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Date: Wed, 01 Dec 2010 10:30:59 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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Subject: Tha Frippster in NYC
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Any New Yorkers going to see Fripp's Soundscapes shows this weekend? 
Purportedly his LAST EVER OMG according to some buzz a few months ago. 
Not sure if that's still true or not, but this is Fripp looping (for 
free, even). I'm there.

Daryl Shawn
www.swanwelder.com

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Tha Frippster in NYC
Date: Wed, 1 Dec 2010 15:56:36 +0000
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I wish - i know he said he wasn't doing anything next year to work on  
a book :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 1 Dec 2010, at 15:30, Daryl Shawn wrote:

> Any New Yorkers going to see Fripp's Soundscapes shows this  
> weekend? Purportedly his LAST EVER OMG according to some buzz a few  
> months ago. Not sure if that's still true or not, but this is Fripp  
> looping (for free, even). I'm there.
>
> Daryl Shawn
> www.swanwelder.com
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I wish - i know he said he wasn't doing anything next year to work on a =
book :)<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 1 Dec 2010, =
at 15:30, Daryl Shawn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Any New Yorkers going to see Fripp's Soundscapes =
shows this weekend? Purportedly his LAST EVER OMG according to some buzz =
a few months ago. Not sure if that's still true or not, but this is =
Fripp looping (for free, even). I'm there.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Daryl =
Shawn</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.swanwelder.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-42--620816313--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  1 16:43:56 2010
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Date: Wed, 1 Dec 2010 18:43:55 +0200
Message-ID: <AANLkTimghbUn7Risa69=jfYTFF7kwR7sau03zyN_8OTP@mail.gmail.com>
Subject: Re: Tha Frippster in NYC
From: Petri Lahtinen <aikuinen@gmail.com>
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Matt  -   a  book? is there more info  on that?

2010/12/1 Matt Stevens <mattstevensguitar@btinternet.com>

> I wish - i know he said he wasn't doing anything next year to work on a
> book :)
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 1 Dec 2010, at 15:30, Daryl Shawn wrote:
>
> Any New Yorkers going to see Fripp's Soundscapes shows this weekend?
> Purportedly his LAST EVER OMG according to some buzz a few months ago. Not
> sure if that's still true or not, but this is Fripp looping (for free,
> even). I'm there.
>
> Daryl Shawn
> www.swanwelder.com
>
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

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Matt=A0 -=A0=A0 a=A0 book? is there more info=A0 on that?<br><br><div class=
=3D"gmail_quote">2010/12/1 Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>=
&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
I wish - i know he said he wasn&#39;t doing anything next year to work on a=
 book :)<div><br><div> <span style=3D"border-collapse: separate; color: rgb=
(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; fon=
t-variant: normal; font-weight: normal; letter-spacing: normal; line-height=
: normal; text-indent: 0px; text-transform: none; white-space: normal; word=
-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb(0, 0, =
0); font-family: Helvetica; font-size: 12px; font-style: normal; font-varia=
nt: normal; font-weight: normal; letter-spacing: normal; line-height: norma=
l; text-indent: 0px; text-transform: none; white-space: normal; word-spacin=
g: 0px;"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br><div><div>On 1 Dec 2010, at=
 15:30, Daryl Shawn wrote:</div><br><blockquote type=3D"cite"><div style=3D=
"margin: 0px;">Any New Yorkers going to see Fripp&#39;s Soundscapes shows t=
his weekend? Purportedly his LAST EVER OMG according to some buzz a few mon=
ths ago. Not sure if that&#39;s still true or not, but this is Fripp loopin=
g (for free, even). I&#39;m there.</div>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px;">Daryl Shawn</div><div style=3D"margin: 0px;"><a href=3D"http://www=
.swanwelder.com" target=3D"_blank">www.swanwelder.com</a></div><div style=
=3D"margin: 0px; min-height: 14px;">
<br></div> </blockquote></div><br></div></div></blockquote></div><br><br cl=
ear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilahtine=
n.com">http://www.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.=
blogspot.com/">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--00248c11e371d1bd3c04965c02ba--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  1 16:58:00 2010
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Date: Wed, 1 Dec 2010 11:57:55 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Tha Frippster in NYC
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Can't even find any info...  Where when ?


>Any New Yorkers going to see Fripp's Soundscapes shows this weekend? 
>Purportedly his LAST EVER OMG according to some buzz a few months 
>ago. Not sure if that's still true or not, but this is Fripp looping 
>(for free, even). I'm there.
>
>Daryl Shawn
>www.swanwelder.com


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Wed Dec  1 17:00:46 2010
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Message-ID: <4CF67F2F.50105@gmail.com>
Date: Wed, 01 Dec 2010 12:00:31 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Tha Frippster in NYC
References: <4CF56D46.4080806@googlemail.com> <663BEA6F-164A-49E5-9774-D00B44563AFA@1800dialword.com> <4CF66A33.8070904@gmail.com> <p06240808c91c2efda916@[192.168.2.3]>
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Sorry, should have sent this w/the first post: it's at the Winter Garden 
(World Financial Center, 220 Vesey St.), at 12:30 & 7 pm on both Friday 
and Saturday.

http://www.villagevoice.com/events/robert-fripp-2254103/

Daryl Shawn
www.swanwelder.com


> Can't even find any info...  Where when ?
>
>
>> Any New Yorkers going to see Fripp's Soundscapes shows this weekend? 
>> Purportedly his LAST EVER OMG according to some buzz a few months 
>> ago. Not sure if that's still true or not, but this is Fripp looping 
>> (for free, even). I'm there.
>>
>> Daryl Shawn
>> www.swanwelder.com
>
>

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Date: Wed, 1 Dec 2010 09:05:05 -0800
Message-ID: <AANLkTim6LcTQyozt4UcYCa0qnQi_s0oMU3tQNWMSVchc@mail.gmail.com>
Subject: Re: Tha Frippster in NYC
From: Kevin Cheli-Colando <billowhead@gmail.com>
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I think the book is about the EG litigation that he was embroiled in
for so many years.  Or, the period of Endless Grief, as its also been
referred to.

Check the DGM diaries for all things Fripp.

Kevin

On Wed, Dec 1, 2010 at 8:43 AM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> Matt=A0 -=A0=A0 a=A0 book? is there more info=A0 on that?
>
> 2010/12/1 Matt Stevens <mattstevensguitar@btinternet.com>
>>
>> I wish - i know he said he wasn't doing anything next year to work on a
>> book :)
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>> On 1 Dec 2010, at 15:30, Daryl Shawn wrote:
>>
>> Any New Yorkers going to see Fripp's Soundscapes shows this weekend?
>> Purportedly his LAST EVER OMG according to some buzz a few months ago. N=
ot
>> sure if that's still true or not, but this is Fripp looping (for free,
>> even). I'm there.
>> Daryl Shawn
>> www.swanwelder.com
>>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Tha Frippster in NYC
Date: Wed, 1 Dec 2010 17:09:15 +0000
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Thats where I read about it

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 1 Dec 2010, at 17:05, Kevin Cheli-Colando wrote:

> I think the book is about the EG litigation that he was embroiled in
> for so many years.  Or, the period of Endless Grief, as its also been
> referred to.
>
> Check the DGM diaries for all things Fripp.
>
> Kevin
>
> On Wed, Dec 1, 2010 at 8:43 AM, Petri Lahtinen <aikuinen@gmail.com>  
> wrote:
>> Matt  -   a  book? is there more info  on that?
>>
>> 2010/12/1 Matt Stevens <mattstevensguitar@btinternet.com>
>>>
>>> I wish - i know he said he wasn't doing anything next year to  
>>> work on a
>>> book :)
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>> On 1 Dec 2010, at 15:30, Daryl Shawn wrote:
>>>
>>> Any New Yorkers going to see Fripp's Soundscapes shows this weekend?
>>> Purportedly his LAST EVER OMG according to some buzz a few months  
>>> ago. Not
>>> sure if that's still true or not, but this is Fripp looping (for  
>>> free,
>>> even). I'm there.
>>> Daryl Shawn
>>> www.swanwelder.com
>>>
>>
>>
>>
>> --
>> Petri Lahtinen
>> http://www.petrilahtinen.com
>> http://petrilahtinen.blogspot.com/
>> http://www.myspace.com/petrilahtinen
>> http://twitter.com/PetriLahtinen
>> http://petrilahtinen.bandcamp.com/
>> ---------------------------------------------------
>> "Only become professional musician if there is no choice." -Robert  
>> Fripp-
>> ---------------------------------------------------
>> "Some people never go crazy. What truly horrible lives they must  
>> lead."
>> -Charles Bukowski-
>>
>>
>
>
>
> -- 
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Thats where I read about it<div><br><div> <span class=3D"Apple-style-span"=
 style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 1 Dec 2010, =
at 17:05, Kevin Cheli-Colando wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I think the book is about the EG litigation that he =
was embroiled in</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">for so many years.<span =
class=3D"Apple-converted-space">&nbsp; </span>Or, the period of Endless =
Grief, as its also been</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">referred =
to.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Check the DGM diaries for all things =
Fripp.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Kevin</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On Wed, Dec 1, 2010 at 8:43 AM, =
Petri Lahtinen &lt;<a =
href=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt; =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Matt&nbsp; =
-&nbsp;&nbsp; a&nbsp; book? is there more info&nbsp; on that?</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">2010/12/1 Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</div> <blockquote type=3D"cite"><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I wish - i =
know he said he wasn't doing anything next year to work on a</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">book :)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Matt =
Stevens</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">www.mattstevensguitar.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On 1 Dec =
2010, at 15:30, Daryl Shawn wrote:</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Any New Yorkers going to see =
Fripp's Soundscapes shows this weekend?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Purportedly his LAST EVER OMG according to some buzz a few months ago. =
Not</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">sure if that's still true or =
not, but this is Fripp looping (for free,</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">even). =
I'm there.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Daryl Shawn</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.swanwelder.com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">--</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Petri Lahtinen</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a></di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://petrilahtinen.blogspot.com">http://petrilahtinen.blogspot.c=
om</a>/</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petri=
lahtinen</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen=
</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://petrilahtinen.bandcamp.com">http://petrilahtinen.bandcamp.c=
om</a>/</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">---------------------------------------------------</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">"Only become professional musician if there is no =
choice." -Robert Fripp-</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">---------------------------------------------------</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">"Some people never go crazy. What truly horrible =
lives they must lead."</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">-Charles =
Bukowski-</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Till now you seriously considered yourself to be the =
body and to have a</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">form. That is the primal =
ignorance which is the root cause of all trouble.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- Ramana =
Maharshi (1879-1950)</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Sound and Vision:&nbsp; <a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Video <a =
href=3D"http://www.vimeo.com/user877640/videos">http://www.vimeo.com/user8=
77640/videos</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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Subject: who's using what...
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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when i played out live (oh, a few yrs ago at an open mic nite) i took my
hohner acoustic and my parker nitefly to play my 25 min set....i remember
thinking afterwards, hmm, i need to just take one guitar....although i was
running through some stuff recently, & thought i should get out
again....every few yrs....ha...

as for in my studio, my recent setup is:
guitar-digitech rp150-zvex mastotron-SD lava box-digitech dl8-EH16
DDLri-boss slicer-behringer tweakalizer-lexicon mx200--out to either direct
my fostex mr8 digital recorder or my fender keyboard 60 amp

digitech rp150-5 sec of glitchy loops
digitech dl8-i use the 8 sec of digital delay loops (been loving doing 2 sec
ones recently)
eh16ddl-i mainly use for pitch shifting mangling, slow-fast,
fast-slow...most fun.
tweakalizer-i use the sampler-which i love and i love the filter in it. its
funky goodness. kind of big and klunky, but i got it cheap from someone on
the LD site, i really like this thing. new they are 100$ i think....lately
i've mainly used it for drum machine processing in 2 sec sample mode. good
for that!!! it can do reverse and pitch up or down also!!!

i should probably get my son's flip camera out and do some crappy demo vids
of my gear sometime....ha!

my setup has been pretty similar for a few yrs, things change in & out, but
essentially doing the same thing, options for: distortion, effects, looping,
envelope sounds, reverb, etc...

below is some of my old vids, demoing gear i was using before (the above
setup is sort of newish for me in last few months, before i was using 2
modelers for a long time, liking cleaner sounds as of late), vids here:

http://video.google.com/videoplay?docid=235503632389016121#docid=5791548553161416906

http://video.google.com/videoplay?docid=235503632389016121#

http://www.mefeedia.com/watch/28102613

but that's what i use & abuse...
s---
www.myspace.com/scotthansen

--000e0ce0d684b38ca304965cb592
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

when i played out live (oh, a few yrs ago at an open mic nite) i took my ho=
hner acoustic and my parker nitefly to play my 25 min set....i remember thi=
nking afterwards, hmm, i need to just take one guitar....although i was run=
ning through some stuff recently, &amp; thought i should get out again....e=
very few yrs....ha...<br>
<br>as for in my studio, my recent setup is:<br>guitar-digitech rp150-zvex =
mastotron-SD lava box-digitech dl8-EH16 DDLri-boss slicer-behringer tweakal=
izer-lexicon mx200--out to either direct my fostex mr8 digital recorder or =
my fender keyboard 60 amp<br>
<br>digitech rp150-5 sec of glitchy loops<br>digitech dl8-i use the 8 sec o=
f digital delay loops (been loving doing 2 sec ones recently)<br>eh16ddl-i =
mainly use for pitch shifting mangling, slow-fast, fast-slow...most fun. <b=
r>
tweakalizer-i use the sampler-which i love and i love the filter in it. its=
 funky goodness. kind of big and klunky, but i got it cheap from someone on=
 the LD site, i really like this thing. new they are 100$ i think....lately=
 i&#39;ve mainly used it for drum machine processing in 2 sec sample mode. =
good for that!!! it can do reverse and pitch up or down also!!!<br>
<br>i should probably get my son&#39;s flip camera out and do some crappy d=
emo vids of my gear sometime....ha!<br><br>my setup has been pretty similar=
 for a few yrs, things change in &amp; out, but essentially doing the same =
thing, options for: distortion, effects, looping, envelope sounds, reverb, =
etc...<br>
<br>below is some of my old vids, demoing gear i was using before (the abov=
e setup is sort of newish for me in last few months, before i was using 2 m=
odelers for a long time, liking cleaner sounds as of late), vids here:<br>
<br>



<p class=3D"MsoNormal"><a href=3D"http://video.google.com/videoplay?docid=
=3D235503632389016121#docid=3D5791548553161416906">http://video.google.com/=
videoplay?docid=3D235503632389016121#docid=3D5791548553161416906</a></p>

<p class=3D"MsoNormal"><a href=3D"http://video.google.com/videoplay?docid=
=3D235503632389016121#">http://video.google.com/videoplay?docid=3D235503632=
389016121#</a></p>

<p class=3D"MsoNormal"><a href=3D"http://www.mefeedia.com/watch/28102613">h=
ttp://www.mefeedia.com/watch/28102613</a></p>

<br>but that&#39;s what i use &amp; abuse...<br>s---<br><a href=3D"http://w=
ww.myspace.com/scotthansen" target=3D"_blank">www.myspace.com/scotthansen</=
a><br>

--000e0ce0d684b38ca304965cb592--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  1 19:21:07 2010
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Subject: Re: Tha Frippster in NYC
From: Tony K <bigtonyk@gmail.com>
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 A little info:

http://www.villagevoice.com/events/robert-fripp-2254103/

On Wed, Dec 1, 2010 at 10:30 AM, Daryl Shawn <darylshawn@gmail.com> wrote:

> Any New Yorkers going to see Fripp's Soundscapes shows this weekend?
> Purportedly his LAST EVER OMG according to some buzz a few months ago. Not
> sure if that's still true or not, but this is Fripp looping (for free,
> even). I'm there.
>
> Daryl Shawn
> www.swanwelder.com
>
>


-- 
-==-=-=-
Tony

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=A0A little info:<br><br><a href=3D"http://www.villagevoice.com/events/robe=
rt-fripp-2254103/">http://www.villagevoice.com/events/robert-fripp-2254103/=
</a><br><br><div class=3D"gmail_quote">On Wed, Dec 1, 2010 at 10:30 AM, Dar=
yl Shawn <span dir=3D"ltr">&lt;<a href=3D"mailto:darylshawn@gmail.com">dary=
lshawn@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Any New Yorkers going to see Fripp&#39;s So=
undscapes shows this weekend? Purportedly his LAST EVER OMG according to so=
me buzz a few months ago. Not sure if that&#39;s still true or not, but thi=
s is Fripp looping (for free, even). I&#39;m there.<br>
<font color=3D"#888888">
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--0015174bf07ae0613804965e34d7--

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I'll be there for both shows on Saturday, and (workplace) time off-willing, both shows on Friday, as well...otherwise, just Friday evening and Saturday.

I was there for the Soundscapes performance back in 2000, and it was amazing...the music and the architectural space of that glass atrium really pair well. 

Edward in NJ


From Loopers-Delight-request@loopers-delight.com  Wed Dec  1 22:21:33 2010
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Subject: Mobius Loop Music Box
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Thought some of you might enjoy this little video.

It loops with a twist. ;)

http://vihart.com/musicbox/

-- 
-==-=-=-
Tony

--0015174bee7428ab40049660babd
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Thought some of you might enjoy this little video.<br><br>It loops with a twist. ;)<br><br><a href="http://vihart.com/musicbox/">http://vihart.com/musicbox/</a><br clear="all"><br>-- <br>-==-=-=- <br>Tony<br>

--0015174bee7428ab40049660babd--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 02:18:30 2010
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Subject: Re: OT: French composers are leaving France for the US?
References: <AANLkTi=6TDGnfN2xzp2WmpA=xwg54_E_VkX5FpP8=x4S@mail.gmail.com> <4CF4E35A.5080000@cruzio.com>
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	"LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
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Wait!! You mean there is a way to 

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Nov 30, 2010, at 6:43 AM, "Rick Walker" <looppool@cruzio.com> wrote:

> 
>   Art Simon wrote:
> > Really, I'm shocked. It doesn't seem like the US right now is really
> > flowering with interest in contemporary music. I thought with IRCAM's
> > rich history, not the least of which is that it's the origin of MAX,
> > France was the mecca for contemporary music. I guess I'm out of touch.
> 
> IRCAM has certainly been an amazing resource for talented french (and
> other)
> composers and producers.
> 
> Because I live here in Santa Cruz, where Creative Labs and Emu Systems
> have been
> for a long time,  I know that Creative has continually hired the best
> and brightest
> spacialization experts straight out of IRCAM.    I've met so many brilliant
> spacialization experts and , indeed, one woman,  Veronique Larcher was like
> Gertrude Stein in this area because she was so invested in producing new
> music
> events and connecting different musicians together.    She was a godsend
> to our
> area, culturally and it was tragic to me, when she was forced to leave
> the area for
> economic reasons.
> 
> But that's the rub:   a lot of people coming out of new music  programs
> everywhere
> either have possibilities to teach (which are diminishing rapidly at
> least in the US)
> or to take on high paying jobs like all the spacialization experts who
> came from
> France to our area, straight out of IRCAM.
> 
> The same phenomenon can also be seen in Northern California, which
> really has a tendency
> to produce forward thinking and innovative artists (probably due to not
> only it's extremeley
> liberal and artistic intellectual climate but also due to the extreme
> wealth that existed here for
> so long with the Dot Com boom).   By the way, paranthetically,  I'm not
> saying that other countries
> or regions don't also have tons of creativity..........I'm not that
> insular...........lol
> 
> There has been an astonishing brain drain of young musicians out of both
> the San Francisco and
> Monterey Bay areas because of economic hardships and how expensive it is
> to live here.
> Hundreds have moved to Portland, Oregon, Seattle, Washington,  Austin,
> Texas,  New York City, New York
> and out of the country to avoid how expensive and hard to exist that is
> for a typical Northern California
> artist.
> 
> But you can't completely kill the French spirit any more than you can
> kill the Northern California
> spirit.............those composers are still creating amazing things and
> they are still French......
> they just may feel that they can't afford to live in France any longer.
> 
> It's happening all over the world, which is why we need to be vigilant
> as artists and we need
> to be focused on building community to counter the economic trends of a
> world that is working
> with increasingly diminishing resources with a population that is still
> swelling rapidly.
> 

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<html><body bgcolor="#FFFFFF"><div>Wait!! You mean there is a way to&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Nov 30, 2010, at 6:43 AM, "Rick Walker" &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->
<br>

<p><font size="2">&nbsp; Art Simon wrote:<br>
&gt; Really, I'm shocked. It doesn't seem like the US right now is really<br>
&gt; flowering with interest in contemporary music. I thought with IRCAM's<br>
&gt; rich history, not the least of which is that it's the origin of MAX,<br>
&gt; France was the mecca for contemporary music. I guess I'm out of touch.<br>
<br>
IRCAM has certainly been an amazing resource for talented french (and<br>
other)<br>
composers and producers.<br>
<br>
Because I live here in Santa Cruz, where Creative Labs and Emu Systems<br>
have been<br>
for a long time,&nbsp; I know that Creative has continually hired the best<br>
and brightest<br>
spacialization experts straight out of IRCAM.&nbsp;&nbsp;&nbsp; I've met so many brilliant<br>
spacialization experts and , indeed, one woman,&nbsp; Veronique Larcher was like<br>
Gertrude Stein in this area because she was so invested in producing new<br>
music<br>
events and connecting different musicians together.&nbsp;&nbsp;&nbsp; She was a godsend<br>
to our<br>
area, culturally and it was tragic to me, when she was forced to leave<br>
the area for<br>
economic reasons.<br>
<br>
But that's the rub:&nbsp;&nbsp; a lot of people coming out of new music&nbsp; programs<br>
everywhere<br>
either have possibilities to teach (which are diminishing rapidly at<br>
least in the US)<br>
or to take on high paying jobs like all the spacialization experts who<br>
came from<br>
France to our area, straight out of IRCAM.<br>
<br>
The same phenomenon can also be seen in Northern California, which<br>
really has a tendency<br>
to produce forward thinking and innovative artists (probably due to not<br>
only it's extremeley<br>
liberal and artistic intellectual climate but also due to the extreme<br>
wealth that existed here for<br>
so long with the Dot Com boom).&nbsp;&nbsp; By the way, paranthetically,&nbsp; I'm not<br>
saying that other countries<br>
or regions don't also have tons of creativity..........I'm not that<br>
insular...........lol<br>
<br>
There has been an astonishing brain drain of young musicians out of both<br>
the San Francisco and<br>
Monterey Bay areas because of economic hardships and how expensive it is<br>
to live here.<br>
Hundreds have moved to Portland, Oregon, Seattle, Washington,&nbsp; Austin,<br>
Texas,&nbsp; New York City, New York<br>
and out of the country to avoid how expensive and hard to exist that is<br>
for a typical Northern California<br>
artist.<br>
<br>
But you can't completely kill the French spirit any more than you can<br>
kill the Northern California<br>
spirit.............those composers are still creating amazing things and<br>
they are still French......<br>
they just may feel that they can't afford to live in France any longer.<br>
<br>
It's happening all over the world, which is why we need to be vigilant<br>
as artists and we need<br>
to be focused on building community to counter the economic trends of a<br>
world that is working<br>
with increasingly diminishing resources with a population that is still<br>
swelling rapidly.<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-10--583561747--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 02:22:32 2010
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Subject: Re: OT: French composers are leaving France for the US?
References: <AANLkTi=6TDGnfN2xzp2WmpA=xwg54_E_VkX5FpP8=x4S@mail.gmail.com> <4CF4E35A.5080000@cruzio.com>
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Message-ID: <A2BA96F3-F9F6-4CFD-9CB3-15AE8257BEB9@1800dialword.com>
Date: Wed, 1 Dec 2010 21:20:55 -0500
To: <Loopers-Delight@loopers-delight.com>
Cc: "Art Simon" <simart@gmail.com>,
	"LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
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Wait!! You mean there is a way to make a living playing music???? Holy Cow, I=
 gotta get out more often!

But seriously, I've, and I guess I'm far from alone, have always had to have=
 a day job hobby to support my music vocation. Although now I'm 55 and my da=
d still asks me when I play out "well did you get in free?"

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Nov 30, 2010, at 6:43 AM, "Rick Walker" <looppool@cruzio.com> wrote:

>=20
>   Art Simon wrote:
> > Really, I'm shocked. It doesn't seem like the US right now is really
> > flowering with interest in contemporary music. I thought with IRCAM's
> > rich history, not the least of which is that it's the origin of MAX,
> > France was the mecca for contemporary music. I guess I'm out of touch.
>=20
> IRCAM has certainly been an amazing resource for talented french (and
> other)
> composers and producers.
>=20
> Because I live here in Santa Cruz, where Creative Labs and Emu Systems
> have been
> for a long time,  I know that Creative has continually hired the best
> and brightest
> spacialization experts straight out of IRCAM.    I've met so many brillian=
t
> spacialization experts and , indeed, one woman,  Veronique Larcher was lik=
e
> Gertrude Stein in this area because she was so invested in producing new
> music
> events and connecting different musicians together.    She was a godsend
> to our
> area, culturally and it was tragic to me, when she was forced to leave
> the area for
> economic reasons.
>=20
> But that's the rub:   a lot of people coming out of new music  programs
> everywhere
> either have possibilities to teach (which are diminishing rapidly at
> least in the US)
> or to take on high paying jobs like all the spacialization experts who
> came from
> France to our area, straight out of IRCAM.
>=20
> The same phenomenon can also be seen in Northern California, which
> really has a tendency
> to produce forward thinking and innovative artists (probably due to not
> only it's extremeley
> liberal and artistic intellectual climate but also due to the extreme
> wealth that existed here for
> so long with the Dot Com boom).   By the way, paranthetically,  I'm not
> saying that other countries
> or regions don't also have tons of creativity..........I'm not that
> insular...........lol
>=20
> There has been an astonishing brain drain of young musicians out of both
> the San Francisco and
> Monterey Bay areas because of economic hardships and how expensive it is
> to live here.
> Hundreds have moved to Portland, Oregon, Seattle, Washington,  Austin,
> Texas,  New York City, New York
> and out of the country to avoid how expensive and hard to exist that is
> for a typical Northern California
> artist.
>=20
> But you can't completely kill the French spirit any more than you can
> kill the Northern California
> spirit.............those composers are still creating amazing things and
> they are still French......
> they just may feel that they can't afford to live in France any longer.
>=20
> It's happening all over the world, which is why we need to be vigilant
> as artists and we need
> to be focused on building community to counter the economic trends of a
> world that is working
> with increasingly diminishing resources with a population that is still
> swelling rapidly.
>=20

--Apple-Mail-11--583356446
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	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Wait!! You mean there is a way to make a living playing music???? Holy Cow, I gotta get out more often!</div><div><br></div><div>But seriously, I've, and I guess I'm far from alone, have always had to have a day job hobby to support my music vocation. Although now I'm 55 and my dad still asks me when I play out "well did you get in free?"<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Nov 30, 2010, at 6:43 AM, "Rick Walker" &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->
<br>

<p><font size="2">&nbsp; Art Simon wrote:<br>
&gt; Really, I'm shocked. It doesn't seem like the US right now is really<br>
&gt; flowering with interest in contemporary music. I thought with IRCAM's<br>
&gt; rich history, not the least of which is that it's the origin of MAX,<br>
&gt; France was the mecca for contemporary music. I guess I'm out of touch.<br>
<br>
IRCAM has certainly been an amazing resource for talented french (and<br>
other)<br>
composers and producers.<br>
<br>
Because I live here in Santa Cruz, where Creative Labs and Emu Systems<br>
have been<br>
for a long time,&nbsp; I know that Creative has continually hired the best<br>
and brightest<br>
spacialization experts straight out of IRCAM.&nbsp;&nbsp;&nbsp; I've met so many brilliant<br>
spacialization experts and , indeed, one woman,&nbsp; Veronique Larcher was like<br>
Gertrude Stein in this area because she was so invested in producing new<br>
music<br>
events and connecting different musicians together.&nbsp;&nbsp;&nbsp; She was a godsend<br>
to our<br>
area, culturally and it was tragic to me, when she was forced to leave<br>
the area for<br>
economic reasons.<br>
<br>
But that's the rub:&nbsp;&nbsp; a lot of people coming out of new music&nbsp; programs<br>
everywhere<br>
either have possibilities to teach (which are diminishing rapidly at<br>
least in the US)<br>
or to take on high paying jobs like all the spacialization experts who<br>
came from<br>
France to our area, straight out of IRCAM.<br>
<br>
The same phenomenon can also be seen in Northern California, which<br>
really has a tendency<br>
to produce forward thinking and innovative artists (probably due to not<br>
only it's extremeley<br>
liberal and artistic intellectual climate but also due to the extreme<br>
wealth that existed here for<br>
so long with the Dot Com boom).&nbsp;&nbsp; By the way, paranthetically,&nbsp; I'm not<br>
saying that other countries<br>
or regions don't also have tons of creativity..........I'm not that<br>
insular...........lol<br>
<br>
There has been an astonishing brain drain of young musicians out of both<br>
the San Francisco and<br>
Monterey Bay areas because of economic hardships and how expensive it is<br>
to live here.<br>
Hundreds have moved to Portland, Oregon, Seattle, Washington,&nbsp; Austin,<br>
Texas,&nbsp; New York City, New York<br>
and out of the country to avoid how expensive and hard to exist that is<br>
for a typical Northern California<br>
artist.<br>
<br>
But you can't completely kill the French spirit any more than you can<br>
kill the Northern California<br>
spirit.............those composers are still creating amazing things and<br>
they are still French......<br>
they just may feel that they can't afford to live in France any longer.<br>
<br>
It's happening all over the world, which is why we need to be vigilant<br>
as artists and we need<br>
to be focused on building community to counter the economic trends of a<br>
world that is working<br>
with increasingly diminishing resources with a population that is still<br>
swelling rapidly.<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-11--583356446--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 03:50:21 2010
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It's great to know someone else here likes mike patton stuffs. Sorry kinda
OT but do checkout Patton and Kaada.

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It&#39;s great to know someone else here likes mike patton stuffs. Sorry ki=
nda OT but do checkout Patton and Kaada.<br><div style=3D"visibility: hidde=
n; left: -5000px;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css=
">#avg_ls_inline_popup{position: absolute;z-index: 9999;padding: 0px 0px;ma=
rgin-left: 0px;margin-top: 0px;overflow: hidden;word-wrap: break-word;color=
: black;font-size: 10px;text-align: left;line-height: 130%;}</style>

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Date: Wed, 1 Dec 2010 23:57:12 -0500
Message-ID: <AANLkTinRV0E=i9zR4tkPoC5ciSvKJzbNCwZUvXq6iN8A@mail.gmail.com>
Subject: Re: Tha Frippster in NYC
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd570683cd0d2049666415a
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i'm there.  anybody know the venue's capacity?  would i need to show up 4
hours early to get a seat?

- jim

On Wed, Dec 1, 2010 at 3:30 PM, EDWARD YUHAS <ejyuhas@embarqmail.com> wrote:

> I'll be there for both shows on Saturday, and (workplace) time off-willing,
> both shows on Friday, as well...otherwise, just Friday evening and Saturday.
>
> I was there for the Soundscapes performance back in 2000, and it was
> amazing...the music and the architectural space of that glass atrium really
> pair well.
>
> Edward in NJ
>
>
>

--000e0cd570683cd0d2049666415a
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i&#39;m there.=A0 anybody know the venue&#39;s capacity?=A0 would i need to=
 show up 4 hours early to get a seat?=A0 <br><br>- jim<br><br><div class=3D=
"gmail_quote">On Wed, Dec 1, 2010 at 3:30 PM, EDWARD                    YUH=
AS <span dir=3D"ltr">&lt;<a href=3D"mailto:ejyuhas@embarqmail.com">ejyuhas@=
embarqmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I&#39;ll be there=
 for both shows on Saturday, and (workplace) time off-willing, both shows o=
n Friday, as well...otherwise, just Friday evening and Saturday.<br>

<br>
I was there for the Soundscapes performance back in 2000, and it was amazin=
g...the music and the architectural space of that glass atrium really pair =
well.<br>
<br>
Edward in NJ<br>
<br>
<br>
</blockquote></div><br>

--000e0cd570683cd0d2049666415a--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 09:26:28 2010
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Subject: "Malicious software" web site attack successfully concurred
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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I'd like to thank those people who notified me that my homepage
www.perboysen.com was tagged by Google as "malicious". I updated the
Wordpress code to 3.0.2 and now my page is not damned any longer :-))
A tip to friends who run Wordpress on their domain is to upgrade
before you get the malware placed on your server. From the 3-0-2
upgrade notes: "This maintenance release fixes a moderate security
issue that could allow a malicious Author-level user to gain further
access to the site".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 14:02:18 2010
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Subject: Re: Tha Frippster in NYC
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It's a huge open space, more or less the atrium of a mall & office 
building, open to the public passing through.  You may not be able to 
sit down if you come late, but I don't think it's possible for it to 
actually sell out.

Daryl Shawn
www.swanwelder.com


> i'm there.  anybody know the venue's capacity?  would i need to show 
> up 4 hours early to get a seat?
>
> - jim

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Date: Thu, 2 Dec 2010 09:07:30 -0500
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Subject: Re: Tha Frippster in NYC
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--============_-920823509==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"


He's performing at the World Financial Center's Winter Garden. It's a 
very very large atrium  not so much a 'venue" more like an mall.... 
You'll be fine.!


>i'm there.  anybody know the venue's capacity?  would i need to show 
>up 4 hours early to get a seat? 
>
>- jim
>
>On Wed, Dec 1, 2010 at 3:30 PM, EDWARD YUHAS 
><<mailto:ejyuhas@embarqmail.com>ejyuhas@embarqmail.com> wrote:
>
>I'll be there for both shows on Saturday, and (workplace) time 
>off-willing, both shows on Friday, as well...otherwise, just Friday 
>evening and Saturday.
>
>I was there for the Soundscapes performance back in 2000, and it was 
>amazing...the music and the architectural space of that glass atrium 
>really pair well.
>
>Edward in NJ


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-920823509==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Tha Frippster in NYC</title></head><body>
<div><br></div>
<div>He's performing at the World Financial Center's Winter Garden.
It's a very very large atrium&nbsp; not so much a 'venue&quot; more
like an mall.... You'll be fine.!</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>i'm there.&nbsp; anybody know the venue's
capacity?&nbsp; would i need to show up 4 hours early to get a
seat?&nbsp;<br>
<br>
- jim<br>
</blockquote>
<blockquote type="cite" cite>On Wed, Dec 1, 2010 at 3:30 PM, EDWARD
YUHAS &lt;<a
href="mailto:ejyuhas@embarqmail.com">ejyuhas@embarqmail.com</a>&gt;
wrote:<br>
<blockquote>I'll be there for both shows on Saturday, and (workplace)
time off-willing, both shows on Friday, as well...otherwise, just
Friday evening and Saturday.<br>
<br>
I was there for the Soundscapes performance back in 2000, and it was
amazing...the music and the architectural space of that glass atrium
really pair well.<br>
<br>
Edward in NJ</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-920823509==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 17:09:03 2010
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Date: Thu, 02 Dec 2010 18:09:00 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: rather very OT: Patton (was: Re: stereo mic)
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halim zainal schrieb:
> It's great to know someone else here likes mike patton stuffs. Sorry 
> kinda OT but do checkout Patton and Kaada.
Thanks for that recommendation. I had the pleasure to catch Patton three 
times in 2006: with Peeping Tom, and twice with Fantomas (first with 
Dave Lombardo, and after his return to Slayer, with Terry Bozzio (not 
unbeknownst to loop people for his work with David Torn on "Polytown")

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 20:16:46 2010
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll begin a month-long
Special Focus on Modulator ESP.  The Featured CD at Midnight will be
"EMS VCS3 Experiment 1" which is a self-released title.  For details,
see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#dec

Chuck Van Zyl will play a live set on the show as a preview of his
appearance at the Soundscapes Concert Series on Sunday, December 5,
8:00 pm at the Nazareth Center for the Arts.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 21:22:16 2010
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--_4003894f-c373-4351-a2b1-a2248c41915c_
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Hi guys!

Abandoned the choice to live-looping several percussion instruments=2C I've=
 come to the decision to use some prerecorded stuff via a Mac computer and =
also do some live-looping with and e-drum pad.

Questions:

which the most intuitive and good software for Mac to do this

I was thinking of a Roland SPD 30=2C but maybe using the Mac there's some o=
ther way (less expensive) such us buying only a controller and take the sou=
nd from the computer

by the way I plan to use in conjuction with this also the Rc50=2C but since=
=2C as you can understand=2C I've no clue on how to do all that (being new =
to Mac and computer music usage) there's no more need...

Thank to all that want me to suggest something to help me get the point: I =
want to able to start prerecorded tracks in a multitrack fashion and to loo=
p live on the with e-drums (with many different sounds as in the SPD 30) an=
d also as always play and record guitar besides that

any advice also on a good audio interface based on the software suggested=
=2C having decided for the Macbook pro and planning to record myself the tr=
ack=2C some percussion and vocals via mic and some guitar=20

Thanks a lot=2C

Andrea
 		 	   		  =

--_4003894f-c373-4351-a2b1-a2248c41915c_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
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{
margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
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</head>
<body class=3D'hmmessage'>
Hi guys!<br><br>Abandoned the choice to live-looping several percussion ins=
truments=2C I've come to the decision to use some prerecorded stuff via a M=
ac computer and also do some live-looping with and e-drum pad.<br><br>Quest=
ions:<br><br>which the most intuitive and good software for Mac to do this<=
br><br>I was thinking of a Roland SPD 30=2C but maybe using the Mac there's=
 some other way (less expensive) such us buying only a controller and take =
the sound from the computer<br><br>by the way I plan to use in conjuction w=
ith this also the Rc50=2C but since=2C as you can understand=2C I've no clu=
e on how to do all that (being new to Mac and computer music usage) there's=
 no more need...<br><br>Thank to all that want me to suggest something to h=
elp me get the point: I want to able to start prerecorded tracks in a multi=
track fashion and to loop live on the with e-drums (with many different sou=
nds as in the SPD 30) and also as always play and record guitar besides tha=
t<br><br>any advice also on a good audio interface based on the software su=
ggested=2C having decided for the Macbook pro and planning to record myself=
 the track=2C some percussion and vocals via mic and some guitar <br><br>Th=
anks a lot=2C<br><br>Andrea<br> 		 	   		  </body>
</html>=

--_4003894f-c373-4351-a2b1-a2248c41915c_--

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Subject: Re: Question about electronic drums and Mac looping
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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If you want to get beyond static drum tracks, my recommendation would be
RMX. There are certainly things about it that don't work the way I wish they
would, but it does come with a huge sample library and, most importantly to
me, it provides for randomization of a number of parameters.

Aside from that, I have had good success using Live to play drum patterns
also - the midi output of the patterns can be put through velocity
randomizers, etc., and you can also easily set up progressions from one
pattern to another. I usually put kick/snare patterns in one track and hihat
(or parts that function like a hihat part) into another track and let them
vary independently, for quite a lot of variety.

I might point out that the way I use these is to have the loop be the master
and the drum parts slave to the tempo implied by the loop, rather than by
starting the drum track first (you can hear some of these tracks on my home
page, warrensirota.com). However, this is pretty complicated to manage, and
is in no way necessary to using these products to create drum tracks.

Hope this helps,
Warren



On Thu, Dec 2, 2010 at 4:17 PM, andrea trabucco <andrea.trabucco@hotmail.com
> wrote:

>  Hi guys!
>
> Abandoned the choice to live-looping several percussion instruments, I've
> come to the decision to use some prerecorded stuff via a Mac computer and
> also do some live-looping with and e-drum pad.
>
> Questions:
>
> which the most intuitive and good software for Mac to do this
>
> I was thinking of a Roland SPD 30, but maybe using the Mac there's some
> other way (less expensive) such us buying only a controller and take the
> sound from the computer
>
> by the way I plan to use in conjuction with this also the Rc50, but since,
> as you can understand, I've no clue on how to do all that (being new to Mac
> and computer music usage) there's no more need...
>
> Thank to all that want me to suggest something to help me get the point: I
> want to able to start prerecorded tracks in a multitrack fashion and to loop
> live on the with e-drums (with many different sounds as in the SPD 30) and
> also as always play and record guitar besides that
>
> any advice also on a good audio interface based on the software suggested,
> having decided for the Macbook pro and planning to record myself the track,
> some percussion and vocals via mic and some guitar
>
> Thanks a lot,
>
> Andrea
>



-- 
Warren
http://www.warrensirota.com
Latest CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--0016e6dab45c353dc00496745ba1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

If you want to get beyond static drum tracks, my recommendation would be RM=
X. There are certainly things about it that don&#39;t work the way I wish t=
hey would, but it does come with a huge sample library and, most importantl=
y to me, it provides for randomization of a number of parameters.<div>
<br></div><div>Aside from that, I have had good success using Live to play =
drum patterns also - the midi output of the patterns can be put through vel=
ocity randomizers, etc., and you can also easily set up progressions from o=
ne pattern to another. I usually put kick/snare patterns in one track and h=
ihat (or parts that function like a hihat part) into another track and let =
them vary independently, for quite a lot of variety.</div>
<div><br></div><div>I might point out that the way I use these is to have t=
he loop be the master and the drum parts slave to the tempo implied by the =
loop, rather than by starting the drum track first (you can hear some of th=
ese tracks on my home page, <a href=3D"http://warrensirota.com">warrensirot=
a.com</a>). However, this is pretty complicated to manage, and is in no way=
 necessary to using these products to create drum tracks.</div>
<div><br></div><div>Hope this helps,</div><div>Warren</div><div><br></div><=
div><br><br><div class=3D"gmail_quote">On Thu, Dec 2, 2010 at 4:17 PM, andr=
ea trabucco <span dir=3D"ltr">&lt;<a href=3D"mailto:andrea.trabucco@hotmail=
.com">andrea.trabucco@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">



<div>
Hi guys!<br><br>Abandoned the choice to live-looping several percussion ins=
truments, I&#39;ve come to the decision to use some prerecorded stuff via a=
 Mac computer and also do some live-looping with and e-drum pad.<br><br>
Questions:<br><br>which the most intuitive and good software for Mac to do =
this<br><br>I was thinking of a Roland SPD 30, but maybe using the Mac ther=
e&#39;s some other way (less expensive) such us buying only a controller an=
d take the sound from the computer<br>
<br>by the way I plan to use in conjuction with this also the Rc50, but sin=
ce, as you can understand, I&#39;ve no clue on how to do all that (being ne=
w to Mac and computer music usage) there&#39;s no more need...<br><br>Thank=
 to all that want me to suggest something to help me get the point: I want =
to able to start prerecorded tracks in a multitrack fashion and to loop liv=
e on the with e-drums (with many different sounds as in the SPD 30) and als=
o as always play and record guitar besides that<br>
<br>any advice also on a good audio interface based on the software suggest=
ed, having decided for the Macbook pro and planning to record myself the tr=
ack, some percussion and vocals via mic and some guitar <br><br>Thanks a lo=
t,<br>
<br>Andrea<br> 		 	   		  </div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com" target=3D"_blank">http://www.warrensirota.com</a=
><br>Latest CD: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/c=
d/warrensirota" target=3D"_blank">http://www.cdbaby.com/cd/warrensirota</a>=
<br>

</div>

--0016e6dab45c353dc00496745ba1--

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	<AANLkTim1wUbBryiKe536vULeY_dgSJxsWPTOrBjYQX7G@mail.gmail.com>
Date: Thu, 2 Dec 2010 13:50:06 -0800
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Subject: Re: Question about electronic drums and Mac looping
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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There are also the WaveDrum and Roland Handsonic as options.

WD-no midi but a fantastic instrument in its own right.

Handsonic, not nearly as flexible in terms of sound creation, but midi
and several trigger zones.

Kevin

On Thu, Dec 2, 2010 at 1:46 PM, Warren Sirota <wsirota@wsdesigns.com> wrote=
:
> If you want to get beyond static drum tracks, my recommendation would be
> RMX. There are certainly things about it that don't work the way I wish t=
hey
> would, but it does come with a huge sample library and, most importantly =
to
> me, it provides for randomization of a number of parameters.
> Aside from that, I have had good success using Live to play drum patterns
> also - the midi output of the patterns can be put through velocity
> randomizers, etc., and you can also easily set up progressions from one
> pattern to another. I usually put kick/snare patterns in one track and hi=
hat
> (or parts that function like a hihat part) into another track and let the=
m
> vary independently, for quite a lot of variety.
> I might point out that the way I use these is to have the loop be the mas=
ter
> and the drum parts slave to the tempo implied by the loop, rather than by
> starting the drum track first (you can hear some of these tracks on my ho=
me
> page, warrensirota.com). However, this is pretty complicated to manage, a=
nd
> is in no way necessary to using these products to create drum tracks.
> Hope this helps,
> Warren
>
>
> On Thu, Dec 2, 2010 at 4:17 PM, andrea trabucco
> <andrea.trabucco@hotmail.com> wrote:
>>
>> Hi guys!
>>
>> Abandoned the choice to live-looping several percussion instruments, I'v=
e
>> come to the decision to use some prerecorded stuff via a Mac computer an=
d
>> also do some live-looping with and e-drum pad.
>>
>> Questions:
>>
>> which the most intuitive and good software for Mac to do this
>>
>> I was thinking of a Roland SPD 30, but maybe using the Mac there's some
>> other way (less expensive) such us buying only a controller and take the
>> sound from the computer
>>
>> by the way I plan to use in conjuction with this also the Rc50, but sinc=
e,
>> as you can understand, I've no clue on how to do all that (being new to =
Mac
>> and computer music usage) there's no more need...
>>
>> Thank to all that want me to suggest something to help me get the point:=
 I
>> want to able to start prerecorded tracks in a multitrack fashion and to =
loop
>> live on the with e-drums (with many different sounds as in the SPD 30) a=
nd
>> also as always play and record guitar besides that
>>
>> any advice also on a good audio interface based on the software suggeste=
d,
>> having decided for the Macbook pro and planning to record myself the tra=
ck,
>> some percussion and vocals via mic and some guitar
>>
>> Thanks a lot,
>>
>> Andrea
>
>
>
> --
> Warren
> http://www.warrensirota.com
> Latest CD: Loops, Live & Otw
> http://www.cdbaby.com/cd/warrensirota
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 22:06:05 2010
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Date: Thu, 2 Dec 2010 14:06:03 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: OT DM1000 mLAN
To: Loopers-Delight@loopers-delight.com
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--0-2076974192-1291327563=:39608
Content-Type: text/plain; charset=us-ascii

any idea where I might find tech support for Yamaha DM1000, specifically mLAN? 
Nothing found with google...



________________________________
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, December 2, 2010 10:50:06 PM
Subject: Re: Question about electronic drums and Mac looping

There are also the WaveDrum and Roland Handsonic as options.

WD-no midi but a fantastic instrument in its own right.

Handsonic, not nearly as flexible in terms of sound creation, but midi
and several trigger zones.

Kevin

On Thu, Dec 2, 2010 at 1:46 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:
> If you want to get beyond static drum tracks, my recommendation would be
> RMX. There are certainly things about it that don't work the way I wish they
> would, but it does come with a huge sample library and, most importantly to
> me, it provides for randomization of a number of parameters.
> Aside from that, I have had good success using Live to play drum patterns
> also - the midi output of the patterns can be put through velocity
> randomizers, etc., and you can also easily set up progressions from one
> pattern to another. I usually put kick/snare patterns in one track and hihat
> (or parts that function like a hihat part) into another track and let them
> vary independently, for quite a lot of variety.
> I might point out that the way I use these is to have the loop be the master
> and the drum parts slave to the tempo implied by the loop, rather than by
> starting the drum track first (you can hear some of these tracks on my home
> page, warrensirota.com). However, this is pretty complicated to manage, and
> is in no way necessary to using these products to create drum tracks.
> Hope this helps,
> Warren
>
>
> On Thu, Dec 2, 2010 at 4:17 PM, andrea trabucco
> <andrea.trabucco@hotmail.com> wrote:
>>
>> Hi guys!
>>
>> Abandoned the choice to live-looping several percussion instruments, I've
>> come to the decision to use some prerecorded stuff via a Mac computer and
>> also do some live-looping with and e-drum pad.
>>
>> Questions:
>>
>> which the most intuitive and good software for Mac to do this
>>
>> I was thinking of a Roland SPD 30, but maybe using the Mac there's some
>> other way (less expensive) such us buying only a controller and take the
>> sound from the computer
>>
>> by the way I plan to use in conjuction with this also the Rc50, but since,
>> as you can understand, I've no clue on how to do all that (being new to Mac
>> and computer music usage) there's no more need...
>>
>> Thank to all that want me to suggest something to help me get the point: I
>> want to able to start prerecorded tracks in a multitrack fashion and to loop
>> live on the with e-drums (with many different sounds as in the SPD 30) and
>> also as always play and record guitar besides that
>>
>> any advice also on a good audio interface based on the software suggested,
>> having decided for the Macbook pro and planning to record myself the track,
>> some percussion and vocals via mic and some guitar
>>
>> Thanks a lot,
>>
>> Andrea
>
>
>
> --
> Warren
> http://www.warrensirota.com
> Latest CD: Loops, Live & Otw
> http://www.cdbaby.com/cd/warrensirota
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>any idea where I might find tech support for Yamaha DM1000, specifically mLAN? Nothing found with google...</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Kevin Cheli-Colando &lt;billowhead@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 2, 2010 10:50:06 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Question about electronic drums and Mac looping<br></font><br>
There are also the WaveDrum and Roland Handsonic as options.<br><br>WD-no midi but a fantastic instrument in its own right.<br><br>Handsonic, not nearly as flexible in terms of sound creation, but midi<br>and several trigger zones.<br><br>Kevin<br><br>On Thu, Dec 2, 2010 at 1:46 PM, Warren Sirota &lt;<a ymailto="mailto:wsirota@wsdesigns.com" href="mailto:wsirota@wsdesigns.com">wsirota@wsdesigns.com</a>&gt; wrote:<br>&gt; If you want to get beyond static drum tracks, my recommendation would be<br>&gt; RMX. There are certainly things about it that don't work the way I wish they<br>&gt; would, but it does come with a huge sample library and, most importantly to<br>&gt; me, it provides for randomization of a number of parameters.<br>&gt; Aside from that, I have had good success using Live to play drum patterns<br>&gt; also - the midi output of the patterns can be put through velocity<br>&gt; randomizers, etc., and you can also easily set up progressions from
 one<br>&gt; pattern to another. I usually put kick/snare patterns in one track and hihat<br>&gt; (or parts that function like a hihat part) into another track and let them<br>&gt; vary independently, for quite a lot of variety.<br>&gt; I might point out that the way I use these is to have the loop be the master<br>&gt; and the drum parts slave to the tempo implied by the loop, rather than by<br>&gt; starting the drum track first (you can hear some of these tracks on my home<br>&gt; page, <a target="_blank" href="http://warrensirota.com">warrensirota.com</a>). However, this is pretty complicated to manage, and<br>&gt; is in no way necessary to using these products to create drum tracks.<br>&gt; Hope this helps,<br>&gt; Warren<br>&gt;<br>&gt;<br>&gt; On Thu, Dec 2, 2010 at 4:17 PM, andrea trabucco<br>&gt; &lt;<a ymailto="mailto:andrea.trabucco@hotmail.com" href="mailto:andrea.trabucco@hotmail.com">andrea.trabucco@hotmail.com</a>&gt;
 wrote:<br>&gt;&gt;<br>&gt;&gt; Hi guys!<br>&gt;&gt;<br>&gt;&gt; Abandoned the choice to live-looping several percussion instruments, I've<br>&gt;&gt; come to the decision to use some prerecorded stuff via a Mac computer and<br>&gt;&gt; also do some live-looping with and e-drum pad.<br>&gt;&gt;<br>&gt;&gt; Questions:<br>&gt;&gt;<br>&gt;&gt; which the most intuitive and good software for Mac to do this<br>&gt;&gt;<br>&gt;&gt; I was thinking of a Roland SPD 30, but maybe using the Mac there's some<br>&gt;&gt; other way (less expensive) such us buying only a controller and take the<br>&gt;&gt; sound from the computer<br>&gt;&gt;<br>&gt;&gt; by the way I plan to use in conjuction with this also the Rc50, but since,<br>&gt;&gt; as you can understand, I've no clue on how to do all that (being new to Mac<br>&gt;&gt; and computer music usage) there's no more need...<br>&gt;&gt;<br>&gt;&gt; Thank to all that want me to suggest something to help me get the point:
 I<br>&gt;&gt; want to able to start prerecorded tracks in a multitrack fashion and to loop<br>&gt;&gt; live on the with e-drums (with many different sounds as in the SPD 30) and<br>&gt;&gt; also as always play and record guitar besides that<br>&gt;&gt;<br>&gt;&gt; any advice also on a good audio interface based on the software suggested,<br>&gt;&gt; having decided for the Macbook pro and planning to record myself the track,<br>&gt;&gt; some percussion and vocals via mic and some guitar<br>&gt;&gt;<br>&gt;&gt; Thanks a lot,<br>&gt;&gt;<br>&gt;&gt; Andrea<br>&gt;<br>&gt;<br>&gt;<br>&gt; --<br>&gt; Warren<br><span>&gt; <a target="_blank" href="http://www.warrensirota.com">http://www.warrensirota.com</a></span><br>&gt; Latest CD: Loops, Live &amp; Otw<br><span>&gt; <a target="_blank" href="http://www.cdbaby.com/cd/warrensirota">http://www.cdbaby.com/cd/warrensirota</a></span><br>&gt;<br><br><br><br>-- <br>Till now you seriously considered yourself to be the
 body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br><br><span>Sound and Vision:&nbsp; <a target="_blank" href="http://www.minds-eye.org">http://www.minds-eye.org</a></span><br><span>Video <a target="_blank" href="http://www.vimeo.com/user877640/videos">http://www.vimeo.com/user877640/videos</a></span><br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 22:15:54 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: rather very OT: Patton
References: <68C67CE7-B84A-4C26-85FF-9EB5F7C5831F@gmail.com>	<AANLkTimBtXUaML=yHxvVnQuMn-F9t1XN2m7kb7a6HWB6@mail.gmail.com> <AANLkTimVj7S6GfWwEoTYknNvdN0TexagBernM5-FJA6k@mail.gmail.com> <4CF7D2AC.4060002@googlemail.com>
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The most direct Patton connection to looping would be his one or two 
recordings with Naked City, which of course featured loopy Bill Frisell.

(This connection is responsible, too, for a bit of fun of the seven 
degrees of Kevin Bacon variety. One can connect Slayer to Miles Davis in 
six steps; Miles recorded with Bill Evans, who recorded with Paul 
Motian, who recorded with Frisell, who recorded with Patton, who 
recorded with Dave Lombardo, who recorded w/Slayer).

whee,

Daryl Shawn
www.swanwelder.com


> halim zainal schrieb:
>> It's great to know someone else here likes mike patton stuffs. Sorry 
>> kinda OT but do checkout Patton and Kaada.
> Thanks for that recommendation. I had the pleasure to catch Patton 
> three times in 2006: with Peeping Tom, and twice with Fantomas (first 
> with Dave Lombardo, and after his return to Slayer, with Terry Bozzio 
> (not unbeknownst to loop people for his work with David Torn on 
> "Polytown")
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 22:38:37 2010
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Date: Thu, 2 Dec 2010 23:38:36 +0100
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Subject: Re: rather very OT: Patton
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016361e801a19d6cb0496751527
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i recommend last zorn's ipsissimus, with craziest patton ever, on vocals,
along with ribot, joey baron and zorn himself on sax.

2010/12/2 Daryl Shawn <darylshawn@gmail.com>

> The most direct Patton connection to looping would be his one or two
> recordings with Naked City, which of course featured loopy Bill Frisell.
>
> (This connection is responsible, too, for a bit of fun of the seven degre=
es
> of Kevin Bacon variety. One can connect Slayer to Miles Davis in six step=
s;
> Miles recorded with Bill Evans, who recorded with Paul Motian, who record=
ed
> with Frisell, who recorded with Patton, who recorded with Dave Lombardo, =
who
> recorded w/Slayer).
>
> whee,
>
> Daryl Shawn
> www.swanwelder.com
>
>
>  halim zainal schrieb:
>>
>>> It's great to know someone else here likes mike patton stuffs. Sorry
>>> kinda OT but do checkout Patton and Kaada.
>>>
>> Thanks for that recommendation. I had the pleasure to catch Patton three
>> times in 2006: with Peeping Tom, and twice with Fantomas (first with Dav=
e
>> Lombardo, and after his return to Slayer, with Terry Bozzio (not unbekno=
wnst
>> to loop people for his work with David Torn on "Polytown")
>>
>>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "

http://raulbonell.tumblr.com =B7 http://www.ct-collective.com

--0016361e801a19d6cb0496751527
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i recommend last zorn&#39;s ipsissimus, with craziest patton ever, on vocal=
s, along with ribot, joey baron and zorn himself on sax.<br><div style=3D"v=
isibility: hidden; display: inline;" id=3D"avg_ls_inline_popup"></div><styl=
e type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-index:999=
9;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240px;  =
overflow: hidden;  word-wrap: break-word;  color: black;  font-size: 10px; =
 text-align: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/12/2 Daryl Shawn <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:darylshawn@gmail.com">darylshawn@gmail.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
The most direct Patton connection to looping would be his one or two record=
ings with Naked City, which of course featured loopy Bill Frisell.<br>
<br>
(This connection is responsible, too, for a bit of fun of the seven degrees=
 of Kevin Bacon variety. One can connect Slayer to Miles Davis in six steps=
; Miles recorded with Bill Evans, who recorded with Paul Motian, who record=
ed with Frisell, who recorded with Patton, who recorded with Dave Lombardo,=
 who recorded w/Slayer).<br>

<br>
whee,<br>
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
halim zainal schrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
It&#39;s great to know someone else here likes mike patton stuffs. Sorry ki=
nda OT but do checkout Patton and Kaada.<br>
</blockquote>
Thanks for that recommendation. I had the pleasure to catch Patton three ti=
mes in 2006: with Peeping Tom, and twice with Fantomas (first with Dave Lom=
bardo, and after his return to Slayer, with Terry Bozzio (not unbeknownst t=
o loop people for his work with David Torn on &quot;Polytown&quot;)<br>

<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lum=
inada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina=
 i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podi=
en posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">http://raulb=
onell.tumblr.com</a> =B7 <a href=3D"http://www.ct-collective.com" target=3D=
"_blank">http://www.ct-collective.com</a><br><br>

--0016361e801a19d6cb0496751527--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  2 23:42:20 2010
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Subject: Re: Question about electronic drums and Mac looping
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  andrea trabucco wrote:
>
> Abandoned the choice to live-looping several percussion instruments, 
> I've come to the decision to use some prerecorded stuff via a Mac 
> computer and also do some live-looping with and e-drum pad.

Dear Andrea,

    Maybe it's just because I'm a drummer/percussionist originally as a 
musician, but having seen literally
hundreds of live looping performances at the Y2K festival and in 15 
different countries I have
to say that people who use real sounds as percussion elements (be it 
recontextualizing their
instruments like guitarist, bassists or vocalists making drumset 
sounding grooves by banging on
their axes (or beatboxing) feel much more organic, visceral and funky to 
my ears than
people who use prerecorded loops or even interactive drum machine 
sequencing programs like
RMX (which I agree is probably one of the best).

It seems to me too, that audiences react more viscerally to people who 
do their own percussion
even when it is very, very simple (and sometimes specifically because it 
is very, very simple).

For one thing,  we are inundated in this electronic age with canned drum 
tracks.

It's so much more fun to see someone be creative even when it is very 
simplistic to create a rhythmic track
to play over (and on top of that, you can use techniques like double 
time/half time and reverse to
create sounds that are 'hyper' real.

Just my two cents, but I'm curious why you choose to eschew live 
percussion in your looping.

Some of my favorite drummers are actually not drummers.  I love, for 
example, how Gary Regina creatively
uses percussion in his multi-instrumental live looping tracks.

Is it just a matter of being able to mic such things well or is it the 
bother of learning how to play some things
or even just lugging more gear around?

I'm curious.

respectfully,   rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec  3 08:43:19 2010
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Subject: Re: rather very OT: Patton
From: halim zainal <halimzainal@gmail.com>
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i love Fantomas and peeping tom so much. And i also enjoy Mike Pattons'
Mondo Cane and Onibaba. And wow Naked City and Ipsissimus is out of this
world thanx guys.


>  The most direct Patton connection to looping would be his one or two
>> recordings with Naked City, which of course featured loopy Bill Frisell.
>>
>> (This connection is responsible, too, for a bit of fun of the seven
>> degrees of Kevin Bacon variety. One can connect Slayer to Miles Davis in=
 six
>> steps; Miles recorded with Bill Evans, who recorded with Paul Motian, wh=
o
>> recorded with Frisell, who recorded with Patton, who recorded with Dave
>> Lombardo, who recorded w/Slayer).
>>
>> whee,
>>
>> Daryl Shawn
>> www.swanwelder.com
>>
>>
>>  halim zainal schrieb:
>>>
>>>> It's great to know someone else here likes mike patton stuffs. Sorry
>>>> kinda OT but do checkout Patton and Kaada.
>>>>
>>> Thanks for that recommendation. I had the pleasure to catch Patton thre=
e
>>> times in 2006: with Peeping Tom, and twice with Fantomas (first with Da=
ve
>>> Lombardo, and after his return to Slayer, with Terry Bozzio (not unbekn=
ownst
>>> to loop people for his work with David Torn on "Polytown")
>>>
>>>
>>
>
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lumin=
ada,
> exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta=
 que
> ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li u=
na
> agulla , o que pitara, o alguna cosa aix=ED? "
>
> http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
>
>

--0015175ce1bcb4665a04967d87de
Content-Type: text/html; charset=ISO-8859-1
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<div class=3D"gmail_quote"><div><div class=3D"h5">i love Fantomas and peepi=
ng tom so much. And i also enjoy Mike Pattons&#39;=20
Mondo Cane and Onibaba. And wow Naked City and Ipsissimus is out of this
 world thanx guys. <br></div></div></div><div class=3D"gmail_quote"><div>=
=A0</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8=
ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div cla=
ss=3D"gmail_quote">
<div><div class=3D"h5">
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
The most direct Patton connection to looping would be his one or two record=
ings with Naked City, which of course featured loopy Bill Frisell.<br>
<br>
(This connection is responsible, too, for a bit of fun of the seven degrees=
 of Kevin Bacon variety. One can connect Slayer to Miles Davis in six steps=
; Miles recorded with Bill Evans, who recorded with Paul Motian, who record=
ed with Frisell, who recorded with Patton, who recorded with Dave Lombardo,=
 who recorded w/Slayer).<br>


<br>
whee,<br>
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
halim zainal schrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
It&#39;s great to know someone else here likes mike patton stuffs. Sorry ki=
nda OT but do checkout Patton and Kaada.<br>
</blockquote>
Thanks for that recommendation. I had the pleasure to catch Patton three ti=
mes in 2006: with Peeping Tom, and twice with Fantomas (first with Dave Lom=
bardo, and after his return to Slayer, with Terry Bozzio (not unbeknownst t=
o loop people for his work with David Torn on &quot;Polytown&quot;)<br>


<br>
</blockquote>
<br>
</blockquote></div></div></div><font color=3D"#888888"><br><br clear=3D"all=
"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella do=
na que sense saber que estava il.luminada, exclamava: &quot;O siga, que he =
pagat per aquesta merda de m=E0quina i resulta que ni tan sols em diu si s=
=F3c un Buda o no, =F2sties!, no podien posar-li una agulla , o que pitara,=
 o alguna cosa aix=ED? &quot;<br>

<br><a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">http://raulb=
onell.tumblr.com</a> =B7 <a href=3D"http://www.ct-collective.com" target=3D=
"_blank">http://www.ct-collective.com</a><br><br>
</font></blockquote></div><br>

--0015175ce1bcb4665a04967d87de--

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Subject: Re: rather very OT: Patton (was: Re: stereo mic)
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm jealous. You got the opportunity to watch patton live. One of these
days. Thanx for Polytown..phenomenal as usual.

On Thu, Dec 2, 2010 at 9:09 AM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> halim zainal schrieb:
>
>> It's great to know someone else here likes mike patton stuffs. Sorry kinda
>> OT but do checkout Patton and Kaada.
>>
> Thanks for that recommendation. I had the pleasure to catch Patton three
> times in 2006: with Peeping Tom, and twice with Fantomas (first with Dave
> Lombardo, and after his return to Slayer, with Terry Bozzio (not unbeknownst
> to loop people for his work with David Torn on "Polytown")
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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I&#39;m jealous. You got the opportunity to watch patton live. One of these=
 days. Thanx for Polytown..phenomenal as usual.<br><br><div class=3D"gmail_=
quote">On Thu, Dec 2, 2010 at 9:09 AM, Rainer Straschill <span dir=3D"ltr">=
&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a=
>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">halim zainal schr=
ieb:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
It&#39;s great to know someone else here likes mike patton stuffs. Sorry ki=
nda OT but do checkout Patton and Kaada.<br>
</blockquote>
Thanks for that recommendation. I had the pleasure to catch Patton three ti=
mes in 2006: with Peeping Tom, and twice with Fantomas (first with Dave Lom=
bardo, and after his return to Slayer, with Terry Bozzio (not unbeknownst t=
o loop people for his work with David Torn on &quot;Polytown&quot;)<br>
<font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br>

--0016e644d67c94f95f04967d96ea--

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Date: Fri, 3 Dec 2010 03:22:55 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: rather very OT: Patton
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I can shorten that who-recorded-with-who chain by one step:=A0 Miles Davis =
-> Dave Holland or Elvin Jones -> Bill Frisell -> Mike Patton -> Dave Lomba=
rdo -> Slayer


ted.

Enemies are good for self-definition. Werner Herzog

--- On Thu, 12/2/10, Daryl Shawn <darylshawn@gmail.com> wrote:

From: Daryl Shawn <darylshawn@gmail.com>
Subject: Re: rather very OT: Patton
To: Loopers-Delight@loopers-delight.com
Received: Thursday, December 2, 2010, 2:15 PM

The most direct Patton connection to looping would be his one or two record=
ings with Naked City, which of course featured loopy Bill Frisell.

(This connection is responsible, too, for a bit of fun of the seven degrees=
 of Kevin Bacon variety. One can connect Slayer to Miles Davis in six steps=
; Miles recorded with Bill Evans, who recorded with Paul Motian, who record=
ed with Frisell, who recorded with Patton, who recorded with Dave Lombardo,=
 who recorded w/Slayer).

whee,

Daryl Shawn
www.swanwelder.com

=0A=0A
--0-738327243-1291375375=:4386
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>I can shorten that who-recorded-with-who =
chain by one step:&nbsp; Miles Davis -&gt; Dave Holland or Elvin Jones -&gt=
; Bill Frisell -&gt; Mike Patton -&gt; Dave Lombardo -&gt; Slayer<br><br><b=
r>ted.<br><br>Enemies are good for self-definition. Werner Herzog<br><br>--=
- On <b>Thu, 12/2/10, Daryl Shawn <i>&lt;darylshawn@gmail.com&gt;</i></b> w=
rote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); marg=
in-left: 5px; padding-left: 5px;"><br>From: Daryl Shawn &lt;darylshawn@gmai=
l.com&gt;<br>Subject: Re: rather very OT: Patton<br>To: Loopers-Delight@loo=
pers-delight.com<br>Received: Thursday, December 2, 2010, 2:15 PM<br><br><d=
iv class=3D"plainMail">The most direct Patton connection to looping would b=
e his one or two recordings with Naked City, which of course featured loopy=
 Bill Frisell.<br><br>(This connection is responsible, too, for a bit of fu=
n of
 the seven degrees of Kevin Bacon variety. One can connect Slayer to Miles =
Davis in six steps; Miles recorded with Bill Evans, who recorded with Paul =
Motian, who recorded with Frisell, who recorded with Patton, who recorded w=
ith Dave Lombardo, who recorded w/Slayer).<br><br>whee,<br><br>Daryl Shawn<=
br>www.swanwelder.com<br><br></div></blockquote></td></tr></table><br>
--0-738327243-1291375375=:4386--

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Date: Fri, 03 Dec 2010 08:35:54 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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Subject: Re: rather very OT: Patton
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Oh, of course! Bitches Brew, w/Holland.

What did Miles record with Elvin?

Daryl Shawn
www.swanwelder.com


>
> I can shorten that who-recorded-with-who chain by one step:  Miles 
> Davis -> Dave Holland or Elvin Jones -> Bill Frisell -> Mike Patton -> 
> Dave Lombardo -> Slayer
>
>
> ted.
>
> Enemies are good for self-definition. Werner Herzog
>
> --- On *Thu, 12/2/10, Daryl Shawn /<darylshawn@gmail.com>/* wrote:
>
>
>     From: Daryl Shawn <darylshawn@gmail.com>
>     Subject: Re: rather very OT: Patton
>     To: Loopers-Delight@loopers-delight.com
>     Received: Thursday, December 2, 2010, 2:15 PM
>
>     The most direct Patton connection to looping would be his one or
>     two recordings with Naked City, which of course featured loopy
>     Bill Frisell.
>
>     (This connection is responsible, too, for a bit of fun of the
>     seven degrees of Kevin Bacon variety. One can connect Slayer to
>     Miles Davis in six steps; Miles recorded with Bill Evans, who
>     recorded with Paul Motian, who recorded with Frisell, who recorded
>     with Patton, who recorded with Dave Lombardo, who recorded w/Slayer).
>

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I'm really confused that this still takes five steps to get from Slayer 
to Miles Davis - I mean, I can get there quicker (me -> Motoko Honda -> 
Wadada Leo Smith -> Pete Cosey -> Miles Davis, or me -> Andreas Willers 
-> Paul Motian -> Bill Evans -> Miles Davis, or me -> Rick Walker -> 
Henry Kaiser -> Herbie Hancock -> Miles Davis).

Let's see: one of those pivotal points obviously is John Zorn, and 
there's a direct link to another pivotal point, Bill Laswell, who did 
work with Herbie Hancock...how about Slayer -> Lombardo -> Laswell (via 
Bladerunner Project) -> Hancock -> Davis?

          Rainer

(suddenly obsessed with finding out his shortest route to John 
Zorn...already know a quick way to Karlheinz Stockhausen (via our own 
Luca Formentini)...it's a great place here!)

>> I can shorten that who-recorded-with-who chain by one step:  Miles 
>> Davis -> Dave Holland or Elvin Jones -> Bill Frisell -> Mike Patton 
>> -> Dave Lombardo -> Slayer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Zorn>Simon Fell>Graham Halliwell>andy butler

...and I always suspected that you were responsible for the 
mystery drum machine that I jammed along to on the Y2K6 Ninjam

      the kudos drops 99.9% on each step though :-(

Rainer Straschill wrote:

> (suddenly obsessed with finding out his shortest route to John 
> Zorn...already know a quick way to Karlheinz Stockhausen (via our own 
> Luca Formentini)...it's a great place here!)
> 

From Loopers-Delight-request@loopers-delight.com  Fri Dec  3 17:11:32 2010
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Date: Fri, 3 Dec 2010 09:11:31 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: rather very OT: Patton
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--0-550405393-1291396291=:34339
Content-Type: text/plain; charset=iso-8859-1
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=A0
I had to google it, but Elvin's on MD's "Blue Moods"=A0and "Sketches of Spa=
in".
=A0
One of the percussionists=A0in my silent film soundtrack group has recorded=
 with bassist Trevor Dunn, so=A0I=A0have=A0a (tenuous) Zorn/Patton connecti=
on, too!
=A0
=A0
ted.

Enemies are good for self-definition. Werner Herzog

--- On Fri, 12/3/10, Daryl Shawn <darylshawn@gmail.com> wrote:


From: Daryl Shawn <darylshawn@gmail.com>
Subject: Re: rather very OT: Patton
To: Loopers-Delight@loopers-delight.com
Received: Friday, December 3, 2010, 5:35 AM


Oh, of course! Bitches Brew, w/Holland.

What did Miles record with Elvin?

Daryl Shawn
www.swanwelder.com


>
> I can shorten that who-recorded-with-who chain by one step:=A0 Miles=20
> Davis -> Dave Holland or Elvin Jones -> Bill Frisell -> Mike Patton ->=20
> Dave Lombardo -> Slayer
>
>
> ted.
>
> Enemies are good for self-definition. Werner Herzog
>
> --- On *Thu, 12/2/10, Daryl Shawn /<darylshawn@gmail.com>/* wrote:
>
>
>=A0 =A0=A0=A0From: Daryl Shawn <darylshawn@gmail.com>
>=A0 =A0=A0=A0Subject: Re: rather very OT: Patton
>=A0 =A0=A0=A0To: Loopers-Delight@loopers-delight.com
>=A0 =A0=A0=A0Received: Thursday, December 2, 2010, 2:15 PM
>
>=A0 =A0=A0=A0The most direct Patton connection to looping would be his one=
 or
>=A0 =A0=A0=A0two recordings with Naked City, which of course featured loop=
y
>=A0 =A0=A0=A0Bill Frisell.
>
>=A0 =A0=A0=A0(This connection is responsible, too, for a bit of fun of the
>=A0 =A0=A0=A0seven degrees of Kevin Bacon variety. One can connect Slayer =
to
>=A0 =A0=A0=A0Miles Davis in six steps; Miles recorded with Bill Evans, who
>=A0 =A0=A0=A0recorded with Paul Motian, who recorded with Frisell, who rec=
orded
>=A0 =A0=A0=A0with Patton, who recorded with Dave Lombardo, who recorded w/=
Slayer).
>

=0A=0A
--0-550405393-1291396291=:34339
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>I had to google it, but Elvin's on MD's "Blue Moods"&nbsp;and "Sketche=
s of Spain".</DIV>
<DIV>&nbsp;</DIV>
<DIV>One of the percussionists&nbsp;in my silent film soundtrack group has =
recorded with bassist Trevor Dunn, so&nbsp;I&nbsp;have&nbsp;a (tenuous) Zor=
n/Patton connection, too!</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted.<BR><BR>Enemies are good for self-definition. Werner Herzog<BR><BR=
>--- On <B>Fri, 12/3/10, Daryl Shawn <I>&lt;darylshawn@gmail.com&gt;</I></B=
> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Daryl Shawn &lt;darylshawn@gmail.com&gt;<BR=
>Subject: Re: rather very OT: Patton<BR>To: Loopers-Delight@loopers-delight=
.com<BR>Received: Friday, December 3, 2010, 5:35 AM<BR><BR>
<DIV class=3DplainMail>Oh, of course! Bitches Brew, w/Holland.<BR><BR>What =
did Miles record with Elvin?<BR><BR>Daryl Shawn<BR>www.swanwelder.com<BR><B=
R><BR>&gt;<BR>&gt; I can shorten that who-recorded-with-who chain by one st=
ep:&nbsp; Miles <BR>&gt; Davis -&gt; Dave Holland or Elvin Jones -&gt; Bill=
 Frisell -&gt; Mike Patton -&gt; <BR>&gt; Dave Lombardo -&gt; Slayer<BR>&gt=
;<BR>&gt;<BR>&gt; ted.<BR>&gt;<BR>&gt; Enemies are good for self-definition=
. Werner Herzog<BR>&gt;<BR>&gt; --- On *Thu, 12/2/10, Daryl Shawn /&lt;<A h=
ref=3D"http://ca.mc343.mail.yahoo.com/mc/compose?to=3Ddarylshawn@gmail.com"=
 ymailto=3D"mailto:darylshawn@gmail.com">darylshawn@gmail.com</A>&gt;/* wro=
te:<BR>&gt;<BR>&gt;<BR>&gt;&nbsp; &nbsp;&nbsp;&nbsp;From: Daryl Shawn &lt;<=
A href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?to=3Ddarylshawn@gmail.c=
om" ymailto=3D"mailto:darylshawn@gmail.com">darylshawn@gmail.com</A>&gt;<BR=
>&gt;&nbsp; &nbsp;&nbsp;&nbsp;Subject: Re: rather very OT: Patton<BR>&gt;&n=
bsp;
 &nbsp;&nbsp;&nbsp;To: <A href=3D"http://ca.mc343.mail.yahoo.com/mc/compose=
?to=3DLoopers-Delight@loopers-delight.com" ymailto=3D"mailto:Loopers-Deligh=
t@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR>&gt;&nbsp=
; &nbsp;&nbsp;&nbsp;Received: Thursday, December 2, 2010, 2:15 PM<BR>&gt;<B=
R>&gt;&nbsp; &nbsp;&nbsp;&nbsp;The most direct Patton connection to looping=
 would be his one or<BR>&gt;&nbsp; &nbsp;&nbsp;&nbsp;two recordings with Na=
ked City, which of course featured loopy<BR>&gt;&nbsp; &nbsp;&nbsp;&nbsp;Bi=
ll Frisell.<BR>&gt;<BR>&gt;&nbsp; &nbsp;&nbsp;&nbsp;(This connection is res=
ponsible, too, for a bit of fun of the<BR>&gt;&nbsp; &nbsp;&nbsp;&nbsp;seve=
n degrees of Kevin Bacon variety. One can connect Slayer to<BR>&gt;&nbsp; &=
nbsp;&nbsp;&nbsp;Miles Davis in six steps; Miles recorded with Bill Evans, =
who<BR>&gt;&nbsp; &nbsp;&nbsp;&nbsp;recorded with Paul Motian, who recorded=
 with Frisell, who recorded<BR>&gt;&nbsp; &nbsp;&nbsp;&nbsp;with Patton,
 who recorded with Dave Lombardo, who recorded w/Slayer).<BR>&gt;<BR><BR></=
DIV></BLOCKQUOTE></td></tr></table><br>
--0-550405393-1291396291=:34339--

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No such thing as unsubscribe. Once you sign up you belong to them. You will get 
these garbage emails FOREVER!!!



________________________________
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To: Loopers-Delight@loopers-delight.com
Sent: Tue, November 30, 2010 9:20:24 AM
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><DIV>No such thing as unsubscribe. Once you sign up you belong to them. You will get these garbage emails FOREVER!!!</DIV>
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<B><SPAN style="FONT-WEIGHT: bold">From:</SPAN></B> "RKoster@uk.imshealth.com" &lt;RKoster@uk.imshealth.com&gt;<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style="FONT-WEIGHT: bold">Sent:</SPAN></B> Tue, November 30, 2010 9:20:24 AM<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> unsubscribe<BR></FONT><BR>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec  3 19:41:03 2010
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Date: Fri, 03 Dec 2010 14:40:50 -0500
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Tha Frippster in NYC
References: <1363774492.1175379.1291230751770.JavaMail.root@md12.embarq.synacor.com>	<1119086132.1178446.1291235422695.JavaMail.root@md12.embarq.synacor.com> <AANLkTinRV0E=i9zR4tkPoC5ciSvKJzbNCwZUvXq6iN8A@mail.gmail.com>
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Ah sheesh, I was in a hurry to duck out and I didn't try to contact any 
fellow loopers at the Fripp performance. Sorry, my peeps! I'll be there 
again tomorrow night.

Bob was using two pairs of Eventide boxes - I believe two H8000's and 
two H7000's - plus five or six single-space units I couldn't identify. 
On the ground was a blue Rocktron controller, three continuous 
controllers, and a GR-1 (I believe). He played one Les Paul-shaped axe.

Security was very firm about preventing photography, unfortunately...

After three very formal bows to the audience, complete with grin, he sat 
and did the soundscape thing. Very subtle, very slowly developing, and 
sometimes so quiet as to be almost inaudible, which served to hush the 
(sizable) crowd, if not the unending stream of bemused/confused Suits 
descending the escalators alongside the atrium at all times.

Even after all the ambient guitar stuff I've listened to over the years, 
he still creates this stuff in a uniquely compelling way. I loved it. 
Looking forward to catching another set.

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec  3 19:48:17 2010
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From: "Michael Peters" <mp@mpeters.de>
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Subject: pluggo problem
Date: Fri, 3 Dec 2010 20:48:10 +0100
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I tried to install the Pluggo runtime (on my Vista notebook) because I
wanted to try some plugins by Oli Larkin that rely on Pluggo. Even though
the installer says it installed everything, I can't see any Pluggo on my
system (except for an empty folder in my VSTPlugins folder), and neither can
Bidule. The vst plugins I wanted to check out aren't recognized by Bidule.
Ideas anyone? 

And is this Pluggo runtime thingie ok with everyone? I read that it has
problems and uses lots of resources. If it runs at all.

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Dec  3 20:09:22 2010
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On Fri, Dec 3, 2010 at 8:48 PM, Michael Peters <mp@mpeters.de> wrote:
> And is this Pluggo runtime thingie ok with everyone? I read that it has
> problems and uses lots of resources. If it runs at all.

I haven't used Pluggo Runtime for ages, but I remember having some
issues with it when trying out other plugins than what comes with the
Pluggo bundle. Since Pluggo was discontinued I try to use as few
Cycling74 gadgets as possible. Just my strategy for moving into the
future with open eyes to welcome what might come along.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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This is a multi-part message in MIME format.
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especially if you are a lobster and thus can't figure out how to browse 
with only claws...


On 12/3/2010 1:23 PM, John Hefter wrote:
> No such thing as unsubscribe. Once you sign up you belong to them. You 
> will get these garbage emails FOREVER!!!
>
> ------------------------------------------------------------------------
>

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    especially if you are a lobster and thus can't figure out how to
    browse with only claws...<br>
    <br>
    <br>
    On 12/3/2010 1:23 PM, John Hefter wrote:
    <blockquote cite="mid:575002.49756.qm@web113408.mail.gq1.yahoo.com"
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      <style type="text/css"><!-- DIV {margin:0px;} --></style>
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        <div>No such thing as unsubscribe. Once you sign up you belong
          to them. You will get these garbage emails FOREVER!!!</div>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec  3 20:55:36 2010
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oh, that old dodge.



On Dec 3, 2010, at 12:32 PM, jimp@pobox.com wrote:

> especially if you are a lobster and thus can't figure out how to =
browse with only claws...
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">oh, =
that old dodge.<div><br></div><div><br></div><div><br><div><div>On Dec =
3, 2010, at 12:32 PM, <a href=3D"mailto:jimp@pobox.com">jimp@pobox.com</a>=
 wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">especially if =
you are a lobster and thus can't figure out how to browse with only =
claws...<br><br></span></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-4--430083018--

From Loopers-Delight-request@loopers-delight.com  Fri Dec  3 22:32:19 2010
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Date: Fri, 03 Dec 2010 17:32:14 -0500
From: Bill Fox <billyfox@soundscapes.us>
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
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Subject: Galactic Travels Playlist #713 for December 2, 2010.
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http://wdiy.org/programs/gt/playlists/2010/101202.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #713                December 2, 2010.

RECAP:
On this show, I started a month-long focus on Modulator ESP.  The
Featured CD at Midnight was "EMS VCS3 Experiment 1" which is self-
released.

Chuck Van Zyl, who will be playing concerts in the area including the
Soundscapes Concert Series on Sunday, December 5, played a live set from
the studios of WDIY.  Visit the events page for concert details.

Modulator ESP: http://wdiy.org/programs/gt/playlists/2010/focus.html#dec
Events: http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Live, in-studio concert by Chuck Van Zyl

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Modulator ESP        EMS VCS3 Experiment  EMS VCS3 Experiment 1 (none)
                        1

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Modulator ESP.  The Featured CD at Midnight will be "EMS VCS3 Experiment
1" which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

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Date: Fri, 3 Dec 2010 14:59:49 -0800
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Subject: Re: unsubscribe
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1) Google "Unsubscribe" and "Loopers-delight". Click on the first link
that appears
2) Find the instructions for unsubscribing and follow them.

Hint: You are close, but you're sending it to the wrong email address.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt



On Fri, Dec 3, 2010 at 11:23 AM, John Hefter <texasbiker2006@yahoo.com> wrote:
> No such thing as unsubscribe. Once you sign up you belong to them. You will
> get these garbage emails FOREVER!!!
> ________________________________
> From: "RKoster@uk.imshealth.com" <RKoster@uk.imshealth.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Tue, November 30, 2010 9:20:24 AM
> Subject: unsubscribe
>
>
>

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Date: Sat, 4 Dec 2010 00:22:22 +0100
Message-ID: <AANLkTin-XJQEz9qyx_PDLBWH7Uu9UK-MD2_GRNewd9zY@mail.gmail.com>
Subject: Re: Question about electronic drums and Mac looping
From: Louie Angulo <louie.angulo@googlemail.com>
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--001636c5bd5f76bdb9049689cfff
Content-Type: text/plain; charset=ISO-8859-1

what about lets say using NI battery or such software for recording? im
really curious about this,im sure nothing tops a real drummer,but this
programs offer amazing sounds and save you so much miking time when
producing,im really curious how many professional recordings on the radio
have produced hits this way,and im not talking about electronic drums,im
talikng about acoustic sample drums they are so realisitic is scarry! i
think i would really have a problem nowdays telling the difference and
though it might sound weird, i think some drummers are really being
challenged with this type of sampled software,though it takes some finger
practice and drum producing understanding no doubt;-)
cheers
Luis

On Fri, Dec 3, 2010 at 12:42 AM, Rick Walker <looppool@cruzio.com> wrote:

>  andrea trabucco wrote:
>
>>
>> Abandoned the choice to live-looping several percussion instruments, I've
>> come to the decision to use some prerecorded stuff via a Mac computer and
>> also do some live-looping with and e-drum pad.
>>
>
> Dear Andrea,
>
>   Maybe it's just because I'm a drummer/percussionist originally as a
> musician, but having seen literally
> hundreds of live looping performances at the Y2K festival and in 15
> different countries I have
> to say that people who use real sounds as percussion elements (be it
> recontextualizing their
> instruments like guitarist, bassists or vocalists making drumset sounding
> grooves by banging on
> their axes (or beatboxing) feel much more organic, visceral and funky to my
> ears than
> people who use prerecorded loops or even interactive drum machine
> sequencing programs like
> RMX (which I agree is probably one of the best).
>
> It seems to me too, that audiences react more viscerally to people who do
> their own percussion
> even when it is very, very simple (and sometimes specifically because it is
> very, very simple).
>
> For one thing,  we are inundated in this electronic age with canned drum
> tracks.
>
> It's so much more fun to see someone be creative even when it is very
> simplistic to create a rhythmic track
> to play over (and on top of that, you can use techniques like double
> time/half time and reverse to
> create sounds that are 'hyper' real.
>
> Just my two cents, but I'm curious why you choose to eschew live percussion
> in your looping.
>
> Some of my favorite drummers are actually not drummers.  I love, for
> example, how Gary Regina creatively
> uses percussion in his multi-instrumental live looping tracks.
>
> Is it just a matter of being able to mic such things well or is it the
> bother of learning how to play some things
> or even just lugging more gear around?
>
> I'm curious.
>
> respectfully,   rick walker
>
>

--001636c5bd5f76bdb9049689cfff
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

what about lets say using NI battery or such software for recording? im rea=
lly curious about this,im sure nothing tops a real drummer,but this program=
s offer amazing sounds and save you so much miking time when producing,im r=
eally curious how many professional recordings on the radio have produced h=
its this way,and im not talking about electronic drums,im talikng about aco=
ustic sample drums they are so realisitic is scarry! i think i would really=
 have a problem nowdays telling the difference and though it might sound we=
ird, i think some drummers are really being challenged with this type of sa=
mpled software,though it takes some finger practice and drum producing unde=
rstanding no doubt;-)<br>
cheers<br>Luis<br><br><div class=3D"gmail_quote">On Fri, Dec 3, 2010 at 12:=
42 AM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.=
com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">
<div class=3D"im">=A0andrea trabucco wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Abandoned the choice to live-looping several percussion instruments, I&#39;=
ve come to the decision to use some prerecorded stuff via a Mac computer an=
d also do some live-looping with and e-drum pad.<br>
</blockquote>
<br></div>
Dear Andrea,<br>
<br>
 =A0 Maybe it&#39;s just because I&#39;m a drummer/percussionist originally=
 as a musician, but having seen literally<br>
hundreds of live looping performances at the Y2K festival and in 15 differe=
nt countries I have<br>
to say that people who use real sounds as percussion elements (be it recont=
extualizing their<br>
instruments like guitarist, bassists or vocalists making drumset sounding g=
rooves by banging on<br>
their axes (or beatboxing) feel much more organic, visceral and funky to my=
 ears than<br>
people who use prerecorded loops or even interactive drum machine sequencin=
g programs like<br>
RMX (which I agree is probably one of the best).<br>
<br>
It seems to me too, that audiences react more viscerally to people who do t=
heir own percussion<br>
even when it is very, very simple (and sometimes specifically because it is=
 very, very simple).<br>
<br>
For one thing, =A0we are inundated in this electronic age with canned drum =
tracks.<br>
<br>
It&#39;s so much more fun to see someone be creative even when it is very s=
implistic to create a rhythmic track<br>
to play over (and on top of that, you can use techniques like double time/h=
alf time and reverse to<br>
create sounds that are &#39;hyper&#39; real.<br>
<br>
Just my two cents, but I&#39;m curious why you choose to eschew live percus=
sion in your looping.<br>
<br>
Some of my favorite drummers are actually not drummers. =A0I love, for exam=
ple, how Gary Regina creatively<br>
uses percussion in his multi-instrumental live looping tracks.<br>
<br>
Is it just a matter of being able to mic such things well or is it the both=
er of learning how to play some things<br>
or even just lugging more gear around?<br>
<br>
I&#39;m curious.<br>
<br>
respectfully, =A0 rick walker<br>
<br>
</blockquote></div><br>

--001636c5bd5f76bdb9049689cfff--

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Date: Sat, 04 Dec 2010 00:43:34 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: rather very OT: Patton - and six degrees
References: <31199.4386.qm@web34306.mail.mud.yahoo.com> <4CF8F23A.2080409@gmail.com> <4CF9150E.3080505@googlemail.com> <4CF91B62.8080609@tiscali.co.uk>
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andy butler schrieb:
> Zorn>Simon Fell>Graham Halliwell>andy butler
>
> ...and I always suspected that you were responsible for the mystery 
> drum machine that I jammed along to on the Y2K6 Ninjam
>
>      the kudos drops 99.9% on each step though :-(
Don't know which mystery drum machine you're referring to - according to 
the website, you played with Ted Killian and Tim Bowness?
http://www.y2kloopfest.com/y2k6/ninjam.html

Is my memory that flawed?

Btw, I found my own way (which I only mention because it might apply to 
a lot of other people here, too): me -> Walker -> Kaiser -> Zorn.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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re Rick's comment: like this cool track:
http://www.youtube.com/watch?v=kqGHoIaVGKY

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re Rick&#39;s comment: like this cool track:=A0<a href=3D"http://www.youtub=
e.com/watch?v=3DkqGHoIaVGKY">http://www.youtube.com/watch?v=3DkqGHoIaVGKY</=
a><br><br><div class=3D"gmail_quote"><br></div>

--001636c5b0676ef4ab04968b2bfe--

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Date: Fri, 3 Dec 2010 20:13:29 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Tha Frippster in NYC
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I was there for the 12:30 show... it was quite interesting to me how 
much better the quiescent hubbub of the World Financial Center 
sounded after the performance


>Ah sheesh, I was in a hurry to duck out and I didn't try to contact 
>any fellow loopers at the Fripp performance. Sorry, my peeps! I'll 
>be there again tomorrow night.
>
>Bob was using two pairs of Eventide boxes - I believe two H8000's 
>and two H7000's - plus five or six single-space units I couldn't 
>identify. On the ground was a blue Rocktron controller, three 
>continuous controllers, and a GR-1 (I believe). He played one Les 
>Paul-shaped axe.
>
>Security was very firm about preventing photography, unfortunately...
>
>After three very formal bows to the audience, complete with grin, he 
>sat and did the soundscape thing. Very subtle, very slowly 
>developing, and sometimes so quiet as to be almost inaudible, which 
>served to hush the (sizable) crowd, if not the unending stream of 
>bemused/confused Suits descending the escalators alongside the 
>atrium at all times.
>
>Even after all the ambient guitar stuff I've listened to over the 
>years, he still creates this stuff in a uniquely compelling way. I 
>loved it. Looking forward to catching another set.
>
>Daryl Shawn
>www.swanwelder.com


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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I don't know why but that made me think of Mad Max accordion.

K

On Fri, Dec 3, 2010 at 4:59 PM, Warren Sirota <wsirota@wsdesigns.com> wrote=
:
> re Rick's comment: like this cool
> track:=A0http://www.youtube.com/watch?v=3DkqGHoIaVGKY
>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: Re: unsubscribe
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un-sub-scribe!!!!!!!

2010/12/4 Matt Davignon <mattdavignon@gmail.com>

> 1) Google "Unsubscribe" and "Loopers-delight". Click on the first link
> that appears
> 2) Find the instructions for unsubscribing and follow them.
>
> Hint: You are close, but you're sending it to the wrong email address.
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>
>
> On Fri, Dec 3, 2010 at 11:23 AM, John Hefter <texasbiker2006@yahoo.com>
> wrote:
> > No such thing as unsubscribe. Once you sign up you belong to them. You
> will
> > get these garbage emails FOREVER!!!
> > ________________________________
> > From: "RKoster@uk.imshealth.com" <RKoster@uk.imshealth.com>
> > To: Loopers-Delight@loopers-delight.com
> > Sent: Tue, November 30, 2010 9:20:24 AM
> > Subject: unsubscribe
> >
> >
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a203bbf43904968cf2a7
Content-Type: text/html; charset=ISO-8859-1
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un-sub-scribe!!!!!!!<br><br><div class=3D"gmail_quote">2010/12/4 Matt Davig=
non <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdav=
ignon@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
1) Google &quot;Unsubscribe&quot; and &quot;Loopers-delight&quot;. Click on=
 the first link<br>
that appears<br>
2) Find the instructions for unsubscribing and follow them.<br>
<br>
Hint: You are close, but you&#39;re sending it to the wrong email address.<=
br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Fri, Dec 3, 2010 at 11:23 AM, John Hefter &lt;<a href=3D"mailto:texasbik=
er2006@yahoo.com">texasbiker2006@yahoo.com</a>&gt; wrote:<br>
&gt; No such thing as unsubscribe. Once you sign up you belong to them. You=
 will<br>
&gt; get these garbage emails FOREVER!!!<br>
&gt; ________________________________<br>
&gt; From: &quot;<a href=3D"mailto:RKoster@uk.imshealth.com">RKoster@uk.ims=
health.com</a>&quot; &lt;<a href=3D"mailto:RKoster@uk.imshealth.com">RKoste=
r@uk.imshealth.com</a>&gt;<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
&gt; Sent: Tue, November 30, 2010 9:20:24 AM<br>
&gt; Subject: unsubscribe<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a203bbf43904968cf2a7--

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Try using upper case letters, that works better.  Also click the Send =
button really hard. =20

On Dec 3, 2010, at 9:06 PM, Petri Lahtinen wrote:

> un-sub-scribe!!!!!!!

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	<575002.49756.qm@web113408.mail.gq1.yahoo.com>
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	<441DBDAE-FC6E-4E04-95A4-F2812EE18F93@zonemobius.com>
Date: Sat, 4 Dec 2010 05:25:07 +0200
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Subject: Re: unsubscribe
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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U-N-S-U-B-S-C-R-IBE!!!!!!!

I'm pressing the send button with my fist!!!!!!!


Please, let me goooooo

2010/12/4 Jeff Larson <jeff@zonemobius.com>

> Try using upper case letters, that works better.  Also click the Send
> button really hard.
>
> On Dec 3, 2010, at 9:06 PM, Petri Lahtinen wrote:
>
> > un-sub-scribe!!!!!!!
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2e9a84e2004968d33ef
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

U-N-S-U-B-S-C-R-IBE!!!!!!!<br><br>I&#39;m pressing the send button with my =
fist!!!!!!!<br><br><br>Please, let me goooooo<br><br><div class=3D"gmail_qu=
ote">2010/12/4 Jeff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff@zon=
emobius.com">jeff@zonemobius.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Try using upper c=
ase letters, that works better. =A0Also click the Send button really hard.<=
br>

<br>
On Dec 3, 2010, at 9:06 PM, Petri Lahtinen wrote:<br>
<br>
&gt; un-sub-scribe!!!!!!!<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a2e9a84e2004968d33ef--

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Date: Fri, 3 Dec 2010 20:35:46 -0800
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Subject: Re: unsubscribe
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Makes you wonder how they got in in the first place sometimes.

Kevin

On Fri, Dec 3, 2010 at 7:25 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> U-N-S-U-B-S-C-R-IBE!!!!!!!
>
> I'm pressing the send button with my fist!!!!!!!
>
>
> Please, let me goooooo
>
> 2010/12/4 Jeff Larson <jeff@zonemobius.com>
>>
>> Try using upper case letters, that works better. =A0Also click the Send
>> button really hard.
>>
>> On Dec 3, 2010, at 9:06 PM, Petri Lahtinen wrote:
>>
>> > un-sub-scribe!!!!!!!
>>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 09:23:09 2010
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, December 4 at 6 am EST/GMT-5.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.  You will also hear music from Chuck Van Zyl who will play at the
Soundscapes Concert Series on Sunday, December 5, 8 pm at the Nazareth
Center for the Arts.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 10:26:19 2010
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Subject: Re: rather very OT: Patton - and six degrees
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Rainer Straschill wrote:
> andy butler schrieb:
>> Zorn>Simon Fell>Graham Halliwell>andy butler
>>
>> ...and I always suspected that you were responsible for the mystery 
>> drum machine that I jammed along to on the Y2K6 Ninjam
>>
>>      the kudos drops 99.9% on each step though :-(
> Don't know which mystery drum machine you're referring to - according to 
> the website, you played with Ted Killian and Tim Bowness?
> http://www.y2kloopfest.com/y2k6/ninjam.html
> 
> Is my memory that flawed?

no, you disclaimed all responsibility at the time too :-)
We had a very late start, and a poor connection, Ted only appeared
a couple of times, followed by the ninjam ghost drums.
We never found out where they came from.


> Btw, I found my own way (which I only mention because it might apply to 
> a lot of other people here, too): me -> Walker -> Kaiser -> Zorn.

yes, thought of that after the post.

andy

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Date: Sat, 4 Dec 2010 11:50:24 +0100
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Subject: Re: Mobius Loop Music Box
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--001636c5b3251359250496936ce4
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i want one!!!






On Wed, Dec 1, 2010 at 11:21 PM, Tony K <bigtonyk@gmail.com> wrote:

> Thought some of you might enjoy this little video.
>
> It loops with a twist. ;)
>
> http://vihart.com/musicbox/
>
> --
> -==-=-=-
> Tony
>

--001636c5b3251359250496936ce4
Content-Type: text/html; charset=ISO-8859-1
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i want one!!!<br><br><br><br><br><br><br><div class=3D"gmail_quote">On Wed,=
 Dec 1, 2010 at 11:21 PM, Tony K <span dir=3D"ltr">&lt;<a href=3D"mailto:bi=
gtonyk@gmail.com">bigtonyk@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">
Thought some of you might enjoy this little video.<br><br>It loops with a t=
wist. ;)<br><br><a href=3D"http://vihart.com/musicbox/" target=3D"_blank">h=
ttp://vihart.com/musicbox/</a><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br><font color=3D"#888888">Tony<br>

</font></blockquote></div><br>

--001636c5b3251359250496936ce4--

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Date: Sat, 4 Dec 2010 03:45:25 -0800 (PST)
From: John Hefter <texasbiker2006@yahoo.com>
Subject: Re: Question about electronic drums and Mac looping
To: Loopers-Delight@loopers-delight.com
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oh really???=0A=0A=0A=0A=0A________________________________=0AFrom: Kevin C=
heli-Colando <billowhead@gmail.com>=0ATo: Loopers-Delight@loopers-delight.c=
om=0ASent: Fri, December 3, 2010 7:45:59 PM=0ASubject: Re: Question about e=
lectronic drums and Mac looping=0A=0AI don't know why but that made me thin=
k of Mad Max accordion.=0A=0AK=0A=0AOn Fri, Dec 3, 2010 at 4:59 PM, Warren =
Sirota <wsirota@wsdesigns.com> wrote:=0A> re Rick's comment: like this cool=
=0A> track:=A0http://www.youtube.com/watch?v=3DkqGHoIaVGKY=0A>=0A>=0A>=0A=
=0A=0A=0A-- =0ATill now you seriously considered yourself to be the body an=
d to have a=0Aform. That is the primal ignorance which is the root cause of=
 all trouble.=0A=0A- Ramana Maharshi (1879-1950)=0A=0ASound and Vision:=A0 =
http://www.minds-eye.org=0AVideo http://www.vimeo.com/user877640/videos=0A=
=0A=0A      
--0-1439932105-1291463125=:70435
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>oh really???<BR></DIV>=0A<DIV style=3D"FONT-FAMILY: ti=
mes new roman, new york, times, serif; FONT-SIZE: 12pt"><BR>=0A<DIV style=
=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 13px"><FONT size=
=3D2 face=3DTahoma>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">=
From:</SPAN></B> Kevin Cheli-Colando &lt;billowhead@gmail.com&gt;<BR><B><SP=
AN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-delig=
ht.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Fri, Decemb=
er 3, 2010 7:45:59 PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPA=
N></B> Re: Question about electronic drums and Mac looping<BR></FONT><BR>I =
don't know why but that made me think of Mad Max accordion.<BR><BR>K<BR><BR=
>On Fri, Dec 3, 2010 at 4:59 PM, Warren Sirota &lt;<A href=3D"mailto:wsirot=
a@wsdesigns.com" ymailto=3D"mailto:wsirota@wsdesigns.com">wsirota@wsdesigns=
.com</A>&gt; wrote:<BR>&gt; re Rick's comment: like this cool<BR>&gt; track=
:&nbsp;http://www.youtube.com/watch?v=3DkqGHoIaVGKY<BR>&gt;<BR>&gt;<BR>&gt;=
<BR><BR><BR><BR>-- <BR>Till now you seriously considered yourself to be the=
 body and to have a<BR>form. That is the primal ignorance which is the root=
 cause of all trouble.<BR><BR>- Ramana
 Maharshi (1879-1950)<BR><BR>Sound and Vision:&nbsp; http://www.minds-eye.o=
rg<BR>Video http://www.vimeo.com/user877640/videos<BR><BR></DIV></DIV></div=
><br>=0A=0A=0A=0A=0A=0A=0A=0A      </body></html>
--0-1439932105-1291463125=:70435--

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Date: Sat, 4 Dec 2010 03:43:19 -0800 (PST)
From: John Hefter <texasbiker2006@yahoo.com>
Subject: Re: rather very OT: Patton - and six degrees
To: Loopers-Delight@loopers-delight.com
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mmm hmm very interesting...thank you for that remarkable insight=0A=0A=0A=
=0A=0A________________________________=0AFrom: andy butler <akbutler@tiscal=
i.co.uk>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Sat, December 4,=
 2010 4:26:15 AM=0ASubject: Re: rather very OT: Patton - and six degrees=0A=
=0A=0A=0ARainer Straschill wrote:=0A> andy butler schrieb:=0A>> Zorn>Simon =
Fell>Graham Halliwell>andy butler=0A>> =0A>> ...and I always suspected that=
 you were responsible for the mystery drum =0A>>machine that I jammed along=
 to on the Y2K6 Ninjam=0A>> =0A>>=A0 =A0 =A0 the kudos drops 99.9% on each =
step though :-(=0A> Don't know which mystery drum machine you're referring =
to - according to the =0A>website, you played with Ted Killian and Tim Bown=
ess?=0A> http://www.y2kloopfest.com/y2k6/ninjam.html=0A> =0A> Is my memory =
that flawed?=0A=0Ano, you disclaimed all responsibility at the time too :-)=
=0AWe had a very late start, and a poor connection, Ted only appeared=0Aa c=
ouple of times, followed by the ninjam ghost drums.=0AWe never found out wh=
ere they came from.=0A=0A=0A> Btw, I found my own way (which I only mention=
 because it might apply to a lot =0A>of other people here, too): me -> Walk=
er -> Kaiser -> Zorn.=0A=0Ayes, thought of that after the post.=0A=0Aandy=
=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>mmm hmm very interesting...thank you for that remarkab=
le insight<BR></DIV>=0A<DIV style=3D"FONT-FAMILY: times new roman, new york=
, times, serif; FONT-SIZE: 12pt"><BR>=0A<DIV style=3D"FONT-FAMILY: arial, h=
elvetica, sans-serif; FONT-SIZE: 13px"><FONT size=3D2 face=3DTahoma>=0A<HR =
SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> andy butl=
er &lt;akbutler@tiscali.co.uk&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">T=
o:</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT=
-WEIGHT: bold">Sent:</SPAN></B> Sat, December 4, 2010 4:26:15 AM<BR><B><SPA=
N style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: rather very OT: Patto=
n - and six degrees<BR></FONT><BR><BR><BR>Rainer Straschill wrote:<BR>&gt; =
andy butler schrieb:<BR>&gt;&gt; Zorn&gt;Simon Fell&gt;Graham Halliwell&gt;=
andy butler<BR>&gt;&gt; <BR>&gt;&gt; ...and I always suspected that you wer=
e responsible for the mystery drum machine that I jammed along to on the Y2=
K6 Ninjam<BR>&gt;&gt; <BR>&gt;&gt;&nbsp; &nbsp; &nbsp; the kudos drops 99.9=
% on each step though :-(<BR>&gt; Don't know which mystery drum machine you=
're referring to - according to the website, you played with Ted Killian an=
d Tim Bowness?<BR>&gt; http://www.y2kloopfest.com/y2k6/ninjam.html<BR>&gt; =
<BR>&gt; Is
 my memory that flawed?<BR><BR>no, you disclaimed all responsibility at the=
 time too :-)<BR>We had a very late start, and a poor connection, Ted only =
appeared<BR>a couple of times, followed by the ninjam ghost drums.<BR>We ne=
ver found out where they came from.<BR><BR><BR>&gt; Btw, I found my own way=
 (which I only mention because it might apply to a lot of other people here=
, too): me -&gt; Walker -&gt; Kaiser -&gt; Zorn.<BR><BR>yes, thought of tha=
t after the post.<BR><BR>andy<BR><BR></DIV></DIV></div><br>=0A=0A=0A=0A=0A=
=0A=0A=0A      </body></html>
--0-1489774734-1291462999=:28102--

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 12:02:10 2010
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Date: Sat, 4 Dec 2010 12:02:09 +0000
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Subject: Re: Question about electronic drums and Mac looping
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd341c4b408b30496946cf2
Content-Type: text/plain; charset=ISO-8859-1

i can vouch for that. i use battery quite a lot and have used the NI studio
drums, synthetic drums and various others in my music. i used some on my
latest album. the tune called "the space between breaths" used a jazz kit
and the tune called "here and now" used one of the studio kits (can't
remember which one). i programmed the drums for both tunes completely from
scratch. i'm sure a drummer would be able to tell that they are programmed,
but they sound ok, i think. they have enough velocity levels that you can
get some pretty realistic stuff going, if you have the patience to program
with that much detail.

sim

On Fri, Dec 3, 2010 at 11:22 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> what about lets say using NI battery or such software for recording? im
> really curious about this,im sure nothing tops a real drummer,but this
> programs offer amazing sounds and save you so much miking time when
> producing,im really curious how many professional recordings on the radio
> have produced hits this way,and im not talking about electronic drums,im
> talikng about acoustic sample drums they are so realisitic is scarry! i
> think i would really have a problem nowdays telling the difference and
> though it might sound weird, i think some drummers are really being
> challenged with this type of sampled software,though it takes some finger
> practice and drum producing understanding no doubt;-)
> cheers
> Luis
>
>
>

--000e0cd341c4b408b30496946cf2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i can vouch for that. i use battery quite a lot and have used the NI studio=
 drums, synthetic drums and various others in my music. i used some on my l=
atest album. the tune called &quot;the space between breaths&quot; used a j=
azz kit and the tune called &quot;here and now&quot; used one of the studio=
 kits (can&#39;t remember which one). i programmed the drums for both tunes=
 completely from scratch. i&#39;m sure a drummer would be able to tell that=
 they are programmed, but they sound ok, i think. they have enough velocity=
 levels that you can get some pretty realistic stuff going, if you have the=
 patience to program with that much detail.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Dec 3, 2010 at 11:22 PM, =
Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlemai=
l.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">
what about lets say using NI battery or such software for recording? im rea=
lly curious about this,im sure nothing tops a real drummer,but this program=
s offer amazing sounds and save you so much miking time when producing,im r=
eally curious how many professional recordings on the radio have produced h=
its this way,and im not talking about electronic drums,im talikng about aco=
ustic sample drums they are so realisitic is scarry! i think i would really=
 have a problem nowdays telling the difference and though it might sound we=
ird, i think some drummers are really being challenged with this type of sa=
mpled software,though it takes some finger practice and drum producing unde=
rstanding no doubt;-)<br>

cheers<br>Luis<br><br><br></blockquote></div>

--000e0cd341c4b408b30496946cf2--

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Date: Sat, 4 Dec 2010 04:37:01 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Question about electronic drums and Mac looping
To: Loopers-Delight@loopers-delight.com
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why not play the sough with a MIDI drum controller

Antony Hquet



________________________________
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, December 4, 2010 1:02:09 PM
Subject: Re: Question about electronic drums and Mac looping

i can vouch for that. i use battery quite a lot and have used the NI studio 
drums, synthetic drums and various others in my music. i used some on my latest 
album. the tune called "the space between breaths" used a jazz kit and the tune 
called "here and now" used one of the studio kits (can't remember which one). i 
programmed the drums for both tunes completely from scratch. i'm sure a drummer 
would be able to tell that they are programmed, but they sound ok, i think. they 
have enough velocity levels that you can get some pretty realistic stuff going, 
if you have the patience to program with that much detail.

sim


On Fri, Dec 3, 2010 at 11:22 PM, Louie Angulo <louie.angulo@googlemail.com> 
wrote:

what about lets say using NI battery or such software for recording? im really 
curious about this,im sure nothing tops a real drummer,but this programs offer 
amazing sounds and save you so much miking time when producing,im really curious 
how many professional recordings on the radio have produced hits this way,and im 
not talking about electronic drums,im talikng about acoustic sample drums they 
are so realisitic is scarry! i think i would really have a problem nowdays 
telling the difference and though it might sound weird, i think some drummers 
are really being challenged with this type of sampled software,though it takes 
some finger practice and drum producing understanding no doubt;-)
>cheers
>Luis
>
>
>


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>why not play the sough with a MIDI drum controller</div><div><br></div><div>Antony Hquet</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Simeon Harris &lt;simeonharris40@googlemail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sat, December 4, 2010 1:02:09 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Question about electronic drums and Mac looping<br></font><br>
i can vouch for that. i use battery quite a lot and have used the NI studio drums, synthetic drums and various others in my music. i used some on my latest album. the tune called "the space between breaths" used a jazz kit and the tune called "here and now" used one of the studio kits (can't remember which one). i programmed the drums for both tunes completely from scratch. i'm sure a drummer would be able to tell that they are programmed, but they sound ok, i think. they have enough velocity levels that you can get some pretty realistic stuff going, if you have the patience to program with that much detail.<br>
<br>sim<br><br><div class="gmail_quote">On Fri, Dec 3, 2010 at 11:22 PM, Louie Angulo <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:louie.angulo@googlemail.com" target="_blank" href="mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">
what about lets say using NI battery or such software for recording? im really curious about this,im sure nothing tops a real drummer,but this programs offer amazing sounds and save you so much miking time when producing,im really curious how many professional recordings on the radio have produced hits this way,and im not talking about electronic drums,im talikng about acoustic sample drums they are so realisitic is scarry! i think i would really have a problem nowdays telling the difference and though it might sound weird, i think some drummers are really being challenged with this type of sampled software,though it takes some finger practice and drum producing understanding no doubt;-)<br>

cheers<br>Luis<br><br><br></blockquote></div>
</div></div><div style="position:fixed"></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 12:47:46 2010
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Subject: RE: Reyn vs Blaudzun
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>'midnight room' is beautiful.&nbsp; thanks for this...<br><br></d=
iv>
<blockquote id=3D"replyBlockquote" webmail=3D"1" style=3D"border-left: 2px =
solid blue; margin-left: 8px; padding-left: 8px; font-size: 10pt; color: bl=
ack; font-family: verdana;">
<div id=3D"wmQuoteWrapper">
-------- Original Message --------<br>
Subject: Reyn vs Blaudzun<br>
From: Reyn Ouwehand &lt;<a href=3D"mailto:loopers-delight@reyn.net">loopers=
-delight@reyn.net</a>&gt;<br>
Date: Tue, November 30, 2010 9:43 am<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
<br>
Made a little Echoplex setup for this concert!<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3D_r9j2H9_e00">http://www.youtube=
.com/watch?v=3D_r9j2H9_e00</a><br>
<br>
Enjoy!<br>
<br>
Cheers,<br>
<br>
Reyn<br>
<br>
___________<br>
<a href=3D"http://www.reyn.net">www.reyn.net</a><br>
<a href=3D"http://www.reyn.vs.reyn.net">www.reyn.vs.reyn.net</a><br>
<br>
management: <a href=3D"http://www.lalalamanagement.nl">www.lalalamanagement=
.nl</a><br>
twitter/facebook/youtube: ReynOuwehand<br>
<br>

</div>
</blockquote></span></body></html>

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 13:04:10 2010
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Date: Sat, 04 Dec 2010 14:04:18 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Hi everyone,

the MoinSound Studio Sessions are back today with a return to the 
trombone - and to massive looping.
Go to Café Noodle:
    http://cafenoodle.ning.com/
to moinlabs:
    http://moinlabs.de
or directly to the ustream link:
    http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions

Date/Time link (it's 3 hours from now):
    
http://timeanddate.com/worldclock/fixedtime.html?day=4&month=12&year=2010&hour=16&min=0&sec=0&p1=0

All you need is a computer with a web browser (w/ flash plugin) and a 
mid-speed internet connection (low-speed DSL is sufficient). No 
registration required (unless you want to engage in the online chat, 
which I dearly hope you do...)

See you there!

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 14:16:37 2010
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Date: Sat, 04 Dec 2010 06:16:29 -0800
From: Rick Walker <looppool@cruzio.com>
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Rainer wrote:
>> Btw, I found my own way (which I only mention because it might apply 
>> to a lot of other people here, too): me -> Walker -> Kaiser -> Zorn.
> Holy Shit,

I came up with these tonight with a little Google searching after 
reading Rainer's post.

What a crack up!!!!!!

Me-> Kaiser -> Wadada Leo Smith -> Charlie Haden -> Keith Jarrett -> 
Miles -> Coltrane

or

Me -> Kaiser -> Wadada Leo Smith -> Charlie Haden ->
John Lennon -> Elvis -> God (though they never jammed, they did meet 
each other once)

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 14:49:32 2010
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Date: Sat, 04 Dec 2010 09:49:26 -0500
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
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Subject: Galactic Travels Top 20 Report for November, 2010.
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http://wdiy.org/programs/gt/playlists/2010/top20-11nov.html

WDIY 88.1 FM "Galactic Travels" Top 20 for November, 2010.
Shows #709 to #712; 4-November-2010 to 25-November-2010
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for November was Dan Pound.
http://wdiy.org/programs/gt/playlists/2010/focus.html#nov


ARTIST - ALBUM TITLE - LABEL
========================================================================
Axess - Fusion - Spheric Music
Chuck van Zyl - Celestial Mechanics - Centaur
Conrad Schnitzler and Wolfgang Seidel - 10 kW/h - Ricochet Dream
Dan Pound - Drift - Pound Sounds
Dan Pound - Lunar Effect - Pound Sounds
Dan Pound - Night Watch - Pound Sounds
Dan Pound - Trance Meditation - Pound Sounds
Darren Rogers - The Ancients - Imagineer
Different Skies - Arcosanitarium - Earth Mantra
Ian Boddy - Pearl - DiN
Lemonchill - Sleeping With Giants - Ricochet Dream
Richard Pinhas - Metal/Crystal - Cuneiform
Robert Schroeder - Cream - Spheric Music
Rudolf Heimann - Tide - Spheric Music
The Pels Syndicate - Cinematic Blue - AD Music
The Tangent Project - Live at The Gatherings 05.17.08 - none
Van Zyl, Gulch, Rath - The Sound Museum - Groove
mindSpiral - Curiosa Positronica - Earth Mantra
tBH - Book o Salms - NoEcho
xeroid entity - Clouds of Dust - electro-music

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 15:39:42 2010
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Subject: Thought Radio Playlist for December 4, 2010.
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http://soundscapes.us/thoughtradio/playlists/2010/101204.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.


                 Show #187                December 4, 2010.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

I also played music by Chuck van Zyl who will appear at the Soundscapes
Concert Series on Sunday, December 5, 8:00 pm at the Nazareth Center for
the arts.  See http://soundscapes.us for details.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Chuck Van Zyl        Time                 MemorySpace (Synkronos)
Chuck Van Zyl        All Souls' Day       MemorySpace (Synkronos)
Chuck Van Zyl        September Cemetary   MemorySpace (Synkronos)
VA [Tom Habes]       Time Zone            Sequences No. 12
VA [Van Zyl, Gulch]  Sector Zero Zero One Sequences No. 12
VA [Mooch]           p Hydrii             Sequences No. 12
Modulator ESP        EMS VCS3 Experiment  EMS VCS3 Experiment 1 (none)
                        1 *


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Deuter               Laughing Winters     Mystery of Live (New Earth)
Darshan Ambient      A Day Within Days    A Day Within a Day (Lotuspike)
Claudio Merlini      The Harmony of       The Colours of Music (A.D.
                        Colour               Music)
Little Wolf          The Gathering        Prayer To the Mystery, The
                                             Gathering 2 (New Earth)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Pinnacle]        Paikalliset Tuulet   Tuonen Tytar II (Musea)
VA [Onsegen          Escape from the      Tuonen Tytar II (Musea)
   Ensemble]            Storm
VA [Karmic           Down To Earth        Tuonen Tytar II (Musea)
   Jaggernaut]
Chris G              Tomorrow Never Knows Time Signatures (none)
Matthew Anderson     Retribution          Merciless Ocean (Mrsvee)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/GMT-5.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

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From: Jim Goodin <jimgoodinmusic@gmail.com>
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Rainer have a great show and once again I'll have to catch the
playback.  I'm inroute to visit family in Arkansas and will be in
transit at your cast time but jazzed you are. Tromboning.  Slide loop
on

Jim

On 12/4/10, Rainer Straschill <moinsound@googlemail.com> wrote:
> Hi everyone,
>
> the MoinSound Studio Sessions are back today with a return to the
> trombone - and to massive looping.
> Go to Caf=E9 Noodle:
>     http://cafenoodle.ning.com/
> to moinlabs:
>     http://moinlabs.de
> or directly to the ustream link:
>     http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
>
> Date/Time link (it's 3 hours from now):
>
> http://timeanddate.com/worldclock/fixedtime.html?day=3D4&month=3D12&year=
=3D2010&hour=3D16&min=3D0&sec=3D0&p1=3D0
>
> All you need is a computer with a web browser (w/ flash plugin) and a
> mid-speed internet connection (low-speed DSL is sufficient). No
> registration required (unless you want to engage in the online chat,
> which I dearly hope you do...)
>
> See you there!
>
>              Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

--=20
Sent from my mobile device

>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim
Goodin & Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 17:22:52 2010
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Subject: Fripper Gear Trivia
From: Dennis Moser <sinsofmachaut@gmail.com>
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Daryl, et alia,

Some more Frippmania, based on Master Fripp's New England performances
in 2007, especially the Fall River, MA one (November 2, Narrows Center
for the Arts, a VERY intimate venue, only seated about 150 people, we
were literally 8 feet from Fripp on the stage). Photography was NOT
permitted, but I was able to have a long discussion with his roadie
about the gear and took copious notes on it.

On the floor, Fripp WAS using a GR-1...he likes it because of the bell
tone patch. He was using an Axxon in the rack, but he keeps that GR-1
down there on the floor, and a Roland US-20 for switching along with
the Rocktron.

Also in the rack was a GP-100, so he may have been using that as well in NYC.

He has not publicly performed with his Les Pauls for something like 20
years (after he found out how much they were worth?). He has been
known to use a signature model built by Ben Crowe's Crimson Guitars (a
Les Paul-styled guitar) and Ben Crowe has prepared a number of the Les
Paul's that he does use in the studio. There is a guitar-maker in New
York (whose name I can't find immediately; it's in my notes elsewhere)
whose electro-acoustic Fripp had with him, but he didn't play it in
Fall River.

I envy you guys up there getting to hear him!

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Fri, Dec 3, 2010 at 12:40 PM, Daryl Shawn <darylshawn@gmail.com> wrote:
> Ah sheesh, I was in a hurry to duck out and I didn't try to contact any
> fellow loopers at the Fripp performance. Sorry, my peeps! I'll be there
> again tomorrow night.
>
> Bob was using two pairs of Eventide boxes - I believe two H8000's and two
> H7000's - plus five or six single-space units I couldn't identify. On the
> ground was a blue Rocktron controller, three continuous controllers, and a
> GR-1 (I believe). He played one Les Paul-shaped axe.
>
> Security was very firm about preventing photography, unfortunately...
>
> After three very formal bows to the audience, complete with grin, he sat and
> did the soundscape thing. Very subtle, very slowly developing, and sometimes
> so quiet as to be almost inaudible, which served to hush the (sizable)
> crowd, if not the unending stream of bemused/confused Suits descending the
> escalators alongside the atrium at all times.
>
> Even after all the ambient guitar stuff I've listened to over the years, he
> still creates this stuff in a uniquely compelling way. I loved it. Looking
> forward to catching another set.
>
> Daryl Shawn
> www.swanwelder.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 17:43:08 2010
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Date: Sat, 4 Dec 2010 12:43:02 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Fripper Gear Trivia
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The headstock on Fripps Guitar looked large and ornate like the sort 
you would find on a a D'Angelico, but not like the headstock on the 
"Crimson" guitar website.. any ideas?

>Daryl, et alia,
>
>Some more Frippmania, based on Master Fripp's New England performances
>in 2007, especially the Fall River, MA one (November 2, Narrows Center
>for the Arts, a VERY intimate venue, only seated about 150 people, we
>were literally 8 feet from Fripp on the stage). Photography was NOT
>permitted, but I was able to have a long discussion with his roadie
>about the gear and took copious notes on it.
>
>On the floor, Fripp WAS using a GR-1...he likes it because of the bell
>tone patch. He was using an Axxon in the rack, but he keeps that GR-1
>down there on the floor, and a Roland US-20 for switching along with
>the Rocktron.
>
>Also in the rack was a GP-100, so he may have been using that as well in NYC.
>
>He has not publicly performed with his Les Pauls for something like 20
>years (after he found out how much they were worth?). He has been
>known to use a signature model built by Ben Crowe's Crimson Guitars (a
>Les Paul-styled guitar) and Ben Crowe has prepared a number of the Les
>Paul's that he does use in the studio. There is a guitar-maker in New
>York (whose name I can't find immediately; it's in my notes elsewhere)
>whose electro-acoustic Fripp had with him, but he didn't play it in
>Fall River.
>
>I envy you guys up there getting to hear him!
>
>Best,
>
>Dennis
>
>http://soundcloud.com/usrsbin
>http://audiozoloft.com
>http://usrslashsbin.angrek.com/
>
>
>
>On Fri, Dec 3, 2010 at 12:40 PM, Daryl Shawn <darylshawn@gmail.com> wrote:
>>  Ah sheesh, I was in a hurry to duck out and I didn't try to contact any
>>  fellow loopers at the Fripp performance. Sorry, my peeps! I'll be there
>>  again tomorrow night.
>>
>>  Bob was using two pairs of Eventide boxes - I believe two H8000's and two
>>  H7000's - plus five or six single-space units I couldn't identify. On the
>>  ground was a blue Rocktron controller, three continuous controllers, and a
>>  GR-1 (I believe). He played one Les Paul-shaped axe.
>>
>>  Security was very firm about preventing photography, unfortunately...
>>
>>  After three very formal bows to the audience, complete with grin, he sat and
>>  did the soundscape thing. Very subtle, very slowly developing, and sometimes
>>  so quiet as to be almost inaudible, which served to hush the (sizable)
>>  crowd, if not the unending stream of bemused/confused Suits descending the
>>  escalators alongside the atrium at all times.
>>
>>  Even after all the ambient guitar stuff I've listened to over the years, he
>>  still creates this stuff in a uniquely compelling way. I loved it. Looking
>>  forward to catching another set.
>>
>>  Daryl Shawn
>>  www.swanwelder.com
>>
>>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Date: Sat, 4 Dec 2010 12:47:15 -0500
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Here is a photo:

http://www.gaudela.net/gar/img/Robert_Fripp-02b.jpg


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 18:15:57 2010
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hi John,



To unsubscribe, send mail with the word "unsubscribe" in both the subject and body, and no sig files or anything else, to:

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If you are on the digest version of Looper's Delight, send your unsubscribe request to:

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No-one on the list can do this for you.

andy butler

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As we drift into OT land :)

I believe that is a Fernandes in this pic, another shot of one here:
http://robertfripp.com/diaries.htm?diarist=3&entry=10112
http://www.fernandesguitars.com/monterey/monterey-elite-limited/405-monterey-elite-tremolo.html

I found several places that give reference to him now using a Crimson
Guitars sig, w/ sustainor/midi http://en.wikipedia.org/wiki/Robert_Fripp.
Slimline or the hollow?

j

btw Chuck, thanks for the suggestions on the 2880 :)



On Sat, Dec 4, 2010 at 12:47 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

> Here is a photo:
>
> http://www.gaudela.net/gar/img/Robert_Fripp-02b.jpg
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>

--20cf304347a2a4dc12049699b3ad
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

As we drift into OT land :)<br><br>I believe that is a Fernandes in this pi=
c, another shot of one here: <a href=3D"http://robertfripp.com/diaries.htm?=
diarist=3D3&amp;entry=3D10112">http://robertfripp.com/diaries.htm?diarist=
=3D3&amp;entry=3D10112</a> <a href=3D"http://www.fernandesguitars.com/monte=
rey/monterey-elite-limited/405-monterey-elite-tremolo.html">http://www.fern=
andesguitars.com/monterey/monterey-elite-limited/405-monterey-elite-tremolo=
.html</a><br>
<br>I found several places that give reference to him now using a Crimson G=
uitars sig, w/ sustainor/midi <a href=3D"http://en.wikipedia.org/wiki/Rober=
t_Fripp">http://en.wikipedia.org/wiki/Robert_Fripp</a>.=A0 Slimline or the =
hollow?<br>
<br>j<br><br>btw Chuck, thanks for the suggestions on the 2880 :)<br><br><b=
r><br><div class=3D"gmail_quote">On Sat, Dec 4, 2010 at 12:47 PM, Charles Z=
wicky <span dir=3D"ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwi=
cky@earthlink.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Here is a photo:<=
br>
<br>
<a href=3D"http://www.gaudela.net/gar/img/Robert_Fripp-02b.jpg" target=3D"_=
blank">http://www.gaudela.net/gar/img/Robert_Fripp-02b.jpg</a><br><font col=
or=3D"#888888">
<br>
<br>
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a><br>
</font></blockquote></div><br>

--20cf304347a2a4dc12049699b3ad--

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 21:37:35 2010
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Date: Sat, 4 Dec 2010 23:37:33 +0200
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Subject: Re: Fripper Gear Trivia
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf3054a6b97cba6504969c760f
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http://www.flickr.com/photos/risingspiral/5229168559/

http://www.flickr.com/photos/risingspiral/5229137087/

Pictures from the Winter Garden

--20cf3054a6b97cba6504969c760f
Content-Type: text/html; charset=ISO-8859-1

<a href="http://www.flickr.com/photos/risingspiral/5229168559/">http://www.flickr.com/photos/risingspiral/5229168559/</a><br><br><a href="http://www.flickr.com/photos/risingspiral/5229137087/">http://www.flickr.com/photos/risingspiral/5229137087/</a><br>
<br>Pictures from the Winter Garden<br>

--20cf3054a6b97cba6504969c760f--

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 21:40:25 2010
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Date: Sat, 4 Dec 2010 14:40:24 -0700
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Subject: Re: Fripper Gear Trivia
From: Dennis Moser <sinsofmachaut@gmail.com>
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There is another guitar-maker who does "Les Paul"-style bodies that
Fripp DID use in Fall River...that may be the same guitar used in the
NYC concerts...definitely NOT a Fernandes (at least, not at that
performance). So if you think he's playing an LP in NYC, he's probably
playing that guitar. (Sorry, I've not dug my notes back out...I do
have both the guitar-makers names there)

Best,

Dennis


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sat, Dec 4, 2010 at 11:19 AM, Jeff Duke <jeffloops@gmail.com> wrote:
> As we drift into OT land :)
>
> I believe that is a Fernandes in this pic, another shot of one here:
> http://robertfripp.com/diaries.htm?diarist=3&entry=10112
> http://www.fernandesguitars.com/monterey/monterey-elite-limited/405-monterey-elite-tremolo.html
>
> I found several places that give reference to him now using a Crimson
> Guitars sig, w/ sustainor/midi http://en.wikipedia.org/wiki/Robert_Fripp.
> Slimline or the hollow?
>
> j
>
> btw Chuck, thanks for the suggestions on the 2880 :)
>
>
>
> On Sat, Dec 4, 2010 at 12:47 PM, Charles Zwicky <cazwicky@earthlink.net>
> wrote:
>>
>> Here is a photo:
>>
>> http://www.gaudela.net/gar/img/Robert_Fripp-02b.jpg
>>
>>
>> --
>>
>> ...
>> http://www.zmix.net
>>
>> http://www.esession.com/ChuckZwicky
>>
>> http://albumcredits.com/zmix
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec  4 21:45:22 2010
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Subject: Re: Fripper Gear Trivia
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Hilarious! The poster has the image flipped!

Congrats on snagging a shot of the rig!

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sat, Dec 4, 2010 at 2:37 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> http://www.flickr.com/photos/risingspiral/5229168559/
>
> http://www.flickr.com/photos/risingspiral/5229137087/
>
> Pictures from the Winter Garden
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 05:00:28 2010
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Date: Sun, 5 Dec 2010 00:00:26 -0500
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Subject: Re: Fripper Gear Trivia
From: james fowler <twostroke@gmail.com>
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--000e0cd6adb65cd0ae0496a2a6ba
Content-Type: text/plain; charset=ISO-8859-1

from top to bottom:

rack number one:
H3500
H3500

rack number two:
eclipse
kurzweil pc2r *
axon ax100 *
sound sculpture switchblade gl

rack number three:
H8000
H8000

rack number four:
peterson stroborack
furman ar-20 ii

* denotes being "pretty sure"

that's enough processing oomph to kill a horse.

pretty good show.  definitely worth the trek from bed-stuy.

- jim

--000e0cd6adb65cd0ae0496a2a6ba
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from top to bottom:<br>
<br>
rack number one:<br>
H3500<br>
H3500<br>
<br>
rack number two:<br>
eclipse<br>
kurzweil pc2r *<br>
axon ax100 *<br>
sound sculpture switchblade gl<br>
<br>
rack number three:<br>
H8000<br>
H8000<br>
<br>
rack number four:<br>
peterson stroborack<br>
furman ar-20 ii<br>
<br>* denotes being &quot;pretty sure&quot;<br>
<br>
that&#39;s enough processing oomph to kill a horse.<br>
<br>
pretty good show.=A0 definitely worth the trek from bed-stuy.<br>
<br>
- jim

--000e0cd6adb65cd0ae0496a2a6ba--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 06:45:36 2010
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From: Daniel Berkman <danielberkman@mac.com>
Subject: Softstep
Date: Sat, 04 Dec 2010 22:45:33 -0800
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I just got my first Softstep. Beautiful!
Anyone know how to connect it to Sooperlooper?

Zoe Keating, maybe?

It anyone has insight, please share!

-Daniel Berkman


From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 07:25:35 2010
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Date: Sun, 5 Dec 2010 15:25:33 +0800
Message-ID: <AANLkTin4SSB=xxGnwrf3YHFj2rJiTng55K2UR8Eyn-r0@mail.gmail.com>
Subject: Re: Reyn vs Blaudzun
From: halim zainal <halimzainal@gmail.com>
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My God! That was awesome.

On Sat, Dec 4, 2010 at 8:47 PM, <fh@flatheadband.com> wrote:

> 'midnight room' is beautiful.  thanks for this...
>
>  -------- Original Message --------
> Subject: Reyn vs Blaudzun
> From: Reyn Ouwehand <loopers-delight@reyn.net>
> Date: Tue, November 30, 2010 9:43 am
> To: Loopers-Delight@loopers-delight.com
>
> Made a little Echoplex setup for this concert!
>
> http://www.youtube.com/watch?v=_r9j2H9_e00
>
> Enjoy!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
>

--0016364eeab653b56c0496a4ad0d
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My God! That was awesome.<br><br><div class=3D"gmail_quote">On Sat, Dec 4, =
2010 at 8:47 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:fh@flatheadband.c=
om">fh@flatheadband.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">
<div><span style=3D"font-family: Verdana; color: rgb(0, 0, 0); font-size: 1=
0pt;"><div>&#39;midnight room&#39; is beautiful.=A0 thanks for this...<br><=
br></div><div><div></div><div class=3D"h5">
<blockquote style=3D"border-left: 2px solid blue; margin-left: 8px; padding=
-left: 8px; font-size: 10pt; color: black; font-family: verdana;">
<div>
-------- Original Message --------<br>
Subject: Reyn vs Blaudzun<br>
From: Reyn Ouwehand &lt;<a href=3D"mailto:loopers-delight@reyn.net" target=
=3D"_blank">loopers-delight@reyn.net</a>&gt;<br>
Date: Tue, November 30, 2010 9:43 am<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>
<br>
Made a little Echoplex setup for this concert!<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3D_r9j2H9_e00" target=3D"_blank">=
http://www.youtube.com/watch?v=3D_r9j2H9_e00</a><br>
<br>
Enjoy!<br>
<br>
Cheers,<br>
<br>
Reyn<br>
<br>
___________<br>
<a href=3D"http://www.reyn.net" target=3D"_blank">www.reyn.net</a><br>
<a href=3D"http://www.reyn.vs.reyn.net" target=3D"_blank">www.reyn.vs.reyn.=
net</a><br>
<br>
management: <a href=3D"http://www.lalalamanagement.nl" target=3D"_blank">ww=
w.lalalamanagement.nl</a><br>
twitter/facebook/youtube: ReynOuwehand<br>
<br>

</div>
</blockquote></div></div></span></div>

</blockquote></div><br><div style=3D"visibility: hidden; left: -5000px; pos=
ition: absolute; z-index: 9999; padding: 0px; margin-left: 0px; margin-top:=
 0px; overflow: hidden; word-wrap: break-word; color: black; font-size: 10p=
x; text-align: left; line-height: 130%;" id=3D"avg_ls_inline_popup">
</div>

--0016364eeab653b56c0496a4ad0d--

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Date: Sun, 5 Dec 2010 00:08:36 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Question about electronic drums and Mac looping
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--0-236221830-1291536516=:71733
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hey there is still hope...

Antony



________________________________
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, December 4, 2010 1:59:40 AM
Subject: Re: Question about electronic drums and Mac looping

re Rick's comment: like this cool 
track: http://www.youtube.com/watch?v=kqGHoIaVGKY


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>hey there is still hope...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Warren Sirota &lt;wsirota@wsdesigns.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sat, December 4, 2010 1:59:40 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Question about electronic drums and Mac looping<br></font><br><span>
re Rick's comment: like this cool track:&nbsp;<a target="_blank" href="http://www.youtube.com/watch?v=kqGHoIaVGKY">http://www.youtube.com/watch?v=kqGHoIaVGKY</a></span><br><br><div class="gmail_quote"><br></div>
</div></div><div style="position:fixed"></div>


</div><br>







      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 10:59:45 2010
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> Made a little Echoplex setup for this concert!
>
> http://www.youtube.com/watch?v=_r9j2H9_e00
>
> Enjoy!


Excellent music, Reyn! Brings back a flavor from the early Genesis
days :-)  I really enjoyed this tune! It definitely is about music
rather than about looping here. Looping being used in a smart way to
reduce the number of musicians without sacrificing any part of that
great music.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Sun, 5 Dec 2010 12:00:46 +0100
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Subject: Re: Softstep
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On Sun, Dec 5, 2010 at 7:45 AM, Daniel Berkman <danielberkman@mac.com> wrote:
> I just got my first Softstep. Beautiful!
> Anyone know how to connect it to Sooperlooper?

USB.

per

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Subject: On loud buttons
From: Petri Lahtinen <aikuinen@gmail.com>
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Cant seem to find when searching old posts, the threads about what should
one do to loud button sounds on stompboxes...
any suggestions on the matter... ??

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2e9d1fb2a0496a976db
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Cant seem to find when searching old posts, the threads about what should o=
ne do to loud button sounds on stompboxes...<br>any suggestions on the matt=
er... ?? <br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://w=
ww.petrilahtinen.com">http://www.petrilahtinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspo=
t.com/</a><br><a href=3D"http://www.myspace.com/petrilahtinen">http://www.m=
yspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen=
">http://twitter.com/PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcam=
p.com/</a><br>---------------------------------------------------<br>&quot;=
Only become professional musician if there is no choice.&quot; -Robert Frip=
p-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--20cf3054a2e9d1fb2a0496a976db--

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Message-ID: <AANLkTikNOFdYR7eEbWcuCJ6-by8+Vw0-Nzc3DUCeRub7@mail.gmail.com>
Subject: Re: Fripper Gear Trivia
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5baf90f74860496a984d3
Content-Type: text/plain; charset=ISO-8859-1

Pics were not mine, caught the link on Sid Smith posts to DGM

2010/12/4 Dennis Moser <sinsofmachaut@gmail.com>

> Hilarious! The poster has the image flipped!
>
> Congrats on snagging a shot of the rig!
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Sat, Dec 4, 2010 at 2:37 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> > http://www.flickr.com/photos/risingspiral/5229168559/
> >
> > http://www.flickr.com/photos/risingspiral/5229137087/
> >
> > Pictures from the Winter Garden
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--001636c5baf90f74860496a984d3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Pics were not mine, caught the link on Sid Smith posts to DGM<br><br><div c=
lass=3D"gmail_quote">2010/12/4 Dennis Moser <span dir=3D"ltr">&lt;<a href=
=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</span><=
br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bo=
rder-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hilarious! The poster has the image flipped!<br>
<br>
Congrats on snagging a shot of the rig!<br>
<div class=3D"im"><br>
Best,<br>
<br>
Dennis<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
<br>
<br>
</div>On Sat, Dec 4, 2010 at 2:37 PM, Petri Lahtinen &lt;<a href=3D"mailto:=
aikuinen@gmail.com">aikuinen@gmail.com</a>&gt; wrote:<br>
&gt; <a href=3D"http://www.flickr.com/photos/risingspiral/5229168559/" targ=
et=3D"_blank">http://www.flickr.com/photos/risingspiral/5229168559/</a><br>
&gt;<br>
&gt; <a href=3D"http://www.flickr.com/photos/risingspiral/5229137087/" targ=
et=3D"_blank">http://www.flickr.com/photos/risingspiral/5229137087/</a><br>
&gt;<br>
&gt; Pictures from the Winter Garden<br>
&gt;<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--001636c5baf90f74860496a984d3--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 13:32:47 2010
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Petri Lahtinen wrote:
> Cant seem to find when searching old posts, the threads about what 
> should one do to loud button sounds on stompboxes...
> any suggestions on the matter... ??
> 

Not really a lot you can do.

1) Replace with quieter button.

2) May help to fix damping materials to the inside of the stompbox,
   they tend to operate like a soundboard.

andy

From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 14:08:11 2010
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Date: Sun, 5 Dec 2010 06:08:09 -0800 (PST)
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--0-267470365-1291558089=:53658
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play louder!

Antony





________________________________
From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, December 5, 2010 2:32:48 PM
Subject: Re: On loud buttons

Petri Lahtinen wrote:
> Cant seem to find when searching old posts, the threads about what should one 
>do to loud button sounds on stompboxes...
> any suggestions on the matter... ??
> 

Not really a lot you can do.

1) Replace with quieter button.

2) May help to fix damping materials to the inside of the stompbox,
  they tend to operate like a soundboard.

andy


      
--0-267470365-1291558089=:53658
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">play louder!<br><br>Antony<br><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 13px;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> andy butler &lt;akbutler@tiscali.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, December 5, 2010 2:32:48 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: On loud buttons<br></font><br>
Petri Lahtinen wrote:<br>&gt; Cant seem to find when searching old posts, the threads about what should one do to loud button sounds on stompboxes...<br>&gt; any suggestions on the matter... ??<br>&gt; <br><br>Not really a lot you can do.<br><br>1) Replace with quieter button.<br><br>2) May help to fix damping materials to the inside of the stompbox,<br>&nbsp; they tend to operate like a soundboard.<br><br>andy<br><br></div></div>
</div><br>

      </body></html>
--0-267470365-1291558089=:53658--

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Subject: Re: On loud buttons
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this!

:O)

On Sun, Dec 5, 2010 at 2:08 PM, <antonyhequet@yahoo.com> wrote:

play louder!

Antony

>
>

--0015175745d65df1be0496aaef4d
Content-Type: text/html; charset=ISO-8859-1

this!<br><br>:O)<br><br><div class="gmail_quote">On Sun, Dec 5, 2010 at 2:08 PM,  <span dir="ltr">&lt;<a href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span> wrote:<br><br>play louder!<br><br>Antony<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br></div></div>
</blockquote></div>

--0015175745d65df1be0496aaef4d--

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Date: Sun, 5 Dec 2010 06:59:19 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: On loud buttons
To: Loopers-Delight@loopers-delight.com
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I hate loud buttons, I cannot understand why no one has made a quiet foot 
controller. There is a japanese musician who made his own, but it's not on the 
market...

Antony





________________________________
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, December 5, 2010 3:53:31 PM
Subject: Re: On loud buttons

this!

:O)


On Sun, Dec 5, 2010 at 2:08 PM, <antonyhequet@yahoo.com> wrote:

play louder!

Antony


>


      
--0-130309914-1291561159=:87445
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">I hate loud buttons, I cannot understand why no one has made a quiet foot controller. There is a japanese musician who made his own, but it's not on the market...<br><br>Antony<br><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Simeon Harris &lt;simeonharris40@googlemail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, December 5, 2010 3:53:31 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: On loud buttons<br></font><br>
this!<br><br>:O)<br><br><div class="gmail_quote">On Sun, Dec 5, 2010 at 2:08 PM,  <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:antonyhequet@yahoo.com" target="_blank" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span> wrote:<br><br>play louder!<br><br>Antony<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br></div></div>
</blockquote></div>
</div></div>
</div><br>

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From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 15:48:47 2010
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Subject: Re: Question about electronic drums and Mac looping
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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just watch this:

http://www.youtube.com/watch?v=yH6hzTh3YHc&playnext=1&list=PL8D1AC2320F6A700C&index=19

it can certainly can save you hours of drum miking,any recomendations on
drum midi kit controllers?

On Sat, Dec 4, 2010 at 1:02 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> i can vouch for that. i use battery quite a lot and have used the NI studio
> drums, synthetic drums and various others in my music. i used some on my
> latest album. the tune called "the space between breaths" used a jazz kit
> and the tune called "here and now" used one of the studio kits (can't
> remember which one). i programmed the drums for both tunes completely from
> scratch. i'm sure a drummer would be able to tell that they are programmed,
> but they sound ok, i think. they have enough velocity levels that you can
> get some pretty realistic stuff going, if you have the patience to program
> with that much detail.
>
> sim
>
>
> On Fri, Dec 3, 2010 at 11:22 PM, Louie Angulo <louie.angulo@googlemail.com
> > wrote:
>
>> what about lets say using NI battery or such software for recording? im
>> really curious about this,im sure nothing tops a real drummer,but this
>> programs offer amazing sounds and save you so much miking time when
>> producing,im really curious how many professional recordings on the radio
>> have produced hits this way,and im not talking about electronic drums,im
>> talikng about acoustic sample drums they are so realisitic is scarry! i
>> think i would really have a problem nowdays telling the difference and
>> though it might sound weird, i think some drummers are really being
>> challenged with this type of sampled software,though it takes some finger
>> practice and drum producing understanding no doubt;-)
>> cheers
>> Luis
>>
>>
>>

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just watch this:<br><br><a href=3D"http://www.youtube.com/watch?v=3DyH6hzTh=
3YHc&amp;playnext=3D1&amp;list=3DPL8D1AC2320F6A700C&amp;index=3D19">http://=
www.youtube.com/watch?v=3DyH6hzTh3YHc&amp;playnext=3D1&amp;list=3DPL8D1AC23=
20F6A700C&amp;index=3D19</a><br>
<br>it can certainly can save you hours of drum miking,any recomendations o=
n drum midi kit controllers?<br><br><div class=3D"gmail_quote">On Sat, Dec =
4, 2010 at 1:02 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:s=
imeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">i can vouch for t=
hat. i use battery quite a lot and have used the NI studio drums, synthetic=
 drums and various others in my music. i used some on my latest album. the =
tune called &quot;the space between breaths&quot; used a jazz kit and the t=
une called &quot;here and now&quot; used one of the studio kits (can&#39;t =
remember which one). i programmed the drums for both tunes completely from =
scratch. i&#39;m sure a drummer would be able to tell that they are program=
med, but they sound ok, i think. they have enough velocity levels that you =
can get some pretty realistic stuff going, if you have the patience to prog=
ram with that much detail.<br>

<br>sim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Fri, Dec 3, 2010 at 11:22 PM, Louie Angulo <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:louie.angulo@googlemail.com" target=3D"_blank">louie.angulo@goo=
glemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
what about lets say using NI battery or such software for recording? im rea=
lly curious about this,im sure nothing tops a real drummer,but this program=
s offer amazing sounds and save you so much miking time when producing,im r=
eally curious how many professional recordings on the radio have produced h=
its this way,and im not talking about electronic drums,im talikng about aco=
ustic sample drums they are so realisitic is scarry! i think i would really=
 have a problem nowdays telling the difference and though it might sound we=
ird, i think some drummers are really being challenged with this type of sa=
mpled software,though it takes some finger practice and drum producing unde=
rstanding no doubt;-)<br>


cheers<br>Luis<br><br><br></blockquote></div>
</div></div></blockquote></div><br>

--0016368e1dde2015cc0496abb481--

From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 16:11:19 2010
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Date: Sun, 05 Dec 2010 11:11:15 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: The Soundscapes Concert Series Presents Chuck Van Zyl TODAY
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TODAY, Sunday, December 5, the Soundscapes Concert Series returns to the 
Nazareth Center for the Arts with Chuck Van Zyl. Best known as host of 
Star's End and as coordinator of The Gatherings, Chuck van Zyl has also 
been making his own unique style of electronic music since 1985. 
Inspired by the electronic spacemusic of the mid '70s, it was the 
mentoring of Nightcrawlers founder Peter Gulch that empowered van Zyl to 
start producing his own music. This lead to the release of a series of 
cassettes which formed the basis of albums released by Centaur Records 
in the mid 1990s.

Doors open at 7:30 pm and the concert is at 8:00 pm. The concert is 
free. Donations are requested to support the musician and to enable the 
Nazareth Center for the Arts to pay operating expenses. The NCA is 
located at 30 Belvidere Street, Nazareth, PA 18064 just off of Route 191 
on the southwest corner of Belvidere Street and South Spruce Street. 
Check the NCA site for parking information.

The Soundscapes Concert Series is the concert companion to the Galactic 
Travels radio program on WDIY-FM and to Thought Radio on WMUH-FM and 
presents electronic music to the Lehigh Valley. This is the concert 
series that presented Robert Rich (California), vidnaObmana (Belgium), 
The Ministry of Inside Things (Philadelphia), Richard Lainhart (New 
York), Orbital Decay (Quakertown), Modulator ESP (UK), Mikronesia 
(Philadelphia), The Tangent Project (Philadelphia), Technicolor Travel 
Agency (Poconos), and Twyndyllyngs (Lehigh Valley) to local audiences.

Cheers,

Bill
http://soundscapes.us

From Loopers-Delight-request@loopers-delight.com  Sun Dec  5 16:19:53 2010
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Subject: Re: Reyn vs Blaudzun
Date: Sun, 5 Dec 2010 08:19:48 -0800
References: <AANLkTi=qwTx9pz-pfBh2p6J_Ln80Y_j3urjA1TGVLfc8@mail.gmail.com> <E73D5564-C43C-417E-B1CF-A34A26159620@frontier.com> <86A3B9EA-2296-424A-81D3-0E4945A07437@reyn.net>
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Pretty doggone marvelous that!

Thanks for sharing.

On Nov 30, 2010, at 6:43 AM, Reyn Ouwehand wrote:

> Made a little Echoplex setup for this concert!
>
> http://www.youtube.com/watch?v=_r9j2H9_e00
>
> Enjoy!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand

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Subject: RE: On loud buttons
Date: Sun, 5 Dec 2010 16:50:54 +0000
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This is the reason why I still use an old zoom 8080 pedal for midi - silent=
 but positive switches - its about 12 years old now and still with the same=
 battery...
=20
peace
=20
G
=20
=20
=20

=20


Date: Sun=2C 5 Dec 2010 06:59:19 -0800
From: antonyhequet@yahoo.com
Subject: Re: On loud buttons
To: Loopers-Delight@loopers-delight.com





I hate loud buttons=2C I cannot understand why no one has made a quiet foot=
 controller. There is a japanese musician who made his own=2C but it's not =
on the market...

Antony







From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sun=2C December 5=2C 2010 3:53:31 PM
Subject: Re: On loud buttons

this!

:O)


On Sun=2C Dec 5=2C 2010 at 2:08 PM=2C <antonyhequet@yahoo.com> wrote:

play louder!

Antony





 		 	   		  =

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<body class=3D'hmmessage'>
This is the reason why I still use an old zoom 8080 pedal for midi - silent=
 but positive switches - its about 12 years old now and still with the same=
 battery...<BR>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
G<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
Date: Sun=2C 5 Dec 2010 06:59:19 -0800<BR>From: antonyhequet@yahoo.com<BR>S=
ubject: Re: On loud buttons<BR>To: Loopers-Delight@loopers-delight.com<BR><=
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</STYLE>

<DIV style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: arial=2Chelvetica=2Csans-seri=
f">I hate loud buttons=2C I cannot understand why no one has made a quiet f=
oot controller. There is a japanese musician who made his own=2C but it's n=
ot on the market...<BR><BR>Antony<BR>
<DIV><BR></DIV>
<DIV style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: arial=2Chelvetica=2Csans-seri=
f"><BR>
<DIV style=3D"FONT-SIZE: 12pt=3B FONT-FAMILY: times new roman=2Cnew york=2C=
times=2Cserif"><FONT face=3DTahoma size=3D2>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Simeon Harris &lt=3Bs=
imeonharris40@googlemail.com&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">=
To:</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FON=
T-WEIGHT: bold">Sent:</SPAN></B> Sun=2C December 5=2C 2010 3:53:31 PM<BR><B=
><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: On loud buttons<=
BR></FONT><BR>this!<BR><BR>:O)<BR><BR>
<DIV class=3Decxgmail_quote>On Sun=2C Dec 5=2C 2010 at 2:08 PM=2C <SPAN dir=
=3Dltr>&lt=3B<A href=3D"mailto:antonyhequet@yahoo.com" rel=3Dnofollow>anton=
yhequet@yahoo.com</A>&gt=3B</SPAN> wrote:<BR><BR>play louder!<BR><BR>Antony=
<BR>
<BLOCKQUOTE class=3Decxgmail_quote style=3D"PADDING-LEFT: 1ex">
<DIV>
<DIV style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: arial=2Chelvetica=2Csans-seri=
f"><BR></DIV></DIV></BLOCKQUOTE></DIV></DIV></DIV></DIV><BR> 		 	   		  </b=
ody>
</html>=

--_0b08efb8-a10f-4437-bf4f-6ced2f4698b8_--

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	<COL124-W40A6BC0CABE0AB3CEF70A7C62B0@phx.gbl>
	<4CFD2772.3000602@googlemail.com>
Date: Mon, 6 Dec 2010 17:20:17 -0700
Message-ID: <AANLkTi=fFgpNwc2MXeVLnHcfiVTbOPXxMJwQ0rigr0T0@mail.gmail.com>
Subject: Re: To Robert with love
From: Dennis Moser <sinsofmachaut@gmail.com>
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Who, in turn, borrowed it from all those passacaglias of the late
Renaissance and early Baroque ...

:P

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Dec 6, 2010 at 11:12 AM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> David Grego schrieb:
>>
>> Please consider also that he 'borrowed' the concept from Mr Eno.
>
> ...who in turn borrowed it from Terry Riley, who got it from his tech.
>
> =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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To: <loopers-delight@loopers-delight.com>
Subject: RE: To Robert with love
Date: Mon, 6 Dec 2010 19:17:47 +0000
Importance: Normal
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Da. Yep. Thank you. That is just about the total 'Tree of Life' sum and dif=
ference.=20

> Date: Mon=2C 6 Dec 2010 19:12:02 +0100
> From: moinsound@googlemail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: To Robert with love
>=20
> David Grego schrieb:
> > Please consider also that he 'borrowed' the concept from Mr Eno.=20
> ...who in turn borrowed it from Terry Riley=2C who got it from his tech.
>=20
>           Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20
 		 	   		  =

--_dba9b907-b1af-4e2a-9f88-dbdb9b534fce_
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Da. Yep. Thank you. That is just about the total 'Tree of Life' sum and dif=
ference.&nbsp=3B<br><br>&gt=3B Date: Mon=2C 6 Dec 2010 19:12:02 +0100<br>&g=
t=3B From: moinsound@googlemail.com<br>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<br>&gt=3B Subject: Re: To Robert with love<br>&gt=3B <br>&gt=3B =
David Grego schrieb:<br>&gt=3B &gt=3B Please consider also that he 'borrowe=
d' the concept from Mr Eno. <br>&gt=3B ...who in turn borrowed it from Terr=
y Riley=2C who got it from his tech.<br>&gt=3B <br>&gt=3B           Rainer<=
br>&gt=3B <br>&gt=3B -- <br>&gt=3B http://moinlabs.de<br>&gt=3B Follow me o=
n twitter: http://twitter.com/moinlabs<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_dba9b907-b1af-4e2a-9f88-dbdb9b534fce_--

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Subject: Do you like Doggies?
From: daniel <daniel@ithinkwethink.org>
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--90e6ba4fd25add9f5f0496d98752
Content-Type: text/plain; charset=ISO-8859-1

Happy Everyone!!

This coming weekend is Polk Fest
4<http://thephoenix.com/BLOGS/onthedownload/archive/2010/11/30/polk-records-readies-local-holiday-compilation-and-cheery-two-day-festival.aspx?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+PHXOnTheDownload+%28On+The+Download%29>at
All Asia in Cambridge, MA! I'll be playing a short acoustic set on
Sunday
with dear ol' buddy and great musician Dave Ladon (The Doctors
Fox<http://www.thedoctorsfox.com%20>).




On Thursday, December 16th at 9:00pm, the most holy of unholy aural love
making will commence. I, Daniel Harris<http://www.danielharris.bandcamp.com/>,
will be performing two sets (one solo ambient, the other featuring Josh
Kiggans (drums) and Dave Ladon (bass/vocals) from The Doctors Fox)
sandwiching Los Doggies <http://www.losdoggies.com/>. This is not a show to
be missed.

My first set will be a solo ambient set and the second will feature Josh
Kiggans (drums) and Dave Ladon (bass/vocals) from The Doctors Fox.

Los Doggies is from New Paltz, NY and is comprised of the brothers Stormo,
Evan and Jesse, and Matt Ross <http://subpixel.bandcamp.com/>.

The cost of admission: your presence.

www.danielharris.bandcamp.com
www.losdoggies.com

Savant Project
1625 Tremont St
Boston, MA

special guest IANSANITY <http://www.etsy.com/shop/iansanity>!!


Please visit my bandcamp site and download music! Share the link around!

www.danielharris.bandcamp.com


love,
daniel

--90e6ba4fd25add9f5f0496d98752
Content-Type: text/html; charset=ISO-8859-1
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Happy Everyone!! <br><br>This coming weekend is <a href=3D"http://thephoeni=
x.com/BLOGS/onthedownload/archive/2010/11/30/polk-records-readies-local-hol=
iday-compilation-and-cheery-two-day-festival.aspx?utm_source=3Dfeedburner&a=
mp;utm_medium=3Dfeed&amp;utm_campaign=3DFeed%3A+PHXOnTheDownload+%28On+The+=
Download%29">Polk Fest 4</a> at All Asia in Cambridge, MA! I&#39;ll be play=
ing a short acoustic set on Sunday with dear ol&#39; buddy and great musici=
an Dave Ladon (<a href=3D"http://www.thedoctorsfox.com%20">The Doctors Fox<=
/a>). <br>
<br><br><br>On <font size=3D"4">Thursday, December 16th at 9:00pm</font>, t=
he most holy of unholy aural love making will commence. I, <a href=3D"http:=
//www.danielharris.bandcamp.com/">Daniel Harris</a>, will be performing two=
 sets (one solo ambient, the other featuring Josh Kiggans (drums) and Dave =
Ladon (bass/vocals) from The Doctors Fox) sandwiching <font size=3D"4"><a h=
ref=3D"http://www.losdoggies.com/">Los Doggies</a></font>. This is not a sh=
ow to be missed. <br>
<br>My first set will be a solo ambient set and the second will feature Jos=
h Kiggans (drums) and Dave Ladon (bass/vocals) from The Doctors Fox. <br>
<br>Los Doggies is from New Paltz, NY and is comprised of the brothers Stor=
mo, Evan and Jesse, and <a href=3D"http://subpixel.bandcamp.com/">Matt Ross=
</a>. <br><br>The cost of admission: your presence.<br>
<br>
<a href=3D"http://www.danielharris.bandcamp.com/">www.danielharris.bandcamp=
.com</a><br>
<a href=3D"http://www.losdoggies.com/">www.losdoggies.com</a><br>
<br>
<span style=3D"font-size: large;">Savant Project<br>
1625 Tremont St</span><br>
<span style=3D"font-size: large;">Boston, MA</span><br>
<br>
special guest <a href=3D"http://www.etsy.com/shop/iansanity">IANSANITY</a>!=
!<br><br><br>Please visit my bandcamp site and download music! Share the li=
nk around! <br><br><a href=3D"http://www.danielharris.bandcamp.com"><font s=
ize=3D"6">www.danielharris.bandcamp.com</font></a><br>
<br><br>love,<br>daniel <br><br>

--90e6ba4fd25add9f5f0496d98752--

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Date: Mon, 6 Dec 2010 12:07:56 -0800 (PST)
From: Doug Wellington <dougwellington@yahoo.com>
Subject: Re: Fripper Gear Trivia
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> Let me ask you this, then: Suppose you had three (or two, or one) H8000(s):
> What would you do with them that you can't do with what you have at your 
>disposal and that would really bring forward what you do musically?


Well...  OK, maybe I'm a bit biased...  I own two Eventide units, a GTR4000 with 
the big sampling option, and an H8000FW, and I am the maintainer of vSigX, the 
Harmonizer(tm) patch editor for the Mac.  I do not work for Eventide, but they 
have lent me an Eclipse for testing...

I don't know what Fripp does with his, but I can do things with my Harmonizers 
that I can't do with any other standalone hardware effects unit.  The Harmonizer 
is completely modular.  Any of the 200+ effects modules can be put in any order, 
and the audio and control routings are completely flexible.  With vSigX, I can 
completely program my effects patches with about the same level of control as my 
modular analog synth gives me.  (And I have *way* more money invested in my 
modular than I do in the Harmonizers!)  Another way to think of it is that the 
Harmonizer is the Nord Modular of effects units...

You may be able to accomplish the same kind of thing by using a bunch of other 
units together, but nobody else that I know of provides a single box solution 
with this kind of effects processing power.  It's amazing to me that the H8000 
is a basically a ten year old design and nobody has surpassed it...

Regards,
Doug


      

From Loopers-Delight-request@loopers-delight.com  Tue Dec  7 22:52:09 2010
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Hey Bill! you your words touched me!  
I too remember that days, as i have already told, as part of a dream...but it 
wasn't
a dream! for me it was the first loop fest and a fantastic experience first of 
all
for the people that i meet and that i had the honour to know
and that i will never stop to thanks! looping thanks... to evrbdy. 
So see you again my friends! and i hope soon, very soon! 
Max Liver 

>----Messaggio originale----
>Da: billwalker@baymoon.com
>Data: 05/12/2010 21.41
>A: <Loopers-Delight@loopers-delight.com>
>Ogg: Y2K10 fuzzy memories
>
>Dear Friends,
>  Its raining steadily and gusting at times,  I'm sitting in my little  
>room looking out the window at the all but decayed looper's shrine  
>created by Michael Klobuchar , aided by my wife Nancy, and contributed  
>to by virtually every looper who visited or stayed with us during the  
>Loopfest.  Due to an inordinate amount of rain and stormy weather  
>since the festival, most of the shrine including the post industrial  
>tiki tourches that Scoots constructed, the skis, and the Lemonhead  
>ladder have either blown down or rotted away. I had to remove the  
>rotting giant lemons finally, it wasn't a pretty sight...  For me this  
>was the best festival yet, for many reasons,  but primarily because of  
>the friendships created and renewed. It was particularly gratifying  
>for me that many of you on this list who I have become friends with  
>were able to make it back again or for the first time.  Its just  
>beyond a thrill for me to get to hang out with you all, hear you play,  
>and exchange ideas. Oh and the music was great this year, a really  
>strong and varied group, and this year unlike the last several, I  
>actually got to see nearly everyone perform.  I gotta say, over the  
>past few years its been hard for me to maintain a positive attitude,  
>about the world, about money and even about music, and the Loopfest   
>always has a way of inspiring me and lifting me up.  It was remarkable  
>to me what Rick was able to pull off,  and it was really fantastic  
>that our neighbors stepped up and helped us house those of you that  
>traveled the farthest.
>Thanks Rick for an amazing ride, thanks to the Chris and Nancy for  
>tremendous spousal support, thanks to everyone who volunteered in some  
>way  and thanks to everyone who made the effort to come so far and  
>share yourselves with us.
>
>Bill
>
>  
>
>


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Subject: Loopers Christmas wish list
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Ok, here's a thread for you, has to be somethings reasonable abd at least se=
mi-possible!! Not like 2 Eventides!!

Me.....

Roland Handsonic HPD15
Softstep pedal
Electro Harmonix Micro Pog
An elf to come and redo my whole rack

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 6, 2010, at 1:12 PM, "Rainer Straschill" <moinsound@googlemail.com> w=
rote:

> David Grego schrieb:
> > Please consider also that he 'borrowed' the concept from Mr Eno.
> ...who in turn borrowed it from Terry Riley, who got it from his tech.
>=20
>           Rainer
>=20
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20
>=20


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<html><body bgcolor="#FFFFFF"><div><div><div>Ok, here's a thread for you, has to be somethings reasonable abd at least semi-possible!! Not like 2 Eventides!!</div><div><br></div><div>Me.....</div><div><br></div><div>Roland Handsonic HPD15</div><div>Softstep pedal</div><div>Electro Harmonix Micro Pog</div><div>An elf to come and redo my whole rack</div><div><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 6, 2010, at 1:12 PM, "Rainer Straschill" &lt;<a href="mailto:moinsound@googlemail.com"></a><a href="mailto:moinsound@googlemail.com"><a href="mailto:moinsound@googlemail.com">moinsound@googlemail.com</a></a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">David Grego schrieb:<br>
&gt; Please consider also that he 'borrowed' the concept from Mr Eno.<br>
...who in turn borrowed it from Terry Riley, who got it from his tech.<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Rainer<br>
<br>
--<br>
<a href="http://moinlabs.de"></a><a href="http://moinlabs.de"></a><a href="http://moinlabs.de"><a href="http://moinlabs.de">http://moinlabs.de</a></a><br>
Follow me on twitter: <a href="http://twitter.com/moinlabs"></a><a href="http://twitter.com/moinlabs"></a><a href="http://twitter.com/moinlabs"><a href="http://twitter.com/moinlabs">http://twitter.com/moinlabs</a></a><br>
<br>
</font>
</p>


</div></blockquote></div><div></div></div><div></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Tue Dec  7 23:09:21 2010
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Am 06.12.10 14:31, schrieb Rick Walker:
>> All H8000s have firewire now. And they aren't $5500 each. You can do
>> way better than that. Easily under 5K. ;)
>>
>> Jeff 
> Ahhhhh,   that makes it so much more affordable for me.
> I'll just have to order three of them!
> 
> lol (and yes,  that is said with dripping sarcasm, the lowest form of
> wit as my father used to point out)

Some years ago I had my hands on an Orville. That time the price was
much higher than for its successor now...

I would not exchange it with my Max patches. Max/MSP is way easier to
program - And who cares about sound quality...;-)
The algorithms available today exceed the technology of those times when
Eventide built its reputation. You still pay for it today...

Alone the size of his rig will make him dependent on a lot of other
people. I prefer to tour hitch-hiking with just my backpack...

Stefan

-- 
Les Ondes Mémorielles--------x--
-_____-----------|-----------|--
-(_|_ ----|\-----|-----()-------
- _|_)----|-----()--------------
---------()----------TJ Shredder
http://tjshredder.wordpress.com/

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Yes very nice,i like the way live looping is presented here,with special
songwriters in a very musical way.
Hey Reyn just curious do this events only feature national talent?are you
organiz=EDng them and how often do you have them?
could you share with us how this shows are being received so far and if the
city is involved in the financial side or if you are doing it independently=
?
I m curious because think this would be another nice way to presentlive
looping which seems quite accesible to general audiences.
Luis




On Sun, Dec 5, 2010 at 10:17 PM, ^|>^m <will.it.go.round@gmail.com> wrote:

> Yes!  Enjoyed that.  Thanks for sharing.
>
>
> On Sun, Dec 5, 2010 at 11:59 AM, Michael Peters <mp@mpeters.de> wrote:
>
>> Reyn will play live on the next livelooping festival in Cologne (next
>> April)
>> see www.livelooping.de
>>
>> -Michael
>>
>>
>

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<div>Yes very nice,i like the way live looping is presented here,with speci=
al songwriters in a very musical way.</div>
<div>Hey Reyn just curious=A0do this events only feature national talent?ar=
e you organiz=EDng them and how often do you have them?</div>
<div>could you share with us how this shows=A0are being received so far and=
 if the city is involved in the financial side or if you are doing it indep=
endently?</div>
<div>I m curious because=A0think this would be another nice way to presentl=
ive looping which seems quite accesible to general audiences.</div>
<div>Luis</div>
<div>=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">On Sun, Dec 5, 2010 at 10:17 PM, ^|&gt;^m <span =
dir=3D"ltr">&lt;<a href=3D"mailto:will.it.go.round@gmail.com">will.it.go.ro=
und@gmail.com</a>&gt;</span> wrote:<br></div>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Yes! =A0Enjoyed that. =A0Thanks =
for sharing.=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Sun, Dec 5, 2010 at 11:59 AM, Michael Peters =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de" target=3D"_blank">mp=
@mpeters.de</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Reyn will play live on the next =
livelooping festival in Cologne (next April)<br>see <a href=3D"http://www.l=
ivelooping.de/" target=3D"_blank">www.livelooping.de</a><br>
<font color=3D"#888888"><br>-Michael<br><br></font></blockquote></div><br><=
/div></div></blockquote><br>

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Date: Tue, 7 Dec 2010 20:57:01 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: clicks and pops in Ableton
To: loopers-delight@loopers-delight.com
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--0-1578589791-1291755421=:53119
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Hi!
My Ableton Live 8.2.1 has pops and clicks. The clicks and pops are not on t=
he recorded sound-files. What can I do? Reinstall everything on the mac?
best regards Rune F. =A0 =A0=0A=0A
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi!<div><br></div><div>My Ableton Live 8.2.1 =
has pops and clicks. The clicks and pops are not on the recorded sound-file=
s. What can I do? Reinstall everything on the mac?</div><div><br></div><div=
>best regards Rune F. &nbsp; &nbsp;</div></td></tr></table><br>
--0-1578589791-1291755421=:53119--

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Date: Mon, 06 Dec 2010 22:57:06 +0100
From: Stefan Tiedje <stefantiedje@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
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Am 03.12.10 20:48, schrieb Michael Peters:
> I tried to install the Pluggo runtime (on my Vista notebook) because I
> wanted to try some plugins by Oli Larkin that rely on Pluggo. Even though
> the installer says it installed everything, I can't see any Pluggo on my
> system (except for an empty folder in my VSTPlugins folder), and neither can
> Bidule. The vst plugins I wanted to check out aren't recognized by Bidule.
> Ideas anyone? 

The pluggo runtime doesn't contain any pluggos, install instead the free
Pluggo Junior. It will came with a handfull of pluggos.
Then add the Oli Larkin pluggos to the same place as the Junior pluggos.
On my Mac its a folder inside the VST Folder.
I also made some of my own, but didn't check them for a long time, give
me a call and we could try to get through it together...

Stefan

-- 
Les Ondes Mémorielles--------x--
-_____-----------|-----------|--
-(_|_ ----|\-----|-----()-------
- _|_)----|-----()--------------
---------()----------TJ Shredder
http://tjshredder.wordpress.com/

From Loopers-Delight-request@loopers-delight.com  Tue Dec  7 23:41:11 2010
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Date: Mon, 6 Dec 2010 19:35:00 +0100
Message-ID: <AANLkTi=jBmmCfQ_iKB6yoqgzvzhrBjRi-xdVFP1qC7nr@mail.gmail.com>
Subject: Re: Fripper Gear Trivia
From: Raul Bonell <raul.bonell@gmail.com>
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--0016364ee07c4d0baa0496c2251c
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2010/12/6 Rainer Straschill <moinsound@googlemail.com>

>
>>  Let me ask you this, then: Suppose you had three (or two, or one)
> H8000(s):
> What would you do with them that you can't do with what you have at your
> disposal and that would really bring forward what you do musically?
>
>
>            Rainer
>
>
rainer took it from my mouth ...


> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "

http://raulbonell.tumblr.com =B7 http://www.ct-collective.com

--0016364ee07c4d0baa0496c2251c
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<br><br><div class=3D"gmail_quote">2010/12/6 Rainer Straschill <span dir=3D=
"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.=
com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0=
 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div class=3D"im"><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .=
8ex;border-left:1px #ccc solid;padding-left:1ex"><br>
</blockquote></div>
Let me ask you this, then: Suppose you had three (or two, or one) H8000(s):=
<br>
What would you do with them that you can&#39;t do with what you have at you=
r disposal and that would really bring forward what you do musically?<br>
<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br><font color=3D"#888888">
<br></font></blockquote><div><br></div><div>rainer took it from my mouth ..=
.=A0</div><div>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin:0=
 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><font color=3D"#888=
888">
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">http://raulb=
onell.tumblr.com</a> =B7 <a href=3D"http://www.ct-collective.com" target=3D=
"_blank">http://www.ct-collective.com</a><br><br>

--0016364ee07c4d0baa0496c2251c--

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Subject: Re: Fripper Gear Trivia
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2010/12/6 Rainer Straschill <moinsound@googlemail.com>

>> Let me ask you this, then: Suppose you had three (or two, or one)
>> H8000(s):
>> What would you do with them that you can't do with what you have at your
>> disposal
>>
>> =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0Rainer


A gorgeous fish tank!

/ Per ;-)


>> and that would really bring forward what you do musically?
eh... not sure about that part. Breeding Thai Song Fish in there,
maybe... ---- ?

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 00:01:23 2010
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Subject: TF loop mode midi out
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Anyone here using Eventide Time Factor pedal with midi out to a drum machine or other slave device? I simply cannot get it to interpret even the simplest single bar of 4/4 correctly so it sends correct midi clock to drum machine. God I wish my EDP was a pedal.
:)
Clifford 
Sent via soup cans and string.

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 00:02:26 2010
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From: Violet Xoxox <violet@missviolet.com>
Subject: Houston, we have lift-off
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Sorry about the list downtime. We had a catastrophic harddrive failure on
Monday morning.  Everything on the server was toast.

Fortunately we make backups of all server content once a month and had just
done this month's on Sunday (talk about timing!), so we had current copies
of all the sites.  We've uploaded everything to a new server and things
should mostly be back to normal now. Yay!

This shouldn't happen again ... we have a secondary harddrive as backup now
in the event that the main drive begins to fail.

Well, this was fun!

Violet
xoxox

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 00:06:19 2010
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Wow- you host it yourself?? Thanks for the hard work. There are 3rd party hosts that are less than 10 bucks a month and create backups of their servers nightly.
Regards,
Clifford
------Original Message------
From: Violet Xoxox
To: Loopers Delight
ReplyTo: Loopers Delight
Subject: Houston, we have lift-off
Sent: Dec 7, 2010 3:29 PM

Sorry about the list downtime. We had a catastrophic harddrive failure on
Monday morning.  Everything on the server was toast.

Fortunately we make backups of all server content once a month and had just
done this month's on Sunday (talk about timing!), so we had current copies
of all the sites.  We've uploaded everything to a new server and things
should mostly be back to normal now. Yay!

This shouldn't happen again ... we have a secondary harddrive as backup now
in the event that the main drive begins to fail.

Well, this was fun!

Violet
xoxox



Sent via soup cans and string.

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Thanks for getting all back up and running!

: )

-----Original Message-----
From: Violet Xoxox [mailto:violet@missviolet.com] 
Sent: Tuesday, December 07, 2010 3:29 PM
To: Loopers-Delight@loopers-delight.com
Subject: Houston, we have lift-off

Sorry about the list downtime. We had a catastrophic harddrive failure on
Monday morning.  Everything on the server was toast.

Fortunately we make backups of all server content once a month and had just
done this month's on Sunday (talk about timing!), so we had current copies
of all the sites.  We've uploaded everything to a new server and things
should mostly be back to normal now. Yay!

This shouldn't happen again ... we have a secondary harddrive as backup now
in the event that the main drive begins to fail.

Well, this was fun!

Violet
xoxox

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Subject: Re: hurdy gurdy (was: OT: Bulbul Tarang, Shahi Baaja, Indian Electric Dulcimer)
From: Art Simon <simart@gmail.com>
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Wow, that is amazing. I'd never heard a hurdy gurdy before. Beautiful.

I found this fuzzy video:
http://www.youtube.com/watch?v=jeEM5nGr-Ks&feature=related

Just gorgeous playing. Thanks for posting this.


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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An elf to come and redo my whole rack 



LOL...hear, here on this one! My guitar rig rebuild has gotten cumbersome! 

Ed in NJ 

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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Times New Roman; font-size: 12pt; color: #000000'>An elf to come and redo my whole rack
<DIV>
<DIV>
<DIV><BR>LOL...hear, here on this one! My guitar rig rebuild has gotten cumbersome!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ed in NJ</DIV></DIV></DIV>
<DIV></DIV></div></body></html>
------=_Part_68681_528973758.1291768672120--

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Subject: Ricks Spotify link
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--90e6ba6e8f6edd58260496ce59a1
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Does anyone have handy that depressing link that Rick posted a while back
about how bad Spotify is as regards paying artists? I need to post it/tweet
it as often as I post a link to Spotify, to ease my conscience or
something...

PS: BTW I tried the archives, cant get them to work right now...

Mark

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8f6edd58260496ce59a1
Content-Type: text/html; charset=ISO-8859-1

Does anyone have handy that depressing link that Rick posted a while back about how bad Spotify is as regards paying artists? I need to post it/tweet it as often as I post a link to Spotify, to ease my conscience or something...<br>

<br>PS: BTW I tried the archives, cant get them to work right now...<br><br>Mark<br clear="all"><br>-- <br>mark francombe<br><a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href="http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8f6edd58260496ce59a1--

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Subject: Re: Fripper Gear Trivia
Date: Tue, 7 Dec 2010 09:06:01 +0100
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Dies ist eine mehrteilige Nachricht im MIME-Format.

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Nice pics. I regret he doesn=B4t allow any photos while he=B4s on stage.
As I know, not even by people from the press.
That=B4s ridiculous. Fripp seems to be a real Diva...

Christo
www.christojota.de

=20
From: Petri Lahtinen=20
Sent: Sunday, December 05, 2010 2:11 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Fripper Gear Trivia


Pics were not mine, caught the link on Sid Smith posts to DGM


2010/12/4 Dennis Moser <sinsofmachaut@gmail.com>

  Hilarious! The poster has the image flipped!

  Congrats on snagging a shot of the rig!


  Best,

  Dennis

  http://soundcloud.com/usrsbin
  http://audiozoloft.com
  http://usrslashsbin.angrek.com/




  On Sat, Dec 4, 2010 at 2:37 PM, Petri Lahtinen <aikuinen@gmail.com> =
wrote:
  > http://www.flickr.com/photos/risingspiral/5229168559/
  >
  > http://www.flickr.com/photos/risingspiral/5229137087/
  >
  > Pictures from the Winter Garden
  >





--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert =
Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead." =
-Charles Bukowski-


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16671"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>Nice pics. I regret he doesn=B4t allow any=20
photos&nbsp;while he=B4s on stage.</FONT></DIV>
<DIV><FONT face=3DCalibri>As I know, not even by people from the=20
press.</FONT></DIV>
<DIV><FONT face=3DCalibri>That=B4s ridiculous. Fripp seems to be a real=20
Diva...</FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri>Christo</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
title=3D"http://www.christojota.de&#10;STRG + Klicken, um Verkn=FCpfung =
zu folgen"=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT><BR>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Daikuinen@gmail.com=20
href=3D"mailto:aikuinen@gmail.com">Petri Lahtinen</A> </DIV>
<DIV><B>Sent:</B> Sunday, December 05, 2010 2:11 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Fripper Gear Trivia</DIV></DIV></DIV>
<DIV><BR></DIV>Pics were not mine, caught the link on Sid Smith posts to =

DGM<BR><BR>
<DIV class=3Dgmail_quote>2010/12/4 Dennis Moser <SPAN dir=3Dltr>&lt;<A=20
href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</A>&gt;</=
SPAN><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
class=3Dgmail_quote>Hilarious! The poster has the image =
flipped!<BR><BR>Congrats=20
  on snagging a shot of the rig!<BR>
  <DIV class=3Dim><BR>Best,<BR><BR>Dennis<BR><BR><A=20
  href=3D"http://soundcloud.com/usrsbin"=20
  target=3D_blank>http://soundcloud.com/usrsbin</A><BR><A=20
  href=3D"http://audiozoloft.com" =
target=3D_blank>http://audiozoloft.com</A><BR><A=20
  href=3D"http://usrslashsbin.angrek.com/"=20
  =
target=3D_blank>http://usrslashsbin.angrek.com/</A><BR><BR><BR><BR></DIV>=
On Sat,=20
  Dec 4, 2010 at 2:37 PM, Petri Lahtinen &lt;<A=20
  href=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.com</A>&gt; =
wrote:<BR>&gt; <A=20
  href=3D"http://www.flickr.com/photos/risingspiral/5229168559/"=20
  =
target=3D_blank>http://www.flickr.com/photos/risingspiral/5229168559/</A>=
<BR>&gt;<BR>&gt;=20
  <A href=3D"http://www.flickr.com/photos/risingspiral/5229137087/"=20
  =
target=3D_blank>http://www.flickr.com/photos/risingspiral/5229137087/</A>=
<BR>&gt;<BR>&gt;=20
  Pictures from the Winter =
Garden<BR>&gt;<BR><BR></BLOCKQUOTE></DIV><BR><BR=20
clear=3Dall><BR>-- <BR>Petri Lahtinen<BR><A=20
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</A><BR=
><A=20
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot=
.com/</A><BR><A=20
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petr=
ilahtinen</A><BR><A=20
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtine=
n</A><BR><A=20
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp=
.com/</A><BR>---------------------------------------------------<BR>"Only=
=20
become professional musician if there is no choice." -Robert=20
Fripp-<BR>---------------------------------------------------<BR>"Some =
people=20
never go crazy. What truly horrible lives they must lead." -Charles=20
Bukowski-<BR><BR></BODY></HTML>

------=_NextPart_000_0012_01CB95ED.F7FF42C0--

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	<p0624081ec9202f10eaad@192.168.2.3>
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Date: Tue, 7 Dec 2010 20:47:52 -0500
Message-ID: <AANLkTimuUqV0m2V29mCS0mJyRUSrCMArwdAq6kSLVMPF@mail.gmail.com>
Subject: Re: Fripper Gear Trivia
From: Jeffery Duke <duke.jeff@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d99c9139c78e0496dc4f43
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What does a photo have to do with the enjoyment of the music, if not to onl=
y
distract from the experience?

On Tue, Dec 7, 2010 at 3:06 AM, Christo Jota <chris@christojota.de> wrote:

>  Nice pics. I regret he doesn=B4t allow any photos while he=B4s on stage.
> As I know, not even by people from the press.
> That=B4s ridiculous. Fripp seems to be a real Diva...
>
> Christo
> www.christojota.de
>
>
>  *From:* Petri Lahtinen <aikuinen@gmail.com>
> *Sent:* Sunday, December 05, 2010 2:11 PM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* Re: Fripper Gear Trivia
>
> Pics were not mine, caught the link on Sid Smith posts to DGM
>
> 2010/12/4 Dennis Moser <sinsofmachaut@gmail.com>
>
>> Hilarious! The poster has the image flipped!
>>
>> Congrats on snagging a shot of the rig!
>>
>> Best,
>>
>> Dennis
>>
>> http://soundcloud.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>> On Sat, Dec 4, 2010 at 2:37 PM, Petri Lahtinen <aikuinen@gmail.com>
>> wrote:
>> > http://www.flickr.com/photos/risingspiral/5229168559/
>> >
>> > http://www.flickr.com/photos/risingspiral/5229137087/
>> >
>> > Pictures from the Winter Garden
>> >
>>
>>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>

--0016e6d99c9139c78e0496dc4f43
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What does a photo have to do with the enjoyment of the music, if not to onl=
y distract from the experience?<br><br><div class=3D"gmail_quote">On Tue, D=
ec 7, 2010 at 3:06 AM, Christo Jota <span dir=3D"ltr">&lt;<a href=3D"mailto=
:chris@christojota.de">chris@christojota.de</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">



<div style=3D"padding-left:10px;padding-right:10px;padding-top:15px" name=
=3D"Compose message area">
<div><font face=3D"Calibri">Nice pics. I regret he doesn=B4t allow any=20
photos=A0while he=B4s on stage.</font></div>
<div><font face=3D"Calibri">As I know, not even by people from the=20
press.</font></div>
<div><font face=3D"Calibri">That=B4s ridiculous. Fripp seems to be a real=
=20
Diva...</font></div>
<div><font face=3D"Calibri"></font>=A0</div>
<div><font face=3D"Calibri">Christo</font></div>
<div><font face=3D"Calibri"><a title=3D"http://www.christojota.de
STRG + Klicken, um Verkn=FCpfung zu folgen" href=3D"http://www.christojota.=
de" target=3D"_blank">www.christojota.de</a></font></div>
<div><font face=3D"Calibri"></font><br>=A0</div>
<div style=3D"font:10pt Tahoma">
<div style=3D"background:#f5f5f5">
<div><b>From:</b> <a title=3D"aikuinen@gmail.com" href=3D"mailto:aikuinen@g=
mail.com" target=3D"_blank">Petri Lahtinen</a> </div>
<div><b>Sent:</b> Sunday, December 05, 2010 2:11 PM</div>
<div><b>To:</b> <a title=3D"Loopers-Delight@loopers-delight.com" href=3D"ma=
ilto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight=
@loopers-delight.com</a>=20
</div>
<div><b>Subject:</b> Re: Fripper Gear Trivia</div></div></div><div><div></d=
iv><div class=3D"h5">
<div><br></div>Pics were not mine, caught the link on Sid Smith posts to=20
DGM<br><br>
<div class=3D"gmail_quote">2010/12/4 Dennis Moser <span dir=3D"ltr">&lt;<a =
href=3D"mailto:sinsofmachaut@gmail.com" target=3D"_blank">sinsofmachaut@gma=
il.com</a>&gt;</span><br>
<blockquote style=3D"border-left:rgb(204,204,204) 1px solid;margin:0pt 0pt =
0pt 0.8ex;padding-left:1ex" class=3D"gmail_quote">Hilarious! The poster has=
 the image flipped!<br><br>Congrats=20
  on snagging a shot of the rig!<br>
  <div><br>Best,<br><br>Dennis<br><br><a href=3D"http://soundcloud.com/usrs=
bin" target=3D"_blank">http://soundcloud.com/usrsbin</a><br><a href=3D"http=
://audiozoloft.com" target=3D"_blank">http://audiozoloft.com</a><br><a href=
=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrslashsbin.=
angrek.com/</a><br>
<br><br><br></div>On Sat,=20
  Dec 4, 2010 at 2:37 PM, Petri Lahtinen &lt;<a href=3D"mailto:aikuinen@gma=
il.com" target=3D"_blank">aikuinen@gmail.com</a>&gt; wrote:<br>&gt; <a href=
=3D"http://www.flickr.com/photos/risingspiral/5229168559/" target=3D"_blank=
">http://www.flickr.com/photos/risingspiral/5229168559/</a><br>
&gt;<br>&gt;=20
  <a href=3D"http://www.flickr.com/photos/risingspiral/5229137087/" target=
=3D"_blank">http://www.flickr.com/photos/risingspiral/5229137087/</a><br>&g=
t;<br>&gt;=20
  Pictures from the Winter Garden<br>&gt;<br><br></blockquote></div><br><br=
 clear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilaht=
inen.com" target=3D"_blank">http://www.petrilahtinen.com</a><br><a href=3D"=
http://petrilahtinen.blogspot.com/" target=3D"_blank">http://petrilahtinen.=
blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only=20
become professional musician if there is no choice.&quot; -Robert=20
Fripp-<br>---------------------------------------------------<br>&quot;Some=
 people=20
never go crazy. What truly horrible lives they must lead.&quot; -Charles=20
Bukowski-<br><br></div></div></div>
</blockquote></div><br>

--0016e6d99c9139c78e0496dc4f43--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 01:57:08 2010
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	<4CFCE4FD.5050806@cruzio.com>
Date: Mon, 6 Dec 2010 22:37:27 +0100
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Subject: Re: Y2K10 fuzzy memories
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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I have to second this,though i could not see all the performances i really
liked what i saw on Saturday,i have the feeling that the performances were
more about music this time than gear.I might be wrong but i also had the
feeling that finally the word was getting around about this underground
event.The audience that was there seem really responsive and seem to be more
in tune with what is going on.
The article on the local newspaper which featured an interview with Rick was
great as well i and think that that also had an impact.
Once again Thank you guys Rick and Bill also for helping me out with the
gear,flying back it would have been a nightmare for me alone in the train
stations going up and down the stairs carrying my pedalboard
and guitar, plus all of the other heavy luggage i had to bring back.
So big kudos to borth of you!
cheers
Luis


On Mon, Dec 6, 2010 at 2:28 PM, Rick Walker <looppool@cruzio.com> wrote:

> Thanks Bill for such a sweet acknowledgment.
>
> The truth of the matter is that I could never have pulled all of this off
> without your help.
> You were always there to help people with gear; to put people up; to ferry
> people around;
> to give advice when I was unsure how to handle things and
> to take my freaked out cell phone calls during how intense that week was.
>
> You were always the one who I knew I could depend on if the chips were down
> or
> something freaked out or fucked up (which happened a
> lot...........<grin/grimace>
>
> It has been a great ride and I'm sure wonderful things will ensue from it
> all.
>
> thanks for your support and your love and your constant service.
>
> I love you,   Rick
>
>
>
> On 7/22/64 11:59 AM, William Walker wrote:
>
>> Dear Friends,
>>  Its raining steadily and gusting at times,  I'm sitting in my little room
>> looking out the window at the all but decayed looper's shrine created by
>> Michael Klobuchar , aided by my wife Nancy, and contributed to by virtually
>> every looper who visited or stayed with us during the Loopfest.  Due to an
>> inordinate amount of rain and stormy weather since the festival, most of the
>> shrine including the post industrial tiki tourches that Scoots constructed,
>> the skis, and the Lemonhead ladder have either blown down or rotted away. I
>> had to remove the rotting giant lemons finally, it wasn't a pretty sight...
>>  For me this was the best festival yet, for many reasons,  but primarily
>> because of the friendships created and renewed. It was particularly
>> gratifying for me that many of you on this list who I have become friends
>> with were able to make it back again or for the first time.  Its just beyond
>> a thrill for me to get to hang out with you all, hear you play, and exchange
>> ideas. Oh and the music was great this year, a really strong and varied
>> group, and this year unlike the last several, I actually got to see nearly
>> everyone perform.  I gotta say, over the past few years its been hard for me
>> to maintain a positive attitude, about the world, about money and even about
>> music, and the Loopfest  always has a way of inspiring me and lifting me up.
>>  It was remarkable to me what Rick was able to pull off,  and it was really
>> fantastic that our neighbors stepped up and helped us house those of you
>> that traveled the farthest.
>> Thanks Rick for an amazing ride, thanks to the Chris and Nancy for
>> tremendous spousal support, thanks to everyone who volunteered in some way
>>  and thanks to everyone who made the effort to come so far and share
>> yourselves with us.
>>
>> Bill
>>
>>
>>
>

--00248c11e371cf8b570496c4b163
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I have to second this,though i could not see all the performances i re=
ally liked what i saw on Saturday,i have the feeling that the=A0performance=
s were more about music this time than gear.I might be wrong but i also had=
 the feeling that finally the word was getting around about this undergroun=
d event.The audience that was there=A0seem really responsive and seem to be=
 more in tune with what is going on.</div>

<div>The=A0article on the local newspaper which featured an interview with =
Rick was great as well i and think that that also had an impact.</div>
<div>Once again Thank you guys Rick and Bill=A0also for helping me out with=
 the gear,flying back it would have been a nightmare for me alone in the tr=
ain stations going up and down the stairs=A0carrying my pedalboard and=A0gu=
itar,=A0plus all of the other heavy luggage i had to bring back.</div>

<div>So big kudos to borth of you!</div>
<div>cheers</div>
<div>Luis</div>
<div>=A0</div>
<div>=A0</div>
<div>On Mon, Dec 6, 2010 at 2:28 PM, Rick Walker <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote=
:<br></div>
<div class=3D"gmail_quote">
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Thanks Bill for such a sweet ack=
nowledgment.<br><br>The truth of the matter is that I could never have pull=
ed all of this off without your help.<br>
You were always there to help people with gear; to put people up; to ferry =
people around;<br>to give advice when I was unsure how to handle things and=
<br>to take my freaked out cell phone calls during how intense that week wa=
s.<br>
<br>You were always the one who I knew I could depend on if the chips were =
down or<br>something freaked out or fucked up (which happened a lot........=
...&lt;grin/grimace&gt;<br><br>It has been a great ride and I&#39;m sure wo=
nderful things will ensue from it all.<br>
<br>thanks for your support and your love and your constant service.<br><br=
>I love you, =A0 Rick=20
<div>
<div></div>
<div class=3D"h5"><br><br><br>On 7/22/64 11:59 AM, William Walker wrote:<br=
>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Dear Friends,<br>=A0Its raining =
steadily and gusting at times, =A0I&#39;m sitting in my little room looking=
 out the window at the all but decayed looper&#39;s shrine created by Micha=
el Klobuchar , aided by my wife Nancy, and contributed to by virtually ever=
y looper who visited or stayed with us during the Loopfest. =A0Due to an in=
ordinate amount of rain and stormy weather since the festival, most of the =
shrine including the post industrial tiki tourches that Scoots constructed,=
 the skis, and the Lemonhead ladder have either blown down or rotted away. =
I had to remove the rotting giant lemons finally, it wasn&#39;t a pretty si=
ght... =A0For me this was the best festival yet, for many reasons, =A0but p=
rimarily because of the friendships created and renewed. It was particularl=
y gratifying for me that many of you on this list who I have become friends=
 with were able to make it back again or for the first time. =A0Its just be=
yond a thrill for me to get to hang out with you all, hear you play, and ex=
change ideas. Oh and the music was great this year, a really strong and var=
ied group, and this year unlike the last several, I actually got to see nea=
rly everyone perform. =A0I gotta say, over the past few years its been hard=
 for me to maintain a positive attitude, about the world, about money and e=
ven about music, and the Loopfest =A0always has a way of inspiring me and l=
ifting me up. =A0It was remarkable to me what Rick was able to pull off, =
=A0and it was really fantastic that our neighbors stepped up and helped us =
house those of you that traveled the farthest.<br>
Thanks Rick for an amazing ride, thanks to the Chris and Nancy for tremendo=
us spousal support, thanks to everyone who volunteered in some way =A0and t=
hanks to everyone who made the effort to come so far and share yourselves w=
ith us.<br>
<br>Bill<br><br><br></blockquote><br></div></div></blockquote></div><br>

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Subject: Re: Fripper Gear Trivia
From: Kenn Lowy <kennlowy@me.com>
In-reply-to: <20101208003151.7CDAC1834D6@hemlock.violacea.com>
Date: Tue, 07 Dec 2010 20:04:47 -0500
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As stupid as this sounds, you have to have a Harmonizer to really appreciate what it can do. This music from this video (http://www.facebook.com/video/video.php?v=1777933087400) was all done on a guitar using the ebow and put through a harmonizer. I'm not sure where else I could have gotten those sounds (from one piece of equipment). It also went through my EDP, but that was just for looping. I wish I had another Harmonizer, but they are pricy.

klowy (aka wrinklemuzik)


> 2010/12/6 Rainer Straschill <moinsound@googlemail.com>
> 
>>> Let me ask you this, then: Suppose you had three (or two, or one)
>>> H8000(s):
>>> What would you do with them that you can't do with what you have at your
>>> disposal
>>> 
>>>            Rainer

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Subject: Re: Fripper Gear Trivia
Date: Tue, 7 Dec 2010 20:15:36 -0600
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I'm a big fan of Eventide products, and I own a bunch of them.

That said, there are other companies who are rapidly catching up to  
Eventide in terms of quality, including harmonizing. The Digitech IPS  
33-B was more or less a poor man's Eventide for years, but nowadays  
even a company like Line 6 has cut the gap considerably. I think the  
pitch shifting stuff on the HD500 is quite good, for example. And  
Fractal Audio's Axe-Fx meets or exceeds the quality of Eventide  
effects across the board--and, of course, you also get a ton of amp  
and cab models.

My .02

Jeff


From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 02:21:43 2010
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lovely music Reyn!!!!



"Reyn will play live on the next livelooping festival in Cologne (next  
April)
see www.livelooping.de"

-Michael


Great line up Michael!!!!!


Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>lovely music Reyn!!!!</div><div><br></div><div><font class="Apple-style-span" color="#5800FF"><br></font></div><div><font class="Apple-style-span" color="#5800FF"><br></font></div><font class="Apple-style-span" color="#5800FF">"Reyn will play live on the next livelooping festival in Cologne (next April)<br>see&nbsp;</font><a href="http://www.livelooping.de/"><font class="Apple-style-span" color="#5800FF">www.livelooping.de</font></a><font class="Apple-style-span" color="#5800FF">"<br><br>-Michael</font><div><br></div><div><br></div><div>Great line up Michael!!!!!&nbsp;</div><div><br></div><div><br></div><div>Bill</div></body></html>
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Subject: Re: Houston, we have lift-off
From: Clifford Novey <cnovey@gmail.com>
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Wow- you host it yourself?? Thanks for the hard work. There are 3rd party
hosts that are less than 10 bucks a month and create backups of their
servers nightly.
Regards,
Clifford

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<p>Wow- you host it yourself?? Thanks for the hard work. There are 3rd party hosts that are less than 10 bucks a month and create backups of their servers nightly.<br>Regards,<br>Clifford</p>

--0016e65b40e218f2f40496dd2569--

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Subject: Eventide Time Factor loop mode midi out
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Anyone here using Eventide Time Factor pedal with midi out to a drum machine
or other slave device? I simply cannot get it to interpret even the simplest
single bar of 4/4 correctly so it sends correct midi clock to drum machine.
It is always off and just not correct. I wish my EDP was a pedal.
:)
Clifford

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Anyone here using Eventide Time Factor pedal with midi out to a drum machin=
e or other slave device? I simply cannot get it to interpret even the simpl=
est single bar of 4/4 correctly so it sends correct midi clock to drum mach=
ine. It is always off and just not correct.=A0I wish my EDP was a pedal.<br=
>
:)<br>Clifford

--0016e6d77e5e160b810496dd2ab3--

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whats so much better about a pedal?
bending over does not bother you and the public?

you can connect a pedal to a table model but to a pedal you hardly can =
connect a hand controller, right?

On 7 Dec 2010, at 21:01, cnovey@gmail.com wrote:
>  God I wish my EDP was a pedal.
> :)

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Subject: Re: Ricks Spotify link
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I think this is it:
http://www.informationisbeautiful.net/2010/how-much-do-music-artists-earn-online/
Awesome, if depressing, page.

On Tue, Dec 7, 2010 at 1:08 AM, mark francombe <mark@markfrancombe.com> wrote:
> Does anyone have handy that depressing link that Rick posted a while back
> about how bad Spotify is as regards paying artists? I need to post it/tweet
> it as often as I post a link to Spotify, to ease my conscience or
> something...
>
> PS: BTW I tried the archives, cant get them to work right now...
>
> Mark
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Date: Tue, 7 Dec 2010 19:27:23 -0800
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Subject: Re: Pedal, Table or Rack
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016363b98aa14ee300496ddb315
Content-Type: text/plain; charset=ISO-8859-1

Hi Matthias,

What's better for me is I don't have to carry a rack unit to a gig and find
space for it, etc. I'm totally done with that. I did it for years and it was
a big hassle for me personally. With pedals I can have them all on a board
and fit all into a zippered SKB case with handles and shoulder strap along
with other items like cables and so forth.
Why would I need a hand controller for a pedal? Any rack unit will require a
pedal- a midi foot controller or whatever. Yet another power cord, another
thing to malfunction, etc. Also I've never seen anyone with rack units and
no other pedals (unless super expensive Bob Bradshaw type setups) and they
will invariably have to bend over to adjust those other pedals.
I totally get your point on that- I've watched video footage of some of my
gigs and there are times where the bending over is distracting- but not
terribly more so than if I was walking over to a rack and twisting
knobs/pushing buttons.

My personal goal this past year or so has been to simplify and avoiding rack
gear is a key requirement.

I truly love my EDP but I will always have pedals, of that I am sure- so I
prefer to commit to that format in my quest to keep things as simple as
possible.

Always a compromise- but more and more can be done with pedals now than ever
before. The Time Factor has overdub and replace with latch or punch for
each. I can adjust the pitch like tape or chromatic or in 7ths or 5ths or
octaves. Delay mode has a hold function and so forth. Also it is stereo
which I use now and has midi clock i/o. Of course I miss undo, insert, and a
million other things about my EDP but I am more content with a simpler
feature in pedal format.

Regards,

Clifford

On Tue, Dec 7, 2010 at 6:57 PM, Matthias Grob <matilists@gmail.com> wrote:

> whats so much better about a pedal?
> bending over does not bother you and the public?
>
> you can connect a pedal to a table model but to a pedal you hardly can
> connect a hand controller, right?
>
> On 7 Dec 2010, at 21:01, cnovey@gmail.com wrote:
> >  God I wish my EDP was a pedal.
> > :)
>
>

--0016363b98aa14ee300496ddb315
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Hi Matthias, </div>
<div>=A0</div>
<div>What&#39;s better for me=A0is I don&#39;t have to carry a rack unit to=
 a gig and find space for it, etc. I&#39;m totally done with that. I did it=
 for years and it was a big hassle for me personally. With pedals I can=A0h=
ave them all on a board and fit=A0all into a zippered SKB case with handles=
 and shoulder strap along with other items like cables and so forth.</div>

<div>Why would I need a hand controller for a pedal? Any rack unit will req=
uire a pedal- a midi foot controller or whatever. Yet another power cord, a=
nother thing to malfunction, etc. Also I&#39;ve never seen anyone with rack=
 units and no other pedals (unless super expensive Bob Bradshaw type setups=
) and they will invariably have to bend over to adjust those other pedals.<=
/div>

<div>I totally get your point on that- I&#39;ve watched video footage of so=
me of my gigs and there are times where the bending over is distracting- bu=
t not terribly more so than if I was walking over to a rack and twisting kn=
obs/pushing buttons.</div>

<div>=A0</div>
<div>My personal goal this past year or so=A0has been=A0to simplify and avo=
iding rack gear is a key requirement.</div>
<div>=A0</div>
<div>I truly=A0love my EDP but I will always have pedals, of that I am sure=
- so I prefer to commit to that format in my quest to keep things as simple=
 as possible.</div>
<div>=A0</div>
<div>Always a compromise- but more and more can be done with pedals now tha=
n ever before. The=A0Time Factor has overdub and replace with latch or punc=
h for each. I can adjust the pitch like tape or chromatic or in 7ths or 5th=
s or octaves. Delay mode has a hold function and so forth. Also it is stere=
o which I use now and has midi clock i/o. Of course I miss undo, insert, an=
d a million other things about my EDP but I am more content with a simpler =
feature in pedal format.</div>

<div>=A0</div>
<div>Regards,=A0</div>
<div>=A0</div>
<div>Clifford=A0<br><br></div>
<div class=3D"gmail_quote">On Tue, Dec 7, 2010 at 6:57 PM, Matthias Grob <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:matilists@gmail.com">matilists@gmail.=
com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">whats so much better about a ped=
al?<br>bending over does not bother you and the public?<br><br>you can conn=
ect a pedal to a table model but to a pedal you hardly can connect a hand c=
ontroller, right?<br>
<br>On 7 Dec 2010, at 21:01, <a href=3D"mailto:cnovey@gmail.com">cnovey@gma=
il.com</a> wrote:<br>&gt; =A0God I wish my EDP was a pedal.<br>&gt; :)<br><=
br></blockquote></div><br>

--0016363b98aa14ee300496ddb315--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 03:28:23 2010
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Subject: Re: Pedal, Table or Rack
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Date: Tue, 7 Dec 2010 19:28:14 -0800
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Matti,

Depends on the end-user.

My 2 cents . . . I prefer rack because:

=95 I can always control it with a pedal of some sort if I need or want =20=

to via MIDI or whatever.

=95 I can always just grab a knob too at some point on a rack unit (if =20=

it's not on the bottom and near the floor).

=95 Floor units potentially must take a lot of abuse, scratches, dings, =20=

dents, dust and beer - rack gear gets some protection.

=95 And, yes, me bending over onstage is not a pretty sight (LOL)

But I can understand those who want to travel lightly and compactly =20
with just their instrument and a few floor boxes.

I suppose if you are young enough to be attractive while bending over =20=

that can even be part of the show (ha).

I hate "desktop" units because they are neither fish nor fowl and you =20=

have to treat them "differently" than everything else.

They are generally neither rugged like floor boxes, nor convenient to =20=

organize and wire up like rack gear.

Table top units are possibly fine for people who's primary musical =20
activity happens in a studio and who never leave to "play out."

Just my opinion . . . the only change I ever wished for my EDP was =20
stereo and it looks like EchoLoop solves that very nicely.

Cheers,

Ted


On Dec 7, 2010, at 6:57 PM, Matthias Grob wrote:

> whats so much better about a pedal?

> bending over does not bother you and the public?
>
> you can connect a pedal to a table model but to a pedal you hardly =20
> can connect a hand controller, right?
>
> On 7 Dec 2010, at 21:01, cnovey@gmail.com wrote:

>> God I wish my EDP was a pedal.
>> :)
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 03:35:35 2010
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Subject: Re: Fripper Gear Trivia
From: Kenn Lowy <kennlowy@me.com>
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Date: Tue, 07 Dec 2010 22:35:29 -0500
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He does allow pictures now. The announcement that was made before the concert was "no cameras with flash". He's mellowed a bit.

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 03:37:46 2010
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On Dec 7, 2010, at 9:35 PM, Kenn Lowy wrote:

> He does allow pictures now. The announcement that was made before  
> the concert was "no cameras with flash". He's mellowed a bit.
>

I know he's revered here, but (I have to confess), he comes off as a  
complete douche nozzle in just about every interview with him I've read.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 03:43:00 2010
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I like tabletop stuff, because gear is no good to me if I can't tweak. 
It feels like the whole point - if I have knobs, I wanna use 'em! :) And 
hands have more dexterity than feet, so even if it means I have to take 
my grip off my instrument, I'd rather have those knobs in easy reach and 
sight.

Pedal switches are never easy on the hands, and rack controls is 
organized in a long narrow line, not easy to navigate quickly. I wish 
more things were available in a tabletop format.

Daryl Shawn
www.swanwelder.com

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From: Daniel Berkman <danielberkman@mac.com>
Subject: Re: Softstep
Date: Mon, 06 Dec 2010 10:42:55 -0800
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Awesome! Thank you! I'll check that out, too!=20

-Daniel

_____________________

Daniel Berkman | Colfax=20
Kora =E2=80=A2 Gravikord =E2=80=A2 Handsonic=20
Musician =E2=80=A2 Composer =E2=80=A2 Producer
www.danielberkman.com
Phone: (415) 254-4895
Email: danielberkman@mac.com

On Dec 6, 2010, at 3:53 AM, mark francombe <mark@markfrancombe.com> wrote:

> Daniel,=20
>=20
> Do exactly as Per says... on the softstep, you might wanna investigate usi=
ng the "KEY NOTES" preset (or name to that effect) This is set up to play mi=
di notes.. you should HEAR them, as Softstep is set up to play the DLS softs=
ynth.. On each pad, change the output pad to softstep share.. (I think thats=
 right) and save. Your NEXT scene, could be based on the same set, but now c=
hange the midio notes to ONE higher, so your banks run from 1-10, then bank 2=
 11-20 etc etc...
>=20
> then you can use SLs midi learn as Per described..
>=20
> Mark
>=20
>=20
> On Mon, Dec 6, 2010 at 12:18 PM, Per Boysen <perboysen@gmail.com> wrote:
> Daniel,
>=20
> Check the SooperLooper manual. It is very simple:
>=20
> 1) the SoftSTep sends certain midi events when kicked at the pads.
> 2) SooperLooper reacts to the incoming events.
>=20
> But you have to tell SooperLooper how to react on different events.
> That is also simple if you use the MIDI learn page in SL. I recommend
> using the Softstep to send MIDI notes for controlling "on/off" type of
> actions in Sooperlooper (like "Record", "Mute", "Overdub" etc). And
> for controlling continuous parameters (like "Volume", "Feedback" etc)
> you should bind a MIDI CC from Softstep.
>=20
> When you connect Softstep by a USB cable to a computer the Softstep
> should appear just like any MIDI In port to the computer and any
> software you may run on it. So classic MIDI routing how-to applies
> here.
>=20
> Per
>=20
>=20
>=20
> On Mon, Dec 6, 2010 at 1:44 AM, Daniel Berkman <danielberkman@mac.com> wro=
te:
> > Thank you Per. I kinda figured that part out.
> > There are no tutorials or vids on the Internet about how to set up Softs=
tep for Sooperlooper and I'm looking for some help.
> > I got somewhere with midi patchbay and got little results. At least they=
 are talking to eachother.
> > But, for instance how can I get a pad to trigger record when you step on=
 it, then to play when you step on it again?
> > I'm really new to this type of programming so excuse the naivet=C3=A9.
> > Any ideas?
> >
> >
> > _____________________
> >
> > Daniel Berkman | Colfax
> > Kora =E2=80=A2 Gravikord =E2=80=A2 Handsonic
> > Musician =E2=80=A2 Composer =E2=80=A2 Producer
> > www.danielberkman.com
> > Phone: (415) 254-4895
> > Email: danielberkman@mac.com
> >
> > On Dec 5, 2010, at 3:00 AM, Per Boysen <perboysen@gmail.com> wrote:
> >
> >> On Sun, Dec 5, 2010 at 7:45 AM, Daniel Berkman <danielberkman@mac.com> w=
rote:
> >>> I just got my first Softstep. Beautiful!
> >>> Anyone know how to connect it to Sooperlooper?
> >>
> >> USB.
> >>
> >> per
> >>
> >
> >
>=20
>=20
>=20
>=20
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

--Boundary_(ID_SXX2kj6Lpk4JL7S4z2jk/Q)
Content-type: text/html; charset=utf-8
Content-transfer-encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Awesome! Thank you! I'll check that out=
, too!&nbsp;</div><div><br></div><div>-Daniel<br><br><div>__________________=
___</div><div><br></div>Daniel Berkman |&nbsp;<span class=3D"Apple-style-spa=
n" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.289062); -webkit=
-composition-fill-color: rgba(175, 192, 227, 0.222656); -webkit-composition-=
frame-color: rgba(77, 128, 180, 0.222656); ">Colfax&nbsp;</span><div><span c=
lass=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26,=
 26, 0.289062); -webkit-composition-fill-color: rgba(175, 192, 227, 0.222656=
); -webkit-composition-frame-color: rgba(77, 128, 180, 0.222656); ">Kora =E2=
=80=A2 Gravikord =E2=80=A2 Handsonic&nbsp;</span><div><span class=3D"Apple-s=
tyle-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875);=
 -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-comp=
osition-frame-color: rgba(77, 128, 180, 0.230469); "><span class=3D"Apple-st=
yle-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -=
webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-compos=
ition-frame-color: rgba(77, 128, 180, 0.230469); ">Musician =E2=80=A2 Compos=
er =E2=80=A2 Producer</span></span><div><div><div><span class=3D"Apple-style=
-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -we=
bkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composit=
ion-frame-color: rgba(77, 128, 180, 0.230469); "><a href=3D"http://www.danie=
lberkman.com">www.danielberkman.com</a></span></div><div>Phone: (415) 254-48=
95</div><div>Email: <a href=3D"mailto:danielberkman@mac.com"><a href=3D"mail=
to:danielberkman@mac.com">danielberkman@mac.com</a></a></div></div></div></d=
iv></div></div><div><br>On Dec 6, 2010, at 3:53 AM, mark francombe &lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<b=
r><br></div><div></div><blockquote type=3D"cite"><div>Daniel, <br><br>Do exa=
ctly as Per says... on the softstep, you might wanna investigate using the "=
KEY NOTES" preset (or name to that effect) This is set up to play midi notes=
.. you should HEAR them, as Softstep is set up to play the DLS softsynth.. O=
n each pad, change the output pad to softstep share.. (I think thats right) a=
nd save. Your NEXT scene, could be based on the same set, but now change the=
 midio notes to ONE higher, so your banks run from 1-10, then bank 2 11-20 e=
tc etc...<br>

<br>then you can use SLs midi learn as Per described..<br><br>Mark<br><br><b=
r><div class=3D"gmail_quote">On Mon, Dec 6, 2010 at 12:18 PM, Per Boysen <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com"><a href=3D"mailto:=
perboysen@gmail.com">perboysen@gmail.com</a></a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border=
-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Daniel,<br>
<br>
Check the SooperLooper manual. It is very simple:<br>
<br>
1) the SoftSTep sends certain midi events when kicked at the pads.<br>
2) SooperLooper reacts to the incoming events.<br>
<br>
But you have to tell SooperLooper how to react on different events.<br>
That is also simple if you use the MIDI learn page in SL. I recommend<br>
using the Softstep to send MIDI notes for controlling "on/off" type of<br>
actions in Sooperlooper (like "Record", "Mute", "Overdub" etc). And<br>
for controlling continuous parameters (like "Volume", "Feedback" etc)<br>
you should bind a MIDI CC from Softstep.<br>
<br>
When you connect Softstep by a USB cable to a computer the Softstep<br>
should appear just like any MIDI In port to the computer and any<br>
software you may run on it. So classic MIDI routing how-to applies<br>
here.<br>
<font color=3D"#888888"><br>
Per<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Mon, Dec 6, 2010 at 1:44 AM, Daniel Berkman &lt;<a href=3D"mailto:danielb=
erkman@mac.com"><a href=3D"mailto:danielberkman@mac.com">danielberkman@mac.c=
om</a></a>&gt; wrote:<br>
&gt; Thank you Per. I kinda figured that part out.<br>
&gt; There are no tutorials or vids on the Internet about how to set up Soft=
step for Sooperlooper and I'm looking for some help.<br>
&gt; I got somewhere with midi patchbay and got little results. At least the=
y are talking to eachother.<br>
&gt; But, for instance how can I get a pad to trigger record when you step o=
n it, then to play when you step on it again?<br>
&gt; I'm really new to this type of programming so excuse the naivet=C3=A9.<=
br>
&gt; Any ideas?<br>
&gt;<br>
&gt;<br>
&gt; _____________________<br>
&gt;<br>
&gt; Daniel Berkman | Colfax<br>
&gt; Kora =E2=80=A2 Gravikord =E2=80=A2 Handsonic<br>
&gt; Musician =E2=80=A2 Composer =E2=80=A2 Producer<br>
&gt; <a href=3D"http://www.danielberkman.com" target=3D"_blank"><a href=3D"h=
ttp://www.danielberkman.com">www.danielberkman.com</a></a><br>
&gt; Phone: (415) 254-4895<br>
&gt; Email: <a href=3D"mailto:danielberkman@mac.com"><a href=3D"mailto:danie=
lberkman@mac.com">danielberkman@mac.com</a></a><br>
&gt;<br>
&gt; On Dec 5, 2010, at 3:00 AM, Per Boysen &lt;<a href=3D"mailto:perboysen@=
gmail.com"><a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a></a=
>&gt; wrote:<br>
&gt;<br>
&gt;&gt; On Sun, Dec 5, 2010 at 7:45 AM, Daniel Berkman &lt;<a href=3D"mailt=
o:danielberkman@mac.com"><a href=3D"mailto:danielberkman@mac.com">danielberk=
man@mac.com</a></a>&gt; wrote:<br>
&gt;&gt;&gt; I just got my first Softstep. Beautiful!<br>
&gt;&gt;&gt; Anyone know how to connect it to Sooperlooper?<br>
&gt;&gt;<br>
&gt;&gt; USB.<br>
&gt;&gt;<br>
&gt;&gt; per<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francom=
be<br><a href=3D"http://www.markfrancombe.com"><a href=3D"http://www.markfra=
ncombe.com">www.markfrancombe.com</a></a><br><a href=3D"http://www.ordoabkha=
o.com"><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>t=
witter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094"><a href=3D"http://vimeo.com/user8250=
94">http://vimeo.com/user825094</a></a><br><a href=3D"http://www.looop.no"><=
a href=3D"http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></body></html>=

--Boundary_(ID_SXX2kj6Lpk4JL7S4z2jk/Q)--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 04:07:06 2010
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Date: Tue, 7 Dec 2010 20:07:03 -0800
Message-ID: <AANLkTinpb23VLG_-REM3vbhBtEE=6LRdTBBKE0JN1XZ+@mail.gmail.com>
Subject: Re: Pedal, Table or Rack
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364c7939f92c410496de4034
Content-Type: text/plain; charset=ISO-8859-1

Anyone else notice the first 3 replies are from 3 different people who all
prefer a different one of the 3 basic types discussed?
:)
C

On Tue, Dec 7, 2010 at 7:42 PM, Daryl Shawn <darylshawn@gmail.com> wrote:

> I like tabletop stuff, because gear is no good to me if I can't tweak. It
> feels like the whole point - if I have knobs, I wanna use 'em! :) And hands
> have more dexterity than feet, so even if it means I have to take my grip
> off my instrument, I'd rather have those knobs in easy reach and sight.
>
> Pedal switches are never easy on the hands, and rack controls is organized
> in a long narrow line, not easy to navigate quickly. I wish more things were
> available in a tabletop format.
>
> Daryl Shawn
> www.swanwelder.com
>
>

--0016364c7939f92c410496de4034
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<div>Anyone else notice the first 3 replies are from 3 different people who=
 all prefer a different one of the 3 basic types discussed?</div>
<div>:)</div>
<div>C<br><br></div>
<div class=3D"gmail_quote">On Tue, Dec 7, 2010 at 7:42 PM, Daryl Shawn <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:darylshawn@gmail.com">darylshawn@gmail.=
com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">I like tabletop stuff, because g=
ear is no good to me if I can&#39;t tweak. It feels like the whole point - =
if I have knobs, I wanna use &#39;em! :) And hands have more dexterity than=
 feet, so even if it means I have to take my grip off my instrument, I&#39;=
d rather have those knobs in easy reach and sight.<br>
<br>Pedal switches are never easy on the hands, and rack controls is organi=
zed in a long narrow line, not easy to navigate quickly. I wish more things=
 were available in a tabletop format.<br><font color=3D"#888888"><br>Daryl =
Shawn<br>
<a href=3D"http://www.swanwelder.com/" target=3D"_blank">www.swanwelder.com=
</a><br><br></font></blockquote></div><br>

--0016364c7939f92c410496de4034--

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: clicks and pops in Ableton
Date: Wed, 8 Dec 2010 05:36:16 +0000
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Hi Rune=2C=20
Try increasing your computer's buffer size. The smaller the buffer=2C the h=
arder the machine has to work to ensure a smooth audio output.
=20
Good luck
=20
Gareth
=20


Date: Tue=2C 7 Dec 2010 20:57:01 +0000
From: rune_fagereng@yahoo.no
Subject: clicks and pops in Ableton
To: loopers-delight@loopers-delight.com





Hi!


My Ableton Live 8.2.1 has pops and clicks. The clicks and pops are not on t=
he recorded sound-files. What can I do? Reinstall everything on the mac?


best regards Rune F.   =20
 		 	   		  =

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<html>
<head>
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.hmmessage P
{
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}
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{
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font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Hi Rune=2C <BR>
Try increasing your computer's buffer size. The smaller the buffer=2C the h=
arder the machine has to work to ensure a smooth audio output.<BR>
&nbsp=3B<BR>
Good luck<BR>
&nbsp=3B<BR>
Gareth<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
Date: Tue=2C 7 Dec 2010 20:57:01 +0000<BR>From: rune_fagereng@yahoo.no<BR>S=
ubject: clicks and pops in Ableton<BR>To: loopers-delight@loopers-delight.c=
om<BR><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>Hi!
<DIV><BR></DIV>
<DIV>My Ableton Live 8.2.1 has pops and clicks. The clicks and pops are not=
 on the recorded sound-files. What can I do? Reinstall everything on the ma=
c?</DIV>
<DIV><BR></DIV>
<DIV>best regards Rune F. &nbsp=3B &nbsp=3B</DIV></TD></TR></TBODY></TABLE>=
<BR> 		 	   		  </body>
</html>=

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On Dec 7, 2010, at 6:57 PM, Matthias Grob wrote:

> whats so much better about a pedal?
> bending over does not bother you and the public?
>=20
> you can connect a pedal to a table model but to a pedal you hardly can =
connect a hand controller, right?

What's so much better? The absence of needing to carry around a rack or =
find and position a table on which to put a table top unit. The latter =
probably wouldn't matter to me as much if I hadn't taken seriously Kim =
Flint's complaints about guitar players sitting down while playing. (Now =
I stand and stare at my feet and/or the fretboard.)

What's so much better? One piece of equipment instead of two (control =
pedal + effects box).

So, I would be quite happy with a floorpedal EDP that was if not stereo =
then at least "stereo-compatible" -- i.e., it could pass a stereo signal =
through while only providing a mono loop.

I've wondered on occasion whether my EDPs could be viably repackaged =
with their foot controllers or an equivalent controller.

Mark

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Art Simon wrote:
> I think this is it:
> http://www.informationisbeautiful.net/2010/how-much-do-music-artists-earn-online/
> Awesome, if depressing, page.
> 

misleading statistics,
the artist gets paid for each listen with streaming,
not the case when the music is bought by other means.

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> 2010/12/6 Rainer Straschill <moinsound@googlemail.com 
> <mailto:moinsound@googlemail.com>>
> 
> 
>     Let me ask you this, then: Suppose you had three (or two, or one)
>     H8000(s):
>     What would you do with them that you can't do with what you have at
>     your disposal and that would really bring forward what you do musically?
> 

When I saw Fripp he certainly needed 3 long stereo delays, with 
2 of them very precisely the same length.

1 stereo delay was used to create a loop in his front 2 speakers.
The other 2 were very carefully routed so that they created
a stereo soundfield that gradually swept back over the heads
of his audience to the rear 2 speakers.
I not heard of anyone else configuring their delays to create
spacial movement quite like that, it was impressive, and particularly
the synth harps (not a sound I usually enjoy) really seemed to
hang in the air a few feet above head height as they gradually moved back.

I expect that if he specified top quality reliable audio gear to accomplish
this that his setup was not in any way unreasonable.

There's a nice Zappa quote about money
"Some people put it up their nose, I put it in my ear."

andy butler




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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Ricks Spotify link
Date: Wed, 8 Dec 2010 10:08:19 +0000
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This is true - I'd say that Spotify is a good music discovery  
platform but very bad for people who make a percentage of their  
living from downloads as people think that simply by listening via  
Spotify they have "paid" for the music. Spotify is great if you have  
a large catalogue of masters to create multiple income streams ie you  
are a major label. They win again.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Dec 2010, at 09:26, andy butler wrote:

> Art Simon wrote:
>> I think this is it:
>> http://www.informationisbeautiful.net/2010/how-much-do-music- 
>> artists-earn-online/
>> Awesome, if depressing, page.
>
> misleading statistics,
> the artist gets paid for each listen with streaming,
> not the case when the music is bought by other means.
>


--Apple-Mail-21--36913292
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
This is true - I'd say that Spotify is a good music discovery platform =
but very bad for people who make a percentage of their living from =
downloads as people think that simply by listening via Spotify they have =
"paid" for the music. Spotify is great if you have a large catalogue of =
masters to create multiple income streams ie you are a major label. They =
win again.<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Dec 2010, =
at 09:26, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Art Simon wrote:</div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I think this is it:</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.informationisbeautiful.net/2010/how-much-do-music-artis=
ts-earn-online/">http://www.informationisbeautiful.net/2010/how-much-do-mu=
sic-artists-earn-online/</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Awesome, if =
depressing, page.</div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">misleading statistics,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">the artist gets paid for each listen with =
streaming,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">not the case when the music is =
bought by other means.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div> </blockquote></div><br></div></body></html>=

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Subject: Re: hurdy gurdy
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Am 07.12.10 06:55, schrieb Art Simon:
> Wow, that is amazing. I'd never heard a hurdy gurdy before. Beautiful.
> 
> I found this fuzzy video:
> http://www.youtube.com/watch?v=jeEM5nGr-Ks&feature=related
> 
> Just gorgeous playing. Thanks for posting this.

Matthias is absolutely mind blowing. Thanks so much for sharing. I want
to hear him Live!

Stefan

-- 
Les Ondes Mémorielles--------x--
-_____-----------|-----------|--
-(_|_ ----|\-----|-----()-------
- _|_)----|-----()--------------
---------()----------TJ Shredder
http://tjshredder.wordpress.com/

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hi Matt,

Well, maybe it's better to compare Spotify to radio
rather than purchasable media.

How much do you get paid "per listener" from a radio show?

Or compare it to having a vid on YouTube.

One thing about Spotify that's nice is they tag completely unknown
artists onto the playlists.

The Spotify model is going to be the main way people listen (and watch)
in the future, I don't think that's avoidable. I only hope
that the "major labels" or some equivalent don't find
a way to dominate it.


Incidently, there was recently quite a boost to the number of people
listening to our music from the 2007 Norwich fest since October
http://www.andybutler.com/norwichfest.htm
I suspect this is mainly down to your "online promotional activities".


andy butler

Matt Stevens wrote:
> This is true - I'd say that Spotify is a good music discovery platform 
> but very bad for people who make a percentage of their living from 
> downloads as people think that simply by listening via Spotify they have 
> "paid" for the music. Spotify is great if you have a large catalogue of 
> masters to create multiple income streams ie you are a major label. They 
> win again.

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Ricks Spotify link
Date: Wed, 8 Dec 2010 11:11:55 +0000
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Interesting - that was a wonderful day in Norwich.

I agree, its going to be that streaming becomes the way we consume  
music - it just seems logical. Have you seen this:

http://www.tubeify.com/

Its a mixture of Last FM and youtube - last fm to catalogue youtube  
videos. This allows you to listen to virtually any album free at any  
time - including the artists that are hold out on Spotify - ie  
Crimson, Floyd etc - very clever and no adds!



Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Dec 2010, at 11:06, andy butler wrote:

> hi Matt,
>
> Well, maybe it's better to compare Spotify to radio
> rather than purchasable media.
>
> How much do you get paid "per listener" from a radio show?
>
> Or compare it to having a vid on YouTube.
>
> One thing about Spotify that's nice is they tag completely unknown
> artists onto the playlists.
>
> The Spotify model is going to be the main way people listen (and  
> watch)
> in the future, I don't think that's avoidable. I only hope
> that the "major labels" or some equivalent don't find
> a way to dominate it.
>
>
> Incidently, there was recently quite a boost to the number of people
> listening to our music from the 2007 Norwich fest since October
> http://www.andybutler.com/norwichfest.htm
> I suspect this is mainly down to your "online promotional activities".
>
>
> andy butler
>
> Matt Stevens wrote:
>> This is true - I'd say that Spotify is a good music discovery  
>> platform but very bad for people who make a percentage of their  
>> living from downloads as people think that simply by listening via  
>> Spotify they have "paid" for the music. Spotify is great if you  
>> have a large catalogue of masters to create multiple income  
>> streams ie you are a major label. They win again.
>


--Apple-Mail-24--33096538
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Interesting - that was a wonderful day in Norwich.<div><br></div><div>I =
agree, its going to be that streaming becomes the way we consume music - =
it just seems logical. Have you seen this:</div><div><br></div><div><a =
href=3D"http://www.tubeify.com">http://www.tubeify.com</a>/</div><div><br>=
</div><div>Its a mixture of Last FM and youtube - last fm to catalogue =
youtube videos. This allows you to listen to virtually any album free at =
any time - including the artists that are hold out on Spotify - ie =
Crimson, Floyd etc - very clever and no =
adds!</div><div><br></div><div><br></div><div><br></div><div><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Dec 2010, =
at 11:06, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">hi Matt,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Well, maybe it's better to =
compare Spotify to radio</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">rather than =
purchasable media.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">How much do you get paid "per =
listener" from a radio show?</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Or compare it to having a vid on =
YouTube.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">One thing about Spotify that's nice is they tag =
completely unknown</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">artists onto the =
playlists.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">The Spotify model is going to be the main way people =
listen (and watch)</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">in the future, I don't =
think that's avoidable. I only hope</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">that the =
"major labels" or some equivalent don't find</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">a way to dominate it.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Incidently, there was recently =
quite a boost to the number of people</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">listening to our music from the 2007 Norwich fest since =
October</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.andybutler.com/norwichfest.htm">http://www.andybutler.c=
om/norwichfest.htm</a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">I suspect this is mainly =
down to your "online promotional activities".</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">andy =
butler</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Stevens wrote:</div> <blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">This is true - I'd say that =
Spotify is a good music discovery platform but very bad for people who =
make a percentage of their living from downloads as people think that =
simply by listening via Spotify they have "paid" for the music. Spotify =
is great if you have a large catalogue of masters to create multiple =
income streams ie you are a major label. They win again.</div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Ricks Spotify link
Date: Wed, 8 Dec 2010 11:13:34 +0000
To: Loopers-Delight@loopers-delight.com
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Of course all this depends if 4chan decide to switch off the internet :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Dec 2010, at 11:06, andy butler wrote:

> hi Matt,
>
> Well, maybe it's better to compare Spotify to radio
> rather than purchasable media.
>
> How much do you get paid "per listener" from a radio show?
>
> Or compare it to having a vid on YouTube.
>
> One thing about Spotify that's nice is they tag completely unknown
> artists onto the playlists.
>
> The Spotify model is going to be the main way people listen (and  
> watch)
> in the future, I don't think that's avoidable. I only hope
> that the "major labels" or some equivalent don't find
> a way to dominate it.
>
>
> Incidently, there was recently quite a boost to the number of people
> listening to our music from the 2007 Norwich fest since October
> http://www.andybutler.com/norwichfest.htm
> I suspect this is mainly down to your "online promotional activities".
>
>
> andy butler
>
> Matt Stevens wrote:
>> This is true - I'd say that Spotify is a good music discovery  
>> platform but very bad for people who make a percentage of their  
>> living from downloads as people think that simply by listening via  
>> Spotify they have "paid" for the music. Spotify is great if you  
>> have a large catalogue of masters to create multiple income  
>> streams ie you are a major label. They win again.
>


--Apple-Mail-25--32998353
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Of course all this depends if =
4chan decide to switch off the internet :)<div>&nbsp;<br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Dec 2010, =
at 11:06, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">hi Matt,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Well, maybe it's better to =
compare Spotify to radio</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">rather than =
purchasable media.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">How much do you get paid "per =
listener" from a radio show?</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Or compare it to having a vid on =
YouTube.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">One thing about Spotify that's nice is they tag =
completely unknown</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">artists onto the =
playlists.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">The Spotify model is going to be the main way people =
listen (and watch)</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">in the future, I don't =
think that's avoidable. I only hope</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">that the =
"major labels" or some equivalent don't find</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">a way to dominate it.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Incidently, there was recently =
quite a boost to the number of people</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">listening to our music from the 2007 Norwich fest since =
October</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.andybutler.com/norwichfest.htm">http://www.andybutler.c=
om/norwichfest.htm</a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">I suspect this is mainly =
down to your "online promotional activities".</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">andy =
butler</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Stevens wrote:</div> <blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">This is true - I'd say that =
Spotify is a good music discovery platform but very bad for people who =
make a percentage of their living from downloads as people think that =
simply by listening via Spotify they have "paid" for the music. Spotify =
is great if you have a large catalogue of masters to create multiple =
income streams ie you are a major label. They win again.</div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-25--32998353--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 11:17:03 2010
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Date: Wed, 08 Dec 2010 03:16:53 -0800
From: Rick Walker <looppool@cruzio.com>
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CC: "RICK WALKER- 412 Darwin Street (back house)" <looppool@cruzio.com>,
        "Y2KXloopfest@yahoo.com" <Y2KXloopfest@yahoo.com>
Subject: SUPERIOR DRUMS for looping
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Luis Angulo just sent me this video demoing the newest version of
EZ drummer software called Superior Drums

http://www.youtube.com/watch?v=roLX4ZW2Ldk

I have to say that I"m incredibly skeptical about drum emulation software.
I keep hearing programs that just don't do it for me.

Mind you,  I"m a snob because I've played dozens of different kits in 
dozens of studios
in hundreds of styles of musics in my career as a studio 
drummer/percussionist and producer.

But I have to say,  this demo just blew me away........do yourself a 
favor and listen to the whole
demo (you'll learn a lot about producing great drum sounds just from 
hearing this guy
give the demo which is, itself, worth the price (free) of admission.

Of course, one caveat is that one of the world's best studio drummers is 
playing the kits in
real time so the other half of this enchilada is programming, but
this is the most realistic assemblage of samples replete with phase 
coherent microphones in different
positions created by world class engineers in world class studios with 
world class microphones
and world class ambient environments.

I am incredibly impressed!     If I didn't know how to get stuff like 
this with my own equipment
tens of thousands of dollars worth of recording gear and world class 
drums and cymbals,  I'd buy
it in a heart beat.    I just might anyway!

check it out and thanks, Luis for the hit!

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 13:20:55 2010
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Subject: Re: Dumb newbie's question...Ableton anyone?
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Am 29.11.10 18:47, schrieb antonyhequet@yahoo.com:
> the problem with computers is that they tend to draw your attention away
> from the music and into the screen...

If you are aware of it, and create your own looper, be it in Max/MSP
Bidule, Live or whatever, you don't need more attention to visual
feedback as with other gear (assuming you use some sort of Midi
controllers...).
The reason why there are more posts about hardware loopers is because
its more complicated to achieve uses the manufacturer did not envision
in the first place. You need all sorts of tips and tricks from
experienced users to get around.
If you create a looper yourself, you just implement what you need, but
this is also hard to share, because its bound to your personal creation.
Yes creating an instrument also takes time, but its well invested, the
rest is discipline, as with any instrument...

I am here to read and talk about the music, much more than to read or
talk about gear...

I just start to use Ableton, for the simple reason, that it can host
Max/MSP patches as Max4Live. But for performing I am completely happy
with Max alone...

Stefan

-- 
Les Ondes Mémorielles--------x--
-_____-----------|-----------|--
-(_|_ ----|\-----|-----()-------
- _|_)----|-----()--------------
---------()----------TJ Shredder
http://tjshredder.wordpress.com/

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 13:24:43 2010
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Subject: USB drives me nuts
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My Vista notebook has 3 USB ports. I currently use them for:  Soundcard,
Axon Midi controller, Steinberg key, Midi-2-USB, Nanokontrol, Nanokey (until
its usb plug broke off), Nanopad (probably I have forgotten one or two). I
use a passive little hub to plug them all in.

The thing that I wasn't aware of is that apparently it is important to plug
the devices exactly into the ports that were used during the installation.
Otherwise, often they aren't recognized. Today, I spent some time (not for
the first time) to persuade my system to recognize the Axon controller and
the Steinberg key again - each of them had been working before but not
today. This drives me nuts because I find it hard to understand the pattern
of this, much less the reason why this happens. My intuition believes all
devices should work everytime, independent where I plug them in.

Are there simple rules of thumb?

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 14:28:30 2010
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Subject: Re: Ricks Spotify link
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Good point here, Andy.

Assuming that people are streaming complete albums (and perhaps that's a 
whole other discussion - but me, I stream albums), then one should 
divide the streaming figures by 10, the average track count per album.

Furthermore, if a person likes an album, they'll stream to it multiple 
times. With a track download, or a cd sale, there is that one single 
purchase. With streaming, you'll see revenue each time it's played, in 
perpetuity (if that even exists with anything related to recorded music 
or the 'Net). I use streaming services almost exclusively to listen to 
music, and there are some albums I've listened to dozens of times, and 
will keep doing so. I may not have approached 100 times very often - 
with Rhapsody's one-US-cent-per-play model, assuming ten tracks per 
album, it will take 100 album listens to reach the price of an album 
download on iTunes - but over years, I may.

And of course, as with all virtual media, there is no cost associated 
per unit, as with a physical CD.

Finally, I believe that as streams replace tracks, people will feel less 
inclined to "steal" (I use that loosely) tracks through P2P or whatever, 
and more inclined simply to listen on their choice of streaming service. 
It's simply easier to search a catalog and play instantly than trolling 
through the web, downloading, then playing. I remember seeing discussion 
on Twitter from Zoe Keating and Matt Stevens (right, Matt?) about the 
number of times their tracks had been downloaded through torrent sites, 
it was quite stunning.

I do hope that Rhapsody's payout model, the highest of the streaming 
services, wins out over Spotify. But that chance may be slim.

Daryl Shawn
www.swanwelder.com



> hi Matt,
>
> Well, maybe it's better to compare Spotify to radio
> rather than purchasable media.
>
> How much do you get paid "per listener" from a radio show?
>
> Or compare it to having a vid on YouTube.

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 14:29:20 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Pedal, Table or Rack
References: <1422041587-1291766476-cardhu_decombobulator_blackberry.rim.net-776605567-@bda2841.bisx.prod.on.blackberry>	<CBA3538B-2890-4143-8726-E4A4FE4B6C5E@gmail.com>	<AANLkTi=bDrA3xXnjucfguc0gtSxvpEGMZ2Fg-ksP_jHK@mail.gmail.com>	<4CFEFEBE.3080101@gmail.com> <AANLkTinpb23VLG_-REM3vbhBtEE=6LRdTBBKE0JN1XZ+@mail.gmail.com>
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Fair & balanced, that's LD. :P

Daryl Shawn
www.swanwelder.com


> Anyone else notice the first 3 replies are from 3 different people who 
> all prefer a different one of the 3 basic types discussed?
> :)
> C

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 14:42:00 2010
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Subject: Re: Pedal, Table or Rack
Date: Wed, 8 Dec 2010 06:41:57 -0800
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And I did start my email out like this:

"Depends on the end-user.

My 2 cents . . . I prefer . . ."

On Dec 8, 2010, at 6:29 AM, Daryl Shawn wrote:

> Fair & balanced, that's LD. :P
>
> Daryl Shawn
> www.swanwelder.com
>
>
>> Anyone else notice the first 3 replies are from 3 different people  
>> who all prefer a different one of the 3 basic types discussed?
>> :)
>> C
>

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Hi Michael, 

With MIDI devices the rule is to try to always plug them into the same USB port. In XP, anyway, there are a limited number (eleven, I think it was) of MIDI ports available and if you plug the same device into two different USB ports at different times it will wind up having two MIDI ports assigned to it, one to each USB port. I ran into this problem when I got a Steinberg CC121 controller and got a message that there were no midi ports available. You can go into the registry and clean out the duplicates, though. 

As I said, though, that's XP, and Vista might act differently. 

Chris 


----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de> 
To: Loopers-Delight@loopers-delight.com 
Sent: Wednesday, December 8, 2010 8:24:36 AM 
Subject: USB drives me nuts 

My Vista notebook has 3 USB ports. I currently use them for: Soundcard, 
Axon Midi controller, Steinberg key, Midi-2-USB, Nanokontrol, Nanokey (until 
its usb plug broke off), Nanopad (probably I have forgotten one or two). I 
use a passive little hub to plug them all in. 

The thing that I wasn't aware of is that apparently it is important to plug 
the devices exactly into the ports that were used during the installation. 
Otherwise, often they aren't recognized. Today, I spent some time (not for 
the first time) to persuade my system to recognize the Axon controller and 
the Steinberg key again - each of them had been working before but not 
today. This drives me nuts because I find it hard to understand the pattern 
of this, much less the reason why this happens. My intuition believes all 
devices should work everytime, independent where I plug them in. 

Are there simple rules of thumb? 

-Michael 


------=_Part_432081_2019854623.1291819953695
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>Hi Michae=
l,<br><br>With MIDI devices the rule is to try to always plug them into the=
 same USB port.&nbsp; In XP, anyway, there are a limited number (eleven, I =
think it was) of MIDI ports available and if you plug the same device into =
two different USB ports at different times it will wind up having two MIDI =
ports assigned to it, one to each USB port.&nbsp; I ran into this problem w=
hen I got a Steinberg CC121 controller and got a message that there were no=
 midi ports available.&nbsp; You can go into the registry and clean out the=
 duplicates, though.<br><br>As I said, though, that's XP, and Vista might a=
ct differently.<br><br>Chris<br><br><br>----- Original Message -----<br>Fro=
m: "Michael Peters" &lt;mp@mpeters.de&gt;<br>To: Loopers-Delight@loopers-de=
light.com<br>Sent: Wednesday, December 8, 2010 8:24:36 AM<br>Subject: USB d=
rives me nuts<br><br>My Vista notebook has 3 USB ports. I currently use the=
m for: &nbsp;Soundcard,<br>Axon Midi controller, Steinberg key, Midi-2-USB,=
 Nanokontrol, Nanokey (until<br>its usb plug broke off), Nanopad (probably =
I have forgotten one or two). I<br>use a passive little hub to plug them al=
l in.<br><br>The thing that I wasn't aware of is that apparently it is impo=
rtant to plug<br>the devices exactly into the ports that were used during t=
he installation.<br>Otherwise, often they aren't recognized. Today, I spent=
 some time (not for<br>the first time) to persuade my system to recognize t=
he Axon controller and<br>the Steinberg key again - each of them had been w=
orking before but not<br>today. This drives me nuts because I find it hard =
to understand the pattern<br>of this, much less the reason why this happens=
. My intuition believes all<br>devices should work everytime, independent w=
here I plug them in.<br><br>Are there simple rules of thumb?<br><br>-Michae=
l<br><br></div></body></html>
------=_Part_432081_2019854623.1291819953695--

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Subject: Re: Ricks Spotify link
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yeah yeah yeah... I think the differences are known and understood... but
Spotify is NO WHERE NEAR the same as radio!

If you are played on radio, you are played to 1,000 to 1,000,000 people...
plus you are probably been on a playlist for a dj or show... so it might
happen more than once...

if you are played on Spotify, you are played because that person already IS
your girlfriend, wife, friend or fan. NO ONE NEW will really stumble across
you really.. I mean really... ok a few might... but not really..

...and did you SEE the figures in that diagram?

If a sale of a retail album brings you a dollar, spotify brings you 0.00029
of a dollar... How many streams does THAT take???

Andys right about one thing tho, that IS gonna be the preferred method of
music delivery in the future, doesnt mean I cant fucking grumble about it...




Mark








On Wed, Dec 8, 2010 at 3:28 PM, Daryl Shawn <darylshawn@gmail.com> wrote:

> Good point here, Andy.
>
> Assuming that people are streaming complete albums (and perhaps that's a
> whole other discussion - but me, I stream albums), then one should divide
> the streaming figures by 10, the average track count per album.
>
> Furthermore, if a person likes an album, they'll stream to it multiple
> times. With a track download, or a cd sale, there is that one single
> purchase. With streaming, you'll see revenue each time it's played, in
> perpetuity (if that even exists with anything related to recorded music or
> the 'Net). I use streaming services almost exclusively to listen to music,
> and there are some albums I've listened to dozens of times, and will keep
> doing so. I may not have approached 100 times very often - with Rhapsody's
> one-US-cent-per-play model, assuming ten tracks per album, it will take 100
> album listens to reach the price of an album download on iTunes - but over
> years, I may.
>
> And of course, as with all virtual media, there is no cost associated per
> unit, as with a physical CD.
>
> Finally, I believe that as streams replace tracks, people will feel less
> inclined to "steal" (I use that loosely) tracks through P2P or whatever, and
> more inclined simply to listen on their choice of streaming service. It's
> simply easier to search a catalog and play instantly than trolling through
> the web, downloading, then playing. I remember seeing discussion on Twitter
> from Zoe Keating and Matt Stevens (right, Matt?) about the number of times
> their tracks had been downloaded through torrent sites, it was quite
> stunning.
>
> I do hope that Rhapsody's payout model, the highest of the streaming
> services, wins out over Spotify. But that chance may be slim.
>
> Daryl Shawn
> www.swanwelder.com
>
>
>
>  hi Matt,
>>
>> Well, maybe it's better to compare Spotify to radio
>> rather than purchasable media.
>>
>> How much do you get paid "per listener" from a radio show?
>>
>> Or compare it to having a vid on YouTube.
>>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3043478a2279f40496e76b2d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yeah yeah yeah... I think the differences are known and understood... but S=
potify is NO WHERE NEAR the same as radio!<br><br>If you are played on radi=
o, you are played to 1,000 to 1,000,000 people... plus you are probably bee=
n on a playlist for a dj or show... so it might happen more than once...<br=
>

<br>if you are played on Spotify, you are played because that person alread=
y IS your girlfriend, wife, friend or fan. NO ONE NEW will really stumble a=
cross you really.. I mean really... ok a few might... but not really..<br>

<br>...and did you SEE the figures in that diagram?<br><br>If a sale of a r=
etail album brings you a dollar, spotify brings you 0.00029 of a dollar... =
How many streams does THAT take???<br><br>Andys right about one thing tho, =
that IS gonna be the preferred method of music delivery in the future, does=
nt mean I cant fucking grumble about it...<br>

<br><br><br><br>Mark<br><br><br><br><br><br><br><br><br><div class=3D"gmail=
_quote">On Wed, Dec 8, 2010 at 3:28 PM, Daryl Shawn <span dir=3D"ltr">&lt;<=
a href=3D"mailto:darylshawn@gmail.com">darylshawn@gmail.com</a>&gt;</span> =
wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Good point here, =
Andy.<br>
<br>
Assuming that people are streaming complete albums (and perhaps that&#39;s =
a whole other discussion - but me, I stream albums), then one should divide=
 the streaming figures by 10, the average track count per album.<br>
<br>
Furthermore, if a person likes an album, they&#39;ll stream to it multiple =
times. With a track download, or a cd sale, there is that one single purcha=
se. With streaming, you&#39;ll see revenue each time it&#39;s played, in pe=
rpetuity (if that even exists with anything related to recorded music or th=
e &#39;Net). I use streaming services almost exclusively to listen to music=
, and there are some albums I&#39;ve listened to dozens of times, and will =
keep doing so. I may not have approached 100 times very often - with Rhapso=
dy&#39;s one-US-cent-per-play model, assuming ten tracks per album, it will=
 take 100 album listens to reach the price of an album download on iTunes -=
 but over years, I may.<br>


<br>
And of course, as with all virtual media, there is no cost associated per u=
nit, as with a physical CD.<br>
<br>
Finally, I believe that as streams replace tracks, people will feel less in=
clined to &quot;steal&quot; (I use that loosely) tracks through P2P or what=
ever, and more inclined simply to listen on their choice of streaming servi=
ce. It&#39;s simply easier to search a catalog and play instantly than trol=
ling through the web, downloading, then playing. I remember seeing discussi=
on on Twitter from Zoe Keating and Matt Stevens (right, Matt?) about the nu=
mber of times their tracks had been downloaded through torrent sites, it wa=
s quite stunning.<br>


<br>
I do hope that Rhapsody&#39;s payout model, the highest of the streaming se=
rvices, wins out over Spotify. But that chance may be slim.<br>
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
hi Matt,<br>
<br>
Well, maybe it&#39;s better to compare Spotify to radio<br>
rather than purchasable media.<br>
<br>
How much do you get paid &quot;per listener&quot; from a radio show?<br>
<br>
Or compare it to having a vid on YouTube.<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3043478a2279f40496e76b2d--

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Subject: Re: Fripper Gear Trivia
From: Dennis Moser <sinsofmachaut@gmail.com>
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In light of this reply by Andy about WHY Fripp uses what he does the
way he does (and it tangentially gets at his attitude about
photography during his performances), let me ask you all this:

How many of you are willing to take the time to truly understand the
acoustical space of the places where you perform? How many of you are
willing to spend the time to measure the delay times in a venue and
then adjust your gear to maximize the sonic experience of space that
you might be able to create. And having done all that, how many of you
are going to ask your audience to experience that space the way that
you have envisioned playing it? ... now lather, rinse, and repeat for
20+ years.

I didn't think so.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Wed, Dec 8, 2010 at 2:39 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>
>> 2010/12/6 Rainer Straschill <moinsound@googlemail.com
>> <mailto:moinsound@googlemail.com>>
>>
>>
>> =A0 =A0Let me ask you this, then: Suppose you had three (or two, or one)
>> =A0 =A0H8000(s):
>> =A0 =A0What would you do with them that you can't do with what you have =
at
>> =A0 =A0your disposal and that would really bring forward what you do
>> musically?
>>
>
> When I saw Fripp he certainly needed 3 long stereo delays, with 2 of them
> very precisely the same length.
>
> 1 stereo delay was used to create a loop in his front 2 speakers.
> The other 2 were very carefully routed so that they created
> a stereo soundfield that gradually swept back over the heads
> of his audience to the rear 2 speakers.
> I not heard of anyone else configuring their delays to create
> spacial movement quite like that, it was impressive, and particularly
> the synth harps (not a sound I usually enjoy) really seemed to
> hang in the air a few feet above head height as they gradually moved back=
.
>
> I expect that if he specified top quality reliable audio gear to accompli=
sh
> this that his setup was not in any way unreasonable.
>
> There's a nice Zappa quote about money
> "Some people put it up their nose, I put it in my ear."
>
> andy butler
>
>
>
>
>

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Subject: Re: Ricks Spotify link
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 8, 2010 at 4:02 PM, mark francombe <mark@markfrancombe.com> wrote:
> If a sale of a retail album brings you a dollar, spotify brings you 0.00029
> of a dollar...

Welcome to the Micro Business....
(the former Music Business)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Ha ha, no need to welcome me to that business, since I was forcably ejected
from the latter I have been by default in the former... and made NOWT!

[?]

On Wed, Dec 8, 2010 at 4:11 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Dec 8, 2010 at 4:02 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > If a sale of a retail album brings you a dollar, spotify brings you
> 0.00029
> > of a dollar...
>
> Welcome to the Micro Business....
> (the former Music Business)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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Ha ha, no need to welcome me to that business, since I was forcably ejected=
 from the latter I have been by default in the former... and made NOWT!<br>=
<br><img goomoji=3D"330" style=3D"margin: 0pt 0.2ex; vertical-align: middle=
;" src=3D"cid:330@goomoji.gmail"><br>

<br><div class=3D"gmail_quote">On Wed, Dec 8, 2010 at 4:11 PM, Per Boysen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail=
.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"ma=
rgin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding=
-left: 1ex;">

On Wed, Dec 8, 2010 at 4:02 PM, mark francombe &lt;<a href=3D"mailto:mark@m=
arkfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; If a sale of a retail album brings you a dollar, spotify brings you 0.=
00029<br>
&gt; of a dollar...<br>
<br>
Welcome to the Micro Business....<br>
(the former Music Business)<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Ricks Spotify link
Date: Wed, 8 Dec 2010 15:28:14 +0000
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I have mixed feelings about spotify but its deffo going to be the  
future, because its a model that works for the majors therefore will  
happen.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Dec 2010, at 15:02, mark francombe wrote:

> yeah yeah yeah... I think the differences are known and  
> understood... but Spotify is NO WHERE NEAR the same as radio!
>
> If you are played on radio, you are played to 1,000 to 1,000,000  
> people... plus you are probably been on a playlist for a dj or  
> show... so it might happen more than once...
>
> if you are played on Spotify, you are played because that person  
> already IS your girlfriend, wife, friend or fan. NO ONE NEW will  
> really stumble across you really.. I mean really... ok a few  
> might... but not really..
>
> ...and did you SEE the figures in that diagram?
>
> If a sale of a retail album brings you a dollar, spotify brings you  
> 0.00029 of a dollar... How many streams does THAT take???
>
> Andys right about one thing tho, that IS gonna be the preferred  
> method of music delivery in the future, doesnt mean I cant fucking  
> grumble about it...
>
>
>
>
> Mark
>
>
>
>
>
>
>
>
> On Wed, Dec 8, 2010 at 3:28 PM, Daryl Shawn <darylshawn@gmail.com>  
> wrote:
> Good point here, Andy.
>
> Assuming that people are streaming complete albums (and perhaps  
> that's a whole other discussion - but me, I stream albums), then  
> one should divide the streaming figures by 10, the average track  
> count per album.
>
> Furthermore, if a person likes an album, they'll stream to it  
> multiple times. With a track download, or a cd sale, there is that  
> one single purchase. With streaming, you'll see revenue each time  
> it's played, in perpetuity (if that even exists with anything  
> related to recorded music or the 'Net). I use streaming services  
> almost exclusively to listen to music, and there are some albums  
> I've listened to dozens of times, and will keep doing so. I may not  
> have approached 100 times very often - with Rhapsody's one-US-cent- 
> per-play model, assuming ten tracks per album, it will take 100  
> album listens to reach the price of an album download on iTunes -  
> but over years, I may.
>
> And of course, as with all virtual media, there is no cost  
> associated per unit, as with a physical CD.
>
> Finally, I believe that as streams replace tracks, people will feel  
> less inclined to "steal" (I use that loosely) tracks through P2P or  
> whatever, and more inclined simply to listen on their choice of  
> streaming service. It's simply easier to search a catalog and play  
> instantly than trolling through the web, downloading, then playing.  
> I remember seeing discussion on Twitter from Zoe Keating and Matt  
> Stevens (right, Matt?) about the number of times their tracks had  
> been downloaded through torrent sites, it was quite stunning.
>
> I do hope that Rhapsody's payout model, the highest of the  
> streaming services, wins out over Spotify. But that chance may be  
> slim.
>
> Daryl Shawn
> www.swanwelder.com
>
>
>
> hi Matt,
>
> Well, maybe it's better to compare Spotify to radio
> rather than purchasable media.
>
> How much do you get paid "per listener" from a radio show?
>
> Or compare it to having a vid on YouTube.
>
>
>
>
> -- 
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I have mixed feelings about spotify but its deffo going to be the =
future, because its a model that works for the majors therefore will =
happen.<div><br></div><div><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Dec 2010, =
at 15:02, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">yeah yeah =
yeah... I think the differences are known and understood... but Spotify =
is NO WHERE NEAR the same as radio!<br><br>If you are played on radio, =
you are played to 1,000 to 1,000,000 people... plus you are probably =
been on a playlist for a dj or show... so it might happen more than =
once...<br> <br>if you are played on Spotify, you are played because =
that person already IS your girlfriend, wife, friend or fan. NO ONE NEW =
will really stumble across you really.. I mean really... ok a few =
might... but not really..<br> <br>...and did you SEE the figures in that =
diagram?<br><br>If a sale of a retail album brings you a dollar, spotify =
brings you 0.00029 of a dollar... How many streams does THAT =
take???<br><br>Andys right about one thing tho, that IS gonna be the =
preferred method of music delivery in the future, doesnt mean I cant =
fucking grumble about it...<br> =
<br><br><br><br>Mark<br><br><br><br><br><br><br><br><br><div =
class=3D"gmail_quote">On Wed, Dec 8, 2010 at 3:28 PM, Daryl Shawn <span =
dir=3D"ltr">&lt;<a =
href=3D"mailto:darylshawn@gmail.com">darylshawn@gmail.com</a>&gt;</span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt =
0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: =
1ex;">Good point here, Andy.<br> <br> Assuming that people are streaming =
complete albums (and perhaps that's a whole other discussion - but me, I =
stream albums), then one should divide the streaming figures by 10, the =
average track count per album.<br> <br> Furthermore, if a person likes =
an album, they'll stream to it multiple times. With a track download, or =
a cd sale, there is that one single purchase. With streaming, you'll see =
revenue each time it's played, in perpetuity (if that even exists with =
anything related to recorded music or the 'Net). I use streaming =
services almost exclusively to listen to music, and there are some =
albums I've listened to dozens of times, and will keep doing so. I may =
not have approached 100 times very often - with Rhapsody's =
one-US-cent-per-play model, assuming ten tracks per album, it will take =
100 album listens to reach the price of an album download on iTunes - =
but over years, I may.<br> <br> And of course, as with all virtual =
media, there is no cost associated per unit, as with a physical CD.<br> =
<br> Finally, I believe that as streams replace tracks, people will feel =
less inclined to "steal" (I use that loosely) tracks through P2P or =
whatever, and more inclined simply to listen on their choice of =
streaming service. It's simply easier to search a catalog and play =
instantly than trolling through the web, downloading, then playing. I =
remember seeing discussion on Twitter from Zoe Keating and Matt Stevens =
(right, Matt?) about the number of times their tracks had been =
downloaded through torrent sites, it was quite stunning.<br> <br> I do =
hope that Rhapsody's payout model, the highest of the streaming =
services, wins out over Spotify. But that chance may be slim.<br> <br> =
Daryl Shawn<br> <a href=3D"http://www.swanwelder.com" =
target=3D"_blank">www.swanwelder.com</a><br> <br> <br> <br> <blockquote =
class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: =
1px solid rgb(204, 204, 204); padding-left: 1ex;"> hi Matt,<br> <br> =
Well, maybe it's better to compare Spotify to radio<br> rather than =
purchasable media.<br> <br> How much do you get paid "per listener" from =
a radio show?<br> <br> Or compare it to having a vid on YouTube.<br> =
</blockquote> <br> </blockquote></div><br><br clear=3D"all"><br>-- =
<br>mark francombe<br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter =
@markfrancombe<br> <a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://www.looop.no">http://www.looop.no</a><br></blockquote></div=
><br></div></body></html>=

--Apple-Mail-28--17718116--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 15:47:33 2010
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	"Karsten Schulze" <karstenschulze2@web.de>,
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	"Matthias Ebbinghaus" <matebb@web.de>,
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Subject: Stretched Landscape Remix Project
Date: Wed, 8 Dec 2010 16:47:25 +0100
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http://www.michaelpeters.de/slremix.htm

Looking forward to your remixes!

-Michael Peters


From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 15:48:30 2010
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Excellent question! :-)

Been chewing on this one for a while.
Personally, I prefer hand control most of the stuff. There are only very few functions that could benefit from foot control, personally.

For, me currently the best solution so far is the STANTON UBERSTAND:
http://www.stantondj.com/stanton-accessories/uberstand.html
Unlike a DJ, however, the laptop is on the _buttom_ and midi controllers are on _top_ (I can even fit in the audi interface if I want to).

Works excellent, very light & small, fits anywhere on a chair etc.

best regards
Buzap


-- 
GMX DSL Doppel-Flat ab 19,99 &euro;/mtl.! Jetzt auch mit 
gratis Notebook-Flat! http://portal.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 16:25:39 2010
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Subject: Re: Pedal, Table or Rack
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--90e6ba6e843e3cb2680496e892ee
Content-Type: text/plain; charset=ISO-8859-1

I am one of those who doesn't gig out often. I have many pedals on the floor
and several on a table. The ones on the table all have foot controls of some
kind on the floor. I also have 2 Vortex rack units but they just sit on the
table top and are controlled via ex ped and buttons. I have absolutely no
more space left unless I go vertical :) Even many of the floor peds also
have additional ex ped and FS buttons controlling them. I love having access
to the controls of my Alesis Mod fX and 2880 with my hand but they also have
some fs control.

I sit when playing, backs not good, there is still a certain amount of
leaning over to twiddle knobs but I am getting pretty good with my toes for
this.

I always wanted one good rack unit/footcontrol pedal that would do
everything. Laptops might someday accomplish this I suppose.

peace,

Jeff

On Wed, Dec 8, 2010 at 10:41 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Excellent question! :-)
>
> Been chewing on this one for a while.
> Personally, I prefer hand control most of the stuff. There are only very
> few functions that could benefit from foot control, personally.
>
> For, me currently the best solution so far is the STANTON UBERSTAND:
> http://www.stantondj.com/stanton-accessories/uberstand.html
> Unlike a DJ, however, the laptop is on the _buttom_ and midi controllers
> are on _top_ (I can even fit in the audi interface if I want to).
>
> Works excellent, very light & small, fits anywhere on a chair etc.
>
> best regards
> Buzap
>
>
> --
> GMX DSL Doppel-Flat ab 19,99 &euro;/mtl.! Jetzt auch mit
> gratis Notebook-Flat! http://portal.gmx.net/de/go/dsl
>

--90e6ba6e843e3cb2680496e892ee
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I am one of those who doesn&#39;t gig out often. I have many pedals on the =
floor and several on a table. The ones on the table all have foot controls =
of some kind on the floor. I also have 2 Vortex rack units but they just si=
t on the table top and are controlled via ex ped and buttons. I have absolu=
tely no more space left unless I go vertical :) Even many of the floor peds=
 also have additional ex ped and FS buttons controlling them. I love having=
 access to the controls of my Alesis Mod fX and 2880 with my hand but they =
also have some fs control.<br>
<br>I sit when playing, backs not good, there is still a certain amount of =
leaning over to twiddle knobs but I am getting pretty good with my toes for=
 this. <br><br>I always wanted one good rack unit/footcontrol pedal that wo=
uld do everything. Laptops might someday accomplish this I suppose.<br>
<br>peace,<br><br>Jeff <br><br><div class=3D"gmail_quote">On Wed, Dec 8, 20=
10 at 10:41 AM, Buzap Buzap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@g=
mx.net">buzap@gmx.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">
Excellent question! :-)<br>
<br>
Been chewing on this one for a while.<br>
Personally, I prefer hand control most of the stuff. There are only very fe=
w functions that could benefit from foot control, personally.<br>
<br>
For, me currently the best solution so far is the STANTON UBERSTAND:<br>
<a href=3D"http://www.stantondj.com/stanton-accessories/uberstand.html" tar=
get=3D"_blank">http://www.stantondj.com/stanton-accessories/uberstand.html<=
/a><br>
Unlike a DJ, however, the laptop is on the _buttom_ and midi controllers ar=
e on _top_ (I can even fit in the audi interface if I want to).<br>
<br>
Works excellent, very light &amp; small, fits anywhere on a chair etc.<br>
<br>
best regards<br>
Buzap<br>
<font color=3D"#888888"><br>
<br>
--<br>
GMX DSL Doppel-Flat ab 19,99 &amp;euro;/mtl.! Jetzt auch mit<br>
gratis Notebook-Flat! <a href=3D"http://portal.gmx.net/de/go/dsl" target=3D=
"_blank">http://portal.gmx.net/de/go/dsl</a><br>
</font></blockquote></div><br>

--90e6ba6e843e3cb2680496e892ee--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 16:34:09 2010
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From: "d.nix" <d.nix@comcast.net>
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References: <20101208092629.8B0231834F7@hemlock.violacea.com> <4CFF6925.8020509@cruzio.com>
Subject: Re: SUPERIOR DRUMS for looping
Date: Wed, 8 Dec 2010 08:33:52 -0800
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Another product that looks / sounds pretty impressive (at least for the sort
of stuff I'm doing) is Addictive Drums:

http://www.xlnaudio.com/?page=products&p_page=addictivedrums

I havent purchased yet, but the decision is between these two products...

> Luis Angulo just sent me this video demoing the newest version of
> EZ drummer software called Superior Drums
>
> http://www.youtube.com/watch?v=roLX4ZW2Ldk
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 16:56:02 2010
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	<AANLkTimZQyXEs9kU+jCqQjSJQVa1Pbx4mmFtQ1RniNtT@mail.gmail.com>
Date: Wed, 8 Dec 2010 18:55:59 +0200
Message-ID: <AANLkTi=et5u87zKRStvM=YYf4MR5qZCDGAo8824z+oTK@mail.gmail.com>
Subject: Re: Fripper Gear Trivia
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf3054a6b9ddcd120496e8fe78
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Well Dennis, you nailed it.


2010/12/8 Dennis Moser <sinsofmachaut@gmail.com>

> In light of this reply by Andy about WHY Fripp uses what he does the
> way he does (and it tangentially gets at his attitude about
> photography during his performances), let me ask you all this:
>
> How many of you are willing to take the time to truly understand the
> acoustical space of the places where you perform? How many of you are
> willing to spend the time to measure the delay times in a venue and
> then adjust your gear to maximize the sonic experience of space that
> you might be able to create. And having done all that, how many of you
> are going to ask your audience to experience that space the way that
> you have envisioned playing it? ... now lather, rinse, and repeat for
> 20+ years.
>
> I didn't think so.
>
> Best,
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Wed, Dec 8, 2010 at 2:39 AM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> >
> >> 2010/12/6 Rainer Straschill <moinsound@googlemail.com
> >> <mailto:moinsound@googlemail.com>>
> >>
> >>
> >>    Let me ask you this, then: Suppose you had three (or two, or one)
> >>    H8000(s):
> >>    What would you do with them that you can't do with what you have at
> >>    your disposal and that would really bring forward what you do
> >> musically?
> >>
> >
> > When I saw Fripp he certainly needed 3 long stereo delays, with 2 of them
> > very precisely the same length.
> >
> > 1 stereo delay was used to create a loop in his front 2 speakers.
> > The other 2 were very carefully routed so that they created
> > a stereo soundfield that gradually swept back over the heads
> > of his audience to the rear 2 speakers.
> > I not heard of anyone else configuring their delays to create
> > spacial movement quite like that, it was impressive, and particularly
> > the synth harps (not a sound I usually enjoy) really seemed to
> > hang in the air a few feet above head height as they gradually moved
> back.
> >
> > I expect that if he specified top quality reliable audio gear to
> accomplish
> > this that his setup was not in any way unreasonable.
> >
> > There's a nice Zappa quote about money
> > "Some people put it up their nose, I put it in my ear."
> >
> > andy butler
> >
> >
> >
> >
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a6b9ddcd120496e8fe78
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Well Dennis, you nailed it.<br><br><br><div class=3D"gmail_quote">2010/12/8=
 Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.c=
om">sinsofmachaut@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">
In light of this reply by Andy about WHY Fripp uses what he does the<br>
way he does (and it tangentially gets at his attitude about<br>
photography during his performances), let me ask you all this:<br>
<br>
How many of you are willing to take the time to truly understand the<br>
acoustical space of the places where you perform? How many of you are<br>
willing to spend the time to measure the delay times in a venue and<br>
then adjust your gear to maximize the sonic experience of space that<br>
you might be able to create. And having done all that, how many of you<br>
are going to ask your audience to experience that space the way that<br>
you have envisioned playing it? ... now lather, rinse, and repeat for<br>
20+ years.<br>
<br>
I didn&#39;t think so.<br>
<br>
Best,<br>
<br>
Dennis<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br>
<br>
<br>
On Wed, Dec 8, 2010 at 2:39 AM, andy butler &lt;<a href=3D"mailto:akbutler@=
tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>
&gt;<br>
&gt;&gt; 2010/12/6 Rainer Straschill &lt;<a href=3D"mailto:moinsound@google=
mail.com">moinsound@googlemail.com</a><br>
&gt;&gt; &lt;mailto:<a href=3D"mailto:moinsound@googlemail.com">moinsound@g=
ooglemail.com</a>&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; =A0 =A0Let me ask you this, then: Suppose you had three (or two, o=
r one)<br>
&gt;&gt; =A0 =A0H8000(s):<br>
&gt;&gt; =A0 =A0What would you do with them that you can&#39;t do with what=
 you have at<br>
&gt;&gt; =A0 =A0your disposal and that would really bring forward what you =
do<br>
&gt;&gt; musically?<br>
&gt;&gt;<br>
&gt;<br>
&gt; When I saw Fripp he certainly needed 3 long stereo delays, with 2 of t=
hem<br>
&gt; very precisely the same length.<br>
&gt;<br>
&gt; 1 stereo delay was used to create a loop in his front 2 speakers.<br>
&gt; The other 2 were very carefully routed so that they created<br>
&gt; a stereo soundfield that gradually swept back over the heads<br>
&gt; of his audience to the rear 2 speakers.<br>
&gt; I not heard of anyone else configuring their delays to create<br>
&gt; spacial movement quite like that, it was impressive, and particularly<=
br>
&gt; the synth harps (not a sound I usually enjoy) really seemed to<br>
&gt; hang in the air a few feet above head height as they gradually moved b=
ack.<br>
&gt;<br>
&gt; I expect that if he specified top quality reliable audio gear to accom=
plish<br>
&gt; this that his setup was not in any way unreasonable.<br>
&gt;<br>
&gt; There&#39;s a nice Zappa quote about money<br>
&gt; &quot;Some people put it up their nose, I put it in my ear.&quot;<br>
&gt;<br>
&gt; andy butler<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a6b9ddcd120496e8fe78--

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Subject: Teflon (sortof) - All-in-one PCs for looping/effects
From: Clint Allen <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8f0e138af70496e9076f
Content-Type: text/plain; charset=ISO-8859-1

Is anyone out there using an *All-in-one* PC or Mac for live gigging,
looping, etc. ? I'm considering this approach but curious to hear the
experiences (pro/con) before going down that road. My looping is still
EDP-based but more and more I'm using Live 8 and a handful of VSTs for solo
Stick and fretless...not as much in band formats.

By *All-in-one* I mean all of the newer PC and Mac physical
monitor/case/processing in one flat-style "box".

Thanks!
Clint



>  --
>
Clint E. Allen
* Technology Consultant
* Sound Engineering
* Musician

--90e6ba6e8f0e138af70496e9076f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">Is anyone out there using an <em>All-in-one</em>=
 PC or Mac for live gigging, looping, etc. ? I&#39;m considering this appro=
ach but=A0curious to hear the experiences (pro/con) before going down that =
road. My looping is still EDP-based but more and more I&#39;m using Live 8 =
and a handful of VSTs for solo Stick and fretless...not as much in band for=
mats.</div>

<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">By <em>All-in-one</em> I mean all of the newer P=
C and Mac physical monitor/case/processing in one flat-style &quot;box&quot=
;. </div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">Thanks!</div>
<div class=3D"gmail_quote">Clint </div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">
<div>=A0</div>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>
<div style=3D"FONT-FAMILY: Arial; COLOR: #000000; FONT-SIZE: 12pt">-- <br><=
/div></div></blockquote></div>
<div>Clint E. Allen<br>* Technology Consultant<br>* Sound Engineering</div>
<div>*=A0Musician</div><br>

--90e6ba6e8f0e138af70496e9076f--

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	<4CFF6925.8020509@cruzio.com>
Date: Wed, 8 Dec 2010 17:59:34 +0100
Message-ID: <AANLkTindK4bXu1arRT5W0mQWePfWCQUGuyde1cgxaZu1@mail.gmail.com>
Subject: Re: SUPERIOR DRUMS for looping
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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cheers bro what midi drum controller is this guy using anybody?
i think that might be pyschologically important to really feel the real deal
and nail it!
Luis

On Wed, Dec 8, 2010 at 12:16 PM, Rick Walker <looppool@cruzio.com> wrote:

> Luis Angulo just sent me this video demoing the newest version of
> EZ drummer software called Superior Drums
>
> http://www.youtube.com/watch?v=roLX4ZW2Ldk
>
> I have to say that I"m incredibly skeptical about drum emulation software.
> I keep hearing programs that just don't do it for me.
>
> Mind you,  I"m a snob because I've played dozens of different kits in
> dozens of studios
> in hundreds of styles of musics in my career as a studio
> drummer/percussionist and producer.
>
> But I have to say,  this demo just blew me away........do yourself a favor
> and listen to the whole
> demo (you'll learn a lot about producing great drum sounds just from
> hearing this guy
> give the demo which is, itself, worth the price (free) of admission.
>
> Of course, one caveat is that one of the world's best studio drummers is
> playing the kits in
> real time so the other half of this enchilada is programming, but
> this is the most realistic assemblage of samples replete with phase
> coherent microphones in different
> positions created by world class engineers in world class studios with
> world class microphones
> and world class ambient environments.
>
> I am incredibly impressed!     If I didn't know how to get stuff like this
> with my own equipment
> tens of thousands of dollars worth of recording gear and world class drums
> and cymbals,  I'd buy
> it in a heart beat.    I just might anyway!
>
> check it out and thanks, Luis for the hit!
>
> Rick Walker
>
>

--0016e6d968ceb511c80496e90b43
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cheers bro what midi drum controller is this guy using anybody? <br>i think=
 that might be pyschologically important to really feel the real deal and n=
ail it!<br>Luis<br><br><div class=3D"gmail_quote">On Wed, Dec 8, 2010 at 12=
:16 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio=
.com">looppool@cruzio.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Luis Angulo just =
sent me this video demoing the newest version of<br>
EZ drummer software called Superior Drums<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DroLX4ZW2Ldk" target=3D"_blank">=
http://www.youtube.com/watch?v=3DroLX4ZW2Ldk</a><br>
<br>
I have to say that I&quot;m incredibly skeptical about drum emulation softw=
are.<br>
I keep hearing programs that just don&#39;t do it for me.<br>
<br>
Mind you, =A0I&quot;m a snob because I&#39;ve played dozens of different ki=
ts in dozens of studios<br>
in hundreds of styles of musics in my career as a studio drummer/percussion=
ist and producer.<br>
<br>
But I have to say, =A0this demo just blew me away........do yourself a favo=
r and listen to the whole<br>
demo (you&#39;ll learn a lot about producing great drum sounds just from he=
aring this guy<br>
give the demo which is, itself, worth the price (free) of admission.<br>
<br>
Of course, one caveat is that one of the world&#39;s best studio drummers i=
s playing the kits in<br>
real time so the other half of this enchilada is programming, but<br>
this is the most realistic assemblage of samples replete with phase coheren=
t microphones in different<br>
positions created by world class engineers in world class studios with worl=
d class microphones<br>
and world class ambient environments.<br>
<br>
I am incredibly impressed! =A0 =A0 If I didn&#39;t know how to get stuff li=
ke this with my own equipment<br>
tens of thousands of dollars worth of recording gear and world class drums =
and cymbals, =A0I&#39;d buy<br>
it in a heart beat. =A0 =A0I just might anyway!<br>
<br>
check it out and thanks, Luis for the hit!<br><font color=3D"#888888">
<br>
Rick Walker<br>
<br>
</font></blockquote></div><br>

--0016e6d968ceb511c80496e90b43--

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Date: Wed, 8 Dec 2010 18:13:10 +0100
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Subject: Re: SUPERIOR DRUMS for looping
From: Per Boysen <perboysen@gmail.com>
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It is a Hart Pro 6.4 with a TD20 module, according to a Toontrack guy
that posted on your linked video page.

Per


On Wed, Dec 8, 2010 at 5:59 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> cheers bro what midi drum controller is this guy using anybody?
> i think that might be pyschologically important to really feel the real deal
> and nail it!
> Luis
>
> On Wed, Dec 8, 2010 at 12:16 PM, Rick Walker <looppool@cruzio.com> wrote:
>>
>> Luis Angulo just sent me this video demoing the newest version of
>> EZ drummer software called Superior Drums
>>
>> http://www.youtube.com/watch?v=roLX4ZW2Ldk

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TANKS VIOLET!!!!!


From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 17:25:42 2010
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Date: Wed, 8 Dec 2010 09:25:32 -0800
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       Somehow during the great server meltdown my post about Fripp  
got lost though it seems some of you caught it. I'm kind of glad as it  
was a pretty sarcastic rip on Mr Fripp.
  In spite of the well articulated defenses of Bobby F's mountain o'  
gear from Andy , Dennis and others. I still feel like it is overkill.  
Would his music be any less compelling if he didn't have all of that  
gear?  I really don't think so. It has been my personal experience  
that when I have  let go of a piece of gear either by necessity or  
choice, I've always found ways to re-invent the sound I lost with a  
new strategy, and more often that not it has liberated me from the  
security blanket  all that gear represents. I must confess, I was a  
huge King Krimson fan , since I first heard the Red album,  and I also  
love Fripps collaborations with Eno, Bowie, and others, but the whole  
league of crafty guitarists, the new standard tuning and his ultra  
dogmatic intellectual/ mathematical  approach to music seems a bit  
emotionally cold to me and thus leaves me cold.  I think what  
triggered me about this discussion of his gear, has more to do with my  
personal view that  our cultural has gottened so materialistic and  
corrupted by greed. I realized that Bob's mountain of gear is a  
relative mole hill compared to the greed and excess perpetrated by the  
CEO's of the world, so I'll stop bashing him. Afterall its not like he  
just bought a new Rolls, after outsourcing his companies jobs to China.
Bill

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 17:36:10 2010
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Date: Wed, 8 Dec 2010 18:36:05 +0100
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Subject: Re: Teflon (sortof) - All-in-one PCs for looping/effects
From: Per Boysen <perboysen@gmail.com>
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I use a laptop + audio interface + MIDI control board. That's three
components so I'm not sure it qualifies as "flat style box"? Anyway,
five years ago I was using a huge rack with mixer on top and EDP,
Electrixpro Repeater, Akai MFC42 filterbank and Lexicon reverb. But I
got rid of all that and have been laptop powered ever since. Besides
electric string instruments like Stick and Guitar I also feed this rig
with wind instruments by a mic and with MIDI by an EWI for software
synth playing. I use this rig for both experimental solo concerts and
band concerts (dance style west African)

Spec's:
Apple Macbook, RME Fireface400, Mainstage, Mobius, SoundToys Native
Bundle. Gordius Little Giant 2 MIDI floor board and Faderfox LV1 MIDI
hand mixer (very minimal). For some gigs I bring two small Genelecs
for stage monitoring, but I'd rather rely on the house PA if that's an
option.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Dec 8, 2010 at 5:58 PM, Clint Allen <clint.allen@gmail.com> wrote:
> Is anyone out there using an All-in-one PC or Mac for live gigging, loopi=
ng,
> etc. ? I'm considering this approach but=C2=A0curious to hear the experie=
nces
> (pro/con) before going down that road. My looping is still EDP-based but
> more and more I'm using Live 8 and a handful of VSTs for solo Stick and
> fretless...not as much in band formats.
>
> By All-in-one I mean all of the newer PC and Mac physical
> monitor/case/processing in one flat-style "box".
>
> Thanks!
> Clint
>
>
>>
>> --
>
> Clint E. Allen
> * Technology Consultant
> * Sound Engineering
> *=C2=A0Musician
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 17:42:43 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
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Subject: RE: Fripper Gear Trivia
Date: Wed, 8 Dec 2010 17:42:41 +0000
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--_9445a0ca-c83b-48df-9ab6-6cbeca9b5ef0_
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Jealousy is a terrible thing Bill =3B-)
Seriously though=2C if that's what he needs technically and emotionally to =
support his art=2C (and it's his money remember) so be it. It supports exce=
llent=2C(though expensive) products without whose existance=2C more afforda=
ble gear may not exist for the likes of us bottom feeders...
I have to say though =2C I prefer your music to his but I'm glad both exist=
.
Peace
=20
G
=20
> From: billwalker@baymoon.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Fripper Gear Trivia
> Date: Wed=2C 8 Dec 2010 09:25:32 -0800
>=20
> Somehow during the great server meltdown my post about Fripp=20
> got lost though it seems some of you caught it. I'm kind of glad as it=20
> was a pretty sarcastic rip on Mr Fripp.
> In spite of the well articulated defenses of Bobby F's mountain o'=20
> gear from Andy =2C Dennis and others. I still feel like it is overkill.=20
> Would his music be any less compelling if he didn't have all of that=20
> gear? I really don't think so. It has been my personal experience=20
> that when I have let go of a piece of gear either by necessity or=20
> choice=2C I've always found ways to re-invent the sound I lost with a=20
> new strategy=2C and more often that not it has liberated me from the=20
> security blanket all that gear represents. I must confess=2C I was a=20
> huge King Krimson fan =2C since I first heard the Red album=2C and I also=
=20
> love Fripps collaborations with Eno=2C Bowie=2C and others=2C but the who=
le=20
> league of crafty guitarists=2C the new standard tuning and his ultra=20
> dogmatic intellectual/ mathematical approach to music seems a bit=20
> emotionally cold to me and thus leaves me cold. I think what=20
> triggered me about this discussion of his gear=2C has more to do with my=
=20
> personal view that our cultural has gottened so materialistic and=20
> corrupted by greed. I realized that Bob's mountain of gear is a=20
> relative mole hill compared to the greed and excess perpetrated by the=20
> CEO's of the world=2C so I'll stop bashing him. Afterall its not like he=
=20
> just bought a new Rolls=2C after outsourcing his companies jobs to China.
> Bill
>=20
 		 	   		  =

--_9445a0ca-c83b-48df-9ab6-6cbeca9b5ef0_
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Jealousy is a terrible thing Bill =3B-)<BR>
Seriously though=2C if that's what he needs technically and emotionally to =
support his art=2C (and it's his money remember) so be it. It supports exce=
llent=2C(though expensive) products without whose existance=2C more afforda=
ble gear may not exist for the likes of us bottom feeders...<BR>
I have to say though =2C I prefer your music to his but I'm glad both exist=
.<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B From: billwalker@baymoon.com<BR>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<BR>&gt=3B Subject: Re: Fripper Gear Trivia<BR>&gt=3B Date: Wed=
=2C 8 Dec 2010 09:25:32 -0800<BR>&gt=3B <BR>&gt=3B Somehow during the great=
 server meltdown my post about Fripp <BR>&gt=3B got lost though it seems so=
me of you caught it. I'm kind of glad as it <BR>&gt=3B was a pretty sarcast=
ic rip on Mr Fripp.<BR>&gt=3B In spite of the well articulated defenses of =
Bobby F's mountain o' <BR>&gt=3B gear from Andy =2C Dennis and others. I st=
ill feel like it is overkill. <BR>&gt=3B Would his music be any less compel=
ling if he didn't have all of that <BR>&gt=3B gear? I really don't think so=
. It has been my personal experience <BR>&gt=3B that when I have let go of =
a piece of gear either by necessity or <BR>&gt=3B choice=2C I've always fou=
nd ways to re-invent the sound I lost with a <BR>&gt=3B new strategy=2C and=
 more often that not it has liberated me from the <BR>&gt=3B security blank=
et all that gear represents. I must confess=2C I was a <BR>&gt=3B huge King=
 Krimson fan =2C since I first heard the Red album=2C and I also <BR>&gt=3B=
 love Fripps collaborations with Eno=2C Bowie=2C and others=2C but the whol=
e <BR>&gt=3B league of crafty guitarists=2C the new standard tuning and his=
 ultra <BR>&gt=3B dogmatic intellectual/ mathematical approach to music see=
ms a bit <BR>&gt=3B emotionally cold to me and thus leaves me cold. I think=
 what <BR>&gt=3B triggered me about this discussion of his gear=2C has more=
 to do with my <BR>&gt=3B personal view that our cultural has gottened so m=
aterialistic and <BR>&gt=3B corrupted by greed. I realized that Bob's mount=
ain of gear is a <BR>&gt=3B relative mole hill compared to the greed and ex=
cess perpetrated by the <BR>&gt=3B CEO's of the world=2C so I'll stop bashi=
ng him. Afterall its not like he <BR>&gt=3B just bought a new Rolls=2C afte=
r outsourcing his companies jobs to China.<BR>&gt=3B Bill<BR>&gt=3B <BR> 		=
 	   		  </body>
</html>=

--_9445a0ca-c83b-48df-9ab6-6cbeca9b5ef0_--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 17:47:00 2010
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------=_Part_325441_837484286.1291830411988
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This quote has always expressed what I believe to be a central issue in performance , beyond the unrequited gear lust that lays us low on occasion. 

bryan helm 
at-the-helm.us 


"If I have all the works of Bach and Hayden in my head and am able to say the cleverest things about them it does no one a particle of good. But if I pick up my tin whistle and play a lively shimmy, the shimmy may be good or bad but in either case it gives people pleasure; it goes to their legs and blood. That's what counts." 

Hermann Hesse 



------=_Part_325441_837484286.1291830411988
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<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'><span>Thi=
s quote has always expressed what I believe to be a central issue in perfor=
mance , beyond the unrequited gear lust that lays us low on occasion.<br><b=
r>bryan helm<br>at-the-helm.us<br><br><br>"If I have all the works of Bach =
and Hayden in my head and am able to say the cleverest things about them it=
 does no one a particle of good. But if I pick up my tin whistle and play a=
 lively shimmy, the shimmy may be good or bad but in either case it gives p=
eople pleasure; it goes to their legs and blood. That's what counts."<br><b=
r>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
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p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp; Hermann Hesse<br><br><br></span></div></body></html=
>
------=_Part_325441_837484286.1291830411988--

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As I lived in France for almost 5 years, I'll add some of my own
observations here:

Am 30.11.10 13:01, schrieb Rick Walker:
> Per Boysen wrote:
>> Indeed surprising, given the fact that while most European
>> countries are adapting to the bad economic times by decreasing tax
>> financed support for the arts France has increased that budget post
>> by seven percent.

As always things are more complex than numbers alone. Yes, I doubt there
is any country in Europe which puts more money into culture than France,
even the tiniest village seems to have its own, well funded, conservatoire.
But - all is very controlled and it seems to be biased on the education
of the educated upper and middle-class. Classical music is big, new
music is supported if it sounds like Boulez (for the simple reason, that
those who control the money flow do not know better). In Theater there
is more freedom, as a crucial part of the whole art supporting system is
based on the "intermittent du spectacle". It means that performing
artist and also stage technicians have a status which allows for times
without work to receive payment from the unemployment office easily.
Composers do not have this status, they usually need a teaching job at
one of the conservatoires, which they usually hate...
Another effect is, that a performer from France is way cheaper for the
organizers than a performer from other countries (they can accept a
lower fee), which leads to less exchange. It seems to support the local
artist, but in reality their mind nutrition suffers from a lack of
foreign inspiration.
The quality of craft is high, but the diversity is low (a lot sounds the
same)...

I'd wonder how french loopers look at that, this is just a very personal
observation from a small angle...

> One night,  we played at a village concert hall in the dead of
> winter (it was snowing outside and very cold).    At the end of the
> concert, we were treated to a gourmet meal by a couple of chefs from 
> the best restaurants in the region.   These folks had shut their 
> restaurants down to make the four of us this gourmet meal.  At the
> end of the meal,  we were presented with bottles of wine that had our
> names printed on the labels from regional vintners and then presented
> with a beautiful Marzipan cake  that had our likenesses airbrushed on
> with colored icing (and an amazing resemblance it bore).   This
> largesse was jaw dropping to me.

I had also different experiences in the country side. Local majors are
proud of having artists present their work in their town. They wouldn't
be able to pull out as much nowadays, but the spirit is very different
to Paris and its surrounding areas. Its not like two different
countries, its like two different planets...

Stefan

-- 
Les Ondes Mémorielles--------x--
-_____-----------|-----------|--
-(_|_ ----|\-----|-----()-------
- _|_)----|-----()--------------
---------()----------TJ Shredder
http://tjshredder.wordpress.com/

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Date: Wed, 08 Dec 2010 11:52:07 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fripper Gear Trivia
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Quoting Petri Lahtinen <aikuinen@gmail.com>:
>
>> How many of you are willing to take the time to truly understand the
>> acoustical space of the places where you perform? How many of you are
>> willing to spend the time to measure the delay times in a venue and
>> then adjust your gear to maximize the sonic experience of space that
>> you might be able to create. And having done all that, how many of you
>> are going to ask your audience to experience that space the way that
>> you have envisioned playing it? ... now lather, rinse, and repeat for
>> 20+ years.
>>
>> I didn't think so.
>

I don't understand where you are coming from, really.

Given the opportunity, I do all of these things.

However, most venues allow less than thirty minutes to arrive on =20
stage, setup, AND to do a perfunctory sound check.

If I insisted on ample time to:

measure the decay times in the space and, 2 re-program all my =20
equipment to match it, 3 practice specific adjustments I must make for =20
the space -- well -- I would get few opportunities to play.

Incidentally, my preferred medium is 5.1 and I have a PA system to =20
deliver this.  However, in most places the sound system is a "given" =20
-- it is usually stereo and the best I can do is to provide a foldown =20
to stereo from 5.1.

This is true for pipe organ recitals, too.  I have to play the =20
instrument and the acoustics that are provided.  Even with lots of =20
reheasal time the "sound" of the instrument and the acoustics are =20
givens to which I must adapt.

The tone of this response seems combative -- perhaps you didn't mean =20
it that way -- but somehow suggests that to do anything less than a =20
long, detailed sound-check is somehow lazy, or unethical, or whatever.

Perhaps I'm not in the best mood today.  Perhaps that is the reason =20
your statement engenders a kind of "WTF???!!!" kind of reaction.

Nothing personal -- but dammit, I, like most musicians, deal with =20
less-than-ideal situations most of the time and, with great =20
professionalism, manage to deliver decent performances anyway.  In =20
fact, to do a technically-complex, interesting, and communicative =20
performance despite all the drawbacks is quite an accomplishment, imo.

Ok, end of rant.

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 18:15:15 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 8 Dec 2010 19:15:12 +0100
Subject: Re: Fripper Gear Trivia
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Hello,

Having read another reply to this already which covers some of the same com=
ments I would make, I would add that this is nearly impossible for most pla=
ces. There isn't the time, the time available without distractions ( needle=
ss to say empty of customers ) & realistically, no reason to do so. Most au=
diences simply are unaware of the work that goes into a performance, much l=
ess the prep time needed. Plus, even thinking about modifying a delay to ag=
ree with the room dimentions is a rather extreme waste of time if it means =
not being able to get the practical work done getting ready for a performan=
ce. All this assumes, of course, that one has the time in advance to do ANY=
 prep work. Too often, it's get to the location, set up while another perfo=
rmer is having his moment in the spotlight, & then.............

>=20
> In light of this reply by Andy about WHY Fripp uses what he does the
> way he does (and it tangentially gets at his attitude about
> photography during his performances), let me ask you all this:
>=20
> How many of you are willing to take the time to truly understand the
> acoustical space of the places where you perform? How many of you are
> willing to spend the time to measure the delay times in a venue and
> then adjust your gear to maximize the sonic experience of space that
> you might be able to create. And having done all that, how many of you
> are going to ask your audience to experience that space the way that
> you have envisioned playing it? ... now lather, rinse, and repeat for
> 20+ years.
>=20
> I didn't think so.
>=20
> Best,
>=20
> Dennis
>=20
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>=20
>=20
>=20
> On Wed, Dec 8, 2010 at 2:39 AM, andy butler <akbutler@tiscali.co.uk> wrot=
e:
> >
> >> 2010/12/6 Rainer Straschill <moinsound@googlemail.com
> >> <mailto:moinsound@googlemail.com>>
> >>
> >>
> >> =A0 =A0Let me ask you this, then: Suppose you had three (or two, or on=
e)
> >> =A0 =A0H8000(s):
> >> =A0 =A0What would you do with them that you can't do with what you hav=
e at
> >> =A0 =A0your disposal and that would really bring forward what you do
> >> musically?
> >>
> >
> > When I saw Fripp he certainly needed 3 long stereo delays, with 2 of th=
em
> > very precisely the same length.
> >
> > 1 stereo delay was used to create a loop in his front 2 speakers.
> > The other 2 were very carefully routed so that they created
> > a stereo soundfield that gradually swept back over the heads
> > of his audience to the rear 2 speakers.
> > I not heard of anyone else configuring their delays to create
> > spacial movement quite like that, it was impressive, and particularly
> > the synth harps (not a sound I usually enjoy) really seemed to
> > hang in the air a few feet above head height as they gradually moved ba=
ck.
> >
> > I expect that if he specified top quality reliable audio gear to accomp=
lish
> > this that his setup was not in any way unreasonable.
> >
> > There's a nice Zappa quote about money
> > "Some people put it up their nose, I put it in my ear."
> >
> > andy butler
> >
> >
> >
> >
> >

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 19:04:42 2010
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Subject: Re: Pedal, Table or Rack
From: Zak Kramer <crazyquilt@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba539efa15f0fa0496eacb61
Content-Type: text/plain; charset=ISO-8859-1

When playing a solo show where I may be lugging and setting up, in addition
to any looping gear, 1-3 guitars, 1-2 amps, and 3-15 flutes of various types
and materials, size and weight are major considerations. As is the reality
that I'm not likely to have my hands free for long during a performance. In
addition, I have found that using fewer "boxes" allows me to concentrate on
the parts of music/performance that I enjoy the most, and minimizing
technical issues and option overload.

As a result, I have settled as a Boomerang III as the heart of my looping
rig. I miss many functions and capacities of my EDP, but the choice to limit
myself in this way has forced me to become more creative in using what I
already have. I find this invaluable, as well.

Standard notifications of subjectivity apply.

Zak Kramer
Big Blue Guitar <http://www.bigblueguitar.com/>

--90e6ba539efa15f0fa0496eacb61
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

When playing a solo show where I may be lugging and setting up, in addition=
 to any looping gear, 1-3 guitars, 1-2 amps, and 3-15 flutes of various typ=
es and materials, size and weight are major considerations. As is the reali=
ty that I&#39;m not likely to have my hands free for long during a performa=
nce. In addition, I have found that using fewer &quot;boxes&quot; allows me=
 to concentrate on the parts of music/performance that I enjoy the most, an=
d minimizing technical issues and option overload.<br>
<br>As a result, I have settled as a Boomerang III as the heart of my loopi=
ng rig. I miss many functions and capacities of my EDP, but the choice to l=
imit myself in this way has forced me to become more creative in using what=
 I already have. I find this invaluable, as well.<br>
<br>Standard notifications of subjectivity apply.<br><br clear=3D"all">Zak =
Kramer<br><a href=3D"http://www.bigblueguitar.com/">Big Blue Guitar</a><br>
<br>

--90e6ba539efa15f0fa0496eacb61--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 20:18:03 2010
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--20cf305641ab489a720496ebd1a8
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OK Im just gonna HAVE to chime in here, havent before cos I dont really find
much of interest in Fripps work, i of course agknowlege that he has some
history in this genre of technology...

But really Mark...

On Wed, Dec 8, 2010 at 7:15 PM, Mark Showalter <folkstone57@operamail.com>wrote:

> Hello,, I would add that this is nearly impossible for most places. There
> isn't the time, the time available without distractions ( needless to say
> empty of customers ) & realistically, no reason to do so.


Thats just nonsense! you are comparing a world famous millionaire ROCK STAR
with us, lowley louts who can sometimes get a gig in a coffee bar for a few
beers!  For someone of this caliber I have NO DOUBT that he has a small army
of technicians running about with venue diagrams, racks upon racks of
graphic equalisers, white noise generators, frequency analysers, and phase
cansellation devices, and discreet delays for speaker offsets.
A NORMAL PRO band will soundcheck for a minimum of 4 hours in a proffesional
venue. OK maybe just the last half hour will be the band running through a
few songs to adjust the onstage mix.

In my own band of the 90s we would first run white noise through the PA,
take a reading and adjust the graphics to get a flat response,  then we
would play the bands intro tape and take another reading, this tape was
mostly bass frequencies, with some highs near the end... then we would
measure the length of the reverb in the hall, usually from front to back,
this calculation would be to adjust the levels and lengths of reverbs that
our sound guy would put on the band, predominatly the drums and vocals, THEN
we would set up backline and do the stage check.. Then as the intro tape was
played, the Sound guy would check again the analysis of the room, now with
bodies in (hopefully).. doing the lows first and the highs at the end,
comparing with the reading from before the audience dampened the room...and
then the band came on...
ALL to fix the sound to each and every specific room... and we were a crapo
sounding indie band...

Im absolutely sure that Fripp does this too...

Most audiences simply are unaware of the work that goes into a performance,
> much less the prep time needed.


True, but they would HEAR the difference, believe me...

Plus, even thinking about modifying a delay to agree with the room
> dimentions is a rather extreme waste of time if it means not being able to
> get the practical work done getting ready for a performance.


True...thinking about it would be a waste of time... doing it is an absolute
nessecity in any 1000+ room...

All this assumes, of course, that one has the time in advance to do ANY prep
> work. Too often, it's get to the location, set up while another performer is
> having his moment in the spotlight, & then.............
>

Yes we do.. but I thought we were talking about Mr Fripp... Im sure he has
had plans sent to him, visited the venue before hand (or had someone so it)

And now to Dennis...

> In light of this reply by Andy about WHY Fripp uses what he does the
> way he does (and it tangentially gets at his attitude about
> photography during his performances), let me ask you all this:
>

> > How many of you are willing to take the time to truly understand the
> > acoustical space of the places where you perform? How many of you are
> > willing to spend the time to measure the delay times in a venue and
> > then adjust your gear to maximize the sonic experience of space that
> > you might be able to create. And having done all that, how many of you
> > are going to ask your audience to experience that space the way that
> > you have envisioned playing it? ... now lather, rinse, and repeat for
> > 20+ years.
> >
>

um......


> > I didn't think so.
>

Er....absolutely fucking all of us do something like that Dennis.. you
pompous wotsit... we might not call it "Maximising the sonic experiance of
space..." but we sure as hell fiddle with the mix so it sounds good... what
we do might differ... but measuring the delay times is frankely pretty
ordinary... sorry...

Jeez.. there are some people that one is really NOT allowed to critisize are
you? Just wait for me to get started on Zappa.. phew what a dick...

Im with Bill here... I dont care that he has a big rack though, hes rich..
if I was rich and didnt have to carry it, I would have a fucking big rack...
but... well... how to put it carefully.. he's... well... um... dull as
dishwater?

Regards

Mark (running like hell in the oposite direction)
-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf305641ab489a720496ebd1a8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK Im just gonna HAVE to chime in here, havent before cos I dont really=20
find much of interest in Fripps work, i of course agknowlege that he has
 some history in this genre of technology...<br><br>But really Mark...<br><=
br><div class=3D"gmail_quote">On Wed, Dec 8, 2010 at 7:15 PM, Mark Showalte=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:folkstone57@operamail.com">folkst=
one57@operamail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hello,,
 I would add that this is nearly impossible for most places. There isn&#39;=
t
 the time, the time available without distractions ( needless to say=20
empty of customers ) &amp; realistically, no reason to do so. </blockquote>=
<div><br>Thats
 just nonsense! you are comparing a world famous millionaire ROCK STAR=20
with us, lowley louts who can sometimes get a gig in a coffee bar for a=20
few beers!=A0 For someone of this caliber I have NO DOUBT that he has a=20
small army of technicians running about with venue diagrams, racks upon=20
racks of graphic equalisers, white noise generators, frequency=20
analysers, and phase cansellation devices, and discreet delays for=20
speaker offsets.<br>A NORMAL PRO band will soundcheck for a minimum of 4
 hours in a proffesional venue. OK maybe just the last half hour will be
 the band running through a few songs to adjust the onstage mix.<br><br>In
 my own band of the 90s we would first run white noise through the PA,=20
take a reading and adjust the graphics to get a flat response,=A0 then we=
=20
would play the bands intro tape and take another reading, this tape was=20
mostly bass frequencies, with some highs near the end... then we would=20
measure the length of the reverb in the hall, usually from front to=20
back, this calculation would be to adjust the levels and lengths of=20
reverbs that our sound guy would put on the band, predominatly the drums
 and vocals, THEN we would set up backline and do the stage check.. Then
 as the intro tape was played, the Sound guy would check again the=20
analysis of the room, now with bodies in (hopefully).. doing the lows=20
first and the highs at the end, comparing with the reading from before=20
the audience dampened the room...and then the band came on... <br>ALL to fi=
x the sound to each and every specific room... and we were a crapo sounding=
 indie band...<br><br>Im absolutely sure that Fripp does this too...<br>

<br></div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.=
8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Most au=
diences simply are unaware of the work that goes into a performance, much l=
ess the prep time needed. </blockquote>

<div><br>True, but they would HEAR the difference, believe me...<br><br></d=
iv><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bo=
rder-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Plus,
 even thinking about modifying a delay to agree with the room dimentions
 is a rather extreme waste of time if it means not being able to get the
 practical work done getting ready for a performance. </blockquote><div><br=
>True...thinking about it would be a waste of time... doing it is an absolu=
te nessecity in any 1000+ room...<br><br></div><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">

All
 this assumes, of course, that one has the time in advance to do ANY=20
prep work. Too often, it&#39;s get to the location, set up while another=20
performer is having his moment in the spotlight, &amp; then.............<br=
></blockquote><div class=3D"im"><br>Yes
 we do.. but I thought we were talking about Mr Fripp... Im sure he has=20
had plans sent to him, visited the venue before hand (or had someone so=20
it)<br><br>And now to Dennis...<br><br>
&gt; In light of this reply by Andy about WHY Fripp uses what he does the<b=
r>
&gt; way he does (and it tangentially gets at his attitude about<br>
&gt; photography during his performances), let me ask you all this:<br>
&gt;<br>
</div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex;=
 border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">&gt; How many of you are willing to take the time to trul=
y understand the<br>
&gt; acoustical space of the places where you perform? How many of you are<=
br>
&gt; willing to spend the time to measure the delay times in a venue and<br=
>
&gt; then adjust your gear to maximize the sonic experience of space that<b=
r>
&gt; you might be able to create. And having done all that, how many of you=
<br>
&gt; are going to ask your audience to experience that space the way that<b=
r>
&gt; you have envisioned playing it? ... now lather, rinse, and repeat for<=
br>
&gt; 20+ years.<br>
&gt;<br></div></blockquote><div><br>um......<br>=A0</div><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im">
&gt; I didn&#39;t think so.<br></div></blockquote><div><br>Er....absolutely=
=20
fucking all of us do something like that Dennis.. you pompous wotsit...=20
we might not call it &quot;Maximising the sonic experiance of space...&quot=
; but=20
we sure as hell fiddle with the mix so it sounds good... what we do=20
might differ... but measuring the delay times is frankely pretty=20
ordinary... sorry...<br><br>Jeez.. there are some people that one is=20
really NOT allowed to critisize are you? Just wait for me to get started
 on Zappa.. phew what a dick...<br><br>Im with Bill here... I dont care=20
that he has a big rack though, hes rich.. if I was rich and didnt have=20
to carry it, I would have a fucking big rack... but... well... how to=20
put it carefully.. he&#39;s... well... um... dull as dishwater?<br><br>Rega=
rds<br><br>Mark (running like hell in the oposite direction)<br></div></div=
>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.mark=
francombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf305641ab489a720496ebd1a8--

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Date: Wed, 8 Dec 2010 12:31:18 -0800
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Subject: Re: Fripper Gear Trivia
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> but... well... how to put it carefully.. he's... well... um... dull as
> dishwater?

No, that's Clapton (why are there so many people here under the table?)

Kevin
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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all I wan tot say is that I am enjoying the hell out of this conversation. Nice 
to see these opposing points of view develop. I am laughing and nodding a lot.
Too bad most rooms have shitty acoustics; of course you need to adjust. You just 
do as much as you can afford to do. And viva eventide, I sold my Orville instead 
of upgrading to an 8000 and I am sorry I passed on the upgrade. Being able to 
create you own algorythms is great. Had a looper with record triggered by audio, 
no more syncing foot and hand...

Antony



________________________________
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, December 8, 2010 9:17:39 PM
Subject: Re: Fripper Gear Trivia

OK Im just gonna HAVE to chime in here, havent before cos I dont really  find 
much of interest in Fripps work, i of course agknowlege that he has  some 
history in this genre of technology...

But really Mark...


On Wed, Dec 8, 2010 at 7:15 PM, Mark Showalter <folkstone57@operamail.com> 
wrote:

Hello,,  I would add that this is nearly impossible for most places. There isn't  
the time, the time available without distractions ( needless to say  empty of 
customers ) & realistically, no reason to do so. 


Thats  just nonsense! you are comparing a world famous millionaire ROCK STAR  
with us, lowley louts who can sometimes get a gig in a coffee bar for a  few 
beers!  For someone of this caliber I have NO DOUBT that he has a  small army of 
technicians running about with venue diagrams, racks upon  racks of graphic 
equalisers, white noise generators, frequency  analysers, and phase cansellation 
devices, and discreet delays for  speaker offsets.
A NORMAL PRO band will soundcheck for a minimum of 4  hours in a proffesional 
venue. OK maybe just the last half hour will be  the band running through a few 
songs to adjust the onstage mix.

In  my own band of the 90s we would first run white noise through the PA,  take 
a reading and adjust the graphics to get a flat response,  then we  would play 
the bands intro tape and take another reading, this tape was  mostly bass 
frequencies, with some highs near the end... then we would  measure the length 
of the reverb in the hall, usually from front to  back, this calculation would 
be to adjust the levels and lengths of  reverbs that our sound guy would put on 
the band, predominatly the drums  and vocals, THEN we would set up backline and 
do the stage check.. Then  as the intro tape was played, the Sound guy would 
check again the  analysis of the room, now with bodies in (hopefully).. doing 
the lows  first and the highs at the end, comparing with the reading from before  
the audience dampened the room...and then the band came on... 

ALL to fix the sound to each and every specific room... and we were a crapo 
sounding indie band...

Im absolutely sure that Fripp does this too...


Most audiences simply are unaware of the work that goes into a performance, much 
less the prep time needed. 


True, but they would HEAR the difference, believe me...


Plus,  even thinking about modifying a delay to agree with the room dimentions  
is a rather extreme waste of time if it means not being able to get the  
practical work done getting ready for a performance. 


True...thinking about it would be a waste of time... doing it is an absolute 
nessecity in any 1000+ room...


All  this assumes, of course, that one has the time in advance to do ANY  prep 
work. Too often, it's get to the location, set up while another  performer is 
having his moment in the spotlight, & then.............
>

Yes  we do.. but I thought we were talking about Mr Fripp... Im sure he has  had 
plans sent to him, visited the venue before hand (or had someone so  it)

And now to Dennis...

> In light of this reply by Andy about WHY Fripp uses what he does the
> way he does (and it tangentially gets at his attitude about
> photography during his performances), let me ask you all this:
>

> How many of you are willing to take the time to truly understand the
>> acoustical space of the places where you perform? How many of you are
>> willing to spend the time to measure the delay times in a venue and
>> then adjust your gear to maximize the sonic experience of space that
>> you might be able to create. And having done all that, how many of you
>> are going to ask your audience to experience that space the way that
>> you have envisioned playing it? ... now lather, rinse, and repeat for
>> 20+ years.
>>
>

um......
 
> I didn't think so.
>

Er....absolutely  fucking all of us do something like that Dennis.. you pompous 
wotsit...  we might not call it "Maximising the sonic experiance of space..." 
but  we sure as hell fiddle with the mix so it sounds good... what we do  might 
differ... but measuring the delay times is frankely pretty  ordinary... sorry...

Jeez.. there are some people that one is  really NOT allowed to critisize are 
you? Just wait for me to get started  on Zappa.. phew what a dick...

Im with Bill here... I dont care  that he has a big rack though, hes rich.. if I 
was rich and didnt have  to carry it, I would have a fucking big rack... but... 
well... how to  put it carefully.. he's... well... um... dull as dishwater?

Regards

Mark (running like hell in the oposite direction)
-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no



      
--0-193017160-1291840485=:59645
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><div>all I wan tot say is that I am enjoying the hell out of this conversation. Nice to see these opposing points of view develop. I am laughing and nodding a lot.</div><div>Too bad most rooms have shitty acoustics; of course you need to adjust. You just do as much as you can afford to do. And viva eventide, I sold my Orville instead of upgrading to an 8000 and I am sorry I passed on the upgrade. Being able to create you own algorythms is great. Had a looper with record triggered by audio, no more syncing foot and hand...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:18pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> mark
 francombe &lt;mark@markfrancombe.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, December 8, 2010 9:17:39 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Fripper Gear Trivia<br></font><br>
OK Im just gonna HAVE to chime in here, havent before cos I dont really 
find much of interest in Fripps work, i of course agknowlege that he has
 some history in this genre of technology...<br><br>But really Mark...<br><br><div class="gmail_quote">On Wed, Dec 8, 2010 at 7:15 PM, Mark Showalter <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:folkstone57@operamail.com" target="_blank" href="mailto:folkstone57@operamail.com">folkstone57@operamail.com</a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">Hello,,
 I would add that this is nearly impossible for most places. There isn't
 the time, the time available without distractions ( needless to say 
empty of customers ) &amp; realistically, no reason to do so. </blockquote><div><br>Thats
 just nonsense! you are comparing a world famous millionaire ROCK STAR 
with us, lowley louts who can sometimes get a gig in a coffee bar for a 
few beers!&nbsp; For someone of this caliber I have NO DOUBT that he has a 
small army of technicians running about with venue diagrams, racks upon 
racks of graphic equalisers, white noise generators, frequency 
analysers, and phase cansellation devices, and discreet delays for 
speaker offsets.<br>A NORMAL PRO band will soundcheck for a minimum of 4
 hours in a proffesional venue. OK maybe just the last half hour will be
 the band running through a few songs to adjust the onstage mix.<br><br>In
 my own band of the 90s we would first run white noise through the PA, 
take a reading and adjust the graphics to get a flat response,&nbsp; then we 
would play the bands intro tape and take another reading, this tape was 
mostly bass frequencies, with some highs near the end... then we would 
measure the length of the reverb in the hall, usually from front to 
back, this calculation would be to adjust the levels and lengths of 
reverbs that our sound guy would put on the band, predominatly the drums
 and vocals, THEN we would set up backline and do the stage check.. Then
 as the intro tape was played, the Sound guy would check again the 
analysis of the room, now with bodies in (hopefully).. doing the lows 
first and the highs at the end, comparing with the reading from before 
the audience dampened the room...and then the band came on... <br>ALL to fix the sound to each and every specific room... and we were a crapo sounding indie band...<br><br>Im absolutely sure that Fripp does this too...<br>

<br></div><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">Most audiences simply are unaware of the work that goes into a performance, much less the prep time needed. </blockquote>

<div><br>True, but they would HEAR the difference, believe me...<br><br></div><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">Plus,
 even thinking about modifying a delay to agree with the room dimentions
 is a rather extreme waste of time if it means not being able to get the
 practical work done getting ready for a performance. </blockquote><div><br>True...thinking about it would be a waste of time... doing it is an absolute nessecity in any 1000+ room...<br><br></div><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">

All
 this assumes, of course, that one has the time in advance to do ANY 
prep work. Too often, it's get to the location, set up while another 
performer is having his moment in the spotlight, &amp; then.............<br></blockquote><div class="im"><br>Yes
 we do.. but I thought we were talking about Mr Fripp... Im sure he has 
had plans sent to him, visited the venue before hand (or had someone so 
it)<br><br>And now to Dennis...<br><br>
&gt; In light of this reply by Andy about WHY Fripp uses what he does the<br>
&gt; way he does (and it tangentially gets at his attitude about<br>
&gt; photography during his performances), let me ask you all this:<br>
&gt;<br>
</div><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">
<div class="im">&gt; How many of you are willing to take the time to truly understand the<br>
&gt; acoustical space of the places where you perform? How many of you are<br>
&gt; willing to spend the time to measure the delay times in a venue and<br>
&gt; then adjust your gear to maximize the sonic experience of space that<br>
&gt; you might be able to create. And having done all that, how many of you<br>
&gt; are going to ask your audience to experience that space the way that<br>
&gt; you have envisioned playing it? ... now lather, rinse, and repeat for<br>
&gt; 20+ years.<br>
&gt;<br></div></blockquote><div><br>um......<br>&nbsp;</div><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;"><div class="im">
&gt; I didn't think so.<br></div></blockquote><div><br>Er....absolutely 
fucking all of us do something like that Dennis.. you pompous wotsit... 
we might not call it "Maximising the sonic experiance of space..." but 
we sure as hell fiddle with the mix so it sounds good... what we do 
might differ... but measuring the delay times is frankely pretty 
ordinary... sorry...<br><br>Jeez.. there are some people that one is 
really NOT allowed to critisize are you? Just wait for me to get started
 on Zappa.. phew what a dick...<br><br>Im with Bill here... I dont care 
that he has a big rack though, hes rich.. if I was rich and didnt have 
to carry it, I would have a fucking big rack... but... well... how to 
put it carefully.. he's... well... um... dull as dishwater?<br><br>Regards<br><br>Mark (running like hell in the oposite direction)<br></div></div>-- <br>mark francombe<br><a rel="nofollow" target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>

<a rel="nofollow" target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancombe<br><span><a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span><a target="_blank" href="http://www.looop.no">http://www.looop.no</a></span><br>
</div></div><div style="position:fixed"></div>


</div><br>







      </body></html>
--0-193017160-1291840485=:59645--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 20:37:02 2010
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On 7/22/64 11:59 AM, Michael Peters wrote:
> "My Vista notebook has 3 USB ports........."
Dear Michael,  I don't know the technical answer to your question,  but 
I do know this.
In a zillion forums and talking to tons of people I've heard "Avoid Win 
VISTA like the plague for
audio applications".   I've heard this so many times.  They just never 
worked the bugs out in
VISTA and it was never designed specifically for audio (no Win system 
is, really).   By the time they
got to service pack 2 for Win XP, they had really gotten the kinks 
worked out for audio, imho.

I know that it is now two operating systems old, but I love Win XP with 
service pack 3.
It just runs like a workhorse.     I've heard that Win 7 has really 
fixed a lot of bugs and that you can
even run a Win XP system inside the system.   I haven't moved over 
because my stuff works so rock
solid in XP and because they changed several things about the visual GUI 
of Win 7 that annoy me and
I"m just lazy and don't want to learn the new system......I just want to 
write music.

That said and done I bought a refurbished quad core machine that has 7 
on it natively,  so I may try that out
when I start using it later this month (I'm trying to set up a video 
projection studio in the small room and it's going
to be the brains of that).

You can pick up a Win XP Pro version Service Pack 2 for around $100 USD 
these days from China for what it's worth.
I think you'll have far fewer problems with it.

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On 7/22/64 11:59 AM, Per Boysen wrote:
> Welcome to the Micro Business....
> (the former Music Business)
Yeah, I know what you mean, Per.

It's just tough when you want to put a framed copy on your wall
of the first 0.00029 cents you ever made with your artistry.

rick walker

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But heh, look on the bright side....

Record three versions of a traditional lament (" Art for art's sake, 
money for god's sake" etc etc)...

call it a (Turner Prize submission) sound installation & pick up 25 
grand as you pass GO!!

(Just my cynical 25 cents' worth...)

Dave


On 19:59, Stefan Tiedje wrote:
> As I lived in France for almost 5 years, I'll add some of my own
> observations here:
>
> Am 30.11.10 13:01, schrieb Rick Walker:
>> Per Boysen wrote:
>>> Indeed surprising, given the fact that while most European
>>> countries are adapting to the bad economic times by decreasing tax
>>> financed support for the arts France has increased that budget post
>>> by seven percent.
>
> As always things are more complex than numbers alone. Yes, I doubt there
> is any country in Europe which puts more money into culture than France,
> even the tiniest village seems to have its own, well funded, conservatoire.
> But - all is very controlled and it seems to be biased on the education
> of the educated upper and middle-class. Classical music is big, new
> music is supported if it sounds like Boulez (for the simple reason, that
> those who control the money flow do not know better). In Theater there
> is more freedom, as a crucial part of the whole art supporting system is
> based on the "intermittent du spectacle". It means that performing
> artist and also stage technicians have a status which allows for times
> without work to receive payment from the unemployment office easily.
> Composers do not have this status, they usually need a teaching job at
> one of the conservatoires, which they usually hate...
> Another effect is, that a performer from France is way cheaper for the
> organizers than a performer from other countries (they can accept a
> lower fee), which leads to less exchange. It seems to support the local
> artist, but in reality their mind nutrition suffers from a lack of
> foreign inspiration.
> The quality of craft is high, but the diversity is low (a lot sounds the
> same)...
>
> I'd wonder how french loopers look at that, this is just a very personal
> observation from a small angle...
>
>> One night,  we played at a village concert hall in the dead of
>> winter (it was snowing outside and very cold).    At the end of the
>> concert, we were treated to a gourmet meal by a couple of chefs from
>> the best restaurants in the region.   These folks had shut their
>> restaurants down to make the four of us this gourmet meal.  At the
>> end of the meal,  we were presented with bottles of wine that had our
>> names printed on the labels from regional vintners and then presented
>> with a beautiful Marzipan cake  that had our likenesses airbrushed on
>> with colored icing (and an amazing resemblance it bore).   This
>> largesse was jaw dropping to me.
>
> I had also different experiences in the country side. Local majors are
> proud of having artists present their work in their town. They wouldn't
> be able to pull out as much nowadays, but the spirit is very different
> to Paris and its surrounding areas. Its not like two different
> countries, its like two different planets...
>
> Stefan
>

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On Wed, Dec 8, 2010 at 9:17 PM, mark francombe <mark@markfrancombe.com> wrote:
> dull as dishwater?


LOL! Can't argue much about that but I at least know one exception
from the dishwater standard, an album called Red.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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On Wed, Dec 8, 2010 at 2:15 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Wed, Dec 8, 2010 at 9:17 PM, mark francombe <mark@markfrancombe.com> w=
rote:
>> dull as dishwater?
>
>
> LOL! Can't argue much about that but I at least know one exception
> from the dishwater standard, an album called Red.

The Great Deceiver live box set might also clear your mind of the
dishwater impression, and I'd have a hard time with that impression
listening to his work with Eno (as partner and hired guitarist) and
Bowie.  And then there's Discipline.

And a bunch of other stuff on either side of that that may be all
right or may be dishwater depending on your mood.

K
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Fripp actually has a great sense of humor, you just have to dig a bit. It's=
 there, below the surface, kind of like a tuber.


PJ





-----Original Message-----
From: Jeff Shirkey <jcshirke@frontier.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Wed, Dec 8, 2010 3:06 am
Subject: Re: Fripper Gear Trivia



On Dec 7, 2010, at 9:35 PM, Kenn Lowy wrote:

> He does allow pictures now. The announcement that was made before =20
> the concert was "no cameras with flash". He's mellowed a bit.
>

I know he's revered here, but (I have to confess), he comes off as a =20
complete douche nozzle in just about every interview with him I've read.

Jeff



=20

----------MB_8CD654208E0951D_13B4_DB27_webmail-d047.sysops.aol.com
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="us-ascii"

<font color=3D'black' size=3D'2' face=3D'arial'>Fripp actually has a great =
sense of humor, you just have to dig a bit. It's there, below the surface, =
kind of like a tuber.
<div><br>
</div>

<div><img src=3D"http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/ima=
ges/smile.png" alt=3D":-)" height=3D"25" width=3D"25">PJ<br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">-----=
Original Message-----<br>
From: Jeff Shirkey &lt;jcshirke@frontier.com&gt;<br>
To: Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br>
Sent: Wed, Dec 8, 2010 3:06 am<br>
Subject: Re: Fripper Gear Trivia<br>
<br>







<div id=3D"AOLMsgPart_0_8700de0c-77c1-4fd7-9b2d-2a97bd8b11df" style=3D"marg=
in: 0px;font-family: Tahoma, Verdana, Arial, Sans-Serif;font-size: 12px;col=
or: #000;background-color: #fff;">

<pre style=3D"font-size: 9pt;"><tt>
On Dec 7, 2010, at 9:35 PM, Kenn Lowy wrote:

&gt; He does allow pictures now. The announcement that was made before =20
&gt; the concert was "no cameras with flash". He's mellowed a bit.
&gt;

I know he's revered here, but (I have to confess), he comes off as a =20
complete douche nozzle in just about every interview with him I've read.

Jeff


</tt></pre>
</div>
 <!-- end of AOLMsgPart_0_8700de0c-77c1-4fd7-9b2d-2a97bd8b11df -->



</div>
</div>
</font>
----------MB_8CD654208E0951D_13B4_DB27_webmail-d047.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Wed Dec  8 23:15:09 2010
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 <16E5415A-7448-4C42-98F3-0B20F6BFE53F@me.com> <8BB3F9AC-F9B9-43F7-BD58-524FB9B0E173@frontier.com>
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From: mark francombe <mark@markfrancombe.com>
Date: Thu, 9 Dec 2010 00:14:47 +0100
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Message-ID: <AANLkTinAMuKe4eRStp-iii1oj3pvnvoGuVnRs0ZNPHey@mail.gmail.com>
Subject: Re: Fripper Gear Trivia
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e867abd7b660496ee4aa2
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Ill be honest and say that I love No Pussyfooting, but consider it an Eno
album... I love the 80=B4s red and decipline albums by KC, but consider the=
m
Belew and Levin albums, I love the crafty guitarist thing.. course hes got =
a
sense of humour, have you heard it? ...
and I love that he is a pretensious grumpy fussy bugger who sits on his
stool and looked like my old French teacher and I think its just plain odd
who he married...

But he=B4s Fripp for crying out loud! He can do what the fuck he wants...

Now theres NOT many people that can say that!

M


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e867abd7b660496ee4aa2
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Ill be honest and say that I love No Pussyfooting, but consider it an Eno a=
lbum... I love the 80=B4s red and decipline albums by KC, but consider them=
 Belew and Levin albums, I love the crafty guitarist thing.. course hes got=
 a sense of humour, have you heard it? ...<br>

and I love that he is a pretensious grumpy fussy bugger who sits on his sto=
ol and looked like my old French teacher and I think its just plain odd who=
 he married...<br><br>But he=B4s Fripp for crying out loud! He can do what =
the fuck he wants... <br>

<br>Now theres NOT many people that can say that!<br><br>M<br><br><br>-- <b=
r>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.markfranco=
mbe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a>=
<br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--90e6ba6e867abd7b660496ee4aa2--

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Subject: OT: any Mackie Onyx i series mixer users here?
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I am considering getting one (820i, 1220i, 1620i, 1640i) and am looking for
first hand experience and I have a few questions. We can take it off list.
C

--0016e65a0dfce74c5c0496ee791c
Content-Type: text/html; charset=ISO-8859-1

I am considering getting one (820i, 1220i, 1620i, 1640i) and am looking for first hand experience and I have a few questions. We can take it off list.<br>C<br>

--0016e65a0dfce74c5c0496ee791c--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Fripper Gear Trivia
Date: Thu, 9 Dec 2010 00:18:02 +0000
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Um Exposure is one of my favorite albums - lots of invention there.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Dec 2010, at 22:48, Kevin Cheli-Colando wrote:

> On Wed, Dec 8, 2010 at 2:15 PM, Per Boysen <perboysen@gmail.com>  
> wrote:
>> On Wed, Dec 8, 2010 at 9:17 PM, mark francombe  
>> <mark@markfrancombe.com> wrote:
>>> dull as dishwater?
>>
>>
>> LOL! Can't argue much about that but I at least know one exception
>> from the dishwater standard, an album called Red.
>
> The Great Deceiver live box set might also clear your mind of the
> dishwater impression, and I'd have a hard time with that impression
> listening to his work with Eno (as partner and hired guitarist) and
> Bowie.  And then there's Discipline.
>
> And a bunch of other stuff on either side of that that may be all
> right or may be dishwater depending on your mood.
>
> K
> -- 
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Um Exposure is one of my =
favorite albums - lots of invention there.<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Dec 2010, =
at 22:48, Kevin Cheli-Colando wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Wed, Dec 8, 2010 at 2:15 PM, Per Boysen &lt;<a =
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Wed, Dec =
8, 2010 at 9:17 PM, mark francombe &lt;<a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">dull as =
dishwater?</div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">LOL! Can't argue much about that but I at least know =
one exception</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">from the dishwater standard, an =
album called Red.</div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">The Great Deceiver live box set =
might also clear your mind of the</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">dishwater =
impression, and I'd have a hard time with that impression</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">listening to his work with Eno (as partner and hired =
guitarist) and</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Bowie.<span =
class=3D"Apple-converted-space">&nbsp; </span>And then there's =
Discipline.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">And a bunch of other stuff on either side of that =
that may be all</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">right or may be dishwater =
depending on your mood.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">K</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Till now you seriously considered yourself to be the =
body and to have a</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">form. That is the primal =
ignorance which is the root cause of all trouble.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- Ramana =
Maharshi (1879-1950)</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Sound and Vision:&nbsp; <a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Video <a =
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Fripper Gear Trivia
Date: Thu, 9 Dec 2010 00:18:42 +0000
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Fripp is a very funny man - very dry and british

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Dec 2010, at 23:14, mark francombe wrote:

> Ill be honest and say that I love No Pussyfooting, but consider it =20
> an Eno album... I love the 80=B4s red and decipline albums by KC, but =20=

> consider them Belew and Levin albums, I love the crafty guitarist =20
> thing.. course hes got a sense of humour, have you heard it? ...
> and I love that he is a pretensious grumpy fussy bugger who sits on =20=

> his stool and looked like my old French teacher and I think its =20
> just plain odd who he married...
>
> But he=B4s Fripp for crying out loud! He can do what the fuck he =20
> wants...
>
> Now theres NOT many people that can say that!
>
> M
>
>
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Fripp is a very funny man - very dry and british<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Dec 2010, =
at 23:14, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Ill be =
honest and say that I love No Pussyfooting, but consider it an Eno =
album... I love the 80=B4s red and decipline albums by KC, but consider =
them Belew and Levin albums, I love the crafty guitarist thing.. course =
hes got a sense of humour, have you heard it? ...<br> and I love that he =
is a pretensious grumpy fussy bugger who sits on his stool and looked =
like my old French teacher and I think its just plain odd who he =
married...<br><br>But he=B4s Fripp for crying out loud! He can do what =
the fuck he wants... <br> <br>Now theres NOT many people that can say =
that!<br><br>M<br><br><br>-- <br>mark francombe<br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br> twitter =
@markfrancombe<br><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://www.looop.no">http://www.looop.no</a><br></blockquote></div=
><br></div></body></html>=

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Date: Wed, 8 Dec 2010 16:25:00 -0800
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Subject: Re: Fripper Gear Trivia
From: Clifford Novey <cnovey@gmail.com>
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"Space is what I need, it's what I feed on"
will have to pull that one out- been close to 2 decades since I've listened
but I remem the title track well!
cheers- C

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&quot;Space is what I need, it&#39;s what I feed on&quot;<br>will have to pull that one out- been close to 2 decades since I&#39;ve listened but I remem the title track well!<br>cheers- C<br>

--001485f450c2b7d4df0496ef445d--

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Subject: semi-ot: pitch shifters
From: james fowler <twostroke@gmail.com>
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hey gang -

below is a reply i got from stefan.  anybody else care to chime in?

- jim

---------- Forwarded message ----------
From: Stefan Tiedje <Stefan-Tiedje@gmx.de>
Date: Wed, Dec 8, 2010 at 10:51 AM
Subject: Re: max/msp vs. eventide
To: james fowler <twostroke@gmail.com>


Hi James,

Am 08.12.10 15:04, schrieb james fowler:
> i'm currently using an eventide eclipse and i'm finding that its
> pitch shifters cannot keep up with the audio i'm feeding it.  have
> you found that you can build reliable and accurate shifters in
> max/msp?  i love the fidelity of eventide products but i have to get
> rid of this eclipse and i'll move to either a bigger eventide or go
> with something like max/msp.  fwiw, i also use native instruments and
> i should really look and see what reaktor can do in regards to
> this...

There is no such thing as an ideal pitch shifter for all purposes. In my
own music, I am much more interested in structures (time and pitch) than
in a specific "accuracy" of the shifts. There are basically 3 to 5
different approaches technically which you could use in Max/MSP. The
most common one is granular pitch shifting, which is playing short
grains of the original sound in varying speeds. This is the typical
sound of "cheap" shifters. I actually use that sort of shifting mostly,
for two reasons. First I do like the artifacts and it can be set in a
way to be rhythmically more or less precise. In Max you always have
access to the small details of such a process (grain size and envelopes
come to mind).
Then there is a fft based method coming with Max with less control of
the detail, as it is within an external, but with very good results for
sustained sounds (ideal for cello or sustained guitar...).
And there are two different commercial externals, one is the same
pitchshifting/timestretching method used in Ableton Live and most of the
other sequencers and tools. That external will cost the enormous amount
of 20$ I think. The same programmers also made their own algorithm,
which might be a better sounding granular approach, but that is
speculation and solely out of my listening imagination.
And last but not least, I always wanted to create a sort of very long
grain looper, which instead of using grains in the range of 50 ms, use
complete phrases, and break them up at silent parts. This would of
course scramble the time structure significantly, but would be as clean
as the good old varispeed...
This last idea is still on my to do list though...

But maybe you get an idea why Max/MSP is so intriguing as a tool for me,
there is no technical limitation for your imagination. If you don't like
the way it sounds, you analyze why and whats missing, and then start to
invent those missing parts. You are completely free to define your user
interface yourself and fit it to your personal needs and ways of playing...

Cooking yourself is always better and more fun than heating up
pre-cooked dishes, even better than going to a gourmet restaurant (like
your eclipse). Though from time to time its also nice to know that
terrible expensive cook, he will widen your perspective as well...;-)

This is a long reply now, maybe you want to share it to the list as
well?...;-)

All the best,

Stefan

--
Les Ondes M=E9morielles--------x--
-_____-----------|-----------|--
-(_|_ ----|\-----|-----()-------
- _|_)----|-----()--------------
---------()----------TJ Shredder
http://tjshredder.wordpress.com/

--000e0cd375925f58b80496efcaa1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

hey gang -<br><br>below is a reply i got from stefan.=A0 anybody else care =
to chime in?<br><br>- jim<br><br><div class=3D"gmail_quote">---------- Forw=
arded message ----------<br>From: <b class=3D"gmail_sendername">Stefan Tied=
je</b> <span dir=3D"ltr">&lt;<a href=3D"mailto:Stefan-Tiedje@gmx.de">Stefan=
-Tiedje@gmx.de</a>&gt;</span><br>
Date: Wed, Dec 8, 2010 at 10:51 AM<br>Subject: Re: max/msp vs. eventide<br>=
To: james fowler &lt;<a href=3D"mailto:twostroke@gmail.com">twostroke@gmail=
.com</a>&gt;<br><br><br>Hi James,<br>
<br>
Am 08.12.10 15:04, schrieb james fowler:<br>
<div class=3D"im">&gt; i&#39;m currently using an eventide eclipse and i&#3=
9;m finding that its<br>
&gt; pitch shifters cannot keep up with the audio i&#39;m feeding it. =A0ha=
ve<br>
&gt; you found that you can build reliable and accurate shifters in<br>
&gt; max/msp? =A0i love the fidelity of eventide products but i have to get=
<br>
&gt; rid of this eclipse and i&#39;ll move to either a bigger eventide or g=
o<br>
&gt; with something like max/msp. =A0fwiw, i also use native instruments an=
d<br>
&gt; i should really look and see what reaktor can do in regards to<br>
&gt; this...<br>
<br>
</div>There is no such thing as an ideal pitch shifter for all purposes. In=
 my<br>
own music, I am much more interested in structures (time and pitch) than<br=
>
in a specific &quot;accuracy&quot; of the shifts. There are basically 3 to =
5<br>
different approaches technically which you could use in Max/MSP. The<br>
most common one is granular pitch shifting, which is playing short<br>
grains of the original sound in varying speeds. This is the typical<br>
sound of &quot;cheap&quot; shifters. I actually use that sort of shifting m=
ostly,<br>
for two reasons. First I do like the artifacts and it can be set in a<br>
way to be rhythmically more or less precise. In Max you always have<br>
access to the small details of such a process (grain size and envelopes<br>
come to mind).<br>
Then there is a fft based method coming with Max with less control of<br>
the detail, as it is within an external, but with very good results for<br>
sustained sounds (ideal for cello or sustained guitar...).<br>
And there are two different commercial externals, one is the same<br>
pitchshifting/timestretching method used in Ableton Live and most of the<br=
>
other sequencers and tools. That external will cost the enormous amount<br>
of 20$ I think. The same programmers also made their own algorithm,<br>
which might be a better sounding granular approach, but that is<br>
speculation and solely out of my listening imagination.<br>
And last but not least, I always wanted to create a sort of very long<br>
grain looper, which instead of using grains in the range of 50 ms, use<br>
complete phrases, and break them up at silent parts. This would of<br>
course scramble the time structure significantly, but would be as clean<br>
as the good old varispeed...<br>
This last idea is still on my to do list though...<br>
<br>
But maybe you get an idea why Max/MSP is so intriguing as a tool for me,<br=
>
there is no technical limitation for your imagination. If you don&#39;t lik=
e<br>
the way it sounds, you analyze why and whats missing, and then start to<br>
invent those missing parts. You are completely free to define your user<br>
interface yourself and fit it to your personal needs and ways of playing...=
<br>
<br>
Cooking yourself is always better and more fun than heating up<br>
pre-cooked dishes, even better than going to a gourmet restaurant (like<br>
your eclipse). Though from time to time its also nice to know that<br>
terrible expensive cook, he will widen your perspective as well...;-)<br>
<br>
This is a long reply now, maybe you want to share it to the list as<br>
well?...;-)<br>
<br>
All the best,<br>
<br>
Stefan<br>
<font color=3D"#888888"><br>
--<br>
Les Ondes M=E9morielles--------x--<br>
-_____-----------|-----------|--<br>
-(_|_ ----|\-----|-----()-------<br>
- _|_)----|-----()--------------<br>
---------()----------TJ Shredder<br>
<a href=3D"http://tjshredder.wordpress.com/" target=3D"_blank">http://tjshr=
edder.wordpress.com/</a><br>
</font></div><br>

--000e0cd375925f58b80496efcaa1--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 02:21:40 2010
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Subject: RE: Fripper Gear Trivia
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"Jealousy is a terrible thing Bill ;-)"


I would love to own one eventide signal processor. just one, and  It  
would be an eclipse but it won't happen anytime soon :-)
Of course I have a bit of gear envy. Doesn't everyone?  I don't really  
begrudge Mister Fripp his tools, he's  earned them or gets them.
  The few times I've been given stuff by manufacturers, I haven't  
exactly said no....... and who knows for sure, perhaps Eventide saw  
this as a big photo op gig and provided all the gear, perhaps he  
rented it from SIR? And also I realize as successful as he has been,  
he may still be needing to work and that a lot of musicians of that  
level of fame aren't exactly able to sit back and enjoy the good life  
like we all imagine they do. I do feel like western culture  
particularly here in America has gotten far too materialistic, and I'm  
just as guilty as the next person of desiring more and better tools,  
so Robert if you are reading this, its not you I'm railing against,  
its the wide spread greed in western civilization. Bobby Baby i'm not  
hate'n the player, i'm hate'n the Game!  So gimme one of those Goddamn  
ultra harmonizers will ya?????????
Bill
--Apple-Mail-2-21479670
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">"Jealousy is a terrible =
thing Bill ;-)"</span><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; =
"><br></span></div><div><font class=3D"Apple-style-span" face=3D"Tahoma" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 13px;">I =
would love to own one eventide signal processor. just one, and &nbsp;It =
would be an eclipse but it won't happen anytime soon =
:-)&nbsp;</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Tahoma" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;">Of course I have a bit of gear =
envy.&nbsp;</span></font><font class=3D"Apple-style-span" face=3D"Tahoma" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
13px;">Doesn't everyone? &nbsp;I don't really begrudge Mister Fripp his =
tools, he's &nbsp;earned them or gets them</span></font><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">.</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&nbsp;The few times =
I've been given stuff by manufacturers, I haven't exactly said no....... =
and who knows for sure, perhaps Eventide saw this as a big photo op gig =
and provided all the gear, perhaps he rented it from SIR? And also I =
realize as successful as he has been, he may still be needing to work =
and that a lot of musicians of that level of fame aren't exactly able to =
sit back and enjoy the good life like we all imagine they do. I do feel =
like western culture particularly here in America has gotten far too =
materialistic, and I'm just as guilty as the next person of desiring =
more and better tools, so Robert if you are reading this, its not you =
I'm railing against, its the wide spread greed in western civilization. =
Bobby Baby i'm not hate'n the player, i'm hate'n the Game! &nbsp;So =
gimme one of those Goddamn ultra harmonizers will =
ya?????????</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; =
">Bill</span></div></body></html>=

--Apple-Mail-2-21479670--

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apropos nothing-that one guy http://www.that1guy.com/ was opening up for Me=
rmen and we were talking gear-he had a whammy pedal and an eclipse among a =
myriad of gear-he said and i quote: he liked how the whammy tracked better =
than the eclipse-and he didnt like that cause it cost so much.


-----Original Message-----

From: William Walker=20

Sent: Dec 8, 2010 6:21 PM

To: loopers-delight@loopers-delight.com

Subject: RE: Fripper Gear Trivia



"Jealousy is a terrible thing Bill ;-)"

I would love to own one eventide signal processor. just one, and  It would =
be an eclipse but it won't happen anytime soon :-) Of course I have a bit o=
f gear envy. Doesn't everyone?  I don't really begrudge Mister Fripp his to=
ols, he's  earned them or gets them. The few times I've been given stuff by=
 manufacturers, I haven't exactly said no....... and who knows for sure, pe=
rhaps Eventide saw this as a big photo op gig and provided all the gear, pe=
rhaps he rented it from SIR? And also I realize as successful as he has bee=
n, he may still be needing to work and that a lot of musicians of that leve=
l of fame aren't exactly able to sit back and enjoy the good life like we a=
ll imagine they do. I do feel like western culture particularly here in Ame=
rica has gotten far too materialistic, and I'm just as guilty as the next p=
erson of desiring more and better tools, so Robert if you are reading this,=
 its not you I'm railing against, its the wide spread greed in western civi=
lization. Bobby Baby i'm not hate'n the player, i'm hate'n the Game!  So gi=
mme one of those Goddamn ultra harmonizers will ya?????????Bill

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 03:55:28 2010
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Date: Wed, 8 Dec 2010 22:55:26 -0500 (EST)
From: EDWARD                    YUHAS  <ejyuhas@embarqmail.com>
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>>>LOL! Can't argue much about that but I at least know one exception
from the dishwater standard, an album called Red.

Funny you should mention "Red", Per...this is also a favorite of mine...

And I was there for all 4 Soundscapes performances last weekend; in at least three performances, he looped some dark, droning notes and soloed over and around them with the famous lick from 'Starless', which we all know is from the "Red" album.

Very nice, indeed...

For the record, I have no qualms with Fripp...I love much of what he's done as a performer...from the opening notes of ITCOTCK right on up through these last Soundscapes performances...only once have I walked out on him...LOL

One time he was playng IMAC out on Long Island, here in the good old USA. That night, he just couldn't inspire and/or connect and so I went! Typically not like me to do that, but hey...

