it for the meantime...
Luis

On Thu, Mar 24, 2011 at 11:22 PM, Daniel Thomas <danielthomas4@mac.com> wro=
te:
>> Andy,ive been working with both lately and have =A0pretty much down the
>> basics,though Mobius is the king of loopers i tell you that little
>> looper in Ableton 8 is a shy monster!
>
> =A0I was pretty impressed this looper.... It was certainly easy to get go=
ing with. =A0But for a couple of things, it may have been my primary loopin=
g platform
>
> I'll mention my issues w/ the Ableton looper here as it may save someone =
else the time. =A0Or, perhaps one you wizards will shed a light on a better=
 method.
>
> Two issues keep me from living and breathing Ableton looper.
>
> 1) =A0Synchronized Multi Channel looping with the Ableton looper was very=
 cumbersome to set up and, though I am not sure this was the root cause, mu=
lti channel looping with the ableton looper is the only time I have ever se=
en a kernel panic on my Intel MBPRO.
> 2) =A0No EDP style multiply function--- =A0This is integral to nearly all=
 of my preferred looping workflows.
>
> d
>
> On Mar 24, 2011, at 3:09 PM, Louie Angulo wrote:
>
>> Andy,ive been working with both lately and have =A0pretty much down the
>> basics,though Mobius is the king of loopers i tell you that little
>> looper in Ableton 8 is a shy monster!
>> it has all the important stuff you need,record,multiply,overdub,pitch
>> shift,feedback reverse and it will slave any groove you put into
>> ableton perfectly in sync.
>> Everythng in it is "midi learneable" you just activate the midi learn
>> function on Ableton and push on your favorite foot controller
>> You can also use the same looper in different tracks as well,so
>> imagine having 4 or more different loopers! not only that but once you
>> have a loop you like you can insert it in a scene and use it to create
>> arrangments.Then you can put any after fxs adfter the looper like
>> delays or reverbs etc. and they will all sync to the beat!!
>> So now that you have all that enchilada going,just push record in
>> ableton and start recording your performance and arrangement in
>> realtime by turning things on and off etc.
>> Im so busy with that at the moment that i havent really messed with
>> mobius that much,there is som much you can do with the little
>> looper,and everything ive mentioned is in Ableton without the need of
>> x tra plugins.Ableton is also very stable and as Sjaak said is like
>> looking at a mixer which makes things very logical.
>> Try it!
>> Luis
>>
>> On Thu, Mar 24, 2011 at 5:00 PM, Andy Owens <andy@1800dialword.com> wrot=
e:
>>> So, if all you wanted was a simple, rock solid looper, then you would/c=
ould
>>> just run mobius standalone, with no processing or mangling, just straig=
ht
>>> record audio post analog effects?
>>>
>>>
>>>
>>> Ao
>>>
>>>
>>>
>>> From: Simeon Harris [mailto:simeonharris40@googlemail.com]
>>> Sent: Wednesday, March 23, 2011 5:41 AM
>>> To: Loopers-Delight@loopers-delight.com
>>> Subject: Re: Ableton/Mobius consulting gig
>>>
>>>
>>>
>>> well one reason would be so that you could post process the loops with =
fx
>>> plugins. or pre-process...depending on what you want to do. i host mobi=
us
>>> inside bidule for this very reason. another cool thing about ableton (i
>>> gather) is that you can create midi clips and fire them off via midi. t=
he
>>> clip can contain controller data, or notes or program changes and be
>>> quantized, so you can do some pretty cool stuff.
>>>
>>> On Wed, Mar 23, 2011 at 2:51 AM, William Walker <billwalker@baymoon.com=
>
>>> wrote:
>>>
>>> Sim Sez; "i ask, because i could set up mobius for you, but i know noth=
ing
>>> of this ableton of which you speak"
>>>
>>>
>>>
>>> My thoughts exactly, =A0I'm wondering what is the essential =A0reason f=
or
>>> running one platform inside another? =A0 Mobius running in Abelton as a=
n
>>> example? or superlooper in Abelton. =A0Is it for managing effects plug =
ins or
>>> more extended script commands? My embarrasing computer brain disconnect
>>> issues oozing to the surface....
>>>
>>> Thanks
>>>
>>> =A0Bill
>>>
>>>
>>
>>
>>
>> --
>> www.luis-angulo.com
>>
>
>



--=20
www.luis-angulo.com

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Rick Walker wrote:

> Additionally,  if you make a loop and then call up a second loop (there 
> are up to 8 loops
> allowed) you can with a bit of fancy footwork go back and forth between 
> sequential
> loops like in the EDP.

How do you do that?

It's a new feature isn't it?

andy

From Loopers-Delight-request@loopers-delight.com  Thu Mar 24 23:26:35 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: Mobius latency compensation
Date: Thu, 24 Mar 2011 18:26:29 -0500
To: Loopers-Delight@loopers-delight.com
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Check the sample rate of the RME.  Mobius requires 44.1K for MIDI sync.
It is 48K the MIDI clocks generated by Mobius won't match the loop =
length.

Jeff


On Mar 24, 2011, at 5:34 PM, Louie Angulo wrote:

> Hi Jeff,
> yes,i have in mobius under input devices my RME soundcard input ports
> activated so i can control it with my foot controller
> then midi out with the IAC driver bus
> in ableton i havenc the IAC driver activated with track,sync
> Mobius sync mode is"out"
> thanx
> Luis
>=20
> On Thu, Mar 24, 2011 at 11:25 PM, Jeff Larson =
<jeff.larson@sailpoint.com> wrote:
>> Unless you're on a Mac, then you have to use an IAC bus.
>>=20
>> On Thu, Mar 24, 2011 at 5:22 PM, Jeff Larson <jeff@zonemobius.com> =
wrote:
>>>=20
>>>=20
>>> Do you have a MIDI "loopback" device connected between Mobius and =
Ableton?
>>> You will need either MIDI Yoke or LoopBe1.
>>>=20
>>> Jeff
>>>=20
>>=20
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20

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On Thu, Mar 24, 2011 at 11:09 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Im so busy with that at the moment that i havent really messed with
> mobius that much,there is som much you can do with the little
> looper,and everything ive mentioned is in Ableton without the need of
> x tra plugins.Ableton is also very stable and as Sjaak said is like
> looking at a mixer which makes things very logical.
> Try it!
> Luis

Hehe ;-) I knew you would like Ableton. For me, it's the most stable
AU host I have used so far compared to Bidule, NI Kore2 and Mainstage.
Haven't tested it with Mobius yet, so I can't comment on that, I'm
still an Expert Sleepers looper, Augustus to be precise ;-)  Anyway,
if you look at the recent video from the Antwerp Loopfest, you hear
Ableton with several Ableton, NI and EXS plugins / loopers and you
also see me use a Vestax VCM-600 midi controller, one of the midi
controllers on the market which has been fully integrated with Ableton
Live and comes with a default mapping for it. Others are the Akai
MPC40 and the Novation Launchpad.

http://premonitionfactory.com/archives/video-of-antwerp-loopfest
(last 15 minutes)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: Mobius latency compensation
Date: Thu, 24 Mar 2011 16:32:18 -0500
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> On Mar 24, 2011, at 3:36 PM, Louie Angulo wrote:
> in playing around with both Abletons looper and Mobius as a plugin
> there is a BPM difference when i try to use Mobius as a master with
> Ableton 

The BPM that Mobius displays is sometimes different than what
the host displays due to differences in rounding.  For example,
a BPM is almost never exactly 120, it's either 120.084762537 
or 119.7983675761 or some other precise floating point number.
But applications never display it that way, they typically display
only tenths of a beat, so the first one could be 120.0 or 120.1 or 121
depending on how you round.  Also BPMs derived from MIDI clocks
are always guesses based on measuring the distance between clocks.
Because of clock jitter this distance may change slightly over time
and you have to use a "smoothing" algorithm to pick a stable tempo.
The algorithm the host uses may be different than what the plugin uses.

So while the numbers you see in the UI may be different, it is
usually close enough.  Internally Ableton is counting clocks 
the BPM it displays is just an approximation.  

Personally, I let Mobius be the clock master when I want
to slave other plugins that are sensitive to tempo but 
are not playing loops, things like delays and panners.
When I sync with pre-recorded Live clips, I 
use Host Bar sync and let the host be the master.

Jeff

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Subject: Re: does anyone really use Softstep?
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Im glad you think it will work Bill, cos that means other people will  
too..
I want it to work, its such a good idea, and I like companies who do
something different and new... they deserved to do well, but I do get
a sneaking suspicion that... oh I dunno... Keith...hes... like... a
neighbour? or a friend? or the brother of the friend of your wifes
sisters Aunt? Cos I dont really see why you wanna defend something you
haven't got...??
Go spend money on it and

Not even close Amigo, i was just trying to draw people out about the  
why and how,   and I was wondering if anyone was actually trying to  
find solutions, and /or work arounds or just whining  and blameing  
their tools , you know,  like bad carpenters do ;-) Its an intriguing   
pedal to me for the silent switching aspect that I could see using  
when  recording  with open mics . i also thought it might be a cool  
hand controller as well for DAW applications.  You may not have  
noticed but, although I'm often times one of the first people to try  
the latest and geatest gear out, because I work part time at a pretty  
big  music shop, I'm often the last guy to actually buy the gear,  due  
to budget constraints, with a few exceptions being where I'm given  
gear or earned it through work exchange.
Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
color=3D"#7757FF">Im glad you think it will work Bill, cos that means =
other people will too..<br>I want it to work, its such a good idea, and =
I like companies who do<br>something different and new... they deserved =
to do well, but I do get<br>a sneaking suspicion that... oh I dunno... =
Keith...hes... like... a<br>neighbour? or a friend? or the brother of =
the friend of your wifes<br>sisters Aunt? Cos I dont really see why you =
wanna defend something you<br>haven't got...??<br>Go spend money on it =
and</font><div><br></div><div>Not even close Amigo, i was just trying to =
draw people out about the why and how, &nbsp; and I was wondering if =
anyone was actually trying to find solutions, and /or work arounds or =
just whining &nbsp;and blameing their tools , you know, &nbsp;like bad =
carpenters do ;-) Its an intriguing &nbsp;pedal to me for the silent =
switching aspect that I could see using when &nbsp;recording &nbsp;with =
open mics . i also thought it might be a cool hand controller as well =
for DAW applications. &nbsp;You may not have noticed but, although I'm =
often times one of the first people to try the latest and geatest gear =
out, because I work part time at a pretty big &nbsp;music shop, I'm =
often the last guy to actually buy the gear, &nbsp;due to budget =
constraints, with a few exceptions being where I'm given gear or earned =
it through work exchange.</div><div>Bill</div></body></html>=

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Date: Thu, 24 Mar 2011 23:24:40 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: does anyone really use Softstep?
To: Loopers-Delight@loopers-delight.com
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hey,

using it as a hand controller is a great idea. Many bare feet with toe exercises 
would work too. Sounds like this piece needs another layer of design built into 
it: the soft step II: set on a tilted stand, feedback when triggered (could the 
lights flash when trigger is hit?)

Antony



________________________________
From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, March 25, 2011 7:11:00 AM
Subject: Re: does anyone really use Softstep?

Im glad you think it will work Bill, cos that means other people will too..
I want it to work, its such a good idea, and I like companies who do
something different and new... they deserved to do well, but I do get
a sneaking suspicion that... oh I dunno... Keith...hes... like... a
neighbour? or a friend? or the brother of the friend of your wifes
sisters Aunt? Cos I dont really see why you wanna defend something you
haven't got...??
Go spend money on it and

Not even close Amigo, i was just trying to draw people out about the why and 
how,   and I was wondering if anyone was actually trying to find solutions, and 
/or work arounds or just whining  and blameing their tools , you know,  like bad 
carpenters do ;-) Its an intriguing  pedal to me for the silent switching aspect 
that I could see using when  recording  with open mics . i also thought it might 
be a cool hand controller as well for DAW applications.  You may not have 
noticed but, although I'm often times one of the first people to try the latest 
and geatest gear out, because I work part time at a pretty big  music shop, I'm 
often the last guy to actually buy the gear,  due to budget constraints, with a 
few exceptions being where I'm given gear or earned it through work exchange.
Bill


      
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Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><div>hey,</div><div><br></div><div>using it as a hand controller is a great idea. Many bare feet with toe exercises would work too. Sounds like this piece needs another layer of design built into it: the soft step II: set on a tilted stand, feedback when triggered (could the lights flash when trigger is hit?)</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> William Walker &lt;billwalker@baymoon.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, March 25, 2011 7:11:00
 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: does anyone really use Softstep?<br></font><br><font class="Apple-style-span" color="#7757FF">Im glad you think it will work Bill, cos that means other people will too..<br>I want it to work, its such a good idea, and I like companies who do<br>something different and new... they deserved to do well, but I do get<br>a sneaking suspicion that... oh I dunno... Keith...hes... like... a<br>neighbour? or a friend? or the brother of the friend of your wifes<br>sisters Aunt? Cos I dont really see why you wanna defend something you<br>haven't got...??<br>Go spend money on it and</font><div><br></div><div>Not even close Amigo, i was just trying to draw people out about the why and how, &nbsp; and I was wondering if anyone was actually trying to find solutions, and /or work arounds or just whining &nbsp;and blameing their tools , you know, &nbsp;like bad carpenters do ;-) Its an intriguing
 &nbsp;pedal to me for the silent switching aspect that I could see using when &nbsp;recording &nbsp;with open mics . i also thought it might be a cool hand controller as well for DAW applications. &nbsp;You may not have noticed but, although I'm often times one of the first people to try the latest and geatest gear out, because I work part time at a pretty big &nbsp;music shop, I'm often the last guy to actually buy the gear, &nbsp;due to budget constraints, with a few exceptions being where I'm given gear or earned it through work exchange.</div><div>Bill</div></div></div><div style="position:fixed"></div>


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 06:40:36 2011
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On 7/22/64 11:59 AM, andy butler wrote:
> How do you do that?
>
> It's a new feature isn't it?
>
> andy 
yes!  One Bob put in  along with, I'm proud to say,   1/4 speed and 
retrigger/random
which I contributed.

rick

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so...what does it do?

Rick Walker wrote:
> On 7/22/64 11:59 AM, andy butler wrote:
>> How do you do that?
>>
>> It's a new feature isn't it?
>>
>> andy 
> yes!  One Bob put in  along with, I'm proud to say,   1/4 speed and 
> retrigger/random
> which I contributed.
> 
> rick
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 07:37:11 2011
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Subject: Re: does anyone really use Softstep?
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 it was a nice idea but in my opinion quite premature and too
x-pensive,now If you wanna buy expensive equipment to have to find
work arounds and wait for upgrades that adress basic stuff that other
cheaper devices do it,i surely wont.
The thing for me is not worth the money at the moment.I spent over a
month trying my best with this thing,making calls to the U.S. and even
sent a  supportive email of hope but at the end i relaized it wasnt
gonna happen any time soon.
 i also lost the shipping as Mark did and had to mail them a few times
to get the dow back.Sarah was very supportive though
bad mistake bringing it to europe without letting it mature
first,learned my lesson for good.
Im lucky i recently found a PMC10,for 80.00dlls is not that big and it
works great and does just about everything one can ever need
Ah yes some people have all the luck and dont have to pay for their equipment.
Which makes us just wining morons;-)
Luis

On Thu, Mar 24, 2011 at 10:17 PM, mark francombe <mark@markfrancombe.com> wrote:
> On Wed, Mar 23, 2011 at 4:13 PM, William Walker <billwalker@baymoon.com> wrote:
>> Anyone but me seeing the irony here? Do I think it can work?
>
> I really dont think there is any ironic situation here... the issues
> that you are focusing on are not totally correct, if you are going on
> the written word from this list without trying it yourself Bill, if
> you have then... sorry...... all the things you mention are indeed
> issues, but not quite as you have understood them.
>
> The size: Not really an issue, the switches are a good distance apart,
> about the same as some closely packed stomp boxes. The difference with
> stomp boxes (or a fcb or a LG) is the the switches don't accidentally
> trigger if you lie you foot gently on one.
>
> The lack of raised back pedals, again, would NOT be an issue if it
> wasn't so dangerous to touch the front row of switches.
>
> The lack of tactile feel when it switches is NOT of course about its
> making an audible click (as you well know Bill... you cheeky little
> monkey) Its about a TACTILE click... a FEELING that you have switched
> something.. I ALWAYS had to check with one eye on the screen to see if
> it had REALLY gone into record, or overdub, (reverse was never a
> problem... heh heh)...
>
> Although it was light, its lack of weight really isn't a problem, its
> flat bottomed, and doesn't wobble or slide, maybe rubber feet would
> completely erase any issue here...
>
> As far as I was concerned, this type or rubber switches was just not
> for me... but I tell ya... the lights... woooow man... I really miss
> them coolio lights...
>
> Im glad you think it will work Bill, cos that means other people will too..
> I want it to work, its such a good idea, and I like companies who do
> something different and new... they deserved to do well, but I do get
> a sneaking suspicion that... oh I dunno... Keith...hes... like... a
> neighbour? or a friend? or the brother of the friend of your wifes
> sisters Aunt? Cos I dont really see why you wanna defend something you
> haven't got...??
> Go spend money on it and then you might not be so pleased with it...
>
> Quite alot of people have spent (not) alot of money on it, and are not
> happy.... Although they did refund me my money, they were a bit
> difficult about it, AND of course I lost my shipping money there and
> back, thats well over 100 dollars...
>
>
> just my 1000 cents..
>
> M.
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>
>



-- 
www.luis-angulo.com

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Ok Jeff thats what i thought after messing with this for a while,makes sense!
This is exactly the same problem when syncing Ableton to my EDP,i
still have to try out a software drum machine but say why does a
hardware drum machine(like the adrenalinn for ex.) sync perfectly when
Mobius or the EDP are masters then? are laptops not designed to do
this?





>
> Personally, I let Mobius be the clock master when I want
> to slave other plugins that are sensitive to tempo but
> are not playing loops, things like delays and panners.
> When I sync with pre-recorded Live clips, I
> use Host Bar sync and let the host be the master.
>
> Jeff
>
>



-- 
www.luis-angulo.com

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yes man! great that you are mentioning the Vestax VCM-600 midi
controller gotta check it out,ive been debating which controller to
use for Ableton
right now im just using the cheap nano kontrol for basic stuff
what made you choose this over the akai or novation pads anyway?

On Fri, Mar 25, 2011 at 12:40 AM, Sjaak Overgaauw <tcplugin@gmail.com> wrot=
e:
> On Thu, Mar 24, 2011 at 11:09 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> Im so busy with that at the moment that i havent really messed with
>> mobius that much,there is som much you can do with the little
>> looper,and everything ive mentioned is in Ableton without the need of
>> x tra plugins.Ableton is also very stable and as Sjaak said is like
>> looking at a mixer which makes things very logical.
>> Try it!
>> Luis
>
> Hehe ;-) I knew you would like Ableton. For me, it's the most stable
> AU host I have used so far compared to Bidule, NI Kore2 and Mainstage.
> Haven't tested it with Mobius yet, so I can't comment on that, I'm
> still an Expert Sleepers looper, Augustus to be precise ;-) =A0Anyway,
> if you look at the recent video from the Antwerp Loopfest, you hear
> Ableton with several Ableton, NI and EXS plugins / loopers and you
> also see me use a Vestax VCM-600 midi controller, one of the midi
> controllers on the market which has been fully integrated with Ableton
> Live and comes with a default mapping for it. Others are the Akai
> MPC40 and the Novation Launchpad.
>
> http://premonitionfactory.com/archives/video-of-antwerp-loopfest
> (last 15 minutes)
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



--=20
www.luis-angulo.com

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Ableton/Mobius consulting gig
Date: Fri, 25 Mar 2011 08:24:49 +0000
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I have to second this. I've migrated to Abletn since I was asked to teach i=
t at college and it's been a revelation to me. Rock stable and well laid ou=
t=2C (even if it won't win any beauty pageants).
The looper is excellent and pretty much all controlled from 1 pedal - that'=
s well thought out. I'm turning some students on to looping this semester a=
nd they're lapping it up. We're synching to Arkaos for visuals too - the co=
mbination is intuitve and deep - not easy to achieve..

Peace

G



Gareth@Sentientfx -  Innovative music plugins. http://sentientfx.com/



> Date: Thu=2C 24 Mar 2011 23:09:57 +0100
> Subject: Re: Ableton/Mobius consulting gig
> From: louie.angulo@googlemail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Andy=2Cive been working with both lately and have  pretty much down the
> basics=2Cthough Mobius is the king of loopers i tell you that little
> looper in Ableton 8 is a shy monster!
> it has all the important stuff you need=2Crecord=2Cmultiply=2Coverdub=2Cp=
itch
> shift=2Cfeedback reverse and it will slave any groove you put into
> ableton perfectly in sync.
> Everythng in it is "midi learneable" you just activate the midi learn
> function on Ableton and push on your favorite foot controller
> You can also use the same looper in different tracks as well=2Cso
> imagine having 4 or more different loopers! not only that but once you
> have a loop you like you can insert it in a scene and use it to create
> arrangments.Then you can put any after fxs adfter the looper like
> delays or reverbs etc. and they will all sync to the beat!!
> So now that you have all that enchilada going=2Cjust push record in
> ableton and start recording your performance and arrangement in
> realtime by turning things on and off etc.
> Im so busy with that at the moment that i havent really messed with
> mobius that much=2Cthere is som much you can do with the little
> looper=2Cand everything ive mentioned is in Ableton without the need of
> x tra plugins.Ableton is also very stable and as Sjaak said is like
> looking at a mixer which makes things very logical.
> Try it!
> Luis
>=20
> On Thu=2C Mar 24=2C 2011 at 5:00 PM=2C Andy Owens <andy@1800dialword.com>=
 wrote:
> > So=2C if all you wanted was a simple=2C rock solid looper=2C then you w=
ould/could
> > just run mobius standalone=2C with no processing or mangling=2C just st=
raight
> > record audio post analog effects?
> >
> >
> >
> > Ao
> >
> >
> >
> > From: Simeon Harris [mailto:simeonharris40@googlemail.com]
> > Sent: Wednesday=2C March 23=2C 2011 5:41 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Ableton/Mobius consulting gig
> >
> >
> >
> > well one reason would be so that you could post process the loops with =
fx
> > plugins. or pre-process...depending on what you want to do. i host mobi=
us
> > inside bidule for this very reason. another cool thing about ableton (i
> > gather) is that you can create midi clips and fire them off via midi. t=
he
> > clip can contain controller data=2C or notes or program changes and be
> > quantized=2C so you can do some pretty cool stuff.
> >
> > On Wed=2C Mar 23=2C 2011 at 2:51 AM=2C William Walker <billwalker@baymo=
on.com>
> > wrote:
> >
> > Sim Sez=3B "i ask=2C because i could set up mobius for you=2C but i kno=
w nothing
> > of this ableton of which you speak"
> >
> >
> >
> > My thoughts exactly=2C  I'm wondering what is the essential  reason for
> > running one platform inside another?   Mobius running in Abelton as an
> > example? or superlooper in Abelton.  Is it for managing effects plug in=
s or
> > more extended script commands? My embarrasing computer brain disconnect
> > issues oozing to the surface....
> >
> > Thanks
> >
> >  Bill
> >
> >
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20
 		 	   		  =

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I have to second this. I've migrated to Abletn since I was asked to teach i=
t at college and it's been a revelation to me. Rock stable and well laid ou=
t=2C (even if it won't win any beauty pageants).<br>The looper is excellent=
 and pretty much all controlled from 1 pedal - that's well thought out. I'm=
 turning some students on to looping this semester and they're lapping it u=
p. We're synching to Arkaos for visuals too - the combination is intuitve a=
nd deep - not easy to achieve..<br><br>Peace<br><br>G<br><br><br><br>Gareth=
@Sentientfx -&nbsp=3B Innovative music plugins. <a href=3D"http://sentientf=
x.com/" target=3D"_blank">http://sentientfx.com/</a><br><br><br><br>&gt=3B =
Date: Thu=2C 24 Mar 2011 23:09:57 +0100<br>&gt=3B Subject: Re: Ableton/Mobi=
us consulting gig<br>&gt=3B From: louie.angulo@googlemail.com<br>&gt=3B To:=
 Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Andy=2Cive been w=
orking with both lately and have  pretty much down the<br>&gt=3B basics=2Ct=
hough Mobius is the king of loopers i tell you that little<br>&gt=3B looper=
 in Ableton 8 is a shy monster!<br>&gt=3B it has all the important stuff yo=
u need=2Crecord=2Cmultiply=2Coverdub=2Cpitch<br>&gt=3B shift=2Cfeedback rev=
erse and it will slave any groove you put into<br>&gt=3B ableton perfectly =
in sync.<br>&gt=3B Everythng in it is "midi learneable" you just activate t=
he midi learn<br>&gt=3B function on Ableton and push on your favorite foot =
controller<br>&gt=3B You can also use the same looper in different tracks a=
s well=2Cso<br>&gt=3B imagine having 4 or more different loopers! not only =
that but once you<br>&gt=3B have a loop you like you can insert it in a sce=
ne and use it to create<br>&gt=3B arrangments.Then you can put any after fx=
s adfter the looper like<br>&gt=3B delays or reverbs etc. and they will all=
 sync to the beat!!<br>&gt=3B So now that you have all that enchilada going=
=2Cjust push record in<br>&gt=3B ableton and start recording your performan=
ce and arrangement in<br>&gt=3B realtime by turning things on and off etc.<=
br>&gt=3B Im so busy with that at the moment that i havent really messed wi=
th<br>&gt=3B mobius that much=2Cthere is som much you can do with the littl=
e<br>&gt=3B looper=2Cand everything ive mentioned is in Ableton without the=
 need of<br>&gt=3B x tra plugins.Ableton is also very stable and as Sjaak s=
aid is like<br>&gt=3B looking at a mixer which makes things very logical.<b=
r>&gt=3B Try it!<br>&gt=3B Luis<br>&gt=3B <br>&gt=3B On Thu=2C Mar 24=2C 20=
11 at 5:00 PM=2C Andy Owens &lt=3Bandy@1800dialword.com&gt=3B wrote:<br>&gt=
=3B &gt=3B So=2C if all you wanted was a simple=2C rock solid looper=2C the=
n you would/could<br>&gt=3B &gt=3B just run mobius standalone=2C with no pr=
ocessing or mangling=2C just straight<br>&gt=3B &gt=3B record audio post an=
alog effects?<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B =
&gt=3B Ao<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B From: Simeon Harris [mailto:simeonharris40@googlemail.com]<br>&gt=3B &g=
t=3B Sent: Wednesday=2C March 23=2C 2011 5:41 AM<br>&gt=3B &gt=3B To: Loope=
rs-Delight@loopers-delight.com<br>&gt=3B &gt=3B Subject: Re: Ableton/Mobius=
 consulting gig<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=
=3B &gt=3B well one reason would be so that you could post process the loop=
s with fx<br>&gt=3B &gt=3B plugins. or pre-process...depending on what you =
want to do. i host mobius<br>&gt=3B &gt=3B inside bidule for this very reas=
on. another cool thing about ableton (i<br>&gt=3B &gt=3B gather) is that yo=
u can create midi clips and fire them off via midi. the<br>&gt=3B &gt=3B cl=
ip can contain controller data=2C or notes or program changes and be<br>&gt=
=3B &gt=3B quantized=2C so you can do some pretty cool stuff.<br>&gt=3B &gt=
=3B<br>&gt=3B &gt=3B On Wed=2C Mar 23=2C 2011 at 2:51 AM=2C William Walker =
&lt=3Bbillwalker@baymoon.com&gt=3B<br>&gt=3B &gt=3B wrote:<br>&gt=3B &gt=3B=
<br>&gt=3B &gt=3B Sim Sez=3B "i ask=2C because i could set up mobius for yo=
u=2C but i know nothing<br>&gt=3B &gt=3B of this ableton of which you speak=
"<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B My th=
oughts exactly=2C &nbsp=3BI'm wondering what is the essential &nbsp=3Breaso=
n for<br>&gt=3B &gt=3B running one platform inside another? &nbsp=3B&nbsp=
=3BMobius&nbsp=3Brunning in&nbsp=3BAbelton&nbsp=3Bas an<br>&gt=3B &gt=3B ex=
ample? or superlooper in Abelton. &nbsp=3BIs it for managing effects plug i=
ns or<br>&gt=3B &gt=3B more extended script commands? My embarrasing comput=
er brain disconnect<br>&gt=3B &gt=3B issues oozing to the surface....<br>&g=
t=3B &gt=3B<br>&gt=3B &gt=3B Thanks<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B &nbsp=
=3BBill<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B <br>&gt=3B <br>&gt=3B <=
br>&gt=3B -- <br>&gt=3B www.luis-angulo.com<br>&gt=3B <br> 		 	   		  </bod=
y>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 09:49:35 2011
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Subject: Reyn vs ...
From: Loopers Delight <loopers-delight@reyn.net>
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Hi guys (and grrrrls),

Since I'm writing here, I'll give you an update on my latest loops.. =
I've been away from the list for 2 months because I had a big HD failure =
on my Mac..

Some video's you might like:

** Old school (but hectic also due to the form of the song and changing =
instruments) looping with a small setup.
http://www.youtube.com/watch?v=3DMuqZAqxcwjg

** Electric Looping. I really like this one because it's all electronic. =
I'm really beginning dislike these laptop acts with just prefabbed =
material turning knobs I don't really hear. In this case there is only a =
song and just a loop at the beginning and the rest is improvisation. =
Which is pretty much the concept of Reyn vs ..., but I never done it =
totally electronic.
http://www.youtube.com/watch?v=3DIx8tIOR6ACA

** Can you believe this? This guy is 19 years old..
http://www.youtube.com/watch?v=3DOV7aApNxXAs

** Did I ever show you guys this one? I like the buildup at the end.
http://www.youtube.com/watch?v=3DpFrizmXlJPA

More to see at www.reyn.vs.reyn.net.

Also I'm moving studio's this week. Going from my old on to the new one. =
Here are some construction pictures of the new studio: =
www.studio.reyn.net .. I'll update the pics soon again.

Take care,

Cheers,

Reyn.=

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 09:53:10 2011
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Subject: Re: does anyone really use Softstep?
From: Loopers Delight <loopers-delight@reyn.net>
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I used the SoftStep for the first time on my monthly "Reyn vs ..." gig =
and was pretty happy with it. I had a small set and I was actually =
looping drums with it. First loop main loop for the song, so the timing =
was very important. Timing is ok for me and I only wear Converse shoes =
on stage so that might help. Also the fact that it's so light and small =
and just needs one USB cable (inc the power) really does it for me too. =
When you have to set up so much gear the whole time it's nice to only =
spend 5 seconds on a single unit. And the lighted buttons are really =
chique too.

Only thing is that the first trigger keeps going into a Note On mode =
after I reset all the loopers (in Ableton now). But that's probably =
something I did wrong inside Ableton, although it doesn't do that with =
the other buttons that are sometimes 1 on 1 copies. Have to dive into =
that. I also read about bugs in the SoftStep or that some had to be =
taken back to the shop for a new one, what are those bugs exactly? =
'Cause I hope I at least have a healthy machine. I only used it with the =
v1.1 update btw.

Bottom line is that so far I'm really happy with it. Works really well =
in combination with my Gordius and they fit both in the same flightcase! =
:-)

Cheers,

Reyn

www.reyn.net

On Mar 25, 2011, at 8:37 AM, Louie Angulo wrote:

> it was a nice idea but in my opinion quite premature and too
> x-pensive,now If you wanna buy expensive equipment to have to find
> work arounds and wait for upgrades that adress basic stuff that other
> cheaper devices do it,i surely wont.
> The thing for me is not worth the money at the moment.I spent over a
> month trying my best with this thing,making calls to the U.S. and even
> sent a  supportive email of hope but at the end i relaized it wasnt
> gonna happen any time soon.
> i also lost the shipping as Mark did and had to mail them a few times
> to get the dow back.Sarah was very supportive though
> bad mistake bringing it to europe without letting it mature
> first,learned my lesson for good.
> Im lucky i recently found a PMC10,for 80.00dlls is not that big and it
> works great and does just about everything one can ever need
> Ah yes some people have all the luck and dont have to pay for their =
equipment.
> Which makes us just wining morons;-)
> Luis
>=20
> On Thu, Mar 24, 2011 at 10:17 PM, mark francombe =
<mark@markfrancombe.com> wrote:
>> On Wed, Mar 23, 2011 at 4:13 PM, William Walker =
<billwalker@baymoon.com> wrote:
>>> Anyone but me seeing the irony here? Do I think it can work?
>>=20
>> I really dont think there is any ironic situation here... the issues
>> that you are focusing on are not totally correct, if you are going on
>> the written word from this list without trying it yourself Bill, if
>> you have then... sorry...... all the things you mention are indeed
>> issues, but not quite as you have understood them.
>>=20
>> The size: Not really an issue, the switches are a good distance =
apart,
>> about the same as some closely packed stomp boxes. The difference =
with
>> stomp boxes (or a fcb or a LG) is the the switches don't accidentally
>> trigger if you lie you foot gently on one.
>>=20
>> The lack of raised back pedals, again, would NOT be an issue if it
>> wasn't so dangerous to touch the front row of switches.
>>=20
>> The lack of tactile feel when it switches is NOT of course about its
>> making an audible click (as you well know Bill... you cheeky little
>> monkey) Its about a TACTILE click... a FEELING that you have switched
>> something.. I ALWAYS had to check with one eye on the screen to see =
if
>> it had REALLY gone into record, or overdub, (reverse was never a
>> problem... heh heh)...
>>=20
>> Although it was light, its lack of weight really isn't a problem, its
>> flat bottomed, and doesn't wobble or slide, maybe rubber feet would
>> completely erase any issue here...
>>=20
>> As far as I was concerned, this type or rubber switches was just not
>> for me... but I tell ya... the lights... woooow man... I really miss
>> them coolio lights...
>>=20
>> Im glad you think it will work Bill, cos that means other people will =
too..
>> I want it to work, its such a good idea, and I like companies who do
>> something different and new... they deserved to do well, but I do get
>> a sneaking suspicion that... oh I dunno... Keith...hes... like... a
>> neighbour? or a friend? or the brother of the friend of your wifes
>> sisters Aunt? Cos I dont really see why you wanna defend something =
you
>> haven't got...??
>> Go spend money on it and then you might not be so pleased with it...
>>=20
>> Quite alot of people have spent (not) alot of money on it, and are =
not
>> happy.... Although they did refund me my money, they were a bit
>> difficult about it, AND of course I lost my shipping money there and
>> back, thats well over 100 dollars...
>>=20
>>=20
>> just my 1000 cents..
>>=20
>> M.
>>=20
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>>=20
>>=20
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 09:53:38 2011
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Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
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Yeh, it's a great tool. Very well made..

Cheers,

Reyn

www.reyn.net

On Mar 23, 2011, at 8:51 PM, Charles Zwicky wrote:

> Hi Rapha=EBl,
>=20
> Fantastic work..! I have ordered an iPod touch 4th gen and an Apogee =
"Jam" a/d converter.. your app will be my fist purchase... looking =
forward to it.
>=20
> -Chuck Zwicky
>=20
>> Hi Everyone !
>>=20
>> I'm Rapha=EBl, indy iPhone developer, amateur guitarist and looper
>> lover. I usually and still use an Electrix Repeater and a RC20XL,
>> which wonderfully do their job, but when I first get my hands on an
>> iPhone, some ideas began to pop up and they eventually came together
>> as an app called Everyday Looper.
>>=20
>> First, when using the Repeater, I always got the frustration of not
>> being able to visualize my recordings, as a waveform provides great
>> information about the audio signal that it represents : rhythm, =
tempo,
>> envelop of notes, silences, ... . Even more great is that it does it
>> in 2D, meaning that wherever the play cursor is, I can view these
>> infos for the entire length of my loop, so I have a representation of
>> the future before hearing it. Translated into facts, Everyday Looper
>> displays its four tracks (yes, like the Repeater ^^) waveform in full
>> screen. No buttons or anything to clutter the space.
>>=20
>> Then I wanted a "joyfull" way to interact with the looper. Real =
knobs,
>> buttons and foot switches are totally cool, but, let's face it, an
>> iPhone doesn't have any ... Virtual buttons are off, because of the
>> first feature up here and because I don't like them, simply. So I go
>> for multi-touch gestures instead. For exemple you can tap with two
>> fingers to play/pause, swipe simultaneously over multiple tracks to
>> change volume, tap and hold a track and drag it to its destination to
>> merge ... That gives a great feeling of interacting directly with
>> audio.
>>=20
>> And last, I wanted it to assist us in every way possible. So you will
>> find features as auto-normalisation, a limiter on both merge path and
>> final mix path, and quantized to loop recording.
>>=20
>> As I see it, there is two major family of looper users (and of course
>> all the shades in-between). The ambient ones, which extensively use
>> feedback, overdubbing and can be quite happy with a single loop =
track.
>> The structural ones, for which multiple track, and quantization are
>> vital. As you probably guess it, I'm more in the second category, so
>> is the looper too. At least for now ^^.
>>=20
>> Here is my website if you want more precise information, screenshots,
>> videos, ... : http://www.mancingdolecules.com . And here is the =
direct
>> link for download : http://www.itunes.com/app/EverydayLooper .
>>=20
>> The app is on sale now (2$/1.6=A4/1.2=A3) to celebrate the 1.1 update
>> which adds track merging. The usual price will be (5$/4=A4/3=A3). But =
I
>> would like to offer you a few promo codes, to download it for free, =
if
>> you have an iTunes US Store account. I can give away 5. Simply write
>> me directly through this mail (raphael@mancingdolecules.com) and I
>> will happily send you one if their is some left.
>>=20
>> Don't hesitate to tell me what you think about it, or ask me =
questions
>> if things are unclear. On this mailing list will be fine as I read it
>> regularly :).
>>=20
>> Cheers !
>>=20
>> Rapha=EBl
>=20
>=20
> --
>=20
> ...
> http://www.zmix.net
>=20
> http://www.esession.com/ChuckZwicky
>=20
> http://albumcredits.com/zmix
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 09:55:47 2011
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Louie Angulo wrote:
> Which makes us just wining morons;-)
> Luis

I reckon there's 2 sides to this.

Essentially us loopers are looking towards small
companies to develop new tools.
We also want them to modify those tools after
release to suit our needs.

We're going to have to have patience if we want
that to happen. 
If there's teething troubles with a product,
then that's to be expected.
Large companies have the budget to do extensive
testing on their products, and they also 
decide the feature set before development,
which makes testing *a lot* easier. That's
where we get the idea that a new product is going to be
perfect from day one.

The other side is that some small companies could
sometimes do a bit more to recognise this situation,
recognise the skills of their user base and
not try to behave like large companies.
Where small companies are open, and are
prepared to engage users as equals there's
hardly any whingeing and whining.

andy butler
ps and when a large company releases a product that doesn't
work...I dunnow....let's just slag 'em off :-)

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Subject: Re: Reyn vs ...
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2011/3/25 Loopers Delight loopers-delight@reyn.net

>
>
> ** Electric Looping. I really like this one because it's all electronic.
> I'm really beginning dislike these laptop acts with just prefabbed material
> turning knobs I don't really hear. In this case there is only a song and
> just a loop at the beginning and the rest is improvisation. Which is pretty
> much the concept of Reyn vs ..., but I never done it totally electronic.
> http://www.youtube.com/watch?v=Ix8tIOR6ACA
>
> Very nice! Is that the singer from Coparck?


-- 
jenko.nashorn@googlemail.com
www.myspace.com/nashorn

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<br><br>
<div class=3D"gmail_quote">2011/3/25 Loopers Delight <span dir=3D"ltr"><a h=
ref=3D"mailto:loopers-delight@reyn.net">loopers-delight@reyn.net</a></span>=
<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br><br>** Electric Looping. I r=
eally like this one because it&#39;s all electronic. I&#39;m really beginni=
ng dislike these laptop acts with just prefabbed material turning knobs I d=
on&#39;t really hear. In this case there is only a song and just a loop at =
the beginning and the rest is improvisation. Which is pretty much the conce=
pt of Reyn vs ..., but I never done it totally electronic.<br>
<a href=3D"http://www.youtube.com/watch?v=3DIx8tIOR6ACA" target=3D"_blank">=
http://www.youtube.com/watch?v=3DIx8tIOR6ACA</a><br><br></blockquote>
<div>Very nice! Is that the singer from Coparck?</div></div><br><br>-- <br>
<div><a href=3D"mailto:jenko.nashorn@googlemail.com" target=3D"_blank">jenk=
o.nashorn@googlemail.com</a></div>
<div><a href=3D"http://www.myspace.com/nashorn" target=3D"_blank">www.myspa=
ce.com/nashorn</a></div><br>

--e0cb4e70000dc82883049f4bb910--

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Johannes wrote - Very nice! Is that the singer from Coparck?

whoever he is, he's got a great voice!

must be a lot of work setting up for these gigs and then editing the video
afterwards

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<div>Johannes wrote - Very nice! Is that the singer from Coparck?<br><br>whoever he is, he&#39;s got a great voice!<br><br>must be a lot of work setting up for these gigs and then editing the video afterwards<br></div>

--000e0cd306b8493300049f4bdfbd--

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On Fri, Mar 25, 2011 at 8:58 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> yes man! great that you are mentioning the Vestax VCM-600 midi
> controller gotta check it out,ive been debating which controller to
> use for Ableton
> right now im just using the cheap nano kontrol for basic stuff
> what made you choose this over the akai or novation pads anyway?

Plus
1) Physical layout and build quality: it feels like a quality analog
mixer and that's how I prefer to work
2) Visual feedback of mute, solo buttons etc. It's bi-directional. So
if you change a parameter in Ableton triggered by an external midi
controller like an FCB, the status of the LED on the VCM-600 will be
updated
3) It's flexible: Ableton comes with a default mapping for the Vestax,
but you can overrule that per button or fader if you want to adn
create your own mapping. Also: it will work with just any host, not
just ableton.
4) USB powered

Minus
1) Size and weight
2) Price, it's 625,- EUR at Thomann. I bought mine second hand though

Regarding the Akai (398 EUR) , that's a good controller too in terms
of build quality, the physical layout is less logical compared to the
Vestax and is smaller. The Novation Launchpad (158 EUR) is a sexy
beast but that's more oriented to clip functionality which I don't use
a lot yet, at least not live. But I'm thinking of building some
interesting midi automation clips and use these the same way as I used
Mobius scripts, and for triggering the clip, the  Novation is the max
I think.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: Mobius latency compensation
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On Fri, Mar 25, 2011 at 8:45 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> why does a
> hardware drum machine(like the adrenalinn for ex.) sync perfectly when
> Mobius or the EDP are masters then? are laptops not designed to do
> this?

No. Laptops are designed to run Power Point presentations, checking
email and chatting on the fly and writing text in a word processor.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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On 7/22/64 11:59 AM, andy butler wrote:
> so...what does it do? 
Oh, I thought I had already explained that but here goes.

While you are playing your current loop,  one can with a couple of foot 
pedal
presses, call up a previous loop that you have stored on an SD card.

When you press the play/stop button,   the new loop you've called up
begins playing immediately as the loop you were just playing stops 
immediately.

When you press play/stop and then press record/overdub you begin 
recording a new loop
but your last loop was stored automatically into a song location and can 
be recalled
in this manner.   I can't remember off hand
what loop number it would be stored at (because Chris is asleep right 
now and I dasn't wake her up)
but I can tell you tomorrow.




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On Fri, Mar 25, 2011 at 11:56 AM, Per Boysen <perboysen@gmail.com> wrote:
> No. Laptops are designed to run Power Point presentations, checking
> email and chatting on the fly and writing text in a word processor.

Looking forward to your performance in Cologne next week Per! ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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On 7/22/64 11:59 AM, Loopers Delight wrote:
> ** Can you believe this? This guy is 19 years old..
> http://www.youtube.com/watch?v=OV7aApNxXAs
>
This is really beautiful, Reyn.

I'd love to play with you some day.  I hope we can make it happen.

beautiful,  just beautiful.

rick walker

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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: does anyone really use Softstep?
Date: Fri, 25 Mar 2011 13:42:08 +0100
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Andy wrote:
> Large companies have the budget to do extensive
> testing on their products, 


...like Microsoft ? 

-f

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....or even Apple?

>Andy wrote:
>>  Large companies have the budget to do extensive
>>  testing on their products,
>
>
>...like Microsoft ?
>
>-f


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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they test the look of it don't they

Chuck Zwicky wrote:
> ....or even Apple?
> 
>> Andy wrote:
>>>  Large companies have the budget to do extensive
>>>  testing on their products,
>>
>>
>> ...like Microsoft ?
>>
>> -f
> 
> 

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Subject: Re: LP2  
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LP2

Right, that's sounds pretty good.

So starting from scratch.
(and simplifying to two loops)

You record loop one.
Then you have to stop loop one before recording loop 2.

After that, you can go seemlessly between the available loops,
but it takes 2 or more presses to make the change,
having to scroll through 8 loops to find the one you
want.

So really, this is a canned loop feature that a dedicated
live looper can access with a bit of thought and practice.

A nice extra.

andy

Rick Walker wrote:
> On 7/22/64 11:59 AM, andy butler wrote:
>> so...what does it do? 
> Oh, I thought I had already explained that but here goes.
> 
> While you are playing your current loop,  one can with a couple of foot 
> pedal
> presses, call up a previous loop that you have stored on an SD card.
> 
> When you press the play/stop button,   the new loop you've called up
> begins playing immediately as the loop you were just playing stops 
> immediately.
> 
> When you press play/stop and then press record/overdub you begin 
> recording a new loop
> but your last loop was stored automatically into a song location and can 
> be recalled
> in this manner.   I can't remember off hand
> what loop number it would be stored at (because Chris is asleep right 
> now and I dasn't wake her up)
> but I can tell you tomorrow.
> 
> 
> 
> 
> 

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Subject: Re: does anyone really use Softstep?
From: Per Boysen <perboysen@gmail.com>
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Must send a ROFLMAO to that! :-)

Per


On Friday, March 25, 2011, Fabio_A <eterogenus@gmail.com> wrote:
> Andy wrote:
>> Large companies have the budget to do extensive
>> testing on their products,
>
>
> ...like Microsoft ?
>
> -f
>
>

-- 
Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 14:22:38 2011
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Subject: Re: Reyn vs ...
Date: Fri, 25 Mar 2011 07:22:35 -0700
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Nice stuff Reyn.

Good to hear from you.


On Mar 25, 2011, at 2:49 AM, Loopers Delight wrote:

> Hi guys (and grrrrls),
>
> Since I'm writing here, I'll give you an update on my latest loops..  
> I've been away from the list for 2 months because I had a big HD  
> failure on my Mac..
>
> Some video's you might like:
>
> ** Old school (but hectic also due to the form of the song and  
> changing instruments) looping with a small setup.
> http://www.youtube.com/watch?v=MuqZAqxcwjg
>
> ** Electric Looping. I really like this one because it's all  
> electronic. I'm really beginning dislike these laptop acts with just  
> prefabbed material turning knobs I don't really hear. In this case  
> there is only a song and just a loop at the beginning and the rest  
> is improvisation. Which is pretty much the concept of Reyn vs ...,  
> but I never done it totally electronic.
> http://www.youtube.com/watch?v=Ix8tIOR6ACA
>
> ** Can you believe this? This guy is 19 years old..
> http://www.youtube.com/watch?v=OV7aApNxXAs
>
> ** Did I ever show you guys this one? I like the buildup at the end.
> http://www.youtube.com/watch?v=pFrizmXlJPA
>
> More to see at www.reyn.vs.reyn.net.
>
> Also I'm moving studio's this week. Going from my old on to the new  
> one. Here are some construction pictures of the new studio:www.studio.reyn.net 
>  .. I'll update the pics soon again.
>
> Take care,
>
> Cheers,
>
> Reyn.

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Reyn - can i ask what software you used to make the videos? i may have some
multiple camera angles to compile soon and im not sure if i ca do with the
software i have

many thanks

sim

--000e0cd722127c5525049f4fec56
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Reyn - can i ask what software you used to make the videos? i may have some multiple camera angles to compile soon and im not sure if i ca do with the software i have<br><br>many thanks<br><br>sim<br>

--000e0cd722127c5525049f4fec56--

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Date: Fri, 25 Mar 2011 08:12:16 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Reyn vs ...
To: Loopers-Delight@loopers-delight.com
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--0-794775306-1301065936=:3303
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hey,

does anyone know how what video software to use in order to do a live internet 
show using several live cameras plus video content coming from the computer. 
Cameras would be firewire; how do you agregate the various firewire inputs to 
one firewire 800 plug on MacBook pro or newer iMac?

Antony Hequet



________________________________
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, March 25, 2011 4:05:25 PM
Subject: Re: Reyn vs ...

Reyn - can i ask what software you used to make the videos? i may have some 
multiple camera angles to compile soon and im not sure if i ca do with the 
software i have

many thanks

sim



      
--0-794775306-1301065936=:3303
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>hey,</div><div><br></div><div>does anyone know how what video software to use in order to do a live internet show using several live cameras plus video content coming from the computer. Cameras would be firewire; how do you agregate the various firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?</div><div><br></div><div>Antony Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Simeon Harris &lt;simeonharris40@googlemail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri,
 March 25, 2011 4:05:25 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Reyn vs ...<br></font><br>Reyn - can i ask what software you used to make the videos? i may have some multiple camera angles to compile soon and im not sure if i ca do with the software i have<br><br>many thanks<br><br>sim<br>
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-794775306-1301065936=:3303--

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Date: Fri, 25 Mar 2011 08:14:09 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: OT video software for live input
To: Loopers-Delight@loopers-delight.com
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--0-1138391378-1301066049=:56806
Content-Type: text/plain; charset=us-ascii

hey,

does anyone know how what video software to use in order to do a live internet 
show using several live cameras plus video content coming from the computer. 
Cameras would be firewire; how do you agregate the various firewire inputs to 
one firewire 800 plug on MacBook pro or newer iMac?

I would be sending the edited content live on the internet and projecting it on 
a screen all at the same time:-)

April 2nd by the way:-)

Antony Hequet


      
--0-1138391378-1301066049=:56806
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 13px;"><font class="Apple-style-span" size="6"><span class="Apple-style-span" style="font-size: 19px;"><div>hey,</div><div><br></div><div>does anyone know how what video software to use in order to do a live internet show using several live cameras plus video content coming from the computer. Cameras would be firewire; how do you agregate the various firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?</div><div><br></div><div>I would be sending the edited content live on the internet and projecting it on a screen all at the same time:-)</div><div><br></div><div>April 2nd by the way:-)</div><div><br></div><div>Antony Hequet</div></span></font></span></font></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1138391378-1301066049=:56806--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 15:24:54 2011
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I think Jeff is Duke is yer man here, but I suspect HE is doing it
with multiple computers...

If you have more than one firewire socket (i think you infered that
you dont) you should be able to connect multiple cameras.. For example
I have 1 800 and 1 400 and I can use both sockets and the webcam at
the same time... mnaybe you can find a hub?

But running music software as well??
You talk the talk of the brave my brother - he who walks the fiery
walk is honored but burnt...

M

On Fri, Mar 25, 2011 at 4:14 PM,  <antonyhequet@yahoo.com> wrote:
> hey,
> does anyone know how what video software to use in order to do a live
> internet show using several live cameras plus video content coming from the
> computer. Cameras would be firewire; how do you agregate the various
> firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
> I would be sending the edited content live on the internet and projecting it
> on a screen all at the same time:-)
> April 2nd by the way:-)
> Antony Hequet
>



-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 15:31:53 2011
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Subject: Codanova Midi Surface WAS ... OT video software for live input
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While looking for software for Antony, I found this...

Am I mistaken or does this look very very cool? Meant for VJs of
course.. but.... its midi!

http://www.codanova.com/article-new-prototype-midi-controller-codanova-vmx-v64-50855556.html

Mark

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Date: Fri, 25 Mar 2011 08:37:38 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: OT video software for live input
To: Loopers-Delight@loopers-delight.com
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--0-267600181-1301067458=:66698
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I am burnt,=0A=0Ain fact just running video on one computer and sending to =
internet and video =0Aprojector. But only have one firewire 800 port: aaarg=
ghhh, and (@=E7=E9)'=E7&=E9'&=E9=0A=0AAntony @&###=0A=0A=0A=0A_____________=
___________________=0AFrom: mark francombe <mark@markfrancombe.com>=0ATo: L=
oopers-Delight@loopers-delight.com=0ASent: Fri, March 25, 2011 4:24:33 PM=
=0ASubject: Re: OT video software for live input=0A=0AI think Jeff is Duke =
is yer man here, but I suspect HE is doing it=0Awith multiple computers...=
=0A=0AIf you have more than one firewire socket (i think you infered that=
=0Ayou dont) you should be able to connect multiple cameras.. For example=
=0AI have 1 800 and 1 400 and I can use both sockets and the webcam at=0Ath=
e same time... mnaybe you can find a hub?=0A=0ABut running music software a=
s well??=0AYou talk the talk of the brave my brother - he who walks the fie=
ry=0Awalk is honored but burnt...=0A=0AM=0A=0AOn Fri, Mar 25, 2011 at 4:14 =
PM,  <antonyhequet@yahoo.com> wrote:=0A> hey,=0A> does anyone know how what=
 video software to use in order to do a live=0A> internet show using severa=
l live cameras plus video content coming from the=0A> computer. Cameras wou=
ld be firewire; how do you agregate the various=0A> firewire inputs to one =
firewire 800 plug on MacBook pro or newer iMac?=0A> I would be sending the =
edited content live on the internet and projecting it=0A> on a screen all a=
t the same time:-)=0A> April 2nd by the way:-)=0A> Antony Hequet=0A>=0A=0A=
=0A=0A-- =0AMark Francombe=0Awww.markfrancombe.com=0Awww.ordoabkhao.com=0Ah=
ttp://vimeo.com/user825094=0Ahttp://www.looop.no=0Atwitter @markfrancombe=
=0A=0A=0A      
--0-267600181-1301067458=:66698
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Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>I am burnt,</div><div><br></div><div>in fact just running video o=
n one computer and sending to internet and video projector. But only have o=
ne firewire 800 port: aaargghhh, and (@=E7=E9)'=E7&amp;=E9'&amp;=E9</div><d=
iv><br></div><div>Antony @&amp;###</div><div style=3D"font-family:arial, he=
lvetica, sans-serif;font-size:14pt"><br><div style=3D"font-family:arial, he=
lvetica, sans-serif;font-size:13px"><font size=3D"2" face=3D"Tahoma"><hr si=
ze=3D"1"><b><span style=3D"font-weight: bold;">From:</span></b> mark franco=
mbe &lt;mark@markfrancombe.com&gt;<br><b><span style=3D"font-weight: bold;"=
>To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style=3D"fo=
nt-weight: bold;">Sent:</span></b> Fri, March 25, 2011 4:24:33 PM<br><b><sp=
an style=3D"font-weight: bold;">Subject:</span></b> Re: OT video software f=
or live
 input<br></font><br>I think Jeff is Duke is yer man here, but I suspect HE=
 is doing it<br>with multiple computers...<br><br>If you have more than one=
 firewire socket (i think you infered that<br>you dont) you should be able =
to connect multiple cameras.. For example<br>I have 1 800 and 1 400 and I c=
an use both sockets and the webcam at<br>the same time... mnaybe you can fi=
nd a hub?<br><br>But running music software as well??<br>You talk the talk =
of the brave my brother - he who walks the fiery<br>walk is honored but bur=
nt...<br><br>M<br><br>On Fri, Mar 25, 2011 at 4:14 PM,&nbsp; &lt;<a ymailto=
=3D"mailto:antonyhequet@yahoo.com" href=3D"mailto:antonyhequet@yahoo.com">a=
ntonyhequet@yahoo.com</a>&gt; wrote:<br>&gt; hey,<br>&gt; does anyone know =
how what video software to use in order to do a live<br>&gt; internet show =
using several live cameras plus video content coming from the<br>&gt; compu=
ter. Cameras would be firewire; how do you agregate the various<br>&gt;
 firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?<br>=
&gt; I would be sending the edited content live on the internet and project=
ing it<br>&gt; on a screen all at the same time:-)<br>&gt; April 2nd by the=
 way:-)<br>&gt; Antony Hequet<br>&gt;<br><br><br><br>-- <br>Mark Francombe<=
br><span><a target=3D"_blank" href=3D"http://www.markfrancombe.com">www.mar=
kfrancombe.com</a></span><br><span><a target=3D"_blank" href=3D"http://www.=
ordoabkhao.com">www.ordoabkhao.com</a></span><br><a href=3D"http://vimeo.co=
m/user825094" target=3D"_blank">http://vimeo.com/user825094</a><br><a href=
=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><br>twitt=
er @markfrancombe<br><br></div></div><div style=3D"position:fixed"></div>=
=0A=0A=0A</div><br>=0A=0A      </body></html>
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Date: Fri, 25 Mar 2011 11:44:29 -0400
Message-ID: <AANLkTimtTgYOxZk=3eYuYs-BaBaY5y1kwoppt1080_Rv@mail.gmail.com>
Subject: Re: OT video software for live input
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I was about to post on this when I read Mac and stopped.

I use Xsplit http://www.xsplit.com/ only in the "virtual camera" mode and
not as a broadcaster although it will do that. It is Windozz only though. It
is also in beta still. It will handle any number of cams/mixed media at
once.

I also use Manycam which does have a Mac version but it does not do multiple
cameras, etc like Xsplit does. http://download.manycam.com/?os=mac it will
do screen capture and movies etc but only one at a time.

So I have 3 cams and Manycam running in Xplit, you can also drop in movies
or other media and then I send that to the Flash Media Encoder for
broadcast.

Then there is Elektronica http://aestesis.eu/ which a friend is trying to
get me to use but I have been unwilling to learn it so far (oww my brain)
Windows only, he does amazing things with it!

Good luck!

j

On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com>wrote:

> I think Jeff is Duke is yer man here, but I suspect HE is doing it
> with multiple computers...
>
> If you have more than one firewire socket (i think you infered that
> you dont) you should be able to connect multiple cameras.. For example
> I have 1 800 and 1 400 and I can use both sockets and the webcam at
> the same time... mnaybe you can find a hub?
>
> But running music software as well??
> You talk the talk of the brave my brother - he who walks the fiery
> walk is honored but burnt...
>
> M
>
> On Fri, Mar 25, 2011 at 4:14 PM,  <antonyhequet@yahoo.com> wrote:
> > hey,
> > does anyone know how what video software to use in order to do a live
> > internet show using several live cameras plus video content coming from
> the
> > computer. Cameras would be firewire; how do you agregate the various
> > firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
> > I would be sending the edited content live on the internet and projecting
> it
> > on a screen all at the same time:-)
> > April 2nd by the way:-)
> > Antony Hequet
> >
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

--bcaec53f92672f0a62049f5078ef
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I was about to post on this when I read Mac and stopped. <br><br>I use Xspl=
it <a href=3D"http://www.xsplit.com/">http://www.xsplit.com/</a> only in th=
e &quot;virtual camera&quot; mode and not as a broadcaster although it will=
 do that. It is Windozz only though. It is also in beta still. It will hand=
le any number of cams/mixed media at once.<br>
<br>I also use Manycam which does have a Mac version but it does not do mul=
tiple cameras, etc like Xsplit does. <a href=3D"http://download.manycam.com=
/?os=3Dmac">http://download.manycam.com/?os=3Dmac</a> it will do screen cap=
ture and movies etc but only one at a time.<br>
<br>So I have 3 cams and Manycam running in Xplit, you can also drop in mov=
ies or other media and then I send that to the Flash Media Encoder for broa=
dcast.<br><br>Then there is Elektronica <a href=3D"http://aestesis.eu/">htt=
p://aestesis.eu/</a> which a friend is trying to get me to use but I have b=
een unwilling to learn it so far (oww my brain) Windows only, he does amazi=
ng things with it!<br>
<br>Good luck!<br><br>j<br><br><div class=3D"gmail_quote">On Fri, Mar 25, 2=
011 at 11:24 AM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mar=
k@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left=
: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I think Jeff is Duke is yer man here, but I suspect HE is doing it<br>
with multiple computers...<br>
<br>
If you have more than one firewire socket (i think you infered that<br>
you dont) you should be able to connect multiple cameras.. For example<br>
I have 1 800 and 1 400 and I can use both sockets and the webcam at<br>
the same time... mnaybe you can find a hub?<br>
<br>
But running music software as well??<br>
You talk the talk of the brave my brother - he who walks the fiery<br>
walk is honored but burnt...<br>
<br>
M<br>
<br>
On Fri, Mar 25, 2011 at 4:14 PM, =A0&lt;<a href=3D"mailto:antonyhequet@yaho=
o.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>
&gt; hey,<br>
&gt; does anyone know how what video software to use in order to do a live<=
br>
&gt; internet show using several live cameras plus video content coming fro=
m the<br>
&gt; computer. Cameras would be firewire; how do you agregate the various<b=
r>
&gt; firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?=
<br>
&gt; I would be sending the edited content live on the internet and project=
ing it<br>
&gt; on a screen all at the same time:-)<br>
&gt; April 2nd by the way:-)<br>
&gt; Antony Hequet<br>
&gt;<br>
<font color=3D"#888888"><br>
<br>
<br>
--<br>
Mark Francombe<br>
<a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancomb=
e.com</a><br>
<a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com<=
/a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><b=
r>
twitter @markfrancombe<br>
</font></blockquote></div><br>

--bcaec53f92672f0a62049f5078ef--

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From: Antony Hequet <antonyhequet@yahoo.com>
X-Apple-Yahoo-Replied-Msgid: 1_8812650_ANVSimIAAC1zTYy4agUk9RNSphg
Subject: Re: OT video software for live input
Date: Fri, 25 Mar 2011 16:46:22 +0100
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Thanks!
Owwwy Black hole eeuuuh brain damage!
A

Sent from my iPhone

On 2011-03-25, at 16:44, Jeff Duke <jeffloops@gmail.com> wrote:

> I was about to post on this when I read Mac and stopped.=20
>=20
> I use Xsplit http://www.xsplit.com/ only in the "virtual camera" mode and n=
ot as a broadcaster although it will do that. It is Windozz only though. It i=
s also in beta still. It will handle any number of cams/mixed media at once.=

>=20
> I also use Manycam which does have a Mac version but it does not do multip=
le cameras, etc like Xsplit does. http://download.manycam.com/?os=3Dmac it w=
ill do screen capture and movies etc but only one at a time.
>=20
> So I have 3 cams and Manycam running in Xplit, you can also drop in movies=
 or other media and then I send that to the Flash Media Encoder for broadcas=
t.
>=20
> Then there is Elektronica http://aestesis.eu/ which a friend is trying to g=
et me to use but I have been unwilling to learn it so far (oww my brain) Win=
dows only, he does amazing things with it!
>=20
> Good luck!
>=20
> j
>=20
> On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com> w=
rote:
> I think Jeff is Duke is yer man here, but I suspect HE is doing it
> with multiple computers...
>=20
> If you have more than one firewire socket (i think you infered that
> you dont) you should be able to connect multiple cameras.. For example
> I have 1 800 and 1 400 and I can use both sockets and the webcam at
> the same time... mnaybe you can find a hub?
>=20
> But running music software as well??
> You talk the talk of the brave my brother - he who walks the fiery
> walk is honored but burnt...
>=20
> M
>=20
> On Fri, Mar 25, 2011 at 4:14 PM,  <antonyhequet@yahoo.com> wrote:
> > hey,
> > does anyone know how what video software to use in order to do a live
> > internet show using several live cameras plus video content coming from t=
he
> > computer. Cameras would be firewire; how do you agregate the various
> > firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
> > I would be sending the edited content live on the internet and projectin=
g it
> > on a screen all at the same time:-)
> > April 2nd by the way:-)
> > Antony Hequet
> >
>=20
>=20
>=20
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>=20

--Apple-Mail-2-638237000
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	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Thanks!</div><div>Owwwy Black hole eeuuuh brain damage!</div><div>A<br><br>Sent from my iPhone</div><div><br>On 2011-03-25, at 16:44, Jeff Duke &lt;<a href="mailto:jeffloops@gmail.com">jeffloops@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>I was about to post on this when I read Mac and stopped. <br><br>I use Xsplit <a href="http://www.xsplit.com/"><a href="http://www.xsplit.com/">http://www.xsplit.com/</a></a> only in the "virtual camera" mode and not as a broadcaster although it will do that. It is Windozz only though. It is also in beta still. It will handle any number of cams/mixed media at once.<br>
<br>I also use Manycam which does have a Mac version but it does not do multiple cameras, etc like Xsplit does. <a href="http://download.manycam.com/?os=mac"><a href="http://download.manycam.com/?os=mac">http://download.manycam.com/?os=mac</a></a> it will do screen capture and movies etc but only one at a time.<br>
<br>So I have 3 cams and Manycam running in Xplit, you can also drop in movies or other media and then I send that to the Flash Media Encoder for broadcast.<br><br>Then there is Elektronica <a href="http://aestesis.eu/"><a href="http://aestesis.eu/">http://aestesis.eu/</a></a> which a friend is trying to get me to use but I have been unwilling to learn it so far (oww my brain) Windows only, he does amazing things with it!<br>
<br>Good luck!<br><br>j<br><br><div class="gmail_quote">On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <span dir="ltr">&lt;<a href="mailto:mark@markfrancombe.com"><a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a></a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I think Jeff is Duke is yer man here, but I suspect HE is doing it<br>
with multiple computers...<br>
<br>
If you have more than one firewire socket (i think you infered that<br>
you dont) you should be able to connect multiple cameras.. For example<br>
I have 1 800 and 1 400 and I can use both sockets and the webcam at<br>
the same time... mnaybe you can find a hub?<br>
<br>
But running music software as well??<br>
You talk the talk of the brave my brother - he who walks the fiery<br>
walk is honored but burnt...<br>
<br>
M<br>
<br>
On Fri, Mar 25, 2011 at 4:14 PM, &nbsp;&lt;<a href="mailto:antonyhequet@yahoo.com"><a href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a></a>&gt; wrote:<br>
&gt; hey,<br>
&gt; does anyone know how what video software to use in order to do a live<br>
&gt; internet show using several live cameras plus video content coming from the<br>
&gt; computer. Cameras would be firewire; how do you agregate the various<br>
&gt; firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?<br>
&gt; I would be sending the edited content live on the internet and projecting it<br>
&gt; on a screen all at the same time:-)<br>
&gt; April 2nd by the way:-)<br>
&gt; Antony Hequet<br>
&gt;<br>
<font color="#888888"><br>
<br>
<br>
--<br>
Mark Francombe<br>
<a href="http://www.markfrancombe.com" target="_blank"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br>
<a href="http://www.ordoabkhao.com" target="_blank"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>
<a href="http://vimeo.com/user825094" target="_blank"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br>
<a href="http://www.looop.no" target="_blank"><a href="http://www.looop.no">http://www.looop.no</a></a><br>
twitter @markfrancombe<br>
</font></blockquote></div><br>
</div></blockquote></body></html>
--Apple-Mail-2-638237000--

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Date: Fri, 25 Mar 2011 11:52:55 -0400
Message-ID: <AANLkTimk9gJr9ZY=1P_XcZ14mqZpbvTEa4-nJjOuXiXr@mail.gmail.com>
Subject: Re: OT video software for live input
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf307f328659cb73049f5096e8
Content-Type: text/plain; charset=ISO-8859-1

One more thing, I only use 2 computers when I am Ninjamming. Then I send the
audio from one to the machine running the video apps from broadcast. I am
not running any software for looping or any of that, hardware guy here for
that :)

j

On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com>wrote:

> I think Jeff is Duke is yer man here, but I suspect HE is doing it
> with multiple computers...
>
> If you have more than one firewire socket (i think you infered that
> you dont) you should be able to connect multiple cameras.. For example
> I have 1 800 and 1 400 and I can use both sockets and the webcam at
> the same time... mnaybe you can find a hub?
>
> But running music software as well??
> You talk the talk of the brave my brother - he who walks the fiery
> walk is honored but burnt...
>
> M
>
> On Fri, Mar 25, 2011 at 4:14 PM,  <antonyhequet@yahoo.com> wrote:
> > hey,
> > does anyone know how what video software to use in order to do a live
> > internet show using several live cameras plus video content coming from
> the
> > computer. Cameras would be firewire; how do you agregate the various
> > firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
> > I would be sending the edited content live on the internet and projecting
> it
> > on a screen all at the same time:-)
> > April 2nd by the way:-)
> > Antony Hequet
> >
>
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>

--20cf307f328659cb73049f5096e8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

One more thing, I only use 2 computers when I am Ninjamming. Then I send th=
e audio from one to the machine running the video apps from broadcast. I am=
 not running any software for looping or any of that, hardware guy here for=
 that :)<br>
<br>j<br><br><div class=3D"gmail_quote">On Fri, Mar 25, 2011 at 11:24 AM, m=
ark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.co=
m">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">
I think Jeff is Duke is yer man here, but I suspect HE is doing it<br>
with multiple computers...<br>
<br>
If you have more than one firewire socket (i think you infered that<br>
you dont) you should be able to connect multiple cameras.. For example<br>
I have 1 800 and 1 400 and I can use both sockets and the webcam at<br>
the same time... mnaybe you can find a hub?<br>
<br>
But running music software as well??<br>
You talk the talk of the brave my brother - he who walks the fiery<br>
walk is honored but burnt...<br>
<br>
M<br>
<br>
On Fri, Mar 25, 2011 at 4:14 PM, =A0&lt;<a href=3D"mailto:antonyhequet@yaho=
o.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>
&gt; hey,<br>
&gt; does anyone know how what video software to use in order to do a live<=
br>
&gt; internet show using several live cameras plus video content coming fro=
m the<br>
&gt; computer. Cameras would be firewire; how do you agregate the various<b=
r>
&gt; firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?=
<br>
&gt; I would be sending the edited content live on the internet and project=
ing it<br>
&gt; on a screen all at the same time:-)<br>
&gt; April 2nd by the way:-)<br>
&gt; Antony Hequet<br>
&gt;<br>
<font color=3D"#888888"><br>
<br>
<br>
--<br>
Mark Francombe<br>
<a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancomb=
e.com</a><br>
<a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com<=
/a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><b=
r>
twitter @markfrancombe<br>
</font></blockquote></div><br>

--20cf307f328659cb73049f5096e8--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 15:58:15 2011
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Date: Fri, 25 Mar 2011 14:56:07 +0000
Subject: Looper that spits out separate click track
From: Billy Thompson <billy@thompsoundmusic.co.uk>
To: <Loopers-Delight@loopers-delight.com>
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Hello everyone...