Edward Yuhas

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 04:03:58 2010
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Subject: RE: USB drives me nuts
Date: Wed, 8 Dec 2010 23:03:56 -0500
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With MIDI devices the rule is to try to always plug them into the same =
USB port.  In XP, anyway, there are a limited number (eleven, I think it =
was) of MIDI ports available and if you plug the same device into two =
different USB ports at different times it will wind up having two MIDI =
ports assigned to it, one to each USB port.

=20

It appears that this problem was fixed in Windows XP SP3.  At least I =
haven=E2=80=99t encountered it since installing SP3.

=20


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xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
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style=3D'margin-left:.5in'><span =
style=3D'font-size:11.0pt;font-family:"Arial","sans-serif";color:black'>W=
ith MIDI devices the rule is to try to always plug them into the same =
USB port.&nbsp; In XP, anyway, there are a limited number (eleven, I =
think it was) of MIDI ports available and if you plug the same device =
into two different USB ports at different times it will wind up having =
two MIDI ports assigned to it, one to each USB =
port.<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-family:"Arial","sans-serif";color:black'><o:p>&nbsp;</o:p><=
/span></p><p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'>It appears =
that this problem was fixed in Windows XP SP3.=C2=A0 At least I =
haven=E2=80=99t encountered it since installing =
SP3.<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-family:"Calibri","sans-serif";color:#1F497D'><o:p>&nbsp;</o=
:p></span></p></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 06:47:04 2010
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Stefan wrote:
>
> I had also different experiences in the country side. Local majors are
> proud of having artists present their work in their town. They wouldn't
> be able to pull out as much nowadays, but the spirit is very different
> to Paris and its surrounding areas. Its not like two different
> countries, its like two different planets...
>
Yeah, Stefan,  that has always astonished me.   When I toured and performed
in Paris in the late 90s it had the reputation as Paris, Africa (I 
believe there are
2 million Arabs from North Africa living in Paris alone)  and yet I was 
told
that they had never had a large scale Pan African Music Festival (as we 
have
had twice in Santa Cruz of all places with it's 50,000 person population).

I've always been astonished that there seems to be very little going on in
Paris in the musical scenes I'm interested in (abstract electronic, 
world fusion,
experimental music, et. al.) at least in terms of official venues or 
festivals
and yet there are obviously a lot of great Parisian artists.

Of course, I do NOT live there so it's very possible that I was just out 
of the loop
but I looked a lot because I was there a lot (we always flew in and out 
of Paris
for our French tours with Bob Brozman).

And yet,  I love Paris, dearly.      I don't even mind paying the $7 for
a capuccino on the banks of the Seine.............lol

Rick Walker

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On 7/22/64 11:59 AM, mark francombe wrote:
> Ill be honest and say that I love No Pussyfooting, but consider it an 
> Eno album...
Yeah,   but am I the only person who thinks that 'Evening Star' is the 
better album
of the two?       People constantly name check 'No Pussyfooting' (which 
does have
the bitchenist album cover art) but I think Evening Star is a lot more 
musical.

Though definitely in the Eno world,  I hear it as completely 
collaborative.....
each part adding equally.

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 07:19:06 2010
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Subject: Re: Re: Fripper Gear Trivia
From: Raul Bonell <raul.bonell@gmail.com>
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+1 ES

2010/12/9 Rick Walker <looppool@cruzio.com>

> On 7/22/64 11:59 AM, mark francombe wrote:
>
>> Ill be honest and say that I love No Pussyfooting, but consider it an En=
o
>> album...
>>
> Yeah,   but am I the only person who thinks that 'Evening Star' is the
> better album
> of the two?       People constantly name check 'No Pussyfooting' (which
> does have
> the bitchenist album cover art) but I think Evening Star is a lot more
> musical.
>
> Though definitely in the Eno world,  I hear it as completely
> collaborative.....
> each part adding equally.
>
> rick walker
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "

http://raulbonell.tumblr.com =B7 http://www.ct-collective.com

--0016364ee07c70f81f0496f50d75
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+1 ES<br><br><div class=3D"gmail_quote">2010/12/9 Rick Walker <span dir=3D"=
ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;=
</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bor=
der-left:1px #ccc solid;padding-left:1ex;">
<div class=3D"im">On 7/22/64 11:59 AM, mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Ill be honest and say that I love No Pussyfooting, but consider it an Eno a=
lbum...<br>
</blockquote></div>
Yeah, =A0 but am I the only person who thinks that &#39;Evening Star&#39; i=
s the better album<br>
of the two? =A0 =A0 =A0 People constantly name check &#39;No Pussyfooting&#=
39; (which does have<br>
the bitchenist album cover art) but I think Evening Star is a lot more musi=
cal.<br>
<br>
Though definitely in the Eno world, =A0I hear it as completely collaborativ=
e.....<br>
each part adding equally.<br><font color=3D"#888888">
<br>
rick walker<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">http://raulb=
onell.tumblr.com</a> =B7 <a href=3D"http://www.ct-collective.com" target=3D=
"_blank">http://www.ct-collective.com</a><br><br>

--0016364ee07c70f81f0496f50d75--

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Date: Thu, 9 Dec 2010 08:38:01 +0100
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Subject: Re: Fripper Gear Trivia
From: Louie Angulo <louie.angulo@googlemail.com>
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Hey Bill some people here think i also carry too much gear because i have a=
n
M9 and a harmony G velcroed on a pedalboard;-)

look at this ol bastards as well:

http://petecornish.co.uk/D.Gilmour_Pink%20Floyd%20%2794.jpg

http://www.google.de/imgres?imgurl=3Dhttp://playitloud.de/effects/edge_rack=
_elevation_rack_gear.jpg&imgrefurl=3Dhttp://playitloud.de/effects/TC2290.ht=
m&usg=3D__y_GhYqKmKYTIyKRTvjI5edCUcik=3D&h=3D637&w=3D795&sz=3D241&hl=3Dde&s=
tart=3D5&sig2=3DNvXlWUnnVoqU0DojfhupLA&zoom=3D1&itbs=3D1&tbnid=3DeKYh58zYhj=
oSoM:&tbnh=3D115&tbnw=3D143&prev=3D/images%3Fq%3Dthe%2Bedge%2Beffect%2Brack=
%26hl%3Dde%26tbs%3Disch:1&ei=3DrIUATeSzDMLysgb17oH1Dg

if u ask me why they do this cause they are too rich and too old and set in
their ways
no matter what you re not gonna get them to use guitar rig and loop with
mobius on a macbook;-)
Luis



On Thu, Dec 9, 2010 at 3:21 AM, William Walker <billwalker@baymoon.com>wrot=
e:

> "Jealousy is a terrible thing Bill ;-)"
>
>
> I would love to own one eventide signal processor. just one, and  It woul=
d
> be an eclipse but it won't happen anytime soon :-)
> Of course I have a bit of gear envy. Doesn't everyone?  I don't really
> begrudge Mister Fripp his tools, he's  earned them or gets them.
>  The few times I've been given stuff by manufacturers, I haven't exactly
> said no....... and who knows for sure, perhaps Eventide saw this as a big
> photo op gig and provided all the gear, perhaps he rented it from SIR? An=
d
> also I realize as successful as he has been, he may still be needing to w=
ork
> and that a lot of musicians of that level of fame aren't exactly able to =
sit
> back and enjoy the good life like we all imagine they do. I do feel like
> western culture particularly here in America has gotten far too
> materialistic, and I'm just as guilty as the next person of desiring more
> and better tools, so Robert if you are reading this, its not you I'm rail=
ing
> against, its the wide spread greed in western civilization. Bobby Baby i'=
m
> not hate'n the player, i'm hate'n the Game!  So gimme one of those Goddam=
n
> ultra harmonizers will ya?????????
> Bill
>

--0016e6d968ce4ec4740496f551d4
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Hey Bill some people here think i also carry too much gear because i have a=
n M9 and a harmony G velcroed on a pedalboard;-)<br><br>look at this ol bas=
tards as well:<br><br><a href=3D"http://petecornish.co.uk/D.Gilmour_Pink%20=
Floyd%20%2794.jpg">http://petecornish.co.uk/D.Gilmour_Pink%20Floyd%20%2794.=
jpg</a><br>
<br><a href=3D"http://www.google.de/imgres?imgurl=3Dhttp://playitloud.de/ef=
fects/edge_rack_elevation_rack_gear.jpg&amp;imgrefurl=3Dhttp://playitloud.d=
e/effects/TC2290.htm&amp;usg=3D__y_GhYqKmKYTIyKRTvjI5edCUcik=3D&amp;h=3D637=
&amp;w=3D795&amp;sz=3D241&amp;hl=3Dde&amp;start=3D5&amp;sig2=3DNvXlWUnnVoqU=
0DojfhupLA&amp;zoom=3D1&amp;itbs=3D1&amp;tbnid=3DeKYh58zYhjoSoM:&amp;tbnh=
=3D115&amp;tbnw=3D143&amp;prev=3D/images%3Fq%3Dthe%2Bedge%2Beffect%2Brack%2=
6hl%3Dde%26tbs%3Disch:1&amp;ei=3DrIUATeSzDMLysgb17oH1Dg">http://www.google.=
de/imgres?imgurl=3Dhttp://playitloud.de/effects/edge_rack_elevation_rack_ge=
ar.jpg&amp;imgrefurl=3Dhttp://playitloud.de/effects/TC2290.htm&amp;usg=3D__=
y_GhYqKmKYTIyKRTvjI5edCUcik=3D&amp;h=3D637&amp;w=3D795&amp;sz=3D241&amp;hl=
=3Dde&amp;start=3D5&amp;sig2=3DNvXlWUnnVoqU0DojfhupLA&amp;zoom=3D1&amp;itbs=
=3D1&amp;tbnid=3DeKYh58zYhjoSoM:&amp;tbnh=3D115&amp;tbnw=3D143&amp;prev=3D/=
images%3Fq%3Dthe%2Bedge%2Beffect%2Brack%26hl%3Dde%26tbs%3Disch:1&amp;ei=3Dr=
IUATeSzDMLysgb17oH1Dg</a><br>
<br>if u ask me why they do this cause they are too rich and too old and se=
t in their ways<br>no matter what you re not gonna get them to use guitar r=
ig and loop with mobius on a macbook;-)<br>Luis<br><br><br><br><div class=
=3D"gmail_quote">
On Thu, Dec 9, 2010 at 3:21 AM, William Walker <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</span> w=
rote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8=
ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div style=3D"word-wrap: break-word;"><div class=3D"im"><span style=3D"font=
-family: Tahoma; font-size: 13px;">&quot;Jealousy is a terrible thing Bill =
;-)&quot;</span><div><span style=3D"font-family: Tahoma; font-size: 13px;">=
<br>
</span></div><div><span style=3D"font-family: Tahoma; font-size: 13px;"><br=
></span></div></div><div><font face=3D"Tahoma" size=3D"3"><span style=3D"fo=
nt-size: 13px;">I would love to own one eventide signal processor. just one=
, and =A0It would be an eclipse but it won&#39;t happen anytime soon :-)=A0=
</span></font></div>
<div><font face=3D"Tahoma" size=3D"3"><span style=3D"font-size: 13px;">Of c=
ourse I have a bit of gear envy.=A0</span></font><font face=3D"Tahoma" size=
=3D"3"><span style=3D"font-size: 13px;">Doesn&#39;t everyone? =A0I don&#39;=
t really begrudge Mister Fripp his tools, he&#39;s =A0earned them or gets t=
hem</span></font><span style=3D"font-family: Tahoma; font-size: 13px;">.</s=
pan></div>
<div><span style=3D"font-family: Tahoma; font-size: 13px;">=A0The few times=
 I&#39;ve been given stuff by manufacturers, I haven&#39;t exactly said no.=
...... and who knows for sure, perhaps Eventide saw this as a big photo op =
gig and provided all the gear, perhaps he rented it from SIR? And also I re=
alize as successful as he has been, he may still be needing to work and tha=
t a lot of musicians of that level of fame aren&#39;t exactly able to sit b=
ack and enjoy the good life like we all imagine they do. I do feel like wes=
tern culture particularly here in America has gotten far too materialistic,=
 and I&#39;m just as guilty as the next person of desiring more and better =
tools, so Robert if you are reading this, its not you I&#39;m railing again=
st, its the wide spread greed in western civilization. Bobby Baby i&#39;m n=
ot hate&#39;n the player, i&#39;m hate&#39;n the Game! =A0So gimme one of t=
hose Goddamn ultra harmonizers will ya?????????</span></div>
<div><span style=3D"font-family: Tahoma; font-size: 13px;">Bill</span></div=
></div></blockquote></div><br>

--0016e6d968ce4ec4740496f551d4--

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 > It appears that this problem was fixed in Windows XP SP3.  At least I
haven't encountered it since installing SP3. 
 
then it was re-introduced in Vista.
 
-m 

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<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d"><SPAN=20
class=3D500474107-09122010><FONT color=3D#000000 size=3D2=20
face=3DArial>&nbsp;&gt;&nbsp;</FONT></SPAN>It appears that this problem =
was fixed=20
in Windows XP SP3.&nbsp; At least I haven&#8217;t encountered it since =
installing=20
SP3.<SPAN class=3D500474107-09122010><FONT color=3D#000000 size=3D2=20
face=3DArial>&nbsp;</FONT></SPAN></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d"><SPAN=20
class=3D500474107-09122010></SPAN></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d"><SPAN=20
class=3D500474107-09122010><FONT color=3D#000000 size=3D2 =
face=3DArial>then it was=20
re-introduced in Vista.</FONT></SPAN></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d"><SPAN=20
class=3D500474107-09122010></SPAN></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-FAMILY: 'Calibri','sans-serif'; COLOR: #1f497d"><SPAN=20
class=3D500474107-09122010><FONT color=3D#000000 size=3D2=20
face=3DArial>-m</FONT>&nbsp;</SPAN></SPAN><SPAN=20
style=3D"FONT-FAMILY: 'Calibri','sans-serif'; COLOR: =
#1f497d"><o:p></o:p></SPAN></DIV></BODY></HTML>

------=_NextPart_000_0052_01CB977D.00103740--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 08:24:50 2010
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Date: Thu, 9 Dec 2010 09:24:47 +0100
Message-ID: <AANLkTimZ1Xq5c1vK5UxVHiv+nJyFK012GQKz=bnS0mpG@mail.gmail.com>
Subject: Re: Re: Re: OT: French composers are leaving France for the US?
From: andy soto <musicalmexicana@gmail.com>
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--0016e649da648ca9090496f5f8dd
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 Yeah, Paris seems so interesting...when you don't live here!

 The music scene here is pretty much a "pastiche" of what's trendy in the
english speaking countries, we have major acts wich are french versions of
whats hip in the States or England.

 Yes, there is a lot of support from the goverment to produce culture,art,
music and what not, but as an artist,the MEANS to get to that support is so
complicated and esotheric that there are 2 types of creatives in this
country: the goverment sponsored and the rest of us.

 There is little or NO alternative scene going on here in Paris, and in the
rest of the country there are isolated acts here and there but very little
gatherings or festivals.

 Oh, of course there are huge festivals in France, but they line up big
"alternative" American acts.

Andy

On Thu, Dec 9, 2010 at 7:46 AM, Rick Walker <looppool@cruzio.com> wrote:

> Stefan wrote:
>
>>
>> I had also different experiences in the country side. Local majors are
>> proud of having artists present their work in their town. They wouldn't
>> be able to pull out as much nowadays, but the spirit is very different
>> to Paris and its surrounding areas. Its not like two different
>> countries, its like two different planets...
>>
>>  Yeah, Stefan,  that has always astonished me.   When I toured and
> performed
> in Paris in the late 90s it had the reputation as Paris, Africa (I believe
> there are
> 2 million Arabs from North Africa living in Paris alone)  and yet I was
> told
> that they had never had a large scale Pan African Music Festival (as we
> have
> had twice in Santa Cruz of all places with it's 50,000 person population).
>
> I've always been astonished that there seems to be very little going on in
> Paris in the musical scenes I'm interested in (abstract electronic, world
> fusion,
> experimental music, et. al.) at least in terms of official venues or
> festivals
> and yet there are obviously a lot of great Parisian artists.
>
> Of course, I do NOT live there so it's very possible that I was just out of
> the loop
> but I looked a lot because I was there a lot (we always flew in and out of
> Paris
> for our French tours with Bob Brozman).
>
> And yet,  I love Paris, dearly.      I don't even mind paying the $7 for
> a capuccino on the banks of the Seine.............lol
>
> Rick Walker
>
>

--0016e649da648ca9090496f5f8dd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br>=A0Yeah, Paris seems so interesting...when you don&#39;t live here!<br>=
<br>=A0The music scene here is pretty much a &quot;pastiche&quot; of what&#=
39;s trendy in the english speaking countries, we have major acts wich are =
french versions of whats hip in the States or England.<br>
<br>=A0Yes, there is a lot of support from the goverment to produce culture=
,art, music and what not, but as an artist,the MEANS to get to that support=
 is so complicated and esotheric that there are 2 types of creatives in thi=
s country: the goverment sponsored and the rest of us.<br>
<br>=A0There is little or NO alternative scene going on here in Paris, and =
in the rest of the country there are isolated acts here and there but very =
little gatherings or festivals.<br><br>=A0Oh, of course there are huge fest=
ivals in France, but they line up big &quot;alternative&quot; American acts=
.<br>
=A0<br>Andy<br><br><div class=3D"gmail_quote">On Thu, Dec 9, 2010 at 7:46 A=
M, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com"=
>looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">
<div class=3D"im">Stefan wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
I had also different experiences in the country side. Local majors are<br>
proud of having artists present their work in their town. They wouldn&#39;t=
<br>
be able to pull out as much nowadays, but the spirit is very different<br>
to Paris and its surrounding areas. Its not like two different<br>
countries, its like two different planets...<br>
<br>
</blockquote></div>
Yeah, Stefan, =A0that has always astonished me. =A0 When I toured and perfo=
rmed<br>
in Paris in the late 90s it had the reputation as Paris, Africa (I believe =
there are<br>
2 million Arabs from North Africa living in Paris alone) =A0and yet I was t=
old<br>
that they had never had a large scale Pan African Music Festival (as we hav=
e<br>
had twice in Santa Cruz of all places with it&#39;s 50,000 person populatio=
n).<br>
<br>
I&#39;ve always been astonished that there seems to be very little going on=
 in<br>
Paris in the musical scenes I&#39;m interested in (abstract electronic, wor=
ld fusion,<br>
experimental music, et. al.) at least in terms of official venues or festiv=
als<br>
and yet there are obviously a lot of great Parisian artists.<br>
<br>
Of course, I do NOT live there so it&#39;s very possible that I was just ou=
t of the loop<br>
but I looked a lot because I was there a lot (we always flew in and out of =
Paris<br>
for our French tours with Bob Brozman).<br>
<br>
And yet, =A0I love Paris, dearly. =A0 =A0 =A0I don&#39;t even mind paying t=
he $7 for<br>
a capuccino on the banks of the Seine.............lol<br><font color=3D"#88=
8888">
<br>
Rick Walker<br>
<br>
</font></blockquote></div><br>

--0016e649da648ca9090496f5f8dd--

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From: mark francombe <markfrancombe@gmail.com>
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Date: Thu, 9 Dec 2010 09:31:41 +0100
Message-ID: <4402482061497082339@unknownmsgid>
Subject: Re: Fripper Gear Trivia
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Hurrah! We disagree in something Rick!!! I love no pussyfooting cos of
the whole package.. The cover... The track titles(swastica girls for
christ sake) It's Not a new agey sounding. It's got that vcs3 band
pass vcf sequencer thing.. It's got harsh interjection from mr fripp
(as he adds interesting stuff to enos album) the whole thing laughs in
the face of the drippy stoners who sat about in bedsits  smokin' .
It's ambient with an edge... The likes of which was never to be heard
until after the 80s with some ambient glitch.

Evening star????? Thats just some yoga background music... I know this
cos my yoga teacher plays it!!!

Om Manipudmi hum...

=E2=99=A5 =E2=98=AE =E2=98=A0

Mark

Sent from my (advertisement removed)

On 9 Dec 2010, at 07:51, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, mark francombe wrote:
>> Ill be honest and say that I love No Pussyfooting, but consider it an En=
o album...
> Yeah,   but am I the only person who thinks that 'Evening Star' is the be=
tter album
> of the two?       People constantly name check 'No Pussyfooting' (which d=
oes have
> the bitchenist album cover art) but I think Evening Star is a lot more mu=
sical.
>
> Though definitely in the Eno world,  I hear it as completely collaborativ=
e.....
> each part adding equally.
>
> rick walker
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 11:52:11 2010
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Date: Thu, 9 Dec 2010 12:52:08 +0100
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Subject: Re: USB drives me nuts
From: Per Boysen <perboysen@gmail.com>
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I'm wondering if you guys aren't talking about the infamous IRQ
conflict issue? If you are unlucky to get the IRQs distributed in a
way that doesn't match the music hardware you intend to use with the
Windows laptop I remember there should be a way to reinitialize the
IRQs. "Google it" to find the fix if you need to.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Dec 9, 2010 at 8:42 AM, Michael Peters <mp@mpeters.de> wrote:
> =C2=A0>=C2=A0It appears that this problem was fixed in Windows XP SP3.=C2=
=A0 At least I
> haven=E2=80=99t encountered it since installing SP3.
>
> then it was re-introduced in Vista.
>
> -m

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--20cf3054a4c559627c0496f97a85
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Hi Gents.

Nice encapsulation of the Max/MSP pitch-shifting world, Stefan!

It's been my experience that the computer just cannot process fast enough
yet to do real-time Pitch-Shifting, fft or otherwise.  I still use only my
Eventide Orville when I really need that, and it works fine, though I still
'feel' the tiniest bit of latency.  I have no experience with the Eclipse,
though our good friend Erdem does.

However, I just recently purchased an Eventide Pitch Factor because I just
can't travel with that Orville anymore, and I am very pleasantly surprised.
 It's solved all my issues and is in general a great box.

That said, I know that in the Max/MSP world algorithms are in continual
process and I'd not be surprised if real good shifting comes into being
relatively soon.  As it is, Puremagnetik has written some Max for Live
patches which include a real time pitch shifter which, if you're into a
slightly colored sound, doesn't work bad at all, in fact, it sounds pretty
interesting!  (that whole M4L pack is worth my investment, not bad, $40
bucks.)

I hope that contributes something to the conversation!  Cheers, everyone.

--20cf3054a4c559627c0496f97a85
Content-Type: text/html; charset=ISO-8859-1
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Hi Gents.
<div><br></div><div>Nice encapsulation of the Max/MSP pitch-shifting world,=
 Stefan! =A0</div><div><br></div><div>It&#39;s been my experience that the =
computer just cannot process fast enough yet to do real-time Pitch-Shifting=
, fft or otherwise. =A0I still use only my Eventide Orville when I really n=
eed that, and it works fine, though I still &#39;feel&#39; the tiniest bit =
of latency. =A0I have no experience with the Eclipse, though our good frien=
d Erdem does.</div>

<div><br></div><div>However, I just recently purchased an Eventide Pitch Fa=
ctor because I just can&#39;t travel with that Orville anymore, and I am ve=
ry pleasantly surprised. =A0It&#39;s solved all my issues and is in general=
 a great box.=A0</div>

<div><br></div><div>That said, I know that in the Max/MSP world algorithms =
are in continual process and I&#39;d not be surprised if real good shifting=
 comes into being relatively soon. =A0As it is, Puremagnetik has written so=
me Max for Live patches which include a real time pitch shifter which, if y=
ou&#39;re into a slightly colored sound, doesn&#39;t work bad at all, in fa=
ct, it sounds pretty interesting! =A0(that whole M4L pack is worth my inves=
tment, not bad, $40 bucks.)</div>

<div><br></div><div>I hope that contributes something to the conversation! =
=A0Cheers, everyone.=A0</div><div><br></div><div><br></div>

--20cf3054a4c559627c0496f97a85--

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Bill Putnam forwarded this thoughtful video of list of things that
an iPhone/Touch/Pad or equivalent technology should have
in order to be considered a serious instrument.

I have to say I agreed with almost everything this guys said.
I am brand new to the iTouch technology and have had some
great excitement about it's potential and also a lot of strong skepticism
about it's growing ubiquity.

Your thoughts?

rick walker

ps though this is off topic, I do believe this new technology platform
and it's ubiquity due to it's pretty amazingly cheap price (at least the 
apps one
buys) has huge implications in live looping performances potentially.

I'm beta testing a device now, as an example that will allow me to use 
an iTouch
to control my Looperlative (or any midi instrument) as an example remotely
using wireless technology.

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 13:14:12 2010
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Date: Thu, 9 Dec 2010 14:14:09 +0100
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Subject: Re: semi-ot: pitch shifters
From: Per Boysen <perboysen@gmail.com>
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I think your questions are a bit too vague to be correctly answered,
even though Stefan gave a good Max/MSP introduction as usual ;-). For
example you are not telling us what you mean by your Eclipse "can't
keep up with the audio". It is also not clear what you mean by pitch
shifting not being "reliable and accurate". There might be issues with
playing chords into a pitch shifter... Also pitch shifting accuracy
depends on the frequency, if you are shifting a high or low not and if
you are transposing audio up or down in pitch. A qualified guess would
be that you are talking about live audio? (as opposed to audio being
recorded into RAM or elsewhere before pitch transformed).

I can't comment on Stefan's reply but I would like to point out that
instant pitch shifting is not physically possible in a real-time live
input signal. It is indeed possible with plugins that manipulate the
playback of an already recorded audio file on a computer's drive, but
then the software is working with preview calculation as the trick to
get to it right on time. In the real-time world a calculation has to
be performed a little bit "too late" for what is musically correct.
Maybe this is what you man by "not accurate"?

For pitching a signal without using the dry signal in the output I
have experienced some pitch shifting stomp boxes that feel very fast,
like the classic Blue Box by MXR, the Hog by Electroharmonix etc etc.
For a while I used a TC Electronics FireworX that did an "almost OK"
job on pitching down. Except for the FireworX those are analog boxes.
In computer software I doubt that would be possible, at least I have
not seen any software algorithm that transposes live audio without too
much latency. I'm not a programmer but I suspect all audio processing
programming has to rely on setting up buffers in the time line in
order to secure calculations being reliably performed. A computer's
operating system may also add a time buffer to the process. A while
back you could hear the difference as the same plug-ins under OS X
were "slower" according to the extra safety buffer in that system
compared to when run under Windows. That might have changed now
though, I haven't seen any whining about it lately ;-)

Myself I gave up pretty soon on finding a real-time pitch transformer
software. Instead I do as we musicians always do, we make a strong
gesture in some direction that (hopefully) makes the listener believer
they are hearing it right (although it actually is not perfectly
"right"). Such "cheats" include transforming already recorded slices
of a loop (Mobius scripting), using another physical instrument that
actually allows for playing the notes directly at the preferred pitch
and finally to blend the pitch transformed signal with the dry live
signal to mask out the ugly latency.  This last approach works fine
for me with pitch shifting software plug-ins. Ok, so here's sharing
some experiences with different pitch shifting plugins I have tried:
The least CPU intensive one I have found is the PItch Shifter II in
Logic/Mainstage but you have to set its quality to "vocal" for minimal
latency and fidelity degradation and it still sounds rather crappy if
listened to without the masking source audio signal. The cheapest is
Apple's AU Pitch Shifter that comes for free within OS X on any Apple
pc. I used this a lot when building a Mobius looping host in Bidule, a
little slower than the Logic plugin but still ok. Then I have also
tried the free plugin Spectral Magic AU suite by Michael Norris; it
has a better sounding pitch shifter but one that consumes a bit more
CPU power. I too am a big fan of Eventide's processing so I invested
in the SoundToys Native Bundle plugin suite as soon as it became
available as AU. For long time it was only offered as RTAS to be used
in Proo Tools but today there is even a Windows version of these
plugins. One of those plugins, the Crystallizer, offers very good
pitch shifting. Not as timing accurate for a realt-time live input as
an analog stomp box of course, but if you like the classic Eventide
harmonizers this is as close you get in software (and you get a lot
more routing experimentation options than the HM8000 ever had).

Best regards

Per Boysen


On Thu, Dec 9, 2010 at 2:02 AM, james fowler <twostroke@gmail.com> wrote:
> hey gang -
>
> below is a reply i got from stefan.=C2=A0 anybody else care to chime in?
>
> - jim
>
> ---------- Forwarded message ----------
> From: Stefan Tiedje <Stefan-Tiedje@gmx.de>
> Date: Wed, Dec 8, 2010 at 10:51 AM
> Subject: Re: max/msp vs. eventide
> To: james fowler <twostroke@gmail.com>
>
>
> Hi James,
>
> Am 08.12.10 15:04, schrieb james fowler:
>> i'm currently using an eventide eclipse and i'm finding that its
>> pitch shifters cannot keep up with the audio i'm feeding it. =C2=A0have
>> you found that you can build reliable and accurate shifters in
>> max/msp? =C2=A0i love the fidelity of eventide products but i have to ge=
t
>> rid of this eclipse and i'll move to either a bigger eventide or go
>> with something like max/msp. =C2=A0fwiw, i also use native instruments a=
nd
>> i should really look and see what reaktor can do in regards to
>> this...
>
> There is no such thing as an ideal pitch shifter for all purposes. In my
> own music, I am much more interested in structures (time and pitch) than
> in a specific "accuracy" of the shifts. There are basically 3 to 5
> different approaches technically which you could use in Max/MSP. The
> most common one is granular pitch shifting, which is playing short
> grains of the original sound in varying speeds. This is the typical
> sound of "cheap" shifters. I actually use that sort of shifting mostly,
> for two reasons. First I do like the artifacts and it can be set in a
> way to be rhythmically more or less precise. In Max you always have
> access to the small details of such a process (grain size and envelopes
> come to mind).
> Then there is a fft based method coming with Max with less control of
> the detail, as it is within an external, but with very good results for
> sustained sounds (ideal for cello or sustained guitar...).
> And there are two different commercial externals, one is the same
> pitchshifting/timestretching method used in Ableton Live and most of the
> other sequencers and tools. That external will cost the enormous amount
> of 20$ I think. The same programmers also made their own algorithm,
> which might be a better sounding granular approach, but that is
> speculation and solely out of my listening imagination.
> And last but not least, I always wanted to create a sort of very long
> grain looper, which instead of using grains in the range of 50 ms, use
> complete phrases, and break them up at silent parts. This would of
> course scramble the time structure significantly, but would be as clean
> as the good old varispeed...
> This last idea is still on my to do list though...
>
> But maybe you get an idea why Max/MSP is so intriguing as a tool for me,
> there is no technical limitation for your imagination. If you don't like
> the way it sounds, you analyze why and whats missing, and then start to
> invent those missing parts. You are completely free to define your user
> interface yourself and fit it to your personal needs and ways of playing.=
..
>
> Cooking yourself is always better and more fun than heating up
> pre-cooked dishes, even better than going to a gourmet restaurant (like
> your eclipse). Though from time to time its also nice to know that
> terrible expensive cook, he will widen your perspective as well...;-)
>
> This is a long reply now, maybe you want to share it to the list as
> well?...;-)
>
> All the best,
>
> Stefan
>
> --
> Les Ondes M=C3=A9morielles--------x--
> -_____-----------|-----------|--
> -(_|_ ----|\-----|-----()-------
> - _|_)----|-----()--------------
> ---------()----------TJ Shredder
> http://tjshredder.wordpress.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 13:23:02 2010
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Subject: Re: OT: Criteria for Creating New Instruments on pad and phone technology
From: Per Boysen <perboysen@gmail.com>
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Seems interesting, but would you mind adding the video link you are
talking about?

I think iFeel technology would be better then iTouch for us musicians.
I mean, we all think it is better to feel your knobs and sliders
directly without having to look at them first. But unfortunately no
iFeel technology exists.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Dec 9, 2010 at 2:12 PM, Rick Walker <looppool@cruzio.com> wrote:
> Bill Putnam forwarded this thoughtful video of list of things that
> an iPhone/Touch/Pad or equivalent technology should have
> in order to be considered a serious instrument.
>
> I have to say I agreed with almost everything this guys said.
> I am brand new to the iTouch technology and have had some
> great excitement about it's potential and also a lot of strong skepticism
> about it's growing ubiquity.
>
> Your thoughts?
>
> rick walker
>
> ps though this is off topic, I do believe this new technology platform
> and it's ubiquity due to it's pretty amazingly cheap price (at least the
> apps one
> buys) has huge implications in live looping performances potentially.
>
> I'm beta testing a device now, as an example that will allow me to use an
> iTouch
> to control my Looperlative (or any midi instrument) as an example remotely
> using wireless technology.
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 13:50:09 2010
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Subject: RE: USB drives me nuts
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> From: Per Boysen [mailto:perboysen@gmail.com] 
> I'm wondering if you guys aren't talking about 
> the infamous IRQ conflict issue? 

don't know, there aren't any error messages mentioning IRQs ... 

anyway, I'll upgrade to Windows7 now, hoping that'll fix it.  Or are there
any issues with Bidule (32bit) or VST plugins under Windows7?

-Michael



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Hi Michael.=20
Windows 7 is a vast improvement on Vista. It doesn't seem to matter which u=
sb port I use for my interfaces on my win7 laptop at all.=20
=20
Good luck=2C
=20
Gareth
=20
> From: mp@mpeters.de
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: USB drives me nuts
> Date: Thu=2C 9 Dec 2010 14:50:02 +0100
>=20
> > From: Per Boysen [mailto:perboysen@gmail.com]=20
> > I'm wondering if you guys aren't talking about=20
> > the infamous IRQ conflict issue?=20
>=20
> don't know=2C there aren't any error messages mentioning IRQs ...=20
>=20
> anyway=2C I'll upgrade to Windows7 now=2C hoping that'll fix it. Or are t=
here
> any issues with Bidule (32bit) or VST plugins under Windows7?
>=20
> -Michael
>=20
>=20
>=20
 		 	   		  =

--_0770c43d-2339-4f3c-99d7-7f4a9d5d03d2_
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<html>
<head>
<style><!--
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Hi Michael. <BR>
Windows 7 is a vast improvement on Vista.&nbsp=3BIt doesn't seem to matter =
which usb port I use for my interfaces on my win7 laptop at all. <BR>
&nbsp=3B<BR>
Good luck=2C<BR>
&nbsp=3B<BR>
Gareth<BR>&nbsp=3B<BR>
&gt=3B From: mp@mpeters.de<BR>&gt=3B To: Loopers-Delight@loopers-delight.co=
m<BR>&gt=3B Subject: RE: USB drives me nuts<BR>&gt=3B Date: Thu=2C 9 Dec 20=
10 14:50:02 +0100<BR>&gt=3B <BR>&gt=3B &gt=3B From: Per Boysen [mailto:perb=
oysen@gmail.com] <BR>&gt=3B &gt=3B I'm wondering if you guys aren't talking=
 about <BR>&gt=3B &gt=3B the infamous IRQ conflict issue? <BR>&gt=3B <BR>&g=
t=3B don't know=2C there aren't any error messages mentioning IRQs ... <BR>=
&gt=3B <BR>&gt=3B anyway=2C I'll upgrade to Windows7 now=2C hoping that'll =
fix it. Or are there<BR>&gt=3B any issues with Bidule (32bit) or VST plugin=
s under Windows7?<BR>&gt=3B <BR>&gt=3B -Michael<BR>&gt=3B <BR>&gt=3B <BR>&g=
t=3B <BR> 		 	   		  </body>
</html>=

--_0770c43d-2339-4f3c-99d7-7f4a9d5d03d2_--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 14:22:36 2010
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Subject: Re: Fripper Gear Trivia
Date: Thu, 9 Dec 2010 06:22:30 -0800
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Rick,

I'll say more than that.

If I had to name a single album that inspired me to take up "looping"  
Eno and Fripp's "Evening Star" was the one.

It came out in something like '74-75(?) and by the time I discovered  
it ('77-78, already in the "cut-out" bin) I was ripe.

A few other experiences were also key in my musical/looping  
development, but if there was just one recording ... that'd be it.

It was important to me . . . and I love listening to it still.

Cheers,

Ted

On Dec 8, 2010, at 10:51 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, mark francombe wrote:
>> Ill be honest and say that I love No Pussyfooting, but consider it  
>> an Eno album...
> Yeah,   but am I the only person who thinks that 'Evening Star' is  
> the better album
> of the two?       People constantly name check 'No  
> Pussyfooting' (which does have
> the bitchenist album cover art) but I think Evening Star is a lot  
> more musical.
>
> Though definitely in the Eno world,  I hear it as completely  
> collaborative.....
> each part adding equally.
>
> rick walker

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Date: Thu, 9 Dec 2010 09:25:10 -0500
Message-ID: <AANLkTimwvY4Ytc8_27xhTZKynmVKhuQroKGiQZ3sNVdi@mail.gmail.com>
Subject: Re: max/msp vs. eventide
From: james fowler <twostroke@gmail.com>
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--0015174c35726254db0496fb01a5
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my question is this: what is it that eventide knows that the entire vst
world has yet to discover?  surely my computer has more raw processing power
than the eclipse.  aside from chopitch, i've yet to find a vst that can get
close to the speed and accuracy of eventide's algorithms.

- jim

On Thu, Dec 9, 2010 at 7:35 AM, todd reynolds <toddreyn@gmail.com> wrote:

> Hi Gents.
>
> Nice encapsulation of the Max/MSP pitch-shifting world, Stefan!
>
> It's been my experience that the computer just cannot process fast enough
> yet to do real-time Pitch-Shifting, fft or otherwise.  I still use only my
> Eventide Orville when I really need that, and it works fine, though I still
> 'feel' the tiniest bit of latency.  I have no experience with the Eclipse,
> though our good friend Erdem does.
>
> However, I just recently purchased an Eventide Pitch Factor because I just
> can't travel with that Orville anymore, and I am very pleasantly surprised.
>  It's solved all my issues and is in general a great box.
>
> That said, I know that in the Max/MSP world algorithms are in continual
> process and I'd not be surprised if real good shifting comes into being
> relatively soon.  As it is, Puremagnetik has written some Max for Live
> patches which include a real time pitch shifter which, if you're into a
> slightly colored sound, doesn't work bad at all, in fact, it sounds pretty
> interesting!  (that whole M4L pack is worth my investment, not bad, $40
> bucks.)
>
> I hope that contributes something to the conversation!  Cheers, everyone.
>
>
>

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my question is this: what is it that eventide knows that the entire vst wor=
ld has yet to discover?=A0 surely my computer has more raw processing power=
 than the eclipse.=A0 aside from chopitch, i&#39;ve yet to find a vst that =
can get close to the speed and accuracy of eventide&#39;s algorithms.=A0 <b=
r>
<br>- jim<br><br><div class=3D"gmail_quote">On Thu, Dec 9, 2010 at 7:35 AM,=
 todd reynolds <span dir=3D"ltr">&lt;<a href=3D"mailto:toddreyn@gmail.com">=
toddreyn@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204,=
 204); padding-left: 1ex;">
Hi Gents.
<div><br></div><div>Nice encapsulation of the Max/MSP pitch-shifting world,=
 Stefan! =A0</div><div><br></div><div>It&#39;s been my experience that the =
computer just cannot process fast enough yet to do real-time Pitch-Shifting=
, fft or otherwise. =A0I still use only my Eventide Orville when I really n=
eed that, and it works fine, though I still &#39;feel&#39; the tiniest bit =
of latency. =A0I have no experience with the Eclipse, though our good frien=
d Erdem does.</div>


<div><br></div><div>However, I just recently purchased an Eventide Pitch Fa=
ctor because I just can&#39;t travel with that Orville anymore, and I am ve=
ry pleasantly surprised. =A0It&#39;s solved all my issues and is in general=
 a great box.=A0</div>


<div><br></div><div>That said, I know that in the Max/MSP world algorithms =
are in continual process and I&#39;d not be surprised if real good shifting=
 comes into being relatively soon. =A0As it is, Puremagnetik has written so=
me Max for Live patches which include a real time pitch shifter which, if y=
ou&#39;re into a slightly colored sound, doesn&#39;t work bad at all, in fa=
ct, it sounds pretty interesting! =A0(that whole M4L pack is worth my inves=
tment, not bad, $40 bucks.)</div>


<div><br></div><div>I hope that contributes something to the conversation! =
=A0Cheers, everyone.=A0</div><div><br></div><div><br></div>
</blockquote></div><br>

--0015174c35726254db0496fb01a5--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 14:37:52 2010
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On 7/22/64 11:59 AM, andy soto wrote:
>  There is little or NO alternative scene going on here in Paris, and 
> in the rest of the country there are isolated acts here and there but 
> very little gatherings or festivals.
Maybe it's time for the 1st Parisian International Live Looping Festival 
to occur,  Andy?
<nudge, nudge, wink, wink>

I'm sure there are at least a handful of Parisian live loopers, let 
alone all the people who will be
traveling, hopefully,  to Italy, Germany, England, Croatia, Belgium and 
the Netherlands as
we talked about at this year's looping festival.

As was said in the 'Field of Dreams'  movie..........

"If you build it, they will come....."

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 14:40:31 2010
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On 7/22/64 11:59 AM, Per Boysen wrote:
> I'm wondering if you guys aren't talking about the infamous IRQ
> conflict issue?
Gosh, I had assumed that the IRQ issue was resolved once Win XP came in.
I've never had a single IRQ conflict since I last used Win 98.

Did I just get lucky or am I correct in my assumption?

rick walker

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Subject: Re: Fripper Gear Trivia
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On Dec 9, 2010, at 12:31 AM, mark francombe wrote:

> Evening star????? Thats just some yoga background music... I know this
> cos my yoga teacher plays it!!!

An Index of Metals is a bit disturbing but over all Evening Star does =
feel much tamer.

Mark

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Subject: RE: OT: hurdy gurdy
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=A0
...and then there's Ben Grossman
=A0
http://www.macrophone.org/=A0& http://www.myspace.com/bengrossman
=A0
The idea behind his double cd macrophone is to have each cd playing on two =
different cd's.=A0 Wonderful stuff, ever changing.
=A0
I saw Ben play at the last Guelph Jazz Festival - iirc, he had a Mac and an=
 ipad with him.=A0 The ipad got some attention during the show, the noteboo=
k wasn't touched.
=A0
He's done gobs of studio work, including soundtrack work on the movie Monst=
er.
=A0
And many thanks for attending to the server crash, Violet.=A0 Hugs and kiss=
es for that!
=A0
=A0
=A0
ted.

Enemies are good for self-definition. Werner Herzog
=0A=0A
--0-195350462-1291907668=:6203
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><TABLE cellSpacing=3D0 cellPadding=3D0 border=
=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>&nbsp;</DIV>
<DIV>...and then there's Ben Grossman</DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.macrophone.org/" target=3D_blank rel=3Dnofollow>=
<U>http://www.macrophone.org/</U></A>&nbsp;&amp; <A href=3D"http://www.mysp=
ace.com/bengrossman" target=3D_blank rel=3Dnofollow><U>http://www.myspace.c=
om/bengrossman</U></A></DIV>
<DIV>&nbsp;</DIV>
<DIV>The idea behind his double cd macrophone is to have each cd playing on=
 two different cd's.&nbsp; Wonderful stuff, ever changing.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I saw Ben play at the last Guelph Jazz Festival - iirc, he had a Mac a=
nd an ipad with him.&nbsp; The ipad got some attention during the show, the=
 notebook wasn't touched.</DIV>
<DIV>&nbsp;</DIV>
<DIV>He's done gobs of studio work, including soundtrack work on the movie =
Monster.</DIV>
<DIV>&nbsp;</DIV>
<DIV>And many thanks for attending to the server crash, Violet.&nbsp; Hugs =
and kisses for that!</DIV>
<DIV>&nbsp;</DIV></TD></TR></TBODY></TABLE>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted.<BR><BR>Enemies are good for self-definition. Werner Herzog<BR></D=
IV></td></tr></table><br>
--0-195350462-1291907668=:6203--

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 15:16:38 2010
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Rick Walker wrote:
> Gosh, I had assumed that the IRQ issue was resolved once Win XP came in.
> I've never had a single IRQ conflict since I last used Win 98.
> 
> Did I just get lucky or am I correct in my assumption?
> 

The problems nowadays don't appear unless you're
doing realtime audio.

While XP is better at letting devices share IRQ
basically what they did was took away the user's
control.

Luckily I'm not using my desktop pc for live looping,
the audio interface usually gets shoved on the same
IRQ as the video card, I haven't been able to change that.

I remember juggling IRQs back in win3.1 days..
I'd love to go back to those days when the user had power
over the whim of the OS.


andy


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Subject: Re: max/msp vs. eventide
From: Per Boysen <perboysen@gmail.com>
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I touched on this in a recent post regarding Pitch Shifting. I would
guess an important factor is that a dedicated machine, like the
Eventide, can be designed to work with smaller buffers. #

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Dec 9, 2010 at 3:25 PM, james fowler <twostroke@gmail.com> wrote:
> my question is this: what is it that eventide knows that the entire vst
> world has yet to discover?=C2=A0 surely my computer has more raw processi=
ng power
> than the eclipse.=C2=A0 aside from chopitch, i've yet to find a vst that =
can get
> close to the speed and accuracy of eventide's algorithms.

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 15:53:48 2010
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Subject: Re: Evening Star (was Fripper Gear Trivia)
Date: Thu, 9 Dec 2010 07:27:38 -0800
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On Dec 9, 2010, at 6:58 AM, Mark Hamburg wrote:

> An Index of Metals is a bit disturbing

But, it certainly lives up to it's title. I love it. :-)

Cheers,
Rev. Fever
Portland,OR
The Angry Red Planet

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> On Thu, Dec 9, 2010 at 3:25 PM, james fowler <twostroke@gmail.com> wrote:
>> my question is this: what is it that eventide knows that the entire vst
>> world has yet to discover?  surely my computer has more raw processing power
>> than the eclipse.  aside from chopitch, i've yet to find a vst that can get
>> close to the speed and accuracy of eventide's algorithms.

I expect they just worked longer and harder to get a good low latency algorithm.
...and kept quiet about how they did it.

Also, they're more focused on realtime operation than the average vst creator.


andy butler
ps 
thanks for the mention of Chopitch :-)

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 16:10:25 2010
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From: Daniel Berkman <danielberkman@mac.com>
Subject: Re: Fripper Gear Trivia
Date: Thu, 09 Dec 2010 08:09:51 -0800
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No Pussyfooting and Evening Star were so uber hip at that time and still are=
. I discovered them in the eighties and they still color everything I do mus=
ically!

I agree Evening Star is the more musical of the two and really highlight Eno=
 & Fripp's signature sound, but there is a punkish rawness to No Pussyfootin=
g, not to mention the presence of the VCS3 which added a particularly minima=
list electronic feel.=20

Both albums were a precursor to Let The Power Fall and Frippertronics.=20

Man, I love those albums!

Thank you all so much for bringing them up for discussion, into the light wh=
ere they belong and reminding me where I came from.

Best,
Daniel=20



_____________________

Daniel Berkman | Colfax=20
Kora =E2=80=A2 Gravikord =E2=80=A2 Handsonic=20
Musician =E2=80=A2 Composer =E2=80=A2 Producer
www.danielberkman.com
Phone: (415) 254-4895
Email: danielberkman@mac.com

On Dec 9, 2010, at 6:22 AM, tEd =C2=AE KiLLiAn <tedkillian@charter.net> wrot=
e:

> Rick,
>=20
> I'll say more than that.
>=20
> If I had to name a single album that inspired me to take up "looping" Eno a=
nd Fripp's "Evening Star" was the one.
>=20
> It came out in something like '74-75(?) and by the time I discovered it ('=
77-78, already in the "cut-out" bin) I was ripe.
>=20
> A few other experiences were also key in my musical/looping development, b=
ut if there was just one recording ... that'd be it.
>=20
> It was important to me . . . and I love listening to it still.
>=20
> Cheers,
>=20
> Ted
>=20
> On Dec 8, 2010, at 10:51 PM, Rick Walker wrote:
>=20
>> On 7/22/64 11:59 AM, mark francombe wrote:
>>> Ill be honest and say that I love No Pussyfooting, but consider it an En=
o album...
>> Yeah,   but am I the only person who thinks that 'Evening Star' is the be=
tter album
>> of the two?       People constantly name check 'No Pussyfooting' (which d=
oes have
>> the bitchenist album cover art) but I think Evening Star is a lot more mu=
sical.
>>=20
>> Though definitely in the Eno world,  I hear it as completely collaborativ=
e.....
>> each part adding equally.
>>=20
>> rick walker
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 16:14:56 2010
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From: Daniel Berkman <danielberkman@mac.com>
Subject: Re: Fripper Gear Trivia
Date: Thu, 09 Dec 2010 08:14:27 -0800
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Nice one, Mark! Hilarious!
I'd like to see the look on the yogis faces as Index Of Metals kicks in!!
Priceless! ; )

-Daniel

_____________________

Daniel Berkman | Colfax=20
Kora =E2=80=A2 Gravikord =E2=80=A2 Handsonic=20
Musician =E2=80=A2 Composer =E2=80=A2 Producer
www.danielberkman.com
Phone: (415) 254-4895
Email: danielberkman@mac.com

On Dec 9, 2010, at 12:31 AM, mark francombe <markfrancombe@gmail.com> wrote:=


> Hurrah! We disagree in something Rick!!! I love no pussyfooting cos of
> the whole package.. The cover... The track titles(swastica girls for
> christ sake) It's Not a new agey sounding. It's got that vcs3 band
> pass vcf sequencer thing.. It's got harsh interjection from mr fripp
> (as he adds interesting stuff to enos album) the whole thing laughs in
> the face of the drippy stoners who sat about in bedsits  smokin' .
> It's ambient with an edge... The likes of which was never to be heard
> until after the 80s with some ambient glitch.
>=20
> Evening star????? Thats just some yoga background music... I know this
> cos my yoga teacher plays it!!!
>=20
> Om Manipudmi hum...
>=20
> =E2=99=A5 =E2=98=AE =E2=98=A0
>=20
> Mark
>=20
> Sent from my (advertisement removed)
>=20
> On 9 Dec 2010, at 07:51, Rick Walker <looppool@cruzio.com> wrote:
>=20
>> On 7/22/64 11:59 AM, mark francombe wrote:
>>> Ill be honest and say that I love No Pussyfooting, but consider it an En=
o album...
>> Yeah,   but am I the only person who thinks that 'Evening Star' is the be=
tter album
>> of the two?       People constantly name check 'No Pussyfooting' (which d=
oes have
>> the bitchenist album cover art) but I think Evening Star is a lot more mu=
sical.
>>=20
>> Though definitely in the Eno world,  I hear it as completely collaborativ=
e.....
>> each part adding equally.
>>=20
>> rick walker
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 16:33:04 2010
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das ist eine logische reaktion . alles weitere hier:-)

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 16:37:18 2010
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?I've found the only USB distinction Windows 7x64 makes has to do with 
whether the USB port in question is 2.0 or not.  This of course represents a 
difference in performance from Win7's standpoint - but as a person who's 
switched plugs around a little over the past few months, it presented no 
problem with the drivers reinstalling themselves appropriate to the given 
USB port-and-plug.  I don't use Bidule but haven't had any problems with VST 
plugins using either FLStudio 9, Sonar 8.5 or Reaper.

-----Original Message----- 
From: Michael Peters
> From: Per Boysen [mailto:perboysen@gmail.com]
> I'm wondering if you guys aren't talking about
> the infamous IRQ conflict issue?

don't know, there aren't any error messages mentioning IRQs ...

anyway, I'll upgrade to Windows7 now, hoping that'll fix it.  Or are there
any issues with Bidule (32bit) or VST plugins under Windows7?


From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 16:45:18 2010
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Subject: Re: Fripper Gear Trivia
Date: Thu, 09 Dec 2010 11:44:58 -0500
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<< How many of you are willing to take the time..... >> asks dennis.....

1. does he have one of his minions do this?
2. if not.....after 20 years he should be
good at it.....:).....poor thing!

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 17:47:33 2010
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Subject: Who takes the time? (was Fripper Gear Trivia)
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Quoting nemoguitt@aol.com:
>
> << How many of you are willing to take the time..... >> asks dennis.....
>
Just to elaborate -- I think most people "take the time" -- just it =20
may not be on-site.  I've given the topic some thought.

Actually, I've taken a lot of time and have to think strategically =20
since, unlike headliner performers, I am not granted luxurious amounts =20
of setup and sound check time.

When I work in 5.1, I calculate the delays based on the maximum =20
separation distances of the speakers -- based on my best estimate.  It =20
is ok to add a little additional delay time as a "buffer".   The =20
problem is, with too little delay time, people seated close to the =20
rear speakers will perceive the sound coming from the rear when it =20
should be the front.  Of course the opposite is true -- when the sound =20
source comes from the back, the reverb to the front must be delayed by =20
at least the physical delay time from the source speaker.  This also =20
holds true for left-to-right.

Getting back to stereo -- To center pan sound means that listeners =20
will percieve ALL the sound from the closest speaker (the Hass =20
effect).  A minimum system should have a middle channel to get around =20
this problem but about the best one can do is center pan stuff while =20
realizing that other than listeners that are seated exactly between =20
the speakers others will loose the center imagery.

For this reason, I simply place source material in discreet speakers =20
and try to avoid center panning.  Any reverb "padding" is delayed and =20
shared between speakers however I place source material in single =20
speakers.  The only exception is when the sound is intentionally =20
panned -- then a slide from one speaker to another works ok.

My ideal system would have at least eight discreet channels, plus a =20
sub channel but my software only supports 5.1 so that is that.

OK, forgive the digression -- in my mind I have a rather grandiose =20
soundstage and to deliver it to listeners is the goal and my best =20
solution has been to anticipate the setup and adjust my equipment in =20
advance.

Ironically, if I were granted, say, an entire day for sound check it =20
wouldn't take me that long -- I would have already had the dimensions =20
of the room and made any needed adjustments.  All I would have to do =20
would be to do some tweaking.

Another "issue" is subwoofers.   I prefer to address them discretely =20
rather than to depend on a cross-over network to do the job.  However, =20
all the house systems I've played on send the mains material to the =20
subs.  What often happens on all but the most sophisticated sound =20
systems is that phasing issues cause a kind of muddiness or rumble in =20
the low-tenor range -- a function of the intersection of the crossover =20
curves between the mains the the subs.  (Again, when I have played =20
through top-of-the-line systems, the engineers have already worked =20
this all out, and all is well.)  So, what I try to do is to keep all =20
but the low bass out of the subs by rolling bass off of the main =20
channels and keeping all but the deep bass out of the sub-channel.  =20
So, in a practical sense, I use EQ as a means of addressing the subs =20
discretely.  When in doubt, a 3 to 6 db cut centered around 150hz =20
(about an octave wide) doesn't do any harm.

Forgive this long post... the point I make here is that, speaking for =20
myself, I have put untold hours, research, experiment, and thought =20
into my sound design.

Thus, don't let a quick setup time (such as the quick setup at Y2K) =20
give the impression that there isn't a LOT that has gone into it.  In =20
fact, I've spent a few hours of rehearsal time simply to set up and =20
take down my equipment in 15 minutes.

Oh -- I'm in a much better mood than yesterday.  Not ranting today, =20
just thinking-out-loud.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 18:39:52 2010
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Subject: Re: Stretched Landscape Remix Project
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Hi Michael,

I'm planning to do this! Hopefully I can get something together in January.

Matt

2010/12/8 Michael Peters <mp@mpeters.de>:
> http://www.michaelpeters.de/slremix.htm
>
> Looking forward to your remixes!
>
> -Michael Peters
>
>
>



-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 21:08:39 2010
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Date: Thu, 09 Dec 2010 22:08:30 +0100
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Via matrixsynth, here's something that seems to be a very intuitive way 
to program drum patterns in quasi-realtime.
Plus, it looks way more appealing than staring at a computer screen.

http://matrixsynth.blogspot.com/2010/12/optical-turntable-sequencer-demo.html

        Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Thu, 9 Dec 2010 16:45:22 -0500
Message-ID: <AANLkTikf+quwye0oQ-pqtyOfOb8pRzaw7ZLe1pUzUqzu@mail.gmail.com>
Subject: Re: Re: rather very OT: Patton - and six degrees
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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me->Lee Schipper->Janne Schaffer->Bob Marley->
me->Lee Schipper->Janne Schaffer->Ted G=E4rdestad->Jeff Porcaro->Steely Dan
me->Lee Schipper->Herbie->Miles->Cannon Ball->J.J. Johnson

I'll stop there...  All you should take away ftom that is that Lee
Schipper is great (physicist/musician who won the Nobel Peace Prize a
couple years back).


My personal favorites are my connections to great philosophers (where
the relationship is studied with (or had significant conversations
with)):
me->Paul Forster->Quine->Carnap->Wittgenstein->Russell

Sylvain

On Sat, Dec 4, 2010 at 9:16 AM, Rick Walker <looppool@cruzio.com> wrote:
> Rainer wrote:
>>>
>>> Btw, I found my own way (which I only mention because it might apply to=
 a
>>> lot of other people here, too): me -> Walker -> Kaiser -> Zorn.
>>
>> Holy Shit,
>
> I came up with these tonight with a little Google searching after reading
> Rainer's post.
>
> What a crack up!!!!!!
>
> Me-> Kaiser -> Wadada Leo Smith -> Charlie Haden -> Keith Jarrett -> Mile=
s
> -> Coltrane
>
> or
>
> Me -> Kaiser -> Wadada Leo Smith -> Charlie Haden ->
> John Lennon -> Elvis -> God (though they never jammed, they did meet each
> other once)
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec  9 23:10:23 2010
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Subject: Re: max/msp vs. eventide
Date: Thu, 9 Dec 2010 15:10:13 -0800
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"However, I just recently purchased an Eventide Pitch Factor because I  
just can't travel with that Orville anymore, and I am very pleasantly  
surprised.  It's solved all my issues and is in general a great box. "

Hey Todd would you mind elaborating a bit, have you used it much for  
straight or subtley modulated delay effects? How is it latency wise as  
a straight octaver effect?
Bill

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 00:32:13 2010
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Date: Thu, 09 Dec 2010 19:32:07 -0500
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        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
        spacemusic Yahoogroups List <spacemusic@yahoogroups.com>,
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on Modulator ESP.  The Featured CD at Midnight
will be "Historic Edition Volume 5" which is a self-released title.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#dec

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 03:11:50 2010
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Subject: Gordius LG/quiet switches
Date: Thu, 9 Dec 2010 19:11:41 -0800
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     I just wanted to let you know I got my Gordius Little Giant back  
after its Version 2 upgrade, and I love the way the new LCD graphic  
display looks and the new flexibility of the 1/4 cc outputs on the  
back of which I haven't begun to scratch the surface . One cool thing  
about its LCD display is that it shows in large full screen numbers  
what patch I happen to be on and it has a screen saver mode. In its  
earlier version the characters where smaller and less easy to see from  
a distance, This is great for my middle age peepers. Its been a work  
horse since I got it, its built like a tank, its switches have fast  
response and are quieter than most , though I'm intrigued by Andy's  
idea of putting some foam on the inside to dampen the acoustic chamber  
aspect of the chassis itself, to see if i can minimize mechanical  
noise even further. If it weren't for the fact that the original  LCD  
screen started to dim, I might have never considered the version 2  
firmware upgrade but I'm glad Xavier convinced me to do it. He made a  
great piece of gear even better. Its never failed me 5 years of  
almost  daily use.  If I ever move to a lap top this will easily make  
the transition vis its USB port.
   Since the LG also has a second pair of midi ins and outs, I have on  
occasion  been using an old roland FC-50 midi pedal as a remote to  
either add more preset switches  to control more parameters on my  
looperlative, or use a slightly quieter remote switch in critical open  
mic recording situations. The Roland pedal switches like this are  
about as quiet as they come mechanical noise-wise but do become creaky  
sounding with wear and tear, The FCB's switches are a little noisier  
still to my ears with even more wear related issues, though as has  
been pointed out before, its possible to trigger the Gordius switches  
with a very light touch and create almost no mechanical noise.
Bill

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 08:26:45 2010
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Date: Fri, 10 Dec 2010 09:26:44 +0100
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Subject: Re: Gordius LG/quiet switches
From: Per Boysen <perboysen@gmail.com>
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Cool, Bill. I'm happy with my LG2 too. As for the switcher sound
loudness I think it sounds like tapping a green Stratocaster's pick
guard with a thick jazz pick. Yeah bub, gotta be specific in this
floating universe... I use mine with eight banks, seven for Mobius
looping commands and one for pre looper stomp box effects in Mainstage
(yep all laptop here). Each bank uses the ten on-board switches plus
two externally two expression pedals and two extra switches. One
expression pedal and one external switch are always used as "sustain
pedal" (technically set to freeze a reverb). The other expression
pedal mostly targets looper Mobius Feedback, except for after having
kicked some specific switches that give this pedal some alternative
temporary new target.

I use the LG2 function of "virtual FCB pads" to make the LG2 send a
"100 percent Feedback" message to Mobius every time I change bank on
the LG2. For me that's good because when I jump frenetically between
looper banks and stomp effect control banks I could otherwise forget
the Feedback at a setting that will make me loose the loop's audio
(not that I couldn't fix that with a couple of kicks at the Mobius
Undo switch, but less egg on face is favorable).

I do all the control data scaling in Mainstage. LG2 has some simple
scaling of the output data but that won't work for me because I tend
target up to five or six different effect parameters by the same pedal
and each parameter has to answer in a particular way; some may be
cross fading while others may only kick in at a given value or rather
work in a momentary way than as on/off or continuous etc etc. I love
that the LG2 is so reliable! It only sends out the data you have
programmed it to send out, the FCB is just disastrous with that.

The only issue I'm having with the LG2 is that you need to have access
to a Windows computer to set it up. Some new version 2 features aren't
even available by manually programming the LG2 with the built-in
system using the scroll wheel. I use to borrow my son's pc to fix what
I can't get at by manual programming and to save the backup to a USB
stick. I wish I hadn't deleted the Windows XP partition on my Macbook
when recently installing a sampler because it would have been nice to
have instant access to LG2 setup from the performance lappy. A Mac
editor is planned but as we all know that expression coming from a
developer/manufacturer might mean two weeks as well as two years ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Fri, Dec 10, 2010 at 4:11 AM, William Walker <billwalker@baymoon.com> wr=
ote:
> =C2=A0 =C2=A0I just wanted to let you know I got my Gordius Little Giant =
back after
> its Version 2 upgrade, and I love the way the new LCD graphic display loo=
ks
> and the new flexibility of the 1/4 cc outputs on the back of which I have=
n't
> begun to scratch the surface . One cool thing about its LCD display is th=
at
> it shows in large full screen numbers what patch I happen to be on and it
> has a screen saver mode. In its earlier version the characters where smal=
ler
> and less easy to see from a distance, This is great for my middle age
> peepers. Its been a work horse since I got it, its built like a tank, its
> switches have fast response and are quieter than most , though I'm intrig=
ued
> by Andy's idea of putting some foam on the inside to dampen the acoustic
> chamber aspect of the chassis itself, to see if i can minimize mechanical
> noise even further. If it weren't for the fact that the original =C2=A0LC=
D screen
> started to dim, I might have never considered the version 2 firmware upgr=
ade
> but I'm glad Xavier convinced me to do it. He made a great piece of gear
> even better. Its never failed me 5 years of almost =C2=A0daily use. =C2=
=A0If I ever
> move to a lap top this will easily make the transition vis its USB port.
> =C2=A0Since the LG also has a second pair of midi ins and outs, I have on
> occasion =C2=A0been using an old roland FC-50 midi pedal as a remote to e=
ither
> add more preset switches =C2=A0to control more parameters on my looperlat=
ive, or
> use a slightly quieter remote switch in critical open mic recording
> situations. The Roland pedal switches like this are about as quiet as the=
y
> come mechanical noise-wise but do become creaky sounding with wear and te=
ar,
> The FCB's switches are a little noisier still to my ears with even more w=
ear
> related issues, though as has been pointed out before, its possible to
> trigger the Gordius switches with a very light touch and create almost no
> mechanical noise.
> Bill
>
>

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William Walker wrote:
>     I just wanted to let you know I got my Gordius Little Giant back 
> after its Version 2 upgrade, and I love the way the new LCD graphic 
> display looks and the new flexibility of the 1/4 cc outputs on the back 
> of which I haven't begun to scratch the surface . 

I don't think that feature is fully realised yet,
just a few (usable) options.


andy

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 09:42:02 2010
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Subject: Re: Gordius LG/quiet switches
From: Reyn Ouwehand <loopers-delight@reyn.net>
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On Dec 10, 2010, at 4:11 AM, William Walker wrote:

>  though I'm intrigued by Andy's idea of putting some foam on the =
inside to dampen the acoustic chamber aspect of the chassis itself, to =
see if i can minimize mechanical noise even further.

That's actually not a bad idea indeed.

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net
www.fimscore.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand=

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	<31293E91-ECC5-4BA2-9550-E2B7D7A95CF4@reyn.net>
Date: Fri, 10 Dec 2010 02:29:58 -0800
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Subject: Re: Gordius LG/quiet switches
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--0016367f9e0206dcb204970bd66f
Content-Type: text/plain; charset=ISO-8859-1

 Dense cotton wadding might be safer and work better. Any synthetics can be
flamable, out gas, and break down over time.

> >  though I'm intrigued by Andy's idea of putting some foam on the inside
> to dampen the acoustic chamber aspect of the chassis itself, to see if i can
> minimize mechanical noise even further.
>
>

--0016367f9e0206dcb204970bd66f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">
<div>Dense cotton wadding might be safer and work better. Any synthetics ca=
n be flamable, out gas, and break down over time.</div>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">&gt; =A0though I&#39;m intrigued=
 by Andy&#39;s idea of putting some foam on the inside to dampen the acoust=
ic chamber aspect of the chassis itself, to see if i can minimize mechanica=
l noise even further.<br>
<br></blockquote></div>

--0016367f9e0206dcb204970bd66f--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 10:33:39 2010
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Subject: Re: Reyn vs Blaudzun
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Hi Luis (and others),

Thanks for the nice words! Actually I organize this event every 3rd =
sunday of the month. And I do them with artists I have worked with or =
want to work with or just admire. There are no rehearsals and it's made =
really on the spot. Only thing I sometimes do is that I make a webcam =
video of some of the songs I want to loop, so that they don't get scared =
or freaked out on the moment itself. So the artist just plays his song =
and I glue myself to him and try to accompany him as tasteful as I can. =
I really like that and because it's on the spot the adrenaline rush is =
great!

And sadly I'm doing it independently, no subsidies what so ever. The =
reception is very good thought and more and more people are showing up. =
People really appreciate it, also the whole concept of it. Also the =
artists does it for the fun and not the money, but when things take off =
I'd love to be able to pay more musicians and have, next to the singer, =
a string quartet on stage and I play just the celesta all afternoon for =
example.

So it's getting there and I'm still full of ideas! Actually I think I'll =
do a Reyn vs Reyn in April since I also have to prepare something for =
the LiveLooping Festival in Cologne on the 2nd of April.

Oh, and on a side note, I finished a site where I put some of the music =
I did for movies. No looping involved, but maybe you guys like to see it =
anyhow: www.filmscore.reyn.net

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

On Dec 6, 2010, at 10:49 PM, Louie Angulo wrote:

> Yes very nice,i like the way live looping is presented here,with =
special songwriters in a very musical way.
> Hey Reyn just curious do this events only feature national talent?are =
you organiz=EDng them and how often do you have them?
> could you share with us how this shows are being received so far and =
if the city is involved in the financial side or if you are doing it =
independently?
> I m curious because think this would be another nice way to =
presentlive looping which seems quite accesible to general audiences.
> Luis
> =20
> =20
> =20
> =20
> On Sun, Dec 5, 2010 at 10:17 PM, ^|>^m <will.it.go.round@gmail.com> =
wrote:
> Yes!  Enjoyed that.  Thanks for sharing.
>=20
>=20
> On Sun, Dec 5, 2010 at 11:59 AM, Michael Peters <mp@mpeters.de> wrote:
> Reyn will play live on the next livelooping festival in Cologne (next =
April)
> see www.livelooping.de
>=20
> -Michael

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 13:48:22 2010
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Subject: andrew stephen othling
Date: Fri, 10 Dec 2010 10:47:40 -0300
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I have not seen a mention of andrew stephen othling on this list
http://youtube.com/tubescreamer

he comes up regularly with very nice ambient guitar looping videos

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 15:02:14 2010
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Date: Fri, 10 Dec 2010 10:02:09 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #714 for December 9, 2010.
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http://wdiy.org/programs/gt/playlists/2010/101209.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #714                December 9, 2010.

RECAP:
On this show, I continued the month-long focus on Modulator ESP.  The
Featured CD at Midnight was "Historic Edition Volume 5" which is self-
released.

Modulator ESP: http://wdiy.org/programs/gt/playlists/2010/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Broekhuis, Keller,   Storm Chaser         Repelen (Manikin)
   and Schonwalder
Mystified            Rising Field         A Pale But Lasting Hope
                                             (Magnatune)
Dan Pound            Aurora               Aurora (Pound Sounds)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Modulator ESP        Time Waits For No    Historic Edition Vol. 5 (none)
                        Man
Modulator ESP        Dystopia 2046        Historic Edition Vol. 5 (none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Modulator ESP.  The Featured CD at Midnight will be "Historic Edition
Volume 6" which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

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Subject: Re: Gordius LG/quiet switches
References: <92085E11-B23E-40A6-8F7B-03BA1075CC8B@baymoon.com> <AANLkTim2UhGbSkDq8Rkj+LN2cV1LJ3KJA7jZW9DsxhuR@mail.gmail.com>
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Howdy, if ya'll were changing pedals now, would you take little giant or sof=
tstep?

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 10, 2010, at 3:26 AM, "Per Boysen" <perboysen@gmail.com> wrote:

> Cool, Bill. I'm happy with my LG2 too. As for the switcher sound
> loudness I think it sounds like tapping a green Stratocaster's pick
> guard with a thick jazz pick. Yeah bub, gotta be specific in this
> floating universe... I use mine with eight banks, seven for Mobius
> looping commands and one for pre looper stomp box effects in Mainstage
> (yep all laptop here). Each bank uses the ten on-board switches plus
> two externally two expression pedals and two extra switches. One
> expression pedal and one external switch are always used as "sustain
> pedal" (technically set to freeze a reverb). The other expression
> pedal mostly targets looper Mobius Feedback, except for after having
> kicked some specific switches that give this pedal some alternative
> temporary new target.
>=20
> I use the LG2 function of "virtual FCB pads" to make the LG2 send a
> "100 percent Feedback" message to Mobius every time I change bank on
> the LG2. For me that's good because when I jump frenetically between
> looper banks and stomp effect control banks I could otherwise forget
> the Feedback at a setting that will make me loose the loop's audio
> (not that I couldn't fix that with a couple of kicks at the Mobius
> Undo switch, but less egg on face is favorable).
>=20
> I do all the control data scaling in Mainstage. LG2 has some simple
> scaling of the output data but that won't work for me because I tend
> target up to five or six different effect parameters by the same pedal
> and each parameter has to answer in a particular way; some may be
> cross fading while others may only kick in at a given value or rather
> work in a momentary way than as on/off or continuous etc etc. I love
> that the LG2 is so reliable! It only sends out the data you have
> programmed it to send out, the FCB is just disastrous with that.
>=20
> The only issue I'm having with the LG2 is that you need to have access
> to a Windows computer to set it up. Some new version 2 features aren't
> even available by manually programming the LG2 with the built-in
> system using the scroll wheel. I use to borrow my son's pc to fix what
> I can't get at by manual programming and to save the backup to a USB
> stick. I wish I hadn't deleted the Windows XP partition on my Macbook
> when recently installing a sampler because it would have been nice to
> have instant access to LG2 setup from the performance lappy. A Mac
> editor is planned but as we all know that expression coming from a
> developer/manufacturer might mean two weeks as well as two years ;-))
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
>=20
>=20
> On Fri, Dec 10, 2010 at 4:11 AM, William Walker <billwalker@baymoon.com> w=
rote:
> >    I just wanted to let you know I got my Gordius Little Giant back afte=
r
> > its Version 2 upgrade, and I love the way the new LCD graphic display lo=
oks
> > and the new flexibility of the 1/4 cc outputs on the back of which I hav=
en't
> > begun to scratch the surface . One cool thing about its LCD display is t=
hat
> > it shows in large full screen numbers what patch I happen to be on and i=
t
> > has a screen saver mode. In its earlier version the characters where sma=
ller
> > and less easy to see from a distance, This is great for my middle age
> > peepers. Its been a work horse since I got it, its built like a tank, it=
s
> > switches have fast response and are quieter than most , though I'm intri=
gued
> > by Andy's idea of putting some foam on the inside to dampen the acoustic=

> > chamber aspect of the chassis itself, to see if i can minimize mechanica=
l
> > noise even further. If it weren't for the fact that the original  LCD sc=
reen
> > started to dim, I might have never considered the version 2 firmware upg=
rade
> > but I'm glad Xavier convinced me to do it. He made a great piece of gear=

> > even better. Its never failed me 5 years of almost  daily use.  If I eve=
r
> > move to a lap top this will easily make the transition vis its USB port.=

> >  Since the LG also has a second pair of midi ins and outs, I have on
> > occasion  been using an old roland FC-50 midi pedal as a remote to eithe=
r
> > add more preset switches  to control more parameters on my looperlative,=
 or
> > use a slightly quieter remote switch in critical open mic recording
> > situations. The Roland pedal switches like this are about as quiet as th=
ey
> > come mechanical noise-wise but do become creaky sounding with wear and t=
ear,
> > The FCB's switches are a little noisier still to my ears with even more w=
ear
> > related issues, though as has been pointed out before, its possible to
> > trigger the Gordius switches with a very light touch and create almost n=
o
> > mechanical noise.
> > Bill
> >
> >
>=20

--Apple-Mail-3-154454236
Content-Transfer-Encoding: 7bit
Content-Type: text/html;
	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Howdy, if ya'll were changing pedals now, would you take little giant or softstep?<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 10, 2010, at 3:26 AM, "Per Boysen" &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">Cool, Bill. I'm happy with my LG2 too. As for the switcher sound<br>
loudness I think it sounds like tapping a green Stratocaster's pick<br>
guard with a thick jazz pick. Yeah bub, gotta be specific in this<br>
floating universe... I use mine with eight banks, seven for Mobius<br>
looping commands and one for pre looper stomp box effects in Mainstage<br>
(yep all laptop here). Each bank uses the ten on-board switches plus<br>
two externally two expression pedals and two extra switches. One<br>
expression pedal and one external switch are always used as "sustain<br>
pedal" (technically set to freeze a reverb). The other expression<br>
pedal mostly targets looper Mobius Feedback, except for after having<br>
kicked some specific switches that give this pedal some alternative<br>
temporary new target.<br>
<br>
I use the LG2 function of "virtual FCB pads" to make the LG2 send a<br>
"100 percent Feedback" message to Mobius every time I change bank on<br>
the LG2. For me that's good because when I jump frenetically between<br>
looper banks and stomp effect control banks I could otherwise forget<br>
the Feedback at a setting that will make me loose the loop's audio<br>
(not that I couldn't fix that with a couple of kicks at the Mobius<br>
Undo switch, but less egg on face is favorable).<br>
<br>
I do all the control data scaling in Mainstage. LG2 has some simple<br>
scaling of the output data but that won't work for me because I tend<br>
target up to five or six different effect parameters by the same pedal<br>
and each parameter has to answer in a particular way; some may be<br>
cross fading while others may only kick in at a given value or rather<br>
work in a momentary way than as on/off or continuous etc etc. I love<br>
that the LG2 is so reliable! It only sends out the data you have<br>
programmed it to send out, the FCB is just disastrous with that.<br>
<br>
The only issue I'm having with the LG2 is that you need to have access<br>
to a Windows computer to set it up. Some new version 2 features aren't<br>
even available by manually programming the LG2 with the built-in<br>
system using the scroll wheel. I use to borrow my son's pc to fix what<br>
I can't get at by manual programming and to save the backup to a USB<br>
stick. I wish I hadn't deleted the Windows XP partition on my Macbook<br>
when recently installing a sampler because it would have been nice to<br>
have instant access to LG2 setup from the performance lappy. A Mac<br>
editor is planned but as we all know that expression coming from a<br>
developer/manufacturer might mean two weeks as well as two years ;-))<br>
<br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href="http://www.boysen.se"><a href="http://www.boysen.se">www.boysen.se</a></a><br>
<a href="http://www.perboysen.com"><a href="http://www.perboysen.com">www.perboysen.com</a></a><br>
<a href="http://www.looproom.com">www.looproom.com</a> internet music hub<br>
<br>
<br>
<br>
On Fri, Dec 10, 2010 at 4:11 AM, William Walker &lt;<a href="mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt; wrote:<br>
&gt; &nbsp; &nbsp;I just wanted to let you know I got my Gordius Little Giant back after<br>
&gt; its Version 2 upgrade, and I love the way the new LCD graphic display looks<br>
&gt; and the new flexibility of the 1/4 cc outputs on the back of which I haven't<br>
&gt; begun to scratch the surface . One cool thing about its LCD display is that<br>
&gt; it shows in large full screen numbers what patch I happen to be on and it<br>
&gt; has a screen saver mode. In its earlier version the characters where smaller<br>
&gt; and less easy to see from a distance, This is great for my middle age<br>
&gt; peepers. Its been a work horse since I got it, its built like a tank, its<br>
&gt; switches have fast response and are quieter than most , though I'm intrigued<br>
&gt; by Andy's idea of putting some foam on the inside to dampen the acoustic<br>
&gt; chamber aspect of the chassis itself, to see if i can minimize mechanical<br>
&gt; noise even further. If it weren't for the fact that the original &nbsp;LCD screen<br>
&gt; started to dim, I might have never considered the version 2 firmware upgrade<br>
&gt; but I'm glad Xavier convinced me to do it. He made a great piece of gear<br>
&gt; even better. Its never failed me 5 years of almost &nbsp;daily use. &nbsp;If I ever<br>
&gt; move to a lap top this will easily make the transition vis its USB port.<br>
&gt; &nbsp;Since the LG also has a second pair of midi ins and outs, I have on<br>
&gt; occasion &nbsp;been using an old roland FC-50 midi pedal as a remote to either<br>
&gt; add more preset switches &nbsp;to control more parameters on my looperlative, or<br>
&gt; use a slightly quieter remote switch in critical open mic recording<br>
&gt; situations. The Roland pedal switches like this are about as quiet as they<br>
&gt; come mechanical noise-wise but do become creaky sounding with wear and tear,<br>
&gt; The FCB's switches are a little noisier still to my ears with even more wear<br>
&gt; related issues, though as has been pointed out before, its possible to<br>
&gt; trigger the Gordius switches with a very light touch and create almost no<br>
&gt; mechanical noise.<br>
&gt; Bill<br>
&gt;<br>
&gt;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-3-154454236--

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Subject: Re: Gordius LG/quiet switches
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Andy Owens wrote:
> Howdy, if ya'll were changing pedals now, would you take little giant or 
> softstep?
> 

I'm sticking with the LG.


Latest from the Softsteppers is a suspicion 
that it's never going to work without a pc connected.


andy


From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 16:26:46 2010
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Date: Fri, 10 Dec 2010 17:26:44 +0100
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Subject: Re: Gordius LG/quiet switches
From: Per Boysen <perboysen@gmail.com>
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On Fri, Dec 10, 2010 at 4:17 PM, Andy Owens <andy@1800dialword.com> wrote:
> Howdy, if ya'll were changing pedals now, would you take little giant or
> softstep?

Definitely the LG2!

I do not consider Softstep a comparable option... well, in fact it
seems to be an option of a different kind: "an option for something
that might turn out as cool and useful some day"  ;-)   I just don't
have the money, time or patience to wait and see if that day comes
around.

However, from just the theoretical description I think I would chose
the Softstep. But I wouldn't buy an instrument I have not tried out
rather extensively and found reliable. So for me the LG2 wins.

Per

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 16:37:52 2010
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I came across this new interview with Owen Pallett
at the Cycling 74 site.   A cool and interesting composer/musician/live 
looper.

He uses Super Looper with Max/MSP and a Mac Mini with footpedal and no 
screen.

http://cycling74.com/2010/12/01/an-interview-with-owen-pallett/

Here's his website.    I love what he says about making what he does
transparent to an audience.

http://www.owenpalletteternal.com/

rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 17:18:24 2010
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--_d867a5c2-ccfb-4517-8337-0d220c821269_
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Ah a violinist who can actually play without sounding like a dying cat - co=
ol!
This has got me thinking about the whole "looking at the screen" problem. I=
 must say I tend to use the computer screen a bit like I used to use crib n=
otes when playing with cover bands. I remember turning up at a gig having l=
eft my notes at home once - and despite my misgivings=2C playing all the so=
ngs fine.=20
I shall try to wean myself off the screen and see=2C(hear) what happens..
=20
peace
=20
G
=20
> Date: Fri=2C 10 Dec 2010 08:37:4 -0800
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Interesting Interview with Max/MSP User Owen Pallett
>=20
> I came across this new interview with Owen Pallett
> at the Cycling 74 site. A cool and interesting composer/musician/live=20
> looper.
>=20
> He uses Super Looper with Max/MSP and a Mac Mini with footpedal and no=20
> screen.
>=20
> http://cycling74.com/2010/12/01/an-interview-with-owen-pallett/
>=20
> Here's his website. I love what he says about making what he does
> transparent to an audience.
>=20
> http://www.owenpalletteternal.com/
>=20
> rick walker
>=20
 		 	   		  =

--_d867a5c2-ccfb-4517-8337-0d220c821269_
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<html>
<head>
<style><!--
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
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</head>
<body class=3D'hmmessage'>
Ah a violinist who can actually play without sounding like a dying cat - co=
ol!<BR>
This has got me thinking about the whole "looking at the screen" problem. I=
 must say I tend to use the computer screen a&nbsp=3Bbit like I used to use=
 crib notes when playing with cover bands. I remember turning up at a gig h=
aving left my notes at home once - and despite my misgivings=2C playing all=
 the songs fine. <BR>
I shall try to wean myself off the screen and see=2C(hear) what happens..<B=
R>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B Date: Fri=2C 10 Dec 2010 08:37:4 -0800<BR>&gt=3B From: looppool@cruz=
io.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B Subject:=
 Interesting Interview with Max/MSP User Owen Pallett<BR>&gt=3B <BR>&gt=3B =
I came across this new interview with Owen Pallett<BR>&gt=3B at the Cycling=
 74 site. A cool and interesting composer/musician/live <BR>&gt=3B looper.<=
BR>&gt=3B <BR>&gt=3B He uses Super Looper with Max/MSP and a Mac Mini with =
footpedal and no <BR>&gt=3B screen.<BR>&gt=3B <BR>&gt=3B http://cycling74.c=
om/2010/12/01/an-interview-with-owen-pallett/<BR>&gt=3B <BR>&gt=3B Here's h=
is website. I love what he says about making what he does<BR>&gt=3B transpa=
rent to an audience.<BR>&gt=3B <BR>&gt=3B http://www.owenpalletteternal.com=
/<BR>&gt=3B <BR>&gt=3B rick walker<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_d867a5c2-ccfb-4517-8337-0d220c821269_--

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Subject: Re: Gordius LG/quiet switches
From: Louie Angulo <louie.angulo@googlemail.com>
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--001636c5bd864dfe5b049711f3c7
Content-Type: text/plain; charset=ISO-8859-1

 Per wrote:
I love that the LG2 is so reliable! It only sends out the data you have

> programmed it to send out, the FCB is just disastrous with that.
>

Per but you never upgraded the FCB with the UnO chip, since i did i never
had an issue with it sending weird midi messages again,
and you can program it with the Ripwerx software or without it
(unfortunately there isnt a reliable Ripwerx software for mac;-(
but thats is still a pretty good bargain for a foot controller id say!














> On Fri, Dec 10, 2010 at 4:11 AM, William Walker <billwalker@baymoon.com>
> wrote:
> >    I just wanted to let you know I got my Gordius Little Giant back after
> > its Version 2 upgrade, and I love the way the new LCD graphic display
> looks
> > and the new flexibility of the 1/4 cc outputs on the back of which I
> haven't
> > begun to scratch the surface . One cool thing about its LCD display is
> that
> > it shows in large full screen numbers what patch I happen to be on and it
> > has a screen saver mode. In its earlier version the characters where
> smaller
> > and less easy to see from a distance, This is great for my middle age
> > peepers. Its been a work horse since I got it, its built like a tank, its
> > switches have fast response and are quieter than most , though I'm
> intrigued
> > by Andy's idea of putting some foam on the inside to dampen the acoustic
> > chamber aspect of the chassis itself, to see if i can minimize mechanical
> > noise even further. If it weren't for the fact that the original  LCD
> screen
> > started to dim, I might have never considered the version 2 firmware
> upgrade
> > but I'm glad Xavier convinced me to do it. He made a great piece of gear
> > even better. Its never failed me 5 years of almost  daily use.  If I ever
> > move to a lap top this will easily make the transition vis its USB port.
> >  Since the LG also has a second pair of midi ins and outs, I have on
> > occasion  been using an old roland FC-50 midi pedal as a remote to either
> > add more preset switches  to control more parameters on my looperlative,
> or
> > use a slightly quieter remote switch in critical open mic recording
> > situations. The Roland pedal switches like this are about as quiet as
> they
> > come mechanical noise-wise but do become creaky sounding with wear and
> tear,
> > The FCB's switches are a little noisier still to my ears with even more
> wear
> > related issues, though as has been pointed out before, its possible to
> > trigger the Gordius switches with a very light touch and create almost no
> > mechanical noise.
> > Bill
> >
> >
>
>
>

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=A0Per wrote:<br>I love that the LG2 is so reliable! It only sends out the =
data you have<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quot=
e" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204,=
 204); padding-left: 1ex;">

programmed it to send out, the FCB is just disastrous with that.<br></block=
quote><div>=A0</div><div>Per but you never upgraded the FCB with the UnO ch=
ip, since i did i never had an issue with it sending weird midi messages ag=
ain, <br>
and you can program it with the Ripwerx software or without it (unfortunate=
ly there isnt a reliable Ripwerx software for mac;-(<br>but thats is still =
a pretty good bargain for a foot controller id say!<br></div><div><br><br>
<br><br><br><br><br><br><br><br><br><br>=A0</div><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;"><div><div class=3D"h5">
On Fri, Dec 10, 2010 at 4:11 AM, William Walker &lt;<a href=3D"mailto:billw=
alker@baymoon.com">billwalker@baymoon.com</a>&gt; wrote:<br>
&gt; =A0 =A0I just wanted to let you know I got my Gordius Little Giant bac=
k after<br>
&gt; its Version 2 upgrade, and I love the way the new LCD graphic display =
looks<br>
&gt; and the new flexibility of the 1/4 cc outputs on the back of which I h=
aven&#39;t<br>
&gt; begun to scratch the surface . One cool thing about its LCD display is=
 that<br>
&gt; it shows in large full screen numbers what patch I happen to be on and=
 it<br>
&gt; has a screen saver mode. In its earlier version the characters where s=
maller<br>
&gt; and less easy to see from a distance, This is great for my middle age<=
br>
&gt; peepers. Its been a work horse since I got it, its built like a tank, =
its<br>
&gt; switches have fast response and are quieter than most , though I&#39;m=
 intrigued<br>
&gt; by Andy&#39;s idea of putting some foam on the inside to dampen the ac=
oustic<br>
&gt; chamber aspect of the chassis itself, to see if i can minimize mechani=
cal<br>
&gt; noise even further. If it weren&#39;t for the fact that the original =
=A0LCD screen<br>
&gt; started to dim, I might have never considered the version 2 firmware u=
pgrade<br>
&gt; but I&#39;m glad Xavier convinced me to do it. He made a great piece o=
f gear<br>
&gt; even better. Its never failed me 5 years of almost =A0daily use. =A0If=
 I ever<br>
&gt; move to a lap top this will easily make the transition vis its USB por=
t.<br>
&gt; =A0Since the LG also has a second pair of midi ins and outs, I have on=
<br>
&gt; occasion =A0been using an old roland FC-50 midi pedal as a remote to e=
ither<br>
&gt; add more preset switches =A0to control more parameters on my looperlat=
ive, or<br>
&gt; use a slightly quieter remote switch in critical open mic recording<br=
>
&gt; situations. The Roland pedal switches like this are about as quiet as =
they<br>
&gt; come mechanical noise-wise but do become creaky sounding with wear and=
 tear,<br>
&gt; The FCB&#39;s switches are a little noisier still to my ears with even=
 more wear<br>
&gt; related issues, though as has been pointed out before, its possible to=
<br>
&gt; trigger the Gordius switches with a very light touch and create almost=
 no<br>
&gt; mechanical noise.<br>
&gt; Bill<br>
&gt;<br>
&gt;<br>
<br>
</div></div><br></blockquote></div><br>

--001636c5bd864dfe5b049711f3c7--

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Subject: Re: Gordius LG/quiet switches
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> Per wrote:
> I love that the LG2 is so reliable! It only sends out the data you have
>>
>> programmed it to send out, the FCB is just disastrous with that.

On Fri, Dec 10, 2010 at 6:47 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Per but you never upgraded the FCB with the UnO chip,


You must be joking! If yo buy a product you should not have to also
buy an upgrade for it to work properly!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 18:41:18 2010
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Subject: Re: Interesting Interview with Max/MSP User Owen Pallett
Date: Fri, 10 Dec 2010 10:41:15 -0800
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i love what owen does, been following him since he performed under the  
moniker "Final Fantasy". we were both born outside toronto. maybe  
looping was in the water.

On Dec 10, 2010, at 8:37 AM, Rick Walker wrote:

> I came across this new interview with Owen Pallett
> at the Cycling 74 site.   A cool and interesting composer/musician/ 
> live looper.
>
> He uses Super Looper with Max/MSP and a Mac Mini with footpedal and  
> no screen.
>
> http://cycling74.com/2010/12/01/an-interview-with-owen-pallett/
>
> Here's his website.    I love what he says about making what he does
> transparent to an audience.
>
> http://www.owenpalletteternal.com/
>
> rick walker
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 18:52:44 2010
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--0016e6dab32ad62661049712db56
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oh yeah behringer sucks but the upgrade is from Xavier himself and the unit
is solid rock for an x tra 16.- eur. and the Ripwerx editor is for free!
plus we support Xavier as well;-)
we really shouldnt even buy stuff that doesnt work from the begining but is
advertised otherwise
but we ve become accustomed to that nowdays and wait and wait for the next
happy upgrade
many companies adverstise as "eternally upgradable and never absolete" so
you buy it with all kinds of bugs and then they put out a bug fix and
nothing else.
That to me is not an upgrade!
Luis

On Fri, Dec 10, 2010 at 6:58 PM, Per Boysen <perboysen@gmail.com> wrote:

> > Per wrote:
> > I love that the LG2 is so reliable! It only sends out the data you have
> >>
> >> programmed it to send out, the FCB is just disastrous with that.
>
> On Fri, Dec 10, 2010 at 6:47 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > Per but you never upgraded the FCB with the UnO chip,
>
>
> You must be joking! If yo buy a product you should not have to also
> buy an upgrade for it to work properly!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--0016e6dab32ad62661049712db56
Content-Type: text/html; charset=ISO-8859-1
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oh yeah behringer sucks but the upgrade is from Xavier himself and the unit=
=A0 is solid rock for an x tra 16.- eur. and the Ripwerx editor is for free=
!<br>plus we support Xavier as well;-)<br>we really shouldnt even buy stuff=
 that doesnt work from the begining but is advertised otherwise <br>
but we ve become accustomed to that nowdays and wait and wait for the next =
happy upgrade<br>many companies adverstise as &quot;eternally upgradable an=
d never absolete&quot; so you buy it with all kinds of bugs and then they p=
ut out a bug fix and nothing else.<br>
That to me is not an upgrade!<br>Luis<br><br><div class=3D"gmail_quote">On =
Fri, Dec 10, 2010 at 6:58 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><bl=
ockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-l=
eft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">&gt; Per wrote:<br>
&gt; I love that the LG2 is so reliable! It only sends out the data you hav=
e<br>
&gt;&gt;<br>
&gt;&gt; programmed it to send out, the FCB is just disastrous with that.<b=
r>
<br>
</div><div class=3D"im">On Fri, Dec 10, 2010 at 6:47 PM, Louie Angulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.=
com</a>&gt; wrote:<br>
&gt; Per but you never upgraded the FCB with the UnO chip,<br>
<br>
<br>
</div>You must be joking! If yo buy a product you should not have to also<b=
r>
buy an upgrade for it to work properly!<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br>

--0016e6dab32ad62661049712db56--

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From: Revfever <revfever@ubergadget.com>
Subject: News from Dickie Landry
Date: Fri, 10 Dec 2010 11:11:45 -0800
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Recently, I received this message from Dickie Landry. Good news,  
indeed!  '15 Saxophones' has been out of print for YEARS.  A  
wonderful, 1978 looping album.
Also, interesting tidbit about him on that TH album.  He also sent me  
a doc. with info on his very long and amazing career. I was not sure  
about adding attachments
on posts to LD so I did not include it, but if someone wants me to  
send that doc. to them, then they can contact me OFF LIST,OK?

Cheers,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever

> Good news,  15 Saxophones will be re-issued early next year on  
> Unseen records out of Austin.  I played on Speaking in Tounge's  
> Record of Talking Heads.  Slippery People.  Solo at end of song  
> which sounds like a weird electronic thing is me on Alto Saxophone.
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 19:47:09 2010
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Subject: Re: News from Dickie Landry
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I saw him play with the early Phillip Glass Ensemble several times in
the 70s & agree he is an amazing talent. I have a vinyl copy of 15
buried somewhere in here.

Another lp of interest from the same time & place I suggest hearing is
Voice is the Original Instrument by Joan LaBarbara. Thx for the heads
up.

On Friday, December 10, 2010, Revfever <revfever@ubergadget.com> wrote:
> Recently, I received this message from Dickie Landry. Good news, indeed! =
=A0'15 Saxophones' has been out of print for YEARS. =A0A wonderful, 1978 lo=
oping album.
> Also, interesting tidbit about him on that TH album. =A0He also sent me a=
 doc. with info on his very long and amazing career. I was not sure about a=
dding attachments
> on posts to LD so I did not include it, but if someone wants me to send t=
hat doc. to them, then they can contact me OFF LIST,OK?
>
> Cheers,
> Rev.Fever
> Portland,OR
> http://www.spiritone.com/~rvfever
>
>
> Good news, =A015 Saxophones will be re-issued early next year on Unseen r=
ecords out of Austin. =A0I played on Speaking in Tounge's Record of Talking=
 Heads. =A0Slippery People. =A0Solo at end of song which sounds like a weir=
d electronic thing is me on Alto Saxophone.
>
>
>
>

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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Fripper Gear Trivia
Date: Fri, 10 Dec 2010 12:10:59 -0800
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An anecdote: A friend of mine ran into him one time (somewhere NOT a music =
venue) and being in awe -this was in the late '70s-blurted out the first th=
ing to come to his mind: "Mr. Fripp=2C do you like lemon or milk with your =
tea?" He said Fripp chatted with him for about 15 minutes about tea.=20

J..D..Devros=20

To: Loopers-Delight@loopers-delight.com
Subject: Re: Fripper Gear Trivia
From: pjbmhb@aol.com
Date: Wed=2C 8 Dec 2010 17:54:42 -0500

Fripp actually has a great sense of humor=2C you just have to dig a bit. It=
's there=2C below the surface=2C kind of like a tuber.




PJ










-----Original Message-----

From: Jeff Shirkey <jcshirke@frontier.com>

To: Loopers-Delight <Loopers-Delight@loopers-delight.com>

Sent: Wed=2C Dec 8=2C 2010 3:06 am

Subject: Re: Fripper Gear Trivia













On Dec 7=2C 2010=2C at 9:35 PM=2C Kenn Lowy wrote:

> He does allow pictures now. The announcement that was made before =20
> the concert was "no cameras with flash". He's mellowed a bit.
>

I know he's revered here=2C but (I have to confess)=2C he comes off as a =20
complete douche nozzle in just about every interview with him I've read.

Jeff




=20





 		 	   		  =

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<body class=3D'hmmessage'>
An anecdote: A friend of mine ran into him one time (somewhere NOT a music =
venue) and being in awe -this was in the late '70s-blurted out the first th=
ing to come to his mind: "Mr. Fripp=2C do you like lemon or milk with your =
tea?" He said Fripp chatted with him for about 15 minutes about tea. <br><b=
r>J..D..Devros <br><br><hr id=3D"stopSpelling">To: Loopers-Delight@loopers-=
delight.com<br>Subject: Re: Fripper Gear Trivia<br>From: pjbmhb@aol.com<br>=
Date: Wed=2C 8 Dec 2010 17:54:42 -0500<br><br><font color=3D"black" face=3D=
"arial" size=3D"2">Fripp actually has a great sense of humor=2C you just ha=
ve to dig a bit. It's there=2C below the surface=2C kind of like a tuber.
<div><br>
</div>

<div><img src=3D"http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/ima=
ges/smile.png" alt=3D":-)" width=3D"25" height=3D"25">PJ<br>
<br>

<div style=3D"clear: both=3B"></div>
<br>
<br>

<div style=3D"font-family: helvetica=2Carial=3B font-size: 10pt=3B color: b=
lack=3B">-----Original Message-----<br>
From: Jeff Shirkey &lt=3Bjcshirke@frontier.com&gt=3B<br>
To: Loopers-Delight &lt=3BLoopers-Delight@loopers-delight.com&gt=3B<br>
Sent: Wed=2C Dec 8=2C 2010 3:06 am<br>
Subject: Re: Fripper Gear Trivia<br>
<br>







<div id=3D"ecxAOLMsgPart_0_8700de0c-77c1-4fd7-9b2d-2a97bd8b11df" style=3D"f=
ont-family: Tahoma=2CVerdana=2CArial=2CSans-Serif=3B font-size: 12px=3B col=
or: rgb(0=2C 0=2C 0)=3B background-color: rgb(255=2C 255=2C 255)=3B">

<pre style=3D"font-size: 9pt=3B"><tt>
On Dec 7=2C 2010=2C at 9:35 PM=2C Kenn Lowy wrote:

&gt=3B He does allow pictures now. The announcement that was made before =20
&gt=3B the concert was "no cameras with flash". He's mellowed a bit.
&gt=3B

I know he's revered here=2C but (I have to confess)=2C he comes off as a =20
complete douche nozzle in just about every interview with him I've read.

Jeff


</tt></pre>
</div>
=20



</div>
</div>
</font> 		 	   		  </body>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 21:07:53 2010
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Subject: Re: News from Dickie Landry
From: Petri Lahtinen <aikuinen@gmail.com>
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Great listenining tips once again, Joan La Barbara especially!

-Petri-

2010/12/10 Jim W. <synchro1@gmail.com>

> I saw him play with the early Phillip Glass Ensemble several times in
> the 70s & agree he is an amazing talent. I have a vinyl copy of 15
> buried somewhere in here.
>
> Another lp of interest from the same time & place I suggest hearing is
> Voice is the Original Instrument by Joan LaBarbara. Thx for the heads
> up.
>
> On Friday, December 10, 2010, Revfever <revfever@ubergadget.com> wrote:
> > Recently, I received this message from Dickie Landry. Good news, indeed!
>  '15 Saxophones' has been out of print for YEARS.  A wonderful, 1978 looping
> album.
> > Also, interesting tidbit about him on that TH album.  He also sent me a
> doc. with info on his very long and amazing career. I was not sure about
> adding attachments
> > on posts to LD so I did not include it, but if someone wants me to send
> that doc. to them, then they can contact me OFF LIST,OK?
> >
> > Cheers,
> > Rev.Fever
> > Portland,OR
> > http://www.spiritone.com/~rvfever <http://www.spiritone.com/%7Ervfever>
> >
> >
> > Good news,  15 Saxophones will be re-issued early next year on Unseen
> records out of Austin.  I played on Speaking in Tounge's Record of Talking
> Heads.  Slippery People.  Solo at end of song which sounds like a weird
> electronic thing is me on Alto Saxophone.
> >
> >
> >
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

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Great listenining tips once again, Joan La Barbara especially!<br><br>-Petr=
i-<br><br><div class=3D"gmail_quote">2010/12/10 Jim W. <span dir=3D"ltr">&l=
t;<a href=3D"mailto:synchro1@gmail.com">synchro1@gmail.com</a>&gt;</span><b=
r><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bor=
der-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I saw him play with the early Phillip Glass Ensemble several times in<br>
the 70s &amp; agree he is an amazing talent. I have a vinyl copy of 15<br>
buried somewhere in here.<br>
<br>
Another lp of interest from the same time &amp; place I suggest hearing is<=
br>
Voice is the Original Instrument by Joan LaBarbara. Thx for the heads<br>
up.<br>
<div><div></div><div class=3D"h5"><br>
On Friday, December 10, 2010, Revfever &lt;<a href=3D"mailto:revfever@uberg=
adget.com">revfever@ubergadget.com</a>&gt; wrote:<br>
&gt; Recently, I received this message from Dickie Landry. Good news, indee=
d! =A0&#39;15 Saxophones&#39; has been out of print for YEARS. =A0A wonderf=
ul, 1978 looping album.<br>
&gt; Also, interesting tidbit about him on that TH album. =A0He also sent m=
e a doc. with info on his very long and amazing career. I was not sure abou=
t adding attachments<br>
&gt; on posts to LD so I did not include it, but if someone wants me to sen=
d that doc. to them, then they can contact me OFF LIST,OK?<br>
&gt;<br>
&gt; Cheers,<br>
&gt; Rev.Fever<br>
&gt; Portland,OR<br>
&gt; <a href=3D"http://www.spiritone.com/%7Ervfever" target=3D"_blank">http=
://www.spiritone.com/~rvfever</a><br>
&gt;<br>
&gt;<br>
&gt; Good news, =A015 Saxophones will be re-issued early next year on Unsee=
n records out of Austin. =A0I played on Speaking in Tounge&#39;s Record of =
Talking Heads. =A0Slippery People. =A0Solo at end of song which sounds like=
 a weird electronic thing is me on Alto Saxophone.<br>

&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 21:12:30 2010
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References: <20101208024909.3710418350C@hemlock.violacea.com> <16E5415A-7448-4C42-98F3-0B20F6BFE53F@me.com> <8BB3F9AC-F9B9-43F7-BD58-524FB9B0E173@frontier.com> <8CD654208CFEB7D-13B4-5843@webmail-d047.sysops.aol.com> <SNT111-W5874F6F2D1527C2DBA01F4CF2F0@phx.gbl>
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Thread-Topic: Fripper Gear Trivia
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Dont leave us in suspense, what was the answer????!!! Lemon or milk???

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 10, 2010, at 3:11 PM, "Jeremy devros" <deafrose58@hotmail.com> wrote:=


> An anecdote: A friend of mine ran into him one time (somewhere NOT a music=
 venue) and being in awe -this was in the late '70s-blurted out the first th=
ing to come to his mind: "Mr. Fripp, do you like lemon or milk with your tea=
?" He said Fripp chatted with him for about 15 minutes about tea.=20
>=20
> J..D..Devros=20
>=20
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Fripper Gear Trivia
> From: pjbmhb@aol.com
> Date: Wed, 8 Dec 2010 17:54:42 -0500
>=20
> Fripp actually has a great sense of humor, you just have to dig a bit. It'=
s there, below the surface, kind of like a tuber.
>=20
> PJ
>=20
>=20
>=20
> -----Original Message-----
> From: Jeff Shirkey <jcshirke@frontier.com>
> To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Sent: Wed, Dec 8, 2010 3:06 am
> Subject: Re: Fripper Gear Trivia
>=20
>=20
> On Dec 7, 2010, at 9:35 PM, Kenn Lowy wrote:
>=20
> > He does allow pictures now. The announcement that was made before =20
> > the concert was "no cameras with flash". He's mellowed a bit.
> >
>=20
> I know he's revered here, but (I have to confess), he comes off as a =20
> complete douche nozzle in just about every interview with him I've read.
>=20
> Jeff
>=20
>=20

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<html><body bgcolor="#FFFFFF"><div>Dont leave us in suspense, what was the answer????!!! Lemon or milk???<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 10, 2010, at 3:11 PM, "Jeremy devros" &lt;<a href="mailto:deafrose58@hotmail.com">deafrose58@hotmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>
An anecdote: A friend of mine ran into him one time (somewhere NOT a music venue) and being in awe -this was in the late '70s-blurted out the first thing to come to his mind: "Mr. Fripp, do you like lemon or milk with your tea?" He said Fripp chatted with him for about 15 minutes about tea. <br><br>J..D..Devros <br><br><hr id="stopSpelling">To: <a href="mailto:Loopers-Delight@loopers-delight.com"><a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></a><br>Subject: Re: Fripper Gear Trivia<br>From: <a href="mailto:pjbmhb@aol.com"><a href="mailto:pjbmhb@aol.com">pjbmhb@aol.com</a></a><br>Date: Wed, 8 Dec 2010 17:54:42 -0500<br><br><font color="black" face="arial" size="2">Fripp actually has a great sense of humor, you just have to dig a bit. It's there, below the surface, kind of like a tuber.
<div><br>
</div>

<div><img src="http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/images/smile.png" alt=":-)" width="25" height="25">PJ<br>
<br>

<div style="clear: both;"></div>
<br>
<br>

<div style="font-family: helvetica,arial; font-size: 10pt; color: black;">-----Original Message-----<br>
From: Jeff Shirkey &lt;<a href="mailto:jcshirke@frontier.com">jcshirke@frontier.com</a>&gt;<br>
To: Loopers-Delight &lt;<a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Wed, Dec 8, 2010 3:06 am<br>
Subject: Re: Fripper Gear Trivia<br>
<br>







<div id="ecxAOLMsgPart_0_8700de0c-77c1-4fd7-9b2d-2a97bd8b11df" style="font-family: Tahoma,Verdana,Arial,Sans-Serif; font-size: 12px; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);">

<pre style="font-size: 9pt;"><tt>
On Dec 7, 2010, at 9:35 PM, Kenn Lowy wrote:

&gt; He does allow pictures now. The announcement that was made before  
&gt; the concert was "no cameras with flash". He's mellowed a bit.
&gt;

I know he's revered here, but (I have to confess), he comes off as a  
complete douche nozzle in just about every interview with him I've read.

Jeff


</tt></pre>
</div>
 



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> > He uses Super Looper with Max/MSP and a Mac Mini with footpedal and  
> > no screen.

I guess we had this discussion before...
To me, using no screen seems suicidal (unless you have some audio Linux, BSD , embedded system or whatever). I _try_ to play without screen using Mainstage + Mobius. But every once in a while, you get this nasty pop up that blocks your whole system (i.e. detected feedback, plugin stuff, midi stuff...).
I'm sure Windows users themselves have this experience with bunch of WindowsUpdate/VirusScan/FlashUpdate... pop-ups that appear when you just don't need them?

Buzap
-- 
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Jetzt De-Mail-Adresse reservieren: http://portal.gmx.net/de/go/demail

From Loopers-Delight-request@loopers-delight.com  Fri Dec 10 22:33:31 2010
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Subject: RE: News from Dickie Landry
Date: Fri, 10 Dec 2010 23:33:22 +0100
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hurray, I love 15 saxophones, one of my minimalist favorites !!!   -Michael 

> -----Original Message-----
> > Good news,  15 Saxophones will be re-issued early next year on  
> > Unseen records out of Austin.  I played on Speaking in Tounge's  
> > Record of Talking Heads.  Slippery People.  Solo at end of song  
> > which sounds like a weird electronic thing is me on Alto Saxophone.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 00:58:13 2010
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Date: Fri, 10 Dec 2010 17:58:10 -0700
Message-ID: <AANLkTinCTEzfKe7+tbSj8tSCvz5c-qZVmtkwHLECB10g@mail.gmail.com>
Subject: Re: Fripper Gear Trivia
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00163646dace05236e049717f776
Content-Type: text/plain; charset=ISO-8859-1

Performance is a vehicle for entering different worlds of experiencing.
-- Robert Fripp

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/


On Fri, Dec 10, 2010 at 2:11 PM, Andy Owens <andy@1800dialword.com> wrote:

> Dont leave us in suspense, what was the answer????!!! Lemon or milk???
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Dec 10, 2010, at 3:11 PM, "Jeremy devros" <deafrose58@hotmail.com>
> wrote:
>
> An anecdote: A friend of mine ran into him one time (somewhere NOT a music
> venue) and being in awe -this was in the late '70s-blurted out the first
> thing to come to his mind: "Mr. Fripp, do you like lemon or milk with your
> tea?" He said Fripp chatted with him for about 15 minutes about tea.
>
> J..D..Devros
>
> ------------------------------
> To: <Loopers-Delight@loopers-delight.com>
> Loopers-Delight@loopers-delight.com
> Subject: Re: Fripper Gear Trivia
> From: <pjbmhb@aol.com>pjbmhb@aol.com
> Date: Wed, 8 Dec 2010 17:54:42 -0500
>
> Fripp actually has a great sense of humor, you just have to dig a bit. It's
> there, below the surface, kind of like a tuber.
>
>  [image: :-)]PJ
>
>
>
> -----Original Message-----
> From: Jeff Shirkey <jcshirke@frontier.com>
> To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Sent: Wed, Dec 8, 2010 3:06 am
> Subject: Re: Fripper Gear Trivia
>
>
> On Dec 7, 2010, at 9:35 PM, Kenn Lowy wrote:
>
> > He does allow pictures now. The announcement that was made before
> > the concert was "no cameras with flash". He's mellowed a bit.
> >
>
> I know he's revered here, but (I have to confess), he comes off as a
> complete douche nozzle in just about every interview with him I've read.
>
> Jeff
>
>
>
>

--00163646dace05236e049717f776
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<span class=3D"Apple-style-span" style=3D"border-collapse: separate; color:=
 rgb(0, 0, 0); font-family: Times; font-style: normal; font-variant: normal=
; font-weight: normal; letter-spacing: normal; line-height: normal; orphans=
: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2=
; word-spacing: 0px; font-size: medium;"><span class=3D"Apple-style-span" s=
tyle=3D"font-family: Georgia,&#39;Times New Roman&#39;,Times,serif; text-al=
ign: left; font-size: small;">Performance is a vehicle for entering differe=
nt worlds of experiencing.<span class=3D"Apple-converted-space">=A0</span><=
br style=3D"border-color: rgb(204, 204, 204);">
-- Robert Fripp <br><br clear=3D"all"></span></span><a href=3D"http://sound=
cloud.com/usrsbin" target=3D"_blank">http://soundcloud.com/usrsbin</a><br><=
a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com<=
/a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<br><br><div class=3D"gmail_quote">On Fri, Dec 10, 2010 at 2:11 PM, Andy Ow=
ens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com">andy@180=
0dialword.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204)=
; padding-left: 1ex;">
<div bgcolor=3D"#FFFFFF"><div>Dont leave us in suspense, what was the answe=
r????!!! Lemon or milk???<br><font color=3D"#888888"><br>Andy Owens<div>1-8=
00-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be m=
y best!</div>
<div><br></div></div></font></div><div><div></div><div class=3D"h5"><div><b=
r>On Dec 10, 2010, at 3:11 PM, &quot;Jeremy devros&quot; &lt;<a href=3D"mai=
lto:deafrose58@hotmail.com" target=3D"_blank">deafrose58@hotmail.com</a>&gt=
; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div>
An anecdote: A friend of mine ran into him one time (somewhere NOT a music =
venue) and being in awe -this was in the late &#39;70s-blurted out the firs=
t thing to come to his mind: &quot;Mr. Fripp, do you like lemon or milk wit=
h your tea?&quot; He said Fripp chatted with him for about 15 minutes about=
 tea. <br>
<br>J..D..Devros <br><br><hr>To: <a href=3D"mailto:Loopers-Delight@loopers-=
delight.com" target=3D"_blank"></a><a href=3D"mailto:Loopers-Delight@looper=
s-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br=
>Subject: Re: Fripper Gear Trivia<br>
From: <a href=3D"mailto:pjbmhb@aol.com" target=3D"_blank"></a><a href=3D"ma=
ilto:pjbmhb@aol.com" target=3D"_blank">pjbmhb@aol.com</a><br>Date: Wed, 8 D=
ec 2010 17:54:42 -0500<br><br><font size=3D"2" color=3D"black" face=3D"aria=
l">Fripp actually has a great sense of humor, you just have to dig a bit. I=
t&#39;s there, below the surface, kind of like a tuber.
<div><br>
</div>

<div><img src=3D"" alt=3D":-)" width=3D"25" height=3D"25">PJ<br>
<br>

<div style=3D"clear: both;"></div>
<br>
<br>

<div style=3D"font-family: helvetica,arial; font-size: 10pt; color: black;"=
>-----Original Message-----<br>
From: Jeff Shirkey &lt;<a href=3D"mailto:jcshirke@frontier.com" target=3D"_=
blank">jcshirke@frontier.com</a>&gt;<br>
To: Loopers-Delight &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.c=
om" target=3D"_blank">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Wed, Dec 8, 2010 3:06 am<br>
Subject: Re: Fripper Gear Trivia<br>
<br>







<div style=3D"font-family: Tahoma,Verdana,Arial,Sans-Serif; font-size: 12px=
; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);">

<pre style=3D"font-size: 9pt;"><tt>
On Dec 7, 2010, at 9:35 PM, Kenn Lowy wrote:

&gt; He does allow pictures now. The announcement that was made before =20
&gt; the concert was &quot;no cameras with flash&quot;. He&#39;s mellowed a=
 bit.
&gt;

I know he&#39;s revered here, but (I have to confess), he comes off as a =
=20
complete douche nozzle in just about every interview with him I&#39;ve read=
.

Jeff


</tt></pre>
</div>
=20



</div>
</div>
</font> 		 	   		 =20
</div></blockquote></div></div></div></blockquote></div><br>

--00163646dace05236e049717f776--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 03:39:11 2010
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	<4CFF6925.8020509@cruzio.com>
Date: Fri, 10 Dec 2010 19:39:07 -0800
Message-ID: <AANLkTi=E5hjZXV=Q=2pC+-MFZq1HFA29pWYRp2c77fyA@mail.gmail.com>
Subject: Re: SUPERIOR DRUMS for looping
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367f9e029b1fa104971a3640
Content-Type: text/plain; charset=ISO-8859-1

Hey Rick,
Thanks for the tip- I watched the video- looks like a well done app. I have
found drum plugs with their associated midi libraries to be invaluable.
There are a few other good ones IMO- Addictive Drums is great and I have
used it a lot and cheaper(~$200)- and I hear good things about BFD Eco- have
you peeped either of those? I am esp loving the drag and drop midi files of
verse/chrous/bridge types and how quickly I can get a satisfying sound for
demos and such.

I am also considering these midi libraries as I do a lot in odd sigs and
those are sorely missing and my dream of owning a kit or midi kit just isn't
going to happen anytime soon in my small apartment.

http://www.drumsondemand.com/content/odd-time-drum-loops

http://www.oddgrooves.com/


Regards,

Clifford

--0016367f9e029b1fa104971a3640
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey Rick, <br>Thanks for the tip- I watched the video- looks like a well do=
ne app. I have found drum plugs with their associated midi libraries to be =
invaluable. There are a few other good ones IMO- Addictive Drums is great a=
nd I have used it a lot and cheaper(~$200)- and I hear good things about BF=
D Eco- have you peeped either of those? I am esp loving the drag and drop m=
idi files of verse/chrous/bridge types and how quickly I can get a satisfyi=
ng sound for demos and such.<br>
<br>I am also considering these midi libraries as I do a lot in odd sigs an=
d those are sorely missing and my dream of owning a kit or midi kit just is=
n&#39;t going to happen anytime soon in my small apartment.<br><br><a href=
=3D"http://www.drumsondemand.com/content/odd-time-drum-loops">http://www.dr=
umsondemand.com/content/odd-time-drum-loops</a><br>
<br><a href=3D"http://www.oddgrooves.com/">http://www.oddgrooves.com/</a><b=
r>
<br><br>Regards, <br><br>Clifford<br>

--0016367f9e029b1fa104971a3640--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 05:58:57 2010
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Date: Fri, 10 Dec 2010 21:58:55 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Trash My MP3 - UNDO Edition
To: Loopers-Delight@loopers-delight.com
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--0-686205207-1292047135=:86890
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Hi=A0 -=0A=0AThis is a rough mix of something I recorded 10-10-10. There ar=
e a few things I =0Awant address in the mix, but the basic idea is here.. a=
nd so now it's time to =0ATRASH MY MP3! :-)=0A=0Ahttp://soundcloud.com/undo=
music/02-track-2=0A=0A=A0=0ADavid=0A=0A=0A      
--0-686205207-1292047135=:86890
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#000000;"><DIV>Hi&nbsp; -</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>This i=
s a rough mix of something I recorded 10-10-10. There are a few things I wa=
nt address in the mix, but the basic idea is here.. and so now it's time to=
 TRASH MY MP3! :-)<BR><BR><!-- m --><A class=3Dpostlink onclick=3D"window.o=
pen(this.href);return false;" href=3D"http://soundcloud.com/undomusic/02-tr=
ack-2"><FONT color=3D#810081>http://soundcloud.com/undomusic/02-track-2</FO=
NT></A><!-- m --><SPAN class=3Dpostbody><BR></SPAN></DIV>=0A<DIV><SPAN clas=
s=3Dpostbody></SPAN>&nbsp;</DIV>=0A<DIV><SPAN class=3Dpostbody>David</SPAN>=
</DIV>=0A<DIV><SPAN class=3Dpostbody>&nbsp;</DIV></SPAN></div><br>=0A=0A   =
   </body></html>
--0-686205207-1292047135=:86890--

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Date: Fri, 10 Dec 2010 22:01:40 -0800 (PST)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: LD - Digest - help!
To: Loopers-Delight@loopers-delight.com
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Does anyone know if the LD Digests are working correctly?=A0 It's as if the=
 =0Aformatting is all lost.=0AHelp! (sent privately, if at all=A0- as I won=
't be able to read it here (on LD) - =0ALOL :-)=0ARe: Gordius LG/quiet swit=
ches=0AFriday, December 10, 2010 12:47:38 PM=0AFrom: =0A"Louie Angulo" <lou=
ie.angulo@googlemail.com>=0ATo: =0A"" <Loopers-Delight@loopers-delight.com>=
=0A=A0Per wrote:<br>I love that the LG2 is so reliable! It only sends out t=
he data =0Ayou have<br><div class=3D"gmail_quote"><blockquote class=3D"gmai=
l_quote" =0Astyle=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204=
, 204, =0A204);padding-left:1ex;"> programmed it to send out, the FCB is ju=
st disastrous =0Awith that.<br></blockquote><div>=A0</div><div>Per but you =
never upgraded the FCB =0Awith the UnO chip, since i did i never had an iss=
ue with it sending weird midi =0Amessages again, <br> and you can program i=
t with the Ripwerx software or without =0Ait (unfortunately there isnt a re=
liable Ripwerx software for mac;-(<br>but thats =0Ais still a pretty good b=
argain for a foot controller id =0Asay!<br></div><div><br><br> =0A<br><br><=
br><br><br><br><br><br><br><br>=A0</div><blockquote class=3D"gmail_quote" =
=0Astyle=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, =
=0A204);padding-left:1ex;"><div><div class=3D"h5"> On Fri, Dec 10, 2010 at =
4:11 AM, =0AWilliam Walker &lt;<a rel=3D"nofollow" ymailto=3D"mailto:billwa=
lker@baymoon.com" =0Atarget=3D"_blank" =0Ahref=3D"mailto:billwalker@baymoon=
.com">billwalker@baymoon.com</a>&gt; wrote:<br> =0A&gt; =A0 =A0I just wante=
d to let you know I got my Gordius Little Giant back =0Aafter<br> &gt; its =
Version 2 upgrade, and I love the way the new LCD graphic =0Adisplay looks<=
br> &gt; and the new flexibility of the 1/4 cc outputs on the back =0Aof wh=
ich I haven&#39;t<br> &gt; begun to scratch the surface . One cool thing =
=0Aabout its LCD display is that<br> &gt; it shows in large full screen num=
bers =0Awhat patch I happen to be on and it<br> &gt; has a screen saver mod=
e. In its =0Aearlier version the characters where smaller<br> &gt; and less=
 easy to see from =0Aa distance, This is great for my middle age<br> &gt; p=
eepers. Its been a work =0Ahorse since I got it, its built like a tank, its=
<br> &gt; switches have fast =0Aresponse and are quieter than most , though=
 I&#39;m intrigued<br> &gt; by =0AAndy&#39;s idea of putting some foam on t=
he inside to dampen the acoustic<br> =0A&gt; chamber aspect of the chassis =
itself, to see if i can minimize =0Amechanical<br> &gt; noise even further.=
 If it weren&#39;t for the fact that the =0Aoriginal =A0LCD screen<br> &gt;=
 started to dim, I might have never considered the =0Aversion 2 firmware up=
grade<br> &gt; but I&#39;m glad Xavier convinced me to do =0Ait. He made a =
great piece of gear<br> &gt; even better. Its never failed me 5 =0Ayears of=
 almost =A0daily use. =A0If I ever<br> &gt; move to a lap top this will =0A=
easily make the transition vis its USB port.<br> &gt; =A0Since the LG also =
has a =0Asecond pair of midi ins and outs, I have on<br> &gt; occasion =A0b=
een using an old =0Aroland FC-50 midi pedal as a remote to either<br> &gt; =
add more preset switches =0A=A0to control more parameters on my looperlativ=
e, or<br> &gt; use a slightly =0Aquieter remote switch in critical open mic=
 recording<br> &gt; situations. The =0ARoland pedal switches like this are =
about as quiet as they<br> &gt; come =0Amechanical noise-wise but do become=
 creaky sounding with wear and tear,<br> &gt; =0AThe FCB&#39;s switches are=
 a little noisier still to my ears with even more =0Awear<br> &gt; related =
issues, though as has been pointed out before, its =0Apossible to<br> &gt; =
trigger the Gordius switches with a very light touch and =0Acreate almost n=
o<br> &gt; mechanical noise.<br> &gt; Bill<br> &gt;<br> &gt;<br> =0A<br> </=
div></div><br></blockquote></div><br>=0A=0A=0A      
--0-1805219763-1292047300=:70136
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#000000;"><DIV>=0A<H1 class=3D"msgsubject fontH1"><FONT size=3D2>=
Does anyone know if the LD Digests are working correctly?&nbsp; It's as if =
the formatting is all lost.</FONT></H1>=0A<P class=3D"msgsubject fontH1">He=
lp! (sent privately, if at all&nbsp;- as I won't be able to read it here (o=
n LD) - LOL :-)</P>=0A<H1 class=3D"msgsubject fontH1">Re: Gordius LG/quiet =
switches</H1>=0A<DIV class=3Ddate><NOBR>Friday, December 10, 2010 12:47:38 =
PM</NOBR></DIV>=0A<DIV class=3DclearFloat></DIV>=0A<DIV class=3D"clearFloat=
 padding2px">=0A<DIV class=3Dpadding2px>=0A<DIV class=3Dlabel>From: </DIV>=
=0A<DIV class=3Ddetails>=0A<DIV class=3Dabook><SPAN>"Louie Angulo" &lt;<A h=
ref=3D"mailto:louie.angulo@googlemail.com"><FONT color=3D#0000ff>louie.angu=
lo@googlemail.com</FONT></A>&gt;</SPAN></DIV>=0A<DIV class=3DclearFloat></D=
IV></DIV>=0A<DIV class=3DclearFloat></DIV></DIV>=0A<DIV class=3Dpadding2px>=
=0A<DIV class=3Dlabel>To: </DIV>=0A<DIV class=3Ddetails>"" &lt;<A href=3D"m=
ailto:Loopers-Delight@loopers-delight.com"><FONT color=3D#0000ff>Loopers-De=
light@loopers-delight.com</FONT></A>&gt;</DIV>=0A<DIV class=3DclearFloat></=
DIV></DIV></DIV>=0A<DIV class=3Dpadding5px>=0A<DIV class=3DplainMail>&nbsp;=
Per wrote:&lt;br&gt;I love that the LG2 is so reliable! It only sends out t=
he data you have&lt;br&gt;&lt;div class=3D"gmail_quote"&gt;&lt;blockquote c=
lass=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px soli=
d rgb(204, 204, 204);padding-left:1ex;"&gt; programmed it to send out, the =
FCB is just disastrous with that.&lt;br&gt;&lt;/blockquote&gt;&lt;div&gt;&n=
bsp;&lt;/div&gt;&lt;div&gt;Per but you never upgraded the FCB with the UnO =
chip, since i did i never had an issue with it sending weird midi messages =
again, &lt;br&gt; and you can program it with the Ripwerx software or witho=
ut it (unfortunately there isnt a reliable Ripwerx software for mac;-(&lt;b=
r&gt;but thats is still a pretty good bargain for a foot controller id say!=
&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;&=
lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br=
&gt;&nbsp;&lt;/div&gt;&lt;blockquote
 class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px so=
lid rgb(204, 204, 204);padding-left:1ex;"&gt;&lt;div&gt;&lt;div class=3D"h5=
"&gt; On Fri, Dec 10, 2010 at 4:11 AM, William Walker &amp;lt;&lt;a rel=3D"=
nofollow" ymailto=3D"mailto:billwalker@baymoon.com" target=3D"_blank" href=
=3D"mailto:billwalker@baymoon.com"&gt;billwalker@baymoon.com&lt;/a&gt;&amp;=
gt; wrote:&lt;br&gt; &amp;gt; &nbsp; &nbsp;I just wanted to let you know I =
got my Gordius Little Giant back after&lt;br&gt; &amp;gt; its Version 2 upg=
rade, and I love the way the new LCD graphic display looks&lt;br&gt; &amp;g=
t; and the new flexibility of the 1/4 cc outputs on the back of which I hav=
en&amp;#39;t&lt;br&gt; &amp;gt; begun to scratch the surface . One cool thi=
ng about its LCD display is that&lt;br&gt; &amp;gt; it shows in large full =
screen numbers what patch I happen to be on and it&lt;br&gt; &amp;gt; has a=
 screen saver mode. In its earlier version the characters where smaller&lt;=
br&gt;
 &amp;gt; and less easy to see from a distance, This is great for my middle=
 age&lt;br&gt; &amp;gt; peepers. Its been a work horse since I got it, its =
built like a tank, its&lt;br&gt; &amp;gt; switches have fast response and a=
re quieter than most , though I&amp;#39;m intrigued&lt;br&gt; &amp;gt; by A=
ndy&amp;#39;s idea of putting some foam on the inside to dampen the acousti=
c&lt;br&gt; &amp;gt; chamber aspect of the chassis itself, to see if i can =
minimize mechanical&lt;br&gt; &amp;gt; noise even further. If it weren&amp;=
#39;t for the fact that the original &nbsp;LCD screen&lt;br&gt; &amp;gt; st=
arted to dim, I might have never considered the version 2 firmware upgrade&=
lt;br&gt; &amp;gt; but I&amp;#39;m glad Xavier convinced me to do it. He ma=
de a great piece of gear&lt;br&gt; &amp;gt; even better. Its never failed m=
e 5 years of almost &nbsp;daily use. &nbsp;If I ever&lt;br&gt; &amp;gt; mov=
e to a lap top this will easily make the transition vis its USB
 port.&lt;br&gt; &amp;gt; &nbsp;Since the LG also has a second pair of midi=
 ins and outs, I have on&lt;br&gt; &amp;gt; occasion &nbsp;been using an ol=
d roland FC-50 midi pedal as a remote to either&lt;br&gt; &amp;gt; add more=
 preset switches &nbsp;to control more parameters on my looperlative, or&lt=
;br&gt; &amp;gt; use a slightly quieter remote switch in critical open mic =
recording&lt;br&gt; &amp;gt; situations. The Roland pedal switches like thi=
s are about as quiet as they&lt;br&gt; &amp;gt; come mechanical noise-wise =
but do become creaky sounding with wear and tear,&lt;br&gt; &amp;gt; The FC=
B&amp;#39;s switches are a little noisier still to my ears with even more w=
ear&lt;br&gt; &amp;gt; related issues, though as has been pointed out befor=
e, its possible to&lt;br&gt; &amp;gt; trigger the Gordius switches with a v=
ery light touch and create almost no&lt;br&gt; &amp;gt; mechanical noise.&l=
t;br&gt; &amp;gt; Bill&lt;br&gt; &amp;gt;&lt;br&gt;
 &amp;gt;&lt;br&gt; &lt;br&gt; &lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;/block=
quote&gt;&lt;/div&gt;&lt;br&gt;</DIV></DIV></DIV></div><br>=0A=0A      </bo=
dy></html>
--0-1805219763-1292047300=:70136--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 07:51:57 2010
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From: Myke Atkinson <mykeatkinson@gmail.com>
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Content-Type: multipart/alternative; boundary=Apple-Mail-68-214098162
Subject: Re: Trash My MP3 - UNDO Edition
Date: Sat, 11 Dec 2010 00:51:50 -0700
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To: Loopers-Delight@loopers-delight.com
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Very, very nice!

-Myke





On 2010-12-10, at 10:58 PM, david kirkdorffer wrote:

> Hi  -
> =20
> This is a rough mix of something I recorded 10-10-10. There are a few =
things I want address in the mix, but the basic idea is here.. and so =
now it's time to TRASH MY MP3! :-)
>=20
> http://soundcloud.com/undomusic/02-track-2
> =20
> David
> =20
>=20
>=20


--Apple-Mail-68-214098162
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<html><head><base href=3D"x-msg://279/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; ">Very, very nice!<br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><br =
class=3D"Apple-interchange-newline">-Myke</div><div><br></div><div><br></d=
iv><div><br></div></span><br class=3D"Apple-interchange-newline">
</div>
<br><div><div>On 2010-12-10, at 10:58 PM, david kirkdorffer =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
10pt; color: rgb(0, 0, 0); "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hi&nbsp; =
-</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">This is a =
rough mix of something I recorded 10-10-10. There are a few things I =
want address in the mix, but the basic idea is here.. and so now it's =
time to TRASH MY MP3! :-)<br><br><a class=3D"postlink" =
onclick=3D"window.open(this.href);return false;" =
href=3D"http://soundcloud.com/undomusic/02-track-2"><font =
color=3D"#810081">http://soundcloud.com/undomusic/02-track-2</font></a><sp=
an class=3D"postbody"><br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"postbody"></span>&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"postbody">David</span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"postbody">&nbsp;</span></div></div><br></div></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></body></html>=

--Apple-Mail-68-214098162--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 10:40:50 2010
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Date: Sat, 11 Dec 2010 11:40:48 +0100
Message-ID: <AANLkTimhvBhjLpHPGjEDkDybdnmq_VfG4+5QR4uKpSsz@mail.gmail.com>
Subject: Re: Trash My MP3 - UNDO Edition
From: Per Boysen <perboysen@gmail.com>
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Sounds great and evolves with a nice flow over time. Good looping. Enjoyed it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sat, Dec 11, 2010 at 6:58 AM, david kirkdorffer
<unstrungone@yahoo.com> wrote:
> This is a rough mix of something I recorded 10-10-10. There are a few things
> I want address in the mix, but the basic idea is here.. and so now it's time
> to TRASH MY MP3! :-)
>
> http://soundcloud.com/undomusic/02-track-2

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 10:55:04 2010
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Subject: Cords
References: <167246.86890.qm@web55204.mail.re4.yahoo.com> <AANLkTimhvBhjLpHPGjEDkDybdnmq_VfG4+5QR4uKpSsz@mail.gmail.com>
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Date: Sat, 11 Dec 2010 05:52:12 -0500
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Hey guys, here's a seasonal tip for you. You know at Christmas they sell all=
 kinds of weird power cords and such at Lowes, Home Depot, etc? There are tw=
o really nice types of extension cords that are great for stage setups. One i=
s a twenty footer or so that is very heavy and has an outlet about every six=
 feet, great for stage setup. The other, new this year, is a heavy green pow=
er cord that fans out to three receptacles.=20

Both great for stage setup and a good present for a musician.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 11, 2010, at 5:40 AM, Per Boysen <perboysen@gmail.com> wrote:

> Sounds great and evolves with a nice flow over time. Good looping. Enjoyed=
 it.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
>=20
>=20
> On Sat, Dec 11, 2010 at 6:58 AM, david kirkdorffer
> <unstrungone@yahoo.com> wrote:
>> This is a rough mix of something I recorded 10-10-10. There are a few thi=
ngs
>> I want address in the mix, but the basic idea is here.. and so now it's t=
ime
>> to TRASH MY MP3! :-)
>>=20
>> http://soundcloud.com/undomusic/02-track-2
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 11:32:55 2010
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Subject: REALLY REALLY OT: Quick Visio job for me?
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--20cf30434756e4af75049720d436
Content-Type: text/plain; charset=ISO-8859-1

Sorry about this, do any PC users have Visio on their machines? I have a 217
k .svg file, that is the Visio format. I now have a simerlar program
(graffle) on my mac and need it transferred into the Viseo XML format.

Can anyone do that for me?

contact me offlist..

sorry for the really OT...

m

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30434756e4af75049720d436
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Sorry about this, do any PC users have Visio on their machines? I have a 21=
7 k .svg file, that is the Visio format. I now have a simerlar program (gra=
ffle) on my mac and need it transferred into the Viseo XML format.<br><br>

Can anyone do that for me?<br><br>contact me offlist..<br><br>sorry for the=
 really OT...<br><br>m<br clear=3D"all"><br>-- <br>mark francombe<br><a hre=
f=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"=
http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--20cf30434756e4af75049720d436--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 11:53:06 2010
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To: Loopers-Delight@loopers-delight.com, 
 david kirkdorffer <unstrungone@yahoo.com>
Subject: Re: LD - Digest - help! Nettiquette for everyone
References: <678508.70136.qm@web55208.mail.re4.yahoo.com>
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david kirkdorffer wrote:
> 
>   Does anyone know if the LD Digests are working correctly?  It's as if
>   the formatting is all lost.
> 

That happens when people send HTML mails to the list.
...and worse than that, anyone who replies to an HTML
mail compounds the problem in all innocence.
(the mail you sent is itself HTML)


Email was designed to be text based only, so when
Microsoft (I think it was) introduced HTML mails
it was problematic for any mailing list with a digest

The only workaround for you is to make a folder in your 
email client, and a filter that sends LD mails into it.
..and then leave the digest and sign up to the regular list.
Having done that though, your experience will actually be better,
and when you reply to mails the correct threading is preserved,
which is good for everybody.


Well, the other answer is that all list members
could find
Loopers-Delight@loopers-delight.com
in their address books, open up the 'Properties'
for it.
...and select would like to receive messages as "Plain Text".
...and then they hope it actually works.

Unfortunately, whether a post is sent as HTML is usually
automated, so even with the best intentions it's hard not
to mess up the digest. 



andy
ps
I've unscrambled the post from Per you just re-sent (with an HTML editor)
and forwarded it to you.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 11:59:09 2010
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	<4D036621.1070107@tiscali.co.uk>
Date: Sat, 11 Dec 2010 12:59:08 +0100
Message-ID: <AANLkTinaKd9za021wK_qHKiN-UZuSiHxuFAxBuhYi82H@mail.gmail.com>
Subject: Re: LD - Digest - help! Nettiquette for everyone
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 11, 2010 at 12:53 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> ps
> I've unscrambled the post from Per you just re-sent (with an HTML editor)
> and forwarded it to you.
>


Woops, sorry for that. My habit is to manually change HTML mails into
text based when replying to the list but in this particular case I
guess I was too busy or distracted.

Per

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 12:44:17 2010
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Subject: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd56b582b404b049721d4d5
Content-Type: text/plain; charset=ISO-8859-1

ok, so i downloaded TouchOSC for my ipod in the hope that i might be able to
control some plugins with it (hosted in bidule)

i've managed to get my ipod and bidule communicating - i can move my finger
over the xy pad and see messages being received in bidule using the OSC
monitor

the problem i'm having, is that i have no idea ho to attach a plugin
parameter to an OSC message. i see in the OSC server screen, that each
parameter has an OSC address, but i have no clue what to do from that point
on.

anybody managed to figure this out?

many thanks

simeon

--000e0cd56b582b404b049721d4d5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

ok, so i downloaded TouchOSC for my ipod in the hope that i might be able t=
o control some plugins with it (hosted in bidule)<br><br>i&#39;ve managed t=
o get my ipod and bidule communicating - i can move my finger over the xy p=
ad and see messages being received in bidule using the OSC monitor<br>
<br>the problem i&#39;m having, is that i have no idea ho to attach a plugi=
n parameter to an OSC message. i see in the OSC server screen, that each pa=
rameter has an OSC address, but i have no clue what to do from that point o=
n.<br>
<br>anybody managed to figure this out?<br><br>many thanks<br><br>simeon<br=
><br>

--000e0cd56b582b404b049721d4d5--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 13:06:50 2010
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Date: Sat, 11 Dec 2010 14:06:47 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Dec 11, 2010 at 1:44 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> the problem i'm having, is that i have no idea ho to attach a plugin
> parameter to an OSC message. i see in the OSC server screen, that each
> parameter has an OSC address, but i have no clue what to do from that point
> on.

I suppose it is a similar procedure as when converting MIDI to Bidule
control data; you cable in some "converter object" between the OSC
input and your Bidule stuff. You may have to do some scaling as well
to match the range of the target parameter. I guess someone at the
Bidule forum would be happy to answer that! I had a lot of help from
those guys when building my own Bidule environment.

Please post your findings here! I just replaced my crappy old Ericsson
with an iphone and thinking of replacing my Faderfox hand mixer/button
pad with the iphone.

BTW, speaking about wireless, I read up on user reviews of the Keynote
app (since I do some speeches with big screen presentations) and one
guy there sad that Bluetooth is too slow for real-time control. The
Keynote app works over wifi which he thinks is better/faster. I still
may go with Bluetooth if possible since I can plan it to only use it
for stuff like changing preferences rather than direct musical looping
action control.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 13:42:44 2010
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd47df8152540049722a5fa
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ok will do per.

i'll report back my findings

sim

On Sat, Dec 11, 2010 at 1:06 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Dec 11, 2010 at 1:44 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > the problem i'm having, is that i have no idea ho to attach a plugin
> > parameter to an OSC message. i see in the OSC server screen, that each
> > parameter has an OSC address, but i have no clue what to do from that
> point
> > on.
>
> I suppose it is a similar procedure as when converting MIDI to Bidule
> control data; you cable in some "converter object" between the OSC
> input and your Bidule stuff. You may have to do some scaling as well
> to match the range of the target parameter. I guess someone at the
> Bidule forum would be happy to answer that! I had a lot of help from
> those guys when building my own Bidule environment.
>
> Please post your findings here! I just replaced my crappy old Ericsson
> with an iphone and thinking of replacing my Faderfox hand mixer/button
> pad with the iphone.
>
> BTW, speaking about wireless, I read up on user reviews of the Keynote
> app (since I do some speeches with big screen presentations) and one
> guy there sad that Bluetooth is too slow for real-time control. The
> Keynote app works over wifi which he thinks is better/faster. I still
> may go with Bluetooth if possible since I can plan it to only use it
> for stuff like changing preferences rather than direct musical looping
> action control.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--000e0cd47df8152540049722a5fa
Content-Type: text/html; charset=ISO-8859-1

ok will do per.<br><br>i&#39;ll report back my findings<br><br>sim<br><br><div class="gmail_quote">On Sat, Dec 11, 2010 at 1:06 PM, Per Boysen <span dir="ltr">&lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class="im">On Sat, Dec 11, 2010 at 1:44 PM, Simeon Harris<br>
&lt;<a href="mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt; wrote:<br>
&gt; the problem i&#39;m having, is that i have no idea ho to attach a plugin<br>
&gt; parameter to an OSC message. i see in the OSC server screen, that each<br>
&gt; parameter has an OSC address, but i have no clue what to do from that point<br>
&gt; on.<br>
<br>
</div>I suppose it is a similar procedure as when converting MIDI to Bidule<br>
control data; you cable in some &quot;converter object&quot; between the OSC<br>
input and your Bidule stuff. You may have to do some scaling as well<br>
to match the range of the target parameter. I guess someone at the<br>
Bidule forum would be happy to answer that! I had a lot of help from<br>
those guys when building my own Bidule environment.<br>
<br>
Please post your findings here! I just replaced my crappy old Ericsson<br>
with an iphone and thinking of replacing my Faderfox hand mixer/button<br>
pad with the iphone.<br>
<br>
BTW, speaking about wireless, I read up on user reviews of the Keynote<br>
app (since I do some speeches with big screen presentations) and one<br>
guy there sad that Bluetooth is too slow for real-time control. The<br>
Keynote app works over wifi which he thinks is better/faster. I still<br>
may go with Bluetooth if possible since I can plan it to only use it<br>
for stuff like changing preferences rather than direct musical looping<br>
action control.<br>
<br>
Greetings from Sweden<br>
<font color="#888888"><br>
Per Boysen<br>
<a href="http://www.boysen.se" target="_blank">www.boysen.se</a><br>
<a href="http://www.perboysen.com" target="_blank">www.perboysen.com</a><br>
<a href="http://www.looproom.com" target="_blank">www.looproom.com</a> internet music hub<br>
<br>
</font></blockquote></div><br>

--000e0cd47df8152540049722a5fa--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 14:00:39 2010
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Subject: Re: REALLY REALLY OT: Quick Visio job for me?
From: "Jim W." <synchro1@gmail.com>
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I no longer have visio on my machine but I believe Draw inside the
free open office suite will do the conversion. Open office is
fantastic for dealing with file compatibility and MS &other business
suite products.

On Saturday, December 11, 2010, mark francombe <mark@markfrancombe.com> wrote:
> Sorry about this, do any PC users have Visio on their machines? I have a 217 k .svg file, that is the Visio format. I now have a simerlar program (graffle) on my mac and need it transferred into the Viseo XML format.
>
> Can anyone do that for me?
>
> contact me offlist..
>
> sorry for the really OT...
>
> m
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 15:19:14 2010
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Subject: Re: REALLY REALLY OT: Quick Visio job for me?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Mark microsoft offers a visio viewer for free dl however won't help
you if yu have to edit but believe you can print from it.  Go to
http://www.microsoft.com/downloads and brOwse for it as 'visio
viewer'.

Regards. And happy holidays, jim

On 12/11/10, Jim W. <synchro1@gmail.com> wrote:
> I no longer have visio on my machine but I believe Draw inside the
> free open office suite will do the conversion. Open office is
> fantastic for dealing with file compatibility and MS &other business
> suite products.
>
> On Saturday, December 11, 2010, mark francombe <mark@markfrancombe.com>
> wrote:
>> Sorry about this, do any PC users have Visio on their machines? I have a
>> 217 k .svg file, that is the Visio format. I now have a simerlar program
>> (graffle) on my mac and need it transferred into the Viseo XML format.
>>
>> Can anyone do that for me?
>>
>> contact me offlist..
>>
>> sorry for the really OT...
>>
>> m
>> --
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>>
>
>

--=20
Sent from my mobile device

>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim
Goodin & Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 16:08:06 2010
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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well having spent all day messing with touchosc and having no joy and no
response from the plogue forum, i gave up and downloaded ITM midiLab. had it
working in 10 minutes. midilab is free, so you can do a basic test to see if
it works and then they have more specialist apps with more features for the
same price as touchosc. might be worth a look, per.

sim

On Sat, Dec 11, 2010 at 1:42 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> ok will do per.
>
> i'll report back my findings
>
> sim
>
>
> On Sat, Dec 11, 2010 at 1:06 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Sat, Dec 11, 2010 at 1:44 PM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>> > the problem i'm having, is that i have no idea ho to attach a plugin
>> > parameter to an OSC message. i see in the OSC server screen, that each
>> > parameter has an OSC address, but i have no clue what to do from that
>> point
>> > on.
>>
>> I suppose it is a similar procedure as when converting MIDI to Bidule
>> control data; you cable in some "converter object" between the OSC
>> input and your Bidule stuff. You may have to do some scaling as well
>> to match the range of the target parameter. I guess someone at the
>> Bidule forum would be happy to answer that! I had a lot of help from
>> those guys when building my own Bidule environment.
>>
>> Please post your findings here! I just replaced my crappy old Ericsson
>> with an iphone and thinking of replacing my Faderfox hand mixer/button
>> pad with the iphone.
>>
>> BTW, speaking about wireless, I read up on user reviews of the Keynote
>> app (since I do some speeches with big screen presentations) and one
>> guy there sad that Bluetooth is too slow for real-time control. The
>> Keynote app works over wifi which he thinks is better/faster. I still
>> may go with Bluetooth if possible since I can plan it to only use it
>> for stuff like changing preferences rather than direct musical looping
>> action control.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>>
>

--000e0cd3f89a71a765049724aca0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well having spent all day messing with touchosc and having no joy and no re=
sponse from the plogue forum, i gave up and downloaded ITM midiLab. had it =
working in 10 minutes. midilab is free, so you can do a basic test to see i=
f it works and then they have more specialist apps with more features for t=
he same price as touchosc. might be worth a look, per.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Sat, Dec 11, 2010 at 1:42 PM, =
Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@google=
mail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1p=
x solid rgb(204, 204, 204); padding-left: 1ex;">
ok will do per.<br><br>i&#39;ll report back my findings<br><br>sim<div><div=
></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Sat, Dec 11,=
 2010 at 1:06 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboy=
sen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt;</span> wrote:<=
br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Sat, Dec =
11, 2010 at 1:44 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">sime=
onharris40@googlemail.com</a>&gt; wrote:<br>
&gt; the problem i&#39;m having, is that i have no idea ho to attach a plug=
in<br>
&gt; parameter to an OSC message. i see in the OSC server screen, that each=
<br>
&gt; parameter has an OSC address, but i have no clue what to do from that =
point<br>
&gt; on.<br>
<br>
</div>I suppose it is a similar procedure as when converting MIDI to Bidule=
<br>
control data; you cable in some &quot;converter object&quot; between the OS=
C<br>
input and your Bidule stuff. You may have to do some scaling as well<br>
to match the range of the target parameter. I guess someone at the<br>
Bidule forum would be happy to answer that! I had a lot of help from<br>
those guys when building my own Bidule environment.<br>
<br>
Please post your findings here! I just replaced my crappy old Ericsson<br>
with an iphone and thinking of replacing my Faderfox hand mixer/button<br>
pad with the iphone.<br>
<br>
BTW, speaking about wireless, I read up on user reviews of the Keynote<br>
app (since I do some speeches with big screen presentations) and one<br>
guy there sad that Bluetooth is too slow for real-time control. The<br>
Keynote app works over wifi which he thinks is better/faster. I still<br>
may go with Bluetooth if possible since I can plan it to only use it<br>
for stuff like changing preferences rather than direct musical looping<br>
action control.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br>

--000e0cd3f89a71a765049724aca0--

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd47df8983e18049724bffc
Content-Type: text/plain; charset=ISO-8859-1

per - this is the one that might interest you -
http://www.itouchmidi.com/?q=node/32

btw - latency was minimal using the XY pad included with midilab

sim

On Sat, Dec 11, 2010 at 4:07 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> well having spent all day messing with touchosc and having no joy and no
> response from the plogue forum, i gave up and downloaded ITM midiLab. had it
> working in 10 minutes. midilab is free, so you can do a basic test to see if
> it works and then they have more specialist apps with more features for the
> same price as touchosc. might be worth a look, per.
>
> sim
>
>
> On Sat, Dec 11, 2010 at 1:42 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> ok will do per.
>>
>> i'll report back my findings
>>
>> sim
>>
>>
>> On Sat, Dec 11, 2010 at 1:06 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>> On Sat, Dec 11, 2010 at 1:44 PM, Simeon Harris
>>> <simeonharris40@googlemail.com> wrote:
>>> > the problem i'm having, is that i have no idea ho to attach a plugin
>>> > parameter to an OSC message. i see in the OSC server screen, that each
>>> > parameter has an OSC address, but i have no clue what to do from that
>>> point
>>> > on.
>>>
>>> I suppose it is a similar procedure as when converting MIDI to Bidule
>>> control data; you cable in some "converter object" between the OSC
>>> input and your Bidule stuff. You may have to do some scaling as well
>>> to match the range of the target parameter. I guess someone at the
>>> Bidule forum would be happy to answer that! I had a lot of help from
>>> those guys when building my own Bidule environment.
>>>
>>> Please post your findings here! I just replaced my crappy old Ericsson
>>> with an iphone and thinking of replacing my Faderfox hand mixer/button
>>> pad with the iphone.
>>>
>>> BTW, speaking about wireless, I read up on user reviews of the Keynote
>>> app (since I do some speeches with big screen presentations) and one
>>> guy there sad that Bluetooth is too slow for real-time control. The
>>> Keynote app works over wifi which he thinks is better/faster. I still
>>> may go with Bluetooth if possible since I can plan it to only use it
>>> for stuff like changing preferences rather than direct musical looping
>>> action control.
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>> www.looproom.com internet music hub
>>>
>>>
>>
>

--000e0cd47df8983e18049724bffc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

per - this is the one that might interest you - <a href=3D"http://www.itouc=
hmidi.com/?q=3Dnode/32">http://www.itouchmidi.com/?q=3Dnode/32</a><br><br>b=
tw - latency was minimal using the XY pad included with midilab<br><br>sim<=
br>
<br><div class=3D"gmail_quote">On Sat, Dec 11, 2010 at 4:07 PM, Simeon Harr=
is <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com">s=
imeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb=
(204, 204, 204); padding-left: 1ex;">
well having spent all day messing with touchosc and having no joy and no re=
sponse from the plogue forum, i gave up and downloaded ITM midiLab. had it =
working in 10 minutes. midilab is free, so you can do a basic test to see i=
f it works and then they have more specialist apps with more features for t=
he same price as touchosc. might be worth a look, per.<br>

<br>sim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Sat, Dec 11, 2010 at 1:42 PM, Simeon Harris <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeonharris4=
0@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
ok will do per.<br><br>i&#39;ll report back my findings<br><br>sim<div><div=
></div><div><br><br><div class=3D"gmail_quote">On Sat, Dec 11, 2010 at 1:06=
 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com=
" target=3D"_blank">perboysen@gmail.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Sat, Dec =
11, 2010 at 1:44 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">sime=
onharris40@googlemail.com</a>&gt; wrote:<br>
&gt; the problem i&#39;m having, is that i have no idea ho to attach a plug=
in<br>
&gt; parameter to an OSC message. i see in the OSC server screen, that each=
<br>
&gt; parameter has an OSC address, but i have no clue what to do from that =
point<br>
&gt; on.<br>
<br>
</div>I suppose it is a similar procedure as when converting MIDI to Bidule=
<br>
control data; you cable in some &quot;converter object&quot; between the OS=
C<br>
input and your Bidule stuff. You may have to do some scaling as well<br>
to match the range of the target parameter. I guess someone at the<br>
Bidule forum would be happy to answer that! I had a lot of help from<br>
those guys when building my own Bidule environment.<br>
<br>
Please post your findings here! I just replaced my crappy old Ericsson<br>
with an iphone and thinking of replacing my Faderfox hand mixer/button<br>
pad with the iphone.<br>
<br>
BTW, speaking about wireless, I read up on user reviews of the Keynote<br>
app (since I do some speeches with big screen presentations) and one<br>
guy there sad that Bluetooth is too slow for real-time control. The<br>
Keynote app works over wifi which he thinks is better/faster. I still<br>
may go with Bluetooth if possible since I can plan it to only use it<br>
for stuff like changing preferences rather than direct musical looping<br>
action control.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br>

--000e0cd47df8983e18049724bffc--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 16:16:43 2010
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
Date: Sat, 11 Dec 2010 10:16:37 -0600
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If you're on a Mac you can also use Osculator to convert TouchOSC
messages into MIDI for use with any application.   =20

     www.osculator.net

Jeff

Oh, and the next release of Mobius will have built-in support for =
TouchOSC without
needing a converter.


On Dec 11, 2010, at 10:07 AM, Simeon Harris wrote:

> well having spent all day messing with touchosc and having no joy and =
no response from the plogue forum, i gave up and downloaded ITM midiLab. =
had it working in 10 minutes. midilab is free, so you can do a basic =
test to see if it works and then they have more specialist apps with =
more features for the same price as touchosc. might be worth a look, =
per.
>=20
> sim

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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--000e0cd486b2bbd252049725a588
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cool!

Jeff
>
> Oh, and the next release of Mobius will have built-in support for TouchOSC
> without
> needing a converter.
>
>

--000e0cd486b2bbd252049725a588
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cool!<br><br><div class="gmail_quote"><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Jeff<br>
<br>
Oh, and the next release of Mobius will have built-in support for TouchOSC without<br>
needing a converter.<br>
<div><div></div><br></div></blockquote></div>

--000e0cd486b2bbd252049725a588--

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Date: Sat, 11 Dec 2010 18:59:42 +0000
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To: Loopers-Delight@loopers-delight.com
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
References: <AANLkTinhwp78yzb=Enp78Nu=F8UUDUaFx2LXKrN_eNmX@mail.gmail.com>	<AANLkTinNvYJ+A9ZQvunxTsMMGtOZ4VOgSZ_7skNo3SVK@mail.gmail.com>	<AANLkTi=0+1NEFgwsOkVcMkb+3ebR+LOChKF_COrBAi2e@mail.gmail.com>	<AANLkTikagL353q2A9jYDMOW8N7k7r6ocmMTffSW2T4gC@mail.gmail.com>	<B4674136-3CD1-4636-A78F-C54D0A718053@zonemobius.com> <AANLkTinrBsET+4U4tdzrHKA02iYOYNViXnBLH25_B2fq@mail.gmail.com>
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OSC Server Implementation
First to enable the OSC Server part of Bidule, you need to go the OSC Server dialog by selecting OSC Server from the Tools menu. You need to select a port for Bidule to listen for messages (Note: you might need to change your firewall software settings to allow incoming messages to that port), the default one should be fine but you can change it. 

Every parameter of every bidule that is available for parameter linking is also available for control through OSC. Each parameter has an address to receive values, the address is built automatically from the location and name of the bidule as well as the parameter name. The location of a bidule is the "path" to it (look at the bottom left of the patchbay when you're inside a group to get the idea) so for example a group named Freeverb in the root of the layout would be /Freeverb, now if we wish to control the mode of the effect, the address would be /Freeverb/Mode. Take note that some characters (like spaces) are reserved and this might change the "expected" address so your best bet is to look into the OSC Server dialog and see the name that is there. 

Each parameter expect to receive values within its range (click the Params button on the bidule's window to see them). Parameters that are a drop down box with a list of choices will also accept a string representing an available choice. 

These two address also exists: /play : to start/stop the processing (parameter: 1 or "true" to start audio, 0 or "false" to stop it) /open : force the loading of a .bidule file (parameter: the path to the bidule file on the machine) 


Simeon Harris wrote:
> cool!
> 
>     Jeff
> 
>     Oh, and the next release of Mobius will have built-in support for
>     TouchOSC without
>     needing a converter.
> 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 19:03:17 2010
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Date: Sat, 11 Dec 2010 20:03:15 +0100
Message-ID: <AANLkTimWqZ9cMVsJskuPm4rrt_UPqmue0BpRqHG2kgn5@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 11, 2010 at 5:16 PM, Jeff Larson <jeff@zonemobius.com> wrote:
> www.osculator.net

Downloading Osculator now. Will use it with Touch OSC. Can't be too
difficult to assign OSC data to generate the MIDI events that target
your music applications. I have to fix my Mobius rig in Mainstage for
the iphone... guess I can just tell the Osulator to generate the same
MIDI events I now use the Faderfox for. Never thought I would find
something smaller and more portable than the Faderfox :-)

Sim,
What functions are you planning to tweak from the iphone?

Per

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 19:04:59 2010
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
References: <AANLkTinhwp78yzb=Enp78Nu=F8UUDUaFx2LXKrN_eNmX@mail.gmail.com> <AANLkTinNvYJ+A9ZQvunxTsMMGtOZ4VOgSZ_7skNo3SVK@mail.gmail.com> <AANLkTi=0+1NEFgwsOkVcMkb+3ebR+LOChKF_COrBAi2e@mail.gmail.com> <AANLkTikagL353q2A9jYDMOW8N7k7r6ocmMTffSW2T4gC@mail.gmail.com> <B4674136-3CD1-4636-A78F-C54D0A718053@zonemobius.com> <AANLkTinrBsET+4U4tdzrHKA02iYOYNViXnBLH25_B2fq@mail.gmail.com> <4D03CA1E.10206@tiscali.co.uk>
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Thanks andy, I already read this. It's only half the process. You're suppose=
d to paste the o/c address into one of the osc bidules ( doesn't say which o=
ne) and them connect the bidule ( doesn't say how or where to)

Sim

Sent from my iPod

On 11 Dec 2010, at 18:59, andy butler <akbutler@tiscali.co.uk> wrote:

> OSC Server Implementation
> First to enable the OSC Server part of Bidule, you need to go the OSC Serv=
er dialog by selecting OSC Server from the Tools menu. You need to select a p=
ort for Bidule to listen for messages (Note: you might need to change your f=
irewall software settings to allow incoming messages to that port), the defa=
ult one should be fine but you can change it.=20
> Every parameter of every bidule that is available for parameter linking is=
 also available for control through OSC. Each parameter has an address to re=
ceive values, the address is built automatically from the location and name o=
f the bidule as well as the parameter name. The location of a bidule is the "=
path" to it (look at the bottom left of the patchbay when you're inside a gr=
oup to get the idea) so for example a group named Freeverb in the root of th=
e layout would be /Freeverb, now if we wish to control the mode of the effec=
t, the address would be /Freeverb/Mode. Take note that some characters (like=
 spaces) are reserved and this might change the "expected" address so your b=
est bet is to look into the OSC Server dialog and see the name that is there=
.=20
> Each parameter expect to receive values within its range (click the Params=
 button on the bidule's window to see them). Parameters that are a drop down=
 box with a list of choices will also accept a string representing an availa=
ble choice.=20
> These two address also exists: /play : to start/stop the processing (param=
eter: 1 or "true" to start audio, 0 or "false" to stop it) /open : force the=
 loading of a .bidule file (parameter: the path to the bidule file on the ma=
chine)=20
>=20
> Simeon Harris wrote:
>> cool!
>>    Jeff
>>    Oh, and the next release of Mobius will have built-in support for
>>    TouchOSC without
>>    needing a converter.
>=20

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
References: <AANLkTinhwp78yzb=Enp78Nu=F8UUDUaFx2LXKrN_eNmX@mail.gmail.com> <AANLkTinNvYJ+A9ZQvunxTsMMGtOZ4VOgSZ_7skNo3SVK@mail.gmail.com> <AANLkTi=0+1NEFgwsOkVcMkb+3ebR+LOChKF_COrBAi2e@mail.gmail.com> <AANLkTikagL353q2A9jYDMOW8N7k7r6ocmMTffSW2T4gC@mail.gmail.com> <B4674136-3CD1-4636-A78F-C54D0A718053@zonemobius.com> <AANLkTimWqZ9cMVsJskuPm4rrt_UPqmue0BpRqHG2kgn5@mail.gmail.com>
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Yeah, that should be easy. I didn't want to pay for osculator, as I only wan=
ted to rig up an analog delay plugin to an xy controller.=20

Sim

Sent from my iPod

On 11 Dec 2010, at 19:03, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Dec 11, 2010 at 5:16 PM, Jeff Larson <jeff@zonemobius.com> wrote:
>> www.osculator.net
>=20
> Downloading Osculator now. Will use it with Touch OSC. Can't be too
> difficult to assign OSC data to generate the MIDI events that target
> your music applications. I have to fix my Mobius rig in Mainstage for
> the iphone... guess I can just tell the Osulator to generate the same
> MIDI events I now use the Faderfox for. Never thought I would find
> something smaller and more portable than the Faderfox :-)
>=20
> Sim,
> What functions are you planning to tweak from the iphone?
>=20
> Per
>=20

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 11, 2010 at 7:59 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> OSC Server Implementation

Thanks for those fine Bidule OSC hints, Andy. Maybe I should plan on
brushing up my old Bidule/Mobius environment. Last time I used was
when we played together in Norwich ;-)  With the latest version
Mainstage blocks out computer key control of third-party plug-ins and
I miss being able to manipulate Mobius from the keys. And now with
this OSC thing coming also to Mobius... wow!

Per

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Subject: Re: REALLY REALLY OT: Quick Visio job for me?
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--90e6ba6e8cce56c17204972787df
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my thing is to convert from visio svg to visio xml, so that i can inport
into a mac equivalent..

thx

m

On Sat, Dec 11, 2010 at 4:19 PM, Jim Goodin <jimgoodinmusic@gmail.com>wrote=
:

> Mark microsoft offers a visio viewer for free dl however won't help
> you if yu have to edit but believe you can print from it.  Go to
> http://www.microsoft.com/downloads and brOwse for it as 'visio
> viewer'.
>
> Regards. And happy holidays, jim
>
> On 12/11/10, Jim W. <synchro1@gmail.com> wrote:
> > I no longer have visio on my machine but I believe Draw inside the
> > free open office suite will do the conversion. Open office is
> > fantastic for dealing with file compatibility and MS &other business
> > suite products.
> >
> > On Saturday, December 11, 2010, mark francombe <mark@markfrancombe.com>
> > wrote:
> >> Sorry about this, do any PC users have Visio on their machines? I have=
 a
> >> 217 k .svg file, that is the Visio format. I now have a simerlar progr=
am
> >> (graffle) on my mac and need it transferred into the Viseo XML format.
> >>
> >> Can anyone do that for me?
> >>
> >> contact me offlist..
> >>
> >> sorry for the really OT...
> >>
> >> m
> >> --
> >> mark francombe
> >> www.markfrancombe.com
> >> www.ordoabkhao.com
> >> twitter @markfrancombe
> >> http://vimeo.com/user825094
> >> http://www.looop.no
> >>
> >
> >
>
> --
> Sent from my mobile device
>
> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim
> Goodin & Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> woodandwiremusic.wordpress.com
>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8cce56c17204972787df
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

my thing is to convert from visio svg to visio xml, so that i can inport in=
to a mac equivalent..<br><br>thx<br><br>m<br><br><div class=3D"gmail_quote"=
>On Sat, Dec 11, 2010 at 4:19 PM, Jim Goodin <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;</span=
> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Mark microsoft of=
fers a visio viewer for free dl however won&#39;t help<br>
you if yu have to edit but believe you can print from it. =A0Go to<br>
<a href=3D"http://www.microsoft.com/downloads" target=3D"_blank">http://www=
.microsoft.com/downloads</a> and brOwse for it as &#39;visio<br>
viewer&#39;.<br>
<br>
Regards. And happy holidays, jim<br>
<div><div></div><div class=3D"h5"><br>
On 12/11/10, Jim W. &lt;<a href=3D"mailto:synchro1@gmail.com">synchro1@gmai=
l.com</a>&gt; wrote:<br>
&gt; I no longer have visio on my machine but I believe Draw inside the<br>
&gt; free open office suite will do the conversion. Open office is<br>
&gt; fantastic for dealing with file compatibility and MS &amp;other busine=
ss<br>
&gt; suite products.<br>
&gt;<br>
&gt; On Saturday, December 11, 2010, mark francombe &lt;<a href=3D"mailto:m=
ark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br>
&gt; wrote:<br>
&gt;&gt; Sorry about this, do any PC users have Visio on their machines? I =
have a<br>
&gt;&gt; 217 k .svg file, that is the Visio format. I now have a simerlar p=
rogram<br>
&gt;&gt; (graffle) on my mac and need it transferred into the Viseo XML for=
mat.<br>
&gt;&gt;<br>
&gt;&gt; Can anyone do that for me?<br>
&gt;&gt;<br>
&gt;&gt; contact me offlist..<br>
&gt;&gt;<br>
&gt;&gt; sorry for the really OT...<br>
&gt;&gt;<br>
&gt;&gt; m<br>
&gt;&gt; --<br>
&gt;&gt; mark francombe<br>
&gt;&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.mar=
kfrancombe.com</a><br>
&gt;&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoab=
khao.com</a><br>
&gt;&gt; twitter @markfrancombe<br>
&gt;&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://v=
imeo.com/user825094</a><br>
&gt;&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop=
.no</a><br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div>--<br>
Sent from my mobile device<br>
<br>
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim<br>
Goodin &amp; Peter Th=F6rn. =A0Proceeds<br>
from the sale of this CD will benefit JDRF International.<br>
<a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgo=
odinpeterthorn.bandcamp.com</a>.<br>
<br>
<a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmu=
sic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woodand=
wiremusic.wordpress.com</a><br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8cce56c17204972787df--

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Dec 11, 2010 at 8:08 PM, Gmail <simeonharris40@googlemail.com> wrote:
> Yeah, that should be easy. I didn't want to pay for osculator, as I only wanted to rig up an analog delay plugin to an xy controller.

OSCulator works as a demo for a couple of minutes, so you may test
things out. But I can't make it talk to the other softboys here. I run
TouchOSC Mix 16 on the iphone set to OSC Output port 8000. Then I load
OSCulator with the "TouchOSC to MIDI - Mix16" template and set to OSC
Input port 8000. My MIDI applications do detect the "OSCulator Out"
virtual MIDI port but when juggling the touch screen objects on the
iphone no MIDI is generated by OSCulator. I don't think I will buy an
authorization for it. Seems too fiddly.

Per

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Date: Sat, 11 Dec 2010 19:42:18 +0000
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6ad1230d553049727ab3e
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hmm...can't help you with that one...although, did you set up the ports
going the other way?

it's a shame, because the touchosc UI is really nice imo and i love the idea
of being able to create your own layouts, but it's just such a grind getting
it to work

sim

On Sat, Dec 11, 2010 at 7:35 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Dec 11, 2010 at 8:08 PM, Gmail <simeonharris40@googlemail.com>
> wrote:
> > Yeah, that should be easy. I didn't want to pay for osculator, as I only
> wanted to rig up an analog delay plugin to an xy controller.
>
> OSCulator works as a demo for a couple of minutes, so you may test
> things out. But I can't make it talk to the other softboys here. I run
> TouchOSC Mix 16 on the iphone set to OSC Output port 8000. Then I load
> OSCulator with the "TouchOSC to MIDI - Mix16" template and set to OSC
> Input port 8000. My MIDI applications do detect the "OSCulator Out"
> virtual MIDI port but when juggling the touch screen objects on the
> iphone no MIDI is generated by OSCulator. I don't think I will buy an
> authorization for it. Seems too fiddly.
>
> Per
>
>

--000e0cd6ad1230d553049727ab3e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

hmm...can&#39;t help you with that one...although, did you set up the ports=
 going the other way?<br><br>it&#39;s a shame, because the touchosc UI is r=
eally nice imo and i love the idea of being able to create your own layouts=
, but it&#39;s just such a grind getting it to work<br>
<br>sim<br><br><div class=3D"gmail_quote">On Sat, Dec 11, 2010 at 7:35 PM, =
Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">per=
boysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
<div class=3D"im">On Sat, Dec 11, 2010 at 8:08 PM, Gmail &lt;<a href=3D"mai=
lto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt; wr=
ote:<br>
&gt; Yeah, that should be easy. I didn&#39;t want to pay for osculator, as =
I only wanted to rig up an analog delay plugin to an xy controller.<br>
<br>
</div>OSCulator works as a demo for a couple of minutes, so you may test<br=
>
things out. But I can&#39;t make it talk to the other softboys here. I run<=
br>
TouchOSC Mix 16 on the iphone set to OSC Output port 8000. Then I load<br>
OSCulator with the &quot;TouchOSC to MIDI - Mix16&quot; template and set to=
 OSC<br>
Input port 8000. My MIDI applications do detect the &quot;OSCulator Out&quo=
t;<br>
virtual MIDI port but when juggling the touch screen objects on the<br>
iphone no MIDI is generated by OSCulator. I don&#39;t think I will buy an<b=
r>
authorization for it. Seems too fiddly.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd6ad1230d553049727ab3e--

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Date: Sat, 11 Dec 2010 20:52:24 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Dec 11, 2010 at 8:42 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> hmm...can't help you with that one...although, did you set up the ports
> going the other way?

No. Would that be necessary?

Per

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 19:53:08 2010
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From: Revfever <revfever@ubergadget.com>
Subject: OT: Hammond Condor FS
Date: Sat, 11 Dec 2010 11:52:53 -0800
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This looks intriguing. (and RARE) Chicago area.

(scroll down to see this listing's pics)
http://chicago.craigslist.org/wcl/msg/2107241211.html

More detailed description:
http://matrixsynth.blogspot.com/2010/09/hammond-rsm-condor-by- 
innovex.html

Cheers,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever



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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174bdd2e7582cf049727e468
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can't hurt to try it.

did you try running midi monitor to see if any midi data is being generated
by osculator?

sim

On Sat, Dec 11, 2010 at 7:52 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Dec 11, 2010 at 8:42 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > hmm...can't help you with that one...although, did you set up the ports
> > going the other way?
>
> No. Would that be necessary?
>
> Per
>
>

--0015174bdd2e7582cf049727e468
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

can&#39;t hurt to try it.<br><br>did you try running midi monitor to see if=
 any midi data is being generated by osculator?<br><br>sim<br><br><div clas=
s=3D"gmail_quote">On Sat, Dec 11, 2010 at 7:52 PM, Per Boysen <span dir=3D"=
ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Sat, Dec 11, 2010 at 8:42 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
</div><div class=3D"im">&gt; hmm...can&#39;t help you with that one...altho=
ugh, did you set up the ports<br>
&gt; going the other way?<br>
<br>
</div>No. Would that be necessary?<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--0015174bdd2e7582cf049727e468--

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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On Sat, Dec 11, 2010 at 8:58 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> did you try running midi monitor to see if any midi data is being generated
> by osculator?

Yes, many. No MIDI data generated. That why I didn't like it.

Per

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 20:05:35 2010
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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--0015174bdd2e5f9490049727fe3f
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fair enough!

On Sat, Dec 11, 2010 at 7:59 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Dec 11, 2010 at 8:58 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > did you try running midi monitor to see if any midi data is being
> generated
> > by osculator?
>
> Yes, many. No MIDI data generated. That why I didn't like it.
>
> Per
>
>

--0015174bdd2e5f9490049727fe3f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

fair enough!<br><br><div class=3D"gmail_quote">On Sat, Dec 11, 2010 at 7:59=
 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">
<div class=3D"im">On Sat, Dec 11, 2010 at 8:58 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; did you try running midi monitor to see if any midi data is being gene=
rated<br>
&gt; by osculator?<br>
<br>
</div>Yes, many. No MIDI data generated. That why I didn&#39;t like it.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--0015174bdd2e5f9490049727fe3f--

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Gmail wrote:
> Thanks andy, I already read this. It's only half the process.

I'm afraid I don't have any incoming Osc to test.

It seems very similar to the param linking tho'.



> You're supposed to paste the o/c address into one of the osc bidules ( doesn't say which one)

that would be Osc Extractor,
there's only 2 Bidules which accept the address, and the other 
is for *sending* OSC

> and them connect the bidule ( doesn't say how or where to)

Tools> Osc Server
then click the Address space tree to find the destination Bidule.

I've got a hunch you don't need *both* of those steps, and you can 
either select the target parameter from Osc Server OR
use Osc Extractor with the address value.

OR, a third way if you wanted midi, 
just use  an Osc Midi bidule and link it from the Osc server.

> 
> Sim
> 
> Sent from my iPod
> 
> On 11 Dec 2010, at 18:59, andy butler <akbutler@tiscali.co.uk> wrote:
> 
>> OSC Server Implementation
>> First to enable the OSC Server part of Bidule, you need to go the OSC Server dialog by selecting OSC Server from the Tools menu. You need to select a port for Bidule to listen for messages (Note: you might need to change your firewall software settings to allow incoming messages to that port), the default one should be fine but you can change it. 
>> Every parameter of every bidule that is available for parameter linking is also available for control through OSC. Each parameter has an address to receive values, the address is built automatically from the location and name of the bidule as well as the parameter name. The location of a bidule is the "path" to it (look at the bottom left of the patchbay when you're inside a group to get the idea) so for example a group named Freeverb in the root of the layout would be /Freeverb, now if we wish to control the mode of the effect, the address would be /Freeverb/Mode. Take note that some characters (like spaces) are reserved and this might change the "expected" address so your best bet is to look into the OSC Server dialog and see the name that is there. 
>> Each parameter expect to receive values within its range (click the Params button on the bidule's window to see them). Parameters that are a drop down box with a list of choices will also accept a string representing an available choice. 
>> These two address also exists: /play : to start/stop the processing (parameter: 1 or "true" to start audio, 0 or "false" to stop it) /open : force the loading of a .bidule file (parameter: the path to the bidule file on the machine) 
>>
>> Simeon Harris wrote:
>>> cool!
>>>    Jeff
>>>    Oh, and the next release of Mobius will have built-in support for
>>>    TouchOSC without
>>>    needing a converter.
> 
> 

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6ad1234f592049728217f
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yes, i thought it would be very similar to parameter linking and tried
everything you suggested....without any success whatsoever.

anyway - assuming you've got the target parameter sorted, how does bidule
know which of the faders in touchosc is supposed to be controlling it?

i've given up. my brain hurts. i'm going to go and watch The Daily Show
which i recorded last night. i may even have a beer.

sim

On Sat, Dec 11, 2010 at 8:08 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> Gmail wrote:
>
>> Thanks andy, I already read this. It's only half the process.
>>
>
> I'm afraid I don't have any incoming Osc to test.
>
> It seems very similar to the param linking tho'.
>
>
>
>
>  You're supposed to paste the o/c address into one of the osc bidules (
>> doesn't say which one)
>>
>
> that would be Osc Extractor,
> there's only 2 Bidules which accept the address, and the other is for
> *sending* OSC
>
>
>  and them connect the bidule ( doesn't say how or where to)
>>
>
> Tools> Osc Server
> then click the Address space tree to find the destination Bidule.
>
> I've got a hunch you don't need *both* of those steps, and you can either
> select the target parameter from Osc Server OR
> use Osc Extractor with the address value.
>
> OR, a third way if you wanted midi, just use  an Osc Midi bidule and link
> it from the Osc server.
>
>
>
>> Sim
>>
>> Sent from my iPod
>>
>> On 11 Dec 2010, at 18:59, andy butler <akbutler@tiscali.co.uk> wrote:
>>
>>  OSC Server Implementation
>>> First to enable the OSC Server part of Bidule, you need to go the OSC
>>> Server dialog by selecting OSC Server from the Tools menu. You need to
>>> select a port for Bidule to listen for messages (Note: you might need to
>>> change your firewall software settings to allow incoming messages to that
>>> port), the default one should be fine but you can change it. Every parameter
>>> of every bidule that is available for parameter linking is also available
>>> for control through OSC. Each parameter has an address to receive values,
>>> the address is built automatically from the location and name of the bidule
>>> as well as the parameter name. The location of a bidule is the "path" to it
>>> (look at the bottom left of the patchbay when you're inside a group to get
>>> the idea) so for example a group named Freeverb in the root of the layout
>>> would be /Freeverb, now if we wish to control the mode of the effect, the
>>> address would be /Freeverb/Mode. Take note that some characters (like
>>> spaces) are reserved and this might change the "expected" address so your
>>> best bet is to look into the OSC Server dialog and see the name that is
>>> there. Each parameter expect to receive values within its range (click the
>>> Params button on the bidule's window to see them). Parameters that are a
>>> drop down box with a list of choices will also accept a string representing
>>> an available choice. These two address also exists: /play : to start/stop
>>> the processing (parameter: 1 or "true" to start audio, 0 or "false" to stop
>>> it) /open : force the loading of a .bidule file (parameter: the path to the
>>> bidule file on the machine)
>>> Simeon Harris wrote:
>>>
>>>> cool!
>>>>   Jeff
>>>>   Oh, and the next release of Mobius will have built-in support for
>>>>   TouchOSC without
>>>>   needing a converter.
>>>>
>>>
>>
>>
>

--000e0cd6ad1234f592049728217f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yes, i thought it would be very similar to parameter linking and tried ever=
ything you suggested....without any success whatsoever.<br><br>anyway - ass=
uming you&#39;ve got the target parameter sorted, how does bidule know whic=
h of the faders in touchosc is supposed to be controlling it?<br>
<br>i&#39;ve given up. my brain hurts. i&#39;m going to go and watch The Da=
ily Show which i recorded last night. i may even have a beer.<br><br>sim<br=
><br><div class=3D"gmail_quote">On Sat, Dec 11, 2010 at 8:08 PM, andy butle=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@=
tiscali.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>Gmail wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Thanks andy, I already read this. It&#39;s only half the process.<br>
</blockquote>
<br></div>
I&#39;m afraid I don&#39;t have any incoming Osc to test.<br>
<br>
It seems very similar to the param linking tho&#39;.<div class=3D"im"><br>
<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
You&#39;re supposed to paste the o/c address into one of the osc bidules ( =
doesn&#39;t say which one)<br>
</blockquote>
<br></div>
that would be Osc Extractor,<br>
there&#39;s only 2 Bidules which accept the address, and the other is for *=
sending* OSC<div class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
and them connect the bidule ( doesn&#39;t say how or where to)<br>
</blockquote>
<br></div>
Tools&gt; Osc Server<br>
then click the Address space tree to find the destination Bidule.<br>
<br>
I&#39;ve got a hunch you don&#39;t need *both* of those steps, and you can =
either select the target parameter from Osc Server OR<br>
use Osc Extractor with the address value.<br>
<br>
OR, a third way if you wanted midi, just use =A0an Osc Midi bidule and link=
 it from the Osc server.<div><div></div><div class=3D"h5"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Sim<br>
<br>
Sent from my iPod<br>
<br>
On 11 Dec 2010, at 18:59, andy butler &lt;<a href=3D"mailto:akbutler@tiscal=
i.co.uk" target=3D"_blank">akbutler@tiscali.co.uk</a>&gt; wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
OSC Server Implementation<br>
First to enable the OSC Server part of Bidule, you need to go the OSC Serve=
r dialog by selecting OSC Server from the Tools menu. You need to select a =
port for Bidule to listen for messages (Note: you might need to change your=
 firewall software settings to allow incoming messages to that port), the d=
efault one should be fine but you can change it. Every parameter of every b=
idule that is available for parameter linking is also available for control=
 through OSC. Each parameter has an address to receive values, the address =
is built automatically from the location and name of the bidule as well as =
the parameter name. The location of a bidule is the &quot;path&quot; to it =
(look at the bottom left of the patchbay when you&#39;re inside a group to =
get the idea) so for example a group named Freeverb in the root of the layo=
ut would be /Freeverb, now if we wish to control the mode of the effect, th=
e address would be /Freeverb/Mode. Take note that some characters (like spa=
ces) are reserved and this might change the &quot;expected&quot; address so=
 your best bet is to look into the OSC Server dialog and see the name that =
is there. Each parameter expect to receive values within its range (click t=
he Params button on the bidule&#39;s window to see them). Parameters that a=
re a drop down box with a list of choices will also accept a string represe=
nting an available choice. These two address also exists: /play : to start/=
stop the processing (parameter: 1 or &quot;true&quot; to start audio, 0 or =
&quot;false&quot; to stop it) /open : force the loading of a .bidule file (=
parameter: the path to the bidule file on the machine) <br>

Simeon Harris wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
cool!<br>
 =A0 Jeff<br>
 =A0 Oh, and the next release of Mobius will have built-in support for<br>
 =A0 TouchOSC without<br>
 =A0 needing a converter.<br>
</blockquote></blockquote>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--000e0cd6ad1234f592049728217f--

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 11, 2010 at 9:15 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
>
> anyway - assuming you've got the target parameter sorted, how does bidule
> know which of the faders in touchosc is supposed to be controlling it?


Yes, that's what I'm wondering as well!

>
> i've given up.

Me too. But for a different reason; I have calculated now and come to
the conclusion that I will never be able to invest the time needed for
setting up a system in Bidule like the one I now have in Mainstage.
The key technique here is *control data scaling*. Mainstage has nifty
scaling boxes where you draw a curve and that is extremely valuable
when time is short. And time is always short because you don't really
want to program a computer, you want to create music! So the faster
you can make corrections and develop your rig the more time you'll
have for making music. Although I don't watch the computer screen much
when performing th prefab graphic character of Mainstage makes it a
fast environment to cable up stuff. Especially now since I've gotten
so deeply into scaling each external control signal flow into juggling
many parameters at the same time but differently, i.e. heavily
dependent on scaling.

>From Bidule I do miss the key command control over Mobius, that
Mainstage 2 blocks out. But you can't have everything. I might change
my mind and buy a license for OSCulator in order to iphone Maintage
over OSC.

Per

From Loopers-Delight-request@loopers-delight.com  Sat Dec 11 21:02:49 2010
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For what it's worth,
I have a friend (one of us who shall remain nameless until the official
announcement) who is going to release a small OSC/Midi wireless converter
at NAMM.

Not sure of the price, yet, but I know it's coming.

rick walker

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Subject: Re: REALLY REALLY OT: Quick Visio job for me?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Mark I think I can get my hands on a port of visio at my job, its not
a new ver.  If yu want send me the file and I'll try toi convert.  Do
you want to wind up as a Mac friendly Tif or what?  I have Mac as
well, my job is more windows..
J

On 12/11/10, mark francombe <mark@markfrancombe.com> wrote:
> my thing is to convert from visio svg to visio xml, so that i can inport
> into a mac equivalent..
>
> thx
>
> m
>
> On Sat, Dec 11, 2010 at 4:19 PM, Jim Goodin <jimgoodinmusic@gmail.com>wro=
te:
>
>> Mark microsoft offers a visio viewer for free dl however won't help
>> you if yu have to edit but believe you can print from it.  Go to
>> http://www.microsoft.com/downloads and brOwse for it as 'visio
>> viewer'.
>>
>> Regards. And happy holidays, jim
>>
>> On 12/11/10, Jim W. <synchro1@gmail.com> wrote:
>> > I no longer have visio on my machine but I believe Draw inside the
>> > free open office suite will do the conversion. Open office is
>> > fantastic for dealing with file compatibility and MS &other business
>> > suite products.
>> >
>> > On Saturday, December 11, 2010, mark francombe <mark@markfrancombe.com=
>
>> > wrote:
>> >> Sorry about this, do any PC users have Visio on their machines? I hav=
e
>> >> a
>> >> 217 k .svg file, that is the Visio format. I now have a simerlar
>> >> program
>> >> (graffle) on my mac and need it transferred into the Viseo XML format=
.
>> >>
>> >> Can anyone do that for me?
>> >>
>> >> contact me offlist..
>> >>
>> >> sorry for the really OT...
>> >>
>> >> m
>> >> --
>> >> mark francombe
>> >> www.markfrancombe.com
>> >> www.ordoabkhao.com
>> >> twitter @markfrancombe
>> >> http://vimeo.com/user825094
>> >> http://www.looop.no
>> >>
>> >
>> >
>>
>> --
>> Sent from my mobile device
>>
>> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim
>> Goodin & Peter Th=F6rn.  Proceeds
>> from the sale of this CD will benefit JDRF International.
>> jimgoodinpeterthorn.bandcamp.com.
>>
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> woodandwiremusic.wordpress.com
>>
>>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--=20
Sent from my mobile device

>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim
Goodin & Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

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Subject: Happy Holidays - Double Bass Looping Vol. 2
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Carol of the Bells arranged for some silly Double bass looping

http://vimeo.com/17717271

Happy Holidays!


-Todd

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<div>Carol of the Bells arranged for some silly Double bass looping</div><div><br></div><div><a href="http://vimeo.com/17717271">http://vimeo.com/17717271</a></div><div><br></div><div>Happy Holidays!</div><div><br></div><div>
<br></div><div>-Todd</div>

--90e6ba613b4cdfefe304972ba6c1--

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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I'm about here too... Ha ha was not aware of thread in LD then gave up
and thought ok ... Read my mail.. And there you all are...

One thing still to do here Per is configuration the output translation
of the OSC messages into something usable ... I think you get this
done in drop  down menus in the window next to the OSC control you are
getting... I didn't think to try midi monitor and have gone to bed
now... Tomorrow will be fun. I'm hoping to get a Three screen system.
A m=F6bius mix/mute. A m=F6bius script gun.. And an XY of the morphing
control on the Kore Player loaded with deep freq... Phew.. What fun!

Mark

Sent from my (advertisement removed)

On 11 Dec 2010, at 20:59, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Dec 11, 2010 at 8:58 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> did you try running midi monitor to see if any midi data is being genera=
ted
>> by osculator?
>
> Yes, many. No MIDI data generated. That why I didn't like it.
>
> Per
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 12 04:10:49 2010
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Subject: OT: Kanye West and King Crimson
From: Art Simon <simart@gmail.com>
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--000325575702a830cc04972ec5ec
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I'm out of touch with popular music, and I'd never listened to Kanye West
until, well, two days ago.

On his latest album he has a song "Power" where he samples King Crimson.
That got my interest. But there's more to it than just the sample. Here's a
quote from a review<http://latimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuring-dwele-power.html>
:

"But more important is the hook that anchors the song. It sounds like a
vocal re-creation of the King Crimson song's monster guitar hook; but as
it's been transformed, it invokes another acute examiner of current
cultural-political dramas: M.I.A. The hook's hand claps and feminine tone --
as well as the Symbolyc One-co-produced track's whole sound, much more
redolent of global hip-hop than of electroclash, which West may have left
behind -- sets West's verbal tirade within M.I.A.'s larger context of global
oppression and resistance by people of color. Justified? Maybe not. But it's
a typically bold Kanye leap."

I think it's great. Anybody else out there think anything of this song?
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--000325575702a830cc04972ec5ec
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I&#39;m out of touch with popular music, and I&#39;d never listened to Kany=
e West until, well, two days ago.<br><br>On his latest album he has a song =
&quot;Power&quot; where he samples King Crimson. That got my interest. But =
there&#39;s more to it than just the sample. Here&#39;s a quote from a <a h=
ref=3D"http://latimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kan=
ye-west-featuring-dwele-power.html">review</a>:<br>
<br>&quot;But more important is the hook that anchors the song. It sounds l=
ike a vocal re-creation of the King Crimson song&#39;s monster guitar hook;=
 but as it&#39;s been transformed, it invokes another acute examiner of cur=
rent cultural-political dramas: M.I.A. The hook&#39;s hand claps and femini=
ne tone -- as well as the Symbolyc One-co-produced track&#39;s whole sound,=
 much more redolent of global hip-hop than of electroclash, which West may =
have left behind -- sets West&#39;s verbal tirade within M.I.A.&#39;s large=
r context of global oppression and resistance by people of color. Justified=
? Maybe not. But it&#39;s a typically bold Kanye leap.&quot;<br>
<br>I think it&#39;s great. Anybody else out there think anything of this s=
ong?<br>-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com">simart@gmai=
l.com</a><br>myspace [dot] com/artsimon<br><br>

--000325575702a830cc04972ec5ec--

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Subject: Re: Kanye West and King Crimson
Date: Sat, 11 Dec 2010 20:32:27 -0800
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It will be interesting to see if people start buying Crimson music due to this.  Naahh...to complex for them.

toby
  ----- Original Message ----- 
  From: Art Simon 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Saturday, December 11, 2010 8:10 PM
  Subject: OT: Kanye West and King Crimson


  I'm out of touch with popular music, and I'd never listened to Kanye West until, well, two days ago.

  On his latest album he has a song "Power" where he samples King Crimson. That got my interest. But there's more to it than just the sample. Here's a quote from a review:

  "But more important is the hook that anchors the song. It sounds like a vocal re-creation of the King Crimson song's monster guitar hook; but as it's been transformed, it invokes another acute examiner of current cultural-political dramas: M.I.A. The hook's hand claps and feminine tone -- as well as the Symbolyc One-co-produced track's whole sound, much more redolent of global hip-hop than of electroclash, which West may have left behind -- sets West's verbal tirade within M.I.A.'s larger context of global oppression and resistance by people of color. Justified? Maybe not. But it's a typically bold Kanye leap."

  I think it's great. Anybody else out there think anything of this song?
  -- 
  Art Simon
  simart@gmail.com
  myspace [dot] com/artsimon


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<DIV><FONT size=2 face=Arial>It will be interesting to see if people start 
buying Crimson music due to this.&nbsp; Naahh...to complex for 
them.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>toby</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=simart@gmail.com href="mailto:simart@gmail.com">Art Simon</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=loopers-delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, December 11, 2010 8:10 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> OT: Kanye West and King 
  Crimson</DIV>
  <DIV><BR></DIV>I'm out of touch with popular music, and I'd never listened to 
  Kanye West until, well, two days ago.<BR><BR>On his latest album he has a song 
  "Power" where he samples King Crimson. That got my interest. But there's more 
  to it than just the sample. Here's a quote from a <A 
  href="http://latimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuring-dwele-power.html">review</A>:<BR><BR>"But 
  more important is the hook that anchors the song. It sounds like a vocal 
  re-creation of the King Crimson song's monster guitar hook; but as it's been 
  transformed, it invokes another acute examiner of current cultural-political 
  dramas: M.I.A. The hook's hand claps and feminine tone -- as well as the 
  Symbolyc One-co-produced track's whole sound, much more redolent of global 
  hip-hop than of electroclash, which West may have left behind -- sets West's 
  verbal tirade within M.I.A.'s larger context of global oppression and 
  resistance by people of color. Justified? Maybe not. But it's a typically bold 
  Kanye leap."<BR><BR>I think it's great. Anybody else out there think anything 
  of this song?<BR>-- <BR>Art Simon<BR><A 
  href="mailto:simart@gmail.com">simart@gmail.com</A><BR>myspace [dot] 
  com/artsimon<BR><BR></BLOCKQUOTE></BODY></HTML>

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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Handsonic
Date: Sun, 12 Dec 2010 04:35:42 +0000
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hmmm interesting application your thinking of there...ive never used the LP=
1 but own both handsonics and use them as the hub of my sound set.
=20
im confused as to what you are wanting to "start" on the handsonic?
=20
cos while you can sequence its internal sounds=2C its much better as a inte=
rgrated controller/instrument in itself.
=20
if you are meaning you would create sequences ON the handsonic=2C i would l=
ook elsewhere ...well not sure where...but the sequencer on the handsonic i=
s the usual half thought through roland fare..
=20
i dont know why all the roland products i have seem like three quarters of =
it was designed by a true invertor and musician... but the other quarter wa=
s designed by some work experiance boy??
=20
btw if you are looking for precussion grooves that you prerecord in a seque=
nce and then add to on the fly a great working combo that i use is the hand=
sonic (either) and a korg  elecribe series machine (i use either an emx1 or=
 a er1--mk2) my method is to have the handsonic sending midi notes to the d=
rum machine to actually play the machine live...but also clocks getting sen=
t from my echoplex to keep it in time with it=2C this way i can generate se=
quence data that is then editable in real time=2C but also play stuff on ot=
her instruments or some of the handsonics melody stuff like the glockenspie=
ls into the echoplex.
=20
its late here so if that makes no sense let me know more questions and ill =
come back to you on it.
=20
Phill
=20


Subject: Handsonic
From: andy@1800dialword.com
Date: Sat=2C 11 Dec 2010 23:20:49 -0500
To: Loopers-Delight@loopers-delight.com


I am thinking of getting a Handsonic HPD 10 or 15 and just wondered if any =
of ya'll have much experience with either?


One thing I really want it to do=2C which the simmons drum surface I got do=
es not do=2C is to to accept an incoming midi start command from my LP1 so =
that I start a percussion groove and the LP1 record at the same time=2C wit=
h one button push from my Novation work surface.=20


In looking thru both manuals=2C the 15 does seem to suppory this=2C while t=
he 10=2C maybe not so much.=20


Any of ya'll use or like either one?

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!



On Dec 11=2C 2010=2C at 2:32 PM=2C mark francombe <mark@markfrancombe.com> =
wrote:




my thing is to convert from visio svg to visio xml=2C so that i can inport =
into a mac equivalent..

thx

m


On Sat=2C Dec 11=2C 2010 at 4:19 PM=2C Jim Goodin <jimgoodinmusic@gmail.com=
> wrote:

Mark microsoft offers a visio viewer for free dl however won't help
you if yu have to edit but believe you can print from it.  Go to
http://www.microsoft.com/downloads and brOwse for it as 'visio
viewer'.

Regards. And happy holidays=2C jim




On 12/11/10=2C Jim W. <synchro1@gmail.com> wrote:
> I no longer have visio on my machine but I believe Draw inside the
> free open office suite will do the conversion. Open office is
> fantastic for dealing with file compatibility and MS &other business
> suite products.
>
> On Saturday=2C December 11=2C 2010=2C mark francombe <mark@markfrancombe.=
com>
> wrote:
>> Sorry about this=2C do any PC users have Visio on their machines? I have=
 a
>> 217 k .svg file=2C that is the Visio format. I now have a simerlar progr=
am
>> (graffle) on my mac and need it transferred into the Viseo XML format.
>>
>> Can anyone do that for me?
>>
>> contact me offlist..
>>
>> sorry for the really OT...
>>
>> m
>> --
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>>
>
>

--
Sent from my mobile device

>From Brooklyn To Glindran=2C a new World/Free Jazz recording by Jim
Goodin & Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com



--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no
 		 	   		  =

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<body class=3D'hmmessage'>
hmmm interesting application your thinking of there...ive never used the LP=
1 but own both handsonics and use them&nbsp=3Bas the hub of my sound set.<B=
R>
&nbsp=3B<BR>
im confused as to what you are wanting to "start" on the handsonic?<BR>
&nbsp=3B<BR>
cos while you can sequence its internal sounds=2C its much better as a inte=
rgrated controller/instrument in itself.<BR>
&nbsp=3B<BR>
if you are meaning you would create sequences ON the handsonic=2C i would l=
ook elsewhere ...well not sure where...but the sequencer on the handsonic i=
s the usual half thought through roland fare..<BR>
&nbsp=3B<BR>
i dont know why all the roland products i have seem like three quarters of =
it was designed&nbsp=3Bby a true invertor and musician... but the other qua=
rter was designed by some work experiance boy??<BR>
&nbsp=3B<BR>
btw&nbsp=3Bif you are looking for precussion grooves that you prerecord in =
a sequence&nbsp=3Band then add to on the fly a great working combo that i u=
se is the handsonic (either) and a korg&nbsp=3B elecribe series machine&nbs=
p=3B(i use either an emx1 or a er1--mk2) my method is to have the handsonic=
 sending midi notes to the drum machine to actually play the machine live..=
.but also clocks getting sent from my echoplex to keep it in time with&nbsp=
=3Bit=2C this way i can generate sequence data that is then editable in rea=
l time=2C but also play stuff on other instruments or some of the handsonic=
s melody stuff like the glockenspiels into the echoplex.<BR>
&nbsp=3B<BR>
its late here so if that makes no sense&nbsp=3Blet me know more questions&n=
bsp=3Band ill come back&nbsp=3Bto you on it.<BR>
&nbsp=3B<BR>
Phill<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
Subject: Handsonic<BR>From: andy@1800dialword.com<BR>Date: Sat=2C 11 Dec 20=
10 23:20:49 -0500<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
<DIV>I am thinking of getting a Handsonic HPD 10 or 15 and just wondered if=
 any of ya'll have much experience with either?</DIV>
<DIV><BR></DIV>
<DIV>One thing I really want it to do=2C which the simmons drum surface I g=
ot does not do=2C is to to accept an incoming midi start command from my LP=
1 so that I start a percussion groove and the LP1 record at the same time=
=2C with one button push from my Novation work surface.&nbsp=3B</DIV>
<DIV><BR></DIV>
<DIV>In looking thru both manuals=2C the 15 does seem to suppory this=2C wh=
ile the 10=2C maybe not so much.&nbsp=3B</DIV>
<DIV><BR></DIV>
<DIV>Any of ya'll use or like either one?<BR><BR>Andy Owens
<DIV>1-800-AndyOwens</DIV>
<DIV>Sent from my iPhone
<DIV>So the typing might not be my best!</DIV>
<DIV><BR></DIV></DIV></DIV>
<DIV><BR>On Dec 11=2C 2010=2C at 2:32 PM=2C mark francombe &lt=3B<A href=3D=
"mailto:mark@markfrancombe.com">mark@markfrancombe.com</A>&gt=3B wrote:<BR>=
<BR></DIV>
<DIV></DIV>
<BLOCKQUOTE>
<DIV>my thing is to convert from visio svg to visio xml=2C so that i can in=
port into a mac equivalent..<BR><BR>thx<BR><BR>m<BR><BR>
<DIV class=3Decxgmail_quote>On Sat=2C Dec 11=2C 2010 at 4:19 PM=2C Jim Good=
in <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:jimgoodinmusic@gmail.com"><A hre=
f=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</A></A>&gt=
=3B</SPAN> wrote:<BR>
<BLOCKQUOTE class=3Decxgmail_quote style=3D"PADDING-LEFT: 1ex">Mark microso=
ft offers a visio viewer for free dl however won't help<BR>you if yu have t=
o edit but believe you can print from it. &nbsp=3BGo to<BR><A href=3D"http:=
//www.microsoft.com/downloads" target=3D_blank><A href=3D"http://www.micros=
oft.com/downloads" target=3D_blank>http://www.microsoft.com/downloads</A></=
A> and brOwse for it as 'visio<BR>viewer'.<BR><BR>Regards. And happy holida=
ys=2C jim<BR>
<DIV>
<DIV></DIV>
<DIV class=3Dh5><BR>On 12/11/10=2C Jim W. &lt=3B<A href=3D"mailto:synchro1@=
gmail.com"><A href=3D"mailto:synchro1@gmail.com">synchro1@gmail.com</A></A>=
&gt=3B wrote:<BR>&gt=3B I no longer have visio on my machine but I believe =
Draw inside the<BR>&gt=3B free open office suite will do the conversion. Op=
en office is<BR>&gt=3B fantastic for dealing with file compatibility and MS=
 &amp=3Bother business<BR>&gt=3B suite products.<BR>&gt=3B<BR>&gt=3B On Sat=
urday=2C December 11=2C 2010=2C mark francombe &lt=3B<A href=3D"mailto:mark=
@markfrancombe.com"><A href=3D"mailto:mark@markfrancombe.com">mark@markfran=
combe.com</A></A>&gt=3B<BR>&gt=3B wrote:<BR>&gt=3B&gt=3B Sorry about this=
=2C do any PC users have Visio on their machines? I have a<BR>&gt=3B&gt=3B =
217 k .svg file=2C that is the Visio format. I now have a simerlar program<=
BR>&gt=3B&gt=3B (graffle) on my mac and need it transferred into the Viseo =
XML format.<BR>&gt=3B&gt=3B<BR>&gt=3B&gt=3B Can anyone do that for me?<BR>&=
gt=3B&gt=3B<BR>&gt=3B&gt=3B contact me offlist..<BR>&gt=3B&gt=3B<BR>&gt=3B&=
gt=3B sorry for the really OT...<BR>&gt=3B&gt=3B<BR>&gt=3B&gt=3B m<BR>&gt=
=3B&gt=3B --<BR>&gt=3B&gt=3B mark francombe<BR>&gt=3B&gt=3B <A href=3D"http=
://www.markfrancombe.com/" target=3D_blank><A href=3D"http://www.markfranco=
mbe.com/" target=3D_blank>www.markfrancombe.com</A></A><BR>&gt=3B&gt=3B <A =
href=3D"http://www.ordoabkhao.com/" target=3D_blank><A href=3D"http://www.o=
rdoabkhao.com/" target=3D_blank>www.ordoabkhao.com</A></A><BR>&gt=3B&gt=3B =
twitter @markfrancombe<BR>&gt=3B&gt=3B <A href=3D"http://vimeo.com/user8250=
94" target=3D_blank><A href=3D"http://vimeo.com/user825094" target=3D_blank=
>http://vimeo.com/user825094</A></A><BR>&gt=3B&gt=3B <A href=3D"http://www.=
looop.no/" target=3D_blank><A href=3D"http://www.looop.no/" target=3D_blank=
>http://www.looop.no</A></A><BR>&gt=3B&gt=3B<BR>&gt=3B<BR>&gt=3B<BR><BR></D=
IV></DIV>--<BR>Sent from my mobile device<BR><BR>From Brooklyn To Glindran=
=2C a new World/Free Jazz recording by Jim<BR>Goodin &amp=3B Peter Th=F6rn.=
 &nbsp=3BProceeds<BR>from the sale of this CD will benefit JDRF Internation=
al.<BR><A href=3D"http://jimgoodinpeterthorn.bandcamp.com/" target=3D_blank=
><A href=3D"http://jimgoodinpeterthorn.bandcamp.com/" target=3D_blank>jimgo=
odinpeterthorn.bandcamp.com</A></A>.<BR><BR><A href=3D"http://www.jimgoodin=
music.com/" target=3D_blank><A href=3D"http://www.jimgoodinmusic.com/" targ=
et=3D_blank>www.jimgoodinmusic.com</A></A><BR><A href=3D"http://www.chinapa=
intingmusic.com/" target=3D_blank><A href=3D"http://www.chinapaintingmusic.=
com/" target=3D_blank>www.chinapaintingmusic.com</A></A><BR><A href=3D"http=
://woodandwiremusic.wordpress.com/" target=3D_blank><A href=3D"http://wooda=
ndwiremusic.wordpress.com/" target=3D_blank>woodandwiremusic.wordpress.com<=
/A></A><BR><BR></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- <BR>mark franc=
ombe<BR><A href=3D"http://www.markfrancombe.com/" target=3D_blank><A href=
=3D"http://www.markfrancombe.com/" target=3D_blank>www.markfrancombe.com</A=
></A><BR><A href=3D"http://www.ordoabkhao.com/" target=3D_blank><A href=3D"=
http://www.ordoabkhao.com/" target=3D_blank>www.ordoabkhao.com</A></A><BR>t=
witter @markfrancombe<BR><A href=3D"http://vimeo.com/user825094" target=3D_=
blank><A href=3D"http://vimeo.com/user825094" target=3D_blank>http://vimeo.=
com/user825094</A></A><BR><A href=3D"http://www.looop.no/" target=3D_blank>=
<A href=3D"http://www.looop.no/" target=3D_blank>http://www.looop.no</A></A=
><BR></DIV></BLOCKQUOTE> 		 	   		  </body>
</html>=

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Subject: Re: Kanye West and King Crimson
From: Jeffrey Collins <jeffreycollins1975@gmail.com>
To: Loopers-Delight@loopers-delight.com
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just took a listen and realized I had heard that a while back. and was
pissed about it then. dude come out with your own music and stop taking
others...it's just bad karma.

Jeffrey

On Sat, Dec 11, 2010 at 11:32 PM, Toby G <carpet8@mac.com> wrote:

>  It will be interesting to see if people start buying Crimson music due to
> this.  Naahh...to complex for them.
>
> toby
>
> ----- Original Message -----
> *From:* Art Simon <simart@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, December 11, 2010 8:10 PM
> *Subject:* OT: Kanye West and King Crimson
>
> I'm out of touch with popular music, and I'd never listened to Kanye West
> until, well, two days ago.
>
> On his latest album he has a song "Power" where he samples King Crimson.
> That got my interest. But there's more to it than just the sample. Here's a
> quote from a review<http://latimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuring-dwele-power.html>
> :
>
> "But more important is the hook that anchors the song. It sounds like a
> vocal re-creation of the King Crimson song's monster guitar hook; but as
> it's been transformed, it invokes another acute examiner of current
> cultural-political dramas: M.I.A. The hook's hand claps and feminine tone --
> as well as the Symbolyc One-co-produced track's whole sound, much more
> redolent of global hip-hop than of electroclash, which West may have left
> behind -- sets West's verbal tirade within M.I.A.'s larger context of global
> oppression and resistance by people of color. Justified? Maybe not. But it's
> a typically bold Kanye leap."
>
> I think it's great. Anybody else out there think anything of this song?
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>

--90e6ba6153fa04f015049731bbf6
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just took a listen and realized I had heard that a while back. and was piss=
ed about it then. dude come out with your own music and stop taking others.=
..it&#39;s just bad karma.<br><br>Jeffrey<br><br><div class=3D"gmail_quote"=
>
On Sat, Dec 11, 2010 at 11:32 PM, Toby G <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:carpet8@mac.com">carpet8@mac.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px=
 solid rgb(204, 204, 204); padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">It will be interesting to see if peopl=
e start=20
buying Crimson music due to this.=A0 Naahh...to complex for=20
them.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">toby</font></div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; padding-right: 0px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"font: 10pt arial; background: none repeat scroll 0% 0% rgb(=
228, 228, 228);"><b>From:</b>=20
  <a title=3D"simart@gmail.com" href=3D"mailto:simart@gmail.com" target=3D"=
_blank">Art Simon</a> </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"loopers-delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Saturday, December 11, 2010=
 8:10=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> OT: Kanye West and King=
=20
  Crimson</div>
  <div><br></div>I&#39;m out of touch with popular music, and I&#39;d never=
 listened to=20
  Kanye West until, well, two days ago.<br><br>On his latest album he has a=
 song=20
  &quot;Power&quot; where he samples King Crimson. That got my interest. Bu=
t there&#39;s more=20
  to it than just the sample. Here&#39;s a quote from a <a href=3D"http://l=
atimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuri=
ng-dwele-power.html" target=3D"_blank">review</a>:<br><br>&quot;But=20
  more important is the hook that anchors the song. It sounds like a vocal=
=20
  re-creation of the King Crimson song&#39;s monster guitar hook; but as it=
&#39;s been=20
  transformed, it invokes another acute examiner of current cultural-politi=
cal=20
  dramas: M.I.A. The hook&#39;s hand claps and feminine tone -- as well as =
the=20
  Symbolyc One-co-produced track&#39;s whole sound, much more redolent of g=
lobal=20
  hip-hop than of electroclash, which West may have left behind -- sets Wes=
t&#39;s=20
  verbal tirade within M.I.A.&#39;s larger context of global oppression and=
=20
  resistance by people of color. Justified? Maybe not. But it&#39;s a typic=
ally bold=20
  Kanye leap.&quot;<br><br>I think it&#39;s great. Anybody else out there t=
hink anything=20
  of this song?<br>-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com" =
target=3D"_blank">simart@gmail.com</a><br>myspace [dot]=20
  com/artsimon<br><br></blockquote></div>
</blockquote></div><br>

--90e6ba6153fa04f015049731bbf6--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 12 08:25:56 2010
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Date: Sun, 12 Dec 2010 09:25:53 +0100
Message-ID: <6661045207839158702@unknownmsgid>
Subject: Re: Kanye West and King Crimson
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--20cf304347560d6f230497325606
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>dude come out with your own music and stop taking others...it's just bad
karma.

Dull old opinion...

I must say that this guy holds very little interest to me musically, but
sampling KC ain't no crime in my book... he's written many originals too.

One more thing , West made a video a number of years back using a very
obscure and cool effect, wrongly called data-moshing.  It's a very edoteric
effect based on removing the keyframes from videos so they dont update nee
information, and although HE didn't personally make his own video, it showed
to me that the guy has some genuine interest in doing experimental things.

Strange to lambast one of the least offensive artists of the time.


Mark

Sent from my (advertisement removed)

On 12 Dec 2010, at 08:42, Jeffrey Collins <jeffreycollins1975@gmail.com>
wrote:

just took a listen and realized I had heard that a while back. and was
pissed about it then. dude come out with your own music and stop taking
others...it's just bad karma.

Jeffrey

On Sat, Dec 11, 2010 at 11:32 PM, Toby G <carpet8@mac.com> wrote:

>  It will be interesting to see if people start buying Crimson music due to
> this.  Naahh...to complex for them.
>
> toby
>
> ----- Original Message -----
> *From:* Art Simon <simart@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, December 11, 2010 8:10 PM
> *Subject:* OT: Kanye West and King Crimson
>
> I'm out of touch with popular music, and I'd never listened to Kanye West
> until, well, two days ago.
>
> On his latest album he has a song "Power" where he samples King Crimson.
> That got my interest. But there's more to it than just the sample. Here's a
> quote from a review<http://latimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuring-dwele-power.html>
> :
>
> "But more important is the hook that anchors the song. It sounds like a
> vocal re-creation of the King Crimson song's monster guitar hook; but as
> it's been transformed, it invokes another acute examiner of current
> cultural-political dramas: M.I.A. The hook's hand claps and feminine tone --
> as well as the Symbolyc One-co-produced track's whole sound, much more
> redolent of global hip-hop than of electroclash, which West may have left
> behind -- sets West's verbal tirade within M.I.A.'s larger context of global
> oppression and resistance by people of color. Justified? Maybe not. But it's
> a typically bold Kanye leap."
>
> I think it's great. Anybody else out there think anything of this song?
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>

--20cf304347560d6f230497325606
Content-Type: text/html; charset=ISO-8859-1
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<html><body bgcolor=3D"#FFFFFF"><div><span class=3D"Apple-style-span" style=
=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -webkit-compos=
ition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-frame-=
color: rgba(77, 128, 180, 0.230469); ">&gt;dude come out with your own musi=
c and stop taking others...it&#39;s just bad karma.</span></div>
<div><br></div><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-h=
ighlight-color: rgba(26, 26, 26, 0.292969); -webkit-composition-fill-color:=
 rgba(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 1=
28, 180, 0.230469); "></span>Dull old opinion...=A0</div>
<div><br></div><div>I must say that this guy holds very little interest to =
me musically, but sampling KC ain&#39;t no crime in my book... he&#39;s wri=
tten many originals too.=A0</div><div><br></div><div>One more thing , West =
made a video a number of years back using a very obscure and cool effect, w=
rongly called data-moshing. =A0It&#39;s a very edoteric effect based on rem=
oving the keyframes from videos so they dont update nee information, and al=
though HE didn&#39;t personally make his own video, it showed to me that th=
e guy has some genuine interest in doing experimental things.=A0</div>
<div><br></div><div>Strange to lambast one of the least offensive artists o=
f the time.</div><div><br></div><div><br></div><div>Mark<br><br>Sent from m=
y (advertisement removed)</div><div><br>On 12 Dec 2010, at 08:42, Jeffrey C=
ollins &lt;<a href=3D"mailto:jeffreycollins1975@gmail.com">jeffreycollins19=
75@gmail.com</a>&gt; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div>just took a listen and =
realized I had heard that a while back. and was pissed about it then. dude =
come out with your own music and stop taking others...it&#39;s just bad kar=
ma.<br>
<br>Jeffrey<br><br><div class=3D"gmail_quote">
On Sat, Dec 11, 2010 at 11:32 PM, Toby G <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:carpet8@mac.com"><a href=3D"mailto:carpet8@mac.com">carpet8@mac.com</=
a></a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"marg=
in: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-l=
eft: 1ex;">







<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">It will be interesting to see if peopl=
e start=20
buying Crimson music due to this.=A0 Naahh...to complex for=20
them.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">toby</font></div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-left: 5px=
; padding-right: 0px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"font: 10pt arial; background: none repeat scroll 0% 0% rgb(=
228, 228, 228);"><b>From:</b>=20
  <a title=3D"simart@gmail.com" href=3D"mailto:simart@gmail.com" target=3D"=
_blank">Art Simon</a> </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"loopers-delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank"><a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loope=
rs-Delight@loopers-delight.com</a></a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Saturday, December 11, 2010=
 8:10=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> OT: Kanye West and King=
=20
  Crimson</div>
  <div><br></div>I&#39;m out of touch with popular music, and I&#39;d never=
 listened to=20
  Kanye West until, well, two days ago.<br><br>On his latest album he has a=
 song=20
  &quot;Power&quot; where he samples King Crimson. That got my interest. Bu=
t there&#39;s more=20
  to it than just the sample. Here&#39;s a quote from a <a href=3D"http://l=
atimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuri=
ng-dwele-power.html" target=3D"_blank">review</a>:<br><br>&quot;But=20
  more important is the hook that anchors the song. It sounds like a vocal=
=20
  re-creation of the King Crimson song&#39;s monster guitar hook; but as it=
&#39;s been=20
  transformed, it invokes another acute examiner of current cultural-politi=
cal=20
  dramas: M.I.A. The hook&#39;s hand claps and feminine tone -- as well as =
the=20
  Symbolyc One-co-produced track&#39;s whole sound, much more redolent of g=
lobal=20
  hip-hop than of electroclash, which West may have left behind -- sets Wes=
t&#39;s=20
  verbal tirade within M.I.A.&#39;s larger context of global oppression and=
=20
  resistance by people of color. Justified? Maybe not. But it&#39;s a typic=
ally bold=20
  Kanye leap.&quot;<br><br>I think it&#39;s great. Anybody else out there t=
hink anything=20
  of this song?<br>-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com" =
target=3D"_blank"><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><=
/a><br>myspace [dot]=20
  com/artsimon<br><br></blockquote></div>
</blockquote></div><br>
</div></blockquote></body></html>

--20cf304347560d6f230497325606--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 12 10:39:53 2010
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Art Simon wrote:

> "But more important is the hook that anchors the song. It sounds like a 
> vocal re-creation of the King Crimson song's monster guitar hook; but as 
> it's been transformed, it invokes another acute examiner of current 
> cultural-political dramas: M.I.A. The hook's hand claps and feminine 
> tone -- as well as the Symbolyc One-co-produced track's whole sound, 
> much more redolent of global hip-hop than of electroclash, which West 
> may have left behind -- sets West's verbal tirade within M.I.A.'s larger 
> context of global oppression and resistance by people of color. 
> Justified? Maybe not. But it's a typically bold Kanye leap."
> 
> I think it's great. Anybody else out there think anything of this song?

that's thinking?  ;-)
...let me guess....Wire magazine?

I liked the way he(they?) cut short the 
first chord of the "big riff" at the
end of the sample to create
a typical hip-hop stab.

In the radio edit I heard the whole effect is marred by a couple of
bars where the combination of KC and hip hop mixes just produces
a mush,
but overall this is the most convincing "re-contextualisation" 
I've heard.

Interesting to imagine what someone who doesn't recognise the sample would make of it.

First time 21C Schz ever got played on mainstream daytime radio in uk.

andy


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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
References: <AANLkTinhwp78yzb=Enp78Nu=F8UUDUaFx2LXKrN_eNmX@mail.gmail.com> <AANLkTinNvYJ+A9ZQvunxTsMMGtOZ4VOgSZ_7skNo3SVK@mail.gmail.com> <AANLkTi=0+1NEFgwsOkVcMkb+3ebR+LOChKF_COrBAi2e@mail.gmail.com> <AANLkTikagL353q2A9jYDMOW8N7k7r6ocmMTffSW2T4gC@mail.gmail.com> <B4674136-3CD1-4636-A78F-C54D0A718053@zonemobius.com> <AANLkTimWqZ9cMVsJskuPm4rrt_UPqmue0BpRqHG2kgn5@mail.gmail.com> <81FB32F6-6B4D-46AC-BAC9-55BE76FD7DE2@googlemail.com> <AANLkTi=TjUnaHKWxw1EbqhMxTFD_+1OuuGTu020rcJGn@mail.gmail.com> <AANLkTi=igJf4mhs9+S94xWPxeb+Nr0_2xvykpru_cehb@mail.gmail.com> <AANLkTinH8LT+qcj3jO9_JbQrKtmuV59Z-T0o2j4LFdVe@mail.gmail.com> <AANLkTik8wY+1qJUUuWDgbsVKuSY8g50sWChZNEtHmZVQ@mail.gmail.com> <AANLkTi==HMJKuqYtW+zbY-3M_gUK-e1kGiP7MnUBCuTE@mail.gmail.com> <-8114285487414997555@unknownmsgid>
From: Gmail <simeonharris40@googlemail.com>
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Date: Sun, 12 Dec 2010 12:38:30 +0000
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I got a response from the plogue forum...

"I'd suggest you download the TouchOSC editor. Then you can make a control t=
hat has the OSC address of the parameter you want to control (see the Plogue=
 OSC Server: Address Space dialog to find the address)."

Sim

Sent from my iPod

On 12 Dec 2010, at 01:59, mark francombe <markfrancombe@gmail.com> wrote:

> I'm about here too... Ha ha was not aware of thread in LD then gave up
> and thought ok ... Read my mail.. And there you all are...
>=20
> One thing still to do here Per is configuration the output translation
> of the OSC messages into something usable ... I think you get this
> done in drop  down menus in the window next to the OSC control you are
> getting... I didn't think to try midi monitor and have gone to bed
> now... Tomorrow will be fun. I'm hoping to get a Three screen system.
> A m=C3=B6bius mix/mute. A m=C3=B6bius script gun.. And an XY of the morphi=
ng
> control on the Kore Player loaded with deep freq... Phew.. What fun!
>=20
> Mark
>=20
> Sent from my (advertisement removed)
>=20
> On 11 Dec 2010, at 20:59, Per Boysen <perboysen@gmail.com> wrote:
>=20
>> On Sat, Dec 11, 2010 at 8:58 PM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>>> did you try running midi monitor to see if any midi data is being genera=
ted
>>> by osculator?
>>=20
>> Yes, many. No MIDI data generated. That why I didn't like it.
>>=20
>> Per
>>=20
>=20

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<html><body bgcolor=3D"#FFFFFF"><div>I got a response from the plogue forum.=
..</div><div><br></div><div>"<span class=3D"Apple-style-span" style=3D"color=
: rgb(51, 51, 51); font-family: 'Lucida Grande', 'Trebuchet MS', Verdana, He=
lvetica, Arial, sans-serif; font-size: 22px; -webkit-tap-highlight-color: rg=
ba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(175, 192, 227=
, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.230469); l=
ine-height: 30px; ">I'd suggest you download the TouchOSC editor. Then you c=
an make a control that has the OSC address of the parameter you want to cont=
rol (see the Plogue OSC Server: Address Space dialog to find the address)."<=
/span></div><div><font class=3D"Apple-style-span" color=3D"#333333" face=3D"=
'Lucida Grande', 'Trebuchet MS', Verdana, Helvetica, Arial, sans-serif" size=
=3D"6"><span class=3D"Apple-style-span" style=3D"font-size: 22px; line-heigh=
t: 30px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -webkit-co=
mposition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-fra=
me-color: rgba(77, 128, 180, 0.230469);"><br></span></font></div><div><font c=
lass=3D"Apple-style-span" color=3D"#333333" face=3D"'Lucida Grande', 'Trebuc=
het MS', Verdana, Helvetica, Arial, sans-serif" size=3D"6"><span class=3D"Ap=
ple-style-span" style=3D"font-size: 22px; line-height: 30px; -webkit-tap-hig=
hlight-color: rgba(26, 26, 26, 0.292969); -webkit-composition-fill-color: rg=
ba(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 1=
80, 0.230469);">Sim<br></span></font><br>Sent from my iPod</div><div><br>On 1=
2 Dec 2010, at 01:59, mark francombe &lt;<a href=3D"mailto:markfrancombe@gma=
il.com">markfrancombe@gmail.com</a>&gt; wrote:<br><br></div><div></div><bloc=
kquote type=3D"cite"><div><span>I'm about here too... Ha ha was not aware of=
 thread in LD then gave up</span><br><span>and thought ok ... Read my mail..=
 And there you all are...</span><br><span></span><br><span>One thing still t=
o do here Per is configuration the output translation</span><br><span>of the=
 OSC messages into something usable ... I think you get this</span><br><span=
>done in drop &nbsp;down menus in the window next to the OSC control you are=
</span><br><span>getting... I didn't think to try midi monitor and have gone=
 to bed</span><br><span>now... Tomorrow will be fun. I'm hoping to get a Thr=
ee screen system.</span><br><span>A m=C3=B6bius mix/mute. A m=C3=B6bius scri=
pt gun.. And an XY of the morphing</span><br><span>control on the Kore Playe=
r loaded with deep freq... Phew.. What fun!</span><br><span></span><br><span=
>Mark</span><br><span></span><br><span>Sent from my (advertisement removed)<=
/span><br><span></span><br><span>On 11 Dec 2010, at 20:59, Per Boysen &lt;<a=
 href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</spa=
n><br><span></span><br><blockquote type=3D"cite"><span>On Sat, Dec 11, 2010 a=
t 8:58 PM, Simeon Harris</span><br></blockquote><blockquote type=3D"cite"><s=
pan>&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@goog=
lemail.com</a>&gt; wrote:</span><br></blockquote><blockquote type=3D"cite"><=
blockquote type=3D"cite"><span>did you try running midi monitor to see if an=
y midi data is being generated</span><br></blockquote></blockquote><blockquo=
te type=3D"cite"><blockquote type=3D"cite"><span>by osculator?</span><br></b=
lockquote></blockquote><blockquote type=3D"cite"><span></span><br></blockquo=
te><blockquote type=3D"cite"><span>Yes, many. No MIDI data generated. That w=
hy I didn't like it.</span><br></blockquote><blockquote type=3D"cite"><span>=
</span><br></blockquote><blockquote type=3D"cite"><span>Per</span><br></bloc=
kquote><blockquote type=3D"cite"><span></span><br></blockquote><span></span>=
<br></div></blockquote></body></html>=

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thread-topic: Handsonic
thread-index: AcuZ/cLOXJqE/G1zQ/mJCDNbHGQdCA==
Subject: Re: Handsonic
Date: Sun, 12 Dec 2010 08:08:14 -0500
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Date: Sun, 12 Dec 2010 14:30:07 +0100
Message-ID: <AANLkTinKUPgz0k546Z2O=0c0tcjCd9Ad-ss9tD9+EMAj@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Dec 12, 2010 at 1:38 PM, Gmail <simeonharris40@googlemail.com> wrote:
> "I'd suggest you download the TouchOSC editor.

That sounds like a joke to me! The point is using common templates,
not having to create one from scratch every time you want to use a
different application on the laptop. I've had the TouchOSC editor on
my Mac for a while but man, why start over from square one?

But there seems to be something deeply fishy with OSC network
communication! I  just tried to target Logic, since it natively
supports OSC. With TouchOSC on the iPhone loaded with the LogicTouch
template I launced Logic. During application launch the Mac told me a
new supported control surface had been found and did I want to create
the preferences for it in Logic? "Yes" I clicked and when opening
Logic's control surface setup window there was a new template there
for LocigTouch. And the network ports had hooked up correctly by
themselves. Cool! At least some accurate communication between the
machines. But fiddling the sliders and knobs on the iPhone was not
detected by Logic. Bummer.

Then I tried with Numerology. Network ports set properly by both app's
preferences (X output addressing Y input, Y output addressing X
input). Numerology has drop-down menus by right-clicking control
objects like faders and knobs and on that menu you may chose stuff
like "MIDI learn" and "OSC learn". I tried "OSC learn" and you know
what happened.... NOTHING!!!!

Damn you OSC!!!  ;-/

Per

From Loopers-Delight-request@loopers-delight.com  Sun Dec 12 14:33:14 2010
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....it's full of clues though.

It's looking as if that "Osc Server" Address Space tree thing is just there to get you the address.
So it must be important.

Probably you guys tried too ...this but either

1) you have to enter that address for the controller in the TouchOsc app
    in a place corresponding to the control you wish to assign.

2) the control already has an address, viewable in the app , which you can input to an Osc extractor Bidule.
   (as long as osc server is enabled)

3) guessing....look in the Osc Monitor, it tells you the address of the incoming message, and that it's not processed,
    then that address can be put in an Osc Extractor.

for fun I downloaded the editor

http://hexler.net/software/touchosc

it appears to be free/unlimited and essential

it doesn't seem to allow you to pick your own address for the controls,
so I guess 1) won't work (or the below suggestion)



a


Gmail wrote:
> I got a response from the plogue forum...
> 
> "I'd suggest you download the TouchOSC editor. Then you can make a 
> control that has the OSC address of the parameter you want to control 
> (see the Plogue OSC Server: Address Space dialog to find the address)."
> 
> Sim
> 

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6a9e83454dd049737ee5a
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i think you still have to make the connections between the faders. there's
something about it on the hexler site i skimmed over yesterday

i got it working with bidule. i used the osc server to get the address of
the object i wanted to control (mixer fader)

i then opened up the simple template (which was saved on my computer) with
the editor. plugged the address of the mixer fader into the appropriate
field on the left hand side for one of the template faders. i then synced
the template in the editor with the template on my ipod.

bingo.

the only problem i had was one of the faders is logarithmic and the other is
linear

On Sun, Dec 12, 2010 at 1:30 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Dec 12, 2010 at 1:38 PM, Gmail <simeonharris40@googlemail.com>
> wrote:
> > "I'd suggest you download the TouchOSC editor.
>
> That sounds like a joke to me! The point is using common templates,
> not having to create one from scratch every time you want to use a
> different application on the laptop. I've had the TouchOSC editor on
> my Mac for a while but man, why start over from square one?
>
> But there seems to be something deeply fishy with OSC network
> communication! I  just tried to target Logic, since it natively
> supports OSC. With TouchOSC on the iPhone loaded with the LogicTouch
> template I launced Logic. During application launch the Mac told me a
> new supported control surface had been found and did I want to create
> the preferences for it in Logic? "Yes" I clicked and when opening
> Logic's control surface setup window there was a new template there
> for LocigTouch. And the network ports had hooked up correctly by
> themselves. Cool! At least some accurate communication between the
> machines. But fiddling the sliders and knobs on the iPhone was not
> detected by Logic. Bummer.
>
> Then I tried with Numerology. Network ports set properly by both app's
> preferences (X output addressing Y input, Y output addressing X
> input). Numerology has drop-down menus by right-clicking control
> objects like faders and knobs and on that menu you may chose stuff
> like "MIDI learn" and "OSC learn". I tried "OSC learn" and you know
> what happened.... NOTHING!!!!
>
> Damn you OSC!!!  ;-/
>
> Per
>
>

--000e0cd6a9e83454dd049737ee5a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i think you still have to make the connections between the faders. there&#3=
9;s something about it on the hexler site i skimmed over yesterday<br><br>i=
 got it working with bidule. i used the osc server to get the address of th=
e object i wanted to control (mixer fader)<br>
<br>i then opened up the simple template (which was saved on my computer) w=
ith the editor. plugged the address of the mixer fader into the appropriate=
 field on the left hand side for one of the template faders. i then synced =
the template in the editor with the template on my ipod. <br>
<br>bingo.<br><br>the only problem i had was one of the faders is logarithm=
ic and the other is linear <br><br><div class=3D"gmail_quote">On Sun, Dec 1=
2, 2010 at 1:30 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perb=
oysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Sun, Dec 12, 2010 at 1:38 PM, Gmail &lt;<a href=3D"mailto:simeonharris4=
0@googlemail.com">simeonharris40@googlemail.com</a>&gt; wrote:<br>

&gt; &quot;I&#39;d suggest you download the TouchOSC editor.<br>
<br>
</div>That sounds like a joke to me! The point is using common templates,<b=
r>
not having to create one from scratch every time you want to use a<br>
different application on the laptop. I&#39;ve had the TouchOSC editor on<br=
>
my Mac for a while but man, why start over from square one?<br>
<br>
But there seems to be something deeply fishy with OSC network<br>
communication! I =A0just tried to target Logic, since it natively<br>
supports OSC. With TouchOSC on the iPhone loaded with the LogicTouch<br>
template I launced Logic. During application launch the Mac told me a<br>
new supported control surface had been found and did I want to create<br>
the preferences for it in Logic? &quot;Yes&quot; I clicked and when opening=
<br>
Logic&#39;s control surface setup window there was a new template there<br>
for LocigTouch. And the network ports had hooked up correctly by<br>
themselves. Cool! At least some accurate communication between the<br>
machines. But fiddling the sliders and knobs on the iPhone was not<br>
detected by Logic. Bummer.<br>
<br>
Then I tried with Numerology. Network ports set properly by both app&#39;s<=
br>
preferences (X output addressing Y input, Y output addressing X<br>
input). Numerology has drop-down menus by right-clicking control<br>
objects like faders and knobs and on that menu you may chose stuff<br>
like &quot;MIDI learn&quot; and &quot;OSC learn&quot;. I tried &quot;OSC le=
arn&quot; and you know<br>
what happened.... NOTHING!!!!<br>
<br>
Damn you OSC!!! =A0;-/<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd6a9e83454dd049737ee5a--

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Date: Sun, 12 Dec 2010 16:22:03 +0100
Message-ID: <AANLkTimd=HTh=SPpP8ODCm_gMB+KRs_nC=38+i5z=tJx@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Dec 12, 2010 at 4:06 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> bingo.

Congrats! :-)

> the only problem i had was one of the faders is logarithmic and the other is
> linear

That's the scaling ghost I fear in Bidule! It would take an awful lot
of time to correct. I've had scaling issues in MIDI #CC's related to
the Gordius Little Giant 2 as well; when setting up an expression
pedal control path by manual programming in the LG2 display (quite
fast and simple actually) the MIDI send out doesn't sweep from value 0
to value 127 but from 55 to 127. In Mainstage I can scale that back in
seconds, but imagining fixing stuff like that in Bidule is giving me
nightmares. So I'll stick with Mainstage for a while. Maybe it will
support OSC natively soon, who knows? (But I'm happy to learn how OSC
works for other reasons)

Per

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Subject: Re: Kanye West and King Crimson
From: Art Simon <simart@gmail.com>
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I think this might be that video "Welcome to Heartbreak"

http://www.youtube.com/watch?v=wMH0e8kIZtE

Can't say that the song grabbed me, but the video effect is cool and
interesting. Thanks for the tip.

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Per Boysen wrote:

> of time to correct. I've had scaling issues in MIDI #CC's related to
> the Gordius Little Giant 2 as well; when setting up an expression
> pedal control path by manual programming in the LG2 display (quite
> fast and simple actually) the MIDI send out doesn't sweep from value 0
> to value 127 but from 55 to 127. 

Once you get the LG editor going the response curve and range
are are as configurable as you'd ever want.
(including 14bit if you need that)



andy
 

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	<4D04EDCE.7010207@tiscali.co.uk>
Date: Sun, 12 Dec 2010 16:54:33 +0100
Message-ID: <AANLkTimQnjiE1U28Oe6YEj01C-+u9gBOFgTAeCf0K3Ao@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> Per Boysen wrote:
>
>> of time to correct. I've had scaling issues in MIDI #CC's related to
>> the Gordius Little Giant 2 as well; when setting up an expression
>> pedal control path by manual programming in the LG2 display (quite
>> fast and simple actually) the MIDI send out doesn't sweep from value 0
>> to value 127 but from 55 to 127.

On Sun, Dec 12, 2010 at 4:44 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> Once you get the LG editor going the response curve and range
> are are as configurable as you'd ever want.
> (including 14bit if you need that)

Sure, I already have the LG editor. I fire it up now and then to
correct things I can't reach right away on the LG2. But it still only
affects how the LG2 sends out data. For dynamically playable live
effect sound design it just can't do what you  achieve by scaling at
the receiving end. I just mentioned that to explain why I'm not
putting time into setting up stuff in Bidule now. The scaling of
incoming data is so much faster in Mainstage that it for me makes up
for losing computer key commands in Mobius and OSC support.

Per

From Loopers-Delight-request@loopers-delight.com  Sun Dec 12 17:21:40 2010
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Date: Sun, 12 Dec 2010 12:16:12 -0500
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Subject: Re: Kanye West and King Crimson
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Or boring...

>It will be interesting to see if people start buying Crimson music 
>due to this.  Naahh...to complex for them.
>
>toby
>

-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

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<html><head><style type="text/css"><!--
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 --></style><title>Re: Kanye West and King
Crimson</title></head><body>
<div>Or boring...</div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial" size="-1">It will be
interesting to see if people start buying Crimson music due to this.&nbsp;
Naahh...to complex for them.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1">toby</font><br>
</blockquote>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
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Date: Sun, 12 Dec 2010 12:20:05 -0500
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Kanye West's videos are works of art...  really inventive and beautiful...

http://www.youtube.com/watch?v=L53gjP-TtGE

http://www.youtube.com/watch?v=Bm5iA4Zupek&feature=channel





>  >dude come out with your own music and stop taking others...it's 
>just bad karma.
>
>Dull old opinion...
>
>I must say that this guy holds very little interest to me musically, 
>but sampling KC ain't no crime in my book... he's written many 
>originals too.
>
>One more thing , West made a video a number of years back using a 
>very obscure and cool effect, wrongly called data-moshing.  It's a 
>very edoteric effect based on removing the keyframes from videos so 
>they dont update nee information, and although HE didn't personally 
>make his own video, it showed to me that the guy has some genuine 
>interest in doing experimental things.
>
>Strange to lambast one of the least offensive artists of the time.
>
>
>Mark
>
>Sent from my (advertisement removed)
>
>On 12 Dec 2010, at 08:42, Jeffrey Collins 
><<mailto:jeffreycollins1975@gmail.com>jeffreycollins1975@gmail.com> 
>wrote:
>
>>just took a listen and realized I had heard that a while back. and 
>>was pissed about it then. dude come out with your own music and 
>>stop taking others...it's just bad karma.
>>
>>Jeffrey
>>
>>On Sat, Dec 11, 2010 at 11:32 PM, Toby G <<>carpet8@mac.com> wrote:
>>
>>It will be interesting to see if people start buying Crimson music 
>>due to this.  Naahh...to complex for them.
>>
>>toby
>>
>>----- Original Message -----
>>From: <mailto:simart@gmail.com>Art Simon
>>To: <>Loopers-Delight@loopers-delight.com
>>Sent: Saturday, December 11, 2010 8:10 PM
>>Subject: OT: Kanye West and King Crimson
>>
>>I'm out of touch with popular music, and I'd never listened to 
>>Kanye West until, well, two days ago.
>>
>>On his latest album he has a song "Power" where he samples King 
>>Crimson. That got my interest. But there's more to it than just the 
>>sample. Here's a quote from a 
>><http://latimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuring-dwele-power.html>review:
>>
>>"But more important is the hook that anchors the song. It sounds 
>>like a vocal re-creation of the King Crimson song's monster guitar 
>>hook; but as it's been transformed, it invokes another acute 
>>examiner of current cultural-political dramas: M.I.A. The hook's 
>>hand claps and feminine tone -- as well as the Symbolyc 
>>One-co-produced track's whole sound, much more redolent of global 
>>hip-hop than of electroclash, which West may have left behind -- 
>>sets West's verbal tirade within M.I.A.'s larger context of global 
>>oppression and resistance by people of color. Justified? Maybe not. 
>>But it's a typically bold Kanye leap."
>>
>>I think it's great. Anybody else out there think anything of this song?
>>--
>>Art Simon
>><>simart@gmail.com
>>myspace [dot] com/artsimon


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-919947998==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Kanye West and King
Crimson</title></head><body>
<div>Kanye West's videos are works of art...&nbsp; really inventive
and beautiful...</div>
<div><br></div>
<div>http://www.youtube.com/watch?v=L53gjP-TtGE</div>
<div><br></div>
<div>http://www.youtube.com/watch?v=Bm5iA4Zupek&amp;feature=channel</div
>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>&gt;dude come out with your own music and
stop taking others...it's just bad karma.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Dull old opinion...</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>I must say that this guy holds very
little interest to me musically, but sampling KC ain't no crime in my
book... he's written many originals too.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>One more thing , West made a video a
number of years back using a very obscure and cool effect, wrongly
called data-moshing. &nbsp;It's a very edoteric effect based on
removing the keyframes from videos so they dont update nee
information, and although HE didn't personally make his own video, it
showed to me that the guy has some genuine interest in doing
experimental things.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Strange to lambast one of the least
offensive artists of the time.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Mark<br>
<br>
Sent from my (advertisement removed)</blockquote>
<blockquote type="cite" cite><br>
On 12 Dec 2010, at 08:42, Jeffrey Collins &lt;<a
href="mailto:jeffreycollins1975@gmail.com"
>jeffreycollins1975@gmail.com</a>&gt; wrote:<br>
<blockquote type="cite" cite>just took a listen and realized I had
heard that a while back. and was pissed about it then. dude come out
with your own music and stop taking others...it's just bad karma.<br>
<br>
Jeffrey<br>
</blockquote>
<blockquote type="cite" cite>On Sat, Dec 11, 2010 at 11:32 PM, Toby G
&lt;<a href="">carpet8@mac.com</a>&gt; wrote:<br>
<blockquote><font face="Arial" size="-1">It will be interesting to see
if people start buying Crimson music due to this.&nbsp; Naahh...to
complex for them.</font></blockquote>
<blockquote>&nbsp;</blockquote>
<blockquote><font face="Arial" size="-1">toby</font><br>
<blockquote>----- Original Message -----</blockquote>
<blockquote><b>From:</b> <a href="mailto:simart@gmail.com">Art
Simon</a></blockquote>
<blockquote><b>To:</b> <a
href="">Loopers-Delight@loopers-delight.com</a></blockquote>
<blockquote><b>Sent:</b> Saturday, December 11, 2010 8:10
PM</blockquote>
<blockquote><b>Subject:</b> OT: Kanye West and King
Crimson</blockquote>
<blockquote><br></blockquote>
<blockquote>I'm out of touch with popular music, and I'd never
listened to Kanye West until, well, two days ago.<br>
<br>
On his latest album he has a song &quot;Power&quot; where he samples
King Crimson. That got my interest. But there's more to it than just
the sample. Here's a quote from a <a
href=
"http://latimesblogs.latimes.com/music_blog/2010/05/snap-judgment-kanye-west-featuring-dwele-power.html"><span
></span>review</a>:<br>
<br>
&quot;But more important is the hook that anchors the song. It sounds
like a vocal re-creation of the King Crimson song's monster guitar
hook; but as it's been transformed, it invokes another acute examiner
of current cultural-political dramas: M.I.A. The hook's hand claps and
feminine tone -- as well as the Symbolyc One-co-produced track's whole
sound, much more redolent of global hip-hop than of electroclash,
which West may have left behind -- sets West's verbal tirade within
M.I.A.'s larger context of global oppression and resistance by people
of color. Justified? Maybe not. But it's a typically bold Kanye
leap.&quot;<br>
<br>
I think it's great. Anybody else out there think anything of this
song?<br>
--<br>
Art Simon<br>
<a href="">simart@gmail.com</a><br>
myspace [dot] com/artsimon</blockquote>
</blockquote>
</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
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Very nice Todd!  You've got my son fooled!

Matt

---
Mixing and Mastering --> Finley Sound
My Band --> King Never

On Dec 11, 2010, at 4:27 PM, Todd Matthews wrote:

> Carol of the Bells arranged for some silly Double bass looping
>
> http://vimeo.com/17717271
>
> Happy Holidays!
>
>
> -Todd


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Very nice Todd! &nbsp;You've got my son fooled!<div><br></div><div>Matt</div><div><br></div><div><div>---</div><div>Mixing and Mastering --&gt;&nbsp;<a href="http://www.finleysound.com/">Finley Sound</a></div><div>My Band --&gt;&nbsp;<a href="http://www.kingnever.com/">King Never</a></div><div><br><div><div>On Dec 11, 2010, at 4:27 PM, Todd Matthews wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div>Carol of the Bells arranged for some silly Double bass looping</div><div><br></div><div><a href="http://vimeo.com/17717271">http://vimeo.com/17717271</a></div><div><br></div><div>Happy Holidays!</div><div><br></div><div> <br></div><div>-Todd</div></blockquote></div><br></div></div></body></html>
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very nice!! thank you!

2010/12/12 Todd Matthews <gtmatthews@gmail.com>

> Carol of the Bells arranged for some silly Double bass looping
>
> http://vimeo.com/17717271
>
> Happy Holidays!
>
>
> -Todd
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a30faf7d9204973c637f
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very nice!! thank you!<br><br><div class=3D"gmail_quote">2010/12/12 Todd Ma=
tthews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatt=
hews@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D=
"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padd=
ing-left: 1ex;">
<div>Carol of the Bells arranged for some silly Double bass looping</div><d=
iv><br></div><div><a href=3D"http://vimeo.com/17717271" target=3D"_blank">h=
ttp://vimeo.com/17717271</a></div><div><br></div><div>Happy Holidays!</div>
<div><br></div><font color=3D"#888888"><div>
<br></div><div>-Todd</div>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a30faf7d9204973c637f--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 12 20:30:11 2010
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Subject: Re: Happy Holidays - Double Bass Looping Vol. 2
Date: Sun, 12 Dec 2010 15:30:07 -0500
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Hahaha, Don't tell him, "Sorry son, Santa's busy looping this year"

Thanks Matt
On Dec 12, 2010, at 3:23 PM, Matt McCabe wrote:

> Very nice Todd!  You've got my son fooled!
> 
> Matt
> 
> ---
> Mixing and Mastering --> Finley Sound
> My Band --> King Never
> 
> On Dec 11, 2010, at 4:27 PM, Todd Matthews wrote:
> 
>> Carol of the Bells arranged for some silly Double bass looping
>> 
>> http://vimeo.com/17717271
>> 
>> Happy Holidays!
>> 
>> 
>> -Todd
> 

Todd Matthews
http://www.joshuasteelemusic.com





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Hahaha, Don't tell him, "Sorry son, Santa's busy looping this =
year"<div><br></div><div>Thanks Matt<br><div><div>On Dec 12, 2010, at =
3:23 PM, Matt McCabe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Very nice Todd! &nbsp;You've =
got my son =
fooled!<div><br></div><div>Matt</div><div><br></div><div><div>---</div><di=
v>Mixing and Mastering --&gt;&nbsp;<a =
href=3D"http://www.finleysound.com/">Finley Sound</a></div><div>My Band =
--&gt;&nbsp;<a href=3D"http://www.kingnever.com/">King =
Never</a></div><div><br><div><div>On Dec 11, 2010, at 4:27 PM, Todd =
Matthews wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Carol of the Bells arranged for some silly Double =
bass looping</div><div><br></div><div><a =
href=3D"http://vimeo.com/17717271">http://vimeo.com/17717271</a></div><div=
><br></div><div>Happy Holidays!</div><div><br></div><div> =
<br></div><div>-Todd</div></blockquote></div><br></div></div></div></block=
quote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
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0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
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class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-1-345994839--

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Subject: RE: Happy Holidays - Double Bass Looping Vol. 2
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Todd, this is wonderful! Thanks for sharing. Really enjoying your other
videos too. : )

 

C

 

==============

 

On Dec 11, 2010, at 4:27 PM, Todd Matthews wrote:





Carol of the Bells arranged for some silly Double bass looping

 

http://vimeo.com/17717271

 

Happy Holidays!

 

 

-Todd

 


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<html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
xmlns=3D"http://www.w3.org/TR/REC-html40"><head><META =
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</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal><span =
style=3D'color:#1F497D'>Todd, this is wonderful! Thanks for sharing. =
Really enjoying your other videos too. : )<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'color:#1F497D'>C<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'color:#1F497D'>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<o:p></=
o:p></span></p><p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p><div><div><p =
class=3DMsoNormal>On Dec 11, 2010, at 4:27 PM, Todd Matthews =
wrote:<o:p></o:p></p></div><p =
class=3DMsoNormal><br><br><o:p></o:p></p><div><p class=3DMsoNormal>Carol =
of the Bells arranged for some silly Double bass =
looping<o:p></o:p></p></div><div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div><div><p =
class=3DMsoNormal><a =
href=3D"http://vimeo.com/17717271">http://vimeo.com/17717271</a><o:p></o:=
p></p></div><div><p class=3DMsoNormal><o:p>&nbsp;</o:p></p></div><div><p =
class=3DMsoNormal>Happy Holidays!<o:p></o:p></p></div><div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div><div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div><div><p =
class=3DMsoNormal>-Todd<o:p></o:p></p></div></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sun Dec 12 21:11:50 2010
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T, Kevin Frenette 3, Dave Bryant Solo  Dec 19,Outpost 186 ,
 Cambridge
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Hi folks,

Visual Music LIVE continues with a double bill on Sunday December 19, 
as I continue to have the pleasure of working with some of Boston's 
finest improvisers.

Dr. T -- Video Projections

with

Dave Bryant -- Solo Piano  (8PM)

Kevin Frenette 3 (9 PM)
Kevin Frenette - Guitar
James Rohr - Piano
John McLellan - Drums

My projections are produced by mixing multiple DVD sources with video 
mixers and effects processors. The sources consist of 
computer-manipulated original material derived from my still 
photography and videography. The original subject matter is usually 
recognizable, but sometimes processed to complete abstraction. 
Sometimes the projections and music respond directly to each other -- 
sometimes they simply co-exist.


Outpost 186, 186 Hampshire St (in the back), near Inman Square, Cambridge MA

Suggested donation,  $10

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org

Many of my finished video pieces (both studio and live) can be seen 
at http://www.youtube.com/Tobenfeld. with a piece from the Spring 
Series at http://www.youtube.com/watch?v=fxBtaJajCkU

Those of you who attend or perform at events at Outpost 186 may find 
my photo essay "Improvisations from an Outpost" 
http://www.flickr.com/photos/22231918@N06/sets/72157624670849749/ to 
be of interest,




-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 13 Dec 2010 00:46:58 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
To: Loopers-Delight@loopers-delight.com
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--20cf30549b2b3f175a04973f358a
Content-Type: text/plain; charset=ISO-8859-1

Just to add a ta da to this thread...

Finally got Touch OSC and Audio mulch working flawlessly together... havent
quite got around to paying for Osculator, have to play around with the
design of the TouchOSC for a bit.. but loving it so far... I have the Morph
xy controls of a Kore FX plugin, operated by my iPhone. The Kore is mangling
a couple of tracks from Mobius...

plus i got the Audio Mulch metasurface operating via iphone... so I had a
couple of sit in the sofa with my iphone gigs this evening... with a
dreadful noise emanating from my studio, fully under my control Muuuuhhhhaaa
ha ha ha

One thing to think about howver... this is working on Wifi right? How can
you be sure to HAVE a wifi connection at your gig? Especially one you have
the password for? I CAN get wifi connection over the whole of Oslo (if I pay
for a special service) but right now, my studio is right on the edge of
getting good reception from my rather weak wifi box positioned on the other
side of my house, and sometimes (like if my wife shuts a door) I lose wifi.
My studio uses a hard wired cable so no prob for internet, but... at a
gig..?

Isnt there a better protocol, like a teeny tiny network between the comp and
the phone? Is that bluetooth only? Forgive my stupidity on such matters...
This touch interface is so exiting for me, with bad eyesight, being able to
build the perfect simple interface for my complete looping setup, then
having it close at hand, well lit and no mouse needed...

the interface on software (no knobs) has always been the fun killer for me,
now with my little keyboard, 8 knobs and the iphone that can be configured
as a kaos style XY... tis looking velly interesting...

Mark

--20cf30549b2b3f175a04973f358a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just to add a ta da to this thread...<br><br>Finally got Touch OSC and Audi=
o mulch working flawlessly together... havent quite got around to paying fo=
r Osculator, have to play around with the design of the TouchOSC for a bit.=
. but loving it so far... I have the Morph xy controls of a Kore FX plugin,=
 operated by my iPhone. The Kore is mangling a couple of tracks from Mobius=
... <br>

<br>plus i got the Audio Mulch metasurface operating via iphone... so I had=
 a couple of sit in the sofa with my iphone gigs this evening... with a dre=
adful noise emanating from my studio, fully under my control Muuuuhhhhaaa h=
a ha ha<br>

<br>One thing to think about howver... this is working on Wifi right? How c=
an you be sure to HAVE a wifi connection at your gig? Especially one you ha=
ve the password for? I CAN get wifi connection over the whole of Oslo (if I=
 pay for a special service) but right now, my studio is right on the edge o=
f getting good reception from my rather weak wifi box positioned on the oth=
er side of my house, and sometimes (like if my wife shuts a door) I lose wi=
fi. My studio uses a hard wired cable so no prob for internet, but... at a =
gig..?<br>

<br>Isnt there a better protocol, like a teeny tiny network between the com=
p and the phone? Is that bluetooth only? Forgive my stupidity on such matte=
rs... This touch interface is so exiting for me, with bad eyesight, being a=
ble to build the perfect simple interface for my complete looping setup, th=
en having it close at hand, well lit and no mouse needed...<br>

<br>the interface on software (no knobs) has always been the fun killer for=
 me, now with my little keyboard, 8 knobs and the iphone that can be config=
ured as a kaos style XY... tis looking velly interesting...<br><br>Mark<br>

<br>

--20cf30549b2b3f175a04973f358a--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 00:08:18 2010
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	<AANLkTimWqZ9cMVsJskuPm4rrt_UPqmue0BpRqHG2kgn5@mail.gmail.com>
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	<-8114285487414997555@unknownmsgid>
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	<AANLkTikcrSXDcopURA7mTmCChGa2=8VOigsuhoHfA2+A@mail.gmail.com>
Date: Mon, 13 Dec 2010 01:08:17 +0100
Message-ID: <AANLkTi=d72M77ApHzteu98_5WN=mmHsO3AYZOKFNdZE5@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=UTF-8
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On Mon, Dec 13, 2010 at 12:46 AM, mark francombe <mark@markfrancombe.com> wrote:
> Finally got Touch OSC and Audio mulch working flawlessly together...

Dammit Mark, you won! Would you please mind helping out us less brain
powered creatures by checking if you have the same IP address set
inside the iPhone's TouchOSC as inside the computer's "System
Preferences > Network" ?

> One thing to think about howver... this is working on Wifi right? How can
> you be sure to HAVE a wifi connection at your gig?

I've been thinking about that too and decided to solve it by bringing
my Airport Express.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 00:21:24 2010
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Subject: Two EDPs for sale
From: "Nobody's Pants" <nobodyspants@gmail.com>
To: loopers-delight <loopers-delight@loopers-delight.com>
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--0016363b8fbc12f19004973fafb7
Content-Type: text/plain; charset=ISO-8859-1

Hey guys

I decided not to sell my EDP's as a package, and have instead put them up on
ebay in separate listings.
*
http://cgi.ebay.com/Oberheim-Echoplex-Digital-Pro-Looper-upgraded-Plus-/120659849297?pt=Guitar_Accessories&hash=item1c17e33051
*

http://cgi.ebay.com/Gibson-Echoplex-Digital-Pro-Plus-Looper-FCB1010-pedal-/120659853135?pt=Guitar_Accessories&hash=item1c17e33f4f

Happy bidding! :-)
Jeff

--0016363b8fbc12f19004973fafb7
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<br><span class=3D"Apple-style-span" style=3D"border-collapse: separate; co=
lor: rgb(0, 0, 0); font-family: &#39;Times New Roman&#39;; font-style: norm=
al; font-variant: normal; font-weight: normal; letter-spacing: normal; line=
-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-=
space: normal; widows: 2; word-spacing: 0px; font-size: medium;"><span clas=
s=3D"Apple-style-span" style=3D"font-family: arial; font-size: small;">Hey =
guys<br>
<br><div>I decided not to sell my EDP&#39;s as a package, and have instead =
put them up on ebay in separate listings.</div><div><font class=3D"Apple-st=
yle-span" color=3D"#0000ee"><u><br><a href=3D"http://cgi.ebay.com/Oberheim-=
Echoplex-Digital-Pro-Looper-upgraded-Plus-/120659849297?pt=3DGuitar_Accesso=
ries&amp;hash=3Ditem1c17e33051">http://cgi.ebay.com/Oberheim-Echoplex-Digit=
al-Pro-Looper-upgraded-Plus-/120659849297?pt=3DGuitar_Accessories&amp;hash=
=3Ditem1c17e33051</a></u></font></div>
<div><br><a href=3D"http://cgi.ebay.com/Gibson-Echoplex-Digital-Pro-Plus-Lo=
oper-FCB1010-pedal-/120659853135?pt=3DGuitar_Accessories&amp;hash=3Ditem1c1=
7e33f4f">http://cgi.ebay.com/Gibson-Echoplex-Digital-Pro-Plus-Looper-FCB101=
0-pedal-/120659853135?pt=3DGuitar_Accessories&amp;hash=3Ditem1c17e33f4f</a>=
</div>
<div><br></div><div>Happy bidding! :-)<br>Jeff</div></span></span><br class=
=3D"Apple-interchange-newline">

--0016363b8fbc12f19004973fafb7--

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
References: <AANLkTinhwp78yzb=Enp78Nu=F8UUDUaFx2LXKrN_eNmX@mail.gmail.com> <AANLkTi=0+1NEFgwsOkVcMkb+3ebR+LOChKF_COrBAi2e@mail.gmail.com> <AANLkTikagL353q2A9jYDMOW8N7k7r6ocmMTffSW2T4gC@mail.gmail.com> <B4674136-3CD1-4636-A78F-C54D0A718053@zonemobius.com> <AANLkTimWqZ9cMVsJskuPm4rrt_UPqmue0BpRqHG2kgn5@mail.gmail.com> <81FB32F6-6B4D-46AC-BAC9-55BE76FD7DE2@googlemail.com> <AANLkTi=TjUnaHKWxw1EbqhMxTFD_+1OuuGTu020rcJGn@mail.gmail.com> <AANLkTi=igJf4mhs9+S94xWPxeb+Nr0_2xvykpru_cehb@mail.gmail.com> <AANLkTinH8LT+qcj3jO9_JbQrKtmuV59Z-T0o2j4LFdVe@mail.gmail.com> <AANLkTik8wY+1qJUUuWDgbsVKuSY8g50sWChZNEtHmZVQ@mail.gmail.com> <AANLkTi==HMJKuqYtW+zbY-3M_gUK-e1kGiP7MnUBCuTE@mail.gmail.com> <-8114285487414997555@unknownmsgid> <A4F10969-A974-4F9D-949F-98EC63C9890F@googlemail.com> <AANLkTinKUPgz0k546Z2O=0c0tcjCd9Ad-ss9tD9+EMAj@mail.gmail.com> <AANLkTikBberV8Fhm_x30aGhLUapNvw9kT+gO9K-73476@mail.gmail.com> <AANLkTimd=HTh=SPpP8ODCm_gMB+KRs_nC=38+i5z=tJx@mail.gmail.com> <4D04EDCE.7010207@tiscali.co.uk> <AANLkTimQnjiE1U28Oe6YEj01C-+u9gBOFgTAeCf0K3Ao@mail.gmail.com> <AANLkTikcrSXDcopURA7mTmCChGa2=8VOigsuhoHfA2+A@mail.gmail.com> <AANLkTi=d72M77ApHzteu98_5WN=mmHsO3AYZOKFNdZE5@mail.gmail.com>
From: Gmail <simeonharris40@googlemail.com>
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Date: Mon, 13 Dec 2010 00:44:39 +0000
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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You should be able to=20

Sent from my iPod

On 13 Dec 2010, at 00:08, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 13, 2010 at 12:46 AM, mark francombe <mark@markfrancombe.com> w=
rote:
>> Finally got Touch OSC and Audio mulch working flawlessly together...
>=20
> Dammit Mark, you won! Would you please mind helping out us less brain
> powered creatures by checking if you have the same IP address set
> inside the iPhone's TouchOSC as inside the computer's "System
> Preferences > Network" ?
>=20
>> One thing to think about howver... this is working on Wifi right? How can=

>> you be sure to HAVE a wifi connection at your gig?
>=20
> I've been thinking about that too and decided to solve it by bringing
> my Airport Express.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 00:46:04 2010
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Subject: low range flute improv loopage
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YouTube - R369improv's Channel


www.pmguitar.com

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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><a href="http://www.youtube.com/user/R369improv">YouTube - R369improv's Channel</a><div><br></div><div><br></div><div><a href="http://www.pmguitar.com/">www.pmguitar.com</a></div></body></html>

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 00:47:13 2010
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
References: <AANLkTinhwp78yzb=Enp78Nu=F8UUDUaFx2LXKrN_eNmX@mail.gmail.com> <AANLkTi=0+1NEFgwsOkVcMkb+3ebR+LOChKF_COrBAi2e@mail.gmail.com> <AANLkTikagL353q2A9jYDMOW8N7k7r6ocmMTffSW2T4gC@mail.gmail.com> <B4674136-3CD1-4636-A78F-C54D0A718053@zonemobius.com> <AANLkTimWqZ9cMVsJskuPm4rrt_UPqmue0BpRqHG2kgn5@mail.gmail.com> <81FB32F6-6B4D-46AC-BAC9-55BE76FD7DE2@googlemail.com> <AANLkTi=TjUnaHKWxw1EbqhMxTFD_+1OuuGTu020rcJGn@mail.gmail.com> <AANLkTi=igJf4mhs9+S94xWPxeb+Nr0_2xvykpru_cehb@mail.gmail.com> <AANLkTinH8LT+qcj3jO9_JbQrKtmuV59Z-T0o2j4LFdVe@mail.gmail.com> <AANLkTik8wY+1qJUUuWDgbsVKuSY8g50sWChZNEtHmZVQ@mail.gmail.com> <AANLkTi==HMJKuqYtW+zbY-3M_gUK-e1kGiP7MnUBCuTE@mail.gmail.com> <-8114285487414997555@unknownmsgid> <A4F10969-A974-4F9D-949F-98EC63C9890F@googlemail.com> <AANLkTinKUPgz0k546Z2O=0c0tcjCd9Ad-ss9tD9+EMAj@mail.gmail.com> <AANLkTikBberV8Fhm_x30aGhLUapNvw9kT+gO9K-73476@mail.gmail.com> <AANLkTimd=HTh=SPpP8ODCm_gMB+KRs_nC=38+i5z=tJx@mail.gmail.com> <4D04EDCE.7010207@tiscali.co.uk> <AANLkTimQnjiE1U28Oe6YEj01C-+u9gBOFgTAeCf0K3Ao@mail.gmail.com> <AANLkTikcrSXDcopURA7mTmCChGa2=8VOigsuhoHfA2+A@mail.gmail.com> <AANLkTi=d72M77ApHzteu98_5WN=mmHsO3AYZOKFNdZE5@mail.gmail.com>
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Date: Mon, 13 Dec 2010 00:47:43 +0000
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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You should be able to set up a network without a router, I think...?

One question I have - how do you set up an xy pad when the editor only allow=
s you to enter one osc adress? I thought there would be two - one for the x p=
arameter and one for the y?

Sim

Sent from my iPod

On 13 Dec 2010, at 00:08, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 13, 2010 at 12:46 AM, mark francombe <mark@markfrancombe.com> w=
rote:
>> Finally got Touch OSC and Audio mulch working flawlessly together...
>=20
> Dammit Mark, you won! Would you please mind helping out us less brain
> powered creatures by checking if you have the same IP address set
> inside the iPhone's TouchOSC as inside the computer's "System
> Preferences > Network" ?
>=20
>> One thing to think about howver... this is working on Wifi right? How can=

>> you be sure to HAVE a wifi connection at your gig?
>=20
> I've been thinking about that too and decided to solve it by bringing
> my Airport Express.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

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From: todd reynolds <toddreyn@gmail.com>
Date: Sun, 12 Dec 2010 19:57:12 -0500
Message-ID: <AANLkTikt_A1+Cxwe6TT5uPYoc5CUsUFPVKaaGUVnsJXC@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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--001636c5a5d06093eb0497403003
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I should mention that when I use TouchOSC, I simply set my computer up as
its own network, don't even need a router.  It's worked just fine.

Bests,

todd

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I should mention that when I use TouchOSC, I simply set my computer up as i=
ts own network, don&#39;t even need a router. =A0It&#39;s worked just fine.=
 =A0<div><br></div><div>Bests,=A0</div><div><br></div><div>todd<br><br><div=
 class=3D"gmail_quote">

<br></div><br>
</div>

--001636c5a5d06093eb0497403003--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 01:37:07 2010
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Subject: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
Date: Sun, 12 Dec 2010 17:37:05 -0800
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Hi all!

I have been getting by on a borrowed MOTU Ultralite for a number of  
months now while I explore the world of software looping, Max MSP and  
other software audio processing possibilities.

What are people out there using that sounds really, really good?

I can't help but feel that the MOTU I've got is sucking something  
vital out of my sound - though it comes very highly recommended.

It also has enough extra inputs and outputs to make it quite useful  
and flexible as a stand-alone rackmount mixer.

But utility aside, though I can't quite put my finger on it, the sound  
doesn't ring my bell.

I'm just looking for other options and suggestions.

The MOTU was loaned to me on indefinite terms by a good friend.

I was thinking about buying one (or some other unit) for myself and  
returning it to its owner.

Keeping in mind that I am strictly in the Apple/Mac computer dominion  
and prefer FireWire connectivity, what do people suggest?

Best,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 01:47:54 2010
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
To: Loopers-Delight@loopers-delight.com
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I use the old 'Firepod' by presonus-not really the greatest pre's but reall=
y affordable (like $300 for 8 channels) and if you have some simple tube pr=
e-amp direct boxes (I use one by art) you can get good results-But I am act=
ually thinking of upgrading to something nicer myself-( Presonus has a tube=
 interface out that might be cool http://www.presonus.com/products/Detail.a=
spx?ProductId=3D51 ) so I'll keep my eyes on this thread for ideas-=0A=0A--=
- On Sun, 12/12/10, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:=0A=0A> =
From: tEd =AE KiLLiAn <tedkillian@charter.net>=0A> Subject: WHAT SORTS OF F=
IREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?=0A> To: Loopers-Delight@loop=
ers-delight.com=0A> Date: Sunday, December 12, 2010, 5:37 PM=0A> Hi all!=0A=
> =0A> I have been getting by on a borrowed MOTU Ultralite for a=0A> number=
 of months now while I explore the world of software=0A> looping, Max MSP a=
nd other software audio processing=0A> possibilities.=0A> =0A> What are peo=
ple out there using that sounds really, really=0A> good?=0A> =0A> I can't h=
elp but feel that the MOTU I've got is sucking=0A> something vital out of m=
y sound - though it comes very=0A> highly recommended.=0A> =0A> It also has=
 enough extra inputs and outputs to make it=0A> quite useful and flexible a=
s a stand-alone rackmount mixer.=0A> =0A> But utility aside, though I can't=
 quite put my finger on=0A> it, the sound doesn't ring my bell.=0A> =0A> I'=
m just looking for other options and suggestions.=0A> =0A> The MOTU was loa=
ned to me on indefinite terms by a good=0A> friend.=0A> =0A> I was thinking=
 about buying one (or some other unit) for=0A> myself and returning it to i=
ts owner.=0A> =0A> Keeping in mind that I am strictly in the Apple/Mac=0A> =
computer dominion and prefer FireWire connectivity, what do=0A> people sugg=
est?=0A> =0A> Best,=0A> =0A> Ted Killian=0A> =0A> =0A=0A=0A      

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	<218727.4483.qm@web30401.mail.mud.yahoo.com>
Date: Mon, 13 Dec 2010 02:57:10 +0100
Message-ID: <AANLkTinApK=Laea-JhbKKQsNT-P6t9P5tidGqLi-Ez2s@mail.gmail.com>
Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016361e801aa5c214049741054b
Content-Type: text/plain; charset=ISO-8859-1
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get this ... no driver issues pc or mac ... it works on all computers i hav=
e
around (that's 2 pcs & 2 macs) ... in their top models (8 & 12 ins)
conversion is top notch, using IIR filters.

http://echoaudio.com/

2010/12/13 Steve Uccello <stevebassbird@yahoo.com>

> I use the old 'Firepod' by presonus-not really the greatest pre's but
> really affordable (like $300 for 8 channels) and if you have some simple
> tube pre-amp direct boxes (I use one by art) you can get good results-But=
 I
> am actually thinking of upgrading to something nicer myself-( Presonus ha=
s a
> tube interface out that might be cool
> http://www.presonus.com/products/Detail.aspx?ProductId=3D51 ) so I'll kee=
p
> my eyes on this thread for ideas-
>
> --- On Sun, 12/12/10, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
>
> > From: tEd =AE KiLLiAn <tedkillian@charter.net>
> > Subject: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
> > To: Loopers-Delight@loopers-delight.com
> > Date: Sunday, December 12, 2010, 5:37 PM
> > Hi all!
> >
> > I have been getting by on a borrowed MOTU Ultralite for a
> > number of months now while I explore the world of software
> > looping, Max MSP and other software audio processing
> > possibilities.
> >
> > What are people out there using that sounds really, really
> > good?
> >
> > I can't help but feel that the MOTU I've got is sucking
> > something vital out of my sound - though it comes very
> > highly recommended.
> >
> > It also has enough extra inputs and outputs to make it
> > quite useful and flexible as a stand-alone rackmount mixer.
> >
> > But utility aside, though I can't quite put my finger on
> > it, the sound doesn't ring my bell.
> >
> > I'm just looking for other options and suggestions.
> >
> > The MOTU was loaned to me on indefinite terms by a good
> > friend.
> >
> > I was thinking about buying one (or some other unit) for
> > myself and returning it to its owner.
> >
> > Keeping in mind that I am strictly in the Apple/Mac
> > computer dominion and prefer FireWire connectivity, what do
> > people suggest?
> >
> > Best,
> >
> > Ted Killian
> >
> >
>
>
>
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "

http://raulbonell.tumblr.com =B7 http://www.ct-collective.com

--0016361e801aa5c214049741054b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

get this ... no driver issues pc or mac ... it works on all computers i hav=
e around (that&#39;s 2 pcs &amp; 2 macs) ... in their top models (8 &amp; 1=
2 ins) conversion is top notch, using IIR filters.<br><br><a href=3D"http:/=
/echoaudio.com/">http://echoaudio.com/</a><br>
<br><div class=3D"gmail_quote">2010/12/13 Steve Uccello <span dir=3D"ltr">&=
lt;<a href=3D"mailto:stevebassbird@yahoo.com">stevebassbird@yahoo.com</a>&g=
t;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;b=
order-left:1px #ccc solid;padding-left:1ex;">
I use the old &#39;Firepod&#39; by presonus-not really the greatest pre&#39=
;s but really affordable (like $300 for 8 channels) and if you have some si=
mple tube pre-amp direct boxes (I use one by art) you can get good results-=
But I am actually thinking of upgrading to something nicer myself-( Presonu=
s has a tube interface out that might be cool <a href=3D"http://www.presonu=
s.com/products/Detail.aspx?ProductId=3D51" target=3D"_blank">http://www.pre=
sonus.com/products/Detail.aspx?ProductId=3D51</a> ) so I&#39;ll keep my eye=
s on this thread for ideas-<br>

<br>
--- On Sun, 12/12/10, tEd =AE KiLLiAn &lt;<a href=3D"mailto:tedkillian@char=
ter.net">tedkillian@charter.net</a>&gt; wrote:<br>
<br>
&gt; From: tEd =AE KiLLiAn &lt;<a href=3D"mailto:tedkillian@charter.net">te=
dkillian@charter.net</a>&gt;<br>
&gt; Subject: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?=
<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
&gt; Date: Sunday, December 12, 2010, 5:37 PM<br>
<div><div></div><div class=3D"h5">&gt; Hi all!<br>
&gt;<br>
&gt; I have been getting by on a borrowed MOTU Ultralite for a<br>
&gt; number of months now while I explore the world of software<br>
&gt; looping, Max MSP and other software audio processing<br>
&gt; possibilities.<br>
&gt;<br>
&gt; What are people out there using that sounds really, really<br>
&gt; good?<br>
&gt;<br>
&gt; I can&#39;t help but feel that the MOTU I&#39;ve got is sucking<br>
&gt; something vital out of my sound - though it comes very<br>
&gt; highly recommended.<br>
&gt;<br>
&gt; It also has enough extra inputs and outputs to make it<br>
&gt; quite useful and flexible as a stand-alone rackmount mixer.<br>
&gt;<br>
&gt; But utility aside, though I can&#39;t quite put my finger on<br>
&gt; it, the sound doesn&#39;t ring my bell.<br>
&gt;<br>
&gt; I&#39;m just looking for other options and suggestions.<br>
&gt;<br>
&gt; The MOTU was loaned to me on indefinite terms by a good<br>
&gt; friend.<br>
&gt;<br>
&gt; I was thinking about buying one (or some other unit) for<br>
&gt; myself and returning it to its owner.<br>
&gt;<br>
&gt; Keeping in mind that I am strictly in the Apple/Mac<br>
&gt; computer dominion and prefer FireWire connectivity, what do<br>
&gt; people suggest?<br>
&gt;<br>
&gt; Best,<br>
&gt;<br>
&gt; Ted Killian<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que e=
stava il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda =
de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sti=
es!, no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &q=
uot;<br>
<br><a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">http://raulb=
onell.tumblr.com</a> =B7 <a href=3D"http://www.ct-collective.com" target=3D=
"_blank">http://www.ct-collective.com</a><br><br>

--0016361e801aa5c214049741054b--

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From: todd reynolds <toddreyn@gmail.com>
Date: Sun, 12 Dec 2010 21:07:37 -0500
Message-ID: <AANLkTi=0BcurLgk_pui7O3JFbc4oScMXzW36eqEghRJ+@mail.gmail.com>
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--20cf3054a4c53c9e730497412ca2
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Hi Ted, I've enjoyed both a Metric Halo Mobile I/O 2882 for years as my mai=
n
recording rig and an RME Fireface 400 as my mobile rig.  Also use Ultralite=
s
and Travelers on occasion. nothing beats the Mobile I/O for sound though.

bests,

todd

On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Hi all!
>
> I have been getting by on a borrowed MOTU Ultralite for a number of month=
s
> now while I explore the world of software looping, Max MSP and other
> software audio processing possibilities.
>
>

--20cf3054a4c53c9e730497412ca2
Content-Type: text/html; charset=ISO-8859-1
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Hi Ted, I&#39;ve enjoyed both a Metric Halo Mobile I/O 2882 for years as my=
 main recording rig and an RME Fireface 400 as my mobile rig. =A0Also use U=
ltralites and Travelers on occasion. nothing beats the Mobile I/O for sound=
 though.=A0<div>

<br></div><div>bests,=A0</div><div><br></div><div>todd<br><br><div class=3D=
"gmail_quote">On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn <span dir=3D=
"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net<=
/a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi all!<br>
<br>
I have been getting by on a borrowed MOTU Ultralite for a number of months =
now while I explore the world of software looping, Max MSP and other softwa=
re audio processing possibilities.<br><br></blockquote></div>
</div>

--20cf3054a4c53c9e730497412ca2--

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Date: Sun, 12 Dec 2010 18:49:17 -0800
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Aren't the Apogee interfaces supposed to have exceptional sound (not
cheap though).

Kevin

On Sun, Dec 12, 2010 at 6:07 PM, todd reynolds <toddreyn@gmail.com> wrote:
> Hi Ted, I've enjoyed both a Metric Halo Mobile I/O 2882 for years as my m=
ain
> recording rig and an RME Fireface 400 as my mobile rig. =A0Also use Ultra=
lites
> and Travelers on occasion. nothing beats the Mobile I/O for sound though.
> bests,
> todd
>
> On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn <tedkillian@charter.net>
> wrote:
>>
>> Hi all!
>>
>> I have been getting by on a borrowed MOTU Ultralite for a number of mont=
hs
>> now while I explore the world of software looping, Max MSP and other
>> software audio processing possibilities.
>>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Ooofda!

At a price like that, no wonder the Metric Halo hadn't appeared on my =20=

radar.

(Metric Halo Mobile I/O 2882 =3D $1,895)

Even the RME 400 is a bit pricier than my humble wallet can afford.

(RME Fireface 400 =3D RME Fireface 400)

Like Kevin said, I have heard some really good things about the Apogee =20=

Duet, though it's mere 2 in and 2 out is pretty limiting.

(Apogee Duet =3D $499.95)

I just don't know anyone "in the field" using one.

I appreciate all input though.

I am considering anything I can afford...let's say under $800

Thanks,

Ted


On Dec 12, 2010, at 6:49 PM, Kevin Cheli-Colando wrote:

> Aren't the Apogee interfaces supposed to have exceptional sound (not
> cheap though).
>
> Kevin
>
> On Sun, Dec 12, 2010 at 6:07 PM, todd reynolds <toddreyn@gmail.com> =20=

> wrote:
>> Hi Ted, I've enjoyed both a Metric Halo Mobile I/O 2882 for years =20
>> as my main
>> recording rig and an RME Fireface 400 as my mobile rig.  Also use =20
>> Ultralites
>> and Travelers on occasion. nothing beats the Mobile I/O for sound =20
>> though.
>> bests,
>> todd
>>
>> On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn =
<tedkillian@charter.net=20
>> >
>> wrote:
>>>
>>> Hi all!
>>>
>>> I have been getting by on a borrowed MOTU Ultralite for a number =20
>>> of months
>>> now while I explore the world of software looping, Max MSP and other
>>> software audio processing possibilities.
>>

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Date: Sun, 12 Dec 2010 22:20:49 -0500
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: james fowler <twostroke@gmail.com>
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do yourself a huge favor and find a used rme fireface.

- jim

On Sun, Dec 12, 2010 at 10:17 PM, tEd =AE KiLLiAn <tedkillian@charter.net>w=
rote:

> Ooofda!
>
> At a price like that, no wonder the Metric Halo hadn't appeared on my
> radar.
>
> (Metric Halo Mobile I/O 2882 =3D $1,895)
>
> Even the RME 400 is a bit pricier than my humble wallet can afford.
>
> (RME Fireface 400 =3D RME Fireface 400)
>
> Like Kevin said, I have heard some really good things about the Apogee
> Duet, though it's mere 2 in and 2 out is pretty limiting.
>
> (Apogee Duet =3D $499.95)
>
> I just don't know anyone "in the field" using one.
>
> I appreciate all input though.
>
> I am considering anything I can afford...let's say under $800
>
> Thanks,
>
> Ted
>
>
> On Dec 12, 2010, at 6:49 PM, Kevin Cheli-Colando wrote:
>
>  Aren't the Apogee interfaces supposed to have exceptional sound (not
>> cheap though).
>>
>> Kevin
>>
>> On Sun, Dec 12, 2010 at 6:07 PM, todd reynolds <toddreyn@gmail.com>
>> wrote:
>>
>>> Hi Ted, I've enjoyed both a Metric Halo Mobile I/O 2882 for years as my
>>> main
>>> recording rig and an RME Fireface 400 as my mobile rig.  Also use
>>> Ultralites
>>> and Travelers on occasion. nothing beats the Mobile I/O for sound thoug=
h.
>>> bests,
>>> todd
>>>
>>> On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn <tedkillian@charter.ne=
t>
>>> wrote:
>>>
>>>>
>>>> Hi all!
>>>>
>>>> I have been getting by on a borrowed MOTU Ultralite for a number of
>>>> months
>>>> now while I explore the world of software looping, Max MSP and other
>>>> software audio processing possibilities.
>>>>
>>>
>>>
>

--00151750e9d4d546d504974230d4
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do yourself a huge favor and find a used rme fireface.<br><br>- jim<br><br>=
<div class=3D"gmail_quote">On Sun, Dec 12, 2010 at 10:17 PM, tEd =AE KiLLiA=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillia=
n@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Ooofda!<br>
<br>
At a price like that, no wonder the Metric Halo hadn&#39;t appeared on my r=
adar.<br>
<br>
(Metric Halo Mobile I/O 2882 =3D $1,895)<br>
<br>
Even the RME 400 is a bit pricier than my humble wallet can afford.<br>
<br>
(RME Fireface 400 =3D RME Fireface 400)<br>
<br>
Like Kevin said, I have heard some really good things about the Apogee Duet=
, though it&#39;s mere 2 in and 2 out is pretty limiting.<br>
<br>
(Apogee Duet =3D $499.95)<br>
<br>
I just don&#39;t know anyone &quot;in the field&quot; using one.<br>
<br>
I appreciate all input though.<br>
<br>
I am considering anything I can afford...let&#39;s say under $800<br>
<br>
Thanks,<br>
<br>
Ted<br>
<br>
<br>
On Dec 12, 2010, at 6:49 PM, Kevin Cheli-Colando wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Aren&#39;t the Apogee interfaces supposed to have exceptional sound (not<br=
>
cheap though).<br>
<br>
Kevin<br>
<br>
On Sun, Dec 12, 2010 at 6:07 PM, todd reynolds &lt;<a href=3D"mailto:toddre=
yn@gmail.com" target=3D"_blank">toddreyn@gmail.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hi Ted, I&#39;ve enjoyed both a Metric Halo Mobile I/O 2882 for years as my=
 main<br>
recording rig and an RME Fireface 400 as my mobile rig. =A0Also use Ultrali=
tes<br>
and Travelers on occasion. nothing beats the Mobile I/O for sound though.<b=
r>
bests,<br>
todd<br>
<br>
On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn &lt;<a href=3D"mailto:tedk=
illian@charter.net" target=3D"_blank">tedkillian@charter.net</a>&gt;<br>
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Hi all!<br>
<br>
I have been getting by on a borrowed MOTU Ultralite for a number of months<=
br>
now while I explore the world of software looping, Max MSP and other<br>
software audio processing possibilities.<br>
</blockquote>
<br>
</blockquote></blockquote>
<br>
</blockquote></div><br>

--00151750e9d4d546d504974230d4--

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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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I can certainly concur with the RME reccomendation- used, older model,
whatever. I am reluctantly selling my PCI based Hammerfall system that I
LOVED. Main thing with RME is their reliability, well written drivers
(performance), and killer support. I had one of their engineers tweak a
driver for me once for a minor issue. wow.
I've heard great things about the Apogee Duet- if sound quality is you
number one priority.
I'm going to sell the Motu Ultrlite Mk3 I bought a few months ago- the built
in reverb only works at up to 48KHz and I also am thinking of simplifying
with a Mackie Onyx i series mixer (analog mixer and i/o for computer)- but I
have really liked the Motu otherwise. Solid, flexible, functions without a
computer, etc.
Happy shopping-
Clifford

--0016e65a0dfc3385260497436d59
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<div>I can certainly concur with the RME reccomendation- used, older model,=
 whatever. I am reluctantly selling my PCI based Hammerfall system that I L=
OVED. Main thing with RME is their reliability, well written drivers (perfo=
rmance), and killer support. I had one of their engineers tweak a driver fo=
r me once for a minor issue. wow.</div>

<div>I&#39;ve heard great things about the Apogee Duet- if sound quality is=
 you number one priority.</div>
<div>I&#39;m going to sell the Motu Ultrlite Mk3 I bought a few months ago-=
 the built in reverb only works at up to 48KHz and I also am thinking of si=
mplifying with a Mackie Onyx i series mixer (analog mixer and i/o for compu=
ter)- but I have really liked=A0the Motu=A0otherwise. Solid, flexible, func=
tions without a computer, etc.</div>

<div>Happy shopping- </div>
<div>Clifford</div>
<div>=A0</div>

--0016e65a0dfc3385260497436d59--

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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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Happy with my Firepod.

On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Hi all!
>
> I have been getting by on a borrowed MOTU Ultralite for a number of month=
s
> now while I explore the world of software looping, Max MSP and other
> software audio processing possibilities.
>
> What are people out there using that sounds really, really good?
>
> I can't help but feel that the MOTU I've got is sucking something vital o=
ut
> of my sound - though it comes very highly recommended.
>
> It also has enough extra inputs and outputs to make it quite useful and
> flexible as a stand-alone rackmount mixer.
>
> But utility aside, though I can't quite put my finger on it, the sound
> doesn't ring my bell.
>
> I'm just looking for other options and suggestions.
>
> The MOTU was loaned to me on indefinite terms by a good friend.
>
> I was thinking about buying one (or some other unit) for myself and
> returning it to its owner.
>
> Keeping in mind that I am strictly in the Apple/Mac computer dominion and
> prefer FireWire connectivity, what do people suggest?
>
> Best,
>
> Ted Killian
>
>


--=20
-=3D=3D-=3D-=3D-
Tony

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Happy with my Firepod.<br><br><div class=3D"gmail_quote">On Sun, Dec 12, 20=
10 at 8:37 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedk=
illian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><blockq=
uote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;">
Hi all!<br>
<br>
I have been getting by on a borrowed MOTU Ultralite for a number of months =
now while I explore the world of software looping, Max MSP and other softwa=
re audio processing possibilities.<br>
<br>
What are people out there using that sounds really, really good?<br>
<br>
I can&#39;t help but feel that the MOTU I&#39;ve got is sucking something v=
ital out of my sound - though it comes very highly recommended.<br>
<br>
It also has enough extra inputs and outputs to make it quite useful and fle=
xible as a stand-alone rackmount mixer.<br>
<br>
But utility aside, though I can&#39;t quite put my finger on it, the sound =
doesn&#39;t ring my bell.<br>
<br>
I&#39;m just looking for other options and suggestions.<br>
<br>
The MOTU was loaned to me on indefinite terms by a good friend.<br>
<br>
I was thinking about buying one (or some other unit) for myself and returni=
ng it to its owner.<br>
<br>
Keeping in mind that I am strictly in the Apple/Mac computer dominion and p=
refer FireWire connectivity, what do people suggest?<br>
<br>
Best,<br><font color=3D"#888888">
<br>
Ted Killian<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--0015174c3d043bbe9b049743ff5a--

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On 12/13/10 10:37 AM, "tEd =AE KiLLiAn" <tedkillian@charter.net> wrote:
>=20
> Keeping in mind that I am strictly in the Apple/Mac computer dominion
> and prefer FireWire connectivity, what do people suggest?

I've had extremely good luck with the Edirol interfaces.  I've purchased
both the FA-101 (10x10) and the FA-66 (6x6).  No glitching, 10 minute setup=
,
plenty of features and great sound.  Can't complain about either interface.

Additionally, I had need of a super-small FireWire interface a while back,
and Per hipped me onto the Echo AudioFire 2.  It was exactly what I needed:
2in/2out with S/PDIF, MIDI, & even a phone output (bonus!).  All in a box
about the same size as a pack of smokes.  Sounds exceptional, so if you're
in the market, I'd check out their stuff.

Finally, I'd be careful with an Apogee purchase.  I always thought their
stuff was supposed to be the cat's meow, then I started getting on some
hi-end audio engineering and mastering forums a couple years ago.  These
were mostly guys who wouldn't sneeze twice at spending 5 grand on an A/D or
D/A converter, and they did not have a high opinion of Apogee at all. Their
opinion was that the quality was in the same general range as the MOTU
interfaces, but the price was way out of whack for that level of
performance.  Overall, they didn't think the Apogee boxes were bad product,
just that they were priced way too high for the quality that came out of
them, and that almost any other "pro" interface could wipe the carpet with
them.

That said, I believe the Duo is actually reasonably priced, so that may
remove some of that argument.  But overall, the mastering guys were looking
at most of the Apogee interfaces as way overpriced for the quality that you
get.  If you're going to spend that much money, there are better choices ou=
t
there.

    --m.



From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 05:55:19 2010
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	<AANLkTimhvBhjLpHPGjEDkDybdnmq_VfG4+5QR4uKpSsz@mail.gmail.com>
Date: Sun, 12 Dec 2010 21:55:17 -0800
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Subject: Re: Trash My MP3 - UNDO Edition
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I liked it- thanks for sharing. What tools did you use?
Clifford

On Sat, Dec 11, 2010 at 2:40 AM, Per Boysen <perboysen@gmail.com> wrote:

> Sounds great and evolves with a nice flow over time. Good looping. Enjoyed
> it.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Sat, Dec 11, 2010 at 6:58 AM, david kirkdorffer
> <unstrungone@yahoo.com> wrote:
> > This is a rough mix of something I recorded 10-10-10. There are a few
> things
> > I want address in the mix, but the basic idea is here.. and so now it's
> time
> > to TRASH MY MP3! :-)
> >
> > http://soundcloud.com/undomusic/02-track-2
>
>

--0016e65a0dfc42485b0497445985
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I liked it- thanks for sharing. What tools did you use?</div>
<div>Clifford<br><br></div>
<div class=3D"gmail_quote">On Sat, Dec 11, 2010 at 2:40 AM, Per Boysen <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.co=
m</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Sounds great and evolves with a =
nice flow over time. Good looping. Enjoyed it.<br><br>Greetings from Sweden=
<br>
<font color=3D"#888888"><br>Per Boysen<br><a href=3D"http://www.boysen.se/"=
 target=3D"_blank">www.boysen.se</a><br><a href=3D"http://www.perboysen.com=
/" target=3D"_blank">www.perboysen.com</a><br><a href=3D"http://www.looproo=
m.com/" target=3D"_blank">www.looproom.com</a> internet music hub<br>
</font>
<div>
<div></div>
<div class=3D"h5"><br><br><br>On Sat, Dec 11, 2010 at 6:58 AM, david kirkdo=
rffer<br>&lt;<a href=3D"mailto:unstrungone@yahoo.com">unstrungone@yahoo.com=
</a>&gt; wrote:<br>&gt; This is a rough mix of something I recorded 10-10-1=
0. There are a few things<br>
&gt; I want address in the mix, but the basic idea is here.. and so now it&=
#39;s time<br>&gt; to TRASH MY MP3! :-)<br>&gt;<br>&gt; <a href=3D"http://s=
oundcloud.com/undomusic/02-track-2" target=3D"_blank">http://soundcloud.com=
/undomusic/02-track-2</a><br>
<br></div></div></blockquote></div><br>

--0016e65a0dfc42485b0497445985--

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Date: Mon, 13 Dec 2010 06:56:44 +0100
Message-ID: <AANLkTi=T5ri_R-kJGz8o6sDr4yPk7f0-+m70vKT6m9C4@mail.gmail.com>
Subject: Re: Trash My MP3 - UNDO Edition
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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kool! as expected ...

2010/12/11 david kirkdorffer <unstrungone@yahoo.com>

> Hi  -
>
> This is a rough mix of something I recorded 10-10-10. There are a few
> things I want address in the mix, but the basic idea is here.. and so now
> it's time to TRASH MY MP3! :-)
>
> http://soundcloud.com/undomusic/02-track-2
>
> David
>
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "

http://raulbonell.tumblr.com =B7 http://www.ct-collective.com

--0016e64bff447125710497445eb3
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Content-Transfer-Encoding: quoted-printable

kool! as expected ...<br><br><div class=3D"gmail_quote">2010/12/11 david ki=
rkdorffer <span dir=3D"ltr">&lt;<a href=3D"mailto:unstrungone@yahoo.com">un=
strungone@yahoo.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div><div style=3D"font-family:arial, helvetica, sans-serif;font-size:10pt;=
color:#000000"><div>Hi=A0 -</div>
<div>=A0</div>
<div>This is a rough mix of something I recorded 10-10-10. There are a few =
things I want address in the mix, but the basic idea is here.. and so now i=
t&#39;s time to TRASH MY MP3! :-)<br><br><a href=3D"http://soundcloud.com/u=
ndomusic/02-track-2" target=3D"_blank"><font color=3D"#810081">http://sound=
cloud.com/undomusic/02-track-2</font></a><span><br>
</span></div>
<div><span></span>=A0</div>
<div><span>David</span></div>
<div><span>=A0</span></div></div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que e=
stava il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda =
de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sti=
es!, no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &q=
uot;<br>
<br><a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">http://raulb=
onell.tumblr.com</a> =B7 <a href=3D"http://www.ct-collective.com" target=3D=
"_blank">http://www.ct-collective.com</a><br><br>

--0016e64bff447125710497445eb3--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 07:30:53 2010
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
Date: Sun, 12 Dec 2010 23:30:44 -0800
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Hey Ted I'm curious are you running directly in to the MOTU and using  
amp sims and effects plug ins? or are you going stereo direct and  
using hardware effects and or amp simulators?
Before I would even recommend interfaces I'm curious why it sounds so  
lame to you and wonder if you would elaborate  in more specific  
detail.   Are you clipping your inputs, do you have anything acting as  
a buffer between your guitar and the interface, are  using any  
compression to smooth your transients?  does it sound harsh and or  
sterile? Even a higher end interface with better converters like the  
Apogee stuff can sound brittle if you are hitting it too hard. I've  
used a MOTU 2408 for several years now and its worked fine.  I've  
never been bothered by its sound or latency.
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 08:35:31 2010
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I used to use an Edirol UA-700.  It was fine but I was never that wild about
the sound so never did any serious recording with it. Now I'm using a
Saffire Pro-24.  I like the sound - I play acoustic with a couple of
Josephson C42s, and I recently recorded my 4-piece acoustic group with 4
mics. It also works stand-alone and it performs well as a small mixer.

However, I've been having connectivity problems.  Some days it just will not
show up and can take a long time before it does.  I've been corresponding
with one of their techies and he thinks that either the 400-800 cable isn't
any good and I should use an adapter on an 800 cable instead, or that I
should go direct into the MacBook rather than through my external drive.
I've tried all of that and more and still have problems.  The irritating
thing is that some days it works fine, other days it's just moody as hell.
 Personally, I think it's a software issue.

I appreciate the flexibility of being able to program the interface, but I
think I would prefer straight hardware with on/off switches.  I guess those
days are gone...

Anyway, not exactly a recommendation, but the pre-amps are good.

On Mon, Dec 13, 2010 at 8:30 AM, William Walker <billwalker@baymoon.com>wrote:

> Hey Ted I'm curious are you running directly in to the MOTU and using amp
> sims and effects plug ins? or are you going stereo direct and using hardware
> effects and or amp simulators?
> Before I would even recommend interfaces I'm curious why it sounds so lame
> to you and wonder if you would elaborate  in more specific detail.   Are you
> clipping your inputs, do you have anything acting as a buffer between your
> guitar and the interface, are  using any compression to smooth your
> transients?  does it sound harsh and or sterile? Even a higher end interface
> with better converters like the Apogee stuff can sound brittle if you are
> hitting it too hard. I've used a MOTU 2408 for several years now and its
> worked fine.  I've never been bothered by its sound or latency.
>  Bill
>
>

--0016363b8b242bd650049746962c
Content-Type: text/html; charset=ISO-8859-1
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I used to use an Edirol UA-700. =A0It was fine but I was never that wild ab=
out the sound so never did any serious recording with it. Now I&#39;m using=
 a Saffire Pro-24. =A0I like the sound - I play acoustic with a couple of J=
osephson C42s, and I recently recorded my 4-piece acoustic group with 4 mic=
s. It also works stand-alone and it performs well as a small mixer.=A0<div>
<br></div><div>However, I&#39;ve been having connectivity problems. =A0Some=
 days it just will not show up and can take a long time before it does. =A0=
I&#39;ve been corresponding with one of their techies and he thinks that ei=
ther the 400-800 cable isn&#39;t any good and I should use an adapter on an=
 800 cable instead, or that I should go direct into the MacBook rather than=
 through my external drive. I&#39;ve tried all of that and more and still h=
ave problems. =A0The irritating thing is that some days it works fine, othe=
r days it&#39;s just moody as hell. =A0Personally, I think it&#39;s a softw=
are issue.<br>
<br></div><div>I appreciate the flexibility of being able to program the in=
terface, but I think I would prefer straight hardware with on/off switches.=
 =A0I guess those days are gone...</div><div><br></div><div>Anyway, not exa=
ctly a recommendation, but the pre-amps are good.</div>
<div><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at 8:30 AM, Willia=
m Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">bi=
llwalker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex=
;">
Hey Ted I&#39;m curious are you running directly in to the MOTU and using a=
mp sims and effects plug ins? or are you going stereo direct and using hard=
ware effects and or amp simulators?<br>
Before I would even recommend interfaces I&#39;m curious why it sounds so l=
ame to you and wonder if you would elaborate =A0in more specific detail. =
=A0 Are you clipping your inputs, do you have anything acting as a buffer b=
etween your guitar and the interface, are =A0using any compression to smoot=
h your transients? =A0does it sound harsh and or sterile? Even a higher end=
 interface with better converters like the Apogee stuff can sound brittle i=
f you are hitting it too hard. I&#39;ve used a MOTU 2408 for several years =
now and its worked fine. =A0I&#39;ve never been bothered by its sound or la=
tency.<br>

=A0Bill<br>
<br>
</blockquote></div><br></div>

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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--90e6ba6e81aa97c071049746a3e3
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 <mark@markfrancombe.com> wrote:

>  > Finally got Touch OSC and Audio mulch working flawlessly together...
>
> Dammit Mark, you won! Would you please mind helping out us less brain
> powered creatures by checking if you have the same IP address set
> inside the iPhone's TouchOSC as inside the computer's "System
> Preferences > Network" ?
>

No, I didnt go there, I used my sharing name.

For example, in System Prefs, under sharing, you generally have a name.
Probably Pers Computer,  or MyMachine..

Mine is called topsecret (now Im not sure if this matters, or if it was a
glitch, but it DIDNT WORK untill I closed the gap between top and secret.

Then in touchOSC under Network, I have topsecret:local
Click inside there and Port outgoing 8000 Port incoming 9000
Local ip address (this might be what you are referring to Per???) assigned
itself automatically, and no.. its doesn't seem to be the same. But then I
have 2 routers in between my Airport Express and my computer, maybe it
doesnt show up correctly (out of my knowledge here really)

But I know when its working, because when I fire ip OSCulator,  in TouchOSC
on the iPhone, below the ipaddress fiels appears a new entry that says
topsecret:8000 (OSCulator).

then Sim said

One question I have - how do you set up an xy pad when the editor only
allows you to enter one osc adress? I thought there would be two - one for
the x parameter and one for the y?

Sim

OK I havent even D/led the editor fr Touch OSC yet. Im doing everything
inOSCulator.

One you have a connection to OSCulator, numbers appear in its window.
if you load up a Layout on Touch (try Simple) then find the Simple layout in
the Osculator folder,  this is just a premade map. you can of course make
your own, but for now, you dont need to.
Now when you move your finger on the XY layout on Simple, you can see the
entry 3/xy light up. This entry has a turn down triangle. click it and you
see 2 entries. 1 and 0.

1 is X and 0 is Y.

Now you go into your host, or whatever you wanna control (AM for me) make
sure Osculator is showing up as a midi in. then midi learn the things you
want to teach. How to do this will differ. but...
HERES THE TRICK...

The xy WILL response BOTH ways when you move it, so WHile you do you learn,
you must temporarily turn off one OSC stream. (Making up terminology here..
hope you get it)

In Audio Mulch there is the Meta Surface... (beginning to think I should
make a tutorial video on this...)
I go to Parameter Control select the X of the metasurface, then in Osculator
TURN OFF THE Y DIRECTION (thats 0) AND click learn in AudioMulch... then I
move my finger on the iPhone... it learns X. then I selct Y in AudioMulch
Metasurface, turn off X in OSCulator and hit learn in Mulch... and do a
learn...

DONE... SAVE AUDIO MULCH!!!!!

Im home today, so if theres any interest in it I can do a screenshot video
for ya...

...
Sim also said:

>You should be able to set up a network without a router, I think...?

So how do I set up a network just between my computer and my phone?


> > One thing to think about howver... this is working on Wifi right? How can
> > you be sure to HAVE a wifi connection at your gig?
>
> I've been thinking about that too and decided to solve it by bringing
> my Airport Express.
>
>
YIKES NOOoooo.. Im trying to SIMPLIFY my system, not complicated it..
Per...  you know what?
You could get your computer, and fadefox and iphone and ipad and put it all
in a 19" rack unit...?

um.. er.. wait... a minute..


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e81aa97c071049746a3e3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

=A0&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>=
&gt; wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">

<div class=3D"im">
&gt; Finally got Touch OSC and Audio mulch working flawlessly together...<b=
r>
<br>
</div>Dammit Mark, you won! Would you please mind helping out us less brain=
<br>
powered creatures by checking if you have the same IP address set<br>
inside the iPhone&#39;s TouchOSC as inside the computer&#39;s &quot;System<=
br>
Preferences &gt; Network&quot; ?<br></blockquote><div><br>No, I didnt go th=
ere, I used my sharing name. <br><br>For example, in System Prefs, under sh=
aring, you generally have a name. Probably Pers Computer,=A0 or MyMachine..=
 <br>

<br>Mine is called topsecret (now Im not sure if this matters, or if it was=
 a glitch, but it DIDNT WORK untill I closed the gap between top and secret=
.<br><br>Then in touchOSC under Network, I have topsecret:local<br>Click in=
side there and Port outgoing 8000 Port incoming 9000<br>

Local ip address (this might be what you are referring to Per???) assigned =
itself automatically, and no.. its doesn&#39;t seem to be the same. But the=
n I have 2 routers in between my Airport Express and my computer, maybe it =
doesnt show up correctly (out of my knowledge here really)<br>

<br>But I know when its working, because when I fire ip OSCulator,=A0 in To=
uchOSC on the iPhone, below the ipaddress fiels appears a new entry that sa=
ys<br>topsecret:8000 (OSCulator).<br><br>then Sim said<br><br>One question =
I have - how do you set up an xy pad when the editor only=20
allows you to enter one osc adress? I thought there would be two - one=20
for the x parameter and one for the y?<br>
<br>
Sim<br><br>OK I havent even D/led the editor fr Touch OSC yet. Im doing eve=
rything inOSCulator.<br><br>One you have a connection to OSCulator, numbers=
 appear in its window.<br>if you load up a Layout on Touch (try Simple) the=
n find the Simple layout in the Osculator folder,=A0 this is just a premade=
 map. you can of course make your own, but for now, you dont need to.<br>

Now when you move your finger on the XY layout on Simple, you can see the e=
ntry 3/xy light up. This entry has a turn down triangle. click it and you s=
ee 2 entries. 1 and 0.<br><br>1 is X and 0 is Y.<br><br>Now you go into you=
r host, or whatever you wanna control (AM for me) make sure Osculator is sh=
owing up as a midi in. then midi learn the things you want to teach. How to=
 do this will differ. but...<br>

HERES THE TRICK...<br><br>The xy WILL response BOTH ways when you move it, =
so WHile you do you learn, you must temporarily turn off one OSC stream. (M=
aking up terminology here.. hope you get it)<br><br>In Audio Mulch there is=
 the Meta Surface... (beginning to think I should make a tutorial video on =
this...)<br>

I go to Parameter Control select the X of the metasurface, then in Osculato=
r TURN OFF THE Y DIRECTION (thats 0) AND click learn in AudioMulch... then =
I move my finger on the iPhone... it learns X. then I selct Y in AudioMulch=
 Metasurface, turn off X in OSCulator and hit learn in Mulch... and do a le=
arn...<br>

<br>DONE... SAVE AUDIO MULCH!!!!!<br><br>Im home today, so if theres any in=
terest in it I can do a screenshot video for ya... <br><br>...<br>Sim also =
said:<br><br>&gt;You should be able to set up a network without a router, I=
 think...?<br>

<br>So how do I set up a network just between my computer and my phone?<br>=
<br></div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.=
8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im"><br>
&gt; One thing to think about howver... this is working on Wifi right? How =
can<br>
&gt; you be sure to HAVE a wifi connection at your gig?<br>
<br>
</div>I&#39;ve been thinking about that too and decided to solve it by brin=
ging<br>
my Airport Express.<br>
<div><div></div><div class=3D"h5"><br></div></div></blockquote><div><br>YIK=
ES NOOoooo.. Im trying to SIMPLIFY my system, not complicated it.. Per...=
=A0 you know what? <br>You could get your computer, and fadefox and iphone =
and ipad and put it all in a 19&quot; rack unit...?<br>

<br>um.. er.. wait... a minute..<br clear=3D"all"><br></div></div><br>-- <b=
r>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.markfranco=
mbe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a>=
<br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--90e6ba6e81aa97c071049746a3e3--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 08:45:32 2010
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Date: Mon, 13 Dec 2010 16:45:31 +0800
Message-ID: <AANLkTin4J1LpYCCdb3Q3CDKv26BU5iHvOEst=y=D1T=c@mail.gmail.com>
Subject: Re: Kanye West and King Crimson
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I love both kanye and king crimson. Both have their own place. Geniuses.

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I love both kanye and king crimson. Both have their own place. Geniuses.<br>

--0015175cd688061ce4049746ba3f--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 08:46:02 2010
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Subject: RE: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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I'm using a Focusrite Saffire pro 40 and even though the sound quality is e=
xcellent=2C their drivers are unstable. I've been using ASIO4all which is b=
etter but occasionally the soundcard gets lost - not what you need live rea=
lly. I've invested in the stringport hardware only=2C having been assured i=
t would work as a generic win7 soundcard - no it doesn't!=20
Now I have to wait untill they release a windows driver  - cor blimey -  re=
member the days when you bought stuff and it just worked?
BTW used to have a motu and it was very noisy. Edirol stuff is rock solid i=
n my experience and sounds pretty good to me.=20

peace

G

Date: Mon=2C 13 Dec 2010 09:35:29 +0100
Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: docittern@gmail.com
To: Loopers-Delight@loopers-delight.com

I used to use an Edirol UA-700.  It was fine but I was never that wild abou=
t the sound so never did any serious recording with it. Now I'm using a Saf=
fire Pro-24.  I like the sound - I play acoustic with a couple of Josephson=
 C42s=2C and I recently recorded my 4-piece acoustic group with 4 mics. It =
also works stand-alone and it performs well as a small mixer.=20

However=2C I've been having connectivity problems.  Some days it just will =
not show up and can take a long time before it does.  I've been correspondi=
ng with one of their techies and he thinks that either the 400-800 cable is=
n't any good and I should use an adapter on an 800 cable instead=2C or that=
 I should go direct into the MacBook rather than through my external drive.=
 I've tried all of that and more and still have problems.  The irritating t=
hing is that some days it works fine=2C other days it's just moody as hell.=
  Personally=2C I think it's a software issue.


I appreciate the flexibility of being able to program the interface=2C but =
I think I would prefer straight hardware with on/off switches.  I guess tho=
se days are gone...
Anyway=2C not exactly a recommendation=2C but the pre-amps are good.

On Mon=2C Dec 13=2C 2010 at 8:30 AM=2C William Walker <billwalker@baymoon.c=
om> wrote:

Hey Ted I'm curious are you running directly in to the MOTU and using amp s=
ims and effects plug ins? or are you going stereo direct and using hardware=
 effects and or amp simulators?

Before I would even recommend interfaces I'm curious why it sounds so lame =
to you and wonder if you would elaborate  in more specific detail.   Are yo=
u clipping your inputs=2C do you have anything acting as a buffer between y=
our guitar and the interface=2C are  using any compression to smooth your t=
ransients?  does it sound harsh and or sterile? Even a higher end interface=
 with better converters like the Apogee stuff can sound brittle if you are =
hitting it too hard. I've used a MOTU 2408 for several years now and its wo=
rked fine.  I've never been bothered by its sound or latency.


 Bill




 		 	   		  =

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I'm using a Focusrite Saffire pro 40 and even though the sound quality is e=
xcellent=2C their drivers are unstable. I've been using ASIO4all which is b=
etter but occasionally the soundcard gets lost - not what you need live rea=
lly. I've invested in the stringport hardware only=2C having been assured i=
t would work as a generic win7 soundcard - no it doesn't! <br>Now I have to=
 wait untill they release a windows driver&nbsp=3B - cor blimey -&nbsp=3B r=
emember the days when you bought stuff and it just worked?<br>BTW used to h=
ave a motu and it was very noisy. Edirol stuff is rock solid in my experien=
ce and sounds pretty good to me. <br><br>peace<br><br>G<br><br><hr id=3D"st=
opSpelling">Date: Mon=2C 13 Dec 2010 09:35:29 +0100<br>Subject: Re: WHAT SO=
RTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?<br>From: docittern@g=
mail.com<br>To: Loopers-Delight@loopers-delight.com<br><br>I used to use an=
 Edirol UA-700. &nbsp=3BIt was fine but I was never that wild about the sou=
nd so never did any serious recording with it. Now I'm using a Saffire Pro-=
24. &nbsp=3BI like the sound - I play acoustic with a couple of Josephson C=
42s=2C and I recently recorded my 4-piece acoustic group with 4 mics. It al=
so works stand-alone and it performs well as a small mixer.&nbsp=3B<div>
<br></div><div>However=2C I've been having connectivity problems. &nbsp=3BS=
ome days it just will not show up and can take a long time before it does. =
&nbsp=3BI've been corresponding with one of their techies and he thinks tha=
t either the 400-800 cable isn't any good and I should use an adapter on an=
 800 cable instead=2C or that I should go direct into the MacBook rather th=
an through my external drive. I've tried all of that and more and still hav=
e problems. &nbsp=3BThe irritating thing is that some days it works fine=2C=
 other days it's just moody as hell. &nbsp=3BPersonally=2C I think it's a s=
oftware issue.<br>
<br></div><div>I appreciate the flexibility of being able to program the in=
terface=2C but I think I would prefer straight hardware with on/off switche=
s. &nbsp=3BI guess those days are gone...</div><div><br></div><div>Anyway=
=2C not exactly a recommendation=2C but the pre-amps are good.</div>
<div><br><div class=3D"ecxgmail_quote">On Mon=2C Dec 13=2C 2010 at 8:30 AM=
=2C William Walker <span dir=3D"ltr">&lt=3B<a href=3D"mailto:billwalker@bay=
moon.com">billwalker@baymoon.com</a>&gt=3B</span> wrote:<br><blockquote cla=
ss=3D"ecxgmail_quote" style=3D"border-left: 1px solid rgb(204=2C 204=2C 204=
)=3B padding-left: 1ex=3B">
Hey Ted I'm curious are you running directly in to the MOTU and using amp s=
ims and effects plug ins? or are you going stereo direct and using hardware=
 effects and or amp simulators?<br>
Before I would even recommend interfaces I'm curious why it sounds so lame =
to you and wonder if you would elaborate &nbsp=3Bin more specific detail. &=
nbsp=3B Are you clipping your inputs=2C do you have anything acting as a bu=
ffer between your guitar and the interface=2C are &nbsp=3Busing any compres=
sion to smooth your transients? &nbsp=3Bdoes it sound harsh and or sterile?=
 Even a higher end interface with better converters like the Apogee stuff c=
an sound brittle if you are hitting it too hard. I've used a MOTU 2408 for =
several years now and its worked fine. &nbsp=3BI've never been bothered by =
its sound or latency.<br>

&nbsp=3BBill<br>
<br>
</blockquote></div><br></div> 		 	   		  </body>
</html>=

--_2f2b8b60-dbc7-4d8e-8064-94d5e51f9da5_--

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Interested by this thread as I am (Im only using a MAudio Ozone keyboard as
a soundcard, convenient cos it has a little keyboard and some knobs, but
inconvenient cos it has no regular midi in + er... preamps.. has it them.. =
I
dont think so... not on the stereo input.. or must it.. when you say Preamp=
,
do you mean.. something nice designed for guitar?)

... no what Im really interested in is the fact that...

On Mon, Dec 13, 2010 at 4:17 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Ooofda!
>
>
Ooofda?

Are you aware that this is a completely normal and yet slightly strange
Norwegian expression?
--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8ef0507a63049746cc67
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Interested by this thread as I am (Im only using a MAudio Ozone keyboard as=
 a soundcard, convenient cos it has a little keyboard and some knobs, but i=
nconvenient cos it has no regular midi in + er... preamps.. has it them.. I=
 dont think so... not on the stereo input.. or must it.. when you say Pream=
p, do you mean.. something nice designed for guitar?)<br>

<br>... no what Im really interested in is the fact that...<br><br><div cla=
ss=3D"gmail_quote">On Mon, Dec 13, 2010 at 4:17 AM, tEd =AE KiLLiAn <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter=
.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Ooofda!<br clear=
=3D"all"><br></blockquote><div><br>Ooofda?<br><br>Are you aware that this i=
s a completely normal and yet slightly strange Norwegian expression?<br>

</div></div>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.co=
m">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.o=
rdoabkhao.com</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8ef0507a63049746cc67--

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd486b23bbc9d049747d63e
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yeah, no airport express needed!

http://docs.info.apple.com/article.html?path=Mac/10.5/en/8339.html

just set up an ad hoc network

sim

On Mon, Dec 13, 2010 at 8:38 AM, mark francombe <mark@markfrancombe.com>wrote:

>  <mark@markfrancombe.com> wrote:
>
> Sim also said:
>
> >You should be able to set up a network without a router, I think...?
>
> So how do I set up a network just between my computer and my phone?
>
>
>> > One thing to think about howver... this is working on Wifi right? How
>> can
>> > you be sure to HAVE a wifi connection at your gig?
>>
>> I've been thinking about that too and decided to solve it by bringing
>> my Airport Express.
>>
>>
> YIKES NOOoooo.. Im trying to SIMPLIFY my system, not complicated it..
> Per...  you know what?
> You could get your computer, and fadefox and iphone and ipad and put it all
> in a 19" rack unit...?
>
> um.. er.. wait... a minute..
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--000e0cd486b23bbc9d049747d63e
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yeah, no airport express needed!<br><br><a href=3D"http://docs.info.apple.c=
om/article.html?path=3DMac/10.5/en/8339.html">http://docs.info.apple.com/ar=
ticle.html?path=3DMac/10.5/en/8339.html</a><br><br>just set up an ad hoc ne=
twork<br>
<br>sim<br><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at 8:38 AM, =
mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.c=
om">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(2=
04, 204, 204); padding-left: 1ex;">
=A0&lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@mar=
kfrancombe.com</a>&gt; wrote:<br><div class=3D"gmail_quote"><br><div><div c=
lass=3D"im">Sim also said:<br><br>&gt;You should be able to set up a networ=
k without a router, I think...?<br>


<br></div>So how do I set up a network just between my computer and my phon=
e?<br><br></div><div class=3D"im"><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">

<div><br>
&gt; One thing to think about howver... this is working on Wifi right? How =
can<br>
&gt; you be sure to HAVE a wifi connection at your gig?<br>
<br>
</div>I&#39;ve been thinking about that too and decided to solve it by brin=
ging<br>
my Airport Express.<br>
<div><div></div><div><br></div></div></blockquote></div><div><br>YIKES NOOo=
ooo.. Im trying to SIMPLIFY my system, not complicated it.. Per...=A0 you k=
now what? <br>You could get your computer, and fadefox and iphone and ipad =
and put it all in a 19&quot; rack unit...?<br>


<br>um.. er.. wait... a minute..<br clear=3D"all"><br></div></div><br>-- <b=
r>mark francombe<br><a href=3D"http://www.markfrancombe.com" target=3D"_bla=
nk">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" targ=
et=3D"_blank">www.ordoabkhao.com</a><br>


twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" target=3D=
"_blank">http://vimeo.com/user825094</a><br><a href=3D"http://www.looop.no"=
 target=3D"_blank">http://www.looop.no</a><br>
</blockquote></div><br>

--000e0cd486b23bbc9d049747d63e--

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If I was going to recommend an interface, it'd have to be
a Focusrite, but with 2 caveats

1) Better quality converters can have higher latency, so for live work
   'better' is not always...er...better.

2) What Bill says is about signal path is more important.

andy

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Date: Mon, 13 Dec 2010 12:45:48 +0100
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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LOL, the interfaces below are the ones I just intended to suggest. You
actually asked for "what sounds really good" ;-))  The hard truth is
that you get what you pay for. I sold some stuff to get a Firefac400,
for the sake of the sound. So I'm not saying the FF400 is good because
I own one, I actually picked it to get that sound. It gives the same
good feeling as "plugging into a better sounding amp" compared to most
other interfaces (except for the ones mentioned below I guess). The
difference is obvious with mic input as well as electromagnetic
instruments like Stick and guitar.

If amplified through less good speakers the difference might not be as
flagrant though. The crappiest part of the signal flow chain is
setting the main output fidelity. This may bias a list discussion like
this because you don't know what monitoring people are basing their
opinions on when posting recommendations for an audio interface ;-)

Per


On Mon, Dec 13, 2010 at 4:17 AM, tEd =C2=AE KiLLiAn <tedkillian@charter.net=
> wrote:
> Ooofda!
>
> At a price like that, no wonder the Metric Halo hadn't appeared on my rad=
ar.
>
> (Metric Halo Mobile I/O 2882 =3D $1,895)
>
> Even the RME 400 is a bit pricier than my humble wallet can afford.
>
> (RME Fireface 400 =3D RME Fireface 400)
>
> Like Kevin said, I have heard some really good things about the Apogee Du=
et,
> though it's mere 2 in and 2 out is pretty limiting.
>
> (Apogee Duet =3D $499.95)
>
> I just don't know anyone "in the field" using one.
>
> I appreciate all input though.
>
> I am considering anything I can afford...let's say under $800

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Date: Mon, 13 Dec 2010 13:09:39 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Dec 13, 2010 at 11:04 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> yeah, no airport express needed!
> http://docs.info.apple.com/article.html?path=Mac/10.5/en/8339.html
> just set up an ad hoc network

Erm.... that example actually IS for use with an airport ;-))  It's a
box of a cigarette package size that connects to internet in one end
and radiates a wireless local network in the other end. I still don't
know of a better way to make sure your network will work (keeping the
same old IP address) right away when setting up on stage. Please chime
in if I'm wrong here.

Per

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd3f89ab93a00049749b48c
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

now i'm confused. it says - You can create a wireless network between two o=
r
more AirPort-enabled computers *without using an AirPort Base Station*.
Using what is known as a =93computer-to-computer=94 network, you can share =
files
or play your favorite multiplayer network game over the airwaves.

i'll turn off my router test this later...

sim

On Mon, Dec 13, 2010 at 12:09 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 13, 2010 at 11:04 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > yeah, no airport express needed!
> > http://docs.info.apple.com/article.html?path=3DMac/10.5/en/8339.html
> > just set up an ad hoc network
>
> Erm.... that example actually IS for use with an airport ;-))  It's a
> box of a cigarette package size that connects to internet in one end
> and radiates a wireless local network in the other end. I still don't
> know of a better way to make sure your network will work (keeping the
> same old IP address) right away when setting up on stage. Please chime
> in if I'm wrong here.
>
> Per
>
>

--000e0cd3f89ab93a00049749b48c
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

now i&#39;m confused. it says - You can create a wireless network between t=
wo or more AirPort-enabled=20
computers <b>without using an AirPort Base Station</b>. Using what is known=
 as a
 =93computer-to-computer=94 network, you can share files or play your=20
favorite multiplayer network game over the airwaves.<br><br>i&#39;ll turn o=
ff my router test this later...<br><br>sim<br><br><div class=3D"gmail_quote=
">On Mon, Dec 13, 2010 at 12:09 PM, Per Boysen <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<=
br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Mon, Dec 13, 2010 at 11:04 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; yeah, no airport express needed!<br>
&gt; <a href=3D"http://docs.info.apple.com/article.html?path=3DMac/10.5/en/=
8339.html" target=3D"_blank">http://docs.info.apple.com/article.html?path=
=3DMac/10.5/en/8339.html</a><br>
&gt; just set up an ad hoc network<br>
<br>
</div>Erm.... that example actually IS for use with an airport ;-)) =A0It&#=
39;s a<br>
box of a cigarette package size that connects to internet in one end<br>
and radiates a wireless local network in the other end. I still don&#39;t<b=
r>
know of a better way to make sure your network will work (keeping the<br>
same old IP address) right away when setting up on stage. Please chime<br>
in if I&#39;m wrong here.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd3f89ab93a00049749b48c--

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Date: Mon, 13 Dec 2010 13:31:12 +0100
Message-ID: <AANLkTin=5=dS01PC2PxTNAvG4TJFas4qbs_kE9RBBUFR@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Dec 13, 2010 at 1:18 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> now i'm confused. it says - You can create a wireless network between two=
 or
> more AirPort-enabled computers without using an AirPort Base Station. Usi=
ng
> what is known as a =E2=80=9Ccomputer-to-computer=E2=80=9D network, you ca=
n share files or
> play your favorite multiplayer network game over the airwaves.

You're right, Sim. My bad: I didn't see the word "without" at the top.
I was reading directly on the how-to list that begins with: "Choose
Create Network from the AirPort status icon in the menu bar." So I got
it wrong and thought it required the bass. As I understand it this
example is a network with no further internet connection, just two
computers fishing by their built-in airport receivers? If an iPhone on
Wi-fi can tap into such a computer-to-computer network it would
probably keep a stable IP address. Interesting. Would bring down the
schlepping a bit.

Per

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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 13 Dec 2010 13:34:16 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8f3a500257049749ed19
Content-Type: text/plain; charset=ISO-8859-1

Erm Erm.. actually Per, I must say that I just tried it, disconnected the
computer from the cable, unplugged the Airport.. and made that network. You
get a new type of network icon on the top, and then search on the iphone for
it.. found it easy.. and then touchOSC worked a charm with OSCulator..

so it worked!!

Got an error when I tried to send this mail tho.. had to go and plug it all
in again.. DOH!

Mark

On Mon, Dec 13, 2010 at 1:09 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 13, 2010 at 11:04 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > yeah, no airport express needed!
> > http://docs.info.apple.com/article.html?path=Mac/10.5/en/8339.html
> > just set up an ad hoc network
>
> Erm.... that example actually IS for use with an airport ;-))  It's a
> box of a cigarette package size that connects to internet in one end
> and radiates a wireless local network in the other end. I still don't
> know of a better way to make sure your network will work (keeping the
> same old IP address) right away when setting up on stage. Please chime
> in if I'm wrong here.
>
> Per
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8f3a500257049749ed19
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Erm Erm.. actually Per, I must say that I just tried it, disconnected the c=
omputer from the cable, unplugged the Airport.. and made that network. You =
get a new type of network icon on the top, and then search on the iphone fo=
r it.. found it easy.. and then touchOSC worked a charm with OSCulator..<br=
>

<br>so it worked!!<br><br>Got an error when I tried to send this mail tho..=
 had to go and plug it all in again.. DOH!<br><br>Mark<br><br><div class=3D=
"gmail_quote">On Mon, Dec 13, 2010 at 1:09 PM, Per Boysen <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</sp=
an> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Mon, Dec 13, 2010 at 11:04 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; yeah, no airport express needed!<br>
&gt; <a href=3D"http://docs.info.apple.com/article.html?path=3DMac/10.5/en/=
8339.html" target=3D"_blank">http://docs.info.apple.com/article.html?path=
=3DMac/10.5/en/8339.html</a><br>
&gt; just set up an ad hoc network<br>
<br>
</div>Erm.... that example actually IS for use with an airport ;-)) =A0It&#=
39;s a<br>
box of a cigarette package size that connects to internet in one end<br>
and radiates a wireless local network in the other end. I still don&#39;t<b=
r>
know of a better way to make sure your network will work (keeping the<br>
same old IP address) right away when setting up on stage. Please chime<br>
in if I&#39;m wrong here.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8f3a500257049749ed19--

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Date: Mon, 13 Dec 2010 13:40:44 +0100
Message-ID: <AANLkTimOmgqPRbUbQrhke-TL35Fz4z5Gp0mAmf7SeaS7@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Dec 13, 2010 at 1:34 PM, mark francombe <mark@markfrancombe.com> wrote:
> Erm Erm.. actually Per, I must say that I just tried it, disconnected the
> computer from the cable, unplugged the Airport.. and made that network. You
> get a new type of network icon on the top, and then search on the iphone for
> it.. found it easy.. and then touchOSC worked a charm with OSCulator..
>
> so it worked!!

Wow, super cool!


> Got an error when I tried to send this mail tho.. had to go and plug it all
> in again.. DOH!

That makes sense. On the Numerology forum Jim (developer) just said
that "no other applications are allowed to be active". I was wondering
if he meant on the phone or on the computer. But after you posted this
I see clearly that Jim meant on the computer (maybe he should have
used the word "app" of talking about the phone's applications?).

And this explains my constant failure in this, cause I have Firefox
and Skype going all the time. Seems we have to de-socialize ourselves
and become solitary cavemen in order to have fun with OSC. ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 13 Dec 2010 13:44:43 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
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--90e6ba6e81aaa6abb004974a12cb
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No thats NOT what I meant Per...

Wondering if you are right tho.. gonna try... My second point was just a
joke, cos I had unplugged the internet to test this network or OF COURSE.. I
couldnt send a mail...

at least it looks like it is a usable option for a controller! Im almost
considering an iPad now!! Well.. OK maybe not, I might be tempted to use it
in public, then people would point at me..


mark


On Mon, Dec 13, 2010 at 1:40 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 13, 2010 at 1:34 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Erm Erm.. actually Per, I must say that I just tried it, disconnected the
> > computer from the cable, unplugged the Airport.. and made that network.
> You
> > get a new type of network icon on the top, and then search on the iphone
> for
> > it.. found it easy.. and then touchOSC worked a charm with OSCulator..
> >
> > so it worked!!
>
> Wow, super cool!
>
>
> > Got an error when I tried to send this mail tho.. had to go and plug it
> all
> > in again.. DOH!
>
> That makes sense. On the Numerology forum Jim (developer) just said
> that "no other applications are allowed to be active". I was wondering
> if he meant on the phone or on the computer. But after you posted this
> I see clearly that Jim meant on the computer (maybe he should have
> used the word "app" of talking about the phone's applications?).
>
> And this explains my constant failure in this, cause I have Firefox
> and Skype going all the time. Seems we have to de-socialize ourselves
> and become solitary cavemen in order to have fun with OSC. ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e81aaa6abb004974a12cb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

No thats NOT what I meant Per... <br><br>Wondering if you are right tho.. g=
onna try... My second point was just a joke, cos I had unplugged the intern=
et to test this network or OF COURSE.. I couldnt send a mail...<br><br>at l=
east it looks like it is a usable option for a controller! Im almost consid=
ering an iPad now!! Well.. OK maybe not, I might be tempted to use it in pu=
blic, then people would point at me..<br>

<br><br>mark<br><br><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at =
1:40 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail=
.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">

<div class=3D"im">On Mon, Dec 13, 2010 at 1:34 PM, mark francombe &lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<=
br>
&gt; Erm Erm.. actually Per, I must say that I just tried it, disconnected =
the<br>
&gt; computer from the cable, unplugged the Airport.. and made that network=
. You<br>
&gt; get a new type of network icon on the top, and then search on the ipho=
ne for<br>
&gt; it.. found it easy.. and then touchOSC worked a charm with OSCulator..=
<br>
&gt;<br>
&gt; so it worked!!<br>
<br>
</div>Wow, super cool!<br>
<div class=3D"im"><br>
<br>
&gt; Got an error when I tried to send this mail tho.. had to go and plug i=
t all<br>
&gt; in again.. DOH!<br>
<br>
</div>That makes sense. On the Numerology forum Jim (developer) just said<b=
r>
that &quot;no other applications are allowed to be active&quot;. I was wond=
ering<br>
if he meant on the phone or on the computer. But after you posted this<br>
I see clearly that Jim meant on the computer (maybe he should have<br>
used the word &quot;app&quot; of talking about the phone&#39;s applications=
?).<br>
<br>
And this explains my constant failure in this, cause I have Firefox<br>
and Skype going all the time. Seems we have to de-socialize ourselves<br>
and become solitary cavemen in order to have fun with OSC. ;-)<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e81aaa6abb004974a12cb--

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Date: Mon, 13 Dec 2010 12:48:55 +0000
Message-ID: <AANLkTinSBGy8kH+xay4mV1mBeU1t=teuNJw4MvAm1Q_D@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd486b280c22d04974a2008
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ok, so i truned off my router and followed the instructions given (didn't
bother with a password) and i was able to connect my ipod to my computer
with no problem. i just went to my wifi settings on my ipod and selected my
computer from the list of available networks (the others were my neighbour'=
s
wifi). no base station needed.

sim

On Mon, Dec 13, 2010 at 12:18 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> now i'm confused. it says - You can create a wireless network between two
> or more AirPort-enabled computers *without using an AirPort Base Station*=
.
> Using what is known as a =93computer-to-computer=94 network, you can shar=
e files
> or play your favorite multiplayer network game over the airwaves.
>
> i'll turn off my router test this later...
>
> sim
>
>
> On Mon, Dec 13, 2010 at 12:09 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Mon, Dec 13, 2010 at 11:04 AM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>> > yeah, no airport express needed!
>> > http://docs.info.apple.com/article.html?path=3DMac/10.5/en/8339.html
>> > just set up an ad hoc network
>>
>> Erm.... that example actually IS for use with an airport ;-))  It's a
>> box of a cigarette package size that connects to internet in one end
>> and radiates a wireless local network in the other end. I still don't
>> know of a better way to make sure your network will work (keeping the
>> same old IP address) right away when setting up on stage. Please chime
>> in if I'm wrong here.
>>
>> Per
>>
>>
>

--000e0cd486b280c22d04974a2008
Content-Type: text/html; charset=windows-1252
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ok, so i truned off my router and followed the instructions given (didn&#39=
;t bother with a password) and i was able to connect my ipod to my computer=
 with no problem. i just went to my wifi settings on my ipod and selected m=
y computer from the list of available networks (the others were my neighbou=
r&#39;s wifi). no base station needed.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at 12:18 PM,=
 Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googl=
email.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">
now i&#39;m confused. it says - You can create a wireless network between t=
wo or more AirPort-enabled=20
computers <b>without using an AirPort Base Station</b>. Using what is known=
 as a
 =93computer-to-computer=94 network, you can share files or play your=20
favorite multiplayer network game over the airwaves.<br><br>i&#39;ll turn o=
ff my router test this later...<br><br>sim<div><div></div><div class=3D"h5"=
><br><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at 12:09 PM, Per B=
oysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=
=3D"_blank">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Mon, Dec =
13, 2010 at 11:04 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">sime=
onharris40@googlemail.com</a>&gt; wrote:<br>
&gt; yeah, no airport express needed!<br>
&gt; <a href=3D"http://docs.info.apple.com/article.html?path=3DMac/10.5/en/=
8339.html" target=3D"_blank">http://docs.info.apple.com/article.html?path=
=3DMac/10.5/en/8339.html</a><br>
&gt; just set up an ad hoc network<br>
<br>
</div>Erm.... that example actually IS for use with an airport ;-)) =A0It&#=
39;s a<br>
box of a cigarette package size that connects to internet in one end<br>
and radiates a wireless local network in the other end. I still don&#39;t<b=
r>
know of a better way to make sure your network will work (keeping the<br>
same old IP address) right away when setting up on stage. Please chime<br>
in if I&#39;m wrong here.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br>

--000e0cd486b280c22d04974a2008--

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To: <loopers-delight@loopers-delight.com>
Subject: RE: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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Hi all!

I'd like to take advantage of this topic to get an advice on which audio in=
terface to buy:

I plan to do a on the road record on my next travel to Brazil
I want that to have a natural sounding vibe but also quality to it because =
I later want to release that on DVD...
I'm going to play guitar and percussions live together with local musicians=
 in their own environment...

so I plan to travel with a macbook pro (by that way I'm undecided to buy on=
e used on late 2007 or another used 2009 or a new one - is that necessary t=
o have the last one or is ok the olders? I'm new into mac:))

 and an audio interface with good and natural sounding mic preamps=2C vario=
us analogic mic inputs and a stadalone possibilty for gigs aside from the t=
ravel)

for what I've understood I think I'll use logic pro and maybe for the live =
playing with mac ableton or audiodesk or something else...
so my main concern is sound quality=2C easy operation and reliabilty with d=
rives and so on...

for what I've read I'm thinking about:
motu traveler
presonus firestudio or fireproject
tc electronic d24 konnect or impacr twin
or any other will fit my needs

the toal budget MAc + Audio interface it's around 1200/1500 euros

and then I'll have to buy mics! and before that save a lot of money I guess=
:)

Thanks to all!!

Andrea
> Date: Mon=2C 13 Dec 2010 12:45:48 +0100
> Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS=
?
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> LOL=2C the interfaces below are the ones I just intended to suggest. You
> actually asked for "what sounds really good" =3B-))  The hard truth is
> that you get what you pay for. I sold some stuff to get a Firefac400=2C
> for the sake of the sound. So I'm not saying the FF400 is good because
> I own one=2C I actually picked it to get that sound. It gives the same
> good feeling as "plugging into a better sounding amp" compared to most
> other interfaces (except for the ones mentioned below I guess). The
> difference is obvious with mic input as well as electromagnetic
> instruments like Stick and guitar.
>=20
> If amplified through less good speakers the difference might not be as
> flagrant though. The crappiest part of the signal flow chain is
> setting the main output fidelity. This may bias a list discussion like
> this because you don't know what monitoring people are basing their
> opinions on when posting recommendations for an audio interface =3B-)
>=20
> Per
>=20
>=20
> On Mon=2C Dec 13=2C 2010 at 4:17 AM=2C tEd =AE KiLLiAn <tedkillian@charte=
r.net> wrote:
> > Ooofda!
> >
> > At a price like that=2C no wonder the Metric Halo hadn't appeared on my=
 radar.
> >
> > (Metric Halo Mobile I/O 2882 =3D $1=2C895)
> >
> > Even the RME 400 is a bit pricier than my humble wallet can afford.
> >
> > (RME Fireface 400 =3D RME Fireface 400)
> >
> > Like Kevin said=2C I have heard some really good things about the Apoge=
e Duet=2C
> > though it's mere 2 in and 2 out is pretty limiting.
> >
> > (Apogee Duet =3D $499.95)
> >
> > I just don't know anyone "in the field" using one.
> >
> > I appreciate all input though.
> >
> > I am considering anything I can afford...let's say under $800
>=20
 		 	   		  =

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<body class=3D'hmmessage'>
Hi all!<br><br>I'd like to take advantage of this topic to get an advice on=
 which audio interface to buy:<br><br>I plan to do a on the road record on =
my next travel to Brazil<br>I want that to have a natural sounding vibe but=
 also quality to it because I later want to release that on DVD...<br>I'm g=
oing to play guitar and percussions live together with local musicians in t=
heir own environment...<br><br>so I plan to travel with a macbook pro (by t=
hat way I'm undecided to buy one used on late 2007 or another used 2009 or =
a new one - is that necessary to have the last one or is ok the olders? I'm=
 new into mac:))<br><br>&nbsp=3Band an audio interface with good and natura=
l sounding mic preamps=2C various analogic mic inputs and a stadalone possi=
bilty for gigs aside from the travel)<br><br>for what I've understood I thi=
nk I'll use logic pro and maybe for the live playing with mac ableton or au=
diodesk or something else...<br>so my main concern is sound quality=2C easy=
 operation and reliabilty with drives and so on...<br><br>for what I've rea=
d I'm thinking about:<br>motu traveler<br>presonus firestudio or fireprojec=
t<br>tc electronic d24 konnect or impacr twin<br>or any other will fit my n=
eeds<br><br>the toal budget MAc + Audio interface it's around 1200/1500 eur=
os<br><br>and then I'll have to buy mics! and before that save a lot of mon=
ey I guess:)<br><br>Thanks to all!!<br><br>Andrea<br>&gt=3B Date: Mon=2C 13=
 Dec 2010 12:45:48 +0100<br>&gt=3B Subject: Re: WHAT SORTS OF FIREWIRE INTE=
FACES ARE PEOPLE USING THESE DAYS?<br>&gt=3B From: perboysen@gmail.com<br>&=
gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B LOL=2C t=
he interfaces below are the ones I just intended to suggest. You<br>&gt=3B =
actually asked for "what sounds really good" =3B-))  The hard truth is<br>&=
gt=3B that you get what you pay for. I sold some stuff to get a Firefac400=
=2C<br>&gt=3B for the sake of the sound. So I'm not saying the FF400 is goo=
d because<br>&gt=3B I own one=2C I actually picked it to get that sound. It=
 gives the same<br>&gt=3B good feeling as "plugging into a better sounding =
amp" compared to most<br>&gt=3B other interfaces (except for the ones menti=
oned below I guess). The<br>&gt=3B difference is obvious with mic input as =
well as electromagnetic<br>&gt=3B instruments like Stick and guitar.<br>&gt=
=3B <br>&gt=3B If amplified through less good speakers the difference might=
 not be as<br>&gt=3B flagrant though. The crappiest part of the signal flow=
 chain is<br>&gt=3B setting the main output fidelity. This may bias a list =
discussion like<br>&gt=3B this because you don't know what monitoring peopl=
e are basing their<br>&gt=3B opinions on when posting recommendations for a=
n audio interface =3B-)<br>&gt=3B <br>&gt=3B Per<br>&gt=3B <br>&gt=3B <br>&=
gt=3B On Mon=2C Dec 13=2C 2010 at 4:17 AM=2C tEd =AE KiLLiAn &lt=3Btedkilli=
an@charter.net&gt=3B wrote:<br>&gt=3B &gt=3B Ooofda!<br>&gt=3B &gt=3B<br>&g=
t=3B &gt=3B At a price like that=2C no wonder the Metric Halo hadn't appear=
ed on my radar.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B (Metric Halo Mobile I/O 2=
882 =3D $1=2C895)<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Even the RME 400 is a b=
it pricier than my humble wallet can afford.<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B (RME Fireface 400 =3D RME Fireface 400)<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B Like Kevin said=2C I have heard some really good things about the Apoge=
e Duet=2C<br>&gt=3B &gt=3B though it's mere 2 in and 2 out is pretty limiti=
ng.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B (Apogee Duet =3D $499.95)<br>&gt=3B &=
gt=3B<br>&gt=3B &gt=3B I just don't know anyone "in the field" using one.<b=
r>&gt=3B &gt=3B<br>&gt=3B &gt=3B I appreciate all input though.<br>&gt=3B &=
gt=3B<br>&gt=3B &gt=3B I am considering anything I can afford...let's say u=
nder $800<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_52858d89-9ef0-4339-8327-8ea0dfc62999_--

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Date: Mon, 13 Dec 2010 13:53:27 +0100
Message-ID: <AANLkTi=h=Hd0dipZSc3OKUazz5rqQKYmuU2QTNQQPRCG@mail.gmail.com>
Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Dec 13, 2010 at 1:48 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> ok, so i truned off my router and followed the instructions given (didn't
> bother with a password) and i was able to connect my ipod to my computer
> with no problem. i just went to my wifi settings on my ipod and selected my
> computer from the list of available networks (the others were my neighbour's
> wifi). no base station needed.

Nice. Then you only need to create a network that does not connect to
the internet - cause then it might hook up with a provider that feeds
a new IP address - in order to keep forever the same IP address as the
TouchOSC has memorized?

Per

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 12:59:38 2010
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6ad12b6ce8504974a4650
Content-Type: text/plain; charset=ISO-8859-1

your computer is effectively the base station and your phone is connecting
to it. i suspect it will always have the same ip address. the internet
doesn't come into it - your computer isn't looking to hook up with anything
- it's just making itself available for other devices to hook up to it

sim

sim

On Mon, Dec 13, 2010 at 12:53 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 13, 2010 at 1:48 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > ok, so i truned off my router and followed the instructions given (didn't
> > bother with a password) and i was able to connect my ipod to my computer
> > with no problem. i just went to my wifi settings on my ipod and selected
> my
> > computer from the list of available networks (the others were my
> neighbour's
> > wifi). no base station needed.
>
> Nice. Then you only need to create a network that does not connect to
> the internet - cause then it might hook up with a provider that feeds
> a new IP address - in order to keep forever the same IP address as the
> TouchOSC has memorized?
>
> Per
>
>

--000e0cd6ad12b6ce8504974a4650
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

your computer is effectively the base station and your phone is connecting =
to it. i suspect it will always have the same ip address. the internet does=
n&#39;t come into it - your computer isn&#39;t looking to hook up with anyt=
hing - it&#39;s just making itself available for other devices to hook up t=
o it<br>
<br>sim<br><br>sim<br><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 a=
t 12:53 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gm=
ail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb=
(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">On Mon, Dec 13, 2010 at 1:48 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; ok, so i truned off my router and followed the instructions given (did=
n&#39;t<br>
&gt; bother with a password) and i was able to connect my ipod to my comput=
er<br>
&gt; with no problem. i just went to my wifi settings on my ipod and select=
ed my<br>
&gt; computer from the list of available networks (the others were my neigh=
bour&#39;s<br>
&gt; wifi). no base station needed.<br>
<br>
</div>Nice. Then you only need to create a network that does not connect to=
<br>
the internet - cause then it might hook up with a provider that feeds<br>
a new IP address - in order to keep forever the same IP address as the<br>
TouchOSC has memorized?<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd6ad12b6ce8504974a4650--

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To: <loopers-delight@loopers-delight.com>
Subject: RE: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
Date: Mon, 13 Dec 2010 13:45:28 +0000
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 I've just been looking into mobile recorders for my forthcoming travels an=
d have pretty much decided on the Zoom H4n. It doubles as a usb interface=
=2C up to 4 inputs at once=2C (recorded on separate tracks) and has good mi=
cs on board - I should think this would be a pretty good option though it i=
sn't firewire.
=20
Peace
=20
G


From: andrea.trabucco@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: RE: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
Date: Mon=2C 13 Dec 2010 13:50:32 +0100




Hi all!