I was wondering whether some of you could suggest a looper to me with which
I could send out a separate rhythm track to a drummer for instance.

I currently use the Digitech JamMan which is fairly good for my needs (even
though they brought the stereo version out not long after my purchase). This
has a built in rhythm track with 8 or so basic click sounds.

The loop you then create locks nicely to this if this is the function you
choose.

If I could have this click in my ear and not playing out front then a
perfectly in time loop would sound much more natural. Further to this what I
would really like as mentioned in the first paragraph would be for the click
track to be constantly in a drummer's ear so the drummer and I could create
in sync.

Suggestions please if I've been clear enough... I'm basically still after a
foot pedal but all suggestions welcomed...

Many thanks,

Billy
http://www.billythompson.co.uk


From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 16:16:12 2011
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Subject: Re: does anyone really use Softstep?
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Yes Reyn,this also happened with that same button and i remeber n the
softstep yahoo groups someone else mentioned it.
Back then i was not able to use it as a stand alone,it was dependent
on the software and it kept crashing on me and not saving my presets,i
had to reboot the computer so many times,the update back then i think
1.31 was even worse.But that might have changed now,are u using it as
stand alone?
I like everything else though,the lights,the size and all of the midi
comands you can send.Aside of the back row not being a bit higher to
trigger those buttons, which i could live with, i also found it a bit
tricky when scrolling to banks. All in all i didnt feel comfortable
enough for me to take on the road which is why i initially bought it
for.
Though i think once all the bugs are ironed out,i think ill look for
another one in ebay sometime.The size is whats still mostly atractive
for me!!
Luis





> Only thing is that the first trigger keeps going into a Note On mode afte=
r I reset all the loopers (in Ableton now). But that's probably something I=
 did wrong inside Ableton, although it doesn't do that with the other butto=
ns that are sometimes 1 on 1 copies. Have to dive into that. I also read ab=
out bugs in the SoftStep or that some had to be taken back to the shop for =
a new one, what are those bugs exactly? 'Cause I hope I at least have a hea=
lthy machine. I only used it with the v1.1 update btw.
>
> Bottom line is that so far I'm really happy with it. Works really well in=
 combination with my Gordius and they fit both in the same flightcase! :-)
>
> Cheers,
>
> Reyn
>
> www.reyn.net
>
> On Mar 25, 2011, at 8:37 AM, Louie Angulo wrote:
>
>> it was a nice idea but in my opinion quite premature and too
>> x-pensive,now If you wanna buy expensive equipment to have to find
>> work arounds and wait for upgrades that adress basic stuff that other
>> cheaper devices do it,i surely wont.
>> The thing for me is not worth the money at the moment.I spent over a
>> month trying my best with this thing,making calls to the U.S. and even
>> sent a =A0supportive email of hope but at the end i relaized it wasnt
>> gonna happen any time soon.
>> i also lost the shipping as Mark did and had to mail them a few times
>> to get the dow back.Sarah was very supportive though
>> bad mistake bringing it to europe without letting it mature
>> first,learned my lesson for good.
>> Im lucky i recently found a PMC10,for 80.00dlls is not that big and it
>> works great and does just about everything one can ever need
>> Ah yes some people have all the luck and dont have to pay for their equi=
pment.
>> Which makes us just wining morons;-)
>> Luis
>>
>> On Thu, Mar 24, 2011 at 10:17 PM, mark francombe <mark@markfrancombe.com=
> wrote:
>>> On Wed, Mar 23, 2011 at 4:13 PM, William Walker <billwalker@baymoon.com=
> wrote:
>>>> Anyone but me seeing the irony here? Do I think it can work?
>>>
>>> I really dont think there is any ironic situation here... the issues
>>> that you are focusing on are not totally correct, if you are going on
>>> the written word from this list without trying it yourself Bill, if
>>> you have then... sorry...... all the things you mention are indeed
>>> issues, but not quite as you have understood them.
>>>
>>> The size: Not really an issue, the switches are a good distance apart,
>>> about the same as some closely packed stomp boxes. The difference with
>>> stomp boxes (or a fcb or a LG) is the the switches don't accidentally
>>> trigger if you lie you foot gently on one.
>>>
>>> The lack of raised back pedals, again, would NOT be an issue if it
>>> wasn't so dangerous to touch the front row of switches.
>>>
>>> The lack of tactile feel when it switches is NOT of course about its
>>> making an audible click (as you well know Bill... you cheeky little
>>> monkey) Its about a TACTILE click... a FEELING that you have switched
>>> something.. I ALWAYS had to check with one eye on the screen to see if
>>> it had REALLY gone into record, or overdub, (reverse was never a
>>> problem... heh heh)...
>>>
>>> Although it was light, its lack of weight really isn't a problem, its
>>> flat bottomed, and doesn't wobble or slide, maybe rubber feet would
>>> completely erase any issue here...
>>>
>>> As far as I was concerned, this type or rubber switches was just not
>>> for me... but I tell ya... the lights... woooow man... I really miss
>>> them coolio lights...
>>>
>>> Im glad you think it will work Bill, cos that means other people will t=
oo..
>>> I want it to work, its such a good idea, and I like companies who do
>>> something different and new... they deserved to do well, but I do get
>>> a sneaking suspicion that... oh I dunno... Keith...hes... like... a
>>> neighbour? or a friend? or the brother of the friend of your wifes
>>> sisters Aunt? Cos I dont really see why you wanna defend something you
>>> haven't got...??
>>> Go spend money on it and then you might not be so pleased with it...
>>>
>>> Quite alot of people have spent (not) alot of money on it, and are not
>>> happy.... Although they did refund me my money, they were a bit
>>> difficult about it, AND of course I lost my shipping money there and
>>> back, thats well over 100 dollars...
>>>
>>>
>>> just my 1000 cents..
>>>
>>> M.
>>>
>>> --
>>> Mark Francombe
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> http://vimeo.com/user825094
>>> http://www.looop.no
>>> twitter @markfrancombe
>>>
>>>
>>
>>
>>
>> --
>> www.luis-angulo.com
>>
>>
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 16:19:08 2011
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Subject: Re: Looper that spits out separate click track
From: Daniel Thomas <danielthomas4@mac.com>
In-reply-to: <C9B25D87.242F3%billy@thompsoundmusic.co.uk>
Date: Fri, 25 Mar 2011 09:19:02 -0700
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Hi Billy

midi clock output is what is needed to drive another device in sync with your looper.  If your looper has a midi out port and supports midi clock, you can spit tempo data at any midi instrument (HW or SW) and then route the resulting audio to a drummers headphone cue.  Make sense?

Many loopers do this... But I don't think the digitech does.  This feature is frequently missing from stomp box style loopers.


d
On Mar 25, 2011, at 7:56 AM, Billy Thompson wrote:

> Hello everyone...
> 
> I was wondering whether some of you could suggest a looper to me with which
> I could send out a separate rhythm track to a drummer for instance.
> 
> I currently use the Digitech JamMan which is fairly good for my needs (even
> though they brought the stereo version out not long after my purchase). This
> has a built in rhythm track with 8 or so basic click sounds.
> 
> The loop you then create locks nicely to this if this is the function you
> choose.
> 
> If I could have this click in my ear and not playing out front then a
> perfectly in time loop would sound much more natural. Further to this what I
> would really like as mentioned in the first paragraph would be for the click
> track to be constantly in a drummer's ear so the drummer and I could create
> in sync.
> 
> Suggestions please if I've been clear enough... I'm basically still after a
> foot pedal but all suggestions welcomed...
> 
> Many thanks,
> 
> Billy
> http://www.billythompson.co.uk
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 16:21:00 2011
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Subject: Re: Mobius latency compensation
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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though Macbooks did at least though,they come with audio programs like
garage band and i see pro musicians using them all the time...

> No. Laptops are designed to run Power Point presentations, checking
> email and chatting on the fly and writing text in a word processor.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>



-- 
www.luis-angulo.com

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Date: Fri, 25 Mar 2011 11:48:46 -0500
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Subject: Re: Mobius latency compensation
From: Jeff Larson <jeff.larson@sailpoint.com>
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--20cf302acfd011bac9049f515e57
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> are laptops not designed to do this?

I would say it's more a problem with the software, in this case
Ableton and/or Mobius and not the laptop.  It is true that the OS may
introduce some jitter in the MIDI clocks that might not be there in a
hardware drum machine.  But it's also possible for the software to
compensate for jitter.

Ableton has a reputation for not being able to sync to MIDI clocks
very well, but I think it is mostly when the tempo of the clocks is
changing.  If the clock tempo stays constant it should be able to sync
fairly well.  I know several people have done this with Mobius.

Going back to the tempo mismatch, can you give me an example of
the difference?  How far apart were they?

Jeff

--20cf302acfd011bac9049f515e57
Content-Type: text/html; charset=ISO-8859-1
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<div><br></div><div>&gt; are laptops not designed to do this?</div><div><br=
></div><div>I would say it&#39;s more a problem with the software, in this =
case</div><div>Ableton and/or Mobius and not the laptop. =A0It is true that=
 the OS may</div>
<div>introduce some jitter in the MIDI clocks that might not be there in a<=
/div><div>hardware drum machine. =A0But it&#39;s also possible for the soft=
ware to</div><div>compensate for jitter.</div><div><br></div><div>Ableton h=
as a reputation for not being able to sync to MIDI clocks</div>
<div>very well, but I think it is mostly when the tempo of the clocks is</d=
iv><div>changing. =A0If the clock tempo stays constant it should be able to=
 sync</div><div>fairly well. =A0I know several people have done this with M=
obius.</div>
<div><br></div><div>Going back to the tempo mismatch, can you give me an ex=
ample of</div><div>the difference? =A0How far apart were they?</div><div><b=
r></div><div>Jeff</div><div><br></div>

--20cf302acfd011bac9049f515e57--

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Subject: Re: Mobius latency compensation
From: Louie Angulo <louie.angulo@googlemail.com>
To: Jeff Larson <jeff.larson@sailpoint.com>
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not very far Jeff, for ex. mobius showed 119.00 BPM and Ableton would
show 119.14
but they did sound synced even though the difference is not that bad..
Do you really get them to rhytmically sync perfectly when mobius is
the master? id be a very happy camper if i could get this
going,believe id rather use mobius as my main looper!
Luis






On Fri, Mar 25, 2011 at 5:48 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
>
>> are laptops not designed to do this?
> I would say it's more a problem with the software, in this case
> Ableton and/or Mobius and not the laptop. =A0It is true that the OS may
> introduce some jitter in the MIDI clocks that might not be there in a
> hardware drum machine. =A0But it's also possible for the software to
> compensate for jitter.
> Ableton has a reputation for not being able to sync to MIDI clocks
> very well, but I think it is mostly when the tempo of the clocks is
> changing. =A0If the clock tempo stays constant it should be able to sync
> fairly well. =A0I know several people have done this with Mobius.
> Going back to the tempo mismatch, can you give me an example of
> the difference? =A0How far apart were they?
> Jeff
>



--=20
www.luis-angulo.com

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Subject: Re: Mobius latency compensation
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sorry i meant they did "not" sound synced even though the difference
ias not that far apart!

On Fri, Mar 25, 2011 at 5:58 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> not very far Jeff, for ex. mobius showed 119.00 BPM and Ableton would
> show 119.14
> but they did sound synced even though the difference is not that bad..
> Do you really get them to rhytmically sync perfectly when mobius is
> the master? id be a very happy camper if i could get this
> going,believe id rather use mobius as my main looper!
> Luis
>
>
>
>
>
>
> On Fri, Mar 25, 2011 at 5:48 PM, Jeff Larson <jeff.larson@sailpoint.com> =
wrote:
>>
>>> are laptops not designed to do this?
>> I would say it's more a problem with the software, in this case
>> Ableton and/or Mobius and not the laptop. =A0It is true that the OS may
>> introduce some jitter in the MIDI clocks that might not be there in a
>> hardware drum machine. =A0But it's also possible for the software to
>> compensate for jitter.
>> Ableton has a reputation for not being able to sync to MIDI clocks
>> very well, but I think it is mostly when the tempo of the clocks is
>> changing. =A0If the clock tempo stays constant it should be able to sync
>> fairly well. =A0I know several people have done this with Mobius.
>> Going back to the tempo mismatch, can you give me an example of
>> the difference? =A0How far apart were they?
>> Jeff
>>
>
>
>
> --
> www.luis-angulo.com
>



--=20
www.luis-angulo.com

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Subject: LP2 shipping date?
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Has anyone heard a peep about the shipping date? I pre-ordered one.
Last I heard was "March".

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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Subject: Re: Reyn vs ...
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Hi Sim, I use Final Cut Pro for it. There's this great feature where you =
can really choose different angles like you would do if you were a =
director directing a live show.

Cheers,

Reyn.

On Mar 25, 2011, at 4:05 PM, Simeon Harris wrote:

> Reyn - can i ask what software you used to make the videos? i may have =
some multiple camera angles to compile soon and im not sure if i ca do =
with the software i have
>=20
> many thanks
>=20
> sim

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Subject: Re: Reyn vs ...
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Yeh, it's the singer from Coparck. I actually produced their last 2 =
records. They splitted up this year though.. He now has this solo =
project called Chop Wood.

Cheers,

Reyn.

On Mar 25, 2011, at 11:04 AM, Johannes Korn wrote:

>=20
>=20
> 2011/3/25 Loopers Delight loopers-delight@reyn.net
>=20
>=20
> ** Electric Looping. I really like this one because it's all =
electronic. I'm really beginning dislike these laptop acts with just =
prefabbed material turning knobs I don't really hear. In this case there =
is only a song and just a loop at the beginning and the rest is =
improvisation. Which is pretty much the concept of Reyn vs ..., but I =
never done it totally electronic.
> http://www.youtube.com/watch?v=3DIx8tIOR6ACA
>=20
> Very nice! Is that the singer from Coparck?
>=20
>=20
> --=20
> jenko.nashorn@googlemail.com
> www.myspace.com/nashorn
>=20


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Yeh, it's the singer from Coparck. I actually produced their last 2 records. They splitted up this year though.. He now has this solo project called Chop Wood.</div><div><br></div><div>Cheers,</div><div><br></div><div>Reyn.</div><br><div><div>On Mar 25, 2011, at 11:04 AM, Johannes Korn wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><br><br>
<div class="gmail_quote">2011/3/25 Loopers Delight <span dir="ltr"><a href="mailto:loopers-delight@reyn.net">loopers-delight@reyn.net</a></span><br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br><br>** Electric Looping. I really like this one because it's all electronic. I'm really beginning dislike these laptop acts with just prefabbed material turning knobs I don't really hear. In this case there is only a song and just a loop at the beginning and the rest is improvisation. Which is pretty much the concept of Reyn vs ..., but I never done it totally electronic.<br>
<a href="http://www.youtube.com/watch?v=Ix8tIOR6ACA" target="_blank">http://www.youtube.com/watch?v=Ix8tIOR6ACA</a><br><br></blockquote>
<div>Very nice! Is that the singer from Coparck?</div></div><br><br>-- <br>
<div><a href="mailto:jenko.nashorn@googlemail.com" target="_blank">jenko.nashorn@googlemail.com</a></div>
<div><a href="http://www.myspace.com/nashorn" target="_blank">www.myspace.com/nashorn</a></div><br>
</blockquote></div><br></body></html>
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Subject: Re: Looper that spits out separate click track
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Never tried, but I think the beat synch out on an EDP is a click...

Sent from my (advertisement removed)

On 25 Mar 2011, at 17:19, Daniel Thomas <danielthomas4@mac.com> wrote:

> Hi Billy
>
> midi clock output is what is needed to drive another device in sync with =
your looper.  If your looper has a midi out port and supports midi clock, y=
ou can spit tempo data at any midi instrument (HW or SW) and then route the=
 resulting audio to a drummers headphone cue.  Make sense?
>
> Many loopers do this... But I don't think the digitech does.  This featur=
e is frequently missing from stomp box style loopers.
>
>
> d
> On Mar 25, 2011, at 7:56 AM, Billy Thompson wrote:
>
>> Hello everyone...
>>
>> I was wondering whether some of you could suggest a looper to me with wh=
ich
>> I could send out a separate rhythm track to a drummer for instance.
>>
>> I currently use the Digitech JamMan which is fairly good for my needs (e=
ven
>> though they brought the stereo version out not long after my purchase). =
This
>> has a built in rhythm track with 8 or so basic click sounds.
>>
>> The loop you then create locks nicely to this if this is the function yo=
u
>> choose.
>>
>> If I could have this click in my ear and not playing out front then a
>> perfectly in time loop would sound much more natural. Further to this wh=
at I
>> would really like as mentioned in the first paragraph would be for the c=
lick
>> track to be constantly in a drummer's ear so the drummer and I could cre=
ate
>> in sync.
>>
>> Suggestions please if I've been clear enough... I'm basically still afte=
r a
>> foot pedal but all suggestions welcomed...
>>
>> Many thanks,
>>
>> Billy
>> http://www.billythompson.co.uk
>>
>>
>

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Am I just hallucianating (very possible lol) or am I the only one seeing
the giant elephant in the corner here?

A looper is gonna have to have foot control, period, I think, right?
Unless we are just talking beat boxing which I know we aren't.

So, developers, why not get the Line 6 I/whatever to Midi interface and
make us a looper that will respond to midi? It works, I/ve seen it work
several times at NAMM.

Having said that, just yesterday I had a related experience. At NAMM,
with all the Iwhats floating around and being used, you would think they
were gonna take over the world. But yesterday I was at the Sam Ash in
Charlotte and they had not one thing in the store related to Iwhats. No
mic stand holders, no Iwhat to midi interface, nothing. They said they
had the Line Six interface for a while but sold it and "it wasn't a fast
mover, we haven't restocked it" I said, "well I've been in here twice to
buy one, trying to shop locally, so I will just order off the internet I
guess"  Them "Oh we'll order you one" Right, let me drive two hours to
Charlotte again to pick something up that you should have in stock, not.

The Istorm does not look like you could say that it is really "looming"
yet.

On the brighter side, been pissin and moanin about the LP1 not sending
midi commands in the new versions, so decided to do something about it
and got the midi-solutions Event Processor Plus, and having now to
refigure my midi layouts, fies the prob thou, programming looks easy and
I can see I need another one to set up so that with one program change I
can set up a whole song. Yeah, yeah Gordius I know, but this is a
cheaper and faster way out as I am happy with my pedal situation.

Andy o

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Subject: Re: Reyn vs ...
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On Mar 25, 2011, at 11:15 AM, Simeon Harris wrote:

> Johannes wrote - Very nice! Is that the singer from Coparck?
>=20
> whoever he is, he's got a great voice!
>=20
> must be a lot of work setting up for these gigs and then editing the =
video afterwards

Nah, I got into a nice routine already. My setup is very practical and =
quick to setup. Lot of pre-cabling etc. And there are no rehearsals. I =
really 'stick' myself to the artist which is actually why the adrenaline =
rush is so great. He does his songs and I glue myself to him as tasteful =
as possible. And most of the looping ideas I get while in the car. My =
solfege is pretty ok, so I don't need too much time to learn the songs =
either. With the 'directors' function in Final Cut Pro it's very easy to =
make a nice cut of the movies. And mixing is a walk in the park for me =
since that's pretty much part of what I do as a living.

Cheers,

Reyn.

www.reyn.net
www.studio.reyn.net
www.reyn.vs.reyn.net=

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Subject: Re: does anyone really use Softstep?
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Thanks Luis. So the button is software related, not hardware? I use it =
with my laptop and Ableton. I really love the editor. I don't use the =
scrolling though. R.

On Mar 25, 2011, at 5:16 PM, Louie Angulo wrote:

> Yes Reyn,this also happened with that same button and i remeber n the
> softstep yahoo groups someone else mentioned it.
> Back then i was not able to use it as a stand alone,it was dependent
> on the software and it kept crashing on me and not saving my presets,i
> had to reboot the computer so many times,the update back then i think
> 1.31 was even worse.But that might have changed now,are u using it as
> stand alone?
> I like everything else though,the lights,the size and all of the midi
> comands you can send.Aside of the back row not being a bit higher to
> trigger those buttons, which i could live with, i also found it a bit
> tricky when scrolling to banks. All in all i didnt feel comfortable
> enough for me to take on the road which is why i initially bought it
> for.
> Though i think once all the bugs are ironed out,i think ill look for
> another one in ebay sometime.The size is whats still mostly atractive
> for me!!
> Luis
>=20
>=20
>=20
>=20
>=20
>> Only thing is that the first trigger keeps going into a Note On mode =
after I reset all the loopers (in Ableton now). But that's probably =
something I did wrong inside Ableton, although it doesn't do that with =
the other buttons that are sometimes 1 on 1 copies. Have to dive into =
that. I also read about bugs in the SoftStep or that some had to be =
taken back to the shop for a new one, what are those bugs exactly? =
'Cause I hope I at least have a healthy machine. I only used it with the =
v1.1 update btw.
>>=20
>> Bottom line is that so far I'm really happy with it. Works really =
well in combination with my Gordius and they fit both in the same =
flightcase! :-)
>>=20
>> Cheers,
>>=20
>> Reyn
>>=20
>> www.reyn.net
>>=20
>> On Mar 25, 2011, at 8:37 AM, Louie Angulo wrote:
>>=20
>>> it was a nice idea but in my opinion quite premature and too
>>> x-pensive,now If you wanna buy expensive equipment to have to find
>>> work arounds and wait for upgrades that adress basic stuff that =
other
>>> cheaper devices do it,i surely wont.
>>> The thing for me is not worth the money at the moment.I spent over a
>>> month trying my best with this thing,making calls to the U.S. and =
even
>>> sent a  supportive email of hope but at the end i relaized it wasnt
>>> gonna happen any time soon.
>>> i also lost the shipping as Mark did and had to mail them a few =
times
>>> to get the dow back.Sarah was very supportive though
>>> bad mistake bringing it to europe without letting it mature
>>> first,learned my lesson for good.
>>> Im lucky i recently found a PMC10,for 80.00dlls is not that big and =
it
>>> works great and does just about everything one can ever need
>>> Ah yes some people have all the luck and dont have to pay for their =
equipment.
>>> Which makes us just wining morons;-)
>>> Luis
>>>=20
>>> On Thu, Mar 24, 2011 at 10:17 PM, mark francombe =
<mark@markfrancombe.com> wrote:
>>>> On Wed, Mar 23, 2011 at 4:13 PM, William Walker =
<billwalker@baymoon.com> wrote:
>>>>> Anyone but me seeing the irony here? Do I think it can work?
>>>>=20
>>>> I really dont think there is any ironic situation here... the =
issues
>>>> that you are focusing on are not totally correct, if you are going =
on
>>>> the written word from this list without trying it yourself Bill, if
>>>> you have then... sorry...... all the things you mention are indeed
>>>> issues, but not quite as you have understood them.
>>>>=20
>>>> The size: Not really an issue, the switches are a good distance =
apart,
>>>> about the same as some closely packed stomp boxes. The difference =
with
>>>> stomp boxes (or a fcb or a LG) is the the switches don't =
accidentally
>>>> trigger if you lie you foot gently on one.
>>>>=20
>>>> The lack of raised back pedals, again, would NOT be an issue if it
>>>> wasn't so dangerous to touch the front row of switches.
>>>>=20
>>>> The lack of tactile feel when it switches is NOT of course about =
its
>>>> making an audible click (as you well know Bill... you cheeky little
>>>> monkey) Its about a TACTILE click... a FEELING that you have =
switched
>>>> something.. I ALWAYS had to check with one eye on the screen to see =
if
>>>> it had REALLY gone into record, or overdub, (reverse was never a
>>>> problem... heh heh)...
>>>>=20
>>>> Although it was light, its lack of weight really isn't a problem, =
its
>>>> flat bottomed, and doesn't wobble or slide, maybe rubber feet would
>>>> completely erase any issue here...
>>>>=20
>>>> As far as I was concerned, this type or rubber switches was just =
not
>>>> for me... but I tell ya... the lights... woooow man... I really =
miss
>>>> them coolio lights...
>>>>=20
>>>> Im glad you think it will work Bill, cos that means other people =
will too..
>>>> I want it to work, its such a good idea, and I like companies who =
do
>>>> something different and new... they deserved to do well, but I do =
get
>>>> a sneaking suspicion that... oh I dunno... Keith...hes... like... a
>>>> neighbour? or a friend? or the brother of the friend of your wifes
>>>> sisters Aunt? Cos I dont really see why you wanna defend something =
you
>>>> haven't got...??
>>>> Go spend money on it and then you might not be so pleased with =
it...
>>>>=20
>>>> Quite alot of people have spent (not) alot of money on it, and are =
not
>>>> happy.... Although they did refund me my money, they were a bit
>>>> difficult about it, AND of course I lost my shipping money there =
and
>>>> back, thats well over 100 dollars...
>>>>=20
>>>>=20
>>>> just my 1000 cents..
>>>>=20
>>>> M.
>>>>=20
>>>> --
>>>> Mark Francombe
>>>> www.markfrancombe.com
>>>> www.ordoabkhao.com
>>>> http://vimeo.com/user825094
>>>> http://www.looop.no
>>>> twitter @markfrancombe
>>>>=20
>>>>=20
>>>=20
>>>=20
>>>=20
>>> --
>>> www.luis-angulo.com
>>>=20
>>>=20
>>=20
>>=20
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20
>=20

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Date: Fri, 25 Mar 2011 17:35:53 -0400
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On the other hand, an iPod / iPhone is small enough to mount on your 
instrument....

>Am I just hallucianating (very possible lol) or am I the only one seeing
>the giant elephant in the corner here?
>
>A looper is gonna have to have foot control, period, I think, right?
>Unless we are just talking beat boxing which I know we aren't.
>
>So, developers, why not get the Line 6 I/whatever to Midi interface and
>make us a looper that will respond to midi? It works, I/ve seen it work
>several times at NAMM.
>
>Having said that, just yesterday I had a related experience. At NAMM,
>with all the Iwhats floating around and being used, you would think they
>were gonna take over the world. But yesterday I was at the Sam Ash in
>Charlotte and they had not one thing in the store related to Iwhats. No
>mic stand holders, no Iwhat to midi interface, nothing. They said they
>had the Line Six interface for a while but sold it and "it wasn't a fast
>mover, we haven't restocked it" I said, "well I've been in here twice to
>buy one, trying to shop locally, so I will just order off the internet I
>guess"  Them "Oh we'll order you one" Right, let me drive two hours to
>Charlotte again to pick something up that you should have in stock, not.
>
>The Istorm does not look like you could say that it is really "looming"
>yet.
>
>On the brighter side, been pissin and moanin about the LP1 not sending
>midi commands in the new versions, so decided to do something about it
>and got the midi-solutions Event Processor Plus, and having now to
>refigure my midi layouts, fies the prob thou, programming looks easy and
>I can see I need another one to set up so that with one program change I
>can set up a whole song. Yeah, yeah Gordius I know, but this is a
>cheaper and faster way out as I am happy with my pedal situation.
>
>Andy o


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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From: Grant <grantmepeace@mindspring.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper that spits out separate click track
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One thought would be to use a stereo looper and let one channel be the "cue" track (routed as desired, maybe select channel for recording with an A/B switch) and the other channel for the loops.

G



>>
>>> Hello everyone...
>>>
>>> I was wondering whether some of you could suggest a looper to me with which
>>> I could send out a separate rhythm track to a drummer for instance.
>>>
>>> I currently use the Digitech JamMan which is fairly good for my needs (even
>>> though they brought the stereo version out not long after my purchase). This
>>> has a built in rhythm track with 8 or so basic click sounds.
>>>
>>> The loop you then create locks nicely to this if this is the function you
>>> choose.
>>>
>>> If I could have this click in my ear and not playing out front then a
>>> perfectly in time loop would sound much more natural. Further to this what I
>>> would really like as mentioned in the first paragraph would be for the click
>>> track to be constantly in a drummer's ear so the drummer and I could create
>>> in sync.
>>>
>>> Suggestions please if I've been clear enough... I'm basically still after a
>>> foot pedal but all suggestions welcomed...
>>>
>>> Many thanks,
>>>
>>> Billy
>>> http://www.billythompson.co.uk
>>>
>>>
>>
>

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Date: Fri, 25 Mar 2011 15:53:31 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Codanova Midi Surface WAS ... OT video software for live input
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--0-199685391-1301093611=:82108
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hey thanks, I work with a VJ she is goign to like this!

Antony



________________________________
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, March 25, 2011 4:31:32 PM
Subject: Codanova Midi Surface WAS ... OT video software for live input

While looking for software for Antony, I found this...

Am I mistaken or does this look very very cool? Meant for VJs of
course.. but.... its midi!

http://www.codanova.com/article-new-prototype-midi-controller-codanova-vmx-v64-50855556.html


Mark

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe


      
--0-199685391-1301093611=:82108
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>hey thanks, I work with a VJ she is goign to like this!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> mark francombe &lt;mark@markfrancombe.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, March 25, 2011 4:31:32 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Codanova Midi Surface WAS ... OT video software for live input<br></font><br>
While looking for software for Antony, I found this...<br><br>Am I mistaken or does this look very very cool? Meant for VJs of<br>course.. but.... its midi!<br><br><span><a target="_blank" href="http://www.codanova.com/article-new-prototype-midi-controller-codanova-vmx-v64-50855556.html">http://www.codanova.com/article-new-prototype-midi-controller-codanova-vmx-v64-50855556.html</a></span><br><br>Mark<br><br>-- <br>Mark Francombe<br><a target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><span><a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span><a target="_blank" href="http://www.looop.no">http://www.looop.no</a></span><br>twitter @markfrancombe<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-199685391-1301093611=:82108--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 25 23:31:52 2011
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Subject: Re: Looper that spits out separate click track
From: Daniel Thomas <danielthomas4@mac.com>
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 <2989396.1301089772753.JavaMail.root@elwamui-muscovy.atl.sa.earthlink.net>
Date: Fri, 25 Mar 2011 16:31:17 -0700
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> One thought would be to use a stereo looper and let one channel be the "cue" track (routed as desired, maybe select channel for recording with an A/B switch) and the other channel for the loops.

For that matter, you could just use an outboard mixer to split the audio mix off to the drummer.  But this does not get at Billy's desire to hear the tempo before the first loop is created.

d 
On Mar 25, 2011, at 2:49 PM, Grant wrote:

> One thought would be to use a stereo looper and let one channel be the "cue" track (routed as desired, maybe select channel for recording with an A/B switch) and the other channel for the loops.
> 
> G
> 
> 
> 
>>> 
>>>> Hello everyone...
>>>> 
>>>> I was wondering whether some of you could suggest a looper to me with which
>>>> I could send out a separate rhythm track to a drummer for instance.
>>>> 
>>>> I currently use the Digitech JamMan which is fairly good for my needs (even
>>>> though they brought the stereo version out not long after my purchase). This
>>>> has a built in rhythm track with 8 or so basic click sounds.
>>>> 
>>>> The loop you then create locks nicely to this if this is the function you
>>>> choose.
>>>> 
>>>> If I could have this click in my ear and not playing out front then a
>>>> perfectly in time loop would sound much more natural. Further to this what I
>>>> would really like as mentioned in the first paragraph would be for the click
>>>> track to be constantly in a drummer's ear so the drummer and I could create
>>>> in sync.
>>>> 
>>>> Suggestions please if I've been clear enough... I'm basically still after a
>>>> foot pedal but all suggestions welcomed...
>>>> 
>>>> Many thanks,
>>>> 
>>>> Billy
>>>> http://www.billythompson.co.uk
>>>> 
>>>> 
>>> 
>> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 01:16:59 2011
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  Thanks for the feedback one and all,  I don't have the money right  
now for one anyway, even though they are on special at $269 with the  
expander through the end of march. but I realized that this was a  
product with so much potential and depth yet it might be like learning  
a whole new  instrument or at the very least, completely changing ones  
paradigm about how they hit a switch with their foot and what kind of  
shoe or lack of one works best..  i'm sorry the reality hasn't quite  
lived up to the potential, for  some of you ,  but I do like the  
people at the company, and they do seem to be listening and working to  
correct some of the issues we have been discussing.  And its  
encouraging to see that some of you have been able to make it  work, I  
thought there might be a few of you out there, so I check in from time  
to time. To be honest at this point  people with current software and  
recent experience are ones i'm most  interested in hearing from, if  
you don't mind taking the time to chime in.
Thanks
  Bill

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On 7/22/64 11:59 AM, Matt Davignon wrote:
> Has anyone heard a peep about the shipping date? I pre-ordered one.
> Last I heard was "March".
>
Essentially, we Bob was shooting for March 1st,  but his father became 
seriously ill and
then passed away in December and with travelling back east to the 
funeral and everything
else that comes up when we finally lose a beloved partent,  it set the 
whole process back
considerably.

I know he is very close.    He's already fixed all the hardware issues 
of the first prototypes
and almost every software issue (I've been beta testing for him as well).

I know he's working very, very hard on it, every day and it's his number 
one priority to
get it out, so be assured of that.

It's just tough sometimes, when one tries to be an entire company, and 
have a 40 hour job
and lead a large family as Bob is doing.

Soon come, mon, but we don't want to project a shipping date yet, until 
we're dead certain
that everything functions effortlessly.

I will tell you this, though,  Matt.   You are going to love some of 
this functionality......
the 1/4 speed thing......the random retrigger.......midi 
synchronization.......Q replace
functions are really fun and I'm getting some very creative experimental 
things out
of the device already.

Rick Walker

ps   if you have any questions about functionality or shipping,  please 
direct all your
inquiries to me.      I want to help Bob focus on only getting this 
thing shipped
so I'll take on correspondance for him.

pps  What recent events have also done is to put LP-1 upgrades and fixes 
on a bit of a back
burner but these things WILL happen,  I promise you.

ppps   Also,   please don't suggest additional feature sets for the 
LP-2.........the unit is finished.  period. point. dot
My advice if you don't care for the unit or you wish it did something 
different is

1) don't buy it and

2) invest in a laptop and run multiple instances of Mobius and Plogue 
Bidule or Ableton's Live and get creative and prepare for the learning 
curve it will take to get that all functioning.........

3) either this,  or begin designing
your own looper from scratch.    That's what Bob did.

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Subject: RE: Iphone/pad/touch Loopers
Date: Fri, 25 Mar 2011 19:11:15 -0700
Message-ID: <864434907DE0E9429B16AD587941F73F07D8ADD3@EXVBE010-2.exch010.intermedia.net>
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From: "Andy Owens" <andy@1800dialword.com>
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OK, how about voice commands? But what's so hard about midi, just
curious?

Or mount on the instrument, then a long gooseneck and then tongue
presses for making the commands and such, cool, then you could lick up
and down for certain things, then lick in a circle, then back and forth,
hey wait a minute there..............................I'm all practiced
up!!!

Andy b (not really)



-----Original Message-----
From: Charles Zwicky [mailto:cazwicky@earthlink.net]=20
Sent: Friday, March 25, 2011 5:36 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Iphone/pad/touch Loopers

On the other hand, an iPod / iPhone is small enough to mount on your=20
instrument....