I'd like to take advantage of this topic to get an advice on which audio in=
terface to buy:

I plan to do a on the road record on my next travel to Brazil
I want that to have a natural sounding vibe but also quality to it because =
I later want to release that on DVD...
I'm going to play guitar and percussions live together with local musicians=
 in their own environment...

so I plan to travel with a macbook pro (by that way I'm undecided to buy on=
e used on late 2007 or another used 2009 or a new one - is that necessary t=
o have the last one or is ok the olders? I'm new into mac:))

 and an audio interface with good and natural sounding mic preamps=2C vario=
us analogic mic inputs and a stadalone possibilty for gigs aside from the t=
ravel)

for what I've understood I think I'll use logic pro and maybe for the live =
playing with mac ableton or audiodesk or something else...
so my main concern is sound quality=2C easy operation and reliabilty with d=
rives and so on...

for what I've read I'm thinking about:
motu traveler
presonus firestudio or fireproject
tc electronic d24 konnect or impacr twin
or any other will fit my needs

the toal budget MAc + Audio interface it's around 1200/1500 euros

and then I'll have to buy mics! and before that save a lot of money I guess=
:)

Thanks to all!!

Andrea
> Date: Mon=2C 13 Dec 2010 12:45:48 +0100
> Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS=
?
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> LOL=2C the interfaces below are the ones I just intended to suggest. You
> actually asked for "what sounds really good" =3B-)) The hard truth is
> that you get what you pay for. I sold some stuff to get a Firefac400=2C
> for the sake of the sound. So I'm not saying the FF400 is good because
> I own one=2C I actually picked it to get that sound. It gives the same
> good feeling as "plugging into a better sounding amp" compared to most
> other interfaces (except for the ones mentioned below I guess). The
> difference is obvious with mic input as well as electromagnetic
> instruments like Stick and guitar.
>=20
> If amplified through less good speakers the difference might not be as
> flagrant though. The crappiest part of the signal flow chain is
> setting the main output fidelity. This may bias a list discussion like
> this because you don't know what monitoring people are basing their
> opinions on when posting recommendations for an audio interface =3B-)
>=20
> Per
>=20
>=20
> On Mon=2C Dec 13=2C 2010 at 4:17 AM=2C tEd =AE KiLLiAn <tedkillian@charte=
r.net> wrote:
> > Ooofda!
> >
> > At a price like that=2C no wonder the Metric Halo hadn't appeared on my=
 radar.
> >
> > (Metric Halo Mobile I/O 2882 =3D $1=2C895)
> >
> > Even the RME 400 is a bit pricier than my humble wallet can afford.
> >
> > (RME Fireface 400 =3D RME Fireface 400)
> >
> > Like Kevin said=2C I have heard some really good things about the Apoge=
e Duet=2C
> > though it's mere 2 in and 2 out is pretty limiting.
> >
> > (Apogee Duet =3D $499.95)
> >
> > I just don't know anyone "in the field" using one.
> >
> > I appreciate all input though.
> >
> > I am considering anything I can afford...let's say under $800
>=20
 		 	   		  =

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</head>
<body class=3D'hmmessage'>
<BR>&nbsp=3BI've just been looking into mobile recorders for my forthcoming=
 travels and have pretty much decided on the Zoom H4n. It doubles as a usb =
interface=2C up to 4 inputs at once=2C (recorded on separate tracks) and ha=
s good mics on board - I should think this would be a pretty good option th=
ough it isn't firewire.<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>

<HR id=3DstopSpelling>
From: andrea.trabucco@hotmail.com<BR>To: loopers-delight@loopers-delight.co=
m<BR>Subject: RE: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE D=
AYS?<BR>Date: Mon=2C 13 Dec 2010 13:50:32 +0100<BR><BR>
<META content=3D"Microsoft SafeHTML" name=3DGenerator>
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.ExternalClass .ecxhmmessage P
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</STYLE>
Hi all!<BR><BR>I'd like to take advantage of this topic to get an advice on=
 which audio interface to buy:<BR><BR>I plan to do a on the road record on =
my next travel to Brazil<BR>I want that to have a natural sounding vibe but=
 also quality to it because I later want to release that on DVD...<BR>I'm g=
oing to play guitar and percussions live together with local musicians in t=
heir own environment...<BR><BR>so I plan to travel with a macbook pro (by t=
hat way I'm undecided to buy one used on late 2007 or another used 2009 or =
a new one - is that necessary to have the last one or is ok the olders? I'm=
 new into mac:))<BR><BR>&nbsp=3Band an audio interface with good and natura=
l sounding mic preamps=2C various analogic mic inputs and a stadalone possi=
bilty for gigs aside from the travel)<BR><BR>for what I've understood I thi=
nk I'll use logic pro and maybe for the live playing with mac ableton or au=
diodesk or something else...<BR>so my main concern is sound quality=2C easy=
 operation and reliabilty with drives and so on...<BR><BR>for what I've rea=
d I'm thinking about:<BR>motu traveler<BR>presonus firestudio or fireprojec=
t<BR>tc electronic d24 konnect or impacr twin<BR>or any other will fit my n=
eeds<BR><BR>the toal budget MAc + Audio interface it's around 1200/1500 eur=
os<BR><BR>and then I'll have to buy mics! and before that save a lot of mon=
ey I guess:)<BR><BR>Thanks to all!!<BR><BR>Andrea<BR>&gt=3B Date: Mon=2C 13=
 Dec 2010 12:45:48 +0100<BR>&gt=3B Subject: Re: WHAT SORTS OF FIREWIRE INTE=
FACES ARE PEOPLE USING THESE DAYS?<BR>&gt=3B From: perboysen@gmail.com<BR>&=
gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B LOL=2C t=
he interfaces below are the ones I just intended to suggest. You<BR>&gt=3B =
actually asked for "what sounds really good" =3B-)) The hard truth is<BR>&g=
t=3B that you get what you pay for. I sold some stuff to get a Firefac400=
=2C<BR>&gt=3B for the sake of the sound. So I'm not saying the FF400 is goo=
d because<BR>&gt=3B I own one=2C I actually picked it to get that sound. It=
 gives the same<BR>&gt=3B good feeling as "plugging into a better sounding =
amp" compared to most<BR>&gt=3B other interfaces (except for the ones menti=
oned below I guess). The<BR>&gt=3B difference is obvious with mic input as =
well as electromagnetic<BR>&gt=3B instruments like Stick and guitar.<BR>&gt=
=3B <BR>&gt=3B If amplified through less good speakers the difference might=
 not be as<BR>&gt=3B flagrant though. The crappiest part of the signal flow=
 chain is<BR>&gt=3B setting the main output fidelity. This may bias a list =
discussion like<BR>&gt=3B this because you don't know what monitoring peopl=
e are basing their<BR>&gt=3B opinions on when posting recommendations for a=
n audio interface =3B-)<BR>&gt=3B <BR>&gt=3B Per<BR>&gt=3B <BR>&gt=3B <BR>&=
gt=3B On Mon=2C Dec 13=2C 2010 at 4:17 AM=2C tEd =AE KiLLiAn &lt=3Btedkilli=
an@charter.net&gt=3B wrote:<BR>&gt=3B &gt=3B Ooofda!<BR>&gt=3B &gt=3B<BR>&g=
t=3B &gt=3B At a price like that=2C no wonder the Metric Halo hadn't appear=
ed on my radar.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B (Metric Halo Mobile I/O 2=
882 =3D $1=2C895)<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B Even the RME 400 is a b=
it pricier than my humble wallet can afford.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=
=3B (RME Fireface 400 =3D RME Fireface 400)<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=
=3B Like Kevin said=2C I have heard some really good things about the Apoge=
e Duet=2C<BR>&gt=3B &gt=3B though it's mere 2 in and 2 out is pretty limiti=
ng.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B (Apogee Duet =3D $499.95)<BR>&gt=3B &=
gt=3B<BR>&gt=3B &gt=3B I just don't know anyone "in the field" using one.<B=
R>&gt=3B &gt=3B<BR>&gt=3B &gt=3B I appreciate all input though.<BR>&gt=3B &=
gt=3B<BR>&gt=3B &gt=3B I am considering anything I can afford...let's say u=
nder $800<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_cefc8227-2414-4ee4-b4e3-904130a973da_--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 13:46:56 2010
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Subject: Stuff that Works
References: <92085E11-B23E-40A6-8F7B-03BA1075CC8B@baymoon.com> <AANLkTim2UhGbSkDq8Rkj+LN2cV1LJ3KJA7jZW9DsxhuR@mail.gmail.com> <AANLkTikW1m26b8RFK8tL4XG8MSJ_3zJ1_y9QEhrYA8cy@mail.gmail.com>
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Date: Mon, 13 Dec 2010 08:46:01 -0500
To: <Loopers-Delight@loopers-delight.com>
thread-topic: Stuff that Works
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Ya'll ever heard that Guy Clark song, Stuff that Works?  It's a good'en.=20

With all this talk of stuff that dont work, I'm so glad I havent gone the la=
ptop route yet!! My little LP1 and midibuddy are just plugging right along!!=
!!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 10, 2010, at 12:47 PM, Louie Angulo <louie.angulo@googlemail.com> wro=
te:

>  Per wrote:
> I love that the LG2 is so reliable! It only sends out the data you have
> programmed it to send out, the FCB is just disastrous with that.
> =20
> Per but you never upgraded the FCB with the UnO chip, since i did i never h=
ad an issue with it sending weird midi messages again,=20
> and you can program it with the Ripwerx software or without it (unfortunat=
ely there isnt a reliable Ripwerx software for mac;-(
> but thats is still a pretty good bargain for a foot controller id say!
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
> =20
> On Fri, Dec 10, 2010 at 4:11 AM, William Walker <billwalker@baymoon.com> w=
rote:
> >    I just wanted to let you know I got my Gordius Little Giant back afte=
r
> > its Version 2 upgrade, and I love the way the new LCD graphic display lo=
oks
> > and the new flexibility of the 1/4 cc outputs on the back of which I hav=
en't
> > begun to scratch the surface . One cool thing about its LCD display is t=
hat
> > it shows in large full screen numbers what patch I happen to be on and i=
t
> > has a screen saver mode. In its earlier version the characters where sma=
ller
> > and less easy to see from a distance, This is great for my middle age
> > peepers. Its been a work horse since I got it, its built like a tank, it=
s
> > switches have fast response and are quieter than most , though I'm intri=
gued
> > by Andy's idea of putting some foam on the inside to dampen the acoustic=

> > chamber aspect of the chassis itself, to see if i can minimize mechanica=
l
> > noise even further. If it weren't for the fact that the original  LCD sc=
reen
> > started to dim, I might have never considered the version 2 firmware upg=
rade
> > but I'm glad Xavier convinced me to do it. He made a great piece of gear=

> > even better. Its never failed me 5 years of almost  daily use.  If I eve=
r
> > move to a lap top this will easily make the transition vis its USB port.=

> >  Since the LG also has a second pair of midi ins and outs, I have on
> > occasion  been using an old roland FC-50 midi pedal as a remote to eithe=
r
> > add more preset switches  to control more parameters on my looperlative,=
 or
> > use a slightly quieter remote switch in critical open mic recording
> > situations. The Roland pedal switches like this are about as quiet as th=
ey
> > come mechanical noise-wise but do become creaky sounding with wear and t=
ear,
> > The FCB's switches are a little noisier still to my ears with even more w=
ear
> > related issues, though as has been pointed out before, its possible to
> > trigger the Gordius switches with a very light touch and create almost n=
o
> > mechanical noise.
> > Bill
> >
> >
>=20
>=20
>=20

--Apple-Mail-7-408149027
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<html><body bgcolor="#FFFFFF"><div>Ya'll ever heard that Guy Clark song, Stuff that Works? &nbsp;It's a good'en.&nbsp;</div><div><br></div><div>With all this talk of stuff that dont work, I'm so glad I havent gone the laptop route yet!! My little LP1 and midibuddy are just plugging right along!!!!!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 10, 2010, at 12:47 PM, Louie Angulo &lt;<a href="mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>&nbsp;Per wrote:<br>I love that the LG2 is so reliable! It only sends out the data you have<br><div class="gmail_quote"><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

programmed it to send out, the FCB is just disastrous with that.<br></blockquote><div>&nbsp;</div><div>Per but you never upgraded the FCB with the UnO chip, since i did i never had an issue with it sending weird midi messages again, <br>
and you can program it with the Ripwerx software or without it (unfortunately there isnt a reliable Ripwerx software for mac;-(<br>but thats is still a pretty good bargain for a foot controller id say!<br></div><div><br><br>
<br><br><br><br><br><br><br><br><br><br>&nbsp;</div><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div class="h5">
On Fri, Dec 10, 2010 at 4:11 AM, William Walker &lt;<a href="mailto:billwalker@baymoon.com"><a href="mailto:billwalker@baymoon.com">billwalker@baymoon.com</a></a>&gt; wrote:<br>
&gt; &nbsp; &nbsp;I just wanted to let you know I got my Gordius Little Giant back after<br>
&gt; its Version 2 upgrade, and I love the way the new LCD graphic display looks<br>
&gt; and the new flexibility of the 1/4 cc outputs on the back of which I haven't<br>
&gt; begun to scratch the surface . One cool thing about its LCD display is that<br>
&gt; it shows in large full screen numbers what patch I happen to be on and it<br>
&gt; has a screen saver mode. In its earlier version the characters where smaller<br>
&gt; and less easy to see from a distance, This is great for my middle age<br>
&gt; peepers. Its been a work horse since I got it, its built like a tank, its<br>
&gt; switches have fast response and are quieter than most , though I'm intrigued<br>
&gt; by Andy's idea of putting some foam on the inside to dampen the acoustic<br>
&gt; chamber aspect of the chassis itself, to see if i can minimize mechanical<br>
&gt; noise even further. If it weren't for the fact that the original &nbsp;LCD screen<br>
&gt; started to dim, I might have never considered the version 2 firmware upgrade<br>
&gt; but I'm glad Xavier convinced me to do it. He made a great piece of gear<br>
&gt; even better. Its never failed me 5 years of almost &nbsp;daily use. &nbsp;If I ever<br>
&gt; move to a lap top this will easily make the transition vis its USB port.<br>
&gt; &nbsp;Since the LG also has a second pair of midi ins and outs, I have on<br>
&gt; occasion &nbsp;been using an old roland FC-50 midi pedal as a remote to either<br>
&gt; add more preset switches &nbsp;to control more parameters on my looperlative, or<br>
&gt; use a slightly quieter remote switch in critical open mic recording<br>
&gt; situations. The Roland pedal switches like this are about as quiet as they<br>
&gt; come mechanical noise-wise but do become creaky sounding with wear and tear,<br>
&gt; The FCB's switches are a little noisier still to my ears with even more wear<br>
&gt; related issues, though as has been pointed out before, its possible to<br>
&gt; trigger the Gordius switches with a very light touch and create almost no<br>
&gt; mechanical noise.<br>
&gt; Bill<br>
&gt;<br>
&gt;<br>
<br>
</div></div><br></blockquote></div><br>
</div></blockquote></body></html>
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Date: Mon, 13 Dec 2010 15:05:10 +0100
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: Per Boysen <perboysen@gmail.com>
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On Mon, Dec 13, 2010 at 2:45 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> =C2=A0I've just been looking into mobile recorders for my forthcoming tra=
vels and
> have pretty much decided on the Zoom H4n. It doubles as a usb interface, =
up
> to 4 inputs at once, (recorded on separate tracks) and has good mics on
> board - I should think this would be a pretty good option though it isn't
> firewire.


I have successfully used a H4 since it was first released. I think it
excels as a stereo hand recorder and I mainly use it for recording
interviews for journalistic work and stereo field sound to be used in
my own music productions. Since I'm curious I also tested the H4's
capabilities as USB audio interface and found it epically crappy. I
also tested its capabilities as a guitar effect processor and found it
sounding "digitally crappy". Finally I tortured myself with the four
track recorder function environment... jeez, that one is light years
from "plug n play" ;-)

But as a hand held stereo field recorder I think it is great! That's
the use I dare to recommend the H4 for. Rather good fidelity as well
with the built-in mics.

Before buying a H4 today I would compare its recording abilities with
the iPhone. I've heard the iPhone 4 records good audio but have not
found time to test that out properly yet.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 14:24:56 2010
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Gareth Whittock wrote:
> 
>  I've just been looking into mobile recorders for my forthcoming travels 
> and have pretty much decided on the Zoom H4n. It doubles as a usb 
> interface, 

I'd double check that it actually *works* as a usb interface.

The H2 also claims that feature, but the input is always fed straight
to the output when it's used like that.
It's possible they took notice of user feedback and fixed that for the H4n of course.



andy

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Gareth Whittock wrote:
> 
>  I've just been looking into mobile recorders for my forthcoming travels 
> and have pretty much decided on the Zoom H4n. It doubles as a usb 
> interface, 

I'd double check that it actually *works* as a usb interface.

The H2 also claims that feature, but the input is always fed straight
to the output when it's used like that.
It's possible they took notice of user feedback and fixed that for the H4n of course.



andy

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 14:40:20 2010
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Per Boysen wrote:

> But as a hand held stereo field recorder I think it is great! That's
> the use I dare to recommend the H4 for. Rather good fidelity as well
> with the built-in mics.

The H4n doesn't have the same mics as the nice ones in the H4 (and H2).
I specifically asked Zoom tech support about this, and they
were able to confirm that the new mics were "better".
They wouldn't reply when I asked what exactly was better about them.

The frequency response curves show the newer mics to have a less flat
response in the upper mid and high frequencies.

Not to criticise the H4n (and related Zooms) tho', I think it's
just some fluke that the H2/H4 mics turned out surprisingly good.

..sound samples here for a good selection of recorders, so no
need to take my word for it

http://www.wingfieldaudio.com/portable-recorder-sound-samples.html


> 
> Before buying a H4 today I would compare its recording abilities with
> the iPhone. 

seriously though

andy






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--0-1576930953-1292251482=:8667
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hello,

I have a Sony D50 and it sounds great with internal mics- and even better with 
DPA miniature mics. No USB interface capabilities. For that I use RME multiface 
with a card on a PowerBook.

Antony



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, December 13, 2010 3:05:10 PM
Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?

On Mon, Dec 13, 2010 at 2:45 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
>  I've just been looking into mobile recorders for my forthcoming travels and
> have pretty much decided on the Zoom H4n. It doubles as a usb interface, up
> to 4 inputs at once, (recorded on separate tracks) and has good mics on
> board - I should think this would be a pretty good option though it isn't
> firewire.


I have successfully used a H4 since it was first released. I think it
excels as a stereo hand recorder and I mainly use it for recording
interviews for journalistic work and stereo field sound to be used in
my own music productions. Since I'm curious I also tested the H4's
capabilities as USB audio interface and found it epically crappy. I
also tested its capabilities as a guitar effect processor and found it
sounding "digitally crappy". Finally I tortured myself with the four
track recorder function environment... jeez, that one is light years
from "plug n play" ;-)

But as a hand held stereo field recorder I think it is great! That's
the use I dare to recommend the H4 for. Rather good fidelity as well
with the built-in mics.

Before buying a H4 today I would compare its recording abilities with
the iPhone. I've heard the iPhone 4 records good audio but have not
found time to test that out properly yet.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


      
--0-1576930953-1292251482=:8667
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>hello,</div><div><br></div><div>I have a Sony D50 and it sounds great with internal mics- and even better with DPA miniature mics. No USB interface capabilities. For that I use RME multiface with a card on a PowerBook.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, December 13, 2010 3:05:10 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: WHAT SORTS OF FIREWIRE INTEFACES ARE
 PEOPLE USING THESE DAYS?<br></font><br>
On Mon, Dec 13, 2010 at 2:45 PM, Gareth Whittock<br>&lt;<a ymailto="mailto:buddhamachine@live.co.uk" href="mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; wrote:<br>&gt; &nbsp;I've just been looking into mobile recorders for my forthcoming travels and<br>&gt; have pretty much decided on the Zoom H4n. It doubles as a usb interface, up<br>&gt; to 4 inputs at once, (recorded on separate tracks) and has good mics on<br>&gt; board - I should think this would be a pretty good option though it isn't<br>&gt; firewire.<br><br><br>I have successfully used a H4 since it was first released. I think it<br>excels as a stereo hand recorder and I mainly use it for recording<br>interviews for journalistic work and stereo field sound to be used in<br>my own music productions. Since I'm curious I also tested the H4's<br>capabilities as USB audio interface and found it epically crappy. I<br>also tested its capabilities as a guitar effect processor and
 found it<br>sounding "digitally crappy". Finally I tortured myself with the four<br>track recorder function environment... jeez, that one is light years<br>from "plug n play" ;-)<br><br>But as a hand held stereo field recorder I think it is great! That's<br>the use I dare to recommend the H4 for. Rather good fidelity as well<br>with the built-in mics.<br><br>Before buying a H4 today I would compare its recording abilities with<br>the iPhone. I've heard the iPhone 4 records good audio but have not<br>found time to test that out properly yet.<br><br>Greetings from Sweden<br><br>Per Boysen<br><a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1576930953-1292251482=:8667--

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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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I worked with the MOTU 828 for a while. Wasn't particularly impressed, but
it was solid.

I picked up an ART Tubefire 8 over the summer and am loving it. While it's
not at all like having outboard tubes to really warm and grit things up, I
typically let the interface warm-up for a about 15-20mins before I start
recording.

If you're in the Greater Boston, MA area, check out Parson's Audio in
Wellsley (http://www.paudio.com/). Great shop for recording gear!!


love
Daniel

www.danielharris.bandcamp.com


On Sun, Dec 12, 2010 at 8:37 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Hi all!
>
> I have been getting by on a borrowed MOTU Ultralite for a number of month=
s
> now while I explore the world of software looping, Max MSP and other
> software audio processing possibilities.
>
> What are people out there using that sounds really, really good?
>
> I can't help but feel that the MOTU I've got is sucking something vital o=
ut
> of my sound - though it comes very highly recommended.
>
> It also has enough extra inputs and outputs to make it quite useful and
> flexible as a stand-alone rackmount mixer.
>
> But utility aside, though I can't quite put my finger on it, the sound
> doesn't ring my bell.
>
> I'm just looking for other options and suggestions.
>
> The MOTU was loaned to me on indefinite terms by a good friend.
>
> I was thinking about buying one (or some other unit) for myself and
> returning it to its owner.
>
> Keeping in mind that I am strictly in the Apple/Mac computer dominion and
> prefer FireWire connectivity, what do people suggest?
>
> Best,
>
> Ted Killian
>
>

--0016364266032f255904974bc023
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I worked with the MOTU 828 for a while. Wasn&#39;t particularly impressed, =
but it was solid. <br><br>I picked up an ART Tubefire 8 over the summer and=
 am loving it. While it&#39;s not at all like having outboard tubes to real=
ly warm and grit things up, I typically let the interface warm-up for a abo=
ut 15-20mins before I start recording. <br>
<br>If you&#39;re in the Greater Boston, MA area, check out Parson&#39;s Au=
dio in Wellsley (<a href=3D"http://www.paudio.com/">http://www.paudio.com/<=
/a>). Great shop for recording gear!! <br><br><br>love<br>Daniel <br><br>
<a href=3D"http://www.danielharris.bandcamp.com">www.danielharris.bandcamp.=
com</a> <br><br><br><div class=3D"gmail_quote">On Sun, Dec 12, 2010 at 8:37=
 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@cha=
rter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi all!<br>
<br>
I have been getting by on a borrowed MOTU Ultralite for a number of months =
now while I explore the world of software looping, Max MSP and other softwa=
re audio processing possibilities.<br>
<br>
What are people out there using that sounds really, really good?<br>
<br>
I can&#39;t help but feel that the MOTU I&#39;ve got is sucking something v=
ital out of my sound - though it comes very highly recommended.<br>
<br>
It also has enough extra inputs and outputs to make it quite useful and fle=
xible as a stand-alone rackmount mixer.<br>
<br>
But utility aside, though I can&#39;t quite put my finger on it, the sound =
doesn&#39;t ring my bell.<br>
<br>
I&#39;m just looking for other options and suggestions.<br>
<br>
The MOTU was loaned to me on indefinite terms by a good friend.<br>
<br>
I was thinking about buying one (or some other unit) for myself and returni=
ng it to its owner.<br>
<br>
Keeping in mind that I am strictly in the Apple/Mac computer dominion and p=
refer FireWire connectivity, what do people suggest?<br>
<br>
Best,<br><font color=3D"#888888">
<br>
Ted Killian<br>
<br>
</font></blockquote></div><br>

--0016364266032f255904974bc023--

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Subject: Brand New Member
Date: Mon, 13 Dec 2010 15:40:37 +0100
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Hi !
i'm booster from france and just joined this newsletter
as an introduction, let me show you two videos i made recently:
http://www.youtube.com/watch?v=3DR6G1nK3BJlM
http://www.youtube.com/watch?v=3DuDR_N68lm9U
i use 4 echoplex in sync, playing guitar bass drums and rhodes.
hope you appreciate
boost
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi !</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>i'm booster from&nbsp;france and just =
joined this=20
newsletter</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>as an introduction, let me show you two =
videos i=20
made recently:</FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DR6G1nK3BJlM">http://www.youtube.=
com/watch?v=3DR6G1nK3BJlM</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DuDR_N68lm9U">http://www.youtube.=
com/watch?v=3DuDR_N68lm9U</A></FONT></DIV></DIV>
<DIV><FONT face=3DArial size=3D2>i use 4 echoplex in sync, playing =
guitar bass drums=20
and rhodes.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>hope you appreciate</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>boost</FONT></DIV></BODY></HTML>

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Date: Mon, 13 Dec 2010 15:50:35 +0100
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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>>
>> Before buying a H4 today I would compare its recording abilities with
>> the iPhone.
On Mon, Dec 13, 2010 at 3:40 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> seriously though

"To be weight in for portability reasons", I should have written out
too ;-))  And I was posting that related to the "hand held field
recorder" discussion brought in by mentioning the Zoom H4 (that
actually is NOT a "firewire interface" according to this thread's
subject)

BTW, good thing Andy brought up the "n" version. I didn't know the
mic's were crippled with today'z zoom. Sorry to hear that.

Per

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That's interesting.=20
I'll check this out Andy. I've read that the H2 isn't that hot fidelity-wis=
e. I need the 4 channel option for forthcoming surround recording.=20
What's wrong with the H4 as a soundcard Per? Is it latency? and can you be =
more specific about your difficulties with the 4 track option.=20
I just need to capture 4 tracks for later editing but though others might f=
ind it useful.
=20
Peace
=20
G

=20
> Date: Mon=2C 13 Dec 2010 14:40:26 +0000
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS=
?
>=20
> Per Boysen wrote:
>=20
> > But as a hand held stereo field recorder I think it is great! That's
> > the use I dare to recommend the H4 for. Rather good fidelity as well
> > with the built-in mics.
>=20
> The H4n doesn't have the same mics as the nice ones in the H4 (and H2).
> I specifically asked Zoom tech support about this=2C and they
> were able to confirm that the new mics were "better".
> They wouldn't reply when I asked what exactly was better about them.
>=20
> The frequency response curves show the newer mics to have a less flat
> response in the upper mid and high frequencies.
>=20
> Not to criticise the H4n (and related Zooms) tho'=2C I think it's
> just some fluke that the H2/H4 mics turned out surprisingly good.
>=20
> ..sound samples here for a good selection of recorders=2C so no
> need to take my word for it
>=20
> http://www.wingfieldaudio.com/portable-recorder-sound-samples.html
>=20
>=20
> >=20
> > Before buying a H4 today I would compare its recording abilities with
> > the iPhone.=20
>=20
> seriously though
>=20
> andy
>=20
>=20
>=20
>=20
>=20
>=20
 		 	   		  =

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<html>
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<body class=3D'hmmessage'>
That's interesting. <BR>
I'll check this out Andy. I've read that the H2 isn't that hot fidelity-wis=
e.&nbsp=3BI need&nbsp=3Bthe 4 channel option&nbsp=3Bfor forthcoming surroun=
d recording. <BR>
What's wrong with the H4 as a soundcard Per? Is it latency? and can you be =
more specific about&nbsp=3Byour difficulties with the 4 track option. <BR>
I just&nbsp=3Bneed to capture 4 tracks for later&nbsp=3Bediting but though =
others might find it useful.<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>
<BR>&nbsp=3B<BR>
&gt=3B Date: Mon=2C 13 Dec 2010 14:40:26 +0000<BR>&gt=3B From: akbutler@tis=
cali.co.uk<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B Subj=
ect: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?<BR>&=
gt=3B <BR>&gt=3B Per Boysen wrote:<BR>&gt=3B <BR>&gt=3B &gt=3B But as a han=
d held stereo field recorder I think it is great! That's<BR>&gt=3B &gt=3B t=
he use I dare to recommend the H4 for. Rather good fidelity as well<BR>&gt=
=3B &gt=3B with the built-in mics.<BR>&gt=3B <BR>&gt=3B The H4n doesn't hav=
e the same mics as the nice ones in the H4 (and H2).<BR>&gt=3B I specifical=
ly asked Zoom tech support about this=2C and they<BR>&gt=3B were able to co=
nfirm that the new mics were "better".<BR>&gt=3B They wouldn't reply when I=
 asked what exactly was better about them.<BR>&gt=3B <BR>&gt=3B The frequen=
cy response curves show the newer mics to have a less flat<BR>&gt=3B respon=
se in the upper mid and high frequencies.<BR>&gt=3B <BR>&gt=3B Not to criti=
cise the H4n (and related Zooms) tho'=2C I think it's<BR>&gt=3B just some f=
luke that the H2/H4 mics turned out surprisingly good.<BR>&gt=3B <BR>&gt=3B=
 ..sound samples here for a good selection of recorders=2C so no<BR>&gt=3B =
need to take my word for it<BR>&gt=3B <BR>&gt=3B http://www.wingfieldaudio.=
com/portable-recorder-sound-samples.html<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B &g=
t=3B <BR>&gt=3B &gt=3B Before buying a H4 today I would compare its recordi=
ng abilities with<BR>&gt=3B &gt=3B the iPhone. <BR>&gt=3B <BR>&gt=3B seriou=
sly though<BR>&gt=3B <BR>&gt=3B andy<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&g=
t=3B <BR>&gt=3B <BR>&gt=3B <BR> 		 	   		  </body>
</html>=

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Message-ID: <AANLkTi=aKBqXxb08oyhxFOcFxm-r+MT4kDfWCwJvFrE=@mail.gmail.com>
Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Dec 13, 2010 at 3:54 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> What's wrong with the H4 as a soundcard Per?

The way it sounds. Sounds like a "cheap audio interface", "crappy
fidelity", "harsh on the ears at loud level", "drop-outs" in the audio
as well as clicks and other artifacts. I'm not a tech engineer, so I
can't be specific in that way. But probably it comes down to bad
choice (cheap components) regarding analog-digital and digital-analog
conversion.

I'm not totally happy posting this to the list though, because I have
experienced that some people almost don't here what I'm talking about
(or don't they care about good sound?) and for these people my points
must seem just like "talking nonsense" ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 15:40:15 2010
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Date: Mon, 13 Dec 2010 15:40:13 +0000
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VERY COOL.. I feel a Miles/weather report kind of vibe...
Do you control the EPD's from the buttons on top of your Rhodes??
=20
Anders
=20


From: boost@boosterized.com
To: Loopers-Delight@loopers-delight.com
Subject: Brand New Member
Date: Mon=2C 13 Dec 2010 15:40:37 +0100





Hi !
i'm booster from france and just joined this newsletter
as an introduction=2C let me show you two videos i made recently:

http://www.youtube.com/watch?v=3DR6G1nK3BJlM
http://www.youtube.com/watch?v=3DuDR_N68lm9U
i use 4 echoplex in sync=2C playing guitar bass drums and rhodes.
hope you appreciate
boost 		 	   		  =

--_45eb9238-c3cd-4b2d-a93e-d30f9bb42ac1_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
VERY COOL.. I feel a Miles/weather report kind of&nbsp=3Bvibe...<BR>
Do you control the EPD's from the buttons on top of your Rhodes??<BR>
&nbsp=3B<BR>
Anders<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
From: boost@boosterized.com<BR>To: Loopers-Delight@loopers-delight.com<BR>S=
ubject: Brand New Member<BR>Date: Mon=2C 13 Dec 2010 15:40:37 +0100<BR><BR>
<META name=3DGenerator content=3D"Microsoft SafeHTML">
<STYLE>
</STYLE>

<DIV><FONT size=3D2 face=3DArial>Hi !</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>i'm booster from&nbsp=3Bfrance and just jo=
ined this newsletter</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>as an introduction=2C let me show you two =
videos i made recently:</FONT></DIV>
<DIV>
<DIV><FONT size=3D2 face=3DArial><A href=3D"http://www.youtube.com/watch?v=
=3DR6G1nK3BJlM" target=3D_blank>http://www.youtube.com/watch?v=3DR6G1nK3BJl=
M</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A href=3D"http://www.youtube.com/watch?v=
=3DuDR_N68lm9U" target=3D_blank>http://www.youtube.com/watch?v=3DuDR_N68lm9=
U</A></FONT></DIV></DIV>
<DIV><FONT size=3D2 face=3DArial>i use 4 echoplex in sync=2C playing guitar=
 bass drums and rhodes.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>hope you appreciate</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>boost</FONT></DIV> 		 	   		  </body>
</html>=

--_45eb9238-c3cd-4b2d-a93e-d30f9bb42ac1_--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 15:45:30 2010
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
Date: Mon, 13 Dec 2010 07:45:27 -0800
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Bill,

I was doing sort of a "scientific" A/B test with the MOTU on Saturday  
morning.

I played my Gibson and VG99 combination into the MOTU and listened  
through external monitors.

I did my best to get the sound levels all adjusted and dialed in so it  
sounded good - then played and listened.

After that, I simply plugged the VG99 into the same monitor speakers  
themselves and adjusted them to similar volume levels and played and  
listened.

The difference was quite palpable.

It was like the difference between being at a live gig and listening  
to an MP3 recording of one.

All the subtle details were gone and a lot of the dynamics.

In fact the straight VG sounded so much better that I was inspired to  
play it the entire rest of the day (about 5 hours) and completely lost  
track of time until dinnertime.

That hasn't happened in months and months.

Now I might get a different result if I used the 2 main "preamped"  
inputs of the MOTU - I will have to try that out.

As it was I was only using a pair of the regular line-level inputs on  
the back.

But even if it does sound better to me on those inputs it will nag me  
to no end that I am not getting as good of sound on the others if I  
happen to use them (as I had planned).

Any advice would be helpful Bill.

Cheers,

Ted

On Dec 12, 2010, at 11:30 PM, William Walker wrote:

> Hey Ted I'm curious are you running directly in to the MOTU and  
> using amp sims and effects plug ins? or are you going stereo direct  
> and using hardware effects and or amp simulators?
> Before I would even recommend interfaces I'm curious why it sounds  
> so lame to you and wonder if you would elaborate  in more specific  
> detail.   Are you clipping your inputs, do you have anything acting  
> as a buffer between your guitar and the interface, are  using any  
> compression to smooth your transients?  does it sound harsh and or  
> sterile? Even a higher end interface with better converters like the  
> Apogee stuff can sound brittle if you are hitting it too hard. I've  
> used a MOTU 2408 for several years now and its worked fine.  I've  
> never been bothered by its sound or latency.
> Bill

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 15:49:35 2010
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Gareth Whittock wrote:
> That's interesting.
> I'll check this out Andy. I've read that the H2 isn't that hot 
> fidelity-wise. 

Apart from the onboard mics it's noticeably not that good audio wise
in everything it does.

If you want to use the line I/P on the H4n I'd suggest checking
out the headroom. The H2 distorts at anything over -10dB, which
isn't any kind of known standard ( usually a -10dB input would
be -10dB nominal, with a bit of headroom, but -10dB
isn't used these days anyway).  
In short, anything you put into it will distort without an attenuator.

There's a great random element to how Zoom gear turns out it seems.



andy

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On Dec 13, 2010, at 7:45 AM, tEd =AE KiLLiAn wrote:

>  did my best to get the sound levels all adjusted



Does it have mixing software?
If it is like the M-Audio I use, things need to be adjusted in the =20
software mixer.

regards

BobC


http://tinyurl.com/yt8f8j

http://www.youtube.com/user/tynego=

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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Dec 13, 2010, =
at 7:45 AM, tEd =AE KiLLiAn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-converted-space">&nbsp;</span>did my best to get the =
sound levels all =
adjusted</span></blockquote><br></div><div><br></div><br><div>Does it =
have mixing software?</div><div>If it is like the M-Audio I use, things =
need to be adjusted in the software =
mixer.</div><div><br></div><div>regards</div><div><br></div><div>BobC</div=
><div><br></div><div><br></div><div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></div></div></body></html>=

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yes, i made several midi-controllers, one is the "top of the rhodes" =
with video-games buttons.
the other ones are more classic foot-controllers. i made them using =
doepfer ctm 64 cards
here's a photo of the rhodes: =
http://s77.photobucket.com/albums/j58/boosterized/?action=3Dview&current=3D=
Echo-Rhodes.jpg
note the feedback slider on the left... and the 5 little swiths that =
allow me to select wich echoplex i controll

thanks
  ----- Original Message -----=20
  From: Anders Bergdahl=20
  To: Loopers Delight=20
  Sent: Monday, December 13, 2010 4:40 PM
  Subject: RE: Brand New Member


  VERY COOL.. I feel a Miles/weather report kind of vibe...
  Do you control the EPD's from the buttons on top of your Rhodes??
  =20
  Anders
  =20

-------------------------------------------------------------------------=
-----
  From: boost@boosterized.com
  To: Loopers-Delight@loopers-delight.com
  Subject: Brand New Member
  Date: Mon, 13 Dec 2010 15:40:37 +0100


  Hi !
  i'm booster from france and just joined this newsletter
  as an introduction, let me show you two videos i made recently:
  http://www.youtube.com/watch?v=3DR6G1nK3BJlM
  http://www.youtube.com/watch?v=3DuDR_N68lm9U
  i use 4 echoplex in sync, playing guitar bass drums and rhodes.
  hope you appreciate
  boost
------=_NextPart_000_00A3_01CB9AEA.FC66C750
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<META content=3D"MSHTML 6.00.2900.6036" name=3DGENERATOR></HEAD>
<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV>
<DIV><FONT face=3DArial>yes, i made several midi-controllers, one is the =
"top of=20
the rhodes" with video-games buttons.</FONT></DIV>
<DIV><FONT face=3DArial>the other ones are more classic =
foot-controllers. i made=20
them using doepfer ctm 64 cards</FONT></DIV>
<DIV><FONT face=3DArial>here's a photo of the rhodes: <A=20
href=3D"http://s77.photobucket.com/albums/j58/boosterized/?action=3Dview&=
amp;current=3DEcho-Rhodes.jpg">http://s77.photobucket.com/albums/j58/boos=
terized/?action=3Dview&amp;current=3DEcho-Rhodes.jpg</A></FONT></DIV>
<DIV><FONT face=3DArial>note the feedback slider on the left... and the =
5 little=20
swiths that allow me to select wich echoplex i controll</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>thanks</FONT></DIV></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Danders_e_bergdahl@hotmail.com=20
  href=3D"mailto:anders_e_bergdahl@hotmail.com">Anders Bergdahl</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  href=3D"mailto:loopers-delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, December 13, 2010 =
4:40=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Brand New =
Member</DIV>
  <DIV><BR></DIV>VERY COOL.. I feel a Miles/weather report kind=20
  of&nbsp;vibe...<BR>Do you control the EPD's from the buttons on top of =
your=20
  Rhodes??<BR>&nbsp;<BR>Anders<BR>&nbsp;<BR>
  <HR id=3DstopSpelling>
  From: <A =
href=3D"mailto:boost@boosterized.com">boost@boosterized.com</A><BR>To:=20
  <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>Subject:=20
  Brand New Member<BR>Date: Mon, 13 Dec 2010 15:40:37 +0100<BR><BR>
  <META content=3D"Microsoft SafeHTML" name=3DGenerator>
  <STYLE>
</STYLE>

  <DIV><FONT face=3DArial size=3D2>Hi !</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>i'm booster from&nbsp;france and just =
joined this=20
  newsletter</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>as an introduction, let me show you =
two videos i=20
  made recently:</FONT></DIV>
  <DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  href=3D"http://www.youtube.com/watch?v=3DR6G1nK3BJlM"=20
  =
target=3D_blank>http://www.youtube.com/watch?v=3DR6G1nK3BJlM</A></FONT></=
DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  href=3D"http://www.youtube.com/watch?v=3DuDR_N68lm9U"=20
  =
target=3D_blank>http://www.youtube.com/watch?v=3DuDR_N68lm9U</A></FONT></=
DIV></DIV>
  <DIV><FONT face=3DArial size=3D2>i use 4 echoplex in sync, playing =
guitar bass=20
  drums and rhodes.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>hope you appreciate</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2>boost</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 16:36:29 2010
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
From: Dustbunnies <mech@m3ch.net>
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On 12/14/10 12:45 AM, "tEd =AE KiLLiAn" <tedkillian@charter.net> wrote:
>=20
> I played my Gibson and VG99 combination into the MOTU.... [*snip*]
>=20
>  ...I was only using a pair of the regular line-level inputs on
> the back.

Ted,

Is the 99 your sole sound source here?  If so, don't neglect the Digital
I/O!

The VG-99 is, of course, a digital sound source.  What you're now doing is
taking that digital signal, then running it through the VG's onboard DAC's
to turn it into an analog signal then digitizing it all over again when you
run it into the MOTU's ADC.  All this is just to get a digital signal into
your computer.

Why?

Instead, see what happens if you keep everything digital going into the
computer.  Try running the S/PDIF Output from the VG directly into your
laptop, or even the USB Out.  I've gotten good results using S/PDIF (not as
much so with the USB -- it "felt" a little laggier -- although that could
merely be a rote psychological effect, since I almost expected something
like that).  In fact, the Digital I/O is why I grabbed my AudioFire2 in the
first place.

(aside: this was before I realized that the input on the Macbook can also
accept Optical S/PDIF directly; so I could've cheaped out on a $30
Coax-to-Optical converter rather than a $200 interface.  Still, I needed a
small 2-channel DAC for the output, and it does a great job there.)

As it stands, you're putting your signal through an extra digital ]-->analo=
g
]-->digital conversion that doesn't necessarily need to be there.  It's
obvious you don't like the sound that the MOTU interface is imparting on th=
e
signal, so try removing that conversion and going direct digital into the
computer.

Even if you don't like the idea of remaining in the digital domain, it
should, at the very least, tell you if your problem is with the MOTU's Inpu=
t
conversion or if the difficulty is with the interface's outputs.  Should
help troubleshoot the exact source of your frustration.

    --m.


From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 17:30:08 2010
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Gosh thats cool booster, one more looping mad scientist in the mix.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 13, 2010, at 11:27 AM, "boost" <boost@boosterized.com> wrote:

> yes, i made several midi-controllers, one is the "top of the rhodes" with v=
ideo-games buttons.
> the other ones are more classic foot-controllers. i made them using doepfe=
r ctm 64 cards
> here's a photo of the rhodes: http://s77.photobucket.com/albums/j58/booste=
rized/?action=3Dview&current=3DEcho-Rhodes.jpg
> note the feedback slider on the left... and the 5 little swiths that allow=
 me to select wich echoplex i controll
> =20
> thanks
> ----- Original Message -----
> From: Anders Bergdahl
> To: Loopers Delight
> Sent: Monday, December 13, 2010 4:40 PM
> Subject: RE: Brand New Member
>=20
> VERY COOL.. I feel a Miles/weather report kind of vibe...
> Do you control the EPD's from the buttons on top of your Rhodes??
> =20
> Anders
> =20
> From: boost@boosterized.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Brand New Member
> Date: Mon, 13 Dec 2010 15:40:37 +0100
>=20
> Hi !
> i'm booster from france and just joined this newsletter
> as an introduction, let me show you two videos i made recently:
> http://www.youtube.com/watch?v=3DR6G1nK3BJlM
> http://www.youtube.com/watch?v=3DuDR_N68lm9U
> i use 4 echoplex in sync, playing guitar bass drums and rhodes.
> hope you appreciate
> boost

--Apple-Mail-10-421541755
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<html><body bgcolor="#FFFFFF"><div>Gosh thats cool booster, one more looping mad scientist in the mix.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 13, 2010, at 11:27 AM, "boost" &lt;<a href="mailto:boost@boosterized.com">boost@boosterized.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<div>
<div><font face="Arial">yes, i made several midi-controllers, one is the "top of 
the rhodes" with video-games buttons.</font></div>
<div><font face="Arial">the other ones are more classic foot-controllers. i made 
them using doepfer ctm 64 cards</font></div>
<div><font face="Arial">here's a photo of the rhodes: <a href="http://s77.photobucket.com/albums/j58/boosterized/?action=view&amp;current=Echo-Rhodes.jpg"><a href="http://s77.photobucket.com/albums/j58/boosterized/?action=view&amp;current=Echo-Rhodes.jpg">http://s77.photobucket.com/albums/j58/boosterized/?action=view&amp;current=Echo-Rhodes.jpg</a></a></font></div>
<div><font face="Arial">note the feedback slider on the left... and the 5 little 
swiths that allow me to select wich echoplex i controll</font></div>
<div><font face="Arial"></font>&nbsp;</div>
<div><font face="Arial">thanks</font></div></div>
<blockquote dir="ltr" style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <div style="FONT: 10pt arial">----- Original Message ----- </div>
  <div style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><b>From:</b> 
  <a title="anders_e_bergdahl@hotmail.com" href="mailto:anders_e_bergdahl@hotmail.com">Anders Bergdahl</a> </div>
  <div style="FONT: 10pt arial"><b>To:</b> <a title="loopers-delight@loopers-delight.com" href="mailto:loopers-delight@loopers-delight.com">Loopers Delight</a> </div>
  <div style="FONT: 10pt arial"><b>Sent:</b> Monday, December 13, 2010 4:40 
  PM</div>
  <div style="FONT: 10pt arial"><b>Subject:</b> RE: Brand New Member</div>
  <div><br></div>VERY COOL.. I feel a Miles/weather report kind 
  of&nbsp;vibe...<br>Do you control the EPD's from the buttons on top of your 
  Rhodes??<br>&nbsp;<br>Anders<br>&nbsp;<br>
  <hr id="stopSpelling">
  From: <a href="mailto:boost@boosterized.com"><a href="mailto:boost@boosterized.com">boost@boosterized.com</a></a><br>To: 
  <a href="mailto:Loopers-Delight@loopers-delight.com"><a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></a><br>Subject: 
  Brand New Member<br>Date: Mon, 13 Dec 2010 15:40:37 +0100<br><br>
  
  <style>
</style>

  <div><font face="Arial" size="2">Hi !</font></div>
  <div><font face="Arial" size="2">i'm booster from&nbsp;france and just joined this 
  newsletter</font></div>
  <div><font face="Arial" size="2">as an introduction, let me show you two videos i 
  made recently:</font></div>
  <div>
  <div><font face="Arial" size="2"><a href="http://www.youtube.com/watch?v=R6G1nK3BJlM" target="_blank"><a href="http://www.youtube.com/watch?v=R6G1nK3BJlM">http://www.youtube.com/watch?v=R6G1nK3BJlM</a></a></font></div>
  <div><font face="Arial" size="2"><a href="http://www.youtube.com/watch?v=uDR_N68lm9U" target="_blank"><a href="http://www.youtube.com/watch?v=uDR_N68lm9U">http://www.youtube.com/watch?v=uDR_N68lm9U</a></a></font></div></div>
  <div><font face="Arial" size="2">i use 4 echoplex in sync, playing guitar bass 
  drums and rhodes.</font></div>
  <div><font face="Arial" size="2">hope you appreciate</font></div>
  <div><font face="Arial" size="2">boost</font></div></blockquote>
</div></blockquote></body></html>
--Apple-Mail-10-421541755--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 18:13:38 2010
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Ted,

I'm glad that you have rediscovered the joy of playing directly into 
monitors..  but is this test even remotely scientific?  ( Have you 
isolated  all of the variables?  Have you documented you findings and 
are they repeatable?)

I've run tests of many converters ( I am a professional recording 
Engineer, etc..) and I become immediately skeptical of such broad 
pronouncements as you've made below.

My suspicion is that the additional latency of the converter has 
robbed you of the "immediacy" of going without, so playing directly 
just feels better.

You could record yourself  using the VG99's digital output, and then 
loop back through  the MOTU and re-record ... make sure the levels 
are *exactly* matched and then give a listen to the two files (there 
are some handy "A/B/X/" blind listening programs out there that will 
help.

-Chuck

>Bill,
>
>I was doing sort of a "scientific" A/B test with the MOTU on Saturday morning.
>
>I played my Gibson and VG99 combination into the MOTU and listened 
>through external monitors.
>
>I did my best to get the sound levels all adjusted and dialed in so 
>it sounded good - then played and listened.
>
>After that, I simply plugged the VG99 into the same monitor speakers 
>themselves and adjusted them to similar volume levels and played and 
>listened.
>
>The difference was quite palpable.
>
>It was like the difference between being at a live gig and listening 
>to an MP3 recording of one.
>
>All the subtle details were gone and a lot of the dynamics.
>
>In fact the straight VG sounded so much better that I was inspired 
>to play it the entire rest of the day (about 5 hours) and completely 
>lost track of time until dinnertime.
>
>That hasn't happened in months and months.
>
>Now I might get a different result if I used the 2 main "preamped" 
>inputs of the MOTU - I will have to try that out.
>
>As it was I was only using a pair of the regular line-level inputs 
>on the back.
>
>But even if it does sound better to me on those inputs it will nag 
>me to no end that I am not getting as good of sound on the others if 
>I happen to use them (as I had planned).
>
>Any advice would be helpful Bill.
>
>Cheers,
>
>Ted
>
>On Dec 12, 2010, at 11:30 PM, William Walker wrote:
>
>>Hey Ted I'm curious are you running directly in to the MOTU and 
>>using amp sims and effects plug ins? or are you going stereo direct 
>>and using hardware effects and or amp simulators?
>>Before I would even recommend interfaces I'm curious why it sounds 
>>so lame to you and wonder if you would elaborate  in more specific 
>>detail.   Are you clipping your inputs, do you have anything acting 
>>as a buffer between your guitar and the interface, are  using any 
>>compression to smooth your transients?  does it sound harsh and or 
>>sterile? Even a higher end interface with better converters like 
>>the Apogee stuff can sound brittle if you are hitting it too hard. 
>>I've used a MOTU 2408 for several years now and its worked fine. 
>>I've never been bothered by its sound or latency.
>>Bill


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 18:19:07 2010
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outstanding booster!!!!.....welcome!




Hi !
i'm booster from=C2=A0france and just joined this newsletter
as an introduction, let me show you two videos i made recently:

http://www.youtube.com/watch?v=3DR6G1nK3BJlM
http://www.youtube.com/watch?v=3DuDR_N68lm9U

i use 4 echoplex in sync, playing guitar bass drums and rhodes.
hope you appreciate
boost
 =20

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 18:26:29 2010
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
Date: Mon, 13 Dec 2010 10:26:15 -0800
References: <F94CF07E-8DB0-4BCD-B821-382FECEC8D23@baymoon.com> <7829D32A-EDAA-45F7-9305-70BB190C48A8@charter.net>
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Hi Ted, My suspicion is that there is an impedance mismatch of some =20
kind going on whereby the outputs of the VG99 are feeding the MOTU in =20=

such a way as to degrade the sound.  If there is any way on the VG99  =20=

to change the impedance or gain structure of the  outputs that might =20
help. If you have a di box or line level matching device to try that =20
might help, and definitely try the two main ins as they might have a =20
wide range of impedance matching than the line ins. Also, remeber that =20=

optimal output setting going in to the monitor speakers won't be the =20
same as optimal output levels for going in the MOTU. The MOTU is =20
acting like another preamp stage so you will nee to work to find the =20
optimal balance between VG99 level and MOTU level. The fact that your =20=

dynamics went south suggest that an overly hot signal from the VG99 is =20=

causing some unwanted compression.  Another thing to try is using the =20=

digital coax out on the VG99 if the MOTU you are using has digital =20
coax ins, that way you can total bypass the analog preamps.
  Bill
On Dec 13, 2010, at 7:45 AM, tEd =AE KiLLiAn wrote:

> Bill,
>
> I was doing sort of a "scientific" A/B test with the MOTU on =20
> Saturday morning.
>
> I played my Gibson and VG99 combination into the MOTU and listened =20
> through external monitors.
>
> I did my best to get the sound levels all adjusted and dialed in so =20=

> it sounded good - then played and listened.
>
> After that, I simply plugged the VG99 into the same monitor speakers =20=

> themselves and adjusted them to similar volume levels and played and =20=

> listened.
>
> The difference was quite palpable.
>
> It was like the difference between being at a live gig and listening =20=

> to an MP3 recording of one.
>
> All the subtle details were gone and a lot of the dynamics.
>
> In fact the straight VG sounded so much better that I was inspired =20
> to play it the entire rest of the day (about 5 hours) and completely =20=

> lost track of time until dinnertime.
>
> That hasn't happened in months and months.
>
> Now I might get a different result if I used the 2 main "preamped" =20
> inputs of the MOTU - I will have to try that out.
>
> As it was I was only using a pair of the regular line-level inputs =20
> on the back.
>
> But even if it does sound better to me on those inputs it will nag =20
> me to no end that I am not getting as good of sound on the others if =20=

> I happen to use them (as I had planned).
>
> Any advice would be helpful Bill.
>
> Cheers,
>
> Ted
>
> On Dec 12, 2010, at 11:30 PM, William Walker wrote:
>
>> Hey Ted I'm curious are you running directly in to the MOTU and =20
>> using amp sims and effects plug ins? or are you going stereo direct =20=

>> and using hardware effects and or amp simulators?
>> Before I would even recommend interfaces I'm curious why it sounds =20=

>> so lame to you and wonder if you would elaborate  in more specific =20=

>> detail.   Are you clipping your inputs, do you have anything acting =20=

>> as a buffer between your guitar and the interface, are  using any =20
>> compression to smooth your transients?  does it sound harsh and or =20=

>> sterile? Even a higher end interface with better converters like =20
>> the Apogee stuff can sound brittle if you are hitting it too hard. =20=

>> I've used a MOTU 2408 for several years now and its worked fine.  =20
>> I've never been bothered by its sound or latency.
>> Bill
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 18:37:12 2010
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Actually, what dustbunny sez hits the mark way more than what I said  
in regards to the multiple A to D conversions  being the root cause of  
your sound being crappy.
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 19:33:59 2010
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
 (still the interface thread, not the mobile recorder one)
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tEd ® KiLLiAn schrieb:
> What are people out there using that sounds really, really good?
First of all, as judging from the title of this post you seem to like 
uppercase, your best bet would be RME or MOTU ;)

(going to serious mode now):

I'm with Charles (that those kinds of experiments are really tricky to 
do with accuracy, and will require a level of blindness) and Bill (that 
the signal path in the analogue domain is the important part) on this 
topic. Still, using the inputs 3/4 (which I assume are line level ones) 
does even make more sense then using the micpre channels if you feed it 
with the signal from the VG99. And (as was already suggested), you could 
try the SPDIF route. Btw, does the MOTU have an analogue output level 
knob? If not, setting the level in the digital domain can also cause 
problems (when setting the attenuation to very high values).

Apart from that, interfaces I personally have experience with:
Presonus - have the Firebox (the small one), which is a great bang for 
the buck. Latency only goes down to relatively high levels, and never 
connect your outputs to some phantom-powered inputs (this may be true 
for the other interfaces as well, I won't try it). And it's got an 
analogue knob for the output level.

TC Electronic - I have the Konnekt24D. Great sound quality (pres, 
converters, FX plugins), poor driver design. The combo of a) an analogue 
attenuator for the main outs, b) an assignable knob on the front and c) 
a button to switch between three different setups even in standalone 
mode are cool for live use.

RME - only have the HDSP series devices (multiface/digiface), so no 
experience with the firewire stuff. The lowest latency I ever 
experienced. Sadly, one of their HDSP express cards failed just one 
month out of warranty and clearly due to a defect that already existed 
when it left the factory, yet they showed no sign of at least covering 
part of the costs for the repair. Since then, I hate the company.

Marian - they once had a cool interface which was the first proper USB2 
audio interface - which I got at a factory blowout at a great price. 
Unfortunately, no new drivers since XP 32bit...but the feature set is 
really cool (among the key benefits, the only halfrack interface I know 
of with four micpres).

So basically, they all kinda suck.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 19:51:17 2010
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As a somewhat related topic, I just dedepublished an older article about 
that latency topic (still valid today):
http://moinsound.wordpress.com/2010/12/13/about-latency/

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 20:17:44 2010
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Subject: Leinhos, Peter is out of the office.
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I will be out of the office starting  12/13/2010 and will not return until
12/20/2010.

For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793

***** PLEASE NOTE ***** This E-Mail/telefax message and any
documents accompanying this transmission may contain privileged
and/or confidential information and is intended solely for the
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Date: Mon, 13 Dec 2010 15:20:07 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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Subject: Re: Leinhos, Peter is out of the office.
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Drinks are on Leinhos Pete!

Daryl Shawn
www.swanwelder.com

> I will be out of the office starting  12/13/2010 and will not return until
> 12/20/2010.

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 23:00:59 2010
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Subject: Re: Leinhos, Peter is out of the office.
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For now everyone with audio issues should contact Greg Bouffard @ 323 932
3793

On Mon, Dec 13, 2010 at 1:20 PM, Daryl Shawn <darylshawn@gmail.com> wrote:

> Drinks are on Leinhos Pete!
>
> Daryl Shawn
> www.swanwelder.com
>
>
>  I will be out of the office starting  12/13/2010 and will not return until
>> 12/20/2010.
>>
>
>

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For now everyone with audio issues should contact=A0Greg Bouffard=A0@ 323 9=
32 3793<br><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at 1:20 PM, =
Daryl Shawn <span dir=3D"ltr">&lt;<a href=3D"mailto:darylshawn@gmail.com">d=
arylshawn@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Drinks are on Leinhos Pete!<br><font color=
=3D"#888888">
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a></font><div><div></div><div class=3D"h5"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
I will be out of the office starting =A012/13/2010 and will not return unti=
l<br>
12/20/2010.<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--0016367fb22b42c781049752ad36--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 23:05:50 2010
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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Fripper Gear Trivia
Date: Mon, 13 Dec 2010 15:00:47 -0800
Importance: Normal
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Some people just can't get enough of Fripp=2C huh?  :)
I can make up an answer but I really don't recall  --it was 30+ years ago a=
nd I was in college ( read: probably high)
J.D.=20

Subject: Re: Fripper Gear Trivia
From: andy@1800dialword.com
Date: Fri=2C 10 Dec 2010 16:11:01 -0500
To: Loopers-Delight@loopers-delight.com

Dont leave us in suspense=2C what was the answer????!!! Lemon or milk???

Andy Owens1-800-AndyOwensSent from my iPhoneSo the typing might not be my b=
est!

On Dec 10=2C 2010=2C at 3:11 PM=2C "Jeremy devros" <deafrose58@hotmail.com>=
 wrote:


An anecdote: A friend of mine ran into him one time (somewhere NOT a music =
venue) and being in awe -this was in the late '70s-blurted out the first th=
ing to come to his mind: "Mr. Fripp=2C do you like lemon or milk with your =
tea?" He said Fripp chatted with him for about 15 minutes about tea.=20

J..D..Devros=20

To: Loopers-Delight@loopers-delight.com
Subject: Re: Fripper Gear Trivia
From: pjbmhb@aol.com
Date: Wed=2C 8 Dec 2010 17:54:42 -0500

Fripp actually has a great sense of humor=2C you just have to dig a bit. It=
's there=2C below the surface=2C kind of like a tuber.




PJ










-----Original Message-----

From: Jeff Shirkey <jcshirke@frontier.com>

To: Loopers-Delight <Loopers-Delight@loopers-delight.com>

Sent: Wed=2C Dec 8=2C 2010 3:06 am

Subject: Re: Fripper Gear Trivia













On Dec 7=2C 2010=2C at 9:35 PM=2C Kenn Lowy wrote:

> He does allow pictures now. The announcement that was made before =20
> the concert was "no cameras with flash". He's mellowed a bit.
>

I know he's revered here=2C but (I have to confess)=2C he comes off as a =20
complete douche nozzle in just about every interview with him I've read.

Jeff




=20





 		 	   		 =20
 		 	   		  =

--_3ebe2421-2399-4ff2-b7fc-b50141a8591b_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Some people just can't get enough of Fripp=2C huh?&nbsp=3B :)<br>I can make=
 up an answer but I really don't recall&nbsp=3B --it was 30+ years ago and =
I was in college ( read: probably high)<br>J.D. <br><br><hr id=3D"stopSpell=
ing">Subject: Re: Fripper Gear Trivia<br>From: andy@1800dialword.com<br>Dat=
e: Fri=2C 10 Dec 2010 16:11:01 -0500<br>To: Loopers-Delight@loopers-delight=
.com<br><br><div>Dont leave us in suspense=2C what was the answer????!!! Le=
mon or milk???<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my=
 iPhone<div>So the typing might not be my best!</div><div><br></div></div><=
/div><div><br>On Dec 10=2C 2010=2C at 3:11 PM=2C "Jeremy devros" &lt=3B<a h=
ref=3D"mailto:deafrose58@hotmail.com">deafrose58@hotmail.com</a>&gt=3B wrot=
e:<br><br></div><div></div><blockquote><div>
An anecdote: A friend of mine ran into him one time (somewhere NOT a music =
venue) and being in awe -this was in the late '70s-blurted out the first th=
ing to come to his mind: "Mr. Fripp=2C do you like lemon or milk with your =
tea?" He said Fripp chatted with him for about 15 minutes about tea. <br><b=
r>J..D..Devros <br><br><hr id=3D"ecxstopSpelling">To: <a href=3D"mailto:Loo=
pers-Delight@loopers-delight.com"></a><a href=3D"mailto:Loopers-Delight@loo=
pers-delight.com">Loopers-Delight@loopers-delight.com</a><br>Subject: Re: F=
ripper Gear Trivia<br>From: <a href=3D"mailto:pjbmhb@aol.com"></a><a href=
=3D"mailto:pjbmhb@aol.com">pjbmhb@aol.com</a><br>Date: Wed=2C 8 Dec 2010 17=
:54:42 -0500<br><br><font color=3D"black" face=3D"arial" size=3D"2">Fripp a=
ctually has a great sense of humor=2C you just have to dig a bit. It's ther=
e=2C below the surface=2C kind of like a tuber.
<div><br>
</div>

<div><img src=3D"http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/ima=
ges/smile.png" alt=3D":-)" width=3D"25" height=3D"25">PJ<br>
<br>

<div style=3D"clear: both=3B"></div>
<br>
<br>

<div style=3D"font-family: helvetica=2Carial=3B font-size: 10pt=3B color: b=
lack=3B">-----Original Message-----<br>
From: Jeff Shirkey &lt=3B<a href=3D"mailto:jcshirke@frontier.com">jcshirke@=
frontier.com</a>&gt=3B<br>
To: Loopers-Delight &lt=3B<a href=3D"mailto:Loopers-Delight@loopers-delight=
.com">Loopers-Delight@loopers-delight.com</a>&gt=3B<br>
Sent: Wed=2C Dec 8=2C 2010 3:06 am<br>
Subject: Re: Fripper Gear Trivia<br>
<br>







<div id=3D"ecxAOLMsgPart_0_8700de0c-77c1-4fd7-9b2d-2a97bd8b11df" style=3D"f=
ont-family: Tahoma=2CVerdana=2CArial=2CSans-Serif=3B font-size: 12px=3B col=
or: rgb(0=2C 0=2C 0)=3B background-color: rgb(255=2C 255=2C 255)=3B">

<pre style=3D"font-size: 9pt=3B"><tt>
On Dec 7=2C 2010=2C at 9:35 PM=2C Kenn Lowy wrote:

&gt=3B He does allow pictures now. The announcement that was made before =20
&gt=3B the concert was "no cameras with flash". He's mellowed a bit.
&gt=3B

I know he's revered here=2C but (I have to confess)=2C he comes off as a =20
complete douche nozzle in just about every interview with him I've read.

Jeff


</tt></pre>
</div>
=20



</div>
</div>
</font> 		 	   		 =20
</div></blockquote> 		 	   		  </body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 13 23:35:40 2010
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Subject: Re: Leinhos, Peter is out of the office.
References: <OF85E54765.C4D12C08-ON862577F8.006E8460-862577F8.006E8460@farmersinsurance.com> <4D067FF7.7050709@gmail.com> <AANLkTinoH-+K1f-+9+OgGVZ3_xNLvFv0xZoW6D2Qw1BK@mail.gmail.com>
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Well heck, we all have audio issues, lets all call Greg!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 13, 2010, at 6:01 PM, "^|>^m" <will.it.go.round@gmail.com> wrote:

> For now everyone with audio issues should contact Greg Bouffard @ 323 932 3=
793
>=20
> On Mon, Dec 13, 2010 at 1:20 PM, Daryl Shawn <darylshawn@gmail.com> wrote:=

> Drinks are on Leinhos Pete!
>=20
> Daryl Shawn
> www.swanwelder.com
>=20
>=20
> I will be out of the office starting  12/13/2010 and will not return until=

> 12/20/2010.
>=20
>=20

--Apple-Mail-16-443430431
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<html><body bgcolor="#FFFFFF"><div>Well heck, we all have audio issues, lets all call Greg!!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 13, 2010, at 6:01 PM, "^|&gt;^m" &lt;<a href="mailto:will.it.go.round@gmail.com">will.it.go.round@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>For now everyone with audio issues should contact&nbsp;Greg Bouffard&nbsp;@ 323 932 3793<br><br><div class="gmail_quote">On Mon, Dec 13, 2010 at 1:20 PM, Daryl Shawn <span dir="ltr">&lt;<a href="mailto:darylshawn@gmail.com"><a href="mailto:darylshawn@gmail.com">darylshawn@gmail.com</a></a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">Drinks are on Leinhos Pete!<br><font color="#888888">
<br>
Daryl Shawn<br>
<a href="http://www.swanwelder.com" target="_blank"><a href="http://www.swanwelder.com">www.swanwelder.com</a></a></font><div><div></div><div class="h5"><br>
<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
I will be out of the office starting &nbsp;12/13/2010 and will not return until<br>
12/20/2010.<br>
</blockquote>
<br>
</div></div></blockquote></div><br>
</div></blockquote></body></html>
--Apple-Mail-16-443430431--

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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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--001636c5b06f54557904975338ad
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I might get shot here but i hated the Motu ultra lite,i bought because of
all the hype of having an internal digital mixer with FX and all, but
somehow it stopped me from concetrating on music,dont know what software u
are using but my main problem with it was the whole midi syncing with
mobius,very unreliable when sending midi note messages to trigger all the
advance midi comands,i spent so much time calling the company about this
issues and i finally went back to the cheap presonus firebox which always
worked very reliable in that department!
i do have to say thought that the preamps on the firebox are not the best
sounding so i upgraded to an RME FW 400 and i m happy,it is expensive,but
playing acoustic guitar i need a cristal clear sound and this baby provides
it.
cheers
Luis

On Mon, Dec 13, 2010 at 2:37 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Hi all!
>
> I have been getting by on a borrowed MOTU Ultralite for a number of month=
s
> now while I explore the world of software looping, Max MSP and other
> software audio processing possibilities.
>
> What are people out there using that sounds really, really good?
>
> I can't help but feel that the MOTU I've got is sucking something vital o=
ut
> of my sound - though it comes very highly recommended.
>
> It also has enough extra inputs and outputs to make it quite useful and
> flexible as a stand-alone rackmount mixer.
>
> But utility aside, though I can't quite put my finger on it, the sound
> doesn't ring my bell.
>
> I'm just looking for other options and suggestions.
>
> The MOTU was loaned to me on indefinite terms by a good friend.
>
> I was thinking about buying one (or some other unit) for myself and
> returning it to its owner.
>
> Keeping in mind that I am strictly in the Apple/Mac computer dominion and
> prefer FireWire connectivity, what do people suggest?
>
> Best,
>
> Ted Killian
>
>

--001636c5b06f54557904975338ad
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I might get shot here but i hated the Motu ultra lite,i bought because of a=
ll the hype of having an internal digital mixer with FX and all, but someho=
w it stopped me from concetrating on music,dont know what software u are us=
ing but my main problem with it was the whole midi syncing with mobius,very=
 unreliable when sending midi note messages to trigger all the advance midi=
 comands,i spent so much time calling the company about this issues and i f=
inally went back to the cheap presonus firebox which always worked very rel=
iable in that department!<br>
i do have to say thought that the preamps on the firebox are not the best s=
ounding so i upgraded to an RME FW 400 and i m happy,it is expensive,but pl=
aying acoustic guitar i need a cristal clear sound and this baby provides i=
t.<br>
cheers<br>Luis<br><br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at 2:=
37 AM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@c=
harter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">
Hi all!<br>
<br>
I have been getting by on a borrowed MOTU Ultralite for a number of months =
now while I explore the world of software looping, Max MSP and other softwa=
re audio processing possibilities.<br>
<br>
What are people out there using that sounds really, really good?<br>
<br>
I can&#39;t help but feel that the MOTU I&#39;ve got is sucking something v=
ital out of my sound - though it comes very highly recommended.<br>
<br>
It also has enough extra inputs and outputs to make it quite useful and fle=
xible as a stand-alone rackmount mixer.<br>
<br>
But utility aside, though I can&#39;t quite put my finger on it, the sound =
doesn&#39;t ring my bell.<br>
<br>
I&#39;m just looking for other options and suggestions.<br>
<br>
The MOTU was loaned to me on indefinite terms by a good friend.<br>
<br>
I was thinking about buying one (or some other unit) for myself and returni=
ng it to its owner.<br>
<br>
Keeping in mind that I am strictly in the Apple/Mac computer dominion and p=
refer FireWire connectivity, what do people suggest?<br>
<br>
Best,<br><font color=3D"#888888">
<br>
Ted Killian<br>
<br>
</font></blockquote></div><br>

--001636c5b06f54557904975338ad--

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Date: Tue, 14 Dec 2010 00:41:10 +0100
Message-ID: <AANLkTine8KnkM2OEH++zzpqKy-F+qBmkmFgQOm+q0+XH@mail.gmail.com>
Subject: Re: WHAT SORTS OF pocket recorders ARE PEOPLE USING THESE DAYS?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c923e72865300497533d7c
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edirol R09 rocks!
Luis

On Mon, Dec 13, 2010 at 4:49 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> Gareth Whittock wrote:
>
>> That's interesting.
>> I'll check this out Andy. I've read that the H2 isn't that hot
>> fidelity-wise.
>>
>
> Apart from the onboard mics it's noticeably not that good audio wise
> in everything it does.
>
> If you want to use the line I/P on the H4n I'd suggest checking
> out the headroom. The H2 distorts at anything over -10dB, which
> isn't any kind of known standard ( usually a -10dB input would
> be -10dB nominal, with a bit of headroom, but -10dB
> isn't used these days anyway).  In short, anything you put into it will
> distort without an attenuator.
>
> There's a great random element to how Zoom gear turns out it seems.
>
>
>
> andy
>
>

--001636c923e72865300497533d7c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

edirol R09 rocks!<br>Luis<br><br><div class=3D"gmail_quote">On Mon, Dec 13,=
 2010 at 4:49 PM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbut=
ler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockqu=
ote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: =
1px solid rgb(204, 204, 204); padding-left: 1ex;">
Gareth Whittock wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
That&#39;s interesting.<br>
I&#39;ll check this out Andy. I&#39;ve read that the H2 isn&#39;t that hot =
fidelity-wise. <br>
</blockquote>
<br>
Apart from the onboard mics it&#39;s noticeably not that good audio wise<br=
>
in everything it does.<br>
<br>
If you want to use the line I/P on the H4n I&#39;d suggest checking<br>
out the headroom. The H2 distorts at anything over -10dB, which<br>
isn&#39;t any kind of known standard ( usually a -10dB input would<br>
be -10dB nominal, with a bit of headroom, but -10dB<br>
isn&#39;t used these days anyway). =A0In short, anything you put into it wi=
ll distort without an attenuator.<br>
<br>
There&#39;s a great random element to how Zoom gear turns out it seems.<br>=
<font color=3D"#888888">
<br>
<br>
<br>
andy<br>
<br>
</font></blockquote></div><br>

--001636c923e72865300497533d7c--

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From: todd reynolds <toddreyn@gmail.com>
Date: Mon, 13 Dec 2010 18:41:23 -0500
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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--001636c5ae0113f9a50497533f37
Content-Type: text/plain; charset=windows-1252
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I concur on the RME totally.  I also use the midi implementation to drive
all sorts of things and take internal triggers for looping.  It's worked
well for me. and sounds clear as a bell.

All the best, Todd

On Mon, Dec 13, 2010 at 6:39 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> I might get shot here but i hated the Motu ultra lite,i bought because of
> all the hype of having an internal digital mixer with FX and all, but
> somehow it stopped me from concetrating on music,dont know what software =
u
> are using but my main problem with it was the whole midi syncing with
> mobius,very unreliable when sending midi note messages to trigger all the
> advance midi comands,i spent so much time calling the company about this
> issues and i finally went back to the cheap presonus firebox which always
> worked very reliable in that department!
> i do have to say thought that the preamps on the firebox are not the best
> sounding so i upgraded to an RME FW 400 and i m happy,it is expensive,but
> playing acoustic guitar i need a cristal clear sound and this baby provid=
es
> it.
> cheers
> Luis
>
>
> On Mon, Dec 13, 2010 at 2:37 AM, tEd =AE KiLLiAn <tedkillian@charter.net>=
wrote:
>
>> Hi all!
>>
>> I have been getting by on a borrowed MOTU Ultralite for a number of mont=
hs
>> now while I explore the world of software looping, Max MSP and other
>> software audio processing possibilities.
>>
>> What are people out there using that sounds really, really good?
>>
>> I can't help but feel that the MOTU I've got is sucking something vital
>> out of my sound - though it comes very highly recommended.
>>
>> It also has enough extra inputs and outputs to make it quite useful and
>> flexible as a stand-alone rackmount mixer.
>>
>> But utility aside, though I can't quite put my finger on it, the sound
>> doesn't ring my bell.
>>
>> I'm just looking for other options and suggestions.
>>
>> The MOTU was loaned to me on indefinite terms by a good friend.
>>
>> I was thinking about buying one (or some other unit) for myself and
>> returning it to its owner.
>>
>> Keeping in mind that I am strictly in the Apple/Mac computer dominion an=
d
>> prefer FireWire connectivity, what do people suggest?
>>
>> Best,
>>
>> Ted Killian
>>
>>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--001636c5ae0113f9a50497533f37
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I concur on the RME totally. =A0I also use the midi implementation to drive=
 all sorts of things and take internal triggers for looping. =A0It&#39;s wo=
rked well for me. and sounds clear as a bell.=A0<div><br></div><div>All the=
 best, Todd<br>

<br><div class=3D"gmail_quote">On Mon, Dec 13, 2010 at 6:39 PM, Louie Angul=
o <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlemail.com">loui=
e.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:=
1ex;">

I might get shot here but i hated the Motu ultra lite,i bought because of a=
ll the hype of having an internal digital mixer with FX and all, but someho=
w it stopped me from concetrating on music,dont know what software u are us=
ing but my main problem with it was the whole midi syncing with mobius,very=
 unreliable when sending midi note messages to trigger all the advance midi=
 comands,i spent so much time calling the company about this issues and i f=
inally went back to the cheap presonus firebox which always worked very rel=
iable in that department!<br>


i do have to say thought that the preamps on the firebox are not the best s=
ounding so i upgraded to an RME FW 400 and i m happy,it is expensive,but pl=
aying acoustic guitar i need a cristal clear sound and this baby provides i=
t.<br>


cheers<br>Luis<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail=
_quote">On Mon, Dec 13, 2010 at 2:37 AM, tEd =AE KiLLiAn <span dir=3D"ltr">=
&lt;<a href=3D"mailto:tedkillian@charter.net" target=3D"_blank">tedkillian@=
charter.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex">
Hi all!<br>
<br>
I have been getting by on a borrowed MOTU Ultralite for a number of months =
now while I explore the world of software looping, Max MSP and other softwa=
re audio processing possibilities.<br>
<br>
What are people out there using that sounds really, really good?<br>
<br>
I can&#39;t help but feel that the MOTU I&#39;ve got is sucking something v=
ital out of my sound - though it comes very highly recommended.<br>
<br>
It also has enough extra inputs and outputs to make it quite useful and fle=
xible as a stand-alone rackmount mixer.<br>
<br>
But utility aside, though I can&#39;t quite put my finger on it, the sound =
doesn&#39;t ring my bell.<br>
<br>
I&#39;m just looking for other options and suggestions.<br>
<br>
The MOTU was loaned to me on indefinite terms by a good friend.<br>
<br>
I was thinking about buying one (or some other unit) for myself and returni=
ng it to its owner.<br>
<br>
Keeping in mind that I am strictly in the Apple/Mac computer dominion and p=
refer FireWire connectivity, what do people suggest?<br>
<br>
Best,<br><font color=3D"#888888">
<br>
Ted Killian<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now released on iTunes and Ama=
zon! ::=A0 Read about it here... <a href=3D"http://bit.ly/3Pm4g3">http://bi=
t.ly/3Pm4g3</a><br>

<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><b=
r><a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler=
</a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com=
/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com">http://blog.toddreynolds.com</a><b=
r><a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreyn=
olds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbn=
ation.com/toddreynolds</a><br>

<br>
</div>

--001636c5ae0113f9a50497533f37--

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Date: Tue, 14 Dec 2010 00:03:27 +0000 (GMT)
From: Tony Douglas <tonyisyourpal@yahoo.co.uk>
Subject: Re: Leinhos, Peter is out of the office.
To: Loopers-Delight@loopers-delight.com
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--0-1949171527-1292285007=:59377
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Given that Peter Leinhos does seem to be out of the office a fair bit, I vo=
te we =0A*all* change our "out of office/away from email" messages to =0A=
=0A"I'm with Pete"=0A=0A=0A=0A________________________________=0AFrom: Andy=
 Owens <andy@1800dialword.com>=0ATo: Loopers-Delight@loopers-delight.com=0A=
Sent: Mon, 13 December, 2010 23:34:01=0ASubject: Re: Leinhos, Peter is out =
of the office.=0A=0A=0AWell heck, we all have audio issues, lets all call G=
reg!!!=0A=0AAndy Owens=0A1-800-AndyOwens=0ASent from my iPhone=0ASo the typ=
ing might not be my best!=0A=0A=0AOn Dec 13, 2010, at 6:01 PM, "^|>^m" <wil=
l.it.go.round@gmail.com> wrote:=0A=0A=0AFor now everyone with audio issues =
should contact Greg Bouffard @ 323 932 3793=0A>=0A>=0A>On Mon, Dec 13, 2010=
 at 1:20 PM, Daryl Shawn <darylshawn@gmail.com> wrote:=0A>=0A>Drinks are on=
 Leinhos Pete!=0A>>=0A>>Daryl Shawn=0A>>www.swanwelder.com=0A>>=0A>>=0A>>=
=0A>>I will be out of the office starting  12/13/2010 and will not return u=
ntil=0A>>>12/20/2010.=0A>>>=0A>=0A>=0A=0A=0A      
--0-1949171527-1292285007=:59377
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:'times new roman', 'new york', times, se=
rif;font-size:12pt"><div>Given that Peter Leinhos does seem to be out of th=
e office a fair bit, I vote we *all* change our "out of office/away from em=
ail" messages to&nbsp;</div><div><br></div><div>"I'm with Pete"</div><div s=
tyle=3D"font-family:times new roman, new york, times, serif;font-size:12pt"=
><br><div style=3D"font-family:times new roman, new york, times, serif;font=
-size:12pt"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=
=3D"font-weight: bold;">From:</span></b> Andy Owens &lt;andy@1800dialword.c=
om&gt;<br><b><span style=3D"font-weight: bold;">To:</span></b> Loopers-Deli=
ght@loopers-delight.com<br><b><span style=3D"font-weight: bold;">Sent:</spa=
n></b> Mon, 13 December, 2010 23:34:01<br><b><span style=3D"font-weight: bo=
ld;">Subject:</span></b> Re: Leinhos, Peter is out of the office.<br></font=
><br><div>Well
 heck, we all have audio issues, lets all call Greg!!!<br><br>Andy Owens<di=
v>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not=
 be my best!</div><div><br></div></div></div><div><br>On Dec 13, 2010, at 6=
:01 PM, "^|&gt;^m" &lt;<a rel=3D"nofollow" ymailto=3D"mailto:will.it.go.rou=
nd@gmail.com" target=3D"_blank" href=3D"mailto:will.it.go.round@gmail.com">=
will.it.go.round@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquo=
te type=3D"cite"><div>For now everyone with audio issues should contact&nbs=
p;Greg Bouffard&nbsp;@ 323 932 3793<br><br><div class=3D"gmail_quote">On Mo=
n, Dec 13, 2010 at 1:20 PM, Daryl Shawn <span dir=3D"ltr">&lt;<a rel=3D"nof=
ollow" ymailto=3D"mailto:darylshawn@gmail.com" target=3D"_blank" href=3D"ma=
ilto:darylshawn@gmail.com"></a><a rel=3D"nofollow" ymailto=3D"mailto:daryls=
hawn@gmail.com" target=3D"_blank" href=3D"mailto:darylshawn@gmail.com">dary=
lshawn@gmail.com</a>&gt;</span> wrote:<br>=0A<blockquote class=3D"gmail_quo=
te" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;=
">Drinks are on Leinhos Pete!<br><font color=3D"#888888">=0A<br>=0ADaryl Sh=
awn<br>=0A<a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.swanweld=
er.com"></a><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.swanwe=
lder.com">www.swanwelder.com</a></font><div><div></div><div class=3D"h5"><b=
r>=0A<br>=0A<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bo=
rder-left:1px #ccc solid;padding-left:1ex;">=0AI will be out of the office =
starting &nbsp;12/13/2010 and will not return until<br>=0A12/20/2010.<br>=
=0A</blockquote>=0A<br>=0A</div></div></blockquote></div><br>=0A</div></blo=
ckquote></div></div><div style=3D"position:fixed"></div>=0A=0A=0A</div><br>=
=0A=0A=0A=0A      </body></html>
--0-1949171527-1292285007=:59377--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 00:23:48 2010
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Subject: Re: Brand New Member
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ï»¿
Both pieces are very cool, especially the second one.  Welcome to LD!


Hi !
i'm booster from france and just joined this newsletter
as an introduction, let me show you two videos i made recently:

http://www.youtube.com/watch?v=R6G1nK3BJlM
http://www.youtube.com/watch?v=uDR_N68lm9U

i use 4 echoplex in sync, playing guitar bass drums and rhodes.
hope you appreciate
boost
 

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 01:21:50 2010
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Enjoyed both of those.

Thanks.

Welcome to the club.

On Dec 13, 2010, at 6:40 AM, boost wrote:

> Hi !
> i'm booster from france and just joined this newsletter
> as an introduction, let me show you two videos i made recently:
> http://www.youtube.com/watch?v=R6G1nK3BJlM
> http://www.youtube.com/watch?v=uDR_N68lm9U
> i use 4 echoplex in sync, playing guitar bass drums and rhodes.
> hope you appreciate
> boost

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 01:22:30 2010
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Subject: Re: Stuff that Works
Date: Mon, 13 Dec 2010 17:22:27 -0800
References: <92085E11-B23E-40A6-8F7B-03BA1075CC8B@baymoon.com> <AANLkTim2UhGbSkDq8Rkj+LN2cV1LJ3KJA7jZW9DsxhuR@mail.gmail.com> <AANLkTikW1m26b8RFK8tL4XG8MSJ_3zJ1_y9QEhrYA8cy@mail.gmail.com> <F694D1BE-EC04-434D-A045-EF82E7A3B886@1800dialword.com>
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I know the feeling.

On Dec 13, 2010, at 5:46 AM, Andy Owens wrote:

> Ya'll ever heard that Guy Clark song, Stuff that Works?  It's a  
> good'en.
>
> With all this talk of stuff that dont work, I'm so glad I havent  
> gone the laptop route yet!! My little LP1 and midibuddy are just  
> plugging right along!!!!!!
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 03:05:31 2010
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Subject: Re: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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Dustbunnies, Bill, Rainer, Todd, et al,

Yes, the VG99 was the sole sound source on that particular "testing" =20
occasion.

But my ultimate plan is to combine several signal sources: VG, GR, and =20=

the processed output of my guitar's own magnetic pickups (and some =20
other hardware FX) and get them all into the computer together.

I was just using the VG that day because it's output is line-level and =20=

felt it would offer a fairly consistent audio source for comparison.

Yes I know about the SPDIF digital connection I could have used.

But given that my plan/hope is eventually to mix at least 3 stereo =20
sound sources into the MOTU (or other interface) it would really tell =20=

me nothing particularly useful to have used only the SPDIF digital =20
input alone in my test since I cannot use SPDIF on all of them.

I have concerns for the audio quality of all of the other line-level =20
signals I will be inputting.

As I said, I was "doing sort of a "scientific" A/B test" . . . not =20
perfect, but an honest comparison.

Yes I know about impedance matching, I have had a fairly complicated =20
rig for more years than I care to rattle on about here and have sailed =20=

those waters going and coming enough to know as much about it as =20
anybody here does (I'd like to think).

What I was describing was this: After adjusting everything (all gain =20
levels, etc.) to get the very best result that could be had (to the =20
best of my ability or knowledge) with the VG and MOTU it sounded =20
pretty okay . . . and if I had just stopped right then and had been =20
satisfied . . . then we might not even be having this conversation.

But I didn't, after that I thought I'd just test it and give the =20
straight VG signal a listen through the same speakers to compare.

As I stated, the difference was quite significant.

I may be able to live with this if only my looping and related FX are =20=

being done by the computer.

Even various hardware loopers (my old EDP included) didn't reproduce =20
"perfect" audio quality.

But I was really hoping NOT to have to patch the laptop into the FX =20
send and return of a line mixer like I did my old EDPs.

I was hoping I could do enough of my signal processing (for all =20
signals) in the MacBook to have most of the processing and all of the =20=

mixing occur there as well.

I want to lessen my stage "footprint" and gear schleppage."

What I am finding is that I am enough of a guitar audio "tone snob" =20
that I may not be able to do it with the MOTU (unless I plop down =20
$1200-$1500 USD for a super, duper, ultra, bigger better interface =20
than I have already in the loaner Ultralite).

That extra scratch paid in hope of a unknown/possible tonal =20
improvement is a big budgetary stretch for me right now.

I want this to happen.

I sold my EDPs in September, more or less burning my bridges and =20
forcing my own hand to move in this direction.

There is very little chance of turning back now.

But, unless I can find some satisfying and affordable way of solving =20
this little hiccup I am sort of stuck on it.

I know (or believe) that lots of you out there are getting satisfying =20=

guitar tones out of a computer, not just crazy creative FX and =20
looping, but good tone as well.

It may not happen all of the time, but it does happen.

The looping and crazy FX are sort of the easy part in my book.

I have made a number of unhappy gear purchases of late.

I am trying to avoid another - and the subsequent loss of money and =20
time for no particular good reason.

I had hoped to buy a new Ultralite of my own and return the borrowed =20
one to it's owner.

Then I considered an Apogee duet for a while, with supposedly better =20
preamps and better A/D converters (but only a pair of them).

That would mean I would still need my rackmount line-mixer outboard of =20=

all that to combine all those extra signals before it entered the =20
computer.

That doesn't seem to make any sense . . . but I know it would work and =20=

yield the tone I am after.

It just doesn't lessen my gear load any.

Just replacing the EDPs and a couple of other rack FX with a laptop =20
merely complicates things all the more when it comes to "playing =20
out" (live gigging) - especially if I wind up keeping a mixer and half =20=

a dozen other FX pieces and controllers just to make it all work.

I am getting more and more to the point that I wish I'd stayed with =20
what I had in September.

I knew how it worked, knew how to program it and knew how to use it.

Every step I take now on this road I find 5 new hidden ones ahead that =20=

I am going to have to get through before further progress can be made.

This is very, very unsatisfying.

I just want to get back to playing ASAP.

Sincere best regards,

Ted

On Dec 13, 2010, at 8:36 AM, Dustbunnies wrote:

> On 12/14/10 12:45 AM, "tEd =AE KiLLiAn" <tedkillian@charter.net> =
wrote:
>>
>> I played my Gibson and VG99 combination into the MOTU.... [*snip*]
>>
>> ...I was only using a pair of the regular line-level inputs on
>> the back.
>
> Ted,
>
> Is the 99 your sole sound source here?  If so, don't neglect the =20
> Digital
> I/O!
>
> The VG-99 is, of course, a digital sound source.  What you're now =20
> doing is
> taking that digital signal, then running it through the VG's onboard =20=

> DAC's
> to turn it into an analog signal then digitizing it all over again =20
> when you
> run it into the MOTU's ADC.  All this is just to get a digital =20
> signal into
> your computer.
>
> Why?
>
> Instead, see what happens if you keep everything digital going into =20=

> the
> computer.  Try running the S/PDIF Output from the VG directly into =20
> your
> laptop, or even the USB Out.  I've gotten good results using S/PDIF =20=

> (not as
> much so with the USB -- it "felt" a little laggier -- although that =20=

> could
> merely be a rote psychological effect, since I almost expected =20
> something
> like that).  In fact, the Digital I/O is why I grabbed my AudioFire2 =20=

> in the
> first place.
>
> (aside: this was before I realized that the input on the Macbook can =20=

> also
> accept Optical S/PDIF directly; so I could've cheaped out on a $30
> Coax-to-Optical converter rather than a $200 interface.  Still, I =20
> needed a
> small 2-channel DAC for the output, and it does a great job there.)
>
> As it stands, you're putting your signal through an extra digital ]--=20=

> >analog
> ]-->digital conversion that doesn't necessarily need to be there.  =20
> It's
> obvious you don't like the sound that the MOTU interface is =20
> imparting on the
> signal, so try removing that conversion and going direct digital =20
> into the
> computer.
>
> Even if you don't like the idea of remaining in the digital domain, it
> should, at the very least, tell you if your problem is with the =20
> MOTU's Input
> conversion or if the difficulty is with the interface's outputs.  =20
> Should
> help troubleshoot the exact source of your frustration.
>
>    --m.
>

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unsubscribe me thanks=2C i can't handle all the messages in my inboxcheers =
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Ted,
Not that I know anything about soundcards, Ive always had my eye on the MOT=
U
traveller its basically a mixer AND sound card is it not?, with a mix of
digital and analog ins.. I can speak for the audio quality however... Now
that Im into laptop more than ever these days, its something I know I need
to start taking seriously, its just that my crappy Ozone, gives me a mini
keyboard and 8 knobs into the bargain.

Anyway, any audiophiles care to comment on the traveler sound?



mark

ps... did I already ask you this.. did you already sell your boss hex
effects? I asked you right... befuddled brain.. work goddammit!





On Tue, Dec 14, 2010 at 4:05 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Dustbunnies, Bill, Rainer, Todd, et al,
>
> Yes, the VG99 was the sole sound source on that particular "testing"
> occasion.
>
> But my ultimate plan is to combine several signal sources: VG, GR, and th=
e
> processed output of my guitar's own magnetic pickups (and some other
> hardware FX) and get them all into the computer together.
>
> I was just using the VG that day because it's output is line-level and fe=
lt
> it would offer a fairly consistent audio source for comparison.
>
> Yes I know about the SPDIF digital connection I could have used.
>
> But given that my plan/hope is eventually to mix at least 3 stereo sound
> sources into the MOTU (or other interface) it would really tell me nothin=
g
> particularly useful to have used only the SPDIF digital input alone in my
> test since I cannot use SPDIF on all of them.
>
> I have concerns for the audio quality of all of the other line-level
> signals I will be inputting.
>
> As I said, I was "doing sort of a "scientific" A/B test" . . . not perfec=
t,
> but an honest comparison.
>
> Yes I know about impedance matching, I have had a fairly complicated rig
> for more years than I care to rattle on about here and have sailed those
> waters going and coming enough to know as much about it as anybody here d=
oes
> (I'd like to think).
>
> What I was describing was this: After adjusting everything (all gain
> levels, etc.) to get the very best result that could be had (to the best =
of
> my ability or knowledge) with the VG and MOTU it sounded pretty okay . . =
.
> and if I had just stopped right then and had been satisfied . . . then we
> might not even be having this conversation.
>
> But I didn't, after that I thought I'd just test it and give the straight
> VG signal a listen through the same speakers to compare.
>
> As I stated, the difference was quite significant.
>
> I may be able to live with this if only my looping and related FX are bei=
ng
> done by the computer.
>
> Even various hardware loopers (my old EDP included) didn't reproduce
> "perfect" audio quality.
>
> But I was really hoping NOT to have to patch the laptop into the FX send
> and return of a line mixer like I did my old EDPs.
>
> I was hoping I could do enough of my signal processing (for all signals) =
in
> the MacBook to have most of the processing and all of the mixing occur th=
ere
> as well.
>
> I want to lessen my stage "footprint" and gear schleppage."
>
> What I am finding is that I am enough of a guitar audio "tone snob" that =
I
> may not be able to do it with the MOTU (unless I plop down $1200-$1500 US=
D
> for a super, duper, ultra, bigger better interface than I have already in
> the loaner Ultralite).
>
> That extra scratch paid in hope of a unknown/possible tonal improvement i=
s
> a big budgetary stretch for me right now.
>
> I want this to happen.
>
> I sold my EDPs in September, more or less burning my bridges and forcing =
my
> own hand to move in this direction.
>
> There is very little chance of turning back now.
>
> But, unless I can find some satisfying and affordable way of solving this
> little hiccup I am sort of stuck on it.
>
> I know (or believe) that lots of you out there are getting satisfying
> guitar tones out of a computer, not just crazy creative FX and looping, b=
ut
> good tone as well.
>
> It may not happen all of the time, but it does happen.
>
> The looping and crazy FX are sort of the easy part in my book.
>
> I have made a number of unhappy gear purchases of late.
>
> I am trying to avoid another - and the subsequent loss of money and time
> for no particular good reason.
>
> I had hoped to buy a new Ultralite of my own and return the borrowed one =
to
> it's owner.
>
> Then I considered an Apogee duet for a while, with supposedly better
> preamps and better A/D converters (but only a pair of them).
>
> That would mean I would still need my rackmount line-mixer outboard of al=
l
> that to combine all those extra signals before it entered the computer.
>
> That doesn't seem to make any sense . . . but I know it would work and
> yield the tone I am after.
>
> It just doesn't lessen my gear load any.
>
> Just replacing the EDPs and a couple of other rack FX with a laptop merel=
y
> complicates things all the more when it comes to "playing out" (live
> gigging) - especially if I wind up keeping a mixer and half a dozen other=
 FX
> pieces and controllers just to make it all work.
>
> I am getting more and more to the point that I wish I'd stayed with what =
I
> had in September.
>
> I knew how it worked, knew how to program it and knew how to use it.
>
> Every step I take now on this road I find 5 new hidden ones ahead that I =
am
> going to have to get through before further progress can be made.
>
> This is very, very unsatisfying.
>
> I just want to get back to playing ASAP.
>
> Sincere best regards,
>
> Ted
>
> On Dec 13, 2010, at 8:36 AM, Dustbunnies wrote:
>
>  On 12/14/10 12:45 AM, "tEd =AE KiLLiAn" <tedkillian@charter.net> wrote:
>>
>>>
>>> I played my Gibson and VG99 combination into the MOTU.... [*snip*]
>>>
>>> ...I was only using a pair of the regular line-level inputs on
>>> the back.
>>>
>>
>> Ted,
>>
>> Is the 99 your sole sound source here?  If so, don't neglect the Digital
>> I/O!
>>
>> The VG-99 is, of course, a digital sound source.  What you're now doing =
is
>> taking that digital signal, then running it through the VG's onboard DAC=
's
>> to turn it into an analog signal then digitizing it all over again when
>> you
>> run it into the MOTU's ADC.  All this is just to get a digital signal in=
to
>> your computer.
>>
>> Why?
>>
>> Instead, see what happens if you keep everything digital going into the
>> computer.  Try running the S/PDIF Output from the VG directly into your
>> laptop, or even the USB Out.  I've gotten good results using S/PDIF (not
>> as
>> much so with the USB -- it "felt" a little laggier -- although that coul=
d
>> merely be a rote psychological effect, since I almost expected something
>> like that).  In fact, the Digital I/O is why I grabbed my AudioFire2 in
>> the
>> first place.
>>
>> (aside: this was before I realized that the input on the Macbook can als=
o
>> accept Optical S/PDIF directly; so I could've cheaped out on a $30
>> Coax-to-Optical converter rather than a $200 interface.  Still, I needed=
 a
>> small 2-channel DAC for the output, and it does a great job there.)
>>
>> As it stands, you're putting your signal through an extra digital
>> ]-->analog
>> ]-->digital conversion that doesn't necessarily need to be there.  It's
>> obvious you don't like the sound that the MOTU interface is imparting on
>> the
>> signal, so try removing that conversion and going direct digital into th=
e
>> computer.
>>
>> Even if you don't like the idea of remaining in the digital domain, it
>> should, at the very least, tell you if your problem is with the MOTU's
>> Input
>> conversion or if the difficulty is with the interface's outputs.  Should
>> help troubleshoot the exact source of your frustration.
>>
>>   --m.
>>
>>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549e0bbc59f70497597550
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ted,<br>Not that I know anything about soundcards, Ive always had my eye on=
 the MOTU traveller its basically a mixer AND sound card is it not?, with a=
 mix of digital and analog ins.. I can speak for the audio quality however.=
.. Now that Im into laptop more than ever these days, its something I know =
I need to start taking seriously, its just that my crappy Ozone, gives me a=
 mini keyboard and 8 knobs into the bargain.<br>


<br>Anyway, any audiophiles care to comment on the traveler sound?<br><br><=
br><br>mark<br><br>ps... did I already ask you this.. did you already sell =
your boss hex effects? I asked you right... befuddled brain.. work goddammi=
t!<br>

<br><br><br><br><br><div class=3D"gmail_quote">On Tue, Dec 14, 2010 at 4:05=
 AM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@cha=
rter.net" target=3D"_blank">tedkillian@charter.net</a>&gt;</span> wrote:<br=
>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Dustbunnies, Bill=
, Rainer, Todd, et al,<br>
<br>
Yes, the VG99 was the sole sound source on that particular &quot;testing&qu=
ot; occasion.<br>
<br>
But my ultimate plan is to combine several signal sources: VG, GR, and the =
processed output of my guitar&#39;s own magnetic pickups (and some other ha=
rdware FX) and get them all into the computer together.<br>
<br>
I was just using the VG that day because it&#39;s output is line-level and =
felt it would offer a fairly consistent audio source for comparison.<br>
<br>
Yes I know about the SPDIF digital connection I could have used.<br>
<br>
But given that my plan/hope is eventually to mix at least 3 stereo sound so=
urces into the MOTU (or other interface) it would really tell me nothing pa=
rticularly useful to have used only the SPDIF digital input alone in my tes=
t since I cannot use SPDIF on all of them.<br>



<br>
I have concerns for the audio quality of all of the other line-level signal=
s I will be inputting.<br>
<br>
As I said, I was &quot;doing sort of a &quot;scientific&quot; A/B test&quot=
; . . . not perfect, but an honest comparison.<br>
<br>
Yes I know about impedance matching, I have had a fairly complicated rig fo=
r more years than I care to rattle on about here and have sailed those wate=
rs going and coming enough to know as much about it as anybody here does (I=
&#39;d like to think).<br>



<br>
What I was describing was this: After adjusting everything (all gain levels=
, etc.) to get the very best result that could be had (to the best of my ab=
ility or knowledge) with the VG and MOTU it sounded pretty okay . . . and i=
f I had just stopped right then and had been satisfied . . . then we might =
not even be having this conversation.<br>



<br>
But I didn&#39;t, after that I thought I&#39;d just test it and give the st=
raight VG signal a listen through the same speakers to compare.<br>
<br>
As I stated, the difference was quite significant.<br>
<br>
I may be able to live with this if only my looping and related FX are being=
 done by the computer.<br>
<br>
Even various hardware loopers (my old EDP included) didn&#39;t reproduce &q=
uot;perfect&quot; audio quality.<br>
<br>
But I was really hoping NOT to have to patch the laptop into the FX send an=
d return of a line mixer like I did my old EDPs.<br>
<br>
I was hoping I could do enough of my signal processing (for all signals) in=
 the MacBook to have most of the processing and all of the mixing occur the=
re as well.<br>
<br>
I want to lessen my stage &quot;footprint&quot; and gear schleppage.&quot;<=
br>
<br>
What I am finding is that I am enough of a guitar audio &quot;tone snob&quo=
t; that I may not be able to do it with the MOTU (unless I plop down $1200-=
$1500 USD for a super, duper, ultra, bigger better interface than I have al=
ready in the loaner Ultralite).<br>



<br>
That extra scratch paid in hope of a unknown/possible tonal improvement is =
a big budgetary stretch for me right now.<br>
<br>
I want this to happen.<br>
<br>
I sold my EDPs in September, more or less burning my bridges and forcing my=
 own hand to move in this direction.<br>
<br>
There is very little chance of turning back now.<br>
<br>
But, unless I can find some satisfying and affordable way of solving this l=
ittle hiccup I am sort of stuck on it.<br>
<br>
I know (or believe) that lots of you out there are getting satisfying guita=
r tones out of a computer, not just crazy creative FX and looping, but good=
 tone as well.<br>
<br>
It may not happen all of the time, but it does happen.<br>
<br>
The looping and crazy FX are sort of the easy part in my book.<br>
<br>
I have made a number of unhappy gear purchases of late.<br>
<br>
I am trying to avoid another - and the subsequent loss of money and time fo=
r no particular good reason.<br>
<br>
I had hoped to buy a new Ultralite of my own and return the borrowed one to=
 it&#39;s owner.<br>
<br>
Then I considered an Apogee duet for a while, with supposedly better preamp=
s and better A/D converters (but only a pair of them).<br>
<br>
That would mean I would still need my rackmount line-mixer outboard of all =
that to combine all those extra signals before it entered the computer.<br>
<br>
That doesn&#39;t seem to make any sense . . . but I know it would work and =
yield the tone I am after.<br>
<br>
It just doesn&#39;t lessen my gear load any.<br>
<br>
Just replacing the EDPs and a couple of other rack FX with a laptop merely =
complicates things all the more when it comes to &quot;playing out&quot; (l=
ive gigging) - especially if I wind up keeping a mixer and half a dozen oth=
er FX pieces and controllers just to make it all work.<br>



<br>
I am getting more and more to the point that I wish I&#39;d stayed with wha=
t I had in September.<br>
<br>
I knew how it worked, knew how to program it and knew how to use it.<br>
<br>
Every step I take now on this road I find 5 new hidden ones ahead that I am=
 going to have to get through before further progress can be made.<br>
<br>
This is very, very unsatisfying.<br>
<br>
I just want to get back to playing ASAP.<br>
<br>
Sincere best regards,<br>
<br>
Ted<br>
<br>
On Dec 13, 2010, at 8:36 AM, Dustbunnies wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
On 12/14/10 12:45 AM, &quot;tEd =AE KiLLiAn&quot; &lt;<a href=3D"mailto:ted=
killian@charter.net" target=3D"_blank">tedkillian@charter.net</a>&gt; wrote=
:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
I played my Gibson and VG99 combination into the MOTU.... [*snip*]<br>
<br>
...I was only using a pair of the regular line-level inputs on<br>
the back.<br>
</blockquote>
<br>
Ted,<br>
<br>
Is the 99 your sole sound source here? =A0If so, don&#39;t neglect the Digi=
tal<br>
I/O!<br>
<br>
The VG-99 is, of course, a digital sound source. =A0What you&#39;re now doi=
ng is<br>
taking that digital signal, then running it through the VG&#39;s onboard DA=
C&#39;s<br>
to turn it into an analog signal then digitizing it all over again when you=
<br>
run it into the MOTU&#39;s ADC. =A0All this is just to get a digital signal=
 into<br>
your computer.<br>
<br>
Why?<br>
<br>
Instead, see what happens if you keep everything digital going into the<br>
computer. =A0Try running the S/PDIF Output from the VG directly into your<b=
r>
laptop, or even the USB Out. =A0I&#39;ve gotten good results using S/PDIF (=
not as<br>
much so with the USB -- it &quot;felt&quot; a little laggier -- although th=
at could<br>
merely be a rote psychological effect, since I almost expected something<br=
>
like that). =A0In fact, the Digital I/O is why I grabbed my AudioFire2 in t=
he<br>
first place.<br>
<br>
(aside: this was before I realized that the input on the Macbook can also<b=
r>
accept Optical S/PDIF directly; so I could&#39;ve cheaped out on a $30<br>
Coax-to-Optical converter rather than a $200 interface. =A0Still, I needed =
a<br>
small 2-channel DAC for the output, and it does a great job there.)<br>
<br>
As it stands, you&#39;re putting your signal through an extra digital ]--&g=
t;analog<br>
]--&gt;digital conversion that doesn&#39;t necessarily need to be there. =
=A0It&#39;s<br>
obvious you don&#39;t like the sound that the MOTU interface is imparting o=
n the<br>
signal, so try removing that conversion and going direct digital into the<b=
r>
computer.<br>
<br>
Even if you don&#39;t like the idea of remaining in the digital domain, it<=
br>
should, at the very least, tell you if your problem is with the MOTU&#39;s =
Input<br>
conversion or if the difficulty is with the interface&#39;s outputs. =A0Sho=
uld<br>
help troubleshoot the exact source of your frustration.<br>
<br>
 =A0 --m.<br>
<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancombe.com=
</a><br><a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabk=
hao.com</a><br>

twitter @markfrancombe<br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>

--20cf30549e0bbc59f70497597550--

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Subject: RE: WHAT SORTS OF FIREWIRE INTEFACES ARE PEOPLE USING THESE DAYS?
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Hi Ted=2C=20
I though you were using the stringport - or was I dreaming?

Peace

G
 		 	   		  =

--_cc51b4d0-553c-4419-bcc5-5afabf67961a_
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<html>
<head>
<style><!--
.hmmessage P
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
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Hi Ted=2C <br>I though you were using the stringport - or was I dreaming?<b=
r><br>Peace<br><br>G<br> 		 	   		  </body>
</html>=

--_cc51b4d0-553c-4419-bcc5-5afabf67961a_--

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Date: Tue, 14 Dec 2010 11:26:56 +0200
Message-ID: <AANLkTikyOzK5LjsDaNkFWDkixzxhkheN+knzE=GbHooL@mail.gmail.com>
Subject: Re: unsubscribe
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Liam, starting to peter-leinhos on us?  :-)

to unsubscribe, really;

"To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com




2010/12/14 liam skeates-udy <liamsu5@hotmail.com>

>  unsubscribe me thanks, i can't handle all the messages in my inbox
> cheers
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054ad1d01dbab04975b6cd9
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Liam, starting to peter-leinhos on us?=A0 :-)<br><br>to unsubscribe, really=
;<br><br>
						<p><font size=3D"2">&quot;To unsubscribe, send mail with the word &qu=
ot;unsubscribe&quot; in both the subject and body, and no sig files or anyt=
hing else, to:</font></p>
						<p><a href=3D"mailto:Loopers-Delight-request@loopers-delight.com"><fo=
nt size=3D"2">Loopers-Delight-request@loopers-delight.com</font></a></p><br=
><br><br><br><div class=3D"gmail_quote">2010/12/14 liam skeates-udy <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:liamsu5@hotmail.com">liamsu5@hotmail.com</=
a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">



<div>
unsubscribe me thanks, i can&#39;t handle all the messages in my inbox<div>=
cheers</div> 		 	   		  </div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054ad1d01dbab04975b6cd9--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 09:35:56 2010
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tEd ® KiLLiAn wrote:

> As I said, I was "doing sort of a "scientific" A/B test" . . . not 
> perfect, but an honest comparison.
> 

hi Ted,
it certainly looks like you're in a tight spot here.


Things to rule out if you didn't already

1) Latency. If the Motu is producing more latency than you can stand,
   or even just enough to make things not feel right then it's
    going to end up in your fx loop.

2) Connectors.
    The comparison appears to be 
    VG99>>>Motu>>>Speakers
vs   VG99>>>Speakers.

...but really it's 
     VG99>>>Leads1>>>Motu>>>Leads2>>>Speakers
vs     VG99>>>Leads?>>>Speakers
   So let's be sure that budget leads aren't adding to your woes.

3) Are you running a *balanced* cable from Motu to speakers?

4) Are you running a *balanced* cable from  VG99 XLR o/p to the Motu?






andy butler










From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 12:37:40 2010
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Subject: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Guys,

Check out the free Pianoverb from the Polish sound design programming
masters at PSP
http://www.pspaudioware.com/

This plugin imitates the reverb effect you get if putting a heavy
brick on a grand piano's sustain pedal and then record the string's
sympathetic resonance with the vibrations in the air. I first heard
this back in the late eighties on an album with solo soprano sax
player Steve Lacy. But I didn't understand how that deep atmosphere
was created until more than a century later, and then by accident as I
was experimenting with open piano strings as "reverb generator" in my
own home studio. To be honest I don't know about any other plugin that
will give you this reverb sound, so if you are into that it is just a
lovely crazy thing that the Poles give it out for free now. Guitarists
might be familiar with the acoustic guitar reverb sound you get when
not muting open strings while playing on other strings. This plugin
gives a bit of that ambient feel to any sound in-the-box.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 12:49:21 2010
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Subject: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Rainer Straschill <moinsound@googlemail.com>
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Per sez:
> Check out the free Pianoverb from the Polish sound design programming
> masters at PSP
> http://www.pspaudioware.com/

> I first heard this back in the late eighties on an album with solo soprano sax
> player Steve Lacy.

Didn't know about the Steve Lacy reference you're mentioning.
The first intense use of this effect (not for piano) known to me is
Frank Zappa's "Lumpy Gravy" (1967), where it's mostly applied to
speaking voices. Material from these sessions was also used in his
last studio album, "Civilisation, Phase III" (1993, released 1995).
There's a reference in the lyrics of "Evelyn, a Modified Dog" (One
Size Fits All album):
"Evelyn, a dog, having undergone
Further modification
Pondered the significance of short-person behavior
In pedal-depressed panchromatic resonance
And other highly ambient domains... "

> To be honest I don't know about any other plugin that will give you this reverb sound

This can be done well with any faltung/convolution plugin and use of
an impulse response that models this behaviour - there have been
discussions of sites that offer (free) responses, look up in the
archives (or ask me again when I get home ;).

           Rainer

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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 14, 2010 at 1:49 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> This can be done well with any faltung/convolution plugin

I disagree. Nothing sounds as real physical strings in sympathetic
resonance and of course the PSP plugin doesn't replicate that sound
exactly. But it sounds better in this regard than what is possible
with convolution technique. Probably because you need to isolate many
frequency bands to treat them differently, just as the open strings on
a sustained grand are of different length.

Per

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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Rainer Straschill <moinsound@googlemail.com>
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Per sez:
>> This can be done well with any faltung/convolution plugin
> I disagree. Nothing sounds as real physical strings in sympathetic
> resonance and of course the PSP plugin doesn't replicate that sound
> exactly. But it sounds better in this regard than what is possible
> with convolution technique.

Sorry for sounding like a complete dickhole here, but: did you run a
serious scientifc analysis to support that claim - that the PSP plugin
sounds better than what is possible with the faltung approach? This
looks like a challenge to me, from a science philosophy standpoint.
(You're comparing the theoretical limits of a process to model systems
with a specific mathematical approach to the system modeling quality
of a specific black box).

Apart from that, the question really is what you're after:
If you're after the authentic sound of a great grand piano and its
resonances, then you best get yourself a grand. If however you want
some of those panchromatic resonances (and other highly ambient
domains), then you can use either approach.
For me, being able to do most things with only a handful of plugins is
important. For this reason, I personally prefer to use the reverb
plugin I already have rather than to use a different one for "the
piano reverb". YMMV.

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Date: Tue, 14 Dec 2010 05:17:08 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
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--0-354083397-1292332628=:19512
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that one flew right over my head. What is the difference between the two 
approaches?

Antony



________________________________
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
Sent: Tue, December 14, 2010 2:10:24 PM
Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb

Per sez:
>> This can be done well with any faltung/convolution plugin
> I disagree. Nothing sounds as real physical strings in sympathetic
> resonance and of course the PSP plugin doesn't replicate that sound
> exactly. But it sounds better in this regard than what is possible
> with convolution technique.

Sorry for sounding like a complete dickhole here, but: did you run a
serious scientifc analysis to support that claim - that the PSP plugin
sounds better than what is possible with the faltung approach? This
looks like a challenge to me, from a science philosophy standpoint.
(You're comparing the theoretical limits of a process to model systems
with a specific mathematical approach to the system modeling quality
of a specific black box).

Apart from that, the question really is what you're after:
If you're after the authentic sound of a great grand piano and its
resonances, then you best get yourself a grand. If however you want
some of those panchromatic resonances (and other highly ambient
domains), then you can use either approach.
For me, being able to do most things with only a handful of plugins is
important. For this reason, I personally prefer to use the reverb
plugin I already have rather than to use a different one for "the
piano reverb". YMMV.


      
--0-354083397-1292332628=:19512
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>that one flew right over my head. What is the difference between the two approaches?</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Rainer Straschill &lt;moinsound@googlemail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> loopers-delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, December 14, 2010 2:10:24 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb<br></font><br>
Per sez:<br>&gt;&gt; This can be done well with any faltung/convolution plugin<br>&gt; I disagree. Nothing sounds as real physical strings in sympathetic<br>&gt; resonance and of course the PSP plugin doesn't replicate that sound<br>&gt; exactly. But it sounds better in this regard than what is possible<br>&gt; with convolution technique.<br><br>Sorry for sounding like a complete dickhole here, but: did you run a<br>serious scientifc analysis to support that claim - that the PSP plugin<br>sounds better than what is possible with the faltung approach? This<br>looks like a challenge to me, from a science philosophy standpoint.<br>(You're comparing the theoretical limits of a process to model systems<br>with a specific mathematical approach to the system modeling quality<br>of a specific black box).<br><br>Apart from that, the question really is what you're after:<br>If you're after the authentic sound of a great grand piano and its<br>resonances, then you
 best get yourself a grand. If however you want<br>some of those panchromatic resonances (and other highly ambient<br>domains), then you can use either approach.<br>For me, being able to do most things with only a handful of plugins is<br>important. For this reason, I personally prefer to use the reverb<br>plugin I already have rather than to use a different one for "the<br>piano reverb". YMMV.<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-354083397-1292332628=:19512--

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Date: Tue, 14 Dec 2010 14:19:05 +0100
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 14, 2010 at 2:10 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> complete dickhole

Well, just listen to it and see if you like it. It is irrelevant
whatever technical method is *theoretically* capable of doing similar
stuff. This free plugin sounds very musical to me. That is why I am
sharing the tip with the list.

Per

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 13:30:04 2010
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Clifford Novey <cnovey@gmail.com>
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One of my fav albums of all times uses this- Weather Report's first
record- self titled from 1972. Wayne played scales on his sax into
piano strings. Joe was giving him the scales and they edited all the
sax out but 1 note. Incredible and I didn't know how it was done until
much later. Joe also is doing something with the pedals you can hear
it.
Cheers for the tip- I will have to load that app into Reaper (plug- loving it)
Clifford

On 12/14/10, Per Boysen <perboysen@gmail.com> wrote:
> Guys,
>
> Check out the free Pianoverb from the Polish sound design programming
> masters at PSP
> http://www.pspaudioware.com/
>
> This plugin imitates the reverb effect you get if putting a heavy
> brick on a grand piano's sustain pedal and then record the string's
> sympathetic resonance with the vibrations in the air. I first heard
> this back in the late eighties on an album with solo soprano sax
> player Steve Lacy. But I didn't understand how that deep atmosphere
> was created until more than a century later, and then by accident as I
> was experimenting with open piano strings as "reverb generator" in my
> own home studio. To be honest I don't know about any other plugin that
> will give you this reverb sound, so if you are into that it is just a
> lovely crazy thing that the Poles give it out for free now. Guitarists
> might be familiar with the acoustic guitar reverb sound you get when
> not muting open strings while playing on other strings. This plugin
> gives a bit of that ambient feel to any sound in-the-box.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

-- 
Sent from my mobile device

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Antony sez:
> that one flew right over my head. What is the difference between the two approaches?

Approach 1 (convolution):
Basically, it works like this: Theory has it that every LTI system can
be completely defined by its impulse response (the system's reaction
to an infinitely short, infinitely high spike with a finite surface
area). LTI here means "linear, time invariant". Time invariance means
that it does not matter if you send the signal now or 10ms or 1s or
whatever later (or earlier). An example of a typical effect where this
is not the case is a flanger (or, for that matter, everything
modulated by a LFO).
Linearity is that if you make the input twice as loud, the output gets
twice as loud (and that for any multiplier), and if you send in two
signals at one then the output is the sum of the processed output from
the individual input signals. An example of a typical effect where
this is not the case is a compressor (or, for that matter, everything
with something like an envelope follower).
A prime example for something LTI is a delay.
(Note that "linearity" does not mean "a flat frequency response"! In
fact, ideal EQs are linear systems).

For our application: assume you could somehow record the impulse
response of your system (in that case, the inside of a piano with the
sustain pedal depressed). Then you could record that, and by that and
a specific mathetmatical operation (faltung, or convolution) model the
system's response to the input.

There are a few drawbacks here. First, you have to record the impulse
response (but this works relatively well). Then, it only works for LTI
systems. While a piano can be considered time invariant, it is not
necessarily linear. (see below for a further discussion of that).

Approach 2 (physical modelling, as used by the PSP plugin):
the PSP plugin uses models of twelve string resonators, which
basically model the resonances of one string each. They don't say a
lot about this, but we do know its only twelve strings (of the
hundreds inside of a piano), and there doesn't seem to be any model of
the soundboard. No word on properly modelling inter string resonances.

There's limits to both approaches here:
ad 1:
the linearity is mainly a problem for very low energies transferred to
a string. If the energy falls below the value that is necessary to
establish at least one full oscillation cycle, then the behaviour of
that string changes radically, compared to the linear assumption.
And, as Per pointed out, there is a theoretical limit to how good this
can work - those nonlinearities can, by design, never be modelled in
that approach.
(btw, I found your quote from my last message rather misleading, to
say the least, Per. If you wanted to make  a statement to this regard,
please feel free to do so here or via matrix mail, but I kindly ask
you to avoid putting quotes out of context like this).

ad 2:
from just theoretically looking at this, it's not possible to tell
anything about the quality of the physical model. What can be
expected, however, is that the lack of a sufficient number of strings,
as well as the lack of a model of the soundboard, soundboard-string
interaction, sides/lid of the piano (probably only relevant for early
reflections, as there's a comparably weak coupling between those and
the soundboard).

Yours,

         Rainer

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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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On Tue, Dec 14, 2010 at 2:30 PM, Clifford Novey <cnovey@gmail.com> wrote:
> One of my fav albums of all times uses this- Weather Report's first
> record- self titled from 1972. Wayne played scales on his sax into
> piano strings. Joe was giving him the scales and they edited all the
> sax out but 1 note. Incredible and I didn't know how it was done until
> much later. Joe also is doing something with the pedals you can hear
> it.

I like that album too :-)  So Joe held down the sustained chords
according to the song structure to imply the chord changes in the
piano's sax reverb! Cool. Doing that with modern electronic laptop
tools would be an exciting challenge! I imagine I would like to assign
"reverb chords" to the switches of a MIDI pedalboard to play it. Any
ideas on how to set up a signal routing that would give you this
thing?

I can think of a mixer system where reverb is fed into a bunch of
effect channels that are EQ'ed to let through the notes frequencies of
a particular chord (or clusters). Then you may mute and unmute such
effect tracks for "chord changes in the reverb". But this idea loses
out on the fact that the sustained piano string also starts to
oscillate and boosts the note it with its own (grand) sound. I guess
there are better tricks. Ideas anyone? A system of parallel granular
synthesis lines? (think we're talking "electronic tanpura" here, kind
of...)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Tue, 14 Dec 2010 15:01:01 +0100
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Dec 14, 2010 at 2:45 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> (btw, I found your quote from my last message rather misleading, to
> say the least, Per. If you wanted to make =C2=A0a statement to this regar=
d,
> please feel free to do so here or via matrix mail, but I kindly ask
> you to avoid putting quotes out of context like this).

I just thought that word stood out in a funny way! Sorry about that.
No harm meant. I guess nuances in your message got lost in the
translation and when mangled through my bizarre sense of humor it
indeed came back on the list as  "misleading".

Per

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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
From: Rainer Straschill <moinsound@googlemail.com>
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Per said:
> I just thought that word stood out in a funny way! Sorry about that. No harm meant.

Thanks, Per, for clearing that up. No wonder it stood out in a funny
way; it was a South Park (tv series) reference/quote.

Going back to signal theory mode...;)

           Rainer

btw, I seem to remember you're a Kontakt user? As far as I remember,
the grand piano patch uses a convolution algorithm to model the piano
resonances - can't remember how it is used in detail - but perhaps a
good starting point for some comparison?

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I dont know about dickholes but ya'll are definately eggheads!!!  Makes me w=
anna get my oldtime banjo out and sit on my front porch and let the higher p=
owers control the reverbs!!! If it wasnt 11 degrees F I would!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 14, 2010, at 9:11 AM, Rainer Straschill <moinsound@googlemail.com> wr=
ote:

> Per said:
>> I just thought that word stood out in a funny way! Sorry about that. No h=
arm meant.
>=20
> Thanks, Per, for clearing that up. No wonder it stood out in a funny
> way; it was a South Park (tv series) reference/quote.
>=20
> Going back to signal theory mode...;)
>=20
>           Rainer
>=20
> btw, I seem to remember you're a Kontakt user? As far as I remember,
> the grand piano patch uses a convolution algorithm to model the piano
> resonances - can't remember how it is used in detail - but perhaps a
> good starting point for some comparison?
>=20

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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
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On Tue, Dec 14, 2010 at 3:10 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> btw, I seem to remember you're a Kontakt user? As far as I remember,
> the grand piano patch uses a convolution algorithm to model the piano
> resonances - can't remember how it is used in detail - but perhaps a
> good starting point for some comparison?

Thanks for that tip! Yes, I have Kontakt 4 here and will check it out.
The general problem with convolution seems to be that you would
actually need to record a new impulse response for each note of the
scale. Maybe that's what Native Instruments have done?

BTW,  PSP Pianoverb just got upgraded a minute ago (below)

Per



> contact PSP
> to psp_pv_171
>
> show details 3:07 PM (11 minutes ago)
>
> Dear user,
>
> We are pleased to announce an update of our freeware plug-in: PSP PianoVe=
rb to version 1.7.1
>
> Download links to newest versions and your authorization details you will=
 find =C2=A0at your account at PSP Registration Center.
>
>
> Warm regards from f(reez)ing cold Warsaw
> PSP Team
>
>
> PSP PianoVerb v.1.7.1
>
> Fixes
> Crash in Cubase during automation curve edition fixed
> Crash in SONAR during opening fixed
> Version number fixed to 1.7.1.
> Channel routing compatibility improved.
>
>
> Known problems
> Authorization problem in ProTools on MacOSX
>
> Workaround
> Open and authorize plug-in in any other plug-in host (for example in the =
GarageBand).

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I made a plugin with just this effect by having a series of 60! short delay=
s=2C each tuned chromatically with a master feedback controller. It's rathe=
r cool sounding. It's based on the "drone box" plugin here :
http://www.olilarkin.co.uk/index.php?p=3Ddronebox
=20
Peace
=20
G
=20
> Date: Tue=2C 14 Dec 2010 14:52:45 +0100
> Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pi=
anoverb
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Tue=2C Dec 14=2C 2010 at 2:30 PM=2C Clifford Novey <cnovey@gmail.com> =
wrote:
> > One of my fav albums of all times uses this- Weather Report's first
> > record- self titled from 1972. Wayne played scales on his sax into
> > piano strings. Joe was giving him the scales and they edited all the
> > sax out but 1 note. Incredible and I didn't know how it was done until
> > much later. Joe also is doing something with the pedals you can hear
> > it.
>=20
> I like that album too :-) So Joe held down the sustained chords
> according to the song structure to imply the chord changes in the
> piano's sax reverb! Cool. Doing that with modern electronic laptop
> tools would be an exciting challenge! I imagine I would like to assign
> "reverb chords" to the switches of a MIDI pedalboard to play it. Any
> ideas on how to set up a signal routing that would give you this
> thing?
>=20
> I can think of a mixer system where reverb is fed into a bunch of
> effect channels that are EQ'ed to let through the notes frequencies of
> a particular chord (or clusters). Then you may mute and unmute such
> effect tracks for "chord changes in the reverb". But this idea loses
> out on the fact that the sustained piano string also starts to
> oscillate and boosts the note it with its own (grand) sound. I guess
> there are better tricks. Ideas anyone? A system of parallel granular
> synthesis lines? (think we're talking "electronic tanpura" here=2C kind
> of...)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

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I made a plugin with just this effect by having a series of 60! short delay=
s=2C each&nbsp=3Btuned chromatically with a master feedback&nbsp=3Bcontroll=
er. It's rather cool sounding. It's based on the "drone box" plugin here :<=
BR>
<A href=3D"http://www.olilarkin.co.uk/index.php?p=3Ddronebox">http://www.ol=
ilarkin.co.uk/index.php?p=3Ddronebox</A><BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B Date: Tue=2C 14 Dec 2010 14:52:45 +0100<BR>&gt=3B Subject: Re: Tip o=
n a great free reverb plugin (for lappy loopers) PSP Pianoverb<BR>&gt=3B Fr=
om: perboysen@gmail.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<B=
R>&gt=3B <BR>&gt=3B On Tue=2C Dec 14=2C 2010 at 2:30 PM=2C Clifford Novey &=
lt=3Bcnovey@gmail.com&gt=3B wrote:<BR>&gt=3B &gt=3B One of my fav albums of=
 all times uses this- Weather Report's first<BR>&gt=3B &gt=3B record- self =
titled from 1972. Wayne played scales on his sax into<BR>&gt=3B &gt=3B pian=
o strings. Joe was giving him the scales and they edited all the<BR>&gt=3B =
&gt=3B sax out but 1 note. Incredible and I didn't know how it was done unt=
il<BR>&gt=3B &gt=3B much later. Joe also is doing something with the pedals=
 you can hear<BR>&gt=3B &gt=3B it.<BR>&gt=3B <BR>&gt=3B I like that album t=
oo :-) So Joe held down the sustained chords<BR>&gt=3B according to the son=
g structure to imply the chord changes in the<BR>&gt=3B piano's sax reverb!=
 Cool. Doing that with modern electronic laptop<BR>&gt=3B tools would be an=
 exciting challenge! I imagine I would like to assign<BR>&gt=3B "reverb cho=
rds" to the switches of a MIDI pedalboard to play it. Any<BR>&gt=3B ideas o=
n how to set up a signal routing that would give you this<BR>&gt=3B thing?<=
BR>&gt=3B <BR>&gt=3B I can think of a mixer system where reverb is fed into=
 a bunch of<BR>&gt=3B effect channels that are EQ'ed to let through the not=
es frequencies of<BR>&gt=3B a particular chord (or clusters). Then you may =
mute and unmute such<BR>&gt=3B effect tracks for "chord changes in the reve=
rb". But this idea loses<BR>&gt=3B out on the fact that the sustained piano=
 string also starts to<BR>&gt=3B oscillate and boosts the note it with its =
own (grand) sound. I guess<BR>&gt=3B there are better tricks. Ideas anyone?=
 A system of parallel granular<BR>&gt=3B synthesis lines? (think we're talk=
ing "electronic tanpura" here=2C kind<BR>&gt=3B of...)<BR>&gt=3B <BR>&gt=3B=
 Greetings from Sweden<BR>&gt=3B <BR>&gt=3B Per Boysen<BR>&gt=3B www.boysen=
.se<BR>&gt=3B www.perboysen.com<BR>&gt=3B www.looproom.com internet music h=
ub<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_17733775-73e9-4ded-afcc-dced14f12dab_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 14:43:57 2010
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Subject: RE: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
Date: Tue, 14 Dec 2010 15:43:53 +0100
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I love it ... it sounds like a comb filter a little bit ... but somewhat
different

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 15:03:08 2010
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
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Per Boysen wrote:

> Thanks for that tip! Yes, I have Kontakt 4 here and will check it out.
> The general problem with convolution seems to be that you would
> actually need to record a new impulse response for each note of the
> scale. 

Actually you wouldn't.
just one impulse would suffice.

The result of convolution is that you only
hear frequencies that are present in both
the source *and* the impulse.

Or to put that in the way it's usually said

"Convolution in the time domain is equivalent
to multiplication in the frequency domain. "

andy

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 15:21:12 2010
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andy butler schrieb:
> The result of convolution is that you only
> hear frequencies that are present in both
> the source *and* the impulse.
That's another way of saying "it's linear".
> Or to put that in the way it's usually said
>
> "Convolution in the time domain is equivalent
> to multiplication in the frequency domain. "
...which is only true if it's linear...;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 16:06:41 2010
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
Date: Tue, 14 Dec 2010 16:08:51 +0100
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There's a similar effect in Lexicon PCM 70, 80 and 81 units. I call it  
resonator. Simply it uses 4-6 resonating delay lines tuned to piano  
keys to resonate any kind of music harmonically (or as you wish). It's  
a great sounding effect (especially from the PCM 70) and allows, other  
than the PSP piano plug, for very shattering/rocking setups on top of  
it's basic ambient character.
I used it on numerous recordings and live, up to today, for instance  
while playing live electronics for Mikis Thedorakis composition on the  
concetration camp Mauthausen at Holocaust Memorial Museum some years  
ago.

A very nice tool for real time musical ambiences in general, great  
also to localize every single performance (f.i. with a phonographic  
recording of the travel to the performance) while reserving musical  
stability (the harmonization of the noise)
So run a phonographic recording or drums into it, whicle playing the  
resonating notes on a midi keyboard: lovely.

- - -
jayrope
http://www.kliklak.net

On Dec 14, 2010, at 2:10 PM, Loopers-Delight-d-request@loopers-delight.com 
  wrote:

> Re: Tip on a great free reverb plugin (for lappy loopers) PSP  
> Pianoverb

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 16:24:04 2010
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Rainer Straschill wrote:
> andy butler schrieb:
>> The result of convolution is that you only
>> hear frequencies that are present in both
>> the source *and* the impulse.
> That's another way of saying "it's linear".
>> Or to put that in the way it's usually said
>>
>> "Convolution in the time domain is equivalent
>> to multiplication in the frequency domain. "
> ...which is only true if it's linear...;)
> 

your point being?
;-)
andy

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 16:26:07 2010
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
Date: Tue, 14 Dec 2010 08:26:01 -0800
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The Alesis Akira (and Ineko) also have a similar "Resonator" verb on it.

I own 2 Akiras and the effect is quite similar to this.

On Dec 14, 2010, at 7:08 AM, jayrope LD wrote:

> There's a similar effect in Lexicon PCM 70, 80 and 81 units. I call  
> it resonator. Simply it uses 4-6 resonating delay lines tuned to  
> piano keys to resonate any kind of music harmonically (or as you  
> wish). It's a great sounding effect (especially from the PCM 70) and  
> allows, other than the PSP piano plug, for very shattering/rocking  
> setups on top of it's basic ambient character.
> I used it on numerous recordings and live, up to today, for instance  
> while playing live electronics for Mikis Thedorakis composition on  
> the concetration camp Mauthausen at Holocaust Memorial Museum some  
> years ago.
>
> A very nice tool for real time musical ambiences in general, great  
> also to localize every single performance (f.i. with a phonographic  
> recording of the travel to the performance) while reserving musical  
> stability (the harmonization of the noise)
> So run a phonographic recording or drums into it, whicle playing the  
> resonating notes on a midi keyboard: lovely.
>
> - - -
> jayrope
> http://www.kliklak.net
>
> On Dec 14, 2010, at 2:10 PM, Loopers-Delight-d-request@loopers-delight.comwrote 
> :
>
>> Re: Tip on a great free reverb plugin (for lappy loopers) PSP  
>> Pianoverb
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 16:33:03 2010
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Date: Tue, 14 Dec 2010 17:33:02 +0100
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
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andy butler schrieb:
> your point being?
> ;-)
> andy
In a previous post (I think in response to Antony), I tried to explain 
linearity, and I believe I didn't get it explained in a way that had any 
reference to reality, so to speak.
That analogy of yours seemed to be easier to understand, so I decided to 
mention it here.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 17:56:03 2010
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Date: Tue, 14 Dec 2010 19:55:58 +0200
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Subject: Re: WHAT SORTS OF pocket recorders ARE PEOPLE USING THESE DAYS?
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf30433e326e6206049762880c
Content-Type: text/plain; charset=ISO-8859-1

I'm using Olympus LS-10  for field recording, recording rehearsals,
collecting littel loop snippets et etc

Great value for its price, really happy with it, not an audiophile myself,
only thing that I dont like is the headphone output signal, its so quiet.

-Petri-

2010/12/13 andy butler <akbutler@tiscali.co.uk>

> Gareth Whittock wrote:
>
>> That's interesting.
>> I'll check this out Andy. I've read that the H2 isn't that hot
>> fidelity-wise.
>>
>
> Apart from the onboard mics it's noticeably not that good audio wise
> in everything it does.
>
> If you want to use the line I/P on the H4n I'd suggest checking
> out the headroom. The H2 distorts at anything over -10dB, which
> isn't any kind of known standard ( usually a -10dB input would
> be -10dB nominal, with a bit of headroom, but -10dB
> isn't used these days anyway).  In short, anything you put into it will
> distort without an attenuator.
>
> There's a great random element to how Zoom gear turns out it seems.
>
>
>
> andy
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf30433e326e6206049762880c
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I&#39;m using Olympus LS-10=A0 for field recording, recording rehearsals, c=
ollecting littel loop snippets et etc<br><br>Great value for its price, rea=
lly happy with it, not an audiophile myself, only thing that I dont like is=
 the headphone output signal, its so quiet.<br>
<br>-Petri-<br><br><div class=3D"gmail_quote">2010/12/13 andy butler <span =
dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.=
co.uk</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin: =
0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left:=
 1ex;">
Gareth Whittock wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
That&#39;s interesting.<br>
I&#39;ll check this out Andy. I&#39;ve read that the H2 isn&#39;t that hot =
fidelity-wise. <br>
</blockquote>
<br>
Apart from the onboard mics it&#39;s noticeably not that good audio wise<br=
>
in everything it does.<br>
<br>
If you want to use the line I/P on the H4n I&#39;d suggest checking<br>
out the headroom. The H2 distorts at anything over -10dB, which<br>
isn&#39;t any kind of known standard ( usually a -10dB input would<br>
be -10dB nominal, with a bit of headroom, but -10dB<br>
isn&#39;t used these days anyway). =A0In short, anything you put into it wi=
ll distort without an attenuator.<br>
<br>
There&#39;s a great random element to how Zoom gear turns out it seems.<br>=
<font color=3D"#888888">
<br>
<br>
<br>
andy<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf30433e326e6206049762880c--

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Subject: RE: Tip on a great free reverb plugin (for lappy loopers) PSP
 Pianoverb
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Thank you for this Per.=20

Before I left on tour i purchased a Receptor and would love to see if this =
guy loads.

While we're on the topic=2C any recommendations on other free plug-ins / we=
bsites would be greatly appreciated.=20






The Wandering Madman=20




> Date: Tue=2C 14 Dec 2010 13:37:38 +0100
> Subject: Tip on a great free reverb plugin (for lappy loopers) PSP Pianov=
erb
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Guys=2C
>=20
> Check out the free Pianoverb from the Polish sound design programming
> masters at PSP
> http://www.pspaudioware.com/
>=20
> This plugin imitates the reverb effect you get if putting a heavy
> brick on a grand piano's sustain pedal and then record the string's
> sympathetic resonance with the vibrations in the air. I first heard
> this back in the late eighties on an album with solo soprano sax
> player Steve Lacy. But I didn't understand how that deep atmosphere
> was created until more than a century later=2C and then by accident as I
> was experimenting with open piano strings as "reverb generator" in my
> own home studio. To be honest I don't know about any other plugin that
> will give you this reverb sound=2C so if you are into that it is just a
> lovely crazy thing that the Poles give it out for free now. Guitarists
> might be familiar with the acoustic guitar reverb sound you get when
> not muting open strings while playing on other strings. This plugin
> gives a bit of that ambient feel to any sound in-the-box.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

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<html>
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<body class=3D'hmmessage'>
Thank you for this Per. <br><br>Before I left on tour i purchased a Recepto=
r and would love to see if this guy loads.<br><br>While we're on the topic=
=2C any recommendations on other free plug-ins / websites would be greatly =
appreciated. <br><br><br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br><br><br>&gt=3B Date: Tue=2C 14 Dec 2010 13:37:38 +0100<br>&gt=3B Su=
bject: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb<=
br>&gt=3B From: perboysen@gmail.com<br>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<br>&gt=3B <br>&gt=3B Guys=2C<br>&gt=3B <br>&gt=3B Check out the =
free Pianoverb from the Polish sound design programming<br>&gt=3B masters a=
t PSP<br>&gt=3B http://www.pspaudioware.com/<br>&gt=3B <br>&gt=3B This plug=
in imitates the reverb effect you get if putting a heavy<br>&gt=3B brick on=
 a grand piano's sustain pedal and then record the string's<br>&gt=3B sympa=
thetic resonance with the vibrations in the air. I first heard<br>&gt=3B th=
is back in the late eighties on an album with solo soprano sax<br>&gt=3B pl=
ayer Steve Lacy. But I didn't understand how that deep atmosphere<br>&gt=3B=
 was created until more than a century later=2C and then by accident as I<b=
r>&gt=3B was experimenting with open piano strings as "reverb generator" in=
 my<br>&gt=3B own home studio. To be honest I don't know about any other pl=
ugin that<br>&gt=3B will give you this reverb sound=2C so if you are into t=
hat it is just a<br>&gt=3B lovely crazy thing that the Poles give it out fo=
r free now. Guitarists<br>&gt=3B might be familiar with the acoustic guitar=
 reverb sound you get when<br>&gt=3B not muting open strings while playing =
on other strings. This plugin<br>&gt=3B gives a bit of that ambient feel to=
 any sound in-the-box.<br>&gt=3B <br>&gt=3B Greetings from Sweden<br>&gt=3B=
 <br>&gt=3B Per Boysen<br>&gt=3B www.boysen.se<br>&gt=3B www.perboysen.com<=
br>&gt=3B www.looproom.com internet music hub<br>&gt=3B <br> 		 	   		  </b=
ody>
</html>=

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Subject: help please!
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here's my prob: i've gotten up to snuff on the looping capabilities,
but there's one thing i could do with the jam man that i haven't been
able to figure out how to do with the echoplex: record and then
trigger a sample and only have it play back once, and only when i step
on the pedal. what i do is play a note or phrase, sample it, and then
play it back while i play something else over the top of it. need to
have the ability of triggering it manually, as it has to be in the
rhythm of the rest of the band.

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here&#39;s my prob: i&#39;ve gotten up to snuff on the looping capabilities=
,<br>but there&#39;s one thing i could do with the jam man that i haven&#39=
;t been<br>able to figure out how to do with the echoplex: record and then<=
br>
trigger a sample and only have it play back once, and only when i step<br>o=
n the pedal. what i do is play a note or phrase, sample it, and then<br>pla=
y it back while i play something else over the top of it. need to<br>have t=
he ability of triggering it manually, as it has to be in the<br>
rhythm of the rest of the band.<br>

--001636c5b5ae3b1830049764c36a--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: help please!
Date: Tue, 14 Dec 2010 20:38:32 +0000
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This is my problem with the EDP

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 14 Dec 2010, at 20:35, Rob Adler wrote:

> here's my prob: i've gotten up to snuff on the looping capabilities,
> but there's one thing i could do with the jam man that i haven't been
> able to figure out how to do with the echoplex: record and then
> trigger a sample and only have it play back once, and only when i step
> on the pedal. what i do is play a note or phrase, sample it, and then
> play it back while i play something else over the top of it. need to
> have the ability of triggering it manually, as it has to be in the
> rhythm of the rest of the band.


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
This is my problem with the EDP&nbsp;<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 14 Dec 2010, =
at 20:35, Rob Adler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">here's my =
prob: i've gotten up to snuff on the looping capabilities,<br>but =
there's one thing i could do with the jam man that i haven't =
been<br>able to figure out how to do with the echoplex: record and =
then<br> trigger a sample and only have it play back once, and only when =
i step<br>on the pedal. what i do is play a note or phrase, sample it, =
and then<br>play it back while i play something else over the top of it. =
need to<br>have the ability of triggering it manually, as it has to be =
in the<br> rhythm of the rest of the =
band.<br></blockquote></div><br></div></body></html>=

--Apple-Mail-22-519299563--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 21:05:32 2010
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Simplest way
Mute Mode = Sta
End record with Mute.

Then hit Mute to start playback, 
and Mute again to stop.

If you do Quantise= CYC 
you can just tap twice and you'll get exactly one loop.

There's many other ways, I can work out the "just one button pressed once"
way if needed, but the setup for that will take away a lot of flexibility.

It's also more easily realisable using midi control.

andy butler






Rob Adler wrote:
> here's my prob: i've gotten up to snuff on the looping capabilities,
> but there's one thing i could do with the jam man that i haven't been
> able to figure out how to do with the echoplex: record and then
> trigger a sample and only have it play back once, and only when i step
> on the pedal. what i do is play a note or phrase, sample it, and then
> play it back while i play something else over the top of it. need to
> have the ability of triggering it manually, as it has to be in the
> rhythm of the rest of the band.

From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 21:17:11 2010
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Subject: Re: help please!
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Two solutions:

1/ if you have a midi controller to control the echoplex:
C 36 SamplePlay Immediately restart the loop and play once

2/ parameters: more loops: 1  ;   sampler style: one

then next loop will triger sample just once.



hope this help



  ----- Original Message -----=20
  From: Rob Adler=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, December 14, 2010 9:35 PM
  Subject: help please!


  here's my prob: i've gotten up to snuff on the looping capabilities,
  but there's one thing i could do with the jam man that i haven't been
  able to figure out how to do with the echoplex: record and then
  trigger a sample and only have it play back once, and only when i step
  on the pedal. what i do is play a note or phrase, sample it, and then
  play it back while i play something else over the top of it. need to
  have the ability of triggering it manually, as it has to be in the
  rhythm of the rest of the band.

------=_NextPart_000_0065_01CB9BDC.AA011860
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.6036" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Two solutions:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1/ if you have a midi controller to =
control the=20
echoplex:</FONT></DIV>
<DIV><FONT face=3DUtopia-Regular size=3D1><FONT face=3DUtopia-Regular =
size=3D3>
<P>C 36 SamplePlay Immediately restart the loop and play once</P>
<P><FONT face=3DArial size=3D2>2/ parameters: more loops: 1&nbsp; =
;&nbsp;&nbsp;=20
sampler style: one</FONT></P>
<P><FONT face=3DArial size=3D2>then next loop will triger sample just=20
once.</FONT></P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P>
<P><FONT face=3DArial size=3D2>hope this help</FONT></P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P></FONT></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial"><FONT size=3D3>----- Original Message =
-----=20
  </FONT></DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dradlerr@gmail.com href=3D"mailto:radlerr@gmail.com">Rob =
Adler</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, December 14, =
2010 9:35=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> help please!</DIV>
  <DIV><BR></DIV>here's my prob: i've gotten up to snuff on the looping=20
  capabilities,<BR>but there's one thing i could do with the jam man =
that i=20
  haven't been<BR>able to figure out how to do with the echoplex: record =
and=20
  then<BR>trigger a sample and only have it play back once, and only =
when i=20
  step<BR>on the pedal. what i do is play a note or phrase, sample it, =
and=20
  then<BR>play it back while i play something else over the top of it. =
need=20
  to<BR>have the ability of triggering it manually, as it has to be in=20
  the<BR>rhythm of the rest of the band.<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Dec 14 23:02:49 2010
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Subject: soundcloud guitar looping files
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Just created a Soundcloud account for music postings and uploaded a  
couple guitar and low range recorder tracks.  All processing/ looping/  
recording done in Ableton Live in real time, no pre-recorded material  
or post overdubs.  Thanks for listening. - Paul

<< r369improv's sounds on SoundCloud - Create, record and share your  
sounds for free >>



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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Just created a Soundcloud account for music postings and uploaded a couple guitar and low range recorder tracks. &nbsp;All processing/ looping/ recording done in Ableton Live in real time, no pre-recorded material or post overdubs. &nbsp;Thanks for listening. - Paul<div><br></div><div>&lt;&lt;&nbsp;<a href="http://soundcloud.com/r369improv">r369improv's sounds on SoundCloud - Create, record and share your sounds for free</a>&nbsp;&gt;&gt;<br><div><br></div><div><br></div></div></body></html>

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Date: Wed, 15 Dec 2010 01:14:23 +0100
Message-ID: <AANLkTi=BT9LhTW-cbEiowN=5hU0a38zvDoygL5nZDUbO@mail.gmail.com>
Subject: Re: soundcloud guitar looping files
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Dec 15, 2010 at 12:02 AM, Paul Mimlitsch <pmimlitsch@mac.com> wrote=
:
> Just created a Soundcloud account for music postings and uploaded a coupl=
e
> guitar and low range recorder tracks. =C2=A0All processing/ looping/ reco=
rding
> done in Ableton Live in real time, no pre-recorded material or post
> overdubs. =C2=A0Thanks for listening. - Paul
> http://soundcloud.com/r369improv


I like those recordings very much. Thanks for posting! Do you play out
in public as well with this kind of stuff?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From: Paul Mimlitsch <pmimlitsch@mac.com>
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Subject: Re: soundcloud guitar looping files
Date: Tue, 14 Dec 2010 18:02:45 -0700
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 <AANLkTi=BT9LhTW-cbEiowN=5hU0a38zvDoygL5nZDUbO@mail.gmail.com>
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Per;
Thanks.  Yes, I try to get out as much as possible - usually once a  
month art gallery gig (flutes/guitar/laptop) and a regular Sat.  
morning bookstore gig (acoustic guitar trio improv). If the weather's  
nice, I'll do the occasional street musician/ "practice in public"  
thing in the small mountain town I live in.

On Dec 14, 2010, at 5:14 PM, Per Boysen wrote:

> On Wed, Dec 15, 2010 at 12:02 AM, Paul Mimlitsch  
> <pmimlitsch@mac.com> wrote:
>> Just created a Soundcloud account for music postings and uploaded a  
>> couple
>> guitar and low range recorder tracks.  All processing/ looping/  
>> recording
>> done in Ableton Live in real time, no pre-recorded material or post
>> overdubs.  Thanks for listening. - Paul
>> http://soundcloud.com/r369improv
>
>
> I like those recordings very much. Thanks for posting! Do you play out
> in public as well with this kind of stuff?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 01:25:15 2010
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Subject: Re: soundcloud guitar looping files
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I really liked guitarscape1. Nice work!




On Dec 14, 2010, at 6:02 PM, Paul Mimlitsch wrote:

> Just created a Soundcloud account for music postings and uploaded a =
couple guitar and low range recorder tracks.  All processing/ looping/ =
recording done in Ableton Live in real time, no pre-recorded material or =
post overdubs.  Thanks for listening. - Paul
>=20
> << r369improv's sounds on SoundCloud - Create, record and share your =
sounds for free >>
>=20
>=20

Todd Matthews
http://www.joshuasteelemusic.com





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
really liked guitarscape1. Nice =
work!<div><br></div><div><br></div><div><br></div><div><br><div><div>On =
Dec 14, 2010, at 6:02 PM, Paul Mimlitsch wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Just created a Soundcloud =
account for music postings and uploaded a couple guitar and low range =
recorder tracks. &nbsp;All processing/ looping/ recording done in =
Ableton Live in real time, no pre-recorded material or post overdubs. =
&nbsp;Thanks for listening. - Paul<div><br></div><div>&lt;&lt;&nbsp;<a =
href=3D"http://soundcloud.com/r369improv">r369improv's sounds on =
SoundCloud - Create, record and share your sounds for =
free</a>&nbsp;&gt;&gt;<br><div><br></div><div><br></div></div></div>
</blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-1-536496915--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 02:48:14 2010
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Subject: Re: soundcloud guitar looping files
Date: Tue, 14 Dec 2010 18:48:05 -0800
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Nice, different, certainly, but nice.

On Dec 14, 2010, at 3:02 PM, Paul Mimlitsch wrote:

> Just created a Soundcloud account for music postings and uploaded a  
> couple guitar and low range recorder tracks.  All processing/  
> looping/ recording done in Ableton Live in real time, no pre- 
> recorded material or post overdubs.  Thanks for listening. - Paul
>
> << r369improv's sounds on SoundCloud - Create, record and share your  
> sounds for free >>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 02:51:22 2010
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CC: loopers-delight@loopers-delight.com
Subject: Re: RE: Tip on a great free reverb plugin (for lappy loopers) PSP
 Pianoverb
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FRO DIDDLY wrote:
>
> While we're on the topic, any recommendations on other free plug-ins / 
> websites would be greatly appreciated. 

I moderate a site at www.tribe.net  called Audio Plugin Junkies Annonymous
that is devoted to freeware and shareware plugins.

http://PLUGINS.tribe.net/

Tribe.net  sadly,  is a shell of it's former self but there have been 
close to 1,000 people
on that particular tribe including several pro VST developers (and some 
familiar faces
from L.D.) and all the archives are there where there are literally 
hundreds of
free VST, AU, TDM and other plugins  mentioned.

I have NOT updated it in a couple of years at least and VST production 
(which parenthetically
still runs heavily in favor of the PC vs. MAC operating systems) has 
just mushroomed
so I imagine there are hundreds of cool new VSTs out their that are 
either free or inexpensive.

Just put freeware VST Plugins into Google or any good search engine and 
plan to take the night off
downloading things,  and the next month off learning how to use them.

Good luck,  if I can be of assistance, Fro,  just let me know.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 02:58:46 2010
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On 7/22/64 11:59 AM, Rob Adler wrote:
> record and then
> trigger a sample and only have it play back once, and only when i step
> on the pedal. what i do is play a note or phrase, sample it, and then
> play it back while i play something else over the top of it. 

The Looperlative LP-2 Mini Looper
which will be officially available for purchase by this year's NAMM show 
(January 13-16)
has three modes of retriggering a sample:

1)  retrigger (one shot)   which is the mode you request, Rob
2)  retrigger (continuous)  which is a mode I added precisely to enable 
a looper to retrigger
                                          to keep a non-looping band in 
sync with the loops created
3)  retrigger (random)   which is a mode I designed (and I don't believe 
it exists in any loopers
                                  available with the exception, possibly 
of custom one's designed in Max/MSP
                                  Every time you hit retrigger, the 
machine will take you to a randomly different
                                  place in the loop.  This function can 
be used to control long ambient, a-rhythmic loops
                                  so that you can create ostinato 
rhythms that are constantly morphing that can then
                                   be resampled with a 2nd looper.

This looper had many, many other groovy functions for the price but 
they've been covered here a few times
so I wont' bore people with the details again with the exception of 
mentioning that it will have midi in and out.

Street price will be 3 bills (USD)

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 03:15:39 2010
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--00032557593ad91feb04976a59fa
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>The Looperlative LP-2 Mini Looper
>which will be officially available for purchase by this year's NAMM show
(January 13-16)

Keep us updated!

--00032557593ad91feb04976a59fa
Content-Type: text/html; charset=ISO-8859-1

&gt;The Looperlative LP-2 Mini Looper<br>&gt;which will be officially available for purchase by this year&#39;s NAMM show (January 13-16)<div><br></div><div>Keep us updated!</div>

--00032557593ad91feb04976a59fa--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 03:27:57 2010
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Subject: Re: Re: Tip on a great free reverb plugin (for lappy loopers) PSP
 Pianoverb
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@Ted Killian tEd ® who wrote:
> The Alesis Akira (and Ineko) also have a similar "Resonator" verb on it.
>
Wow, I own 2 Inekos and never realized that was in the 
program......thanks,  Ted.
> @jayrope who wrote:
>
>> There's a similar effect in Lexicon PCM 70, 80 and 81 units. I call 
>> it resonator.
>> So run a phonographic recording or drums into it, whicle playing the 
>> resonating notes on a midi keyboard: lovely.
>>
That's so cool,   I actually had tried to lobby a couple of different 
VST developers I know to develop a similar
style of resonator,  with midi keyboard control in real time of what 
notes in the .wav file would resonate.
This would enable you to play any live loop you 
created..............sooooooo cool it would be.

So far I haven't gotten any takers but I did purchase this VST and love 
it, though it is not really designed for
real time play.

Any iPhone/Touch/Pad developers out there want to take a stab at this?

rick walker


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Subject: Re: help please!
From: Clifford Novey <cnovey@gmail.com>
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Reminds me of something I do with the EDP-
Multiple loops with material in each then hit next loop in rhythm and as
each loop is triggered you hear a snip of where it is in time- as if they
were all just playing along and you were soloing each in rhythmic time on a
mixer- very cool evolving results- you could set a drum machine to trigger
it too- I should try that.
C

On Tue, Dec 14, 2010 at 6:58 PM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Rob Adler wrote:
>
>> record and then3)  retrigger (random)   which is a mode I designed (and I
>> don't believe it exists in any loopers
>>                                 available with the exception, possibly of
>> custom one's designed in Max/MSP
>>                                 Every time you hit retrigger, the machine
>> will take you to a randomly different
>>                                 place in the loop.  This function can be
>> used to control long ambient, a-rhythmic loops
>>                                 so that you can create ostinato rhythms
>> that are constantly morphing that can then
>>                                  be resampled with a 2nd looper.
>>
>>

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<div>Reminds me of something I do with the EDP- </div>
<div>Multiple loops with material in each then hit next loop in rhythm and =
as each loop is triggered you hear a snip of where it is in time- as if the=
y were all just playing along and you were soloing each in rhythmic time on=
 a mixer- very cool evolving results- you could set a drum machine to trigg=
er it too- I should try that.</div>

<div>C<br><br></div>
<div class=3D"gmail_quote">On Tue, Dec 14, 2010 at 6:58 PM, Rick Walker <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.c=
om</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">On 7/22/64 11:59 AM, Rob Adler wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">record and then3) =A0retrigger (=
random) =A0 which is a mode I designed (and I don&#39;t believe it exists i=
n any loopers<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 available w=
ith the exception, possibly of custom one&#39;s designed in Max/MSP<br>=A0 =
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 Every time you =
hit retrigger, the machine will take you to a randomly different<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 place in th=
e loop. =A0This function can be used to control long ambient, a-rhythmic lo=
ops<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 so t=
hat you can create ostinato rhythms that are constantly morphing that can t=
hen<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0be resam=
pled with a 2nd looper.<br><br></blockquote></div></blockquote></div><br>

--0016e65b40e2aab77204976a8bd6--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 03:43:17 2010
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
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--0016367f9e02ac4d4904976abc05
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wait- Joe did what? held chords and say wha? Not a piano player here- how do
you silently hold a chord yet have those strings un dampened to receive the
sound from the sax? You couldn't get the air or the pedal sounds- that track
is just facinating and beautiful to me. Oh also the album is from '71 not
'72.

http://www.binkie.net/wrdisc/Weather%20Report%201971.html

"I silently held a chord down on the piano and had Wayne play an arpeggio of
the same chord," he said, "blowing his saxophone right inside the piano at
the soundboard. The tape recorder was started on the echo at the end of the
sound, not when he was playing. We played different chords and edited them
together. It was definitely not magic; it was an idea I had a longtime ago.
I'm going to go back to this eventually. I'm going to lay my piano on its
side, put bass drum pedals in different positions on the sides, and use the
acoustic piano as a soundboard; it has the greatest sound body of any
instrument." Joe Z

C

On Tue, Dec 14, 2010 at 5:52 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 14, 2010 at 2:30 PM, Clifford Novey <cnovey@gmail.com> wrote:
> > One of my fav albums of all times uses this- Weather Report's first
> > record- self titled from 1972. Wayne played scales on his sax into
> > piano strings. Joe was giving him the scales and they edited all the
> > sax out but 1 note. Incredible and I didn't know how it was done until
> > much later. Joe also is doing something with the pedals you can hear
> > it.
>
> I like that album too :-)  So Joe held down the sustained chords
> according to the song structure to imply the chord changes in the
> piano's sax reverb! Cool. Doing that with modern electronic laptop
> tools would be an exciting challenge! I imagine I would like to assign
> "reverb chords" to the switches of a MIDI pedalboard to play it. Any
> ideas on how to set up a signal routing that would give you this
> thing?
>

--0016367f9e02ac4d4904976abc05
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>wait- Joe did what? held chords and say wha? Not a piano player here- =
how do you silently hold a chord yet have those strings un dampened to rece=
ive the sound from the sax?=A0You couldn&#39;t get the air or the pedal sou=
nds- that track is just facinating and beautiful to me. Oh also the album i=
s from &#39;71 not &#39;72.</div>

<div>=A0</div>
<div><a href=3D"http://www.binkie.net/wrdisc/Weather%20Report%201971.html">=
http://www.binkie.net/wrdisc/Weather%20Report%201971.html</a></div>
<div>=A0</div>
<div>&quot;I silently held a chord down on the piano and had Wayne play an =
arpeggio of the same chord,&quot; he said, &quot;blowing his saxophone righ=
t inside the piano at the soundboard. The tape recorder was started on the =
echo at the end of the sound, not when he was playing. We played different =
chords and edited them together. It was definitely not magic; it was an ide=
a I had a longtime ago. I&#39;m going to go back to this eventually. I&#39;=
m going to lay my piano on its side, put bass drum pedals in different posi=
tions on the sides, and use the acoustic piano as a soundboard; it has the =
greatest sound body of any instrument.&quot; Joe Z</div>

<div>=A0</div>
<div>C<br><br></div>
<div class=3D"gmail_quote">On Tue, Dec 14, 2010 at 5:52 AM, Per Boysen <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.co=
m</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">On Tue, Dec 14, 2010 at 2:30 PM, Clifford Novey &lt;<a hr=
ef=3D"mailto:cnovey@gmail.com">cnovey@gmail.com</a>&gt; wrote:<br>&gt; One =
of my fav albums of all times uses this- Weather Report&#39;s first<br>&gt;=
 record- self titled from 1972. Wayne played scales on his sax into<br>
&gt; piano strings. Joe was giving him the scales and they edited all the<b=
r>&gt; sax out but 1 note. Incredible and I didn&#39;t know how it was done=
 until<br>&gt; much later. Joe also is doing something with the pedals you =
can hear<br>
&gt; it.<br><br></div>I like that album too :-) =A0So Joe held down the sus=
tained chords<br>according to the song structure to imply the chord changes=
 in the<br>piano&#39;s sax reverb! Cool. Doing that with modern electronic =
laptop<br>
tools would be an exciting challenge! I imagine I would like to assign<br>&=
quot;reverb chords&quot; to the switches of a MIDI pedalboard to play it. A=
ny<br>ideas on how to set up a signal routing that would give you this<br>
thing?<br></blockquote></div>

--0016367f9e02ac4d4904976abc05--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 09:21:27 2010
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hi Clifford,
that's neat,
but doesn't happen exactly as you describe there.

The EDP retriggers either to the beginning of the loop,
or from where it was timewise when it was switched off.
(it can't keep track of "where the loop would be if it was playing")

...but this doesn't make your sounds any less cool 


andy butler


Clifford Novey wrote:
> Reminds me of something I do with the EDP-
> Multiple loops with material in each then hit next loop in rhythm and as 
> each loop is triggered you hear a snip of where it is in time- as if 
> they were all just playing along and you were soloing each in rhythmic 
> time on a mixer- very cool evolving results- you could set a drum 
> machine to trigger it too- I should try that.
> C

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	<4D0888A1.90600@tiscali.co.uk>
Date: Wed, 15 Dec 2010 02:16:28 -0800
Message-ID: <AANLkTi=zj_=k+0bhd15JfZiktxe+OUr2yfgV+OPKb8xG@mail.gmail.com>
Subject: Re: help please!
From: Clifford Novey <cnovey@gmail.com>
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--0016363b98aaf68b100497703aea
Content-Type: text/plain; charset=ISO-8859-1

I see. Well the effect is prob more pronounced because I always did it by
hand and also the loops were usually pretty different. In any event it def
creates an evolving sound that can be very cool.
Cheers,
C

On Wed, Dec 15, 2010 at 1:21 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> hi Clifford,
> that's neat,
> but doesn't happen exactly as you describe there.
>
> The EDP retriggers either to the beginning of the loop,
> or from where it was timewise when it was switched off.
> (it can't keep track of "where the loop would be if it was playing")
>
> ...but this doesn't make your sounds any less cool
>
> andy butler
>
>
>
> Clifford Novey wrote:
>
>> Reminds me of something I do with the EDP-
>> Multiple loops with material in each then hit next loop in rhythm and as
>> each loop is triggered you hear a snip of where it is in time- as if they
>> were all just playing along and you were soloing each in rhythmic time on a
>> mixer- very cool evolving results- you could set a drum machine to trigger
>> it too- I should try that.
>> C
>>
>
>

--0016363b98aaf68b100497703aea
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I see. Well the effect is prob more pronounced because I always did it=
 by hand and also the loops were usually pretty different. In any event it =
def creates an evolving sound that can be very cool.</div>
<div>Cheers, </div>
<div>C<br><br></div>
<div class=3D"gmail_quote">On Wed, Dec 15, 2010 at 1:21 AM, andy butler <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tisca=
li.co.uk</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">hi Clifford,<br>that&#39;s neat,=
<br>but doesn&#39;t happen exactly as you describe there.<br><br>The EDP re=
triggers either to the beginning of the loop,<br>
or from where it was timewise when it was switched off.<br>(it can&#39;t ke=
ep track of &quot;where the loop would be if it was playing&quot;)<br><br>.=
..but this doesn&#39;t make your sounds any less cool <br><font color=3D"#8=
88888"><br>
andy butler</font>=20
<div>
<div></div>
<div class=3D"h5"><br><br><br>Clifford Novey wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Reminds me of something I do wit=
h the EDP-<br>Multiple loops with material in each then hit next loop in rh=
ythm and as each loop is triggered you hear a snip of where it is in time- =
as if they were all just playing along and you were soloing each in rhythmi=
c time on a mixer- very cool evolving results- you could set a drum machine=
 to trigger it too- I should try that.<br>
C<br></blockquote><br></div></div></blockquote></div><br>

--0016363b98aaf68b100497703aea--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 11:38:47 2010
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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
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Rick Walker wrote:
> @Ted Killian tEd ® who wrote:
>> The Alesis Akira (and Ineko) also have a similar "Resonator" verb on it.
>>
> Wow, I own 2 Inekos and never realized that was in the 
> program......thanks,  Ted.

A lot of cheap multi-fx have a resonator program.
There's generally only one frequency though, and usually
it's impossible to tune accurately.

Also it's sometimes possible a delay algorithm in some machines.

If the exact delay is tuned thoughtfully, you can get a nice harmonic
series from a single resonator.



>> @jayrope who wrote:
>>
>>> There's a similar effect in Lexicon PCM 70, 80 and 81 units. I call 
>>> it resonator.
>>> So run a phonographic recording or drums into it, whicle playing the 
>>> resonating notes on a midi keyboard: lovely.
>>>
> That's so cool,   I actually had tried to lobby a couple of different 
> VST developers I know to develop a similar
> style of resonator,  with midi keyboard control in real time of what 
> notes in the .wav file would resonate.
> This would enable you to play any live loop you 
> created..............sooooooo cool it would be.

http://www.olilarkin.co.uk/index.php?p=polycomb

is a real time version.
I'm pretty certain there's others available,
..but then maybe I just ended browsing Oli Larkin's site
several times over the years.

There's some neat free stuff on his site too.

> 
> So far I haven't gotten any takers

Perhaps because the only way to earn any money
at all out of a plugin is if it does something unique.
(and not so unique that it's not understood)


Non-commercial developers can knock something up in
Bidule (or similar) much quicker and get the same sounds.

You could always offer to pay a programmer to knock
 up a vst plugin in Synthedit.


> but I did purchase this VST and love 
> it, though it is not really designed for
> real time play.

link?

andy butler

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Date: Wed, 15 Dec 2010 12:21:32 -0000
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Subject: Robinson / Wagner project released
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I've finally found a site to release an album I made with the amazing
Swiss looper Bernhard Wagner, I hope some of you enjoy it...

http://nickrobinson.bandcamp.com/



All the best,

Nick Robinson

music site : 	http://www.looping.me.uk
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 13:00:28 2010
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--0016e644d0c64f3e7704977285c3
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 Well done, Nick, I'm listening to it right now !
It sounds really interesting how you incorporated his loops into your music.

-f
(...a Bernhard fan ;-)

2010/12/15 nick@12testing.net <nick@1957.me.uk>

> I've finally found a site to release an album I made with the amazing
> Swiss looper Bernhard Wagner, I hope some of you enjoy it...
>
> http://nickrobinson.bandcamp.com/
>
>
>
> All the best,
>
> Nick Robinson
>
> music site :    http://www.looping.me.uk
> myspace site :  http://www.myspace.com/nickrobinsonloops
> looping forum : http://loopingmusic.proboards99.com
>
>
>
>

--0016e644d0c64f3e7704977285c3
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<div>
<div>Well done, Nick, I&#39;m listening to it right now ! </div></div>
<div>It sounds really interesting how you incorporated his loops into your =
music.</div>
<div>=A0</div>
<div>-f</div>
<div>(...a Bernhard fan ;-)<br><br></div>
<div class=3D"gmail_quote">2010/12/15 <a href=3D"mailto:nick@12testing.net"=
>nick@12testing.net</a> <span dir=3D"ltr">&lt;<a href=3D"mailto:nick@1957.m=
e.uk">nick@1957.me.uk</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I&#39;ve finally found a site to=
 release an album I made with the amazing<br>Swiss looper Bernhard Wagner, =
I hope some of you enjoy it...<br>
<br><a href=3D"http://nickrobinson.bandcamp.com/" target=3D"_blank">http://=
nickrobinson.bandcamp.com/</a><br><br><br><br>All the best,<br><br>Nick Rob=
inson<br><br>music site : =A0 =A0<a href=3D"http://www.looping.me.uk/" targ=
et=3D"_blank">http://www.looping.me.uk</a><br>
myspace site : =A0<a href=3D"http://www.myspace.com/nickrobinsonloops" targ=
et=3D"_blank">http://www.myspace.com/nickrobinsonloops</a><br>looping forum=
 : <a href=3D"http://loopingmusic.proboards99.com/" target=3D"_blank">http:=
//loopingmusic.proboards99.com</a><br>
<br><br><br></blockquote></div><br>

--0016e644d0c64f3e7704977285c3--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 14:00:35 2010
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Date: Wed, 15 Dec 2010 22:59:48 +0900
Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP
 Pianoverb
From: Dustbunnies <mech@m3ch.net>
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 Pianoverb
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On 12/15/10 8:38 PM, "andy butler" <akbutler@tiscali.co.uk> wrote:
> Rick Walker wrote:
>> @Ted Killian tEd =AE who wrote:
>>> The Alesis Akira (and Ineko) also have a similar "Resonator" verb on it=
.
>>>=20
>> Wow, I own 2 Inekos and never realized that was in the
>> program......thanks,  Ted.
>=20
> A lot of cheap multi-fx have a resonator program.
> There's generally only one frequency though, and usually
> it's impossible to tune accurately.
>=20
> Also it's sometimes possible a delay algorithm in some machines.
>=20
> If the exact delay is tuned thoughtfully, you can get a nice harmonic
> series from a single resonator.

Actually, Alesis put a better implementation of the algorithm in the old
Quadraverb Plus.  That one has five resonators which can either be
individually tuned each to a static value, or can be played with a keyboard
via MIDI. =20

Don't know why they decided to go with only a single resonator on the Akira=
,
as that really is a soup-to-nuts "I'm gonna mangle this sound into
incoherence" box, and a multi-resonator would be right up it's alley.
Perhaps they just didn't want to expand the MIDI capability solely for that
algorithm.  Although they did tie the resonator to an LFO, so it's possible
to have some fun by letting it sweep a given frequency spectrum, especially
if you do things like tie the rate to a continuous controller.

And of course, you can roll your own by using the Resonator function in Liv=
e
in conjunction with the verb of your choice.  As I've said before, if you
really want to f*ck something up, get a computer.

    --m.


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Subject: Freeze-verb (Re: Tip on a great free reverb plugin (for lappy
 loopers) PSP Pianoverb)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 15, 2010 at 2:59 PM, everybody wrote:
> resonator


It's funny how discussions on this list evolves. I like that! But I
think I need to better explain why I like the PSP Pianoverb plug-in so
much. I actually like it because it can be set to NOT sound like a
resonators system. I also like that it occupies less CPU power then a
convolution reverb.

Another "reverb" I like is actually a software simulation of a tape
delay, EchoBoy from SoundToys. I set it up as a super short tape loop
with almost infinite feedback and a little frequency cut off at high
and low bands. This is the "reverb" I use when playing live. I also
use it as a playable "freeze-verb" by assigning an expression pedal
and a sustain pedal (over MIDI) to the EchoBoy's feedback parameter.
People talk about "scapes" when hearing it but it really is as simple
as this tape delay sim plugin with a control pedal for the feedback.
What is cool is that it doesn't freeze totally - like for example Eos
does - and thanks to this and the small cutoffs the sound cloud
"rotates" slowly when you freeze a note.

The first good "freeze reverb" I heard was an Eventide box used by the
French keyboard player that toured with Jon Hassell in the eighties. I
have forgotten his name but he has been on this list (dude, are you
here?). Very cool sounding! Then I discovered that the built-in reverb
of Ableton Live sounded similar. But I don't want to use Live so I
unsuccessfully looked around a lot more until I finally found this
EchoBoy plugin.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 15:09:28 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: New track featuring Andy Butler
Date: Wed, 15 Dec 2010 15:09:16 +0000
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I would imagine mr B will be too modest to mention it but as he is =20
one of my favorite musicians i feel we should all know about this on =20
the Burning Tree site:

Postcards =46rom Space

Factory Days (live improv, 02/06/06) (download)


Reilly's Revenge....

Sounding like Darkroom's acid-soaked older brother, Factory Days is a =20=

25 minute improvised piece.

Recorded live during a support to The Durutti Column in June 2006, =20
this marked the first time Tim Bowness (vocals, vocal loops), =20
Alistair Murphy (organ, analogue synth) and Andy Butler (guitar, =20
guitar loops) had played together as a trio.

Organ drones, impassioned vocals, cosmic synths and treated guitar =20
solos abound. Echoes of early Pink Floyd, Tangerine Dream and Ashra =20
creep into a digital-age loop experience, and an England football =20
megaphone is put to use outside of shouting, "Come on, Crouchy!"

The title comes from an after show comment when a drunken member of =20
the audience approached Tim (N.B. Not 6'5" tall, anorexic, dark-=20
haired, or a guitarist), and said, "Vini, you were great man. I =20
haven't seen you since your Factory days." Mistaken identity has =20
rarely been so mistaken.

This exclusive download is available for =A31.50.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I would imagine mr B will be too modest to mention it but as he is one =
of my favorite musicians i feel we should all know about this on the =
Burning Tree site:<div><br></div><div><table border=3D"0" =
width=3D"100%"><tbody><tr><td align=3D"right"><h2><a =
href=3D"http://www.burningshed.com/store/downloads/collection/199/">Postca=
rds =46rom Space</a></h2>               <h4><a =
href=3D"http://www.burningshed.com/store/downloads/collection/199/">Factor=
y Days (live improv, 02/06/06) (download)</a></h4>            </td>      =
    </tr>        </tbody></table><br>               <!-- content catchy =
paragraph title -->        <em><strong>Reilly's =
Revenge....</strong><br><br>        <!-- content paragraph text --> =
Sounding like Darkroom's acid-soaked older brother, Factory Days is a 25 =
minute improvised piece. <br>     <br> Recorded live during a support to =
The Durutti Column in June 2006, this marked the first time Tim Bowness =
(vocals, vocal loops), Alistair Murphy (organ, analogue synth) and Andy =
Butler (guitar, guitar loops) had played together as a trio. <br>     =
<br> Organ drones, impassioned vocals, cosmic synths and treated guitar =
solos abound. Echoes of early Pink Floyd, Tangerine Dream and Ashra =
creep into a digital-age loop experience, and an England football =
megaphone is put to use outside of shouting, "Come on, Crouchy!" <br>    =
 <br> The title comes from an after show comment when a drunken member =
of the audience approached Tim (N.B. Not 6'5" tall, anorexic, =
dark-haired, or a guitarist), and said, "Vini, you were great man. I =
haven't seen you since your Factory days." Mistaken identity has rarely =
been so mistaken. <br>     <br> This exclusive download is available for =
=A31.50.        <br></em><br><div> <span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

--Apple-Mail-26-585944259--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 18:21:10 2010
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Subject: jamming with myself
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another video, alone this time.
hope you'll enjoy it
http://www.youtube.com/watch?v=3DlOArZUm3hHs
boost
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>another video, alone this =
time.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>hope you'll enjoy it</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DlOArZUm3hHs">http://www.youtube.=
com/watch?v=3DlOArZUm3hHs</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>boost</FONT></DIV></BODY></HTML>

------=_NextPart_000_0007_01CB9C8C.4F673730--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 19:12:21 2010
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Subject: Travis & Fripp (an article about looping ?)
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This article is about the album from 2008 by Travis and Fripp, called
"Thread",

They wrote:
"The advent of digital sampling and looping technologies facilitated the
expansion of Frippertronics into Soundscapes, a remarkable one-man
improvisational orchestra documented on albums including *Love Cannot
Bear*<http://www.allaboutjazz.com/php/article.php?id=20069>(DGMLive,
2005) and
*At the End of Time*
<http://www.allaboutjazz.com/php/article.php?id=27892>(DGMLive, 2007).
Fripp has also employed Soundscapes on numerous guest
appearances, most notably on woodwind multi-instrumentalist Theo
Travis' *Double
Talk* <http://www.allaboutjazz.com/php/article.php?id=27559> (33 Jazz,
2007), where abstract ambience and more definitive pulse, at times,
intersected. With Travis' own electronically rigged System of Ambitronics,
it was only a matter of time before the two musicians joined up for a
session of music where technological sound sculpting marries seamlessly with
the intimate interaction of the improvising duo. *Thread* is the result."

What I want to point out is that here the "tool" is not "looping" (the
article defines it just like a "technology"), but "Frippertronics",
"Soundscapes" or "Ambitronics".
...and I think that:
- "Frippertronics" is just a "name" that Fripp had given to the Tape reel
system that Eno showed him in 1972
- "Soundscapes" are just looped sounds and musical phrases evolving over
time;
- "Ambitronics" seems to be (for what I discovered searching on google) just
another looping system, personalized by T. Travis
while it seems self-evident to me that it's just "looping".
...Or do I have to call my "customized" set-up "fabiotronics" ?

I'm interested to know what do you think about those terms and how they use
them in that context.

the entire article is here:
 http://www.allaboutjazz.com/php/article.php?id=30224

-f

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<div>=A0</div>
<div>This article is about the album from 2008 by Travis and Fripp, called =
&quot;Thread&quot;, </div>
<div>=A0</div>
<div>They wrote:</div>
<div>&quot;The advent of digital sampling and looping technologies facilita=
ted the expansion of Frippertronics into Soundscapes, a remarkable one-man =
improvisational orchestra documented on albums including <a href=3D"http://=
www.allaboutjazz.com/php/article.php?id=3D20069" target=3D"_blank"><em><fon=
t color=3D"#4e5a77">Love Cannot Bear</font></em></a> (DGMLive, 2005) and <a=
 href=3D"http://www.allaboutjazz.com/php/article.php?id=3D27892" target=3D"=
_blank"><em><font color=3D"#4e5a77">At the End of Time</font></em></a> (DGM=
Live, 2007). Fripp has also employed Soundscapes on numerous guest appearan=
ces, most notably on woodwind multi-instrumentalist Theo Travis&#39; <a hre=
f=3D"http://www.allaboutjazz.com/php/article.php?id=3D27559" target=3D"_bla=
nk"><em><font color=3D"#4e5a77">Double Talk</font></em></a> (33 Jazz, 2007)=
, where abstract ambience and more definitive pulse, at times, intersected.=
 With Travis&#39; own electronically rigged System of Ambitronics, it was o=
nly a matter of time before the two musicians joined up for a session of mu=
sic where technological sound sculpting marries seamlessly with the intimat=
e interaction of the improvising duo. <em>Thread</em> is the result.&quot;<=
/div>

<div>=A0</div>
<div>What I want to point out is that here the &quot;tool&quot; is not &quo=
t;looping&quot; (the article defines it just like a &quot;technology&quot;)=
, but &quot;Frippertronics&quot;, &quot;Soundscapes&quot; or &quot;Ambitron=
ics&quot;.</div>

<div>...and I think that:</div>
<div>- &quot;Frippertronics&quot; is just a &quot;name&quot; that Fripp had=
 given to the Tape reel system that Eno showed him in 1972</div>
<div>- &quot;Soundscapes&quot;=A0are just looped sounds and musical phrases=
 evolving over time;</div>
<div>- &quot;Ambitronics&quot; seems to be (for what I discovered searching=
 on google) just another looping system, personalized by T. Travis</div>
<div>while it seems self-evident to me that it&#39;s just &quot;looping&quo=
t;.</div>
<div>...Or do I have to call my &quot;customized&quot; set-up &quot;fabiotr=
onics&quot; ?</div>
<div>=A0</div>
<div>I&#39;m interested to know what do you think about those terms and how=
 they use them in that context.</div>
<div>=A0</div>
<div>the entire article is here:</div>
<div>
<div><a href=3D"http://www.allaboutjazz.com/php/article.php?id=3D30224">htt=
p://www.allaboutjazz.com/php/article.php?id=3D30224</a></div>
<div>=A0</div>
<div>-f</div></div>

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On Wed, Dec 15, 2010 at 8:12 PM, Fabio_A <eterogenus@gmail.com> wrote:

> ...Or do I have to call my "customized" set-up "fabiotronics" ?


Yes you do... Mine is called Francotronics..

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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On Wed, Dec 15, 2010 at 8:12 PM, Fabio_A <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:eterogenus@gmail.com">eterogenus@gmail.com</a>&gt;</span> wrote:<br><=
div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin=
: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-lef=
t: 1ex;">

...Or do I have to call my &quot;customized&quot; set-up &quot;fabiotronics=
&quot; ?</blockquote></div><br>Yes you do... Mine is called Francotronics..=
 <br clear=3D"all"><br>-- <br>mark francombe<br><a href=3D"http://www.markf=
rancombe.com">www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8f3a8e518e049777e46a--

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Subject: Re: Travis & Fripp (an article about looping ?)
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On Wed, Dec 15, 2010 at 8:12 PM, Fabio_A <eterogenus@gmail.com> wrote:
> ...Or do I have to call my "customized" set-up "fabiotronics" ?

How about "Anileations"?  ;-))

To be serious, I think those -tronics and - scapes names are to be
seen as branding in a marketing perspective. "Looping" is a less
exciting word and these guys were just clever to pick something with
better public appeal. I agree with you that as a technical/musical
description "looping" is the most accurate. But music consumers don't
look for accurate descriptions of what the artists are doing, they
just look for some magic to elevate the sense of being alive.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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On Wed, Dec 15, 2010 at 8:24 PM, mark francombe <mark@markfrancombe.com> wrote:
> Yes you do... Mine is called Francotronics..

LOL! Good luck with touring in Spain! ;-))

Per

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Its OK, theres no gigs in Spain... unless you are in a Swedish danceband...
playing to all the Norwegian pensioners who move there to die... anything
you want to tell us Per?

On Wed, Dec 15, 2010 at 8:28 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Dec 15, 2010 at 8:24 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Yes you do... Mine is called Francotronics..
>
> LOL! Good luck with touring in Spain! ;-))
>
> Per
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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Its OK, theres no gigs in Spain... unless you are in a Swedish danceband...=
 playing to all the Norwegian pensioners who move there to die... anything =
you want to tell us Per?<br><br><div class=3D"gmail_quote">On Wed, Dec 15, =
2010 at 8:28 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboys=
en@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Wed, Dec 15, 2010 at 8:24 PM, mark francombe &lt;<a href=3D"mailto:mark=
@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>


&gt; Yes you do... Mine is called Francotronics..<br>
<br>
</div>LOL! Good luck with touring in Spain! ;-))<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054aa2f39354a0497780211--

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On Wed, Dec 15, 2010 at 8:32 PM, mark francombe <mark@markfrancombe.com> wrote:
> no gigs in Spain...

I know this thread is in joke mode right now but fact is a Swedish
stoner band I know says Spain is their best audience! I was amazed to
hear, but must believe what they are saying cause they go there all
the time.

Per

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I've always thought that not only does "Frippertronics" sound naff but the =
fact that he didn't discover it makes it unwarranted to boot.
=20
peace
=20
g
=20


Date: Wed=2C 15 Dec 2010 20:12:18 +0100
Subject: Travis & Fripp (an article about looping ?)
From: eterogenus@gmail.com
To: Loopers-Delight@loopers-delight.com


=20
This article is about the album from 2008 by Travis and Fripp=2C called "Th=
read"=2C=20
=20
They wrote:
"The advent of digital sampling and looping technologies facilitated the ex=
pansion of Frippertronics into Soundscapes=2C a remarkable one-man improvis=
ational orchestra documented on albums including Love Cannot Bear (DGMLive=
=2C 2005) and At the End of Time (DGMLive=2C 2007). Fripp has also employed=
 Soundscapes on numerous guest appearances=2C most notably on woodwind mult=
i-instrumentalist Theo Travis' Double Talk (33 Jazz=2C 2007)=2C where abstr=
act ambience and more definitive pulse=2C at times=2C intersected. With Tra=
vis' own electronically rigged System of Ambitronics=2C it was only a matte=
r of time before the two musicians joined up for a session of music where t=
echnological sound sculpting marries seamlessly with the intimate interacti=
on of the improvising duo. Thread is the result."
=20
What I want to point out is that here the "tool" is not "looping" (the arti=
cle defines it just like a "technology")=2C but "Frippertronics"=2C "Sounds=
capes" or "Ambitronics".
...and I think that:
- "Frippertronics" is just a "name" that Fripp had given to the Tape reel s=
ystem that Eno showed him in 1972
- "Soundscapes" are just looped sounds and musical phrases evolving over ti=
me=3B
- "Ambitronics" seems to be (for what I discovered searching on google) jus=
t another looping system=2C personalized by T. Travis
while it seems self-evident to me that it's just "looping".
...Or do I have to call my "customized" set-up "fabiotronics" ?
=20
I'm interested to know what do you think about those terms and how they use=
 them in that context.
=20
the entire article is here:

http://www.allaboutjazz.com/php/article.php?id=3D30224
=20
-f 		 	   		  =

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I've always thought that not only does "Frippertronics" sound naff but the =
fact that he didn't discover it makes it&nbsp=3Bunwarranted to boot.<BR>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
g<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
Date: Wed=2C 15 Dec 2010 20:12:18 +0100<BR>Subject: Travis &amp=3B Fripp (a=
n article about looping ?)<BR>From: eterogenus@gmail.com<BR>To: Loopers-Del=
ight@loopers-delight.com<BR><BR>
<DIV>&nbsp=3B</DIV>
<DIV>This article is about the album from 2008 by Travis and Fripp=2C calle=
d "Thread"=2C </DIV>
<DIV>&nbsp=3B</DIV>
<DIV>They wrote:</DIV>
<DIV>"The advent of digital sampling and looping technologies facilitated t=
he expansion of Frippertronics into Soundscapes=2C a remarkable one-man imp=
rovisational orchestra documented on albums including <A target=3D_blank><E=
M><FONT color=3D#4e5a77>Love Cannot Bear</FONT></EM></A> (DGMLive=2C 2005) =
and <A target=3D_blank><EM><FONT color=3D#4e5a77>At the End of Time</FONT><=
/EM></A> (DGMLive=2C 2007). Fripp has also employed Soundscapes on numerous=
 guest appearances=2C most notably on woodwind multi-instrumentalist Theo T=
ravis' <A target=3D_blank><EM><FONT color=3D#4e5a77>Double Talk</FONT></EM>=
</A> (33 Jazz=2C 2007)=2C where abstract ambience and more definitive pulse=
=2C at times=2C intersected. With Travis' own electronically rigged System =
of Ambitronics=2C it was only a matter of time before the two musicians joi=
ned up for a session of music where technological sound sculpting marries s=
eamlessly with the intimate interaction of the improvising duo. <EM>Thread<=
/EM> is the result."</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>What I want to point out is that here the "tool" is not "looping" (the=
 article defines it just like a "technology")=2C but "Frippertronics"=2C "S=
oundscapes" or "Ambitronics".</DIV>
<DIV>...and I think that:</DIV>
<DIV>- "Frippertronics" is just a "name" that Fripp had given to the Tape r=
eel system that Eno showed him in 1972</DIV>
<DIV>- "Soundscapes"&nbsp=3Bare just looped sounds and musical phrases evol=
ving over time=3B</DIV>
<DIV>- "Ambitronics" seems to be (for what I discovered searching on google=
) just another looping system=2C personalized by T. Travis</DIV>
<DIV>while it seems self-evident to me that it's just "looping".</DIV>
<DIV>...Or do I have to call my "customized" set-up "fabiotronics" ?</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>I'm interested to know what do you think about those terms and how the=
y use them in that context.</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>the entire article is here:</DIV>
<DIV>
<DIV><A target=3D_blank>http://www.allaboutjazz.com/php/article.php?id=3D30=
224</A></DIV>
<DIV>&nbsp=3B</DIV>
<DIV>-f</DIV></DIV> 		 	   		  </body>
</html>=

--_af4c513d-2f64-4191-b71d-1e73485c1ea0_--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 20:43:25 2010
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Anyone know of a cardbus (34/54) or firewire S/PDIF in+out interface?
Wordclock sync would be nice too, but probable too much to ask for, 
which means the clock should be stable enough to be without the sync 
(assuming whatever is at the other end is also good enough).

Alternatively an interface with both line-out (for active speakers) and 
the S/PDIF, either as cardbus or firewire.

If such things exists, I assume it's be in the shape of an interfacing 
card with a breakout box, which will be just fine.


-- 
rgds,
van Sinn

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Wow, thats so cool.. I have to say that I LOVE Spain as a country, and would
love to live in the Catalan area, but almost never played there... only when
supporting the Cure did we ever make it there..

To be honest, its not that Spain has (I should say had.. I have no idea now)
a particularly bad music scene, its that France has (had) a terrible music
scene, and apart from Paris, Lille and .... there I ran out... So on a tour
schedule its not possible roputing wise to drive through France, do Spain
and come back, unless theres some seriously long drives or missed days (bad
for biz)

Mark

On Wed, Dec 15, 2010 at 8:42 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Dec 15, 2010 at 8:32 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > no gigs in Spain...
>
> I know this thread is in joke mode right now but fact is a Swedish
> stoner band I know says Spain is their best audience! I was amazed to
> hear, but must believe what they are saying cause they go there all
> the time.
>
> Per
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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Wow, thats so cool.. I have to say that I LOVE Spain as a country, and woul=
d love to live in the Catalan area, but almost never played there... only w=
hen supporting the Cure did we ever make it there.. <br><br>To be honest, i=
ts not that Spain has (I should say had.. I have no idea now) a particularl=
y bad music scene, its that France has (had) a terrible music scene, and ap=
art from Paris, Lille and .... there I ran out... So on a tour schedule its=
 not possible roputing wise to drive through France, do Spain and come back=
, unless theres some seriously long drives or missed days (bad for biz)<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Wed, Dec 15, 2010 at 8:42 PM,=
 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">pe=
rboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">

On Wed, Dec 15, 2010 at 8:32 PM, mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; no gigs in Spain...<br>
<br>
I know this thread is in joke mode right now but fact is a Swedish<br>
stoner band I know says Spain is their best audience! I was amazed to<br>
hear, but must believe what they are saying cause they go there all<br>
the time.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e81aacf87d004977911f2--

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... and I agree with Gareth that the term Frippertronics sounds naff, but
nowadays, I dont really mind "naff" so much.. For christs sake the guy is
married to Toyah.. I sure as hell dont know if thats a good or bad thing,
but its definitely a bit naff!

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... and I agree with Gareth that the term Frippertronics sounds naff, but n=
owadays, I dont really mind &quot;naff&quot; so much.. For christs sake the=
 guy is married to Toyah.. I sure as hell dont know if thats a good or bad =
thing, but its definitely a bit naff!<br>


--90e6ba6e8f3a064301049779217f--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 20:54:04 2010
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Anyone in here using the SMproaudio V-Machine?
If so, I'd like comments on usage, flexibility and stability..
I'm thinking of using this with convolution/IM plugin for guitar 
finalization (not for reverbs), preferably to be able to stack two IM's 
for semi wall-of-sound imitations, plus running a looper.

As I understand the specs, it's OS should allow bus'ing and mixing sound 
sources.
It's possible this is only possible in the yet to be released V-Rack..


The looping isn't intended as really fancy, just one or two phrases, 
with the ability to auto-size those to match the total phrase length, 
plus either being able to set a fixed or a programmable fade-out.

-- 
rgds,
van Sinn

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Subject: RE: Freeze-verb (Re: Tip on a great free reverb plugin (for lappy
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Thanks bill! I will definitley start my journey at your page. I've still go=
t a week on the road..... Can't wait to play with my toys again.=20

And Ty per for the tip. I've always been enthralled by your verbage.

Cheers=20

> Date: Wed=2C 15 Dec 2010 15:33:30 +0100
> Subject: Freeze-verb (Re: Tip on a great free reverb plugin (for lappy lo=
opers) PSP Pianoverb)
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Wed=2C Dec 15=2C 2010 at 2:59 PM=2C everybody wrote:
> > resonator
>=20
>=20
> It's funny how discussions on this list evolves. I like that! But I
> think I need to better explain why I like the PSP Pianoverb plug-in so
> much. I actually like it because it can be set to NOT sound like a
> resonators system. I also like that it occupies less CPU power then a
> convolution reverb.
>=20
> Another "reverb" I like is actually a software simulation of a tape
> delay=2C EchoBoy from SoundToys. I set it up as a super short tape loop
> with almost infinite feedback and a little frequency cut off at high
> and low bands. This is the "reverb" I use when playing live. I also
> use it as a playable "freeze-verb" by assigning an expression pedal
> and a sustain pedal (over MIDI) to the EchoBoy's feedback parameter.
> People talk about "scapes" when hearing it but it really is as simple
> as this tape delay sim plugin with a control pedal for the feedback.
> What is cool is that it doesn't freeze totally - like for example Eos
> does - and thanks to this and the small cutoffs the sound cloud
> "rotates" slowly when you freeze a note.
>=20
> The first good "freeze reverb" I heard was an Eventide box used by the
> French keyboard player that toured with Jon Hassell in the eighties. I
> have forgotten his name but he has been on this list (dude=2C are you
> here?). Very cool sounding! Then I discovered that the built-in reverb
> of Ableton Live sounded similar. But I don't want to use Live so I
> unsuccessfully looked around a lot more until I finally found this
> EchoBoy plugin.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

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<body class=3D'hmmessage'>Thanks bill! I will definitley start my journey a=
t your page. I've still got a week on the road..... Can't wait to play with=
 my toys again. <br><br>And Ty per for the tip. I've always been enthralled=
 by your verbage.<br><br>Cheers <br><br>> Date&#58=3B Wed=2C 15 Dec 2010 15=
&#58=3B33&#58=3B30 &#43=3B0100<br>> Subject&#58=3B Freeze-verb &#40=3BRe&#5=
8=3B Tip on a great free reverb plugin &#40=3Bfor lappy loopers&#41=3B PSP =
Pianoverb&#41=3B<br>> From&#58=3B perboysen&#64=3Bgmail.com<br>> To&#58=3B =
Loopers-Delight&#64=3Bloopers-delight.com<br>> <br>> On Wed=2C Dec 15=2C 20=
10 at 2&#58=3B59 PM=2C everybody wrote&#58=3B<br>> &#62=3B resonator<br>> <=
br>> <br>> It&#39=3Bs funny how discussions on this list evolves. I like th=
at&#33=3B But I<br>> think I need to better explain why I like the PSP Pian=
overb plug-in so<br>> much. I actually like it because it can be set to NOT=
 sound like a<br>> resonators system. I also like that it occupies less CPU=
 power then a<br>> convolution reverb.<br>> <br>> Another &#34=3Breverb&#34=
=3B I like is actually a software simulation of a tape<br>> delay=2C EchoBo=
y from SoundToys. I set it up as a super short tape loop<br>> with almost i=
nfinite feedback and a little frequency cut off at high<br>> and low bands.=
 This is the &#34=3Breverb&#34=3B I use when playing live. I also<br>> use =
it as a playable &#34=3Bfreeze-verb&#34=3B by assigning an expression pedal=
<br>> and a sustain pedal &#40=3Bover MIDI&#41=3B to the EchoBoy&#39=3Bs fe=
edback parameter.<br>> People talk about &#34=3Bscapes&#34=3B when hearing =
it but it really is as simple<br>> as this tape delay sim plugin with a con=
trol pedal for the feedback.<br>> What is cool is that it doesn&#39=3Bt fre=
eze totally - like for example Eos<br>> does - and thanks to this and the s=
mall cutoffs the sound cloud<br>> &#34=3Brotates&#34=3B slowly when you fre=
eze a note.<br>> <br>> The first good &#34=3Bfreeze reverb&#34=3B I heard w=
as an Eventide box used by the<br>> French keyboard player that toured with=
 Jon Hassell in the eighties. I<br>> have forgotten his name but he has bee=
n on this list &#40=3Bdude=2C are you<br>> here&#63=3B&#41=3B. Very cool so=
unding&#33=3B Then I discovered that the built-in reverb<br>> of Ableton Li=
ve sounded similar. But I don&#39=3Bt want to use Live so I<br>> unsuccessf=
ully looked around a lot more until I finally found this<br>> EchoBoy plugi=
n.<br>> <br>> Greetings from Sweden<br>> <br>> Per Boysen<br>> www.boysen.s=
e<br>> www.perboysen.com<br>> www.looproom.com internet music hub<br>> <br>=
 		 	   		  </body>
</html>=

--_0a9f71f9-8241-4e80-9438-6393d0d6f8a6_--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 21:31:21 2010
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Date: Wed, 15 Dec 2010 22:31:20 +0100
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Subject: Re: Travis & Fripp (an article about looping ?)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Dec 15, 2010 at 9:53 PM, mark francombe <mark@markfrancombe.com> wrote:
> ... and I agree with Gareth that the term Frippertronics sounds naff, but
> nowadays, I dont really mind "naff" so much.. For christs sake the guy is
> married to Toyah.. I sure as hell dont know if thats a good or bad thing,
> but its definitely a bit naff!


I must say that I was instantly impressed in the late seventies when I
heard someone say that Fripp "is now playing at Hotel lounges". My
coolness detector instantly jumped on "hotel lounge tour". The fact
that he did not play at traditional venues, but at hotel lounges, hit
me in a positive way. But until then the name "frippertronics" had not
caught my intention, although I liked some of the music he had done in
the past with Crimson. Somehow I did not imagine the music could be
serious when presented under such a name. When I finally happened to
hear that music more or less by accident I thought it was great and
wished I had not been so prejudiced about the name.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 21:42:41 2010
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Date: Wed, 15 Dec 2010 22:42:39 +0100
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Subject: Re: Travis & Fripp (an article about looping ?)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 15, 2010 at 8:12 PM, Fabio_A <eterogenus@gmail.com> wrote:
> the entire article is here:
> http://www.allaboutjazz.com/php/article.php?id=30224

Thanks for the tip, Fabio! I listened to Travis' and Fripp's album
excerpts, linked in that article, and really like that music. If I had
money and listening time at hand I would buy their records.

Per

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 22:16:11 2010
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Date: Wed, 15 Dec 2010 14:16:08 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: Travis & Fripp (an article about looping ?)
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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What the is naff. I mustvhave been exiled in Geneva too long - lost my kool@
Antony

Sent from my iPhone

On 2010-12-15, at 22:31, Per Boysen <perboysen@gmail.com> wrote:

On Wed, Dec 15, 2010 at 9:53 PM, mark francombe <mark@markfrancombe.com> wrote:
... and I agree with Gareth that the term Frippertronics sounds naff, but
nowadays, I dont really mind "naff" so much.. For christs sake the guy is
married to Toyah.. I sure as hell dont know if thats a good or bad thing,
but its definitely a bit naff!


I must say that I was instantly impressed in the late seventies when I
heard someone say that Fripp "is now playing at Hotel lounges". My
coolness detector instantly jumped on "hotel lounge tour". The fact
that he did not play at traditional venues, but at hotel lounges, hit
me in a positive way. But until then the name "frippertronics" had not
caught my intention, although I liked some of the music he had done in
the past with Crimson. Somehow I did not imagine the music could be
serious when presented under such a name. When I finally happened to
hear that music more or less by accident I thought it was great and
wished I had not been so prejudiced about the name.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub




      

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 22:45:34 2010
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Date: Wed, 15 Dec 2010 14:45:32 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Melbourne, Monterey 
To: LOOPER <Loopers-Delight@loopers-delight.com>
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Hello all, Happy holidays to you all, hope you're doing great out there!  Though it's a bit overdue, I just wanted to let you all know about the online collaborative duo that Nat Grant and I have formed called "sung" and our CD "Melbourne, Monterey" (released 10-10-10)    

I am extremely proud of it. If you are so moved, please visit our Bandcamp profile and pick up a copy, listen to the whole record streaming free, or click the 'like' button, it would be *much* appreciated! Thanks, Steve Uccello    
  

http://sung-duo.bandcamp.com/
 


      

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 23:03:07 2010
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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: Travis & Fripp (an article about looping ?)
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I'm with Gareth here, I must admit.

-f

Il giorno 15/dic/2010, alle ore 21:39, Gareth Whittock <buddhamachine@live.c=
o.uk> ha scritto:

> I've always thought that not only does "Frippertronics" sound naff but the=
 fact that he didn't discover it makes it unwarranted to boot.
> =20
> peace
> =20
> g
> =20
> Date: Wed, 15 Dec 2010 20:12:18 +0100
> Subject: Travis & Fripp (an article about looping ?)
> From: eterogenus@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> =20
> This article is about the album from 2008 by Travis and Fripp, called "Thr=
ead",
> =20
> They wrote:
> "The advent of digital sampling and looping technologies facilitated the e=
xpansion of Frippertronics into Soundscapes, a remarkable one-man improvisat=
ional orchestra documented on albums including Love Cannot Bear (DGMLive, 20=
05) and At the End of Time (DGMLive, 2007). Fripp has also employed Soundsca=
pes on numerous guest appearances, most notably on woodwind multi-instrument=
alist Theo Travis' Double Talk (33 Jazz, 2007), where abstract ambience and m=
ore definitive pulse, at times, intersected. With Travis' own electronically=
 rigged System of Ambitronics, it was only a matter of time before the two m=
usicians joined up for a session of music where technological sound sculptin=
g marries seamlessly with the intimate interaction of the improvising duo. T=
hread is the result."
> =20
> What I want to point out is that here the "tool" is not "looping" (the art=
icle defines it just like a "technology"), but "Frippertronics", "Soundscape=
s" or "Ambitronics".
> ...and I think that:
> - "Frippertronics" is just a "name" that Fripp had given to the Tape reel s=
ystem that Eno showed him in 1972
> - "Soundscapes" are just looped sounds and musical phrases evolving over t=
ime;
> - "Ambitronics" seems to be (for what I discovered searching on google) ju=
st another looping system, personalized by T. Travis
> while it seems self-evident to me that it's just "looping".
> ...Or do I have to call my "customized" set-up "fabiotronics" ?
> =20
> I'm interested to know what do you think about those terms and how they us=
e them in that context.
> =20
> the entire article is here:
> http://www.allaboutjazz.com/php/article.php?id=3D30224
> =20
> -f

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<html><body bgcolor="#FFFFFF"><div>I'm with Gareth here, I must admit.</div><div><br>-f</div><div><br>Il giorno 15/dic/2010, alle ore 21:39, Gareth Whittock &lt;<a href="mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; ha scritto:<br><br></div><div></div><blockquote type="cite"><div>
I've always thought that not only does "Frippertronics" sound naff but the fact that he didn't discover it makes it&nbsp;unwarranted to boot.<br>
&nbsp;<br>
peace<br>
&nbsp;<br>
g<br>&nbsp;<br>

<hr id="stopSpelling">
Date: Wed, 15 Dec 2010 20:12:18 +0100<br>Subject: Travis &amp; Fripp (an article about looping ?)<br>From: <a href="mailto:eterogenus@gmail.com"><a href="mailto:eterogenus@gmail.com">eterogenus@gmail.com</a></a><br>To: <a href="mailto:Loopers-Delight@loopers-delight.com"><a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></a><br><br>
<div>&nbsp;</div>
<div>This article is about the album from 2008 by Travis and Fripp, called "Thread", </div>
<div>&nbsp;</div>
<div>They wrote:</div>
<div>"The advent of digital sampling and looping technologies facilitated the expansion of Frippertronics into Soundscapes, a remarkable one-man improvisational orchestra documented on albums including <a target="_blank"><em><font color="#4e5a77">Love Cannot Bear</font></em></a> (DGMLive, 2005) and <a target="_blank"><em><font color="#4e5a77">At the End of Time</font></em></a> (DGMLive, 2007). Fripp has also employed Soundscapes on numerous guest appearances, most notably on woodwind multi-instrumentalist Theo Travis' <a target="_blank"><em><font color="#4e5a77">Double Talk</font></em></a> (33 Jazz, 2007), where abstract ambience and more definitive pulse, at times, intersected. With Travis' own electronically rigged System of Ambitronics, it was only a matter of time before the two musicians joined up for a session of music where technological sound sculpting marries seamlessly with the intimate interaction of the improvising duo. <em>Thread</em> is the result."</div>
<div>&nbsp;</div>
<div>What I want to point out is that here the "tool" is not "looping" (the article defines it just like a "technology"), but "Frippertronics", "Soundscapes" or "Ambitronics".</div>
<div>...and I think that:</div>
<div>- "Frippertronics" is just a "name" that Fripp had given to the Tape reel system that Eno showed him in 1972</div>
<div>- "Soundscapes"&nbsp;are just looped sounds and musical phrases evolving over time;</div>
<div>- "Ambitronics" seems to be (for what I discovered searching on google) just another looping system, personalized by T. Travis</div>
<div>while it seems self-evident to me that it's just "looping".</div>
<div>...Or do I have to call my "customized" set-up "fabiotronics" ?</div>
<div>&nbsp;</div>
<div>I'm interested to know what do you think about those terms and how they use them in that context.</div>
<div>&nbsp;</div>
<div>the entire article is here:</div>
<div>
<div><a target="_blank"><a href="http://www.allaboutjazz.com/php/article.php?id=30224">http://www.allaboutjazz.com/php/article.php?id=30224</a></a></div>
<div>&nbsp;</div>
<div>-f</div></div> 		 	   		  
</div></blockquote></body></html>
--Apple-Mail-1-614352722--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 23:26:54 2010
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 Pianoverb
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On 7/22/64 11:59 AM, andy butler wrote:
>
> http://www.olilarkin.co.uk/index.php?p=polycomb
>
> is a real time version.
> I'm pretty certain there's others available,
> ..but then maybe I just ended browsing Oli Larkin's site
> several times over the years.
Doh,  Oli sent that to me when I purchased his DroneBox but I was so 
busy at the time
I never even installed it.   So I not only own it,  I bought it.
>
> There's some neat free stuff on his site too.

Yeah,  Oli is the bomb in my book!
>
>>
>> So far I haven't gotten any takers
> Perhaps because the only way to earn any money
> at all out of a plugin is if it does something unique.
> (and not so unique that it's not understood)
Of course,  I'm a dreamer.  I frequently dream things that can't 
be............lol.
Those kinds of disappointments frequently go with me being me
(and never having taught myself to program)
>
>
> You could always offer to pay a programmer to knock
> up a vst plugin in Synthedit.
Ha,   that's a good one.............on my current budget.
Seriously,  my belief is that everyone should be compensated for their 
work and their expertise.
Sadly, we live in a world where musicians are rarely compensated for 
their work and their expertise.
The recession in this part of the country has been brutal.   There are 
no gigs that pay anymore and
the very few that still remain are fought over like dogs.

So,  I'm just forced to dream and foment at times.  Thanks for bearing 
with me, Andy!
>
>
> link?
http://www.olilarkin.co.uk/index.php?p=dronebox

cheers,
rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 23:32:21 2010
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Subject: Re: Robinson / Wagner project released
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On 7/22/64 11:59 AM, nick@12testing.net wrote:
> I've finally found a site to release an album I made with the amazing
> Swiss looper Bernhard Wagner, I hope some of you enjoy it...
>
> http://nickrobinson.bandcamp.com/

Listening now.   Beautiful stuff Nick and Bernhard..............knowing 
both of your musics and
your respective talents and expertise this is a really good fit.     
Good luck with the release.

rick walker

ps  by the way,  some of this stuff is so cool, rhythmically that I 
think I'm going loop it and
to use it to practice drumset to.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 23:34:30 2010
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Subject: Re: Travis & Fripp (an article about looping ?)
Date: Wed, 15 Dec 2010 23:34:15 -0000
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ï»¿One of the patches on my old QuadraVerb that worked well with my old 7.6 
Time Machine was called "SpudTronics".

-----Original Message----- 
From: Per Boysen
Sent: Wednesday, December 15, 2010 7:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Travis & Fripp (an article about looping ?)

On Wed, Dec 15, 2010 at 8:24 PM, mark francombe <mark@markfrancombe.com> 
wrote:
> Yes you do... Mine is called Francotronics..

LOL! Good luck with touring in Spain! ;-))

Per 

From Loopers-Delight-request@loopers-delight.com  Wed Dec 15 23:52:55 2010
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Subject: (OT) Droneshift in San Francisco this Thursday
From: Matt Davignon <mattdavignon@gmail.com>
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Hi all,

This is OT since there's minimal looping content, but I think many
looping folks will be interested:

I'm hosting a 2 hour drone music concert at San Francisco's Luggage
Store Gallery tomorrow night. (Thursday.)

The event will feature 36 musicians performing in constantly shifting
combinations ...and all doing long droney sounds. Personally, I'll be
playing acoustically on wine glasses and a large glass vase.

Droneshift: Thursday, 12/16/2010
Luggage Store Gallery
1007 Market Street (@ 6th Street)
San Francisco, CA

Time: EXACTLY 8-10pm
Price: $6-10 sliding scale
event info: www.bayimproviser.com/luggagestore


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 00:09:11 2010
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Subject: Re: Robinson / Wagner project released
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2010/12/16 Raul Bonell <raul.bonell@gmail.com>

> both styles mix nicely. fuck! it's possible to listen to the entire album
> online? is this always the case? never noticed before with other bandcamp
> releases (regularly from friends also in this mailing list). i'll be usin=
g
> it as the soundtrack to my next fb post.
>
> p.s. nick, i'm paying on friday that suits me better ;)
>
> 2010/12/15 nick@12testing.net <nick@1957.me.uk>
>
>> I've finally found a site to release an album I made with the amazing
>>
>> Swiss looper Bernhard Wagner, I hope some of you enjoy it...
>>
>> http://nickrobinson.bandcamp.com/
>>
>>
>>
>> All the best,
>>
>> Nick Robinson
>>
>> music site :    http://www.looping.me.uk
>> myspace site :  http://www.myspace.com/nickrobinsonloops
>> looping forum : http://loopingmusic.proboards99.com
>>
>>
>>
>>
>
>
> --
>
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
>
> La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los banco=
s
> inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y =
a
> las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo pa=
ra
> los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngel=
a!!! =BFY
> qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para n=
o enfadar
> a las grandes empresas, a los bancos, a los mercados...
>
> Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
> educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una
> legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y l=
o
> proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes =
de
> morir o estar tan deteriorado que cuando llegue solo nos quede esperar
> nuestra muerte y aliviar nuestro sufrimiento y dolor...
>
> Bajemos los impuestos a las grandes empresas, a los mercados financieros,=
 a
> los bancos, a los grandes capitales que pueden hundir un pa=EDs con la si=
mple
> acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxembur=
go,
> liberad de cargas fiscales a los dioses...
>
> Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
> CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e
> dios, am=E9n.
>
> =A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!
>
>
>
>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente, =
a una
legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y lo
proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes de
morir o estar tan deteriorado que cuando llegue solo nos quede esperar
nuestra muerte y aliviar nuestro sufrimiento y dolor...

Bajemos los impuestos a las grandes empresas, a los mercados financieros, a
los bancos, a los grandes capitales que pueden hundir un pa=EDs con la simp=
le
acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxemburgo=
,
liberad de cargas fiscales a los dioses...

Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra de
dios, am=E9n.

=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!

--0016362843d6e4d13804977bdc1d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline=
_popup"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:abs=
olute;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0p=
x;  width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;=
  font-size: 10px;  text-align: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/12/16 Raul Bonell <span dir=3D"ltr">&lt;<a =
href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span><=
br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(20=
4, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
both styles mix nicely. fuck! it&#39;s possible to listen to the entire alb=
um online? is this always the case? never noticed before with other bandcam=
p releases (regularly from friends also in this mailing list). i&#39;ll be =
using it as the soundtrack to my next fb post. <br>

<br>p.s. nick, i&#39;m paying on friday that suits me better ;)<br><br><div=
 style=3D"display: inline;"></div><div class=3D"gmail_quote"><div class=3D"=
im">
2010/12/15 <a href=3D"mailto:nick@12testing.net" target=3D"_blank">nick@12t=
esting.net</a> <span dir=3D"ltr">&lt;<a href=3D"mailto:nick@1957.me.uk" tar=
get=3D"_blank">nick@1957.me.uk</a>&gt;</span><br></div><blockquote class=3D=
"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;">

I&#39;ve finally found a site to release an album I made with the amazing<d=
iv><div></div><div class=3D"h5"><br>
Swiss looper Bernhard Wagner, I hope some of you enjoy it...<br>
<br>
<a href=3D"http://nickrobinson.bandcamp.com/" target=3D"_blank">http://nick=
robinson.bandcamp.com/</a><br>
<br>
<br>
<br>
All the best,<br>
<br>
Nick Robinson<br>
<br>
music site : =A0 =A0<a href=3D"http://www.looping.me.uk" target=3D"_blank">=
http://www.looping.me.uk</a><br>
myspace site : =A0<a href=3D"http://www.myspace.com/nickrobinsonloops" targ=
et=3D"_blank">http://www.myspace.com/nickrobinsonloops</a><br>
looping forum : <a href=3D"http://loopingmusic.proboards99.com" target=3D"_=
blank">http://loopingmusic.proboards99.com</a><br>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=
=3D"_blank">http://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.=
ct-collective.com/" target=3D"_blank">http://www.ct-collective.com</a><br>

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>

<br>Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y un=
a educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una legislaci=F3n laboral que d=E9 seguridad al trabajador y a su famil=
ia y lo proteja frente abusos y el despido, renunciemos a una jubilaci=F3n =
antes de morir o estar tan deteriorado que cuando llegue solo nos quede esp=
erar nuestra muerte y aliviar nuestro sufrimiento y dolor...<br>

<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>

<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</span><br>

<br><br><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">ht=
tp://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-collective.=
com/" target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
<br>Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y un=
a educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una legislaci=F3n laboral que d=E9 seguridad al trabajador y a su famil=
ia y lo proteja frente abusos y el despido, renunciemos a una jubilaci=F3n =
antes de morir o estar tan deteriorado que cuando llegue solo nos quede esp=
erar nuestra muerte y aliviar nuestro sufrimiento y dolor...<br>
<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>
<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</span><br>
<br><br><br>

--0016362843d6e4d13804977bdc1d--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 00:47:22 2010
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Date: Thu, 16 Dec 2010 01:47:20 +0100
Message-ID: <AANLkTin6YpSygyvDmCjfRCMCQ40sm+jcD9UdGNxZKa4O@mail.gmail.com>
Subject: Re: Melbourne, Monterey
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016363b84ac6af7fb04977c65d7
Content-Type: text/plain; charset=ISO-8859-1
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wow! i'm recommending it on fb right now.

2010/12/15 Steve Uccello <stevebassbird@yahoo.com>

> Hello all, Happy holidays to you all, hope you're doing great out there!
>  Though it's a bit overdue, I just wanted to let you all know about the
> online collaborative duo that Nat Grant and I have formed called "sung" a=
nd
> our CD "Melbourne, Monterey" (released 10-10-10)
>
> I am extremely proud of it. If you are so moved, please visit our Bandcam=
p
> profile and pick up a copy, listen to the whole record streaming free, or
> click the 'like' button, it would be *much* appreciated! Thanks, Steve
> Uccello
>
>
> http://sung-duo.bandcamp.com/
>
>
>
>
>
>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente, =
a una
legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y lo
proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes de
morir o estar tan deteriorado que cuando llegue solo nos quede esperar
nuestra muerte y aliviar nuestro sufrimiento y dolor...

Bajemos los impuestos a las grandes empresas, a los mercados financieros, a
los bancos, a los grandes capitales que pueden hundir un pa=EDs con la simp=
le
acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxemburgo=
,
liberad de cargas fiscales a los dioses...

Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra de
dios, am=E9n.

=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!

--0016363b84ac6af7fb04977c65d7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

wow! i&#39;m recommending it on fb right now. <br><div style=3D"visibility:=
 hidden; display: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D"=
text/css">#avg_ls_inline_popup {  position:absolute;  z-index:9999;  paddin=
g: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240px;  overflow: =
hidden;  word-wrap: break-word;  color: black;  font-size: 10px;  text-alig=
n: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/12/15 Steve Uccello <span dir=3D"ltr">&lt;<=
a href=3D"mailto:stevebassbird@yahoo.com">stevebassbird@yahoo.com</a>&gt;</=
span><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hello all, Happy holidays to you all, hope you&#39;re doing great out there=
! =A0Though it&#39;s a bit overdue, I just wanted to let you all know about=
 the online collaborative duo that Nat Grant and I have formed called &quot=
;sung&quot; and our CD &quot;Melbourne, Monterey&quot; (released 10-10-10)<=
br>

<br>
I am extremely proud of it. If you are so moved, please visit our Bandcamp =
profile and pick up a copy, listen to the whole record streaming free, or c=
lick the &#39;like&#39; button, it would be *much* appreciated! Thanks, Ste=
ve Uccello<br>

<br>
<br>
<a href=3D"http://sung-duo.bandcamp.com/" target=3D"_blank">http://sung-duo=
.bandcamp.com/</a><br>
<br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">ht=
tp://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-collective.=
com/" target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
<br>Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y un=
a educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una legislaci=F3n laboral que d=E9 seguridad al trabajador y a su famil=
ia y lo proteja frente abusos y el despido, renunciemos a una jubilaci=F3n =
antes de morir o estar tan deteriorado que cuando llegue solo nos quede esp=
erar nuestra muerte y aliviar nuestro sufrimiento y dolor...<br>
<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>
<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</span><br>
<br><br><br>

--0016363b84ac6af7fb04977c65d7--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 06:16:13 2010
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Date: Thu, 16 Dec 2010 01:16:11 -0500
Message-ID: <AANLkTikPJCC3b87Yra_SuNmG4LK=bzoNBguf_6_MqWW0@mail.gmail.com>
Subject: Re: SMproaudio V-machine, anyone?
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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looks very similar (in essence) to the muse receptor, which i owned.  boy
did it suck.  one of the worst pieces of shit i've ever spent money on.  if
this thing is even remotely similar to the receptor then save yourself some
time and avoid it like the plague.  if you'd like details as to why the
receptor sucked (and hence questions to ask of any vst player sort of box),
feel free to ask.

- jim

On Wed, Dec 15, 2010 at 3:55 PM, van Sinn <vansinn@post.cybercity.dk> wrote:

> Anyone in here using the SMproaudio V-Machine?
> If so, I'd like comments on usage, flexibility and stability..
> I'm thinking of using this with convolution/IM plugin for guitar
> finalization (not for reverbs), preferably to be able to stack two IM's for
> semi wall-of-sound imitations, plus running a looper.
>
> As I understand the specs, it's OS should allow bus'ing and mixing sound
> sources.
> It's possible this is only possible in the yet to be released V-Rack..
>
>
> The looping isn't intended as really fancy, just one or two phrases, with
> the ability to auto-size those to match the total phrase length, plus either
> being able to set a fixed or a programmable fade-out.
>
> --
> rgds,
> van Sinn
>
>

--0015175708d27bcff2049780fd51
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looks very similar (in essence) to the muse receptor, which i owned.=A0 boy=
 did it suck.=A0 one of the worst pieces of shit i&#39;ve ever spent money =
on.=A0 if this thing is even remotely similar to the receptor then save you=
rself some time and avoid it like the plague.=A0 if you&#39;d like details =
as to why the receptor sucked (and hence questions to ask of any vst player=
 sort of box), feel free to ask.<br>
<br>- jim<br><br><div class=3D"gmail_quote">On Wed, Dec 15, 2010 at 3:55 PM=
, van Sinn <span dir=3D"ltr">&lt;<a href=3D"mailto:vansinn@post.cybercity.d=
k">vansinn@post.cybercity.dk</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb=
(204, 204, 204); padding-left: 1ex;">
Anyone in here using the SMproaudio V-Machine?<br>
If so, I&#39;d like comments on usage, flexibility and stability..<br>
I&#39;m thinking of using this with convolution/IM plugin for guitar finali=
zation (not for reverbs), preferably to be able to stack two IM&#39;s for s=
emi wall-of-sound imitations, plus running a looper.<br>
<br>
As I understand the specs, it&#39;s OS should allow bus&#39;ing and mixing =
sound sources.<br>
It&#39;s possible this is only possible in the yet to be released V-Rack..<=
br>
<br>
<br>
The looping isn&#39;t intended as really fancy, just one or two phrases, wi=
th the ability to auto-size those to match the total phrase length, plus ei=
ther being able to set a fixed or a programmable fade-out.<br>
<br>
-- <br>
rgds,<br><font color=3D"#888888">
van Sinn<br>
<br>
</font></blockquote></div><br>

--0015175708d27bcff2049780fd51--

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Travis & Fripp (an article about looping ?)
Date: Thu, 16 Dec 2010 07:51:16 +0000
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Whereas Fabiotronics sounds very cool - cool being the opposite of naff BTW=
.

peace

g

CC: loopers-delight@loopers-delight.com
From: eterogenus@gmail.com
Subject: Re: Travis & Fripp (an article about looping ?)
Date: Thu=2C 16 Dec 2010 00:02:35 +0100
To: Loopers-Delight@loopers-delight.com

I'm with Gareth here=2C I must admit.
-f
Il giorno 15/dic/2010=2C alle ore 21:39=2C Gareth Whittock <buddhamachine@l=
ive.co.uk> ha scritto:


I've always thought that not only does "Frippertronics" sound naff but the =
fact that he didn't discover it makes it unwarranted to boot.

=20

peace

=20

g
=20



Date: Wed=2C 15 Dec 2010 20:12:18 +0100
Subject: Travis & Fripp (an article about looping ?)
From: eterogenus@gmail.com
To: Loopers-Delight@loopers-delight.com


=20
This article is about the album from 2008 by Travis and Fripp=2C called "Th=
read"=2C=20
=20
They wrote:
"The advent of digital sampling and looping technologies facilitated the ex=
pansion of Frippertronics into Soundscapes=2C a remarkable one-man improvis=
ational orchestra documented on albums including Love Cannot Bear (DGMLive=
=2C 2005) and At the End of Time (DGMLive=2C 2007). Fripp has also employed=
 Soundscapes on numerous guest appearances=2C most notably on woodwind mult=
i-instrumentalist Theo Travis' Double Talk (33 Jazz=2C 2007)=2C where abstr=
act ambience and more definitive pulse=2C at times=2C intersected. With Tra=
vis' own electronically rigged System of Ambitronics=2C it was only a matte=
r of time before the two musicians joined up for a session of music where t=
echnological sound sculpting marries seamlessly with the intimate interacti=
on of the improvising duo. Thread is the result."
=20
What I want to point out is that here the "tool" is not "looping" (the arti=
cle defines it just like a "technology")=2C but "Frippertronics"=2C "Sounds=
capes" or "Ambitronics".
...and I think that:
- "Frippertronics" is just a "name" that Fripp had given to the Tape reel s=
ystem that Eno showed him in 1972
- "Soundscapes" are just looped sounds and musical phrases evolving over ti=
me=3B
- "Ambitronics" seems to be (for what I discovered searching on google) jus=
t another looping system=2C personalized by T. Travis
while it seems self-evident to me that it's just "looping".
...Or do I have to call my "customized" set-up "fabiotronics" ?
=20
I'm interested to know what do you think about those terms and how they use=
 them in that context.
=20
the entire article is here:

http://www.allaboutjazz.com/php/article.php?id=3D30224
=20
-f 		 	   		 =20
 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Whereas Fabiotronics sounds very cool - cool being the opposite of naff BTW=
.<br><br>peace<br><br>g<br><br><hr id=3D"stopSpelling">CC: loopers-delight@=
loopers-delight.com<br>From: eterogenus@gmail.com<br>Subject: Re: Travis &a=
mp=3B Fripp (an article about looping ?)<br>Date: Thu=2C 16 Dec 2010 00:02:=
35 +0100<br>To: Loopers-Delight@loopers-delight.com<br><br><div>I'm with Ga=
reth here=2C I must admit.</div><div><br>-f</div><div><br>Il giorno 15/dic/=
2010=2C alle ore 21:39=2C Gareth Whittock &lt=3B<a href=3D"mailto:buddhamac=
hine@live.co.uk">buddhamachine@live.co.uk</a>&gt=3B ha scritto:<br><br></di=
v><div></div><blockquote><div>
I've always thought that not only does "Frippertronics" sound naff but the =
fact that he didn't discover it makes it&nbsp=3Bunwarranted to boot.<br>
&nbsp=3B<br>
peace<br>
&nbsp=3B<br>
g<br>&nbsp=3B<br>

<hr id=3D"ecxstopSpelling">
Date: Wed=2C 15 Dec 2010 20:12:18 +0100<br>Subject: Travis &amp=3B Fripp (a=
n article about looping ?)<br>From: <a href=3D"mailto:eterogenus@gmail.com"=
></a><a href=3D"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a><br>To=
: <a href=3D"mailto:Loopers-Delight@loopers-delight.com"></a><a href=3D"mai=
lto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.co=
m</a><br><br>
<div>&nbsp=3B</div>
<div>This article is about the album from 2008 by Travis and Fripp=2C calle=
d "Thread"=2C </div>
<div>&nbsp=3B</div>
<div>They wrote:</div>
<div>"The advent of digital sampling and looping technologies facilitated t=
he expansion of Frippertronics into Soundscapes=2C a remarkable one-man imp=
rovisational orchestra documented on albums including <a target=3D"_blank">=
<em><font color=3D"#4e5a77">Love Cannot Bear</font></em></a> (DGMLive=2C 20=
05) and <a target=3D"_blank"><em><font color=3D"#4e5a77">At the End of Time=
</font></em></a> (DGMLive=2C 2007). Fripp has also employed Soundscapes on =
numerous guest appearances=2C most notably on woodwind multi-instrumentalis=
t Theo Travis' <a target=3D"_blank"><em><font color=3D"#4e5a77">Double Talk=
</font></em></a> (33 Jazz=2C 2007)=2C where abstract ambience and more defi=
nitive pulse=2C at times=2C intersected. With Travis' own electronically ri=
gged System of Ambitronics=2C it was only a matter of time before the two m=
usicians joined up for a session of music where technological sound sculpti=
ng marries seamlessly with the intimate interaction of the improvising duo.=
 <em>Thread</em> is the result."</div>
<div>&nbsp=3B</div>
<div>What I want to point out is that here the "tool" is not "looping" (the=
 article defines it just like a "technology")=2C but "Frippertronics"=2C "S=
oundscapes" or "Ambitronics".</div>
<div>...and I think that:</div>
<div>- "Frippertronics" is just a "name" that Fripp had given to the Tape r=
eel system that Eno showed him in 1972</div>
<div>- "Soundscapes"&nbsp=3Bare just looped sounds and musical phrases evol=
ving over time=3B</div>
<div>- "Ambitronics" seems to be (for what I discovered searching on google=
) just another looping system=2C personalized by T. Travis</div>
<div>while it seems self-evident to me that it's just "looping".</div>
<div>...Or do I have to call my "customized" set-up "fabiotronics" ?</div>
<div>&nbsp=3B</div>
<div>I'm interested to know what do you think about those terms and how the=
y use them in that context.</div>
<div>&nbsp=3B</div>
<div>the entire article is here:</div>
<div>
<div><a target=3D"_blank"></a><a href=3D"http://www.allaboutjazz.com/php/ar=
ticle.php?id=3D30224" target=3D"_blank">http://www.allaboutjazz.com/php/art=
icle.php?id=3D30224</a></div>
<div>&nbsp=3B</div>
<div>-f</div></div> 		 	   		 =20
</div></blockquote> 		 	   		  </body>
</html>=

--_9f568167-6fef-418d-8691-ade181f76ea1_--

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To: <loopers-delight@loopers-delight.com>
Subject: RE: Tip on a great free reverb plugin (for lappy loopers) PSP
 Pianoverb
Date: Thu, 16 Dec 2010 08:06:34 +0000
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Yep Olie Larkin is a very gifted guy.=20
What are you looking for that the dronebox doesn't supply Rick? As I rememb=
er you can control pitches via midi note commands.
One day I will ressurect my 60 note resonator but I'm sooo damn busy with o=
ther stuff...

Peace

G

> Date: Wed=2C 15 Dec 2010 15:26:45 -0800
> From: looppool@cruzio.com
> To: akbutler@tiscali.co.uk
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: Tip on a great free reverb plugin (for lappy loopers) PS=
P Pianoverb
>=20
> On 7/22/64 11:59 AM=2C andy butler wrote:
> >
> > http://www.olilarkin.co.uk/index.php?p=3Dpolycomb
> >
> > is a real time version.
> > I'm pretty certain there's others available=2C
> > ..but then maybe I just ended browsing Oli Larkin's site
> > several times over the years.
> Doh=2C  Oli sent that to me when I purchased his DroneBox but I was so=20
> busy at the time
> I never even installed it.   So I not only own it=2C  I bought it.
> >
> > There's some neat free stuff on his site too.
>=20
> Yeah=2C  Oli is the bomb in my book!
> >
> >>
> >> So far I haven't gotten any takers
> > Perhaps because the only way to earn any money
> > at all out of a plugin is if it does something unique.
> > (and not so unique that it's not understood)
> Of course=2C  I'm a dreamer.  I frequently dream things that can't=20
> be............lol.
> Those kinds of disappointments frequently go with me being me
> (and never having taught myself to program)
> >
> >
> > You could always offer to pay a programmer to knock
> > up a vst plugin in Synthedit.
> Ha=2C   that's a good one.............on my current budget.
> Seriously=2C  my belief is that everyone should be compensated for their=
=20
> work and their expertise.
> Sadly=2C we live in a world where musicians are rarely compensated for=20
> their work and their expertise.
> The recession in this part of the country has been brutal.   There are=20
> no gigs that pay anymore and
> the very few that still remain are fought over like dogs.
>=20
> So=2C  I'm just forced to dream and foment at times.  Thanks for bearing=
=20
> with me=2C Andy!
> >
> >
> > link?
> http://www.olilarkin.co.uk/index.php?p=3Ddronebox
>=20
> cheers=2C
> rick walker
>=20
 		 	   		  =

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font-family:Tahoma
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</head>
<body class=3D'hmmessage'>
Yep Olie Larkin is a very gifted guy. <br>What are you looking for that the=
 dronebox doesn't supply Rick? As I remember you can control pitches via mi=
di note commands.<br>One day I will ressurect my 60 note resonator but I'm =
sooo damn busy with other stuff...<br><br>Peace<br><br>G<br><br>&gt=3B Date=
: Wed=2C 15 Dec 2010 15:26:45 -0800<br>&gt=3B From: looppool@cruzio.com<br>=
&gt=3B To: akbutler@tiscali.co.uk<br>&gt=3B CC: Loopers-Delight@loopers-del=
ight.com<br>&gt=3B Subject: Re: Re: Tip on a great free reverb plugin (for =
lappy loopers) PSP Pianoverb<br>&gt=3B <br>&gt=3B On 7/22/64 11:59 AM=2C an=
dy butler wrote:<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B http://www.olilarkin.co.=
uk/index.php?p=3Dpolycomb<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B is a real time =
version.<br>&gt=3B &gt=3B I'm pretty certain there's others available=2C<br=
>&gt=3B &gt=3B ..but then maybe I just ended browsing Oli Larkin's site<br>=
&gt=3B &gt=3B several times over the years.<br>&gt=3B Doh=2C  Oli sent that=
 to me when I purchased his DroneBox but I was so <br>&gt=3B busy at the ti=
me<br>&gt=3B I never even installed it.   So I not only own it=2C  I bought=
 it.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B There's some neat free stuff on his =
site too.<br>&gt=3B <br>&gt=3B Yeah=2C  Oli is the bomb in my book!<br>&gt=
=3B &gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B So far I haven't g=
otten any takers<br>&gt=3B &gt=3B Perhaps because the only way to earn any =
money<br>&gt=3B &gt=3B at all out of a plugin is if it does something uniqu=
e.<br>&gt=3B &gt=3B (and not so unique that it's not understood)<br>&gt=3B =
Of course=2C  I'm a dreamer.  I frequently dream things that can't <br>&gt=
=3B be............lol.<br>&gt=3B Those kinds of disappointments frequently =
go with me being me<br>&gt=3B (and never having taught myself to program)<b=
r>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B You could always offer to=
 pay a programmer to knock<br>&gt=3B &gt=3B up a vst plugin in Synthedit.<b=
r>&gt=3B Ha=2C   that's a good one.............on my current budget.<br>&gt=
=3B Seriously=2C  my belief is that everyone should be compensated for thei=
r <br>&gt=3B work and their expertise.<br>&gt=3B Sadly=2C we live in a worl=
d where musicians are rarely compensated for <br>&gt=3B their work and thei=
r expertise.<br>&gt=3B The recession in this part of the country has been b=
rutal.   There are <br>&gt=3B no gigs that pay anymore and<br>&gt=3B the ve=
ry few that still remain are fought over like dogs.<br>&gt=3B <br>&gt=3B So=
=2C  I'm just forced to dream and foment at times.  Thanks for bearing <br>=
&gt=3B with me=2C Andy!<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B =
link?<br>&gt=3B http://www.olilarkin.co.uk/index.php?p=3Ddronebox<br>&gt=3B=
 <br>&gt=3B cheers=2C<br>&gt=3B rick walker<br>&gt=3B <br> 		 	   		  </bod=
y>
</html>=

--_808d87c9-5953-4a16-9c89-4b88b909cf61_--

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I just read about this and found it quite interesting: 
http://www.catm.co.uk/

The idea is making 4' 33" the Christmas No.1 hit, like "Killing in the name 
of" last year. Would be a nice change. :-)    
-- 
Johannes Korn   -  j.korn@gmx.de
http://www.myspace.com/nashorn

GMX DSL Doppel-Flat ab 19,99 Euro/mtl.! Jetzt auch mit 
gratis Notebook-Flat! http://portal.gmx.net/de/go/dsl

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        I just read about this and found it quite interesting: <a href=3D"h=
ttp://www.catm.co.uk/">http://www.catm.co.uk/</a><br /><br />The idea is ma=
king 4' 33&quot; the Christmas No.1 hit, like &quot;Killing in the name of&=
quot; last year. Would be a nice change. :-)
    <div class=3D"signature"><br /><br /><br />-- <br />Johannes Korn   -  =
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http://www.myspace.com/nashorn<br />
<br />
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Gareth Whittock wrote:

"Whereas Fabiotronics sounds very cool - cool being the opposite of naff 
BTW."

Me personally,  I prefer Fabul-O-Fabiotronics!!!!

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 11:46:56 2010
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Apparently this video has moved to
http://www.youtube.com/watch?v=ApFb5sMfThk
in the meantime.
 
Lovely stuff Boost! 
 
-Michael


  _____  

From: boost [mailto:boost@boosterized.com] 
Sent: Wednesday, December 15, 2010 7:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: jamming with myself


another video, alone this time.
hope you'll enjoy it
http://www.youtube.com/watch?v=lOArZUm3hHs
boost


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http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18975">
<STYLE></STYLE>
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style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
size=3D2=20
face=3DArial>Apparently this video has moved to</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
size=3D2=20
face=3DArial><A=20
href=3D"http://www.youtube.com/watch?v=3DApFb5sMfThk">http://www.youtube.=
com/watch?v=3DApFb5sMfThk</A></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
size=3D2=20
face=3DArial>in the meantime.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
size=3D2=20
face=3DArial></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
size=3D2=20
face=3DArial>Lovely stuff Boost! </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
size=3D2=20
face=3DArial></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
size=3D2=20
face=3DArial>-Michael</FONT></SPAN></DIV><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV dir=3Dltr lang=3Dde class=3DOutlookMessageHeader align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT size=3D2 face=3DTahoma><B>From:</B> boost =
[mailto:boost@boosterized.com]=20
  <BR><B>Sent:</B> Wednesday, December 15, 2010 7:15 PM<BR><B>To:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> jamming with=20
  myself<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT size=3D2 face=3DArial>another video, alone this =
time.</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial>hope you'll enjoy it</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DlOArZUm3hHs">http://www.youtube.=
com/watch?v=3DlOArZUm3hHs</A></FONT></DIV>
  <DIV><FONT size=3D2 =
face=3DArial>boost</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00B0_01CB9D1F.506D04A0--

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Subject: Re: RE: Travis & Fripp (an article about looping ?)
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*;-)*



2010/12/16 Rick Walker <looppool@cruzio.com>

> Gareth Whittock wrote:
>
> "Whereas Fabiotronics sounds very cool - cool being the opposite of naff
> BTW."
>
> Me personally,  I prefer Fabul-O-Fabiotronics!!!!
>
> rick walker
>
>

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<div><font size=3D"4"><strong>;-)</strong></font></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2010/12/16 Rick Walker <span dir=3D"ltr">&lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">Gareth Whittock wrote:<br><br>&quot;Whereas Fabiotronics =
sounds very cool - cool being the opposite of naff BTW.&quot;<br><br></div>=
Me personally, =A0I prefer Fabul-O-Fabiotronics!!!!<br><font color=3D"#8888=
88"><br>
rick walker<br><br></font></blockquote></div><br>

--0016368e1f5d133002049786df54--

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I quite fancy matt stevensonics :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 16 Dec 2010, at 07:51, Gareth Whittock wrote:

> Whereas Fabiotronics sounds very cool - cool being the opposite of  
> naff BTW.
>
> peace
>
> g
>
> CC: loopers-delight@loopers-delight.com
> From: eterogenus@gmail.com
> Subject: Re: Travis & Fripp (an article about looping ?)
> Date: Thu, 16 Dec 2010 00:02:35 +0100
> To: Loopers-Delight@loopers-delight.com
>
> I'm with Gareth here, I must admit.
>
> -f
>
> Il giorno 15/dic/2010, alle ore 21:39, Gareth Whittock  
> <buddhamachine@live.co.uk> ha scritto:
>
> I've always thought that not only does "Frippertronics" sound naff  
> but the fact that he didn't discover it makes it unwarranted to boot.
>
> peace
>
> g
>
> Date: Wed, 15 Dec 2010 20:12:18 +0100
> Subject: Travis & Fripp (an article about looping ?)
> From: eterogenus@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
>
> This article is about the album from 2008 by Travis and Fripp,  
> called "Thread",
>
> They wrote:
> "The advent of digital sampling and looping technologies  
> facilitated the expansion of Frippertronics into Soundscapes, a  
> remarkable one-man improvisational orchestra documented on albums  
> including Love Cannot Bear (DGMLive, 2005) and At the End of Time  
> (DGMLive, 2007). Fripp has also employed Soundscapes on numerous  
> guest appearances, most notably on woodwind multi-instrumentalist  
> Theo Travis' Double Talk (33 Jazz, 2007), where abstract ambience  
> and more definitive pulse, at times, intersected. With Travis' own  
> electronically rigged System of Ambitronics, it was only a matter  
> of time before the two musicians joined up for a session of music  
> where technological sound sculpting marries seamlessly with the  
> intimate interaction of the improvising duo. Thread is the result."
>
> What I want to point out is that here the "tool" is not  
> "looping" (the article defines it just like a "technology"), but  
> "Frippertronics", "Soundscapes" or "Ambitronics".
> ...and I think that:
> - "Frippertronics" is just a "name" that Fripp had given to the  
> Tape reel system that Eno showed him in 1972
> - "Soundscapes" are just looped sounds and musical phrases evolving  
> over time;
> - "Ambitronics" seems to be (for what I discovered searching on  
> google) just another looping system, personalized by T. Travis
> while it seems self-evident to me that it's just "looping".
> ...Or do I have to call my "customized" set-up "fabiotronics" ?
>
> I'm interested to know what do you think about those terms and how  
> they use them in that context.
>
> the entire article is here:
> http://www.allaboutjazz.com/php/article.php?id=30224
>
> -f


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I quite fancy matt stevensonics :)<div><br><div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 16 Dec 2010, =
at 07:51, Gareth Whittock wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">Whereas Fabiotronics sounds very cool - cool being the opposite =
of naff BTW.<br><br>peace<br><br>g<br><br><hr id=3D"stopSpelling">CC: <a =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@looper=
s-delight.com</a><br>From: <a =
href=3D"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a><br>Subject: =
Re: Travis &amp; Fripp (an article about looping ?)<br>Date: Thu, 16 Dec =
2010 00:02:35 +0100<br>To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><br><div>I'm with Gareth here, I must =
admit.</div><div><br>-f</div><div><br>Il giorno 15/dic/2010, alle ore =
21:39, Gareth Whittock &lt;<a =
href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; =
ha scritto:<br><br></div><div></div><blockquote><div>I've always thought =
that not only does "Frippertronics" sound naff but the fact that he =
didn't discover it makes it&nbsp;unwarranted to =
boot.<br>&nbsp;<br>peace<br>&nbsp;<br>g<br>&nbsp;<br><hr =
id=3D"ecxstopSpelling">Date: Wed, 15 Dec 2010 20:12:18 +0100<br>Subject: =
Travis &amp; Fripp (an article about looping ?)<br>From:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:eterogenus@gmail.com"></a><a =
href=3D"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a><br>To:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com"></a><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><br><div>&nbsp;</div><div>This article is about the =
album from 2008 by Travis and Fripp, called =
"Thread",</div><div>&nbsp;</div><div>They wrote:</div><div>"The advent =
of digital sampling and looping technologies facilitated the expansion =
of Frippertronics into Soundscapes, a remarkable one-man improvisational =
orchestra documented on albums including<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
target=3D"_blank"><em><font color=3D"#4e5a77">Love Cannot =
Bear</font></em></a><span =
class=3D"Apple-converted-space">&nbsp;</span>(DGMLive, 2005) and<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
target=3D"_blank"><em><font color=3D"#4e5a77">At the End of =
Time</font></em></a><span =
class=3D"Apple-converted-space">&nbsp;</span>(DGMLive, 2007). Fripp has =
also employed Soundscapes on numerous guest appearances, most notably on =
woodwind multi-instrumentalist Theo Travis'<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
target=3D"_blank"><em><font color=3D"#4e5a77">Double =
Talk</font></em></a><span class=3D"Apple-converted-space">&nbsp;</span>(33=
 Jazz, 2007), where abstract ambience and more definitive pulse, at =
times, intersected. With Travis' own electronically rigged System of =
Ambitronics, it was only a matter of time before the two musicians =
joined up for a session of music where technological sound sculpting =
marries seamlessly with the intimate interaction of the improvising =
duo.<span =
class=3D"Apple-converted-space">&nbsp;</span><em>Thread</em><span =
class=3D"Apple-converted-space">&nbsp;</span>is the =
result."</div><div>&nbsp;</div><div>What I want to point out is that =
here the "tool" is not "looping" (the article defines it just like a =
"technology"), but "Frippertronics", "Soundscapes" or =
"Ambitronics".</div><div>...and I think that:</div><div>- =
"Frippertronics" is just a "name" that Fripp had given to the Tape reel =
system that Eno showed him in 1972</div><div>- "Soundscapes"&nbsp;are =
just looped sounds and musical phrases evolving over time;</div><div>- =
"Ambitronics" seems to be (for what I discovered searching on google) =
just another looping system, personalized by T. Travis</div><div>while =
it seems self-evident to me that it's just "looping".</div><div>...Or do =
I have to call my "customized" set-up "fabiotronics" =
?</div><div>&nbsp;</div><div>I'm interested to know what do you think =
about those terms and how they use them in that =
context.</div><div>&nbsp;</div><div>the entire article is =
here:</div><div><div><a target=3D"_blank"></a><a =
href=3D"http://www.allaboutjazz.com/php/article.php?id=3D30224" =
target=3D"_blank">http://www.allaboutjazz.com/php/article.php?id=3D30224</=
a></div><div>&nbsp;</div><div>-f</div></div></div></blockquote></span></sp=
an></blockquote></div><br></div></div></body></html>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: jamming with myself
Date: Thu, 16 Dec 2010 14:40:29 +0000
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Impressive track Boost - love that Rhodes sound - in a silent way :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 16 Dec 2010, at 11:46, Michael Peters wrote:

> Apparently this video has moved to
> http://www.youtube.com/watch?v=ApFb5sMfThk
> in the meantime.
>
> Lovely stuff Boost!
>
> -Michael
>
> From: boost [mailto:boost@boosterized.com]
> Sent: Wednesday, December 15, 2010 7:15 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: jamming with myself
>
> another video, alone this time.
> hope you'll enjoy it
> http://www.youtube.com/watch?v=lOArZUm3hHs
> boost


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Impressive track Boost - love that Rhodes sound - in a silent way =
:)<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 16 Dec 2010, =
at 11:46, Michael Peters wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
dir=3D"ltr" align=3D"left"><span class=3D"703514411-16122010"><font =
size=3D"2" face=3D"Arial">Apparently this video has moved =
to</font></span></div><div dir=3D"ltr" align=3D"left"><span =
class=3D"703514411-16122010"><font size=3D"2" face=3D"Arial"><a =
href=3D"http://www.youtube.com/watch?v=3DApFb5sMfThk">http://www.youtube.c=
om/watch?v=3DApFb5sMfThk</a></font></span></div><div dir=3D"ltr" =
align=3D"left"><span class=3D"703514411-16122010"><font size=3D"2" =
face=3D"Arial">in the meantime.</font></span></div><div dir=3D"ltr" =
align=3D"left"><span class=3D"703514411-16122010"><font size=3D"2" =
face=3D"Arial"></font></span>&nbsp;</div><div dir=3D"ltr" =
align=3D"left"><span class=3D"703514411-16122010"><font size=3D"2" =
face=3D"Arial">Lovely stuff Boost!</font></span></div><div dir=3D"ltr" =
align=3D"left"><span class=3D"703514411-16122010"><font size=3D"2" =
face=3D"Arial"></font></span>&nbsp;</div><div dir=3D"ltr" =
align=3D"left"><span class=3D"703514411-16122010"><font size=3D"2" =
face=3D"Arial">-Michael</font></span></div><br><blockquote dir=3D"ltr" =
style=3D"border-left-color: rgb(0, 0, 0); border-left-width: 2px; =
border-left-style: solid; padding-left: 5px; margin-left: 5px; =
margin-right: 0px; "><div dir=3D"ltr" lang=3D"de" =
class=3D"OutlookMessageHeader" align=3D"left"><hr tabindex=3D"-1"><font =
size=3D"2" face=3D"Tahoma"><b>From:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>boost [<a =
href=3D"mailto:boost@boosterized.com">mailto:boost@boosterized.com</a>]<sp=
an class=3D"Apple-converted-space">&nbsp;</span><br><b>Sent:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Wednesday, December 15, =
2010 7:15 PM<br><b>To:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b>Subject:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>jamming with =
myself<br></font><br></div><div></div><div><font size=3D"2" =
face=3D"Arial">another video, alone this time.</font></div><div><font =
size=3D"2" face=3D"Arial">hope you'll enjoy it</font></div><div><font =
size=3D"2" face=3D"Arial"><a =
href=3D"http://www.youtube.com/watch?v=3DlOArZUm3hHs">http://www.youtube.c=
om/watch?v=3DlOArZUm3hHs</a></font></div><div><font size=3D"2" =
face=3D"Arial">boost</font></div></blockquote></span></blockquote></div><b=
r></div></body></html>=

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Date: Thu, 16 Dec 2010 16:31:38 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>>  you have the same IP address set
>> inside the iPhone's TouchOSC as inside the computer's "System
>> Preferences > Network" ?

On Mon, Dec 13, 2010 at 9:38 AM, mark francombe <mark@markfrancombe.com> wrote:
> No, I didnt go there, I used my sharing name.

I finally got it working here! The Magic Trick was to type in the
network's IP address, rather then its sharing name, in TouchOSC. Weird
that that this should fix it for me, because both should actually work
according to the protocol.

I managed to right-click on faders in Numerology and do "Learn OSC".
However, there's presently a bug in Numerology that cripples this -
but this bug will soon be terminated.

Then I launched Logic on the Mac and the LogicTouch template on the
iPhone4, in TouchOSC. This combo works like a charm! Wow!!! On the
iPad there is a much more useful app that beats hardware like the
Lemur that is many times more expensive.

I think you really need an iPad to really take advance of OSC,
whatever application you intend to control. The reason for this
opinion is that the point in using a multi touch interface for hand
control is to be able to simultaneously wiggle at least two parameters
at the same time. Four if steering two index fingers inside two X/Y
vector grids.

I don't see much use of multi touch control surface use in live
looping though, because you usually play a source sound instrument
with your hands. That's why I'm looking more into foot controlled
multi pamater control options.

But I'd love to use an iPad to set up a modular pattern sequencing
improvisation system with Numerology. I think that is where TouchOSC
will excel.

Anyone in for building a Looper Cap with a downward antenna at front
holding an iPhone at a comfortable tonguing position? LOL  :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Thu, 16 Dec 2010 07:43:09 -0800
From: Rick Walker <looppool@cruzio.com>
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Subject: Re: RE: jamming with myself
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This is a multi-part message in MIME format.
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Content-Transfer-Encoding: 7bit

On 7/22/64 11:59 AM, Michael Peters wrote:
> Apparently this video has moved to
> http://www.youtube.com/watch?v=ApFb5sMfThk
> in the meantime.
This is really cool.

I"m just wondering, how is he automating the process so that every over 
dub is doing
what sound like SUS=SUB

I'm not seeing him striking or stepping on  anything early in the piece
  so it seems like the process is automated

Am I missing something?

Very cool, however he's accomplishing it.

rick walker

--------------080303000005090207000504
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
  </head>
  <body bgcolor="#ffffff" text="#000000">
    On 7/22/64 11:59 AM, Michael Peters wrote:
    <blockquote
      cite="mid:%3C1012010C97BF4077BD11E14AC4DCA425@mpeserver%3E"
      type="cite">
      <div dir="ltr" align="left"><span class="703514411-16122010"><font
            face="Arial" size="2">Apparently this video has moved to</font></span></div>
      <div dir="ltr" align="left"><span class="703514411-16122010"><font
            face="Arial" size="2"><a moz-do-not-send="true"
              href="http://www.youtube.com/watch?v=ApFb5sMfThk">http://www.youtube.com/watch?v=ApFb5sMfThk</a></font></span></div>
      <div dir="ltr" align="left"><span class="703514411-16122010"><font
            face="Arial" size="2">in the meantime.</font></span></div>
    </blockquote>
    This is really cool.<br>
    <br>
    I"m just wondering, how is he automating the process so that every
    over dub is doing <br>
    what sound like SUS=SUB<br>
    <br>
    I'm not seeing him striking or stepping on&nbsp; anything early in the
    piece<br>
    &nbsp;so it seems like the process is automated<br>
    <br>
    Am I missing something?<br>
    <br>
    Very cool, however he's accomplishing it.<br>
    <br>
    rick walker<br>
  </body>
</html>

--------------080303000005090207000504--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 15:45:22 2010
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Date: Thu, 16 Dec 2010 07:45:24 -0800
Subject: Get BENT by DAED for the 'olidays...
From: legion@helpwantedproductions.com
To: "Synth DIY" <synth-diy@dropmix.xs4all.nl>,
 "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
 "AH" <analogue@hyperreal.org>
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I'm discounting the current inventory of various circuit bent units and
the infamous DAED feedback synth while they last. Some are DIRT cheap
($30-$65) and the FBS is now $200 if you mention this post - Normally $25=
0
- only two in stock.

See various video demos up at:
http://www.youtube.com/user/legionhwp


Full pictures and info up at:
http://daedsound.com/Salez/FS.htm  and
http://daedsound.com/Salez/Daedhandmade.htm

A. Circuit Bent Talk and Learn Alphabet -  $65 -Glitches, Buzzes, Touch
points and all the letters you could want. Twist music or letters.

B. Circuit Bent Chirp and Buzz Box -  $65 Weird intra modulating
freaknoise Box.  Dig the carbon footprint save by building it into a 56k
Modem! 1/4" output.

C. DAED Feedback Synths  NOW $200 - Patchable stompbox sized handheld
synthesizers built for live use and abuse.  In stock!  Full info at:
http://www.daedsound.com/DaedFBS.htm


D. Custom Painted Circuit Bent Speak and Math:   $140.00
One off Custom designed Speak and Math with multiple glitch bends,
looping, touch contacts, speed/tempo  adjustments, 1/4" output and more. =
A
Beautiful Tragedy signed by the "D" in DAED... Pic at:
http://daedsound.com/Salez/Daedhandmade.htm


E. Coffin Waves - Now only $30!!! (Again mention this post)
Handheld Square wave manual "theremin".  Built into a tiny  plastic coffi=
n
complete with skeleton inlay.  Momentary on/off, Pitch dial, 1/8" out.=20
Great and fun tone generator.  Point to Point hand wired weirdness. Pic
at: http://daedsound.com/Salez/Daedhandmade.htm

more!

Email me here or INFO@DAEDsound.com. Will ship anywhere in the world (hav=
e
a lot of sales to Europe right now for some reason they need more noise!)

Thanks for looking!

Dr. DAED

--=20
     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 15:57:08 2010
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Date: Thu, 16 Dec 2010 07:35:51 -0800
Subject: FS:  Ironwood 10 String Chapman Stick - 
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
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Chapman Stick - Original 1980s Ironwood 10 string - $1200
(yes, it's the same model Tony Levin used in Crimson :) )

Pictures up at : http://daedsound.com/Salez/FS.htm

10 string Chapman stick. Excellent condition with new strings, original
hard shell case with new foam installed, and original leather strap and
belt holder.

This is a *gorgeous* Ironwood unit (no longer made) with beautiful
markings. Works and play perfect and has a stereo 1/4" out and dual
volumes for strings 1-5 (high end) and 6-10 (low end). Comes with a stere=
o
to dual mono 1/4" cable to allow you to run dual amps simultaneously if
you wish. The case has 100% new custom cut foam in it to last another 20+
years and the hard shell outer case is in excellent condition with all
working latches and clasps. Even has the original stick sticker!

You will not find another classic Stick in such magnificent condition let
alone an ironwood unit. New strings were installed and it has seen VERY
little use and was never gigged. Clearly it has spent most of it's life i=
n
it's case like a time capsule. I have some original papers that I will
include if I can find them. Will send additional pictures to serious
buyers.

Full info and price list for new units (again, NO Ironwood available at
any price) up at http://www.stick.com.  FWIW The case, cable, and strings
cost over $200.

I have a ton of references on and off the 'net and  This unit can be boxe=
d
up well and shipped anywhere in the world. Paypal ok if buyer used
personal payment or pays fees. Pickup in Philly PA is preferred of course
and will be reflected in a little discount.

Any questions? Email!

Thanks!


     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com


From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 16:18:42 2010
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Subject: OT: POTENTIALLY INTERESTING EBAY FIND FOR PERCUSSION LOOPERS & OTHERS
Date: Thu, 16 Dec 2010 08:18:36 -0800
References: <1012010C97BF4077BD11E14AC4DCA425@mpeserver> <4D0A338D.2040903@cruzio.com>
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Hi all!

I was looking around on Ebay for other things nd stumbled across this  
thing quite by accident.

Could be useful for all sort of things I imagine.

<http://cgi.ebay.com/Rhythm-Foot-instrument-stompbox-stomp-box-NEW_W0QQitemZ320352452740QQcategoryZ22669QQcmdZViewItemQQ_trksidZp4340.m8QQ_trkparmsZalgo%3DMW%26its%3DC%26itu%3DUCC%26otn%3D5%26ps%3D63%26clkid%3D5692299413247135335#ht_910wt_1141 
 >

I thought of you rick especially when I saw it.

Best,

Ted

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Date: Thu, 16 Dec 2010 11:17:10 -0600
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Jeff Larson <jeff.larson@sailpoint.com>
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--0015175ce0b66c523604978a39a8
Content-Type: text/plain; charset=ISO-8859-1

> On Thu, Dec 16, 2010 at 9:31 AM, Per Boysen <perboysen@gmail.com> wrote:
> I finally got it working here! The Magic Trick was to type in the
> network's IP address, rather then its sharing name, in TouchOSC. Weird
> that that this should fix it for me, because both should actually work
> according to the protocol.

I've always had to use raw IP addresses with TouchOSC.  I don't fully
understand this, but I think it has to do with DNS (Domain Name
System) not being able to find an entry for your machine.  I think if you
have a router like an Airport then the iTouch can be configured to use
that for DNS, but if you try to connect directly to your computer without
a router it can't translate names to IP addresses.

> I don't see much use of multi touch control surface use in live
> looping though, because you usually play a source sound instrument
> with your hands. That's why I'm looking more into foot controlled
> multi pamater control options.

When I was adding support for TouchOSC in Mobius, I used velcro
to attach an iTouch to the body of a guitar.  It looks geeky as hell,
but it worked reasonably well for adjusting track output levels
and switching loops.  I don't think I would use it for anything
where timing was critical though.

Jeff

--0015175ce0b66c523604978a39a8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div><br></div><div>&gt; On Thu, Dec 16, 2010 at 9:31 AM, Per Boysen &lt;<a=
 href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</di=
v><div>&gt; I finally got it working here! The Magic Trick was to type in t=
he</div>
<div>&gt; network&#39;s IP address, rather then its sharing name, in TouchO=
SC. Weird</div><div>&gt; that that this should fix it for me, because both =
should actually work</div><div>&gt; according to the protocol.</div><div>
<br></div><div>I&#39;ve always had to use raw IP addresses with TouchOSC. =
=A0I don&#39;t fully</div><div>understand this, but I think it has to do wi=
th DNS (Domain Name</div><div>System) not being able to find an entry for y=
our machine. =A0I think if you</div>
<div>have a router like an Airport then the iTouch can be configured to use=
</div><div>that for DNS, but if you try to connect directly to your compute=
r without</div><div>a router it can&#39;t translate names to IP addresses.<=
/div>
<div><br></div><div>&gt; I don&#39;t see much use of multi touch control su=
rface use in live</div><div>&gt; looping though, because you usually play a=
 source sound instrument</div><div>&gt; with your hands. That&#39;s why I&#=
39;m looking more into foot controlled</div>
<div>&gt; multi pamater control options.</div><div><br></div><div>When I wa=
s adding support for TouchOSC in Mobius, I used velcro</div><div>to attach =
an iTouch to the body of a guitar. =A0It looks geeky as hell,</div><div>but=
 it worked reasonably well for adjusting track output levels</div>
<div>and switching loops. =A0I don&#39;t think I would use it for anything<=
/div><div>where timing was critical though. =A0</div><div><br></div><div>Je=
ff</div><div><br></div>

--0015175ce0b66c523604978a39a8--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 17:27:45 2010
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
Date: Thu, 16 Dec 2010 09:27:36 -0800
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     I can't say that I've been following this closely, but I have a  
general question to everyone who seems excited about the use of  
wireless phone apps for music making.  Are you mostly interested in  
controlling looper apps remotely, effects apps remotely or using it as  
a secondary or principal  instrument/sound source? Also are there  
similar apps yet  for windows based phones yet?  Blackberries  
etc....... lastly what seems to be the fascination with trying to  
control apps on a touch screen?  As a guitarist, I'm not really that  
excited about something I have to use my free hand to control. I have  
no free hands!!!!!!.  Pardon me if I sound a bit non impressed, but  
I'm not impressed. :-)  Having a tiny little screen to use as a  
controller seems like a recipe for for a lot of squinting. And then  
there is the visual aspect of watching someone who looks like there  
texting. It makes me feel a bit disconnected from the music making  
experience. Now I'm not saying one can't create beautiful music in  
this manner, quite the contrary. Massimo  did some lovely stuff to  
close out Y2K10 this year and I know Randolph has integrated one very  
well with a mount for it on the front of his Klien guitar. I would  
like to know in more detail what the fascination is.  My wife and I  
are needing new phones and  I would go the way of an I phone if I  
really felt that the extra expense was warranted. Anybody out there  
now on the downside of the I phone craze yet, or starting to feel the  
inherent  limitations in a 4 inch control surface?  I appreciate any  
feedback.
Thanks
  Bill

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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Dec 16, 2010 at 6:17 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
> When I was adding support for TouchOSC in Mobius, I used velcro
> to attach an iTouch to the body of a guitar. =C2=A0It looks geeky as hell=
,
> but it worked reasonably well for adjusting track output levels
> and switching loops. =C2=A0I don't think I would use it for anything
> where timing was critical though.

I see your point here. I can imagine using OSC with Mobius for
settings you typically adjust between the pieces you perform. Like
changing Setup to call up a new MIDI configuration that patches your
foot control Rate Shift setup for a different scale. I prefer foot
control in most other situations. My dream is a floor based touch pad
to paint instant sound design X-Y vector grid wise while playing.

On Thu, Dec 16, 2010 at 6:27 PM, William Walker <billwalker@baymoon.com> wr=
ote:
> As a guitarist, I'm not really that excited about something I have to use=
 my
> free hand to control.

Totally with you on this, Bill. Personally I recently sacrificed "my
free hand" on the Altar of The Stick. Personally, I see not much use
for iPhone in live looping performance. An iPad would be useful
though, I think, but not for live looping. Rather for performing with
all-in-the-box electronic instruments as in doing live modular
sequencing improvisations. IMHO the point with these gadgets is not to
get rid of physical cables but to be able to perform multiple instant
gestures on the multi touch screen. So the strength of touch screen is
kind of diminished by physical instruments you play using your hands.

Per

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 17:45:09 2010
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Subject: : Re: Travis & Fripp (an article about looping ?)
Date: Thu, 16 Dec 2010 09:44:50 -0800
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Willytronics,  Billytronics, Wigglytronics,  I too have a loop moniker  
or two or three.

  ok perhaps not as sexy sounding as Faboitronics..............

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 17:51:09 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: : Re: Travis & Fripp (an article about looping ?)
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Willytronics!!! Blimey that sounds like looping fetish porn!!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 16 Dec 2010, at 17:44, William Walker wrote:

> Willytronics,  Billytronics, Wigglytronics,  I too have a loop  
> moniker or two or three.
>
>  ok perhaps not as sexy sounding as Faboitronics..............
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Willytronics!!! Blimey that sounds like looping fetish =
porn!!<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 16 Dec 2010, =
at 17:44, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Willytronics,<span =
class=3D"Apple-converted-space">&nbsp; </span>Billytronics, =
Wigglytronics,<span class=3D"Apple-converted-space">&nbsp; </span>I too =
have a loop moniker or two or three.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;</span>ok perhaps not as sexy =
sounding as Faboitronics..............</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-37-682043859--

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Date: Thu, 16 Dec 2010 17:59:16 +0000
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd3ed24e942dc04978acf7b
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i've downloaded many music apps for my ipod touch and some of them are great
fun, but i wouldn't use them for music making (personally). i was interested
in the touchosc app, because i have an excellent control surface that i use
with mobius/bidule, buy no XY pad and i kinda miss my KP-2 since i sold it.
spending 3 quid on a little app seemed like a good solution and now i have a
little XY pad i can use to fiddle with delays on the fly and do that whole
"runaway feedback" thing, or that "sweepy filters" thing that XY pads are so
useful for and it's hardy cost me anything!

sim

On Thu, Dec 16, 2010 at 5:27 PM, William Walker <billwalker@baymoon.com>wrote:

>    I can't say that I've been following this closely, but I have a general
> question to everyone who seems excited about the use of wireless phone apps
> for music making.  Are you mostly interested in controlling looper apps
> remotely, effects apps remotely or using it as a secondary or principal
>  instrument/sound source?
>

--000e0cd3ed24e942dc04978acf7b
Content-Type: text/html; charset=ISO-8859-1
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i&#39;ve downloaded many music apps for my ipod touch and some of them are =
great fun, but i wouldn&#39;t use them for music making (personally). i was=
 interested in the touchosc app, because i have an excellent control surfac=
e that i use with mobius/bidule, buy no XY pad and i kinda miss my KP-2 sin=
ce i sold it. spending 3 quid on a little app seemed like a good solution a=
nd now i have a little XY pad i can use to fiddle with delays on the fly an=
d do that whole &quot;runaway feedback&quot; thing, or that &quot;sweepy fi=
lters&quot; thing that XY pads are so useful for and it&#39;s hardy cost me=
 anything!<br>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, Dec 16, 2010 at 5:27 PM, =
William Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.c=
om">billwalker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(2=
04, 204, 204); padding-left: 1ex;">
 =A0 =A0I can&#39;t say that I&#39;ve been following this closely, but I ha=
ve a general question to everyone who seems excited about the use of wirele=
ss phone apps for music making. =A0Are you mostly interested in controlling=
 looper apps remotely, effects apps remotely or using it as a secondary or =
principal =A0instrument/sound source?<br>
</blockquote></div>

--000e0cd3ed24e942dc04978acf7b--

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Date: Thu, 16 Dec 2010 12:00:49 -0600
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Jeff Larson <jeff.larson@sailpoint.com>
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--0015175cafbc72d02804978ad5ea
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> William Walker <billwalker@baymoon.com> wrote:
>
> Are you mostly interested in controlling looper apps remotely,
> effects apps remotely or using it as a secondary or principal
> instrument/sound source?

Mostly controlling the looper, but some effects control as well.

> lastly what seems to be the fascination with trying to
> control apps on a touch screen?

For me it is simply having a control surface that is small, wireless
and configurable so I can position the "buttons" in different ways for
different songs or switch between "pages" to control different effects
with button arrangements tailored for those effects.

> As a guitarist, I'm not really that
> excited about something I have to use my free hand to control.

Yeah, for me this doesn't replace a footswitch.  I would still
use a footswitch for things where timing is critical and you
need to be playing when they happen, like starting/stopping
a recording or an overdub.  The control surface is more for
manipulating loops after they have been recorded when you
don't have to be playing.

> Having a tiny little screen to use as a
> controller seems like a recipe for for a lot of squinting.

Agreed, some of the TouchOSC layouts are way too small to be of
practical use.  But the nice thing is that you can use their software
to design your own layouts so if you just need three big buttons and a
slider you can do that.

> And then there is the visual aspect of watching someone who
> looks like there texting.

I find that wearing a lot of leather and having one of those
big fans blowing on you helps offset this effect.

> My wife and I are needing new phones and I would go the way of
> an I phone if I really felt that the extra expense was warranted.

Whether or not you end up using it for music, if you're thinking
about a "smart phone" that requires a data plan like a Blackberry or I
guess one of the new Windows phones I would think hard about getting
an iPhone instead.  You might pay a little more for the hardware up
front, but in the long run you're still going to be paying at least
$15 a month for data and you will find many more interesting uses
for that data money with an iPhone.  I mean come on...how have
you lived this long without iFart?

Second choice would be an Android phone, they're #2 but gaining fast.

Jeff

--0015175cafbc72d02804978ad5ea
Content-Type: text/html; charset=ISO-8859-1
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<div>&gt; William Walker &lt;<a href=3D"mailto:billwalker@baymoon.com">bill=
walker@baymoon.com</a>&gt; wrote:</div><div>&gt;=A0</div><div>&gt; Are you =
mostly interested in controlling looper apps remotely,=A0</div><div>&gt; ef=
fects apps remotely or using it as a secondary or principal</div>
<div>&gt; instrument/sound source?=A0</div><div><br></div><div>Mostly contr=
olling the looper, but some effects control as well.</div><div><br></div><d=
iv>&gt; lastly what seems to be the fascination with trying to</div><div>
&gt; control apps on a touch screen? =A0</div><div><br></div><div>For me it=
 is simply having a control surface that is small, wireless</div><div>and c=
onfigurable so I can position the &quot;buttons&quot; in different ways for=
</div>
<div>different songs or switch between &quot;pages&quot; to control differe=
nt effects</div><div>with button arrangements tailored for those effects.</=
div><div><br></div><div>&gt; As a guitarist, I&#39;m not really that</div>
<div>&gt; excited about something I have to use my free hand to control.=A0=
</div><div><br></div><div>Yeah, for me this doesn&#39;t replace a footswitc=
h. =A0I would still</div><div>use a footswitch for things where timing is c=
ritical and you</div>
<div>need to be playing when they happen, like starting/stopping=A0</div><d=
iv>a recording or an overdub. =A0The control surface is more for=A0</div><d=
iv>manipulating loops after they have been recorded when you</div><div>don&=
#39;t have to be playing.</div>
<div><br></div><div>&gt; Having a tiny little screen to use as a</div><div>=
&gt; controller seems like a recipe for for a lot of squinting.=A0</div><di=
v><br></div><div>Agreed, some of the TouchOSC layouts are way too small to =
be of</div>
<div>practical use. =A0But the nice thing is that you can use their softwar=
e</div><div>to design your own layouts so if you just need three big button=
s and a</div><div>slider you can do that.</div><div><br></div><div>&gt; And=
 then there is the visual aspect of watching someone who=A0</div>
<div>&gt; looks like there texting.=A0</div><div><br></div><div>I find that=
 wearing a lot of leather and having one of those</div><div>big fans blowin=
g on you helps offset this effect.</div><div><br></div><div>&gt; My wife an=
d I are needing new phones and I would go the way of</div>
<div>&gt; an I phone if I really felt that the extra expense was warranted.=
=A0</div><div><br></div><div>Whether or not you end up using it for music, =
if you&#39;re thinking</div><div>about a &quot;smart phone&quot; that requi=
res a data plan like a Blackberry or I</div>
<div>guess one of the new Windows phones I would think hard about getting</=
div><div>an iPhone instead. =A0You might pay a little more for the hardware=
 up</div><div>front, but in the long run you&#39;re still going to be payin=
g at least=A0</div>
<div>$15 a month for data and you will find many more interesting uses</div=
><div>for that data money with an iPhone. =A0I mean come on...how have</div=
><div>you lived this long without iFart?</div><div><br></div><div>Second ch=
oice would be an Android phone, they&#39;re #2 but gaining fast.</div>
<div><br></div><div>Jeff</div><div><br></div>

--0015175cafbc72d02804978ad5ea--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 18:17:18 2010
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tasty!!!!!.....i love how you relax with the loop, something i must=20
learn to do!





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Date: Thu, 16 Dec 2010 19:23:06 +0100
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Subject: Re: TouchOSC / Bidule / Plugins HELP...!
From: Per Boysen <perboysen@gmail.com>
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On Thu, Dec 16, 2010 at 7:00 PM, Jeff Larson <jeff.larson@sailpoint.com> wrote:
>> My wife and I are needing new phones and I would go the way of
>> an I phone if I really felt that the extra expense was warranted.

I just got one 4 last week, to replace my stone age old Ericsson, so
I'm not a specialist. But the vary first impression is that this phone
will save me a lot of other costs and distractions. Since I work by
delivering - rather than positioning my body at some location during
certain hours dictated by The Man - the iphone 4 effect makes money
for me. I did a web search and bought the cheapest account with regard
to how I use the technology, and it isn't expensive. But then I am
mostly at places where a no cost wireless network is available and
most people I interact with have Skype, so I can run Skype app on the
iphone and make voice calls that way (but Apple have crippled the
video Skype call option; the iphone's Front Face camera only works
with Apples Front Face call app). My life is easier now when I don't
have to walk around with iPod, mobile phone and camera in my pockets
(just the iphone 4). Useful apps I dig is those that hook up directly
to collective transportation systems at different Swedish cities. This
makes it faster to check out the fastest way to go somewhere and do it
while you're on the way, not having to plan the trip in advance
(taking away time from other activities).... etc, etc... A lot comes
down to the fact that Apple's products are easy and fast to use and
well integrated and for this reason it makes more sense to go with the
iphone4 if you already use Apple pc's and software.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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<< As a guitarist, I'm not really that excited about something I have=20
to use my free hand to control. I have no free hands!!!!!!. >>.....bill=20
sez!

that's sort of what i meant when i said that boost "relaxes with the=20
loop".....i feel this need to always be adding something to the=20
loop.....
if i'm not doing that, i have a lot of "free hand" time.....but, as we=20
all know, young bill is the king of the hand jive!.....do you think=20
that the i-pad will ever
be a phone, also?.....phones are too small imho!

 =20

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On Thu, Dec 16, 2010 at 7:33 PM,  <nemoguitt@aol.com> wrote:
> do you think that the i-pad will ever
> be a phone, also?

That I was wondering too, not long ago. However, making iPads possible
to use as mobile phones would like Apple shooting itself in the foot
;-)   Each of their great products have at least one small quirk that
makes us need another product of theirs. Ipad not being allowed to
double up as mobile phone is one example, Skype on iPhone not allowed
to access the Front Face camera is another example. They are experts
on this kind of marketing. For the consumer the challenge is to
combine their products in a way that you are only using the great
features in each of them and never run into the
gotta-get-our-next-product-to-do-what-you-are-trying bummer.

Per

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 19:03:23 2010
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        AH <analogue@hyperreal.org>
Subject: Re: Get BENT by DAED for the 'olidays...
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On 7/22/64 11:59 AM, legion@helpwantedproductions.com wrote:
> I'm discounting the current inventory of various circuit bent units and
> the infamous DAED feedback synth while they last. Some are DIRT cheap
> ($30-$65) and the FBS is now $200 if you mention this post - Normally $250
> - only two in stock.
I own the DAED Disturbo DS-1 mod and the DAED Bass Theremin and
I think they are both amazing.         Saving my moolah to get the
DAED Feedback Synth and the DAED Juicy Wah (modded Crybaby Wah pedal).

The DAED Disturbo DS-1 is a mod of the Boss DS-1 Distortion box, which 
preserves
and enriches the original sound of the pedal but then has several mods that
make it an amazing noise generator.

http://www.youtube.com/user/legionhwp#p/u/2/6eUQOCOnJWY

I've become quite the fan of botique (and prosaic) distortion, feedback, 
overdrive and fuzz
pedals and this is one of my very favorite pedals.

What is so great is that this is a botique pedal mod that is extremely 
inexpensive and sounds
as good as many of the $300 pedals outside there.

It also generates it's own noise if you want so you don't need an input 
device (necessarily).

I truly love it.

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 20:45:37 2010
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Was just hanging overnight with a buddy that manages an apple store, and the=
re's no word that ipad will be a phone anytime soon, but when it first came o=
ut there was a rumor it would going around.=20

I love my 4G but dont do any music apps on it much.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 16, 2010, at 1:34 PM, nemoguitt@aol.com wrote:

> << As a guitarist, I'm not really that excited about something I have to u=
se my free hand to control. I have no free hands!!!!!!. >>.....bill sez!
>=20
> that's sort of what i meant when i said that boost "relaxes with the loop"=
.....i feel this need to always be adding something to the loop.....
> if i'm not doing that, i have a lot of "free hand" time.....but, as we all=
 know, young bill is the king of the hand jive!.....do you think that the i-=
pad will ever
> be a phone, also?.....phones are too small imho!
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 20:51:02 2010
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on Modulator ESP.  The Featured CD at Midnight
will be "Historic Edition Volume 6" which is a self-released title.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#dec

You will also hear new music released on the Groove Unlimited label.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 22:07:26 2010
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References: <1012010C97BF4077BD11E14AC4DCA425@mpeserver> <4D0A338D.2040903@cruzio.com>
Subject: Re: RE: jamming with myself
Date: Thu, 16 Dec 2010 23:00:42 +0100
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Thank you for your support everybody !

i do intensive use of the SUS-Replace function of the echoplex , but =
you're right Rick there is a sequence running from the begining to the =
end. a midi seq played on the MPC1000, and that retrigg the loops =
rythmicaly.

  ----- Original Message -----=20
  From: Rick Walker=20
  To: Michael Peters=20
  Cc: 'boost' ; Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, December 16, 2010 4:43 PM
  Subject: Re: RE: jamming with myself


  On 7/22/64 11:59 AM, Michael Peters wrote:=20
    Apparently this video has moved to
    http://www.youtube.com/watch?v=3DApFb5sMfThk
    in the meantime.
  This is really cool.

  I"m just wondering, how is he automating the process so that every =
over dub is doing=20
  what sound like SUS=3DSUB

  I'm not seeing him striking or stepping on  anything early in the =
piece
   so it seems like the process is automated

  Am I missing something?

  Very cool, however he's accomplishing it.

  rick walker

------=_NextPart_000_0054_01CB9D75.107D9070
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3DISO-8859-1">
<META content=3D"MSHTML 6.00.2900.6049" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thank you for your support everybody =
!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i do intensive use of the SUS-Replace =
function of=20
the echoplex , but you're right Rick there is a sequence running from =
the=20
begining to the end. a midi seq played on the MPC1000, and that retrigg =
the=20
loops rythmicaly.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlooppool@cruzio.com =
href=3D"mailto:looppool@cruzio.com">Rick Walker</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3Dmp@mpeters.de=20
  href=3D"mailto:mp@mpeters.de">Michael Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A =
title=3Dboost@boosterized.com=20
  href=3D"mailto:boost@boosterized.com">'boost'</A> ; <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December 16, =
2010 4:43=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RE: jamming with=20
myself</DIV>
  <DIV><BR></DIV>On 7/22/64 11:59 AM, Michael Peters wrote:=20
  <BLOCKQUOTE =
cite=3Dmid:%3C1012010C97BF4077BD11E14AC4DCA425@mpeserver%3E=20
  type=3D"cite">
    <DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
face=3DArial=20
    size=3D2>Apparently this video has moved to</FONT></SPAN></DIV>
    <DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
face=3DArial=20
    size=3D2><A href=3D"http://www.youtube.com/watch?v=3DApFb5sMfThk"=20
    =
moz-do-not-send=3D"true">http://www.youtube.com/watch?v=3DApFb5sMfThk</A>=
</FONT></SPAN></DIV>
    <DIV dir=3Dltr align=3Dleft><SPAN class=3D703514411-16122010><FONT =
face=3DArial=20
    size=3D2>in the meantime.</FONT></SPAN></DIV></BLOCKQUOTE>This is =
really=20
  cool.<BR><BR>I"m just wondering, how is he automating the process so =
that=20
  every over dub is doing <BR>what sound like SUS=3DSUB<BR><BR>I'm not =
seeing him=20
  striking or stepping on&nbsp; anything early in the piece<BR>&nbsp;so =
it seems=20
  like the process is automated<BR><BR>Am I missing =
something?<BR><BR>Very cool,=20
  however he's accomplishing it.<BR><BR>rick =
walker<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0054_01CB9D75.107D9070--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 22:33:27 2010
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From: Paul Mimlitsch <pmimlitsch@mac.com>
To: Loopers-Delight@loopers-delight.com
Subject: iphone music app recommendations
Date: Thu, 16 Dec 2010 15:32:56 -0700
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Here's a list of the ones I'd recommend (organized into categories)  
and have used in performance situations (3GS (4.2.1) iPhone to volume  
pedal to looper):

TOOLS:
iStrobeSoft - tuner

RECORDERS:
iProRecorder
Fire

PROCESSORS:
SFSsynth (my favorite)
Resonizer
Filtatron (Moog Music)
Otto

AMBIENT (for creating pads etc.)
Droneo
KepplersOrrery
Aura
Aura Flux

PERCUSSION:
PanDrumFull
TongueDrum
Bowls (nice for pads)
MandalaMuOdd:Hang

THERIMEN:
Cosmovox
BeBot (despite the goofy interface)

NOISY (staticky/ glitchy stuff):
Space
iGlendyne
aardvark
Sonic Wire
modAxis Free

INSTRUMENTS:
ThumbJam (will loop onboard instruments or incoming audio)
Morphwiz
Gayageum
Bubble Harp
Zen Music
Musical DNA
Noise.io Pro (great synth but too much learning curve for me - though  
Amidio apps are great)

VISUALIZERS (great for adding music driven visuals) NOTE: these only  
send video out on an iPhone 4 or iPad:
iBeams - the best from the standpoint of tweakabillity.  Used on an  
iPad - out to digital projector onto the wall - worked well.
Audiogasm








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Subject: Re: iphone music app recommendations
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Paul thanks for these.  I know a couple, I'm kind of getting in to this and
thinking about getting an iPad.

Jim

On Thu, Dec 16, 2010 at 5:32 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> Here's a list of the ones I'd recommend (organized into categories) and
> have used in performance situations (3GS (4.2.1) iPhone to volume pedal t=
o
> looper):
>
> TOOLS:
> iStrobeSoft - tuner
>
> RECORDERS:
> iProRecorder
> Fire
>
> PROCESSORS:
> SFSsynth (my favorite)
> Resonizer
> Filtatron (Moog Music)
> Otto
>
> AMBIENT (for creating pads etc.)
> Droneo
> KepplersOrrery
> Aura
> Aura Flux
>
> PERCUSSION:
> PanDrumFull
> TongueDrum
> Bowls (nice for pads)
> MandalaMuOdd:Hang
>
> THERIMEN:
> Cosmovox
> BeBot (despite the goofy interface)
>
> NOISY (staticky/ glitchy stuff):
> Space
> iGlendyne
> aardvark
> Sonic Wire
> modAxis Free
>
> INSTRUMENTS:
> ThumbJam (will loop onboard instruments or incoming audio)
> Morphwiz
> Gayageum
> Bubble Harp
> Zen Music
> Musical DNA
> Noise.io Pro (great synth but too much learning curve for me - though
> Amidio apps are great)
>
> VISUALIZERS (great for adding music driven visuals) NOTE: these only send
> video out on an iPhone 4 or iPad:
> iBeams - the best from the standpoint of tweakabillity.  Used on an iPad =
-
> out to digital projector onto the wall - worked well.
> Audiogasm
>
>
>
>
>
>
>
>
>


--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--0016367b67c6da7e1104978ee201
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Paul thanks for these.=A0 I know a couple, I&#39;m kind of getting in to th=
is and thinking about getting an iPad.<br><br>Jim<br><br><div class=3D"gmai=
l_quote">On Thu, Dec 16, 2010 at 5:32 PM, Paul Mimlitsch <span dir=3D"ltr">=
&lt;<a href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</a>&gt;</span>=
 wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Here&#39;s a list=
 of the ones I&#39;d recommend (organized into categories) and have used in=
 performance situations (3GS (4.2.1) iPhone to volume pedal to looper):<br>

<br>
TOOLS:<br>
iStrobeSoft - tuner<br>
<br>
RECORDERS:<br>
iProRecorder<br>
Fire<br>
<br>
PROCESSORS:<br>
SFSsynth (my favorite)<br>
Resonizer<br>
Filtatron (Moog Music)<br>
Otto<br>
<br>
AMBIENT (for creating pads etc.)<br>
Droneo<br>
KepplersOrrery<br>
Aura<br>
Aura Flux<br>
<br>
PERCUSSION:<br>
PanDrumFull<br>
TongueDrum<br>
Bowls (nice for pads)<br>
MandalaMuOdd:Hang<br>
<br>
THERIMEN:<br>
Cosmovox<br>
BeBot (despite the goofy interface)<br>
<br>
NOISY (staticky/ glitchy stuff):<br>
Space<br>
iGlendyne<br>
aardvark<br>
Sonic Wire<br>
modAxis Free<br>
<br>
INSTRUMENTS:<br>
ThumbJam (will loop onboard instruments or incoming audio)<br>
Morphwiz<br>
Gayageum<br>
Bubble Harp<br>
Zen Music<br>
Musical DNA<br>
Noise.io Pro (great synth but too much learning curve for me - though Amidi=
o apps are great)<br>
<br>
VISUALIZERS (great for adding music driven visuals) NOTE: these only send v=
ideo out on an iPhone 4 or iPad:<br>
iBeams - the best from the standpoint of tweakabillity. =A0Used on an iPad =
- out to digital projector onto the wall - worked well.<br>
Audiogasm<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To Glindr=
an, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 P=
roceeds<br>from the sale of this CD will benefit JDRF International.=A0 <a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandca=
mp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>


--0016367b67c6da7e1104978ee201--

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Date: Thu, 16 Dec 2010 23:51:00 +0100
Message-ID: <AANLkTikF2V3e2eiC1EH5b-ajYWMRyWji_dgtuMY2jOTb@mail.gmail.com>
Subject: Re: Y2K10 fuzzy memories
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ten years ago I discovered how nice is to take audio recordings while
travelling. I'm not talking about field recordings of nature or places with
a specific sound. I'm talking about something similar to a photo picture:
when I hear my friends' voices it's like being back to that moment. And each
voices reminds me more than its sounds. This is a recording of a night in
Santa Cruz at the very end of the Y2KX Loopfest, "soundtracked" with my
music. Pure fun. Hope you'll enjoy it !
http://soundcloud.com/eterogeneo/y2kx-fuzzy-memories

-f


2010/12/5 William Walker <billwalker@baymoon.com>

> Dear Friends,
>  Its raining steadily and gusting at times,  I'm sitting in my little room
> looking out the window at the all but decayed looper's shrine created by
> Michael Klobuchar , aided by my wife Nancy, and contributed to by virtually
> every looper who visited or stayed with us during the Loopfest.  Due to an
> inordinate amount of rain and stormy weather since the festival, most of the
> shrine including the post industrial tiki tourches that Scoots constructed,
> the skis, and the Lemonhead ladder have either blown down or rotted away. I
> had to remove the rotting giant lemons finally, it wasn't a pretty sight...
>  For me this was the best festival yet, for many reasons,  but primarily
> because of the friendships created and renewed. It was particularly
> gratifying for me that many of you on this list who I have become friends
> with were able to make it back again or for the first time.  Its just beyond
> a thrill for me to get to hang out with you all, hear you play, and exchange
> ideas. Oh and the music was great this year, a really strong and varied
> group, and this year unlike the last several, I actually got to see nearly
> everyone perform.  I gotta say, over the past few years its been hard for me
> to maintain a positive attitude, about the world, about money and even about
> music, and the Loopfest  always has a way of inspiring me and lifting me up.
>  It was remarkable to me what Rick was able to pull off,  and it was really
> fantastic that our neighbors stepped up and helped us house those of you
> that traveled the farthest.
> Thanks Rick for an amazing ride, thanks to the Chris and Nancy for
> tremendous spousal support, thanks to everyone who volunteered in some way
>  and thanks to everyone who made the effort to come so far and share
> yourselves with us.
>
> Bill
>
>
>

--0016e640962a48b14404978ee3c3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div><span class=3D"Apple-style-span" style=3D"color: rgb(51, 51, 51); font=
-family: &#39;Lucida Grande&#39;, Arial, Helvetica, Verdana, sans-serif; fo=
nt-size: 12px; line-height: 18px; white-space: pre-wrap; ">Ten years ago I =
discovered how nice is to take audio recordings while travelling. I&#39;m n=
ot talking about field recordings of nature or places with a specific sound=
. I&#39;m talking about something similar to a photo picture: when I hear m=
y friends&#39; voices it&#39;s like being back to that moment. And each voi=
ces reminds me more than its sounds.
This is a recording of a night in Santa Cruz at the very end of the Y2KX Lo=
opfest, &quot;soundtracked&quot; with my music.
Pure fun. Hope you&#39;ll enjoy it !</span></div><div><font class=3D"Apple-=
style-span" color=3D"#333333" face=3D"&#39;Lucida Grande&#39;, Arial, Helve=
tica, Verdana, sans-serif"><span class=3D"Apple-style-span" style=3D"line-h=
eight: 18px; white-space: pre-wrap; "><span class=3D"Apple-style-span" styl=
e=3D"line-height: normal; white-space: pre; color: rgb(102, 102, 102); "><a=
 href=3D"http://soundcloud.com/eterogeneo/y2kx-fuzzy-memories">http://sound=
cloud.com/eterogeneo/y2kx-fuzzy-memories</a></span></span></font></div>
<div><font class=3D"Apple-style-span" color=3D"#666666" face=3D"&#39;Lucida=
 Grande&#39;, Arial, Helvetica, Verdana, sans-serif"><span class=3D"Apple-s=
tyle-span" style=3D"white-space: pre;"><br></span></font></div><div><font c=
lass=3D"Apple-style-span" color=3D"#333333" face=3D"&#39;Lucida Grande&#39;=
, Arial, Helvetica, Verdana, sans-serif" size=3D"3"><span class=3D"Apple-st=
yle-span" style=3D"font-size: 12px; line-height: 18px; white-space: pre-wra=
p;">-f<br>
</span></font><br></div><div><br><div class=3D"gmail_quote">2010/12/5 Willi=
am Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">b=
illwalker@baymoon.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Dear Friends,<br>
=A0Its raining steadily and gusting at times, =A0I&#39;m sitting in my litt=
le room looking out the window at the all but decayed looper&#39;s shrine c=
reated by Michael Klobuchar , aided by my wife Nancy, and contributed to by=
 virtually every looper who visited or stayed with us during the Loopfest. =
=A0Due to an inordinate amount of rain and stormy weather since the festiva=
l, most of the shrine including the post industrial tiki tourches that Scoo=
ts constructed, the skis, and the Lemonhead ladder have either blown down o=
r rotted away. I had to remove the rotting giant lemons finally, it wasn&#3=
9;t a pretty sight... =A0For me this was the best festival yet, for many re=
asons, =A0but primarily because of the friendships created and renewed. It =
was particularly gratifying for me that many of you on this list who I have=
 become friends with were able to make it back again or for the first time.=
 =A0Its just beyond a thrill for me to get to hang out with you all, hear y=
ou play, and exchange ideas. Oh and the music was great this year, a really=
 strong and varied group, and this year unlike the last several, I actually=
 got to see nearly everyone perform. =A0I gotta say, over the past few year=
s its been hard for me to maintain a positive attitude, about the world, ab=
out money and even about music, and the Loopfest =A0always has a way of ins=
piring me and lifting me up. =A0It was remarkable to me what Rick was able =
to pull off, =A0and it was really fantastic that our neighbors stepped up a=
nd helped us house those of you that traveled the farthest.<br>

Thanks Rick for an amazing ride, thanks to the Chris and Nancy for tremendo=
us spousal support, thanks to everyone who volunteered in some way =A0and t=
hanks to everyone who made the effort to come so far and share yourselves w=
ith us.<br>

<br>
Bill<br>
<br>
<br>
</blockquote></div><br></div>

--0016e640962a48b14404978ee3c3--

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From: todd reynolds <toddreyn@gmail.com>
Date: Thu, 16 Dec 2010 17:55:33 -0500
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Just Brilliant, Fabio!

great sentiments, great track.  It only makes me wish more that I'd been
able to join you all at a Loopfest since Rick's been hosting 'em.

Lovely to hear your music once again as well... (And I'd forward it to Steve
Jobs... just kidding.)

Cheers, my friend.

Todd



On Thu, Dec 16, 2010 at 5:51 PM, Fabio_A <eterogenus@gmail.com> wrote:

> Ten years ago I discovered how nice is to take audio recordings while
> travelling. I'm not talking about field recordings of nature or places with
> a specific sound. I'm talking about something similar to a photo picture:
> when I hear my friends' voices it's like being back to that moment. And each
> voices reminds me more than its sounds. This is a recording of a night in
> Santa Cruz at the very end of the Y2KX Loopfest, "soundtracked" with my
> music. Pure fun. Hope you'll enjoy it !
> http://soundcloud.com/eterogeneo/y2kx-fuzzy-memories
>

--001636c5a5d0b9eb4d04978ef4bb
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Just Brilliant, Fabio! =A0<div><br></div><div>great sentiments, great track=
. =A0It only makes me wish more that I&#39;d been able to join you all at a=
 Loopfest since Rick&#39;s been hosting &#39;em. =A0</div><div><br></div><d=
iv>

Lovely to hear your music once again as well... (And I&#39;d forward it to =
Steve Jobs... just kidding.)</div><div><br></div><div>Cheers, my friend.=A0=
</div><div><br></div><div>Todd</div><div><br></div><div><br><br><div class=
=3D"gmail_quote">

On Thu, Dec 16, 2010 at 5:51 PM, Fabio_A <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:eterogenus@gmail.com">eterogenus@gmail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px=
 #ccc solid;padding-left:1ex;">

<div><span style=3D"color:rgb(51, 51, 51);font-family:&#39;Lucida Grande&#3=
9;, Arial, Helvetica, Verdana, sans-serif;font-size:12px;line-height:18px;w=
hite-space:pre-wrap">Ten years ago I discovered how nice is to take audio r=
ecordings while travelling. I&#39;m not talking about field recordings of n=
ature or places with a specific sound. I&#39;m talking about something simi=
lar to a photo picture: when I hear my friends&#39; voices it&#39;s like be=
ing back to that moment. And each voices reminds me more than its sounds.
This is a recording of a night in Santa Cruz at the very end of the Y2KX Lo=
opfest, &quot;soundtracked&quot; with my music.
Pure fun. Hope you&#39;ll enjoy it !</span></div><div><font color=3D"#33333=
3" face=3D"&#39;Lucida Grande&#39;, Arial, Helvetica, Verdana, sans-serif">=
<span style=3D"line-height:18px;white-space:pre-wrap"><span style=3D"line-h=
eight:normal;white-space:pre-wrap;color:rgb(102, 102, 102)"><a href=3D"http=
://soundcloud.com/eterogeneo/y2kx-fuzzy-memories" target=3D"_blank">http://=
soundcloud.com/eterogeneo/y2kx-fuzzy-memories</a></span></span></font></div=
>

</blockquote></div>
</div>

--001636c5a5d0b9eb4d04978ef4bb--

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From: Paul Mimlitsch <pmimlitsch@mac.com>
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Subject: audio to midi
Date: Thu, 16 Dec 2010 15:56:54 -0700
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Didn't see any mention of this on the archives so thought I'd mention  
it here.  One of the things I wanted to do when I made the recent move  
to a laptop based looping/ processing/ recording set up was to be able  
to play/ trigger "SynPlant" and various samples from Sonnicouture  
(gamelan, hang drum etc) with the low range recorders I play.  Used  
the hardware Sonuus G2M for awhile before discovering this plug in:   
MP3 to MIDI and WAVE to MIDI Converter: WIDISOFT Features
Using it in Ableton Live - does the trick and gets rid of another  
little piece of hardware.

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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Didn't see any mention of this on the archives so thought I'd mention it here. &nbsp;One of the things I wanted to do when I made the recent move to a laptop based looping/ processing/ recording set up was to be able to play/ trigger "SynPlant" and various samples from Sonnicouture (gamelan, hang drum etc) with the low range recorders I play. &nbsp;Used the hardware Sonuus G2M for awhile before discovering this plug in: &nbsp;<a href="http://www.widisoft.com/english/widi-audio-to-midi-vst.html">MP3 to MIDI and WAVE to MIDI Converter: WIDISOFT Features</a><div>Using it in Ableton Live - does the trick and gets rid of another little piece of hardware.</div></body></html>

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My first ever EDP is arriving soon, but it is without a pedal. I'm 
familiar with programming the FCB1010, but there must be someone out 
there with a suitable sysex file, to save me re-programming the 
wheel?

Any help appreciated!



All the best,

Nick Robinson

music site : 	http://www.looping.me.uk
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 23:02:49 2010
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Subject: RE: iphone music app recommendations
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Also check out reBirth (iPhone and iPad versions. The ipad is much easier for real music work)

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 23:06:35 2010
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Also sprach Larson:
  I find that wearing a lot of leather and having one of those
big fans blowing on you helps offset this effect....

This is indeed the ticket with the accompaning Helmut Newton inspired  
press packet!!!   hilarious....

From Loopers-Delight-request@loopers-delight.com  Thu Dec 16 23:10:21 2010
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forgot about reBirth and Korgs iElectribe - haven't gotten an iPad  
yet.....

On Dec 16, 2010, at 4:02 PM, Kenn Lowy wrote:

> Also check out reBirth (iPhone and iPad versions. The ipad is much  
> easier for real music work)
>

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Content-Type: text/plain; charset=ISO-8859-1

iPhones?

Great hand held computers, really CRAP phones... the  3s were OK the 3gs
were rubbish.. (mine.. it crashes after 5 minutes talk) the 4s have bad
sound and poor reception.
Read my blog post (um.. no wait its not me.... its my secret alter ego,
where my wife lets me moan all I want)
http://grumpyenglishmaninnorway.wordpress.com/2010/12/14/telenor-customer-service-with-surprise-happy-ending/

The Apps.. well.. you get hooked.. and are frankly great...
I also agree with Per that the save me time and money, I do my emails on the
bus, not the serious writing but the scanning, and deleting, and
forwarding... then when I get to my machine, I do the fun stuff!

To Dos.. getting reminders either from your calendar or an app (My fave Epic
Win!) I get stuff done, and remember the wedding anniversary... couild have
done this before.. but didnt...

Navigation... I got a perfectly reasonable GPS Saty Nav for 2 dollars!

the music apps... and to Bills question... I would nt use it to replace
something that already works well, namely my feet. But if I AM gonna use the
laptop to loop, then I soon discovered stuff in the laptop that is fun...
and one of them is tweaking and mangling the loop realtime with the mouse..
now THAT looks stupid, and is annoying cos you need a click down on the
laptop trackpad. With the iphon and TouchOSC it works more like a Kaos Pad..
now thats cool.. and if you velcro it to you guitar like jeff, I think thats
pretty close to be able to play a few notes and then tweak a bit... aint
that the point with looping, you don't have to play all the fucking time...
Anyway I hav a fernandez pickup, and with that it rocks...

and then, if we still aint convinced you.. well there is still Angry Birds..

Mark

--20cf3054aa2f6e403604978fc9c0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

iPhones?<br><br>Great hand held computers, really CRAP phones... the=A0 3s =
were OK the 3gs were rubbish.. (mine.. it crashes after 5 minutes talk) the=
 4s have bad sound and poor reception.<br>Read my blog post (um.. no wait i=
ts not me.... its my secret alter ego, where my wife lets me moan all I wan=
t)<br>

<a href=3D"http://grumpyenglishmaninnorway.wordpress.com/2010/12/14/telenor=
-customer-service-with-surprise-happy-ending/">http://grumpyenglishmaninnor=
way.wordpress.com/2010/12/14/telenor-customer-service-with-surprise-happy-e=
nding/</a><br>

<br>The Apps.. well.. you get hooked.. and are frankly great...<br>I also a=
gree with Per that the save me time and money, I do my emails on the bus, n=
ot the serious writing but the scanning, and deleting, and forwarding... th=
en when I get to my machine, I do the fun stuff!<br>

<br>To Dos.. getting reminders either from your calendar or an app (My fave=
 Epic Win!) I get stuff done, and remember the wedding anniversary... couil=
d have done this before.. but didnt...<br><br>Navigation... I got a perfect=
ly reasonable GPS Saty Nav for 2 dollars!<br>

<br>the music apps... and to Bills question... I would nt use it to replace=
 something that already works well, namely my feet. But if I AM gonna use t=
he laptop to loop, then I soon discovered stuff in the laptop that is fun..=
. and one of them is tweaking and mangling the loop realtime with the mouse=
.. now THAT looks stupid, and is annoying cos you need a click down on the =
laptop trackpad. With the iphon and TouchOSC it works more like a Kaos Pad.=
. now thats cool.. and if you velcro it to you guitar like jeff, I think th=
ats pretty close to be able to play a few notes and then tweak a bit... ain=
t that the point with looping, you don&#39;t have to play all the fucking t=
ime... Anyway I hav a fernandez pickup, and with that it rocks...<br>

<br>and then, if we still aint convinced you.. well there is still Angry Bi=
rds..<br><br>Mark<br><br><br><br>=A0<br>

--20cf3054aa2f6e403604978fc9c0--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 03:57:16 2010
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Subject: Re: Melbourne, Monterey 
Date: Thu, 16 Dec 2010 19:56:59 -0800
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Steve,

I am listening to this right now and am REALLY enjoying it.

Bot you and Nat bring extremely different, but quite pleasingly  
compatible gifts of musicality to the project.

Good stuff . . . and fresh.

I think I will have to pay and download the whole album.

Thanks for sharing!

Best,

Ted

On Dec 15, 2010, at 2:45 PM, Steve Uccello wrote:

> Hello all, Happy holidays to you all, hope you're doing great out  
> there!  Though it's a bit overdue, I just wanted to let you all know  
> about the online collaborative duo that Nat Grant and I have formed  
> called "sung" and our CD "Melbourne, Monterey" (released 10-10-10)
>
> I am extremely proud of it. If you are so moved, please visit our  
> Bandcamp profile and pick up a copy, listen to the whole record  
> streaming free, or click the 'like' button, it would be *much*  
> appreciated! Thanks, Steve Uccello
>
>
> http://sung-duo.bandcamp.com/
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 04:06:54 2010
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Date: Thu, 16 Dec 2010 23:06:46 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Films of Eno creating his latest record....
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--============_-919563685==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

http://brian-eno.net/seven-sessions/

http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-sessions/

"Watch Eno intently hunched over a table of electronic doohickeys 
while gorgeous waves of sound roll out."






-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-919563685==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Films of Eno creating his latest
record....</title></head><body>
<div><font face="Arial"
size="-1">http://brian-eno.net/seven-sessions/</font></div>
<div><font face="Arial" size="-1"><br></font></div>
<div><font face="Arial"
size="-1"
>http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-session<span
></span>s/</font></div>
<div><font face="Arial" size="-1"><br></font></div>
<div><font face="Lucida Grande" size="-1" color="#3A3A3B">&quot;Watch
Eno intently hunched over a table of electronic doohickeys while
gorgeous waves of sound roll out.</font><font face="Arial"
size="-1">&quot;</font></div>
<div><font face="Arial" size="-1"><br></font></div>
<div><font face="Arial" size="-1"><br></font></div>
<div><font face="Arial" size="-1"><br></font></div>
<div><font face="Arial" size="-1"><br></font></div>
<div><font face="Arial" size="-1"><br></font></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-919563685==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 07:57:03 2010
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Travis and STEVE HILLAGE
Date: Fri, 17 Dec 2010 08:56:51 +0100
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Dies ist eine mehrteilige Nachricht im MIME-Format.

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THEO TRAVIS is not just a good addition (maybe that=B4s a too weak =
expression) to FRIPP.
- "Thread" is definetely an interesting record, I agree -
TRAVIS is a fantastic Sax and flute player who fitted perfectly
into the line-up of GONG=B4s 2009 - tour. Saw them at the German =
HERZBERG-Hippie-Festival
and in Bonn aswell. Also in this line-up was STEVE HILLAGE, who was one =
of my favorite
guitarists in the 70ies. At those times he was very innovative, using - =
as one of the first - a guitar
synthesizer. That really hit me. Listen to : "Motivation Radio" or =
"Green".=20
Christo
wwww.christojota.de
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16671"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>
<DIV><FONT face=3DCalibri>THEO TRAVIS is not just a good addition (maybe =
that=B4s a=20
too weak expression) to FRIPP.</FONT></DIV>
<DIV>- "Thread" is definetely an interesting record,&nbsp;I agree =
-</DIV>
<DIV><FONT face=3DCalibri>TRAVIS&nbsp;is a fantastic Sax and flute =
player who=20
fitted perfectly</FONT></DIV>
<DIV><FONT face=3DCalibri>into the line-up of GONG=B4s 2009 - tour. Saw =
them at the=20
German HERZBERG-Hippie-Festival</FONT></DIV>
<DIV><FONT face=3DCalibri>and in Bonn aswell. Also in this line-up was =
STEVE=20
HILLAGE, who was one of my favorite</FONT></DIV>
<DIV>guitarists in the 70ies. At those times he was very innovative, =
using - as=20
one of the first -&nbsp;a&nbsp;guitar</DIV>
<DIV>synthesizer. That really hit me. Listen to : "Motivation Radio" or =
"Green".=20
</DIV>
<DIV><FONT face=3DCalibri>Christo</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
title=3D"http://www.christojota.de&#10;STRG + Klicken, um Verkn=FCpfung =
zu folgen"=20
href=3D"http://www.christojota.de">wwww.christojota.de</A></FONT></DIV></=
FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 09:32:49 2010
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Date: Fri, 17 Dec 2010 10:32:45 +0100
Message-ID: <AANLkTimkQmY_eTCaQtPyK=BDZYt-+saV-4Vfy_-TNDcn@mail.gmail.com>
Subject: Re: FCB1010 sysex for controlling EDP?
From: Louie Angulo <louie.angulo@googlemail.com>
To: nick@12testing.net
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--001636c923e74b8a90049797da98
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Hi Nick,
if u have it with the UnO chip ill send you a sysex no problem.It has all
the basic functions programmed plus a lot of the virtual comands and midi
sync functions as well.I recomend the UnO chip because editing is less
tedious.
then you can modify it however you want.
cheers
Luis

On Thu, Dec 16, 2010 at 11:59 PM, nick@12testing.net <nick@1957.me.uk>wrote:

> My first ever EDP is arriving soon, but it is without a pedal. I'm
> familiar with programming the FCB1010, but there must be someone out
> there with a suitable sysex file, to save me re-programming the
> wheel?
>
> Any help appreciated!
>
>
>
> All the best,
>
> Nick Robinson
>
> music site :    http://www.looping.me.uk
> myspace site :  http://www.myspace.com/nickrobinsonloops
> looping forum : http://loopingmusic.proboards99.com
>
>
>
>

--001636c923e74b8a90049797da98
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Hi Nick,<br>if u have it with the UnO chip ill send you a sysex no problem.=
It has all the basic functions programmed plus a lot of the virtual comands=
 and midi sync functions as well.I recomend the UnO chip because editing is=
 less tedious.<br>
then you can modify it however you want.<br>cheers<br>Luis<br><br><div clas=
s=3D"gmail_quote">On Thu, Dec 16, 2010 at 11:59 PM, <a href=3D"mailto:nick@=
12testing.net">nick@12testing.net</a> <span dir=3D"ltr">&lt;<a href=3D"mail=
to:nick@1957.me.uk">nick@1957.me.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">My first ever EDP=
 is arriving soon, but it is without a pedal. I&#39;m<br>
familiar with programming the FCB1010, but there must be someone out<br>
there with a suitable sysex file, to save me re-programming the<br>
wheel?<br>
<br>
Any help appreciated!<br>
<br>
<br>
<br>
All the best,<br>
<br>
Nick Robinson<br>
<br>
music site : =A0 =A0<a href=3D"http://www.looping.me.uk" target=3D"_blank">=
http://www.looping.me.uk</a><br>
myspace site : =A0<a href=3D"http://www.myspace.com/nickrobinsonloops" targ=
et=3D"_blank">http://www.myspace.com/nickrobinsonloops</a><br>
looping forum : <a href=3D"http://loopingmusic.proboards99.com" target=3D"_=
blank">http://loopingmusic.proboards99.com</a><br>
<br>
<br>
<br>
</blockquote></div><br>

--001636c923e74b8a90049797da98--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 10:10:31 2010
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Date: Fri, 17 Dec 2010 11:10:29 +0100
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Subject: Re: Y2K10 fuzzy memories
From: Fabio_A <eterogenus@gmail.com>
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Thanks, Tod.
It was pure fun !

-f

2010/12/16 todd reynolds <toddreyn@gmail.com>

> Just Brilliant, Fabio!
>
> great sentiments, great track.  It only makes me wish more that I'd been
> able to join you all at a Loopfest since Rick's been hosting 'em.
>
> Lovely to hear your music once again as well... (And I'd forward it to
> Steve Jobs... just kidding.)
>
> Cheers, my friend.
>
> Todd
>
>
>
> On Thu, Dec 16, 2010 at 5:51 PM, Fabio_A <eterogenus@gmail.com> wrote:
>
>> Ten years ago I discovered how nice is to take audio recordings while
>> travelling. I'm not talking about field recordings of nature or places with
>> a specific sound. I'm talking about something similar to a photo picture:
>> when I hear my friends' voices it's like being back to that moment. And each
>> voices reminds me more than its sounds. This is a recording of a night in
>> Santa Cruz at the very end of the Y2KX Loopfest, "soundtracked" with my
>> music. Pure fun. Hope you'll enjoy it !
>> http://soundcloud.com/eterogeneo/y2kx-fuzzy-memories
>>
>

--0016e64692324648ad0497986129
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<div>Thanks, Tod.</div>
<div>It was pure fun !</div>
<div>=A0</div>
<div>-f<br><br></div>
<div class=3D"gmail_quote">2010/12/16 todd reynolds <span dir=3D"ltr">&lt;<=
a href=3D"mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Just Brilliant, Fabio! =A0=20
<div><br></div>
<div>great sentiments, great track. =A0It only makes me wish more that I&#3=
9;d been able to join you all at a Loopfest since Rick&#39;s been hosting &=
#39;em. =A0</div>
<div><br></div>
<div>Lovely to hear your music once again as well... (And I&#39;d forward i=
t to Steve Jobs... just kidding.)</div>
<div><br></div>
<div>Cheers, my friend.=A0</div>
<div><br></div><font color=3D"#888888">
<div>Todd</div></font>
<div>
<div></div>
<div class=3D"h5">
<div><br></div>
<div><br><br>
<div class=3D"gmail_quote">On Thu, Dec 16, 2010 at 5:51 PM, Fabio_A <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:eterogenus@gmail.com" target=3D"_blank">et=
erogenus@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div><span style=3D"FONT-SIZE: 12px; COLOR: rgb(51,51,51); LINE-HEIGHT: 18p=
x; FONT-FAMILY: &#39;Lucida Grande&#39;, Arial, Helvetica, Verdana, sans-se=
rif">Ten years ago I discovered how nice is to take audio recordings while =
travelling. I&#39;m not talking about field recordings of nature or places =
with a specific sound. I&#39;m talking about something similar to a photo p=
icture: when I hear my friends&#39; voices it&#39;s like being back to that=
 moment. And each voices reminds me more than its sounds. This is a recordi=
ng of a night in Santa Cruz at the very end of the Y2KX Loopfest, &quot;sou=
ndtracked&quot; with my music. Pure fun. Hope you&#39;ll enjoy it !</span><=
/div>

<div><font face=3D"&#39;Lucida Grande&#39;, Arial, Helvetica, Verdana, sans=
-serif" color=3D"#333333"><span style=3D"LINE-HEIGHT: 18px"><span style=3D"=
COLOR: rgb(102,102,102); LINE-HEIGHT: normal"><a href=3D"http://soundcloud.=
com/eterogeneo/y2kx-fuzzy-memories" target=3D"_blank">http://soundcloud.com=
/eterogeneo/y2kx-fuzzy-memories</a></span></span></font></div>
</blockquote></div></div></div></div></blockquote></div><br>

--0016e64692324648ad0497986129--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 10:34:35 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: FCB1010 sysex for controlling EDP?
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hi Nick,
reason I can't offer that is that my fcb1010 has an
older firmware version.
Tried it with Bill Walker's fcb, ...doesn't work.

It's actually not at all difficult to program the fcb
to control the edp, 20 mins at most....and it only has to be done once.
(remember to program the expression peds on every switch though)

If you don't have an fcb already feel free to tempt me to part
with mine.

If you do, there's editors available and the Uno chip to consider.

andy butler 



nick@12testing.net wrote:
> My first ever EDP is arriving soon, but it is without a pedal. I'm 
> familiar with programming the FCB1010, but there must be someone out 
> there with a suitable sysex file, to save me re-programming the 
> wheel?
> 

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 10:43:06 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Anyone fancy doing a streaming gig on sunday night?
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Does anyone fancy playing at www.cafenoodle.ning.com - streaming on  
the web, nice loop friendly audience :) on Sunday?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Does anyone fancy playing at <a href="http://www.cafenoodle.ning.com">www.cafenoodle.ning.com</a> - streaming on the web, nice loop friendly audience :) on Sunday?<div><br><div><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></div></body></html>
--Apple-Mail-39-742758413--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 10:46:58 2010
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Subject: Re: Anyone fancy doing a streaming gig on sunday night?
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=EF=BB=BFI think I might even have the GR3/GR20 setup complete by then, =
if not it doesn=E2=80=99t matter.  Count me in!  Wot time?

It=E2=80=99s been snowing off and on out here finally, the speakers for =
the studio have arrived (Q-Acoustics 2020s) and Sarah=E2=80=99s gone =
into London for dental work for today.  So I=E2=80=99m hoping the =
delivery guys pay attention to the big sign on the front door saying =
DELIVERIES TO BACK STUDIO PLEASE... DHL is crap, they haven=E2=80=99t =
ever left a =E2=80=9Cmissed you=E2=80=9D card in two delivery =
attempts... [cough]

From: Matt Stevens=20
Sent: Friday, December 17, 2010 10:42 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Anyone fancy doing a streaming gig on sunday night?

Does anyone fancy playing at www.cafenoodle.ning.com - streaming on the =
web, nice loop friendly audience :) on Sunday?=20

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





------=_NextPart_000_0064_01CB9DD7.AE2E7200
Content-Type: text/html;
	charset="utf-8"
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<HTML><HEAD></HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>I think I might even have the GR3/GR20 setup complete by then, if =
not it=20
doesn=E2=80=99t matter.&nbsp; Count me in!&nbsp; Wot time?</DIV>
<DIV>&nbsp;</DIV>
<DIV>It=E2=80=99s been snowing off and on out here finally, the speakers =
for the studio=20
have arrived (Q-Acoustics 2020s) and Sarah=E2=80=99s gone into London =
for dental work=20
for today.&nbsp; So I=E2=80=99m hoping the delivery guys pay attention =
to the big sign=20
on the front door saying DELIVERIES TO BACK STUDIO PLEASE... DHL is =
crap, they=20
haven=E2=80=99t ever left a =E2=80=9Cmissed you=E2=80=9D card in two =
delivery attempts... [cough]</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A=20
title=3Dmattstevensguitar@btinternet.com=20
href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> </DIV>
<DIV><B>Sent:</B> Friday, December 17, 2010 10:42 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Anyone fancy doing a streaming gig on sunday=20
night?</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">Does=20
anyone fancy playing at <A=20
href=3D"http://www.cafenoodle.ning.com">www.cafenoodle.ning.com</A> - =
streaming on=20
the web, nice loop friendly audience :) on Sunday?=20
<DIV>
<DIV>&nbsp;</DIV>
<DIV>
<DIV><SPAN style=3D"FONT-SIZE: 12px" class=3DApple-style-span>
<DIV>Matt Stevens</DIV>
<DIV>www.mattstevensguitar.com</DIV>
<DIV><A=20
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
<DIV>&nbsp;</DIV></SPAN><BR class=3DApple-interchange-newline><BR=20
class=3DApple-interchange-newline></DIV>
<DIV>&nbsp;</DIV></DIV></DIV></DIV></DIV></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 11:31:37 2010
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	<AANLkTimkQmY_eTCaQtPyK=BDZYt-+saV-4Vfy_-TNDcn@mail.gmail.com>
Date: Fri, 17 Dec 2010 03:31:34 -0800
Message-ID: <AANLkTi=oX9tV2CPweFPOhMKHH8WEYrP5innHXhcau-8n@mail.gmail.com>
Subject: Re: FCB1010 sysex for controlling EDP?
From: Nevyn Nowhere <nevynnowhere@gmail.com>
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could you send that to me?  I do have the uno chip...

-nn

On Fri, Dec 17, 2010 at 1:32 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> Hi Nick,
> if u have it with the UnO chip ill send you a sysex no problem.It has all
> the basic functions programmed plus a lot of the virtual comands and midi
> sync functions as well.I recomend the UnO chip because editing is less
> tedious.
> then you can modify it however you want.
> cheers
> Luis
>
>
> On Thu, Dec 16, 2010 at 11:59 PM, nick@12testing.net <nick@1957.me.uk>wrote:
>
>> My first ever EDP is arriving soon, but it is without a pedal. I'm
>> familiar with programming the FCB1010, but there must be someone out
>> there with a suitable sysex file, to save me re-programming the
>> wheel?
>>
>> Any help appreciated!
>>
>>
>>
>> All the best,
>>
>> Nick Robinson
>>
>> music site :    http://www.looping.me.uk
>> myspace site :  http://www.myspace.com/nickrobinsonloops
>> looping forum : http://loopingmusic.proboards99.com
>>
>>
>>
>>
>

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could you send that to me?=A0 I do have the uno chip...<br><br>-nn<br><br><=
div class=3D"gmail_quote">On Fri, Dec 17, 2010 at 1:32 AM, Louie Angulo <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.ang=
ulo@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi Nick,<br>if u =
have it with the UnO chip ill send you a sysex no problem.It has all the ba=
sic functions programmed plus a lot of the virtual comands and midi sync fu=
nctions as well.I recomend the UnO chip because editing is less tedious.<br=
>

then you can modify it however you want.<br>cheers<br>Luis<div><div></div><=
div class=3D"h5"><br><br><div class=3D"gmail_quote">On Thu, Dec 16, 2010 at=
 11:59 PM, <a href=3D"mailto:nick@12testing.net" target=3D"_blank">nick@12t=
esting.net</a> <span dir=3D"ltr">&lt;<a href=3D"mailto:nick@1957.me.uk" tar=
get=3D"_blank">nick@1957.me.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">My first ever EDP=
 is arriving soon, but it is without a pedal. I&#39;m<br>
familiar with programming the FCB1010, but there must be someone out<br>
there with a suitable sysex file, to save me re-programming the<br>
wheel?<br>
<br>
Any help appreciated!<br>
<br>
<br>
<br>
All the best,<br>
<br>
Nick Robinson<br>
<br>
music site : =A0 =A0<a href=3D"http://www.looping.me.uk" target=3D"_blank">=
http://www.looping.me.uk</a><br>
myspace site : =A0<a href=3D"http://www.myspace.com/nickrobinsonloops" targ=
et=3D"_blank">http://www.myspace.com/nickrobinsonloops</a><br>
looping forum : <a href=3D"http://loopingmusic.proboards99.com" target=3D"_=
blank">http://loopingmusic.proboards99.com</a><br>
<br>
<br>
<br>
</blockquote></div><br>
</div></div></blockquote></div><br>

--00163646d5c240e83004979983ec--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 11:44:27 2010
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Date: Fri, 17 Dec 2010 11:44:25 +0000
Message-ID: <AANLkTimJ3MTeMgUgvJ2CXquPg9KF79cBEhDADvVWbjhB@mail.gmail.com>
Subject: Re: iphone music app recommendations
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cdf14403482eb049799b12f
Content-Type: text/plain; charset=ISO-8859-1

i downloaded rebirth for my ipod touch and found it completely useless,
because everything was just so small and zoomig was such a hassle, that i
couldn't operate it. it's probably great on the ipad, but for the
touch/phone, i would give it a miss

sim

On Thu, Dec 16, 2010 at 11:09 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> forgot about reBirth and Korgs iElectribe - haven't gotten an iPad yet.....
>
>
> On Dec 16, 2010, at 4:02 PM, Kenn Lowy wrote:
>
>  Also check out reBirth (iPhone and iPad versions. The ipad is much easier
>> for real music work)
>>
>>
>

--000e0cdf14403482eb049799b12f
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i downloaded rebirth for my ipod touch and found it completely useless, bec=
ause everything was just so small and zoomig was such a hassle, that i coul=
dn&#39;t operate it. it&#39;s probably great on the ipad, but for the touch=
/phone, i would give it a miss<br>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, Dec 16, 2010 at 11:09 PM,=
 Paul Mimlitsch <span dir=3D"ltr">&lt;<a href=3D"mailto:pmimlitsch@mac.com"=
>pmimlitsch@mac.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204=
, 204); padding-left: 1ex;">
forgot about reBirth and Korgs iElectribe - haven&#39;t gotten an iPad yet.=
....<div><div></div><div class=3D"h5"><br>
<br>
On Dec 16, 2010, at 4:02 PM, Kenn Lowy wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Also check out reBirth (iPhone and iPad versions. The ipad is much easier f=
or real music work)<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--000e0cdf14403482eb049799b12f--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 11:47:25 2010
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Date: Fri, 17 Dec 2010 12:47:23 +0100
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Subject: Very OT: logic of DHL (was: Anyone fancy doing a streaming gig on
 sunday night?)
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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>From Stephen Goodman:
"DHL is crap, they haven=92t ever left a =93missed you=94 card in two
delivery attempts..."

With DHL (and any similar businesses, including e.g. UPS, postal
services etc.) there's a simple rule:
If they send something to you, they don't consider you a customer that
needs to be pleased. So typically, complaining to them will lead to
nothing.

The only thing you can do: talk to the company who sent you the stuff
and tell them you are dissatisfied with them because their logistics
contractor fucked up - and kindly ask them to complain to them. That
can help a lot (in my experience).

          Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 11:51:01 2010
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?Which is what I've done Rainer.  I've never had a problem with UPS 
actually, and they're cheaper than DHL.  If I ever receive a "missed you" 
card from those bozos I'm going to redo it as a "couldn't be bothered" card 
for facebook etc.

-----Original Message----- 
From: Rainer Straschill
Sent: Friday, December 17, 2010 11:47 AM
To: loopers-delight@loopers-delight.com
Subject: Very OT: logic of DHL (was: Anyone fancy doing a streaming gig on 
sunday night?)

>From Stephen Goodman:
"DHL is crap, they haven’t ever left a “missed you” card in two
delivery attempts..."

With DHL (and any similar businesses, including e.g. UPS, postal
services etc.) there's a simple rule:
If they send something to you, they don't consider you a customer that
needs to be pleased. So typically, complaining to them will lead to
nothing.

The only thing you can do: talk to the company who sent you the stuff
and tell them you are dissatisfied with them because their logistics
contractor fucked up - and kindly ask them to complain to them. That
can help a lot (in my experience).

          Rainer 

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 11:59:39 2010
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Date: Fri, 17 Dec 2010 12:59:37 +0100
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Subject: iphone music app recommendations
From: Per Boysen <perboysen@gmail.com>
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That's what everyone says. Should be ok on iPad I've heard. If you're
fine with mp3 rendering only, that is. Makes it troublesome to
integrate into a serious production I think.

On Friday, December 17, 2010, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i downloaded rebirth for my ipod touch and found it completely useless, because everything was just so small and zoomig was such a hassle, that i couldn't operate it. it's probably great on the ipad, but for the touch/phone, i would give it a miss
>
> sim
>
> On Thu, Dec 16, 2010 at 11:09 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>
> forgot about reBirth and Korgs iElectribe - haven't gotten an iPad yet.....
>
> On Dec 16, 2010, at 4:02 PM, Kenn Lowy wrote:
>
>
> Also check out reBirth (iPhone and iPad versions. The ipad is much easier for real music work)
>
>
>
>
>


-- 
Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 12:13:46 2010
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I'd also reccomend
- Beatwave
- and Melodica
for some Tenori like stuff

- megaphone ( your iPhone will work like a mic)

- panDrum
- iGog
for percussion/drum sounds

and...HEY, noone is usign TROPE (by Eno Chilvers) ?
(for ambient soundscapes)

-f

2010/12/16 Paul Mimlitsch <pmimlitsch@mac.com>

> Here's a list of the ones I'd recommend (organized into categories) and
> have used in performance situations (3GS (4.2.1) iPhone to volume pedal to
> looper):
>
> TOOLS:
> iStrobeSoft - tuner
>
> RECORDERS:
> iProRecorder
> Fire
>
> PROCESSORS:
> SFSsynth (my favorite)
> Resonizer
> Filtatron (Moog Music)
> Otto
>
> AMBIENT (for creating pads etc.)
> Droneo
> KepplersOrrery
> Aura
> Aura Flux
>
> PERCUSSION:
> PanDrumFull
> TongueDrum
> Bowls (nice for pads)
> MandalaMuOdd:Hang
>
> THERIMEN:
> Cosmovox
> BeBot (despite the goofy interface)
>
> NOISY (staticky/ glitchy stuff):
> Space
> iGlendyne
> aardvark
> Sonic Wire
> modAxis Free
>
> INSTRUMENTS:
> ThumbJam (will loop onboard instruments or incoming audio)
> Morphwiz
> Gayageum
> Bubble Harp
> Zen Music
> Musical DNA
> Noise.io Pro (great synth but too much learning curve for me - though
> Amidio apps are great)
>
> VISUALIZERS (great for adding music driven visuals) NOTE: these only send
> video out on an iPhone 4 or iPad:
> iBeams - the best from the standpoint of tweakabillity.  Used on an iPad -
> out to digital projector onto the wall - worked well.
> Audiogasm
>
>
>
>
>
>
>
>
>

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<div>I&#39;d also reccomend</div>
<div>- Beatwave</div>
<div>- and Melodica</div>
<div>for some Tenori like stuff</div>
<div>=A0</div>
<div>- megaphone ( your iPhone will work like a mic) </div>
<div>=A0</div>
<div>- panDrum</div>
<div>- iGog</div>
<div>for percussion/drum sounds</div>
<div>=A0</div>
<div>and...HEY, noone is usign TROPE (by Eno Chilvers) ?</div>
<div>(for ambient soundscapes)</div>
<div>=A0</div>
<div>-f<br><br></div>
<div class=3D"gmail_quote">2010/12/16 Paul Mimlitsch <span dir=3D"ltr">&lt;=
<a href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Here&#39;s a list of the ones I&=
#39;d recommend (organized into categories) and have used in performance si=
tuations (3GS (4.2.1) iPhone to volume pedal to looper):<br>
<br>TOOLS:<br>iStrobeSoft - tuner<br><br>RECORDERS:<br>iProRecorder<br>Fire=
<br><br>PROCESSORS:<br>SFSsynth (my favorite)<br>Resonizer<br>Filtatron (Mo=
og Music)<br>Otto<br><br>AMBIENT (for creating pads etc.)<br>Droneo<br>
KepplersOrrery<br>Aura<br>Aura Flux<br><br>PERCUSSION:<br>PanDrumFull<br>To=
ngueDrum<br>Bowls (nice for pads)<br>MandalaMuOdd:Hang<br><br>THERIMEN:<br>=
Cosmovox<br>BeBot (despite the goofy interface)<br><br>NOISY (staticky/ gli=
tchy stuff):<br>
Space<br>iGlendyne<br>aardvark<br>Sonic Wire<br>modAxis Free<br><br>INSTRUM=
ENTS:<br>ThumbJam (will loop onboard instruments or incoming audio)<br>Morp=
hwiz<br>Gayageum<br>Bubble Harp<br>Zen Music<br>Musical DNA<br>Noise.io Pro=
 (great synth but too much learning curve for me - though Amidio apps are g=
reat)<br>
<br>VISUALIZERS (great for adding music driven visuals) NOTE: these only se=
nd video out on an iPhone 4 or iPad:<br>iBeams - the best from the standpoi=
nt of tweakabillity. =A0Used on an iPad - out to digital projector onto the=
 wall - worked well.<br>
Audiogasm<br><br><br><br><br><br><br><br><br></blockquote></div><br>

--0016e647ead60f055504979a1a64--

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> and...HEY, noone is usign TROPE (by Eno Chilvers) ?
> (for ambient soundscapes)

Yes.

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For what it's worth, I can only recommend that to every artist, not only 
but also to looping people. Very nice and knowledgeable audience there.

Matt Stevens schrieb:
> Does anyone fancy playing at www.cafenoodle.ning.com 
> <http://www.cafenoodle.ning.com> - streaming on the web, nice loop 
> friendly audience :) on Sunday?
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com <mailto:mattstevensguitar@btinternet.com>
>
>
>
>


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 15:43:37 2010
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Date: Fri, 17 Dec 2010 16:43:36 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Gig =?ISO-8859-15?Q?Sp=E4m=3A_2010=27s_last_MoinSound_St?=
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Tomorrow will see the last MoinSound Studio Session for this year.

Simply go to
http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
or via
http://moinlabs.de

and tune in for roughly an hour of looping fun. The focus tomorrow will 
be on very minimalistic, very abstract, very soft noise (whatever that 
means).
Date/Time:
Saturday December 18th, 16:00 UTC
http://timeanddate.com/worldclock/fixedtime.html?day=18&month=12&year=2010&hour=17&min=0&sec=0&p1=83

Ever since the start of this event series in April 2009, I've been doing 
by-weekly video transmissions of (mostly solo) concerts - plus a few 
"special events" like last year's "Virtual Sound and Vision Festival" 
(http://moinlabs.de/index.php?id=229) and a week-long series of 
performances called "An Ambient Manifold" in January this year 
(http://mysp.ac/hPYRJy). By the end of last year, I did already release 
an album compilation available for pay-what-you-want download from 
bandcamp (http://moinlabs.de/index.php?id=282).

If my count is correct (which I'm not sure it is), tomorrow will be the 
52nd performance in this series - most of them are archived here:
http://www.ustream.tv/user/moinlabs/videos

I'd like to take the opportunity to say thanks to everyone who had in 
the past listened in or downloaded the album. And if you didn't do that 
yet - tomorrow is the perfect opportunity to do so!

See you there,

          Rainer

ps: The best idea really is to follow me on twitter (see below) for 
last-minute reminders etc.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 16:28:37 2010
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that was quite the kick ass show last night at littlefield, Brooklyn with
David Torn and Tim Berne...folks should have stayed for both sets, he
played more guitar in the second set!

- those "other" people who didn't make it missed a great show.
- it sounded very much like Prezens, but with Chaz Smith on drums.
- I didn't realize that Berne also plays bari.

-- 
* David Beardsley
* http://biink.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 16:51:14 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Anyone fancy doing a streaming gig on sunday night?
Date: Fri, 17 Dec 2010 16:50:58 +0000
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Thank you rainer - i'm very proud of the community - lovely people  :)
Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 Dec 2010, at 15:27, Rainer Straschill wrote:

> For what it's worth, I can only recommend that to every artist, not  
> only but also to looping people. Very nice and knowledgeable  
> audience there.
>
> Matt Stevens schrieb:
>> Does anyone fancy playing at www.cafenoodle.ning.com <http:// 
>> www.cafenoodle.ning.com> - streaming on the web, nice loop  
>> friendly audience :) on Sunday?
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com  
>> <mailto:mattstevensguitar@btinternet.com>
>>
>>
>>
>>
>
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Thank you rainer - i'm very proud of the community - lovely people =
&nbsp;:)<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 Dec 2010, =
at 15:27, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">For what it's worth, I can only recommend that to =
every artist, not only but also to looping people. Very nice and =
knowledgeable audience there.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Matt Stevens schrieb:</div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Does anyone fancy playing =
at www.cafenoodle.ning.com &lt;<a =
href=3D"http://www.cafenoodle.ning.com">http://www.cafenoodle.ning.com</a>=
&gt; - streaming on the web, nice loop friendly audience :) on =
Sunday?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Stevens</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.mattstevensguitar.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">mattstevensguitar@btinternet.com &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mailto:mattstevensguitar@=
btinternet.com</a>&gt;</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Follow me on twitter: <a =
href=3D"http://twitter.com/moinlabs">http://twitter.com/moinlabs</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></body></html>=

--Apple-Mail-48-764846279--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 17:04:48 2010
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Date: Fri, 17 Dec 2010 11:04:45 -0600
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Subject: Re: Anyone fancy doing a streaming gig on sunday night?
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I'll participate in the new year, if the opportunity arises in February.

On Fri, Dec 17, 2010 at 10:50 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Thank you rainer - i'm very proud of the community - lovely people  :)
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 17 Dec 2010, at 15:27, Rainer Straschill wrote:
>
> For what it's worth, I can only recommend that to every artist, not only
> but also to looping people. Very nice and knowledgeable audience there.
>
> Matt Stevens schrieb:
>
> Does anyone fancy playing at www.cafenoodle.ning.com <
> http://www.cafenoodle.ning.com> - streaming on the web, nice loop friendly
> audience :) on Sunday?
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com <mailto:mattstevensguitar@btinternet.com<mattstevensguitar@btinternet.com>
> >
>
>
>
>
>
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>
>

--001636c5ad92d49ada04979e2a4d
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I&#39;ll participate in the new year, if the opportunity arises in February=
.<br><br><div class=3D"gmail_quote">On Fri, Dec 17, 2010 at 10:50 AM, Matt =
Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinterne=
t.com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Thank you rainer - i&#39;m very proud of the community - lovely people =A0:=
)<div class=3D"im"><br><div> <span style=3D"border-collapse: separate; colo=
r: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: norma=
l; font-variant: normal; font-weight: normal; letter-spacing: normal; line-=
height: normal; text-indent: 0px; text-transform: none; white-space: normal=
; word-spacing: 0px;"><span style=3D"border-collapse: separate; color: rgb(=
0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font=
-variant: normal; font-weight: normal; letter-spacing: normal; line-height:=
 normal; text-indent: 0px; text-transform: none; white-space: normal; word-=
spacing: 0px;"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></div><div><div></div><div =
class=3D"h5"><div><div>On 17 Dec 2010, at 15:27, Rainer Straschill wrote:</=
div><br><blockquote type=3D"cite"><div style=3D"margin: 0px;">For what it&#=
39;s worth, I can only recommend that to every artist, not only but also to=
 looping people. Very nice and knowledgeable audience there.</div>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px;">Matt Stevens schrieb:</div> <blockquote type=3D"cite"><div style=
=3D"margin: 0px;">Does anyone fancy playing at <a href=3D"http://www.cafeno=
odle.ning.com" target=3D"_blank">www.cafenoodle.ning.com</a> &lt;<a href=3D=
"http://www.cafenoodle.ning.com" target=3D"_blank">http://www.cafenoodle.ni=
ng.com</a>&gt; - streaming on the web, nice loop friendly audience :) on Su=
nday?</div>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px;">Matt Stevens</div><div style=3D"margin: 0px;"><a href=3D"http://ww=
w.mattstevensguitar.com" target=3D"_blank">www.mattstevensguitar.com</a></d=
iv><div style=3D"margin: 0px;">
<a href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">matts=
tevensguitar@btinternet.com</a> &lt;<a href=3D"mailto:mattstevensguitar@bti=
nternet.com" target=3D"_blank">mailto:mattstevensguitar@btinternet.com</a>&=
gt;</div>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-height:=
 14px;"><br></div><div style=3D"margin: 0px; min-height: 14px;"><br></div> =
</blockquote>
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margi=
n: 0px; min-height: 14px;"><br></div><div style=3D"margin: 0px;">--<span>=
=A0</span></div><div style=3D"margin: 0px;"><a href=3D"http://moinlabs.de" =
target=3D"_blank">http://moinlabs.de</a></div>
<div style=3D"margin: 0px;">Follow me on twitter: <a href=3D"http://twitter=
.com/moinlabs" target=3D"_blank">http://twitter.com/moinlabs</a></div><div =
style=3D"margin: 0px; min-height: 14px;"><br></div> </blockquote></div><br>=
</div>
</div></div></blockquote></div><br>

--001636c5ad92d49ada04979e2a4d--

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Date: Fri, 17 Dec 2010 12:31:12 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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Agreed. It was among the very best shows I've seen in a year of many. (I 
really need to start meeting the other loopers in NYC! Next time I go to 
something loop-oriented I'll post here...)

I liked it better than the material on Prezens, actually. These 
improvisations were so coherent, even as both sets were just 
uninterrupted blocks of sound, and were more organic than Prezens, in my 
estimation. I liked the way that Torn would sample and re-play Berne, 
often creating rhythmic grooves, while Ches would loop his own stuff and 
create grooves as well, sometimes using a tiny Moog.

Torn really put his EDP through the wringer, I was amazed at what he was 
doing loop-wise. Lots of very quick loops, as well as big ambient 
backgrounds to some seriously gnarly lead playing. In his rack was also 
a PCM42 and PCM70, which were used for big 'verbs, harmonies, and some 
pitching of samples. A pretty simple setup otherwise, just a Rane 
one-space mixer, plus a few fuzzes, a phaser, a delay, and a compressor 
on the floor. Interesting to compare to our friend Fripp.

BTW, he's calling this trio "Aarses" - naming it gives me hope that 
he'll keep playing regularly with them, or even recording.

Awesome stuff, I'm still kinda reeling.

Daryl Shawn
www.swanwelder.com


> that was quite the kick ass show last night at littlefield, Brooklyn with
> David Torn and Tim Berne...folks should have stayed for both sets, he
> played more guitar in the second set!
>
> - those "other" people who didn't make it missed a great show.
> - it sounded very much like Prezens, but with Chaz Smith on drums.
> - I didn't realize that Berne also plays bari.
>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Anyone fancy doing a streaming gig on sunday night?
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--Apple-Mail-49-771665561
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Awesome man - let me know when you want to do it - the amazing Rare  
Bear are playing on the 29th not loops but very cool

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 Dec 2010, at 17:04, Ricky Graham wrote:

> I'll participate in the new year, if the opportunity arises in  
> February.
>
> On Fri, Dec 17, 2010 at 10:50 AM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Thank you rainer - i'm very proud of the community - lovely people  :)
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 17 Dec 2010, at 15:27, Rainer Straschill wrote:
>
>> For what it's worth, I can only recommend that to every artist,  
>> not only but also to looping people. Very nice and knowledgeable  
>> audience there.
>>
>> Matt Stevens schrieb:
>>> Does anyone fancy playing at www.cafenoodle.ning.com <http:// 
>>> www.cafenoodle.ning.com> - streaming on the web, nice loop  
>>> friendly audience :) on Sunday?
>>>
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com  
>>> <mailto:mattstevensguitar@btinternet.com>
>>>
>>>
>>>
>>>
>>
>>
>> -- 
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Awesome man - let me know when you want to do it - the amazing Rare Bear =
are playing on the 29th not loops but very cool&nbsp;<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 Dec 2010, =
at 17:04, Ricky Graham wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I'll =
participate in the new year, if the opportunity arises in =
February.<br><br><div class=3D"gmail_quote">On Fri, Dec 17, 2010 at =
10:50 AM, Matt Stevens <span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;"><div style=3D"word-wrap: break-word;"> Thank =
you rainer - i'm very proud of the community - lovely people =
&nbsp;:)<div class=3D"im"><br><div> <span style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; text-indent: 0px; =
text-transform: none; white-space: normal; word-spacing: 0px;"><span =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-indent: 0px; text-transform: none; white-space: normal; =
word-spacing: 0px;"><div> Matt Stevens</div><div><a =
href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> =
</div><br></div><div><div></div><div class=3D"h5"><div><div>On 17 Dec =
2010, at 15:27, Rainer Straschill wrote:</div><br><blockquote =
type=3D"cite"><div style=3D"margin: 0px;">For what it's worth, I can =
only recommend that to every artist, not only but also to looping =
people. Very nice and knowledgeable audience there.</div> <div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px;">Matt Stevens schrieb:</div> <blockquote type=3D"cite"><div =
style=3D"margin: 0px;">Does anyone fancy playing at <a =
href=3D"http://www.cafenoodle.ning.com" =
target=3D"_blank">www.cafenoodle.ning.com</a> &lt;<a =
href=3D"http://www.cafenoodle.ning.com" =
target=3D"_blank">http://www.cafenoodle.ning.com</a>&gt; - streaming on =
the web, nice loop friendly audience :) on Sunday?</div> <div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px;">Matt Stevens</div><div style=3D"margin: 0px;"><a =
href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div style=3D"margin:=
 0px;"> <a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a> &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mailto:mattstevensguitar@btinternet.com</a>&gt;</div> =
<div style=3D"margin: 0px; min-height: 14px;"><br></div><div =
style=3D"margin: 0px; min-height: 14px;"><br></div><div style=3D"margin: =
0px; min-height: 14px;"><br></div><div style=3D"margin: 0px; min-height: =
14px;"><br></div> </blockquote> <div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: 0px; min-height: =
14px;"><br></div><div style=3D"margin: =
0px;">--<span>&nbsp;</span></div><div style=3D"margin: 0px;"><a =
href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a></div>=
 <div style=3D"margin: 0px;">Follow me on twitter: <a =
href=3D"http://twitter.com/moinlabs" =
target=3D"_blank">http://twitter.com/moinlabs</a></div><div =
style=3D"margin: 0px; min-height: 14px;"><br></div> =
</blockquote></div><br></div> =
</div></div></blockquote></div><br></blockquote></div><br></div></body></h=
tml>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: =?ISO-8859-1?Q?Re:_Gig_Sp=E4m:_2010's_last_MoinSound_Studio_Sess?=
 =?ISO-8859-1?Q?ions_-_this_Saturday_18th,_1600_UTC?=
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Rainer I will embed this on www.cafenoodle.ning.com as well

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 Dec 2010, at 15:43, Rainer Straschill wrote:

> Tomorrow will see the last MoinSound Studio Session for this year.
>
> Simply go to
> http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
> or via
> http://moinlabs.de
>
> and tune in for roughly an hour of looping fun. The focus tomorrow  
> will be on very minimalistic, very abstract, very soft noise  
> (whatever that means).
> Date/Time:
> Saturday December 18th, 16:00 UTC
> http://timeanddate.com/worldclock/fixedtime.html? 
> day=18&month=12&year=2010&hour=17&min=0&sec=0&p1=83
>
> Ever since the start of this event series in April 2009, I've been  
> doing by-weekly video transmissions of (mostly solo) concerts -  
> plus a few "special events" like last year's "Virtual Sound and  
> Vision Festival" (http://moinlabs.de/index.php?id=229) and a week- 
> long series of performances called "An Ambient Manifold" in January  
> this year (http://mysp.ac/hPYRJy). By the end of last year, I did  
> already release an album compilation available for pay-what-you- 
> want download from bandcamp (http://moinlabs.de/index.php?id=282).
>
> If my count is correct (which I'm not sure it is), tomorrow will be  
> the 52nd performance in this series - most of them are archived here:
> http://www.ustream.tv/user/moinlabs/videos
>
> I'd like to take the opportunity to say thanks to everyone who had  
> in the past listened in or downloaded the album. And if you didn't  
> do that yet - tomorrow is the perfect opportunity to do so!
>
> See you there,
>
>          Rainer
>
> ps: The best idea really is to follow me on twitter (see below) for  
> last-minute reminders etc.
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Rainer I will embed this on <a =
href=3D"http://www.cafenoodle.ning.com">www.cafenoodle.ning.com</a> as =
well<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 Dec 2010, =
at 15:43, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Tomorrow will see the last MoinSound Studio Session =
for this year.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Simply go to</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions">http:=
//www.ustream.tv/channel/The-MoinSound-Studio-Sessions</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">or via</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and tune =
in for roughly an hour of looping fun. The focus tomorrow will be on =
very minimalistic, very abstract, very soft noise (whatever that =
means).</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Date/Time:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Saturday December 18th, 16:00 UTC</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://timeanddate.com/worldclock/fixedtime.html?day=3D18&amp;mont=
h=3D12&amp;year=3D2010&amp;hour=3D17&amp;min=3D0&amp;sec=3D0&amp;p1=3D83">=
http://timeanddate.com/worldclock/fixedtime.html?day=3D18&amp;month=3D12&a=
mp;year=3D2010&amp;hour=3D17&amp;min=3D0&amp;sec=3D0&amp;p1=3D83</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Ever =
since the start of this event series in April 2009, I've been doing =
by-weekly video transmissions of (mostly solo) concerts - plus a few =
"special events" like last year's "Virtual Sound and Vision Festival" =
(<a =
href=3D"http://moinlabs.de/index.php?id=3D229">http://moinlabs.de/index.ph=
p?id=3D229</a>) and a week-long series of performances called "An =
Ambient Manifold" in January this year (<a =
href=3D"http://mysp.ac/hPYRJy">http://mysp.ac/hPYRJy</a>). By the end of =
last year, I did already release an album compilation available for =
pay-what-you-want download from bandcamp (<a =
href=3D"http://moinlabs.de/index.php?id=3D282">http://moinlabs.de/index.ph=
p?id=3D282</a>).</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">If my count is correct (which I'm not sure it is), =
tomorrow will be the 52nd performance in this series - most of them are =
archived here:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.ustream.tv/user/moinlabs/videos">http://www.ustream.tv/=
user/moinlabs/videos</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I'd like to take the opportunity =
to say thanks to everyone who had in the past listened in or downloaded =
the album. And if you didn't do that yet - tomorrow is the perfect =
opportunity to do so!</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">See you there,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; =
</span>Rainer</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ps: The best idea really is to follow me on twitter =
(see below) for last-minute reminders etc.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Follow me on twitter: <a =
href=3D"http://twitter.com/moinlabs">http://twitter.com/moinlabs</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-50-771688575--

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boost wrote:

> 
> 2/ parameters: more loops: 1  ;   sampler style: one
> 
> then next loop will triger sample just once.
> 
>  

very neat!

Matt, that's solved it for you?

and hitting Undo during the playback will let the loop run continuously again

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri Dec 17 19:05:31 2010
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Date: Fri, 17 Dec 2010 14:05:25 -0500
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Subject: Galactic Travels Playlist #715 for December 16, 2010.
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http://wdiy.org/programs/gt/playlists/2010/101216.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #715                December 16, 2010.

RECAP:
On this show, I continued the month-long focus on Modulator ESP.  The
Featured CD at Midnight was "Historic Edition Volume 6" which is self-
released.

Modulator ESP: http://wdiy.org/programs/gt/playlists/2010/focus.html#dec


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Vic Hennegan         Movin'               Pure Creative Spirit (none)
Natterost            Draconian            Sying Sun/Scarlet Moon(Groove)
Roc Boos and         Refuge en Verre      Refuge en Verre (Groove)
   Synth.nl
Herion               Oxg                  Out and About (Hypnos)
Modulator ESP        RElektron Storm      Historic Edition Vol. 6 (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Modulator ESP        Dark Clouds          Historic Edition Vol. 6 (none)
Modulator ESP        Northern Lights      Historic Edition Vol. 6 (none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Modulator ESP.  The Featured CD at Midnight will be "Live in the USA
2009" which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

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there u go guys,i named it EDP-Adrenalinn because i had the EDP slaving the
adrenalinn drum machine,they work great together and if u can borrow one,you
can see how all of the fun EDP midi sync capabilities behave.
Important :The EDP is on midi channel 3,and the adrenalinn is on channel
1,but if u only use the EDP,channel 1 is irrelevant
in case you do get an adrenalinn then just set it to listen to channel 1.

I believe this is the way is set up on the FCB1010 but i havent used it in a
while so just try it and see what happens:
ill give you the first bank as an example:

Bank 0
switch 1=record
switch 2=overdub
switch 3=multiply
switch 4=undo
switch 5=pause
switch 6=reset all loops
switch 7=insert button
switch 8=  preset 1
switch 9 = preset 2
switch10= preset 3

now the presets only affect the behavior of the "insert" switch which i
highlited in red

pressing preset 1 will make the insert switch turn the loop into 1/2 speed
preset 2 will make the insert switch turn the loop into reverse
preset 3 will make the insert switch behave as an "unrounded insert",that
is,by pushing the switch and holding your foot you can insert audio into the
loop as long as you hold your foot and release it.

try this out and let me know how it goes.

i also have banks 09 and bank 01 with other programming but id have to go
back and check it out its been a while and dont want to confuse you;-)
i started messing around with mobius for about a year now and havent been
doing much with my EDPs

this sounds weird but lately ive been really lazy to schlepp all of that to
bar gigs and been trying to get the most out of my M9 and jamman stereo
looper pedals;-)

cheers
Luis





On Fri, Dec 17, 2010 at 1:53 PM, nick@1957.me.uk <nick@1957.me.uk> wrote:

> On 17 Dec 2010 at 10:32, Louie Angulo wrote:
>
> > if u have it with the UnO chip ill send you a sysex no problem.
>
> that would be brilliant, yes I have the uno chip.
>
> Many thanks!
>
>
>
>
>
> All the best,
>
> Nick Robinson
>
> music site :    http://www.looping.me.uk
> myspace site :  http://www.myspace.com/nickrobinsonloops
> looping forum : http://loopingmusic.proboards99.com
>
>
>
>

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there u go guys,i named it EDP-Adrenalinn because i had the EDP slaving the=
 adrenalinn drum machine,they work great together and if u can borrow one,y=
ou can see how all of the fun EDP midi sync capabilities behave.<br>Importa=
nt :The EDP is on midi channel 3,and the adrenalinn is on channel 1,but if =
u only use the EDP,channel 1 is irrelevant<br>
in case you do get an adrenalinn then just set it to listen to channel 1.<b=
r><br>I believe this is the way is set up on the FCB1010 but i havent used =
it in a while so just try it and see what happens:<br>ill give you the firs=
t bank as an example:<br>
<br>Bank 0<br>switch 1=3Drecord<br>switch 2=3Doverdub<br>switch 3=3Dmultipl=
y<br>switch 4=3Dundo<br>switch 5=3Dpause<br>switch 6=3Dreset all loops<br><=
span style=3D"color: rgb(255, 0, 0);">switch 7=3Dinsert button</span><br>sw=
itch 8=3D=A0 preset 1<br>
switch 9 =3D preset 2<br>switch10=3D preset 3<br><br>now the presets only a=
ffect the behavior of the &quot;insert&quot; switch which i highlited in re=
d<br><br>pressing preset 1 will make the insert switch turn the loop into 1=
/2 speed<br>
preset 2 will make the insert switch turn the loop into reverse<br>preset 3=
 will make the insert switch behave as an &quot;unrounded insert&quot;,that=
 is,by pushing the switch and holding your foot you can insert audio into t=
he loop as long as you hold your foot and release it.<br>
<br>
try this out and let me know how it goes.<br><br>i also have banks 09 and b=
ank 01 with other programming but id have to go back and check it out its b=
een a while and dont want to confuse you;-)<br>i started messing around wit=
h mobius for about a year now and havent been doing much with my EDPs<br>
<br>this sounds weird but lately ive been really lazy to schlepp all of tha=
t to bar gigs and been trying to get the most out of my M9 and jamman stere=
o looper pedals;-)<br><br>cheers<br>Luis<br><br><br><br><br><br><div class=
=3D"gmail_quote">
On Fri, Dec 17, 2010 at 1:53 PM, <a href=3D"mailto:nick@1957.me.uk">nick@19=
57.me.uk</a> <span dir=3D"ltr">&lt;<a href=3D"mailto:nick@1957.me.uk">nick@=
1957.me.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
<div class=3D"im">On 17 Dec 2010 at 10:32, Louie Angulo wrote:<br>
<br>
&gt; if u have it with the UnO chip ill send you a sysex no problem.<br>
<br>
</div>that would be brilliant, yes I have the uno chip.<br>
<br>
Many thanks!<br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
<br>
All the best,<br>
<br>
Nick Robinson<br>
<br>
music site : =A0 =A0<a href=3D"http://www.looping.me.uk" target=3D"_blank">=
http://www.looping.me.uk</a><br>
myspace site : =A0<a href=3D"http://www.myspace.com/nickrobinsonloops" targ=
et=3D"_blank">http://www.myspace.com/nickrobinsonloops</a><br>
looping forum : <a href=3D"http://loopingmusic.proboards99.com" target=3D"_=
blank">http://loopingmusic.proboards99.com</a><br>
<br>
<br>
<br>
</div></div></blockquote></div><br>

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Subject: L.A. Y2K10 performance
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi gang,
i was sent an email today with a link of one of my performances at the Y2k10
in Santa Cruz.
Somebody seems to have posted it though i dont recognize his name from this
list.
it seems to be cutoff and incomplete and wanted to ask whoever posted it if
you have the complete performance and if u would be kind enough to send it
to me or direct me where i can download it.
ive mailed the person who has the youtube channel but havent gotten a
response.

here it is

http://www.youtube.com/watch?v=0cMN4inI_bs

thanx a lot!
cheers
Luis

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Hi gang,<br>i was sent an email today with a link of one of my performances=
 at the Y2k10 in Santa Cruz.<br>Somebody seems to have posted it though i d=
ont recognize his name from this list.<br>it seems to be cutoff and incompl=
ete and wanted to ask whoever posted it if you have the complete performanc=
e and if u would be kind enough to send it to me or direct me where i can d=
ownload it.<br>
ive mailed the person who has the youtube channel but havent gotten a respo=
nse.<br><br>here it is<br><br><a href=3D"http://www.youtube.com/watch?v=3D0=
cMN4inI_bs">http://www.youtube.com/watch?v=3D0cMN4inI_bs</a><br><br>thanx a=
 lot!<br>
cheers<br>Luis<br>

--001636c923e7fd9ae00497a20a90--

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Subject: Re: Anyone fancy doing a streaming gig on Sunday night?
Date: Fri, 17 Dec 2010 13:50:21 -0800
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Greetings from California,
I=E2=80=99ve been mostly lurking around here and haven=E2=80=99t done an =
online jam yet. I=E2=80=99d be interested in joining in.  I have stuff =
up at: http://www.soundclick.com/bands/default.cfm?bandID=3D817996
but my latest upload is a video: =
http://www.youtube.com/watch?v=3DPlQxXpDfk6s

Cheers,
-Ty

From: Matt Stevens=20
Sent: Friday, December 17, 2010 2:42 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Anyone fancy doing a streaming gig on sunday night?

Does anyone fancy playing at www.cafenoodle.ning.com - streaming on the =
web, nice loop friendly audience :) on Sunday?=20

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<HTML><HEAD></HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Greetings from California,</DIV>
<DIV>I=E2=80=99ve been mostly lurking around here and haven=E2=80=99t =
done an online jam yet.=20
I=E2=80=99d be interested in joining in.&nbsp; I have stuff up at: <A=20
title=3Dhttp://www.soundclick.com/bands/default.cfm?bandID=3D817996=20
href=3D"http://www.soundclick.com/bands/default.cfm?bandID=3D817996">http=
://www.soundclick.com/bands/default.cfm?bandID=3D817996</A></DIV>
<DIV>but my latest upload is a video: <A=20
title=3Dhttp://www.youtube.com/watch?v=3DPlQxXpDfk6s=20
href=3D"http://www.youtube.com/watch?v=3DPlQxXpDfk6s">http://www.youtube.=
com/watch?v=3DPlQxXpDfk6s</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Cheers,</DIV>
<DIV>-Ty</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A=20
title=3Dmattstevensguitar@btinternet.com=20
href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> </DIV>
<DIV><B>Sent:</B> Friday, December 17, 2010 2:42 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Anyone fancy doing a streaming gig on sunday=20
night?</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">Does=20
anyone fancy playing at <A=20
href=3D"http://www.cafenoodle.ning.com">www.cafenoodle.ning.com</A> - =
streaming on=20
the web, nice loop friendly audience :) on Sunday?=20
<DIV>
<DIV>&nbsp;</DIV>
<DIV>
<DIV><SPAN style=3D"FONT-SIZE: 12px" class=3DApple-style-span>
<DIV>Matt Stevens</DIV>
<DIV>www.mattstevensguitar.com</DIV>
<DIV><A=20
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
<DIV>&nbsp;</DIV></SPAN><BR class=3DApple-interchange-newline><BR=20
class=3DApple-interchange-newline></DIV>
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From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 01:00:34 2010
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Date: Fri, 17 Dec 2010 20:00:29 -0500
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, December 18 at 6 am EST/GMT-5.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.  I will also play music by Those Men and new releases on the
Groove Unlimited label.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 03:19:59 2010
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Date: Fri, 17 Dec 2010 19:19:57 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: Melbourne, Monterey
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Thanks a heap Ted! Nat and I worked really hard on this CD and your words m=
ean a lot. =0A=0AAlso, if any are curious to hear a bit about the process o=
f making this CD, entirely online, there's this really nice 13 minute long =
podcast =0AJeff Schmidt (Musician/Producer/Bassist, KFOG/KSAN Creative Dire=
ctor, Contract Sound Designer World of Warcraft: Cataclysm, Diablo 3, & oth=
er games/films) did about Nat's & my duo "sung" & our CD "Melbourne, Monter=
ey"  =0A=0Ahttp://soundslikeschmidt.wordpress.com/2010/10/20/beautiful-bass=
-podcast-steve-uccello-sung/=0A=0A-after hearing it our friend Rick W. had =
this to say:=0A=0ARick Walker: "Just heard the podcast.............beautifu=
l stuff you and Nat did.........really beautiful............you should feel=
 very proud of yourselves...........that is really MUSIC!!!!!!!!"=0A=0A=0AF=
orgive me if this is coming across as a brag, but I am indeed very proud of=
 the music Nat and I made together and I can't help getting excited and tal=
k it up a bit-=0A=0AAll the best to all the list! Steve Uccello=0A=0Ahttp:/=
/www.myspace.com/sungduo=0Awww.steveuccello.com=0A=0A=0A=0A--- On Thu, 12/1=
6/10, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:=0A=0A> From: tEd =AE =
KiLLiAn <tedkillian@charter.net>=0A> Subject: Re: Melbourne, Monterey=0A> T=
o: Loopers-Delight@loopers-delight.com=0A> Date: Thursday, December 16, 201=
0, 7:56 PM=0A> Steve,=0A> =0A> I am listening to this right now and am REAL=
LY enjoying=0A> it.=0A> =0A> Bot you and Nat bring extremely different, but=
 quite=0A> pleasingly compatible gifts of musicality to the project.=0A> =
=0A> Good stuff . . . and fresh.=0A> =0A> I think I will have to pay and do=
wnload the whole album.=0A> =0A> Thanks for sharing!=0A> =0A> Best,=0A> =0A=
> Ted=0A> =0A> On Dec 15, 2010, at 2:45 PM, Steve Uccello wrote:=0A> =0A> >=
 Hello all, Happy holidays to you all, hope you're=0A> doing great out ther=
e!=A0 Though it's a bit overdue, I=0A> just wanted to let you all know abou=
t the online=0A> collaborative duo that Nat Grant and I have formed called=
=0A> "sung" and our CD "Melbourne, Monterey" (released 10-10-10)=0A> > =0A>=
 > I am extremely proud of it. If you are so moved,=0A> please visit our Ba=
ndcamp profile and pick up a copy, listen=0A> to the whole record streaming=
 free, or click the 'like'=0A> button, it would be *much* appreciated! Than=
ks, Steve=0A> Uccello=0A> > =0A> > =0A> > http://sung-duo.bandcamp.com/=0A>=
 > =0A> > =0A> > =0A> > =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 03:29:23 2010
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From: Paul Mimlitsch <pmimlitsch@mac.com>
To: Loopers-Delight@loopers-delight.com
Subject: auto volume swell plug in
Date: Fri, 17 Dec 2010 20:29:21 -0700
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Does any body know of an auto volume swell (slow gear) type au/ vst  
plug in?  Thanks.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 10:11:59 2010
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	<4D0A338D.2040903@cruzio.com>
	<AE7957202DBD46869B82C28ACF8E414A@boo6e771026609>
Date: Sat, 18 Dec 2010 11:11:56 +0100
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Subject: Re: RE: jamming with myself
From: Louie Angulo <louie.angulo@googlemail.com>
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--001636c5bd864a60950497ac8490
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Hi boost
awesome!
can you develop more on how you are programig the MPC1000 to sequence this?

On Thu, Dec 16, 2010 at 11:00 PM, boost <boost@boosterized.com> wrote:

>  Thank you for your support everybody !
>
> i do intensive use of the SUS-Replace function of the echoplex , but you're
> right Rick there is a sequence running from the begining to the end. a midi
> seq played on the MPC1000, and that retrigg the loops rythmicaly.
>
>
> ----- Original Message -----
> *From:* Rick Walker <looppool@cruzio.com>
> *To:* Michael Peters <mp@mpeters.de>
> *Cc:* 'boost' <boost@boosterized.com> ;
> Loopers-Delight@loopers-delight.com
> *Sent:* Thursday, December 16, 2010 4:43 PM
> *Subject:* Re: RE: jamming with myself
>
> On 7/22/64 11:59 AM, Michael Peters wrote:
>
> Apparently this video has moved to
> http://www.youtube.com/watch?v=ApFb5sMfThk
> in the meantime.
>
> This is really cool.
>
> I"m just wondering, how is he automating the process so that every over dub
> is doing
> what sound like SUS=SUB
>
> I'm not seeing him striking or stepping on  anything early in the piece
>  so it seems like the process is automated
>
> Am I missing something?
>
> Very cool, however he's accomplishing it.
>
> rick walker
>
>

--001636c5bd864a60950497ac8490
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Hi boost <br>awesome!<br>can you develop more on how you are programig the =
MPC1000 to sequence this?<br><br><div class=3D"gmail_quote">On Thu, Dec 16,=
 2010 at 11:00 PM, boost <span dir=3D"ltr">&lt;<a href=3D"mailto:boost@boos=
terized.com">boost@boosterized.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">





<div text=3D"#000000" bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Thank you for your support everybody !=
</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">i do intensive use of the SUS-Replace =
function of=20
the echoplex , but you&#39;re right Rick there is a sequence running from t=
he=20
begining to the end. a midi seq played on the MPC1000, and that retrigg the=
=20
loops rythmicaly.</font></div><div><div></div><div class=3D"h5">
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<blockquote style=3D"padding-right: 0px; padding-left: 5px; margin-left: 5p=
x; border-left: 2px solid rgb(0, 0, 0); margin-right: 0px;">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228); fo=
nt: 10pt arial;"><b>From:</b>=20
  <a title=3D"looppool@cruzio.com" href=3D"mailto:looppool@cruzio.com" targ=
et=3D"_blank">Rick Walker</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"mp@mpeters.de" hr=
ef=3D"mailto:mp@mpeters.de" target=3D"_blank">Michael Peters</a> </div>
  <div style=3D"font: 10pt arial;"><b>Cc:</b> <a title=3D"boost@boosterized=
.com" href=3D"mailto:boost@boosterized.com" target=3D"_blank">&#39;boost&#3=
9;</a> ; <a title=3D"Loopers-Delight@loopers-delight.com" href=3D"mailto:Lo=
opers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@looper=
s-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Thursday, December 16, 2010=
 4:43=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: RE: jamming with=20
myself</div>
  <div><br></div>On 7/22/64 11:59 AM, Michael Peters wrote:=20
  <blockquote type=3D"cite">
    <div dir=3D"ltr" align=3D"left"><span><font face=3D"Arial" size=3D"2">A=
pparently this video has moved to</font></span></div>
    <div dir=3D"ltr" align=3D"left"><span><font face=3D"Arial" size=3D"2"><=
a href=3D"http://www.youtube.com/watch?v=3DApFb5sMfThk" target=3D"_blank">h=
ttp://www.youtube.com/watch?v=3DApFb5sMfThk</a></font></span></div>
    <div dir=3D"ltr" align=3D"left"><span><font face=3D"Arial" size=3D"2">i=
n the meantime.</font></span></div></blockquote>This is really=20
  cool.<br><br>I&quot;m just wondering, how is he automating the process so=
 that=20
  every over dub is doing <br>what sound like SUS=3DSUB<br><br>I&#39;m not =
seeing him=20
  striking or stepping on=A0 anything early in the piece<br>=A0so it seems=
=20
  like the process is automated<br><br>Am I missing something?<br><br>Very =
cool,=20
  however he&#39;s accomplishing it.<br><br>rick walker<br></blockquote></d=
iv></div></div>
</blockquote></div><br>

--001636c5bd864a60950497ac8490--

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Date: Sat, 18 Dec 2010 11:24:53 +0100
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Subject: Re: auto volume swell plug in
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 18, 2010 at 4:29 AM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> Does any body know of an auto volume swell (slow gear) type au/ vst plug in?


I'd like that too! For now I use two workarounds; one is using
Amplitube 3 that has a swell pedal plugin that is great. But I think
some guitars and stick sounds better without the amp simulation and
then I use the Enveloper plugin that is part of Logic/Mainstage. But
the Enveloper isn't designed for such long fade in sweeps so it
doesn't sound as good as the dedicated AT3 plugin. BTW, the AT swell
pedal plugin can be set to sync to host tempo (I use 8th note duration
mostly). I find that useful but not optimally useful. Better would be
the length of the fade in sweep would go faster with louder input
level. Then you could simply attack a string harder for a faster fade
and be able to play more interesting lines.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 14:25:28 2010
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Subject: Re: auto volume swell plug in
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Guitar Rig has an auto swell, or sort of. You use the volume pedal 
affect and then tie the input level MDF which is sort an envelope 
follower to control the volume pedal.

Paul Haslem
Ontario, Canada
www.dulcify.ca






At 05:24 AM 12/18/2010, you wrote:
>On Sat, Dec 18, 2010 at 4:29 AM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> > Does any body know of an auto volume swell (slow gear) type au/ 
> vst plug in?
>
>
>I'd like that too! For now I use two workarounds; one is using
>Amplitube 3 that has a swell pedal plugin that is great. But I think
>some guitars and stick sounds better without the amp simulation and
>then I use the Enveloper plugin that is part of Logic/Mainstage. But
>the Enveloper isn't designed for such long fade in sweeps so it
>doesn't sound as good as the dedicated AT3 plugin. BTW, the AT swell
>pedal plugin can be set to sync to host tempo (I use 8th note duration
>mostly). I find that useful but not optimally useful. Better would be
>the length of the fade in sweep would go faster with louder input
>level. Then you could simply attack a string harder for a faster fade
>and be able to play more interesting lines.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com
>www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 14:43:26 2010
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Subject: Re: auto volume swell plug in
Date: Sat, 18 Dec 2010 07:43:23 -0700
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this looks promising though I won't be able to get to it till later  
today;

Audiowish - Note Gate 2

On Dec 18, 2010, at 3:24 AM, Per Boysen wrote:

> On Sat, Dec 18, 2010 at 4:29 AM, Paul Mimlitsch <pmimlitsch@mac.com>  
> wrote:
>> Does any body know of an auto volume swell (slow gear) type au/ vst  
>> plug in?
>
>
> I'd like that too! For now I use two workarounds; one is using
> Amplitube 3 that has a swell pedal plugin that is great. But I think
> some guitars and stick sounds better without the amp simulation and
> then I use the Enveloper plugin that is part of Logic/Mainstage. But
> the Enveloper isn't designed for such long fade in sweeps so it
> doesn't sound as good as the dedicated AT3 plugin. BTW, the AT swell
> pedal plugin can be set to sync to host tempo (I use 8th note duration
> mostly). I find that useful but not optimally useful. Better would be
> the length of the fade in sweep would go faster with louder input
> level. Then you could simply attack a string harder for a faster fade
> and be able to play more interesting lines.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>


--Boundary_(ID_pmbGK6BKSHp+bqjT/+YegA)
Content-type: text/html; charset=US-ASCII
Content-transfer-encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">this looks promising though I =
won't be able to get to it till later today;<div><br></div><div><a =
href=3D"http://www.audiowish.com/audio-units/note-gate.html">Audiowish - =
Note Gate 2</a></div><div><br><div><div>On Dec 18, 2010, at 3:24 AM, Per =
Boysen wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>On Sat, Dec 18, 2010 at 4:29 AM, Paul Mimlitsch =
&lt;<a href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</a>&gt; =
wrote:<br><blockquote type=3D"cite">Does any body know of an auto volume =
swell (slow gear) type au/ vst plug in?<br></blockquote><br><br>I'd like =
that too! For now I use two workarounds; one is using<br>Amplitube 3 =
that has a swell pedal plugin that is great. But I think<br>some guitars =
and stick sounds better without the amp simulation and<br>then I use the =
Enveloper plugin that is part of Logic/Mainstage. But<br>the Enveloper =
isn't designed for such long fade in sweeps so it<br>doesn't sound as =
good as the dedicated AT3 plugin. BTW, the AT swell<br>pedal plugin can =
be set to sync to host tempo (I use 8th note duration<br>mostly). I find =
that useful but not optimally useful. Better would be<br>the length of =
the fade in sweep would go faster with louder input<br>level. Then you =
could simply attack a string harder for a faster fade<br>and be able to =
play more interesting lines.<br><br>Greetings from Sweden<br><br>Per =
Boysen<br><a =
href=3D"http://www.boysen.se">www.boysen.se</a><br>www.perboysen.com<br>ww=
w.looproom.com internet music =
hub<br><br></div></blockquote></div><br></div></body></html>=

--Boundary_(ID_pmbGK6BKSHp+bqjT/+YegA)--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 15:20:15 2010
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Subject: Thought Radio Playlist for December 18, 2010.
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http://soundscapes.us/thoughtradio/playlists/2010/101218.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow<
every Thursday from 8:00 am to 9:30 am.

                 Show #188                December 18, 2010.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Create               Search and Rescue    We Live by the Machines
                                             (Groove)
VA [Paul Ward]       (no title given)     Sequences No. 12
VA [Bios]            (no title given)     Sequences No. 12
VA [Egil Fylling]    (no title given)     Sequences No. 12
Gert Emmens          Strategem of         Metamorphosis (Groove)
                        Morality


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Eric Harry           Falling Hearts       Away Melacholy Away (Calm)
Will Ackerman        A Child's Song       Pure (Windham Hill)
Heidi Anne Breyer    On His Wings         Another Place and Time
                                             (Winterhall)
Peter Kater          Everlasting Waltz    Call of Love (Point of Light)
Shambu               Together             Sacred Love - Feel the Journey
                                             (none)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Lunatic Soul         The In-Between       Lunatic Soul II (Kscope)
                        Kingdom
Lunatic Soul         Otherwhere           Lunatic Soul II (Kscope)
Lunatic Soul         Suspended In         Lunatic Soul II (Kscope)
                        Whiteness
Those Men            The Dreams Come      Theman Simpulse (none)
Those Men            Germination and the  Theman Simpulse (none)
                        Seed Grows
Those Men            Preconditions        Theman Simpulse (none)
                        Unshackling
Those Men            Tractor Yang Man     Theman Simpulse (none)
Those Men            What Would You Say   Theman Simpulse (none)
                        If You Had To Eat
                        Yourself Today?
VA [Ozone Player]    Canto 21             Dante's Paradiso (Musae)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/GMT-5.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 16:21:07 2010
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Subject: Re: RE: jamming with myself
Date: Sat, 18 Dec 2010 17:21:04 +0100
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Hi Louie,
the sequence is a simple loop of 2 or 3 measures with a midi note that =
retrig the loops of each echoplex. you can hear a variation every 5 =
seconds, that's it.
a new video is online: http://www.youtube.com/watch?v=3Di89BsvPUEYQ
hope you'll like it too.
boost

  ----- Original Message -----=20
  From: Louie Angulo=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, December 18, 2010 11:11 AM
  Subject: Re: RE: jamming with myself


  Hi boost=20
  awesome!
  can you develop more on how you are programig the MPC1000 to sequence =
this?


  On Thu, Dec 16, 2010 at 11:00 PM, boost <boost@boosterized.com> wrote:

    Thank you for your support everybody !

    i do intensive use of the SUS-Replace function of the echoplex , but =
you're right Rick there is a sequence running from the begining to the =
end. a midi seq played on the MPC1000, and that retrigg the loops =
rythmicaly.

      ----- Original Message -----=20
      From: Rick Walker=20
      To: Michael Peters=20
      Cc: 'boost' ; Loopers-Delight@loopers-delight.com=20
      Sent: Thursday, December 16, 2010 4:43 PM
      Subject: Re: RE: jamming with myself


      On 7/22/64 11:59 AM, Michael Peters wrote:=20
        Apparently this video has moved to
        http://www.youtube.com/watch?v=3DApFb5sMfThk
        in the meantime.
      This is really cool.

      I"m just wondering, how is he automating the process so that every =
over dub is doing=20
      what sound like SUS=3DSUB

      I'm not seeing him striking or stepping on  anything early in the =
piece
       so it seems like the process is automated

      Am I missing something?

      Very cool, however he's accomplishing it.

      rick walker



------=_NextPart_000_0016_01CB9ED7.F3104C80
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<HTML><HEAD>
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.6049" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Louie,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the sequence is a simple loop of 2 or 3 =
measures=20
with a midi note that retrig the loops of each echoplex. you can hear a=20
variation every 5 seconds, that's it.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>a new video is online: <A=20
href=3D"http://www.youtube.com/watch?v=3Di89BsvPUEYQ">http://www.youtube.=
com/watch?v=3Di89BsvPUEYQ</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>hope you'll like it too.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>boost</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dlouie.angulo@googlemail.com=20
  href=3D"mailto:louie.angulo@googlemail.com">Louie Angulo</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, December 18, =
2010 11:11=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RE: jamming with=20
myself</DIV>
  <DIV><BR></DIV>Hi boost <BR>awesome!<BR>can you develop more on how =
you are=20
  programig the MPC1000 to sequence this?<BR><BR>
  <DIV class=3Dgmail_quote>On Thu, Dec 16, 2010 at 11:00 PM, boost <SPAN =

  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:boost@boosterized.com">boost@boosterized.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff" text=3D"#000000">
    <DIV><FONT face=3DArial size=3D2>Thank you for your support =
everybody=20
    !</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>i do intensive use of the =
SUS-Replace function=20
    of the echoplex , but you're right Rick there is a sequence running =
from the=20
    begining to the end. a midi seq played on the MPC1000, and that =
retrigg the=20
    loops rythmicaly.</FONT></DIV>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV style=3D"BACKGROUND: rgb(228,228,228); FONT: 10pt =
arial"><B>From:</B>=20
      <A title=3Dlooppool@cruzio.com href=3D"mailto:looppool@cruzio.com" =

      target=3D_blank>Rick Walker</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Dmp@mpeters.de=20
      href=3D"mailto:mp@mpeters.de" target=3D_blank>Michael Peters</A> =
</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A =
title=3Dboost@boosterized.com=20
      href=3D"mailto:boost@boosterized.com" target=3D_blank>'boost'</A> =
; <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, December =
16, 2010=20
      4:43 PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RE: jamming =
with=20
      myself</DIV>
      <DIV><BR></DIV>On 7/22/64 11:59 AM, Michael Peters wrote:=20
      <BLOCKQUOTE type=3D"cite">
        <DIV dir=3Dltr align=3Dleft><SPAN><FONT face=3DArial =
size=3D2>Apparently this=20
        video has moved to</FONT></SPAN></DIV>
        <DIV dir=3Dltr align=3Dleft><SPAN><FONT face=3DArial size=3D2><A =

        href=3D"http://www.youtube.com/watch?v=3DApFb5sMfThk"=20
        =
target=3D_blank>http://www.youtube.com/watch?v=3DApFb5sMfThk</A></FONT></=
SPAN></DIV>
        <DIV dir=3Dltr align=3Dleft><SPAN><FONT face=3DArial size=3D2>in =
the=20
        meantime.</FONT></SPAN></DIV></BLOCKQUOTE>This is really =
cool.<BR><BR>I"m=20
      just wondering, how is he automating the process so that every =
over dub is=20
      doing <BR>what sound like SUS=3DSUB<BR><BR>I'm not seeing him =
striking or=20
      stepping on&nbsp; anything early in the piece<BR>&nbsp;so it seems =
like=20
      the process is automated<BR><BR>Am I missing =
something?<BR><BR>Very cool,=20
      however he's accomplishing it.<BR><BR>rick=20
    =
walker<BR></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR></BLOCKQU=
OTE></BODY></HTML>

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Subject: Re: auto volume swell plug in
From: Per Boysen <perboysen@gmail.com>
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On Sat, Dec 18, 2010 at 3:43 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> this looks promising though I won't be able to get to it till later today;
> Audiowish - Note Gate 2


Listened to the demo sound samples and found no example of a fade in
curve starting at silence, which is what I like. Maybe it can do that
but the developers didn't think it was worth demonstrating online?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 17:33:38 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Anyone fancy doing a streaming gig on Sunday night?
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AWESOME! Join up at www.cafenoodle.ning.com

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 Dec 2010, at 21:50, Ty Gott wrote:

> Greetings from California,
> I=92ve been mostly lurking around here and haven=92t done an online =
jam =20
> yet. I=92d be interested in joining in.  I have stuff up at: http://=20=

> www.soundclick.com/bands/default.cfm?bandID=3D817996
> but my latest upload is a video: http://www.youtube.com/watch?=20
> v=3DPlQxXpDfk6s
>
> Cheers,
> -Ty
>
> From: Matt Stevens
> Sent: Friday, December 17, 2010 2:42 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Anyone fancy doing a streaming gig on sunday night?
>
> Does anyone fancy playing at www.cafenoodle.ning.com - streaming on =20=

> the web, nice loop friendly audience :) on Sunday?
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
AWESOME! Join up at <a =
href=3D"http://www.cafenoodle.ning.com">www.cafenoodle.ning.com</a><div><b=
r><div> <span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 Dec 2010, =
at 21:50, Ty Gott wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"> <div =
dir=3D"ltr"> <div style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; =
FONT-SIZE: 12pt"> <div>Greetings from California,</div> <div>I=92ve been =
mostly lurking around here and haven=92t done an online jam yet. I=92d =
be interested in joining in.&nbsp; I have stuff up at: <a =
title=3D"http://www.soundclick.com/bands/default.cfm?bandID=3D817996" =
href=3D"http://www.soundclick.com/bands/default.cfm?bandID=3D817996">http:=
//www.soundclick.com/bands/default.cfm?bandID=3D817996</a></div> =
<div>but my latest upload is a video: <a =
title=3D"http://www.youtube.com/watch?v=3DPlQxXpDfk6s" =
href=3D"http://www.youtube.com/watch?v=3DPlQxXpDfk6s">http://www.youtube.c=
om/watch?v=3DPlQxXpDfk6s</a></div> <div>&nbsp;</div> <div>Cheers,</div> =
<div>-Ty</div> <div style=3D"FONT-STYLE: normal; DISPLAY: inline; =
FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: =
normal; TEXT-DECORATION: none"> <div style=3D"FONT: 10pt tahoma"> =
<div>&nbsp;</div> <div style=3D"BACKGROUND: #f5f5f5"> <div =
style=3D"font-color: black"><b>From:</b> <a =
title=3D"mattstevensguitar@btinternet.com" =
href=3D"mailto:mattstevensguitar@btinternet.com">Matt Stevens</a> </div> =
<div><b>Sent:</b> Friday, December 17, 2010 2:42 AM</div> =
<div><b>To:</b> <a title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a> </div> <div><b>Subject:</b> Anyone fancy doing a =
streaming gig on sunday night?</div></div></div> <div>&nbsp;</div></div> =
<div style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: =
'Calibri'; COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; =
TEXT-DECORATION: none">Does anyone fancy playing at <a =
href=3D"http://www.cafenoodle.ning.com">www.cafenoodle.ning.com</a> - =
streaming on the web, nice loop friendly audience :) on Sunday? <div> =
<div>&nbsp;</div> <div> <div><span style=3D"FONT-SIZE: 12px" =
class=3D"Apple-style-span"> <div>Matt Stevens</div> =
<div>www.mattstevensguitar.com</div> <div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div> <div>&nbsp;</div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"></div> =
<div>&nbsp;</div></div></div></div></div></div></blockquote></div><br></di=
v></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Dec 18 17:37:32 2010
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	<Loopers-Delight@loopers-delight.com>
References: <3BF84C2327234A86BB9213B7B647203B@boo6e771026609>
Subject: RE: RE: jamming with myself
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great stuff boost !!!  -Michael


  _____  

From: boost [mailto:boost@boosterized.com] 
Sent: Saturday, December 18, 2010 5:21 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: RE: jamming with myself


Hi Louie,
the sequence is a simple loop of 2 or 3 measures with a midi note that
retrig the loops of each echoplex. you can hear a variation every 5 seconds,
that's it.
a new video is online: http://www.youtube.com/watch?v=i89BsvPUEYQ
hope you'll like it too.
boost


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<BODY bgColor=3D#ffffff>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D296033717-18122010><FONT =
size=3D2=20
face=3DArial>great stuff boost !!!&nbsp; =
-Michael</FONT></SPAN></DIV><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV dir=3Dltr lang=3Dde class=3DOutlookMessageHeader align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT size=3D2 face=3DTahoma><B>From:</B> boost =
[mailto:boost@boosterized.com]=20
  <BR><B>Sent:</B> Saturday, December 18, 2010 5:21 PM<BR><B>To:</B>=20
  Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: RE: jamming =
with=20
  myself<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV><FONT size=3D2 face=3DArial>Hi Louie,</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial>the sequence is a simple loop of 2 or =
3 measures=20
  with a midi note that retrig the loops of each echoplex. you can hear =
a=20
  variation every 5 seconds, that's it.</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial>a new video is online: <A=20
  =
href=3D"http://www.youtube.com/watch?v=3Di89BsvPUEYQ">http://www.youtube.=
com/watch?v=3Di89BsvPUEYQ</A></FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial>hope you'll like it too.</FONT></DIV>
  <DIV><FONT size=3D2 =
face=3DArial>boost</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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A Tasty Pixel =BB Products =BB Loopy=

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Date: Sat, 18 Dec 2010 17:07:01 -0800 (PST)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Get BENT by DAED for the 'olidays...
To: Loopers-Delight@loopers-delight.com
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I'll also chime in as a very satisfied Disturbo user.

The DS-1 is a great distortion pedal and the DAED mods make it a great wild=
card.


ted h.

Or would you sing somethin' different. Somethin' real. Somethin' *you* felt=
. Cause I'm telling you right now, that's the kind of song people want to h=
ear. That's the kind of song that truly saves people. It ain't got nothin t=
o do with believin' in God, Mr. Cash. It has to do with believin' in yourse=
lf.   Sam Phillips, "Walk the Line"

--- On Thu, 12/16/10, Rick Walker <looppool@cruzio.com> wrote:

From: Rick Walker <looppool@cruzio.com>
Subject: Re: Get BENT by DAED for the 'olidays...
To: legion@helpwantedproductions.com
Cc: "Synth DIY" <synth-diy@dropmix.xs4all.nl>, "Loopers Delight" <Loopers-D=
elight@loopers-delight.com>, "AH" <analogue@hyperreal.org>
Received: Thursday, December 16, 2010, 11:02 AM

On 7/22/64 11:59 AM, legion@helpwantedproductions.com wrote:
> I'm discounting the current inventory of various circuit bent units and
> the infamous DAED feedback synth while they last. Some are DIRT cheap
> ($30-$65) and the FBS is now $200 if you mention this post - Normally $25=
0
> - only two in stock.
I own the DAED Disturbo DS-1 mod and the DAED Bass Theremin and
I think they are both amazing.=A0 =A0 =A0 =A0=A0=A0Saving my moolah to get =
the
DAED Feedback Synth and the DAED Juicy Wah (modded Crybaby Wah pedal).

The DAED Disturbo DS-1 is a mod of the Boss DS-1 Distortion box, which pres=
erves
and enriches the original sound of the pedal but then has several mods that
make it an amazing noise generator.

http://www.youtube.com/user/legionhwp#p/u/2/6eUQOCOnJWY

I've become quite the fan of botique (and prosaic) distortion, feedback, ov=
erdrive and fuzz
pedals and this is one of my very favorite pedals.

What is so great is that this is a botique pedal mod that is extremely inex=
pensive and sounds
as good as many of the $300 pedals outside there.

It also generates it's own noise if you want so you don't need an input dev=
ice (necessarily).

I truly love it.

rick walker

=0A=0A
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>I'll also chime in as a very satisfied Di=
sturbo user.<br><br>The DS-1 is a great distortion pedal and the DAED mods =
make it a great wildcard.<br><br><br>ted h.<br><br>Or would you sing someth=
in' different. Somethin' real. Somethin' *you* felt. Cause I'm telling you =
right now, that's the kind of song people want to hear. That's the kind of =
song that truly saves people. It ain't got nothin to do with believin' in G=
od, Mr. Cash. It has to do with believin' in yourself.   Sam Phillips, "Wal=
k the Line"<br><br>--- On <b>Thu, 12/16/10, Rick Walker <i>&lt;looppool@cru=
zio.com&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px solid r=
gb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Rick Walke=
r &lt;looppool@cruzio.com&gt;<br>Subject: Re: Get BENT by DAED for the 'oli=
days...<br>To: legion@helpwantedproductions.com<br>Cc: "Synth DIY"
 &lt;synth-diy@dropmix.xs4all.nl&gt;, "Loopers Delight" &lt;Loopers-Delight=
@loopers-delight.com&gt;, "AH" &lt;analogue@hyperreal.org&gt;<br>Received: =
Thursday, December 16, 2010, 11:02 AM<br><br><div class=3D"plainMail">On 7/=
22/64 11:59 AM, <a ymailto=3D"mailto:legion@helpwantedproductions.com" href=
=3D"/mc/compose?to=3Dlegion@helpwantedproductions.com">legion@helpwantedpro=
ductions.com</a> wrote:<br>&gt; I'm discounting the current inventory of va=
rious circuit bent units and<br>&gt; the infamous DAED feedback synth while=
 they last. Some are DIRT cheap<br>&gt; ($30-$65) and the FBS is now $200 i=
f you mention this post - Normally $250<br>&gt; - only two in stock.<br>I o=
wn the DAED Disturbo DS-1 mod and the DAED Bass Theremin and<br>I think the=
y are both amazing.&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;Saving my moolah =
to get the<br>DAED Feedback Synth and the DAED Juicy Wah (modded Crybaby Wa=
h pedal).<br><br>The DAED Disturbo DS-1 is a mod of the Boss DS-1 Distortio=
n
 box, which preserves<br>and enriches the original sound of the pedal but t=
hen has several mods that<br>make it an amazing noise generator.<br><br><a =
href=3D"http://www.youtube.com/user/legionhwp#p/u/2/6eUQOCOnJWY" target=3D"=
_blank">http://www.youtube.com/user/legionhwp#p/u/2/6eUQOCOnJWY</a><br><br>=
I've become quite the fan of botique (and prosaic) distortion, feedback, ov=
erdrive and fuzz<br>pedals and this is one of my very favorite pedals.<br><=
br>What is so great is that this is a botique pedal mod that is extremely i=
nexpensive and sounds<br>as good as many of the $300 pedals outside there.<=
br><br>It also generates it's own noise if you want so you don't need an in=
put device (necessarily).<br><br>I truly love it.<br><br>rick walker<br><br=
></div></blockquote></td></tr></table><br>
--0-1485685445-1292720821=:24774--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 03:02:57 2010
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Date: Sat, 18 Dec 2010 19:02:55 -0800 (PST)
From: chuspa <chuspacpu@yahoo.com>
Subject: mobius basic tutorial
To: Loopers-Delight@loopers-delight.com
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=A0Hi, does anybody know or have resume a basic mobius app. tutorial?
because of the complex manual, I will like to know the basic for use it
thanks
luis prado=0A=0A=0A      
--0-1316298090-1292727775=:54981
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div><br></div><div>&nbsp;Hi, does anybody kn=
ow or have resume a basic mobius app. tutorial?</div><div><br></div><div>be=
cause of the complex manual, I will like to know the basic for use it</div>=
<div><br></div><div>thanks</div><div><br></div><div>luis prado</div></td></=
tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-1316298090-1292727775=:54981--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 07:38:10 2010
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Date: Sun, 19 Dec 2010 08:38:08 +0100
Message-ID: <AANLkTik_7GUg-b3+Og_EN=MWJdvhggGa1Ftz1G7i_fSm@mail.gmail.com>
Subject: Re: mobius basic tutorial
From: Per Boysen <perboysen@gmail.com>
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Hi Luis,

I posted a step for step tutorial with demo video at
http://www.perboysen.com/archives/132

This uses Mobius and covers some techniques for using chord changes in
live looping.

Greetings from Sweden

Per Boysen


On Sun, Dec 19, 2010 at 4:02 AM, chuspa <chuspacpu@yahoo.com> wrote:
>
> =C2=A0Hi, does anybody know or have resume a basic mobius app. tutorial?
> because of the complex manual, I will like to know the basic for use it
> thanks
> luis prado

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 09:52:52 2010
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Date: Sun, 19 Dec 2010 18:52:44 +0900
Subject: Epic Octatrack Performance Sampler Teaser....
From: Dustbunnies <mech@m3ch.net>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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>From Synthtopia:=20

" This video is an epic dystopian future teaser for Elektron=B9s new Octatrac=
k
performance sampler...."

          http://is.gd/j05M4

Not much real content (technical or otherwise), but quite entertaining if a
little dark & morbid.  I liked the random Blade Runner references (I caught
two, perhaps three, myself) and supposedly there's a nod or three to Usual
Suspects in there also.

    --m.


From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 13:38:39 2010
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Date: Sun, 19 Dec 2010 14:38:42 +0100
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Due to a bad case of migraine, I wasn't able to perform yesterday (as 
announced on this list), but:

Café Noodle has a Christmas Flash Gig today, featuring Matt Stevens, 
Stephen P. Goodman and yours truly. From the Café:
"

Ladies and Gentlemen Cafe Noodle is proud to present a quick Christmas 
gig with free online streaming web gig TODAY - watch from ANYWHERE in 
the world:

Matt Stevens (featuring Catstalker) - 7pm
Rainer Straschill - 7.30 pm
Stephen Goodman - 8pm

www.cafenoodle.ning.com <http://www.cafenoodle.ning.com/>

Merry Christmas and see you there :)

 

Facebook Event:

 

http://www.facebook.com/event.php?eid=161103630600415

 

WORLD TIMES ARE HERE:

http://www.timeanddate.com/worldclock/fixedtime.html?day=19&month=12&year=2010&hour=19&min=0&sec=0&p1=136 
<http://www.timeanddate.com/worldclock/fixedtime.html?day=19&month=12&year=2010&hour=19&min=0&sec=0&p1=136>"

Hope to see you there,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 15:24:29 2010
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Subject: Re: Replacement for my gig yesterday...
Date: Sun, 19 Dec 2010 15:24:29 -0000
Organization: EarthLight Productions
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?I'm afraid a temperature has me down for the count folks.  Terribly sorry 
but I want to have it together before Christmas...

-----Original Message----- 
From: Rainer Straschill
Sent: Sunday, December 19, 2010 1:38 PM
To: Looper's Delight Mailing List
Subject: Replacement for my gig yesterday...

Due to a bad case of migraine, I wasn't able to perform yesterday (as
announced on this list), but:

Café Noodle has a Christmas Flash Gig today, featuring Matt Stevens,
Stephen P. Goodman and yours truly. From the Café:
"

Ladies and Gentlemen Cafe Noodle is proud to present a quick Christmas
gig with free online streaming web gig TODAY - watch from ANYWHERE in
the world:

Matt Stevens (featuring Catstalker) - 7pm
Rainer Straschill - 7.30 pm
Stephen Goodman - 8pm

www.cafenoodle.ning.com <http://www.cafenoodle.ning.com/>

Merry Christmas and see you there :)



Facebook Event:



http://www.facebook.com/event.php?eid=161103630600415



WORLD TIMES ARE HERE:

http://www.timeanddate.com/worldclock/fixedtime.html?day=19&month=12&year=2010&hour=19&min=0&sec=0&p1=136
<http://www.timeanddate.com/worldclock/fixedtime.html?day=19&month=12&year=2010&hour=19&min=0&sec=0&p1=136>"

Hope to see you there,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs 

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 16:57:25 2010
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To: <loopers-delight@loopers-delight.com>
Subject: OT: Captain Beefheart Passing
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Sorry Don (1941-2010). You will be missed.=20
"Breaks my heart to see the highway past the hill".....
 		 	   		  =

--_77a6eeea-490b-4010-a6b4-c9af46ccdc8a_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Sorry Don (1941-2010). You will be missed.&nbsp=3B<div><br></div><div>"Brea=
ks my heart to see the highway past the hill".....<br></div> 		 	   		  </b=
ody>
</html>=

--_77a6eeea-490b-4010-a6b4-c9af46ccdc8a_--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 17:14:07 2010
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Date: Sun, 19 Dec 2010 12:14:03 -0500
Message-ID: <AANLkTi=dcKOOr3xrjLdaEn7YMg-3mixiB75T9Gn5BcRG@mail.gmail.com>
Subject: Re: OT: Captain Beefheart Passing
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Wow very sad news, love that line, don't know it.  We will miss you
Captain...

On Sun, Dec 19, 2010 at 11:57 AM, David Grego <tubaczar98@hotmail.com>wrote=
:

>  Sorry Don (1941-2010). You will be missed.
>
> "Breaks my heart to see the highway past the hill".....
>



--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--001636eef32fbd5f0d0497c6874f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Wow very sad news, love that line, don&#39;t know it. =A0We will miss you C=
aptain...<br><br><div class=3D"gmail_quote">On Sun, Dec 19, 2010 at 11:57 A=
M, David Grego <span dir=3D"ltr">&lt;<a href=3D"mailto:tubaczar98@hotmail.c=
om">tubaczar98@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">



<div>
Sorry Don (1941-2010). You will be missed.=A0<div><br></div><div>&quot;Brea=
ks my heart to see the highway past the hill&quot;.....<br></div> 		 	   		=
  </div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To Glindr=
an, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 P=
roceeds<br>from the sale of this CD will benefit JDRF International.=A0 <a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandca=
mp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>


--001636eef32fbd5f0d0497c6874f--

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From: chuspa <chuspacpu@yahoo.com>
Subject: Re: OT: Captain Beefheart Passing
To: Loopers-Delight@loopers-delight.com
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thanks so much beefheart for be yourself
luis prado

--- On Sun, 19/12/10, Jim Goodin <jimgoodinmusic@gmail.com> wrote:

From: Jim Goodin <jimgoodinmusic@gmail.com>
Subject: Re: OT: Captain Beefheart Passing
To: Loopers-Delight@loopers-delight.com
Received: Sunday, 19 December, 2010, 6:14 PM

Wow very sad news, love that line, don't know it. =A0We will miss you Capta=
in...

On Sun, Dec 19, 2010 at 11:57 AM, David Grego <tubaczar98@hotmail.com> wrot=
e:
=0A=0A=0A=0A=0A=0ASorry Don (1941-2010). You will be missed.=A0
"Breaks my heart to see the highway past the hill".....
 =09=09 =09   =09=09  =0A


--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin & =
Peter Th=F6rn.=A0 Proceeds
from the sale of this CD will benefit JDRF International.=A0 jimgoodinpeter=
thorn.bandcamp.com.
=0A
www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com
=0A=0A=0A=0A=0A      
--0-1930098967-1292779687=:95488
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">thanks so much beefheart for be yourself<div>=
<br></div><div>luis prado<br><br>--- On <b>Sun, 19/12/10, Jim Goodin <i>&lt=
;jimgoodinmusic@gmail.com&gt;</i></b> wrote:<br><blockquote style=3D"border=
-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><b=
r>From: Jim Goodin &lt;jimgoodinmusic@gmail.com&gt;<br>Subject: Re: OT: Cap=
tain Beefheart Passing<br>To: Loopers-Delight@loopers-delight.com<br>Receiv=
ed: Sunday, 19 December, 2010, 6:14 PM<br><br><div id=3D"yiv970519138">Wow =
very sad news, love that line, don't know it. &nbsp;We will miss you Captai=
n...<br><br><div class=3D"yiv970519138gmail_quote">On Sun, Dec 19, 2010 at =
11:57 AM, David Grego <span dir=3D"ltr">&lt;<a rel=3D"nofollow" ymailto=3D"=
mailto:tubaczar98@hotmail.com" target=3D"_blank" href=3D"/mc/compose?to=3Dt=
ubaczar98@hotmail.com">tubaczar98@hotmail.com</a>&gt;</span> wrote:<br>=0A<=
blockquote class=3D"yiv970519138gmail_quote" style=3D"margin:0 0 0 .8ex;bor=
der-left:1px #ccc solid;padding-left:1ex;">=0A=0A=0A=0A<div>=0ASorry Don (1=
941-2010). You will be missed.&nbsp;<div><br></div><div>"Breaks my heart to=
 see the highway past the hill".....<br></div> =09=09 =09   =09=09  </div>=
=0A</blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To Gli=
ndran, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.&n=
bsp; Proceeds<br>from the sale of this CD will benefit JDRF International.&=
nbsp; <a rel=3D"nofollow" target=3D"_blank" href=3D"http://jimgoodinpeterth=
orn.bandcamp.com">jimgoodinpeterthorn.bandcamp.com</a>.<br>=0A<br><a rel=3D=
"nofollow" target=3D"_blank" href=3D"http://www.jimgoodinmusic.com">www.jim=
goodinmusic.com</a><br><a rel=3D"nofollow" target=3D"_blank" href=3D"http:/=
/www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br><a rel=3D"no=
follow" target=3D"_blank" href=3D"http://woodandwiremusic.wordpress.com">wo=
odandwiremusic.wordpress.com</a><br>=0A=0A</div></blockquote></div></td></t=
r></table><br>=0A=0A=0A=0A      &nbsp;
--0-1930098967-1292779687=:95488--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 17:31:04 2010
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Subject: Re: Epic Octatrack Performance Sampler Teaser....
Date: Sun, 19 Dec 2010 09:31:00 -0800
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Interesting.

My pal Jeff is basically building me something with very similar =20
capabilities in MaxMSP.

It'll basically be controlled by a Korg NanoKontrol and a bank of 4 CV =20=

pedals.

T


On Dec 19, 2010, at 1:52 AM, Dustbunnies wrote:

> =46rom Synthtopia:
>
> " This video is an epic dystopian future teaser for Elektron=92s new =20=

> Octatrack
> performance sampler...."
>
>          http://is.gd/j05M4
>
> Not much real content (technical or otherwise), but quite =20
> entertaining if a
> little dark & morbid.  I liked the random Blade Runner references (I =20=

> caught
> two, perhaps three, myself) and supposedly there's a nod or three to =20=

> Usual
> Suspects in there also.
>
>    --m.
>

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Subject: Re: OT: Captain Beefheart Passing
Date: Sun, 19 Dec 2010 09:34:22 -0800
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"The dust blows forward 'n dust blows back..."

I cannot tell you how sad it made me feel to hear of Don's passing.

There will never be another like him.

On Dec 19, 2010, at 8:57 AM, David Grego wrote:

> Sorry Don (1941-2010). You will be missed.
>
> "Breaks my heart to see the highway past the hill".....

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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Epic Octatrack Performance Sampler Teaser....
Date: Sun, 19 Dec 2010 18:08:44 +0000
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I'm a bit dissapointed that the Looping machine is not in the first realase=
... however what IS there is interesting enough..
=20
> From: tedkillian@charter.net
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Epic Octatrack Performance Sampler Teaser....
> Date: Sun=2C 19 Dec 2010 09:31:00 -0800
>=20
> Interesting.
>=20
> My pal Jeff is basically building me something with very similar=20
> capabilities in MaxMSP.
>=20
> It'll basically be controlled by a Korg NanoKontrol and a bank of 4 CV=20
> pedals.
>=20
> T
>=20
>=20
> On Dec 19=2C 2010=2C at 1:52 AM=2C Dustbunnies wrote:
>=20
> > From Synthtopia:
> >
> > " This video is an epic dystopian future teaser for Elektron=92s new=20
> > Octatrack
> > performance sampler...."
> >
> > http://is.gd/j05M4
> >
> > Not much real content (technical or otherwise)=2C but quite=20
> > entertaining if a
> > little dark & morbid. I liked the random Blade Runner references (I=20
> > caught
> > two=2C perhaps three=2C myself) and supposedly there's a nod or three t=
o=20
> > Usual
> > Suspects in there also.
> >
> > --m.
> >
>=20
 		 	   		  =

--_c424a7fe-f513-4313-a465-8cbe9f5e2a69_
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<html>
<head>
<style><!--
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margin:0px=3B
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body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
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</head>
<body class=3D'hmmessage'>
I'm a bit dissapointed that the Looping machine is not in the first realase=
... however what&nbsp=3BIS there is interesting enough..<BR>&nbsp=3B<BR>
&gt=3B From: tedkillian@charter.net<BR>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<BR>&gt=3B Subject: Re: Epic Octatrack Performance Sampler Teaser=
....<BR>&gt=3B Date: Sun=2C 19 Dec 2010 09:31:00 -0800<BR>&gt=3B <BR>&gt=3B=
 Interesting.<BR>&gt=3B <BR>&gt=3B My pal Jeff is basically building me som=
ething with very similar <BR>&gt=3B capabilities in MaxMSP.<BR>&gt=3B <BR>&=
gt=3B It'll basically be controlled by a Korg NanoKontrol and a bank of 4 C=
V <BR>&gt=3B pedals.<BR>&gt=3B <BR>&gt=3B T<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B=
 On Dec 19=2C 2010=2C at 1:52 AM=2C Dustbunnies wrote:<BR>&gt=3B <BR>&gt=3B=
 &gt=3B From Synthtopia:<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B " This video is =
an epic dystopian future teaser for Elektron=92s new <BR>&gt=3B &gt=3B Octa=
track<BR>&gt=3B &gt=3B performance sampler...."<BR>&gt=3B &gt=3B<BR>&gt=3B =
&gt=3B http://is.gd/j05M4<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B Not much real c=
ontent (technical or otherwise)=2C but quite <BR>&gt=3B &gt=3B entertaining=
 if a<BR>&gt=3B &gt=3B little dark &amp=3B morbid. I liked the random Blade=
 Runner references (I <BR>&gt=3B &gt=3B caught<BR>&gt=3B &gt=3B two=2C perh=
aps three=2C myself) and supposedly there's a nod or three to <BR>&gt=3B &g=
t=3B Usual<BR>&gt=3B &gt=3B Suspects in there also.<BR>&gt=3B &gt=3B<BR>&gt=
=3B &gt=3B --m.<BR>&gt=3B &gt=3B<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_c424a7fe-f513-4313-a465-8cbe9f5e2a69_--

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From: chuspa <chuspacpu@yahoo.com>
Subject: Re: mobius basic tutorial
To: Loopers-Delight@loopers-delight.com
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hi per , it really helps me to start looping with mobius ....
and nice flute tune!
thanks
luis prado

--- On Sun, 19/12/10, Per Boysen <perboysen@gmail.com> wrote:

From: Per Boysen <perboysen@gmail.com>
Subject: Re: mobius basic tutorial
To: Loopers-Delight@loopers-delight.com
Received: Sunday, 19 December, 2010, 8:38 AM

Hi Luis,

I posted a step for step tutorial with demo video at
http://www.perboysen.com/archives/132

This uses Mobius and covers some techniques for using chord changes in
live looping.

Greetings from Sweden

Per Boysen


On Sun, Dec 19, 2010 at 4:02 AM, chuspa <chuspacpu@yahoo.com> wrote:
>
> =A0Hi, does anybody know or have resume a basic mobius app. tutorial?
> because of the complex manual, I will like to know the basic for use it
> thanks
> luis prado

=0A=0A=0A      
--0-556060964-1292782187=:99823
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">hi per , it really helps me to start looping =
with mobius ....<div><br></div><div>and nice flute tune!</div><div><br></di=
v><div>thanks</div><div><br></div><div>luis prado<br><br>--- On <b>Sun, 19/=
12/10, Per Boysen <i>&lt;perboysen@gmail.com&gt;</i></b> wrote:<br><blockqu=
ote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; pad=
ding-left: 5px;"><br>From: Per Boysen &lt;perboysen@gmail.com&gt;<br>Subjec=
t: Re: mobius basic tutorial<br>To: Loopers-Delight@loopers-delight.com<br>=
Received: Sunday, 19 December, 2010, 8:38 AM<br><br><div class=3D"plainMail=
">Hi Luis,<br><br>I posted a step for step tutorial with demo video at<br><=
a href=3D"http://www.perboysen.com/archives/132" target=3D"_blank">http://w=
ww.perboysen.com/archives/132</a><br><br>This uses Mobius and covers some t=
echniques for using chord changes in<br>live looping.<br><br>Greetings from
 Sweden<br><br>Per Boysen<br><br><br>On Sun, Dec 19, 2010 at 4:02 AM, chusp=
a &lt;<a ymailto=3D"mailto:chuspacpu@yahoo.com" href=3D"/mc/compose?to=3Dch=
uspacpu@yahoo.com">chuspacpu@yahoo.com</a>&gt; wrote:<br>&gt;<br>&gt; &nbsp=
;Hi, does anybody know or have resume a basic mobius app. tutorial?<br>&gt;=
 because of the complex manual, I will like to know the basic for use it<br=
>&gt; thanks<br>&gt; luis prado<br><br></div></blockquote></div></td></tr><=
/table><br>=0A=0A=0A=0A      &nbsp;
--0-556060964-1292782187=:99823--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 18:18:31 2010
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I just saw  some photos that a friend of a friend sent from Russia  
documenting  the recent snowstorms and freakish weather there.  Holy  
Shit!!!!!!
  I've heard from a couple of you about the weather being extreme in  
Europe  but I had no idea. Is the rest of the continent taking the  
kind of hit that Russia is?
Stay indoors, and fire up the loopers everyone.....
Bill







From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 18:22:23 2010
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Date: Sun, 19 Dec 2010 11:22:21 -0700
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Subject: Re: Epic Octatrack Performance Sampler Teaser....
From: Dennis Moser <sinsofmachaut@gmail.com>
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How can something be so clever and so lame at the same time...

(HInt: "marketing...")

Seven odd minutes I'll not get back.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 19, 2010 at 11:08 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> I'm a bit dissapointed that the Looping machine is not in the first
> realase... however what=A0IS there is interesting enough..
>
>> From: tedkillian@charter.net
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Epic Octatrack Performance Sampler Teaser....
>> Date: Sun, 19 Dec 2010 09:31:00 -0800
>>
>> Interesting.
>>
>> My pal Jeff is basically building me something with very similar
>> capabilities in MaxMSP.
>>
>> It'll basically be controlled by a Korg NanoKontrol and a bank of 4 CV
>> pedals.
>>
>> T
>>
>>
>> On Dec 19, 2010, at 1:52 AM, Dustbunnies wrote:
>>
>> > From Synthtopia:
>> >
>> > " This video is an epic dystopian future teaser for Elektron=92s new
>> > Octatrack
>> > performance sampler...."
>> >
>> > http://is.gd/j05M4
>> >
>> > Not much real content (technical or otherwise), but quite
>> > entertaining if a
>> > little dark & morbid. I liked the random Blade Runner references (I
>> > caught
>> > two, perhaps three, myself) and supposedly there's a nod or three to
>> > Usual
>> > Suspects in there also.
>> >
>> > --m.
>> >
>>
>

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"...I don=92t mind a lot of machines adapting to my own playing though.
That=92s sort of the point in using instruments =96 you express yourself
through them and not the other way around..."

(Nothing more need be said...)

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 19, 2010 at 12:38 AM, Per Boysen <perboysen@gmail.com> wrote:
> Hi Luis,
>
> I posted a step for step tutorial with demo video at
> http://www.perboysen.com/archives/132
>
> This uses Mobius and covers some techniques for using chord changes in
> live looping.
>
> Greetings from Sweden
>
> Per Boysen
>
>
> On Sun, Dec 19, 2010 at 4:02 AM, chuspa <chuspacpu@yahoo.com> wrote:
>>
>> =A0Hi, does anybody know or have resume a basic mobius app. tutorial?
>> because of the complex manual, I will like to know the basic for use it
>> thanks
>> luis prado
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 18:33:12 2010
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Date: Sun, 19 Dec 2010 11:33:10 -0700
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Subject: Re: OT: bundle up
From: Dennis Moser <sinsofmachaut@gmail.com>
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Bill, you've been living in SoCal too long..."Russia" used to be
synonymous with the word "Winter." *GRIN

(It's 40=B0 F here in Laramie, not a lot of snow on the ground,
predictions of rain maybe turning to snow overnight, so yes, the
weather IS getting strange...but there's no global warming!)


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 19, 2010 at 11:18 AM, William Walker <billwalker@baymoon.com> w=
rote:
> I just saw =A0some photos that a friend of a friend sent from Russia
> documenting =A0the recent snowstorms and freakish weather there. =A0Holy
> Shit!!!!!!
> =A0I've heard from a couple of you about the weather being extreme in Eur=
ope
> =A0but I had no idea. Is the rest of the continent taking the kind of hit=
 that
> Russia is?
> Stay indoors, and fire up the loopers everyone.....
> Bill
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 19:21:03 2010
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From: "Michael Peters" <mp@mpeters.de>
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References: <20101219173426.64827183473@hemlock.violacea.com>
Subject: meeetings with remarkable sounds
Date: Sun, 19 Dec 2010 20:20:56 +0100
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http://veloopity.bandcamp.com/album/meetings-with-remarkable-sounds

75 minutes of ambient and experimental improvised music by the duo
"matebb&veloopity" which is my friend Matthias Ebbinghaus and me, recorded
between 2001 and 2009. We are both very happy with this mix. FREE DOWNLOAD
until end of December, so have fun and repost everywhere!!

Michael 
www.michaelpeters.de


From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 19:23:59 2010
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Yeah=2C The Uk's at a standstill - one flake and we're all off work - great=
! I've been sledging down a hillside all afternoon with icicles in my beard=
...

peace

G

> From: billwalker@baymoon.com
> To: loopers-Delight@loopers-delight.com
> Subject: OT: bundle up
> Date: Sun=2C 19 Dec 2010 10:18:23 -0800
>=20
> I just saw  some photos that a friend of a friend sent from Russia =20
> documenting  the recent snowstorms and freakish weather there.  Holy =20
> Shit!!!!!!
>   I've heard from a couple of you about the weather being extreme in =20
> Europe  but I had no idea. Is the rest of the continent taking the =20
> kind of hit that Russia is?
> Stay indoors=2C and fire up the loopers everyone.....
> Bill
>=20
>=20
>=20
>=20
>=20
>=20
>=20
 		 	   		  =

--_776e03fb-53e2-4f85-8ad5-19116f7a5584_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Yeah=2C The Uk's at a standstill - one flake and we're all off work - great=
! I've been sledging down a hillside all afternoon with icicles in my beard=
...<br><br>peace<br><br>G<br><br>&gt=3B From: billwalker@baymoon.com<br>&gt=
=3B To: loopers-Delight@loopers-delight.com<br>&gt=3B Subject: OT: bundle u=
p<br>&gt=3B Date: Sun=2C 19 Dec 2010 10:18:23 -0800<br>&gt=3B <br>&gt=3B I =
just saw  some photos that a friend of a friend sent from Russia  <br>&gt=
=3B documenting  the recent snowstorms and freakish weather there.  Holy  <=
br>&gt=3B Shit!!!!!!<br>&gt=3B   I've heard from a couple of you about the =
weather being extreme in  <br>&gt=3B Europe  but I had no idea. Is the rest=
 of the continent taking the  <br>&gt=3B kind of hit that Russia is?<br>&gt=
=3B Stay indoors=2C and fire up the loopers everyone.....<br>&gt=3B Bill<br=
>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B <=
br> 		 	   		  </body>
</html>=

--_776e03fb-53e2-4f85-8ad5-19116f7a5584_--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 20:37:03 2010
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: mobius basic tutorial
Date: Sun, 19 Dec 2010 14:36:54 -0600
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Wow Per, that was great!   I had't seen that before. =20

I've been rewriting the Mobius manual(s) over the past few months and =
have
uploaded some of them to the web site;

    www.circularlabs.com/newdoc

They aren't done yet but you might find some useful information in them. =
Warning though,=20
these are written for the 1.43 release which isn't finished yet.  Many =
little things have changed
so the screen shots you see won't match what you see in 1.42.  It is =
pretty close though so I
think it is worthwhile to read the installation guide (installation.htm) =
or if you've already
done a successful install read the GettingStarted With Mobius manual =
(starting.htm).  =20

Jeff


On Dec 19, 2010, at 1:38 AM, Per Boysen wrote:

> Hi Luis,
>=20
> I posted a step for step tutorial with demo video at
> http://www.perboysen.com/archives/132
>=20
> This uses Mobius and covers some techniques for using chord changes in
> live looping.
>=20
> Greetings from Sweden
>=20
> Per Boysen
>=20
>=20
> On Sun, Dec 19, 2010 at 4:02 AM, chuspa <chuspacpu@yahoo.com> wrote:
>>=20
>>  Hi, does anybody know or have resume a basic mobius app. tutorial?
>> because of the complex manual, I will like to know the basic for use =
it
>> thanks
>> luis prado
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 22:59:46 2010
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Date: Sun, 19 Dec 2010 14:59:43 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <C93404FC.8B6%mech@m3ch.net>
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--0-1719215554-1292799583=:12522
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Content-Transfer-Encoding: quoted-printable

it's a dog really:-)=0A=0AAntony=0A=0A=0A=0A_______________________________=
_=0AFrom: Dustbunnies <mech@m3ch.net>=0ATo: "Loopers-Delight@loopers-deligh=
t.com" <Loopers-Delight@loopers-delight.com>=0ASent: Sun, December 19, 2010=
 10:52:44 AM=0ASubject: Epic Octatrack Performance Sampler Teaser....=0A=0A=
>From Synthtopia: =0A=0A" This video is an epic dystopian future teaser for =
Elektron=B9s new Octatrack=0Aperformance sampler...."=0A=0A          http:/=
/is.gd/j05M4=0A=0ANot much real content (technical or otherwise), but quite=
 entertaining if a=0Alittle dark & morbid.  I liked the random Blade Runner=
 references (I caught=0Atwo, perhaps three, myself) and supposedly there's =
a nod or three to Usual=0ASuspects in there also.=0A=0A    --m.=0A=0A=0A   =
   
--0-1719215554-1292799583=:12522
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>it's a dog really:-)</div><div><br></div><div>Antony</div><div st=
yle=3D"font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div st=
yle=3D"font-family:arial, helvetica, sans-serif;font-size:13px"><font size=
=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weight: bold;"=
>From:</span></b> Dustbunnies &lt;mech@m3ch.net&gt;<br><b><span style=3D"fo=
nt-weight: bold;">To:</span></b> "Loopers-Delight@loopers-delight.com" &lt;=
Loopers-Delight@loopers-delight.com&gt;<br><b><span style=3D"font-weight: b=
old;">Sent:</span></b> Sun, December 19, 2010 10:52:44 AM<br><b><span style=
=3D"font-weight: bold;">Subject:</span></b> Epic Octatrack Performance Samp=
ler Teaser....<br></font><br>=0AFrom Synthtopia: <br><br>" This video is an=
 epic dystopian future teaser for Elektron=B9s new Octatrack<br>performance=
 sampler...."<br><br><span>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <a target=3D"=
_blank" href=3D"http://is.gd/j05M4">http://is.gd/j05M4</a></span><br><br>No=
t much real content (technical or otherwise), but quite entertaining if a<b=
r>little dark &amp; morbid.&nbsp; I liked the random Blade Runner reference=
s (I caught<br>two, perhaps three, myself) and supposedly there's a nod or =
three to Usual<br>Suspects in there also.<br><br>&nbsp; &nbsp; --m.<br><br>=
<br></div></div><div style=3D"position:fixed"></div>=0A=0A=0A</div><br>=0A=
=0A      </body></html>
--0-1719215554-1292799583=:12522--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 23:12:56 2010
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References: <C93404FC.8B6%mech@m3ch.net> <838513.12522.qm@web120701.mail.ne1.yahoo.com>
From: mark francombe <markfrancombe@gmail.com>
In-Reply-To: <838513.12522.qm@web120701.mail.ne1.yahoo.com>
Mime-Version: 1.0 (iPhone Mail 8C148a)
Date: Mon, 20 Dec 2010 00:13:02 +0100
Message-ID: <-1103068348126867212@unknownmsgid>
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Content-Type: multipart/alternative; boundary=90e6ba6e8fa21285f40497cb8b65
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--90e6ba6e8fa21285f40497cb8b65
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Content-Transfer-Encoding: quoted-printable

Sent from my (advertisement removed)

On 19 Dec 2010, at 23:59, antonyhequet@yahoo.com wrote:

it's a dog really:-)

Antony

------------------------------
*From:* Dustbunnies <mech@m3ch.net>
*To:* "Loopers-Delight@loopers-delight.com" <
Loopers-Delight@loopers-delight.com>
*Sent:* Sun, December 19, 2010 10:52:44 AM
*Subject:* Epic Octatrack Performance Sampler Teaser....

>From Synthtopia:

" This video is an epic dystopian future teaser for Elektron=B9s new Octatr=
ack
performance sampler...."

          http://is.gd/j05M4

Not much real content (technical or otherwise), but quite entertaining if a
little dark & morbid.  I liked the random Blade Runner references (I caught
two, perhaps three, myself) and supposedly there's a nod or three to Usual
Suspects in there also.

    --m.

--90e6ba6e8fa21285f40497cb8b65
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div><br><br>Sent from my (advertisement re=
moved)</div><div><br>On 19 Dec 2010, at 23:59, <a href=3D"mailto:antonyhequ=
et@yahoo.com">antonyhequet@yahoo.com</a> wrote:<br><br></div><div></div><bl=
ockquote type=3D"cite">
<div><div style=3D"font-family:arial, helvetica, sans-serif;font-size:14pt"=
><div>it&#39;s a dog really:-)</div><div><br></div><div>Antony</div><div st=
yle=3D"font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div st=
yle=3D"font-family:arial, helvetica, sans-serif;font-size:13px">
<font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weig=
ht: bold;">From:</span></b> Dustbunnies &lt;<a href=3D"mailto:mech@m3ch.net=
">mech@m3ch.net</a>&gt;<br><b><span style=3D"font-weight: bold;">To:</span>=
</b> &quot;<a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-D=
elight@loopers-delight.com</a>&quot; &lt;<a href=3D"mailto:Loopers-Delight@=
loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;<br>
<b><span style=3D"font-weight: bold;">Sent:</span></b> Sun, December 19, 20=
10 10:52:44 AM<br><b><span style=3D"font-weight: bold;">Subject:</span></b>=
 Epic Octatrack Performance Sampler Teaser....<br></font><br>
>From Synthtopia: <br><br>&quot; This video is an epic dystopian future teas=
er for Elektron=B9s new Octatrack<br>performance sampler....&quot;<br><br><=
span>=A0 =A0 =A0 =A0 =A0 <a target=3D"_blank" href=3D"http://is.gd/j05M4"><=
a href=3D"http://is.gd/j05M4">http://is.gd/j05M4</a></a></span><br>
<br>Not much real content (technical or otherwise), but quite entertaining =
if a<br>little dark &amp; morbid.=A0 I liked the random Blade Runner refere=
nces (I caught<br>two, perhaps three, myself) and supposedly there&#39;s a =
nod or three to Usual<br>
Suspects in there also.<br><br>=A0 =A0 --m.<br><br><br></div></div><div sty=
le=3D"position:fixed"></div>


</div><br>

      </div></blockquote></body></html>

--90e6ba6e8fa21285f40497cb8b65--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 19 23:30:41 2010
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From: mark francombe <markfrancombe@gmail.com>
In-Reply-To: <838513.12522.qm@web120701.mail.ne1.yahoo.com>
Mime-Version: 1.0 (iPhone Mail 8C148a)
Date: Mon, 20 Dec 2010 00:30:47 +0100
Message-ID: <726302687839749391@unknownmsgid>
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Content-Type: multipart/alternative; boundary=90e6ba6e8f3a8ea47e0497cbcaca
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--90e6ba6e8f3a8ea47e0497cbcaca
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I don't understand.. It's a dog? What does that mean? To be honest I'm
amazed they went to so much expense to produce this ad, nice as it was, yet
at no place did they demonstrate any features.... Why are you so down on it
Dennis, is there some specs out there... I'd like to read.. I love this
companies former products and expect good stuff... Anders.. Do you have som=
e
infi,,, guess i better check thr site...

Sent from my (advertisement removed)

On 19 Dec 2010, at 23:59, antonyhequet@yahoo.com wrote:

it's a dog really:-)

Antony

------------------------------
*From:* Dustbunnies <mech@m3ch.net>
*To:* "Loopers-Delight@loopers-delight.com" <
Loopers-Delight@loopers-delight.com>
*Sent:* Sun, December 19, 2010 10:52:44 AM
*Subject:* Epic Octatrack Performance Sampler Teaser....

>From Synthtopia:

" This video is an epic dystopian future teaser for Elektron=B9s new Octatr=
ack
performance sampler...."

          http://is.gd/j05M4

Not much real content (technical or otherwise), but quite entertaining if a
little dark & morbid.  I liked the random Blade Runner references (I caught
two, perhaps three, myself) and supposedly there's a nod or three to Usual
Suspects in there also.

    --m.

--90e6ba6e8f3a8ea47e0497cbcaca
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>I don&#39;t understand.. It&#39;s a do=
g? What does that mean? To be honest I&#39;m amazed they went to so much ex=
pense to produce this ad, nice as it was, yet at no place did they demonstr=
ate any features.... Why are you so down on it Dennis, is there some specs =
out there... I&#39;d like to read.. I love this companies former products a=
nd expect good stuff... Anders.. Do you have some infi,,, guess i better ch=
eck thr site...<br>
<br>Sent from my (advertisement removed)</div><div><br>On 19 Dec 2010, at 2=
3:59, <a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div><div style=3D=
"font-family:arial, helvetica, sans-serif;font-size:14pt">
<div>it&#39;s a dog really:-)</div><div><br></div><div>Antony</div><div sty=
le=3D"font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div sty=
le=3D"font-family:arial, helvetica, sans-serif;font-size:13px"><font size=
=3D"2" face=3D"Tahoma"><hr size=3D"1">
<b><span style=3D"font-weight: bold;">From:</span></b> Dustbunnies &lt;<a h=
ref=3D"mailto:mech@m3ch.net">mech@m3ch.net</a>&gt;<br><b><span style=3D"fon=
t-weight: bold;">To:</span></b> &quot;<a href=3D"mailto:Loopers-Delight@loo=
pers-delight.com">Loopers-Delight@loopers-delight.com</a>&quot; &lt;<a href=
=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>&gt;<br>
<b><span style=3D"font-weight: bold;">Sent:</span></b> Sun, December 19, 20=
10 10:52:44 AM<br><b><span style=3D"font-weight: bold;">Subject:</span></b>=
 Epic Octatrack Performance Sampler Teaser....<br></font><br>
>From Synthtopia: <br><br>&quot; This video is an epic dystopian future teas=
er for Elektron=B9s new Octatrack<br>performance sampler....&quot;<br><br><=
span>=A0 =A0 =A0 =A0 =A0 <a target=3D"_blank" href=3D"http://is.gd/j05M4"><=
a href=3D"http://is.gd/j05M4">http://is.gd/j05M4</a></a></span><br>
<br>Not much real content (technical or otherwise), but quite entertaining =
if a<br>little dark &amp; morbid.=A0 I liked the random Blade Runner refere=
nces (I caught<br>two, perhaps three, myself) and supposedly there&#39;s a =
nod or three to Usual<br>
Suspects in there also.<br><br>=A0 =A0 --m.<br><br><br></div></div><div sty=
le=3D"position:fixed"></div>


</div><br>

      </div></blockquote></body></html>

--90e6ba6e8f3a8ea47e0497cbcaca--

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Mime-Version: 1.0 (iPhone Mail 8C148a)
Date: Mon, 20 Dec 2010 00:35:44 +0100
Message-ID: <-7874066572337091628@unknownmsgid>
Subject: Re: OT: bundle up
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Sent from my (advertisement removed)

On 19 Dec 2010, at 20:24, Gareth Whittock <buddhamachine@live.co.uk> wrote:

> great! I've been sledging down a hillside all afternoon


Me too!!! I guess we're a bit more used to snow than the UK here in
Norway.. Its - 12C today bit chilly, not too 'orrible tho..

M

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 00:01:20 2010
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	<726302687839749391@unknownmsgid>
Date: Sun, 19 Dec 2010 17:01:16 -0700
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Subject: Re: Epic Octatrack Performance Sampler Teaser....
From: Dennis Moser <sinsofmachaut@gmail.com>
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Glad you enjoy the Kool-Aid, Mark...

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 19, 2010 at 4:30 PM, mark francombe <markfrancombe@gmail.com> w=
rote:
> I don't understand.. It's a dog? What does that mean? To be honest I'm
> amazed they went to so much expense to produce this ad, nice as it was, y=
et
> at no place did they demonstrate any features.... Why are you so down on =
it
> Dennis, is there some specs out there... I'd like to read.. I love this
> companies former products and expect good stuff... Anders.. Do you have s=
ome
> infi,,, guess i better check thr site...
>
> Sent from my (advertisement removed)
> On 19 Dec 2010, at 23:59, antonyhequet@yahoo.com wrote:
>
> it's a dog really:-)
> Antony
> ________________________________
> From: Dustbunnies <mech@m3ch.net>
> To: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Sent: Sun, December 19, 2010 10:52:44 AM
> Subject: Epic Octatrack Performance Sampler Teaser....
>
> From Synthtopia:
>
> " This video is an epic dystopian future teaser for Elektron=B9s new Octa=
track
> performance sampler...."
>
> =A0 =A0 =A0 =A0 =A0 http://is.gd/j05M4
>
> Not much real content (technical or otherwise), but quite entertaining if=
 a
> little dark & morbid.=A0 I liked the random Blade Runner references (I ca=
ught
> two, perhaps three, myself) and supposedly there's a nod or three to Usua=
l
> Suspects in there also.
>
> =A0 =A0 --m.
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 00:21:04 2010
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Date: Sun, 19 Dec 2010 16:21:01 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>
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I find the whole tone of it ridiculous. We are now so zombied out by these =
=0Ahyped, aggressive, pseudo spy, shoot em down, breake'm, "movies3, that w=
e find =0Ait normal that a machine made for music shold be portrayed as dan=
gerous and =0Atreacherous weapon. This is supposed to be funny, we should g=
et off on it?=0AIt shows how much brain damage has been done to us: people =
on this list who are =0Ausually pretty witty  and exercise their sense of h=
umor look at this clip half =0Aseriously and find it OK, aside from the fac=
t that the clip says nothing about =0Aspeccs.=0A=0Ahey wake up, this movie =
is boring and silly=0A=0AAntony=0A=0A=0A=0A________________________________=
=0AFrom: Dennis Moser <sinsofmachaut@gmail.com>=0ATo: Loopers-Delight@loope=
rs-delight.com=0ASent: Mon, December 20, 2010 1:01:16 AM=0ASubject: Re: Epi=
c Octatrack Performance Sampler Teaser....=0A=0AGlad you enjoy the Kool-Aid=
, Mark...=0A=0Ahttp://soundcloud.com/usrsbin=0Ahttp://audiozoloft.com=0Ahtt=
p://usrslashsbin.angrek.com/=0A=0A=0A=0AOn Sun, Dec 19, 2010 at 4:30 PM, ma=
rk francombe <markfrancombe@gmail.com> wrote:=0A> I don't understand.. It's=
 a dog? What does that mean? To be honest I'm=0A> amazed they went to so mu=
ch expense to produce this ad, nice as it was, yet=0A> at no place did they=
 demonstrate any features.... Why are you so down on it=0A> Dennis, is ther=
e some specs out there... I'd like to read.. I love this=0A> companies form=
er products and expect good stuff... Anders.. Do you have some=0A> infi,,, =
guess i better check thr site...=0A>=0A> Sent from my (advertisement remove=
d)=0A> On 19 Dec 2010, at 23:59, antonyhequet@yahoo.com wrote:=0A>=0A> it's=
 a dog really:-)=0A> Antony=0A> ________________________________=0A> From: =
Dustbunnies <mech@m3ch.net>=0A> To: "Loopers-Delight@loopers-delight.com"=
=0A> <Loopers-Delight@loopers-delight.com>=0A> Sent: Sun, December 19, 2010=
 10:52:44 AM=0A> Subject: Epic Octatrack Performance Sampler Teaser....=0A>=
=0A> From Synthtopia:=0A>=0A> " This video is an epic dystopian future teas=
er for Elektron=B9s new Octatrack=0A> performance sampler...."=0A>=0A>     =
      http://is.gd/j05M4=0A>=0A> Not much real content (technical or otherw=
ise), but quite entertaining if a=0A> little dark & morbid.  I liked the ra=
ndom Blade Runner references (I caught=0A> two, perhaps three, myself) and =
supposedly there's a nod or three to Usual=0A> Suspects in there also.=0A>=
=0A>     --m.=0A>=0A>=0A>=0A>=0A=0A=0A      
--0-197621925-1292804461=:82124
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>I find the whole tone of it ridiculous. We are now so zombied out=
 by these hyped, aggressive, pseudo spy, shoot em down, breake'm, "movies3,=
 that we find it normal that a machine made for music shold be portrayed as=
 dangerous and treacherous weapon. This is supposed to be funny, we should =
get off on it?</div><div>It shows how much brain damage has been done to us=
: people on this list who are usually pretty witty &nbsp;and exercise their=
 sense of humor look at this clip half seriously and find it OK, aside from=
 the fact that the clip says nothing about speccs.</div><div><br></div><div=
>hey wake up, this movie is boring and silly</div><div><br></div><div>Anton=
y</div><div style=3D"font-family:arial, helvetica, sans-serif;font-size:14p=
t"><br><div style=3D"font-family:arial, helvetica,
 sans-serif;font-size:13px"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"=
><b><span style=3D"font-weight: bold;">From:</span></b> Dennis Moser &lt;si=
nsofmachaut@gmail.com&gt;<br><b><span style=3D"font-weight: bold;">To:</spa=
n></b> Loopers-Delight@loopers-delight.com<br><b><span style=3D"font-weight=
: bold;">Sent:</span></b> Mon, December 20, 2010 1:01:16 AM<br><b><span sty=
le=3D"font-weight: bold;">Subject:</span></b> Re: Epic Octatrack Performanc=
e Sampler Teaser....<br></font><br>=0AGlad you enjoy the Kool-Aid, Mark...<=
br><br><span><a target=3D"_blank" href=3D"http://soundcloud.com/usrsbin">ht=
tp://soundcloud.com/usrsbin</a></span><br><span><a target=3D"_blank" href=
=3D"http://audiozoloft.com">http://audiozoloft.com</a></span><br><span><a t=
arget=3D"_blank" href=3D"http://usrslashsbin.angrek.com/">http://usrslashsb=
in.angrek.com/</a></span><br><br><br><br>On Sun, Dec 19, 2010 at 4:30 PM, m=
ark francombe &lt;<a ymailto=3D"mailto:markfrancombe@gmail.com" href=3D"mai=
lto:markfrancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:<br>&gt;=
 I don't understand.. It's a dog? What does that mean? To be honest I'm<br>=
&gt; amazed they went to so much expense to produce this ad, nice as it was=
, yet<br>&gt; at no place did they demonstrate any features.... Why are you=
 so down on it<br>&gt; Dennis, is there some specs out there... I'd like to=
 read.. I love this<br>&gt; companies former products and expect good stuff=
... Anders.. Do you have some<br>&gt; infi,,,
 guess i better check thr site...<br>&gt;<br>&gt; Sent from my (advertiseme=
nt removed)<br>&gt; On 19 Dec 2010, at 23:59, <a ymailto=3D"mailto:antonyhe=
quet@yahoo.com" href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.c=
om</a> wrote:<br>&gt;<br>&gt; it's a dog really:-)<br>&gt; Antony<br>&gt; _=
_______________________________<br>&gt; From: Dustbunnies &lt;<a ymailto=3D=
"mailto:mech@m3ch.net" href=3D"mailto:mech@m3ch.net">mech@m3ch.net</a>&gt;<=
br>&gt; To: "<a ymailto=3D"mailto:Loopers-Delight@loopers-delight.com" href=
=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>"<br>&gt; &lt;<a ymailto=3D"mailto:Loopers-Delight@loopers-deli=
ght.com" href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Deligh=
t@loopers-delight.com</a>&gt;<br>&gt; Sent: Sun, December 19, 2010 10:52:44=
 AM<br>&gt; Subject: Epic Octatrack Performance Sampler Teaser....<br>&gt;<=
br>&gt; From Synthtopia:<br>&gt;<br>&gt; " This video is an epic dystopian =
future
 teaser for Elektron=B9s new Octatrack<br>&gt; performance sampler...."<br>=
&gt;<br><span>&gt; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <a target=3D"_blank" =
href=3D"http://is.gd/j05M4">http://is.gd/j05M4</a></span><br>&gt;<br>&gt; N=
ot much real content (technical or otherwise), but quite entertaining if a<=
br>&gt; little dark &amp; morbid.&nbsp; I liked the random Blade Runner ref=
erences (I caught<br>&gt; two, perhaps three, myself) and supposedly there'=
s a nod or three to Usual<br>&gt; Suspects in there also.<br>&gt;<br>&gt; &=
nbsp; &nbsp; --m.<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br><br></div></div><div s=
tyle=3D"position:fixed"></div>=0A=0A=0A</div><br>=0A=0A      </body></html>
--0-197621925-1292804461=:82124--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 00:37:02 2010
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Subject: Re: Epic Octatrack Performance Sampler Teaser....
References: <C93404FC.8B6%mech@m3ch.net> <838513.12522.qm@web120701.mail.ne1.yahoo.com> <726302687839749391@unknownmsgid> <AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com> <916190.82124.qm@web120703.mail.ne1.yahoo.com>
From: Jeff Larson <jeff@zonemobius.com>
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Date: Sun, 19 Dec 2010 18:36:54 -0600
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When that cat starts playing the keyboard it cracks me up every time!

Jeff


On Dec 19, 2010, at 6:21 PM, antonyhequet@yahoo.com wrote:

> I find the whole tone of it ridiculous. We are now so zombied out by =
these hyped, aggressive, pseudo spy, shoot em down, breake'm, "movies3, =
that we find it normal that a machine made for music shold be portrayed =
as dangerous and treacherous weapon. This is supposed to be funny, we =
should get off on it?
> It shows how much brain damage has been done to us: people on this =
list who are usually pretty witty  and exercise their sense of humor =
look at this clip half seriously and find it OK, aside from the fact =
that the clip says nothing about speccs.
>=20
> hey wake up, this movie is boring and silly
>=20
> Antony


--Apple-Mail-4-965602507
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<html><head><base href=3D"x-msg://263/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div>When that cat starts playing the keyboard it =
cracks me up every =
time!</div><div><br></div><div>Jeff</div><div><br></div><br><div><div>On =
Dec 19, 2010, at 6:21 PM, <a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">I find the whole tone of it ridiculous. We are =
now so zombied out by these hyped, aggressive, pseudo spy, shoot em =
down, breake'm, "movies3, that we find it normal that a machine made for =
music shold be portrayed as dangerous and treacherous weapon. This is =
supposed to be funny, we should get off on it?</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">It shows how much brain damage has been done to us: =
people on this list who are usually pretty witty &nbsp;and exercise =
their sense of humor look at this clip half seriously and find it OK, =
aside from the fact that the clip says nothing about speccs.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">hey wake up, =
this movie is boring and silly</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">Antony</div></div></div></span></blockquote></div><br></body></html>=

--Apple-Mail-4-965602507--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 00:38:25 2010
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From: Mark Hamburg <mark@grubmah.com>
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Subject: EDP loop capture
Date: Sun, 19 Dec 2010 16:38:20 -0800
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To: Loopers-Delight@loopers-delight.com
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Would it be possible without a lot of fancy footwork to use either the =
Looperlative or the RC-50 to do loop capture from an EDP (or a stereo =
pair of EDPs)?

I'm thinking it would be interesting to feed from an EDP pair into =
something else that could capture the loop into a stereo track that =
could then keep playing while experimenting with further manipulations =
with the EDP. Then, of course, there's the issue of probably wanting to =
mute the EDP through path after doing that (or erase the EDP loop) so =
that I don't end up with twice the volume for the captured material.

Mark

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 02:07:51 2010
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Date: Sun, 19 Dec 2010 19:07:48 -0700
Message-ID: <AANLkTi=88iFCBLULRaWp=rPyM+bTN1SVzMChqMW-63yZ@mail.gmail.com>
Subject: Re: Epic Octatrack Performance Sampler Teaser....
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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That was my point, Antony...while I found the concept amusing, it's
also a sad comment on how they've chosen to market this to us. Is it
cool that the Octatrack was used to create the sounds for the film?
Sure, but what a crappy, stale, sad way to show it off.

Oh, well...I won't have to worry about it. Right now it's still
vaporware anyway.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 19, 2010 at 5:21 PM,  <antonyhequet@yahoo.com> wrote:
> I find the whole tone of it ridiculous. We are now so zombied out by thes=
e
> hyped, aggressive, pseudo spy, shoot em down, breake'm, "movies3, that we
> find it normal that a machine made for music shold be portrayed as danger=
ous
> and treacherous weapon. This is supposed to be funny, we should get off o=
n
> it?
> It shows how much brain damage has been done to us: people on this list w=
ho
> are usually pretty witty =A0and exercise their sense of humor look at thi=
s
> clip half seriously and find it OK, aside from the fact that the clip say=
s
> nothing about speccs.
> hey wake up, this movie is boring and silly
> Antony
> ________________________________
> From: Dennis Moser <sinsofmachaut@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, December 20, 2010 1:01:16 AM
> Subject: Re: Epic Octatrack Performance Sampler Teaser....
>
> Glad you enjoy the Kool-Aid, Mark...
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Sun, Dec 19, 2010 at 4:30 PM, mark francombe <markfrancombe@gmail.com>
> wrote:
>> I don't understand.. It's a dog? What does that mean? To be honest I'm
>> amazed they went to so much expense to produce this ad, nice as it was,
>> yet
>> at no place did they demonstrate any features.... Why are you so down on
>> it
>> Dennis, is there some specs out there... I'd like to read.. I love this
>> companies former products and expect good stuff... Anders.. Do you have
>> some
>> infi,,, guess i better check thr site...
>>
>> Sent from my (advertisement removed)
>> On 19 Dec 2010, at 23:59, antonyhequet@yahoo.com wrote:
>>
>> it's a dog really:-)
>> Antony
>> ________________________________
>> From: Dustbunnies <mech@m3ch.net>
>> To: "Loopers-Delight@loopers-delight.com"
>> <Loopers-Delight@loopers-delight.com>
>> Sent: Sun, December 19, 2010 10:52:44 AM
>> Subject: Epic Octatrack Performance Sampler Teaser....
>>
>> From Synthtopia:
>>
>> " This video is an epic dystopian future teaser for Elektron=B9s new
>> Octatrack
>> performance sampler...."
>>
>> =A0 =A0 =A0 =A0 =A0 http://is.gd/j05M4
>>
>> Not much real content (technical or otherwise), but quite entertaining i=
f
>> a
>> little dark & morbid.=A0 I liked the random Blade Runner references (I
>> caught
>> two, perhaps three, myself) and supposedly there's a nod or three to Usu=
al
>> Suspects in there also.
>>
>> =A0 =A0 --m.
>>
>>
>>
>>
>
>
>

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From: mark francombe <markfrancombe@gmail.com>
In-Reply-To: <916190.82124.qm@web120703.mail.ne1.yahoo.com>
Mime-Version: 1.0 (iPhone Mail 8C148a)
Date: Mon, 20 Dec 2010 07:05:04 +0100
Message-ID: <4244811946201215669@unknownmsgid>
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Its irony mate... The fact that it references at least 6 different films
maybe more... Its beatifully shot, very well made, thats what i mean by Nic=
e
btw, (my day job is being a filmaker) i didn't say i loved it or anything.
It was a critical post...I merely wondered where people on the list got
they're info.

Infact, probably my biggest critisism would be that for a music machine tha=
t
they are claiming is so revolutionary, how come the music sucks, Ive only
heard some 3rd rate big beat done on it. Maybe it is that crap? But we dont
know do we? No specs!!

On this this list Antony its more normal practice to veil ones insults in
clever layers of subtlty. Try and avoid calling me braindead straight out ,
save the crassness for youTube...


M



Sent from my (advertisement removed)

On 20 Dec 2010, at 01:21, antonyhequet@yahoo.com wrote:

I find the whole tone of it ridiculous. We are now so zombied out by these
hyped, aggressive, pseudo spy, shoot em down, breake'm, "movies3, that we
find it normal that a machine made for music shold be portrayed as dangerou=
s
and treacherous weapon. This is supposed to be funny, we should get off on
it?
It shows how much brain damage has been done to us: people on this list who
are usually pretty witty  and exercise their sense of humor look at this
clip half seriously and find it OK, aside from the fact that the clip says
nothing about speccs.

hey wake up, this movie is boring and silly

Antony

------------------------------
*From:* Dennis Moser <sinsofmachaut@gmail.com>
*To:* Loopers-Delight@loopers-delight.com
*Sent:* Mon, December 20, 2010 1:01:16 AM
*Subject:* Re: Epic Octatrack Performance Sampler Teaser....

Glad you enjoy the Kool-Aid, Mark...

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Dec 19, 2010 at 4:30 PM, mark francombe <markfrancombe@gmail.com>
wrote:
> I don't understand.. It's a dog? What does that mean? To be honest I'm
> amazed they went to so much expense to produce this ad, nice as it was,
yet
> at no place did they demonstrate any features.... Why are you so down on
it
> Dennis, is there some specs out there... I'd like to read.. I love this
> companies former products and expect good stuff... Anders.. Do you have
some
> infi,,, guess i better check thr site...
>
> Sent from my (advertisement removed)
> On 19 Dec 2010, at 23:59, antonyhequet@yahoo.com wrote:
>
> it's a dog really:-)
> Antony
> ________________________________
> From: Dustbunnies <mech@m3ch.net>
> To: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Sent: Sun, December 19, 2010 10:52:44 AM
> Subject: Epic Octatrack Performance Sampler Teaser....
>
> From Synthtopia:
>
> " This video is an epic dystopian future teaser for Elektron=B9s new
Octatrack
> performance sampler...."
>
>           http://is.gd/j05M4
>
> Not much real content (technical or otherwise), but quite entertaining if
a
> little dark & morbid.  I liked the random Blade Runner references (I
caught
> two, perhaps three, myself) and supposedly there's a nod or three to Usua=
l
> Suspects in there also.
>
>     --m.
>
>
>
>

--20cf30549fd19c8db50497d14cd2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Its irony mate... The fact that it ref=
erences at least 6 different films maybe more... Its beatifully shot, very =
well made, thats what i mean by Nice btw, (my day job is being a filmaker) =
i didn&#39;t say i loved it or anything. It was a critical post...I merely =
wondered where people on the list got they&#39;re info.=A0</div>
<div><br></div><div>Infact, probably my biggest critisism would be that for=
 a music machine that they are claiming is so revolutionary, how come the m=
usic sucks, Ive only heard some 3rd rate big beat done on it. Maybe it is t=
hat crap? But we dont know do we? No specs!!</div>
<div><br></div><div>On this this list Antony its more normal practice to ve=
il ones insults in clever layers of subtlty. Try and avoid calling me brain=
dead straight out , save the crassness=A0for youTube...</div><div><br></div=
>
<div><br></div><div>M</div><div><br></div><div><br></div><div><br></div><di=
v>Sent from my (advertisement removed)</div><div><br>On 20 Dec 2010, at 01:=
21, <a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> wr=
ote:<br>
<br></div><div></div><blockquote type=3D"cite"><div><div style=3D"font-fami=
ly:arial, helvetica, sans-serif;font-size:14pt"><div>I find the whole tone =
of it ridiculous. We are now so zombied out by these hyped, aggressive, pse=
udo spy, shoot em down, breake&#39;m, &quot;movies3, that we find it normal=
 that a machine made for music shold be portrayed as dangerous and treacher=
ous weapon. This is supposed to be funny, we should get off on it?</div>
<div>It shows how much brain damage has been done to us: people on this lis=
t who are usually pretty witty =A0and exercise their sense of humor look at=
 this clip half seriously and find it OK, aside from the fact that the clip=
 says nothing about speccs.</div>
<div><br></div><div>hey wake up, this movie is boring and silly</div><div><=
br></div><div>Antony</div><div style=3D"font-family:arial, helvetica, sans-=
serif;font-size:14pt"><br><div style=3D"font-family:arial, helvetica,
 sans-serif;font-size:13px"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"=
><b><span style=3D"font-weight: bold;">From:</span></b> Dennis Moser &lt;<a=
 href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;<br=
><b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loo=
pers-Delight@loopers-delight.com"><a href=3D"mailto:Loopers-Delight@loopers=
-delight.com">Loopers-Delight@loopers-delight.com</a></a><br>
<b><span style=3D"font-weight: bold;">Sent:</span></b> Mon, December 20, 20=
10 1:01:16 AM<br><b><span style=3D"font-weight: bold;">Subject:</span></b> =
Re: Epic Octatrack Performance Sampler Teaser....<br></font><br>
Glad you enjoy the Kool-Aid, Mark...<br><br><span><a target=3D"_blank" href=
=3D"http://soundcloud.com/usrsbin"><a href=3D"http://soundcloud.com/usrsbin=
">http://soundcloud.com/usrsbin</a></a></span><br><span><a target=3D"_blank=
" href=3D"http://audiozoloft.com"><a href=3D"http://audiozoloft.com">http:/=
/audiozoloft.com</a></a></span><br>
<span><a target=3D"_blank" href=3D"http://usrslashsbin.angrek.com/"><a href=
=3D"http://usrslashsbin.angrek.com/">http://usrslashsbin.angrek.com/</a></a=
></span><br><br><br><br>On Sun, Dec 19, 2010 at 4:30 PM, mark francombe &lt=
;<a href=3D"mailto:markfrancombe@gmail.com"><a href=3D"mailto:markfrancombe=
@gmail.com">markfrancombe@gmail.com</a></a>&gt; wrote:<br>
&gt; I don&#39;t understand.. It&#39;s a dog? What does that mean? To be ho=
nest I&#39;m<br>&gt; amazed they went to so much expense to produce this ad=
, nice as it was, yet<br>&gt; at no place did they demonstrate any features=
.... Why are you so down on it<br>
&gt; Dennis, is there some specs out there... I&#39;d like to read.. I love=
 this<br>&gt; companies former products and expect good stuff... Anders.. D=
o you have some<br>&gt; infi,,,
 guess i better check thr site...<br>&gt;<br>&gt; Sent from my (advertiseme=
nt removed)<br>&gt; On 19 Dec 2010, at 23:59, <a href=3D"mailto:antonyheque=
t@yahoo.com"><a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.c=
om</a></a> wrote:<br>
&gt;<br>&gt; it&#39;s a dog really:-)<br>&gt; Antony<br>&gt; ______________=
__________________<br>&gt; From: Dustbunnies &lt;<a href=3D"mailto:mech@m3c=
h.net"><a href=3D"mailto:mech@m3ch.net">mech@m3ch.net</a></a>&gt;<br>&gt; T=
o: &quot;<a href=3D"mailto:Loopers-Delight@loopers-delight.com"><a href=3D"=
mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight=
.com</a></a>&quot;<br>
&gt; &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com"><a href=3D"=
mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight=
.com</a></a>&gt;<br>&gt; Sent: Sun, December 19, 2010 10:52:44 AM<br>&gt; S=
ubject: Epic Octatrack Performance Sampler Teaser....<br>
&gt;<br>&gt; From Synthtopia:<br>&gt;<br>&gt; &quot; This video is an epic =
dystopian future
 teaser for Elektron=B9s new Octatrack<br>&gt; performance sampler....&quot=
;<br>&gt;<br><span>&gt; =A0 =A0 =A0 =A0 =A0 <a target=3D"_blank" href=3D"ht=
tp://is.gd/j05M4"><a href=3D"http://is.gd/j05M4">http://is.gd/j05M4</a></a>=
</span><br>&gt;<br>
&gt; Not much real content (technical or otherwise), but quite entertaining=
 if a<br>&gt; little dark &amp; morbid.=A0 I liked the random Blade Runner =
references (I caught<br>&gt; two, perhaps three, myself) and supposedly the=
re&#39;s a nod or three to Usual<br>
&gt; Suspects in there also.<br>&gt;<br>&gt; =A0 =A0 --m.<br>&gt;<br>&gt;<b=
r>&gt;<br>&gt;<br><br></div></div><div style=3D"position:fixed"></div>


</div><br>

      </div></blockquote></body></html>

--20cf30549fd19c8db50497d14cd2--

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Date: Mon, 20 Dec 2010 00:27:50 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <4244811946201215669@unknownmsgid>
MIME-Version: 1.0
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--0-82314911-1292833670=:81928
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I am happy to hear that it is irony. =0A=0Ai know my tone was more bitting =
than it usually is, but you will also notice =0Athat i included myself in t=
he lot.=0Amy point was not to be crass or call anybody brain dead but to aw=
aken our =0Acritical sense, as a community. Of course the movie is well mad=
e, it is full of =0Areferences, but what does it talk about? Why all the vi=
olence: brain pouring out =0Aof ears and such, threats of torture; what is =
the point... why do we accept this =0Aas mainstream movie content=0A=0AYeah=
, the music is not of the highest quality (was that better as far as veilin=
g =0Agoes:-))=0A=0AIn fact, you made a big point, it really shows how off t=
arget the whole film =0Areally is: clever, flashy, well made, appealing in =
a morbid contemporary =0Afashion, but bad music, no information and no real=
 content.=0A=0ABy the way, I am sure this machine is going to be a great to=
ol, once the bugs =0Aare ironed out, and once the software is pretty comple=
te.=0A=0AAnd my apologies for not making myself understood, I am not callin=
g anyone here =0Abrain dead. Quite the contrary, I am trying to convey the =
following : ye who =0Astill have preserved your wits in the midst of all th=
is misinformation, =0Aover-information and noise, don't you think this film=
 is offending your =0Aintelligence and dulling your empathy...=0A=0AAntony=
=0A=0A=0A=0A________________________________=0AFrom: mark francombe <markfr=
ancombe@gmail.com>=0ATo: "Loopers-Delight@loopers-delight.com" <Loopers-Del=
ight@loopers-delight.com>=0ASent: Mon, December 20, 2010 7:05:04 AM=0ASubje=
ct: Re: Epic Octatrack Performance Sampler Teaser....=0A=0A=0AIts irony mat=
e... The fact that it references at least 6 different films maybe =0Amore..=
. Its beatifully shot, very well made, thats what i mean by Nice btw, (my =
=0Aday job is being a filmaker) i didn't say i loved it or anything. It was=
 a =0Acritical post...I merely wondered where people on the list got they'r=
e info. =0A=0AInfact, probably my biggest critisism would be that for a mus=
ic machine that =0Athey are claiming is so revolutionary, how come the musi=
c sucks, Ive only heard =0Asome 3rd rate big beat done on it. Maybe it is t=
hat crap? But we dont know do =0Awe? No specs!!=0A=0AOn this this list Anto=
ny its more normal practice to veil ones insults in clever =0Alayers of sub=
tlty. Try and avoid calling me braindead straight out , save the =0Acrassne=
ss for youTube...=0A=0A=0AM=0A=0A=0A=0ASent from my (advertisement removed)=
=0A=0AOn 20 Dec 2010, at 01:21, antonyhequet@yahoo.com wrote:=0A=0A=0AI fin=
d the whole tone of it ridiculous. We are now so zombied out by these =0Ahy=
ped, aggressive, pseudo spy, shoot em down, breake'm, "movies3, that we fin=
d =0Ait normal that a machine made for music shold be portrayed as dangerou=
s and =0Atreacherous weapon. This is supposed to be funny, we should get of=
f on it?=0A>It shows how much brain damage has been done to us: people on t=
his list who are =0A>usually pretty witty  and exercise their sense of humo=
r look at this clip half =0A>seriously and find it OK, aside from the fact =
that the clip says nothing about =0A>speccs.=0A>=0A>=0A>hey wake up, this m=
ovie is boring and silly=0A>=0A>=0A>Antony=0A>=0A>=0A>=0A__________________=
______________=0AFrom: Dennis Moser <sinsofmachaut@gmail.com>=0A>To: Looper=
s-Delight@loopers-delight.com=0A>Sent: Mon, December 20, 2010 1:01:16 AM=0A=
>Subject: Re: Epic Octatrack Performance Sampler Teaser....=0A>=0A>Glad you=
 enjoy the Kool-Aid, Mark...=0A>=0A>http://soundcloud.com/usrsbin=0A>http:/=
/audiozoloft.com=0A>http://usrslashsbin.angrek.com/=0A>=0A>=0A>=0A>On Sun, =
Dec 19, 2010 at 4:30 PM, mark francombe <markfrancombe@gmail.com> =0Awrote:=
=0A>> I don't understand.. It's a dog? What does that mean? To be honest I'=
m=0A>> amazed they went to so much expense to produce this ad, nice as it w=
as, yet=0A>> at no place did they demonstrate any features.... Why are you =
so down on it=0A>> Dennis, is there some specs out there... I'd like to rea=
d.. I love this=0A>> companies former products and expect good stuff... And=
ers.. Do you have some=0A>> infi,,,  guess i better check thr site...=0A>>=
=0A>> Sent from my (advertisement removed)=0A>> On 19 Dec 2010, at 23:59, a=
ntonyhequet@yahoo.com wrote:=0A>>=0A>> it's a dog really:-)=0A>> Antony=0A>=
> ________________________________=0A>> From: Dustbunnies <mech@m3ch.net>=
=0A>> To: "Loopers-Delight@loopers-delight.com"=0A>> <Loopers-Delight@loope=
rs-delight.com>=0A>> Sent: Sun, December 19, 2010 10:52:44 AM=0A>> Subject:=
 Epic Octatrack Performance Sampler Teaser....=0A>>=0A>> From Synthtopia:=
=0A>>=0A>> " This video is an epic dystopian future  teaser for Elektron=B9=
s new Octatrack=0A>> performance sampler...."=0A>>=0A>>           http://is=
.gd/j05M4=0A>>=0A>> Not much real content (technical or otherwise), but qui=
te entertaining if a=0A>> little dark & morbid.  I liked the random Blade R=
unner references (I caught=0A>> two, perhaps three, myself) and supposedly =
there's a nod or three to Usual=0A>> Suspects in there also.=0A>>=0A>>     =
--m.=0A>>=0A>>=0A>>=0A>>=0A>=0A>=0A>=0A=0A=0A      
--0-82314911-1292833670=:81928
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>I am happy to hear that it is irony.&nbsp;</div><div><br></div><d=
iv>i know my tone was more bitting than it usually is, but you will also no=
tice that i included myself in the lot.</div><div>my point was not to be cr=
ass or call anybody brain dead but to awaken our critical sense, as a commu=
nity. Of course the movie is well made, it is full of references, but what =
does it talk about? Why all the violence: brain pouring out of ears and suc=
h, threats of torture; what is the point... why do we accept this as mainst=
ream movie content</div><div><br></div><div>Yeah, the music is not of the h=
ighest quality (was that better as far as veiling goes:-))</div><div><br></=
div><div>In fact, you made a big point, it really shows how off target the =
whole film really is: clever, flashy, well made, appealing in a morbid
 contemporary fashion, but bad music, no information and no real content.</=
div><div><br></div><div>By the way, I am sure this machine is going to be a=
 great tool, once the bugs are ironed out, and once the software is pretty =
complete.</div><div><br></div><div>And my apologies for not making myself u=
nderstood, I am not calling anyone here brain dead. Quite the contrary, I a=
m trying to convey the following : ye who still have preserved your wits in=
 the midst of all this misinformation, over-information and noise, don't yo=
u think this film is offending your intelligence and dulling your empathy..=
.</div><div><br></div><div>Antony</div><div style=3D"font-family:arial, hel=
vetica, sans-serif;font-size:14pt"><br><div style=3D"font-family:times new =
roman, new york, times, serif;font-size:12pt"><font size=3D"2" face=3D"Taho=
ma"><hr size=3D"1"><b><span style=3D"font-weight: bold;">From:</span></b> m=
ark francombe &lt;markfrancombe@gmail.com&gt;<br><b><span style=3D"font-wei=
ght:
 bold;">To:</span></b> "Loopers-Delight@loopers-delight.com" &lt;Loopers-De=
light@loopers-delight.com&gt;<br><b><span style=3D"font-weight: bold;">Sent=
:</span></b> Mon, December 20, 2010 7:05:04 AM<br><b><span style=3D"font-we=
ight: bold;">Subject:</span></b> Re: Epic Octatrack Performance Sampler Tea=
ser....<br></font><br>=0A<div>Its irony mate... The fact that it references=
 at least 6 different films maybe more... Its beatifully shot, very well ma=
de, thats what i mean by Nice btw, (my day job is being a filmaker) i didn'=
t say i loved it or anything. It was a critical post...I merely wondered wh=
ere people on the list got they're info.&nbsp;</div>=0A<div><br></div><div>=
Infact, probably my biggest critisism would be that for a music machine tha=
t they are claiming is so revolutionary, how come the music sucks, Ive only=
 heard some 3rd rate big beat done on it. Maybe it is that crap? But we don=
t know do we? No specs!!</div>=0A<div><br></div><div>On this this list Anto=
ny its more normal practice to veil ones insults in clever layers of subtlt=
y. Try and avoid calling me braindead straight out , save the crassness&nbs=
p;for youTube...</div><div><br></div>=0A<div><br></div><div>M</div><div><br=
></div><div><br></div><div><br></div><div>Sent from my (advertisement remov=
ed)</div><div><br>On 20 Dec 2010, at 01:21, <a rel=3D"nofollow" ymailto=3D"=
mailto:antonyhequet@yahoo.com" target=3D"_blank" href=3D"mailto:antonyheque=
t@yahoo.com">antonyhequet@yahoo.com</a> wrote:<br>=0A<br></div><div></div><=
blockquote type=3D"cite"><div><div style=3D"font-family:arial, helvetica, s=
ans-serif;font-size:14pt;"><div>I find the whole tone of it ridiculous. We =
are now so zombied out by these hyped, aggressive, pseudo spy, shoot em dow=
n, breake'm, "movies3, that we find it normal that a machine made for music=
 shold be portrayed as dangerous and treacherous weapon. This is supposed t=
o be funny, we should get off on it?</div>=0A<div>It shows how much brain d=
amage has been done to us: people on this list who are usually pretty witty=
 &nbsp;and exercise their sense of humor look at this clip half seriously a=
nd find it OK, aside from the fact that the clip says nothing about speccs.=
</div>=0A<div><br></div><div>hey wake up, this movie is boring and silly</d=
iv><div><br></div><div>Antony</div><div style=3D"font-family:arial, helveti=
ca, sans-serif;font-size:14pt;"><br><div style=3D"font-family:arial, helvet=
ica, sans-serif;font-size:13px;"><font size=3D"2" face=3D"Tahoma"><hr size=
=3D"1"><b><span style=3D"font-weight:bold;">From:</span></b> Dennis Moser &=
lt;<a rel=3D"nofollow" ymailto=3D"mailto:sinsofmachaut@gmail.com" target=3D=
"_blank" href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a=
>&gt;<br><b><span style=3D"font-weight:bold;">To:</span></b> <a rel=3D"nofo=
llow" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_bla=
nk" href=3D"mailto:Loopers-Delight@loopers-delight.com"></a><a rel=3D"nofol=
low" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blan=
k" href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loop=
ers-delight.com</a><br>=0A<b><span style=3D"font-weight:bold;">Sent:</span>=
</b> Mon, December 20, 2010 1:01:16 AM<br><b><span style=3D"font-weight:bol=
d;">Subject:</span></b> Re: Epic Octatrack Performance Sampler Teaser....<b=
r></font><br>=0AGlad you enjoy the Kool-Aid, Mark...<br><br><span><a rel=3D=
"nofollow" target=3D"_blank" href=3D"http://soundcloud.com/usrsbin">http://=
soundcloud.com/usrsbin</a></span><br><span><a rel=3D"nofollow" target=3D"_b=
lank" href=3D"http://audiozoloft.com">http://audiozoloft.com</a></span><br>=
=0A<span><a rel=3D"nofollow" target=3D"_blank" href=3D"http://usrslashsbin.=
angrek.com/">http://usrslashsbin.angrek.com/</a></span><br><br><br><br>On S=
un, Dec 19, 2010 at 4:30 PM, mark francombe &lt;<a rel=3D"nofollow" ymailto=
=3D"mailto:markfrancombe@gmail.com" target=3D"_blank" href=3D"mailto:markfr=
ancombe@gmail.com"></a><a rel=3D"nofollow" ymailto=3D"mailto:markfrancombe@=
gmail.com" target=3D"_blank" href=3D"mailto:markfrancombe@gmail.com">markfr=
ancombe@gmail.com</a>&gt; wrote:<br>=0A&gt; I don't understand.. It's a dog=
? What does that mean? To be honest I'm<br>&gt; amazed they went to so much=
 expense to produce this ad, nice as it was, yet<br>&gt; at no place did th=
ey demonstrate any features.... Why are you so down on it<br>=0A&gt; Dennis=
, is there some specs out there... I'd like to read.. I love this<br>&gt; c=
ompanies former products and expect good stuff... Anders.. Do you have some=
<br>&gt; infi,,,=0A guess i better check thr site...<br>&gt;<br>&gt; Sent f=
rom my (advertisement removed)<br>&gt; On 19 Dec 2010, at 23:59, <a rel=3D"=
nofollow" ymailto=3D"mailto:antonyhequet@yahoo.com" target=3D"_blank" href=
=3D"mailto:antonyhequet@yahoo.com"></a><a rel=3D"nofollow" ymailto=3D"mailt=
o:antonyhequet@yahoo.com" target=3D"_blank" href=3D"mailto:antonyhequet@yah=
oo.com">antonyhequet@yahoo.com</a> wrote:<br>=0A&gt;<br>&gt; it's a dog rea=
lly:-)<br>&gt; Antony<br>&gt; ________________________________<br>&gt; From=
: Dustbunnies &lt;<a rel=3D"nofollow" ymailto=3D"mailto:mech@m3ch.net" targ=
et=3D"_blank" href=3D"mailto:mech@m3ch.net"></a><a rel=3D"nofollow" ymailto=
=3D"mailto:mech@m3ch.net" target=3D"_blank" href=3D"mailto:mech@m3ch.net">m=
ech@m3ch.net</a>&gt;<br>&gt; To: "<a rel=3D"nofollow" ymailto=3D"mailto:Loo=
pers-Delight@loopers-delight.com" target=3D"_blank" href=3D"mailto:Loopers-=
Delight@loopers-delight.com"></a><a rel=3D"nofollow" ymailto=3D"mailto:Loop=
ers-Delight@loopers-delight.com" target=3D"_blank" href=3D"mailto:Loopers-D=
elight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>"<br>=0A=
&gt; &lt;<a rel=3D"nofollow" ymailto=3D"mailto:Loopers-Delight@loopers-deli=
ght.com" target=3D"_blank" href=3D"mailto:Loopers-Delight@loopers-delight.c=
om"></a><a rel=3D"nofollow" ymailto=3D"mailto:Loopers-Delight@loopers-delig=
ht.com" target=3D"_blank" href=3D"mailto:Loopers-Delight@loopers-delight.co=
m">Loopers-Delight@loopers-delight.com</a>&gt;<br>&gt; Sent: Sun, December =
19, 2010 10:52:44 AM<br>&gt; Subject: Epic Octatrack Performance Sampler Te=
aser....<br>=0A&gt;<br>&gt; From Synthtopia:<br>&gt;<br>&gt; " This video i=
s an epic dystopian future=0A teaser for Elektron=B9s new Octatrack<br>&gt;=
 performance sampler...."<br>&gt;<br><span>&gt; &nbsp; &nbsp; &nbsp; &nbsp;=
 &nbsp; <a rel=3D"nofollow" target=3D"_blank" href=3D"http://is.gd/j05M4">h=
ttp://is.gd/j05M4</a></span><br>&gt;<br>=0A&gt; Not much real content (tech=
nical or otherwise), but quite entertaining if a<br>&gt; little dark &amp; =
morbid.&nbsp; I liked the random Blade Runner references (I caught<br>&gt; =
two, perhaps three, myself) and supposedly there's a nod or three to Usual<=
br>=0A&gt; Suspects in there also.<br>&gt;<br>&gt; &nbsp; &nbsp; --m.<br>&g=
t;<br>&gt;<br>&gt;<br>&gt;<br><br></div></div><div style=3D""></div>=0A=0A=
=0A</div><br>=0A=0A      </div></blockquote>=0A</div></div><div style=3D"po=
sition:fixed"></div>=0A=0A=0A</div><br>=0A=0A=0A=0A=0A=0A=0A=0A      </body=
></html>
--0-82314911-1292833670=:81928--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 08:42:18 2010
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Epic Octatrack Performance Sampler Teaser....
Date: Mon, 20 Dec 2010 08:42:16 +0000
Importance: Normal
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--_037b31e1-108c-4081-b05a-7d99c84467d7_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


Specs:
Internal tracks | Real-time time stretch and pitch shift | 8 recorders | 16=
 instantly available banks | 256 instantly available patterns | 64 step var=
iable length tracks |2 FX blocks per track | 3 LFOs per track | 3 year Elek=
tron Warranty
http://www.elektron.se/sites/default/files/products/files/Octratrack-Specs.=
pdf
=20
=20
Lots of info:=A8
http://www.elektron.se/products/octatrack
=20
Anders

=20


From: markfrancombe@gmail.com
Date: Mon=2C 20 Dec 2010 07:05:04 +0100
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com


Its irony mate... The fact that it references at least 6 different films ma=
ybe more... Its beatifully shot=2C very well made=2C thats what i mean by N=
ice btw=2C (my day job is being a filmaker) i didn't say i loved it or anyt=
hing. It was a critical post...I merely wondered where people on the list g=
ot they're info.=20


Infact=2C probably my biggest critisism would be that for a music machine t=
hat they are claiming is so revolutionary=2C how come the music sucks=2C Iv=
e only heard some 3rd rate big beat done on it. Maybe it is that crap? But =
we dont know do we? No specs!!


On this this list Antony its more normal practice to veil ones insults in c=
lever layers of subtlty. Try and avoid calling me braindead straight out =
=2C save the crassness for youTube...




M






Sent from my (advertisement removed)

On 20 Dec 2010=2C at 01:21=2C antonyhequet@yahoo.com wrote:






I find the whole tone of it ridiculous. We are now so zombied out by these =
hyped=2C aggressive=2C pseudo spy=2C shoot em down=2C breake'm=2C "movies3=
=2C that we find it normal that a machine made for music shold be portrayed=
 as dangerous and treacherous weapon. This is supposed to be funny=2C we sh=
ould get off on it?
It shows how much brain damage has been done to us: people on this list who=
 are usually pretty witty  and exercise their sense of humor look at this c=
lip half seriously and find it OK=2C aside from the fact that the clip says=
 nothing about speccs.


hey wake up=2C this movie is boring and silly


Antony




From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon=2C December 20=2C 2010 1:01:16 AM
Subject: Re: Epic Octatrack Performance Sampler Teaser....

Glad you enjoy the Kool-Aid=2C Mark...

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun=2C Dec 19=2C 2010 at 4:30 PM=2C mark francombe <markfrancombe@gmail.=
com> wrote:
> I don't understand.. It's a dog? What does that mean? To be honest I'm
> amazed they went to so much expense to produce this ad=2C nice as it was=
=2C yet
> at no place did they demonstrate any features.... Why are you so down on =
it
> Dennis=2C is there some specs out there... I'd like to read.. I love this
> companies former products and expect good stuff... Anders.. Do you have s=
ome
> infi=2C=2C=2C guess i better check thr site...
>
> Sent from my (advertisement removed)
> On 19 Dec 2010=2C at 23:59=2C antonyhequet@yahoo.com wrote:
>
> it's a dog really:-)
> Antony
> ________________________________
> From: Dustbunnies <mech@m3ch.net>
> To: "Loopers-Delight@loopers-delight.com"
> <Loopers-Delight@loopers-delight.com>
> Sent: Sun=2C December 19=2C 2010 10:52:44 AM
> Subject: Epic Octatrack Performance Sampler Teaser....
>
> From Synthtopia:
>
> " This video is an epic dystopian future teaser for Elektron=B9s new Octa=
track
> performance sampler...."
>
>           http://is.gd/j05M4
>
> Not much real content (technical or otherwise)=2C but quite entertaining =
if a
> little dark & morbid.  I liked the random Blade Runner references (I caug=
ht
> two=2C perhaps three=2C myself) and supposedly there's a nod or three to =
Usual
> Suspects in there also.
>
>     --m.
>
>
>
>



 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Specs:<BR>
Internal tracks <SPAN>|</SPAN> Real-time time stretch and pitch shift <SPAN=
>|</SPAN> 8 recorders <SPAN>|</SPAN> 16 instantly available banks <SPAN>|</=
SPAN> 256 instantly available patterns <SPAN>|</SPAN> 64 step variable leng=
th tracks <SPAN>|</SPAN>2 FX blocks per track <SPAN>|</SPAN> 3 LFOs per tra=
ck <SPAN>|</SPAN> 3 year Elektron Warranty<BR><FONT color=3D#e6e6e6 size=3D=
3 face=3DDessauPro><FONT color=3D#e6e6e6 size=3D3 face=3DDessauPro><FONT co=
lor=3D#e6e6e6 size=3D3 face=3DDessauPro>
<P align=3Dleft><A href=3D"http://www.elektron.se/sites/default/files/produ=
cts/files/Octratrack-Specs.pdf">http://www.elektron.se/sites/default/files/=
products/files/Octratrack-Specs.pdf</A></P>
<P align=3Dleft>&nbsp=3B</P>
<P align=3Dleft></FONT></FONT></FONT><FONT size=3D1 face=3DArcher-Semibold>=
<FONT size=3D1 face=3DArcher-Semibold>&nbsp=3B</P>
<FONT size=3D2>Lots of info:=A8</FONT><BR>
<FONT size=3D2><A href=3D"http://www.elektron.se/products/octatrack">http:/=
/www.elektron.se/products/octatrack</A></FONT><BR>
<FONT size=3D2></FONT>&nbsp=3B<BR>
<FONT size=3D2>Anders</FONT><BR>
</FONT></FONT><BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
From: markfrancombe@gmail.com<BR>Date: Mon=2C 20 Dec 2010 07:05:04 +0100<BR=
>Subject: Re: Epic Octatrack Performance Sampler Teaser....<BR>To: Loopers-=
Delight@loopers-delight.com<BR><BR>
<DIV>Its irony mate... The fact that it references at least 6 different fil=
ms maybe more... Its beatifully shot=2C very well made=2C thats what i mean=
 by Nice btw=2C (my day job is being a filmaker) i didn't say i loved it or=
 anything. It was a critical post...I merely wondered where people on the l=
ist got they're info.&nbsp=3B</DIV>
<DIV><BR></DIV>
<DIV>Infact=2C probably my biggest critisism would be that for a music mach=
ine that they are claiming is so revolutionary=2C how come the music sucks=
=2C Ive only heard some 3rd rate big beat done on it. Maybe it is that crap=
? But we dont know do we? No specs!!</DIV>
<DIV><BR></DIV>
<DIV>On this this list Antony its more normal practice to veil ones insults=
 in clever layers of subtlty. Try and avoid calling me braindead straight o=
ut =2C save the crassness&nbsp=3Bfor youTube...</DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV>M</DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV>Sent from my (advertisement removed)</DIV>
<DIV><BR>On 20 Dec 2010=2C at 01:21=2C <A href=3D"mailto:antonyhequet@yahoo=
.com">antonyhequet@yahoo.com</A> wrote:<BR><BR></DIV>
<DIV></DIV>
<BLOCKQUOTE>
<DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt">
<DIV>I find the whole tone of it ridiculous. We are now so zombied out by t=
hese hyped=2C aggressive=2C pseudo spy=2C shoot em down=2C breake'm=2C "mov=
ies3=2C that we find it normal that a machine made for music shold be portr=
ayed as dangerous and treacherous weapon. This is supposed to be funny=2C w=
e should get off on it?</DIV>
<DIV>It shows how much brain damage has been done to us: people on this lis=
t who are usually pretty witty &nbsp=3Band exercise their sense of humor lo=
ok at this clip half seriously and find it OK=2C aside from the fact that t=
he clip says nothing about speccs.</DIV>
<DIV><BR></DIV>
<DIV>hey wake up=2C this movie is boring and silly</DIV>
<DIV><BR></DIV>
<DIV>Antony</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt"><BR>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C
 sans-serif=3B FONT-SIZE: 13px"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Dennis Moser &lt=3B<A=
 href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</A>&gt=3B<=
BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> <A href=3D"mailto:Lo=
opers-Delight@loopers-delight.com"><A href=3D"mailto:Loopers-Delight@looper=
s-delight.com">Loopers-Delight@loopers-delight.com</A></A><BR><B><SPAN styl=
e=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Mon=2C December 20=2C 2010 1:01:16=
 AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: Epic Oc=
tatrack Performance Sampler Teaser....<BR></FONT><BR>Glad you enjoy the Koo=
l-Aid=2C Mark...<BR><BR><SPAN><A href=3D"http://soundcloud.com/usrsbin" tar=
get=3D_blank><A href=3D"http://soundcloud.com/usrsbin" target=3D_blank>http=
://soundcloud.com/usrsbin</A></A></SPAN><BR><SPAN><A href=3D"http://audiozo=
loft.com/" target=3D_blank><A href=3D"http://audiozoloft.com/" target=3D_bl=
ank>http://audiozoloft.com</A></A></SPAN><BR><SPAN><A href=3D"http://usrsla=
shsbin.angrek.com/" target=3D_blank><A href=3D"http://usrslashsbin.angrek.c=
om/" target=3D_blank>http://usrslashsbin.angrek.com/</A></A></SPAN><BR><BR>=
<BR><BR>On Sun=2C Dec 19=2C 2010 at 4:30 PM=2C mark francombe &lt=3B<A href=
=3D"mailto:markfrancombe@gmail.com"><A href=3D"mailto:markfrancombe@gmail.c=
om">markfrancombe@gmail.com</A></A>&gt=3B wrote:<BR>&gt=3B I don't understa=
nd.. It's a dog? What does that mean? To be honest I'm<BR>&gt=3B amazed the=
y went to so much expense to produce this ad=2C nice as it was=2C yet<BR>&g=
t=3B at no place did they demonstrate any features.... Why are you so down =
on it<BR>&gt=3B Dennis=2C is there some specs out there... I'd like to read=
.. I love this<BR>&gt=3B companies former products and expect good stuff...=
 Anders.. Do you have some<BR>&gt=3B infi=2C=2C=2C guess i better check thr=
 site...<BR>&gt=3B<BR>&gt=3B Sent from my (advertisement removed)<BR>&gt=3B=
 On 19 Dec 2010=2C at 23:59=2C <A href=3D"mailto:antonyhequet@yahoo.com"><A=
 href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</A></A> wrot=
e:<BR>&gt=3B<BR>&gt=3B it's a dog really:-)<BR>&gt=3B Antony<BR>&gt=3B ____=
____________________________<BR>&gt=3B From: Dustbunnies &lt=3B<A href=3D"m=
ailto:mech@m3ch.net"><A href=3D"mailto:mech@m3ch.net">mech@m3ch.net</A></A>=
&gt=3B<BR>&gt=3B To: "<A href=3D"mailto:Loopers-Delight@loopers-delight.com=
"><A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@lo=
opers-delight.com</A></A>"<BR>&gt=3B &lt=3B<A href=3D"mailto:Loopers-Deligh=
t@loopers-delight.com"><A href=3D"mailto:Loopers-Delight@loopers-delight.co=
m">Loopers-Delight@loopers-delight.com</A></A>&gt=3B<BR>&gt=3B Sent: Sun=2C=
 December 19=2C 2010 10:52:44 AM<BR>&gt=3B Subject: Epic Octatrack Performa=
nce Sampler Teaser....<BR>&gt=3B<BR>&gt=3B From Synthtopia:<BR>&gt=3B<BR>&g=
t=3B " This video is an epic dystopian future teaser for Elektron=B9s new O=
ctatrack<BR>&gt=3B performance sampler...."<BR>&gt=3B<BR><SPAN>&gt=3B &nbsp=
=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B <A href=3D"http://is.gd/j05M4" targ=
et=3D_blank><A href=3D"http://is.gd/j05M4" target=3D_blank>http://is.gd/j05=
M4</A></A></SPAN><BR>&gt=3B<BR>&gt=3B Not much real content (technical or o=
therwise)=2C but quite entertaining if a<BR>&gt=3B little dark &amp=3B morb=
id.&nbsp=3B I liked the random Blade Runner references (I caught<BR>&gt=3B =
two=2C perhaps three=2C myself) and supposedly there's a nod or three to Us=
ual<BR>&gt=3B Suspects in there also.<BR>&gt=3B<BR>&gt=3B &nbsp=3B &nbsp=3B=
 --m.<BR>&gt=3B<BR>&gt=3B<BR>&gt=3B<BR>&gt=3B<BR><BR></DIV></DIV>
<DIV></DIV></DIV><BR></DIV></BLOCKQUOTE> 		 	   		  </body>
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 09:26:18 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Epic Octatrack Performance Sampler Teaser....
Date: Mon, 20 Dec 2010 09:26:14 +0000
Importance: Normal
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I found myself wondering how much this slick production would add to the pr=
ice of the unit. As regards the tone of the piece=2C some music is inherent=
ly dystopian and agressive=2C black metal=2C and some hardcore dance styles=
 for instance. The manufacturers have obviously missed a trick by alienatin=
g some of the members of this list.=20
I don't think I've ever enjoyed a demo like the ones you'd get with synthes=
isers=2C (you know=2C the one where you'd press a combination of buttons an=
d some awful jazz fusion or keyboard rock would emenate from). It was alway=
s a matter of trying to look beyond the awful demos towards what I personal=
ly wanted to achieve.

Peace

G

Date: Mon=2C 20 Dec 2010 00:27:50 -0800
From: antonyhequet@yahoo.com
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com



I am happy to hear that it is irony.=20
i know my tone was more bitting than it usually is=2C but you will also not=
ice that i included myself in the lot.my point was not to be crass or call =
anybody brain dead but to awaken our critical sense=2C as a community. Of c=
ourse the movie is well made=2C it is full of references=2C but what does i=
t talk about? Why all the violence: brain pouring out of ears and such=2C t=
hreats of torture=3B what is the point... why do we accept this as mainstre=
am movie content
Yeah=2C the music is not of the highest quality (was that better as far as =
veiling goes:-))
In fact=2C you made a big point=2C it really shows how off target the whole=
 film really is: clever=2C flashy=2C well made=2C appealing in a morbid
 contemporary fashion=2C but bad music=2C no information and no real conten=
t.
By the way=2C I am sure this machine is going to be a great tool=2C once th=
e bugs are ironed out=2C and once the software is pretty complete.
And my apologies for not making myself understood=2C I am not calling anyon=
e here brain dead. Quite the contrary=2C I am trying to convey the followin=
g : ye who still have preserved your wits in the midst of all this misinfor=
mation=2C over-information and noise=2C don't you think this film is offend=
ing your intelligence and dulling your empathy...
Antony
From: mark francombe <markfrancombe@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.=
com>
Sent: Mon=2C December 20=2C 2010 7:05:04 AM
Subject: Re: Epic Octatrack Performance Sampler Teaser....


Its irony mate... The fact that it references at least 6 different films ma=
ybe more... Its beatifully shot=2C very well made=2C thats what i mean by N=
ice btw=2C (my day job is being a filmaker) i didn't say i loved it or anyt=
hing. It was a critical post...I merely wondered where people on the list g=
ot they're info.=20

Infact=2C probably my biggest critisism would be that for a music machine t=
hat they are claiming is so revolutionary=2C how come the music sucks=2C Iv=
e only heard some 3rd rate big beat done on it. Maybe it is that crap? But =
we dont know do we? No specs!!

On this this list Antony its more normal practice to veil ones insults in c=
lever layers of subtlty. Try and avoid calling me braindead straight out =
=2C save the crassness for youTube...


M


Sent from my (advertisement removed)
On 20 Dec 2010=2C at 01:21=2C antonyhequet@yahoo.com wrote:


I find the whole tone of it ridiculous. We are now so zombied out by these =
hyped=2C aggressive=2C pseudo spy=2C shoot em down=2C breake'm=2C "movies3=
=2C that we find it normal that a machine made for music shold be portrayed=
 as dangerous and treacherous weapon. This is supposed to be funny=2C we sh=
ould get off on it?
It shows how much brain damage has been done to us: people on this list who=
 are usually pretty witty  and exercise their sense of humor look at this c=
lip half seriously and find it OK=2C aside from the fact that the clip says=
 nothing about speccs.

hey wake up=2C this movie is boring and silly
Antony
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com

Sent: Mon=2C December 20=2C 2010 1:01:16 AM
Subject: Re: Epic Octatrack Performance Sampler Teaser....


Glad you enjoy the Kool-Aid=2C Mark...

http://soundcloud.com/usrsbin
http://audiozoloft.com

http://usrslashsbin.angrek.com/



On Sun=2C Dec 19=2C 2010 at 4:30 PM=2C mark francombe <markfrancombe@gmail.=
com> wrote:

> I don't understand.. It's a dog? What does that mean? To be honest I'm
> amazed they went to so much expense to produce this ad=2C nice as it was=
=2C yet
> at no place did they demonstrate any features.... Why are you so down on =
it

> Dennis=2C is there some specs out there... I'd like to read.. I love this
> companies former products and expect good stuff... Anders.. Do you have s=
ome
> infi=2C=2C=2C
 guess i better check thr site...
>
> Sent from my (advertisement removed)
> On 19 Dec 2010=2C at 23:59=2C antonyhequet@yahoo.com wrote:

>
> it's a dog really:-)
> Antony
> ________________________________
> From: Dustbunnies <mech@m3ch.net>
> To: "Loopers-Delight@loopers-delight.com"

> <Loopers-Delight@loopers-delight.com>
> Sent: Sun=2C December 19=2C 2010 10:52:44 AM
> Subject: Epic Octatrack Performance Sampler Teaser....

>
> From Synthtopia:
>
> " This video is an epic dystopian future
 teaser for Elektron=B9s new Octatrack
> performance sampler...."
>
>           http://is.gd/j05M4
>

> Not much real content (technical or otherwise)=2C but quite entertaining =
if a
> little dark & morbid.  I liked the random Blade Runner references (I caug=
ht
> two=2C perhaps three=2C myself) and supposedly there's a nod or three to =
Usual

> Suspects in there also.
>
>     --m.
>
>
>
>







     =20




 		 	   		  =

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{
font-size: 10pt=3B
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</head>
<body class=3D'hmmessage'>
I found myself wondering how much this slick production would add to the pr=
ice of the unit. As regards the tone of the piece=2C some music is inherent=
ly dystopian and agressive=2C black metal=2C and some hardcore dance styles=
 for instance. The manufacturers have obviously missed a trick by alienatin=
g some of the members of this list. <br>I don't think I've ever enjoyed a d=
emo like the ones you'd get with synthesisers=2C (you know=2C the one where=
 you'd press a combination of buttons and some awful jazz fusion or keyboar=
d rock would emenate from). It was always a matter of trying to look beyond=
 the awful demos towards what I personally wanted to achieve.<br><br>Peace<=
br><br>G<br><br><hr id=3D"stopSpelling">Date: Mon=2C 20 Dec 2010 00:27:50 -=
0800<br>From: antonyhequet@yahoo.com<br>Subject: Re: Epic Octatrack Perform=
ance Sampler Teaser....<br>To: Loopers-Delight@loopers-delight.com<br><br>
<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
">
<meta name=3D"Generator" content=3D"Microsoft SafeHTML"><style>
.ExternalClass DIV
{=3B}

</style><div style=3D"font-family: arial=2Chelvetica=2Csans-serif=3B font-s=
ize: 14pt=3B"><div>I am happy to hear that it is irony.&nbsp=3B</div><div><=
br></div><div>i know my tone was more bitting than it usually is=2C but you=
 will also notice that i included myself in the lot.</div><div>my point was=
 not to be crass or call anybody brain dead but to awaken our critical sens=
e=2C as a community. Of course the movie is well made=2C it is full of refe=
rences=2C but what does it talk about? Why all the violence: brain pouring =
out of ears and such=2C threats of torture=3B what is the point... why do w=
e accept this as mainstream movie content</div><div><br></div><div>Yeah=2C =
the music is not of the highest quality (was that better as far as veiling =
goes:-))</div><div><br></div><div>In fact=2C you made a big point=2C it rea=
lly shows how off target the whole film really is: clever=2C flashy=2C well=
 made=2C appealing in a morbid
 contemporary fashion=2C but bad music=2C no information and no real conten=
t.</div><div><br></div><div>By the way=2C I am sure this machine is going t=
o be a great tool=2C once the bugs are ironed out=2C and once the software =
is pretty complete.</div><div><br></div><div>And my apologies for not makin=
g myself understood=2C I am not calling anyone here brain dead. Quite the c=
ontrary=2C I am trying to convey the following : ye who still have preserve=
d your wits in the midst of all this misinformation=2C over-information and=
 noise=2C don't you think this film is offending your intelligence and dull=
ing your empathy...</div><div><br></div><div>Antony</div><div style=3D"font=
-family: arial=2Chelvetica=2Csans-serif=3B font-size: 14pt=3B"><br><div sty=
le=3D"font-family: times new roman=2Cnew york=2Ctimes=2Cserif=3B font-size:=
 12pt=3B"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D=
"font-weight: bold=3B">From:</span></b> mark francombe &lt=3Bmarkfrancombe@=
gmail.com&gt=3B<br><b><span style=3D"font-weight: bold=3B">To:</span></b> "=
Loopers-Delight@loopers-delight.com" &lt=3BLoopers-Delight@loopers-delight.=
com&gt=3B<br><b><span style=3D"font-weight: bold=3B">Sent:</span></b> Mon=
=2C December 20=2C 2010 7:05:04 AM<br><b><span style=3D"font-weight: bold=
=3B">Subject:</span></b> Re: Epic Octatrack Performance Sampler Teaser....<=
br></font><br>
<div>Its irony mate... The fact that it references at least 6 different fil=
ms maybe more... Its beatifully shot=2C very well made=2C thats what i mean=
 by Nice btw=2C (my day job is being a filmaker) i didn't say i loved it or=
 anything. It was a critical post...I merely wondered where people on the l=
ist got they're info.&nbsp=3B</div>
<div><br></div><div>Infact=2C probably my biggest critisism would be that f=
or a music machine that they are claiming is so revolutionary=2C how come t=
he music sucks=2C Ive only heard some 3rd rate big beat done on it. Maybe i=
t is that crap? But we dont know do we? No specs!!</div>
<div><br></div><div>On this this list Antony its more normal practice to ve=
il ones insults in clever layers of subtlty. Try and avoid calling me brain=
dead straight out =2C save the crassness&nbsp=3Bfor youTube...</div><div><b=
r></div>
<div><br></div><div>M</div><div><br></div><div><br></div><div><br></div><di=
v>Sent from my (advertisement removed)</div><div><br>On 20 Dec 2010=2C at 0=
1:21=2C <a rel=3D"nofollow" target=3D"_blank">antonyhequet@yahoo.com</a> wr=
ote:<br>
<br></div><div></div><blockquote><div><div style=3D"font-family: arial=2Che=
lvetica=2Csans-serif=3B font-size: 14pt=3B"><div>I find the whole tone of i=
t ridiculous. We are now so zombied out by these hyped=2C aggressive=2C pse=
udo spy=2C shoot em down=2C breake'm=2C "movies3=2C that we find it normal =
that a machine made for music shold be portrayed as dangerous and treachero=
us weapon. This is supposed to be funny=2C we should get off on it?</div>
<div>It shows how much brain damage has been done to us: people on this lis=
t who are usually pretty witty &nbsp=3Band exercise their sense of humor lo=
ok at this clip half seriously and find it OK=2C aside from the fact that t=
he clip says nothing about speccs.</div>
<div><br></div><div>hey wake up=2C this movie is boring and silly</div><div=
><br></div><div>Antony</div><div style=3D"font-family: arial=2Chelvetica=2C=
sans-serif=3B font-size: 14pt=3B"><br><div style=3D"font-family: arial=2Che=
lvetica=2Csans-serif=3B font-size: 13px=3B"><font face=3D"Tahoma" size=3D"2=
"><hr size=3D"1"><b><span style=3D"font-weight: bold=3B">From:</span></b> D=
ennis Moser &lt=3B<a rel=3D"nofollow" target=3D"_blank">sinsofmachaut@gmail=
.com</a>&gt=3B<br><b><span style=3D"font-weight: bold=3B">To:</span></b> <a=
 rel=3D"nofollow" target=3D"_blank"></a><a rel=3D"nofollow" target=3D"_blan=
k">Loopers-Delight@loopers-delight.com</a><br>
<b><span style=3D"font-weight: bold=3B">Sent:</span></b> Mon=2C December 20=
=2C 2010 1:01:16 AM<br><b><span style=3D"font-weight: bold=3B">Subject:</sp=
an></b> Re: Epic Octatrack Performance Sampler Teaser....<br></font><br>
Glad you enjoy the Kool-Aid=2C Mark...<br><br><span><a rel=3D"nofollow" tar=
get=3D"_blank">http://soundcloud.com/usrsbin</a></span><br><span><a rel=3D"=
nofollow" target=3D"_blank">http://audiozoloft.com</a></span><br>
<span><a rel=3D"nofollow" target=3D"_blank">http://usrslashsbin.angrek.com/=
</a></span><br><br><br><br>On Sun=2C Dec 19=2C 2010 at 4:30 PM=2C mark fran=
combe &lt=3B<a rel=3D"nofollow" target=3D"_blank"></a><a rel=3D"nofollow" t=
arget=3D"_blank">markfrancombe@gmail.com</a>&gt=3B wrote:<br>
&gt=3B I don't understand.. It's a dog? What does that mean? To be honest I=
'm<br>&gt=3B amazed they went to so much expense to produce this ad=2C nice=
 as it was=2C yet<br>&gt=3B at no place did they demonstrate any features..=
.. Why are you so down on it<br>
&gt=3B Dennis=2C is there some specs out there... I'd like to read.. I love=
 this<br>&gt=3B companies former products and expect good stuff... Anders..=
 Do you have some<br>&gt=3B infi=2C=2C=2C
 guess i better check thr site...<br>&gt=3B<br>&gt=3B Sent from my (adverti=
sement removed)<br>&gt=3B On 19 Dec 2010=2C at 23:59=2C <a rel=3D"nofollow"=
 target=3D"_blank"></a><a rel=3D"nofollow" target=3D"_blank">antonyhequet@y=
ahoo.com</a> wrote:<br>
&gt=3B<br>&gt=3B it's a dog really:-)<br>&gt=3B Antony<br>&gt=3B __________=
______________________<br>&gt=3B From: Dustbunnies &lt=3B<a rel=3D"nofollow=
" target=3D"_blank"></a><a rel=3D"nofollow" target=3D"_blank">mech@m3ch.net=
</a>&gt=3B<br>&gt=3B To: "<a rel=3D"nofollow" target=3D"_blank"></a><a rel=
=3D"nofollow" target=3D"_blank">Loopers-Delight@loopers-delight.com</a>"<br=
>
&gt=3B &lt=3B<a rel=3D"nofollow" target=3D"_blank"></a><a rel=3D"nofollow" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a>&gt=3B<br>&gt=3B S=
ent: Sun=2C December 19=2C 2010 10:52:44 AM<br>&gt=3B Subject: Epic Octatra=
ck Performance Sampler Teaser....<br>
&gt=3B<br>&gt=3B From Synthtopia:<br>&gt=3B<br>&gt=3B " This video is an ep=
ic dystopian future
 teaser for Elektron=B9s new Octatrack<br>&gt=3B performance sampler...."<b=
r>&gt=3B<br><span>&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B <a re=
l=3D"nofollow" target=3D"_blank">http://is.gd/j05M4</a></span><br>&gt=3B<br=
>
&gt=3B Not much real content (technical or otherwise)=2C but quite entertai=
ning if a<br>&gt=3B little dark &amp=3B morbid.&nbsp=3B I liked the random =
Blade Runner references (I caught<br>&gt=3B two=2C perhaps three=2C myself)=
 and supposedly there's a nod or three to Usual<br>
&gt=3B Suspects in there also.<br>&gt=3B<br>&gt=3B &nbsp=3B &nbsp=3B --m.<b=
r>&gt=3B<br>&gt=3B<br>&gt=3B<br>&gt=3B<br><br></div></div><div style=3D""><=
/div>


</div><br>

      </div></blockquote>
</div></div><div style=3D""></div>


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</html>=

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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 20 Dec 2010 10:47:25 +0100
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Subject: Re: Epic Octatrack Performance Sampler Teaser....
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--90e6ba6e8f3a80f7380497d469fa
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Thanks for the clarification Anthony, and thanks for the link Anders.

As to your deeper point Anthony, about accepting violence in our mass media
as the norm. I have to agree that although I don't personally find any of i=
t
particularly offensive, I am also concerned as to the AMOUNT of it.
Especially one who has a young child who is entering into this new world. I=
t
does seem sometimes that ALL our films / entertainment is swimming in
gratuitous blood and gore. The normal fare that one is presented on hit
shows such as C.S I, or Dexter, or House (bit of a fan of House I must
say... I love Hugh Lawrie) is overwhelming, and that story lines are only
concerned with serial murder, sick sex, terrorism or war. Indeed the graphi=
c
depiction of such is not particularly different on prime time TV with
content that during the 80's was branded as Video Nasties. And I should
know, I watched it all!

Maybe Im getting old here, but certainly having a young child has focused m=
y
opinion in the world where they market Spiderman / Batman pajamas to the
under fives is unacceptable to me. No longer are these icons those of cute
50's comic book moralising about good and evil, no, the films themselves ar=
e
rated as 11 years plus. Not to mention "Freddie" or "Scream" masks.
Indeed, make a search on YouTube (this being the main source of "TV" for
many children) for "Video Nasty" you WILL find edit compilations, out of
context, from all the worse scenes from Cannibal Holocaust, Snuff, Driller
Killer.. and I dont want to even think about the YouTube craze for forcing
kids to watch the scatological porn clip known as 2 girls 2 cup.

Anthony, I COMPLETELY agree with that point you were making... sorry if I
didn't respond to THAT, its a very important issue, and one that means that
my kids do not get to watch ANY TELEVISION OR COMPUTER without me or my wif=
e
being present, and I expect this rule will continue until they are teens.

Mark




On Mon, Dec 20, 2010 at 9:42 AM, Anders Bergdahl <
anders_e_bergdahl@hotmail.com> wrote:

>  Specs:
> Internal tracks | Real-time time stretch and pitch shift | 8 recorders |1=
6 instantly available banks
> | 256 instantly available patterns | 64 step variable length tracks |2 FX
> blocks per track | 3 LFOs per track | 3 year Elektron Warranty
>
>
> http://www.elektron.se/sites/default/files/products/files/Octratrack-Spec=
s.pdf
>
>
>
>   Lots of info:=A8
> http://www.elektron.se/products/octatrack
>
> Anders
>
>
>
--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8f3a80f7380497d469fa
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks for the clarification Anthony, and thanks for the link Anders.<br><b=
r>As to your deeper point Anthony, about accepting violence in our mass med=
ia as the norm. I have to agree that although I don&#39;t personally find a=
ny of it particularly offensive, I am also concerned as to the AMOUNT of it=
.<br>

Especially one who has a young child who is entering into this new world. I=
t does seem sometimes that ALL our films / entertainment is swimming in gra=
tuitous blood and gore. The normal fare that one is presented on hit shows =
such as C.S I, or Dexter, or House (bit of a fan of House I must say... I l=
ove Hugh Lawrie) is overwhelming, and that story lines are only concerned w=
ith serial murder, sick sex, terrorism or war. Indeed the graphic depiction=
 of such is not particularly different on prime time TV with content that d=
uring the 80&#39;s was branded as Video Nasties. And I should know, I watch=
ed it all!<br>

<br>Maybe Im getting old here, but certainly having a young child has focus=
ed my opinion in the world where they market Spiderman / Batman pajamas to =
the under fives is unacceptable to me. No longer are these icons those of c=
ute 50&#39;s comic book moralising about good and evil, no, the films thems=
elves are rated as 11 years plus. Not to mention &quot;Freddie&quot; or &qu=
ot;Scream&quot; masks. <br>

Indeed, make a search on YouTube (this being the main source of &quot;TV&qu=
ot; for many children) for &quot;Video Nasty&quot; you WILL find edit compi=
lations, out of context, from all the worse scenes from Cannibal Holocaust,=
 Snuff, Driller Killer.. and I dont want to even think about the YouTube cr=
aze for forcing kids to watch the scatological porn clip known as 2 girls 2=
 cup.<br>

<br>Anthony, I COMPLETELY agree with that point you were making... sorry if=
 I didn&#39;t respond to THAT, its a very important issue, and one that mea=
ns that my kids do not get to watch ANY TELEVISION OR COMPUTER without me o=
r my wife being present, and I expect this rule will continue until they ar=
e teens.<br>

<br>Mark<br><br><br><br><br><div class=3D"gmail_quote">On Mon, Dec 20, 2010=
 at 9:42 AM, Anders Bergdahl <span dir=3D"ltr">&lt;<a href=3D"mailto:anders=
_e_bergdahl@hotmail.com">anders_e_bergdahl@hotmail.com</a>&gt;</span> wrote=
:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">



<div>
Specs:<br>
Internal tracks <span>|</span> Real-time time stretch and pitch shift <span=
>|</span> 8 recorders <span>|</span> 16 instantly available banks <span>|</=
span> 256 instantly available patterns <span>|</span> 64 step variable leng=
th tracks <span>|</span>2 FX blocks per track <span>|</span> 3 LFOs per tra=
ck <span>|</span> 3 year Elektron Warranty<br>

<font color=3D"#e6e6e6" face=3D"DessauPro" size=3D"3"><font color=3D"#e6e6e=
6" face=3D"DessauPro" size=3D"3"><font color=3D"#e6e6e6" face=3D"DessauPro"=
 size=3D"3">
<p align=3D"left"><a href=3D"http://www.elektron.se/sites/default/files/pro=
ducts/files/Octratrack-Specs.pdf" target=3D"_blank">http://www.elektron.se/=
sites/default/files/products/files/Octratrack-Specs.pdf</a></p>
<p align=3D"left">=A0</p>
<p align=3D"left"></p></font></font></font><font face=3D"Archer-Semibold" s=
ize=3D"1"><font face=3D"Archer-Semibold" size=3D"1">=A0
<font size=3D"2">Lots of info:=A8</font><br>
<font size=3D"2"><a href=3D"http://www.elektron.se/products/octatrack" targ=
et=3D"_blank">http://www.elektron.se/products/octatrack</a></font><br>
<font size=3D"2"></font>=A0<br>
<font size=3D"2">Anders</font><br>=A0
</font></font><br clear=3D"all"><br></div></blockquote></div><br>-- <br>mar=
k francombe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.c=
om</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>t=
witter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8f3a80f7380497d469fa--

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	<838513.12522.qm@web120701.mail.ne1.yahoo.com>
Date: Mon, 20 Dec 2010 12:42:58 +0100
Message-ID: <AANLkTinNSsFaLaxVyKrNFmzBPtPG8PN5U8Y_O60CN+T2@mail.gmail.com>
Subject: Re: Epic Octatrack Performance Sampler Teaser....
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Dec 19, 2010 at 11:59 PM,  <antonyhequet@yahoo.com> wrote:
>
> =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 http://is.gd/j05M4


Cool filming indeed, the actors are good at acting as good actors and
the cyber punk setting has an authentic retro touch - but the clip
makes me less interested in that box. It smells strange to market a
creative music instrument without saying anything about it and instead
mocking up a pseudo movie teaser that mostly brings the message that
the film producer team is of a certain age and was into certain music
(and related art) twenty five years ago. The mystery remains: why did
they make this film?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 13:16:28 2010
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Subject: Re: Epic Octatrack Performance Sampler Teaser....
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On Mon, Dec 20, 2010 at 12:42 PM, Per Boysen <perboysen@gmail.com> wrote:

> why did
> they make this film?
>

It is called advertising, an evil phenomena of lies and hyperbole... I have
been approached to work in this sinister field many times. If I had
accepted, I would now be rich and ridden by guilt. As it is I am poor and
sleep soundly.

Although relatively expensive as a production, its not probably any MORE
expensive than using more traditional imagery. Its just one or two days
filming, maybe a week 3D, 3 days to edit. Its probably half a mill kroner...
OK.. 750,000. (guessing of course - thats what I would take)

The reason that they use this type somewhat old genre is that its is well
known and therefore easier in a Pavlovian sense for the un-initiated to
become entranced with the product and place it in that place along with
other things that they think are cool... If the imagery had been more
original, they would have had to use their brains more proactively. Which
advertising doesn't usually like to risk.
And its working, if you read some of the comment on YouTube... "What IS this
music? its so cool" "I want one" "Is there a full length movie?" someone
asked...





-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8f3ab42c410497d7538b
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On Mon, Dec 20, 2010 at 12:42 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"mar=
gin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-=
left: 1ex;">

<div id=3D":zq">why did<br>
they make this film?</div></blockquote><div><br>It is called advertising, a=
n evil phenomena of lies and hyperbole... I have been approached to work in=
 this sinister field many times. If I had accepted, I would now be rich and=
 ridden by guilt. As it is I am poor and sleep soundly.<br>

<br>Although relatively expensive as a production, its not probably any MOR=
E expensive than using more traditional imagery. Its just one or two days f=
ilming, maybe a week 3D, 3 days to edit. Its probably half a mill kroner...=
 OK.. 750,000. (guessing of course - thats what I would take)<br>

<br>The reason that they use this type somewhat old genre is that its is we=
ll known and therefore easier in a Pavlovian sense for the un-initiated to =
become entranced with the product and place it in that place along with oth=
er things that they think are cool... If the imagery had been more original=
, they would have had to use their brains more proactively. Which advertisi=
ng doesn&#39;t usually like to risk.<br>

And its working, if you read some of the comment on YouTube... &quot;What I=
S this music? its so cool&quot; &quot;I want one&quot; &quot;Is there a ful=
l length movie?&quot; someone asked...<br><br><br></div></div><br><br clear=
=3D"all">

<br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkha=
o.com</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user8250=
94">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8f3ab42c410497d7538b--

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Subject: Re: OT: bundle up
From: Per Boysen <perboysen@gmail.com>
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Sent from my sofa (no advertisement)

> On 19 Dec 2010, at 20:24, Gareth Whittock <buddhamachine@live.co.uk> wrote:
>> great! I've been sledging down a hillside all afternoon

On Mon, Dec 20, 2010 at 12:35 AM, mark francombe
<markfrancombe@gmail.com> wrote:
> Me too!!! I guess we're a bit more used to snow than the UK here in
> Norway.. Its - 12C today bit chilly, not too 'orrible tho..

-7 C in lower mid Sweden today (not daring to think about how could it
in north of Sweden now). Shiny sun over the snow white city
landscapes;  just got back from a walk out in the white. With polar
clothes you're fine, but it is cold enough to smack up the train,
flight and car traffic system all over the country - just like in the
rest of Europe it seems. People from all over the world stuck at our
airports as planes can't take off. Not hotel rooms for everyone so
they sit at the airport hall floor waiting for hours/days to just talk
to information service and get some advice. I'm away at another city
now visiting my parents and luckily they live close to the water and
since thatis an active flood not yet frozen I can take the ferry into
the city (bus or tramp would be a hazard). Most luckily I don't need
to go anywhere at all right now. Got a train ticket for dec 28 and
hoping things will get better by then.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Mon, 20 Dec 2010 06:21:28 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: bundle up
To: Loopers-Delight@loopers-delight.com
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hey Per,

how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder than 
that?

I am close to Geneva in the mountains, minus 7 happens all the time; it's true 
that Geneva airport is also frozen:-)

Maybe we have finally found a way to stop all this needless gas and kerosene 
consumption...

Antony



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, December 20, 2010 3:16:57 PM
Subject: Re: OT: bundle up

Sent from my sofa (no advertisement)

> On 19 Dec 2010, at 20:24, Gareth Whittock <buddhamachine@live.co.uk> wrote:
>> great! I've been sledging down a hillside all afternoon

On Mon, Dec 20, 2010 at 12:35 AM, mark francombe
<markfrancombe@gmail.com> wrote:
> Me too!!! I guess we're a bit more used to snow than the UK here in
> Norway.. Its - 12C today bit chilly, not too 'orrible tho..

-7 C in lower mid Sweden today (not daring to think about how could it
in north of Sweden now). Shiny sun over the snow white city
landscapes;  just got back from a walk out in the white. With polar
clothes you're fine, but it is cold enough to smack up the train,
flight and car traffic system all over the country - just like in the
rest of Europe it seems. People from all over the world stuck at our
airports as planes can't take off. Not hotel rooms for everyone so
they sit at the airport hall floor waiting for hours/days to just talk
to information service and get some advice. I'm away at another city
now visiting my parents and luckily they live close to the water and
since thatis an active flood not yet frozen I can take the ferry into
the city (bus or tramp would be a hazard). Most luckily I don't need
to go anywhere at all right now. Got a train ticket for dec 28 and
hoping things will get better by then.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


      
--0-698169671-1292854888=:83366
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>hey Per,</div><div><br></div><div>how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder than that?</div><div><br></div><div>I am close to Geneva in the mountains, minus 7 happens all the time; it's true that Geneva airport is also frozen:-)</div><div><br></div><div>Maybe we have finally found a way to stop all this needless gas and kerosene consumption...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span
 style="font-weight: bold;">Sent:</span></b> Mon, December 20, 2010 3:16:57 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: OT: bundle up<br></font><br>
Sent from my sofa (no advertisement)<br><br>&gt; On 19 Dec 2010, at 20:24, Gareth Whittock &lt;<a ymailto="mailto:buddhamachine@live.co.uk" href="mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; wrote:<br>&gt;&gt; great! I've been sledging down a hillside all afternoon<br><br>On Mon, Dec 20, 2010 at 12:35 AM, mark francombe<br>&lt;<a ymailto="mailto:markfrancombe@gmail.com" href="mailto:markfrancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:<br>&gt; Me too!!! I guess we're a bit more used to snow than the UK here in<br>&gt; Norway.. Its - 12C today bit chilly, not too 'orrible tho..<br><br>-7 C in lower mid Sweden today (not daring to think about how could it<br>in north of Sweden now). Shiny sun over the snow white city<br>landscapes;&nbsp; just got back from a walk out in the white. With polar<br>clothes you're fine, but it is cold enough to smack up the train,<br>flight and car traffic system all over the country - just like
 in the<br>rest of Europe it seems. People from all over the world stuck at our<br>airports as planes can't take off. Not hotel rooms for everyone so<br>they sit at the airport hall floor waiting for hours/days to just talk<br>to information service and get some advice. I'm away at another city<br>now visiting my parents and luckily they live close to the water and<br>since thatis an active flood not yet frozen I can take the ferry into<br>the city (bus or tramp would be a hazard). Most luckily I don't need<br>to go anywhere at all right now. Got a train ticket for dec 28 and<br>hoping things will get better by then.<br><br>Greetings from Sweden<br><br>Per Boysen<br><a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br><br></div></div><div style="position:fixed"></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 14:25:41 2010
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Date: Mon, 20 Dec 2010 16:25:38 +0200
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Subject: Re: OT: bundle up
From: Petri Lahtinen <aikuinen@gmail.com>
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Minus 13 Celsius in Finland today, by Friday it should be -23 celsius

:-D

business as usual in Finland...

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/



2010/12/20 <antonyhequet@yahoo.com>

> hey Per,
>
> how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder
> than that?
>
> I am close to Geneva in the mountains, minus 7 happens all the time; it's
> true that Geneva airport is also frozen:-)
>
> Maybe we have finally found a way to stop all this needless gas and
> kerosene consumption...
>
> Antony
>
> ------------------------------
> *From:* Per Boysen <perboysen@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Mon, December 20, 2010 3:16:57 PM
> *Subject:* Re: OT: bundle up
>
> Sent from my sofa (no advertisement)
>
> > On 19 Dec 2010, at 20:24, Gareth Whittock <buddhamachine@live.co.uk>
> wrote:
> >> great! I've been sledging down a hillside all afternoon
>
> On Mon, Dec 20, 2010 at 12:35 AM, mark francombe
> <markfrancombe@gmail.com> wrote:
> > Me too!!! I guess we're a bit more used to snow than the UK here in
> > Norway.. Its - 12C today bit chilly, not too 'orrible tho..
>
> -7 C in lower mid Sweden today (not daring to think about how could it
> in north of Sweden now). Shiny sun over the snow white city
> landscapes;  just got back from a walk out in the white. With polar
> clothes you're fine, but it is cold enough to smack up the train,
> flight and car traffic system all over the country - just like in the
> rest of Europe it seems. People from all over the world stuck at our
> airports as planes can't take off. Not hotel rooms for everyone so
> they sit at the airport hall floor waiting for hours/days to just talk
> to information service and get some advice. I'm away at another city
> now visiting my parents and luckily they live close to the water and
> since thatis an active flood not yet frozen I can take the ferry into
> the city (bus or tramp would be a hazard). Most luckily I don't need
> to go anywhere at all right now. Got a train ticket for dec 28 and
> hoping things will get better by then.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>

--20cf3054a20343dc6d0497d84b12
Content-Type: text/html; charset=ISO-8859-1
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Minus 13 Celsius in Finland today, by Friday it should be -23 celsius<br><b=
r>:-D<br><br>business as usual in Finland...<br><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br>
<a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspo=
t.com/</a><br><a href=3D"http://www.myspace.com/petrilahtinen">http://www.m=
yspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen=
">http://twitter.com/PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcam=
p.com/</a><br><br><br><br><div class=3D"gmail_quote">2010/12/20  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.c=
om</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style=
=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt;"><div>hey Per=
,</div>
<div><br></div><div>how can minus 7 paralyze everything in Sweden, doesn&#3=
9;t it get a lot colder than that?</div><div><br></div><div>I am close to G=
eneva in the mountains, minus 7 happens all the time; it&#39;s true that Ge=
neva airport is also frozen:-)</div>
<div><br></div><div>Maybe we have finally found a way to stop all this need=
less gas and kerosene consumption...</div><div><br></div><div>Antony</div><=
div style=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt;"><br=
>
<div style=3D"font-family: arial,helvetica,sans-serif; font-size: 13px;"><f=
ont face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D"font-weight=
: bold;">From:</span></b> Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.=
com" target=3D"_blank">perboysen@gmail.com</a>&gt;<br>
<b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loop=
ers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-=
delight.com</a><br><b><span style=3D"font-weight: bold;">Sent:</span></b> M=
on, December 20, 2010 3:16:57 PM<br>
<b><span style=3D"font-weight: bold;">Subject:</span></b> Re: OT: bundle up=
<br></font><div><div></div><div class=3D"h5"><br>
Sent from my sofa (no advertisement)<br><br>&gt; On 19 Dec 2010, at 20:24, =
Gareth Whittock &lt;<a href=3D"mailto:buddhamachine@live.co.uk" target=3D"_=
blank">buddhamachine@live.co.uk</a>&gt; wrote:<br>&gt;&gt; great! I&#39;ve =
been sledging down a hillside all afternoon<br>
<br>On Mon, Dec 20, 2010 at 12:35 AM, mark francombe<br>&lt;<a href=3D"mail=
to:markfrancombe@gmail.com" target=3D"_blank">markfrancombe@gmail.com</a>&g=
t; wrote:<br>&gt; Me too!!! I guess we&#39;re a bit more used to snow than =
the UK here in<br>
&gt; Norway.. Its - 12C today bit chilly, not too &#39;orrible tho..<br><br=
>-7 C in lower mid Sweden today (not daring to think about how could it<br>=
in north of Sweden now). Shiny sun over the snow white city<br>landscapes;=
=A0 just got back from a walk out in the white. With polar<br>
clothes you&#39;re fine, but it is cold enough to smack up the train,<br>fl=
ight and car traffic system all over the country - just like
 in the<br>rest of Europe it seems. People from all over the world stuck at=
 our<br>airports as planes can&#39;t take off. Not hotel rooms for everyone=
 so<br>they sit at the airport hall floor waiting for hours/days to just ta=
lk<br>
to information service and get some advice. I&#39;m away at another city<br=
>now visiting my parents and luckily they live close to the water and<br>si=
nce thatis an active flood not yet frozen I can take the ferry into<br>
the city (bus or tramp would be a hazard). Most luckily I don&#39;t need<br=
>to go anywhere at all right now. Got a train ticket for dec 28 and<br>hopi=
ng things will get better by then.<br><br>Greetings from Sweden<br><br>
Per Boysen<br><a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen=
.se</a><br><a href=3D"http://www.perboysen.com" target=3D"_blank">www.perbo=
ysen.com</a><br><a href=3D"http://www.looproom.com" target=3D"_blank">www.l=
ooproom.com</a> internet music hub<br>
<br></div></div></div></div><div></div>


</div><br>

      </div></blockquote></div><br><br clear=3D"all"><br><br><br>

--20cf3054a20343dc6d0497d84b12--

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Subject: OT: bundle up
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antonyhequet@yahoo.com schrieb:
> hey Per,
>
> how can minus 7 paralyze everything in Sweden, doesn't it get a lot 
> colder than that?
>
The paralysis doesn't come from the temperature, but from the large 
amounts of snow continuing to fall I'd suspect (which doesn't fall if it 
gets any colder). Everyone's favourite place for automotive business 
travel in Sweden, Arjeplog, is 'round -20° right now - here's a webcam: 
http://bildersammlung.ch/arjeplog-webcam-live-wetter-webcam-arjeplog-live-cam-torget-schweden/webcam.php

(people go there to test how cars handle when it's really rather cold...)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: todd reynolds <toddreyn@gmail.com>
Date: Mon, 20 Dec 2010 09:30:54 -0500
Message-ID: <AANLkTi=y=6KEa6xJWmgE4EzOYQWE3uArXkr_SvLHU6Wi@mail.gmail.com>
Subject: Re: OT: bundle up
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lol,  since my celsius conversion is not up to snuff,  it took me a minute
to see that we're actually at the same temperature, Per.

Really?  that mucks up the trains, planes and automobiles? Of course, we
haven't had quite as much snow here as I imagine you might have had.  I'll
have to go find some pictures.  It's plenty chilly here though.  Luckily, i=
n
two days, we go west for holidays to enjoy some 70 degree weather in
California... (21 C)

Best Wishes to all!

T.

On Mon, Dec 20, 2010 at 9:16 AM, Per Boysen <perboysen@gmail.com> wrote:

> Sent from my sofa (no advertisement)
>
> > On 19 Dec 2010, at 20:24, Gareth Whittock <buddhamachine@live.co.uk>
> wrote:
> >> great! I've been sledging down a hillside all afternoon
>
> On Mon, Dec 20, 2010 at 12:35 AM, mark francombe
> <markfrancombe@gmail.com> wrote:
> > Me too!!! I guess we're a bit more used to snow than the UK here in
> > Norway.. Its - 12C today bit chilly, not too 'orrible tho..
>
> -7 C in lower mid Sweden today (not daring to think about how could it
> in north of Sweden now). Shiny sun over the snow white city
> landscapes;  just got back from a walk out in the white. With polar
> clothes you're fine, but it is cold enough to smack up the train,
> flight and car traffic system all over the country - just like in the
> rest of Europe it seems. People from all over the world stuck at our
> airports as planes can't take off. Not hotel rooms for everyone so
> they sit at the airport hall floor waiting for hours/days to just talk
> to information service and get some advice. I'm away at another city
> now visiting my parents and luckily they live close to the water and
> since thatis an active flood not yet frozen I can take the ferry into
> the city (bus or tramp would be a hazard). Most luckily I don't need
> to go anywhere at all right now. Got a train ticket for dec 28 and
> hoping things will get better by then.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--20cf3054a4b151e3a20497d85fe7
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lol, =A0since my celsius conversion is not up to snuff, =A0it took me a min=
ute to see that we&#39;re actually at the same temperature, Per. =A0<div><b=
r></div><div>Really? =A0that mucks up the trains, planes and automobiles? O=
f course, we haven&#39;t had quite as much snow here as I imagine you might=
 have had. =A0I&#39;ll have to go find some pictures. =A0It&#39;s plenty ch=
illy here though. =A0Luckily, in two days, we go west for holidays to enjoy=
 some 70 degree weather in California... (21 C)</div>

<div><br></div><div>Best Wishes to all!=A0</div><div><br></div><div>T.<br><=
br><div class=3D"gmail_quote">On Mon, Dec 20, 2010 at 9:16 AM, Per Boysen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail=
.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Sent from my sofa (no advertisement)<br>
<br>
&gt; On 19 Dec 2010, at 20:24, Gareth Whittock &lt;<a href=3D"mailto:buddha=
machine@live.co.uk">buddhamachine@live.co.uk</a>&gt; wrote:<br>
&gt;&gt; great! I&#39;ve been sledging down a hillside all afternoon<br>
<br>
On Mon, Dec 20, 2010 at 12:35 AM, mark francombe<br>
&lt;<a href=3D"mailto:markfrancombe@gmail.com">markfrancombe@gmail.com</a>&=
gt; wrote:<br>
&gt; Me too!!! I guess we&#39;re a bit more used to snow than the UK here i=
n<br>
&gt; Norway.. Its - 12C today bit chilly, not too &#39;orrible tho..<br>
<br>
-7 C in lower mid Sweden today (not daring to think about how could it<br>
in north of Sweden now). Shiny sun over the snow white city<br>
landscapes; =A0just got back from a walk out in the white. With polar<br>
clothes you&#39;re fine, but it is cold enough to smack up the train,<br>
flight and car traffic system all over the country - just like in the<br>
rest of Europe it seems. People from all over the world stuck at our<br>
airports as planes can&#39;t take off. Not hotel rooms for everyone so<br>
they sit at the airport hall floor waiting for hours/days to just talk<br>
to information service and get some advice. I&#39;m away at another city<br=
>
now visiting my parents and luckily they live close to the water and<br>
since thatis an active flood not yet frozen I can take the ferry into<br>
the city (bus or tramp would be a hazard). Most luckily I don&#39;t need<br=
>
to go anywhere at all right now. Got a train ticket for dec 28 and<br>
hoping things will get better by then.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now released on iTunes and Amazon! :=
:=A0 Read about it here... <a href=3D"http://bit.ly/3Pm4g3">http://bit.ly/3=
Pm4g3</a><br>

<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><b=
r><a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler=
</a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com=
/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com">http://blog.toddreynolds.com</a><b=
r><a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreyn=
olds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbn=
ation.com/toddreynolds</a><br>

<br>
</div>

--20cf3054a4b151e3a20497d85fe7--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 15:01:06 2010
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Date: Mon, 20 Dec 2010 16:01:03 +0100
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Subject: Re: OT: bundle up
From: Per Boysen <perboysen@gmail.com>
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> antonyhequet@yahoo.com schrieb:
>> hey Per,
>>
>> how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder
>> than that?

No, not where I live (lower mid part; Stockholm, Gothenburg...).
Sweden is a thin and long country, stretching from south to north like
Long Tall Sally.

On Mon, Dec 20, 2010 at 3:30 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> The paralysis doesn't come from the temperature, but from the large amounts
> of snow continuing to fall I'd suspect

It is actually both the snow and the temperature. Our trains are not
built to last under the freezing point so the braking system may stop
working as the temperature creeps down. That's up for a critical
public discussion here just because of the fact that Sweden is so
geographically thin and stretched out north to south with huge
differences in winter temperatures. We really shouldn't use the same
trains - or use "winter compatible" cars all over - but being a small
country there's no economic headroom for better adapting the train
system. Lots of the Swedish train cars are bought from Germany where
they don't have the same issue with a huge temperature span over the
nation territory.

Rainer, that webcam link was fun! I've been up there and it is
horrible, believe me. Seeing that video brings back some fun but not
all pleasant memories from that cold area.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 15:21:38 2010
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Date: Mon, 20 Dec 2010 07:21:36 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: bundle up
To: Loopers-Delight@loopers-delight.com
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--0-511130881-1292858496=:43861
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Petri,

I love the cold, maybe I should move to Finland. I do have my Canada Goose Snow 
Mantra parka on when I go out for a stroll... Warmest jacket on the planet made 
for extreme cold down to 60 below:

i usualy never get to wear it, but this winter I am enjoying it

http://www.canada-goose.com/products-2/mens/snow-mantra-parka/

ANtony



________________________________
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, December 20, 2010 3:25:38 PM
Subject: Re: OT: bundle up

Minus 13 Celsius in Finland today, by Friday it should be -23 celsius

:-D

business as usual in Finland...

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/




2010/12/20 <antonyhequet@yahoo.com>

hey Per,
>
>
>how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder than 
>that?
>
>
>I am close to Geneva in the mountains, minus 7 happens all the time; it's true 
>that Geneva airport is also frozen:-)
>
>
>Maybe we have finally found a way to stop all this needless gas and kerosene 
>consumption...
>
>
>Antony
>
>
>
________________________________
From: Per Boysen <perboysen@gmail.com>
>To: Loopers-Delight@loopers-delight.com
>Sent: Mon, December 20, 2010 3:16:57 PM
>Subject: Re: OT: bundle up
>
>
>Sent from my sofa (no advertisement)
>
>> On 19 Dec 2010, at 20:24, Gareth Whittock <buddhamachine@live.co.uk> wrote:
>>> great! I've been sledging down a hillside all afternoon
>
>On Mon, Dec 20, 2010 at 12:35 AM, mark francombe
><markfrancombe@gmail.com> wrote:
>> Me too!!! I guess we're a bit more used to snow than the UK here in
>> Norway.. Its - 12C today bit chilly, not too 'orrible tho..
>
>-7 C in lower mid Sweden today (not daring to think about how could it
>in north of Sweden now). Shiny sun over the snow white city
>landscapes;  just got back from a walk out in the white. With polar
>clothes you're fine, but it is cold enough to smack up the train,
>flight and car traffic system all over the country - just like  in the
>rest of Europe it seems. People from all over the world stuck at our
>airports as planes can't take off. Not hotel rooms for everyone so
>they sit at the airport hall floor waiting for hours/days to just talk
>to information service and get some advice. I'm away at another city
>now visiting my parents and luckily they live close to the water and
>since thatis an active flood not yet frozen I can take the ferry into
>the city (bus or tramp would be a hazard). Most luckily I don't need
>to go anywhere at all right now. Got a train ticket for dec 28 and
>hoping things will get better by then.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com
>www.looproom.com internet music hub
>
>
>


      
--0-511130881-1292858496=:43861
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>Petri,</div><div><br></div><div>I love the cold, maybe I should move to Finland. I do have my Canada Goose Snow Mantra parka on when I go out for a stroll... Warmest jacket on the planet made for extreme cold down to 60 below:</div><div><br></div><div>i usualy never get to wear it, but this winter I am enjoying it</div><div><br></div><div><span><a target="_blank" href="http://www.canada-goose.com/products-2/mens/snow-mantra-parka/">http://www.canada-goose.com/products-2/mens/snow-mantra-parka/</a></span></div><div><br></div><div>ANtony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Petri Lahtinen
 &lt;aikuinen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, December 20, 2010 3:25:38 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: OT: bundle up<br></font><br>
Minus 13 Celsius in Finland today, by Friday it should be -23 celsius<br><br>:-D<br><br>business as usual in Finland...<br><br>-- <br>Petri Lahtinen<br><span><a target="_blank" href="http://www.petrilahtinen.com">http://www.petrilahtinen.com</a></span><br><span>
<a target="_blank" href="http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.com/</a></span><br><span><a target="_blank" href="http://www.myspace.com/petrilahtinen">http://www.myspace.com/petrilahtinen</a></span><br><span><a target="_blank" href="http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen</a></span><br><span>
<a target="_blank" href="http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.com/</a></span><br><br><br><br><div class="gmail_quote">2010/12/20  <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:antonyhequet@yahoo.com" target="_blank" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span><br>
<blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;"><div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><div>hey Per,</div>
<div><br></div><div>how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder than that?</div><div><br></div><div>I am close to Geneva in the mountains, minus 7 happens all the time; it's true that Geneva airport is also frozen:-)</div>
<div><br></div><div>Maybe we have finally found a way to stop all this needless gas and kerosene consumption...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><br>
<div style="font-family:arial, helvetica, sans-serif;font-size:13px;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight:bold;">From:</span></b> Per Boysen &lt;<a rel="nofollow" ymailto="mailto:perboysen@gmail.com" target="_blank" href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;<br>
<b><span style="font-weight:bold;">To:</span></b> <a rel="nofollow" ymailto="mailto:Loopers-Delight@loopers-delight.com" target="_blank" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br><b><span style="font-weight:bold;">Sent:</span></b> Mon, December 20, 2010 3:16:57 PM<br>
<b><span style="font-weight:bold;">Subject:</span></b> Re: OT: bundle up<br></font><div><div></div><div class="h5"><br>
Sent from my sofa (no advertisement)<br><br>&gt; On 19 Dec 2010, at 20:24, Gareth Whittock &lt;<a rel="nofollow" ymailto="mailto:buddhamachine@live.co.uk" target="_blank" href="mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; wrote:<br>&gt;&gt; great! I've been sledging down a hillside all afternoon<br>
<br>On Mon, Dec 20, 2010 at 12:35 AM, mark francombe<br>&lt;<a rel="nofollow" ymailto="mailto:markfrancombe@gmail.com" target="_blank" href="mailto:markfrancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:<br>&gt; Me too!!! I guess we're a bit more used to snow than the UK here in<br>
&gt; Norway.. Its - 12C today bit chilly, not too 'orrible tho..<br><br>-7 C in lower mid Sweden today (not daring to think about how could it<br>in north of Sweden now). Shiny sun over the snow white city<br>landscapes;&nbsp; just got back from a walk out in the white. With polar<br>
clothes you're fine, but it is cold enough to smack up the train,<br>flight and car traffic system all over the country - just like
 in the<br>rest of Europe it seems. People from all over the world stuck at our<br>airports as planes can't take off. Not hotel rooms for everyone so<br>they sit at the airport hall floor waiting for hours/days to just talk<br>
to information service and get some advice. I'm away at another city<br>now visiting my parents and luckily they live close to the water and<br>since thatis an active flood not yet frozen I can take the ferry into<br>
the city (bus or tramp would be a hazard). Most luckily I don't need<br>to go anywhere at all right now. Got a train ticket for dec 28 and<br>hoping things will get better by then.<br><br>Greetings from Sweden<br><br>
Per Boysen<br><a rel="nofollow" target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a rel="nofollow" target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a rel="nofollow" target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br>
<br></div></div></div></div><div></div>


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Date: Mon, 20 Dec 2010 07:22:15 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: bundle up
To: Loopers-Delight@loopers-delight.com
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Rainer,=0A=0A=0Ayou are right, my brain is numb!=0A=0AAntony=0A=0A=0A=0A___=
_____________________________=0AFrom: Rainer Straschill <moinsound@googlema=
il.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Mon, December 20,=
 2010 3:30:30 PM=0ASubject: OT: bundle up=0A=0Aantonyhequet@yahoo.com schri=
eb:=0A> hey Per,=0A> =0A> how can minus 7 paralyze everything in Sweden, do=
esn't it get a lot colder than =0A>that?=0A> =0AThe paralysis doesn't come =
from the temperature, but from the large amounts of =0Asnow continuing to f=
all I'd suspect (which doesn't fall if it gets any colder). =0AEveryone's f=
avourite place for automotive business travel in Sweden, Arjeplog, =0Ais 'r=
ound -20=B0 right now - here's a webcam: =0Ahttp://bildersammlung.ch/arjepl=
og-webcam-live-wetter-webcam-arjeplog-live-cam-torget-schweden/webcam.php=
=0A=0A=0A(people go there to test how cars handle when it's really rather c=
old...)=0A=0A         Rainer=0A=0A-- http://moinlabs.de=0AFollow me on twit=
ter: http://twitter.com/moinlabs=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>Rainer,</div><div><br></div><div><br></div><div>you are right, my=
 brain is numb!</div><div><br></div><div>Antony</div><div style=3D"font-fam=
ily:arial, helvetica, sans-serif;font-size:14pt"><br><div style=3D"font-fam=
ily:arial, helvetica, sans-serif;font-size:13px"><font size=3D"2" face=3D"T=
ahoma"><hr size=3D"1"><b><span style=3D"font-weight: bold;">From:</span></b=
> Rainer Straschill &lt;moinsound@googlemail.com&gt;<br><b><span style=3D"f=
ont-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b=
><span style=3D"font-weight: bold;">Sent:</span></b> Mon, December 20, 2010=
 3:30:30 PM<br><b><span style=3D"font-weight: bold;">Subject:</span></b> OT=
: bundle up<br></font><br>=0A<a ymailto=3D"mailto:antonyhequet@yahoo.com" h=
ref=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> schrieb:<b=
r>&gt; hey Per,<br>&gt; <br>&gt; how can minus 7 paralyze everything in Swe=
den, doesn't it get a lot colder than that?<br>&gt; <br><span>The paralysis=
 doesn't come from the temperature, but from the large amounts of snow cont=
inuing to fall I'd suspect (which doesn't fall if it gets any colder). Ever=
yone's favourite place for automotive business travel in Sweden, Arjeplog, =
is 'round -20=B0 right now - here's a webcam: <a target=3D"_blank" href=3D"=
http://bildersammlung.ch/arjeplog-webcam-live-wetter-webcam-arjeplog-live-c=
am-torget-schweden/webcam.php">http://bildersammlung.ch/arjeplog-webcam-liv=
e-wetter-webcam-arjeplog-live-cam-torget-schweden/webcam.php</a></span><br>=
<br>(people go there to test how cars handle when it's really rather cold..=
.)<br><br>&nbsp; &nbsp; &nbsp; &nbsp;  Rainer<br><br><span>-- <a target=3D"=
_blank"
 href=3D"http://moinlabs.de">http://moinlabs.de</a></span><br><span>Follow =
me on twitter: <a target=3D"_blank" href=3D"http://twitter.com/moinlabs">ht=
tp://twitter.com/moinlabs</a></span><br><br></div></div><div style=3D"posit=
ion:fixed"></div>=0A=0A=0A</div><br>=0A=0A=0A=0A=0A=0A=0A=0A      </body></=
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Date: Mon, 20 Dec 2010 07:32:10 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
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Mark,=0A=0Ait is the overwhelming excess and quantity that I find difficult=
 to handle: =0Anumbs the brain. It leaves no room for any kind of sensation=
 other than =0Aadrenalin. I am tired of it. =0A=0AMy boy is now eleven and =
pretty level headed, thank god. He likes martial arts =0Acartoons of the es=
oteric variety.=0A=0AViolence and confrontation are part of life, but there=
 are other things too... I =0Aactually spend a fair part of each day practi=
cing martial arts of the internal =0Achinese qi gong variety. I can deal wi=
th violence when there is  a need. i also =0Alearn to deal with my own need=
les violence and fear.=0A=0AWhat i despise is the meaningless display of pe=
rverse aggression, and you are =0Aright he sicko sex violence that goes wit=
h it. What does it mean?=0A=0AAnyway, let#s produce something else:-)=0A=0A=
Antony=0A=0A=0A=0A________________________________=0AFrom: mark francombe <=
mark@markfrancombe.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: M=
on, December 20, 2010 10:47:25 AM=0ASubject: Re: Epic Octatrack Performance=
 Sampler Teaser....=0A=0AThanks for the clarification Anthony, and thanks f=
or the link Anders.=0A=0AAs to your deeper point Anthony, about accepting v=
iolence in our mass media as =0Athe norm. I have to agree that although I d=
on't personally find any of it =0Aparticularly offensive, I am also concern=
ed as to the AMOUNT of it.=0AEspecially one who has a young child who is en=
tering into this new world. It =0Adoes seem sometimes that ALL our films / =
entertainment is swimming in gratuitous =0Ablood and gore. The normal fare =
that one is presented on hit shows such as C.S =0AI, or Dexter, or House (b=
it of a fan of House I must say... I love Hugh Lawrie) =0Ais overwhelming, =
and that story lines are only concerned with serial murder, =0Asick sex, te=
rrorism or war. Indeed the graphic depiction of such is not =0Aparticularly=
 different on prime time TV with content that during the 80's was =0Abrande=
d as Video Nasties. And I should know, I watched it all!=0A=0AMaybe Im gett=
ing old here, but certainly having a young child has focused my =0Aopinion =
in the world where they market Spiderman / Batman pajamas to the under =0Af=
ives is unacceptable to me. No longer are these icons those of cute 50's co=
mic =0Abook moralising about good and evil, no, the films themselves are ra=
ted as 11 =0Ayears plus. Not to mention "Freddie" or "Scream" masks. =0A=0A=
Indeed, make a search on YouTube (this being the main source of "TV" for ma=
ny =0Achildren) for "Video Nasty" you WILL find edit compilations, out of c=
ontext, =0Afrom all the worse scenes from Cannibal Holocaust, Snuff, Drille=
r Killer.. and I =0Adont want to even think about the YouTube craze for for=
cing kids to watch the =0Ascatological porn clip known as 2 girls 2 cup.=0A=
=0AAnthony, I COMPLETELY agree with that point you were making... sorry if =
I didn't =0Arespond to THAT, its a very important issue, and one that means=
 that my kids do =0Anot get to watch ANY TELEVISION OR COMPUTER without me =
or my wife being present, =0Aand I expect this rule will continue until the=
y are teens.=0A=0AMark=0A=0A=0A=0A=0A=0AOn Mon, Dec 20, 2010 at 9:42 AM, An=
ders Bergdahl <anders_e_bergdahl@hotmail.com> =0Awrote:=0A=0ASpecs:=0A>Inte=
rnal tracks | Real-time time stretch and pitch shift | 8 recorders | 16 =0A=
>instantly available banks | 256 instantly available patterns | 64 step var=
iable =0A>length tracks |2 FX blocks per track | 3 LFOs per track | 3 year =
Elektron =0A>Warranty=0A>http://www.elektron.se/sites/default/files/product=
s/files/Octratrack-Specs.pdf=0A>   Lots of info:=A8=0A>http://www.elektron.=
se/products/octatrack=0A> =0A>Anders=0A>  =0A>=0A>=0A-- =0Amark francombe=
=0Awww.markfrancombe.com=0Awww.ordoabkhao.com=0Atwitter @markfrancombe=0Aht=
tp://vimeo.com/user825094=0Ahttp://www.looop.no=0A=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>Mark,</div><div><br></div><div>it is the overwhelming excess and =
quantity that I find difficult to handle: numbs the brain. It leaves no roo=
m for any kind of sensation other than adrenalin. I am tired of it.&nbsp;</=
div><div><br></div><div>My boy is now eleven and pretty level headed, thank=
 god. He likes martial arts cartoons of the esoteric variety.</div><div><br=
></div><div>Violence and confrontation are part of life, but there are othe=
r things too... I actually spend a fair part of each day practicing martial=
 arts of the internal chinese qi gong variety. I can deal with violence whe=
n there is &nbsp;a need. i also learn to deal with my own needles violence =
and fear.</div><div><br></div><div>What i despise is the meaningless displa=
y of perverse aggression, and you are right he sicko sex violence that
 goes with it. What does it mean?</div><div><br></div><div>Anyway, let#s pr=
oduce something else:-)</div><div><br></div><div>Antony</div><div style=3D"=
font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style=3D"=
font-family:times new roman, new york, times, serif;font-size:12pt"><font s=
ize=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weight: bol=
d;">From:</span></b> mark francombe &lt;mark@markfrancombe.com&gt;<br><b><s=
pan style=3D"font-weight: bold;">To:</span></b> Loopers-Delight@loopers-del=
ight.com<br><b><span style=3D"font-weight: bold;">Sent:</span></b> Mon, Dec=
ember 20, 2010 10:47:25 AM<br><b><span style=3D"font-weight: bold;">Subject=
:</span></b> Re: Epic Octatrack Performance Sampler Teaser....<br></font><b=
r>=0AThanks for the clarification Anthony, and thanks for the link Anders.<=
br><br>As to your deeper point Anthony, about accepting violence in our mas=
s media as the norm. I have to agree that although I don't personally find =
any of it particularly offensive, I am also concerned as to the AMOUNT of i=
t.<br>=0A=0AEspecially one who has a young child who is entering into this =
new world. It does seem sometimes that ALL our films / entertainment is swi=
mming in gratuitous blood and gore. The normal fare that one is presented o=
n hit shows such as C.S I, or Dexter, or House (bit of a fan of House I mus=
t say... I love Hugh Lawrie) is overwhelming, and that story lines are only=
 concerned with serial murder, sick sex, terrorism or war. Indeed the graph=
ic depiction of such is not particularly different on prime time TV with co=
ntent that during the 80's was branded as Video Nasties. And I should know,=
 I watched it all!<br>=0A=0A<br>Maybe Im getting old here, but certainly ha=
ving a young child has focused my opinion in the world where they market Sp=
iderman / Batman pajamas to the under fives is unacceptable to me. No longe=
r are these icons those of cute 50's comic book moralising about good and e=
vil, no, the films themselves are rated as 11 years plus. Not to mention "F=
reddie" or "Scream" masks. <br>=0A=0AIndeed, make a search on YouTube (this=
 being the main source of "TV" for many children) for "Video Nasty" you WIL=
L find edit compilations, out of context, from all the worse scenes from Ca=
nnibal Holocaust, Snuff, Driller Killer.. and I dont want to even think abo=
ut the YouTube craze for forcing kids to watch the scatological porn clip k=
nown as 2 girls 2 cup.<br>=0A=0A<br>Anthony, I COMPLETELY agree with that p=
oint you were making... sorry if I didn't respond to THAT, its a very impor=
tant issue, and one that means that my kids do not get to watch ANY TELEVIS=
ION OR COMPUTER without me or my wife being present, and I expect this rule=
 will continue until they are teens.<br>=0A=0A<br>Mark<br><br><br><br><br><=
div class=3D"gmail_quote">On Mon, Dec 20, 2010 at 9:42 AM, Anders Bergdahl =
<span dir=3D"ltr">&lt;<a rel=3D"nofollow" ymailto=3D"mailto:anders_e_bergda=
hl@hotmail.com" target=3D"_blank" href=3D"mailto:anders_e_bergdahl@hotmail.=
com">anders_e_bergdahl@hotmail.com</a>&gt;</span> wrote:<br>=0A=0A<blockquo=
te class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px =
solid rgb(204, 204, 204);padding-left:1ex;">=0A=0A=0A=0A<div>=0ASpecs:<br>=
=0AInternal tracks <span>|</span> Real-time time stretch and pitch shift <s=
pan>|</span> 8 recorders <span>|</span> 16 instantly available banks <span>=
|</span> 256 instantly available patterns <span>|</span> 64 step variable l=
ength tracks <span>|</span>2 FX blocks per track <span>|</span> 3 LFOs per =
track <span>|</span> 3 year Elektron Warranty<br>=0A=0A<font color=3D"#e6e6=
e6" face=3D"DessauPro" size=3D"3"><font color=3D"#e6e6e6" face=3D"DessauPro=
" size=3D"3"><font color=3D"#e6e6e6" face=3D"DessauPro" size=3D"3">=0A<p al=
ign=3D"left"><span><a target=3D"_blank" href=3D"http://www.elektron.se/site=
s/default/files/products/files/Octratrack-Specs.pdf">http://www.elektron.se=
/sites/default/files/products/files/Octratrack-Specs.pdf</a></span></p>=0A<=
p align=3D"left">&nbsp;</p>=0A<p align=3D"left"></p></font></font></font><f=
ont face=3D"Archer-Semibold" size=3D"1"><font face=3D"Archer-Semibold" size=
=3D"1">&nbsp;=0A<font size=3D"2">Lots of info:=A8</font><br>=0A<font size=
=3D"2"><span><a target=3D"_blank" href=3D"http://www.elektron.se/products/o=
ctatrack">http://www.elektron.se/products/octatrack</a></span></font><br>=
=0A<font size=3D"2"></font>&nbsp;<br>=0A<font size=3D"2">Anders</font><br>&=
nbsp;=0A</font></font><br clear=3D"all"><br></div></blockquote></div><br>--=
 <br>mark francombe<br><a rel=3D"nofollow" target=3D"_blank" href=3D"http:/=
/www.markfrancombe.com">www.markfrancombe.com</a><br><a rel=3D"nofollow" ta=
rget=3D"_blank" href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><b=
r>twitter @markfrancombe<br><span>=0A=0A<a target=3D"_blank" href=3D"http:/=
/vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span><a t=
arget=3D"_blank" href=3D"http://www.looop.no">http://www.looop.no</a></span=
><br>=0A</div></div><div style=3D"position:fixed"></div>=0A=0A=0A</div><br>=
=0A=0A      </body></html>
--0-1576519177-1292859130=:23201--

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Date: Mon, 20 Dec 2010 07:41:57 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: bundle up
To: Loopers-Delight@loopers-delight.com
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--0-1937437044-1292859717=:84611
Content-Type: text/plain; charset=us-ascii

Per,

strange how our techie world is so fragile. We are going  to have big trouble 
when the climate chaos starts really hitting us.

Antony



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, December 20, 2010 4:01:03 PM
Subject: Re: OT: bundle up

> antonyhequet@yahoo.com schrieb:
>> hey Per,
>>
>> how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder
>> than that?

No, not where I live (lower mid part; Stockholm, Gothenburg...).
Sweden is a thin and long country, stretching from south to north like
Long Tall Sally.

On Mon, Dec 20, 2010 at 3:30 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> The paralysis doesn't come from the temperature, but from the large amounts
> of snow continuing to fall I'd suspect

It is actually both the snow and the temperature. Our trains are not
built to last under the freezing point so the braking system may stop
working as the temperature creeps down. That's up for a critical
public discussion here just because of the fact that Sweden is so
geographically thin and stretched out north to south with huge
differences in winter temperatures. We really shouldn't use the same
trains - or use "winter compatible" cars all over - but being a small
country there's no economic headroom for better adapting the train
system. Lots of the Swedish train cars are bought from Germany where
they don't have the same issue with a huge temperature span over the
nation territory.

Rainer, that webcam link was fun! I've been up there and it is
horrible, believe me. Seeing that video brings back some fun but not
all pleasant memories from that cold area.

Per


      
--0-1937437044-1292859717=:84611
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>Per,</div><div><br></div><div>strange how our techie world is so fragile. We are going &nbsp;to have big trouble when the climate chaos starts really hitting us.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, December 20, 2010 4:01:03 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: OT: bundle up<br></font><br>
&gt; <a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> schrieb:<br>&gt;&gt; hey Per,<br>&gt;&gt;<br>&gt;&gt; how can minus 7 paralyze everything in Sweden, doesn't it get a lot colder<br>&gt;&gt; than that?<br><br>No, not where I live (lower mid part; Stockholm, Gothenburg...).<br>Sweden is a thin and long country, stretching from south to north like<br>Long Tall Sally.<br><br>On Mon, Dec 20, 2010 at 3:30 PM, Rainer Straschill<br>&lt;<a ymailto="mailto:moinsound@googlemail.com" href="mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt; wrote:<br>&gt; The paralysis doesn't come from the temperature, but from the large amounts<br>&gt; of snow continuing to fall I'd suspect<br><br>It is actually both the snow and the temperature. Our trains are not<br>built to last under the freezing point so the braking system may stop<br>working as the temperature creeps down. That's up for a
 critical<br>public discussion here just because of the fact that Sweden is so<br>geographically thin and stretched out north to south with huge<br>differences in winter temperatures. We really shouldn't use the same<br>trains - or use "winter compatible" cars all over - but being a small<br>country there's no economic headroom for better adapting the train<br>system. Lots of the Swedish train cars are bought from Germany where<br>they don't have the same issue with a huge temperature span over the<br>nation territory.<br><br>Rainer, that webcam link was fun! I've been up there and it is<br>horrible, believe me. Seeing that video brings back some fun but not<br>all pleasant memories from that cold area.<br><br>Per<br><br></div></div><div style="position:fixed"></div>


</div><br>

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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Mon, 20 Dec 2010 10:52:11 -0500
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Last wek was rough for us here in Canada. -30, but -50 with windchill facto=
r.

On Mon, Dec 20, 2010 at 10:41 AM,  <antonyhequet@yahoo.com> wrote:
> Per,
> strange how our techie world is so fragile. We are going =A0to have big
> trouble when the climate chaos starts really hitting us.
> Antony
> ________________________________
> From: Per Boysen <perboysen@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, December 20, 2010 4:01:03 PM
> Subject: Re: OT: bundle up
>
>> antonyhequet@yahoo.com schrieb:
>>> hey Per,
>>>
>>> how can minus 7 paralyze everything in Sweden, doesn't it get a lot
>>> colder
>>> than that?
>
> No, not where I live (lower mid part; Stockholm, Gothenburg...).
> Sweden is a thin and long country, stretching from south to north like
> Long Tall Sally.
>
> On Mon, Dec 20, 2010 at 3:30 PM, Rainer Straschill
> <moinsound@googlemail.com> wrote:
>> The paralysis doesn't come from the temperature, but from the large
>> amounts
>> of snow continuing to fall I'd suspect
>
> It is actually both the snow and the temperature. Our trains are not
> built to last under the freezing point so the braking system may stop
> working as the temperature creeps down. That's up for a critical
> public discussion here just because of the fact that Sweden is so
> geographically thin and stretched out north to south with huge
> differences in winter temperatures. We really shouldn't use the same
> trains - or use "winter compatible" cars all over - but being a small
> country there's no economic headroom for better adapting the train
> system. Lots of the Swedish train cars are bought from Germany where
> they don't have the same issue with a huge temperature span over the
> nation territory.
>
> Rainer, that webcam link was fun! I've been up there and it is
> horrible, believe me. Seeing that video brings back some fun but not
> all pleasant memories from that cold area.
>
> Per
>
>
>



--=20
Jean-Paul De Roover
www.jeanpaulderoover.com
(807) 251-3376

Check out the brand new video for "You"!
www.youtube.com/watch?v=3DW7QnxUgGQPc

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 15:57:15 2010
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Subject: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
Date: Mon, 20 Dec 2010 07:57:05 -0800
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Hi ho,

While we're on this important (if very off-topic) topic . . .

I have to say that it is so refreshing to hear these sorts of thoughts  
being expressed on this list.

I may be reading a lot more into these statements here than is really  
being expressed there.

And, they might not even be particularly widely-held opinions.

However, just the fact that some of my esteemed creative colleagues  
here also feel like "enough is enough" with the self-absorbed, self- 
focused, self-actualized, self-stimulating, navel-gazing, orgy of it's  
all about me-me-me-me-me 24/7 (and violence), that the western world  
has been in thrall to in for the past 2-3 decades (since the demise of  
'60s activism), it gives me hope.

Even though the forces arrayed against us (and our children) are  
great, it's encouraging to find that other "creative types" see  
something of it too.

It's all happened because global commercial interests have  
deliberately warped the initial idealism of the '60s era - because  
they've found out that it's a million, million times easier to sell  
unneeded goods and services to hyper-selfish people with obsessive,  
addictive needs for personal "actualization" and gratification of  
every imaginable (or often even unimaginable) want or desire, than it  
is to sell to people who still have that "little moral policeman" in  
their heads saying "wait, hold off, maybe this isn't the best choice."

Why are our children becoming more and more addicted to ever more  
realistically depicted violence (and remember that video games don't  
just show you the stuff, they make you participate in it and make  
choices).

Why can't little Johnny or little Suzzie read, but still know every  
intimate detail of every online game and YouTube meme out there?

Why do so many Americans drive monstrous vehicles that are not even  
remotely practical - and likely as not own 2 of them.

Why is Christmas all about the materialistic goodies and presents and  
hardly about "spiritual" matters at all?

Why is America struggling with massive debt and even more massive  
obesity?

Because we can't say "no" to ourselves.

People who can't say "no" to themselves make better consumers . . .  
and better soldiers.

People who can't say "no" to themselves will buy themselves into deep  
debt.

People who can't say "no" to themselves will always "super-size" it  
(and go back for more).

People who can't say "no" will argue less when comes the time that  
their true masters want them to invade another country in their  
interests.

They'll be more inclined to see it as in their own interest, and those  
other poor people "over there" as just images on a screen and  
explainable (and even tolerable) as "collateral damage" - and,  
besides, they existentially "don't matter" because they're "not us".

"Enough is enough" I say.

Turn the TV off, read a book (preferably and old one).

Buy local (or better yet second-hand, used).

Make your own.

Grow your own.

Barter.

"Tune out" to mass culture and fashion.

Read a "real" newspaper.

Eat less and do more.

Do things with people, starting with your own family.

Join a community of some sort (be a part of something larger than  
yourself, find something good).

Learn to look for good, value/comment/celebrate it in others,  
cultivate virtues in yourself, and teach them to your children.

Be kind, be patient, be others-aware (more than self-aware) . . . and  
above all, be self-critical.

If just a few of us do that, we'll be okay (I think).

Cheers,

Ted

On Dec 20, 2010, at 1:47 AM, mark francombe wrote:

> Anthony, I COMPLETELY agree with that point you were making... sorry  
> if I didn't respond to THAT, its a very important issue, and one  
> that means that my kids do not get to watch ANY TELEVISION OR  
> COMPUTER without me or my wife being present, and I expect this rule  
> will continue until they are teens.

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Message-ID: <AANLkTimE69hPRF=PZrUAsDD_1k5MFuka7GJRdf8Q=MhW@mail.gmail.com>
Subject: Re: OT: bundle up
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Dec 20, 2010 at 4:52 PM, Jean-Paul De Roover
<j.de.roover@gmail.com> wrote:
> Last wek was rough for us here in Canada. -30, but -50 with windchill factor.

Wow! That's remarkable. Don't forget your extra underpants!!! ;-)

Per

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 16:24:42 2010
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Subject: Re: meeetings with remarkable sounds
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Am 19.12.10 20:20, schrieb Michael Peters:
> 75 minutes of ambient and experimental improvised music by the duo
> "matebb&veloopity" which is my friend Matthias Ebbinghaus and me

wonderful soundscapes, love it...

Stefan

-- 
Les Ondes Mémorielles--------x--
-_____-----------|-----------|--
-(_|_ ----|\-----|-----()-------
- _|_)----|-----()--------------
---------()----------TJ Shredder
http://tjshredder.wordpress.com/

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
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What I find interesting, and also sad, is that the 60s was all about
subjectivity, that is, being an individual by turning one's back on the
regimented way of life that dominated suburban America and elsewhere. "The
Prisoner" was dead on target. However, this was a respectful individualism,
an open attitude that quickly got co-opted into selfishness and the whole I
me mine trip Ted is talking about.  Think of The Beat Generation, which was
a bunch of individuals who did not necessarily think of themselves as a
group - the grouping was a media invention that actually served to condemn
them en masse.  The idea of being an individual has been similarly co-opted=
.

Doc

On Mon, Dec 20, 2010 at 4:57 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Hi ho,
>
> While we're on this important (if very off-topic) topic . . .
>
> I have to say that it is so refreshing to hear these sorts of thoughts
> being expressed on this list.
>
> I may be reading a lot more into these statements here than is really bei=
ng
> expressed there.
>
> And, they might not even be particularly widely-held opinions.
>
> However, just the fact that some of my esteemed creative colleagues here
> also feel like "enough is enough" with the self-absorbed, self-focused,
> self-actualized, self-stimulating, navel-gazing, orgy of it's all about
> me-me-me-me-me 24/7 (and violence), that the western world has been in
> thrall to in for the past 2-3 decades (since the demise of '60s activism)=
,
> it gives me hope.
>
> Even though the forces arrayed against us (and our children) are great,
> it's encouraging to find that other "creative types" see something of it
> too.
>
> It's all happened because global commercial interests have deliberately
> warped the initial idealism of the '60s era - because they've found out t=
hat
> it's a million, million times easier to sell unneeded goods and services =
to
> hyper-selfish people with obsessive, addictive needs for personal
> "actualization" and gratification of every imaginable (or often even
> unimaginable) want or desire, than it is to sell to people who still have
> that "little moral policeman" in their heads saying "wait, hold off, mayb=
e
> this isn't the best choice."
>
> Why are our children becoming more and more addicted to ever more
> realistically depicted violence (and remember that video games don't just
> show you the stuff, they make you participate in it and make choices).
>
> Why can't little Johnny or little Suzzie read, but still know every
> intimate detail of every online game and YouTube meme out there?
>
> Why do so many Americans drive monstrous vehicles that are not even
> remotely practical - and likely as not own 2 of them.
>
> Why is Christmas all about the materialistic goodies and presents and
> hardly about "spiritual" matters at all?
>
> Why is America struggling with massive debt and even more massive obesity=
?
>
> Because we can't say "no" to ourselves.
>
> People who can't say "no" to themselves make better consumers . . . and
> better soldiers.
>
> People who can't say "no" to themselves will buy themselves into deep deb=
t.
>
> People who can't say "no" to themselves will always "super-size" it (and =
go
> back for more).
>
> People who can't say "no" will argue less when comes the time that their
> true masters want them to invade another country in their interests.
>
> They'll be more inclined to see it as in their own interest, and those
> other poor people "over there" as just images on a screen and explainable
> (and even tolerable) as "collateral damage" - and, besides, they
> existentially "don't matter" because they're "not us".
>
> "Enough is enough" I say.
>
> Turn the TV off, read a book (preferably and old one).
>
> Buy local (or better yet second-hand, used).
>
> Make your own.
>
> Grow your own.
>
> Barter.
>
> "Tune out" to mass culture and fashion.
>
> Read a "real" newspaper.
>
> Eat less and do more.
>
> Do things with people, starting with your own family.
>
> Join a community of some sort (be a part of something larger than yoursel=
f,
> find something good).
>
> Learn to look for good, value/comment/celebrate it in others, cultivate
> virtues in yourself, and teach them to your children.
>
> Be kind, be patient, be others-aware (more than self-aware) . . . and abo=
ve
> all, be self-critical.
>
> If just a few of us do that, we'll be okay (I think).
>
> Cheers,
>
> Ted
>
> On Dec 20, 2010, at 1:47 AM, mark francombe wrote:
>
>  Anthony, I COMPLETELY agree with that point you were making... sorry if =
I
>> didn't respond to THAT, its a very important issue, and one that means t=
hat
>> my kids do not get to watch ANY TELEVISION OR COMPUTER without me or my =
wife
>> being present, and I expect this rule will continue until they are teens=
.
>>
>
>

--001485f92bf6b292d70497da0d5f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

What I find interesting, and also sad, is that the 60s was all about subjec=
tivity, that is, being an individual by turning one&#39;s back on the regim=
ented way of life that dominated suburban America and elsewhere. &quot;The =
Prisoner&quot; was dead on target. However, this was a respectful individua=
lism, an open attitude that quickly got co-opted into selfishness and the w=
hole I me mine trip Ted is talking about. =A0Think of The Beat Generation, =
which was a bunch of individuals who did not necessarily think of themselve=
s as a group - the grouping was a media invention that actually served to c=
ondemn them en masse. =A0The idea of being an individual has been similarly=
 co-opted.<div>
<br></div><div>Doc<br><div><br><div class=3D"gmail_quote">On Mon, Dec 20, 2=
010 at 4:57 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:ted=
killian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc=
 solid;padding-left:1ex;">
Hi ho,<br>
<br>
While we&#39;re on this important (if very off-topic) topic . . .<br>
<br>
I have to say that it is so refreshing to hear these sorts of thoughts bein=
g expressed on this list.<br>
<br>
I may be reading a lot more into these statements here than is really being=
 expressed there.<br>
<br>
And, they might not even be particularly widely-held opinions.<br>
<br>
However, just the fact that some of my esteemed creative colleagues here al=
so feel like &quot;enough is enough&quot; with the self-absorbed, self-focu=
sed, self-actualized, self-stimulating, navel-gazing, orgy of it&#39;s all =
about me-me-me-me-me 24/7 (and violence), that the western world has been i=
n thrall to in for the past 2-3 decades (since the demise of &#39;60s activ=
ism), it gives me hope.<br>

<br>
Even though the forces arrayed against us (and our children) are great, it&=
#39;s encouraging to find that other &quot;creative types&quot; see somethi=
ng of it too.<br>
<br>
It&#39;s all happened because global commercial interests have deliberately=
 warped the initial idealism of the &#39;60s era - because they&#39;ve foun=
d out that it&#39;s a million, million times easier to sell unneeded goods =
and services to hyper-selfish people with obsessive, addictive needs for pe=
rsonal &quot;actualization&quot; and gratification of every imaginable (or =
often even unimaginable) want or desire, than it is to sell to people who s=
till have that &quot;little moral policeman&quot; in their heads saying &qu=
ot;wait, hold off, maybe this isn&#39;t the best choice.&quot;<br>

<br>
Why are our children becoming more and more addicted to ever more realistic=
ally depicted violence (and remember that video games don&#39;t just show y=
ou the stuff, they make you participate in it and make choices).<br>
<br>
Why can&#39;t little Johnny or little Suzzie read, but still know every int=
imate detail of every online game and YouTube meme out there?<br>
<br>
Why do so many Americans drive monstrous vehicles that are not even remotel=
y practical - and likely as not own 2 of them.<br>
<br>
Why is Christmas all about the materialistic goodies and presents and hardl=
y about &quot;spiritual&quot; matters at all?<br>
<br>
Why is America struggling with massive debt and even more massive obesity?<=
br>
<br>
Because we can&#39;t say &quot;no&quot; to ourselves.<br>
<br>
People who can&#39;t say &quot;no&quot; to themselves make better consumers=
 . . . and better soldiers.<br>
<br>
People who can&#39;t say &quot;no&quot; to themselves will buy themselves i=
nto deep debt.<br>
<br>
People who can&#39;t say &quot;no&quot; to themselves will always &quot;sup=
er-size&quot; it (and go back for more).<br>
<br>
People who can&#39;t say &quot;no&quot; will argue less when comes the time=
 that their true masters want them to invade another country in their inter=
ests.<br>
<br>
They&#39;ll be more inclined to see it as in their own interest, and those =
other poor people &quot;over there&quot; as just images on a screen and exp=
lainable (and even tolerable) as &quot;collateral damage&quot; - and, besid=
es, they existentially &quot;don&#39;t matter&quot; because they&#39;re &qu=
ot;not us&quot;.<br>

<br>
&quot;Enough is enough&quot; I say.<br>
<br>
Turn the TV off, read a book (preferably and old one).<br>
<br>
Buy local (or better yet second-hand, used).<br>
<br>
Make your own.<br>
<br>
Grow your own.<br>
<br>
Barter.<br>
<br>
&quot;Tune out&quot; to mass culture and fashion.<br>
<br>
Read a &quot;real&quot; newspaper.<br>
<br>
Eat less and do more.<br>
<br>
Do things with people, starting with your own family.<br>
<br>
Join a community of some sort (be a part of something larger than yourself,=
 find something good).<br>
<br>
Learn to look for good, value/comment/celebrate it in others, cultivate vir=
tues in yourself, and teach them to your children.<br>
<br>
Be kind, be patient, be others-aware (more than self-aware) . . . and above=
 all, be self-critical.<br>
<br>
If just a few of us do that, we&#39;ll be okay (I think).<br>
<br>
Cheers,<br>
<br>
Ted<br>
<br>
On Dec 20, 2010, at 1:47 AM, mark francombe wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Anthony, I COMPLETELY agree with that point you were making... sorry if I d=
idn&#39;t respond to THAT, its a very important issue, and one that means t=
hat my kids do not get to watch ANY TELEVISION OR COMPUTER without me or my=
 wife being present, and I expect this rule will continue until they are te=
ens.<br>

</blockquote>
<br>
</blockquote></div><br></div></div>

--001485f92bf6b292d70497da0d5f--

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Date: Mon, 20 Dec 2010 08:40:47 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
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--0-2015078545-1292863247=:75952
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hey Ted,=0A=0Ayou are right, I want to learn to say no to my greedy needs a=
nd find some =0Abalance in my life.=0A=0AAntony=0A=0A=0A=0A________________=
________________=0AFrom: Doc Rossi <docittern@gmail.com>=0ATo: Loopers-Deli=
ght@loopers-delight.com=0ASent: Mon, December 20, 2010 5:31:35 PM=0ASubject=
: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack =0APerforma=
nce Sampler Teaser....=0A=0AWhat I find interesting, and also sad, is that =
the 60s was all about =0Asubjectivity, that is, being an individual by turn=
ing one's back on the =0Aregimented way of life that dominated suburban Ame=
rica and elsewhere. "The =0APrisoner" was dead on target. However, this was=
 a respectful individualism, an =0Aopen attitude that quickly got co-opted =
into selfishness and the whole I me mine =0Atrip Ted is talking about.  Thi=
nk of The Beat Generation, which was a bunch of =0Aindividuals who did not =
necessarily think of themselves as a group - the =0Agrouping was a media in=
vention that actually served to condemn them en masse. =0A The idea of bein=
g an individual has been similarly co-opted.=0A=0ADoc=0A=0A=0A=0AOn Mon, De=
c 20, 2010 at 4:57 PM, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:=0A=
=0AHi ho,=0A>=0A>While we're on this important (if very off-topic) topic . =
. .=0A>=0A>I have to say that it is so refreshing to hear these sorts of th=
oughts being =0A>expressed on this list.=0A>=0A>I may be reading a lot more=
 into these statements here than is really being =0A>expressed there.=0A>=
=0A>And, they might not even be particularly widely-held opinions.=0A>=0A>H=
owever, just the fact that some of my esteemed creative colleagues here als=
o =0A>feel like "enough is enough" with the self-absorbed, self-focused, =
=0A>self-actualized, self-stimulating, navel-gazing, orgy of it's all about=
 =0A>me-me-me-me-me 24/7 (and violence), that the western world has been in=
 thrall to =0A>in for the past 2-3 decades (since the demise of '60s activi=
sm), it gives me =0A>hope.=0A>=0A>Even though the forces arrayed against us=
 (and our children) are great, it's =0A>encouraging to find that other "cre=
ative types" see something of it too.=0A>=0A>It's all happened because glob=
al commercial interests have deliberately warped =0A>the initial idealism o=
f the '60s era - because they've found out that it's a =0A>million, million=
 times easier to sell unneeded goods and services to =0A>hyper-selfish peop=
le with obsessive, addictive needs for personal =0A>"actualization" and gra=
tification of every imaginable (or often even =0A>unimaginable) want or des=
ire, than it is to sell to people who still have that =0A>"little moral pol=
iceman" in their heads saying "wait, hold off, maybe this isn't =0A>the bes=
t choice."=0A>=0A>Why are our children becoming more and more addicted to e=
ver more realistically =0A>depicted violence (and remember that video games=
 don't just show you the stuff, =0A>they make you participate in it and mak=
e choices).=0A>=0A>Why can't little Johnny or little Suzzie read, but still=
 know every intimate =0A>detail of every online game and YouTube meme out t=
here?=0A>=0A>Why do so many Americans drive monstrous vehicles that are not=
 even remotely =0A>practical - and likely as not own 2 of them.=0A>=0A>Why =
is Christmas all about the materialistic goodies and presents and hardly =
=0A>about "spiritual" matters at all?=0A>=0A>Why is America struggling with=
 massive debt and even more massive obesity?=0A>=0A>Because we can't say "n=
o" to ourselves.=0A>=0A>People who can't say "no" to themselves make better=
 consumers . . . and better =0A>soldiers.=0A>=0A>People who can't say "no" =
to themselves will buy themselves into deep debt.=0A>=0A>People who can't s=
ay "no" to themselves will always "super-size" it (and go back =0A>for more=
).=0A>=0A>People who can't say "no" will argue less when comes the time tha=
t their true =0A>masters want them to invade another country in their inter=
ests.=0A>=0A>They'll be more inclined to see it as in their own interest, a=
nd those other =0A>poor people "over there" as just images on a screen and =
explainable (and even =0A>tolerable) as "collateral damage" - and, besides,=
 they existentially "don't =0A>matter" because they're "not us".=0A>=0A>"En=
ough is enough" I say.=0A>=0A>Turn the TV off, read a book (preferably and =
old one).=0A>=0A>Buy local (or better yet second-hand, used).=0A>=0A>Make y=
our own.=0A>=0A>Grow your own.=0A>=0A>Barter.=0A>=0A>"Tune out" to mass cul=
ture and fashion.=0A>=0A>Read a "real" newspaper.=0A>=0A>Eat less and do mo=
re.=0A>=0A>Do things with people, starting with your own family.=0A>=0A>Joi=
n a community of some sort (be a part of something larger than yourself, fi=
nd =0A>something good).=0A>=0A>Learn to look for good, value/comment/celebr=
ate it in others, cultivate virtues =0A>in yourself, and teach them to your=
 children.=0A>=0A>Be kind, be patient, be others-aware (more than self-awar=
e) . . . and above all, =0A>be self-critical.=0A>=0A>If just a few of us do=
 that, we'll be okay (I think).=0A>=0A>Cheers,=0A>=0A>Ted=0A>=0A>On Dec 20,=
 2010, at 1:47 AM, mark francombe wrote:=0A>=0A>=0A>Anthony, I COMPLETELY a=
gree with that point you were making... sorry if I didn't =0A>respond to TH=
AT, its a very important issue, and one that means that my kids do =0A>not =
get to watch ANY TELEVISION OR COMPUTER without me or my wife being present=
, =0A>and I expect this rule will continue until they are teens.=0A>>=0A=0A=
=0A      
--0-2015078545-1292863247=:75952
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>hey Ted,</div><div><br></div><div>you are right, I want to learn =
to say no to my greedy needs and find some balance in my life.</div><div><b=
r></div><div>Antony</div><div style=3D"font-family:arial, helvetica, sans-s=
erif;font-size:14pt"><br><div style=3D"font-family:times new roman, new yor=
k, times, serif;font-size:12pt"><font size=3D"2" face=3D"Tahoma"><hr size=
=3D"1"><b><span style=3D"font-weight: bold;">From:</span></b> Doc Rossi &lt=
;docittern@gmail.com&gt;<br><b><span style=3D"font-weight: bold;">To:</span=
></b> Loopers-Delight@loopers-delight.com<br><b><span style=3D"font-weight:=
 bold;">Sent:</span></b> Mon, December 20, 2010 5:31:35 PM<br><b><span styl=
e=3D"font-weight: bold;">Subject:</span></b> Re: (OT) REJECTING MASS MEDIA =
CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br></font><b=
r>=0AWhat I find interesting, and also sad, is that the 60s was all about s=
ubjectivity, that is, being an individual by turning one's back on the regi=
mented way of life that dominated suburban America and elsewhere. "The Pris=
oner" was dead on target. However, this was a respectful individualism, an =
open attitude that quickly got co-opted into selfishness and the whole I me=
 mine trip Ted is talking about. &nbsp;Think of The Beat Generation, which =
was a bunch of individuals who did not necessarily think of themselves as a=
 group - the grouping was a media invention that actually served to condemn=
 them en masse. &nbsp;The idea of being an individual has been similarly co=
-opted.<div>=0A<br></div><div>Doc<br><div><br><div class=3D"gmail_quote">On=
 Mon, Dec 20, 2010 at 4:57 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a rel=
=3D"nofollow" ymailto=3D"mailto:tedkillian@charter.net" target=3D"_blank" h=
ref=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span>=
 wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bor=
der-left:1px #ccc solid;padding-left:1ex;">=0AHi ho,<br>=0A<br>=0AWhile we'=
re on this important (if very off-topic) topic . . .<br>=0A<br>=0AI have to=
 say that it is so refreshing to hear these sorts of thoughts being express=
ed on this list.<br>=0A<br>=0AI may be reading a lot more into these statem=
ents here than is really being expressed there.<br>=0A<br>=0AAnd, they migh=
t not even be particularly widely-held opinions.<br>=0A<br>=0AHowever, just=
 the fact that some of my esteemed creative colleagues here also feel like =
"enough is enough" with the self-absorbed, self-focused, self-actualized, s=
elf-stimulating, navel-gazing, orgy of it's all about me-me-me-me-me 24/7 (=
and violence), that the western world has been in thrall to in for the past=
 2-3 decades (since the demise of '60s activism), it gives me hope.<br>=0A=
=0A<br>=0AEven though the forces arrayed against us (and our children) are =
great, it's encouraging to find that other "creative types" see something o=
f it too.<br>=0A<br>=0AIt's all happened because global commercial interest=
s have deliberately warped the initial idealism of the '60s era - because t=
hey've found out that it's a million, million times easier to sell unneeded=
 goods and services to hyper-selfish people with obsessive, addictive needs=
 for personal "actualization" and gratification of every imaginable (or oft=
en even unimaginable) want or desire, than it is to sell to people who stil=
l have that "little moral policeman" in their heads saying "wait, hold off,=
 maybe this isn't the best choice."<br>=0A=0A<br>=0AWhy are our children be=
coming more and more addicted to ever more realistically depicted violence =
(and remember that video games don't just show you the stuff, they make you=
 participate in it and make choices).<br>=0A<br>=0AWhy can't little Johnny =
or little Suzzie read, but still know every intimate detail of every online=
 game and YouTube meme out there?<br>=0A<br>=0AWhy do so many Americans dri=
ve monstrous vehicles that are not even remotely practical - and likely as =
not own 2 of them.<br>=0A<br>=0AWhy is Christmas all about the materialisti=
c goodies and presents and hardly about "spiritual" matters at all?<br>=0A<=
br>=0AWhy is America struggling with massive debt and even more massive obe=
sity?<br>=0A<br>=0ABecause we can't say "no" to ourselves.<br>=0A<br>=0APeo=
ple who can't say "no" to themselves make better consumers . . . and better=
 soldiers.<br>=0A<br>=0APeople who can't say "no" to themselves will buy th=
emselves into deep debt.<br>=0A<br>=0APeople who can't say "no" to themselv=
es will always "super-size" it (and go back for more).<br>=0A<br>=0APeople =
who can't say "no" will argue less when comes the time that their true mast=
ers want them to invade another country in their interests.<br>=0A<br>=0ATh=
ey'll be more inclined to see it as in their own interest, and those other =
poor people "over there" as just images on a screen and explainable (and ev=
en tolerable) as "collateral damage" - and, besides, they existentially "do=
n't matter" because they're "not us".<br>=0A=0A<br>=0A"Enough is enough" I =
say.<br>=0A<br>=0ATurn the TV off, read a book (preferably and old one).<br=
>=0A<br>=0ABuy local (or better yet second-hand, used).<br>=0A<br>=0AMake y=
our own.<br>=0A<br>=0AGrow your own.<br>=0A<br>=0ABarter.<br>=0A<br>=0A"Tun=
e out" to mass culture and fashion.<br>=0A<br>=0ARead a "real" newspaper.<b=
r>=0A<br>=0AEat less and do more.<br>=0A<br>=0ADo things with people, start=
ing with your own family.<br>=0A<br>=0AJoin a community of some sort (be a =
part of something larger than yourself, find something good).<br>=0A<br>=0A=
Learn to look for good, value/comment/celebrate it in others, cultivate vir=
tues in yourself, and teach them to your children.<br>=0A<br>=0ABe kind, be=
 patient, be others-aware (more than self-aware) . . . and above all, be se=
lf-critical.<br>=0A<br>=0AIf just a few of us do that, we'll be okay (I thi=
nk).<br>=0A<br>=0ACheers,<br>=0A<br>=0ATed<br>=0A<br>=0AOn Dec 20, 2010, at=
 1:47 AM, mark francombe wrote:<br>=0A<br>=0A<blockquote class=3D"gmail_quo=
te" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;=
">=0AAnthony, I COMPLETELY agree with that point you were making... sorry i=
f I didn't respond to THAT, its a very important issue, and one that means =
that my kids do not get to watch ANY TELEVISION OR COMPUTER without me or m=
y wife being present, and I expect this rule will continue until they are t=
eens.<br>=0A=0A</blockquote>=0A<br>=0A</blockquote></div><br></div></div>=
=0A</div></div><div style=3D"position:fixed"></div>=0A=0A=0A</div><br>=0A=
=0A      </body></html>
--0-2015078545-1292863247=:75952--

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Date: Mon, 20 Dec 2010 17:40:56 +0100
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
From: Per Boysen <perboysen@gmail.com>
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Great post, Ted! :

On Mon, Dec 20, 2010 at 4:57 PM, tEd =C2=AE KiLLiAn <tedkillian@charter.net=
> wrote:
> Turn the TV off,

I don't even own a TV :-)

> read a book (preferably and old one).

It just hit me, when reading the part of your post talking about
"saying no to yourself", that one old book that well describes these
thoughts is "Siddharta" by Herman Hesse. I like everything I've read
by that guy. Yes, old books they are - but in 2011 suddenly just right
on the spot! Damn, I'll buy a bunch of them for my sons as X-mas
gifts. Thank you, Ted, one more daily issue solved!! ;-))

Last X-mas I gave them another book - whatever it is called in English
(The Prince..?) - by that Italian guy that lived some four or... ah
yeah MACCIAVELLI, that was his name. He was the first class couch for
kings and just about anyone who had more powerz than brainz back in
the dayz. And Maciavelly really taught The Path of The Snake (rather
than the Path of The Eagle, known as the "good guy's" choice... och
OFF-Toppic-ing into esotherics here.... sorry, back on track we go).
But this book has to be discussed if handed over to... not just young
people, anyone! Because M's sinister methods still work and are
practiced daily by politicians and other decision makers.

http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli

Per

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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: top ten list of 2010
Date: Mon, 20 Dec 2010 19:11:07 +0200
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hey loopers,

the "sub city 2064" album has been included at the "top 10 albums of =
2010" list of the blogcritics along with artists such Lou Reed, Laurie =
Anderson etc.

http://blogcritics.org/music/article/my-favorite-listens-of-2010/page-3/

thanks and best.

www.erdemhelvacioglu.com

New duo album with Per Boysen out now.
http://erdemhelvaciogluandperboysen.bandcamp.com

=

=


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<META content=3D"text/html; charset=3Diso-8859-9" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18975">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>hey loopers,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>the "sub city 2064" album has been =
included at the=20
"top 10 albums of 2010" list of the blogcritics along with artists such =
Lou=20
Reed, Laurie Anderson etc.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://blogcritics.org/music/article/my-favorite-listens-of-2010/=
page-3/">http://blogcritics.org/music/article/my-favorite-listens-of-2010=
/page-3/</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>thanks and best.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A></FO=
NT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>New duo album with Per Boysen out =
now.<BR><A=20
href=3D"http://erdemhelvaciogluandperboysen.bandcamp.com">http://erdemhel=
vaciogluandperboysen.bandcamp.com</A></FONT></DIV>
=

=


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From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 18:14:19 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
Date: Mon, 20 Dec 2010 10:14:06 -0800
To: Loopers-Delight@loopers-delight.com
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On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:

>> Turn the TV off,
>
> I don't even own a TV :-)

I have an old TV set but it is only used as a "monitor" for my DVD  
player and my (yes old but still works great) VCR. Otherwise, I am  
now nearing *23 years*
of NOT watching tee vee....ANY tee vee. Why bother? It's usually  
vapid crap anyway and mostly a mind rot and more specifically, a  
means to better serve
commercial interests and promote more Materialism and mass  
consumption (and WASTE) and other mind numbing stupidity and ignorance.
One has to only know about (haha) "fair and balanced" Faux  
Fraudcasting and "news" and "entertainment" for how LOW this can go.  
(and with no end in sight)

Books and other things are far more important and WORTHY and  
enriching etc. (and they don't add to your electrical utility bill,  
either!)

There's also a book that came out YEARS ago (1978!) that I'll  
eventually read entitled "Four Arguments for the Elimination of  
Television" by Jerry Mander.
The title alone was what hooked me into wanting to check it out. It  
is next in line to read after I finish the excellent and INTENSE  
biography and study of Gyorgy Ligeti.

On the subject of the 60's, for a REAL "trip" (haha), check out the  
2DVD autobiographical film by singer / poet Donovan entitled (what  
else?) 'Sunshine Superman'.
It is GREAT and has a LOT of old and RARE  footage from the 60's,  
going back as far as 1963, or 1965 or so and on through the next  
couple of decades and on
up to very recent years. The main disc is THREE HOURS LONG and is a  
LOT of fun!. I've not seen the bonus disc yet, but I know it is not  
nearly as long, but will
still likely have some great surprises and more fun. The set also has  
a great little booklet and comes in a *beautiful* full color box.  
Definitely REVcommended!

Cheers,
Rev.Fever
Portland,OR
The Angry Red Planet (AKA-USA)
http://www.spiritone.com/~rvfever

PS- I see that the LA Times recently came out with an editorial  
slamming Faux Fraudcasting. Excellent. It's about damn time and LONG  
overdue that something
other than the alternative and independent media did this.
http://www.latimes.com/news/opinion/editorials/la-ed- 
foxnews-20101217,0,6952663.story


>> read a book (preferably and old one).
>
> It just hit me, when reading the part of your post talking about
> "saying no to yourself", that one old book that well describes these
> thoughts is "Siddharta" by Herman Hesse. I like everything I've read
> by that guy. Yes, old books they are - but in 2011 suddenly just right
> on the spot! Damn, I'll buy a bunch of them for my sons as X-mas
> gifts. Thank you, Ted, one more daily issue solved!! ;-))
>
> Last X-mas I gave them another book - whatever it is called in English
> (The Prince..?) - by that Italian guy that lived some four or... ah
> yeah MACCIAVELLI, that was his name. He was the first class couch for
> kings and just about anyone who had more powerz than brainz back in
> the dayz. And Maciavelly really taught The Path of The Snake (rather
> than the Path of The Eagle, known as the "good guy's" choice... och
> OFF-Toppic-ing into esotherics here.... sorry, back on track we go).
> But this book has to be discussed if handed over to... not just young
> people, anyone! Because M's sinister methods still work and are
> practiced daily by politicians and other decision makers.
>
> http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli
>
> Per
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 19:20:52 2010
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Date: Mon, 20 Dec 2010 11:20:49 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
To: Loopers-Delight@loopers-delight.com
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hey Rev,

I have not owned a Tv for the past 20 years, and it does wonders for your skin!

Antony



________________________________
From: Revfever <revfever@ubergadget.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, December 20, 2010 7:14:06 PM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE

On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:

>> Turn the TV off,
> 
> I don't even own a TV :-)

I have an old TV set but it is only used as a "monitor" for my DVD player and my 
(yes old but still works great) VCR. Otherwise, I am now nearing *23 years*
of NOT watching tee vee....ANY tee vee. Why bother? It's usually vapid crap 
anyway and mostly a mind rot and more specifically, a means to better serve
commercial interests and promote more Materialism and mass consumption (and 
WASTE) and other mind numbing stupidity and ignorance.
One has to only know about (haha) "fair and balanced" Faux Fraudcasting and 
"news" and "entertainment" for how LOW this can go. (and with no end in sight)

Books and other things are far more important and WORTHY and enriching etc. (and 
they don't add to your electrical utility bill, either!)

There's also a book that came out YEARS ago (1978!) that I'll eventually read 
entitled "Four Arguments for the Elimination of Television" by Jerry Mander.
The title alone was what hooked me into wanting to check it out. It is next in 
line to read after I finish the excellent and INTENSE biography and study of 
Gyorgy Ligeti.

On the subject of the 60's, for a REAL "trip" (haha), check out the 2DVD 
autobiographical film by singer / poet Donovan entitled (what else?) 'Sunshine 
Superman'.
It is GREAT and has a LOT of old and RARE  footage from the 60's, going back as 
far as 1963, or 1965 or so and on through the next couple of decades and on
up to very recent years. The main disc is THREE HOURS LONG and is a LOT of fun!. 
I've not seen the bonus disc yet, but I know it is not nearly as long, but will
still likely have some great surprises and more fun. The set also has a great 
little booklet and comes in a *beautiful* full color box. Definitely 
REVcommended!

Cheers,
Rev.Fever
Portland,OR
The Angry Red Planet (AKA-USA)
http://www.spiritone.com/~rvfever

PS- I see that the LA Times recently came out with an editorial slamming Faux 
Fraudcasting. Excellent. It's about damn time and LONG overdue that something
other than the alternative and independent media did this.
http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217,0,6952663.story



>> read a book (preferably and old one).
> 
> It just hit me, when reading the part of your post talking about
> "saying no to yourself", that one old book that well describes these
> thoughts is "Siddharta" by Herman Hesse. I like everything I've read
> by that guy. Yes, old books they are - but in 2011 suddenly just right
> on the spot! Damn, I'll buy a bunch of them for my sons as X-mas
> gifts. Thank you, Ted, one more daily issue solved!! ;-))
> 
> Last X-mas I gave them another book - whatever it is called in English
> (The Prince..?) - by that Italian guy that lived some four or... ah
> yeah MACCIAVELLI, that was his name. He was the first class couch for
> kings and just about anyone who had more powerz than brainz back in
> the dayz. And Maciavelly really taught The Path of The Snake (rather
> than the Path of The Eagle, known as the "good guy's" choice... och
> OFF-Toppic-ing into esotherics here.... sorry, back on track we go).
> But this book has to be discussed if handed over to... not just young
> people, anyone! Because M's sinister methods still work and are
> practiced daily by politicians and other decision makers.
> 
> http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli
> 
> Per
> 


      
--855259926-1566299304-1292872849=:67553
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>hey Rev,</div><div><br></div><div>I have not owned a Tv for the past 20 years, and it does wonders for your skin!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Revfever &lt;revfever@ubergadget.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, December 20, 2010 7:14:06 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: (OT) REJECTING MASS MEDIA CULTURE<br></font><br>
On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:<br><br>&gt;&gt; Turn the TV off,<br>&gt; <br>&gt; I don't even own a TV :-)<br><br>I have an old TV set but it is only used as a "monitor" for my DVD player and my (yes old but still works great) VCR. Otherwise, I am now nearing *23 years*<br>of NOT watching tee vee....ANY tee vee. Why bother? It's usually vapid crap anyway and mostly a mind rot and more specifically, a means to better serve<br>commercial interests and promote more Materialism and mass consumption (and WASTE) and other mind numbing stupidity and ignorance.<br>One has to only know about (haha) "fair and balanced" Faux Fraudcasting and "news" and "entertainment" for how LOW this can go. (and with no end in sight)<br><br>Books and other things are far more important and WORTHY and enriching etc. (and they don't add to your electrical utility bill, either!)<br><br>There's also a book that came out YEARS ago (1978!) that I'll eventually read
 entitled "Four Arguments for the Elimination of Television" by Jerry Mander.<br>The title alone was what hooked me into wanting to check it out. It is next in line to read after I finish the excellent and INTENSE biography and study of Gyorgy Ligeti.<br><br>On the subject of the 60's, for a REAL "trip" (haha), check out the 2DVD autobiographical film by singer / poet Donovan entitled (what else?) 'Sunshine Superman'.<br>It is GREAT and has a LOT of old and RARE&nbsp; footage from the 60's, going back as far as 1963, or 1965 or so and on through the next couple of decades and on<br>up to very recent years. The main disc is THREE HOURS LONG and is a LOT of fun!. I've not seen the bonus disc yet, but I know it is not nearly as long, but will<br>still likely have some great surprises and more fun. The set also has a great little booklet and comes in a *beautiful* full color box. Definitely REVcommended!<br><br>Cheers,<br>Rev.Fever<br>Portland,OR<br>The
 Angry Red Planet (AKA-USA)<br><span><a target="_blank" href="http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfever</a></span><br><br>PS- I see that the LA Times recently came out with an editorial slamming Faux Fraudcasting. Excellent. It's about damn time and LONG overdue that something<br>other than the alternative and independent media did this.<br><span><a target="_blank" href="http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217,0,6952663.story">http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217,0,6952663.story</a></span><br><br><br>&gt;&gt; read a book (preferably and old one).<br>&gt; <br>&gt; It just hit me, when reading the part of your post talking about<br>&gt; "saying no to yourself", that one old book that well describes these<br>&gt; thoughts is "Siddharta" by Herman Hesse. I like everything I've read<br>&gt; by that guy. Yes, old books they are - but in 2011 suddenly just right<br>&gt; on
 the spot! Damn, I'll buy a bunch of them for my sons as X-mas<br>&gt; gifts. Thank you, Ted, one more daily issue solved!! ;-))<br>&gt; <br>&gt; Last X-mas I gave them another book - whatever it is called in English<br>&gt; (The Prince..?) - by that Italian guy that lived some four or... ah<br>&gt; yeah MACCIAVELLI, that was his name. He was the first class couch for<br>&gt; kings and just about anyone who had more powerz than brainz back in<br>&gt; the dayz. And Maciavelly really taught The Path of The Snake (rather<br>&gt; than the Path of The Eagle, known as the "good guy's" choice... och<br>&gt; OFF-Toppic-ing into esotherics here.... sorry, back on track we go).<br>&gt; But this book has to be discussed if handed over to... not just young<br>&gt; people, anyone! Because M's sinister methods still work and are<br>&gt; practiced daily by politicians and other decision makers.<br>&gt; <br><span>&gt; <a target="_blank"
 href="http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli">http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli</a></span><br>&gt; <br>&gt; Per<br>&gt; <br><br></div></div><div style="position:fixed"></div>


</div><br>







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From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 20:05:46 2010
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References: <C93404FC.8B6%mech@m3ch.net>
	<838513.12522.qm@web120701.mail.ne1.yahoo.com>
	<726302687839749391@unknownmsgid>
	<AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>
	<916190.82124.qm@web120703.mail.ne1.yahoo.com>
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Date: Mon, 20 Dec 2010 22:05:44 +0200
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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same here, no tv set for the past 10 years

I feel fine

2010/12/20 <antonyhequet@yahoo.com>

> hey Rev,
>
> I have not owned a Tv for the past 20 years, and it does wonders for your
> skin!
>
> Antony
>
> ------------------------------
> *From:* Revfever <revfever@ubergadget.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Mon, December 20, 2010 7:14:06 PM
> *Subject:* Re: (OT) REJECTING MASS MEDIA CULTURE
>
> On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:
>
> >> Turn the TV off,
> >
> > I don't even own a TV :-)
>
> I have an old TV set but it is only used as a "monitor" for my DVD player
> and my (yes old but still works great) VCR. Otherwise, I am now nearing *23
> years*
> of NOT watching tee vee....ANY tee vee. Why bother? It's usually vapid crap
> anyway and mostly a mind rot and more specifically, a means to better serve
> commercial interests and promote more Materialism and mass consumption (and
> WASTE) and other mind numbing stupidity and ignorance.
> One has to only know about (haha) "fair and balanced" Faux Fraudcasting and
> "news" and "entertainment" for how LOW this can go. (and with no end in
> sight)
>
> Books and other things are far more important and WORTHY and enriching etc.
> (and they don't add to your electrical utility bill, either!)
>
> There's also a book that came out YEARS ago (1978!) that I'll eventually
> read entitled "Four Arguments for the Elimination of Television" by Jerry
> Mander.
> The title alone was what hooked me into wanting to check it out. It is next
> in line to read after I finish the excellent and INTENSE biography and study
> of Gyorgy Ligeti.
>
> On the subject of the 60's, for a REAL "trip" (haha), check out the 2DVD
> autobiographical film by singer / poet Donovan entitled (what else?)
> 'Sunshine Superman'.
> It is GREAT and has a LOT of old and RARE  footage from the 60's, going
> back as far as 1963, or 1965 or so and on through the next couple of decades
> and on
> up to very recent years. The main disc is THREE HOURS LONG and is a LOT of
> fun!. I've not seen the bonus disc yet, but I know it is not nearly as long,
> but will
> still likely have some great surprises and more fun. The set also has a
> great little booklet and comes in a *beautiful* full color box. Definitely
> REVcommended!
>
> Cheers,
> Rev.Fever
> Portland,OR
> The Angry Red Planet (AKA-USA)
> http://www.spiritone.com/~rvfever <http://www.spiritone.com/%7Ervfever>
>
> PS- I see that the LA Times recently came out with an editorial slamming
> Faux Fraudcasting. Excellent. It's about damn time and LONG overdue that
> something
> other than the alternative and independent media did this.
>
> http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217,0,6952663.story
>
>
> >> read a book (preferably and old one).
> >
> > It just hit me, when reading the part of your post talking about
> > "saying no to yourself", that one old book that well describes these
> > thoughts is "Siddharta" by Herman Hesse. I like everything I've read
> > by that guy. Yes, old books they are - but in 2011 suddenly just right
> > on the spot! Damn, I'll buy a bunch of them for my sons as X-mas
> > gifts. Thank you, Ted, one more daily issue solved!! ;-))
> >
> > Last X-mas I gave them another book - whatever it is called in English
> > (The Prince..?) - by that Italian guy that lived some four or... ah
> > yeah MACCIAVELLI, that was his name. He was the first class couch for
> > kings and just about anyone who had more powerz than brainz back in
> > the dayz. And Maciavelly really taught The Path of The Snake (rather
> > than the Path of The Eagle, known as the "good guy's" choice... och
> > OFF-Toppic-ing into esotherics here.... sorry, back on track we go).
> > But this book has to be discussed if handed over to... not just young
> > people, anyone! Because M's sinister methods still work and are
> > practiced daily by politicians and other decision makers.
> >
> > http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli
> >
> > Per
> >
>
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a3379361f20497dd0b69
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

same here, no tv set for the past 10 years<br><br>I feel fine<br><br><div c=
lass=3D"gmail_quote">2010/12/20  <span dir=3D"ltr">&lt;<a href=3D"mailto:an=
tonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span><br><blockquote =
class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px =
solid rgb(204, 204, 204); padding-left: 1ex;">
<div><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt=
;"><div>hey Rev,</div><div><br></div><div>I have not owned a Tv for the pas=
t 20 years, and it does wonders for your skin!</div><div><br></div><div>Ant=
ony</div>
<div style=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt;"><b=
r><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 13px;">=
<font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D"font-weig=
ht: bold;">From:</span></b> Revfever &lt;<a href=3D"mailto:revfever@ubergad=
get.com" target=3D"_blank">revfever@ubergadget.com</a>&gt;<br>
<b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loop=
ers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-=
delight.com</a><br><b><span style=3D"font-weight: bold;">Sent:</span></b> M=
on, December 20, 2010 7:14:06 PM<br>
<b><span style=3D"font-weight: bold;">Subject:</span></b> Re: (OT) REJECTIN=
G MASS MEDIA CULTURE<br></font><div><div></div><div class=3D"h5"><br>
On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:<br><br>&gt;&gt; Turn the TV =
off,<br>&gt; <br>&gt; I don&#39;t even own a TV :-)<br><br>I have an old TV=
 set but it is only used as a &quot;monitor&quot; for my DVD player and my =
(yes old but still works great) VCR. Otherwise, I am now nearing *23 years*=
<br>
of NOT watching tee vee....ANY tee vee. Why bother? It&#39;s usually vapid =
crap anyway and mostly a mind rot and more specifically, a means to better =
serve<br>commercial interests and promote more Materialism and mass consump=
tion (and WASTE) and other mind numbing stupidity and ignorance.<br>
One has to only know about (haha) &quot;fair and balanced&quot; Faux Fraudc=
asting and &quot;news&quot; and &quot;entertainment&quot; for how LOW this =
can go. (and with no end in sight)<br><br>Books and other things are far mo=
re important and WORTHY and enriching etc. (and they don&#39;t add to your =
electrical utility bill, either!)<br>
<br>There&#39;s also a book that came out YEARS ago (1978!) that I&#39;ll e=
ventually read
 entitled &quot;Four Arguments for the Elimination of Television&quot; by J=
erry Mander.<br>The title alone was what hooked me into wanting to check it=
 out. It is next in line to read after I finish the excellent and INTENSE b=
iography and study of Gyorgy Ligeti.<br>
<br>On the subject of the 60&#39;s, for a REAL &quot;trip&quot; (haha), che=
ck out the 2DVD autobiographical film by singer / poet Donovan entitled (wh=
at else?) &#39;Sunshine Superman&#39;.<br>It is GREAT and has a LOT of old =
and RARE=A0 footage from the 60&#39;s, going back as far as 1963, or 1965 o=
r so and on through the next couple of decades and on<br>
up to very recent years. The main disc is THREE HOURS LONG and is a LOT of =
fun!. I&#39;ve not seen the bonus disc yet, but I know it is not nearly as =
long, but will<br>still likely have some great surprises and more fun. The =
set also has a great little booklet and comes in a *beautiful* full color b=
ox. Definitely REVcommended!<br>
<br>Cheers,<br>Rev.Fever<br>Portland,OR<br>The
 Angry Red Planet (AKA-USA)<br><span><a href=3D"http://www.spiritone.com/%7=
Ervfever" target=3D"_blank">http://www.spiritone.com/~rvfever</a></span><br=
><br>PS- I see that the LA Times recently came out with an editorial slammi=
ng Faux Fraudcasting. Excellent. It&#39;s about damn time and LONG overdue =
that something<br>
other than the alternative and independent media did this.<br><span><a href=
=3D"http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217,0=
,6952663.story" target=3D"_blank">http://www.latimes.com/news/opinion/edito=
rials/la-ed-foxnews-20101217,0,6952663.story</a></span><br>
<br><br>&gt;&gt; read a book (preferably and old one).<br>&gt; <br>&gt; It =
just hit me, when reading the part of your post talking about<br>&gt; &quot=
;saying no to yourself&quot;, that one old book that well describes these<b=
r>
&gt; thoughts is &quot;Siddharta&quot; by Herman Hesse. I like everything I=
&#39;ve read<br>&gt; by that guy. Yes, old books they are - but in 2011 sud=
denly just right<br>&gt; on
 the spot! Damn, I&#39;ll buy a bunch of them for my sons as X-mas<br>&gt; =
gifts. Thank you, Ted, one more daily issue solved!! ;-))<br>&gt; <br>&gt; =
Last X-mas I gave them another book - whatever it is called in English<br>
&gt; (The Prince..?) - by that Italian guy that lived some four or... ah<br=
>&gt; yeah MACCIAVELLI, that was his name. He was the first class couch for=
<br>&gt; kings and just about anyone who had more powerz than brainz back i=
n<br>
&gt; the dayz. And Maciavelly really taught The Path of The Snake (rather<b=
r>&gt; than the Path of The Eagle, known as the &quot;good guy&#39;s&quot; =
choice... och<br>&gt; OFF-Toppic-ing into esotherics here.... sorry, back o=
n track we go).<br>
&gt; But this book has to be discussed if handed over to... not just young<=
br>&gt; people, anyone! Because M&#39;s sinister methods still work and are=
<br>&gt; practiced daily by politicians and other decision makers.<br>&gt; =
<br>
<span>&gt; <a href=3D"http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli=
" target=3D"_blank">http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli</=
a></span><br>&gt; <br>&gt; Per<br>&gt; <br><br></div></div></div></div><div=
>
</div>


</div><br>







      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a3379361f20497dd0b69--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 20:13:53 2010
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Subject: RE: (OT) REJECTING MASS MEDIA CULTURE
Date: Mon, 20 Dec 2010 20:13:50 +0000
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..And I'm still getting threatening letters from the good old BBC telling m=
e I'm under investigation for not having a f**cking TV licence.
It's assumed that everyone has one it seems..
Cant' wait till I don't actually have a terrestrial address next year - tha=
t's gonna be a whole new can of worms..

Peace

G

Date: Mon=2C 20 Dec 2010 22:05:44 +0200
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
From: aikuinen@gmail.com
To: Loopers-Delight@loopers-delight.com

same here=2C no tv set for the past 10 years

I feel fine

2010/12/20  <antonyhequet@yahoo.com>

hey Rev=2C
I have not owned a Tv for the past 20 years=2C and it does wonders for your=
 skin!
Antony

From: Revfever <revfever@ubergadget.com>

To: Loopers-Delight@loopers-delight.com
Sent: Mon=2C December 20=2C 2010 7:14:06 PM

Subject: Re: (OT) REJECTING MASS MEDIA CULTURE


On Dec 20=2C 2010=2C at 8:40 AM=2C Per Boysen wrote:

>> Turn the TV off=2C
>=20
> I don't even own a TV :-)

I have an old TV set but it is only used as a "monitor" for my DVD player a=
nd my (yes old but still works great) VCR. Otherwise=2C I am now nearing *2=
3 years*

of NOT watching tee vee....ANY tee vee. Why bother? It's usually vapid crap=
 anyway and mostly a mind rot and more specifically=2C a means to better se=
rve
commercial interests and promote more Materialism and mass consumption (and=
 WASTE) and other mind numbing stupidity and ignorance.

One has to only know about (haha) "fair and balanced" Faux Fraudcasting and=
 "news" and "entertainment" for how LOW this can go. (and with no end in si=
ght)

Books and other things are far more important and WORTHY and enriching etc.=
 (and they don't add to your electrical utility bill=2C either!)


There's also a book that came out YEARS ago (1978!) that I'll eventually re=
ad
 entitled "Four Arguments for the Elimination of Television" by Jerry Mande=
r.
The title alone was what hooked me into wanting to check it out. It is next=
 in line to read after I finish the excellent and INTENSE biography and stu=
dy of Gyorgy Ligeti.


On the subject of the 60's=2C for a REAL "trip" (haha)=2C check out the 2DV=
D autobiographical film by singer / poet Donovan entitled (what else?) 'Sun=
shine Superman'.
It is GREAT and has a LOT of old and RARE  footage from the 60's=2C going b=
ack as far as 1963=2C or 1965 or so and on through the next couple of decad=
es and on

up to very recent years. The main disc is THREE HOURS LONG and is a LOT of =
fun!. I've not seen the bonus disc yet=2C but I know it is not nearly as lo=
ng=2C but will
still likely have some great surprises and more fun. The set also has a gre=
at little booklet and comes in a *beautiful* full color box. Definitely REV=
commended!


Cheers=2C
Rev.Fever
Portland=2COR
The
 Angry Red Planet (AKA-USA)
http://www.spiritone.com/~rvfever

PS- I see that the LA Times recently came out with an editorial slamming Fa=
ux Fraudcasting. Excellent. It's about damn time and LONG overdue that some=
thing

other than the alternative and independent media did this.
http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217=2C0=
=2C6952663.story



>> read a book (preferably and old one).
>=20
> It just hit me=2C when reading the part of your post talking about
> "saying no to yourself"=2C that one old book that well describes these

> thoughts is "Siddharta" by Herman Hesse. I like everything I've read
> by that guy. Yes=2C old books they are - but in 2011 suddenly just right
> on
 the spot! Damn=2C I'll buy a bunch of them for my sons as X-mas
> gifts. Thank you=2C Ted=2C one more daily issue solved!! =3B-))
>=20
> Last X-mas I gave them another book - whatever it is called in English

> (The Prince..?) - by that Italian guy that lived some four or... ah
> yeah MACCIAVELLI=2C that was his name. He was the first class couch for
> kings and just about anyone who had more powerz than brainz back in

> the dayz. And Maciavelly really taught The Path of The Snake (rather
> than the Path of The Eagle=2C known as the "good guy's" choice... och
> OFF-Toppic-ing into esotherics here.... sorry=2C back on track we go).

> But this book has to be discussed if handed over to... not just young
> people=2C anyone! Because M's sinister methods still work and are
> practiced daily by politicians and other decision makers.
>=20

> http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli
>=20
> Per
>=20














     =20

--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/

http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/

---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead." -Ch=
arles Bukowski-


 		 	   		  =

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<body class=3D'hmmessage'>
..And I'm still getting threatening letters from the good old BBC telling m=
e I'm under investigation for not having a f**cking TV licence.<br>It's ass=
umed that everyone has one it seems..<br>Cant' wait till I don't actually h=
ave a terrestrial address next year - that's gonna be a whole new can of wo=
rms..<br><br>Peace<br><br>G<br><br><hr id=3D"stopSpelling">Date: Mon=2C 20 =
Dec 2010 22:05:44 +0200<br>Subject: Re: (OT) REJECTING MASS MEDIA CULTURE<b=
r>From: aikuinen@gmail.com<br>To: Loopers-Delight@loopers-delight.com<br><b=
r>same here=2C no tv set for the past 10 years<br><br>I feel fine<br><br><d=
iv class=3D"ecxgmail_quote">2010/12/20  <span dir=3D"ltr">&lt=3B<a target=
=3D"_blank">antonyhequet@yahoo.com</a>&gt=3B</span><br><blockquote class=3D=
"ecxgmail_quote" style=3D"padding-left: 1ex=3B">
<div><div style=3D"font-family: arial=2Chelvetica=2Csans-serif=3B font-size=
: 14pt=3B"><div>hey Rev=2C</div><div><br></div><div>I have not owned a Tv f=
or the past 20 years=2C and it does wonders for your skin!</div><div><br></=
div><div>Antony</div>
<div style=3D"font-family: arial=2Chelvetica=2Csans-serif=3B font-size: 14p=
t=3B"><br><div style=3D"font-family: arial=2Chelvetica=2Csans-serif=3B font=
-size: 13px=3B"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span st=
yle=3D"font-weight: bold=3B">From:</span></b> Revfever &lt=3B<a target=3D"_=
blank">revfever@ubergadget.com</a>&gt=3B<br>
<b><span style=3D"font-weight: bold=3B">To:</span></b> <a target=3D"_blank"=
>Loopers-Delight@loopers-delight.com</a><br><b><span style=3D"font-weight: =
bold=3B">Sent:</span></b> Mon=2C December 20=2C 2010 7:14:06 PM<br>
<b><span style=3D"font-weight: bold=3B">Subject:</span></b> Re: (OT) REJECT=
ING MASS MEDIA CULTURE<br></font><div><div></div><div class=3D"h5"><br>
On Dec 20=2C 2010=2C at 8:40 AM=2C Per Boysen wrote:<br><br>&gt=3B&gt=3B Tu=
rn the TV off=2C<br>&gt=3B <br>&gt=3B I don't even own a TV :-)<br><br>I ha=
ve an old TV set but it is only used as a "monitor" for my DVD player and m=
y (yes old but still works great) VCR. Otherwise=2C I am now nearing *23 ye=
ars*<br>
of NOT watching tee vee....ANY tee vee. Why bother? It's usually vapid crap=
 anyway and mostly a mind rot and more specifically=2C a means to better se=
rve<br>commercial interests and promote more Materialism and mass consumpti=
on (and WASTE) and other mind numbing stupidity and ignorance.<br>
One has to only know about (haha) "fair and balanced" Faux Fraudcasting and=
 "news" and "entertainment" for how LOW this can go. (and with no end in si=
ght)<br><br>Books and other things are far more important and WORTHY and en=
riching etc. (and they don't add to your electrical utility bill=2C either!=
)<br>
<br>There's also a book that came out YEARS ago (1978!) that I'll eventuall=
y read
 entitled "Four Arguments for the Elimination of Television" by Jerry Mande=
r.<br>The title alone was what hooked me into wanting to check it out. It i=
s next in line to read after I finish the excellent and INTENSE biography a=
nd study of Gyorgy Ligeti.<br>
<br>On the subject of the 60's=2C for a REAL "trip" (haha)=2C check out the=
 2DVD autobiographical film by singer / poet Donovan entitled (what else?) =
'Sunshine Superman'.<br>It is GREAT and has a LOT of old and RARE&nbsp=3B f=
ootage from the 60's=2C going back as far as 1963=2C or 1965 or so and on t=
hrough the next couple of decades and on<br>
up to very recent years. The main disc is THREE HOURS LONG and is a LOT of =
fun!. I've not seen the bonus disc yet=2C but I know it is not nearly as lo=
ng=2C but will<br>still likely have some great surprises and more fun. The =
set also has a great little booklet and comes in a *beautiful* full color b=
ox. Definitely REVcommended!<br>
<br>Cheers=2C<br>Rev.Fever<br>Portland=2COR<br>The
 Angry Red Planet (AKA-USA)<br><span><a target=3D"_blank">http://www.spirit=
one.com/~rvfever</a></span><br><br>PS- I see that the LA Times recently cam=
e out with an editorial slamming Faux Fraudcasting. Excellent. It's about d=
amn time and LONG overdue that something<br>
other than the alternative and independent media did this.<br><span><a targ=
et=3D"_blank">http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-=
20101217=2C0=2C6952663.story</a></span><br>
<br><br>&gt=3B&gt=3B read a book (preferably and old one).<br>&gt=3B <br>&g=
t=3B It just hit me=2C when reading the part of your post talking about<br>=
&gt=3B "saying no to yourself"=2C that one old book that well describes the=
se<br>
&gt=3B thoughts is "Siddharta" by Herman Hesse. I like everything I've read=
<br>&gt=3B by that guy. Yes=2C old books they are - but in 2011 suddenly ju=
st right<br>&gt=3B on
 the spot! Damn=2C I'll buy a bunch of them for my sons as X-mas<br>&gt=3B =
gifts. Thank you=2C Ted=2C one more daily issue solved!! =3B-))<br>&gt=3B <=
br>&gt=3B Last X-mas I gave them another book - whatever it is called in En=
glish<br>
&gt=3B (The Prince..?) - by that Italian guy that lived some four or... ah<=
br>&gt=3B yeah MACCIAVELLI=2C that was his name. He was the first class cou=
ch for<br>&gt=3B kings and just about anyone who had more powerz than brain=
z back in<br>
&gt=3B the dayz. And Maciavelly really taught The Path of The Snake (rather=
<br>&gt=3B than the Path of The Eagle=2C known as the "good guy's" choice..=
. och<br>&gt=3B OFF-Toppic-ing into esotherics here.... sorry=2C back on tr=
ack we go).<br>
&gt=3B But this book has to be discussed if handed over to... not just youn=
g<br>&gt=3B people=2C anyone! Because M's sinister methods still work and a=
re<br>&gt=3B practiced daily by politicians and other decision makers.<br>&=
gt=3B <br>
<span>&gt=3B <a target=3D"_blank">http://en.wikipedia.org/wiki/Niccol%C3%B2=
_Machiavelli</a></span><br>&gt=3B <br>&gt=3B Per<br>&gt=3B <br><br></div></=
div></div></div><div>
</div>


</div><br>







      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a target=3D"_blank">http://www.petrilahtinen.com</a><br><a target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a target=3D"_blank">http://www.myspace.com/petrilahtinen</a><br><a target=
=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a target=3D"_blank">ht=
tp://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>"Only become profess=
ional musician if there is no choice." -Robert Fripp-<br>------------------=
---------------------------------<br>"Some people never go crazy. What trul=
y horrible lives they must lead." -Charles Bukowski-<br>
<br> 		 	   		  </body>
</html>=

--_c9a725dd-2030-417f-afeb-4069f7d8be6c_--

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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 20 Dec 2010 21:16:08 +0100
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8ef0f920cd0497dd3124
Content-Type: text/plain; charset=ISO-8859-1

I think we're side-stepping a issue that we don't like the taste of
actually.
Blaming it all on TV? Isnt that all a bit old news... surely this "I want it
all and I want it NOW" generation has spun out of control because of the..
deep breath... I N T E R N E T...
Thats the real evil I'm terribly sorry to say. Of course we dont want to
admit it, none of us would be friends if it want for the net, but the idea
that one can get anything, any product is within a shipping date, with
tracking number... any information, (I wanted to know where the source of
the ezpression "the real Mc Coy " came from today.. I found out.. in 3
seconds...) OK its good to have all this information at our fingertips...
isn't it? Maybe not, maybe we dont have to retain knowledge anymore, maybe
we don't have to think? if only I could have my computer in my pocket.. oh
wait.. I can... What IS that song onthe radio.. I remember it... but... Ahhh
Shazam it.. finished with.. it was Blur... problem solved... song
forgotten...again... And film, downloadable in minutes... lets not bother
going out at all, whats the point?, why bother watching TV, when we can MAKE
TV! Why bother reading informed opinion, when we can read the opinion of
millions...?
Im absolutely the worst.. right now, my wife is setting up the cards for a
game of Dominion, I have said "just a minute!" twice now...

I'd like to believe that the 60's were the ideals that tED feels we have
lost, but its not really true is it, ok so a handful of actuvists made a
large noise about love and peace... Of course I was only just bor, maybe it
felt different to those who live through it, but for me the 60's just looks
like these shambolic idiotic idiots posing.. have any of you read Timothy
Leary? Utter clap trap... Sorry but the hippy ideals leave me shivering as I
think of the amount of drug crazed kids dropping out, girls getting raped
cos it wasnt cool to say no... Of course it spawned some of the greatest
music ever, Beatles, Hendrix, Velvets, Floyd, none could have happened at
any other time...
Historically speaking of course, the 60's were a milestone, the babyboomers
getting up and saying, Fuck you to their parents, look how well YOU guys did
with 2 world wars, Im sure we can do better, but the total freedom that they
advocated was just not there... an illusion. The period bookmarked by 2
events that prove it, The shooting of JFK and Vietnam... Everything in
between was marketing, pure and simple.

I think I might have been rambling now... so shoot me...

Going to play cards with the wife...

Night night

Mark

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8ef0f920cd0497dd3124
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I think we&#39;re side-stepping a issue that we don&#39;t like the taste of=
 actually. <br>Blaming it all on TV? Isnt that all a bit old news... surely=
 this &quot;I want it all and I want it NOW&quot; generation has spun out o=
f control because of the..<br>

deep breath... I N T E R N E T...<br>Thats the real evil I&#39;m terribly s=
orry to say. Of course we dont want to admit it, none of us would be friend=
s if it want for the net, but the idea that one can get anything, any produ=
ct is within a shipping date, with tracking number... any information, (I w=
anted to know where the source of the ezpression &quot;the real Mc Coy &quo=
t; came from today.. I found out.. in 3 seconds...) OK its good to have all=
 this information at our fingertips... isn&#39;t it? Maybe not, maybe we do=
nt have to retain knowledge anymore, maybe we don&#39;t have to think? if o=
nly I could have my computer in my pocket.. oh wait.. I can... What IS that=
 song onthe radio.. I remember it... but... Ahhh Shazam it.. finished with.=
. it was Blur... problem solved... song forgotten...again... And film, down=
loadable in minutes... lets not bother going out at all, whats the point?, =
why bother watching TV, when we can MAKE TV! Why bother reading informed op=
inion, when we can read the opinion of millions...?<br>

Im absolutely the worst.. right now, my wife is setting up the cards for a =
game of Dominion, I have said &quot;just a minute!&quot; twice now...<br><b=
r>I&#39;d like to believe that the 60&#39;s were the ideals that tED feels =
we have lost, but its not really true is it, ok so a handful of actuvists m=
ade a large noise about love and peace... Of course I was only just bor, ma=
ybe it felt different to those who live through it, but for me the 60&#39;s=
 just looks like these shambolic idiotic idiots posing.. have any of you re=
ad Timothy Leary? Utter clap trap... Sorry but the hippy ideals leave me sh=
ivering as I think of the amount of drug crazed kids dropping out, girls ge=
tting raped cos it wasnt cool to say no... Of course it spawned some of the=
 greatest music ever, Beatles, Hendrix, Velvets, Floyd, none could have hap=
pened at any other time... <br>

Historically speaking of course, the 60&#39;s were a milestone, the babyboo=
mers getting up and saying, Fuck you to their parents, look how well YOU gu=
ys did with 2 world wars, Im sure we can do better, but the total freedom t=
hat they advocated was just not there... an illusion. The period bookmarked=
 by 2 events that prove it, The shooting of JFK and Vietnam... Everything i=
n between was marketing, pure and simple.<br>

<br>I think I might have been rambling now... so shoot me...<br><br>Going t=
o play cards with the wife...<br><br>Night night<br><br>Mark<br clear=3D"al=
l"><br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">ww=
w.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8ef0f920cd0497dd3124--

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Date: Mon, 20 Dec 2010 15:16:47 -0500
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
References: <C93404FC.8B6%mech@m3ch.net>,<838513.12522.qm@web120701.mail.ne1.yahoo.com>,<726302687839749391@unknownmsgid>,<AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>,<916190.82124.qm@web120703.mail.ne1.yahoo.com>,<4244811946201215669@unknownmsgid>,<SNT143-w195010FEC027A5663EDA23B6190@phx.gbl>,<AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com>,<971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net>,<AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com>,<A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com>,<744256.67553.qm@web120720.mail.ne1.yahoo.com>,<AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com> <BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl>
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DON'T DO IT, GARETH!!

Daryl Shawn
www.swanwelder.com


> Cant' wait till I don't actually have a terrestrial address next year 
> - that's gonna be a whole new can of worms..
>
> Peace
>
> G

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
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Ok, Daryl, you got me curious there: is there some experience you'd like 
to share?

Daryl Shawn schrieb:
> DON'T DO IT, GARETH!!
>
> Daryl Shawn
> www.swanwelder.com
>
>
>> Cant' wait till I don't actually have a terrestrial address next year 
>> - that's gonna be a whole new can of worms..
>>
>> Peace
>>
>> G
>
>


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (To TV, or to not TV?)
Date: Mon, 20 Dec 2010 12:36:11 -0800
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Having a TV to use as a "monitor" is not the same thing as watching  
the "available material" that is "offered" on the air waves or via  
cable, etc. A BIG difference! :-)
I have also always made it a point to place the set as far away as  
possible (minimum 20 feet away, at least) and still be able to see  
and hear sufficiently.
Works for me, and so far....so good.

Cheerios,
Rev. Fever

On Dec 20, 2010, at 12:05 PM, Petri Lahtinen wrote:

> same here, no tv set for the past 10 years
>
> I feel fine
>
> 2010/12/20 <antonyhequet@yahoo.com>
> hey Rev,
>
> I have not owned a Tv for the past 20 years, and it does wonders  
> for your skin!
>
> Antony
>
> From: Revfever <revfever@ubergadget.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, December 20, 2010 7:14:06 PM
> Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
>
> On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:
>
> >> Turn the TV off,
> >
> > I don't even own a TV :-)
>
> I have an old TV set but it is only used as a "monitor" for my DVD  
> player and my (yes old but still works great) VCR. Otherwise, I am  
> now nearing *23 years*
> of NOT watching tee vee....ANY tee vee. Why bother? It's usually  
> vapid crap anyway and mostly a mind rot and more specifically, a  
> means to better serve
> commercial interests and promote more Materialism and mass  
> consumption (and WASTE) and other mind numbing stupidity and  
> ignorance.
> One has to only know about (haha) "fair and balanced" Faux  
> Fraudcasting and "news" and "entertainment" for how LOW this can  
> go. (and with no end in sight)
>
> Books and other things are far more important and WORTHY and  
> enriching etc. (and they don't add to your electrical utility bill,  
> either!)
>
> There's also a book that came out YEARS ago (1978!) that I'll  
> eventually read entitled "Four Arguments for the Elimination of  
> Television" by Jerry Mander.
> The title alone was what hooked me into wanting to check it out. It  
> is next in line to read after I finish the excellent and INTENSE  
> biography and study of Gyorgy Ligeti.
>
> On the subject of the 60's, for a REAL "trip" (haha), check out the  
> 2DVD autobiographical film by singer / poet Donovan entitled (what  
> else?) 'Sunshine Superman'.
> It is GREAT and has a LOT of old and RARE  footage from the 60's,  
> going back as far as 1963, or 1965 or so and on through the next  
> couple of decades and on
> up to very recent years. The main disc is THREE HOURS LONG and is a  
> LOT of fun!. I've not seen the bonus disc yet, but I know it is not  
> nearly as long, but will
> still likely have some great surprises and more fun. The set also  
> has a great little booklet and comes in a *beautiful* full color  
> box. Definitely REVcommended!
>
> Cheers,
> Rev.Fever
> Portland,OR
> The Angry Red Planet (AKA-USA)
> http://www.spiritone.com/~rvfever
>
> PS- I see that the LA Times recently came out with an editorial  
> slamming Faux Fraudcasting. Excellent. It's about damn time and  
> LONG overdue that something
> other than the alternative and independent media did this.
> http://www.latimes.com/news/opinion/editorials/la-ed- 
> foxnews-20101217,0,6952663.story
>
>
> >> read a book (preferably and old one).
> >
> > It just hit me, when reading the part of your post talking about
> > "saying no to yourself", that one old book that well describes these
> > thoughts is "Siddharta" by Herman Hesse. I like everything I've read
> > by that guy. Yes, old books they are - but in 2011 suddenly just  
> right
> > on the spot! Damn, I'll buy a bunch of them for my sons as X-mas
> > gifts. Thank you, Ted, one more daily issue solved!! ;-))
> >
> > Last X-mas I gave them another book - whatever it is called in  
> English
> > (The Prince..?) - by that Italian guy that lived some four or... ah
> > yeah MACCIAVELLI, that was his name. He was the first class couch  
> for
> > kings and just about anyone who had more powerz than brainz back in
> > the dayz. And Maciavelly really taught The Path of The Snake (rather
> > than the Path of The Eagle, known as the "good guy's" choice... och
> > OFF-Toppic-ing into esotherics here.... sorry, back on track we go).
> > But this book has to be discussed if handed over to... not just  
> young
> > people, anyone! Because M's sinister methods still work and are
> > practiced daily by politicians and other decision makers.
> >
> > http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli
> >
> > Per
> >
>
>
>
>
>
> -- 
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert  
> Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must  
> lead." -Charles Bukowski-
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Having a TV to use as a "monitor" is not the same thing as watching the =
"available material" that is "offered" on the air waves or via cable, =
etc.&nbsp;A BIG difference! :-)&nbsp;<div>I have also always made it a =
point to place the set as far away as possible (minimum 20 feet away, at =
least) and still be&nbsp;able to see and hear =
sufficiently.&nbsp;</div><div>Works for me, and so far....so =
good.<div><br></div><div>Cheerios,</div><div>Rev. =
Fever</div><div><br><div><div>On Dec 20, 2010, at 12:05 PM, Petri =
Lahtinen wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">same here, no tv set for the past 10 years<br><br>I feel =
fine<br><br><div class=3D"gmail_quote">2010/12/20  <span =
dir=3D"ltr">&lt;<a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</spa=
n><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt =
0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"> =
<div><div style=3D"font-family: arial,helvetica,sans-serif; font-size: =
14pt;"><div>hey Rev,</div><div><br></div><div>I have not owned a Tv for =
the past 20 years, and it does wonders for your =
skin!</div><div><br></div><div>Antony</div> <div style=3D"font-family: =
arial,helvetica,sans-serif; font-size: 14pt;"><br><div =
style=3D"font-family: arial,helvetica,sans-serif; font-size: =
13px;"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span =
style=3D"font-weight: bold;">From:</span></b> Revfever &lt;<a =
href=3D"mailto:revfever@ubergadget.com" =
target=3D"_blank">revfever@ubergadget.com</a>&gt;<br> <b><span =
style=3D"font-weight: bold;">To:</span></b> <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br><b><span =
style=3D"font-weight: bold;">Sent:</span></b> Mon, December 20, 2010 =
7:14:06 PM<br> <b><span style=3D"font-weight: bold;">Subject:</span></b> =
Re: (OT) REJECTING MASS MEDIA CULTURE<br></font><div><div></div><div =
class=3D"h5"><br> On Dec 20, 2010, at 8:40 AM, Per Boysen =
wrote:<br><br>&gt;&gt; Turn the TV off,<br>&gt; <br>&gt; I don't even =
own a TV :-)<br><br>I have an old TV set but it is only used as a =
"monitor" for my DVD player and my (yes old but still works great) VCR. =
Otherwise, I am now nearing *23 years*<br> of NOT watching tee =
vee....ANY tee vee. Why bother? It's usually vapid crap anyway and =
mostly a mind rot and more specifically, a means to better =
serve<br>commercial interests and promote more Materialism and mass =
consumption (and WASTE) and other mind numbing stupidity and =
ignorance.<br> One has to only know about (haha) "fair and balanced" =
Faux Fraudcasting and "news" and "entertainment" for how LOW this can =
go. (and with no end in sight)<br><br>Books and other things are far =
more important and WORTHY and enriching etc. (and they don't add to your =
electrical utility bill, either!)<br> <br>There's also a book that came =
out YEARS ago (1978!) that I'll eventually read entitled "Four Arguments =
for the Elimination of Television" by Jerry Mander.<br>The title alone =
was what hooked me into wanting to check it out. It is next in line to =
read after I finish the excellent and INTENSE biography and study of =
Gyorgy Ligeti.<br> <br>On the subject of the 60's, for a REAL "trip" =
(haha), check out the 2DVD autobiographical film by singer / poet =
Donovan entitled (what else?) 'Sunshine Superman'.<br>It is GREAT and =
has a LOT of old and RARE&nbsp; footage from the 60's, going back as far =
as 1963, or 1965 or so and on through the next couple of decades and =
on<br> up to very recent years. The main disc is THREE HOURS LONG and is =
a LOT of fun!. I've not seen the bonus disc yet, but I know it is not =
nearly as long, but will<br>still likely have some great surprises and =
more fun. The set also has a great little booklet and comes in a =
*beautiful* full color box. Definitely REVcommended!<br> =
<br>Cheers,<br>Rev.Fever<br>Portland,OR<br>The Angry Red Planet =
(AKA-USA)<br><span><a href=3D"http://www.spiritone.com/%7Ervfever" =
target=3D"_blank">http://www.spiritone.com/~rvfever</a></span><br><br>PS- =
I see that the LA Times recently came out with an editorial slamming =
Faux Fraudcasting. Excellent. It's about damn time and LONG overdue that =
something<br> other than the alternative and independent media did =
this.<br><span><a =
href=3D"http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101=
217,0,6952663.story" =
target=3D"_blank">http://www.latimes.com/news/opinion/editorials/la-ed-fox=
news-20101217,0,6952663.story</a></span><br> <br><br>&gt;&gt; read a =
book (preferably and old one).<br>&gt; <br>&gt; It just hit me, when =
reading the part of your post talking about<br>&gt; "saying no to =
yourself", that one old book that well describes these<br> &gt; thoughts =
is "Siddharta" by Herman Hesse. I like everything I've read<br>&gt; by =
that guy. Yes, old books they are - but in 2011 suddenly just =
right<br>&gt; on the spot! Damn, I'll buy a bunch of them for my sons as =
X-mas<br>&gt; gifts. Thank you, Ted, one more daily issue solved!! =
;-))<br>&gt; <br>&gt; Last X-mas I gave them another book - whatever it =
is called in English<br> &gt; (The Prince..?) - by that Italian guy that =
lived some four or... ah<br>&gt; yeah MACCIAVELLI, that was his name. He =
was the first class couch for<br>&gt; kings and just about anyone who =
had more powerz than brainz back in<br> &gt; the dayz. And Maciavelly =
really taught The Path of The Snake (rather<br>&gt; than the Path of The =
Eagle, known as the "good guy's" choice... och<br>&gt; OFF-Toppic-ing =
into esotherics here.... sorry, back on track we go).<br> &gt; But this =
book has to be discussed if handed over to... not just young<br>&gt; =
people, anyone! Because M's sinister methods still work and are<br>&gt; =
practiced daily by politicians and other decision makers.<br>&gt; <br> =
<span>&gt; <a =
href=3D"http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli" =
target=3D"_blank">http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli</a=
></span><br>&gt; <br>&gt; Per<br>&gt; =
<br><br></div></div></div></div><div> </div> </div><br>       =
</div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri =
Lahtinen<br><a =
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br>=
<a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.=
com/</a><br> <a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petri=
lahtinen</a><br><a =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen=
</a><br><a =
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.=
com/</a><br> =
---------------------------------------------------<br>"Only become =
professional musician if there is no choice." -Robert =
Fripp-<br>---------------------------------------------------<br>"Some =
people never go crazy. What truly horrible lives they must lead." =
-Charles Bukowski-<br> =
<br></blockquote></div><br></div></div></body></html>=

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Date: Mon, 20 Dec 2010 21:36:54 +0100
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Subject: Re: OT: bundle up
From: Louie Angulo <louie.angulo@googlemail.com>
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--0003255579560a91fe0497dd7bfb
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Southern germany has been all white for weeks now,and now the coming rain
has melted it all
but that aint good either...
the bodensee area is milder than the rest of the country i think so the snow
doesnt last too long here,
which is ashame because i like white christmas instead of a wet and windy
one
and yes weve never burned so much fire in our house!
cheers
Luis





On Mon, Dec 20, 2010 at 5:09 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 20, 2010 at 4:52 PM, Jean-Paul De Roover
> <j.de.roover@gmail.com> wrote:
> > Last wek was rough for us here in Canada. -30, but -50 with windchill
> factor.
>
> Wow! That's remarkable. Don't forget your extra underpants!!! ;-)
>
> Per
>
>

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<div>Southern germany=A0has been=A0all white for weeks now,and now the comi=
ng=A0rain has melted it all</div>
<div>but that aint good either...</div>
<div>the bodensee area is milder than the rest of the country i think so th=
e snow doesnt last too long here, </div>
<div>which is ashame because i like white christmas instead of a wet and wi=
ndy one</div>
<div>and yes weve never burned so much fire in our house!</div>
<div>cheers</div>
<div>Luis</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div class=3D"gmail_quote">On Mon, Dec 20, 2010 at 5:09 PM, Per Boysen <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.co=
m</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">On Mon, Dec 20, 2010 at 4:52 PM, Jean-Paul De Roover<br>&=
lt;<a href=3D"mailto:j.de.roover@gmail.com">j.de.roover@gmail.com</a>&gt; w=
rote:<br>&gt; Last wek was rough for us here in Canada. -30, but -50 with w=
indchill factor.<br>
<br></div>Wow! That&#39;s remarkable. Don&#39;t forget your extra underpant=
s!!! ;-)<br><font color=3D"#888888"><br>Per<br><br></font></blockquote></di=
v><br>

--0003255579560a91fe0497dd7bfb--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 20:38:50 2010
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Date: Mon, 20 Dec 2010 15:38:36 -0500
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
References: <C93404FC.8B6%mech@m3ch.net>,<838513.12522.qm@web120701.mail.ne1.yahoo.com>,<726302687839749391@unknownmsgid>,<AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>,<916190.82124.qm@web120703.mail.ne1.yahoo.com>,<4244811946201215669@unknownmsgid>,<SNT143-w195010FEC027A5663EDA23B6190@phx.gbl>,<AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com>,<971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net>,<AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com>,<A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com>,<744256.67553.qm@web120720.mail.ne1.yahoo.com>,<AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com> <BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl> <4D0FB9AF.7070208@gmail.com> <4D0FBAB8.4020107@googlemail.com>
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Heh - no, it just sounded like Gareth was making a plan to depart this 
earthly plane in the New Year!

Daryl Shawn
www.swanwelder.com


> Ok, Daryl, you got me curious there: is there some experience you'd 
> like to share?
>
> Daryl Shawn schrieb:
>> DON'T DO IT, GARETH!!
>>
>> Daryl Shawn
>> www.swanwelder.com
>>
>>
>>> Cant' wait till I don't actually have a terrestrial address next 
>>> year - that's gonna be a whole new can of worms..
>>>
>>> Peace
>>>
>>> G

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 20:39:55 2010
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Date: Mon, 20 Dec 2010 12:39:52 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
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the internet os more adictive thqn TV and the 60's actually created the 
indulging of today, Frank Zappa had some nice sonds about it, and the diggers 
wrote about it when it was happening: But we do not have to revere the 60 or 
regret them in order to see what we are doing now with our time on mother 
earth. 
Nothing is sacred to us anymore...

Antony



________________________________
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, December 20, 2010 9:16:08 PM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack 
Performance Sampler Teaser....

I think we're side-stepping a issue that we don't like the taste of actually. 
Blaming it all on TV? Isnt that all a bit old news... surely this "I want it all 
and I want it NOW" generation has spun out of control because of the..
deep breath... I N T E R N E T...
Thats the real evil I'm terribly sorry to say. Of course we dont want to admit 
it, none of us would be friends if it want for the net, but the idea that one 
can get anything, any product is within a shipping date, with tracking number... 
any information, (I wanted to know where the source of the ezpression "the real 
Mc Coy " came from today.. I found out.. in 3 seconds...) OK its good to have 
all this information at our fingertips... isn't it? Maybe not, maybe we dont 
have to retain knowledge anymore, maybe we don't have to think? if only I could 
have my computer in my pocket.. oh wait.. I can... What IS that song onthe 
radio.. I remember it... but... Ahhh Shazam it.. finished with.. it was Blur... 
problem solved... song forgotten...again... And film, downloadable in minutes... 
lets not bother going out at all, whats the point?, why bother watching TV, when 
we can MAKE TV! Why bother reading informed opinion, when we can read the 
opinion of millions...?
Im absolutely the worst.. right now, my wife is setting up the cards for a game 
of Dominion, I have said "just a minute!" twice now...

I'd like to believe that the 60's were the ideals that tED feels we have lost, 
but its not really true is it, ok so a handful of actuvists made a large noise 
about love and peace... Of course I was only just bor, maybe it felt different 
to those who live through it, but for me the 60's just looks like these 
shambolic idiotic idiots posing.. have any of you read Timothy Leary? Utter clap 
trap... Sorry but the hippy ideals leave me shivering as I think of the amount 
of drug crazed kids dropping out, girls getting raped cos it wasnt cool to say 
no... Of course it spawned some of the greatest music ever, Beatles, Hendrix, 
Velvets, Floyd, none could have happened at any other time... 

Historically speaking of course, the 60's were a milestone, the babyboomers 
getting up and saying, Fuck you to their parents, look how well YOU guys did 
with 2 world wars, Im sure we can do better, but the total freedom that they 
advocated was just not there... an illusion. The period bookmarked by 2 events 
that prove it, The shooting of JFK and Vietnam... Everything in between was 
marketing, pure and simple.

I think I might have been rambling now... so shoot me...

Going to play cards with the wife...

Night night

Mark

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no



      
--0-1488841650-1292877592=:62464
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>the internet os more adictive thqn TV and the 60's actually created the indulging of today, Frank Zappa had some nice sonds about it, and the diggers wrote about it when it was happening: But we do not have to revere the 60 or regret them in order to see what we are doing now with our time on mother earth.&nbsp;</div><div>Nothing is sacred to us anymore...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> mark francombe &lt;mark@markfrancombe.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight:
 bold;">Sent:</span></b> Mon, December 20, 2010 9:16:08 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br></font><br>I think we're side-stepping a issue that we don't like the taste of actually. <br>Blaming it all on TV? Isnt that all a bit old news... surely this "I want it all and I want it NOW" generation has spun out of control because of the..<br>

deep breath... I N T E R N E T...<br>Thats the real evil I'm terribly sorry to say. Of course we dont want to admit it, none of us would be friends if it want for the net, but the idea that one can get anything, any product is within a shipping date, with tracking number... any information, (I wanted to know where the source of the ezpression "the real Mc Coy " came from today.. I found out.. in 3 seconds...) OK its good to have all this information at our fingertips... isn't it? Maybe not, maybe we dont have to retain knowledge anymore, maybe we don't have to think? if only I could have my computer in my pocket.. oh wait.. I can... What IS that song onthe radio.. I remember it... but... Ahhh Shazam it.. finished with.. it was Blur... problem solved... song forgotten...again... And film, downloadable in minutes... lets not bother going out at all, whats the point?, why bother watching TV, when we can MAKE TV! Why bother reading informed opinion, when we
 can read the opinion of millions...?<br>

Im absolutely the worst.. right now, my wife is setting up the cards for a game of Dominion, I have said "just a minute!" twice now...<br><br>I'd like to believe that the 60's were the ideals that tED feels we have lost, but its not really true is it, ok so a handful of actuvists made a large noise about love and peace... Of course I was only just bor, maybe it felt different to those who live through it, but for me the 60's just looks like these shambolic idiotic idiots posing.. have any of you read Timothy Leary? Utter clap trap... Sorry but the hippy ideals leave me shivering as I think of the amount of drug crazed kids dropping out, girls getting raped cos it wasnt cool to say no... Of course it spawned some of the greatest music ever, Beatles, Hendrix, Velvets, Floyd, none could have happened at any other time... <br>

Historically speaking of course, the 60's were a milestone, the babyboomers getting up and saying, Fuck you to their parents, look how well YOU guys did with 2 world wars, Im sure we can do better, but the total freedom that they advocated was just not there... an illusion. The period bookmarked by 2 events that prove it, The shooting of JFK and Vietnam... Everything in between was marketing, pure and simple.<br>

<br>I think I might have been rambling now... so shoot me...<br><br>Going to play cards with the wife...<br><br>Night night<br><br>Mark<br clear="all"><br>-- <br>mark francombe<br><a rel="nofollow" target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>

<a rel="nofollow" target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancombe<br><a rel="nofollow" target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a rel="nofollow" target="_blank" href="http://www.looop.no">http://www.looop.no</a><br>
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 21:04:30 2010
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
Date: Mon, 20 Dec 2010 13:04:13 -0800
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If being "addicted" to having access to potentially more knowledge  
and information, and direct communications worldwide than ever before  
in history, and quickly so, then for me personally, here's to  
"addiction"!  Hurray!  Also, the 60's did not "create" the  
"indulging" of today. Humans have always naturally done this sort of  
thing and in "cycles". It happens ever few decades or so and is  
nothing "new".  Look at the "Roaring Twenties" or even the 1950's, or  
go as far back as the Roman Empire and even further back. History  
just repeats itself,
for better or for worse, or a combo of both. Wash, rinse,  
repeat...wash, rinse, repeat...wash, rinse, repeat...ad infinitum.

Sugar Frosted Flakes,
Rev. Fever

On Dec 20, 2010, at 12:39 PM, antonyhequet@yahoo.com wrote:

> the internet os more adictive thqn TV and the 60's actually created  
> the indulging of today, Frank Zappa had some nice sonds about it,  
> and the diggers wrote about it when it was happening: But we do not  
> have to revere the 60 or regret them in order to see what we are  
> doing now with our time on mother earth.
> Nothing is sacred to us anymore...
>
> Antony
>
> From: mark francombe <mark@markfrancombe.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, December 20, 2010 9:16:08 PM
> Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic  
> Octatrack Performance Sampler Teaser....
>
> I think we're side-stepping a issue that we don't like the taste of  
> actually.
> Blaming it all on TV? Isnt that all a bit old news... surely this  
> "I want it all and I want it NOW" generation has spun out of  
> control because of the..
> deep breath... I N T E R N E T...
> Thats the real evil I'm terribly sorry to say. Of course we dont  
> want to admit it, none of us would be friends if it want for the  
> net, but the idea that one can get anything, any product is within  
> a shipping date, with tracking number... any information, (I wanted  
> to know where the source of the ezpression "the real Mc Coy " came  
> from today.. I found out.. in 3 seconds...) OK its good to have all  
> this information at our fingertips... isn't it? Maybe not, maybe we  
> dont have to retain knowledge anymore, maybe we don't have to  
> think? if only I could have my computer in my pocket.. oh wait.. I  
> can... What IS that song onthe radio.. I remember it... but... Ahhh  
> Shazam it.. finished with.. it was Blur... problem solved... song  
> forgotten...again... And film, downloadable in minutes... lets not  
> bother going out at all, whats the point?, why bother watching TV,  
> when we can MAKE TV! Why bother reading informed opinion, when we  
> can read the opinion of millions...?
> Im absolutely the worst.. right now, my wife is setting up the  
> cards for a game of Dominion, I have said "just a minute!" twice  
> now...
>
> I'd like to believe that the 60's were the ideals that tED feels we  
> have lost, but its not really true is it, ok so a handful of  
> actuvists made a large noise about love and peace... Of course I  
> was only just bor, maybe it felt different to those who live  
> through it, but for me the 60's just looks like these shambolic  
> idiotic idiots posing.. have any of you read Timothy Leary? Utter  
> clap trap... Sorry but the hippy ideals leave me shivering as I  
> think of the amount of drug crazed kids dropping out, girls getting  
> raped cos it wasnt cool to say no... Of course it spawned some of  
> the greatest music ever, Beatles, Hendrix, Velvets, Floyd, none  
> could have happened at any other time...
> Historically speaking of course, the 60's were a milestone, the  
> babyboomers getting up and saying, Fuck you to their parents, look  
> how well YOU guys did with 2 world wars, Im sure we can do better,  
> but the total freedom that they advocated was just not there... an  
> illusion. The period bookmarked by 2 events that prove it, The  
> shooting of JFK and Vietnam... Everything in between was marketing,  
> pure and simple.
>
> I think I might have been rambling now... so shoot me...
>
> Going to play cards with the wife...
>
> Night night
>
> Mark
>
> -- 
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>
>


--Apple-Mail-4-1039240787
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
If being "addicted" to having access to potentially more knowledge and =
information, and direct communications worldwide than ever before in =
history, and quickly so, then for me personally, here's to "addiction"! =
&nbsp;Hurray! &nbsp;Also, the 60's did not "create" the "indulging" of =
today. Humans have always naturally done this sort of thing and in =
"cycles". It happens ever few decades or so and is nothing "new". =
&nbsp;Look at the "Roaring Twenties" or even the 1950's, or go as far =
back as the Roman Empire and even further back. History just repeats =
itself,&nbsp;<div>for better or for worse, or a combo of both. Wash, =
rinse, repeat...wash, rinse, repeat...wash, rinse, repeat...ad =
infinitum.<div><br></div><div>Sugar Frosted Flakes,</div><div>Rev. =
Fever<br><div><br><div><div>On Dec 20, 2010, at 12:39 PM, <a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">the internet os more adictive thqn TV and the =
60's actually created the indulging of today, Frank Zappa had some nice =
sonds about it, and the diggers wrote about it when it was happening: =
But we do not have to revere the 60 or regret them in order to see what =
we are doing now with our time on mother earth.&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Nothing is sacred to us anymore...</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Antony</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font-family: arial, helvetica, =
sans-serif; font-size: 14pt; "><br><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
'times new roman', 'new york', times, serif; font-size: 12pt; "><font =
size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weight: =
bold; ">From:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>mark francombe &lt;<a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br><=
b><span style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Mon, =
December 20, 2010 9:16:08 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Re: (OT) REJECTING MASS =
MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler =
Teaser....<br></font><br>I think we're side-stepping a issue that we =
don't like the taste of actually.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>Blaming it all on TV? =
Isnt that all a bit old news... surely this "I want it all and I want it =
NOW" generation has spun out of control because of the..<br>deep =
breath... I N T E R N E T...<br>Thats the real evil I'm terribly sorry =
to say. Of course we dont want to admit it, none of us would be friends =
if it want for the net, but the idea that one can get anything, any =
product is within a shipping date, with tracking number... any =
information, (I wanted to know where the source of the ezpression "the =
real Mc Coy " came from today.. I found out.. in 3 seconds...) OK its =
good to have all this information at our fingertips... isn't it? Maybe =
not, maybe we dont have to retain knowledge anymore, maybe we don't have =
to think? if only I could have my computer in my pocket.. oh wait.. I =
can... What IS that song onthe radio.. I remember it... but... Ahhh =
Shazam it.. finished with.. it was Blur... problem solved... song =
forgotten...again... And film, downloadable in minutes... lets not =
bother going out at all, whats the point?, why bother watching TV, when =
we can MAKE TV! Why bother reading informed opinion, when we can read =
the opinion of millions...?<br>Im absolutely the worst.. right now, my =
wife is setting up the cards for a game of Dominion, I have said "just a =
minute!" twice now...<br><br>I'd like to believe that the 60's were the =
ideals that tED feels we have lost, but its not really true is it, ok so =
a handful of actuvists made a large noise about love and peace... Of =
course I was only just bor, maybe it felt different to those who live =
through it, but for me the 60's just looks like these shambolic idiotic =
idiots posing.. have any of you read Timothy Leary? Utter clap trap... =
Sorry but the hippy ideals leave me shivering as I think of the amount =
of drug crazed kids dropping out, girls getting raped cos it wasnt cool =
to say no... Of course it spawned some of the greatest music ever, =
Beatles, Hendrix, Velvets, Floyd, none could have happened at any other =
time...<span class=3D"Apple-converted-space">&nbsp;</span><br>Historically=
 speaking of course, the 60's were a milestone, the babyboomers getting =
up and saying, Fuck you to their parents, look how well YOU guys did =
with 2 world wars, Im sure we can do better, but the total freedom that =
they advocated was just not there... an illusion. The period bookmarked =
by 2 events that prove it, The shooting of JFK and Vietnam... Everything =
in between was marketing, pure and simple.<br><br>I think I might have =
been rambling now... so shoot me...<br><br>Going to play cards with the =
wife...<br><br>Night night<br><br>Mark<br clear=3D"all"><br>--<span =
class=3D"Apple-converted-space">&nbsp;</span><br>mark francombe<br><a =
rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter =
@markfrancombe<br><a rel=3D"nofollow" target=3D"_blank" =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.looop.no">http://www.looop.no</a><br></div></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; position: fixed; "></div></div><br></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></div></div></d=
iv></body></html>=

--Apple-Mail-4-1039240787--

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Date: Mon, 20 Dec 2010 13:09:08 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
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(I'd like to believe that the 60's were the ideals that tED feels we have l=
ost, but its not really true is it, ok so a handful of actuvists made a lar=
ge noise about love and peace... Of course I was only just bor, maybe it fe=
lt different to those who live through it, but for me the 60's just looks l=
ike these shambolic idiotic idiots posing.. have any of you read Timothy Le=
ary? Utter clap trap... Sorry but the hippy ideals leave me shivering as I =
think of the amount of drug crazed kids dropping out, girls getting raped c=
os it wasnt cool to say no... Of course it spawned some of the greatest mus=
ic ever, Beatles, Hendrix, Velvets, Floyd, none could have happened at any =
other time...=20
Historically speaking of course, the 60's were a milestone, the babyboomers=
 getting up and saying, Fuck you to their parents, look how well YOU guys d=
id with 2 world wars, Im sure we can do better, but the total freedom that =
they advocated was just not there... an illusion. The period bookmarked by =
2 events that prove it, The shooting of JFK and Vietnam... Everything in be=
tween was marketing, pure and simple.)
=A0
Nahh. You're wrong, my friend. I was there. For a while, just a short while=
, a lot of things changed and it was a really cool scene from many differen=
t perspectives. For one, clothes were very original. People were inventing =
styles - later the clothes manufacturers copied what was popular. I won't e=
ven mention the music because that is self-evident. But, peoples vibes were=
 much cooler, mellower. The places where I hung, one could meet folks from =
all levels of society. Bikers, money dudes with Shelby Mustangs, freaks, et=
 al. The girls were unbelievable as well. The concert scene was mind-boggli=
ng compared to today. Three decent groups for what, five bucks! And there w=
ere no professional scalping companies jacking up the prices. Few were gett=
ing busted for smoking a little weed - for those that partaked. It was done=
 in the open in many cases. Even in movie theaters when smoking was allowed=
. I'd take the 60's any day over the horrendous past decade.
=A0
Paul
=A0




--- On Mon, 12/20/10, mark francombe <mark@markfrancombe.com> wrote:


From: mark francombe <mark@markfrancombe.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Perf=
ormance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
Date: Monday, December 20, 2010, 3:16 PM


I think we're side-stepping a issue that we don't like the taste of actuall=
y.=20
Blaming it all on TV? Isnt that all a bit old news... surely this "I want i=
t all and I want it NOW" generation has spun out of control because of the.=
.
deep breath... I N T E R N E T...
Thats the real evil I'm terribly sorry to say. Of course we dont want to ad=
mit it, none of us would be friends if it want for the net, but the idea th=
at one can get anything, any product is within a shipping date, with tracki=
ng number... any information, (I wanted to know where the source of the ezp=
ression "the real Mc Coy " came from today.. I found out.. in 3 seconds...)=
 OK its good to have all this information at our fingertips... isn't it? Ma=
ybe not, maybe we dont have to retain knowledge anymore, maybe we don't hav=
e to think? if only I could have my computer in my pocket.. oh wait.. I can=
... What IS that song onthe radio.. I remember it... but... Ahhh Shazam it.=
. finished with.. it was Blur... problem solved... song forgotten...again..=
. And film, downloadable in minutes... lets not bother going out at all, wh=
ats the point?, why bother watching TV, when we can MAKE TV! Why bother rea=
ding informed opinion, when we can read the opinion of millions...?
Im absolutely the worst.. right now, my wife is setting up the cards for a =
game of Dominion, I have said "just a minute!" twice now...

I'd like to believe that the 60's were the ideals that tED feels we have lo=
st, but its not really true is it, ok so a handful of actuvists made a larg=
e noise about love and peace... Of course I was only just bor, maybe it fel=
t different to those who live through it, but for me the 60's just looks li=
ke these shambolic idiotic idiots posing.. have any of you read Timothy Lea=
ry? Utter clap trap... Sorry but the hippy ideals leave me shivering as I t=
hink of the amount of drug crazed kids dropping out, girls getting raped co=
s it wasnt cool to say no... Of course it spawned some of the greatest musi=
c ever, Beatles, Hendrix, Velvets, Floyd, none could have happened at any o=
ther time...=20
Historically speaking of course, the 60's were a milestone, the babyboomers=
 getting up and saying, Fuck you to their parents, look how well YOU guys d=
id with 2 world wars, Im sure we can do better, but the total freedom that =
they advocated was just not there... an illusion. The period bookmarked by =
2 events that prove it, The shooting of JFK and Vietnam... Everything in be=
tween was marketing, pure and simple.

I think I might have been rambling now... so shoot me...

Going to play cards with the wife...

Night night

Mark

--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no
=0A=0A=0A      
--0-677507001-1292879348=:59986
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>(I'd like to believe that the 60's were =
the ideals that tED feels we have lost, but its not really true is it, ok s=
o a handful of actuvists made a large noise about love and peace... Of cour=
se I was only just bor, maybe it felt different to those who live through i=
t, but for me the 60's just looks like these shambolic idiotic idiots posin=
g.. have any of you read <SPAN id=3Dlw_1292878509_1 class=3Dyshortcuts>Timo=
thy Leary</SPAN>? Utter clap trap... Sorry but the hippy ideals leave me sh=
ivering as I think of the amount of drug crazed kids dropping out, girls ge=
tting raped cos it wasnt cool to say no... Of course it spawned some of the=
 greatest music ever, <SPAN id=3Dlw_1292878509_2 class=3Dyshortcuts>Beatles=
</SPAN>, Hendrix, Velvets, Floyd, none could have happened at any other tim=
e... <BR>Historically speaking of course, the 60's were a milestone, the ba=
byboomers
 getting up and saying, Fuck you to their parents, look how well YOU guys d=
id with 2 world wars, Im sure we can do better, but the total freedom that =
they advocated was just not there... an illusion. The period bookmarked by =
2 events that prove it, The shooting of JFK and <SPAN id=3Dlw_1292878509_3 =
class=3Dyshortcuts>Vietnam</SPAN>... Everything in between was marketing, p=
ure and simple.)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Nahh. You're wrong, my friend. I was there. For a while, just a short =
while, a lot of things changed and it was a really cool scene from many dif=
ferent perspectives. For one, clothes were very original. People were inven=
ting styles - later the clothes manufacturers copied what was popular. I wo=
n't even mention the music because that is self-evident. But, peoples vibes=
 were much cooler, mellower. The places where I hung, one could meet folks =
from all levels of society. Bikers, money dudes with Shelby Mustangs, freak=
s, et al. The girls were unbelievable as well. The concert scene was mind-b=
oggling compared to today. Three decent groups for what, five bucks! And th=
ere were no professional scalping companies jacking up the prices. Few were=
 getting busted for smoking a little weed - for those that partaked. It was=
 done in the open in many cases. Even in movie theaters when smoking was al=
lowed. I'd take the 60's any day over the horrendous past
 decade.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Paul</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR><BR><BR><BR>--- On <B>Mon, 12/20/10, mark francombe <I>&lt;mark@ma=
rkfrancombe.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: mark francombe &lt;mark@markfrancombe.com&g=
t;<BR>Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrac=
k Performance Sampler Teaser....<BR>To: Loopers-Delight@loopers-delight.com=
<BR>Date: Monday, December 20, 2010, 3:16 PM<BR><BR>
<DIV id=3Dyiv77598401>I think we're side-stepping a issue that we don't lik=
e the taste of actually. <BR>Blaming it all on TV? Isnt that all a bit old =
news... surely this "I want it all and I want it NOW" generation has spun o=
ut of control because of the..<BR>deep breath... I N T E R N E T...<BR>That=
s the real evil I'm terribly sorry to say. Of course we dont want to admit =
it, none of us would be friends if it want for the net, but the idea that o=
ne can get anything, any product is within a shipping date, with tracking n=
umber... any information, (I wanted to know where the source of the ezpress=
ion "the real Mc Coy " came from today.. I found out.. in 3 seconds...) OK =
its good to have all this information at our fingertips... isn't it? Maybe =
not, maybe we dont have to retain knowledge anymore, maybe we don't have to=
 think? if only I could have my computer in my pocket.. oh wait.. I can... =
What IS that song onthe radio.. I remember it... but... Ahhh Shazam
 it.. finished with.. it was Blur... problem solved... song forgotten...aga=
in... And film, downloadable in minutes... lets not bother going out at all=
, whats the point?, why bother watching TV, when we can MAKE TV! Why bother=
 reading informed opinion, when we can read the opinion of millions...?<BR>=
Im absolutely the worst.. right now, my wife is setting up the cards for a =
game of Dominion, I have said "just a minute!" twice now...<BR><BR>I'd like=
 to believe that the 60's were the ideals that tED feels we have lost, but =
its not really true is it, ok so a handful of actuvists made a large noise =
about love and peace... Of course I was only just bor, maybe it felt differ=
ent to those who live through it, but for me the 60's just looks like these=
 shambolic idiotic idiots posing.. have any of you read Timothy Leary? Utte=
r clap trap... Sorry but the hippy ideals leave me shivering as I think of =
the amount of drug crazed kids dropping out, girls getting raped cos
 it wasnt cool to say no... Of course it spawned some of the greatest music=
 ever, Beatles, Hendrix, Velvets, Floyd, none could have happened at any ot=
her time... <BR>Historically speaking of course, the 60's were a milestone,=
 the babyboomers getting up and saying, Fuck you to their parents, look how=
 well YOU guys did with 2 world wars, Im sure we can do better, but the tot=
al freedom that they advocated was just not there... an illusion. The perio=
d bookmarked by 2 events that prove it, The shooting of JFK and Vietnam... =
Everything in between was marketing, pure and simple.<BR><BR>I think I migh=
t have been rambling now... so shoot me...<BR><BR>Going to play cards with =
the wife...<BR><BR>Night night<BR><BR>Mark<BR clear=3Dall><BR>-- <BR>mark f=
rancombe<BR><A href=3D"http://www.markfrancombe.com/" rel=3Dnofollow target=
=3D_blank>www.markfrancombe.com</A><BR><A href=3D"http://www.ordoabkhao.com=
/" rel=3Dnofollow target=3D_blank>www.ordoabkhao.com</A><BR>twitter
 @markfrancombe<BR><A href=3D"http://vimeo.com/user825094" rel=3Dnofollow t=
arget=3D_blank>http://vimeo.com/user825094</A><BR><A href=3D"http://www.loo=
op.no/" rel=3Dnofollow target=3D_blank>http://www.looop.no</A><BR></DIV></B=
LOCKQUOTE></td></tr></table><br>=0A=0A      
--0-677507001-1292879348=:59986--

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From: =?UTF8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Message-ID: <2055392993.1205637.1292879972082.JavaMail.javamailuser@localhost>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
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Whoooooweee . . .

Well, I have just one further suggestion for all of you . . . at least 
for those of you that still have TV sand DVDs players or internet 
accesst to YouTube (LOL).

Do yourselves a favor and watch the (rather longish) BBC dcumentary 
called "The Century of the Self" if you ever have the chance.

Watch the whole thing (at 4 or 5 hours) it'll do you some good.

It's on YouTube (in many, many short segments) and it will turn your 
head around about a lot of things.

I don't particularly worship and adore the hippy dippy trippy '60s (as 
an era or a generation) at all . . . they sort of successfully held up a 
mirror to what went before and said "f**k off, hypocrites" . . . it's 
true.

But they (we) were less successful at looking at themselves (ourselves) 
in the mirrror . . . and seeing that they (we) were also subject to 
being the willing dupes of larger powers and their own needs and wants.

As people, we need to start looking in the mirror ourselves.

The next generation needs us to.

Cheers,

Ted

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<DIV ALIGN=3D"LEFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETT=
ERSPACING=3D"0" KERNING=3D"0">Whoooooweee . . .</FONT></DIV><FONT FACE=3D"T=
ahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br><=
/FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000=
" LETTERSPACING=3D"0" KERNING=3D"0">Well, I have just one further suggestio=
n for all of you . . . at least for those of you that still have TV sand DV=
Ds players or internet accesst to YouTube (LOL).</FONT></DIV><FONT FACE=3D"=
Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br>=
</FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#00000=
0" LETTERSPACING=3D"0" KERNING=3D"0">Do yourselves a favor and watch the (r=
ather longish) BBC dcumentary called &quot;The Century of the Self&quot; if=
 you ever have the chance.</FONT></DIV><FONT FACE=3D"Tahoma" SIZE=3D"2" COL=
OR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"L=
EFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0"=
 KERNING=3D"0">Watch the whole thing (at 4 or 5 hours) it'll do you some go=
od.</FONT></DIV><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSP=
ACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Taho=
ma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">It's on =
YouTube (in many, many short segments) and it will turn your head around ab=
out a lot of things.</FONT></DIV><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"=
#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><=
FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNI=
NG=3D"0">I don't particularly worship and adore the hippy dippy trippy '60s=
 (as an era or a generation) at all . . . they sort of successfully held up=
 a mirror to what went before and said &quot;f**k off, hypocrites&quot; . .=
 . it's true.</FONT></DIV><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000=
" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FA=
CE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0=
">But they (we) were less successful at looking at themselves (ourselves) i=
n the mirrror . . . and seeing that they (we) were also subject to being th=
e willing dupes of larger powers and their own needs and wants.</FONT></DIV=
><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KER=
NING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" =
COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">As people, we need to s=
tart looking in the mirror ourselves.</FONT></DIV><FONT FACE=3D"Tahoma" SIZ=
E=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV=
 ALIGN=3D"LEFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSP=
ACING=3D"0" KERNING=3D"0">The next generation needs us to.</FONT></DIV><FON=
T FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=
=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" COLO=
R=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">Cheers,</FONT></DIV><FONT F=
ACE=3D"Tahoma" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"=
0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Tahoma" SIZE=3D"2" COLOR=3D=
"#000000" LETTERSPACING=3D"0" KERNING=3D"0">Ted</FONT></DIV>
------=_Part_1205629_2107729113.1292879968642--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 21:26:22 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
Date: Mon, 20 Dec 2010 12:50:52 -0800
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The Internet is simply a tool, like a hammer, or whatever. It can be  
used constructively, productively, or it can be used for just the  
opposite. Just like a hammer. A hammer can be used to build great  
things, or it can be used to hit and kill someone. The bottom line is  
that the Internet is here to STAY, so best to make the more  
productive and least harmful use of it, and so far, it has been  
responsible for far MORE GOOD than otherwise and I'll wager that the  
higher percentage of good will only continue to grow. Well, at least  
as long as we are still able to have Net Neutrality, and the usual  
right wing special interests vermin and greedy corps(es) and other  
control freaks are working hard to try to eliminate that.
Best to stay plugged in and keep an eye on this...

Cheers,
Rev. Fever


On Dec 20, 2010, at 12:16 PM, mark francombe wrote:

> I think we're side-stepping a issue that we don't like the taste of  
> actually.
> Blaming it all on TV? Isnt that all a bit old news... surely this  
> "I want it all and I want it NOW" generation has spun out of  
> control because of the..
> deep breath... I N T E R N E T...
> Thats the real evil I'm terribly sorry to say. Of course we dont  
> want to admit it, none of us would be friends if it want for the  
> net, but the idea that one can get anything, any product is within  
> a shipping date, with tracking number... any information, (I wanted  
> to know where the source of the ezpression "the real Mc Coy " came  
> from today.. I found out.. in 3 seconds...) OK its good to have all  
> this information at our fingertips... isn't it? Maybe not, maybe we  
> dont have to retain knowledge anymore, maybe we don't have to  
> think? if only I could have my computer in my pocket.. oh wait.. I  
> can... What IS that song onthe radio.. I remember it... but... Ahhh  
> Shazam it.. finished with.. it was Blur... problem solved... song  
> forgotten...again... And film, downloadable in minutes... lets not  
> bother going out at all, whats the point?, why bother watching TV,  
> when we can MAKE TV! Why bother reading informed opinion, when we  
> can read the opinion of millions...?
> Im absolutely the worst.. right now, my wife is setting up the  
> cards for a game of Dominion, I have said "just a minute!" twice  
> now...
>
> I'd like to believe that the 60's were the ideals that tED feels we  
> have lost, but its not really true is it, ok so a handful of  
> actuvists made a large noise about love and peace... Of course I  
> was only just bor, maybe it felt different to those who live  
> through it, but for me the 60's just looks like these shambolic  
> idiotic idiots posing.. have any of you read Timothy Leary? Utter  
> clap trap... Sorry but the hippy ideals leave me shivering as I  
> think of the amount of drug crazed kids dropping out, girls getting  
> raped cos it wasnt cool to say no... Of course it spawned some of  
> the greatest music ever, Beatles, Hendrix, Velvets, Floyd, none  
> could have happened at any other time...
> Historically speaking of course, the 60's were a milestone, the  
> babyboomers getting up and saying, Fuck you to their parents, look  
> how well YOU guys did with 2 world wars, Im sure we can do better,  
> but the total freedom that they advocated was just not there... an  
> illusion. The period bookmarked by 2 events that prove it, The  
> shooting of JFK and Vietnam... Everything in between was marketing,  
> pure and simple.
>
> I think I might have been rambling now... so shoot me...
>
> Going to play cards with the wife...
>
> Night night
>
> Mark
>
> -- 
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
The Internet is simply a tool, like a hammer, or whatever. It can be =
used constructively, productively, or it can be used for just the =
opposite.&nbsp;Just like a hammer. A hammer can be used to build great =
things, or it can be used to hit and kill someone. The bottom line is =
that the Internet&nbsp;is here to STAY, so best to make the more =
productive and least harmful use of it, and so far, it has been =
responsible for far MORE GOOD than otherwise&nbsp;and I'll wager that =
the higher percentage of good will only continue to grow. Well, at least =
as long as we are still able to have Net Neutrality,&nbsp;and =
the&nbsp;usual right wing special interests vermin and greedy corps(es) =
and other control freaks are working hard to try to eliminate =
that.&nbsp;<div>Best to stay plugged in and keep an eye on =
this...<div><br></div><div>Cheers,</div><div>Rev. =
Fever</div><div><br><div><br><div><div>On Dec 20, 2010, at 12:16 PM, =
mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I think =
we're side-stepping a issue that we don't like the taste of actually. =
<br>Blaming it all on TV? Isnt that all a bit old news... surely this "I =
want it all and I want it NOW" generation has spun out of control =
because of the..<br> deep breath... I N T E R N E T...<br>Thats the real =
evil I'm terribly sorry to say. Of course we dont want to admit it, none =
of us would be friends if it want for the net, but the idea that one can =
get anything, any product is within a shipping date, with tracking =
number... any information, (I wanted to know where the source of the =
ezpression "the real Mc Coy " came from today.. I found out.. in 3 =
seconds...) OK its good to have all this information at our =
fingertips... isn't it? Maybe not, maybe we dont have to retain =
knowledge anymore, maybe we don't have to think? if only I could have my =
computer in my pocket.. oh wait.. I can... What IS that song onthe =
radio.. I remember it... but... Ahhh Shazam it.. finished with.. it was =
Blur... problem solved... song forgotten...again... And film, =
downloadable in minutes... lets not bother going out at all, whats the =
point?, why bother watching TV, when we can MAKE TV! Why bother reading =
informed opinion, when we can read the opinion of millions...?<br> Im =
absolutely the worst.. right now, my wife is setting up the cards for a =
game of Dominion, I have said "just a minute!" twice now...<br><br>I'd =
like to believe that the 60's were the ideals that tED feels we have =
lost, but its not really true is it, ok so a handful of actuvists made a =
large noise about love and peace... Of course I was only just bor, maybe =
it felt different to those who live through it, but for me the 60's just =
looks like these shambolic idiotic idiots posing.. have any of you read =
Timothy Leary? Utter clap trap... Sorry but the hippy ideals leave me =
shivering as I think of the amount of drug crazed kids dropping out, =
girls getting raped cos it wasnt cool to say no... Of course it spawned =
some of the greatest music ever, Beatles, Hendrix, Velvets, Floyd, none =
could have happened at any other time... <br> Historically speaking of =
course, the 60's were a milestone, the babyboomers getting up and =
saying, Fuck you to their parents, look how well YOU guys did with 2 =
world wars, Im sure we can do better, but the total freedom that they =
advocated was just not there... an illusion. The period bookmarked by 2 =
events that prove it, The shooting of JFK and Vietnam... Everything in =
between was marketing, pure and simple.<br> <br>I think I might have =
been rambling now... so shoot me...<br><br>Going to play cards with the =
wife...<br><br>Night night<br><br>Mark<br clear=3D"all"><br>-- <br>mark =
francombe<br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br> <a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter =
@markfrancombe<br><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://www.looop.no">http://www.looop.no</a><br></blockquote></div=
><br></div></div></div></body></html>=

--Apple-Mail-2-1038440287--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 21:28:40 2010
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Subject: RE: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
Date: Mon, 20 Dec 2010 13:28:38 -0800
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Ted - yes and amen=E2=80=A6 <g>

Have never heard of this series =E2=80=93 thanks for the heads up about =
it. Sounds interesting.

=20

Another worthwhile related read IMHO: =E2=80=9CThe Fourth =
Turning=E2=80=9D -- a book about generational cycles.=20

http://www.amazon.com/Fourth-Turning-William-Strauss/dp/0767900464/

=20

13th gen,

Caedmon

=20

=20

From: tEd =C3=82=C2=AE kiLLiAn [mailto:tedkillian@charter.net]=20
Sent: Monday, December 20, 2010 1:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack =
Performance Sampler Teaser....

=20

Whoooooweee . . .

=20

Well, I have just one further suggestion for all of you . . . at least =
for those of you that still have TV sand DVDs players or internet =
accesst to YouTube (LOL).

=20

Do yourselves a favor and watch the (rather longish) BBC dcumentary =
called "The Century of the Self" if you ever have the chance.

=20

Watch the whole thing (at 4 or 5 hours) it'll do you some good.

=20

It's on YouTube (in many, many short segments) and it will turn your =
head around about a lot of things.

=20

I don't particularly worship and adore the hippy dippy trippy '60s (as =
an era or a generation) at all . . . they sort of successfully held up a =
mirror to what went before and said "f**k off, hypocrites" . . . it's =
true.

=20

But they (we) were less successful at looking at themselves (ourselves) =
in the mirrror . . . and seeing that they (we) were also subject to =
being the willing dupes of larger powers and their own needs and wants.

=20

As people, we need to start looking in the mirror ourselves.

=20

The next generation needs us to.

=20

Cheers,

=20

Ted


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<o:idmap v:ext=3D"edit" data=3D"1" />
</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Ted - yes and amen=E2=80=A6 &lt;g&gt;<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Have never heard of this series =E2=80=93 thanks for the heads up =
about it. Sounds interesting.<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Another worthwhile related read IMHO: =E2=80=9CThe Fourth =
Turning=E2=80=9D -- a book about generational cycles. =
<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><a =
href=3D"http://www.amazon.com/Fourth-Turning-William-Strauss/dp/076790046=
4/">http://www.amazon.com/Fourth-Turning-William-Strauss/dp/0767900464/</=
a><o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>13<sup>th</sup> gen,<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Caedmon<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
tEd =C3=82=C2=AE kiLLiAn [mailto:tedkillian@charter.net] =
<br><b>Sent:</b> Monday, December 20, 2010 1:19 PM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: (OT) =
REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler =
Teaser....<o:p></o:p></span></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
Whoooooweee . . .</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
Well, I have just one further suggestion for all of you . . . at least =
for those of you that still have TV sand DVDs players or internet =
accesst to YouTube (LOL).</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
Do yourselves a favor and watch the (rather longish) BBC dcumentary =
called &quot;The Century of the Self&quot; if you ever have the =
chance.</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
Watch the whole thing (at 4 or 5 hours) it'll do you some =
good.</span><o:p></o:p></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
It's on YouTube (in many, many short segments) and it will turn your =
head around about a lot of things.</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
I don't particularly worship and adore the hippy dippy trippy '60s (as =
an era or a generation) at all . . . they sort of successfully held up a =
mirror to what went before and said &quot;f**k off, hypocrites&quot; . . =
. it's true.</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
But they (we) were less successful at looking at themselves (ourselves) =
in the mirrror . . . and seeing that they (we) were also subject to =
being the willing dupes of larger powers and their own needs and =
wants.</span><o:p></o:p></p><p class=3DMsoNormal><o:p>&nbsp;</o:p></p><p =
class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
As people, we need to start looking in the mirror =
ourselves.</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
The next generation needs us to.</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
Cheers,</span><o:p></o:p></p><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
Ted</span><o:p></o:p></p></div></body></html>
------=_NextPart_000_00FF_01CBA049.CFAD9EF0--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 21:40:35 2010
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	<BAY145-w431080D1F64E9C9C8416E685180@phx.gbl>
	<-7874066572337091628@unknownmsgid>
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Date: Mon, 20 Dec 2010 22:40:32 +0100
Message-ID: <AANLkTi==Nt66JCoKg0XOAK_GVPiHKh9MNQpzF4GO=Nny@mail.gmail.com>
Subject: Re: OT: bundle up
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The winter started mid November here in Belgium and The Netherlands.
It's much colder than normal, it has been snowing for a couple of
weeks now, very unusual. While I like a world cover with snow...it
simply is beautiful , I don't like it because of the extreme traffic
jams. Definitely need a car with an internet connection and a build-in
Mac with voice control ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 21:55:21 2010
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Date: Mon, 20 Dec 2010 22:55:19 +0100
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Subject: Re: OT: bundle up
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--0016367f997e7b1a9f0497de933b
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i have no heating at home & have just washed dishes dressing a t-shirt. i
bet this year we're not seeing a single snowflake. it's the perfect place t=
o
build that retiremet house for loopers. maybe it's true that saying, we
don't belong to europe but africa.

ra=FCl.
--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

--0016367f997e7b1a9f0497de933b
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i have no heating at home &amp; have just washed dishes dressing a t-shirt.=
 i bet this year we&#39;re not seeing a single snowflake. it&#39;s the perf=
ect place to build that retiremet house for loopers. maybe it&#39;s true th=
at saying, we don&#39;t belong to europe but africa.<br>
<br clear=3D"all">ra=FCl.<br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a =
href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">http://raulbonell.=
tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-collective.com/" target=3D"=
_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
</span><br>

--0016367f997e7b1a9f0497de933b--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 22:06:18 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
Date: Mon, 20 Dec 2010 12:54:47 -0800
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--Apple-Mail-3-1038675430
Content-Transfer-Encoding: 7bit
Content-Type: text/plain;
	charset=US-ASCII;
	delsp=yes;
	format=flowed

Or, maybe he is wanting to do a "Julian Assange" and be nomadic and  
have no "official" terrestrial address? (snicker!)

Cheerios and Lucky Charms,
Rev. Fever

On Dec 20, 2010, at 12:38 PM, Daryl Shawn wrote:

> Heh - no, it just sounded like Gareth was making a plan to depart  
> this earthly plane in the New Year!
>
> Daryl Shawn
> www.swanwelder.com
>
>
>> Ok, Daryl, you got me curious there: is there some experience  
>> you'd like to share?
>>
>> Daryl Shawn schrieb:
>>> DON'T DO IT, GARETH!!
>>>
>>> Daryl Shawn
>>> www.swanwelder.com
>>>
>>>
>>>> Cant' wait till I don't actually have a terrestrial address next  
>>>> year - that's gonna be a whole new can of worms..
>>>>
>>>> Peace
>>>>
>>>> G
>


--Apple-Mail-3-1038675430
Content-Transfer-Encoding: quoted-printable
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	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Or, maybe he is wanting to do a "Julian Assange" and be nomadic and have =
no "official"&nbsp;<span class=3D"Apple-style-span" style=3D"color: =
rgb(84, 0, 0); ">terrestrial address? (snicker!)</span><div><font =
class=3D"Apple-style-span" color=3D"#540000"><br></font></div><div><font =
class=3D"Apple-style-span" color=3D"#540000">Cheerios and Lucky =
Charms,</font></div><div><font class=3D"Apple-style-span" =
color=3D"#540000">Rev. Fever</font></div><div><font =
class=3D"Apple-style-span" color=3D"#540000"><br></font><div><div>On Dec =
20, 2010, at 12:38 PM, Daryl Shawn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Heh - no, it just sounded like Gareth was making a =
plan to depart this earthly plane in the New Year!</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Daryl =
Shawn</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.swanwelder.com</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Ok, Daryl, you got me curious there: is there some =
experience you'd like to share?</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Daryl Shawn schrieb:</div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">DON'T DO IT, =
GARETH!!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Daryl Shawn</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.swanwelder.com</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Cant' wait till I don't =
actually have a terrestrial address next year - that's gonna be a whole =
new can of worms..</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Peace</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">G</div> =
</blockquote></blockquote></blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote></div><br></div></body></html>=

--Apple-Mail-3-1038675430--

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Date: Mon, 20 Dec 2010 23:17:23 +0100
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Subject: Re: OT: bundle up
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2010/12/20 Raul Bonell <raul.bonell@gmail.com>:
> i have no heating at home & have just washed dishes dressing a t-shirt. i
> bet this year we're not seeing a single snowflake. it's the perfect place to
> build that retiremet house for loopers.

Great idea! Michael Klobuchar is president ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 22:19:39 2010
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Date: Mon, 20 Dec 2010 14:19:36 -0800 (PST)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: Boomerang Power Supply Not Included in Price
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--0-1009985443-1292883576=:1093
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Is this a new trend? I can see a pedal that is optionally BATTERY-POWERED n=
ot including a power supply but a device that is NOT battery-powered??? Wha=
t good is the unit w/o a power supply?
=A0
I can that making an items=A0price more attractive and possibly competitive=
=A0is an advantage of not including the power supply but is a power supplys=
 wholesale cost $18.00 in the first place?
=A0
No offense to the designer/manufacturer Mike, but it's a little gouge-y.
=A0
=A0=0A=0A=0A      
--0-1009985443-1292883576=:1093
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Is this a new trend? I can see a pedal t=
hat is optionally BATTERY-POWERED not including a power supply but a device=
 that is NOT battery-powered??? What good is the unit w/o a power supply?</=
DIV>
<DIV>&nbsp;</DIV>
<DIV>I can that making an items&nbsp;price more attractive and possibly com=
petitive&nbsp;is an advantage of not including the power supply but is a po=
wer supplys wholesale cost $18.00 in the first place?</DIV>
<DIV>&nbsp;</DIV>
<DIV>No offense to the designer/manufacturer Mike, but it's a little gouge-=
y.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></td></tr></table><br>=0A=0A      
--0-1009985443-1292883576=:1093--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 22:35:03 2010
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Date: Mon, 20 Dec 2010 16:34:47 -0600
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	Hold on, partner. You're getting your wagon in front of the horse... or something like that. Each and every 
pedal sold by Boomerang comes with a power supply, has always come with a power supply and will always come 
with a power supply if it is not a battery powered pedal.
	Just to ensure that this comment does not go viral... ALL BOOMERANG PEDALS ARE SHIPPED WITH A POWER SUPPLY.

	Merry Christmas.

On 20-Dec-10 4:19 PM, Elmer Fuddski wrote:
> Is this a new trend? I can see a pedal that is optionally BATTERY-POWERED not including a power supply but a
> device that is NOT battery-powered??? What good is the unit w/o a power supply?
> I can that making an items price more attractive and possibly competitive is an advantage of not including the
> power supply but is a power supplys wholesale cost $18.00 in the first place?
> No offense to the designer/manufacturer Mike, but it's a little gouge-y.

-- 

Mike Nelson
Secretary/Treasurer, Boomerang Management, Inc.
General Partner of Boomerang Musical Products, Ltd.

----------

"Some products make you sound better;
  Boomerang(R) Phrase Samplers makes you play better."

----------

1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax

http://www.boomerangmusic.com

Contact for repairs:
Lee Hardesty
1516 Victoria Drive
Denton, TX  76209
hardesty@mindspring.com
940-382-3253

Billing Address:
Boomerang Musical Products, Ltd.
PO Box 3788
Grapevine, TX  76099-3788

From Loopers-Delight-request@loopers-delight.com  Mon Dec 20 22:41:30 2010
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Date: Mon, 20 Dec 2010 23:41:28 +0100
Message-ID: <AANLkTinrvBCaU5shG7LWA_fdSBL0DBhkp+o6w9CErdCq@mail.gmail.com>
Subject: Re: OT: bundle up
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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2010/12/20 Sjaak Overgaauw <tcplugin@gmail.com>

>
>
> Great idea! Michael Klobuchar is president ;-)
>
>
for granted!

--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente, =
a una
legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y lo
proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes de
morir o estar tan deteriorado que cuando llegue solo nos quede esperar
nuestra muerte y aliviar nuestro sufrimiento y dolor...

Bajemos los impuestos a las grandes empresas, a los mercados financieros, a
los bancos, a los grandes capitales que pueden hundir un pa=EDs con la simp=
le
acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxemburgo=
,
liberad de cargas fiscales a los dioses...

Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra de
dios, am=E9n.

=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!