>Am I just hallucianating (very possible lol) or am I the only one
seeing
>the giant elephant in the corner here?
>
>A looper is gonna have to have foot control, period, I think, right?
>Unless we are just talking beat boxing which I know we aren't.
>
>So, developers, why not get the Line 6 I/whatever to Midi interface and
>make us a looper that will respond to midi? It works, I/ve seen it work
>several times at NAMM.
>
>Having said that, just yesterday I had a related experience. At NAMM,
>with all the Iwhats floating around and being used, you would think
they
>were gonna take over the world. But yesterday I was at the Sam Ash in
>Charlotte and they had not one thing in the store related to Iwhats. No
>mic stand holders, no Iwhat to midi interface, nothing. They said they
>had the Line Six interface for a while but sold it and "it wasn't a
fast
>mover, we haven't restocked it" I said, "well I've been in here twice
to
>buy one, trying to shop locally, so I will just order off the internet
I
>guess"  Them "Oh we'll order you one" Right, let me drive two hours to
>Charlotte again to pick something up that you should have in stock,
not.
>
>The Istorm does not look like you could say that it is really "looming"
>yet.
>
>On the brighter side, been pissin and moanin about the LP1 not sending
>midi commands in the new versions, so decided to do something about it
>and got the midi-solutions Event Processor Plus, and having now to
>refigure my midi layouts, fies the prob thou, programming looks easy
and
>I can see I need another one to set up so that with one program change
I
>can set up a whole song. Yeah, yeah Gordius I know, but this is a
>cheaper and faster way out as I am happy with my pedal situation.
>
>Andy o


--=20

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: RE: Looper that spits out separate click track
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Easy to use aux a or aux b on the lp1 for that, for now it's one choice,
main, a or b, maybe someday if I get rich and bribe Bob to change it,
you could send to main, a and or b independently, would be killer for
doing moving sounds around a room and still keeping your cue with all by
cueing main out.

Anybody know what any known bugs in 1.38 lp1 might be? Gotta upgrade but
I'm a scared!!!

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 02:25:06 2011
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On 7/22/64 11:59 AM, Andy Owens wrote:
> Am I just hallucianating (very possible lol) or am I the only one seeing
> the giant elephant in the corner here?
>
> A looper is gonna have to have foot control, period, I think, right?
> Unless we are just talking beat boxing which I know we aren't.
>
> So, developers, why not get the Line 6 I/whatever to Midi interface and
> make us a looper that will respond to midi? It works, I/ve seen it work
> several times at NAMM.
Sorry you've been frustrated, Andy.

for what it's worth,  the LP-1 will start to improve the second the
LP-2 ships.

Bob is only one person and it's just taken a lot of time to get this 
product out the door.
It's a very hip piece of kit so I think it will have been worth the wait 
(remember how long
we waited for electrix?    lol.    this isnt' too bad).

Additionally,  Hans Lindauers "Missing Link"  allows one to use an
iPad, iTouch, iPhone as an OSC controller whose signals are converted
wirelessly to MIDI commands.

As with all new technology in the computer world,  it is rarely ever 
innovated
with musicians specifically in mind.

Consequently,  all the cool after market shit has to be developed.

Someone who has a bit of capital stashed away could certainly make some 
money
if an iPad/iTouch stand was created for musicians.

You might also look into all the little add on hardware that has been 
developed to
adapt laptop computers to keyboard stands.

I'm currently using pedal boards up on keyboard stands so that I can 
quickly manipulate
loops...........a little U shaped addition for an iPad would be hipper 
than shit to have.

If not,   you probably could get a local metal welder to customize you 
something pretty inexpensively.

It would only entail taking sheet metal,  cutting it out and bending it 
in to the proper U shape
to place under a keyboard or pedalboard.

rick walker

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http://www.youtube.com/watch?v=3DIx8tIOR6ACA

sweet!!!!!!!

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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: does anyone really use Softstep?
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Per Boysen wrote:

> Must send a ROFLMAO to that! :-)

Translation please
I have no idea what that means...

-f
> 

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Subject: Re: does anyone really use Softstep? back row raised
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Louie Angulo wrote:

> Aside of the back row not being a bit higher to
> trigger those buttons, 

hmm,
why not cut out some blocks of wood to the shape of the pads
and stick them on?

andy

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 09:46:56 2011
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Subject: Re: does anyone really use Softstep? back row raised
From: Louie Angulo <louie.angulo@googlemail.com>
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true very good idea Andy!
It accurs to me you can take the rubber feet of a stomp box device and
stick it to the pads backwards as well,and the foot aim will be
better;-)
Luis

On Sat, Mar 26, 2011 at 10:29 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Louie Angulo wrote:
>
>> Aside of the back row not being a bit higher to
>> trigger those buttons,
>
> hmm,
> why not cut out some blocks of wood to the shape of the pads
> and stick them on?
>
> andy
>
>



-- 
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 09:49:35 2011
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Subject: Re: does anyone really use Softstep?
From: Louie Angulo <louie.angulo@googlemail.com>
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I beleive so but dont quote me on it,the software was really buggy and
i just didnt know where that was coming from since i could not test it
as stand alone
cheers
Luis

On Fri, Mar 25, 2011 at 10:16 PM, Reyn Ouwehand
<loopers-delight@reyn.net> wrote:
> Thanks Luis. So the button is software related, not hardware? I use it wi=
th my laptop and Ableton. I really love the editor. I don't use the scrolli=
ng though. R.
>
> On Mar 25, 2011, at 5:16 PM, Louie Angulo wrote:
>
>> Yes Reyn,this also happened with that same button and i remeber n the
>> softstep yahoo groups someone else mentioned it.
>> Back then i was not able to use it as a stand alone,it was dependent
>> on the software and it kept crashing on me and not saving my presets,i
>> had to reboot the computer so many times,the update back then i think
>> 1.31 was even worse.But that might have changed now,are u using it as
>> stand alone?
>> I like everything else though,the lights,the size and all of the midi
>> comands you can send.Aside of the back row not being a bit higher to
>> trigger those buttons, which i could live with, i also found it a bit
>> tricky when scrolling to banks. All in all i didnt feel comfortable
>> enough for me to take on the road which is why i initially bought it
>> for.
>> Though i think once all the bugs are ironed out,i think ill look for
>> another one in ebay sometime.The size is whats still mostly atractive
>> for me!!
>> Luis
>>
>>
>>
>>
>>
>>> Only thing is that the first trigger keeps going into a Note On mode af=
ter I reset all the loopers (in Ableton now). But that's probably something=
 I did wrong inside Ableton, although it doesn't do that with the other but=
tons that are sometimes 1 on 1 copies. Have to dive into that. I also read =
about bugs in the SoftStep or that some had to be taken back to the shop fo=
r a new one, what are those bugs exactly? 'Cause I hope I at least have a h=
ealthy machine. I only used it with the v1.1 update btw.
>>>
>>> Bottom line is that so far I'm really happy with it. Works really well =
in combination with my Gordius and they fit both in the same flightcase! :-=
)
>>>
>>> Cheers,
>>>
>>> Reyn
>>>
>>> www.reyn.net
>>>
>>> On Mar 25, 2011, at 8:37 AM, Louie Angulo wrote:
>>>
>>>> it was a nice idea but in my opinion quite premature and too
>>>> x-pensive,now If you wanna buy expensive equipment to have to find
>>>> work arounds and wait for upgrades that adress basic stuff that other
>>>> cheaper devices do it,i surely wont.
>>>> The thing for me is not worth the money at the moment.I spent over a
>>>> month trying my best with this thing,making calls to the U.S. and even
>>>> sent a =A0supportive email of hope but at the end i relaized it wasnt
>>>> gonna happen any time soon.
>>>> i also lost the shipping as Mark did and had to mail them a few times
>>>> to get the dow back.Sarah was very supportive though
>>>> bad mistake bringing it to europe without letting it mature
>>>> first,learned my lesson for good.
>>>> Im lucky i recently found a PMC10,for 80.00dlls is not that big and it
>>>> works great and does just about everything one can ever need
>>>> Ah yes some people have all the luck and dont have to pay for their eq=
uipment.
>>>> Which makes us just wining morons;-)
>>>> Luis
>>>>
>>>> On Thu, Mar 24, 2011 at 10:17 PM, mark francombe <mark@markfrancombe.c=
om> wrote:
>>>>> On Wed, Mar 23, 2011 at 4:13 PM, William Walker <billwalker@baymoon.c=
om> wrote:
>>>>>> Anyone but me seeing the irony here? Do I think it can work?
>>>>>
>>>>> I really dont think there is any ironic situation here... the issues
>>>>> that you are focusing on are not totally correct, if you are going on
>>>>> the written word from this list without trying it yourself Bill, if
>>>>> you have then... sorry...... all the things you mention are indeed
>>>>> issues, but not quite as you have understood them.
>>>>>
>>>>> The size: Not really an issue, the switches are a good distance apart=
,
>>>>> about the same as some closely packed stomp boxes. The difference wit=
h
>>>>> stomp boxes (or a fcb or a LG) is the the switches don't accidentally
>>>>> trigger if you lie you foot gently on one.
>>>>>
>>>>> The lack of raised back pedals, again, would NOT be an issue if it
>>>>> wasn't so dangerous to touch the front row of switches.
>>>>>
>>>>> The lack of tactile feel when it switches is NOT of course about its
>>>>> making an audible click (as you well know Bill... you cheeky little
>>>>> monkey) Its about a TACTILE click... a FEELING that you have switched
>>>>> something.. I ALWAYS had to check with one eye on the screen to see i=
f
>>>>> it had REALLY gone into record, or overdub, (reverse was never a
>>>>> problem... heh heh)...
>>>>>
>>>>> Although it was light, its lack of weight really isn't a problem, its
>>>>> flat bottomed, and doesn't wobble or slide, maybe rubber feet would
>>>>> completely erase any issue here...
>>>>>
>>>>> As far as I was concerned, this type or rubber switches was just not
>>>>> for me... but I tell ya... the lights... woooow man... I really miss
>>>>> them coolio lights...
>>>>>
>>>>> Im glad you think it will work Bill, cos that means other people will=
 too..
>>>>> I want it to work, its such a good idea, and I like companies who do
>>>>> something different and new... they deserved to do well, but I do get
>>>>> a sneaking suspicion that... oh I dunno... Keith...hes... like... a
>>>>> neighbour? or a friend? or the brother of the friend of your wifes
>>>>> sisters Aunt? Cos I dont really see why you wanna defend something yo=
u
>>>>> haven't got...??
>>>>> Go spend money on it and then you might not be so pleased with it...
>>>>>
>>>>> Quite alot of people have spent (not) alot of money on it, and are no=
t
>>>>> happy.... Although they did refund me my money, they were a bit
>>>>> difficult about it, AND of course I lost my shipping money there and
>>>>> back, thats well over 100 dollars...
>>>>>
>>>>>
>>>>> just my 1000 cents..
>>>>>
>>>>> M.
>>>>>
>>>>> --
>>>>> Mark Francombe
>>>>> www.markfrancombe.com
>>>>> www.ordoabkhao.com
>>>>> http://vimeo.com/user825094
>>>>> http://www.looop.no
>>>>> twitter @markfrancombe
>>>>>
>>>>>
>>>>
>>>>
>>>>
>>>> --
>>>> www.luis-angulo.com
>>>>
>>>>
>>>
>>>
>>
>>
>>
>> --
>> www.luis-angulo.com
>>
>>
>
>



--=20
www.luis-angulo.com

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Does anyone know what might happen if you removed the footpedal out of
the system entirely, and instead had your girlfriend and/or wife stand
close to your rack, fingers poised over buttons (or for software
users, fingers poised over key mappings).
A simple arrangement of nods and winks could be agreed upon in
advance. Left wink for overdub, right wink for insert, double blink
for half speed, and long blink for mute?

There would be some latency of course,  dependent on lighting
conditions on stage, and possibly brain power of woman... The softstep
does have all those nice lights of course, but possibly, this this
might be compensated for, dependent on the hot-ness of the girl, . Im
suspecting that the hotter the woman, the less brain power, therefore
more latency, but anyway.. its a thought... might need some beta
testing...


Mark


PS, can people please remember to edit their posts, don't just hit
reply... Its a big waste of space (Unlike this "on-topic" and
incite-full post) This is annoying for those on he list who use the
digest... (just Rick I think ha ha)

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Reyn vs ...
References: <518B515F-95B5-460A-81A6-C8051B41BA08@baymoon.com> <AANLkTin2tTVnJ4iSoA00Ab1X8A4n6JFD0qdN4DFaNjbY@mail.gmail.com> <AANLkTi==iB2qhBWHBm4VX7YzxhnDwVW5sEYX_p7+PaZ4@mail.gmail.com> <B3F05974-EDA1-493B-B31A-68ABA2CE2A76@reyn.net> <AANLkTinqtRDaLAunk0MNzKToZicrMySysKVBjH1kiv9d@mail.gmail.com> <3B6B8E4D-665E-4DDB-954B-9C925D36B34F@reyn.net> <8CDB97664BA0C9E-1748-2ABFC@webmail-m077.sysops.aol.com>
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nemoguitt@aol.com schrieb:
> http://www.youtube.com/watch?v=Ix8tIOR6ACA
>
> sweet!!!!!!!
>   
Btw, Reyn, will you honor audience requestes for old cheesy computer 
game music in your performance at the Cologne festival? That alone would 
be a reason for me to come no matter what!

(and prepare for requests for Green Beret and Bruce Lee, and I would 
volunteer to sing the melody for Bubble Bobble ;)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 10:40:48 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Looper that spits out separate click track
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mark francombe wrote:
> Never tried, but I think the beat synch out on an EDP is a click...

it only happens once per cycle

There's a midi note out every beat,
and this could be used to trigger a sound,
but that's going to need some midi mojo
to get it working.

You could check out the Roland RC50
which, i think, will send a click
to a separate output.



andy



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Date: Sat, 26 Mar 2011 04:59:58 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: does anyone really use Softstep?
To: Loopers-Delight@loopers-delight.com
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--0-2125201581-1301140798=:4607
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you are looking for trouble with this one Mark; watch out for the feminists with 
no sense of humor:-)

but i like it; I'll find a pair of intelligent and hot girls and make a show of 
it...

Antony



________________________________
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, March 26, 2011 11:17:37 AM
Subject: Re: does anyone really use Softstep?

Does anyone know what might happen if you removed the footpedal out of
the system entirely, and instead had your girlfriend and/or wife stand
close to your rack, fingers poised over buttons (or for software
users, fingers poised over key mappings).
A simple arrangement of nods and winks could be agreed upon in
advance. Left wink for overdub, right wink for insert, double blink
for half speed, and long blink for mute?

There would be some latency of course,  dependent on lighting
conditions on stage, and possibly brain power of woman... The softstep
does have all those nice lights of course, but possibly, this this
might be compensated for, dependent on the hot-ness of the girl, . Im
suspecting that the hotter the woman, the less brain power, therefore
more latency, but anyway.. its a thought... might need some beta
testing...


Mark


PS, can people please remember to edit their posts, don't just hit
reply... Its a big waste of space (Unlike this "on-topic" and
incite-full post) This is annoying for those on he list who use the
digest... (just Rick I think ha ha)

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe


      
--0-2125201581-1301140798=:4607
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>you are looking for trouble with this one Mark; watch out for the feminists with no sense of humor:-)</div><div><br></div><div>but i like it; I'll find a pair of intelligent and hot girls and make a show of it...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> mark francombe &lt;mark@markfrancombe.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sat, March 26, 2011 11:17:37 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: does anyone really use
 Softstep?<br></font><br>
Does anyone know what might happen if you removed the footpedal out of<br>the system entirely, and instead had your girlfriend and/or wife stand<br>close to your rack, fingers poised over buttons (or for software<br>users, fingers poised over key mappings).<br>A simple arrangement of nods and winks could be agreed upon in<br>advance. Left wink for overdub, right wink for insert, double blink<br>for half speed, and long blink for mute?<br><br>There would be some latency of course,&nbsp; dependent on lighting<br>conditions on stage, and possibly brain power of woman... The softstep<br>does have all those nice lights of course, but possibly, this this<br>might be compensated for, dependent on the hot-ness of the girl, . Im<br>suspecting that the hotter the woman, the less brain power, therefore<br>more latency, but anyway.. its a thought... might need some beta<br>testing...<br><br><br>Mark<br><br><br>PS, can people please remember to edit their posts,
 don't just hit<br>reply... Its a big waste of space (Unlike this "on-topic" and<br>incite-full post) This is annoying for those on he list who use the<br>digest... (just Rick I think ha ha)<br><br>-- <br>Mark Francombe<br><a target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><span><a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span><a target="_blank" href="http://www.looop.no">http://www.looop.no</a></span><br>twitter @markfrancombe<br><br></div></div><div style="position:fixed"></div>


</div><br>







      </body></html>
--0-2125201581-1301140798=:4607--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 12:22:21 2011
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Subject: Galactic Travels Playlist #729 for March 24, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110324.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #729                March 24, 2011.

RECAP:
On this show, I continued the month-long focus on Richard Lainhart.  The
Featured CD at Midnight was "The Beautiful Blue Sky" on O-Town Music.

Lainhart: http://wdiy.org/programs/gt/playlists/2011/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Markus Reuter and    The Bridge and the   The Sun Is Just the Sun, But
   Zero Ohms            Mother               the Stars They Call the
                                             Heavens (DiN)
The Tangent Project  Glass Block          Surface (none)
Sensitive Chaos      Meditation           Meditation Modulation
                        Modulation           Manipulation (Ping Things)
                        Manipulation
Bruno Sanfilippo     The Third Geometry   Subliminal Pulse (Spotted
                                             Peccary)
Travel Trip          Alaska Dreaming      Ice In Holes (Auraltone Music)
Richard Lainhart     Four Voices          The Beautiful Blue Sky(O-Town)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Richard Lainhart     Timeless             The Beautiful Blue Sky(O-Town)
Richard Lainhart     Lines In Sand        The Beautiful Blue Sky(O-Town)
Richard Lainhart     The Orchestra of     The Beautiful Blue Sky(O-Town)
                        the Damned
Richard Lainhart     Endless              The Beautiful Blue Sky(O-Town)
Richard Lainhart     The Beautiful Blue   The Beautiful Blue Sky(O-Town)
                        Sky

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Richard Lainhart.  The Featured CD at Midnight will be "The Line of the
Horizon" on O-Town Music.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 15:35:39 2011
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Hi everyone,

in today's MoinSound Studio Sessions, up at 1600 UTC (roughly in 0.5hrs 
after this message), I'll try and demonstrate why putting record and 
overdub on the same button is not always a good idea. Apart from that, 
trombone, and Möbius-based looping.

See you there!

http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: does anyone really use Softstep?
Date: Sat, 26 Mar 2011 08:48:45 -0700
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ROFLMAO = Rolling on Floor Laughing My Ass Off

On Mar 25, 2011, at 11:34 PM, Fabio_A wrote:

> Per Boysen wrote:
>
>> Must send a ROFLMAO to that! :-)
>
> Translation please
> I have no idea what that means...
>
> -f
>>
>

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Subject: Reset Electrix Repeater?
From: andy soto <musicalmexicana@gmail.com>
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 Hello!

 I'm having some trouble with my old Electrix Repeater and I'd like to know
if it's possible to reset it to Factory settings? is it even possible?

 If knows how to do this I'd be very grateful.

 Thank you very much in advance,

 Andy

--000e0ce007225bb8a4049f654ba4
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<br>=A0Hello!<br><br>=A0I&#39;m having some trouble with my old Electrix Re=
peater and I&#39;d like to know if it&#39;s possible to reset it to Factory=
 settings? is it even possible?<br><br>=A0If knows how to do this I&#39;d b=
e very grateful.<br>
<br>=A0Thank you very much in advance,<br><br>=A0Andy<br>

--000e0ce007225bb8a4049f654ba4--

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Subject: innovative controllers
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Mark wrote something like:

Instead, stand close to your girlfriend and/or wife's rack....push
buttons....etc


Man you are brave getting your GF and your wife's racks in the same room
at the same time!!!

Or better idea, we all have a few gold teeth right, we could get Andy
Butler to wire us up so that certain tooth clicks do certain commands,
then we can probably get radio on our teeth too, add that also.

Andy o

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Subject: Re: Reset Electrix Repeater?
From: Simeon Harris <simeonharris40@googlemail.com>
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i just skimmed the manuals and couldn't find anything. you may need to
reinstall the software

sim

On Sat, Mar 26, 2011 at 4:35 PM, andy soto <musicalmexicana@gmail.com>wrote:

>
>  Hello!
>
>  I'm having some trouble with my old Electrix Repeater and I'd like to know
> if it's possible to reset it to Factory settings? is it even possible?
>
>  If knows how to do this I'd be very grateful.
>
>  Thank you very much in advance,
>
>  Andy
>

--000e0cd70778a90a94049f65d02f
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i just skimmed the manuals and couldn&#39;t find anything. you may need to =
reinstall the software<br><br>sim<br><br><div class=3D"gmail_quote">On Sat,=
 Mar 26, 2011 at 4:35 PM, andy soto <span dir=3D"ltr">&lt;<a href=3D"mailto=
:musicalmexicana@gmail.com">musicalmexicana@gmail.com</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>=A0Hello!<br>=
<br>=A0I&#39;m having some trouble with my old Electrix Repeater and I&#39;=
d like to know if it&#39;s possible to reset it to Factory settings? is it =
even possible?<br>
<br>=A0If knows how to do this I&#39;d be very grateful.<br>
<br>=A0Thank you very much in advance,<br><font color=3D"#888888"><br>=A0An=
dy<br>
</font></blockquote></div><br>

--000e0cd70778a90a94049f65d02f--

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Subject: Re: Re: Looper that spits out separate click track
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On 7/22/64 11:59 AM, Daniel Thomas wrote:
>> One thought would be to use a stereo looper and let one channel be the "cue" track (routed as desired, maybe select channel for recording with an A/B switch) and the other channel for the loops.
> For that matter, you could just use an outboard mixer to split the audio mix off to the drummer.  But this does not get at Billy's desire to hear the tempo before the first loop is created.

I don't mean to ignore Bill's specific request, but I have an approach 
that might
be more helpful and musical in the long run for he and his/her drummer:

from my experience in performances and studio work you have to live with
the loop you create whether a click track guides you initially or not.

This means the drummer has to live with that loop as well and play to 
all of it's timing
idiosyncracies and slight inaccuracies.

In fact, a really good drummer who is able to 'breathe' with a slightly 
innacurate loop
can make a loop sound VASTLY better.

This means for the music to be really good, the drummer has to play to 
the loop and NOT the click track.
I've been in many a recording session where the musicians struggled to 
play to a click track that wasn't perfectly
aligned with the initial rhythm tracks of a song.    Invariably, and 
usually after a lot of consternation
and hand wringing the click is jettisoned in favor of
everybody doing what should be done in the first place anyway:   playing 
to the timing idiosyncracies of
the initial loop and/or rerecording that loop.

To be the best musician one can be, I would advise that you practice 
your brains out to
click tracks when you are practicing without a drummer (to increase your 
own rhythmic accuracy)
but eschew them for the show itself and let your drummer hear the actual 
loop so
that he/she can play to it accurately and musically.

Towards that end,   I have a very low tech solution for your drummers' 
monitoring.

Buy yourself a high quality y-chord that has a mono 1/4" cable male on 
one side and
two mono 1/4" females on the other side and run your looper to your 
amplification
and to a little practise amp set up as high as the drummers hihat.

For myself, as an real time accompanist to a looping instrumentalist, 
the most important thing
is  to hear the loop loudly enough to play accurately (and relaxedly) to it.

In such a situation, my biggest problem is when  other loopers, 
especially guitarists,  layer
loops down in one timbral range and then to solo close to that range so 
that timbral masking
occurs.

That is just horribly difficult to hear in a gig.

So my last advice is to make sure that you are at least an octave away 
from your loop
when you play over it so that everyone can hear the timing of the loop.
Either that, or make sure that your processing on the loop is really 
very distinctive
from the playing on top (make one dry and one verbed,   or one telephone 
eq-d and
the other naturally eq-d, etc.)

Or............purchase a more sophisticated looper (software or 
hardware) that allows
you Alt outs so that you can send just the initial loop to the drummer.

I hope that's helpful.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 18:20:28 2011
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Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
From: =?iso-8859-1?Q?Rapha=EBl_-_Mancing_Dolecules?= <raphael@mancingdolecules.com>
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Thanks a lot guys, glad you like it :) !

Cheers,

Rapha=EBl

Le 25 mars 2011 =E0 09:57, Loopers Delight a =E9crit :

> Yeh, it's a great tool. Very well made..
>=20
> Cheers,
>=20
> Reyn
>=20
> www.reyn.net
>=20
> On Mar 23, 2011, at 8:51 PM, Charles Zwicky wrote:
>=20
>> Hi Rapha=EBl,
>>=20
>> Fantastic work..! I have ordered an iPod touch 4th gen and an Apogee =
"Jam" a/d converter.. your app will be my fist purchase... looking =
forward to it.
>>=20
>> -Chuck Zwicky
>>=20
>>> Hi Everyone !
>>>=20
>>> I'm Rapha=EBl, indy iPhone developer, amateur guitarist and looper
>>> lover. I usually and still use an Electrix Repeater and a RC20XL,
>>> which wonderfully do their job, but when I first get my hands on an
>>> iPhone, some ideas began to pop up and they eventually came together
>>> as an app called Everyday Looper.
>>>=20
>>> First, when using the Repeater, I always got the frustration of not
>>> being able to visualize my recordings, as a waveform provides great
>>> information about the audio signal that it represents : rhythm, =
tempo,
>>> envelop of notes, silences, ... . Even more great is that it does it
>>> in 2D, meaning that wherever the play cursor is, I can view these
>>> infos for the entire length of my loop, so I have a representation =
of
>>> the future before hearing it. Translated into facts, Everyday Looper
>>> displays its four tracks (yes, like the Repeater ^^) waveform in =
full
>>> screen. No buttons or anything to clutter the space.
>>>=20
>>> Then I wanted a "joyfull" way to interact with the looper. Real =
knobs,
>>> buttons and foot switches are totally cool, but, let's face it, an
>>> iPhone doesn't have any ... Virtual buttons are off, because of the
>>> first feature up here and because I don't like them, simply. So I go
>>> for multi-touch gestures instead. For exemple you can tap with two
>>> fingers to play/pause, swipe simultaneously over multiple tracks to
>>> change volume, tap and hold a track and drag it to its destination =
to
>>> merge ... That gives a great feeling of interacting directly with
>>> audio.
>>>=20
>>> And last, I wanted it to assist us in every way possible. So you =
will
>>> find features as auto-normalisation, a limiter on both merge path =
and
>>> final mix path, and quantized to loop recording.
>>>=20
>>> As I see it, there is two major family of looper users (and of =
course
>>> all the shades in-between). The ambient ones, which extensively use
>>> feedback, overdubbing and can be quite happy with a single loop =
track.
>>> The structural ones, for which multiple track, and quantization are
>>> vital. As you probably guess it, I'm more in the second category, so
>>> is the looper too. At least for now ^^.
>>>=20
>>> Here is my website if you want more precise information, =
screenshots,
>>> videos, ... : http://www.mancingdolecules.com . And here is the =
direct
>>> link for download : http://www.itunes.com/app/EverydayLooper .
>>>=20
>>> The app is on sale now (2$/1.6=A4/1.2=A3) to celebrate the 1.1 =
update
>>> which adds track merging. The usual price will be (5$/4=A4/3=A3). =
But I
>>> would like to offer you a few promo codes, to download it for free, =
if
>>> you have an iTunes US Store account. I can give away 5. Simply write
>>> me directly through this mail (raphael@mancingdolecules.com) and I
>>> will happily send you one if their is some left.
>>>=20
>>> Don't hesitate to tell me what you think about it, or ask me =
questions
>>> if things are unclear. On this mailing list will be fine as I read =
it
>>> regularly :).
>>>=20
>>> Cheers !
>>>=20
>>> Rapha=EBl
>>=20
>>=20
>> --
>>=20
>> ...
>> http://www.zmix.net
>>=20
>> http://www.esession.com/ChuckZwicky
>>=20
>> http://albumcredits.com/zmix
>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 18:20:40 2011
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Date: Sat, 26 Mar 2011 19:20:37 +0100
Message-ID: <AANLkTin00J8Ca5Q_u0gVCOQBy06LmmyQ14WUhK7azjDX@mail.gmail.com>
Subject: Re: Reset Electrix Repeater?
From: andy soto <musicalmexicana@gmail.com>
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--00261883c092674f90049f66c41e
Content-Type: text/plain; charset=ISO-8859-1

 That's what I did and I solved the problem, thank you!

 If anyone is in need of the latest repeater OS let me know!

 Andy


On Sat, Mar 26, 2011 at 6:12 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> i just skimmed the manuals and couldn't find anything. you may need to
> reinstall the software
>
> sim
>
>
> On Sat, Mar 26, 2011 at 4:35 PM, andy soto <musicalmexicana@gmail.com>wrote:
>
>>
>>  Hello!
>>
>>  I'm having some trouble with my old Electrix Repeater and I'd like to
>> know if it's possible to reset it to Factory settings? is it even possible?
>>
>>  If knows how to do this I'd be very grateful.
>>
>>  Thank you very much in advance,
>>
>>  Andy
>>
>
>

--00261883c092674f90049f66c41e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br>=A0That&#39;s what I did and I solved the problem, thank you!<br><br>=
=A0If anyone is in need of the latest repeater OS let me know!<br><br>=A0An=
dy<br><br><br><div class=3D"gmail_quote">On Sat, Mar 26, 2011 at 6:12 PM, S=
imeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlem=
ail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">i just skimmed th=
e manuals and couldn&#39;t find anything. you may need to reinstall the sof=
tware<br>
<br>sim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Sat, Mar 26, 2011 at 4:35 PM, andy soto <span dir=3D"ltr">&lt;<a href=
=3D"mailto:musicalmexicana@gmail.com" target=3D"_blank">musicalmexicana@gma=
il.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>=A0Hello!<br>=
<br>=A0I&#39;m having some trouble with my old Electrix Repeater and I&#39;=
d like to know if it&#39;s possible to reset it to Factory settings? is it =
even possible?<br>

<br>=A0If knows how to do this I&#39;d be very grateful.<br>
<br>=A0Thank you very much in advance,<br><font color=3D"#888888"><br>=A0An=
dy<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br>

--00261883c092674f90049f66c41e--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 18:40:44 2011
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Date: Sat, 26 Mar 2011 11:40:33 -0700
From: Rick Walker <looppool@cruzio.com>
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Subject: Re: innovative controllers
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On 7/22/64 11:59 AM, Andy Owens wrote:
> Mark wrote something like:
>
> Instead, stand close to your girlfriend and/or wife's rack....push
> buttons....etc
>
>
> Man you are brave getting your GF and your wife's racks in the same room
> at the same time!!!
And now I will translate these sentences into non-gender exclusive loop 
language for
the 'hard of PC-ing".

"Instead, stand close to your boyfriend and/or husbands' 
package.......push buttons......etc.
"Person,  you are brave getting your BF and your hubby's package in the 
same room
at the same time!!!!"


rick (with smiles and tongue firmly in cheek)

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 19:14:01 2011
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Date: Sat, 26 Mar 2011 13:13:59 -0600
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Subject: Re: OT video software for live input
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On the Mac ... CamTwist (Thanks especially to Matt Stevens and others
for this suggestion!) ...

It's free, isn't a hideous CPU hog and it runs on Intel Macs and
PowerPCs ... I just used it last weekend for a marathon video stream
of live field recording to test doing video streaming. I was running
CamTwist, G-force Platinum, and bidule on the G5...biggest headache
was routing the live audio through two other computers and then in to
the Input (a firewire 400 Edirol audio interface) on the G5 for
CamTwist!

Here's the URL:

http://allocinit.com/index.php?title=3DCamTwist

Have fun.

Best,
Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Fri, Mar 25, 2011 at 9:52 AM, Jeff Duke <jeffloops@gmail.com> wrote:
> One more thing, I only use 2 computers when I am Ninjamming. Then I send =
the
> audio from one to the machine running the video apps from broadcast. I am
> not running any software for looping or any of that, hardware guy here fo=
r
> that :)
>
> j
>
> On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com>
> wrote:
>>
>> I think Jeff is Duke is yer man here, but I suspect HE is doing it
>> with multiple computers...
>>
>> If you have more than one firewire socket (i think you infered that
>> you dont) you should be able to connect multiple cameras.. For example
>> I have 1 800 and 1 400 and I can use both sockets and the webcam at
>> the same time... mnaybe you can find a hub?
>>
>> But running music software as well??
>> You talk the talk of the brave my brother - he who walks the fiery
>> walk is honored but burnt...
>>
>> M
>>
>> On Fri, Mar 25, 2011 at 4:14 PM, =A0<antonyhequet@yahoo.com> wrote:
>> > hey,
>> > does anyone know how what video software to use in order to do a live
>> > internet show using several live cameras plus video content coming fro=
m
>> > the
>> > computer. Cameras would be firewire; how do you agregate the various
>> > firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
>> > I would be sending the edited content live on the internet and
>> > projecting it
>> > on a screen all at the same time:-)
>> > April 2nd by the way:-)
>> > Antony Hequet
>> >
>>
>>
>>
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>
>

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From: Victor Eijkhout <victor@eijkhout.net>
Content-Type: multipart/alternative; boundary=Apple-Mail-20-739393575
Subject: State of the RC-50
Date: Sat, 26 Mar 2011 14:52:20 -0500
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--Apple-Mail-20-739393575
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	charset=us-ascii

I just bought an RC-50, and having fun with it =
(http://www.eijkhout.net/mp3s/loop/thursday.mp3).

Now I hear that the RC-30 is coming out, but it still sounds like no =
match for the RC-50. Which is 5 years old?!

Has anyone heard rumours about updates to the RC-50? Is there another =
looper that's obviously better? Has to have multiple independent loops, =
of independent length and starting point (so the 8080 is out).

What I see wrong with the RC-50 is:
1/ no separate outs for the three phrases
2/ no effect send-return
3/ no feedback control.

For the rest I think it's majorly awesome.

Victor.


--Apple-Mail-20-739393575
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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I just bought an RC-50, and having fun with it (<a href="http://www.eijkhout.net/mp3s/loop/thursday.mp3">http://www.eijkhout.net/mp3s/loop/thursday.mp3</a>).<div><br></div><div>Now I hear that the RC-30 is coming out, but it still sounds like no match for the RC-50. Which is 5 years old?!</div><div><br></div><div>Has anyone heard rumours about updates to the RC-50? Is there another looper that's obviously better? Has to have multiple independent loops, of independent length and starting point (so the 8080 is out).</div><div><br></div><div>What I see wrong with the RC-50 is:</div><div>1/ no separate outs for the three phrases</div><div>2/ no effect send-return</div><div>3/ no feedback control.</div><div><br></div><div>For the rest I think it's majorly awesome.</div><div><br></div><div>Victor.</div><div><br></div></body></html>
--Apple-Mail-20-739393575--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 20:23:40 2011
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	<4D8E3321.2060804@cruzio.com>
Date: Sat, 26 Mar 2011 21:23:38 +0100
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Subject: Re: innovative controllers
From: Louie Angulo <louie.angulo@googlemail.com>
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syncing is all about knowing who will be the right master and who will
be the right slave
a good controller will usually control good lookin racks as well, all
you have to do is send the right messages
any thoughts Mark?










On Sat, Mar 26, 2011 at 7:40 PM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, Andy Owens wrote:
>>
>> Mark wrote something like:
>>
>> Instead, stand close to your girlfriend and/or wife's rack....push
>> buttons....etc
>>
>>
>> Man you are brave getting your GF and your wife's racks in the same room
>> at the same time!!!
>
> And now I will translate these sentences into non-gender exclusive loop
> language for
> the 'hard of PC-ing".
>
> "Instead, stand close to your boyfriend and/or husbands' package.......pu=
sh
> buttons......etc.
> "Person, =A0you are brave getting your BF and your hubby's package in the=
 same
> room
> at the same time!!!!"
>
>
> rick (with smiles and tongue firmly in cheek)
>
>



--=20
www.luis-angulo.com

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Subject: Re: Looper that spits out separate click track
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Often forgotten, but the good ole Repeater can send its click track
out of the effects send out...

m

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Nothing later than 2-10b04 I suppose?

I have run into this before, Its very silly that there doesnt appear
to be a RESET function.

I was doing some wild sequencing things and accidentally sent some odd
CC commands.. I muted 2 tracks.. but didnt realise... Weeks later I
thought it was broken.. and searched for ages for a reset function...
In the end I figured it out...
M

On Sat, Mar 26, 2011 at 7:20 PM, andy soto <musicalmexicana@gmail.com> wrot=
e:
>
> =A0That's what I did and I solved the problem, thank you!
>
> =A0If anyone is in need of the latest repeater OS let me know!
>
> =A0Andy
>


--=20
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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On Sat, Mar 26, 2011 at 9:23 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> syncing is all about knowing who will be the right master and who will
> be the right slave
> a good controller will usually control good lookin racks as well, all
> you have to do is send the right messages
> any thoughts Mark?

Indeed I do Luis, but none of them repeatable in polite company...

Furthermore I would like to apologize for the non politically correct
appearance of my previous comment. Neither was it my intention to
offend, nor to not offend, as offinsivity, if such a word wee to exist
was far from my intention, humour, being my only muse... However, I
can see that maybe it was insensitive to those testicularly challenged
among us, but believe that despite the one-sidedness of my obviosly
flawed and technically unfeasable, however possibly less
environmentally un-friendly approach to loop manipulation "sans
footpedal", I do believe that with a minimum of alteration, the
similar approach could be quite effective for the female (can I say
female?) Lady Looper...

Imagine if you will our Zoe, directing a posse of oiled muscular
gentlemen as they press buttons and change buttons at her feet. A
quick flick of the Cello Bow and "thwack" ... the loops stop dead, the
lights dim and she takes her bow, her minions scurrying into the
shadows...

...or Little Gordius... whatever...

-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: does anyone really use Softstep?
Date: Sat, 26 Mar 2011 22:33:14 +0100
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Thanks Ted



Il giorno 26/mar/2011, alle ore 16:48, tEd =C2=AE KiLLiAn <tedkillian@charte=
r.net> ha scritto:

> ROFLMAO =3D Rolling on Floor Laughing My Ass Off
>=20
> On Mar 25, 2011, at 11:34 PM, Fabio_A wrote:
>=20
>> Per Boysen wrote:
>>=20
>>> Must send a ROFLMAO to that! :-)
>>=20
>> Translation please
>> I have no idea what that means...
>>=20
>> -f
>>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Mar 26 22:55:38 2011
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Subject: Re: Reset Electrix Repeater?
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--000e0ce00722c873ec049f6a9bb8
Content-Type: text/plain; charset=ISO-8859-1

 Yeah, 2-10b04 is the last thing we heard from electrix...

 Nice machine though, a bit outdated now, I still remember how we were all
exited when it was about to come out!

 Andy

On Sat, Mar 26, 2011 at 9:43 PM, mark francombe <mark@markfrancombe.com>wrote:

> Nothing later than 2-10b04 I suppose?
>
> I have run into this before, Its very silly that there doesnt appear
> to be a RESET function.
>
> I was doing some wild sequencing things and accidentally sent some odd
> CC commands.. I muted 2 tracks.. but didnt realise... Weeks later I
> thought it was broken.. and searched for ages for a reset function...
> In the end I figured it out...
> M
>
> On Sat, Mar 26, 2011 at 7:20 PM, andy soto <musicalmexicana@gmail.com>
> wrote:
> >
> >  That's what I did and I solved the problem, thank you!
> >
> >  If anyone is in need of the latest repeater OS let me know!
> >
> >  Andy
> >
>
>
> --
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
>
>

--000e0ce00722c873ec049f6a9bb8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br>=A0Yeah, 2-10b04 is the last thing we heard from electrix...<br><br>=A0=
Nice machine though, a bit outdated now, I still remember how we were all e=
xited when it was about to come out!<br><br>=A0Andy<br><br><div class=3D"gm=
ail_quote">
On Sat, Mar 26, 2011 at 9:43 PM, mark francombe <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.=
8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Nothing later than 2-10b04 I suppose?<br>
<br>
I have run into this before, Its very silly that there doesnt appear<br>
to be a RESET function.<br>
<br>
I was doing some wild sequencing things and accidentally sent some odd<br>
CC commands.. I muted 2 tracks.. but didnt realise... Weeks later I<br>
thought it was broken.. and searched for ages for a reset function...<br>
In the end I figured it out...<br>
M<br>
<div><div></div><div class=3D"h5"><br>
On Sat, Mar 26, 2011 at 7:20 PM, andy soto &lt;<a href=3D"mailto:musicalmex=
icana@gmail.com">musicalmexicana@gmail.com</a>&gt; wrote:<br>
&gt;<br>
&gt; =A0That&#39;s what I did and I solved the problem, thank you!<br>
&gt;<br>
&gt; =A0If anyone is in need of the latest repeater OS let me know!<br>
&gt;<br>
&gt; =A0Andy<br>
&gt;<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Mark Francombe<br>
<a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancomb=
e.com</a><br>
<a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com<=
/a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>
<a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><b=
r>
twitter @markfrancombe<br>
<br>
</font></blockquote></div><br>

--000e0ce00722c873ec049f6a9bb8--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 27 00:31:52 2011
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>  Nice machine though, a bit outdated now, I still remember how we were all
> exited when it was about to come out!

Out-dated??? Outside NOW man!!
Well OK...
Its funny, I don't think of it as being outdated at all!!!
In the same way as I dont really think of the 2 Revox Enotronics thing
as being outdated, or a wah wah, or the missionary position... well OK
I havnt done THAT in a while...
The repeater seems lacking in Control, by todays standards, thats
true. It was designed to operate pretty much all from a 3 button
footswitch, and front panel manipulation. But I just cant take it out
of my rig... having a bank of pedals sending tuning info to the pitch
function, making delays that come back pitched, popping in and out of
midi synch triming the loop down, recording , moving the trim points,
recording more, and expanding out, mixing 4 tracks... Its why I
removed 4 tracks in Mobius, to try to get that 'peater feel.. but
no...

But MY GOD... if only they would release the OS for open source dev...
fuck... then Id be a happy man...

Mark


-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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From: Daniel Thomas <danielthomas4@mac.com>
Subject: Re: Reset Electrix Repeater?
Date: Sat, 26 Mar 2011 20:56:41 -0400
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I still love and use repetr for some if it's idiosyncratic features

Ah but the preamps stink.  Not alot of headroom before clipping and gnarly noise floor


Sent from my iPhone


On Mar 26, 2011, at 8:31 PM, mark francombe <mark@markfrancombe.com> wrote:

>> Nice machine though, a bit outdated now, I still remember how we were all
>> exited when it was about to come out!
> 
> Out-dated??? Outside NOW man!!
> Well OK...
> Its funny, I don't think of it as being outdated at all!!!
> In the same way as I dont really think of the 2 Revox Enotronics thing
> as being outdated, or a wah wah, or the missionary position... well OK
> I havnt done THAT in a while...
> The repeater seems lacking in Control, by todays standards, thats
> true. It was designed to operate pretty much all from a 3 button
> footswitch, and front panel manipulation. But I just cant take it out
> of my rig... having a bank of pedals sending tuning info to the pitch
> function, making delays that come back pitched, popping in and out of
> midi synch triming the loop down, recording , moving the trim points,
> recording more, and expanding out, mixing 4 tracks... Its why I
> removed 4 tracks in Mobius, to try to get that 'peater feel.. but
> no...
> 
> But MY GOD... if only they would release the OS for open source dev...
> fuck... then Id be a happy man...
> 
> Mark
> 
> 
> -- 
> Mark Francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.looop.no
> twitter @markfrancombe
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 27 05:14:18 2011
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Nice! I liked this one a lot!
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Nice! I liked this one a lot!<br>-- <br>Art Simon<br><a href="mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimon<br>

--90e6ba6e8ef2f2b92c049f6fe52c--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 27 06:09:07 2011
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From: Revfever <revfever@ubergadget.com>
Subject: Dickie Landry '15 Saxophones' now available again
Date: Sat, 26 Mar 2011 23:07:12 -0700
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Alert: '15 Saxophones' by Dickie Landry has now been reissued on  
*both* CD and LP! (Unseen Worlds Records)  It was originally released  
in 1977 and has never previously been reissued to my knowledge.  It  
is now available from a few discerning online sales places. (FE,  
etc...) I've placed an order for a copy.  I'm psyched!  I've not  
heard this in YEARS
but I have always remembered it.  It is definitely LOOP CITY!  And,  
by a true EARLY pioneer of loopage. Enjoy!

Cheers,
Rev. Fever
Portland, OR
--Apple-Mail-3-776285231
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Alert: '15 Saxophones' by Dickie Landry has now been reissued on *both* CD and LP! (<span class="Apple-style-span" style="font-family: Arial; font-size: 13px; ">Unseen Worlds Records) &nbsp;</span>It was originally released in 1977 and has never previously been reissued to my knowledge. &nbsp;It is now available from a few discerning online sales places. (FE, etc...) I've placed an order for a copy. &nbsp;I'm psyched! &nbsp;I've not heard this in YEARS<div>but I have always remembered it. &nbsp;It is definitely LOOP CITY! &nbsp;And, by a true EARLY pioneer of loopage. Enjoy!<div><div><br></div><div>Cheers,</div><div>Rev. Fever</div><div>Portland, OR</div></div></div></body></html>
--Apple-Mail-3-776285231--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 27 06:49:31 2011
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Date: Sat, 26 Mar 2011 23:49:24 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Live Looper mistery
To: Loopers-Delight@loopers-delight.com
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--0-181392809-1301208564=:31315
Content-Type: text/plain; charset=us-ascii

I am must be a little thick...
I keep hearing about the Looper in Live but I have not found this beast in Live 
8. Where is it, do you have to purchase it extra. I have the full version of 
Live with all the instruments and what not. And I am not refering to Mobius 
which i downloaded to test it...

ANtony Hequet
poet composer numbskull 



________________________________
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, March 26, 2011 8:13:59 PM
Subject: Re: OT video software for live input

On the Mac ... CamTwist (Thanks especially to Matt Stevens and others
for this suggestion!) ...

It's free, isn't a hideous CPU hog and it runs on Intel Macs and
PowerPCs ... I just used it last weekend for a marathon video stream
of live field recording to test doing video streaming. I was running
CamTwist, G-force Platinum, and bidule on the G5...biggest headache
was routing the live audio through two other computers and then in to
the Input (a firewire 400 Edirol audio interface) on the G5 for
CamTwist!

Here's the URL:

http://allocinit.com/index.php?title=CamTwist

Have fun.

Best,
Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Fri, Mar 25, 2011 at 9:52 AM, Jeff Duke <jeffloops@gmail.com> wrote:
> One more thing, I only use 2 computers when I am Ninjamming. Then I send the
> audio from one to the machine running the video apps from broadcast. I am
> not running any software for looping or any of that, hardware guy here for
> that :)
>
> j
>
> On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com>
> wrote:
>>
>> I think Jeff is Duke is yer man here, but I suspect HE is doing it
>> with multiple computers...
>>
>> If you have more than one firewire socket (i think you infered that
>> you dont) you should be able to connect multiple cameras.. For example
>> I have 1 800 and 1 400 and I can use both sockets and the webcam at
>> the same time... mnaybe you can find a hub?
>>
>> But running music software as well??
>> You talk the talk of the brave my brother - he who walks the fiery
>> walk is honored but burnt...
>>
>> M
>>
>> On Fri, Mar 25, 2011 at 4:14 PM,  <antonyhequet@yahoo.com> wrote:
>> > hey,
>> > does anyone know how what video software to use in order to do a live
>> > internet show using several live cameras plus video content coming from
>> > the
>> > computer. Cameras would be firewire; how do you agregate the various
>> > firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
>> > I would be sending the edited content live on the internet and
>> > projecting it
>> > on a screen all at the same time:-)
>> > April 2nd by the way:-)
>> > Antony Hequet
>> >
>>
>>
>>
>> --
>> Mark Francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> http://vimeo.com/user825094
>> http://www.looop.no
>> twitter @markfrancombe
>
>


      
--0-181392809-1301208564=:31315
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I am must be a little thick...</div><div>I keep hearing about the Looper in Live but I have not found this beast in Live 8. Where is it, do you have to purchase it extra. I have the full version of Live with all the instruments and what not. And I am not refering to Mobius which i downloaded to test it...</div><div><br></div><div>ANtony Hequet</div><div>poet composer numbskull&nbsp;</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Dennis Moser &lt;sinsofmachaut@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight:
 bold;">Sent:</span></b> Sat, March 26, 2011 8:13:59 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: OT video software for live input<br></font><br>
On the Mac ... CamTwist (Thanks especially to Matt Stevens and others<br>for this suggestion!) ...<br><br>It's free, isn't a hideous CPU hog and it runs on Intel Macs and<br>PowerPCs ... I just used it last weekend for a marathon video stream<br>of live field recording to test doing video streaming. I was running<br>CamTwist, G-force Platinum, and bidule on the G5...biggest headache<br>was routing the live audio through two other computers and then in to<br>the Input (a firewire 400 Edirol audio interface) on the G5 for<br>CamTwist!<br><br>Here's the URL:<br><br><span><a target="_blank" href="http://allocinit.com/index.php?title=CamTwist">http://allocinit.com/index.php?title=CamTwist</a></span><br><br>Have fun.<br><br>Best,<br>Dennis<br><br><span><a target="_blank" href="http://soundcloud.com/usrsbin">http://soundcloud.com/usrsbin</a></span><br><span><a target="_blank" href="http://audiozoloft.com">http://audiozoloft.com</a></span><br><span><a
 target="_blank" href="http://usrslashsbin.angrek.com/">http://usrslashsbin.angrek.com/</a></span><br><br><br><br>On Fri, Mar 25, 2011 at 9:52 AM, Jeff Duke &lt;<a ymailto="mailto:jeffloops@gmail.com" href="mailto:jeffloops@gmail.com">jeffloops@gmail.com</a>&gt; wrote:<br>&gt; One more thing, I only use 2 computers when I am Ninjamming. Then I send the<br>&gt; audio from one to the machine running the video apps from broadcast. I am<br>&gt; not running any software for looping or any of that, hardware guy here for<br>&gt; that :)<br>&gt;<br>&gt; j<br>&gt;<br>&gt; On Fri, Mar 25, 2011 at 11:24 AM, mark francombe &lt;<a ymailto="mailto:mark@markfrancombe.com" href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br>&gt; wrote:<br>&gt;&gt;<br>&gt;&gt; I think Jeff is Duke is yer man here, but I suspect HE is doing it<br>&gt;&gt; with multiple computers...<br>&gt;&gt;<br>&gt;&gt; If you have more than one firewire socket (i think you infered
 that<br>&gt;&gt; you dont) you should be able to connect multiple cameras.. For example<br>&gt;&gt; I have 1 800 and 1 400 and I can use both sockets and the webcam at<br>&gt;&gt; the same time... mnaybe you can find a hub?<br>&gt;&gt;<br>&gt;&gt; But running music software as well??<br>&gt;&gt; You talk the talk of the brave my brother - he who walks the fiery<br>&gt;&gt; walk is honored but burnt...<br>&gt;&gt;<br>&gt;&gt; M<br>&gt;&gt;<br>&gt;&gt; On Fri, Mar 25, 2011 at 4:14 PM, &nbsp;&lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt;&gt; &gt; hey,<br>&gt;&gt; &gt; does anyone know how what video software to use in order to do a live<br>&gt;&gt; &gt; internet show using several live cameras plus video content coming from<br>&gt;&gt; &gt; the<br>&gt;&gt; &gt; computer. Cameras would be firewire; how do you agregate the various<br>&gt;&gt; &gt; firewire inputs to one
 firewire 800 plug on MacBook pro or newer iMac?<br>&gt;&gt; &gt; I would be sending the edited content live on the internet and<br>&gt;&gt; &gt; projecting it<br>&gt;&gt; &gt; on a screen all at the same time:-)<br>&gt;&gt; &gt; April 2nd by the way:-)<br>&gt;&gt; &gt; Antony Hequet<br>&gt;&gt; &gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt; --<br>&gt;&gt; Mark Francombe<br>&gt;&gt; <a target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>&gt;&gt; <a target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><span>&gt;&gt; <a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span>&gt;&gt; <a target="_blank" href="http://www.looop.no">http://www.looop.no</a></span><br>&gt;&gt; twitter @markfrancombe<br>&gt;<br>&gt;<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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Date: Sun, 27 Mar 2011 08:05:04 +0100
Message-ID: <BANLkTims8K38JRwSZK1wLPYNe5TN_MyCCw@mail.gmail.com>
Subject: Re: Live Looper mistery
From: Akraf Emaho <akrafemaho@gmail.com>
To: Loopers-Delight@loopers-delight.com
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You can find it in the Audio Effects folder in the Live browser.  Just
drag it to a track!

Akraf

On 3/27/11, antonyhequet@yahoo.com <antonyhequet@yahoo.com> wrote:
> I am must be a little thick...
> I keep hearing about the Looper in Live but I have not found this beast in
> Live
> 8. Where is it, do you have to purchase it extra. I have the full version of
> Live with all the instruments and what not. And I am not refering to Mobius
> which i downloaded to test it...
>
> ANtony Hequet
> poet composer numbskull
>
>
>
> ________________________________
> From: Dennis Moser <sinsofmachaut@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Sat, March 26, 2011 8:13:59 PM
> Subject: Re: OT video software for live input
>
> On the Mac ... CamTwist (Thanks especially to Matt Stevens and others
> for this suggestion!) ...
>
> It's free, isn't a hideous CPU hog and it runs on Intel Macs and
> PowerPCs ... I just used it last weekend for a marathon video stream
> of live field recording to test doing video streaming. I was running
> CamTwist, G-force Platinum, and bidule on the G5...biggest headache
> was routing the live audio through two other computers and then in to
> the Input (a firewire 400 Edirol audio interface) on the G5 for
> CamTwist!
>
> Here's the URL:
>
> http://allocinit.com/index.php?title=CamTwist
>
> Have fun.
>
> Best,
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Fri, Mar 25, 2011 at 9:52 AM, Jeff Duke <jeffloops@gmail.com> wrote:
>> One more thing, I only use 2 computers when I am Ninjamming. Then I send
>> the
>> audio from one to the machine running the video apps from broadcast. I am
>> not running any software for looping or any of that, hardware guy here for
>> that :)
>>
>> j
>>
>> On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com>
>> wrote:
>>>
>>> I think Jeff is Duke is yer man here, but I suspect HE is doing it
>>> with multiple computers...
>>>
>>> If you have more than one firewire socket (i think you infered that
>>> you dont) you should be able to connect multiple cameras.. For example
>>> I have 1 800 and 1 400 and I can use both sockets and the webcam at
>>> the same time... mnaybe you can find a hub?
>>>
>>> But running music software as well??
>>> You talk the talk of the brave my brother - he who walks the fiery
>>> walk is honored but burnt...
>>>
>>> M
>>>
>>> On Fri, Mar 25, 2011 at 4:14 PM,  <antonyhequet@yahoo.com> wrote:
>>> > hey,
>>> > does anyone know how what video software to use in order to do a live
>>> > internet show using several live cameras plus video content coming from
>>> > the
>>> > computer. Cameras would be firewire; how do you agregate the various
>>> > firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
>>> > I would be sending the edited content live on the internet and
>>> > projecting it
>>> > on a screen all at the same time:-)
>>> > April 2nd by the way:-)
>>> > Antony Hequet
>>> >
>>>
>>>
>>>
>>> --
>>> Mark Francombe
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> http://vimeo.com/user825094
>>> http://www.looop.no
>>> twitter @markfrancombe
>>
>>
>
>
>

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Date: Sun, 27 Mar 2011 00:09:09 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Live Looper mistery
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <BANLkTims8K38JRwSZK1wLPYNe5TN_MyCCw@mail.gmail.com>
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--0-461908262-1301209749=:39943
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thank you Akraf!

ANtony



________________________________
From: Akraf Emaho <akrafemaho@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, March 27, 2011 9:05:04 AM
Subject: Re: Live Looper mistery

You can find it in the Audio Effects folder in the Live browser.  Just
drag it to a track!

Akraf

On 3/27/11, antonyhequet@yahoo.com <antonyhequet@yahoo.com> wrote:
> I am must be a little thick...
> I keep hearing about the Looper in Live but I have not found this beast in
> Live
> 8. Where is it, do you have to purchase it extra. I have the full version of
> Live with all the instruments and what not. And I am not refering to Mobius
> which i downloaded to test it...
>
> ANtony Hequet
> poet composer numbskull
>
>
>
> ________________________________
> From: Dennis Moser <sinsofmachaut@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Sat, March 26, 2011 8:13:59 PM
> Subject: Re: OT video software for live input
>
> On the Mac ... CamTwist (Thanks especially to Matt Stevens and others
> for this suggestion!) ...
>
> It's free, isn't a hideous CPU hog and it runs on Intel Macs and
> PowerPCs ... I just used it last weekend for a marathon video stream
> of live field recording to test doing video streaming. I was running
> CamTwist, G-force Platinum, and bidule on the G5...biggest headache
> was routing the live audio through two other computers and then in to
> the Input (a firewire 400 Edirol audio interface) on the G5 for
> CamTwist!
>
> Here's the URL:
>
> http://allocinit.com/index.php?title=CamTwist
>
> Have fun.
>
> Best,
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Fri, Mar 25, 2011 at 9:52 AM, Jeff Duke <jeffloops@gmail.com> wrote:
>> One more thing, I only use 2 computers when I am Ninjamming. Then I send
>> the
>> audio from one to the machine running the video apps from broadcast. I am
>> not running any software for looping or any of that, hardware guy here for
>> that :)
>>
>> j
>>
>> On Fri, Mar 25, 2011 at 11:24 AM, mark francombe <mark@markfrancombe.com>
>> wrote:
>>>
>>> I think Jeff is Duke is yer man here, but I suspect HE is doing it
>>> with multiple computers...
>>>
>>> If you have more than one firewire socket (i think you infered that
>>> you dont) you should be able to connect multiple cameras.. For example
>>> I have 1 800 and 1 400 and I can use both sockets and the webcam at
>>> the same time... mnaybe you can find a hub?
>>>
>>> But running music software as well??
>>> You talk the talk of the brave my brother - he who walks the fiery
>>> walk is honored but burnt...
>>>
>>> M
>>>
>>> On Fri, Mar 25, 2011 at 4:14 PM,  <antonyhequet@yahoo.com> wrote:
>>> > hey,
>>> > does anyone know how what video software to use in order to do a live
>>> > internet show using several live cameras plus video content coming from
>>> > the
>>> > computer. Cameras would be firewire; how do you agregate the various
>>> > firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?
>>> > I would be sending the edited content live on the internet and
>>> > projecting it
>>> > on a screen all at the same time:-)
>>> > April 2nd by the way:-)
>>> > Antony Hequet
>>> >
>>>
>>>
>>>
>>> --
>>> Mark Francombe
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> http://vimeo.com/user825094
>>> http://www.looop.no
>>> twitter @markfrancombe
>>
>>
>
>
>


      
--0-461908262-1301209749=:39943
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>thank you Akraf!</div><div><br></div><div>ANtony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Akraf Emaho &lt;akrafemaho@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, March 27, 2011 9:05:04 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Live Looper mistery<br></font><br>
You can find it in the Audio Effects folder in the Live browser.&nbsp; Just<br>drag it to a track!<br><br>Akraf<br><br>On 3/27/11, <a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> &lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt; I am must be a little thick...<br>&gt; I keep hearing about the Looper in Live but I have not found this beast in<br>&gt; Live<br>&gt; 8. Where is it, do you have to purchase it extra. I have the full version of<br>&gt; Live with all the instruments and what not. And I am not refering to Mobius<br>&gt; which i downloaded to test it...<br>&gt;<br>&gt; ANtony Hequet<br>&gt; poet composer numbskull<br>&gt;<br>&gt;<br>&gt;<br>&gt; ________________________________<br>&gt; From: Dennis Moser &lt;<a ymailto="mailto:sinsofmachaut@gmail.com"
 href="mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;<br>&gt; To: <a ymailto="mailto:Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>&gt; Sent: Sat, March 26, 2011 8:13:59 PM<br>&gt; Subject: Re: OT video software for live input<br>&gt;<br>&gt; On the Mac ... CamTwist (Thanks especially to Matt Stevens and others<br>&gt; for this suggestion!) ...<br>&gt;<br>&gt; It's free, isn't a hideous CPU hog and it runs on Intel Macs and<br>&gt; PowerPCs ... I just used it last weekend for a marathon video stream<br>&gt; of live field recording to test doing video streaming. I was running<br>&gt; CamTwist, G-force Platinum, and bidule on the G5...biggest headache<br>&gt; was routing the live audio through two other computers and then in to<br>&gt; the Input (a firewire 400 Edirol audio interface) on the G5 for<br>&gt; CamTwist!<br>&gt;<br>&gt; Here's the
 URL:<br>&gt;<br><span>&gt; <a target="_blank" href="http://allocinit.com/index.php?title=CamTwist">http://allocinit.com/index.php?title=CamTwist</a></span><br>&gt;<br>&gt; Have fun.<br>&gt;<br>&gt; Best,<br>&gt; Dennis<br>&gt;<br><span>&gt; <a target="_blank" href="http://soundcloud.com/usrsbin">http://soundcloud.com/usrsbin</a></span><br><span>&gt; <a target="_blank" href="http://audiozoloft.com">http://audiozoloft.com</a></span><br><span>&gt; <a target="_blank" href="http://usrslashsbin.angrek.com/">http://usrslashsbin.angrek.com/</a></span><br>&gt;<br>&gt;<br>&gt;<br>&gt; On Fri, Mar 25, 2011 at 9:52 AM, Jeff Duke &lt;<a ymailto="mailto:jeffloops@gmail.com" href="mailto:jeffloops@gmail.com">jeffloops@gmail.com</a>&gt; wrote:<br>&gt;&gt; One more thing, I only use 2 computers when I am Ninjamming. Then I send<br>&gt;&gt; the<br>&gt;&gt; audio from one to the machine running the video apps from broadcast. I am<br>&gt;&gt; not running any software for
 looping or any of that, hardware guy here for<br>&gt;&gt; that :)<br>&gt;&gt;<br>&gt;&gt; j<br>&gt;&gt;<br>&gt;&gt; On Fri, Mar 25, 2011 at 11:24 AM, mark francombe &lt;<a ymailto="mailto:mark@markfrancombe.com" href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br>&gt;&gt; wrote:<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; I think Jeff is Duke is yer man here, but I suspect HE is doing it<br>&gt;&gt;&gt; with multiple computers...<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; If you have more than one firewire socket (i think you infered that<br>&gt;&gt;&gt; you dont) you should be able to connect multiple cameras.. For example<br>&gt;&gt;&gt; I have 1 800 and 1 400 and I can use both sockets and the webcam at<br>&gt;&gt;&gt; the same time... mnaybe you can find a hub?<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; But running music software as well??<br>&gt;&gt;&gt; You talk the talk of the brave my brother - he who walks the fiery<br>&gt;&gt;&gt; walk is honored but
 burnt...<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; M<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; On Fri, Mar 25, 2011 at 4:14 PM,&nbsp; &lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt;&gt;&gt; &gt; hey,<br>&gt;&gt;&gt; &gt; does anyone know how what video software to use in order to do a live<br>&gt;&gt;&gt; &gt; internet show using several live cameras plus video content coming from<br>&gt;&gt;&gt; &gt; the<br>&gt;&gt;&gt; &gt; computer. Cameras would be firewire; how do you agregate the various<br>&gt;&gt;&gt; &gt; firewire inputs to one firewire 800 plug on MacBook pro or newer iMac?<br>&gt;&gt;&gt; &gt; I would be sending the edited content live on the internet and<br>&gt;&gt;&gt; &gt; projecting it<br>&gt;&gt;&gt; &gt; on a screen all at the same time:-)<br>&gt;&gt;&gt; &gt; April 2nd by the way:-)<br>&gt;&gt;&gt; &gt; Antony Hequet<br>&gt;&gt;&gt;
 &gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; --<br>&gt;&gt;&gt; Mark Francombe<br>&gt;&gt;&gt; <a target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>&gt;&gt;&gt; <a target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><span>&gt;&gt;&gt; <a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span>&gt;&gt;&gt; <a target="_blank" href="http://www.looop.no">http://www.looop.no</a></span><br>&gt;&gt;&gt; twitter @markfrancombe<br>&gt;&gt;<br>&gt;&gt;<br>&gt;<br>&gt;<br>&gt;<br><br></div></div><div style="position:fixed"></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 27 07:11:15 2011
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Date: Sun, 27 Mar 2011 08:11:12 +0100
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Subject: Re: Reyn vs ...
From: Akraf Emaho <akrafemaho@gmail.com>
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Im looking forward to getting my new broadband connection so i can
finish watching all of Reyn's excellent and inspiring videos.

How about Way Of The Exploding Fist?  I passed that off as my own
original work in music class at school, an early sign of later habits.
 :)

Akraf

On 3/27/11, Art Simon <simart@gmail.com> wrote:
> Nice! I liked this one a lot!
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 27 07:20:27 2011
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Date: Sun, 27 Mar 2011 08:20:23 +0100
Message-ID: <BANLkTinqz0CEVzv8aUcrx3O9xASf3akc9g@mail.gmail.com>
Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
From: Akraf Emaho <akrafemaho@gmail.com>
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Yes it looks like a great app.  Kudos on the well thought out UI for sure.

If it allowed queuing of the clips so that with a double tap I could
do a quantised switch from verse drum clip to verse drum fill clip to
chorus drum clip...well I'd probably buy an ipod for that!

Then I'd just have to figure out how to attach it to the carved top of
a Les Paul...

Akraf

On 3/26/11, Rapha=EBl - Mancing Dolecules <raphael@mancingdolecules.com> wr=
ote:
> Thanks a lot guys, glad you like it :) !
>
> Cheers,
>
> Rapha=EBl
>
> Le 25 mars 2011 =E0 09:57, Loopers Delight a =E9crit :
>
>> Yeh, it's a great tool. Very well made..
>>
>> Cheers,
>>
>> Reyn
>>
>> www.reyn.net
>>
>> On Mar 23, 2011, at 8:51 PM, Charles Zwicky wrote:
>>
>>> Hi Rapha=EBl,
>>>
>>> Fantastic work..! I have ordered an iPod touch 4th gen and an Apogee
>>> "Jam" a/d converter.. your app will be my fist purchase... looking
>>> forward to it.
>>>
>>> -Chuck Zwicky
>>>
>>>> Hi Everyone !
>>>>
>>>> I'm Rapha=EBl, indy iPhone developer, amateur guitarist and looper
>>>> lover. I usually and still use an Electrix Repeater and a RC20XL,
>>>> which wonderfully do their job, but when I first get my hands on an
>>>> iPhone, some ideas began to pop up and they eventually came together
>>>> as an app called Everyday Looper.
>>>>
>>>> First, when using the Repeater, I always got the frustration of not
>>>> being able to visualize my recordings, as a waveform provides great
>>>> information about the audio signal that it represents : rhythm, tempo,
>>>> envelop of notes, silences, ... . Even more great is that it does it
>>>> in 2D, meaning that wherever the play cursor is, I can view these
>>>> infos for the entire length of my loop, so I have a representation of
>>>> the future before hearing it. Translated into facts, Everyday Looper
>>>> displays its four tracks (yes, like the Repeater ^^) waveform in full
>>>> screen. No buttons or anything to clutter the space.
>>>>
>>>> Then I wanted a "joyfull" way to interact with the looper. Real knobs,
>>>> buttons and foot switches are totally cool, but, let's face it, an
>>>> iPhone doesn't have any ... Virtual buttons are off, because of the
>>>> first feature up here and because I don't like them, simply. So I go
>>>> for multi-touch gestures instead. For exemple you can tap with two
>>>> fingers to play/pause, swipe simultaneously over multiple tracks to
>>>> change volume, tap and hold a track and drag it to its destination to
>>>> merge ... That gives a great feeling of interacting directly with
>>>> audio.
>>>>
>>>> And last, I wanted it to assist us in every way possible. So you will
>>>> find features as auto-normalisation, a limiter on both merge path and
>>>> final mix path, and quantized to loop recording.
>>>>
>>>> As I see it, there is two major family of looper users (and of course
>>>> all the shades in-between). The ambient ones, which extensively use
>>>> feedback, overdubbing and can be quite happy with a single loop track.
>>>> The structural ones, for which multiple track, and quantization are
>>>> vital. As you probably guess it, I'm more in the second category, so
>>>> is the looper too. At least for now ^^.
>>>>
>>>> Here is my website if you want more precise information, screenshots,
>>>> videos, ... : http://www.mancingdolecules.com . And here is the direct
>>>> link for download : http://www.itunes.com/app/EverydayLooper .
>>>>
>>>> The app is on sale now (2$/1.6=A4/1.2=A3) to celebrate the 1.1 update
>>>> which adds track merging. The usual price will be (5$/4=A4/3=A3). But =
I
>>>> would like to offer you a few promo codes, to download it for free, if
>>>> you have an iTunes US Store account. I can give away 5. Simply write
>>>> me directly through this mail (raphael@mancingdolecules.com) and I
>>>> will happily send you one if their is some left.
>>>>
>>>> Don't hesitate to tell me what you think about it, or ask me questions
>>>> if things are unclear. On this mailing list will be fine as I read it
>>>> regularly :).
>>>>
>>>> Cheers !
>>>>
>>>> Rapha=EBl
>>>
>>>
>>> --
>>>
>>> ...
>>> http://www.zmix.net
>>>
>>> http://www.esession.com/ChuckZwicky
>>>
>>> http://albumcredits.com/zmix
>>>
>>>
>>
>
>

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References: <F5AE389B-CB50-4181-A409-FA9F67441B7B@ubergadget.com>
Subject: RE: Dickie Landry '15 Saxophones' now available again
Date: Sun, 27 Mar 2011 11:08:14 +0200
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one of my all-time livelooping favorites !!!   -Michael


  _____  

From: Revfever [mailto:revfever@ubergadget.com] 
Sent: Sunday, March 27, 2011 8:07 AM
To: Loopers-Delight@loopers-delight.com
Subject: Dickie Landry '15 Saxophones' now available again


Alert: '15 Saxophones' by Dickie Landry has now been reissued on *both* CD
and LP! (Unseen Worlds Records)  It was originally released in 1977 and has
never previously been reissued to my knowledge.  It is now available from a
few discerning online sales places. (FE, etc...) I've placed an order for a
copy.  I'm psyched!  I've not heard this in YEARS 
but I have always remembered it.  It is definitely LOOP CITY!  And, by a
true EARLY pioneer of loopage. Enjoy! 