--0016364274898143790497df38c4
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<br><br><div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_in=
line_popup"></div><style type=3D"text/css">#avg_ls_inline_popup {  position=
:absolute;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top=
: 0px;  width: 240px;  overflow: hidden;  word-wrap: break-word;  color: bl=
ack;  font-size: 10px;  text-align: left;  line-height: 13px;}</style><div =
class=3D"gmail_quote">
2010/12/20 Sjaak Overgaauw <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin=
@gmail.com">tcplugin@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail=
_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt=
 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">
<br>
</div><br>Great idea! Michael Klobuchar is president ;-)<br>
<div><div></div><br></div></blockquote></div><br>for granted!<br clear=3D"a=
ll"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbo=
nell.tumblr.com/" target=3D"_blank">http://raulbonell.tumblr.com</a>=A0=B7=
=A0<a href=3D"http://www.ct-collective.com/" target=3D"_blank">http://www.c=
t-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
<br>Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y un=
a educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una legislaci=F3n laboral que d=E9 seguridad al trabajador y a su famil=
ia y lo proteja frente abusos y el despido, renunciemos a una jubilaci=F3n =
antes de morir o estar tan deteriorado que cuando llegue solo nos quede esp=
erar nuestra muerte y aliviar nuestro sufrimiento y dolor...<br>
<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>
<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</span><br>
<br><br><br>

--0016364274898143790497df38c4--

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	<BAY145-w431080D1F64E9C9C8416E685180@phx.gbl>
	<-7874066572337091628@unknownmsgid>
	<AANLkTik8A5yGhW_fduvBFXdSyLoj7LXwfT5w1WrpTRu=@mail.gmail.com>
	<840682.83366.qm@web120716.mail.ne1.yahoo.com>
	<4D0F6886.7000109@googlemail.com>
	<AANLkTi=2fJT6nxHFYijTbVcT4AfMjr3FwVeRVWwrezNS@mail.gmail.com>
	<834613.84611.qm@web120708.mail.ne1.yahoo.com>
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	<AANLkTimE69hPRF=PZrUAsDD_1k5MFuka7GJRdf8Q=MhW@mail.gmail.com>
	<AANLkTikC4ykogXYVtmCEgaTaiLn5W51YCV3xPEz9ZopZ@mail.gmail.com>
	<AANLkTi==Nt66JCoKg0XOAK_GVPiHKh9MNQpzF4GO=Nny@mail.gmail.com>
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Date: Tue, 21 Dec 2010 00:32:46 +0100
Message-ID: <AANLkTikyUsoxXwHJnjY-M0-BXvuw8TsYtfnR5W5ZH7rD@mail.gmail.com>
Subject: Re: OT: bundle up
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=001636c5ab67fda9470497dfef4c
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--001636c5ab67fda9470497dfef4c
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>
> esto est=E1 buenisimo Raul,y es la triste realidad!
> abrazo
>
   Luis


>
> *La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los
> bancos inyectan liquidez (se lo prestan) a los estados con dificultades a=
l
> 5% y a las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio red=
ondo
> para los bancos alemanes y franceses... Para todos los bancos =A1Bravo
> =C1ngela!!! =BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, cla=
ro est=E1,
> para no enfadar a las grandes empresas, a los bancos, a los mercados...
> *
> *Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
> educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una
> legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y l=
o
> proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes =
de
> morir o estar tan deteriorado que cuando llegue solo nos quede esperar
> nuestra muerte y aliviar nuestro sufrimiento y dolor...
>
> Bajemos los impuestos a las grandes empresas, a los mercados financieros,=
 a
> los bancos, a los grandes capitales que pueden hundir un pa=EDs con la si=
mple
> acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxembur=
go,
> liberad de cargas fiscales a los dioses...
>
> Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
> CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e
> dios, am=E9n.
>
> =A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!*
>
>
>
>
>

--001636c5ab67fda9470497dfef4c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">esto est=E1 buenisimo Raul,y es la triste realidad!<br>ab=
razo</div></blockquote>
<div>=A0=A0 Luis</div>
<div>=A0</div>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im"><br>
<div class=3D"im"><span style=3D"FONT-FAMILY: &#39;lucida grande&#39;, taho=
ma, verdana, arial, sans-serif; COLOR: rgb(51,51,51); FONT-SIZE: 11px"><em>=
La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos =
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a =
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para=
 los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela=
!!!=A0=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=
=E1, para no enfadar a las grandes empresas, a los bancos, a los mercados..=
.<br>
</em></span></div><em>Renunciad a la huelga, a la negociaci=F3n colectiva, =
a una sanidad y una educaci=F3n de calidad y gratu=EDta, renunciad a una pe=
nsi=F3n suficiente, a una legislaci=F3n laboral que d=E9 seguridad al traba=
jador y a su familia y lo proteja frente abusos y el despido, renunciemos a=
 una jubilaci=F3n antes de morir o estar tan deteriorado que cuando llegue =
solo nos quede esperar nuestra muerte y aliviar nuestro sufrimiento y dolor=
...<br>
<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>
<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</em></div>
<br><br><br><br></blockquote></div><br>

--001636c5ab67fda9470497dfef4c--

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Date: Tue, 21 Dec 2010 00:39:46 +0100
Message-ID: <AANLkTineOnOSqQma-xnzKkY_4cqnqkGFDxJxDuMvN_nA@mail.gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (To TV, or to not TV?)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--00151747c1360b73c00497e0094e
Content-Type: text/plain; charset=ISO-8859-1

i use a TV set to watch DVD movies and there are still some interesting
channels left, though you can count them with your fingers
but both commercial radio and TV is really depressing
i hope the internet doesnt turn that way one day!
Luis
On Mon, Dec 20, 2010 at 9:36 PM, Revfever <revfever@ubergadget.com> wrote:

> Having a TV to use as a "monitor" is not the same thing as watching the
> "available material" that is "offered" on the air waves or via cable, etc. A
> BIG difference! :-)
> I have also always made it a point to place the set as far away as possible
> (minimum 20 feet away, at least) and still be able to see and hear
> sufficiently.
> Works for me, and so far....so good.
>
> Cheerios,
> Rev. Fever
>
>  On Dec 20, 2010, at 12:05 PM, Petri Lahtinen wrote:
>
> same here, no tv set for the past 10 years
>
> I feel fine
>
> 2010/12/20 <antonyhequet@yahoo.com>
>
>>  hey Rev,
>>
>> I have not owned a Tv for the past 20 years, and it does wonders for your
>> skin!
>>
>> Antony
>>
>>  ------------------------------
>> *From:* Revfever <revfever@ubergadget.com>
>> *To:* Loopers-Delight@loopers-delight.com
>> *Sent:* Mon, December 20, 2010 7:14:06 PM
>> *Subject:* Re: (OT) REJECTING MASS MEDIA CULTURE
>>
>> On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:
>>
>> >> Turn the TV off,
>> >
>> > I don't even own a TV :-)
>>
>> I have an old TV set but it is only used as a "monitor" for my DVD player
>> and my (yes old but still works great) VCR. Otherwise, I am now nearing *23
>> years*
>> of NOT watching tee vee....ANY tee vee. Why bother? It's usually vapid
>> crap anyway and mostly a mind rot and more specifically, a means to better
>> serve
>> commercial interests and promote more Materialism and mass consumption
>> (and WASTE) and other mind numbing stupidity and ignorance.
>> One has to only know about (haha) "fair and balanced" Faux Fraudcasting
>> and "news" and "entertainment" for how LOW this can go. (and with no end in
>> sight)
>>
>> Books and other things are far more important and WORTHY and enriching
>> etc. (and they don't add to your electrical utility bill, either!)
>>
>> There's also a book that came out YEARS ago (1978!) that I'll eventually
>> read entitled "Four Arguments for the Elimination of Television" by Jerry
>> Mander.
>> The title alone was what hooked me into wanting to check it out. It is
>> next in line to read after I finish the excellent and INTENSE biography and
>> study of Gyorgy Ligeti.
>>
>> On the subject of the 60's, for a REAL "trip" (haha), check out the 2DVD
>> autobiographical film by singer / poet Donovan entitled (what else?)
>> 'Sunshine Superman'.
>> It is GREAT and has a LOT of old and RARE  footage from the 60's, going
>> back as far as 1963, or 1965 or so and on through the next couple of decades
>> and on
>> up to very recent years. The main disc is THREE HOURS LONG and is a LOT of
>> fun!. I've not seen the bonus disc yet, but I know it is not nearly as long,
>> but will
>> still likely have some great surprises and more fun. The set also has a
>> great little booklet and comes in a *beautiful* full color box. Definitely
>> REVcommended!
>>
>> Cheers,
>> Rev.Fever
>> Portland,OR
>> The Angry Red Planet (AKA-USA)
>> http://www.spiritone.com/~rvfever
>>
>> PS- I see that the LA Times recently came out with an editorial slamming
>> Faux Fraudcasting. Excellent. It's about damn time and LONG overdue that
>> something
>> other than the alternative and independent media did this.
>>
>> http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217,0,6952663.story
>>
>>
>> >> read a book (preferably and old one).
>> >
>> > It just hit me, when reading the part of your post talking about
>> > "saying no to yourself", that one old book that well describes these
>> > thoughts is "Siddharta" by Herman Hesse. I like everything I've read
>> > by that guy. Yes, old books they are - but in 2011 suddenly just right
>> > on the spot! Damn, I'll buy a bunch of them for my sons as X-mas
>> > gifts. Thank you, Ted, one more daily issue solved!! ;-))
>> >
>> > Last X-mas I gave them another book - whatever it is called in English
>> > (The Prince..?) - by that Italian guy that lived some four or... ah
>> > yeah MACCIAVELLI, that was his name. He was the first class couch for
>> > kings and just about anyone who had more powerz than brainz back in
>> > the dayz. And Maciavelly really taught The Path of The Snake (rather
>> > than the Path of The Eagle, known as the "good guy's" choice... och
>> > OFF-Toppic-ing into esotherics here.... sorry, back on track we go).
>> > But this book has to be discussed if handed over to... not just young
>> > people, anyone! Because M's sinister methods still work and are
>> > practiced daily by politicians and other decision makers.
>> >
>> > http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli
>> >
>> > Per
>> >
>>
>>
>>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>
>

--00151747c1360b73c00497e0094e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>i use a TV set to watch DVD=A0movies and there are=A0still some intere=
sting channels=A0left,=A0though you can count them with your fingers</div>
<div>but both commercial radio and TV is really depressing</div>
<div>i hope the internet doesnt turn that way one day!</div>
<div>Luis<br></div>
<div class=3D"gmail_quote">On Mon, Dec 20, 2010 at 9:36 PM, Revfever <span =
dir=3D"ltr">&lt;<a href=3D"mailto:revfever@ubergadget.com">revfever@ubergad=
get.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div style=3D"WORD-WRAP: break-word">Having a TV to use as a &quot;monitor&=
quot; is not the same thing as watching the &quot;available material&quot; =
that is &quot;offered&quot; on the air waves or via cable, etc.=A0A BIG dif=
ference! :-)=A0=20
<div>I have also always made it a point to place the set as far away as pos=
sible (minimum 20 feet away, at least) and still be=A0able to see and hear =
sufficiently.=A0</div>
<div>Works for me, and so far....so good.=20
<div><br></div>
<div>Cheerios,</div>
<div>Rev. Fever</div>
<div><br>
<div>
<div>On Dec 20, 2010, at 12:05 PM, Petri Lahtinen wrote:</div><br>
<blockquote type=3D"cite">same here, no tv set for the past 10 years<br><br=
>I feel fine<br><br>
<div class=3D"gmail_quote">2010/12/20 <span dir=3D"ltr">&lt;<a href=3D"mail=
to:antonyhequet@yahoo.com" target=3D"_blank">antonyhequet@yahoo.com</a>&gt;=
</span><br>
<blockquote style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0=
pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>
<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 14pt">
<div>hey Rev,</div>
<div><br></div>
<div>I have not owned a Tv for the past 20 years, and it does wonders for y=
our skin!</div>
<div><br></div>
<div>Antony</div>
<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 14pt"><=
br>
<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 13px"><=
font size=3D"2" face=3D"Tahoma">
<hr size=3D"1">
<b><span style=3D"FONT-WEIGHT: bold">From:</span></b> Revfever &lt;<a href=
=3D"mailto:revfever@ubergadget.com" target=3D"_blank">revfever@ubergadget.c=
om</a>&gt;<br><b><span style=3D"FONT-WEIGHT: bold">To:</span></b> <a href=
=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-D=
elight@loopers-delight.com</a><br>
<b><span style=3D"FONT-WEIGHT: bold">Sent:</span></b> Mon, December 20, 201=
0 7:14:06 PM<br><b><span style=3D"FONT-WEIGHT: bold">Subject:</span></b> Re=
: (OT) REJECTING MASS MEDIA CULTURE<br></font>
<div>
<div></div>
<div><br>On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:<br><br>&gt;&gt; Tur=
n the TV off,<br>&gt; <br>&gt; I don&#39;t even own a TV :-)<br><br>I have =
an old TV set but it is only used as a &quot;monitor&quot; for my DVD playe=
r and my (yes old but still works great) VCR. Otherwise, I am now nearing *=
23 years*<br>
of NOT watching tee vee....ANY tee vee. Why bother? It&#39;s usually vapid =
crap anyway and mostly a mind rot and more specifically, a means to better =
serve<br>commercial interests and promote more Materialism and mass consump=
tion (and WASTE) and other mind numbing stupidity and ignorance.<br>
One has to only know about (haha) &quot;fair and balanced&quot; Faux Fraudc=
asting and &quot;news&quot; and &quot;entertainment&quot; for how LOW this =
can go. (and with no end in sight)<br><br>Books and other things are far mo=
re important and WORTHY and enriching etc. (and they don&#39;t add to your =
electrical utility bill, either!)<br>
<br>There&#39;s also a book that came out YEARS ago (1978!) that I&#39;ll e=
ventually read entitled &quot;Four Arguments for the Elimination of Televis=
ion&quot; by Jerry Mander.<br>The title alone was what hooked me into wanti=
ng to check it out. It is next in line to read after I finish the excellent=
 and INTENSE biography and study of Gyorgy Ligeti.<br>
<br>On the subject of the 60&#39;s, for a REAL &quot;trip&quot; (haha), che=
ck out the 2DVD autobiographical film by singer / poet Donovan entitled (wh=
at else?) &#39;Sunshine Superman&#39;.<br>It is GREAT and has a LOT of old =
and RARE=A0 footage from the 60&#39;s, going back as far as 1963, or 1965 o=
r so and on through the next couple of decades and on<br>
up to very recent years. The main disc is THREE HOURS LONG and is a LOT of =
fun!. I&#39;ve not seen the bonus disc yet, but I know it is not nearly as =
long, but will<br>still likely have some great surprises and more fun. The =
set also has a great little booklet and comes in a *beautiful* full color b=
ox. Definitely REVcommended!<br>
<br>Cheers,<br>Rev.Fever<br>Portland,OR<br>The Angry Red Planet (AKA-USA)<b=
r><span><a href=3D"http://www.spiritone.com/~rvfever" target=3D"_blank">htt=
p://www.spiritone.com/~rvfever</a></span><br><br>PS- I see that the LA Time=
s recently came out with an editorial slamming Faux Fraudcasting. Excellent=
. It&#39;s about damn time and LONG overdue that something<br>
other than the alternative and independent media did this.<br><span><a href=
=3D"http://www.latimes.com/news/opinion/editorials/la-ed-foxnews-20101217,0=
,6952663.story" target=3D"_blank">http://www.latimes.com/news/opinion/edito=
rials/la-ed-foxnews-20101217,0,6952663.story</a></span><br>
<br><br>&gt;&gt; read a book (preferably and old one).<br>&gt; <br>&gt; It =
just hit me, when reading the part of your post talking about<br>&gt; &quot=
;saying no to yourself&quot;, that one old book that well describes these<b=
r>
&gt; thoughts is &quot;Siddharta&quot; by Herman Hesse. I like everything I=
&#39;ve read<br>&gt; by that guy. Yes, old books they are - but in 2011 sud=
denly just right<br>&gt; on the spot! Damn, I&#39;ll buy a bunch of them fo=
r my sons as X-mas<br>
&gt; gifts. Thank you, Ted, one more daily issue solved!! ;-))<br>&gt; <br>=
&gt; Last X-mas I gave them another book - whatever it is called in English=
<br>&gt; (The Prince..?) - by that Italian guy that lived some four or... a=
h<br>
&gt; yeah MACCIAVELLI, that was his name. He was the first class couch for<=
br>&gt; kings and just about anyone who had more powerz than brainz back in=
<br>&gt; the dayz. And Maciavelly really taught The Path of The Snake (rath=
er<br>
&gt; than the Path of The Eagle, known as the &quot;good guy&#39;s&quot; ch=
oice... och<br>&gt; OFF-Toppic-ing into esotherics here.... sorry, back on =
track we go).<br>&gt; But this book has to be discussed if handed over to..=
. not just young<br>
&gt; people, anyone! Because M&#39;s sinister methods still work and are<br=
>&gt; practiced daily by politicians and other decision makers.<br>&gt; <br=
><span>&gt; <a href=3D"http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavell=
i" target=3D"_blank">http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli<=
/a></span><br>
&gt; <br>&gt; Per<br>&gt; <br><br></div></div></div></div>
<div></div></div><br></div></blockquote></div><br><br clear=3D"all"><br>-- =
<br>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com/" target=3D"_=
blank">http://www.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.=
blogspot.com/" target=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br></blockquote></div><br></div></div></div></blockquote></div><br>

--00151747c1360b73c00497e0094e--

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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <C93404FC.8B6%mech@m3ch.net>,<838513.12522.qm@web120701.mail.ne1.yahoo.com>,<726302687839749391@unknownmsgid>,<AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>,<916190.82124.qm@web120703.mail.ne1.yahoo.com>,<4244811946201215669@unknownmsgid>,<SNT143-w195010FEC027A5663EDA23B6190@phx.gbl>,<AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com>,<971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net>,<AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com>,<A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com>,<744256.67553.qm@web120720.mail.ne1.yahoo.com>,<AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com> <BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl> <4D0FB9AF.7070208@gmail.com> <4D0FBAB8.4020107@googlemail.com> <4D0FBECC.2060100@gmail.com> <87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com>
In-Reply-To: <87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
Date: Mon, 20 Dec 2010 23:40:00 -0000
Organization: EarthLight Productions
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=EF=BB=BFFiresign Theater put it this way:
=E2=80=9CI said live it or live with it!=E2=80=9D

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<HTML><HEAD></HEAD>
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-webkit-line-break: after-white-space"=20
dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Firesign Theater put it this way:</DIV>
<DIV>=E2=80=9CI said live it or live with it!=E2=80=9D</DIV>
<DIV>&nbsp;</DIV></DIV></DIV></BODY></HTML>

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Subject: Re: meeetings with remarkable sounds
From: Louie Angulo <louie.angulo@googlemail.com>
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very nice Michael as always!
cheers
Luis

On Sun, Dec 19, 2010 at 8:20 PM, Michael Peters <mp@mpeters.de> wrote:

> http://veloopity.bandcamp.com/album/meetings-with-remarkable-sounds
>
> 75 minutes of ambient and experimental improvised music by the duo
> "matebb&veloopity" which is my friend Matthias Ebbinghaus and me, recorded
> between 2001 and 2009. We are both very happy with this mix. FREE DOWNLOAD
> until end of December, so have fun and repost everywhere!!
>
> Michael
> www.michaelpeters.de
>
>
>

--001636c5bd862a23de0497e01e12
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<div>very nice Michael as always!</div>
<div>cheers</div>
<div>Luis<br><br></div>
<div class=3D"gmail_quote">On Sun, Dec 19, 2010 at 8:20 PM, Michael Peters =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt=
;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote"><a href=3D"http://veloopity.band=
camp.com/album/meetings-with-remarkable-sounds" target=3D"_blank">http://ve=
loopity.bandcamp.com/album/meetings-with-remarkable-sounds</a><br>
<br>75 minutes of ambient and experimental improvised music by the duo<br>&=
quot;matebb&amp;veloopity&quot; which is my friend Matthias Ebbinghaus and =
me, recorded<br>between 2001 and 2009. We are both very happy with this mix=
. FREE DOWNLOAD<br>
until end of December, so have fun and repost everywhere!!<br><br>Michael<b=
r><a href=3D"http://www.michaelpeters.de/" target=3D"_blank">www.michaelpet=
ers.de</a><br><br><br></blockquote></div><br>

--001636c5bd862a23de0497e01e12--

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
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On Mon, Dec 20, 2010 at 10:09 PM, Paul Richards <paulrichard_rocks@yahoo.com
> wrote:

> Nahh. You're wrong, my friend. I was there.

snip snip.. revelling in the heady days of hippydom...

> I'd take the 60's any day over the horrendous past decade.


But you are wrong... that was the 60's for YOU.. but if you came from
Sheffield, or Staines, or Oslo or Moscow or any single city in the world
apart from San Francisco or New York or Paris or London... then the 60's
wernt swinging.... No they were reeling in povertyu as a result of the
financial burden the war put on the world.

My Dad said once, "You know Mark, the 60s was just a lot of nonsense, I
never saw the swinging 60s and I live in London, I was at technical college,
went to the pub, in a flat cap, wearing a brown suit, with my engineering
mates, I saw one hippy once when we went out to the west end once... My step
mother, smiles at this point and says... David, I wont say any more.. but
you are wrong.. The 60s WERE swinging, I promise you, oh yes... " She was in
her 20s in the 60 married to a RAF captain and living in a mews flat in
Chelsea, you cant get more 60s than that for London... probably had David
Bailey as a neighbour...

I think some people had a good time, but the hyperbole was enormous!!!

Same goes for the Roaring 20s... Worse poverty in the England at that same
time, but the children of the rich famillies, succesfully made a big thing
out of it, in an attempt to hide the grim aftermath of the great war...

and..
tEd said...

Do yourselves a favor and watch the (rather longish) BBC documentary called
"The Century of the Self" if you ever have the chance.

Totally fab! Love this!



Mark


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8f3a6405670497e0324a
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<br><br><div class=3D"gmail_quote">On Mon, Dec 20, 2010 at 10:09 PM, Paul R=
ichards <span dir=3D"ltr">&lt;<a href=3D"mailto:paulrichard_rocks@yahoo.com=
">paulrichard_rocks@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rg=
b(204, 204, 204); padding-left: 1ex;">

Nahh. You&#39;re wrong, my friend. I was there. </blockquote><div>snip snip=
.. revelling in the heady days of hippydom... <br></div><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">

 I&#39;d take the 60&#39;s any day over the horrendous past
 decade.</blockquote><div><br>But you are wrong... that was the 60&#39;s fo=
r YOU.. but if you came from Sheffield, or Staines, or Oslo or Moscow or an=
y single city in the world apart from San Francisco or New York or Paris or=
 London... then the 60&#39;s wernt swinging.... No they were reeling in pov=
ertyu as a result of the financial burden the war put on the world.<br>

<br>My Dad said once, &quot;You know Mark, the 60s was just a lot of nonsen=
se, I never saw the swinging 60s and I live in London, I was at technical c=
ollege, went to the pub, in a flat cap, wearing a brown suit, with my engin=
eering mates, I saw one hippy once when we went out to the west end once...=
 My step mother, smiles at this point and says... David, I wont say any mor=
e.. but you are wrong.. The 60s WERE swinging, I promise you, oh yes... &qu=
ot; She was in her 20s in the 60 married to a RAF captain and living in a m=
ews flat in Chelsea, you cant get more 60s than that for London... probably=
 had David Bailey as a neighbour... <br>

<br>I think some people had a good time, but the hyperbole was enormous!!!<=
br><br>Same goes for the Roaring 20s... Worse poverty in the England at tha=
t same time, but the children of the rich famillies, succesfully made a big=
 thing out of it, in an attempt to hide the grim aftermath of the great war=
...<br>

<br>and..<br>tEd said...<br><font color=3D"#000000" face=3D"Tahoma" size=3D=
"2"><br></font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Tahoma" =
size=3D"2">Do
 yourselves a favor and watch the (rather longish) BBC documentary called
 &quot;The Century of the Self&quot; if you ever have the chance.<br><br>To=
tally fab! Love this!<br><br><br></font></div><br></div></div>Mark<br><br c=
lear=3D"all"><br>-- <br>mark francombe<br><a href=3D"http://www.markfrancom=
be.com">www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8f3a6405670497e0324a--

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
Date: Mon, 20 Dec 2010 16:10:54 -0800
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On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:

> For a while, just a short while, a lot of things changed and it was  
> a really cool scene from many different perspectives.


And then the plutocrats, oligarchs, theocrats and authoritarian right  
wingers flipped out -- they ramped up think tanks and consolidated  
media to push legislative and judicial agendas, and effectively used  
conservative talk radio to spread propaganda and disinformation --  
techniques developed in advertising and psy-ops to manipulate,  
control, repress and suppress.

What you see now is the result of a very successful campaign to  
rewrite history and skew its trajectory.
Reagan came into office and America's head went up its ass.
Forget about the environment, social justice and all the hippy pervert  
commie stuff.
Greed is good, and be sure to embrace denial so that pesky facts don't  
intrude on your dreams of power, domination and conservative orthodoxy  
(morals and values).
Apparently, the oil baron Koch brothers spent almost $900 million  
dollars just in 2009 to distort and muddy the messaging around the  
debate about climate change issues.
Even basic things like the theory of evolution are smothered in  
caustic claptrap and bullshit.

I would put the underlying message and impulse of the Sixties simply  
as -- Live Gently.
Stop the raping and pillaging of the planet.
Live as a symbiont, instead of a host destroying parasite.
Become more aware of the interconnectedness of living systems and work  
to reduce the suffering caused by our ignorant, overwhelming, and  
short-sighted predation against the planet.

Nothing magical, just basic common sense -- you'd think, unless that  
ability to think is impaired by sociopathic ideological toxic memes  
and lousy education.


Pro-bonobo, peace groovy love etc. etc.

cheers


BobC

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Subject: Re: OT: bundle up
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--20cf3054a66ba042d20497e08c80
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Raul!

I envy you!

:-DDD

2010/12/20 Raul Bonell <raul.bonell@gmail.com>

> i have no heating at home & have just washed dishes dressing a t-shirt. i
> bet this year we're not seeing a single snowflake. it's the perfect place=
 to
> build that retiremet house for loopers. maybe it's true that saying, we
> don't belong to europe but africa.
>
> ra=FCl.
> --
>
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
>
> La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los banco=
s
> inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y =
a
> las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo pa=
ra
> los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngel=
a!!! =BFY
> qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para n=
o enfadar
> a las grandes empresas, a los bancos, a los mercados...
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a66ba042d20497e08c80
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Raul!<br><br>I envy you!<br><br>:-DDD<br><br><div class=3D"gmail_quote">201=
0/12/20 Raul Bonell <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gma=
il.com">raul.bonell@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_=
quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, =
204, 204); padding-left: 1ex;">
i have no heating at home &amp; have just washed dishes dressing a t-shirt.=
 i bet this year we&#39;re not seeing a single snowflake. it&#39;s the perf=
ect place to build that retiremet house for loopers. maybe it&#39;s true th=
at saying, we don&#39;t belong to europe but africa.<br>

<br clear=3D"all">ra=FCl.<br><font color=3D"#888888">-- <br>.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_b=
lank">http://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-col=
lective.com/" target=3D"_blank">http://www.ct-collective.com</a><br>

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>

</span><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a66ba042d20497e08c80--

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References: <828348.59986.qm@web36706.mail.mud.yahoo.com> <88FB0C7E-D935-401B-A5DE-036DD751F158@gmail.com>
From: mark francombe <markfrancombe@gmail.com>
In-Reply-To: <88FB0C7E-D935-401B-A5DE-036DD751F158@gmail.com>
Mime-Version: 1.0 (iPhone Mail 8C148a)
Date: Tue, 21 Dec 2010 01:19:02 +0100
Message-ID: <-5650213650728401903@unknownmsgid>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Well said Bob.. I almost feel like printing that out and standing in
the streets handing it out!


Mark

Sent from my (advertisement removed)

On 21 Dec 2010, at 01:11, RP Collier <skeptikalist@gmail.com> wrote:

>
> On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:
>
>> For a while, just a short while, a lot of things changed and it was a re=
ally cool scene from many different perspectives.
>
>
> And then the plutocrats, oligarchs, theocrats and authoritarian right win=
gers flipped out -- they ramped up think tanks and consolidated media to pu=
sh legislative and judicial agendas, and effectively used conservative talk=
 radio to spread propaganda and disinformation -- techniques developed in a=
dvertising and psy-ops to manipulate, control, repress and suppress.
>
> What you see now is the result of a very successful campaign to rewrite h=
istory and skew its trajectory.
> Reagan came into office and America's head went up its ass.
> Forget about the environment, social justice and all the hippy pervert co=
mmie stuff.
> Greed is good, and be sure to embrace denial so that pesky facts don't in=
trude on your dreams of power, domination and conservative orthodoxy (moral=
s and values).
> Apparently, the oil baron Koch brothers spent almost $900 million dollars=
 just in 2009 to distort and muddy the messaging around the debate about cl=
imate change issues.
> Even basic things like the theory of evolution are smothered in caustic c=
laptrap and bullshit.
>
> I would put the underlying message and impulse of the Sixties simply as -=
- Live Gently.
> Stop the raping and pillaging of the planet.
> Live as a symbiont, instead of a host destroying parasite.
> Become more aware of the interconnectedness of living systems and work to=
 reduce the suffering caused by our ignorant, overwhelming, and short-sight=
ed predation against the planet.
>
> Nothing magical, just basic common sense -- you'd think, unless that abil=
ity to think is impaired by sociopathic ideological toxic memes and lousy e=
ducation.
>
>
> Pro-bonobo, peace groovy love etc. etc.
>
> cheers
>
>
> BobC
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 00:19:50 2010
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Date: Mon, 20 Dec 2010 16:19:47 -0800 (PST)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: Re: Boomerang Power Supply Not Included in Price
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <4D0FDA07.6020705@boomerangmusic.com>
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--0-126442559-1292890787=:77345
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Well, that's great. But AMS & Amazon.com appear to be positioning the Boome=
rang as power supply needed. Check out this link:

http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=
=3Dsr_1_1?ie=3DUTF8&s=3Dmusical-instruments&qid=3D1292890362&sr=3D1-1

The Boomerang description on the above two sites (www.americanmusical.com &=
 amazon.com) doesn't clarify this and it 'appears' as if the power supply i=
s a needed add-on.

'Sorry for any confusion if I'm mis-reading their websites. I was about to =
buy one last week.

Jake

--- On Mon, 12/20/10, Mike <mnelson@boomerangmusic.com> wrote:

From: Mike <mnelson@boomerangmusic.com>
Subject: Re: Boomerang Power Supply Not Included in Price
To: Loopers-Delight@loopers-delight.com
Date: Monday, December 20, 2010, 2:34 PM

=A0=A0=A0 Hold on, partner. You're getting your wagon in front of the horse=
... or something like that. Each and every pedal sold by Boomerang comes wi=
th a power supply, has always come with a power supply and will always come=
 with a power supply if it is not a battery powered pedal.
=A0=A0=A0 Just to ensure that this comment does not go viral... ALL BOOMERA=
NG PEDALS ARE SHIPPED WITH A POWER SUPPLY.

=A0=A0=A0 Merry Christmas.

On 20-Dec-10 4:19 PM, Elmer Fuddski wrote:
> Is this a new trend? I can see a pedal that is optionally BATTERY-POWERED=
 not including a power supply but a
> device that is NOT battery-powered??? What good is the unit w/o a power s=
upply?
> I can that making an items price more attractive and possibly competitive=
 is an advantage of not including the
> power supply but is a power supplys wholesale cost $18.00 in the first pl=
ace?
> No offense to the designer/manufacturer Mike, but it's a little gouge-y.

--=20
Mike Nelson
Secretary/Treasurer, Boomerang Management, Inc.
General Partner of Boomerang Musical Products, Ltd.

----------

"Some products make you sound better;
 Boomerang(R) Phrase Samplers makes you play better."

----------

1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax

http://www.boomerangmusic.com

Contact for repairs:
Lee Hardesty
1516 Victoria Drive
Denton, TX=A0 76209
hardesty@mindspring.com
940-382-3253

Billing Address:
Boomerang Musical Products, Ltd.
PO Box 3788
Grapevine, TX=A0 76099-3788

=0A=0A=0A      
--0-126442559-1292890787=:77345
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Well, that's great. But AMS &amp; Amazon.com =
appear to be positioning the Boomerang as power supply needed. Check out th=
is link:<br><br>http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp=
/B0035WTPL0/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusical-instruments&amp;qid=3D12=
92890362&amp;sr=3D1-1<br><br>The Boomerang description on the above two sit=
es (www.americanmusical.com &amp; amazon.com) doesn't clarify this and it '=
appears' as if the power supply is a needed add-on.<br><br>'Sorry for any c=
onfusion if I'm mis-reading their websites. I was about to buy one last wee=
k.<br><br>Jake<br><br>--- On <b>Mon, 12/20/10, Mike <i>&lt;mnelson@boomeran=
gmusic.com&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px soli=
d rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Mike &l=
t;mnelson@boomerangmusic.com&gt;<br>Subject: Re: Boomerang Power Supply Not=
 Included in
 Price<br>To: Loopers-Delight@loopers-delight.com<br>Date: Monday, December=
 20, 2010, 2:34 PM<br><br><div class=3D"plainMail">&nbsp;&nbsp;&nbsp; Hold =
on, partner. You're getting your wagon in front of the horse... or somethin=
g like that. Each and every pedal sold by Boomerang comes with a power supp=
ly, has always come with a power supply and will always come with a power s=
upply if it is not a battery powered pedal.<br>&nbsp;&nbsp;&nbsp; Just to e=
nsure that this comment does not go viral... ALL BOOMERANG PEDALS ARE SHIPP=
ED WITH A POWER SUPPLY.<br><br>&nbsp;&nbsp;&nbsp; Merry Christmas.<br><br>O=
n 20-Dec-10 4:19 PM, Elmer Fuddski wrote:<br>&gt; Is this a new trend? I ca=
n see a pedal that is optionally BATTERY-POWERED not including a power supp=
ly but a<br>&gt; device that is NOT battery-powered??? What good is the uni=
t w/o a power supply?<br>&gt; I can that making an items price more attract=
ive and possibly competitive is an advantage of not including
 the<br>&gt; power supply but is a power supplys wholesale cost $18.00 in t=
he first place?<br>&gt; No offense to the designer/manufacturer Mike, but i=
t's a little gouge-y.<br><br>-- <br>Mike Nelson<br>Secretary/Treasurer, Boo=
merang Management, Inc.<br>General Partner of Boomerang Musical Products, L=
td.<br><br>----------<br><br>"Some products make you sound better;<br> Boom=
erang(R) Phrase Samplers makes you play better."<br><br>----------<br><br>1=
-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax<br><br><a=
 href=3D"http://www.boomerangmusic.com" target=3D"_blank">http://www.boomer=
angmusic.com</a><br><br>Contact for repairs:<br>Lee Hardesty<br>1516 Victor=
ia Drive<br>Denton, TX&nbsp; 76209<br><a ymailto=3D"mailto:hardesty@mindspr=
ing.com" href=3D"/mc/compose?to=3Dhardesty@mindspring.com">hardesty@mindspr=
ing.com</a><br>940-382-3253<br><br>Billing Address:<br>Boomerang Musical Pr=
oducts, Ltd.<br>PO Box 3788<br>Grapevine, TX&nbsp;
 76099-3788<br><br></div></blockquote></td></tr></table><br>=0A=0A      
--0-126442559-1292890787=:77345--

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	<AANLkTinngDrGPjx6xYPzfDvvgRuxQ8r0qsb_ZvffbT3C@mail.gmail.com>
Date: Tue, 21 Dec 2010 01:23:52 +0100
Message-ID: <AANLkTinai+oxMB=f18xamG=UXgfxSya=3ROUNuk=hs8d@mail.gmail.com>
Subject: Re: meeetings with remarkable sounds
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636427489b60f460497e0a60c
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yeszzz.. we love freebies!

2010/12/21 Louie Angulo <louie.angulo@googlemail.com>

> very nice Michael as always!
> cheers
> Luis
>
> On Sun, Dec 19, 2010 at 8:20 PM, Michael Peters <mp@mpeters.de> wrote:
>
>> http://veloopity.bandcamp.com/album/meetings-with-remarkable-sounds
>>
>> 75 minutes of ambient and experimental improvised music by the duo
>> "matebb&veloopity" which is my friend Matthias Ebbinghaus and me, record=
ed
>> between 2001 and 2009. We are both very happy with this mix. FREE DOWNLO=
AD
>> until end of December, so have fun and repost everywhere!!
>>
>> Michael
>> www.michaelpeters.de
>>
>>
>>
>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente, =
a una
legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y lo
proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes de
morir o estar tan deteriorado que cuando llegue solo nos quede esperar
nuestra muerte y aliviar nuestro sufrimiento y dolor...

Bajemos los impuestos a las grandes empresas, a los mercados financieros, a
los bancos, a los grandes capitales que pueden hundir un pa=EDs con la simp=
le
acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxemburgo=
,
liberad de cargas fiscales a los dioses...

Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra de
dios, am=E9n.

=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!

--001636427489b60f460497e0a60c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yeszzz.. we love freebies!<br><br><div style=3D"visibility: hidden; display=
: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_l=
s_inline_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;  mar=
gin-left: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word-wr=
ap: break-word;  color: black;  font-size: 10px;  text-align: left;  line-h=
eight: 13px;}</style><div class=3D"gmail_quote">
2010/12/21 Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angul=
o@googlemail.com">louie.angulo@googlemail.com</a>&gt;</span><br><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>very nice Michael as always!</div>
<div>cheers</div>
<div>Luis<br><br></div><div><div></div><div class=3D"h5">
<div class=3D"gmail_quote">On Sun, Dec 19, 2010 at 8:20 PM, Michael Peters =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de" target=3D"_blank">mp=
@mpeters.de</a>&gt;</span> wrote:<br>
<blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0px=
 0px 0px 0.8ex; padding-left: 1ex;" class=3D"gmail_quote"><a href=3D"http:/=
/veloopity.bandcamp.com/album/meetings-with-remarkable-sounds" target=3D"_b=
lank">http://veloopity.bandcamp.com/album/meetings-with-remarkable-sounds</=
a><br>

<br>75 minutes of ambient and experimental improvised music by the duo<br>&=
quot;matebb&amp;veloopity&quot; which is my friend Matthias Ebbinghaus and =
me, recorded<br>between 2001 and 2009. We are both very happy with this mix=
. FREE DOWNLOAD<br>

until end of December, so have fun and repost everywhere!!<br><br>Michael<b=
r><a href=3D"http://www.michaelpeters.de/" target=3D"_blank">www.michaelpet=
ers.de</a><br><br><br></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=
=3D"_blank">http://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.=
ct-collective.com/" target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
<br>Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y un=
a educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una legislaci=F3n laboral que d=E9 seguridad al trabajador y a su famil=
ia y lo proteja frente abusos y el despido, renunciemos a una jubilaci=F3n =
antes de morir o estar tan deteriorado que cuando llegue solo nos quede esp=
erar nuestra muerte y aliviar nuestro sufrimiento y dolor...<br>
<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>
<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</span><br>
<br><br><br>

--001636427489b60f460497e0a60c--

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Date: Mon, 20 Dec 2010 16:32:20 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
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Snip-snip
apart from San Francisco or New York or Paris or London..
snippie

Well-I lived in Pittsburgh, Pennsylvania, in a working class neighborhood. Not exactly S.F. In any case, the '60's era in the U.S. doesn't necessarily have anything to do with what was going on in Mombassa nor in Gdansk. For those that participated in that short-lived time, it was memorable.

Luckily I recorded a local radio station from that era that played so-called "psychedelic" music on reel-to-reel tape and converted the audio to mp3/wav. The leap music made in those days was phenomenal. 

Anyway, what do you know? Probably never even went to Woodstock. Wait a minute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a Winter).

--- On Mon, 12/20/10, mark francombe <mark@markfrancombe.com> wrote:

From: mark francombe <mark@markfrancombe.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
Date: Monday, December 20, 2010, 6:51 PM



On Mon, Dec 20, 2010 at 10:09 PM, Paul Richards <paulrichard_rocks@yahoo.com> wrote:


Nahh. You're wrong, my friend. I was there. snip snip.. revelling in the heady days of hippydom... 


 I'd take the 60's any day over the horrendous past
 decade.
But you are wrong... that was the 60's for YOU.. but if you came from Sheffield, or Staines, or Oslo or Moscow or any single city in the world apart from San Francisco or New York or Paris or London... then the 60's wernt swinging.... No they were reeling in povertyu as a result of the financial burden the war put on the world.



My Dad said once, "You know Mark, the 60s was just a lot of nonsense, I never saw the swinging 60s and I live in London, I was at technical college, went to the pub, in a flat cap, wearing a brown suit, with my engineering mates, I saw one hippy once when we went out to the west end once... My step mother, smiles at this point and says... David, I wont say any more.. but you are wrong.. The 60s WERE swinging, I promise you, oh yes... " She was in her 20s in the 60 married to a RAF captain and living in a mews flat in Chelsea, you cant get more 60s than that for London... probably had David Bailey as a neighbour... 



I think some people had a good time, but the hyperbole was enormous!!!

Same goes for the Roaring 20s... Worse poverty in the England at that same time, but the children of the rich famillies, succesfully made a big thing out of it, in an attempt to hide the grim aftermath of the great war...



and..
tEd said...

Do
 yourselves a favor and watch the (rather longish) BBC documentary called
 "The Century of the Self" if you ever have the chance.

Totally fab! Love this!



Mark


-- 
mark francombe
www.markfrancombe.com


www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Snip-snip<br>apart from San Francisco or New York or Paris or London..<br>snippie<br><br>Well-I lived in Pittsburgh, Pennsylvania, in a working class neighborhood. Not exactly S.F. In any case, the '60's era in the U.S. doesn't necessarily have anything to do with what was going on in Mombassa nor in Gdansk. For those that participated in that short-lived time, it was memorable.<br><br>Luckily I recorded a local radio station from that era that played so-called "psychedelic" music on reel-to-reel tape and converted the audio to mp3/wav. The leap music made in those days was phenomenal. <br><br>Anyway, what do you know? Probably never even went to Woodstock. Wait a minute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a Winter).<br><br>--- On <b>Mon, 12/20/10, mark francombe <i>&lt;mark@markfrancombe.com&gt;</i></b> wrote:<br><blockquote
 style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: mark francombe &lt;mark@markfrancombe.com&gt;<br>Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br>To: Loopers-Delight@loopers-delight.com<br>Date: Monday, December 20, 2010, 6:51 PM<br><br><div id="yiv238926161"><br><br><div class="yiv238926161gmail_quote">On Mon, Dec 20, 2010 at 10:09 PM, Paul Richards <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:paulrichard_rocks@yahoo.com" target="_blank" href="/mc/compose?to=paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</a>&gt;</span> wrote:<br><blockquote class="yiv238926161gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Nahh. You're wrong, my friend. I was there. </blockquote><div>snip snip.. revelling in the heady days of hippydom... <br></div><blockquote class="yiv238926161gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

 I'd take the 60's any day over the horrendous past
 decade.</blockquote><div><br>But you are wrong... that was the 60's for YOU.. but if you came from Sheffield, or Staines, or Oslo or Moscow or any single city in the world apart from San Francisco or New York or Paris or London... then the 60's wernt swinging.... No they were reeling in povertyu as a result of the financial burden the war put on the world.<br>

<br>My Dad said once, "You know Mark, the 60s was just a lot of nonsense, I never saw the swinging 60s and I live in London, I was at technical college, went to the pub, in a flat cap, wearing a brown suit, with my engineering mates, I saw one hippy once when we went out to the west end once... My step mother, smiles at this point and says... David, I wont say any more.. but you are wrong.. The 60s WERE swinging, I promise you, oh yes... " She was in her 20s in the 60 married to a RAF captain and living in a mews flat in Chelsea, you cant get more 60s than that for London... probably had David Bailey as a neighbour... <br>

<br>I think some people had a good time, but the hyperbole was enormous!!!<br><br>Same goes for the Roaring 20s... Worse poverty in the England at that same time, but the children of the rich famillies, succesfully made a big thing out of it, in an attempt to hide the grim aftermath of the great war...<br>

<br>and..<br>tEd said...<br><font color="#000000" face="Tahoma" size="2"><br></font><div align="LEFT"><font color="#000000" face="Tahoma" size="2">Do
 yourselves a favor and watch the (rather longish) BBC documentary called
 "The Century of the Self" if you ever have the chance.<br><br>Totally fab! Love this!<br><br><br></font></div><br></div></div>Mark<br><br clear="all"><br>-- <br>mark francombe<br><a rel="nofollow" target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>

<a rel="nofollow" target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancombe<br><a rel="nofollow" target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a rel="nofollow" target="_blank" href="http://www.looop.no">http://www.looop.no</a><br>
</div></blockquote></td></tr></table><br>

      
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From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 00:35:09 2010
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From: "Andy Owens" <andy@1800dialword.com>
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Hey man ya'll all got it wrong, the sixties was all about gettin' laid with n=
o terminal STDs!!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 20, 2010, at 7:18 PM, mark francombe <markfrancombe@gmail.com> wrote:=


> Well said Bob.. I almost feel like printing that out and standing in
> the streets handing it out!
>=20
>=20
> Mark
>=20
> Sent from my (advertisement removed)
>=20
> On 21 Dec 2010, at 01:11, RP Collier <skeptikalist@gmail.com> wrote:
>=20
>>=20
>> On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:
>>=20
>>> For a while, just a short while, a lot of things changed and it was a re=
ally cool scene from many different perspectives.
>>=20
>>=20
>> And then the plutocrats, oligarchs, theocrats and authoritarian right win=
gers flipped out -- they ramped up think tanks and consolidated media to pus=
h legislative and judicial agendas, and effectively used conservative talk r=
adio to spread propaganda and disinformation -- techniques developed in adve=
rtising and psy-ops to manipulate, control, repress and suppress.
>>=20
>> What you see now is the result of a very successful campaign to rewrite h=
istory and skew its trajectory.
>> Reagan came into office and America's head went up its ass.
>> Forget about the environment, social justice and all the hippy pervert co=
mmie stuff.
>> Greed is good, and be sure to embrace denial so that pesky facts don't in=
trude on your dreams of power, domination and conservative orthodoxy (morals=
 and values).
>> Apparently, the oil baron Koch brothers spent almost $900 million dollars=
 just in 2009 to distort and muddy the messaging around the debate about cli=
mate change issues.
>> Even basic things like the theory of evolution are smothered in caustic c=
laptrap and bullshit.
>>=20
>> I would put the underlying message and impulse of the Sixties simply as -=
- Live Gently.
>> Stop the raping and pillaging of the planet.
>> Live as a symbiont, instead of a host destroying parasite.
>> Become more aware of the interconnectedness of living systems and work to=
 reduce the suffering caused by our ignorant, overwhelming, and short-sighte=
d predation against the planet.
>>=20
>> Nothing magical, just basic common sense -- you'd think, unless that abil=
ity to think is impaired by sociopathic ideological toxic memes and lousy ed=
ucation.
>>=20
>>=20
>> Pro-bonobo, peace groovy love etc. etc.
>>=20
>> cheers
>>=20
>>=20
>> BobC
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 00:53:56 2010
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Subject: EDP loop capture
Date: Mon, 20 Dec 2010 16:53:48 -0800
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"Would it be possible without a lot of fancy footwork to use either  
the Looperlative or the RC-50 to do loop capture from an EDP (or a  
stereo pair of EDPs)?"

????? Mark  I feel this question is a bit vague so its hard for me to  
answer, but I'll try.  Of course its very easy to run one looper in to  
another and resample loops, I do this all the time using the M-9 to  
create a loop and resample it using my Looperlative, I assume it would  
be just as easy with an EDP or two feeding an RC-50, looperlative or  
other stereo looper, however the RC-50 is somewhat limited in what it  
can do compared to the Looperlative and I'm not sure if it has a true  
stereo input, someone chime in please..  But fancy footwork? By that  
do you mean having one controller control both units? I personally  
prefer having separate control surfaces for separate loopers, though  
I'm no Savion Glover,  it takes the guess work out of  having to  
figure out which loop you are controlling from one midi pedal.   I   
thought you went so far as to buy a looperlative?
  Bill

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Date: Mon, 20 Dec 2010 20:07:47 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
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Well-that is self evident to anyone from that era (i.e. dinosaurs). Bedrooms were like revolving doors. It was nice while it lasted but got old after a while.

--- On Mon, 12/20/10, Andy Owens <andy@1800dialword.com> wrote:

From: Andy Owens <andy@1800dialword.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
Date: Monday, December 20, 2010, 7:33 PM

Hey man ya'll all got it wrong, the sixties was all about gettin' laid with no terminal STDs!!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 20, 2010, at 7:18 PM, mark francombe <markfrancombe@gmail.com> wrote:

> Well said Bob.. I almost feel like printing that out and standing in
> the streets handing it out!
> 
> 
> Mark
> 
> Sent from my (advertisement removed)
> 
> On 21 Dec 2010, at 01:11, RP Collier <skeptikalist@gmail.com> wrote:
> 
>> 
>> On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:
>> 
>>> For a while, just a short while, a lot of things changed and it was a really cool scene from many different perspectives.
>> 
>> 
>> And then the plutocrats, oligarchs, theocrats and authoritarian right wingers flipped out -- they ramped up think tanks and consolidated media to push legislative and judicial agendas, and effectively used conservative talk radio to spread propaganda and disinformation -- techniques developed in advertising and psy-ops to manipulate, control, repress and suppress.
>> 
>> What you see now is the result of a very successful campaign to rewrite history and skew its trajectory.
>> Reagan came into office and America's head went up its ass.
>> Forget about the environment, social justice and all the hippy pervert commie stuff.
>> Greed is good, and be sure to embrace denial so that pesky facts don't intrude on your dreams of power, domination and conservative orthodoxy (morals and values).
>> Apparently, the oil baron Koch brothers spent almost $900 million dollars just in 2009 to distort and muddy the messaging around the debate about climate change issues.
>> Even basic things like the theory of evolution are smothered in caustic claptrap and bullshit.
>> 
>> I would put the underlying message and impulse of the Sixties simply as -- Live Gently.
>> Stop the raping and pillaging of the planet.
>> Live as a symbiont, instead of a host destroying parasite.
>> Become more aware of the interconnectedness of living systems and work to reduce the suffering caused by our ignorant, overwhelming, and short-sighted predation against the planet.
>> 
>> Nothing magical, just basic common sense -- you'd think, unless that ability to think is impaired by sociopathic ideological toxic memes and lousy education.
>> 
>> 
>> Pro-bonobo, peace groovy love etc. etc.
>> 
>> cheers
>> 
>> 
>> BobC
>> 
> 




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Well-that is self evident to anyone from that era (i.e. dinosaurs). Bedrooms were like revolving doors. It was nice while it lasted but got old after a while.<br><br>--- On <b>Mon, 12/20/10, Andy Owens <i>&lt;andy@1800dialword.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Andy Owens &lt;andy@1800dialword.com&gt;<br>Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br>To: Loopers-Delight@loopers-delight.com<br>Date: Monday, December 20, 2010, 7:33 PM<br><br><div class="plainMail">Hey man ya'll all got it wrong, the sixties was all about gettin' laid with no terminal STDs!!!!<br><br>Andy Owens<br>1-800-AndyOwens<br>Sent from my iPhone<br>So the typing might not be my best!<br><br><br>On Dec 20, 2010, at 7:18 PM, mark
 francombe &lt;<a ymailto="mailto:markfrancombe@gmail.com" href="/mc/compose?to=markfrancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:<br><br>&gt; Well said Bob.. I almost feel like printing that out and standing in<br>&gt; the streets handing it out!<br>&gt; <br>&gt; <br>&gt; Mark<br>&gt; <br>&gt; Sent from my (advertisement removed)<br>&gt; <br>&gt; On 21 Dec 2010, at 01:11, RP Collier &lt;<a ymailto="mailto:skeptikalist@gmail.com" href="/mc/compose?to=skeptikalist@gmail.com">skeptikalist@gmail.com</a>&gt; wrote:<br>&gt; <br>&gt;&gt; <br>&gt;&gt; On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:<br>&gt;&gt; <br>&gt;&gt;&gt; For a while, just a short while, a lot of things changed and it was a really cool scene from many different perspectives.<br>&gt;&gt; <br>&gt;&gt; <br>&gt;&gt; And then the plutocrats, oligarchs, theocrats and authoritarian right wingers flipped out -- they ramped up think tanks and consolidated media to push legislative
 and judicial agendas, and effectively used conservative talk radio to spread propaganda and disinformation -- techniques developed in advertising and psy-ops to manipulate, control, repress and suppress.<br>&gt;&gt; <br>&gt;&gt; What you see now is the result of a very successful campaign to rewrite history and skew its trajectory.<br>&gt;&gt; Reagan came into office and America's head went up its ass.<br>&gt;&gt; Forget about the environment, social justice and all the hippy pervert commie stuff.<br>&gt;&gt; Greed is good, and be sure to embrace denial so that pesky facts don't intrude on your dreams of power, domination and conservative orthodoxy (morals and values).<br>&gt;&gt; Apparently, the oil baron Koch brothers spent almost $900 million dollars just in 2009 to distort and muddy the messaging around the debate about climate change issues.<br>&gt;&gt; Even basic things like the theory of evolution are smothered in caustic claptrap and
 bullshit.<br>&gt;&gt; <br>&gt;&gt; I would put the underlying message and impulse of the Sixties simply as -- Live Gently.<br>&gt;&gt; Stop the raping and pillaging of the planet.<br>&gt;&gt; Live as a symbiont, instead of a host destroying parasite.<br>&gt;&gt; Become more aware of the interconnectedness of living systems and work to reduce the suffering caused by our ignorant, overwhelming, and short-sighted predation against the planet.<br>&gt;&gt; <br>&gt;&gt; Nothing magical, just basic common sense -- you'd think, unless that ability to think is impaired by sociopathic ideological toxic memes and lousy education.<br>&gt;&gt; <br>&gt;&gt; <br>&gt;&gt; Pro-bonobo, peace groovy love etc. etc.<br>&gt;&gt; <br>&gt;&gt; cheers<br>&gt;&gt; <br>&gt;&gt; <br>&gt;&gt; BobC<br>&gt;&gt; <br>&gt; <br><br></div></blockquote></td></tr></table><br>

      
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Subject: Re: OT: bundle up
From: Raul Bonell <raul.bonell@gmail.com>
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we're thankful for the three days of rain that are coming.
it'll be cool to be in finland when summer arrives.

2010/12/21 Petri Lahtinen <aikuinen@gmail.com>

> Raul!
>
> I envy you!
>
> :-DDD
>
> 2010/12/20 Raul Bonell <raul.bonell@gmail.com>
>
>> i have no heating at home & have just washed dishes dressing a t-shirt. =
i
>> bet this year we're not seeing a single snowflake. it's the perfect plac=
e to
>> build that retiremet house for loopers. maybe it's true that saying, we
>> don't belong to europe but africa.
>>
>>
>> ra=FCl.
>> --
>>
>> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
>> http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D
>>
>> La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los banc=
os
>> inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y=
 a
>> las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo p=
ara
>> los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1nge=
la!!! =BFY
>> qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para =
no enfadar
>> a las grandes empresas, a los bancos, a los mercados...
>>
>>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

--0016367f997e5ecc4d0497e4212c
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we&#39;re thankful for the three days of rain that are coming. <br>it&#39;l=
l be cool to be in finland when summer arrives.<br><div style=3D"visibility=
: hidden; display: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D=
"text/css">#avg_ls_inline_popup {  position:absolute;  z-index:9999;  paddi=
ng: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240px;  overflow:=
 hidden;  word-wrap: break-word;  color: black;  font-size: 10px;  text-ali=
gn: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/12/21 Petri Lahtinen <span dir=3D"ltr">&lt;=
<a href=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Raul!<br><br>I envy you!<br><br>:-DDD<br><br><div class=3D"gmail_quote"><di=
v class=3D"im">2010/12/20 Raul Bonell <span dir=3D"ltr">&lt;<a href=3D"mail=
to:raul.bonell@gmail.com" target=3D"_blank">raul.bonell@gmail.com</a>&gt;</=
span><br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
i have no heating at home &amp; have just washed dishes dressing a t-shirt.=
 i bet this year we&#39;re not seeing a single snowflake. it&#39;s the perf=
ect place to build that retiremet house for loopers. maybe it&#39;s true th=
at saying, we don&#39;t belong to europe but africa.<div>
<div></div><div class=3D"h5"><br>

<br clear=3D"all">ra=FCl.<br><font color=3D"#888888">-- <br>.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_b=
lank">http://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-col=
lective.com/" target=3D"_blank">http://www.ct-collective.com</a><br>


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>


</span><br>
</font></div></div></blockquote></div><br><br clear=3D"all"><div class=3D"i=
m"><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com" ta=
rget=3D"_blank">http://www.petrilahtinen.com</a><br><a href=3D"http://petri=
lahtinen.blogspot.com/" target=3D"_blank">http://petrilahtinen.blogspot.com=
/</a><br>

<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLaht=
inen" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"=
http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.=
bandcamp.com/</a><br>
</div>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>

<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">ht=
tp://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-collective.=
com/" target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
</span><br><br>

--0016367f997e5ecc4d0497e4212c--

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Date: Tue, 21 Dec 2010 05:34:41 +0100
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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well said Ted thanx for all of this valuable information!!
Im watching this fascinating documentary now
cheers
Luis

On Mon, Dec 20, 2010 at 10:19 PM, tEd =AE kiLLiAn <tedkillian@charter.net>w=
rote:

> Whoooooweee . . .
>
> Well, I have just one further suggestion for all of you . . . at least fo=
r
> those of you that still have TV sand DVDs players or internet accesst to
> YouTube (LOL).
>
> Do yourselves a favor and watch the (rather longish) BBC dcumentary calle=
d
> "The Century of the Self" if you ever have the chance.
>
> Watch the whole thing (at 4 or 5 hours) it'll do you some good.
>
> It's on YouTube (in many, many short segments) and it will turn your head
> around about a lot of things.
>
> I don't particularly worship and adore the hippy dippy trippy '60s (as an
> era or a generation) at all . . . they sort of successfully held up a mir=
ror
> to what went before and said "f**k off, hypocrites" . . . it's true.
>
> But they (we) were less successful at looking at themselves (ourselves) i=
n
> the mirrror . . . and seeing that they (we) were also subject to being th=
e
> willing dupes of larger powers and their own needs and wants.
>
> As people, we need to start looking in the mirror ourselves.
>
> The next generation needs us to.
>
> Cheers,
>
> Ted
>

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<div>well said Ted thanx for all of this valuable information!!</div>
<div>Im watching this fascinating documentary now</div>
<div>cheers</div>
<div>Luis<br><br></div>
<div class=3D"gmail_quote">On Mon, Dec 20, 2010 at 10:19 PM, tEd =AE kiLLiA=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillia=
n@charter.net</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">Whoo=
oooweee . . .</font></div><font color=3D"#000000" size=3D"2" face=3D"Tahoma=
"><br></font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">Well=
, I have just one further suggestion for all of you . . . at least for thos=
e of you that still have TV sand DVDs players or internet accesst to YouTub=
e (LOL).</font></div>
<font color=3D"#000000" size=3D"2" face=3D"Tahoma"><br></font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">Do y=
ourselves a favor and watch the (rather longish) BBC dcumentary called &quo=
t;The Century of the Self&quot; if you ever have the chance.</font></div><f=
ont color=3D"#000000" size=3D"2" face=3D"Tahoma"><br>
</font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">Watc=
h the whole thing (at 4 or 5 hours) it&#39;ll do you some good.</font></div=
><font color=3D"#000000" size=3D"2" face=3D"Tahoma"><br></font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">It&#=
39;s on YouTube (in many, many short segments) and it will turn your head a=
round about a lot of things.</font></div><font color=3D"#000000" size=3D"2"=
 face=3D"Tahoma"><br>
</font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">I do=
n&#39;t particularly worship and adore the hippy dippy trippy &#39;60s (as =
an era or a generation) at all . . . they sort of successfully held up a mi=
rror to what went before and said &quot;f**k off, hypocrites&quot; . . . it=
&#39;s true.</font></div>
<font color=3D"#000000" size=3D"2" face=3D"Tahoma"><br></font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">But =
they (we) were less successful at looking at themselves (ourselves) in the =
mirrror . . . and seeing that they (we) were also subject to being the will=
ing dupes of larger powers and their own needs and wants.</font></div>
<font color=3D"#000000" size=3D"2" face=3D"Tahoma"><br></font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">As p=
eople, we need to start looking in the mirror ourselves.</font></div><font =
color=3D"#000000" size=3D"2" face=3D"Tahoma"><br></font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">The =
next generation needs us to.</font></div><font color=3D"#000000" size=3D"2"=
 face=3D"Tahoma"><br></font>
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">Chee=
rs,</font></div><font color=3D"#000000" size=3D"2" face=3D"Tahoma"><br></fo=
nt><font color=3D"#888888">
<div align=3D"left"><font color=3D"#000000" size=3D"2" face=3D"Tahoma">Ted<=
/font></div></font></blockquote></div><br>

--001636c5bd86c0790c0497e42707--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 04:56:34 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Machiavelli)
Date: Mon, 20 Dec 2010 20:56:23 -0800
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On Dec 20, 2010, at 8:40 AM, Per Boysen wrote:
>
> yeah MACCIAVELLI, that was his name.

Machiavelli. :-)

> Because M's sinister methods still work and are practiced daily by  
> politicians and other decision makers.

Indeed. This is why back in the most recent Reign of Terror known as  
the Bush (haha) "administration", BushCo and the Rethuglicans were  
sometimes referred to (and accurately) by some people as the  
"Mayberry Machiavellians". (look up info on the USA TV show  
'Mayberry,RFD' for those who do not get the reference) It was  
certainly a fitting term for those a-holes and it still applies to  
the current crop of Repiglicans, the same self-serving dick heads  
that just want to continue to take more from the poor and give even  
more to the rich.
Ain't life just grand in the (haha) "Land of the Free"? Uh-huh.  
Riiiight.  Happy Holidaze!

Raisin Bran,
Rev. Fever

PS- Lunar eclipse tonight over here!


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Dec 20, 2010, at =
8:40 AM, Per Boysen wrote:</div><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">yeah MACCIAVELLI, that was his name. =
</div></blockquote><div><br></div>Machiavelli. =
:-)</div><div><br><blockquote type=3D"cite"><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Because =
M's sinister methods still work and are&nbsp;practiced daily by =
politicians and other decision =
makers.</div></blockquote><div><br></div>Indeed. This is why back in the =
most recent Reign of Terror known as the Bush (haha) =
"administration",&nbsp;BushCo and the Rethuglicans were sometimes =
referred to (and accurately) by some people as the =
"Mayberry&nbsp;Machiavellians". (look up info on the USA TV show =
'Mayberry,RFD' for those who do not get the reference)&nbsp;It was =
certainly a fitting term for those a-holes and it still applies to the =
current crop of Repiglicans, the same self-serving&nbsp;dick heads that =
just want to continue to take more from the poor and give even more to =
the rich.&nbsp;</div><div>Ain't life just grand&nbsp;in the (haha) "Land =
of the Free"? Uh-huh. Riiiight. &nbsp;Happy =
Holidaze!</div><div><br></div><div>Raisin Bran,</div><div>Rev. =
Fever</div><div><br></div><div>PS- Lunar eclipse tonight over =
here!</div><br></body></html>=

--Apple-Mail-2-1067571514--

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Sent from my (advertisement removed)

On 21 Dec 2010, at 01:32, Paul Richards <paulrichard_rocks@yahoo.com> wrote:

> Anyway, what do you know? Probably never even went to Woodstock. Wait a minute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a Winter).


Ah ha... another american who believes everything started in the US...
Whats woodstock but the beginning of the end.. I know and have read
volumes on this period in history, infact a bit if a bore about UK
psychedelia, as i have researched a game concept thats playing area
and time is London soho '68.
Remember if you will that Hendrix came to the UK to find an audience...

> Chilly Scenes of a Winter is a name i recognise....

Edmund me?

(Edmund was iphones spelling of remind!!)

Mark

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> 2010/12/20 Raul Bonell <raul.bonell@gmail.com>
>  i
>> bet this year we're not seeing a single snowflake. it's the perfect place to
>> build that retiremet house for loopers.


Fine. I'm moving in by Friday afternoon then. Just give me a couple of
days to escape this snowscape! ;-)

Per
Sweden - so far...

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Date: Tue, 21 Dec 2010 02:25:21 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
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one thing you will notice is that the ultra conservatives have created a de 
facto monopoly on ethics; they are the keepers of morality. This is a real 
problem. Ethics are the most important topic of debate, the fibre of society.
Most of the other information, mostly violent and perverse but so attractive, we 
get fed is used to clutter our minds and information channels so there is no 
room for any deliberate thought. And we need to be thinking about our ethics and 
debating about them with our fellow human beings.

ANtony



________________________________
From: RP Collier <skeptikalist@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, December 21, 2010 1:10:54 AM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack 
Performance Sampler Teaser....


On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:

> For a while, just a short while, a lot of things changed and it was a really 
>cool scene from many different perspectives.


And then the plutocrats, oligarchs, theocrats and authoritarian right wingers 
flipped out -- they ramped up think tanks and consolidated media to push 
legislative and judicial agendas, and effectively used conservative talk radio 
to spread propaganda and disinformation -- techniques developed in advertising 
and psy-ops to manipulate, control, repress and suppress.

What you see now is the result of a very successful campaign to rewrite history 
and skew its trajectory.
Reagan came into office and America's head went up its ass.
Forget about the environment, social justice and all the hippy pervert commie 
stuff.
Greed is good, and be sure to embrace denial so that pesky facts don't intrude 
on your dreams of power, domination and conservative orthodoxy (morals and 
values).
Apparently, the oil baron Koch brothers spent almost $900 million dollars just 
in 2009 to distort and muddy the messaging around the debate about climate 
change issues.
Even basic things like the theory of evolution are smothered in caustic claptrap 
and bullshit.

I would put the underlying message and impulse of the Sixties simply as -- Live 
Gently.
Stop the raping and pillaging of the planet.
Live as a symbiont, instead of a host destroying parasite.
Become more aware of the interconnectedness of living systems and work to reduce 
the suffering caused by our ignorant, overwhelming, and short-sighted predation 
against the planet.

Nothing magical, just basic common sense -- you'd think, unless that ability to 
think is impaired by sociopathic ideological toxic memes and lousy education.


Pro-bonobo, peace groovy love etc. etc.

cheers


BobC


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>one thing you will notice is that the ultra conservatives have created a de facto monopoly on ethics; they are the keepers of morality. This is a real problem. Ethics are the most important topic of debate, the fibre of society.</div><div>Most of the other information, mostly violent and perverse but so attractive, we get fed is used to clutter our minds and information channels so there is no room for any deliberate thought. And we need to be thinking about our ethics and debating about them with our fellow human beings.</div><div><br></div><div>ANtony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> RP Collier
 &lt;skeptikalist@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, December 21, 2010 1:10:54 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br></font><br>
<br>On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:<br><br>&gt; For a while, just a short while, a lot of things changed and it was a really cool scene from many different perspectives.<br><br><br>And then the plutocrats, oligarchs, theocrats and authoritarian right wingers flipped out -- they ramped up think tanks and consolidated media to push legislative and judicial agendas, and effectively used conservative talk radio to spread propaganda and disinformation -- techniques developed in advertising and psy-ops to manipulate, control, repress and suppress.<br><br>What you see now is the result of a very successful campaign to rewrite history and skew its trajectory.<br>Reagan came into office and America's head went up its ass.<br>Forget about the environment, social justice and all the hippy pervert commie stuff.<br>Greed is good, and be sure to embrace denial so that pesky facts don't intrude on your dreams of power, domination and conservative
 orthodoxy (morals and values).<br>Apparently, the oil baron Koch brothers spent almost $900 million dollars just in 2009 to distort and muddy the messaging around the debate about climate change issues.<br>Even basic things like the theory of evolution are smothered in caustic claptrap and bullshit.<br><br>I would put the underlying message and impulse of the Sixties simply as -- Live Gently.<br>Stop the raping and pillaging of the planet.<br>Live as a symbiont, instead of a host destroying parasite.<br>Become more aware of the interconnectedness of living systems and work to reduce the suffering caused by our ignorant, overwhelming, and short-sighted predation against the planet.<br><br>Nothing magical, just basic common sense -- you'd think, unless that ability to think is impaired by sociopathic ideological toxic memes and lousy education.<br><br><br>Pro-bonobo, peace groovy love etc. etc.<br><br>cheers<br><br><br>BobC<br><br></div></div><div
 style="position:fixed"></div></div><br>







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Date: Tue, 21 Dec 2010 02:26:22 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: bundle up
To: Loopers-Delight@loopers-delight.com
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I love the snow and the cold, and actually live at the foot of the Alps so I can 
get as much as I like.

Antony



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, December 21, 2010 11:17:17 AM
Subject: Re: OT: bundle up

> 2010/12/20 Raul Bonell <raul.bonell@gmail.com>
>  i
>> bet this year we're not seeing a single snowflake. it's the perfect place to
>> build that retiremet house for loopers.


Fine. I'm moving in by Friday afternoon then. Just give me a couple of
days to escape this snowscape! ;-)

Per
Sweden - so far...


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I love the snow and the cold, and actually live at the foot of the Alps so I can get as much as I like.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, December 21, 2010 11:17:17 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: OT: bundle up<br></font><br>
&gt; 2010/12/20 Raul Bonell &lt;<a ymailto="mailto:raul.bonell@gmail.com" href="mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;<br>&gt;&nbsp; i<br>&gt;&gt; bet this year we're not seeing a single snowflake. it's the perfect place to<br>&gt;&gt; build that retiremet house for loopers.<br><br><br>Fine. I'm moving in by Friday afternoon then. Just give me a couple of<br>days to escape this snowscape! ;-)<br><br>Per<br>Sweden - so far...<br><br></div></div><div style="position:fixed"></div>


</div><br>







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Subject: RE: (OT) REJECTING MASS MEDIA CULTURE
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Yeah=2C Beam me up Scotty!
No=2C I will be Officially living in a van when I sell my house - gonna kit=
 it out as a practice studio etc too. The problem is that having no terrest=
rial addrss brings all sorts of complications re banks etc..

Peace

G

From: revfever@ubergadget.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
Date: Mon=2C 20 Dec 2010 12:54:47 -0800
To: Loopers-Delight@loopers-delight.com


Or=2C maybe he is wanting to do a "Julian Assange" and be nomadic and have =
no "official" terrestrial address? (snicker!)
Cheerios and Lucky Charms=2CRev. Fever
On Dec 20=2C 2010=2C at 12:38 PM=2C Daryl Shawn wrote:Heh - no=2C it just s=
ounded like Gareth was making a plan to depart this earthly plane in the Ne=
w Year!
Daryl Shawnwww.swanwelder.com

 Ok=2C Daryl=2C you got me curious there: is there some experience you'd li=
ke to share?
Daryl Shawn schrieb: DON'T DO IT=2C GARETH!!
Daryl Shawnwww.swanwelder.com

 Cant' wait till I don't actually have a terrestrial address next year - th=
at's gonna be a whole new can of worms..
Peace
G=20
=20
 		 	   		  =

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Yeah=2C Beam me up Scotty!<br>No=2C I will be Officially living in a van wh=
en I sell my house - gonna kit it out as a practice studio etc too. The pro=
blem is that having no terrestrial addrss brings all sorts of complications=
 re banks etc..<br><br>Peace<br><br>G<br><br><hr id=3D"stopSpelling">From: =
revfever@ubergadget.com<br>Subject: Re: (OT) REJECTING MASS MEDIA CULTURE<b=
r>Date: Mon=2C 20 Dec 2010 12:54:47 -0800<br>To: Loopers-Delight@loopers-de=
light.com<br><br>
Or=2C maybe he is wanting to do a "Julian Assange" and be nomadic and have =
no "official"&nbsp=3B<span class=3D"ecxApple-style-span" style=3D"color: rg=
b(84=2C 0=2C 0)=3B">terrestrial address? (snicker!)</span><div><font class=
=3D"ecxApple-style-span" color=3D"#540000"><br></font></div><div><font clas=
s=3D"ecxApple-style-span" color=3D"#540000">Cheerios and Lucky Charms=2C</f=
ont></div><div><font class=3D"ecxApple-style-span" color=3D"#540000">Rev. F=
ever</font></div><div><font class=3D"ecxApple-style-span" color=3D"#540000"=
><br></font><div><div>On Dec 20=2C 2010=2C at 12:38 PM=2C Daryl Shawn wrote=
:</div><br class=3D"ecxApple-interchange-newline"><blockquote><div style=3D=
"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B">Heh - no=
=2C it just sounded like Gareth was making a plan to depart this earthly pl=
ane in the New Year!</div><div style=3D"margin-right: 0px=3B margin-bottom:=
 0px=3B margin-left: 0px=3B min-height: 14px=3B"><br></div><div style=3D"ma=
rgin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B">Daryl Shawn</=
div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0=
px=3B">www.swanwelder.com</div><div style=3D"margin-right: 0px=3B margin-bo=
ttom: 0px=3B margin-left: 0px=3B min-height: 14px=3B"><br></div><div style=
=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B min-heig=
ht: 14px=3B"><br></div> <blockquote><div style=3D"margin-right: 0px=3B marg=
in-bottom: 0px=3B margin-left: 0px=3B">Ok=2C Daryl=2C you got me curious th=
ere: is there some experience you'd like to share?</div><div style=3D"margi=
n-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B min-height: 14px=
=3B"><br></div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B mar=
gin-left: 0px=3B">Daryl Shawn schrieb:</div> <blockquote><div style=3D"marg=
in-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B">DON'T DO IT=2C =
GARETH!!</div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B marg=
in-left: 0px=3B min-height: 14px=3B"><br></div><div style=3D"margin-right: =
0px=3B margin-bottom: 0px=3B margin-left: 0px=3B">Daryl Shawn</div><div sty=
le=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B">www.s=
wanwelder.com</div><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B=
 margin-left: 0px=3B min-height: 14px=3B"><br></div><div style=3D"margin-ri=
ght: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B min-height: 14px=3B">=
<br></div> <blockquote><div style=3D"margin-right: 0px=3B margin-bottom: 0p=
x=3B margin-left: 0px=3B">Cant' wait till I don't actually have a terrestri=
al address next year - that's gonna be a whole new can of worms..</div><div=
 style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B mi=
n-height: 14px=3B"><br></div><div style=3D"margin-right: 0px=3B margin-bott=
om: 0px=3B margin-left: 0px=3B">Peace</div><div style=3D"margin-right: 0px=
=3B margin-bottom: 0px=3B margin-left: 0px=3B min-height: 14px=3B"><br></di=
v><div style=3D"margin-right: 0px=3B margin-bottom: 0px=3B margin-left: 0px=
=3B">G</div> </blockquote></blockquote></blockquote><div style=3D"margin-ri=
ght: 0px=3B margin-bottom: 0px=3B margin-left: 0px=3B min-height: 14px=3B">=
<br></div> </blockquote></div><br></div> 		 	   		  </body>
</html>=

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
Date: Tue, 21 Dec 2010 10:40:44 +0000
Importance: Normal
In-Reply-To: <88FB0C7E-D935-401B-A5DE-036DD751F158@gmail.com>
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Beautifully put.
Better to light a candle than curse the darkness.

Peace

G

> From: skeptikalist@gmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Pe=
rformance Sampler Teaser....
> Date: Mon=2C 20 Dec 2010 16:10:54 -0800
>=20
>=20
> On Dec 20=2C 2010=2C at 1:09 PM=2C Paul Richards wrote:
>=20
> > For a while=2C just a short while=2C a lot of things changed and it was=
 =20
> > a really cool scene from many different perspectives.
>=20
>=20
> And then the plutocrats=2C oligarchs=2C theocrats and authoritarian right=
 =20
> wingers flipped out -- they ramped up think tanks and consolidated =20
> media to push legislative and judicial agendas=2C and effectively used =20
> conservative talk radio to spread propaganda and disinformation -- =20
> techniques developed in advertising and psy-ops to manipulate=2C =20
> control=2C repress and suppress.
>=20
> What you see now is the result of a very successful campaign to =20
> rewrite history and skew its trajectory.
> Reagan came into office and America's head went up its ass.
> Forget about the environment=2C social justice and all the hippy pervert =
=20
> commie stuff.
> Greed is good=2C and be sure to embrace denial so that pesky facts don't =
=20
> intrude on your dreams of power=2C domination and conservative orthodoxy =
=20
> (morals and values).
> Apparently=2C the oil baron Koch brothers spent almost $900 million =20
> dollars just in 2009 to distort and muddy the messaging around the =20
> debate about climate change issues.
> Even basic things like the theory of evolution are smothered in =20
> caustic claptrap and bullshit.
>=20
> I would put the underlying message and impulse of the Sixties simply =20
> as -- Live Gently.
> Stop the raping and pillaging of the planet.
> Live as a symbiont=2C instead of a host destroying parasite.
> Become more aware of the interconnectedness of living systems and work =20
> to reduce the suffering caused by our ignorant=2C overwhelming=2C and =20
> short-sighted predation against the planet.
>=20
> Nothing magical=2C just basic common sense -- you'd think=2C unless that =
=20
> ability to think is impaired by sociopathic ideological toxic memes =20
> and lousy education.
>=20
>=20
> Pro-bonobo=2C peace groovy love etc. etc.
>=20
> cheers
>=20
>=20
> BobC
>=20
 		 	   		  =

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<body class=3D'hmmessage'>
Beautifully put.<br>Better to light a candle than curse the darkness.<br><b=
r>Peace<br><br>G<br><br>&gt=3B From: skeptikalist@gmail.com<br>&gt=3B To: L=
oopers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: (OT) REJECTING MA=
SS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br>=
&gt=3B Date: Mon=2C 20 Dec 2010 16:10:54 -0800<br>&gt=3B <br>&gt=3B <br>&gt=
=3B On Dec 20=2C 2010=2C at 1:09 PM=2C Paul Richards wrote:<br>&gt=3B <br>&=
gt=3B &gt=3B For a while=2C just a short while=2C a lot of things changed a=
nd it was  <br>&gt=3B &gt=3B a really cool scene from many different perspe=
ctives.<br>&gt=3B <br>&gt=3B <br>&gt=3B And then the plutocrats=2C oligarch=
s=2C theocrats and authoritarian right  <br>&gt=3B wingers flipped out -- t=
hey ramped up think tanks and consolidated  <br>&gt=3B media to push legisl=
ative and judicial agendas=2C and effectively used  <br>&gt=3B conservative=
 talk radio to spread propaganda and disinformation --  <br>&gt=3B techniqu=
es developed in advertising and psy-ops to manipulate=2C  <br>&gt=3B contro=
l=2C repress and suppress.<br>&gt=3B <br>&gt=3B What you see now is the res=
ult of a very successful campaign to  <br>&gt=3B rewrite history and skew i=
ts trajectory.<br>&gt=3B Reagan came into office and America's head went up=
 its ass.<br>&gt=3B Forget about the environment=2C social justice and all =
the hippy pervert  <br>&gt=3B commie stuff.<br>&gt=3B Greed is good=2C and =
be sure to embrace denial so that pesky facts don't  <br>&gt=3B intrude on =
your dreams of power=2C domination and conservative orthodoxy  <br>&gt=3B (=
morals and values).<br>&gt=3B Apparently=2C the oil baron Koch brothers spe=
nt almost $900 million  <br>&gt=3B dollars just in 2009 to distort and mudd=
y the messaging around the  <br>&gt=3B debate about climate change issues.<=
br>&gt=3B Even basic things like the theory of evolution are smothered in  =
<br>&gt=3B caustic claptrap and bullshit.<br>&gt=3B <br>&gt=3B I would put =
the underlying message and impulse of the Sixties simply  <br>&gt=3B as -- =
Live Gently.<br>&gt=3B Stop the raping and pillaging of the planet.<br>&gt=
=3B Live as a symbiont=2C instead of a host destroying parasite.<br>&gt=3B =
Become more aware of the interconnectedness of living systems and work  <br=
>&gt=3B to reduce the suffering caused by our ignorant=2C overwhelming=2C a=
nd  <br>&gt=3B short-sighted predation against the planet.<br>&gt=3B <br>&g=
t=3B Nothing magical=2C just basic common sense -- you'd think=2C unless th=
at  <br>&gt=3B ability to think is impaired by sociopathic ideological toxi=
c memes  <br>&gt=3B and lousy education.<br>&gt=3B <br>&gt=3B <br>&gt=3B Pr=
o-bonobo=2C peace groovy love etc. etc.<br>&gt=3B <br>&gt=3B cheers<br>&gt=
=3B <br>&gt=3B <br>&gt=3B BobC<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_02bd987e-0fed-4e7f-a715-cd5710b56c4a_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 10:42:06 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: bundle up
Date: Tue, 21 Dec 2010 10:42:03 +0000
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References:
 <E7700D11-3320-48D9-AF11-7700098F65AA@baymoon.com>,<BAY145-w431080D1F64E9C9C8416E685180@phx.gbl>,<-7874066572337091628@unknownmsgid>,<AANLkTik8A5yGhW_fduvBFXdSyLoj7LXwfT5w1WrpTRu=@mail.gmail.com>,<840682.83366.qm@web120716.mail.ne1.yahoo.com>,<4D0F6886.7000109@googlemail.com>,<AANLkTi=2fJT6nxHFYijTbVcT4AfMjr3FwVeRVWwrezNS@mail.gmail.com>,<834613.84611.qm@web120708.mail.ne1.yahoo.com>,<AANLkTims7dXf7Z2XXG-P9xygHEtrUzM37-K_JcXEOMPj@mail.gmail.com>,<AANLkTimE69hPRF=PZrUAsDD_1k5MFuka7GJRdf8Q=MhW@mail.gmail.com>,<AANLkTikC4ykogXYVtmCEgaTaiLn5W51YCV3xPEz9ZopZ@mail.gmail.com>,<AANLkTi==Nt66JCoKg0XOAK_GVPiHKh9MNQpzF4GO=Nny@mail.gmail.com>,<AANLkTim1R=x0AxJuSWfwz-U=GVJLaVPHLOuvaqANwKUD@mail.gmail.com>
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Hey Raul=2C shouldn't you be wearing trousers too =3B-)

G

Date: Mon=2C 20 Dec 2010 22:55:19 +0100
Subject: Re: OT: bundle up
From: raul.bonell@gmail.com
To: Loopers-Delight@loopers-delight.com

i have no heating at home & have just washed dishes dressing a t-shirt. i b=
et this year we're not seeing a single snowflake. it's the perfect place to=
 build that retiremet house for loopers. maybe it's true that saying=2C we =
don't belong to europe but africa.

ra=FCl.
--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos =
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a =
las PYMES=2C aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo pa=
ra los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1nge=
la!!! =BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo=2C claro est=
=E1=2C para no enfadar a las grandes empresas=2C a los bancos=2C a los merc=
ados...


 		 	   		  =

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<html>
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<body class=3D'hmmessage'>
Hey Raul=2C shouldn't you be wearing trousers too =3B-)<br><br>G<br><br><hr=
 id=3D"stopSpelling">Date: Mon=2C 20 Dec 2010 22:55:19 +0100<br>Subject: Re=
: OT: bundle up<br>From: raul.bonell@gmail.com<br>To: Loopers-Delight@loope=
rs-delight.com<br><br>i have no heating at home &amp=3B have just washed di=
shes dressing a t-shirt. i bet this year we're not seeing a single snowflak=
e. it's the perfect place to build that retiremet house for loopers. maybe =
it's true that saying=2C we don't belong to europe but africa.<br>
<br clear=3D"all">ra=FCl.<br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a =
href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">http://raulbonell.=
tumblr.com</a>&nbsp=3B=B7&nbsp=3B<a href=3D"http://www.ct-collective.com/" =
target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: 'lucida grande'=2Ctahoma=2Cver=
dana=2Carial=2Csans-serif=3B font-size: 11px=3B color: rgb(51=2C 51=2C 51)=
=3B">La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los ba=
ncos inyectan liquidez (se lo prestan) a los estados con dificultades al 5%=
 y a las PYMES=2C aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redon=
do para los bancos alemanes y franceses... Para todos los bancos =A1Bravo =
=C1ngela!!!&nbsp=3B=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo=
=2C claro est=E1=2C para no enfadar a las grandes empresas=2C a los bancos=
=2C a los mercados...<br>
</span><br> 		 	   		  </body>
</html>=

--_4ea9850d-ef30-4bf3-b3b7-8f3a3f5dd6d5_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 11:18:40 2010
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	<726302687839749391@unknownmsgid>
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	<916190.82124.qm@web120703.mail.ne1.yahoo.com>
	<4244811946201215669@unknownmsgid>
	<SNT143-w195010FEC027A5663EDA23B6190@phx.gbl>
	<AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com>
	<971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net>
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	<A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com>
	<744256.67553.qm@web120720.mail.ne1.yahoo.com>
	<AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com>
	<BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl>
	<4D0FB9AF.7070208@gmail.com>
	<4D0FBAB8.4020107@googlemail.com>
	<4D0FBECC.2060100@gmail.com>
	<87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com>
	<BAY145-w2779CCFF7FA11AF5C8CEB5851A0@phx.gbl>
Date: Tue, 21 Dec 2010 12:18:39 +0100
Message-ID: <AANLkTi=6gmae7CMSspptpB92=2sppitS1fE3sbQVxe=y@mail.gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Dec 21, 2010 at 11:26 AM, Somone wrote:
> do a "Julian Assange" and be nomadic and have no "official"=C2=A0terrestr=
ial
> address?


I planned to register my mail by a post box, rent out my flat to
someone with a regular income and start sleeping wherever I could find
a free spot for my sleeping bag. All this as a way to lower my living
costs. But as I started to administrate the setup I was informed by
authorities that it would be illegal. In Sweden a citizen has to have
a proper address where you actually live. I guess that's an old
(obsolete?) law once used to catch bums?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 12:12:58 2010
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Date: Tue, 21 Dec 2010 04:12:55 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
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so why do we sit passively and watch all this happen, it is our world too...

Antony



________________________________
From: RP Collier <skeptikalist@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, December 21, 2010 1:10:54 AM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack 
Performance Sampler Teaser....


On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:

> For a while, just a short while, a lot of things changed and it was a really 
>cool scene from many different perspectives.


And then the plutocrats, oligarchs, theocrats and authoritarian right wingers 
flipped out -- they ramped up think tanks and consolidated media to push 
legislative and judicial agendas, and effectively used conservative talk radio 
to spread propaganda and disinformation -- techniques developed in advertising 
and psy-ops to manipulate, control, repress and suppress.

What you see now is the result of a very successful campaign to rewrite history 
and skew its trajectory.
Reagan came into office and America's head went up its ass.
Forget about the environment, social justice and all the hippy pervert commie 
stuff.
Greed is good, and be sure to embrace denial so that pesky facts don't intrude 
on your dreams of power, domination and conservative orthodoxy (morals and 
values).
Apparently, the oil baron Koch brothers spent almost $900 million dollars just 
in 2009 to distort and muddy the messaging around the debate about climate 
change issues.
Even basic things like the theory of evolution are smothered in caustic claptrap 
and bullshit.

I would put the underlying message and impulse of the Sixties simply as -- Live 
Gently.
Stop the raping and pillaging of the planet.
Live as a symbiont, instead of a host destroying parasite.
Become more aware of the interconnectedness of living systems and work to reduce 
the suffering caused by our ignorant, overwhelming, and short-sighted predation 
against the planet.

Nothing magical, just basic common sense -- you'd think, unless that ability to 
think is impaired by sociopathic ideological toxic memes and lousy education.


Pro-bonobo, peace groovy love etc. etc.

cheers


BobC


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>so why do we sit passively and watch all this happen, it is our world too...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> RP Collier &lt;skeptikalist@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, December 21, 2010 1:10:54 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br></font><br>
<br>On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:<br><br>&gt; For a while, just a short while, a lot of things changed and it was a really cool scene from many different perspectives.<br><br><br>And then the plutocrats, oligarchs, theocrats and authoritarian right wingers flipped out -- they ramped up think tanks and consolidated media to push legislative and judicial agendas, and effectively used conservative talk radio to spread propaganda and disinformation -- techniques developed in advertising and psy-ops to manipulate, control, repress and suppress.<br><br>What you see now is the result of a very successful campaign to rewrite history and skew its trajectory.<br>Reagan came into office and America's head went up its ass.<br>Forget about the environment, social justice and all the hippy pervert commie stuff.<br>Greed is good, and be sure to embrace denial so that pesky facts don't intrude on your dreams of power, domination and conservative
 orthodoxy (morals and values).<br>Apparently, the oil baron Koch brothers spent almost $900 million dollars just in 2009 to distort and muddy the messaging around the debate about climate change issues.<br>Even basic things like the theory of evolution are smothered in caustic claptrap and bullshit.<br><br>I would put the underlying message and impulse of the Sixties simply as -- Live Gently.<br>Stop the raping and pillaging of the planet.<br>Live as a symbiont, instead of a host destroying parasite.<br>Become more aware of the interconnectedness of living systems and work to reduce the suffering caused by our ignorant, overwhelming, and short-sighted predation against the planet.<br><br>Nothing magical, just basic common sense -- you'd think, unless that ability to think is impaired by sociopathic ideological toxic memes and lousy education.<br><br><br>Pro-bonobo, peace groovy love etc. etc.<br><br>cheers<br><br><br>BobC<br><br></div></div><div
 style="position:fixed"></div>


</div><br>

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
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Great words, Ted.
I'm with you.
Thanks for this OT but interesting discussion.

-f

2010/12/20 tEd =AE KiLLiAn <tedkillian@charter.net>

> Hi ho,
>
> While we're on this important (if very off-topic) topic . . .
>
> I have to say that it is so refreshing to hear these sorts of thoughts
> being expressed on this list.
>
> I may be reading a lot more into these statements here than is really bei=
ng
> expressed there.
>
> And, they might not even be particularly widely-held opinions.
>
> However, just the fact that some of my esteemed creative colleagues here
> also feel like "enough is enough" with the self-absorbed, self-focused,
> self-actualized, self-stimulating, navel-gazing, orgy of it's all about
> me-me-me-me-me 24/7 (and violence), that the western world has been in
> thrall to in for the past 2-3 decades (since the demise of '60s activism)=
,
> it gives me hope.
>
> Even though the forces arrayed against us (and our children) are great,
> it's encouraging to find that other "creative types" see something of it
> too.
>
> It's all happened because global commercial interests have deliberately
> warped the initial idealism of the '60s era - because they've found out t=
hat
> it's a million, million times easier to sell unneeded goods and services =
to
> hyper-selfish people with obsessive, addictive needs for personal
> "actualization" and gratification of every imaginable (or often even
> unimaginable) want or desire, than it is to sell to people who still have
> that "little moral policeman" in their heads saying "wait, hold off, mayb=
e
> this isn't the best choice."
>
> Why are our children becoming more and more addicted to ever more
> realistically depicted violence (and remember that video games don't just
> show you the stuff, they make you participate in it and make choices).
>
> Why can't little Johnny or little Suzzie read, but still know every
> intimate detail of every online game and YouTube meme out there?
>
> Why do so many Americans drive monstrous vehicles that are not even
> remotely practical - and likely as not own 2 of them.
>
> Why is Christmas all about the materialistic goodies and presents and
> hardly about "spiritual" matters at all?
>
> Why is America struggling with massive debt and even more massive obesity=
?
>
> Because we can't say "no" to ourselves.
>
> People who can't say "no" to themselves make better consumers . . . and
> better soldiers.
>
> People who can't say "no" to themselves will buy themselves into deep deb=
t.
>
> People who can't say "no" to themselves will always "super-size" it (and =
go
> back for more).
>
> People who can't say "no" will argue less when comes the time that their
> true masters want them to invade another country in their interests.
>
> They'll be more inclined to see it as in their own interest, and those
> other poor people "over there" as just images on a screen and explainable
> (and even tolerable) as "collateral damage" - and, besides, they
> existentially "don't matter" because they're "not us".
>
> "Enough is enough" I say.
>
> Turn the TV off, read a book (preferably and old one).
>
> Buy local (or better yet second-hand, used).
>
> Make your own.
>
> Grow your own.
>
> Barter.
>
> "Tune out" to mass culture and fashion.
>
> Read a "real" newspaper.
>
> Eat less and do more.
>
> Do things with people, starting with your own family.
>
> Join a community of some sort (be a part of something larger than yoursel=
f,
> find something good).
>
> Learn to look for good, value/comment/celebrate it in others, cultivate
> virtues in yourself, and teach them to your children.
>
> Be kind, be patient, be others-aware (more than self-aware) . . . and abo=
ve
> all, be self-critical.
>
> If just a few of us do that, we'll be okay (I think).
>
> Cheers,
>
> Ted
>
> On Dec 20, 2010, at 1:47 AM, mark francombe wrote:
>
> Anthony, I COMPLETELY agree with that point you were making... sorry if I
>> didn't respond to THAT, its a very important issue, and one that means t=
hat
>> my kids do not get to watch ANY TELEVISION OR COMPUTER without me or my =
wife
>> being present, and I expect this rule will continue until they are teens=
.
>>
>
>

--0016e6434baa0459de0497eb096a
Content-Type: text/html; charset=ISO-8859-1
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<div>Great words, Ted.</div>
<div>I&#39;m with you.</div>
<div>Thanks for this OT but interesting discussion.</div>
<div>=A0</div>
<div>-f<br><br></div>
<div class=3D"gmail_quote">2010/12/20 tEd =AE KiLLiAn <span dir=3D"ltr">&lt=
;<a href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</=
span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi ho,<br><br>While we&#39;re on=
 this important (if very off-topic) topic . . .<br><br>I have to say that i=
t is so refreshing to hear these sorts of thoughts being expressed on this =
list.<br>
<br>I may be reading a lot more into these statements here than is really b=
eing expressed there.<br><br>And, they might not even be particularly widel=
y-held opinions.<br><br>However, just the fact that some of my esteemed cre=
ative colleagues here also feel like &quot;enough is enough&quot; with the =
self-absorbed, self-focused, self-actualized, self-stimulating, navel-gazin=
g, orgy of it&#39;s all about me-me-me-me-me 24/7 (and violence), that the =
western world has been in thrall to in for the past 2-3 decades (since the =
demise of &#39;60s activism), it gives me hope.<br>
<br>Even though the forces arrayed against us (and our children) are great,=
 it&#39;s encouraging to find that other &quot;creative types&quot; see som=
ething of it too.<br><br>It&#39;s all happened because global commercial in=
terests have deliberately warped the initial idealism of the &#39;60s era -=
 because they&#39;ve found out that it&#39;s a million, million times easie=
r to sell unneeded goods and services to hyper-selfish people with obsessiv=
e, addictive needs for personal &quot;actualization&quot; and gratification=
 of every imaginable (or often even unimaginable) want or desire, than it i=
s to sell to people who still have that &quot;little moral policeman&quot; =
in their heads saying &quot;wait, hold off, maybe this isn&#39;t the best c=
hoice.&quot;<br>
<br>Why are our children becoming more and more addicted to ever more reali=
stically depicted violence (and remember that video games don&#39;t just sh=
ow you the stuff, they make you participate in it and make choices).<br>
<br>Why can&#39;t little Johnny or little Suzzie read, but still know every=
 intimate detail of every online game and YouTube meme out there?<br><br>Wh=
y do so many Americans drive monstrous vehicles that are not even remotely =
practical - and likely as not own 2 of them.<br>
<br>Why is Christmas all about the materialistic goodies and presents and h=
ardly about &quot;spiritual&quot; matters at all?<br><br>Why is America str=
uggling with massive debt and even more massive obesity?<br><br>Because we =
can&#39;t say &quot;no&quot; to ourselves.<br>
<br>People who can&#39;t say &quot;no&quot; to themselves make better consu=
mers . . . and better soldiers.<br><br>People who can&#39;t say &quot;no&qu=
ot; to themselves will buy themselves into deep debt.<br><br>People who can=
&#39;t say &quot;no&quot; to themselves will always &quot;super-size&quot; =
it (and go back for more).<br>
<br>People who can&#39;t say &quot;no&quot; will argue less when comes the =
time that their true masters want them to invade another country in their i=
nterests.<br><br>They&#39;ll be more inclined to see it as in their own int=
erest, and those other poor people &quot;over there&quot; as just images on=
 a screen and explainable (and even tolerable) as &quot;collateral damage&q=
uot; - and, besides, they existentially &quot;don&#39;t matter&quot; becaus=
e they&#39;re &quot;not us&quot;.<br>
<br>&quot;Enough is enough&quot; I say.<br><br>Turn the TV off, read a book=
 (preferably and old one).<br><br>Buy local (or better yet second-hand, use=
d).<br><br>Make your own.<br><br>Grow your own.<br><br>Barter.<br><br>&quot=
;Tune out&quot; to mass culture and fashion.<br>
<br>Read a &quot;real&quot; newspaper.<br><br>Eat less and do more.<br><br>=
Do things with people, starting with your own family.<br><br>Join a communi=
ty of some sort (be a part of something larger than yourself, find somethin=
g good).<br>
<br>Learn to look for good, value/comment/celebrate it in others, cultivate=
 virtues in yourself, and teach them to your children.<br><br>Be kind, be p=
atient, be others-aware (more than self-aware) . . . and above all, be self=
-critical.<br>
<br>If just a few of us do that, we&#39;ll be okay (I think).<br><br>Cheers=
,<br><br>Ted<br><br>On Dec 20, 2010, at 1:47 AM, mark francombe wrote:<br><=
br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Anthony, I COMPLETELY agree with=
 that point you were making... sorry if I didn&#39;t respond to THAT, its a=
 very important issue, and one that means that my kids do not get to watch =
ANY TELEVISION OR COMPUTER without me or my wife being present, and I expec=
t this rule will continue until they are teens.<br>
</blockquote><br></blockquote></div><br>

--0016e6434baa0459de0497eb096a--

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Date: Tue, 21 Dec 2010 04:54:21 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
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(Remember if you will that Hendrix came to the UK to find an audience...)
=A0
Hendrix was one of many: the Electric Prunes, Iron Butterfly, Autosalvage, =
Spirit, Big Brother & the Holding Company, the Airplane, the Rotary Connect=
ion, et al.=20



--- On Tue, 12/21/10, mark francombe <markfrancombe@gmail.com> wrote:


From: mark francombe <markfrancombe@gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Perf=
ormance Sampler Teaser....
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.=
com>
Date: Tuesday, December 21, 2010, 3:19 AM


Sent from my (advertisement removed)

On 21 Dec 2010, at 01:32, Paul Richards <paulrichard_rocks@yahoo.com> wrote=
:

> Anyway, what do you know? Probably never even went to Woodstock. Wait a m=
inute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a =
Winter).


Ah ha... another american who believes everything started in the US...
Whats woodstock but the beginning of the end.. I know and have read
volumes on this period in history, infact a bit if a bore about UK
psychedelia, as i have researched a game concept thats playing area
and time is London soho '68.
Remember if you will that Hendrix came to the UK to find an audience...

> Chilly Scenes of a Winter is a name i recognise....

Edmund me?

(Edmund was iphones spelling of remind!!)

Mark

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>(Remember if you will that Hendrix came =
to the UK to find an audience...)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Hendrix was one of many: the Electric Prunes, Iron Butterfly, Autosalv=
age, Spirit, Big Brother &amp; the Holding Company, the Airplane, the Rotar=
y Connection, et al. <BR><BR><BR><BR>--- On <B>Tue, 12/21/10, mark francomb=
e <I>&lt;markfrancombe@gmail.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: mark francombe &lt;markfrancombe@gmail.com&=
gt;<BR>Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatra=
ck Performance Sampler Teaser....<BR>To: "Loopers-Delight@loopers-delight.c=
om" &lt;Loopers-Delight@loopers-delight.com&gt;<BR>Date: Tuesday, December =
21, 2010, 3:19 AM<BR><BR>
<DIV class=3DplainMail>Sent from my (advertisement removed)<BR><BR>On 21 De=
c 2010, at 01:32, Paul Richards &lt;<A href=3D"http://us.mc367.mail.yahoo.c=
om/mc/compose?to=3Dpaulrichard_rocks@yahoo.com" ymailto=3D"mailto:paulricha=
rd_rocks@yahoo.com">paulrichard_rocks@yahoo.com</A>&gt; wrote:<BR><BR>&gt; =
Anyway, what do you know? Probably never even went to Woodstock. Wait a min=
ute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a Wi=
nter).<BR><BR><BR>Ah ha... another american who believes everything started=
 in the US...<BR>Whats woodstock but the beginning of the end.. I know and =
have read<BR>volumes on this period in history, infact a bit if a bore abou=
t UK<BR>psychedelia, as i have researched a game concept thats playing area=
<BR>and time is London soho '68.<BR>Remember if you will that Hendrix came =
to the UK to find an audience...<BR><BR>&gt; Chilly Scenes of a Winter is a=
 name i recognise....<BR><BR>Edmund me?<BR><BR>(Edmund was iphones spelling
 of remind!!)<BR><BR>Mark<BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>=
=0A=0A      
--0-1670444289-1292936061=:62765--

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References: <C93404FC.8B6%mech@m3ch.net>
	<838513.12522.qm@web120701.mail.ne1.yahoo.com>
	<726302687839749391@unknownmsgid>
	<AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>
	<916190.82124.qm@web120703.mail.ne1.yahoo.com>
	<4244811946201215669@unknownmsgid>
	<SNT143-w195010FEC027A5663EDA23B6190@phx.gbl>
	<AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com>
	<971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net>
	<AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com>
	<A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com>
	<744256.67553.qm@web120720.mail.ne1.yahoo.com>
	<AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com>
	<BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl>
	<4D0FB9AF.7070208@gmail.com>
	<4D0FBAB8.4020107@googlemail.com>
	<4D0FBECC.2060100@gmail.com>
	<87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com>
	<BAY145-w2779CCFF7FA11AF5C8CEB5851A0@phx.gbl>
	<AANLkTi=6gmae7CMSspptpB92=2sppitS1fE3sbQVxe=y@mail.gmail.com>
Date: Tue, 21 Dec 2010 15:08:24 +0100
Message-ID: <AANLkTinMUSxRCM3sW7Z2KDT_U7_GDczYJ=T4K7LvW3JH@mail.gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e644d0c67db8e40497ec2bde
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2010/12/21 Per Boysen perboysen@gmail.com wrote:

I planned to register my mail by a post box, rent out my flat to
> someone with a regular income and start sleeping wherever I could find
> a free spot for my sleeping bag. All this as a way to lower my living
> costs. But as I started to administrate the setup I was informed by
> authorities that it would be illegal. In Sweden a citizen has to have
> a proper address where you actually live. I guess that's an old
> (obsolete?) law once used to catch bums?
>
A resident address is needed: it's a part of your Identity Card data even in
your country I guess, but your are not costrained to live in the same place
you've declared.
I guess you could "legally declare" that you reside in your parent's (or
friend's) house and you are still free to live or sleep where ever you want.
That address will be used by government administrations and justice courts
as the place where notifications are legally done.
So, it'd be better to to check that place for possible notifications to be
aware of them.
Anyway...whenever you like, I have a free bed for you and jam to play  ;-)

-f

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<br><br>
<div class=3D"gmail_quote">2010/12/21 Per Boysen <span dir=3D"ltr"><a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a></span>=A0wrote:<br>=
<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I planned to register my mail by=
 a post box, rent out my flat to<br>someone with a regular income and start=
 sleeping wherever I could find<br>
a free spot for my sleeping bag. All this as a way to lower my living<br>co=
sts. But as I started to administrate the setup I was informed by<br>author=
ities that it would be illegal. In Sweden a citizen has to have<br>a proper=
 address where you actually live. I guess that&#39;s an old<br>
(obsolete?) law once used to catch bums?<br></blockquote>
<div>A resident address is needed: it&#39;s a part of your Identity Card da=
ta even in your country I guess, but your are not costrained to live in the=
 same place you&#39;ve declared.</div>
<div>I guess you could &quot;legally declare&quot; that you reside in your =
parent&#39;s (or friend&#39;s) house and you are still free to live or slee=
p where ever you want.</div>
<div>That address will be used by government administrations and justice co=
urts as the place where notifications are legally done. </div>
<div>So, it&#39;d be better to to check that place for possible notificatio=
ns to be aware of them.</div>
<div>Anyway...whenever you like, I have a free bed for you and jam to play=
=A0 ;-)</div>
<div>=A0</div>
<div>-f</div>
<div>=A0</div></div>

--0016e644d0c67db8e40497ec2bde--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 14:16:49 2010
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
References: <C93404FC.8B6%mech@m3ch.net> <838513.12522.qm@web120701.mail.ne1.yahoo.com> <726302687839749391@unknownmsgid> <AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com> <916190.82124.qm@web120703.mail.ne1.yahoo.com> <4244811946201215669@unknownmsgid> <SNT143-w195010FEC027A5663EDA23B6190@phx.gbl> <AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com> <971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net> <AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com> <A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com> <744256.67553.qm@web120720.mail.ne1.yahoo.com> <AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com> <BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl> <4D0FB9AF.7070208@gmail.com> <4D0FBAB8.4020107@googlemail.com> <4D0FBECC.2060100@gmail.com> <87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com> <BAY145-w2779CCFF7FA11AF5C8CEB5851A0@phx.gbl> <AANLkTi=6gmae7CMSspptpB92=2sppitS1fE3sbQVxe=y@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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Date: Tue, 21 Dec 2010 09:15:41 -0500
To: <Loopers-Delight@loopers-delight.com>
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Hey Per just come on over to Deep Gap, North Carolina, I got eighty acres yo=
u can throw your sleeping bag wherever you want and theres a back door to th=
e recording studio. I think looped flute would go nice with the whiporwills a=
t night!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 21, 2010, at 6:18 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 21, 2010 at 11:26 AM, Somone wrote:
>> do a "Julian Assange" and be nomadic and have no "official" terrestrial
>> address?
>=20
>=20
> I planned to register my mail by a post box, rent out my flat to
> someone with a regular income and start sleeping wherever I could find
> a free spot for my sleeping bag. All this as a way to lower my living
> costs. But as I started to administrate the setup I was informed by
> authorities that it would be illegal. In Sweden a citizen has to have
> a proper address where you actually live. I guess that's an old
> (obsolete?) law once used to catch bums?
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 14:22:04 2010
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From: Paul Mimlitsch <pmimlitsch@mac.com>
To: Loopers-Delight@loopers-delight.com
In-reply-to: <697028.91418.qm@web120719.mail.ne1.yahoo.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
Date: Tue, 21 Dec 2010 07:21:51 -0700
References: <828348.59986.qm@web36706.mail.mud.yahoo.com>
 <88FB0C7E-D935-401B-A5DE-036DD751F158@gmail.com>
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the problem is your dealing with a crowd of hypocrits who's ethics are  
ordained from above - there is no debate!

On Dec 21, 2010, at 3:25 AM, antonyhequet@yahoo.com wrote:

> one thing you will notice is that the ultra conservatives have  
> created a de facto monopoly on ethics; they are the keepers of  
> morality. This is a real problem. Ethics are the most important  
> topic of debate, the fibre of society.
> ANtony


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">the problem is your dealing =
with a crowd of hypocrits who's ethics are ordained from above - there =
is no debate!<div><br><div><div>On Dec 21, 2010, at 3:25 AM, <a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">one thing you will notice is that the ultra =
conservatives have created a de facto monopoly on ethics; they are the =
keepers of morality. This is a real problem. Ethics are the most =
important topic of debate, the fibre of =
society.</div></div></div></span></blockquote><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; =
">ANtony</div></div></div></span></blockquote></div><br></div></body></htm=
l>=

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From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 14:26:19 2010
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From: Paul Mimlitsch <pmimlitsch@mac.com>
To: Loopers-Delight@loopers-delight.com
Subject: the 60's
Date: Tue, 21 Dec 2010 07:26:17 -0700
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from a 58 yr old "geezer":
best thing about the 60's:  Blue Cheer, Michael Bloomfield, John  
Coltrane.....

worst thing about the 60's:  the 70's

  

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 14:29:33 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: (OT) REJECTING MASS MEDIA CULTURE
Date: Tue, 21 Dec 2010 14:29:30 +0000
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References:
 <C93404FC.8B6%mech@m3ch.net>,<838513.12522.qm@web120701.mail.ne1.yahoo.com>,<726302687839749391@unknownmsgid>,<AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>,<916190.82124.qm@web120703.mail.ne1.yahoo.com>,<4244811946201215669@unknownmsgid>,<SNT143-w195010FEC027A5663EDA23B6190@phx.gbl>,<AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com>,<971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net>,<AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com>,<A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com>,<744256.67553.qm@web120720.mail.ne1.yahoo.com>,<AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com>,<BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl>,<4D0FB9AF.7070208@gmail.com>,<4D0FBAB8.4020107@googlemail.com>,<4D0FBECC.2060100@gmail.com>,<87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com>,<BAY145-w2779CCFF7FA11AF5C8CEB5851A0@phx.gbl>,<AANLkTi=6gmae7CMSspptpB92=2sppitS1fE3sbQVxe=y@mail.gmail.com>
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Yep they want us all in out little boxes=2C strangled by bills and debt.=20
There's man-made laws and there's moral laws - they're not always the same =
unfortunately. I resent some old etonian millionaire telling me how to live=
 my life - you only get one crack of the whip..
but I digress..

Peace

G

> Date: Tue=2C 21 Dec 2010 12:18:39 +0100
> Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Tue=2C Dec 21=2C 2010 at 11:26 AM=2C Somone wrote:
> > do a "Julian Assange" and be nomadic and have no "official" terrestrial
> > address?
>=20
>=20
> I planned to register my mail by a post box=2C rent out my flat to
> someone with a regular income and start sleeping wherever I could find
> a free spot for my sleeping bag. All this as a way to lower my living
> costs. But as I started to administrate the setup I was informed by
> authorities that it would be illegal. In Sweden a citizen has to have
> a proper address where you actually live. I guess that's an old
> (obsolete?) law once used to catch bums?
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Yep they want us all in out little boxes=2C strangled by bills and debt. <b=
r>There's man-made laws and there's moral laws - they're not always the sam=
e unfortunately. I resent some old etonian millionaire telling me how to li=
ve my life - you only get one crack of the whip..<br>but I digress..<br><br=
>Peace<br><br>G<br><br>&gt=3B Date: Tue=2C 21 Dec 2010 12:18:39 +0100<br>&g=
t=3B Subject: Re: (OT) REJECTING MASS MEDIA CULTURE<br>&gt=3B From: perboys=
en@gmail.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <b=
r>&gt=3B On Tue=2C Dec 21=2C 2010 at 11:26 AM=2C Somone wrote:<br>&gt=3B &g=
t=3B do a "Julian Assange" and be nomadic and have no "official"&nbsp=3Bter=
restrial<br>&gt=3B &gt=3B address?<br>&gt=3B <br>&gt=3B <br>&gt=3B I planne=
d to register my mail by a post box=2C rent out my flat to<br>&gt=3B someon=
e with a regular income and start sleeping wherever I could find<br>&gt=3B =
a free spot for my sleeping bag. All this as a way to lower my living<br>&g=
t=3B costs. But as I started to administrate the setup I was informed by<br=
>&gt=3B authorities that it would be illegal. In Sweden a citizen has to ha=
ve<br>&gt=3B a proper address where you actually live. I guess that's an ol=
d<br>&gt=3B (obsolete?) law once used to catch bums?<br>&gt=3B <br>&gt=3B G=
reetings from Sweden<br>&gt=3B <br>&gt=3B Per Boysen<br>&gt=3B www.boysen.s=
e<br>&gt=3B www.perboysen.com<br>&gt=3B www.looproom.com internet music hub=
<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_6e1e5b88-1e49-4978-be64-6535d196d2cb_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 15:05:25 2010
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References: <C93404FC.8B6%mech@m3ch.net> <838513.12522.qm@web120701.mail.ne1.yahoo.com>
 <726302687839749391@unknownmsgid> <AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>
 <916190.82124.qm@web120703.mail.ne1.yahoo.com> <4244811946201215669@unknownmsgid>
 <SNT143-w195010FEC027A5663EDA23B6190@phx.gbl> <AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com>
 <971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net> <AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com>
 <A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com> <744256.67553.qm@web120720.mail.ne1.yahoo.com>
 <AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com>
 <BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl> <4D0FB9AF.7070208@gmail.com>
 <4D0FBAB8.4020107@googlemail.com> <4D0FBECC.2060100@gmail.com>
 <87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com> <BAY145-w2779CCFF7FA11AF5C8CEB5851A0@phx.gbl>
 <AANLkTi=6gmae7CMSspptpB92=2sppitS1fE3sbQVxe=y@mail.gmail.com> <BAY145-w617784D8F98EFC69A54BF6851A0@phx.gbl>
From: mark francombe <mark@markfrancombe.com>
Date: Tue, 21 Dec 2010 16:05:02 +0100
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Message-ID: <AANLkTi=DjSvoRfURC7fOcjfjnZC8sPNB0gap6C=KRLTf@mail.gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8f3a3f1fc90497ecf7c5
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I once managed to live outside of the residency rules for a few months. I
went on tour for 8 months and the day I left I handed in the key to my
apartment. My stuff was in storage and I changed my mail to my parents.

When I got back I tried to stay like that for a bit, and lived with a
girl-friend. It felt very nice. Officially I suppose I was registered at my
parents but I was living off cash for the most part and managed to avoid
signing anything.

In the end I dived back in by buying an apartment, again.. in cash... but
there was no getting around signing a few things, and the paper trail has
followed me ever since.

When I emigrated, I had a small.. er.. 1000 pounds bill with mastercard..
tried to run away from it Im afraid... covering my tracks as a ran...  It
took 6 years, but one day I got a phone call from a collection agency in
Scotland... Mr Francombe.. I said yes... He said.. I have you down on my...
heh heh Search and Destroy list..."

busted...

Mark


On Tue, Dec 21, 2010 at 3:29 PM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  Yep they want us all in out little boxes, strangled by bills and debt.
> There's man-made laws and there's moral laws - they're not always the same
> unfortunately. I resent some old etonian millionaire telling me how to live
> my life - you only get one crack of the whip..
> but I digress..
>
> Peace
>
> G
>
> > Date: Tue, 21 Dec 2010 12:18:39 +0100
> > Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
> > From: perboysen@gmail.com
> > To: Loopers-Delight@loopers-delight.com
>
> >
> > On Tue, Dec 21, 2010 at 11:26 AM, Somone wrote:
> > > do a "Julian Assange" and be nomadic and have no "official" terrestrial
> > > address?
> >
> >
> > I planned to register my mail by a post box, rent out my flat to
> > someone with a regular income and start sleeping wherever I could find
> > a free spot for my sleeping bag. All this as a way to lower my living
> > costs. But as I started to administrate the setup I was informed by
> > authorities that it would be illegal. In Sweden a citizen has to have
> > a proper address where you actually live. I guess that's an old
> > (obsolete?) law once used to catch bums?
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> > www.looproom.com internet music hub
> >
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8f3a3f1fc90497ecf7c5
Content-Type: text/html; charset=ISO-8859-1
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I once managed to live outside of the residency rules for a few months. I w=
ent on tour for 8 months and the day I left I handed in the key to my apart=
ment. My stuff was in storage and I changed my mail to my parents.<br><br>

When I got back I tried to stay like that for a bit, and lived with a girl-=
friend. It felt very nice. Officially I suppose I was registered at my pare=
nts but I was living off cash for the most part and managed to avoid signin=
g anything.<br>

<br>In the end I dived back in by buying an apartment, again.. in cash... b=
ut there was no getting around signing a few things, and the paper trail ha=
s followed me ever since.<br><br>When I emigrated, I had a small.. er.. 100=
0 pounds bill with mastercard.. tried to run away from it Im afraid... cove=
ring my tracks as a ran...=A0 It took 6 years, but one day I got a phone ca=
ll from a collection agency in Scotland... Mr Francombe.. I said yes... He =
said.. I have you down on my... heh heh Search and Destroy list...&quot;<br=
>

<br>busted...<br><br>Mark<br><br><br><div class=3D"gmail_quote">On Tue, Dec=
 21, 2010 at 3:29 PM, Gareth Whittock <span dir=3D"ltr">&lt;<a href=3D"mail=
to:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt;</span> wrote:=
<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">



<div>
Yep they want us all in out little boxes, strangled by bills and debt. <br>=
There&#39;s man-made laws and there&#39;s moral laws - they&#39;re not alwa=
ys the same unfortunately. I resent some old etonian millionaire telling me=
 how to live my life - you only get one crack of the whip..<br>

but I digress..<br><br>Peace<br><br>G<br><br>&gt; Date: Tue, 21 Dec 2010 12=
:18:39 +0100<br>&gt; Subject: Re: (OT) REJECTING MASS MEDIA CULTURE<br>&gt;=
 From: <a href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@g=
mail.com</a><br>

&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_=
blank">Loopers-Delight@loopers-delight.com</a><div class=3D"im"><br>&gt; <b=
r>&gt; On Tue, Dec 21, 2010 at 11:26 AM, Somone wrote:<br>&gt; &gt; do a &q=
uot;Julian Assange&quot; and be nomadic and have no &quot;official&quot;=A0=
terrestrial<br>

&gt; &gt; address?<br>&gt; <br>&gt; <br>&gt; I planned to register my mail =
by a post box, rent out my flat to<br>&gt; someone with a regular income an=
d start sleeping wherever I could find<br>&gt; a free spot for my sleeping =
bag. All this as a way to lower my living<br>

&gt; costs. But as I started to administrate the setup I was informed by<br=
>&gt; authorities that it would be illegal. In Sweden a citizen has to have=
<br>&gt; a proper address where you actually live. I guess that&#39;s an ol=
d<br>

&gt; (obsolete?) law once used to catch bums?<br>&gt; <br>&gt; Greetings fr=
om Sweden<br>&gt; <br>&gt; Per Boysen<br>&gt; <a href=3D"http://www.boysen.=
se" target=3D"_blank">www.boysen.se</a><br>&gt; <a href=3D"http://www.perbo=
ysen.com" target=3D"_blank">www.perboysen.com</a><br>

&gt; <a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com=
</a> internet music hub<br>&gt; <br> 		 	   		  </div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8f3a3f1fc90497ecf7c5--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 15:29:38 2010
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Delivered-To: looper+loopers-delight@arsenic.violacea.com
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
References: <644035DE-0056-4B20-89A4-D8A7606FAD88@mac.com>
Subject: RE: the 60's
Date: Tue, 21 Dec 2010 16:29:32 +0100
Message-ID: <2984402612C34FD78AF00709192DFF39@mpeserver>
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from a 56 yr old geezer: were the 70's really that bad? not to me 

-Michael 

> From: Paul Mimlitsch [mailto:pmimlitsch@mac.com] 
> from a 58 yr old "geezer":
> best thing about the 60's:  Blue Cheer, Michael Bloomfield, John  
> Coltrane.....
> 
> worst thing about the 60's:  the 70's

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 15:33:57 2010
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From: <fh@flatheadband.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Boomerang Power Supply Not Included in Price
Date: Tue, 21 Dec 2010 08:33:53 -0700
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>I love the&nbsp; "Customers Who Bought This Item Also Bought..." =
suggestion lists...a lot of times listing duplicate and/or redundant items.=
<br></div>
<blockquote id=3D"replyBlockquote" webmail=3D"1" style=3D"border-left: 2px =
solid blue; margin-left: 8px; padding-left: 8px; font-size: 10pt; color: bl=
ack; font-family: verdana;">
<div id=3D"wmQuoteWrapper">
-------- Original Message --------<br>
Subject: Re: Boomerang Power Supply Not Included in Price<br>
From: Elmer Fuddski &lt;<a href=3D"mailto:jakebrakesrule@yahoo.com">jakebra=
kesrule@yahoo.com</a>&gt;<br>
Date: Mon, December 20, 2010 7:19 pm<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
<br>
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top">Well, that's great. But AMS &amp; <a hr=
ef=3D"http://Amazon.com">Amazon.com</a> appear to be positioning the Boomer=
ang as power supply needed. Check out this link:<br><br><a href=3D"http://w=
ww.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=3Dsr_1_1=
?ie=3DUTF8&amp;s=3Dmusical-instruments&amp;qid=3D1292890362&amp;sr=3D1-1">h=
ttp://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=
=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusical-instruments&amp;qid=3D1292890362&amp;sr=
=3D1-1</a><br><br>The Boomerang description on the above two sites (<a href=
=3D"http://www.americanmusical.com">www.americanmusical.com</a> &amp; <a hr=
ef=3D"http://amazon.com">amazon.com</a>) doesn't clarify this and it 'appea=
rs' as if the power supply is a needed add-on.<br><br>'Sorry for any confus=
ion if I'm mis-reading their websites. I was about to buy one last week.<br=
><br>Jake<br><br>--- On <b>Mon, 12/20/10, Mike <i>&lt;<a href=3D"mailto:mne=
lson@boomerangmusic.com">mnelson@boomerangmusic.com</a>&gt;</i></b> wrote:<=
br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-lef=
t: 5px; padding-left: 5px;"><br>From: Mike &lt;<a href=3D"mailto:mnelson@bo=
omerangmusic.com">mnelson@boomerangmusic.com</a>&gt;<br>Subject: Re: Boomer=
ang Power Supply Not Included in Price<br>To: <a href=3D"mailto:Loopers-Del=
ight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>Date: =
Monday, December 20, 2010, 2:34 PM<br><br><div class=3D"plainMail">&nbsp;&n=
bsp;&nbsp; Hold on, partner. You're getting your wagon in front of the hors=
e... or something like that. Each and every pedal sold by Boomerang comes w=
ith a power supply, has always come with a power supply and will always com=
e with a power supply if it is not a battery powered pedal.<br>&nbsp;&nbsp;=
&nbsp; Just to ensure that this comment does not go viral... ALL BOOMERANG =
PEDALS ARE SHIPPED WITH A POWER SUPPLY.<br><br>&nbsp;&nbsp;&nbsp; Merry Chr=
istmas.<br><br>On 20-Dec-10 4:19 PM, Elmer Fuddski wrote:<br>&gt; Is this a=
 new trend? I can see a pedal that is optionally BATTERY-POWERED not includ=
ing a power supply but a<br>&gt; device that is NOT battery-powered??? What=
 good is the unit w/o a power supply?<br>&gt; I can that making an items pr=
ice more attractive and possibly competitive is an advantage of not includi=
ng the<br>&gt; power supply but is a power supplys wholesale cost $18.00 in=
 the first place?<br>&gt; No offense to the designer/manufacturer Mike, but=
 it's a little gouge-y.<br><br>-- <br>Mike Nelson<br>Secretary/Treasurer, B=
oomerang Management, Inc.<br>General Partner of Boomerang Musical Products,=
 Ltd.<br><br>----------<br><br>"Some products make you sound better;<br> Bo=
omerang(R) Phrase Samplers makes you play better."<br><br>----------<br><br=
>1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax<br><br>=
<a href=3D"http://www.boomerangmusic.com" target=3D"_blank">http://www.boom=
erangmusic.com</a><br><br>Contact for repairs:<br>Lee Hardesty<br>1516 Vict=
oria Drive<br>Denton, TX&nbsp; 76209<br><a target=3D"_blank" ymailto=3D"mai=
lto:hardesty@mindspring.com" href=3D"/mc/compose?to=3Dhardesty@mindspring.c=
om">hardesty@mindspring.com</a><br>940-382-3253<br><br>Billing Address:<br>=
Boomerang Musical Products, Ltd.<br>PO Box 3788<br>Grapevine, TX&nbsp; 7609=
9-3788<br><br></div></blockquote></td></tr></tbody></table><br>=20
</div>
</blockquote></span></body></html>

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Date: Tue, 21 Dec 2010 07:38:47 -0800 (PST)
From: Norman Thibodeau <ncthib@yahoo.com>
Subject: Triggering Ableton clips via a MIDI track
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I want to launch Ableton audio clips via MIDI clips, and I'm trying to follow the steps given in some posts from 2007 between Zoe Keating and J E:

> - i make a midi track that has the output set to IAC midi driver on channel 16.
> - then, make a controller talk on channel 16
> - using live's midi mapping, just select whatever function i want to control
> - lastly, put the midi sequences in a clip and put that clip in the midi track i created.
> - trigger the clip

The part where I'm at a loss is "make a controller talk on channel 16." The LED's tell me that my MIDI track's notes are firing, but not reaching any audio tracks.

Everything I can find about controllers and Ableton refers to physical, hardware controllers, not a way that a MIDI track could give orders to an audio clip.

Like that old movie line, "We have ways to make you make you talk." I need a way.

Norman T


      

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
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Several long hitchhiking trips in the 90's had a huge effect on my view 
towards having a home base. I realized that I could be pretty rootless 
on a day to day basis, and didn't need a big home and/or a bunch of 
stuff to be happy. But I also saw that I could go a bit nuts if I didn't 
have a break now and then.

Since May of '09, I've used my dad's address as my mailing address, but 
haven't actually been paying rent anywhere. The initial plan was to tour 
nonstop, but I soon realized that keeping track of logistics as a solo 
act/manager/booker was almost impossible without taking time off the 
road now and then, so I backed it off, instead doing individual tours of 
a few weeks to a month, staying at my dad's or other relatives in 
between. I also realized that I don't compose very much on the road, so 
wanted to take time to keep up writing as well.

Now that I'm seeing somebody in NYC, and am realizing how nourishing it 
is to keep up with cultural activities including other people's live 
music, I found that it's important to have a balance between seeing 
shows, time with my girlfriend, composing, and the ever-tempting road. 
Rent doesn't seem like such an anchor anymore, and I'm planning to 
establish more of a home here, while keeping up with touring at a 
livable pace.

Daryl Shawn
www.swanwelder.com


>
>     I planned to register my mail by a post box, rent out my flat to
>     someone with a regular income and start sleeping wherever I could find
>     a free spot for my sleeping bag. All this as a way to lower my living
>     costs. But as I started to administrate the setup I was informed by
>     authorities that it would be illegal. In Sweden a citizen has to have
>     a proper address where you actually live. I guess that's an old
>     (obsolete?) law once used to catch bums?
>
> A resident address is needed: it's a part of your Identity Card data 
> even in your country I guess, but your are not costrained to live in 
> the same place you've declared.
> I guess you could "legally declare" that you reside in your parent's 
> (or friend's) house and you are still free to live or sleep where ever 
> you want.

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Subject: Re: Triggering Ableton clips via a MIDI track
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 21, 2010 at 4:38 PM, Norman Thibodeau <ncthib@yahoo.com> wrote:
>
> The part where I'm at a loss is "make a controller talk on channel 16." The LED's tell me that my MIDI track's notes are firing, but not reaching any audio tracks.

"Channel" here means "MIDI Channel".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 15:46:39 2010
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Subject: Re: the 60's
Date: Tue, 21 Dec 2010 07:46:27 -0800
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The '50s weren't all that bad either.

It was mostly grown ups that worried about the "red scare" and the  
whole "sputnik" thing spawned a new focus on science.

It was a great time to be a kid.

Silly cartoons on a black & white TV...

Cookies and milk...

Riding my bike 'round the neighborhood in the afternoon...

Climbing trees and playing with my dog...

Innocent times...comparatively.

The '60 brought puberty and music and a whole lot of confusion.

But...ahhh...such music.

Ted

On Dec 21, 2010, at 7:29 AM, Michael Peters wrote:

> from a 56 yr old geezer: were the 70's really that bad? not to me
>
> -Michael
>
>> From: Paul Mimlitsch [mailto:pmimlitsch@mac.com]
>> from a 58 yr old "geezer":
>> best thing about the 60's:  Blue Cheer, Michael Bloomfield, John
>> Coltrane.....
>>
>> worst thing about the 60's:  the 70's
>

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Date: Tue, 21 Dec 2010 16:49:13 +0100
Message-ID: <AANLkTik3B8g66sz6tBB8-sgM4c4XKyiqXkfFXwa4p6qP@mail.gmail.com>
Subject: Re: OT: bundle up
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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2010/12/21 Per Boysen <perboysen@gmail.com>

>
>
> Fine. I'm moving in by Friday afternoon then. Just give me a couple of
> days to escape this snowscape! ;-)
>
> Per
> Sweden - so far...
>
>
next week tv news saying it'll be colder on the west, that's probably snow
over 1000 m. or so, but on the east, where i'm located, there's no trace of
that winter. nice weather to take a cold beer! you are very welcome!

--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

--0016364eeaca071f590497ed949d
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<br><br><div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_in=
line_popup"></div><style type=3D"text/css">#avg_ls_inline_popup {  position=
:absolute;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top=
: 0px;  width: 240px;  overflow: hidden;  word-wrap: break-word;  color: bl=
ack;  font-size: 10px;  text-align: left;  line-height: 13px;}</style><div =
class=3D"gmail_quote">
2010/12/21 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gma=
il.com">perboysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;">
<br><div class=3D"im">
<br>
</div>Fine. I&#39;m moving in by Friday afternoon then. Just give me a coup=
le of<br>
days to escape this snowscape! ;-)<br>
<br>
Per<br>
Sweden - so far...<br>
<br>
</blockquote></div><br>next week tv news saying it&#39;ll be colder on the =
west, that&#39;s probably snow over 1000 m. or so, but on the east, where i=
&#39;m located, there&#39;s no trace of that winter. nice weather to take a=
 cold beer! you are very welcome!<br clear=3D"all">
<br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell=
.tumblr.com/" target=3D"_blank">http://raulbonell.tumblr.com</a>=A0=B7=A0<a=
 href=3D"http://www.ct-collective.com/" target=3D"_blank">http://www.ct-col=
lective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
</span><br><br>

--0016364eeaca071f590497ed949d--

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Date: Tue, 21 Dec 2010 07:54:41 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
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The debate does nor have to be with them exclusively. It has to be clear that everyone has the right and even the moral obligation to givevtheir opinion. Read Rousseau on this. If ethics are not created and adhered to by all citizens than it is oppression And the oppressed should rise as soon as they see an opportunity. Ultra conservatives do not own ethics, they just pretend they do. That's why they threaten with violence anyone who diagrees with their take on what is moraly sound. There position is not solidly founded.
Antony

Sent from my iPhone

On 2010-12-21, at 15:21, Paul Mimlitsch <pmimlitsch@mac.com> wrote:

the problem is your dealing with a crowd of hypocrits who's ethics are ordained from above - there is no debate!

On Dec 21, 2010, at 3:25 AM, antonyhequet@yahoo.com wrote:

one thing you will notice is that the ultra conservatives have created a de facto monopoly on ethics; they are the keepers of morality. This is a real problem. Ethics are the most important topic of debate, the fibre of society.
ANtony




      
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<html><body bgcolor="#FFFFFF"><div>The debate does nor have to be with them exclusively. It has to be clear that everyone has the right and even the moral obligation to givevtheir opinion. Read Rousseau on this. If ethics are not created and adhered to by all citizens than it is oppression And the oppressed should rise as soon as they see an opportunity. Ultra conservatives do not own ethics, they just pretend they do. That's why they threaten with violence anyone who diagrees with their take on what is moraly sound. There position is not solidly founded.</div><div>Antony<br><br>Sent from my iPhone</div><div><br>On 2010-12-21, at 15:21, Paul Mimlitsch &lt;<a href="mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>the problem is your dealing with a crowd of hypocrits who's ethics are ordained from above - there is no debate!<div><br><div><div>On Dec 21, 2010, at 3:25 AM, <a
 href="mailto:antonyhequet@yahoo.com"><a href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a></a> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: 14pt; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;
 ">one thing you will notice is that the ultra conservatives have created a de facto monopoly on ethics; they are the keepers of morality. This is a real problem. Ethics are the most important topic of debate, the fibre of society.</div></div></div></span></blockquote><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: arial, helvetica,
 sans-serif; font-size: 14pt; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">ANtony</div></div></div></span></blockquote></div><br></div></div></blockquote><br>

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Date: Tue, 21 Dec 2010 11:15:41 -0500
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
From: Tony K <bigtonyk@gmail.com>
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This is one of the things I love about this list.  The variety of people and
personalities and how nicely everybody gets along.  I own my house (paid off
yay!) have lived there for 17 years, have no desire to wander the country,
love having 100 channels of shit on the TV to choose from, have more crap
than I probably should, and haven't really met a decade I didn't like for
some reason.  My parents (and friends) were the hippies of the 60's.
singing protest songs, love beads, really went to Woodstock and all that.  I
do find it interesting how the popular media glorifies something (not
necessarily in a bad way) that really only a small number of people actually
attended and turns it into a mass experience.  I watched a show about
Woodstock and I think it was Graham Nash who said if everybody who told him
they were at Woodstock were actually there, there would have been about 5
million people in the audience. :)  I think the 60's for the US had quite a
few major cultural defining moments.  The pill, civil & womens rights,
massively unpopular war, counter culture, drugs... lots of changes and
resistance to the status quo.

Anyway, you guys are great and I love reading this list every day.

just some random thoughts... I think the cold-meds are kicking in.
wheeeeee..

Tony

On Tue, Dec 21, 2010 at 10:44 AM, Daryl Shawn <darylshawn@gmail.com> wrote:

> Several long hitchhiking trips in the 90's had a huge effect on my view
> towards having a home base. I realized that I could be pretty rootless on a
> day to day basis, and didn't need a big home and/or a bunch of stuff to be
> happy. But I also saw that I could go a bit nuts if I didn't have a break
> now and then.
>
> Since May of '09, I've used my dad's address as my mailing address, but
> haven't actually been paying rent anywhere. The initial plan was to tour
> nonstop, but I soon realized that keeping track of logistics as a solo
> act/manager/booker was almost impossible without taking time off the road
> now and then, so I backed it off, instead doing individual tours of a few
> weeks to a month, staying at my dad's or other relatives in between. I also
> realized that I don't compose very much on the road, so wanted to take time
> to keep up writing as well.
>
> Now that I'm seeing somebody in NYC, and am realizing how nourishing it is
> to keep up with cultural activities including other people's live music, I
> found that it's important to have a balance between seeing shows, time with
> my girlfriend, composing, and the ever-tempting road. Rent doesn't seem like
> such an anchor anymore, and I'm planning to establish more of a home here,
> while keeping up with touring at a livable pace.
>
>
> Daryl Shawn
> www.swanwelder.com
>
>
>
>>    I planned to register my mail by a post box, rent out my flat to
>>    someone with a regular income and start sleeping wherever I could find
>>    a free spot for my sleeping bag. All this as a way to lower my living
>>    costs. But as I started to administrate the setup I was informed by
>>    authorities that it would be illegal. In Sweden a citizen has to have
>>    a proper address where you actually live. I guess that's an old
>>    (obsolete?) law once used to catch bums?
>>
>> A resident address is needed: it's a part of your Identity Card data even
>> in your country I guess, but your are not costrained to live in the same
>> place you've declared.
>> I guess you could "legally declare" that you reside in your parent's (or
>> friend's) house and you are still free to live or sleep where ever you want.
>>
>
>

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This is one of the things I love about this list.=A0 The variety of people =
and personalities and how nicely everybody gets along.=A0 I own my house (p=
aid off yay!) have lived there for 17 years, have no desire to wander the c=
ountry, love having 100 channels of shit on the TV to choose from, have mor=
e crap than I probably should, and haven&#39;t really met a decade I didn&#=
39;t like for some reason.=A0 My parents (and friends) were the hippies of =
the 60&#39;s.=A0 singing protest songs, love beads, really went to Woodstoc=
k and all that.=A0 I do find it interesting how the popular media glorifies=
 something (not necessarily in a bad way) that really only a small number o=
f people actually attended and turns it into a mass experience.=A0 I watche=
d a show about Woodstock and I think it was Graham Nash who said if everybo=
dy who told him they were at Woodstock were actually there, there would hav=
e been about 5 million people in the audience. :)=A0 I think the 60&#39;s f=
or the US had quite a few major cultural defining moments.=A0 The pill, civ=
il &amp; womens rights, massively unpopular war, counter culture, drugs... =
lots of changes and resistance to the status quo.=A0 <br>
<br>Anyway, you guys are great and I love reading this list every day. <br>=
<br>just some random thoughts... I think the cold-meds are kicking in.=A0 w=
heeeeee..<br><br>Tony<br><br><div class=3D"gmail_quote">On Tue, Dec 21, 201=
0 at 10:44 AM, Daryl Shawn <span dir=3D"ltr">&lt;<a href=3D"mailto:darylsha=
wn@gmail.com">darylshawn@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Several long hitchhiking trips in the 90&#3=
9;s had a huge effect on my view towards having a home base. I realized tha=
t I could be pretty rootless on a day to day basis, and didn&#39;t need a b=
ig home and/or a bunch of stuff to be happy. But I also saw that I could go=
 a bit nuts if I didn&#39;t have a break now and then.<br>

<br>
Since May of &#39;09, I&#39;ve used my dad&#39;s address as my mailing addr=
ess, but haven&#39;t actually been paying rent anywhere. The initial plan w=
as to tour nonstop, but I soon realized that keeping track of logistics as =
a solo act/manager/booker was almost impossible without taking time off the=
 road now and then, so I backed it off, instead doing individual tours of a=
 few weeks to a month, staying at my dad&#39;s or other relatives in betwee=
n. I also realized that I don&#39;t compose very much on the road, so wante=
d to take time to keep up writing as well.<br>

<br>
Now that I&#39;m seeing somebody in NYC, and am realizing how nourishing it=
 is to keep up with cultural activities including other people&#39;s live m=
usic, I found that it&#39;s important to have a balance between seeing show=
s, time with my girlfriend, composing, and the ever-tempting road. Rent doe=
sn&#39;t seem like such an anchor anymore, and I&#39;m planning to establis=
h more of a home here, while keeping up with touring at a livable pace.<div=
 class=3D"im">
<br>
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<br>
<br>
</div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-l=
eft:1px #ccc solid;padding-left:1ex">
<br><div class=3D"im">
 =A0 =A0I planned to register my mail by a post box, rent out my flat to<br=
>
 =A0 =A0someone with a regular income and start sleeping wherever I could f=
ind<br>
 =A0 =A0a free spot for my sleeping bag. All this as a way to lower my livi=
ng<br>
 =A0 =A0costs. But as I started to administrate the setup I was informed by=
<br>
 =A0 =A0authorities that it would be illegal. In Sweden a citizen has to ha=
ve<br>
 =A0 =A0a proper address where you actually live. I guess that&#39;s an old=
<br>
 =A0 =A0(obsolete?) law once used to catch bums?<br>
<br>
A resident address is needed: it&#39;s a part of your Identity Card data ev=
en in your country I guess, but your are not costrained to live in the same=
 place you&#39;ve declared.<br>
I guess you could &quot;legally declare&quot; that you reside in your paren=
t&#39;s (or friend&#39;s) house and you are still free to live or sleep whe=
re ever you want.<br>
</div></blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>

--0015174be0bcac01970497edf22a--

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References: <C93404FC.8B6%mech@m3ch.net> <838513.12522.qm@web120701.mail.ne1.yahoo.com> <726302687839749391@unknownmsgid> <AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com> <916190.82124.qm@web120703.mail.ne1.yahoo.com> <4244811946201215669@unknownmsgid> <SNT143-w195010FEC027A5663EDA23B6190@phx.gbl> <AANLkTimXyH+oO7sMpfzppzTvAdZjqskeyDwYFKtRLei+@mail.gmail.com> <971B5D4C-6FD5-4B4D-BE68-F8BB436F3555@charter.net> <AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com> <A780B8FA-90A3-4B80-AFB7-C026A9D0821E@ubergadget.com> <744256.67553.qm@web120720.mail.ne1.yahoo.com> <AANLkTi=2Xi3GaewzAiT35t=2_qgkWrZA0FE6TnyBzAZq@mail.gmail.com> <BAY145-w3992C5B518BAD9F1E6098D85190@phx.gbl> <4D0FB9AF.7070208@gmail.com> <4D0FBAB8.4020107@googlemail.com> <4D0FBECC.2060100@gmail.com> <87A197B4-BE86-49FE-8741-8D9C10C3D89C@ubergadget.com> <BAY145-w2779CCFF7FA11AF5C8CEB5851A0@phx.gbl> <AANLkTi=6gmae7CMSspptpB92=2sppitS1fE3sbQVxe=y@mail.gmail.com> <FA660E56-6CEF-4643-B26B-C8FA00D03E4B@1800dialword.com>
Date: Tue, 21 Dec 2010 08:20:59 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
To: Loopers-Delight@loopers-delight.com
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--0-1804229286-1292948459=:50392
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hey Per,

you are the greatest couch surfer in the universe. You can come to Geneva for a 
while. I have whole flor you can use and a fab studio including a stick rig that 
is out of this world: all tube amps and a big room to let it ring in.

Antony





________________________________
From: Andy Owens <andy@1800dialword.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, December 21, 2010 3:15:41 PM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE

Hey Per just come on over to Deep Gap, North Carolina, I got eighty acres you 
can throw your sleeping bag wherever you want and theres a back door to the 
recording studio. I think looped flute would go nice with the whiporwills at 
night!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 21, 2010, at 6:18 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 21, 2010 at 11:26 AM, Somone wrote:
>> do a "Julian Assange" and be nomadic and have no "official" terrestrial
>> address?
> 
> 
> I planned to register my mail by a post box, rent out my flat to
> someone with a regular income and start sleeping wherever I could find
> a free spot for my sleeping bag. All this as a way to lower my living
> costs. But as I started to administrate the setup I was informed by
> authorities that it would be illegal. In Sweden a citizen has to have
> a proper address where you actually live. I guess that's an old
> (obsolete?) law once used to catch bums?
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
> 


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:14pt">hey Per,<br><br>you are the greatest couch surfer in the universe. You can come to Geneva for a while. I have whole flor you can use and a fab studio including a stick rig that is out of this world: all tube amps and a big room to let it ring in.<br><br>Antony <br><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 14pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 13px;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Andy Owens &lt;andy@1800dialword.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, December 21, 2010 3:15:41 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: (OT) REJECTING
 MASS MEDIA CULTURE<br></font><br>
Hey Per just come on over to Deep Gap, North Carolina, I got eighty acres you can throw your sleeping bag wherever you want and theres a back door to the recording studio. I think looped flute would go nice with the whiporwills at night!!!<br><br>Andy Owens<br>1-800-AndyOwens<br>Sent from my iPhone<br>So the typing might not be my best!<br><br><br>On Dec 21, 2010, at 6:18 AM, Per Boysen &lt;<a ymailto="mailto:perboysen@gmail.com" href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br><br>&gt; On Tue, Dec 21, 2010 at 11:26 AM, Somone wrote:<br>&gt;&gt; do a "Julian Assange" and be nomadic and have no "official" terrestrial<br>&gt;&gt; address?<br>&gt; <br>&gt; <br>&gt; I planned to register my mail by a post box, rent out my flat to<br>&gt; someone with a regular income and start sleeping wherever I could find<br>&gt; a free spot for my sleeping bag. All this as a way to lower my living<br>&gt; costs. But as I started to administrate the
 setup I was informed by<br>&gt; authorities that it would be illegal. In Sweden a citizen has to have<br>&gt; a proper address where you actually live. I guess that's an old<br>&gt; (obsolete?) law once used to catch bums?<br>&gt; <br>&gt; Greetings from Sweden<br>&gt; <br>&gt; Per Boysen<br>&gt; <a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br>&gt; <a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br>&gt; <a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br>&gt; <br><br></div></div>
</div><br>

      </body></html>
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And The Wailers.... (-;>)

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 21, 2010, at 7:54 AM, "Paul Richards" <paulrichard_rocks@yahoo.com> w=
rote:

> (Remember if you will that Hendrix came to the UK to find an audience...)
> =20
> Hendrix was one of many: the Electric Prunes, Iron Butterfly, Autosalvage,=
 Spirit, Big Brother & the Holding Company, the Airplane, the Rotary Connect=
ion, et al.=20
>=20
>=20
>=20
> --- On Tue, 12/21/10, mark francombe <markfrancombe@gmail.com> wrote:
>=20
> From: mark francombe <markfrancombe@gmail.com>
> Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Per=
formance Sampler Teaser....
> To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight=
.com>
> Date: Tuesday, December 21, 2010, 3:19 AM
>=20
> Sent from my (advertisement removed)
>=20
> On 21 Dec 2010, at 01:32, Paul Richards <paulrichard_rocks@yahoo.com> wrot=
e:
>=20
> > Anyway, what do you know? Probably never even went to Woodstock. Wait a m=
inute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a W=
inter).
>=20
>=20
> Ah ha... another american who believes everything started in the US...
> Whats woodstock but the beginning of the end.. I know and have read
> volumes on this period in history, infact a bit if a bore about UK
> psychedelia, as i have researched a game concept thats playing area
> and time is London soho '68.
> Remember if you will that Hendrix came to the UK to find an audience...
>=20
> > Chilly Scenes of a Winter is a name i recognise....
>=20
> Edmund me?
>=20
> (Edmund was iphones spelling of remind!!)
>=20
> Mark
>=20
>=20

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From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 17:27:25 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP loop capture
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Mark Hamburg:
> "Would it be possible without a lot of fancy footwork to use either the 
> Looperlative or the RC-50 to do loop capture from an EDP (or a stereo 
> pair of EDPs)?"
> 

Sure, if you're resampling you can operate the loopers
by hand.

By foot, there's usually a need to mute the source looper
simultaneously with ending the recording on the capturing looper.

One easy way is to end the resampling with a Mute.
...solves the problem of hearing both versions at once.
Then you can safely mangle the source loop before
bringing it back on the other looper.

Using the Looperlative LP1 it would be possible to synchronise
the loop length by midi.
With RC-50 it wouldn't.


andy butler
ps
c.f.
How can I play great guitar solos without all that fancy fingerwork? ;-)

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 18:22:34 2010
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	<Loopers-Delight@loopers-delight.com>
Date: Tue, 21 Dec 2010 13:22:29 -0500
Subject: RE: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
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 Performance Sampler Teaser....
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Lots of interesting traffic on this topic, but in case anyone on this list =
is not aware - the carbon footprint of the Internet is enormous, and it see=
ms to me that in part this is a consequence of the addiction. One of the ea=
rliest items that clued me into thinking about this was a post right here o=
n LD from one of the folks who works at a high level for a computer company=
 (maybe Kris H?); the post suggested everyone use plain text for messages, =
which then engendered a flurry of conversation about the relative number of=
 packets being flung about the 'net in the case of plain text, rich text, a=
nd HTML.

Opinions vary widely but n one who has given it any thought suggests that t=
here is no issue at all.

An admonition to us all, maybe myself especially - never give power tools t=
o someone who has shown they don't know how to use a hammer.

Hal Dean


From: Revfever [mailto:revfever@ubergadget.com]
Sent: Monday, December 20, 2010 4:04 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Perf=
ormance Sampler Teaser....

If being "addicted" to having access to potentially more knowledge and info=
rmation, and direct communications worldwide than ever before in history, a=
nd quickly so, then for me personally, here's to "addiction"!  Hurray!  Als=
o, the 60's did not "create" the "indulging" of today. Humans have always n=
aturally done this sort of thing and in "cycles". It happens ever few decad=
es or so and is nothing "new".  Look at the "Roaring Twenties" or even the =
1950's, or go as far back as the Roman Empire and even further back. Histor=
y just repeats itself,
for better or for worse, or a combo of both. Wash, rinse, repeat...wash, ri=
nse, repeat...wash, rinse, repeat...ad infinitum.

Sugar Frosted Flakes,
Rev. Fever

On Dec 20, 2010, at 12:39 PM, antonyhequet@yahoo.com<mailto:antonyhequet@ya=
hoo.com> wrote:


the internet os more adictive thqn TV and the 60's actually created the ind=
ulging of today, Frank Zappa had some nice sonds about it, and the diggers =
wrote about it when it was happening: But we do not have to revere the 60 o=
r regret them in order to see what we are doing now with our time on mother=
 earth.
Nothing is sacred to us anymore...

Antony

________________________________
From: mark francombe <mark@markfrancombe.com<mailto:mark@markfrancombe.com>=
>
To: Loopers-Delight@loopers-delight.com<mailto:Loopers-Delight@loopers-deli=
ght.com>
Sent: Mon, December 20, 2010 9:16:08 PM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Perf=
ormance Sampler Teaser....

I think we're side-stepping a issue that we don't like the taste of actuall=
y.
Blaming it all on TV? Isnt that all a bit old news... surely this "I want i=
t all and I want it NOW" generation has spun out of control because of the.=
.
deep breath... I N T E R N E T...
Thats the real evil I'm terribly sorry to say. Of course we dont want to ad=
mit it, none of us would be friends if it want for the net, but the idea th=
at one can get anything, any product is within a shipping date, with tracki=
ng number... any information, (I wanted to know where the source of the ezp=
ression "the real Mc Coy " came from today.. I found out.. in 3 seconds...)=
 OK its good to have all this information at our fingertips... isn't it? Ma=
ybe not, maybe we dont have to retain knowledge anymore, maybe we don't hav=
e to think? if only I could have my computer in my pocket.. oh wait.. I can=
... What IS that song onthe radio.. I remember it... but... Ahhh Shazam it.=
. finished with.. it was Blur... problem solved... song forgotten...again..=
. And film, downloadable in minutes... lets not bother going out at all, wh=
ats the point?, why bother watching TV, when we can MAKE TV! Why bother rea=
ding informed opinion, when we can read the opinion of millions...?
Im absolutely the worst.. right now, my wife is setting up the cards for a =
game of Dominion, I have said "just a minute!" twice now...

I'd like to believe that the 60's were the ideals that tED feels we have lo=
st, but its not really true is it, ok so a handful of actuvists made a larg=
e noise about love and peace... Of course I was only just bor, maybe it fel=
t different to those who live through it, but for me the 60's just looks li=
ke these shambolic idiotic idiots posing.. have any of you read Timothy Lea=
ry? Utter clap trap... Sorry but the hippy ideals leave me shivering as I t=
hink of the amount of drug crazed kids dropping out, girls getting raped co=
s it wasnt cool to say no... Of course it spawned some of the greatest musi=
c ever, Beatles, Hendrix, Velvets, Floyd, none could have happened at any o=
ther time...
Historically speaking of course, the 60's were a milestone, the babyboomers=
 getting up and saying, Fuck you to their parents, look how well YOU guys d=
id with 2 world wars, Im sure we can do better, but the total freedom that =
they advocated was just not there... an illusion. The period bookmarked by =
2 events that prove it, The shooting of JFK and Vietnam... Everything in be=
tween was marketing, pure and simple.

I think I might have been rambling now... so shoot me...

Going to play cards with the wife...

Night night

Mark

--
mark francombe
www.markfrancombe.com<http://www.markfrancombe.com>
www.ordoabkhao.com<http://www.ordoabkhao.com>
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no




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-line-break: after-white-space'><div class=3DWordSection1><p class=3DMsoNor=
mal><span style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";colo=
r:#1F497D'>Lots of interesting traffic on this topic, but in case anyone on=
 this list is not aware &#8211; the carbon footprint of the Internet is eno=
rmous, and it seems to me that in part this is a consequence of the addicti=
on. One of the earliest items that clued me into thinking about this was a =
post right here on LD from one of the folks who works at a high level for a=
 computer company (maybe Kris H?); the post suggested everyone use plain te=
xt for messages, which then engendered a flurry of conversation about the r=
elative number of packets being flung about the &#8216;net in the case of p=
lain text, rich text, and HTML.<o:p></o:p></span></p><p class=3DMsoNormal><=
span style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F=
497D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span style=3D'font-=
size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>Opinions vary=
 widely but n one who has given it any thought suggests that there is no is=
sue at all.<o:p></o:p></span></p><p class=3DMsoNormal><span style=3D'font-s=
ize:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p>&nbsp;</o=
:p></span></p><p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-fam=
ily:"Calibri","sans-serif";color:#1F497D'>An admonition to us all, maybe my=
self especially &#8211; never give power tools to someone who has shown the=
y don&#8217;t know how to use a hammer.<o:p></o:p></span></p><p class=3DMso=
Normal><span style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";c=
olor:#1F497D'><o:p>&nbsp;</o:p></span></p><div><p class=3DMsoNormal><i><spa=
n style=3D'font-size:11.0pt;font-family:"Palatino Linotype","serif";color:#=
1F497D'>Hal Dean</span></i><span style=3D'font-size:11.0pt;font-family:"Pal=
atino Linotype","serif";color:#1F497D'><o:p></o:p></span></p><p class=3DMso=
Normal><span style=3D'font-size:11.0pt;font-family:"Palatino Linotype","ser=
if";color:#1F497D'><o:p>&nbsp;</o:p></span></p></div><p class=3DMsoNormal><=
span style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F=
497D'><o:p>&nbsp;</o:p></span></p><div><div style=3D'border:none;border-top=
:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'><p class=3DMsoNormal><b><sp=
an style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span=
></b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Re=
vfever [mailto:revfever@ubergadget.com] <br><b>Sent:</b> Monday, December 2=
0, 2010 4:04 PM<br><b>To:</b> Loopers-Delight@loopers-delight.com<br><b>Sub=
ject:</b> Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Per=
formance Sampler Teaser....<o:p></o:p></span></p></div></div><p class=3DMso=
Normal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>If being &quot;addicted&qu=
ot; to having access to potentially more knowledge and information, and dir=
ect communications worldwide than ever before in history, and quickly so, t=
hen for me personally, here's to &quot;addiction&quot;! &nbsp;Hurray! &nbsp=
;Also, the 60's did not &quot;create&quot; the &quot;indulging&quot; of tod=
ay. Humans have always naturally done this sort of thing and in &quot;cycle=
s&quot;. It happens ever few decades or so and is nothing &quot;new&quot;. =
&nbsp;Look at the &quot;Roaring Twenties&quot; or even the 1950's, or go as=
 far back as the Roman Empire and even further back. History just repeats i=
tself,&nbsp;<o:p></o:p></p><div><p class=3DMsoNormal>for better or for wors=
e, or a combo of both. Wash, rinse, repeat...wash, rinse, repeat...wash, ri=
nse, repeat...ad infinitum.<o:p></o:p></p><div><p class=3DMsoNormal><o:p>&n=
bsp;</o:p></p></div><div><p class=3DMsoNormal>Sugar Frosted Flakes,<o:p></o=
:p></p></div><div><p class=3DMsoNormal>Rev. Fever<o:p></o:p></p><div><p cla=
ss=3DMsoNormal><o:p>&nbsp;</o:p></p><div><div><p class=3DMsoNormal>On Dec 2=
0, 2010, at 12:39 PM, <a href=3D"mailto:antonyhequet@yahoo.com">antonyheque=
t@yahoo.com</a> wrote:<o:p></o:p></p></div><p class=3DMsoNormal><br><br><o:=
p></o:p></p><div><div><p class=3DMsoNormal><span style=3D'font-size:14.0pt;=
font-family:"Arial","sans-serif";color:black'>the internet os more adictive=
 thqn TV and the 60's actually created the indulging of today, Frank Zappa =
had some nice sonds about it, and the diggers wrote about it when it was ha=
ppening: But we do not have to revere the 60 or regret them in order to see=
 what we are doing now with our time on mother earth.&nbsp;<o:p></o:p></spa=
n></p></div><div><p class=3DMsoNormal><span style=3D'font-size:14.0pt;font-=
family:"Arial","sans-serif";color:black'>Nothing is sacred to us anymore...=
<o:p></o:p></span></p></div><div><p class=3DMsoNormal><span style=3D'font-s=
ize:14.0pt;font-family:"Arial","sans-serif";color:black'><o:p>&nbsp;</o:p><=
/span></p></div><div><p class=3DMsoNormal><span style=3D'font-size:14.0pt;f=
ont-family:"Arial","sans-serif";color:black'>Antony<o:p></o:p></span></p></=
div><div><p class=3DMsoNormal><span style=3D'font-size:14.0pt;font-family:"=
Arial","sans-serif";color:black'><o:p>&nbsp;</o:p></span></p><div><div clas=
s=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span style=3D'fon=
t-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'><hr size=3D1 w=
idth=3D"100%" align=3Dcenter></span></div><p class=3DMsoNormal><b><span sty=
le=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>From:=
</span></b><span class=3Dapple-converted-space><span style=3D'font-size:10.=
0pt;font-family:"Tahoma","sans-serif";color:black'>&nbsp;</span></span><spa=
n style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif";color:black'>=
mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranc=
ombe.com</a>&gt;<br><b>To:</b><span class=3Dapple-converted-space>&nbsp;</s=
pan><a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br><b>Sent:</b><span class=3Dapple-converted-space>=
&nbsp;</span>Mon, December 20, 2010 9:16:08 PM<br><b>Subject:</b><span clas=
s=3Dapple-converted-space>&nbsp;</span>Re: (OT) REJECTING MASS MEDIA CULTUR=
E (Was Re: Epic Octatrack Performance Sampler Teaser....<br></span><span st=
yle=3D'color:black'><br>I think we're side-stepping a issue that we don't l=
ike the taste of actually.<span class=3Dapple-converted-space>&nbsp;</span>=
<br>Blaming it all on TV? Isnt that all a bit old news... surely this &quot=
;I want it all and I want it NOW&quot; generation has spun out of control b=
ecause of the..<br>deep breath... I N T E R N E T...<br>Thats the real evil=
 I'm terribly sorry to say. Of course we dont want to admit it, none of us =
would be friends if it want for the net, but the idea that one can get anyt=
hing, any product is within a shipping date, with tracking number... any in=
formation, (I wanted to know where the source of the ezpression &quot;the r=
eal Mc Coy &quot; came from today.. I found out.. in 3 seconds...) OK its g=
ood to have all this information at our fingertips... isn't it? Maybe not, =
maybe we dont have to retain knowledge anymore, maybe we don't have to thin=
k? if only I could have my computer in my pocket.. oh wait.. I can... What =
IS that song onthe radio.. I remember it... but... Ahhh Shazam it.. finishe=
d with.. it was Blur... problem solved... song forgotten...again... And fil=
m, downloadable in minutes... lets not bother going out at all, whats the p=
oint?, why bother watching TV, when we can MAKE TV! Why bother reading info=
rmed opinion, when we can read the opinion of millions...?<br>Im absolutely=
 the worst.. right now, my wife is setting up the cards for a game of Domin=
ion, I have said &quot;just a minute!&quot; twice now...<br><br>I'd like to=
 believe that the 60's were the ideals that tED feels we have lost, but its=
 not really true is it, ok so a handful of actuvists made a large noise abo=
ut love and peace... Of course I was only just bor, maybe it felt different=
 to those who live through it, but for me the 60's just looks like these sh=
ambolic idiotic idiots posing.. have any of you read Timothy Leary? Utter c=
lap trap... Sorry but the hippy ideals leave me shivering as I think of the=
 amount of drug crazed kids dropping out, girls getting raped cos it wasnt =
cool to say no... Of course it spawned some of the greatest music ever, Bea=
tles, Hendrix, Velvets, Floyd, none could have happened at any other time..=
.<span class=3Dapple-converted-space>&nbsp;</span><br>Historically speaking=
 of course, the 60's were a milestone, the babyboomers getting up and sayin=
g, Fuck you to their parents, look how well YOU guys did with 2 world wars,=
 Im sure we can do better, but the total freedom that they advocated was ju=
st not there... an illusion. The period bookmarked by 2 events that prove i=
t, The shooting of JFK and Vietnam... Everything in between was marketing, =
pure and simple.<br><br>I think I might have been rambling now... so shoot =
me...<br><br>Going to play cards with the wife...<br><br>Night night<br><br=
>Mark<br clear=3Dall><br>--<span class=3Dapple-converted-space>&nbsp;</span=
><br>mark francombe<br><a href=3D"http://www.markfrancombe.com" target=3D"_=
blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" t=
arget=3D"_blank">www.ordoabkhao.com</a><br>twitter @markfrancombe<br><a hre=
f=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user82=
5094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://www.lo=
oop.no</a><o:p></o:p></span></p></div></div></div><p class=3DMsoNormal><spa=
n style=3D'font-size:13.5pt;font-family:"Helvetica","sans-serif";color:blac=
k'><br><br></span><o:p></o:p></p></div><p class=3DMsoNormal><o:p>&nbsp;</o:=
p></p></div></div></div></div></body></html>=

--_000_86FEE8BCF5652949A08D1EB0545EB4240CF73A06EFWCUEXEMP1MBPA_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 18:31:20 2010
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References: <1012010C97BF4077BD11E14AC4DCA425@mpeserver>
 <4D0A338D.2040903@cruzio.com>
 <AE7957202DBD46869B82C28ACF8E414A@boo6e771026609>
 <p06240803c9309206bb2a@[192.168.2.3]>
Date: Tue, 21 Dec 2010 13:31:14 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Films of Eno creating his latest record....
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--============_-919166219==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

What has happened to this list?  After all the Fripp discussion, not 
one bit of interest in Eno's  live looping, etc?

>http://brian-eno.net/seven-sessions/
>
>http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-sessions/
>
>"Watch Eno intently hunched over a table of electronic doohickeys 
>while gorgeous waves of sound roll out."
>
>
>
>
>
>
>--
>
>...
>http://www.zmix.net
>
>http://www.esession.com/ChuckZwicky
>
>http://albumcredits.com/zmix


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-919166219==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Films of Eno creating his latest
record....</title></head><body>
<div>What has happened to this list?&nbsp; After all the Fripp
discussion, not one bit of interest in Eno's&nbsp; live looping, etc?
</div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial"
size="-1">http://brian-eno.net/seven-sessions/</font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"
>http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-session<span
></span>s/</font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><font face="Lucida Grande" size="-1"
color="#3A3A3B">&quot;Watch Eno intently hunched over a table of
electronic doohickeys while gorgeous waves of sound roll
out.</font><font face="Arial" size="-1">&quot;</font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><tt>--</tt></blockquote>
<blockquote type="cite" cite><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-919166219==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 18:32:35 2010
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From: Paul Mimlitsch <pmimlitsch@mac.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Subject: mobius questions
Date: Tue, 21 Dec 2010 11:32:33 -0700
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Recently converted to the laptop processing/ looping/ recording world  
- 15" MacbookPro running Ableton Live.  Just downloaded and am  
checking out Mobius as a stand alone looper.  Must say it's a  
fantastic program that runs effortlessly.  Learning the interface and  
have done some midi mapping - Logidy UM13/ ev5 pedals - no brainer  
setting up.  My looping needs are quite simple though given the depth  
of the program I'm sure they'll become more sophisticated. A couple  
questions for Jeff/ Mobius loopers:  How does one donate to help  
support the project - I know it's free but just the same.... and how  
does one participate in the forums - seems the sign up button is  
disabled?  Thanks. - Paul (<< http://soundcloud/r369improv >>)

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Subject: Re: mobius questions
From: Todd Matthews <gtmatthews@gmail.com>
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You just need to send an email to Jeff stating that you would like to =
join the forums. See you over there,


Todd Matthews
http://www.joshuasteelemusic.com




From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 19:35:03 2010
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
To: Loopers-Delight@loopers-delight.com
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--0-604087730-1292960100=:38585
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hal,=0A=0Athat's a real new one for me. How can the carbon foot print if th=
e internet be =0Aenormous. Al,the poeple who would be running around in car=
s planes and other =0Atrains are communicating thru a network: Ok mega comp=
uters and cables but how =0Acan that be bigger than transportation...=0A=0A=
Antony=0A=0A=0A=0A________________________________=0AFrom: "Dean, Hal" <HDe=
an@wcupa.edu>=0ATo: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@=
loopers-delight.com>=0ASent: Tue, December 21, 2010 7:22:29 PM=0ASubject: R=
E: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack =0APerformance=
 Sampler Teaser....=0A=0A=0ALots of interesting traffic on this topic, but =
in case anyone on this list is =0Anot aware =E2=80=93 the carbon footprint =
of the Internet is enormous, and it seems to me =0Athat in part this is a c=
onsequence of the addiction. One of the earliest items =0Athat clued me int=
o thinking about this was a post right here on LD from one of =0Athe folks =
who works at a high level for a computer company (maybe Kris H?); the =0Apo=
st suggested everyone use plain text for messages, which then engendered a =
=0Aflurry of conversation about the relative number of packets being flung =
about =0Athe =E2=80=98net in the case of plain text, rich text, and HTML.=
=0A =0AOpinions vary widely but n one who has given it any thought suggests=
 that there =0Ais no issue at all.=0A =0AAn admonition to us all, maybe mys=
elf especially =E2=80=93 never give power tools to =0Asomeone who has shown=
 they don=E2=80=99t know how to use a hammer.=0A =0AHal Dean=0A =0A =0AFrom=
:Revfever [mailto:revfever@ubergadget.com] =0ASent: Monday, December 20, 20=
10 4:04 PM=0ATo: Loopers-Delight@loopers-delight.com=0ASubject: Re: (OT) RE=
JECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack =0APerformance Sampler T=
easer....=0A =0AIf being "addicted" to having access to potentially more kn=
owledge and =0Ainformation, and direct communications worldwide than ever b=
efore in history, =0Aand quickly so, then for me personally, here's to "add=
iction"!  Hurray!  Also, =0Athe 60's did not "create" the "indulging" of to=
day. Humans have always naturally =0Adone this sort of thing and in "cycles=
". It happens ever few decades or so and =0Ais nothing "new".  Look at the =
"Roaring Twenties" or even the 1950's, or go as =0Afar back as the Roman Em=
pire and even further back. History just repeats =0Aitself, =0Afor better o=
r for worse, or a combo of both. Wash, rinse, repeat...wash, rinse, =0Arepe=
at...wash, rinse, repeat...ad infinitum.=0A =0ASugar Frosted Flakes,=0ARev.=
 Fever=0A =0AOn Dec 20, 2010, at 12:39 PM, antonyhequet@yahoo.com wrote:=0A=
=0A=0Athe internet os more adictive thqn TV and the 60's actually created t=
he =0Aindulging of today, Frank Zappa had some nice sonds about it, and the=
 diggers =0Awrote about it when it was happening: But we do not have to rev=
ere the 60 or =0Aregret them in order to see what we are doing now with our=
 time on mother =0Aearth. =0ANothing is sacred to us anymore...=0A =0AAnton=
y=0A =0A=0A________________________________=0A=0AFrom: mark francombe <mark=
@markfrancombe.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Mon, =
December 20, 2010 9:16:08 PM=0ASubject: Re: (OT) REJECTING MASS MEDIA CULTU=
RE (Was Re: Epic Octatrack =0APerformance Sampler Teaser....=0A=0AI think w=
e're side-stepping a issue that we don't like the taste of actually. =0ABla=
ming it all on TV? Isnt that all a bit old news... surely this "I want it a=
ll =0Aand I want it NOW" generation has spun out of control because of the.=
.=0Adeep breath... I N T E R N E T...=0AThats the real evil I'm terribly so=
rry to say. Of course we dont want to admit =0Ait, none of us would be frie=
nds if it want for the net, but the idea that one =0Acan get anything, any =
product is within a shipping date, with tracking number... =0Aany informati=
on, (I wanted to know where the source of the ezpression "the real =0AMc Co=
y " came from today.. I found out.. in 3 seconds...) OK its good to have =
=0Aall this information at our fingertips... isn't it? Maybe not, maybe we =
dont =0Ahave to retain knowledge anymore, maybe we don't have to think? if =
only I could =0Ahave my computer in my pocket.. oh wait.. I can... What IS =
that song onthe =0Aradio.. I remember it... but... Ahhh Shazam it.. finishe=
d with.. it was Blur... =0Aproblem solved... song forgotten...again... And =
film, downloadable in minutes... =0Alets not bother going out at all, whats=
 the point?, why bother watching TV, when =0Awe can MAKE TV! Why bother rea=
ding informed opinion, when we can read the =0Aopinion of millions...?=0AIm=
 absolutely the worst.. right now, my wife is setting up the cards for a ga=
me =0Aof Dominion, I have said "just a minute!" twice now...=0A=0AI'd like =
to believe that the 60's were the ideals that tED feels we have lost, =0Abu=
t its not really true is it, ok so a handful of actuvists made a large nois=
e =0Aabout love and peace... Of course I was only just bor, maybe it felt d=
ifferent =0Ato those who live through it, but for me the 60's just looks li=
ke these =0Ashambolic idiotic idiots posing.. have any of you read Timothy =
Leary? Utter clap =0Atrap... Sorry but the hippy ideals leave me shivering =
as I think of the amount =0Aof drug crazed kids dropping out, girls getting=
 raped cos it wasnt cool to say =0Ano... Of course it spawned some of the g=
reatest music ever, Beatles, Hendrix, =0AVelvets, Floyd, none could have ha=
ppened at any other time... =0AHistorically speaking of course, the 60's we=
re a milestone, the babyboomers =0Agetting up and saying, Fuck you to their=
 parents, look how well YOU guys did =0Awith 2 world wars, Im sure we can d=
o better, but the total freedom that they =0Aadvocated was just not there..=
. an illusion. The period bookmarked by 2 events =0Athat prove it, The shoo=
ting of JFK and Vietnam... Everything in between was =0Amarketing, pure and=
 simple.=0A=0AI think I might have been rambling now... so shoot me...=0A=
=0AGoing to play cards with the wife...=0A=0ANight night=0A=0AMark=0A=0A-- =
=0Amark francombe=0Awww.markfrancombe.com=0Awww.ordoabkhao.com=0Atwitter @m=
arkfrancombe=0Ahttp://vimeo.com/user825094=0Ahttp://www.looop.no=0A=0A=0A  =
    
--0-604087730-1292960100=:38585
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>hal,</div><div><br></div><div>that's a real new one for me. How c=
an the carbon foot print if the internet be enormous. Al,the poeple who wou=
ld be running around in cars planes and other trains are communicating thru=
 a network: Ok mega computers and cables but how can that be bigger than tr=
ansportation...</div><div><br></div><div>Antony</div><div style=3D"font-fam=
ily:arial, helvetica, sans-serif;font-size:14pt"><br><div style=3D"font-fam=
ily:times new roman, new york, times, serif;font-size:12pt"><font size=3D"2=
" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weight: bold;">From=
:</span></b> "Dean, Hal" &lt;HDean@wcupa.edu&gt;<br><b><span style=3D"font-=
weight: bold;">To:</span></b> "Loopers-Delight@loopers-delight.com" &lt;Loo=
pers-Delight@loopers-delight.com&gt;<br><b><span style=3D"font-weight:
 bold;">Sent:</span></b> Tue, December 21, 2010 7:22:29 PM<br><b><span styl=
e=3D"font-weight: bold;">Subject:</span></b> RE: (OT) REJECTING MASS MEDIA =
CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....<br></font><b=
r>=0A<style><!--=0A =0A _filtered {font-family:Helvetica;panose-1:2 11 6 4 =
2 2 2 2 2 4;}=0A _filtered {font-family:Helvetica;panose-1:2 11 6 4 2 2 2 2=
 2 4;}=0A _filtered {font-family:Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;}=0A=
 _filtered {font-family:Tahoma;panose-1:2 11 6 4 3 5 4 4 2 4;}=0A _filtered=
 {font-family:"Palatino Linotype";panose-1:2 4 5 2 5 5 5 3 3 4;}=0A =0Ap.Ms=
oNormal, li.MsoNormal, div.MsoNormal=0A=09{margin:0in;margin-bottom:.0001pt=
;font-size:12.0pt;font-family:"serif";}=0Aa:link, span.MsoHyperlink=0A=09{c=
olor:blue;text-decoration:underline;}=0Aa:visited, span.MsoHyperlinkFollowe=
d=0A=09{color:purple;text-decoration:underline;}=0Aspan.apple-style-span=0A=
=09{}=0Aspan.apple-converted-space=0A=09{}=0Aspan.EmailStyle19=0A=09{font-f=
amily:"sans-serif";color:#1F497D;}=0A.MsoChpDefault=0A=09{font-size:10.0pt;=
}=0A _filtered {margin:1.0in 1.0in 1.0in 1.0in;}=0Adiv.WordSection1=0A=09{}=
=0A--></style><div class=3D"WordSection1"><p class=3D"MsoNormal"><span styl=
e=3D"font-size:11.0pt;font-family:&quot;sans-serif&quot;;color:#1F497D;">Lo=
ts of interesting traffic on this topic, but in case anyone on this list is=
 not aware =E2=80=93 the carbon footprint of the Internet is enormous, and =
it seems to me that in part this is a consequence of the addiction. One of =
the earliest items that clued me into thinking about this was a post right =
here on LD from one of the folks who works at a high level for a computer c=
ompany (maybe Kris H?); the post suggested everyone use plain text for mess=
ages, which then engendered a flurry of conversation about the relative num=
ber of packets being flung about the =E2=80=98net in the case of plain text=
, rich text, and HTML.</span></p><p class=3D"MsoNormal"><span style=3D"font=
-size:11.0pt;font-family:&quot;sans-serif&quot;;color:#1F497D;"> &nbsp;</sp=
an></p><p class=3D"MsoNormal"><span
 style=3D"font-size:11.0pt;font-family:&quot;sans-serif&quot;;color:#1F497D=
;">Opinions vary widely but n one who has given it any thought suggests tha=
t there is no issue at all.</span></p><p class=3D"MsoNormal"><span style=3D=
"font-size:11.0pt;font-family:&quot;sans-serif&quot;;color:#1F497D;"> &nbsp=
;</span></p><p class=3D"MsoNormal"><span style=3D"font-size:11.0pt;font-fam=
ily:&quot;sans-serif&quot;;color:#1F497D;">An admonition to us all, maybe m=
yself especially =E2=80=93 never give power tools to someone who has shown =
they don=E2=80=99t know how to use a hammer.</span></p><p class=3D"MsoNorma=
l"><span style=3D"font-size:11.0pt;font-family:&quot;sans-serif&quot;;color=
:#1F497D;"> &nbsp;</span></p><div><p class=3D"MsoNormal"><i><span style=3D"=
font-size:11.0pt;font-family:&quot;serif&quot;;color:#1F497D;">Hal Dean</sp=
an></i><span style=3D"font-size:11.0pt;font-family:&quot;serif&quot;;color:=
#1F497D;"></span></p><p class=3D"MsoNormal"><span
 style=3D"font-size:11.0pt;font-family:&quot;serif&quot;;color:#1F497D;"> &=
nbsp;</span></p></div><p class=3D"MsoNormal"><span style=3D"font-size:11.0p=
t;font-family:&quot;sans-serif&quot;;color:#1F497D;"> &nbsp;</span></p><div=
><div style=3D"border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in=
 0in 0in;"><p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-f=
amily:&quot;sans-serif&quot;;">From:</span></b><span style=3D"font-size:10.=
0pt;font-family:&quot;sans-serif&quot;;"> Revfever [mailto:revfever@ubergad=
get.com] <br><b>Sent:</b> Monday, December 20, 2010 4:04 PM<br><b>To:</b> L=
oopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: (OT) REJECTING MA=
SS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....</sp=
an></p></div></div><p class=3D"MsoNormal"> &nbsp;</p><p class=3D"MsoNormal"=
>If being "addicted" to having access to potentially more knowledge and inf=
ormation, and direct communications worldwide than ever before in history, =
and quickly
 so, then for me personally, here's to "addiction"! &nbsp;Hurray! &nbsp;Als=
o, the 60's did not "create" the "indulging" of today. Humans have always n=
aturally done this sort of thing and in "cycles". It happens ever few decad=
es or so and is nothing "new". &nbsp;Look at the "Roaring Twenties" or even=
 the 1950's, or go as far back as the Roman Empire and even further back. H=
istory just repeats itself,&nbsp;</p><div><p class=3D"MsoNormal">for better=
 or for worse, or a combo of both. Wash, rinse, repeat...wash, rinse, repea=
t...wash, rinse, repeat...ad infinitum.</p><div><p class=3D"MsoNormal"> &nb=
sp;</p></div><div><p class=3D"MsoNormal">Sugar Frosted Flakes,</p></div><di=
v><p class=3D"MsoNormal">Rev. Fever</p><div><p class=3D"MsoNormal"> &nbsp;<=
/p><div><div><p class=3D"MsoNormal">On Dec 20, 2010, at 12:39 PM, <a rel=3D=
"nofollow" ymailto=3D"mailto:antonyhequet@yahoo.com" target=3D"_blank" href=
=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> wrote:</p></d=
iv><p
 class=3D"MsoNormal"><br><br></p><div><div><p class=3D"MsoNormal"><span sty=
le=3D"font-size:14.0pt;font-family:&quot;sans-serif&quot;;color:black;">the=
 internet os more adictive thqn TV and the 60's actually created the indulg=
ing of today, Frank Zappa had some nice sonds about it, and the diggers wro=
te about it when it was happening: But we do not have to revere the 60 or r=
egret them in order to see what we are doing now with our time on mother ea=
rth.&nbsp;</span></p></div><div><p class=3D"MsoNormal"><span style=3D"font-=
size:14.0pt;font-family:&quot;sans-serif&quot;;color:black;">Nothing is sac=
red to us anymore...</span></p></div><div><p class=3D"MsoNormal"><span styl=
e=3D"font-size:14.0pt;font-family:&quot;sans-serif&quot;;color:black;"> &nb=
sp;</span></p></div><div><p class=3D"MsoNormal"><span style=3D"font-size:14=
.0pt;font-family:&quot;sans-serif&quot;;color:black;">Antony</span></p></di=
v><div><p class=3D"MsoNormal"><span
 style=3D"font-size:14.0pt;font-family:&quot;sans-serif&quot;;color:black;"=
> &nbsp;</span></p><div><div class=3D"MsoNormal" align=3D"center" style=3D"=
text-align:center;"><span style=3D"font-size:10.0pt;font-family:&quot;sans-=
serif&quot;;color:black;"><hr size=3D"1" width=3D"100%" align=3D"center"></=
span></div><p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-f=
amily:&quot;sans-serif&quot;;color:black;">From:</span></b><span class=3D"a=
pple-converted-space"><span style=3D"font-size:10.0pt;font-family:&quot;san=
s-serif&quot;;color:black;">&nbsp;</span></span><span style=3D"font-size:10=
.0pt;font-family:&quot;sans-serif&quot;;color:black;">mark francombe &lt;<a=
 rel=3D"nofollow" ymailto=3D"mailto:mark@markfrancombe.com" target=3D"_blan=
k" href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br=
><b>To:</b><span class=3D"apple-converted-space">&nbsp;</span><a rel=3D"nof=
ollow" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_bl=
ank"
 href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b>Sent:</b><span class=3D"apple-converted-space">&nbs=
p;</span>Mon, December 20, 2010 9:16:08 PM<br><b>Subject:</b><span class=3D=
"apple-converted-space">&nbsp;</span>Re: (OT) REJECTING MASS MEDIA CULTURE =
(Was Re: Epic Octatrack Performance Sampler Teaser....<br></span><span styl=
e=3D"color:black;"><br>I think we're side-stepping a issue that we don't li=
ke the taste of actually.<span class=3D"apple-converted-space">&nbsp;</span=
><br>Blaming it all on TV? Isnt that all a bit old news... surely this "I w=
ant it all and I want it NOW" generation has spun out of control because of=
 the..<br>deep breath... I N T E R N E T...<br>Thats the real evil I'm terr=
ibly sorry to say. Of course we dont want to admit it, none of us would be =
friends if it want for the net, but the idea that one can get anything, any=
 product is within a shipping date, with tracking number... any information=
,
 (I wanted to know where the source of the ezpression "the real Mc Coy " ca=
me from today.. I found out.. in 3 seconds...) OK its good to have all this=
 information at our fingertips... isn't it? Maybe not, maybe we dont have t=
o retain knowledge anymore, maybe we don't have to think? if only I could h=
ave my computer in my pocket.. oh wait.. I can... What IS that song onthe r=
adio.. I remember it... but... Ahhh Shazam it.. finished with.. it was Blur=
... problem solved... song forgotten...again... And film, downloadable in m=
inutes... lets not bother going out at all, whats the point?, why bother wa=
tching TV, when we can MAKE TV! Why bother reading informed opinion, when w=
e can read the opinion of millions...?<br>Im absolutely the worst.. right n=
ow, my wife is setting up the cards for a game of Dominion, I have said "ju=
st a minute!" twice now...<br><br>I'd like to believe that the 60's were th=
e ideals that tED feels we have lost, but its not really true is it,
 ok so a handful of actuvists made a large noise about love and peace... Of=
 course I was only just bor, maybe it felt different to those who live thro=
ugh it, but for me the 60's just looks like these shambolic idiotic idiots =
posing.. have any of you read Timothy Leary? Utter clap trap... Sorry but t=
he hippy ideals leave me shivering as I think of the amount of drug crazed =
kids dropping out, girls getting raped cos it wasnt cool to say no... Of co=
urse it spawned some of the greatest music ever, Beatles, Hendrix, Velvets,=
 Floyd, none could have happened at any other time...<span class=3D"apple-c=
onverted-space">&nbsp;</span><br>Historically speaking of course, the 60's =
were a milestone, the babyboomers getting up and saying, Fuck you to their =
parents, look how well YOU guys did with 2 world wars, Im sure we can do be=
tter, but the total freedom that they advocated was just not there... an il=
lusion. The period bookmarked by 2 events that prove it, The shooting
 of JFK and Vietnam... Everything in between was marketing, pure and simple=
.<br><br>I think I might have been rambling now... so shoot me...<br><br>Go=
ing to play cards with the wife...<br><br>Night night<br><br>Mark<br clear=
=3D"all"><br>--<span class=3D"apple-converted-space">&nbsp;</span><br>mark =
francombe<br><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.markf=
rancombe.com">www.markfrancombe.com</a><br><a rel=3D"nofollow" target=3D"_b=
lank" href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter =
@markfrancombe<br><span><a target=3D"_blank" href=3D"http://vimeo.com/user8=
25094">http://vimeo.com/user825094</a></span><br><span><a target=3D"_blank"=
 href=3D"http://www.looop.no">http://www.looop.no</a></span></span></p></di=
v></div></div><p class=3D"MsoNormal"><span style=3D"font-size:13.5pt;font-f=
amily:&quot;sans-serif&quot;;color:black;"><br><br></span></p></div><p clas=
s=3D"MsoNormal"> &nbsp;</p></div></div></div></div></div></div><div style=
=3D"position:fixed"></div>=0A=0A=0A</div><br>=0A=0A=0A=0A=0A=0A=0A=0A      =
</body></html>
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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
Date: Tue, 21 Dec 2010 11:34:45 -0800
To: Loopers-Delight@loopers-delight.com
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(Bumper sticker I have seen before)

"The rat race is over. The rats won".

Happy holidaze! :-)

Frankenberry,
Rev. Fever

On Dec 21, 2010, at 7:05 AM, mark francombe wrote:

> I once managed to live outside of the residency rules for a few  
> months. I went on tour for 8 months and the day I left I handed in  
> the key to my apartment. My stuff was in storage and I changed my  
> mail to my parents.
>
> When I got back I tried to stay like that for a bit, and lived with  
> a girl-friend. It felt very nice. Officially I suppose I was  
> registered at my parents but I was living off cash for the most  
> part and managed to avoid signing anything.
>
> In the end I dived back in by buying an apartment, again.. in  
> cash... but there was no getting around signing a few things, and  
> the paper trail has followed me ever since.
>
> When I emigrated, I had a small.. er.. 1000 pounds bill with  
> mastercard.. tried to run away from it Im afraid... covering my  
> tracks as a ran...  It took 6 years, but one day I got a phone call  
> from a collection agency in Scotland... Mr Francombe.. I said  
> yes... He said.. I have you down on my... heh heh Search and  
> Destroy list..."
>
> busted...
>
> Mark
>
>
> On Tue, Dec 21, 2010 at 3:29 PM, Gareth Whittock  
> <buddhamachine@live.co.uk> wrote:
> Yep they want us all in out little boxes, strangled by bills and debt.
> There's man-made laws and there's moral laws - they're not always  
> the same unfortunately. I resent some old etonian millionaire  
> telling me how to live my life - you only get one crack of the whip..
> but I digress..
>
> Peace
>
> G
>
> > Date: Tue, 21 Dec 2010 12:18:39 +0100
> > Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
> > From: perboysen@gmail.com
> > To: Loopers-Delight@loopers-delight.com
>
> >
> > On Tue, Dec 21, 2010 at 11:26 AM, Somone wrote:
> > > do a "Julian Assange" and be nomadic and have no "official"  
> terrestrial
> > > address?
> >
> >
> > I planned to register my mail by a post box, rent out my flat to
> > someone with a regular income and start sleeping wherever I could  
> find
> > a free spot for my sleeping bag. All this as a way to lower my  
> living
> > costs. But as I started to administrate the setup I was informed by
> > authorities that it would be illegal. In Sweden a citizen has to  
> have
> > a proper address where you actually live. I guess that's an old
> > (obsolete?) law once used to catch bums?
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> > www.looproom.com internet music hub
> >
>
>
>
> -- 
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no


--Apple-Mail-2--1027210506
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
(Bumper sticker I have seen before)<div><br></div><div>"The rat race is =
over. The rats won".</div><div><br></div><div>Happy holidaze! =
:-)</div><div><br></div><div>Frankenberry,</div><div>Rev. =
Fever</div><div><br><div><div>On Dec 21, 2010, at 7:05 AM, mark =
francombe wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">I once managed to live outside of the residency rules for =
a few months. I went on tour for 8 months and the day I left I handed in =
the key to my apartment. My stuff was in storage and I changed my mail =
to my parents.<br><br> When I got back I tried to stay like that for a =
bit, and lived with a girl-friend. It felt very nice. Officially I =
suppose I was registered at my parents but I was living off cash for the =
most part and managed to avoid signing anything.<br> <br>In the end I =
dived back in by buying an apartment, again.. in cash... but there was =
no getting around signing a few things, and the paper trail has followed =
me ever since.<br><br>When I emigrated, I had a small.. er.. 1000 pounds =
bill with mastercard.. tried to run away from it Im afraid... covering =
my tracks as a ran...&nbsp; It took 6 years, but one day I got a phone =
call from a collection agency in Scotland... Mr Francombe.. I said =
yes... He said.. I have you down on my... heh heh Search and Destroy =
list..."<br> <br>busted...<br><br>Mark<br><br><br><div =
class=3D"gmail_quote">On Tue, Dec 21, 2010 at 3:29 PM, Gareth Whittock =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt;<=
/span> wrote:<br> <blockquote class=3D"gmail_quote" style=3D"margin: 0pt =
0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: =
1ex;"> <div> Yep they want us all in out little boxes, strangled by =
bills and debt. <br>There's man-made laws and there's moral laws - =
they're not always the same unfortunately. I resent some old etonian =
millionaire telling me how to live my life - you only get one crack of =
the whip..<br> but I digress..<br><br>Peace<br><br>G<br><br>&gt; Date: =
Tue, 21 Dec 2010 12:18:39 +0100<br>&gt; Subject: Re: (OT) REJECTING MASS =
MEDIA CULTURE<br>&gt; From: <a href=3D"mailto:perboysen@gmail.com" =
target=3D"_blank">perboysen@gmail.com</a><br> &gt; To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a><div =
class=3D"im"><br>&gt; <br>&gt; On Tue, Dec 21, 2010 at 11:26 AM, Somone =
wrote:<br>&gt; &gt; do a "Julian Assange" and be nomadic and have no =
"official"&nbsp;terrestrial<br> &gt; &gt; address?<br>&gt; <br>&gt; =
<br>&gt; I planned to register my mail by a post box, rent out my flat =
to<br>&gt; someone with a regular income and start sleeping wherever I =
could find<br>&gt; a free spot for my sleeping bag. All this as a way to =
lower my living<br> &gt; costs. But as I started to administrate the =
setup I was informed by<br>&gt; authorities that it would be illegal. In =
Sweden a citizen has to have<br>&gt; a proper address where you actually =
live. I guess that's an old<br> &gt; (obsolete?) law once used to catch =
bums?<br>&gt; <br>&gt; Greetings from Sweden<br>&gt; <br>&gt; Per =
Boysen<br>&gt; <a href=3D"http://www.boysen.se" =
target=3D"_blank">www.boysen.se</a><br>&gt; <a =
href=3D"http://www.perboysen.com" =
target=3D"_blank">www.perboysen.com</a><br> &gt; <a =
href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>&gt; <br> 		 	   		 =
 </div></div> </blockquote></div><br><br clear=3D"all"><br>-- <br>mark =
francombe<br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter =
@markfrancombe<br> <a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://www.looop.no">http://www.looop.no</a><br></blockquote></div=
><br></div></body></html>=

--Apple-Mail-2--1027210506--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 19:43:52 2010
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	<AB40A6AD-69D3-4418-AE7E-6780CC265B78@gmail.com>
Date: Tue, 21 Dec 2010 13:43:48 -0600
Message-ID: <AANLkTi=1ycWkRiAkaqP4v8AHUTdJw55b66LsNMAvP2bR@mail.gmail.com>
Subject: Re: mobius questions
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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--0015175cfb90f787a20497f0da10
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Yeah, just send email to jeff@zonemobius.com and tell me what you want your
forum account name to be.
I disabled auto-registration because I got tired of dealing with spam
accounts.  They would have a valid
email address and type in the captcha, then a day later proudly announce to
the forum members
something having to do with, well, members.  On the plus side I now know
where to get
cheap Cialis which came in handy this christmas.

Jeff


On Tue, Dec 21, 2010 at 1:24 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> You just need to send an email to Jeff stating that you would like to join
> the forums. See you over there,
>
>
> Todd Matthews
> http://www.joshuasteelemusic.com
>
>
>
>
>

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<div>Yeah, just send email to <a href=3D"mailto:jeff@zonemobius.com">jeff@z=
onemobius.com</a> and tell me what you want your forum account name to be.<=
/div><div>I disabled auto-registration because I got tired of dealing with =
spam accounts. =A0They would have a valid</div>
<div>email address and type in the captcha, then a day later proudly announ=
ce to the forum members</div><div>something having to do with, well, member=
s. =A0On the plus side I now know where to get</div><div>cheap Cialis which=
 came in handy this christmas.</div>
<div><br></div><div>Jeff</div><br><br><div class=3D"gmail_quote">On Tue, De=
c 21, 2010 at 1:24 PM, Todd Matthews <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span> wrote:<br><bloc=
kquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #cc=
c solid;padding-left:1ex;">
You just need to send an email to Jeff stating that you would like to join =
the forums. See you over there,<br>
<font color=3D"#888888"><br>
<br>
Todd Matthews<br>
<a href=3D"http://www.joshuasteelemusic.com" target=3D"_blank">http://www.j=
oshuasteelemusic.com</a><br>
<br>
<br>
<br>
<br>
</font></blockquote></div><br>

--0015175cfb90f787a20497f0da10--

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Date: Tue, 21 Dec 2010 21:39:31 +0100
Message-ID: <AANLkTimdSCXy638SYYJC6-UjSsPeU-Bn1Kyappq=WdiG@mail.gmail.com>
Subject: Re: mobius questions
From: Louie Angulo <louie.angulo@googlemail.com>
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--001636c5b06f3b6c250497f1a2ad
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The thing is just amazing, no other software looper make me feel like im
dealing with a piece of hardware!
what started as an EDP clone has turned into the most customizable and
advance live looper sw and its become really stable as well
i think Jeff has done a fantastic job,not to talk about his support
comitment, and i still cant believe he offers it for free!

cheers
Luis

P.S.there is a pic of the last Y2K10 of Jeff,Matthias and Bob together this
one is going to be legendary one
i had a dream that they teamed up and created the looper frankenstein













On Tue, Dec 21, 2010 at 7:32 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> Recently converted to the laptop processing/ looping/ recording world - 15"
> MacbookPro running Ableton Live.  Just downloaded and am checking out Mobius
> as a stand alone looper.  Must say it's a fantastic program that runs
> effortlessly.  Learning the interface and have done some midi mapping -
> Logidy UM13/ ev5 pedals - no brainer setting up.  My looping needs are quite
> simple though given the depth of the program I'm sure they'll become more
> sophisticated. A couple questions for Jeff/ Mobius loopers:  How does one
> donate to help support the project - I know it's free but just the same....
> and how does one participate in the forums - seems the sign up button is
> disabled?  Thanks. - Paul (<< http://soundcloud/r369improv >>)
>
>

--001636c5b06f3b6c250497f1a2ad
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<div>The thing is just amazing, no other software looper make me feel like =
im dealing with a piece of hardware! </div>
<div>what started as an EDP clone has turned into=A0the most customizable a=
nd advance live=A0looper sw and=A0its become really stable as well</div>
<div>i think Jeff has done a fantastic job,not to talk about his support co=
mitment,=A0and i still cant believe he offers it for free!</div>
<div>=A0</div>
<div>cheers</div>
<div>Luis</div>
<div>=A0</div>
<div>P.S.there is a pic of the last Y2K10 of Jeff,Matthias and Bob together=
 this one is going to be legendary one</div>
<div>i had a dream that they teamed up=A0and created=A0the looper frankenst=
ein=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div><br>=A0</div>
<div class=3D"gmail_quote">On Tue, Dec 21, 2010 at 7:32 PM, Paul Mimlitsch =
<span dir=3D"ltr">&lt;<a href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.=
com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Recently converted to the laptop=
 processing/ looping/ recording world - 15&quot; MacbookPro running Ableton=
 Live. =A0Just downloaded and am checking out Mobius as a stand alone loope=
r. =A0Must say it&#39;s a fantastic program that runs effortlessly. =A0Lear=
ning the interface and have done some midi mapping - Logidy UM13/ ev5 pedal=
s - no brainer setting up. =A0My looping needs are quite simple though give=
n the depth of the program I&#39;m sure they&#39;ll become more sophisticat=
ed. A couple questions for Jeff/ Mobius loopers: =A0How does one donate to =
help support the project - I know it&#39;s free but just the same.... and h=
ow does one participate in the forums - seems the sign up button is disable=
d? =A0Thanks. - Paul (&lt;&lt; <a href=3D"http://soundcloud/r369improv" tar=
get=3D"_blank">http://soundcloud/r369improv</a> &gt;&gt;)<br>
<br></blockquote></div><br>

--001636c5b06f3b6c250497f1a2ad--

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From: "Michael Peters" <mp@mpeters.de>
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Subject: mirror snow drive
Date: Tue, 21 Dec 2010 21:39:34 +0100
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http://www.youtube.com/watch?v=zMpovplhGbg

the organ soundtrack uses 2 EDPs synced in 6/8 (or was it 7/8?)

-Michael Peters

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Subject: Re: Films of Eno creating his latest record....
From: Raul Bonell <raul.bonell@gmail.com>
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No. We're not following his work since he repudiated FZ music.

2010/12/21 Charles Zwicky <cazwicky@earthlink.net>

>  What has happened to this list?  After all the Fripp discussion, not one
> bit of interest in Eno's  live looping, etc?
>
> http://brian-eno.net/seven-sessions/
>
>
> http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-sessions/
>
>
> "Watch Eno intently hunched over a table of electronic doohickeys while
> gorgeous waves of sound roll out."
>
>
>
>
>
>
>
> --
>
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>
>
> --
>
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>



--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente, =
a una
legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y lo
proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes de
morir o estar tan deteriorado que cuando llegue solo nos quede esperar
nuestra muerte y aliviar nuestro sufrimiento y dolor...

Bajemos los impuestos a las grandes empresas, a los mercados financieros, a
los bancos, a los grandes capitales que pueden hundir un pa=EDs con la simp=
le
acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxemburgo=
,
liberad de cargas fiscales a los dioses...

Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra de
dios, am=E9n.

=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!

--0016364eeacae4a5f30497f1a391
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

No. We&#39;re not following his work since he repudiated FZ music.<br><div =
style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_popup"><=
/div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z=
-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width=
: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-si=
ze: 10px;  text-align: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/12/21 Charles Zwicky <span dir=3D"ltr">&lt;=
<a href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;</s=
pan><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div>
<div>What has happened to this list?=A0 After all the Fripp
discussion, not one bit of interest in Eno&#39;s=A0 live looping, etc?
</div><div><div></div><div class=3D"h5">
<div><br></div>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><a href=3D"http:=
//brian-eno.net/seven-sessions/" target=3D"_blank">http://brian-eno.net/sev=
en-sessions/</a></font></blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><br></font></blo=
ckquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><a href=3D"http:=
//pitchfork.com/news/41011-watch-seven-brian-eno-improv-session" target=3D"=
_blank">http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-sessio=
n</a><span></span>s/</font></blockquote>

<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><br></font></blo=
ckquote>
<blockquote type=3D"cite"><font color=3D"#3a3a3b" face=3D"Lucida Grande" si=
ze=3D"-1">&quot;Watch Eno intently hunched over a table of
electronic doohickeys while gorgeous waves of sound roll
out.</font><font face=3D"Arial" size=3D"-1">&quot;</font></blockquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><br></font></blo=
ckquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><br></font></blo=
ckquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><br></font></blo=
ckquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><br></font></blo=
ckquote>
<blockquote type=3D"cite"><font face=3D"Arial" size=3D"-1"><br></font></blo=
ckquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite"><tt>--</tt></blockquote>
<blockquote type=3D"cite"><br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a></blockquote>
<div><br></div>
<div><br></div>
<pre>--=20
</pre>
<div><br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a></div>
</div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">ht=
tp://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-collective.=
com/" target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
<br>Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y un=
a educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una legislaci=F3n laboral que d=E9 seguridad al trabajador y a su famil=
ia y lo proteja frente abusos y el despido, renunciemos a una jubilaci=F3n =
antes de morir o estar tan deteriorado que cuando llegue solo nos quede esp=
erar nuestra muerte y aliviar nuestro sufrimiento y dolor...<br>
<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>
<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</span><br>
<br><br><br>

--0016364eeacae4a5f30497f1a391--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 20:46:04 2010
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To: Loopers-Delight@loopers-delight.com
From: Revfever <revfever@ubergadget.com>
Subject: OT: Lunar Solstice
Date: Tue, 21 Dec 2010 12:45:56 -0800
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Whoa! I did not realize that last night's lunar eclipse coincided  
with Winter Solstice (21st) and is something that has not happened in  
something like TWO THOUSAND YEARS!
That gives me some wonderful CHILLS...

Sugar Frosted Flakes,
Rev. Fever

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
Date: Tue, 21 Dec 2010 12:47:33 -0800
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> On 21 Dec 2010, at 01:32, Paul Richards  
> <paulrichard_rocks@yahoo.com> wrote:
>
>> Anyway, what do you know? Probably never even went to Woodstock.  
>> Wait a minute! Neither did I. But I could have! :) (stolen from  
>> Chilly Scenes of a Winter).
>
>
> Ah ha... another american who believes everything started in the US...

Woodstock did beat Glastonbury Faire (or Festival) in the UK by a  
year, but so what? Glastonbury has been STILL happening yearly (off  
and on in earlier years) ever since then and over all, with very few  
problems considering the huge numbers of attendees that show up every  
year. Of course, as with any huge festival anywhere, there are bound  
to be at least
some problems, but GF's over all track record is pretty Impressive.  
Hurray! Check out it's history:
http://en.wikipedia.org/wiki/Glastonbury_Festival#1970s

> Whats woodstock but the beginning of the end.. I know and have read
> volumes on this period in history,

Actually, I would say that the notorious Altamont Free Festival in  
1969 (with the Rolling Stones, etc) was "the beginning of the end".  
Someone got killed there by the Hell's Angels.
To my knowledge, no one died under any circumstances at Woodstock and  
there was even someone BORN there! Pretty much the opposite of Altamont.

> infact a bit if a bore about UK
> psychedelia, as i have researched a game concept thats playing area
> and time is London soho '68.
> Remember if you will that Hendrix came to the UK to find an  
> audience...

Indeed, and he also came REAL close to teaming up with Arthur Brown,  
in Arthur's band The Crazy World of Arthur Brown. He and Arthur were  
early and great friends.
Now THAT would have been an INCREDIBLE band! BTW, Arthur is STILL  
active and performing, recording, etc even today. What a survivor!

Corn Flakes,
Rev. Fever

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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
From: Louie Angulo <louie.angulo@googlemail.com>
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--00151747c1367f501f0497f1c80d
Content-Type: text/plain; charset=ISO-8859-1

i have a friend that has been living like this for quite a while
he always finds jobs enough to keep him going plus the money he gets from
his rent
hes never felt more free and happy in his life,he decided to see the world
and take off whenever he wants to
his decision came upon an accident he once had and almost died
he says the only ones to blame are ourselves for not doing it,anybody
can,but we want to be told what to do and how to live
and in the western world we dont want to be compared to gypsies;-)
cheers
Luis



> I planned to register my mail by a post box, rent out my flat to
> someone with a regular income and start sleeping wherever I could find
> a free spot for my sleeping bag. All this as a way to lower my living
> costs. But as I started to administrate the setup I was informed by
> authorities that it would be illegal. In Sweden a citizen has to have
> a proper address where you actually live. I guess that's an old
> (obsolete?) law once used to catch bums?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--00151747c1367f501f0497f1c80d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>i have=A0a friend that has been living like this for quite a while</di=
v>
<div>he always finds jobs enough to keep him=A0going plus the money he gets=
 from his rent</div>
<div>hes never felt more free and happy in his life,he decided to see the w=
orld and take off=A0whenever he wants to</div>
<div>his decision came upon an accident he once had and almost died<br>he s=
ays the only ones to blame are ourselves for not doing it,anybody can,but w=
e want to be told what to do and how to live</div>
<div>and in the western world we=A0dont want=A0to be compared to gypsies;-)=
</div>
<div>cheers</div>
<div>Luis<br></div>
<div><br>=A0</div>
<div class=3D"gmail_quote">
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">I planned to register my mail by=
 a post box, rent out my flat to<br>someone with a regular income and start=
 sleeping wherever I could find<br>
a free spot for my sleeping bag. All this as a way to lower my living<br>co=
sts. But as I started to administrate the setup I was informed by<br>author=
ities that it would be illegal. In Sweden a citizen has to have<br>a proper=
 address where you actually live. I guess that&#39;s an old<br>
(obsolete?) law once used to catch bums?<br><br>Greetings from Sweden<br><f=
ont color=3D"#888888"><br>Per Boysen<br><a href=3D"http://www.boysen.se/" t=
arget=3D"_blank">www.boysen.se</a><br><a href=3D"http://www.perboysen.com/"=
 target=3D"_blank">www.perboysen.com</a><br>
<a href=3D"http://www.looproom.com/" target=3D"_blank">www.looproom.com</a>=
 internet music hub<br><br></font></blockquote></div><br>

--00151747c1367f501f0497f1c80d--

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Date: Tue, 21 Dec 2010 14:50:18 -0600
From: Mike <mnelson@boomerangmusic.com>
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Subject: Re: Boomerang Power Supply Not Included in Price
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	Thanks for bringing this to my attention. I just sent the following email to our rep that handles Amazon:

	"Amazon is selling the III without a power supply. The product is indivisible and comprises a III, power 
supply & manual. Negative chatter is occurring on some forums regarding "our" gouging practices. Please have 
them stop this.
	They are either splitting the product up or attempting to sell 2 power supplies to each customer. Either way 
it's a deceptive trade practice."


On 21-Dec-10 9:33 AM, fh@flatheadband.com wrote:
> I love the "Customers Who Bought This Item Also Bought..." suggestion lists...a lot of times listing duplicate
> and/or redundant items.
>
>     -------- Original Message --------
>     Subject: Re: Boomerang Power Supply Not Included in Price
>     From: Elmer Fuddski <jakebrakesrule@yahoo.com <mailto:jakebrakesrule@yahoo.com>>
>     Date: Mon, December 20, 2010 7:19 pm
>     To: Loopers-Delight@loopers-delight.com <mailto:Loopers-Delight@loopers-delight.com>
>
>     Well, that's great. But AMS & Amazon.com <http://Amazon.com> appear to be positioning the Boomerang as
>     power supply needed. Check out this link:
>
>     http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=sr_1_1?ie=UTF8&s=musical-instruments&qid=1292890362&sr=1-1
>     <http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=sr_1_1?ie=UTF8&s=musical-instruments&qid=1292890362&sr=1-1>
>
>     The Boomerang description on the above two sites (www.americanmusical.com <http://www.americanmusical.com>
>     & amazon.com <http://amazon.com>) doesn't clarify this and it 'appears' as if the power supply is a needed
>     add-on.
>
>     'Sorry for any confusion if I'm mis-reading their websites. I was about to buy one last week.
>
>     Jake
>
>     --- On *Mon, 12/20/10, Mike /<mnelson@boomerangmusic.com <mailto:mnelson@boomerangmusic.com>>/* wrote:
>
>
>         From: Mike <mnelson@boomerangmusic.com <mailto:mnelson@boomerangmusic.com>>
>         Subject: Re: Boomerang Power Supply Not Included in Price
>         To: Loopers-Delight@loopers-delight.com <mailto:Loopers-Delight@loopers-delight.com>
>         Date: Monday, December 20, 2010, 2:34 PM
>
>         Hold on, partner. You're getting your wagon in front of the horse... or something like that. Each and
>         every pedal sold by Boomerang comes with a power supply, has always come with a power supply and will
>         always come with a power supply if it is not a battery powered pedal.
>         Just to ensure that this comment does not go viral... ALL BOOMERANG PEDALS ARE SHIPPED WITH A POWER
>         SUPPLY.
>
>         Merry Christmas.
>
>         On 20-Dec-10 4:19 PM, Elmer Fuddski wrote:
>         >  Is this a new trend? I can see a pedal that is optionally BATTERY-POWERED not including a power
>         supply but a
>         >  device that is NOT battery-powered??? What good is the unit w/o a power supply?
>         >  I can that making an items price more attractive and possibly competitive is an advantage of not
>         including the
>         >  power supply but is a power supplys wholesale cost $18.00 in the first place?
>         >  No offense to the designer/manufacturer Mike, but it's a little gouge-y.
>
>         --
>         Mike Nelson
>         Secretary/Treasurer, Boomerang Management, Inc.
>         General Partner of Boomerang Musical Products, Ltd.
>
>         ----------
>
>         "Some products make you sound better;
>         Boomerang(R) Phrase Samplers makes you play better."
>
>         ----------
>
>         1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax
>
>         http://www.boomerangmusic.com
>
>         Contact for repairs:
>         Lee Hardesty
>         1516 Victoria Drive
>         Denton, TX 76209
>         hardesty@mindspring.com </mc/compose?to=hardesty@mindspring.com>
>         940-382-3253
>
>         Billing Address:
>         Boomerang Musical Products, Ltd.
>         PO Box 3788
>         Grapevine, TX 76099-3788
>
>

-- 

Mike Nelson
Secretary/Treasurer, Boomerang Management, Inc.
General Partner of Boomerang Musical Products, Ltd.

----------

"Some products make you sound better;
  Boomerang(R) Phrase Samplers makes you play better."

----------

1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax

http://www.boomerangmusic.com

Contact for repairs:
Lee Hardesty
1516 Victoria Drive
Denton, TX  76209
hardesty@mindspring.com
940-382-3253

Billing Address:
Boomerang Musical Products, Ltd.
PO Box 3788
Grapevine, TX  76099-3788

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 20:50:31 2010
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	<7912438512463718147@unknownmsgid>
	<2B9B35EA-7CFB-4086-AC14-6A9C349F6F9C@ubergadget.com>
Date: Tue, 21 Dec 2010 15:50:29 -0500
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
From: Tony K <bigtonyk@gmail.com>
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--0015174c3d047181ef0497f1c94b
Content-Type: text/plain; charset=ISO-8859-1

2 deaths at Woodstock.  One overdose, and one person was run over by a
tractor.

On Tue, Dec 21, 2010 at 3:47 PM, Revfever <revfever@ubergadget.com> wrote:

>
>  On 21 Dec 2010, at 01:32, Paul Richards <paulrichard_rocks@yahoo.com>
>> wrote:
>>
>>  Anyway, what do you know? Probably never even went to Woodstock. Wait a
>>> minute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a
>>> Winter).
>>>
>>
>>
>> Ah ha... another american who believes everything started in the US...
>>
>
> Woodstock did beat Glastonbury Faire (or Festival) in the UK by a year, but
> so what? Glastonbury has been STILL happening yearly (off and on in earlier
> years) ever since then and over all, with very few problems considering the
> huge numbers of attendees that show up every year. Of course, as with any
> huge festival anywhere, there are bound to be at least
> some problems, but GF's over all track record is pretty Impressive. Hurray!
> Check out it's history:
> http://en.wikipedia.org/wiki/Glastonbury_Festival#1970s
>
>
>  Whats woodstock but the beginning of the end.. I know and have read
>> volumes on this period in history,
>>
>
> Actually, I would say that the notorious Altamont Free Festival in 1969
> (with the Rolling Stones, etc) was "the beginning of the end". Someone got
> killed there by the Hell's Angels.
> To my knowledge, no one died under any circumstances at Woodstock and there
> was even someone BORN there! Pretty much the opposite of Altamont.
>
>
>  infact a bit if a bore about UK
>> psychedelia, as i have researched a game concept thats playing area
>> and time is London soho '68.
>> Remember if you will that Hendrix came to the UK to find an audience...
>>
>
> Indeed, and he also came REAL close to teaming up with Arthur Brown, in
> Arthur's band The Crazy World of Arthur Brown. He and Arthur were early and
> great friends.
> Now THAT would have been an INCREDIBLE band! BTW, Arthur is STILL active
> and performing, recording, etc even today. What a survivor!
>
> Corn Flakes,
> Rev. Fever
>
>


-- 
-==-=-=-
Tony

--0015174c3d047181ef0497f1c94b
Content-Type: text/html; charset=ISO-8859-1
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2 deaths at Woodstock.=A0 One overdose, and one person was run over by a tr=
actor.<br><br><div class=3D"gmail_quote">On Tue, Dec 21, 2010 at 3:47 PM, R=
evfever <span dir=3D"ltr">&lt;<a href=3D"mailto:revfever@ubergadget.com">re=
vfever@ubergadget.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
On 21 Dec 2010, at 01:32, Paul Richards &lt;<a href=3D"mailto:paulrichard_r=
ocks@yahoo.com" target=3D"_blank">paulrichard_rocks@yahoo.com</a>&gt; wrote=
:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Anyway, what do you know? Probably never even went to Woodstock. Wait a min=
ute! Neither did I. But I could have! :) (stolen from Chilly Scenes of a Wi=
nter).<br>
</blockquote>
<br>
<br>
Ah ha... another american who believes everything started in the US...<br>
</blockquote>
<br></div>
Woodstock did beat Glastonbury Faire (or Festival) in the UK by a year, but=
 so what? Glastonbury has been STILL happening yearly (off and on in earlie=
r years) ever since then and over all, with very few problems considering t=
he huge numbers of attendees that show up every year. Of course, as with an=
y huge festival anywhere, there are bound to be at least<br>

some problems, but GF&#39;s over all track record is pretty Impressive. Hur=
ray! Check out it&#39;s history:<br>
<a href=3D"http://en.wikipedia.org/wiki/Glastonbury_Festival#1970s" target=
=3D"_blank">http://en.wikipedia.org/wiki/Glastonbury_Festival#1970s</a><div=
 class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Whats woodstock but the beginning of the end.. I know and have read<br>
volumes on this period in history,<br>
</blockquote>
<br></div>
Actually, I would say that the notorious Altamont Free Festival in 1969 (wi=
th the Rolling Stones, etc) was &quot;the beginning of the end&quot;. Someo=
ne got killed there by the Hell&#39;s Angels.<br>
To my knowledge, no one died under any circumstances at Woodstock and there=
 was even someone BORN there! Pretty much the opposite of Altamont.<div cla=
ss=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
infact a bit if a bore about UK<br>
psychedelia, as i have researched a game concept thats playing area<br>
and time is London soho &#39;68.<br>
Remember if you will that Hendrix came to the UK to find an audience...<br>
</blockquote>
<br></div>
Indeed, and he also came REAL close to teaming up with Arthur Brown, in Art=
hur&#39;s band The Crazy World of Arthur Brown. He and Arthur were early an=
d great friends.<br>
Now THAT would have been an INCREDIBLE band! BTW, Arthur is STILL active an=
d performing, recording, etc even today. What a survivor!<br>
<br>
Corn Flakes,<br>
Rev. Fever<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <br>To=
ny<br>

--0015174c3d047181ef0497f1c94b--

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Date: Tue, 21 Dec 2010 12:53:11 -0800 (PST)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com
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Pretty special! It was amazing over here in Monterey.  It was funny though, I didn't realize it was happening till I checked my email late at night and found Robert Rich's winter solstice newsletter email that mentioned it was happening, the second I walked out my door, the eclipse started! Happy Solstice to you all! Steve Uccello

www.steveuccello.com
http://www.facebook.com/pages/UCCELLO-PROJECT/98166318714?ref=sgm



--- On Tue, 12/21/10, Revfever <revfever@ubergadget.com> wrote:

> From: Revfever <revfever@ubergadget.com>
> Subject: OT: Lunar Solstice
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, December 21, 2010, 12:45 PM
> Whoa! I did not realize that last
> night's lunar eclipse coincided with Winter Solstice (21st)
> and is something that has not happened in something like TWO
> THOUSAND YEARS!
> That gives me some wonderful CHILLS...
> 
> Sugar Frosted Flakes,
> Rev. Fever
> 
> 


      

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Date: Tue, 21 Dec 2010 12:53:12 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com
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--0-2099823432-1292964792=:29241
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it was sooo cool........i stood out in the snow and watched it.....then wen=
t in to do some "inspired" looping at 3 am here

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=20

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=20
=A0http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=20





--- On Tue, 12/21/10, Revfever <revfever@ubergadget.com> wrote:

From: Revfever <revfever@ubergadget.com>
Subject: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, December 21, 2010, 2:45 PM

Whoa! I did not realize that last night's lunar eclipse coincided with Wint=
er Solstice (21st) and is something that has not happened in something like=
 TWO THOUSAND YEARS!
That gives me some wonderful CHILLS...

Sugar Frosted Flakes,
Rev. Fever


--0-2099823432-1292964792=:29241
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><font size=3D"2"><span style=3D"font-weight: =
bold; font-style: italic;">it was sooo cool........i stood out in the snow =
and watched it.....then went in to do some "inspired" looping at 3 am here<=
/span></font><br><br><div><address style=3D"font-family: arial,helvetica,sa=
ns-serif; font-weight: bold;"><font size=3D"2" color=3D"#bf00bf">Kyle Dean =
Patten</font></address> <address style=3D"font-family: arial,helvetica,sans=
-serif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. =
Box 22</font></address> <address style=3D"font-family: arial,helvetica,sans=
-serif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">Johns=
ton, IA&nbsp; 50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp; <br><br style=3D"color: rgb(0, 128, 255);"></font></addres=
s> <address style=3D"font-family: arial,helvetica,sans-serif; font-weight: =
bold;"><font
 style=3D"font-family: verdana,helvetica,sans-serif; color: rgb(0, 128, 255=
);" size=3D"3"><span style=3D"font-size: 9pt;"><span style=3D"color: rgb(25=
5, 0, 127);">&nbsp;http://www.youtube.com/watch?v=3Dobgm3kTi5bs</span><br>&=
nbsp;http://www.youtube.com/watch?v=3Da9g93s0q3uc</span></font><font size=
=3D"3"> <br></font></address> <address><font style=3D"font-family: arial,he=
lvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"=
3"><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.cdbaby.com/cd/k=
dpatten">http://www.cdbaby.com/cd/kdpatten </a><br><span style=3D"color: rg=
b(255, 127, 0);">http://www.myspace.com/kyledeanpatten </span><br>&nbsp;</f=
ont><font style=3D"color: rgb(255, 0, 255); font-family: arial,helvetica,sa=
ns-serif; font-weight: bold;" size=3D"3"><a rel=3D"nofollow" target=3D"_bla=
nk" href=3D"http://www.linkedin.com/in/kyledeanpatten" title=3D"View public=
 profile" name=3D"webProfileURL">http://www.linkedin.com/in/kyledeanpatten<=
/a></font><font style=3D"font-family:
 arial,helvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;"=
 size=3D"3"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new=
 york,times,serif;">&nbsp;&nbsp;</font></font><font style=3D"font-family: t=
ahoma,new york,times,serif; color: rgb(128, 192, 255); font-weight: bold;" =
size=3D"2"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new =
york,times,serif;" size=3D"2">&nbsp;&nbsp;</font>&nbsp;&nbsp;&nbsp; <br></f=
ont><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128,=
 192, 255); font-weight: bold;" size=3D"3"><span style=3D"font-size: 9pt;">=
<span style=3D"font-family: tahoma,new york,times,serif;"></span></span></f=
ont><br style=3D"font-weight: bold;"><br><br><a rel=3D"nofollow" target=3D"=
_blank" href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html=
"><span class=3D"yshortcuts" id=3D"lw_1230810272_0"></span></a></address></=
div><br><br>--- On <b>Tue, 12/21/10, <span>Revfever</span>
 <i>&lt;revfever@ubergadget.com&gt;</i></b> wrote:<br><blockquote style=3D"=
border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5p=
x;"><br>From: Revfever &lt;revfever@ubergadget.com&gt;<br>Subject: OT: Luna=
r Solstice<br>To: Loopers-Delight@loopers-delight.com<br>Date: Tuesday, Dec=
ember 21, 2010, 2:45 PM<br><br><div class=3D"plainMail">Whoa! I did not rea=
lize that last night's lunar eclipse coincided with Winter Solstice (21st) =
and is something that has not happened in something like TWO THOUSAND YEARS=
!<br>That gives me some wonderful CHILLS...<br><br>Sugar Frosted Flakes,<br=
>Rev. Fever<br><br></div></blockquote></td></tr></table>
--0-2099823432-1292964792=:29241--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 20:55:43 2010
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Date: Tue, 21 Dec 2010 21:55:40 +0100
Message-ID: <AANLkTineYdn70VhgNz0XbdTODvVem-2u_7HuGV3Pq43M@mail.gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5bd860378f00497f1dcc5
Content-Type: text/plain; charset=ISO-8859-1

they got us addicted to consumption,houses,cars,etc. and we are afraid of
not having that drug...
this is the only junkie type that is respected with red carpet in our
society

On Tue, Dec 21, 2010 at 1:12 PM, <antonyhequet@yahoo.com> wrote:

>  so why do we sit passively and watch all this happen, it is our world
> too...
>
> Antony
>
>  ------------------------------
> *From:* RP Collier <skeptikalist@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Tue, December 21, 2010 1:10:54 AM
> *Subject:* Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
> Performance Sampler Teaser....
>
>
> On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:
>
> > For a while, just a short while, a lot of things changed and it was a
> really cool scene from many different perspectives.
>
>
> And then the plutocrats, oligarchs, theocrats and authoritarian right
> wingers flipped out -- they ramped up think tanks and consolidated media to
> push legislative and judicial agendas, and effectively used conservative
> talk radio to spread propaganda and disinformation -- techniques developed
> in advertising and psy-ops to manipulate, control, repress and suppress.
>
> What you see now is the result of a very successful campaign to rewrite
> history and skew its trajectory.
> Reagan came into office and America's head went up its ass.
> Forget about the environment, social justice and all the hippy pervert
> commie stuff.
> Greed is good, and be sure to embrace denial so that pesky facts don't
> intrude on your dreams of power, domination and conservative orthodoxy
> (morals and values).
> Apparently, the oil baron Koch brothers spent almost $900 million dollars
> just in 2009 to distort and muddy the messaging around the debate about
> climate change issues.
> Even basic things like the theory of evolution are smothered in caustic
> claptrap and bullshit.
>
> I would put the underlying message and impulse of the Sixties simply as --
> Live Gently.
> Stop the raping and pillaging of the planet.
> Live as a symbiont, instead of a host destroying parasite.
> Become more aware of the interconnectedness of living systems and work to
> reduce the suffering caused by our ignorant, overwhelming, and short-sighted
> predation against the planet.
>
> Nothing magical, just basic common sense -- you'd think, unless that
> ability to think is impaired by sociopathic ideological toxic memes and
> lousy education.
>
>
> Pro-bonobo, peace groovy love etc. etc.
>
> cheers
>
>
> BobC
>
>
>

--001636c5bd860378f00497f1dcc5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>they got us addicted to=A0consumption,houses,cars,etc. and we are afra=
id of not having that drug...</div>
<div>this is the only junkie type that is respected with red carpet=A0in ou=
r society<br><br></div>
<div class=3D"gmail_quote">On Tue, Dec 21, 2010 at 1:12 PM, <span dir=3D"lt=
r">&lt;<a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>=
&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>
<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 14pt">
<div>so why do we sit passively and watch all this happen, it is our world =
too...</div>
<div><br></div>
<div>Antony</div>
<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 14pt"><=
br>
<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 13px"><=
font size=3D"2" face=3D"Tahoma">
<div class=3D"im">
<hr size=3D"1">
<b><span style=3D"FONT-WEIGHT: bold">From:</span></b> RP Collier &lt;<a hre=
f=3D"mailto:skeptikalist@gmail.com" target=3D"_blank">skeptikalist@gmail.co=
m</a>&gt;<br></div>
<div class=3D"im"><b><span style=3D"FONT-WEIGHT: bold">To:</span></b> <a hr=
ef=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers=
-Delight@loopers-delight.com</a><br></div>
<div class=3D"im"><b><span style=3D"FONT-WEIGHT: bold">Sent:</span></b> Tue=
, December 21, 2010 1:10:54 AM<br></div>
<div class=3D"im"><b><span style=3D"FONT-WEIGHT: bold">Subject:</span></b> =
Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance S=
ampler Teaser....<br></div></font><br>
<div>
<div></div>
<div class=3D"h5"><br>On Dec 20, 2010, at 1:09 PM, Paul Richards wrote:<br>=
<br>&gt; For a while, just a short while, a lot of things changed and it wa=
s a really cool scene from many different perspectives.<br><br><br>And then=
 the plutocrats, oligarchs, theocrats and authoritarian right wingers flipp=
ed out -- they ramped up think tanks and consolidated media to push legisla=
tive and judicial agendas, and effectively used conservative talk radio to =
spread propaganda and disinformation -- techniques developed in advertising=
 and psy-ops to manipulate, control, repress and suppress.<br>
<br>What you see now is the result of a very successful campaign to rewrite=
 history and skew its trajectory.<br>Reagan came into office and America&#3=
9;s head went up its ass.<br>Forget about the environment, social justice a=
nd all the hippy pervert commie stuff.<br>
Greed is good, and be sure to embrace denial so that pesky facts don&#39;t =
intrude on your dreams of power, domination and conservative orthodoxy (mor=
als and values).<br>Apparently, the oil baron Koch brothers spent almost $9=
00 million dollars just in 2009 to distort and muddy the messaging around t=
he debate about climate change issues.<br>
Even basic things like the theory of evolution are smothered in caustic cla=
ptrap and bullshit.<br><br>I would put the underlying message and impulse o=
f the Sixties simply as -- Live Gently.<br>Stop the raping and pillaging of=
 the planet.<br>
Live as a symbiont, instead of a host destroying parasite.<br>Become more a=
ware of the interconnectedness of living systems and work to reduce the suf=
fering caused by our ignorant, overwhelming, and short-sighted predation ag=
ainst the planet.<br>
<br>Nothing magical, just basic common sense -- you&#39;d think, unless tha=
t ability to think is impaired by sociopathic ideological toxic memes and l=
ousy education.<br><br><br>Pro-bonobo, peace groovy love etc. etc.<br><br>
cheers<br><br><br>BobC<br><br></div></div></div></div>
<div></div></div><br></div></blockquote></div><br>

--001636c5bd860378f00497f1dcc5--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 20:59:53 2010
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>From a 59 year old, the early 70's were pretty darn awesome. Admittedly, they went downhill. . . . 

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de> 
To: Loopers-Delight@loopers-delight.com 
Sent: Tuesday, December 21, 2010 10:29:32 AM 
Subject: RE: the 60's 

from a 56 yr old geezer: were the 70's really that bad? not to me 

-Michael 

> From: Paul Mimlitsch [mailto:pmimlitsch@mac.com] 
> from a 58 yr old "geezer": 
> best thing about the 60's: Blue Cheer, Michael Bloomfield, John 
> Coltrane..... 
> 
> worst thing about the 60's: the 70's 


------=_Part_178357_1899854725.1292965191651
Content-Type: text/html; charset=utf-8
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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>From a 59 year old, the early 70's were pretty darn awesome.&nbsp; Admittedly, they went downhill. . . .<br><br>----- Original Message -----<br>From: "Michael Peters" &lt;mp@mpeters.de&gt;<br>To: Loopers-Delight@loopers-delight.com<br>Sent: Tuesday, December 21, 2010 10:29:32 AM<br>Subject: RE: the 60's<br><br>from a 56 yr old geezer: were the 70's really that bad? not to me <br><br>-Michael <br><br>&gt; From: Paul Mimlitsch [mailto:pmimlitsch@mac.com] <br>&gt; from a 58 yr old "geezer":<br>&gt; best thing about the 60's: &nbsp;Blue Cheer, Michael Bloomfield, John &nbsp;<br>&gt; Coltrane.....<br>&gt; <br>&gt; worst thing about the 60's: &nbsp;the 70's<br><br></div></body></html>
------=_Part_178357_1899854725.1292965191651--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 21:00:33 2010
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Date: Tue, 21 Dec 2010 22:00:29 +0100
Message-ID: <AANLkTin8F7EYPPmneZrR_LUpcda7k+uiJFCZrRs-a1qf@mail.gmail.com>
Subject: Re: the 60's
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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....Abba?

On Tue, Dec 21, 2010 at 3:26 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:

> from a 58 yr old "geezer":
> best thing about the 60's:  Blue Cheer, Michael Bloomfield, John
> Coltrane.....
>
> worst thing about the 60's:  the 70's
>
>
>

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....Abba?<br><br>
<div class=3D"gmail_quote">On Tue, Dec 21, 2010 at 3:26 PM, Paul Mimlitsch =
<span dir=3D"ltr">&lt;<a href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.=
com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">from a 58 yr old &quot;geezer&qu=
ot;:<br>best thing about the 60&#39;s: =A0Blue Cheer, Michael Bloomfield, J=
ohn Coltrane.....<br>
<br>worst thing about the 60&#39;s: =A0the 70&#39;s<br><br><br></blockquote=
></div><br>

--001636c5bd863e53da0497f1ed21--

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	<838513.12522.qm@web120701.mail.ne1.yahoo.com>
	<726302687839749391@unknownmsgid>
	<AANLkTikTHdDfO4FtTBnet-AVq-Bz6FO84uYrVB78zHqn@mail.gmail.com>
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	<AANLkTim_ruEM9D9eGY0joPgTn+S2U1Ov918nuMajXq7B@mail.gmail.com>
Date: Tue, 21 Dec 2010 22:05:15 +0100
Message-ID: <AANLkTinrgnAPVau+OEoMiMR5tbxghvmzwFp9BAdJ5yMU@mail.gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c923e74a3a010497f1fedd
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>
> Ah Per you just mentioned 2 of my favorite books! i still have them,and i
> love them because they are quickly to read
> incidently i work next to Herman Hesses residence now museum by the lake,.a
> truly dreamy place..
>
Luis


>
>
> It just hit me, when reading the part of your post talking about
> "saying no to yourself", that one old book that well describes these
> thoughts is "Siddharta" by Herman Hesse. I like everything I've read
> by that guy. Yes, old books they are - but in 2011 suddenly just right
> on the spot! Damn, I'll buy a bunch of them for my sons as X-mas
> gifts. Thank you, Ted, one more daily issue solved!! ;-))
>
> Last X-mas I gave them another book - whatever it is called in English
> (The Prince..?) - by that Italian guy that lived some four or... ah
> yeah MACCIAVELLI, that was his name. He was the first class couch for
> kings and just about anyone who had more powerz than brainz back in
> the dayz. And Maciavelly really taught The Path of The Snake (rather
> than the Path of The Eagle, known as the "good guy's" choice... och
> OFF-Toppic-ing into esotherics here.... sorry, back on track we go).
> But this book has to be discussed if handed over to... not just young
> people, anyone! Because M's sinister methods still work and are
> practiced daily by politicians and other decision makers.
>
> http://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli
>
> Per
>
>

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<div class=3D"gmail_quote">
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">Ah Per you just mentioned 2 of my favorite books! i still=
 have them,and i love them because they are quickly to read<br>incidently i=
 work next to Herman Hesses residence now museum=A0by the lake,.a truly dre=
amy place..</div>
</blockquote>
<div>Luis</div>
<div>=A0</div>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im"><br>=A0</div>It just hit me, when reading the part of you=
r post talking about<br>&quot;saying no to yourself&quot;, that one old boo=
k that well describes these<br>thoughts is &quot;Siddharta&quot; by Herman =
Hesse. I like everything I&#39;ve read<br>
by that guy. Yes, old books they are - but in 2011 suddenly just right<br>o=
n the spot! Damn, I&#39;ll buy a bunch of them for my sons as X-mas<br>gift=
s. Thank you, Ted, one more daily issue solved!! ;-))<br><br>Last X-mas I g=
ave them another book - whatever it is called in English<br>
(The Prince..?) - by that Italian guy that lived some four or... ah<br>yeah=
 MACCIAVELLI, that was his name. He was the first class couch for<br>kings =
and just about anyone who had more powerz than brainz back in<br>the dayz. =
And Maciavelly really taught The Path of The Snake (rather<br>
than the Path of The Eagle, known as the &quot;good guy&#39;s&quot; choice.=
.. och<br>OFF-Toppic-ing into esotherics here.... sorry, back on track we g=
o).<br>But this book has to be discussed if handed over to... not just youn=
g<br>
people, anyone! Because M&#39;s sinister methods still work and are<br>prac=
ticed daily by politicians and other decision makers.<br><br><a href=3D"htt=
p://en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli" target=3D"_blank">http:=
//en.wikipedia.org/wiki/Niccol%C3%B2_Machiavelli</a><br>
<font color=3D"#888888"><br>Per<br><br></font></blockquote></div><br>

--001636c923e74a3a010497f1fedd--

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Date: Tue, 21 Dec 2010 13:09:21 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: OT: Lunar Solstice
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Was it last night? Shit I thought it eS tonight! 
Antony
Sent from my iPhone

On 2010-12-21, at 21:45, Revfever <revfever@ubergadget.com> wrote:

Whoa! I did not realize that last night's lunar eclipse coincided with Winter Solstice (21st) and is something that has not happened in something like TWO THOUSAND YEARS!
That gives me some wonderful CHILLS...

Sugar Frosted Flakes,
Rev. Fever




      

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 21:18:08 2010
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Subject: Re: OT: Lunar Solstice
Date: Tue, 21 Dec 2010 13:17:55 -0800
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There's always gootoob to check for possibly any video footage... :-)

Fruit Loops,
Rev. Fever

On Dec 21, 2010, at 1:09 PM, Antony Hequet wrote:

>
> Was it last night? Shit I thought it eS tonight!
> Antony
>
>
> Whoa! I did not realize that last night's lunar eclipse coincided  
> with Winter Solstice (21st) and is something that has not happened  
> in something like TWO THOUSAND YEARS!
> That gives me some wonderful CHILLS...
>
> Sugar Frosted Flakes,
> Rev. Fever
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 21:21:14 2010
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Date: Tue, 21 Dec 2010 16:19:03 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Films of Eno creating his latest record....
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--============_-919156025==_ma============
Content-Type: text/plain; charset="iso-8859-1" ; format="flowed"
Content-Transfer-Encoding: quoted-printable

Sure it wasn't "Dick Flash"?

>No. We're not following his work since he repudiated FZ music.
>
>#avg_ls_inline_popup { position:absolute;=20
>z-index:9999; padding: 0px 0px; margin-left:=20
>0px; margin-top: 0px; width: 240px; overflow:=20
>hidden; word-wrap: break-word; color: black;=20
>font-size: 10px; text-align: left; line-height:=20
>13px;}
>
>2010/12/21 Charles Zwicky=20
><<mailto:cazwicky@earthlink.net>cazwicky@earthlink.net>
>
>What has happened to this list?  After all the=20
>Fripp discussion, not one bit of interest in=20
>Eno's  live looping, etc?
>
>><http://brian-eno.net/seven-sessions/>http://brian-eno.net/seven-sessions/
>>
>
><http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-session>http:=
//pitchfork.com/news/41011-watch-seven-brian-eno-improv-sessions/
>
>
>"Watch Eno intently hunched over a table of=20
>electronic doohickeys while gorgeous waves of=20
>sound roll out."
>
>
>
>
>
>
>
>--
>
>
>...
><http://www.zmix.net>http://www.zmix.net
>
><http://www.esession.com/ChuckZwicky>http://www.esession.com/ChuckZwicky
>
><http://albumcredits.com/zmix>http://albumcredits.com/zmix
>
>
>
>--
>
>...
><http://www.zmix.net>http://www.zmix.net
>
><http://www.esession.com/ChuckZwicky>http://www.esession.com/ChuckZwicky
>
><http://albumcredits.com/zmix>http://albumcredits.com/zmix
>
>
>
>
>--
>.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
><http://raulbonell.tumblr.com/>http://raulbonell.tumblr.com =B7 <http://www=
=2Ect-collective.com/>http://www.ct-collective.com
>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D
>
>La UE y el FMI imprimen dinero que prestan a los=20
>bancos al 1% y los bancos inyectan liquidez (se=20
>lo prestan) a los estados con dificultades al 5%=20
>y a las PYMES, aut=F3nomos y ciudadanos=20
>hipotecados al 8%. Negocio redondo para los=20
>bancos alemanes y franceses... Para todos los=20
>bancos =A1Bravo =C1ngela!!! =BFY qui=E9n pagar=E1 la deuda=20
>de los estados? El pueblo, claro est=E1, para no=20
>enfadar a las grandes empresas, a los bancos, a=20
>los mercados...
>
>Renunciad a la huelga, a la negociaci=F3n=20
>colectiva, a una sanidad y una educaci=F3n de=20
>calidad y gratu=EDta, renunciad a una pensi=F3n=20
>suficiente, a una legislaci=F3n laboral que d=E9=20
>seguridad al trabajador y a su familia y lo=20
>proteja frente abusos y el despido, renunciemos=20
>a una jubilaci=F3n antes de morir o estar tan=20
>deteriorado que cuando llegue solo nos quede=20
>esperar nuestra muerte y aliviar nuestro=20
>sufrimiento y dolor...
>
>Bajemos los impuestos a las grandes empresas, a=20
>los mercados financieros, a los bancos, a los=20
>grandes capitales que pueden hundir un pa=EDs con=20
>la simple acci=F3n de sacar su dinero y llev=E1rselo=20
>a M=F3naco, Andorra o Luxemburgo, liberad de=20
>cargas fiscales a los dioses...
>
>Hagamos todos los esfuerzos en nuestra mano, en=20
>manos del pueblo, POR EL CRECIMIENTO DE LA=20
>ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS.=20
>Palabra de dios, am=E9n.
>
>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!


-- 

=2E..
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-919156025==_ma============
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Films of Eno creating his latest
record....</title></head><body>
<div>Sure it wasn't &quot;Dick Flash&quot;?</div>
<div><br></div>
<blockquote type=3D"cite" cite>No. We're not following his work since he
repudiated FZ music.<br>
</blockquote>
<blockquote type=3D"cite" cite>#avg_ls_inline_popup { position:absolute;
z-index:9999; padding: 0px 0px; margin-left: 0px; margin-top: 0px;
width: 240px; overflow: hidden; word-wrap: break-word; color: black;
font-size: 10px; text-align: left; line-height: 13px;}<br>
</blockquote>
<blockquote type=3D"cite" cite>2010/12/21 Charles Zwicky &lt;<a
href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;<br
>
<blockquote>What has happened to this list?&nbsp; After all the Fripp
discussion, not one bit of interest in Eno's&nbsp; live looping,
etc?</blockquote>
<blockquote><br>
<blockquote type=3D"cite" cite><a
href=3D"http://brian-eno.net/seven-sessions/"><font face=3D"Arial"
size=3D"-1">http://brian-eno.net/seven-sessions/</font></a><br>
</blockquote>
</blockquote>
<blockquote>
<blockquote><font face=3D"Arial" size=3D"-1"><br></font></blockquote>
<blockquote><a
href=3D
"http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-session"
><font face=3D"Arial"
size=3D"-1"
>http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-session</font
></a><font face=3D"Arial" size=3D"-1">s/</font><br>
</blockquote>
<blockquote><font face=3D"Arial" size=3D"-1"><br></font></blockquote>
<blockquote><font face=3D"Lucida Grande" size=3D"-1"
color=3D"#3A3A3B">&quot;Watch Eno intently hunched over a table of
electronic doohickeys while gorgeous waves of sound roll
out.</font><font face=3D"Arial" size=3D"-1">&quot;</font><br>
</blockquote>
<blockquote><font face=3D"Arial" size=3D"-1"><br></font></blockquote>
<blockquote><font face=3D"Arial" size=3D"-1"><br></font></blockquote>
<blockquote><font face=3D"Arial" size=3D"-1"><br></font></blockquote>
<blockquote><font face=3D"Arial" size=3D"-1"><br></font></blockquote>
<blockquote><font face=3D"Arial" size=3D"-1"><br></font></blockquote>
<blockquote><br></blockquote>
<blockquote><tt>--</tt><br>
</blockquote>
<blockquote><br>
=2E..<br>
<a href=3D"http://www.zmix.net">http://www.zmix.net</a><br>
<br>
<a
href=3D"http://www.esession.com/ChuckZwicky"
>http://www.esession.com/ChuckZwicky</a><br>
<br>
<a
href=3D"http://albumcredits.com/zmix">http://albumcredits.com/zmix</a><br
>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote><tt>--</tt></blockquote>
<blockquote><br>
=2E..<br>
<a href=3D"http://www.zmix.net">http://www.zmix.net</a><br>
<br>
<a
href=3D"http://www.esession.com/ChuckZwicky"
>http://www.esession.com/ChuckZwicky</a><br>
<br>
<a
href=3D"http://albumcredits.com/zmix">http://albumcredits.com/zmix</a><br
>
</blockquote>
</blockquote>
<blockquote type=3D"cite" cite><br>
<br>
<br>
--<br>
=2E-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<span
></span>-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br>
<a
href=3D"http://raulbonell.tumblr.com/">http://raulbonell.tumblr.com</a
>&nbsp;=B7&nbsp;<a
href=3D"http://www.ct-collective.com/">http://www.ct-collective.com</a><br
>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br>
<br>
La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los
bancos inyectan liquidez (se lo prestan) a los estados con
dificultades al 5% y a las PYMES, aut=F3nomos y ciudadanos hipotecados
al 8%. Negocio redondo para los bancos alemanes y franceses... Para
todos los bancos =A1Bravo =C1ngela!!!&nbsp;=BFY qui=E9n pagar=E1 la
deuda de los estados? El pueblo, claro est=E1, para no enfadar a las
grandes empresas, a los bancos, a los mercados...<br>
<br>
Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y
una educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n
suficiente, a una legislaci=F3n laboral que d=E9 seguridad al
trabajador y a su familia y lo proteja frente abusos y el despido,
renunciemos a una jubilaci=F3n antes de morir o estar tan deteriorado
que cuando llegue solo nos quede esperar nuestra muerte y aliviar
nuestro sufrimiento y dolor...<br>
<br>
Bajemos los impuestos a las grandes empresas, a los mercados
financieros, a los bancos, a los grandes capitales que pueden hundir
un pa=EDs con la simple acci=F3n de sacar su dinero y llev=E1rselo a
M=F3naco, Andorra o Luxemburgo, liberad de cargas fiscales a los
dioses...<br>
<br>
Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR
EL CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS.
Palabra de dios, am=E9n.<br>
<br>
=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
=2E..<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-919156025==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 21:22:17 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack Performance Sampler Teaser....
Date: Tue, 21 Dec 2010 13:22:08 -0800
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Oops!  My bad. But, that is also why I added the "to my knowledge"  
disclaimer.  Thanx for the (sad) clarification.  Knowledge is  
POWER...! :-)

Post Toasties,
Rev. Fever

On Dec 21, 2010, at 12:50 PM, Tony K wrote:
> 2 deaths at Woodstock.  One overdose, and one person was run over  
> by a tractor.

> Actually, I would say that the notorious Altamont Free Festival in  
> 1969 (with the Rolling Stones, etc) was "the beginning of the end".  
> Someone got killed there by the Hell's Angels.
> To my knowledge, no one died under any circumstances at Woodstock  
> and there was even someone BORN there! Pretty much the opposite of  
> Altamont.
> Corn Flakes,
> Rev. Fever
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 21:32:28 2010
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	<DE10D9AC-CF41-4709-93D0-626F9DC795B0@ubergadget.com>
Date: Tue, 21 Dec 2010 16:32:26 -0500
Message-ID: <AANLkTin57i-JK7W=_x+tqvA85qJft72Unx5Bo52AANc0@mail.gmail.com>
Subject: Re: OT: Lunar Solstice
From: Jeff Duke <jeffloops@gmail.com>
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http://vimeo.com/18046748

On Tue, Dec 21, 2010 at 4:17 PM, Revfever <revfever@ubergadget.com> wrote:
> There's always gootoob to check for possibly any video footage... :-)
>
> Fruit Loops,
> Rev. Fever
>
> On Dec 21, 2010, at 1:09 PM, Antony Hequet wrote:
>
>>
>> Was it last night? Shit I thought it eS tonight!
>> Antony
>>
>>
>> Whoa! I did not realize that last night's lunar eclipse coincided with
>> Winter Solstice (21st) and is something that has not happened in something
>> like TWO THOUSAND YEARS!
>> That gives me some wonderful CHILLS...
>>
>> Sugar Frosted Flakes,
>> Rev. Fever
>>
>>
>>
>>
>>
>>
>

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Date: Tue, 21 Dec 2010 15:48:13 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
	Performance Sampler Teaser....
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Hi Everyone,

This is a fascinating thread.  Since it is a slow day here today, I've  
been listening to "The Century of the Self" documentary.

Much of the documentary is frightening though it is not surprising.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 21:54:12 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE (media and "media")
Date: Tue, 21 Dec 2010 13:54:04 -0800
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> Ultra conservatives do not own ethics, they just pretend they do.  
> That's why they threaten with violence anyone who diagrees with  
> their take on what is moraly sound.

The conservatives and wealthy special interests also control, and /  
or own most of the "media," as well, and most wealthy special  
interests and major corps(es) are not exactly known for being  
"liberal" or "progressive". That's a big obstacle to overcome / get  
around, especially when you have multiple millions of willingly and  
blissfully dumbed down, brain dead and clueless others buying into  
the "goods" that are being sold to them daily / hourly by the major  
"media" and of course on (haha) "fair and balanced" Faux  
Fraudcasting, and even covertly by much of television's  
"entertainment". And also, even a bit of certain crap coming out of  
Hollywood, although I would say that HW is the least of the offenders  
with this.

Also, here in the USA, check out some of the major underwriters for  
National "Public" Radio / TV sometimes. Texaco, Ford, GE, and the  
list goes on...

This is another reason why I still defend the Internet, because for  
the first time ever in human history, people in different cultures  
just about everywhere can communicate DIRECTLY
and not have to rely on getting their information (or "information")  
about others in other countries, and about those countries, via only  
the owned and controlled media (or "media"),
government or otherwise, in those other countries. Of course, there  
are and have been some exceptions, and usually found more in the UK  
and Europe (and?), but over here in the
USA it is mostly "forget it". (although the LA Times is still decent  
and also recently published an editorial that slammed Faux!  Excellent!)

Cocoa Puffs,
Rev. Fever

PS-The FCC OK'ed Net Neutrality!  I'll wager that the conservatives  
and the major corps(es) control freaks are PISSED and FUMING over  
this since they were VERY MUCH AGAINST it.
(Now gee, imagine that, eh?)  And of course, and predictably, the  
blowhards and wind bags in the sewer of right wing "talk" shows are  
all going ballistic about it and calling it a
"government TAKEOVER!" of the Internet, etc etc blah blah blah. These  
clowns just never give up. But, that is what they are paid to do, so....

'The Federal Communications Commission has passed controversial new  
rules that prevent Internet providers from playing favorites or  
blocking access to Web sites that offer rival services. Three of the  
panel's five members voted in favor of the plan.'

> Antony
>
> Sent from my iPhone
>
> On 2010-12-21, at 15:21, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
>
>> the problem is your dealing with a crowd of hypocrits who's ethics  
>> are ordained from above - there is no debate!
>>
>> On Dec 21, 2010, at 3:25 AM, antonyhequet@yahoo.com wrote:
>>
>>> one thing you will notice is that the ultra conservatives have  
>>> created a de facto monopoly on ethics; they are the keepers of  
>>> morality. This is a real problem. Ethics are the most important  
>>> topic of debate, the fibre of society.
>>> ANtony
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<div><blockquote type=3D"cite"><div>Ultra conservatives do not own =
ethics, they just pretend they do. That's why they threaten with =
violence anyone who diagrees with their take on what is moraly =
sound.&nbsp;</div></blockquote><div><br></div>The conservatives and =
wealthy special interests also control, and / or own most of the =
"media," as well, and most&nbsp;wealthy special interests and&nbsp;major =
corps(es) are not exactly known for being "liberal" or "progressive". =
That's a big obstacle to&nbsp;overcome / get around, especially when you =
have multiple millions&nbsp;of willingly and blissfully dumbed down, =
brain dead and clueless others buying into the "goods" that are being =
sold to them daily / hourly by the major "media" and of course on (haha) =
"fair and balanced" Faux Fraudcasting,&nbsp;and even covertly by much of =
television's "entertainment". And also, even a bit of certain crap =
coming out of Hollywood, although I would say that HW is the least of =
the offenders with this.</div><div><br></div><div>Also, here in the USA, =
check out some of the major underwriters for National "Public" Radio / =
TV sometimes. Texaco, Ford, GE, and the list goes =
on...</div><div><br></div><div>This is another reason why I still defend =
the Internet, because for the first time ever in human history, people =
in different cultures just about everywhere can communicate =
DIRECTLY</div><div>and not have to rely on getting their information (or =
"information") about others in other countries, and about those =
countries, via only the owned and controlled media (or =
"media"),&nbsp;</div><div>government or otherwise, in those other =
countries.&nbsp;Of course, there are and have been some exceptions, and =
usually found more in the UK and Europe (and?), but over here in =
the&nbsp;</div><div>USA it is mostly "forget it".&nbsp;(although the LA =
Times is still decent and also recently published an editorial that =
slammed Faux! &nbsp;Excellent!)</div><div><br></div><div>Cocoa =
Puffs,</div><div>Rev. Fever</div><div><br></div><div>PS-The FCC OK'ed =
Net Neutrality! &nbsp;I'll wager that the conservatives and the major =
corps(es) control freaks are PISSED and FUMING over this since they were =
VERY MUCH AGAINST it.&nbsp;</div><div>(Now gee, imagine that, eh?) =
&nbsp;And of course, and predictably, the blowhards and wind bags in the =
sewer of right wing "talk" shows are all going ballistic about it and =
calling it a</div><div>"government TAKEOVER!" of the Internet, etc etc =
blah blah blah. These clowns just never give up. But, that is what they =
are paid to do, so....</div><div><br></div><div>'<span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><b>The Federal =
Communications Commission has passed controversial new rules that =
prevent Internet providers from playing favorites or blocking access to =
Web sites that offer rival services. Three of the panel's five members =
voted in favor of the plan.'</b></span></div><div><br><blockquote =
type=3D"cite"><div>Antony<br><br>Sent from my iPhone</div><div><br>On =
2010-12-21, at 15:21, Paul Mimlitsch &lt;<a =
href=3D"mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>the =
problem is your dealing with a crowd of hypocrits who's ethics are =
ordained from above - there is no debate!<div><br><div><div>On Dec 21, =
2010, at 3:25 AM, <a href=3D"mailto:antonyhequet@yahoo.com"></a><a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font-family: arial, helvetica, =
sans-serif; font-size: 14pt; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">one thing you =
will notice is that the ultra conservatives have created a de facto =
monopoly on ethics; they are the keepers of morality. This is a real =
problem. Ethics are the most important topic of debate, the fibre of =
society.</div></div></div></blockquote><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
14pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; =
">ANtony</div></div></div></span></blockquote></div><br></div></div></bloc=
kquote><br>       </blockquote></div><br></body></html>=

--Apple-Mail-1--1018851245--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 23:19:45 2010
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Subject: Re: Re: (OT) REJECTING MASS MEDIA CULTURE (Was Re: Epic Octatrack
 Performance Sampler Teaser....
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On 7/22/64 11:59 AM, Paul Richards wrote:
> (Remember if you will that Hendrix came to the UK to find an audience...)
> Hendrix was one of many: the Electric Prunes, Iron Butterfly, 
> Autosalvage, Spirit, Big Brother & the Holding Company, the Airplane, 
> the Rotary Connection, et al.


Errrr,   you are claiming that Big Brother and the Jefferson Airplane 
came to England to get a mass audience?
It's true of Hendrix,  but I don't believe it was true of Big Brother or 
the Airplane.

I was at the Monterey Pop Festival where Hendrix, Big Brother, Otis 
Redding, Ravi Shankar and many others
broke big for the first time in the US.  Even the Who were not enormous 
in the US until after the Monterey Pop
Festival, which was the prototype for all the big Rock Festivals to come.

The Airplane were enormous in California.  They were the poster children 
for the SF Hippy movement.
  They were on the cover of Life Magazine for goodness sakes.

rick walker (ex-hippy who was there)

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 23:33:07 2010
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	<4D11130A.5050807@boomerangmusic.com>
Date: Tue, 21 Dec 2010 15:33:04 -0800
Message-ID: <AANLkTinesoBfAAaBS=26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com>
Subject: Re: Boomerang Power Supply Not Included in Price
From: Matt Davignon <mattdavignon@gmail.com>
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Actually, the Amazon page doesn't specify either way whether a power
supply is included. Most items of this type have a "specifications"
section of the product description that would include this
information.

That this section is missing, and the "Customers Who Bought This Item
Also Bought..." lists a power supply, there is definitely a strong
implication that it comes without a power supply...

On Tue, Dec 21, 2010 at 12:50 PM, Mike <mnelson@boomerangmusic.com> wrote:
> =A0 =A0 =A0 =A0Thanks for bringing this to my attention. I just sent the =
following
> email to our rep that handles Amazon:
>
> =A0 =A0 =A0 =A0"Amazon is selling the III without a power supply. The pro=
duct is
> indivisible and comprises a III, power supply & manual. Negative chatter =
is
> occurring on some forums regarding "our" gouging practices. Please have t=
hem
> stop this.
> =A0 =A0 =A0 =A0They are either splitting the product up or attempting to =
sell 2
> power supplies to each customer. Either way it's a deceptive trade
> practice."
>
>
> On 21-Dec-10 9:33 AM, fh@flatheadband.com wrote:
>>
>> I love the "Customers Who Bought This Item Also Bought..." suggestion
>> lists...a lot of times listing duplicate
>> and/or redundant items.
>>
>> =A0 =A0-------- Original Message --------
>> =A0 =A0Subject: Re: Boomerang Power Supply Not Included in Price
>> =A0 =A0From: Elmer Fuddski <jakebrakesrule@yahoo.com
>> <mailto:jakebrakesrule@yahoo.com>>
>> =A0 =A0Date: Mon, December 20, 2010 7:19 pm
>> =A0 =A0To: Loopers-Delight@loopers-delight.com
>> <mailto:Loopers-Delight@loopers-delight.com>
>>
>> =A0 =A0Well, that's great. But AMS & Amazon.com <http://Amazon.com> appe=
ar to
>> be positioning the Boomerang as
>> =A0 =A0power supply needed. Check out this link:
>>
>>
>> =A0http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL=
0/ref=3Dsr_1_1?ie=3DUTF8&s=3Dmusical-instruments&qid=3D1292890362&sr=3D1-1
>>
>> =A0<http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTP=
L0/ref=3Dsr_1_1?ie=3DUTF8&s=3Dmusical-instruments&qid=3D1292890362&sr=3D1-1=
>
>>
>> =A0 =A0The Boomerang description on the above two sites
>> (www.americanmusical.com <http://www.americanmusical.com>
>> =A0 =A0& amazon.com <http://amazon.com>) doesn't clarify this and it 'ap=
pears'
>> as if the power supply is a needed
>> =A0 =A0add-on.
>>
>> =A0 =A0'Sorry for any confusion if I'm mis-reading their websites. I was=
 about
>> to buy one last week.
>>
>> =A0 =A0Jake
>>
>> =A0 =A0--- On *Mon, 12/20/10, Mike /<mnelson@boomerangmusic.com
>> <mailto:mnelson@boomerangmusic.com>>/* wrote:
>>
>>
>> =A0 =A0 =A0 =A0From: Mike <mnelson@boomerangmusic.com
>> <mailto:mnelson@boomerangmusic.com>>
>> =A0 =A0 =A0 =A0Subject: Re: Boomerang Power Supply Not Included in Price
>> =A0 =A0 =A0 =A0To: Loopers-Delight@loopers-delight.com
>> <mailto:Loopers-Delight@loopers-delight.com>
>> =A0 =A0 =A0 =A0Date: Monday, December 20, 2010, 2:34 PM
>>
>> =A0 =A0 =A0 =A0Hold on, partner. You're getting your wagon in front of t=
he
>> horse... or something like that. Each and
>> =A0 =A0 =A0 =A0every pedal sold by Boomerang comes with a power supply, =
has always
>> come with a power supply and will
>> =A0 =A0 =A0 =A0always come with a power supply if it is not a battery po=
wered
>> pedal.
>> =A0 =A0 =A0 =A0Just to ensure that this comment does not go viral... ALL=
 BOOMERANG
>> PEDALS ARE SHIPPED WITH A POWER
>> =A0 =A0 =A0 =A0SUPPLY.
>>
>> =A0 =A0 =A0 =A0Merry Christmas.
>>
>> =A0 =A0 =A0 =A0On 20-Dec-10 4:19 PM, Elmer Fuddski wrote:
>> =A0 =A0 =A0 =A0> =A0Is this a new trend? I can see a pedal that is optio=
nally
>> BATTERY-POWERED not including a power
>> =A0 =A0 =A0 =A0supply but a
>> =A0 =A0 =A0 =A0> =A0device that is NOT battery-powered??? What good is t=
he unit w/o
>> a power supply?
>> =A0 =A0 =A0 =A0> =A0I can that making an items price more attractive and=
 possibly
>> competitive is an advantage of not
>> =A0 =A0 =A0 =A0including the
>> =A0 =A0 =A0 =A0> =A0power supply but is a power supplys wholesale cost $=
18.00 in the
>> first place?
>> =A0 =A0 =A0 =A0> =A0No offense to the designer/manufacturer Mike, but it=
's a little
>> gouge-y.
>>
>> =A0 =A0 =A0 =A0--
>> =A0 =A0 =A0 =A0Mike Nelson
>> =A0 =A0 =A0 =A0Secretary/Treasurer, Boomerang Management, Inc.
>> =A0 =A0 =A0 =A0General Partner of Boomerang Musical Products, Ltd.
>>
>> =A0 =A0 =A0 =A0----------
>>
>> =A0 =A0 =A0 =A0"Some products make you sound better;
>> =A0 =A0 =A0 =A0Boomerang(R) Phrase Samplers makes you play better."
>>
>> =A0 =A0 =A0 =A0----------
>>
>> =A0 =A0 =A0 =A01-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-=
8509, Fax
>>
>> =A0 =A0 =A0 =A0http://www.boomerangmusic.com
>>
>> =A0 =A0 =A0 =A0Contact for repairs:
>> =A0 =A0 =A0 =A0Lee Hardesty
>> =A0 =A0 =A0 =A01516 Victoria Drive
>> =A0 =A0 =A0 =A0Denton, TX 76209
>> =A0 =A0 =A0 =A0hardesty@mindspring.com </mc/compose?to=3Dhardesty@mindsp=
ring.com>
>> =A0 =A0 =A0 =A0940-382-3253
>>
>> =A0 =A0 =A0 =A0Billing Address:
>> =A0 =A0 =A0 =A0Boomerang Musical Products, Ltd.
>> =A0 =A0 =A0 =A0PO Box 3788
>> =A0 =A0 =A0 =A0Grapevine, TX 76099-3788
>>
>>
>
> --
>
> Mike Nelson
> Secretary/Treasurer, Boomerang Management, Inc.
> General Partner of Boomerang Musical Products, Ltd.
>
> ----------
>
> "Some products make you sound better;
> =A0Boomerang(R) Phrase Samplers makes you play better."
>
> ----------
>
> 1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax
>
> http://www.boomerangmusic.com
>
> Contact for repairs:
> Lee Hardesty
> 1516 Victoria Drive
> Denton, TX =A076209
> hardesty@mindspring.com
> 940-382-3253
>
> Billing Address:
> Boomerang Musical Products, Ltd.
> PO Box 3788
> Grapevine, TX =A076099-3788
>
>



--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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Michael Peters wrote:
> from a 56 yr old geezer: were the 70's really that bad? not to me

 From a 57 year old geezer (lol,  I've never actually thought of myself 
as either old
or a geezer but it's fun for this conversation)  the 70's (especially 
the middle 70's)
were particularly depressing because, as a musician,  I witnessed all 
the freedom and creativity
and openness of the Hippy movement supplanted by wide spread cultural 
depression and
cynicism (I can only speak of Northern California where I lived).     I 
saw this beautiful
blossoming of culture and creativity usurped by the music industry who 
had figured out
how much money could be made off of youth culture.   I watched the 
fantastic free FM radio
stations of the Bay Area with all of their amazingly eclectic radio 
shows put out of business and replaced by corporate run FM stations with 
play lists.    I watched the Major Musical Labels muscle in on regional
American music and try as hard as they could to establish monopolies.
It was a very depressing time to me, but I was also a very angry young 
man struggling with my own
internal demons so that had to have clouded the experience.

I wouldn't see another blossoming of that kind of creativity until the 
early New Wave/Punk movements
in the late 70's and early 80's........even so,  there has always been a 
kind of cynicism that has accompanied
a lot of the musical movements (well, perhaps not the New Age movement, 
but I just couldn't relate....lol)
since those times in modern popular movements............well, either 
cynicism or the kind of mindless
drug escapism that accompanied the Rave scene.      The Psy Trance scene 
seems to have some kinship with
those earlier days but I'm, personally, just not all that enamored, 
emotionally, with that type of music.

Okay,  I ramble...................but after all those psychedlics and 
psycho-tropic drugs (and others)
I suppose it's a good thing that I can still muster complete 
sentences..........lol

rick walker





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From: mark francombe <mark@markfrancombe.com>
Date: Wed, 22 Dec 2010 00:43:50 +0100
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Subject: Re: Films of Eno creating his latest record....
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--90e6ba6e81aa97687f0497f436de
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2010/12/21 Raul Bonell <raul.bonell@gmail.com>

> No. We're not following his work since he repudiated FZ music.
>



> He did? OK well Im following him again!
> Seriously I thought the films were a bit dull, and over editted.. when he
> waved his hand over the air FX would have been nice if you could hear it do
> something, instead of it be a random edit...
>
> Mark

--90e6ba6e81aa97687f0497f436de
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<br><br><div class=3D"gmail_quote">2010/12/21 Raul Bonell <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;=
</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0=
.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

No. We&#39;re not following his work since he repudiated FZ music.<br></blo=
ckquote><div><br>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin=
: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-lef=
t: 1ex;">

He did? OK well Im following him again!<br>
Seriously I thought the films were a bit dull, and over editted.. when=20
he waved his hand over the air FX would have been nice if you could hear
 it do something, instead of it be a random edit...<br>
<br>
Mark</blockquote><div><br><br><br><br>
</div></div>

--90e6ba6e81aa97687f0497f436de--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 23:53:19 2010
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On 7/22/64 11:59 AM, Steve Uccello wrote:
> Pretty special! It was amazing over here in Monterey.  It was funny though, I didn't realize it was happening till I checked my email late at night
Dang it,   not 30 miles north of you,  we were completely socked in with 
fog and
I missed the whole thing even though we were planning on watching for 
several days.
I'm glad you got to watch it, Steve!

From Loopers-Delight-request@loopers-delight.com  Tue Dec 21 23:55:08 2010
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Subject: Re: OT: Lunar Solstice
Date: Tue, 21 Dec 2010 23:55:24 -0000
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?From: Revfever
>Whoa! I did not realize that last night's lunar eclipse coincided with 
>Winter Solstice (21st) and is something that has not happened in something 
>like TWO THOUSAND YEARS! That gives me some wonderful CHILLS...

1638 to be precise.

http://www.aolnews.com/2010/12/21/winter-solstice-delivers-lunar-eclipse/?icid=maing%7Cmain5%7Cdl1%7Csec1_lnk5%7C32575 

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Subject: Re: Films of Eno creating his latest record....
From: Jeffrey Collins <jeffreycollins1975@gmail.com>
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--0016364d20b32e76e80497f473fa
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He did. Oh man. Gotta pick Frank over Brian anyday.

2010/12/21 Raul Bonell <raul.bonell@gmail.com>

> No. We're not following his work since he repudiated FZ music.
>
>
>

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He did. Oh man. Gotta pick Frank over Brian anyday.<br><br><div class=3D"gm=
ail_quote">2010/12/21 Raul Bonell <span dir=3D"ltr">&lt;<a href=3D"mailto:r=
aul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span><br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">
No. We&#39;re not following his work since he repudiated FZ music.<br><div =
style=3D"display: inline;"></div><br>
<br></blockquote></div>

--0016364d20b32e76e80497f473fa--

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Subject: Re: mirror snow drive
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--0016364d1e110e598d0497f47e83
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cool video...and audio of course.

Jeffrey Collins

On Tue, Dec 21, 2010 at 3:39 PM, Michael Peters <mp@mpeters.de> wrote:

> http://www.youtube.com/watch?v=zMpovplhGbg
>
> the organ soundtrack uses 2 EDPs synced in 6/8 (or was it 7/8?)
>
> -Michael Peters
>
>

--0016364d1e110e598d0497f47e83
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cool video...and audio of course.<br><br>Jeffrey Collins<br><br><div class="gmail_quote">On Tue, Dec 21, 2010 at 3:39 PM, Michael Peters <span dir="ltr">&lt;<a href="mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><a href="http://www.youtube.com/watch?v=zMpovplhGbg" target="_blank">http://www.youtube.com/watch?v=zMpovplhGbg</a><br>

<br>
the organ soundtrack uses 2 EDPs synced in 6/8 (or was it 7/8?)<br>
<font color="#888888"><br>
-Michael Peters<br>
<br>
</font></blockquote></div><br>

--0016364d1e110e598d0497f47e83--

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On Wed, Dec 22, 2010 at 12:34 AM, Rick Walker <looppool@cruzio.com> wrote:

> I wouldn't see another blossoming of that kind of creativity until the
> early New Wave/Punk movements
> in the late 70's and early 80's........even so,  there has always been a
> kind of cynicism that has accompanied
> a lot of the musical movements
>

If you are using cynicism as a criticism think you are probably right,
however the punk movement, of which I was a VERY young member and
participator, was waaay more than cynical.. we were down-right angry.

The absolute joy and freedom that I felt as a young radical anarchist (If
only I had known what that meant) was something that I cannot report as
being negative in anyway. Questions we were asking, were the exact same
questions that the hippy movement were asking 10 to 12 years earlier, just
that we chose aggression and chaos to rebel, where the hippys used free sex
and drugs. (Note I don't use the terms peace and love here... we had that
too!!!)

I was also there during the birth of rave culture, although this time I was
an organiser. The same feeling was there, a stepping aside from the norms o=
f
the music industry to put on festivals in fields, for free. Admittedly that
culture didnt not take long to become main-stream, but for maybe 6 months
from April til october was quite a ride I can tell you... there was no
cynicism, just a desire to put something on that was not being allowed...
And that was so DIY.. I remember going to a mansion house to pick up one of
our DJ=B4s and a maid answering the door and taking me to this kids bedroom=
,
where he had an Atari and a synth and a 4 track.. he wrote a track in front
of my eyes in 1 hour, we er.. staggered to the car.. went to the field wher=
e
my colleagues had set up the PA and within 45 minutes of the song being
recorded there was 1500 people dancing to it... the track was called Killer=
,
and later became a huge hit for Seal...


Mark



--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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On Wed, Dec 22, 2010 at 12:34 AM, Rick Walker <span dir=3D"ltr">&lt;<a href=
=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<b=
r><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"mar=
gin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-=
left: 1ex;">

<div id=3D":2or">I wouldn&#39;t see another blossoming of that kind of crea=
tivity until the early New Wave/Punk movements<br>
in the late 70&#39;s and early 80&#39;s........even so, =A0there has always=
 been a kind of cynicism that has accompanied<br>
a lot of the musical movements</div></blockquote><div><br>If you are using =
cynicism as a criticism think you are probably right, however the punk move=
ment, of which I was a VERY young member and participator, was waaay more t=
han cynical.. we were down-right angry. <br>

<br>The absolute joy and freedom that I felt as a young radical anarchist (=
If only I had known what that meant) was something that I cannot report as =
being negative in anyway. Questions we were asking, were the exact same que=
stions that the hippy movement were asking 10 to 12 years earlier, just tha=
t we chose aggression and chaos to rebel, where the hippys used free sex an=
d drugs. (Note I don&#39;t use the terms peace and love here... we had that=
 too!!!)<br>

<br>I was also there during the birth of rave culture, although this time I=
 was an organiser. The same feeling was there, a stepping aside from the no=
rms of the music industry to put on festivals in fields, for free. Admitted=
ly that culture didnt not take long to become main-stream, but for maybe 6 =
months from April til october was quite a ride I can tell you... there was =
no cynicism, just a desire to put something on that was not being allowed..=
. And that was so DIY.. I remember going to a mansion house to pick up one =
of our DJ=B4s and a maid answering the door and taking me to this kids bedr=
oom, where he had an Atari and a synth and a 4 track.. he wrote a track in =
front of my eyes in 1 hour, we er.. staggered to the car.. went to the fiel=
d where my colleagues had set up the PA and within 45 minutes of the song b=
eing recorded there was 1500 people dancing to it... the track was called K=
iller, and later became a huge hit for Seal...<br>

<br><br>Mark<br></div></div><br><br clear=3D"all"><br>-- <br>mark francombe=
<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><=
a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @mar=
kfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549b2bacf9b50497f4844c--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 00:06:37 2010
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Date: Tue, 21 Dec 2010 16:06:29 -0800
From: Rick Walker <looppool@cruzio.com>
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Subject: Re: mirror snow drive
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On 7/22/64 11:59 AM, Michael Peters wrote:
> http://www.youtube.com/watch?v=zMpovplhGbg
>
> the organ soundtrack uses 2 EDPs synced in 6/8 (or was it 7/8?)
>
> -Michael Peters

I LOVE THIS TRACK!!!!    and the vid, too.

Wow,  very beautiful..........it's transforming a very rainy and much 
needed day off.

Thanks, Michael.

rick walker

ps
and I think it's 6/4 from how I hear it.    I just call it that because 
the count is slow
and there are a lot of subdivisions in it.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 00:30:28 2010
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Date: Tue, 21 Dec 2010 16:30:25 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Boomerang Power Supply Not Included in Price
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Just an FYI, I am buying one in any case. I certainly don't want to have an=
y negative light placed on the Boomerang. I was just curious (and confused)=
 at the product descriptions on the two websites I visited.

--- On Tue, 12/21/10, Matt Davignon <mattdavignon@gmail.com> wrote:


From: Matt Davignon <mattdavignon@gmail.com>
Subject: Re: Boomerang Power Supply Not Included in Price
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, December 21, 2010, 6:33 PM


Actually, the Amazon page doesn't specify either way whether a power
supply is included. Most items of this type have a "specifications"
section of the product description that would include this
information.

That this section is missing, and the "Customers Who Bought This Item
Also Bought..." lists a power supply, there is definitely a strong
implication that it comes without a power supply...

On Tue, Dec 21, 2010 at 12:50 PM, Mike <mnelson@boomerangmusic.com> wrote:
> =A0 =A0 =A0 =A0Thanks for bringing this to my attention. I just sent the =
following
> email to our rep that handles Amazon:
>
> =A0 =A0 =A0 =A0"Amazon is selling the III without a power supply. The pro=
duct is
> indivisible and comprises a III, power supply & manual. Negative chatter =
is
> occurring on some forums regarding "our" gouging practices. Please have t=
hem
> stop this.
> =A0 =A0 =A0 =A0They are either splitting the product up or attempting to =
sell 2
> power supplies to each customer. Either way it's a deceptive trade
> practice."
>
>
> On 21-Dec-10 9:33 AM, fh@flatheadband.com wrote:
>>
>> I love the "Customers Who Bought This Item Also Bought..." suggestion
>> lists...a lot of times listing duplicate
>> and/or redundant items.
>>
>> =A0 =A0-------- Original Message --------
>> =A0 =A0Subject: Re: Boomerang Power Supply Not Included in Price
>> =A0 =A0From: Elmer Fuddski <jakebrakesrule@yahoo.com
>> <mailto:jakebrakesrule@yahoo.com>>
>> =A0 =A0Date: Mon, December 20, 2010 7:19 pm
>> =A0 =A0To: Loopers-Delight@loopers-delight.com
>> <mailto:Loopers-Delight@loopers-delight.com>
>>
>> =A0 =A0Well, that's great. But AMS & Amazon.com <http://Amazon.com> appe=
ar to
>> be positioning the Boomerang as
>> =A0 =A0power supply needed. Check out this link:
>>
>>
>> =A0http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL=
0/ref=3Dsr_1_1?ie=3DUTF8&s=3Dmusical-instruments&qid=3D1292890362&sr=3D1-1
>>
>> =A0<http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTP=
L0/ref=3Dsr_1_1?ie=3DUTF8&s=3Dmusical-instruments&qid=3D1292890362&sr=3D1-1=
>
>>
>> =A0 =A0The Boomerang description on the above two sites
>> (www.americanmusical.com <http://www.americanmusical.com>
>> =A0 =A0& amazon.com <http://amazon.com>) doesn't clarify this and it 'ap=
pears'
>> as if the power supply is a needed
>> =A0 =A0add-on.
>>
>> =A0 =A0'Sorry for any confusion if I'm mis-reading their websites. I was=
 about
>> to buy one last week.
>>
>> =A0 =A0Jake
>>
>> =A0 =A0--- On *Mon, 12/20/10, Mike /<mnelson@boomerangmusic.com
>> <mailto:mnelson@boomerangmusic.com>>/* wrote:
>>
>>
>> =A0 =A0 =A0 =A0From: Mike <mnelson@boomerangmusic.com
>> <mailto:mnelson@boomerangmusic.com>>
>> =A0 =A0 =A0 =A0Subject: Re: Boomerang Power Supply Not Included in Price
>> =A0 =A0 =A0 =A0To: Loopers-Delight@loopers-delight.com
>> <mailto:Loopers-Delight@loopers-delight.com>
>> =A0 =A0 =A0 =A0Date: Monday, December 20, 2010, 2:34 PM
>>
>> =A0 =A0 =A0 =A0Hold on, partner. You're getting your wagon in front of t=
he
>> horse... or something like that. Each and
>> =A0 =A0 =A0 =A0every pedal sold by Boomerang comes with a power supply, =
has always
>> come with a power supply and will
>> =A0 =A0 =A0 =A0always come with a power supply if it is not a battery po=
wered
>> pedal.
>> =A0 =A0 =A0 =A0Just to ensure that this comment does not go viral... ALL=
 BOOMERANG
>> PEDALS ARE SHIPPED WITH A POWER
>> =A0 =A0 =A0 =A0SUPPLY.
>>
>> =A0 =A0 =A0 =A0Merry Christmas.
>>
>> =A0 =A0 =A0 =A0On 20-Dec-10 4:19 PM, Elmer Fuddski wrote:
>> =A0 =A0 =A0 =A0> =A0Is this a new trend? I can see a pedal that is optio=
nally
>> BATTERY-POWERED not including a power
>> =A0 =A0 =A0 =A0supply but a
>> =A0 =A0 =A0 =A0> =A0device that is NOT battery-powered??? What good is t=
he unit w/o
>> a power supply?
>> =A0 =A0 =A0 =A0> =A0I can that making an items price more attractive and=
 possibly
>> competitive is an advantage of not
>> =A0 =A0 =A0 =A0including the
>> =A0 =A0 =A0 =A0> =A0power supply but is a power supplys wholesale cost $=
18.00 in the
>> first place?
>> =A0 =A0 =A0 =A0> =A0No offense to the designer/manufacturer Mike, but it=
's a little
>> gouge-y.
>>
>> =A0 =A0 =A0 =A0--
>> =A0 =A0 =A0 =A0Mike Nelson
>> =A0 =A0 =A0 =A0Secretary/Treasurer, Boomerang Management, Inc.
>> =A0 =A0 =A0 =A0General Partner of Boomerang Musical Products, Ltd.
>>
>> =A0 =A0 =A0 =A0----------
>>
>> =A0 =A0 =A0 =A0"Some products make you sound better;
>> =A0 =A0 =A0 =A0Boomerang(R) Phrase Samplers makes you play better."
>>
>> =A0 =A0 =A0 =A0----------
>>
>> =A0 =A0 =A0 =A01-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-=
8509, Fax
>>
>> =A0 =A0 =A0 =A0http://www.boomerangmusic.com
>>
>> =A0 =A0 =A0 =A0Contact for repairs:
>> =A0 =A0 =A0 =A0Lee Hardesty
>> =A0 =A0 =A0 =A01516 Victoria Drive
>> =A0 =A0 =A0 =A0Denton, TX 76209
>> =A0 =A0 =A0 =A0hardesty@mindspring.com </mc/compose?to=3Dhardesty@mindsp=
ring.com>
>> =A0 =A0 =A0 =A0940-382-3253
>>
>> =A0 =A0 =A0 =A0Billing Address:
>> =A0 =A0 =A0 =A0Boomerang Musical Products, Ltd.
>> =A0 =A0 =A0 =A0PO Box 3788
>> =A0 =A0 =A0 =A0Grapevine, TX 76099-3788
>>
>>
>
> --
>
> Mike Nelson
> Secretary/Treasurer, Boomerang Management, Inc.
> General Partner of Boomerang Musical Products, Ltd.
>
> ----------
>
> "Some products make you sound better;
> =A0Boomerang(R) Phrase Samplers makes you play better."
>
> ----------
>
> 1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax
>
> http://www.boomerangmusic.com
>
> Contact for repairs:
> Lee Hardesty
> 1516 Victoria Drive
> Denton, TX =A076209
> hardesty@mindspring.com
> 940-382-3253
>
> Billing Address:
> Boomerang Musical Products, Ltd.
> PO Box 3788
> Grapevine, TX =A076099-3788
>
>



--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Just an FYI, I am buying one in any case. I c=
ertainly don't want to have any negative light placed on the Boomerang. I w=
as just curious (and confused) at the product descriptions on the two websi=
tes I visited.<BR><BR>--- On <B>Tue, 12/21/10, Matt Davignon <I>&lt;mattdav=
ignon@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Matt Davignon &lt;mattdavignon@gmail.com&gt=
;<BR>Subject: Re: Boomerang Power Supply Not Included in Price<BR>To: Loope=
rs-Delight@loopers-delight.com<BR>Date: Tuesday, December 21, 2010, 6:33 PM=
<BR><BR>
<DIV class=3DplainMail>Actually, the Amazon page doesn't specify either way=
 whether a power<BR>supply is included. Most items of this type have a "spe=
cifications"<BR>section of the product description that would include this<=
BR>information.<BR><BR>That this section is missing, and the "Customers Who=
 Bought This Item<BR>Also Bought..." lists a power supply, there is definit=
ely a strong<BR>implication that it comes without a power supply...<BR><BR>=
On Tue, Dec 21, 2010 at 12:50 PM, Mike &lt;<A href=3D"http://us.mc367.mail.=
yahoo.com/mc/compose?to=3Dmnelson@boomerangmusic.com" ymailto=3D"mailto:mne=
lson@boomerangmusic.com">mnelson@boomerangmusic.com</A>&gt; wrote:<BR>&gt; =
&nbsp; &nbsp; &nbsp; &nbsp;Thanks for bringing this to my attention. I just=
 sent the following<BR>&gt; email to our rep that handles Amazon:<BR>&gt;<B=
R>&gt; &nbsp; &nbsp; &nbsp; &nbsp;"Amazon is selling the III without a powe=
r supply. The product is<BR>&gt; indivisible and comprises a III, power
 supply &amp; manual. Negative chatter is<BR>&gt; occurring on some forums =
regarding "our" gouging practices. Please have them<BR>&gt; stop this.<BR>&=
gt; &nbsp; &nbsp; &nbsp; &nbsp;They are either splitting the product up or =
attempting to sell 2<BR>&gt; power supplies to each customer. Either way it=
's a deceptive trade<BR>&gt; practice."<BR>&gt;<BR>&gt;<BR>&gt; On 21-Dec-1=
0 9:33 AM, <A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dfh@fla=
theadband.com" ymailto=3D"mailto:fh@flatheadband.com">fh@flatheadband.com</=
A> wrote:<BR>&gt;&gt;<BR>&gt;&gt; I love the "Customers Who Bought This Ite=
m Also Bought..." suggestion<BR>&gt;&gt; lists...a lot of times listing dup=
licate<BR>&gt;&gt; and/or redundant items.<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &=
nbsp;-------- Original Message --------<BR>&gt;&gt; &nbsp; &nbsp;Subject: R=
e: Boomerang Power Supply Not Included in Price<BR>&gt;&gt; &nbsp; &nbsp;Fr=
om: Elmer Fuddski &lt;<A
 href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Djakebrakesrule@yaho=
o.com" ymailto=3D"mailto:jakebrakesrule@yahoo.com">jakebrakesrule@yahoo.com=
</A><BR>&gt;&gt; &lt;mailto:<A href=3D"http://us.mc367.mail.yahoo.com/mc/co=
mpose?to=3Djakebrakesrule@yahoo.com" ymailto=3D"mailto:jakebrakesrule@yahoo=
.com">jakebrakesrule@yahoo.com</A>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp;Date: M=
on, December 20, 2010 7:19 pm<BR>&gt;&gt; &nbsp; &nbsp;To: <A href=3D"http:=
//us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.c=
om" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</A><BR>&gt;&gt; &lt;mailto:<A href=3D"http://us.mc367.m=
ail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" ymailto=
=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</A>&gt;<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp;Well, that's great. B=
ut AMS &amp; Amazon.com &lt;<A href=3D"http://amazon.com/"
 target=3D_blank>http://Amazon.com</A>&gt; appear to<BR>&gt;&gt; be positio=
ning the Boomerang as<BR>&gt;&gt; &nbsp; &nbsp;power supply needed. Check o=
ut this link:<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt; &nbsp;<A href=3D"http://w=
ww.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=3Dsr_1_1=
?ie=3DUTF8&amp;s=3Dmusical-instruments&amp;qid=3D1292890362&amp;sr=3D1-1" t=
arget=3D_blank>http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/=
B0035WTPL0/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusical-instruments&amp;qid=3D129=
2890362&amp;sr=3D1-1</A><BR>&gt;&gt;<BR>&gt;&gt; &nbsp;&lt;<A href=3D"http:=
//www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=3Dsr_=
1_1?ie=3DUTF8&amp;s=3Dmusical-instruments&amp;qid=3D1292890362&amp;sr=3D1-1=
" target=3D_blank>http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/=
dp/B0035WTPL0/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dmusical-instruments&amp;qid=3D=
1292890362&amp;sr=3D1-1</A>&gt;<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp;The Bo=
omerang description on the above two
 sites<BR>&gt;&gt; (www.americanmusical.com &lt;<A href=3D"http://www.ameri=
canmusical.com/" target=3D_blank>http://www.americanmusical.com</A>&gt;<BR>=
&gt;&gt; &nbsp; &nbsp;&amp; amazon.com &lt;<A href=3D"http://amazon.com/" t=
arget=3D_blank>http://amazon.com</A>&gt;) doesn't clarify this and it 'appe=
ars'<BR>&gt;&gt; as if the power supply is a needed<BR>&gt;&gt; &nbsp; &nbs=
p;add-on.<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp;'Sorry for any confusion if =
I'm mis-reading their websites. I was about<BR>&gt;&gt; to buy one last wee=
k.<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp;Jake<BR>&gt;&gt;<BR>&gt;&gt; &nbsp;=
 &nbsp;--- On *Mon, 12/20/10, Mike /&lt;<A href=3D"http://us.mc367.mail.yah=
oo.com/mc/compose?to=3Dmnelson@boomerangmusic.com" ymailto=3D"mailto:mnelso=
n@boomerangmusic.com">mnelson@boomerangmusic.com</A><BR>&gt;&gt; &lt;mailto=
:<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dmnelson@boomeran=
gmusic.com"
 ymailto=3D"mailto:mnelson@boomerangmusic.com">mnelson@boomerangmusic.com</=
A>&gt;&gt;/* wrote:<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp=
; &nbsp;From: Mike &lt;<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose=
?to=3Dmnelson@boomerangmusic.com" ymailto=3D"mailto:mnelson@boomerangmusic.=
com">mnelson@boomerangmusic.com</A><BR>&gt;&gt; &lt;mailto:<A href=3D"http:=
//us.mc367.mail.yahoo.com/mc/compose?to=3Dmnelson@boomerangmusic.com" ymail=
to=3D"mailto:mnelson@boomerangmusic.com">mnelson@boomerangmusic.com</A>&gt;=
&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Subject: Re: Boomerang Power Su=
pply Not Included in Price<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;To: <A hr=
ef=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@looper=
s-delight.com" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loope=
rs-Delight@loopers-delight.com</A><BR>&gt;&gt; &lt;mailto:<A href=3D"http:/=
/us.mc367.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@loopers-delight.co=
m"
 ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loo=
pers-delight.com</A>&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Date: Monda=
y, December 20, 2010, 2:34 PM<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; =
&nbsp;Hold on, partner. You're getting your wagon in front of the<BR>&gt;&g=
t; horse... or something like that. Each and<BR>&gt;&gt; &nbsp; &nbsp; &nbs=
p; &nbsp;every pedal sold by Boomerang comes with a power supply, has alway=
s<BR>&gt;&gt; come with a power supply and will<BR>&gt;&gt; &nbsp; &nbsp; &=
nbsp; &nbsp;always come with a power supply if it is not a battery powered<=
BR>&gt;&gt; pedal.<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Just to ensure th=
at this comment does not go viral... ALL BOOMERANG<BR>&gt;&gt; PEDALS ARE S=
HIPPED WITH A POWER<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;SUPPLY.<BR>&gt;&=
gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Merry Christmas.<BR>&gt;&gt;<BR>=
&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;On 20-Dec-10 4:19 PM, Elmer
 Fuddski wrote:<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;&gt; &nbsp;Is this a=
 new trend? I can see a pedal that is optionally<BR>&gt;&gt; BATTERY-POWERE=
D not including a power<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;supply but a=
<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;&gt; &nbsp;device that is NOT batte=
ry-powered??? What good is the unit w/o<BR>&gt;&gt; a power supply?<BR>&gt;=
&gt; &nbsp; &nbsp; &nbsp; &nbsp;&gt; &nbsp;I can that making an items price=
 more attractive and possibly<BR>&gt;&gt; competitive is an advantage of no=
t<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;including the<BR>&gt;&gt; &nbsp; &=
nbsp; &nbsp; &nbsp;&gt; &nbsp;power supply but is a power supplys wholesale=
 cost $18.00 in the<BR>&gt;&gt; first place?<BR>&gt;&gt; &nbsp; &nbsp; &nbs=
p; &nbsp;&gt; &nbsp;No offense to the designer/manufacturer Mike, but it's =
a little<BR>&gt;&gt; gouge-y.<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; =
&nbsp;--<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Mike
 Nelson<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Secretary/Treasurer, Boomera=
ng Management, Inc.<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;General Partner =
of Boomerang Musical Products, Ltd.<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &=
nbsp; &nbsp;----------<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;"=
Some products make you sound better;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp=
;Boomerang(R) Phrase Samplers makes you play better."<BR>&gt;&gt;<BR>&gt;&g=
t; &nbsp; &nbsp; &nbsp; &nbsp;----------<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nb=
sp; &nbsp; &nbsp;1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8=
509, Fax<BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;<A href=3D"http=
://www.boomerangmusic.com/" target=3D_blank>http://www.boomerangmusic.com</=
A><BR>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Contact for repairs:<=
BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Lee Hardesty<BR>&gt;&gt; &nbsp; &nbs=
p; &nbsp; &nbsp;1516 Victoria Drive<BR>&gt;&gt; &nbsp; &nbsp; &nbsp;
 &nbsp;Denton, TX 76209<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;<A href=3D"h=
ttp://us.mc367.mail.yahoo.com/mc/compose?to=3Dhardesty@mindspring.com" ymai=
lto=3D"mailto:hardesty@mindspring.com">hardesty@mindspring.com</A> &lt;/mc/=
compose?to=3D<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dhard=
esty@mindspring.com" ymailto=3D"mailto:hardesty@mindspring.com">hardesty@mi=
ndspring.com</A>&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;940-382-3253<BR=
>&gt;&gt;<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nbsp;Billing Address:<BR>&gt;&g=
t; &nbsp; &nbsp; &nbsp; &nbsp;Boomerang Musical Products, Ltd.<BR>&gt;&gt; =
&nbsp; &nbsp; &nbsp; &nbsp;PO Box 3788<BR>&gt;&gt; &nbsp; &nbsp; &nbsp; &nb=
sp;Grapevine, TX 76099-3788<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;<BR>&gt; --<BR>&=
gt;<BR>&gt; Mike Nelson<BR>&gt; Secretary/Treasurer, Boomerang Management, =
Inc.<BR>&gt; General Partner of Boomerang Musical Products, Ltd.<BR>&gt;<BR=
>&gt; ----------<BR>&gt;<BR>&gt; "Some products make you sound better;<BR>&=
gt;
 &nbsp;Boomerang(R) Phrase Samplers makes you play better."<BR>&gt;<BR>&gt;=
 ----------<BR>&gt;<BR>&gt; 1-800-530-4699 * 1-817-421-2762, Outside USA * =
1-817-251-8509, Fax<BR>&gt;<BR>&gt; <A href=3D"http://www.boomerangmusic.co=
m/" target=3D_blank>http://www.boomerangmusic.com</A><BR>&gt;<BR>&gt; Conta=
ct for repairs:<BR>&gt; Lee Hardesty<BR>&gt; 1516 Victoria Drive<BR>&gt; De=
nton, TX &nbsp;76209<BR>&gt; <A href=3D"http://us.mc367.mail.yahoo.com/mc/c=
ompose?to=3Dhardesty@mindspring.com" ymailto=3D"mailto:hardesty@mindspring.=
com">hardesty@mindspring.com</A><BR>&gt; 940-382-3253<BR>&gt;<BR>&gt; Billi=
ng Address:<BR>&gt; Boomerang Musical Products, Ltd.<BR>&gt; PO Box 3788<BR=
>&gt; Grapevine, TX &nbsp;76099-3788<BR>&gt;<BR>&gt;<BR><BR><BR><BR>-- <BR>=
Matt Davignon<BR><A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3D=
mattdavignon@gmail.com" ymailto=3D"mailto:mattdavignon@gmail.com">mattdavig=
non@gmail.com</A><BR>www.ribosomemusic.com<BR>Rigs!
 www.youtube.com/user/ribosomematt<BR><BR></DIV></BLOCKQUOTE></td></tr></ta=
ble><br>=0A=0A=0A=0A=0A=0A=0A=0A      
--0-1620132323-1292977825=:6372--

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References: <25463.30034.qm@web31805.mail.mud.yahoo.com> <AANLkTimAnLzCry6DCTMzB49p5MrjreYODa+02s_Hc8-K@mail.gmail.com>
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From: Norman Thibodeau <ncthib@yahoo.com>
X-Apple-Yahoo-Replied-Msgid: 1_14247_AEvPjkQAAELqTRDT+gVLtRdaNSA
Subject: Re: Triggering Ableton clips via a MIDI track
Date: Tue, 21 Dec 2010 19:42:40 -0500
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I'm able to trigger an audio clip on MIDI ch 16, using a keyboard. And I hav=
e a MIDI clip sending out messages on ch 16. But I haven't been able to get t=
he MIDI clip to trigger the audio clip. What I'm wondering is what exactly Z=
oe Keating does to "make a controller talk."

Greetings from New York State

Sent from my iPod

On Dec 21, 2010, at 10:44 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 21, 2010 at 4:38 PM, Norman Thibodeau <ncthib@yahoo.com> wrote=
:
>>=20
>> The part where I'm at a loss is "make a controller talk on channel 16." T=
he LED's tell me that my MIDI track's notes are firing, but not reaching any=
 audio tracks.
>=20
> "Channel" here means "MIDI Channel".
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

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Date: Tue, 21 Dec 2010 18:42:00 -0600
From: Mike <mnelson@boomerangmusic.com>
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Subject: Re: Boomerang Power Supply Not Included in Price
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	No problem. I'm glad you brought it to my attention. It strikes me as unethical, hence the email to our rep.

On 21-Dec-10 6:30 PM, Paul Richards wrote:
> Just an FYI, I am buying one in any case. I certainly don't want to have any negative light placed on the
> Boomerang. I was just curious (and confused) at the product descriptions on the two websites I visited.
>
> --- On *Tue, 12/21/10, Matt Davignon /<mattdavignon@gmail.com>/* wrote:
>
>
>     From: Matt Davignon <mattdavignon@gmail.com>
>     Subject: Re: Boomerang Power Supply Not Included in Price
>     To: Loopers-Delight@loopers-delight.com
>     Date: Tuesday, December 21, 2010, 6:33 PM
>
>     Actually, the Amazon page doesn't specify either way whether a power
>     supply is included. Most items of this type have a "specifications"
>     section of the product description that would include this
>     information.
>
>     That this section is missing, and the "Customers Who Bought This Item
>     Also Bought..." lists a power supply, there is definitely a strong
>     implication that it comes without a power supply...
>
>     On Tue, Dec 21, 2010 at 12:50 PM, Mike <mnelson@boomerangmusic.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=mnelson@boomerangmusic.com>> wrote:
>      > Thanks for bringing this to my attention. I just sent the following
>      > email to our rep that handles Amazon:
>      >
>      > "Amazon is selling the III without a power supply. The product is
>      > indivisible and comprises a III, power supply & manual. Negative chatter is
>      > occurring on some forums regarding "our" gouging practices. Please have them
>      > stop this.
>      > They are either splitting the product up or attempting to sell 2
>      > power supplies to each customer. Either way it's a deceptive trade
>      > practice."
>      >
>      >
>      > On 21-Dec-10 9:33 AM, fh@flatheadband.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=fh@flatheadband.com> wrote:
>      >>
>      >> I love the "Customers Who Bought This Item Also Bought..." suggestion
>      >> lists...a lot of times listing duplicate
>      >> and/or redundant items.
>      >>
>      >> -------- Original Message --------
>      >> Subject: Re: Boomerang Power Supply Not Included in Price
>      >> From: Elmer Fuddski <jakebrakesrule@yahoo.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=jakebrakesrule@yahoo.com>
>      >> <mailto:jakebrakesrule@yahoo.com <http://us.mc367.mail.yahoo.com/mc/compose?to=jakebrakesrule@yahoo.com>>>
>      >> Date: Mon, December 20, 2010 7:19 pm
>      >> To: Loopers-Delight@loopers-delight.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>
>      >> <mailto:Loopers-Delight@loopers-delight.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>>
>      >>
>      >> Well, that's great. But AMS & Amazon.com <http://Amazon.com <http://amazon.com/>> appear to
>      >> be positioning the Boomerang as
>      >> power supply needed. Check out this link:
>      >>
>      >>
>      >>
>     http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=sr_1_1?ie=UTF8&s=musical-instruments&qid=1292890362&sr=1-1
>     <http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=sr_1_1?ie=UTF8&s=musical-instruments&qid=1292890362&sr=1-1>
>      >>
>      >>
>     <http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=sr_1_1?ie=UTF8&s=musical-instruments&qid=1292890362&sr=1-1
>     <http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=sr_1_1?ie=UTF8&s=musical-instruments&qid=1292890362&sr=1-1>>
>      >>
>      >> The Boomerang description on the above two sites
>      >> (www.americanmusical.com <http://www.americanmusical.com <http://www.americanmusical.com/>>
>      >> & amazon.com <http://amazon.com <http://amazon.com/>>) doesn't clarify this and it 'appears'
>      >> as if the power supply is a needed
>      >> add-on.
>      >>
>      >> 'Sorry for any confusion if I'm mis-reading their websites. I was about
>      >> to buy one last week.
>      >>
>      >> Jake
>      >>
>      >> --- On *Mon, 12/20/10, Mike /<mnelson@boomerangmusic.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=mnelson@boomerangmusic.com>
>      >> <mailto:mnelson@boomerangmusic.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=mnelson@boomerangmusic.com>>>/* wrote:
>      >>
>      >>
>      >> From: Mike <mnelson@boomerangmusic.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=mnelson@boomerangmusic.com>
>      >> <mailto:mnelson@boomerangmusic.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=mnelson@boomerangmusic.com>>>
>      >> Subject: Re: Boomerang Power Supply Not Included in Price
>      >> To: Loopers-Delight@loopers-delight.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>
>      >> <mailto:Loopers-Delight@loopers-delight.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=Loopers-Delight@loopers-delight.com>>
>      >> Date: Monday, December 20, 2010, 2:34 PM
>      >>
>      >> Hold on, partner. You're getting your wagon in front of the
>      >> horse... or something like that. Each and
>      >> every pedal sold by Boomerang comes with a power supply, has always
>      >> come with a power supply and will
>      >> always come with a power supply if it is not a battery powered
>      >> pedal.
>      >> Just to ensure that this comment does not go viral... ALL BOOMERANG
>      >> PEDALS ARE SHIPPED WITH A POWER
>      >> SUPPLY.
>      >>
>      >> Merry Christmas.
>      >>
>      >> On 20-Dec-10 4:19 PM, Elmer Fuddski wrote:
>      >> > Is this a new trend? I can see a pedal that is optionally
>      >> BATTERY-POWERED not including a power
>      >> supply but a
>      >> > device that is NOT battery-powered??? What good is the unit w/o
>      >> a power supply?
>      >> > I can that making an items price more attractive and possibly
>      >> competitive is an advantage of not
>      >> including the
>      >> > power supply but is a power supplys wholesale cost $18.00 in the
>      >> first place?
>      >> > No offense to the designer/manufacturer Mike, but it's a little
>      >> gouge-y.
>      >>
>      >> --
>      >> Mike Nelson
>      >> Secretary/Treasurer, Boomerang Management, Inc.
>      >> General Partner of Boomerang Musical Products, Ltd.
>      >>
>      >> ----------
>      >>
>      >> "Some products make you sound better;
>      >> Boomerang(R) Phrase Samplers makes you play better."
>      >>
>      >> ----------
>      >>
>      >> 1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax
>      >>
>      >> http://www.boomerangmusic.com <http://www.boomerangmusic.com/>
>      >>
>      >> Contact for repairs:
>      >> Lee Hardesty
>      >> 1516 Victoria Drive
>      >> Denton, TX 76209
>      >> hardesty@mindspring.com <http://us.mc367.mail.yahoo.com/mc/compose?to=hardesty@mindspring.com>
>     </mc/compose?to=hardesty@mindspring.com
>     <http://us.mc367.mail.yahoo.com/mc/compose?to=hardesty@mindspring.com>>
>      >> 940-382-3253
>      >>
>      >> Billing Address:
>      >> Boomerang Musical Products, Ltd.
>      >> PO Box 3788
>      >> Grapevine, TX 76099-3788
>      >>
>      >>
>      >
>      > --
>      >
>      > Mike Nelson
>      > Secretary/Treasurer, Boomerang Management, Inc.
>      > General Partner of Boomerang Musical Products, Ltd.
>      >
>      > ----------
>      >
>      > "Some products make you sound better;
>      > Boomerang(R) Phrase Samplers makes you play better."
>      >
>      > ----------
>      >
>      > 1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax
>      >
>      > http://www.boomerangmusic.com <http://www.boomerangmusic.com/>
>      >
>      > Contact for repairs:
>      > Lee Hardesty
>      > 1516 Victoria Drive
>      > Denton, TX 76209
>      > hardesty@mindspring.com <http://us.mc367.mail.yahoo.com/mc/compose?to=hardesty@mindspring.com>
>      > 940-382-3253
>      >
>      > Billing Address:
>      > Boomerang Musical Products, Ltd.
>      > PO Box 3788
>      > Grapevine, TX 76099-3788
>      >
>      >
>
>
>
>     --
>     Matt Davignon
>     mattdavignon@gmail.com <http://us.mc367.mail.yahoo.com/mc/compose?to=mattdavignon@gmail.com>
>     www.ribosomemusic.com
>     Rigs! www.youtube.com/user/ribosomematt
>
>

-- 

Mike Nelson
Secretary/Treasurer, Boomerang Management, Inc.
General Partner of Boomerang Musical Products, Ltd.

----------

"Some products make you sound better;
  Boomerang(R) Phrase Samplers makes you play better."

----------

1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax

http://www.boomerangmusic.com

Contact for repairs:
Lee Hardesty
1516 Victoria Drive
Denton, TX  76209
hardesty@mindspring.com
940-382-3253

Billing Address:
Boomerang Musical Products, Ltd.
PO Box 3788
Grapevine, TX  76099-3788

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 00:50:44 2010
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From: Norman Thibodeau <ncthib@yahoo.com>
X-Apple-Yahoo-Replied-Msgid: 1_14247_AEvPjkQAAELqTRDT+gVLtRdaNSA
Subject: Re: Triggering Ableton clips via a MIDI track
Date: Tue, 21 Dec 2010 19:52:48 -0500
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Resent-Message-ID: <qnDuHD.A.llD.jtUENB@hemlock>
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For instance, I was wondering whether I was missing something in the Ableton=
 MIDI preferences.

Sent from my iPod

On Dec 21, 2010, at 10:44 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 21, 2010 at 4:38 PM, Norman Thibodeau <ncthib@yahoo.com> wrote=
:
>>=20
>> The part where I'm at a loss is "make a controller talk on channel 16." T=
he LED's tell me that my MIDI track's notes are firing, but not reaching any=
 audio tracks.
>=20
> "Channel" here means "MIDI Channel".
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 01:30:16 2010
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Subject: Re: Films of Eno creating his latest record....
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016363b84acc501d00497f5b17c
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For me, I like quite everything of both and I do not care the least what th=
e
views of each other are. This is about music, not boxing. Videos streaming
;-)

2010/12/22 Jeffrey Collins <jeffreycollins1975@gmail.com>

> He did. Oh man. Gotta pick Frank over Brian anyday.
>
> 2010/12/21 Raul Bonell <raul.bonell@gmail.com>
>
>> No. We're not following his work since he repudiated FZ music.
>>
>>
>>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

--0016363b84acc501d00497f5b17c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<span id=3D"result_box" class=3D"long_text" lang=3D"en"><span title=3D"Haz =
clic para obtener traducciones alternativas" class=3D"hps">For</span> <span=
 title=3D"Haz clic para obtener traducciones alternativas" class=3D"hps">me=
,</span> <span title=3D"Haz clic para obtener traducciones alternativas" cl=
ass=3D"hps">I like</span> quite everything<span title=3D"Haz clic para obte=
ner traducciones alternativas" class=3D"hps"></span><span title=3D"Haz clic=
 para obtener traducciones alternativas" class=3D"hps"></span> <span title=
=3D"Haz clic para obtener traducciones alternativas" class=3D"hps">of</span=
> <span title=3D"Haz clic para obtener traducciones alternativas" class=3D"=
hps">both</span> and <span title=3D"Haz clic para obtener traducciones alte=
rnativas" class=3D"hps">I do not care</span> <span title=3D"Haz clic para o=
btener traducciones alternativas" class=3D"hps">the least</span> <span titl=
e=3D"Haz clic para obtener traducciones alternativas" class=3D"hps">what th=
e views</span> <span title=3D"Haz clic para obtener traducciones alternativ=
as" class=3D"hps">of each other</span><span class=3D"" title=3D"Haz clic pa=
ra obtener traducciones alternativas"> are.</span> <span title=3D"Haz clic =
para obtener traducciones alternativas" class=3D"hps">This</span> <span tit=
le=3D"Haz clic para obtener traducciones alternativas" class=3D"hps">is</sp=
an> <span title=3D"Haz clic para obtener traducciones alternativas" class=
=3D"hps">about</span> <span title=3D"Haz clic para obtener traducciones alt=
ernativas" class=3D"hps">music</span><span class=3D"" title=3D"Haz clic par=
a obtener traducciones alternativas">,</span> <span title=3D"Haz clic para =
obtener traducciones alternativas" class=3D"hps">not</span> <span title=3D"=
Haz clic para obtener traducciones alternativas" class=3D"hps">boxing</span=
><span class=3D"" title=3D"Haz clic para obtener traducciones alternativas"=
>. Videos streaming ;-)<br>
<br></span></span><div style=3D"visibility: hidden; display: inline;" id=3D=
"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_ls_inline_popup {=
  position:absolute;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  =
margin-top: 0px;  width: 240px;  overflow: hidden;  word-wrap: break-word; =
 color: black;  font-size: 10px;  text-align: left;  line-height: 13px;}</s=
tyle><div class=3D"gmail_quote">
2010/12/22 Jeffrey Collins <span dir=3D"ltr">&lt;<a href=3D"mailto:jeffreyc=
ollins1975@gmail.com">jeffreycollins1975@gmail.com</a>&gt;</span><br><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
He did. Oh man. Gotta pick Frank over Brian anyday.<br><br><div class=3D"gm=
ail_quote"><div class=3D"im">2010/12/21 Raul Bonell <span dir=3D"ltr">&lt;<=
a href=3D"mailto:raul.bonell@gmail.com" target=3D"_blank">raul.bonell@gmail=
.com</a>&gt;</span><br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
No. We&#39;re not following his work since he repudiated FZ music.<br><div =
style=3D"display: inline;"></div><br>
<br></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">ht=
tp://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-collective.=
com/" target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
<br></span><br><br>

--0016363b84acc501d00497f5b17c--

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	<p06240803c9309206bb2a@192.168.2.3>
Date: Wed, 22 Dec 2010 02:42:33 +0100
Message-ID: <AANLkTinR0te7SP2PHN_4oAWK_h=DJthPnRs=YgkY5uSK@mail.gmail.com>
Subject: Re: Films of Eno creating his latest record....
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636427489f1a1300497f5dde3
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in the turquoise picture laptop, there's an instance of mainstage running.

2010/12/17 Charles Zwicky <cazwicky@earthlink.net>

>  http://brian-eno.net/seven-sessions/
>
> http://pitchfork.com/news/41011-watch-seven-brian-eno-improv-sessions/
>
> "Watch Eno intently hunched over a table of electronic doohickeys while
> gorgeous waves of sound roll out."
>
>
>
>
>
>
> --
>
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>



--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
http://raulbonell.tumblr.com =B7 http://www.ct-collective.com
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D

La UE y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos
inyectan liquidez (se lo prestan) a los estados con dificultades al 5% y a
las PYMES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para
los bancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!=
!! =BFY
qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, para no =
enfadar
a las grandes empresas, a los bancos, a los mercados...

Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y una
educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente, =
a una
legislaci=F3n laboral que d=E9 seguridad al trabajador y a su familia y lo
proteja frente abusos y el despido, renunciemos a una jubilaci=F3n antes de
morir o estar tan deteriorado que cuando llegue solo nos quede esperar
nuestra muerte y aliviar nuestro sufrimiento y dolor...

Bajemos los impuestos a las grandes empresas, a los mercados financieros, a
los bancos, a los grandes capitales que pueden hundir un pa=EDs con la simp=
le
acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Luxemburgo=
,
liberad de cargas fiscales a los dioses...

Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR EL
CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra de
dios, am=E9n.

=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!

--001636427489f1a1300497f5dde3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

in the turquoise picture laptop, there&#39;s an instance of mainstage runni=
ng.<br><br><div class=3D"gmail_quote">2010/12/17 Charles Zwicky <span dir=
=3D"ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.n=
et</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>
<div><font face=3D"Arial" size=3D"-1"><a href=3D"http://brian-eno.net/seven=
-sessions/" target=3D"_blank">http://brian-eno.net/seven-sessions/</a></fon=
t></div>
<div><font face=3D"Arial" size=3D"-1"><br></font></div>
<div><font face=3D"Arial" size=3D"-1"><a href=3D"http://pitchfork.com/news/=
41011-watch-seven-brian-eno-improv-session" target=3D"_blank">http://pitchf=
ork.com/news/41011-watch-seven-brian-eno-improv-session</a><span></span>s/<=
/font></div>

<div><font face=3D"Arial" size=3D"-1"><br></font></div>
<div><font color=3D"#3a3a3b" face=3D"Lucida Grande" size=3D"-1">&quot;Watch
Eno intently hunched over a table of electronic doohickeys while
gorgeous waves of sound roll out.</font><font face=3D"Arial" size=3D"-1">&q=
uot;</font></div>
<div><font face=3D"Arial" size=3D"-1"><br></font></div>
<div><font face=3D"Arial" size=3D"-1"><br></font></div>
<div><font face=3D"Arial" size=3D"-1"><br></font></div>
<div><font face=3D"Arial" size=3D"-1"><br></font></div>
<div><font face=3D"Arial" size=3D"-1"><br></font></div>
<div><br></div>
<pre>--=20
</pre>
<div><br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a></div>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-=
.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com/" target=3D"_blank">ht=
tp://raulbonell.tumblr.com</a>=A0=B7=A0<a href=3D"http://www.ct-collective.=
com/" target=3D"_blank">http://www.ct-collective.com</a><br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D<br><br><span style=3D"font-family: &#39;lucida grande&#39;,tahoma=
,verdana,arial,sans-serif; font-size: 11px; color: rgb(51, 51, 51);">La UE =
y el FMI imprimen dinero que prestan a los bancos al 1% y los bancos inyect=
an liquidez (se lo prestan) a los estados con dificultades al 5% y a las PY=
MES, aut=F3nomos y ciudadanos hipotecados al 8%. Negocio redondo para los b=
ancos alemanes y franceses... Para todos los bancos =A1Bravo =C1ngela!!!=A0=
=BFY qui=E9n pagar=E1 la deuda de los estados? El pueblo, claro est=E1, par=
a no enfadar a las grandes empresas, a los bancos, a los mercados...<br>
<br>Renunciad a la huelga, a la negociaci=F3n colectiva, a una sanidad y un=
a educaci=F3n de calidad y gratu=EDta, renunciad a una pensi=F3n suficiente=
, a una legislaci=F3n laboral que d=E9 seguridad al trabajador y a su famil=
ia y lo proteja frente abusos y el despido, renunciemos a una jubilaci=F3n =
antes de morir o estar tan deteriorado que cuando llegue solo nos quede esp=
erar nuestra muerte y aliviar nuestro sufrimiento y dolor...<br>
<br>Bajemos los impuestos a las grandes empresas, a los mercados financiero=
s, a los bancos, a los grandes capitales que pueden hundir un pa=EDs con la=
 simple acci=F3n de sacar su dinero y llev=E1rselo a M=F3naco, Andorra o Lu=
xemburgo, liberad de cargas fiscales a los dioses...<br>
<br>Hagamos todos los esfuerzos en nuestra mano, en manos del pueblo, POR E=
L CRECIMIENTO DE LA ECONOM=CDA Y LA TRANQUILIDAD DE LOS MERCADOS. Palabra d=
e dios, am=E9n.<br><br>=A1=A1=A1El pueblo, unido, jam=E1s ser=E1 vencido!!!=
</span><br>
<br><br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--001636427489f1a1300497f5dde3--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 06:59:46 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
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	id 00D35183458; Wed, 22 Dec 2010 06:59:45 +0000 (UTC)
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	boundary="_193c6b7a-cc69-4d11-b62e-630576392d48_"
X-Originating-IP: [86.165.52.96]
From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: Lunar Solstice
Date: Wed, 22 Dec 2010 06:59:43 +0000
Importance: Normal
In-Reply-To: <4D113DE8.8020708@cruzio.com>
References:
 <965282.31279.qm@web30408.mail.mud.yahoo.com>,<4D113DE8.8020708@cruzio.com>
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Me and my wife got handfasted for the 3rd time during the lunar eclipse=2C
 (we handfast on the winter solstice each year) next to a frozen lake.=20
Worth getting up at 5.30am and carrying firewood through the woods for a mi=
le or 2 over the snow.
Earth=2C air fire=2C water and spirit - what a couple of bloody hippies - I=
 blame the 60's!

Peace

G

> Date: Tue=2C 21 Dec 2010 15:53:12 -0800
> From: looppool@cruzio.com
> To: stevebassbird@yahoo.com
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: OT: Lunar Solstice
>=20
> On 7/22/64 11:59 AM=2C Steve Uccello wrote:
> > Pretty special! It was amazing over here in Monterey.  It was funny tho=
ugh=2C I didn't realize it was happening till I checked my email late at ni=
ght
> Dang it=2C   not 30 miles north of you=2C  we were completely socked in w=
ith=20
> fog and
> I missed the whole thing even though we were planning on watching for=20
> several days.
> I'm glad you got to watch it=2C Steve!
>=20
 		 	   		  =

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<html>
<head>
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margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Me and my wife got handfasted for the 3rd time during the lunar eclipse=2C
 (we handfast on the winter solstice each year) next to a frozen lake. <br>=
Worth getting up at 5.30am and carrying firewood through the woods for a mi=
le or 2 over the snow.<br>Earth=2C air fire=2C water and spirit - what a co=
uple of bloody hippies - I blame the 60's!<br><br>Peace<br><br>G<br><br>&gt=
=3B Date: Tue=2C 21 Dec 2010 15:53:12 -0800<br>&gt=3B From: looppool@cruzio=
.com<br>&gt=3B To: stevebassbird@yahoo.com<br>&gt=3B CC: Loopers-Delight@lo=
opers-delight.com<br>&gt=3B Subject: Re: Re: OT: Lunar Solstice<br>&gt=3B <=
br>&gt=3B On 7/22/64 11:59 AM=2C Steve Uccello wrote:<br>&gt=3B &gt=3B Pret=
ty special! It was amazing over here in Monterey.  It was funny though=2C I=
 didn't realize it was happening till I checked my email late at night<br>&=
gt=3B Dang it=2C   not 30 miles north of you=2C  we were completely socked =
in with <br>&gt=3B fog and<br>&gt=3B I missed the whole thing even though w=
e were planning on watching for <br>&gt=3B several days.<br>&gt=3B I'm glad=
 you got to watch it=2C Steve!<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_193c6b7a-cc69-4d11-b62e-630576392d48_--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 07:04:43 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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	id BA895183457; Wed, 22 Dec 2010 07:04:43 +0000 (UTC)
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Boomerang Power Supply Not Included in Price
Date: Wed, 22 Dec 2010 07:04:40 +0000
Importance: Normal
In-Reply-To: <AANLkTinesoBfAAaBS=26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com>
References:
 <20101221083353.95a0a121071e8df19db85607a1a5a351.98943e34ac.wbe@email00.secureserver.net>,<4D11130A.5050807@boomerangmusic.com>,<AANLkTinesoBfAAaBS=26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com>
MIME-Version: 1.0
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I personally wouldn't buy from Amazon again after they tried to curtail fre=
e speech by censoring the wikileaks websites that used their servers.

ps I love this list - what a breath of fresh air!

> Date: Tue=2C 21 Dec 2010 15:33:04 -0800
> Subject: Re: Boomerang Power Supply Not Included in Price
> From: mattdavignon@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Actually=2C the Amazon page doesn't specify either way whether a power
> supply is included. Most items of this type have a "specifications"
> section of the product description that would include this
> information.
>=20
> That this section is missing=2C and the "Customers Who Bought This Item
> Also Bought..." lists a power supply=2C there is definitely a strong
> implication that it comes without a power supply...
>=20
> On Tue=2C Dec 21=2C 2010 at 12:50 PM=2C Mike <mnelson@boomerangmusic.com>=
 wrote:
> >        Thanks for bringing this to my attention. I just sent the follow=
ing
> > email to our rep that handles Amazon:
> >
> >        "Amazon is selling the III without a power supply. The product i=
s
> > indivisible and comprises a III=2C power supply & manual. Negative chat=
ter is
> > occurring on some forums regarding "our" gouging practices. Please have=
 them
> > stop this.
> >        They are either splitting the product up or attempting to sell 2
> > power supplies to each customer. Either way it's a deceptive trade
> > practice."
> >
> >
> > On 21-Dec-10 9:33 AM=2C fh@flatheadband.com wrote:
> >>
> >> I love the "Customers Who Bought This Item Also Bought..." suggestion
> >> lists...a lot of times listing duplicate
> >> and/or redundant items.
> >>
> >>    -------- Original Message --------
> >>    Subject: Re: Boomerang Power Supply Not Included in Price
> >>    From: Elmer Fuddski <jakebrakesrule@yahoo.com
> >> <mailto:jakebrakesrule@yahoo.com>>
> >>    Date: Mon=2C December 20=2C 2010 7:19 pm
> >>    To: Loopers-Delight@loopers-delight.com
> >> <mailto:Loopers-Delight@loopers-delight.com>
> >>
> >>    Well=2C that's great. But AMS & Amazon.com <http://Amazon.com> appe=
ar to
> >> be positioning the Boomerang as
> >>    power supply needed. Check out this link:
> >>
> >>
> >>  http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL=
0/ref=3Dsr_1_1?ie=3DUTF8&s=3Dmusical-instruments&qid=3D1292890362&sr=3D1-1
> >>
> >>  <http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTP=
L0/ref=3Dsr_1_1?ie=3DUTF8&s=3Dmusical-instruments&qid=3D1292890362&sr=3D1-1=
>
> >>
> >>    The Boomerang description on the above two sites
> >> (www.americanmusical.com <http://www.americanmusical.com>
> >>    & amazon.com <http://amazon.com>) doesn't clarify this and it 'appe=
ars'
> >> as if the power supply is a needed
> >>    add-on.
> >>
> >>    'Sorry for any confusion if I'm mis-reading their websites. I was a=
bout
> >> to buy one last week.
> >>
> >>    Jake
> >>
> >>    --- On *Mon=2C 12/20/10=2C Mike /<mnelson@boomerangmusic.com
> >> <mailto:mnelson@boomerangmusic.com>>/* wrote:
> >>
> >>
> >>        From: Mike <mnelson@boomerangmusic.com
> >> <mailto:mnelson@boomerangmusic.com>>
> >>        Subject: Re: Boomerang Power Supply Not Included in Price
> >>        To: Loopers-Delight@loopers-delight.com
> >> <mailto:Loopers-Delight@loopers-delight.com>
> >>        Date: Monday=2C December 20=2C 2010=2C 2:34 PM
> >>
> >>        Hold on=2C partner. You're getting your wagon in front of the
> >> horse... or something like that. Each and
> >>        every pedal sold by Boomerang comes with a power supply=2C has =
always
> >> come with a power supply and will
> >>        always come with a power supply if it is not a battery powered
> >> pedal.
> >>        Just to ensure that this comment does not go viral... ALL BOOME=
RANG
> >> PEDALS ARE SHIPPED WITH A POWER
> >>        SUPPLY.
> >>
> >>        Merry Christmas.
> >>
> >>        On 20-Dec-10 4:19 PM=2C Elmer Fuddski wrote:
> >>        >  Is this a new trend? I can see a pedal that is optionally
> >> BATTERY-POWERED not including a power
> >>        supply but a
> >>        >  device that is NOT battery-powered??? What good is the unit =
w/o
> >> a power supply?
> >>        >  I can that making an items price more attractive and possibl=
y
> >> competitive is an advantage of not
> >>        including the
> >>        >  power supply but is a power supplys wholesale cost $18.00 in=
 the
> >> first place?
> >>        >  No offense to the designer/manufacturer Mike=2C but it's a l=
ittle
> >> gouge-y.
> >>
> >>        --
> >>        Mike Nelson
> >>        Secretary/Treasurer=2C Boomerang Management=2C Inc.
> >>        General Partner of Boomerang Musical Products=2C Ltd.
> >>
> >>        ----------
> >>
> >>        "Some products make you sound better=3B
> >>        Boomerang(R) Phrase Samplers makes you play better."
> >>
> >>        ----------
> >>
> >>        1-800-530-4699 * 1-817-421-2762=2C Outside USA * 1-817-251-8509=
=2C Fax
> >>
> >>        http://www.boomerangmusic.com
> >>
> >>        Contact for repairs:
> >>        Lee Hardesty
> >>        1516 Victoria Drive
> >>        Denton=2C TX 76209
> >>        hardesty@mindspring.com </mc/compose?to=3Dhardesty@mindspring.c=
om>
> >>        940-382-3253
> >>
> >>        Billing Address:
> >>        Boomerang Musical Products=2C Ltd.
> >>        PO Box 3788
> >>        Grapevine=2C TX 76099-3788
> >>
> >>
> >
> > --
> >
> > Mike Nelson
> > Secretary/Treasurer=2C Boomerang Management=2C Inc.
> > General Partner of Boomerang Musical Products=2C Ltd.
> >
> > ----------
> >
> > "Some products make you sound better=3B
> >  Boomerang(R) Phrase Samplers makes you play better."
> >
> > ----------
> >
> > 1-800-530-4699 * 1-817-421-2762=2C Outside USA * 1-817-251-8509=2C Fax
> >
> > http://www.boomerangmusic.com
> >
> > Contact for repairs:
> > Lee Hardesty
> > 1516 Victoria Drive
> > Denton=2C TX  76209
> > hardesty@mindspring.com
> > 940-382-3253
> >
> > Billing Address:
> > Boomerang Musical Products=2C Ltd.
> > PO Box 3788
> > Grapevine=2C TX  76099-3788
> >
> >
>=20
>=20
>=20
> --=20
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>=20
 		 	   		  =

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<html>
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body.hmmessage
{
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</head>
<body class=3D'hmmessage'>
I personally wouldn't buy from Amazon again after they tried to curtail fre=
e speech by censoring the wikileaks websites that used their servers.<br><b=
r>ps I love this list - what a breath of fresh air!<br><br>&gt=3B Date: Tue=
=2C 21 Dec 2010 15:33:04 -0800<br>&gt=3B Subject: Re: Boomerang Power Suppl=
y Not Included in Price<br>&gt=3B From: mattdavignon@gmail.com<br>&gt=3B To=
: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Actually=2C the =
Amazon page doesn't specify either way whether a power<br>&gt=3B supply is =
included. Most items of this type have a "specifications"<br>&gt=3B section=
 of the product description that would include this<br>&gt=3B information.<=
br>&gt=3B <br>&gt=3B That this section is missing=2C and the "Customers Who=
 Bought This Item<br>&gt=3B Also Bought..." lists a power supply=2C there i=
s definitely a strong<br>&gt=3B implication that it comes without a power s=
upply...<br>&gt=3B <br>&gt=3B On Tue=2C Dec 21=2C 2010 at 12:50 PM=2C Mike =
&lt=3Bmnelson@boomerangmusic.com&gt=3B wrote:<br>&gt=3B &gt=3B &nbsp=3B &nb=
sp=3B &nbsp=3B &nbsp=3BThanks for bringing this to my attention. I just sen=
t the following<br>&gt=3B &gt=3B email to our rep that handles Amazon:<br>&=
gt=3B &gt=3B<br>&gt=3B &gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B"Amazon is=
 selling the III without a power supply. The product is<br>&gt=3B &gt=3B in=
divisible and comprises a III=2C power supply &amp=3B manual. Negative chat=
ter is<br>&gt=3B &gt=3B occurring on some forums regarding "our" gouging pr=
actices. Please have them<br>&gt=3B &gt=3B stop this.<br>&gt=3B &gt=3B &nbs=
p=3B &nbsp=3B &nbsp=3B &nbsp=3BThey are either splitting the product up or =
attempting to sell 2<br>&gt=3B &gt=3B power supplies to each customer. Eith=
er way it's a deceptive trade<br>&gt=3B &gt=3B practice."<br>&gt=3B &gt=3B<=
br>&gt=3B &gt=3B<br>&gt=3B &gt=3B On 21-Dec-10 9:33 AM=2C fh@flatheadband.c=
om wrote:<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B I love the "Custome=
rs Who Bought This Item Also Bought..." suggestion<br>&gt=3B &gt=3B&gt=3B l=
ists...a lot of times listing duplicate<br>&gt=3B &gt=3B&gt=3B and/or redun=
dant items.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B=
-------- Original Message --------<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B=
Subject: Re: Boomerang Power Supply Not Included in Price<br>&gt=3B &gt=3B&=
gt=3B &nbsp=3B &nbsp=3BFrom: Elmer Fuddski &lt=3Bjakebrakesrule@yahoo.com<b=
r>&gt=3B &gt=3B&gt=3B &lt=3Bmailto:jakebrakesrule@yahoo.com&gt=3B&gt=3B<br>=
&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3BDate: Mon=2C December 20=2C 2010 7:19 =
pm<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3BTo: Loopers-Delight@loopers-deli=
ght.com<br>&gt=3B &gt=3B&gt=3B &lt=3Bmailto:Loopers-Delight@loopers-delight=
.com&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3BW=
ell=2C that's great. But AMS &amp=3B Amazon.com &lt=3Bhttp://Amazon.com&gt=
=3B appear to<br>&gt=3B &gt=3B&gt=3B be positioning the Boomerang as<br>&gt=
=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3Bpower supply needed. Check out this link:=
<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=
=3Bhttp://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/r=
ef=3Dsr_1_1?ie=3DUTF8&amp=3Bs=3Dmusical-instruments&amp=3Bqid=3D1292890362&=
amp=3Bsr=3D1-1<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B&lt=3B=
http://www.amazon.com/Boomerang-III-Phrase-Sampler-E-156/dp/B0035WTPL0/ref=
=3Dsr_1_1?ie=3DUTF8&amp=3Bs=3Dmusical-instruments&amp=3Bqid=3D1292890362&am=
p=3Bsr=3D1-1&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &=
nbsp=3BThe Boomerang description on the above two sites<br>&gt=3B &gt=3B&gt=
=3B (www.americanmusical.com &lt=3Bhttp://www.americanmusical.com&gt=3B<br>=
&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B&amp=3B amazon.com &lt=3Bhttp://amazon=
.com&gt=3B) doesn't clarify this and it 'appears'<br>&gt=3B &gt=3B&gt=3B as=
 if the power supply is a needed<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3Bad=
d-on.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B'Sorry=
 for any confusion if I'm mis-reading their websites. I was about<br>&gt=3B=
 &gt=3B&gt=3B to buy one last week.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B=
&gt=3B &nbsp=3B &nbsp=3BJake<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B =
&nbsp=3B &nbsp=3B--- On *Mon=2C 12/20/10=2C Mike /&lt=3Bmnelson@boomerangmu=
sic.com<br>&gt=3B &gt=3B&gt=3B &lt=3Bmailto:mnelson@boomerangmusic.com&gt=
=3B&gt=3B/* wrote:<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B =
&gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BFrom: Mike &lt=3Bmnelson@bo=
omerangmusic.com<br>&gt=3B &gt=3B&gt=3B &lt=3Bmailto:mnelson@boomerangmusic=
.com&gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B=
Subject: Re: Boomerang Power Supply Not Included in Price<br>&gt=3B &gt=3B&=
gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BTo: Loopers-Delight@loopers-deligh=
t.com<br>&gt=3B &gt=3B&gt=3B &lt=3Bmailto:Loopers-Delight@loopers-delight.c=
om&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BDate: Mo=
nday=2C December 20=2C 2010=2C 2:34 PM<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=
=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BHold on=2C partner. You're get=
ting your wagon in front of the<br>&gt=3B &gt=3B&gt=3B horse... or somethin=
g like that. Each and<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nb=
sp=3Bevery pedal sold by Boomerang comes with a power supply=2C has always<=
br>&gt=3B &gt=3B&gt=3B come with a power supply and will<br>&gt=3B &gt=3B&g=
t=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3Balways come with a power supply if =
it is not a battery powered<br>&gt=3B &gt=3B&gt=3B pedal.<br>&gt=3B &gt=3B&=
gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BJust to ensure that this comment d=
oes not go viral... ALL BOOMERANG<br>&gt=3B &gt=3B&gt=3B PEDALS ARE SHIPPED=
 WITH A POWER<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BSUP=
PLY.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=
=3B &nbsp=3BMerry Christmas.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B =
&nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BOn 20-Dec-10 4:19 PM=2C Elmer Fuddski wr=
ote:<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B&gt=3B &nbsp=
=3BIs this a new trend? I can see a pedal that is optionally<br>&gt=3B &gt=
=3B&gt=3B BATTERY-POWERED not including a power<br>&gt=3B &gt=3B&gt=3B &nbs=
p=3B &nbsp=3B &nbsp=3B &nbsp=3Bsupply but a<br>&gt=3B &gt=3B&gt=3B &nbsp=3B=
 &nbsp=3B &nbsp=3B &nbsp=3B&gt=3B &nbsp=3Bdevice that is NOT battery-powere=
d??? What good is the unit w/o<br>&gt=3B &gt=3B&gt=3B a power supply?<br>&g=
t=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B&gt=3B &nbsp=3BI can t=
hat making an items price more attractive and possibly<br>&gt=3B &gt=3B&gt=
=3B competitive is an advantage of not<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbs=
p=3B &nbsp=3B &nbsp=3Bincluding the<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=
=3B &nbsp=3B &nbsp=3B&gt=3B &nbsp=3Bpower supply but is a power supplys who=
lesale cost $18.00 in the<br>&gt=3B &gt=3B&gt=3B first place?<br>&gt=3B &gt=
=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B&gt=3B &nbsp=3BNo offense to t=
he designer/manufacturer Mike=2C but it's a little<br>&gt=3B &gt=3B&gt=3B g=
ouge-y.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nb=
sp=3B &nbsp=3B--<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B=
Mike Nelson<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BSecre=
tary/Treasurer=2C Boomerang Management=2C Inc.<br>&gt=3B &gt=3B&gt=3B &nbsp=
=3B &nbsp=3B &nbsp=3B &nbsp=3BGeneral Partner of Boomerang Musical Products=
=2C Ltd.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &n=
bsp=3B &nbsp=3B----------<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nb=
sp=3B &nbsp=3B &nbsp=3B &nbsp=3B"Some products make you sound better=3B<br>=
&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BBoomerang(R) Phrase =
Samplers makes you play better."<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=
=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B----------<br>&gt=3B &gt=3B&gt=3B<br=
>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3B1-800-530-4699 * 1-=
817-421-2762=2C Outside USA * 1-817-251-8509=2C Fax<br>&gt=3B &gt=3B&gt=3B<=
br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3Bhttp://www.boomer=
angmusic.com<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=
=3B &nbsp=3B &nbsp=3BContact for repairs:<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &=
nbsp=3B &nbsp=3B &nbsp=3BLee Hardesty<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=
=3B &nbsp=3B &nbsp=3B1516 Victoria Drive<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &n=
bsp=3B &nbsp=3B &nbsp=3BDenton=2C TX 76209<br>&gt=3B &gt=3B&gt=3B &nbsp=3B =
&nbsp=3B &nbsp=3B &nbsp=3Bhardesty@mindspring.com &lt=3B/mc/compose?to=3Dha=
rdesty@mindspring.com&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=
=3B &nbsp=3B940-382-3253<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &nbs=
p=3B &nbsp=3B &nbsp=3B &nbsp=3BBilling Address:<br>&gt=3B &gt=3B&gt=3B &nbs=
p=3B &nbsp=3B &nbsp=3B &nbsp=3BBoomerang Musical Products=2C Ltd.<br>&gt=3B=
 &gt=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BPO Box 3788<br>&gt=3B &gt=
=3B&gt=3B &nbsp=3B &nbsp=3B &nbsp=3B &nbsp=3BGrapevine=2C TX 76099-3788<br>=
&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B --<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Mike Nelson<br>&gt=3B &gt=3B Secre=
tary/Treasurer=2C Boomerang Management=2C Inc.<br>&gt=3B &gt=3B General Par=
tner of Boomerang Musical Products=2C Ltd.<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B ----------<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B "Some products make you so=
und better=3B<br>&gt=3B &gt=3B &nbsp=3BBoomerang(R) Phrase Samplers makes y=
ou play better."<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B ----------<br>&gt=3B &gt=
=3B<br>&gt=3B &gt=3B 1-800-530-4699 * 1-817-421-2762=2C Outside USA * 1-817=
-251-8509=2C Fax<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B http://www.boomerangmusi=
c.com<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Contact for repairs:<br>&gt=3B &gt=
=3B Lee Hardesty<br>&gt=3B &gt=3B 1516 Victoria Drive<br>&gt=3B &gt=3B Dent=
on=2C TX &nbsp=3B76209<br>&gt=3B &gt=3B hardesty@mindspring.com<br>&gt=3B &=
gt=3B 940-382-3253<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B Billing Address:<br>&g=
t=3B &gt=3B Boomerang Musical Products=2C Ltd.<br>&gt=3B &gt=3B PO Box 3788=
<br>&gt=3B &gt=3B Grapevine=2C TX &nbsp=3B76099-3788<br>&gt=3B &gt=3B<br>&g=
t=3B &gt=3B<br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B -- <br>&gt=3B Matt D=
avignon<br>&gt=3B mattdavignon@gmail.com<br>&gt=3B www.ribosomemusic.com<br=
>&gt=3B Rigs! www.youtube.com/user/ribosomematt<br>&gt=3B <br> 		 	   		  <=
/body>
</html>=

--_207ff2ea-b562-4160-85f1-f5ca07ed84d5_--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 07:28:28 2010
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References: <965282.31279.qm@web30408.mail.mud.yahoo.com> <4D113DE8.8020708@cruzio.com>
 <BAY145-w108F3B5330988706673431851B0@phx.gbl>
From: mark francombe <markfrancombe@gmail.com>
In-Reply-To: <BAY145-w108F3B5330988706673431851B0@phx.gbl>
Mime-Version: 1.0 (iPhone Mail 8C148a)
Date: Wed, 22 Dec 2010 08:28:34 +0100
Message-ID: <-8035843252112736291@unknownmsgid>
Subject: Re: OT: Lunar Solstice
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Content-Type: text/plain; charset=ISO-8859-1
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Handfast? Sorry, never heard the term? is this a sexual maneuver?

Sent from my (advertisement removed)

On 22 Dec 2010, at 07:59, Gareth Whittock <buddhamachine@live.co.uk> wrote:

> Me and my wife got handfasted for the 3rd time during the lunar eclipse, (we handfast on the winter solstice each year) next to a frozen lake.
> Worth getting up at 5.30am and carrying firewood through the woods for a mile or 2 over the snow.
> Earth, air fire, water and spirit - what a couple of bloody hippies - I blame the 60's!
>
> Peace
>
> G
>
> > Date: Tue, 21 Dec 2010 15:53:12 -0800
> > From: looppool@cruzio.com
> > To: stevebassbird@yahoo.com
> > CC: Loopers-Delight@loopers-delight.com
> > Subject: Re: Re: OT: Lunar Solstice
> >
> > On 7/22/64 11:59 AM, Steve Uccello wrote:
> > > Pretty special! It was amazing over here in Monterey. It was funny though, I didn't realize it was happening till I checked my email late at night
> > Dang it, not 30 miles north of you, we were completely socked in with
> > fog and
> > I missed the whole thing even though we were planning on watching for
> > several days.
> > I'm glad you got to watch it, Steve!
> >

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 08:10:19 2010
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Subject: Re: OT: Lunar Solstice
From: Dustbunnies <mech@m3ch.net>
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On 12/22/10 4:28 PM, "mark francombe" <markfrancombe@gmail.com> wrote:
>
> Handfast? Sorry, never heard the term? is this a sexual maneuver?

You're in the land of the Norse and you've never come across that term
before?  ;)

What: I'll bet you probably didn't keep the Yule bonfire raging until dawn
either, didja?.  We're damn lucky the sun made it back up again this side of
the Solstice.  Heathen!  (whups, waitasec. those guys are farther south than
there, aren't they? nevermind...)

    --m.


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--_966cbcf1-a64f-4358-b320-3a7c416973c9_
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=20

is this a sexual maneuver?
=20
No - that comes later..
>=20
> You're in the land of the Norse and you've never come across that term
> before? =3B)
>=20
> What: I'll bet you probably didn't keep the Yule bonfire raging until daw=
n
> either=2C didja?. We're damn lucky the sun made it back up again this sid=
e of
> the Solstice. Heathen! (whups=2C waitasec. those guys are farther south t=
han
> there=2C aren't they? nevermind...)
>=20
Yes the fire saw the dawn in - and made us toast too. You could say we toas=
ted the sunrise though the sunrise didn't toast us..
=20
peace
=20
g
 		 	   		  =

--_966cbcf1-a64f-4358-b320-3a7c416973c9_
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body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
<BR>&nbsp=3B<BR>

is this a sexual maneuver?<BR>
&nbsp=3B<BR>
No - that comes later..<BR>&gt=3B <BR>&gt=3B You're in the land of the Nors=
e and you've never come across that term<BR>&gt=3B before? =3B)<BR>&gt=3B <=
BR>&gt=3B What: I'll bet you probably didn't keep the Yule bonfire raging u=
ntil dawn<BR>&gt=3B either=2C didja?. We're damn lucky the sun made it back=
 up again this side of<BR>&gt=3B the Solstice. Heathen! (whups=2C waitasec.=
 those guys are farther south than<BR>&gt=3B there=2C aren't they? nevermin=
d...)<BR>&gt=3B <BR>Yes the fire saw the dawn in - and made us toast too. Y=
ou could say we toasted the sunrise though the sunrise didn't toast us..<BR=
>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
g<BR><BR> 		 	   		  </body>
</html>=

--_966cbcf1-a64f-4358-b320-3a7c416973c9_--

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Date: Wed, 22 Dec 2010 00:15:22 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com
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so let us in on the knowledge : handfast, the norse and the sexual maneuvre 
too:-)

Antony



________________________________
From: Dustbunnies <mech@m3ch.net>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, December 22, 2010 9:10:06 AM
Subject: Re: OT: Lunar Solstice

On 12/22/10 4:28 PM, "mark francombe" <markfrancombe@gmail.com> wrote:
>
> Handfast? Sorry, never heard the term? is this a sexual maneuver?

You're in the land of the Norse and you've never come across that term
before?  ;)

What: I'll bet you probably didn't keep the Yule bonfire raging until dawn
either, didja?.  We're damn lucky the sun made it back up again this side of
the Solstice.  Heathen!  (whups, waitasec. those guys are farther south than
there, aren't they? nevermind...)

    --m.


      
--0-728179721-1293005722=:53917
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>so let us in on the knowledge : handfast, the norse and the sexual maneuvre too:-)</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Dustbunnies &lt;mech@m3ch.net&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, December 22, 2010 9:10:06 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: OT: Lunar Solstice<br></font><br>
On 12/22/10 4:28 PM, "mark francombe" &lt;<a ymailto="mailto:markfrancombe@gmail.com" href="mailto:markfrancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:<br>&gt;<br>&gt; Handfast? Sorry, never heard the term? is this a sexual maneuver?<br><br>You're in the land of the Norse and you've never come across that term<br>before?&nbsp; ;)<br><br>What: I'll bet you probably didn't keep the Yule bonfire raging until dawn<br>either, didja?.&nbsp; We're damn lucky the sun made it back up again this side of<br>the Solstice.&nbsp; Heathen!&nbsp; (whups, waitasec. those guys are farther south than<br>there, aren't they? nevermind...)<br><br>&nbsp; &nbsp; --m.<br><br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-728179721-1293005722=:53917--

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Subject: Re: OT: Lunar Solstice
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C937E695.A10%mech@m3ch.net>
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On 12/22/10 5:15 PM, "Gareth Whittock" <buddhamachine@live.co.uk> wrote:
>> > Yes the fire saw the dawn in - and made us toast too. You could say we
>> toasted the sunrise
>> > though the sunrise didn't toast us..

Hey, thanks for getting us all through another year!!!  :D

    --m.


--B_3375883933_699129
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	charset="US-ASCII"
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<HTML>
<HEAD>
<TITLE>Re: OT: Lunar Solstice</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 12/22/10 5=
:15 PM, &quot;Gareth Whittock&quot; &lt;buddhamachine@live.co.uk&gt; wrote:<=
BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>&gt; </SPAN></FONT></FONT><FONT SIZE=3D"6"><FONT FACE=3D"Tah=
oma, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:10pt'>Yes the fire sa=
w the dawn in - and made us toast too. You could say we toasted the sunrise =
<BR>
&gt; though the sunrise didn't toast us..<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"6"><FONT FACE=3D"Tahoma, Verdan=
a, Helvetica, Arial"><SPAN STYLE=3D'font-size:10pt'><BR>
Hey, thanks for getting us all through another year!!! &nbsp;:D<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


--B_3375883933_699129--


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Content-Type: text/plain; charset=ISO-8859-1

OK so now I read wikipedia... As my old Granny used to say...

"Whatever next!"

Actually sounds very sweet... and I certainly understand both the sentiment
and the experience of doing something like that with your loved one...

A Nice walk in the morning to watch the eclipse I can go with...
neo-plaganistic rituals... I dunno... my wife would go for it I have no
doubt, (she is a priestess in the OTO - although I think thats supposed to
be secret) me.. well. I'm too er... giggly...