Cheers,
Rev. Fever
Portland, OR


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Dus-ascii" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.19019"></HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space">
<DIV dir=3Dltr align=3Dleft><FONT size=3D2 face=3DArial><SPAN=20
class=3D343380709-27032011>one of my all-time livelooping favorites=20
!!!&nbsp;&nbsp; -Michael</SPAN></FONT></DIV><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV dir=3Dltr lang=3Dde class=3DOutlookMessageHeader align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT size=3D2 face=3DTahoma><B>From:</B> Revfever=20
  [mailto:revfever@ubergadget.com] <BR><B>Sent:</B> Sunday, March 27, =
2011 8:07=20
  AM<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Dickie=20
  Landry '15 Saxophones' now available again<BR></FONT><BR></DIV>
  <DIV></DIV>Alert: '15 Saxophones' by Dickie Landry has now been =
reissued on=20
  *both* CD and LP! (<SPAN style=3D"FONT-FAMILY: Arial; FONT-SIZE: 13px" =

  class=3DApple-style-span>Unseen Worlds Records) &nbsp;</SPAN>It was =
originally=20
  released in 1977 and has never previously been reissued to my =
knowledge.=20
  &nbsp;It is now available from a few discerning online sales places. =
(FE,=20
  etc...) I've placed an order for a copy. &nbsp;I'm psyched! &nbsp;I've =
not=20
  heard this in YEARS
  <DIV>but I have always remembered it. &nbsp;It is definitely LOOP =
CITY!=20
  &nbsp;And, by a true EARLY pioneer of loopage. Enjoy!
  <DIV>
  <DIV><BR></DIV>
  <DIV>Cheers,</DIV>
  <DIV>Rev. Fever</DIV>
  <DIV>Portland, OR</DIV></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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Subject: Re: Ableton/Mobius consulting gig
From: Louie Angulo <louie.angulo@googlemail.com>
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thanx bud,but i think im inclining more towards the NI maschine,it
does all im looking for
and it seems awesome but we will see...
Luis

On Fri, Mar 25, 2011 at 11:31 AM, Sjaak Overgaauw <tcplugin@gmail.com> wrot=
e:
> On Fri, Mar 25, 2011 at 8:58 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> yes man! great that you are mentioning the Vestax VCM-600 midi
>> controller gotta check it out,ive been debating which controller to
>> use for Ableton
>> right now im just using the cheap nano kontrol for basic stuff
>> what made you choose this over the akai or novation pads anyway?
>
> Plus
> 1) Physical layout and build quality: it feels like a quality analog
> mixer and that's how I prefer to work
> 2) Visual feedback of mute, solo buttons etc. It's bi-directional. So
> if you change a parameter in Ableton triggered by an external midi
> controller like an FCB, the status of the LED on the VCM-600 will be
> updated
> 3) It's flexible: Ableton comes with a default mapping for the Vestax,
> but you can overrule that per button or fader if you want to adn
> create your own mapping. Also: it will work with just any host, not
> just ableton.
> 4) USB powered
>
> Minus
> 1) Size and weight
> 2) Price, it's 625,- EUR at Thomann. I bought mine second hand though
>
> Regarding the Akai (398 EUR) , that's a good controller too in terms
> of build quality, the physical layout is less logical compared to the
> Vestax and is smaller. The Novation Launchpad (158 EUR) is a sexy
> beast but that's more oriented to clip functionality which I don't use
> a lot yet, at least not live. But I'm thinking of building some
> interesting midi automation clips and use these the same way as I used
> Mobius scripts, and for triggering the clip, the =A0Novation is the max
> I think.
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



--=20
www.luis-angulo.com

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Date: Sun, 27 Mar 2011 11:55:49 +0200
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Subject: Re: bitrman
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LOL!

On Fri, Mar 18, 2011 at 9:11 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote=
:
> On Sun, Mar 13, 2011 at 5:46 PM, =A0<nemoguitt@aol.com> wrote:
>> the wait.....also on another note, i think someone wrote that the M9 can
>> take 2 xpression pedals, is this true?
>
> Yes, see http://www.thomann.de/be/media_bdbviewer_AR_236379.html?image=3D=
14
>
> But expression pedals are bad for polka music ;-)
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



--=20
www.luis-angulo.com

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Subject: Re: Re: innovative controllers
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On 7/22/64 11:59 AM, mark francombe wrote:
> Indeed I do Luis, but none of them repeatable in polite company...
>
> Furthermore I would like to apologize for the non politically correct
> appearance of my previous comment. Neither was it my intention to
> offend, nor to not offend, as offinsivity, if such a word wee to exist
> was far from my intention, humour, being my only muse... However, I
> can see that maybe it was insensitive to those testicularly challenged
> among us, but believe that despite the one-sidedness of my obviosly
> flawed and technically unfeasable, however possibly less
> environmentally un-friendly approach to loop manipulation "sans
> footpedal", I do believe that with a minimum of alteration, the
> similar approach could be quite effective for the female (can I say
> female?) Lady Looper...
>
> Imagine if you will our Zoe, directing a posse of oiled muscular
> gentlemen as they press buttons and change buttons at her feet. A
> quick flick of the Cello Bow and "thwack" ... the loops stop dead, the
> lights dim and she takes her bow, her minions scurrying into the
> shadows...
>
> ...or Little Gordius... whatever...
>
*I was being playful about pointing out the gender bias of the joke and not
critical,   Mark..........   I teach a lot of students and the musical 
world has
a decided male bent to it (and a lot of young and older women feel left 
out at times).....
....because it is the nature of things,  I think it's good to just be 
conscious
about it and not to be mortally afraid of over stepping some PC orthodoxy.

respect, dude (and dudesses),   rick
*

--------------000202030709030802070501
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
  </head>
  <body bgcolor="#ffffff" text="#000000">
    On 7/22/64 11:59 AM, mark francombe wrote:
    <blockquote
      cite="mid:%3CBANLkTik_1z6rokvNTeqRFH=6ntMsOr8DcQ@mail.gmail.com%3E"
      type="cite">
      <pre wrap="">Indeed I do Luis, but none of them repeatable in polite company...

Furthermore I would like to apologize for the non politically correct
appearance of my previous comment. Neither was it my intention to
offend, nor to not offend, as offinsivity, if such a word wee to exist
was far from my intention, humour, being my only muse... However, I
can see that maybe it was insensitive to those testicularly challenged
among us, but believe that despite the one-sidedness of my obviosly
flawed and technically unfeasable, however possibly less
environmentally un-friendly approach to loop manipulation "sans
footpedal", I do believe that with a minimum of alteration, the
similar approach could be quite effective for the female (can I say
female?) Lady Looper...

Imagine if you will our Zoe, directing a posse of oiled muscular
gentlemen as they press buttons and change buttons at her feet. A
quick flick of the Cello Bow and "thwack" ... the loops stop dead, the
lights dim and she takes her bow, her minions scurrying into the
shadows...

...or Little Gordius... whatever...

</pre>
    </blockquote>
    <b>I was being playful about pointing out the gender bias of the
      joke and not <br>
      critical,&nbsp;&nbsp; Mark..........&nbsp;&nbsp; I teach a lot of students and the
      musical world has <br>
      a decided male bent to it (and a lot of young and older women feel
      left out at times).....<br>
      ....because it is the nature of things,&nbsp; I think it's good to just
      be conscious <br>
      about it and not to be mortally afraid of over stepping some PC
      orthodoxy.<br>
      <br>
      respect, dude (and dudesses),&nbsp;&nbsp; rick <br>
    </b>
  </body>
</html>

--------------000202030709030802070501--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 27 17:36:40 2011
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Subject: Re: innovative controllers
From: Daniel Thomas <danielthomas4@mac.com>
In-reply-to: <4D8E3321.2060804@cruzio.com>
Date: Sat, 26 Mar 2011 14:46:09 -0700
Cc: Andy Owens <andy@1800dialword.com>
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> rick (with smiles and tongue firmly in cheek)


Whose cheek exactly?

d
On Mar 26, 2011, at 11:40 AM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Andy Owens wrote:
>> Mark wrote something like:
>> 
>> Instead, stand close to your girlfriend and/or wife's rack....push
>> buttons....etc
>> 
>> 
>> Man you are brave getting your GF and your wife's racks in the same room
>> at the same time!!!
> And now I will translate these sentences into non-gender exclusive loop language for
> the 'hard of PC-ing".
> 
> "Instead, stand close to your boyfriend and/or husbands' package.......push buttons......etc.
> "Person,  you are brave getting your BF and your hubby's package in the same room
> at the same time!!!!"
> 
> 
> rick (with smiles and tongue firmly in cheek)

From Loopers-Delight-request@loopers-delight.com  Mon Mar 28 09:44:05 2011
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Date: Mon, 28 Mar 2011 11:44:03 +0200
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Subject: Re: Reyn vs ...
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2011/3/25 Reyn Ouwehand <loopers-delight@reyn.net>

>  Yeh, it's the singer from Coparck. I actually produced their last 2
> records. They splitted up this year though.. He now has this solo project
> called Chop Wood.
>
>
>
>

Ah, I didn't know that. I will check them out. I only know the first album
and love it.

All the best,
Johannes


>   --
>
jenko.nashorn@googlemail.com
www.myspace.com/nashorn

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<br><br>
<div class=3D"gmail_quote">2011/3/25 Reyn Ouwehand <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:loopers-delight@reyn.net">loopers-delight@reyn.net</a>&gt;<=
/span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">
<div>Yeh, it&#39;s the singer from Coparck. I actually produced their last =
2 records. They splitted up this year though.. He now has this solo project=
 called Chop Wood.</div>
<div><br></div>
<div><br>=A0</div></div></blockquote>
<div>=A0</div>
<div>Ah, I didn&#39;t know that. I will check them out. I only know the fir=
st album and love it.</div>
<div>=A0</div>
<div>All the best,</div>
<div>Johannes</div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">
<div>
<div class=3D"h5">
<div>
<div>-- <br></div></div></div></div></div></blockquote></div>
<div><a href=3D"mailto:jenko.nashorn@googlemail.com" target=3D"_blank">jenk=
o.nashorn@googlemail.com</a></div>
<div><a href=3D"http://www.myspace.com/nashorn" target=3D"_blank">www.myspa=
ce.com/nashorn</a></div><br>

--002354477d8eb35611049f87c8f6--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 28 11:41:25 2011
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: More looping style guitar with the Octatrack..
Date: Mon, 28 Mar 2011 11:41:23 +0000
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Guitar=2C great guitar amp (custom by Cougar 4*el84 rock monster) and the o=
ctatrack alone in the cottage (expect for mice  and the dog  )
So again using the OT for seme thing looping like=2C all sampling done with=
 recording triggs (explained on Soundcloud) it seems to be the easiest way.=
.. usually set the track to 64 or 32 steps even when i record shorter snipp=
ets so that i can set a trigger before hand keep playing and then i can rem=
ove the trigg so that it doesn't rerecord it self=2C also a goog way to kee=
p rhythmic.. did some crazy stuff with  paramter locks on the delay (which =
i used for some looping style sounds as well) sort of long...  but at least=
 you can hear how it develops.. )=20
The guitar almost become a 6 string oscillator.. I prepare the octa and set=
 some track parameters before starting (sequenced retrigger and pitch shift=
 for example) but before i play the first lick there were no sound "in" the=
 Octa.. all you hear is originating from the guitar. Octatrack straight int=
o recorded NO extra audio manipulation at all (except a fade out)
http://soundcloud.com/anders-bergdahl/tentative-summer-time-also 		 	   		 =
 =

--_011fcb46-bd28-4dda-b223-2bbe0ace083c_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
<div style=3D"font-family: Tahoma=3B font-size: 10pt=3B ">Guitar=2C great g=
uitar amp (custom by Cougar 4*el84 rock monster) and the octatrack alone in=
 the cottage (expect for mice &nbsp=3Band the dog &nbsp=3B)</div><div style=
=3D"font-family: Tahoma=3B font-size: 10pt=3B "><br></div><div style=3D"fon=
t-family: Tahoma=3B font-size: 10pt=3B ">So again using the OT for seme thi=
ng looping like=2C all sampling done with recording triggs (explained on So=
undcloud) it seems to be the easiest way... usually set the track to 64 or =
32 steps even when i record shorter snippets so that i can set a trigger be=
fore hand keep playing and then i can remove the trigg so that it doesn't r=
erecord it self=2C also a goog way to keep rhythmic.. did some crazy stuff =
with &nbsp=3Bparamter locks on the delay (which i used for some looping sty=
le sounds as well) sort of long... &nbsp=3Bbut at least you can hear how it=
 develops.. )&nbsp=3B</div><div style=3D"font-family: Tahoma=3B font-size: =
10pt=3B "><br></div><div><font class=3D"Apple-style-span" face=3D"Tahoma" s=
ize=3D"2">The guitar almost become a 6 string oscillator.. I prepare the oc=
ta and set some track parameters before starting (sequenced&nbsp=3Bretrigge=
r and pitch shift for example) but before i play the first lick there were =
no sound "in" the Octa.. all you hear is&nbsp=3Boriginating&nbsp=3Bfrom the=
 guitar. Octatrack straight into recorded NO extra audio manipulation at al=
l (except&nbsp=3Ba fade out)</font></div><div style=3D"font-family: Tahoma=
=3B font-size: 10pt=3B "><br></div><div style=3D"font-family: Tahoma=3B fon=
t-size: 10pt=3B ">http://soundcloud.com/anders-bergdahl/tentative-summer-ti=
me-also</div> 		 	   		  </body>
</html>=

--_011fcb46-bd28-4dda-b223-2bbe0ace083c_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 28 12:42:14 2011
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Date: Mon, 28 Mar 2011 05:42:04 -0700
From: Rick Walker <looppool@cruzio.com>
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This just blew me away and made me think a lot about looping
of all things.

http://thisvidissick.com/2011/remotekontrol-dancing/

From Loopers-Delight-request@loopers-delight.com  Mon Mar 28 22:47:32 2011
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Subject: rang lll
Date: Mon, 28 Mar 2011 18:47:11 -0400
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my super mega ultimate BFF dan sent me his new rang lll to test=20
drive.....what a cosmic buck-a-roo!!!!!!!!!!!!!!!


From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 08:09:41 2011
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	<9407FFBB-7568-40AD-A4C2-AE859593D950@charter.net>
	<AANLkTinDvwKpUxci8YQfs6TqUp9tueAdLRqy0DAR976M@mail.gmail.com>
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Subject: Re: OT: Cry Baby: The Pedal That Rocks The World
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--e0cb4e6fffffea8a07049f9a9499
Content-Type: text/plain; charset=ISO-8859-1

>
> And there are people doing original stuff with wah pedals even today:
http://video.google.com/videoplay?docid=-2265253317431829320#


-- 
jenko.nashorn@googlemail.com
www.myspace.com/nashorn

--e0cb4e6fffffea8a07049f9a9499
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<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><font color=3D"#888888"></font><=
/blockquote></div>And there are people doing original stuff with wah pedals=
 even today: <a href=3D"http://video.google.com/videoplay?docid=3D-22652533=
17431829320">http://video.google.com/videoplay?docid=3D-2265253317431829320=
</a>#<br>
<br clear=3D"all"><br>-- <br>
<div><a href=3D"mailto:jenko.nashorn@googlemail.com" target=3D"_blank">jenk=
o.nashorn@googlemail.com</a></div>
<div><a href=3D"http://www.myspace.com/nashorn" target=3D"_blank">www.myspa=
ce.com/nashorn</a></div><br>

--e0cb4e6fffffea8a07049f9a9499--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 15:50:31 2011
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Subject: Friend selling music stuff, including Repeater
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi all,

A friend is selling some music stuff on ebay. One of them is an
Electrix Repeater (currently at $150.)

http://shop.ebay.com/praemedia13/m.html?_nkw=&_armrs=1&_from=&_ipg=&_trksid=p3686

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 18:21:25 2011
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Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
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Hi Akraf !

Thanks for the kudos :).

You can achieve what you describe in Everyday Looper with the "Quantized =
Mute" function. In fact, I've added this feature for this precise reason =
^^ !

But you are of course limited to 4 tracks on an iPod, so you will maybe =
run short on tracks if you want 3 drum loops.

Rapha=EBl

Le 27 mars 2011 =E0 09:20, Akraf Emaho a =E9crit :

> Yes it looks like a great app.  Kudos on the well thought out UI for =
sure.
>=20
> If it allowed queuing of the clips so that with a double tap I could
> do a quantised switch from verse drum clip to verse drum fill clip to
> chorus drum clip...well I'd probably buy an ipod for that!
>=20
> Then I'd just have to figure out how to attach it to the carved top of
> a Les Paul...
>=20
> Akraf

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 19:20:44 2011
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Subject: Separate strings exploration
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--_000_F3758BD5E05F2049BBC449788EC936AF0321C9WCUXCH07PASSHELCL_
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Hi, I thought I'd post something that some of you would be interested in.  =
I have put together a rig that routes the 6 separate strings of a guitar th=
rough a set of VST effects.  They can then run into Mobius or an EDP or bot=
h.  I've put a pdf about this in a public Dropbox folder:  http://dl.dropbo=
x.com/u/5028778/Separate%20Strings%20Rig%20March%202011.pdf

Other than the Baxendale Breakout Box, this was all pulled together with ei=
ther stuff I've had for years, or recent acquisitions that were very budget=
-conscious.  There is probably some more elegant solution to preamping than=
 the Audio Buddies, and there are better sound cards than the AuidioFire8, =
but they work really well and were inexpensive.

I've been more focused on basic musicianly learning while pulling this toge=
ther, and need to stay in that mode, so it will be a while before I have it=
 under some measure of control, but it does feature in the last minute-plus=
 of a tune posted on S'Cloud:  http://soundcloud.com/howl-din/barn-with-pee=
l-still.  Nothing very considered about the VSTs or string routing, mind yo=
u.

Hal Dean


--_000_F3758BD5E05F2049BBC449788EC936AF0321C9WCUXCH07PASSHELCL_
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xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:=
//www.w3.org/TR/REC-html40">
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<div class=3D"WordSection1">
<p class=3D"MsoNormal">Hi, I thought I&#8217;d post something that some of =
you would be interested in.&nbsp; I have put together a rig that routes the=
 6 separate strings of a guitar through a set of VST effects.&nbsp; They ca=
n then run into Mobius or an EDP or both.&nbsp; I&#8217;ve put
 a pdf about this in a public Dropbox folder:&nbsp; <a href=3D"http://dl.dr=
opbox.com/u/5028778/Separate%20Strings%20Rig%20March%202011.pdf">
http://dl.dropbox.com/u/5028778/Separate%20Strings%20Rig%20March%202011.pdf=
</a><o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">Other than the Baxendale Breakout Box, this was all =
pulled together with either stuff I&#8217;ve had for years, or recent acqui=
sitions that were very budget-conscious.&nbsp; There is probably some more =
elegant solution to preamping than the Audio
 Buddies, and there are better sound cards than the AuidioFire8, but they w=
ork really well and were inexpensive.
<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal">I&#8217;ve been more focused on basic musicianly lea=
rning while pulling this together, and need to stay in that mode, so it wil=
l be a while before I have it under some measure of control, but it does fe=
ature in the last minute-plus of a tune
 posted on S&#8217;Cloud:&nbsp; <a href=3D"http://soundcloud.com/howl-din/b=
arn-with-peel-still">
http://soundcloud.com/howl-din/barn-with-peel-still</a>.&nbsp; Nothing very=
 considered about the VSTs or string routing, mind you.<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
<p class=3D"MsoNormal"><i><span style=3D"font-family:&quot;Palatino Linotyp=
e&quot;,&quot;serif&quot;">Hal Dean</span></i><span style=3D"font-family:&q=
uot;Palatino Linotype&quot;,&quot;serif&quot;"><o:p></o:p></span></p>
<p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p>
</div>
</body>
</html>

--_000_F3758BD5E05F2049BBC449788EC936AF0321C9WCUXCH07PASSHELCL_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 19:31:21 2011
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Date: Tue, 29 Mar 2011 21:31:17 +0200
Message-ID: <AANLkTimhYJL13FqVGYG=Wr4+d1xeJPETz5dJq=ZjGhJL@mail.gmail.com>
Subject: Re: Stretched Landscape remixed
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Mar 18, 2011 at 7:15 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> I got a chance to listen to the whole thing last night. The level of
> artistry and craft is astounding, and puts my own submission (which I
> was previously very proud of) to shame. Thanks everyone!

Matt,
Sorry, but I don't agree with you. Your track is just great, one of
the highlights for me! ;-)

If you haven't downloaded it yet, it's great, beautiful and free!
http://veloopity.bandcamp.com/album/stretched-landscape-remix-project

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 20:12:31 2011
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Date: Tue, 29 Mar 2011 13:12:28 -0700
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Subject: Re: Stretched Landscape remixed
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Aw, you guys are nice! I promise I wasn't fishing for compliments!

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


On Tue, Mar 29, 2011 at 12:31 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Fri, Mar 18, 2011 at 7:15 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
>> I got a chance to listen to the whole thing last night. The level of
>> artistry and craft is astounding, and puts my own submission (which I
>> was previously very proud of) to shame. Thanks everyone!
>
> Matt,
> Sorry, but I don't agree with you. Your track is just great, one of
> the highlights for me! ;-)
>
> If you haven't downloaded it yet, it's great, beautiful and free!
> http://veloopity.bandcamp.com/album/stretched-landscape-remix-project
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 20:21:24 2011
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Subject: Re: Stretched Landscape remixed
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On Tue, Mar 29, 2011 at 10:12 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> Aw, you guys are nice! I promise I wasn't fishing for compliments!

hehe ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 22:26:10 2011
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Subject: POT - Excellent review of The Sense of Time [free download]
From: Sjaak Overgaauw <tcplugin@gmail.com>
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POT =3D Partly of topic.....but this review contains the words "live
looping" ;-) Anyway, I'm very happy with it, looks like I've found the
right direction with the Premonition Factory project and we have to
celebrate it. I've created a special Premonition Factory EP with 4
tracks which you can download for free. Track 1 and 2 are from the
album "59 Airplanes waiting for New York", track 3 and 4 are from the
new album "The Sense of Time". Enjoy :)

1. To those worthy of honour 05:44
2. 59 Airplanes waiting for New York 06:58
3. The sense of time 07:12
4. Dream within a dream 05:49

Download link =3D
http://premonitionfactory.bandcamp.com/album/ep-promo-tracks-free

Enjoy! :)

---
I was really excited when I found the new Premonition Factory album in
my mailbox a few weeks ago. The first album, 59 Airplanes Waiting for
New York, was warmly received here, so then there=E2=80=99s always some
pleasant anticipation for whatever follows after. The anticipation
changed into profound joy, because this is an extremely fine ambient
album that is immediately pleasant to listen to, with loads of deeper
layers to discover after multiple rounds.

The basics remain the same: Sjaak Overgaauw, the Dutchman in Flanders
who is behind the project, uses live looping techniques on synth to
build his layered ambient sounds, and these recorded improvisations
make up the music on his albums and shows. Compared to the last album,
however, the sound on The Sense of Time is thoroughly refined,
seamlessly blending layers of soft synth waves, drones, piano
melodies, and some rhythm here and there.

The atmosphere of Premonition Factory I would describe as abstract
ambient: not necessarily reproducing or referring to elements in the
real world, but acting as pure soundforms, and direct aural emotion.
That Overgaauw is able to find a perfect balance in these emotions is
evident here. Darker musical visions can be found on tracks like
=E2=80=9CChasing the Unknown=E2=80=9D and =E2=80=9CMagic Box=E2=80=9D, whil=
e bright calm material
features prominently in the gentle opener and the piano-based
=E2=80=9CMediate=E2=80=9D. One of the big surprises and obvious highlights =
of this
album is the title track with its excellent glitchy rhythmic work, but
for the absolute peak of the album is =E2=80=9CDarkest Hour Pt. 2=E2=80=B3,=
 a
deceptively minimalist track with a melodic progression that brings
tears to my eyes every time I hear it. Not because it reminds me of
anything emotional, but simply because of the pure emotion coming from
the music itself. It is a calmly moving piece that has quickly found
its way into my all time favourite ambient tracks.

So, there. Heaps of deserved praise for an album that proves you don=E2=80=
=99t
need to be innovative if you=E2=80=99re just damn good. I=E2=80=99m not goi=
ng to waste
time by listing ambient giants that have gone before and obviously
inspired this music. Where some artists impress by pushing musical
boundaries and experimenting, Overgaauw achieves equally stunning
results by mastering a tradition and refining it. Here=E2=80=99s to the nex=
t
one!

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 29 23:30:09 2011
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Date: Wed, 30 Mar 2011 01:28:07 +0200
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Subject: Re: POT - Excellent review of The Sense of Time [free download]
From: Louie Angulo <louie.angulo@googlemail.com>
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excellent buddy congratualtions!
ill have to catch up with you again in person and celebrate this one;-)
big hugs
Luis

On Wed, Mar 30, 2011 at 12:26 AM, Sjaak Overgaauw <tcplugin@gmail.com> wrot=
e:
> POT =3D Partly of topic.....but this review contains the words "live
> looping" ;-) Anyway, I'm very happy with it, looks like I've found the
> right direction with the Premonition Factory project and we have to
> celebrate it. I've created a special Premonition Factory EP with 4
> tracks which you can download for free. Track 1 and 2 are from the
> album "59 Airplanes waiting for New York", track 3 and 4 are from the
> new album "The Sense of Time". Enjoy :)
>
> 1. To those worthy of honour 05:44
> 2. 59 Airplanes waiting for New York 06:58
> 3. The sense of time 07:12
> 4. Dream within a dream 05:49
>
> Download link =3D
> http://premonitionfactory.bandcamp.com/album/ep-promo-tracks-free
>
> Enjoy! :)
>
> ---
> I was really excited when I found the new Premonition Factory album in
> my mailbox a few weeks ago. The first album, 59 Airplanes Waiting for
> New York, was warmly received here, so then there=E2=80=99s always some
> pleasant anticipation for whatever follows after. The anticipation
> changed into profound joy, because this is an extremely fine ambient
> album that is immediately pleasant to listen to, with loads of deeper
> layers to discover after multiple rounds.
>
> The basics remain the same: Sjaak Overgaauw, the Dutchman in Flanders
> who is behind the project, uses live looping techniques on synth to
> build his layered ambient sounds, and these recorded improvisations
> make up the music on his albums and shows. Compared to the last album,
> however, the sound on The Sense of Time is thoroughly refined,
> seamlessly blending layers of soft synth waves, drones, piano
> melodies, and some rhythm here and there.
>
> The atmosphere of Premonition Factory I would describe as abstract
> ambient: not necessarily reproducing or referring to elements in the
> real world, but acting as pure soundforms, and direct aural emotion.
> That Overgaauw is able to find a perfect balance in these emotions is
> evident here. Darker musical visions can be found on tracks like
> =E2=80=9CChasing the Unknown=E2=80=9D and =E2=80=9CMagic Box=E2=80=9D, wh=
ile bright calm material
> features prominently in the gentle opener and the piano-based
> =E2=80=9CMediate=E2=80=9D. One of the big surprises and obvious highlight=
s of this
> album is the title track with its excellent glitchy rhythmic work, but
> for the absolute peak of the album is =E2=80=9CDarkest Hour Pt. 2=E2=80=
=B3, a
> deceptively minimalist track with a melodic progression that brings
> tears to my eyes every time I hear it. Not because it reminds me of
> anything emotional, but simply because of the pure emotion coming from
> the music itself. It is a calmly moving piece that has quickly found
> its way into my all time favourite ambient tracks.
>
> So, there. Heaps of deserved praise for an album that proves you don=E2=
=80=99t
> need to be innovative if you=E2=80=99re just damn good. I=E2=80=99m not g=
oing to waste
> time by listing ambient giants that have gone before and obviously
> inspired this music. Where some artists impress by pushing musical
> boundaries and experimenting, Overgaauw achieves equally stunning
> results by mastering a tradition and refining it. Here=E2=80=99s to the n=
ext
> one!
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 30 00:28:58 2011
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Date: Tue, 29 Mar 2011 17:28:34 -0700
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On 7/22/64 11:59 AM, Johannes Korn wrote:
> And there are people doing original stuff with wah pedals even today: 
> http://video.google.com/videoplay?docid=-2265253317431829320#
  That made my day, Johannes,   thanks for posting it.

And let us not forget one or our own list member's creation at his DAED 
website (Disagreeable Audio Experience Designs:

The Juicy Wah

http://www.daedsound.com/juicy.htm


I'm still saving my pennies to buy this puppy!

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Mar 30 01:35:21 2011
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Subject: RE: POT - Excellent review of The Sense of Time [free download]
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UyhheSlqYWFrLCBXYWl0IGEgbWludXRlLCBkaWQgeW91ciBtb20gd3JpdGUgdGhhdD8/Pz8/DQoN
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Subject: Re: POT - Excellent review of The Sense of Time [free download]
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On Wed, Mar 30, 2011 at 3:34 AM, Andy Owens <andy@1800dialword.com> wrote:
> S(ay)jaak, Wait a minute, did your mom write that?????

No, my mom classifies my music as "difficult music" ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Well, she is so right!!!



On Mar 30, 2011, at 4:12 AM, "Sjaak Overgaauw" <tcplugin@gmail.com> wrote:

> On Wed, Mar 30, 2011 at 3:34 AM, Andy Owens <andy@1800dialword.com> wrote:
>> S(ay)jaak, Wait a minute, did your mom write that?????
> 
> No, my mom classifies my music as "difficult music" ;-)
> 
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 30 14:02:23 2011
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Subject: GSP 2101
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Hey fellers and fellettes, I am gonna soon put a Digitech GSP 2101 up on
Ebay if anyone's interested will make you a deal or trade, good unit but
I needed a one rack space so went with the 1101. Have foot controller
too.

Prob about $275.

Andy o

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Hey guys,

Ive been offloading some unused stomp boxes and raised a bit of cash... Im
up for buying a kaos pad to slap on the whole ouput of my rig...

I can see that the new Quad has all the effects I need (decimate, delay,
filters and some buzzy looping things) but its not got midi sync. Not too
bothered as the audio syncing is said to be excellent...
The KP3 appears top have masses more effects however, but maybe manuy I
wouldnt use.. and only one at a time.. the quad does er... 4.. surprose
surprise... and theres no filler...

There is however ONE feature of the KP3 that intrigues me, and may result in
me going for that. That is the ability to record your finger movement and
loop that... Now my question is... IS THAT movement syncable to the beat..
does it loop in time, or is it just an unusable gimmick? I asked my drummer
who has one and he said.. "er.. what?" So he didnt know this feature even
existed...

Any KP3 user enlighten me on this?

-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--0022152d69f10b30a8049fb3cee9
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Hey guys, <br><br>Ive been offloading some unused stomp boxes and raised a =
bit of cash... Im up for buying a kaos pad to slap on the whole ouput of my=
 rig...<br><br>I can see that the new Quad has all the effects I need (deci=
mate, delay, filters and some buzzy looping things) but its not got midi sy=
nc. Not too bothered as the audio syncing is said to be excellent...<br>

The KP3 appears top have masses more effects however, but maybe manuy I wou=
ldnt use.. and only one at a time.. the quad does er... 4.. surprose surpri=
se... and theres no filler...<br><br>There is however ONE feature of the KP=
3 that intrigues me, and may result in me going for that. That is the abili=
ty to record your finger movement and loop that... Now my question is... IS=
 THAT movement syncable to the beat.. does it loop in time, or is it just a=
n unusable gimmick? I asked my drummer who has one and he said.. &quot;er..=
 what?&quot; So he didnt know this feature even existed... <br>

<br>Any KP3 user enlighten me on this?<br clear=3D"all"><br>-- <br><i style=
=3D"font-family: verdana,sans-serif; color: rgb(255, 255, 255); background-=
color: rgb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;"=
 size=3D"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--0022152d69f10b30a8049fb3cee9--

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Date: Wed, 30 Mar 2011 16:30:04 +0200
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Subject: Re: POT - Excellent review of The Sense of Time [free download]
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: Sjaak Overgaauw <tcplugin@gmail.com>
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Congratz and thanks for sharing your EP !

-f
www.eterogeneo.com

2011/3/30 Sjaak Overgaauw <tcplugin@gmail.com>

> POT =3D Partly of topic.....but this review contains the words "live
> looping" ;-) Anyway, I'm very happy with it, looks like I've found the
> right direction with the Premonition Factory project and we have to
> celebrate it. I've created a special Premonition Factory EP with 4
> tracks which you can download for free. Track 1 and 2 are from the
> album "59 Airplanes waiting for New York", track 3 and 4 are from the
> new album "The Sense of Time". Enjoy :)
>
> 1. To those worthy of honour 05:44
> 2. 59 Airplanes waiting for New York 06:58
> 3. The sense of time 07:12
> 4. Dream within a dream 05:49
>
> Download link =3D
> http://premonitionfactory.bandcamp.com/album/ep-promo-tracks-free
>
> Enjoy! :)
>
> ---
> I was really excited when I found the new Premonition Factory album in
> my mailbox a few weeks ago. The first album, 59 Airplanes Waiting for
> New York, was warmly received here, so then there=E2=80=99s always some
> pleasant anticipation for whatever follows after. The anticipation
> changed into profound joy, because this is an extremely fine ambient
> album that is immediately pleasant to listen to, with loads of deeper
> layers to discover after multiple rounds.
>
> The basics remain the same: Sjaak Overgaauw, the Dutchman in Flanders
> who is behind the project, uses live looping techniques on synth to
> build his layered ambient sounds, and these recorded improvisations
> make up the music on his albums and shows. Compared to the last album,
> however, the sound on The Sense of Time is thoroughly refined,
> seamlessly blending layers of soft synth waves, drones, piano
> melodies, and some rhythm here and there.
>
> The atmosphere of Premonition Factory I would describe as abstract
> ambient: not necessarily reproducing or referring to elements in the
> real world, but acting as pure soundforms, and direct aural emotion.
> That Overgaauw is able to find a perfect balance in these emotions is
> evident here. Darker musical visions can be found on tracks like
> =E2=80=9CChasing the Unknown=E2=80=9D and =E2=80=9CMagic Box=E2=80=9D, wh=
ile bright calm material
> features prominently in the gentle opener and the piano-based
> =E2=80=9CMediate=E2=80=9D. One of the big surprises and obvious highlight=
s of this
> album is the title track with its excellent glitchy rhythmic work, but
> for the absolute peak of the album is =E2=80=9CDarkest Hour Pt. 2=E2=80=
=B3, a
> deceptively minimalist track with a melodic progression that brings
> tears to my eyes every time I hear it. Not because it reminds me of
> anything emotional, but simply because of the pure emotion coming from
> the music itself. It is a calmly moving piece that has quickly found
> its way into my all time favourite ambient tracks.
>
> So, there. Heaps of deserved praise for an album that proves you don=E2=
=80=99t
> need to be innovative if you=E2=80=99re just damn good. I=E2=80=99m not g=
oing to waste
> time by listing ambient giants that have gone before and obviously
> inspired this music. Where some artists impress by pushing musical
> boundaries and experimenting, Overgaauw achieves equally stunning
> results by mastering a tradition and refining it. Here=E2=80=99s to the n=
ext
> one!
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

--20cf307d0408498fed049fb403bc
Content-Type: text/html; charset=UTF-8
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<div>Congratz and thanks for sharing your EP !</div>
<div>=C2=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a><br><br><=
/div>
<div class=3D"gmail_quote">2011/3/30 Sjaak Overgaauw <span dir=3D"ltr">&lt;=
<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">POT =3D Partly of topic.....but =
this review contains the words &quot;live<br>looping&quot; ;-) Anyway, I&#3=
9;m very happy with it, looks like I&#39;ve found the<br>
right direction with the Premonition Factory project and we have to<br>cele=
brate it. I&#39;ve created a special Premonition Factory EP with 4<br>track=
s which you can download for free. Track 1 and 2 are from the<br>album &quo=
t;59 Airplanes waiting for New York&quot;, track 3 and 4 are from the<br>
new album &quot;The Sense of Time&quot;. Enjoy :)<br><br>1. To those worthy=
 of honour 05:44<br>2. 59 Airplanes waiting for New York 06:58<br>3. The se=
nse of time 07:12<br>4. Dream within a dream 05:49<br><br>Download link =3D=
<br>
<a href=3D"http://premonitionfactory.bandcamp.com/album/ep-promo-tracks-fre=
e" target=3D"_blank">http://premonitionfactory.bandcamp.com/album/ep-promo-=
tracks-free</a><br><br>Enjoy! :)<br><br>---<br>I was really excited when I =
found the new Premonition Factory album in<br>
my mailbox a few weeks ago. The first album, 59 Airplanes Waiting for<br>Ne=
w York, was warmly received here, so then there=E2=80=99s always some<br>pl=
easant anticipation for whatever follows after. The anticipation<br>changed=
 into profound joy, because this is an extremely fine ambient<br>
album that is immediately pleasant to listen to, with loads of deeper<br>la=
yers to discover after multiple rounds.<br><br>The basics remain the same: =
Sjaak Overgaauw, the Dutchman in Flanders<br>who is behind the project, use=
s live looping techniques on synth to<br>
build his layered ambient sounds, and these recorded improvisations<br>make=
 up the music on his albums and shows. Compared to the last album,<br>howev=
er, the sound on The Sense of Time is thoroughly refined,<br>seamlessly ble=
nding layers of soft synth waves, drones, piano<br>
melodies, and some rhythm here and there.<br><br>The atmosphere of Premonit=
ion Factory I would describe as abstract<br>ambient: not necessarily reprod=
ucing or referring to elements in the<br>real world, but acting as pure sou=
ndforms, and direct aural emotion.<br>
That Overgaauw is able to find a perfect balance in these emotions is<br>ev=
ident here. Darker musical visions can be found on tracks like<br>=E2=80=9C=
Chasing the Unknown=E2=80=9D and =E2=80=9CMagic Box=E2=80=9D, while bright =
calm material<br>features prominently in the gentle opener and the piano-ba=
sed<br>
=E2=80=9CMediate=E2=80=9D. One of the big surprises and obvious highlights =
of this<br>album is the title track with its excellent glitchy rhythmic wor=
k, but<br>for the absolute peak of the album is =E2=80=9CDarkest Hour Pt. 2=
=E2=80=B3, a<br>deceptively minimalist track with a melodic progression tha=
t brings<br>
tears to my eyes every time I hear it. Not because it reminds me of<br>anyt=
hing emotional, but simply because of the pure emotion coming from<br>the m=
usic itself. It is a calmly moving piece that has quickly found<br>its way =
into my all time favourite ambient tracks.<br>
<br>So, there. Heaps of deserved praise for an album that proves you don=E2=
=80=99t<br>need to be innovative if you=E2=80=99re just damn good. I=E2=80=
=99m not going to waste<br>time by listing ambient giants that have gone be=
fore and obviously<br>
inspired this music. Where some artists impress by pushing musical<br>bound=
aries and experimenting, Overgaauw achieves equally stunning<br>results by =
mastering a tradition and refining it. Here=E2=80=99s to the next<br>one!<b=
r><font color=3D"#888888"><br>
--<br>Sjaak Overgaauw<br><a href=3D"http://premonitionfactory.com/" target=
=3D"_blank">http://premonitionfactory.com/</a><br><a href=3D"http://liveloo=
ping.be/" target=3D"_blank">http://livelooping.be/</a><br><br></font></bloc=
kquote>
</div><br>

--20cf307d0408498fed049fb403bc--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 30 15:08:31 2011
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Subject: Re: POT - Excellent review of The Sense of Time [free download]
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wonderful review.....but can he dance?

From Loopers-Delight-request@loopers-delight.com  Wed Mar 30 15:12:40 2011
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Date: Wed, 30 Mar 2011 17:12:38 +0200
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Subject: Re: POT - Excellent review of The Sense of Time [free download]
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Mar 30, 2011 at 5:08 PM,  <nemoguitt@aol.com> wrote:
> wonderful review.....but can he dance?

Ehhh....interesting question! ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: POT - Excellent review of The Sense of Time [free download]
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@Luis and Fabio: thx!
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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anyone try this pedal?.....i'm curious as to it's looper, how long=20
etc.....tanks!



From Loopers-Delight-request@loopers-delight.com  Wed Mar 30 15:43:00 2011
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On Mar 30, 2011, at 10:16 AM, nemoguitt@aol.com wrote:

> anyone try this pedal?.....i'm curious as to it's looper, how long  
> etc.....tanks!
>
Mine arrives any day now. It should have been here yesterday, but  
Sweetwater's use of FedEx Smart Post is...well...anything but.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On Mar 30, 2011, at 10:16 AM, <a href="mailto:nemoguitt@aol.com">nemoguitt@aol.com</a> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div>anyone try this pedal?.....i'm curious as to it's looper, how long etc.....tanks!<br><font class="Apple-style-span" color="#000000"><font class="Apple-style-span" color="#144FAE"><br></font></font></div></blockquote>Mine arrives any day now. It should have been here yesterday, but Sweetwater's use of FedEx Smart Post is...well...anything but.</div><div><br></div><div>Jeff</div></body></html>
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Date: Wed, 30 Mar 2011 09:23:54 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Everyday Looper - A Looper for the iPhone/iPod Touch
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Hi Raphael,

I am intrigued by the possibility of running Everyday Looper, and using ThumbJam 
as input -- will it be possible to run both at the same time? (sorry but I don't 
own iPhone or Touch so don't really know how they work).

Thanks,
Eric


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><DIV>Hi Raphael,</DIV>
<DIV>&nbsp;</DIV>
<DIV>I am intrigued by the possibility of running Everyday Looper, and using ThumbJam as input -- will it be possible to run both at the same time? (sorry but I don't own iPhone or Touch so don't really know how they work).</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks,</DIV>
<DIV>Eric<BR></DIV>
<DIV>&nbsp;</DIV></div><br>

      </body></html>
--0-207884348-1301502234=:75640--

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> There is however ONE feature of the KP3 that intrigues me, and may 
> result in me going for that. That is the ability to record your finger 
> movement and loop that... Now my question is... IS THAT movement 
> syncable to the beat.. does it loop in time, or is it just an unusable 
> gimmick? I asked my drummer who has one and he said.. "er.. what?" So 
Does it loop in time? - no, or only in its own time...
Is it an unusable gimmick? - no, I found it to be very useable. Syncing 
your mod control signals to the beat isn't always what I want, in fact, 
I find it more interesting to have a mod control loop which is not 
synced to the audio loop when post-processing loops. The genre-standard 
filter sweep over a repeating (=boring) drum loop is fun, as is a 
non-synced pitch shift with changing intervals over a melodic theme.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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A guitarist friend has one.

A generous 40s (20s stereo).
...and wait for it...the feedback knob is disabled in loop mode.
Just Record, Overdub and Erase.
Tap to StartRecord.
Tap to End Record.
Tap to overdub.
Tap to end overdub.
Double Tap to Erase.


7s of delay to be used with fbk control.

Don't know if the "tap time on the guitar"
thing lets you tap a whole 7s.

Nice sounding delays.

andy





nemoguitt@aol.com wrote:
> anyone try this pedal?.....i'm curious as to it's looper, how long 
> etc.....tanks!
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 30 22:11:35 2011
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Subject: Re: COMPLETELY OT
From: Tim Thompson <me@timthompson.com>
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> From: Rick Walker <looppool@cruzio.com>
> This just blew me away and made me think a lot about looping
> of all things. =A0http://thisvidissick.com/2011/remotekontrol-dancing/

Here's one of them doing a brilliantly conceived and executed piece:

=A0 =A0http://www.youtube.com/watch?v=3DzGkLTi7pxPg

The subtlety and elegance is beyond inspiring, for me.  While the
editing of it is clearly manipulative, I've watched it literally
dozens of times, and my eyes haven't been dry a single time.

=A0 =A0 ...Tim...

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Subject: More Softstep Feedback - Attention Bill Walker:)
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My Current Softstep Situation for those interested:
So my third sofstep broke 9 days ago. First one was shipping with a =
malfunctioning key so it was sent directly back. The firmware was ruined =
on the second one because I loaded it with a new firmware but then tried =
to upload settings to the softstep with an earlier version of the =
software. Now the mini usb port is broken on the 3rd one which I can =
only attribute to applying too much pressure around '0' key. I wrote =
them 9 days ago about and Sarah was very responsive and passed the email =
along to whoever deals with sales/replacement.=20

That person has not gotten back to me. In 9 days. No response. Today Tom =
posted a video about their new software on the ableton forums that =
emulates key commands and the mouse. Maybe they have been consumed with =
that. I don't know.

I have my first looping gig in a couple weeks so I'm obviously ditching =
the idea of using the softstep and I have reprogrammed my trusty fcb1010 =
to emulate the same setup I had with softstep. So after had spent months =
only using the softstep.......... when I went back to the fcb1010 it was =
this huge unexpected confidence booster and stress relief. it was like =
trying to run with a weighted vest, it's possible, but if you continue =
to run and take off the vest, it's like your floating as run becuase you =
were used to the vest before and it's all relative.
I could run my looping set without any technical issues. Complete =
confidence in my pedal presses. So my current assessment is that =
although fcb is huge and clunky it is much much easier for me to operate =
for time sensitive pedal presses in a looping context. I put in some =
considerable practice time with the softstep while I had a working unit. =
Maybe that would change with much of more practice with it?? YMMV



-Todd Matthews

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 04:02:14 2011
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Date: Thu, 31 Mar 2011 00:01:51 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T + Soundpainting -- Saturday, Outpost 186 , Cambridge
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
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Hi folks,

I'll be performing video improvisation as part of=20
Dennis Shafer's soundpainting project. In=20
Dennis's words

At 12:54 AM -0400 3/30/11, Dennis Shafer wrote:
>In cozy performance spaces like this, the area=20
>between audience and performer can get blurred=8A=20
>Come see it get completely wiped out and turned=20
>around in this interactive performance!=20
>Soundpainting, the live composition of=20
>music/performance art with gestures, is used=20
>this evening to dig deep into the possibilities=20
>of inter-disciplinary interactive performance=20
>art.  For a sneak preview of what is possible,=20
>click below:
>
>http://www.youtube.com/watch?v=3Drgltcdu3y0M

Saturday 2 April @ OUTPOST 186, 8PM, $5/10

7PM Soundpainting Workshop

Chagall Performance Art Collaborative Presents

  DUEL by Claudio Gabriele and Soundpainting duel with Video Artist Dr. T


ChagallPAC continues to work on themes with=20
Soundpainting and poetry Below The Surface by=20
Diana Norma.  Also featuring the music of Francis=20
Poulenc, and text by Brian Ellis.  Boston=20
premiere of DUEL by Claudio Gabriele for two=20
saxophone.

Outpost 186, 186 Hampshire St (in the back), near Inman Square, Cambridge MA

Suggested donation,  $10

617.876.0860 ~ all ages ~=20
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org

Many of my finished video pieces (both studio and=20
live) can be seen at=20
http://www.youtube.com/Tobenfeld. with a piece=20
from the Spring Series at=20
http://www.youtube.com/watch?v=3DfxBtaJajCkU

Those of you who attend or perform at events at=20
Outpost 186 may find my photo essay=20
"Improvisations from an Outpost"=20
http://www.flickr.com/photos/22231918@N06/sets/72157624670849749/=20
to be of interest,




-- 
My photography can be viewed at=20
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 07:19:27 2011
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Date: Thu, 31 Mar 2011 09:19:24 +0200
Message-ID: <AANLkTi=6JiHuOKo-raXcNwxY3FaTgtm8660coVOM1cd-@mail.gmail.com>
Subject: Re: More Softstep Feedback - Attention Bill Walker:)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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well now i dont feel such a whining moron;-)
i know what you mean,i rather have the bulky reliable size now that
some flimpsy device that will keep you tip toing
is allready bad enough that you have to almost be a ballet dancer to
trigger those buttons.
I laso rather spend time making music than be their beta tester for
god knows how long!
i understand that small companies are trying to give us what we want
blah,blah, buttom line,i dont just print money and they will only get
my support when they deliver a reliable product.
And yes i rather something reliable from a big company that wont
always listen to musicians,at the end some of this this small
companies wont  listen either when all of the sudden soemthing of that
nature happens and you want your money back.
im even luckier and happier that i found a PMC 10 for less than
100.00dlls which is smaller than FCB1010 and can do a lot more,like
control up to 16 devices in different channels,everything programable
per patch,song mode,sequence mode,patch mode,record midi strings,2
expression pedals,and x tra input for switches,nice big screen no need
for "workarounds" raising back rows led and it works beautiful!
thank god i sent the softstep i t back!
that goes also for all of you trying to buy the super expensive string
port (550.00dlls.)which is just as bad i heard .
i m sorry to hear that buddy,that thing cost only me time and money at
the end  and it took me a lots of emails to get my money back.
cheers
Luis






On Thu, Mar 31, 2011 at 2:43 AM, Todd Matthews <gtmatthews@gmail.com> wrote=
:
> My Current Softstep Situation for those interested:
> So my third sofstep broke 9 days ago. First one was shipping with a malfu=
nctioning key so it was sent directly back. The firmware was ruined on the =
second one because I loaded it with a new firmware but then tried to upload=
 settings to the softstep with an earlier version of the software. Now the =
mini usb port is broken on the 3rd one which I can only attribute to applyi=
ng too much pressure around '0' key. I wrote them 9 days ago about and Sara=
h was very responsive and passed the email along to whoever deals with sale=
s/replacement.
>
> That person has not gotten back to me. In 9 days. No response. Today Tom =
posted a video about their new software on the ableton forums that emulates=
 key commands and the mouse. Maybe they have been consumed with that. I don=
't know.
>
> I have my first looping gig in a couple weeks so I'm obviously ditching t=
he idea of using the softstep and I have reprogrammed my trusty fcb1010 to =
emulate the same setup I had with softstep. So after had spent months only =
using the softstep.......... when I went back to the fcb1010 it was this hu=
ge unexpected confidence booster and stress relief. it was like trying to r=
un with a weighted vest, it's possible, but if you continue to run and take=
 off the vest, it's like your floating as run becuase you were used to the =
vest before and it's all relative.
> I could run my looping set without any technical issues. Complete confide=
nce in my pedal presses. So my current assessment is that although fcb is h=
uge and clunky it is much much easier for me to operate for time sensitive =
pedal presses in a looping context. I put in some considerable practice tim=
e with the softstep while I had a working unit. Maybe that would change wit=
h much of more practice with it?? YMMV
>
>
>
> -Todd Matthews
>
>



--=20
www.luis-angulo.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 08:05:33 2011
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Louie Angulo wrote:

> i understand that small companies are trying to give us what we want
> blah,blah, buttom line,i dont just print money and they will only get
> my support when they deliver a reliable product.

I know you had a really bad experience with the Liquid
Foot, and that the guy in charge really didn't understand
or care about using his hardware for looping.

let's not forget  there certainly *are* companies that do exactly that.

Xavier's Gordius footcontrollers are certainly reliable,
and do everthing a looper could hope for.

..and for that matter, the EDP.

 

andy

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 11:32:35 2011
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OK,
here's the latest (from the Gordius mailing list).

The new planned firmware for the LG2 will have a simplified set up scheme.
Limits on the numbers of presets will be (essentially) removed.

new features include
1) switchable midi routing
2) Each of the 4 expression pedal inputs can alternately be used for 2 
switches.
3) Call up a bank from any switch, or external ProgCh
4) additions to scripting. IF ELSE
5) programmable LEDs
6) Support for LongPress/ShortPress.....that will be amazing with the LP1

The Mac Editor will work with the new firmware, and
is available as a demo (won't work with current firmware).

Xavier *isn't* giving a firm date for release, which is quite right.
...as they say...
"Programming a large project invariably takes longer than you
think, even if you take into account that it takes longer than you think.".

Meanwhile, the current firmware still gives the most comprehensive
feature set for looping of any midi foot controller in a reliable
and portable package.

andy



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Subject: Re: Gordius latest news
From: Per Boysen <perboysen@gmail.com>
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Wonderful! I will upgrade when I get back from the Cologne festival.
Must say I really like this controller! Fitting into the stick/guitar
case it saves a lot of traveling trouble.

Per



On Thu, Mar 31, 2011 at 1:32 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> OK,
> here's the latest (from the Gordius mailing list).
>
> The new planned firmware for the LG2 will have a simplified set up scheme.
> Limits on the numbers of presets will be (essentially) removed.
>
> new features include
> 1) switchable midi routing
> 2) Each of the 4 expression pedal inputs can alternately be used for 2
> switches.
> 3) Call up a bank from any switch, or external ProgCh
> 4) additions to scripting. IF ELSE
> 5) programmable LEDs
> 6) Support for LongPress/ShortPress.....that will be amazing with the LP1
>
> The Mac Editor will work with the new firmware, and
> is available as a demo (won't work with current firmware).
>
> Xavier *isn't* giving a firm date for release, which is quite right.
> ...as they say...
> "Programming a large project invariably takes longer than you
> think, even if you take into account that it takes longer than you think.".
>
> Meanwhile, the current firmware still gives the most comprehensive
> feature set for looping of any midi foot controller in a reliable
> and portable package.
>
> andy
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 12:16:53 2011
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Date: Thu, 31 Mar 2011 13:17:08 +0100
From: andy butler <akbutler@tiscali.co.uk>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Gordius latest news
References: <4D946659.1070306@tiscali.co.uk> <AANLkTikM+_-Aj7p0LDg18CTNWV55OX2KMjcHJwNAAy5J@mail.gmail.com>
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well,
rather better to upgrade after the release.
;-)
Right now, the mac editor is eye candy.
( test it though, we found some issues with
  the win editor)

andy





Per Boysen wrote:
> Wonderful! I will upgrade when I get back from the Cologne festival.
> Must say I really like this controller! Fitting into the stick/guitar
> case it saves a lot of traveling trouble.
> 
> Per
> 
> 
> 
> On Thu, Mar 31, 2011 at 1:32 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>> OK,
>> here's the latest (from the Gordius mailing list).
>>
>> The new planned firmware for the LG2 will have a simplified set up scheme.
>> Limits on the numbers of presets will be (essentially) removed.
>>
>> new features include
>> 1) switchable midi routing
>> 2) Each of the 4 expression pedal inputs can alternately be used for 2
>> switches.
>> 3) Call up a bank from any switch, or external ProgCh
>> 4) additions to scripting. IF ELSE
>> 5) programmable LEDs
>> 6) Support for LongPress/ShortPress.....that will be amazing with the LP1
>>
>> The Mac Editor will work with the new firmware, and
>> is available as a demo (won't work with current firmware).
>>
>> Xavier *isn't* giving a firm date for release, which is quite right.
>> ...as they say...
>> "Programming a large project invariably takes longer than you
>> think, even if you take into account that it takes longer than you think.".
>>
>> Meanwhile, the current firmware still gives the most comprehensive
>> feature set for looping of any midi foot controller in a reliable
>> and portable package.
>>
>> andy
>>
>>
>>
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 12:31:07 2011
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Subject: RE: More Softstep Feedback - Attention Bill Walker
Date: Thu, 31 Mar 2011 14:31:00 +0200
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I'll do my set this Saturday (Cologne livelooping festival) using my
Softstep. So far, it works ok, I hope it'll still work ok on Saturday.
-Michael

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Subject: more McMillan woes
Date: Thu, 31 Mar 2011 12:35:33 +0000
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In the spirit of brotherhood I have to chip in a warning to you guys.
I ordered a 13pin input soundcard from McMillan Industries early last Decem=
ber on the assurance that it would work with generic windows=2C (ASIO4all) =
drivers. No it didn't!
I was then told drivers would be written within 2 weeks etc etc. Promise af=
ter unfulfilled promise followed and I've had enough I'm afraid.=20
I've paid postage and import duty and now have to pay to send it back - ver=
y bad form :-( I'm not impressed to say the least.
=20
Peace


Gareth@Sentientfx -  Innovative music plugins. http://sentientfx.com/


=20
> Date: Thu=2C 31 Mar 2011 09:19:24 +0200
> Subject: Re: More Softstep Feedback - Attention Bill Walker:)
> From: louie.angulo@googlemail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> well now i dont feel such a whining moron=3B-)
> i know what you mean=2Ci rather have the bulky reliable size now that
> some flimpsy device that will keep you tip toing
> is allready bad enough that you have to almost be a ballet dancer to
> trigger those buttons.
> I laso rather spend time making music than be their beta tester for
> god knows how long!
> i understand that small companies are trying to give us what we want
> blah=2Cblah=2C buttom line=2Ci dont just print money and they will only g=
et
> my support when they deliver a reliable product.
> And yes i rather something reliable from a big company that wont
> always listen to musicians=2Cat the end some of this this small
> companies wont listen either when all of the sudden soemthing of that
> nature happens and you want your money back.
> im even luckier and happier that i found a PMC 10 for less than
> 100.00dlls which is smaller than FCB1010 and can do a lot more=2Clike
> control up to 16 devices in different channels=2Ceverything programable
> per patch=2Csong mode=2Csequence mode=2Cpatch mode=2Crecord midi strings=
=2C2
> expression pedals=2Cand x tra input for switches=2Cnice big screen no nee=
d
> for "workarounds" raising back rows led and it works beautiful!
> thank god i sent the softstep i t back!
> that goes also for all of you trying to buy the super expensive string
> port (550.00dlls.)which is just as bad i heard .
> i m sorry to hear that buddy=2Cthat thing cost only me time and money at
> the end and it took me a lots of emails to get my money back.
> cheers
> Luis
>=20
>=20
>=20
>=20
>=20
>=20
> On Thu=2C Mar 31=2C 2011 at 2:43 AM=2C Todd Matthews <gtmatthews@gmail.co=
m> wrote:
> > My Current Softstep Situation for those interested:
> > So my third sofstep broke 9 days ago. First one was shipping with a mal=
functioning key so it was sent directly back. The firmware was ruined on th=
e second one because I loaded it with a new firmware but then tried to uplo=
ad settings to the softstep with an earlier version of the software. Now th=
e mini usb port is broken on the 3rd one which I can only attribute to appl=
ying too much pressure around '0' key. I wrote them 9 days ago about and Sa=
rah was very responsive and passed the email along to whoever deals with sa=
les/replacement.
> >
> > That person has not gotten back to me. In 9 days. No response. Today To=
m posted a video about their new software on the ableton forums that emulat=
es key commands and the mouse. Maybe they have been consumed with that. I d=
on't know.
> >
> > I have my first looping gig in a couple weeks so I'm obviously ditching=
 the idea of using the softstep and I have reprogrammed my trusty fcb1010 t=
o emulate the same setup I had with softstep. So after had spent months onl=
y using the softstep.......... when I went back to the fcb1010 it was this =
huge unexpected confidence booster and stress relief. it was like trying to=
 run with a weighted vest=2C it's possible=2C but if you continue to run an=
d take off the vest=2C it's like your floating as run becuase you were used=
 to the vest before and it's all relative.
> > I could run my looping set without any technical issues. Complete confi=
dence in my pedal presses. So my current assessment is that although fcb is=
 huge and clunky it is much much easier for me to operate for time sensitiv=
e pedal presses in a looping context. I put in some considerable practice t=
ime with the softstep while I had a working unit. Maybe that would change w=
ith much of more practice with it?? YMMV
> >
> >
> >
> > -Todd Matthews
> >
> >
>=20
>=20
>=20
> --=20
> www.luis-angulo.com
>=20
 		 	   		  =

--_b26390d6-5d68-4365-bc04-04110cbc4330_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style><!--
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{
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font-family:Tahoma
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--></style>
</head>
<body class=3D'hmmessage'>
In the spirit of brotherhood I have to chip in a warning to you guys.<BR>
I ordered a 13pin input soundcard from&nbsp=3BMcMillan Industries early&nbs=
p=3Blast December on the assurance that it would work with generic windows=
=2C (ASIO4all) drivers. No it didn't!<BR>
I was then told drivers would be written within 2 weeks etc etc. Promise af=
ter unfulfilled promise followed and I've had enough&nbsp=3BI'm afraid. <BR=
>
I've paid postage and import duty and now have to pay to send it back - ver=
y bad form :-( I'm not impressed to say the least.<BR>
&nbsp=3B<BR>
Peace<BR>
<BR><BR>Gareth@Sentientfx -&nbsp=3B Innovative music plugins. <A href=3D"ht=
tp://sentientfx.com/" target=3D_blank>http://sentientfx.com/</A><BR><BR><BR=
>&nbsp=3B<BR>
&gt=3B Date: Thu=2C 31 Mar 2011 09:19:24 +0200<BR>&gt=3B Subject: Re: More =
Softstep Feedback - Attention Bill Walker:)<BR>&gt=3B From: louie.angulo@go=
oglemail.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <B=
R>&gt=3B well now i dont feel such a whining moron=3B-)<BR>&gt=3B i know wh=
at you mean=2Ci rather have the bulky reliable size now that<BR>&gt=3B some=
 flimpsy device that will keep you tip toing<BR>&gt=3B is allready bad enou=
gh that you have to almost be a ballet dancer to<BR>&gt=3B trigger those bu=
ttons.<BR>&gt=3B I laso rather spend time making music than be their beta t=
ester for<BR>&gt=3B god knows how long!<BR>&gt=3B i understand that small c=
ompanies are trying to give us what we want<BR>&gt=3B blah=2Cblah=2C buttom=
 line=2Ci dont just print money and they will only get<BR>&gt=3B my support=
 when they deliver a reliable product.<BR>&gt=3B And yes i rather something=
 reliable from a big company that wont<BR>&gt=3B always listen to musicians=
=2Cat the end some of this this small<BR>&gt=3B companies wont listen eithe=
r when all of the sudden soemthing of that<BR>&gt=3B nature happens and you=
 want your money back.<BR>&gt=3B im even luckier and happier that i found a=
 PMC 10 for less than<BR>&gt=3B 100.00dlls which is smaller than FCB1010 an=
d can do a lot more=2Clike<BR>&gt=3B control up to 16 devices in different =
channels=2Ceverything programable<BR>&gt=3B per patch=2Csong mode=2Csequenc=
e mode=2Cpatch mode=2Crecord midi strings=2C2<BR>&gt=3B expression pedals=
=2Cand x tra input for switches=2Cnice big screen no need<BR>&gt=3B for "wo=
rkarounds" raising back rows led and it works beautiful!<BR>&gt=3B thank go=
d i sent the softstep i t back!<BR>&gt=3B that goes also for all of you try=
ing to buy the super expensive string<BR>&gt=3B port (550.00dlls.)which is =
just as bad i heard .<BR>&gt=3B i m sorry to hear that buddy=2Cthat thing c=
ost only me time and money at<BR>&gt=3B the end and it took me a lots of em=
ails to get my money back.<BR>&gt=3B cheers<BR>&gt=3B Luis<BR>&gt=3B <BR>&g=
t=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B On Thu=2C Mar 3=
1=2C 2011 at 2:43 AM=2C Todd Matthews &lt=3Bgtmatthews@gmail.com&gt=3B wrot=
e:<BR>&gt=3B &gt=3B My Current Softstep Situation for those interested:<BR>=
&gt=3B &gt=3B So my third sofstep broke 9 days ago. First one was shipping =
with a malfunctioning key so it was sent directly back. The firmware was ru=
ined on the second one because I loaded it with a new firmware but then tri=
ed to upload settings to the softstep with an earlier version of the softwa=
re. Now the mini usb port is broken on the 3rd one which I can only attribu=
te to applying too much pressure around '0' key. I wrote them 9 days ago ab=
out and Sarah was very responsive and passed the email along to whoever dea=
ls with sales/replacement.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B That person ha=
s not gotten back to me. In 9 days. No response. Today Tom posted a video a=
bout their new software on the ableton forums that emulates key commands an=
d the mouse. Maybe they have been consumed with that. I don't know.<BR>&gt=
=3B &gt=3B<BR>&gt=3B &gt=3B I have my first looping gig in a couple weeks s=
o I'm obviously ditching the idea of using the softstep and I have reprogra=
mmed my trusty fcb1010 to emulate the same setup I had with softstep. So af=
ter had spent months only using the softstep.......... when I went back to =
the fcb1010 it was this huge unexpected confidence booster and stress relie=
f. it was like trying to run with a weighted vest=2C it's possible=2C but i=
f you continue to run and take off the vest=2C it's like your floating as r=
un becuase you were used to the vest before and it's all relative.<BR>&gt=
=3B &gt=3B I could run my looping set without any technical issues. Complet=
e confidence in my pedal presses. So my current assessment is that although=
 fcb is huge and clunky it is much much easier for me to operate for time s=
ensitive pedal presses in a looping context. I put in some considerable pra=
ctice time with the softstep while I had a working unit. Maybe that would c=
hange with much of more practice with it?? YMMV<BR>&gt=3B &gt=3B<BR>&gt=3B =
&gt=3B<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B -Todd Matthews<BR>&gt=3B &gt=3B<BR=
>&gt=3B &gt=3B<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B -- <BR>&gt=3B www=
.luis-angulo.com<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_b26390d6-5d68-4365-bc04-04110cbc4330_--

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Date: Thu, 31 Mar 2011 15:42:15 +0200
Message-ID: <AANLkTi=OqfsLMc00Q5AHb5RmNQe=CyzAT-AX41C4T779@mail.gmail.com>
Subject: Re: Gordius latest news
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 31, 2011 at 2:17 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> well,
> rather better to upgrade after the release.
> ;-)

Yes, that's my intention. I'm estimation the release will happen next week =
:-))

> Right now, the mac editor is eye candy.
> ( test it though, we found some issues with
> =C2=A0the win editor)

I don't mind programming manually. My concern is rather maintaining a
full backup. As for programming the controller I simply do it once and
stick with that, while adopting whatever software I use it for
controlling. But programming the LG2 manually has some issues and I'm
looking forward for being able to keep track of my backups from the
laptop I'm bringing when going out for concerts (running OSX).

Per

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 14:31:21 2011
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Subject: Re: t.c. electronic "FLASHBACK"
Date: Thu, 31 Mar 2011 10:30:40 -0400
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A generous 40s (20s stereo).=C2=A0
...and wait for it...the feedback knob is disabled in loop mode.=C2=A0



tanks andy!.....40/20 sec. is way more than enuf......shame about the=20
feedback though!

quick thought about the RANG lll.....it is not intuative!!!!! the=20
little that i played  with it was

super fun and confirmed THE MORE LOOPS THE BETTER.....i will study it=20
further.....

perhaps 2 FLASHBACKS? hmmmmmmmm

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 15:03:15 2011
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Date: Thu, 31 Mar 2011 17:03:13 +0200
Message-ID: <AANLkTimNxDwXDZ_0yti4_Rt-xOP8JAa_99m3TMPCE8no@mail.gmail.com>
Subject: Re: More Softstep Feedback - Attention Bill Walker:)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Louie Angulo wrote:
> i understand that small companies are trying to give us what we want
> blah,blah, buttom line,i dont just print money and they will only get
> my support when they deliver a reliable product.

I understand what you say Luis: quality and support, I've similar
experiences and it has cost me a lot to find out that not all products
are worth their money. So, "What did we learn from it" Dr. Phil? ;-)
Well, be critical and realistic with new products, that's something we
easily forget, especialy with niche products like loopers and midi
controllers. Ask yourself the question, is the company capable
delivering a good product and are they capable to deliver solutions
quickly enough? As a result of my own experiences, I no longer buy
expensive products from companies without service points in Europe
which can help you if your gear needs to be repaired.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/

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Todd Matthews schrieb:
>  when I went back to the fcb1010 it was this huge unexpected confidence booster and stress relief. it was like trying to run with a weighted vest, 
This might be the first time in history that a competent contributor on 
a newsgroup says something like this about a Behringer product ;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 17:04:38 2011
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Subject: New Video, Soul Coughing Cover :-)
From: Rafael Nunes <supersimples@gmail.com>
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--bcaec51f972fc35dfe049fca49e9
Content-Type: text/plain; charset=ISO-8859-1

Hey Everyone, I just uploaded a Youtube video. A cover of Soul Coughing's
song "Super Bon Bon", it cuts in after I recorded the drum loop.
http://www.youtube.com/watch?v=ULNRGJtMayQ

-- 
Rafa's One Man Band Online:
http://rafasonemanband.bandcamp.com/
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
http://www.youtube.com/watch?v=Zwwsee6K1Sc
http://vimeo.com/11499020
http://www.myspace.com/rafasonemanband

--bcaec51f972fc35dfe049fca49e9
Content-Type: text/html; charset=ISO-8859-1
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Hey Everyone, I just uploaded a Youtube video. A cover of Soul Coughing&#39=
;s song &quot;Super Bon Bon&quot;, it cuts in after I recorded the drum loo=
p.<div><a href=3D"http://www.youtube.com/watch?v=3DULNRGJtMayQ">http://www.=
youtube.com/watch?v=3DULNRGJtMayQ</a><br clear=3D"all">
<br>-- <br>Rafa&#39;s One Man Band Online:<br><a href=3D"http://rafasoneman=
band.bandcamp.com/" target=3D"_blank">http://rafasonemanband.bandcamp.com/<=
/a><br><a href=3D"http://www.facebook.com/pages/Rafas-One-Man-Band/33261753=
239" target=3D"_blank">http://www.facebook.com/pages/Rafas-One-Man-Band/332=
61753239</a><div>
<a href=3D"http://www.youtube.com/watch?v=3DZwwsee6K1Sc" target=3D"_blank">=
http://www.youtube.com/watch?v=3DZwwsee6K1Sc</a><br><a href=3D"http://vimeo=
.com/11499020" target=3D"_blank">http://vimeo.com/11499020</a><br><a href=
=3D"http://www.myspace.com/rafasonemanband" target=3D"_blank">http://www.my=
space.com/rafasonemanband</a></div>
<br>
</div>

--bcaec51f972fc35dfe049fca49e9--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 17:09:42 2011
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Date: Thu, 31 Mar 2011 10:09:40 -0700
Message-ID: <AANLkTi=1mPz7n9cABFrxoUG982=dKO5WS4E6bWsqqbOa@mail.gmail.com>
Subject: Re: More Softstep Feedback - Attention Bill Walker:)
From: Rafael Nunes <supersimples@gmail.com>
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--000e0cd4a5a0e23fb8049fca5b79
Content-Type: text/plain; charset=ISO-8859-1

I was just gonna say this. Whoever though Behringer would be getting
credibility for durability! HA! I agree though, I've used a couple of MIDI
controllers, and pound for pound the FCB1010 is reliable. Sometimes I have
to doublepress buttons, but I know it'll always work!