Mark





On Wed, Dec 22, 2010 at 9:15 AM, <antonyhequet@yahoo.com> wrote:

> so let us in on the knowledge : handfast, the norse and the sexual maneuvre
> too:-)
>
> Antony
>
> ------------------------------
> *From:* Dustbunnies <mech@m3ch.net>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wed, December 22, 2010 9:10:06 AM
> *Subject:* Re: OT: Lunar Solstice
>
> On 12/22/10 4:28 PM, "mark francombe" <markfrancombe@gmail.com> wrote:
> >
> > Handfast? Sorry, never heard the term? is this a sexual maneuver?
>
> You're in the land of the Norse and you've never come across that term
> before?  ;)
>
> What: I'll bet you probably didn't keep the Yule bonfire raging until dawn
> either, didja?.  We're damn lucky the sun made it back up again this side
> of
> the Solstice.  Heathen!  (whups, waitasec. those guys are farther south
> than
> there, aren't they? nevermind...)
>
>     --m.
>
>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549e0b6c82aa0497fb9d30
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK so now I read wikipedia... As my old Granny used to say...<br><br>&quot;=
Whatever next!&quot;<br><br>Actually sounds very sweet... and I certainly u=
nderstand both the sentiment and the experience of doing something like tha=
t with your loved one... <br>

<br>A Nice walk in the morning to watch the eclipse I can go with... neo-pl=
aganistic rituals... I dunno... my wife would go for it I have no doubt, (s=
he is a priestess in the OTO - although I think thats supposed to be secret=
) me.. well. I&#39;m too er... giggly...<br>

<br>Mark<br><br><br><br><br><br><div class=3D"gmail_quote">On Wed, Dec 22, =
2010 at 9:15 AM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:antonyhequet@yaho=
o.com">antonyhequet@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rg=
b(204, 204, 204); padding-left: 1ex;">

<div><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt=
;"><div>so let us in on the knowledge : handfast, the norse and the sexual =
maneuvre too:-)</div><div><br></div><div>Antony</div><div style=3D"font-fam=
ily: arial,helvetica,sans-serif; font-size: 14pt;">

<br><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 13px;=
"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D"font-we=
ight: bold;">From:</span></b> Dustbunnies &lt;<a href=3D"mailto:mech@m3ch.n=
et" target=3D"_blank">mech@m3ch.net</a>&gt;<br>

<b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loop=
ers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-=
delight.com</a><br><b><span style=3D"font-weight: bold;">Sent:</span></b> W=
ed, December 22, 2010 9:10:06 AM<br>

<b><span style=3D"font-weight: bold;">Subject:</span></b> Re: OT: Lunar Sol=
stice<br></font><div><div></div><div class=3D"h5"><br>
On 12/22/10 4:28 PM, &quot;mark francombe&quot; &lt;<a href=3D"mailto:markf=
rancombe@gmail.com" target=3D"_blank">markfrancombe@gmail.com</a>&gt; wrote=
:<br>&gt;<br>&gt; Handfast? Sorry, never heard the term? is this a sexual m=
aneuver?<br>

<br>You&#39;re in the land of the Norse and you&#39;ve never come across th=
at term<br>before?=A0 ;)<br><br>What: I&#39;ll bet you probably didn&#39;t =
keep the Yule bonfire raging until dawn<br>either, didja?.=A0 We&#39;re dam=
n lucky the sun made it back up again this side of<br>

the Solstice.=A0 Heathen!=A0 (whups, waitasec. those guys are farther south=
 than<br>there, aren&#39;t they? nevermind...)<br><br>=A0 =A0 --m.<br><br><=
br></div></div></div></div><div></div>


</div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549e0b6c82aa0497fb9d30--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 08:34:38 2010
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Subject: Re: OT: Lunar Solstice
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C937E703.A10%mech@m3ch.net>
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On 12/22/10 5:15 PM, "antonyhequet@yahoo.com" <antonyhequet@yahoo.com>
wrote:

>> > so let us in on the knowledge : handfast, the norse and the sexual
>> > maneuvre too:-)

Wikipedia is your friend....  ;)

Handfasting:

    http://en.wikipedia.org/wiki/Handfast

Winter Solstice (scroll down to the parts on Yule/Jul):

    http://en.wikipedia.org/wiki/Midwinter

And I=B9ll leave the explaining of the sexual maneuvers up to Mark
<*duckflee!*>....

    --m.


--B_3375884051_757551
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<HTML>
<HEAD>
<TITLE>Re: OT: Lunar Solstice</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 12/22/10 5=
:15 PM, &quot;antonyhequet@yahoo.com&quot; &lt;antonyhequet@yahoo.com&gt; wr=
ote:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>&gt; so let us in on the knowledge : handfast, the norse=
 and the sexual <BR>
&gt; maneuvre too:-)<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
Wikipedia is your friend.... &nbsp;;)<BR>
<BR>
Handfasting:<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;<a href=3D"http://en.wikipedia.org/wiki/Handfast">htt=
p://en.wikipedia.org/wiki/Handfast</a><BR>
<BR>
Winter Solstice (scroll down to the parts on Yule/Jul):<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;<a href=3D"http://en.wikipedia.org/wiki/Midwinter">ht=
tp://en.wikipedia.org/wiki/Midwinter</a><BR>
<BR>
And I&#8217;ll leave the explaining of the sexual maneuvers up to Mark &lt;=
*duckflee!*&gt;....<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


--B_3375884051_757551--


From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 10:28:55 2010
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Date: Wed, 22 Dec 2010 11:28:53 +0100
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Subject: Re: Triggering Ableton clips via a MIDI track
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 22, 2010 at 1:42 AM, Norman Thibodeau <ncthib@yahoo.com> wrote:
> What I'm wondering is what exactly Zoe Keating does to "make a controller talk."

 Not sure what that might mean, I'm afraid.  But anyway here's to
recapture the "Ableton MIDI Clip Control" tip I shared with this list
- and especially with Zoe, since she posted the question - some years
ago:

The idea is to use your external control gear (pedals, buttons etc) to
trigger MIDI sequences or MIDI loops in Ableton Live. These MIDI
sequences/loops hold MIDI data that are sent out as MIDI events into
the system (on a Mac you use the Core MIDI IAC Bus and on a Windows
box you install MIDI Yoke to create "internal MIDI channels"). Now,
when these MIDI events come back into the application (Ableton Live)
you have to set up Live to react to them. I do this by Live's MIDI
Learn process. You may want the incoming events to fire off audio
clips or change the status of a looper or initiate just about any
process in Live.

In order to set it up you need to know how the following three things
work (described in manuals etc):

- MIDI (knowing what MIDI is and how it works, the actual protocol that is).
- IAC Bus in OS X (set it up on your Mac at "Applications > Utilities
> Audio MIDI Setup.app > Show MIDI Window").
- MIDI routing in Ableton Live (both in the preferences and by track
assignment in the Session View/mixer).

>
> For instance, I was wondering whether I was missing something in the Ableton MIDI preferences.

Hard to tell... could be something else as well. You might have missed
to set the input and output slots of some Live MIDI Track channel
needed to deliver the data. Or simply defined the wrong MIDI channel.
What you should do is to first make sure you know about the three
areas mentioned above, then you trouble shoot your set up by following
the control signal. From the foot pedal that sends the first MIDI
event into Live's MIDI preferences, into whatever MIDI tracks you've
set up to route the MIDI signal, into the MIDI control assignment
system (the "MIDI learn" stuff) etc etc.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 13:30:47 2010
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As part of another deal, I just ended up with a dirt cheap 1995 Yamaha 
Pro Mix 01 16 track digital mixer in very good shape.

Any ideas on how to interface? - if it makes financial sense at all..
Please note that this is for my home non-pro project studio ;)


Briefly on interfacing specs:
Analog inputs, analog outputs, S/PDIF out (no wordclock)

Having S/PDIF outs of course means I can hook it up to a DAW for 
transferring the stereo mix-down directly digital.
However, having only analog inputs means I'll need some 16-channel DA 
converter.
A search reveals an older Creamware A16 could be an affordable option.

I did a more detailed post about this over at:
   http://www.adadepot.com/forum/index.php/topic,12511.new.html#new


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 13:41:13 2010
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Date: Wed, 22 Dec 2010 05:41:10 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) Yamaha Pro Mix 01: How to interface?
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--0-563121812-1293025270=:21248
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doesn't that thing have firewire mLAN?

Antony



________________________________
From: van Sinn <vansinn@post.cybercity.dk>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Wed, December 22, 2010 2:35:09 PM
Subject: (OT) Yamaha Pro Mix 01: How to interface?

As part of another deal, I just ended up with a dirt cheap 1995 Yamaha Pro Mix 
01 16 track digital mixer in very good shape.

Any ideas on how to interface? - if it makes financial sense at all..
Please note that this is for my home non-pro project studio ;)


Briefly on interfacing specs:
Analog inputs, analog outputs, S/PDIF out (no wordclock)

Having S/PDIF outs of course means I can hook it up to a DAW for transferring 
the stereo mix-down directly digital.
However, having only analog inputs means I'll need some 16-channel DA converter.
A search reveals an older Creamware A16 could be an affordable option.

I did a more detailed post about this over at:
  http://www.adadepot.com/forum/index.php/topic,12511.new.html#new


-- rgds,
van Sinn


      
--0-563121812-1293025270=:21248
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>doesn't that thing have firewire mLAN?</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> van Sinn &lt;vansinn@post.cybercity.dk&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, December 22, 2010 2:35:09 PM<br><b><span style="font-weight: bold;">Subject:</span></b> (OT) Yamaha Pro Mix 01: How to interface?<br></font><br>
As part of another deal, I just ended up with a dirt cheap 1995 Yamaha Pro Mix 01 16 track digital mixer in very good shape.<br><br>Any ideas on how to interface? - if it makes financial sense at all..<br>Please note that this is for my home non-pro project studio ;)<br><br><br>Briefly on interfacing specs:<br>Analog inputs, analog outputs, S/PDIF out (no wordclock)<br><br>Having S/PDIF outs of course means I can hook it up to a DAW for transferring the stereo mix-down directly digital.<br>However, having only analog inputs means I'll need some 16-channel DA converter.<br>A search reveals an older Creamware A16 could be an affordable option.<br><br>I did a more detailed post about this over at:<br><span>&nbsp; <a target="_blank" href="http://www.adadepot.com/forum/index.php/topic,12511.new.html#new">http://www.adadepot.com/forum/index.php/topic,12511.new.html#new</a></span><br><br><br>-- rgds,<br>van Sinn<br><br></div></div><div
 style="position:fixed"></div>


</div><br>

      </body></html>
--0-563121812-1293025270=:21248--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 13:57:21 2010
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Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
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------=_Part_515751_178293970.1293026239666
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While we're on the "anti-establishment" subject, I thought I'd toss this link out there. It's for a series of books and techniques on "How to Be Invisible"...monetarily, security-wise, slip under the radar, have a 'ghost' address, live free and on the run, etc. 



http://www.canaryislandspress.com/ 



Check it out...I tell ya, there are days when I'd cash in everything but my guitar and looping rig, my cat and my music collection, take my 401k (201k now!!) and just venture around the world...probably settling in Europe (does Paris need an ambient guitarist?!), or Rotterdam, or, or...how can I make this happen??? Better yet, how NOT to be caught? 



Ed in NJ 
------=_Part_515751_178293970.1293026239666
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: 7bit

<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Times New Roman; font-size: 12pt; color: #000000'><P>While we're on the "anti-establishment" subject, I thought I'd toss this link out there. It's for a series of books and techniques on "How to Be Invisible"...monetarily, security-wise, slip under the radar, have a 'ghost' address, live free and on the run, etc.</P>
<P>&nbsp;</P>
<P><A href="http://www.canaryislandspress.com/">http://www.canaryislandspress.com/</A></P>
<P>&nbsp;</P>
<P>Check it out...I tell ya, there are days when I'd cash in everything but my guitar and looping rig, my cat and my music collection, take my 401k (201k now!!) and just venture around the world...probably settling in Europe (does Paris need an ambient guitarist?!), or Rotterdam, or, or...how can I make this happen??? Better yet, how NOT to be caught?</P>
<P>&nbsp;</P>
<P>Ed in NJ</P></div></body></html>
------=_Part_515751_178293970.1293026239666--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 14:08:33 2010
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Surely there's no point in routing out of the DAW
if the mixer's digital?

So..my suggestion is to mix "in the box" on DAW but
use the Pro Mix as a controller.

andy butler

van Sinn wrote:
> As part of another deal, I just ended up with a dirt cheap 1995 Yamaha 
> Pro Mix 01 16 track digital mixer in very good shape.
> 
> Any ideas on how to interface? - if it makes financial sense at all..
> Please note that this is for my home non-pro project studio ;)

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Date: Wed, 22 Dec 2010 09:09:18 -0500
Message-ID: <AANLkTi=fLE3=PYbUjokp0YqdGUeg0TYxROA7Jz4oap+t@mail.gmail.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>> Better yet, how NOT to be caught?
hint: don't broadcast your intentions on the internet.
Sylvain


On Wed, Dec 22, 2010 at 8:57 AM, EDWARD                    YUHAS
<ejyuhas@embarqmail.com> wrote:
> While we're on the "anti-establishment" subject, I thought I'd toss this
> link out there. It's for a series of books and techniques on "How to Be
> Invisible"...monetarily, security-wise, slip under the radar, have a 'ghost'
> address, live free and on the run, etc.
>
>
>
> http://www.canaryislandspress.com/
>
>
>
> Check it out...I tell ya, there are days when I'd cash in everything but my
> guitar and looping rig, my cat and my music collection, take my 401k (201k
> now!!) and just venture around the world...probably settling in Europe (does
> Paris need an ambient guitarist?!), or Rotterdam, or, or...how can I make
> this happen??? Better yet, how NOT to be caught?
>
>
>
> Ed in NJ

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Date: Wed, 22 Dec 2010 06:10:50 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
To: Loopers-Delight@loopers-delight.com
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--0-1635595085-1293027050=:88899
Content-Type: text/plain; charset=us-ascii

I was wondering about that:-)

A



________________________________
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, December 22, 2010 3:09:18 PM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE

>> Better yet, how NOT to be caught?
hint: don't broadcast your intentions on the internet.
Sylvain


On Wed, Dec 22, 2010 at 8:57 AM, EDWARD                    YUHAS
<ejyuhas@embarqmail.com> wrote:
> While we're on the "anti-establishment" subject, I thought I'd toss this
> link out there. It's for a series of books and techniques on "How to Be
> Invisible"...monetarily, security-wise, slip under the radar, have a 'ghost'
> address, live free and on the run, etc.
>
>
>
> http://www.canaryislandspress.com/
>
>
>
> Check it out...I tell ya, there are days when I'd cash in everything but my
> guitar and looping rig, my cat and my music collection, take my 401k (201k
> now!!) and just venture around the world...probably settling in Europe (does
> Paris need an ambient guitarist?!), or Rotterdam, or, or...how can I make
> this happen??? Better yet, how NOT to be caught?
>
>
>
> Ed in NJ


      
--0-1635595085-1293027050=:88899
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I was wondering about that:-)</div><div><br></div><div>A</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Sylvain Poitras &lt;sylvain.trombone@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, December 22, 2010 3:09:18 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: (OT) REJECTING MASS MEDIA CULTURE<br></font><br>
&gt;&gt; Better yet, how NOT to be caught?<br>hint: don't broadcast your intentions on the internet.<br>Sylvain<br><br><br>On Wed, Dec 22, 2010 at 8:57 AM, EDWARD&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; YUHAS<br>&lt;<a ymailto="mailto:ejyuhas@embarqmail.com" href="mailto:ejyuhas@embarqmail.com">ejyuhas@embarqmail.com</a>&gt; wrote:<br>&gt; While we're on the "anti-establishment" subject, I thought I'd toss this<br>&gt; link out there. It's for a series of books and techniques on "How to Be<br>&gt; Invisible"...monetarily, security-wise, slip under the radar, have a 'ghost'<br>&gt; address, live free and on the run, etc.<br>&gt;<br>&gt;<br>&gt;<br><span>&gt; <a target="_blank" href="http://www.canaryislandspress.com/">http://www.canaryislandspress.com/</a></span><br>&gt;<br>&gt;<br>&gt;<br>&gt; Check it out...I tell ya, there are days when I'd cash in everything but my<br>&gt; guitar and looping rig, my cat and my music
 collection, take my 401k (201k<br>&gt; now!!) and just venture around the world...probably settling in Europe (does<br>&gt; Paris need an ambient guitarist?!), or Rotterdam, or, or...how can I make<br>&gt; this happen??? Better yet, how NOT to be caught?<br>&gt;<br>&gt;<br>&gt;<br>&gt; Ed in NJ<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 14:30:30 2010
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Date: Wed, 22 Dec 2010 15:34:56 +0100
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Subject: Re: (OT) Yamaha Pro Mix 01: How to interface?
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@antony: ProMix 01 was the first of the series; no firewire, mlan or 
expansion slots for such or ADAT..  Later models had expansion slots.


@andy: Yep, been considering simply using it as a DAW controller via 
MIDI.  Only, this seems a very bulky 70watt consumptious way of having a 
remote controller ;)
Of course, given my very low shopping price, way less expensive than 
shopping one of the control pads in the market..

OTOH, if arranged in a suitable case, along with a few other things, 
could make double use for live recordings, with it's 16 inputs..

I guess my best bet will be either use it as a mixed DAW controller and 
live desk, or sell it, and replace with some dedicated DAW controller.

As said, I got it dirt cheap as part of a deal, so I can resell it cheap 
with no losses ;)



andy butler wrote:
> Surely there's no point in routing out of the DAW
> if the mixer's digital?
> 
> So..my suggestion is to mix "in the box" on DAW but
> use the Pro Mix as a controller.
> 
> andy butler
> 
> van Sinn wrote:
> 
>> As part of another deal, I just ended up with a dirt cheap 1995 Yamaha 
>> Pro Mix 01 16 track digital mixer in very good shape.
>>
>> Any ideas on how to interface? - if it makes financial sense at all..
>> Please note that this is for my home non-pro project studio ;)


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 14:42:00 2010
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In-Reply-To: <567713.88899.qm@web120706.mail.ne1.yahoo.com>
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE
Date: Wed, 22 Dec 2010 14:42:20 -0000
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------=_NextPart_000_000D_01CBA1E6.70256500
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	charset="utf-8"
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=EF=BB=BFMan!  I had a friend waaay back in the 80s who used to hawk at =
me nearly endlessly about how You Have To Live In The Cash Society!  No =
checks, no cards, just cash.  He had to bend his own rules a little when =
he=E2=80=99d get paid in check from the company we worked for, and it =
was via the W2/1099 form bit that he got nicked by der taxman, I =
suspect.  Something like 10 grand in dodged taxes, he admitted to me.

Best tax-oriented rules I know:

1. Keep yer nose clean.  The system doesn=E2=80=99t work for YOU.
2. If you really owe someone money, bloody PAY THEM.

Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv
*
Sent from a PC, not an iPhone

From: antonyhequet@yahoo.com=20
Sent: Wednesday, December 22, 2010 2:10 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE

I was wondering about that:-)

A


-------------------------------------------------------------------------=
-------
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, December 22, 2010 3:09:18 PM
Subject: Re: (OT) REJECTING MASS MEDIA CULTURE

>> Better yet, how NOT to be caught?
hint: don't broadcast your intentions on the internet.
Sylvain


On Wed, Dec 22, 2010 at 8:57 AM, EDWARD                    YUHAS
<ejyuhas@embarqmail.com> wrote:
> While we're on the "anti-establishment" subject, I thought I'd toss =
this
> link out there. It's for a series of books and techniques on "How to =
Be
> Invisible"...monetarily, security-wise, slip under the radar, have a =
'ghost'
> address, live free and on the run, etc.
>
>
>
> http://www.canaryislandspress.com/
>
>
>
> Check it out...I tell ya, there are days when I'd cash in everything =
but my
> guitar and looping rig, my cat and my music collection, take my 401k =
(201k
> now!!) and just venture around the world...probably settling in Europe =
(does
> Paris need an ambient guitarist?!), or Rotterdam, or, or...how can I =
make
> this happen??? Better yet, how NOT to be caught?
>
>
>
> Ed in NJ



------=_NextPart_000_000D_01CBA1E6.70256500
Content-Type: text/html;
	charset="utf-8"
Content-Transfer-Encoding: quoted-printable

<HTML><HEAD>
<STYLE type=3Dtext/css><!-- DIV {margin:0px;} --></STYLE>
</HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Man!&nbsp; I had a friend waaay back in the 80s who used to hawk at =
me=20
nearly endlessly about how You Have To Live In The Cash Society!&nbsp; =
No=20
checks, no cards, just cash.&nbsp; He had to bend his own rules a little =
when=20
he=E2=80=99d get paid in check from the company we worked for, and it =
was via the=20
W2/1099 form bit that he got nicked by der taxman, I suspect.&nbsp; =
Something=20
like 10 grand in dodged taxes, he admitted to me.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Best tax-oriented rules I know:</DIV>
<DIV>&nbsp;</DIV>
<DIV>1. Keep yer nose clean.&nbsp; The system doesn=E2=80=99t work for =
YOU.</DIV>
<DIV>2. If you really owe someone money, bloody PAY THEM.</DIV>
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: =
12pt">Stephen=20
Goodman<BR>EarthLight=20
Productions<BR>*<BR>http://www.earthlight.net<BR>http://www.earthlight.tv=
<BR>*<BR>Sent=20
from a PC, not an iPhone</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dantonyhequet@yahoo.com=20
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</A> </DIV>
<DIV><B>Sent:</B> Wednesday, December 22, 2010 2:10 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: (OT) REJECTING MASS MEDIA =
CULTURE</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
14pt">
<DIV>I was wondering about that:-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>A</DIV>
<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
14pt">
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
13px"><FONT=20
size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Sylvain Poitras=20
&lt;sylvain.trombone@gmail.com&gt;<BR><B><SPAN=20
style=3D"FONT-WEIGHT: bold">To:</SPAN></B>=20
Loopers-Delight@loopers-delight.com<BR><B><SPAN=20
style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Wed, December 22, 2010 =
3:09:18=20
PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: (OT) =
REJECTING=20
MASS MEDIA CULTURE<BR></FONT><BR>&gt;&gt; Better yet, how NOT to be=20
caught?<BR>hint: don't broadcast your intentions on the=20
internet.<BR>Sylvain<BR><BR><BR>On Wed, Dec 22, 2010 at 8:57 AM,=20
EDWARD&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
YUHAS<BR>&lt;<A href=3D"mailto:ejyuhas@embarqmail.com"=20
ymailto=3D"mailto:ejyuhas@embarqmail.com">ejyuhas@embarqmail.com</A>&gt; =

wrote:<BR>&gt; While we're on the "anti-establishment" subject, I =
thought I'd=20
toss this<BR>&gt; link out there. It's for a series of books and =
techniques on=20
"How to Be<BR>&gt; Invisible"...monetarily, security-wise, slip under =
the radar,=20
have a 'ghost'<BR>&gt; address, live free and on the run,=20
etc.<BR>&gt;<BR>&gt;<BR>&gt;<BR><SPAN>&gt; <A=20
href=3D"http://www.canaryislandspress.com/"=20
target=3D_blank>http://www.canaryislandspress.com/</A></SPAN><BR>&gt;<BR>=
&gt;<BR>&gt;<BR>&gt;=20
Check it out...I tell ya, there are days when I'd cash in everything but =

my<BR>&gt; guitar and looping rig, my cat and my music collection, take =
my 401k=20
(201k<BR>&gt; now!!) and just venture around the world...probably =
settling in=20
Europe (does<BR>&gt; Paris need an ambient guitarist?!), or Rotterdam, =
or,=20
or...how can I make<BR>&gt; this happen??? Better yet, how NOT to be=20
caught?<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt; Ed in NJ<BR><BR></DIV></DIV>
<DIV style=3D"POSITION: fixed"></DIV></DIV>
<DIV>&nbsp;</DIV></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_000D_01CBA1E6.70256500--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 15:18:00 2010
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Date: Wed, 22 Dec 2010 07:17:52 -0800
From: Rick Walker <looppool@cruzio.com>
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To: mark francombe <mark@markfrancombe.com>
CC: Loopers-Delight@loopers-delight.com
Subject: Re: RE: the 60's
References: <AANLkTin9ohqU0OupNsvdS+2Kq5Q3MRRX4iW5guSUFw0R@mail.gmail.com>
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On 7/22/64 11:59 AM, mark francombe wrote:
> The absolute joy and freedom that I felt as a young radical anarchist 
> (If only I had known what that meant) was something that I cannot 
> report as being negative in anyway. Questions we were asking, were the 
> exact same questions that the hippy movement were asking 10 to 12 
> years earlier, just that we chose aggression and chaos to rebel, where 
> the hippys used free sex and drugs. (Note I don't use the terms peace 
> and love here... we had that too!!!)
Yeah, come to think of it,  you are right, Mark.
I , too , remember the early punk days and the joy there was in being 
angry and creative and just letting it out.

I missed the Rave culture entirely because I was doing world fusion 
music for almost 20 years before I reentered
pop music at the turn of the millenium, but that's an amazing story 
about the DJ and the track, Killer.

thanks for the perspective and the cool story.

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 15:53:43 2010
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References: <4D0B8528.7000700@googlemail.com> <C59EEA2E-8B90-4412-A728-72B1C79CF96A@btinternet.com>
From: "Andy Owens" <andy@1800dialword.com>
thread-topic: Gig Späm: 2010's last MoinSound Studio Sessions - this Saturday 18th, 1600 UTC
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Hi Matt, Andy Owens here. Is the Cafe Noodle a live thing? Connect how?

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 17, 2010, at 1:45 PM, Matt Stevens <mattstevensguitar@btinternet.com>=
 wrote:

> Rainer I will embed this on www.cafenoodle.ning.com as well
>=20
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>=20
>=20
>=20
>=20
> On 17 Dec 2010, at 15:43, Rainer Straschill wrote:
>=20
>> Tomorrow will see the last MoinSound Studio Session for this year.
>>=20
>> Simply go to
>> http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
>> or via
>> http://moinlabs.de
>>=20
>> and tune in for roughly an hour of looping fun. The focus tomorrow will b=
e on very minimalistic, very abstract, very soft noise (whatever that means)=
.
>> Date/Time:
>> Saturday December 18th, 16:00 UTC
>> http://timeanddate.com/worldclock/fixedtime.html?day=3D18&month=3D12&year=
=3D2010&hour=3D17&min=3D0&sec=3D0&p1=3D83
>>=20
>> Ever since the start of this event series in April 2009, I've been doing b=
y-weekly video transmissions of (mostly solo) concerts - plus a few "special=
 events" like last year's "Virtual Sound and Vision Festival" (http://moinla=
bs.de/index.php?id=3D229) and a week-long series of performances called "An A=
mbient Manifold" in January this year (http://mysp.ac/hPYRJy). By the end of=
 last year, I did already release an album compilation available for pay-wha=
t-you-want download from bandcamp (http://moinlabs.de/index.php?id=3D282).
>>=20
>> If my count is correct (which I'm not sure it is), tomorrow will be the 5=
2nd performance in this series - most of them are archived here:
>> http://www.ustream.tv/user/moinlabs/videos
>>=20
>> I'd like to take the opportunity to say thanks to everyone who had in the=
 past listened in or downloaded the album. And if you didn't do that yet - t=
omorrow is the perfect opportunity to do so!
>>=20
>> See you there,
>>=20
>>          Rainer
>>=20
>> ps: The best idea really is to follow me on twitter (see below) for last-=
minute reminders etc.
>>=20
>> --=20
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>=20
>=20

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thread-topic: Gig Späm: 2010's last MoinSound Studio Sessions - this Saturday 18th, 1600 UTC
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Connect how as a performer I mean.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 17, 2010, at 1:45 PM, Matt Stevens <mattstevensguitar@btinternet.com>=
 wrote:

> Rainer I will embed this on www.cafenoodle.ning.com as well
>=20
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>=20
>=20
>=20
>=20
> On 17 Dec 2010, at 15:43, Rainer Straschill wrote:
>=20
>> Tomorrow will see the last MoinSound Studio Session for this year.
>>=20
>> Simply go to
>> http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
>> or via
>> http://moinlabs.de
>>=20
>> and tune in for roughly an hour of looping fun. The focus tomorrow will b=
e on very minimalistic, very abstract, very soft noise (whatever that means)=
.
>> Date/Time:
>> Saturday December 18th, 16:00 UTC
>> http://timeanddate.com/worldclock/fixedtime.html?day=3D18&month=3D12&year=
=3D2010&hour=3D17&min=3D0&sec=3D0&p1=3D83
>>=20
>> Ever since the start of this event series in April 2009, I've been doing b=
y-weekly video transmissions of (mostly solo) concerts - plus a few "special=
 events" like last year's "Virtual Sound and Vision Festival" (http://moinla=
bs.de/index.php?id=3D229) and a week-long series of performances called "An A=
mbient Manifold" in January this year (http://mysp.ac/hPYRJy). By the end of=
 last year, I did already release an album compilation available for pay-wha=
t-you-want download from bandcamp (http://moinlabs.de/index.php?id=3D282).
>>=20
>> If my count is correct (which I'm not sure it is), tomorrow will be the 5=
2nd performance in this series - most of them are archived here:
>> http://www.ustream.tv/user/moinlabs/videos
>>=20
>> I'd like to take the opportunity to say thanks to everyone who had in the=
 past listened in or downloaded the album. And if you didn't do that yet - t=
omorrow is the perfect opportunity to do so!
>>=20
>> See you there,
>>=20
>>          Rainer
>>=20
>> ps: The best idea really is to follow me on twitter (see below) for last-=
minute reminders etc.
>>=20
>> --=20
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>=20
>=20

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 16:13:10 2010
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Subject: Re: OT: Lunar Solstice
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From: Matthias Grob <matilists@gmail.com>
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coincidentally the central of the most important telephone company of =
Salvador cought fire !
credit cards stopped working...

On 21 Dec 2010, at 20:55, Stephen Goodman wrote:

> ?From: Revfever
>> Whoa! I did not realize that last night's lunar eclipse coincided =
with Winter Solstice (21st) and is something that has not happened in =
something like TWO THOUSAND YEARS! That gives me some wonderful =
CHILLS...
>=20
> 1638 to be precise.
>=20
> =
http://www.aolnews.com/2010/12/21/winter-solstice-delivers-lunar-eclipse/?=
icid=3Dmaing%7Cmain5%7Cdl1%7Csec1_lnk5%7C32575=20

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 16:15:57 2010
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Date: Wed, 22 Dec 2010 16:16:27 +0000
From: andy butler <akbutler@tiscali.co.uk>
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The LD archives  haven't worked for a while now.
0 hits for anything.

..but another way to search the archive is to use google
Use Google advanced search just on www.loopersdelight.com, 
<http://www.loopersdelight.com,/> or type
" site:www.loopersdelight.com  " after the seach term.


andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 17:13:25 2010
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References: <20101221083353.95a0a121071e8df19db85607a1a5a351.98943e34ac.wbe@email00.secureserver.net>,<4D11130A.5050807@boomerangmusic.com>,<AANLkTinesoBfAAaBS=26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com> <BAY145-w42C256ADEF6285DF2E9EDC851B0@phx.gbl>
Date: Wed, 22 Dec 2010 09:13:22 -0800 (PST)
From: Doug Wellington <dougwellington@yahoo.com>
Subject: Amazon and Wikileaks.  WAS: Boomerang Power Supply Not Included in Price
To: Loopers-Delight@loopers-delight.com
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=0A=0A> I personally wouldn't buy from Amazon again after they tried to cur=
tail free =0A>speech by censoring the wikileaks websites that used their se=
rvers.=0A=0ASome people call it free speech, some would call it receiving a=
nd disseminating =0Astolen property.  Just sayin...=0A=0APut a different wa=
y, would you boycott Amazon if they shut down a site that was =0Agiving awa=
y cracked software, MP3s of commercial music, or downloads of =0Acommercial=
 movies?=0A=0A(I don't work for Amazon and I have no stake in Amazon other =
than being a fairly =0Aregular customer.)=0A=0A=0A      
--0-574966018-1293038002=:42767
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:"times new roman", "new york", "times", =
serif;font-size:12pt"><DIV><BR></DIV><DIV style=3D"font-family:times new ro=
man, new york, times, serif;font-size:12pt">&gt; I personally wouldn't buy =
from Amazon again after they tried to curtail free speech by censoring the =
wikileaks websites that used their servers.</DIV><DIV style=3D"font-family:=
times new roman, new york, times, serif;font-size:12pt"><BR>Some people cal=
l it free speech, some would call it receiving and disseminating stolen pro=
perty. =A0Just sayin...</DIV><DIV style=3D"font-family:times new roman, new=
 york, times, serif;font-size:12pt"><BR></DIV><DIV style=3D"font-family:tim=
es new roman, new york, times, serif;font-size:12pt">Put a different way, w=
ould you boycott Amazon if they shut down a site that was giving away crack=
ed software, MP3s of commercial music, or downloads of commercial
 movies?</DIV><DIV style=3D"font-family:times new roman, new york, times, s=
erif;font-size:12pt"><BR></DIV><DIV style=3D"font-family:times new roman, n=
ew york, times, serif;font-size:12pt">(I don't work for Amazon and I have n=
o stake in Amazon other than being a fairly regular customer.)</DIV>=0A=0A=
=0A</div><br>=0A=0A      </body></html>
--0-574966018-1293038002=:42767--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 17:19:21 2010
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References:
 <20101221083353.95a0a121071e8df19db85607a1a5a351.98943e34ac.wbe@email00.se
 cureserver.net>,<4D11130A.5050807@boomerangmusic.com>,<AANLkTinesoBfAAaBS=
 26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com>
 <BAY145-w42C256ADEF6285DF2E9EDC851B0@phx.gbl>
 <907341.42767.qm@web59711.mail.ac4.yahoo.com>
Date: Wed, 22 Dec 2010 12:19:14 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Amazon and Wikileaks.  WAS: Boomerang Power Supply Not
 Included in Price
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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Fuck Amazon.

>  > I personally wouldn't buy from Amazon again after they tried to 
>curtail free speech by censoring the wikileaks websites that used 
>their servers.
>
>Some people call it free speech, some would call it receiving and 
>disseminating stolen property.  Just sayin...
>
>Put a different way, would you boycott Amazon if they shut down a 
>site that was giving away cracked software, MP3s of commercial 
>music, or downloads of commercial movies?
>
>(I don't work for Amazon and I have no stake in Amazon other than 
>being a fairly regular customer.)


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 18:02:59 2010
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Message-ID: <736C0B5E889045919AE8191228584DF6@ELUK1>
Reply-To: "Stephen Goodman" <spgoodman@earthlight.net>
From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20101221083353.95a0a121071e8df19db85607a1a5a351.98943e34ac.wbe@email00.secureserver.net>,<4D11130A.5050807@boomerangmusic.com>,<AANLkTinesoBfAAaBS=26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com> <BAY145-w42C256ADEF6285DF2E9EDC851B0@phx.gbl> <907341.42767.qm@web59711.mail.ac4.yahoo.com>
In-Reply-To: <907341.42767.qm@web59711.mail.ac4.yahoo.com>
Subject: Re: Amazon and Wikileaks.  WAS: Boomerang Power Supply Not Included in Price
Date: Wed, 22 Dec 2010 18:03:20 -0000
Organization: EarthLight Productions
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?Agreed, Doug.

From: Doug Wellington=20
Sent: Wednesday, December 22, 2010 5:13 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Amazon and Wikileaks. WAS: Boomerang Power Supply Not Included =
in Price


> I personally wouldn't buy from Amazon again after they tried to =
curtail free speech by censoring the wikileaks websites that used their =
servers.

Some people call it free speech, some would call it receiving and =
disseminating stolen property.  Just sayin...

Put a different way, would you boycott Amazon if they shut down a site =
that was giving away cracked software, MP3s of commercial music, or =
downloads of commercial movies?

(I don't work for Amazon and I have no stake in Amazon other than being =
a fairly regular customer.)

------=_NextPart_000_0029_01CBA202.845B6E90
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><HEAD>
<STYLE type=3Dtext/css><!-- DIV {margin:0px;} --></STYLE>
</HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Agreed, Doug.</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Ddougwellington@yahoo.com=20
href=3D"mailto:dougwellington@yahoo.com">Doug Wellington</A> </DIV>
<DIV><B>Sent:</B> Wednesday, December 22, 2010 5:13 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Amazon and Wikileaks. WAS: Boomerang Power Supply =
Not=20
Included in Price</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT-FAMILY: " serif;font-size:12pt? ?times?, york?, ?new =
roman?,=20
new times>
<DIV>&nbsp;</DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt">&gt;=20
I personally wouldn't buy from Amazon again after they tried to curtail =
free=20
speech by censoring the wikileaks websites that used their =
servers.</DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt"><BR>Some=20
people call it free speech, some would call it receiving and =
disseminating=20
stolen property.&nbsp; Just sayin...</DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt">&nbsp;</DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt">Put=20
a different way, would you boycott Amazon if they shut down a site that =
was=20
giving away cracked software, MP3s of commercial music, or downloads of=20
commercial movies?</DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt">&nbsp;</DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman, new york, times, serif; =
FONT-SIZE: 12pt">(I=20
don't work for Amazon and I have no stake in Amazon other than being a =
fairly=20
regular customer.)</DIV></DIV>
<DIV>&nbsp;</DIV></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_0029_01CBA202.845B6E90--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 18:26:25 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Amazon and Wikileaks.  WAS: Boomerang Power Supply Not Included
 in Price
Date: Wed, 22 Dec 2010 18:26:23 +0000
Importance: Normal
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References:
 <20101221083353.95a0a121071e8df19db85607a1a5a351.98943e34ac.wbe@email00.se,cureserver.net>,<4D11130A.5050807@boomerangmusic.com>,<AANLkTinesoBfAAaBS=,26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com>,<BAY145-w42C256ADEF6285DF2E9EDC851B0@phx.gbl>,<907341.42767.qm@web59711.mail.ac4.yahoo.com>,<p06240803c937e387a2b6@[192.168.2.4]>
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--_8b94b2c9-5aed-45d9-bed9-0af27deaadf6_
Content-Type: text/plain; charset="iso-8859-1"
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This is much bigger than that. It's about freedom of information. If govern=
ment lies are stolen property then steal them I say.

Peace

G

p.s.=20
No law has been broken by wikileaks and yet we have semator Lieberman calli=
ng for the New York Times to be investigated..

Bully boy tactics if ever I heard one..



> Date: Wed=2C 22 Dec 2010 12:19:14 -0500
> To: Loopers-Delight@loopers-delight.com
> From: cazwicky@earthlink.net
> Subject: Re: Amazon and Wikileaks.  WAS: Boomerang Power Supply Not Inclu=
ded in Price
>=20
> Fuck Amazon.
>=20
> >  > I personally wouldn't buy from Amazon again after they tried to=20
> >curtail free speech by censoring the wikileaks websites that used=20
> >their servers.
> >
> >Some people call it free speech=2C some would call it receiving and=20
> >disseminating stolen property.  Just sayin...
> >
> >Put a different way=2C would you boycott Amazon if they shut down a=20
> >site that was giving away cracked software=2C MP3s of commercial=20
> >music=2C or downloads of commercial movies?
> >
> >(I don't work for Amazon and I have no stake in Amazon other than=20
> >being a fairly regular customer.)
>=20
>=20
> --=20
>=20
> ...
> http://www.zmix.net
>=20
> http://www.esession.com/ChuckZwicky
>=20
> http://albumcredits.com/zmix
>=20
 		 	   		  =

--_8b94b2c9-5aed-45d9-bed9-0af27deaadf6_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
This is much bigger than that. It's about freedom of information. If govern=
ment lies are stolen property then steal them I say.<br><br>Peace<br><br>G<=
br><br>p.s. <br>No law has been broken by wikileaks and yet we have semator=
 Lieberman calling for the New York Times to be investigated..<br>
Bully boy tactics if ever I heard one..<br><br><br><br>&gt=3B Date: Wed=2C =
22 Dec 2010 12:19:14 -0500<br>&gt=3B To: Loopers-Delight@loopers-delight.co=
m<br>&gt=3B From: cazwicky@earthlink.net<br>&gt=3B Subject: Re: Amazon and =
Wikileaks.  WAS: Boomerang Power Supply Not Included in Price<br>&gt=3B <br=
>&gt=3B Fuck Amazon.<br>&gt=3B <br>&gt=3B &gt=3B  &gt=3B I personally would=
n't buy from Amazon again after they tried to <br>&gt=3B &gt=3Bcurtail free=
 speech by censoring the wikileaks websites that used <br>&gt=3B &gt=3Bthei=
r servers.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3BSome people call it free speech=
=2C some would call it receiving and <br>&gt=3B &gt=3Bdisseminating stolen =
property.  Just sayin...<br>&gt=3B &gt=3B<br>&gt=3B &gt=3BPut a different w=
ay=2C would you boycott Amazon if they shut down a <br>&gt=3B &gt=3Bsite th=
at was giving away cracked software=2C MP3s of commercial <br>&gt=3B &gt=3B=
music=2C or downloads of commercial movies?<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B(I don't work for Amazon and I have no stake in Amazon other than <br>&g=
t=3B &gt=3Bbeing a fairly regular customer.)<br>&gt=3B <br>&gt=3B <br>&gt=
=3B -- <br>&gt=3B <br>&gt=3B ...<br>&gt=3B http://www.zmix.net<br>&gt=3B <b=
r>&gt=3B http://www.esession.com/ChuckZwicky<br>&gt=3B <br>&gt=3B http://al=
bumcredits.com/zmix<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_8b94b2c9-5aed-45d9-bed9-0af27deaadf6_--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 19:01:43 2010
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References:
  <20101221083353.95a0a121071e8df19db85607a1a5a351.98943e34ac.wbe@email00.s
 e,cureserver.net>,<4D11130A.5050807@boomerangmusic.com>,<AANLkTinesoBfAAaB
 S=,26bouq+cem+T7H31RKtgdZ_+pi@mail.gmail.com>,<BAY145-w42C256ADEF6285DF2E9
 EDC851B0@phx.gbl>,<907341.42767.qm@web59711.mail.ac4.yahoo.com>,<p06240803
 c937e387a2b6@[192.168.2.4]> <BAY145-w6280A91FE4E048A523CBBA851B0@phx.gbl>
Date: Wed, 22 Dec 2010 14:01:35 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: RE: Amazon and Wikileaks.  WAS: Boomerang Power Supply Not
 Included  in Price
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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Word...

>This is much bigger than that. It's about freedom of information. If 
>government lies are stolen property then steal them I say.
>
>Peace
>
>G
>
>p.s.
>No law has been broken by wikileaks and yet we have semator 
>Lieberman calling for the New York Times to be investigated..
>Bully boy tactics if ever I heard one..
>
>
>
>>  Date: Wed, 22 Dec 2010 12:19:14 -0500
>>  To: Loopers-Delight@loopers-delight.com
>>  From: cazwicky@earthlink.net
>>  Subject: Re: Amazon and Wikileaks. WAS: Boomerang Power Supply Not 
>>Included in Price
>>
>>  Fuck Amazon.
>>
>>  > > I personally wouldn't buy from Amazon again after they tried to
>>  >curtail free speech by censoring the wikileaks websites that used
>>  >their servers.
>>  >
>>  >Some people call it free speech, some would call it receiving and
>>  >disseminating stolen property. Just sayin...
>>  >
>>  >Put a different way, would you boycott Amazon if they shut down a
>>  >site that was giving away cracked software, MP3s of commercial
>>  >music, or downloads of commercial movies?
>>  >
>>  >(I don't work for Amazon and I have no stake in Amazon other than
>>  >being a fairly regular customer.)
>>
>>
>>  --
>>
>>  ...
>>  http://www.zmix.net
>>
>>  http://www.esession.com/ChuckZwicky
>>
>>  http://albumcredits.com/zmix
>>
>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 19:15:34 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: OT: Lunar Solstice
Date: Wed, 22 Dec 2010 11:15:23 -0800
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Also, the computers in the offices at the food co-op I am a member of  
were acting a little weird yesterday. (21st Solstice)   
"Coincidence"?  (Or.......?)

Rice Krispies,
Rev. Fever

On Dec 22, 2010, at 8:13 AM, Matthias Grob wrote:

> coincidentally the central of the most important telephone company  
> of Salvador cought fire !
> credit cards stopped working...
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 19:22:18 2010
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Subject: Re: Lunar Solstice
Date: Wed, 22 Dec 2010 19:22:40 -0000
Organization: EarthLight Productions
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?Power surges are not often but do happen during winter months.  Check the 
BIOS - sometimes just burning the current image works just fine with this 
kind of problem.

-----Original Message----- 
From: Revfever
Sent: Wednesday, December 22, 2010 7:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Lunar Solstice

Also, the computers in the offices at the food co-op I am a member of
were acting a little weird yesterday. (21st Solstice)
"Coincidence"?  (Or.......?)

Rice Krispies,
Rev. Fever

On Dec 22, 2010, at 8:13 AM, Matthias Grob wrote:

> coincidentally the central of the most important telephone company  of 
> Salvador cought fire !
> credit cards stopped working...
> 

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 20:05:48 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: =?ISO-8859-1?Q?Re:_Gig_Sp=E4m:_2010's_last_MoinSound_Studio_Sess?=
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Its done thru a ustream embed - would be awesome to have you play  
Andy :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 22 Dec 2010, at 15:52, Andy Owens wrote:

> Hi Matt, Andy Owens here. Is the Cafe Noodle a live thing? Connect  
> how?
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Dec 17, 2010, at 1:45 PM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
>
>> Rainer I will embed this on www.cafenoodle.ning.com as well
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 17 Dec 2010, at 15:43, Rainer Straschill wrote:
>>
>>> Tomorrow will see the last MoinSound Studio Session for this year.
>>>
>>> Simply go to
>>> http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
>>> or via
>>> http://moinlabs.de
>>>
>>> and tune in for roughly an hour of looping fun. The focus  
>>> tomorrow will be on very minimalistic, very abstract, very soft  
>>> noise (whatever that means).
>>> Date/Time:
>>> Saturday December 18th, 16:00 UTC
>>> http://timeanddate.com/worldclock/fixedtime.html? 
>>> day=18&month=12&year=2010&hour=17&min=0&sec=0&p1=83
>>>
>>> Ever since the start of this event series in April 2009, I've  
>>> been doing by-weekly video transmissions of (mostly solo)  
>>> concerts - plus a few "special events" like last year's "Virtual  
>>> Sound and Vision Festival" (http://moinlabs.de/index.php?id=229)  
>>> and a week-long series of performances called "An Ambient  
>>> Manifold" in January this year (http://mysp.ac/hPYRJy). By the  
>>> end of last year, I did already release an album compilation  
>>> available for pay-what-you-want download from bandcamp (http:// 
>>> moinlabs.de/index.php?id=282).
>>>
>>> If my count is correct (which I'm not sure it is), tomorrow will  
>>> be the 52nd performance in this series - most of them are  
>>> archived here:
>>> http://www.ustream.tv/user/moinlabs/videos
>>>
>>> I'd like to take the opportunity to say thanks to everyone who  
>>> had in the past listened in or downloaded the album. And if you  
>>> didn't do that yet - tomorrow is the perfect opportunity to do so!
>>>
>>> See you there,
>>>
>>>          Rainer
>>>
>>> ps: The best idea really is to follow me on twitter (see below)  
>>> for last-minute reminders etc.
>>>
>>> -- 
>>> http://moinlabs.de
>>> Follow me on twitter: http://twitter.com/moinlabs
>>>
>>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Its done thru a ustream embed - would be awesome to have you play Andy =
:)<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 22 Dec 2010, =
at 15:52, Andy Owens wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Hi =
Matt, Andy Owens here. Is the Cafe Noodle a live thing? Connect =
how?<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my =
iPhone<div>So the typing might not be my =
best!</div><div><br></div></div></div><div><br>On Dec 17, 2010, at 1:45 =
PM, Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt; wrote:<br><br></div><div></div><blockquote =
type=3D"cite"><div> Rainer I will embed this on <a =
href=3D"http://www.cafenoodle.ning.com"></a><a =
href=3D"http://www.cafenoodle.ning.com">www.cafenoodle.ning.com</a> as =
well<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt Stevens</div><div><a =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></d=
iv><div><a href=3D"mailto:mattstevensguitar@btinternet.com"></a><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 Dec 2010, =
at 15:43, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Tomorrow will see the last MoinSound Studio Session =
for this year.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Simply go to</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions"></a><=
a =
href=3D"http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions">http:=
//www.ustream.tv/channel/The-MoinSound-Studio-Sessions</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">or via</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://moinlabs.de"></a><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and tune =
in for roughly an hour of looping fun. The focus tomorrow will be on =
very minimalistic, very abstract, very soft noise (whatever that =
means).</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Date/Time:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Saturday December 18th, 16:00 UTC</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://timeanddate.com/worldclock/fixedtime.html?day=3D18&amp;mont=
h=3D12&amp;year=3D2010&amp;hour=3D17&amp;min=3D0&amp;sec=3D0&amp;p1=3D83">=
</a><a =
href=3D"http://timeanddate.com/worldclock/fixedtime.html?day=3D18&amp;mont=
h=3D12&amp;year=3D2010&amp;hour=3D17&amp;min=3D0&amp;sec=3D0&amp;p1=3D83">=
http://timeanddate.com/worldclock/fixedtime.html?day=3D18&amp;month=3D12&a=
mp;year=3D2010&amp;hour=3D17&amp;min=3D0&amp;sec=3D0&amp;p1=3D83</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Ever =
since the start of this event series in April 2009, I've been doing =
by-weekly video transmissions of (mostly solo) concerts - plus a few =
"special events" like last year's "Virtual Sound and Vision Festival" =
(<a href=3D"http://moinlabs.de/index.php?id=3D229"></a><a =
href=3D"http://moinlabs.de/index.php?id=3D229">http://moinlabs.de/index.ph=
p?id=3D229</a>) and a week-long series of performances called "An =
Ambient Manifold" in January this year (<a =
href=3D"http://mysp.ac/hPYRJy"></a><a =
href=3D"http://mysp.ac/hPYRJy">http://mysp.ac/hPYRJy</a>). By the end of =
last year, I did already release an album compilation available for =
pay-what-you-want download from bandcamp (<a =
href=3D"http://moinlabs.de/index.php?id=3D282"></a><a =
href=3D"http://moinlabs.de/index.php?id=3D282">http://moinlabs.de/index.ph=
p?id=3D282</a>).</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">If my count is correct (which I'm not sure it is), =
tomorrow will be the 52nd performance in this series - most of them are =
archived here:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.ustream.tv/user/moinlabs/videos"></a><a =
href=3D"http://www.ustream.tv/user/moinlabs/videos">http://www.ustream.tv/=
user/moinlabs/videos</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I'd like to take the opportunity =
to say thanks to everyone who had in the past listened in or downloaded =
the album. And if you didn't do that yet - tomorrow is the perfect =
opportunity to do so!</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">See you there,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; =
</span>Rainer</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ps: The best idea really is to follow me on twitter =
(see below) for last-minute reminders etc.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a href=3D"http://moinlabs.de"></a><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Follow me on twitter: <a =
href=3D"http://twitter.com/moinlabs"></a><a =
href=3D"http://twitter.com/moinlabs">http://twitter.com/moinlabs</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></div></blockquote></blockquote></div><br></d=
iv></body></html>=

--Apple-Mail-15--938964292--

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Well... the hippies also used hard core civil disobedience to express =
our anger!  It was a thrilling time.=20
The free love and drugs was just a bonus for some of us.  For some it =
was the core of the experience.  They're the ones who went on to Wall =
Street and commerce. Truth is, they missed the most glorious boat of the =
time.=20

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com











On Dec 22, 2010, at 7:17 AM, Rick Walker wrote:

> On 7/22/64 11:59 AM, mark francombe wrote:
>> The absolute joy and freedom that I felt as a young radical anarchist =
(If only I had known what that meant) was something that I cannot report =
as being negative in anyway. Questions we were asking, were the exact =
same questions that the hippy movement were asking 10 to 12 years =
earlier, just that we chose aggression and chaos to rebel, where the =
hippys used free sex and drugs. (Note I don't use the terms peace and =
love here... we had that too!!!)
> Yeah, come to think of it,  you are right, Mark.
> I , too , remember the early punk days and the joy there was in being =
angry and creative and just letting it out.
>=20
> I missed the Rave culture entirely because I was doing world fusion =
music for almost 20 years before I reentered
> pop music at the turn of the millenium, but that's an amazing story =
about the DJ and the track, Killer.
>=20
> thanks for the perspective and the cool story.
>=20
> rick walker
>=20


--Apple-Mail-2--942561946
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Well... the hippies also used hard core civil disobedience to express =
our anger! &nbsp;It was a thrilling time.&nbsp;<div>The free love and =
drugs was just a bonus for some of us. &nbsp;For some it was the core of =
the experience. &nbsp;They're the ones who went on to Wall Street and =
commerce. Truth is, they missed the most glorious boat of the =
time.&nbsp;</div><div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
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orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Dec 22, 2010, at 7:17 AM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, mark francombe wrote:<br><blockquote type=3D"cite">The =
absolute joy and freedom that I felt as a young radical anarchist (If =
only I had known what that meant) was something that I cannot report as =
being negative in anyway. Questions we were asking, were the exact same =
questions that the hippy movement were asking 10 to 12 years earlier, =
just that we chose aggression and chaos to rebel, where the hippys used =
free sex and drugs. (Note I don't use the terms peace and love here... =
we had that too!!!)<br></blockquote>Yeah, come to think of it, &nbsp;you =
are right, Mark.<br>I , too , remember the early punk days and the joy =
there was in being angry and creative and just letting it out.<br><br>I =
missed the Rave culture entirely because I was doing world fusion music =
for almost 20 years before I reentered<br>pop music at the turn of the =
millenium, but that's an amazing story about the DJ and the track, =
Killer.<br><br>thanks for the perspective and the cool =
story.<br><br>rick =
walker<br><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-2--942561946--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 21:08:15 2010
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but the next time is 2095 or something like that.....things really are=20
moving faster!


-----Original Message-----
From: Revfever <revfever@ubergadget.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, Dec 21, 2010 3:45 pm
Subject: OT: Lunar Solstice


Whoa! I did not realize that last night's lunar eclipse coincided with=20
Winter Solstice (21st) and is something that has not happened in=20
something like TWO THOUSAND YEARS!=C2=A0
That gives me some wonderful CHILLS...=C2=A0
=C2=A0
Sugar Frosted Flakes,=C2=A0
Rev. Fever=C2=A0
=C2=A0

 =20

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 21:25:24 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: Amazon and Wikileaks. 
Date: Wed, 22 Dec 2010 13:25:06 -0800
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On Dec 22, 2010, at 10:26 AM, Gareth Whittock wrote:

> This is much bigger than that. It's about freedom of information.  
> If government lies are stolen property then steal them I say.

Something that is not mentioned much (or at all anymore) in the major  
"media" about what WikiLeaks has released is that, so far, NONE of it  
has truly been any kind of REAL "secrets" or seriously "classified"  
info that would "threaten" US national security. Even some higher ups  
in the PENTAGON, including the SECRETARY OF DEFENSE, have SAID that.  
There is also no way in hell that some lowly PFC would have had  
access to the codes (or whatever) to the REAL risky and highly  
classified information since the DoD has it all encrypted and made  
very secure and some lowly PFC would have no way to access that, or  
without someone noticing. But, what WAS released was simply the truth  
about how the US military and many of it's soldiers have acted, (and  
tried to keep hidden forever) and other dirty little secrets about  
the military, and also about some of the key players who got the 2  
wars started and the REAL reasons for those wars which has ZERO to do  
with "defending" the USA. The only "defense" is that of the continued  
profits of the oil companies (including UK and other oil companies)   
and also about those who make a LOT of money off of being in the  
"business" of war profiteering. The only real "risk" here is that  
this now revealed knowledge will maybe make even more people in the  
Middle East (and elsewhere) pissed off at the USA. But hey, the USA  
has been doing a "heck of a job" of doing that anyway and for a LONG  
time now. And still today, so many clueless sheeple in the USA wonder  
"why do they hate us?". Well, get the fuck OUT of THOSE countries and  
STOP STEALING THEIR RESOURCES
and just maybe some of that hate will start to subside a little bit.   
Gee...what a "concept", eh?

The same goes for the State Dept cable leaks. Once again, absolutely  
nothing that was any kind of real "classified" info that would  
"endanger" the "security" of the USA was released. Those leaks are  
more of an EMBARRASSMENT than anything else, which the powers that be  
and the major "media" are falsely trying to make it all out to be.  
Turning mole hills into ridiculous mountains just to try to save  
face, along with having a "reason" to shut down an outlet for the  
truth and facts. Also, I just loved the response from a diplomat of  
one of the other countries that were ridiculed in some of the State  
Dept cables. His / her response was with a sort of a chuckle when  
he / she said (paraphrased) "If you only knew what we say about you".  
Har!  The Europeans generally take things in stride far more than  
uptight, freaked out Americans do.

> p.s.
> No law has been broken by wikileaks and yet we have semator  
> Lieberman calling for the New York Times to be investigated..

The Lieberwhore will do and say anything to advance his "career" and  
to try to "legitimize" himself. A self-serving sellout and major  
prick, if there ever was one.
Plus, the NYT and the Washington Times were both given this same  
treatment back when the Pentagon Papers were released, which BTW was  
one of the MAIN reasons why
support for the Viet Nam war (remember that one? A LOT of vets who  
got fucked over STILL do) soon turned into just the opposite.  But,  
the US still says it "won" that war.
Uh-huh. Riiiiight.  More revisionist history. Now gee...imagine that,  
eh?

The case went all the way to the Supreme Court and the Court decided  
6-3 in favor of both newspapers. This *could* turn out the same way,  
but the difference this time is that the Supreme Court has been  
stacked with arch conservatives, some of which were put there by  
(surprise!) scum bag Bush. However, there is still a reasonable  
chance that the case will still be decided in favor of both  
newspapers and for the same reasons of the 1971 case which was  
constitutionally guaranteed freedom of the press under the First  
Amendment and that the NYT etc was in no way involved with or aiding  
and abetting any "espionage". History is just repeating itself here,  
but hope still springs eternal....

NYT v/s USA:
http://en.wikipedia.org/wiki/New_York_Times_Co._v._United_States

But now it also looks like the CIA is about to get involved "to  
assess the impact of the exposure of thousands of U.S. diplomatic  
cables and military files by WikiLeaks",
which could mean trouble for the defense.

But also, check out the acronym of WHAT the CIA is calling this "task  
force". Ha!  Ya just can't make this stuff up!  WTF!
http://www.guardian.co.uk/world/2010/dec/22/cia-wikileaks-taskforce-wtf

>
> > From: cazwicky@earthlink.net
> > Subject: Re: Amazon and Wikileaks. WAS: Boomerang Power Supply  
> Not Included in Price
> >
> > Fuck Amazon.
> >
> > > > I personally wouldn't buy from Amazon again after they tried to
> > >curtail free speech by censoring the wikileaks websites that used
> > >their servers.
> > >
> > >Some people call it free speech, some would call it receiving and
> > >disseminating stolen property. Just sayin...
> > >
> > >Put a different way, would you boycott Amazon if they shut down a
> > >site that was giving away cracked software, MP3s of commercial
> > >music, or downloads of commercial movies?
> > >
> > >(I don't work for Amazon and I have no stake in Amazon other than
> > >being a fairly regular customer.)
> >
> >
> > --
> >
> > ...
> > http://www.zmix.net
> >
> > http://www.esession.com/ChuckZwicky
> >
> > http://albumcredits.com/zmix
> >


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Dec 22, 2010, at =
10:26 AM, Gareth Whittock wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><b>This is much bigger than that. It's about freedom of =
information. If government lies are stolen property then steal them I =
say.</b><br></span></span></blockquote><div><br></div>Something that is =
not mentioned much (or at all anymore) in the major "media" about what =
WikiLeaks has released is that, so far, NONE of it has truly =
been&nbsp;any kind of REAL "secrets" or seriously "classified" info that =
would "threaten" US national security. Even some higher ups in the =
PENTAGON, including the SECRETARY OF DEFENSE, have SAID that. There is =
also no&nbsp;way in hell that some lowly PFC would have had access to =
the codes (or whatever) to the REAL risky and highly classified =
information since the DoD has it all encrypted&nbsp;and made very secure =
and some&nbsp;lowly PFC would have no way to access that, or without =
someone noticing. But, what WAS released was simply the truth about =
how&nbsp;the US military and many of it's soldiers have acted, (and =
tried to keep hidden forever) and other dirty little secrets about the =
military, and also about some of the key players who&nbsp;got the 2 wars =
started and the REAL reasons for those wars which has ZERO to do with =
"defending" the USA. The only "defense" is that&nbsp;of the continued =
profits of the oil companies (including UK and other oil companies) =
&nbsp;and also about those who make a LOT of money off of being in the =
"business" of war profiteering.&nbsp;The only real "risk" here is that =
this now revealed knowledge will maybe make even more people in the =
Middle East (and elsewhere) pissed off&nbsp;at the USA. But hey, the USA =
has been doing a "heck of a job" of doing that anyway and for a LONG =
time now. And still today, so many clueless sheeple in the&nbsp;USA =
wonder "why do they hate us?". Well, get the fuck OUT of THOSE countries =
and STOP STEALING THEIR RESOURCES&nbsp;</div><div>and just&nbsp;maybe =
some of that hate will start to subside a little bit. &nbsp;Gee...what a =
"concept", eh?</div><div><br></div><div>The same goes for the State Dept =
cable leaks. Once again, absolutely nothing that was any kind of real =
"classified" info that would&nbsp;"endanger" the "security" of the USA =
was released. Those leaks are more of an EMBARRASSMENT than anything =
else, which the powers that be&nbsp;and the major "media" are falsely =
trying to make it all out to be. Turning mole hills into ridiculous =
mountains just to try to save face, along with having a "reason" to shut =
down an outlet for the truth and facts. Also, I just loved the response =
from a diplomat of one of the other countries&nbsp;that were ridiculed =
in some of the State Dept cables. His / her response was with a sort of =
a chuckle when he / she said (paraphrased)&nbsp;"If you only knew what =
we say about you". Har! &nbsp;The Europeans generally take things in =
stride far more than uptight, freaked out Americans =
do.</div><div><br></div><div><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><b>p.s.</b><span =
class=3D"Apple-converted-space"><b>&nbsp;</b></span><b><br>No law has =
been broken by wikileaks and yet we have semator Lieberman calling for =
the New York Times to be =
investigated..</b><br></span></span></blockquote><div><br></div>The =
Lieberwhore will do and say anything to advance his "career" and to try =
to "legitimize" himself. A self-serving sellout and major prick, if =
there ever was one.</div><div>Plus, the NYT and the Washington Times =
were both given this same treatment back when the Pentagon Papers were =
released, which BTW was one of the MAIN reasons why</div><div>support =
for the Viet Nam war (remember that one? A LOT of vets who got fucked =
over STILL do) soon turned into just the opposite.&nbsp;&nbsp;But, the =
US still says it "won" that war.&nbsp;</div><div>Uh-huh. Riiiiight. =
&nbsp;More revisionist history. Now gee...imagine that, =
eh?</div><div><br></div><div>The case went all the way to the Supreme =
Court and the Court decided 6-3 in favor of both newspapers. This =
*could* turn out the same way, but the difference this time is&nbsp;that =
the&nbsp;Supreme Court has been stacked with arch conservatives, some of =
which were put there by (surprise!) scum bag Bush. However, there is =
still a reasonable chance that&nbsp;the case will still be decided in =
favor of both newspapers and for the same reasons of the 1971 case which =
was constitutionally guaranteed freedom of the press under the First =
Amendment and that the NYT etc was in no way involved with or aiding and =
abetting any "espionage".&nbsp;History is just repeating itself here, =
but hope still springs eternal....</div><div><br></div><div>NYT v/s =
USA:</div><div><a =
href=3D"http://en.wikipedia.org/wiki/New_York_Times_Co._v._United_States">=
http://en.wikipedia.org/wiki/New_York_Times_Co._v._United_States</a></div>=
<div><br></div><div>But now it also looks like the CIA is about to get =
involved "<span class=3D"Apple-style-span" style=3D"font-family: Arial; =
font-size: 12px; ">to assess the impact of the exposure of thousands of =
U.S. diplomatic cables and military files by =
WikiLeaks",</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Arial; font-size: 12px; "></span>which could mean =
trouble for the defense.&nbsp;</div><div><br></div><div>But also, check =
out the acronym of WHAT the CIA is calling this "task force". Ha! =
&nbsp;Ya just can't make this stuff up! &nbsp;WTF!</div><div><a =
href=3D"http://www.guardian.co.uk/world/2010/dec/22/cia-wikileaks-taskforc=
e-wtf">http://www.guardian.co.uk/world/2010/dec/22/cia-wikileaks-taskforce=
-wtf</a></div><div><br></div><div><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#000000" =
face=3D"Helvetica"><span class=3D"Apple-style-span" style=3D"font-size: =
medium;"><br></span></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt; From: <a =
href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a></span><s=
pan class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; Subject: Re: Amazon and Wikileaks. WAS: =
Boomerang Power Supply Not Included in Price</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; Fuck Amazon.</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt; &gt; I personally wouldn't buy from =
Amazon again after they tried to</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;curtail free speech by censoring the =
wikileaks websites that used</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;their servers.</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;Some people call it free speech, =
some would call it receiving and</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;disseminating stolen property. Just =
sayin...</span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt; &gt;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;Put a different way, would you =
boycott Amazon if they shut down a</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;site that was giving away cracked =
software, MP3s of commercial</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;music, or downloads of commercial =
movies?</span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt; &gt;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;(I don't work for Amazon and I have =
no stake in Amazon other than</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; &gt;being a fairly regular =
customer.)</span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><span class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; --</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; ...</span><span class=3D"Apple-style-span"=
 style=3D"font-family: Tahoma; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">&gt; <a =
href=3D"http://www.zmix.net">http://www.zmix.net</a></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><span =
class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; <a =
href=3D"http://www.esession.com/ChuckZwicky">http://www.esession.com/Chuck=
Zwicky</a></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><span class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">&gt; <a =
href=3D"http://albumcredits.com/zmix">http://albumcredits.com/zmix</a></sp=
an><span class=3D"Apple-style-span" style=3D"font-family: Tahoma; =
font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><span class=3D"Apple-converted-space">&nbsp;</span></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><br></span></blockquote></div><br></body></html>=

--Apple-Mail-2--934189122--

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Date: Wed, 22 Dec 2010 13:35:33 -0800
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Subject: Amazon and Wikileaks is OT
From: Matt Davignon <mattdavignon@gmail.com>
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Ok - we've surpassed our minimum quota of OT wikileaks discussion for
this board. Can we go back to talking about electronic doodads again?

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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Subject: OK, Re: Amazon and Wikileaks is OT
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are you playing live anywhere in the bay area soon?

On Wed, Dec 22, 2010 at 1:35 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> Ok - we've surpassed our minimum quota of OT wikileaks discussion for
> this board. Can we go back to talking about electronic doodads again?
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 21:38:55 2010
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Date: Wed, 22 Dec 2010 15:38:51 -0600
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Subject: Re: Amazon and Wikileaks is OT
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--0016e6db237e4a6dc504980694ba
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yes please

On Wed, Dec 22, 2010 at 3:35 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Ok - we've surpassed our minimum quota of OT wikileaks discussion for
> this board. Can we go back to talking about electronic doodads again?
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>

--0016e6db237e4a6dc504980694ba
Content-Type: text/html; charset=ISO-8859-1
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yes please<br><br><div class=3D"gmail_quote">On Wed, Dec 22, 2010 at 3:35 P=
M, Matt Davignon <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail=
.com">mattdavignon@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb=
(204, 204, 204); padding-left: 1ex;">
Ok - we&#39;ve surpassed our minimum quota of OT wikileaks discussion for<b=
r>
this board. Can we go back to talking about electronic doodads again?<br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br>

--0016e6db237e4a6dc504980694ba--

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Date: Wed, 22 Dec 2010 13:49:40 -0800 (PST)
From: Doug Wellington <dougwellington@yahoo.com>
Subject: Gigs.  WAS: OK, Re: Amazon and Wikileaks is OT
To: Loopers-Delight@loopers-delight.com
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Any of you guys near Arizona?  I'm thinking about organizing something at Solar 
Culture in Tucson for the spring...




----- Original Message ----
From: Jim W. <synchro1@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, December 22, 2010 2:37:37 PM
Subject: OK, Re: Amazon and Wikileaks is OT

are you playing live anywhere in the bay area soon?

On Wed, Dec 22, 2010 at 1:35 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> Ok - we've surpassed our minimum quota of OT wikileaks discussion for
> this board. Can we go back to talking about electronic doodads again?
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt


      

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 21:55:25 2010
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Subject: Any Roland MC 303 owners on LD?
Date: Wed, 22 Dec 2010 13:55:14 -0800
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(Yeah yeah...I know. I've heard all of the criticisms before about  
it's "just a disco band in a box" etc etc blah blah blah, so no need  
for those comments, please.
I plan to tweak the hell out of it as it gets incorporated into the  
mix of my other "acceptable" and "real" gear. :-))

I have an older Roland MC 303 that has a glitch (or?) concerning the  
MIDI function that I need to get solved somehow?  Anyone else have or  
have had experience with these instruments?
I would prefer to have any responses given privately and off list,  
OK?  Pretty please? With sugar on it? :-) TIA.

Shredded Wheat,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 21:58:45 2010
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I get to Tucson a few times a year on tour (and love visiting, great 
place). I'll be there, and have a free night, on Saturday February 
26....not exactly spring, but Arizona winter is spring for everyone else.

If not then I may be back in May.

Daryl Shawn
www.swanwelder.com


> Any of you guys near Arizona?  I'm thinking about organizing something at Solar
> Culture in Tucson for the spring...

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 23:04:43 2010
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Subject: Re: Gigs. WAS: OK, Re: Amazon and Wikileaks is OT
From: Jeff Duke <jeffloops@gmail.com>
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Amazingly enough I am planning (loosely) to be in Tucson in the
spring. General revisiting old grounds and meeting up with Glenn
Weyant and the gang. Maybe we will sync!

oh and thanks Matt! :)

peace,

Jeff

On Wed, Dec 22, 2010 at 4:49 PM, Doug Wellington
<dougwellington@yahoo.com> wrote:
> Any of you guys near Arizona? =A0I'm thinking about organizing something =
at Solar
> Culture in Tucson for the spring...
>
>
>
>
> ----- Original Message ----
> From: Jim W. <synchro1@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Wed, December 22, 2010 2:37:37 PM
> Subject: OK, Re: Amazon and Wikileaks is OT
>
> are you playing live anywhere in the bay area soon?
>
> On Wed, Dec 22, 2010 at 1:35 PM, Matt Davignon <mattdavignon@gmail.com> w=
rote:
>> Ok - we've surpassed our minimum quota of OT wikileaks discussion for
>> this board. Can we go back to talking about electronic doodads again?
>>
>> --
>> Matt Davignon
>> mattdavignon@gmail.com
>> www.ribosomemusic.com
>> Rigs! www.youtube.com/user/ribosomematt
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 23:12:15 2010
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On 7/22/64 11:59 AM, richard sales wrote:
> Well... the hippies also used hard core civil disobedience to express 
> our anger!  It was a thrilling time.
> The free love and drugs was just a bonus for some of us.  For some it 
> was the core of the experience.  They're the ones who went on to Wall 
> Street and commerce. Truth is, they missed the most glorious boat of 
> the time.
LOL,  There is a common joke that goes,  "If you remember the 60's, then 
you weren't there."
Sadly,  sometimes I think that if you weren't there you just don't get it.

It's like Dickens said,  "It was the best of times, it was the worst of 
times".

American children were probably the most dysfunctional in our National 
history.  Many (and NOT the majority)
were angry but they also wanted to buy out of the materialistic culture 
that had emerged from all the wealth
and conformity that characterized our culture at the end of World War 2.

I always think it is dangerous to put too much emphasis on a time in 
one's life when one is first learning about the world and trying to come 
to terms with it's inequities (and it's delights) but there was some kind
of magic in that time, at least for me.

The one thing that I do miss about it was the ,  of course, 
intrinsically naive, notion that we could
somehow change the world........we could eschew the dominant 
paradigm..........we could make a culture
that was less racist, less sexist, less ageist, less sizeist, etc., etc.

there was a feeling, artistically, that anything was possible and that, 
I believe is what led to the explosion
in creativity in music and fashion (as tacky as tie dye shirts are to me 
personally.....lol).

that part of it was wonderful where I lived (and at my tender age (I was 
14 in '67 but had a sister 4 years older
who was taking me to concerts and parties and be-ins all the time----she 
took my brother and I to
the Monterey Pop Festival and to the Filmore Auditorium on my 16th 
birthday and turned me on, bless her heart)

Youth seem far more cynical these days (and I teach them a lot so I have 
some experience saying this).
I suppose we can't blame them after they had to watch George Bush stay 
in office for eight years and all it represents, psychically and 
politically.

I always wish I could give them a little tiny bit of that naive idealism 
we had at that time........
.....that sense that anything is possible.

It was a good think even though some of my memory about that time is dim 
(lol).

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 23:13:59 2010
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On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
> but the next time is 2095 or something like that.....things really are 
> moving faster! 
My wife Chris, who is up on these things,  said the next one is 2014. I 
didn't verify it
but she's rarely wrong about her research into anything......one of the 
sharpest human beings
I've ever met.

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Dec 22 23:17:15 2010
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Subject: WHAT GIGS ARE YOU DOING LATELY,   WAS: OK, Re: Amazon and Wikileaks
 is OT
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Now that the point has been made  (I agree, by the way),
let's retitle this move all of these gig posts over to this thread title
for the sake of future archivists and people who are deleting this
former thread title because it's not On Topic.

just sayin,

  rick walker


On 7/22/64 11:59 AM, Daryl Shawn wrote:
> I get to Tucson a few times a year on tour (and love visiting, great 
> place). I'll be there, and have a free night, on Saturday February 
> 26....not exactly spring, but Arizona winter is spring for everyone else.
>
> If not then I may be back in May.
>
> Daryl Shawn
> www.swanwelder.com
>
>
>> Any of you guys near Arizona?  I'm thinking about organizing 
>> something at Solar
>> Culture in Tucson for the spring...

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Date: Wed, 22 Dec 2010 15:27:28 -0800 (PST)
From: George Demarest <g_demarest@yahoo.com>
Subject: Re: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com, nemoguitt@aol.com
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2014 is the next lunar eclipse, much later when it happens on the Solstice next



________________________________
From: Rick Walker <looppool@cruzio.com>
To: nemoguitt@aol.com
Cc: Loopers-Delight@loopers-delight.com
Sent: Wed, December 22, 2010 4:13:46 PM
Subject: Re: Re: OT: Lunar Solstice

On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
> but the next time is 2095 or something like that.....things really are moving 
>faster! 
>
My wife Chris, who is up on these things,  said the next one is 2014. I didn't 
verify it
but she's rarely wrong about her research into anything......one of the sharpest 
human beings
I've ever met.

rick walker
--0-1691762284-1293060448=:2515
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:verdana, helvetica, sans-serif;font-size:10pt"><div>2014 is the next lunar eclipse, much later when it happens on the Solstice next</div><div style="font-family:verdana, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Rick Walker &lt;looppool@cruzio.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> nemoguitt@aol.com<br><b><span style="font-weight: bold;">Cc:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, December 22, 2010 4:13:46 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Re: OT: Lunar Solstice<br></font><br>
On 7/22/64 11:59 AM, <a ymailto="mailto:nemoguitt@aol.com" href="mailto:nemoguitt@aol.com">nemoguitt@aol.com</a> wrote:<br>&gt; but the next time is 2095 or something like that.....things really are moving faster! <br>My wife Chris, who is up on these things,&nbsp; said the next one is 2014. I didn't verify it<br>but she's rarely wrong about her research into anything......one of the sharpest human beings<br>I've ever met.<br><br>rick walker<br><br></div></div><div style="position:fixed"></div>


</div></body></html>
--0-1691762284-1293060448=:2515--

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From: "Jim W." <synchro1@gmail.com>
Date: Wed, 22 Dec 2010 15:28:14 -0800
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well, yes; but nothing is really going to be around to "happen" after
December, 2012 anyway.  Right?

On Wed, Dec 22, 2010 at 3:13 PM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
>>
>> but the next time is 2095 or something like that.....things really are
>> moving faster!
>
> My wife Chris, who is up on these things, =A0said the next one is 2014. I
> didn't verify it
> but she's rarely wrong about her research into anything......one of the
> sharpest human beings
> I've ever met.
>
> rick walker
>
>

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Date: Wed, 22 Dec 2010 15:36:21 -0800 (PST)
From: George Demarest <g_demarest@yahoo.com>
Subject: Re: RE: the 60's
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I may be lynched for saying it, but the 70s did offer up Frippertronics, Gentle 
Giant, Van der Graaf, Gong, 
Mahavishnu, Return to Forever, tons of great Zappa, King Crimson, Henry Cow, 
Yes, Genesis, etc.

I guess it depends on your lens.

gfd



________________________________
From: Rick Walker <looppool@cruzio.com>
To: Loopers-Delight@loopers-delight.com
Cc: Loopers-Delight@loopers-delight.com
Sent: Tue, December 21, 2010 4:34:57 PM
Subject: Re: RE: the 60's



Michael Peters wrote:
> from a 56 yr old geezer: were the 70's really that bad? not to me

>From a 57 year old geezer (lol,  I've never actually thought of myself as either 
old
or a geezer but it's fun for this conversation)  the 70's (especially the middle 
70's)
were particularly depressing because, as a musician,  I witnessed all the 
freedom and creativity
and openness of the Hippy movement supplanted by wide spread cultural depression 
and
cynicism (I can only speak of Northern California where I lived).     I saw this 
beautiful
blossoming of culture and creativity usurped by the music industry who had 
figured out
how much money could be made off of youth culture.   I watched the fantastic 
free FM radio
stations of the Bay Area with all of their amazingly eclectic radio shows put 
out of business and replaced by corporate run FM stations with play lists.    I 
watched the Major Musical Labels muscle in on regional
American music and try as hard as they could to establish monopolies.
It was a very depressing time to me, but I was also a very angry young man 
struggling with my own
internal demons so that had to have clouded the experience.

I wouldn't see another blossoming of that kind of creativity until the early New 
Wave/Punk movements
in the late 70's and early 80's........even so,  there has always been a kind of 
cynicism that has accompanied
a lot of the musical movements (well, perhaps not the New Age movement, but I 
just couldn't relate....lol)
since those times in modern popular movements............well, either cynicism 
or the kind of mindless
drug escapism that accompanied the Rave scene.      The Psy Trance scene seems 
to have some kinship with
those earlier days but I'm, personally, just not all that enamored, emotionally, 
with that type of music.

Okay,  I ramble...................but after all those psychedlics and 
psycho-tropic drugs (and others)
I suppose it's a good thing that I can still muster complete 
sentences..........lol

rick walker
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:verdana, helvetica, sans-serif;font-size:10pt"><div>I may be lynched for saying it, but the 70s did offer up Frippertronics, Gentle Giant, Van der Graaf, Gong,&nbsp;</div><div>Mahavishnu, Return to Forever, tons of great Zappa, King Crimson, Henry Cow, Yes, Genesis, etc.</div><div><br></div><div>I guess it depends on your lens.</div><div><br></div><div>gfd</div><div style="font-family:verdana, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Rick Walker &lt;looppool@cruzio.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Cc:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight:
 bold;">Sent:</span></b> Tue, December 21, 2010 4:34:57 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: RE: the 60's<br></font><br>
<br><br>Michael Peters wrote:<br>&gt; from a 56 yr old geezer: were the 70's really that bad? not to me<br><br>From a 57 year old geezer (lol,&nbsp; I've never actually thought of myself as either old<br>or a geezer but it's fun for this conversation)&nbsp; the 70's (especially the middle 70's)<br>were particularly depressing because, as a musician,&nbsp; I witnessed all the freedom and creativity<br>and openness of the Hippy movement supplanted by wide spread cultural depression and<br>cynicism (I can only speak of Northern California where I lived).&nbsp; &nbsp;  I saw this beautiful<br>blossoming of culture and creativity usurped by the music industry who had figured out<br>how much money could be made off of youth culture.&nbsp;  I watched the fantastic free FM radio<br>stations of the Bay Area with all of their amazingly eclectic radio shows put out of business and replaced by corporate run FM stations with play lists.&nbsp; &nbsp; I watched the
 Major Musical Labels muscle in on regional<br>American music and try as hard as they could to establish monopolies.<br>It was a very depressing time to me, but I was also a very angry young man struggling with my own<br>internal demons so that had to have clouded the experience.<br><br>I wouldn't see another blossoming of that kind of creativity until the early New Wave/Punk movements<br>in the late 70's and early 80's........even so,&nbsp; there has always been a kind of cynicism that has accompanied<br>a lot of the musical movements (well, perhaps not the New Age movement, but I just couldn't relate....lol)<br>since those times in modern popular movements............well, either cynicism or the kind of mindless<br>drug escapism that accompanied the Rave scene.&nbsp; &nbsp; &nbsp; The Psy Trance scene seems to have some kinship with<br>those earlier days but I'm, personally, just not all that enamored, emotionally, with that type of
 music.<br><br>Okay,&nbsp; I ramble...................but after all those psychedlics and psycho-tropic drugs (and others)<br>I suppose it's a good thing that I can still muster complete sentences..........lol<br><br>rick walker<br><br><br><br><br><br></div></div><div style="position:fixed"></div>


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Date: Wed, 22 Dec 2010 15:39:27 -0800
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Subject: Re: OK, Re: Amazon and Wikileaks is OT
From: Matt Davignon <mattdavignon@gmail.com>
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Jim W. <synchro1@gmail.com> was all:
> are you playing live anywhere in the bay area soon?

Oh... me?

At the moment, I just finished a few of them for December, and I don't
have any shows planned at the moment. I plan to get some spring shows
together in the next month or so. I could add you to my event mailing
list if you want. Otherwise, I'll always have show announcements
posted on the front page of www.ribosomemusic.com.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


>
> On Wed, Dec 22, 2010 at 1:35 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
>> Ok - we've surpassed our minimum quota of OT wikileaks discussion for
>> this board. Can we go back to talking about electronic doodads again?
>>
>> --
>> Matt Davignon
>> mattdavignon@gmail.com
>> www.ribosomemusic.com
>> Rigs! www.youtube.com/user/ribosomematt
>>
>>
>
>

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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: the 60's
Date: Wed, 22 Dec 2010 16:14:43 -0800
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As more a child of the 70s than the 60s I add The Sex Pistols=2C The Clash=
=2C Ramones=2C Talking Heads=2C etc...
To tag on to Rick's comments: My oldest son=2C who is 21=2C is an inspirati=
on to me to re-visit and re-live my youthful ideals--doing good deeds=2C li=
ving frugally=2C and=2C as you said: eschewing the dominant paradigm. He ca=
lls me on my slack=2C makes me really think about why I do the things I do =
( work in govt.) and questions authority. He just left Cambodia where he he=
lped build water purification systems for rural villages and is now in Thai=
land working with kids.=20
My youngest -18yo=2C also makes me think critically about my 'liberal' idea=
ls by having to actually explain the goodness of caring about others rather=
 than living for myself only --which is too damn easy at my age.=20
I guess they don't constitute a mass consciousness but who knows that they =
may inspire their generation to rise up from the garbage of the Glenn Becks=
=2C O'Reillys=2C and other self centered self focused selfish louts.
Peace out on these subdued holidaze
J.D.Devros

Date: Wed=2C 22 Dec 2010 15:36:21 -0800
From: g_demarest@yahoo.com
Subject: Re: RE: the 60's
To: Loopers-Delight@loopers-delight.com
CC: Loopers-Delight@loopers-delight.com



I may be lynched for saying it=2C but the 70s did offer up Frippertronics=
=2C Gentle Giant=2C Van der Graaf=2C Gong=2C Mahavishnu=2C Return to Foreve=
r=2C tons of great Zappa=2C King Crimson=2C Henry Cow=2C Yes=2C Genesis=2C =
etc.
I guess it depends on your lens.
gfd
From: Rick Walker <looppool@cruzio.com>
To: Loopers-Delight@loopers-delight.com
Cc: Loopers-Delight@loopers-delight.com
Sent: Tue=2C December 21=2C 2010 4:34:57 PM
Subject: Re: RE: the 60's




Michael Peters wrote:
> from a 56 yr old geezer: were the 70's really that bad? not to me

>From a 57 year old geezer (lol=2C  I've never actually thought of myself as=
 either old
or a geezer but it's fun for this conversation)  the 70's (especially the m=
iddle 70's)
were particularly depressing because=2C as a musician=2C  I witnessed all t=
he freedom and creativity
and openness of the Hippy movement supplanted by wide spread cultural depre=
ssion and
cynicism (I can only speak of Northern California where I lived).     I saw=
 this beautiful
blossoming of culture and creativity usurped by the music industry who had =
figured out
how much money could be made off of youth culture.   I watched the fantasti=
c free FM radio
stations of the Bay Area with all of their amazingly eclectic radio shows p=
ut out of business and replaced by corporate run FM stations with play list=
s.    I watched the
 Major Musical Labels muscle in on regional
American music and try as hard as they could to establish monopolies.
It was a very depressing time to me=2C but I was also a very angry young ma=
n struggling with my own
internal demons so that had to have clouded the experience.

I wouldn't see another blossoming of that kind of creativity until the earl=
y New Wave/Punk movements
in the late 70's and early 80's........even so=2C  there has always been a =
kind of cynicism that has accompanied
a lot of the musical movements (well=2C perhaps not the New Age movement=2C=
 but I just couldn't relate....lol)
since those times in modern popular movements............well=2C either cyn=
icism or the kind of mindless
drug escapism that accompanied the Rave scene.      The Psy Trance scene se=
ems to have some kinship with
those earlier days but I'm=2C personally=2C just not all that enamored=2C e=
motionally=2C with that type of
 music.

Okay=2C  I ramble...................but after all those psychedlics and psy=
cho-tropic drugs (and others)
I suppose it's a good thing that I can still muster complete sentences.....=
.....lol

rick walker








 		 	   		  =

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As more a child of the 70s than the 60s I add The Sex Pistols=2C The Clash=
=2C Ramones=2C Talking Heads=2C etc...<br>To tag on to Rick's comments: My =
oldest son=2C who is 21=2C is an inspiration to me to re-visit and re-live =
my youthful ideals--doing good deeds=2C living frugally=2C and=2C as you sa=
id: eschewing the dominant paradigm. He calls me on my slack=2C makes me re=
ally think about why I do the things I do ( work in govt.) and questions au=
thority. He just left Cambodia where he helped build water purification sys=
tems for rural villages and is now in Thailand working with kids. <br>My yo=
ungest -18yo=2C also makes me think critically about my 'liberal' ideals by=
 having to actually explain the goodness of caring about others rather than=
 living for myself only --which is too damn easy at my age. <br>I guess the=
y don't constitute a mass consciousness but who knows that they may inspire=
 their generation to rise up from the garbage of the Glenn Becks=2C O'Reill=
ys=2C and other self centered self focused selfish louts.<br>Peace out on t=
hese subdued holidaze<br>J.D.Devros<br><br><hr id=3D"stopSpelling">Date: We=
d=2C 22 Dec 2010 15:36:21 -0800<br>From: g_demarest@yahoo.com<br>Subject: R=
e: RE: the 60's<br>To: Loopers-Delight@loopers-delight.com<br>CC: Loopers-D=
elight@loopers-delight.com<br><br>
<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
">
<meta name=3D"Generator" content=3D"Microsoft SafeHTML"><style>
.ExternalClass DIV
{=3B}

</style><div style=3D"font-family: verdana=2Chelvetica=2Csans-serif=3B font=
-size: 10pt=3B"><div>I may be lynched for saying it=2C but the 70s did offe=
r up Frippertronics=2C Gentle Giant=2C Van der Graaf=2C Gong=2C&nbsp=3B</di=
v><div>Mahavishnu=2C Return to Forever=2C tons of great Zappa=2C King Crims=
on=2C Henry Cow=2C Yes=2C Genesis=2C etc.</div><div><br></div><div>I guess =
it depends on your lens.</div><div><br></div><div>gfd</div><div style=3D"fo=
nt-family: verdana=2Chelvetica=2Csans-serif=3B font-size: 10pt=3B"><br><div=
 style=3D"font-family: arial=2Chelvetica=2Csans-serif=3B font-size: 13px=3B=
"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=3D"font-we=
ight: bold=3B">From:</span></b> Rick Walker &lt=3Blooppool@cruzio.com&gt=3B=
<br><b><span style=3D"font-weight: bold=3B">To:</span></b> Loopers-Delight@=
loopers-delight.com<br><b><span style=3D"font-weight: bold=3B">Cc:</span></=
b> Loopers-Delight@loopers-delight.com<br><b><span style=3D"font-weight: bo=
ld=3B">Sent:</span></b> Tue=2C December 21=2C 2010 4:34:57 PM<br><b><span s=
tyle=3D"font-weight: bold=3B">Subject:</span></b> Re: RE: the 60's<br></fon=
t><br>
<br><br>Michael Peters wrote:<br>&gt=3B from a 56 yr old geezer: were the 7=
0's really that bad? not to me<br><br>From a 57 year old geezer (lol=2C&nbs=
p=3B I've never actually thought of myself as either old<br>or a geezer but=
 it's fun for this conversation)&nbsp=3B the 70's (especially the middle 70=
's)<br>were particularly depressing because=2C as a musician=2C&nbsp=3B I w=
itnessed all the freedom and creativity<br>and openness of the Hippy moveme=
nt supplanted by wide spread cultural depression and<br>cynicism (I can onl=
y speak of Northern California where I lived).&nbsp=3B &nbsp=3B  I saw this=
 beautiful<br>blossoming of culture and creativity usurped by the music ind=
ustry who had figured out<br>how much money could be made off of youth cult=
ure.&nbsp=3B  I watched the fantastic free FM radio<br>stations of the Bay =
Area with all of their amazingly eclectic radio shows put out of business a=
nd replaced by corporate run FM stations with play lists.&nbsp=3B &nbsp=3B =
I watched the
 Major Musical Labels muscle in on regional<br>American music and try as ha=
rd as they could to establish monopolies.<br>It was a very depressing time =
to me=2C but I was also a very angry young man struggling with my own<br>in=
ternal demons so that had to have clouded the experience.<br><br>I wouldn't=
 see another blossoming of that kind of creativity until the early New Wave=
/Punk movements<br>in the late 70's and early 80's........even so=2C&nbsp=
=3B there has always been a kind of cynicism that has accompanied<br>a lot =
of the musical movements (well=2C perhaps not the New Age movement=2C but I=
 just couldn't relate....lol)<br>since those times in modern popular moveme=
nts............well=2C either cynicism or the kind of mindless<br>drug esca=
pism that accompanied the Rave scene.&nbsp=3B &nbsp=3B &nbsp=3B The Psy Tra=
nce scene seems to have some kinship with<br>those earlier days but I'm=2C =
personally=2C just not all that enamored=2C emotionally=2C with that type o=
f
 music.<br><br>Okay=2C&nbsp=3B I ramble...................but after all tho=
se psychedlics and psycho-tropic drugs (and others)<br>I suppose it's a goo=
d thing that I can still muster complete sentences..........lol<br><br>rick=
 walker<br><br><br><br><br><br></div></div><div style=3D""></div>


</div> 		 	   		  </body>
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From: Revfever <revfever@ubergadget.com>
Subject: Re: the 70's  (and The Residents forthcoming gigs!)
Date: Wed, 22 Dec 2010 16:15:37 -0800
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On Dec 22, 2010, at 3:36 PM, George Demarest wrote:

> I may be lynched for saying it, but the 70s did offer up  
> Frippertronics, Gentle Giant, Van der Graaf, Gong,
> Mahavishnu, Return to Forever, tons of great Zappa, King Crimson,  
> Henry Cow, Yes, Genesis, etc.
>
> I guess it depends on your lens.
>
> gfd

I concur. And, don't forget THE RESIDENTS. They began in the 70's as  
well. And also JM Jarre, Cluster, Roxy Music (and ENO) and Richard  
Pinhas / Heldon and many others...

Alpha-Bits,
Rev. Fever

PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in  
Oakland at the Fox Theater SOON on  Dec.30th  for any of you that are  
in that area! (Rick W? And...?)
http://www.songkick.com/concerts/7085826-primus-at-fox-theater

The Rezzies are also performing HERE in Portland on March 17th at the  
Wonder Ballroom.  I AM THERE!   Hurray!
http://www.songkick.com/concerts/7616131-residents-at-wonder-ballroom


> From: Rick Walker <looppool@cruzio.com>
> To: Loopers-Delight@loopers-delight.com
> Cc: Loopers-Delight@loopers-delight.com
> Sent: Tue, December 21, 2010 4:34:57 PM
> Subject: Re: RE: the 60's
>
>
>
> Michael Peters wrote:
> > from a 56 yr old geezer: were the 70's really that bad? not to me
>
> From a 57 year old geezer (lol,  I've never actually thought of  
> myself as either old
> or a geezer but it's fun for this conversation)  the 70's  
> (especially the middle 70's)
> were particularly depressing because, as a musician,  I witnessed  
> all the freedom and creativity
> and openness of the Hippy movement supplanted by wide spread  
> cultural depression and
> cynicism (I can only speak of Northern California where I  
> lived).    I saw this beautiful
> blossoming of culture and creativity usurped by the music industry  
> who had figured out
> how much money could be made off of youth culture.  I watched the  
> fantastic free FM radio
> stations of the Bay Area with all of their amazingly eclectic radio  
> shows put out of business and replaced by corporate run FM stations  
> with play lists.    I watched the Major Musical Labels muscle in on  
> regional
> American music and try as hard as they could to establish monopolies.
> It was a very depressing time to me, but I was also a very angry  
> young man struggling with my own
> internal demons so that had to have clouded the experience.
>
> I wouldn't see another blossoming of that kind of creativity until  
> the early New Wave/Punk movements
> in the late 70's and early 80's........even so,  there has always  
> been a kind of cynicism that has accompanied
> a lot of the musical movements (well, perhaps not the New Age  
> movement, but I just couldn't relate....lol)
> since those times in modern popular movements............well,  
> either cynicism or the kind of mindless
> drug escapism that accompanied the Rave scene.      The Psy Trance  
> scene seems to have some kinship with
> those earlier days but I'm, personally, just not all that enamored,  
> emotionally, with that type of music.
>
> Okay,  I ramble...................but after all those psychedlics  
> and psycho-tropic drugs (and others)
> I suppose it's a good thing that I can still muster complete  
> sentences..........lol
>
> rick walker
>
>
>
>
>


--Apple-Mail-1--923958398
Content-Transfer-Encoding: quoted-printable
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div><div><div>On Dec 22, =
2010, at 3:36 PM, George Demarest wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: verdana, helvetica, sans-serif; =
font-size: 10pt; "><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I may be lynched for saying it, =
but the 70s did offer up Frippertronics, Gentle Giant, Van der Graaf, =
Gong,&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Mahavishnu, Return to Forever, =
tons of great Zappa, King Crimson, Henry Cow, Yes, Genesis, =
etc.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I guess it depends on your lens.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">gfd</div></div></span></blockquote><div><br></div><div>I concur. And, =
don't forget THE RESIDENTS. They began in the 70's as well. And also JM =
Jarre, Cluster, Roxy Music (and ENO) and Richard Pinhas / Heldon and =
many others...</div><div><br></div><div>Alpha-Bits,</div><div>Rev. =
Fever</div><div><br></div><div>PS- Speaking of&nbsp;THE RESIDENTS, they =
are doing a show with PRIMUS in Oakland at the Fox Theater SOON =
on&nbsp;<u>&nbsp;Dec.30th </u>&nbsp;for any of you that are in that =
area! (Rick W? And...?)</div><div><a =
href=3D"http://www.songkick.com/concerts/7085826-primus-at-fox-theater">ht=
tp://www.songkick.com/concerts/7085826-primus-at-fox-theater</a></div><div=
><br></div><div>The Rezzies are also performing HERE in Portland on =
March 17th at the Wonder Ballroom. &nbsp;I AM THERE! &nbsp; =
Hurray!</div><div><a =
href=3D"http://www.songkick.com/concerts/7616131-residents-at-wonder-ballr=
oom">http://www.songkick.com/concerts/7616131-residents-at-wonder-ballroom=
</a></div><div><br></div><div><br></div><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: verdana, helvetica, sans-serif; =
font-size: 10pt; "><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font-family: verdana, helvetica, =
sans-serif; font-size: 10pt; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 13px; "><font size=3D"2" =
face=3D"Tahoma"><b><span style=3D"font-weight: bold; =
">From:</span></b><span class=3D"Apple-converted-space">&nbsp;</span>Rick =
Walker &lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;<br><b><spa=
n style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Cc:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Loopers-Delight@loopers-delig=
ht.com<br><b><span style=3D"font-weight: bold; ">Sent:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Tue, December 21, 2010 =
4:34:57 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Re: RE: the =
60's<br></font><br><br><br>Michael Peters wrote:<br>&gt; from a 56 yr =
old geezer: were the 70's really that bad? not to me<br><br>=46rom a 57 =
year old geezer (lol,&nbsp; I've never actually thought of myself as =
either old<br>or a geezer but it's fun for this conversation)&nbsp; the =
70's (especially the middle 70's)<br>were particularly depressing =
because, as a musician,&nbsp; I witnessed all the freedom and =
creativity<br>and openness of the Hippy movement supplanted by wide =
spread cultural depression and<br>cynicism (I can only speak of Northern =
California where I lived).&nbsp; &nbsp; I saw this =
beautiful<br>blossoming of culture and creativity usurped by the music =
industry who had figured out<br>how much money could be made off of =
youth culture.&nbsp; I watched the fantastic free FM radio<br>stations =
of the Bay Area with all of their amazingly eclectic radio shows put out =
of business and replaced by corporate run FM stations with play =
lists.&nbsp; &nbsp; I watched the Major Musical Labels muscle in on =
regional<br>American music and try as hard as they could to establish =
monopolies.<br>It was a very depressing time to me, but I was also a =
very angry young man struggling with my own<br>internal demons so that =
had to have clouded the experience.<br><br>I wouldn't see another =
blossoming of that kind of creativity until the early New Wave/Punk =
movements<br>in the late 70's and early 80's........even so,&nbsp; there =
has always been a kind of cynicism that has accompanied<br>a lot of the =
musical movements (well, perhaps not the New Age movement, but I just =
couldn't relate....lol)<br>since those times in modern popular =
movements............well, either cynicism or the kind of =
mindless<br>drug escapism that accompanied the Rave scene.&nbsp; &nbsp; =
&nbsp; The Psy Trance scene seems to have some kinship with<br>those =
earlier days but I'm, personally, just not all that enamored, =
emotionally, with that type of music.<br><br>Okay,&nbsp; I =
ramble...................but after all those psychedlics and =
psycho-tropic drugs (and others)<br>I suppose it's a good thing that I =
can still muster complete sentences..........lol<br><br>rick =
walker<br><br><br><br><br><br></div></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; position: =
fixed; "></div></div></blockquote></div><br></div></div></body></html>=

--Apple-Mail-1--923958398--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 01:28:56 2010
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Rick,

I respect your take on things and all of your experiences. They must've been magic at the time. Wonder years indeed.

I remember very little of the era. I got a lot of memories second hand. I lived in fly-over country on a farm at the a** end of nowhere as a child. I remember watching my grandmother watching the casualty reports from Vietnam and fretting. Two neighbors on either side of us were there. One came back  in a bag and the other minus three out of four limbs. There were fourteen names on my own high schools Vietnam Memorial. 

As with all cultural movements, there were I am sure the true believers and the opportunist free love and drug bunch along for the ride. I don't see the sixties as anything else other than another failed moment in the cultural eons. I had friends who I met through music, including one brilliant solo, Piedmont Bluesman, who also served in Vietnam. He told me stories of hippy girls spitting on him and calling him baby-killer. There were alot of those stories from my veteran friends. Sorry if I can't get on board with a bunch of rich, free love college kids who were fortunate enough to have parents who could buy them deferments while the poor white under-class and minorities got the dirty end of the cultural and economic stick and got p*ssed on for it. The zeitgeist was lovely. The execution terrible.

As a child of the SST and Sub-Pop eighties punk movements, I became formed into the cynical mold that I am now. I trust no one. Not Fox News. Not MSNBC. Neither left nor right. Neither Wall Street or the Hippy after birth of an era. I admit to being an equal opportunity paranoid who believes that the twenty four hour cable news cycle is essentially the Special Olympics of bull-sh*t with a gigantic black hole of truth and fact at its' center.

I admire and somehow envy your golden time and wish that I was a true believer in that way. I appreciate you sharing that and apologize to the list for a rant from a lurker.

Lost But Respectful,

Ransacker


-----Original Message-----
>From: Rick Walker <looppool@cruzio.com>
>Sent: Dec 22, 2010 4:12 PM
>To: richard sales <richard@glasswing.com>
>Cc: Loopers-Delight@loopers-delight.com
>Subject: Re: Re: the 60's
>
>On 7/22/64 11:59 AM, richard sales wrote:
>> Well... the hippies also used hard core civil disobedience to express 
>> our anger!  It was a thrilling time.
>> The free love and drugs was just a bonus for some of us.  For some it 
>> was the core of the experience.  They're the ones who went on to Wall 
>> Street and commerce. Truth is, they missed the most glorious boat of 
>> the time.
>LOL,  There is a common joke that goes,  "If you remember the 60's, then 
>you weren't there."
>Sadly,  sometimes I think that if you weren't there you just don't get it.
>
>It's like Dickens said,  "It was the best of times, it was the worst of 
>times".
>
>American children were probably the most dysfunctional in our National 
>history.  Many (and NOT the majority)
>were angry but they also wanted to buy out of the materialistic culture 
>that had emerged from all the wealth
>and conformity that characterized our culture at the end of World War 2.
>
>I always think it is dangerous to put too much emphasis on a time in 
>one's life when one is first learning about the world and trying to come 
>to terms with it's inequities (and it's delights) but there was some kind
>of magic in that time, at least for me.
>
>The one thing that I do miss about it was the ,  of course, 
>intrinsically naive, notion that we could
>somehow change the world........we could eschew the dominant 
>paradigm..........we could make a culture
>that was less racist, less sexist, less ageist, less sizeist, etc., etc.
>
>there was a feeling, artistically, that anything was possible and that, 
>I believe is what led to the explosion
>in creativity in music and fashion (as tacky as tie dye shirts are to me 
>personally.....lol).
>
>that part of it was wonderful where I lived (and at my tender age (I was 
>14 in '67 but had a sister 4 years older
>who was taking me to concerts and parties and be-ins all the time----she 
>took my brother and I to
>the Monterey Pop Festival and to the Filmore Auditorium on my 16th 
>birthday and turned me on, bless her heart)
>
>Youth seem far more cynical these days (and I teach them a lot so I have 
>some experience saying this).
>I suppose we can't blame them after they had to watch George Bush stay 
>in office for eight years and all it represents, psychically and 
>politically.
>
>I always wish I could give them a little tiny bit of that naive idealism 
>we had at that time........
>.....that sense that anything is possible.
>
>It was a good think even though some of my memory about that time is dim 
>(lol).
>
>rick walker
>

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From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Re: the 60's
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--0-369487052-1293068901=:93491
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Well said.

--- On Wed, 12/22/10, Rick Walker <looppool@cruzio.com> wrote:

From: Rick Walker <looppool@cruzio.com>
Subject: Re: Re: the 60's
To: "richard sales" <richard@glasswing.com>
Cc: Loopers-Delight@loopers-delight.com
Date: Wednesday, December 22, 2010, 6:12 PM

On 7/22/64 11:59 AM, richard sales wrote:
> Well... the hippies also used hard core civil disobedience to express our=
 anger!=A0 It was a thrilling time.
> The free love and drugs was just a bonus for some of us.=A0 For some it w=
as the core of the experience.=A0 They're the ones who went on to Wall Stre=
et and commerce. Truth is, they missed the most glorious boat of the time.
LOL,=A0 There is a common joke that goes,=A0 "If you remember the 60's, the=
n you weren't there."
Sadly,=A0 sometimes I think that if you weren't there you just don't get it=
.

It's like Dickens said,=A0 "It was the best of times, it was the worst of t=
imes".

American children were probably the most dysfunctional in our National hist=
ory.=A0 Many (and NOT the majority)
were angry but they also wanted to buy out of the materialistic culture tha=
t had emerged from all the wealth
and conformity that characterized our culture at the end of World War 2.

I always think it is dangerous to put too much emphasis on a time in one's =
life when one is first learning about the world and trying to come to terms=
 with it's inequities (and it's delights) but there was some kind
of magic in that time, at least for me.

The one thing that I do miss about it was the ,=A0 of course, intrinsically=
 naive, notion that we could
somehow change the world........we could eschew the dominant paradigm......=
....we could make a culture
that was less racist, less sexist, less ageist, less sizeist, etc., etc.

there was a feeling, artistically, that anything was possible and that, I b=
elieve is what led to the explosion
in creativity in music and fashion (as tacky as tie dye shirts are to me pe=
rsonally.....lol).

that part of it was wonderful where I lived (and at my tender age (I was 14=
 in '67 but had a sister 4 years older
who was taking me to concerts and parties and be-ins all the time----she to=
ok my brother and I to
the Monterey Pop Festival and to the Filmore Auditorium on my 16th birthday=
 and turned me on, bless her heart)

Youth seem far more cynical these days (and I teach them a lot so I have so=
me experience saying this).
I suppose we can't blame them after they had to watch George Bush stay in o=
ffice for eight years and all it represents, psychically and politically.

I always wish I could give them a little tiny bit of that naive idealism we=
 had at that time........
.....that sense that anything is possible.

It was a good think even though some of my memory about that time is dim (l=
ol).

rick walker

=0A=0A=0A      
--0-369487052-1293068901=:93491
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Well said.<br><br>--- On <b>Wed, 12/22/10, Ri=
ck Walker <i>&lt;looppool@cruzio.com&gt;</i></b> wrote:<br><blockquote styl=
e=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-lef=
t: 5px;"><br>From: Rick Walker &lt;looppool@cruzio.com&gt;<br>Subject: Re: =
Re: the 60's<br>To: "richard sales" &lt;richard@glasswing.com&gt;<br>Cc: Lo=
opers-Delight@loopers-delight.com<br>Date: Wednesday, December 22, 2010, 6:=
12 PM<br><br><div class=3D"plainMail">On 7/22/64 11:59 AM, richard sales wr=
ote:<br>&gt; Well... the hippies also used hard core civil disobedience to =
express our anger!&nbsp; It was a thrilling time.<br>&gt; The free love and=
 drugs was just a bonus for some of us.&nbsp; For some it was the core of t=
he experience.&nbsp; They're the ones who went on to Wall Street and commer=
ce. Truth is, they missed the most glorious boat of the time.<br>LOL,&nbsp;=
 There
 is a common joke that goes,&nbsp; "If you remember the 60's, then you were=
n't there."<br>Sadly,&nbsp; sometimes I think that if you weren't there you=
 just don't get it.<br><br>It's like Dickens said,&nbsp; "It was the best o=
f times, it was the worst of times".<br><br>American children were probably=
 the most dysfunctional in our National history.&nbsp; Many (and NOT the ma=
jority)<br>were angry but they also wanted to buy out of the materialistic =
culture that had emerged from all the wealth<br>and conformity that charact=
erized our culture at the end of World War 2.<br><br>I always think it is d=
angerous to put too much emphasis on a time in one's life when one is first=
 learning about the world and trying to come to terms with it's inequities =
(and it's delights) but there was some kind<br>of magic in that time, at le=
ast for me.<br><br>The one thing that I do miss about it was the ,&nbsp; of=
 course, intrinsically naive, notion that we could<br>somehow change
 the world........we could eschew the dominant paradigm..........we could m=
ake a culture<br>that was less racist, less sexist, less ageist, less sizei=
st, etc., etc.<br><br>there was a feeling, artistically, that anything was =
possible and that, I believe is what led to the explosion<br>in creativity =
in music and fashion (as tacky as tie dye shirts are to me personally.....l=
ol).<br><br>that part of it was wonderful where I lived (and at my tender a=
ge (I was 14 in '67 but had a sister 4 years older<br>who was taking me to =
concerts and parties and be-ins all the time----she took my brother and I t=
o<br>the Monterey Pop Festival and to the Filmore Auditorium on my 16th bir=
thday and turned me on, bless her heart)<br><br>Youth seem far more cynical=
 these days (and I teach them a lot so I have some experience saying this).=
<br>I suppose we can't blame them after they had to watch George Bush stay =
in office for eight years and all it represents, psychically and
 politically.<br><br>I always wish I could give them a little tiny bit of t=
hat naive idealism we had at that time........<br>.....that sense that anyt=
hing is possible.<br><br>It was a good think even though some of my memory =
about that time is dim (lol).<br><br>rick walker<br><br></div></blockquote>=
</td></tr></table><br>=0A=0A=0A=0A=0A=0A=0A=0A      
--0-369487052-1293068901=:93491--

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From: Revfever <revfever@ubergadget.com>
Subject: Re: OT: Lunar Solstice
Date: Wed, 22 Dec 2010 19:38:49 -0800
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On Dec 22, 2010, at 3:28 PM, Jim W. wrote:

> well, yes; but nothing is really going to be around to "happen" after
> December, 2012 anyway.  Right?

I loved it when, back in the Summer sometime, some Mayan shamans were  
telling the US press that Americans (and maybe some others  
elsewhere?) should just chill out over the whole silly "2012!" thing.  
Those shamans said that sure, there would be at least *some* kind of  
"change" or "changes" happening, but it certainly was not the "end of  
the world" or that there would be anything that was truly "Earth  
shattering" etc. But hey, what do they know, right?  Hey, they're  
"only" actual Mayan shamans and WE are Western "educated" Americans!
So of course WE KNOW BETTER!  (Uh-huh. Riiiight)

Cap'n Crunch,
Rev. Fever

> On Wed, Dec 22, 2010 at 3:13 PM, Rick Walker <looppool@cruzio.com>  
> wrote:
>> On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
>>>
>>> but the next time is 2095 or something like that.....things  
>>> really are
>>> moving faster!
>>
>> My wife Chris, who is up on these things,  said the next one is  
>> 2014. I
>> didn't verify it
>> but she's rarely wrong about her research into anything......one  
>> of the
>> sharpest human beings
>> I've ever met.
>>
>> rick walker
>>
>>
>

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Date: Wed, 22 Dec 2010 20:42:43 -0800
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Subject: Re: Re: the 60's
From: Kevin Cheli-Colando <billowhead@gmail.com>
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I was born in 66 so I get some say here I think :-)

I have recently begun to live my life by a piece of wisdom that Miles Davis
delivered to me in a dream; We Define Our Own Location.  Things are better
than they seem, things are worse than they seem.  Its up to each and every
one of us to determine what any of it means to us and what we want to do
with it.  And it seems to me that is true in every moment for every person
in every decade.

Kevin

On Wed, Dec 22, 2010 at 5:48 PM, Paul Richards
<paulrichard_rocks@yahoo.com>wrote:

> Well said.
>
>
> --- On *Wed, 12/22/10, Rick Walker <looppool@cruzio.com>* wrote:
>
>
> From: Rick Walker <looppool@cruzio.com>
> Subject: Re: Re: the 60's
> To: "richard sales" <richard@glasswing.com>
> Cc: Loopers-Delight@loopers-delight.com
> Date: Wednesday, December 22, 2010, 6:12 PM
>
>
> On 7/22/64 11:59 AM, richard sales wrote:
> > Well... the hippies also used hard core civil disobedience to express our
> anger!  It was a thrilling time.
> > The free love and drugs was just a bonus for some of us.  For some it was
> the core of the experience.  They're the ones who went on to Wall Street and
> commerce. Truth is, they missed the most glorious boat of the time.
> LOL,  There is a common joke that goes,  "If you remember the 60's, then
> you weren't there."
> Sadly,  sometimes I think that if you weren't there you just don't get it.
>
> It's like Dickens said,  "It was the best of times, it was the worst of
> times".
>
> American children were probably the most dysfunctional in our National
> history.  Many (and NOT the majority)
> were angry but they also wanted to buy out of the materialistic culture
> that had emerged from all the wealth
> and conformity that characterized our culture at the end of World War 2.
>
> I always think it is dangerous to put too much emphasis on a time in one's
> life when one is first learning about the world and trying to come to terms
> with it's inequities (and it's delights) but there was some kind
> of magic in that time, at least for me.
>
> The one thing that I do miss about it was the ,  of course, intrinsically
> naive, notion that we could
> somehow change the world........we could eschew the dominant
> paradigm..........we could make a culture
> that was less racist, less sexist, less ageist, less sizeist, etc., etc.
>
> there was a feeling, artistically, that anything was possible and that, I
> believe is what led to the explosion
> in creativity in music and fashion (as tacky as tie dye shirts are to me
> personally.....lol).
>
> that part of it was wonderful where I lived (and at my tender age (I was 14
> in '67 but had a sister 4 years older
> who was taking me to concerts and parties and be-ins all the time----she
> took my brother and I to
> the Monterey Pop Festival and to the Filmore Auditorium on my 16th birthday
> and turned me on, bless her heart)
>
> Youth seem far more cynical these days (and I teach them a lot so I have
> some experience saying this).
> I suppose we can't blame them after they had to watch George Bush stay in
> office for eight years and all it represents, psychically and politically.
>
> I always wish I could give them a little tiny bit of that naive idealism we
> had at that time........
> .....that sense that anything is possible.
>
> It was a good think even though some of my memory about that time is dim
> (lol).
>
> rick walker
>
>
>


-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

--90e6ba6153de2932fe04980c804b
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I was born in 66 so I get some say here I think :-)<div><br></div><div>I ha=
ve recently begun to live my life by a piece of wisdom that Miles Davis del=
ivered to me in a dream; We Define Our Own Location. =A0Things are better t=
han they seem, things are worse than they seem. =A0Its up to each and every=
 one of us to determine what any of it means to us and what we want to do w=
ith it. =A0And it seems to me that is true in every moment for every person=
 in every decade.<div>
<br></div><div>Kevin<br><br><div class=3D"gmail_quote">On Wed, Dec 22, 2010=
 at 5:48 PM, Paul Richards <span dir=3D"ltr">&lt;<a href=3D"mailto:paulrich=
ard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px=
 #ccc solid;padding-left:1ex;">
<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td vali=
gn=3D"top" style=3D"font:inherit">Well said.<div class=3D"im"><br><br>--- O=
n <b>Wed, 12/22/10, Rick Walker <i>&lt;<a href=3D"mailto:looppool@cruzio.co=
m" target=3D"_blank">looppool@cruzio.com</a>&gt;</i></b> wrote:<br>
</div><blockquote style=3D"border-left:2px solid rgb(16, 16, 255);margin-le=
ft:5px;padding-left:5px"><div class=3D"im"><br>From: Rick Walker &lt;<a hre=
f=3D"mailto:looppool@cruzio.com" target=3D"_blank">looppool@cruzio.com</a>&=
gt;<br>
</div><div class=3D"im">Subject: Re: Re: the 60&#39;s<br>To: &quot;richard =
sales&quot; &lt;<a href=3D"mailto:richard@glasswing.com" target=3D"_blank">=
richard@glasswing.com</a>&gt;<br>Cc: <a href=3D"mailto:Loopers-Delight@loop=
ers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><=
br>
</div>Date: Wednesday, December 22, 2010, 6:12 PM<div><div></div><div class=
=3D"h5"><br><br><div>On 7/22/64 11:59 AM, richard sales wrote:<br>&gt; Well=
... the hippies also used hard core civil disobedience to express our anger=
!=A0 It was a thrilling time.<br>
&gt; The free love and drugs was just a bonus for some of us.=A0 For some i=
t was the core of the experience.=A0 They&#39;re the ones who went on to Wa=
ll Street and commerce. Truth is, they missed the most glorious boat of the=
 time.<br>
LOL,=A0 There
 is a common joke that goes,=A0 &quot;If you remember the 60&#39;s, then yo=
u weren&#39;t there.&quot;<br>Sadly,=A0 sometimes I think that if you weren=
&#39;t there you just don&#39;t get it.<br><br>It&#39;s like Dickens said,=
=A0 &quot;It was the best of times, it was the worst of times&quot;.<br>
<br>American children were probably the most dysfunctional in our National =
history.=A0 Many (and NOT the majority)<br>were angry but they also wanted =
to buy out of the materialistic culture that had emerged from all the wealt=
h<br>
and conformity that characterized our culture at the end of World War 2.<br=
><br>I always think it is dangerous to put too much emphasis on a time in o=
ne&#39;s life when one is first learning about the world and trying to come=
 to terms with it&#39;s inequities (and it&#39;s delights) but there was so=
me kind<br>
of magic in that time, at least for me.<br><br>The one thing that I do miss=
 about it was the ,=A0 of course, intrinsically naive, notion that we could=
<br>somehow change
 the world........we could eschew the dominant paradigm..........we could m=
ake a culture<br>that was less racist, less sexist, less ageist, less sizei=
st, etc., etc.<br><br>there was a feeling, artistically, that anything was =
possible and that, I believe is what led to the explosion<br>
in creativity in music and fashion (as tacky as tie dye shirts are to me pe=
rsonally.....lol).<br><br>that part of it was wonderful where I lived (and =
at my tender age (I was 14 in &#39;67 but had a sister 4 years older<br>
who was taking me to concerts and parties and be-ins all the time----she to=
ok my brother and I to<br>the Monterey Pop Festival and to the Filmore Audi=
torium on my 16th birthday and turned me on, bless her heart)<br><br>Youth =
seem far more cynical these days (and I teach them a lot so I have some exp=
erience saying this).<br>
I suppose we can&#39;t blame them after they had to watch George Bush stay =
in office for eight years and all it represents, psychically and
 politically.<br><br>I always wish I could give them a little tiny bit of t=
hat naive idealism we had at that time........<br>.....that sense that anyt=
hing is possible.<br><br>It was a good think even though some of my memory =
about that time is dim (lol).<br>
<br>rick walker<br><br></div></div></div></blockquote></td></tr></tbody></t=
able><br>







      </blockquote></div><br><br clear=3D"all"><br>-- <br>Till now you seri=
ously considered yourself to be the body and to have a<br>form. That is the=
 primal ignorance which is the root cause of all trouble.<br><br>- Ramana M=
aharshi (1879-1950)<br>
<br>Sound and Vision:=A0 <a href=3D"http://www.minds-eye.org">http://www.mi=
nds-eye.org</a><br>Video <a href=3D"http://www.vimeo.com/user877640/videos"=
>http://www.vimeo.com/user877640/videos</a> <br>
</div></div>

--90e6ba6153de2932fe04980c804b--

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: Lunar Solstice
Date: Thu, 23 Dec 2010 05:43:32 +0000
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The next lunar eclipse is 2014 but the next one on the solstice will be 209=
4 - I think I'm gonna miss that one..
=20
Peace
=20
G
=20
> Date: Wed=2C 22 Dec 2010 15:13:46 -0800
> From: looppool@cruzio.como
> To: nemoguitt@aol.com
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: OT: Lunar Solstice
>=20
> On 7/22/64 11:59 AM=2C nemoguitt@aol.com wrote:
> > but the next time is 2095 or something like that.....things really are=
=20
> > moving faster!=20
> My wife Chris=2C who is up on these things=2C said the next one is 2014. =
I=20
> didn't verify it
> but she's rarely wrong about her research into anything......one of the=20
> sharpest human beings
> I've ever met.
>=20
> rick walker
>=20
 		 	   		  =

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</head>
<body class=3D'hmmessage'>
The next lunar eclipse is 2014 but the next one on the solstice will be 209=
4 - I think I'm gonna miss that one..<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B Date: Wed=2C 22 Dec 2010 15:13:46 -0800<BR>&gt=3B From: <A href=3D"m=
ailto:looppool@cruzio.como">looppool@cruzio.como</A><BR>&gt=3B To: nemoguit=
t@aol.com<BR>&gt=3B CC: Loopers-Delight@loopers-delight.com<BR>&gt=3B Subje=
ct: Re: Re: OT: Lunar Solstice<BR>&gt=3B <BR>&gt=3B On 7/22/64 11:59 AM=2C =
nemoguitt@aol.com wrote:<BR>&gt=3B &gt=3B but the next time is 2095 or some=
thing like that.....things really are <BR>&gt=3B &gt=3B moving faster! <BR>=
&gt=3B My wife Chris=2C who is up on these things=2C said the next one is 2=
014. I <BR>&gt=3B didn't verify it<BR>&gt=3B but she's rarely wrong about h=
er research into anything......one of the <BR>&gt=3B sharpest human beings<=
BR>&gt=3B I've ever met.<BR>&gt=3B <BR>&gt=3B rick walker<BR>&gt=3B <BR> 		=
 	   		  </body>
</html>=

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On 7/22/64 11:59 AM, Revfever wrote:
> PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in 
> Oakland at the Fox Theater SOON on   Dec.30th  for any of you that are 
> in that area! (Rick W? And...?)
> http://www.songkick.com/concerts/7085826-primus-at-fox-theater
I got to open for the Residents a few years ago and it was such a peak 
experience
for me that I think I might not go see them again.

I always appreciated them, frankly, but never loved them like so many 
people did.

I seemed to have an atypical relationship to a lot of artists that are 
dearly loved by
lots of people on this list.       I always appreciated Zappa but never 
loved him.....
the same with King Crimson,  Fripp,   Primus,  the Residents,  Mr. Bungle,
Captain Beefheart,  Tom Waits.

*********************************

warning,   the next bit is really self indulgent, so you can skip over 
it......it's just
a bunch of stuff that I love..............

*********************************

I always feel like a heretic admitting this, but the people I've loved 
have been
people like the Beatles, the early Stones,  a ton of early British 
Invasion when it was
on the riff rock side of things, Cream, Led Zeppelin,  David Bowie,  
Joni Mitchell, Crosby, Stills, Nash and Young,  Peter Gabriel (but not 
so much anymore), James Brown,  Motown and Stax/Volt 60's soul,  Roots 
Reggae,  African Pop music,  Middleeastern Pop music, Nine Inch 
Nails,the Cure (but nothing, really, after Disentegration),  Boards of 
Canada, Aphex Twin (but not the later stuff),  Autechre (but only the 
middle period), Bjork,  the Knife,  Fever Ray, Sufjan Stevens, Elliot 
Smith, Miles Davis (particularly his modal period and early fusion 
periods), Ralph Vaugh Williams, Maurice Ravel and then a lot of records 
by people that ended up being their worst selling records:
Veedon Fleece by Van Morrison
Happy/Sad by Tim Buckley
Along the Red Ledge by Hall & Oates
Heroes and Low by Bowie
Before and After Science by Brian Eno
Kiko by Los Lobos

and then I really round this odd list off with individual tracks by 
straight up pop artists like
Missy Elliot, Eminem,  Chrisina Aguilera, Justin Timberlake, Madonna, 
Evelyn 'Champagne' King, Siouxsie and the Banshees, Thomas Dolby, Peter 
Murphy, Kings of Leon,
MGMT and the list goes.

this reminds me:  I'm in  a particular love affair with simple riff rock 
lately and playing as minimally as I've ever played with Done Beginner 
my wife's band........using really big, thick drum sticks......listening 
to the Kills, the Yeah, Yeah, Yeahs,  the Dead Weather, Black Rebel 
Motorcycle Club (their rockier stuff), Filter, Local H, Nirvana,
Soundgarden, New Order (this great record that didn't sell well for them 
called 'Get Ready'), Editors
and even some early U2.

okay, there's more, but I'm rambling...........

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On 7/22/64 11:59 AM, Todd Howell wrote:
> Rick,
>
> I respect your take on things and all of your experiences. They must've been magic at the time. Wonder years indeed.
Thanks for saying it, Todd!
> I remember very little of the era. I got a lot of memories second hand. I lived in fly-over country on a farm at the a** end of nowhere as a child. I remember watching my grandmother watching the casualty reports from Vietnam and fretting. Two neighbors on either side of us were there. One came back  in a bag and the other minus three out of four limbs. There were fourteen names on my own high schools Vietnam Memorial.
>
> As with all cultural movements, there were I am sure the true believers and the opportunist free love and drug bunch along for the ride. I don't see the sixties as anything else other than another failed moment in the cultural eons. I had friends who I met through music, including one brilliant solo, Piedmont Bluesman, who also served in Vietnam. He told me stories of hippy girls spitting on him and calling him baby-killer. There were alot of those stories from my veteran friends. Sorry if I can't get on board with a bunch of rich, free love college kids who were fortunate enough to have parents who could buy them deferments while the poor white under-class and minorities got the dirty end of the cultural and economic stick and got p*ssed on for it. The zeitgeist was lovely. The execution terrible.
Oh,  I completely agree with you.  It wasn't perfect.  In fact the 
amount of naivete and self entitlement
(and you pegged it: much of it upper middle class) was really 
dysfunctional and annoying......like the young
hippy chick who walked into Union Grove Music today at closing and was 
put out that she couldn't just come
in and jam on a guitar that she had no intention of ever buy.......ouch!!!).

It was a very complex time (as all times are for all people) so I was 
just reminiscing about some of the
sweet things about that time.    I certainly don't have rose colored 
spectacles on when thinking about it.
It was an enormously painful time, emotionally,  for me in my life at 
the time to be really honest.
> As a child of the SST and Sub-Pop eighties punk movements, I became formed into the cynical mold that I am now. I trust no one. Not Fox News. Not MSNBC. Neither left nor right. Neither Wall Street or the Hippy after birth of an era. I admit to being an equal opportunity paranoid who believes that the twenty four hour cable news cycle is essentially the Special Olympics of bull-sh*t with a gigantic black hole of truth and fact at its' center.
>
> I admire and somehow envy your golden time and wish that I was a true believer in that way. I appreciate you sharing that and apologize to the list for a rant from a lurker.

No man,  what I love about this list is that everyone pipes in (or is at 
least encouraged to do so).
Your perspective is no more or less valid than mine or anyone's on this 
list.

To me, the key word in all you wrote was 'respectful'.   I think if we 
all appreciate diversity
and not expect other human beings to share our experiences or our 
conclusions and if we honestly
hold respect in our hearts that the world has a chance of improving.

Glad you un-lurked and look forward to more of your thoughts in the future.

rick
> Lost But Respectful,
>
> Ransacker
>
>
> -----Original Message-----
>> From: Rick Walker<looppool@cruzio.com>
>> Sent: Dec 22, 2010 4:12 PM
>> To: richard sales<richard@glasswing.com>
>> Cc: Loopers-Delight@loopers-delight.com
>> Subject: Re: Re: the 60's
>>
>> On 7/22/64 11:59 AM, richard sales wrote:
>>> Well... the hippies also used hard core civil disobedience to express
>>> our anger!  It was a thrilling time.
>>> The free love and drugs was just a bonus for some of us.  For some it
>>> was the core of the experience.  They're the ones who went on to Wall
>>> Street and commerce. Truth is, they missed the most glorious boat of
>>> the time.
>> LOL,  There is a common joke that goes,  "If you remember the 60's, then
>> you weren't there."
>> Sadly,  sometimes I think that if you weren't there you just don't get it.
>>
>> It's like Dickens said,  "It was the best of times, it was the worst of
>> times".
>>
>> American children were probably the most dysfunctional in our National
>> history.  Many (and NOT the majority)
>> were angry but they also wanted to buy out of the materialistic culture
>> that had emerged from all the wealth
>> and conformity that characterized our culture at the end of World War 2.
>>
>> I always think it is dangerous to put too much emphasis on a time in
>> one's life when one is first learning about the world and trying to come
>> to terms with it's inequities (and it's delights) but there was some kind
>> of magic in that time, at least for me.
>>
>> The one thing that I do miss about it was the ,  of course,
>> intrinsically naive, notion that we could
>> somehow change the world........we could eschew the dominant
>> paradigm..........we could make a culture
>> that was less racist, less sexist, less ageist, less sizeist, etc., etc.
>>
>> there was a feeling, artistically, that anything was possible and that,
>> I believe is what led to the explosion
>> in creativity in music and fashion (as tacky as tie dye shirts are to me
>> personally.....lol).
>>
>> that part of it was wonderful where I lived (and at my tender age (I was
>> 14 in '67 but had a sister 4 years older
>> who was taking me to concerts and parties and be-ins all the time----she
>> took my brother and I to
>> the Monterey Pop Festival and to the Filmore Auditorium on my 16th
>> birthday and turned me on, bless her heart)
>>
>> Youth seem far more cynical these days (and I teach them a lot so I have
>> some experience saying this).
>> I suppose we can't blame them after they had to watch George Bush stay
>> in office for eight years and all it represents, psychically and
>> politically.
>>
>> I always wish I could give them a little tiny bit of that naive idealism
>> we had at that time........
>> .....that sense that anything is possible.
>>
>> It was a good think even though some of my memory about that time is dim
>> (lol).
>>
>> rick walker
>>

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Sent from my (advertisement removed)

On 23 Dec 2010, at 04:39, Revfever <revfever@ubergadget.com> wrote:

> Hey, they're "only" actual Mayan shamans and WE are Western "educated" Americans!
> So of course WE KNOW BETTER!  (Uh-huh. Riiiight)


Oh no... Is it me or has everyone lost their minds? Wait mark... Think
before you post... Wait and see if this dude was being serious...

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--90e6ba6e8fa28c6b5504980ec748
Content-Type: text/plain; charset=ISO-8859-1

No george i dont Think you will be lynched it seems like everyone elses
record collection to me... I do own some if these but in no way think they
stand for what was great about the 70s. (genesis...yes??? Are you kidding,
ok prob not)
But do agree the 70s did throw up the best music, but mine is a different
list. Can, Kraftwerk, Faust, Throbbing Gristle, Caberet Voltaire, Roxy
music, pistols, And oh so much more...

Mark



Sent from my (advertisement removed)

On 23 Dec 2010, at 00:36, George Demarest <g_demarest@yahoo.com> wrote:

I may be lynched for saying it, but the 70s did offer up Frippertronics,
Gentle Giant, Van der Graaf, Gong,
Mahavishnu, Return to Forever, tons of great Zappa, King Crimson, Henry Cow,
Yes, Genesis, etc.

I guess it depends on your lens.

gfd

------------------------------
*From:* Rick Walker <looppool@cruzio.com>
*To:* Loopers-Delight@loopers-delight.com
*Cc:* Loopers-Delight@loopers-delight.com
*Sent:* Tue, December 21, 2010 4:34:57 PM
*Subject:* Re: RE: the 60's



Michael Peters wrote:
> from a 56 yr old geezer: were the 70's really that bad? not to me

>From a 57 year old geezer (lol,  I've never actually thought of myself as
either old
or a geezer but it's fun for this conversation)  the 70's (especially the
middle 70's)
were particularly depressing because, as a musician,  I witnessed all the
freedom and creativity
and openness of the Hippy movement supplanted by wide spread cultural
depression and
cynicism (I can only speak of Northern California where I lived).    I saw
this beautiful
blossoming of culture and creativity usurped by the music industry who had
figured out
how much money could be made off of youth culture.  I watched the fantastic
free FM radio
stations of the Bay Area with all of their amazingly eclectic radio shows
put out of business and replaced by corporate run FM stations with play
lists.    I watched the Major Musical Labels muscle in on regional
American music and try as hard as they could to establish monopolies.
It was a very depressing time to me, but I was also a very angry young man
struggling with my own
internal demons so that had to have clouded the experience.

I wouldn't see another blossoming of that kind of creativity until the early
New Wave/Punk movements
in the late 70's and early 80's........even so,  there has always been a
kind of cynicism that has accompanied
a lot of the musical movements (well, perhaps not the New Age movement, but
I just couldn't relate....lol)
since those times in modern popular movements............well, either
cynicism or the kind of mindless
drug escapism that accompanied the Rave scene.      The Psy Trance scene
seems to have some kinship with
those earlier days but I'm, personally, just not all that enamored,
emotionally, with that type of music.

Okay,  I ramble...................but after all those psychedlics and
psycho-tropic drugs (and others)
I suppose it's a good thing that I can still muster complete
sentences..........lol

rick walker

--90e6ba6e8fa28c6b5504980ec748
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>No george i dont Think you will be lyn=
ched it seems like everyone elses record collection to me... I do own some =
if these but in no way think they stand for what was great about the 70s. (=
genesis...yes??? Are you kidding, ok prob not)</div>
<div>But do agree the 70s did throw up the best music, but mine is a differ=
ent list. Can, Kraftwerk, Faust, Throbbing Gristle, Caberet Voltaire, Roxy =
music, pistols, And oh so much more...</div><div><br></div><div>Mark</div>
<div><br></div><div><br></div><div><br>Sent from my (advertisement removed)=
</div><div><br>On 23 Dec 2010, at 00:36, George Demarest &lt;<a href=3D"mai=
lto:g_demarest@yahoo.com">g_demarest@yahoo.com</a>&gt; wrote:<br><br></div>
<div></div><blockquote type=3D"cite"><div><div style=3D"font-family:verdana=
, helvetica, sans-serif;font-size:10pt"><div>I may be lynched for saying it=
, but the 70s did offer up Frippertronics, Gentle Giant, Van der Graaf, Gon=
g,=A0</div>
<div>Mahavishnu, Return to Forever, tons of great Zappa, King Crimson, Henr=
y Cow, Yes, Genesis, etc.</div><div><br></div><div>I guess it depends on yo=
ur lens.</div><div><br></div><div>gfd</div><div style=3D"font-family:verdan=
a, helvetica, sans-serif;font-size:10pt">
<br><div style=3D"font-family:arial, helvetica, sans-serif;font-size:13px">=
<font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"font-weig=
ht: bold;">From:</span></b> Rick Walker &lt;<a href=3D"mailto:looppool@cruz=
io.com">looppool@cruzio.com</a>&gt;<br>
<b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loop=
ers-Delight@loopers-delight.com"><a href=3D"mailto:Loopers-Delight@loopers-=
delight.com">Loopers-Delight@loopers-delight.com</a></a><br><b><span style=
=3D"font-weight: bold;">Cc:</span></b> <a href=3D"mailto:Loopers-Delight@lo=
opers-delight.com"><a href=3D"mailto:Loopers-Delight@loopers-delight.com">L=
oopers-Delight@loopers-delight.com</a></a><br>
<b><span style=3D"font-weight:
 bold;">Sent:</span></b> Tue, December 21, 2010 4:34:57 PM<br><b><span styl=
e=3D"font-weight: bold;">Subject:</span></b> Re: RE: the 60&#39;s<br></font=
><br>
<br><br>Michael Peters wrote:<br>&gt; from a 56 yr old geezer: were the 70&=
#39;s really that bad? not to me<br><br>From a 57 year old geezer (lol,=A0 =
I&#39;ve never actually thought of myself as either old<br>or a geezer but =
it&#39;s fun for this conversation)=A0 the 70&#39;s (especially the middle =
70&#39;s)<br>
were particularly depressing because, as a musician,=A0 I witnessed all the=
 freedom and creativity<br>and openness of the Hippy movement supplanted by=
 wide spread cultural depression and<br>cynicism (I can only speak of North=
ern California where I lived).=A0 =A0  I saw this beautiful<br>
blossoming of culture and creativity usurped by the music industry who had =
figured out<br>how much money could be made off of youth culture.=A0  I wat=
ched the fantastic free FM radio<br>stations of the Bay Area with all of th=
eir amazingly eclectic radio shows put out of business and replaced by corp=
orate run FM stations with play lists.=A0 =A0 I watched the
 Major Musical Labels muscle in on regional<br>American music and try as ha=
rd as they could to establish monopolies.<br>It was a very depressing time =
to me, but I was also a very angry young man struggling with my own<br>
internal demons so that had to have clouded the experience.<br><br>I wouldn=
&#39;t see another blossoming of that kind of creativity until the early Ne=
w Wave/Punk movements<br>in the late 70&#39;s and early 80&#39;s........eve=
n so,=A0 there has always been a kind of cynicism that has accompanied<br>
a lot of the musical movements (well, perhaps not the New Age movement, but=
 I just couldn&#39;t relate....lol)<br>since those times in modern popular =
movements............well, either cynicism or the kind of mindless<br>drug =
escapism that accompanied the Rave scene.=A0 =A0 =A0 The Psy Trance scene s=
eems to have some kinship with<br>
those earlier days but I&#39;m, personally, just not all that enamored, emo=
tionally, with that type of
 music.<br><br>Okay,=A0 I ramble...................but after all those psyc=
hedlics and psycho-tropic drugs (and others)<br>I suppose it&#39;s a good t=
hing that I can still muster complete sentences..........lol<br><br>rick wa=
lker<br>
<br><br><br><br><br></div></div><div style=3D"position:fixed"></div>


</div></div></blockquote></body></html>

--90e6ba6e8fa28c6b5504980ec748--

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Subject: RE: the 60's
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Well Todd I couldn't disagree more. You seem=2C incredibly=2C to be pro war=
 on the basis that you neighbours partook in it.
Nevertheless=2C to quote Voltaire: "I disapprove of what you say=2C but I w=
ill defend to the death your right to say it."
=20
It's a testimony to this group that no-one=2C despite the broad range of op=
inions expressed here=2C has been attacked for their views - now THAT'S fre=
e speech!
=20
Peace=2C love and enlightenment
=20
Gareth=20
=20
> Date: Wed=2C 22 Dec 2010 22:54:28 -0800
> From: looppool@cruzio.com
> To: ransacker@earthlink.net
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: Re: the 60's
>=20
> On 7/22/64 11:59 AM=2C Todd Howell wrote:
> > Rick=2C
> >
> > I respect your take on things and all of your experiences. They must've=
 been magic at the time. Wonder years indeed.
> Thanks for saying it=2C Todd!
> > I remember very little of the era. I got a lot of memories second hand.=
 I lived in fly-over country on a farm at the a** end of nowhere as a child=
. I remember watching my grandmother watching the casualty reports from Vie=
tnam and fretting. Two neighbors on either side of us were there. One came =
back in a bag and the other minus three out of four limbs. There were fourt=
een names on my own high schools Vietnam Memorial.
> >
> > As with all cultural movements=2C there were I am sure the true believe=
rs and the opportunist free love and drug bunch along for the ride. I don't=
 see the sixties as anything else other than another failed moment in the c=
ultural eons. I had friends who I met through music=2C including one brilli=
ant solo=2C Piedmont Bluesman=2C who also served in Vietnam. He told me sto=
ries of hippy girls spitting on him and calling him baby-killer. There were=
 alot of those stories from my veteran friends. Sorry if I can't get on boa=
rd with a bunch of rich=2C free love college kids who were fortunate enough=
 to have parents who could buy them deferments while the poor white under-c=
lass and minorities got the dirty end of the cultural and economic stick an=
d got p*ssed on for it. The zeitgeist was lovely. The execution terrible.
> Oh=2C I completely agree with you. It wasn't perfect. In fact the=20
> amount of naivete and self entitlement
> (and you pegged it: much of it upper middle class) was really=20
> dysfunctional and annoying......like the young
> hippy chick who walked into Union Grove Music today at closing and was=20
> put out that she couldn't just come
> in and jam on a guitar that she had no intention of ever buy.......ouch!!=
!).
>=20
> It was a very complex time (as all times are for all people) so I was=20
> just reminiscing about some of the
> sweet things about that time. I certainly don't have rose colored=20
> spectacles on when thinking about it.
> It was an enormously painful time=2C emotionally=2C for me in my life at=
=20
> the time to be really honest.
> > As a child of the SST and Sub-Pop eighties punk movements=2C I became f=
ormed into the cynical mold that I am now. I trust no one. Not Fox News. No=
t MSNBC. Neither left nor right. Neither Wall Street or the Hippy after bir=
th of an era. I admit to being an equal opportunity paranoid who believes t=
hat the twenty four hour cable news cycle is essentially the Special Olympi=
cs of bull-sh*t with a gigantic black hole of truth and fact at its' center=
.
> >
> > I admire and somehow envy your golden time and wish that I was a true b=
eliever in that way. I appreciate you sharing that and apologize to the lis=
t for a rant from a lurker.
>=20
> No man=2C what I love about this list is that everyone pipes in (or is at=
=20
> least encouraged to do so).
> Your perspective is no more or less valid than mine or anyone's on this=20
> list.
>=20
> To me=2C the key word in all you wrote was 'respectful'. I think if we=20
> all appreciate diversity
> and not expect other human beings to share our experiences or our=20
> conclusions and if we honestly
> hold respect in our hearts that the world has a chance of improving.
>=20
> Glad you un-lurked and look forward to more of your thoughts in the futur=
e.
>=20
> rick
> > Lost But Respectful=2C
> >
> > Ransacker
> >
> >
> > -----Original Message-----
> >> From: Rick Walker<looppool@cruzio.com>
> >> Sent: Dec 22=2C 2010 4:12 PM
> >> To: richard sales<richard@glasswing.com>
> >> Cc: Loopers-Delight@loopers-delight.com
> >> Subject: Re: Re: the 60's
> >>
> >> On 7/22/64 11:59 AM=2C richard sales wrote:
> >>> Well... the hippies also used hard core civil disobedience to express
> >>> our anger! It was a thrilling time.
> >>> The free love and drugs was just a bonus for some of us. For some it
> >>> was the core of the experience. They're the ones who went on to Wall
> >>> Street and commerce. Truth is=2C they missed the most glorious boat o=
f
> >>> the time.
> >> LOL=2C There is a common joke that goes=2C "If you remember the 60's=
=2C then
> >> you weren't there."
> >> Sadly=2C sometimes I think that if you weren't there you just don't ge=
t it.
> >>
> >> It's like Dickens said=2C "It was the best of times=2C it was the wors=
t of
> >> times".
> >>
> >> American children were probably the most dysfunctional in our National
> >> history. Many (and NOT the majority)
> >> were angry but they also wanted to buy out of the materialistic cultur=
e
> >> that had emerged from all the wealth
> >> and conformity that characterized our culture at the end of World War =
2.
> >>
> >> I always think it is dangerous to put too much emphasis on a time in
> >> one's life when one is first learning about the world and trying to co=
me
> >> to terms with it's inequities (and it's delights) but there was some k=
ind
> >> of magic in that time=2C at least for me.
> >>
> >> The one thing that I do miss about it was the =2C of course=2C
> >> intrinsically naive=2C notion that we could
> >> somehow change the world........we could eschew the dominant
> >> paradigm..........we could make a culture
> >> that was less racist=2C less sexist=2C less ageist=2C less sizeist=2C =
etc.=2C etc.
> >>
> >> there was a feeling=2C artistically=2C that anything was possible and =
that=2C
> >> I believe is what led to the explosion
> >> in creativity in music and fashion (as tacky as tie dye shirts are to =
me
> >> personally.....lol).
> >>
> >> that part of it was wonderful where I lived (and at my tender age (I w=
as
> >> 14 in '67 but had a sister 4 years older
> >> who was taking me to concerts and parties and be-ins all the time----s=
he
> >> took my brother and I to
> >> the Monterey Pop Festival and to the Filmore Auditorium on my 16th
> >> birthday and turned me on=2C bless her heart)
> >>
> >> Youth seem far more cynical these days (and I teach them a lot so I ha=
ve
> >> some experience saying this).
> >> I suppose we can't blame them after they had to watch George Bush stay
> >> in office for eight years and all it represents=2C psychically and
> >> politically.
> >>
> >> I always wish I could give them a little tiny bit of that naive ideali=
sm
> >> we had at that time........
> >> .....that sense that anything is possible.
> >>
> >> It was a good think even though some of my memory about that time is d=
im
> >> (lol).
> >>
> >> rick walker
> >>
>=20
 		 	   		  =

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Well Todd I couldn't disagree more. You seem=2C incredibly=2C to be pro war=
&nbsp=3Bon the basis that you neighbours partook in it.<BR>
Nevertheless=2C&nbsp=3Bto quote Voltaire: "I disapprove of what you say=2C =
but I will defend to the death your right to say it."<BR>
&nbsp=3B<BR>
It's a testimony to this group that no-one=2C despite the broad range of op=
inions expressed&nbsp=3Bhere=2C has been attacked for their&nbsp=3Bviews - =
now THAT'S free speech!<BR>
&nbsp=3B<BR>
Peace=2C love and enlightenment<BR>
&nbsp=3B<BR>
Gareth&nbsp=3B<BR>&nbsp=3B<BR>
&gt=3B Date: Wed=2C 22 Dec 2010 22:54:28 -0800<BR>&gt=3B From: looppool@cru=
zio.com<BR>&gt=3B To: ransacker@earthlink.net<BR>&gt=3B CC: Loopers-Delight=
@loopers-delight.com<BR>&gt=3B Subject: Re: Re: Re: the 60's<BR>&gt=3B <BR>=
&gt=3B On 7/22/64 11:59 AM=2C Todd Howell wrote:<BR>&gt=3B &gt=3B Rick=2C<B=
R>&gt=3B &gt=3B<BR>&gt=3B &gt=3B I respect your take on things and all of y=
our experiences. They must've been magic at the time. Wonder years indeed.<=
BR>&gt=3B Thanks for saying it=2C Todd!<BR>&gt=3B &gt=3B I remember very li=
ttle of the era. I got a lot of memories second hand. I lived in fly-over c=
ountry on a farm at the a** end of nowhere as a child. I remember watching =
my grandmother watching the casualty reports from Vietnam and fretting. Two=
 neighbors on either side of us were there. One came back in a bag and the =
other minus three out of four limbs. There were fourteen names on my own hi=
gh schools Vietnam Memorial.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B As with all =
cultural movements=2C there were I am sure the true believers and the oppor=
tunist free love and drug bunch along for the ride. I don't see the sixties=
 as anything else other than another failed moment in the cultural eons. I =
had friends who I met through music=2C including one brilliant solo=2C Pied=
mont Bluesman=2C who also served in Vietnam. He told me stories of hippy gi=
rls spitting on him and calling him baby-killer. There were alot of those s=
tories from my veteran friends. Sorry if I can't get on board with a bunch =
of rich=2C free love college kids who were fortunate enough to have parents=
 who could buy them deferments while the poor white under-class and minorit=
ies got the dirty end of the cultural and economic stick and got p*ssed on =
for it. The zeitgeist was lovely. The execution terrible.<BR>&gt=3B Oh=2C I=
 completely agree with you. It wasn't perfect. In fact the <BR>&gt=3B amoun=
t of naivete and self entitlement<BR>&gt=3B (and you pegged it: much of it =
upper middle class) was really <BR>&gt=3B dysfunctional and annoying......l=
ike the young<BR>&gt=3B hippy chick who walked into Union Grove Music today=
 at closing and was <BR>&gt=3B put out that she couldn't just come<BR>&gt=
=3B in and jam on a guitar that she had no intention of ever buy.......ouch=
!!!).<BR>&gt=3B <BR>&gt=3B It was a very complex time (as all times are for=
 all people) so I was <BR>&gt=3B just reminiscing about some of the<BR>&gt=
=3B sweet things about that time. I certainly don't have rose colored <BR>&=
gt=3B spectacles on when thinking about it.<BR>&gt=3B It was an enormously =
painful time=2C emotionally=2C for me in my life at <BR>&gt=3B the time to =
be really honest.<BR>&gt=3B &gt=3B As a child of the SST and Sub-Pop eighti=
es punk movements=2C I became formed into the cynical mold that I am now. I=
 trust no one. Not Fox News. Not MSNBC. Neither left nor right. Neither Wal=
l Street or the Hippy after birth of an era. I admit to being an equal oppo=
rtunity paranoid who believes that the twenty four hour cable news cycle is=
 essentially the Special Olympics of bull-sh*t with a gigantic black hole o=
f truth and fact at its' center.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B I admire=
 and somehow envy your golden time and wish that I was a true believer in t=
hat way. I appreciate you sharing that and apologize to the list for a rant=
 from a lurker.<BR>&gt=3B <BR>&gt=3B No man=2C what I love about this list =
is that everyone pipes in (or is at <BR>&gt=3B least encouraged to do so).<=
BR>&gt=3B Your perspective is no more or less valid than mine or anyone's o=
n this <BR>&gt=3B list.<BR>&gt=3B <BR>&gt=3B To me=2C the key word in all y=
ou wrote was 'respectful'. I think if we <BR>&gt=3B all appreciate diversit=
y<BR>&gt=3B and not expect other human beings to share our experiences or o=
ur <BR>&gt=3B conclusions and if we honestly<BR>&gt=3B hold respect in our =
hearts that the world has a chance of improving.<BR>&gt=3B <BR>&gt=3B Glad =
you un-lurked and look forward to more of your thoughts in the future.<BR>&=
gt=3B <BR>&gt=3B rick<BR>&gt=3B &gt=3B Lost But Respectful=2C<BR>&gt=3B &gt=
=3B<BR>&gt=3B &gt=3B Ransacker<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B<BR>&gt=3B =
&gt=3B -----Original Message-----<BR>&gt=3B &gt=3B&gt=3B From: Rick Walker&=
lt=3Blooppool@cruzio.com&gt=3B<BR>&gt=3B &gt=3B&gt=3B Sent: Dec 22=2C 2010 =
4:12 PM<BR>&gt=3B &gt=3B&gt=3B To: richard sales&lt=3Brichard@glasswing.com=
&gt=3B<BR>&gt=3B &gt=3B&gt=3B Cc: Loopers-Delight@loopers-delight.com<BR>&g=
t=3B &gt=3B&gt=3B Subject: Re: Re: the 60's<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=
=3B &gt=3B&gt=3B On 7/22/64 11:59 AM=2C richard sales wrote:<BR>&gt=3B &gt=
=3B&gt=3B&gt=3B Well... the hippies also used hard core civil disobedience =
to express<BR>&gt=3B &gt=3B&gt=3B&gt=3B our anger! It was a thrilling time.=
<BR>&gt=3B &gt=3B&gt=3B&gt=3B The free love and drugs was just a bonus for =
some of us. For some it<BR>&gt=3B &gt=3B&gt=3B&gt=3B was the core of the ex=
perience. They're the ones who went on to Wall<BR>&gt=3B &gt=3B&gt=3B&gt=3B=
 Street and commerce. Truth is=2C they missed the most glorious boat of<BR>=
&gt=3B &gt=3B&gt=3B&gt=3B the time.<BR>&gt=3B &gt=3B&gt=3B LOL=2C There is =
a common joke that goes=2C "If you remember the 60's=2C then<BR>&gt=3B &gt=
=3B&gt=3B you weren't there."<BR>&gt=3B &gt=3B&gt=3B Sadly=2C sometimes I t=
hink that if you weren't there you just don't get it.<BR>&gt=3B &gt=3B&gt=
=3B<BR>&gt=3B &gt=3B&gt=3B It's like Dickens said=2C "It was the best of ti=
mes=2C it was the worst of<BR>&gt=3B &gt=3B&gt=3B times".<BR>&gt=3B &gt=3B&=
gt=3B<BR>&gt=3B &gt=3B&gt=3B American children were probably the most dysfu=
nctional in our National<BR>&gt=3B &gt=3B&gt=3B history. Many (and NOT the =
majority)<BR>&gt=3B &gt=3B&gt=3B were angry but they also wanted to buy out=
 of the materialistic culture<BR>&gt=3B &gt=3B&gt=3B that had emerged from =
all the wealth<BR>&gt=3B &gt=3B&gt=3B and conformity that characterized our=
 culture at the end of World War 2.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B=
&gt=3B I always think it is dangerous to put too much emphasis on a time in=
<BR>&gt=3B &gt=3B&gt=3B one's life when one is first learning about the wor=
ld and trying to come<BR>&gt=3B &gt=3B&gt=3B to terms with it's inequities =
(and it's delights) but there was some kind<BR>&gt=3B &gt=3B&gt=3B of magic=
 in that time=2C at least for me.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&g=
t=3B The one thing that I do miss about it was the =2C of course=2C<BR>&gt=
=3B &gt=3B&gt=3B intrinsically naive=2C notion that we could<BR>&gt=3B &gt=
=3B&gt=3B somehow change the world........we could eschew the dominant<BR>&=
gt=3B &gt=3B&gt=3B paradigm..........we could make a culture<BR>&gt=3B &gt=
=3B&gt=3B that was less racist=2C less sexist=2C less ageist=2C less sizeis=
t=2C etc.=2C etc.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B there was a=
 feeling=2C artistically=2C that anything was possible and that=2C<BR>&gt=
=3B &gt=3B&gt=3B I believe is what led to the explosion<BR>&gt=3B &gt=3B&gt=
=3B in creativity in music and fashion (as tacky as tie dye shirts are to m=
e<BR>&gt=3B &gt=3B&gt=3B personally.....lol).<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=
=3B &gt=3B&gt=3B that part of it was wonderful where I lived (and at my ten=
der age (I was<BR>&gt=3B &gt=3B&gt=3B 14 in '67 but had a sister 4 years ol=
der<BR>&gt=3B &gt=3B&gt=3B who was taking me to concerts and parties and be=
-ins all the time----she<BR>&gt=3B &gt=3B&gt=3B took my brother and I to<BR=
>&gt=3B &gt=3B&gt=3B the Monterey Pop Festival and to the Filmore Auditoriu=
m on my 16th<BR>&gt=3B &gt=3B&gt=3B birthday and turned me on=2C bless her =
heart)<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B Youth seem far more cy=
nical these days (and I teach them a lot so I have<BR>&gt=3B &gt=3B&gt=3B s=
ome experience saying this).<BR>&gt=3B &gt=3B&gt=3B I suppose we can't blam=
e them after they had to watch George Bush stay<BR>&gt=3B &gt=3B&gt=3B in o=
ffice for eight years and all it represents=2C psychically and<BR>&gt=3B &g=
t=3B&gt=3B politically.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B I alw=
ays wish I could give them a little tiny bit of that naive idealism<BR>&gt=
=3B &gt=3B&gt=3B we had at that time........<BR>&gt=3B &gt=3B&gt=3B .....th=
at sense that anything is possible.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B=
&gt=3B It was a good think even though some of my memory about that time is=
 dim<BR>&gt=3B &gt=3B&gt=3B (lol).<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&=
gt=3B rick walker<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: EME moonbounce?
Date: Thu, 23 Dec 2010 08:02:47 +0000
Importance: Normal
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OK=2C this might be totally technically naiive but with a time delay of aro=
und 2 seconds it IS possible to bounce radio signals offf the moon.=20
Does anyone here know what sort of fidelity the resultant echo would be ? -=
 you can see where I'm going with this...

Peace

G 		 	   		  =

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OK=2C this might be totally technically naiive but with a time delay of aro=
und 2 seconds it&nbsp=3BIS possible to bounce radio signals offf the moon. =
<BR>Does anyone here know what sort of fidelity the resultant echo would be=
 ? - you can see where I'm going with this...<BR><BR>Peace<BR><BR>G 		 	   =
		  </body>
</html>=

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Subject: Re: EME moonbounce?
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Ham radio folks have been doing it for a long time.  Maybe ask around a Ham site.

toby
  ----- Original Message ----- 
  From: Gareth Whittock 
  To: loopers-delight@loopers-delight.com 
  Sent: Thursday, December 23, 2010 12:02 AM
  Subject: EME moonbounce?


  OK, this might be totally technically naiive but with a time delay of around 2 seconds it IS possible to bounce radio signals offf the moon. 
  Does anyone here know what sort of fidelity the resultant echo would be ? - you can see where I'm going with this...

  Peace

  G 

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<DIV><FONT face=Arial>Ham radio folks have been doing it for a long time.&nbsp; 
Maybe ask around a Ham site.</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>toby</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=buddhamachine@live.co.uk 
  href="mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=loopers-delight@loopers-delight.com 
  href="mailto:loopers-delight@loopers-delight.com">loopers-delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, December 23, 2010 12:02 
  AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> EME moonbounce?</DIV>
  <DIV><BR></DIV>OK, this might be totally technically naiive but with a time 
  delay of around 2 seconds it&nbsp;IS possible to bounce radio signals offf the 
  moon. <BR>Does anyone here know what sort of fidelity the resultant echo would 
  be ? - you can see where I'm going with this...<BR><BR>Peace<BR><BR>G 
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Date: Thu, 23 Dec 2010 00:24:41 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: the 60's
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Gareth,

I don't see where he said he was pro war, he said people he knew who had no 
options but go fight and then got insulted by people who felt righteous.

Antony



________________________________
From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu, December 23, 2010 8:55:33 AM
Subject: RE: the 60's

 Well Todd I couldn't disagree more. You seem, incredibly, to be pro war on the 
basis that you neighbours partook in it.
Nevertheless, to quote Voltaire: "I disapprove of what you say, but I will 
defend to the death your right to say it."
 
It's a testimony to this group that no-one, despite the broad range of opinions 
expressed here, has been attacked for their views - now THAT'S free speech!
 
Peace, love and enlightenment
 
Gareth 
 
> Date: Wed, 22 Dec 2010 22:54:28 -0800
> From: looppool@cruzio.com
> To: ransacker@earthlink.net
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: Re: the 60's
> 
> On 7/22/64 11:59 AM, Todd Howell wrote:
> > Rick,
> >
> > I respect your take on things and all of your experiences. They must've been 
>magic at the time. Wonder years indeed.
> Thanks for saying it, Todd!
> > I remember very little of the era. I got a lot of memories second hand. I 
>lived in fly-over country on a farm at the a** end of nowhere as a child. I 
>remember watching my grandmother watching the casualty reports from Vietnam and 
>fretting. Two neighbors on either side of us were there. One came back in a bag 
>and the other minus three out of four limbs. There were fourteen names on my own 
>high schools Vietnam Memorial.
> >
> > As with all cultural movements, there were I am sure the true believers and 
>the opportunist free love and drug bunch along for the ride. I don't see the 
>sixties as anything else other than another failed moment in the cultural eons. 
>I had friends who I met through music, including one brilliant solo, Piedmont 
>Bluesman, who also served in Vietnam. He told me stories of hippy girls spitting 
>on him and calling him baby-killer. There were alot of those stories from my 
>veteran friends. Sorry if I can't get on board with a bunch of rich, free love 
>college kids who were fortunate enough to have parents who could buy them 
>deferments while the poor white under-class and minorities got the dirty end of 
>the cultural and economic stick and got p*ssed on for it. The zeitgeist was 
>lovely. The execution terrible.
> Oh, I completely agree with you. It wasn't perfect. In fact the 
> amount of naivete and self entitlement
> (and you pegged it: much of it upper middle class) was really 
> dysfunctional and annoying......like the young
> hippy chick who walked into Union Grove Music today at closing and was 
> put out that she couldn't just come
> in and jam on a guitar that she had no intention of ever buy.......ouch!!!).
> 
> It was a very complex time (as all times are for all people) so I was 
> just reminiscing about some of the
> sweet things about that time. I certainly don't have rose colored 
> spectacles on when thinking about it.
> It was an enormously painful time, emotionally, for me in my life at 
> the time to be really honest.
> > As a child of the SST and Sub-Pop eighties punk movements, I became formed 
>into the cynical mold that I am now. I trust no one. Not Fox News. Not MSNBC. 
>Neither left nor right. Neither Wall Street or the Hippy after birth of an era. 
>I admit to being an equal opportunity paranoid who believes that the twenty four 
>hour cable news cycle is essentially the Special Olympics of bull-sh*t with a 
>gigantic black hole of truth and fact at its' center.
> >
> > I admire and somehow envy your golden time and wish that I was a true 
>believer in that way. I appreciate you sharing that and apologize to the list 
>for a rant from a lurker.
> 
> No man, what I love about this list is that everyone pipes in (or is at 
> least encouraged to do so).
> Your perspective is no more or less valid than mine or anyone's on this 
> list.
> 
> To me, the key word in all you wrote was 'respectful'. I think if we 
> all appreciate diversity
> and not expect other human beings to share our experiences or our 
> conclusions and if we honestly
> hold respect in our hearts that the world has a chance of improving.
> 
> Glad you un-lurked and look forward to more of your thoughts in the future.
> 
> rick
> > Lost But Respectful,
> >
> > Ransacker
> >
> >
> > -----Original Message-----
> >> From: Rick Walker<looppool@cruzio.com>
> >> Sent: Dec 22, 2010 4:12 PM
> >> To: richard sales<richard@glasswing.com>
> >> Cc: Loopers-Delight@loopers-delight.com
> >> Subject: Re: Re: the 60's
> >>
> >> On 7/22/64 11:59 AM, richard sales wrote:
> >>> Well... the hippies also used hard core civil disobedience to express
> >>> our anger! It was a thrilling time.
> >>> The free love and drugs was just a bonus for some of us. For some it
> >>> was the core of the experience. They're the ones who went on to Wall
> >>> Street and commerce. Truth is, they missed the most glorious boat of
> >>> the time.
> >> LOL, There is a common joke that goes, "If you remember the 60's, then
> >> you weren't there."
> >> Sadly, sometimes I think that if you weren't there you just don't get it.
> >>
> >> It's like Dickens said, "It was the best of times, it was the worst of
> >> times".
> >>
> >> American children were probably the most dysfunctional in our National
> >> history. Many (and NOT the majority)
> >> were angry but they also wanted to buy out of the materialistic culture
> >> that had emerged from all the wealth
> >> and conformity that characterized our culture at the end of World War 2.
> >>
> >> I always think it is dangerous to put too much emphasis on a time in
> >> one's life when one is first learning about the world and trying to come
> >> to terms with it's inequities (and it's delights) but there was some kind
> >> of magic in that time, at least for me.
> >>
> >> The one thing that I do miss about it was the , of course,
> >> intrinsically naive, notion that we could
> >> somehow change the world........we could eschew the dominant
> >> paradigm..........we could make a culture
> >> that was less racist, less sexist, less ageist, less sizeist, etc., etc.
> >>
> >> there was a feeling, artistically, that anything was possible and that,
> >> I believe is what led to the explosion
> >> in creativity in music and fashion (as tacky as tie dye shirts are to me
> >> personally.....lol).
> >>
> >> that part of it was wonderful where I lived (and at my tender age (I was
> >> 14 in '67 but had a sister 4 years older
> >> who was taking me to concerts and parties and be-ins all the time----she
> >> took my brother and I to
> >> the Monterey Pop Festival and to the Filmore Auditorium on my 16th
> >> birthday and turned me on, bless her heart)
> >>
> >> Youth seem far more cynical these days (and I teach them a lot so I have
> >> some experience saying this).
> >> I suppose we can't blame them after they had to watch George Bush stay
> >> in office for eight years and all it represents, psychically and
> >> politically.
> >>
> >> I always wish I could give them a little tiny bit of that naive idealism
> >> we had at that time........
> >> .....that sense that anything is possible.
> >>
> >> It was a good think even though some of my memory about that time is dim
> >> (lol).
> >>
> >> rick walker
> >>
> 



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>Gareth,</div><div><br></div><div>I don't see where he said he was pro war, he said people he knew who had no options but go fight and then got insulted by people who felt righteous.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Gareth Whittock &lt;buddhamachine@live.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> loopers-delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 23, 2010 8:55:33 AM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: the 60's<br></font><br>


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Well Todd I couldn't disagree more. You seem, incredibly, to be pro war&nbsp;on the basis that you neighbours partook in it.<br>
Nevertheless,&nbsp;to quote Voltaire: "I disapprove of what you say, but I will defend to the death your right to say it."<br>
&nbsp;<br>
It's a testimony to this group that no-one, despite the broad range of opinions expressed&nbsp;here, has been attacked for their&nbsp;views - now THAT'S free speech!<br>
&nbsp;<br>
Peace, love and enlightenment<br>
&nbsp;<br>
Gareth&nbsp;<br>&nbsp;<br>
&gt; Date: Wed, 22 Dec 2010 22:54:28 -0800<br>&gt; From: looppool@cruzio.com<br>&gt; To: ransacker@earthlink.net<br>&gt; CC: Loopers-Delight@loopers-delight.com<br>&gt; Subject: Re: Re: Re: the 60's<br>&gt; <br>&gt; On 7/22/64 11:59 AM, Todd Howell wrote:<br>&gt; &gt; Rick,<br>&gt; &gt;<br>&gt; &gt; I respect your take on things and all of your experiences. They must've been magic at the time. Wonder years indeed.<br>&gt; Thanks for saying it, Todd!<br>&gt; &gt; I remember very little of the era. I got a lot of memories second hand. I lived in fly-over country on a farm at the a** end of nowhere as a child. I remember watching my grandmother watching the casualty reports from Vietnam and fretting. Two neighbors on either side of us were there. One came back in a bag and the other minus three out of four limbs. There were fourteen names on my own high schools Vietnam Memorial.<br>&gt; &gt;<br>&gt; &gt; As with all cultural movements, there were I am sure
 the true believers and the opportunist free love and drug bunch along for the ride. I don't see the sixties as anything else other than another failed moment in the cultural eons. I had friends who I met through music, including one brilliant solo, Piedmont Bluesman, who also served in Vietnam. He told me stories of hippy girls spitting on him and calling him baby-killer. There were alot of those stories from my veteran friends. Sorry if I can't get on board with a bunch of rich, free love college kids who were fortunate enough to have parents who could buy them deferments while the poor white under-class and minorities got the dirty end of the cultural and economic stick and got p*ssed on for it. The zeitgeist was lovely. The execution terrible.<br>&gt; Oh, I completely agree with you. It wasn't perfect. In fact the <br>&gt; amount of naivete and self entitlement<br>&gt; (and you pegged it: much of it upper middle class) was really <br>&gt;
 dysfunctional and annoying......like the young<br>&gt; hippy chick who walked into Union Grove Music today at closing and was <br>&gt; put out that she couldn't just come<br>&gt; in and jam on a guitar that she had no intention of ever buy.......ouch!!!).<br>&gt; <br>&gt; It was a very complex time (as all times are for all people) so I was <br>&gt; just reminiscing about some of the<br>&gt; sweet things about that time. I certainly don't have rose colored <br>&gt; spectacles on when thinking about it.<br>&gt; It was an enormously painful time, emotionally, for me in my life at <br>&gt; the time to be really honest.<br>&gt; &gt; As a child of the SST and Sub-Pop eighties punk movements, I became formed into the cynical mold that I am now. I trust no one. Not Fox News. Not MSNBC. Neither left nor right. Neither Wall Street or the Hippy after birth of an era. I admit to being an equal opportunity paranoid who believes that the twenty four hour cable news
 cycle is essentially the Special Olympics of bull-sh*t with a gigantic black hole of truth and fact at its' center.<br>&gt; &gt;<br>&gt; &gt; I admire and somehow envy your golden time and wish that I was a true believer in that way. I appreciate you sharing that and apologize to the list for a rant from a lurker.<br>&gt; <br>&gt; No man, what I love about this list is that everyone pipes in (or is at <br>&gt; least encouraged to do so).<br>&gt; Your perspective is no more or less valid than mine or anyone's on this <br>&gt; list.<br>&gt; <br>&gt; To me, the key word in all you wrote was 'respectful'. I think if we <br>&gt; all appreciate diversity<br>&gt; and not expect other human beings to share our experiences or our <br>&gt; conclusions and if we honestly<br>&gt; hold respect in our hearts that the world has a chance of improving.<br>&gt; <br>&gt; Glad you un-lurked and look forward to more of your thoughts in the future.<br>&gt; <br>&gt;
 rick<br>&gt; &gt; Lost But Respectful,<br>&gt; &gt;<br>&gt; &gt; Ransacker<br>&gt; &gt;<br>&gt; &gt;<br>&gt; &gt; -----Original Message-----<br>&gt; &gt;&gt; From: Rick Walker&lt;looppool@cruzio.com&gt;<br>&gt; &gt;&gt; Sent: Dec 22, 2010 4:12 PM<br>&gt; &gt;&gt; To: richard sales&lt;richard@glasswing.com&gt;<br>&gt; &gt;&gt; Cc: Loopers-Delight@loopers-delight.com<br>&gt; &gt;&gt; Subject: Re: Re: the 60's<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; On 7/22/64 11:59 AM, richard sales wrote:<br>&gt; &gt;&gt;&gt; Well... the hippies also used hard core civil disobedience to express<br>&gt; &gt;&gt;&gt; our anger! It was a thrilling time.<br>&gt; &gt;&gt;&gt; The free love and drugs was just a bonus for some of us. For some it<br>&gt; &gt;&gt;&gt; was the core of the experience. They're the ones who went on to Wall<br>&gt; &gt;&gt;&gt; Street and commerce. Truth is, they missed the most glorious boat of<br>&gt; &gt;&gt;&gt; the time.<br>&gt; &gt;&gt; LOL, There is
 a common joke that goes, "If you remember the 60's, then<br>&gt; &gt;&gt; you weren't there."<br>&gt; &gt;&gt; Sadly, sometimes I think that if you weren't there you just don't get it.<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; It's like Dickens said, "It was the best of times, it was the worst of<br>&gt; &gt;&gt; times".<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; American children were probably the most dysfunctional in our National<br>&gt; &gt;&gt; history. Many (and NOT the majority)<br>&gt; &gt;&gt; were angry but they also wanted to buy out of the materialistic culture<br>&gt; &gt;&gt; that had emerged from all the wealth<br>&gt; &gt;&gt; and conformity that characterized our culture at the end of World War 2.<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; I always think it is dangerous to put too much emphasis on a time in<br>&gt; &gt;&gt; one's life when one is first learning about the world and trying to come<br>&gt; &gt;&gt; to terms with it's inequities (and it's delights)
 but there was some kind<br>&gt; &gt;&gt; of magic in that time, at least for me.<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; The one thing that I do miss about it was the , of course,<br>&gt; &gt;&gt; intrinsically naive, notion that we could<br>&gt; &gt;&gt; somehow change the world........we could eschew the dominant<br>&gt; &gt;&gt; paradigm..........we could make a culture<br>&gt; &gt;&gt; that was less racist, less sexist, less ageist, less sizeist, etc., etc.<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; there was a feeling, artistically, that anything was possible and that,<br>&gt; &gt;&gt; I believe is what led to the explosion<br>&gt; &gt;&gt; in creativity in music and fashion (as tacky as tie dye shirts are to me<br>&gt; &gt;&gt; personally.....lol).<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; that part of it was wonderful where I lived (and at my tender age (I was<br>&gt; &gt;&gt; 14 in '67 but had a sister 4 years older<br>&gt; &gt;&gt; who was taking me to concerts and
 parties and be-ins all the time----she<br>&gt; &gt;&gt; took my brother and I to<br>&gt; &gt;&gt; the Monterey Pop Festival and to the Filmore Auditorium on my 16th<br>&gt; &gt;&gt; birthday and turned me on, bless her heart)<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; Youth seem far more cynical these days (and I teach them a lot so I have<br>&gt; &gt;&gt; some experience saying this).<br>&gt; &gt;&gt; I suppose we can't blame them after they had to watch George Bush stay<br>&gt; &gt;&gt; in office for eight years and all it represents, psychically and<br>&gt; &gt;&gt; politically.<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; I always wish I could give them a little tiny bit of that naive idealism<br>&gt; &gt;&gt; we had at that time........<br>&gt; &gt;&gt; .....that sense that anything is possible.<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; It was a good think even though some of my memory about that time is dim<br>&gt; &gt;&gt; (lol).<br>&gt; &gt;&gt;<br>&gt; &gt;&gt; rick
 walker<br>&gt; &gt;&gt;<br>&gt; <br> 		 	   		  
</div></div><div style="position:fixed"></div>


</div><br>

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Subject: And now, the Future (was Re: the 60's)
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On 12/23/10 1:42 PM, "Kevin Cheli-Colando" <billowhead@gmail.com> wrote:

> I have recently begun to live my life by a piece of wisdom that Miles Dav=
is
> delivered to me in a dream; We Define Our Own Location. =A0Things are bette=
r
> than they seem, things are worse than they seem. =A0Its up to each and ever=
y one
> of us to determine what any of it means to us and what we want to do with=
 it.
> =A0And it seems to me that is true in every moment for every person in ever=
y
> decade.
>=20
Very nice, Kevin.  I like it.

I=B9ll take this as an opportunity to add one or two homilies myself.

    The first is an oft-repeated saying I love: =B3Nostalgia=B9s not history;
it=B9s a drug.=B2

    Follow that up with a little out-of-context =8CGang Of Four=B9: =B3There are
no lessons in the past.=B2

So what are people listening to NOW?  What new stories are we making to
carry ourselves forward into the next New Year?

          --m.


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<HTML>
<HEAD>
<TITLE>And now, the Future (was Re: the 60's)</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 12/23/10 1=
:42 PM, &quot;Kevin Cheli-Colando&quot; &lt;billowhead@gmail.com&gt; wrote:<=
BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>I have recently begun to live my life by a piece of wisd=
om that Miles Davis delivered to me in a dream; We Define Our Own Location. =
=A0Things are better than they seem, things are worse than they seem. =A0Its up =
to each and every one of us to determine what any of it means to us and what=
 we want to do with it. =A0And it seems to me that is true in every moment for=
 every person in every decade.<BR>
<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'>Very nice, Kevin. &nbsp;I like it. &nbsp;<BR>
<BR>
I&#8217;ll take this as an opportunity to add one or two homilies myself.<B=
R>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;The first is an oft-repeated saying I love: &#8220;=
Nostalgia&#8217;s not history; it&#8217;s a drug.&#8221;<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;Follow that up with a little out-of-context &#8216;=
Gang Of Four&#8217;: &#8220;There are no lessons in the past.&#8221;<BR>
<BR>
So what are people listening to NOW? &nbsp;What new stories are we making t=
o carry ourselves forward into the next New Year?<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: the 60's
Date: Thu, 23 Dec 2010 09:44:10 +0000
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Anthony=2C=20
It looks very much like his sympathies are with the soldiers and antipathie=
s with the anti-war hippies.=20
I'm happy to take this off list if you like since I fear we are going Waaaa=
yyyy off topic here.
=20
Peace
=20
Gareth
=20


Date: Thu=2C 23 Dec 2010 00:24:41 -0800
From: antonyhequet@yahoo.com
Subject: Re: the 60's
To: Loopers-Delight@loopers-delight.com






Gareth=2C


I don't see where he said he was pro war=2C he said people he knew who had =
no options but go fight and then got insulted by people who felt righteous.


Antony




From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu=2C December 23=2C 2010 8:55:33 AM
Subject: RE: the 60's



Well Todd I couldn't disagree more. You seem=2C incredibly=2C to be pro war=
 on the basis that you neighbours partook in it.
Nevertheless=2C to quote Voltaire: "I disapprove of what you say=2C but I w=
ill defend to the death your right to say it."
=20
It's a testimony to this group that no-one=2C despite the broad range of op=
inions expressed here=2C has been attacked for their views - now THAT'S fre=
e speech!
=20
Peace=2C love and enlightenment
=20
Gareth=20
=20
> Date: Wed=2C 22 Dec 2010 22:54:28 -0800
> From: looppool@cruzio.com
> To: ransacker@earthlink.net
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: Re: the 60's
>=20
> On 7/22/64 11:59 AM=2C Todd Howell wrote:
> > Rick=2C
> >
> > I respect your take on things and all of your experiences. They must've=
 been magic at the time. Wonder years indeed.
> Thanks for saying it=2C Todd!
> > I remember very little of the era. I got a lot of memories second hand.=
 I lived in fly-over country on a farm at the a** end of nowhere as a child=
. I remember watching my grandmother watching the casualty reports from Vie=
tnam and fretting. Two neighbors on either side of us were there. One came =
back in a bag and the other minus three out of four limbs. There were fourt=
een names on my own high schools Vietnam Memorial.
> >
> > As with all cultural movements=2C there were I am sure the true believe=
rs and the opportunist free love and drug bunch along for the ride. I don't=
 see the sixties as anything else other than another failed moment in the c=
ultural eons. I had friends who I met through music=2C including one brilli=
ant solo=2C Piedmont Bluesman=2C who also served in Vietnam. He told me sto=
ries of hippy girls spitting on him and calling him baby-killer. There were=
 alot of those stories from my veteran friends. Sorry if I can't get on boa=
rd with a bunch of rich=2C free love college kids who were fortunate enough=
 to have parents who could buy them deferments while the poor white under-c=
lass and minorities got the dirty end of the cultural and economic stick an=
d got p*ssed on for it. The zeitgeist was lovely. The execution terrible.
> Oh=2C I completely agree with you. It wasn't perfect. In fact the=20
> amount of naivete and self entitlement
> (and you pegged it: much of it upper middle class) was really=20
> dysfunctional and annoying......like the young
> hippy chick who walked into Union Grove Music today at closing and was=20
> put out that she couldn't just come
> in and jam on a guitar that she had no intention of ever buy.......ouch!!=
!).
>=20
> It was a very complex time (as all times are for all people) so I was=20
> just reminiscing about some of the
> sweet things about that time. I certainly don't have rose colored=20
> spectacles on when thinking about it.
> It was an enormously painful time=2C emotionally=2C for me in my life at=
=20
> the time to be really honest.
> > As a child of the SST and Sub-Pop eighties punk movements=2C I became f=
ormed into the cynical mold that I am now. I trust no one. Not Fox News. No=
t MSNBC. Neither left nor right. Neither Wall Street or the Hippy after bir=
th of an era. I admit to being an equal opportunity paranoid who believes t=
hat the twenty four hour cable news cycle is essentially the Special Olympi=
cs of bull-sh*t with a gigantic black hole of truth and fact at its' center=
.
> >
> > I admire and somehow envy your golden time and wish that I was a true b=
eliever in that way. I appreciate you sharing that and apologize to the lis=
t for a rant from a lurker.
>=20
> No man=2C what I love about this list is that everyone pipes in (or is at=
=20
> least encouraged to do so).
> Your perspective is no more or less valid than mine or anyone's on this=20
> list.
>=20
> To me=2C the key word in all you wrote was 'respectful'. I think if we=20
> all appreciate diversity
> and not expect other human beings to share our experiences or our=20
> conclusions and if we honestly
> hold respect in our hearts that the world has a chance of improving.
>=20
> Glad you un-lurked and look forward to more of your thoughts in the futur=
e.
>=20
> rick
> > Lost But Respectful=2C
> >
> > Ransacker
> >
> >
> > -----Original Message-----
> >> From: Rick Walker<looppool@cruzio.com>
> >> Sent: Dec 22=2C 2010 4:12 PM
> >> To: richard sales<richard@glasswing.com>
> >> Cc: Loopers-Delight@loopers-delight.com
> >> Subject: Re: Re: the 60's
> >>
> >> On 7/22/64 11:59 AM=2C richard sales wrote:
> >>> Well... the hippies also used hard core civil disobedience to express
> >>> our anger! It was a thrilling time.
> >>> The free love and drugs was just a bonus for some of us. For some it
> >>> was the core of the experience. They're the ones who went on to Wall
> >>> Street and commerce. Truth is=2C they missed the most glorious boat o=
f
> >>> the time.
> >> LOL=2C There is a common joke that goes=2C "If you remember the 60's=
=2C then
> >> you weren't there."
> >> Sadly=2C sometimes I think that if you weren't there you just don't ge=
t it.
> >>
> >> It's like Dickens said=2C "It was the best of times=2C it was the wors=
t of
> >> times".
> >>
> >> American children were probably the most dysfunctional in our National
> >> history. Many (and NOT the majority)
> >> were angry but they also wanted to buy out of the materialistic cultur=
e
> >> that had emerged from all the wealth
> >> and conformity that characterized our culture at the end of World War =
2.
> >>
> >> I always think it is dangerous to put too much emphasis on a time in
> >> one's life when one is first learning about the world and trying to co=
me
> >> to terms with it's inequities (and it's delights) but there was some k=
ind
> >> of magic in that time=2C at least for me.
> >>
> >> The one thing that I do miss about it was the =2C of course=2C
> >> intrinsically naive=2C notion that we could
> >> somehow change the world........we could eschew the dominant
> >> paradigm..........we could make a culture
> >> that was less racist=2C less sexist=2C less ageist=2C less sizeist=2C =
etc.=2C etc.
> >>
> >> there was a feeling=2C artistically=2C that anything was possible and =
that=2C
> >> I believe is what led to the explosion
> >> in creativity in music and fashion (as tacky as tie dye shirts are to =
me
> >> personally.....lol).
> >>
> >> that part of it was wonderful where I lived (and at my tender age (I w=
as
> >> 14 in '67 but had a sister 4 years older
> >> who was taking me to concerts and parties and be-ins all the time----s=
he
> >> took my brother and I to
> >> the Monterey Pop Festival and to the Filmore Auditorium on my 16th
> >> birthday and turned me on=2C bless her heart)
> >>
> >> Youth seem far more cynical these days (and I teach them a lot so I ha=
ve
> >> some experience saying this).
> >> I suppose we can't blame them after they had to watch George Bush stay
> >> in office for eight years and all it represents=2C psychically and
> >> politically.
> >>
> >> I always wish I could give them a little tiny bit of that naive ideali=
sm
> >> we had at that time........
> >> .....that sense that anything is possible.
> >>
> >> It was a good think even though some of my memory about that time is d=
im
> >> (lol).
> >>
> >> rick walker
> >>
>=20


 		 	   		  =

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Anthony=2C <BR>
It looks very much like his sympathies are with the soldiers and antipathie=
s with the anti-war hippies. <BR>
I'm happy to take this off list if you like since I fear we are going Waaaa=
yyyy off topic here.<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
Gareth<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
Date: Thu=2C 23 Dec 2010 00:24:41 -0800<BR>From: antonyhequet@yahoo.com<BR>=
Subject: Re: the 60's<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
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<DIV>Gareth=2C</DIV>
<DIV><BR></DIV>
<DIV>I don't see where he said he was pro war=2C he said people he knew who=
 had no options but go fight and then got insulted by people who felt right=
eous.</DIV>
<DIV><BR></DIV>
<DIV>Antony</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt"><BR>
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 FONT-SIZE: 12pt"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Gareth Whittock &lt=
=3Bbuddhamachine@live.co.uk&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">T=
o:</SPAN></B> loopers-delight@loopers-delight.com<BR><B><SPAN style=3D"FONT=
-WEIGHT: bold">Sent:</SPAN></B> Thu=2C December 23=2C 2010 8:55:33 AM<BR><B=
><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> RE: the 60's<BR></FO=
NT><BR>
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Well Todd I couldn't disagree more. You seem=2C incredibly=2C to be pro war=
&nbsp=3Bon the basis that you neighbours partook in it.<BR>Nevertheless=2C&=
nbsp=3Bto quote Voltaire: "I disapprove of what you say=2C but I will defen=
d to the death your right to say it."<BR>&nbsp=3B<BR>It's a testimony to th=
is group that no-one=2C despite the broad range of opinions expressed&nbsp=
=3Bhere=2C has been attacked for their&nbsp=3Bviews - now THAT'S free speec=
h!<BR>&nbsp=3B<BR>Peace=2C love and enlightenment<BR>&nbsp=3B<BR>Gareth&nbs=
p=3B<BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 22 Dec 2010 22:54:28 -0800<BR>&gt=
=3B From: looppool@cruzio.com<BR>&gt=3B To: ransacker@earthlink.net<BR>&gt=
=3B CC: Loopers-Delight@loopers-delight.com<BR>&gt=3B Subject: Re: Re: Re: =
the 60's<BR>&gt=3B <BR>&gt=3B On 7/22/64 11:59 AM=2C Todd Howell wrote:<BR>=
&gt=3B &gt=3B Rick=2C<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B I respect your take=
 on things and all of your experiences. They must've been magic at the time=
. Wonder years indeed.<BR>&gt=3B Thanks for saying it=2C Todd!<BR>&gt=3B &g=
t=3B I remember very little of the era. I got a lot of memories second hand=
. I lived in fly-over country on a farm at the a** end of nowhere as a chil=
d. I remember watching my grandmother watching the casualty reports from Vi=
etnam and fretting. Two neighbors on either side of us were there. One came=
 back in a bag and the other minus three out of four limbs. There were four=
teen names on my own high schools Vietnam Memorial.<BR>&gt=3B &gt=3B<BR>&gt=
=3B &gt=3B As with all cultural movements=2C there were I am sure the true =
believers and the opportunist free love and drug bunch along for the ride. =
I don't see the sixties as anything else other than another failed moment i=
n the cultural eons. I had friends who I met through music=2C including one=
 brilliant solo=2C Piedmont Bluesman=2C who also served in Vietnam. He told=
 me stories of hippy girls spitting on him and calling him baby-killer. The=
re were alot of those stories from my veteran friends. Sorry if I can't get=
 on board with a bunch of rich=2C free love college kids who were fortunate=
 enough to have parents who could buy them deferments while the poor white =
under-class and minorities got the dirty end of the cultural and economic s=
tick and got p*ssed on for it. The zeitgeist was lovely. The execution terr=
ible.<BR>&gt=3B Oh=2C I completely agree with you. It wasn't perfect. In fa=
ct the <BR>&gt=3B amount of naivete and self entitlement<BR>&gt=3B (and you=
 pegged it: much of it upper middle class) was really <BR>&gt=3B dysfunctio=
nal and annoying......like the young<BR>&gt=3B hippy chick who walked into =
Union Grove Music today at closing and was <BR>&gt=3B put out that she coul=
dn't just come<BR>&gt=3B in and jam on a guitar that she had no intention o=
f ever buy.......ouch!!!).<BR>&gt=3B <BR>&gt=3B It was a very complex time =
(as all times are for all people) so I was <BR>&gt=3B just reminiscing abou=
t some of the<BR>&gt=3B sweet things about that time. I certainly don't hav=
e rose colored <BR>&gt=3B spectacles on when thinking about it.<BR>&gt=3B I=
t was an enormously painful time=2C emotionally=2C for me in my life at <BR=
>&gt=3B the time to be really honest.<BR>&gt=3B &gt=3B As a child of the SS=
T and Sub-Pop eighties punk movements=2C I became formed into the cynical m=
old that I am now. I trust no one. Not Fox News. Not MSNBC. Neither left no=
r right. Neither Wall Street or the Hippy after birth of an era. I admit to=
 being an equal opportunity paranoid who believes that the twenty four hour=
 cable news cycle is essentially the Special Olympics of bull-sh*t with a g=
igantic black hole of truth and fact at its' center.<BR>&gt=3B &gt=3B<BR>&g=
t=3B &gt=3B I admire and somehow envy your golden time and wish that I was =
a true believer in that way. I appreciate you sharing that and apologize to=
 the list for a rant from a lurker.<BR>&gt=3B <BR>&gt=3B No man=2C what I l=
ove about this list is that everyone pipes in (or is at <BR>&gt=3B least en=
couraged to do so).<BR>&gt=3B Your perspective is no more or less valid tha=
n mine or anyone's on this <BR>&gt=3B list.<BR>&gt=3B <BR>&gt=3B To me=2C t=
he key word in all you wrote was 'respectful'. I think if we <BR>&gt=3B all=
 appreciate diversity<BR>&gt=3B and not expect other human beings to share =
our experiences or our <BR>&gt=3B conclusions and if we honestly<BR>&gt=3B =
hold respect in our hearts that the world has a chance of improving.<BR>&gt=
=3B <BR>&gt=3B Glad you un-lurked and look forward to more of your thoughts=
 in the future.<BR>&gt=3B <BR>&gt=3B rick<BR>&gt=3B &gt=3B Lost But Respect=
ful=2C<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B Ransacker<BR>&gt=3B &gt=3B<BR>&gt=
=3B &gt=3B<BR>&gt=3B &gt=3B -----Original Message-----<BR>&gt=3B &gt=3B&gt=
=3B From: Rick Walker&lt=3Blooppool@cruzio.com&gt=3B<BR>&gt=3B &gt=3B&gt=3B=
 Sent: Dec 22=2C 2010 4:12 PM<BR>&gt=3B &gt=3B&gt=3B To: richard sales&lt=
=3Brichard@glasswing.com&gt=3B<BR>&gt=3B &gt=3B&gt=3B Cc: Loopers-Delight@l=
oopers-delight.com<BR>&gt=3B &gt=3B&gt=3B Subject: Re: Re: the 60's<BR>&gt=
=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B On 7/22/64 11:59 AM=2C richard sale=
s wrote:<BR>&gt=3B &gt=3B&gt=3B&gt=3B Well... the hippies also used hard co=
re civil disobedience to express<BR>&gt=3B &gt=3B&gt=3B&gt=3B our anger! It=
 was a thrilling time.<BR>&gt=3B &gt=3B&gt=3B&gt=3B The free love and drugs=
 was just a bonus for some of us. For some it<BR>&gt=3B &gt=3B&gt=3B&gt=3B =
was the core of the experience. They're the ones who went on to Wall<BR>&gt=
=3B &gt=3B&gt=3B&gt=3B Street and commerce. Truth is=2C they missed the mos=
t glorious boat of<BR>&gt=3B &gt=3B&gt=3B&gt=3B the time.<BR>&gt=3B &gt=3B&=
gt=3B LOL=2C There is a common joke that goes=2C "If you remember the 60's=
=2C then<BR>&gt=3B &gt=3B&gt=3B you weren't there."<BR>&gt=3B &gt=3B&gt=3B =
Sadly=2C sometimes I think that if you weren't there you just don't get it.=
<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B It's like Dickens said=2C "I=
t was the best of times=2C it was the worst of<BR>&gt=3B &gt=3B&gt=3B times=
".<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B American children were pro=
bably the most dysfunctional in our National<BR>&gt=3B &gt=3B&gt=3B history=
. Many (and NOT the majority)<BR>&gt=3B &gt=3B&gt=3B were angry but they al=
so wanted to buy out of the materialistic culture<BR>&gt=3B &gt=3B&gt=3B th=
at had emerged from all the wealth<BR>&gt=3B &gt=3B&gt=3B and conformity th=
at characterized our culture at the end of World War 2.<BR>&gt=3B &gt=3B&gt=
=3B<BR>&gt=3B &gt=3B&gt=3B I always think it is dangerous to put too much e=
mphasis on a time in<BR>&gt=3B &gt=3B&gt=3B one's life when one is first le=
arning about the world and trying to come<BR>&gt=3B &gt=3B&gt=3B to terms w=
ith it's inequities (and it's delights) but there was some kind<BR>&gt=3B &=
gt=3B&gt=3B of magic in that time=2C at least for me.<BR>&gt=3B &gt=3B&gt=
=3B<BR>&gt=3B &gt=3B&gt=3B The one thing that I do miss about it was the =
=2C of course=2C<BR>&gt=3B &gt=3B&gt=3B intrinsically naive=2C notion that =
we could<BR>&gt=3B &gt=3B&gt=3B somehow change the world........we could es=
chew the dominant<BR>&gt=3B &gt=3B&gt=3B paradigm..........we could make a =
culture<BR>&gt=3B &gt=3B&gt=3B that was less racist=2C less sexist=2C less =
ageist=2C less sizeist=2C etc.=2C etc.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=
=3B&gt=3B there was a feeling=2C artistically=2C that anything was possible=
 and that=2C<BR>&gt=3B &gt=3B&gt=3B I believe is what led to the explosion<=
BR>&gt=3B &gt=3B&gt=3B in creativity in music and fashion (as tacky as tie =
dye shirts are to me<BR>&gt=3B &gt=3B&gt=3B personally.....lol).<BR>&gt=3B =
&gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B that part of it was wonderful where I l=
ived (and at my tender age (I was<BR>&gt=3B &gt=3B&gt=3B 14 in '67 but had =
a sister 4 years older<BR>&gt=3B &gt=3B&gt=3B who was taking me to concerts=
 and parties and be-ins all the time----she<BR>&gt=3B &gt=3B&gt=3B took my =
brother and I to<BR>&gt=3B &gt=3B&gt=3B the Monterey Pop Festival and to th=
e Filmore Auditorium on my 16th<BR>&gt=3B &gt=3B&gt=3B birthday and turned =
me on=2C bless her heart)<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B You=
th seem far more cynical these days (and I teach them a lot so I have<BR>&g=
t=3B &gt=3B&gt=3B some experience saying this).<BR>&gt=3B &gt=3B&gt=3B I su=
ppose we can't blame them after they had to watch George Bush stay<BR>&gt=
=3B &gt=3B&gt=3B in office for eight years and all it represents=2C psychic=
ally and<BR>&gt=3B &gt=3B&gt=3B politically.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=
=3B &gt=3B&gt=3B I always wish I could give them a little tiny bit of that =
naive idealism<BR>&gt=3B &gt=3B&gt=3B we had at that time........<BR>&gt=3B=
 &gt=3B&gt=3B .....that sense that anything is possible.<BR>&gt=3B &gt=3B&g=
t=3B<BR>&gt=3B &gt=3B&gt=3B It was a good think even though some of my memo=
ry about that time is dim<BR>&gt=3B &gt=3B&gt=3B (lol).<BR>&gt=3B &gt=3B&gt=
=3B<BR>&gt=3B &gt=3B&gt=3B rick walker<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B <BR=
></DIV></DIV>
<DIV></DIV></DIV><BR> 		 	   		  </body>
</html>=

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Date: Thu, 23 Dec 2010 01:55:30 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com
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have faith, how old will you be then? I know the Taoist techniques for very long 
life, maybe we should start practicing them...



________________________________
From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu, December 23, 2010 6:43:32 AM
Subject: RE: OT: Lunar Solstice

 The next lunar eclipse is 2014 but the next one on the solstice will be 2094 - 
I think I'm gonna miss that one..
 
Peace
 
G
 
> Date: Wed, 22 Dec 2010 15:13:46 -0800
> From: looppool@cruzio.como
> To: nemoguitt@aol.com
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: OT: Lunar Solstice
> 
> On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
> > but the next time is 2095 or something like that.....things really are 
> > moving faster! 
> My wife Chris, who is up on these things, said the next one is 2014. I 
> didn't verify it
> but she's rarely wrong about her research into anything......one of the 
> sharpest human beings
> I've ever met.
> 
> rick walker
> 



      
--0-532219839-1293098130=:29806
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>have faith, how old will you be then? I know the Taoist techniques for very long life, maybe we should start practicing them...</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Gareth Whittock &lt;buddhamachine@live.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> loopers-delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 23, 2010 6:43:32 AM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: OT: Lunar Solstice<br></font><br>


<style><!--
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The next lunar eclipse is 2014 but the next one on the solstice will be 2094 - I think I'm gonna miss that one..<br>
&nbsp;<br>
Peace<br>
&nbsp;<br>
G<br>&nbsp;<br>
&gt; Date: Wed, 22 Dec 2010 15:13:46 -0800<br>&gt; From: <a rel="nofollow" ymailto="mailto:looppool@cruzio.como" target="_blank" href="mailto:looppool@cruzio.como">looppool@cruzio.como</a><br>&gt; To: nemoguitt@aol.com<br>&gt; CC: Loopers-Delight@loopers-delight.com<br>&gt; Subject: Re: Re: OT: Lunar Solstice<br>&gt; <br>&gt; On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:<br>&gt; &gt; but the next time is 2095 or something like that.....things really are <br>&gt; &gt; moving faster! <br>&gt; My wife Chris, who is up on these things, said the next one is 2014. I <br>&gt; didn't verify it<br>&gt; but she's rarely wrong about her research into anything......one of the <br>&gt; sharpest human beings<br>&gt; I've ever met.<br>&gt; <br>&gt; rick walker<br>&gt; <br> 		 	   		  
</div></div><div style="position:fixed"></div>


</div><br>







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From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 10:32:39 2010
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To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: Lunar Solstice
Date: Thu, 23 Dec 2010 10:32:37 +0000
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That'd be cool - what do I have to do? The older I get=2C the more thirst f=
or life I have..
=20
Peace
=20
G
=20


Date: Thu=2C 23 Dec 2010 01:55:30 -0800
From: antonyhequet@yahoo.com
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com






have faith=2C how old will you be then? I know the Taoist techniques for ve=
ry long life=2C maybe we should start practicing them...




From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu=2C December 23=2C 2010 6:43:32 AM
Subject: RE: OT: Lunar Solstice



The next lunar eclipse is 2014 but the next one on the solstice will be 209=
4 - I think I'm gonna miss that one..
=20
Peace
=20
G
=20
> Date: Wed=2C 22 Dec 2010 15:13:46 -0800
> From: looppool@cruzio.como
> To: nemoguitt@aol.com
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: OT: Lunar Solstice
>=20
> On 7/22/64 11:59 AM=2C nemoguitt@aol.com wrote:
> > but the next time is 2095 or something like that.....things really are=
=20
> > moving faster!=20
> My wife Chris=2C who is up on these things=2C said the next one is 2014. =
I=20
> didn't verify it
> but she's rarely wrong about her research into anything......one of the=20
> sharpest human beings
> I've ever met.
>=20
> rick walker
>=20


 		 	   		  =

--_4a498080-cab1-49d2-a57a-b42d65641324_
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<html>
<head>
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</head>
<body class=3D'hmmessage'>
That'd be cool - what do I have to do? The older I get=2C the more&nbsp=3Bt=
hirst for life I have..<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
Date: Thu=2C 23 Dec 2010 01:55:30 -0800<BR>From: antonyhequet@yahoo.com<BR>=
Subject: Re: OT: Lunar Solstice<BR>To: Loopers-Delight@loopers-delight.com<=
BR><BR>
<META name=3DGenerator content=3D"Microsoft SafeHTML">
<STYLE>
.ExternalClass DIV
{=3B}

</STYLE>

<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt">
<DIV>have faith=2C how old will you be then? I know the Taoist techniques f=
or very long life=2C maybe we should start practicing them...</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt"><BR>
<DIV style=3D"FONT-FAMILY: times new roman=2C new york=2C times=2C serif=3B=
 FONT-SIZE: 12pt"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Gareth Whittock &lt=
=3Bbuddhamachine@live.co.uk&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">T=
o:</SPAN></B> loopers-delight@loopers-delight.com<BR><B><SPAN style=3D"FONT=
-WEIGHT: bold">Sent:</SPAN></B> Thu=2C December 23=2C 2010 6:43:32 AM<BR><B=
><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> RE: OT: Lunar Solsti=
ce<BR></FONT><BR>
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The next lunar eclipse is 2014 but the next one on the solstice will be 209=
4 - I think I'm gonna miss that one..<BR>&nbsp=3B<BR>Peace<BR>&nbsp=3B<BR>G=
<BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 22 Dec 2010 15:13:46 -0800<BR>&gt=3B Fr=
om: <A href=3D"mailto:looppool@cruzio.como" rel=3Dnofollow>looppool@cruzio.=
como</A><BR>&gt=3B To: nemoguitt@aol.com<BR>&gt=3B CC: Loopers-Delight@loop=
ers-delight.com<BR>&gt=3B Subject: Re: Re: OT: Lunar Solstice<BR>&gt=3B <BR=
>&gt=3B On 7/22/64 11:59 AM=2C nemoguitt@aol.com wrote:<BR>&gt=3B &gt=3B bu=
t the next time is 2095 or something like that.....things really are <BR>&g=
t=3B &gt=3B moving faster! <BR>&gt=3B My wife Chris=2C who is up on these t=
hings=2C said the next one is 2014. I <BR>&gt=3B didn't verify it<BR>&gt=3B=
 but she's rarely wrong about her research into anything......one of the <B=
R>&gt=3B sharpest human beings<BR>&gt=3B I've ever met.<BR>&gt=3B <BR>&gt=
=3B rick walker<BR>&gt=3B <BR></DIV></DIV>
<DIV></DIV></DIV><BR> 		 	   		  </body>
</html>=

--_4a498080-cab1-49d2-a57a-b42d65641324_--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 10:36:54 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: EME moonbounce?
Date: Thu, 23 Dec 2010 10:36:52 +0000
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It turns out that the signal degradation is so severe that morse code is th=
e only thing that has a chance of getting through :-(
Someting like a 250dB signal drop!
g
=20


From: carpet8@mac.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: EME moonbounce?
Date: Thu=2C 23 Dec 2010 00:12:32 -0800





Ham radio folks have been doing it for a long time.  Maybe ask around a Ham=
 site.
=20
toby

----- Original Message -----=20
From: Gareth Whittock=20
To: loopers-delight@loopers-delight.com=20
Sent: Thursday=2C December 23=2C 2010 12:02 AM
Subject: EME moonbounce?

OK=2C this might be totally technically naiive but with a time delay of aro=
und 2 seconds it IS possible to bounce radio signals offf the moon.=20
Does anyone here know what sort of fidelity the resultant echo would be ? -=
 you can see where I'm going with this...

Peace

G  		 	   		  =

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It turns out that the signal degradation is so severe that morse code&nbsp=
=3Bis the only thing that has a chance of getting through&nbsp=3B:-(<BR>
Someting like a 250dB signal drop!<BR>
g<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
From: carpet8@mac.com<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject=
: Re: EME moonbounce?<BR>Date: Thu=2C 23 Dec 2010 00:12:32 -0800<BR><BR>
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<DIV><FONT face=3DArial>Ham radio folks have been doing it for a long time.=
&nbsp=3B Maybe ask around a Ham site.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp=3B</DIV>
<DIV><FONT face=3DArial>toby</FONT></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: #000000 2px solid=3B PADDING-LEFT: 5px=3B=
 PADDING-RIGHT: 0px=3B MARGIN-LEFT: 5px=3B MARGIN-RIGHT: 0px">
<DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style=3D"FONT: 10pt arial=3B BACKGROUND: #e4e4e4=3B font-color: black"=
><B>From:</B> <A title=3Dbuddhamachine@live.co.uk href=3D"mailto:buddhamach=
ine@live.co.uk">Gareth Whittock</A> </DIV>
<DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3Dloopers-delight@loope=
rs-delight.com href=3D"mailto:loopers-delight@loopers-delight.com">loopers-=
delight@loopers-delight.com</A> </DIV>
<DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday=2C December 23=2C 201=
0 12:02 AM</DIV>
<DIV style=3D"FONT: 10pt arial"><B>Subject:</B> EME moonbounce?</DIV>
<DIV><BR></DIV>OK=2C this might be totally technically naiive but with a ti=
me delay of around 2 seconds it&nbsp=3BIS possible to bounce radio signals =
offf the moon. <BR>Does anyone here know what sort of fidelity the resultan=
t echo would be ? - you can see where I'm going with this...<BR><BR>Peace<B=
R><BR>G </BLOCKQUOTE> 		 	   		  </body>
</html>=

--_d93bf6ef-8b31-4b10-8e6c-85d91face3f3_--

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Date: Thu, 23 Dec 2010 11:40:45 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EME moonbounce?
References: <6904346.1293066688498.JavaMail.root@mswamui-blood.atl.sa.earthlink.net>,<4D12F224.80103@cruzio.com> <BAY145-w53A5F137A34BCABEF4806B851C0@phx.gbl>,<DD8EF3E554124502BE3909A15C690165@NORBY11> <BAY145-w1825AFC18ECA9B48C924C851C0@phx.gbl>
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Morse code works? Ok, so digital data transmission works. We're using 
digital gadgets, anyway...;)

Gareth Whittock schrieb:
> It turns out that the signal degradation is so severe that morse 
> code is the only thing that has a chance of getting through :-(
> Someting like a 250dB signal drop!
> g
>  
> ------------------------------------------------------------------------
> From: carpet8@mac.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EME moonbounce?
> Date: Thu, 23 Dec 2010 00:12:32 -0800
>
> Ham radio folks have been doing it for a long time.  Maybe ask around 
> a Ham site.
>  
> toby
>
>     ----- Original Message -----
>     *From:* Gareth Whittock <mailto:buddhamachine@live.co.uk>
>     *To:* loopers-delight@loopers-delight.com
>     <mailto:loopers-delight@loopers-delight.com>
>     *Sent:* Thursday, December 23, 2010 12:02 AM
>     *Subject:* EME moonbounce?
>
>     OK, this might be totally technically naiive but with a time delay
>     of around 2 seconds it IS possible to bounce radio signals offf
>     the moon.
>     Does anyone here know what sort of fidelity the resultant echo
>     would be ? - you can see where I'm going with this...
>
>     Peace
>
>     G 
>


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 10:54:19 2010
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To: Loopers-Delight@loopers-delight.com
Subject: OT Re: the 60's 70's etc
References: <2984402612C34FD78AF00709192DFF39@mpeserver> <4D1139A1.7080607@cruzio.com> <815351.13326.qm@web114510.mail.gq1.yahoo.com>
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The 70's also killed off that music (in uk anyway)
It was never on tv, hardly ever on the radio.
The media was flooded with pop and "very dull rawk",
by '75 with rise of disco it was pretty much over.

The only way to get into any of those bands was to buy
the albums based on hearsay...always a risk ;-)

The great thing about 60's 70's was that the each
band had it's own unique sound (even the crappy ones),
nowadays the bands can be described with reference 
to "other bands"...and that's exactly what they sound like.

andy butler (age 49)



George Demarest wrote:
> I may be lynched for saying it, but the 70s did offer up Frippertronics, 
> Gentle Giant, Van der Graaf, Gong, 
> Mahavishnu, Return to Forever, tons of great Zappa, King Crimson, Henry 
> Cow, Yes, Genesis, etc.
> 

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Date: Thu, 23 Dec 2010 03:12:36 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: OT: Lunar Solstice
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--0-998275424-1293102756=:87082
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GAreth,

I followed a seminar a week long with my Qi Gong master: I will find the DV and 
the notes and get back into pratcice. A lot of static postures which require 
flexibility in the hips. I will look into it and let you know. Kick my but if 
you do not hear from me in two week time span. I am serious, I do a lot of this 
stuff...

ANtony



________________________________
From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu, December 23, 2010 11:32:37 AM
Subject: RE: OT: Lunar Solstice

 That'd be cool - what do I have to do? The older I get, the more thirst for 
life I have..
 
Peace
 
G
 
________________________________
 Date: Thu, 23 Dec 2010 01:55:30 -0800
From: antonyhequet@yahoo.com
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com

 
have faith, how old will you be then? I know the Taoist techniques for very long 
life, maybe we should start practicing them...



________________________________
 From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu, December 23, 2010 6:43:32 AM
Subject: RE: OT: Lunar Solstice

 The next lunar eclipse is 2014 but the next one on the solstice will be 2094 - 
I think I'm gonna miss that one..
 
Peace
 
G
 
> Date: Wed, 22 Dec 2010 15:13:46 -0800
> From: looppool@cruzio.como
> To: nemoguitt@aol.com
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: OT: Lunar Solstice
> 
> On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
> > but the next time is 2095 or something like that.....things really are 
> > moving faster! 
> My wife Chris, who is up on these things, said the next one is 2014. I 
> didn't verify it
> but she's rarely wrong about her research into anything......one of the 
> sharpest human beings
> I've ever met.
> 
> rick walker
> 


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>GAreth,</div><div><br></div><div>I followed a seminar a week long with my Qi Gong master: I will find the DV and the notes and get back into pratcice. A lot of static postures which require flexibility in the hips. I will look into it and let you know. Kick my but if you do not hear from me in two week time span. I am serious, I do a lot of this stuff...</div><div><br></div><div>ANtony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Gareth Whittock &lt;buddhamachine@live.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> loopers-delight@loopers-delight.com<br><b><span style="font-weight:
 bold;">Sent:</span></b> Thu, December 23, 2010 11:32:37 AM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: OT: Lunar Solstice<br></font><br>


<style><!--
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That'd be cool - what do I have to do? The older I get, the more&nbsp;thirst for life I have..<br>
&nbsp;<br>
Peace<br>
&nbsp;<br>
G<br>&nbsp;<br>

<hr id="stopSpelling">
Date: Thu, 23 Dec 2010 01:55:30 -0800<br>From: antonyhequet@yahoo.com<br>Subject: Re: OT: Lunar Solstice<br>To: Loopers-Delight@loopers-delight.com<br><br>
 
<style>
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<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:14pt;">
<div>have faith, how old will you be then? I know the Taoist techniques for very long life, maybe we should start practicing them...</div>
<div style="FONT-FAMILY:arial, helvetica, sans-serif;FONT-SIZE:14pt;"><br>
<div style="FONT-FAMILY:times new roman, new york, times, serif;FONT-SIZE:12pt;"><font size="2" face="Tahoma">
<hr size="1">
<b><span style="FONT-WEIGHT:bold;">From:</span></b> Gareth Whittock &lt;buddhamachine@live.co.uk&gt;<br><b><span style="FONT-WEIGHT:bold;">To:</span></b> loopers-delight@loopers-delight.com<br><b><span style="FONT-WEIGHT:bold;">Sent:</span></b> Thu, December 23, 2010 6:43:32 AM<br><b><span style="FONT-WEIGHT:bold;">Subject:</span></b> RE: OT: Lunar Solstice<br></font><br>
<style>
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</style>
The next lunar eclipse is 2014 but the next one on the solstice will be 2094 - I think I'm gonna miss that one..<br>&nbsp;<br>Peace<br>&nbsp;<br>G<br>&nbsp;<br>&gt; Date: Wed, 22 Dec 2010 15:13:46 -0800<br>&gt; From: <a rel="nofollow" ymailto="mailto:looppool@cruzio.como" target="_blank" href="mailto:looppool@cruzio.como">looppool@cruzio.como</a><br>&gt; To: nemoguitt@aol.com<br>&gt; CC: Loopers-Delight@loopers-delight.com<br>&gt; Subject: Re: Re: OT: Lunar Solstice<br>&gt; <br>&gt; On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:<br>&gt; &gt; but the next time is 2095 or something like that.....things really are <br>&gt; &gt; moving faster! <br>&gt; My wife Chris, who is up on these things, said the next one is 2014. I <br>&gt; didn't verify it<br>&gt; but she's rarely wrong about her research into anything......one of the <br>&gt; sharpest human beings<br>&gt; I've ever met.<br>&gt; <br>&gt; rick walker<br>&gt; <br></div></div>
<div></div></div><br> 		 	   		  
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-998275424-1293102756=:87082--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 11:18:41 2010
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Subject: RE: OT: Lunar Solstice
Date: Thu, 23 Dec 2010 11:18:39 +0000
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cool  - thank you. I will
=20
Peace
=20
G
=20


Date: Thu=2C 23 Dec 2010 03:12:36 -0800
From: antonyhequet@yahoo.com
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com






GAreth=2C


I followed a seminar a week long with my Qi Gong master: I will find the DV=
 and the notes and get back into pratcice. A lot of static postures which r=
equire flexibility in the hips. I will look into it and let you know. Kick =
my but if you do not hear from me in two week time span. I am serious=2C I =
do a lot of this stuff...


ANtony




From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu=2C December 23=2C 2010 11:32:37 AM
Subject: RE: OT: Lunar Solstice



That'd be cool - what do I have to do? The older I get=2C the more thirst f=
or life I have..
=20
Peace
=20
G
=20


Date: Thu=2C 23 Dec 2010 01:55:30 -0800
From: antonyhequet@yahoo.com
Subject: Re: OT: Lunar Solstice
To: Loopers-Delight@loopers-delight.com





have faith=2C how old will you be then? I know the Taoist techniques for ve=
ry long life=2C maybe we should start practicing them...




From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu=2C December 23=2C 2010 6:43:32 AM
Subject: RE: OT: Lunar Solstice



The next lunar eclipse is 2014 but the next one on the solstice will be 209=
4 - I think I'm gonna miss that one..
=20
Peace
=20
G
=20
> Date: Wed=2C 22 Dec 2010 15:13:46 -0800
> From: looppool@cruzio.como
> To: nemoguitt@aol.com
> CC: Loopers-Delight@loopers-delight.com
> Subject: Re: Re: OT: Lunar Solstice
>=20
> On 7/22/64 11:59 AM=2C nemoguitt@aol.com wrote:
> > but the next time is 2095 or something like that.....things really are=
=20
> > moving faster!=20
> My wife Chris=2C who is up on these things=2C said the next one is 2014. =
I=20
> didn't verify it
> but she's rarely wrong about her research into anything......one of the=20
> sharpest human beings
> I've ever met.
>=20
> rick walker
>=20




 		 	   		  =

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cool&nbsp=3B - thank you. I will<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
Date: Thu=2C 23 Dec 2010 03:12:36 -0800<BR>From: antonyhequet@yahoo.com<BR>=
Subject: Re: OT: Lunar Solstice<BR>To: Loopers-Delight@loopers-delight.com<=
BR><BR>
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<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt">
<DIV>GAreth=2C</DIV>
<DIV><BR></DIV>
<DIV>I followed a seminar a week long with my Qi Gong master: I will find t=
he DV and the notes and get back into pratcice. A lot of static postures wh=
ich require flexibility in the hips. I will look into it and let you know. =
Kick my but if you do not hear from me in two week time span. I am serious=
=2C I do a lot of this stuff...</DIV>
<DIV><BR></DIV>
<DIV>ANtony</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt"><BR>
<DIV style=3D"FONT-FAMILY: times new roman=2C new york=2C times=2C serif=3B=
 FONT-SIZE: 12pt"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Gareth Whittock &lt=
=3Bbuddhamachine@live.co.uk&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">T=
o:</SPAN></B> loopers-delight@loopers-delight.com<BR><B><SPAN style=3D"FONT=
-WEIGHT: bold">Sent:</SPAN></B> Thu=2C December 23=2C 2010 11:32:37 AM<BR><=
B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> RE: OT: Lunar Solst=
ice<BR></FONT><BR>
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That'd be cool - what do I have to do? The older I get=2C the more&nbsp=3Bt=
hirst for life I have..<BR>&nbsp=3B<BR>Peace<BR>&nbsp=3B<BR>G<BR>&nbsp=3B<B=
R>
<HR id=3DecxstopSpelling>
Date: Thu=2C 23 Dec 2010 01:55:30 -0800<BR>From: antonyhequet@yahoo.com<BR>=
Subject: Re: OT: Lunar Solstice<BR>To: Loopers-Delight@loopers-delight.com<=
BR><BR>
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<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt">
<DIV>have faith=2C how old will you be then? I know the Taoist techniques f=
or very long life=2C maybe we should start practicing them...</DIV>
<DIV style=3D"FONT-FAMILY: arial=2C helvetica=2C sans-serif=3B FONT-SIZE: 1=
4pt"><BR>
<DIV style=3D"FONT-FAMILY: times new roman=2C new york=2C times=2C serif=3B=
 FONT-SIZE: 12pt"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Gareth Whittock &lt=
=3Bbuddhamachine@live.co.uk&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">T=
o:</SPAN></B> loopers-delight@loopers-delight.com<BR><B><SPAN style=3D"FONT=
-WEIGHT: bold">Sent:</SPAN></B> Thu=2C December 23=2C 2010 6:43:32 AM<BR><B=
><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> RE: OT: Lunar Solsti=
ce<BR></FONT><BR>
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The next lunar eclipse is 2014 but the next one on the solstice will be 209=
4 - I think I'm gonna miss that one..<BR>&nbsp=3B<BR>Peace<BR>&nbsp=3B<BR>G=
<BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 22 Dec 2010 15:13:46 -0800<BR>&gt=3B Fr=
om: <A href=3D"mailto:looppool@cruzio.como" rel=3Dnofollow>looppool@cruzio.=
como</A><BR>&gt=3B To: nemoguitt@aol.com<BR>&gt=3B CC: Loopers-Delight@loop=
ers-delight.com<BR>&gt=3B Subject: Re: Re: OT: Lunar Solstice<BR>&gt=3B <BR=
>&gt=3B On 7/22/64 11:59 AM=2C nemoguitt@aol.com wrote:<BR>&gt=3B &gt=3B bu=
t the next time is 2095 or something like that.....things really are <BR>&g=
t=3B &gt=3B moving faster! <BR>&gt=3B My wife Chris=2C who is up on these t=
hings=2C said the next one is 2014. I <BR>&gt=3B didn't verify it<BR>&gt=3B=
 but she's rarely wrong about her research into anything......one of the <B=
R>&gt=3B sharpest human beings<BR>&gt=3B I've ever met.<BR>&gt=3B <BR>&gt=
=3B rick walker<BR>&gt=3B <BR></DIV></DIV>
<DIV></DIV></DIV><BR></DIV></DIV>
<DIV></DIV></DIV><BR> 		 	   		  </body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 12:29:50 2010
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Date: Thu, 23 Dec 2010 13:29:48 +0100
Message-ID: <AANLkTinOMUbTNRH7pVm0rcsHmuj3aajb6o6ovjvky9Cs@mail.gmail.com>
Subject: Re: OT Re: the 60's 70's etc
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Dec 23, 2010 at 11:54 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> The great thing about 60's 70's was that the each
> band had it's own unique sound (even the crappy ones),
> nowadays the bands can be described with reference to "other bands"...and
> that's exactly what they sound like.


Well put, Andy! That's very true. This is also the reason why we
didn't spend that much time "searching for unique sounding bands" back
then, as we do today. Today we can experience this new joy of looking
for (and hopefully finding) new bands and artists that add a personal
expression to the usual spam. In the 60's and 70's everything was
new... eh, well at least until you finally got to hear the original
classical composers or the delta blues original artists that were
ripped off ;-))

I like today's (actually since late 80's when it began in mainstream
music) tendency to steal from many other traditions and especially
cool I find it when someone steals from a local tradition ("folk",
"world", "ethnic"), blend it with something else and mash it all up.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 14:06:33 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: the 60's
Date: Thu, 23 Dec 2010 06:06:20 -0800
To: Loopers-Delight@loopers-delight.com
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I love complete honesty (even if it's sometimes brutal, or otherwise)  
and speaking straight from the heart and with no BS. I do not agree  
with 100% all of the original post, but most of it I do, especially  
about the returning vets getting spit on. I was *very much* a very  
young protester against this very unjust war (which most wars are,  
regardless of the "official" reasons), but I did NOT condone anyone  
spitting on or abusing returning vets (a couple of them that were  
older, returning friends of mine, BTW) and also accusing them of  
crimes that 99.9% of them probably did NOT commit, along with also  
the fact that a LOT people got DRAFTED and a LOT of others had NO  
better economic opportunities and / or easily attained higher  
education opportunities choice left but TO sign up, or maybe turn to  
crime. (think about many of those in the Black ghettos and in the  
Latino barrios and poor Whites in Appalachia and all over elsewhere,  
and Native Americans stuck on hell holes known as the "reservations  
system"). This situation has been an economic reality in the USA   
(and likely elsewhere) for a few decades and that has remained ever  
since, and right on up to today. Sometimes makes me wonder if it is  
all "planned" this way and only for the profits of a select few. (but  
however, definitely for those profits of those select few, especially  
the war profiteers). A good chance that it is. Thanx for yer post  
here, Todd. It is another and different view that should be aired.  
And BTW, I also happily and with zero regrets, indulged in and  
reveled in the hedonistic joys and experiences of the (very late)  
60's as a young teen. And also, not everyone who did so, and also  
managed to get deferments, were from a wealthy privileged class. I  
know for a personally experienced fact that a lot of them weren't.  
Many of them just got lucky and never had their Draft numbers get  
drawn and / or also managed to hold onto whatever crappy, slave wage  
jobs they may have had. ( I had a few of those at the time) But, at  
least they even had those jobs, which a lot of people today can't  
seem to find and would sure want. (With a lot of "thanx" to all of  
those greedy, "patriotic" American companies that have sent millions  
of former good paying American jobs ELSEWHERE such as to China ,etc)  
But, I also never lost awareness of the sufferings and injustices etc  
that were foisted upon others, both here in the USA and elsewhere,  
and usually due to no faults of their own.  Never.  'Nam was another  
ugly chapter in American history and one that is being repeated today  
in Afghanistan.
The big difference now is that the streets are no longer filled with  
millions of people protesting that war in Afghanistan anymore.  
There's reasons for this....

Best,
Rev. Fever

> On 7/22/64 11:59 AM, Todd Howell wrote:
>> Rick,
>> I respect your take on things and all of your experiences. They  
>> must've been magic at the time. Wonder years indeed.
>> I remember very little of the era. I got a lot of memories second  
>> hand. I lived in fly-over country on a farm at the a** end of  
>> nowhere as a child. I remember watching my grandmother watching  
>> the casualty reports from Vietnam and fretting. Two neighbors on  
>> either side of us were there. One came back  in a bag and the  
>> other minus three out of four limbs. There were fourteen names on  
>> my own high schools Vietnam Memorial.
>> As with all cultural movements, there were I am sure the true  
>> believers and the opportunist free love and drug bunch along for  
>> the ride. I don't see the sixties as anything else other than  
>> another failed moment in the cultural eons. I had friends who I  
>> met through music, including one brilliant solo, Piedmont  
>> Bluesman, who also served in Vietnam. He told me stories of hippy  
>> girls spitting on him and calling him baby-killer. There were alot  
>> of those stories from my veteran friends. Sorry if I can't get on  
>> board with a bunch of rich, free love college kids who were  
>> fortunate enough to have parents who could buy them deferments  
>> while the poor white under-class and minorities got the dirty end  
>> of the cultural and economic stick and got p*ssed on for it. The  
>> zeitgeist was lovely. The execution terrible.
>> As a child of the SST and Sub-Pop eighties punk movements, I  
>> became formed into the cynical mold that I am now. I trust no one.  
>> Not Fox News. Not MSNBC. Neither left nor right. Neither Wall  
>> Street or the Hippy after birth of an era. I admit to being an  
>> equal opportunity paranoid who believes that the twenty four hour  
>> cable news cycle is essentially the Special Olympics of bull-sh*t  
>> with a gigantic black hole of truth and fact at its' center.
>> I admire and somehow envy your golden time and wish that I was a  
>> true believer in that way. I appreciate you sharing that and  
>> apologize to the list for a rant from a lurker.
>> Lost But Respectful,
>> Ransacker
>>
>>
>> -----Original Message-----
>>> From: Rick Walker<looppool@cruzio.com>
>>> Sent: Dec 22, 2010 4:12 PM
>>> To: richard sales<richard@glasswing.com>
>>> Cc: Loopers-Delight@loopers-delight.com
>>> Subject: Re: Re: the 60's
>>>
>>> On 7/22/64 11:59 AM, richard sales wrote:
>>>> Well... the hippies also used hard core civil disobedience to  
>>>> express
>>>> our anger!  It was a thrilling time.
>>>> The free love and drugs was just a bonus for some of us.  For  
>>>> some it
>>>> was the core of the experience.  They're the ones who went on to  
>>>> Wall
>>>> Street and commerce. Truth is, they missed the most glorious  
>>>> boat of
>>>> the time.
>>> LOL,  There is a common joke that goes,  "If you remember the  
>>> 60's, then
>>> you weren't there."
>>> Sadly,  sometimes I think that if you weren't there you just  
>>> don't get it.
>>>
>>> It's like Dickens said,  "It was the best of times, it was the  
>>> worst of
>>> times".
>>>
>>> American children were probably the most dysfunctional in our  
>>> National
>>> history.  Many (and NOT the majority)
>>> were angry but they also wanted to buy out of the materialistic  
>>> culture
>>> that had emerged from all the wealth
>>> and conformity that characterized our culture at the end of World  
>>> War 2.
>>>
>>> I always think it is dangerous to put too much emphasis on a time in
>>> one's life when one is first learning about the world and trying  
>>> to come
>>> to terms with it's inequities (and it's delights) but there was  
>>> some kind
>>> of magic in that time, at least for me.
>>>
>>> The one thing that I do miss about it was the ,  of course,
>>> intrinsically naive, notion that we could
>>> somehow change the world........we could eschew the dominant
>>> paradigm..........we could make a culture
>>> that was less racist, less sexist, less ageist, less sizeist,  
>>> etc., etc.
>>>
>>> there was a feeling, artistically, that anything was possible and  
>>> that,
>>> I believe is what led to the explosion
>>> in creativity in music and fashion (as tacky as tie dye shirts  
>>> are to me
>>> personally.....lol).
>>>
>>> that part of it was wonderful where I lived (and at my tender age  
>>> (I was
>>> 14 in '67 but had a sister 4 years older
>>> who was taking me to concerts and parties and be-ins all the  
>>> time----she
>>> took my brother and I to
>>> the Monterey Pop Festival and to the Filmore Auditorium on my 16th
>>> birthday and turned me on, bless her heart)
>>>
>>> Youth seem far more cynical these days (and I teach them a lot so  
>>> I have
>>> some experience saying this).
>>> I suppose we can't blame them after they had to watch George Bush  
>>> stay
>>> in office for eight years and all it represents, psychically and
>>> politically.
>>>
>>> I always wish I could give them a little tiny bit of that naive  
>>> idealism
>>> we had at that time........
>>> .....that sense that anything is possible.
>>>
>>> It was a good think even though some of my memory about that time  
>>> is dim
>>> (lol).
>>>
>>> rick walker
>>>
>

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Date: Thu, 23 Dec 2010 09:08:00 -0500
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Subject: Re: Re: the 60's
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On Wed, Dec 22, 2010 at 6:12 PM, Rick Walker <looppool@cruzio.com> wrote:

The one thing that I do miss about it was the ,  of course, intrinsically
> naive, notion that we could
> somehow change the world........we could eschew the dominant
> paradigm..........we could make a culture
> that was less racist, less sexist, less ageist, less sizeist, etc., etc.
>
> there was a feeling, artistically, that anything was possible and that, I
> believe is what led to the explosion
> in creativity in music and fashion (as tacky as tie dye shirts are to me
> personally.....lol).
>
>
As usual, Hunter Thompson got it right:

"And that, I think, was the handle - that sense of inevitable victory over
the forces of old and evil. Not in any mean or military sense; we didn't
need that. Our energy would simply prevail. We had all the momentum; we were
riding the crest of a high and beautiful wave. So now, less than five years
later, you can go up on a steep hill in Las Vegas and look west, and with
the right kind of eyes you can almost see the high-water mark - that place
where the wave finally broke and rolled back."

--Fear and Loathing in Las Vegas

--00163630e871bbbd9e0498146512
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<br><br><div class=3D"gmail_quote">On Wed, Dec 22, 2010 at 6:12 PM, Rick Wa=
lker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@=
cruzio.com</a>&gt;</span> wrote:<br><br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204=
); padding-left: 1ex;">
The one thing that I do miss about it was the , =A0of course, intrinsically=
 naive, notion that we could<br>
somehow change the world........we could eschew the dominant paradigm......=
....we could make a culture<br>
that was less racist, less sexist, less ageist, less sizeist, etc., etc.<br=
>
<br>
there was a feeling, artistically, that anything was possible and that, I b=
elieve is what led to the explosion<br>
in creativity in music and fashion (as tacky as tie dye shirts are to me pe=
rsonally.....lol).<br><br></blockquote><div><br>As usual, Hunter Thompson g=
ot it right:<br><br>&quot;And that, I think, was the handle - that sense of=
 inevitable victory over the forces of old and evil. Not in any mean or mil=
itary sense; we didn&#39;t need that. Our energy would simply prevail. We h=
ad all the momentum; we were riding the crest of a high and beautiful wave.=
 So now, less than five years later, you can go up on a steep hill in Las V=
egas and look west, and with the right kind of eyes you can almost see the =
high-water mark - that place where the wave finally broke and rolled back.&=
quot;<br>
<br>--Fear and Loathing in Las Vegas<br><br>=A0<br></div></div>

--00163630e871bbbd9e0498146512--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 16:17:02 2010
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Subject: Ok, back on topic, shoe question?
References: <29B4E54D-1C8C-44E5-89DF-ABA956B8167F@ubergadget.com> <4D12EE71.7010409@cruzio.com>
From: "Andy Owens" <andy@1800dialword.com>
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Date: Thu, 23 Dec 2010 11:15:44 -0500
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Allright fellers, I know lots of us'ns have switches on the floor, so here's=
 a relevant on topic question. =20

What are the best looping shoes?????

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 23, 2010, at 1:38 AM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Revfever wrote:
>> PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakla=
nd at the Fox Theater SOON on   Dec.30th  for any of you that are in that ar=
ea! (Rick W? And...?)
>> http://www.songkick.com/concerts/7085826-primus-at-fox-theater
> I got to open for the Residents a few years ago and it was such a peak exp=
erience
> for me that I think I might not go see them again.
>=20
> I always appreciated them, frankly, but never loved them like so many peop=
le did.
>=20
> I seemed to have an atypical relationship to a lot of artists that are dea=
rly loved by
> lots of people on this list.       I always appreciated Zappa but never lo=
ved him.....
> the same with King Crimson,  Fripp,   Primus,  the Residents,  Mr. Bungle,=

> Captain Beefheart,  Tom Waits.
>=20
> *********************************
>=20
> warning,   the next bit is really self indulgent, so you can skip over it.=
.....it's just
> a bunch of stuff that I love..............
>=20
> *********************************
>=20
> I always feel like a heretic admitting this, but the people I've loved hav=
e been
> people like the Beatles, the early Stones,  a ton of early British Invasio=
n when it was
> on the riff rock side of things, Cream, Led Zeppelin,  David Bowie,  Joni M=
itchell, Crosby, Stills, Nash and Young,  Peter Gabriel (but not so much any=
more), James Brown,  Motown and Stax/Volt 60's soul,  Roots Reggae,  African=
 Pop music,  Middleeastern Pop music, Nine Inch Nails,the Cure (but nothing,=
 really, after Disentegration),  Boards of Canada, Aphex Twin (but not the l=
ater stuff),  Autechre (but only the middle period), Bjork,  the Knife,  Fev=
er Ray, Sufjan Stevens, Elliot Smith, Miles Davis (particularly his modal pe=
riod and early fusion periods), Ralph Vaugh Williams, Maurice Ravel and then=
 a lot of records by people that ended up being their worst selling records:=

> Veedon Fleece by Van Morrison
> Happy/Sad by Tim Buckley
> Along the Red Ledge by Hall & Oates
> Heroes and Low by Bowie
> Before and After Science by Brian Eno
> Kiko by Los Lobos
>=20
> and then I really round this odd list off with individual tracks by straig=
ht up pop artists like
> Missy Elliot, Eminem,  Chrisina Aguilera, Justin Timberlake, Madonna, Evel=
yn 'Champagne' King, Siouxsie and the Banshees, Thomas Dolby, Peter Murphy, K=
ings of Leon,
> MGMT and the list goes.
>=20
> this reminds me:  I'm in  a particular love affair with simple riff rock l=
ately and playing as minimally as I've ever played with Done Beginner my wif=
e's band........using really big, thick drum sticks......listening to the Ki=
lls, the Yeah, Yeah, Yeahs,  the Dead Weather, Black Rebel Motorcycle Club (=
their rockier stuff), Filter, Local H, Nirvana,
> Soundgarden, New Order (this great record that didn't sell well for them c=
alled 'Get Ready'), Editors
> and even some early U2.
>=20
> okay, there's more, but I'm rambling...........
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 16:26:14 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Ok, back on topic, shoe question?
Date: Thu, 23 Dec 2010 16:25:58 +0000
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Converse - nothing comes close :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 23 Dec 2010, at 16:15, Andy Owens wrote:

> Allright fellers, I know lots of us'ns have switches on the floor,  
> so here's a relevant on topic question.
>
> What are the best looping shoes?????
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Dec 23, 2010, at 1:38 AM, Rick Walker <looppool@cruzio.com> wrote:
>
>> On 7/22/64 11:59 AM, Revfever wrote:
>>> PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS  
>>> in Oakland at the Fox Theater SOON on   Dec.30th  for any of you  
>>> that are in that area! (Rick W? And...?)
>>> http://www.songkick.com/concerts/7085826-primus-at-fox-theater
>> I got to open for the Residents a few years ago and it was such a  
>> peak experience
>> for me that I think I might not go see them again.
>>
>> I always appreciated them, frankly, but never loved them like so  
>> many people did.
>>
>> I seemed to have an atypical relationship to a lot of artists that  
>> are dearly loved by
>> lots of people on this list.       I always appreciated Zappa but  
>> never loved him.....
>> the same with King Crimson,  Fripp,   Primus,  the Residents,  Mr.  
>> Bungle,
>> Captain Beefheart,  Tom Waits.
>>
>> *********************************
>>
>> warning,   the next bit is really self indulgent, so you can skip  
>> over it......it's just
>> a bunch of stuff that I love..............
>>
>> *********************************
>>
>> I always feel like a heretic admitting this, but the people I've  
>> loved have been
>> people like the Beatles, the early Stones,  a ton of early British  
>> Invasion when it was
>> on the riff rock side of things, Cream, Led Zeppelin,  David  
>> Bowie,  Joni Mitchell, Crosby, Stills, Nash and Young,  Peter  
>> Gabriel (but not so much anymore), James Brown,  Motown and Stax/ 
>> Volt 60's soul,  Roots Reggae,  African Pop music,  Middleeastern  
>> Pop music, Nine Inch Nails,the Cure (but nothing, really, after  
>> Disentegration),  Boards of Canada, Aphex Twin (but not the later  
>> stuff),  Autechre (but only the middle period), Bjork,  the  
>> Knife,  Fever Ray, Sufjan Stevens, Elliot Smith, Miles Davis  
>> (particularly his modal period and early fusion periods), Ralph  
>> Vaugh Williams, Maurice Ravel and then a lot of records by people  
>> that ended up being their worst selling records:
>> Veedon Fleece by Van Morrison
>> Happy/Sad by Tim Buckley
>> Along the Red Ledge by Hall & Oates
>> Heroes and Low by Bowie
>> Before and After Science by Brian Eno
>> Kiko by Los Lobos
>>
>> and then I really round this odd list off with individual tracks  
>> by straight up pop artists like
>> Missy Elliot, Eminem,  Chrisina Aguilera, Justin Timberlake,  
>> Madonna, Evelyn 'Champagne' King, Siouxsie and the Banshees,  
>> Thomas Dolby, Peter Murphy, Kings of Leon,
>> MGMT and the list goes.
>>
>> this reminds me:  I'm in  a particular love affair with simple  
>> riff rock lately and playing as minimally as I've ever played with  
>> Done Beginner my wife's band........using really big, thick drum  
>> sticks......listening to the Kills, the Yeah, Yeah, Yeahs,  the  
>> Dead Weather, Black Rebel Motorcycle Club (their rockier stuff),  
>> Filter, Local H, Nirvana,
>> Soundgarden, New Order (this great record that didn't sell well  
>> for them called 'Get Ready'), Editors
>> and even some early U2.
>>
>> okay, there's more, but I'm rambling...........
>>
>


--Apple-Mail-18--865737170
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Converse - nothing comes close :)<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 23 Dec 2010, =
at 16:15, Andy Owens wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Allright fellers, I know lots of us'ns have switches =
on the floor, so here's a relevant on topic question. <span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">What are =
the best looping shoes?????</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Andy Owens</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">1-800-AndyOwens</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Sent from my =
iPhone</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">So the typing might not be my =
best!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Dec =
23, 2010, at 1:38 AM, Rick Walker &lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; =
wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">On 7/22/64 11:59 AM, =
Revfever wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">PS- =
Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakland =
at the Fox Theater SOON on <span class=3D"Apple-converted-space">&nbsp; =
</span>Dec.30th<span class=3D"Apple-converted-space">&nbsp; </span>for =
any of you that are in that area! (Rick W? And...?)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.songkick.com/concerts/7085826-primus-at-fox-theater">ht=
tp://www.songkick.com/concerts/7085826-primus-at-fox-theater</a></div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I got to open for the Residents =
a few years ago and it was such a peak experience</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">for me that I think I might not go see them =
again.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I always appreciated them, frankly, but never loved =
them like so many people did.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I seemed to have an atypical =
relationship to a lot of artists that are dearly loved by</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">lots of people on this list. <span =
class=3D"Apple-converted-space">&nbsp; &nbsp; &nbsp; </span>I always =
appreciated Zappa but never loved him.....</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">the same =
with King Crimson,<span class=3D"Apple-converted-space">&nbsp; =
</span>Fripp, <span class=3D"Apple-converted-space">&nbsp; =
</span>Primus,<span class=3D"Apple-converted-space">&nbsp; </span>the =
Residents,<span class=3D"Apple-converted-space">&nbsp; </span>Mr. =
Bungle,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Captain Beefheart,<span =
class=3D"Apple-converted-space">&nbsp; </span>Tom Waits.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">*********************************</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">warning, <span =
class=3D"Apple-converted-space">&nbsp; </span>the next bit is really =
self indulgent, so you can skip over it......it's just</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">a bunch of stuff that I love..............</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">*********************************</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I always feel like a heretic =
admitting this, but the people I've loved have been</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">people like the Beatles, the early Stones,<span =
class=3D"Apple-converted-space">&nbsp; </span>a ton of early British =
Invasion when it was</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">on the riff rock side of =
things, Cream, Led Zeppelin,<span class=3D"Apple-converted-space">&nbsp; =
</span>David Bowie,<span class=3D"Apple-converted-space">&nbsp; =
</span>Joni Mitchell, Crosby, Stills, Nash and Young,<span =
class=3D"Apple-converted-space">&nbsp; </span>Peter Gabriel (but not so =
much anymore), James Brown,<span class=3D"Apple-converted-space">&nbsp; =
</span>Motown and Stax/Volt 60's soul,<span =
class=3D"Apple-converted-space">&nbsp; </span>Roots Reggae,<span =
class=3D"Apple-converted-space">&nbsp; </span>African Pop music,<span =
class=3D"Apple-converted-space">&nbsp; </span>Middleeastern Pop music, =
Nine Inch Nails,the Cure (but nothing, really, after =
Disentegration),<span class=3D"Apple-converted-space">&nbsp; =
</span>Boards of Canada, Aphex Twin (but not the later stuff),<span =
class=3D"Apple-converted-space">&nbsp; </span>Autechre (but only the =
middle period), Bjork,<span class=3D"Apple-converted-space">&nbsp; =
</span>the Knife,<span class=3D"Apple-converted-space">&nbsp; =
</span>Fever Ray, Sufjan Stevens, Elliot Smith, Miles Davis =
(particularly his modal period and early fusion periods), Ralph Vaugh =
Williams, Maurice Ravel and then a lot of records by people that ended =
up being their worst selling records:</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Veedon =
Fleece by Van Morrison</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Happy/Sad by Tim =
Buckley</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Along the Red Ledge by Hall =
&amp; Oates</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Heroes and Low by =
Bowie</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Before and After Science by =
Brian Eno</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Kiko by Los Lobos</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and then =
I really round this odd list off with individual tracks by straight up =
pop artists like</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Missy Elliot, Eminem,<span =
class=3D"Apple-converted-space">&nbsp; </span>Chrisina Aguilera, Justin =
Timberlake, Madonna, Evelyn 'Champagne' King, Siouxsie and the Banshees, =
Thomas Dolby, Peter Murphy, Kings of Leon,</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">MGMT and =
the list goes.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">this reminds me:<span =
class=3D"Apple-converted-space">&nbsp; </span>I'm in<span =
class=3D"Apple-converted-space">&nbsp; </span>a particular love affair =
with simple riff rock lately and playing as minimally as I've ever =
played with Done Beginner my wife's band........using really big, thick =
drum sticks......listening to the Kills, the Yeah, Yeah, Yeahs,<span =
class=3D"Apple-converted-space">&nbsp; </span>the Dead Weather, Black =
Rebel Motorcycle Club (their rockier stuff), Filter, Local H, =
Nirvana,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Soundgarden, New Order (this =
great record that didn't sell well for them called 'Get Ready'), =
Editors</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">and even some early =
U2.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">okay, there's more, but I'm =
rambling...........</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div> </blockquote><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div> </blockquote></div><br></div></body></html>=

--Apple-Mail-18--865737170--

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Date: Thu, 23 Dec 2010 08:30:30 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Ok, back on topic, shoe question?
To: Loopers-Delight@loopers-delight.com
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finally something down to earth:-)

The best shoes I found are UVEX work shoes. They are meant for rugged work, have 
a rigid sole and a shell to protect the toes, but they are still light, flexible 
and look kool... Hey that kicks it, they are black and red and look like slick 
bowling shoes. I always get comments form the fashion oriented ladies, and I 
don't mind (heavy wink)!

The rigid sole makes the button punching more accurate and less tough on the 
feet!

Antony



________________________________
From: Andy Owens <andy@1800dialword.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, December 23, 2010 5:15:44 PM
Subject: Ok, back on topic, shoe question?

Allright fellers, I know lots of us'ns have switches on the floor, so here's a 
relevant on topic question.  


What are the best looping shoes?????

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 23, 2010, at 1:38 AM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Revfever wrote:
>> PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakland at 
>>the Fox Theater SOON on   Dec.30th  for any of you that are in that area! (Rick 
>>W? And...?)
>> http://www.songkick.com/concerts/7085826-primus-at-fox-theater
> I got to open for the Residents a few years ago and it was such a peak 
>experience
> for me that I think I might not go see them again.
> 
> I always appreciated them, frankly, but never loved them like so many people 
>did.
> 
> I seemed to have an atypical relationship to a lot of artists that are dearly 
>loved by
> lots of people on this list.       I always appreciated Zappa but never loved 
>him.....
> the same with King Crimson,  Fripp,   Primus,  the Residents,  Mr. Bungle,
> Captain Beefheart,  Tom Waits.
> 
> *********************************
> 
> warning,   the next bit is really self indulgent, so you can skip over 
>it......it's just
> a bunch of stuff that I love..............
> 
> *********************************
> 
> I always feel like a heretic admitting this, but the people I've loved have 
>been
> people like the Beatles, the early Stones,  a ton of early British Invasion 
>when it was
> on the riff rock side of things, Cream, Led Zeppelin,  David Bowie,  Joni 
>Mitchell, Crosby, Stills, Nash and Young,  Peter Gabriel (but not so much 
>anymore), James Brown,  Motown and Stax/Volt 60's soul,  Roots Reggae,  African 
>Pop music,  Middleeastern Pop music, Nine Inch Nails,the Cure (but nothing, 
>really, after Disentegration),  Boards of Canada, Aphex Twin (but not the later 
>stuff),  Autechre (but only the middle period), Bjork,  the Knife,  Fever Ray, 
>Sufjan Stevens, Elliot Smith, Miles Davis (particularly his modal period and 
>early fusion periods), Ralph Vaugh Williams, Maurice Ravel and then a lot of 
>records by people that ended up being their worst selling records:
> Veedon Fleece by Van Morrison
> Happy/Sad by Tim Buckley
> Along the Red Ledge by Hall & Oates
> Heroes and Low by Bowie
> Before and After Science by Brian Eno
> Kiko by Los Lobos
> 
> and then I really round this odd list off with individual tracks by straight up 
>pop artists like
> Missy Elliot, Eminem,  Chrisina Aguilera, Justin Timberlake, Madonna, Evelyn 
>'Champagne' King, Siouxsie and the Banshees, Thomas Dolby, Peter Murphy, Kings 
>of Leon,
> MGMT and the list goes.
> 
> this reminds me:  I'm in  a particular love affair with simple riff rock lately 
>and playing as minimally as I've ever played with Done Beginner my wife's 
>band........using really big, thick drum sticks......listening to the Kills, the 
>Yeah, Yeah, Yeahs,  the Dead Weather, Black Rebel Motorcycle Club (their rockier 
>stuff), Filter, Local H, Nirvana,
> Soundgarden, New Order (this great record that didn't sell well for them called 
>'Get Ready'), Editors
> and even some early U2.
> 
> okay, there's more, but I'm rambling...........
> 


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>finally something down to earth:-)</div><div><br></div><div>The best shoes I found are UVEX work shoes. They are meant for rugged work, have a rigid sole and a shell to protect the toes, but they are still light, flexible and look kool... Hey that kicks it, they are black and red and look like slick bowling shoes. I always get comments form the fashion oriented ladies, and I don't mind (heavy wink)!</div><div><br></div><div>The rigid sole makes the button punching more accurate and less tough on the feet!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Andy Owens
 &lt;andy@1800dialword.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 23, 2010 5:15:44 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Ok, back on topic, shoe question?<br></font><br>
Allright fellers, I know lots of us'ns have switches on the floor, so here's a relevant on topic question.&nbsp; <br><br>What are the best looping shoes?????<br><br>Andy Owens<br>1-800-AndyOwens<br>Sent from my iPhone<br>So the typing might not be my best!<br><br><br>On Dec 23, 2010, at 1:38 AM, Rick Walker &lt;<a ymailto="mailto:looppool@cruzio.com" href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><br>&gt; On 7/22/64 11:59 AM, Revfever wrote:<br>&gt;&gt; PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakland at the Fox Theater SOON on&nbsp;  Dec.30th&nbsp; for any of you that are in that area! (Rick W? And...?)<br><span>&gt;&gt; <a target="_blank" href="http://www.songkick.com/concerts/7085826-primus-at-fox-theater">http://www.songkick.com/concerts/7085826-primus-at-fox-theater</a></span><br>&gt; I got to open for the Residents a few years ago and it was such a peak experience<br>&gt; for me that I think I
 might not go see them again.<br>&gt; <br>&gt; I always appreciated them, frankly, but never loved them like so many people did.<br>&gt; <br>&gt; I seemed to have an atypical relationship to a lot of artists that are dearly loved by<br>&gt; lots of people on this list.&nbsp; &nbsp; &nbsp;  I always appreciated Zappa but never loved him.....<br>&gt; the same with King Crimson,&nbsp; Fripp,&nbsp;  Primus,&nbsp; the Residents,&nbsp; Mr. Bungle,<br>&gt; Captain Beefheart,&nbsp; Tom Waits.<br>&gt; <br>&gt; *********************************<br>&gt; <br>&gt; warning,&nbsp;  the next bit is really self indulgent, so you can skip over it......it's just<br>&gt; a bunch of stuff that I love..............<br>&gt; <br>&gt; *********************************<br>&gt; <br>&gt; I always feel like a heretic admitting this, but the people I've loved have been<br>&gt; people like the Beatles, the early Stones,&nbsp; a ton of early British Invasion when it was<br>&gt; on the
 riff rock side of things, Cream, Led Zeppelin,&nbsp; David Bowie,&nbsp; Joni Mitchell, Crosby, Stills, Nash and Young,&nbsp; Peter Gabriel (but not so much anymore), James Brown,&nbsp; Motown and Stax/Volt 60's soul,&nbsp; Roots Reggae,&nbsp; African Pop music,&nbsp; Middleeastern Pop music, Nine Inch Nails,the Cure (but nothing, really, after Disentegration),&nbsp; Boards of Canada, Aphex Twin (but not the later stuff),&nbsp; Autechre (but only the middle period), Bjork,&nbsp; the Knife,&nbsp; Fever Ray, Sufjan Stevens, Elliot Smith, Miles Davis (particularly his modal period and early fusion periods), Ralph Vaugh Williams, Maurice Ravel and then a lot of records by people that ended up being their worst selling records:<br>&gt; Veedon Fleece by Van Morrison<br>&gt; Happy/Sad by Tim Buckley<br>&gt; Along the Red Ledge by Hall &amp; Oates<br>&gt; Heroes and Low by Bowie<br>&gt; Before and After Science by Brian Eno<br>&gt; Kiko by Los Lobos<br>&gt;
 <br>&gt; and then I really round this odd list off with individual tracks by straight up pop artists like<br>&gt; Missy Elliot, Eminem,&nbsp; Chrisina Aguilera, Justin Timberlake, Madonna, Evelyn 'Champagne' King, Siouxsie and the Banshees, Thomas Dolby, Peter Murphy, Kings of Leon,<br>&gt; MGMT and the list goes.<br>&gt; <br>&gt; this reminds me:&nbsp; I'm in&nbsp; a particular love affair with simple riff rock lately and playing as minimally as I've ever played with Done Beginner my wife's band........using really big, thick drum sticks......listening to the Kills, the Yeah, Yeah, Yeahs,&nbsp; the Dead Weather, Black Rebel Motorcycle Club (their rockier stuff), Filter, Local H, Nirvana,<br>&gt; Soundgarden, New Order (this great record that didn't sell well for them called 'Get Ready'), Editors<br>&gt; and even some early U2.<br>&gt; <br>&gt; okay, there's more, but I'm rambling...........<br>&gt; <br><br></div></div><div style="position:fixed"></div>


</div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 16:31:04 2010
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Date: Thu, 23 Dec 2010 08:31:02 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Ok, back on topic, shoe question?
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <FEF8C746-4E25-4A00-BC62-A134EAE6FD6C@btinternet.com>
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the white high tops?

A



________________________________
From: Matt Stevens <mattstevensguitar@btinternet.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, December 23, 2010 5:25:58 PM
Subject: Re: Ok, back on topic, shoe question?

Converse - nothing comes close :)


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 23 Dec 2010, at 16:15, Andy Owens wrote:

Allright fellers, I know lots of us'ns have switches on the floor, so here's a 
relevant on topic question.  
>
>
>What are the best looping shoes?????
>
>
>Andy Owens
>1-800-AndyOwens
>Sent from my iPhone
>So the typing might not be my best!
>
>
>
>
>On Dec 23, 2010, at 1:38 AM, Rick Walker <looppool@cruzio.com> wrote:
>
>
>On 7/22/64 11:59 AM, Revfever wrote:
>>PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakland at 
>>the Fox Theater SOON on   Dec.30th  for any of you that are in that area! (Rick 
>>W? And...?)
>>>http://www.songkick.com/concerts/7085826-primus-at-fox-theater
>I got to open for the Residents a few years ago and it was such a peak 
>experience
>for me that I think I might not go see them again.
>
>
>I always appreciated them, frankly, but never loved them like so many people 
>did.
>
>
>I seemed to have an atypical relationship to a lot of artists that are dearly 
>loved by
>lots of people on this list.       I always appreciated Zappa but never loved 
>him.....
>the same with King Crimson,  Fripp,   Primus,  the Residents,  Mr. Bungle,
>Captain Beefheart,  Tom Waits.
>
>
>*********************************
>
>
>warning,   the next bit is really self indulgent, so you can skip over 
>it......it's just
>a bunch of stuff that I love..............
>
>
>*********************************
>
>
>I always feel like a heretic admitting this, but the people I've loved have 
been
>people like the Beatles, the early Stones,  a ton of early British Invasion when 
>it was
>on the riff rock side of things, Cream, Led Zeppelin,  David Bowie,  Joni 
>Mitchell, Crosby, Stills, Nash and Young,  Peter Gabriel (but not so much 
>anymore), James Brown,  Motown and Stax/Volt 60's soul,  Roots Reggae,  African 
>Pop music,  Middleeastern Pop music, Nine Inch Nails,the Cure (but nothing, 
>really, after Disentegration),  Boards of Canada, Aphex Twin (but not the later 
>stuff),  Autechre (but only the middle period), Bjork,  the Knife,  Fever Ray, 
>Sufjan Stevens, Elliot Smith, Miles Davis (particularly his modal period and 
>early fusion periods), Ralph Vaugh Williams, Maurice Ravel and then a lot of 
>records by people that ended up being their worst selling records:
>Veedon Fleece by Van Morrison
>Happy/Sad by Tim Buckley
>Along the Red Ledge by Hall & Oates
>Heroes and Low by Bowie
>Before and After Science by Brian Eno
>Kiko by Los Lobos
>
>
>and then I really round this odd list off with individual tracks by straight up 
>pop artists like
>Missy Elliot, Eminem,  Chrisina Aguilera, Justin Timberlake, Madonna, Evelyn 
>'Champagne' King, Siouxsie and the Banshees, Thomas Dolby, Peter Murphy, Kings 
>of Leon,
>MGMT and the list goes.
>
>
>this reminds me:  I'm in  a particular love affair with simple riff rock lately 
>and playing as minimally as I've ever played with Done Beginner my wife's 
>band........using really big, thick drum sticks......listening to the Kills, the 
>Yeah, Yeah, Yeahs,  the Dead Weather, Black Rebel Motorcycle Club (their rockier 
>stuff), Filter, Local H, Nirvana,
>Soundgarden, New Order (this great record that didn't sell well for them called 
>'Get Ready'), Editors
>and even some early U2.
>
>
>okay, there's more, but I'm rambling...........
>
>


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>the white high tops?</div><div><br></div><div>A</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Matt Stevens &lt;mattstevensguitar@btinternet.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 23, 2010 5:25:58 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Ok, back on topic, shoe question?<br></font><br>

Converse - nothing comes close :)<div><br><div> <span class="Apple-style-span" style="border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;orphans:2;text-align:auto;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="Apple-style-span" style="border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div>Matt Stevens</div><div><a target="_blank" href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></div><div><a rel="nofollow" ymailto="mailto:mattstevensguitar@btinternet.com" target="_blank"
 href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"></span><br class="Apple-interchange-newline"> </div><br><div><div>On 23 Dec 2010, at 16:15, Andy Owens wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Allright fellers, I know lots of us'ns have switches on the floor, so here's a relevant on topic question. <span class="Apple-converted-space">&nbsp;</span></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">What are the best looping shoes?????</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div
 style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Andy Owens</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">1-800-AndyOwens</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Sent from my iPhone</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">So the typing might not be my best!</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">On Dec 23, 2010, at 1:38 AM, Rick Walker &lt;<a rel="nofollow" ymailto="mailto:looppool@cruzio.com" target="_blank" href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:</div><div
 style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div> <blockquote type="cite"><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">On 7/22/64 11:59 AM, Revfever wrote:</div> <blockquote type="cite"><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakland at the Fox Theater SOON on <span class="Apple-converted-space">&nbsp; </span>Dec.30th<span class="Apple-converted-space">&nbsp; </span>for any of you that are in that area! (Rick W? And...?)</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"><span><a target="_blank" href="http://www.songkick.com/concerts/7085826-primus-at-fox-theater">http://www.songkick.com/concerts/7085826-primus-at-fox-theater</a></span></div> </blockquote><div
 style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">I got to open for the Residents a few years ago and it was such a peak experience</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">for me that I think I might not go see them again.</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">I always appreciated them, frankly, but never loved them like so many people did.</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">I seemed to have an atypical relationship to a lot of artists that are dearly loved by</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">lots of people on this list. <span
 class="Apple-converted-space">&nbsp; &nbsp; &nbsp; </span>I always appreciated Zappa but never loved him.....</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">the same with King Crimson,<span class="Apple-converted-space">&nbsp; </span>Fripp, <span class="Apple-converted-space">&nbsp; </span>Primus,<span class="Apple-converted-space">&nbsp; </span>the Residents,<span class="Apple-converted-space">&nbsp; </span>Mr. Bungle,</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Captain Beefheart,<span class="Apple-converted-space">&nbsp; </span>Tom Waits.</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">*********************************</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div
 style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">warning, <span class="Apple-converted-space">&nbsp; </span>the next bit is really self indulgent, so you can skip over it......it's just</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">a bunch of stuff that I love..............</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">*********************************</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">I always feel like a heretic admitting this, but the people I've loved have been</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">people like the Beatles, the early
 Stones,<span class="Apple-converted-space">&nbsp; </span>a ton of early British Invasion when it was</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">on the riff rock side of things, Cream, Led Zeppelin,<span class="Apple-converted-space">&nbsp; </span>David Bowie,<span class="Apple-converted-space">&nbsp; </span>Joni Mitchell, Crosby, Stills, Nash and Young,<span class="Apple-converted-space">&nbsp; </span>Peter Gabriel (but not so much anymore), James Brown,<span class="Apple-converted-space">&nbsp; </span>Motown and Stax/Volt 60's soul,<span class="Apple-converted-space">&nbsp; </span>Roots Reggae,<span class="Apple-converted-space">&nbsp; </span>African Pop music,<span class="Apple-converted-space">&nbsp; </span>Middleeastern Pop music, Nine Inch Nails,the Cure (but nothing, really, after Disentegration),<span class="Apple-converted-space">&nbsp; </span>Boards of Canada, Aphex Twin (but not the later stuff),<span
 class="Apple-converted-space">&nbsp; </span>Autechre (but only the middle period), Bjork,<span class="Apple-converted-space">&nbsp; </span>the Knife,<span class="Apple-converted-space">&nbsp; </span>Fever Ray, Sufjan Stevens, Elliot Smith, Miles Davis (particularly his modal period and early fusion periods), Ralph Vaugh Williams, Maurice Ravel and then a lot of records by people that ended up being their worst selling records:</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Veedon Fleece by Van Morrison</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Happy/Sad by Tim Buckley</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Along the Red Ledge by Hall &amp; Oates</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Heroes and Low by Bowie</div><div
 style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Before and After Science by Brian Eno</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Kiko by Los Lobos</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">and then I really round this odd list off with individual tracks by straight up pop artists like</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Missy Elliot, Eminem,<span class="Apple-converted-space">&nbsp; </span>Chrisina Aguilera, Justin Timberlake, Madonna, Evelyn 'Champagne' King, Siouxsie and the Banshees, Thomas Dolby, Peter Murphy, Kings of Leon,</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">MGMT and the list goes.</div><div
 style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">this reminds me:<span class="Apple-converted-space">&nbsp; </span>I'm in<span class="Apple-converted-space">&nbsp; </span>a particular love affair with simple riff rock lately and playing as minimally as I've ever played with Done Beginner my wife's band........using really big, thick drum sticks......listening to the Kills, the Yeah, Yeah, Yeahs,<span class="Apple-converted-space">&nbsp; </span>the Dead Weather, Black Rebel Motorcycle Club (their rockier stuff), Filter, Local H, Nirvana,</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Soundgarden, New Order (this great record that didn't sell well for them called 'Get Ready'), Editors</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">and even some early
 U2.</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">okay, there's more, but I'm rambling...........</div><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div> </blockquote><div style="margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div> </blockquote></div><br></div></div></div><div style="position:fixed"></div>


</div><br>

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	<6FA51F81-EA89-46C4-BEBE-55C5C660EB9E@1800dialword.com>
Date: Thu, 23 Dec 2010 17:37:56 +0100
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Subject: Re: Ok, back on topic, shoe question?
From: Per Boysen <perboysen@gmail.com>
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On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens <andy@1800dialword.com> wrote:
> What are the best looping shoes?????


White.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From: todd reynolds <toddreyn@gmail.com>
Date: Thu, 23 Dec 2010 11:39:33 -0500
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lol.  good one Pair.  ;)

On Thu, Dec 23, 2010 at 11:37 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens <andy@1800dialword.com> wrote=
:
> > What are the best looping shoes?????
>
>
> White.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--001636c5a5d0f5870404981684c1
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lol. =A0good one Pair. =A0;)<br><br><div class=3D"gmail_quote">On Thu, Dec =
23, 2010 at 11:37 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:pe=
rboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc soli=
d;padding-left:1ex;">

<div class=3D"im">On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens &lt;<a href=
=3D"mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt; wrote:<br>
&gt; What are the best looping shoes?????<br>
<br>
<br>
</div>White.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now released on iTunes and Amazon! :=
:=A0 Read about it here... <a href=3D"http://bit.ly/3Pm4g3">http://bit.ly/3=
Pm4g3</a><br>

<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><b=
r><a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler=
</a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com=
/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com">http://blog.toddreynolds.com</a><b=
r><a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreyn=
olds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbn=
ation.com/toddreynolds</a><br>

<br>

--001636c5a5d0f5870404981684c1--

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Date: Thu, 23 Dec 2010 16:43:40 +0000
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Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


None at all - weather permitting - I was thinking about this the other day=
=2C (what  sad geek). Since loopers regard their looping rigs as instrument=
s=2C it makes sense not to wear shoes
while "playing" the pedals.
After all=2C you wouldn't play the guitar with gloves on would you?
=20
Peace
=20
G

=20
> Date: Thu=2C 23 Dec 2010 17:37:56 +0100
> Subject: Re: Ok=2C back on topic=2C shoe question?
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Thu=2C Dec 23=2C 2010 at 5:15 PM=2C Andy Owens <andy@1800dialword.com>=
 wrote:
> > What are the best looping shoes?????
>=20
>=20
> White.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

--_407841a6-6f5f-41d0-a6ba-997759cfe356_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
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</head>
<body class=3D'hmmessage'>
None at all -&nbsp=3Bweather permitting - I was thinking about this the oth=
er day=2C (what&nbsp=3B sad geek). Since loopers regard their looping rigs =
as instruments=2C it makes sense not to wear shoes<BR>
while&nbsp=3B"playing" the&nbsp=3Bpedals.<BR>
After all=2C you wouldn't play the guitar with gloves on would you?<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>
<BR>&nbsp=3B<BR>
&gt=3B Date: Thu=2C 23 Dec 2010 17:37:56 +0100<BR>&gt=3B Subject: Re: Ok=2C=
 back on topic=2C shoe question?<BR>&gt=3B From: perboysen@gmail.com<BR>&gt=
=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B On Thu=2C =
Dec 23=2C 2010 at 5:15 PM=2C Andy Owens &lt=3Bandy@1800dialword.com&gt=3B w=
rote:<BR>&gt=3B &gt=3B What are the best looping shoes?????<BR>&gt=3B <BR>&=
gt=3B <BR>&gt=3B White.<BR>&gt=3B <BR>&gt=3B Greetings from Sweden<BR>&gt=
=3B <BR>&gt=3B Per Boysen<BR>&gt=3B www.boysen.se<BR>&gt=3B www.perboysen.c=
om<BR>&gt=3B www.looproom.com internet music hub<BR>&gt=3B <BR> 		 	   		  =
</body>
</html>=

--_407841a6-6f5f-41d0-a6ba-997759cfe356_--

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Subject: Re: Ok, back on topic, shoe question?
Date: Thu, 23 Dec 2010 09:47:59 -0700
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Since going the laptop route I guess, for me, it'll be bare foot and  
learning to type with my toes....


From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 16:49:48 2010
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Date: Thu, 23 Dec 2010 17:49:46 +0100
Message-ID: <AANLkTi=+OrWpAsTUEfWfGmo=vh7HqRmte7VSn127qkAB@mail.gmail.com>
Subject: Re: Ok, back on topic, shoe question?
From: Per Boysen <perboysen@gmail.com>
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On Thu, Dec 23, 2010 at 5:43 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> After all, you wouldn't play the guitar with gloves on would you?

Well, I could do that if I was allowed to first customize the gloves
by cutting off its fingers. Accordingly, white shoes with holes for
toes would be rad for looping.

Greetings from Sweden

Per Boysen ;-)
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 16:51:06 2010
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Subject: Re: Ok, back on topic, shoe question?
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I tried but find it hard on the feet.

A



________________________________
From: Gareth Whittock <buddhamachine@live.co.uk>
To: loopers-delight@loopers-delight.com
Sent: Thu, December 23, 2010 5:43:40 PM
Subject: RE: Ok, back on topic, shoe question?

 None at all - weather permitting - I was thinking about this the other day, 
(what  sad geek). Since loopers regard their looping rigs as instruments, it 
makes sense not to wear shoes
while "playing" the pedals.
After all, you wouldn't play the guitar with gloves on would you?
 
Peace
 
G

 
> Date: Thu, 23 Dec 2010 17:37:56 +0100
> Subject: Re: Ok, back on topic, shoe question?
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
> 
> On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens <andy@1800dialword.com> wrote:
> > What are the best looping shoes?????
> 
> 
> White.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
> 



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I tried but find it hard on the feet.</div><div><br></div><div>A</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Gareth Whittock &lt;buddhamachine@live.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> loopers-delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 23, 2010 5:43:40 PM<br><b><span style="font-weight: bold;">Subject:</span></b> RE: Ok, back on topic, shoe question?<br></font><br>


<style><!--
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None at all -&nbsp;weather permitting - I was thinking about this the other day, (what&nbsp; sad geek). Since loopers regard their looping rigs as instruments, it makes sense not to wear shoes<br>
while&nbsp;"playing" the&nbsp;pedals.<br>
After all, you wouldn't play the guitar with gloves on would you?<br>
&nbsp;<br>
Peace<br>
&nbsp;<br>
G<br>
<br>&nbsp;<br>
&gt; Date: Thu, 23 Dec 2010 17:37:56 +0100<br>&gt; Subject: Re: Ok, back on topic, shoe question?<br>&gt; From: perboysen@gmail.com<br>&gt; To: Loopers-Delight@loopers-delight.com<br>&gt; <br>&gt; On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens &lt;andy@1800dialword.com&gt; wrote:<br>&gt; &gt; What are the best looping shoes?????<br>&gt; <br>&gt; <br>&gt; White.<br>&gt; <br>&gt; Greetings from Sweden<br>&gt; <br>&gt; Per Boysen<br>&gt; <a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br>&gt; <a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br>&gt; <a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br>&gt; <br> 		 	   		  
</div></div><div style="position:fixed"></div>


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Date: Thu, 23 Dec 2010 18:55:09 +0200
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--20cf3054a2038a626d049816bb77
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http://img.wolverineworldwide.com/is/image/bulk/cat7/2009/8/24/CAT-W710203-07.tif?op_usm=0.5,1&wid=500&hei=500&qlt=70&fmt=png-alpha

this is my choice of looping shoes :-)

-Petri-

2010/12/23 <antonyhequet@yahoo.com>

> I tried but find it hard on the feet.
>
> A
>
> ------------------------------
> *From:* Gareth Whittock <buddhamachine@live.co.uk>
> *To:* loopers-delight@loopers-delight.com
> *Sent:* Thu, December 23, 2010 5:43:40 PM
> *Subject:* RE: Ok, back on topic, shoe question?
>
> None at all - weather permitting - I was thinking about this the other day,
> (what  sad geek). Since loopers regard their looping rigs as instruments, it
> makes sense not to wear shoes
> while "playing" the pedals.
> After all, you wouldn't play the guitar with gloves on would you?
>
> Peace
>
> G
>
>
> > Date: Thu, 23 Dec 2010 17:37:56 +0100
> > Subject: Re: Ok, back on topic, shoe question?
> > From: perboysen@gmail.com
> > To: Loopers-Delight@loopers-delight.com
> >
> > On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens <andy@1800dialword.com>
> wrote:
> > > What are the best looping shoes?????
> >
> >
> > White.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> > www.looproom.com internet music hub
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2038a626d049816bb77
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<a href=3D"http://img.wolverineworldwide.com/is/image/bulk/cat7/2009/8/24/C=
AT-W710203-07.tif?op_usm=3D0.5,1&amp;wid=3D500&amp;hei=3D500&amp;qlt=3D70&a=
mp;fmt=3Dpng-alpha">http://img.wolverineworldwide.com/is/image/bulk/cat7/20=
09/8/24/CAT-W710203-07.tif?op_usm=3D0.5,1&amp;wid=3D500&amp;hei=3D500&amp;q=
lt=3D70&amp;fmt=3Dpng-alpha</a><br>
<br>this is my choice of looping shoes :-)<br><br>-Petri-<br><br><div class=
=3D"gmail_quote">2010/12/23  <span dir=3D"ltr">&lt;<a href=3D"mailto:antony=
hequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span><br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
<div><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt=
;"><div>I tried but find it hard on the feet.</div><div><br></div><div>A</d=
iv><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt;"=
>
<br><div style=3D"font-family: times new roman,new york,times,serif; font-s=
ize: 12pt;"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span style=
=3D"font-weight: bold;">From:</span></b> Gareth Whittock &lt;<a href=3D"mai=
lto:buddhamachine@live.co.uk" target=3D"_blank">buddhamachine@live.co.uk</a=
>&gt;<br>
<b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:loop=
ers-delight@loopers-delight.com" target=3D"_blank">loopers-delight@loopers-=
delight.com</a><br><b><span style=3D"font-weight: bold;">Sent:</span></b> T=
hu, December 23, 2010 5:43:40 PM<br>
<b><span style=3D"font-weight: bold;">Subject:</span></b> RE: Ok, back on t=
opic, shoe question?<br></font><div><div></div><div class=3D"h5"><br>





None at all -=A0weather permitting - I was thinking about this the other da=
y, (what=A0 sad geek). Since loopers regard their looping rigs as instrumen=
ts, it makes sense not to wear shoes<br>
while=A0&quot;playing&quot; the=A0pedals.<br>
After all, you wouldn&#39;t play the guitar with gloves on would you?<br>
=A0<br>
Peace<br>
=A0<br>
G<br>
<br>=A0<br>
&gt; Date: Thu, 23 Dec 2010 17:37:56 +0100<br>&gt; Subject: Re: Ok, back on=
 topic, shoe question?<br>&gt; From: <a href=3D"mailto:perboysen@gmail.com"=
 target=3D"_blank">perboysen@gmail.com</a><br>&gt; To: <a href=3D"mailto:Lo=
opers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@looper=
s-delight.com</a><br>
&gt; <br>&gt; On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens &lt;<a href=3D"ma=
ilto:andy@1800dialword.com" target=3D"_blank">andy@1800dialword.com</a>&gt;=
 wrote:<br>&gt; &gt; What are the best looping shoes?????<br>&gt; <br>&gt; =
<br>
&gt; White.<br>&gt; <br>&gt; Greetings from Sweden<br>&gt; <br>&gt; Per Boy=
sen<br>&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.s=
e</a><br>&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.pe=
rboysen.com</a><br>
&gt; <a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com=
</a> internet music hub<br>&gt; <br> 		 	   		 =20
</div></div></div></div><div></div>


</div><br>







      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a2038a626d049816bb77--

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	<BAY145-w42D9592FF317AF61883FC8851C0@phx.gbl>
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Date: Thu, 23 Dec 2010 11:55:27 -0500
Message-ID: <AANLkTin5r6myhFqWidLJNmB6Y4FmDh_q2+nmyybBKU8R@mail.gmail.com>
Subject: Re: OT: Lunar Solstice
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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141

j

On Thu, Dec 23, 2010 at 4:55 AM,  <antonyhequet@yahoo.com> wrote:
> have faith, how old will you be then? I know the Taoist techniques for very
> long life, maybe we should start practicing them...
> ________________________________
> From: Gareth Whittock <buddhamachine@live.co.uk>
> To: loopers-delight@loopers-delight.com
> Sent: Thu, December 23, 2010 6:43:32 AM
> Subject: RE: OT: Lunar Solstice
>
> The next lunar eclipse is 2014 but the next one on the solstice will be 2094
> - I think I'm gonna miss that one..
>
> Peace
>
> G
>
>> Date: Wed, 22 Dec 2010 15:13:46 -0800
>> From: looppool@cruzio.como
>> To: nemoguitt@aol.com
>> CC: Loopers-Delight@loopers-delight.com
>> Subject: Re: Re: OT: Lunar Solstice
>>
>> On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
>> > but the next time is 2095 or something like that.....things really are
>> > moving faster!
>> My wife Chris, who is up on these things, said the next one is 2014. I
>> didn't verify it
>> but she's rarely wrong about her research into anything......one of the
>> sharpest human beings
>> I've ever met.
>>
>> rick walker
>>
>
>

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My wife bought me a pair of Vibram running shoes with the individual =
toes.  They're pretty good.  I still prefer my stockin' feet whenever =
possible, but for outdoor gigs these will do.


On Dec 23, 2010, at 8:15 AM, Andy Owens wrote:

> What are the best looping shoes?????





David Gans - david@trufun.com or david@gdhour.com
Blog:  http://cloudsurfing.gdhour.com
Music: http://www.cdbaby.com/all/dgans




From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 17:05:52 2010
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I like barefoot to but electocution is something I havent worked into the se=
t!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 23, 2010, at 11:51 AM, <antonyhequet@yahoo.com> wrote:

> I tried but find it hard on the feet.
>=20
> A
>=20
> From: Gareth Whittock <buddhamachine@live.co.uk>
> To: loopers-delight@loopers-delight.com
> Sent: Thu, December 23, 2010 5:43:40 PM
> Subject: RE: Ok, back on topic, shoe question?
>=20
> None at all - weather permitting - I was thinking about this the other day=
, (what  sad geek). Since loopers regard their looping rigs as instruments, i=
t makes sense not to wear shoes
> while "playing" the pedals.
> After all, you wouldn't play the guitar with gloves on would you?
> =20
> Peace
> =20
> G
>=20
> =20
> > Date: Thu, 23 Dec 2010 17:37:56 +0100
> > Subject: Re: Ok, back on topic, shoe question?
> > From: perboysen@gmail.com
> > To: Loopers-Delight@loopers-delight.com
> >=20
> > On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens <andy@1800dialword.com> wrot=
e:
> > > What are the best looping shoes?????
> >=20
> >=20
> > White.
> >=20
> > Greetings from Sweden
> >=20
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> > www.looproom.com internet music hub
> >=20
>=20

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 17:12:33 2010
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Subject: Re: Ok, back on topic, shoe question?
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Thread-Topic: Ok, back on topic, shoe question?
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On 12/24/10 1:15 AM, "Andy Owens" <andy@1800dialword.com> wrote:
>
> Allright fellers, I know lots of us'ns have switches on the floor, so here's a
> relevant on topic question.
> 
> What are the best looping shoes?????

Wrestling shoes, IMNSHO.  They're tight yet comfy like sneakers, but they
have a thin flexible sole so you can actually feel the buttons under your
feet.

        --m.


From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 17:15:13 2010
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Subject: Re: Ok, back on topic, shoe question?
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The Tai Chi slippers with the plastic( not rope ) soles.
Cheap, and easy to slip on.

Barefoot is great for fcb1010, but with the Gordius LG
I found it all to easy for the switches to find the gaps
between the toes, and not activate.
While it *is* possible to get those small switches 
with just the big toe I found that I often missed 
when it came to actual live performance as opposed to 
rehearsal.

andy butler

Gareth Whittock wrote:
> None at all - weather permitting - 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 17:22:00 2010
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Subject: RE: Ok, back on topic, shoe question?
Date: Thu, 23 Dec 2010 17:21:51 +0000
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hehe..
=20
. Accordingly=2C white shoes with holes for
> toes would be rad for looping.
>=20
> Greetings from Sweden
>=20
> Per Boysen =3B-)
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

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<body class=3D'hmmessage'>
hehe..<BR>&nbsp=3B<BR>
. Accordingly=2C white shoes with holes for<BR>&gt=3B toes would be rad for=
 looping.<BR>&gt=3B <BR>&gt=3B Greetings from Sweden<BR>&gt=3B <BR>&gt=3B P=
er Boysen =3B-)<BR>&gt=3B www.boysen.se<BR>&gt=3B www.perboysen.com<BR>&gt=
=3B www.looproom.com internet music hub<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_2f7e3253-53f2-426c-9354-c21687f23b74_--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 17:51:48 2010
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Ninja tabi shoes are cool and allow for the individual movement of the big =
toe --And =3D=2C after all that is the main one needed for flexibility.
And I have played guitar with gloves on! It actually worked using black lea=
ther driving gloves!=20
See the vid!

http://www.youtube.com/watch?v=3DEKuE6ZkxNd4

about half way thru=20
J.D.Devros

From: buddhamachine@live.co.uk
To: loopers-delight@loopers-delight.com
Subject: RE: Ok=2C back on topic=2C shoe question?
Date: Thu=2C 23 Dec 2010 16:43:40 +0000








None at all - weather permitting - I was thinking about this the other day=
=2C (what  sad geek). Since loopers regard their looping rigs as instrument=
s=2C it makes sense not to wear shoes

while "playing" the pedals.

After all=2C you wouldn't play the guitar with gloves on would you?

=20

Peace

=20

G


=20

> Date: Thu=2C 23 Dec 2010 17:37:56 +0100
> Subject: Re: Ok=2C back on topic=2C shoe question?
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Thu=2C Dec 23=2C 2010 at 5:15 PM=2C Andy Owens <andy@1800dialword.com>=
 wrote:
> > What are the best looping shoes?????
>=20
>=20
> White.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

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Ninja tabi shoes are cool and allow for the individual movement of the big =
toe --And =3D=2C after all that is the main one needed for flexibility.<br>=
And I have played guitar with gloves on! It actually worked using black lea=
ther driving gloves! <br>See the vid!<br><br>http://www.youtube.com/watch?v=
=3DEKuE6ZkxNd4<br><br>about half way thru <br>J.D.Devros<br><br><hr id=3D"s=
topSpelling">From: buddhamachine@live.co.uk<br>To: loopers-delight@loopers-=
delight.com<br>Subject: RE: Ok=2C back on topic=2C shoe question?<br>Date: =
Thu=2C 23 Dec 2010 16:43:40 +0000<br><br>

<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
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None at all -&nbsp=3Bweather permitting - I was thinking about this the oth=
er day=2C (what&nbsp=3B sad geek). Since loopers regard their looping rigs =
as instruments=2C it makes sense not to wear shoes<br>
while&nbsp=3B"playing" the&nbsp=3Bpedals.<br>
After all=2C you wouldn't play the guitar with gloves on would you?<br>
&nbsp=3B<br>
Peace<br>
&nbsp=3B<br>
G<br>
<br>&nbsp=3B<br>
&gt=3B Date: Thu=2C 23 Dec 2010 17:37:56 +0100<br>&gt=3B Subject: Re: Ok=2C=
 back on topic=2C shoe question?<br>&gt=3B From: perboysen@gmail.com<br>&gt=
=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B On Thu=2C =
Dec 23=2C 2010 at 5:15 PM=2C Andy Owens &lt=3Bandy@1800dialword.com&gt=3B w=
rote:<br>&gt=3B &gt=3B What are the best looping shoes?????<br>&gt=3B <br>&=
gt=3B <br>&gt=3B White.<br>&gt=3B <br>&gt=3B Greetings from Sweden<br>&gt=
=3B <br>&gt=3B Per Boysen<br>&gt=3B www.boysen.se<br>&gt=3B www.perboysen.c=
om<br>&gt=3B www.looproom.com internet music hub<br>&gt=3B <br> 		 	   		  =
</body>
</html>=

--_a3fc6323-432f-4d53-89c5-95c65d042c70_--

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From: antonyhequet@yahoo.com
Subject: Re: Ok, back on topic, shoe question?
To: Loopers-Delight@loopers-delight.com
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Yup, 

I have boxing shoes that fit thta description and work nicely.
A



________________________________
From: Dustbunnies <mech@m3ch.net>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, December 23, 2010 6:12:27 PM
Subject: Re: Ok, back on topic, shoe question?

On 12/24/10 1:15 AM, "Andy Owens" <andy@1800dialword.com> wrote:
>
> Allright fellers, I know lots of us'ns have switches on the floor, so here's a
> relevant on topic question.
> 
> What are the best looping shoes?????

Wrestling shoes, IMNSHO.  They're tight yet comfy like sneakers, but they
have a thin flexible sole so you can actually feel the buttons under your
feet.

        --m.


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>Yup,&nbsp;</div><div><br></div><div>I have boxing shoes that fit thta description and work nicely.</div><div>A</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Dustbunnies &lt;mech@m3ch.net&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 23, 2010 6:12:27 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Ok, back on topic, shoe question?<br></font><br>
On 12/24/10 1:15 AM, "Andy Owens" &lt;<a ymailto="mailto:andy@1800dialword.com" href="mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt; wrote:<br>&gt;<br>&gt; Allright fellers, I know lots of us'ns have switches on the floor, so here's a<br>&gt; relevant on topic question.<br>&gt; <br>&gt; What are the best looping shoes?????<br><br>Wrestling shoes, IMNSHO.&nbsp; They're tight yet comfy like sneakers, but they<br>have a thin flexible sole so you can actually feel the buttons under your<br>feet.<br><br>&nbsp; &nbsp; &nbsp; &nbsp; --m.<br><br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 18:09:47 2010
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References: <2984402612C34FD78AF00709192DFF39@mpeserver> <4D1139A1.7080607@cruzio.com> <815351.13326.qm@web114510.mail.gq1.yahoo.com> <4D132A7C.5060005@tiscali.co.uk>
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Subject: RE: OT Re: the 60's 70's etc
Date: Thu, 23 Dec 2010 10:09:33 -0800
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"Damn kids..."  LOL..

Caedmon


-----Original Message-----

The great thing about 60's 70's was that the each band had it's own unique
sound (even the crappy ones), nowadays the bands can be described with
reference to "other bands"...and that's exactly what they sound like.

andy butler (age 49)

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 18:23:53 2010
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Subject: Residents and other bands
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I had my Residents phase back in my early/mid 20s. They really haven't
been the same band since 1983 or so. (Those are not linked statements
- I'm in my 30s.) I saw them in 2001, and found myself wishing I'd
seen them 20-25 years earlier.

In my heavy iPod rotation right now: Pram, Madlib (including Jaylib,
Madvillian, Quasimoto, etc), Juana Molina, Long Fin Killie


--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

Rick Walker <looppool@cruzio.com> was like:
>
> I got to open for the Residents a few years ago and it was such a peak
> experience
> for me that I think I might not go see them again.
>
> I always appreciated them, frankly, but never loved them like so many peo=
ple
> did.
>
> I seemed to have an atypical relationship to a lot of artists that are
> dearly loved by
> lots of people on this list. =A0 =A0 =A0 I always appreciated Zappa but n=
ever
> loved him.....
> the same with King Crimson, =A0Fripp, =A0 Primus, =A0the Residents, =A0Mr=
. Bungle,
> Captain Beefheart, =A0Tom Waits.
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 18:30:09 2010
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Ooh thats an idea, wrestler boots like Nacho Libre!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 23, 2010, at 12:56 PM, "antonyhequet@yahoo.com" <antonyhequet@yahoo.c=
om> wrote:

> Yup,=20
>=20
> I have boxing shoes that fit thta description and work nicely.
> A
>=20
> From: Dustbunnies <mech@m3ch.net>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, December 23, 2010 6:12:27 PM
> Subject: Re: Ok, back on topic, shoe question?
>=20
> On 12/24/10 1:15 AM, "Andy Owens" <andy@1800dialword.com> wrote:
> >
> > Allright fellers, I know lots of us'ns have switches on the floor, so he=
re's a
> > relevant on topic question.
> >=20
> > What are the best looping shoes?????
>=20
> Wrestling shoes, IMNSHO.  They're tight yet comfy like sneakers, but they
> have a thin flexible sole so you can actually feel the buttons under your
> feet.
>=20
>         --m.
>=20
>=20
>=20

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Holiday time wasting fun if needed:

Graphical sequencer -- check out the Demo
http://www.isleoftune.com/

and a

generative "musical ecosystem"
http://seaquence.org/

via Neatorama and Boing Boing


cheers

BobC

http://tinyurl.com/yt8f8j

http://www.youtube.com/user/tynego
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div><br></div><div><br></div><div>Holiday time wasting fun if =
needed:</div><div><br></div><div>Graphical sequencer -- check out the =
Demo</div><a =
href=3D"http://www.isleoftune.com/">http://www.isleoftune.com/</a><div><br=
><div>and a</div><div><br></div><div>generative "musical =
ecosystem"</div><div>http://seaquence.org/</div><div><br></div><div>via =
Neatorama and Boing =
Boing</div><div><br></div><div><br></div><div>cheers&nbsp;</div><div><br><=
/div><div>BobC</div><div><br></div><div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; =
">http://tinyurl.com/yt8f8j</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; min-height: 13px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
11px/normal 'Lucida Grande'; =
">http://www.youtube.com/user/tynego</div></div></div></body></html>=

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Subject: Ok, back on topic, shoe question?
From: Rainer Straschill <moinsound@googlemail.com>
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Andy asked:
> What are the best looping shoes?????

Had that discussion about one year ago:
http://twitpic.com/13tqbm

        Rainer

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From: EDWARD                    YUHAS  <ejyuhas@embarqmail.com>
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I threw my shoes at Bush a few years ago, so now I loop barefoot... ;-)

Seriously though...my Doc Martens shoes with a softer, non-lug sole work nicely; also have a pair of Puma "French" that are relatively flat and responsive. And of course, in the home...barefoot, with big toe extended.

Edward


----- Original Message -----

Allright fellers, I know lots of us'ns have switches on the floor, so here's a relevant on topic question.  

What are the best looping shoes?????

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 19:45:41 2010
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Subject: Re: Ok, back on topic, shoe question?
Date: Thu, 23 Dec 2010 19:45:36 -0000
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ï»¿I have an odd set of feet: my little toe is the same size as the one next 
to it.  This makes for real fun when trying to find shoes that fit... While 
I have never searched enough to find the kind of marshal-artist-style 
sock/shoes worn by Buckaroo Banzai - I recall a thread like this on LD back 
in the late 90s - I have found real satisfaction with a pair of Lacoste 
sneakers, as they're not combat-boot-toe-shaped and are comfortable as well. 
I only wish I could find a black and a red pair (this last for my Christmas 
shows coming up).

I'd think bicycle-oriented shoes would work as well.

Oh, and I'm playing daily from Christmas Day to January 5 on ustream at 5pm 
London time.  Though the temperature between the house and the studio just 
doesn't permit playing in pajamas like last year!

http://www.ustream.tv/channel/twelve-days-of-christmas-2010-11


Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv
*
Sent from a PC, not an iPhone 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 20:14:14 2010
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Subject: Re: EDP loop capture
From: Mark Hamburg <mark@grubmah.com>
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On Dec 20, 2010, at 4:53 PM, William Walker wrote:

> "Would it be possible without a lot of fancy footwork to use either =
the Looperlative or the RC-50 to do loop capture from an EDP (or a =
stereo pair of EDPs)?"
>=20
> ????? Mark  I feel this question is a bit vague so its hard for me to =
answer, but I'll try.  Of course its very easy to run one looper in to =
another and resample loops, I do this all the time using the M-9 to =
create a loop and resample it using my Looperlative, I assume it would =
be just as easy with an EDP or two feeding an RC-50, looperlative or =
other stereo looper, however the RC-50 is somewhat limited in what it =
can do compared to the Looperlative and I'm not sure if it has a true =
stereo input, someone chime in please..  But fancy footwork? By that do =
you mean having one controller control both units? I personally prefer =
having separate control surfaces for separate loopers, though I'm no =
Savion Glover,  it takes the guess work out of  having to figure out =
which loop you are controlling from one midi pedal.   I  thought you =
went so far as to buy a looperlative?

Okay. Some more clarity.

Yes, I've got a Looperlative. While it works well as a multi-track =
looper, I haven't found it as natural for evolving and manipulating =
loops as the EDP with Loop IV. I find the operating modes approach of =
the EDP to work better for me than the command sequence approach of the =
Looperlative.

(A certain tendency on the part of the Looperlative to crash -- a =
problem Randolf Arriola and I seem to share but you don't suggesting =
we're pushing it in different ways than you -- has also made me cautious =
with the Looperlative. It feels like there are ragged edges in the =
software and/or system demands and it isn't entirely clear where they =
are.)

So, that then leads to the question of how could I leverage the two =
together and the seemingly natural thing to do is use the Looperlative =
as a way of capturing various EDP built loops and manipulating them.

This is basically a resampling problem and I'm well aware of loop =
resampling as a concept. The issues that I've been concerned with =
include:

* Getting the timing right seems to be relatively critical for avoiding =
pops and clicks at the boundaries.

* Having to execute lots of carefully timed operations is a distraction =
from performing. What I really want to say is, "I like this loop. Save =
it into a slot on the multi-track looper and start a new loop on the =
EDP" and I want to say it with as few operations as possible.

Can I get things to lock well enough using MIDI to get reliable, =
seamless loop capture?

How sophisticated a MIDI controller am I likely to need to make it all =
work?

As for the RC-50, it comes up because I figure I really only need a few =
loops beyond the EDP and it's basically self-contained which has a =
certain degree of attractiveness. (I'm seriously contemplating trying to =
figure out how to turn the EDPs into a floor unit...) But if I need a =
serious MIDI controller, then I probably might as well live with a rack =
for the EDPs and the LP-1.

Mark

P.S. Y2KX was interesting from the standpoint of working only with the =
looper in the M13.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 20:17:18 2010
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For several years, I performed in my socks. Those work great with the =
EDP footpedal. They don't feel so good with the Line6 switches.

Then, probably about the time I started standing up while performing, I =
started using cowboy boots because they have nice solid, pointy toes.

I went with tennis shoes at Y2KX because I didn't bother to bring my =
boots with me to Santa Cruz (though they certainly would have fit in the =
car).

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 20:42:54 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: Residents and other bands
Date: Thu, 23 Dec 2010 12:42:42 -0800
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The Residents have always been an ever-evolving troupe and more than  
just "a band" and have incorporated all kinds of other elements into  
their creations and shows along with also creating and producing an  
astounding number of other products and swag, etc. Some people "get  
it" with them and some do not.  No big deal. That's just the way the  
cookie crumbles. But, apparently a lot of people did, and / or still  
do since their shows are usually packed in other cities that I have  
seen them in thru out the years.(Dallas,TX, Seattle, WA, Portland,OR)  
I've happily stayed "on board" with them all these many, many years  
and have always been pleased as punch that I did.

Remember that famous line from Sly and the Family Stone: "Diff'rent  
strokes for diff'rent folks"  :-)

Grape Nut Flakes,
Rev. Fever

On Dec 23, 2010, at 10:23 AM, Matt Davignon wrote:

> I had my Residents phase back in my early/mid 20s. They really haven't
> been the same band since 1983 or so. (Those are not linked statements
> - I'm in my 30s.) I saw them in 2001, and found myself wishing I'd
> seen them 20-25 years earlier.
>
> In my heavy iPod rotation right now: Pram, Madlib (including Jaylib,
> Madvillian, Quasimoto, etc), Juana Molina, Long Fin Killie
>
>
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
> Rick Walker <looppool@cruzio.com> was like:
>>
>> I got to open for the Residents a few years ago and it was such a  
>> peak
>> experience
>> for me that I think I might not go see them again.
>>
>> I always appreciated them, frankly, but never loved them like so  
>> many people
>> did.
>>
>> I seemed to have an atypical relationship to a lot of artists that  
>> are
>> dearly loved by
>> lots of people on this list.       I always appreciated Zappa but  
>> never
>> loved him.....
>> the same with King Crimson,  Fripp,   Primus,  the Residents,  Mr.  
>> Bungle,
>> Captain Beefheart,  Tom Waits.
>>
>

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Subject: Re: EDP loop capture
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Hi,
this is an interesting problem, but I have neither of those loopers,
so my contribution will be rather theoretical...

The crucial part of the problem is making sure the LP1 captures the
loop cleanly.  Ideally, when you press a button, the LP1 would wait
for the beginning of a cycle on the EDP and capture untill the end of
the cycle.  Everything else is fancy footwork or programming a
sophisticated footcontroller (gordius?) or a sequencer / laptop.

To that end, I'd look first at what midi messages, if any, the EDP can
send at the begining or end of a cycle.  You could use those to
trigger events in either the LP1 or in another controller (or
sequencer/laptop) and this could help you set the start and end point
of your loop capture in the LP1.  If the EDP can't do this (or some
variant that allows you to calculate the lenght of time to capture),
you might need to use a sequencer to automate loop capture on both
device (may not be an option for you, depending on your use of the
EDP).

good luck, and let us know how you end up solving this

Sylvain




On Thu, Dec 23, 2010 at 3:14 PM, Mark Hamburg <mark@grubmah.com> wrote:
> On Dec 20, 2010, at 4:53 PM, William Walker wrote:
>
>> "Would it be possible without a lot of fancy footwork to use either the =
Looperlative or the RC-50 to do loop capture from an EDP (or a stereo pair =
of EDPs)?"
>>
>> ????? Mark =A0I feel this question is a bit vague so its hard for me to =
answer, but I'll try. =A0Of course its very easy to run one looper in to an=
other and resample loops, I do this all the time using the M-9 to create a =
loop and resample it using my Looperlative, I assume it would be just as ea=
sy with an EDP or two feeding an RC-50, looperlative or other stereo looper=
, however the RC-50 is somewhat limited in what it can do compared to the L=
ooperlative and I'm not sure if it has a true stereo input, someone chime i=
n please.. =A0But fancy footwork? By that do you mean having one controller=
 control both units? I personally prefer having separate control surfaces f=
or separate loopers, though I'm no Savion Glover, =A0it takes the guess wor=
k out of =A0having to figure out which loop you are controlling from one mi=
di pedal. =A0 I =A0thought you went so far as to buy a looperlative?
>
> Okay. Some more clarity.
>
> Yes, I've got a Looperlative. While it works well as a multi-track looper=
, I haven't found it as natural for evolving and manipulating loops as the =
EDP with Loop IV. I find the operating modes approach of the EDP to work be=
tter for me than the command sequence approach of the Looperlative.
>
> (A certain tendency on the part of the Looperlative to crash -- a problem=
 Randolf Arriola and I seem to share but you don't suggesting we're pushing=
 it in different ways than you -- has also made me cautious with the Looper=
lative. It feels like there are ragged edges in the software and/or system =
demands and it isn't entirely clear where they are.)
>
> So, that then leads to the question of how could I leverage the two toget=
her and the seemingly natural thing to do is use the Looperlative as a way =
of capturing various EDP built loops and manipulating them.
>
> This is basically a resampling problem and I'm well aware of loop resampl=
ing as a concept. The issues that I've been concerned with include:
>
> * Getting the timing right seems to be relatively critical for avoiding p=
ops and clicks at the boundaries.
>
> * Having to execute lots of carefully timed operations is a distraction f=
rom performing. What I really want to say is, "I like this loop. Save it in=
to a slot on the multi-track looper and start a new loop on the EDP" and I =
want to say it with as few operations as possible.
>
> Can I get things to lock well enough using MIDI to get reliable, seamless=
 loop capture?
>
> How sophisticated a MIDI controller am I likely to need to make it all wo=
rk?
>
> As for the RC-50, it comes up because I figure I really only need a few l=
oops beyond the EDP and it's basically self-contained which has a certain d=
egree of attractiveness. (I'm seriously contemplating trying to figure out =
how to turn the EDPs into a floor unit...) But if I need a serious MIDI con=
troller, then I probably might as well live with a rack for the EDPs and th=
e LP-1.
>
> Mark
>
> P.S. Y2KX was interesting from the standpoint of working only with the lo=
oper in the M13.
>
>

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Mark Hamburg wrote:
> 
>> "Would it be possible without a lot of fancy footwork to use either the Looperlative or the RC-50 to do loop capture from an EDP (or a stereo pair of EDPs)?"
>>

> Okay. Some more clarity.
> 
> Yes, I've got a Looperlative. While it works well as a multi-track looper, I haven't found it as natural for evolving and manipulating loops as the EDP with Loop IV. I find the operating modes approach of the EDP to work better for me than the command sequence approach of the Looperlative.

You might find that if you analyse your favourite moves from the edp that get you to
where you want to go it's possible to get the Looperlative to fill the same role.

> 
> (A certain tendency on the part of the Looperlative to crash -- 

Which software version are you using?
1.38 is deadly (that's the one available by direct download)
1.37 is (I think) what Bill uses, it's too flaky for *some* of what I've tried to do with it.
    It certainly seems that v.short loops and a fast stream of commands can kill it.
1.34c is generally considered stable, I *can* crash it but only by going a bit unreasonable.




> 
> So, that then leads to the question of how could I leverage the two together and the seemingly natural thing to do is use the Looperlative as a way of capturing various EDP built loops and manipulating them.
> 
> This is basically a resampling problem and I'm well aware of loop resampling as a concept. The issues that I've been concerned with include:
> 
> * Getting the timing right seems to be relatively critical for avoiding pops and clicks at the boundaries.

Never had that as a problem, I regularly resample onto the EDPs from Vortex or EH SMM loops.
Should be the same for LP1.
...of course getting the timing right isn't trivial.


> What I really want to say is, "I like this loop. Save it into a slot on the multi-track looper and start a new loop on the EDP" and I want to say it with as few operations as possible.
> 
> Can I get things to lock well enough using MIDI to get reliable, seamless loop capture?

yes, (although I haven't tested that with the LP1)

> 
> How sophisticated a MIDI controller am I likely to need to make it all work?
> 

fcb1010 using Note-On for edp, and ProgCh for LP1.


I wonder though, if you'd find it easier/better to stick with the EDP and 
use a larger MoreLoops param and explore SwitchQuant=Cnf

That offers loop storage, but with the linear flow of the edp so it's
real easy to bring back the loops.
(yes, I know, it's more button presses, but hey after a week or
  so you won't even notice them)


andy butler

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Subject: Re: Ok, back on topic, shoe question?
From: Jeff Duke <jeffloops@gmail.com>
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Socks! I usually only play in my living room but for this occasion at
Y2KX my sis in law made sure I had some colorful foot apparel, Jim
Goodin got some good foot action video from my set  :)
http://vimeo.com/16034181 These actually have some good traction that
will allow me to twiddle knobs with my toes I have learned since.

peace out,

j

On Thu, Dec 23, 2010 at 3:17 PM, Mark Hamburg <mark@grubmah.com> wrote:
> For several years, I performed in my socks. Those work great with the EDP footpedal. They don't feel so good with the Line6 switches.
>
> Then, probably about the time I started standing up while performing, I started using cowboy boots because they have nice solid, pointy toes.
>
> I went with tennis shoes at Y2KX because I didn't bother to bring my boots with me to Santa Cruz (though they certainly would have fit in the car).
>
> Mark
>

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Sylvain Poitras wrote:
> Hi,
> this is an interesting problem, but I have neither of those loopers,
> so my contribution will be rather theoretical...
> 
> 
> To that end, I'd look first at what midi messages, if any, the EDP can
> send at the begining or end of a cycle. 

It does send a message at the end of each cycle, and of each loop.
...but it does it all the time.

Interesting idea but not workable.

Luckily the edp sends out midi time clocks
which the LP1 can sync to.

The LP1 has a Midi Sync Record function...not sure if 
sets the length automatically, or waits for record to 
end and rounds to a multiple.
(I'm patiently waiting for Xavier to implement foot switchable
midi routing in his Little Giant 2 before I investigate that).

andy butler








From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 21:40:45 2010
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From: "Jim W." <synchro1@gmail.com>
Date: Thu, 23 Dec 2010 13:40:01 -0800
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Subject: Re: Residents and other bands
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Interesting, I haven't followed them for about 15 years or so.  No
real reason; still admire the whole zeitgeist behind the "act".  So if
I were to delve into something newer by them, what would you suggest
based on your tastes?  Thx.

On Thu, Dec 23, 2010 at 12:42 PM, Revfever <revfever@ubergadget.com> wrote:
> The Residents have always been an ever-evolving troupe and more than just=
 "a
> band" and have incorporated all kinds of other elements into their creati=
ons
> and shows along with also creating and producing an astounding number of
> other products and swag, etc. Some people "get it" with them and some do
> not. =A0No big deal. That's just the way the cookie crumbles. But, appare=
ntly
> a lot of people did, and / or still do since their shows are usually pack=
ed
> in other cities that I have seen them in thru out the years.(Dallas,TX,
> Seattle, WA, Portland,OR) I've happily stayed "on board" with them all th=
ese
> many, many years and have always been pleased as punch that I did.
>
> Remember that famous line from Sly and the Family Stone: "Diff'rent strok=
es
> for diff'rent folks" =A0:-)
>
> Grape Nut Flakes,
> Rev. Fever
>
> On Dec 23, 2010, at 10:23 AM, Matt Davignon wrote:
>
>> I had my Residents phase back in my early/mid 20s. They really haven't
>> been the same band since 1983 or so. (Those are not linked statements
>> - I'm in my 30s.) I saw them in 2001, and found myself wishing I'd
>> seen them 20-25 years earlier.
>>
>> In my heavy iPod rotation right now: Pram, Madlib (including Jaylib,
>> Madvillian, Quasimoto, etc), Juana Molina, Long Fin Killie
>>
>>
>> --
>> Matt Davignon
>> mattdavignon@gmail.com
>> www.ribosomemusic.com
>> Rigs! www.youtube.com/user/ribosomematt
>>
>> Rick Walker <looppool@cruzio.com> was like:
>>>
>>> I got to open for the Residents a few years ago and it was such a peak
>>> experience
>>> for me that I think I might not go see them again.
>>>
>>> I always appreciated them, frankly, but never loved them like so many
>>> people
>>> did.
>>>
>>> I seemed to have an atypical relationship to a lot of artists that are
>>> dearly loved by
>>> lots of people on this list. =A0 =A0 =A0 I always appreciated Zappa but=
 never
>>> loved him.....
>>> the same with King Crimson, =A0Fripp, =A0 Primus, =A0the Residents, =A0=
Mr.
>>> Bungle,
>>> Captain Beefheart, =A0Tom Waits.
>>>
>>
>
>

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	<847C2C3C-69B1-4036-A59B-40C5D22A5FCF@grubmah.com>
	<AANLkTimYo=PBX-_eq1aK+w2_Ua9BrH=ecQcjJZsBPC+2@mail.gmail.com>
	<4D13BF9D.20709@tiscali.co.uk>
Date: Thu, 23 Dec 2010 16:52:39 -0500
Message-ID: <AANLkTinpBZP8xS4VaWYGGXuMBPhna+h-SvRi=kvT00GD@mail.gmail.com>
Subject: Re: EDP loop capture
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> It does send a message at the end of each cycle, and of each loop.
> ...but it does it all the time.

well, it seems to me all you'd need to do is gate that midi output so
that it gets to the LP1 only when a button is pressed.  Not sure if
hardware exists that allows one to do this, I live mostly in the
laptop.  Maybe something from
http://www.midisolutions.com/products.htm

Sylvain



On Thu, Dec 23, 2010 at 4:31 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> Sylvain Poitras wrote:
>>
>> Hi,
>> this is an interesting problem, but I have neither of those loopers,
>> so my contribution will be rather theoretical...
>>
>>
>> To that end, I'd look first at what midi messages, if any, the EDP can
>> send at the begining or end of a cycle.
>
> It does send a message at the end of each cycle, and of each loop.
> ...but it does it all the time.
>
> Interesting idea but not workable.
>
> Luckily the edp sends out midi time clocks
> which the LP1 can sync to.
>
> The LP1 has a Midi Sync Record function...not sure if sets the length
> automatically, or waits for record to end and rounds to a multiple.
> (I'm patiently waiting for Xavier to implement foot switchable
> midi routing in his Little Giant 2 before I investigate that).
>
> andy butler
>
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 22:21:25 2010
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Date: Thu, 23 Dec 2010 14:21:23 -0800 (PST)
From: chuspa <chuspacpu@yahoo.com>
Subject: Re: mobius basic tutorial
To: Loopers-Delight@loopers-delight.com
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--0-1815840048-1293142883=:25991
Content-Type: text/plain; charset=iso-8859-1
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Jeff, thanks for your writings about mobius looper, it really makes me clea=
r about it
luis prado

--- On Sun, 19/12/10, Jeff Larson <jeff@zonemobius.com> wrote:

From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: mobius basic tutorial
To: Loopers-Delight@loopers-delight.com
Received: Sunday, 19 December, 2010, 9:36 PM

Wow Per, that was great!=A0=A0=A0I had't seen that before.=A0=20

I've been rewriting the Mobius manual(s) over the past few months and have
uploaded some of them to the web site;

=A0 =A0 www.circularlabs.com/newdoc

They aren't done yet but you might find some useful information in them. Wa=
rning though,=20
these are written for the 1.43 release which isn't finished yet.=A0 Many li=
ttle things have changed
so the screen shots you see won't match what you see in 1.42.=A0 It is pret=
ty close though so I
think it is worthwhile to read the installation guide (installation.htm) or=
 if you've already
done a successful install read the GettingStarted With Mobius manual (start=
ing.htm).=A0=A0=A0

Jeff


On Dec 19, 2010, at 1:38 AM, Per Boysen wrote:

> Hi Luis,
>=20
> I posted a step for step tutorial with demo video at
> http://www.perboysen.com/archives/132
>=20
> This uses Mobius and covers some techniques for using chord changes in
> live looping.
>=20
> Greetings from Sweden
>=20
> Per Boysen
>=20
>=20
> On Sun, Dec 19, 2010 at 4:02 AM, chuspa <chuspacpu@yahoo.com> wrote:
>>=20
>>=A0 Hi, does anybody know or have resume a basic mobius app. tutorial?
>> because of the complex manual, I will like to know the basic for use it
>> thanks
>> luis prado
>=20

=0A=0A=0A      
--0-1815840048-1293142883=:25991
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Jeff, thanks for your writings about mobius l=
ooper, it really makes me clear about it<div><br></div><div>luis prado<br><=
br>--- On <b>Sun, 19/12/10, Jeff Larson <i>&lt;jeff@zonemobius.com&gt;</i><=
/b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255);=
 margin-left: 5px; padding-left: 5px;"><br>From: Jeff Larson &lt;jeff@zonem=
obius.com&gt;<br>Subject: Re: mobius basic tutorial<br>To: Loopers-Delight@=
loopers-delight.com<br>Received: Sunday, 19 December, 2010, 9:36 PM<br><br>=
<div class=3D"plainMail">Wow Per, that was great!&nbsp;&nbsp;&nbsp;I had't =
seen that before.&nbsp; <br><br>I've been rewriting the Mobius manual(s) ov=
er the past few months and have<br>uploaded some of them to the web site;<b=
r><br>&nbsp; &nbsp; www.circularlabs.com/newdoc<br><br>They aren't done yet=
 but you might find some useful information in them. Warning though, <br>th=
ese are
 written for the 1.43 release which isn't finished yet.&nbsp; Many little t=
hings have changed<br>so the screen shots you see won't match what you see =
in 1.42.&nbsp; It is pretty close though so I<br>think it is worthwhile to =
read the installation guide (installation.htm) or if you've already<br>done=
 a successful install read the GettingStarted With Mobius manual (starting.=
htm).&nbsp;&nbsp;&nbsp;<br><br>Jeff<br><br><br>On Dec 19, 2010, at 1:38 AM,=
 Per Boysen wrote:<br><br>&gt; Hi Luis,<br>&gt; <br>&gt; I posted a step fo=
r step tutorial with demo video at<br>&gt; <a href=3D"http://www.perboysen.=
com/archives/132" target=3D"_blank">http://www.perboysen.com/archives/132</=
a><br>&gt; <br>&gt; This uses Mobius and covers some techniques for using c=
hord changes in<br>&gt; live looping.<br>&gt; <br>&gt; Greetings from Swede=
n<br>&gt; <br>&gt; Per Boysen<br>&gt; <br>&gt; <br>&gt; On Sun, Dec 19, 201=
0 at 4:02 AM, chuspa &lt;<a ymailto=3D"mailto:chuspacpu@yahoo.com"
 href=3D"/mc/compose?to=3Dchuspacpu@yahoo.com">chuspacpu@yahoo.com</a>&gt; =
wrote:<br>&gt;&gt; <br>&gt;&gt;&nbsp; Hi, does anybody know or have resume =
a basic mobius app. tutorial?<br>&gt;&gt; because of the complex manual, I =
will like to know the basic for use it<br>&gt;&gt; thanks<br>&gt;&gt; luis =
prado<br>&gt; <br><br></div></blockquote></div></td></tr></table><br>=0A=0A=
=0A=0A      &nbsp;
--0-1815840048-1293142883=:25991--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 22:48:08 2010
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on Modulator ESP.  The Featured CD at Midnight
will be "Live in the USA 2009" which is a self-released title.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#dec

You will also hear new music released on the Groove Unlimited and
Ricochet Dream labels.  I will be giving away two sets of Klaus Schulze
DVDs.  One set will go to a local listener and another set to a non-
Pennsylvania resident who listens via the internet.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 23 22:49:23 2010
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From: "Michael Peters" <mp@mpeters.de>
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Subject: hyperspace traffic
Date: Thu, 23 Dec 2010 23:49:16 +0100
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http://www.youtube.com/watch?v=P4Umkr7i148

Soundtrack created using a piano and the Expertsleepers Crossfade Loop Synth
plugin
Video created using Sony Vegas

-Michael Peters


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Subject: Re: EDP loop capture
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On Dec 23, 2010, at 1:09 PM, andy butler wrote:

> fcb1010 using Note-On for edp, and ProgCh for LP1.

One problem I've noticed with some MIDI controllers with respect to =
ProgCh is that they can be overly helpful by not sending the change if =
you are already on that program. (At least the specs on some of them =
read that way.)

> I wonder though, if you'd find it easier/better to stick with the EDP =
and use a larger MoreLoops param and explore SwitchQuant=3DCnf

I generally used my EDP set to a couple of loops. What I've discovered =
though is that I do like to set up a steady pulse on a separate looper. =
I could just use the Looperlative for that -- eight stereo tracks makes =
for a lot of interesting mixing and matching of pulses -- but I was =
thinking it might be nice to be able to spontaneously say "hey, this EDP =
loop is cool, let's keep it going in the background".

The feature I probably miss most from the EDP on the Looperlative =
(besides I think preferring the EDP time readout though neither feels =
really ideal in that regard) is Multiply. When improving, I like to drop =
into multiply mode without thinking about how long I'm going to play =
for. The Looperlative either wants me to specifically extend the loop by =
a certain amount or I need to use Sync Record on a new track which works =
but then I'm back to building layers as opposed to evolving loops.

On the Looperlative stability front, I should probably try to roll back =
a few revisions and see whether things get better though I then need to =
figure out what features I am also giving up and how to balance between =
the two.

Mark

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Subject: Question about Soundplant pc/mac
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf3054a2e9494e6704981c1060
Content-Type: text/plain; charset=ISO-8859-1

Didnt find this on Soundplant's documentation, probably too dumb question,
but:

I'm preparing a keymap on my iMac for upcoming gig.

On the gig I'm running a pc laptop with Soundplant on it.
Does my keymap that I've done with mac-version of the program open properly
on windows version (havent been able to test it yet)
And all the tweakings I've done will be transfered to pc-version of
Soundplant?

so in short: is the .keymap file format cross-platform? :-)

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2e9494e6704981c1060
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Didnt find this on Soundplant&#39;s documentation, probably too dumb questi=
on, but:<br><br>I&#39;m preparing a keymap on my iMac for upcoming gig.<br>=
<br>On the gig I&#39;m running a pc laptop with Soundplant on it.<br>Does m=
y keymap that I&#39;ve done with mac-version of the program open properly o=
n windows version (havent been able to test it yet)<br>
And all the tweakings I&#39;ve done will be transfered to pc-version of Sou=
ndplant?<br><br>so in short: is the .keymap file format cross-platform? :-)=
<br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petril=
ahtinen.com">http://www.petrilahtinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspo=
t.com/</a><br><a href=3D"http://www.myspace.com/petrilahtinen">http://www.m=
yspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen=
">http://twitter.com/PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcam=
p.com/</a><br>---------------------------------------------------<br>&quot;=
Only become professional musician if there is no choice.&quot; -Robert Frip=
p-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--20cf3054a2e9494e6704981c1060--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 00:05:17 2010
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Subject: Re: Ok, back on topic, shoe question?
Date: Thu, 23 Dec 2010 16:05:14 -0800
References: <29B4E54D-1C8C-44E5-89DF-ABA956B8167F@ubergadget.com> <4D12EE71.7010409@cruzio.com> <6FA51F81-EA89-46C4-BEBE-55C5C660EB9E@1800dialword.com>
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BHi all,

Every couple of years I go down to the sporting goods store and buy  
"water shoes".

They are very thin soled and light weight slip-ons - a bit like  
wearing low-cut socks that have a thin rubber tread on them.

I guess they are for people who are into kayaking and windsurfing and  
stuff.

But they are perfect to wear on stage and press buttons on stuff with  
your toes.

They are cheap too - if you go and by them at the end of the warm  
weather "outdoor" water sports season.

I got 2 pair on clearance for under $10.

The only drawback is that they have no arch support at all and can be  
murder on your feet if you wear 'em and walk around all day.

Cheers,

Ted

On Dec 23, 2010, at 8:15 AM, Andy Owens wrote:

> Allright fellers, I know lots of us'ns have switches on the floor,  
> so here's a relevant on topic question.
>
> What are the best looping shoes?????
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>

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Subject: Re: Question about Soundplant pc/mac
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I have not tried that as I am all pc but from the site is this

http://www.soundplant.org/about.htm

"saves and loads keyboard configurations as .keymap files; *new*
.keymaps are fully cross-platform compatible and can be easily
transferred between different computers with the handy 'save w/
sounds' feature"

peace,

J

On Thu, Dec 23, 2010 at 6:16 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> Didnt find this on Soundplant's documentation, probably too dumb question,
> but:
>
> I'm preparing a keymap on my iMac for upcoming gig.
>
> On the gig I'm running a pc laptop with Soundplant on it.
> Does my keymap that I've done with mac-version of the program open properly
> on windows version (havent been able to test it yet)
> And all the tweakings I've done will be transfered to pc-version of
> Soundplant?
>
> so in short: is the .keymap file format cross-platform? :-)
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>

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Sometimes referred to as "reef shoes."


On Dec 23, 2010, at 4:05 PM, tEd =AE KiLLiAn wrote:

> Every couple of years I go down to the sporting goods store and buy =
"water shoes".
>=20
> They are very thin soled and light weight slip-ons - a bit like =
wearing low-cut socks that have a thin rubber tread on them.
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




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The Nativity, 2010

http://www.youtube.com/watch?v=GkHNNPM7pJA

Well... it's kind of loopy


richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">The =
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ont></span></div><div><span class=3D"Apple-style-span" =
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n></div></span></span></div><br></div></body></html>=

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GSi - Soundware for musicians

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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><a href="http://www.genuinesoundware.com/?a=showproduct&amp;b=26">GSi - Soundware for musicians</a></body></html>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 01:27:43 2010
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References: <4D08B2CC.25512.68B0E7@nick.1957.me.uk> <4D094FFA.60100@cruzio.com>
 <AE7F0556-543C-4819-A683-39930A7D8045@glasswing.com>
From: "Jim W." <synchro1@gmail.com>
Date: Thu, 23 Dec 2010 17:27:00 -0800
Message-ID: <AANLkTikHwn2nvtTH2aR0bmS=xLG41jPE8hL50AEutR=r@mail.gmail.com>
Subject: Re: the Nativity, 2010
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Excellent. Thanks for sharing.

On Thu, Dec 23, 2010 at 5:11 PM, richard sales <richard@glasswing.com> wrote:
> The Nativity, 2010
> http://www.youtube.com/watch?v=GkHNNPM7pJA
> Well... it's kind of loopy
>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 01:41:53 2010
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Date: Fri, 24 Dec 2010 02:42:04 +0100
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Subject: Re: Ok, back on topic, shoe question?
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Another vote for converse here...

Sent from my (advertisement removed)

On 23 Dec 2010, at 17:31, "antonyhequet@yahoo.com" <antonyhequet@yahoo.com>
wrote:

the white high tops?

A

------------------------------
*From:* Matt Stevens <mattstevensguitar@btinternet.com>
*To:* Loopers-Delight@loopers-delight.com
*Sent:* Thu, December 23, 2010 5:25:58 PM
*Subject:* Re: Ok, back on topic, shoe question?

Converse - nothing comes close :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 23 Dec 2010, at 16:15, Andy Owens wrote:

Allright fellers, I know lots of us'ns have switches on the floor, so here's
a relevant on topic question.

What are the best looping shoes?????

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 23, 2010, at 1:38 AM, Rick Walker <looppool@cruzio.com> wrote:

On 7/22/64 11:59 AM, Revfever wrote:

PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakland
at the Fox Theater SOON on   Dec.30th  for any of you that are in that area!
(Rick W? And...?)
http://www.songkick.com/concerts/7085826-primus-at-fox-theater

I got to open for the Residents a few years ago and it was such a peak
experience
for me that I think I might not go see them again.

I always appreciated them, frankly, but never loved them like so many people
did.

I seemed to have an atypical relationship to a lot of artists that are
dearly loved by
lots of people on this list.       I always appreciated Zappa but never
loved him.....
the same with King Crimson,  Fripp,   Primus,  the Residents,  Mr. Bungle,
Captain Beefheart,  Tom Waits.

*********************************

warning,   the next bit is really self indulgent, so you can skip over
it......it's just
a bunch of stuff that I love..............

*********************************

I always feel like a heretic admitting this, but the people I've loved have
been
people like the Beatles, the early Stones,  a ton of early British Invasion
when it was
on the riff rock side of things, Cream, Led Zeppelin,  David Bowie,  Joni
Mitchell, Crosby, Stills, Nash and Young,  Peter Gabriel (but not so much
anymore), James Brown,  Motown and Stax/Volt 60's soul,  Roots Reggae,  African
Pop music,  Middleeastern Pop music, Nine Inch Nails,the Cure (but nothing,
really, after Disentegration),  Boards of Canada, Aphex Twin (but not the
later stuff),  Autechre (but only the middle period), Bjork,  the Knife,  Fever
Ray, Sufjan Stevens, Elliot Smith, Miles Davis (particularly his modal
period and early fusion periods), Ralph Vaugh Williams, Maurice Ravel and
then a lot of records by people that ended up being their worst selling
records:
Veedon Fleece by Van Morrison
Happy/Sad by Tim Buckley
Along the Red Ledge by Hall & Oates
Heroes and Low by Bowie
Before and After Science by Brian Eno
Kiko by Los Lobos

and then I really round this odd list off with individual tracks by straight
up pop artists like
Missy Elliot, Eminem,  Chrisina Aguilera, Justin Timberlake, Madonna, Evelyn
'Champagne' King, Siouxsie and the Banshees, Thomas Dolby, Peter Murphy,
Kings of Leon,
MGMT and the list goes.

this reminds me:  I'm in  a particular love affair with simple riff rock
lately and playing as minimally as I've ever played with Done Beginner my
wife's band........using really big, thick drum sticks......listening to the
Kills, the Yeah, Yeah, Yeahs,  the Dead Weather, Black Rebel Motorcycle Club
(their rockier stuff), Filter, Local H, Nirvana,
Soundgarden, New Order (this great record that didn't sell well for them
called 'Get Ready'), Editors
and even some early U2.

okay, there's more, but I'm rambling...........

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<html><body bgcolor=3D"#FFFFFF"><div>Another vote for converse here...<br><=
br>Sent from my (advertisement removed)</div><div><br>On 23 Dec 2010, at 17=
:31, &quot;<a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com=
</a>&quot; &lt;<a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo=
.com</a>&gt; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div><div style=3D"font-fami=
ly:arial, helvetica, sans-serif;font-size:14pt"><div>the white high tops?</=
div><div><br></div><div>A</div><div style=3D"font-family:arial, helvetica, =
sans-serif;font-size:14pt">
<br><div style=3D"font-family:times new roman, new york, times, serif;font-=
size:12pt"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=
=3D"font-weight: bold;">From:</span></b> Matt Stevens &lt;<a href=3D"mailto=
:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;=
<br>
<b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loop=
ers-Delight@loopers-delight.com"><a href=3D"mailto:Loopers-Delight@loopers-=
delight.com">Loopers-Delight@loopers-delight.com</a></a><br><b><span style=
=3D"font-weight: bold;">Sent:</span></b> Thu, December 23, 2010 5:25:58 PM<=
br>
<b><span style=3D"font-weight: bold;">Subject:</span></b> Re: Ok, back on t=
opic, shoe question?<br></font><br>

Converse - nothing comes close :)<div><br><div> <span class=3D"Apple-style-=
span" style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;orphans:2;text-align:auto;text-=
indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px=
;"><span class=3D"Apple-style-span" style=3D"border-collapse:separate;color=
:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;font-v=
ariant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;o=
rphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;wo=
rd-spacing:0px;"><div>
Matt Stevens</div><div><a target=3D"_blank" href=3D"http://www.mattstevensg=
uitar.com"><a href=3D"http://www.mattstevensguitar.com">www.mattstevensguit=
ar.com</a></a></div><div><a rel=3D"nofollow" target=3D"_blank" href=3D"mail=
to:mattstevensguitar@btinternet.com"><a href=3D"mailto:mattstevensguitar@bt=
internet.com">mattstevensguitar@btinternet.com</a></a></div>
<div><br></div></span><br class=3D"Apple-interchange-newline"></span><br cl=
ass=3D"Apple-interchange-newline"> </div><br><div><div>On 23 Dec 2010, at 1=
6:15, Andy Owens wrote:</div><br class=3D"Apple-interchange-newline"><block=
quote type=3D"cite">
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">Allright fellers, I know lots of us&#39;ns have switches on the floo=
r, so here&#39;s a relevant on topic question. <span class=3D"Apple-convert=
ed-space">=A0</span></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px;"><br></div><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px;">What are the best looping shoes????=
?</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px;"><br></div><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px;">Andy Owens</div><div style=3D"margi=
n-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">
1-800-AndyOwens</div><div style=3D"margin-top:0px;margin-right:0px;margin-b=
ottom:0px;margin-left:0px;">Sent from my iPhone</div><div style=3D"margin-t=
op:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">So the typing m=
ight not be my best!</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px;"><br></div><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div styl=
e=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">
On Dec 23, 2010, at 1:38 AM, Rick Walker &lt;<a rel=3D"nofollow" target=3D"=
_blank" href=3D"mailto:looppool@cruzio.com"><a href=3D"mailto:looppool@cruz=
io.com">looppool@cruzio.com</a></a>&gt; wrote:</div><div style=3D"margin-to=
p:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;">
<br></div> <blockquote type=3D"cite"><div style=3D"margin-top:0px;margin-ri=
ght:0px;margin-bottom:0px;margin-left:0px;">On 7/22/64 11:59 AM, Revfever w=
rote:</div> <blockquote type=3D"cite"><div style=3D"margin-top:0px;margin-r=
ight:0px;margin-bottom:0px;margin-left:0px;">
PS- Speaking of THE RESIDENTS, they are doing a show with PRIMUS in Oakland=
 at the Fox Theater SOON on <span class=3D"Apple-converted-space">=A0 </spa=
n>Dec.30th<span class=3D"Apple-converted-space">=A0 </span>for any of you t=
hat are in that area! (Rick W? And...?)</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;"><span><a target=3D"_blank" href=3D"http://www.songkick.com/concerts/=
7085826-primus-at-fox-theater"><a href=3D"http://www.songkick.com/concerts/=
7085826-primus-at-fox-theater">http://www.songkick.com/concerts/7085826-pri=
mus-at-fox-theater</a></a></span></div>
 </blockquote><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0=
px;margin-left:0px;">I got to open for the Residents a few years ago and it=
 was such a peak experience</div><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px;">
for me that I think I might not go see them again.</div><div style=3D"margi=
n-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14p=
x;"><br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0=
px;margin-left:0px;">
I always appreciated them, frankly, but never loved them like so many peopl=
e did.</div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px=
;margin-left:0px;min-height:14px;"><br></div><div style=3D"margin-top:0px;m=
argin-right:0px;margin-bottom:0px;margin-left:0px;">
I seemed to have an atypical relationship to a lot of artists that are dear=
ly loved by</div><div style=3D"margin-top:0px;margin-right:0px;margin-botto=
m:0px;margin-left:0px;">lots of people on this list. <span class=3D"Apple-c=
onverted-space">=A0 =A0 =A0 </span>I always appreciated Zappa but never lov=
ed him.....</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">the same with King Crimson,<span class=3D"Apple-converted-space">=A0=
 </span>Fripp, <span class=3D"Apple-converted-space">=A0 </span>Primus,<spa=
n class=3D"Apple-converted-space">=A0 </span>the Residents,<span class=3D"A=
pple-converted-space">=A0 </span>Mr. Bungle,</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">Captain Beefheart,<span class=3D"Apple-converted-space">=A0 </span>T=
om Waits.</div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:=
0px;margin-left:0px;min-height:14px;">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;">*********************************</div><div style=3D"margi=
n-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14p=
x;">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;">warning, <span class=3D"Apple-converted-space">=A0 </span>=
the next bit is really self indulgent, so you can skip over it......it&#39;=
s just</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">a bunch of stuff that I love..............</div><div style=3D"margin=
-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px=
;">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;">*********************************</div><div style=3D"margi=
n-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14p=
x;">
<br></div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;">I always feel like a heretic admitting this, but the peopl=
e I&#39;ve loved have been</div><div style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px;">
people like the Beatles, the early
 Stones,<span class=3D"Apple-converted-space">=A0 </span>a ton of early Bri=
tish Invasion when it was</div><div style=3D"margin-top:0px;margin-right:0p=
x;margin-bottom:0px;margin-left:0px;">on the riff rock side of things, Crea=
m, Led Zeppelin,<span class=3D"Apple-converted-space">=A0 </span>David Bowi=
e,<span class=3D"Apple-converted-space">=A0 </span>Joni Mitchell, Crosby, S=
tills, Nash and Young,<span class=3D"Apple-converted-space">=A0 </span>Pete=
r Gabriel (but not so much anymore), James Brown,<span class=3D"Apple-conve=
rted-space">=A0 </span>Motown and Stax/Volt 60&#39;s soul,<span class=3D"Ap=
ple-converted-space">=A0 </span>Roots Reggae,<span class=3D"Apple-converted=
-space">=A0 </span>African Pop music,<span class=3D"Apple-converted-space">=
=A0 </span>Middleeastern Pop music, Nine Inch Nails,the Cure (but nothing, =
really, after Disentegration),<span class=3D"Apple-converted-space">=A0 </s=
pan>Boards of Canada, Aphex Twin (but not the later stuff),<span class=3D"A=
pple-converted-space">=A0 </span>Autechre (but only the middle period), Bjo=
rk,<span class=3D"Apple-converted-space">=A0 </span>the Knife,<span class=
=3D"Apple-converted-space">=A0 </span>Fever Ray, Sufjan Stevens, Elliot Smi=
th, Miles Davis (particularly his modal period and early fusion periods), R=
alph Vaugh Williams, Maurice Ravel and then a lot of records by people that=
 ended up being their worst selling records:</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">Veedon Fleece by Van Morrison</div><div style=3D"margin-top:0px;marg=
in-right:0px;margin-bottom:0px;margin-left:0px;">Happy/Sad by Tim Buckley</=
div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">Along the Red Ledge by Hall &amp; Oates</div><div style=3D"margin-to=
p:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Heroes and Low b=
y Bowie</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">Before and After Science by Brian Eno</div><div style=3D"margin-top:=
0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">Kiko by Los Lobos<=
/div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px;"><br></div><div style=3D"margin-top:0px;margin-right:=
0px;margin-bottom:0px;margin-left:0px;">and then I really round this odd li=
st off with individual tracks by straight up pop artists like</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">Missy Elliot, Eminem,<span class=3D"Apple-converted-space">=A0 </spa=
n>Chrisina Aguilera, Justin Timberlake, Madonna, Evelyn &#39;Champagne&#39;=
 King, Siouxsie and the Banshees, Thomas Dolby, Peter Murphy, Kings of Leon=
,</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">MGMT and the list goes.</div><div style=3D"margin-top:0px;margin-rig=
ht:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br></div><div s=
tyle=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;"=
>
this reminds me:<span class=3D"Apple-converted-space">=A0 </span>I&#39;m in=
<span class=3D"Apple-converted-space">=A0 </span>a particular love affair w=
ith simple riff rock lately and playing as minimally as I&#39;ve ever playe=
d with Done Beginner my wife&#39;s band........using really big, thick drum=
 sticks......listening to the Kills, the Yeah, Yeah, Yeahs,<span class=3D"A=
pple-converted-space">=A0 </span>the Dead Weather, Black Rebel Motorcycle C=
lub (their rockier stuff), Filter, Local H, Nirvana,</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;">Soundgarden, New Order (this great record that didn&#39;t sell well =
for them called &#39;Get Ready&#39;), Editors</div><div style=3D"margin-top=
:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;">
and even some early
 U2.</div><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;m=
argin-left:0px;min-height:14px;"><br></div><div style=3D"margin-top:0px;mar=
gin-right:0px;margin-bottom:0px;margin-left:0px;">okay, there&#39;s more, b=
ut I&#39;m rambling...........</div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:14px;"><br></div> </blockquote><div style=3D"margin-top:0px=
;margin-right:0px;margin-bottom:0px;margin-left:0px;min-height:14px;"><br><=
/div>
 </blockquote></div><br></div></div></div><div style=3D"position:fixed"></d=
iv>


</div><br>

      </div></blockquote></body></html>

--20cf30549b2b1b2e3d04981e17ae--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 01:58:05 2010
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On 7/22/64 11:59 AM, Michael Peters wrote:
> http://www.youtube.com/watch?v=P4Umkr7i148
>
> Soundtrack created using a piano and the Expertsleepers Crossfade Loop Synth
> plugin
> Video created using Sony Vegas
>
> -Michael Peters
Can you explain how the Crossfade Loop Synth works,  Michael?

Another brilliant piece of software by our very own Os!

and beautiful piece of music and accompanying video.
Thanks for posting and Merry Christmas to you and your lovely wife!

rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 01:58:34 2010
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Subject: Re: Question about Soundplant pc/mac
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf3054a2e9c53e4404981e522d
Content-Type: text/plain; charset=ISO-8859-1

so there shouldnt be no problem!

thanks, thanks, didnt caught that from the site

--Petri-

2010/12/24 Jeff Duke <jeffloops@gmail.com>

> I have not tried that as I am all pc but from the site is this
>
> http://www.soundplant.org/about.htm
>
> "saves and loads keyboard configurations as .keymap files; *new*
> .keymaps are fully cross-platform compatible and can be easily
> transferred between different computers with the handy 'save w/
> sounds' feature"
>
> peace,
>
> J
>
> On Thu, Dec 23, 2010 at 6:16 PM, Petri Lahtinen <aikuinen@gmail.com>
> wrote:
> > Didnt find this on Soundplant's documentation, probably too dumb
> question,
> > but:
> >
> > I'm preparing a keymap on my iMac for upcoming gig.
> >
> > On the gig I'm running a pc laptop with Soundplant on it.
> > Does my keymap that I've done with mac-version of the program open
> properly
> > on windows version (havent been able to test it yet)
> > And all the tweakings I've done will be transfered to pc-version of
> > Soundplant?
> >
> > so in short: is the .keymap file format cross-platform? :-)
> >
> > --
> > Petri Lahtinen
> > http://www.petrilahtinen.com
> > http://petrilahtinen.blogspot.com/
> > http://www.myspace.com/petrilahtinen
> > http://twitter.com/PetriLahtinen
> > http://petrilahtinen.bandcamp.com/
> > ---------------------------------------------------
> > "Only become professional musician if there is no choice." -Robert Fripp-
> > ---------------------------------------------------
> > "Some people never go crazy. What truly horrible lives they must lead."
> > -Charles Bukowski-
> >
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2e9c53e4404981e522d
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so there shouldnt be no problem!<br><br>thanks, thanks, didnt caught that f=
rom the site<br><br>--Petri-<br><br><div class=3D"gmail_quote">2010/12/24 J=
eff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeffloops@gmail.com">jeffl=
oops@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I have not tried =
that as I am all pc but from the site is this<br>
<br>
<a href=3D"http://www.soundplant.org/about.htm" target=3D"_blank">http://ww=
w.soundplant.org/about.htm</a><br>
<br>
&quot;saves and loads keyboard configurations as .keymap files; *new*<br>
.keymaps are fully cross-platform compatible and can be easily<br>
transferred between different computers with the handy &#39;save w/<br>
sounds&#39; feature&quot;<br>
<br>
peace,<br>
<font color=3D"#888888"><br>
J<br>
</font><div><div></div><div class=3D"h5"><br>
On Thu, Dec 23, 2010 at 6:16 PM, Petri Lahtinen &lt;<a href=3D"mailto:aikui=
nen@gmail.com">aikuinen@gmail.com</a>&gt; wrote:<br>
&gt; Didnt find this on Soundplant&#39;s documentation, probably too dumb q=
uestion,<br>
&gt; but:<br>
&gt;<br>
&gt; I&#39;m preparing a keymap on my iMac for upcoming gig.<br>
&gt;<br>
&gt; On the gig I&#39;m running a pc laptop with Soundplant on it.<br>
&gt; Does my keymap that I&#39;ve done with mac-version of the program open=
 properly<br>
&gt; on windows version (havent been able to test it yet)<br>
&gt; And all the tweakings I&#39;ve done will be transfered to pc-version o=
f<br>
&gt; Soundplant?<br>
&gt;<br>
&gt; so in short: is the .keymap file format cross-platform? :-)<br>
&gt;<br>
&gt; --<br>
&gt; Petri Lahtinen<br>
&gt; <a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.=
petrilahtinen.com</a><br>
&gt; <a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http:=
//petrilahtinen.blogspot.com/</a><br>
&gt; <a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">htt=
p://www.myspace.com/petrilahtinen</a><br>
&gt; <a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://=
twitter.com/PetriLahtinen</a><br>
&gt; <a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http:=
//petrilahtinen.bandcamp.com/</a><br>
&gt; ---------------------------------------------------<br>
&gt; &quot;Only become professional musician if there is no choice.&quot; -=
Robert Fripp-<br>
&gt; ---------------------------------------------------<br>
&gt; &quot;Some people never go crazy. What truly horrible lives they must =
lead.&quot;<br>
&gt; -Charles Bukowski-<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.co=
m</a><br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtine=
n.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a2e9c53e4404981e522d--

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On 7/22/64 11:59 AM, Paul Mimlitsch wrote:
> GSi - Soundware for musicians 
> <http://www.genuinesoundware.com/?a=showproduct&b=26>
For what it's worth,
I beta tested the Roland RE-201 emulation for Universal Audio
right before it came out.

I owned an RE-501 for years and was an expert in it's use.
(I had a separate mic on snare and timbale that I could
control with a footswitch off to the left of my hi hat so
I could do my own real time dubbing,  using my left hand
to control feedback/regeneration and other parameters
so I was incredibly skeptical about UA's digital recreation
but they nailed it to the wall,  replete with choice of
different ages of tape (when they'd get saturated and stretched
they really added character (right before they broke.....lol)

Additionally, you can accurately beat sync to BPM which the original
could never do (although, that imperfection was always part of it's
charm in some ways).

I'm so impressed with the detail that their research and development
team has.

The new Studer emulation is nothing short of brilliance.

I got to hear a 20 minute demo----a/b ing between the real
Studer and the emulation and it's just jaw dropping.

It's going to stop some golden ear/analogue snobs in their tracks.

rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 02:27:12 2010
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I always wondered if one could send a signal through a tremendously long 
wire, long enough that it would take the sound an appreciable length of 
time to arrive, thus creating a delay with relatively little loss of 
fidelity (though I'm sure there'd be a loss of gain, which would need to 
be made up, thus adding some noise to the end signal). Possible? Should 
I look around for a five-mile spool of speaker wire and try it out?

I assume that the speed of the signal through the wire would not be 
limited to the speed of sound in open air, hence it would need to be 
quite a long length...

Daryl Shawn
www.swanwelder.com


> OK, this might be totally technically naiive but with a time delay of 
> around 2 seconds it IS possible to bounce radio signals offf the moon.
> Does anyone here know what sort of fidelity the resultant echo would 
> be ? - you can see where I'm going with this...

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 03:24:47 2010
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"The LP1 has a Midi Sync Record function...not sure if sets the length  
automatically, or waits for record to end and rounds to a multiple.
(I'm patiently waiting for Xavier to implement foot switchable
midi routing in his Little Giant 2 before I investigate that)."
  Simply put, this is the command one uses if they are receiving midi  
clock from an external source,  for example a drum machine or another  
looper.  I have a bank that has this function on a preset that i use  
on the occasion I'm being the slave to another midi clock master  
source. You do set your initial loop length but it locks to clock just  
fine.
bill


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><font class="Apple-style-span" color="#665EFF">"The LP1 has a Midi Sync Record function...not sure if sets the length automatically, or waits for record to end and rounds to a multiple.<br>(I'm patiently waiting for Xavier to implement foot switchable<br>midi routing in his Little Giant 2 before I investigate that)."</font><div>&nbsp;Simply put, this is the command one uses if they are receiving midi clock from an external source, &nbsp;for example a drum machine or another looper. &nbsp;I have a bank that has this function on a preset that i use on the occasion I'm being the slave to another midi clock master source. You do set your initial loop length but it locks to clock just fine.</div><div>bill<br><br></div></body></html>
--Apple-Mail-2--826216852--

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> "1.37 is (I think) what Bill uses, it's too flaky for *some* of what  
> I've tried to do with it."

  1.37  has been stable for me. When Bob gets the time he will debug  
1.38 but he has his hands full right now with other matters. Andy i'm  
not sure what you are doing to cause it to be flaky , I know that if I  
false trigger a record command and create a really short loop, the  
loop can go in to runaway feedback, if I don't get out of overdub  
right away and sometimes it will even if I do.  Unfortunately there  
has yet to be established a list of multiple command sequences that do  
and don't work. So in essence,  if you decide to try a command  
sequence and by that I mean any  set of multiple commands sent from a  
single press of a switch you may achieve the results you want and you  
may not. For example, don't try doubling up a record command and a  
reverse command, it won't work. trust me I've tried it.  But reverse  
will work coupled with a replace function very well.
Bill
--Apple-Mail-3--824868915
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#5841FF">"1.37 is (I think) what =
Bill uses, it's too flaky for *some* of what I've tried to do with =
it."</font></blockquote><div><font class=3D"Apple-style-span" =
color=3D"#5841FF"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#060413">&nbsp;1.37 &nbsp;has been stable for =
me.&nbsp;</font><span class=3D"Apple-style-span" style=3D"color: rgb(6, =
4, 19); ">When Bob gets the time he will debug 1.38 but he has his hands =
full right now with other matters.&nbsp;</span><span =
class=3D"Apple-style-span" style=3D"color: rgb(6, 4, 19); ">Andy i'm not =
sure what you are doing to cause it to be flaky , I know that if I false =
trigger a record command and create a really short loop, the loop can go =
in to runaway feedback, if I don't get out of overdub right away and =
sometimes it will even if I do. &nbsp;Unfortunately there has yet to be =
established a list of multiple command sequences that do and don't work. =
So in essence, &nbsp;if you decide to try a command sequence and by that =
I mean any &nbsp;set of multiple commands sent from a single press of a =
switch you may achieve the results you want and you may not. For =
example, don't try doubling up a record command and a reverse command, =
it won't work. trust me I've tried it. &nbsp;But reverse will work =
coupled with a replace function very well. &nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"color: rgb(6, 4, 19); =
">Bill</span></div></body></html>=

--Apple-Mail-3--824868915--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 03:58:15 2010
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Date: Thu, 23 Dec 2010 22:58:13 -0500
Message-ID: <AANLkTi=pqhn=z7Mwi_qKm=uiENQN9jEFg1YWUE0GxBFK@mail.gmail.com>
Subject: Re: EME moonbounce?
From: Brian Good <bsgood@gmail.com>
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Daryl, do you mean send an electrical signal through the speaker wire?
Electric currents in solids travel at a speed not too different from the
speed of light, so if you wanted a one second delay, you'd need a wire on
the order of a hundred thousand miles long. There's probably an easier way.
:-)

On Thu, Dec 23, 2010 at 9:27 PM, Daryl Shawn <darylshawn@gmail.com> wrote:

> I always wondered if one could send a signal through a tremendously long
> wire, long enough that it would take the sound an appreciable length of time
> to arrive, thus creating a delay with relatively little loss of fidelity
> (though I'm sure there'd be a loss of gain, which would need to be made up,
> thus adding some noise to the end signal). Possible? Should I look around
> for a five-mile spool of speaker wire and try it out?
>
> I assume that the speed of the signal through the wire would not be limited
> to the speed of sound in open air, hence it would need to be quite a long
> length...
>
> Daryl Shawn
> www.swanwelder.com
>
>
>
>  OK, this might be totally technically naiive but with a time delay of
>> around 2 seconds it IS possible to bounce radio signals offf the moon.
>> Does anyone here know what sort of fidelity the resultant echo would be ?
>> - you can see where I'm going with this...
>>
>
>

--20cf300faccfd841fc04981ffe6c
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Daryl, do you mean send an electrical signal through the speaker wire? Elec=
tric currents in solids travel at a speed not too different from the speed =
of light, so if you wanted a one second delay, you&#39;d need a wire on the=
 order of a hundred thousand miles long. There&#39;s probably an easier way=
. :-)<br>
<br><div class=3D"gmail_quote">On Thu, Dec 23, 2010 at 9:27 PM, Daryl Shawn=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:darylshawn@gmail.com">darylshawn@g=
mail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
I always wondered if one could send a signal through a tremendously long wi=
re, long enough that it would take the sound an appreciable length of time =
to arrive, thus creating a delay with relatively little loss of fidelity (t=
hough I&#39;m sure there&#39;d be a loss of gain, which would need to be ma=
de up, thus adding some noise to the end signal). Possible? Should I look a=
round for a five-mile spool of speaker wire and try it out?<br>

<br>
I assume that the speed of the signal through the wire would not be limited=
 to the speed of sound in open air, hence it would need to be quite a long =
length...<br><font color=3D"#888888">
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a></font><div><div></div><div class=3D"h5"><br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
OK, this might be totally technically naiive but with a time delay of aroun=
d 2 seconds it IS possible to bounce radio signals offf the moon.<br>
Does anyone here know what sort of fidelity the resultant echo would be ? -=
 you can see where I&#39;m going with this...<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--20cf300faccfd841fc04981ffe6c--

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Subject: Re: EME moonbounce?
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Oh...drat, I was afraid science might get in the way!

Thanks for the practical info,

Daryl Shawn
Www.swanwelder.com
On Dec 23, 2010 10:58 PM, "Brian Good" <bsgood@gmail.com> wrote:

--001636c596e4f2f20904982123e7
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<p>Oh...drat, I was afraid science might get in the way!</p>
<p>Thanks for the practical info,</p>
<p>Daryl Shawn<br>
<a href="http://Www.swanwelder.com">Www.swanwelder.com</a></p>
<div class="gmail_quote">On Dec 23, 2010 10:58 PM, &quot;Brian Good&quot; &lt;<a href="mailto:bsgood@gmail.com">bsgood@gmail.com</a>&gt; wrote:<br type="attribution"></div>

--001636c596e4f2f20904982123e7--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 06:12:50 2010
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Subject: Re: Ok, back on topic, shoe question?
Date: Thu, 23 Dec 2010 22:12:55 -0800
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While I appreciate my Converse Chucks, the lack of support makes for a long
day if standing, especially if on concrete. These days, the preferred
footwear is the old school black hightop Rebok.



> Another vote for converse here...
>

>
> the white high tops?
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 07:13:58 2010
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Subject: world's funniest looper
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--Apple-Mail-4--812467196
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Reggie Watts, gettin it done on a DL-4, I just saw him live on the  
Conan O'brien Show, doing a hysterical christmas themed looping bit ,  
reminds me of John Whooley, with a bit of Andy Kauffman, and a whole  
lot of vocal and comic talent. http://www.youtube.com/watch?v=35Za4RfX9mo&feature=related 
  he was the opening act on Conan's comedy tour this year and of  
course all over youtube.
I'm sure someone has mentioned this guy before but I must not have  
been paying attention.
Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Reggie Watts, gettin it done on a DL-4, I just saw him live on the Conan O'brien Show, doing a hysterical christmas themed looping bit , reminds me of John Whooley, with a bit of Andy Kauffman, and a whole lot of vocal and comic talent.<a href="http://www.youtube.com/watch?v=35Za4RfX9mo&amp;feature=related">&nbsp;http://www.youtube.com/watch?v=35Za4RfX9mo&amp;feature=related</a>&nbsp;he was the opening act on Conan's comedy tour this year and of course all over youtube.<div>I'm sure someone has mentioned this guy before but I must not have been paying attention.</div><div>Bill</div></body></html>
--Apple-Mail-4--812467196--

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From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Ok, back on topic, shoe question?
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--0-1880046024-1293180075=:96822
Content-Type: text/plain; charset=iso-8859-1
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Rockports.......Whatta ya do......Restaurant gigs

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=20

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=20
=A0http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=20


=A0
> On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens <andy@1800dialword.com> wrote=
:
> > What are the best looping shoes?????

 =09=09 =09   =09=09  =0A=0A=0A=0A
=0A=0A=0A=0A=0A=0A=0A=0A      
--0-1880046024-1293180075=:96822
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Rockports.......Whatta ya do......Restaurant =
gigs<br><br><div><address style=3D"font-family: arial,helvetica,sans-serif;=
 font-weight: bold;"><font color=3D"#bf00bf" size=3D"2">Kyle Dean Patten</f=
ont></address> <address style=3D"font-family: arial,helvetica,sans-serif; c=
olor: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. Box 22</f=
ont></address> <address style=3D"font-family: arial,helvetica,sans-serif; c=
olor: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">Johnston, IA&n=
bsp; 50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp; <br><br style=3D"color: rgb(0, 128, 255);"></font></address> <addre=
ss style=3D"font-family: arial,helvetica,sans-serif; font-weight: bold;"><f=
ont style=3D"font-family: verdana,helvetica,sans-serif; color: rgb(0, 128, =
255);" size=3D"3"><span style=3D"font-size: 9pt;"><span style=3D"color: rgb=
(255, 0,
 127);">&nbsp;http://www.youtube.com/watch?v=3Dobgm3kTi5bs</span><br>&nbsp;=
http://www.youtube.com/watch?v=3Da9g93s0q3uc</span></font><font size=3D"3">=
 <br></font></address> <address><font style=3D"font-family: arial,helvetica=
,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"3"><a r=
el=3D"nofollow" target=3D"_blank" href=3D"http://www.cdbaby.com/cd/kdpatten=
">http://www.cdbaby.com/cd/kdpatten </a><br><span style=3D"color: rgb(255, =
127, 0);">http://www.myspace.com/kyledeanpatten </span><br>&nbsp;</font><fo=
nt style=3D"color: rgb(255, 0, 255); font-family: arial,helvetica,sans-seri=
f; font-weight: bold;" size=3D"3"><a rel=3D"nofollow" target=3D"_blank" hre=
f=3D"http://www.linkedin.com/in/kyledeanpatten" title=3D"View public profil=
e" name=3D"webProfileURL">http://www.linkedin.com/in/kyledeanpatten</a></fo=
nt><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128, =
192, 255); font-weight: bold;" size=3D"3"><font style=3D"color: rgb(255, 0,=
 255); font-family: tahoma,new
 york,times,serif;">&nbsp;&nbsp;</font></font><font style=3D"font-family: t=
ahoma,new york,times,serif; color: rgb(128, 192, 255); font-weight: bold;" =
size=3D"2"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new =
york,times,serif;" size=3D"2">&nbsp;&nbsp;</font>&nbsp;&nbsp;&nbsp; <br></f=
ont><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128,=
 192, 255); font-weight: bold;" size=3D"3"><span style=3D"font-size: 9pt;">=
<span style=3D"font-family: tahoma,new york,times,serif;"></span></span></f=
ont><br style=3D"font-weight: bold;"><br></address></div><blockquote style=
=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left=
: 5px;"><div id=3D"yiv763904174"><div style=3D"font-family: arial,helvetica=
,sans-serif; font-size: 14pt;"><div style=3D"font-family: arial,helvetica,s=
ans-serif; font-size: 14pt;"><div style=3D"font-family: times new roman,new=
 york,times,serif; font-size: 12pt;">&nbsp;<br>&gt; On Thu, Dec 23, 2010 at=
 5:15 PM, Andy Owens
 &lt;andy@1800dialword.com&gt; wrote:<br>&gt; &gt; What are the best loopin=
g shoes?????<br><br> =09=09 =09   =09=09  =0A</div></div><div style=3D""></=
div>=0A=0A=0A</div><br>=0A=0A=0A=0A=0A=0A=0A=0A      </div></blockquote></t=
d></tr></table>
--0-1880046024-1293180075=:96822--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 08:55:18 2010
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References: <04C031BD9DA34E3B96E7984AC46BEEEA@mpeserver> <4D13FE23.4010206@cruzio.com>
Subject: RE: hyperspace traffic
Date: Fri, 24 Dec 2010 09:55:10 +0100
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Rick, sorry for not mentioning your "Miro takes a ride" video ...
http://www.youtube.com/watch?v=Aw72ybyFtWc

... which was an inspiration for this of course. It is now listed in the
notes on the youtube page!

The Crossfade Loop Synth is one of my favorite plugins ever. It is a
realtime sample/playback unit that can run in a loop mode, sampling and
playing back simultaneously. What you play gets sampled, then a few seconds
later, you trigger these samples by the next notes that you play, ans so
forth - instant self-similarity !!

-Michael 

> -----Original Message-----
> From: Rick Walker [mailto:looppool@cruzio.com] 
> Can you explain how the Crossfade Loop Synth works,  Michael?

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 09:39:03 2010
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Subject: Re: EDP loop capture
References: <5B8D60FD-8FDA-40F9-A29D-511A489E957D@baymoon.com>	<847C2C3C-69B1-4036-A59B-40C5D22A5FCF@grubmah.com>	<AANLkTimYo=PBX-_eq1aK+w2_Ua9BrH=ecQcjJZsBPC+2@mail.gmail.com>	<4D13BF9D.20709@tiscali.co.uk> <AANLkTinpBZP8xS4VaWYGGXuMBPhna+h-SvRi=kvT00GD@mail.gmail.com>
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Sylvain Poitras wrote:
>> It does send a message at the end of each cycle, and of each loop.
>> ...but it does it all the time.
> 
> well, it seems to me all you'd need to do is gate that midi output so
> that it gets to the LP1 only when a button is pressed.  Not sure if
> hardware exists that allows one to do this, I live mostly in the
> laptop.  Maybe something from
> http://www.midisolutions.com/products.htm
> 
> Sylvain
> 

The hardware for that is on the way, the next big update
of the Gordius range will have foot controllable 
midi routing.

Now work out how to automatically mute the source loop
as the copy starts playback.

andy butler

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	<4D094FFA.60100@cruzio.com>
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Date: Fri, 24 Dec 2010 04:59:54 -0500
Message-ID: <AANLkTikpfnw=u3v9rVF7znoFR_RtaWj9nh5quGA_CKV6@mail.gmail.com>
Subject: Re: the Nativity, 2010
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--20cf30433eb24f45d10498250cc0
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That's pretty wonderful Richard, thanks for sharing... the nativity in the
modern age, pretty wild.  Merry Christmas to all on the list btw.

Jim

On Thu, Dec 23, 2010 at 8:11 PM, richard sales <richard@glasswing.com>wrote=
:

> The Nativity, 2010
>
> http://www.youtube.com/watch?v=3DGkHNNPM7pJA
>
> Well... it's kind of loopy
>
> <http://www.youtube.com/watch?v=3DGkHNNPM7pJA>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>
>


--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--20cf30433eb24f45d10498250cc0
Content-Type: text/html; charset=ISO-8859-1
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That&#39;s pretty wonderful Richard, thanks for sharing... the nativity in =
the modern age, pretty wild. =A0Merry Christmas to all on the list btw.<div=
><br></div><div>Jim<br><br><div class=3D"gmail_quote">On Thu, Dec 23, 2010 =
at 8:11 PM, richard sales <span dir=3D"ltr">&lt;<a href=3D"mailto:richard@g=
lasswing.com">richard@glasswing.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">The Nat=
ivity, 2010<div><font size=3D"7"><span style=3D"font-size:36px"><br></span>=
</font></div>
<div><span style=3D"font-family:&#39;Times New Roman&#39;"><font color=3D"b=
lack"><span style=3D"color:black"><font size=3D"7"><span style=3D"font-size=
:36px"><a href=3D"http://www.youtube.com/watch?v=3DGkHNNPM7pJA" title=3D"ht=
tp://www.youtube.com/watch?v=3DGkHNNPM7pJA
CTRL + Click to follow link" style=3D"color:blue;text-decoration:underline"=
 target=3D"_blank">http://www.youtube.com/watch?v=3DGkHNNPM7pJA</a></span><=
/font></span></font></span></div><div><span style=3D"font-family:&#39;Times=
 New Roman&#39;"><font color=3D"black"><span style=3D"color:black"><font si=
ze=3D"7"><br>
</font></span></font></span></div><div><span style=3D"font-family:&#39;Time=
s New Roman&#39;"><font color=3D"black"><span style=3D"color:black"><font s=
ize=3D"7"><span style=3D"font-family:Helvetica;font-size:medium">Well... it=
&#39;s kind of loopy</span></font></span></font></span></div>
<div><font face=3D"&#39;Times New Roman&#39;" size=3D"3"><span style=3D"fon=
t-size:13px"><br></span></font></div><font color=3D"#888888"><div><font col=
or=3D"black"><span style=3D"color:black"><a href=3D"http://www.youtube.com/=
watch?v=3DGkHNNPM7pJA" title=3D"http://www.youtube.com/watch?v=3DGkHNNPM7pJ=
A
CTRL + Click to follow link" style=3D"color:blue;text-decoration:underline"=
 target=3D"_blank"></a></span></font><font face=3D"&#39;Times New Roman&#39=
;" size=3D"3"><span style=3D"font-size:13px"><br></span></font><div>
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-align:auto;text-indent:0=
px;text-transform:none;white-space:normal;word-spacing:0px"><span style=3D"=
border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size=
:medium;font-style:normal;font-variant:normal;font-weight:normal;letter-spa=
cing:normal;line-height:normal;text-indent:0px;text-transform:none;white-sp=
ace:normal;word-spacing:0px"><div style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:18px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:18px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<div><font face=3D"Arial">richard sales</font></div><div><font color=3D"#90=
8E38"><a href=3D"http://www.glasswing.com" target=3D"_blank">www.glasswing.=
com</a></font></div><div><font color=3D"#908E38"><a href=3D"http://www.rich=
ardsales.com" target=3D"_blank">www.richardsales.com</a></font></div>
<div><font color=3D"#908E38"><a href=3D"http://www.hayleysales.com" target=
=3D"_blank">www.hayleysales.com</a></font></div></div></span></div></span><=
/div></span></div></span></div></span></div></span></div></span></span></di=
v><br>
</div></font></div></blockquote></div><br><br clear=3D"all"><br>-- <br>From=
 Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgood=
inpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>

</div>

--20cf30433eb24f45d10498250cc0--

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	<4D094FFA.60100@cruzio.com>
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Subject: Re: the Nativity, 2010
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Awesome!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Fri, Dec 24, 2010 at 2:11 AM, richard sales <richard@glasswing.com> wrote:
> The Nativity, 2010
> http://www.youtube.com/watch?v=GkHNNPM7pJA
> Well... it's kind of loopy
>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>

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Subject: Re: hyperspace traffic
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That's beautiful, Michael !

-f
www.eterogeneo.com



2010/12/23 Michael Peters <mp@mpeters.de>

> http://www.youtube.com/watch?v=P4Umkr7i148
>
> Soundtrack created using a piano and the Expertsleepers Crossfade Loop
> Synth
> plugin
> Video created using Sony Vegas
>
> -Michael Peters
>
>
>

--0016e644d0c6342a0304982610f0
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<div>That&#39;s beautiful, Michael !</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2010/12/23 Michael Peters <span dir=3D"ltr">&lt;=
<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><a href=3D"http://www.youtube.co=
m/watch?v=3DP4Umkr7i148" target=3D"_blank">http://www.youtube.com/watch?v=
=3DP4Umkr7i148</a><br>
<br>Soundtrack created using a piano and the Expertsleepers Crossfade Loop =
Synth<br>plugin<br>Video created using Sony Vegas<br><font color=3D"#888888=
"><br>-Michael Peters<br><br><br></font></blockquote></div><br>

--0016e644d0c6342a0304982610f0--

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On Thu, Dec 23, 2010 at 11:49 PM, Michael Peters <mp@mpeters.de> wrote:
> http://www.youtube.com/watch?v=P4Umkr7i148

Great stuff, Michael! Nice floating root key feel to the piece. And
lovely harmonizer clouds blowing through the piano notes.

The CrossFAade LOop Synth is a fav of mine too :-)  Besides the
sampler functionality you mentioned I also like to use it as a
"harmonizer delay", setting it up with three delay lines that play
back at different speed/pitch and partly reversed as well.

Per

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 11:28:22 2010
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The problem with this idea from a practical standpoint
is I think that any wire that would carry an audio signal is also
going to be an antennae.

the reason why long runs of microphone cables always use balanced chords
is to defeat this phenomenon.

two wires are thrown out out of phase and the audio is only passed through
one.     consequently,  any radio  signals that come in through the wire
will cancel each other out being 180 degrees out of phase with each other.

Also,  the spool would need to be unravelled because if it wasn't , then 
the sound
you put into it would just transfer through all of it since it would be 
touching.

You might find a highway construction site (if anyone is constructing 
hiways in
the crumbling empire of the US these days) and catch them
right as they are laying cables.

You'd have to contact them officially as I imagine that it's illegal to 
be on site of
such construction (due to the huge amount of theft of wire from 
construction
sites these days........copper is really, really valuable and thieves 
target new building
sites constantly, making a lot of money if they get away

Cool idea.  I hope you can manifest it.

Merry Christmas,  Daryl.   May 2011 be a fantastic year for your 
considerable
talent and artistry.

rick walker


On 7/22/64 11:59 AM, Daryl Shawn wrote:
> I always wondered if one could send a signal through a tremendously 
> long wire, long enough that it would take the sound an appreciable 
> length of time to arrive, thus creating a delay with relatively little 
> loss of fidelity (though I'm sure there'd be a loss of gain, which 
> would need to be made up, thus adding some noise to the end signal). 
> Possible? Should I look around for a five-mile spool of speaker wire 
> and try it out?
>
> I assume that the speed of the signal through the wire would not be 
> limited to the speed of sound in open air, hence it would need to be 
> quite a long length...
>
> Daryl Shawn
> www.swanwelder.com
>
>
>> OK, this might be totally technically naiive but with a time delay of 
>> around 2 seconds it IS possible to bounce radio signals offf the moon.
>> Does anyone here know what sort of fidelity the resultant echo would 
>> be ? - you can see where I'm going with this...

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Dayglo Orange, UV Active Converse High Tops

I own two pairs (including one that I've never opened) purchased 
ridiculously
cheap at Hot Topic on sale.

They've never let me down.

It's vastly important , from a live loopers perspective to use black 
shoe laces
and lace then so that they look like stripes and not typical criss cross 
patterns.

I can't overestimate the importance of this feature, although
using black magic marker to black out the Converse Logo and
to black out the front rubber white of the shoe are also a huge factor
in my own live looping successes.

rick walker

ps watch for my upcoming release:   Dayglo Orange Plastic
available only in fancy, one of a kind, original folk art, USB stick 
form ...............  coming in this next year.

I'm going to stage and film a large, long live show to augment live 
performances in
Europe and the UK as well as some studio performances.
Dayglo Orange Plastic will be the only material used, sonically.  I promise.

I feel like this community only gets to see me play in 30 minute 
sessions when
I'm stressed out of my mind about the rest of the looping festivals (or 
trying to get
onstage quickly at festivals).    I really want to do a long show and 
document it this year
to share with you all.  I haven't put out a live looping CD in several 
years to it's time, I think.

You should all buy it merely to see these amazing live looping shoes at 
work.......lol





On 7/22/64 11:59 AM, mark francombe wrote:
> Another vote for converse here...
>

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William Walker wrote:
>> "1.37 is (I think) what Bill uses, it's too flaky for *some* of what 
>> I've tried to do with it."
> 
>  1.37  has been stable for me. When Bob gets the time he will debug 1.38 
> but he has his hands full right now with other matters. Andy i'm not 
> sure what you are doing to cause it to be flaky , 

Trying to work out some "cool rhythmic triggering" moves
for your bro :-)

>  Unfortunately there has yet to be 
> established a list of multiple command sequences that do and don't work. 

Roughly it's like this;
Essentially the audio part of the software takes up a fixed
amount of time for each chunk of samples.
Then there's only so much time left over to process commands,
...and those commands need to be processed fast so that the audio
part works right.
So try and do too much at one time and the processor can't keep up.

Now in "normal use" with v1.37 that just doesn't happen.

Bob says there's plenty of scope for optimising the 
software of v1.38, but it's a big job so we're in for a wait
before any new features can be added.


> So in essence,  if you decide to try a command sequence and by that I 
> mean any  set of multiple commands sent from a single press of a switch 
> you may achieve the results you want and you may not. For example, don't 
> try doubling up a record command and a reverse command, it won't work. 

I have
HalfSpeed>Reverse>RecDub 
set up here, that works great.
I have loops going, then press that button on a fresh track,
play a bit of a solo then press that same button again so
it comes back reverse and double speed.


From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 12:12:42 2010
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Mark Hamburg wrote:
> On Dec 23, 2010, at 1:09 PM, andy butler wrote:
> 
>> fcb1010 using Note-On for edp, and ProgCh for LP1.
> 
> One problem I've noticed with some MIDI controllers with respect to ProgCh is that they can be overly helpful by not sending the change if you are already on that program. (At least the specs on some of them read that way.)

true, can't remember if the fcb does that,
usually it's something that's user configurable.
Could always use CC instead.
 
>> I wonder though, if you'd find it easier/better to stick with the EDP and use a larger MoreLoops param and explore SwitchQuant=Cnf
> 
> I generally used my EDP set to a couple of loops. What I've discovered though is that I do like to set up a steady pulse on a separate looper. I could just use the Looperlative for that -- eight stereo tracks makes for a lot of interesting mixing and matching of pulses -- but I was thinking it might be nice to be able to spontaneously say "hey, this EDP loop is cool, let's keep it going in the background".

sounds pretty much like what I do with just the edp set to SwitchQuant=Cnf

> 
> The feature I probably miss most from the EDP on the Looperlative (besides I think preferring the EDP time readout though neither feels really ideal in that regard) is Multiply. When improving, I like to drop into multiply mode without thinking about how long I'm going to play for. The Looperlative either wants me to specifically extend the loop by a certain amount or I need to use Sync Record on a new track which works but then I'm back to building layers as opposed to evolving loops.

You need to use Sync Bounce.

andy

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 15:40:40 2010
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Date: Fri, 24 Dec 2010 10:40:26 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: space echo plug in sort of
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GSi do great stuff... and very reasonably priced, too!

><http://www.genuinesoundware.com/?a=showproduct&b=26>GSi - Soundware 
>for musicians


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
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<div>GSi do great stuff... and very reasonably priced, too!</div>
<div><br></div>
<blockquote type="cite" cite><a
href="http://www.genuinesoundware.com/?a=showproduct&amp;b=26">GSi -
Soundware for musicians</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 16:09:12 2010
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Date: Fri, 24 Dec 2010 11:09:07 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: world's funniest looper
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Love it.!!

>Reggie Watts, gettin it done on a DL-4, I just saw him live on the 
>Conan O'brien Show, doing a hysterical christmas themed looping bit 
>, reminds me of John Whooley, with a bit of Andy Kauffman, and a 
>whole lot of vocal and comic 
>talent.<http://www.youtube.com/watch?v=35Za4RfX9mo&feature=related> http://www.youtube.com/watch?v=35Za4RfX9mo&feature=related he 
>was the opening act on Conan's comedy tour this year and of course 
>all over youtube.
>I'm sure someone has mentioned this guy before but I must not have 
>been paying attention.
>Bill


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
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 --></style><title>Re: world's funniest looper</title></head><body>
<div>Love it.!!</div>
<div><br></div>
<blockquote type="cite" cite>Reggie Watts, gettin it done on a DL-4, I
just saw him live on the Conan O'brien Show, doing a hysterical
christmas themed looping bit , reminds me of John Whooley, with a bit
of Andy Kauffman, and a whole lot of vocal and comic talent.<a
href="http://www.youtube.com/watch?v=35Za4RfX9mo&amp;feature=related"
>&nbsp;http://www.youtube.com/watch?v=35Za4RfX9mo&amp;feature=related</a
>&nbsp;he was the opening act on Conan's comedy tour this year and of
course all over youtube.</blockquote>
<blockquote type="cite" cite>I'm sure someone has mentioned this guy
before but I must not have been paying attention.</blockquote>
<blockquote type="cite" cite>Bill</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-918915545==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 16:18:47 2010
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Subject: Re: Ok, back on topic, shoe question?
Date: Fri, 24 Dec 2010 16:18:48 -0000
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?I've got a pair of those fluorescent orange Converses, bought 'em in the 
late 80s.  Problem is, not enough arch support for me to wear for more than 
an hour or so, if I'm standing up.  Look great though.

-----Original Message----- 
From: Rick Walker
Sent: Friday, December 24, 2010 11:36 AM
To: mark francombe
Cc: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Ok, back on topic, shoe question?

Dayglo Orange, UV Active Converse High Tops

I own two pairs (including one that I've never opened) purchased
ridiculously
cheap at Hot Topic on sale.

They've never let me down.

It's vastly important , from a live loopers perspective to use black
shoe laces
and lace then so that they look like stripes and not typical criss cross
patterns.

I can't overestimate the importance of this feature, although
using black magic marker to black out the Converse Logo and
to black out the front rubber white of the shoe are also a huge factor
in my own live looping successes.

rick walker

ps watch for my upcoming release:   Dayglo Orange Plastic
available only in fancy, one of a kind, original folk art, USB stick
form ...............  coming in this next year.

I'm going to stage and film a large, long live show to augment live
performances in
Europe and the UK as well as some studio performances.
Dayglo Orange Plastic will be the only material used, sonically.  I promise.

I feel like this community only gets to see me play in 30 minute
sessions when
I'm stressed out of my mind about the rest of the looping festivals (or
trying to get
onstage quickly at festivals).    I really want to do a long show and
document it this year
to share with you all.  I haven't put out a live looping CD in several
years to it's time, I think.

You should all buy it merely to see these amazing live looping shoes at
work.......lol





On 7/22/64 11:59 AM, mark francombe wrote:
> Another vote for converse here...
> 

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 16:24:47 2010
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Subject: Re: Ok, back on topic, shoe question?
Date: Fri, 24 Dec 2010 16:24:47 -0000
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=EF=BB=BFRockports are superb now that they=E2=80=99ve returned to the =
more-pointy toe oxford look.  I=E2=80=99ve got the ones I bought back in =
=E2=80=9897 and while they=E2=80=99re not good looking enough to go out =
in, they=E2=80=99re wonderful at home (I tell Sarah they=E2=80=99re my =
=E2=80=9Cwork shoes=E2=80=9D).

Of course right now it=E2=80=99s tall leather boots to get back and =
forth to the studio.  The snow=E2=80=99s not melted yet, and there was =
between 8-10=E2=80=9D from a week ago.=20

From: K D Patten=20
Sent: Friday, December 24, 2010 8:41 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Ok, back on topic, shoe question?

      Rockports.......Whatta ya do......Restaurant gigs


      Kyle Dean Patten
      P.O. Box 22
      Johnston, IA  50131            =20


      http://www.youtube.com/watch?v=3Dobgm3kTi5bs
      http://www.youtube.com/watch?v=3Da9g93s0q3uc=20

      http://www.cdbaby.com/cd/kdpatten=20
      http://www.myspace.com/kyledeanpatten=20
       http://www.linkedin.com/in/kyledeanpatten       =20




        > On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens =
<andy@1800dialword.com> wrote:
        > > What are the best looping shoes?????


    =20

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	charset="UTF-8"
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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Rockports are superb now that they=E2=80=99ve returned to the =
more-pointy toe=20
oxford look.&nbsp; I=E2=80=99ve got the ones I bought back in =
=E2=80=9897 and while they=E2=80=99re not=20
good looking enough to go out in, they=E2=80=99re wonderful at home (I =
tell Sarah=20
they=E2=80=99re my =E2=80=9Cwork shoes=E2=80=9D).</DIV>
<DIV>&nbsp;</DIV>
<DIV>Of course right now it=E2=80=99s tall leather boots to get back and =
forth to the=20
studio.&nbsp; The snow=E2=80=99s not melted yet, and there was between =
8-10=E2=80=9D from a week=20
ago. <IMG=20
style=3D"BORDER-BOTTOM-STYLE: none; BORDER-LEFT-STYLE: none; =
BORDER-TOP-STYLE: none; BORDER-RIGHT-STYLE: none"=20
class=3D"wlEmoticon wlEmoticon-smile" alt=3DSmile=20
src=3D"cid:D9B83050DA8B4DCF993624A3C53B52C4@ELUK1"></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dkdpatten@yahoo.com=20
href=3D"mailto:kdpatten@yahoo.com">K D Patten</A> </DIV>
<DIV><B>Sent:</B> Friday, December 24, 2010 8:41 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Ok, back on topic, shoe =
question?</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<TABLE style=3D"COLOR: #000000" border=3D0 cellSpacing=3D0 =
cellPadding=3D0>
  <TBODY>
  <TR>
    <TD vAlign=3Dtop>Rockports.......Whatta ya do......Restaurant =
gigs<BR><BR>
      <DIV>
      <ADDRESS=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; FONT-WEIGHT: =
bold"><FONT=20
      color=3D#bf00bf size=3D2>Kyle Dean Patten</FONT></ADDRESS>
      <ADDRESS=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(0,128,255); FONT-WEIGHT: bold"><FONT=20
      size=3D2>P.O. Box 22</FONT></ADDRESS>
      <ADDRESS=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(0,128,255); FONT-WEIGHT: bold"><FONT=20
      size=3D2>Johnston, IA&nbsp;=20
      =
50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;=20
      <BR><BR style=3D"COLOR: rgb(0,128,255)"></FONT></ADDRESS>
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rgb(0,128,255)"=20
      size=3D3><SPAN style=3D"FONT-SIZE: 9pt"><SPAN=20
      style=3D"COLOR: =
rgb(255,0,127)">http://www.youtube.com/watch?v=3Dobgm3kTi5bs</SPAN><BR>ht=
tp://www.youtube.com/watch?v=3Da9g93s0q3uc</SPAN></FONT><FONT=20
      size=3D3> <BR></FONT></ADDRESS>
      <ADDRESS><FONT=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D3><A href=3D"http://www.cdbaby.com/cd/kdpatten" =
rel=3Dnofollow=20
      target=3D_blank>http://www.cdbaby.com/cd/kdpatten </A><BR><SPAN=20
      style=3D"COLOR: =
rgb(255,127,0)">http://www.myspace.com/kyledeanpatten=20
      </SPAN><BR>&nbsp;</FONT><FONT=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(255,0,255); FONT-WEIGHT: bold"=20
      size=3D3><A title=3D"View public profile"=20
      href=3D"http://www.linkedin.com/in/kyledeanpatten" =
name=3DwebProfileURL=20
      rel=3Dnofollow=20
      =
target=3D_blank>http://www.linkedin.com/in/kyledeanpatten</A></FONT><FONT=
=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D3><FONT style=3D"FONT-FAMILY: tahoma,new
       york,times,serif; COLOR: rgb(255,0,255)">&nbsp; =
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rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D2><FONT=20
      style=3D"FONT-FAMILY: tahoma,new york,times,serif; COLOR: =
rgb(255,0,255)"=20
      size=3D2>&nbsp; </FONT>&nbsp;&nbsp;&nbsp; <BR></FONT><FONT=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D3><SPAN style=3D"FONT-SIZE: 9pt"><SPAN=20
      style=3D"FONT-FAMILY: tahoma,new =
york,times,serif"></SPAN></SPAN></FONT><BR=20
      style=3D"FONT-WEIGHT: bold"><BR></ADDRESS></DIV>
      <BLOCKQUOTE=20
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        <DIV id=3Dyiv763904174>
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        <DIV style=3D"FONT-FAMILY: arial,helvetica,sans-serif; =
FONT-SIZE: 14pt">
        <DIV=20
        style=3D"FONT-FAMILY: times new roman,new york,times,serif; =
FONT-SIZE: 12pt"><BR>&gt;=20
        On Thu, Dec 23, 2010 at 5:15 PM, Andy Owens=20
        &lt;andy@1800dialword.com&gt; wrote:<BR>&gt; &gt; What are the =
best=20
        looping shoes?????<BR><BR></DIV></DIV>
        <DIV></DIV></DIV>
        =
<DIV>&nbsp;</DIV></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE></DIV></DIV=
></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 16:24:54 2010
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I hadn't heard of him yet. Thanks for sharing Bill! I love it.



On Dec 24, 2010, at 2:13 AM, William Walker wrote:

> Reggie Watts, gettin it done on a DL-4, I just saw him live on the =
Conan O'brien Show, doing a hysterical christmas themed looping bit , =
reminds me of John Whooley, with a bit of Andy Kauffman, and a whole lot =
of vocal and comic talent. =
http://www.youtube.com/watch?v=3D35Za4RfX9mo&feature=3Drelated he was =
the opening act on Conan's comedy tour this year and of course all over =
youtube.
> I'm sure someone has mentioned this guy before but I must not have =
been paying attention.
> Bill

Todd Matthews






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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
hadn't heard of him yet. Thanks for sharing Bill! I love =
it.<div><br></div><div><br></div><div><br><div><div>On Dec 24, 2010, at =
2:13 AM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Reggie Watts, gettin it done on =
a DL-4, I just saw him live on the Conan O'brien Show, doing a =
hysterical christmas themed looping bit , reminds me of John Whooley, =
with a bit of Andy Kauffman, and a whole lot of vocal and comic =
talent.<a =
href=3D"http://www.youtube.com/watch?v=3D35Za4RfX9mo&amp;feature=3Drelated=
">&nbsp;http://www.youtube.com/watch?v=3D35Za4RfX9mo&amp;feature=3Drelated=
</a>&nbsp;he was the opening act on Conan's comedy tour this year and of =
course all over youtube.<div>I'm sure someone has mentioned this guy =
before but I must not have been paying =
attention.</div><div>Bill</div></div></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd =
Matthews</div><div><br></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 16:25:42 2010
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Subject: OT: Musical discoveries of 2010
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Some of my personal discoveries of 2010:  Would you like to share yours?

Gabl=E9
http://gable1.free.fr/
Saw them live in Iceland.  Amazing set...  I hope their future
recordings will capture what I heard that night.

Patrick Watson
http://www.patrickwatson.net/
I had been aware of him (and his band) for a while, but this yaer I
had the chance to spend considerable time with his newest release
(wooden arms).

Tune-yards
http://tune-yards.com/
I'm bit late to this party, but I'm glad I made it after all.  Really
nice blend of folky sensibilities and (at times) musique conr=E8te
rhythm.  Very low-fi.

if then do
http://www.ifthendo.ca/
Local band of laptop musicians.  No synthesis, but rely entirely on
modifying recorded sounds.

Michel F. C=F4t=E9
http://www.actuellecd.com/en/bio/cote_mi/
I've listned to his Compil zouave more than anything else this year:
http://www.actuellecd.com/en/cat/am_067/


Sylvain

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 16:28:05 2010
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Subject: Re: OT: Musical discoveries of 2010
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Really good topic for a thread, OT or not.
Would chime in but my findings probably a bit too on commercial side.
thanks for these.

2010/12/24 Sylvain Poitras <sylvain.trombone@gmail.com>

> Some of my personal discoveries of 2010:  Would you like to share yours?
>
> Gabl=E9
> http://gable1.free.fr/
> Saw them live in Iceland.  Amazing set...  I hope their future
> recordings will capture what I heard that night.
>
> Patrick Watson
> http://www.patrickwatson.net/
> I had been aware of him (and his band) for a while, but this yaer I
> had the chance to spend considerable time with his newest release
> (wooden arms).
>
> Tune-yards
> http://tune-yards.com/
> I'm bit late to this party, but I'm glad I made it after all.  Really
> nice blend of folky sensibilities and (at times) musique conr=E8te
> rhythm.  Very low-fi.
>
> if then do
> http://www.ifthendo.ca/
> Local band of laptop musicians.  No synthesis, but rely entirely on
> modifying recorded sounds.
>
> Michel F. C=F4t=E9
> http://www.actuellecd.com/en/bio/cote_mi/
> I've listned to his Compil zouave more than anything else this year:
> http://www.actuellecd.com/en/cat/am_067/
>
>
> Sylvain
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a33768c8c504982a7816
Content-Type: text/html; charset=ISO-8859-1
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Really good topic for a thread, OT or not.<br>Would chime in but my finding=
s probably a bit too on commercial side.<br>thanks for these.<br><br><div c=
lass=3D"gmail_quote">2010/12/24 Sylvain Poitras <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</a>&gt;=
</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Some of my person=
al discoveries of 2010: =A0Would you like to share yours?<br>
<br>
Gabl=E9<br>
<a href=3D"http://gable1.free.fr/" target=3D"_blank">http://gable1.free.fr/=
</a><br>
Saw them live in Iceland. =A0Amazing set... =A0I hope their future<br>
recordings will capture what I heard that night.<br>
<br>
Patrick Watson<br>
<a href=3D"http://www.patrickwatson.net/" target=3D"_blank">http://www.patr=
ickwatson.net/</a><br>
I had been aware of him (and his band) for a while, but this yaer I<br>
had the chance to spend considerable time with his newest release<br>
(wooden arms).<br>
<br>
Tune-yards<br>
<a href=3D"http://tune-yards.com/" target=3D"_blank">http://tune-yards.com/=
</a><br>
I&#39;m bit late to this party, but I&#39;m glad I made it after all. =A0Re=
ally<br>
nice blend of folky sensibilities and (at times) musique conr=E8te<br>
rhythm. =A0Very low-fi.<br>
<br>
if then do<br>
<a href=3D"http://www.ifthendo.ca/" target=3D"_blank">http://www.ifthendo.c=
a/</a><br>
Local band of laptop musicians. =A0No synthesis, but rely entirely on<br>
modifying recorded sounds.<br>
<br>
Michel F. C=F4t=E9<br>
<a href=3D"http://www.actuellecd.com/en/bio/cote_mi/" target=3D"_blank">htt=
p://www.actuellecd.com/en/bio/cote_mi/</a><br>
I&#39;ve listned to his Compil zouave more than anything else this year:<br=
>
<a href=3D"http://www.actuellecd.com/en/cat/am_067/" target=3D"_blank">http=
://www.actuellecd.com/en/cat/am_067/</a><br>
<font color=3D"#888888"><br>
<br>
Sylvain<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a>=
<br><a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blo=
gspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a33768c8c504982a7816--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 16:39:05 2010
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I have
HalfSpeed>Reverse>RecDub set up here, that works great.
I have loops going, then press that button on a fresh track,
play a bit of a solo then press that same button again so
it comes back reverse and double speed.


hmmmmm well its been a while since I tried that perhaps I was using an  
ealrier software version that could'nt handle it or perhaps just my  
sequence of commands was different and because its easy to do the same  
thing by ending a record command with a reverse command it didn't  
occur to me to try it again. As I recall it was a couple of years ago  
and my sequence was  syncrecordoverdub>reverse, and it would fritz the  
machine on first press.
Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
color=3D"#5841FF">I have<br>HalfSpeed&gt;Reverse&gt;RecDub set up here, =
that works great.<br>I have loops going, then press that button on a =
fresh track,<br>play a bit of a solo then press that same button again =
so<br>it comes back reverse and double speed.</font><br><div><font =
class=3D"Apple-style-span" color=3D"#5841FF"><br></font></div><div><font =
class=3D"Apple-style-span" color=3D"#5841FF"><br></font></div><div><font =
class=3D"Apple-style-span" color=3D"#03010C">hmmmmm well its been a =
while since I tried that perhaps I was using an ealrier software version =
that could'nt handle it or perhaps just my sequence of commands was =
different and because its easy to do the same thing by ending a record =
command with a reverse command it didn't occur to me to try it again. As =
I recall it was a couple of years ago and my sequence was =
&nbsp;syncrecordoverdub&gt;reverse, and it would fritz the machine on =
first press.</font></div><div><font class=3D"Apple-style-span" =
color=3D"#03010C">Bill</font></div></body></html>=

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Date: Fri, 24 Dec 2010 11:55:13 -0500
Message-ID: <AANLkTi=LuwDnDc_feu5H-NmZqxHjTi_6hCvdxyTD-57d@mail.gmail.com>
Subject: Re: EDP loop capture
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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On Fri, Dec 24, 2010 at 4:39 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Now work out how to automatically mute the source loop
> as the copy starts playback.

I'm tempted to suggest the same trick the other way.  Take whatever
the LP1 sends at the start of the loop and make that trigger a mute
command on the EDP.  You could then reset things on the EDP and unMute
when ready to roll.

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Subject: Re: EME moonbounce?
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The signal would be electrical and not audio, of course.  and the very =
long wire would essentially act like a large resistor.
signal to noise might become a factor to deal with

this reminds me of folks who listen to lightning strikes  (called =
'whistlers' ) by attaching some sort of electrical device to long runs =
of wire fencing out in remote , northern plains areas. =20

lightning strikes around the world generate fluctuations in the magnetic =
fields that can be picked up my these very long 'antennas'

for a better source of info than my questionable memory...   =
http://en.wikipedia.org/wiki/Whistler_(radio)

-Qua



On Dec 24, 2010, at 3:28 AM, Rick Walker wrote:

> The problem with this idea from a practical standpoint
> is I think that any wire that would carry an audio signal is also
> going to be an antennae.
>=20
> the reason why long runs of microphone cables always use balanced =
chords
> is to defeat this phenomenon.
>=20
> two wires are thrown out out of phase and the audio is only passed =
through
> one.     consequently,  any radio  signals that come in through the =
wire
> will cancel each other out being 180 degrees out of phase with each =
other.
>=20
> Also,  the spool would need to be unravelled because if it wasn't , =
then the sound
> you put into it would just transfer through all of it since it would =
be touching.
>=20
> You might find a highway construction site (if anyone is constructing =
hiways in
> the crumbling empire of the US these days) and catch them
> right as they are laying cables.
>=20
> You'd have to contact them officially as I imagine that it's illegal =
to be on site of
> such construction (due to the huge amount of theft of wire from =
construction
> sites these days........copper is really, really valuable and thieves =
target new building
> sites constantly, making a lot of money if they get away
>=20
> Cool idea.  I hope you can manifest it.
>=20
> Merry Christmas,  Daryl.   May 2011 be a fantastic year for your =
considerable
> talent and artistry.
>=20
> rick walker
>=20
>=20
> On 7/22/64 11:59 AM, Daryl Shawn wrote:
>> I always wondered if one could send a signal through a tremendously =
long wire, long enough that it would take the sound an appreciable =
length of time to arrive, thus creating a delay with relatively little =
loss of fidelity (though I'm sure there'd be a loss of gain, which would =
need to be made up, thus adding some noise to the end signal). Possible? =
Should I look around for a five-mile spool of speaker wire and try it =
out?
>>=20
>> I assume that the speed of the signal through the wire would not be =
limited to the speed of sound in open air, hence it would need to be =
quite a long length...
>>=20
>> Daryl Shawn
>> www.swanwelder.com
>>=20
>>=20
>>> OK, this might be totally technically naiive but with a time delay =
of around 2 seconds it IS possible to bounce radio signals offf the =
moon.
>>> Does anyone here know what sort of fidelity the resultant echo would =
be ? - you can see where I'm going with this...
>=20

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Subject: Galactic Travels Playlist #716 for December 23, 2010.
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http://wdiy.org/programs/gt/playlists/2010/101223.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #716                December 23, 2010.

RECAP:
On this show, I continued the month-long focus on Modulator ESP.  The
Featured CD at Midnight was "Live in the USA 2009" which is a self
-released title.

Modulator ESP: http://wdiy.org/programs/gt/playlists/2010/focus.html#dec


Congratulations to local listener Josh of Hellertown, Pennsylvania, USA,
and internet listener Tony of Fox River Grove, Illinois, USA.  They each
won a set of DVDs by Klaus Schulze, featuring Lisa Gerrard.  The DVDs
are "Rheingold - Live at the Loreley" (a two DVD set) and "Dziekuje
Bardo."

Thank you to Jon Freeman of Freeman Promotions LLC for supplying the
DVDs to support Galactic Travels and WDIY, Lehigh Valley Community
Public Radio.


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Spyra                Treysa II            No Beats For 1 Hour (Ricochet
                                             Dream)
Gert Emmens          Pace of Voyage       Metamorphosis (Groove)
Create               Search and Rescue *  We Live By the Machines
                                             (Groove)
Hypnosphere          Part 5               Magnetism (Spheric Music)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Modulator ESP        Live at electro-     Live in the USA 2009 (none)
                        music 2009
Modulator ESP        Live at City Skies   Live in the USA 2009 (none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Modulator ESP.  The Featured CD at Midnight will be "Alien Forest
Observations" which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 18:11:35 2010
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Date: Fri, 24 Dec 2010 10:11:32 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: EME moonbounce?
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How about this: use a landline phone, call a friend in a far continent -- 
undersea cable is pretty long. To maximize the delay, have that friend call 
another friend who is on another continent, etc. Not very good fidelity since 
phones use a limited frequency range, plus there are switching delays in the 
phone system, but at least it is feasible to hear a result.

You would need to work with the phone company on this one, since all undersea 
cables now are optical and digitize the signals, but AFAIK the old electrical 
cables and repeaters are still there and usable.

Eric




________________________________
From: Qua Veda <qua@oregon.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, December 24, 2010 12:24:32 PM
Subject: Re: EME moonbounce?

The signal would be electrical and not audio, of course.  and the very long wire 
would essentially act like a large resistor.
signal to noise might become a factor to deal with

this reminds me of folks who listen to lightning strikes  (called 'whistlers' ) 
by attaching some sort of electrical device to long runs of wire fencing out in 
remote , northern plains areas.  


lightning strikes around the world generate fluctuations in the magnetic fields 
that can be picked up my these very long 'antennas'

for a better source of info than my questionable memory...  
http://en.wikipedia.org/wiki/Whistler_(radio)

-Qua



On Dec 24, 2010, at 3:28 AM, Rick Walker wrote:

> The problem with this idea from a practical standpoint
> is I think that any wire that would carry an audio signal is also
> going to be an antennae.
> 
> the reason why long runs of microphone cables always use balanced chords
> is to defeat this phenomenon.
> 
> two wires are thrown out out of phase and the audio is only passed through
> one.     consequently,  any radio  signals that come in through the wire
> will cancel each other out being 180 degrees out of phase with each other.
> 
> Also,  the spool would need to be unravelled because if it wasn't , then the 
>sound
> you put into it would just transfer through all of it since it would be 
>touching.
> 
> You might find a highway construction site (if anyone is constructing hiways 
in
> the crumbling empire of the US these days) and catch them
> right as they are laying cables.
> 
> You'd have to contact them officially as I imagine that it's illegal to be on 
>site of
> such construction (due to the huge amount of theft of wire from construction
> sites these days........copper is really, really valuable and thieves target 
>new building
> sites constantly, making a lot of money if they get away
> 
> Cool idea.  I hope you can manifest it.
> 
> Merry Christmas,  Daryl.   May 2011 be a fantastic year for your considerable
> talent and artistry.
> 
> rick walker
> 
> 
> On 7/22/64 11:59 AM, Daryl Shawn wrote:
>> I always wondered if one could send a signal through a tremendously long wire, 
>>long enough that it would take the sound an appreciable length of time to 
>>arrive, thus creating a delay with relatively little loss of fidelity (though 
>>I'm sure there'd be a loss of gain, which would need to be made up, thus adding 
>>some noise to the end signal). Possible? Should I look around for a five-mile 
>>spool of speaker wire and try it out?
>> 
>> I assume that the speed of the signal through the wire would not be limited to 
>>the speed of sound in open air, hence it would need to be quite a long length...
>> 
>> Daryl Shawn
>> www.swanwelder.com
>> 
>> 
>>> OK, this might be totally technically naiive but with a time delay of around 2 
>>>seconds it IS possible to bounce radio signals offf the moon.
>>> Does anyone here know what sort of fidelity the resultant echo would be ? - you 
>>>can see where I'm going with this...
> 


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>How about this: use a landline phone, call a friend in a far continent -- undersea cable is pretty long. To maximize the delay, have that friend call another friend who is on another continent, etc. Not very good fidelity since phones use a limited frequency range, plus there are switching delays in the phone system, but at least it is feasible to hear a result.<br><br>You would need to work with the phone company on this one, since all undersea cables now are optical and digitize the signals, but AFAIK the old electrical cables and repeaters are still there and usable. <br><br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr
 size="1"><b><span style="font-weight: bold;">From:</span></b> Qua Veda &lt;qua@oregon.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, December 24, 2010 12:24:32 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: EME moonbounce?<br></font><br>
The signal would be electrical and not audio, of course.&nbsp; and the very long wire would essentially act like a large resistor.<br>signal to noise might become a factor to deal with<br><br>this reminds me of folks who listen to lightning strikes&nbsp; (called 'whistlers' ) by attaching some sort of electrical device to long runs of wire fencing out in remote , northern plains areas.&nbsp; <br><br>lightning strikes around the world generate fluctuations in the magnetic fields that can be picked up my these very long 'antennas'<br><br><span>for a better source of info than my questionable memory...&nbsp;  <a target="_blank" href="http://en.wikipedia.org/wiki/Whistler_%28radio">http://en.wikipedia.org/wiki/Whistler_(radio</a>)</span><br><br>-Qua<br><br><br><br>On Dec 24, 2010, at 3:28 AM, Rick Walker wrote:<br><br>&gt; The problem with this idea from a practical standpoint<br>&gt; is I think that any wire that would carry an audio signal is also<br>&gt;
 going to be an antennae.<br>&gt; <br>&gt; the reason why long runs of microphone cables always use balanced chords<br>&gt; is to defeat this phenomenon.<br>&gt; <br>&gt; two wires are thrown out out of phase and the audio is only passed through<br>&gt; one.&nbsp; &nbsp;  consequently,&nbsp; any radio&nbsp; signals that come in through the wire<br>&gt; will cancel each other out being 180 degrees out of phase with each other.<br>&gt; <br>&gt; Also,&nbsp; the spool would need to be unravelled because if it wasn't , then the sound<br>&gt; you put into it would just transfer through all of it since it would be touching.<br>&gt; <br>&gt; You might find a highway construction site (if anyone is constructing hiways in<br>&gt; the crumbling empire of the US these days) and catch them<br>&gt; right as they are laying cables.<br>&gt; <br>&gt; You'd have to contact them officially as I imagine that it's illegal to be on site of<br>&gt; such construction (due to
 the huge amount of theft of wire from construction<br>&gt; sites these days........copper is really, really valuable and thieves target new building<br>&gt; sites constantly, making a lot of money if they get away<br>&gt; <br>&gt; Cool idea.&nbsp; I hope you can manifest it.<br>&gt; <br>&gt; Merry Christmas,&nbsp; Daryl.&nbsp;  May 2011 be a fantastic year for your considerable<br>&gt; talent and artistry.<br>&gt; <br>&gt; rick walker<br>&gt; <br>&gt; <br>&gt; On 7/22/64 11:59 AM, Daryl Shawn wrote:<br>&gt;&gt; I always wondered if one could send a signal through a tremendously long wire, long enough that it would take the sound an appreciable length of time to arrive, thus creating a delay with relatively little loss of fidelity (though I'm sure there'd be a loss of gain, which would need to be made up, thus adding some noise to the end signal). Possible? Should I look around for a five-mile spool of speaker wire and try it out?<br>&gt;&gt;
 <br>&gt;&gt; I assume that the speed of the signal through the wire would not be limited to the speed of sound in open air, hence it would need to be quite a long length...<br>&gt;&gt; <br>&gt;&gt; Daryl Shawn<br>&gt;&gt; <a target="_blank" href="http://www.swanwelder.com">www.swanwelder.com</a><br>&gt;&gt; <br>&gt;&gt; <br>&gt;&gt;&gt; OK, this might be totally technically naiive but with a time delay of around 2 seconds it IS possible to bounce radio signals offf the moon.<br>&gt;&gt;&gt; Does anyone here know what sort of fidelity the resultant echo would be ? - you can see where I'm going with this...<br>&gt; <br><br></div></div>
</div><br>

      </body></html>
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Sylvain Poitras wrote:
> On Fri, Dec 24, 2010 at 4:39 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>> Now work out how to automatically mute the source loop
>> as the copy starts playback.
> 
> I'm tempted to suggest the same trick the other way.  Take whatever
> the LP1 sends at the start of the loop

nothing

>and make that trigger a mute
> command on the EDP.

:-( back to the drawing board

andy

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William Walker wrote: 
>  my 
> sequence was  syncrecordoverdub>reverse, and it would fritz the machine 
> on first press.
> Bill

not that surprising, 
as reverse normally ends a recording. 

reverse>syncrecordoverdub

would work.

I don't know what would happen if you programmed 
the syncrecordoverdub and reverse separately in the LG,
perhaps with a small delay between them.

andy

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hi, does anybody tried mobius looper with a m-audio firewire 410?
it seems to dont work...
thanks=A0
luis prado




--- On Tue, 21/12/10, Jeff Larson <jeff.larson@sailpoint.com> wrote:

From: Jeff Larson <jeff.larson@sailpoint.com>
Subject: Re: mobius questions
To: Loopers-Delight@loopers-delight.com
Received: Tuesday, 21 December, 2010, 8:43 PM

Yeah, just send email to jeff@zonemobius.com and tell me what you want your=
 forum account name to be.I disabled auto-registration because I got tired =
of dealing with spam accounts. =A0They would have a valid=0Aemail address a=
nd type in the captcha, then a day later proudly announce to the forum memb=
erssomething having to do with, well, members. =A0On the plus side I now kn=
ow where to getcheap Cialis which came in handy this christmas.=0A
Jeff

On Tue, Dec 21, 2010 at 1:24 PM, Todd Matthews <gtmatthews@gmail.com> wrote=
:
=0AYou just need to send an email to Jeff stating that you would like to jo=
in the forums. See you over there,
=0A
=0A
=0ATodd Matthews
=0Ahttp://www.joshuasteelemusic.com
=0A
=0A
=0A
=0A
=0A
=0A=0A=0A=0A      
--0-399988050-1293223624=:20636
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">hi, does anybody tried mobius looper with a m=
-audio firewire 410?<div><br></div><div>it seems to dont work...</div><div>=
<br></div><div>thanks&nbsp;</div><div><br></div><div>luis prado<br><div><br=
></div><div><br><div><br><br>--- On <b>Tue, 21/12/10, Jeff Larson <i>&lt;je=
ff.larson@sailpoint.com&gt;</i></b> wrote:<br><blockquote style=3D"border-l=
eft: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>=
From: Jeff Larson &lt;jeff.larson@sailpoint.com&gt;<br>Subject: Re: mobius =
questions<br>To: Loopers-Delight@loopers-delight.com<br>Received: Tuesday, =
21 December, 2010, 8:43 PM<br><br><div id=3D"yiv1443073942"><div>Yeah, just=
 send email to <a rel=3D"nofollow" ymailto=3D"mailto:jeff@zonemobius.com" t=
arget=3D"_blank" href=3D"/mc/compose?to=3Djeff@zonemobius.com">jeff@zonemob=
ius.com</a> and tell me what you want your forum account name to be.</div><=
div>I disabled
 auto-registration because I got tired of dealing with spam accounts. &nbsp=
;They would have a valid</div>=0A<div>email address and type in the captcha=
, then a day later proudly announce to the forum members</div><div>somethin=
g having to do with, well, members. &nbsp;On the plus side I now know where=
 to get</div><div>cheap Cialis which came in handy this christmas.</div>=0A=
<div><br></div><div>Jeff</div><br><br><div class=3D"yiv1443073942gmail_quot=
e">On Tue, Dec 21, 2010 at 1:24 PM, Todd Matthews <span dir=3D"ltr">&lt;<a =
rel=3D"nofollow" ymailto=3D"mailto:gtmatthews@gmail.com" target=3D"_blank" =
href=3D"/mc/compose?to=3Dgtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;=
</span> wrote:<br><blockquote class=3D"yiv1443073942gmail_quote" style=3D"m=
argin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">=0AYou just =
need to send an email to Jeff stating that you would like to join the forum=
s. See you over there,<br>=0A<font color=3D"#888888"><br>=0A<br>=0ATodd Mat=
thews<br>=0A<a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.joshua=
steelemusic.com">http://www.joshuasteelemusic.com</a><br>=0A<br>=0A<br>=0A<=
br>=0A<br>=0A</font></blockquote></div><br>=0A</div></blockquote></div></di=
v></div></td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-399988050-1293223624=:20636--

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 Mark Hamburg wrote:
>> I generally used my EDP set to a couple of loops. What I've discovered 
>> though is that I do like to set up a steady pulse on a separate 
>> looper. I could just use the Looperlative for that -- eight stereo 
>> tracks makes for a lot of interesting mixing and matching of pulses -- 
>> but I was thinking it might be nice to be able to spontaneously say 
>> "hey, this EDP loop is cool, let's keep it going in the background".

andy butler wrote:
> 
>  
> sounds pretty much like what I do with just the edp set to SwitchQuant=Cnf
> 

er.. no it doesn't.
I do create the steady pulse and can keep it going while doing
*some* loop manipulations. (via Next Mult)
...but obviously with with a single edp I can' mangle one loop
while running another.

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To: Loopers-Delight@loopers-delight.com
Subject: Re: EME moonbounce?
References: <4D1404F7.9030108@gmail.com> <4D1483CB.6030608@cruzio.com> <95101752-B933-4FCC-83A6-17B6171DEDA4@oregon.com> <563574.40121.qm@web45913.mail.sp1.yahoo.com>
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This is a cool idea, indeed. Natch'lly I'd love to keep it in the analog 
realm, not quite sure who I could work with to utilize those old 
cables....worth looking into. I do enjoy the sound of lo-fi delay, 
though part of the original idea was to try to retain full original 
fidelity.


Daryl Shawn
www.swanwelder.com

> How about this: use a landline phone, call a friend in a far continent 
> -- undersea cable is pretty long. To maximize the delay, have that 
> friend call another friend who is on another continent, etc. Not very 
> good fidelity since phones use a limited frequency range, plus there 
> are switching delays in the phone system, but at least it is feasible 
> to hear a result.
>
> You would need to work with the phone company on this one, since all 
> undersea cables now are optical and digitize the signals, but AFAIK 
> the old electrical cables and repeaters are still there and usable.
>
> Eric

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Subject: Lightning strikes, was Re: EME moonbounce?
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http://www.nytimes.com/2010/11/14/arts/design/14sugimoto.html?_r=3D1

This recent Sunday Times article on Hiroshi Sugimoto is a fascinating
look at how he is exposing negatives using tesla coils and generators
to discharge across the plates.  My nephew, Gregg Stanger, is his
direct assistance.  I am looking forward to seeing some of these when
they make it to a sdhow out here next year.  Meanwhile, my nephew & I
are discussing similar approaches to making direct exposures of sound
discharges.

I'm very happy for this young man, I first met nhim 33 years ago
chasing him in a diaper in his backyard.  The article is worth the
read & there is a cool photo.

On Fri, Dec 24, 2010 at 9:24 AM, Qua Veda <qua@oregon.com> wrote:
> The signal would be electrical and not audio, of course. =A0and the very =
long wire would essentially act like a large resistor.
> signal to noise might become a factor to deal with
>
> this reminds me of folks who listen to lightning strikes =A0(called 'whis=
tlers' ) by attaching some sort of electrical device to long runs of wire f=
encing out in remote , northern plains areas.
>
> lightning strikes around the world generate fluctuations in the magnetic =
fields that can be picked up my these very long 'antennas'
>
> for a better source of info than my questionable memory... =A0 http://en.=
wikipedia.org/wiki/Whistler_(radio)
>
> -Qua
<SNIP>

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Ah...I guess it would need to be a balanced cable, then, eh? I wonder if 
the common shielding on mic cable would prevent the crosstalk.

Qua mentioned resistors (dig that whistlers link, never heard of that!). 
Would resistors in the path actually slow down the signal in an 
appreciable way? What would happen to audio that was passed through 
dozens of resistors? Asking as an electronics numbnut here (which should 
be apparent already...).

Daryl Shawn
www.swanwelder.com

PS - Rick - Merry Christmas to you as well, thanks for the good wishes! 
May 2011 be tremendously fruitful for you, and may your rhythm intensive 
take over the world!


> The problem with this idea from a practical standpoint
> is I think that any wire that would carry an audio signal is also
> going to be an antennae.
>
> the reason why long runs of microphone cables always use balanced chords
> is to defeat this phenomenon.
>
> two wires are thrown out out of phase and the audio is only passed 
> through
> one.     consequently,  any radio  signals that come in through the wire
> will cancel each other out being 180 degrees out of phase with each 
> other.
>
> Also,  the spool would need to be unravelled because if it wasn't , 
> then the sound
> you put into it would just transfer through all of it since it would 
> be touching.

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Date: Fri, 24 Dec 2010 16:11:41 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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Subject: Re: Ok, back on topic, shoe question?
References: <828453.96822.qm@web112119.mail.gq1.yahoo.com> <E898DF193ADD4B99AC3B7432A1B98607@ELUK1>
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These are kinda skate-style, I dig a lot of the graphics.

I keep telling my artist friends to enter the design contests.

http://www.ryz.com/

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 22:11:51 2010
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References: <5B8D60FD-8FDA-40F9-A29D-511A489E957D@baymoon.com> <847C2C3C-69B1-4036-A59B-40C5D22A5FCF@grubmah.com> <4D13BA97.6050203@tiscali.co.uk> <2C90D5A8-A0DC-4050-96E2-1FC4E501570E@grubmah.com> <4D148E5F.6010904@tiscali.co.uk> <4D1508C3.8010904@tiscali.co.uk>
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I an noobie here, but why not just do all this on the LP1? I have my novatio=
n work surface so I have eight faders for loop volume, have eight pot style p=
an controls for panning, and eight pot style controls for feedback. That sti=
ll leaves me 24 switch buttons to tell the lp1 to do whatever i want. What w=
ould tge edp in front gain?

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 24, 2010, at 3:55 PM, andy butler <akbutler@tiscali.co.uk> wrote:

>=20
>=20
> Mark Hamburg wrote:
>>> I generally used my EDP set to a couple of loops. What I've discovered t=
hough is that I do like to set up a steady pulse on a separate looper. I cou=
ld just use the Looperlative for that -- eight stereo tracks makes for a lot=
 of interesting mixing and matching of pulses -- but I was thinking it might=
 be nice to be able to spontaneously say "hey, this EDP loop is cool, let's k=
eep it going in the background".
>=20
> andy butler wrote:
>> sounds pretty much like what I do with just the edp set to SwitchQuant=3D=
Cnf
>=20
> er.. no it doesn't.
> I do create the steady pulse and can keep it going while doing
> *some* loop manipulations. (via Next Mult)
> ...but obviously with with a single edp I can' mangle one loop
> while running another.
>=20

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Subject: Re: EME moonbounce?
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miles of wire (or however many thousands of feet) will already be the
equavalent of a large resistor... most large power resistors are in fact
coils of wire inside a cement substrate.

So you will indeed be 'impeding' the signal. Here is a chart that may shed
some light:

http://www.cirris.com/testing/resistance/wire.html

> Qua mentioned resistors (dig that whistlers link, never heard of that!).
> Would resistors in the path actually slow down the signal in an
> appreciable way? What would happen to audio that was passed through
> dozens of resistors? Asking as an electronics numbnut here (which should
> be apparent already...).
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 22:38:15 2010
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Subject: Re: OT: Musical discoveries of 2010
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Rick Walker here.
this is my set for best musical discoveries of 2010:


Thomas Dybdahl      Norwegian singer/songwriter: especially for one of the
                                 loveliest songs I've ever heard,   
"Love Story"

Yeah Yeah Yeahs    (I came late to them but really dig them now)

Black Rebel Motorcycle Club   (I had the distinct pleasure of jamming 
for a long time
        with leading songwriter, Peter Hayes at NAMM last year in the 
Looperlative booth
        and honestly didn't know who they were.   It was really magical 
so I looked him
        up and now have all of their albums.   The guy has this amazing 
ability to
        write the simplest song and it sound beautiful, heartfelt and , 
refreshingly,
        in the mode of original rock and roll. I'm a huge fan

Trente Moller   (I also came late to him)  Danish abstract electronica 
artist:  wonderful!

Mark Hollis  (amazing melancholic singer for Talk Talk--been around for 
a while but
                   I fell in love with his solo album this year)

Fever Ray   (the sister from the Swedish band,   the Knife) Extremely 
original and mysterious
                   incredible pagan videos on youtube.

Brian Blades  (known as an amazing jazz drummer and composer but he 
released
        a very beautiful and soulful singer/songwriter record this year 
that's up there with anything)
                 called 'Mama Rosa' up there with all of my favorite 
singer/songwriter records.

Artists at Y2KX Loop Festival that I've never heard before and was 
floored by:

Daniel Berkman      playing the Gravikord (electric Kora -19 string harp 
from West Africa)
                    had a very nice newbie set and a fantastic CD that's 
been on my 'turntable'
                    a lot this year.     A beautiful mixture of the 
grace of this instrument but
                   with a very hip/modern glitchy electronica 
sensibility.  Watch for this guy!

Laurie Amat    I've known of her but really got to hear her sing in her 
newbie concert.
                       A really amazing and exceedingly creative and 
unique singer.  I really look
                       forward to working with her in the coming year

Chris Ranier     The Australian avante/slide guitarist was highly 
recommended to me
                      by my dear friend Nat Grant (who was last year's 
favorite along with Julia Kotowskis'
                       Entertainment for the Braindead) and I loved his 
set.   He had a wonderful
                      mixture of films (played to like old silent movie 
pit orchestras) and a sophisticated
                      and fascinating mixture of classic and 
experimental styles of music

From Loopers-Delight-request@loopers-delight.com  Fri Dec 24 22:47:33 2010
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Subject: Re: OT: Musical discoveries of 2010
From: Art Simon <simart@gmail.com>
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--00221504878f7acc4604982fc53a
Content-Type: text/plain; charset=ISO-8859-1

Cool! Thanks Rick! I will get to work and check them out. Always
appreciated.

On Fri, Dec 24, 2010 at 2:38 PM, Rick Walker <looppool@cruzio.com> wrote:

> Rick Walker here.
> this is my set for best musical discoveries of 2010:
>
>
> Thomas Dybdahl      Norwegian singer/songwriter: especially for one of the
>                                loveliest songs I've ever heard,   "Love
> Story"
>
> Yeah Yeah Yeahs    (I came late to them but really dig them now)
>
> Black Rebel Motorcycle Club   (I had the distinct pleasure of jamming for a
> long time
>       with leading songwriter, Peter Hayes at NAMM last year in the
> Looperlative booth
>       and honestly didn't know who they were.   It was really magical so I
> looked him
>       up and now have all of their albums.   The guy has this amazing
> ability to
>       write the simplest song and it sound beautiful, heartfelt and ,
> refreshingly,
>       in the mode of original rock and roll. I'm a huge fan
>
> Trente Moller   (I also came late to him)  Danish abstract electronica
> artist:  wonderful!
>
> Mark Hollis  (amazing melancholic singer for Talk Talk--been around for a
> while but
>                  I fell in love with his solo album this year)
>
> Fever Ray   (the sister from the Swedish band,   the Knife) Extremely
> original and mysterious
>                  incredible pagan videos on youtube.
>
> Brian Blades  (known as an amazing jazz drummer and composer but he
> released
>       a very beautiful and soulful singer/songwriter record this year
> that's up there with anything)
>                called 'Mama Rosa' up there with all of my favorite
> singer/songwriter records.
>
> Artists at Y2KX Loop Festival that I've never heard before and was floored
> by:
>
> Daniel Berkman      playing the Gravikord (electric Kora -19 string harp
> from West Africa)
>                   had a very nice newbie set and a fantastic CD that's been
> on my 'turntable'
>                   a lot this year.     A beautiful mixture of the grace of
> this instrument but
>                  with a very hip/modern glitchy electronica sensibility.
>  Watch for this guy!
>
> Laurie Amat    I've known of her but really got to hear her sing in her
> newbie concert.
>                      A really amazing and exceedingly creative and unique
> singer.  I really look
>                      forward to working with her in the coming year
>
> Chris Ranier     The Australian avante/slide guitarist was highly
> recommended to me
>                     by my dear friend Nat Grant (who was last year's
> favorite along with Julia Kotowskis'
>                      Entertainment for the Braindead) and I loved his set.
>   He had a wonderful
>                     mixture of films (played to like old silent movie pit
> orchestras) and a sophisticated
>                     and fascinating mixture of classic and experimental
> styles of music
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--00221504878f7acc4604982fc53a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Cool! Thanks Rick! I will get to work and check them out. Always appreciate=
d.<br><br><div class=3D"gmail_quote">On Fri, Dec 24, 2010 at 2:38 PM, Rick =
Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppoo=
l@cruzio.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Rick Walker here.=
<br>
this is my set for best musical discoveries of 2010:<br>
<br>
<br>
Thomas Dybdahl =A0 =A0 =A0Norwegian singer/songwriter: especially for one o=
f the<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0loveliest s=
ongs I&#39;ve ever heard, =A0 &quot;Love Story&quot;<br>
<br>
Yeah Yeah Yeahs =A0 =A0(I came late to them but really dig them now)<br>
<br>
Black Rebel Motorcycle Club =A0 (I had the distinct pleasure of jamming for=
 a long time<br>
 =A0 =A0 =A0 with leading songwriter, Peter Hayes at NAMM last year in the =
Looperlative booth<br>
 =A0 =A0 =A0 and honestly didn&#39;t know who they were. =A0 It was really =
magical so I looked him<br>
 =A0 =A0 =A0 up and now have all of their albums. =A0 The guy has this amaz=
ing ability to<br>
 =A0 =A0 =A0 write the simplest song and it sound beautiful, heartfelt and =
, refreshingly,<br>
 =A0 =A0 =A0 in the mode of original rock and roll. I&#39;m a huge fan<br>
<br>
Trente Moller =A0 (I also came late to him) =A0Danish abstract electronica =
artist: =A0wonderful!<br>
<br>
Mark Hollis =A0(amazing melancholic singer for Talk Talk--been around for a=
 while but<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0I fell in love with his solo album this=
 year)<br>
<br>
Fever Ray =A0 (the sister from the Swedish band, =A0 the Knife) Extremely o=
riginal and mysterious<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0incredible pagan videos on youtube.<br>
<br>
Brian Blades =A0(known as an amazing jazz drummer and composer but he relea=
sed<br>
 =A0 =A0 =A0 a very beautiful and soulful singer/songwriter record this yea=
r that&#39;s up there with anything)<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0called &#39;Mama Rosa&#39; up there with al=
l of my favorite singer/songwriter records.<br>
<br>
Artists at Y2KX Loop Festival that I&#39;ve never heard before and was floo=
red by:<br>
<br>
Daniel Berkman =A0 =A0 =A0playing the Gravikord (electric Kora -19 string h=
arp from West Africa)<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 had a very nice newbie set and a fanta=
stic CD that&#39;s been on my &#39;turntable&#39;<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 a lot this year. =A0 =A0 A beautiful m=
ixture of the grace of this instrument but<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0with a very hip/modern glitchy electron=
ica sensibility. =A0Watch for this guy!<br>
<br>
Laurie Amat =A0 =A0I&#39;ve known of her but really got to hear her sing in=
 her newbie concert.<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0A really amazing and exceedingl=
y creative and unique singer. =A0I really look<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0forward to working with her in =
the coming year<br>
<br>
Chris Ranier =A0 =A0 The Australian avante/slide guitarist was highly recom=
mended to me<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 by my dear friend Nat Grant (who w=
as last year&#39;s favorite along with Julia Kotowskis&#39;<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Entertainment for the Braindead=
) and I loved his set. =A0 He had a wonderful<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 mixture of films (played to like o=
ld silent movie pit orchestras) and a sophisticated<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 and fascinating mixture of classic=
 and experimental styles of music<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--00221504878f7acc4604982fc53a--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 00:24:08 2010
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Subject: Re: EDP loop capture
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On Dec 24, 2010, at 2:10 PM, Andy Owens wrote:

> I an noobie here, but why not just do all this on the LP1? I have my =
novation work surface so I have eight faders for loop volume, have eight =
pot style pan controls for panning, and eight pot style controls for =
feedback. That still leaves me 24 switch buttons to tell the lp1 to do =
whatever i want. What would tge edp in front gain?

A different mode of working.

Incidentally, I've got a Novation controlling the LP1. My experience is =
that the useful range for the volume controls seems to be pretty =
limited. Does that match with your experience as well? My guess is that =
the LP1 interprets the volume control linearly when it should probably =
treat it logarithmically (more or less). Or maybe I just haven't tweaked =
the configuration on one end or the other appropriately?

Mark

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 01:40:42 2010
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Subject: MERRY HAPPY ETC.
Date: Fri, 24 Dec 2010 17:40:40 -0800
References: <5B8D60FD-8FDA-40F9-A29D-511A489E957D@baymoon.com> <847C2C3C-69B1-4036-A59B-40C5D22A5FCF@grubmah.com> <4D13BA97.6050203@tiscali.co.uk> <2C90D5A8-A0DC-4050-96E2-1FC4E501570E@grubmah.com> <4D148E5F.6010904@tiscali.co.uk> <4D1508C3.8010904@tiscali.co.uk> <1DF7EAC9-AC8C-49D4-8557-98ADB1E3F639@1800dialword.com> <294DE7A6-C1F0-4B9C-83AF-587173CC8F84@grubmah.com>
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Merry Chrismas, Happy Festivus, Kool Kwanza and a Happy New Year (a  
week early) to everyone on the list.

Peace,

Ted

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Date: Fri, 24 Dec 2010 18:23:51 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: EME moonbounce?
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yes, due to the fact that a long cable has a high resistance, it would be 
necessary to boost the input signal in order to obtain some very small signal at 
the far end. That is why repeaters are used on undersea cables, each section is 
amplified before sending into the next section. 


hmmm, I don't know much about optics, but it would be cool to build a box which 
takes the audio signal, converts to optical, then bounces off of two mirrors set 
x distance apart, when the number of bounces equals the distance you want, send 
the signal to the output. Voila, an Opto - Delay! This would also probably be 
the most expensive delay known to man, since it would require precise 
laser-optic type mirrors and a laser.

Eric




________________________________
From: d.nix <d.nix@comcast.net>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, December 24, 2010 5:07:10 PM
Subject: Re: EME moonbounce?

miles of wire (or however many thousands of feet) will already be the
equavalent of a large resistor... most large power resistors are in fact
coils of wire inside a cement substrate.

So you will indeed be 'impeding' the signal. Here is a chart that may shed
some light:

http://www.cirris.com/testing/resistance/wire.html

> Qua mentioned resistors (dig that whistlers link, never heard of that!).
> Would resistors in the path actually slow down the signal in an
> appreciable way? What would happen to audio that was passed through
> dozens of resistors? Asking as an electronics numbnut here (which should
> be apparent already...).
>


      
--0-644552099-1293243831=:85466
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>yes, due to the fact that a long cable has a high resistance, it would be necessary to boost the input signal in order to obtain some very small signal at the far end. That is why repeaters are used on undersea cables, each section is amplified before sending into the next section. <br><br>hmmm, I don't know much about optics, but it would be cool to build a box which takes the audio signal, converts to optical, then bounces off of two mirrors set x distance apart, when the number of bounces equals the distance you want, send the signal to the output. Voila, an Opto - Delay! This would also probably be the most expensive delay known to man, since it would require precise laser-optic type mirrors and a laser.<br><br>Eric<br> </div><div style="font-family: times new roman,new york,times,serif;
 font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> d.nix &lt;d.nix@comcast.net&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, December 24, 2010 5:07:10 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: EME moonbounce?<br></font><br>
miles of wire (or however many thousands of feet) will already be the<br>equavalent of a large resistor... most large power resistors are in fact<br>coils of wire inside a cement substrate.<br><br>So you will indeed be 'impeding' the signal. Here is a chart that may shed<br>some light:<br><br><span><a target="_blank" href="http://www.cirris.com/testing/resistance/wire.html">http://www.cirris.com/testing/resistance/wire.html</a></span><br><br>&gt; Qua mentioned resistors (dig that whistlers link, never heard of that!).<br>&gt; Would resistors in the path actually slow down the signal in an<br>&gt; appreciable way? What would happen to audio that was passed through<br>&gt; dozens of resistors? Asking as an electronics numbnut here (which should<br>&gt; be apparent already...).<br>&gt;<br><br></div></div>
</div><br>







      </body></html>
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From: Revfever <revfever@ubergadget.com>
Subject: Re: MERRY HAPPY ETC.
Date: Fri, 24 Dec 2010 19:16:01 -0800
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Also, Yule, Chanukah,  Eid al-Adha (Muslim Winter Feast of the =20
Sacrifice), Yalda (Persian Winter festival), Pancha Ganapati (the =20
Hindu version) and of course....Saturnalia and also the very ancient  =20=

Greek Winter Festival and the Mesopotamian Winter Carnival which =20
featured mummers-style parades with floats carrying glorious scenes =20
of Sex among the Gods.
All three of these celebrations preceded in time the others mentioned =20=

above.

Also, the Greek Winter Festival honored another populist Son of God =20
with a human mother, who worked miracles, was associated with wine, =20
and was miraculously resurrected after death. (sound familiar?) His =20
name was Dionysus. The Mesopotamian Winter Carnaval featured mummers-=20
style parades with floats carrying glorious scenes of sex among the =20
Gods.

Oh yeah!  Party DOWN!  While ya STILL CAN!  :-)  As the days now =20
begin to grow longer....

Ginger Snaps and hot apple cider,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever


On Dec 24, 2010, at 5:40 PM, tEd =AE KiLLiAn wrote:

> Merry Chrismas, Happy Festivus, Kool Kwanza and a Happy New Year (a =20=

> week early) to everyone on the list.
>
> Peace,
>
> Ted
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">Also, Yule, Chanukah, &nbsp;Eid al-Adha (Muslim Winter =
Feast of the Sacrifice), Yalda (Persian Winter festival), Pancha =
Ganapati (the Hindu version)&nbsp;</font><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">and of =
course....</font><span class=3D"Apple-style-span" style=3D"font-size: =
12px; ">Saturnalia&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; ">and also the very ancient &nbsp;</span><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; ">Greek Winter =
Festival and the&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; ">Mesopotamian Winter Carnival which featured =
mummers-style parades with floats carrying glorious scenes of Sex among =
the Gods. &nbsp;</span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "></span><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; ">All three of =
these celebrations preceded in time the others mentioned =
above.&nbsp;</span></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><br></span></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Also, the Greek Winter =
Festival honored another populist Son of God with a human mother, who =
worked miracles, was associated with wine, and was miraculously =
resurrected after death. (sound familiar?) His name was Dionysus. =
The&nbsp;</font><span class=3D"Apple-style-span" style=3D"font-size: =
12px; ">Mesopotamian Winter Carnaval featured mummers-style parades with =
floats carrying glorious scenes of sex among the =
Gods.&nbsp;</span></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; =
"></span>&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Oh yeah! &nbsp;Party DOWN! =
&nbsp;While ya STILL CAN! &nbsp;:-) &nbsp;As the days now begin to grow =
longer....</div></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; ">Ginger Snaps and hot apple =
cider,</span></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Rev.Fever</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Portland,OR</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfev=
er</a></div><div><br></div></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><br></span></div><div><div>On Dec 24, 2010, at 5:40 PM, tEd =AE =
KiLLiAn wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Merry Chrismas, Happy Festivus, =
Kool Kwanza and a Happy New Year (a week early) to everyone on the =
list.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Peace,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Ted</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote></div><br></body></html>=

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Subject: Re: Ok, back on topic, shoe question?
Date: Fri, 24 Dec 2010 22:17:13 -0800
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To: Loopers-Delight@loopers-delight.com
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I've been meaning to buy some ninja shoes to try ever since I got the =
SoftStep but haven't had the spare money to do it yet.=20

I can report back once I do if there's an interest but here are some =
options:

http://www.martialartsupply.com/review/product/list/id/13/

http://www.amazon.com/Zemgear-Ninja-Low/dp/B003WKVH02/ref=3Dpd_sbs_shoe_1

=
http://www.sakuramartialarts.com/Martial_Arts_Clothing_Shoes_Ninja_Tabi_Bo=
ots_Short_p/CLO-2203-A1.htm&click=3D1







On Dec 23, 2010, at 8:59 AM, David Gans wrote:

>=20
>=20
> My wife bought me a pair of Vibram running shoes with the individual =
toes.  They're pretty good.  I still prefer my stockin' feet whenever =
possible, but for outdoor gigs these will do.
>=20
>=20
> On Dec 23, 2010, at 8:15 AM, Andy Owens wrote:
>=20
>> What are the best looping shoes?????
>=20
>=20
>=20
>=20
>=20
> David Gans - david@trufun.com or david@gdhour.com
> Blog:  http://cloudsurfing.gdhour.com
> Music: http://www.cdbaby.com/all/dgans
>=20
>=20
>=20
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>I've been meaning to buy some ninja shoes to try ever since I got =
the SoftStep but haven't had the spare money to do it =
yet.&nbsp;</div><div><br></div><div>I can report back once I do if =
there's an interest but here are some =
options:</div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, helvetica, sans-serif; font-size: 13px; =
"><span class=3D"yshortcuts" id=3D"lw_1293257490_0" style=3D"color: =
rgb(54, 99, 136); "><a rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.martialartsupply.com/review/product/list/id/13/">http:/=
/www.martialartsupply.com/review/product/list/id/13/</a></span></span></di=
v><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, helvetica, sans-serif; font-size: 13px; =
"><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span><span><a rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.amazon.com/Zemgear-Ninja-Low/dp/B003WKVH02/ref=3Dpd_sbs=
_shoe_1"><span class=3D"yshortcuts" =
id=3D"lw_1293257474_1">http://www.amazon.com/Zemgear-Ninja-Low/dp/B003WKVH=
02/ref=3Dpd_sbs_shoe_1</span></a></span></span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><span><span><span class=3D"yshortcuts" id=3D"lw_1293257474_2"><a =
rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.sakuramartialarts.com/Martial_Arts_Clothing_Shoes_Ninja=
_Tabi_Boots_Short_p/CLO-2203-A1.htm&amp;click=3D1">http://www.sakuramartia=
larts.com/Martial_Arts_Clothing_Shoes_Ninja_Tabi_Boots_Short_p/CLO-2203-A1=
.htm&amp;click=3D1</a></span></span></span></div><div><span><span><br></sp=
an></span></div></span></div><div><br></div><div><font =
class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, helvetica, sans-serif; font-size: 13px; =
"><br></span></div><div><br></div><div><br></div><br><div><div>On Dec =
23, 2010, at 8:59 AM, David Gans wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><br><br>My wife bought me a pair of Vibram running =
shoes with the individual toes. &nbsp;They're pretty good. &nbsp;I still =
prefer my stockin' feet whenever possible, but for outdoor gigs these =
will do.<br><br><br>On Dec 23, 2010, at 8:15 AM, Andy Owens =
wrote:<br><br><blockquote type=3D"cite">What are the best looping =
shoes?????<br></blockquote><br><br><br><br><br>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a><br>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
<br>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a><br><br><br><br><br></div></blockquote></div><br></body></html>=

--Apple-Mail-1--729462738--

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Date: Sat, 25 Dec 2010 08:33:47 +0000
Subject: Re: OT: Musical discoveries of 2010
From: "Steve Uccello" <stevebassbird@yahoo.com>
Reply-To: "Steve Uccello" <stevebassbird@yahoo.com>
To: "Sylvain Poitras" <sylvain.trombone@gmail.com>,
  "Rick Walker" <looppool@cruzio.com>
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My favorite musical discovies of 2010: bassist/composer from Poland: Vitold=
 Rek and another bassist, Roman Patkolo-a canadian group called The Creakin=
g Tree String Quartet, also ambient artist Cody Davis from Seattle.        =
           Y2KX artists: David Cooper Orton & Randolf A's sets blew me away=
 and I've really been digging Chinapaintings' & Per Boysen's music-all awes=
ome stuff! it's an honor to be part of  such a cool community! thanks to yo=
u all for everything and happy holidays from California! Steve Uccello     =
                                        www.steveuccello.com

------Original Message------
From: Rick Walker <looppool@cruzio.com>
To: "Sylvain Poitras" <sylvain.trombone@gmail.com>
Cc: <Loopers-Delight@loopers-delight.com>
Date: Fri, Dec 24, 2:38 PM -0800
Subject: Re: OT: Musical discoveries of 2010

Rick Walker here.
this is my set for best musical discoveries of 2010:


Thomas Dybdahl      Norwegian singer/songwriter: especially for one of the
                                 loveliest songs I've ever heard,  =20
"Love Story"

Yeah Yeah Yeahs    (I came late to them but really dig them now)

Black Rebel Motorcycle Club   (I had the distinct pleasure of jamming=20
for a long time
        with leading songwriter, Peter Hayes at NAMM last year in the=20
Looperlative booth
        and honestly didn't know who they were.   It was really magical=20
so I looked him
        up and now have all of their albums.   The guy has this amazing=20
ability to
        write the simplest song and it sound beautiful, heartfelt and ,=20
refreshingly,
        in the mode of original rock and roll. I'm a huge fan

Trente Moller   (I also came late to him)  Danish abstract electronica=20
artist:  wonderful!

Mark Hollis  (amazing melancholic singer for Talk Talk--been around for=20
a while but
                   I fell in love with his solo album this year)

Fever Ray   (the sister from the Swedish band,   the Knife) Extremely=20
original and mysterious
                   incredible pagan videos on youtube.

Brian Blades  (known as an amazing jazz drummer and composer but he=20
released
        a very beautiful and soulful singer/songwriter record this year=20
that's up there with anything)
                 called 'Mama Rosa' up there with all of my favorite=20
singer/songwriter records.

Artists at Y2KX Loop Festival that I've never heard before and was=20
floored by:

Daniel Berkman      playing the Gravikord (electric Kora -19 string harp=20
from West Africa)
                    had a very nice newbie set and a fantastic CD that's=20
been on my 'turntable'
                    a lot this year.     A beautiful mixture of the=20
grace of this instrument but
                   with a very hip/modern glitchy electronica=20
sensibility.  Watch for this guy!

Laurie Amat    I've known of her but really got to hear her sing in her=20
newbie concert.
                       A really amazing and exceedingly creative and=20
unique singer.  I really look
                       forward to working with her in the coming year

Chris Ranier     The Australian avante/slide guitarist was highly=20
recommended to me
                      by my dear friend Nat Grant (who was last year's=20
favorite along with Julia Kotowskis'
                       Entertainment for the Braindead) and I loved his=20
set.   He had a wonderful
                      mixture of films (played to like old silent movie=20
pit orchestras) and a sophisticated
                      and fascinating mixture of classic and=20
experimental styles of music


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Mark Hamburg wrote:

> Incidentally, I've got a Novation controlling the LP1.

Coincidently, I've also tried that.
8 programmable knobs used as one for each track.
Volume and Pan

> My experience is that the useful range for the volume controls seems to be pretty limited. Does that match with your experience as well? My guess is that the LP1 interprets the volume control linearly when it should probably treat it logarithmically (more or less). Or maybe I just haven't tweaked the configuration on one end or the other appropriately?

It actually *is* logarithmic.
...but in the range 0..127 over half the range is effectively inaudible.

In practise, where you have a mix of sounds the simple answer
of making volume control linear works really well.


As a workaround, there's a parameter to set:

Menu>Volume Minimum

putting that at 60 makes things more usable.



andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 09:37:18 2010
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Subject: OT: Moinlabs Christmas Gift
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Hey everyone,

my christmas gift to the internet community (which, for me, mainly is you):
http://moinlabs.de/index.php?id=287

The entire set of piano solo recordings from this year's MoinSound
Studio Sessions will be available for free streaming until end of the
year!

There's lots of looping in it - strangely though, I like the tracks
where I used no processing the best (Apirl 24th and October 11th).

Enjoy!

              Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: OT: Moinlabs Christmas Gift
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Thanks Rainer - merry christmas guys - this has been a weird year for  
me - messed up my back lost my day job accidently became a pro  
musician and all that - this list is a constant source of inspiration.

Merry christmas

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 25 Dec 2010, at 09:37, Rainer Straschill wrote:

> Hey everyone,
>
> my christmas gift to the internet community (which, for me, mainly  
> is you):
> http://moinlabs.de/index.php?id=287
>
> The entire set of piano solo recordings from this year's MoinSound
> Studio Sessions will be available for free streaming until end of the
> year!
>
> There's lots of looping in it - strangely though, I like the tracks
> where I used no processing the best (Apirl 24th and October 11th).
>
> Enjoy!
>
>               Rainer
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


--Apple-Mail-33--716441265
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Thanks Rainer - merry christmas guys - this has been a weird year for me =
- messed up my back lost my day job accidently became a pro musician and =
all that - this list is a constant source of =
inspiration.<div><br></div><div>Merry christmas</div><div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 25 Dec 2010, =
at 09:37, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hey everyone,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">my christmas gift to the =
internet community (which, for me, mainly is you):</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://moinlabs.de/index.php?id=3D287">http://moinlabs.de/index.ph=
p?id=3D287</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">The entire set of piano solo recordings from this =
year's MoinSound</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Studio Sessions will be =
available for free streaming until end of the</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">year!</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">There's lots of looping in it - =
strangely though, I like the tracks</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">where I used =
no processing the best (Apirl 24th and October 11th).</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Enjoy!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span class=3D"Apple-converted-space">&nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </span>Rainer</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Follow me on twitter: <a =
href=3D"http://twitter.com/moinlabs">http://twitter.com/moinlabs</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-33--716441265--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 10:19:41 2010
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Subject: New software multi effect plugin, PSP N20
From: Per Boysen <perboysen@gmail.com>
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Hi,

A new toy for laptop aided musicians got released yesterday by the
good guys at PSP in Poland. I just downloaded the 14 days fully
working demo and watched all video tutorials and I must say this looks
very interesting for musicians that like the type of programming you
can do with boxes like the Eventide Eclipse or TC Electronics
FireworX.

It typically bases the processing on the signal chain concept where
modulators and operators may be inserted and controlled by pedals and
stuff or internal stuff like LFO, Step Sequencer, gain envelope etc. A
great feature (that I'm missing from the FireworX in today's
Mainstage) is that part the signal can be routed back into an earlier
stage of the same chain; ie a feedback loop. If running such a
feedback loop through a harmonizer you typically get those classic
wishy-washy eventide-ishy crystal sweeps. There is also a dual channel
step sequencer that can be used as modulator (for anything like pitch,
filter, reverb send or whatever you like...). Input gain can also be
used as an envelope for modulation, which is neat for all musicians
that play in real-time and want to program sounds that follow your
playing in a musical way.

Scaling of control data is something I like very much in Mainstage and
at first sight I was afraid that the N20 doesn't support that well,
but then I found out that you can insert a "gain operator" and assign
it to follow the same control as other effects of the patch, but with
its own value for "depth" (how much it will affect the patch). It
seems though that a graph is supported but not a curve, but I may be
wrong here (gotta noodle around with it more to find out)

I can't comment on fidelity right now, because I'm not at my studio
monitors, having to use headphones. But in the past I have been using
the PSP Nitro at concerts and found it excellent sounding. The N20
seems to be a

Here's an old teaser video from Namm 1010 that shows most of the
goodies in a general way:
http://www.youtube.com/watch?v=PQAlMa1_4Yk

And here's a page with ten detailed tutorial videos:
http://www.pspaudioware.com/plugins/multimode_effects/psp_n2o/psp_n2o_video/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 14:01:00 2010
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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 25 Dec 2010 09:00:38 -0500
Message-ID: <AANLkTimfzvNSqZQu=URpsLEwtiNM3MmaEcp8J8d-zYa+@mail.gmail.com>
Subject: Re: New software multi effect plugin, PSP N20
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--20cf3054a4c547f94704983c8886
Content-Type: text/plain; charset=ISO-8859-1

thanks for the thorough review Per.  I was looking closely at this as I was
a PSP nitro user, and your comments capture my attention much more than
their description!

I have the same problem understanding why to upgrade to the PSP 85.  Do you
use that as well?

Whatever holidays you celebrate, I wish you happy ones.

All the best,

Todd

On Sat, Dec 25, 2010 at 5:19 AM, Per Boysen <perboysen@gmail.com> wrote:

> Hi,
>
> A new toy for laptop aided musicians got released yesterday by the
> good guys at PSP in Poland. I just downloaded the 14 days fully
> working demo and watched all video tutorials and I must say this looks
> very interesting for musicians that like the type of programming you
> can do with boxes like the Eventide Eclipse or TC Electronics
> FireworX.
>
>

--20cf3054a4c547f94704983c8886
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks for the thorough review Per. =A0I was looking closely at this as I w=
as a PSP nitro user, and your comments capture my attention much more than =
their description!<div><br></div><div>I have the same problem understanding=
 why to upgrade to the PSP 85. =A0Do you use that as well?</div>

<div><br></div><div>Whatever holidays you celebrate, I wish you happy ones.=
 =A0</div><div><br></div><div>All the best,=A0</div><div><br></div><div>Tod=
d<br><br><div class=3D"gmail_quote">On Sat, Dec 25, 2010 at 5:19 AM, Per Bo=
ysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen=
@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi,<br>
<br>
A new toy for laptop aided musicians got released yesterday by the<br>
good guys at PSP in Poland. I just downloaded the 14 days fully<br>
working demo and watched all video tutorials and I must say this looks<br>
very interesting for musicians that like the type of programming you<br>
can do with boxes like the Eventide Eclipse or TC Electronics<br>
FireworX.<br>
<br></blockquote></div><br>
</div>

--20cf3054a4c547f94704983c8886--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 15:06:08 2010
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To: Loopers-Delight@loopers-delight.com
Date: Sat, 25 Dec 2010 13:06:08 -0000
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Subject: EDP videos?
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I'm the proud owner of an EDP with loop IV. I'm wading through the 
manual, but am slightly surprised to find no tutorial videos out 
there. Has anyone made any? I'm learning through trial and (many) 
errors and it's frustrating to hear audio files demonstrating 
features I can't figure out...



All the best,

Nick Robinson

music site : 	http://www.looping.me.uk
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 15:12:34 2010
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Subject: Re: EDP videos?
From: Matthias Grob <matilists@gmail.com>
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its a shame really. we always talked about it and made plans for big projects
instead of just point a camera and do it
but on 
http://youtube.com/livelooping - ~Musicians explaining...
you can find several basic ones

have fun 
Matthias

On 25 Dec 2010, at 10:06, nick@12testing.net wrote:

> I'm the proud owner of an EDP with loop IV. I'm wading through the 
> manual, but am slightly surprised to find no tutorial videos out 
> there. Has anyone made any? I'm learning through trial and (many) 
> errors and it's frustrating to hear audio files demonstrating 
> features I can't figure out...
> 
> 
> 
> All the best,
> 
> Nick Robinson
> 
> music site : 	http://www.looping.me.uk
> myspace site :	http://www.myspace.com/nickrobinsonloops
> looping forum :	http://loopingmusic.proboards99.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 16:55:50 2010
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I understand and remember your frustration Nick, but the best way to get on
top of your EDP is to try a limited few things at first, then dive back into
the manual and try a few more... Ive been looping with an EDP for 9 years
now, and I still have never used...  expert mode... stutter mode... sampler
mode... and lots more...

basically, relax, accept that you're in for a long haul... OH... and if
there something you have heard on a file... post a link to it here and ask,
surely many people can help you get that one effect you are hearing...

For really complex stuff, you can look for Andre le Fosses website, I think
he still has a section where he describes in detail what going on in some
tracks he has posted there... Thats what I used mostly.. listened till I
heard something I wanted, then de-cyphered his instructions...

As Matthias said...

have fun! (im sure you will)

Mark

On Sat, Dec 25, 2010 at 4:11 PM, Matthias Grob <matilists@gmail.com> wrote:

> its a shame really. we always talked about it and made plans for big
> projects
> instead of just point a camera and do it
> but on
> http://youtube.com/livelooping - ~Musicians explaining...
> you can find several basic ones
>
> have fun
> Matthias
>
> On 25 Dec 2010, at 10:06, nick@12testing.net wrote:
>
> > I'm the proud owner of an EDP with loop IV. I'm wading through the
> > manual, but am slightly surprised to find no tutorial videos out
> > there. Has anyone made any? I'm learning through trial and (many)
> > errors and it's frustrating to hear audio files demonstrating
> > features I can't figure out...
> >
> >
> >
> > All the best,
> >
> > Nick Robinson
> >
> > music site :  http://www.looping.me.uk
> > myspace site :        http://www.myspace.com/nickrobinsonloops
> > looping forum :       http://loopingmusic.proboards99.com
> >
> >
> >
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8ef08ac27904983ef916
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I understand and remember your frustration Nick, but the best way to get on=
 top of your EDP is to try a limited few things at first, then dive back in=
to the manual and try a few more... Ive been looping with an EDP for 9 year=
s now, and I still have never used...=A0 expert mode... stutter mode... sam=
pler mode... and lots more... <br>

<br>basically, relax, accept that you&#39;re in for a long haul... OH... an=
d if there something you have heard on a file... post a link to it here and=
 ask, surely many people can help you get that one effect you are hearing..=
.<br>

<br>For really complex stuff, you can look for Andre le Fosses website, I t=
hink he still has a section where he describes in detail what going on in s=
ome tracks he has posted there... Thats what I used mostly.. listened till =
I heard something I wanted, then de-cyphered his instructions...<br>

<br>As Matthias said... <br><br>have fun! (im sure you will)<br><br>Mark<br=
><br><div class=3D"gmail_quote">On Sat, Dec 25, 2010 at 4:11 PM, Matthias G=
rob <span dir=3D"ltr">&lt;<a href=3D"mailto:matilists@gmail.com">matilists@=
gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">its a shame reall=
y. we always talked about it and made plans for big projects<br>
instead of just point a camera and do it<br>
but on<br>
<a href=3D"http://youtube.com/livelooping" target=3D"_blank">http://youtube=
.com/livelooping</a> - ~Musicians explaining...<br>
you can find several basic ones<br>
<br>
have fun<br>
<font color=3D"#888888">Matthias<br>
</font><div><div></div><div class=3D"h5"><br>
On 25 Dec 2010, at 10:06, <a href=3D"mailto:nick@12testing.net">nick@12test=
ing.net</a> wrote:<br>
<br>
&gt; I&#39;m the proud owner of an EDP with loop IV. I&#39;m wading through=
 the<br>
&gt; manual, but am slightly surprised to find no tutorial videos out<br>
&gt; there. Has anyone made any? I&#39;m learning through trial and (many)<=
br>
&gt; errors and it&#39;s frustrating to hear audio files demonstrating<br>
&gt; features I can&#39;t figure out...<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; All the best,<br>
&gt;<br>
&gt; Nick Robinson<br>
&gt;<br>
&gt; music site : =A0<a href=3D"http://www.looping.me.uk" target=3D"_blank"=
>http://www.looping.me.uk</a><br>
&gt; myspace site : =A0 =A0 =A0 =A0<a href=3D"http://www.myspace.com/nickro=
binsonloops" target=3D"_blank">http://www.myspace.com/nickrobinsonloops</a>=
<br>
&gt; looping forum : =A0 =A0 =A0 <a href=3D"http://loopingmusic.proboards99=
.com" target=3D"_blank">http://loopingmusic.proboards99.com</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8ef08ac27904983ef916--

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Subject: Re: New software multi effect plugin, PSP N20
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Dec 25, 2010 at 3:00 PM, todd reynolds <toddreyn@gmail.com> wrote:
>
> I have the same problem understanding why to upgrade to the PSP 85. =C2=
=A0Do you
> use that as well?

I once liked the PSP84 back when it was new, because back then not
many developers produced multi effect plugins that combine LFO synced
filters with delay lines (OhmBoyz being another early alternative).
But today when compared to the N2O the 84/85 comes out as just
peanuts. I don't like using 84/85 because they tax the CPU so hard on
my Macbook. In the N2O they seem to have made good use of SEE
optimization which give us users a lot of effect processing power on a
Intel CPU box. After playing around with the N2O for some hours I
still think the closest comparison is the hardware boxes Eclipse and
FireworX.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Journey to the Heart of Music

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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><a href="http://www.pjperry.freeuk.com/mos/intro.htm">Journey to the Heart of Music</a></body></html>

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From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 19:49:37 2010
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On 7/22/64 11:59 AM, Rainer Straschill wrote:
> Hey everyone,
>
> my christmas gift to the internet community (which, for me, mainly is you):
> http://moinlabs.de/index.php?id=287
>
> The entire set of piano solo recordings from this year's MoinSound
> Studio Sessions will be available for free streaming until end of the
> year!
>
> There's lots of looping in it - strangely though, I like the tracks
> where I used no processing the best (Apirl 24th and October 11th).
>
> Enjoy!
>
>                Rainer
>
Thanks for the gift, Rainer,   Merry Christmas to you!


By the way,  I can't find the tracks you mentioned (without processing) 
from
October 11th.     Your dates seem to skip that date unless I'm missing 
something.

yours,  Rick Walker

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Subject: Re: lots of good info
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It is no coincidence that Pythogoras spoke of both "cord" and
"chord"...interesting reading.

Best,

~~D.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sat, Dec 25, 2010 at 12:42 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> Journey to the Heart of Music

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On Dec 25, 2010, at 1:20 AM, andy butler wrote:

>> My experience is that the useful range for the volume controls seems =
to be pretty limited. Does that match with your experience as well? My =
guess is that the LP1 interprets the volume control linearly when it =
should probably treat it logarithmically (more or less). Or maybe I just =
haven't tweaked the configuration on one end or the other appropriately?
>=20
> It actually *is* logarithmic.
> ...but in the range 0..127 over half the range is effectively =
inaudible.
>=20
> In practise, where you have a mix of sounds the simple answer
> of making volume control linear works really well.
>=20
>=20
> As a workaround, there's a parameter to set:
>=20
> Menu>Volume Minimum
>=20
> putting that at 60 makes things more usable.

Hmm. Okay so bad guess on my part as to which direction it was off. I =
should have plotted the curves.

I'd played with minimum volume before, but hadn't hit on the right =
level. -60 seems to work quite well. Thanks.

Mark

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Is anyone else on this list not getting all the posts? None of my own posts=
 show up in my inbox like they used to and I'm reading responses to posts t=
hat I've not read...
=20
G
=20
> Date: Sat=2C 25 Dec 2010 12:57:48 -0700
> Subject: Re: lots of good info
> From: sinsofmachaut@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> It is no coincidence that Pythogoras spoke of both "cord" and
> "chord"...interesting reading.
>=20
> Best=2C
>=20
> ~~D.
>=20
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>=20
>=20
>=20
> On Sat=2C Dec 25=2C 2010 at 12:42 PM=2C Paul Mimlitsch <pmimlitsch@mac.co=
m> wrote:
> > Journey to the Heart of Music
>=20
 		 	   		  =

--_7b441651-de01-4205-9bbc-67190a81359a_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
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{
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font-family:Tahoma
}
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</head>
<body class=3D'hmmessage'>
Is anyone else on this list not getting all the posts? None of my own posts=
 show up in my inbox like they used to and I'm reading responses to posts t=
hat I've not read...<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B Date: Sat=2C 25 Dec 2010 12:57:48 -0700<BR>&gt=3B Subject: Re: lots =
of good info<BR>&gt=3B From: sinsofmachaut@gmail.com<BR>&gt=3B To: Loopers-=
Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B It is no coincidence that =
Pythogoras spoke of both "cord" and<BR>&gt=3B "chord"...interesting reading=
.<BR>&gt=3B <BR>&gt=3B Best=2C<BR>&gt=3B <BR>&gt=3B ~~D.<BR>&gt=3B <BR>&gt=
=3B http://soundcloud.com/usrsbin<BR>&gt=3B http://audiozoloft.com<BR>&gt=
=3B http://usrslashsbin.angrek.com/<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=
=3B On Sat=2C Dec 25=2C 2010 at 12:42 PM=2C Paul Mimlitsch &lt=3Bpmimlitsch=
@mac.com&gt=3B wrote:<BR>&gt=3B &gt=3B Journey to the Heart of Music<BR>&gt=
=3B <BR> 		 	   		  </body>
</html>=

--_7b441651-de01-4205-9bbc-67190a81359a_--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 21:03:11 2010
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	<BAY145-w16AECD532C0BDADC9994DB851E0@phx.gbl>
Date: Sat, 25 Dec 2010 23:03:09 +0200
Message-ID: <AANLkTiknaM_iH51F3NnjJhvuXagTCd6QAxyZv6rNN=gz@mail.gmail.com>
Subject: Re: lots of good info
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a34d1910040498426ee4
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nope

everything works fine, for me at least

2010/12/25 Gareth Whittock <buddhamachine@live.co.uk>

>  Is anyone else on this list not getting all the posts? None of my own
> posts show up in my inbox like they used to and I'm reading responses to
> posts that I've not read...
>
> G
>
> > Date: Sat, 25 Dec 2010 12:57:48 -0700
> > Subject: Re: lots of good info
> > From: sinsofmachaut@gmail.com
> > To: Loopers-Delight@loopers-delight.com
> >
> > It is no coincidence that Pythogoras spoke of both "cord" and
> > "chord"...interesting reading.
> >
> > Best,
> >
> > ~~D.
> >
> > http://soundcloud.com/usrsbin
> > http://audiozoloft.com
> > http://usrslashsbin.angrek.com/
> >
> >
> >
> > On Sat, Dec 25, 2010 at 12:42 PM, Paul Mimlitsch <pmimlitsch@mac.com>
> wrote:
> > > Journey to the Heart of Music
> >
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a34d1910040498426ee4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

nope<br><br>everything works fine, for me at least<br><br><div class=3D"gma=
il_quote">2010/12/25 Gareth Whittock <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt;</span><br><blo=
ckquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-le=
ft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">




<div>
Is anyone else on this list not getting all the posts? None of my own posts=
 show up in my inbox like they used to and I&#39;m reading responses to pos=
ts that I&#39;ve not read...<br>
=A0<br>
G<br>=A0<br>
&gt; Date: Sat, 25 Dec 2010 12:57:48 -0700<br>&gt; Subject: Re: lots of goo=
d info<br>&gt; From: <a href=3D"mailto:sinsofmachaut@gmail.com" target=3D"_=
blank">sinsofmachaut@gmail.com</a><br>&gt; To: <a href=3D"mailto:Loopers-De=
light@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-deligh=
t.com</a><br>
&gt; <br>&gt; It is no coincidence that Pythogoras spoke of both &quot;cord=
&quot; and<br>&gt; &quot;chord&quot;...interesting reading.<br>&gt; <br>&gt=
; Best,<br>&gt; <br>&gt; ~~D.<br>&gt; <br>&gt; <a href=3D"http://soundcloud=
.com/usrsbin" target=3D"_blank">http://soundcloud.com/usrsbin</a><br>
&gt; <a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozolof=
t.com</a><br>&gt; <a href=3D"http://usrslashsbin.angrek.com/" target=3D"_bl=
ank">http://usrslashsbin.angrek.com/</a><br>&gt; <br>&gt; <br>&gt; <br>&gt;=
 On Sat, Dec 25, 2010 at 12:42 PM, Paul Mimlitsch &lt;<a href=3D"mailto:pmi=
mlitsch@mac.com" target=3D"_blank">pmimlitsch@mac.com</a>&gt; wrote:<br>
&gt; &gt; Journey to the Heart of Music<br>&gt; <br> 		 	   		  </div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a34d1910040498426ee4--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 22:10:57 2010
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To: <loopers-delight@loopers-delight.com>
Subject: OT: All I want for XMAS is a box truck. Help appreciated.
Date: Sat, 25 Dec 2010 16:10:54 -0600
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Howdy ya'll.

Merry x-mas and happy looping!

This is a long shot=2C but I have decided to purchase a box truck to replac=
e my van for my touring needs.
I've been scouring the net for days trying to find what I'm looking for=2C =
but am not having the best luck.
I figured since this list has members all over the states (and world)=2C yo=
u all might have some hints on local dealers that have a good inventory of =
box trucks. Or maybe some random websites that I'm overlooking.
I live in St. Louis=2C MO. I will happily fly & drive home with the excepti=
on of the west coast & New England area.

What I'm looking for:

Preferably a 12ft DIESEL box truck. Will consider up to a 14ft.
5 speed transmission preferred=2C but not too picky.
There must be a walk-through from the cab so I have access to the cargo fro=
m inside the van. This seems to limit it to GMC/CHEVY/FORD as the Mitsubish=
i & Suziki trucks don't have this option.
Minimum internal cargo width of 7ft.
Cargo area must be flat=2C meaning no wheel well obstructions.=20
Although not necessary=2C a lift gate would be nice so long as it tucks awa=
y under the truck.=20
Low miles preferred=2C but budget is $7500 max.

The plan is to turn it into my mobile rehearsal space so that I can continu=
e to grow as a musician & work on new songs as I tour the states playing sh=
ows.
Currently in my van=2C with all the gear there is hardly enough room to sle=
ep=2C yet alone practice.

Any help/suggestions greatly appreciated - unless its the voice of reason t=
elling me to bring less gear =3Bo)

ty!




The Wandering Madman=20


 		 	   		  =

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<body class=3D'hmmessage'>
Howdy ya'll.<br><br>Merry x-mas and happy looping!<br><br>This is a long sh=
ot=2C but I have decided to purchase a box truck to replace my van for my t=
ouring needs.<br>I've been scouring the net for days trying to find what I'=
m looking for=2C but am not having the best luck.<br>I figured since this l=
ist has members all over the states (and world)=2C you all might have some =
hints on local dealers that have a good inventory of box trucks. Or maybe s=
ome random websites that I'm overlooking.<br>I live in St. Louis=2C MO. I w=
ill happily fly &amp=3B drive home with the exception of the west coast &am=
p=3B New England area.<br><br>What I'm looking for:<br><br>Preferably a 12f=
t DIESEL box truck. Will consider up to a 14ft.<br>5 speed transmission pre=
ferred=2C but not too picky.<br>There must be a walk-through from the cab s=
o I have access to the cargo from inside the van. This seems to limit it to=
 GMC/CHEVY/FORD as the Mitsubishi &amp=3B Suziki trucks don't have this opt=
ion.<br><b>Minimum internal cargo width of 7ft.</b><br>Cargo area must be f=
lat=2C meaning no wheel well obstructions. <br>Although not necessary=2C a =
lift gate would be nice so long as it tucks away under the truck. <br>Low m=
iles preferred=2C but budget is $7500 max.<br><br>The plan is to turn it in=
to my mobile rehearsal space so that I can continue to grow as a musician &=
amp=3B work on new songs as I tour the states playing shows.<br>Currently i=
n my van=2C with all the gear there is hardly enough room to sleep=2C yet a=
lone practice.<br><br>Any help/suggestions greatly appreciated - unless its=
 the voice of reason telling me to bring less gear =3Bo)<br><br>ty!<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br> 		 	   		  </body>
</html>=

--_dfec3c2c-40d6-4f7a-bf19-0f41ea9097be_--

From Loopers-Delight-request@loopers-delight.com  Sat Dec 25 23:04:01 2010
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Date: Sat, 25 Dec 2010 18:03:50 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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Subject: Re: OT: All I want for XMAS is a box truck. Help appreciated.
References: <COL118-W433EC0998CA7E5821DA54DDB1E0@phx.gbl>
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Have you checked out U-Haul used truck sales? If you can find a truck 
with reasonably low mileage, you can make out pretty well, and they'd 
definitely have the vehicles that fit your specs.

Daryl Shawn
www.swanwelder.com


> Howdy ya'll.
>
> Merry x-mas and happy looping!
>
> This is a long shot, but I have decided to purchase a box truck to 
> replace my van for my touring needs.
> I've been scouring the net for days trying to find what I'm looking 
> for, but am not having the best luck.
> I figured since this list has members all over the states (and world), 
> you all might have some hints on local dealers that have a good 
> inventory of box trucks. Or maybe some random websites that I'm 
> overlooking.

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 00:11:43 2010
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Date: Sat, 25 Dec 2010 16:11:40 -0800
Message-ID: <AANLkTimYQU5nSAzbBKdDykwdPVQTefLiHFPTzd4SJoDe@mail.gmail.com>
Subject: Re: OT: All I want for XMAS is a box truck. Help appreciated.
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The US Post Office also sells their vehicles used for what can be
quite a discount.  If you're mechanically inclined and ready to take
care of it they can be excellent deals.

Kevin

On Sat, Dec 25, 2010 at 3:03 PM, Daryl Shawn <darylshawn@gmail.com> wrote:
> Have you checked out U-Haul used truck sales? If you can find a truck wit=
h
> reasonably low mileage, you can make out pretty well, and they'd definite=
ly
> have the vehicles that fit your specs.
>
> Daryl Shawn
> www.swanwelder.com
>
>
>> Howdy ya'll.
>>
>> Merry x-mas and happy looping!
>>
>> This is a long shot, but I have decided to purchase a box truck to repla=
ce
>> my van for my touring needs.
>> I've been scouring the net for days trying to find what I'm looking for,
>> but am not having the best luck.
>> I figured since this list has members all over the states (and world), y=
ou
>> all might have some hints on local dealers that have a good inventory of=
 box
>> trucks. Or maybe some random websites that I'm overlooking.
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 00:19:09 2010
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Subject: Re: OT: Moinlabs Christmas Gift
From: Rainer Straschill <moinsound@googlemail.com>
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>> my christmas gift to the internet community (which, for me, mainly is you):
>> http://moinlabs.de/index.php?id=287
> Thanks for the gift, Rainer,   Merry Christmas to you!
>
>
> By the way,  I can't find the tracks you mentioned (without processing) from
> October 11th.     Your dates seem to skip that date unless I'm missing something.

You're most welcome, Rick! And thanks to you for spotting my mistake
in specifying the correct session - I meant to say "November 6th" (the
last 9 tracks in the playlist).

Yours,

            Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 02:30:37 2010
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Date: Sun, 26 Dec 2010 11:30:32 +0900
Subject: Numerology 3...
From: Dustbunnies <mech@m3ch.net>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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For those of you using Numerology to control things or for accompaniment in
your Looping setup, Version 3 has been released, with discounted pricing
until January 9.

Here's the press release: http://five12.com/n3-release.html

More on Numerology in general can be found at the Five12 site:
http://five12.com/

One of the more interesting developments, IMNSHO, is the ability to now run
Numerology as an AU within another DAW (Live, Logic, MOTU DP).  The
Generative and Evolving additions look interesting as well.

This has me wondering if Numerology might currently work as a poor-man's
alternative to Max-For-Live (and while I don't have the cash for M4L right
now, I can get upgrade pricing on Numerology).

        --m.


From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 04:04:49 2010
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Date: Sun, 26 Dec 2010 13:04:43 +0900
Subject: TC-Helicon releases VoiceJam, audio looper for iOS
From: Dustbunnies <mech@m3ch.net>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Thread-Topic: TC-Helicon releases VoiceJam, audio looper for iOS
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Lately, it seems TC-Helicon have been devoting quite a bit of attention to
promoting Voice Looping (their VoiceLive Touch product, for instance).  Now,
they've come out with VoiceJam for the iPhone/iPad:

        http://www.tc-helicon.com/products/voicejam/

Haven't tried it yet (my credit card and the iTunes store are fighting with
each other again).  But it seems pretty spiffy for only $1.99.

        --m.


From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 04:24:27 2010
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Date: Sat, 25 Dec 2010 23:24:24 -0500
Message-ID: <AANLkTikwwKmct0g1h7kmwg1X32yv=zweQBAs004Kqnbc@mail.gmail.com>
Subject: Re: Numerology 3...
From: james fowler <twostroke@gmail.com>
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i wish numerology ran on xp.

- jim

On Saturday, December 25, 2010, Dustbunnies <mech@m3ch.net> wrote:
> For those of you using Numerology to control things or for accompaniment =
in
> your Looping setup, Version 3 has been released, with discounted pricing
> until January 9.
>
> Here's the press release: http://five12.com/n3-release.html
>
> More on Numerology in general can be found at the Five12 site:
> http://five12.com/
>
> One of the more interesting developments, IMNSHO, is the ability to now r=
un
> Numerology as an AU within another DAW (Live, Logic, MOTU DP). =A0The
> Generative and Evolving additions look interesting as well.
>
> This has me wondering if Numerology might currently work as a poor-man's
> alternative to Max-For-Live (and while I don't have the cash for M4L righ=
t
> now, I can get upgrade pricing on Numerology).
>
>  =A0 =A0 =A0 =A0--m.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 05:28:58 2010
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Wisteriax Meditation -- Video on You Tube
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I posted a video entitled Wisteriax Meditation  from one of my 2010 
live performances at http://www.youtube.com/watch?v=zYizcmwc974

Wisteriax is Karen Langlie's solo project for cello and electronics 
-- spacy, ambient and very imaginative. Goatstock is an annual 
festival of Boston area performers put on by some friends of mine as 
a benefit for Heifer International, http://www.heifer.org.

Wisteriax Mediation was recorded during Karen's set at Goatstock 
2010, Nothing in the set was preplanned. Karen was sitting at a very 
acute angle to the projection screen, but I could see her 
concentrating on the projected images so she could respond to them, 
producing the back and forth between imagery and music that I most 
treasure in these performances.

This video is dedicated to Peace, Goats, and Good Cheer!

BTW Some of my photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 06:12:38 2010
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Date: Sat, 25 Dec 2010 22:05:11 -0800
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  Audiophyle: I love your audio, David















From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 06:27:59 2010
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Date: Sun, 26 Dec 2010 01:27:54 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: [OT] Delete Tom Anderson From Your MySpace Friends
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Since MySpace forced all band profiles into migrating to the "New 
MySpace" band profile; for calling that an upgrade; for making that 
forced migration nothing less than excruciating, like a cystoscopy 
without numbing agent; for never listening to the true needs of its 
users; for trying to be Facebook and Twitter all rolled into one; for 
taking away the capabilities of old MySpace that we liked; for running 
audio ads when we want to get directly to listening to a music player; 
for destroying all the work we did in old MySpace so we can't migrate it 
over to New MySpace; for making HTML boxes that don't fully observe HTML...

We should all spend 2011 deleting Tom Anderson from our Friends in 
protest.   Please RSVP in support of this protest movement at 
http://mysp.ac/gHgiBF if you have a MySpace profile and agree with or 
support the cause.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 07:45:56 2010
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Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
From: Doc Rossi <docittern@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>, 
	beyond_em Yahoogroups List <beyond_em@yahoogroups.com>, 
	spacemusic Yahoogroups List <spacemusic@yahoogroups.com>, 
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--0016363b7e3ea106e004984b68db
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I've already done it.  Good initiative.

On Sun, Dec 26, 2010 at 7:27 AM, Bill Fox <billyfox@soundscapes.us> wrote:

> Since MySpace forced all band profiles into migrating to the "New MySpace"
> band profile; for calling that an upgrade; for making that forced migration
> nothing less than excruciating, like a cystoscopy without numbing agent; for
> never listening to the true needs of its users; for trying to be Facebook
> and Twitter all rolled into one; for taking away the capabilities of old
> MySpace that we liked; for running audio ads when we want to get directly to
> listening to a music player; for destroying all the work we did in old
> MySpace so we can't migrate it over to New MySpace; for making HTML boxes
> that don't fully observe HTML...
>
> We should all spend 2011 deleting Tom Anderson from our Friends in protest.
>   Please RSVP in support of this protest movement at http://mysp.ac/gHgiBFif you have a MySpace profile and agree with or support the cause.
>
> Cheers,
>
> Bill
>
>

--0016363b7e3ea106e004984b68db
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Content-Transfer-Encoding: quoted-printable

I&#39;ve already done it. =A0Good initiative.<br><br><div class=3D"gmail_qu=
ote">On Sun, Dec 26, 2010 at 7:27 AM, Bill Fox <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:billyfox@soundscapes.us">billyfox@soundscapes.us</a>&gt;</span>=
 wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Since MySpace forced all band profiles into=
 migrating to the &quot;New MySpace&quot; band profile; for calling that an=
 upgrade; for making that forced migration nothing less than excruciating, =
like a cystoscopy without numbing agent; for never listening to the true ne=
eds of its users; for trying to be Facebook and Twitter all rolled into one=
; for taking away the capabilities of old MySpace that we liked; for runnin=
g audio ads when we want to get directly to listening to a music player; fo=
r destroying all the work we did in old MySpace so we can&#39;t migrate it =
over to New MySpace; for making HTML boxes that don&#39;t fully observe HTM=
L...<br>

<br>
We should all spend 2011 deleting Tom Anderson from our Friends in protest.=
 =A0 Please RSVP in support of this protest movement at <a href=3D"http://m=
ysp.ac/gHgiBF" target=3D"_blank">http://mysp.ac/gHgiBF</a> if you have a My=
Space profile and agree with or support the cause.<br>

<br>
Cheers,<br><font color=3D"#888888">
<br>
Bill<br>
<br>
</font></blockquote></div><br>

--0016363b7e3ea106e004984b68db--

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Date: Sun, 26 Dec 2010 00:01:49 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
To: Loopers-Delight@loopers-delight.com
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--0-1852820388-1293350509=:19578
Content-Type: text/plain; charset=iso-8859-1
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Careful guys=A0 ..... my virus shield freaked out......but i did it any way

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=20

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=20
=A0http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=20





--- On Sun, 12/26/10, Doc Rossi <docittern@gmail.com> wrote:

From: Doc Rossi <docittern@gmail.com>
Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
To: Loopers-Delight@loopers-delight.com
Cc: "ElectronicMusic Yahoogroups List" <ElectronicMusic@yahoogroups.com>, "=
beyond_em Yahoogroups List" <beyond_em@yahoogroups.com>, "spacemusic Yahoog=
roups List" <spacemusic@yahoogroups.com>, "Ambient Way Yahoogroups List" <t=
he_ambient_way@yahoogroups.com>, "AIMusic Yahoogroup" <AIMusic@yahoogroups.=
com>
Date: Sunday, December 26, 2010, 1:45 AM

I've already done it. =A0Good initiative.

On Sun, Dec 26, 2010 at 7:27 AM, Bill Fox <billyfox@soundscapes.us> wrote:
=0ASince MySpace forced all band profiles into migrating to the "New MySpac=
e" band profile; for calling that an upgrade; for making that forced migrat=
ion nothing less than excruciating, like a cystoscopy without numbing agent=
; for never listening to the true needs of its users; for trying to be Face=
book and Twitter all rolled into one; for taking away the capabilities of o=
ld MySpace that we liked; for running audio ads when we want to get directl=
y to listening to a music player; for destroying all the work we did in old=
 MySpace so we can't migrate it over to New MySpace; for making HTML boxes =
that don't fully observe HTML...
=0A=0A
=0AWe should all spend 2011 deleting Tom Anderson from our Friends in prote=
st. =A0 Please RSVP in support of this protest movement at http://mysp.ac/g=
HgiBF if you have a MySpace profile and agree with or support the cause.
=0A=0A
=0ACheers,
=0A
=0ABill
=0A
=0A
=0A
--0-1852820388-1293350509=:19578
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold; font-style:=
 italic;">Careful guys&nbsp; ..... my virus shield freaked out......but i d=
id it any way</span><br><br><div><address style=3D"font-family: arial,helve=
tica,sans-serif; font-weight: bold;"><font color=3D"#bf00bf" size=3D"2">Kyl=
e Dean Patten</font></address> <address style=3D"font-family: arial,helveti=
ca,sans-serif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2=
">P.O. Box 22</font></address> <address style=3D"font-family: arial,helveti=
ca,sans-serif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2=
">Johnston, IA&nbsp; 50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp; <br><br style=3D"color: rgb(0, 128, 255);"></font><=
/address> <address style=3D"font-family: arial,helvetica,sans-serif; font-w=
eight: bold;"><font style=3D"font-family: verdana,helvetica,sans-serif; col=
or: rgb(0, 128, 255);"
 size=3D"3"><span style=3D"font-size: 9pt;"><span style=3D"color: rgb(255, =
0, 127);">&nbsp;http://www.youtube.com/watch?v=3Dobgm3kTi5bs</span><br>&nbs=
p;http://www.youtube.com/watch?v=3Da9g93s0q3uc</span></font><font size=3D"3=
"> <br></font></address> <address><font style=3D"font-family: arial,helveti=
ca,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"3"><a=
 rel=3D"nofollow" target=3D"_blank" href=3D"http://www.cdbaby.com/cd/kdpatt=
en">http://www.cdbaby.com/cd/kdpatten </a><br><span style=3D"color: rgb(255=
, 127, 0);">http://www.myspace.com/kyledeanpatten </span><br>&nbsp;</font><=
font style=3D"color: rgb(255, 0, 255); font-family: arial,helvetica,sans-se=
rif; font-weight: bold;" size=3D"3"><a rel=3D"nofollow" target=3D"_blank" h=
ref=3D"http://www.linkedin.com/in/kyledeanpatten" title=3D"View public prof=
ile" name=3D"webProfileURL">http://www.linkedin.com/in/kyledeanpatten</a></=
font><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128=
, 192, 255); font-weight: bold;"
 size=3D"3"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new=
 york,times,serif;">&nbsp;&nbsp;</font></font><font style=3D"font-family: t=
ahoma,new york,times,serif; color: rgb(128, 192, 255); font-weight: bold;" =
size=3D"2"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new =
york,times,serif;" size=3D"2">&nbsp;&nbsp;</font>&nbsp;&nbsp;&nbsp; <br></f=
ont><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128,=
 192, 255); font-weight: bold;" size=3D"3"><span style=3D"font-size: 9pt;">=
<span style=3D"font-family: tahoma,new york,times,serif;"></span></span></f=
ont><br style=3D"font-weight: bold;"><br><br><a rel=3D"nofollow" target=3D"=
_blank" href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html=
"><span class=3D"yshortcuts" id=3D"lw_1230810272_0"></span></a></address></=
div><br><br>--- On <b>Sun, 12/26/10, Doc Rossi <i>&lt;docittern@gmail.com&g=
t;</i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16=
, 255); margin-left: 5px;
 padding-left: 5px;"><br>From: Doc Rossi &lt;docittern@gmail.com&gt;<br>Sub=
ject: Re: [OT] Delete Tom Anderson From Your MySpace Friends<br>To: Loopers=
-Delight@loopers-delight.com<br>Cc: "ElectronicMusic Yahoogroups List" &lt;=
ElectronicMusic@yahoogroups.com&gt;, "beyond_em Yahoogroups List" &lt;beyon=
d_em@yahoogroups.com&gt;, "spacemusic Yahoogroups List" &lt;spacemusic@yaho=
ogroups.com&gt;, "Ambient Way Yahoogroups List" &lt;the_ambient_way@yahoogr=
oups.com&gt;, "AIMusic Yahoogroup" &lt;AIMusic@yahoogroups.com&gt;<br>Date:=
 Sunday, December 26, 2010, 1:45 AM<br><br><div id=3D"yiv219610538">I've al=
ready done it. &nbsp;Good initiative.<br><br><div class=3D"yiv219610538gmai=
l_quote">On Sun, Dec 26, 2010 at 7:27 AM, Bill Fox <span dir=3D"ltr">&lt;<a=
 rel=3D"nofollow" ymailto=3D"mailto:billyfox@soundscapes.us" target=3D"_bla=
nk" href=3D"/mc/compose?to=3Dbillyfox@soundscapes.us">billyfox@soundscapes.=
us</a>&gt;</span> wrote:<br>=0A<blockquote class=3D"yiv219610538gmail_quote=
" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">Since MySpace forced all band profiles into migra=
ting to the "New MySpace" band profile; for calling that an upgrade; for ma=
king that forced migration nothing less than excruciating, like a cystoscop=
y without numbing agent; for never listening to the true needs of its users=
; for trying to be Facebook and Twitter all rolled into one; for taking awa=
y the capabilities of old MySpace that we liked; for running audio ads when=
 we want to get directly to listening to a music player; for destroying all=
 the work we did in old MySpace so we can't migrate it over to New MySpace;=
 for making HTML boxes that don't fully observe HTML...<br>=0A=0A<br>=0AWe =
should all spend 2011 deleting Tom Anderson from our Friends in protest. &n=
bsp; Please RSVP in support of this protest movement at <a rel=3D"nofollow"=
 target=3D"_blank" href=3D"http://mysp.ac/gHgiBF">http://mysp.ac/gHgiBF</a>=
 if you have a MySpace profile and agree with or support the cause.<br>=0A=
=0A<br>=0ACheers,<br><font color=3D"#888888">=0A<br>=0ABill<br>=0A<br>=0A</=
font></blockquote></div><br>=0A</div></blockquote></td></tr></table>
--0-1852820388-1293350509=:19578--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 08:50:59 2010
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Date: Sun, 26 Dec 2010 09:50:56 +0100
Message-ID: <AANLkTikUCZH+iUGZK9Mnd_cnKxzEqJvMoPKVLtgtfbRr@mail.gmail.com>
Subject: Re: Numerology 3...
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Cool to see one of my favorite music software tools mentioned on this list! :-)

On Sun, Dec 26, 2010 at 3:30 AM, Dustbunnies <mech@m3ch.net> wrote:
> This has me wondering if Numerology might currently work as a poor-man's
> alternative to Max-For-Live

I don't think so, because they are completely different tools.
Numerology is a system for modular step sequencing, the way it was
done in the analog domain and before MIDI was invented. One might
argue that Numerology 3 and the Pro version now has digital audio
processing objects like Envelope Follower, Audio Feedback Assistant, a
built-in sampler etc - but that's only a little icing on the cake
while M4L is a massive iceberg of audio processing options (that
totally lacks the modular sequencing workflow of Numerology).

> Numerology AU
I am not too excited by the AU, because this plugin misses out of what
I find most cool with Numerology; the possibility for "discrete
sequencing". When working with rhythmic riffs and melody lines I'm a
big fan of creating loops of accent that cycle at a different length
than the tonal loops formed by notes. This can't be done with the
Numerology AU plugin. But in the full Numerology application you can
set up a dedicated step sequencer for Velocity (accent), another for
Gate (when notes are created) and a third for Pitch (which notes are
created). Then you cable all those (CV) sequencers into a Note
Generator object to drive a virtual instrument. This is the music
theory typically used by artists as King Crimson, Philip Glass, Steve
Reich etc.

If in the future the Numerology AU becomes available with all the
modular sequencer routing now available in Numerology, then I would
love to use it in Logic to drive Logic's virtual instruments from
Numerology AU. Maybe next year... ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 09:00:40 2010
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Date: Sun, 26 Dec 2010 10:00:39 +0100
Message-ID: <AANLkTi=sJTL2Uv-m_b6ch6E7hoWDUa-0YKFyob_nO9sg@mail.gmail.com>
Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Dec 26, 2010 at 5:04 AM, Dustbunnies <mech@m3ch.net> wrote:
> Lately, it seems TC-Helicon have been devoting quite a bit of attention t=
o
> promoting Voice Looping (their VoiceLive Touch product, for instance). =
=C2=A0Now,
> they've come out with VoiceJam for the iPhone/iPad:
>
> =C2=A0 =C2=A0 =C2=A0 =C2=A0http://www.tc-helicon.com/products/voicejam/


According to the info on the site and the demo video it seems way more
fun than Loop that I have on my iPhone here. If I were a vocalist I
would buy and download it, but I'm not ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 09:30:57 2010
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From: "nick@12testing.net" <nick@1957.me.uk>
To: Loopers-Delight@loopers-delight.com,
              mark francombe <mark@markfrancombe.com>
Date: Sun, 26 Dec 2010 09:30:36 -0000
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On 25 Dec 2010 at 17:55, mark francombe wrote:

> I understand and remember your frustration Nick, but the best way to
> get on top of your EDP is to try a limited few things at first, then
> dive back into the manual and try a few more..

that's the approach I'm taking.

> For really complex stuff, you can look for Andre le Fosses website, 

that's on my reading list, but whilst I can use it put a name to a 
feature, there's no "how to".

> Matthias said...
> http://youtube.com/livelooping - ~Musicians explaining... you can find
> several basic ones

Looping isn't the issue - I've looped used a powertran DDL and later 
a jamman for over 20 years. I thoroughly "get" the concept. The vids 
you mention are generally variations on overdubbing  and "one man 
song covers", which is a long way from my musical head. I can already 
(just about) replace the jamman with the EDP, it's the sonic mangling 
I'm looking to add to my repertoire.

BTW, I don't know if you can add existing videos to your channel, but 
here are some of mine

http://www.youtube.com/watch?v=wN5z9FpZZ54
http://www.youtube.com/watch?v=V6Qvbwd0ew4
http://www.youtube.com/watch?v=C2U-mbEJfPQ

I'm just surprised by the almost total lack of "how to do it" videos. 
I'm not a RTFM criminal - I've taught myself flash and php using TFM 
and use midi to control a variety of devices in my chain. I know the 
value of DIY tuition, but as a tutor myself (origami!), don't 
subscribe to the "I learned it the hard way, why can't you" 
philosophy ;)

However, I'm still finding it hard going. I suspect some effects 
require parameters that prevent other effects? It would be handy if 
there were a list of "to get this effect, you need these parameters 
set" type information.

Is it sensible to set up one type of effect, then add it to a preset 
for later recall? There are times when I want next loop to contain 
audio, others not - rather than change these parameters by midi (if 
you can!), I assume a preset would cover it?

One last question - re. using "undo" with windowing" - is there a 
"redo" option, so you can take the window forwards as well as 
backwards?

> have fun 

Oh yes, it's serious creative fun! I apologise for so many Noob 
questions ;)

I guess I also need to put my money where my mouth is and record a 
few tutorial videos!

All the best,

Nick Robinson

music site : 	http://www.looping.me.uk
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



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Date: Sun, 26 Dec 2010 02:07:16 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS
To: Loopers-Delight@loopers-delight.com
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what's the point of having a looper on an iPhone?

Antony



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, December 26, 2010 10:00:39 AM
Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS

On Sun, Dec 26, 2010 at 5:04 AM, Dustbunnies <mech@m3ch.net> wrote:
> Lately, it seems TC-Helicon have been devoting quite a bit of attention to
> promoting Voice Looping (their VoiceLive Touch product, for instance).  Now,
> they've come out with VoiceJam for the iPhone/iPad:
>
>        http://www.tc-helicon.com/products/voicejam/


According to the info on the site and the demo video it seems way more
fun than Loop that I have on my iPhone here. If I were a vocalist I
would buy and download it, but I'm not ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


      
--0-1694332897-1293358036=:66551
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>what's the point of having a looper on an iPhone?</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, December 26, 2010 10:00:39 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: TC-Helicon releases VoiceJam, audio looper for iOS<br></font><br>
On Sun, Dec 26, 2010 at 5:04 AM, Dustbunnies &lt;<a ymailto="mailto:mech@m3ch.net" href="mailto:mech@m3ch.net">mech@m3ch.net</a>&gt; wrote:<br>&gt; Lately, it seems TC-Helicon have been devoting quite a bit of attention to<br>&gt; promoting Voice Looping (their VoiceLive Touch product, for instance). &nbsp;Now,<br>&gt; they've come out with VoiceJam for the iPhone/iPad:<br>&gt;<br><span>&gt; &nbsp; &nbsp; &nbsp; &nbsp;<a target="_blank" href="http://www.tc-helicon.com/products/voicejam/">http://www.tc-helicon.com/products/voicejam/</a></span><br><br><br>According to the info on the site and the demo video it seems way more<br>fun than Loop that I have on my iPhone here. If I were a vocalist I<br>would buy and download it, but I'm not ;-)<br><br>Greetings from Sweden<br><br>Per Boysen<br><a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a target="_blank"
 href="http://www.looproom.com">www.looproom.com</a> internet music hub<br><br></div></div><div style="position:fixed"></div>


</div><br>







      </body></html>
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Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS
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On Sun, Dec 26, 2010 at 11:07 AM,  <antonyhequet@yahoo.com> wrote:
> what's the point of having a looper on an iPhone?

Looping acoustic sound on the go wherever you might be; on the bus, in
the escalator on the way up to your work assignment, in the basement
while doing the laundry, at the grocery store while examining fresh
potatoes of the season... etc etc. What value you find in this is of
course a highly personal matter :-)  For a vocalist it might offer
valuable practicing opportunities.

Per

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Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
Date: Sun, 26 Dec 2010 10:51:53 -0000
Organization: EarthLight Productions
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------=_NextPart_000_003A_01CBA4EA.E87A41E0
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	charset="UTF-8"
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=EF=BB=BFDone and done.  Myspace has become rubbish, and with the new =
=E2=80=98layout=E2=80=99 =E2=80=93 if that=E2=80=99s what one can call =
it =E2=80=93 it=E2=80=99s practically unusable.

From: K D Patten=20
Sent: Sunday, December 26, 2010 8:01 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends

      Careful guys  ..... my virus shield freaked out......but i did it =
any way


      Kyle Dean Patten
      P.O. Box 22
      Johnston, IA  50131            =20


      http://www.youtube.com/watch?v=3Dobgm3kTi5bs
      http://www.youtube.com/watch?v=3Da9g93s0q3uc=20

      http://www.cdbaby.com/cd/kdpatten=20
      http://www.myspace.com/kyledeanpatten=20
       http://www.linkedin.com/in/kyledeanpatten       =20






      --- On Sun, 12/26/10, Doc Rossi <docittern@gmail.com> wrote:


        From: Doc Rossi <docittern@gmail.com>
        Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
        To: Loopers-Delight@loopers-delight.com
        Cc: "ElectronicMusic Yahoogroups List" =
<ElectronicMusic@yahoogroups.com>, "beyond_em Yahoogroups List" =
<beyond_em@yahoogroups.com>, "spacemusic Yahoogroups List" =
<spacemusic@yahoogroups.com>, "Ambient Way Yahoogroups List" =
<the_ambient_way@yahoogroups.com>, "AIMusic Yahoogroup" =
<AIMusic@yahoogroups.com>
        Date: Sunday, December 26, 2010, 1:45 AM


        I've already done it.  Good initiative.


        On Sun, Dec 26, 2010 at 7:27 AM, Bill Fox =
<wlmailhtml:/mc/compose?to=3Dbillyfox@soundscapes.us> wrote:

          Since MySpace forced all band profiles into migrating to the =
"New MySpace" band profile; for calling that an upgrade; for making that =
forced migration nothing less than excruciating, like a cystoscopy =
without numbing agent; for never listening to the true needs of its =
users; for trying to be Facebook and Twitter all rolled into one; for =
taking away the capabilities of old MySpace that we liked; for running =
audio ads when we want to get directly to listening to a music player; =
for destroying all the work we did in old MySpace so we can't migrate it =
over to New MySpace; for making HTML boxes that don't fully observe =
HTML...

          We should all spend 2011 deleting Tom Anderson from our =
Friends in protest.   Please RSVP in support of this protest movement at =
http://mysp.ac/gHgiBF if you have a MySpace profile and agree with or =
support the cause.

          Cheers,

          Bill


    =20

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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Done and done.&nbsp; Myspace has become rubbish, and with the new =
=E2=80=98layout=E2=80=99=20
=E2=80=93 if that=E2=80=99s what one can call it =E2=80=93 it=E2=80=99s =
practically unusable.</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dkdpatten@yahoo.com=20
href=3D"mailto:kdpatten@yahoo.com">K D Patten</A> </DIV>
<DIV><B>Sent:</B> Sunday, December 26, 2010 8:01 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: [OT] Delete Tom Anderson From Your MySpace=20
Friends</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<TABLE style=3D"COLOR: #000000" border=3D0 cellSpacing=3D0 =
cellPadding=3D0>
  <TBODY>
  <TR>
    <TD vAlign=3Dtop><SPAN style=3D"FONT-STYLE: italic; FONT-WEIGHT: =
bold">Careful=20
      guys&nbsp; ..... my virus shield freaked out......but i did it any =

      way</SPAN><BR><BR>
      <DIV>
      <ADDRESS=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; FONT-WEIGHT: =
bold"><FONT=20
      color=3D#bf00bf size=3D2>Kyle Dean Patten</FONT></ADDRESS>
      <ADDRESS=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(0,128,255); FONT-WEIGHT: bold"><FONT=20
      size=3D2>P.O. Box 22</FONT></ADDRESS>
      <ADDRESS=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(0,128,255); FONT-WEIGHT: bold"><FONT=20
      size=3D2>Johnston, IA&nbsp;=20
      =
50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;=20
      <BR><BR style=3D"COLOR: rgb(0,128,255)"></FONT></ADDRESS>
      <ADDRESS=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; FONT-WEIGHT: =
bold"><FONT=20
      style=3D"FONT-FAMILY: verdana,helvetica,sans-serif; COLOR: =
rgb(0,128,255)"=20
      size=3D3><SPAN style=3D"FONT-SIZE: 9pt"><SPAN=20
      style=3D"COLOR: =
rgb(255,0,127)">http://www.youtube.com/watch?v=3Dobgm3kTi5bs</SPAN><BR>ht=
tp://www.youtube.com/watch?v=3Da9g93s0q3uc</SPAN></FONT><FONT=20
      size=3D3> <BR></FONT></ADDRESS>
      <ADDRESS><FONT=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D3><A href=3D"http://www.cdbaby.com/cd/kdpatten" =
rel=3Dnofollow=20
      target=3D_blank>http://www.cdbaby.com/cd/kdpatten </A><BR><SPAN=20
      style=3D"COLOR: =
rgb(255,127,0)">http://www.myspace.com/kyledeanpatten=20
      </SPAN><BR>&nbsp;</FONT><FONT=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(255,0,255); FONT-WEIGHT: bold"=20
      size=3D3><A title=3D"View public profile"=20
      href=3D"http://www.linkedin.com/in/kyledeanpatten" =
name=3DwebProfileURL=20
      rel=3Dnofollow=20
      =
target=3D_blank>http://www.linkedin.com/in/kyledeanpatten</A></FONT><FONT=
=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D3><FONT=20
      style=3D"FONT-FAMILY: tahoma,new york,times,serif; COLOR: =
rgb(255,0,255)">&nbsp;=20
      </FONT></FONT><FONT=20
      style=3D"FONT-FAMILY: tahoma,new york,times,serif; COLOR: =
rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D2><FONT=20
      style=3D"FONT-FAMILY: tahoma,new york,times,serif; COLOR: =
rgb(255,0,255)"=20
      size=3D2>&nbsp; </FONT>&nbsp;&nbsp;&nbsp; <BR></FONT><FONT=20
      style=3D"FONT-FAMILY: arial,helvetica,sans-serif; COLOR: =
rgb(128,192,255); FONT-WEIGHT: bold"=20
      size=3D3><SPAN style=3D"FONT-SIZE: 9pt"><SPAN=20
      style=3D"FONT-FAMILY: tahoma,new =
york,times,serif"></SPAN></SPAN></FONT><BR=20
      style=3D"FONT-WEIGHT: bold"><BR><BR><A=20
      =
href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html"=20
      rel=3Dnofollow target=3D_blank><SPAN id=3Dlw_1230810272_0=20
      class=3Dyshortcuts></SPAN></A></ADDRESS></DIV><BR><BR>--- On =
<B>Sun,=20
      12/26/10, Doc Rossi <I>&lt;docittern@gmail.com&gt;</I></B> =
wrote:<BR>
      <BLOCKQUOTE=20
      style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; =
MARGIN-LEFT: 5px"><BR>From:=20
        Doc Rossi &lt;docittern@gmail.com&gt;<BR>Subject: Re: [OT] =
Delete Tom=20
        Anderson From Your MySpace Friends<BR>To:=20
        Loopers-Delight@loopers-delight.com<BR>Cc: "ElectronicMusic =
Yahoogroups=20
        List" &lt;ElectronicMusic@yahoogroups.com&gt;, "beyond_em =
Yahoogroups=20
        List" &lt;beyond_em@yahoogroups.com&gt;, "spacemusic Yahoogroups =
List"=20
        &lt;spacemusic@yahoogroups.com&gt;, "Ambient Way Yahoogroups =
List"=20
        &lt;the_ambient_way@yahoogroups.com&gt;, "AIMusic Yahoogroup"=20
        &lt;AIMusic@yahoogroups.com&gt;<BR>Date: Sunday, December 26, =
2010, 1:45=20
        AM<BR><BR>
        <DIV id=3Dyiv219610538>I've already done it.&nbsp; Good=20
initiative.<BR><BR>
        <DIV class=3Dyiv219610538gmail_quote>On Sun, Dec 26, 2010 at =
7:27 AM, Bill=20
        Fox <SPAN dir=3Dltr>&lt;<A=20
        href=3D"wlmailhtml:/mc/compose?to=3Dbillyfox@soundscapes.us" =
rel=3Dnofollow=20
        target=3D_blank=20
        =
ymailto=3D"mailto:billyfox@soundscapes.us">wlmailhtml:/mc/compose?to=3Dbi=
llyfox@soundscapes.us</A>&gt;</SPAN>=20
        wrote:<BR>
        <BLOCKQUOTE=20
        style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt =
0pt 0pt 0.8ex; PADDING-LEFT: 1ex"=20
        class=3Dyiv219610538gmail_quote>Since MySpace forced all band =
profiles=20
          into migrating to the "New MySpace" band profile; for calling =
that an=20
          upgrade; for making that forced migration nothing less than=20
          excruciating, like a cystoscopy without numbing agent; for =
never=20
          listening to the true needs of its users; for trying to be =
Facebook=20
          and Twitter all rolled into one; for taking away the =
capabilities of=20
          old MySpace that we liked; for running audio ads when we want =
to get=20
          directly to listening to a music player; for destroying all =
the work=20
          we did in old MySpace so we can't migrate it over to New =
MySpace; for=20
          making HTML boxes that don't fully observe HTML...<BR><BR>We =
should=20
          all spend 2011 deleting Tom Anderson from our Friends in=20
          protest.&nbsp;&nbsp; Please RSVP in support of this protest =
movement=20
          at <A href=3D"http://mysp.ac/gHgiBF" rel=3Dnofollow=20
          target=3D_blank>http://mysp.ac/gHgiBF</A> if you have a =
MySpace profile=20
          and agree with or support the cause.<BR><BR>Cheers,<BR><FONT=20
          color=3D#888888><BR>Bill<BR><BR></FONT></BLOCKQUOTE></DIV>
        =
<DIV>&nbsp;</DIV></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE></DIV></DIV=
></DIV></BODY></HTML>

------=_NextPart_000_003A_01CBA4EA.E87A41E0--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 10:59:21 2010
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Subject: Re: Ok, back on topic, shoe question?
From: Reyn Ouwehand <loopers-delight@reyn.net>
In-Reply-To: <FEF8C746-4E25-4A00-BC62-A134EAE6FD6C@btinternet.com>
Date: Sun, 26 Dec 2010 11:59:17 +0100
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References: <29B4E54D-1C8C-44E5-89DF-ABA956B8167F@ubergadget.com> <4D12EE71.7010409@cruzio.com> <6FA51F81-EA89-46C4-BEBE-55C5C660EB9E@1800dialword.com> <FEF8C746-4E25-4A00-BC62-A134EAE6FD6C@btinternet.com>
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Agreed! I always wear Converses when I play live too, and they look good =
too!..

Cheers,

Reyn.

(PS: No looping, but I really like the song: Reyn vs Blaudzun - Revolver =
http://www.youtube.com/watch?v=3DAyf4_7DlntI )

On Dec 23, 2010, at 5:25 PM, Matt Stevens wrote:

> Converse - nothing comes close :)
>=20
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>=20
>=20
>=20
>=20
> On 23 Dec 2010, at 16:15, Andy Owens wrote:
>=20
>> Allright fellers, I know lots of us'ns have switches on the floor, so =
here's a relevant on topic question. =20
>>=20
>> What are the best looping shoes?????
>>=20
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 11:49:11 2010
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	<5EF51ED5C6BB4EC78E51FB51D0C3C854@ELUK1>
Date: Sun, 26 Dec 2010 13:49:09 +0200
Message-ID: <AANLkTim2V+V8V1tOaPsQ2oJ9u8Mi2HzxDAGXiSWqP-87@mail.gmail.com>
Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
From: Petri Lahtinen <aikuinen@gmail.com>
To: Stephen Goodman <spgoodman@earthlight.net>
Cc: Loopers-Delight@loopers-delight.com
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--20cf3054a337ac228504984eceb8
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I removed links to MySpace from my homepage, havent promoted anything
through it in half year or something.
They ruined good platform and user base. Their fail.

Hail the SoundCloud

-Petri-

2010/12/26 Stephen Goodman <spgoodman@earthlight.net>

>   Done and done.  Myspace has become rubbish, and with the new =91layout=
=92 =96
> if that=92s what one can call it =96 it=92s practically unusable.
>
>  *From:* K D Patten <kdpatten@yahoo.com>
> *Sent:* Sunday, December 26, 2010 8:01 AM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* Re: [OT] Delete Tom Anderson From Your MySpace Friends
>
>   Careful guys  ..... my virus shield freaked out......but i did it any
> way
>
>  Kyle Dean Patten P.O. Box 22 Johnston, IA  50131
>
> http://www.youtube.com/watch?v=3Dobgm3kTi5bs
> http://www.youtube.com/watch?v=3Da9g93s0q3uc
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten
>  http://www.linkedin.com/in/kyledeanpatten
>
>
>
> <http://www.globalwarmingheartland.org/GWQuiz/Testindex.html>
>
>
> --- On *Sun, 12/26/10, Doc Rossi <docittern@gmail.com>* wrote:
>
>
> From: Doc Rossi <docittern@gmail.com>
> Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
> To: Loopers-Delight@loopers-delight.com
> Cc: "ElectronicMusic Yahoogroups List" <ElectronicMusic@yahoogroups.com>,
> "beyond_em Yahoogroups List" <beyond_em@yahoogroups.com>, "spacemusic
> Yahoogroups List" <spacemusic@yahoogroups.com>, "Ambient Way Yahoogroups
> List" <the_ambient_way@yahoogroups.com>, "AIMusic Yahoogroup" <
> AIMusic@yahoogroups.com>
> Date: Sunday, December 26, 2010, 1:45 AM
>
> I've already done it.  Good initiative.
>
> On Sun, Dec 26, 2010 at 7:27 AM, Bill Fox <
> wlmailhtml:/mc/compose?to=3Dbillyfox@soundscapes.us> wrote:
>
> Since MySpace forced all band profiles into migrating to the "New MySpace=
"
> band profile; for calling that an upgrade; for making that forced migrati=
on
> nothing less than excruciating, like a cystoscopy without numbing agent; =
for
> never listening to the true needs of its users; for trying to be Facebook
> and Twitter all rolled into one; for taking away the capabilities of old
> MySpace that we liked; for running audio ads when we want to get directly=
 to
> listening to a music player; for destroying all the work we did in old
> MySpace so we can't migrate it over to New MySpace; for making HTML boxes
> that don't fully observe HTML...
>
> We should all spend 2011 deleting Tom Anderson from our Friends in
> protest.   Please RSVP in support of this protest movement at
> http://mysp.ac/gHgiBF if you have a MySpace profile and agree with or
> support the cause.
>
> Cheers,
>
> Bill
>
>
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a337ac228504984eceb8
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I removed links to MySpace from my homepage, havent promoted anything throu=
gh it in half year or something.<br>They ruined good platform and user base=
. Their fail.<br><br>Hail the SoundCloud<br><br>-Petri-<br><br><div class=
=3D"gmail_quote">
2010/12/26 Stephen Goodman <span dir=3D"ltr">&lt;<a href=3D"mailto:spgoodma=
n@earthlight.net">spgoodman@earthlight.net</a>&gt;</span><br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">

<div dir=3D"ltr">
<div dir=3D"ltr">
<div style=3D"font-family: &#39;Calibri&#39;; color: rgb(0, 0, 0); font-siz=
e: 12pt;">
<div>Done and done.=A0 Myspace has become rubbish, and with the new =91layo=
ut=92=20
=96 if that=92s what one can call it =96 it=92s practically unusable.</div>
<div style=3D"font-style: normal; display: inline; font-family: &#39;Calibr=
i&#39;; color: rgb(0, 0, 0); font-size: small; font-weight: normal; text-de=
coration: none;">
<div style=3D"font: 10pt tahoma;">
<div>=A0</div>
<div style=3D"background: none repeat scroll 0% 0% rgb(245, 245, 245);">
<div><b>From:</b> <a title=3D"kdpatten@yahoo.com" href=3D"mailto:kdpatten@y=
ahoo.com" target=3D"_blank">K D Patten</a> </div>
<div><b>Sent:</b> Sunday, December 26, 2010 8:01 AM</div><div class=3D"im">
<div><b>To:</b> <a title=3D"Loopers-Delight@loopers-delight.com" href=3D"ma=
ilto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight=
@loopers-delight.com</a>=20
</div>
<div><b>Subject:</b> Re: [OT] Delete Tom Anderson From Your MySpace=20
Friends</div></div></div></div>
<div>=A0</div></div>
<div style=3D"font-style: normal; display: inline; font-family: &#39;Calibr=
i&#39;; color: rgb(0, 0, 0); font-size: small; font-weight: normal; text-de=
coration: none;">
<table style=3D"color: rgb(0, 0, 0);" border=3D"0" cellpadding=3D"0" cellsp=
acing=3D"0">
  <tbody>
  <tr>
    <td valign=3D"top"><div class=3D"im"><span style=3D"font-style: italic;=
 font-weight: bold;">Careful=20
      guys=A0 ..... my virus shield freaked out......but i did it any=20
      way</span><br><br>
      <div>
      <address style=3D"font-family: arial,helvetica,sans-serif; font-weigh=
t: bold;"><font color=3D"#bf00bf" size=3D"2">Kyle Dean Patten</font></addre=
ss>
      <address style=3D"font-family: arial,helvetica,sans-serif; color: rgb=
(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. Box 22</font></add=
ress>
      <address style=3D"font-family: arial,helvetica,sans-serif; color: rgb=
(0, 128, 255); font-weight: bold;"><font size=3D"2">Johnston, IA=A0=20
      50131=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
      <br><br style=3D"color: rgb(0, 128, 255);"></font></address>
      <address style=3D"font-family: arial,helvetica,sans-serif; font-weigh=
t: bold;"><font style=3D"font-family: verdana,helvetica,sans-serif; color: =
rgb(0, 128, 255);" size=3D"3"><span style=3D"font-size: 9pt;"><span style=
=3D"color: rgb(255, 0, 127);"><a href=3D"http://www.youtube.com/watch?v=3Do=
bgm3kTi5bs" target=3D"_blank">http://www.youtube.com/watch?v=3Dobgm3kTi5bs<=
/a></span><br>
<a href=3D"http://www.youtube.com/watch?v=3Da9g93s0q3uc" target=3D"_blank">=
http://www.youtube.com/watch?v=3Da9g93s0q3uc</a></span></font><font size=3D=
"3"> <br></font></address>
      <address><font style=3D"font-family: arial,helvetica,sans-serif; colo=
r: rgb(128, 192, 255); font-weight: bold;" size=3D"3"><a href=3D"http://www=
.cdbaby.com/cd/kdpatten" rel=3D"nofollow" target=3D"_blank">http://www.cdba=
by.com/cd/kdpatten </a><br>
<span style=3D"color: rgb(255, 127, 0);"><a href=3D"http://www.myspace.com/=
kyledeanpatten" target=3D"_blank">http://www.myspace.com/kyledeanpatten</a>=
=20
      </span><br>=A0</font><font style=3D"font-family: arial,helvetica,sans=
-serif; color: rgb(255, 0, 255); font-weight: bold;" size=3D"3"><a title=3D=
"View public profile" href=3D"http://www.linkedin.com/in/kyledeanpatten" na=
me=3D"12d224e57b1dcf66_webProfileURL" rel=3D"nofollow" target=3D"_blank">ht=
tp://www.linkedin.com/in/kyledeanpatten</a></font><font style=3D"font-famil=
y: arial,helvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold=
;" size=3D"3"><font style=3D"font-family: tahoma,new york,times,serif; colo=
r: rgb(255, 0, 255);">=A0=20
      </font></font><font style=3D"font-family: tahoma,new york,times,serif=
; color: rgb(128, 192, 255); font-weight: bold;" size=3D"2"><font style=3D"=
font-family: tahoma,new york,times,serif; color: rgb(255, 0, 255);" size=3D=
"2">=A0 </font>=A0=A0=A0 <br>
</font><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(1=
28, 192, 255); font-weight: bold;" size=3D"3"><span style=3D"font-size: 9pt=
;"><span style=3D"font-family: tahoma,new york,times,serif;"></span></span>=
</font><br style=3D"font-weight: bold;">
<br><br><a href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.h=
tml" rel=3D"nofollow" target=3D"_blank"><span></span></a></address></div><b=
r><br>--- On <b>Sun,=20
      12/26/10, Doc Rossi <i>&lt;<a href=3D"mailto:docittern@gmail.com" tar=
get=3D"_blank">docittern@gmail.com</a>&gt;</i></b> wrote:<br>
      </div><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); p=
adding-left: 5px; margin-left: 5px;"><div class=3D"im"><br>From:=20
        Doc Rossi &lt;<a href=3D"mailto:docittern@gmail.com" target=3D"_bla=
nk">docittern@gmail.com</a>&gt;<br>Subject: Re: [OT] Delete Tom=20
        Anderson From Your MySpace Friends<br>To:=20
        <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a><br>Cc: &quot;ElectronicMusic =
Yahoogroups=20
        List&quot; &lt;<a href=3D"mailto:ElectronicMusic@yahoogroups.com" t=
arget=3D"_blank">ElectronicMusic@yahoogroups.com</a>&gt;, &quot;beyond_em Y=
ahoogroups=20
        List&quot; &lt;<a href=3D"mailto:beyond_em@yahoogroups.com" target=
=3D"_blank">beyond_em@yahoogroups.com</a>&gt;, &quot;spacemusic Yahoogroups=
 List&quot;=20
        &lt;<a href=3D"mailto:spacemusic@yahoogroups.com" target=3D"_blank"=
>spacemusic@yahoogroups.com</a>&gt;, &quot;Ambient Way Yahoogroups List&quo=
t;=20
        &lt;<a href=3D"mailto:the_ambient_way@yahoogroups.com" target=3D"_b=
lank">the_ambient_way@yahoogroups.com</a>&gt;, &quot;AIMusic Yahoogroup&quo=
t;=20
        &lt;<a href=3D"mailto:AIMusic@yahoogroups.com" target=3D"_blank">AI=
Music@yahoogroups.com</a>&gt;<br>Date: Sunday, December 26, 2010, 1:45=20
        AM<br><br>
        </div><div><div class=3D"im">I&#39;ve already done it.=A0 Good=20
initiative.<br><br>
        </div><div class=3D"im"><div>On Sun, Dec 26, 2010 at 7:27 AM, Bill=
=20
        Fox <span dir=3D"ltr">&lt;<a rel=3D"nofollow">wlmailhtml:/mc/compos=
e?to=3Dbillyfox@soundscapes.us</a>&gt;</span>=20
        wrote:<br>
        <blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); mar=
gin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Since MySpace forced all band p=
rofiles=20
          into migrating to the &quot;New MySpace&quot; band profile; for c=
alling that an=20
          upgrade; for making that forced migration nothing less than=20
          excruciating, like a cystoscopy without numbing agent; for never=
=20
          listening to the true needs of its users; for trying to be Facebo=
ok=20
          and Twitter all rolled into one; for taking away the capabilities=
 of=20
          old MySpace that we liked; for running audio ads when we want to =
get=20
          directly to listening to a music player; for destroying all the w=
ork=20
          we did in old MySpace so we can&#39;t migrate it over to New MySp=
ace; for=20
          making HTML boxes that don&#39;t fully observe HTML...<br><br>We =
should=20
          all spend 2011 deleting Tom Anderson from our Friends in=20
          protest.=A0=A0 Please RSVP in support of this protest movement=20
          at <a href=3D"http://mysp.ac/gHgiBF" rel=3D"nofollow" target=3D"_=
blank">http://mysp.ac/gHgiBF</a> if you have a MySpace profile=20
          and agree with or support the cause.<br><br>Cheers,<br><font colo=
r=3D"#888888"><br>Bill<br><br></font></blockquote></div>
        <div>=A0</div></div></div></blockquote></td></tr></tbody></table></=
div></div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a337ac228504984eceb8--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 12:24:18 2010
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To: "nick@12testing.net" <nick@1957.me.uk>
CC: Loopers-Delight@loopers-delight.com
Subject: Re: EDP videos?
References: <4D15EC40.7827.B0CC9E@nick.1957.me.uk>
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On 7/22/64 11:59 AM, nick@12testing.net wrote:
> I'm the proud owner of an EDP with loop IV. I'm wading through the
> manual, but am slightly surprised to find no tutorial videos out
> there. Has anyone made any? I'm learning through trial and (many)
> errors and it's frustrating to hear audio files demonstrating
> features I can't figure out...
>
>
>
Dear Nick,

Remember something:   It took you a long time to figure out your way around
a guitar.     The EDP is a complex instrument and it will take time to 
learn
it.   I'm with Mark Francombe...........take your time.......learn a 
couple of new techniques
and get really creative with them.  Then move on to some new ones.

God forbid:   pay for a lesson with an expert the way anyone would pay 
for a lesson
with a guitarist or any other instrument.   There are amazing masters of 
the EDP on this list
(Andre LaFosse, Andy Butler, Matthias Grob, et. al.)

My brother and I have often remarked about this phenomenae:
People will pay your for years of your expertise on an instrument to 
help accelerate their
growth but very, very few people will ever pay for an equivalent 
expertise on
tech gear, even though it took just as many hundreds of hours to master 
said techniques
as it did to master equivalent techniques on your instrument of choice.

I'm astonished by the number of hours my brother Bill, as an example,  
has put into learning the Looperlative, the Electrix Repeater, the Line 
6 DL-3, M-9 and M-13.    Very few people ever ask him for paid tutorials 
in those
instruments and yet, if they did,  they would shave off dozens and 
dozens of hours in their
own learning curve.

Yet, eople continually take our time asking for free advice about live 
looping.  Not a week goes by that
someone doesn't approach me for advice on some aspect or other of live 
looping and I have a tenth of the
knowledge that my brother has about it.

You'd be surprised how many secrets can be unlocked in a short amount of 
time if you
actually take a formal lesson with someone who has mastered this 
instrument and
honor them buy paying for their time.

Good luck with the EDP.  It's such a powerful instrument!
You are a very powerful artist in your own right.   You will do amazing 
things with
it I predict.

yours,   Rick


From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 12:41:10 2010
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	<4D1733E5.6000708@cruzio.com>
Date: Sun, 26 Dec 2010 13:41:08 +0100
Message-ID: <AANLkTinZsgXUZgn=a6NZWpFmF2CP9WbcQuEFk_8TJeon@mail.gmail.com>
Subject: Re: EDP videos?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> On 7/22/64 11:59 AM, nick@12testing.net wrote:
>>
>> I'm the proud owner of an EDP with loop IV. I'm wading through the
>> manual, but am slightly surprised to find no tutorial videos out
>> there. Has anyone made any? I'm learning through trial and (many)
>> errors and it's frustrating to hear audio files demonstrating
>> features I can't figure out...


Hi Nick,

For me it meant a huge leap in EDP skills when I understood that each
of the commands (Record, Overdub, Multiply, Reverse... etc) will imply
a different action depending on what mode the looper currently is in.
Put another way, you may get different results by using different
commands to end the current process.

One example is if you press Multiply. That will kick the EDP into
Multiply Mode. The most straightforward way of leaving Multiply Mode
is of course to press Multiply a second time - but there are other
exciting alternatives... like for example to end Multiply by Record!
This will instantly (1) cut down the loop length outside the quantize
setting, (2) set a new cycle length as the timing base and (3)
calculate a new tempo (sent out as MIDI Clock for synced gear). This
was just one example, you can explore alternative endings on your own.

All the best

Per Boysen

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 13:45:48 2010
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From: "Andy Owens" <andy@1800dialword.com>
Subject: Box truck
Thread-Topic: Box truck
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Date: Sun, 26 Dec 2010 08:44:45 -0500
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--Apple-Mail-2--616210051
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	charset=us-ascii

Here's my suggestion, you can find older, maybe repo'd box truck that has ch=
angeable signage, then you can sell ad space to some PC company you dont min=
d promoting, and also have a way to promote your shows.=20

To be more O(n)T I did the same thing last year, no signs, but I found a box=
 truck that was converted to a camper in the front that has the back half op=
en with a slideout, so my pipedream is a portable performance area with fast=
 connection so I can stream from the rest areas or wherever!!

Will send some pics sometime.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 25, 2010, at 5:11 PM, "FRO DIDDLY" <parispro00@hotmail.com> wrote:

> Howdy ya'll.
>=20
> Merry x-mas and happy looping!
>=20
> This is a long shot, but I have decided to purchase a box truck to replace=
 my van for my touring needs.
> I've been scouring the net for days trying to find what I'm looking for, b=
ut am not having the best luck.
> I figured since this list has members all over the states (and world), you=
 all might have some hints on local dealers that have a good inventory of bo=
x trucks. Or maybe some random websites that I'm overlooking.
> I live in St. Louis, MO. I will happily fly & drive home with the exceptio=
n of the west coast & New England area.
>=20
> What I'm looking for:
>=20
> Preferably a 12ft DIESEL box truck. Will consider up to a 14ft.
> 5 speed transmission preferred, but not too picky.
> There must be a walk-through from the cab so I have access to the cargo fr=
om inside the van. This seems to limit it to GMC/CHEVY/FORD as the Mitsubish=
i & Suziki trucks don't have this option.
> Minimum internal cargo width of 7ft.
> Cargo area must be flat, meaning no wheel well obstructions.=20
> Although not necessary, a lift gate would be nice so long as it tucks away=
 under the truck.=20
> Low miles preferred, but budget is $7500 max.
>=20
> The plan is to turn it into my mobile rehearsal space so that I can contin=
ue to grow as a musician & work on new songs as I tour the states playing sh=
ows.
> Currently in my van, with all the gear there is hardly enough room to slee=
p, yet alone practice.
>=20
> Any help/suggestions greatly appreciated - unless its the voice of reason t=
elling me to bring less gear ;o)
>=20
> ty!
>=20
> The Wandering Madman=20
>=20


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Oops forgot this link

http://item.mobileweb.ebay.com/viewitem?itemId=3D280605189586&index=3D14&nav=
=3DSEARCH&nid=3D74391087954

Too expensive but much cheaper out there.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 26, 2010, at 8:45 AM, "Andy Owens" <andy@1800dialword.com> wrote:

> Here's my suggestion, you can find older, maybe repo'd box truck that has c=
hangeable signage, then you can sell ad space to some PC company you dont mi=
nd promoting, and also have a way to promote your shows.=20
>=20
> To be more O(n)T I did the same thing last year, no signs, but I found a b=
ox truck that was converted to a camper in the front that has the back half o=
pen with a slideout, so my pipedream is a portable performance area with fas=
t connection so I can stream from the rest areas or wherever!!
>=20
> Will send some pics sometime.=20
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Dec 25, 2010, at 5:11 PM, "FRO DIDDLY" <parispro00@hotmail.com> wrote:
>=20
>> Howdy ya'll.
>>=20
>> Merry x-mas and happy looping!
>>=20
>> This is a long shot, but I have decided to purchase a box truck to replac=
e my van for my touring needs.
>> I've been scouring the net for days trying to find what I'm looking for, b=
ut am not having the best luck.
>> I figured since this list has members all over the states (and world), yo=
u all might have some hints on local dealers that have a good inventory of b=
ox trucks. Or maybe some random websites that I'm overlooking.
>> I live in St. Louis, MO. I will happily fly & drive home with the excepti=
on of the west coast & New England area.
>>=20
>> What I'm looking for:
>>=20
>> Preferably a 12ft DIESEL box truck. Will consider up to a 14ft.
>> 5 speed transmission preferred, but not too picky.
>> There must be a walk-through from the cab so I have access to the cargo f=
rom inside the van. This seems to limit it to GMC/CHEVY/FORD as the Mitsubis=
hi & Suziki trucks don't have this option.
>> Minimum internal cargo width of 7ft.
>> Cargo area must be flat, meaning no wheel well obstructions.=20
>> Although not necessary, a lift gate would be nice so long as it tucks awa=
y under the truck.=20
>> Low miles preferred, but budget is $7500 max.
>>=20
>> The plan is to turn it into my mobile rehearsal space so that I can conti=
nue to grow as a musician & work on new songs as I tour the states playing s=
hows.
>> Currently in my van, with all the gear there is hardly enough room to sle=
ep, yet alone practice.
>>=20
>> Any help/suggestions greatly appreciated - unless its the voice of reason=
 telling me to bring less gear ;o)
>>=20
>> ty!
>>=20
>> The Wandering Madman=20
>>=20
>=20

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From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 14:12:24 2010
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Date: Sun, 26 Dec 2010 06:12:21 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS
To: Loopers-Delight@loopers-delight.com
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voice and potatoes, got it!

Antomy



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, December 26, 2010 11:42:33 AM
Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS

On Sun, Dec 26, 2010 at 11:07 AM,  <antonyhequet@yahoo.com> wrote:
> what's the point of having a looper on an iPhone?

Looping acoustic sound on the go wherever you might be; on the bus, in
the escalator on the way up to your work assignment, in the basement
while doing the laundry, at the grocery store while examining fresh
potatoes of the season... etc etc. What value you find in this is of
course a highly personal matter :-)  For a vocalist it might offer
valuable practicing opportunities.

Per


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>voice and potatoes, got it!</div><div><br></div><div>Antomy</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, December 26, 2010 11:42:33 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: TC-Helicon releases VoiceJam, audio looper for iOS<br></font><br>
On Sun, Dec 26, 2010 at 11:07 AM,&nbsp; &lt;<a ymailto="mailto:antonyhequet@yahoo.com" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt; what's the point of having a looper on an iPhone?<br><br>Looping acoustic sound on the go wherever you might be; on the bus, in<br>the escalator on the way up to your work assignment, in the basement<br>while doing the laundry, at the grocery store while examining fresh<br>potatoes of the season... etc etc. What value you find in this is of<br>course a highly personal matter :-)&nbsp; For a vocalist it might offer<br>valuable practicing opportunities.<br><br>Per<br><br></div></div><div style="position:fixed"></div>


</div><br>

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Amen to that...

On Dec 26, 2010, at 4:49 AM, Petri Lahtinen wrote:
>
> Hail the SoundCloud
>
> -Petri-
> --  
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert  
> Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must  
> lead." -Charles Bukowski-
>


--Boundary_(ID_WIT3HGTs62NcJBafOSl9uA)
Content-type: text/html; charset=US-ASCII
Content-transfer-encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Amen to =
that...<div>&nbsp;</div><div><div><div>On Dec 26, 2010, at 4:49 AM, =
Petri Lahtinen wrote:</div><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font>Hail the =
SoundCloud<br><br>-Petri-<br>-- <br>Petri Lahtinen<br><a =
href=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br>=
<a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.=
com/</a><br> <a =
href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/petri=
lahtinen</a><br><a =
href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen=
</a><br><a =
href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.=
com/</a><br> =
---------------------------------------------------<br>"Only become =
professional musician if there is no choice." -Robert =
Fripp-<br>---------------------------------------------------<br>"Some =
people never go crazy. What truly horrible lives they must lead." =
-Charles Bukowski-<br> <br></blockquote></div><br></div></body></html>=

--Boundary_(ID_WIT3HGTs62NcJBafOSl9uA)--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 15:08:38 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: Box truck
Date: Sun, 26 Dec 2010 07:08:25 -0800
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Some Friendly Advice Dept.-

Best to get a truck that you know that YOU can work on for repairs  
(up to a certain point, at least) and also do YOUR OWN maintenance  
on. For the most part, it's not all that difficult and getting a GOOD  
service manual is a definite requirement, and if possible, the manual  
should be as close to an actual company's service tech manual as ya  
can find (or the real thing)
and not just one of those cheap manuals that so many auto supply  
places have, although even those can be handy if nothing else can be  
had. Also, if ya can't lay yer hands on that high of a level of a  
manual (they can often be rather pricey to purchase but are worth the  
investment in the long run if ya can afford it ), then the reference  
dept / floors of many public libraries can often be a great source  
for being able to find those types of manuals and be able photocopy  
(or?) the info. In general, reference materials are not allowed to be  
checked out at public libraries. (Many of those materials are VERY  
expensive and the library cannot afford to be having to replace them  
should some jerks run off with them and never return them.)

And then of course,  there is always the Web to try to get info. But  
if yer broke down on the side of the highway 20 miles outside of  
BumPhucque, Wyoming, then reliance on the Web may not be a "viable  
option". :-) Plus, always carrying the various fluids that all  
vehicles need and some extra oil, water, and whatever, is also very  
advisable. And, definitely certain  spare parts as well. Auto  
wrecking yards and similar are great resources for that stuff and  
what is found and purchased there are usually WAY LESS expensive than  
buying new parts, especially from company dealerships. There are  
various needed spare parts of course, but two that are PRIME in my  
book are a starter motor and an alternator, and of course whatever  
belts (and hoses) that a certain vehicle uses. Belts are generally  
not all that expensive, but they CAN get ya back on the road quickly  
should a previous belt break, which they WILL DO eventually. Also,  
keeping replacement bulbs for whatever is needed and also a spare  
headlight (or bulb) is wise too. The COPS love nothing more than to  
have the "excuse" of a burnt out  tail / brake light, and *especially  
a license plate light*, to pull ya over and then go from there. As a  
general rule, I just go ahead replace just about all bulbs about once  
a year / year and half, or so, just to be on the safe side. (the cost  
for the basic bulbs my little Subie is usually under $10) The cost to  
do so is VERY LITTLE  compared to the "alternative" of getting  
stopped and ticketed. (and...?) I also keep most the bulbs that were  
still working as spares should they unexpectedly be needed for  
whatever reason.

There are other things that ya should try to keep on board too, and  
in a big ass truck that should be no prob to do so, but the above are  
good starters, for now.

I am speaking from years of experience here since I am STILL driving  
my old 1987 (original owner, purchased in Feb 1988 as "last year's  
demo" model) and have paid FAR LESS  to keep it going than most  
people do for most of those many years, since I have done most of my  
own maintenance and repairs. Saves a LOT of $$, and from a "Zen"  
perspective,
it "puts you at one with" the vehicle which is helpful. :-)  Hey,  
it's worked for me and for almost *23*(Skidoo) years now!
And, it's another learning experience, which is always a good thing.  
I'm just sayin'...

Cheers,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever

>> On Dec 25, 2010, at 5:11 PM, "FRO DIDDLY" <parispro00@hotmail.com>  
>> wrote:
>>
>>> Howdy ya'll.
>>>
>>> Merry x-mas and happy looping!
>>>
>>> This is a long shot, but I have decided to purchase a box truck  
>>> to replace my van for my touring needs.
>>> I've been scouring the net for days trying to find what I'm  
>>> looking for, but am not having the best luck.
>>> I figured since this list has members all over the states (and  
>>> world), you all might have some hints on local dealers that have  
>>> a good inventory of box trucks. Or maybe some random websites  
>>> that I'm overlooking.
>>> I live in St. Louis, MO. I will happily fly & drive home with the  
>>> exception of the west coast & New England area.
>>>
>>> What I'm looking for:
>>>
>>> Preferably a 12ft DIESEL box truck. Will consider up to a 14ft.
>>> 5 speed transmission preferred, but not too picky.
>>> There must be a walk-through from the cab so I have access to the  
>>> cargo from inside the van. This seems to limit it to GMC/CHEVY/ 
>>> FORD as the Mitsubishi & Suziki trucks don't have this option.
>>> Minimum internal cargo width of 7ft.
>>> Cargo area must be flat, meaning no wheel well obstructions.
>>> Although not necessary, a lift gate would be nice so long as it  
>>> tucks away under the truck.
>>> Low miles preferred, but budget is $7500 max.
>>>
>>> The plan is to turn it into my mobile rehearsal space so that I  
>>> can continue to grow as a musician & work on new songs as I tour  
>>> the states playing shows.
>>> Currently in my van, with all the gear there is hardly enough  
>>> room to sleep, yet alone practice.
>>>
>>> Any help/suggestions greatly appreciated - unless its the voice  
>>> of reason telling me to bring less gear ;o)
>>>
>>> ty!
>>>
>>> The Wandering Madman
>>>
>>


--Apple-Mail-2--611190734
Content-Transfer-Encoding: quoted-printable
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	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<div>Some Friendly Advice Dept.-</div><div><br></div><div>Best to get a =
truck that you know that YOU can work on for repairs (up to a certain =
point, at least) and also do YOUR OWN maintenance on. For the most part, =
it's not all that difficult and getting a GOOD service manual is a =
definite requirement, and if possible, the manual should be as close to =
an actual company's service tech manual as ya can find (or the real =
thing)&nbsp;</div><div>and not just one of those cheap&nbsp;manuals that =
so many auto supply places have, although even those can be handy if =
nothing else can be had. Also, if ya can't lay yer hands on that high of =
a level of a manual (they can often be rather pricey to purchase but are =
worth the investment in the long run if ya can afford it ), then the =
reference dept / floors of many public libraries can often be a great =
source for being able to find those types of manuals and be able =
photocopy (or?) the info.&nbsp;In general, reference materials are not =
allowed to be checked out at public libraries. (Many of those materials =
are VERY expensive and the library cannot afford to be having to replace =
them should some jerks run off with them and never return =
them.)</div><div><br></div><div>And then of course, &nbsp;there is =
always the Web to try to get info. But if yer broke down on the side of =
the highway 20 miles outside of BumPhucque, Wyoming, then reliance on =
the Web may not be a "viable option". :-) Plus, always carrying the =
various fluids that all vehicles need and some extra oil, water, and =
whatever, is also very advisable. And, definitely certain &nbsp;spare =
parts as well.&nbsp;Auto wrecking yards and similar are great resources =
for that stuff and what is found and purchased there are usually WAY =
LESS expensive than buying new parts, especially from company =
dealerships. There are various needed spare parts of course, but two =
that are PRIME in my book are a starter motor and an alternator, and of =
course whatever belts (and hoses) that a certain vehicle uses. Belts are =
generally not all that expensive, but they CAN get ya back on the road =
quickly should a previous belt break, which they WILL DO =
eventually.&nbsp;Also, keeping replacement bulbs for whatever is needed =
and also a spare headlight (or bulb) is wise too. The COPS love nothing =
more than to have the "excuse" of a burnt out &nbsp;tail / brake light, =
and *especially a license plate light*, to pull ya over and then go from =
there. As a general rule, I just go ahead replace just about all bulbs =
about once a year / year and half, or so, just to be on the safe side. =
(the cost for the basic bulbs my little Subie is usually under =
$10)&nbsp;The cost to do so is VERY LITTLE &nbsp;compared to the =
"alternative" of getting stopped and ticketed. (and...?) I also keep =
most the bulbs that were still working as spares should they =
unexpectedly be needed for whatever =
reason.</div><div><br></div><div>There are other things that ya should =
try to keep on board too, and in a big ass truck that should be no prob =
to do so, but the above are good starters, for =
now.</div><div><br></div><div>I am speaking from years of experience =
here since I am STILL driving my old 1987 (original owner, purchased in =
Feb 1988 as "last year's demo" model) and have paid FAR LESS &nbsp;to =
keep it going than most people do for most of those many years, since I =
have done most of my own maintenance and repairs. Saves a LOT of $$, and =
from a "Zen" perspective,&nbsp;</div><div>it "puts you at one with" the =
vehicle which is helpful. :-) &nbsp;Hey, it's worked for me and for =
almost *23*(Skidoo) years now! &nbsp;</div><div>And, it's another =
learning experience, which is always a good thing.&nbsp;I'm just =
sayin'...</div><div><br></div><div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Cheers,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Rev.Fever</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Portland,OR</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfev=
er</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div></div><div><blockquote type=3D"cite"><blockquote =
type=3D"cite"><div><div><div><div><div>On Dec 25, 2010, at 5:11 PM, "FRO =
DIDDLY" &lt;<a href=3D"mailto:parispro00@hotmail.com"></a><a =
href=3D"mailto:parispro00@hotmail.com"></a><a =
href=3D"mailto:parispro00@hotmail.com">parispro00@hotmail.com</a>&gt; =
wrote:</div></div></div><div><br></div><div></div><blockquote =
type=3D"cite"><div> Howdy ya'll.<br><br>Merry x-mas and happy =
looping!<br><br>This is a long shot, but I have decided to purchase a =
box truck to replace my van for my touring needs.<br>I've been scouring =
the net for days trying to find what I'm looking for, but am not having =
the best luck.<br>I figured since this list has members all over the =
states (and world), you all might have some hints on local dealers that =
have a good inventory of box trucks. Or maybe some random websites that =
I'm overlooking.<br>I live in St. Louis, MO. I will happily fly &amp; =
drive home with the exception of the west coast &amp; New England =
area.<br><br>What I'm looking for:<br><br>Preferably a 12ft DIESEL box =
truck. Will consider up to a 14ft.<br>5 speed transmission preferred, =
but not too picky.<br>There must be a walk-through from the cab so I =
have access to the cargo from inside the van. This seems to limit it to =
GMC/CHEVY/FORD as the Mitsubishi &amp; Suziki trucks don't have this =
option.<br><b>Minimum internal cargo width of 7ft.</b><br>Cargo area =
must be flat, meaning no wheel well obstructions. <br>Although not =
necessary, a lift gate would be nice so long as it tucks away under the =
truck. <br>Low miles preferred, but budget is $7500 max.<br><br>The plan =
is to turn it into my mobile rehearsal space so that I can continue to =
grow as a musician &amp; work on new songs as I tour the states playing =
shows.<br>Currently in my van, with all the gear there is hardly enough =
room to sleep, yet alone practice.<br><br>Any help/suggestions greatly =
appreciated - unless its the voice of reason telling me to bring less =
gear ;o)<br><br>ty!<br> <br> <a =
href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The =
Wandering Madman </a> <br><br> 		 	   		  =
</div></blockquote></div><div></div></div></blockquote></blockquote></div>=
<br></body></html>=

--Apple-Mail-2--611190734--

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From: Paul Mimlitsch <pmimlitsch@mac.com>
To: Loopers-Delight@loopers-delight.com
In-reply-to: <AANLkTi=sJTL2Uv-m_b6ch6E7hoWDUa-0YKFyob_nO9sg@mail.gmail.com>
Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS
Date: Sun, 26 Dec 2010 08:11:32 -0700
References: <C93CEDEB.B7C%mech@m3ch.net>
 <AANLkTi=sJTL2Uv-m_b6ch6E7hoWDUa-0YKFyob_nO9sg@mail.gmail.com>
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voice optimized processors sometimes work well with wind instruments -  
anybody tried it with a flute/ sax?

On Dec 26, 2010, at 2:00 AM, Per Boysen wrote:

> On Sun, Dec 26, 2010 at 5:04 AM, Dustbunnies <mech@m3ch.net> wrote:
>> Lately, it seems TC-Helicon have been devoting quite a bit of  
>> attention to
>> promoting Voice Looping (their VoiceLive Touch product, for  
>> instance).  Now,
>> they've come out with VoiceJam for the iPhone/iPad:
>>
>>        http://www.tc-helicon.com/products/voicejam/
>
>
> According to the info on the site and the demo video it seems way more
> fun than Loop that I have on my iPhone here. If I were a vocalist I
> would buy and download it, but I'm not ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 15:20:20 2010
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Date: Sun, 26 Dec 2010 17:20:16 +0200
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Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
From: Petri Lahtinen <aikuinen@gmail.com>
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And updated my signature, MySpace deleted from there too... :-)
Though with a signature like this, youre most likely to get zero
click-throughs..
I never bother to click people's signature links...

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------

--00248c05002fbc40d3049851c137
Content-Type: text/html; charset=ISO-8859-1
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And updated my signature, MySpace deleted from there too... :-)<br>Though w=
ith a signature like this, youre most likely to get zero click-throughs..<b=
r>I never bother to click people&#39;s signature links... <br clear=3D"all"=
>
<br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com">http:=
//www.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com=
/">http://petrilahtinen.blogspot.com/</a><br><a href=3D"http://soundcloud.c=
om/petrilahtinen">http://soundcloud.com/petrilahtinen</a><br>
<a href=3D"http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtin=
en</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtin=
en.bandcamp.com/</a><br>---------------------------------------------------=
<br>
<br><br>

--00248c05002fbc40d3049851c137--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 15:39:59 2010
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Date: Sun, 26 Dec 2010 15:39:57 +0000
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP videos?
References: <AANLkTikN=7imPFaBTe2XSFPsNejNvZj_t8PfpLAOGue1@mail.gmail.com> <4D170B3C.22056.38FAEA@nick.1957.me.uk>
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nick@12testing.net wrote:

> I'm just surprised by the almost total lack of "how to do it" videos. 
> I'm not a RTFM criminal - 

> However, I'm still finding it hard going. I suspect some effects 
> require parameters that prevent other effects? It would be handy if 
> there were a list of "to get this effect, you need these parameters 
> set" type information.

at the moment , best I can do is this

http://www.mathons.com/EDP-texts.zip

a collection of the relevant posts on LD 
after loop4 was released.


Most of the stuff I do uses the factory settings plus:

MoreLoops=2
RecordMode=SAF 
RoundMode=On
SwitchQuant=CnF
MuteMode=StA
SamplerStyle=StA
InsertMode=RPL

With midi control, in addition to the 7 standard edp buttons I
use the other 3 switches in a bank of 10 to control

Halfspeed
Reverse
Substitute

> Is it sensible to set up one type of effect, then add it to a preset 
> for later recall? 

yes

>There are times when I want next loop to contain 
> audio, others not - rather than change these parameters by midi (if 
> you can!), I assume a preset would cover it?

yes, but a much better way to do that is
to set
SwitchQuant=CnF

Those AutoRecord and Loopcopy params won't do anything
once there's already audio in the destination loop.
Unless you're desperate to "only press one button"
they can be safely ignored.

You *can* change params by midi, but only the Gordius LG
can do Sysex in the way that's needed.
It causes a slight dropout in the sound while the commands are processed.

> 
> One last question - re. using "undo" with windowing" - is there a 
> "redo" option, so you can take the window forwards as well as 
> backwards?

no,
but you can "save" a loop by copying it with Next>Mult

> I guess I also need to put my money where my mouth is and record a 
> few tutorial videos!

why is video the preferred format?(just wondering)

andy butler





From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 16:33:25 2010
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	<4D170B3C.22056.38FAEA@nick.1957.me.uk>
	<4D1761CD.80303@tiscali.co.uk>
Date: Sun, 26 Dec 2010 11:33:20 -0500
Message-ID: <AANLkTi=OH8Oevm28jiJcVLrzx9_d1-uzfGkwWCeFmFzq@mail.gmail.com>
Subject: Re: EDP videos?
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Reading Andre Lafosse's EDP analysis page makes me want to buy an
EDP...  I'm grateful for mobius, it releives the GAS.

Lots of interesting info and techniques to try out:
http://www.altruistmusic.com/EDP/

Sylvain

On Sun, Dec 26, 2010 at 10:39 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> nick@12testing.net wrote:
>
>> I'm just surprised by the almost total lack of "how to do it" videos. I'm
>> not a RTFM criminal -
>
>> However, I'm still finding it hard going. I suspect some effects require
>> parameters that prevent other effects? It would be handy if there were a
>> list of "to get this effect, you need these parameters set" type
>> information.
>
> at the moment , best I can do is this
>
> http://www.mathons.com/EDP-texts.zip
>
> a collection of the relevant posts on LD after loop4 was released.
>
>
> Most of the stuff I do uses the factory settings plus:
>
> MoreLoops=2
> RecordMode=SAF RoundMode=On
> SwitchQuant=CnF
> MuteMode=StA
> SamplerStyle=StA
> InsertMode=RPL
>
> With midi control, in addition to the 7 standard edp buttons I
> use the other 3 switches in a bank of 10 to control
>
> Halfspeed
> Reverse
> Substitute
>
>> Is it sensible to set up one type of effect, then add it to a preset for
>> later recall?
>
> yes
>
>> There are times when I want next loop to contain audio, others not -
>> rather than change these parameters by midi (if you can!), I assume a preset
>> would cover it?
>
> yes, but a much better way to do that is
> to set
> SwitchQuant=CnF
>
> Those AutoRecord and Loopcopy params won't do anything
> once there's already audio in the destination loop.
> Unless you're desperate to "only press one button"
> they can be safely ignored.
>
> You *can* change params by midi, but only the Gordius LG
> can do Sysex in the way that's needed.
> It causes a slight dropout in the sound while the commands are processed.
>
>>
>> One last question - re. using "undo" with windowing" - is there a "redo"
>> option, so you can take the window forwards as well as backwards?
>
> no,
> but you can "save" a loop by copying it with Next>Mult
>
>> I guess I also need to put my money where my mouth is and record a few
>> tutorial videos!
>
> why is video the preferred format?(just wondering)
>
> andy butler
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 18:44:57 2010
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Date: Sun, 26 Dec 2010 10:44:55 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Klein and Hummel
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--855259926-628163386-1293389095=:4212
Content-Type: text/plain; charset=us-ascii

does anybody on the list have experience with Klein and Hummel studio monitors

Antony



________________________________
From: Bill Fox <billyfox@soundscapes.us>
To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>; 
beyond_em Yahoogroups List <beyond_em@yahoogroups.com>; spacemusic Yahoogroups 
List <spacemusic@yahoogroups.com>; Ambient Way Yahoogroups List 
<the_ambient_way@yahoogroups.com>; Loopers Delight Mailing List 
<Loopers-Delight@loopers-delight.com>; AIMusic Yahoogroup 
<AIMusic@yahoogroups.com>
Sent: Sun, December 26, 2010 7:27:54 AM
Subject: [OT] Delete Tom Anderson From Your MySpace Friends

Since MySpace forced all band profiles into migrating to the "New MySpace" band 
profile; for calling that an upgrade; for making that forced migration nothing 
less than excruciating, like a cystoscopy without numbing agent; for never 
listening to the true needs of its users; for trying to be Facebook and Twitter 
all rolled into one; for taking away the capabilities of old MySpace that we 
liked; for running audio ads when we want to get directly to listening to a 
music player; for destroying all the work we did in old MySpace so we can't 
migrate it over to New MySpace; for making HTML boxes that don't fully observe 
HTML...

We should all spend 2011 deleting Tom Anderson from our Friends in protest.   
Please RSVP in support of this protest movement at http://mysp.ac/gHgiBF if you 
have a MySpace profile and agree with or support the cause.

Cheers,

Bill


      
--855259926-628163386-1293389095=:4212
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>does anybody on the list have experience with Klein and Hummel studio monitors</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Bill Fox &lt;billyfox@soundscapes.us&gt;<br><b><span style="font-weight: bold;">To:</span></b> ElectronicMusic Yahoogroups List &lt;ElectronicMusic@yahoogroups.com&gt;; beyond_em Yahoogroups List &lt;beyond_em@yahoogroups.com&gt;; spacemusic Yahoogroups List &lt;spacemusic@yahoogroups.com&gt;; Ambient Way Yahoogroups List &lt;the_ambient_way@yahoogroups.com&gt;; Loopers Delight Mailing List &lt;Loopers-Delight@loopers-delight.com&gt;; AIMusic Yahoogroup
 &lt;AIMusic@yahoogroups.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, December 26, 2010 7:27:54 AM<br><b><span style="font-weight: bold;">Subject:</span></b> [OT] Delete Tom Anderson From Your MySpace Friends<br></font><br>
Since MySpace forced all band profiles into migrating to the "New MySpace" band profile; for calling that an upgrade; for making that forced migration nothing less than excruciating, like a cystoscopy without numbing agent; for never listening to the true needs of its users; for trying to be Facebook and Twitter all rolled into one; for taking away the capabilities of old MySpace that we liked; for running audio ads when we want to get directly to listening to a music player; for destroying all the work we did in old MySpace so we can't migrate it over to New MySpace; for making HTML boxes that don't fully observe HTML...<br><br><span>We should all spend 2011 deleting Tom Anderson from our Friends in protest.&nbsp;  Please RSVP in support of this protest movement at <a target="_blank" href="http://mysp.ac/gHgiBF">http://mysp.ac/gHgiBF</a> if you have a MySpace profile and agree with or support the
 cause.</span><br><br>Cheers,<br><br>Bill<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--855259926-628163386-1293389095=:4212--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 21:34:04 2010
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I bought it immediately and then
discovered to my chagrin
that it asks for me to plug in a microphone.

When I plug in a Blue Mic (which uses the multi-pin connector on the 
iTouch/iPhone)
and record all things are hunky dory
but when I take the Blue Mic out so I can connect my iTouch
with speaker or headphones out,  the App throws up a
dialogue box that says 'plug in microphone'  and prevents you
from playing the loops you've just created.

This is my critique of the Blue Mic as well............while plugged
in you cannot have speaker out connected to anything.

Frustrating but I guess all of this stuff is in it's infancy so they're
still trying to get it right.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 21:35:31 2010
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On 7/22/64 11:59 AM, Reyn Ouwehand wrote:
> Agreed! I always wear Converses when I play live too, and they look good too!..
>
> Cheers,
>
> Reyn.
>
I just knew we were brothers, Reyn!
This merely confirms it.    Merry Christmas to ya!

rick walker

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Message-ID: <72AE101813184B48B0532E3314DAADB0@PCvansimon>
From: "projektGmail" <projekt67@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4D16E06A.2040205@soundscapes.us> <527079.4212.qm@web120720.mail.ne1.yahoo.com>
In-Reply-To: <527079.4212.qm@web120720.mail.ne1.yahoo.com>
Subject: Re: Klein and Hummel
Date: Sun, 26 Dec 2010 22:47:31 +0100
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Dit is een meerdelig bericht in de MIME-indeling.

------=_NextPart_000_0052_01CBA54E.E187DA00
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	charset="iso-8859-1"
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Our latest CD is mastered on Klein and Hummel monitors.
The guy who mastered our CD has a pair. But they are very expensive.
They sound very natural.
You can listen to our album at Bandcamp: =
http://projekt67.bandcamp.com/album/dat-ik-niets-heb

Simon=20
www.projekt67.com

From: antonyhequet@yahoo.com=20
Sent: Sunday, December 26, 2010 7:44 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Klein and Hummel

does anybody on the list have experience with Klein and Hummel studio =
monitors

Antony


-------------------------------------------------------------------------=
-------
From: Bill Fox <billyfox@soundscapes.us>
To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>; =
beyond_em Yahoogroups List <beyond_em@yahoogroups.com>; spacemusic =
Yahoogroups List <spacemusic@yahoogroups.com>; Ambient Way Yahoogroups =
List <the_ambient_way@yahoogroups.com>; Loopers Delight Mailing List =
<Loopers-Delight@loopers-delight.com>; AIMusic Yahoogroup =
<AIMusic@yahoogroups.com>
Sent: Sun, December 26, 2010 7:27:54 AM
Subject: [OT] Delete Tom Anderson From Your MySpace Friends

Since MySpace forced all band profiles into migrating to the "New =
MySpace" band profile; for calling that an upgrade; for making that =
forced migration nothing less than excruciating, like a cystoscopy =
without numbing agent; for never listening to the true needs of its =
users; for trying to be Facebook and Twitter all rolled into one; for =
taking away the capabilities of old MySpace that we liked; for running =
audio ads when we want to get directly to listening to a music player; =
for destroying all the work we did in old MySpace so we can't migrate it =
over to New MySpace; for making HTML boxes that don't fully observe =
HTML...

We should all spend 2011 deleting Tom Anderson from our Friends in =
protest.  Please RSVP in support of this protest movement at =
http://mysp.ac/gHgiBF if you have a MySpace profile and agree with or =
support the cause.

Cheers,

Bill



------=_NextPart_000_0052_01CBA54E.E187DA00
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	charset="iso-8859-1"
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<HTML><HEAD>
<STYLE type=3Dtext/css><!-- DIV {margin:0px;} --></STYLE>
</HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Arial'; COLOR: #000000; FONT-SIZE: 10pt">
<DIV>Our latest CD is mastered on Klein and Hummel monitors.</DIV>
<DIV>The guy who mastered our CD has a pair. But they are very =
expensive.</DIV>
<DIV>They sound very natural.</DIV>
<DIV>You can listen to our album at Bandcamp: <A=20
title=3Dhttp://projekt67.bandcamp.com/album/dat-ik-niets-heb=20
href=3D"http://projekt67.bandcamp.com/album/dat-ik-niets-heb">http://proj=
ekt67.bandcamp.com/album/dat-ik-niets-heb</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>Simon </DIV>
<DIV>www.projekt67.com</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dantonyhequet@yahoo.com=20
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</A> </DIV>
<DIV><B>Sent:</B> Sunday, December 26, 2010 7:44 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Klein and Hummel</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
14pt">
<DIV>does anybody on the list have experience with Klein and Hummel =
studio=20
monitors</DIV>
<DIV>&nbsp;</DIV>
<DIV>Antony</DIV>
<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
14pt">
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: =
13px"><FONT=20
size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Bill Fox=20
&lt;billyfox@soundscapes.us&gt;<BR><B><SPAN=20
style=3D"FONT-WEIGHT: bold">To:</SPAN></B> ElectronicMusic Yahoogroups =
List=20
&lt;ElectronicMusic@yahoogroups.com&gt;; beyond_em Yahoogroups List=20
&lt;beyond_em@yahoogroups.com&gt;; spacemusic Yahoogroups List=20
&lt;spacemusic@yahoogroups.com&gt;; Ambient Way Yahoogroups List=20
&lt;the_ambient_way@yahoogroups.com&gt;; Loopers Delight Mailing List=20
&lt;Loopers-Delight@loopers-delight.com&gt;; AIMusic Yahoogroup=20
&lt;AIMusic@yahoogroups.com&gt;<BR><B><SPAN=20
style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sun, December 26, 2010 =
7:27:54=20
AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> [OT] =
Delete Tom=20
Anderson From Your MySpace Friends<BR></FONT><BR>Since MySpace forced =
all band=20
profiles into migrating to the "New MySpace" band profile; for calling =
that an=20
upgrade; for making that forced migration nothing less than =
excruciating, like a=20
cystoscopy without numbing agent; for never listening to the true needs =
of its=20
users; for trying to be Facebook and Twitter all rolled into one; for =
taking=20
away the capabilities of old MySpace that we liked; for running audio =
ads when=20
we want to get directly to listening to a music player; for destroying =
all the=20
work we did in old MySpace so we can't migrate it over to New MySpace; =
for=20
making HTML boxes that don't fully observe HTML...<BR><BR><SPAN>We =
should all=20
spend 2011 deleting Tom Anderson from our Friends in protest.&nbsp; =
Please RSVP=20
in support of this protest movement at <A href=3D"http://mysp.ac/gHgiBF" =

target=3D_blank>http://mysp.ac/gHgiBF</A> if you have a MySpace profile =
and agree=20
with or support the =
cause.</SPAN><BR><BR>Cheers,<BR><BR>Bill<BR><BR></DIV></DIV>
<DIV style=3D"POSITION: fixed"></DIV></DIV>
<DIV>&nbsp;</DIV></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_0052_01CBA54E.E187DA00--

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 21:48:52 2010
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In-reply-to: <4D17B4C3.4010503@cruzio.com>
Subject: Re: TC-Helicon releases VoiceJam, audio looper for iOS
Date: Sun, 26 Dec 2010 14:48:49 -0700
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 <4D17B4C3.4010503@cruzio.com>
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Found the same thing but did have usable results by wearing the iphone  
on a neck strap and letting the iphone mic pic up the direct audio  
from my recorder(flute).  Line out from iphone to amp worked fine.    
I'm guessing I would probably use it (like I use the SFS app) for  
acoustic gigs and use the iphone/looping to provide some undercurrent  
to the acoustic sound by running it into a little Roland battery  
powered cube.  The only pain is having to stop playing to manipulate  
the interface - wish somebody would come up with a simple long delay  
app: adjustable feedback and a hold button......

On Dec 26, 2010, at 2:33 PM, Rick Walker wrote:

> I bought it immediately and then
> discovered to my chagrin
> that it asks for me to plug in a microphone.
>
> When I plug in a Blue Mic (which uses the multi-pin connector on the  
> iTouch/iPhone)
> and record all things are hunky dory
> but when I take the Blue Mic out so I can connect my iTouch
> with speaker or headphones out,  the App throws up a
> dialogue box that says 'plug in microphone'  and prevents you
> from playing the loops you've just created.
>
> This is my critique of the Blue Mic as well............while plugged
> in you cannot have speaker out connected to anything.
>
> Frustrating but I guess all of this stuff is in it's infancy so  
> they're
> still trying to get it right.
>
> rick walker
>

From Loopers-Delight-request@loopers-delight.com  Sun Dec 26 21:52:15 2010
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Content-Type: multipart/alternative; boundary=Apple-Mail-3--586969130
From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: OT - Mahavishnu live footage
Date: Sun, 26 Dec 2010 21:52:06 +0000
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AMAZING - best MO live footage yet to surface online http:// 
www.youtube.com/watch?v=EqfjMDOr-tU&feature=player_embedded

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
AMAZING - best MO live footage yet to surface online&nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3DEqfjMDOr-tU&amp;feature=3Dplayer_=
embedded">http://www.youtube.com/watch?v=3DEqfjMDOr-tU&amp;feature=3Dplaye=
r_embedded</a><br><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

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Subject: RE: Numerology 3...
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Hi Guys,

  Jim, Numerology developer, had a comment on the recent discussion:


> -----Original Message-----
>
> From: Per Boysen [mailto:perboysen@gmail.com]
> Sent: Sun 12/26/2010 1:50 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Numerology 3...
> > Numerology AU
> I am not too excited by the AU, because this plugin misses out of what
> I find most cool with Numerology; the possibility for "discrete
> sequencing". When working with rhythmic riffs and melody lines I'm a
> big fan of creating loops of accent that cycle at a different length
> than the tonal loops formed by notes. This can't be done with the
> Numerology AU plugin.
[developer barging in]

Actually this not the case, both the SE and Pro versions of the=20
Numerology AU allow you to setup discrete sequencing chains --=20
The AU hosts all modules that the app does except for AU plugins. This
bit of confusion is all my own doing:  I originally stated (on =
five12.net) that the SE
version of the Numerology plugin would not allow access to the module =
routing
panel -- something that is necessary to setup the "discrete sequencing"
stuff.  However, I found that workflow to be too much of a disconnect =
from
the app version, so that limitation does not exist in the shipping =
plugin.

[/developer barging in]

BTW: Hi to everyone on the list! =20

Cheers,
Jim

-
=20


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------_=_NextPart_001_01CBA552.EF77B292--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 00:11:11 2010
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Date: Sun, 26 Dec 2010 16:11:01 -0800
From: Rick Walker <looppool@cruzio.com>
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To: Sylvain Poitras <sylvain.trombone@gmail.com>
CC: Loopers-Delight@loopers-delight.com
Subject: Re: Re: EDP videos?
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On 7/22/64 11:59 AM, Sylvain Poitras wrote:
> Reading Andre Lafosse's EDP analysis page makes me want to buy an
> EDP...  I'm grateful for mobius, it releives the GAS.
I have two EDPs for sale for what it is worth.

One black face,  one white face,  both with foot controllers, full memory
and both with Loop IV.

I'm entertaining reasonable offers plus shipping costs to wherever.

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 00:28:00 2010
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Date: Sun, 26 Dec 2010 16:27:58 -0800
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Subject: Re: OT - Mahavishnu live footage
From: Art Simon <simart@gmail.com>
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--000325575c167544c80498596879
Content-Type: text/plain; charset=ISO-8859-1

Very Cool! I love it!

Billy Cobham and Jan Hammer are so cool. But there is something about John
McLaughlin's mannerism that bugs me. Maybe it's the white clothes and short
hair, or maybe just the level of serenity and confidence he's obtained.

I blasted this stuff over my car stereo as teenager over and over again.
Wonderful.

On Sun, Dec 26, 2010 at 1:52 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> AMAZING - best MO live footage yet to surface online
> http://www.youtube.com/watch?v=EqfjMDOr-tU&feature=player_embedded
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--000325575c167544c80498596879
Content-Type: text/html; charset=ISO-8859-1
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Very Cool! I love it!<br><br>Billy Cobham and Jan Hammer are so cool. But t=
here is something about John McLaughlin&#39;s mannerism that bugs me. Maybe=
 it&#39;s the white clothes and short hair, or maybe just the level of sere=
nity and confidence he&#39;s obtained.<br>
<br>I blasted this stuff over my car stereo as teenager over and over again=
. Wonderful.<br><br><div class=3D"gmail_quote">On Sun, Dec 26, 2010 at 1:52=
 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar=
@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
AMAZING - best MO live footage yet to surface online=A0<a href=3D"http://ww=
w.youtube.com/watch?v=3DEqfjMDOr-tU&amp;feature=3Dplayer_embedded" target=
=3D"_blank">http://www.youtube.com/watch?v=3DEqfjMDOr-tU&amp;feature=3Dplay=
er_embedded</a><br>
<font color=3D"#888888"><br><div> <span style=3D"border-collapse: separate;=
 color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; text-indent: 0px; text-transform: none; white-space: n=
ormal; word-spacing: 0px;"><span style=3D"border-collapse: separate; color:=
 rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal;=
 font-variant: normal; font-weight: normal; letter-spacing: normal; line-he=
ight: normal; text-indent: 0px; text-transform: none; white-space: normal; =
word-spacing: 0px;"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></font></div></blockquote><=
/div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D"mailto:simart=
@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimon<br>

--000325575c167544c80498596879--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 02:26:33 2010
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From: Grant <grantmepeace@mindspring.com>
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Subject: So, what new gear did Santa bring you?
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OK, fess up! What did you get yourself, er I mean, what did Santa bring you this year?

G

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 02:45:38 2010
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 <527079.4212.qm@web120720.mail.ne1.yahoo.com>
 <72AE101813184B48B0532E3314DAADB0@PCvansimon>
Date: Sun, 26 Dec 2010 21:44:55 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Klein and Hummel
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--============_-918704570==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

Antony,

  I've worked a bit on the 300s.. very sweet, non fatiguing 
monitors...  I prefer them to many other monitors I've heard recently.

-Chuck

>Our latest CD is mastered on Klein and Hummel monitors.
>The guy who mastered our CD has a pair. But they are very expensive.
>They sound very natural.
>You can listen to our album at Bandcamp: 
><http://projekt67.bandcamp.com/album/dat-ik-niets-heb>http://projekt67.bandcamp.com/album/dat-ik-niets-heb
>
>Simon
>www.projekt67.com
>
>From: <mailto:antonyhequet@yahoo.com>antonyhequet@yahoo.com
>Sent: Sunday, December 26, 2010 7:44 PM
>To: 
><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight.com
>Subject: Klein and Hummel
>
>does anybody on the list have experience with Klein and Hummel studio monitors
>
>Antony
>
>
>From: Bill Fox <billyfox@soundscapes.us>
>To: ElectronicMusic Yahoogroups List 
><ElectronicMusic@yahoogroups.com>; beyond_em Yahoogroups List 
><beyond_em@yahoogroups.com>; spacemusic Yahoogroups List 
><spacemusic@yahoogroups.com>; Ambient Way Yahoogroups List 
><the_ambient_way@yahoogroups.com>; Loopers Delight Mailing List 
><Loopers-Delight@loopers-delight.com>; AIMusic Yahoogroup 
><AIMusic@yahoogroups.com>
>Sent: Sun, December 26, 2010 7:27:54 AM
>Subject: [OT] Delete Tom Anderson From Your MySpace Friends
>
>Since MySpace forced all band profiles into migrating to the "New 
>MySpace" band profile; for calling that an upgrade; for making that 
>forced migration nothing less than excruciating, like a cystoscopy 
>without numbing agent; for never listening to the true needs of its 
>users; for trying to be Facebook and Twitter all rolled into one; 
>for taking away the capabilities of old MySpace that we liked; for 
>running audio ads when we want to get directly to listening to a 
>music player; for destroying all the work we did in old MySpace so 
>we can't migrate it over to New MySpace; for making HTML boxes that 
>don't fully observe HTML...
>
>We should all spend 2011 deleting Tom Anderson from our Friends in 
>protest.  Please RSVP in support of this protest movement at 
><http://mysp.ac/gHgiBF>http://mysp.ac/gHgiBF if you have a MySpace 
>profile and agree with or support the cause.
>
>Cheers,
>
>Bill
>
>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-918704570==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Klein and Hummel</title></head><body>
<div>Antony,</div>
<div><br></div>
<div>&nbsp;I've worked a bit on the 300s.. very sweet, non fatiguing
monitors...&nbsp; I prefer them to many other monitors I've heard
recently.</div>
<div><br></div>
<div>-Chuck</div>
<div><br></div>
<blockquote type="cite" cite>Our latest CD is mastered on Klein and
Hummel monitors.</blockquote>
<blockquote type="cite" cite>The guy who mastered our CD has a pair.
But they are very expensive.</blockquote>
<blockquote type="cite" cite>They sound very natural.</blockquote>
<blockquote type="cite" cite>You can listen to our album at Bandcamp: <a
href="http://projekt67.bandcamp.com/album/dat-ik-niets-heb"
>http://projekt67.bandcamp.com/album/dat-ik-niets-heb</a></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>Simon</blockquote>
<blockquote type="cite" cite>www.projekt67.com</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><b>From:</b> <a
href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a></blockquote
>
<blockquote type="cite" cite><b>Sent:</b> Sunday, December 26, 2010
7:44 PM</blockquote>
<blockquote type="cite" cite><b>To:</b> <a
href="mailto:Loopers-Delight@loopers-delight.com"
>Loopers-Delight@loopers-delight.com</a></blockquote>
<blockquote type="cite" cite><b>Subject:</b> Klein and
Hummel</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>does anybody on the list have experience
with Klein and Hummel studio monitors</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>Antony</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>
<hr size="1"></blockquote>
<blockquote type="cite" cite><font face="Tahoma"
size="-1"><b>From:</b> Bill Fox &lt;billyfox@soundscapes.us&gt;<br>
<b>To:</b> ElectronicMusic Yahoogroups List
&lt;ElectronicMusic@yahoogroups.com&gt;; beyond_em Yahoogroups List
&lt;beyond_em@yahoogroups.com&gt;; spacemusic Yahoogroups List
&lt;spacemusic@yahoogroups.com&gt;; Ambient Way Yahoogroups List
&lt;the_ambient_way@yahoogroups.com&gt;; Loopers Delight Mailing List
&lt;Loopers-Delight@loopers-delight.com&gt;; AIMusic Yahoogroup
&lt;AIMusic@yahoogroups.com&gt;<br>
<b>Sent:</b> Sun, December 26, 2010 7:27:54 AM<br>
<b>Subject:</b> [OT] Delete Tom Anderson From Your MySpace Friends<br>
</font><br>
Since MySpace forced all band profiles into migrating to the &quot;New
MySpace&quot; band profile; for calling that an upgrade; for making
that forced migration nothing less than excruciating, like a
cystoscopy without numbing agent; for never listening to the true
needs of its users; for trying to be Facebook and Twitter all rolled
into one; for taking away the capabilities of old MySpace that we
liked; for running audio ads when we want to get directly to listening
to a music player; for destroying all the work we did in old MySpace
so we can't migrate it over to New MySpace; for making HTML boxes that
don't fully observe HTML...<br>
<br>
We should all spend 2011 deleting Tom Anderson from our Friends in
protest.&nbsp; Please RSVP in support of this protest movement at <a
href="http://mysp.ac/gHgiBF">http://mysp.ac/gHgiBF</a> if you have a
MySpace profile and agree with or support the cause.<br>
<br>
Cheers,<br>
<br>
Bill<br>
</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-918704570==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 03:36:12 2010
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Subject: Re: OT - Mahavishnu live footage
Date: Sun, 26 Dec 2010 19:36:03 -0800
References: <A5D6B478-C447-4F2C-9C92-63C0CE3B5146@btinternet.com>
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Thanks for posting this.

I saw it when it first aired on TV in the states.

I didn't remember the the audio being so crappy . . . yes bad but not  
that crappy.

Wow, that broght back memories.

Thanks!


On Dec 26, 2010, at 1:52 PM, Matt Stevens wrote:

> AMAZING - best MO live footage yet to surface online http://www.youtube.com/watch?v=EqfjMDOr-tU&feature=player_embedded
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 03:44:11 2010
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i also remember this on tv. i actually put my little reel2reel mic up to th=
e tv spkr...and got some some not so great sound. thankfully no longer exis=
ts.
what a wonderful band that was-saw them @ feltforum in '70-loudddddddd


-----Original Message-----
>From: tEd =C2=AE KiLLiAn <tedkillian@charter.net>
>Sent: Dec 26, 2010 7:36 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: OT - Mahavishnu live footage
>
>Thanks for posting this.
>
>I saw it when it first aired on TV in the states.
>
>I didn't remember the the audio being so crappy . . . yes bad but not =20
>that crappy.
>
>Wow, that broght back memories.
>
>Thanks!
>
>
>On Dec 26, 2010, at 1:52 PM, Matt Stevens wrote:
>
>> AMAZING - best MO live footage yet to surface online http://www.youtube.=
com/watch?v=3DEqfjMDOr-tU&feature=3Dplayer_embedded
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 03:55:53 2010
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Date: Sun, 26 Dec 2010 20:55:51 -0700
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Subject: Re: So, what new gear did Santa bring you?
From: "^|>^m" <will.it.go.round@gmail.com>
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--002215049217e3677204985c4f63
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I converted a prepaid visa to Toontrack EZ Drummer software.  Fired it up
last night in Logic Pro 8 and I was really impressed with the sound, the
simplicity, the interface and the features. Can't wait to get the Nashville
expansion pack so I can finally get a natural sounding train beat.
 Finally... fake drums that are pleasing to the ear!!

Santa also brought a Kindle and some climbing gear.  Most importantly I was
surrounded by wonderful people and my amazing girlfriend :)

Adam

On Sun, Dec 26, 2010 at 7:18 PM, Grant <grantmepeace@mindspring.com> wrote:

> OK, fess up! What did you get yourself, er I mean, what did Santa bring you
> this year?
>
> G
>
>

--002215049217e3677204985c4f63
Content-Type: text/html; charset=ISO-8859-1
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I converted a prepaid visa to Toontrack EZ Drummer software. =A0Fired it up=
 last night in Logic Pro 8 and I was really impressed with the sound, the s=
implicity, the interface and the features. Can&#39;t wait to get the Nashvi=
lle expansion pack so I can=A0finally=A0get a natural sounding train beat. =
=A0Finally...=A0fake drums that are pleasing to the ear!!<div>
<br></div><div>Santa also brought a Kindle and some climbing gear. =A0Most =
importantly I was surrounded by wonderful people and my amazing girlfriend =
:)<br><div><br></div><div>Adam<br><br><div class=3D"gmail_quote">On Sun, De=
c 26, 2010 at 7:18 PM, Grant <span dir=3D"ltr">&lt;<a href=3D"mailto:grantm=
epeace@mindspring.com">grantmepeace@mindspring.com</a>&gt;</span> wrote:<br=
>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">OK, fess up! What did you get yourself, er =
I mean, what did Santa bring you this year?<br>
<font color=3D"#888888"><br>
G<br>
<br>
</font></blockquote></div><br></div></div>

--002215049217e3677204985c4f63--

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mmmm wish i could have seen such a thing in person...

as long as we are progging out on christmas, caught this little gem 
today, the 12 days of progmas:

http://www.youtube.com/watch?v=8cGH4sZIpr0

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On 7/22/64 11:59 AM, Grant wrote:
> OK, fess up! What did you get yourself, er I mean, what did Santa bring you this year?
>
> G
First year of my life that my family and I didn't exchange any gifts.
Even my wife and I didn't because funds have been very tight.
We had a wonderful Christmas though........and ate ourselves 
rotund.......lol

But a student of mine brought me a pair of clear lucite drum sticks that 
light up
bright blue when they are struck...........Those'll look cool in my 
dayglo shows.

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 06:04:56 2010
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CC: Loopers-Delight@loopers-delight.com
Subject: Re: Re: TC-Helicon releases VoiceJam, audio looper for iOS
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On 7/22/64 11:59 AM, Paul Mimlitsch wrote:
> Found the same thing but did have usable results by wearing the iphone 
> on a neck strap and letting the iphone mic pic up the direct audio 
> from my recorder(flute).  Line out from iphone to amp worked fine. 
thanks, I'll try that.

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 06:10:35 2010
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Subject: Re: So, what new gear did Santa bring you?
From: Mark Hamburg <mark@grubmah.com>
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MXR Stereo Chorus and Carbon Copy Delay. My primary signal path is =
becoming more and more analog.

And a book on drum machine programming so that maybe I can learn to =
write reasonable -- as opposed to "interesting" -- rhythm patterns.

Mark

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 06:33:35 2010
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Subject: Re: So, what new gear did Santa bring you?
From: Tony K <bigtonyk@gmail.com>
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--0015174c3d04ca722204985e839a
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New video camera and a guitar calendar is about as close as I get. :)

On Mon, Dec 27, 2010 at 1:10 AM, Mark Hamburg <mark@grubmah.com> wrote:

> MXR Stereo Chorus and Carbon Copy Delay. My primary signal path is becoming
> more and more analog.
>
> And a book on drum machine programming so that maybe I can learn to write
> reasonable -- as opposed to "interesting" -- rhythm patterns.
>
> Mark
>
>


-- 
-==-=-=-
Tony

--0015174c3d04ca722204985e839a
Content-Type: text/html; charset=ISO-8859-1

New video camera and a guitar calendar is about as close as I get. :)<br><br><div class="gmail_quote">On Mon, Dec 27, 2010 at 1:10 AM, Mark Hamburg <span dir="ltr">&lt;<a href="mailto:mark@grubmah.com">mark@grubmah.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">MXR Stereo Chorus and Carbon Copy Delay. My primary signal path is becoming more and more analog.<br>
<br>
And a book on drum machine programming so that maybe I can learn to write reasonable -- as opposed to &quot;interesting&quot; -- rhythm patterns.<br>
<font color="#888888"><br>
Mark<br>
<br>
</font></blockquote></div><br><br clear="all"><br>-- <br>-==-=-=- <br>Tony<br>

--0015174c3d04ca722204985e839a--

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Subject: Re: Re: EDP videos?
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OT: A Very Merry Christmas to everyone on this list.

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OT: A Very Merry Christmas to everyone on this list.<br>

--0015175d00e2692e6f04985e99f8--

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Date: Sun, 26 Dec 2010 22:49:22 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject:  Re: So, what new gear did Santa bring you?
To: Loopers-Delight@loopers-delight.com
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--0-90837570-1293432562=:36530
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got a few more screens for my T shirt printer......gonna start the propagan=
da machine up again......some thing i can give away at gigs

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=20

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=20
=A0http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=20


--- On Sun, 12/26/10, Grant <grantmepeace@mindspring.com> wrote:

From: Grant <grantmepeace@mindspring.com>
Subject: So, what new gear did Santa bring you?
To: Loopers-Delight@loopers-delight.com
Date: Sunday, December 26, 2010, 8:18 PM

OK, fess up! What did you get yourself, er I mean, what did Santa bring you=
 this year?

G


--0-90837570-1293432562=:36530
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><blockquote style=3D"border-left: 2px solid r=
gb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><div id=3D"yiv384202=
3"><table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td s=
tyle=3D"font: inherit;" valign=3D"top"><span style=3D"font-weight: bold; fo=
nt-style: italic;">got a few more screens for my T shirt printer......gonna=
 start the propaganda machine up again......some thing i can give away at g=
igs</span><br><br><div><address style=3D"font-family: arial,helvetica,sans-=
serif; font-weight: bold;"><font color=3D"#bf00bf" size=3D"2">Kyle Dean Pat=
ten</font></address> <address style=3D"font-family: arial,helvetica,sans-se=
rif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. Box=
 22</font></address> <address style=3D"font-family: arial,helvetica,sans-se=
rif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">Johnston=
, IA&nbsp;
 50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp; <br><br style=3D"color: rgb(0, 128, 255);"></font></address> <address s=
tyle=3D"font-family: arial,helvetica,sans-serif; font-weight: bold;"><font =
style=3D"font-family: verdana,helvetica,sans-serif; color: rgb(0, 128, 255)=
;" size=3D"3"><span style=3D"font-size: 9pt;"><span style=3D"color: rgb(255=
, 0, 127);">&nbsp;http://www.youtube.com/watch?v=3Dobgm3kTi5bs</span><br>&n=
bsp;http://www.youtube.com/watch?v=3Da9g93s0q3uc</span></font><font size=3D=
"3"> <br></font></address> <address><font style=3D"font-family: arial,helve=
tica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"3">=
<a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.cdbaby.com/cd/kdpa=
tten">http://www.cdbaby.com/cd/kdpatten </a><br><span style=3D"color: rgb(2=
55, 127, 0);">http://www.myspace.com/kyledeanpatten </span><br>&nbsp;</font=
><font style=3D"color: rgb(255, 0, 255); font-family: arial,helvetica,sans-=
serif; font-weight:
 bold;" size=3D"3"><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www=
.linkedin.com/in/kyledeanpatten" title=3D"View public profile" name=3D"webP=
rofileURL">http://www.linkedin.com/in/kyledeanpatten</a></font><font style=
=3D"font-family: arial,helvetica,sans-serif; color: rgb(128, 192, 255); fon=
t-weight: bold;" size=3D"3"><font style=3D"color: rgb(255, 0, 255); font-fa=
mily: tahoma,new york,times,serif;">&nbsp;&nbsp;</font></font><font style=
=3D"font-family: tahoma,new york,times,serif; color: rgb(128, 192, 255); fo=
nt-weight: bold;" size=3D"2"><font style=3D"color: rgb(255, 0, 255); font-f=
amily: tahoma,new york,times,serif;" size=3D"2">&nbsp;&nbsp;</font>&nbsp;&n=
bsp;&nbsp; <br></font><font style=3D"font-family: arial,helvetica,sans-seri=
f; color: rgb(128, 192, 255); font-weight: bold;" size=3D"3"><span style=3D=
"font-size: 9pt;"><span style=3D"font-family: tahoma,new york,times,serif;"=
></span></span></font><a rel=3D"nofollow" target=3D"_blank"
 href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html"><span=
 class=3D"yiv3842023yshortcuts" id=3D"yiv3842023lw_1230810272_0"><br></span=
></a></address></div><br>--- On <b>Sun, 12/26/10, Grant <i>&lt;grantmepeace=
@mindspring.com&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px=
 solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Gr=
ant &lt;grantmepeace@mindspring.com&gt;<br>Subject: So, what new gear did S=
anta bring you?<br>To: Loopers-Delight@loopers-delight.com<br>Date: Sunday,=
 December 26, 2010, 8:18 PM<br><br><div class=3D"yiv3842023plainMail">OK, f=
ess up! What did you get yourself, er I mean, what did Santa bring you this=
 year?<br><br>G<br><br></div></blockquote></td></tr></tbody></table></div><=
/blockquote></td></tr></table>
--0-90837570-1293432562=:36530--

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Date: Sun, 26 Dec 2010 22:59:15 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: Klein and Hummel
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Thanks for th=E9 feedback.=0AA=0A=0ASent from my iPhone=0A=0AOn 2010-12-27,=
 at 03:44, Charles Zwicky <cazwicky@earthlink.net> wrote:=0A=0AAntony,=0A=
=0A I've worked a bit on the 300s.. very sweet, non fatiguing monitors...  =
I prefer them to many other monitors I've heard recently.=0A=0A-Chuck=0A=0A=
Our latest CD is mastered on Klein and Hummel monitors.=0A=0AThe guy who ma=
stered our CD has a pair. But they are very expensive.=0A=0AThey sound very=
 natural.=0A=0AYou can listen to our album at Bandcamp: http://projekt67.ba=
ndcamp.com/album/dat-ik-niets-heb=0A=0A =0A=0ASimon=0A=0Awww.projekt67.com=
=0A=0A =0A=0AFrom: antonyhequet@yahoo.com=0A=0ASent: Sunday, December 26, 2=
010 7:44 PM=0A=0ATo: Loopers-Delight@loopers-delight.com=0A=0ASubject: Klei=
n and Hummel=0A=0A =0A=0Adoes anybody on the list have experience with Klei=
n and Hummel studio monitors=0A=0A =0A=0AAntony=0A=0A =0A=0A=0A=0AFrom: Bil=
l Fox <billyfox@soundscapes.us>=0ATo: ElectronicMusic Yahoogroups List <Ele=
ctronicMusic@yahoogroups.com>; beyond_em Yahoogroups List <beyond_em@yahoog=
roups.com>; spacemusic Yahoogroups List <spacemusic@yahoogroups.com>; Ambie=
nt Way Yahoogroups List <the_ambient_way@yahoogroups.com>; Loopers Delight =
Mailing List <Loopers-Delight@loopers-delight.com>; AIMusic Yahoogroup <AIM=
usic@yahoogroups.com>=0ASent: Sun, December 26, 2010 7:27:54 AM=0ASubject: =
[OT] Delete Tom Anderson From Your MySpace Friends=0A=0ASince MySpace force=
d all band profiles into migrating to the "New MySpace" band profile; for c=
alling that an upgrade; for making that forced migration nothing less than =
excruciating, like a cystoscopy without numbing agent; for never listening =
to the true needs of its users; for trying to be Facebook and Twitter all r=
olled into one; for taking away the capabilities of old MySpace that we lik=
ed; for running audio ads when we want to get directly to listening to a mu=
sic player; for destroying all the work we did in old MySpace so we can't m=
igrate it over to New MySpace; for making HTML boxes that don't fully obser=
ve HTML...=0A=0AWe should all spend 2011 deleting Tom Anderson from our Fri=
ends in protest.  Please RSVP in support of this protest movement at http:/=
/mysp.ac/gHgiBF if you have a MySpace profile and agree with or support the=
 cause.=0A=0ACheers,=0A=0ABill=0A=0A =0A=0A=0A-- =0A=0A...=0Ahttp://www.zmi=
x.net=0A=0Ahttp://www.esession.com/ChuckZwicky=0A=0Ahttp://albumcredits.com=
/zmix=0A=0A=0A=0A      
--403450488-1843872273-1293433155=:40682
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Thanks for th=E9 feedback.</div><div>A=
<br><br>Sent from my iPhone</div><div><br>On 2010-12-27, at 03:44, Charles =
Zwicky &lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net=
</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>=0A=
=0A<div>Antony,</div>=0A<div><br></div>=0A<div>&nbsp;I've worked a bit on t=
he 300s.. very sweet, non fatiguing=0Amonitors...&nbsp; I prefer them to ma=
ny other monitors I've heard=0Arecently.</div>=0A<div><br></div>=0A<div>-Ch=
uck</div>=0A<div><br></div>=0A<blockquote type=3D"cite" cite=3D"">Our lates=
t CD is mastered on Klein and=0AHummel monitors.</blockquote>=0A<blockquote=
 type=3D"cite" cite=3D"">The guy who mastered our CD has a pair.=0ABut they=
 are very expensive.</blockquote>=0A<blockquote type=3D"cite" cite=3D"">The=
y sound very natural.</blockquote>=0A<blockquote type=3D"cite" cite=3D"">Yo=
u can listen to our album at Bandcamp: <a href=3D"http://projekt67.bandcamp=
.com/album/dat-ik-niets-heb"><a href=3D"http://projekt67.bandcamp.com/album=
/dat-ik-niets-heb">http://projekt67.bandcamp.com/album/dat-ik-niets-heb</a>=
</a></blockquote>=0A<blockquote type=3D"cite" cite=3D"">&nbsp;</blockquote>=
=0A<blockquote type=3D"cite" cite=3D"">Simon</blockquote>=0A<blockquote typ=
e=3D"cite" cite=3D""><a href=3D"http://www.projekt67.com">www.projekt67.com=
</a></blockquote>=0A<blockquote type=3D"cite" cite=3D"">&nbsp;</blockquote>=
=0A<blockquote type=3D"cite" cite=3D""><b>From:</b> <a href=3D"mailto:anton=
yhequet@yahoo.com"><a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@y=
ahoo.com</a></a></blockquote>=0A<blockquote type=3D"cite" cite=3D""><b>Sent=
:</b> Sunday, December 26, 2010=0A7:44 PM</blockquote>=0A<blockquote type=
=3D"cite" cite=3D""><b>To:</b> <a href=3D"mailto:Loopers-Delight@loopers-de=
light.com"><a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-D=
elight@loopers-delight.com</a></a></blockquote>=0A<blockquote type=3D"cite"=
 cite=3D""><b>Subject:</b> Klein and=0AHummel</blockquote>=0A<blockquote ty=
pe=3D"cite" cite=3D"">&nbsp;</blockquote>=0A<blockquote type=3D"cite" cite=
=3D"">does anybody on the list have experience=0Awith Klein and Hummel stud=
io monitors</blockquote>=0A<blockquote type=3D"cite" cite=3D"">&nbsp;</bloc=
kquote>=0A<blockquote type=3D"cite" cite=3D"">Antony</blockquote>=0A<blockq=
uote type=3D"cite" cite=3D"">&nbsp;</blockquote>=0A<blockquote type=3D"cite=
" cite=3D"">=0A<hr size=3D"1"></blockquote>=0A<blockquote type=3D"cite" cit=
e=3D""><font face=3D"Tahoma" size=3D"-1"><b>From:</b> Bill Fox &lt;<a href=
=3D"mailto:billyfox@soundscapes.us">billyfox@soundscapes.us</a>&gt;<br>=0A<=
b>To:</b> ElectronicMusic Yahoogroups List=0A&lt;<a href=3D"mailto:Electron=
icMusic@yahoogroups.com">ElectronicMusic@yahoogroups.com</a>&gt;; beyond_em=
 Yahoogroups List=0A&lt;<a href=3D"mailto:beyond_em@yahoogroups.com">beyond=
_em@yahoogroups.com</a>&gt;; spacemusic Yahoogroups List=0A&lt;<a href=3D"m=
ailto:spacemusic@yahoogroups.com">spacemusic@yahoogroups.com</a>&gt;; Ambie=
nt Way Yahoogroups List=0A&lt;<a href=3D"mailto:the_ambient_way@yahoogroups=
.com">the_ambient_way@yahoogroups.com</a>&gt;; Loopers Delight Mailing List=
=0A&lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delig=
ht@loopers-delight.com</a>&gt;; AIMusic Yahoogroup=0A&lt;<a href=3D"mailto:=
AIMusic@yahoogroups.com">AIMusic@yahoogroups.com</a>&gt;<br>=0A<b>Sent:</b>=
 Sun, December 26, 2010 7:27:54 AM<br>=0A<b>Subject:</b> [OT] Delete Tom An=
derson From Your MySpace Friends<br>=0A</font><br>=0ASince MySpace forced a=
ll band profiles into migrating to the "New=0AMySpace" band profile; for ca=
lling that an upgrade; for making=0Athat forced migration nothing less than=
 excruciating, like a=0Acystoscopy without numbing agent; for never listeni=
ng to the true=0Aneeds of its users; for trying to be Facebook and Twitter =
all rolled=0Ainto one; for taking away the capabilities of old MySpace that=
 we=0Aliked; for running audio ads when we want to get directly to listenin=
g=0Ato a music player; for destroying all the work we did in old MySpace=0A=
so we can't migrate it over to New MySpace; for making HTML boxes that=0Ado=
n't fully observe HTML...<br>=0A<br>=0AWe should all spend 2011 deleting To=
m Anderson from our Friends in=0Aprotest.&nbsp; Please RSVP in support of t=
his protest movement at <a href=3D"http://mysp.ac/gHgiBF"><a href=3D"http:/=
/mysp.ac/gHgiBF">http://mysp.ac/gHgiBF</a></a> if you have a=0AMySpace prof=
ile and agree with or support the cause.<br>=0A<br>=0ACheers,<br>=0A<br>=0A=
Bill<br>=0A</blockquote>=0A<blockquote type=3D"cite" cite=3D"">&nbsp;</bloc=
kquote>=0A<div><br></div>=0A<div><br></div>=0A<x-sigsep><pre>-- =0A</pre></=
x-sigsep>=0A<div><br>=0A...<br>=0A<a href=3D"http://www.zmix.net"><a href=
=3D"http://www.zmix.net">http://www.zmix.net</a></a><br>=0A<br>=0A<a href=
=3D"http://www.esession.com/ChuckZwicky"><a href=3D"http://www.esession.com=
/ChuckZwicky">http://www.esession.com/ChuckZwicky</a></a><br>=0A<br>=0A<a h=
ref=3D"http://albumcredits.com/zmix"><a href=3D"http://albumcredits.com/zmi=
x">http://albumcredits.com/zmix</a></a></div>=0A=0A</div></blockquote><br>=
=0A=0A=0A=0A=0A=0A=0A=0A      </body></html>
--403450488-1843872273-1293433155=:40682--

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Date: Sun, 26 Dec 2010 23:07:33 -0800 (PST)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: Klein and Hummel
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Thank you for th=E9 input. Will listen to th=E9 album tonight. =0AAntony=0A=
=0ASent from my iPhone=0A=0AOn 2010-12-26, at 22:47, "projektGmail" <projek=
t67@gmail.com> wrote:=0A=0AOur latest CD is mastered on Klein and Hummel mo=
nitors.=0AThe guy who mastered our CD has a pair. But they are very expensi=
ve.=0AThey sound very natural.=0AYou can listen to our album at Bandcamp: h=
ttp://projekt67.bandcamp.com/album/dat-ik-niets-heb=0A =0ASimon=0Awww.proje=
kt67.com=0A =0AFrom: antonyhequet@yahoo.com=0ASent: Sunday, December 26, 20=
10 7:44 PM=0ATo: Loopers-Delight@loopers-delight.com=0ASubject: Klein and H=
ummel=0A =0Adoes anybody on the list have experience with Klein and Hummel =
studio monitors=0A =0AAntony=0A =0AFrom: Bill Fox <billyfox@soundscapes.us>=
=0ATo: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>; =
beyond_em Yahoogroups List <beyond_em@yahoogroups.com>; spacemusic Yahoogro=
ups List <spacemusic@yahoogroups.com>; Ambient Way Yahoogroups List <the_am=
bient_way@yahoogroups.com>; Loopers Delight Mailing List <Loopers-Delight@l=
oopers-delight.com>; AIMusic Yahoogroup <AIMusic@yahoogroups.com>=0ASent: S=
un, December 26, 2010 7:27:54 AM=0ASubject: [OT] Delete Tom Anderson From Y=
our MySpace Friends=0A=0ASince MySpace forced all band profiles into migrat=
ing to the "New MySpace" band profile; for calling that an upgrade; for mak=
ing that forced migration nothing less than excruciating, like a cystoscopy=
 without numbing agent; for never listening to the true needs of its users;=
 for trying to be Facebook and Twitter all rolled into one; for taking away=
 the capabilities of old MySpace that we liked; for running audio ads when =
we want to get directly to listening to a music player; for destroying all =
the work we did in old MySpace so we can't migrate it over to New MySpace; =
for making HTML boxes that don't fully observe HTML...=0A=0AWe should all s=
pend 2011 deleting Tom Anderson from our Friends in protest.  Please RSVP i=
n support of this protest movement at http://mysp.ac/gHgiBF if you have a M=
ySpace profile and agree with or support the cause.=0A=0ACheers,=0A=0ABill=
=0A=0A =0A=0A=0A=0A      
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<html><body bgcolor=3D"#FFFFFF"><div>Thank you for th=E9 input. Will listen=
 to th=E9 album tonight.&nbsp;</div><div>Antony</div><div><br>Sent from my =
iPhone</div><div><br>On 2010-12-26, at 22:47, "projektGmail" &lt;<a href=3D=
"mailto:projekt67@gmail.com">projekt67@gmail.com</a>&gt; wrote:<br><br></di=
v><div></div><blockquote type=3D"cite"><div>=0A<div dir=3D"ltr">=0A<div sty=
le=3D"FONT-FAMILY: 'Arial'; COLOR: #000000; FONT-SIZE: 10pt">=0A<div>Our la=
test CD is mastered on Klein and Hummel monitors.</div>=0A<div>The guy who =
mastered our CD has a pair. But they are very expensive.</div>=0A<div>They =
sound very natural.</div>=0A<div>You can listen to our album at Bandcamp: <=
a title=3D"http://projekt67.bandcamp.com/album/dat-ik-niets-heb" href=3D"ht=
tp://projekt67.bandcamp.com/album/dat-ik-niets-heb"><a href=3D"http://proje=
kt67.bandcamp.com/album/dat-ik-niets-heb">http://projekt67.bandcamp.com/alb=
um/dat-ik-niets-heb</a></a></div>=0A<div>&nbsp;</div>=0A<div>Simon </div>=
=0A<div><a href=3D"http://www.projekt67.com">www.projekt67.com</a></div>=0A=
<div style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: non=
e">=0A<div style=3D"FONT: 10pt tahoma">=0A<div>&nbsp;</div>=0A<div style=3D=
"BACKGROUND: #f5f5f5">=0A<div style=3D"font-color: black"><b>From:</b> <a t=
itle=3D"antonyhequet@yahoo.com" href=3D"mailto:antonyhequet@yahoo.com"><a h=
ref=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a></a> </div>=
=0A<div><b>Sent:</b> Sunday, December 26, 2010 7:44 PM</div>=0A<div><b>To:<=
/b> <a title=3D"Loopers-Delight@loopers-delight.com" href=3D"mailto:Loopers=
-Delight@loopers-delight.com"><a href=3D"mailto:Loopers-Delight@loopers-del=
ight.com">Loopers-Delight@loopers-delight.com</a></a> =0A</div>=0A<div><b>S=
ubject:</b> Klein and Hummel</div></div></div>=0A<div>&nbsp;</div></div>=0A=
<div style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: non=
e">=0A<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 1=
4pt">=0A<div>does anybody on the list have experience with Klein and Hummel=
 studio =0Amonitors</div>=0A<div>&nbsp;</div>=0A<div>Antony</div>=0A<div st=
yle=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT-SIZE: 14pt">=0A<div>=
&nbsp;</div>=0A<div style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FON=
T-SIZE: 13px"><font size=3D"2" face=3D"Tahoma">=0A<hr size=3D"1">=0A<b><spa=
n style=3D"FONT-WEIGHT: bold">From:</span></b> Bill Fox =0A&lt;<a href=3D"m=
ailto:billyfox@soundscapes.us">billyfox@soundscapes.us</a>&gt;<br><b><span =
style=3D"FONT-WEIGHT: bold">To:</span></b> ElectronicMusic Yahoogroups List=
 =0A&lt;<a href=3D"mailto:ElectronicMusic@yahoogroups.com">ElectronicMusic@=
yahoogroups.com</a>&gt;; beyond_em Yahoogroups List =0A&lt;<a href=3D"mailt=
o:beyond_em@yahoogroups.com">beyond_em@yahoogroups.com</a>&gt;; spacemusic =
Yahoogroups List =0A&lt;<a href=3D"mailto:spacemusic@yahoogroups.com">space=
music@yahoogroups.com</a>&gt;; Ambient Way Yahoogroups List =0A&lt;<a href=
=3D"mailto:the_ambient_way@yahoogroups.com">the_ambient_way@yahoogroups.com=
</a>&gt;; Loopers Delight Mailing List =0A&lt;<a href=3D"mailto:Loopers-Del=
ight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;; AIMu=
sic Yahoogroup =0A&lt;<a href=3D"mailto:AIMusic@yahoogroups.com">AIMusic@ya=
hoogroups.com</a>&gt;<br><b><span style=3D"FONT-WEIGHT: bold">Sent:</span><=
/b> Sun, December 26, 2010 7:27:54 =0AAM<br><b><span style=3D"FONT-WEIGHT: =
bold">Subject:</span></b> [OT] Delete Tom =0AAnderson From Your MySpace Fri=
ends<br></font><br>Since MySpace forced all band =0Aprofiles into migrating=
 to the "New MySpace" band profile; for calling that an =0Aupgrade; for mak=
ing that forced migration nothing less than excruciating, like a =0Acystosc=
opy without numbing agent; for never listening to the true needs of its =0A=
users; for trying to be Facebook and Twitter all rolled into one; for takin=
g =0Aaway the capabilities of old MySpace that we liked; for running audio =
ads when =0Awe want to get directly to listening to a music player; for des=
troying all the =0Awork we did in old MySpace so we can't migrate it over t=
o New MySpace; for =0Amaking HTML boxes that don't fully observe HTML...<br=
><br><span>We should all =0Aspend 2011 deleting Tom Anderson from our Frien=
ds in protest.&nbsp; Please RSVP =0Ain support of this protest movement at =
<a href=3D"http://mysp.ac/gHgiBF" target=3D"_blank"><a href=3D"http://mysp.=
ac/gHgiBF">http://mysp.ac/gHgiBF</a></a> if you have a MySpace profile and =
agree =0Awith or support the cause.</span><br><br>Cheers,<br><br>Bill<br><b=
r></div></div>=0A<div style=3D"POSITION: fixed"></div></div>=0A<div>&nbsp;<=
/div></div></div></div>=0A</div></blockquote><br>=0A=0A      </body></html>
--0-1394037985-1293433653=:68464--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 07:16:41 2010
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Subject: RE: OT - Mahavishnu live footage
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> something about John McLaughlin's mannerism that bugs me. Maybe it's the
white clothes and short hair, or maybe just the level of serenity and
confidence he's obtained. 
 
you mean, his serenity and confidence is a mannerism? :)  or does it bug you
if someone is really serene and confident? just wondering
 
-Michael

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Subject: Re: So, what new gear did Santa bring you?
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iPad with a ton of music apps. Jaw on floor=85

dpc


On Dec 26, 2010, at 6:18 PM, Grant wrote:

> OK, fess up! What did you get yourself, er I mean, what did Santa =20
> bring you this year?
>
> G

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Subject: Re: So, what new gear did Santa bring you?
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2001 Honda CRF450R and accessories to trick it out.....whoops, I guess 
that's not looping gear.  :) But I do plan to use Max/MSP to loop the sound 
of my bike the next time I shoot a video of myself.
K 

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Subject: Re: OT - Mahavishnu live footage
From: Per Boysen <perboysen@gmail.com>
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On Sun, Dec 26, 2010 at 10:52 PM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> AMAZING - best MO live footage yet to surface
> online=C2=A0http://www.youtube.com/watch?v=3DEqfjMDOr-tU&feature=3Dplayer=
_embedded

That was awesome! Thanks for hinting, Matt. I bought the vinyl live
album Between Nothingness Eternity some time around the early mid
seventies. It was second hand and I had to increase the pickup weight
a lot to have the needle stay in track, but I never cared because the
live audio fidelity was so crappy anyway that a brand new LP wouldn't
sound much better ;-))  But the music on that live album was
fantastic!

I understand Art's point about "mannerism" and think it might have to
do with assuming that John wasn't very original when dressing in
Indian inspired white shirts etc since aping India was kind of "the in
thing" at the time. But, as Michael remarked, John seems to have
always been truly sincere inside all that; the attitude to music
making as a prayer is something I totally agree with.  When watching
Johns activities from a distance against the background of "the
general sheep mob" one could easily take him for one of them. I had
similar bugs, back in the days (luckily such narrow perspectives
washed off by time), regarding Carlos Santana when he too showed up
"dressed in that Indian night shirt". I don't mind today though,
although I still think Eric Clapton's white suite looked cooler.

Per

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Subject: Re: So, what new gear did Santa bring you?
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On Mon, Dec 27, 2010 at 3:18 AM, Grant <grantmepeace@mindspring.com> wrote:
> OK, fess up! What did you get yourself, er I mean, what did Santa bring you this year?

Socializing. Visiting my parents, which is great! Me and two sons get
to hang a bit with ex-wife's nephew, niece and related folks. And I
finally managed to grab some time to mock up my dream looper for
laptop rig:
http://www.looproom.com/dream_looper.png

Based on tempo master Mobius in synced Mainstage it runs four loop
channels with effects both pre and post loop. Input section trimmed
for dual channel Stick input or mono flute input. The dual Stick
patches also work fine with my dual output two channel guitar (Shadow
Nanomag acoustic pickup vs the usual electro magnetic humbuckers). The
screenshot shows only the few screen clickable functions, but when
using the Gordius control pedal I access  more functions and don't
need that screen. The underlying looping context is not very different
from the EDP/Repeater/Filterbank monster rack I used a decade ago but
it is very nice to set the limitations yourself instead of having to
adapt your creativity to a given hardware design.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: So, what new gear did Santa bring you?
From: Louie Angulo <louie.angulo@googlemail.com>
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--00151747c136125df80498618cfc
Content-Type: text/plain; charset=ISO-8859-1

a digital kawai piano,something ive been wanting for a long time
thoughmy kids are taking over but is still a pleasure to see them wanting to
play it.
merry X-mas
Luis

On Mon, Dec 27, 2010 at 10:31 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Dec 27, 2010 at 3:18 AM, Grant <grantmepeace@mindspring.com>
> wrote:
> > OK, fess up! What did you get yourself, er I mean, what did Santa bring
> you this year?
>
> Socializing. Visiting my parents, which is great! Me and two sons get
> to hang a bit with ex-wife's nephew, niece and related folks. And I
> finally managed to grab some time to mock up my dream looper for
> laptop rig:
> http://www.looproom.com/dream_looper.png
>
> Based on tempo master Mobius in synced Mainstage it runs four loop
> channels with effects both pre and post loop. Input section trimmed
> for dual channel Stick input or mono flute input. The dual Stick
> patches also work fine with my dual output two channel guitar (Shadow
> Nanomag acoustic pickup vs the usual electro magnetic humbuckers). The
> screenshot shows only the few screen clickable functions, but when
> using the Gordius control pedal I access  more functions and don't
> need that screen. The underlying looping context is not very different
> from the EDP/Repeater/Filterbank monster rack I used a decade ago but
> it is very nice to set the limitations yourself instead of having to
> adapt your creativity to a given hardware design.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--00151747c136125df80498618cfc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

a digital kawai piano,something ive been wanting for a long time<br>thoughm=
y kids are taking over but is still a pleasure to see them wanting to play =
it.<br>merry X-mas<br>Luis<br><br><div class=3D"gmail_quote">On Mon, Dec 27=
, 2010 at 10:31 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perb=
oysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Mon, Dec 27, 2010 at 3:18 AM, Grant &lt;<a href=3D"mailto:grantmepeace@=
mindspring.com">grantmepeace@mindspring.com</a>&gt; wrote:<br>

&gt; OK, fess up! What did you get yourself, er I mean, what did Santa brin=
g you this year?<br>
<br>
</div>Socializing. Visiting my parents, which is great! Me and two sons get=
<br>
to hang a bit with ex-wife&#39;s nephew, niece and related folks. And I<br>
finally managed to grab some time to mock up my dream looper for<br>
laptop rig:<br>
<a href=3D"http://www.looproom.com/dream_looper.png" target=3D"_blank">http=
://www.looproom.com/dream_looper.png</a><br>
<br>
Based on tempo master Mobius in synced Mainstage it runs four loop<br>
channels with effects both pre and post loop. Input section trimmed<br>
for dual channel Stick input or mono flute input. The dual Stick<br>
patches also work fine with my dual output two channel guitar (Shadow<br>
Nanomag acoustic pickup vs the usual electro magnetic humbuckers). The<br>
screenshot shows only the few screen clickable functions, but when<br>
using the Gordius control pedal I access =A0more functions and don&#39;t<br=
>
need that screen. The underlying looping context is not very different<br>
from the EDP/Repeater/Filterbank monster rack I used a decade ago but<br>
it is very nice to set the limitations yourself instead of having to<br>
adapt your creativity to a given hardware design.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>

--00151747c136125df80498618cfc--

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Subject: Soundplant on Windows 2000
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a203325de50498622599
Content-Type: text/plain; charset=ISO-8859-1

It seems I'll have to run my Soundplant 39 on a Windows 2000 laptop.
Has anyone used this OS on Soundplant 39?

I know there's Soundplant 26.1 available too that should run on the older
OS.
But I have been told that win2000 IS basically XP.

If anyone has experiences with win2000, Soundplant 39, much appreciated to
hear!!

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a203325de50498622599
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

It seems I&#39;ll have to run my Soundplant 39 on a Windows 2000 laptop.<br=
>Has anyone used this OS on Soundplant 39?<br><br>I know there&#39;s Soundp=
lant 26.1 available too that should run on the older OS.<br>But I have been=
 told that win2000 IS basically XP.<br>
<br>If anyone has experiences with win2000, Soundplant 39, much appreciated=
 to hear!!<br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://=
www.petrilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a><b=
r>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://pet=
rilahtinen.blogspot.com/</a><br><a href=3D"http://soundcloud.com/petrilahti=
nen" target=3D"_blank">http://soundcloud.com/petrilahtinen</a><br><a href=
=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitter.com/=
PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://pet=
rilahtinen.bandcamp.com/</a><br>-------------------------------------------=
--------<br>&quot;Only become professional musician if there is no choice.&=
quot; -Robert Fripp-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--20cf3054a203325de50498622599--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 11:08:59 2010
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Subject: Re: So, what new gear did Santa bring you?
Date: Mon, 27 Dec 2010 11:08:58 -0000
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?Actually I got my Christmas/Birthday earlier this year, in the form of the 
Yamaha RX-V1067 AV receiver (7.1, 90W RMS!) and a set of Q-Acoustics 
speakers for the whole layout, yet to be installed.  And the GR3/GR20 setup, 
which I also haven't hooked up as yet...

-----Original Message----- 
From: David Coffin
Sent: Monday, December 27, 2010 7:05 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: So, what new gear did Santa bring you?

iPad with a ton of music apps. Jaw on floor…

dpc


On Dec 26, 2010, at 6:18 PM, Grant wrote:

> OK, fess up! What did you get yourself, er I mean, what did Santa  bring 
> you this year?
>
> G 

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 15:27:44 2010
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Date: Mon, 27 Dec 2010 09:21:00 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
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Quoting Petri Lahtinen <aikuinen@gmail.com>:
>
> I removed links to MySpace from my homepage, havent promoted anything
> through it in half year or something.
> They ruined good platform and user base. Their fail.
>
> Hail the SoundCloud
>
> -Petri-
>

I removed my account on Myspace over a year ago.

Perhaps it is an ego thing.  In order to navigate to one's profile  
page one must first navigate past pages promoting the latest teen idol  
or hip-hop act.  The log in process made me feel frustrated before I  
ever even started!

It occurred to me that anyone who would enter through Myspace's  
storefront would have absolutely no interest in me or my music.  So I  
removed my account and haven't missed it a bit.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 15:45:26 2010
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Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
Date: Mon, 27 Dec 2010 07:45:22 -0800
References: <853238.19578.qm@web112108.mail.gq1.yahoo.com> <5EF51ED5C6BB4EC78E51FB51D0C3C854@ELUK1> <AANLkTim2V+V8V1tOaPsQ2oJ9u8Mi2HzxDAGXiSWqP-87@mail.gmail.com> <20101227092100.wtke0vbq8gggkk0w@mail.kevinkissinger.com>
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I cancelled my account several months ago as well.

I still see that my music is posted up there on a "generic" Ted  
Killian page though.

Curse you Rupert Murdoch!

Curse you!


On Dec 27, 2010, at 7:21 AM, kkissinger@kevinkissinger.com wrote:

> Quoting Petri Lahtinen <aikuinen@gmail.com>:
>>
>> I removed links to MySpace from my homepage, havent promoted anything
>> through it in half year or something.
>> They ruined good platform and user base. Their fail.
>>
>> Hail the SoundCloud
>>
>> -Petri-
>>
>
> I removed my account on Myspace over a year ago.
>
> Perhaps it is an ego thing.  In order to navigate to one's profile  
> page one must first navigate past pages promoting the latest teen  
> idol or hip-hop act.  The log in process made me feel frustrated  
> before I ever even started!
>
> It occurred to me that anyone who would enter through Myspace's  
> storefront would have absolutely no interest in me or my music.  So  
> I removed my account and haven't missed it a bit.
>
> -- Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 16:08:32 2010
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Old-school - a Moleskine staff-lined pad...plus a $1.97 Walkman to carry 
out some tape-head experiments.

Daryl Shawn
www.swanwelder.com


>
>         OK, fess up! What did you get yourself, er I mean, what did
>         Santa bring you this year?
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 16:28:24 2010
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Date: Mon, 27 Dec 2010 08:28:21 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: any suggestions...was"Re: [OT] Delete Tom Anderson From Your MySpace Friends"
To: loopers-delight@loopers-delight.com
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--0-844317450-1293467301=:49365
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thinking about dropping my MySpace account as well.......but I don't do Fac=
ebook and I wont do Twitter......got spammed big time the last time I went =
that way.......any thing out there that is similar to the old MySpace?

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=20

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=20
=A0http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=20




--0-844317450-1293467301=:49365
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold; font-style:=
 italic;">thinking about dropping my MySpace account as well.......but I do=
n't do Facebook and I wont do Twitter......got spammed big time the last ti=
me I went that way.......any thing out there that is similar to the old MyS=
pace</span>?<br><br><div><address style=3D"font-family: arial,helvetica,san=
s-serif; font-weight: bold;"><font size=3D"2" color=3D"#bf00bf">Kyle Dean P=
atten</font></address> <address style=3D"font-family: arial,helvetica,sans-=
serif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. B=
ox 22</font></address> <address style=3D"font-family: arial,helvetica,sans-=
serif; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">Johnst=
on, IA&nbsp; 50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp; <br><br style=3D"color: rgb(0, 128, 255);"></font></address=
> <address
 style=3D"font-family: arial,helvetica,sans-serif; font-weight: bold;"><fon=
t style=3D"font-family: verdana,helvetica,sans-serif; color: rgb(0, 128, 25=
5);" size=3D"3"><span style=3D"font-size: 9pt;"><span style=3D"color: rgb(2=
55, 0, 127);">&nbsp;http://www.youtube.com/watch?v=3Dobgm3kTi5bs</span><br>=
&nbsp;http://www.youtube.com/watch?v=3Da9g93s0q3uc</span></font><font size=
=3D"3"> <br></font></address> <address><font style=3D"font-family: arial,he=
lvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"=
3"><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.cdbaby.com/cd/k=
dpatten">http://www.cdbaby.com/cd/kdpatten </a><br><span style=3D"color: rg=
b(255, 127, 0);">http://www.myspace.com/kyledeanpatten </span><br>&nbsp;</f=
ont><font style=3D"color: rgb(255, 0, 255); font-family: arial,helvetica,sa=
ns-serif; font-weight: bold;" size=3D"3"><a rel=3D"nofollow" target=3D"_bla=
nk" href=3D"http://www.linkedin.com/in/kyledeanpatten" title=3D"View public=
 profile"
 name=3D"webProfileURL">http://www.linkedin.com/in/kyledeanpatten</a></font=
><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128, 19=
2, 255); font-weight: bold;" size=3D"3"><font style=3D"color: rgb(255, 0, 2=
55); font-family: tahoma,new york,times,serif;">&nbsp;&nbsp;</font></font><=
font style=3D"font-family: tahoma,new york,times,serif; color: rgb(128, 192=
, 255); font-weight: bold;" size=3D"2"><font style=3D"color: rgb(255, 0, 25=
5); font-family: tahoma,new york,times,serif;" size=3D"2">&nbsp;&nbsp;</fon=
t>&nbsp;&nbsp;&nbsp; <br></font><font style=3D"font-family: arial,helvetica=
,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"3"><spa=
n style=3D"font-size: 9pt;"><span style=3D"font-family: tahoma,new york,tim=
es,serif;"></span></span></font><br style=3D"font-weight: bold;"><br><br><a=
 rel=3D"nofollow" target=3D"_blank" href=3D"http://www.globalwarmingheartla=
nd.org/GWQuiz/Testindex.html"><span class=3D"yshortcuts"
 id=3D"lw_1230810272_0"></span></a></address></div></td></tr></table>
--0-844317450-1293467301=:49365--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 16:49:18 2010
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Facebook works great for me. I've got a ton of "fans" on my page, and =
posting gigs there really seems to get results.


On Dec 27, 2010, at 8:28 AM, K D Patten wrote:

> thinking about dropping my MySpace account as well.......but I don't =
do Facebook and I wont do Twitter......got spammed big time the last =
time I went that way.......any thing out there that is similar to the =
old MySpace?

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div><br></div>Facebook works great for me. I've got a =
ton of "fans" on my page, and posting gigs there really seems to get =
results.<div><div><br></div><div><br><div><div>On Dec 27, 2010, at 8:28 =
AM, K D Patten wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
style=3D"font-weight: bold; font-style: italic; ">thinking about =
dropping my MySpace account as well.......but I don't do Facebook and I =
wont do Twitter......got spammed big time the last time I went that =
way.......any thing out there that is similar to the old =
MySpace</span>?<br></span></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></div></body></html>=

--Apple-Mail-18--518740615--

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Subject: Re: any
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soundcloud

On Dec 27, 2010, at 9:28 AM, K D Patten wrote:

> thinking about dropping my MySpace account as well.......but I don't  
> do Facebook and I wont do Twitter......got spammed big time the last  
> time I went that way.......any thing out there that is similar to  
> the old MySpace?
>
> Kyle Dean Patten
> P.O. Box 22
> Johnston, IA  50131
>
>  http://www.youtube.com/watch?v=obgm3kTi5bs
>  http://www.youtube.com/watch?v=a9g93s0q3uc
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten
>  http://www.linkedin.com/in/kyledeanpatten
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
">soundcloud&nbsp;<div><br><div><div>On Dec 27, 2010, at 9:28 AM, K D =
Patten wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font: =
inherit;"><span style=3D"font-weight: bold; font-style: =
italic;">thinking about dropping my MySpace account as well.......but I =
don't do Facebook and I wont do Twitter......got spammed big time the =
last time I went that way.......any thing out there that is similar to =
the old MySpace</span>?<br><br><div><address style=3D"font-family: =
arial,helvetica,sans-serif; font-weight: bold;"><font size=3D"2" =
color=3D"#bf00bf">Kyle Dean Patten</font></address> <address =
style=3D"font-family: arial,helvetica,sans-serif; color: rgb(0, 128, =
255); font-weight: bold;"><font size=3D"2">P.O. Box 22</font></address> =
<address style=3D"font-family: arial,helvetica,sans-serif; color: rgb(0, =
128, 255); font-weight: bold;"><font size=3D"2">Johnston, IA&nbsp; =
50131&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp; <br><br style=3D"color: rgb(0, 128, 255);"></font></address> =
<address style=3D"font-family: arial,helvetica,sans-serif; font-weight: =
bold;"><font style=3D"font-family: verdana,helvetica,sans-serif; color: =
rgb(0, 128, 255);" size=3D"3"><span style=3D"font-size: 9pt;"><span =
style=3D"color: rgb(255, 0, 127);">&nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3Dobgm3kTi5bs">http://www.youtube.c=
om/watch?v=3Dobgm3kTi5bs</a></span><br>&nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3Da9g93s0q3uc">http://www.youtube.c=
om/watch?v=3Da9g93s0q3uc</a></span></font><font size=3D"3"> =
<br></font></address> <address><font style=3D"font-family: =
arial,helvetica,sans-serif; color: rgb(128, 192, 255); font-weight: =
bold;" size=3D"3"><a rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatt=
en </a><br><span style=3D"color: rgb(255, 127, 0);"><a =
href=3D"http://www.myspace.com/kyledeanpatten">http://www.myspace.com/kyle=
deanpatten</a> </span><br>&nbsp;</font><font style=3D"color: rgb(255, 0, =
255); font-family: arial,helvetica,sans-serif; font-weight: bold;" =
size=3D"3"><a rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.linkedin.com/in/kyledeanpatten" title=3D"View public =
profile" =
name=3D"webProfileURL">http://www.linkedin.com/in/kyledeanpatten</a></font=
><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128, =
192, 255); font-weight: bold;" size=3D"3"><font style=3D"color: rgb(255, =
0, 255); font-family: tahoma,new =
york,times,serif;">&nbsp;&nbsp;</font></font><font style=3D"font-family: =
tahoma,new york,times,serif; color: rgb(128, 192, 255); font-weight: =
bold;" size=3D"2"><font style=3D"color: rgb(255, 0, 255); font-family: =
tahoma,new york,times,serif;" =
size=3D"2">&nbsp;&nbsp;</font>&nbsp;&nbsp;&nbsp; <br></font><font =
style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128, 192, =
255); font-weight: bold;" size=3D"3"><span style=3D"font-size: =
9pt;"><span style=3D"font-family: tahoma,new =
york,times,serif;"></span></span></font><br style=3D"font-weight: =
bold;"><br><br><a rel=3D"nofollow" target=3D"_blank" =
href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html"><span=
 class=3D"yshortcuts" =
id=3D"lw_1230810272_0"></span></a></address></div></td></tr></tbody></tabl=
e></blockquote></div><br></div></body></html>=

--Boundary_(ID_QNi3+kxnyjOPVVt56uYt8A)--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 17:18:48 2010
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	<5DCE5949-CD4D-433B-9812-33F4CAC04A9A@mac.com>
Date: Mon, 27 Dec 2010 19:18:44 +0200
Message-ID: <AANLkTimv+KKM56azSaDCA=zR=UfcLz2hvb6k7xavy+tv@mail.gmail.com>
Subject: Re: any suggestions...was"Re: [OT] Delete Tom Anderson From Your
 MySpace Friends"
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a2033f326604986787a3
Content-Type: text/plain; charset=ISO-8859-1

soundcloud is superb

all about sound, nothing else

2010/12/27 Paul Mimlitsch <pmimlitsch@mac.com>

> soundcloud
>
> On Dec 27, 2010, at 9:28 AM, K D Patten wrote:
>
> thinking about dropping my MySpace account as well.......but I don't do
> Facebook and I wont do Twitter......got spammed big time the last time I
> went that way.......any thing out there that is similar to the old MySpace
> ?
>
> Kyle Dean Patten P.O. Box 22 Johnston, IA  50131
>
>  http://www.youtube.com/watch?v=obgm3kTi5bs
>  http://www.youtube.com/watch?v=a9g93s0q3uc
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten
>  http://www.linkedin.com/in/kyledeanpatten
>
>
>
> <http://www.globalwarmingheartland.org/GWQuiz/Testindex.html>
>
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2033f326604986787a3
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soundcloud is superb<br><br>all about sound, nothing else<br><br><div class=
=3D"gmail_quote">2010/12/27 Paul Mimlitsch <span dir=3D"ltr">&lt;<a href=3D=
"mailto:pmimlitsch@mac.com">pmimlitsch@mac.com</a>&gt;</span><br><blockquot=
e class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1p=
x solid rgb(204, 204, 204); padding-left: 1ex;">
<div style=3D"word-wrap: break-word;">soundcloud=A0<div><br><div><div class=
=3D"im"><div>On Dec 27, 2010, at 9:28 AM, K D Patten wrote:</div><br></div>=
<div><div></div><div class=3D"h5"><blockquote type=3D"cite"><table border=
=3D"0" cellpadding=3D"0" cellspacing=3D"0">
<tbody><tr><td style=3D"font: inherit;" valign=3D"top"><span style=3D"font-=
weight: bold; font-style: italic;">thinking about dropping my MySpace accou=
nt as well.......but I don&#39;t do Facebook and I wont do Twitter......got=
 spammed big time the last time I went that way.......any thing out there t=
hat is similar to the old MySpace</span>?<br>
<br><div><address style=3D"font-family: arial,helvetica,sans-serif; font-we=
ight: bold;"><font color=3D"#bf00bf" size=3D"2">Kyle Dean Patten</font></ad=
dress> <address style=3D"font-family: arial,helvetica,sans-serif; color: rg=
b(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. Box 22</font></ad=
dress> <address style=3D"font-family: arial,helvetica,sans-serif; color: rg=
b(0, 128, 255); font-weight: bold;"><font size=3D"2">Johnston, IA=A0 50131=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 <br>
<br style=3D"color: rgb(0, 128, 255);"></font></address> <address style=3D"=
font-family: arial,helvetica,sans-serif; font-weight: bold;"><font style=3D=
"font-family: verdana,helvetica,sans-serif; color: rgb(0, 128, 255);" size=
=3D"3"><span style=3D"font-size: 9pt;"><span style=3D"color: rgb(255, 0, 12=
7);">=A0<a href=3D"http://www.youtube.com/watch?v=3Dobgm3kTi5bs" target=3D"=
_blank">http://www.youtube.com/watch?v=3Dobgm3kTi5bs</a></span><br>
=A0<a href=3D"http://www.youtube.com/watch?v=3Da9g93s0q3uc" target=3D"_blan=
k">http://www.youtube.com/watch?v=3Da9g93s0q3uc</a></span></font><font size=
=3D"3"> <br></font></address> <address><font style=3D"font-family: arial,he=
lvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"=
3"><a rel=3D"nofollow" href=3D"http://www.cdbaby.com/cd/kdpatten" target=3D=
"_blank">http://www.cdbaby.com/cd/kdpatten </a><br>
<span style=3D"color: rgb(255, 127, 0);"><a href=3D"http://www.myspace.com/=
kyledeanpatten" target=3D"_blank">http://www.myspace.com/kyledeanpatten</a>=
 </span><br>=A0</font><font style=3D"color: rgb(255, 0, 255); font-family: =
arial,helvetica,sans-serif; font-weight: bold;" size=3D"3"><a rel=3D"nofoll=
ow" href=3D"http://www.linkedin.com/in/kyledeanpatten" title=3D"View public=
 profile" name=3D"12d28c053576fb6f_webProfileURL" target=3D"_blank">http://=
www.linkedin.com/in/kyledeanpatten</a></font><font style=3D"font-family: ar=
ial,helvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" si=
ze=3D"3"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new yo=
rk,times,serif;">=A0=A0</font></font><font style=3D"font-family: tahoma,new=
 york,times,serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"2=
"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new york,time=
s,serif;" size=3D"2">=A0=A0</font>=A0=A0=A0 <br>
</font><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(1=
28, 192, 255); font-weight: bold;" size=3D"3"><span style=3D"font-size: 9pt=
;"><span style=3D"font-family: tahoma,new york,times,serif;"></span></span>=
</font><br style=3D"font-weight: bold;">
<br><br><a rel=3D"nofollow" href=3D"http://www.globalwarmingheartland.org/G=
WQuiz/Testindex.html" target=3D"_blank"><span></span></a></address></div></=
td></tr></tbody></table></blockquote></div></div></div><br></div></div></bl=
ockquote>
</div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://=
www.petrilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a><b=
r><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://p=
etrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a2033f326604986787a3--

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 17:37:01 2010
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Subject: Re: So, what new gear did Santa bring you?
Date: Mon, 27 Dec 2010 09:36:58 -0800
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Thank you, Zoe!
http://thumbjam.com/media
(Scroll down to Dark Cello vid=85wow)

On Dec 26, 2010, at 11:05 PM, David Coffin wrote:

> iPad with a ton of music apps. Jaw on floor=85

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 17:56:16 2010
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Subject: RE: OT - Mahavishnu live footage
Date: Mon, 27 Dec 2010 09:56:08 -0800
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This brings back warm memories. I saw this band on 3 separate  
occasions, the first being at Winterland in San Francisisco with my  
brother. I also saw later incarnations but the original band was my  
favorite.  I started playing "You know You know" Last night , a tune I  
used to jam on with my fusion buddies at Berklee the year I was there.  
At the time there was a great book of Mahavishnu tunes that we were  
making our way through. I wish I still had that book.
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 17:58:22 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: OT - Mahavishnu live footage
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Its still available - i got it the other day :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 27 Dec 2010, at 17:56, William Walker wrote:

> This brings back warm memories. I saw this band on 3 separate  
> occasions, the first being at Winterland in San Francisisco with my  
> brother. I also saw later incarnations but the original band was my  
> favorite.  I started playing "You know You know" Last night , a  
> tune I used to jam on with my fusion buddies at Berklee the year I  
> was there. At the time there was a great book of Mahavishnu tunes  
> that we were making our way through. I wish I still had that book.
>  Bill
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Its still available - i got it the other day :)<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 27 Dec 2010, =
at 17:56, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">This brings back warm memories. I saw this band on 3 =
separate occasions, the first being at Winterland in San Francisisco =
with my brother. I also saw later incarnations but the original band was =
my favorite.<span class=3D"Apple-converted-space">&nbsp; </span>I =
started playing "You know You know" Last night , a tune I used to jam on =
with my fusion buddies at Berklee the year I was there. At the time =
there was a great book of Mahavishnu tunes that we were making our way =
through. I wish I still had that book.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;</span>Bill</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 17:58:32 2010
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Subject: Re: [OT] Delete Tom Anderson From Your MySpace Friends
Date: Mon, 27 Dec 2010 09:58:15 -0800
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I'd like to get rid of mine as well, but there's some photos there  
that I'd to keep and use on a FB page. It would take me quite awhile  
to locate the disc(s) that those are on in my way too big library  
wherever(?) they are, so is there a way to import those to the FB  
page from the MS page? I sure hope so. It'd save me a LOT of time!    
Thanx for any helpful info.

Cheers,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever

On Dec 27, 2010, at 7:21 AM, kkissinger@kevinkissinger.com wrote:

> Quoting Petri Lahtinen <aikuinen@gmail.com>:
>>
>> I removed links to MySpace from my homepage, havent promoted anything
>> through it in half year or something.
>> They ruined good platform and user base. Their fail.
>>
>> Hail the SoundCloud
>>
>> -Petri-
>>
>
> I removed my account on Myspace over a year ago.
>
> Perhaps it is an ego thing.  In order to navigate to one's profile  
> page one must first navigate past pages promoting the latest teen  
> idol or hip-hop act.  The log in process made me feel frustrated  
> before I ever even started!
>
> It occurred to me that anyone who would enter through Myspace's  
> storefront would have absolutely no interest in me or my music.  So  
> I removed my account and haven't missed it a bit.
>
> -- Kevin
>

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 18:08:38 2010
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Subject: Re: So, what new gear did Santa bring you?
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I hardly ever get new gear for Christmas, I don't expect my wife to  
know what I want and besides she already knows that if its musical,  
I'll get it myself. She gets me cloths which I really appreciate.   
What I am doing for myself is I'm having Mando Man, (who in addition  
to being a really fine musician is a world class luthier,) build me a  
new lap steel. This lap steel will have a duesenberg multi bender  
bridge on it courtesy of the awesome Leander Reininghaus who sent me  
the bridge from Germany. Thanks again Leander , you Rock!!!!  The  
instrument will be made of some amazing quilted japanese ash with a  
curly maple top and an ebony fingerboard. Though I've always been  
intrigued with the pedal steel guitar, its size, expense, and weight  
have always kept me from taking the plunge. The Multibender bridge  
will give me three string pull options in a light weight and portable  
package. I'm very excited about this new instrument and will be  
mailing the parts to him today.
Bill

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 19:07:01 2010
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On 7/22/64 11:59 AM, Per Boysen wrote:
> But, as Michael remarked, John seems to have
> always been truly sincere inside all that; the attitude to music
> making as a prayer is something I totally agree with.  When watching
> Johns activities from a distance against the background of "the
> general sheep mob" one could easily take him for one of them. I had
> similar bugs, back in the days (luckily such narrow perspectives
> washed off by time), regarding Carlos Santana when he too showed up
> "dressed in that Indian night shirt".
John and Carlos were both very serious devotees of the Indian Hindu 
guru, Sri Chinmoy.
I never got that they took it lightly or that they were being trendy.

McLaughlin's devotee name was Mahavishnu John McLaughlin,
Santana's was Devadip Carlos Santana for a while
and my brother and I always referred to him as DoubleDip Carlos Santana
(ahhhhhh,  immaturity!!!!)

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 21:46:56 2010
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Date: Mon, 27 Dec 2010 22:46:55 +0100
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Subject: Re: So, what new gear did Santa bring you?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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I only sold gear, didn't buy anything new, no kidding. Happy holidays
my friends! :)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Dec 27 23:30:41 2010
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Date: Tue, 28 Dec 2010 00:30:25 +0100
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Grant wrote:
> OK, fess up! What did you get yourself, er I mean, what did Santa bring you this year?
> 
> G


Been saving up, first time in many years I could shop ahead, hehe..
So I was my own Santa, who down the chimney delivered:

A cute deal on a Rocktron All Acces, a '95 Yamaha ProMix 01, a Roland 
M-16E mixer, three Uptown Flash analog routers/mixers - all at €268.

And, arriving just the day before Xmas, a 7-string 35" bass - or is it 
an octave downtuned very long scale guitar; gets a Bit blurry at times..
Made by Wolf Guitars in the orient, sold by HK on the bay at €449.
Wilkinson hardware, Kent Armstrong pickups, pretty good tone/sustain, 
really some bang for the money.

Ohh, and two stylish pants with punk'ish straps down the legs, one in 
black stretch, one in tight black skin, very sexy ;)  plus a soft skin 
jacket, and a set of handmade rock boots.
It all doesn't help on making the chicks look more in my direction, but 
does make other people give me a.. mmnn.. 'different' look ;-D


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 01:11:25 2010
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Subject: low cpu midi appegiator
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Anyone know of a very light and stripped midi arpegiator plugin?

I tried the very interesting and free Hypercyclic , which has all that I
want, but for some reason was very very slow on my machine.. I cant hardly
move a knob or a menu, without waiting a 5 seconds for a response...

I was trying to run a very light setup, just Mulch as the host running the
hypercyclic plugin to arppegiate an instance of the Reactor 5 player. Using
VST.. Ther is an AU version but I don't yet have the latest verson of Audio
Mulch that supports AU...

Unless anyone knows what is going on specifically, maybe you can suggest a
replacement... actaully the Hypercyclic did miss one VERY important button..
that of "Latch" that will keep the arpeggio playing even after I have lifted
my hand...

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549f038c256704986e214f
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Anyone know of a very light and stripped midi arpegiator plugin? <br><br>I =
tried the very interesting and free Hypercyclic , which has all that I want=
, but for some reason was very very slow on my machine.. I cant hardly move=
 a knob or a menu, without waiting a 5 seconds for a response...<br>

<br>I was trying to run a very light setup, just Mulch as the host running =
the hypercyclic plugin to arppegiate an instance of the Reactor 5 player. U=
sing VST.. Ther is an AU version but I don&#39;t yet have the latest verson=
 of Audio Mulch that supports AU...<br>

<br>Unless anyone knows what is going on specifically, maybe you can sugges=
t a replacement... actaully the Hypercyclic did miss one VERY important but=
ton.. that of &quot;Latch&quot; that will keep the arpeggio playing even af=
ter I have lifted my hand...<br clear=3D"all">

<br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkha=
o.com</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user8250=
94">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549f038c256704986e214f--

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Subject: RE: So, what new gear did Santa bring you?
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I, er uhh Santa brought me an Empress Vintage Modified SuperDelay Pedal that
will become the latest piece of gear in my guitar rig rebuild project...

What I need next are some decent, affordable monitors to hook up to my
Tascam US122-L interface and laptop for recording...any suggestions?

Somewhere in the $300USD range? Or is that too little to spend?

Thanks in advance for your trusted input!

Edward


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--Apple-Mail-1--481212268
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You could try hosting reaktor in bidule instead and using bidule's built in m=
idi sequencer, which loops...

Sent from my iPod

On 28 Dec 2010, at 01:11, mark francombe <mark@markfrancombe.com> wrote:

> Anyone know of a very light and stripped midi arpegiator plugin?=20
>=20
> I tried the very interesting and free Hypercyclic , which has all that I w=
ant, but for some reason was very very slow on my machine.. I cant hardly mo=
ve a knob or a menu, without waiting a 5 seconds for a response...
>=20
> I was trying to run a very light setup, just Mulch as the host running the=
 hypercyclic plugin to arppegiate an instance of the Reactor 5 player. Using=
 VST.. Ther is an AU version but I don't yet have the latest verson of Audio=
 Mulch that supports AU...
>=20
> Unless anyone knows what is going on specifically, maybe you can suggest a=
 replacement... actaully the Hypercyclic did miss one VERY important button.=
. that of "Latch" that will keep the arpeggio playing even after I have lift=
ed my hand...
>=20
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

--Apple-Mail-1--481212268
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<html><body bgcolor="#FFFFFF"><div>You could try hosting reaktor in bidule instead and using bidule's built in midi sequencer, which loops...<br><br>Sent from my iPod</div><div><br>On 28 Dec 2010, at 01:11, mark francombe &lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>Anyone know of a very light and stripped midi arpegiator plugin? <br><br>I tried the very interesting and free Hypercyclic , which has all that I want, but for some reason was very very slow on my machine.. I cant hardly move a knob or a menu, without waiting a 5 seconds for a response...<br>

<br>I was trying to run a very light setup, just Mulch as the host running the hypercyclic plugin to arppegiate an instance of the Reactor 5 player. Using VST.. Ther is an AU version but I don't yet have the latest verson of Audio Mulch that supports AU...<br>

<br>Unless anyone knows what is going on specifically, maybe you can suggest a replacement... actaully the Hypercyclic did miss one VERY important button.. that of "Latch" that will keep the arpeggio playing even after I have lifted my hand...<br clear="all">

<br>-- <br>mark francombe<br><a href="http://www.markfrancombe.com"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href="http://www.ordoabkhao.com"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>twitter @markfrancombe<br><a href="http://vimeo.com/user825094"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br>

<a href="http://www.looop.no"><a href="http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></body></html>
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From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 03:39:05 2010
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Date: Tue, 28 Dec 2010 04:39:21 +0100
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Subject: Re: low cpu midi appegiator
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Did I say .. Free?? I have bidule but the trial ran out before I really had
a chance to know if I wanted it!! I think it might be the way to go however,
was just hoping for a lightweight solution...

Sent from my (advertisement removed)

On 28 Dec 2010, at 04:13, Gmail <simeonharris40@googlemail.com> wrote:

You could try hosting reaktor in bidule instead and using bidule's built in
midi sequencer, which loops...

Sent from my iPod

On 28 Dec 2010, at 01:11, mark francombe <mark@markfrancombe.com> wrote:

Anyone know of a very light and stripped midi arpegiator plugin?

I tried the very interesting and free Hypercyclic , which has all that I
want, but for some reason was very very slow on my machine.. I cant hardly
move a knob or a menu, without waiting a 5 seconds for a response...

I was trying to run a very light setup, just Mulch as the host running the
hypercyclic plugin to arppegiate an instance of the Reactor 5 player. Using
VST.. Ther is an AU version but I don't yet have the latest verson of Audio
Mulch that supports AU...

Unless anyone knows what is going on specifically, maybe you can suggest a
replacement... actaully the Hypercyclic did miss one VERY important button..
that of "Latch" that will keep the arpeggio playing even after I have lifted
my hand...

-- 
mark francombe
<http://www.markfrancombe.com>www.markfrancombe.com
<http://www.ordoabkhao.com>www.ordoabkhao.com
twitter @markfrancombe
<http://vimeo.com/user825094>http://vimeo.com/user825094
 <http://www.looop.no>http://www.looop.no

--90e6ba6e83e69ad16304987031cd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Did I say .. Free?? I have bidule but =
the trial ran out before I really had a chance to know if I wanted it!! I t=
hink it might be the way to go however, was just hoping for a lightweight s=
olution...<br>
<br>Sent from my (advertisement removed)</div><div><br>On 28 Dec 2010, at 0=
4:13, Gmail &lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharr=
is40@googlemail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type=
=3D"cite">
<div><div>You could try hosting reaktor in bidule instead and using bidule&=
#39;s built in midi sequencer, which loops...<br><br>Sent from my iPod</div=
><div><br>On 28 Dec 2010, at 01:11, mark francombe &lt;<a href=3D"mailto:ma=
rk@markfrancombe.com"><a href=3D"mailto:mark@markfrancombe.com">mark@markfr=
ancombe.com</a></a>&gt; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div>Anyone know of a very l=
ight and stripped midi arpegiator plugin? <br><br>I tried the very interest=
ing and free Hypercyclic , which has all that I want, but for some reason w=
as very very slow on my machine.. I cant hardly move a knob or a menu, with=
out waiting a 5 seconds for a response...<br>


<br>I was trying to run a very light setup, just Mulch as the host running =
the hypercyclic plugin to arppegiate an instance of the Reactor 5 player. U=
sing VST.. Ther is an AU version but I don&#39;t yet have the latest verson=
 of Audio Mulch that supports AU...<br>


<br>Unless anyone knows what is going on specifically, maybe you can sugges=
t a replacement... actaully the Hypercyclic did miss one VERY important but=
ton.. that of &quot;Latch&quot; that will keep the arpeggio playing even af=
ter I have lifted my hand...<br clear=3D"all">


<br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com"></a><=
a href=3D"http://www.markfrancombe.com"><a href=3D"http://www.markfrancombe=
.com">www.markfrancombe.com</a></a><br><a href=3D"http://www.ordoabkhao.com=
"></a><a href=3D"http://www.ordoabkhao.com"><a href=3D"http://www.ordoabkha=
o.com">www.ordoabkhao.com</a></a><br>
twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094"></a><a hr=
ef=3D"http://vimeo.com/user825094"><a href=3D"http://vimeo.com/user825094">=
http://vimeo.com/user825094</a></a><br>

<a href=3D"http://www.looop.no"></a><a href=3D"http://www.looop.no"><a href=
=3D"http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></div></blockquote></body></html>

--90e6ba6e83e69ad16304987031cd--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 03:53:22 2010
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Date: Mon, 27 Dec 2010 20:53:20 -0700
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Subject: Re: low cpu midi appegiator
From: Dennis Moser <sinsofmachaut@gmail.com>
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Mark,

Bidule is worth it...it's software worth buying.

~~D.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Dec 27, 2010 at 8:39 PM, mark francombe <markfrancombe@gmail.com> wrote:
> Did I say .. Free?? I have bidule but the trial ran out before I really had
> a chance to know if I wanted it!! I think it might be the way to go however,
> was just hoping for a lightweight solution...
>
> Sent from my (advertisement removed)
> On 28 Dec 2010, at 04:13, Gmail <simeonharris40@googlemail.com> wrote:
>
> You could try hosting reaktor in bidule instead and using bidule's built in
> midi sequencer, which loops...
>
> Sent from my iPod
> On 28 Dec 2010, at 01:11, mark francombe <mark@markfrancombe.com> wrote:
>
> Anyone know of a very light and stripped midi arpegiator plugin?
>
> I tried the very interesting and free Hypercyclic , which has all that I
> want, but for some reason was very very slow on my machine.. I cant hardly
> move a knob or a menu, without waiting a 5 seconds for a response...
>
> I was trying to run a very light setup, just Mulch as the host running the
> hypercyclic plugin to arppegiate an instance of the Reactor 5 player. Using
> VST.. Ther is an AU version but I don't yet have the latest verson of Audio
> Mulch that supports AU...
>
> Unless anyone knows what is going on specifically, maybe you can suggest a
> replacement... actaully the Hypercyclic did miss one VERY important button..
> that of "Latch" that will keep the arpeggio playing even after I have lifted
> my hand...
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 04:01:05 2010
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From: Grant <grantmepeace@mindspring.com>
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Subject: RE: So, what new gear did Santa bring you?
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Congratulations all around! Seems like everybody was on the "nice" list!
Nothing like a warm fire and cool new gear to play with, eh?

I don't have any new gear to brag about this year but I still feel
"inspired" by the love and companionship of friends and family.

Best to all for a fantastic 2011!

G

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 05:29:24 2010
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Subject: Re: Numerology 3...
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On 12/26/10 5:50 PM, "Per Boysen" <perboysen@gmail.com> wrote:
> On Sun, Dec 26, 2010 at 3:30 AM, Dustbunnies <mech@m3ch.net> wrote:
>> This has me wondering if Numerology might currently work as a poor-man's
>> alternative to Max-For-Live
> 
> I don't think so, because they are completely different tools.
> Numerology is a system for modular step sequencing, the way it was
> done in the analog domain and before MIDI was invented. One might
> argue that Numerology 3 and the Pro version now has digital audio
> processing objects like Envelope Follower, Audio Feedback Assistant, a
> built-in sampler etc - but that's only a little icing on the cake
> while M4L is a massive iceberg of audio processing options (that
> totally lacks the modular sequencing workflow of Numerology).

On thinking about it, you're probably correct as far as a full-blown
MaxForLive replacement.  Most of the functions that I'm interested in M4L
for are actually merely extensions of control functions.  It had slipped my
mind that many (most?) of the useful M4L functions are actually in the audio
processing/synthesis realm.  But I've got enough VST's to choke a horse
already.

Much of the stuff I'd use it for is rather as a replacement for firing off
"control" clips of CC data in Live or using Stormgate 3 as a MIDI LFO --
neither of which allow easily for really good evolving or "if/then" logic
structures.  

The one most exciting thing about having Numerology run as an AU, however,
is making it bulletproof against Live's potential clock sync issues (which
are supposed to be solved now, but I still don't trust it).  I don't like
having anything run outboard of Live if I can help it.

It's been a while since I used Numerology (I was in it pretty heavy at 1.x,
but dropped out when v.2 came out), but I still think it might work well for
programming self-generating or evolving parameter sequences for existing
effects inside Live.  Maybe not, as you said, a complete MaxForLive drop-in
replacement, but perhaps good enough for what I want to do with it.

        --m.


From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 06:22:52 2010
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Subject: Re: So, what new gear did Santa bring you?
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On 12/27/10 11:18 AM, "Grant" <grantmepeace@mindspring.com> wrote:
>
> OK, fess up! What did you get yourself, er I mean, what did Santa bring you
> this year?

Well, like Rick and so many others on this list, 2010 wasn't a particularly
good year financially for us -- mostly owing to having a new baby, as well
as being forced to work a crap job in one of the most expensive countries on
the planet.

Still, the wife and I managed to set aside ~$100 each to use on each other's
Christmas/Chanukah gifts.  I got her a bunch of back-issues to various
craft/fashion magazines she'd missed.

She was especially astute and got me an Akai Synthstation 25 for my iPhone.
So far, it's working great as a portable MIDI controller.  Trying to work
out some difficulties with the Apple Store in order to get the software (it
is more than a little annoying that the software is *not* included, even if
it is only $1.99).

        --m.


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Subject: Re: low cpu midi appegiator
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Well probably, but right now Im wishing we had taken up the Walkers approach
to Christmas and NOT bought over 2000 dollars worth of the useless crap...
cos now I really am a bit strapped for cash!

AND.. I am and have always been a bit of an Audio Mulch fan so Im not to
keen to switch to Bidule, UNLESS I only use it for MAKING small things I can
put into Mulch... Can one export from Bidule a VST type thingy, that isnt
the whole Bidule program, but just the bit you made...? (Like SynthEdit for
Mac)

And thirdly, having pretty much made the switch to software for looping,
theres the learning curve... Im done with new new new the whole time, I need
to pick an environment snd stay with it, the trick with working with a
computer is to NOT sit in front of it if you have to... I just cant be
bothered to learn new stuff AGAIN...




On Tue, Dec 28, 2010 at 4:53 AM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> Mark,
>
> Bidule is worth it...it's software worth buying.
>
> ~~D.
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Mon, Dec 27, 2010 at 8:39 PM, mark francombe <markfrancombe@gmail.com>
> wrote:
> > Did I say .. Free?? I have bidule but the trial ran out before I really
> had
> > a chance to know if I wanted it!! I think it might be the way to go
> however,
> > was just hoping for a lightweight solution...
> >
> > Sent from my (advertisement removed)
> > On 28 Dec 2010, at 04:13, Gmail <simeonharris40@googlemail.com> wrote:
> >
> > You could try hosting reaktor in bidule instead and using bidule's built
> in
> > midi sequencer, which loops...
> >
> > Sent from my iPod
> > On 28 Dec 2010, at 01:11, mark francombe <mark@markfrancombe.com> wrote:
> >
> > Anyone know of a very light and stripped midi arpegiator plugin?
> >
> > I tried the very interesting and free Hypercyclic , which has all that I
> > want, but for some reason was very very slow on my machine.. I cant
> hardly
> > move a knob or a menu, without waiting a 5 seconds for a response...
> >
> > I was trying to run a very light setup, just Mulch as the host running
> the
> > hypercyclic plugin to arppegiate an instance of the Reactor 5 player.
> Using
> > VST.. Ther is an AU version but I don't yet have the latest verson of
> Audio
> > Mulch that supports AU...
> >
> > Unless anyone knows what is going on specifically, maybe you can suggest
> a
> > replacement... actaully the Hypercyclic did miss one VERY important
> button..
> > that of "Latch" that will keep the arpeggio playing even after I have
> lifted
> > my hand...
> >
> > --
> > mark francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > twitter @markfrancombe
> > http://vimeo.com/user825094
> > http://www.looop.no
> >
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e881633680e0498750286
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Well probably, but right now Im wishing we had taken up the Walkers approac=
h to Christmas and NOT bought over 2000 dollars worth of the useless crap..=
. cos now I really am a bit strapped for cash!<br><br>AND.. I am and have a=
lways been a bit of an Audio Mulch fan so Im not to keen to switch to Bidul=
e, UNLESS I only use it for MAKING small things I can put into Mulch... Can=
 one export from Bidule a VST type thingy, that isnt the whole Bidule progr=
am, but just the bit you made...? (Like SynthEdit for Mac)<br>

<br>And thirdly, having pretty much made the switch to software for looping=
, <br>
theres the learning curve... Im done with new new new the whole time, I nee=
d to pick an environment snd stay with it, the trick with working with a co=
mputer is to NOT sit in front of it if you have to... I just cant be bother=
ed to learn new stuff AGAIN...<br>

<br><br><br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 4:53 AM,=
 Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.c=
om">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(=
204, 204, 204); padding-left: 1ex;">

Mark,<br>
<br>
Bidule is worth it...it&#39;s software worth buying.<br>
<br>
~~D.<br>
<br>
<a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://soundclo=
ud.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
On Mon, Dec 27, 2010 at 8:39 PM, mark francombe &lt;<a href=3D"mailto:markf=
rancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:<br>
&gt; Did I say .. Free?? I have bidule but the trial ran out before I reall=
y had<br>
&gt; a chance to know if I wanted it!! I think it might be the way to go ho=
wever,<br>
&gt; was just hoping for a lightweight solution...<br>
&gt;<br>
&gt; Sent from my (advertisement removed)<br>
&gt; On 28 Dec 2010, at 04:13, Gmail &lt;<a href=3D"mailto:simeonharris40@g=
ooglemail.com">simeonharris40@googlemail.com</a>&gt; wrote:<br>
&gt;<br>
&gt; You could try hosting reaktor in bidule instead and using bidule&#39;s=
 built in<br>
&gt; midi sequencer, which loops...<br>
&gt;<br>
&gt; Sent from my iPod<br>
&gt; On 28 Dec 2010, at 01:11, mark francombe &lt;<a href=3D"mailto:mark@ma=
rkfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt;<br>
&gt; Anyone know of a very light and stripped midi arpegiator plugin?<br>
&gt;<br>
&gt; I tried the very interesting and free Hypercyclic , which has all that=
 I<br>
&gt; want, but for some reason was very very slow on my machine.. I cant ha=
rdly<br>
&gt; move a knob or a menu, without waiting a 5 seconds for a response...<b=
r>
&gt;<br>
&gt; I was trying to run a very light setup, just Mulch as the host running=
 the<br>
&gt; hypercyclic plugin to arppegiate an instance of the Reactor 5 player. =
Using<br>
&gt; VST.. Ther is an AU version but I don&#39;t yet have the latest verson=
 of Audio<br>
&gt; Mulch that supports AU...<br>
&gt;<br>
&gt; Unless anyone knows what is going on specifically, maybe you can sugge=
st a<br>
&gt; replacement... actaully the Hypercyclic did miss one VERY important bu=
tton..<br>
&gt; that of &quot;Latch&quot; that will keep the arpeggio playing even aft=
er I have lifted<br>
&gt; my hand...<br>
&gt;<br>
&gt; --<br>
&gt; mark francombe<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao=
.com</a><br>
&gt; twitter @markfrancombe<br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e881633680e0498750286--

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Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Dec 28, 2010 at 10:23 AM, mark francombe <mark@markfrancombe.com> wrote:
> Can one export from Bidule a VST type thingy, that isnt the whole Bidule
> program, but just the bit you made...? (Like SynthEdit for Mac)

Yes. From Bidule you can export a complete session as a "Group". This
group can then be imported as a module in another Bidule session. But
what seems to match your needs here is that the Bidule AU plugin can
also import such a Group. And the Bidule AU can run in any host's
pugin slot (oops, time to upgrade Audiomulch?)

I have tried this and found it working well. I managed to wire up a
"freeze reverb" in Bidule based on Bidule's Input Envelope Follow
function auto triggering the "Infinite button" of  the Eos reverb
plugin (in a crossfade way, so when I don't play anything the reverb
stays frozen... until I play the next sound). What I did was to open
the Bidule AU on a bus/aux track in Mainstage and then from inside the
AU open that Bidule Group. However I skipped this because the Eos
reverb plugin clicks too loud when changing state. (then I started
using SoundToys EchoBoy for freeze reverb and I like that one's analog
character better; it doesn't freeze totally, just enough to slow down
audio to an almost-still state).

per

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Ha ha.. cool stuff Per, but therin your post you cleverly outline my
distaste for software...
not only do you suggest I dont own an cant afford, but will only work if I
upgrade my (otherwise working completely OK) version of another program!..
See how it works?
Its the same with hardware of course, but somehow I hung on longer with each
bit of gear, and whats more I could sell it when I was upgrading...

But all DOES seem to point to Bidule, but I probably will switch from
AudioMulch altogether, to use less bits...

strange that there doesnt seem to be a minimal midi arp about?

Mark





On Tue, Dec 28, 2010 at 10:38 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 28, 2010 at 10:23 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Can one export from Bidule a VST type thingy, that isnt the whole Bidule
> > program, but just the bit you made...? (Like SynthEdit for Mac)
>
> Yes. From Bidule you can export a complete session as a "Group". This
> group can then be imported as a module in another Bidule session. But
> what seems to match your needs here is that the Bidule AU plugin can
> also import such a Group. And the Bidule AU can run in any host's
> pugin slot (oops, time to upgrade Audiomulch?)
>
> I have tried this and found it working well. I managed to wire up a
> "freeze reverb" in Bidule based on Bidule's Input Envelope Follow
> function auto triggering the "Infinite button" of  the Eos reverb
> plugin (in a crossfade way, so when I don't play anything the reverb
> stays frozen... until I play the next sound). What I did was to open
> the Bidule AU on a bus/aux track in Mainstage and then from inside the
> AU open that Bidule Group. However I skipped this because the Eos
> reverb plugin clicks too loud when changing state. (then I started
> using SoundToys EchoBoy for freeze reverb and I like that one's analog
> character better; it doesn't freeze totally, just enough to slow down
> audio to an almost-still state).
>
> per
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549f03a6226704987552e1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ha ha.. cool stuff Per, but therin your post you cleverly outline my distas=
te for software...<br>not only do you suggest I dont own an cant afford, bu=
t will only work if I upgrade my (otherwise working completely OK) version =
of another program!.. See how it works? <br>

Its the same with hardware of course, but somehow I hung on longer with eac=
h bit of gear, and whats more I could sell it when I was upgrading...<br><b=
r>But all DOES seem to point to Bidule, but I probably will switch from Aud=
ioMulch altogether, to use less bits...<br>

<br>strange that there doesnt seem to be a minimal midi arp about?<br><br>M=
ark<br><br><br><br><br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 =
at 10:38 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@g=
mail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Tue, Dec 28, 2010 at 10:23 AM, mark francombe &lt;<a href=3D"mailto:mar=
k@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>


&gt; Can one export from Bidule a VST type thingy, that isnt the whole Bidu=
le<br>
&gt; program, but just the bit you made...? (Like SynthEdit for Mac)<br>
<br>
</div>Yes. From Bidule you can export a complete session as a &quot;Group&q=
uot;. This<br>
group can then be imported as a module in another Bidule session. But<br>
what seems to match your needs here is that the Bidule AU plugin can<br>
also import such a Group. And the Bidule AU can run in any host&#39;s<br>
pugin slot (oops, time to upgrade Audiomulch?)<br>
<br>
I have tried this and found it working well. I managed to wire up a<br>
&quot;freeze reverb&quot; in Bidule based on Bidule&#39;s Input Envelope Fo=
llow<br>
function auto triggering the &quot;Infinite button&quot; of =A0the Eos reve=
rb<br>
plugin (in a crossfade way, so when I don&#39;t play anything the reverb<br=
>
stays frozen... until I play the next sound). What I did was to open<br>
the Bidule AU on a bus/aux track in Mainstage and then from inside the<br>
AU open that Bidule Group. However I skipped this because the Eos<br>
reverb plugin clicks too loud when changing state. (then I started<br>
using SoundToys EchoBoy for freeze reverb and I like that one&#39;s analog<=
br>
character better; it doesn&#39;t freeze totally, just enough to slow down<b=
r>
audio to an almost-still state).<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549f03a6226704987552e1--

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Subject: Re: low cpu midi appegiator
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--20cf3054a073e3d08a0498758200
Content-Type: text/plain; charset=ISO-8859-1

I really need to check my mails before I hit send... heres the
de-cryption...

On Tue, Dec 28, 2010 at 10:45 AM, mark francombe <mark@markfrancombe.com>wrote:

Ha ha.. cool stuff Per, but therein your post you cleverly outline my
> distaste for software...
> not only do you suggest something I don't own and can't afford, but will
> only work if I upgrade my (otherwise working completely OK) version of
> another program!.. See how it works?
> Its the same with hardware of course, but somehow I hung on longer with
> each bit of gear, and whats more I could sell it when I was upgrading...
>
> But all DOES seem to point to Bidule, but I probably will switch from
> AudioMulch altogether, to use less bits...
>
> but its strange that there doesn't seem to be a minimal midi arp about?
>
> Mark
>
>
>
>
>
>
> On Tue, Dec 28, 2010 at 10:38 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Tue, Dec 28, 2010 at 10:23 AM, mark francombe <mark@markfrancombe.com>
>> wrote:
>> > Can one export from Bidule a VST type thingy, that isnt the whole Bidule
>> > program, but just the bit you made...? (Like SynthEdit for Mac)
>>
>> Yes. From Bidule you can export a complete session as a "Group". This
>> group can then be imported as a module in another Bidule session. But
>> what seems to match your needs here is that the Bidule AU plugin can
>> also import such a Group. And the Bidule AU can run in any host's
>> pugin slot (oops, time to upgrade Audiomulch?)
>>
>> I have tried this and found it working well. I managed to wire up a
>> "freeze reverb" in Bidule based on Bidule's Input Envelope Follow
>> function auto triggering the "Infinite button" of  the Eos reverb
>> plugin (in a crossfade way, so when I don't play anything the reverb
>> stays frozen... until I play the next sound). What I did was to open
>> the Bidule AU on a bus/aux track in Mainstage and then from inside the
>> AU open that Bidule Group. However I skipped this because the Eos
>> reverb plugin clicks too loud when changing state. (then I started
>> using SoundToys EchoBoy for freeze reverb and I like that one's analog
>> character better; it doesn't freeze totally, just enough to slow down
>> audio to an almost-still state).
>>
>> per
>>
>>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3054a073e3d08a0498758200
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I really need to check my mails before I hit send... heres the de-cryption.=
..<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 10:45 AM, mark=
 francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">=
mark@markfrancombe.com</a>&gt;</span> wrote:<br>

<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; b=
order-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Ha ha.. cool =
stuff Per, but therein your post you cleverly outline my distaste for softw=
are...<br>

not only do you suggest something I don&#39;t own and can&#39;t afford, but=
 will only work if I upgrade my (otherwise working completely OK) version o=
f another program!.. See how it works? <br>
Its the same with hardware of course, but somehow I hung on longer with eac=
h bit of gear, and whats more I could sell it when I was upgrading...<br><b=
r>But all DOES seem to point to Bidule, but I probably will switch from Aud=
ioMulch altogether, to use less bits...<br>


<br>but its strange that there doesn&#39;t seem to be a minimal midi arp ab=
out?<br><font color=3D"#888888"><br>Mark</font><div><div></div><div class=
=3D"h5"><br><br><br><br><br><br><div class=3D"gmail_quote">On Tue, Dec 28, =
2010 at 10:38 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboy=
sen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt;</span> wrote:<=
br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Tue, Dec =
28, 2010 at 10:23 AM, mark francombe &lt;<a href=3D"mailto:mark@markfrancom=
be.com" target=3D"_blank">mark@markfrancombe.com</a>&gt; wrote:<br>



&gt; Can one export from Bidule a VST type thingy, that isnt the whole Bidu=
le<br>
&gt; program, but just the bit you made...? (Like SynthEdit for Mac)<br>
<br>
</div>Yes. From Bidule you can export a complete session as a &quot;Group&q=
uot;. This<br>
group can then be imported as a module in another Bidule session. But<br>
what seems to match your needs here is that the Bidule AU plugin can<br>
also import such a Group. And the Bidule AU can run in any host&#39;s<br>
pugin slot (oops, time to upgrade Audiomulch?)<br>
<br>
I have tried this and found it working well. I managed to wire up a<br>
&quot;freeze reverb&quot; in Bidule based on Bidule&#39;s Input Envelope Fo=
llow<br>
function auto triggering the &quot;Infinite button&quot; of =A0the Eos reve=
rb<br>
plugin (in a crossfade way, so when I don&#39;t play anything the reverb<br=
>
stays frozen... until I play the next sound). What I did was to open<br>
the Bidule AU on a bus/aux track in Mainstage and then from inside the<br>
AU open that Bidule Group. However I skipped this because the Eos<br>
reverb plugin clicks too loud when changing state. (then I started<br>
using SoundToys EchoBoy for freeze reverb and I like that one&#39;s analog<=
br>
character better; it doesn&#39;t freeze totally, just enough to slow down<b=
r>
audio to an almost-still state).<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br><div=
><div></div><div class=3D"h5">mark francombe<br><a href=3D"http://www.markf=
rancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"htt=
p://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054a073e3d08a0498758200--

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Date: Tue, 28 Dec 2010 11:03:14 +0100
Message-ID: <AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Dec 28, 2010 at 10:45 AM, mark francombe <mark@markfrancombe.com> wrote:
>
> strange that there doesnt seem to be a minimal midi arp about?

Yes really. I was a big fan of the Oberheim Cyclone back in the pre
laptop days. It was a hardware MIDI arpeggiator that you connected
between a MIDI keyboard and a MIDI sound module... "instant Juno
Reactor" box, sort of. Very buggy though. Have been looking for a
software replacement for that gadget ever since... (maybe I will be
able to mock it up in Mainstage with the Numerology AU plugin one day,
it's Matrix Arpeggiator is comes as part of the AU as you open it -
I'm checking that out right now in Logic. The reaon I'm not setting
going this way - yet - with live arpeggio in my concert set up is that
it bogs down the CPU too much. I already put a heavy strain on the CPU
by playing hte Stick that needs two parallel inputs and effect chains.
You can't have it all.)

Actually, Bidule has a couple of arpeggiators! Not as good as the
stuff built into Alchemy or Atmosphere, but maybe someone at the
Bidule forum has built a good arpeggiator Group? (they built some good
step sequencers and an audio tail preservation Group on my request a
couple of years ago, Bidule stuff that I dearly miss today when
working in Mainstage)

Per

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Date: Tue, 28 Dec 2010 11:06:08 +0100
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Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
> Oberheim Cyclone back in the pre
> laptop days. It was a hardware MIDI arpeggiator that you connected
> between a MIDI keyboard and a MIDI sound module...

...but I used it with a MIDI guitar. Worked well when not fucking up.
But if the bugs took it out you still had the guitar's audio going,
and the synth as non-arepeggio sound source behind the guitar sound.

Per

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Subject: Re: low cpu midi appegiator
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that all swings it really dont it... have to dive into Bidule again.. wheres
the hot visa card..?

M

On Tue, Dec 28, 2010 at 11:06 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
> > Oberheim Cyclone back in the pre
> > laptop days. It was a hardware MIDI arpeggiator that you connected
> > between a MIDI keyboard and a MIDI sound module...
>
> ...but I used it with a MIDI guitar. Worked well when not fucking up.
> But if the bugs took it out you still had the guitar's audio going,
> and the synth as non-arepeggio sound source behind the guitar sound.
>
> Per
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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that all swings it really dont it... have to dive into Bidule again.. where=
s the hot visa card..?<br><br>M<br><br><div class=3D"gmail_quote">On Tue, D=
ec 28, 2010 at 11:06 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto=
:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen &lt;<a href=3D"mailto:perboys=
en@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>


&gt; Oberheim Cyclone back in the pre<br>
&gt; laptop days. It was a hardware MIDI arpeggiator that you connected<br>
&gt; between a MIDI keyboard and a MIDI sound module...<br>
<br>
</div>...but I used it with a MIDI guitar. Worked well when not fucking up.=
<br>
But if the bugs took it out you still had the guitar&#39;s audio going,<br>
and the synth as non-arepeggio sound source behind the guitar sound.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4cb708ec0498762825--

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Subject: Re: low cpu midi appegiator
References: <AANLkTinKtcWig3+Q2CLnzLK01p6=C474-+JWSt8zGf=f@mail.gmail.com> <240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com> <-6764800028453888708@unknownmsgid> <AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com> <AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com> <AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com> <AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com> <AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com> <AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com> <AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
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Wait a mo.....isn't there a reaktor ensemble midi arpeggiator you can use? M=
aybe someone in the user group could build you one and add it into the ensem=
ble you're already using?

Sent from my iPod

On 28 Dec 2010, at 10:45, mark francombe <mark@markfrancombe.com> wrote:

> that all swings it really dont it... have to dive into Bidule again.. wher=
es the hot visa card..?
>=20
> M
>=20
> On Tue, Dec 28, 2010 at 11:06 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
> > Oberheim Cyclone back in the pre
> > laptop days. It was a hardware MIDI arpeggiator that you connected
> > between a MIDI keyboard and a MIDI sound module...
>=20
> ...but I used it with a MIDI guitar. Worked well when not fucking up.
> But if the bugs took it out you still had the guitar's audio going,
> and the synth as non-arepeggio sound source behind the guitar sound.
>=20
> Per
>=20
>=20
>=20
>=20
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

--Apple-Mail-2--453461570
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<html><body bgcolor="#FFFFFF"><div>Wait a mo.....isn't there a reaktor ensemble midi arpeggiator you can use? Maybe someone in the user group could build you one and add it into the ensemble you're already using?<br><br>Sent from my iPod</div><div><br>On 28 Dec 2010, at 10:45, mark francombe &lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>that all swings it really dont it... have to dive into Bidule again.. wheres the hot visa card..?<br><br>M<br><br><div class="gmail_quote">On Tue, Dec 28, 2010 at 11:06 AM, Per Boysen <span dir="ltr">&lt;<a href="mailto:perboysen@gmail.com"><a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class="im">On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen &lt;<a href="mailto:perboysen@gmail.com"><a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt; wrote:<br>


&gt; Oberheim Cyclone back in the pre<br>
&gt; laptop days. It was a hardware MIDI arpeggiator that you connected<br>
&gt; between a MIDI keyboard and a MIDI sound module...<br>
<br>
</div>...but I used it with a MIDI guitar. Worked well when not fucking up.<br>
But if the bugs took it out you still had the guitar's audio going,<br>
and the synth as non-arepeggio sound source behind the guitar sound.<br>
<font color="#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear="all"><br>-- <br>mark francombe<br><a href="http://www.markfrancombe.com"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href="http://www.ordoabkhao.com"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>twitter @markfrancombe<br>

<a href="http://vimeo.com/user825094"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br><a href="http://www.looop.no"><a href="http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></body></html>
--Apple-Mail-2--453461570--

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Subject: Re: low cpu midi appegiator
References: <AANLkTinKtcWig3+Q2CLnzLK01p6=C474-+JWSt8zGf=f@mail.gmail.com> <240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com> <-6764800028453888708@unknownmsgid> <AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com> <AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com> <AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com> <AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com> <AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com> <AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com> <AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
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Yeah, look here Mark http://co.native-instruments.com/index.php?id=3Duserlib=
rary&type=3D0&ulbr=3D1&plview=3Ddetail&patchid=3D6229

Sent from my iPod

On 28 Dec 2010, at 10:45, mark francombe <mark@markfrancombe.com> wrote:

> that all swings it really dont it... have to dive into Bidule again.. wher=
es the hot visa card..?
>=20
> M
>=20
> On Tue, Dec 28, 2010 at 11:06 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen <perboysen@gmail.com> wrote:
> > Oberheim Cyclone back in the pre
> > laptop days. It was a hardware MIDI arpeggiator that you connected
> > between a MIDI keyboard and a MIDI sound module...
>=20
> ...but I used it with a MIDI guitar. Worked well when not fucking up.
> But if the bugs took it out you still had the guitar's audio going,
> and the synth as non-arepeggio sound source behind the guitar sound.
>=20
> Per
>=20
>=20
>=20
>=20
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

--Apple-Mail-3--453109755
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<html><body bgcolor="#FFFFFF"><div>Yeah, look here Mark&nbsp;<a href="http://co.native-instruments.com/index.php?id=userlibrary&amp;type=0&amp;ulbr=1&amp;plview=detail&amp;patchid=6229"><a href="http://co.native-instruments.com/index.php?id=userlibrary&amp;type=0&amp;ulbr=1&amp;plview=detail&amp;patchid=6229">http://co.native-instruments.com/index.php?id=userlibrary&amp;type=0&amp;ulbr=1&amp;plview=detail&amp;patchid=6229</a></a><br><br>Sent from my iPod</div><div><br>On 28 Dec 2010, at 10:45, mark francombe &lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>that all swings it really dont it... have to dive into Bidule again.. wheres the hot visa card..?<br><br>M<br><br><div class="gmail_quote">On Tue, Dec 28, 2010 at 11:06 AM, Per Boysen <span dir="ltr">&lt;<a href="mailto:perboysen@gmail.com"><a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class="im">On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen &lt;<a href="mailto:perboysen@gmail.com"><a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt; wrote:<br>


&gt; Oberheim Cyclone back in the pre<br>
&gt; laptop days. It was a hardware MIDI arpeggiator that you connected<br>
&gt; between a MIDI keyboard and a MIDI sound module...<br>
<br>
</div>...but I used it with a MIDI guitar. Worked well when not fucking up.<br>
But if the bugs took it out you still had the guitar's audio going,<br>
and the synth as non-arepeggio sound source behind the guitar sound.<br>
<font color="#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear="all"><br>-- <br>mark francombe<br><a href="http://www.markfrancombe.com"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href="http://www.ordoabkhao.com"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>twitter @markfrancombe<br>

<a href="http://vimeo.com/user825094"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br><a href="http://www.looop.no"><a href="http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></body></html>
--Apple-Mail-3--453109755--

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	<AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
Date: Tue, 28 Dec 2010 12:30:13 +0100
Message-ID: <AANLkTikMbiBQ3-1JfJ=JOKhLo0wTpbKmreLrBM=OiNPW@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Dec 28, 2010 at 11:45 AM, mark francombe <mark@markfrancombe.com> wrote:
> have to dive into Bidule again..


I feel obliged to confess that when I have experimented with
arpegiators in Bidule (and other hosts) the most stable and least CPU
demanding solutions so far has been to not use an apreggiator that
sends MIDI into a virtual instrument but to use a MIDI instrument with
its own built-in arpeggiator. The two arpy synth plugins I own are
Albino 3 and Alchemy. They both have worked fine for me for driving
their arpeggio patches from a MIDI guitar or EWI playing chords by the
sustain pedal trick. But I'm not finding it stable enough to do live
and I also think it is too much for me to mentally keep track of when
improvising music on the fly. I would probably use arpeggiators more
if I should play a more pre composed music and had a stronger
computer. I love the sound of arping synths, but to really use it
optially I want to instantly sculpt fitler cut-off, attack and release
values as the patterns are pounding and one laptop doesn't seem
powerful enough for that if working with virtual instruments plus
audio in the box.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 11:42:54 2010
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Date: Tue, 28 Dec 2010 12:42:51 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: So, what new gear did Santa bring you?
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Here's what I would've asked Santa to find:

A transformer for my Oberheim Matrix 1000 which doesn't hum.

Secondary side 2x12 and 2x18V, total power of the device is rated with 
20W, mounts to a flange about 3x5cm and must be no more than 1HU high. 
Anyone knows of such a thing?

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 12:04:47 2010
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Date: Tue, 28 Dec 2010 13:04:46 +0100
Message-ID: <AANLkTi=hH_qXGJTddQKfaG4gYmtbPyZ70uJU2uME7M+i@mail.gmail.com>
Subject: Re: Numerology 3...
From: Per Boysen <perboysen@gmail.com>
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Please accept my apologize for posting incorrect information! I wasn't
fully updated. These news on Numerolgy 3 are awesome IMHO! We now
really can use the AU plugin inside a DAW host to generate patterns
driven by different sequencer modules for Note Pitch, Note Gate and
Velocity.

I think this kind of poly rhythm is great fun - both in live
sequencing and when playing real physical instrument. Example:
Playing a melody of four beats while letting the downbeat accent loop
on three beats. A third loop is "heard" within the texture as the
attack accent wanders through the melodic pattern.

Per



On Mon, Dec 27, 2010 at 12:14 AM, Fink, Jason E. <JFink@cabq.gov> wrote:
> [developer barging in]
>
> Actually this not the case, both the SE and Pro versions of the
> Numerology AU allow you to setup discrete sequencing chains --
> The AU hosts all modules that the app does except for AU plugins. This
> bit of confusion is all my own doing: =C2=A0I originally stated (on five1=
2.net) that the SE
> version of the Numerology plugin would not allow access to the module rou=
ting
> panel -- something that is necessary to setup the "discrete sequencing"
> stuff. =C2=A0However, I found that workflow to be too much of a disconnec=
t from
> the app version, so that limitation does not exist in the shipping plugin=
.
>
> [/developer barging in]
>
> BTW: Hi to everyone on the list!

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Date: Tue, 28 Dec 2010 13:08:23 +0100
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Subject: Re: So, what new gear did Santa bring you?
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 28, 2010 at 12:42 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> A transformer for my Oberheim Matrix 1000 which doesn't hum

Rainer, I too have one of those modules. Isn't it a great synth! Mine
runs on direct 210 v standard power though. But its volume pot is
crackling so when using it I need to wiggle that pot to find a non
crackling state and record it ASAP.

Per

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 12:35:17 2010
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Per Boysen schrieb:
> Rainer, I too have one of those modules. Isn't it a great synth! Mine
> runs on direct 210 v standard power though. But its volume pot is
> crackling so when using it I need to wiggle that pot to find a non
> crackling state and record it ASAP
Mine does also run on standard power - I'm talking about its built-in 
transformer. The power path goes:
Connector
voltage selector + EMC capacitors
transfomer
main board (including rectifier)

Now the transformer here is the culprit, as discussions in some web 
forums (e.g. gearslutz) show - it seems that it's a problem with that 
specific device in combination with the installation. So a different 
transformer would be cool.

But apart from that, a wonderful synth, yes. It's fun to look at the 
development of Oberheim's Matrix family - which obviously was influenced 
by the swing towards digital synthesis, and hence the need for Oberheim 
to offer affordable offshoots of their big guns (i.e. Matrix 12 -> 
Xpander -> Matrix 6 -> Matrix 1000).

I've always been interested in synths with complex modulation routing 
possibilities (which, at that time, neither the digital nor the 
non-modular analog synths could do), and the Matrix really shines in 
that domain. Plus, it's got the "Oberheim Sound" (and as it's Oberheim, 
it is possibly even mildly on-topic here ;).

Btw, the issue with the volume pot should be an easy one to fix: the 
synth is openend by removing a total of nine Philips screws (3 each 
left, right and back), and then you got access to the thing - so it 
should be easy to determine the type of pot installed (it's not soldered 
to the mainboard if I remember correctly, rather attached with wires), 
get a generic replacement part and off you go.

It's harder with the transformer, because the replacement part is not 
generic...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 13:24:34 2010
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Date: Tue, 28 Dec 2010 08:24:31 -0500 (EST)
From: EDWARD                    YUHAS  <ejyuhas@embarqmail.com>
To: William Walker <billwalker@baymoon.com>
Cc: Loopers-Delight@loopers-delight.com
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Wow! This will be a very cool instrument!!

I've always appreciated the lap steel, especially when employed as a droning and ambient pad tool such as Robert Rich uses it for. Saw him play this year and he just set his eBow on it and away he went! On the opposite end of the spectrum, Mr. David Lindley is a fine player, too...

Can't wait to hear what you create with this! Post pics when you can...

Edward


----- Original Message -----
From: "William Walker" <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
Sent: Monday, December 27, 2010 1:08:30 PM
Subject: Re: So, what new gear did Santa bring you?

I hardly ever get new gear for Christmas, I don't expect my wife to  
know what I want and besides she already knows that if its musical,  
I'll get it myself. She gets me cloths which I really appreciate.   
What I am doing for myself is I'm having Mando Man, (who in addition  
to being a really fine musician is a world class luthier,) build me a  
new lap steel. This lap steel will have a duesenberg multi bender  
bridge on it courtesy of the awesome Leander Reininghaus who sent me  
the bridge from Germany. Thanks again Leander , you Rock!!!!  The  
instrument will be made of some amazing quilted japanese ash with a  
curly maple top and an ebony fingerboard. Though I've always been  
intrigued with the pedal steel guitar, its size, expense, and weight  
have always kept me from taking the plunge. The Multibender bridge  
will give me three string pull options in a light weight and portable  
package. I'm very excited about this new instrument and will be  
mailing the parts to him today.
Bill

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Yes I love arps too.. and I do use them live to an extent...

Currently I only have the DEEP FREQ packaged for the Kore player.. and all
the free players , reactor Kontact (thi my lovely wife has bought me Kontakt
4 for christmas - thats for my pre composed "score" music).

The arpy patches within Deep Freq of the various Kore freebies are exactly
right for my uses, I want just simple and synchable arpegiators, that DO
come before maybe 2 synths so I can send the arp infor generater from my
ozone keyboard to 2 places, and the arp itself can make the variations that
means that not both synth get all notes.

On my modular synth (Yes it always originates from ideasa I come up with
while sitting crosslegged with a heap of wires on my lap) is to simply send
high notes to one synth and low notes to another, BUT then of course both
can be transposed back up or down... theres probably clever clever ways
using CCs pgms and midi channels, but I like the simple approach.

the problem with what Im using now, is that its straight out of the box, I
want to construct the sounds themselves and design the arpeggio myself to...


heres the Kore player arp in action on a bell sound during my first
improvisation of my new band (hence the rehearsal room sound.. its a
rehearsal room... jump into the middle somewhere for the arp)

http://soundcloud.com/markjens/13122010b_m

Mark

On Tue, Dec 28, 2010 at 12:30 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 28, 2010 at 11:45 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > have to dive into Bidule again..
>
>
> I feel obliged to confess that when I have experimented with
> arpegiators in Bidule (and other hosts) the most stable and least CPU
> demanding solutions so far has been to not use an apreggiator that
> sends MIDI into a virtual instrument but to use a MIDI instrument with
> its own built-in arpeggiator. The two arpy synth plugins I own are
> Albino 3 and Alchemy. They both have worked fine for me for driving
> their arpeggio patches from a MIDI guitar or EWI playing chords by the
> sustain pedal trick. But I'm not finding it stable enough to do live
> and I also think it is too much for me to mentally keep track of when
> improvising music on the fly. I would probably use arpeggiators more
> if I should play a more pre composed music and had a stronger
> computer. I love the sound of arping synths, but to really use it
> optially I want to instantly sculpt fitler cut-off, attack and release
> values as the patterns are pounding and one laptop doesn't seem
> powerful enough for that if working with virtual instruments plus
> audio in the box.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3054a0739f2ea404987908c6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Yes I love arps too.. and I do use them live to an extent...<br><br>Current=
ly I only have the DEEP FREQ packaged for the Kore player.. and all the fre=
e players , reactor Kontact (thi my lovely wife has bought me Kontakt 4 for=
 christmas - thats for my pre composed &quot;score&quot; music).<br>

<br>The arpy patches within Deep Freq of the various Kore freebies are exac=
tly right for my uses, I want just simple and synchable arpegiators, that D=
O come before maybe 2 synths so I can send the arp infor generater from my =
ozone keyboard to 2 places, and the arp itself can make the variations that=
 means that not both synth get all notes.<br>

<br>On my modular synth (Yes it always originates from ideasa I come up wit=
h while sitting crosslegged with a heap of wires on my lap) is to simply se=
nd high notes to one synth and low notes to another, BUT then of course bot=
h can be transposed back up or down... theres probably clever clever ways u=
sing CCs pgms and midi channels, but I like the simple approach.<br>

<br>the problem with what Im using now, is that its straight out of the box=
, I want to construct the sounds themselves and design the arpeggio myself =
to... <br><br>heres the Kore player arp in action on a bell sound during my=
 first improvisation of my new band (hence the rehearsal room sound.. its a=
 rehearsal room... jump into the middle somewhere for the arp)<br>

<br><a href=3D"http://soundcloud.com/markjens/13122010b_m">http://soundclou=
d.com/markjens/13122010b_m</a><br><br>Mark<br><br><div class=3D"gmail_quote=
">On Tue, Dec 28, 2010 at 12:30 PM, Per Boysen <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<=
br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Tue, Dec 28, 2010 at 11:45 AM, mark francombe &lt;<a href=3D"mailto:mar=
k@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>


&gt; have to dive into Bidule again..<br>
<br>
<br>
</div>I feel obliged to confess that when I have experimented with<br>
arpegiators in Bidule (and other hosts) the most stable and least CPU<br>
demanding solutions so far has been to not use an apreggiator that<br>
sends MIDI into a virtual instrument but to use a MIDI instrument with<br>
its own built-in arpeggiator. The two arpy synth plugins I own are<br>
Albino 3 and Alchemy. They both have worked fine for me for driving<br>
their arpeggio patches from a MIDI guitar or EWI playing chords by the<br>
sustain pedal trick. But I&#39;m not finding it stable enough to do live<br=
>
and I also think it is too much for me to mentally keep track of when<br>
improvising music on the fly. I would probably use arpeggiators more<br>
if I should play a more pre composed music and had a stronger<br>
computer. I love the sound of arping synths, but to really use it<br>
optially I want to instantly sculpt fitler cut-off, attack and release<br>
values as the patterns are pounding and one laptop doesn&#39;t seem<br>
powerful enough for that if working with virtual instruments plus<br>
audio in the box.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054a0739f2ea404987908c6--

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Date: Tue, 28 Dec 2010 16:42:39 +0100
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Dustbunnies schrieb:
> On 12/27/10 11:18 AM, "Grant" <grantmepeace@mindspring.com> wrote:
>   
>> OK, fess up! What did you get yourself, er I mean, what did Santa bring you
>> this year?
No fancy electronic gadgetry for me:
http://twitpic.com/3kk4py

New melodica (to add to the vintage Hohner Piano 36 Professional I 
already have) and nose flute!

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Tue, 28 Dec 2010 08:14:50 -0800 (PST)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: RE: So, what new gear did Santa bring you?
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Sounds like a bunch of spoiled kids with a lot of money to spend/burn! :)
=A0
Did anyone do anything to HELP someone in need this Christmas?

--- On Mon, 12/27/10, Grant <grantmepeace@mindspring.com> wrote:


From: Grant <grantmepeace@mindspring.com>
Subject: RE: So, what new gear did Santa bring you?
To: Loopers-Delight@loopers-delight.com
Date: Monday, December 27, 2010, 8:01 PM


Congratulations all around! Seems like everybody was on the "nice" list!
Nothing like a warm fire and cool new gear to play with, eh?

I don't have any new gear to brag about this year but I still feel
"inspired" by the love and companionship of friends and family.

Best to all for a fantastic 2011!

G

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Sounds like a bunch of spoiled kids with=
 a lot of money to spend/burn! :)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Did anyone do anything to HELP someone in need this Christmas?<BR><BR>=
--- On <B>Mon, 12/27/10, Grant <I>&lt;grantmepeace@mindspring.com&gt;</I></=
B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Grant &lt;grantmepeace@mindspring.com&gt;<B=
R>Subject: RE: So, what new gear did Santa bring you?<BR>To: Loopers-Deligh=
t@loopers-delight.com<BR>Date: Monday, December 27, 2010, 8:01 PM<BR><BR>
<DIV class=3DplainMail>Congratulations all around! Seems like everybody was=
 on the "nice" list!<BR>Nothing like a warm fire and cool new gear to play =
with, eh?<BR><BR>I don't have any new gear to brag about this year but I st=
ill feel<BR>"inspired" by the love and companionship of friends and family.=
<BR><BR>Best to all for a fantastic 2011!<BR><BR>G<BR><BR></DIV></BLOCKQUOT=
E></td></tr></table><br>=0A=0A      
--0-932370365-1293552890=:9274--

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>
> Did anyone do anything to HELP someone in need this Christmas?
>
>

Sure did. :)



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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div><br></div><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style="position: static; z-index: auto; "><tbody><tr><td valign="top" style="font: inherit;"> <div>&nbsp;</div> <div>Did anyone do anything to HELP someone in need this Christmas?<br><br><br></div></td></tr></tbody></table></blockquote><div><br></div><div>Sure did. :)</div><div><br></div><div><br></div></div></body></html>
--Apple-Mail-6--434012250--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 16:55:03 2010
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Subject: Re: So, what new gear did Santa bring you?
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?Yeah, o Sanctimonious One.  I gave some worthy charities some good =
cash.  How about you?

From: Elmer Fuddski=20
Sent: Tuesday, December 28, 2010 4:14 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: RE: So, what new gear did Santa bring you?

      Sounds like a bunch of spoiled kids with a lot of money to =
spend/burn! :)

      Did anyone do anything to HELP someone in need this Christmas?

      --- On Mon, 12/27/10, Grant <grantmepeace@mindspring.com> wrote:


        From: Grant <grantmepeace@mindspring.com>
        Subject: RE: So, what new gear did Santa bring you?
        To: Loopers-Delight@loopers-delight.com
        Date: Monday, December 27, 2010, 8:01 PM


        Congratulations all around! Seems like everybody was on the =
"nice" list!
        Nothing like a warm fire and cool new gear to play with, eh?

        I don't have any new gear to brag about this year but I still =
feel
        "inspired" by the love and companionship of friends and family.

        Best to all for a fantastic 2011!

        G

    =20


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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Yeah, o Sanctimonious One.&nbsp; I gave some worthy charities some =
good=20
cash.&nbsp; How about you?</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Djakebrakesrule@yahoo.com=20
href=3D"mailto:jakebrakesrule@yahoo.com">Elmer Fuddski</A> </DIV>
<DIV><B>Sent:</B> Tuesday, December 28, 2010 4:14 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> RE: So, what new gear did Santa bring=20
you?</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<TABLE style=3D"COLOR: #000000" border=3D0 cellSpacing=3D0 =
cellPadding=3D0>
  <TBODY>
  <TR>
    <TD vAlign=3Dtop>
      <DIV>Sounds like a bunch of spoiled kids with a lot of money to=20
      spend/burn! :)</DIV>
      <DIV>&nbsp;</DIV>
      <DIV>Did anyone do anything to HELP someone in need this=20
      Christmas?<BR><BR>--- On <B>Mon, 12/27/10, Grant=20
      <I>&lt;grantmepeace@mindspring.com&gt;</I></B> wrote:<BR></DIV>
      <BLOCKQUOTE=20
      style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; =
MARGIN-LEFT: 5px"><BR>From:=20
        Grant &lt;grantmepeace@mindspring.com&gt;<BR>Subject: RE: So, =
what new=20
        gear did Santa bring you?<BR>To:=20
        Loopers-Delight@loopers-delight.com<BR>Date: Monday, December =
27, 2010,=20
        8:01 PM<BR><BR>
        <DIV class=3DplainMail>Congratulations all around! Seems like =
everybody=20
        was on the "nice" list!<BR>Nothing like a warm fire and cool new =
gear to=20
        play with, eh?<BR><BR>I don't have any new gear to brag about =
this year=20
        but I still feel<BR>"inspired" by the love and companionship of =
friends=20
        and family.<BR><BR>Best to all for a fantastic=20
        =
2011!<BR><BR>G<BR><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><BR></=
DIV></DIV></DIV></BODY></HTML>

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Thanks Simeon,

Forgive my ignorance, but can I use this, I dont have the full version of
Reactor, only the player (which incidentely gives me quite a few things to
play with.. the new micro prism synth for example this xmas, was totally
free...)

Can I still use this with the player? If so where should I save it to? Its
an,, ensemble? right? can I just make a folder somewhere..?

mark



On Tue, Dec 28, 2010 at 12:03 PM, Gmail <simeonharris40@googlemail.com>wrote:

> Yeah, look here Mark <http://co.native-instruments.com/index.php?id=userlibrary&type=0&ulbr=1&plview=detail&patchid=6229>
> http://co.native-instruments.com/index.php?id=userlibrary&type=0&ulbr=1&plview=detail&patchid=6229
>
> Sent from my iPod
>
> On 28 Dec 2010, at 10:45, mark francombe <mark@markfrancombe.com> wrote:
>
> that all swings it really dont it... have to dive into Bidule again..
> wheres the hot visa card..?
>
> M
>
> On Tue, Dec 28, 2010 at 11:06 AM, Per Boysen < <perboysen@gmail.com>
> perboysen@gmail.com> wrote:
>
>> On Tue, Dec 28, 2010 at 11:03 AM, Per Boysen < <perboysen@gmail.com>
>> perboysen@gmail.com> wrote:
>> > Oberheim Cyclone back in the pre
>> > laptop days. It was a hardware MIDI arpeggiator that you connected
>> > between a MIDI keyboard and a MIDI sound module...
>>
>> ...but I used it with a MIDI guitar. Worked well when not fucking up.
>> But if the bugs took it out you still had the guitar's audio going,
>> and the synth as non-arepeggio sound source behind the guitar sound.
>>
>> Per
>>
>>
>
>
> --
> mark francombe
> <http://www.markfrancombe.com>www.markfrancombe.com
> <http://www.ordoabkhao.com>www.ordoabkhao.com
> twitter @markfrancombe
>  <http://vimeo.com/user825094>http://vimeo.com/user825094
> <http://www.looop.no>http://www.looop.no
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83e630dfac04987c5fb8
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Thanks Simeon,<br><br>Forgive my ignorance, but can I use this, I dont have=
 the full version of Reactor, only the player (which incidentely gives me q=
uite a few things to play with.. the new micro prism synth for example this=
 xmas, was totally free...)<br>

<br>Can I still use this with the player? If so where should I save it to? =
Its an,, ensemble? right? can I just make a folder somewhere..?<br><br>mark=
<br><br><br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 12:03 PM=
, Gmail <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.c=
om">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div bgcolor=3D"#=
FFFFFF"><div>Yeah, look here Mark=A0<a href=3D"http://co.native-instruments=
.com/index.php?id=3Duserlibrary&amp;type=3D0&amp;ulbr=3D1&amp;plview=3Ddeta=
il&amp;patchid=3D6229" target=3D"_blank"></a><a href=3D"http://co.native-in=
struments.com/index.php?id=3Duserlibrary&amp;type=3D0&amp;ulbr=3D1&amp;plvi=
ew=3Ddetail&amp;patchid=3D6229" target=3D"_blank">http://co.native-instrume=
nts.com/index.php?id=3Duserlibrary&amp;type=3D0&amp;ulbr=3D1&amp;plview=3Dd=
etail&amp;patchid=3D6229</a><br>

<br>Sent from my iPod</div><div><div></div><div class=3D"h5"><div><br>On 28=
 Dec 2010, at 10:45, mark francombe &lt;<a href=3D"mailto:mark@markfrancomb=
e.com" target=3D"_blank">mark@markfrancombe.com</a>&gt; wrote:<br><br></div=
>
<div>
</div><blockquote type=3D"cite"><div>that all swings it really dont it... h=
ave to dive into Bidule again.. wheres the hot visa card..?<br><br>M<br><br=
><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 11:06 AM, Per Boysen <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_blank=
"></a><a href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gm=
ail.com</a>&gt;</span> wrote:<br>



<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Tue, Dec =
28, 2010 at 11:03 AM, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com"=
 target=3D"_blank"></a><a href=3D"mailto:perboysen@gmail.com" target=3D"_bl=
ank">perboysen@gmail.com</a>&gt; wrote:<br>




&gt; Oberheim Cyclone back in the pre<br>
&gt; laptop days. It was a hardware MIDI arpeggiator that you connected<br>
&gt; between a MIDI keyboard and a MIDI sound module...<br>
<br>
</div>...but I used it with a MIDI guitar. Worked well when not fucking up.=
<br>
But if the bugs took it out you still had the guitar&#39;s audio going,<br>
and the synth as non-arepeggio sound source behind the guitar sound.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com" target=3D"_blank"></a><a href=3D=
"http://www.markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><=
br><a href=3D"http://www.ordoabkhao.com" target=3D"_blank"></a><a href=3D"h=
ttp://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank"></a><a href=3D"ht=
tp://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825094</a=
><br><a href=3D"http://www.looop.no" target=3D"_blank"></a><a href=3D"http:=
//www.looop.no" target=3D"_blank">http://www.looop.no</a><br>


</div></blockquote></div></div></div></blockquote></div><br><br clear=3D"al=
l"><br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">ww=
w.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoab=
khao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--90e6ba6e83e630dfac04987c5fb8--

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Date: Tue, 28 Dec 2010 18:25:48 +0000
Message-ID: <AANLkTikk2iZ2WLXEnRTOumMHYsokkrjF9iqkv+zmJZBk@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001517511abcef49bc04987c948f
Content-Type: text/plain; charset=ISO-8859-1

ahh no, i didn't realise you had the player (i didn't know it existed until
just now). you'll need the full version to load the ensemble, sorry

sim

On Tue, Dec 28, 2010 at 6:10 PM, mark francombe <mark@markfrancombe.com>wrote:

> Thanks Simeon,
>
> Forgive my ignorance, but can I use this, I dont have the full version of
> Reactor, only the player (which incidentely gives me quite a few things to
> play with.. the new micro prism synth for example this xmas, was totally
> free...)
>
> Can I still use this with the player? If so where should I save it to? Its
> an,, ensemble? right? can I just make a folder somewhere..?
>
> mark
>
>
>

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ahh no, i didn&#39;t realise you had the player (i didn&#39;t know it exist=
ed until just now). you&#39;ll need the full version to load the ensemble, =
sorry<br><br>sim<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at =
6:10 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfr=
ancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Thanks Simeon,<br=
><br>Forgive my ignorance, but can I use this, I dont have the full version=
 of Reactor, only the player (which incidentely gives me quite a few things=
 to play with.. the new micro prism synth for example this xmas, was totall=
y free...)<br>


<br>Can I still use this with the player? If so where should I save it to? =
Its an,, ensemble? right? can I just make a folder somewhere..?<br><font co=
lor=3D"#888888"><br>mark</font><div><div></div><div class=3D"h5"><br><br></=
div>
</div></blockquote></div>

--001517511abcef49bc04987c948f--

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Subject: Re: low cpu midi appegiator
Date: Tue, 28 Dec 2010 10:55:06 -0800
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Too bad! Or you could being using this:
http://heavensonearth.com/Godel/

dpc


On Dec 28, 2010, at 10:10 AM, mark francombe wrote:

> I dont have the full version of Reactor

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--90e6ba6e8a4c30a53904987d2d11
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 David Coffin <dpcoffin@earthlink.net> wrote:
Too bad! Or you could being using this:
http://heavensonearth.com/Godel/

Holy Shit that things Ugly! Mind you it does look pretty full of features...
Im afraid too complex for my needs...