On Thu, Mar 31, 2011 at 8:30 AM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Todd Matthews schrieb:
>
>   when I went back to the fcb1010 it was this huge unexpected confidence
>> booster and stress relief. it was like trying to run with a weighted vest,
>>
> This might be the first time in history that a competent contributor on a
> newsgroup says something like this about a Behringer product ;)
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


-- 
Rafa's One Man Band Online:
http://rafasonemanband.bandcamp.com/
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
http://www.youtube.com/user/RafasOneManBand
http://vimeo.com/11499020
http://www.myspace.com/rafasonemanband

--000e0cd4a5a0e23fb8049fca5b79
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I was just gonna say this. Whoever though Behringer would be getting credib=
ility for durability! HA! I agree though, I&#39;ve used a couple of MIDI co=
ntrollers, and pound for pound the FCB1010 is reliable. Sometimes I have to=
 doublepress buttons, but I know it&#39;ll always work!<br>
<br><div class=3D"gmail_quote">On Thu, Mar 31, 2011 at 8:30 AM, Rainer Stra=
schill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">mo=
insound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1=
ex;">
Todd Matthews schrieb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
=A0when I went back to the fcb1010 it was this huge unexpected confidence b=
ooster and stress relief. it was like trying to run with a weighted vest, <=
br>
</blockquote></div>
This might be the first time in history that a competent contributor on a n=
ewsgroup says something like this about a Behringer product ;)<br><font col=
or=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Rafa&#39;s One M=
an Band Online:<br><a href=3D"http://rafasonemanband.bandcamp.com/" target=
=3D"_blank">http://rafasonemanband.bandcamp.com/</a><br><a href=3D"http://w=
ww.facebook.com/pages/Rafas-One-Man-Band/33261753239" target=3D"_blank">htt=
p://www.facebook.com/pages/Rafas-One-Man-Band/33261753239</a><div>
<a href=3D"http://www.youtube.com/user/RafasOneManBand">http://www.youtube.=
com/user/RafasOneManBand</a><br><a href=3D"http://vimeo.com/11499020" targe=
t=3D"_blank">http://vimeo.com/11499020</a><br><a href=3D"http://www.myspace=
.com/rafasonemanband" target=3D"_blank">http://www.myspace.com/rafasonemanb=
and</a></div>
<br>

--000e0cd4a5a0e23fb8049fca5b79--

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Subject: Re: More Softstep Feedback - Attention Bill Walker:)
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I've only owned my fcb for a few years so I haven't had it long enough =
to comment on it's durability but the switches are my favorite as they =
are pretty quiet (unlike metal switches) and it gets two thumbs up from =
me on press-ability :)=20

-Todd
On Mar 31, 2011, at 1:09 PM, Rafael Nunes wrote:

> I was just gonna say this. Whoever though Behringer would be getting =
credibility for durability! HA! I agree though, I've used a couple of =
MIDI controllers, and pound for pound the FCB1010 is reliable. Sometimes =
I have to doublepress buttons, but I know it'll always work!





From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 17:34:36 2011
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Subject: Re: More Softstep Feedback - Attention Bill Walker:)
From: Daniel Thomas <danielthomas4@mac.com>
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Conversly, I have been through four FCB1010s in as many years-- the swithces are great.  But the Firmware is unstable. They go hey wire eventually and start srumbumbling all your CC presets eventually.  Once this happens, they never perform well again in my experience.  Even after a total initialization and reprogramming.  Also, two of the four that I have owned I have had to service the internal power supply. 

I continue to use them because they are cheap, they are silent to click and the chassis is really well built.   

If I could figure out what the trigger event is that causes this problem, (Some combination of midi commands?) perhaps I would not some day buy a fifth one FCB1010.

d
On Mar 31, 2011, at 6:26 PM, Todd Matthews wrote:

> I've only owned my fcb for a few years so I haven't had it long enough to comment on it's durability but the switches are my favorite as they are pretty quiet (unlike metal switches) and it gets two thumbs up from me on press-ability :) 
> 
> -Todd
> On Mar 31, 2011, at 1:09 PM, Rafael Nunes wrote:
> 
>> I was just gonna say this. Whoever though Behringer would be getting credibility for durability! HA! I agree though, I've used a couple of MIDI controllers, and pound for pound the FCB1010 is reliable. Sometimes I have to doublepress buttons, but I know it'll always work!
> 
> 
> 
> 
> 

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Subject: t.c. electronic "FLASHBACK",
From: Scott Hansen <evanpeewee@gmail.com>
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i think i posted something a week or so ago, i had one:
if you've had no other multiple option delays, it is a good delay box: SMALL
(if space is a consideration, then yes!)
and the price is in the same range as the dd7 & dl8!
i loved the 7 sec of delay in all modes. most most good.
i was mesmerized by the 7 sec of tape delays, left in 100% feedback, could
have spent all day messing w/ it.
and i was also impressed w/ the REVERSE--it is most good-fun-psychoDELIC
madness...

the one thing it does not do: is vari-speed pitch-shifting delay loops.
(which is my fave tool to use)

but when you would mess w/ the time it would shorten the delay loop and do
it's own wacky thing-which was kind of cool (but no
pitch change)

never did mess w/ the actual looper-static phrase loops interest me none.

so like i said, if you have no options, it is a good pedal. it does sound
great.

but i've been through: boss dd20, boss dd7, & currently have a digitech
dl8....
each has it's +/- 's in comparison, i know there's lots of discussion of the
flashback vs. other delays
on "the gear page".
for me in the end, it was too similar to the DL8, which i have & still like,
so didn't see the need to keep it.
so i returned it....

now i'm awaiting my new:

pigtronix echolution....supposed to come today.....

i had debated getting an eventide timeline, but the vids of the echolution,
pulled me in....
can't wait (except i have to get through soccer practice tonight before i
can get to it.....ug!)
s---

--000e0cd329882d4bb3049fcb2272
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i think i posted something a week or so ago, i had one:<br>if you&#39;ve ha=
d no other multiple option delays, it is a good delay box: SMALL (if space =
is a consideration, then yes!)<br>and the price is in the same range as the=
 dd7 &amp; dl8!<br>
i loved the 7 sec of delay in all modes. most most good.<br>i was mesmerize=
d by the 7 sec of tape delays, left in 100% feedback, could have spent all =
day messing w/ it.<br>and i was also impressed w/ the REVERSE--it is most g=
ood-fun-psychoDELIC madness...<br>
<br>the one thing it does not do: is vari-speed pitch-shifting delay loops.=
 (which is my fave tool to use)<br><br>but when you would mess w/ the time =
it would shorten the delay loop and do it&#39;s own wacky thing-which was k=
ind of cool (but no <br>
pitch change)<br><br>never did mess w/ the actual looper-static phrase loop=
s interest me none.<br><br>so like i said, if you have no options, it is a =
good pedal. it does sound great.<br><br>but i&#39;ve been through: boss dd2=
0, boss dd7, &amp; currently have a digitech dl8....<br>
each has it&#39;s +/- &#39;s in comparison, i know there&#39;s lots of disc=
ussion of the flashback vs. other delays<br>on &quot;the gear page&quot;.<b=
r>for me in the end, it was too similar to the DL8, which i have &amp; stil=
l like, so didn&#39;t see the need to keep it.<br>
so i returned it....<br><br>now i&#39;m awaiting my new:<br><br>pigtronix e=
cholution....supposed to come today.....<br><br>i had debated getting an ev=
entide timeline, but the vids of the echolution, pulled me in....<br>can&#3=
9;t wait (except i have to get through soccer practice tonight before i can=
 get to it.....ug!)<br>
s---<br>

--000e0cd329882d4bb3049fcb2272--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 18:12:08 2011
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Subject: A while back.....
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From: "Andy Owens" <andy@1800dialword.com>
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......Daniel T said.....


"No matter what your platform, (i prefer them all :)  the price of
admission to create unique and idiosyncratic art with a looper is often
high.  Thats not to say that you can't make great looping art with a
delay pedal, but if you want to innovate performance workflows that
facilitate your own compositional style, you may have to buck up the
midnight oil in a very big way.  I certainly have had to pay a lot of
dues to the "WTF-is-going-on-now-Gods" in order to break through on any
looping platform...HW or SW."=20



I just wanted to say, man that is some smart sh_t right there!!!!!!!!!!!

DT if you ever start a commune or something dude I am in.

At some point, I think you have to look at the raw reality of the fact
that maybe my/your/our fascination with another glitch or knob or pedal
or VST or HDWR is really just an excuse not to be making, growing and
learning about our actual music. I myself am seeing this to the point of
maybe even signing off this list for a while, not because I don't love
ya'll, best list I was ever on, but I gotta move on and make some music
out in that scary non=3Dlooping understanding world!!!!

So, I'm going out, out of the closet, out of the basement, into the
storm!!!! Will let ya'll know how it works out, I am anxious to get your
opinions on what I am gonna be doin.

BUT first to a trade show in Boston (clams clams clams clams please tell
me they are in season!!!) then cave diving in Mexico Yucatan Peninsula
for ten days. Anybody looping in Boston next week let me know
Tues/Weds/Thurs nights will be there.

So if I get lost in a deep dark cave ya'll can raffle off my rig, you're
the only ones that could ever figure it out anyway!!!

Andy Owens






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>
>
>
> i had debated getting an eventide timeline,

I believe you mean Strymon Timeline...or did you mean Eventide  
TimeFactor? Yes...it's very easy to mean one, but inadvertently type  
the name of the other. I was just asking for clarification. :)

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><blockquote type="cite"><br><font class="Apple-style-span" color="#000000"><br></font><br>i had debated getting an eventide timeline,</blockquote><div><br></div>I believe you mean Strymon Timeline...or did you mean Eventide TimeFactor? Yes...it's very easy to mean one, but inadvertently type the name of the other. I was just asking for clarification. :)</div><div><br></div>Jeff</body></html>
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Subject: Re: More Softstep Feedback - Attention Bill Walker:)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 31, 2011 at 7:09 PM, Rafael Nunes <supersimples@gmail.com> wrote:
> I agree though, I've used a couple of MIDI controllers, and pound for pound
> the FCB1010 is reliable.

In my experience it is definitely unreliable: You program its switches
to send out certain MIDI events and find that they also send out other
random events! My experience with FCB1010 pedals is limited to only
three of them, each lasted for three years and all three had this
bizarre issue. Since it is random there is no way to protect your MIDI
gear except for setting up a mondoficious MIDI filter that stops every
event that is not to be listened to by anything in your rack/laptop.
But even this doesn't help when one switch leaks out an event that is
supposed to be sent by another switch and thus assigned to some
function. My guess is that this bug is what also Daniel describes in
hist post. After nine years I had enough and bought a Gordious.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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I'm right behind you Per.  saving up funds now.


On Thu, Mar 31, 2011 at 2:53 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 31, 2011 at 7:09 PM, Rafael Nunes <supersimples@gmail.com>
> wrote:
> > I agree though, I've used a couple of MIDI controllers, and pound for
> pound
> > the FCB1010 is reliable.
>
> In my experience it is definitely unreliable: You program its switches
> to send out certain MIDI events and find that they also send out other
> random events! My experience with FCB1010 pedals is limited to only
> three of them, each lasted for three years and all three had this
> bizarre issue. Since it is random there is no way to protect your MIDI
> gear except for setting up a mondoficious MIDI filter that stops every
> event that is not to be listened to by anything in your rack/laptop.
> But even this doesn't help when one switch leaks out an event that is
> supposed to be sent by another switch and thus assigned to some
> function. My guess is that this bug is what also Daniel describes in
> hist post. After nine years I had enough and bought a Gordious.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 Outerborough, my debut double CD set is now available on iTunes, and
street date is set for March 29th. You can check out the INNOVA Recordings
Artist Page here:

http://innova.mu/artist1.asp?skuID=3D449

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--00151743f91837a30d049fcbda80
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I&#39;m right behind you Per. =A0saving up funds now.=A0<div><br><br><div c=
lass=3D"gmail_quote">On Thu, Mar 31, 2011 at 2:53 PM, Per Boysen <span dir=
=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>=
&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">On Thu, Mar 31, 2011 at 7=
:09 PM, Rafael Nunes &lt;<a href=3D"mailto:supersimples@gmail.com">supersim=
ples@gmail.com</a>&gt; wrote:<br>


&gt; I agree though, I&#39;ve used a couple of MIDI controllers, and pound =
for pound<br>
&gt; the FCB1010 is reliable.<br>
<br>
</div>In my experience it is definitely unreliable: You program its switche=
s<br>
to send out certain MIDI events and find that they also send out other<br>
random events! My experience with FCB1010 pedals is limited to only<br>
three of them, each lasted for three years and all three had this<br>
bizarre issue. Since it is random there is no way to protect your MIDI<br>
gear except for setting up a mondoficious MIDI filter that stops every<br>
event that is not to be listened to by anything in your rack/laptop.<br>
But even this doesn&#39;t help when one switch leaks out an event that is<b=
r>
supposed to be sent by another switch and thus assigned to some<br>
function. My guess is that this bug is what also Daniel describes in<br>
hist post. After nine years I had enough and bought a Gordious.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D<br>=95 Outerborough, my debut double CD set is now avail=
able on iTunes, and street date is set for March 29th. You can check out th=
e INNOVA Recordings Artist Page here:<div>

<br></div><div><a href=3D"http://innova.mu/artist1.asp?skuID=3D449" target=
=3D"_blank">http://innova.mu/artist1.asp?skuID=3D449</a><br><div><div><br>=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br=
><a href=3D"http://toddreynolds.com" target=3D"_blank">http://toddreynolds.=
com</a><br>

<a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http://twitter=
.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynoldsmusic" ta=
rget=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br><a href=3D"http=
://blog.toddreynolds.com" target=3D"_blank">http://blog.toddreynolds.com</a=
><br>

<a href=3D"http://facebook.com/toddreynolds" target=3D"_blank">http://faceb=
ook.com/toddreynolds</a><br><a href=3D"http://reverbnation.com/toddreynolds=
" target=3D"_blank">http://reverbnation.com/toddreynolds</a><br></div></div=
></div>

<br>
</div>

--00151743f91837a30d049fcbda80--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 19:00:35 2011
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Date: Thu, 31 Mar 2011 12:34:51 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com, Rafael Nunes <supersimples@gmail.com>
Subject: Re: New Video, Soul Coughing Cover :-)
References: <AANLkTimfxp9Gw0aEXGBDxPEZ3+OcYgoM_S=r3gfjnCF+@mail.gmail.com>
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move aside, let the man thru..

fun cover of a great song.. :) are you a mike doughty fan as well?

-cpr

Quoting Rafael Nunes <supersimples@gmail.com>:

> Hey Everyone, I just uploaded a Youtube video. A cover of Soul Coughing's
> song "Super Bon Bon", it cuts in after I recorded the drum loop.
> http://www.youtube.com/watch?v=ULNRGJtMayQ
>
> --
> Rafa's One Man Band Online:
> http://rafasonemanband.bandcamp.com/
> http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
> http://www.youtube.com/watch?v=Zwwsee6K1Sc
> http://vimeo.com/11499020
> http://www.myspace.com/rafasonemanband
>


From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 19:42:07 2011
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Subject: Re: A while back.....
From: Daniel Thomas <danielthomas4@mac.com>
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 <864434907DE0E9429B16AD587941F73F07D8B45D@EXVBE010-2.exch010.intermedia.net>
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> I myself am seeing this to the point of
> maybe even signing off this list for a while

OH!!!   Ouch!   Damn!  I have lurked on this list for long-- Keeping my trap shut.  And now, I pop up few times with some dumb chit and artists start dropping off  !!  
> At some point, I think you have to look at the raw reality of the fact
> that maybe my/your/our fascination with another glitch or knob or pedal
> or VST or HDWR is really just an excuse not to be making, growing and
> learning about our actual music.  apologize all around, really. 


I know what you mean when you say you just need to get the music out there.  And its true that technology pursuit can derail the focus on creative expression.  I have this artistic struggle myself--  I suspect many here do .  I believe its a left brain right brain thing-- like all musicianship.  Think about it.  Your capacity to play your instrument, sing in key, control timbre, write a good song, book and promote, set up the PA to sound good at the gig-- all this stuff is developed through arduous self discipline, trial and error, return to bat again an again.    

The people on this list who really know me can vouch for the weird absence of my solo work in a sizable body of released recordings.  An endless cycle of innovation opportunity and challenge is certainly one of the reasons that my own album is not in my catalog--I want to break new ground with any personal artistic statement that I make....  Well, I am no pup any more.  It recently occurred to me that I might be mortal after all.  And with this humbling notion came the certainty the only real ground that need be broken in order to truly innovate is within.  Whether I play a ten can and a string or a complex looping rig.  

Still the range of my expression when playing tin can... leaves something to be desired.
 
Right now, I am giving a lot more time to my right brain-- writing with the lap steel and acoustic guitar, singing, writing lyrics and songs--- But this is not at the expense of my looping pursuit. It is in compliment. The songs I am writing and the potent production methods I follow are informed by the ten thousand hours of technical discipline that precedes my creativity.  I think what I am saying is, the pendulum swings.  Go open you creative dam and let it flow-- but don't sell your rig.  It will come back around. 

And with that-- I am shutting up.

Please don't any body drop off of this wonderful list because of something I said!
Daniel   




On Mar 31, 2011, at 7:11 PM, Andy Owens wrote:

> ......Daniel T said.....
> 
> 
> "No matter what your platform, (i prefer them all :)  the price of
> admission to create unique and idiosyncratic art with a looper is often
> high.  Thats not to say that you can't make great looping art with a
> delay pedal, but if you want to innovate performance workflows that
> facilitate your own compositional style, you may have to buck up the
> midnight oil in a very big way.  I certainly have had to pay a lot of
> dues to the "WTF-is-going-on-now-Gods" in order to break through on any
> looping platform...HW or SW." 
> 
> 
> 
> I just wanted to say, man that is some smart sh_t right there!!!!!!!!!!!
> 
> DT if you ever start a commune or something dude I am in.
> 
> At some point, I think you have to look at the raw reality of the fact
> that maybe my/your/our fascination with another glitch or knob or pedal
> or VST or HDWR is really just an excuse not to be making, growing and
> learning about our actual music. I myself am seeing this to the point of
> maybe even signing off this list for a while, not because I don't love
> ya'll, best list I was ever on, but I gotta move on and make some music
> out in that scary non=looping understanding world!!!!
> 
> So, I'm going out, out of the closet, out of the basement, into the
> storm!!!! Will let ya'll know how it works out, I am anxious to get your
> opinions on what I am gonna be doin.
> 
> BUT first to a trade show in Boston (clams clams clams clams please tell
> me they are in season!!!) then cave diving in Mexico Yucatan Peninsula
> for ten days. Anybody looping in Boston next week let me know
> Tues/Weds/Thurs nights will be there.
> 
> So if I get lost in a deep dark cave ya'll can raffle off my rig, you're
> the only ones that could ever figure it out anyway!!!
> 
> Andy Owens
> 
> 
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 31 19:46:24 2011
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From: "Ingo Ito" <ingoito@itofarm.com>
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Subject: Re: More Softstep Feedback - Attention Bill Walker:)
Date: Thu, 31 Mar 2011 21:39:18 +0200
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------=_NextPart_000_0084_01CBEFEC.172A2770
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	charset="iso-8859-1"
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Hi,

I haven=B4t used a FCB1010 up to now, but as I need a new =
midi-controller and can=B4t afford the Little Gordius yet, I intend to =
buy a FCB 1010 and did a bit of web research about the problems, many of =
you had mentioned on this list.

I came upon this website http://www.ossandust.be/index.php of a guy =
who=B4s selling eproms with improved software for the FCB1010 . He has a =
comparison chart on his website, so those of you who are already using =
the FCB1010 can check if some of the occurring problems are solved with =
this new software. As you simply replace the old chip, you can always go =
back to the original software. The guy sells the e-prom (incl. worldwide =
shipping) for 16 Euros, which is quite okay I guess if the device is =
working without any issues afterwards.

Maybe sb. has already done this replacement and can share his =
experiences?!

Ingo



Ingo Ito
www.itofarm.com


  Conversly, I have been through four FCB1010s in as many years-- the =
swithces are great.  But the Firmware is unstable. They go hey wire =
eventually and start srumbumbling all your CC presets eventually.  Once =
this happens, they never perform well again in my experience.  Even =
after a total initialization and reprogramming.  Also, two of the four =
that I have owned I have had to service the internal power supply.=20

  I continue to use them because they are cheap, they are silent to =
click and the chassis is really well built.  =20

  If I could figure out what the trigger event is that causes this =
problem, (Some combination of midi commands?) perhaps I would not some =
day buy a fifth one FCB1010.

  d
  On Mar 31, 2011, at 6:26 PM, Todd Matthews wrote:

  > I've only owned my fcb for a few years so I haven't had it long =
enough to comment on it's durability but the switches are my favorite as =
they are pretty quiet (unlike metal switches) and it gets two thumbs up =
from me on press-ability :)=20
  >=20
  > -Todd
  > On Mar 31, 2011, at 1:09 PM, Rafael Nunes wrote:
  >=20
  >> I was just gonna say this. Whoever though Behringer would be =
getting credibility for durability! HA! I agree though, I've used a =
couple of MIDI controllers, and pound for pound the FCB1010 is reliable. =
Sometimes I have to doublepress buttons, but I know it'll always work!
  >=20
  >=20
  >=20
  >=20
  >=20

------=_NextPart_000_0084_01CBEFEC.172A2770
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.19019">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D4 face=3DArial>Hi,</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I haven=B4t&nbsp;used a FCB1010 up to =
now, but as I=20
need a new midi-controller and can=B4t afford the Little Gordius yet, I =
intend to=20
buy a FCB 1010&nbsp;and did a bit of web research about the problems, =
many of=20
you had mentioned on this list.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I came upon this website <A=20
href=3D"http://www.ossandust.be/index.php">http://www.ossandust.be/index.=
php</A>&nbsp;of=20
a guy who=B4s selling eproms with improved software for the FCB1010 . He =
has a=20
comparison chart on&nbsp;his website, so those of you who are =
already&nbsp;using=20
the FCB1010 can check if some of the occurring problems are solved with =
this new=20
software. As you simply replace the old chip, you can always go back to =
the=20
original software. The guy sells the e-prom (incl. worldwide shipping) =
for 16=20
Euros, which is quite okay I guess if the device is working without any =
issues=20
afterwards.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Maybe sb. has already done this =
replacement and can=20
share his experiences?!</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Ingo</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Ingo Ito</FONT></DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.itofarm.com">www.itofarm.com</A></FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">Conversly,=20
  I have been through four FCB1010s in as many years-- the swithces are=20
  great.&nbsp; But the Firmware is unstable. They go hey wire eventually =
and=20
  start srumbumbling all your CC presets eventually.&nbsp; Once this =
happens,=20
  they never perform well again in my experience.&nbsp; Even after a =
total=20
  initialization and reprogramming.&nbsp; Also, two of the four that I =
have=20
  owned I have had to service the internal power supply. <BR><BR>I =
continue to=20
  use them because they are cheap, they are silent to click and the =
chassis is=20
  really well built.&nbsp;&nbsp; <BR><BR>If I could figure out what the =
trigger=20
  event is that causes this problem, (Some combination of midi =
commands?)=20
  perhaps I would not some day buy a fifth one FCB1010.<BR><BR>d<BR>On =
Mar 31,=20
  2011, at 6:26 PM, Todd Matthews wrote:<BR><BR>&gt; I've only owned my =
fcb for=20
  a few years so I haven't had it long enough to comment on it's =
durability but=20
  the switches are my favorite as they are pretty quiet (unlike metal =
switches)=20
  and it gets two thumbs up from me on press-ability :) <BR>&gt; =
<BR>&gt;=20
  -Todd<BR>&gt; On Mar 31, 2011, at 1:09 PM, Rafael Nunes wrote:<BR>&gt; =

  <BR>&gt;&gt; I was just gonna say this. Whoever though Behringer would =
be=20
  getting credibility for durability! HA! I agree though, I've used a =
couple of=20
  MIDI controllers, and pound for pound the FCB1010 is reliable. =
Sometimes I=20
  have to doublepress buttons, but I know it'll always work!<BR>&gt; =
<BR>&gt;=20
  <BR>&gt; <BR>&gt; <BR>&gt; <BR></BLOCKQUOTE></BODY></HTML>

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Subject: Re: More Softstep Feedback - Now FCB1010 suggestion
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Daniel Thomas wrote:
>But the Firmware is unstable. 

Get the Uno firmware then.


andy

ps
Spare parts *are* available for the fcb.
Certainly in uk.

You can definitely get exact replacement for the switches that
fail.





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 Please don't any body drop off of this wonderful list because of
something I said!

Nah Dan... Fuck music.. Im just here for the knob twiddling... no
really... music for me has been a marriage of sound and technology for
years.. being able to play a few scales and hold down a few chords has
never done it for me... guitar wasnt guitar till I discovered
distortion and delay...

Basicaly my instrument is looping, luckily I discovered it pretty
early, and that has always involved some kinda technology. I think its
interesting what other people are doing with new technology, but I
cant move that fast, I would be broke, AND I would never get any of my
music done, I would be reading too many manuals and configering
drivers...
This list is not a great big gear advert to me.. its a community of
people that understand what I do... thats refreshing, because it gives
me someone to talk to... as for playing live, I dont care if they
understand or not... actually I prefer not...
Anyone had that "That was great man, but I shame you had to have some
stuff on tape" ... then you get to say

"No tape here... just played live"

I love that...
 heh heh


but hey.. be careful in those caves Andy!

Mark



On Thu, Mar 31, 2011 at 9:41 PM, Daniel Thomas <danielthomas4@mac.com> wrot=
e:
>> I myself am seeing this to the point of
>> maybe even signing off this list for a while
>
> OH!!! =A0 Ouch! =A0 Damn! =A0I have lurked on this list for long-- Keepin=
g my trap shut. =A0And now, I pop up few times with some dumb chit and arti=
sts start dropping off =A0!!
>> At some point, I think you have to look at the raw reality of the fact
>> that maybe my/your/our fascination with another glitch or knob or pedal
>> or VST or HDWR is really just an excuse not to be making, growing and
>> learning about our actual music. =A0apologize all around, really.
>
>
> I know what you mean when you say you just need to get the music out ther=
e. =A0And its true that technology pursuit can derail the focus on creative=
 expression. =A0I have this artistic struggle myself-- =A0I suspect many he=
re do . =A0I believe its a left brain right brain thing-- like all musician=
ship. =A0Think about it. =A0Your capacity to play your instrument, sing in =
key, control timbre, write a good song, book and promote, set up the PA to =
sound good at the gig-- all this stuff is developed through arduous self di=
scipline, trial and error, return to bat again an again.
>
> The people on this list who really know me can vouch for the weird absenc=
e of my solo work in a sizable body of released recordings. =A0An endless c=
ycle of innovation opportunity and challenge is certainly one of the reason=
s that my own album is not in my catalog--I want to break new ground with a=
ny personal artistic statement that I make.... =A0Well, I am no pup any mor=
e. =A0It recently occurred to me that I might be mortal after all. =A0And w=
ith this humbling notion came the certainty the only real ground that need =
be broken in order to truly innovate is within. =A0Whether I play a ten can=
 and a string or a complex looping rig.
>
> Still the range of my expression when playing tin can... leaves something=
 to be desired.
>
> Right now, I am giving a lot more time to my right brain-- writing with t=
he lap steel and acoustic guitar, singing, writing lyrics and songs--- But =
this is not at the expense of my looping pursuit. It is in compliment. The =
songs I am writing and the potent production methods I follow are informed =
by the ten thousand hours of technical discipline that precedes my creativi=
ty. =A0I think what I am saying is, the pendulum swings. =A0Go open you cre=
ative dam and let it flow-- but don't sell your rig. =A0It will come back a=
round.
>
> And with that-- I am shutting up.
>
> Please don't any body drop off of this wonderful list because of somethin=
g I said!
> Daniel
>
>
>
>
> On Mar 31, 2011, at 7:11 PM, Andy Owens wrote:
>
>> ......Daniel T said.....
>>
>>
>> "No matter what your platform, (i prefer them all :) =A0the price of
>> admission to create unique and idiosyncratic art with a looper is often
>> high. =A0Thats not to say that you can't make great looping art with a
>> delay pedal, but if you want to innovate performance workflows that
>> facilitate your own compositional style, you may have to buck up the
>> midnight oil in a very big way. =A0I certainly have had to pay a lot of
>> dues to the "WTF-is-going-on-now-Gods" in order to break through on any
>> looping platform...HW or SW."
>>
>>
>>
>> I just wanted to say, man that is some smart sh_t right there!!!!!!!!!!!
>>
>> DT if you ever start a commune or something dude I am in.
>>
>> At some point, I think you have to look at the raw reality of the fact
>> that maybe my/your/our fascination with another glitch or knob or pedal
>> or VST or HDWR is really just an excuse not to be making, growing and
>> learning about our actual music. I myself am seeing this to the point of
>> maybe even signing off this list for a while, not because I don't love
>> ya'll, best list I was ever on, but I gotta move on and make some music
>> out in that scary non=3Dlooping understanding world!!!!
>>
>> So, I'm going out, out of the closet, out of the basement, into the
>> storm!!!! Will let ya'll know how it works out, I am anxious to get your
>> opinions on what I am gonna be doin.
>>
>> BUT first to a trade show in Boston (clams clams clams clams please tell
>> me they are in season!!!) then cave diving in Mexico Yucatan Peninsula
>> for ten days. Anybody looping in Boston next week let me know
>> Tues/Weds/Thurs nights will be there.
>>
>> So if I get lost in a deep dark cave ya'll can raffle off my rig, you're
>> the only ones that could ever figure it out anyway!!!
>>
>> Andy Owens
>>
>>
>>
>>
>>
>>
>
>



--=20
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Subject: Re: More Softstep Feedback - Now FCB1010 suggestion
From: Todd Matthews <gtmatthews@gmail.com>
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Date: Thu, 31 Mar 2011 16:10:12 -0400
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Hey Andy,

Could you share that link again for those tactile switch replacements? =
It would be smart for me to buy a handful now that I have some beginner =
soldering skillz so I'm prepared for that day to come.

-Todd
On Mar 31, 2011, at 3:59 PM, andy butler wrote:

> Daniel Thomas wrote:
>> But the Firmware is unstable.=20
>=20
> Get the Uno firmware then.
>=20
>=20
> andy
>=20
> ps
> Spare parts *are* available for the fcb.
> Certainly in uk.
>=20
> You can definitely get exact replacement for the switches that
> fail.
>=20
>=20
>=20
>=20
>=20

Todd Matthews
http://www.joshuasteelemusic.com




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On Thu, Mar 31, 2011 at 9:59 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>
> You can definitely get exact replacement for the switches that
> fail.
>


OK Andy... You are gonna have to prove that one... part number now!!!
If so... Im gonna get me new firmware (im on the old 1.0 and cant use
the editor) I decided NOT to go with UNO... cos of the PC editor...
but I.. like Todd, have been surfing the big silver board happily
since my SS went back...

and Rainer.. I believe I expounded the relative merits of my Behringer
1U mixer a few weeks back... wait... sorry you said "Competant
Contributer" Not Incoherant Rambler...


Mark





-- 
Mark Francombe
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

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Todd Matthews wrote:
> Hey Andy,
> 
> Could you share that link again for those tactile switch replacements? 

If they didn't have one of those annoying sites that don't
let you link to products I'd give you the exact page.

http://pms-electronics.com/shop1/index.php

Select English

Search for article no.

887-43811-03768

This will cover switches 1-10 , Up & Down

They're good at responding to email.

mark francombe wrote:
> OK Andy... You are gonna have to prove that one... part number now!!!

was there some other thing I didn't prove?

> If so... Im gonna get me new firmware (im on the old 1.0 and cant use
> the editor) I decided NOT to go with UNO... cos of the PC editor...
> but I.. like Todd, have been surfing the big silver board happily
> since my SS went back...

I had the older firmware and never had the phantom CCs that 
plagued others, don't know if you found them on 1.0 tho'.

Aren't there other firmwares available?
Or an editor that works with 1.0? 

andy


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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll conclude the
month-long Special Focus on Richard Lainhart.  The Featured CD at
Midnight will be "The Line of the Horizon" on O-Town Music.  For
details, See the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

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--90e6ba6e8e04a888ff049fce9c77
Content-Type: text/plain; charset=ISO-8859-1

im not plagued by any problems at all, except that 1.0 has no software for
it... (ok a couple of slightly dodgy switches) I NEED to save my settings..
and bad..

And no... you always prove everything... twas but a sentence wobble... APU

thx andy... Ill be ordering dem der switches..

I had the older firmware and never had the phantom CCs that plagued others,
> don't know if you found them on 1.0 tho'.
>
> Aren't there other firmwares available?
> Or an editor that works with 1.0?
> andy
>
>
>


-- 
*Mark Francombe*
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.looop.no
twitter @markfrancombe

--90e6ba6e8e04a888ff049fce9c77
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im not plagued by any problems at all, except that 1.0 has no software for =
it... (ok a couple of slightly dodgy switches) I NEED to save my settings..=
 and bad..<br><br>And no... you always prove everything... twas but a sente=
nce wobble... APU<br>

<br>thx andy... Ill be ordering dem der switches..<br><br><div class=3D"gma=
il_quote"><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.=
8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I had the older firmware and never had the phantom CCs that plagued others,=
 don&#39;t know if you found them on 1.0 tho&#39;.<br>
<br>
Aren&#39;t there other firmwares available?<br>
Or an editor that works with 1.0? <br><font color=3D"#888888">
andy<br>
<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i style=3D"font=
-family: verdana,sans-serif; color: rgb(255, 255, 255); background-color: r=
gb(0, 0, 0);"><font style=3D"font-family: trebuchet ms,sans-serif;" size=3D=
"4"><u>Mark Francombe</u></font></i><br>

<font size=3D"1"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.mar=
kfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br style=3D"co=
lor: rgb(51, 0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://ww=
w.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com</a><br style=3D"col=
or: rgb(51, 0, 51);">

<a style=3D"color: rgb(51, 0, 51);" href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br style=3D"color: rgb(51, =
0, 51);"><a style=3D"color: rgb(51, 0, 51);" href=3D"http://www.looop.no/" =
target=3D"_blank">http://www.looop.no</a><br>

twitter @markfrancombe</font><br>

--90e6ba6e8e04a888ff049fce9c77--

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Subject: Re: A while back.....
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On Thu, Mar 31, 2011 at 10:05 PM, mark francombe <mark@markfrancombe.com> wrote:

> Basicaly my instrument is looping,

Looping is one of my favorite instruments too! Especially in a duo or
solo setup using a monophonic wind instrument. But lately I have
started playing the Stick as a way to get away a bit from looping;
with two fretboards and twelve strings you can instantly play parts
that for example a flute needs the looper extension to pull off.

In another sense I might say that I extend my playing with loopers for
similar reasons that some folks take to the prepared piano or prepared
guitar. It just makes it more fun to create music on the fly.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