An Arprgiator and Arpegiator... my kingdom for an arpegiator!

While I'm here, and still on topic for a change... and hovering over the buy
button for Bidule;

Can answer my previous question?

If one constructs something in Bidule, can one.. kinda burn it as an app,
(vst for example) and distribute it, like one can with SynthEdit stuff? Or
will it be something only other Bidule users can use, and will its view in
Mulch appear like a nice tiny app with a few buttons and sliders, or will
the WHOLE GODDAM Bidule interface pop into the window?

Mark


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a4c30a53904987d2d11
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 David Coffin <span dir=3D"ltr">&lt;<a href=3D"mailto:dpcoffin@earthlink.ne=
t">dpcoffin@earthlink.net</a>&gt;</span> wrote:<br>Too bad! Or you could be=
ing using this:<br>
<a href=3D"http://heavensonearth.com/Godel/" target=3D"_blank">http://heave=
nsonearth.com/Godel/</a><br><br>Holy Shit that things Ugly! Mind you it doe=
s look pretty full of features... Im afraid too complex for my needs... <br=
>

<br>An Arprgiator and Arpegiator... my kingdom for an arpegiator!<br><br>Wh=
ile I&#39;m here, and still on topic for a change... and hovering over the =
buy button for Bidule; <br><br>Can answer my previous question? <br><br>

If one constructs something in Bidule, can one.. kinda burn it as an app, (=
vst for example) and distribute it, like one can with SynthEdit stuff? Or w=
ill it be something only other Bidule users can use, and will its view in M=
ulch appear like a nice tiny app with a few buttons and sliders, or will th=
e WHOLE GODDAM Bidule interface pop into the window?<br>

<br>Mark<br><br><br>-- <br>mark francombe<br><a href=3D"http://www.markfran=
combe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.co=
m">www.ordoabkhao.com</a><br>twitter @markfrancombe<br><a href=3D"http://vi=
meo.com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4c30a53904987d2d11--

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Subject: Re: low cpu midi appegiator
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--001517511abc96a4ad04987d4b17
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to my knowledge, one cannot create a "VST" type plugin by "exporting" bidule
groups. they can only be used by other bidule users.

you could of course host the plugin version of bidule inside audiomulch, but
that seems a bit mad

i'm sure you could find exactly what you're looking for, if you were
prepared to shell out a few quid. i know you wanted something free, but as
we all know, the best things in life sometimes aren't - true
love...delicious pizza....and apparently....midi arpeggiators

sim

On Tue, Dec 28, 2010 at 7:08 PM, mark francombe <mark@markfrancombe.com>wrote:

> David Coffin <dpcoffin@earthlink.net> wrote:
> Too bad! Or you could being using this:
> http://heavensonearth.com/Godel/
>
> Holy Shit that things Ugly! Mind you it does look pretty full of
> features... Im afraid too complex for my needs...
>
> An Arprgiator and Arpegiator... my kingdom for an arpegiator!
>
> While I'm here, and still on topic for a change... and hovering over the
> buy button for Bidule;
>
> Can answer my previous question?
>
> If one constructs something in Bidule, can one.. kinda burn it as an app,
> (vst for example) and distribute it, like one can with SynthEdit stuff? Or
> will it be something only other Bidule users can use, and will its view in
> Mulch appear like a nice tiny app with a few buttons and sliders, or will
> the WHOLE GODDAM Bidule interface pop into the window?
>
> Mark
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--001517511abc96a4ad04987d4b17
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

to my knowledge, one cannot create a &quot;VST&quot; type plugin by &quot;e=
xporting&quot; bidule groups. they can only be used by other bidule users.<=
br><br>you could of course host the plugin version of bidule inside audiomu=
lch, but that seems a bit mad<br>
<br>i&#39;m sure you could find exactly what you&#39;re looking for, if you=
 were prepared to shell out a few quid. i know you wanted something free, b=
ut as we all know, the best things in life sometimes aren&#39;t - true love=
...delicious pizza....and apparently....midi arpeggiators<br>
<br>sim <br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 7:08 PM,=
 mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.=
com">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(=
204, 204, 204); padding-left: 1ex;">
<div class=3D"im"> David Coffin <span dir=3D"ltr">&lt;<a href=3D"mailto:dpc=
offin@earthlink.net" target=3D"_blank">dpcoffin@earthlink.net</a>&gt;</span=
> wrote:<br>Too bad! Or you could being using this:<br>
<a href=3D"http://heavensonearth.com/Godel/" target=3D"_blank">http://heave=
nsonearth.com/Godel/</a><br><br></div>Holy Shit that things Ugly! Mind you =
it does look pretty full of features... Im afraid too complex for my needs.=
.. <br>


<br>An Arprgiator and Arpegiator... my kingdom for an arpegiator!<br><br>Wh=
ile I&#39;m here, and still on topic for a change... and hovering over the =
buy button for Bidule; <br><br>Can answer my previous question? <br><br>


If one constructs something in Bidule, can one.. kinda burn it as an app, (=
vst for example) and distribute it, like one can with SynthEdit stuff? Or w=
ill it be something only other Bidule users can use, and will its view in M=
ulch appear like a nice tiny app with a few buttons and sliders, or will th=
e WHOLE GODDAM Bidule interface pop into the window?<br>
<font color=3D"#888888">

<br>Mark</font><div><div></div><div class=3D"h5"><br><br><br>-- <br>mark fr=
ancombe<br><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.m=
arkfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" target=3D"_bl=
ank">www.ordoabkhao.com</a><br>
twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" target=3D=
"_blank">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><b=
r>
</div></div></blockquote></div><br>

--001517511abc96a4ad04987d4b17--

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Subject: Re: low cpu midi appegiator
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Ah OK.. thanks Simeon.. Well if I had a perfect solution I might pay...
nothing I have seen is quite like I see in my head.. which does point to
Bidule, and me scrapping Audio Mulch as my host.. I dont REALLY want to do
that, as Mulch is something I dont have to learn a) cos I know it m and B)
cos its easy peasy pudding and pie!

...and everyone is absolutely sure that theres no Mac equivalent to Synth
Edit? That was really a wonderful program, and when I was PC, I built up
everything I needed for use in Mulch.. my god if I could be using those
plugins I made back then now.. but unfortunately they are all dlls!

Mark

On Tue, Dec 28, 2010 at 8:16 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> to my knowledge, one cannot create a "VST" type plugin by "exporting"
> bidule groups. they can only be used by other bidule users.
>
> you could of course host the plugin version of bidule inside audiomulch,
> but that seems a bit mad
>
> i'm sure you could find exactly what you're looking for, if you were
> prepared to shell out a few quid. i know you wanted something free, but as
> we all know, the best things in life sometimes aren't - true
> love...delicious pizza....and apparently....midi arpeggiators
>
> sim
>
> --
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83e6e912b904987d6005
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ah OK.. thanks Simeon.. Well if I had a perfect solution I might pay... not=
hing I have seen is quite like I see in my head.. which does point to Bidul=
e, and me scrapping Audio Mulch as my host.. I dont REALLY want to do that,=
 as Mulch is something I dont have to learn a) cos I know it m and B) cos i=
ts easy peasy pudding and pie!<br>

<br>...and everyone is absolutely sure that theres no Mac equivalent to Syn=
th Edit? That was really a wonderful program, and when I was PC, I built up=
 everything I needed for use in Mulch.. my god if I could be using those pl=
ugins I made back then now.. but unfortunately they are all dlls! <br>

<br>Mark<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 8:16 PM,=
 Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googl=
email.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">

to my knowledge, one cannot create a &quot;VST&quot; type plugin by &quot;e=
xporting&quot; bidule groups. they can only be used by other bidule users.<=
br><br>you could of course host the plugin version of bidule inside audiomu=
lch, but that seems a bit mad<br>


<br>i&#39;m sure you could find exactly what you&#39;re looking for, if you=
 were prepared to shell out a few quid. i know you wanted something free, b=
ut as we all know, the best things in life sometimes aren&#39;t - true love=
...delicious pizza....and apparently....midi arpeggiators<br>


<br>sim <br><div><div></div><br></div></blockquote></div>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83e6e912b904987d6005--

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Date: Tue, 28 Dec 2010 14:26:24 -0500
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Subject: Re: low cpu midi appegiator
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151749f6a2a0fd6e04987d6da1
Content-Type: text/plain; charset=ISO-8859-1

Try...

http://sonicbirth.sourceforge.net/

for Mac.

On Tue, Dec 28, 2010 at 2:22 PM, mark francombe <mark@markfrancombe.com>wrote:

> Ah OK.. thanks Simeon.. Well if I had a perfect solution I might pay...
> nothing I have seen is quite like I see in my head.. which does point to
> Bidule, and me scrapping Audio Mulch as my host.. I dont REALLY want to do
> that, as Mulch is something I dont have to learn a) cos I know it m and B)
> cos its easy peasy pudding and pie!
>
> ...and everyone is absolutely sure that theres no Mac equivalent to Synth
> Edit? That was really a wonderful program, and when I was PC, I built up
> everything I needed for use in Mulch.. my god if I could be using those
> plugins I made back then now.. but unfortunately they are all dlls!
>
> Mark
>
>
> On Tue, Dec 28, 2010 at 8:16 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> to my knowledge, one cannot create a "VST" type plugin by "exporting"
>> bidule groups. they can only be used by other bidule users.
>>
>> you could of course host the plugin version of bidule inside audiomulch,
>> but that seems a bit mad
>>
>> i'm sure you could find exactly what you're looking for, if you were
>> prepared to shell out a few quid. i know you wanted something free, but as
>> we all know, the best things in life sometimes aren't - true
>> love...delicious pizza....and apparently....midi arpeggiators
>>
>> sim
>>
>> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>



-- 
-==-=-=-
Tony

--00151749f6a2a0fd6e04987d6da1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Try...<br><br><a href=3D"http://sonicbirth.sourceforge.net/">http://sonicbi=
rth.sourceforge.net/</a><br><br>for Mac.<br><br><div class=3D"gmail_quote">=
On Tue, Dec 28, 2010 at 2:22 PM, mark francombe <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Ah OK.. thanks Simeon.. Well if I had a per=
fect solution I might pay... nothing I have seen is quite like I see in my =
head.. which does point to Bidule, and me scrapping Audio Mulch as my host.=
. I dont REALLY want to do that, as Mulch is something I dont have to learn=
 a) cos I know it m and B) cos its easy peasy pudding and pie!<br>


<br>...and everyone is absolutely sure that theres no Mac equivalent to Syn=
th Edit? That was really a wonderful program, and when I was PC, I built up=
 everything I needed for use in Mulch.. my god if I could be using those pl=
ugins I made back then now.. but unfortunately they are all dlls! <br>
<font color=3D"#888888">

<br>Mark</font><div class=3D"im"><br><br><div class=3D"gmail_quote">On Tue,=
 Dec 28, 2010 at 8:16 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:simeonharris40@googlemail.com" target=3D"_blank">simeonharris40@google=
mail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex">

to my knowledge, one cannot create a &quot;VST&quot; type plugin by &quot;e=
xporting&quot; bidule groups. they can only be used by other bidule users.<=
br><br>you could of course host the plugin version of bidule inside audiomu=
lch, but that seems a bit mad<br>



<br>i&#39;m sure you could find exactly what you&#39;re looking for, if you=
 were prepared to shell out a few quid. i know you wanted something free, b=
ut as we all know, the best things in life sometimes aren&#39;t - true love=
...delicious pizza....and apparently....midi arpeggiators<br>



<br>sim <br><div><div></div><br></div></blockquote></div></div><div><div></=
div><div class=3D"h5">-- <br>mark francombe<br><a href=3D"http://www.markfr=
ancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http=
://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>
twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D=
-=3D- <br>Tony<br>

--00151749f6a2a0fd6e04987d6da1--

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Date: Tue, 28 Dec 2010 19:27:48 +0000
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Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001517573e02a2fa6e04987d7278
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i just did a quick search on the apple audio site on the word "arpeggiator"
and guess what it came up with - AUDIOMULCH!

"what's new in version 2.1.1....

- New rhythmic matrix pattern editors for Arpeggiator, SouthPole and
Bassline"

now i know absolutely nothing about audiomulch, having messed about with it
for all of one day, but
doesn't....that....sound...kinda....like....what....you....were....after...all...along....?

*hides behind large wall of sandbags*

s

--001517573e02a2fa6e04987d7278
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i just did a quick search on the apple audio site on the word &quot;arpeggi=
ator&quot; and guess what it came up with - AUDIOMULCH!<br><br>&quot;what&#=
39;s new in version 2.1.1....<br><br>- New rhythmic matrix pattern editors =
for Arpeggiator, SouthPole and Bassline&quot;<br>
<br>now i know absolutely nothing about audiomulch, having messed about wit=
h it for all of one day, but doesn&#39;t....that....sound...kinda....like..=
..what....you....were....after...all...along....?<br><br>*hides behind larg=
e wall of sandbags*<br>
<br>s<br>

--001517573e02a2fa6e04987d7278--

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Date: Tue, 28 Dec 2010 20:40:18 +0100
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Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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On Tuesday, December 28, 2010, mark francombe <mark@markfrancombe.com> wrote:
> which does point to Bidule, and me scrapping Audio Mulch as my host.. I dont REALLY want to do that, as Mulch is something I dont have to learn a) cos I know it

Well stick with AM then and spice it up with Bidule AU plugins running
whatever magic you mocked up in Bidule and exported as a Group. That
seems as a strategy you will expand with and a system you'll hardly
outgrow. Sort of creative and open no man's land between prefab and
barebones programming.



-- 
Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: low cpu midi appegiator
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8a4cd39c2a04987dc02e
Content-Type: text/plain; charset=ISO-8859-1

Ha! Well Sim, the builtin arpegiator in mulch is a kind of stand alone
instrument, not used to fire any external synth, it has a basic but cute
sine wave/squarewave, but has no midi in outs, plus the notes it picks are
done within the environment, I need to be able to hit my keyboard and input
the arpped notes that way...

And to Per.. this seems to be the way for me to go yes, and if I fall in
love with Bidule in the process, well so be it.. Ive just been trying to
find out what a Bidule, whatdchamacallit.. "group?" what that will look like
in Mulch... just the controls I need or the whole damn thing...

M

On Tue, Dec 28, 2010 at 8:27 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> i just did a quick search on the apple audio site on the word "arpeggiator"
> and guess what it came up with - AUDIOMULCH!
>
> "what's new in version 2.1.1....
>
> - New rhythmic matrix pattern editors for Arpeggiator, SouthPole and
> Bassline"
>
> now i know absolutely nothing about audiomulch, having messed about with it
> for all of one day, but
> doesn't....that....sound...kinda....like....what....you....were....after...all...along....?
>
> *hides behind large wall of sandbags*
>
> s
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a4cd39c2a04987dc02e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ha! Well Sim, the builtin arpegiator in mulch is a kind of stand alone inst=
rument, not used to fire any external synth, it has a basic but cute sine w=
ave/squarewave, but has no midi in outs, plus the notes it picks are done w=
ithin the environment, I need to be able to hit my keyboard and input the a=
rpped notes that way...<br>

<br>And to Per.. this seems to be the way for me to go yes, and if I fall i=
n love with Bidule in the process, well so be it.. Ive just been trying to =
find out what a Bidule, whatdchamacallit.. &quot;group?&quot; what that wil=
l look like in Mulch... just the controls I need or the whole damn thing...=
<br>

<br>M<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 8:27 PM, Si=
meon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlema=
il.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px =
solid rgb(204, 204, 204); padding-left: 1ex;">

i just did a quick search on the apple audio site on the word &quot;arpeggi=
ator&quot; and guess what it came up with - AUDIOMULCH!<br><br>&quot;what&#=
39;s new in version 2.1.1....<br><br>- New rhythmic matrix pattern editors =
for Arpeggiator, SouthPole and Bassline&quot;<br>


<br>now i know absolutely nothing about audiomulch, having messed about wit=
h it for all of one day, but doesn&#39;t....that....sound...kinda....like..=
..what....you....were....after...all...along....?<br><br>*hides behind larg=
e wall of sandbags*<br>


<br>s<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4cd39c2a04987dc02e--

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Date: Tue, 28 Dec 2010 20:04:40 +0000
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Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001517573e027e7d5304987df6c2
Content-Type: text/plain; charset=ISO-8859-1

bidule is like audiomulch, in that the "whole thing" is just what you've put
into the layout. if the layout contains one group, then that's all you'll
see.

sim

On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <mark@markfrancombe.com>wrote:

>  Ive just been trying to find out what a Bidule, whatdchamacallit..
> "group?" what that will look like in Mulch... just the controls I need or
> the whole damn thing...
>

--001517573e027e7d5304987df6c2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

bidule is like audiomulch, in that the &quot;whole thing&quot; is just what=
 you&#39;ve put into the layout. if the layout contains one group, then tha=
t&#39;s all you&#39;ll see. <br><br>sim<br><br><div class=3D"gmail_quote">
On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.=
8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
=A0Ive just been trying to find out what a Bidule, whatdchamacallit.. &quot=
;group?&quot; what that will look like in Mulch... just the controls I need=
 or the whole damn thing...<font color=3D"#888888"></font><br></blockquote>
</div>

--001517573e027e7d5304987df6c2--

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 <AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com>
 <AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
 <0DE42A10-66A6-4E72-A860-3CA652E43CBE@googlemail.com> <AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com>
 <CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net> <AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com>
 <AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com>
 <AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com>
 <AANLkTin8F0GU-+UL7HPNwacffZ_xqutZon2pfLGyKjHU@mail.gmail.com>
 <AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com> <AANLkTinjzo+Arwr6RVrV+4W11vcwAkm=W8ODNksfu-gS@mail.gmail.com>
From: mark francombe <mark@markfrancombe.com>
Date: Tue, 28 Dec 2010 21:14:58 +0100
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Subject: Re: low cpu midi appegiator
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e838480b8b504987e1c8e
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OK well I bought it.. and immediatly remember why I dont like it... It looks
'orrible! The way the er.. "bidules" float about the screen gettin in the
way and you are always looking at your cabling mess in the background...
*sigh*.. design design design... how hard can it be really? Typical program
designed by a programmer... Oh well.. Ill dive in and try and make
something... all I need is to know what to expose as the midi ins and outs,
and Im ready.. better join some kinda bidule forum I spose... more NEWB
posts... God If coundted the amount of times Ive written into a forum post..
Newb here.. Help???

MArk

On Tue, Dec 28, 2010 at 9:04 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> bidule is like audiomulch, in that the "whole thing" is just what you've
> put into the layout. if the layout contains one group, then that's all
> you'll see.
>
> sim
>
>
> On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>>  Ive just been trying to find out what a Bidule, whatdchamacallit..
>> "group?" what that will look like in Mulch... just the controls I need or
>> the whole damn thing...
>>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e838480b8b504987e1c8e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK well I bought it.. and immediatly remember why I dont like it... It look=
s &#39;orrible! The way the er.. &quot;bidules&quot; float about the screen=
 gettin in the way and you are always looking at your cabling mess in the b=
ackground... *sigh*.. design design design... how hard can it be really? Ty=
pical program designed by a programmer... Oh well.. Ill dive in and try and=
 make something... all I need is to know what to expose as the midi ins and=
 outs, and Im ready.. better join some kinda bidule forum I spose... more N=
EWB posts... God If coundted the amount of times Ive written into a forum p=
ost.. Newb here.. Help???<br>

<br>MArk<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:04 PM,=
 Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googl=
email.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">

bidule is like audiomulch, in that the &quot;whole thing&quot; is just what=
 you&#39;ve put into the layout. if the layout contains one group, then tha=
t&#39;s all you&#39;ll see. <br><br>sim<div><div></div><div class=3D"h5">

<br><br><div class=3D"gmail_quote">
On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.c=
om</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"marg=
in: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-l=
eft: 1ex;">


=A0Ive just been trying to find out what a Bidule, whatdchamacallit.. &quot=
;group?&quot; what that will look like in Mulch... just the controls I need=
 or the whole damn thing...<font color=3D"#888888"></font><br></blockquote>


</div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e838480b8b504987e1c8e--

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To: <loopers-delight@loopers-delight.com>
Subject: RE: low cpu midi appegiator
Date: Tue, 28 Dec 2010 20:25:21 +0000
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References:
 <AANLkTinKtcWig3+Q2CLnzLK01p6=C474-+JWSt8zGf=f@mail.gmail.com>,<240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com>
 <-6764800028453888708@unknownmsgid>,<AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com>,<AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com>,<AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com>,<AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com>,<AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com>,<AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com>,<AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>,<0DE42A10-66A6-4E72-A860-3CA652E43CBE@googlemail.com>
 <AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com>,<CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net>
 <AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com>,<AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com>,<AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com>,<AANLkTin8F0GU-+UL7HPNwacffZ_xqutZon2pfLGyKjHU@mail.gmail.com>,<AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com>
 <AANLkTinjzo+Arwr6RVrV+4W11vcwAkm=W8ODNksfu-gS@mail.gmail.com>,<AANLkTikPQMR+imhukDC3K6J5hS_4-OY24pTfnBnsV4Kn@mail.gmail.com>
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--_00587919-89a1-4fb1-a2f5-67e36f81f5f8_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


What about the arpeggiator in Ableton live=2C Mark?

From: mark@markfrancombe.com
Date: Tue=2C 28 Dec 2010 21:14:58 +0100
Subject: Re: low cpu midi appegiator
To: Loopers-Delight@loopers-delight.com

OK well I bought it.. and immediatly remember why I dont like it... It look=
s 'orrible! The way the er.. "bidules" float about the screen gettin in the=
 way and you are always looking at your cabling mess in the background... *=
sigh*.. design design design... how hard can it be really? Typical program =
designed by a programmer... Oh well.. Ill dive in and try and make somethin=
g... all I need is to know what to expose as the midi ins and outs=2C and I=
m ready.. better join some kinda bidule forum I spose... more NEWB posts...=
 God If coundted the amount of times Ive written into a forum post.. Newb h=
ere.. Help???



MArk

On Tue=2C Dec 28=2C 2010 at 9:04 PM=2C Simeon Harris <simeonharris40@google=
mail.com> wrote:


bidule is like audiomulch=2C in that the "whole thing" is just what you've =
put into the layout. if the layout contains one group=2C then that's all yo=
u'll see.=20

sim




On Tue=2C Dec 28=2C 2010 at 7:49 PM=2C mark francombe <mark@markfrancombe.c=
om> wrote:



 Ive just been trying to find out what a Bidule=2C whatdchamacallit.. "grou=
p?" what that will look like in Mulch... just the controls I need or the wh=
ole damn thing...






--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe


http://vimeo.com/user825094
http://www.looop.no
 		 	   		  =

--_00587919-89a1-4fb1-a2f5-67e36f81f5f8_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
What about the arpeggiator in Ableton live=2C Mark?<br><br><hr id=3D"stopSp=
elling">From: mark@markfrancombe.com<br>Date: Tue=2C 28 Dec 2010 21:14:58 +=
0100<br>Subject: Re: low cpu midi appegiator<br>To: Loopers-Delight@loopers=
-delight.com<br><br>OK well I bought it.. and immediatly remember why I don=
t like it... It looks 'orrible! The way the er.. "bidules" float about the =
screen gettin in the way and you are always looking at your cabling mess in=
 the background... *sigh*.. design design design... how hard can it be real=
ly? Typical program designed by a programmer... Oh well.. Ill dive in and t=
ry and make something... all I need is to know what to expose as the midi i=
ns and outs=2C and Im ready.. better join some kinda bidule forum I spose..=
. more NEWB posts... God If coundted the amount of times Ive written into a=
 forum post.. Newb here.. Help???<br>

<br>MArk<br><br><div class=3D"ecxgmail_quote">On Tue=2C Dec 28=2C 2010 at 9=
:04 PM=2C Simeon Harris <span dir=3D"ltr">&lt=3B<a target=3D"_blank">simeon=
harris40@googlemail.com</a>&gt=3B</span> wrote:<br><blockquote class=3D"ecx=
gmail_quote" style=3D"padding-left: 1ex=3B">

bidule is like audiomulch=2C in that the "whole thing" is just what you've =
put into the layout. if the layout contains one group=2C then that's all yo=
u'll see. <br><br>sim<div><div></div><div class=3D"h5">

<br><br><div class=3D"ecxgmail_quote">
On Tue=2C Dec 28=2C 2010 at 7:49 PM=2C mark francombe <span dir=3D"ltr">&lt=
=3B<a target=3D"_blank">mark@markfrancombe.com</a>&gt=3B</span> wrote:<br><=
blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B">


&nbsp=3BIve just been trying to find out what a Bidule=2C whatdchamacallit.=
. "group?" what that will look like in Mulch... just the controls I need or=
 the whole damn thing...<font color=3D"#888888"></font><br></blockquote>


</div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a target=3D"_blank">www.markfrancombe.com</a><br><a target=3D"_blan=
k">www.ordoabkhao.com</a><br>twitter @markfrancombe<br>

<a target=3D"_blank">http://vimeo.com/user825094</a><br><a target=3D"_blank=
">http://www.looop.no</a><br> 		 	   		  </body>
</html>=

--_00587919-89a1-4fb1-a2f5-67e36f81f5f8_--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 20:41:54 2010
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	<240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com>
	<-6764800028453888708@unknownmsgid>
	<AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com>
	<AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com>
	<AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com>
	<AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com>
	<AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com>
	<AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com>
	<AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
	<0DE42A10-66A6-4E72-A860-3CA652E43CBE@googlemail.com>
	<AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com>
	<CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net>
	<AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com>
	<AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com>
	<AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com>
	<AANLkTin8F0GU-+UL7HPNwacffZ_xqutZon2pfLGyKjHU@mail.gmail.com>
	<AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com>
	<AANLkTinjzo+Arwr6RVrV+4W11vcwAkm=W8ODNksfu-gS@mail.gmail.com>
	<AANLkTikPQMR+imhukDC3K6J5hS_4-OY24pTfnBnsV4Kn@mail.gmail.com>
	<BAY145-w658409573E24F18950669885010@phx.gbl>
Date: Tue, 28 Dec 2010 20:41:50 +0000
Message-ID: <AANLkTikV04xSN3N8f4YRcWvm6e7svXweq5+0z31PFhsn@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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yeah, i really don't like the way bidule looks either. in fact, i really
don't like much about it at all, apart from it's atability. it just doesn't
look FUN in the same way that audiomulch does. i couldn't afford audiomulch
at the time i bought bidule and havn't bothered to change.

just for giggles, i'm going to have a go at this and see if i can get it to
work. we can be newbs together. i'll let you know how i get on

sim

------------------------------
> From: mark@markfrancombe.com
> Date: Tue, 28 Dec 2010 21:14:58 +0100
> Subject: Re: low cpu midi appegiator
> To: Loopers-Delight@loopers-delight.com
>
>
> OK well I bought it.. and immediatly remember why I dont like it... It
> looks 'orrible! The way the er.. "bidules" float about the screen gettin in
> the way and you are always looking at your cabling mess in the background...
> *sigh*.. design design design... how hard can it be really? Typical program
> designed by a programmer... Oh well.. Ill dive in and try and make
> something... all I need is to know what to expose as the midi ins and outs,
> and Im ready.. better join some kinda bidule forum I spose... more NEWB
> posts... God If coundted the amount of times Ive written into a forum post..
> Newb here.. Help???
>
> MArk
>
> On Tue, Dec 28, 2010 at 9:04 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
> bidule is like audiomulch, in that the "whole thing" is just what you've
> put into the layout. if the layout contains one group, then that's all
> you'll see.
>
> sim
>
>
> On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>  Ive just been trying to find out what a Bidule, whatdchamacallit..
> "group?" what that will look like in Mulch... just the controls I need or
> the whole damn thing...
>
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--001517511abc6ebd0104987e7bee
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yeah, i really don&#39;t like the way bidule looks either. in fact, i reall=
y don&#39;t like much about it at all, apart from it&#39;s atability. it ju=
st doesn&#39;t look FUN in the same way that audiomulch does. i couldn&#39;=
t afford audiomulch at the time i bought bidule and havn&#39;t bothered to =
change.<br>
<br>just for giggles, i&#39;m going to have a go at this and see if i can g=
et it to work. we can be newbs together. i&#39;ll let you know how i get on=
<br><br>sim<br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">
<div><hr>From: <a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">=
mark@markfrancombe.com</a><br>Date: Tue, 28 Dec 2010 21:14:58 +0100<br>Subj=
ect: Re: low cpu midi appegiator<br>To: <a href=3D"mailto:Loopers-Delight@l=
oopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</=
a><div>
<div></div><div class=3D"h5"><br><br>OK well I bought it.. and immediatly r=
emember why I dont like it... It looks &#39;orrible! The way the er.. &quot=
;bidules&quot; float about the screen gettin in the way and you are always =
looking at your cabling mess in the background... *sigh*.. design design de=
sign... how hard can it be really? Typical program designed by a programmer=
... Oh well.. Ill dive in and try and make something... all I need is to kn=
ow what to expose as the midi ins and outs, and Im ready.. better join some=
 kinda bidule forum I spose... more NEWB posts... God If coundted the amoun=
t of times Ive written into a forum post.. Newb here.. Help???<br>


<br>MArk<br><br><div>On Tue, Dec 28, 2010 at 9:04 PM, Simeon Harris <span d=
ir=3D"ltr">&lt;<a>simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><b=
lockquote style=3D"padding-left: 1ex;">

bidule is like audiomulch, in that the &quot;whole thing&quot; is just what=
 you&#39;ve put into the layout. if the layout contains one group, then tha=
t&#39;s all you&#39;ll see. <br><br>sim<div><div></div><div>

<br><br><div>
On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <span dir=3D"ltr">&lt;<a>ma=
rk@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote style=3D"padding-=
left: 1ex;">


=A0Ive just been trying to find out what a Bidule, whatdchamacallit.. &quot=
;group?&quot; what that will look like in Mulch... just the controls I need=
 or the whole damn thing...<font color=3D"#888888"></font><br></blockquote>



</div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a>www.markfrancombe.com</a><br><a>www.ordoabkhao.com</a><br>twitter=
 @markfrancombe<br>

<a>http://vimeo.com/user825094</a><br><a>http://www.looop.no</a><br> 		 	  =
 		  </div></div></div>
</blockquote></div><br>

--001517511abc6ebd0104987e7bee--

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Subject: Re: low cpu midi appegiator
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--90e6ba6e83e669404704987e7db4
Content-Type: text/plain; charset=ISO-8859-1

PLEASE! Not Live... I struggled with Live before YK2X... not for me.. great
in some ways.. but not for me...I just want to make what I need and have it
visible, nothing else... thats not to say I wont use Live for other uses,
but right here, Im building my improv environment... Its all functioning
pefectly in AM, just that I want to be able to arpegiate ANY synth sound or
sample, not just the ones contained within patches... so.. a midi
arpegiator.. !!

On Tue, Dec 28, 2010 at 9:25 PM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  What about the arpeggiator in Ableton live, Mark?
>
>
-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83e669404704987e7db4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

PLEASE! Not Live... I struggled with Live before YK2X... not for me.. great=
 in some ways.. but not for me...I just want to make what I need and have i=
t visible, nothing else... thats not to say I wont use Live for other uses,=
 but right here, Im building my improv environment... Its all functioning p=
efectly in AM, just that I want to be able to arpegiate ANY synth sound or =
sample, not just the ones contained within patches... so.. a midi arpegiato=
r.. !!<br>

<br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:25 PM, Gareth Whit=
tock <span dir=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co.uk">budd=
hamachine@live.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">





<div>
What about the arpeggiator in Ableton live, Mark?<br clear=3D"all"><br></di=
v></blockquote></div><br>-- <br>mark francombe<br><a href=3D"http://www.mar=
kfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkh=
ao.com">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--90e6ba6e83e669404704987e7db4--

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Subject: Re: low cpu midi appegiator
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--90e6ba6e8384657c7c04987e8fe3
Content-Type: text/plain; charset=ISO-8859-1

OK cool... I wrote a few lines of intention a moment ago,
>midi in from keyboard port
>should "scan" the notes played and play them in sequence. (first try to get
UP working)
>doubling. It needs to be possible to add an octave jump per note, so that a
single key press will play two notes... this is just a matter of multiplying
the recived notes by 2 and playing them after the initial sequence.
>midi out to synth

step one... juet get an in and and an out working, with someting in between
to check that its works...

On Tue, Dec 28, 2010 at 9:41 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> yeah, i really don't like the way bidule looks either. in fact, i really
> don't like much about it at all, apart from it's atability. it just doesn't
> look FUN in the same way that audiomulch does. i couldn't afford audiomulch
> at the time i bought bidule and havn't bothered to change.
>
> just for giggles, i'm going to have a go at this and see if i can get it to
> work. we can be newbs together. i'll let you know how i get on
>
> sim
>
>
>  ------------------------------
>> From: mark@markfrancombe.com
>> Date: Tue, 28 Dec 2010 21:14:58 +0100
>> Subject: Re: low cpu midi appegiator
>> To: Loopers-Delight@loopers-delight.com
>>
>>
>> OK well I bought it.. and immediatly remember why I dont like it... It
>> looks 'orrible! The way the er.. "bidules" float about the screen gettin in
>> the way and you are always looking at your cabling mess in the background...
>> *sigh*.. design design design... how hard can it be really? Typical program
>> designed by a programmer... Oh well.. Ill dive in and try and make
>> something... all I need is to know what to expose as the midi ins and outs,
>> and Im ready.. better join some kinda bidule forum I spose... more NEWB
>> posts... God If coundted the amount of times Ive written into a forum post..
>> Newb here.. Help???
>>
>> MArk
>>
>> On Tue, Dec 28, 2010 at 9:04 PM, Simeon Harris <
>> simeonharris40@googlemail.com> wrote:
>>
>> bidule is like audiomulch, in that the "whole thing" is just what you've
>> put into the layout. if the layout contains one group, then that's all
>> you'll see.
>>
>> sim
>>
>>
>> On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <mark@markfrancombe.com>wrote:
>>
>>  Ive just been trying to find out what a Bidule, whatdchamacallit..
>> "group?" what that will look like in Mulch... just the controls I need or
>> the whole damn thing...
>>
>>
>>
>>
>> --
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8384657c7c04987e8fe3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK cool... I wrote a few lines of intention a moment ago, <br>&gt;midi in f=
rom keyboard port<br>&gt;should &quot;scan&quot; the notes played and play =
them in sequence. (first try to get UP working)<br>&gt;doubling. It needs t=
o be possible to add an octave jump per note, so that a single key press wi=
ll play two notes... this is just a matter of multiplying the recived notes=
 by 2 and playing them after the initial sequence.<br>

&gt;midi out to synth<br><br>step one... juet get an in and and an out work=
ing, with someting in between to check that its works... <br><br><div class=
=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:41 PM, Simeon Harris <span dir=
=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris4=
0@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">yeah, i really do=
n&#39;t like the way bidule looks either. in fact, i really don&#39;t like =
much about it at all, apart from it&#39;s atability. it just doesn&#39;t lo=
ok FUN in the same way that audiomulch does. i couldn&#39;t afford audiomul=
ch at the time i bought bidule and havn&#39;t bothered to change.<br>


<br>just for giggles, i&#39;m going to have a go at this and see if i can g=
et it to work. we can be newbs together. i&#39;ll let you know how i get on=
<br><br>sim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_qu=
ote">

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div><hr>From: <a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">=
mark@markfrancombe.com</a><br>Date: Tue, 28 Dec 2010 21:14:58 +0100<br>Subj=
ect: Re: low cpu midi appegiator<br>To: <a href=3D"mailto:Loopers-Delight@l=
oopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</=
a><div>


<div></div><div><br><br>OK well I bought it.. and immediatly remember why I=
 dont like it... It looks &#39;orrible! The way the er.. &quot;bidules&quot=
; float about the screen gettin in the way and you are always looking at yo=
ur cabling mess in the background... *sigh*.. design design design... how h=
ard can it be really? Typical program designed by a programmer... Oh well..=
 Ill dive in and try and make something... all I need is to know what to ex=
pose as the midi ins and outs, and Im ready.. better join some kinda bidule=
 forum I spose... more NEWB posts... God If coundted the amount of times Iv=
e written into a forum post.. Newb here.. Help???<br>




<br>MArk<br><br><div>On Tue, Dec 28, 2010 at 9:04 PM, Simeon Harris <span d=
ir=3D"ltr">&lt;<a>simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><b=
lockquote style=3D"padding-left: 1ex;">

bidule is like audiomulch, in that the &quot;whole thing&quot; is just what=
 you&#39;ve put into the layout. if the layout contains one group, then tha=
t&#39;s all you&#39;ll see. <br><br>sim<div><div></div><div>

<br><br><div>
On Tue, Dec 28, 2010 at 7:49 PM, mark francombe <span dir=3D"ltr">&lt;<a>ma=
rk@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote style=3D"padding-=
left: 1ex;">


=A0Ive just been trying to find out what a Bidule, whatdchamacallit.. &quot=
;group?&quot; what that will look like in Mulch... just the controls I need=
 or the whole damn thing...<font color=3D"#888888"></font><br></blockquote>





</div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a>www.markfrancombe.com</a><br><a>www.ordoabkhao.com</a><br>twitter=
 @markfrancombe<br>

<a>http://vimeo.com/user825094</a><br><a>http://www.looop.no</a><br> 		 	  =
 		  </div></div></div>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8384657c7c04987e8fe3--

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Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd40204a856f204987e9266
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o, so i did it and it was pretty easy. hooked up the keyboard via usb to the
mac.

opened bidule

audio interface in the layout
keyboard in the layout
midi arpeggiator (group) in the layout
synth in the layout
connect them all up
press key
arpeggios!

--000e0cd40204a856f204987e9266
Content-Type: text/html; charset=ISO-8859-1

<br>o, so i did it and it was pretty easy. hooked up the keyboard via usb to the mac.<br><br>opened bidule<br><br>audio interface in the layout<br>keyboard in the layout<br>midi arpeggiator (group) in the layout<br>synth in the layout<br>
connect them all up<br>press key<br>arpeggios!<br>

--000e0cd40204a856f204987e9266--

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Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd402041b98c504987e9bd8
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swapped out the arpeggiator (group) for the simple unsynced arpeggiator -
fun!

On Tue, Dec 28, 2010 at 8:48 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

>
> o, so i did it and it was pretty easy. hooked up the keyboard via usb to
> the mac.
>
> opened bidule
>
> audio interface in the layout
> keyboard in the layout
> midi arpeggiator (group) in the layout
> synth in the layout
> connect them all up
> press key
> arpeggios!
>

--000e0cd402041b98c504987e9bd8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

swapped out the arpeggiator (group) for the simple unsynced arpeggiator - f=
un!<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 8:48 PM, Sime=
on Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail=
.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>o, so i did i=
t and it was pretty easy. hooked up the keyboard via usb to the mac.<br><br=
>
opened bidule<br><br>audio interface in the layout<br>keyboard in the layou=
t<br>midi arpeggiator (group) in the layout<br>synth in the layout<br>
connect them all up<br>press key<br>arpeggios!<br>
</blockquote></div><br>

--000e0cd402041b98c504987e9bd8--

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Subject: Re: low cpu midi appegiator
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--20cf30549f03b3e5c904987ea401
Content-Type: text/plain; charset=ISO-8859-1

let me check this a sec..

On Tue, Dec 28, 2010 at 9:50 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> swapped out the arpeggiator (group) for the simple unsynced arpeggiator -
> fun!
>
>
> On Tue, Dec 28, 2010 at 8:48 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>>
>> o, so i did it and it was pretty easy. hooked up the keyboard via usb to
>> the mac.
>>
>> opened bidule
>>
>> audio interface in the layout
>> keyboard in the layout
>> midi arpeggiator (group) in the layout
>> synth in the layout
>> connect them all up
>> press key
>> arpeggios!
>>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549f03b3e5c904987ea401
Content-Type: text/html; charset=ISO-8859-1

let me check this a sec.. <br><br><div class="gmail_quote">On Tue, Dec 28, 2010 at 9:50 PM, Simeon Harris <span dir="ltr">&lt;<a href="mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">swapped out the arpeggiator (group) for the simple unsynced arpeggiator - fun!<div><div></div>

<div class="h5"><br><br><div class="gmail_quote">On Tue, Dec 28, 2010 at 8:48 PM, Simeon Harris <span dir="ltr">&lt;<a href="mailto:simeonharris40@googlemail.com" target="_blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>


<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>o, so i did it and it was pretty easy. hooked up the keyboard via usb to the mac.<br><br>


opened bidule<br><br>audio interface in the layout<br>keyboard in the layout<br>midi arpeggiator (group) in the layout<br>synth in the layout<br>
connect them all up<br>press key<br>arpeggios!<br>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear="all"><br>-- <br>mark francombe<br><a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancombe<br>

<a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href="http://www.looop.no">http://www.looop.no</a><br>

--20cf30549f03b3e5c904987ea401--

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Date: Tue, 28 Dec 2010 21:11:47 +0000
Message-ID: <AANLkTin5JqJ_KfEhW5ebyVVoCO2kr72aZk6D+1gXFKqw@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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yeah, it's the first one of the three available arpeggiators that you'll
want. it can still be synced to clock if you so desire.

any joy?

feel free to contact me off list if you want -
simeonATsimeonharrisDOTcoDOTuk

s



On Tue, Dec 28, 2010 at 8:53 PM, mark francombe <mark@markfrancombe.com>wrote:

> let me check this a sec..
>
> On Tue, Dec 28, 2010 at 9:50 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> swapped out the arpeggiator (group) for the simple unsynced arpeggiator -
>> fun!
>>
>>
>> On Tue, Dec 28, 2010 at 8:48 PM, Simeon Harris <
>> simeonharris40@googlemail.com> wrote:
>>
>>>
>>> o, so i did it and it was pretty easy. hooked up the keyboard via usb to
>>> the mac.
>>>
>>> opened bidule
>>>
>>> audio interface in the layout
>>> keyboard in the layout
>>> midi arpeggiator (group) in the layout
>>> synth in the layout
>>> connect them all up
>>> press key
>>> arpeggios!
>>>
>>
>>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--000e0cd30afe8598c304987ee6c5
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yeah, it&#39;s the first one of the three available arpeggiators that you&#=
39;ll want. it can still be synced to clock if you so desire.<br><br>any jo=
y?<br><br>feel free to contact me off list if you want - simeonATsimeonharr=
isDOTcoDOTuk<br>
<br>s<br><br><br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 8:5=
3 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfranc=
ombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">
let me check this a sec.. <br><div><div></div><div class=3D"h5"><br><div cl=
ass=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:50 PM, Simeon Harris <span di=
r=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_b=
lank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">swapped out the a=
rpeggiator (group) for the simple unsynced arpeggiator - fun!<div><div></di=
v>


<div><br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 8:48 PM, Si=
meon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlema=
il.com" target=3D"_blank">simeonharris40@googlemail.com</a>&gt;</span> wrot=
e:<br>



<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>o, so i did i=
t and it was pretty easy. hooked up the keyboard via usb to the mac.<br><br=
>



opened bidule<br><br>audio interface in the layout<br>keyboard in the layou=
t<br>midi arpeggiator (group) in the layout<br>synth in the layout<br>
connect them all up<br>press key<br>arpeggios!<br>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div><div><=
div></div><div class=3D"h5">-- <br>mark francombe<br><a href=3D"http://www.=
markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=
=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>
twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</div></div></blockquote></div><br>

--000e0cd30afe8598c304987ee6c5--

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Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
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On Tue, Dec 28, 2010 at 8:49 PM, mark francombe <mark@markfrancombe.com> wrote:
> "group?" what that will look like in Mulch... just the controls I need or
> the whole damn thing...
>

I bet you'll find it ultimately ugly. Don't count on using Bidule for
on-screen feedback of your processing ;-))  You'd better keep some
MIDI faders/buttons/pedals etc around.

Per

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Subject: Re: low cpu midi appegiator
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You are right Per,
I just tried Bidule IN Mulch.. it works, but is a mess, first it opens the
patcher window, THEN you have to double click a bidule to see the controls,
then you cant really close the patcher window... I found a buggy workaround
(stick it off screen)... Better to see if one can design your bidule group
so that the first controls that show up in Mulch are the one you wanna
use... In the mixer bidle alone I found 512 open controls.. which is
obviosly due to the fact that as Bidule is "open" for edditting even when
its IN Mulch all 512 possible contols are exposed in Mulch.. STUPIDO! but if
thats how it is...

The arpegiators that are in Bidule are NOT arpegiators... but by breaking
them apart I may be able to fashion a cunning device that can foretell the
future and give me the winning numbers for next weeks lottery... if so, Ill
fly to Austrailia and Pay the motherfucker who makes Mulch to make a nice
arp... see ya suckers...

Why oh WHY doesnt that Synthedit guy making a Mac version.. this guy, cos of
his horrible designed website is a big fat loser...will never sell any copys
of his program cos of that...

QUOTE form website;
Hi, I'm Jeff McClintock. I created SynthEdit in 1987 and am still improving
it today.
/QUOTE
What...? did you say 1987???

He doesnt know what a goldmine he is sat on.. I mean it... that prog
ROCKS!!! Why is it overlooked...?

Mark


On Tue, Dec 28, 2010 at 10:34 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Dec 28, 2010 at 8:49 PM, mark francombe <mark@markfrancombe.com>
> wrote:
> > "group?" what that will look like in Mulch... just the controls I need or
> > the whole damn thing...
> >
>
> I bet you'll find it ultimately ugly. Don't count on using Bidule for
> on-screen feedback of your processing ;-))  You'd better keep some
> MIDI faders/buttons/pedals etc around.
>
> Per
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83845804c204987f7308
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You are right Per, <br>I just tried Bidule IN Mulch.. it works, but is a me=
ss, first it opens the patcher window, THEN you have to double click a bidu=
le to see the controls, then you cant really close the patcher window... I =
found a buggy workaround (stick it off screen)... Better to see if one can =
design your bidule group so that the first controls that show up in Mulch a=
re the one you wanna use... In the mixer bidle alone I found 512 open contr=
ols.. which is obviosly due to the fact that as Bidule is &quot;open&quot; =
for edditting even when its IN Mulch all 512 possible contols are exposed i=
n Mulch.. STUPIDO! but if thats how it is... <br>

<br>The arpegiators that are in Bidule are NOT arpegiators... but by breaki=
ng them apart I may be able to fashion a cunning device that can foretell t=
he future and give me the winning numbers for next weeks lottery... if so, =
Ill fly to Austrailia and Pay the motherfucker who makes Mulch to make a ni=
ce arp... see ya suckers...<br>

<br>Why oh WHY doesnt that Synthedit guy making a Mac version.. this guy, c=
os of his horrible designed website is a big fat loser...will never sell an=
y copys of his program cos of that...<br><br>QUOTE form website;<br>Hi, I&#=
39;m Jeff McClintock. I created SynthEdit in=20
            1987 and am still improving it today.<br>/QUOTE<br>What...? did=
 you say 1987??? <br><br>He doesnt know what a goldmine he is sat on.. I me=
an it... that prog ROCKS!!! Why is it overlooked...?<br><br>Mark<br><br>

<br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 10:34 PM, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gma=
il.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"=
margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddi=
ng-left: 1ex;">

<div class=3D"im">On Tue, Dec 28, 2010 at 8:49 PM, mark francombe &lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<=
br>
&gt; &quot;group?&quot; what that will look like in Mulch... just the contr=
ols I need or<br>
&gt; the whole damn thing...<br>
&gt;<br>
<br>
</div>I bet you&#39;ll find it ultimately ugly. Don&#39;t count on using Bi=
dule for<br>
on-screen feedback of your processing ;-)) =A0You&#39;d better keep some<br=
>
MIDI faders/buttons/pedals etc around.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83845804c204987f7308--

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Date: Tue, 28 Dec 2010 21:56:52 +0000
Message-ID: <AANLkTik-o1uPtTaDa1_vxpqQGi2LVTM_E36P_LX1Xeof@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=000e0cd30a84c3d45204987f87b9
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--000e0cd30a84c3d45204987f87b9
Content-Type: text/plain; charset=ISO-8859-1

for some reason, you're missing the proper arpeggiator...dunno why it isn't
showing up in your list. it's not a group, it only consists of a single
bidule that can't be expanded. it has about 8 parameters and it's a "proper"
arpeggiator, with octave ranges and pattern choosers and all that jazz

On Tue, Dec 28, 2010 at 9:50 PM, mark francombe <mark@markfrancombe.com>wrote:

> You are right Per,
> I just tried Bidule IN Mulch.. it works, but is a mess, first it opens the
> patcher window, THEN you have to double click a bidule to see the controls,
> then you cant really close the patcher window... I found a buggy workaround
> (stick it off screen)... Better to see if one can design your bidule group
> so that the first controls that show up in Mulch are the one you wanna
> use... In the mixer bidle alone I found 512 open controls.. which is
> obviosly due to the fact that as Bidule is "open" for edditting even when
> its IN Mulch all 512 possible contols are exposed in Mulch.. STUPIDO! but if
> thats how it is...
>
> The arpegiators that are in Bidule are NOT arpegiators... but by breaking
> them apart I may be able to fashion a cunning device that can foretell the
> future and give me the winning numbers for next weeks lottery... if so, Ill
> fly to Austrailia and Pay the motherfucker who makes Mulch to make a nice
> arp... see ya suckers...
>
> Why oh WHY doesnt that Synthedit guy making a Mac version.. this guy, cos
> of his horrible designed website is a big fat loser...will never sell any
> copys of his program cos of that...
>
> QUOTE form website;
> Hi, I'm Jeff McClintock. I created SynthEdit in 1987 and am still improving
> it today.
> /QUOTE
> What...? did you say 1987???
>
> He doesnt know what a goldmine he is sat on.. I mean it... that prog
> ROCKS!!! Why is it overlooked...?
>
> Mark
>
>
>
> On Tue, Dec 28, 2010 at 10:34 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Tue, Dec 28, 2010 at 8:49 PM, mark francombe <mark@markfrancombe.com>
>> wrote:
>> > "group?" what that will look like in Mulch... just the controls I need
>> or
>> > the whole damn thing...
>> >
>>
>> I bet you'll find it ultimately ugly. Don't count on using Bidule for
>> on-screen feedback of your processing ;-))  You'd better keep some
>> MIDI faders/buttons/pedals etc around.
>>
>> Per
>>
>>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--000e0cd30a84c3d45204987f87b9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

for some reason, you&#39;re missing the proper arpeggiator...dunno why it i=
sn&#39;t showing up in your list. it&#39;s not a group, it only consists of=
 a single bidule that can&#39;t be expanded. it has about 8 parameters and =
it&#39;s a &quot;proper&quot; arpeggiator, with octave ranges and pattern c=
hoosers and all that jazz<br>
<br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:50 PM, mark franco=
mbe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@ma=
rkfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
You are right Per, <br>I just tried Bidule IN Mulch.. it works, but is a me=
ss, first it opens the patcher window, THEN you have to double click a bidu=
le to see the controls, then you cant really close the patcher window... I =
found a buggy workaround (stick it off screen)... Better to see if one can =
design your bidule group so that the first controls that show up in Mulch a=
re the one you wanna use... In the mixer bidle alone I found 512 open contr=
ols.. which is obviosly due to the fact that as Bidule is &quot;open&quot; =
for edditting even when its IN Mulch all 512 possible contols are exposed i=
n Mulch.. STUPIDO! but if thats how it is... <br>


<br>The arpegiators that are in Bidule are NOT arpegiators... but by breaki=
ng them apart I may be able to fashion a cunning device that can foretell t=
he future and give me the winning numbers for next weeks lottery... if so, =
Ill fly to Austrailia and Pay the motherfucker who makes Mulch to make a ni=
ce arp... see ya suckers...<br>


<br>Why oh WHY doesnt that Synthedit guy making a Mac version.. this guy, c=
os of his horrible designed website is a big fat loser...will never sell an=
y copys of his program cos of that...<br><br>QUOTE form website;<br>Hi, I&#=
39;m Jeff McClintock. I created SynthEdit in=20
            1987 and am still improving it today.<br>/QUOTE<br>What...? did=
 you say 1987??? <br><br>He doesnt know what a goldmine he is sat on.. I me=
an it... that prog ROCKS!!! Why is it overlooked...?<br><font color=3D"#888=
888"><br>
Mark</font><div><div></div><div class=3D"h5"><br><br>

<br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 10:34 PM, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_bl=
ank">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">


<div>On Tue, Dec 28, 2010 at 8:49 PM, mark francombe &lt;<a href=3D"mailto:=
mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt; wr=
ote:<br>
&gt; &quot;group?&quot; what that will look like in Mulch... just the contr=
ols I need or<br>
&gt; the whole damn thing...<br>
&gt;<br>
<br>
</div>I bet you&#39;ll find it ultimately ugly. Don&#39;t count on using Bi=
dule for<br>
on-screen feedback of your processing ;-)) =A0You&#39;d better keep some<br=
>
MIDI faders/buttons/pedals etc around.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div><div><div><=
/div><div class=3D"h5">-- <br>mark francombe<br><a href=3D"http://www.markf=
rancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"htt=
p://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>
twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</div></div></blockquote></div><br>

--000e0cd30a84c3d45204987f87b9--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 21:58:39 2010
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Date: Tue, 28 Dec 2010 21:58:37 +0000
Message-ID: <AANLkTi=_1Z4jiY44b-9AfRhZJFqs2SSmcYfCiA63A_Vg@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd3ed24fce37504987f8dd7
Content-Type: text/plain; charset=ISO-8859-1

you don't actually need to see it, do you? once you've got it set up and
have found a way to turn it on and off and maybe select some different
patterns, then you shouldn't actually need to open it up, no?

On Tue, Dec 28, 2010 at 9:56 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> for some reason, you're missing the proper arpeggiator...dunno why it isn't
> showing up in your list. it's not a group, it only consists of a single
> bidule that can't be expanded. it has about 8 parameters and it's a "proper"
> arpeggiator, with octave ranges and pattern choosers and all that jazz
>
>

--000e0cd3ed24fce37504987f8dd7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

you don&#39;t actually need to see it, do you? once you&#39;ve got it set u=
p and have found a way to turn it on and off and maybe select some differen=
t patterns, then you shouldn&#39;t actually need to open it up, no?<br><br>
<div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:56 PM, Simeon Harris <=
span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeo=
nharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">
for some reason, you&#39;re missing the proper arpeggiator...dunno why it i=
sn&#39;t showing up in your list. it&#39;s not a group, it only consists of=
 a single bidule that can&#39;t be expanded. it has about 8 parameters and =
it&#39;s a &quot;proper&quot; arpeggiator, with octave ranges and pattern c=
hoosers and all that jazz<div>
<div></div><br></div></blockquote></div>

--000e0cd3ed24fce37504987f8dd7--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 22:00:06 2010
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Date: Tue, 28 Dec 2010 22:59:41 +0100
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Subject: Re: low cpu midi appegiator
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Really?? OK Im searchin now...!! Which section is it in?
mark

On Tue, Dec 28, 2010 at 10:56 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> for some reason, you're missing the proper arpeggiator...dunno why it isn't
> showing up in your list. it's not a group, it only consists of a single
> bidule that can't be expanded. it has about 8 parameters and it's a "proper"
> arpeggiator, with octave ranges and pattern choosers and all that jazz
>
>
> On Tue, Dec 28, 2010 at 9:50 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>> You are right Per,
>> I just tried Bidule IN Mulch.. it works, but is a mess, first it opens the
>> patcher window, THEN you have to double click a bidule to see the controls,
>> then you cant really close the patcher window... I found a buggy workaround
>> (stick it off screen)... Better to see if one can design your bidule group
>> so that the first controls that show up in Mulch are the one you wanna
>> use... In the mixer bidle alone I found 512 open controls.. which is
>> obviosly due to the fact that as Bidule is "open" for edditting even when
>> its IN Mulch all 512 possible contols are exposed in Mulch.. STUPIDO! but if
>> thats how it is...
>>
>> The arpegiators that are in Bidule are NOT arpegiators... but by breaking
>> them apart I may be able to fashion a cunning device that can foretell the
>> future and give me the winning numbers for next weeks lottery... if so, Ill
>> fly to Austrailia and Pay the motherfucker who makes Mulch to make a nice
>> arp... see ya suckers...
>>
>> Why oh WHY doesnt that Synthedit guy making a Mac version.. this guy, cos
>> of his horrible designed website is a big fat loser...will never sell any
>> copys of his program cos of that...
>>
>> QUOTE form website;
>> Hi, I'm Jeff McClintock. I created SynthEdit in 1987 and am still
>> improving it today.
>> /QUOTE
>> What...? did you say 1987???
>>
>> He doesnt know what a goldmine he is sat on.. I mean it... that prog
>> ROCKS!!! Why is it overlooked...?
>>
>> Mark
>>
>>
>>
>> On Tue, Dec 28, 2010 at 10:34 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>> On Tue, Dec 28, 2010 at 8:49 PM, mark francombe <mark@markfrancombe.com>
>>> wrote:
>>> > "group?" what that will look like in Mulch... just the controls I need
>>> or
>>> > the whole damn thing...
>>> >
>>>
>>> I bet you'll find it ultimately ugly. Don't count on using Bidule for
>>> on-screen feedback of your processing ;-))  You'd better keep some
>>> MIDI faders/buttons/pedals etc around.
>>>
>>> Per
>>>
>>>
>>
>>
>> --
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a4c18620f04987f932c
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Content-Transfer-Encoding: quoted-printable

Really?? OK Im searchin now...!! Which section is it in?<br>mark<br><br><di=
v class=3D"gmail_quote">On Tue, Dec 28, 2010 at 10:56 PM, Simeon Harris <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonh=
arris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">for some reason, =
you&#39;re missing the proper arpeggiator...dunno why it isn&#39;t showing =
up in your list. it&#39;s not a group, it only consists of a single bidule =
that can&#39;t be expanded. it has about 8 parameters and it&#39;s a &quot;=
proper&quot; arpeggiator, with octave ranges and pattern choosers and all t=
hat jazz<div>

<div></div><div class=3D"h5"><br>
<br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:50 PM, mark franco=
mbe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com" target=
=3D"_blank">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">


You are right Per, <br>I just tried Bidule IN Mulch.. it works, but is a me=
ss, first it opens the patcher window, THEN you have to double click a bidu=
le to see the controls, then you cant really close the patcher window... I =
found a buggy workaround (stick it off screen)... Better to see if one can =
design your bidule group so that the first controls that show up in Mulch a=
re the one you wanna use... In the mixer bidle alone I found 512 open contr=
ols.. which is obviosly due to the fact that as Bidule is &quot;open&quot; =
for edditting even when its IN Mulch all 512 possible contols are exposed i=
n Mulch.. STUPIDO! but if thats how it is... <br>




<br>The arpegiators that are in Bidule are NOT arpegiators... but by breaki=
ng them apart I may be able to fashion a cunning device that can foretell t=
he future and give me the winning numbers for next weeks lottery... if so, =
Ill fly to Austrailia and Pay the motherfucker who makes Mulch to make a ni=
ce arp... see ya suckers...<br>




<br>Why oh WHY doesnt that Synthedit guy making a Mac version.. this guy, c=
os of his horrible designed website is a big fat loser...will never sell an=
y copys of his program cos of that...<br><br>QUOTE form website;<br>Hi, I&#=
39;m Jeff McClintock. I created SynthEdit in=20
            1987 and am still improving it today.<br>/QUOTE<br>What...? did=
 you say 1987??? <br><br>He doesnt know what a goldmine he is sat on.. I me=
an it... that prog ROCKS!!! Why is it overlooked...?<br><font color=3D"#888=
888"><br>


Mark</font><div><div></div><div><br><br>

<br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 at 10:34 PM, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_bl=
ank">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">




<div>On Tue, Dec 28, 2010 at 8:49 PM, mark francombe &lt;<a href=3D"mailto:=
mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt; wr=
ote:<br>
&gt; &quot;group?&quot; what that will look like in Mulch... just the contr=
ols I need or<br>
&gt; the whole damn thing...<br>
&gt;<br>
<br>
</div>I bet you&#39;ll find it ultimately ugly. Don&#39;t count on using Bi=
dule for<br>
on-screen feedback of your processing ;-)) =A0You&#39;d better keep some<br=
>
MIDI faders/buttons/pedals etc around.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div><div><div><=
/div><div>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com"=
 target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoa=
bkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>


twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4c18620f04987f932c--

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Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd40204ce3bb804987f9a7b
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midi

third one down

above the other two!

you may need to go edit>update plugins and groups, perhaps



On Tue, Dec 28, 2010 at 9:59 PM, mark francombe <mark@markfrancombe.com>wrote:

> Really?? OK Im searchin now...!! Which section is it in?
> mark
>
>
>

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midi<br><br>third one down<br><br>above the other two!<br><br>you may need =
to go edit&gt;update plugins and groups, perhaps<br><br><br><br><div class=
=3D"gmail_quote">On Tue, Dec 28, 2010 at 9:59 PM, mark francombe <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.c=
om</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Really?? OK Im se=
archin now...!! Which section is it in?<br><font color=3D"#888888">mark</fo=
nt><div>
<div></div><div class=3D"h5"><br><br></div></div></blockquote></div>

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 <0DE42A10-66A6-4E72-A860-3CA652E43CBE@googlemail.com> <AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com>
 <CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net> <AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com>
 <AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com>
 <AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com>
 <AANLkTin8F0GU-+UL7HPNwacffZ_xqutZon2pfLGyKjHU@mail.gmail.com>
 <AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com>
 <AANLkTi=EtATu-L1uh93MvFtT2OmP+5DSru+GyTGk4CVp@mail.gmail.com>
 <AANLkTi=c6b3Kxh+JrC00uqhkJCDRi+Vbo2VUfyZfW5NS@mail.gmail.com>
 <AANLkTik-o1uPtTaDa1_vxpqQGi2LVTM_E36P_LX1Xeof@mail.gmail.com>
 <AANLkTi=gRNqoOQXy568T=ZyKjEMETeASgT4ed0bU0PYZ@mail.gmail.com> <AANLkTi=Vb1cUd4_--54jFGeax-vnUfdLy1F0nD=r-t1g@mail.gmail.com>
From: mark francombe <mark@markfrancombe.com>
Date: Tue, 28 Dec 2010 23:04:22 +0100
X-Google-Sender-Auth: sNAwxeW_wokb4KkePqaf3FvbX2U
Message-ID: <AANLkTi=nREz4CYHVwYdOsJL6SWSUHvk90LO8uQUveXz-@mail.gmail.com>
Subject: Re: low cpu midi appegiator
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8816bd8ae204987fa3f7
Content-Type: text/plain; charset=ISO-8859-1

OK got it, its in the NEW SHINY VST and AU versions I just downloaded, but
not in the grimy old standalone version... version... off to download latest
.. what a dick.. looks good...

Tryng in Audio Mulch now...

Thanks!!

Mark

On Tue, Dec 28, 2010 at 11:02 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> midi
>
> third one down
>
> above the other two!
>
> you may need to go edit>update plugins and groups, perhaps
>
>
>
>
> On Tue, Dec 28, 2010 at 9:59 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>> Really?? OK Im searchin now...!! Which section is it in?
>> mark
>>
>>
>>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8816bd8ae204987fa3f7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK got it, its in the NEW SHINY VST and AU versions I just downloaded, but =
not in the grimy old standalone version... version... off to download lates=
t .. what a dick.. looks good...<br><br>Tryng in Audio Mulch now...<br><br>

Thanks!!<br><br>Mark<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010=
 at 11:02 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonh=
arris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:=
<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">midi<br><br>third=
 one down<br><br>above the other two!<br><br>you may need to go edit&gt;upd=
ate plugins and groups, perhaps<div>

<div></div><div class=3D"h5"><br><br><br><br><div class=3D"gmail_quote">On =
Tue, Dec 28, 2010 at 9:59 PM, mark francombe <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com=
</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Really?? OK Im se=
archin now...!! Which section is it in?<br><font color=3D"#888888">mark</fo=
nt><div>


<div></div><div><br><br></div></div></blockquote></div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8816bd8ae204987fa3f7--

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	<240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com>
	<-6764800028453888708@unknownmsgid>
	<AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com>
	<AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com>
	<AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com>
	<AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com>
	<AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com>
	<AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com>
	<AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
	<0DE42A10-66A6-4E72-A860-3CA652E43CBE@googlemail.com>
	<AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com>
	<CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net>
	<AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com>
	<AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com>
	<AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com>
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	<AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com>
	<AANLkTi=EtATu-L1uh93MvFtT2OmP+5DSru+GyTGk4CVp@mail.gmail.com>
	<AANLkTi=c6b3Kxh+JrC00uqhkJCDRi+Vbo2VUfyZfW5NS@mail.gmail.com>
	<AANLkTik-o1uPtTaDa1_vxpqQGi2LVTM_E36P_LX1Xeof@mail.gmail.com>
	<AANLkTi=gRNqoOQXy568T=ZyKjEMETeASgT4ed0bU0PYZ@mail.gmail.com>
	<AANLkTi=Vb1cUd4_--54jFGeax-vnUfdLy1F0nD=r-t1g@mail.gmail.com>
Date: Tue, 28 Dec 2010 22:06:07 +0000
Message-ID: <AANLkTi=rZzAqF5zvz4kTEmPa1hg=CKwFt8yB5=u5fEvu@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd3ed24d47e1904987fa8d1
Content-Type: text/plain; charset=ISO-8859-1

the one i'm referring to is the new "built in" one. you got the latest
version?

On Tue, Dec 28, 2010 at 10:02 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> midi
>
> third one down
>
> above the other two!
>
> you may need to go edit>update plugins and groups, perhaps
>
>
>
>
> On Tue, Dec 28, 2010 at 9:59 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>> Really?? OK Im searchin now...!! Which section is it in?
>> mark
>>
>>
>>

--000e0cd3ed24d47e1904987fa8d1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

the one i&#39;m referring to is the new &quot;built in&quot; one. you got t=
he latest version?<br><br><div class=3D"gmail_quote">On Tue, Dec 28, 2010 a=
t 10:02 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonhar=
ris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">midi<br><br>third=
 one down<br><br>above the other two!<br><br>you may need to go edit&gt;upd=
ate plugins and groups, perhaps<div>
<div></div><div class=3D"h5"><br><br><br><br><div class=3D"gmail_quote">On =
Tue, Dec 28, 2010 at 9:59 PM, mark francombe <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com=
</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Really?? OK Im se=
archin now...!! Which section is it in?<br><font color=3D"#888888">mark</fo=
nt><div>

<div></div><div><br><br></div></div></blockquote></div>
</div></div></blockquote></div><br>

--000e0cd3ed24d47e1904987fa8d1--

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Date: Tue, 28 Dec 2010 22:10:19 +0000
Message-ID: <AANLkTikWzNN8LBR4xma_h8cSoWRYDmpgPYVKNRe65eg9@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0015174c14f6d965c004987fb748
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--0015174c14f6d965c004987fb748
Content-Type: text/plain; charset=ISO-8859-1

it's in version 0.97 and later of the standalone, you muppet

On Tue, Dec 28, 2010 at 10:04 PM, mark francombe <mark@markfrancombe.com>wrote:

> OK got it, its in the NEW SHINY VST and AU versions I just downloaded, but
> not in the grimy old standalone version... version... off to download latest
> .. what a dick.. looks good...
>
> Tryng in Audio Mulch now...
>
> Thanks!!
>
> Mark
>
>

--0015174c14f6d965c004987fb748
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

it&#39;s in version 0.97 and later of the standalone, you muppet<br><br><di=
v class=3D"gmail_quote">On Tue, Dec 28, 2010 at 10:04 PM, mark francombe <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfran=
combe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">OK got it, its in=
 the NEW SHINY VST and AU versions I just downloaded, but not in the grimy =
old standalone version... version... off to download latest .. what a dick.=
. looks good...<br>
<br>Tryng in Audio Mulch now...<br><br>

Thanks!!<br><font color=3D"#888888"><br>Mark</font><div><div></div><br></di=
v></blockquote></div>

--0015174c14f6d965c004987fb748--

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 22:14:24 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: low cpu midi appegiator
Date: Tue, 28 Dec 2010 22:14:21 +0000
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References:
 <AANLkTinKtcWig3+Q2CLnzLK01p6=C474-+JWSt8zGf=f@mail.gmail.com>,<240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com>
 <-6764800028453888708@unknownmsgid>,<AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com>,<AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com>,<AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com>,<AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com>,<AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com>,<AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com>,<AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>,<0DE42A10-66A6-4E72-A860-3CA652E43CBE@googlemail.com>
 <AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com>,<CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net>
 <AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com>,<AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com>,<AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com>,<AANLkTin8F0GU-+UL7HPNwacffZ_xqutZon2pfLGyKjHU@mail.gmail.com>,<AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com>,<AANLkTinjzo+Arwr6RVrV+4W11vcwAkm=W8ODNksfu-gS@mail.gmail.com>,<AANLkTikPQMR+imhukDC3K6J5hS_4-OY24pTfnBnsV4Kn@mail.gmail.com>
 <BAY145-w658409573E24F18950669885010@phx.gbl>,<AANLkTi=37NDoWWBQZhCQo_Zkup17hOHM_5wAbeYOFT7o@mail.gmail.com>
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--_f4955a50-3596-4f05-94ef-afa6a31c537f_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


Hehe. I thought you'd have cracked it by now. To be fair=2C it's a it's mor=
e complex than it used to be.
Sorry to resurrect the ghosts of past frustrations =3B-)

Peace

G

From: mark@markfrancombe.com
Date: Tue=2C 28 Dec 2010 21:42:04 +0100
Subject: Re: low cpu midi appegiator
To: Loopers-Delight@loopers-delight.com

PLEASE! Not Live... I struggled with Live before YK2X... not for me.. great=
 in some ways.. but not for me...I just want to make what I need and have i=
t visible=2C nothing else... thats not to say I wont use Live for other use=
s=2C but right here=2C Im building my improv environment... Its all functio=
ning pefectly in AM=2C just that I want to be able to arpegiate ANY synth s=
ound or sample=2C not just the ones contained within patches... so.. a midi=
 arpegiator.. !!



On Tue=2C Dec 28=2C 2010 at 9:25 PM=2C Gareth Whittock <buddhamachine@live.=
co.uk> wrote:







What about the arpeggiator in Ableton live=2C Mark?

--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com


twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no
 		 	   		  =

--_f4955a50-3596-4f05-94ef-afa6a31c537f_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Hehe. I thought you'd have cracked it by now. To be fair=2C it's a it's mor=
e complex than it used to be.<br>Sorry to resurrect the ghosts of past frus=
trations =3B-)<br><br>Peace<br><br>G<br><br><hr id=3D"stopSpelling">From: m=
ark@markfrancombe.com<br>Date: Tue=2C 28 Dec 2010 21:42:04 +0100<br>Subject=
: Re: low cpu midi appegiator<br>To: Loopers-Delight@loopers-delight.com<br=
><br>PLEASE! Not Live... I struggled with Live before YK2X... not for me.. =
great in some ways.. but not for me...I just want to make what I need and h=
ave it visible=2C nothing else... thats not to say I wont use Live for othe=
r uses=2C but right here=2C Im building my improv environment... Its all fu=
nctioning pefectly in AM=2C just that I want to be able to arpegiate ANY sy=
nth sound or sample=2C not just the ones contained within patches... so.. a=
 midi arpegiator.. !!<br>

<br><div class=3D"ecxgmail_quote">On Tue=2C Dec 28=2C 2010 at 9:25 PM=2C Ga=
reth Whittock <span dir=3D"ltr">&lt=3B<a href=3D"mailto:buddhamachine@live.=
co.uk">buddhamachine@live.co.uk</a>&gt=3B</span> wrote:<br><blockquote clas=
s=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B">





<div>
What about the arpeggiator in Ableton live=2C Mark?<br clear=3D"all"><br></=
div></blockquote></div><br>-- <br>mark francombe<br><a href=3D"http://www.m=
arkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" target=3D=
"_blank">http://vimeo.com/user825094</a><br><a href=3D"http://www.looop.no"=
 target=3D"_blank">http://www.looop.no</a><br> 		 	   		  </body>
</html>=

--_f4955a50-3596-4f05-94ef-afa6a31c537f_--

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	<240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com>
	<-6764800028453888708@unknownmsgid>
	<AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com>
	<AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com>
	<AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com>
	<AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com>
	<AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com>
	<AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com>
	<AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
	<0DE42A10-66A6-4E72-A860-3CA652E43CBE@googlemail.com>
	<AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com>
	<CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net>
	<AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com>
	<AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com>
	<AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com>
	<AANLkTin8F0GU-+UL7HPNwacffZ_xqutZon2pfLGyKjHU@mail.gmail.com>
	<AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com>
	<AANLkTi=EtATu-L1uh93MvFtT2OmP+5DSru+GyTGk4CVp@mail.gmail.com>
	<AANLkTi=c6b3Kxh+JrC00uqhkJCDRi+Vbo2VUfyZfW5NS@mail.gmail.com>
	<AANLkTik-o1uPtTaDa1_vxpqQGi2LVTM_E36P_LX1Xeof@mail.gmail.com>
	<AANLkTi=gRNqoOQXy568T=ZyKjEMETeASgT4ed0bU0PYZ@mail.gmail.com>
	<AANLkTi=Vb1cUd4_--54jFGeax-vnUfdLy1F0nD=r-t1g@mail.gmail.com>
	<AANLkTi=nREz4CYHVwYdOsJL6SWSUHvk90LO8uQUveXz-@mail.gmail.com>
Date: Tue, 28 Dec 2010 23:39:52 +0100
Message-ID: <AANLkTinp-BmqJbe=vSAoyuj_Rn0z=9d3HDxjynTLtB1s@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Dec 28, 2010 at 11:04 PM, mark francombe <mark@markfrancombe.com> wrote:
> Tryng in Audio Mulch now...


Looking forward to hearing about your experience with this!

I think you should set up like:

1. Open the Bidule AU plugin on a MIDI instrument track in an Instrument slot.
2. Inside the AU you open an Arpeggiator.
3. Cable the MIDI Out tag of "Bidule Plugin 1) to the ARp.
4. Cable tie Arp's MIDI Out tag to either a physical MIDI out port on
your system (if you want to run an external MIDI rack device off the
arp) or cable the arp MIDI into some virtual instrument that you open
inside the Bidule AU.
5. Still inside the Bidule AU plugin: Cable the softsynth's audio
output to the audio input tag (two for stereo) of Bidule Plugin 1.
6. Right-click on the ARpeggiator plugin and chose "Sync to Bidule
Plugin 1" (the very same plugin you are working inside). With that
sync setup it doesn't matter, for the arpeggiator, if you are syncing
Audio Mulch to the Mobius looper or if you are running Audio Much as
the sync master. Arpeggios will sync fine anyway.
7. If using a softsynth to play the audio of the ARP inside the Bidule
AU, right-click and set it to sync like you just set up the ARP sync.

Arp's are so cool.... maybe I should try to find me a Roland GK
pickup? If using it to drive arpeggiators the slow triggering of low
pitched notes is not an issue.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 22:40:11 2010
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Simeon Harris schrieb:
> it's in version 0.97 and later of the standalone, you muppet
Ah great. Finally, the twitter form factor has taken over LD.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Dec 28 23:10:34 2010
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	<4D1A6747.3000706@googlemail.com>
Date: Tue, 28 Dec 2010 16:10:32 -0700
Message-ID: <AANLkTi=cKp-Wae=H0SbKL=Ju9YjFJK8O6EFYdnTHQxOr@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Errr...yes bidule is "ugly" but...if you click on "Palette" you can
use the "Find Next" to pretty much search your way thru whatever
you're looking to use. And having said that, scour the bidule forums
because folks are writing new groups and bidules all the time, some of
which you might just find useful. AudioMulch is certainly "prettier"
but it also costs quite a bit more money than bidule (I seem to
remember cost being mentioned earlier).

Simeon presented some pretty straight-forward directions, as did Per,
tho' I have to wonder what the CPU stress would be of running bidule
as a plugin INSIDE AudioMulch and having it do much heavy lifting...

Still, it sounds like you've got plenty to work with to find a solution!


http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Tue, Dec 28, 2010 at 3:40 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Simeon Harris schrieb:
>>
>> it's in version 0.97 and later of the standalone, you muppet
>
> Ah great. Finally, the twitter form factor has taken over LD.
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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Subject: Re: low cpu midi appegiator
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd4020437aa22049880bc6d
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yes, imagine the irony if mark got it all working perfectly and then it
promptly crashed

:O)

On Tue, Dec 28, 2010 at 11:10 PM, Dennis Moser <sinsofmachaut@gmail.com>wrote:
I have to wonder what the CPU stress would be of running bidule as a plugin
INSIDE AudioMulch and having it do much heavy lifting...

--000e0cd4020437aa22049880bc6d
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yes, imagine the irony if mark got it all working perfectly and then it pro=
mptly crashed<br><br>:O)<br><br><div class=3D"gmail_quote">On Tue, Dec 28, =
2010 at 11:10 PM, Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:sins=
ofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</span> wrote: <br>
I have to wonder what the CPU stress would be of running bidule as a plugin=
 INSIDE AudioMulch and having it do much heavy lifting...<br></div>

--000e0cd4020437aa22049880bc6d--

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Subject: cool reverb plug in
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valhalladsp > shimmer

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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><a href="http://www.valhalladsp.com/shimmer.html">valhalladsp &gt; shimmer</a></body></html>

--Boundary_(ID_tO8Mb1Lz8BWe6Opmi3ZROQ)--

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Subject: Re: cool reverb plug in
From: Dennis Moser <sinsofmachaut@gmail.com>
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Indeed...very cool.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Tue, Dec 28, 2010 at 4:41 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> valhalladsp > shimmer

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From: mark francombe <mark@markfrancombe.com>
Date: Wed, 29 Dec 2010 01:02:48 +0100
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--20cf30549f035437150498814bab
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Its working flawlessly... still have to kinda write my own tho... shame that
version aint made from a group... I could have, looked inside and nicked
stuff... looking to "freeze" the input now so that the hand can be taken off
the keyboard and the arp still plays... theres a typically but rather clever
implementation on most hardware arps that I like, where the arp plays UNTILL
a new chord is played, when that will take over, UNLESS one or more notes
from the previous chord are played, IN WHICH CASE the new chord ADDS to the
arp.. lovely to progressivly advance melodies and morph into new spaces...
Another arp tweak is the note skip function... set its number 4 5 6
whatever... and it skips the beat right out of the arp. makes for ingenious
rythyms, plus theres the double notes at each end of and up or down.. plus
theres polyphonic arpping, where the ... oh never mind... I should go to
bed... got to take the kids Ice Skating tomorrow...

night night and thanks Per and Simeon...

mark

@Rainer.. yes... sorry about this thread, has become a bit of a chat, I
guess I forget people that dont use gmail... for us its pretty tidy!



On Wed, Dec 29, 2010 at 12:23 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> yes, imagine the irony if mark got it all working perfectly and then it
> promptly crashed
>
> :O)
>
>
> On Tue, Dec 28, 2010 at 11:10 PM, Dennis Moser <sinsofmachaut@gmail.com>wrote:
> I have to wonder what the CPU stress would be of running bidule as a plugin
> INSIDE AudioMulch and having it do much heavy lifting...
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549f035437150498814bab
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Its working flawlessly... still have to kinda write my own tho... shame tha=
t version aint made from a group... I could have, looked inside and nicked =
stuff... looking to &quot;freeze&quot; the input now so that the hand can b=
e taken off the keyboard and the arp still plays... theres a typically but =
rather clever implementation on most hardware arps that I like, where the a=
rp plays UNTILL a new chord is played, when that will take over, UNLESS one=
 or more notes from the previous chord are played, IN WHICH CASE the new ch=
ord ADDS to the arp.. lovely to progressivly advance melodies and morph int=
o new spaces...<br>

Another arp tweak is the note skip function... set its number 4 5 6 whateve=
r... and it skips the beat right out of the arp. makes for ingenious rythym=
s, plus theres the double notes at each end of and up or down.. plus theres=
 polyphonic arpping, where the ... oh never mind... I should go to bed... g=
ot to take the kids Ice Skating tomorrow... <br>

<br>night night and thanks Per and Simeon...<br><br>mark<br><br>@Rainer.. y=
es... sorry about this thread, has become a bit of a chat, I guess I forget=
 people that dont use gmail... for us its pretty tidy!<br><br><br><br>
<div class=3D"gmail_quote">
On Wed, Dec 29, 2010 at 12:23 AM, Simeon Harris <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</=
a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: =
0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left:=
 1ex;">

yes, imagine the irony if mark got it all working perfectly and then it pro=
mptly crashed<br><br>:O)<div><div></div><div class=3D"h5"><br><br><div clas=
s=3D"gmail_quote">On Tue, Dec 28, 2010 at 11:10 PM, Dennis Moser <span dir=
=3D"ltr">&lt;<a href=3D"mailto:sinsofmachaut@gmail.com" target=3D"_blank">s=
insofmachaut@gmail.com</a>&gt;</span> wrote: <br>


I have to wonder what the CPU stress would be of running bidule as a plugin=
 INSIDE AudioMulch and having it do much heavy lifting...<br></div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549f035437150498814bab--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 03:02:09 2010
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Subject: Re: So, what new gear did Santa bring you?
References: <988079.9274.qm@web38404.mail.mud.yahoo.com>
From: "Andy Owens" <andy@1800dialword.com>
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thread-topic: So, what new gear did Santa bring you?
thread-index: AcunBKwkNM0X66uGReGK1hcdg6SOFg==
Date: Tue, 28 Dec 2010 22:00:18 -0500
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Well I gave 500 to my neighbor whos husband is about to croak, 200 to my pre=
acher, whos wife has bad cancer, another 200 to all the girls at my bank, 10=
00 to a girl friend in jail on trumped up drug charges, not bad!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 28, 2010, at 11:14 AM, "Elmer Fuddski" <jakebrakesrule@yahoo.com> wro=
te:

> Sounds like a bunch of spoiled kids with a lot of money to spend/burn! :)
> =20
> Did anyone do anything to HELP someone in need this Christmas?
>=20
> --- On Mon, 12/27/10, Grant <grantmepeace@mindspring.com> wrote:
>=20
> From: Grant <grantmepeace@mindspring.com>
> Subject: RE: So, what new gear did Santa bring you?
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, December 27, 2010, 8:01 PM
>=20
> Congratulations all around! Seems like everybody was on the "nice" list!
> Nothing like a warm fire and cool new gear to play with, eh?
>=20
> I don't have any new gear to brag about this year but I still feel
> "inspired" by the love and companionship of friends and family.
>=20
> Best to all for a fantastic 2011!
>=20
> G
>=20
>=20

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<html><body bgcolor="#FFFFFF"><div>Well I gave 500 to my neighbor whos husband is about to croak, 200 to my preacher, whos wife has bad cancer, another 200 to all the girls at my bank, 1000 to a girl friend in jail on trumped up drug charges, not bad!!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 28, 2010, at 11:14 AM, "Elmer Fuddski" &lt;<a href="mailto:jakebrakesrule@yahoo.com">jakebrakesrule@yahoo.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><table cellspacing="0" cellpadding="0" border="0"><tbody><tr><td valign="top" style="font: inherit;"><div>Sounds like a bunch of spoiled kids with a lot of money to spend/burn! :)</div>
<div>&nbsp;</div>
<div>Did anyone do anything to HELP someone in need this Christmas?<br><br>--- On <b>Mon, 12/27/10, Grant <i>&lt;<a href="mailto:grantmepeace@mindspring.com">grantmepeace@mindspring.com</a>&gt;</i></b> wrote:<br></div>
<blockquote style="BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><br>From: Grant &lt;<a href="mailto:grantmepeace@mindspring.com">grantmepeace@mindspring.com</a>&gt;<br>Subject: RE: So, what new gear did Santa bring you?<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com"><a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></a><br>Date: Monday, December 27, 2010, 8:01 PM<br><br>
<div class="plainMail">Congratulations all around! Seems like everybody was on the "nice" list!<br>Nothing like a warm fire and cool new gear to play with, eh?<br><br>I don't have any new gear to brag about this year but I still feel<br>"inspired" by the love and companionship of friends and family.<br><br>Best to all for a fantastic 2011!<br><br>G<br><br></div></blockquote></td></tr></tbody></table><br>

      </div></blockquote></body></html>
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Subject: Re: low cpu midi appegiator
References: <AANLkTinKtcWig3+Q2CLnzLK01p6=C474-+JWSt8zGf=f@mail.gmail.com> <AANLkTi=ExA+gBQ52ZnSQ8FBRqQs1LKS+dAeFBNzSVYTv@mail.gmail.com> <CB32F286-575C-4CB1-8B1E-8895B11D9760@earthlink.net> <AANLkTi=a4cbJaAEwnk5mEoTHrg6PTt8-eaju11t9J_QX@mail.gmail.com> <AANLkTimqH2sgM5xVAZpHVECuWT=LG7EDQ-76_pjXE-Jz@mail.gmail.com> <AANLkTinmAeTNg-AVc2H8ja9Jc7fof4Cr+VsRv8HKSK3s@mail.gmail.com> <AANLkTin8F0GU-+UL7HPNwacffZ_xqutZon2pfLGyKjHU@mail.gmail.com> <AANLkTi=jsJyXzzDNbm_iKWYvD4dELJVHFMz7Q0KZ2PbO@mail.gmail.com> <AANLkTi=EtATu-L1uh93MvFtT2OmP+5DSru+GyTGk4CVp@mail.gmail.com> <AANLkTi=c6b3Kxh+JrC00uqhkJCDRi+Vbo2VUfyZfW5NS@mail.gmail.com> <AANLkTik-o1uPtTaDa1_vxpqQGi2LVTM_E36P_LX1Xeof@mail.gmail.com> <AANLkTi=gRNqoOQXy568T=ZyKjEMETeASgT4ed0bU0PYZ@mail.gmail.com> <AANLkTi=Vb1cUd4_--54jFGeax-vnUfdLy1F0nD=r-t1g@mail.gmail.com> <AANLkTi=nREz4CYHVwYdOsJL6SWSUHvk90LO8uQUveXz-@mail.gmail.com> <AANLkTikWzNN8LBR4xma_h8cSoWRYDmpgPYVKNRe65eg9@mail.gmail.com> <4D1A6747.3000706@googlemail.com> <AANLkTi=cKp-Wae=H0SbKL=Ju9YjFJK8O6EFYdnTHQxOr@mail.gmail.com> <AANLkTikOL8c7E6BiCkGjY+wpBh6Erke4eDyNQRj5+=m2@mail.gmail.com> <AANLkTikSjv5UJtGZ66OTt7OcCBdbL8u7D7E8Fw+TjRi8@mail.gmail.com>
From: Simeon Harris <simeonharris40@googlemail.com>
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Date: Wed, 29 Dec 2010 04:12:36 +0000
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Well done Mark!

The double notes st the beginning and end of the arps are available in the p=
attern dropdown. It's the "inclusive" ones

Sim

Sent from my iPod

On 29 Dec 2010, at 00:02, mark francombe <mark@markfrancombe.com> wrote:

> Its working flawlessly... still have to kinda write my own tho... shame th=
at version aint made from a group... I could have, looked inside and nicked s=
tuff... looking to "freeze" the input now so that the hand can be taken off t=
he keyboard and the arp still plays... theres a typically but rather clever i=
mplementation on most hardware arps that I like, where the arp plays UNTILL a=
 new chord is played, when that will take over, UNLESS one or more notes fro=
m the previous chord are played, IN WHICH CASE the new chord ADDS to the arp=
.. lovely to progressivly advance melodies and morph into new spaces...
> Another arp tweak is the note skip function... set its number 4 5 6 whatev=
er... and it skips the beat right out of the arp. makes for ingenious rythym=
s, plus theres the double notes at each end of and up or down.. plus theres p=
olyphonic arpping, where the ... oh never mind... I should go to bed... got t=
o take the kids Ice Skating tomorrow...=20
>=20
> night night and thanks Per and Simeon...
>=20
> mark
>=20
> @Rainer.. yes... sorry about this thread, has become a bit of a chat, I gu=
ess I forget people that dont use gmail... for us its pretty tidy!
>=20
>=20
>=20
> On Wed, Dec 29, 2010 at 12:23 AM, Simeon Harris <simeonharris40@googlemail=
.com> wrote:
> yes, imagine the irony if mark got it all working perfectly and then it pr=
omptly crashed
>=20
> :O)
>=20
>=20
> On Tue, Dec 28, 2010 at 11:10 PM, Dennis Moser <sinsofmachaut@gmail.com> w=
rote:=20
> I have to wonder what the CPU stress would be of running bidule as a plugi=
n INSIDE AudioMulch and having it do much heavy lifting...
>=20
>=20
>=20
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

--Apple-Mail-4--391331680
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<html><body bgcolor=3D"#FFFFFF"><div>Well done Mark!</div><div><br></div><di=
v>The double notes st the beginning and end of the arps are available in the=
 pattern dropdown. It's the "inclusive" ones</div><div><br></div><div>Sim<br=
><br>Sent from my iPod</div><div><br>On 29 Dec 2010, at 00:02, mark francomb=
e &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&g=
t; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>Its working=
 flawlessly... still have to kinda write my own tho... shame that version ai=
nt made from a group... I could have, looked inside and nicked stuff... look=
ing to "freeze" the input now so that the hand can be taken off the keyboard=
 and the arp still plays... theres a typically but rather clever implementat=
ion on most hardware arps that I like, where the arp plays UNTILL a new chor=
d is played, when that will take over, UNLESS one or more notes from the pre=
vious chord are played, IN WHICH CASE the new chord ADDS to the arp.. lovely=
 to progressivly advance melodies and morph into new spaces...<br>

Another arp tweak is the note skip function... set its number 4 5 6 whatever=
... and it skips the beat right out of the arp. makes for ingenious rythyms,=
 plus theres the double notes at each end of and up or down.. plus theres po=
lyphonic arpping, where the ... oh never mind... I should go to bed... got t=
o take the kids Ice Skating tomorrow... <br>

<br>night night and thanks Per and Simeon...<br><br>mark<br><br>@Rainer.. ye=
s... sorry about this thread, has become a bit of a chat, I guess I forget p=
eople that dont use gmail... for us its pretty tidy!<br><br><br><br>
<div class=3D"gmail_quote">
On Wed, Dec 29, 2010 at 12:23 AM, Simeon Harris <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:simeonharris40@googlemail.com"><a href=3D"mailto:simeonharris40@=
googlemail.com">simeonharris40@googlemail.com</a></a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-=
left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

yes, imagine the irony if mark got it all working perfectly and then it prom=
ptly crashed<br><br>:O)<div><div></div><div class=3D"h5"><br><br><div class=3D=
"gmail_quote">On Tue, Dec 28, 2010 at 11:10 PM, Dennis Moser <span dir=3D"lt=
r">&lt;<a href=3D"mailto:sinsofmachaut@gmail.com" target=3D"_blank"><a href=3D=
"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a></a>&gt;</span> w=
rote: <br>


I have to wonder what the CPU stress would be of running bidule as a plugin I=
NSIDE AudioMulch and having it do much heavy lifting...<br></div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francom=
be<br><a href=3D"http://www.markfrancombe.com"><a href=3D"http://www.markfra=
ncombe.com">www.markfrancombe.com</a></a><br><a href=3D"http://www.ordoabkha=
o.com"><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>t=
witter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094"><a href=3D"http://vimeo.com/user8250=
94">http://vimeo.com/user825094</a></a><br><a href=3D"http://www.looop.no"><=
a href=3D"http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></body></html>=

--Apple-Mail-4--391331680--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 05:31:53 2010
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Subject: WAY OLD post from OCT: swollen pickle/handheld digital recorders/
 search function?/santa xmas brings...
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e65a07f0e2fa77049885e2bc
Content-Type: text/plain; charset=ISO-8859-1

hi-does anyone know if the LD archive search function is working?
i was trying to find some old posts, put in search words and it keeps coming
up w/ "0" results. just curious.
i was mainly looking for the old posts on folks recommendations for portable
digital recorders, so i had to do a manual scroll.
found them, back in Oct...this search for me has been endless. lots of
little reviews i've read (too many reviews...)

mainly looking for something smallish to replace my fostex mr8, which seems
huge to the new crop of recorders...mainly looking to record live amp sounds
in my small studio.
not sure i want to go down the multitrack route anymore...i'm leaning toward
the olympus LS10, since rick W recommended it back in oct, and have seen
some good things on amazon of it....but there have been some others in the
$100 range i'm looking at too...(again,mind-numbing in my research)

in my scrolling through past months, there was a brief posting of asking
about the WAY HUGE SWOLLEN PICKLE--
i just got one of these in my endless search for fuzz options (again another
endless search for me), but i got the swollen pickle a few weeks ago.
AND I LOVE IT! i've read it's sort of an EH: big muff w/ a bit more control
to it. i can't comment since i've not owned the EH, but i do like the
pickle.
it does have more bottom end sound to it (whereas when i had the Fuzz
factory it sounded real treble to me, which i didn't like at the time, b/c i
didn't understand fuzz as much then, i regret getting rid of it!). in my
experiments w/ the swollen pickle, there are some fun/interesting things
that can happen, interesting fuzz feedback w/ the neck pu, the sustained
sounds w/ the neck pu, how different harmonics can sound,etc things i've
been re-hearing as i relisten to hendrix live stuff (the fillmore double
disc from 11 yrs ago has been on heavy rotation in my car!). just fun stuff.
as for santa's brings...nothing specific as a present, but i ended up buying
a clone of the fuzz factory, called the FUZZ MACHINE, after getting some
recommendations from others who had bought one, so i'm excited to try that
when it comes next week. i'm not expecting exact fuzz factory sounds, but
looking fwd to the fuzz mayhem that i think it can do similar to the FF....
happy looping....
s---
www.myspace.com/scotthansen

--0016e65a07f0e2fa77049885e2bc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>hi-does anyone know if the LD archive search function is working?</div=
>
<div>i was trying to find some old posts, put in search words and it keeps =
coming up w/ &quot;0&quot; results. just curious.</div>
<div>i was mainly looking for the old posts on folks recommendations for po=
rtable digital recorders, so i had to do a manual scroll.</div>
<div>found them, back in Oct...this search for me has been endless. lots of=
 little reviews i&#39;ve read (too many reviews...)</div>
<div>=A0</div>
<div>mainly looking for something smallish to replace my fostex mr8, which =
seems huge to the new crop of recorders...mainly looking to record live amp=
 sounds in my small studio.</div>
<div>not sure i want to go down the multitrack route anymore...i&#39;m lean=
ing toward the olympus LS10, since rick W recommended it back in oct, and h=
ave seen some good things on amazon of it....but there have been some other=
s in the $100 range i&#39;m looking at too...(again,mind-numbing in my rese=
arch)</div>

<div>=A0</div>
<div>in my scrolling through past months, there was a brief posting of aski=
ng about the WAY HUGE SWOLLEN PICKLE--</div>
<div>i just got one of these in my endless search for fuzz options (again a=
nother endless search for me), but i got the swollen pickle a few weeks ago=
.</div>
<div>AND I LOVE IT! i&#39;ve read it&#39;s sort of an EH: big muff w/ a bit=
 more control to it. i can&#39;t comment since i&#39;ve not owned the EH, b=
ut i do like the pickle.</div>
<div>it does have more bottom end sound to it (whereas when i had the Fuzz =
factory it sounded real treble to me, which i didn&#39;t like at the time, =
b/c i didn&#39;t understand fuzz as much then, i regret getting rid of it!)=
. in my experiments w/ the swollen pickle, there are some fun/interesting t=
hings that can happen, interesting fuzz feedback w/ the neck pu, the sustai=
ned sounds w/ the neck pu, how different harmonics can sound,etc things i&#=
39;ve been re-hearing as i relisten to hendrix live stuff (the fillmore dou=
ble disc from 11 yrs ago has been on heavy rotation in my car!). just fun s=
tuff.</div>

<div>as for santa&#39;s brings...nothing specific as a present, but i ended=
 up buying a clone of the fuzz factory, called the FUZZ MACHINE, after gett=
ing some recommendations from others who had bought one, so i&#39;m excited=
 to try that when it comes next week. i&#39;m not expecting exact fuzz fact=
ory sounds, but looking fwd to the fuzz mayhem that i think it can do simil=
ar to the FF....</div>

<div>happy looping....</div>
<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a></div>

--0016e65a07f0e2fa77049885e2bc--

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Subject: Re: So, what new gear did Santa bring you?
Date: Tue, 28 Dec 2010 22:15:06 -0800
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Sjaak Sez:
I only sold gear, didn't buy anything new, no kidding. Happy holidays
my friends! :)

  I tried to sell some gear on Craig's list just before Christmas and  
all i got was weird scammer e-mails about shipping out of state and or  
money orders . I still need to sell the stuff to pay for my lap steel  
being built so I may post here before I move to e-bay.
  I did get to play Santa for my friend Daniel Thomas  who's wife  
splurged and ordered a Bear Creek weissenborn style lap steel, and  
Bill Hardin the maker was able to get it done in time but not early  
enough to get it here by mail by Christmas.  So I drove 75 miles south  
to King City to meet him at a Star Bucks half way from his home in  
Cambria  to get the instrument. Though not exactly a charitable  
gesture if felt great to be in on the conspiracy which took him  
completely by surprise and made him very very happy.
  Bill

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From: antonyhequet@yahoo.com
Subject: Re: So, what new gear did Santa bring you?
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no but that's a good thought; thanks for bringing it up.

Antony



________________________________
From: Jeff Shirkey <jcshirke@frontier.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, December 28, 2010 5:21:23 PM
Subject: Re: So, what new gear did Santa bring you?





 
>Did anyone do anything to HELP someone in need this Christmas?
>
>
> 

Sure did. :)


      
--0-267812781-1293611765=:70752
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>no but that's a good thought; thanks for bringing it up.</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Jeff Shirkey &lt;jcshirke@frontier.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, December 28, 2010 5:21:23 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: So, what new gear did Santa bring you?<br></font><br>
<br><div><div><br></div><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style=""><tbody><tr><td valign="top" style="font:inherit;"> <div>&nbsp;</div> <div>Did anyone do anything to HELP someone in need this Christmas?<br><br><br></div></td></tr></tbody></table></blockquote><div><br></div><div>Sure did. :)</div><div><br></div><div><br></div></div></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
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On Wed, Dec 29, 2010 at 1:02 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> theres a typically but rather clever implementation on most hardware arps
> that I like, where the arp plays UNTILL a new chord is played, when that
> will take over, UNLESS one or more notes from the previous chord are play=
ed,
> IN WHICH CASE the new chord ADDS to the arp..


You should post that as humble request for help to the Bidule forum!
I'm certain some of the programming wizards over there would love the
challenge to mock it up for you! That forum is full of people that
make electronic music because they like to program (!) and they like
to show off their exceptional skills to guys like us that just want to
make music with as little programming as possible.

Another cool ARP mode is =E2=80=98As Played=E2=80=99 =E2=80=94 plays the cu=
rrent notes in the
order they were originally played.

Here are two more cool modes that I like in the Alchemy (built-in) arp:

o	In =E2=80=98Hold=E2=80=99 mode, the new notes are organized into a new pa=
ttern,
which replaces the existing pattern.
o	In =E2=80=98Add=E2=80=99 mode, the new notes are added to the existing pa=
ttern. (Try
combining =E2=80=98As Played=E2=80=99 mode with the =E2=80=98Add=E2=80=99 l=
atch setting to create an
interactive step sequencer with up to 128 steps!)

They kind of give the user experience you described. But I think I
would like to also create a foot controlled MIDI filter that only lets
MIDI through to the arp when pressed down. That is because I'd like to
 keep on playing Stick/guitar with the normal audio pickup sound now
and then. My plan is to press down the arp pedal as I play notes that
I want to also be copied into the arpeggiator (as MIDI, by the MIDI
pickup). I think I'd like to use Alchemy with its built-in arp but if
you set up an arp in Bidule it would be simple to also set up a
"Filter out MIDI pre arp" switch.

Per

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Subject: Re: Re: OT - Mahavishnu live footage
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Matt -> What is the book called?

2010/12/27 Rick Walker <looppool@cruzio.com>

> On 7/22/64 11:59 AM, Per Boysen wrote:
>
>> But, as Michael remarked, John seems to have
>> always been truly sincere inside all that; the attitude to music
>> making as a prayer is something I totally agree with.  When watching
>> Johns activities from a distance against the background of "the
>> general sheep mob" one could easily take him for one of them. I had
>> similar bugs, back in the days (luckily such narrow perspectives
>> washed off by time), regarding Carlos Santana when he too showed up
>> "dressed in that Indian night shirt".
>>
> John and Carlos were both very serious devotees of the Indian Hindu guru,
> Sri Chinmoy.
> I never got that they took it lightly or that they were being trendy.
>
> McLaughlin's devotee name was Mahavishnu John McLaughlin,
> Santana's was Devadip Carlos Santana for a while
> and my brother and I always referred to him as DoubleDip Carlos Santana
> (ahhhhhh,  immaturity!!!!)
>
> rick walker
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

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Matt -&gt; What is the book called?<br><br><div class=3D"gmail_quote">2010/=
12/27 Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.c=
om">looppool@cruzio.com</a>&gt;</span><br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
On 7/22/64 11:59 AM, Per Boysen wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
But, as Michael remarked, John seems to have<br>
always been truly sincere inside all that; the attitude to music<br>
making as a prayer is something I totally agree with. =A0When watching<br>
Johns activities from a distance against the background of &quot;the<br>
general sheep mob&quot; one could easily take him for one of them. I had<br=
>
similar bugs, back in the days (luckily such narrow perspectives<br>
washed off by time), regarding Carlos Santana when he too showed up<br>
&quot;dressed in that Indian night shirt&quot;.<br>
</blockquote>
John and Carlos were both very serious devotees of the Indian Hindu guru, S=
ri Chinmoy.<br>
I never got that they took it lightly or that they were being trendy.<br>
<br>
McLaughlin&#39;s devotee name was Mahavishnu John McLaughlin,<br>
Santana&#39;s was Devadip Carlos Santana for a while<br>
and my brother and I always referred to him as DoubleDip Carlos Santana<br>
(ahhhhhh, =A0immaturity!!!!)<br><font color=3D"#888888">
<br>
rick walker<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.pet=
rilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--001636c5b55823157704988b8cb6--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 15:25:15 2010
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Subject: Reyn vs Blaudzun - Quiet German Girls
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Really simple looping, but I just love this song and wanted to share! :

http://www.youtube.com/watch_popup?v=MuqZAqxcwjg

Cheers,

Reyn

www.reyn.net
www.studio.reyn.net

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 15:26:46 2010
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Subject: Re: OT: Musical discoveries of 2010
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This is a belated response to this thread, but just wanted to share as 
I've discovered so much good music this year. These aren't necessarily 
2010 releases, or new artists, but they were new to me.

John Hollenbeck Large Ensemble "Eternal Interlude" - drummer-led big 
band, doing some really groovy, really complicated, soulful things.
Todd Sickafoose "Tiny Resistors" - fantastic band, fantastic songs, 
fantastic bassist.
So Percussion - four-person percussion ensemble. Anything they do is 
amazing, but "Amid the Noise" is a favorite.
Brian Blade & the Fellowship Band - "Season of Changes" - beautiful, 
moving stuff, only tangentially related to jazz.
Mastodon "Crack the Skye" - the best metal album I've heard in 10 years, 
if not 20. Amazing production, great drummer, tight concept, and an 
excellent example of that whole 
Norse-gods-thundering-through-the-steppes feeling that metal is supposed 
to have.
Bert Jansch - member of 60's Brit-folk band Pentangle. Great guitar 
stylist - I dig him more than Fahey (horror!).
Vijay Iyer "Solo", and "Historicity" - I've simply never heard somebody 
play piano like this.
Tommy Emmanuel - unbelievable acoustic guitar player. He does things 
that seem impossible, with humor, style and intelligence. Check some 
Youtube videos, or his "Endless Road". AVOID like the plague any of his 
electric work, it's sadly cheesy.
Gamelan Galak Tiki - Boston-based gamelan ensemble doing new music, led 
by Evan Ziporyn (member of Bang on a Can All-Stars). Saw them twice; 
mindblowing.

And a whole bunch of New York-based artists who do great work in the 
nu-jazz idiom:
Mary Holverson (guitar), Ben Perowsky (drums), Ben Allison (bass), John 
Stetch (piano), Steve Cardenas (guitar), Jim Black (drums), Tyshawn 
Sorey (drums)

I also need to add that David Torn's performance two weeks ago with Tim 
Berne and Ches Smith (they called their trio Aarses) is one of the best 
looping shows I have ever seen, if not one of the best shows of 
improvised music, if not one of the best shows I have ever seen PERIOD. 
It's still resonating with me.

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 15:36:58 2010
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Date: Wed, 29 Dec 2010 10:36:50 -0500
From: Daryl Shawn <darylshawn@gmail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EME moonbounce?
References: <4D1404F7.9030108@gmail.com> <4D1483CB.6030608@cruzio.com> <4D150B28.8040101@gmail.com> <009e01cba3b6$eb362280$6400a8c0@vulcan> <164355.85466.qm@web45904.mail.sp1.yahoo.com>
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I'm belated to respond here, again. I was thinking of small resistors - 
circuit board style. If one sent a signal through a whole mess of 'em, 
re-amplified as necessary in between, would it delay the signal 
appreciably? Or would it take such an ungodly army of them that it would 
make it all ridiculous?

I liked the elegance of a simple wire, but I can see that the length, 
among other considerations, would make it less elegant that I first thought.

I LOVE the opto-delay idea, extravagant though it sounds. Let's mention 
it to Fripp :).

Daryl Shawn
www.swanwelder.com

> yes, due to the fact that a long cable has a high resistance, it would 
> be necessary to boost the input signal in order to obtain some very 
> small signal at the far end. That is why repeaters are used on 
> undersea cables, each section is amplified before sending into the 
> next section.
>
> hmmm, I don't know much about optics, but it would be cool to build a 
> box which takes the audio signal, converts to optical, then bounces 
> off of two mirrors set x distance apart, when the number of bounces 
> equals the distance you want, send the signal to the output. Voila, an 
> Opto - Delay! This would also probably be the most expensive delay 
> known to man, since it would require precise laser-optic type mirrors 
> and a laser.
>
> Eric

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 15:46:46 2010
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Date: Wed, 29 Dec 2010 10:46:36 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: EME moonbounce?
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Neither of these ideas are "sound" so to speak.. electrons travel at 
the speed of light, so no amount of wire would add appreciable delay 
to a signal...

>I'm belated to respond here, again. I was thinking of small 
>resistors - circuit board style. If one sent a signal through a 
>whole mess of 'em, re-amplified as necessary in between, would it 
>delay the signal appreciably? Or would it take such an ungodly army 
>of them that it would make it all ridiculous?
>
>I liked the elegance of a simple wire, but I can see that the 
>length, among other considerations, would make it less elegant that 
>I first thought.
>
>I LOVE the opto-delay idea, extravagant though it sounds. Let's 
>mention it to Fripp :).
>
>Daryl Shawn
>www.swanwelder.com
>
>>yes, due to the fact that a long cable has a high resistance, it 
>>would be necessary to boost the input signal in order to obtain 
>>some very small signal at the far end. That is why repeaters are 
>>used on undersea cables, each section is amplified before sending 
>>into the next section.
>>
>>hmmm, I don't know much about optics, but it would be cool to build 
>>a box which takes the audio signal, converts to optical, then 
>>bounces off of two mirrors set x distance apart, when the number of 
>>bounces equals the distance you want, send the signal to the 
>>output. Voila, an Opto - Delay! This would also probably be the 
>>most expensive delay known to man, since it would require precise 
>>laser-optic type mirrors and a laser.
>>
>>Eric


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 15:53:03 2010
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Date: Wed, 29 Dec 2010 10:53:00 -0500
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Subject: Re: OT: Musical discoveries of 2010
From: Tony K <bigtonyk@gmail.com>
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--0015174c3fc244ec8804988e9040
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Ok, I'll share.  Not just 'discoveries' but fav releases too.

Tim Motzer/Markus Reuter - Descending.  Just lovely.
Tim Motzer (and friends) - Goldbug.  quirky, trippy, jazzy.
Julie Slick (bassist extraordinaire for Adrian Belew) debut.   Shows exactly
why Adrian picked her.   Love it.
District 97 - Hybrid Child.  Flat out prog rock.
Riverside - Anno Domini (actually a 2009 release, but I didn't get it til
2010). more prog!
Transatlantic - The Whirlwind.  Hey look, even more prog! :)
The Orb featuring David Gilmour - Metallic Spheres.  old school prog.
Slash - Slash.  Wait, that's not prog.
Meshuggah - Alive.  Way not prog.
Jeff Beck - Emotion & Commotion.  It's JB, need not say more.
Animals as Leaders (self titled).  wow.
Black Country Communion.  Glenn Hughes, damn.
Iron Maiden - The Final Frontier.  I love metal.

and the releases of the remastered King Crimson catalog are well worth
getting if you are a KC fan.


On Wed, Dec 29, 2010 at 10:26 AM, Daryl Shawn <darylshawn@gmail.com> wrote:

> This is a belated response to this thread, but just wanted to share as I've
> discovered so much good music this year. These aren't necessarily 2010
> releases, or new artists, but they were new to me.
>
> John Hollenbeck Large Ensemble "Eternal Interlude" - drummer-led big band,
> doing some really groovy, really complicated, soulful things.
> Todd Sickafoose "Tiny Resistors" - fantastic band, fantastic songs,
> fantastic bassist.
> So Percussion - four-person percussion ensemble. Anything they do is
> amazing, but "Amid the Noise" is a favorite.
> Brian Blade & the Fellowship Band - "Season of Changes" - beautiful, moving
> stuff, only tangentially related to jazz.
> Mastodon "Crack the Skye" - the best metal album I've heard in 10 years, if
> not 20. Amazing production, great drummer, tight concept, and an excellent
> example of that whole Norse-gods-thundering-through-the-steppes feeling that
> metal is supposed to have.
> Bert Jansch - member of 60's Brit-folk band Pentangle. Great guitar stylist
> - I dig him more than Fahey (horror!).
> Vijay Iyer "Solo", and "Historicity" - I've simply never heard somebody
> play piano like this.
> Tommy Emmanuel - unbelievable acoustic guitar player. He does things that
> seem impossible, with humor, style and intelligence. Check some Youtube
> videos, or his "Endless Road". AVOID like the plague any of his electric
> work, it's sadly cheesy.
> Gamelan Galak Tiki - Boston-based gamelan ensemble doing new music, led by
> Evan Ziporyn (member of Bang on a Can All-Stars). Saw them twice;
> mindblowing.
>
> And a whole bunch of New York-based artists who do great work in the
> nu-jazz idiom:
> Mary Holverson (guitar), Ben Perowsky (drums), Ben Allison (bass), John
> Stetch (piano), Steve Cardenas (guitar), Jim Black (drums), Tyshawn Sorey
> (drums)
>
> I also need to add that David Torn's performance two weeks ago with Tim
> Berne and Ches Smith (they called their trio Aarses) is one of the best
> looping shows I have ever seen, if not one of the best shows of improvised
> music, if not one of the best shows I have ever seen PERIOD. It's still
> resonating with me.
>
> Daryl Shawn
> www.swanwelder.com
>
>


-- 
-==-=-=-
Tony

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Ok, I&#39;ll share.=A0 Not just &#39;discoveries&#39; but fav releases too.=
<br><br>Tim Motzer/Markus Reuter - Descending.=A0 Just lovely.<br>Tim Motze=
r (and friends) - Goldbug.=A0 quirky, trippy, jazzy.<br>Julie Slick (bassis=
t extraordinaire for Adrian Belew) debut. =A0 Shows exactly why Adrian pick=
ed her.=A0=A0 Love it.<br>
District 97 - Hybrid Child.=A0 Flat out prog rock.=A0 <br>Riverside - Anno =
Domini (actually a 2009 release, but I didn&#39;t get it til 2010). more pr=
og!<br>Transatlantic - The Whirlwind.=A0 Hey look, even more prog! :)<br>Th=
e Orb featuring David Gilmour - Metallic Spheres.=A0 old school prog.<br>
Slash - Slash.=A0 Wait, that&#39;s not prog.<br>Meshuggah - Alive.=A0 Way n=
ot prog.<br>Jeff Beck - Emotion &amp; Commotion.=A0 It&#39;s JB, need not s=
ay more.<br>Animals as Leaders (self titled).=A0 wow.<br>Black Country Comm=
union.=A0 Glenn Hughes, damn.<br>
Iron Maiden - The Final Frontier.=A0 I love metal.<br><br>and the releases =
of the remastered King Crimson catalog are well worth getting if you are a =
KC fan.<br><br><br><div class=3D"gmail_quote">On Wed, Dec 29, 2010 at 10:26=
 AM, Daryl Shawn <span dir=3D"ltr">&lt;<a href=3D"mailto:darylshawn@gmail.c=
om">darylshawn@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">This is a belated response to this thread, =
but just wanted to share as I&#39;ve discovered so much good music this yea=
r. These aren&#39;t necessarily 2010 releases, or new artists, but they wer=
e new to me.<br>

<br>
John Hollenbeck Large Ensemble &quot;Eternal Interlude&quot; - drummer-led =
big band, doing some really groovy, really complicated, soulful things.<br>
Todd Sickafoose &quot;Tiny Resistors&quot; - fantastic band, fantastic song=
s, fantastic bassist.<br>
So Percussion - four-person percussion ensemble. Anything they do is amazin=
g, but &quot;Amid the Noise&quot; is a favorite.<br>
Brian Blade &amp; the Fellowship Band - &quot;Season of Changes&quot; - bea=
utiful, moving stuff, only tangentially related to jazz.<br>
Mastodon &quot;Crack the Skye&quot; - the best metal album I&#39;ve heard i=
n 10 years, if not 20. Amazing production, great drummer, tight concept, an=
d an excellent example of that whole Norse-gods-thundering-through-the-step=
pes feeling that metal is supposed to have.<br>

Bert Jansch - member of 60&#39;s Brit-folk band Pentangle. Great guitar sty=
list - I dig him more than Fahey (horror!).<br>
Vijay Iyer &quot;Solo&quot;, and &quot;Historicity&quot; - I&#39;ve simply =
never heard somebody play piano like this.<br>
Tommy Emmanuel - unbelievable acoustic guitar player. He does things that s=
eem impossible, with humor, style and intelligence. Check some Youtube vide=
os, or his &quot;Endless Road&quot;. AVOID like the plague any of his elect=
ric work, it&#39;s sadly cheesy.<br>

Gamelan Galak Tiki - Boston-based gamelan ensemble doing new music, led by =
Evan Ziporyn (member of Bang on a Can All-Stars). Saw them twice; mindblowi=
ng.<br>
<br>
And a whole bunch of New York-based artists who do great work in the nu-jaz=
z idiom:<br>
Mary Holverson (guitar), Ben Perowsky (drums), Ben Allison (bass), John Ste=
tch (piano), Steve Cardenas (guitar), Jim Black (drums), Tyshawn Sorey (dru=
ms)<br>
<br>
I also need to add that David Torn&#39;s performance two weeks ago with Tim=
 Berne and Ches Smith (they called their trio Aarses) is one of the best lo=
oping shows I have ever seen, if not one of the best shows of improvised mu=
sic, if not one of the best shows I have ever seen PERIOD. It&#39;s still r=
esonating with me.<br>
<font color=3D"#888888">
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--0015174c3fc244ec8804988e9040--

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 17:14:42 2010
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Subject: Re: So, what new gear did Santa bring
Date: Wed, 29 Dec 2010 18:14:38 +0100
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Ja,
so Santa got me a few used USB PC keyboards for free, which i  
disassembled and then turned them into cheap and wonderful USB foot  
remote controllers, now enabling hands-free control of my self-written  
max msp looper (laserdave).
Paid around 20 Euro in total for the parts to build a 6-switch unit.  
Theoretically it is no problem to build a 128 switch unit out of this,  
or a simple box, that let's one use spare foot switches of the normal  
kind (mono jack, momentary)
I'll eventually blog the intestines of this hack, until then you can  
get a grasp of the general idea here:
http://www.youtube.com/watch?v=a3NxQ60E72k
Enjoy :)
I hope everyone is having pleasant holidays.
j
- - -
jayrope
http://www.kliklak.net


From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 17:58:43 2010
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Subject: Soundplant for videos?
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf3054a2e9b9f02504989051a1
Content-Type: text/plain; charset=ISO-8859-1

Does anyone know any programs similar to SoundPlant for plaing videoclips as
easily?
Assign keys to play a videofile?

This is  OT, but any info would be appreciated...!!!!
-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2e9b9f02504989051a1
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Does anyone know any programs similar to SoundPlant for plaing videoclips a=
s easily?<br>Assign keys to play a videofile?<br><br>This is=A0 OT, but any=
 info would be appreciated...!!!!<br>-- <br>Petri Lahtinen<br><a href=3D"ht=
tp://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahtinen.com<=
/a><br>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://pet=
rilahtinen.blogspot.com/</a><br><a href=3D"http://soundcloud.com/petrilahti=
nen" target=3D"_blank">http://soundcloud.com/petrilahtinen</a><br><a href=
=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitter.com/=
PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://pet=
rilahtinen.bandcamp.com/</a><br>-------------------------------------------=
--------<br>&quot;Only become professional musician if there is no choice.&=
quot; -Robert Fripp-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--20cf3054a2e9b9f02504989051a1--

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Subject: Re: So, what new gear did Santa bring
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Hi gang,

Santa didn't bring me anything musical this year.

My musical tastes are waaaaay too esoteric and my music-making needs  
and desires are too specific, shifting, and expensive generally.

But my wife gave me an Amazon Kindle for Xmas . . . which I love BTW.

And my kids gave the usual, socks, hankies, batteries, post-it  
notes . . . stuff like that (thank goodness I don't wear ties).

So . . . I have a home and familial love . . . what else do I need?

Since september, I've sold off about $3K worth of gear on Ebay and  
elsewhere with the intent of migrating my future guitar-looping and  
effecting over to my MacBook Pro and some "fewer" pedals.

I purchased a few things and found them not all they were cracked up  
to be . . . and sent them back for refunds.

However, most of that money wound up eventually getting spent on other  
practical "family" stuff - life happens (or death, as in the case of  
the recent passing away of my Mother-in-law and subsequent plane  
flight for my wife for the mid-west funeral).

Very little is left I am sad to say.

Unfortunately, the migration is only half-way finished.

Most of the software I intend to use is in place, and most of the  
controllers (though I have not mastered any of them yet).

I still need to acquire an adequately high-quality audio interface  
though . . . which is going to cost me dearly.

What's needed most of all is some "face-time" with an expert who can  
teach me quickly how to adapt and make music with all this.

Hopefully that will happen soon.

I have set a goal to be up and running in time for B-CIMF in Boise  
this Spring (should that even happen).

Sigh . . . enough of that.

As for the real meaning of the season, we spent the usual time at  
church and invited over an older couple who had no other family or  
place to go for the holiday.

Not much, as regards to the spirit of Christmas, but sometimes all you  
can do is all you can do . . . and then my wife's mother passed away  
the next day.

Maybe the Universe it trying to tell me something.

I guess I must be hard of hearing (LOL), because I keep trying anyway.

Cheers, and happy new year!

Best,

Ted

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 18:13:28 2010
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Subject: Online gig spam
Date: Wed, 29 Dec 2010 18:13:21 +0000
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--Apple-Mail-1--340895031
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Live streaming online at http://www.cafenoodle.ning.com/

7pm Matt Stevens
8pm Chrissie Caulfield
9pm Rare Bear
10pm Stephen Goodman

3 out of 4 livelooping :) If anyone would like to perform at the  
venue in 2011 please get in touch :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Trebuchet MS" size=3D"3" =
color=3D"#333333" style=3D"font: 12.0px Trebuchet MS; color: =
#333333">Live streaming online at <a =
href=3D"http://www.reverbnation.com/c/fan_reach/pt?eid=3DA158359_6832483_2=
2798105&amp;url=3Dhttp%3A%2F%2Fwww.cafenoodle.ning.com%2F"><font =
color=3D"#333571" style=3D"color: =
#333571">http://www.cafenoodle.ning.com/</font></a><br> <br> 7pm Matt =
Stevens<br> 8pm Chrissie Caulfield<br> 9pm Rare Bear<br> 10pm Stephen =
Goodman</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Trebuchet MS" =
size=3D"3" color=3D"#333333" style=3D"font: 12.0px Trebuchet MS; color: =
#333333"><br></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font face=3D"Trebuchet MS" =
size=3D"3" color=3D"#333333" style=3D"font: 12.0px Trebuchet MS; color: =
#333333">3 out of 4 livelooping :) If anyone would like to perform at =
the venue in 2011 please get in touch :)</font></div><br><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

--Apple-Mail-1--340895031--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Online gig spam
Date: Wed, 29 Dec 2010 18:15:29 +0000
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in about 45 mins - apologies i should have said uk times

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 29 Dec 2010, at 18:13, Matt Stevens wrote:

> Live streaming online at http://www.cafenoodle.ning.com/
>
> 7pm Matt Stevens
> 8pm Chrissie Caulfield
> 9pm Rare Bear
> 10pm Stephen Goodman
>
> 3 out of 4 livelooping :) If anyone would like to perform at the  
> venue in 2011 please get in touch :)
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
in about 45 mins - apologies i should have said uk =
times<div>&nbsp;<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 29 Dec 2010, =
at 18:13, Matt Stevens wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"> <div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Trebuchet MS" size=3D"3" =
color=3D"#333333" style=3D"font: 12.0px Trebuchet MS; color: =
#333333">Live streaming online at <a =
href=3D"http://www.reverbnation.com/c/fan_reach/pt?eid=3DA158359_6832483_2=
2798105&amp;url=3Dhttp%3A%2F%2Fwww.cafenoodle.ning.com%2F"><font =
color=3D"#333571" style=3D"color: =
#333571">http://www.cafenoodle.ning.com/</font></a><br> <br> 7pm Matt =
Stevens<br> 8pm Chrissie Caulfield<br> 9pm Rare Bear<br> 10pm Stephen =
Goodman</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Trebuchet MS" =
size=3D"3" color=3D"#333333" style=3D"font: 12.0px Trebuchet MS; color: =
#333333"><br></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font face=3D"Trebuchet MS" =
size=3D"3" color=3D"#333333" style=3D"font: 12.0px Trebuchet MS; color: =
#333333">3 out of 4 livelooping :) If anyone would like to perform at =
the venue in 2011 please get in touch :)</font></div><br><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> =
</div><br></blockquote></div><br></div></body></html>=

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Subject: RE: Online gig spam
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Thanks Matt, can you give us not in the know here some input as to what
we need to connect to cafenoodle, is it all live streamed, what's the
best way to do that?

=20

From: Matt Stevens [mailto:mattstevensguitar@btinternet.com]=20
Sent: Wednesday, December 29, 2010 1:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Online gig spam

=20

in about 45 mins - apologies i should have said uk times

=20

Matt Stevens

www.mattstevensguitar.com

mattstevensguitar@btinternet.com

=20





=20

On 29 Dec 2010, at 18:13, Matt Stevens wrote:





Live streaming online at http://www.cafenoodle.ning.com/
<http://www.reverbnation.com/c/fan_reach/pt?eid=3DA158359_6832483_2279810=
5
&url=3Dhttp%3A%2F%2Fwww.cafenoodle.ning.com%2F>=20

7pm Matt Stevens
8pm Chrissie Caulfield
9pm Rare Bear
10pm Stephen Goodman

=20

3 out of 4 livelooping :) If anyone would like to perform at the venue
in 2011 please get in touch :)

=20

Matt Stevens

www.mattstevensguitar.com

mattstevensguitar@btinternet.com

=20

=20

=20

=20


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class=3DWordSection1><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>Thanks Matt, can you give us not in the know here some input as to =
what we need to connect to cafenoodle, is it all live streamed, =
what&#8217;s the best way to do that?<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><div><div =
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0in 0in'><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
Matt Stevens [mailto:mattstevensguitar@btinternet.com] <br><b>Sent:</b> =
Wednesday, December 29, 2010 1:15 PM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: Online gig =
spam<o:p></o:p></span></p></div></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal>in about 45 =
mins - apologies i should have said uk times<o:p></o:p></p><div><p =
class=3DMsoNormal>&nbsp;<o:p></o:p></p><div><div><p =
class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Helvetica","sans-serif";color:black=
'>Matt Stevens<o:p></o:p></span></p></div><div><p =
class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Helvetica","sans-serif";color:black=
'>www.mattstevensguitar.com<o:p></o:p></span></p></div><div><p =
class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Helvetica","sans-serif";color:black=
'><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</a><o:p></o:p></span></p></div><div><p class=3DMsoNormal><span =
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'><br><br></span><o:p></o:p></p></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><div><div><p class=3DMsoNormal>On =
29 Dec 2010, at 18:13, Matt Stevens wrote:<o:p></o:p></p></div><p =
class=3DMsoNormal><br><br><o:p></o:p></p><div><p class=3DMsoNormal><span =
style=3D'font-size:9.0pt;font-family:"Trebuchet =
MS","sans-serif";color:#333333'>Live streaming online at <a =
href=3D"http://www.reverbnation.com/c/fan_reach/pt?eid=3DA158359_6832483_=
22798105&amp;url=3Dhttp%3A%2F%2Fwww.cafenoodle.ning.com%2F"><span =
style=3D'color:#333571'>http://www.cafenoodle.ning.com/</span></a><br><br=
>7pm Matt Stevens<br>8pm Chrissie Caulfield<br>9pm Rare Bear<br>10pm =
Stephen Goodman</span><o:p></o:p></p></div><div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div><div><p =
class=3DMsoNormal><span style=3D'font-size:9.0pt;font-family:"Trebuchet =
MS","sans-serif";color:#333333'>3 out of 4 livelooping :) If anyone =
would like to perform at the venue in 2011 please get in touch =
:)</span><o:p></o:p></p></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><div><div><p =
class=3DMsoNormal><span style=3D'font-size:9.0pt'>Matt =
Stevens<o:p></o:p></span></p></div><div><p class=3DMsoNormal><span =
style=3D'font-size:9.0pt'>www.mattstevensguitar.com<o:p></o:p></span></p>=
</div><div><p class=3DMsoNormal><span style=3D'font-size:9.0pt'><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
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From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 18:38:31 2010
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Subject: EHX 2880
Date: Wed, 29 Dec 2010 10:37:36 -0800
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Just wondering why you don't here much about the 2880 in here, looks
pretty cool.....;)))>

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 18:57:12 2010
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Details please! (Or a link if you already have=85)

thanks!

dpc


On Dec 29, 2010, at 10:01 AM, tEd =AE KiLLiAn wrote:

> Since september, I've sold off about $3K worth of gear on Ebay and =20
> elsewhere with the intent of migrating my future guitar-looping and =20=

> effecting over to my MacBook Pro and some "fewer" pedals.
>
> I purchased a few things and found them not all they were cracked up =20=

> to be . . . and sent them back for refunds.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 19:41:10 2010
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Date: Wed, 29 Dec 2010 14:40:29 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: EHX 2880
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There is a lot of info in the archives.. it's an amazing thing.. the 
only looper I know that has physical knobs for pitch, feedback and 
level...

>Just wondering why you don't here much about the 2880 in here, looks
>pretty cool.....;)))>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 20:18:24 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Online gig spam
Date: Wed, 29 Dec 2010 20:18:15 +0000
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--Apple-Mail-4--333400536
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The idea of connecting to Cafenoodle is to build the community thru =20
the entire night's performance as each act's audience crosses over - =20
thats the plan - the community is the most important bit - the people =20=

who are online are amazing - wonderful people who love new music from =20=

all over the world.  Normally we stream by ustream - its really easy =20
to set up :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 29 Dec 2010, at 18:36, Andy Owens wrote:

> Thanks Matt, can you give us not in the know here some input as to =20
> what we need to connect to cafenoodle, is it all live streamed, =20
> what=92s the best way to do that?
>
> From: Matt Stevens [mailto:mattstevensguitar@btinternet.com]
> Sent: Wednesday, December 29, 2010 1:15 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Online gig spam
>
> in about 45 mins - apologies i should have said uk times
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 29 Dec 2010, at 18:13, Matt Stevens wrote:
>
>
> Live streaming online at http://www.cafenoodle.ning.com/
>
> 7pm Matt Stevens
> 8pm Chrissie Caulfield
> 9pm Rare Bear
> 10pm Stephen Goodman
>
> 3 out of 4 livelooping :) If anyone would like to perform at the =20
> venue in 2011 please get in touch :)
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>


--Apple-Mail-4--333400536
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
The idea of connecting to Cafenoodle is to build the community thru the =
entire night's performance as each act's audience crosses over - thats =
the plan - the community is the most important bit - the people who are =
online are amazing - wonderful people who love new music from all over =
the world. &nbsp;Normally we stream by ustream - its really easy to set =
up :)<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 29 Dec 2010, =
at 18:36, Andy Owens wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
class=3D"WordSection1" style=3D"page: WordSection1; "><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); ">Thanks Matt, can you give us not =
in the know here some input as to what we need to connect to cafenoodle, =
is it all live streamed, what=92s the best way to do =
that?<o:p></o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); =
"><o:p>&nbsp;</o:p></span></div><div><div style=3D"border-right-style: =
none; border-bottom-style: none; border-left-style: none; border-width: =
initial; border-color: initial; border-top-style: solid; =
border-top-color: rgb(181, 196, 223); border-top-width: 1pt; =
padding-top: 3pt; padding-right: 0in; padding-bottom: 0in; padding-left: =
0in; "><div style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: =
0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><b><span style=3D"font-size: 10pt; font-family: Tahoma, =
sans-serif; ">From:</span></b><span style=3D"font-size: 10pt; =
font-family: Tahoma, sans-serif; "><span =
class=3D"Apple-converted-space">&nbsp;</span>Matt Stevens [<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mailto:mattstevensguitar@=
btinternet.com</a>]<span =
class=3D"Apple-converted-space">&nbsp;</span><br><b>Sent:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Wednesday, December 29, =
2010 1:15 PM<br><b>To:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b>Subject:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Re: Online gig =
spam<o:p></o:p></span></div></div></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; =
"><o:p>&nbsp;</o:p></div><div style=3D"margin-top: 0in; margin-right: =
0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; =
font-family: 'Times New Roman', serif; ">in about 45 mins - apologies i =
should have said uk times<o:p></o:p></div><div><div style=3D"margin-top: =
0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; =
font-size: 12pt; font-family: 'Times New Roman', serif; =
">&nbsp;<o:p></o:p></div><div><div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
9pt; font-family: Helvetica, sans-serif; color: black; ">Matt =
Stevens<o:p></o:p></span></div></div><div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
9pt; font-family: Helvetica, sans-serif; color: black; =
">www.mattstevensguitar.com<o:p></o:p></span></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><span style=3D"font-size: 9pt; font-family: Helvetica, =
sans-serif; color: black; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com" style=3D"color: blue; =
text-decoration: underline; =
">mattstevensguitar@btinternet.com</a><o:p></o:p></span></div></div><div><=
div style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: =
0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 9pt; font-family: Helvetica, =
sans-serif; color: black; "><o:p>&nbsp;</o:p></span></div></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><span style=3D"font-size: 9pt; font-family: Helvetica, =
sans-serif; color: black; "><br><br></span><o:p></o:p></div></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><o:p>&nbsp;</o:p></div><div><div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; ">On 29 Dec 2010, at 18:13, =
Matt Stevens wrote:<o:p></o:p></div></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; =
"><br><br><o:p></o:p></div><div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
9pt; font-family: 'Trebuchet MS', sans-serif; color: rgb(51, 51, 51); =
">Live streaming online at<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.reverbnation.com/c/fan_reach/pt?eid=3DA158359_6832483_2=
2798105&amp;url=3Dhttp%3A%2F%2Fwww.cafenoodle.ning.com%2F" style=3D"color:=
 blue; text-decoration: underline; "><span style=3D"color: rgb(51, 53, =
113); ">http://www.cafenoodle.ning.com/</span></a><br><br>7pm Matt =
Stevens<br>8pm Chrissie Caulfield<br>9pm Rare Bear<br>10pm Stephen =
Goodman</span><o:p></o:p></div></div><div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; =
"><o:p>&nbsp;</o:p></div></div><div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
9pt; font-family: 'Trebuchet MS', sans-serif; color: rgb(51, 51, 51); =
">3 out of 4 livelooping :) If anyone would like to perform at the venue =
in 2011 please get in touch :)</span><o:p></o:p></div></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><o:p>&nbsp;</o:p></div><div><div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
9pt; ">Matt Stevens<o:p></o:p></span></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><span style=3D"font-size: 9pt; =
">www.mattstevensguitar.com<o:p></o:p></span></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><span style=3D"font-size: 9pt; "><a =
href=3D"mailto:mattstevensguitar@btinternet.com" style=3D"color: blue; =
text-decoration: underline; =
">mattstevensguitar@btinternet.com</a><o:p></o:p></span></div></div><div><=
div style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: =
0.0001pt; margin-left: 0in; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 9pt; =
"><o:p>&nbsp;</o:p></span></div></div><p class=3D"MsoNormal" =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 12pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman', =
serif; "><o:p>&nbsp;</o:p></p></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; =
"><o:p>&nbsp;</o:p></div></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; =
"><o:p>&nbsp;</o:p></div></div></div></span></blockquote></div><br></div><=
/body></html>=

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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: So, what new gear did Santa bring
Date: Wed, 29 Dec 2010 21:44:41 +0100
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tEd =C2=AE KiLLiAn <tedkillian@charter.net> ha scritto:

> Unfortunately, the migration is only half-way finished.
>=20
> Most of the software I intend to use is in place, and most of the controll=
ers (though I have not mastered any of them yet).
>=20
> I still need to acquire an adequately high-quality audio interface though .=
 . . which is going to cost me dearly.
>=20
> What's needed most of all is some "face-time" with an expert who can teach=
 me quickly how to adapt and make music with all this.

Looking for an expert ? No need for a "face time" teatcher.
I can suggest you a community of skilled and helpful persons that's called  L=
ooper's delight :-)
Trust me, buy a good audio interface and start doing something. I'm sure all=
 of your questions will find an answer.

> As for the real meaning of the season, we spent the usual time at church a=
nd invited over an older couple who had no other family or place to go for t=
he holiday.

You are a very good man, Ted. I'm moved by that.

>=20
> Not much, as regards to the spirit of Christmas, but sometimes all you can=
 do is all you can do . . . and then my wife's mother passed away the next d=
ay.
>=20
> Maybe the Universe it trying to tell me something.
>=20
> I guess I must be hard of hearing (LOL), because I keep trying=20

My condolence for the recent lost, Ted.
Maybe the meaning is difficult in itself. Keep hearing
>=20
> Cheers, and happy new year!
>=20
> Best,

Best wishes to you and your family

-f


>=20

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 21:33:55 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: OT - Mahavishnu live footage
Date: Wed, 29 Dec 2010 21:33:47 +0000
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cool bit on modes @ th front :) http://www.amazon.com/John-McLaughlin- 
Mahavishnu-Orchestra-Scores/dp/0739042556/ref=sr_1_2? 
s=books&ie=UTF8&qid=1293658400&sr=1-2
Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 29 Dec 2010, at 12:17, Petri Lahtinen wrote:

> Matt -> What is the book called?
>
> 2010/12/27 Rick Walker <looppool@cruzio.com>
> On 7/22/64 11:59 AM, Per Boysen wrote:
> But, as Michael remarked, John seems to have
> always been truly sincere inside all that; the attitude to music
> making as a prayer is something I totally agree with.  When watching
> Johns activities from a distance against the background of "the
> general sheep mob" one could easily take him for one of them. I had
> similar bugs, back in the days (luckily such narrow perspectives
> washed off by time), regarding Carlos Santana when he too showed up
> "dressed in that Indian night shirt".
> John and Carlos were both very serious devotees of the Indian Hindu  
> guru, Sri Chinmoy.
> I never got that they took it lightly or that they were being trendy.
>
> McLaughlin's devotee name was Mahavishnu John McLaughlin,
> Santana's was Devadip Carlos Santana for a while
> and my brother and I always referred to him as DoubleDip Carlos  
> Santana
> (ahhhhhh,  immaturity!!!!)
>
> rick walker
>
>
>
>
> -- 
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://soundcloud.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert  
> Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must  
> lead." -Charles Bukowski-
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
cool bit on modes @ th front :)&nbsp;<a =
href=3D"http://www.amazon.com/John-McLaughlin-Mahavishnu-Orchestra-Scores/=
dp/0739042556/ref=3Dsr_1_2?s=3Dbooks&amp;ie=3DUTF8&amp;qid=3D1293658400&am=
p;sr=3D1-2">http://www.amazon.com/John-McLaughlin-Mahavishnu-Orchestra-Sco=
res/dp/0739042556/ref=3Dsr_1_2?s=3Dbooks&amp;ie=3DUTF8&amp;qid=3D129365840=
0&amp;sr=3D1-2</a><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 29 Dec 2010, =
at 12:17, Petri Lahtinen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Matt -&gt; =
What is the book called?<br><br><div class=3D"gmail_quote">2010/12/27 =
Rick Walker <span dir=3D"ltr">&lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"> On =
7/22/64 11:59 AM, Per Boysen wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;"> But, as Michael remarked, John seems to =
have<br> always been truly sincere inside all that; the attitude to =
music<br> making as a prayer is something I totally agree with. =
&nbsp;When watching<br> Johns activities from a distance against the =
background of "the<br> general sheep mob" one could easily take him for =
one of them. I had<br> similar bugs, back in the days (luckily such =
narrow perspectives<br> washed off by time), regarding Carlos Santana =
when he too showed up<br> "dressed in that Indian night shirt".<br> =
</blockquote> John and Carlos were both very serious devotees of the =
Indian Hindu guru, Sri Chinmoy.<br> I never got that they took it =
lightly or that they were being trendy.<br> <br> McLaughlin's devotee =
name was Mahavishnu John McLaughlin,<br> Santana's was Devadip Carlos =
Santana for a while<br> and my brother and I always referred to him as =
DoubleDip Carlos Santana<br> (ahhhhhh, &nbsp;immaturity!!!!)<br><font =
color=3D"#888888"> <br> rick walker<br> <br> =
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri =
Lahtinen<br><a href=3D"http://www.petrilahtinen.com" =
target=3D"_blank">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/" =
target=3D"_blank">http://petrilahtinen.blogspot.com/</a><br> <a =
href=3D"http://soundcloud.com/petrilahtinen" =
target=3D"_blank">http://soundcloud.com/petrilahtinen</a><br><a =
href=3D"http://twitter.com/PetriLahtinen" =
target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a =
href=3D"http://petrilahtinen.bandcamp.com/" =
target=3D"_blank">http://petrilahtinen.bandcamp.com/</a><br> =
---------------------------------------------------<br>"Only become =
professional musician if there is no choice." -Robert =
Fripp-<br>---------------------------------------------------<br>"Some =
people never go crazy. What truly horrible lives they must lead." =
-Charles Bukowski-<br> <br></blockquote></div><br></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 22:04:28 2010
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From: "Ingo Ito" <ingoito@itofarm.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Sustainer Question
Date: Wed, 29 Dec 2010 22:56:40 +0100
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Hi everybody,

maybe this is a bit off topic for looping, but I could imagine that some =
of you might have this equipment and could give me some information or =
recommendation.

Short while ago I bought a Fernandes "Ravelle" guitar (Les Paul type of =
guitar) equipped with a Sustainer pickup for doing ambient live-looping. =
I changed the strings to my regular brand and gauge I=B4m using on all =
my electric guitars: D'Addario EXL110 (.010, .013, .017, .026, .036, =
.046), but I=B4m not happy with the result for the Sustainer. The high =
e-string is not responding well (very slow attack) and when doing chords =
(only the fingering - to let the sound come "out of nowhere") not all =
strings are responding evenly, destroying the character of the chord.

I already tried adjustments of the pickup, the bridge and the pots on =
the Sustainer board inside the guitar (as recommended on the Fernandes =
website), but there=B4s no real improvement.

So I thought, maybe it=B4s the strings?! Any recommendations by =
Sustainer users? Different material or maybe different gauges?
I=B4ve read, that Adrian Belew is using a "thin&thick" set of strings on =
his Parker guitar, and as he=B4s using a Sustainiac system. I might give =
this set a try as well.

So any help or information is very much appreciated as always :-)

And besides, Happy New Looping Year!

Ingo Ito


www.itofarm.com
www.zenhanami.bandcamp.com

------=_NextPart_000_01FD_01CBA7AB.A7E59BC0
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http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18999">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D4 face=3DArial>Hi everybody,</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>maybe this is a bit off topic for =
looping, but I=20
could imagine that some of you might have this equipment and could give =
me some=20
information or recommendation.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Short while ago I bought a Fernandes =
"Ravelle"=20
guitar (Les Paul type of guitar) equipped with a Sustainer pickup for =
doing=20
ambient live-looping. I changed the strings to my regular brand and =
gauge I=B4m=20
using on all my electric guitars: </FONT><FONT size=3D4 =
face=3DArial>D'Addario=20
EXL110 (.010, .013, .017, .026, .036, .046), but I=B4m not happy with =
the result=20
for the Sustainer. The high e-string is not responding well (very slow =
attack)=20
and when doing chords (only the fingering - to let the sound come "out =
of=20
nowhere") not all strings are responding evenly, destroying the =
character of the=20
chord.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I already tried adjustments of the =
pickup, the=20
bridge and the pots on the Sustainer board inside the guitar (as =
recommended on=20
the Fernandes website), but there=B4s no real improvement.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>So I thought, maybe it=B4s the =
strings?! Any=20
recommendations by Sustainer users? Different material or maybe =
different=20
gauges?</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial>I=B4ve read, that Adrian Belew is using =
a=20
"thin&amp;thick" set of strings on his Parker guitar, and as he=B4s =
using a=20
Sustainiac system. I might give this set a try as well.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>So any help or information is very much =
appreciated=20
as always :-)</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>And besides, Happy New Looping =
Year!</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Ingo Ito</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.itofarm.com">www.itofarm.com</A></FONT></DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.zenhanami.bandcamp.com">www.zenhanami.bandcamp.com</A>=
</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV></BODY></HTML>

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Delivered-To: looper+loopers-delight@arsenic.violacea.com
Subject: Re: Online gig spam
References: <CCFE8957-A07A-4FBF-A2BB-25D59DE89AFF@btinternet.com> <A5ED8D46-A50F-46E1-9882-EE4745AA739A@btinternet.com> <864434907DE0E9429B16AD587941F73F077DEAE7@EXVBE010-2.exch010.intermedia.net> <51F2CB28-155B-446B-BFB6-5FD461AF4A81@btinternet.com>
From: "Andy Owens" <andy@1800dialword.com>
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In-Reply-To: <51F2CB28-155B-446B-BFB6-5FD461AF4A81@btinternet.com>
Message-ID: <6C8AD51C-7699-4EC1-B807-789E19F0173B@1800dialword.com>
Date: Wed, 29 Dec 2010 17:05:01 -0500
thread-topic: Online gig spam
thread-index: AcunpJdimQASf/VGRJaGfIip+hV11Q==
To: <Loopers-Delight@loopers-delight.com>
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X-OriginalArrivalTime: 29 Dec 2010 22:06:33.0391 (UTC) FILETIME=[A75323F0:01CBA7A4]
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X-Mailing-List: <Loopers-Delight@loopers-delight.com> archive/latest/105228
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Resent-Date: Wed, 29 Dec 2010 22:06:34 +0000 (UTC)


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The Moog guitar uses some magnetic technology like the Sustainer.  There =
are special strings for the Moog guitar, so perhaps changing your =
strings might have changed the response you get.

toby
  ----- Original Message -----=20
  From: Ingo Ito=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, December 29, 2010 1:56 PM
  Subject: Sustainer Question


  Hi everybody,

  maybe this is a bit off topic for looping, but I could imagine that =
some of you might have this equipment and could give me some information =
or recommendation.

  Short while ago I bought a Fernandes "Ravelle" guitar (Les Paul type =
of guitar) equipped with a Sustainer pickup for doing ambient =
live-looping. I changed the strings to my regular brand and gauge I=B4m =
using on all my electric guitars: D'Addario EXL110 (.010, .013, .017, =
.026, .036, .046), but I=B4m not happy with the result for the =
Sustainer. The high e-string is not responding well (very slow attack) =
and when doing chords (only the fingering - to let the sound come "out =
of nowhere") not all strings are responding evenly, destroying the =
character of the chord.

  I already tried adjustments of the pickup, the bridge and the pots on =
the Sustainer board inside the guitar (as recommended on the Fernandes =
website), but there=B4s no real improvement.

  So I thought, maybe it=B4s the strings?! Any recommendations by =
Sustainer users? Different material or maybe different gauges?
  I=B4ve read, that Adrian Belew is using a "thin&thick" set of strings =
on his Parker guitar, and as he=B4s using a Sustainiac system. I might =
give this set a try as well.

  So any help or information is very much appreciated as always :-)

  And besides, Happy New Looping Year!

  Ingo Ito


  www.itofarm.com
  www.zenhanami.bandcamp.com

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>The Moog guitar uses some magnetic =
technology like=20
the Sustainer.&nbsp; There are special strings for the Moog guitar, so =
perhaps=20
changing your strings might have changed the response you =
get.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>toby</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dingoito@itofarm.com =
href=3D"mailto:ingoito@itofarm.com">Ingo Ito</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 29, =
2010 1:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Sustainer =
Question</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=3D4 face=3DArial>Hi everybody,</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial>maybe this is a bit off topic for =
looping, but I=20
  could imagine that some of you might have this equipment and could =
give me=20
  some information or recommendation.</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial>Short while ago I bought a Fernandes =
"Ravelle"=20
  guitar (Les Paul type of guitar) equipped with a Sustainer pickup for =
doing=20
  ambient live-looping. I changed the strings to my regular brand and =
gauge I=B4m=20
  using on all my electric guitars: </FONT><FONT size=3D4 =
face=3DArial>D'Addario=20
  EXL110 (.010, .013, .017, .026, .036, .046), but I=B4m not happy with =
the result=20
  for the Sustainer. The high e-string is not responding well (very slow =
attack)=20
  and when doing chords (only the fingering - to let the sound come "out =
of=20
  nowhere") not all strings are responding evenly, destroying the =
character of=20
  the chord.</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial>I already tried adjustments of the =
pickup, the=20
  bridge and the pots on the Sustainer board inside the guitar (as =
recommended=20
  on the Fernandes website), but there=B4s no real =
improvement.</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial>So I thought, maybe it=B4s the =
strings?! Any=20
  recommendations by Sustainer users? Different material or maybe =
different=20
  gauges?</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial>I=B4ve read, that Adrian Belew is =
using a=20
  "thin&amp;thick" set of strings on his Parker guitar, and as he=B4s =
using a=20
  Sustainiac system. I might give this set a try as well.</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial>So any help or information is very =
much=20
  appreciated as always :-)</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial>And besides, Happy New Looping =
Year!</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial>Ingo Ito</FONT></DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial><A=20
  href=3D"http://www.itofarm.com">www.itofarm.com</A></FONT></DIV>
  <DIV><FONT face=3DArial><A=20
  =
href=3D"http://www.zenhanami.bandcamp.com">www.zenhanami.bandcamp.com</A>=
</FONT></DIV>
  <DIV><FONT size=3D4 =
face=3DArial></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_GCLHis3qWDR1NzrkQ6NQDA)--

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Date: Wed, 29 Dec 2010 23:46:38 +0100
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Subject: Re: Sustainer Question
From: Per Boysen <perboysen@gmail.com>
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Have you tried with thicker strings compensated by tuning down? My
experience with ebow has proven that a good way. However, since the
Fernandes doesn't have six sustainers, one for each string, there will
always be one overtone that takes over when a chord is played and
sustained. Works like acoustic feedback. Maybe you can research what
strings are fastest to "take over" and learn to "half-mute" them with
some soft material close to the bridge. Just slowing them down a bit
so the sustainer gets a chance to work the slower strings (like your
thin E).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Dec 29, 2010 at 10:56 PM, Ingo Ito <ingoito@itofarm.com> wrote:
> Fernandes Sustainer. The high e-string is not responding well (very slow attack) and
> when doing chords (only the fingering - to let the sound come "out of
> nowhere") not all strings are responding evenly, destroying the character of
> the chord.

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 22:51:11 2010
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Date: Wed, 29 Dec 2010 17:50:06 -0500
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Or, talk to the previous owner, he might have spent a ton of time dialing it=
 in and could tell you how he had it before you changed it.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 29, 2010, at 5:46 PM, "Per Boysen" <perboysen@gmail.com> wrote:

> Have you tried with thicker strings compensated by tuning down? My
> experience with ebow has proven that a good way. However, since the
> Fernandes doesn't have six sustainers, one for each string, there will
> always be one overtone that takes over when a chord is played and
> sustained. Works like acoustic feedback. Maybe you can research what
> strings are fastest to "take over" and learn to "half-mute" them with
> some soft material close to the bridge. Just slowing them down a bit
> so the sustainer gets a chance to work the slower strings (like your
> thin E).
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
>=20
>=20
> On Wed, Dec 29, 2010 at 10:56 PM, Ingo Ito <ingoito@itofarm.com> wrote:
>> Fernandes Sustainer. The high e-string is not responding well (very slow a=
ttack) and
>> when doing chords (only the fingering - to let the sound come "out of
>> nowhere") not all strings are responding evenly, destroying the character=
 of
>> the chord.
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 23:03:04 2010
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Subject: Re: OT: Musical discoveries of 2010
From: Matt Davignon <mattdavignon@gmail.com>
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Mine:

--Slaraffenland: Danish post-rock band. CD "Private Cinema" is excellent.
--Boss Hoss: German country band that covers pop songs. They're on
youtube. Check out "Hot in Herre", "Word Up" and "Hey Ya"
--Blue Water White Death: kind of a droney folkey thing with pretty
vocals. Short but well-put together album.
--Lumper-Splitter: Actually a great cd with guitarists Lucio Menegon
and Joe Rut. Possible list members?
--Geinoh Yamashirogumi: Japanese modern multi-cultural music ensemble.
They did the soundtrack to Akira, but their 1974 album "Oresuzan" (or
something like that) combines scary psychedelic music with Kabuki,
monkey chant and Tibetan throat singing.
--Elephant9: Norweigan 3 piece instrumental prog band - similar to ELP
without the moog.
--Dawid Szczesny: Polish computer musician who uses jazz samples, but
it sounds like a very old radiator heating up or a rube goldberg
machine.
--Far East Family Band: mid 70s Japanese psychedelia
--Indian Bottom Association: a Baptist church group that sings in
"Lined out hymnody" - very intense!
--Cumbia Digitale (that's a genre name): Got a great comp of
electronic cumbia from ZZK records. (It's the volume 1.) Followed up
on an artist named Chancha Via Circuito, and their cd was also good.
--Mercury Rev: Got back to listening to this band I loved in high
school. "Boces" album is top notch early 90s alternative. "Snowflake
Midnight" is much newer, a bit more sterile and a bit more cheesy with
songs about innocence, but I still like it.
--Uusitalo/Caribou: I usually don't like 4-on-the-floor techno, but
these albums did it in a really creative way. Uusitalo is an alias of
Vladislav Delay.
--krautrock: In general, listening to a lot more krautrock this year.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Wed Dec 29 23:53:13 2010
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Date: Wed, 29 Dec 2010 18:53:11 -0500
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Subject: Re: Sustainer Question
From: Jeff Duke <jeffloops@gmail.com>
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I have 3 sustainer equipped Fernandes. The gauge of the strings should
not make much difference. I recently switched from 09's to D'Addario
EXL110's also with no problems. The main thing with the sustainers is
the closeness to the strings if the unit is set up right. Also the
neck sustainer and the bridge HB pickup work together on these systems
so it also needs to be setup the way you want it in relation to your
prefs. Heavier strings would seem to need more energy to vibrate but I
generally have the pickups lower on the bottom to get the
volume/sustainer response even. In reality the thin strings need to be
closer to the pickup in my experience.

With the sustainer off does the high E ring as long as it should? It
seems strange that just that string gives you problems. The sustainer
is not a separate pickup for each string like the Moog (I think) or a
midi pickup would be.

Also it works with chords but in a limited way, it's not really a
polyphonic device, well it is but not, in that one frequency will
always dominate after a bit.

So check the offending string for natural sustain and make sure it's
not binding or fretting out and remember the neck and bridge pickups
work together. You might try a lighter string but I have not noticed
any problems going heavier.

Oh, and check the battery! These things eat some 9 v's!!

good luck,

Jeff

On Wed, Dec 29, 2010 at 4:56 PM, Ingo Ito <ingoito@itofarm.com> wrote:
>
> Hi everybody,
>
> maybe this is a bit off topic for looping, but I could imagine that some =
of you might have this equipment and could give me some information or reco=
mmendation.
>
> Short while ago I bought a Fernandes "Ravelle" guitar (Les Paul type of g=
uitar) equipped with a Sustainer pickup for doing ambient live-looping. I c=
hanged the strings to my regular brand and gauge I=B4m using on all my elec=
tric guitars: D'Addario EXL110 (.010, .013, .017, .026, .036, .046), but I=
=B4m not happy with the result for the Sustainer. The high e-string is not =
responding well (very slow attack) and when doing chords (only the fingerin=
g - to let the sound come "out of nowhere") not all strings are responding =
evenly, destroying the character of the chord.
>
> I already tried adjustments of the pickup, the bridge and the pots on the=
 Sustainer board inside the guitar (as recommended on the Fernandes website=
), but there=B4s no real improvement.
>
> So I thought, maybe it=B4s the strings?! Any recommendations by Sustainer=
 users? Different material or maybe different gauges?
> I=B4ve read, that Adrian Belew is using a "thin&thick" set of strings on =
his Parker guitar, and as he=B4s using a Sustainiac system. I might give th=
is set a try as well.
>
> So any help or information is very much appreciated as always :-)
>
> And besides, Happy New Looping Year!
>
> Ingo Ito
>
>
> www.itofarm.com
> www.zenhanami.bandcamp.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 00:30:40 2010
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Subject: Re: Sustainer Question
Date: Thu, 30 Dec 2010 01:21:27 +0100
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Hi Per,

I had used an e-bow for a long time and it always had worked well with =
the D'Addario Strings, that=C2=B4s why I started with these strings for =
the Sustainer as well. I already have my guitars tuned down to E flat, =
but I stayed with .010 for the "loose feeling" - maybe I try thicker =
strings.

I just replied to another post (which you will probably read) that I =
found some information about strings to use with the Moog guitar - that =
seems interesting and helpful.

But you=C2=B4re right - all new equipment needs some time of =
experimenting and time to get used to. So I=C2=B4ll have to play even =
more ;-) . But to maybe dampen some of the strings is a nice idea, too. =
Thanks!

Cheers

Ingo




  ----- Original Message -----=20
  From: Per Boysen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, December 29, 2010 11:46 PM
  Subject: Re: Sustainer Question


  Have you tried with thicker strings compensated by tuning down? My
  experience with ebow has proven that a good way. However, since the
  Fernandes doesn't have six sustainers, one for each string, there will
  always be one overtone that takes over when a chord is played and
  sustained. Works like acoustic feedback. Maybe you can research what
  strings are fastest to "take over" and learn to "half-mute" them with
  some soft material close to the bridge. Just slowing them down a bit
  so the sustainer gets a chance to work the slower strings (like your
  thin E).

  Greetings from Sweden

  Per Boysen
  www.boysen.se
  www.perboysen.com
  www.looproom.com internet music hub



  On Wed, Dec 29, 2010 at 10:56 PM, Ingo Ito <ingoito@itofarm.com> =
wrote:
  > Fernandes Sustainer. The high e-string is not responding well (very =
slow attack) and
  > when doing chords (only the fingering - to let the sound come "out =
of
  > nowhere") not all strings are responding evenly, destroying the =
character of
  > the chord.

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<DIV><FONT size=3D4 face=3DArial>Hi Per,</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I had used an e-bow for a long time and =
it always=20
had worked well with the D'Addario Strings, that=C2=B4s why I started =
with these=20
strings for the Sustainer as well. I already have my guitars tuned down =
to E=20
flat, but I stayed with .010 for the "loose feeling" - maybe I try =
thicker=20
strings.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I just replied to another post (which =
you will=20
probably read)&nbsp;that I found some information about strings to use =
with the=20
Moog guitar - that seems interesting and helpful.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>But you=C2=B4re right - all new =
equipment needs some=20
time of experimenting and time to get used to. So I=C2=B4ll have to play =
even more=20
;-) . But to maybe dampen some of the strings is a nice idea, too.=20
Thanks!</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Cheers</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Ingo</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dperboysen@gmail.com href=3D"mailto:perboysen@gmail.com">Per =
Boysen</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 29, =
2010 11:46=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sustainer =
Question</DIV>
  <DIV><BR></DIV>Have you tried with thicker strings compensated by =
tuning down?=20
  My<BR>experience with ebow has proven that a good way. However, since=20
  the<BR>Fernandes doesn't have six sustainers, one for each string, =
there=20
  will<BR>always be one overtone that takes over when a chord is played=20
  and<BR>sustained. Works like acoustic feedback. Maybe you can research =

  what<BR>strings are fastest to "take over" and learn to "half-mute" =
them=20
  with<BR>some soft material close to the bridge. Just slowing them down =
a=20
  bit<BR>so the sustainer gets a chance to work the slower strings (like =

  your<BR>thin E).<BR><BR>Greetings from Sweden<BR><BR>Per Boysen<BR><A=20
  href=3D"http://www.boysen.se">www.boysen.se</A><BR><A=20
  href=3D"http://www.perboysen.com">www.perboysen.com</A><BR><A=20
  href=3D"http://www.looproom.com">www.looproom.com</A> internet music=20
  hub<BR><BR><BR><BR>On Wed, Dec 29, 2010 at 10:56 PM, Ingo Ito &lt;<A=20
  href=3D"mailto:ingoito@itofarm.com">ingoito@itofarm.com</A>&gt; =
wrote:<BR>&gt;=20
  Fernandes Sustainer. The high e-string is not responding well (very =
slow=20
  attack) and<BR>&gt; when doing chords (only the fingering - to let the =
sound=20
  come "out of<BR>&gt; nowhere") not all strings are responding evenly,=20
  destroying the character of<BR>&gt; the =
chord.<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0033_01CBA7BF.E163B030--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 00:30:41 2010
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From: "Ingo Ito" <ingoito@itofarm.com>
To: "Toby G" <carpet8@mac.com>
Cc: <Loopers-Delight@loopers-delight.com>
References: <F968E99CF6FE4F3E91BB12E33120EA5B@NORBY11>
Subject: Re: Sustainer Question
Date: Thu, 30 Dec 2010 01:22:08 +0100
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Hi Toby,

thanks for this thought. I checked at the Moog website and they do =
indeed recommend a certain type of strings for the Moog guitar. Apart =
from their own brand (what a surprise ;-) ) they do recommend GHS =
"Infinity Steel" Medium and a brand called Aurora Strings (which are =
hard to find at regular shops here).

I compared the GHS strings to my D'Addario and the interesting fact is, =
that the EXL110 D'Addario are nickel plated steel, while the GHS are =
stainless steel. That might be a reason for a difference for the =
Sustainer system. I will give the GHS a try and if there was an =
improvement, I will post the results.

It seems that the gauge of the strings seem to be of less importance, as =
Moog is offering 3 different types of gauge sets themselves (.009 to =
.012 for high e-string and .046 to .052 for low e-string).

Cheers

Ingo


----- Original Message -----=20
  From: Toby G=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, December 29, 2010 11:14 PM
  Subject: Re: Sustainer Question


  The Moog guitar uses some magnetic technology like the Sustainer.  =
There are special strings for the Moog guitar, so perhaps changing your =
strings might have changed the response you get.

  toby
    ----- Original Message -----=20
    From: Ingo Ito=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Wednesday, December 29, 2010 1:56 PM
    Subject: Sustainer Question


    Hi everybody,

    maybe this is a bit off topic for looping, but I could imagine that =
some of you might have this equipment and could give me some information =
or recommendation.

    Short while ago I bought a Fernandes "Ravelle" guitar (Les Paul type =
of guitar) equipped with a Sustainer pickup for doing ambient =
live-looping. I changed the strings to my regular brand and gauge I=B4m =
using on all my electric guitars: D'Addario EXL110 (.010, .013, .017, =
.026, .036, .046), but I=B4m not happy with the result for the =
Sustainer. The high e-string is not responding well (very slow attack) =
and when doing chords (only the fingering - to let the sound come "out =
of nowhere") not all strings are responding evenly, destroying the =
character of the chord.

    I already tried adjustments of the pickup, the bridge and the pots =
on the Sustainer board inside the guitar (as recommended on the =
Fernandes website), but there=B4s no real improvement.

    So I thought, maybe it=B4s the strings?! Any recommendations by =
Sustainer users? Different material or maybe different gauges?
    I=B4ve read, that Adrian Belew is using a "thin&thick" set of =
strings on his Parker guitar, and as he=B4s using a Sustainiac system. I =
might give this set a try as well.

    So any help or information is very much appreciated as always :-)

    And besides, Happy New Looping Year!

    Ingo Ito


    www.itofarm.com
    www.zenhanami.bandcamp.com

------=_NextPart_000_003D_01CBA7BF.F9D3CAB0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18999">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D4 face=3DArial>Hi Toby,</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>thanks for this thought. I checked at =
the Moog=20
website and they do indeed recommend a certain type of strings for the =
Moog=20
guitar. Apart from their own brand (what a&nbsp;surprise ;-) ) they do =
recommend=20
GHS "Infinity Steel" Medium and a brand called Aurora Strings (which are =
hard to=20
find at regular shops here).</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>I compared the GHS strings to my =
D'Addario and the=20
interesting fact is, that the EXL110 D'Addario are nickel plated steel, =
while=20
the GHS are stainless steel. That might be a reason for a difference for =
the=20
Sustainer system. I will give the GHS a try and if there was an =
improvement, I=20
will post the results.</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>It seems that the gauge of the strings =
seem to be=20
of less importance, as Moog is offering 3 different types of gauge sets=20
themselves (.009 to .012 for high e-string and .046 to .052 for low=20
e-string).</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Cheers</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Ingo</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dcarpet8@mac.com href=3D"mailto:carpet8@mac.com">Toby G</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 29, =
2010 11:14=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Sustainer =
Question</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=3D2 face=3DArial>The Moog guitar uses some magnetic =
technology=20
  like the Sustainer.&nbsp; There are special strings for the Moog =
guitar, so=20
  perhaps changing your strings might have changed the response you=20
  get.</FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2 face=3DArial>toby</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
  dir=3Dltr>
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
    <A title=3Dingoito@itofarm.com =
href=3D"mailto:ingoito@itofarm.com">Ingo Ito</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 29, =
2010 1:56=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Sustainer =
Question</DIV>
    <DIV><BR></DIV>
    <DIV><FONT size=3D4 face=3DArial>Hi everybody,</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial>maybe this is a bit off topic for =
looping, but=20
    I could imagine that some of you might have this equipment and could =
give me=20
    some information or recommendation.</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial>Short while ago I bought a =
Fernandes "Ravelle"=20
    guitar (Les Paul type of guitar) equipped with a Sustainer pickup =
for doing=20
    ambient live-looping. I changed the strings to my regular brand and =
gauge=20
    I=B4m using on all my electric guitars: </FONT><FONT size=3D4=20
    face=3DArial>D'Addario EXL110 (.010, .013, .017, .026, .036, .046), =
but I=B4m=20
    not happy with the result for the Sustainer. The high e-string is =
not=20
    responding well (very slow attack) and when doing chords (only the =
fingering=20
    - to let the sound come "out of nowhere") not all strings are =
responding=20
    evenly, destroying the character of the chord.</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial>I already tried adjustments of the =
pickup, the=20
    bridge and the pots on the Sustainer board inside the guitar (as =
recommended=20
    on the Fernandes website), but there=B4s no real =
improvement.</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial>So I thought, maybe it=B4s the =
strings?! Any=20
    recommendations by Sustainer users? Different material or maybe =
different=20
    gauges?</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial>I=B4ve read, that Adrian Belew is =
using a=20
    "thin&amp;thick" set of strings on his Parker guitar, and as he=B4s =
using a=20
    Sustainiac system. I might give this set a try as well.</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial>So any help or information is very =
much=20
    appreciated as always :-)</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial>And besides, Happy New Looping=20
    Year!</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial>Ingo Ito</FONT></DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial><A=20
    href=3D"http://www.itofarm.com">www.itofarm.com</A></FONT></DIV>
    <DIV><FONT face=3DArial><A=20
    =
href=3D"http://www.zenhanami.bandcamp.com">www.zenhanami.bandcamp.com</A>=
</FONT></DIV>
    <DIV><FONT size=3D4=20
face=3DArial></FONT>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 01:41:02 2010
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Subject: Re: iphone music app recommendations
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Since picking up an iPad (mostly for my wife to browse and email on as =20=

her iBook is getting pretty old and useless), I found this list a =20
great starting place (thanks Paul!):
On Dec 16, 2010, at 2:32 PM, Paul Mimlitsch wrote:

> Here's a list of the ones I'd recommend (organized into categories) =20=

> and have used in performance situations (3GS (4.2.1) iPhone to =20
> volume pedal to looper):
>
> TOOLS:
> iStrobeSoft - tuner
>
> RECORDERS:
> iProRecorder
> Fire
>
> PROCESSORS:
> SFSsynth (my favorite)
> Resonizer
> Filtatron (Moog Music)
> Otto
>
> AMBIENT (for creating pads etc.)
> Droneo
> KepplersOrrery
> Aura
> Aura Flux
>
> PERCUSSION:
> PanDrumFull
> TongueDrum
> Bowls (nice for pads)
> MandalaMuOdd:Hang
>
> THERIMEN:
> Cosmovox
> BeBot (despite the goofy interface)
>
> NOISY (staticky/ glitchy stuff):
> Space
> iGlendyne
> aardvark
> Sonic Wire
> modAxis Free
>
> INSTRUMENTS:
> ThumbJam (will loop onboard instruments or incoming audio)
> Morphwiz
> Gayageum
> Bubble Harp
> Zen Music
> Musical DNA
> Noise.io Pro (great synth but too much learning curve for me - =20
> though Amidio apps are great)
>
> VISUALIZERS (great for adding music driven visuals) NOTE: these only =20=

> send video out on an iPhone 4 or iPad:
> iBeams - the best from the standpoint of tweakabillity.  Used on an =20=

> iPad - out to digital projector onto the wall - worked well.
> Audiogasm
>

Stuff I've discovered since:

Out of all those above, I bought and so far love ThumbJam and Morphwiz.
Jordan Rudess is the pitchman and sometimes creator of both and he's =20
got impressive YouTube demos:
=
http://www.google.com/search?hl=3Den&tbs=3Dvid%3A1&q=3Djordan+rudess+ipad&=
aq=3Df&aqi=3Dg1&aql=3Df&oq=3D&gs_rfai=3D
ThumbJam is very cool on the iPod Touch/iPhone, since it works well =20
one-handed; otherwise the size of the iPad is advantage.

I also picked up:
Pianist http://moocowmusic.com/
Crystal Synth http://www.greenoak.com/crystal/
NLog Synth http://www.temporubato.com/
The latter two can be driven by my keyboard using an M-Audio Uno =20
interface and the iPad Camera connector.

There's at least these several multitrack DAWS:
iSequence
SynthStation (best buy)
Korg iMS-20
nanostudio

And some interesting creative interfaces for music and MIDI control:
touchOSC http://hexler.net/software/touchosc
midipad  http://www.midipad.de/Website/Info.html
expression pad http://expressionpad.com/index.php
PatternMusic MX
Seline HD http://amidio.com/ (they have other cool apps)
Reactable
Sound Scope Space for iPad  =
http://www.youtube.com/watch?v=3DMSSYJCJ1Oy8&fmt=3D18
Hex OSC =
http://www.youtube.com/watch?v=3DkFGLHhEJpOk&feature=3Drelated&fmt=3D18
Mugician =
http://www.youtube.com/watch?v=3DoN7sjPYz-aI&feature=3Drelated&fmt=3D18
Pianist Pro - External MIDI Control  =
http://www.youtube.com/watch?v=3DYtbU6UoPKR8&feature=3Drelated&fmt=3D18
Jasuto Pro modular synthesizer
synthPond http://apps.stfj.net/synthPond/

And generative stuff I've yet to sample:
http://www.generativemusic.com/air.html
Budgie =
http://itunes.apple.com/us/app/budgie-melody-generator/id368436517?mt=3D8
Mixtikl 12 Track Mixer of Generative Music, Audio MIDI Loops & Live =20
FX  =
http://itunes.apple.com/us/app/mixtikl-12-track-mixer-generative/id3474092=
77?mt=3D8
Aphonium  http://itunes.apple.com/au/app/aphonium/id357429007?mt=3D8#

Some resources:
http://www.metafilter.com/94628/Make-Music-Anywhere
http://createdigitalmusic.com/2010/11/on-ipad-midi/
http://iosmidi.com/devices/#comment-7
http://www.synthtopia.com/content/tag/ipad-music-software/

and I haven't even looked at the loopers yet; a few:
http://www.trapcode-content.com/proloop/ProLoopScreencast.swf
http://www.tc-helicon.com/products/voicejam/
http://nanoloop.de/iphone

=85deep=85=

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 02:04:18 2010
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Date: Thu, 30 Dec 2010 04:04:15 +0200
Message-ID: <AANLkTi=-bE=-jV8wAZ7NXWRCX_AEF7zKsEut31ODsmzN@mail.gmail.com>
Subject: Re: Online gig spam
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a337525caa0498971a73
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http://www.youtube.com/watch?v=3DEPZXkvl8cT0

2010/12/30 Andy Owens <andy@1800dialword.com>

> Cool, I was just wondering about tech side of connecting, but looking on
> ustream looks like you just use webcam, duh!!
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Dec 29, 2010, at 3:18 PM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
> The idea of connecting to Cafenoodle is to build the community thru the
> entire night's performance as each act's audience crosses over - thats th=
e
> plan - the community is the most important bit - the people who are onlin=
e
> are amazing - wonderful people who love new music from all over the world=
.
>  Normally we stream by ustream - its really easy to set up :)
>
> Matt Stevens
> www.mattstevensguitar.com
> <mattstevensguitar@btinternet.com>mattstevensguitar@btinternet.com
>
>
>
>
> On 29 Dec 2010, at 18:36, Andy Owens wrote:
>
> Thanks Matt, can you give us not in the know here some input as to what w=
e
> need to connect to cafenoodle, is it all live streamed, what=92s the best=
 way
> to do that?
>
> *From:* Matt Stevens [ <mattstevensguitar@btinternet.com>
> mailto:mattstevensguitar@btinternet.com <mattstevensguitar@btinternet.com=
>
> ]
> *Sent:* Wednesday, December 29, 2010 1:15 PM
> *To:*  <Loopers-Delight@loopers-delight.com>
> Loopers-Delight@loopers-delight.com
> *Subject:* Re: Online gig spam
>
> in about 45 mins - apologies i should have said uk times
>
> Matt Stevens
> www.mattstevensguitar.com
> <mattstevensguitar@btinternet.com>mattstevensguitar@btinternet.com
>
>
>
>
> On 29 Dec 2010, at 18:13, Matt Stevens wrote:
>
>
> Live streaming online at http://www.cafenoodle.ning.com/<http://www.rever=
bnation.com/c/fan_reach/pt?eid=3DA158359_6832483_22798105&url=3Dhttp%3A%2F%=
2Fwww.cafenoodle.ning.com%2F>
>
> 7pm Matt Stevens
> 8pm Chrissie Caulfield
> 9pm Rare Bear
> 10pm Stephen Goodman
>
> 3 out of 4 livelooping :) If anyone would like to perform at the venue in
> 2011 please get in touch :)
>
> Matt Stevens
> www.mattstevensguitar.com
> <mattstevensguitar@btinternet.com>mattstevensguitar@btinternet.com
>
>
>
>
>
>
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a337525caa0498971a73
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<br><br><a href=3D"http://www.youtube.com/watch?v=3DEPZXkvl8cT0">http://www=
.youtube.com/watch?v=3DEPZXkvl8cT0</a><br><br><div class=3D"gmail_quote">20=
10/12/30 Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialwo=
rd.com">andy@1800dialword.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div bgcolor=3D"#=
FFFFFF"><div>Cool, I was just wondering about tech side of connecting, but =
looking on ustream looks like you just use webcam, duh!!<br>
<font color=3D"#888888"><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent f=
rom my iPhone<div>So the typing might not be my best!</div><div><br></div><=
/div></font></div><div><div></div><div class=3D"h5"><div><br>On Dec 29, 201=
0, at 3:18 PM, Matt Stevens &lt;<a href=3D"mailto:mattstevensguitar@btinter=
net.com" target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt; wrote:<=
br>
<br></div><div></div><blockquote type=3D"cite"><div>
The idea of connecting to Cafenoodle is to build the community thru the ent=
ire night&#39;s performance as each act&#39;s audience crosses over - thats=
 the plan - the community is the most important bit - the people who are on=
line are amazing - wonderful people who love new music from all over the wo=
rld. =A0Normally we stream by ustream - its really easy to set up :)<div>
<br><div> <span style=3D"border-collapse: separate; color: rgb(0, 0, 0); fo=
nt-family: Helvetica; font-size: 12px; font-style: normal; font-variant: no=
rmal; font-weight: normal; letter-spacing: normal; line-height: normal; tex=
t-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px=
;"><span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-fami=
ly: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; f=
ont-weight: normal; letter-spacing: normal; line-height: normal; text-inden=
t: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div=
>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank"></a><a href=3D"mailto:mattst=
evensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet.=
com</a></div>
<div><br></div></span><br></span><br> </div><br><div><div>On 29 Dec 2010, a=
t 18:36, Andy Owens wrote:</div><br><blockquote type=3D"cite"><span style=
=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica;=
 font-style: normal; font-variant: normal; font-weight: normal; letter-spac=
ing: normal; line-height: normal; text-indent: 0px; text-transform: none; w=
hite-space: normal; word-spacing: 0px; font-size: medium;"><div>
<div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;=
Times New Roman&#39;,serif;"><span style=3D"font-size: 11pt; font-family: C=
alibri,sans-serif; color: rgb(31, 73, 125);">Thanks Matt, can you give us n=
ot in the know here some input as to what we need to connect to cafenoodle,=
 is it all live streamed, what=92s the best way to do that?</span></div>
<div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;=
Times New Roman&#39;,serif;"><span style=3D"font-size: 11pt; font-family: C=
alibri,sans-serif; color: rgb(31, 73, 125);">=A0</span></div><div><div styl=
e=3D"border-style: solid none none; border-top: 1pt solid rgb(181, 196, 223=
); padding: 3pt 0in 0in;">
<div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;=
Times New Roman&#39;,serif;"><b><span style=3D"font-size: 10pt; font-family=
: Tahoma,sans-serif;">From:</span></b><span style=3D"font-size: 10pt; font-=
family: Tahoma,sans-serif;"><span>=A0</span>Matt Stevens [<a href=3D"mailto=
:mattstevensguitar@btinternet.com" target=3D"_blank"></a><a href=3D"mailto:=
mattstevensguitar@btinternet.com" target=3D"_blank">mailto:mattstevensguita=
r@btinternet.com</a>]<span>=A0</span><br>
<b>Sent:</b><span>=A0</span>Wednesday, December 29, 2010 1:15 PM<br><b>To:<=
/b><span>=A0</span><a href=3D"mailto:Loopers-Delight@loopers-delight.com" t=
arget=3D"_blank"></a><a href=3D"mailto:Loopers-Delight@loopers-delight.com"=
 target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
<b>Subject:</b><span>=A0</span>Re: Online gig spam</span></div></div></div>=
<div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;=
Times New Roman&#39;,serif;">=A0</div><div style=3D"margin: 0in 0in 0.0001p=
t; font-size: 12pt; font-family: &#39;Times New Roman&#39;,serif;">
in about 45 mins - apologies i should have said uk times</div><div><div sty=
le=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;Times Ne=
w Roman&#39;,serif;">=A0</div><div><div><div style=3D"margin: 0in 0in 0.000=
1pt; font-size: 12pt; font-family: &#39;Times New Roman&#39;,serif;">
<span style=3D"font-size: 9pt; font-family: Helvetica,sans-serif; color: bl=
ack;">Matt Stevens</span></div></div><div><div style=3D"margin: 0in 0in 0.0=
001pt; font-size: 12pt; font-family: &#39;Times New Roman&#39;,serif;"><spa=
n style=3D"font-size: 9pt; font-family: Helvetica,sans-serif; color: black;=
"><a href=3D"http://www.mattstevensguitar.com" target=3D"_blank">www.mattst=
evensguitar.com</a></span></div>
</div><div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-fa=
mily: &#39;Times New Roman&#39;,serif;"><span style=3D"font-size: 9pt; font=
-family: Helvetica,sans-serif; color: black;"><a href=3D"mailto:mattstevens=
guitar@btinternet.com" style=3D"color: blue; text-decoration: underline;" t=
arget=3D"_blank"></a><a href=3D"mailto:mattstevensguitar@btinternet.com" ta=
rget=3D"_blank">mattstevensguitar@btinternet.com</a></span></div>
</div><div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-fa=
mily: &#39;Times New Roman&#39;,serif;"><span style=3D"font-size: 9pt; font=
-family: Helvetica,sans-serif; color: black;">=A0</span></div></div><div st=
yle=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;Times N=
ew Roman&#39;,serif;">
<span style=3D"font-size: 9pt; font-family: Helvetica,sans-serif; color: bl=
ack;"><br><br></span></div></div><div style=3D"margin: 0in 0in 0.0001pt; fo=
nt-size: 12pt; font-family: &#39;Times New Roman&#39;,serif;">=A0</div><div=
><div>
<div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;=
Times New Roman&#39;,serif;">On 29 Dec 2010, at 18:13, Matt Stevens wrote:<=
/div></div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-fa=
mily: &#39;Times New Roman&#39;,serif;">
<br><br></div><div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt;=
 font-family: &#39;Times New Roman&#39;,serif;"><span style=3D"font-size: 9=
pt; font-family: &#39;Trebuchet MS&#39;,sans-serif; color: rgb(51, 51, 51);=
">Live streaming online at<span>=A0</span><a href=3D"http://www.reverbnatio=
n.com/c/fan_reach/pt?eid=3DA158359_6832483_22798105&amp;url=3Dhttp%3A%2F%2F=
www.cafenoodle.ning.com%2F" style=3D"color: blue; text-decoration: underlin=
e;" target=3D"_blank"><span style=3D"color: rgb(51, 53, 113);">http://www.c=
afenoodle.ning.com/</span></a><br>
<br>7pm Matt Stevens<br>8pm Chrissie Caulfield<br>9pm Rare Bear<br>10pm Ste=
phen Goodman</span></div></div><div><div style=3D"margin: 0in 0in 0.0001pt;=
 font-size: 12pt; font-family: &#39;Times New Roman&#39;,serif;">=A0</div><=
/div>
<div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: =
&#39;Times New Roman&#39;,serif;"><span style=3D"font-size: 9pt; font-famil=
y: &#39;Trebuchet MS&#39;,sans-serif; color: rgb(51, 51, 51);">3 out of 4 l=
ivelooping :) If anyone would like to perform at the venue in 2011 please g=
et in touch :)</span></div>
</div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family:=
 &#39;Times New Roman&#39;,serif;">=A0</div><div><div><div style=3D"margin:=
 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;Times New Roman&#39;,=
serif;">
<span style=3D"font-size: 9pt;">Matt Stevens</span></div></div><div><div st=
yle=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;Times N=
ew Roman&#39;,serif;"><span style=3D"font-size: 9pt;"><a href=3D"http://www=
.mattstevensguitar.com" target=3D"_blank">www.mattstevensguitar.com</a></sp=
an></div>
</div><div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-fa=
mily: &#39;Times New Roman&#39;,serif;"><span style=3D"font-size: 9pt;"><a =
href=3D"mailto:mattstevensguitar@btinternet.com" style=3D"color: blue; text=
-decoration: underline;" target=3D"_blank"></a><a href=3D"mailto:mattsteven=
sguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet.com<=
/a></span></div>
</div><div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-fa=
mily: &#39;Times New Roman&#39;,serif;"><span style=3D"font-size: 9pt;">=A0=
</span></div></div><p class=3D"MsoNormal" style=3D"margin: 0in 0in 12pt; fo=
nt-size: 12pt; font-family: &#39;Times New Roman&#39;,serif;">
=A0</p></div><div style=3D"margin: 0in 0in 0.0001pt; font-size: 12pt; font-=
family: &#39;Times New Roman&#39;,serif;">=A0</div></div><div style=3D"marg=
in: 0in 0in 0.0001pt; font-size: 12pt; font-family: &#39;Times New Roman&#3=
9;,serif;">
=A0</div></div></div></span></blockquote></div><br></div></div></blockquote=
></div></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petr=
i Lahtinen<br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">ht=
tp://www.petrilahtinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://pet=
rilahtinen.blogspot.com/</a><br><a href=3D"http://soundcloud.com/petrilahti=
nen" target=3D"_blank">http://soundcloud.com/petrilahtinen</a><br><a href=
=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitter.com/=
PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://pet=
rilahtinen.bandcamp.com/</a><br>-------------------------------------------=
--------<br>&quot;Only become professional musician if there is no choice.&=
quot; -Robert Fripp-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--20cf3054a337525caa0498971a73--

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Date: Thu, 30 Dec 2010 04:18:22 +0200
Message-ID: <AANLkTinanGotziU-FmGhjz-C0V1Sr0n=Zh9b+izSXt8B@mail.gmail.com>
Subject: Re: OT: Musical discoveries of 2010
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a66bc84ff60498974c0e
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I sighted Uusitalo on your list, a fellow countrymen Sasu Ripatti

So Vladislav Delay is an alias of Sasu Ripatti, thats his real name.

:-)

-Petri-

2010/12/30 Matt Davignon <mattdavignon@gmail.com>

> Mine:
>
> --Slaraffenland: Danish post-rock band. CD "Private Cinema" is excellent.
> --Boss Hoss: German country band that covers pop songs. They're on
> youtube. Check out "Hot in Herre", "Word Up" and "Hey Ya"
> --Blue Water White Death: kind of a droney folkey thing with pretty
> vocals. Short but well-put together album.
> --Lumper-Splitter: Actually a great cd with guitarists Lucio Menegon
> and Joe Rut. Possible list members?
> --Geinoh Yamashirogumi: Japanese modern multi-cultural music ensemble.
> They did the soundtrack to Akira, but their 1974 album "Oresuzan" (or
> something like that) combines scary psychedelic music with Kabuki,
> monkey chant and Tibetan throat singing.
> --Elephant9: Norweigan 3 piece instrumental prog band - similar to ELP
> without the moog.
> --Dawid Szczesny: Polish computer musician who uses jazz samples, but
> it sounds like a very old radiator heating up or a rube goldberg
> machine.
> --Far East Family Band: mid 70s Japanese psychedelia
> --Indian Bottom Association: a Baptist church group that sings in
> "Lined out hymnody" - very intense!
> --Cumbia Digitale (that's a genre name): Got a great comp of
> electronic cumbia from ZZK records. (It's the volume 1.) Followed up
> on an artist named Chancha Via Circuito, and their cd was also good.
> --Mercury Rev: Got back to listening to this band I loved in high
> school. "Boces" album is top notch early 90s alternative. "Snowflake
> Midnight" is much newer, a bit more sterile and a bit more cheesy with
> songs about innocence, but I still like it.
> --Uusitalo/Caribou: I usually don't like 4-on-the-floor techno, but
> these albums did it in a really creative way. Uusitalo is an alias of
> Vladislav Delay.
> --krautrock: In general, listening to a lot more krautrock this year.
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a66bc84ff60498974c0e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I sighted Uusitalo on your list, a fellow countrymen Sasu Ripatti<br><br>So=
 Vladislav Delay is an alias of Sasu Ripatti, thats his real name.<br><br>:=
-)<br><br>-Petri-<br><br><div class=3D"gmail_quote">2010/12/30 Matt Davigno=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavig=
non@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Mine:<br>
<br>
--Slaraffenland: Danish post-rock band. CD &quot;Private Cinema&quot; is ex=
cellent.<br>
--Boss Hoss: German country band that covers pop songs. They&#39;re on<br>
youtube. Check out &quot;Hot in Herre&quot;, &quot;Word Up&quot; and &quot;=
Hey Ya&quot;<br>
--Blue Water White Death: kind of a droney folkey thing with pretty<br>
vocals. Short but well-put together album.<br>
--Lumper-Splitter: Actually a great cd with guitarists Lucio Menegon<br>
and Joe Rut. Possible list members?<br>
--Geinoh Yamashirogumi: Japanese modern multi-cultural music ensemble.<br>
They did the soundtrack to Akira, but their 1974 album &quot;Oresuzan&quot;=
 (or<br>
something like that) combines scary psychedelic music with Kabuki,<br>
monkey chant and Tibetan throat singing.<br>
--Elephant9: Norweigan 3 piece instrumental prog band - similar to ELP<br>
without the moog.<br>
--Dawid Szczesny: Polish computer musician who uses jazz samples, but<br>
it sounds like a very old radiator heating up or a rube goldberg<br>
machine.<br>
--Far East Family Band: mid 70s Japanese psychedelia<br>
--Indian Bottom Association: a Baptist church group that sings in<br>
&quot;Lined out hymnody&quot; - very intense!<br>
--Cumbia Digitale (that&#39;s a genre name): Got a great comp of<br>
electronic cumbia from ZZK records. (It&#39;s the volume 1.) Followed up<br=
>
on an artist named Chancha Via Circuito, and their cd was also good.<br>
--Mercury Rev: Got back to listening to this band I loved in high<br>
school. &quot;Boces&quot; album is top notch early 90s alternative. &quot;S=
nowflake<br>
Midnight&quot; is much newer, a bit more sterile and a bit more cheesy with=
<br>
songs about innocence, but I still like it.<br>
--Uusitalo/Caribou: I usually don&#39;t like 4-on-the-floor techno, but<br>
these albums did it in a really creative way. Uusitalo is an alias of<br>
Vladislav Delay.<br>
--krautrock: In general, listening to a lot more krautrock this year.<br>
<font color=3D"#888888"><br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.pet=
rilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a66bc84ff60498974c0e--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 07:05:15 2010
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Date: Wed, 29 Dec 2010 23:05:05 -0800
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Subject: OT  SYNTHETIC MODES
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Thanks to Matt Stevens for pointing out the page on Modes and Synthetic
Modes in John McLaughlin's book on his Mahavishnu Orchestra material.

Thanks to John McLaughlin for writing them all down and playing so 
brilliantly
and inspirationally over the years.

I'll list them all here.  I'm pretty sure I got them correct,  Anything
in parenthesis are normal modal scale degrees  (i.e,.  #5 =  b6 but
is still the fifth degree of the LEADING WHOLE TONE scale as an example).

If anyone sees any mistakes in transcription please let me know.

Also,  I'm not entirely sure I understand how he derived these scales
though the explanation is simple.
Does anyone want to elucidate me?

Happy New Years,  Everyone!   I feel blessed to be on this list and to know
all of you.   My world is immeasurably bigger, better and more loving
because of you all.

love to all and here's wishing you a fantastically creative 2011!!!

Rick Walker
*
SYNTHETIC MODES
(from John McLaughlin)*

SUPER LOCRIAN
1,b2,b3,b4(nat3),b5,b6,b7,8va

NEAPOLITAN MINOR
1,b2,b3,4.5.b6.7.8va

NEAPOLITAN MAJOR
1, b2,b3,4,5,6,7,8va

ORIENTAL
1,b2,3,4,b5,6,b7,8va

DOUBLE HARMONIC
1,b2,3,4,5,b6,7,8va

ENIGMATIC
1,b2,3,#4,#5(6),#6,(b7),7,8va

HARMONIC MINOR
1,2,b3,4,5,b6,7,8va

HUNGARIAN MINOR
1,2,b3,#4,5,b6,7,8va

MAJOR LOCRIAN
1,2,3,4,b5,b6,b7,8va

LYDIAN MINOR
1,2,3,#4,5,b6,b7,8va

OVERTONE
1,2,3,#4,5,6,b7,8va

LEADING WHOLE TONE
1,2,3,#4,#5(6),#6(b7),7,8va

HUNGARIAN MAJOR
1,#2(b3),3,#4,5,6,b7,8v

SYMMETRICAL
1,b2,b3,nat3#4,5,6,b7,8va

PENTATONIC MAJOR
1,2,3,5,6,8va

PENTATONIC MINOR
1,b3,4,5,b7,8va

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 07:14:21 2010
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From: Toby G <carpet8@mac.com>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: OT  SYNTHETIC MODES
Date: Wed, 29 Dec 2010 23:14:15 -0800
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I'll help you out on the derivation if you could be a little more specific 
about the info you need :)

toby
----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, December 29, 2010 11:05 PM
Subject: OT SYNTHETIC MODES


> Thanks to Matt Stevens for pointing out the page on Modes and Synthetic
> Modes in John McLaughlin's book on his Mahavishnu Orchestra material.
>
> Thanks to John McLaughlin for writing them all down and playing so 
> brilliantly
> and inspirationally over the years.
>
> I'll list them all here.  I'm pretty sure I got them correct,  Anything
> in parenthesis are normal modal scale degrees  (i.e,.  #5 =  b6 but
> is still the fifth degree of the LEADING WHOLE TONE scale as an example).
>
> If anyone sees any mistakes in transcription please let me know.
>
> Also,  I'm not entirely sure I understand how he derived these scales
> though the explanation is simple.
> Does anyone want to elucidate me?
>
> Happy New Years,  Everyone!   I feel blessed to be on this list and to 
> know
> all of you.   My world is immeasurably bigger, better and more loving
> because of you all.
>
> love to all and here's wishing you a fantastically creative 2011!!!
>
> Rick Walker
> *
> SYNTHETIC MODES
> (from John McLaughlin)*
>
> SUPER LOCRIAN
> 1,b2,b3,b4(nat3),b5,b6,b7,8va
>
> NEAPOLITAN MINOR
> 1,b2,b3,4.5.b6.7.8va
>
> NEAPOLITAN MAJOR
> 1, b2,b3,4,5,6,7,8va
>
> ORIENTAL
> 1,b2,3,4,b5,6,b7,8va
>
> DOUBLE HARMONIC
> 1,b2,3,4,5,b6,7,8va
>
> ENIGMATIC
> 1,b2,3,#4,#5(6),#6,(b7),7,8va
>
> HARMONIC MINOR
> 1,2,b3,4,5,b6,7,8va
>
> HUNGARIAN MINOR
> 1,2,b3,#4,5,b6,7,8va
>
> MAJOR LOCRIAN
> 1,2,3,4,b5,b6,b7,8va
>
> LYDIAN MINOR
> 1,2,3,#4,5,b6,b7,8va
>
> OVERTONE
> 1,2,3,#4,5,6,b7,8va
>
> LEADING WHOLE TONE
> 1,2,3,#4,#5(6),#6(b7),7,8va
>
> HUNGARIAN MAJOR
> 1,#2(b3),3,#4,5,6,b7,8v
>
> SYMMETRICAL
> 1,b2,b3,nat3#4,5,6,b7,8va
>
> PENTATONIC MAJOR
> 1,2,3,5,6,8va
>
> PENTATONIC MINOR
> 1,b3,4,5,b7,8va
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 08:22:12 2010
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Subject: Re: OT: was $280 Midi Guitar (andy's trick) + is Stringport better then AX50
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--Apple-Mail-1--289723922
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	charset=windows-1252


Hi. Thanks everyone for your responses. tEd, how do you feel about the =
StringPort now that you've had it for a while?=20

Also, I appreciate that they are technically different animals, apples =
to oranges, etc, but re-reading the responses it still seems to me that =
the result is the same when it comes to controlling midi plugins (that =
are not part of the Stringport suite.)=20

Both can be set to take signal from each string separately and output =
the midi data--it's just that Stringport also analyzes the audio in much =
more complex ways... ultimately it still sends out midi data to control =
the sound. So AT THAT POINT, does feel like it track better then the =
AX50?=20

The Stringport software is icing on the cake, in other words, but do the =
bonuses of having to deal with all that extra complexity (and CPU usage) =
also extend to the midi data that it ultimately sends out to control my =
regular plugins? And tEd, speaking more generally, has that complexity =
been defeating or was it just a minor speed bump on the way to something =
better?

Who knows, Andy's Trick may be enough of a boost, if I can find where to =
enter that setting, which I still can't. So if anyone has a suggestion =
there, please point me to the right tab or whatever. Here again is =
Andy's trick:

> > The midi converter has to be set to send Midi pitch bend
> > (which can be switched off),
> > and then the amount of midi pitch bend has to be matched between the
> > midi converter and the synth that's being driven.
>=20
> Anyone know how to find this setting in the the AX50 software?

Thank You!


On Nov 9, 2010, at 9:08 AM, tEd =AE kiLLiAn wrote:

> Hi,
>=20
> I have StringPort . . . I bought it only about 4 weeks ago . . . I'm =
still groping with it's complexity in fact . . . so take my comments =
with a grain of salt.
>=20
> I think comparing it to the AX50 is like comparing apples and oranges =
. . . the concept sort of seems the same . . . but StringPort seems =
rather a lot more complex.
>=20
> This may be unfair, but it's a bit like comparing MS Word to Photoshop =
. . . similar, but not really.
>=20
> I have only had a little experience with StringPort so far (not all of =
it good, BTW) but it presents possibilities that are even above and =
beyond the multiple GR and VG units I also own combined.
>=20
> I am still trying to get a handle on it.
>=20
> tEd =AE kiLLiAn
>=20
> Man is the only animal that can remain on friendly terms with the =
victims he intends to eat until he eats them. =96 Samuel Butler (1835 - =
1902)
>=20
> http://www.pfmentum.com/PFMCD007.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
> http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768
>=20
> Ted Killian's "Flux Aeterna" is also available at Apple iTunes
>=20
>=20
> On Tue, Nov 9, 2010 at 4:29 AM, Christopher Darrow wrote:
>=20
>> 2) Is Stringport really better then the AX50? Does it track better =
even with regular midi plugins rather then their software? Is it more =
processor intensive then the AX50, such that a laptop would start =
exhibiting bad behavior with a bunch of plugins and effects open in =
Live, etc.? Could really use a user report if anybody has experience =
with these. Or if not both, then your review of the Stringport.
>>=20
>>=20
>> Much thanks!
>=20


--Apple-Mail-1--289723922
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=windows-1252

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>Hi. Thanks everyone for your responses. tEd, how =
do you feel about the StringPort now that you've had it for a =
while?&nbsp;</div><div><br></div><div>Also, I appreciate that they are =
technically different animals, apples to oranges, etc, but re-reading =
the responses it still seems to me that the result is the same when it =
comes to controlling midi plugins (that are not part of the Stringport =
suite.)&nbsp;</div><div><br></div><div>Both can be set to take signal =
from each string separately and output the midi data--it's just that =
Stringport also analyzes the audio in much more complex ways... =
ultimately it still sends out midi data to control the sound. So AT THAT =
POINT, does feel like it track better then the =
AX50?&nbsp;</div><div><br></div><div>The Stringport software is icing on =
the cake, in other words, but do the bonuses of having to deal with all =
that extra complexity (and CPU usage) also extend to the midi data that =
it ultimately sends out to control my regular plugins? And tEd, speaking =
more generally, has that complexity been defeating or was it just a =
minor speed bump on the way to something =
better?</div><div><br></div><div>Who knows, Andy's Trick may be enough =
of a boost, if I can find where to enter that setting, which I still =
can't. So if anyone has a suggestion there, please point me to the right =
tab or whatever. Here again is Andy's trick:</div><div><font =
class=3D"Apple-style-span" face=3D"Tahoma" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;"><font =
class=3D"Apple-style-span" face=3D"Helvetica"><span =
class=3D"Apple-style-span" style=3D"font-size: =
medium;"><br></span></font></span></font></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">&gt; &gt; The midi converter has to be set to send Midi pitch =
bend</span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt; &gt; (which can be =
switched off),</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">&gt; &gt; and then the amount of midi pitch bend has to be =
matched between the</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">&gt; &gt; midi converter and the synth that's being =
driven.</span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">&gt;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">&gt; Anyone know how to find this setting in the the AX50 =
software?</span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><br></span></div><div><font =
class=3D"Apple-style-span" face=3D"Tahoma" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Tahoma" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;">Thank =
You!</span></font></div><div><br></div><br><div><div>On Nov 9, 2010, at =
9:08 AM, tEd =AE kiLLiAn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Hi,<br><br>I have StringPort . . . I bought it only =
about 4 weeks ago . . . I'm still groping with it's complexity in fact . =
. . so take my comments with a grain of salt.<br><br>I think comparing =
it to the AX50 is like comparing apples and oranges . . . the concept =
sort of seems the same . . . but StringPort seems rather a lot more =
complex.<br><br>This may be unfair, but it's a bit like comparing MS =
Word to Photoshop . . . similar, but not really.<br><br>I have only had =
a little experience with StringPort so far (not all of it good, BTW) but =
it presents possibilities that are even above and beyond the multiple GR =
and VG units I also own combined.<br><br>I am still trying to get a =
handle on it.<br><br>tEd =AE kiLLiAn<br><br>Man is the only animal that =
can remain on friendly terms with the victims he intends to eat until he =
eats them. =96 Samuel Butler (1835 - 1902)<br><br><a =
href=3D"http://www.pfmentum.com/PFMCD007.html">http://www.pfmentum.com/PFM=
CD007.html</a><br>http://www.CDbaby.com/cd/tedkillian<br>http://www.guitar=
9.com/fluxaeterna.html<br>http://www.indiejazz.com/ProductDetailsView.aspx=
?ProductID=3D193<br>http://guitarplayer.com/article/y2k6-international-liv=
e/Jun-07/27768<br><br>Ted Killian's "Flux Aeterna" is also available at =
Apple iTunes<br><br><br>On Tue, Nov 9, 2010 at 4:29 AM, Christopher =
Darrow wrote:<br><br><blockquote type=3D"cite">2) Is Stringport really =
better then the AX50? Does it track better even with regular midi =
plugins rather then their software? Is it more processor intensive then =
the AX50, such that a laptop would start exhibiting bad behavior with a =
bunch of plugins and effects open in Live, etc.? Could really use a user =
report if anybody has experience with these. Or if not both, then your =
review of the Stringport.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Much =
thanks!<br></blockquote><br></div></blockquote></div><br></body></html>=

--Apple-Mail-1--289723922--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 08:36:42 2010
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Subject: Leinhos, Peter is out of the office.
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I will be out of the office starting  12/30/2010 and will not return until
01/03/2011.

For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793

***** PLEASE NOTE ***** This E-Mail/telefax message and any
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delete/destroy the message and any accompanying documents. Thank
you.*****  

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Leinhos, Peter is out of the office.
Date: Thu, 30 Dec 2010 08:39:48 +0000
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--Apple-Mail-1--288907888
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yay!!! Its holiday time :)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 30 Dec 2010, at 08:31, peter.leinhos@farmersinsurance.com wrote:

>
> I will be out of the office starting  12/30/2010 and will not  
> return until
> 01/03/2011.
>
> For telecom, Audio or Video issues,  contact Greg Bouffard @ 323  
> 932 3793
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> documents accompanying this transmission may contain privileged
> and/or confidential information and is intended solely for the
> addressee(s) named above. If you are not the intended
> addressee/recipient, you are hereby notified that any use of,
> disclosure, copying, distribution, or reliance on the contents of
> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>


--Apple-Mail-1--288907888
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
yay!!! Its holiday time :)<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 30 Dec 2010, =
at 08:31, <a =
href=3D"mailto:peter.leinhos@farmersinsurance.com">peter.leinhos@farmersin=
surance.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I will =
be out of the office starting<span class=3D"Apple-converted-space">&nbsp; =
</span>12/30/2010 and will not return until</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">01/03/2011.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">For telecom, Audio or Video issues,<span =
class=3D"Apple-converted-space">&nbsp; </span>contact Greg Bouffard @ =
323 932 3793</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">***** PLEASE NOTE ***** This E-Mail/telefax message =
and any</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">documents accompanying this =
transmission may contain privileged</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and/or =
confidential information and is intended solely for the</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">addressee(s) named above. If you are not the =
intended</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">addressee/recipient, you are =
hereby notified that any use of,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">disclosure, =
copying, distribution, or reliance on the contents of</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">this E-Mail/telefax information is strictly =
prohibited and may</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">result in legal action =
against you. Please reply to the sender</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">advising =
of the error in transmission and immediately</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">delete/destroy the message and any accompanying =
documents. Thank</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">you.***** <span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1--288907888--

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Date: Thu, 30 Dec 2010 11:35:34 +0100
Message-ID: <AANLkTinzEc0NNhg+ZoKrY4ohg5sx4+5pn1G1QVc6Js1g@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Who is this person! Does he post to the list except for these
automatically generated mail server messages that bounce back and
forth around holiday time? He is a kind of list legend now, his "Out
Of Office..." T-shirt worn by many!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Dec 30, 2010 at 9:31 AM,  <peter.leinhos@farmersinsurance.com> wrot=
e:
>
> I will be out of the office starting =C2=A012/30/2010 and will not return=
 until
> 01/03/2011.
>
> For telecom, Audio or Video issues, =C2=A0contact Greg Bouffard @ 323 932=
 3793
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> documents accompanying this transmission may contain privileged
> and/or confidential information and is intended solely for the
> addressee(s) named above. If you are not the intended
> addressee/recipient, you are hereby notified that any use of,
> disclosure, copying, distribution, or reliance on the contents of
> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 10:49:41 2010
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	<4D1C2F21.3080105@cruzio.com>
Date: Thu, 30 Dec 2010 11:49:40 +0100
Message-ID: <AANLkTi=x7tXGwJUQ8F45k518nNn=UquPXm7EZbcwVYcN@mail.gmail.com>
Subject: Re: OT SYNTHETIC MODES
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Dec 30, 2010 at 8:05 AM, Rick Walker <looppool@cruzio.com> wrote:
> Modes and Synthetic
> Modes

Thank you, Matt and Rick. Looking for some fun checking out these
scales. Wishing a good 2k11 to everyone on this list!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 11:02:26 2010
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On 7/22/64 11:59 AM, Toby G wrote:
> I'll help you out on the derivation if you could be a little more 
> specific about the info you need :)
>
Here's what McLaughlin says in the introduction to this single page of 
his book:

"As you can see, six additional modes can be derived
from the fundamental major mode (Ionian) by starting
on each successive step of the fundamental mode......"

<he's listed all seven of the typical greek modes based
off the C major scale, using only notes inside it>

".......The synthetic fundamental modes are given below.
You can derive additional modes from all the synthetic
fundamental modes by using the same process of starting on
each successive step.  I have spelled out all the fundamental modes
in C for the sake of simplicity...."


Okay,  I get all of that.   Additional modes generate new modes and 
potential new harmonies.

Now, my question is, how were these synthetic modes derived?

In other words,   are these just arbitrary clusterings of 7 or 5 note 
values in the scale?
In other words,   what differs in these scales from the vast number of 
Indian Rags, Arabic Maqams
or Persian Dagstah?

Is there a system for derivation or are these just random but cool clusters
of melody sets?

Thanks, in advance Toby.

yours,  Rick Walker


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Date: Thu, 30 Dec 2010 03:30:09 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Leinhos, Peter is out of the office.
To: Loopers-Delight@loopers-delight.com
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--0-987808081-1293708609=:25185
Content-Type: text/plain; charset=us-ascii

this out of the office message has a mystical quality to it:-)

Anony



________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, December 30, 2010 11:35:34 AM
Subject: Re: Leinhos, Peter is out of the office.

Who is this person! Does he post to the list except for these
automatically generated mail server messages that bounce back and
forth around holiday time? He is a kind of list legend now, his "Out
Of Office..." T-shirt worn by many!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Dec 30, 2010 at 9:31 AM,  <peter.leinhos@farmersinsurance.com> wrote:
>
> I will be out of the office starting  12/30/2010 and will not return until
> 01/03/2011.
>
> For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793
>
> ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> documents accompanying this transmission may contain privileged
> and/or confidential information and is intended solely for the
> addressee(s) named above. If you are not the intended
> addressee/recipient, you are hereby notified that any use of,
> disclosure, copying, distribution, or reliance on the contents of
> this E-Mail/telefax information is strictly prohibited and may
> result in legal action against you. Please reply to the sender
> advising of the error in transmission and immediately
> delete/destroy the message and any accompanying documents. Thank
> you.*****
>
>


      
--0-987808081-1293708609=:25185
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>this out of the office message&nbsp;has a mystical quality to it:-)</div><div><br></div><div>Anony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, December 30, 2010 11:35:34 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Leinhos, Peter is out of the office.<br></font><br>
Who is this person! Does he post to the list except for these<br>automatically generated mail server messages that bounce back and<br>forth around holiday time? He is a kind of list legend now, his "Out<br>Of Office..." T-shirt worn by many!<br><br>Greetings from Sweden<br><br>Per Boysen<br><a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br><br><br><br>On Thu, Dec 30, 2010 at 9:31 AM,&nbsp; &lt;<a ymailto="mailto:peter.leinhos@farmersinsurance.com" href="mailto:peter.leinhos@farmersinsurance.com">peter.leinhos@farmersinsurance.com</a>&gt; wrote:<br>&gt;<br>&gt; I will be out of the office starting &nbsp;12/30/2010 and will not return until<br>&gt; 01/03/2011.<br>&gt;<br>&gt; For telecom, Audio or Video issues, &nbsp;contact Greg Bouffard @ 323 932 3793<br>&gt;<br>&gt;
 ***** PLEASE NOTE ***** This E-Mail/telefax message and any<br>&gt; documents accompanying this transmission may contain privileged<br>&gt; and/or confidential information and is intended solely for the<br>&gt; addressee(s) named above. If you are not the intended<br>&gt; addressee/recipient, you are hereby notified that any use of,<br>&gt; disclosure, copying, distribution, or reliance on the contents of<br>&gt; this E-Mail/telefax information is strictly prohibited and may<br>&gt; result in legal action against you. Please reply to the sender<br>&gt; advising of the error in transmission and immediately<br>&gt; delete/destroy the message and any accompanying documents. Thank<br>&gt; you.*****<br>&gt;<br>&gt;<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-987808081-1293708609=:25185--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 15:16:00 2010
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	<549374.25185.qm@web120702.mail.ne1.yahoo.com>
Date: Thu, 30 Dec 2010 17:15:57 +0200
Message-ID: <AANLkTi=TdSea2Dk87XkjR8Emxd5SQipMzJk4zk3kfPip@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a34da4c42f0498a22934
Content-Type: text/plain; charset=ISO-8859-1

Anyone else really tried to contact Peter? :-)


"On Nov 16, 2010, at 11:26 AM, loopbozo@comcast.net wrote:

So I followed the instructions in the email from Peter Leinhos concerning
tech help in his absence and contacted Greg Bouffard in the "Telecom Godz"
department of Farmers Insurance in LA to fill him in on the ongoing
amusement we have at Peter's expense. Yes Peter is out of the office, but
Greg feels confident that he would want a t-shirt. Greg however cannot
address the continuing email situation (help desk) and did not seem to know
if Peter was a "looper" , clandestine or otherwise. I think given the chain
of command,Greg could use a t-shirt also, I'll forward the t-shirt email
w/photo to Peter.... I'm sure I have his address here somewhere. FYI - 20
years before Fripp wrote about it, Glenn Gould had some very insightful
things to say about the nature of professional performance as a lifestyle.
"The Glenn Gould Reader" has some interesting sections that address this
matter."






2010/12/30 <antonyhequet@yahoo.com>

> this out of the office message has a mystical quality to it:-)
>
> Anony
>
> ------------------------------
> *From:* Per Boysen <perboysen@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Thu, December 30, 2010 11:35:34 AM
> *Subject:* Re: Leinhos, Peter is out of the office.
>
> Who is this person! Does he post to the list except for these
> automatically generated mail server messages that bounce back and
> forth around holiday time? He is a kind of list legend now, his "Out
> Of Office..." T-shirt worn by many!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Thu, Dec 30, 2010 at 9:31 AM,  <peter.leinhos@farmersinsurance.com>
> wrote:
> >
> > I will be out of the office starting  12/30/2010 and will not return
> until
> > 01/03/2011.
> >
> > For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 3793
> >
> > ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> > documents accompanying this transmission may contain privileged
> > and/or confidential information and is intended solely for the
> > addressee(s) named above. If you are not the intended
> > addressee/recipient, you are hereby notified that any use of,
> > disclosure, copying, distribution, or reliance on the contents of
> > this E-Mail/telefax information is strictly prohibited and may
> > result in legal action against you. Please reply to the sender
> > advising of the error in transmission and immediately
> > delete/destroy the message and any accompanying documents. Thank
> > you.*****
> >
> >
>
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a34da4c42f0498a22934
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Anyone else really tried to contact Peter? :-)<br><br><br><div>&quot;On Nov=
 16, 2010, at 11:26 AM, <a href=3D"mailto:loopbozo@comcast.net">loopbozo@co=
mcast.net</a> wrote:</div><br class=3D"Apple-interchange-newline"><span cla=
ss=3D"Apple-style-span" style=3D"border-collapse: separate; font-family: Ti=
mes; font-style: normal; font-variant: normal; font-weight: normal; letter-=
spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-tr=
ansform: none; white-space: normal; widows: 2; word-spacing: 0px; font-size=
: medium;"><span class=3D"Apple-style-span" style=3D"font-family: Arial; fo=
nt-size: 16px;">So
 I followed the instructions in the email from Peter Leinhos concerning=20
tech help in his absence and contacted Greg Bouffard in the &quot;Telecom=
=20
Godz&quot; department of Farmers Insurance in LA to fill him in on the=20
ongoing amusement we have at Peter&#39;s expense. Yes Peter is out of the=
=20
office, but Greg feels confident that he would want a t-shirt. Greg=20
however cannot address the continuing email situation (help desk) and=20
did not seem to know if Peter was a &quot;looper&quot; , clandestine or oth=
erwise.
 I think given the chain of command,Greg could use a t-shirt also, I&#39;ll=
=20
forward the t-shirt email w/photo to Peter.... I&#39;m sure I have his=20
address here somewhere. FYI - 20 years before Fripp wrote about it,=20
Glenn Gould had some very insightful things to say about the nature of=20
professional performance as a lifestyle. &quot;The Glenn Gould Reader&quot;=
 has=20
some interesting sections that address this matter.&quot;<br><br><br><br><b=
r><br></span></span><br><div class=3D"gmail_quote">2010/12/30  <span dir=3D=
"ltr">&lt;<a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com<=
/a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style=
=3D"font-family: arial,helvetica,sans-serif; font-size: 14pt;"><div>this ou=
t of the office message=A0has a mystical quality to it:-)</div>
<div><br></div><div>Anony</div><div style=3D"font-family: arial,helvetica,s=
ans-serif; font-size: 14pt;"><br><div style=3D"font-family: arial,helvetica=
,sans-serif; font-size: 13px;"><font face=3D"Tahoma" size=3D"2"><hr size=3D=
"1"><b><span style=3D"font-weight: bold;">From:</span></b> Per Boysen &lt;<=
a href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com=
</a>&gt;<br>
<b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mailto:Loop=
ers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-=
delight.com</a><br><b><span style=3D"font-weight: bold;">Sent:</span></b> T=
hu, December 30, 2010 11:35:34 AM<br>
<b><span style=3D"font-weight: bold;">Subject:</span></b> Re: Leinhos, Pete=
r is out of the office.<br></font><div><div></div><div class=3D"h5"><br>
Who is this person! Does he post to the list except for these<br>automatica=
lly generated mail server messages that bounce back and<br>forth around hol=
iday time? He is a kind of list legend now, his &quot;Out<br>Of Office...&q=
uot; T-shirt worn by many!<br>
<br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D"http://www.boysen=
.se" target=3D"_blank">www.boysen.se</a><br><a href=3D"http://www.perboysen=
.com" target=3D"_blank">www.perboysen.com</a><br><a href=3D"http://www.loop=
room.com" target=3D"_blank">www.looproom.com</a> internet music hub<br>
<br><br><br>On Thu, Dec 30, 2010 at 9:31 AM,=A0 &lt;<a href=3D"mailto:peter=
.leinhos@farmersinsurance.com" target=3D"_blank">peter.leinhos@farmersinsur=
ance.com</a>&gt; wrote:<br>&gt;<br>&gt; I will be out of the office startin=
g =A012/30/2010 and will not return until<br>
&gt; 01/03/2011.<br>&gt;<br>&gt; For telecom, Audio or Video issues, =A0con=
tact Greg Bouffard @ 323 932 3793<br>&gt;<br>&gt;
 ***** PLEASE NOTE ***** This E-Mail/telefax message and any<br>&gt; docume=
nts accompanying this transmission may contain privileged<br>&gt; and/or co=
nfidential information and is intended solely for the<br>&gt; addressee(s) =
named above. If you are not the intended<br>
&gt; addressee/recipient, you are hereby notified that any use of,<br>&gt; =
disclosure, copying, distribution, or reliance on the contents of<br>&gt; t=
his E-Mail/telefax information is strictly prohibited and may<br>&gt; resul=
t in legal action against you. Please reply to the sender<br>
&gt; advising of the error in transmission and immediately<br>&gt; delete/d=
estroy the message and any accompanying documents. Thank<br>&gt; you.*****<=
br>&gt;<br>&gt;<br><br></div></div></div></div><div></div>


</div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://ww=
w.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" t=
arget=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a34da4c42f0498a22934--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 15:20:36 2010
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Date: Thu, 30 Dec 2010 10:20:34 -0500 (EST)
From: EDWARD                    YUHAS  <ejyuhas@embarqmail.com>
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I'm using a Fernandes Monterey Elite w/ Sustainer...

Also, I have D'Addario .010s on it, and they work just fine...whether I'm using the sustainer (neck pickup) or my eBow. The magnets move them no problem. I use my sustainer to hold a note, but moreso for the high-pitch sound that's emitted on harmonics...kind of ethereal when processed by my pedals, etc. in looping.

I'll add to what Jeff said about batteries in the Fernandes. It eats 9v's! And there is a "sweet spot" in battery life where I find the sustainer works best. When the battery is brand new, the sustaining can be harsh and a bit much, but as the battery "wears in" (wears out?) the sound is much more consistent. 

I know one thing...when that battery is nearing the end of its life, there can be some ugly crackling and horrible sonic performance produced by the sustainer. Be forewarned.

Regards,

Edward Yuhas

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 15:41:25 2010
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Date: Thu, 30 Dec 2010 07:41:23 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Leinhos, Peter is out of the office.
To: Loopers-Delight@loopers-delight.com
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--0-1826179122-1293723683=:41772
Content-Type: text/plain; charset=us-ascii

The Leinhos out of office loop stretches to infinity.........


      
--0-1826179122-1293723683=:41772
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>The Leinhos out of office loop stretches to infinity.........<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br>
</div></div>
</div><br>

      </body></html>
--0-1826179122-1293723683=:41772--

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Another essential:
http://iosaudio.wordpress.com/midi-support-list/


On Dec 29, 2010, at 5:40 PM, David Coffin wrote:

> Some resources:

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 18:33:07 2010
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Date: Thu, 30 Dec 2010 13:33:06 -0500
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Subject: Re: Sustainer Question
From: Jeff Duke <jeffloops@gmail.com>
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You are so right Edward, I have several boxes for batteries and a
voltage meter. My Retrorockets have the two position
(regular/harmonic) sustainer with no intensity control knob. I
sometimes replace the batteries with lower voltage batteries if I need
a gentler sustain for something. Really though, you get so good at
muting strings and controlling the sustain after a while you don't
worry about it much.

My old Fernandes Decade has the three position (regular/mix/harmonic)
w/intensity control knob which I like. The guitars will quit
completely if the battery goes dead but it will get very lo fi first,
of course this can be usable also :)

best,

Jeff

http://jeffduke.bandcamp.com/
http://digitsignal.bandcamp.com/
http://usit.bandcamp.com/




On Thu, Dec 30, 2010 at 10:20 AM, EDWARD                    YUHAS
<ejyuhas@embarqmail.com> wrote:
> I'm using a Fernandes Monterey Elite w/ Sustainer...
>
> Also, I have D'Addario .010s on it, and they work just fine...whether I'm=
 using the sustainer (neck pickup) or my eBow. The magnets move them no pro=
blem. I use my sustainer to hold a note, but moreso for the high-pitch soun=
d that's emitted on harmonics...kind of ethereal when processed by my pedal=
s, etc. in looping.
>
> I'll add to what Jeff said about batteries in the Fernandes. It eats 9v's=
! And there is a "sweet spot" in battery life where I find the sustainer wo=
rks best. When the battery is brand new, the sustaining can be harsh and a =
bit much, but as the battery "wears in" (wears out?) the sound is much more=
 consistent.
>
> I know one thing...when that battery is nearing the end of its life, ther=
e can be some ugly crackling and horrible sonic performance produced by the=
 sustainer. Be forewarned.
>
> Regards,
>
> Edward Yuhas
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 20:31:49 2010
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Date: Thu, 30 Dec 2010 12:31:40 -0800
From: Rick Walker <looppool@cruzio.com>
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It is said that when Leinhos, Peter is back IN the office that
the 'end times' are nigh.

It is said, Frogs will rain from the sky and
musicians will be paid fare wages, commensurate with their
skill and expertise.    The public will suddenly begin
paying for downloads and  buying CDs at gigs, again.

rick walker





On 7/22/64 11:59 AM, antonyhequet@yahoo.com wrote:
> this out of the office message has a mystical quality to it:-)
>
> Anony
>
> ------------------------------------------------------------------------
> *From:* Per Boysen <perboysen@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Thu, December 30, 2010 11:35:34 AM
> *Subject:* Re: Leinhos, Peter is out of the office.
>
> Who is this person! Does he post to the list except for these
> automatically generated mail server messages that bounce back and
> forth around holiday time? He is a kind of list legend now, his "Out
> Of Office..." T-shirt worn by many!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se <http://www.boysen.se>
> www.perboysen.com <http://www.perboysen.com>
> www.looproom.com <http://www.looproom.com> internet music hub
>
>
>
> On Thu, Dec 30, 2010 at 9:31 AM, <peter.leinhos@farmersinsurance.com 
> <mailto:peter.leinhos@farmersinsurance.com>> wrote:
> >
> > I will be out of the office starting  12/30/2010 and will not return 
> until
> > 01/03/2011.
> >
> > For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932 
> 3793
> >
> > ***** PLEASE NOTE ***** This E-Mail/telefax message and any
> > documents accompanying this transmission may contain privileged
> > and/or confidential information and is intended solely for the
> > addressee(s) named above. If you are not the intended
> > addressee/recipient, you are hereby notified that any use of,
> > disclosure, copying, distribution, or reliance on the contents of
> > this E-Mail/telefax information is strictly prohibited and may
> > result in legal action against you. Please reply to the sender
> > advising of the error in transmission and immediately
> > delete/destroy the message and any accompanying documents. Thank
> > you.*****
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 20:37:02 2010
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What ever became of the Leinhos, Peter t-shirt?



From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 20:37:41 2010
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Subject: The EDP and the Looperlative and me
Date: Thu, 30 Dec 2010 12:37:37 -0800
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I've had a few people ask recently why I might express a preference for =
the EDP over the Looperlative. My EDP's had been sitting in my spare =
rack unused for a bit but I wired them up yesterday and I thought I =
would try to run down the highlights for me in doing so,

Let me first say that the Looperlative by virtue of offering multiple =
high-quality stereo tracks and multiple routing options is a very nice =
piece of hardware and there are obviously lots of things it does that =
the EDP does not. Even with a pair of EDP's there are a number of things =
that don't work properly in stereo. That said, let me highlight some of =
the things I prefer about the EDP:

* Big friendly time readout. The Looperlative is harder to read at a =
distance and since it's constantly counting down or something, I can't =
really glance at it and get much useful information even if it were big =
enough to read at a distance.

* I like being able to dial in the tempo on the EDP and have it be a =
clock source for the rest of the system before the loop gets recorded.

* An optimized controller pedal. The Looperlative can work with lots of =
MIDI control surfaces and you can program them to do many things. If you =
have something as powerful as the Gordius, you even have a choice for =
how much you do there v on the Looperlative. But the EDP really exploits =
the hell out of the standard set of buttons and makes strong use of =
gestures like long-presses, etc which the Looperlative cannot as readily =
count on receiving from generic MIDI controllers.

* A modal approach to loop build up and modification. I'm overdubbing. =
Now I'm multiplying. Now I'm replacing. Etc. I express the mode that I =
want to be using to modify the loop and I can switch from mode to mode =
with a fair degree of intelligence in the EDP about what the mode =
switches mean. Contrast this with the Looperlative which just with Play, =
Overdub, and Replace+ seems to have trouble specifying where one will =
end up when switching back and forth since it wants to emphasize =
toggling in and out of modes. (That said, the fact that substitute is a =
sustained action undermines this...)

This last point is the big one for difference in feel, but I think it =
actually ties to some extent to the third one.

My suspicion is that if I ignored a bunch of functionality on the =
Looperlative and built up an appropriately programmed MIDI controller, I =
could probably get what I want, but I feel like I'm threading a needle =
whereas the EDP actually has a fair amount that's tuned and ready to go =
out of the box with nothing more than its standard controller pedal and =
possibly an expression pedal for feedback (though see the notes about =
stereo...).

Now, I need to decide where I'm going to invest my time...

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 20:42:16 2010
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Date: Thu, 30 Dec 2010 15:41:29 -0500
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll conclude the
month-long Special Focus on Modulator ESP.  The Featured CD at Midnight
will be "Alien Forest Observations" which is a self-released title.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#dec

You will also hear new music released on the Groove Unlimited and
Ricochet Dream labels.  I will be giving away two sets of Klaus Schulze
DVDs.  One set will go to a local listener and another set to a non-
Pennsylvania resident who listens via the internet.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 20:45:27 2010
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	<4D1CEC2C.7070401@cruzio.com>
Date: Thu, 30 Dec 2010 15:45:26 -0500
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Subject: Re: Re: Leinhos, Peter is out of the office.
From: Jeff Duke <jeffloops@gmail.com>
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Maybe it's time for The Quest for Leinhos, Peter! :) Right up there
with the Quests for Order, Understanding and Meaning eh?

Jeff

On Thu, Dec 30, 2010 at 3:31 PM, Rick Walker <looppool@cruzio.com> wrote:
> It is said that when Leinhos, Peter is back IN the office that
> the 'end times' are nigh.
>
> It is said, Frogs will rain from the sky and
> musicians will be paid fare wages, commensurate with their
> skill and expertise. =A0 =A0The public will suddenly begin
> paying for downloads and =A0buying CDs at gigs, again.
>
> rick walker
>
>
>
>
>
> On 7/22/64 11:59 AM, antonyhequet@yahoo.com wrote:
>>
>> this out of the office message has a mystical quality to it:-)
>>
>> Anony
>>
>> ------------------------------------------------------------------------
>> *From:* Per Boysen <perboysen@gmail.com>
>> *To:* Loopers-Delight@loopers-delight.com
>> *Sent:* Thu, December 30, 2010 11:35:34 AM
>> *Subject:* Re: Leinhos, Peter is out of the office.
>>
>> Who is this person! Does he post to the list except for these
>> automatically generated mail server messages that bounce back and
>> forth around holiday time? He is a kind of list legend now, his "Out
>> Of Office..." T-shirt worn by many!
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se <http://www.boysen.se>
>> www.perboysen.com <http://www.perboysen.com>
>> www.looproom.com <http://www.looproom.com> internet music hub
>>
>>
>>
>> On Thu, Dec 30, 2010 at 9:31 AM, <peter.leinhos@farmersinsurance.com
>> <mailto:peter.leinhos@farmersinsurance.com>> wrote:
>> >
>> > I will be out of the office starting =A012/30/2010 and will not return
>> > until
>> > 01/03/2011.
>> >
>> > For telecom, Audio or Video issues, =A0contact Greg Bouffard @ 323 932
>> > 3793
>> >
>> > ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>> > documents accompanying this transmission may contain privileged
>> > and/or confidential information and is intended solely for the
>> > addressee(s) named above. If you are not the intended
>> > addressee/recipient, you are hereby notified that any use of,
>> > disclosure, copying, distribution, or reliance on the contents of
>> > this E-Mail/telefax information is strictly prohibited and may
>> > result in legal action against you. Please reply to the sender
>> > advising of the error in transmission and immediately
>> > delete/destroy the message and any accompanying documents. Thank
>> > you.*****
>> >
>> >
>>
>>
>

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Date: Thu, 30 Dec 2010 23:41:39 +0100
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Subject: Re: Re: Leinhos, Peter is out of the office.
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On Thu, Dec 30, 2010 at 9:31 PM, Rick Walker <looppool@cruzio.com> wrote:
> It is said that when Leinhos, Peter is back IN the office that
> the 'end times' are nigh.


The ancient Mayans knew Peter Leinhos will be back i the office on
December 21, 2012!!!

Per ;-)

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 22:46:04 2010
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Matt Davignon schrieb:
> --Lumper-Splitter: Actually a great cd with guitarists Lucio Menegon
> and Joe Rut. Possible list members
I haven't seen them on this list, but I was fortunate enough to hear/see 
(and meet) them back at BEMF 2008 (thanks again, Krispen, for that 
event), and I think I remember they played Rick's festival at least once.

Can be found on bandcamp: luciomenegon.bandcamp.com.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: OT: Musical discoveries of 2010
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Today on NPR (Thursday) Morning Edition they played a very nice clip  
for transition between segments by these guys
http://tinyurl.com/2btx6t2
the clip was from the song Gainako, sort of Ali Farka Toure-ish with  
njarka work etc.

Not new, from 2009, but just heard it first time today.

Interestingly, they played 2 clips for transition back to back. The  
first was the above, and the second clip was
Tetrishead by Zoe Keating!
http://www.npr.org/templates/rundowns/rundown.php?prgId=3
(scroll to mid-page it is just after >middle east> In Israel)

regards

BobC

http://tinyurl.com/yt8f8j

http://www.youtube.com/user/tynego


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>Today on NPR =
(Thursday) Morning Edition they played a very nice clip for transition =
between segments by these guys</div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-border-horizontal-spacing: 2px; =
-webkit-border-vertical-spacing: 2px; "><a =
href=3D"http://tinyurl.com/2btx6t2">http://tinyurl.com/2btx6t2</a></span><=
/div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-border-horizontal-spacing: 2px; =
-webkit-border-vertical-spacing: 2px; ">the clip was from the song =
Gainako, sort of Ali Farka Toure-ish with njarka work =
etc.</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-border-horizontal-spacing: 2px; =
-webkit-border-vertical-spacing: 2px; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: 2px; ">Not new, from 2009, but =
just heard it first time today.</span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: 2px; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: 2px; ">Interestingly, they played =
2 clips for transition back to back. The first was the above, and the =
second clip was</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-border-horizontal-spacing: 2px; =
-webkit-border-vertical-spacing: 2px; ">Tetrishead by Zoe =
Keating!</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-border-horizontal-spacing: 2px; =
-webkit-border-vertical-spacing: 2px;"><a =
href=3D"http://www.npr.org/templates/rundowns/rundown.php?prgId=3D3">http:=
//www.npr.org/templates/rundowns/rundown.php?prgId=3D3</a></span></div><di=
v><span class=3D"Apple-style-span" =
style=3D"-webkit-border-horizontal-spacing: 2px; =
-webkit-border-vertical-spacing: 2px;">(scroll to mid-page it is just =
after &gt;middle east&gt; In Israel)</span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: 2px;"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: =
2px;">regards</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-border-horizontal-spacing: 2px; =
-webkit-border-vertical-spacing: 2px;"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: 2px;">BobC</span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: 2px;"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-border-horizontal-spacing: =
2px; -webkit-border-vertical-spacing: 2px;"><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></div><div><br></div></span></div></div></body></html>=

--Apple-Mail-1--235005066--

From Loopers-Delight-request@loopers-delight.com  Thu Dec 30 23:51:44 2010
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	id 125571834C0; Thu, 30 Dec 2010 23:51:42 +0000 (UTC)
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <549374.25185.qm@web120702.mail.ne1.yahoo.com><4D1CEC2C.7070401@cruzio.com> <AANLkTikm2s43RENhJdwGR9Z_6jvWvUJ1LPog4-14qENW@mail.gmail.com>
In-Reply-To: <AANLkTikm2s43RENhJdwGR9Z_6jvWvUJ1LPog4-14qENW@mail.gmail.com>
Subject: Re: Leinhos, Peter is out of the office.
Date: Thu, 30 Dec 2010 23:51:34 -0000
Organization: EarthLight Productions
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?I smell the seeds of an existentialist looping play.

-----Original Message----- 
From: Jeff Duke 
Sent: Thursday, December 30, 2010 8:45 PM 
To: Loopers-Delight@loopers-delight.com 
Subject: Re: Re: Leinhos, Peter is out of the office. 

Maybe it's time for The Quest for Leinhos, Peter! :) Right up there
with the Quests for Order, Understanding and Meaning eh?

Jeff

On Thu, Dec 30, 2010 at 3:31 PM, Rick Walker <looppool@cruzio.com> wrote:
> It is said that when Leinhos, Peter is back IN the office that
> the 'end times' are nigh.
>
> It is said, Frogs will rain from the sky and
> musicians will be paid fare wages, commensurate with their
> skill and expertise.    The public will suddenly begin
> paying for downloads and  buying CDs at gigs, again.
>
> rick walker
>
>
>
>
>
> On 7/22/64 11:59 AM, antonyhequet@yahoo.com wrote:
>>
>> this out of the office message has a mystical quality to it:-)
>>
>> Anony
>>
>> ------------------------------------------------------------------------
>> *From:* Per Boysen <perboysen@gmail.com>
>> *To:* Loopers-Delight@loopers-delight.com
>> *Sent:* Thu, December 30, 2010 11:35:34 AM
>> *Subject:* Re: Leinhos, Peter is out of the office.
>>
>> Who is this person! Does he post to the list except for these
>> automatically generated mail server messages that bounce back and
>> forth around holiday time? He is a kind of list legend now, his "Out
>> Of Office..." T-shirt worn by many!
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se <http://www.boysen.se>
>> www.perboysen.com <http://www.perboysen.com>
>> www.looproom.com <http://www.looproom.com> internet music hub
>>
>>
>>
>> On Thu, Dec 30, 2010 at 9:31 AM, <peter.leinhos@farmersinsurance.com
>> <mailto:peter.leinhos@farmersinsurance.com>> wrote:
>> >
>> > I will be out of the office starting  12/30/2010 and will not return
>> > until
>> > 01/03/2011.
>> >
>> > For telecom, Audio or Video issues,  contact Greg Bouffard @ 323 932
>> > 3793
>> >
>> > ***** PLEASE NOTE ***** This E-Mail/telefax message and any
>> > documents accompanying this transmission may contain privileged
>> > and/or confidential information and is intended solely for the
>> > addressee(s) named above. If you are not the intended
>> > addressee/recipient, you are hereby notified that any use of,
>> > disclosure, copying, distribution, or reliance on the contents of
>> > this E-Mail/telefax information is strictly prohibited and may
>> > result in legal action against you. Please reply to the sender
>> > advising of the error in transmission and immediately
>> > delete/destroy the message and any accompanying documents. Thank
>> > you.*****
>> >
>> >
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 00:02:45 2010
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Subject: Fwd: OT SYNTHETIC MODES
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>
> Now, my question is, how were these synthetic modes derived?
>  here is the Wikipedia definition which seems in alignment with what  
> I learned in music school. Incidentally  Leinhos, Peter is out of  
> the office.!!!
>  happy new year one and all.
>  bill
  http://en.wikipedia.org/wiki/Synthetic_scale
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</div><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
size=3D"4"><span class=3D"Apple-style-span" style=3D"font-size: =
15px;">Now, my question is, how were these synthetic modes =
derived?</span></font><div><font class=3D"Apple-style-span" =
size=3D"4"><span class=3D"Apple-style-span" style=3D"font-size: =
15px;">&nbsp;<font class=3D"Apple-style-span" color=3D"#0C090F">here is =
the Wikipedia definition which seems in alignment with what I learned in =
music school. Incidentally&nbsp;&nbsp;Leinhos, Peter is out of the =
office.!!!</font></span></font></div><div><font class=3D"Apple-style-span"=
 size=3D"4"><span class=3D"Apple-style-span" style=3D"font-size: =
15px;"><font class=3D"Apple-style-span" color=3D"#0C090F">&nbsp;happy =
new year one and all.</font></span></font></div><div><b><span =
class=3D"Apple-style-span" style=3D"font-weight: normal;"><font =
class=3D"Apple-style-span" size=3D"4"><span class=3D"Apple-style-span" =
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color=3D"#0C090F">&nbsp;bill</font></span></font></span><font =
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color=3D"#0C090F"><br></font></b></div></div></blockquote></div><a =
href=3D"http://en.wikipedia.org/wiki/Synthetic_scale">&nbsp;http://en.wiki=
pedia.org/wiki/Synthetic_scale</a></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 00:19:46 2010
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Message-ID: <4D1D219C.5090905@googlemail.com>
Date: Fri, 31 Dec 2010 01:19:40 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Heavily OT: Release Announcement - "Akustik Kies: Transitiv Sehen"
 (solo acoustic piano)
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Brethren,

I'm proud to announce the release of the first part of my double album 
of solo acoustic piano stuff, "Akustik Kies".

This double album contains solo piano performances from my 2010 
MoinSound Studio Sessions bi-weekly live performances (which some of you 
were so kind to attend virtually).

Now this is why it's OT: the first part "Transitiv Sehen", is piano 
without anything else. Meaning no huge surreal reverb spaces, no 
cascading modulated delays, and no loops. No komische Elektronik. No 
safety net.

Still, I'd be delighted if you'd check it out:
Blog Article: 
http://moinsound.wordpress.com/2010/12/31/album-relase-akustik-kies-transitiv-sehen/
moinlabs.de: http://moinlabs.de/index.php?id=288
bandcamp: http://moinlabs.bandcamp.com/album/akustik-kies-transitiv-sehen

The download includes a fancy 12-page PDF booklet and an additional 
track not available for streaming - and it's name your price (including 
nothing at all)!

The second part, "Reflexiv Hören", is scheduled for release Q1/2011 and 
will give you all the crazy loop (and otherwise) processing you long for ;).

Yours,

             Rainer

btw: reviews, comments, critizism (of any kind) very welcome!

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 00:23:10 2010
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Subject: Re: OT SYNTHETIC MODES
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This is a multi-part message in MIME format.

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"The pitches of synthetic scales may duplicate pre-existing scales though their derivation is different and their use is often quite different."
  ----- Original Message ----- 
  From: William Walker 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, December 30, 2010 4:02 PM
  Subject: Fwd: OT SYNTHETIC MODES




    Now, my question is, how were these synthetic modes derived?
     here is the Wikipedia definition which seems in alignment with what I learned in music school. Incidentally  Leinhos, Peter is out of the office.!!!
     happy new year one and all.
     bill

   http://en.wikipedia.org/wiki/Synthetic_scale

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<DIV>"The pitches of synthetic scales may duplicate pre-existing scales though 
their derivation is different and their use is often quite different."</DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=billwalker@baymoon.com href="mailto:billwalker@baymoon.com">William 
  Walker</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, December 30, 2010 4:02 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Fwd: OT SYNTHETIC MODES</DIV>
  <DIV><BR></DIV>
  <DIV>
  <BLOCKQUOTE type="cite">
    <DIV>
    <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV></DIV>
    <DIV 
    style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space"><FONT 
    class=Apple-style-span size=4><SPAN style="FONT-SIZE: 15px" 
    class=Apple-style-span>Now, my question is, how were these synthetic modes 
    derived?</SPAN></FONT>
    <DIV><FONT class=Apple-style-span size=4><SPAN style="FONT-SIZE: 15px" 
    class=Apple-style-span>&nbsp;<FONT class=Apple-style-span color=#0c090f>here 
    is the Wikipedia definition which seems in alignment with what I learned in 
    music school. Incidentally&nbsp;&nbsp;Leinhos, Peter is out of the 
    office.!!!</FONT></SPAN></FONT></DIV>
    <DIV><FONT class=Apple-style-span size=4><SPAN style="FONT-SIZE: 15px" 
    class=Apple-style-span><FONT class=Apple-style-span 
    color=#0c090f>&nbsp;happy new year one and all.</FONT></SPAN></FONT></DIV>
    <DIV><B><SPAN style="FONT-WEIGHT: normal" class=Apple-style-span><FONT 
    class=Apple-style-span size=4><SPAN style="FONT-SIZE: 15px" 
    class=Apple-style-span><FONT class=Apple-style-span 
    color=#0c090f>&nbsp;bill</FONT></SPAN></FONT></SPAN><FONT 
    class=Apple-style-span 
  color=#0c090f><BR></FONT></B></DIV></DIV></BLOCKQUOTE></DIV><A 
  href="http://en.wikipedia.org/wiki/Synthetic_scale">&nbsp;http://en.wikipedia.org/wiki/Synthetic_scale</A></BLOCKQUOTE></BODY></HTML>

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Subject: Re: low cpu midi appegiator
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--00163628354ec9d4e40498aae2dc
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dunno to where this thread has strayed, but here's a cheap little arp
program: http://www.pentacom.jp/pentacom/arpg8r/

as a staunch bidule supporter, i'm required to chime in.

i think bidule is great.  i know that always looking for something new and
having to learn a whole new thing kinda sucks and i also agree with just
picking something and learning it.  bidule is way fun to work with,
super-easy or super-complex (depending on how deep you wanna go) and pretty
darn cheap.  i spent a little time with audiomulch and thought bidule a
better environment in which to work.  i also hated live and i think that
max/msp is absurd.  i can work pretty quick in bidule.  it's graphical
nature greatly appeals to me.  customer support is really great, too.

- jim

--00163628354ec9d4e40498aae2dc
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dunno to where this thread has strayed, but here&#39;s a cheap little arp p=
rogram: <a href=3D"http://www.pentacom.jp/pentacom/arpg8r/">http://www.pent=
acom.jp/pentacom/arpg8r/</a><br><br>as a staunch bidule supporter, i&#39;m =
required to chime in.<br>
<br>i think bidule is great.=A0 i know that always looking for something ne=
w and having to learn a whole new thing kinda sucks and i also agree with j=
ust picking something and learning it.=A0 bidule is way fun to work with, s=
uper-easy or super-complex (depending on how deep you wanna go) and pretty =
darn cheap.=A0 i spent a little time with audiomulch and thought bidule a b=
etter environment in which to work.=A0 i also hated live and i think that m=
ax/msp is absurd.=A0 i can work pretty quick in bidule.=A0 it&#39;s graphic=
al nature greatly appeals to me.=A0 customer support is really great, too.<=
br>
<br>- jim=A0 <br><br><br>

--00163628354ec9d4e40498aae2dc--

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Hey congrats Zoe that is cool, and nice piece!!

=20

From: RP Collier [mailto:skeptikalist@gmail.com]=20
Sent: Thursday, December 30, 2010 6:38 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Musical discoveries of 2010

=20

=20

Today on NPR (Thursday) Morning Edition they played a very nice clip for
transition between segments by these guys

http://tinyurl.com/2btx6t2

the clip was from the song Gainako, sort of Ali Farka Toure-ish with
njarka work etc.





Not new, from 2009, but just heard it first time today.





Interestingly, they played 2 clips for transition back to back. The
first was the above, and the second clip was

Tetrishead by Zoe Keating!

http://www.npr.org/templates/rundowns/rundown.php?prgId=3D3

(scroll to mid-page it is just after >middle east> In Israel)





regards





BobC





http://tinyurl.com/yt8f8j

=20

http://www.youtube.com/user/tynego

=20


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<head>
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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Hey congrats Zoe that is cool, and nice =
piece!!<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> RP Collier
[mailto:skeptikalist@gmail.com] <br>
<b>Sent:</b> Thursday, December 30, 2010 6:38 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: OT: Musical discoveries of =
2010<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<div>

<p class=3DMsoNormal>Today on NPR (Thursday) Morning Edition they played =
a very
nice clip for transition between segments by these guys<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span><a
href=3D"http://tinyurl.com/2btx6t2">http://tinyurl.com/2btx6t2</a></span>=
<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span>the clip was from =
the song
Gainako, sort of Ali Farka Toure-ish with njarka work =
etc.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span>Not new, from 2009, =
but just
heard it first time today.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span>Interestingly, they =
played 2
clips for transition back to back. The first was the above, and the =
second clip
was</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span>Tetrishead by Zoe =
Keating!</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span><a
href=3D"http://www.npr.org/templates/rundowns/rundown.php?prgId=3D3">http=
://www.npr.org/templates/rundowns/rundown.php?prgId=3D3</a></span><o:p></=
o:p></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span>(scroll to mid-page =
it is just
after &gt;middle east&gt; In Israel)</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
class=3Dapple-style-span>regards</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
class=3Dapple-style-span>BobC</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

</div>

<div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:8.5pt;font-family:"Lucida =
Grande","serif"'><a
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a><o:p></o:=
p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:8.5pt;font-family:"Lucida =
Grande","serif"'><o:p>&nbsp;</o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:8.5pt;font-family:"Lucida =
Grande","serif"'><a
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/t=
ynego</a><o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</div>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 01:54:22 2010
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Date: Thu, 30 Dec 2010 17:54:12 -0800
From: Rick Walker <looppool@cruzio.com>
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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> My suspicion is that if I ignored a bunch of functionality on the Looperlative and built up an appropriately programmed MIDI controller, I could probably get what I want, but I feel like I'm threading a needle whereas the EDP actually has a fair amount that's tuned and ready to go out of the box with nothing more than its standard controller pedal and possibly an expression pedal for feedback (though see the notes about stereo...).
I hear all the things you say about the EDP versus the Looperlative but 
one thing mystifies me?

The EDP was labyrinthine to understand and took a long time for me.  It 
was not intuitive until
after I got the paradigm.

The Looperlative can be programmed in 5 minutes with any midi controller 
because of it's
midi learn function.

It is so vastly easier to use than the EDP that it's not funny, imho.

It is true that it has a different paradigm than the EDP which had to 
rely on clever
programming to make up for a very old and slow processor.    IMHO,  the 
people who
invented and programmed the Loop IV software are all a bunch of 
unmitigated geniuses.
It's an amazing instrument and truly different than the EDP, but
I find I can do everything I like about the EDP in the Looperlative and 
a whole lot more
(especially with 8 simultaneous stereo tracks and the ability to have 
them sync or
not sync together).

But I'm a multi-instrumentalist and I think that the Looperlative's 
fluidity in handling multiple
timbres and indepenedent tracks with all of the vast ability to process 
the outputs appeals
to me more than if I were, say,  a solo guitarist,  where the approach 
is intrinsically more linear.

The EDP is the coolest expression of linearity, but to me, it's like 
comparing a black and white
television with a color television when it's put up against the vast 
amount of possibilities of the
Looperlative.

respectfully,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 02:01:42 2010
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Subject: Happy New Years
Date: Thu, 30 Dec 2010 18:01:44 -0800
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From: "Andy Owens" <andy@1800dialword.com>
To: <Loopers-Delight@loopers-delight.com>
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Well Rick, speaking of geniuses, there are sure a lot in here. About 90
percent of what ya'll expound on, I have no clue, but I just want to say
that I've never seen a list that's more polite and civil and with people
more helpful and openminded when it comes to all the different ways
ya'll do things.

I hope everyone has a happy New Year and in the coming year that you all
make music that makes you, and your listeners, happy.

Andy Owens

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Subject: The mysterious Peter Leinhos
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Hey I found him on Linkedin and asked him to join my network! Would have
sent ya'll a pic, but not one on his profile. Hey just be glad he's on
digest!!

Andy

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 02:34:53 2010
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Subject: Re: The mysterious Peter Leinhos
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--0016367f997e8024600498aba5b2
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we could use that pic for the other side of the t-shirt!

2010/12/31 Andy Owens <andy@1800dialword.com>

> Hey I found him on Linkedin and asked him to join my network! Would have
> sent ya'll a pic, but not one on his profile. Hey just be glad he's on
> digest!!
>
> Andy
>
>


-- 
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

--0016367f997e8024600498aba5b2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

we could use that pic for the other side of the t-shirt!<br><br><div style=
=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_popup"></div>=
<style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-inde=
x:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240=
px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-size: 1=
0px;  text-align: left;  line-height: 13px;}</style><div class=3D"gmail_quo=
te">
2010/12/31 Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dial=
word.com">andy@1800dialword.com</a>&gt;</span><br><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">
Hey I found him on Linkedin and asked him to join my network! Would have<br=
>
sent ya&#39;ll a pic, but not one on his profile. Hey just be glad he&#39;s=
 on<br>
digest!!<br>
<font color=3D"#888888"><br>
Andy<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tum=
blr.com" target=3D"_blank">raulbonell.tumblr.com</a> - <a href=3D"http://co=
llective.com" target=3D"_blank">collective.com</a><br>
<br><div style=3D"display: inline;"></div><br>

--0016367f997e8024600498aba5b2--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 03:17:18 2010
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Subject: Re: The EDP and the Looperlative and me
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I completely understand you preferring the Looperlative, Rick. My point =
was to answer the question of why anyone might prefer the EDP which =
seems to come as a shock to some people on this list.

Though they might be dismissed as minor functionality, I'll note that =
two items on my list can't be replicated on the Looperlative:

* It doesn't have a big time readout that you can absorb at a glance.

* I'm pretty sure it doesn't have a function to let you set the tempo in =
advance which can actually be rather nice if you are using the looper as =
the clock source.

It could presumably gain the latter through a software update and maybe =
approximate the former depending on how much flexibility there is =
regarding its screen.

But you nailed it when you said the question is whether you want to =
spend your time working with multiple tracks or working in a more linear =
fashion. Each can do a bit of the other, but each is also clearly =
optimized around a particular point of view.

Mark

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 03:27:51 2010
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On 7/22/64 11:59 AM, William Walker wrote:
>>
>> Now, my question is, how were these synthetic modes derived?
>> here is the Wikipedia definition which seems in alignment with what I 
>> learned in music school. Incidentally  Leinhos, Peter is out of the 
>> office.!!!
>>  happy new year one and all.
>> * bill
>> *
>  http://en.wikipedia.org/wiki/Synthetic_scale 
> <http://en.wikipedia.org/wiki/Synthetic_scale>
So this reinforces my understanding that the scales are just 
augmentations (or diminutions)
of the basic modes.

I have for a long time used the Greek modes as a point of departure 
(reference) when
learning Indian, Arabic, Persian, Chinese, Japanese, Malaysian, 
Indonesian, SouthEast Asian.

I find it a useful approach and it's a lot easier to consider something 
an 'alteration' of something
you already know.

As an example,  a favorite scale of mine is the Rag called 'Bhairav'
which goes

1   b2    nat3     4    5    b 6    nat7    8va

So it's easy to think of this as  Ionian with a b2nd and a b6th

or as  Phrygian with a natural 3 and a natural 7th


The alterations in these scales add to their sophistication or 
complexity, emotionally
as I see it.

I think it's so hip that the alteration of a single note from a typical 
mode
causes a strong emotional response.

Another of my favorite scales currently, is
the Lydian mode with a flattened 7th

1   2    3    #4     5     6     b7     8va


"Pretty Ballerina"  by the Sixties baroque pop group, "The Left Banke"
(of "Walk Away Renee"  fame) is the only pop song I've ever heard that 
uses this scale.

I just love how exotic it sounds and yet,  to my ear it doesn't sound 
'foreign'

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 03:46:54 2010
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Date: Thu, 30 Dec 2010 20:46:52 -0700
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Subject: Re: Leinhos, Peter is out of the office.
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Do people have Leinhos, Peter shirts?  I didn't realize they had been made.
 Anyone got a picture of the design?  I would throw down bucks for a shirt.

Adam

--0003255751da1b3d240498aca725
Content-Type: text/html; charset=ISO-8859-1
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Do people have=A0<span class=3D"Apple-style-span" style=3D"font-family: ari=
al, sans-serif; border-collapse: collapse; -webkit-border-horizontal-spacin=
g: 2px; -webkit-border-vertical-spacing: 2px; ">Leinhos, Peter=A0</span>shi=
rts? =A0I didn&#39;t realize they had been made. =A0Anyone got a picture of=
 the design? =A0I would throw down bucks for a shirt.<div>
<br></div><div>Adam</div>

--0003255751da1b3d240498aca725--

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	<AANLkTimfzvNSqZQu=URpsLEwtiNM3MmaEcp8J8d-zYa+@mail.gmail.com>
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Date: Thu, 30 Dec 2010 22:54:13 -0500
Message-ID: <AANLkTi=KXb+7B5SRAtRpd4cvoxnLN84-JByxbY_jDH1H@mail.gmail.com>
Subject: Re: New software multi effect plugin, PSP N20
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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"I still think the closest comparison is the hardware boxes Eclipse and
FireworX."

now i'm listening.  i'll give the demo a shot.  thanks for the heads-up,
per.

- jim

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&quot;I still think the closest comparison is the hardware boxes Eclipse an=
d FireworX.&quot;<br><br>now i&#39;m listening.=A0 i&#39;ll give the demo a=
 shot.=A0 thanks for the heads-up, per.<br><br>- jim<br>

--0016e645aabc65c1310498acc115--

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Date: Fri, 31 Dec 2010 05:31:27 +0100
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Subject: Re: Leinhos, Peter is out of the office.
From: Raul Bonell <raul.bonell@gmail.com>
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oh yeah!... i'd like to have the 'official' t-shirt... maybe we could fund
loopers-delight too..

2010/12/31 ^|>^m <will.it.go.round@gmail.com>

> Do people have Leinhos, Peter shirts?  I didn't realize they had been
> made.  Anyone got a picture of the design?  I would throw down bucks for a
> shirt.
>
> Adam
>



-- 
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

--00163642751f8e8da60498ad46d1
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oh yeah!... i&#39;d like to have the &#39;official&#39; t-shirt... maybe we=
 could fund loopers-delight too..<br><div style=3D"visibility: hidden; disp=
lay: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#av=
g_ls_inline_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;  =
margin-left: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word=
-wrap: break-word;  color: black;  font-size: 10px;  text-align: left;  lin=
e-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/12/31 ^|&gt;^m <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:will.it.go.round@gmail.com">will.it.go.round@gmail.com</a>&gt;<=
/span><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid=
 rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Do people have=A0<span style=3D"font-family: arial,sans-serif; border-colla=
pse: collapse;">Leinhos, Peter=A0</span>shirts? =A0I didn&#39;t realize the=
y had been made. =A0Anyone got a picture of the design? =A0I would throw do=
wn bucks for a shirt.<div>

<br></div><div>Adam</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-.-.-.-.=
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tumblr.com=
" target=3D"_blank">raulbonell.tumblr.com</a> - <a href=3D"http://collectiv=
e.com" target=3D"_blank">collective.com</a><br>
<br><div style=3D"display: inline;"></div><br>

--00163642751f8e8da60498ad46d1--

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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <549374.25185.qm@web120702.mail.ne1.yahoo.com><4D1CEC2C.7070401@cruzio.com><AANLkTikm2s43RENhJdwGR9Z_6jvWvUJ1LPog4-14qENW@mail.gmail.com><87F1EACECE69487D90591034B1C823AB@ELUK1><AANLkTi=T1TuJBKurthcsf6OJxOkFN6D46aQaJkBbqxFB@mail.gmail.com> <AANLkTinj4bWR4VO4PRNmcY0Odpp7bH5PsioHsK-OBt_2@mail.gmail.com>
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Subject: Re: Leinhos, Peter is out of the office.
Date: Fri, 31 Dec 2010 10:52:17 -0000
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=EF=BB=BFActually it would be a just thing, given that so much bandwidth =
on LD seems to be taken up by =E2=80=98out of the office=E2=80=99 =
bouncebacks on Leinhos, Peter emails.  I=E2=80=99d propose however that =
maybe a Where In The World Is Leinhos, Peter? theme be found...

From: Raul Bonell=20
Sent: Friday, December 31, 2010 4:31 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: Leinhos, Peter is out of the office.

oh yeah!... i'd like to have the 'official' t-shirt... maybe we could =
fund loopers-delight too..


2010/12/31 ^|>^m <will.it.go.round@gmail.com>

  Do people have Leinhos, Peter shirts?  I didn't realize they had been =
made.  Anyone got a picture of the design?  I would throw down bucks for =
a shirt.=20

  Adam



--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com



------=_NextPart_000_002D_01CBA8D8.CA6FFBD0
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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Actually it would be a just thing, given that so much bandwidth on =
LD seems=20
to be taken up by =E2=80=98out of the office=E2=80=99 bouncebacks on =
Leinhos, Peter=20
emails.&nbsp; I=E2=80=99d propose however that maybe a Where In The =
World Is Leinhos,=20
Peter? theme be found...</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Draul.bonell@gmail.com=20
href=3D"mailto:raul.bonell@gmail.com">Raul Bonell</A> </DIV>
<DIV><B>Sent:</B> Friday, December 31, 2010 4:31 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: Leinhos, Peter is out of the =
office.</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">oh=20
yeah!... i'd like to have the 'official' t-shirt... maybe we could fund=20
loopers-delight too..<BR>
<DIV style=3D"DISPLAY: inline; VISIBILITY: hidden" =
id=3Davg_ls_inline_popup></DIV>
<STYLE type=3Dtext/css>#avg_ls_inline_popup {  position:absolute;  =
z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  =
font-size: 10px;  text-align: left;  line-height: 13px;}</STYLE>
<BR>
<DIV class=3Dgmail_quote>2010/12/31 ^|&gt;^m <SPAN dir=3Dltr>&lt;<A=20
href=3D"mailto:will.it.go.round@gmail.com">will.it.go.round@gmail.com</A>=
&gt;</SPAN><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
class=3Dgmail_quote>Do people have <SPAN=20
  style=3D"BORDER-COLLAPSE: collapse; FONT-FAMILY: =
arial,sans-serif">Leinhos,=20
  Peter </SPAN>shirts?&nbsp; I didn't realize they had been made.&nbsp; =
Anyone=20
  got a picture of the design?&nbsp; I would throw down bucks for a =
shirt.=20
  <DIV>&nbsp;</DIV>
  <DIV>Adam</DIV></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>--=20
<BR>.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<BR><A=20
href=3D"http://raulbonell.tumblr.com" =
target=3D_blank>raulbonell.tumblr.com</A> - <A=20
href=3D"http://collective.com" =
target=3D_blank>collective.com</A><BR><BR>
<DIV style=3D"DISPLAY: inline"></DIV>
<DIV>&nbsp;</DIV></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_002D_01CBA8D8.CA6FFBD0--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 10:52:43 2010
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Message-ID: <AANLkTinP-g=ZfmQ13PVY5gESF7fqOQ+GpW8-jceKqFVC@mail.gmail.com>
Subject: Re: OT: Musical discoveries of 2010
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Tell No Lies album on spotify:

Juldeh Camara =96 Tell No
Lies<http://open.spotify.com/album/0CKTifUPJY59DUXLMwFvow>



2010/12/31 RP Collier <skeptikalist@gmail.com>

>
> Today on NPR (Thursday) Morning Edition they played a very nice clip for
> transition between segments by these guys
> http://tinyurl.com/2btx6t2
> the clip was from the song Gainako, sort of Ali Farka Toure-ish with njar=
ka
> work etc.
>
> Not new, from 2009, but just heard it first time today.
>
> Interestingly, they played 2 clips for transition back to back. The first
> was the above, and the second clip was
> Tetrishead by Zoe Keating!
> http://www.npr.org/templates/rundowns/rundown.php?prgId=3D3
> (scroll to mid-page it is just after >middle east> In Israel)
>
> regards
>
> BobC
>
> http://tinyurl.com/yt8f8j
>
> http://www.youtube.com/user/tynego
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054ad1de541790498b29945
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Tell No Lies album on spotify:<br><br><a href=3D"http://open.spotify.com/al=
bum/0CKTifUPJY59DUXLMwFvow">Juldeh Camara =96 Tell No Lies</a><br><br><br><=
br><div class=3D"gmail_quote">2010/12/31 RP Collier <span dir=3D"ltr">&lt;<=
a href=3D"mailto:skeptikalist@gmail.com">skeptikalist@gmail.com</a>&gt;</sp=
an><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;"><br><div><div>Today on NPR (Thursday) Morning Edition =
they played a very nice clip for transition between segments by these guys<=
/div>
<div><span><a href=3D"http://tinyurl.com/2btx6t2" target=3D"_blank">http://=
tinyurl.com/2btx6t2</a></span></div><div><span>the clip was from the song G=
ainako, sort of Ali Farka Toure-ish with njarka work etc.</span></div><div>
<span><br></span></div><div><span>Not new, from 2009, but just heard it fir=
st time today.</span></div><div><span><br></span></div><div><span>Interesti=
ngly, they played 2 clips for transition back to back. The first was the ab=
ove, and the second clip was</span></div>
<div><span>Tetrishead by Zoe Keating!</span></div><div><span><a href=3D"htt=
p://www.npr.org/templates/rundowns/rundown.php?prgId=3D3" target=3D"_blank"=
>http://www.npr.org/templates/rundowns/rundown.php?prgId=3D3</a></span></di=
v><div>
<span>(scroll to mid-page it is just after &gt;middle east&gt; In Israel)</=
span></div><div><span><br></span></div><div><span>regards</span></div><div>=
<span><br></span></div><div><span>BobC</span></div><div><span><br></span></=
div>
<div><span><div style=3D"margin: 0px;"><a href=3D"http://tinyurl.com/yt8f8j=
" target=3D"_blank">http://tinyurl.com/yt8f8j</a></div><div style=3D"margin=
: 0px; min-height: 13px;"><br></div><div style=3D"margin: 0px;"><a href=3D"=
http://www.youtube.com/user/tynego" target=3D"_blank">http://www.youtube.co=
m/user/tynego</a></div>
<div><br></div></span></div></div></div></blockquote></div><br><br clear=3D=
"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilahtinen.com"=
 target=3D"_blank">http://www.petrilahtinen.com</a><br><a href=3D"http://pe=
trilahtinen.blogspot.com/" target=3D"_blank">http://petrilahtinen.blogspot.=
com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054ad1de541790498b29945--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 10:55:20 2010
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Date: Fri, 31 Dec 2010 11:55:18 +0100
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Subject: Re: New software multi effect plugin, PSP N20
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> "I still think the closest comparison is the hardware boxes Eclipse and
> FireworX."
>
On Fri, Dec 31, 2010 at 4:54 AM, james fowler <twostroke@gmail.com> wrote:
> now i'm listening.=C2=A0 i'll give the demo a shot.=C2=A0 thanks for the =
heads-up, per.


Cool :-). I have had a couple of days now with the N2O and can only
say that I just love this modular multi effect plugin! I have assigned
expression pedals to morph the sound while I'm playing live through
the thing and this works well. Not a single click or zipper noise, as
many other effect plugins perform when continuous parameters are
changed in real-time. And it is really light on the CPU, must be
exceptionally well coded regarding Intel optimization I guess (SSE).
The default patches make a good library and for the layout is logic
and powerful for creating your own live processing patches. Here's a a
bunch of instruction videos:

http://www.pspaudioware.com/plugins/multimode_effects/psp_n2o/psp_n2o_video=
/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Zoe on NPR
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On Fri, Dec 31, 2010 at 2:50 AM, Andy Owens <andy@1800dialword.com> wrote:
> Today on NPR (Thursday) Morning Edition they played a very nice clip for
> transition between segments by these guys
>
> http://tinyurl.com/2btx6t2
>
> the clip was from the song Gainako, sort of Ali Farka Toure-ish with njarka
> work etc.

Such a lovely mash-up of Chicago blues, African and mid east stuff!
Some parts spiced up with the legendary Bo Diddley beat too - wow!!
Awesome! I like this :-)

Per

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Date: Fri, 31 Dec 2010 07:37:53 -0600
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Leinhos, Peter is out of the office.
References: 	<549374.25185.qm@web120702.mail.ne1.yahoo.com><4D1CEC2C.7070401@cruzio.com><AANLkTikm2s43RENhJdwGR9Z_6jvWvUJ1LPog4-14qENW@mail.gmail.com><87F1EACECE69487D90591034B1C823AB@ELUK1><AANLkTi=T1TuJBKurthcsf6OJxOkFN6D46aQaJkBbqxFB@mail.gmail.com>
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I'd like to purchase one of these t-shirts whenever it is available.

-- Kevin

Quoting Stephen Goodman <spgoodman@earthlight.net>:

> =EF=BB=BFActually it would be a just thing, given that so much bandwidth o=
n  =20
> LD seems to be taken up by =E2=80=98out of the office=E2=80=99 bouncebacks=
 on  =20
> Leinhos, Peter emails.  I=E2=80=99d propose however that maybe a Where In =
 =20
> The World Is Leinhos, Peter? theme be found...
>
> From: Raul Bonell
> Sent: Friday, December 31, 2010 4:31 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Leinhos, Peter is out of the office.
>
> oh yeah!... i'd like to have the 'official' t-shirt... maybe we  =20
> could fund loopers-delight too..
>
>
> 2010/12/31 ^|>^m <will.it.go.round@gmail.com>
>
>   Do people have Leinhos, Peter shirts?  I didn't realize they had  =20
> been made.  Anyone got a picture of the design?  I would throw down  =20
> bucks for a shirt.
>
>   Adam
>
>
>
> --
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>
>
>



From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 13:52:49 2010
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A friend taught me this Rag, calling it the "Hindustani" scale. Dunno 
where that may come from, but it's a goodie for sure.

The Lydian flat 7th is the fourth mode of the melodic minor scale, a 
great source of cool scales. I dig the fifth mode too, Mixolydian flat 
6th (which works over augmented 7th chords if you want to stay 
relatively inside).

ah, notes...

Daryl Shawn
www.swanwelder.com

> As an example,  a favorite scale of mine is the Rag called 'Bhairav'
> which goes
>
> 1   b2    nat3     4    5    b 6    nat7    8va
>
> So it's easy to think of this as  Ionian with a b2nd and a b6th
>
> or as  Phrygian with a natural 3 and a natural 7th
>
>
> The alterations in these scales add to their sophistication or 
> complexity, emotionally
> as I see it.
>
> I think it's so hip that the alteration of a single note from a 
> typical mode
> causes a strong emotional response.
>
> Another of my favorite scales currently, is
> the Lydian mode with a flattened 7th
>
> 1   2    3    #4     5     6     b7     8va
>
>
> "Pretty Ballerina"  by the Sixties baroque pop group, "The Left Banke"
> (of "Walk Away Renee"  fame) is the only pop song I've ever heard that 
> uses this scale.

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Date: Fri, 31 Dec 2010 09:46:01 -0500
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Subject: OT: On Minimalism (possibly loop-related)
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I found this interesting, as a big fan of minimalist composers. I was 
struck instantly by how these observations could apply to listening to 
loop-based music. To wit:

--
As a listener, you a free to build your own experience of the piece, and 
often that focus is on subtleties.  You may focus on submelodies, 
countermelodies, overtones, acoustics, metrical ambiguity, timbral 
combinations, etc.
--

www.chambermusiciantoday.com/blog/posts/How-to-Listen-to-Minimalism/

Daryl Shawn
www.swanwelder.com

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 14:51:31 2010
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Date: Fri, 31 Dec 2010 06:51:28 -0800
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Subject: Re: The EDP and the Looperlative and me
From: Louie Angulo <louie.angulo@googlemail.com>
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i had both and chose the EDP  at the end,it seems a lot more responsive and
with loopIV hard to make it crash in fact it never did.Unfortunately the EDP
in stereo with 2 units synced was never stable enough so i use it in
mono.The other drag is that you better have a midi controller that sends
notes on otherwise good luck.
the LP1 attractiveness for me was its stereo capabilities and easy to
program with a foot controller.But it did crashed on me a lot and did not
give me the confidence to go on stage with it,but my unit had other
faults,it was quite noisy so i think i unfortunately got a faulty unit.
I never got to compare the midi sync possiblitiies but the EDP rocks on that
department as well.
just my 2 cents

oh and happy new year!!!
Luis








On Thu, Dec 30, 2010 at 7:17 PM, Mark Hamburg <mark@grubmah.com> wrote:

> I completely understand you preferring the Looperlative, Rick. My point was
> to answer the question of why anyone might prefer the EDP which seems to
> come as a shock to some people on this list.
>
> Though they might be dismissed as minor functionality, I'll note that two
> items on my list can't be replicated on the Looperlative:
>
> * It doesn't have a big time readout that you can absorb at a glance.
>
> * I'm pretty sure it doesn't have a function to let you set the tempo in
> advance which can actually be rather nice if you are using the looper as the
> clock source.
>
> It could presumably gain the latter through a software update and maybe
> approximate the former depending on how much flexibility there is regarding
> its screen.
>
> But you nailed it when you said the question is whether you want to spend
> your time working with multiple tracks or working in a more linear fashion.
> Each can do a bit of the other, but each is also clearly optimized around a
> particular point of view.
>
> Mark
>
>

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i had both and chose the EDP=A0 at the end,it seems a lot more responsive a=
nd with loopIV hard to make it crash in fact it never did.Unfortunately the=
 EDP in stereo with 2 units synced was never stable enough so i use it in m=
ono.The other drag is that you better have a midi controller that sends not=
es on otherwise good luck.<br>
the LP1 attractiveness for me was its stereo capabilities and easy to progr=
am with a foot controller.But it did crashed on me a lot and did not give m=
e the confidence to go on stage with it,but my unit had other faults,it was=
 quite noisy so i think i unfortunately got a faulty unit.<br>
I never got to compare the midi sync possiblitiies but the EDP rocks on tha=
t department as well.<br>just my 2 cents<br><br>oh and happy new year!!!<br=
>Luis<br><br><br><br><br><br><br><br><br><div class=3D"gmail_quote">On Thu,=
 Dec 30, 2010 at 7:17 PM, Mark Hamburg <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:mark@grubmah.com">mark@grubmah.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I completely unde=
rstand you preferring the Looperlative, Rick. My point was to answer the qu=
estion of why anyone might prefer the EDP which seems to come as a shock to=
 some people on this list.<br>

<br>
Though they might be dismissed as minor functionality, I&#39;ll note that t=
wo items on my list can&#39;t be replicated on the Looperlative:<br>
<br>
* It doesn&#39;t have a big time readout that you can absorb at a glance.<b=
r>
<br>
* I&#39;m pretty sure it doesn&#39;t have a function to let you set the tem=
po in advance which can actually be rather nice if you are using the looper=
 as the clock source.<br>
<br>
It could presumably gain the latter through a software update and maybe app=
roximate the former depending on how much flexibility there is regarding it=
s screen.<br>
<br>
But you nailed it when you said the question is whether you want to spend y=
our time working with multiple tracks or working in a more linear fashion. =
Each can do a bit of the other, but each is also clearly optimized around a=
 particular point of view.<br>

<font color=3D"#888888"><br>
Mark<br>
<br>
</font></blockquote></div><br>

--001636c5ab67f2779a0498b5efac--

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Subject: Re: Heavily OT: Release Announcement - "Akustik Kies: Transitiv
 Sehen" (solo acoustic piano)
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Rainer this sounds wonderful.  I'm going to DL now.  This will catch me up
for many of the Moinsound 'live's's I have unfortunately missed.  Happy New
Year and much creativity to you.

Jim

On Thu, Dec 30, 2010 at 7:19 PM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> Brethren,
>
> I'm proud to announce the release of the first part of my double album of
> solo acoustic piano stuff, "Akustik Kies".
>
> This double album contains solo piano performances from my 2010 MoinSound
> Studio Sessions bi-weekly live performances (which some of you were so ki=
nd
> to attend virtually).
>
> Now this is why it's OT: the first part "Transitiv Sehen", is piano witho=
ut
> anything else. Meaning no huge surreal reverb spaces, no cascading modula=
ted
> delays, and no loops. No komische Elektronik. No safety net.
>
> Still, I'd be delighted if you'd check it out:
> Blog Article:
> http://moinsound.wordpress.com/2010/12/31/album-relase-akustik-kies-trans=
itiv-sehen/
> moinlabs.de: http://moinlabs.de/index.php?id=3D288
> bandcamp: http://moinlabs.bandcamp.com/album/akustik-kies-transitiv-sehen
>
> The download includes a fancy 12-page PDF booklet and an additional track
> not available for streaming - and it's name your price (including nothing=
 at
> all)!
>
> The second part, "Reflexiv H=F6ren", is scheduled for release Q1/2011 and
> will give you all the crazy loop (and otherwise) processing you long for =
;).
>
> Yours,
>
>            Rainer
>
> btw: reviews, comments, critizism (of any kind) very welcome!
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--20cf3054a71992de5b0498b62231
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Rainer this sounds wonderful. =A0I&#39;m going to DL now. =A0This will catc=
h me up for many of the Moinsound &#39;live&#39;s&#39;s I have unfortunatel=
y missed. =A0Happy New Year and much creativity to you.<div><br></div><div>=
Jim<br>
<br><div class=3D"gmail_quote">On Thu, Dec 30, 2010 at 7:19 PM, Rainer Stra=
schill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">mo=
insound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1=
ex;">
Brethren,<br>
<br>
I&#39;m proud to announce the release of the first part of my double album =
of solo acoustic piano stuff, &quot;Akustik Kies&quot;.<br>
<br>
This double album contains solo piano performances from my 2010 MoinSound S=
tudio Sessions bi-weekly live performances (which some of you were so kind =
to attend virtually).<br>
<br>
Now this is why it&#39;s OT: the first part &quot;Transitiv Sehen&quot;, is=
 piano without anything else. Meaning no huge surreal reverb spaces, no cas=
cading modulated delays, and no loops. No komische Elektronik. No safety ne=
t.<br>

<br>
Still, I&#39;d be delighted if you&#39;d check it out:<br>
Blog Article: <a href=3D"http://moinsound.wordpress.com/2010/12/31/album-re=
lase-akustik-kies-transitiv-sehen/" target=3D"_blank">http://moinsound.word=
press.com/2010/12/31/album-relase-akustik-kies-transitiv-sehen/</a><br>
<a href=3D"http://moinlabs.de" target=3D"_blank">moinlabs.de</a>: <a href=
=3D"http://moinlabs.de/index.php?id=3D288" target=3D"_blank">http://moinlab=
s.de/index.php?id=3D288</a><br>
bandcamp: <a href=3D"http://moinlabs.bandcamp.com/album/akustik-kies-transi=
tiv-sehen" target=3D"_blank">http://moinlabs.bandcamp.com/album/akustik-kie=
s-transitiv-sehen</a><br>
<br>
The download includes a fancy 12-page PDF booklet and an additional track n=
ot available for streaming - and it&#39;s name your price (including nothin=
g at all)!<br>
<br>
The second part, &quot;Reflexiv H=F6ren&quot;, is scheduled for release Q1/=
2011 and will give you all the crazy loop (and otherwise) processing you lo=
ng for ;).<br>
<br>
Yours,<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
btw: reviews, comments, critizism (of any kind) very welcome!<br><font colo=
r=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To=
 Glindran, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn=
.bandcamp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>

</div>

--20cf3054a71992de5b0498b62231--

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Subject: Re: Leinhos, Peter is out of the office.
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References: <549374.25185.qm@web120702.mail.ne1.yahoo.com> <4D1CEC2C.7070401@cruzio.com> <AANLkTikm2s43RENhJdwGR9Z_6jvWvUJ1LPog4-14qENW@mail.gmail.com> <87F1EACECE69487D90591034B1C823AB@ELUK1> <AANLkTi=T1TuJBKurthcsf6OJxOkFN6D46aQaJkBbqxFB@mail.gmail.com> <AANLkTinj4bWR4VO4PRNmcY0Odpp7bH5PsioHsK-OBt_2@mail.gmail.com> <4157723F0E01456E8A6DB8517C005807@ELUK1> <20101231073753.yz50gpqiu8kg048g@mail.kevinkissinger.com> <9473837F-7908-4E24-A147-407F019E123A@1800dialword.com>
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On Dec 31, 2010, at 2:51 PM, Andy Owens wrote:

> Whats funny is we all have his email address and could ask him to deal =
with it but we have more fun riffing on it!!

Yeh true, and I did try to to reach him, but he was out of the office... =
:-S

R.=

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Subject: Re: OT SYNTHETIC MODES
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more modal madness for exploration:

- Messiaen's modes of limited transposition << Modes of limited  
transposition - Wikipedia, the free encyclopedia >>

- Slonimsky's book: Thesaurus of scales and melodic patterns <<  
Amazon.com: Thesaurus Of Scales And Melodic Patterns (Text)  
(9780825614491): Nicolas Slonimsky: Books >>

- invent your own.....


>
>


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">more modal madness for exploration:<div><br></div><div>- Messiaen's modes of limited transposition &lt;&lt;&nbsp;<a href="http://en.wikipedia.org/wiki/Modes_of_limited_transposition">Modes of limited transposition - Wikipedia, the free encyclopedia</a>&nbsp;&gt;&gt;</div><div><br></div><div>- Slonimsky's book: Thesaurus of scales and melodic patterns &lt;&lt;&nbsp;<a href="http://www.amazon.com/Thesaurus-Scales-Melodic-Patterns-Text/dp/082561449X">Amazon.com: Thesaurus Of Scales And Melodic Patterns (Text) (9780825614491): Nicolas Slonimsky: Books</a>&nbsp;&gt;&gt;</div><div><br></div><div>- invent your own.....</div><div><br></div><div><br><div><div><blockquote type="cite"><div><br><br></div></blockquote></div><br></div></div></body></html>

--Boundary_(ID_AFzBQc0sS4d0xHsZqADsMA)--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 16:27:35 2010
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From: todd reynolds <toddreyn@gmail.com>
Date: Fri, 31 Dec 2010 11:27:13 -0500
Message-ID: <AANLkTi=QjUY1hE4_8b2RUW2xMZs-pKFFpADdvHCPyhVm@mail.gmail.com>
Subject: Re: Zoe on NPR
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--001636c5ae018794300498b747fa
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Thanks for this!  an immediate buy for me!

T.


>

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Thanks for this! =A0an immediate buy for me!=A0<div><br></div><div>T.<br><f=
ont class=3D"Apple-style-span" color=3D"#888888"><font class=3D"Apple-style=
-span" color=3D"#000000"><br></font></font><div class=3D"gmail_quote"><bloc=
kquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #cc=
c solid;padding-left:1ex;">

<font color=3D"#888888">
<br>
</font></blockquote></div><br><br clear=3D"all"><br><br>
</div>

--001636c5ae018794300498b747fa--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 17:00:35 2010
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Subject: Galactic Travels Playlist #717 for December 30, 2010.
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http://wdiy.org/programs/gt/playlists/2010/101230.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #717                December 30, 2010.

RECAP:
On this show, I concluded the month-long focus on Modulator ESP.  The
Featured CD at Midnight was "Alien Forest Observations" which is a self
-released title.

Modulator ESP: http://wdiy.org/programs/gt/playlists/2010/focus.html#dec

Congratulations to local listener James of Easton, Pennsylvania, USA,
and internet listener Rob of Nieuwe Pekela, The Netherlands.  They each
won a set of DVDs by Klaus Schulze, featuring Lisa Gerrard.  The DVDs
are Rheingold - Live at the Loreley (a two DVD set) and Dziekuje Bardo.

Thank you to Jon Freeman of Freeman Promotions LLC for supplying the
DVDs to support Galactic Travels and WDIY, Lehigh Valley Community
Public Radio.


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
The Eletric Golem    This Must Be the     The Electric Golem (Ricochet
                        Place                Dream)
Picture Palace Music Drowning Someone's   Midsummer (Groove)
                        Sorrow Into the Ocean pt. I
Ian Boddy            Aquanaut             Pearl (DiN)
Ken Elkinson         Unfolding            Music for Commuting (August
                                             Son)
Ombient              Oceans Edge          Oceans Edge (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Modulator ESP        Alien Forest         Alien Forest Observations
                        Observations         (none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Nemesis.
The Featured CD at Midnight will be "Sky Archeology" on Freeride
Records.

Nemesis: http://wdiy.org/programs/gt/playlists/2011/focus.html#jan

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 17:08:47 2010
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Subject: Re: The EDP and the Looperlative and me
Date: Fri, 31 Dec 2010 09:08:37 -0800
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--Apple-Mail-4--171979009
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  completely understand you preferring the Looperlative, Rick. My  
point was to answer the question of why anyone might prefer the EDP  
which seems to come as a shock to some people on this list.

Though they might be dismissed as minor functionality, I'll note that  
two items on my list can't be replicated on the Looperlative:

* It doesn't have a big time readout that you can absorb at a glance.

* I'm pretty sure it doesn't have a function to let you set the tempo  
in advance which can actually be rather nice if you are using the  
looper as the clock source.

It could presumably gain the latter through a software update and  
maybe approximate the former depending on how much flexibility there  
is regarding its screen.

But you nailed it when you said the question is whether you want to  
spend your time working with multiple tracks or working in a more  
linear fashion. Each can do a bit of the other, but each is also  
clearly optimized around a particular point of view.

Mark



Hi Mark , as far as I can tell you need to dig deeper in to the LP-1  
to reveal its mysteries and I can't for the life of me understand why  
you are so resistant. . I say  live with the LCD screen and learn not  
to be so dependent on it. I rarely look at the front panel of mine  
unless I have lost track of which track I'm on. I almost always use  
sync record and there is a work around that lets you set the tempo in  
advance . You simply record a blank loop without playing anything to  
set clock tempo for other effects. Works like a charm, I do it all the  
time. It takes a couple of moments of silence before starting to play  
but I don't sense it is distracting to an audience. When I moved from  
the Repeater to the LP-1 I gave up some functions that where not  
reproduced in the same way. I jettisoned time stretch and mellotron  
mode (though its possible to fake both things in the LP-1 now) and I  
took the LP-1 as its own animal and I proceeded to dig in as deeply as  
I could and I spent a lot of time doing it. i find it fascinating that  
some folks on this list are willing to take that kind of time to get  
inside the machine and some want everything nice and simple. One list  
member gave up on the LP-1 after spending a paltry  two weeks? What  
the fuck can one hope to possibly understand about a machine this  
sophisticated in two weeks?????? perhaps enough to realize it isn't an  
EDP, but not enough time to understand its potential. This is a  
machine that takes a bit of work to understand just like the EDP did.   
Unlike the time I've spent trying to make modeling amps sound right,  
working  to learn how to use the LP-1 has been totally gratifying and  
musically rewarding to me. You saw my performance at Y2K10 didn't you?  
Did I look like someone who was struggling with my gear? I would be  
happy to help you accelerate your growth on the machine if time is an  
issue, and I know that with a family and a high powered tech job,   
time is at a premium for you. But at this stage of the game I'm a bit  
exhausted by giving out free advice to people about the LP-1.
Bill
--Apple-Mail-4--171979009
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
color=3D"#9C14FF">&nbsp;completely understand you preferring the =
Looperlative, Rick. My point was to answer the question of why anyone =
might prefer the EDP which seems to come as a shock to some people on =
this list.<br><br>Though they might be dismissed as minor functionality, =
I'll note that two items on my list can't be replicated on the =
Looperlative:<br><br>* It doesn't have a big time readout that you can =
absorb at a glance.<br><br>* I'm pretty sure it doesn't have a function =
to let you set the tempo in advance which can actually be rather nice if =
you are using the looper as the clock source.<br><br>It could presumably =
gain the latter through a software update and maybe approximate the =
former depending on how much flexibility there is regarding its =
screen.<br><br>But you nailed it when you said the question is whether =
you want to spend your time working with multiple tracks or working in a =
more linear fashion. Each can do a bit of the other, but each is also =
clearly optimized around a particular point of =
view.<br><br>Mark</font><br><div><font class=3D"Apple-style-span" =
color=3D"#9C14FF"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#9C14FF"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#9C14FF"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#070318">Hi Mark , as far as I can tell you need to dig deeper =
in to the LP-1 to reveal its mysteries and I can't for the life of me =
understand why you are so resistant. . I say &nbsp;live with the LCD =
screen and learn not to be so dependent on it. I rarely look at the =
front panel of mine unless I have lost track of which track I'm on. I =
almost always use sync record and there is a work around that lets you =
set the tempo in advance . You simply record a blank loop without =
playing anything to set clock tempo for other effects. Works like a =
charm, I do it all the time. It takes a couple of moments of silence =
before starting to play but I don't sense it is distracting to an =
audience. When I moved from the Repeater to the LP-1 I gave up some =
functions that where not reproduced in the same way. I jettisoned time =
stretch and mellotron mode (though its possible to fake both things in =
the LP-1 now) and I took the LP-1 as its own animal and I proceeded to =
dig in as deeply as I could and I spent a lot of time doing it. i find =
it fascinating that some folks on this list are willing to take that =
kind of time to get inside the machine and some want everything nice and =
simple. One list member gave up on the LP-1 after spending a paltry =
&nbsp;two weeks? What the fuck can one hope to possibly understand about =
a machine this sophisticated in two weeks?????? perhaps enough to =
realize it isn't an EDP, but not enough time to understand its =
potential. This is a machine that takes a bit of work to understand just =
like the EDP did. &nbsp;Unlike the time I've spent trying to make =
modeling amps sound right, working &nbsp;to learn how to use the LP-1 =
has been totally gratifying and musically rewarding to me. You saw my =
performance at Y2K10 didn't you? Did I look like someone who was =
struggling with my gear? I would be happy to help you accelerate your =
growth on the machine if time is an issue, and I know that with a family =
and a high powered tech job, &nbsp;time is at a premium for you. But at =
this stage of the game I'm a bit exhausted by giving out free advice to =
people about the LP-1. &nbsp;</font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#070318">Bill</font></div></body></html>=

--Apple-Mail-4--171979009--

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Date: Fri, 31 Dec 2010 10:55:10 -0700
Message-ID: <AANLkTikxfPfLD+bK--iNjEhzrfet9GDpr_LcZnQX-A3h@mail.gmail.com>
Subject: Re: OT SYNTHETIC MODES
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Was wond'ring how soon Messiaen would get mentioned...

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Fri, Dec 31, 2010 at 9:11 AM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> more modal madness for exploration:
> - Messiaen's modes of limited transposition <<=A0Modes of limited
> transposition - Wikipedia, the free encyclopedia=A0>>
> - Slonimsky's book: Thesaurus of scales and melodic patterns <<=A0Amazon.=
com:
> Thesaurus Of Scales And Melodic Patterns (Text) (9780825614491): Nicolas
> Slonimsky: Books=A0>>
> - invent your own.....
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 18:00:00 2010
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Subject: Re: The EDP and the Looperlative and me
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On Dec 31, 2010, at 9:08 AM, William Walker wrote:

> Hi Mark , as far as I can tell you need to dig deeper in to the LP-1 =
to reveal its mysteries and I can't for the life of me understand why =
you are so resistant. . I say  live with the LCD screen and learn not to =
be so dependent on it. I rarely look at the front panel of mine unless I =
have lost track of which track I'm on. I almost always use sync record =
and there is a work around that lets you set the tempo in advance . You =
simply record a blank loop without playing anything to set clock tempo =
for other effects. Works like a charm, I do it all the time. It takes a =
couple of moments of silence before starting to play but I don't sense =
it is distracting to an audience. When I moved from the Repeater to the =
LP-1 I gave up some functions that where not reproduced in the same way. =
I jettisoned time stretch and mellotron mode (though its possible to =
fake both things in the LP-1 now) and I took the LP-1 as its own animal =
and I proceeded to dig in as deeply as I could and I spent a lot of time =
doing it. i find it fascinating that some folks on this list are willing =
to take that kind of time to get inside the machine and some want =
everything nice and simple. One list member gave up on the LP-1 after =
spending a paltry  two weeks? What the fuck can one hope to possibly =
understand about a machine this sophisticated in two weeks?????? perhaps =
enough to realize it isn't an EDP, but not enough time to understand its =
potential. This is a machine that takes a bit of work to understand just =
like the EDP did.  Unlike the time I've spent trying to make modeling =
amps sound right, working  to learn how to use the LP-1 has been totally =
gratifying and musically rewarding to me. You saw my performance at =
Y2K10 didn't you? Did I look like someone who was struggling with my =
gear? I would be happy to help you accelerate your growth on the machine =
if time is an issue, and I know that with a family and a high powered =
tech job,  time is at a premium for you. But at this stage of the game =
I'm a bit exhausted by giving out free advice to people about the LP-1. =20=

> Bill

I'm not sure why it's so important to you and Rick that I come to love =
the LP-1. I appreciate it and I appreciate the offers of help, but it's =
rather odd how saying that one is more comfortable with the EDP elicits =
some of the reactions that it does. My initial post on this thread was =
sparked by a question from someone else a few weeks back on why one =
might prefer the EDP and I tried to sort through what it is that I find =
appealing about the EDP.

One thing I'll note on learning curves is that almost all of the =
Looperlative discussions start with: "It's really easy to program a MIDI =
controller for it." It's worth noting that that's a much bigger initial =
learning curve than exhibited by the EDP for which you can get a custom =
footswitch for which the software has already been optimized. The EDP =
programming depth is about customization, but on arrival it's set up and =
ready to go whereas the Looperlative is relatively lost without a MIDI =
controller or at least some programming of the user buttons. Now, I'm =
certainly capable of doing that programming, but now I need to step back =
and start thinking about designing a looper control set that's right for =
me.

So, I start down that path and I ask what, for example, would I like to =
do? Hmm. I've had times where I have my feedback set to 0% and basically =
just work with a long synchronized delay, but I'd like to be able to =
transition to feedback =3D 100% to build a seamless loop. I can program =
a button to go to feedback =3D 100%, but I can't program a button to go =
to feedback =3D 0%. I could use a continuous pedal to control this with =
a suitable MIDI controller, but that has it's own set of complexities =
with respect to when the controller signal gets sent. Given a =
sufficiently powerful MIDI controller, I could program buttons to send =
those control values but now we're out of the "the Looperlative is =
trivial to get working with a MIDI controller" realm. My first thought =
had been to use Replace+ mode, but it's interaction with Rec/Dub proved =
to be "interesting".

Now, that said, this is difficult to make work with the stock EDP as =
well given that substitute is a sustained function (cool for quantized =
replace, not a good answer for a generic take the feedback to 0% option) =
and various interface modes aren't friendly to stereo EDP use. But my =
point is that the EDP basically comes optimized for a particular way of =
working whereas the Looperlative comes expecting the user to program it =
to fit their working style only to then present various at times =
unexpected bumps in the road. Maybe this is also why I generally prefer =
Apple equipment. It has all sorts of limitations, but it has also been =
subjected to a lot of focus on making it good at working in a particular =
way.

But really with the Looperlative, it comes down to saying: Here's what I =
want to do. Then figure out what the Looperlative would need to do to =
best approximate that. Then figure out how sophisticated a MIDI =
controller I need to get. Then get it programmed. Maybe at the end of =
the day that all works out well, but it also feels a lot like what I =
spend my time at work worrying about doing.

Mark


--Apple-Mail-3819--168899233
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Dec 31, 2010, at 9:08 AM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><font =
class=3D"Apple-style-span" color=3D"#070318">Hi Mark , as far as I can =
tell you need to dig deeper in to the LP-1 to reveal its mysteries and I =
can't for the life of me understand why you are so resistant. . I say =
&nbsp;live with the LCD screen and learn not to be so dependent on it. I =
rarely look at the front panel of mine unless I have lost track of which =
track I'm on. I almost always use sync record and there is a work around =
that lets you set the tempo in advance . You simply record a blank loop =
without playing anything to set clock tempo for other effects. Works =
like a charm, I do it all the time. It takes a couple of moments of =
silence before starting to play but I don't sense it is distracting to =
an audience. When I moved from the Repeater to the LP-1 I gave up some =
functions that where not reproduced in the same way. I jettisoned time =
stretch and mellotron mode (though its possible to fake both things in =
the LP-1 now) and I took the LP-1 as its own animal and I proceeded to =
dig in as deeply as I could and I spent a lot of time doing it. i find =
it fascinating that some folks on this list are willing to take that =
kind of time to get inside the machine and some want everything nice and =
simple. One list member gave up on the LP-1 after spending a paltry =
&nbsp;two weeks? What the fuck can one hope to possibly understand about =
a machine this sophisticated in two weeks?????? perhaps enough to =
realize it isn't an EDP, but not enough time to understand its =
potential. This is a machine that takes a bit of work to understand just =
like the EDP did. &nbsp;Unlike the time I've spent trying to make =
modeling amps sound right, working &nbsp;to learn how to use the LP-1 =
has been totally gratifying and musically rewarding to me. You saw my =
performance at Y2K10 didn't you? Did I look like someone who was =
struggling with my gear? I would be happy to help you accelerate your =
growth on the machine if time is an issue, and I know that with a family =
and a high powered tech job, &nbsp;time is at a premium for you. But at =
this stage of the game I'm a bit exhausted by giving out free advice to =
people about the LP-1. &nbsp;</font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#070318">Bill</font></div></span></blockquote></div><br><div>I'm =
not sure why it's so important to you and Rick that I come to love the =
LP-1. I appreciate it and I appreciate the offers of help, but it's =
rather odd how saying that one is more comfortable with the EDP elicits =
some of the reactions that it does. My initial post on this thread was =
sparked by a question from someone else a few weeks back on why one =
might prefer the EDP and I tried to sort through what it is that I find =
appealing about the EDP.</div><div><br></div><div>One thing I'll note on =
learning curves is that almost all of the Looperlative discussions start =
with: "It's really easy to program a MIDI controller for it." It's worth =
noting that that's a much bigger initial learning curve than exhibited =
by the EDP for which you can get a custom footswitch for which the =
software has already been optimized. The EDP programming depth is about =
customization, but on arrival it's set up and ready to go whereas the =
Looperlative is relatively lost without a MIDI controller or at least =
some programming of the user buttons. Now, I'm certainly capable of =
doing that programming, but now I need to step back and start thinking =
about designing a looper control set that's right for =
me.</div><div><br></div><div>So, I start down that path and I ask what, =
for example, would I like to do? Hmm. I've had times where I have my =
feedback set to 0% and basically just work with a long synchronized =
delay, but I'd like to be able to transition to feedback =3D 100% to =
build a seamless loop. I can program a button to go to feedback =3D =
100%, but I can't program a button to go to feedback =3D 0%. I could use =
a continuous pedal to control this with a suitable MIDI controller, but =
that has it's own set of complexities with respect to when the =
controller signal gets sent. Given a sufficiently powerful MIDI =
controller, I could program buttons to send those control values but now =
we're out of the "the Looperlative is trivial to get working with a MIDI =
controller" realm. My first thought had been to use Replace+ mode, but =
it's interaction with Rec/Dub proved to be =
"interesting".</div><div><br></div><div>Now, that said, this is =
difficult to make work with the stock EDP as well given that substitute =
is a sustained function (cool for quantized replace, not a good answer =
for a generic take the feedback to 0% option) and various interface =
modes aren't friendly to stereo EDP use. But my point is that the EDP =
basically comes optimized for a particular way of working whereas the =
Looperlative comes expecting the user to program it to fit their working =
style only to then present various at times unexpected bumps in the =
road. Maybe this is also why I generally prefer Apple equipment. It has =
all sorts of limitations, but it has also been subjected to a lot of =
focus on making it good at working in a particular =
way.</div><div><br></div><div>But really with the Looperlative, it comes =
down to saying: Here's what I want to do. Then figure out what the =
Looperlative would need to do to best approximate that. Then figure out =
how sophisticated a MIDI controller I need to get. Then get it =
programmed. Maybe at the end of the day that all works out well, but it =
also feels a lot like what I spend my time at work worrying about =
doing.</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-3819--168899233--

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Subject: welcome 2011
From: Fabio_A <eterogenus@gmail.com>
To: "<Loopers-Delight@loopers-delight.com>" <Loopers-Delight@loopers-delight.com>
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how I say "bye bye" to 2010...
http://www.youtube.com/watch?v=Tgin63jUBBw

Happy new year to you all !

-f

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<div>how I say &quot;bye bye&quot; to 2010...</div><div><div><div><span cla=
ss=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; font-size:=
 12px; white-space: pre; "><a href=3D"http://www.youtube.com/watch?v=3DTgin=
63jUBBw">http://www.youtube.com/watch?v=3DTgin63jUBBw</a></span></div>
<div><font class=3D"Apple-style-span" face=3D"arial, sans-serif" size=3D"3"=
><span class=3D"Apple-style-span" style=3D"font-size: 12px; white-space: pr=
e;"><br></span></font></div><div><font class=3D"Apple-style-span" face=3D"a=
rial, sans-serif" size=3D"3"><span class=3D"Apple-style-span" style=3D"font=
-size: 12px; white-space: pre;">Happy new year to you all !</span></font></=
div>
<div><font class=3D"Apple-style-span" face=3D"arial, sans-serif" size=3D"3"=
><span class=3D"Apple-style-span" style=3D"font-size: 12px; white-space: pr=
e;"><br></span></font></div><div><div>-f</div></div></div></div>

--0016e64355caa6d05f0498b8a28a--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 18:12:01 2010
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Subject: RE: The EDP and the Looperlative and me
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This looks like a strat vs sg debate to me  - it's what we call horses for =
courses over here. Choose your weapon gentlemen and PLAY!
=20
HNY
=20
Gareth
=20


From: mark@grubmah.com
Subject: Re: The EDP and the Looperlative and me
Date: Fri=2C 31 Dec 2010 09:59:56 -0800
To: Loopers-Delight@loopers-delight.com




On Dec 31=2C 2010=2C at 9:08 AM=2C William Walker wrote:

Hi Mark =2C as far as I can tell you need to dig deeper in to the LP-1 to r=
eveal its mysteries and I can't for the life of me understand why you are s=
o resistant. . I say  live with the LCD screen and learn not to be so depen=
dent on it. I rarely look at the front panel of mine unless I have lost tra=
ck of which track I'm on. I almost always use sync record and there is a wo=
rk around that lets you set the tempo in advance . You simply record a blan=
k loop without playing anything to set clock tempo for other effects. Works=
 like a charm=2C I do it all the time. It takes a couple of moments of sile=
nce before starting to play but I don't sense it is distracting to an audie=
nce. When I moved from the Repeater to the LP-1 I gave up some functions th=
at where not reproduced in the same way. I jettisoned time stretch and mell=
otron mode (though its possible to fake both things in the LP-1 now) and I =
took the LP-1 as its own animal and I proceeded to dig in as deeply as I co=
uld and I spent a lot of time doing it. i find it fascinating that some fol=
ks on this list are willing to take that kind of time to get inside the mac=
hine and some want everything nice and simple. One list member gave up on t=
he LP-1 after spending a paltry  two weeks? What the fuck can one hope to p=
ossibly understand about a machine this sophisticated in two weeks?????? pe=
rhaps enough to realize it isn't an EDP=2C but not enough time to understan=
d its potential. This is a machine that takes a bit of work to understand j=
ust like the EDP did.  Unlike the time I've spent trying to make modeling a=
mps sound right=2C working  to learn how to use the LP-1 has been totally g=
ratifying and musically rewarding to me. You saw my performance at Y2K10 di=
dn't you? Did I look like someone who was struggling with my gear? I would =
be happy to help you accelerate your growth on the machine if time is an is=
sue=2C and I know that with a family and a high powered tech job=2C  time i=
s at a premium for you. But at this stage of the game I'm a bit exhausted b=
y giving out free advice to people about the LP-1. =20
Bill

I'm not sure why it's so important to you and Rick that I come to love the =
LP-1. I appreciate it and I appreciate the offers of help=2C but it's rathe=
r odd how saying that one is more comfortable with the EDP elicits some of =
the reactions that it does. My initial post on this thread was sparked by a=
 question from someone else a few weeks back on why one might prefer the ED=
P and I tried to sort through what it is that I find appealing about the ED=
P.


One thing I'll note on learning curves is that almost all of the Looperlati=
ve discussions start with: "It's really easy to program a MIDI controller f=
or it." It's worth noting that that's a much bigger initial learning curve =
than exhibited by the EDP for which you can get a custom footswitch for whi=
ch the software has already been optimized. The EDP programming depth is ab=
out customization=2C but on arrival it's set up and ready to go whereas the=
 Looperlative is relatively lost without a MIDI controller or at least some=
 programming of the user buttons. Now=2C I'm certainly capable of doing tha=
t programming=2C but now I need to step back and start thinking about desig=
ning a looper control set that's right for me.


So=2C I start down that path and I ask what=2C for example=2C would I like =
to do? Hmm. I've had times where I have my feedback set to 0% and basically=
 just work with a long synchronized delay=2C but I'd like to be able to tra=
nsition to feedback =3D 100% to build a seamless loop. I can program a butt=
on to go to feedback =3D 100%=2C but I can't program a button to go to feed=
back =3D 0%. I could use a continuous pedal to control this with a suitable=
 MIDI controller=2C but that has it's own set of complexities with respect =
to when the controller signal gets sent. Given a sufficiently powerful MIDI=
 controller=2C I could program buttons to send those control values but now=
 we're out of the "the Looperlative is trivial to get working with a MIDI c=
ontroller" realm. My first thought had been to use Replace+ mode=2C but it'=
s interaction with Rec/Dub proved to be "interesting".


Now=2C that said=2C this is difficult to make work with the stock EDP as we=
ll given that substitute is a sustained function (cool for quantized replac=
e=2C not a good answer for a generic take the feedback to 0% option) and va=
rious interface modes aren't friendly to stereo EDP use. But my point is th=
at the EDP basically comes optimized for a particular way of working wherea=
s the Looperlative comes expecting the user to program it to fit their work=
ing style only to then present various at times unexpected bumps in the roa=
d. Maybe this is also why I generally prefer Apple equipment. It has all so=
rts of limitations=2C but it has also been subjected to a lot of focus on m=
aking it good at working in a particular way.


But really with the Looperlative=2C it comes down to saying: Here's what I =
want to do. Then figure out what the Looperlative would need to do to best =
approximate that. Then figure out how sophisticated a MIDI controller I nee=
d to get. Then get it programmed. Maybe at the end of the day that all work=
s out well=2C but it also feels a lot like what I spend my time at work wor=
rying about doing.


Mark

 		 	   		  =

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This looks like a&nbsp=3Bstrat vs sg debate to me&nbsp=3B - it's what we ca=
ll horses for courses over here. Choose your weapon gentlemen and PLAY!<BR>
&nbsp=3B<BR>
HNY<BR>
&nbsp=3B<BR>
Gareth<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
From: mark@grubmah.com<BR>Subject: Re: The EDP and the Looperlative and me<=
BR>Date: Fri=2C 31 Dec 2010 09:59:56 -0800<BR>To: Loopers-Delight@loopers-d=
elight.com<BR><BR>
<META name=3DGenerator content=3D"Microsoft SafeHTML">
<DIV>
<DIV>On Dec 31=2C 2010=2C at 9:08 AM=2C William Walker wrote:</DIV><BR clas=
s=3DecxApple-interchange-newline>
<BLOCKQUOTE><SPAN style=3D"TEXT-TRANSFORM: none=3B TEXT-INDENT: 0px=3B BORD=
ER-COLLAPSE: separate=3B FONT: medium Helvetica=3B WHITE-SPACE: normal=3B L=
ETTER-SPACING: normal=3B WORD-SPACING: 0px" class=3DecxApple-style-span>
<DIV><FONT class=3DecxApple-style-span color=3D#070318>Hi Mark =2C as far a=
s I can tell you need to dig deeper in to the LP-1 to reveal its mysteries =
and I can't for the life of me understand why you are so resistant. . I say=
 &nbsp=3Blive with the LCD screen and learn not to be so dependent on it. I=
 rarely look at the front panel of mine unless I have lost track of which t=
rack I'm on. I almost always use sync record and there is a work around tha=
t lets you set the tempo in advance . You simply record a blank loop withou=
t playing anything to set clock tempo for other effects. Works like a charm=
=2C I do it all the time. It takes a couple of moments of silence before st=
arting to play but I don't sense it is distracting to an audience. When I m=
oved from the Repeater to the LP-1 I gave up some functions that where not =
reproduced in the same way. I jettisoned time stretch and mellotron mode (t=
hough its possible to fake both things in the LP-1 now) and I took the LP-1=
 as its own animal and I proceeded to dig in as deeply as I could and I spe=
nt a lot of time doing it. i find it fascinating that some folks on this li=
st are willing to take that kind of time to get inside the machine and some=
 want everything nice and simple. One list member gave up on the LP-1 after=
 spending a paltry &nbsp=3Btwo weeks? What the fuck can one hope to possibl=
y understand about a machine this sophisticated in two weeks?????? perhaps =
enough to realize it isn't an EDP=2C but not enough time to understand its =
potential. This is a machine that takes a bit of work to understand just li=
ke the EDP did. &nbsp=3BUnlike the time I've spent trying to make modeling =
amps sound right=2C working &nbsp=3Bto learn how to use the LP-1 has been t=
otally gratifying and musically rewarding to me. You saw my performance at =
Y2K10 didn't you? Did I look like someone who was struggling with my gear? =
I would be happy to help you accelerate your growth on the machine if time =
is an issue=2C and I know that with a family and a high powered tech job=2C=
 &nbsp=3Btime is at a premium for you. But at this stage of the game I'm a =
bit exhausted by giving out free advice to people about the LP-1. &nbsp=3B<=
/FONT></DIV>
<DIV><FONT class=3DecxApple-style-span color=3D#070318>Bill</FONT></DIV></S=
PAN></BLOCKQUOTE></DIV><BR>
<DIV>I'm not sure why it's so important to you and Rick that I come to love=
 the LP-1. I appreciate it and I appreciate the offers of help=2C but it's =
rather odd how saying that one is more comfortable with the EDP elicits som=
e of the reactions that it does. My initial post on this thread was sparked=
 by a question from someone else a few weeks back on why one might prefer t=
he EDP and I tried to sort through what it is that I find appealing about t=
he EDP.</DIV>
<DIV><BR></DIV>
<DIV>One thing I'll note on learning curves is that almost all of the Loope=
rlative discussions start with: "It's really easy to program a MIDI control=
ler for it." It's worth noting that that's a much bigger initial learning c=
urve than exhibited by the EDP for which you can get a custom footswitch fo=
r which the software has already been optimized. The EDP programming depth =
is about customization=2C but on arrival it's set up and ready to go wherea=
s the Looperlative is relatively lost without a MIDI controller or at least=
 some programming of the user buttons. Now=2C I'm certainly capable of doin=
g that programming=2C but now I need to step back and start thinking about =
designing a looper control set that's right for me.</DIV>
<DIV><BR></DIV>
<DIV>So=2C I start down that path and I ask what=2C for example=2C would I =
like to do? Hmm. I've had times where I have my feedback set to 0% and basi=
cally just work with a long synchronized delay=2C but I'd like to be able t=
o transition to feedback =3D 100% to build a seamless loop. I can program a=
 button to go to feedback =3D 100%=2C but I can't program a button to go to=
 feedback =3D 0%. I could use a continuous pedal to control this with a sui=
table MIDI controller=2C but that has it's own set of complexities with res=
pect to when the controller signal gets sent. Given a sufficiently powerful=
 MIDI controller=2C I could program buttons to send those control values bu=
t now we're out of the "the Looperlative is trivial to get working with a M=
IDI controller" realm. My first thought had been to use Replace+ mode=2C bu=
t it's interaction with Rec/Dub proved to be "interesting".</DIV>
<DIV><BR></DIV>
<DIV>Now=2C that said=2C this is difficult to make work with the stock EDP =
as well given that substitute is a sustained function (cool for quantized r=
eplace=2C not a good answer for a generic take the feedback to 0% option) a=
nd various interface modes aren't friendly to stereo EDP use. But my point =
is that the EDP basically comes optimized for a particular way of working w=
hereas the Looperlative comes expecting the user to program it to fit their=
 working style only to then present various at times unexpected bumps in th=
e road. Maybe this is also why I generally prefer Apple equipment. It has a=
ll sorts of limitations=2C but it has also been subjected to a lot of focus=
 on making it good at working in a particular way.</DIV>
<DIV><BR></DIV>
<DIV>But really with the Looperlative=2C it comes down to saying: Here's wh=
at I want to do. Then figure out what the Looperlative would need to do to =
best approximate that. Then figure out how sophisticated a MIDI controller =
I need to get. Then get it programmed. Maybe at the end of the day that all=
 works out well=2C but it also feels a lot like what I spend my time at wor=
k worrying about doing.</DIV>
<DIV><BR></DIV>
<DIV>Mark</DIV>
<DIV><BR></DIV> 		 	   		  </body>
</html>=

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From: Gareth Whittock <buddhamachine@live.co.uk>
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Subject: RE: welcome 2011
Date: Fri, 31 Dec 2010 18:23:18 +0000
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Bravo!
=20
Felice ano nuovo
=20
pace
=20
=20
Gareth


Date: Fri=2C 31 Dec 2010 19:04:37 +0100
Subject: welcome 2011
From: eterogenus@gmail.com
To: Loopers-Delight@loopers-delight.com


how I say "bye bye" to 2010...


http://www.youtube.com/watch?v=3DTgin63jUBBw


Happy new year to you all !



-f 		 	   		  =

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<body class=3D'hmmessage'>
Bravo!<BR>
&nbsp=3B<BR>
Felice ano nuovo<BR>
&nbsp=3B<BR>
pace<BR>&nbsp=3B<BR>
&nbsp=3B<BR>
Gareth<BR>

<HR id=3DstopSpelling>
Date: Fri=2C 31 Dec 2010 19:04:37 +0100<BR>Subject: welcome 2011<BR>From: e=
terogenus@gmail.com<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
<DIV>how I say "bye bye" to 2010...</DIV>
<DIV>
<DIV>
<DIV><SPAN style=3D"FONT-FAMILY: arial=2C sans-serif=3B WHITE-SPACE: pre=3B=
 FONT-SIZE: 12px" class=3DecxApple-style-span><A target=3D_blank>http://www=
.youtube.com/watch?v=3DTgin63jUBBw</A></SPAN></DIV>
<DIV><FONT class=3DecxApple-style-span size=3D3 face=3D"arial=2C sans-serif=
"><SPAN style=3D"WHITE-SPACE: pre=3B FONT-SIZE: 12px" class=3DecxApple-styl=
e-span><BR></SPAN></FONT></DIV>
<DIV><FONT class=3DecxApple-style-span size=3D3 face=3D"arial=2C sans-serif=
"><SPAN style=3D"WHITE-SPACE: pre=3B FONT-SIZE: 12px" class=3DecxApple-styl=
e-span>Happy new year to you all !</SPAN></FONT></DIV>
<DIV><FONT class=3DecxApple-style-span size=3D3 face=3D"arial=2C sans-serif=
"><SPAN style=3D"WHITE-SPACE: pre=3B FONT-SIZE: 12px" class=3DecxApple-styl=
e-span><BR></SPAN></FONT></DIV>
<DIV>
<DIV>-f</DIV></DIV></DIV></DIV> 		 	   		  </body>
</html>=

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=EF=BB=BFWhile I suspect tonight=E2=80=99s Audio Tarot show is =
pre-empted by some mode of merriment =E2=80=93 We=E2=80=99re going down =
to the old 14th Century church near midnight =E2=80=93 I just finished =
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The happiest to all in the meantime!
http://www.ustream.tv/recorded/11743955
 
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COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">While=20
I suspect tonight=E2=80=99s Audio Tarot show is pre-empted by some mode =
of merriment =E2=80=93=20
We=E2=80=99re going down to the old 14th Century church near midnight =
=E2=80=93 I just finished=20
the Seventh Day of Christmas show on ustream.tv.</DIV></DIV>
<DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
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happiest to all in the meantime!</DIV></DIV>
<DIV>
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corded/11743955</A></DIV></DIV>
<DIV>
<DIV=20
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Happy New Year 2011 to everyone on the Looper's Delight list!


2010/12/31 Gareth Whittock <buddhamachine@live.co.uk>

>  Bravo!
>
> Felice ano nuovo
>
> pace
>
>
> Gareth
> ------------------------------
> Date: Fri, 31 Dec 2010 19:04:37 +0100
> Subject: welcome 2011
> From: eterogenus@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
>
> how I say "bye bye" to 2010...
>  http://www.youtube.com/watch?v=Tgin63jUBBw
>
> Happy new year to you all !
>
>  -f
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

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Happy New Year 2011 to everyone on the Looper&#39;s Delight list!<br><br><b=
r><div class=3D"gmail_quote">2010/12/31 Gareth Whittock <span dir=3D"ltr">&=
lt;<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>=
&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">



<div>
Bravo!<br>
=A0<br>
Felice ano nuovo<br>
=A0<br>
pace<br>=A0<br>
=A0<br>
Gareth<br>

<hr>
Date: Fri, 31 Dec 2010 19:04:37 +0100<br>Subject: welcome 2011<br>From: <a =
href=3D"mailto:eterogenus@gmail.com" target=3D"_blank">eterogenus@gmail.com=
</a><br>To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a><div>
<div></div><div class=3D"h5"><br><br>
<div>how I say &quot;bye bye&quot; to 2010...</div>
<div>
<div>
<div><span style=3D"font-family: arial,sans-serif; white-space: pre-wrap; f=
ont-size: 12px;"><a>http://www.youtube.com/watch?v=3DTgin63jUBBw</a></span>=
</div>
<div><font face=3D"arial, sans-serif" size=3D"3"><span style=3D"white-space=
: pre-wrap; font-size: 12px;"><br></span></font></div>
<div><font face=3D"arial, sans-serif" size=3D"3"><span style=3D"white-space=
: pre-wrap; font-size: 12px;">Happy new year to you all !</span></font></di=
v>
<div><font face=3D"arial, sans-serif" size=3D"3"><span style=3D"white-space=
: pre-wrap; font-size: 12px;"><br></span></font></div>
<div>
<div>-f</div></div></div></div> 		 	   		  </div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahti=
nen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bl=
ank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a34db86ec30498b917ea--

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Subject: Lovely
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a20302a3970498b9580d
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http://www.yle.fi/elavaarkisto/?s=s&g=8&ag=95&t=541&a=4737

:-)

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a20302a3970498b9580d
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<a href=3D"http://www.yle.fi/elavaarkisto/?s=3Ds&amp;g=3D8&amp;ag=3D95&amp;=
t=3D541&amp;a=3D4737">http://www.yle.fi/elavaarkisto/?s=3Ds&amp;g=3D8&amp;a=
g=3D95&amp;t=3D541&amp;a=3D4737</a><br><br>:-)=A0=A0 <br clear=3D"all"><br>=
-- <br>Petri Lahtinen<br>
<a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petri=
lahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br><a href=3D"http://sou=
ndcloud.com/petrilahtinen" target=3D"_blank">http://soundcloud.com/petrilah=
tinen</a><br>
<a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/" =
target=3D"_blank">http://petrilahtinen.bandcamp.com/</a><br>---------------=
------------------------------------<br>
&quot;Only become professional musician if there is no choice.&quot; -Rober=
t Fripp-<br>---------------------------------------------------<br>&quot;So=
me people never go crazy. What truly horrible lives they must lead.&quot; -=
Charles Bukowski-<br>
<br>

--20cf3054a20302a3970498b9580d--

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Date: Fri, 31 Dec 2010 11:53:10 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: welcome 2011
To: Loopers-Delight@loopers-delight.com
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happy new year form France

Antony and Anton Hequet



________________________________
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, December 31, 2010 7:37:21 PM
Subject: Re: welcome 2011

Happy New Year 2011 to everyone on the Looper's Delight list!



2010/12/31 Gareth Whittock <buddhamachine@live.co.uk>

Bravo!
> 
>Felice ano nuovo
> 
>pace
> 
> 
>Gareth
>________________________________
 Date: Fri, 31 Dec 2010 19:04:37 +0100
>Subject: welcome 2011
>From: eterogenus@gmail.com
>To: Loopers-Delight@loopers-delight.com
>
>
>
>how I say "bye bye" to 2010...
>http://www.youtube.com/watch?v=Tgin63jUBBw
>
>
>Happy new year to you all !
>
>
>-f


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead." -Charles 
Bukowski-


      
--0-437621865-1293825190=:38733
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>happy new year form France</div><div><br></div><div>Antony and Anton Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Petri Lahtinen &lt;aikuinen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, December 31, 2010 7:37:21 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: welcome 2011<br></font><br>
Happy New Year 2011 to everyone on the Looper's Delight list!<br><br><br><div class="gmail_quote">2010/12/31 Gareth Whittock <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:buddhamachine@live.co.uk" target="_blank" href="mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt;</span><br>
<blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">



<div>
Bravo!<br>
&nbsp;<br>
Felice ano nuovo<br>
&nbsp;<br>
pace<br>&nbsp;<br>
&nbsp;<br>
Gareth<br>

<hr>
Date: Fri, 31 Dec 2010 19:04:37 +0100<br>Subject: welcome 2011<br>From: <a rel="nofollow" ymailto="mailto:eterogenus@gmail.com" target="_blank" href="mailto:eterogenus@gmail.com">eterogenus@gmail.com</a><br>To: <a rel="nofollow" ymailto="mailto:Loopers-Delight@loopers-delight.com" target="_blank" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><div>
<div></div><div class="h5"><br><br>
<div>how I say "bye bye" to 2010...</div>
<div>
<div>
<div><span style="font-family:arial, sans-serif;white-space:pre-wrap;font-size:12px;"><a rel="nofollow">http://www.youtube.com/watch?v=Tgin63jUBBw</a></span></div>
<div><font face="arial, sans-serif" size="3"><span style="white-space:pre-wrap;font-size:12px;"><br></span></font></div>
<div><font face="arial, sans-serif" size="3"><span style="white-space:pre-wrap;font-size:12px;">Happy new year to you all !</span></font></div>
<div><font face="arial, sans-serif" size="3"><span style="white-space:pre-wrap;font-size:12px;"><br></span></font></div>
<div>
<div>-f</div></div></div></div> 		 	   		  </div></div></div>
</blockquote></div><br><br clear="all"><br>-- <br>Petri Lahtinen<br><span><a target="_blank" href="http://www.petrilahtinen.com">http://www.petrilahtinen.com</a></span><br><span><a target="_blank" href="http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.com/</a></span><br><span>
<a target="_blank" href="http://soundcloud.com/petrilahtinen">http://soundcloud.com/petrilahtinen</a></span><br><span><a target="_blank" href="http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen</a></span><br><span><a target="_blank" href="http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.com/</a></span><br>
---------------------------------------------------<br>"Only become professional musician if there is no choice." -Robert Fripp-<br>---------------------------------------------------<br>"Some people never go crazy. What truly horrible lives they must lead." -Charles Bukowski-<br>
<br>
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 20:05:00 2010
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Hey Mark, I was probably the one that started this mess, sorry!!!
Anyway, I have had LP1 a couple of years now, and I use this Novation
controller

=20

http://www.novationmusic.com/us/products/midi_controllers/sl_mkii

=20

and it is killer, killer, killer, easy to program and you can control
anything on the LP1 with it, I also use a midibuddy footswitch, and the
combination is great. The screen is a bit small I agree, but like Bill
said, all you really need it for is to remember what track is selected.
That's one thing that would be cool to change on the LP1 is to have an
led showing what track is up.

=20

People must like the EDP though, cause you sure never see them on ebay.

=20

I also use the Novation to control two TC M300's in my rack, just a
button push and the template controls everything on the FX units, pretty
cool, and keyboard, I just use for keys, but lots of options there too,
oh and it fits in a rack space.

=20

Andy

=20

=20

=20

From: Mark Hamburg [mailto:mark@grubmah.com]=20
Sent: Friday, December 31, 2010 1:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: The EDP and the Looperlative and me

=20

On Dec 31, 2010, at 9:08 AM, William Walker wrote:





Hi Mark , as far as I can tell you need to dig deeper in to the LP-1 to
reveal its mysteries and I can't for the life of me understand why you
are so resistant. . I say  live with the LCD screen and learn not to be
so dependent on it. I rarely look at the front panel of mine unless I
have lost track of which track I'm on. I almost always use sync record
and there is a work around that lets you set the tempo in advance . You
simply record a blank loop without playing anything to set clock tempo
for other effects. Works like a charm, I do it all the time. It takes a
couple of moments of silence before starting to play but I don't sense
it is distracting to an audience. When I moved from the Repeater to the
LP-1 I gave up some functions that where not reproduced in the same way.
I jettisoned time stretch and mellotron mode (though its possible to
fake both things in the LP-1 now) and I took the LP-1 as its own animal
and I proceeded to dig in as deeply as I could and I spent a lot of time
doing it. i find it fascinating that some folks on this list are willing
to take that kind of time to get inside the machine and some want
everything nice and simple. One list member gave up on the LP-1 after
spending a paltry  two weeks? What the fuck can one hope to possibly
understand about a machine this sophisticated in two weeks?????? perhaps
enough to realize it isn't an EDP, but not enough time to understand its
potential. This is a machine that takes a bit of work to understand just
like the EDP did.  Unlike the time I've spent trying to make modeling
amps sound right, working  to learn how to use the LP-1 has been totally
gratifying and musically rewarding to me. You saw my performance at
Y2K10 didn't you? Did I look like someone who was struggling with my
gear? I would be happy to help you accelerate your growth on the machine
if time is an issue, and I know that with a family and a high powered
tech job,  time is at a premium for you. But at this stage of the game
I'm a bit exhausted by giving out free advice to people about the LP-1.


Bill

=20

I'm not sure why it's so important to you and Rick that I come to love
the LP-1. I appreciate it and I appreciate the offers of help, but it's
rather odd how saying that one is more comfortable with the EDP elicits
some of the reactions that it does. My initial post on this thread was
sparked by a question from someone else a few weeks back on why one
might prefer the EDP and I tried to sort through what it is that I find
appealing about the EDP.

=20

One thing I'll note on learning curves is that almost all of the
Looperlative discussions start with: "It's really easy to program a MIDI
controller for it." It's worth noting that that's a much bigger initial
learning curve than exhibited by the EDP for which you can get a custom
footswitch for which the software has already been optimized. The EDP
programming depth is about customization, but on arrival it's set up and
ready to go whereas the Looperlative is relatively lost without a MIDI
controller or at least some programming of the user buttons. Now, I'm
certainly capable of doing that programming, but now I need to step back
and start thinking about designing a looper control set that's right for
me.

=20

So, I start down that path and I ask what, for example, would I like to
do? Hmm. I've had times where I have my feedback set to 0% and basically
just work with a long synchronized delay, but I'd like to be able to
transition to feedback =3D 100% to build a seamless loop. I can program =
a
button to go to feedback =3D 100%, but I can't program a button to go to
feedback =3D 0%. I could use a continuous pedal to control this with a
suitable MIDI controller, but that has it's own set of complexities with
respect to when the controller signal gets sent. Given a sufficiently
powerful MIDI controller, I could program buttons to send those control
values but now we're out of the "the Looperlative is trivial to get
working with a MIDI controller" realm. My first thought had been to use
Replace+ mode, but it's interaction with Rec/Dub proved to be
"interesting".

=20

Now, that said, this is difficult to make work with the stock EDP as
well given that substitute is a sustained function (cool for quantized
replace, not a good answer for a generic take the feedback to 0% option)
and various interface modes aren't friendly to stereo EDP use. But my
point is that the EDP basically comes optimized for a particular way of
working whereas the Looperlative comes expecting the user to program it
to fit their working style only to then present various at times
unexpected bumps in the road. Maybe this is also why I generally prefer
Apple equipment. It has all sorts of limitations, but it has also been
subjected to a lot of focus on making it good at working in a particular
way.

=20

But really with the Looperlative, it comes down to saying: Here's what I
want to do. Then figure out what the Looperlative would need to do to
best approximate that. Then figure out how sophisticated a MIDI
controller I need to get. Then get it programmed. Maybe at the end of
the day that all works out well, but it also feels a lot like what I
spend my time at work worrying about doing.

=20

Mark

=20


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-webkit-nbsp-mode: space;-webkit-line-break: after-white-space'>

<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Hey Mark, I was probably the one that started this mess,
sorry!!! Anyway, I have had LP1 a couple of years now, and I use this =
Novation
controller<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><a
href=3D"http://www.novationmusic.com/us/products/midi_controllers/sl_mkii=
">http://www.novationmusic.com/us/products/midi_controllers/sl_mkii</a><o=
:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>and it is killer, killer, killer, easy to program and you =
can
control anything on the LP1 with it, I also use a midibuddy footswitch, =
and the
combination is great. The screen is a bit small I agree, but like Bill =
said,
all you really need it for is to remember what track is selected. =
That&#8217;s
one thing that would be cool to change on the LP1 is to have an led =
showing
what track is up.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>People must like the EDP though, cause you sure never see =
them
on ebay.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I also use the Novation to control two TC M300&#8217;s in =
my
rack, just a button push and the template controls everything on the FX =
units,
pretty cool, and keyboard, I just use for keys, but lots of options =
there too,
oh and it fits in a rack space.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Andy<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Mark =
Hamburg
[mailto:mark@grubmah.com] <br>
<b>Sent:</b> Friday, December 31, 2010 1:00 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: The EDP and the Looperlative and =
me<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<div>

<p class=3DMsoNormal>On Dec 31, 2010, at 9:08 AM, William Walker =
wrote:<o:p></o:p></p>

</div>

<p class=3DMsoNormal><br>
<br>
<o:p></o:p></p>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:13.5pt;font-family:"Helvetica","sans-serif";
color:#070318'>Hi Mark , as far as I can tell you need to dig deeper in =
to the
LP-1 to reveal its mysteries and I can't for the life of me understand =
why you
are so resistant. . I say &nbsp;live with the LCD screen and learn not =
to be so
dependent on it. I rarely look at the front panel of mine unless I have =
lost
track of which track I'm on. I almost always use sync record and there =
is a
work around that lets you set the tempo in advance . You simply record a =
blank
loop without playing anything to set clock tempo for other effects. =
Works like
a charm, I do it all the time. It takes a couple of moments of silence =
before
starting to play but I don't sense it is distracting to an audience. =
When I
moved from the Repeater to the LP-1 I gave up some functions that where =
not
reproduced in the same way. I jettisoned time stretch and mellotron mode
(though its possible to fake both things in the LP-1 now) and I took the =
LP-1
as its own animal and I proceeded to dig in as deeply as I could and I =
spent a
lot of time doing it. i find it fascinating that some folks on this list =
are
willing to take that kind of time to get inside the machine and some =
want
everything nice and simple. One list member gave up on the LP-1 after =
spending
a paltry &nbsp;two weeks? What the fuck can one hope to possibly =
understand
about a machine this sophisticated in two weeks?????? perhaps enough to =
realize
it isn't an EDP, but not enough time to understand its potential. This =
is a
machine that takes a bit of work to understand just like the EDP did.
&nbsp;Unlike the time I've spent trying to make modeling amps sound =
right,
working &nbsp;to learn how to use the LP-1 has been totally gratifying =
and
musically rewarding to me. You saw my performance at Y2K10 didn't you? =
Did I
look like someone who was struggling with my gear? I would be happy to =
help you
accelerate your growth on the machine if time is an issue, and I know =
that with
a family and a high powered tech job, &nbsp;time is at a premium for =
you. But
at this stage of the game I'm a bit exhausted by giving out free advice =
to
people about the LP-1. &nbsp;</span><span =
style=3D'font-size:13.5pt;font-family:
"Helvetica","sans-serif"'><o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:13.5pt;font-family:"Helvetica","sans-serif";
color:#070318'>Bill</span><span =
style=3D'font-size:13.5pt;font-family:"Helvetica","sans-serif"'><o:p></o:=
p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal>I'm not sure why it's so important to you and Rick =
that I
come to love the LP-1. I appreciate it and I appreciate the offers of =
help, but
it's rather odd how saying that one is more comfortable with the EDP =
elicits
some of the reactions that it does. My initial post on this thread was =
sparked
by a question from someone else a few weeks back on why one might prefer =
the
EDP and I tried to sort through what it is that I find appealing about =
the EDP.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>One thing I'll note on learning curves is that =
almost all of
the Looperlative discussions start with: &quot;It's really easy to =
program a
MIDI controller for it.&quot; It's worth noting that that's a much =
bigger
initial learning curve than exhibited by the EDP for which you can get a =
custom
footswitch for which the software has already been optimized. The EDP
programming depth is about customization, but on arrival it's set up and =
ready
to go whereas the Looperlative is relatively lost without a MIDI =
controller or
at least some programming of the user buttons. Now, I'm certainly =
capable of
doing that programming, but now I need to step back and start thinking =
about
designing a looper control set that's right for me.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>So, I start down that path and I ask what, for =
example,
would I like to do? Hmm. I've had times where I have my feedback set to =
0% and
basically just work with a long synchronized delay, but I'd like to be =
able to
transition to feedback =3D 100% to build a seamless loop. I can program =
a button
to go to feedback =3D 100%, but I can't program a button to go to =
feedback =3D 0%.
I could use a continuous pedal to control this with a suitable MIDI =
controller,
but that has it's own set of complexities with respect to when the =
controller
signal gets sent. Given a sufficiently powerful MIDI controller, I could
program buttons to send those control values but now we're out of the =
&quot;the
Looperlative is trivial to get working with a MIDI controller&quot; =
realm. My
first thought had been to use Replace+ mode, but it's interaction with =
Rec/Dub
proved to be &quot;interesting&quot;.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>Now, that said, this is difficult to make work with =
the
stock EDP as well given that substitute is a sustained function (cool =
for
quantized replace, not a good answer for a generic take the feedback to =
0%
option) and various interface modes aren't friendly to stereo EDP use. =
But my
point is that the EDP basically comes optimized for a particular way of =
working
whereas the Looperlative comes expecting the user to program it to fit =
their
working style only to then present various at times unexpected bumps in =
the
road. Maybe this is also why I generally prefer Apple equipment. It has =
all
sorts of limitations, but it has also been subjected to a lot of focus =
on
making it good at working in a particular way.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>But really with the Looperlative, it comes down to =
saying:
Here's what I want to do. Then figure out what the Looperlative would =
need to
do to best approximate that. Then figure out how sophisticated a MIDI
controller I need to get. Then get it programmed. Maybe at the end of =
the day
that all works out well, but it also feels a lot like what I spend my =
time at
work worrying about doing.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>Mark<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 20:17:06 2010
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Date: Fri, 31 Dec 2010 12:16:56 -0800
From: Rick Walker <looppool@cruzio.com>
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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> I completely understand you preferring the Looperlative, Rick. My point was to answer the question of why anyone might prefer the EDP which seems to come as a shock to some people on this list.
I understand and respect your intentions.
> Though they might be dismissed as minor functionality, I'll note that two items on my list can't be replicated on the Looperlative:
>
> * It doesn't have a big time readout that you can absorb at a glance.
This is true,  it's a small screen, but frankly,  I don't look at my 
looper when I use it.  I just
use it's functions, musically.     However, there used to be a device 
called a Midi Nome which had a visual
readout of BPM and generated midi clock.......I suppose that might make 
the Looperlative work for you if you wanted it to.

But really,  not all things are for all people.   Ableton's LIVE, as an 
example , is an amazing piece
of software.    I just don't like it for several reasons (one of which 
is small screen functionality)
and that's all there is to it.  My not liking it has nothing to do with 
whether it is a viable
solution for thousands of loopers.

   I just wanted to clarify what the Looperlative can do after reading your
posts about it.     I just had the feeling that you haven't delved into 
it deeply enough to figure out how
to make it work for you, but that's an assumption and we both know how 
accurate they are sometimes.
Also,  there's nothing that says you should use the Looperlative.    The 
EDP is a wonderful piece of
gear!   I've loved using mine in my life.

I do respect diversity.  I just want the record to be accurate,  hence 
my replies to your post.
> * I'm pretty sure it doesn't have a function to let you set the tempo in advance which can actually be rather nice if you are using the looper as the clock source.
Honestly,   I don't use midi in my work at all, but I know the 
Looperlative has
Midi Sync Record function,  so that means that you could send BPM  (if 
not bar length)
through any sequencer, drum machine or other midi syncable looper
> It could presumably gain the latter through a software update and maybe approximate the former depending on how much flexibility there is regarding its screen.
>
> But you nailed it when you said the question is whether you want to spend your time working with multiple tracks or working in a more linear fashion. Each can do a bit of the other, but each is also clearly optimized around a particular point of view.

Yeah, and that's why Bob Amstadt decided to make the Looperlative.  He 
got excited watching live looping in action,  went out and looked at 
what was on the market and wished that there were more features
available that weren't at the time.    I'm pretty happy that he did.

Happy New Year and a big hug to you, my friend,

Rick Walker
> Mark

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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> I'm not sure why it's so important to you and Rick that I come to love 
> the LP-1.
I can't speak for Bill, Mark, but it is NOT important for me to come to 
love the LP-1.

It does concern me, however, when you compare it critically in print and 
the fact of the matter
is that you haven't sat down and done your homework in your criticism.
I've just been trying to make the record straight in the interest of 
fair critique and
analysis.

I responded to you to try and set the record straight from my 
understanding having
worked with both truly great and inspirational machines.

After reading everything that you've posted, it's obvious that you are 
more comfortable
(for whatever reasons) with the EDP.   That's fine by me.

I'm a little sad that you've decided not to delve deeper into the LP-1 
only because
I love it.    It's obvious that you know the EDP on a far deeper level.

I can honestly say that I have loved the EDP.   Furthermore,  I can't 
wait for the amazing
instrument that is going to come out of Matthias Grob's beautiful brain 
in the next year or
so that will transcend it while retaining all of it's functionality.

So,  please just know that I'm not invested in you loving the 
LP-1...........that's an assumption
you've made from my posts but not a correct one.

With respect,
Rick Walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 20:35:18 2010
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Date: Fri, 31 Dec 2010 20:35:15 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: OT- new tune/sounds
To: loopers-delight@loopers-delight.com
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Happy new year!
OT: Here is a new tune (sounds). Its delay and reverb, no regular looping. =
Please listen if you got the time :)
http://www.myspace.com/runefagereng/music/songs/Langsom-78537603
best regards Rune F.=A0=0A=0A
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div><br></div>Happy new year!<div><br></div>=
<div>OT: Here is a new tune (sounds). Its delay and reverb, no regular loop=
ing. Please listen if you got the time :)</div><div><br></div><div>http://w=
ww.myspace.com/runefagereng/music/songs/Langsom-78537603</div><div><br></di=
v><div>best regards Rune F.&nbsp;</div></td></tr></table><br>
--0-536818930-1293827715=:14286--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 20:39:17 2010
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On 7/22/64 11:59 AM, Gareth Whittock wrote:
> This looks like a strat vs sg debate to me  - it's what we call horses 
> for courses over here. Choose your weapon gentlemen and PLAY!
>
>
I beg to differ, with respect, Gareth.

I truly don't care what looper Mark uses.

It's NOT a competition or a debate.
It's trying to be accurate in writing about a powerful instrument.

Looperlative doesn't have the public profile that Gibson had with the 
EDP originally (though
Gibson horribly let the EDP down imho)  so when people research it on 
the web, they
come upon discussions like the one that Mark initiated.

I disagreed with his conclusions, so I have only been trying to set the
record straight about what the LP-1 can do.......

.......not trying to diss the EDP or win some competition.

Come on,  I've hosted hundreds of loopers from all over the world and I, 
of all people,
truly believe that Music is the most important thing.............not 
your equipment.

The public at large is never going to judge someone's musical output by
whether they use software/hardware,  strat/sg (lol, why doesn't 
Danelectro make the
cut in that classis debate), edp, looperlative, roland, digitech, 
boomerang, etc., etc.

rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 22:15:56 2010
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Date: Fri, 31 Dec 2010 23:15:52 +0100
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Subject: Re: welcome 2011
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Happy new year to all members of Loopers Delight! I hope it will be a
good, healthy and musical year for all of us. Cheers :)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 23:29:42 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: welcome 2011
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Continued inspiration in 2011 everyone :)

Happy new year!!!!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 31 Dec 2010, at 22:15, Sjaak Overgaauw wrote:

> Happy new year to all members of Loopers Delight! I hope it will be a
> good, healthy and musical year for all of us. Cheers :)
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Continued inspiration in 2011 everyone :)<div><br></div><div>Happy new =
year!!!!</div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 31 Dec 2010, =
at 22:15, Sjaak Overgaauw wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Happy new year to all members of Loopers Delight! I =
hope it will be a</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">good, healthy and musical year =
for all of us. Cheers :)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Sjaak Overgaauw</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://premonitionfactory.com">http://premonitionfactory.com</a>/<=
/div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><a =
href=3D"http://livelooping.be">http://livelooping.be</a>/</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1--149121576--

From Loopers-Delight-request@loopers-delight.com  Fri Dec 31 23:46:40 2010
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Subject: RE: The EDP and the Looperlative and me
Date: Fri, 31 Dec 2010 15:46:32 -0800
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This looks like a strat vs sg debate to me  - it's what we call horses  
for courses over here. Choose your weapon gentlemen and PLAY!

HNY

Gareth

  Actually, what I'm trying to convey is not that kind of a debate.  
Its more from my point of view of:
"hey, you have this cool piece of gear in your possession that has a  
deep feature set, why not explore its capability to the fullest?  
perhaps discover some new methods of loop creation, and also maybe  
some cool work arounds that  fulfill some of the the things that the  
EDP provided, and if you still aren't satisfied, sell it , or better  
yet,  give it to me!!!!!!!!!!!!!!!:-):-) This is the same advice I'd  
give to anyone on any piece of gear (well maybe not the very last part).
Bill

PS besides Strats totally kick ass over SG's :-)
--Apple-Mail-2--148103187
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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6200FF">This looks like =
a&nbsp;strat vs sg debate to me&nbsp; - it's what we call horses for =
courses over here. Choose your weapon gentlemen and =
PLAY!</font></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#6200FF"><br></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6200FF">&nbsp;</font></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#6200FF"><br></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6200FF">HNY</font></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#6200FF"><br></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6200FF">&nbsp;</font></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#6200FF"><br></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" =
color=3D"#6200FF">Gareth</font></span><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#6200FF"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#000002">&nbsp;Actually,=
 what I'm trying to convey is not that kind of a debate. Its more from =
my point of view of:&nbsp;</font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#000002">"hey, you =
have this cool piece of gear in your possession that has a deep feature =
set, why not explore its capability to the fullest? perhaps discover =
some new methods of loop creation, and also maybe some cool work arounds =
that &nbsp;fulfill some of the the things that the EDP provided, and if =
you still aren't satisfied, sell it , or better yet, &nbsp;give it to =
me!!!!!!!!!!!!!!!:-):-) This is the same advice I'd give to anyone on =
any piece of gear (well maybe not the very last part). =
&nbsp;</font></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" =
color=3D"#000002">Bill</font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#000002"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#000002">PS besides =
Strats totally kick ass over SG's :-)</font></span></div></body></html>=

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